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An Animal History of East Germany's Rise and Fall
By Thomas Fleischman
Foreword by Paul S. Sutter
Series edited by Paul S. Sutter
SUBJECT LISTING: History / Environmental History, Environmental Studies, Food, History / European History
BIBLIOGRAPHIC INFORMATION: 296 Pages, 6 x 9 in, 19 b&w illus., 1 map
The pig played a fundamental role in the German Democratic Republic's attempts to create and sustain a modern, industrial food system built on communist principles. By the mid-1980s, East Germany produced more pork per capita than West Germany and the UK, while also suffering myriad unintended consequences of this centrally planned practice: manure pollution, animal disease, and rolling food shortages.
The pig is an incredibly adaptive animal, and historian Thomas Fleischman uncovers three types of pig that played roles in this history: the industrial pig, remade to suit the conditions of factory farming; the wild boar, whose overpopulation was a side effect of agricultural development rather than a conservation success story; and the garden pig, reflective of the regime's growing acceptance of private, small-scale farming within the planned economy.
Fleischman chronicles East Germany's journey from family farms to factory farms, explaining how communist principles shaped the adoption of industrial agriculture practices. More broadly, Fleischman argues that agriculture under communism came to reflect standard practices of capitalist agriculture, and that the pork industry provides a clear illustration of this convergence. His analysis sheds light on the causes of the country's environmental and political collapse in 1989 and offers a warning about the high cost of cheap food in the present and future.
Thomas Fleischman is assistant professor of history at the University of Rochester.
[A] fascinating and exhaustive study...An excellent storyteller, Fleischman has produced a very well-written book that will be useful togeneral readers and specialists alike.
[D]escribe[s] the shifting, meaningful relationship between hogs and humans, a relationship worthy of our attention.
- Ohio Valley Review
Communist Pigs gives historians in many fields much to think about: the German Democratic Republic, the Eastern Bloc, Cold War diplomacy, late-twentieth-century capitalism, German reunification, industrial agriculture, environmentalism, and the pig. Fleischman convincingly argues that pigs' centrality to the GDR's trade with foreign nations, organization of internal priorities, and creation of challenges for the regime to grapple with makes them an effective lens for studying these histories, and succeeds in challenging ideological interpretations of the Cold War's outcome and of global capitalism's legacies.
- H-Net
A fascinating study of politics, nature, and agriculture in the former East Germany after World War II. This is a really key contribution.
- Deborah Fitzgerald, author of Every Farm a Factory: The Industrial Ideal in American Agriculture
Who knew that the pig would be a great subject around which to construct an entwined history of socialist economics and international relations? Like the extraordinarily adaptable animal that it showcases, Fleischman's well-written study ranges widely and digs deeply.
- Donna T. Harsch, author of Revenge of the Domestic: Women, the Family, and Communism in the German Democratic Republic
One of the most innovative books of German history I've read in years.
- Quinn Slobodian, editor of Comrades of Color: East Germany in the Cold War World
A compelling and beautifully written book. Fleischman's analysis complicates our standard narrative of the GDR as being defined by the environmental pollution it left behind, and shows how the problems it encountered run deeper than the Cold War. By looking at its history through the prism of an animal—the pig—we learn a tremendous amount that we had not previously known. This is an original and important contribution to a growing field of political ecology in history.
- Eli Rubin, author of Amnesiopolis: Modernity, Space, and Memory in East Germany
Temples in the Cliffside
Revolutionary Jews from Spinoza to Marx
Hatched


Photoshop blending modes can be confusing if you don't know what they do or even where to find them.
Photoshop is a massive program. When you first download and open the program it can be overwhelming; not knowing where to start, or what anything does can be discouraging.
So today, we are going to talk about Blending modes. More specifically, we are going to talk about the 3 blending modes that we use the most. The blending modes are broken up into groups: Normal, Darken, Lighten, and Contrast. There are other blending modes and groups, but for this post, we are going to only be talking about a few of these.
Soft Light -This mode darkens or lightens the the photo depending on the colors in the photos. If the color in a photo is lighter than 50% grey, it will lighten the area (kind of like dodging the area). If the color is darker than 50% grey it will make that color darker (kind of like burning that area). This blending mode can produce a nice contrast pop to your image. Just be aware that it can be overpowering at 100% often. So make sure you have duplicated your layer (command/ctrl+J) and decrease the opacity to taste.
Multiply - This mode will darken your overall image. When you duplicate your layer (so you have a duplicate of your image), this mode will look at those colors and multiply the base image (your original image) by your blend image (the duplicate layer). If you chose a solid color instead of a duplicate of your image, it would do the same. This is great to tone down your image if it is too bright in certain spots or overall. It is also great to use on the background of the image to add some pop. If you are a more advanced user, you can use a mask and just use Multiply on areas where you want a lot of deep, rich color.
Screen - This will lighten your overall image. This is great for adding some light and brightness to parts of your image or the entire image.
To access your blending modes you need a new layer. This can be done in different ways, duplicating your background, using an adjustment layer, a solid color layer, etc. Today we are going to be just duplicating your image layer.
To do that open your image and hold down Command + J to duplicate your layer. Then choose the blending mode you want. Play around with the different blending modes to see what each of them do.
You will also want to add a mask to this layer, so you can brush off the effect where you do not want it. Sometimes blending modes can mess up skin tone or be too dark or too bright, and you want to get rid of it in just one area. A white mask is great for this. To brush off the effect, you will want to choose a brush the opposite color of the mask. If the mask is white (showing everything you have done) you will need a black brush to conceal the areas of the image you don't want showing. If the mask is black (hiding what you did) and you need to brush on the effect, you will need a white brush. Make sure the lower the hardness of the brush to 0%.
Now that you know a little bit about Blending Modes, where to find them, and how to use them, you can easily start to apply this lesson to more situations. Changing the blending mode on different layers or groups of our actions can affect the whole look of the action and give you a more customized look. Try it next time you're looking to switch things up a little! We offer tons of fast editing solutions in our STORE.
Those are some insane photoshop skills. I thought I would need the dissertation help uk has to understand photoshop but seems like you did the charm.
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I love to make photo edits for photographs and I love to download the photo editing soft wares. I have found so many Photoshop apps in so many sites. I like the photos that you have posted in this article which are good. Every picture was edited nicely and unique in editing.
Thank you this was great!
Awesome tutorial. Going to have to try playing with blending modes.
Wow, great tutorial! Thank you so much for this!
One of the most neglected features of photoshop. I use it occasionally but now with a better understanding of how it affects the image I will be using it more. Would LOVE to see a more detailed tutorial (video perhaps) on blending modes.
Finally a tutorial that is easily understood. Thank you so much. I look forward to checking out your other tutorials very soon.


Michael Haddock's dog, Ryder, has somehow been granted unemployment benefits.
A child in Florida got stuck inside a claw machine.
Police in Lancaster, PA were able to ID a suspect after seeing a simple witness sketch.
The U.S. military has discovered that fitness tracking app reveals the location of their bases.
The Atlanta Braves have a new mascot and it looks similar to the Phillie Phanatic.
A dozen camels were disqualified from Saudia Arabia's annual camel beauty pageant because they were injected with Botox.
A viral ASMR video helps viewers feel relaxed.
Citizens in Montgomery, Alabama held a vigil to remember their lost Taco Bell.
The Pope performed an impromptu wedding ceremony for two flight attendants mid-flight.
Knights in full armor compete in medieval tournament.
A massive indoor water park opens in Texas.
Gonzalo Jiménez's autopsy was halted when he was heard snoring.


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Does pollution lock people into a cycle of poverty?
By Jess Zimmerman on Jan 13, 2011
The Environmental Protection Agency is about to spend millions looking at how pollution and a crap environment leads to poverty and the general decline of quality of life in the U.S., The New York Times' Green blog reports. It's all part of the agency's commitment to better address environmental injustice. You've probably noticed that factories, power plants, and superfund sites tend to cluster in communities already burdened with social stresses; it's a vicious cycle where being poor means your environment is terrible, and poverty plus the terrible environment makes you more sick, which in turn can keep you poor. Thanks, capitalism!
Life is seriously unfair: Though you wouldn't know it to look at an environmental rally or, unfortunately, the staff of Grist, minority, low-income, and tribal populations are disproportionately harmed by environmental woes. Not only are they exposed to more pollution, they're also more affected by it — research suggests that the health effects of pollutant exposure join forces with other poverty-related factors like poor nutrition and stress from unmet needs, exacerbating health effects.
If that's not grim enough, try this: These environmental effects can also contribute to keeping poor folks poor. One study from Columbia University found that prenatal exposure to pollutants is linked to behavior problems and cognitive delays, meaning that kids from inner-city neighborhoods may have a harder time staying in school and getting into college. Which makes it more likely that their kids, too, will get more pollution exposure plus the bonus poverty-related stresses that make it worse.
The EPA gives a shit: The new EPA grants will encourage researchers to examine this double whammy and what can be done about it. EPA administrator Lisa P. Jackson has made environmental justice an explicit goal. In a speech last January, she explained how addressing the disproportionate effect of pollution is key to addressing other social issues, from health care to the economy:
We can talk about health care. But we also have to talk about how the poor — who get sick more often because they live in neighborhoods where the air and water are polluted — are the same people who go to the emergency room for treatment. That drives up health care costs for everyone. It hurts the local and the national economy.
But is that enough? Research alone won't fix the problem, or even make all environmentalists acknowledge that there is one. And the Times reports that some environmental justice activists are frustrated with the slow-paced cycle of discussion, study, and more discussion. But the EPA believes a solid foundation of empirical results will help bolster the case for action. That is, if we lived in a world in which politicians listened to scientists.
More in Climate & Energy	All Climate & Energy
what a difference
Biden just put the US back in the Paris Agreement. Now the pressure is on.
What happens to the Resistance after the world's loudest science denier leaves the White House?
Time's-a-ticking
The president needs to hit the ground running on climate
conservation 2030
More than 50 countries commit to protecting 30% of Earth's land and oceans

redpajama_set_name: RedPajamaCommonCrawl


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Henri LABAYLE – Professor of Law at the Université de Pau et des Pays de l'Adour, guest Professor at the College of Europe and at the Global Studies Institute, University of Geneva. Jean Monnet Chair of European Law, he runs a research laboratory (CDRE) at Bayonne Law School. He is a founding member of academic networks dedicated to these issues (Odysseus and ECLAN) and runs the GDR-CNRS dedicated to the AFSJ
Philippe DE BRUYCKER – Jean Monnet Chair for European Law on Immigration & Asylum, Professor at the Migration Policy Centre (MPC) of the European University Institute and at the Institute for European Studies (IEE) of the Université libre de Bruxelles (ULB), Coordinator of the Odysseus Academic Network
Evangelia (Lilian) TSOURDI – is an Assistant Professor of European Union Law and Dutch Research Council grantee at the Law Faculty of Maastricht University, as well as a visiting professor at Sciences Po Paris/Paris School for International Affairs. Lilian was previously a Departmental Lecturer in International Human Rights and Refugee Law at the Refugee Studies Centre of the University of Oxford, a Max Weber Fellow at the Law Faculty of the European University Institute (EUI) in Florence; a researcher at the Migration Policy Centre of the EUI, the Institute for European Studies of the Université libre de Bruxelles (ULB), and the Centre Charles De Visscher for International and European Law of UC Louvain; as well as an advisor for a Member of the European Parliament. She obtained her PhD from the Law Faculty and the Institute for European Studies of the ULB (December 2016). Click here to send an email to Dr. Tsourdi.
Gabriel ALMEIDA – Research and Communication Assistant for the OMNIA Project
Katharina BAMBERG – Research and Communication Assistant for the OMNIA Project
Silvia BARTOLINI – PhD King's College London, Academic Assistant at Université Saint Louis Bruxelles and Visiting Professor Université Catholique de Lille
Céline BAULOZ – Senior Fellow at the Global Migration Centre
Jean-Sylvestre BERGÉ – Équipe de Droit International Européen Comparé (EDIEC)
Pierre BERTHELET – Créateur du site securiteinterieure.fr et chercheur aux Hautes Études Internationales, Université Laval
Véronique BOILLET – Assistant Professor at the University of Lausanne
Jonas BORNEMANN – Research Assistant and PhD candidate, Chair of Public, European and International Law, Universität Konstanz
Ulrike BRANDL – Associate Professor at the Department of International Law and International Organisations, Faculty of Law, University of Salzburg
Chloé BRIERE – PhD candidate at the Université Libre de Bruxelles, Belgium; her research focuses on EU law and policy against human trafficking
Evelien BROUWER – Associate Professor in the field of Migration Law at the Vrije Universiteit Amsterdam, The Netherlands
Jean-Yves CARLIER – Professor at the University of Louvain (UCL) and at the University of Liège, Avocat
Silvia CARTA – LL.M. candidate at the Institute for European Studies (IEE) of the Université libre de Bruxelles and member of the Odysseus Network OMNIA Project Team.
Olivier CORTEN – Professor at the Université libre de Bruxelles, Director of the Centre of International Law
Philip CZECH – Senior Scientist at the Austrian Human Rights Institute, University of Salzburg
Andreina DE LEO – LL.M Candidate in International Migration and Refugee Law, VU University Amsterdam
Eugénie DELVAL – PHD candidate at ULB Faculty of Law
Marie DE SOMMER– Head of the Migration & Diversity Programme at the European Policy Centre (EPC) and Guest Professor at the KU Leuven Centre for Public Law
Maarten DEN HEIJER – Assistant Professor of International Law, University of Amsterdam
Marcello DI FILIPPO – Associate Professor of International Law and Coordinator of the Observatory on European Migration Law, University of Pisa (Italy)
Marianne DONY – Professor at the Université libre de Bruxelles, Jean Monnet Chair in European Union LawDirector of the Centre of International Law
Jean-Baptiste FARCY – Research and Communication Assistant for the OMNIA Project
Nikolas FEITH TAN Researcher at the Danish Institute for Human Rights
Nuno FERREIRA – Professor of Law, University of Sussex
Nuria FERRÉ TRAD – PhD student at University P. Comillas (Madrid)
Melanie FINK– Postdoctoral Researcher, Europa Institute, Leiden University
Nula FREI– PhD, Senior Researcher, Institute of European Law, University of Fribourg
Thomas GAMMELTOFT-HANSEN Professor with special responsibilities in migration and refugee law at the Faculty of Law, University of Copenhagen
Marie GARCIA – PhD candidate at the Université de Pau et des Pays de l'Adour, France – Her research focuses on the EU Return Directive and its implementation
Paula GARCIA ANDRADE – Professor of EU Law, International Law and Immigration and Refugee Policy at Comillas Pontifical University, Spain
Mauro GATTI – Research Associate, University of Luxembourg, Faculté de Droit, Economie et Finance
Ana Rita GIL – PhD Candidate and Researcher at the Faculty of Law, Universidade Nova de Lisboa – Her research focuses on the fundamental rights of migrants
Cristina GORTAZAR ROTAECHE – Professor at University P. Comillas (Madrid)
Kees GROENENDIJK – Emeritus Professor of Sociology of Law at the University of Nijmegen, The Netherlands, and founder of its Centre for Migration Law
Elspeth GUILD – Jean Monnet Professor ad personam, Queen Mary University of London, United Kingdom
Constantin HRUSCHKA – Max Planck Institute for Social Law and Social Policy, Munich
Valeria ILAREVA – Member of the Sofia Bar Association as a practicing human rights lawyer and founder of the Foundation for Access to Rights, Bulgaria
Maja JANMYR – Professor in international migration law at the Norwegian Center for Human Rights, Faculty of Law, University of Oslo
Ulla IBEN JENSEN – Independent researcher and consultant
Eleni KARAGEORGIOU – PhD Candidate at the Lund University, Sweden
James KNEALE – Research and Project Assistant for the OMNIA Project
Neža KOGOVŠEK ŠALAMON – Director, The Peace Institute – Institute for Contemporary Social and Political Studies
Simon LABAYLE – Researcher at Institut d'Etudes Européennes de l'Université Libre de Bruxelles, Member of OMNIA
Luc LEBOEUF – Guest Professor at the University of Antwerp, Research Associate at the University of Louvain (UCL) and at the Max Planck Institute for Social Anthropology, Avocat
Ellen LEFLEY, Research Assistant in European Law and LLM student in Transnational Legal Studies, Vrij Universiteit Amsterdam
Francesco MAIANI – Associate Professor, University of Lausanne, and Visiting Fellow at the Migration Policy Centre, European University Institute
Nora MARKARD– Professor of International Public Law and International Human Rights Law at the University of Münster
Rostane MEHDI – Directeur de l'Institut d'études politiques d'Aix-en-Provence
Madalina MORARU – Scientific coordinator and Researcher at the Centre for Judicial Cooperation, European University Institute (EUI), Florence
Violeta MORENO-LAX – Lecturer in Law, Queen Mary University of London
Minos MOUZOURAKIS – Coordinator of the Asylum Information Database (AIDA) at European Council on Refugees and Exiles (ECRE)
Boldizsár NAGY – Associate Professor of Public International Law at the Eötvös Loránd University, Hungary, and Associate Professor at the Central European University, Hungary
Bruno NASCIMBENE – Professor of European Law at the University of Milan and Odysseus member for Italy
Robert NESTLER – Co-Founder of NGO Refugee law clinics abroad, member of the network migration law, current student of law as well as sociology and Islamic studies; research assistant at the Max Planck Institute for Social Anthropology.
Eimear O'NEILL – Research and Communication Assistant for the OMNIA Project
Anja PALM – Junior Researcher in the Mediterranean and Middle East Programme at the Italian International Affairs Institute (IAI) and a collaborator of the Observatory on European Migration Law (University of Pisa)
Joanna PETIN – PhD candidate in European Law at the Centre de documentation et de recherches européennes (CDRE), Université de Pau et des pays de l'Adour, France
Sylvie PEYROU – Maître de conférences Université de Pau, CDRE Bayonne
Nuno PIÇARRA – Professor of EU Law at the Universidade Nova de Lisboa, at the Centro de Estudos Judiciários and at the Instituto Superior de Ciências Policiais e Segurança Interna
Kris POLLET – Head Legal and Policy Research, European Council on Refugees and Exiles (ECRE)
Juan Ruiz RAMOS, LL.M Candidate in International Migration and Refugee Law, VU University Amsterdam
Hillel RAPOPORT – Professor of Economics at the Paris School of Economics and at the Migration Policy Centre, European University Institute
Conny RIJKEN – Professor of Law at Tilburg University, the Netherlands, and member of the Adviescommissie voor Vreemdelingenzaken (ACVZ)
Elena ROZZI – Member of the Board of Association for Legal Studies on Immigration (A.S.G.I.)
Gerald SCHNEIDER – Professor of International Politics at the University of Konstanz. Editor of European Union Politics, co-editor of International Interactions and President of the European Political Science Association (2013-2015)
Jessica SCHULTZ– PhD. Lawyer and U4 advisor specialising in international human rights and refugee law.
Ralph SEVERIJNS – Staff member of the Adviescommissie voor Vreemdelingenzaken (ACVZ) and researcher at Radboud University, the Netherlands
Nikolaos SITAROPOULOS – Head of Division and Deputy to the Director, Office of the Council of Europe Commissioner for Human Rights
Vladislava STOYANOVA – Associate senior lecturer, Lund University
Daniel THYM – Professor of Law, Chair Holder of Public, European and International Law at Universität Konstanz, Germany
Evangelia (Lilian) TSOURDI – Max Weber Fellow at the European University Institute
Niovi VAVOULA – Research Assistant at Queen Mary, University of London, School of Law, and Ph.D. Candidate in EU Immigration and Criminal law
Jens VEDSTED-HANSEN – Professor of Law at Aarhus University, Denmark
Denise VENTURI – PhD Student in International Law and Human Rights, Scuola Universitaria Superiore Sant'Anna Pisa and KU Leuven
David WATT – Research Assistant for the OMNIA Project
Catherine WARIN – PhD (University of Luxembourg), co-founder and president of Passerell
Anne WEYEMBERGH – Professor of Law at the Institute for European Studies, Université Libre de Bruxelles, Belgium, and founder of European Criminal Law Academic Network (ECLAN)
Vera WRIEDT – European Center for Constitutional and Human Rights (ECCHR)
Saša ZAGORC – Associate Professor, University of Ljubljana
Natascha ZAUN – Postdoctoral researcher at University of Oxford
Catharina ZIEBRITZKI – Research Fellow, Max Planck Institute for Comparative Public and International Law


Addiction Aquatic Development ('Addiction') is a "die die must try" place to fulfill your seafood cravings in Taipei. Developed by MITSUI Food & Beverage Enterprise Group, one of the major player in Taiwan F&B dining scene, Addiction represent the group intention to bring the vitality back to the Taipei's Fish Market.
There are 10 different themes in Addiction starting from: Live Aquamarine, Instantly Consume Delicacy, Seafood Bar, Hot Pot, Barbeque, Supermarket, Cooked Food, Lifestyle, Fruits & Flowers. Lets just say you will need more than a few days to sample the superb products on offer here. This time around, we visited the Barbeque section ('BBQ').
Getting to Addiction is not a problem. We just tell the taxi driver and they knew about the location instantly. It seems it is one of the hippest place in Taipei at the moment. As they are located in the centre of Taipei Fish Market, don't be surprised when they drive through warehouses by thinking that the driver trying to con or kidnap you. My first experience here was jaw dropping. Like a little boy entering a Willy Wonka Chocolate Factory, everything seems so enticing and delicious. However, we decided to curb our enthusiasm and proceed directly to BBQ area to get a table. Please note that they do not take reservation.
Once you are allocated a table, a service staff will guide you through the ordering process. You can choose from live Alaskan King Crabs, huge clams, Ribeye steak, lamb chops, mushrooms, fish, poultry and even bbq rice balls (Onigiri). They will put a hot stone bbq on your table where they will serve you food on so it can remain warm. For a cold night with an outdoor dining area, such as during our visit, a bowl of soup to warm up your stomach to increase our appetite is definitely a must. The miso fish soup is just the right dish to start our dinner, with the aroma of seaweed and fresh salmon fish bones, you simply cannot resist having at least 2 bowls.
Next will be the Alaskan King Crabs Legs. If you are in a bigger group, you should order the whole crab, it is more worth it. They even drain the water first before they weigh the crabs. For smaller group, you just pay per leg your order. Grilled to perfection, it is meat is smooth, fresh and juicy. The same can be said with the jumbo prawns.
The clams we ordered are cooked on the shell, where the juice just ooze out. Drinking the natural juice from the meat of the shell is simply heaven. No seasoning was added, the freshness of the seafood tells it all.
The ribeye is from a good cut with a nice marbling. It is tender, simply seasoned with salt and pepper and just melts in your mouth. The same can be said about the lamb chop, which incorporated a stronger seasoning compare to the beef. Superb!! If you are on a budget, you can order the beef and chicken on stick, which was as good.
Rib Eye and Beef & Chicken "Satay"
Although the hot stone is good to maintain the warmness of your food, you need to watch out on how long you put your food there. For those heat sensitive food such as seafood, as such scallops, it is best to eat first. Our salmon was grilled nicely at the beginning, however leaving it too long on the hot stone allowing it to continue cooking, will cause some part of the fish becoming tough afterwards.
Scallops, Prawn, Beef & Pork "Satay"
To finish off your meal, order their Onigiri. This rice ball is a good carbo option and a perfect ending to your meal. Wrapped with seaweed, you will have a charred taste on the outer part and the beautiful rice ball in the inside.
For the BBQ section, you will be seated in a semi outdoor. No air conditioner, but you will have a glass roof top to cover you from the rain or probably taifun. The grill station is located on one side of the BBQ section, and you can see the grill masters in action through the glasses. Service if very good and efficient. The food come at a good speed and you don't have to wait too long. My recommendation is order just enough at first, then add some more along the way. Please note they only accept CASH, no plastics.
Overall, we have a very good experience here. The quality of the food is very good and the price is very reasonable. We spend about NT$9500 for 7 person, which come to about S$60 per person. Addiction is really addictive. Cheers!!!


Freedom to cruise around Niagara on the lake by Bicycle.
Enjoy the freedom of biking around Niagara On the Lake, cruise around and enjoy the sites and entertainment with your friends and family. Either pre pay with our secure checkout or pop in and sign one out.
Our bicycles are well maitained ensuring you, your friends and family enjoy your day biking around Niagara On The Lake.


Crafted of shiny navy acetate, Alaïa's AA0003S round sunglasses are completed with black lenses. Finished with silvertone metal pins at the end pieces and temples, this Italian-made pair evokes an elegant aesthetic with its oversized silhouette.
Oversized round shape. Clear nose guards. Silvertone metal pins at end pieces and temples. Core wire visible at temples.
52mm eye size. 24mm bridge size. 145mm temple size.
Includes hard protective case, twill pouch, and cleaning cloth.


Length- XS: 23" S: 24" M: 25" L: 26"
Bust- XS: 41" S: 43" M: 45" L: 47"
Add this tee from Free People to your closet! This lightweight tee features short cuffed sleeves and has seam details.
Pair with distressed denim shorts and sandals for a casual, on the go look.
Available in ivory, lilac, and ocean blue.


Distilled in Scotland over a recipe of 8 botanicals with the finest Scottish Grain Spirit, the Syndicate Dry Gin is bottled at 42% Alc/Vol which we've found to be the ideal complimentary strength.
The perfect base for a classic Dry Martini and of course, in a G&T with a quality tonic water.
For price and availability please contact us.


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Vegetarian cruise ship passenger 'starving' as 'almost every meal' contains meat in quarantine hotel
A vegetarian holidaymaker forced to isolate alone in a dingy hotel in Tenerife after contracting Covid on a £9,000 family cruise claims she's been left starving after almost every meal came with meat.
Garden centre owner Yvonne Harnett, 56, from Stock in Essex has been left alone in the squalid 'prison' after her husband was told he couldn't stay with her but had to return home and leave her behind.
Yvonne and husband Shane, 52, had booked the two week cruise around the Canary Islands over Christmas and New Year with their 17-year-old daughter Ellie-J.
They embarked on 21 December and were enjoying the top-of-the-range trip – despite being wary when they heard Covid had been detected aboard ship.
Passengers were asked to take regular lateral flow tests and all three were fine until 2 January when Yvonne was given a positive test but her husband and daughter continued to be negative.
She then had to isolate in her cabin for three days while the cruise ship headed back to Tenerife where she was transferred to a quarantine hotel.
Garden centre owner Yvonne Harnett (pictured), 56, from Stock in Essex has been left alone in the squalid 'prison' in Tenerife, Spain, after her husband was told he couldn't stay with her but had to return home and leave her behind
Ms Harnett said she is still served bacon (pictured) despite telling the hotel she is vegetarian
Ms Harnett asked for just potatoes and vegetables but the meal still arrived with chicken (pictured)
Happier times: Yvonne (pictured right) and husband Shane, 52, had booked the two week cruise around the Canary Islands over Christmas and New Year with their 17-year-old daughter Ellie-J
Yvonne said: 'Shane wanted to come with me to the hotel as he knew I was terrified. I've never been alone abroad before.
'But they wouldn't let him. They insisted I had to go in alone.
'They took me off the boat like I had the plague. I was wrapped in blue cloth and taken on an ambulance driven at high speed.
'Then they just dumped me with all my stuff in this dark, dingy room.
'It's like a prison. It's been utterly miserable. I've hardly slept and barely eaten. I told them over and over again that I don't eat meat but they don't seem to register it.
'I spent ages on the phone going through the lunch options and said 'please just give me the potatoes and vegetables' but when it came it had a chicken breast on it.
'The same happens with breakfast when they drape bacon on everything or lunch when I can't seem to get cheese without ham. The food is terrible and even the stuff I can eat is slop.
'Thank goodness my daughter forced me to download Netflix on my phone so I've had something to do. I've been watching old films like Grease, Ghost and Dirty Dancing and having a good cry.'
She added: 'It was meant to be a last family treat ahead of Ellie-J doing her A'levels and hopefully going off to university but it's turned into the worst holiday ever.'
Mrs Harnett should finally be released from the hotel on Sunday when she will finally be able to fly home to her family.
Her insurance company has agreed to cover the cost of her hotel quarantine and the new flight.
Mrs Harnett's husband Shane said he is 'furious' over what she has been through (pictured together left)
Mrs Harnett should be released from the hotel on Sunday when she will finally be able to fly home to her family (Pictured: Some of the food sent to her room)
Mrs Harnett had to isolate in her cabin for three days while the cruise ship headed back to Tenerife where she was transferred to a quarantine hotel (Pictured: Pringles, sweets and water in Mrs Harnett's hotel quarantine room)
Husband Shane is furious at the way she's been treated: 'When we were on the boat I tested negative, and Yvonne was positive, but they made me isolate with her – even though we pleaded with them that it meant our daughter was unaccompanied for three days
'Then when we had plans for her to get home safely and me to stay with Yvonne they wouldn't let me do that either. They told me I could stay on but not in the same hotel and if I didn't want to do that to go home. And that was pointless as I couldn't be with her. So she's been left completely alone and really upset.
'It's been a shambles. And I don't think she'd have caught the virus at all if the boat had been better managed in the first place. I'm furious.'
The cruise was a Marella trip run by Tui who have been contacted for comment.
A Tui spokesperson said: 'We're always open and transparent with guests about any illnesses onboard. We advised of a small number of covid cases when the Harnetts were on board, who remained in isolation along with their close contacts until they were transferred to a quarantine hotel under local Spanish guidelines. The safety and well-being of everyone onboard is always our priority, and we follow the correct protocols at all times and offer every support possible to our guests.'
The company insists it has no control over the quarantine hotels and how they are run – something that's organised by the Spanish authorities.
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Do you have your eyes set on the perfect job candidate? If you really want that person to join your team, you have to make them an irresistible job offer that they can't refuse.
The hiring process is designed so that you can get to know job candidates and ultimately pick the right person for the job. Through resumes, cover letters, and job interviews you learn a lot about what a job candidate is really like and what they really want. Now you just have to sell them on your job and your company.
As an HR professional you can offer a job to any job candidate you like, but remember that the job candidate also has to want to work for you. It's kind of like dating. If you have a job candidate that you want to join your team, you need to make them an irresistible job offer.
Understand the job candidates priorities.
Show the job candidate the short term and long term potential of this move.
Let them identify with the company culture and brand.
Give them a job that challenges them.
Pay them a competitive wage.
Identify and promote their strengths.
The key to making an irresistible job offer that the job candidate cannot refuse is to give the candidate what they are looking for. It's your job to identify and highlight whatever that is. Get creative, be competitive, and personalize the job offer.
Remember that your job listing might not be the only job that the person applied for. You need to sell your job opening and your company. Let them know why they are the perfect match. If the job candidate doesn't immediately jump on your offer, be willing to negotiate.
It's expensive to hire a new employee. Be willing to work with the right person to create a long term, mutually beneficial, professional relationship.


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23rd Avenue art space members rally to buy their own building
Muna Danish on April 23, 2018
On the corner of 23rd Avenue and International Boulevard in East Oakland, there's a colorful mural painted on the side of a building with the phrase "CULTURE IS A WEAPON" written in bold letters. In the center of the mural is an image of a raised fist in front of flames, surrounded by portraits of Black Panther party members, musicians, farmworkers and indigenous people. While the mural is surrounded by fences on all sides, its size and color make it a landmark in the San Antonio neighborhood bordering Fruitvale. The cultural lineage that inspired this mural is still thriving, not only in the city's art but in its community spaces, especially in the building
on which the mural is painted.
On an overcast afternoon in February, young people are sitting around a table covered with art supplies including glitter pens, stamps, color pencils and watercolors. They are at a monthly "maker day" hosted by Peacock Rebellion, a performing arts group led by queer and trans artists that is based in the building. A young woman is sewing flowers on a t-shirt that says "Man-up"—"subverting masculinity" she later quips. Others are decorating cards on the theme of "self-love," and at a table nearby, a local artist who goes by "Queen Sen Sen" is leading a block print demonstration. The prints include outlines of naked bodies, famous faces of Black artists like Nina Simone, and a vulva-shaped flower.
Devi Peacock, who uses the pronoun they, is sitting at the table, wearing a gray sweater and blue-rimmed glasses. They are tired after last night's event, "Tender Fest," a dance festival they helped organize at the performance space across the street. Peacock is the founder of Peacock Rebellion, the newest group to move into the building in 2016. The building is also home to a bike shop, a martial arts studio, a community garden, and residents who live in the apartments upstairs. Amidst the garden's slightly overgrown plants, raised beds, and a chicken coop, three volunteers finish up a monthly workday with the group Sustaining Ourselves Locally (SOL), a gardening collective based in the building.
While Peacock seems very much at home in this space, at this time last year, the group was reeling after getting the news about a possible eviction. In January, 2017, their landlord announced plans to sell the building, which some of the groups have called home since the late 1990s. Displacement has become a common threat for Bay Area nonprofits, which struggle with rising rents and a lack of affordable spaces. So the groups on 23rd Avenue came together to raise the funds needed to buy their building.
"I think our community desperately needed a win," says Eri Oura, a member of Cycles of Change, which operates a bike shop in the building. Now, the groups are hoping to maintain the community they have cultivated over the years by creating a new collective ownership arrangement that could be a model for other nonprofit groups facing displacement.
All of the groups in the 23rd Avenue building are collectively run by primarily queer and trans people of color. The oldest—Cycles of Change—just celebrated its 20th anniversary. "Quite frankly, I just don't think there's very many spaces like ours with a big plot of land in the back," says Oura, who is wearing a black hoodie with the phrase #BlackLivesMatter written in yellow on the front. Oura has a fundraising and organizing background, which came in handy after the residents got the email from their landlord last January explaining her intention of selling the building. But because the landlord supported their work, she offered them the right of first refusal.
The landlord's decision came just a month after the Ghost Ship warehouse fire, which resulted in 36 deaths and started a conversation about the safety of DIY art spaces in Oakland. Oura recalls that immediately after the fire, their landlord took the building tenants out in the garden to practice using the fire extinguisher.
None of the groups in the building wanted to leave the neighborhood, both because of their connection to the community and the difficulty of finding affordable space in the Bay Area, especially for grassroots arts organizations. "I hear from a lot of nonprofits in Oakland, rents are going up 50 or 100 percent, year over year," says Peacock. "Some are pushed out to Richmond, East Palo Alto, Hayward. Some groups can't even afford to do that."
Peacock and Oura say the neighborhood is on the cusp of gentrification. But, Peacock says, referring to the area's largely Asian and Latino population, "This is still a working class neighborhood made up of predominantly people of color—we have to fight for that."
After the initial shock and tears that came with the news of a potential eviction, the groups shifted into action. "The calls started right away," Peacock says. One of those calls was to Steve King, executive director at the Oakland Community Land Trust (OAK CLT). The land trust was formed in 2009 with a mission to purchase and maintain land and housing for low-income residents in Oakland. While the land trust was initially a response to the foreclosure crisis, King says that in response to the wave of displacements, OAK CLT realized it needed to expand its mission. "We think it's an incredibly powerful tool for community self-determination—one of the reasons we've broadened our conception of what community land trusts can do in Oakland," says King.
While the 23rd Avenue groups spoke with a few different land trusts in the Bay Area, they ultimately partnered with OAK CLT because it is based in Oakland and supportive of the groups' goal of collective ownership. "That was a big part of us feeling confident in moving forward," says Oura.
Moving forward meant raising a down payment of $75,000, to be paid to the landlord by May 1, 2017. The groups launched an online crowdfunding campaign called #Liberate23rdAve early that March. By the end of April, they had achieved their goal, with close to 600 donors contributing to their cause, and ultimately raising over $90,000.
Both Peacock and Oura were surprised at how viral the campaign went. "I was like, 'Damn, people really care,'" Oura says. They reflect on the moment, attributing it to a mix of frustration about displacement, a feeling of loss after the Ghost Ship fire, and the genuine connection many people had with the groups. "The timing of it all really got people to tune in," Oura says.
A few days later, the groups made an offer of $1.5 million for the building. "That day—it was so stressful. It wasn't long before she got back to us, but it felt like forever," says Peacock. The next day they received good news—the landlord had accepted their offer.
After the groups arranged for an environmental assessment and secured additional loans, the building's title of ownership was transferred in November to the Oakland Community Land Trust. The groups' members finally had a moment to take a breath, but they soon received a reminder of the work that was to come: "A couple hours after the sale went through, one of the sinks broke," Peacock says, laughing. "But it was a beautiful problem to have, because it was our problem now."
On a recent Saturday morning at the building, the bike shop run by Cycles of Change is alive with kids and adults working on their bikes. The space exudes a sense of contained chaos—bikes, tools, crates of used parts, and tires are everywhere. Some neighborhood kids are at the "community bike stand," where they joke around with each other and fix up their bikes for a "ride out" they are planning the next day. Andrea Sakr, age 20, is running the shop this morning. She is a former student in the "Earn-a-Bike" program, through which she built her own bike because she couldn't afford to buy one. She gently chides the kids for their language, telling them how much money would owe the shop's hypothetical cuss jar—if it had one.
Sakr teaches bike safety classes with Phoenix Mangrum, another member of Cycles of Change, who is almost 70 years old and resides in the building. Because the shop is collectively run, both Sakr and Mangrum have a say in how the space operates. "Most of us are familiar with hierarchical leadership where the buck stops with one person," says Mangrum. "Here there is no executive director—the boss is the group that you're responsible to." Mangrum has been a member of bike and food co-ops throughout his life, so he was drawn to the values the group puts forth: "consensus decision making, diversity, and anti-gentrification," he says.
Now, the challenge is to translate these values into a larger self-governance structure that all the individual groups can collectively ascribe to. Towards that end, they are working with the Oakland Community Land Trust to develop a collective ownership model. They hold monthly stakeholder meetings with the land trust, where they work in sub-committees on topics like building repairs and finance.
One ownership model they are considering is a "limited equity cooperative," which means that the tenants form a co-op and legally own the building, while leasing the commercial space to community organizations. In their own iteration of this model, the 23rd Avenue groups would form two co-ops—one for residential tenants and one for the commercial tenants—and would create an agreement between the two.
"It's very new in Oakland and that's part of the challenge—convincing everyone else: tangential partners and funders and policy makers, that this is a viable model," says King of OAK CLT. Another challenge is the legal structure, which comes down to what will be feasible under California law. "There are strict regulatory issues around condo-izing buildings," says King.
One advantage of the limited equity cooperative model is that it has restricted resale values as well as income limits for potential members. This means it can offer greater affordability than other shared equity housing models.
While the groups at 23rd Avenue don't have many residential/commercial hybrid models to emulate, one project called Columbus United in San Francisco's Chinatown neighborhood has been a starting point. In 2011, through a partnership with the San Francisco Community Land Trust, the residents formed a limited-equity housing cooperative and were able to purchase the building and set up permanently affordable housing. The collaboration was the first time a community land trust partnered with a housing cooperative explicitly to prevent the eviction of current residents.
Another option is that the land trust remains the long-term owner of the land, while the group devises a structure through which the residents will manage the building. "We refer to it as stewardship," says King. "Devi and Eri recognize their time is transitory in that building. They have this long view and want to ensure the building always serves groups with similar values."
Leo Orleans, another resident of the building and a member of SOL, says that after buying the building, they are able to approach their work with a sense of endurance. As a volunteer-run organization, SOL had struggled with creating consistent programming throughout the year. Now that the groups collectively own the building, Orleans says, "We can invest time and resources into projects that will sustain and actually last."
After almost a year of fundraising and negotiations, the new year brought the groups a chance to reflect and bring their community together. In January, they organized a community celebration at the East Side Arts Alliance—a black-box theater space—across the street from their building. At the event, Peacock and Oura addressed an audience of friends, community members, and collaborators. "A year and five days ago, I was scared," Peacock said to the crowd, referring to the moment they learned the building would be up for sale. "What we are doing felt impossible," Peacock continued, pausing as they teared up. "This was a campaign led mostly by queer and trans people of color."
The audience clapped, and other collective members including Mangrum and Orleans, shared their gratitude. Afterwards, as they prepared the stage for a performance, Peacock moved the mic stand to the corner. "I'm just going to put this over here … to prevent any liability," Peacock said with a wry smile. "We don't have insurance for that yet."
Beyond the material challenges of collective ownership, Peacock and Oura hope to prioritize the longer-term sustainability of the neighborhood. For Peacock Rebellion, a young organization that recently began gaining momentum with local funders, Peacock is worried about what the art organization's presence could mean for the neighborhood. "That's a constant fear for me—that we will be used to sell houses because people will see it as an up and coming 'arts district,'" Peacock says. To better serve the community, they are launching a series of "listening circles" with community members, particularly Black trans people.
As the community celebration came to an end, Peacock led people outside from the East Side Arts Alliance to the 23rd Avenue building, where two native Ohlone women were closing out the event with a blessing and performance. Wearing long black and white skirts, denim jackets, and bead necklaces, they sang songs in their native language, and the smoke from a burning sage stick formed a hazy film around them. A BART train rushed past on the tracks behind the building, momentarily drowning out their singing, as the sun set.
As the crowd began to disperse, Peacock reminded folks to grab a packet of seeds on their way out as a thank-you gift. "Insert metaphor about seeds here," Peacock said, laughing. "It's been a long year."
People gather outside the 23rd Ave building in East Oakland for a community celebration. Photo: Alvin Saelee
Devi Peacock, Eri Oura, Leo Orleans and other 23rd Ave. collective members share their work at the community celebration. Photo: Alvin Saelee
Art | Business | Community | Culture | Development | Housing
Anti-war rally protests American influence on foreign countries and violence within the U.S.
The Tale of Two Cities podcast: Hooked
Oakland North's 2018 year in review — our top stories – Oakland North on January 17, 2019 at 10:55 am
[…] how formerly incarcerated students have worked to get to college. We learned how the members of the 23rd Avenue art collective gathered funds to buy their own building, covered 16-year-old Gema Quetzal's path to joining California's Board of Education as […]


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'Noah' movie will get more people reading Genesis
Even a bad cinematic adaptation of the Noah story will send people back to Genesis to see where the filmmakers got it wrong.
The new "Noah" adaptation has drawn a lot of criticism from religious quarters, criticism that prompted the producers to attach a disclaimer to the movie that admits "artistic license has been taken." While the filmmakers believe the movie is consistent with the principles of the biblical story, they remind viewers that the "story of Noah can be found in the book of Genesis." Well, yes. And the original story is only five chapters and about 2,500 words long in the King James Version. That's not enough material to fill a two-hour movie, unless, of course, you're like Peter Jackson adapting "The Hobbit," in which case you've probably got another trilogy on your hands. But this artistic license is what has people worried. Publicity surrounding the movie in the weeks leading up to its release has been dominated by headlines about how various faith groups perceive the adaptation of "Noah." According to USA Today, organizations such as the National Religious Broadcasters and the American Bible Society have engaged in dialogue about the film with Paramount Pictures. Jerry Johnson, president and CEO of National Religious Broadcasters, wrote several guest posts published on Christianity Today about "Noah," including five positives and five negatives. Although he said it's "not a 'buy up a block of tickets' moment for churches," he recommended engaging rather than boycotting. Elsewhere, talk show host Glenn Beck expressed his concern that "Noah" might pose a problem for children who see the film. "This movie, if it becomes successful ... our children will look at that as being the Noah story," Beck told the Hollywood Reporter prior to seeing the film, "and no matter what you say, they will believe this version over the version that mommy and daddy are telling them or that old, dusty Bible is telling them, because this one will come alive in their imaginations." Beck later saw the film. "If you are looking for a biblical movie, this is definitely not it," Beck's website The Blaze reported him as saying. "It's not the story of Noah that I was hoping for. If you are going for that, you will be horribly disappointed." So should any book be adapted into a movie, then, at the risk of inaccurately portraying the text? Kids are still reading the Harry Potter books even though they have the Daniel Radcliffe movie versions. We underestimate our children if we think they are not capable of discerning the difference between what they read and what they see. And most of them will always tell you that the book was better. Perhaps, then, the problem is that this is an adaptation of scripture, not fiction. And certainly cinematic adaptations can influence perceptions of biblical events in significant ways. For instance, if I get to the other side and discover that Moses does not, in fact, look anything like Charlton Heston, I'm going to be really bent out of shape. But how many depictions of Jesus have there been on film? Some have been remarkable, but none have been so definitive that they compromise my own reading of the New Testament. On the contrary, many of them enhance my appreciation of the scriptures because they often provide insights I may have missed. I recognize, however, that not everyone shares this point of view. Some maintain that certain stories are so sacred they should never be told outside the confines of the scriptures because the adaptations will fall short of the true story. Well, of course they will. That's why I take the opposite view. I think these stories should be told as often as possible in every medium imaginable. That way, every interpretation is open for study and debate, and the weaknesses of one adaptation can be superseded by the strengths of another. Even a bad version of the Noah story will send people back to Genesis to see where the filmmakers got it wrong. Isn't that a good thing? I'm not willing to write the film off without seeing it myself. All of those who watch it will probably see some things they like and some things they don't, and a large chunk of the audience will likely spend some time rereading the scriptural source material to sort it all out. That means more people will, because of this movie, read that "old, dusty Bible" Beck was talking about than would have otherwise. So, in that sense, even before this movie comes out, it's already been a success.%3Cimg%20src%3D%22http%3A//beacon.deseretconnect.com/beacon.gif%3Fcid%3D156852%26pid%3D46%22%20/%3E


In this seminar, the students will learn data mining techniques for discovering frequent itemsets. The discovery of frequent itemsets is a very useful technique for analyzing data, generating association rules, deriving machine learning features and many other applications.
We expect the students to examine existing techniques by implementing (and possibly improving) one approach and an extension of that approach (for instance "multisets" or "utility patterns"). You should develop a suitable use case for that extension of the chosen frequent pattern analysis algorithm. The students are free to use any data set for their use case. We regard the DBpedia Infobox triples as a promising option. At the end of the seminar, the students are asked to evaluate their implemented algorithm on their use case both quantitatively and qualitatively.
The maximum number of students is 6, resulting in 3 teams.


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Die Pentax K-01 ist eine digitale spiegellose Systemkamera der japanischen Marke Pentax, die im Februar 2012 vorgestellt wurde und im März 2012 auf den Markt kam. Zentrale Komponente ist CMOS-Bildsensor, bei dem die AD-Wandler für die Signalwandlung direkt auf dem Chip sind. Er bietet eine effektive Auflösung von 16,28 Millionen Pixeln auf 372 mm² und eine maximale Bildgröße von 4928 × 3264 Pixel. Der Sensor ist eine Weiterentwicklung des Sensors in der Pentax K-5. Auch der zentrale Prozessor wurde überarbeitet, hat die Bezeichnung "PRIME M", bietet eine schnellere Bildverarbeitung und ermöglicht weitere Bildformate für die Videoaufzeichnung. Das Design der Kamera kommt vom australischen Industriedesigner Marc Newson. Die Kamera ist in den Farben Schwarz, Schwarz-Silber und Schwarz-Gelb erhältlich. Zusätzlich wurde das 40-mm-Objektiv von Marc Newson für diese Kamera als Standardobjektiv neu gestaltet und ist mit einer Bautiefe von 9,2 mm das weltweit flachste Wechselobjektiv. Diese Optik passt auch an alle anderen Pentax-K-Kameras.

Merkmale
Das Sensorformat 23,7 mm × 15,7 mm (APS-C) entspricht einem Verlängerungsfaktor für Objektive von etwa 1,54 gegenüber dem Kleinbildformat.

Das Bildstabilisierungs-System Shake Reduction hat eine Wirksamkeit von 2,5 bis 4 LW. Der Stabilisator ist im Gehäuse eingebaut und funktioniert somit mit allen Objektiven; dadurch werden translatorische und rotationelle Verwacklungen korrigiert.

Die Stromversorgung erfolgt mit einem wiederaufladbaren Lithium-Ionen-Akku vom Typ D-LI90.

Das Gewicht beträgt ohne Akku und Speicherkarte 480 g, betriebsbereit 560 g. Die Maße der Kamera sind 121 mm × 79 mm × 59 mm (B × H × T).

Im Videomode sind folgende Formate möglich, gespeichert wird im MP4 (AVC/H.264), der Ton wird über ein eingebautes Stereomikrofon aufgezeichnet.
 Full HD: 1960 × 1080 (16:9) mit 30, 25 oder 24 b/Sek.
 HDTV: 1280 × 720 (16:9) mit 30, 25 oder 24 B/Sek.
 VGA: 640 × 480 (4:3) mit 30, 25 oder 24 B/Sek.

Urheberrechtsinformationen und der Name des Fotografen können von der Kamera in die EXIF-Datender Bilder eingebettet werden.

Die Kamera hat einen HDR-Mode eingebaut, mit dem sich auch Freihand-HDR-Aufnahmen machen lassen, da die Kamera drei Bilder mit −3,0,+3 EV aufnimmt und die Bilder aufeinander ausrichtet. Die Stärke des Effekts ist in vier Stufen wählbar.

Bei Pentax DA-, DAL-, DFA- und einigen FA-Objektiven können die Linsenverzerrungen und Farbfehler von der Kamera korrigiert werden.

Bajonett und Objektive
Das KAF2-Bajonett ist rückwärtskompatibel mit allen K-Bajonett-Objektiven, die seit 1975 gebaut wurden. Kontakte zur Ansteuerung von Objektiven mit Fokussierung per Ultraschallmotor sind vorhanden. Daneben verfügt die K-01 über einen gehäuseinternen Autofokusmotor, der Pentax-AF-Objektive ohne eigenen Motor antreibt. Die Abblendmöglichkeit dient der Schärfentiefen-Vorschau. Für die digitale Bildvorschau wird eine Probeaufnahme auf dem Monitor angezeigt und kann abgespeichert werden.

Technische Beschreibung
Der Belichtungsindex lässt sich von ISO 100 bis zu ISO 12800 automatisch und manuell einstellen, im erweiterten Mode von ISO 100 bis zu ISO 25600; die Zwischenwerte sind in Halb- oder Drittelstufen einstellbar. Die Verschlusszeiten sind von 1/4000 bis 30 Sekunden einstellbar, dazu gibt es Langzeitbelichtung (B) und Blitzsynchronzeit (X) 1/180 Sekunde. Die Bilder können in den zwei Formaten JPG (3 Qualitäten) und dem herstellerunabhängigen DNG-Format abgespeichert werden. Für jeden ISO-Wert kann die Stärke der Rauschreduktion einzeln eingestellt werden.

Die Belichtungsmessung erfolgt in 1024 Feldern, die als Matrix, mittenbetont oder spotorientiert ausgewertet werden können. Korrekturen sind im Bereich von ±3 EV in 1/3-Schritten möglich.

Die Flüssigkristallanzeige hat eine Größe von drei Zoll, eine Auflösung von 921.000 (640 × 480 × RGB) Bildpunkten und einen Betrachtungswinkel von bis zu 170°. Über diesen Monitor kann im Live-View-Modus das Motiv betrachtet und mit Kontrastautofokus – dabei wahlweise mit oder ohne Gesichtserkennung – scharfgestellt werden; in beiden Modi ist eine Beurteilung der Schärfentiefe möglich. Der Monitor ist in 49 Stufen kalibrierbar. Es sind drei Autofokus-Modi möglich: AF-S (einmaliger Autofokus), AF-C (kontinuierlicher Autofokus) und manuell. Bei sehr geringem Licht schaltet die Kamera zum Fokussieren ein grünes Hilfslicht zu. Als EInstellhilfen für die manuelle Entfernungseinstellung gibt es eine Softwarelupe und Fokus-Peaking.

Der A/D-Wandler arbeitet mit zwölf Bit Farbtiefe. Es existieren eine Feinkorrektur der Weißabgleichsvoreinstellungen sowie mehrere Speicherplätze für manuellen Weißabgleich. Fünf benutzerdefinierte Programme dienen zum Abspeichern und raschen Aufrufen einer benutzereigenen Kamerakonfiguration.

Belichtungsreihen mit drei Bildern sind möglich, dabei können unterschiedliche Parameter variiert werden: Belichtungszeit, Weißabgleich, Sättigung, Kontrast und Schärfe. Daneben kann man auch Mehrfachbelichtungen vornehmen. Die aufgenommenen Bilder können über neun Filter bearbeitet werden.

Die Serienbildgeschwindigkeit beträgt maximal sechs Bilder/Sekunde (Hi) oder drei Bilder/Sekunde (Lo).

Die Blitzsteuerung eines externen Blitzes kann drahtlos über den eingebauten Blitz erfolgen. Es besteht zudem ein X-Synchronkontakt für Blitzanlagen. Blitzen lässt sich auf den zweiten Verschlussvorhang (mit dem internen Blitz und mit bestimmten Systemblitzgeräten).

Weblinks

 Produktseite des Herstellers
 Technische Daten des Herstellers
 dpreview.com
 Bericht über die Kamera bei Imaging resource (englisch)

Einzelnachweise

K-01

redpajama_set_name: RedPajamaWikipedia


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Watch Dogs delivers with more DLC!
Sam Leichtamer
For all of us Watch Dogs fans who just can't get enough, Ubisoft delivered this week with all new DLC! The downloadable content adds three new missions and comes with a patch that fixes multiplayer mode and eliminates game breaking bugs.
To anyone who has yet to play this exciting, open world, action-adventure game, let me tell you a bit about it. In Watch Dogs, you play a vigilante/hacker/genius by the name of Adam Pierce. After a tragic accident kills his niece Lena, Aiden seeks to bring justice and take revenge on the people responsible, all while protecting his family and friends. To help his cause, he has a hacking device that allows him to advantageously break into Chicago's infrastructure. You advance in the game by completing a series of missions that bring you closer to the truth.
In this superb video, Shacknews takes us through the real-life/in-game comparisons of Chicago. Honestly, I spent as much time touring virtual Chicago as I did actually completing missions - it's that marvelous.
Also check out their Guide to Chicago where we see the best of Chicago on its baddest behavior...
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text:
Тарноруда — название населённых пунктов на Украине:

 Тарноруда — село в Подволочисском районе Тернопольской области.
 Тарноруда — село в Волочисском районе Хмельницкой области.


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Sie befinden sind hier: Startseite > Börse > Marktberichte > HCL Concerts' The Carnatic Quest Announces the Next ...
HCL, Concerts
HCL Concerts' The Carnatic Quest Announces the Next Generation Carnatic Music Stars of India
Winners will be mentored by senior artists and will get a chance to perform at HCL Concerts virtual and physical platforms
Over 800 entries received from 175 cities in India
HCL Concerts, a platform aimed at identifying, nurturing and supporting the next generation of talent in the Indian classical performing arts space, today announced the winners of 'The Carnatic Quest'. A one-of-a-kind contest conceptualised jointly by HCL Concerts and Chennai-based Rhapsody Music Foundation, The Carnatic Quest was aimed at identifying, young prodigious Carnatic musicians across five categories including Vocal, Veena, Violin, Flute and Percussion.
Winners of the talent hunt will now be mentored by the jury members of the contest who are senior artists and maestros of Carnatic music. They will also perform for millions of music enthusiasts that follow the HCL Concerts social media platforms as well as users of the HCL Music app (a mobile app offering one of the most comprehensive collection of Indian classical music for free). Winners will get an opportunity to get featured with seasoned artists in an exclusive HCL Concerts music album. Additionally, HCL Concerts will also conduct trainings and workshops with these artists to enable them to leverage the power of social and digital media, aimed at maximizing their visibility and engagement with music lovers.
Winners of the first HCL Concerts Carnatic Quest include:
P Vikram from Chennai - https://youtu.be/g3jrafLuwMc
Abhishek Ravishankar from Chennai - https://youtu.be/EB4qOiIv2K0
Smruthi Bhaskar from Bangalore - https://youtu.be/1X4tHB7H_go
K R Shrievats from Chennai - https://youtu.be/DVdyTG-UWOE
Adarsh Ajaykumar from Thrissur - https://youtu.be/uKJo5-DIDlo
V S P Gayatri Sivani from Hyderabad - https://youtu.be/CYU9njNo_b0
Hariprasad Subramanian from Kochi - https://youtu.be/99462qz8xrQ
Kishore Ramesh from Chennai - https://youtu.be/wEE5F3AD7WI
Hariharan Sundarraman from Chennai - https://youtu.be/tsd7_2h3i6E
Sumukh Karanth from Mangalore - https://youtu.be/3-GiPkht-AI
Announcing the winners, Sundar Mahalingam, Chief Strategy Officer, HCL Corporation said, "Over the last 22 years HCL Concerts has endeavored to identify, nurture and support established as well as young Indian classical performing artists. Organizing The Carnatic Quest has been an important step towards ensuring that talented young artists have access to a platform that can help them reach a wider audience as well as grow as artists with guidance from renowned artists as mentors, who are also the jury for this initiative. The success of this contest is a testament to our efforts being in the right direction and we hope to organize similar programs for other music genres in the coming year."
(renowned Veena exponent), Lalgudi Vijayalakshmi (expert violinist), Sudha Ragunathan (veteran vocalist, singer and composer) and Shashank Subramanyam (Grammy-nominated renowned flute exponent). The Jury considered parameters that included elements such as technical knowledge of music, presentation, and communication for winner selection.
Padma Bhushan awardee, Sangita Kalanidhi Sudha Ragunathan, distinguished Carnatic vocalist and also a Jury member for The Carnatic Quest finale said, "Collaborating with HCL Concerts and the Rhapsody Music Foundation, both of whom are devoted to identifying and nurturing next generation Indian Classical musicians, aligns with my commitment towards the field and passion for mentoring young musicians. HCL ensured that as jury members our role was not limited to just selecting the winners, but also included guiding them in their journey going forward. I'm looking forward to interacting with them in the future."
Notes to the Editor
About HCL Concerts
The conservation and promotion of India's art and cultural heritage is very close to HCL's heart. To this end, HCL has been organizing HCL Concerts for 22 years, dedicated to nurturing and promoting talent rooted in the glorious heritage of Indian classical performing arts. Concerts under the umbrella of HCL Concerts are organized in Delhi NCR, Lucknow, Nagpur, Madurai, Chennai and Bengaluru in India and in New York and San Francisco in the US regularly throughout the year. Over 1000 artists have graced this platform and have contributed towards reinvigorating the Indian classical performing arts.
Over the years, more platforms have been developed to contribute to the growth of the Indian performing arts ecosystem. Most notable of these are HCL Concerts Baithak - a series of live, virtual performances by accomplished and upcoming Indian classical music and dance artists, HCL Concerts Soundscapes – showcasing the independent and inclusive music from across the Indian landscape including genres like Sufi, Folk and Indie-pop; the HCL Music Mobile App, allowing music lovers across the world a chance to enjoy the most comprehensive collection of classical music from the comforts of their home for free, and HCL Digital Concerts, a talent identification and nurturing program aimed at showcasing talented and upcoming classical performing artists to a global audience through a digital medium. For more information, visit – http://www.hclconcerts.com and https://www.facebook.com/HCLConcerts/
@ businesswireindia.com


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Q&A - Will Inquest establish what happened to my dead son in police custody?
Also Published in February
Solicitor warns bosses to cover snowy days in employment contracts
Q&A - Why should property be registered at the Land Registry before the owner dies?
Solicitor warns couples should change former name on deeds to avoid property sale delays
Q&A - Can boss install CCTV to spy on me at work without telling me it is there?
Q&A - Social services say I cannot care for grandchildren who are in temporary foster care. Can I challenge my assessment?
Q&A - Mentally abusive husband is depriving wife of cash. Is help available for divorce?
Claire Parfitt
Emma Simoes LL.B
Wrexham law firm awarded the only legal aid contract for prison law in North Wales
Q: My son went for a night out in town when he was on Army leave and ended up in the police station where he tragically died. There has been a police inquiry but I don't know the outcome. Now there is going to be an inquest. How can I find out what people say happened so I don't have to hear it for the first time at the inquest? Will the Coroner explore the events leading to his death?
A: The inquest is just to confirm the 'who' 'what' 'where' 'when' and 'how' of the death. The 'how' will only be examined as far as giving the Coroner enough information to return one of the allowed forms of verdict. These include: death as a result of natural causes; death caused by industrial disease, drugs, lack of care, neglect or self-neglect; death caused by suicide, accident/misadventure; unlawful killing; an open verdict when the evidence does not reveal the cause of death. In your son's case possible verdicts that might be investigated could be natural causes, lack of care by the police, accident/misadventure or even unlawful killing.
The only way to find out what has been previously said about your son's death would be to obtain disclosure of the written evidence and statements before the inquest. You can request this from the Coroner on payment of a fee. The Coroner will only investigate the case as far as is needed for one of the set verdicts to be reached, which may not establish what happened in the lead-up to your son's death. If you wished to make a claim against the Police that would be a job for a different Court. Given that you cannot at this stage know what the verdict might be, you should seek legal representation as soon as possible.
(published 12.02.2018)
Solicitor within our Civil Litigation team in Wrexham and Oswestry


Resigning from your job might not be as easy as you expected. What happens if you've accepted your dream role but when you go to quit, your employer shows you a tempting offer instead of a farewell handshake?
It's important to remember why you planned to leave in the first place. Ask yourself why your employer is suddenly showing their appreciation for you. Is it only because keeping you on is less hassle than searching for your replacement?
In our experience, most people who accept counter-offers find themselves looking for a new job two to six months later because their situation was the same and the reason/s that lead them to look for a new job initially still hadn't been resolved.
At the end of the day, if you stay, you're more than likely going to be perceived as disloyal to management for looking elsewhere for a job. If you do decide to accept the counter-offer and stay with your current company you will need to work hard to regain your employer's faith and a good deal of effort will be required to recreate the trust within your company. Unfortunately, they may no longer see you as loyal to the company and you may be in line to lose your job if the company was to restructure.
Most people who accept counter-offers find themselves looking for a new job two to six months later because their situation was the same and the reason/s that lead them to look for a new job initially still hadn't been resolved.
If you do decide to refuse a counter offer, don't burn bridges. Tell your employer you've made the difficult decision to take another job, and that you came to it after much thought. This is not the time to say that you felt undervalued and that you had a dreadful time at the company.
Your boss may have lots of influence on references in the future. Tell your manager that you've enjoyed your time at the company and have gained invaluable experience.
What happens when you take a counter offer?
The raise you receive with a counter offer is often higher than your raise would have been. What happens next is that your company might not give you another raise in a while because you're still earning above what you are really worth.
They lose trust in you and future promotions might slip you by, because they are not sure when you might hand in your next resignation. This implies that you might not be selected for any promotions ever.
A year from then you will still not have grown in your experience and you are earning an exuberant amount, which makes you unattractive to prospective employers. So your experience does not match your worth. Your company has out priced you in the market.
Statistics have shown that the larger parts of employees who have taken counter offers are back in the market after only three months. This puts those candidates in a difficult situation. Their salaries are above the market value and this causes their options to diminish.
Also, your boss already knows that you want to leave and they don't expect you to stay much longer, so while you are doing the work they need to get done and saying goodbye to excellent job opportunities because you have dollar signs in your eyes, your boss is sitting and going through resume's, conducting interviews and selecting the person who will replace you in the long run.
By taking a counter offer, you are placing yourself out of the market, buying your company time to replace you and giving up on good growth opportunities elsewhere.
Knowing how to handle counter offers can be difficult, so if you're unsure contact us for more advice.


Sundowners and Safaris are two words that go hand in hand. And at Safari Experts, as well as our favourite camps and lodges all over the world, we take this part of the day very seriously.
As your day begins to wind down and the sun begins to slowly sink towards the horizon your guide will chose the perfect spot for you enjoy this tradition— from a sharp bend in a dry river bed, to floating down the mighty Zambezi. From the roof of your car with the resident wild cheetah to sitting on top of the real "pride rock", to camelback overlooking the great pyramids of Giza or the pink glint of the Taj Mahal from the river below. From Antarctica and to the outback of Australia. These secret locations will never cease to amaze, but once an ice cold cocktail or beer is placed into your hand and your taste buds are marvelled by the delicious hor d'orves, the moment becomes truly magical.
This is a moment to soak up and reflect on what a great day it has been while also watching the colours of the sky dramatically change each minute, listen as the sounds change from the chorus of birds taking roost, and to the crickets and night sounds taking center stage.
It is such a staple of your day that many clients return from safari and re-instate the sundowner tradition into their everyday life.
As much as one can imagine what a sundowner is like, you just have to treat yourself and experience all the magic that can happen. So get in touch and let us introduce you to this favourite tradition of ours!


Be Your Child's First Responder comes equip with a full fingerprint kit and in-depth step by step instructions.
Your child's DNA may be the key to finding his or her whereabouts. Be Your Child's First Responder will help you take a DNA sample from your child.
You will receive a blue or yellow voice recognition recorder in your Be Your Child's First Responder Kit. Your recorder is specially designed to record and rerecord your child's voice.
Copyright © 2018 Be Your Child's First Responder - All Rights Reserved.


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Home » National News » 'OK to be White'…
'OK to be White' signs appear at 2 schools
BURLINGTON, Vt. (AP) — Signs saying "It's OK to be White" have appeared at The University of Vermont and at…
BURLINGTON, Vt. (AP) — Signs saying "It's OK to be White" have appeared at The University of Vermont and at Champlain College over the weekend.
UVM says the signs were removed and the school "condemns the activity in the strongest possible terms" to the extent they were intended to promote white nationalist ideology.
Similar signs have showed up on the campus before. Last winter, white supremacist signs and stickers were posted at UVM and other college campuses. Last winter, white supremacist signs and stickers were posted at UVM and other college campuses.
Burlington police said they were traced to a Vermont resident and some people from out of state. Police said there was no evidence to suggest that UVM or Champlain College students were involved.


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Anshun (chiń. 安顺; pinyin: Ānshùn) – miasto o statusie prefektury miejskiej w południowych Chinach, w prowincji Kuejczou. W 2010 roku liczba mieszkańców miasta wynosiła 448 957. Prefektura miejska w 1999 roku liczyła 2 859 168 mieszkańców. Ośrodek górnictwa węglowego, hutnictwa żelaza oraz przemysłu maszynowego i spożywczego.

Przypisy

Miasta w prowincji Kuejczou


Valenciasystems.com - Melia Costa Del Sol Spain. Valencia is among one of the most wonderful towns in Spain which is renowned for it is avant-garde architecture, superior foodstuff and delicate local weather. A vacation in Valencia can be quite a real address and so listed below are a couple of suggestions that can help you decide.
The main reason to journey to Europe might be diverse for every traveler. Europe travel places are rich in popular landmarks. Persons choose to visit the nations around the world in their ancestors. This is relevant to Melia Costa Del Sol Spain.
Europe may be the best site for planning out your holidays. Different nations around the world in Europe have a few of the best globe heritage sites. Europe vacation could be an unforgettable tour for all who wish to.
Connected to Melia Costa Del Sol Spain, Europe travel deals are pre-set and pre-defined. They cater towards the tourists according towards the interest which they keep. Bookings and reservations are created beforehand which will help in saving a good deal of cash and time of the travelers.
Valencia is not really so massive in contrast to other crucial European and Spanish metropolitan areas and due to the great public transport service it can be incredibly straightforward to maneuver about. Metro, buses and trams can help you to definitely arrive at the city centre. Every one of these expert services are pretty cheap as well as their formal sites are extremely easy to be aware of and navigate. Listed here are some information about the different public transportation offers.


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Tyrese Gibson pokes fun at Dwayne Johnson over disappointing Hobbs & Shaw debut
WENN - World Entertainment News NetworkMore from WENN - World Entertainment News Network
Updated: August 7, 2019 5:39 PM EDT
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Tyrese Gibson has refuelled his war of words with Dwayne Johnson by poking fun at the box office numbers for his Fast & Furious spin-off Hobbs & Shaw.
The film debuted at number one in America on Sunday, but its $60.8 million domestic haul is the worst opening for a Fast & Furious film since 2006's The Fast and The Furious: Tokyo Drift — and Tyrese wanted to make sure fans knew.
"I have to show my respects for one thing… He tried," Gibson wrote in a now-deleted tweet, before calling the box office take for Hobbs & Shaw "NOT a win."
Tyrese sparked the feud between himself and Johnson when he accused the action star of delaying the ninth Fast & Furious film with his spinoff.
In his latest post, he added: "Folks called me a hater… And attacked me for speaking out… Breaking up the family clearly doesn't have the value that one would assume it does… You know what maybe just maybe… The Rock (Johnson) and the crew will come dance with us again for #Fast10. We can all hug it out and get back to giving the true fans who have supported this franchise for 20 years WHAT they want… No hating I'm just pointing out the facts…
"Again my respects cause he tried his best… The world is clearly used to being severed (sic) its Thanksgiving meal a certain way… they want the table to 'include' all its flavours and all of its usual ingredients."
'It's not cool': Tyrese Gibson regrets public feud with Dwayne Johnson
Tyrese Gibson's ex blames his career woes on feud with Dwayne Johnson
Gibson appeared to have put his feud with Johnson behind him last month, acknowledging it was "unprofessional" to have called his co-star out.
"I found myself being the messenger on behalf of various people associated to the franchise, but stupid me was the only one who went public about those feelings, which is my own fault," he said during an appearance on Van Lathan's The Red Pill podcast. "It's not professional, it's not cool."
He also blamed his behaviour on medication he was taking at the time.
Writer 'dead serious' about Fast & Furious in space
Sizzling summer movie preview 2019: From 'John Wick 3' to 'It 2'
Taylor Swift's tour movie tops this week's TV must-sees


See table below. For urgent orders please consult with us to confirm inventory.
Lifetime warranty on all brass and copper fixtures.
Selected Forever Bright LED products are warrantied for an unprecedented (10) ten years.
guarantee on residential and (10) ten year guarantee on commercial use. The warranty takes effect from original date of purchase by the Original Purchaser.


English Rose Cruises operates from Mellieha Bay in Malta and offers you genuine boat trips and cruises and entertainment activities to discover the Maltese Islands by sea while on your holiday in Malta. With our 18 years of experience in boat excursions we help you discover our pristine beaches, the mysterious caves, and historical landmarks all set in the magical waters of the Mediterranean blue sea.
We organise special Comino Day Trips around the beautiful islands of Comino and Kemunett where we tour the natural caves and swim and snorkel in the clear waters of Blue Lagoon and Crystal Lagoon. We also do a Valletta Grand Harbour Cruise, discovering the history of Malta. We also specialise in Comino BBQ Nights at the Blue Lagoon which are very popular both with our local and foreign customers. Private charters are also accepted.
Original Malta, Gozo and Comino boat trips and still the best!
English Rose Cruises started operating during the summer of 1994. Our aim is to give our customers the best day of their holiday in Malta. This is evident from the high number of repeated clients we get each year. Our professional service and unbeatable prices are indeed our trademark!
The English Rose was built in Gozo in 1989, made of wood, 3 marine engines and 2 generators. It is 52ft long and 15ft wide and engineered as a highly seaworthy vessel. It is equipped with all EU safety standards. The boat is provided with toilet facilities, fresh water shower and a fully licensed Snack Bar.
The Comino Day Trips, Comino BBQ Nights and Valletta Grand Harbour Tours are all family run and therefore we are highly dedicated to provide relaxation and entertainment activities for all the family in a fun and safe way. In the long run, our customers become like family. Also, the crew is fun, friendly and offers you all the information you need on the Maltese Islands.
Our Comino Day Cruises, Comino BBQ Nights and Valletta Grand Harbour Tours are organised in such a way that give you time to relax and to savour each moment of the day. We do only one trip a day which means that the boat is moored at every place that we visit at your complete service. This makes it easy for you to go onboard anytime you need to rest or to shade yourself from the sun or to use the fresh water shower, toilet facilities or the Snack Bar.
The English Rose is the only one which moors also at Crystal Lagoon. This is another excellent snorkelling location around Comino and Kemunet and it offers breath taking views of the Maltese Archipelago. We are also famous for touring the natural caves around Mellieha Malta and Comino Gozo costal cliffs. This is another highlight of our Comino Day Trip, where the boat actually goes inside the cave to offer you awesome sights and sensations.
On our Comino Day Trips, Blue Lagoon BBQ Nights and Valletta Harbour Cruise we can assure you a wonderful and unique experience of the three-island archipelago filled with history and traditions surrounded by the splendid Mediterranean blue sea. So book your trip and leave the rest to us where you can enjoy from our spacious open air decks the numerous harbours, bays, creeks, sandy beaches, natural caves and magnificent coastal cliffs. No matter where you are sitting on board, the surroundings are splendid and exhilarating all around. So get your cameras ready and come and join us on the trip of your choice!


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Reserve Your Bottle Of LeptiSense NOW While Supplies Last!
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Q: What Ingredients are in LeptiSense?
A: As today inventory is available and when you order now, you will instantly receive an order confirmation email. We work hard to get your order out the door and to you as quickly as possible!
We will ship your order directly to your home or office using a carrier such as UPS and you will have it within 4 to 8 business days of placing your order. Products are shipped from St. Louis, MO, USA and we will send you a shipment notification email with tracking number as soon as your order ships so that you can track it right to your door.
Q: Can I restore my metabolism through a diet or special foods?
A: In short, no. If that was the case, all the diets and fitness programs attempted by millions of overweight people would work, wouldn't it? There wouldn't be so many stories of people who tried one diet or another and failed. And there wouldn't be a need for the dozens and dozens of studies into the impact of leptin, cortisol, and insulin on your health … nor the studies of hormone-balancing ingredients like those found in Leptisense.
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Q: Connecting to store with mapStateToProps() I get the error/warning "Failed prop type: The prop logged is marked as required in App, but its value is undefined in App". I am unable to figure out why it is not getting the values from the store.
index.js
import React from 'react';
import ReactDOM from 'react-dom';
import PropTypes from 'prop-types';
import {BrowserRouter, Switch, Route, Redirect} from 'react-router-dom';
import {Provider, connect} from 'react-redux';
import store from './store/store';

import Signup from './components/Signup';
import Home from './components/Home';

class App extends React.Component {

    constructor(props) {
        super(props);
        this.state = {
            logged: this.props.logged
        };
    }

    render() {
        return (
            <Provider store={store}>
                <BrowserRouter>
                    <Switch>
                        <Route exact path="/signup" component={Signup}/>
                        <Route exact path="/home" component={Home}/>
                        <Route exact path="/" render={() => (
                            this.state.logged ?
                                <Redirect to="/home" push/> : <Redirect to="/signup" push/>
                        )}/>
                        <Redirect to="/"/>
                    </Switch>
                </BrowserRouter>
            </Provider>
        );

    }
}

App.propTypes = {
    logged: PropTypes.bool.isRequired
};

const stateToProps = (state) => ({
    logged: state.loggedUserState.logged
});

connect(stateToProps)(App);

ReactDOM.render(<App/>, document.getElementById('root'));

loggedUserReducer.js
const initialState = {
    pending: true,
    logged: false
};

const loggedUserReducer = (state = initialState, action) => {

    if (action.type === 'GET_LOGGED_USER') {
        return Object.assign({}, state, {
            pending: false
        });
    }

    return state;
};

export default loggedUserReducer;

store.js
import { createStore, combineReducers } from 'redux';
import loggedUserReducer from '../reducers/loggedUserReducer';

const reducers = combineReducers({
    loggedUserState: loggedUserReducer
});

const store = createStore(reducers);

export default store;

A: This code

//- Everything else..

connect(stateToProps)(App); //- Assign App here!

ReactDOM.render(<App/>, document.getElementById('root'));

You forgot to assign App to the connected App you just initialized.
Do This instead.

//- Everything else ...

App.propTypes = {
    logged: PropTypes.bool.isRequired
};

const stateToProps = (state) => ({
    logged: state.loggedUserState.logged
});

const ConnectedApp = connect(stateToProps)(App);

ReactDOM.render(<ConnectedApp/>, document.getElementById('root'));

Decorators!
If you have decorators enabled you could also do.

@connect(state => ({
  logged: state.loggedUserState.logged
})
class App extends React.Component {

    constructor(props) {
        super(props);
        this.state = {
            logged: this.props.logged
        };
    }

    render() {
        return (
            <Provider store={store}>
                <BrowserRouter>
                    <Switch>
                        <Route exact path="/signup" component={Signup}/>
                        <Route exact path="/home" component={Home}/>
                        <Route exact path="/" render={() => (
                            this.state.logged ?
                                <Redirect to="/home" push/> : <Redirect to="/signup" push/>
                        )}/>
                        <Redirect to="/"/>
                    </Switch>
                </BrowserRouter>
            </Provider>
        );

    }
}

App.propTypes = {
  logged: PropTypes.bool.isRequired
};

ReactDOM.render(<App/>, document.getElementById('root'));

More about decorators see: this article
More about react/redux see this
Warning about decorators from @markerikson in the comments section below.

Using decorators and proptypes like that will still result in a
  warning. That's because you're assigning the proptypes to the wrapper
  component generated by connect, while the data returned from mapState
  is given as props to the wrapped component. This is one of the reasons
  why we advise against using connect as a decorator.

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