text:
Almoines är en kommunhuvudort i Spanien.   Den ligger i provinsen Província de València och regionen Valencia, i den östra delen av landet,  km sydost om huvudstaden Madrid. Almoines ligger  meter över havet och antalet invånare är .

Terrängen runt Almoines är kuperad åt sydväst, men åt nordost är den platt. En vik av havet är nära Almoines åt nordost. Den högsta punkten i närheten är La Safor,  meter över havet,  km sydväst om Almoines. Runt Almoines är det ganska tätbefolkat, med  invånare per kvadratkilometer. Närmaste större samhälle är Gandia,  km norr om Almoines. I omgivningarna runt Almoines

Ett kallt stäppklimat råder i trakten. Årsmedeltemperaturen i trakten är  °C. Den varmaste månaden är juli, då medeltemperaturen är  °C, och den kallaste är januari, med  °C. Genomsnittlig årsnederbörd är  millimeter. Den regnigaste månaden är november, med i genomsnitt  mm nederbörd, och den torraste är juli, med  mm nederbörd.

Kommentarer

Källor

Externa länkar

Orter i regionen Valencia

redpajama_set_name: RedPajamaWikipedia


text:
The Ragged Trousered Philanthropists
Ragged Education Project
Who was Robert Tressell? – Rickard Sisters
rickard, sisters, sister, sophie, scarlett, mann's best friend, ragged, trousered, philanthropists, graphic, novel, carrie's cough, comic, comic strip, cartoon, book, author, writer, illustrator, designer, socialism, socialist, political, dog, lancashire, raymond briggs, posy simmonds, acclaimed, comic art, work in progress, blog
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11 Jun Who was Robert Tressell?
Posted at 10:48h in Uncategorised	by	RickardSisters 1 Comment
Robert Tressell is a pseudonym, used by the writer of The Ragged Trousered Philanthropists. In his only published work, he has a habit of naming characters after their profession or personality – something people either find endearing or excruciating. For example, Makehaste & Sloggit are a building company, Newman is a new hand on site, and Sir Graball D'Encloseland is an aristocratic landowner. Are these jokes? I'm not convinced they are that funny.
Harlow and Easton working
Tressell's surname is from the folding wooden stands associated with the decorator's trade. He was Irish, born in 1870 Dublin as Robert Croker. His father, Samuel Croker, was an elderly retired police officer and magistrate with an adult family of his own, who never married Mary Noonan, Robert's mother. They had four children together – Robert and three sisters – and when he died, Croker left Mary and the children the wealth of significant property. Robert must have grown up conscious of the status afforded to his father's 'real' family, and the contrasting position of his own mother and sisters.
It seems that Tressell may have had the opportunity to attend Trinity University in Dublin but refused on principle, choosing not to live on his father's inherited wealth. Robert later told his daughter that he began a painting apprenticeship at 16, but it there is no record of it. As some point he emigrated to London, then Liverpool (via six months in prison for selling stolen goods, although it's unclear who was really responsible), then South Africa, where he made a good living as a talented sign writer and decorator. These then, are the origins of our 'working class hero'. The older I get, the more I understand that fiction is full of heroes because there is no such thing in real life. I mean, people do heroic things, but no-one is so pure that they are perfect in every aspect of their lives. Here comes the milkshake duck…
In South Africa, Robert was active in the politics of class and labour. We were disheartened to discover that in reality he didn't live up to the Socialist ideal of a brotherhood of man – he was instrumental in organising demonstrations against the employment of black skilled labour in Johannesburg. Records suggest he kept a black servant, dehumanisingly named 'Sixpence'. Neither of these things would have seemed particularly outrageous for a white man in turn-of-the-century South Africa, but learning about Tressell's racism certainly turned my stomach.
Little Freddy Easton in distress
When he was 21 Robert married 18 year old Elizabeth Hartell and their daughter Kathleen was born in Cape Town in 1892. But by 1896 Robert and Kathleen were living in Johannesburg, and the child had been told that her mother was dead. The circumstances of the break-up are familiar to readers of The Ragged Trousered Philanthropists. Noonan seems to have neglected Elizabeth's emotional needs and took her for granted, which allowed a maleficent lodger to take advantage of her, impregnating her before moving on. This is the exact story arc for Ruth and Easton in the novel, where Tressell holds Easton to account for Ruth's fall from grace. The central difference is that Noonan did not have a friend like Owen to talk him into forgiving her and repairing the marriage. I wonder whether this reveals regretful wish fulfillment from Robert? His apparent understanding of Elizabeth's situation, as demonstrated by his portrayal of Ruth's life, has endeared him to me enormously.
Robert escaped the Boer War by taking Kathleen to safety in Cape Town before it began. This involved an arduous three-day train ride to which he later attributed his chest complaint. It was actually the beginnings of the bronchial pneumonia – or tuberculosis – that killed him. It is the death sentence that his protagonist, Owen, lives with throughout the novel.
By 1902 Noonan was divorced and living in the English seaside town of Hastings with one of his sisters. His daughter Kathleen would have been about ten. Here he tried to earn a living as a decorator during a sharp and painful building slump. He was well-travelled, politically aware, talented, versatile and experienced. Yet he was often unemployed, and it was during this period that he worked on The Ragged Trousered Philanthropists. I imagine it was his viewpoint as an outsider – Irish, with a working life in Africa – that gifted him a stark comprehension of 'the present system'. The manuscript was unlike anything that had gone before, and of course it was rejected by several publishers. This devastated Robert, who was by now quite ill.
Frank Owen talks to his workmates about Socialism in the lunch hour
In 1910, he was living with another sister in Liverpool, trying to earn and save enough to emigrate to Canada. He died, aged 40, in the Walton Infirmary in 1911 and was buried in a pauper's grave. Kathleen, now 19, happened to be working as a governess in the house of Jessie Pope, the writer and pro-war poet to whom Wilfred Owen would dedicate Dulce et Decorum Est six years later. Kathleen showed the manuscript to Pope, who recommended The Ragged Trousered Philanthropists to her publishers, Grant Richards. They commissioned her to 'edit' it into a much safer working-class tragedy of about one third the length of the original. The political ideology was the first victim of the mutilation. Kathleen sold the manuscript with full rights for £25 (about £12,000 now) and began a new life in Canada. The book has never been out of print since.
It wasn't until after the second world war that Kathleen returned to Britain and discovered the success of her father's work. The full 250,000 word edition was published in 1955 and the original manuscript donated to the TUC library where it can still be seen, or you can look at it online here, including Tressell's lettering on the front cover: "the story of twelve months in hell, told by one of the damned."
The novel is not explicitly autobiographical, but there is so much of Robert's life in its pages. I feel certain that some of the comic passages are retellings of tall tales shared over lunch on a job. It seems to me that the real Robert Tressell lies in a complex and sensitive mixture of three of his characters: Barrington, Owen and Easton. Barrington is the son of a wealthy man with sympathy for the working class, and ideas for their emancipation. Owen is an artist, frustrated by the shoddy and unfulfilling work he's asked to do, and by his colleagues' refusal to recognise their oppression. And Easton is trying so hard to carve out a life from the destitute misery that he nearly loses everything by failing to appreciate things from his wife's point of view. Throw in an unexamined history of Irish Nationalist sabotage and Empirical racism hidden beneath, and you have yourself a writer.
The good he did does not outweigh the bad, it doesn't work like that. But neither his gifts nor his vices should be ignored. If it hadn't been for his commitment to record what he saw around him, and Kathleen's preservation of his life's work, we would never have heard of him. He would have been just another nameless, itinerant working man who died early, of a condition directly related to his working conditions and 'the present system'.
The shopfront of Rushton & Co, the employer of philanthropists
Fiona Leslie
Posted at 10:08h, 17 June
Very interesting Sophie…it does beg the question, – well, one of many – if you have the choice, is it better to choose to live fully the proletariat life and die young because of it – or for the sake of one's health, dip in and out if need be? Great research and presentation of the points, thanks very much.

redpajama_set_name: RedPajamaCommonCrawl


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text:
// Warning: This code was generated by a tool.
//
// Changes to this file may cause incorrect behavior and will be lost if the
// code is regenerated.

package com.microsoft.windowsazure.management.network;

import com.microsoft.windowsazure.core.OperationStatus;
import com.microsoft.windowsazure.core.OperationStatusResponse;
import com.microsoft.windowsazure.core.ServiceClient;
import com.microsoft.windowsazure.core.utils.BOMInputStream;
import com.microsoft.windowsazure.core.utils.XmlUtility;
import com.microsoft.windowsazure.credentials.SubscriptionCloudCredentials;
import com.microsoft.windowsazure.exception.ServiceException;
import com.microsoft.windowsazure.management.configuration.ManagementConfiguration;
import com.microsoft.windowsazure.tracing.CloudTracing;
import java.io.IOException;
import java.io.InputStream;
import java.net.URI;
import java.net.URISyntaxException;
import java.net.URLEncoder;
import java.util.HashMap;
import java.util.concurrent.Callable;
import java.util.concurrent.ExecutorService;
import java.util.concurrent.Future;
import javax.inject.Inject;
import javax.inject.Named;
import javax.xml.parsers.DocumentBuilder;
import javax.xml.parsers.DocumentBuilderFactory;
import javax.xml.parsers.ParserConfigurationException;
import org.apache.http.HttpResponse;
import org.apache.http.HttpStatus;
import org.apache.http.client.methods.HttpGet;
import org.apache.http.impl.client.HttpClientBuilder;
import org.w3c.dom.Document;
import org.w3c.dom.Element;
import org.xml.sax.SAXException;

/**
* The Service Management API includes operations for managing the virtual
* networks for your subscription.  (see
* http://msdn.microsoft.com/en-us/library/windowsazure/jj157182.aspx for more
* information)
*/
public class NetworkManagementClientImpl extends ServiceClient<NetworkManagementClient> implements NetworkManagementClient {
    private String apiVersion;

    /**
    * Gets the API version.
    * @return The ApiVersion value.
    */
    public String getApiVersion() {
        return this.apiVersion;
    }

    private URI baseUri;

    /**
    * Gets the URI used as the base for all cloud service requests.
    * @return The BaseUri value.
    */
    public URI getBaseUri() {
        return this.baseUri;
    }

    private SubscriptionCloudCredentials credentials;

    /**
    * Gets subscription credentials which uniquely identify Microsoft Azure
    * subscription. The subscription ID forms part of the URI for every
    * service call.
    * @return The Credentials value.
    */
    public SubscriptionCloudCredentials getCredentials() {
        return this.credentials;
    }

    private int longRunningOperationInitialTimeout;

    /**
    * Gets or sets the initial timeout for Long Running Operations.
    * @return The LongRunningOperationInitialTimeout value.
    */
    public int getLongRunningOperationInitialTimeout() {
        return this.longRunningOperationInitialTimeout;
    }

    /**
    * Gets or sets the initial timeout for Long Running Operations.
    * @param longRunningOperationInitialTimeoutValue The
    * LongRunningOperationInitialTimeout value.
    */
    public void setLongRunningOperationInitialTimeout(final int longRunningOperationInitialTimeoutValue) {
        this.longRunningOperationInitialTimeout = longRunningOperationInitialTimeoutValue;
    }

    private int longRunningOperationRetryTimeout;

    /**
    * Gets or sets the retry timeout for Long Running Operations.
    * @return The LongRunningOperationRetryTimeout value.
    */
    public int getLongRunningOperationRetryTimeout() {
        return this.longRunningOperationRetryTimeout;
    }

    /**
    * Gets or sets the retry timeout for Long Running Operations.
    * @param longRunningOperationRetryTimeoutValue The
    * LongRunningOperationRetryTimeout value.
    */
    public void setLongRunningOperationRetryTimeout(final int longRunningOperationRetryTimeoutValue) {
        this.longRunningOperationRetryTimeout = longRunningOperationRetryTimeoutValue;
    }

    private ApplicationGatewayOperations applicationGateways;

    /**
    * The Application Gateway Management API includes operations for managing
    * application gateways in your subscription.  (see
    * http://msdn.microsoft.com/en-us/library/windowsazure/jj154113.aspx for
    * more information)
    * @return The ApplicationGatewaysOperations value.
    */
    public ApplicationGatewayOperations getApplicationGatewaysOperations() {
        return this.applicationGateways;
    }

    private ClientRootCertificateOperations clientRootCertificates;

    /**
    * The Network Management API includes operations for managing the client
    * root certificates for your subscription.  (see
    * http://msdn.microsoft.com/en-us/library/windowsazure/jj154113.aspx for
    * more information)
    * @return The ClientRootCertificatesOperations value.
    */
    public ClientRootCertificateOperations getClientRootCertificatesOperations() {
        return this.clientRootCertificates;
    }

    private GatewayOperations gateways;

    /**
    * The Network Management API includes operations for managing the gateways
    * for your subscription.  (see
    * http://msdn.microsoft.com/en-us/library/windowsazure/jj154113.aspx for
    * more information)
    * @return The GatewaysOperations value.
    */
    public GatewayOperations getGatewaysOperations() {
        return this.gateways;
    }

    private IPForwardingOperations iPForwarding;

    /**
    * The Network Management API includes operations for managing the IP
    * Forwarding for your roles and network interfaces in your subscription.
    * @return The IPForwardingOperations value.
    */
    public IPForwardingOperations getIPForwardingOperations() {
        return this.iPForwarding;
    }

    private NetworkOperations networks;

    /**
    * The Network Management API includes operations for managing the virtual
    * networks for your subscription.  (see
    * http://msdn.microsoft.com/en-us/library/windowsazure/jj157182.aspx for
    * more information)
    * @return The NetworksOperations value.
    */
    public NetworkOperations getNetworksOperations() {
        return this.networks;
    }

    private NetworkSecurityGroupOperations networkSecurityGroups;

    /**
    * The Network Management API includes operations for managing the Network
    * Security Groups for your subscription.
    * @return The NetworkSecurityGroupsOperations value.
    */
    public NetworkSecurityGroupOperations getNetworkSecurityGroupsOperations() {
        return this.networkSecurityGroups;
    }

    private ReservedIPOperations reservedIPs;

    /**
    * The Network Management API includes operations for managing the reserved
    * IPs for your subscription.
    * @return The ReservedIPsOperations value.
    */
    public ReservedIPOperations getReservedIPsOperations() {
        return this.reservedIPs;
    }

    private RouteOperations routes;

    /**
    * The Network Management API includes operations for managing the routes
    * for your subscription.
    * @return The RoutesOperations value.
    */
    public RouteOperations getRoutesOperations() {
        return this.routes;
    }

    private StaticIPOperations staticIPs;

    /**
    * The Network Management API includes operations for managing the static
    * IPs for your subscription.
    * @return The StaticIPsOperations value.
    */
    public StaticIPOperations getStaticIPsOperations() {
        return this.staticIPs;
    }

    private VirtualIPOperations virtualIPs;

    /**
    * The Network Management API includes operations for managing the Virtual
    * IPs for your deployment.
    * @return The VirtualIPsOperations value.
    */
    public VirtualIPOperations getVirtualIPsOperations() {
        return this.virtualIPs;
    }

    /**
    * Initializes a new instance of the NetworkManagementClientImpl class.
    *
    * @param httpBuilder The HTTP client builder.
    * @param executorService The executor service.
    */
    public NetworkManagementClientImpl(HttpClientBuilder httpBuilder, ExecutorService executorService) {
        super(httpBuilder, executorService);
        this.applicationGateways = new ApplicationGatewayOperationsImpl(this);
        this.clientRootCertificates = new ClientRootCertificateOperationsImpl(this);
        this.gateways = new GatewayOperationsImpl(this);
        this.iPForwarding = new IPForwardingOperationsImpl(this);
        this.networks = new NetworkOperationsImpl(this);
        this.networkSecurityGroups = new NetworkSecurityGroupOperationsImpl(this);
        this.reservedIPs = new ReservedIPOperationsImpl(this);
        this.routes = new RouteOperationsImpl(this);
        this.staticIPs = new StaticIPOperationsImpl(this);
        this.virtualIPs = new VirtualIPOperationsImpl(this);
        this.apiVersion = "2015-04-01";
        this.longRunningOperationInitialTimeout = -1;
        this.longRunningOperationRetryTimeout = -1;
    }

    /**
    * Initializes a new instance of the NetworkManagementClientImpl class.
    *
    * @param httpBuilder The HTTP client builder.
    * @param executorService The executor service.
    * @param credentials Required. Gets subscription credentials which uniquely
    * identify Microsoft Azure subscription. The subscription ID forms part of
    * the URI for every service call.
    * @param baseUri Optional. Gets the URI used as the base for all cloud
    * service requests.
    */
    @Inject
    public NetworkManagementClientImpl(HttpClientBuilder httpBuilder, ExecutorService executorService, @Named(ManagementConfiguration.SUBSCRIPTION_CLOUD_CREDENTIALS) SubscriptionCloudCredentials credentials, @Named(ManagementConfiguration.URI) URI baseUri) {
        this(httpBuilder, executorService);
        if (credentials == null) {
            throw new NullPointerException("credentials");
        } else {
            this.credentials = credentials;
        }
        if (baseUri == null) {
            try {
                this.baseUri = new URI("https://management.core.windows.net");
            }
            catch (URISyntaxException ex) {
            }
        } else {
            this.baseUri = baseUri;
        }
    }

    /**
    * Initializes a new instance of the NetworkManagementClientImpl class.
    *
    * @param httpBuilder The HTTP client builder.
    * @param executorService The executor service.
    * @param credentials Required. Gets subscription credentials which uniquely
    * identify Microsoft Azure subscription. The subscription ID forms part of
    * the URI for every service call.
    * @throws URISyntaxException Thrown if there was an error parsing a URI in
    * the response.
    */
    public NetworkManagementClientImpl(HttpClientBuilder httpBuilder, ExecutorService executorService, SubscriptionCloudCredentials credentials) throws URISyntaxException {
        this(httpBuilder, executorService);
        if (credentials == null) {
            throw new NullPointerException("credentials");
        }
        this.credentials = credentials;
        this.baseUri = new URI("https://management.core.windows.net");
    }

    /**
    * Initializes a new instance of the NetworkManagementClientImpl class.
    *
    * @param httpBuilder The HTTP client builder.
    * @param executorService The executor service.
    * @param credentials Required. Gets subscription credentials which uniquely
    * identify Microsoft Azure subscription. The subscription ID forms part of
    * the URI for every service call.
    * @param baseUri Optional. Gets the URI used as the base for all cloud
    * service requests.
    * @param apiVersion Optional. Gets the API version.
    * @param longRunningOperationInitialTimeout Required. Gets or sets the
    * initial timeout for Long Running Operations.
    * @param longRunningOperationRetryTimeout Required. Gets or sets the retry
    * timeout for Long Running Operations.
    */
    public NetworkManagementClientImpl(HttpClientBuilder httpBuilder, ExecutorService executorService, SubscriptionCloudCredentials credentials, URI baseUri, String apiVersion, int longRunningOperationInitialTimeout, int longRunningOperationRetryTimeout) {
        this(httpBuilder, executorService);
        this.credentials = credentials;
        this.baseUri = baseUri;
        this.apiVersion = apiVersion;
        this.longRunningOperationInitialTimeout = longRunningOperationInitialTimeout;
        this.longRunningOperationRetryTimeout = longRunningOperationRetryTimeout;
    }

    /**
    * Initializes a new instance of the NetworkManagementClientImpl class.
    *
    * @param httpBuilder The HTTP client builder.
    * @param executorService The executor service.
    */
    protected NetworkManagementClientImpl newInstance(HttpClientBuilder httpBuilder, ExecutorService executorService) {
        return new NetworkManagementClientImpl(httpBuilder, executorService, this.getCredentials(), this.getBaseUri(), this.getApiVersion(), this.getLongRunningOperationInitialTimeout(), this.getLongRunningOperationRetryTimeout());
    }

    /**
    * The Get Operation Status operation returns the status of the specified
    * operation. After calling an asynchronous operation, you can call Get
    * Operation Status to determine whether the operation has succeeded,
    * failed, or is still in progress.  (see
    * http://msdn.microsoft.com/en-us/library/windowsazure/ee460783.aspx for
    * more information)
    *
    * @param requestId Required. The request ID for the request you wish to
    * track. The request ID is returned in the x-ms-request-id response header
    * for every request.
    * @return The response body contains the status of the specified
    * asynchronous operation, indicating whether it has succeeded, is
    * inprogress, or has failed. Note that this status is distinct from the
    * HTTP status code returned for the Get Operation Status operation itself.
    * If the asynchronous operation succeeded, the response body includes the
    * HTTP status code for the successful request. If the asynchronous
    * operation failed, the response body includes the HTTP status code for
    * the failed request, and also includes error information regarding the
    * failure.
    */
    @Override
    public Future<OperationStatusResponse> getOperationStatusAsync(final String requestId) {
        return this.getExecutorService().submit(new Callable<OperationStatusResponse>() {
            @Override
            public OperationStatusResponse call() throws Exception {
                return getOperationStatus(requestId);
            }
         });
    }

    /**
    * The Get Operation Status operation returns the status of the specified
    * operation. After calling an asynchronous operation, you can call Get
    * Operation Status to determine whether the operation has succeeded,
    * failed, or is still in progress.  (see
    * http://msdn.microsoft.com/en-us/library/windowsazure/ee460783.aspx for
    * more information)
    *
    * @param requestId Required. The request ID for the request you wish to
    * track. The request ID is returned in the x-ms-request-id response header
    * for every request.
    * @throws IOException Signals that an I/O exception of some sort has
    * occurred. This class is the general class of exceptions produced by
    * failed or interrupted I/O operations.
    * @throws ServiceException Thrown if an unexpected response is found.
    * @throws ParserConfigurationException Thrown if there was a serious
    * configuration error with the document parser.
    * @throws SAXException Thrown if there was an error parsing the XML
    * response.
    * @return The response body contains the status of the specified
    * asynchronous operation, indicating whether it has succeeded, is
    * inprogress, or has failed. Note that this status is distinct from the
    * HTTP status code returned for the Get Operation Status operation itself.
    * If the asynchronous operation succeeded, the response body includes the
    * HTTP status code for the successful request. If the asynchronous
    * operation failed, the response body includes the HTTP status code for
    * the failed request, and also includes error information regarding the
    * failure.
    */
    @Override
    public OperationStatusResponse getOperationStatus(String requestId) throws IOException, ServiceException, ParserConfigurationException, SAXException {
        // Validate
        if (requestId == null) {
            throw new NullPointerException("requestId");
        }

        // Tracing
        boolean shouldTrace = CloudTracing.getIsEnabled();
        String invocationId = null;
        if (shouldTrace) {
            invocationId = Long.toString(CloudTracing.getNextInvocationId());
            HashMap<String, Object> tracingParameters = new HashMap<String, Object>();
            tracingParameters.put("requestId", requestId);
            CloudTracing.enter(invocationId, this, "getOperationStatusAsync", tracingParameters);
        }

        // Construct URL
        String url = "";
        url = url + "/";
        if (this.getCredentials().getSubscriptionId() != null) {
            url = url + URLEncoder.encode(this.getCredentials().getSubscriptionId(), "UTF-8");
        }
        url = url + "/operations/";
        url = url + URLEncoder.encode(requestId, "UTF-8");
        String baseUrl = this.getBaseUri().toString();
        // Trim '/' character from the end of baseUrl and beginning of url.
        if (baseUrl.charAt(baseUrl.length() - 1) == '/') {
            baseUrl = baseUrl.substring(0, (baseUrl.length() - 1) + 0);
        }
        if (url.charAt(0) == '/') {
            url = url.substring(1);
        }
        url = baseUrl + "/" + url;
        url = url.replace(" ", "%20");

        // Create HTTP transport objects
        HttpGet httpRequest = new HttpGet(url);

        // Set Headers
        httpRequest.setHeader("x-ms-version", "2015-04-01");

        // Send Request
        HttpResponse httpResponse = null;
        try {
            if (shouldTrace) {
                CloudTracing.sendRequest(invocationId, httpRequest);
            }
            httpResponse = this.getHttpClient().execute(httpRequest);
            if (shouldTrace) {
                CloudTracing.receiveResponse(invocationId, httpResponse);
            }
            int statusCode = httpResponse.getStatusLine().getStatusCode();
            if (statusCode != HttpStatus.SC_OK) {
                ServiceException ex = ServiceException.createFromXml(httpRequest, null, httpResponse, httpResponse.getEntity());
                if (shouldTrace) {
                    CloudTracing.error(invocationId, ex);
                }
                throw ex;
            }

            // Create Result
            OperationStatusResponse result = null;
            // Deserialize Response
            if (statusCode == HttpStatus.SC_OK) {
                InputStream responseContent = httpResponse.getEntity().getContent();
                result = new OperationStatusResponse();
                DocumentBuilderFactory documentBuilderFactory = DocumentBuilderFactory.newInstance();
                documentBuilderFactory.setNamespaceAware(true);
                DocumentBuilder documentBuilder = documentBuilderFactory.newDocumentBuilder();
                Document responseDoc = documentBuilder.parse(new BOMInputStream(responseContent));

                Element operationElement = XmlUtility.getElementByTagNameNS(responseDoc, "http://schemas.microsoft.com/windowsazure", "Operation");
                if (operationElement != null) {
                    Element idElement = XmlUtility.getElementByTagNameNS(operationElement, "http://schemas.microsoft.com/windowsazure", "ID");
                    if (idElement != null) {
                        String idInstance;
                        idInstance = idElement.getTextContent();
                        result.setId(idInstance);
                    }

                    Element statusElement = XmlUtility.getElementByTagNameNS(operationElement, "http://schemas.microsoft.com/windowsazure", "Status");
                    if (statusElement != null && statusElement.getTextContent() != null && !statusElement.getTextContent().isEmpty()) {
                        OperationStatus statusInstance;
                        statusInstance = OperationStatus.valueOf(statusElement.getTextContent().toUpperCase());
                        result.setStatus(statusInstance);
                    }

                    Element httpStatusCodeElement = XmlUtility.getElementByTagNameNS(operationElement, "http://schemas.microsoft.com/windowsazure", "HttpStatusCode");
                    if (httpStatusCodeElement != null && httpStatusCodeElement.getTextContent() != null && !httpStatusCodeElement.getTextContent().isEmpty()) {
                        Integer httpStatusCodeInstance;
                        httpStatusCodeInstance = Integer.valueOf(httpStatusCodeElement.getTextContent().toUpperCase());
                        result.setHttpStatusCode(httpStatusCodeInstance);
                    }

                    Element errorElement = XmlUtility.getElementByTagNameNS(operationElement, "http://schemas.microsoft.com/windowsazure", "Error");
                    if (errorElement != null) {
                        OperationStatusResponse.ErrorDetails errorInstance = new OperationStatusResponse.ErrorDetails();
                        result.setError(errorInstance);

                        Element codeElement = XmlUtility.getElementByTagNameNS(errorElement, "http://schemas.microsoft.com/windowsazure", "Code");
                        if (codeElement != null) {
                            String codeInstance;
                            codeInstance = codeElement.getTextContent();
                            errorInstance.setCode(codeInstance);
                        }

                        Element messageElement = XmlUtility.getElementByTagNameNS(errorElement, "http://schemas.microsoft.com/windowsazure", "Message");
                        if (messageElement != null) {
                            String messageInstance;
                            messageInstance = messageElement.getTextContent();
                            errorInstance.setMessage(messageInstance);
                        }
                    }
                }

            }
            result.setStatusCode(statusCode);
            if (httpResponse.getHeaders("x-ms-request-id").length > 0) {
                result.setRequestId(httpResponse.getFirstHeader("x-ms-request-id").getValue());
            }

            if (shouldTrace) {
                CloudTracing.exit(invocationId, result);
            }
            return result;
        } finally {
            if (httpResponse != null && httpResponse.getEntity() != null) {
                httpResponse.getEntity().getContent().close();
            }
        }
    }
}

redpajama_set_name: RedPajamaGithub


text:
@interface CMVODViewController ()

@end

@implementation CMVODViewController

- (id)initWithNibName:(NSString *)nibNameOrNil bundle:(NSBundle *)nibBundleOrNil
{
    self = [super initWithNibName:nibNameOrNil bundle:nibBundleOrNil];
    if (self) {

    }
    return self;
}

- (void)viewDidLoad
{
    [super viewDidLoad];

    // 제목: 메뉴의 첫번째 인덱스.
    self.titleLabel.text = [self.menus objectAtIndex:0];

    // 데이터 요청.
    [self requestData:self.menuType subMenuIndex:0 withDelegate:self];
}

- (void)viewWillAppear:(BOOL)animated
{
    [super viewWillAppear:animated];

    [self.listTable reloadData];
}

- (void)didReceiveMemoryWarning
{
    [super didReceiveMemoryWarning];
    // Dispose of any resources that can be recreated.
}

#pragma mark - 상속 메서드

#pragma mark - 프라이빗 메서드

#pragma mark - 퍼블릭 메서드

#pragma mark - Table view data source

- (NSInteger)numberOfSectionsInTableView:(UITableView *)tableView
{
    return 1;
}

- (NSInteger)tableView:(UITableView *)tableView numberOfRowsInSection:(NSInteger)section
{
    if (tableView == self.menuTable)
    {
        return [super tableView:tableView numberOfRowsInSection:section];
    }
    else if (tableView == self.listTable)
    {
        return [self.lists count];
    }

    return 0;
}

- (UITableViewCell *)tableView:(UITableView *)tableView cellForRowAtIndexPath:(NSIndexPath *)indexPath
{
    if (tableView == self.listTable)
    {
        if (self.selectedMenuIndex == 3)
        {
            static NSString *CellIdentifier = @"DefaultCell";
            CMTableViewCell *cell = (CMTableViewCell *)[tableView dequeueReusableCellWithIdentifier:CellIdentifier];
            if (cell == nil)
            {
                cell = [[CMTableViewCell alloc] initWithStyle:UITableViewCellStyleDefault reuseIdentifier:CellIdentifier];
                [cell.textLabel setTextColor:UIColorFromRGB(0x7961aa)];
                [cell.textLabel setFont:[UIFont boldSystemFontOfSize:18]];
                [cell.textLabel setHighlightedTextColor:[UIColor whiteColor]];
                [cell setDashWidth:1 dashGap:0 dashStroke:1];
                [cell setBackgroundViewColor:UIColorFromRGB(0xe5e5e5)];
                [cell setSelectedBackgroundViewColor:UIColorFromRGB(0xd7cfe1)];
                cell.accessoryType = UITableViewCellAccessoryDisclosureIndicator;
            }

            // Configure the cell...
            cell.textLabel.text = [[self.lists objectAtIndex:indexPath.row] valueForKey:@"Genre_Title"];

            return cell;
        }
        else
        {
            static NSString *CellIdentifier = @"ListCell";
            CMVODListTableViewCell *cell = (CMVODListTableViewCell *)[tableView dequeueReusableCellWithIdentifier:CellIdentifier];
            if (cell == nil)
            {
                cell = [[CMVODListTableViewCell alloc] initWithStyle:UITableViewCellStyleDefault reuseIdentifier:CellIdentifier];
                [cell setDashWidth:1 dashGap:0 dashStroke:1];
                [cell setBackgroundViewColor:UIColorFromRGB(0xe5e5e5)];
                [cell setSelectedBackgroundViewColor:UIColorFromRGB(0xd7cfe1)];
                cell.accessoryType = UITableViewCellAccessoryDisclosureIndicator;
            }

            // HD 여부.
            cell.isHD = [[[self.lists objectAtIndex:indexPath.row] valueForKey:@"VOD_HD"] boolValue];

            // 시청등급.
            cell.vodGrade = [[[self.lists objectAtIndex:indexPath.row] valueForKey:@"VOD_Grade"] integerValue];

            // VOD 이미지.
            NSInteger grade = [[[self.lists objectAtIndex:indexPath.row] valueForKey:@"VOD_Grade"] integerValue];
            if (grade == 19 && !AppInfo.isAdult)
            {
                cell.screenshotImageView.image = [UIImage imageNamed:@"VODList_19"];
            }
            else
            {
                NSURL *url = [NSURL URLWithString:[[self.lists objectAtIndex:indexPath.row] valueForKey:@"VOD_IMG"]];
                cell.screenshotImageView.imageURL = url;
            }

            cell.titleLabel.text = [[self.lists objectAtIndex:indexPath.row] valueForKey:@"VOD_Title"];
            cell.directorLabel.text = [NSString stringWithFormat:@"감독: %@",  [[self.lists objectAtIndex:indexPath.row] valueForKey:@"VOD_Director"]];
            cell.castingLabel.text = [NSString stringWithFormat:@"배우: %@", [[self.lists objectAtIndex:indexPath.row] valueForKey:@"VOD_Actor"]];

            return cell;
        }
    }
    else if (tableView == self.menuTable)
    {
        // 메뉴 테이블 처리.
        return [super tableView:tableView cellForRowAtIndexPath:indexPath];

    }
    else return nil;
}

#pragma mark - Table view delegate

- (CGFloat)tableView:(UITableView *)tableView heightForRowAtIndexPath:(NSIndexPath *)indexPath
{
    CGFloat cellHeight = 44.0;
    if (tableView == self.listTable && (self.selectedMenuIndex == 0 || self.selectedMenuIndex == 1 || self.selectedMenuIndex == 2))
    {
        cellHeight = 73.0;
    }

    return cellHeight;
}

- (void)tableView:(UITableView *)tableView didSelectRowAtIndexPath:(NSIndexPath *)indexPath
{
    if (tableView == self.listTable)
    {
        if (self.selectedMenuIndex == 3)
        {
            // 장르별.
            CMVODListViewController *viewController = [[CMVODListViewController alloc] initWithNibName:@"CMVODListViewController" bundle:nil];
            viewController.menuType = CMMenuTypeVOD;
            viewController.viewControllerType = CMViewControllerTypeList;
            viewController.data = [self.lists objectAtIndex:indexPath.row];
            [self.navigationController pushViewController:viewController animated:YES];
        }
        else
        {
            NSInteger grade = [[[self.lists objectAtIndex:indexPath.row] valueForKey:@"VOD_Grade"] integerValue];

            // VOD 등급과 성인인증 여부를 확인한다.
            if (grade == 19 && !AppInfo.isAdult)
            {
                [self checkAdult];
            }
            else
            {
                // 예고편/최신영화/TV다시보기.
                CMVODDetailViewController *viewController = [[CMVODDetailViewController alloc] initWithNibName:@"CMVODDetailViewController" bundle:nil];
                viewController.menuType = CMMenuTypeVOD;
                viewController.viewControllerType = CMViewControllerTypeView;
                viewController.data = [self.lists objectAtIndex:indexPath.row];
                [self.navigationController pushViewController:viewController animated:YES];
            }
        }
    }
    else if (tableView == self.menuTable)
    {
        // 메뉴 테이블 처리.
        [super tableView:tableView didSelectRowAtIndexPath:indexPath];

        // 데이터 요청.
        [self requestData:self.menuType subMenuIndex:indexPath.row withDelegate:self];
    }

    [tableView deselectRowAtIndexPath:indexPath animated:YES];
}

#pragma mark - CMHTTPClientDelegate

- (void)receiveData:(NSDictionary *)dict
{
    DDLogDebug(@"Receive data: %@", dict);

    NSInteger errorCode = [[dict valueForKey:@"resultCode"] integerValue];
    NSString *itemKey = nil;
    if (errorCode == 100)
    {
        switch (self.selectedMenuIndex)
        {
            case 0: // 예고편.
                itemKey = @"Trailer_Item";
                break;

            case 1: // 최신영화.
                itemKey = @"NewMovie_Item";
                break;

            case 2: // TV다시보기.
                itemKey = @"Tv_Item";
                break;

            case 3: // 장르별.
                itemKey = @"genre_item";
                break;

            default:
                break;
        }

        self.lists = [NSMutableArray arrayWithArray:[dict valueForKey:itemKey]];

        if ([self.lists count] == 0)
        {
            DQAlertView *alertView = [[DQAlertView alloc] initWithTitle:@"알림"
                                                                message:@"데이터가 없습니다!"
                                                      cancelButtonTitle:nil
                                                       otherButtonTitle:@"확인"];
            alertView.shouldDismissOnActionButtonClicked = YES;
            alertView.otherButtonAction = ^{
                DDLogDebug(@"OK Clicked");
            };

            [alertView show];
            return;
        }

        [self.listTable reloadData];
    }
    else
    {
        // 에러 메시지.
        [self showError:errorCode];
        return;
    }
}

@end


Imagine yourself on vacation. You're at the beach and you wear Sequins Sequins swimsuit.
The sand is hot, the sun caresses your skin.
You feel good, you are radiant, you attract attention, we admire you, you like it, you are sure of yourself, you are beautiful and it makes you feel good.
The sequin sequined swimsuit is like a chameleon.
It can change color. Caress it from the bottom up and it turns black. Want to shine? Caress it from top to bottom and it will shine brightly.


A collection of items I found insightful, thought-provoking, or just plain funny.
from Michael Crichton's speech to the Commonwealth Club, September 15th, 2003. Incidentally, the people he is castigating for these beliefs are modern environmentalists.
Punk was also the first white rock music to confront the racial divide and take it as a fact of life. Though scarcely a racist, Joey Ramone was nonetheless the first white rock singer to not even pretend to be black.
from Condon Sanitaire by Seth Sanders and Mike O'Flaherty, in The Baffler #15.
The First Law: All human behavior traits are heritable.
The Third Law: A substantial portion of the variation in complex human behaviorial traits is not accounted for by the first or second laws.
Written by Eric Turkheimer in his article that begins with the sentence "The nature-nurture debate is over"; as quoted by Steven Pinker in The Blank Slate. In explaining the three laws, Pinker notes that the second law is quite generous; the effect of being raised in the same family on adulthood behavorial traits is actually close to zero.
"I remember feeling very odd catching snippets of the Madison Square Garden benefit concert, watching bands that had once scoffed at the integrity of any culture, let alone their own. Rock, since it's inception with Elvis, has always undermined the foundations upon which a culture can claim its coherence. … if the concert signified anything to me in terms of music it was the end of rock."
"While Pizacatto Five, Cibo Matto, and Cornelius continue to release records here, the sort of fascination they elicited from Americans mesmerized by the distorted reflections of their own culture has thinned in a world where the integrity, not distillation, of culture has become essential. This might partially explain why a collection of Despression-era folks songs, the soundtrack for O Brother, Where Art Thou, outsold pop divas and princes … "
– Yuji Oniki, from PULPman Profiles 13: Buffalo Daughter, Aug. 2002 Vol. 6 No. 8 issue of PULP magazine, alas the final issue for the publication.
Legions of Italian, Irish, Poles, Jews from all over, were in place, relying for work and shelter not on the public purse but on support groups of earlier arrivals from their home country, region, or town.
Many native-born citizens thought them dangerous, crowded together in ghettoes, clinging to their exotic religions - even, for a time, languages - and carrying the whiff of socialism. A centry later, their descendants, living now in detached houses in tree-dotted suburbs, filled all branches of government and dominated the country's culture, a culture known worldwide as "American".
It's said the in the early years of this century, Charles Steinmetz, the great electrical engineer, was brought to General Electric's facilities in Schenectady, New York.
GE has encountered a performance problem with one of its huge electrical generators and had been absolutely unable to correct it.
Steinmetz was brought in as a consultant – not a very common occurrence in those days. Steinmetz also found the problem difficult, but for some days he closeted himself with the generator, its engineering drawings, pencil, and paper. At the end of the period he emerged, confident that he knew how to correct the problem.
After he departed, GE's engineers found a large "X" chalked on the side of the generator casing. There was also a note instructing them to cut the casing open at that location and remove so many turns of wire from the stator. The generator would then function properly.
And indeed it did. Steinmetz was asked what his fee would be. Having no idea in the world what was appropriate, he replied with the absolutely unheard-of answer that his fee was $1,000.
This is a actual picture from the Wilshire Grand in Los Angeles (contrast tweaked for legibility).


text:
Pete Scully Captures the Transformation of Historic Walker Hall, Home of the Future Graduate Center
Thursday, November 1, 2018 (All day)
A Work in Progress: Sketches of Walker Hall
If you've spent time in the center of the Davis campus recently, chances are you've noticed the construction taking place between the library and the Student Community Center. After years of planning, UC Davis is renovating historic Walker Hall into the long-awaited Graduate Center, which will accommodate a variety of services and organizations for UC Davis graduate student and postdoctoral scholars.
Members of the campus community have been taking photos and videos of the project's progress, but one UC Davis staff member has documented the transformation by putting pen and paint to paper.
Pete Scully's sketch of the back of Walker Hall as it appeared in 2016.
Our Very Own Urban Sketcher
Pete Scully, an avid urban sketcher, is no stranger to drawing UC Davis scenes. Scully's blog and Instagram are filled with his sketches of both the campus' most well-known sights as well as numerous hidden gems. In 2016, the UC Davis Design Museum hosted a special exhibition called "Conversations with the City" featuring 30 of Pete's sketchbooks from 2006-2016. Scully sketches on location almost daily, often spending his lunch break with a hardbound book and a pencil.
Pete Scully, urban sketcher and management services officer for the Department of Statistics at UC Davis.
A management services officer for the Department of Statistics, Scully served as a graduate program coordinator for the statistics and biostatistics graduate programs for eleven years and has maintained a keen interest in graduate education at UC Davis.
But even before the new intent for Walker Hall was announced, he found himself drawn to the 1920s-era structure.
"I've always been interested in the building because of its shape and color, and also its history," Scully said, noting its past life as the home of the UC Davis Design Museum. "I was sorry to see it empty and unused for so long so when (former vice provost and dean) Jeffrey Gibeling announced it was to be redeveloped into the new home of Graduate Studies with more space and facilities for graduate students I was very excited to see the plans."
Gibeling, who served as vice provost of graduate education and dean of Graduate Studies from 2002 to 2016, suggested that Scully sketch the building's transformation. "I did a few sketches to capture it as it was, and then when the building work began this summer I did some more."
In September, Scully published half a dozen sketches of the building in various states of construction. The building is targeting Leadership in Energy and Environmental Design (LEED) Gold certification, which will require the renovation to consider sustainable sourcing and the reuse of materials. The project is expected to be completed in late 2019.
View more of Pete Scully's sketches on his blog.
For Scully, the renovation of Walker Hall is the culmination of years of conversation and planning about how to better serve the graduate student community. "I was a graduate coordinator for over a decade, for Statistics and Biostatistics, and even in my current role I still feel like it's worth advocating for graduate study on campus, so to have a more dedicated center will be an important way for UC Davis to show it cares about grad students."
To learn more about the Graduate Center at historic Walker Hall, visit the Graduate Studies special projects page.
About Graduate Studies at UC Davis


The fabric is really good quality and breathable, I am 104 lbs, 5'4 female and the small fits me (it's a bit loose, but I really like it that way).
Shipped and received very quickly! The quality is very nice. My husband is 5'8, muscular, fit, and around 170lbs. Purchased the 40M and it fit perfectly. Love it!
This is a garment typically made for men, but I'm a 5'4″ woman with a long torso and it works awesome. I usually style this with a tank top and shorts for hot California summers, but it surprisingly serves me well in the office as well over a shirt dress for a fun silhouette. It's super light and a great piece when you don't want to overheat but want to stay modest in the public eye.
Got a lot of compliments, it's very unique. The stitching is great and the straps tie and un tie nicely. Perfect addition for year-round wear. I fit M/L and the medium fit as expected. The navy came to be the same color as shown in the picture.
Definitely order 2 sizes up to fit, 3 or more for a looser/roomier fit. Not a wraparound, so mind the width if you go over 2 sizes extra. Very nicely made and packaged.
Looked a little small at first but when I tried it on it fit just right. Wonderful product. Comfortable material and the birds look great as well.
Loved it from the second I put it on… The proportions are right, the color is great and the fabric is a great weight for year round. Lots of ways to wear this – very happy.


text:
Q: Want to create a list of view items in android studio I want to create a list of clickable items as :
val clickableViews: List<View> = listOf(box_one_text, box_two_text, box_three_text, box_four_text, box_five_text, constraint_layout)

where box_xxx_text parameters are view-ids of different items. Does anyone know how to do it?

A: Since you have to add predefined elements, it's more convenient to use an array instead of a list.
val array = arrayOf(
            "One", "Two", "Three")

The first step to create a ListView is of course defining a ListView in your xml layout file.
<ListView
android:id="@+id/list_view"
  android:layout_width="0dp"
  android:layout_height="0dp"
  app:layout_constraintBottom_toBottomOf="parent"
  app:layout_constraintEnd_toEndOf="parent"
  app:layout_constraintStart_toStartOf="parent"
  app:layout_constraintTop_toTopOf="parent" />

This should do.
The second step is to define an array adapter to insert your array into your listview.
val arrayAdapter: ArrayAdapter<*>

Then you can create a variable for the listview, and add your array into it
    var mListView = findViewById<ListView>(R.id.list_view)
    arrayAdapter = ArrayAdapter(this,
        android.R.layout.layoutfilename, array)
    mListView.adapter = arrayAdapter

Job done, hope it helps!

A: You could try applying view binding, I'd say that's the most efficient way...
This solution and a couple more variants are described here:
https://github.com/udacity/andfun-kotlin-color-my-views/issues/11

redpajama_set_name: RedPajamaStackExchange


March 6, 2019 at 11:03 am PDT May contain affiliate links. Read disclosure.
For a limited time only, hurry over to Amazon where you can score over 50% off Monopoly: Fortnite Edition Board Game. Right now, get this game for JUST $8.99 (regularly $19.99). Shipping is FREE on orders over $25 or with Amazon Prime. This game can also be found at Walmart for the same price.
Monopoly: Fortnite Edition Board Game – this edition of the Monopoly game is inspired by the popular Fortnite video game! It's not about what players own – it's about how long they can survive!


When the American Academy of Pediatrics came out with their recommendation against cold medicines for children under the age of 6, parents started searching for alternatives. The good news is that families have a number of alternatives to traditional over-the-counter decongestants, antihistamines and cough suppressants.
It's worth remembering that what we think of as cold symptoms are mostly tools the body uses to get rid of the virus. A low-grade fever is inhospitable to many viruses and activates our immune system. Congestion is the dilation of blood vessels, bringing needed supplies to the scene of the battle. Mucus traps virus particles and starts moving them away. Coughing and sneezing forcefully eject the virus from the body. Fatigue helps you get the rest you need to heal. The goal of any treatment is to gently do what it takes to make a child comfortable while the body does its healing work.
There are a few treatments that may actually shorten the duration or reduce the severity of a cold. One recent analysis of 30 studies of vitamin C found a consistent benefit of shortening colds by an average of 13.6 percent in children for kids who regularly take the supplement (more effective in kids than in adults). There are at least eight good studies looking at taking zinc. Four of these showed found benefit in reducing duration and/or severity; four did not. I suggest it for kids who may not be getting enough zinc in the diet – which is a lot of kids.
Echinacea appears to be effective in treating colds in nine placebo-controlled studies in adults (plus one study showing perhaps some benefit, and six showing none). But benefit has not been demonstrated in children. Moreover, children in the studies sometimes got rashes from the Echinacea.
For a cough, one option is a spoonful of dark honey for children older than 1 year. Unlike DM cough suppressant, recent research suggests it works better than placebo.
I'm also a fan of cough drops for kids who are old enough where choking is not an issue. They stimulate more saliva production, which could reduce cough and sore throat and bring more antibodies to the scene.
Heated humidified air (steam from a shower, vaporizer, or humidifier) could be a good option. Of six controlled studies, three showed benefit and none showed worse symptoms. The key is to make sure, though, that the source of the heat is not something the child could get into and get burned.
Spraying saline (saltwater) into the nose has been shown to relieve pain and congestion in a number of studies. You can find saline sprays and washes in the drugstore. Some kids enjoy Neti Pots, a way to pour the saltwater in one nostril and out the other.


text:
Dragon Ball Super: Broly Earth is peaceful following the Tournament of Power. Realizing that the universes still hold many more strong people yet to see, Goku spends all his days training to reach even greater heights. Then one day, Goku and Vegeta are faced by a Saiyan called 'Broly' who they've never seen before. The Saiyans were supposed to have been almost completely wiped ...
Bird Box A woman and a pair of children are blindfolded and make their way through a post-apocalyptic setting along a river.
Replicas A scientist becomes obsessed with bringing back his family members who died in a traffic accident.
Overlord On the eve of D-Day during World War II, American paratroopers are caught behind enemy lines after their plane crashes on a mission to destroy a German Radio Tower in a small town outside of Normandy. After reaching their target, the paratroopers come to realize that besides fighting off Nazi soldiers, they also must fight against horrifying, bloody, and violent ...
Venom Investigative journalist Eddie Brock attempts a comeback following a scandal, but accidentally becomes the host of an alien symbiote that gives him a violent super alter-ego: Venom. Soon, he must rely on his newfound powers to protect the world from a shadowy organization looking for a symbiote of their own.
IMDB: 6.8/10 183,640 votes
The Predator When a kid accidentally triggers the universe's most lethal hunters' return to Earth, only a ragtag crew of ex-soldiers and a disgruntled female scientist can prevent the end of the human race.
Kin A young boy finds a powerful otherworldly weapon, which he uses to save his older adoptive brother from a crew of thugs. Before long, the two of them are also pursued by federal agents and mysterious mercenaries aiming to reclaim their asset.
A-X-L The life of a teenage boy is forever altered by a chance encounter with cutting edge military technology.
A-X-L
The Meg A deep sea submersible pilot revisits his past fears in the Mariana Trench, and accidentally unleashes the seventy foot ancestor of the Great White Shark believed to be extinct.
The Darkest Minds After a disease kills 98% of America's children, the surviving 2% develop superpowers and are placed in internment camps. A 16-year-old girl escapes her camp and joins a group of other teens on the run from the government.
Extinction A chief mechanic at a factory, haunted by apocalyptic nightmares, becomes a hero when Earth is invaded by a mysterious army bent on destruction.
How It Ends A desperate father tries to return home to his pregnant wife after a mysterious apocalyptic event turns everything to chaos.
IMDB: 5/10 30,554 votes
Occupation A small group of town residents have to band together after a devastating ground invasion. As they struggle to survive, they realize they must stay one step ahead of their attackers, and work together for a chance to strike back.
Sorry to Bother You In an alternate present-day version of Oakland, black telemarketer Cassius Green discovers a magical key to professional success – which propels him into a macabre universe.
The First Purge To push the crime rate below one percent for the rest of the year, the New Founding Fathers of America test a sociological theory that vents aggression for one night in one isolated community. But when the violence of oppressors meets the rage of the others, the contagion will explode from the trial-city borders and spread across the nation.
Ant-Man and the Wasp Just when his time under house arrest is about to end, Scott Lang puts again his freedom at risk to help Hope van Dyne and Dr. Hank Pym dive into the quantum realm and try to accomplish, against time and any chance of success, a very dangerous rescue mission.
Hotel Artemis Los Angeles, June 21st, 2028. While the streets are being torn apart by riots, the Nurse, who runs a clandestine hospital for criminals in the penthouse of the Artemis, a closed old hotel, has a rough night dealing with troublemaker clients: thieves, assassins, someone from the past and the one who owns the place and the whole city.
Jurassic World: Fallen Kingdom Three years after the demise of Jurassic World, a volcanic eruption threatens the remaining dinosaurs on the isla Nublar, so Claire Dearing, the former park manager, recruits Owen Grady to help prevent the extinction of the dinosaurs once again.
Upgrade A brutal mugging leaves Grey Trace paralyzed in the hospital and his beloved wife dead. A billionaire inventor soon offers Trace a cure — an artificial intelligence implant called STEM that will enhance his body. Now able to walk, Grey finds that he also has superhuman strength and agility — skills he uses to seek revenge against the thugs who ...
Solo: A Star Wars Story Through a series of daring escapades deep within a dark and dangerous criminal underworld, Han Solo meets his mighty future copilot Chewbacca and encounters the notorious gambler Lando Calrissian.
IMDB: 7/10 182,193 votes


Takes in the Glory Wood to the south of the town centre, Deepdene (crossing A 24), Betchworth Park, Wyevale Garden Centre - coffee stop, (crossing A 25) Pixham Mill, return via Pippbrook Recreation Ground (crossing A24). One short steep ascent, some other slopes, some mud and no stiles.
St. Martins Walk car park in Dorking; (NB charges apply at £1 per hour, so car-sharing advised).
Pre-arranged lunch after not included. There are several cafes available near parking location in Dorking.


text:
Ceriagrion katamborae е вид водно конче от семейство Coenagrionidae.

Разпространение
Видът е разпространен в Ботсвана, Замбия и Намибия.

Източници

Литература

Външни препратки
 Ceriagrion katamborae в Encyclopedia of Life
 Ceriagrion katamborae в  Global Biodiversity Information Facility

Ceriagrion


TLJ Daily E-Mail Alert No. 580, January 10, 2003.
January 10, 2003, 9:00 AM ET, Alert No. 580.
Sen. Trent Lott (R-MS), who had been the Senate Majority Leader until the Democratic take over in 2001, will be the Chairman of the Rules and Administration Committee. This is not one of the important Committees; the most significant item within its jurisdiction is election law. However, he will also continue as a member of the Senate Commerce Committee. He will chair its Aviation Subcommittee. He is also a member of the Senate Finance Committee.
Sen. Hollings (at right) has been the Senate's leading opponent of the Tauzin Dingell bill, and any other legislation to provide regulatory relief to the Bell companies. He has also sought to restrain FCC Chairman Michael Powell's market oriented approach to regulation.
12/20. The Federal Communications Commission (FCC) issued an Order adopting a Consent Decree between the FCC and NOS Communications (NOS) and Affinity Network Inc. (ANI) regarding consumer complaints alleging that NOS and ANI engaged in the deceptive marketing of their interstate communication services by failing to disclose clearly and conspicuously material facts regarding their call unit pricing methodology and promotional plan offerings. The Order provides that "The Companies will make a voluntary contribution (not a fine or penalty) to the United States Treasury in the amount of $1 million dollars ($1,000,000) ..." (Parentheses in original.) See also, FCC release.
1/9. The Competitive Telecommunications Association (CompTel) submitted a comment [huge MS Word file] to the Office of U.S. Trade Representative (USTR) for its annual Section 1377 (19 U.S.C. � 3106) review of the operation and effectiveness of all U.S. trade agreements regarding telecommunications products and services. CompTel states that it urges the USTR "to work aggressively with the Governments of Australia, Brazil, China, France, Germany, India, Italy, Japan, Mexico, The Netherlands, Singapore, South Africa, Switzerland, and Taiwan to open their markets for competition and to ensure fair and non-discriminatory market conditions in accordance with their respective international trade commitments." See also, CompTel release.
12:15 PM. The Federal Communications Bar Association's (FCBA) Wireless Telecommunications Committee will host a luncheon. The topic will be "What's Up for the Coming Year in the Auctions & Industry Analysis, Public Safety & Private Wireless, Commercial Wireless & Policy Divisions". The speakers will be Division Chiefs at the FCC's Wireless Telecommunications Bureau Division. The price to attend is $15. RSVP to Wendy Parish at wendy@fcba.org. Location: Sidley Austin, 1501 K St., NW, Confr. Rm. 6E.
11:00 AM - 1:00 PM. The Heritage Foundation will host a panel discussion titled "Harnessing Information Technology to Improve Homeland Security". The speakers include James Gilmore (Chairman, Advisory Panel to Assess Domestic Response Capabilities for Terrorism Involving Weapons of Mass Destruction), Lee Holcomb (Office of Homeland Security), Tom Richey (Director of Homeland Security, Microsoft), Tom Gann (VP & GM, Siebel Systems), and Peter Brookes (Heritage). See, notice. Location: Heritage, 214 Massachusetts Ave NE.


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Please set your GAME DETAILS to PUBLIC before entering our giveaways (to make it easier for us to check your eligibility & verify game activation) - thanks.
I just thought I'd make mention that if someone owns a game (barring those crappy "steam is learning about the game" ones, which in theory don't show in your account) then they can't enter a giveaway for that game anyway. Also, marking a game received blocks the person from entering any giveaways for that game again in the future. Therefore, rule 1 on your giveaway site seems a bit redundant.
This sort of carries into your rule 2 where you mention activation of keys/games. The only time you'd need worry is if the game is a gift, rather than a key.
Also, people can't enter giveaways for longer than a week if they've left your group, as SG will automatically sync every now and then (with a maximum time between sync of 1 week, but normally happens as frequently as once a day).
I know private profiles are a pain, but making your whole profile public seems unnecessary, as gifting on steam will still incur a check, and if it's a key sent through SG, the user can't enter anyway (save for the example I mentioned above).
I wasn't looking to join, so you can just ignore my ramble. I actually don't know why I said anything... I'll shut up now.


You are leaving the Axalta Coating Systems website.
The Industrial Collection combines a variety of colours and finishes to drive industrial design. The Alesta IP thermosetting polyester powders in this colour collection have good outdoor durability and all colours are available from stock.
The different finishes provide a very sophisticated look which also hides surface defects whilst providing impressive scratch resistance.
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The 2018 Blue Jay Jazz Festival opened on Thursday, August 9, with the triumphant return of Poncho Sanchez and his Latin Jazz Band, longtime Festival favorites with a half-dozen appearances since their debut in 2000.
Making their debut at the 2018 Blue Jay Jazz Festival were Billy Mitchell & Circle of Friends: Andrew Carney-trumpet, Dave Cowan-drums, Kimo Cornwell-keyboards, Jock Ellis-bone, Robert Kyle-sax, Kurt Hammernik-percussion, Yu Ooka-guitar, Michael Saucier-bass and Billy Mitchell-keyboards. Sitting in were vocalist Bili Redd and guest pianist Yuko Mabuchi.
On behalf of the Circle Of Friends, I'd like to thank the Blue Jay Jazz Foundation for a truly wonderful event. The love and respect that was shown us is deeply appreciated. We look forward to working with you in the future.
The Rim High marching band kicked off the final concert of this year's Blue Jay Jazz Festival at SkyPark at Santa's Village. The musicians from the Cal State San Bernardino jazz band – current students, alumni and community friends – were joined by two of this year's Future Generation Music Scholarship recipients – Joshua Maines and Madeline Zweber. The third scholarship winner, Gavin Harris, was unable to attend.
2. Blue Jay Jazz Foundation Vice President Hugh A. Bialecki (left) is joined by Rotary Club of Lake Arrowhead immediate past President Cheryl Moxley and San Bernardino Co. Supervisor Janice Rutherford in presenting scholarships and certificates of recognition to 2018 awardees Madeline Zweber and Joshua Mainez front r-l. Not pictured is awardee Gavin Harris. The August 23, 2018 joint presentation at the Blue Jay Jazz Festival in SkyPark also included Rotary Club members (rear l-r Patrick Rains, Shelia Ben Hur, Bob Gladwell, Rim of the World High School principal, David Nygren and Superintendent of San Bernardino City Schools Dale Marsden.
3. Rim of the World High School Marching Band with its new Music Director Kevin Enriquez.
4. Scholarship awardee Joshua Mainez with the CSUSB Jazz Band.
5. Scholarship awardee Madeline Zweber.


HOUSTON, July 17, 2018 /PRNewswire/ — alliantgroup Senior Vice President Rizwan Virani and alliantgroup Senior Associate Sean Lustyan will be hosting a free webinar entitled "Why More Businesses Will Take Advantage of WOTC in 2018" today at 12:00 pm CT. During the presentation, Virani and Lustyan will cover the numerous legislative and regulatory changes that have expanded Work Opportunity Tax Credit (WOTC) access to a variety of different businesses.
Over the past five years, the Work Opportunity Tax Credit (WOTC) has undergone several modifications that have expanded the incentive to include new groups and demographics. Within this same time period, new regulations have also been introduced to make the credit more beneficial to U.S. businesses that hire veterans, the long-term unemployed, and members of certain historically disadvantaged groups. During the webinar, Virani and Lustyan will review these changes and explain why more companies are now claiming the WOTC.
alliantgroup's mission is one of education and awareness—we exist to help industry organizations, businesses and the accounting firms that advise them take full advantage of all federal and state tax credits, incentives and deductions available. These powerful incentive programs are legislated by the government to help businesses grow and remain competitive locally as well as abroad. We are proud to have helped over 12,000 businesses claim more than $6 billion in tax incentives. alliantgroup's international headquarters is in Houston, Texas, with offices across the country and internationally including New York, Boston, Chicago, Orange County, Sacramento, Indianapolis, Washington, D.C. and London and Bristol in the U.K. For more information on alliantgroup, please follow us on LinkedIn, Facebook, Twitter and YouTube.


Is it worth evaluating Apple servers when you are going through a new server purchasing process?
It's the best of times if you're a lover of operating systems, with the nearly simultaneous release of Apple's Mac OS X 10.6 "Snow Leopard" (available right now) and Microsoft's Windows 7 (available Oct. 22). This leads to the inevitable debate: Which is the better operating system, Windows 7 or Snow Leopard?


Xiaomi has Launched Mi A2 and Mi A2 Lite Globally.
We are not going to make this application public.
We will use admin account to get access to one of our own page.
Purpose is to post all updates posted on our website to be submitted on our facebook at the same time.
We will store only the id of post to visit the post and to remove the post if necessary.
Xiaomi Mi Max 3 : What we Know So far???
Mobilepoint.pk News section is a place for simple and daily users of mobile, we will share our views about different mobile phone in a meaner understandable by common user without going into technical details and without using technical wording. Blog by Common user for Common user.
Moto G6 series Leaks and We get a Possible Date!!!


text:
Ilya Selivanov: ''I've sung Alfredo more than the other parts''
Photo: facebook.com
Young soloist of the Bolshoi Theatre Ilya Selivanov, who performed Alfredo's part in La traviata, is one of the discoveries of the F. Shalyapin International Opera Festival, which has ended in Kazan. The singer is also famous as the first performer of Prince Myshkin in The Idiot by Mieczysław Weinberg – this work became a sensation in the opera world. Selivanov has a beautiful voice, he's smart, artistic, he has a temper. He gave an interview to Realnoe Vremya after the triumphal La traviata.
''I am a patriot''
Ilya, you were quite a successful Mariinsky Theatre soloist and then you suddenly moved to the Bolshoi Theatre's company. What happened?
I wasn't a Mariinsky Theatre soloist, so to speak, I was a soloist of the Mariinsky Theatre's Academy of Young Singers. It's a bit different in terms of both the status and everything. I was a soloist of the Academy and sang on the stage of the Mariinsky Theatre perhaps 16 parts, it was top parties. I've very grateful to Larisa Gergiyeva for this priceless experience. I will always be sincerely grateful to her. I got to the Academy when I was 23, as a fifth-year student in the conservatoire, I was combining work and study.
Lensky is one of your parts in the conservatoire's theatre…
I prepared it with great director Aleksey Stepanyuk and I was then amazed at how talented he was, what a professional he was. It's such a rare occurrence when an opera director is a real opera director. Many drama directors are staging operas now, it's not bad, it enriches opera as a genre. But Mr Stepanyuk as a musician understands what matters in opera, the difference of opera from drama play. Though Weinberg's The Idiot, where I worked with Stepanyuk on Prince Myshkin's part, isn't an opera but a dramatic play with singing.
The Story of Kai and Gerda. Ilya Selivanov as Kai, Inara Kozlovskaya as Gerda, Anna Kiknadze as Snowqueen. Photo: mariinsky.ru
How did you move to Moscow?
A tenor at my age should create a serious career. Young singers are needed, moreover, tenors or sopranos, under 40 years. Then, of course, one can switch to other parts. And at the moment one should take the bull by the horns.
And did you go to the Bolshoi Theatre?
I was looking for some options. I went to Germany last year, I had eight plays but I understood I didn't want to leave Russia, I am a patriot. I have travelled across Europe thanks to Mrs Gergiyeva, we've had a lot of concerts in different countries, in excellent halls. I like every place, but I feel homesick. This is why I understood I needed a theatre in Russia where I would be able to stably work and go to tours. Circumstances in the Mariinsky Theatre didn't make it happen. This happens. I was offered a job in the Bolshoi Theatre, I went to an audition, maestro Tugan Sokhiyev heard me, director Yevgeny Aryeh who staged Weinberg's The Idiot in the Bolshoi heard me. Now he will be staging Evgeny Onegin. I took a pause because I am a family man, I have two children, my parents are in Petersburg, I was born there. But having thought I understood that I couldn't miss the opportunity of working in the Bolshoi Theatre. Such a proposal couldn't be ignored. Moreover, I was offered good parts.
''My acquaintance with the Bolshoi Theatre began with Prince Myshkin''
What do you sing in the Bolshoi?
Myshkin in The Idiot, I sang him as early as last year, my acquaintance with the Bolshoi Theatre began with it. This is my first season in the Bolshoi, when I am a member of staff. I sang Bernstein's Candide, the work was interesting, it was a musical. Then there was a live transmission of The Tsar's Bride on Mezzo TV channel, I sang Lykov, then I had a part of Kay in The Story of Kai and Gerda by Sergey Banevich, again The Idiot. The Maid of Pskov is on the horizon now, then there will be La traviata, a debut as Alfredo on the stage of the Bolshoi Theatre, Vaudémont in Iolanta, then Evgeny Onegin's staging. I've sung many of these parts thanks to the Mariinsky Theatre.
HowlonghaveyoubeenperformingAlfredo?
It seems to me I've sung Alfredo much more than the other parts. In La traviata, I performed Gastone first, this happened in the conservatoire's opera studio, it was in 2010, a year later I was singing Alfredo in the conservatoire's theatre. Of course, it was an adventure because I was 21. I can't imagine now how I coped with it! The part is very difficult.
La traviata, Mariinsky Theatre. Photo: mariinsky.ru
I haven't seen an opera singer working with partners this way and going into the character all the time in ages.
Thanks. The part isn't easy, the first act was tough for me, Alfredo isn't a shy countryman, he is crazy in love, and then it's clear why he is so passionately jealous. He dotes on her.
What's the difference between the two The Idiots?
The process of work with Aleksey Stepanyuk on The Idiot is a piece of my life…
Do you like this novel of Dostoyevsky in general?
Yes, I love Dostoyevsky in general, he is a characteristic Petersburg writer. My parents live in Kolomna where Dostoyevsky and many of these characters lived. This district has some mystical atmosphere: courtyards, arches… So The Idiot. When I got the piano script 1,5 months to the premiere, I was in shock: ''What is this? How can I learn this all?'' I wasn't able to explain it to myself. While now I adore this music, this part. Myshkin is one of my favourite parts.
Is there any difference between the The Idiot in the Mariinsky Theatre and in the Bolshoi?
The difference is huge because the stages are completely different. A staging in the Mariinsky Theatre takes place on the stage of a concert hall, it's a kind of ''spherical theatre'' where spectators sit in a semi-sphere. The Bolshoi has a traditional hall, a ''cubic theatre''. The Bolshoi has different scenic possibilities – the curtain, decorations. The Idiot in the Mariinsky Theatre is minimalist – a hanging cupula of the Kazan Cathedral, bridge cobblestone linoleum, stone slabs – this all creates the atmosphere.
The Idiot, Mariinsky Theatre. Photo: vk.com
Do you plan to come to Kazan again and sing on the stage of our opera theatre?
I will do it with great joy if I am invited. I will come with pleasure, without thinking twice.
By Tatiana Mamayeva
Society 13 January, 09:00 Scientists name causes of January flood and snowless winter in Russia Why the Yenisei River burst the banks and people and machinery massively fall through the ice in Kuybyshev Reservoir


On this edition of MoneyWise, Rob West and Steve Moore discuss God's view on money and how it is neither good nor evil. They also give advice on writing wills and helping your children pay for their mortgage.
How can you write your will so that when your children inherit a large sum of wealth it doesn't damage their lives and can actually help them?
If you give your child a $15,000 gift to help pay for a mortgage, should you give it all at once or in payments?
If you recently bought a home but now it feels like you could get by with something cheaper, should you sell the home you just bought?
Be sure to check out our new website at moneywise.org to connect with a MoneyWise Coach or access our books, videos, or any of our free helpful resources. Thanks for your prayerful and financial support that helps keep MoneyWise on the air. And if you'd like to help, just go to the website and click the Donate tab at the top of the page.


text:
St. Helena Parish School District -
St. Helena Parish School District
2022-2023 School Year Is Here!
St. Helena Schools
WE'RE READY!!!!
Click the link below to learn about the 2022-2023 school year!
-Bus routes
-Important Forms
-Learner Handbook
-Directions to Download our APPS
-District Calendar
Parents are welcome to visit on the day their child is set to report to school. Staff will be available to assist you.
PreK, KN, 3rd, 4th, 7th, 8th graders
1st, 2nd, 5th, 6th, 9th, 10th graders
All learners at ELC and SHATA
11th and 12th graders
School is in session for all learners!
https://www.sthpk-12.net/page/2022-2023-school-year-information
St. Helena Parish School District354 Sitman StreetGreensburg, LA 70441Phone: 225-222-4349 Fax: 225-222-4937
St. Helena Early Learning Center
St. Helena Arts & Technology Academy
St. Helena College & Career Academy
St. Helena Virtual Academy
Copyright © 2023 St. Helena Parish School District. All rights reserved. Powered By Thrillshare


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Display Ad Monetization Best Practices: Part 1 (7:28). In this video, Michael walks through several suggestions for optimizing revenue from display ad networks such as AdSense. Topics include ad sizes, ad positioning, and the merits of text vs. image ads.
Display Ad Monetization Best Practices: Part 2 (7:29). In Part 2 of our tutorial, Michael talks through more best practices for monetizing an audience through display ads. Topics include styling ads to combat banner blindness, optimal use of link units, and effective implementation of Sponsored Content widgets and pop-ups.
Monetization Case Study: How Wikipedia Could Be Monetized (9:42). This video presents specific strategies for improving the monetization of one of the largest websites in the world, Wikipedia. Learn how Wikipedia could leverage their traffic base to bring in nearly $3 billion in annual revenue from display advertising, affiliate marketing, lead gen, email monetization, and more.
Profitable Email Monetization Strategies (12:29). Co-registration, email display ads, and email affiliate marketing are three ways to monetize your email distribution lists. Discover specific strategies as Jimmy leads this Premium video tutorial.
Email Monetization Case Studies: 11 Real-World Successes (12:59). Jimmy walks through 11 case studies of email monetization in the real world, highlighting three different monetization techniques: co-registration, display advertising, and affiliate marketing, strategies that are employed by the likes of Golf.com, Nasdaq.com, LifeScript, MMQB, and more.
Profitable Affiliate Marketing Strategies (14:46). Part 1 covers the basic economics of affiliate marketing, with a brief overview of four key metrics — traffic volume, click rate, conversion rate, and commission. In Part 2, we present five proven affiliate marketing models, including banner ads, blogrolls, coupons, pricing comparison, and product reviews.
Affiliate Marketing Case Studies: 3 Real-World Successes (13:46). A look at how three affiliate marketing websites earn income, with examples from Digital Photography School, Bankrate, and smaller blog WomanlyWoman.com. No matter the size of a site, if it draws in users who could be in the buyig cycle, there's likely an opportunity to monetize with affiliate offers.
Profitable Lead Generation Strategies (9:09). Lead generation can be a worthwhile monetization endeavor in the right vertical. If your Web audience is targeted and valuable to companies that can sell products and services directly to them, then you may be able to start selling leads. Insurance, credit cards, senior care, and home renovation services are just a few of the verticals in which lead gen may be a profitable monetization technique.
Profitable Video Monetization Strategies (10:29). Part 1 covers the basic economics of video monetization, with a look at five popular video ad placements — pre-roll, mid-roll, post-roll, display within video, and display alongside video. In Part 2, we demonstrate how to utilize the YouTube Partner Program to instantly monetize online videos.
Video Monetization Case Studies: 3 Real-World Successes (11:41). In this tutorial, learn more about YouTube monetization and how you can apply specific strategies to your video channel as walks through three case studies from YouTube success stories Bethany Mota, Blucollection, and the Fine Brothers.
Profitable Mobile Monetization Strategies (9:38). Monetizing mobile products, whether mobile-optimized websites or apps for smartphones and other mobile devices, can involve a number of techniques. In this video tutorial, Jimmy demonstrates how to monetize mobile sites with display ads and how to monetize apps with both paid and freemium models.
Profitable Mobile Monetization Strategies (10:59). Learn the basics of driving revenue to your paid subscription product or service. In this video tutorial, Jimmy looks at examples of charging for premium content and premium tools, how to employ a freemium model, and using email to upsell free members to a paid membership tier.
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The Best Ad Networks: Which One Is Right For You?


If your son is absent from school for any reason you must let us know AS SOON AS POSSIBLE. Please ring the Attendance Hotline on 0161 432 1527 and select option 1 before 9 AM.
If you wish to contact your son's form tutor, please use the form below and s/he will phone you back.
In the event of severe weather, please go to BBC Weather for information, news and updates.
All information on our website is available as a hard copy and is free-of-charge.


text:
<?php

namespace Hellspite\GigBundle\Controller;

use Symfony\Bundle\FrameworkBundle\Controller\Controller;

use Hellspite\GigBundle\Entity\Gig;
use Hellspite\GigBundle\Form\GigType;

/**
 * Gig controller.
 *
 */
class GigController extends Controller
{
    /**
     * Lists all Gig entities.
     *
     */
    public function indexAction()
    {
        $em = $this->getDoctrine()->getEntityManager();

        //$entities = $em->getRepository('HellspiteGigBundle:Gig')->findAll();

        $dql = "SELECT g FROM HellspiteGigBundle:Gig g";
        $query = $em->createQuery($dql);

        $paginator = $this->get('knp_paginator');
        $pagination = $paginator->paginate(
            $query,
            $this->get('request')->query->get('page', 1)/*page number*/,
            2/*limit per page*/
        );

        return $this->render('HellspiteGigBundle:Gig:index.html.twig', array(
            //'entities' => $entities
            'pagination' => $pagination
        ));
    }

    /**
     * Finds and displays a Gig entity.
     *
     */
    public function showAction($id)
    {
        $em = $this->getDoctrine()->getEntityManager();

        $entity = $em->getRepository('HellspiteGigBundle:Gig')->find($id);

        if (!$entity) {
            throw $this->createNotFoundException('Unable to find Gig entity.');
        }

        $deleteForm = $this->createDeleteForm($id);

        return $this->render('HellspiteGigBundle:Gig:show.html.twig', array(
            'entity'      => $entity,
            'delete_form' => $deleteForm->createView(),

        ));
    }

    /**
     * Displays a form to create a new Gig entity.
     *
     */
    public function newAction()
    {
        $entity = new Gig();
        $form   = $this->createForm(new GigType(), $entity);

        return $this->render('HellspiteGigBundle:Gig:new.html.twig', array(
            'entity' => $entity,
            'form'   => $form->createView()
        ));
    }

    /**
     * Creates a new Gig entity.
     *
     */
    public function createAction()
    {
        $entity  = new Gig();
        $request = $this->getRequest();
        $form    = $this->createForm(new GigType(), $entity);
        $form->bindRequest($request);

        if ($form->isValid()) {
            $em = $this->getDoctrine()->getEntityManager();
            $em->persist($entity);
            $em->flush();

            return $this->redirect($this->generateUrl('admin_gig_show', array('id' => $entity->getId())));

        }

        return $this->render('HellspiteGigBundle:Gig:new.html.twig', array(
            'entity' => $entity,
            'form'   => $form->createView()
        ));
    }

    /**
     * Displays a form to edit an existing Gig entity.
     *
     */
    public function editAction($id)
    {
        $em = $this->getDoctrine()->getEntityManager();

        $entity = $em->getRepository('HellspiteGigBundle:Gig')->find($id);

        if (!$entity) {
            throw $this->createNotFoundException('Unable to find Gig entity.');
        }

        $editForm = $this->createForm(new GigType(), $entity);
        $deleteForm = $this->createDeleteForm($id);

        return $this->render('HellspiteGigBundle:Gig:edit.html.twig', array(
            'entity'      => $entity,
            'edit_form'   => $editForm->createView(),
            'delete_form' => $deleteForm->createView(),
        ));
    }

    /**
     * Edits an existing Gig entity.
     *
     */
    public function updateAction($id)
    {
        $em = $this->getDoctrine()->getEntityManager();

        $entity = $em->getRepository('HellspiteGigBundle:Gig')->find($id);

        if (!$entity) {
            throw $this->createNotFoundException('Unable to find Gig entity.');
        }

        $editForm   = $this->createForm(new GigType(), $entity);
        $deleteForm = $this->createDeleteForm($id);

        $request = $this->getRequest();

        $editForm->bindRequest($request);

        if ($editForm->isValid()) {
            $em->persist($entity);
            $em->flush();

            return $this->redirect($this->generateUrl('admin_gig_edit', array('id' => $id)));
        }

        return $this->render('HellspiteGigBundle:Gig:edit.html.twig', array(
            'entity'      => $entity,
            'edit_form'   => $editForm->createView(),
            'delete_form' => $deleteForm->createView(),
        ));
    }

    /**
     * Deletes a Gig entity.
     *
     */
    public function deleteAction($id)
    {
        $form = $this->createDeleteForm($id);
        $request = $this->getRequest();

        $form->bindRequest($request);

        if ($form->isValid()) {
            $em = $this->getDoctrine()->getEntityManager();
            $entity = $em->getRepository('HellspiteGigBundle:Gig')->find($id);

            if (!$entity) {
                throw $this->createNotFoundException('Unable to find Gig entity.');
            }

            $em->remove($entity);
            $em->flush();
        }

        return $this->redirect($this->generateUrl('admin_gig'));
    }

    private function createDeleteForm($id)
    {
        return $this->createFormBuilder(array('id' => $id))
            ->add('id', 'hidden')
            ->getForm()
        ;
    }
}


Midnight Mysteries: The Edgar Allan Poe Conspiracy – Just In!
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MumboJumbo (say that 10 times in a row) just released the hidden object adventure Midnight Mysteries: The Edgar Allan Poe Conspiracy on Big Fish Games.


text:
Shirli (hebräisch: שִׁירְלִי) ist ein weiblicher Vorname.

Herkunft und Bedeutung
Der Name bedeutet im Hebräischen Lied für mich.

Bekannte Namensträger
 Shirli Volk (* 1983), deutsche Schauspielerin

Siehe auch
 Shirley

Einzelnachweise

Weiblicher Vorname


text:
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The diversity of our staff is very important to us and we actively encourage applications from people with disabilities, LGBTIQ people, women and people with diverse linguistic and cultural backgrounds.
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