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April 21, 2022 nick fracaro
(Gabriele's journal – May 10, 1991)
(Nick's narrative – April 21, 1991)
The apartment at first was a refuge, providing brief escapes back into our previous lifestyle, but we became as addicted to the Hill as the others. Except for the day jobs, one or both of us spent day and night on the Hill, and the behaviors, routines, and ethos of our old life soon evaporated. We belonged to the Hill and the Hill belonged to us.
So my days were unencumbered, open to the study of the self in its new environment. The enigma of the Polaroid, with its disappearing, reappearing tree and its perspective alterations, engendered a belief that centuries of history were animating the present incarnation of the Hill and its adjacent neighborhood. The Chinese geomancers' designation of the Hill as the Mouth of the Dragon, the center of Yang energy in the landscape, further confirmed my conviction and ushered me into a primitive mindset, that of the hunter-gatherer.
The hunter-gatherer, in its various forms, was also the best characterization of the lifestyle of all my Hill neighbors.
Everyone had their own unique daily needs, and of course sustenance for those with habits and addictions was much more demanding. The underground cash economy of exploited labor in Chinatown offered unlimited day work to the able-bodied, but usually demanded scheduling and reliability that made it an untenable option for those with addictions. No worries though, the sidewalks and streets were bountiful, and most found their livelihood there. The City was an inverted, perverted natural landscape, littered with trashed, neglected, unused, unguarded, and sometimes gifted goods.
Although the territory for my hunting and gathering was essentially the same as that of my neighbors, I sought a very different bounty. My hunt was two-pronged, both search and research. My walks were an investigation meant to interlace with my library research on the history of the area, from the Lenape village of the 1600's to present-day Chinatown.
Drifter rather than walker, I strayed in my strolls, always deviating from the sidewalks and other sanctioned walkways to discover overlooked pathways and hidden nooks. The visible landscape was augmented by the soundscape and smellscape, creating a library of images, faces, odors, dins, ideas, and notions. I wanted this living library to meld with my research library of the past to discover the genius loci, "spirit of the place." In order to divine the future of the Hill, I was seeking evidence of synchronicity and continuum between the past and present.
Graffiti covered nearly every building in the area. I studied it as one would study prehistoric pictograms. I saw the graffiti tags as akin to the glyphs etched onto rocks and walls by ancient tribes. All the storefronts were fitted with gray steel security grates that were rolled down at close of business each day, offering a nighttime canvas for graffiti. Over them hung the awnings with Chinese logograms. Conflating these Chinese characters with the graffiti, I created a visual language outside rational meaning, similar to Tarot card readings, initiating a dreamscape for divination.
I did the intricate research on the neighborhood's history at the Main Library, but that meant taking a train to Bryant Park, so most days I was at the Chatham Square Library, which was just a couple blocks from the Hill. Its shelves contained more books in the Chinese language than the rest of the city's public libraries combined, but it also had an extensive collection of English language books on Chinese history and Chinatown.
The ancestor of Chinese writing is "oracle bone script." These are divinatory texts written on turtle shells. The diviner would ask questions of the deities, then heat a steel rod in the fire and place it on the turtle shell. The answer was found in the way the shell cracked from the heat. They carved both the answer and the question into the shell.
I xeroxed two pages of these pictogram characters with their translations and put them in my medicine bag. Most mornings when I left for my walk I carried them with me. They often served as a key to the day's divination, unlocking the conflation of graffiti and the modern cursive Chinese characters of the visual dreamscape. Many days I saw an element in a graffiti tag that resembled the bone script (person) on the same wall as an element resembling (hill). This told me that I needed to deal with some "person" or persons at the "hill." There were always disruptions in the norm, but finding these two signs proximate to one another meant whatever current situation had developed needed immediate attention. Meditating on the images helped make clear what action or non-action I should take.
Graffiti tags with elements similar to these "hill" and "person" bone scripts seemed ubiquitous. Likely this was due to my own predisposition to see these two scripts, being that my mind was always crowded with thoughts and concerns about relationships with my Hill neighbors.
One day I saw a fresh tag of something I had not seen before. The two scripts entwined.
I was startled by its appearance but I knew instantly that it was an ill omen. A couple months prior, Tito had claimed he was going to the hospital, but no one knew which hospital, or whether in fact he had even gone. In any case, he was missing, maybe dead. His hut had been taken over by the brother Billy, and he had been allowing a crippled woman named Coco and another woman Jennifer to stay there. Yesterday Coco started selling drugs from the hut. Everyone was upset and trying to decide what to do about it. If drug dealing was allowed, this would dramatically change the Hill. The "writing was on the wall."
Visit this page to engage with Nick about hybrid literary genres crossing the fiction/nonfiction border. This inquiry is being written, and should ideally be read, contemporaneously with the excerpts. For the section that is current to this post, use this bookmark link
Ma Bell
Ragman Hermit


Hey there friend and Welcome aboard!! Before we get into the best Sennheiser headphones, grab a snack, sit back and relax because.. You've come to the right place!! What I will bring you in this article Introduction Notable companies The Goal The Players Final Word Now without further ado, let's get rolling!! Introduction Ah, Sennheiser.


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Removable Insert Sizes: 15 x BA8-1 (69 x 55 x 79mm) & 5 x BA7-1 (69 x 79 x 109mm).


Dynatrace Elasticsearch monitoring provides a high-level overview of all Elasticsearch components within each monitored cluster in your environment.
Elasticsearch health metrics tell you everything you need to know about the health of your monitored clusters. When a problem occurs, it's easy to see which nodes are affected. And it's easy to drill down into the metrics of individual nodes to find the root cause of problems and potential bottlenecks.
Dynatrace supports Elasticsearch running inside Docker container with OneAgent version 1.157+.
You need to have an Elasticsearch Docker image, version 6.0.1+.
All instances must have the same port used for the REST API (default: 9200). You can change this via the http.port variable.
The REST port must be exposed to the host.
With Elasticsearch monitoring enabled globally, Dynatrace automatically collects Elasticsearch metrics whenever a new host running Elasticsearch is detected in your environment.
Find the Elasticsearch entry and expand it for editing.
User and Password are user credentials that have to work for all Elasticsearch hosts that you want to monitor. Leave them empty if no authentication is set up.
URL is the Elasticsearch URL.
If you decide to instead configure Elasticsearch per host rather than globally, set the global Elasticsearch switch here to the Off position and click the host settings link to begin configuring Elasticsearch at the host level. See Enabling Elasticsearch monitoring for individual hosts below for details.
Set the Elasticsearch switch to the On position to enable Elasticsearch monitoring globally.
Dynatrace also offers the option of enabling Elasticsearch monitoring for specific hosts rather than globally.
If Elasticsearch monitoring is currently switched on, switch it off: go to Settings > Monitoring > Monitored technologies and set the Elasticsearch switch to the Off position.
Find the host on which you want to enable Elasticsearch monitoring and select Edit.
A list of technologies that are currently being monitored globally. This list should not include Elasticsearch if you are configuring Elasticsearch monitoring for individual hosts.
A table of technologies that you can enable on this host: Technology, Type, Monitoring, Edit.
Find Elasticsearch in the Technology column and click in the Edit column to display Elasticsearch host-level configuration settings.
User and Password are user credentials for Elasticsearch on this host. Leave them empty if no authentication is set up.
Set the Elasticsearch switch to the On position to enable Elasticsearch monitoring for the selected host.
In the Technology overview section, select the Elasticsearch tile.
Individual Elasticsearch clusters are represented as process groups. All detected Elasticsearch process groups are listed in the table at the bottom of the page.
To view metrics for a specific cluster, locate it in the table and click in the Details column to expand that row.
A chart shows the number of process group instances over the selected time range.
To see details, select the Process group details button.
On the Process group details page, in addition to system performance and networking metrics, you can select the Technology-specific metrics tab to display Elasticsearch cluster charts and metrics.
Change the Show chart for selection to chart a different Elasticsearch cluster metric.
All processes in the selected process group are listed at the bottom.
Select a process to display the details page for the selected process. In addition to general process status information, it has two Elasticsearch-specific tabs: Elasticsearch metrics and Further details.
Indexing (indexing total over the selected time range) shows the effectiveness of all indexing operations.
Search (number of queries, fetches, and scrolls over the same time range) is an indicator of how efficient your search operations are. More operations in a shorter time interval indicates better performance.
Select the Further details tab to display the Process metrics page, which charts essential Elasticsearch metrics. You can filter these charts by cluster and node.
Elasticsearch circuit breakers are thresholds used to prevent operations from causing OutOfMemoryError errors. Each breaker specifies a limit for how much memory it can use. If the estimated query size is larger than the limit, the circuit breaker is tripped, the query is aborted, and an exception is returned. This happens before data is loaded, which means that an OutOfMemoryException is avoided.
Shows additional in-depth information about Elasticsearch indices. Of particular interest is the Translog chart, which shows whether Elasticsearch is keeping up with the data coming in by flushing it out to the indices on disk.
Can show the root cause of problems when a system is under too much load and merging can't keep up.
Shows additional in-depth information around Elasticsearch search operations, with performance charts for queries, fetches, and scrolls.
Shows details about how much load the system is currently processing. Enables you to see if you can increase the rate of queries or the amount of writes. Also enables you to see if there's a bottleneck in one of the thread pools.
These tables list all supported Elasticsearch metrics. A full description of all Elasticsearch statistics is available at www.elastic.co. Most Elasticsearch metrics are taken directly from Elasticsearch statistics and presented as is, with no additional computation.


** Suggested Prerequisite: Success in art and/or social science classes. Open to 11th & 12th grade.
The AP Art History course explores topics such as the nature of art, its uses and meanings, art making, and responses to art. Through investigation of diverse artistic traditions of cultures from prehistory to the present, this course develops an in depth and holistic understanding of the history of art. Students will learn and apply skills of visual, contextual, and comparative analysis, as they investigate works of art and architecture from around the globe.
Analyze and answer questions such as: What is art and how is it made? Why and how does art change? How do we describe our thinking about art?
Investigate how humans respond to the world and communicate their experiences through art making.
Develop an understanding of the functions and effects of art, while considering the influential forces of belief, class, gender, ethnicity, patronage, and politics.
Identify works of art and architecture, spanning prehistory to the present.


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Where Is Virgin Gorda Island?
Turquoise waters along the Virgin Gorda beachfront.
The Virgin Gorda Island is one of the third largest islands in area, after Anegada and Tortola islands, and second largest in population, of the British Virgin Islands. This island covers an area of approximately some 8 square miles, and the population there stands at around 4,000 people. The commercial area is Spanish Town, which is said to be in the south western part of the Island. The island also houses geological formation of huge volcanoes and the pile of granite boulders that lay near the area is popularly known as "The Baths". On the north side of the Baths is the Virgin Gorda Yacht Harbor, which was previously known as the Little Dix Bay.
4. Historical Role
The Virgin Gorda Island is also named as the "Fat Virgin" by the explorer Christopher Columbus when he went on his second voyage in the year 1493. There is an anchorage of the Bitter End, which was actually the site of the landing of English explorer Sir John Hawkins and his cousin Sir Francis Drake. There were some 26 ships held at the anchorage, and the Bitter End was used to practice for the attack on the San Juan. It is also said that more than 200 mega-yachts from all around the world have been tied up in the harbor here. The resort named Little Dix was established in the early 1960s and one can see the Baths, Gorda Peak and the gin-clear bays of this valley.
3. Modern Significance
The tourists enjoy the luxury resorts, safe anchorages, and yacht clubs Virgin Gorda proffers. The Bitter End Yacht Club houses the premier resort, and one can enjoy the barefoot walk. The island has a natural elegance as one can view the Gorda Peak, Spring Bay, Devils Bay, and The Baths. There are many other tourist attractions in the area like sandy white beaches which are a pleasure to see, vacation villas that include luxurious and modest ones alike, or enjoy an afternoon drink or lunch at North Sound. The tourists can also hire a kayak as it is an island even for relaxation. For swimming and other water activities, one can visit the Pond Bay and people can enjoy meals at such local eateries as Hog Heaven, Fat Virgin Café and Boutique, and Island Pot.
2. Habitat and Biodiversity
One can see the shrubs, vines, and trees on the peak of the island and the famous species of the amphibians which are said to instinct like the Peltophryne Lemur (a.k.a. Puerto Rican Crested) toad. The desert scrub habitats support sheep and goats. Dwarf Geckos, seabirds, warblers, waterfowl, and shorebirds can be found along the coast. There are also many unique species of avian fauna found in the area, including such birds as the Grey Kingbird, Pearly-eyed Thrashers, and Northern Mockingbirds.
1. Environmental Threats and Territorial Disputes
The main threat to the island is being caused due to the development and other activities carried out by residents, visitors, and land developers, which are causing the decline of animal and bird species, and harm is even being caused to the ecosystem itself as well. The hilly areas in the region are also facing the wrath of mankind ensuing in the wake of the construction of roads, which are causing significant erosion. Even the native flora and fauna are being destroyed because of these construction activities.
Khushboo Sheth April 25 2017 in Travel
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redpajama_set_name: RedPajamaCommonCrawl


Qualicum Beach is a town located on Vancouver Island British Columbia, Canada. At the 2011 census, it had a population of 8,687. It is situated at the foot of Mount Arrowsmith, along the Strait of Georgia on Vancouver Island's northeastern coast.
Qualicum's natural beauty, small-town charm, and proximity to Victoria and Vancouver have made it a popular tourist destination, with many rental cottages dotting its coast. It is also a popular retirement community, and has the oldest average population in Canada with a median age of 60.9 in 2006.
Qualicum Beach is served by the coast-spanning Island Highway, an airport, and a nearby ferry to Lasqueti Island. It is informally considered a twin city with neighbouring Parksville.
In May 1856, Hudson's Bay Company explorer Adam Grant Horne, with a group of aboriginal guides, found a land route across Vancouver Island from the Qualicum River to the Alberni Inlet. He also discovered the Haida massacre of local Salish natives. Horne Lake is named after him.
In 1864, the botanist and explorer Robert Brown led the Vancouver Island Exploring Expedition through the area. He found the area deserted as a result of the small pox epidemic of 1862. The first settlers arrived in the 1880s. A road was built from Nanaimo to Parksville in 1886 and extended to Qualicum in 1894. The E and N Railway reached Parksville in 1910 and Qualicum in 1914. H.E. Beasley, a railway official, sponsored the creation of The Merchants Trust and Trading Company which organized the original layout of the town and built the golf links and a hotel in 1913.
Doukhobor settlers established a communal colony in the adjoining Hilliers farming district from 1946 to 1952. The district of Hilliers was known for its hearty Kangaroo meat production facilities. it was established when Taylor Toms moved to the district in 1934.
Municipal government of the Town of Qualicum Beach is structured like the U.S. American council-manager form of government. It is headed by a mayor (who also represents Qualicum Beach on the governing board of the Regional District of Nanaimo) and a four-member council. These positions are filled by at-large elections every three years, as provided by British Columbia law. The current mayor, Teunis Westbroek was first elected in 1999, re-elected by acclamation in 2002, re-elected in a contested election in 2005 and again re-elected in 2008. School board trustees, for representation on School District 69 Qualicum, are also elected by residents of the town, the City of Parksville and the surrounding area. The town funds a volunteer fire department, which serves the town and nearby rural communities. The town has a local ambulance station. The nearest full hospital is Nanaimo Regional General Hospital in Nanaimo.
Qualicum Beach is part of the Parksville-Qualicum provincial electoral district, represented by Michelle Stilwell of the BC Liberal Party in the Legislative Assembly of British Columbia. Federally, Qualicum Beach, in the Courtenay—Alberni riding, is represented in the Canadian House of Commons by NDP Member of Parliament Gord Johns, who was first elected in 2015.
Highway 19A, known as the Oceanside route or the Old Island Highway, runs the length of the town along the shore line of the Strait of Georgia. The modern 4-lane Inland Island Highway, (Highway 19), is nearby. The Qualicum Beach exit is also its junction with Highway 4, which runs through Cathedral Grove to Port Alberni and to Tofino, Ucluelet, Bamfield and the Pacific Rim National Park Reserve on the south-west coast of the Island. KD Air offers daily flights to Vancouver and elsewhere from the Qualicum Beach Airport. Orca Airways also offers air service from Qualicum to Vancouver and other island destinations. Scenic, flight training and charter flights are offered by Qualicum Flight Center. The town has no marina or harbour but does offer a launching area for trailered boats. French Creek Harbour, is 5 kilometres (3 mi) south-east on Highway 19A.
The town has an area of 12.45 square kilometres (4.81 sq mi).
Qualicum Beach is on the Nanaimo lowlands, a narrow plain which lies between the Georgia Basin to the northeast and the Vancouver Island Ranges to the south-west. Landforms were significantly changed by the most recent advance of glacial ice about 18,000 to 19,000 years ago.
Marshall-Stevenson Wildlife Sanctuary, in the west end of Qualicum Beach, is a tidal wetlands at the mouth of the Little Qualicum River.
Wildlife include: black-tailed deer, Roosevelt elk, black bear, and cougar. With the presence of human population, deer, raccoons and rodents persist.
Soil types in the area, mostly classified as Orthic Dystric Brunisols and Duric Dystric Brunisols, vary from marginal to unsuitable for agriculture. They tend to be loamy sand or gravelly loamy sand. Their fertility is low and they are strongly acidic except in near-shore areas where Native American shell middens provide abundant calcium and organic matter. However, they are suitable for development.
The area has cool, wet winters with 80 to 85% of the year's precipitation between October and April. The average annual precipitation is 131 centimetres (52 in). Mean daily temperature ranges from 1 to 3 °C (34 to 37 °F) in January, with cloud and rain from north Pacific air masses dominating the winter weather. High pressure ridges over the mainland can block easterly air flows, bringing snow and freezing temperatures during winter but do not persist, as moist westerly winds bring above-freezing temperatures. North Pacific high pressure cells influence summer weather, making it warm, dry and cloudless. July and August have mean precipitation of 17 millimetres (0.67 in) and mean maximum temperatures of 25 °C (77 °F). Although winter precipitation results in much moisture at the start of the growing season, summer, particularly July and August, are relatively dry.
With the longest freeze-free period in Canada, at 180 days per year, the Nanaimo lowlands area is favourable for agriculture. The area is within the small Coastal Douglas Fir bio-geographic zone, which is considered the mildest climate in Canada. The Vancouver Island Ranges, which includes nearby Mount Arrowsmith, shadows rainfall. This bio-geographic area can support Garry Oak and Arbutus, which do not exist elsewhere in Canada.
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Located off a sleepy, tree-lined road in Fairview and nestled in the heart of Lovejoy ISD, this charming community features wooded and partially wooded lots filled with native grasses and gently rolling terrain. Woodland Farm Estates offers upscale living on sprawling acreage minutes from top rated schools, fine dining, luxurious shopping experiences and so much more. Select from several award-winning custom home builders that can help you create your dream home masterpiece. Imagine tranquil days, stunning sunsets and starlit nights in your own meticulously crafted home.


Every sales manager wants to have a high-performing team. Yet too often I've seen sales managers who are their own worst enemies when it comes to reaching that goal. Making some simple changes in what they are doing as managers can go a long way toward creating a better sales team with stronger sales results.
One of your salespeople walks into your office saying, "Boss, we have a problem." (Notice the use of the pronoun "we.") The sales rep blurts out the problem. You say, "Sales rep, let me look into it and I'll get back to you." And in the blink of an eye two things have just happened that are typically associated more with a subordinate than a manager: 1) you accepted a delegation, and 2) you agreed to provide your sales rep with a progress report.
This kind of pattern is so common that I'm never surprised when sales managers tell me that the number one problem they face is not enough time. What they mean is not enough time to do the job they think they should be doing because they're spending too much time on doing everyone else's job. And less support, less coaching, and less attention to developing reps is a surefire recipe for having an underperforming team.
In contrast, sales managers with great teams have conquered their number one problem so they can focus on their number one opportunity: developing more great salespeople. They know that they are the only person on the team who can fill that role. By teaching reps to solve their own problems and being more deliberate about managing interruptions from people not on their team, great sales managers are showing that their priority must be on making the coaching contributions that will have the biggest impact on their team's future performance.
Where do you currently spend most of your one-on-one coaching time? Lots of sales managers tell me that they spend their coaching time on the A players, helping to win the biggest deals, or on the C players because those people need the most help.
Both of those are great strategies if your goal is a mediocre team. Think about it: By spending your time with A players, you're working with the people who are least likely to need your help. And by working with C players, you're guaranteed that their results will go from poor to medium at best.
The far more effective strategy for improving overall results is to coach one or more of your B players and turn them into stars. Using your coaching time to turn a moderate B player with an eager attitude into an A player pays off in many ways. First of all, you'll have another rep who produces great results. Second, and perhaps more important, you'll create competition for your current A players and spur them on to even better results. Third, you'll have a great example for other reps on what happens when they pay attention to your coaching advice and work on raising their skill levels … and that can transform the culture of your sales team.
One of my former employers had a strict rule: All managers were to receive their annual performance review from their boss no later than February 15th. So every year around February 12th, I would get a message from my boss, the area VP, instructing me to meet him at the Delta Crown Room at San Diego International Airport. He'd fly in, meet with me for about an hour, complete my review, then jump back on the plane and head off to another airport to meet with another one of his managers, hoping to meet the CEO's deadline.
During the meeting, he would proceed to tell me all the things that he wished I had been doing differently the previous year. And every time, it was like he had been saving up all his opinions, waiting for this moment to render judgment. As I'd listen to his evaluation, one question would always keep popping up in my mind: Why didn't you tell me this earlier when I could have done something about it? I always felt alienated and angry. It was very de-motivating.
These kinds of backward-looking performance reviews are standard fare in sales departments. The manager and rep sit down and talk about what happened last month or last quarter. While I agree that some sort of performance discussion is needed, we shouldn't fool ourselves into thinking that this discussion is actually coaching.
To be more effective, you need to balance performance management with proactive sales coaching. When you spend more time observing each rep in action, the quality of your coaching will improve immensely.


On Windows systems, there are several ways to integrate Vim with Microsoft Visual Studio.
Control Visual Studio from within Vim.
Load the current Visual Studio file into Vim.
Load the current Vim file into Visual Studio.
Compile the current file (C/C++) within Vim.
Build the current project (C/C++/C#) within Vim.
Load results from Visual Studio into the Vim quickfix file.
IF YOU GET ERRORS, especially E887, you may need to copy some pywin32 files around to allow your system to find them. See http://code.google.com/p/vim-visual-studio/issues/detail?id=2 and http://stackoverflow.com/a/20017920/1390430.
ViEmu for Visual Studio is commercial software that emulates Vim editing commands within Visual Studio (Vim is not used).
VsVim is an open source Vim emulator (code at https://github.com/jaredpar/VsVim ). It is only available for all editions of Visual Studio 2010, 2012, 2013 and 2015 excluding Express Edition, and as with viemu does not use Vim.
If you like Vim and use MS Visual Studio .NET for debugging and want a lightweight way to open the file you're currently debugging in VS in Vim, you can add Vim as an external tool. This will let you use a single keystroke to open the current VS file in vim with the cursor at the same line and even at the same column.
--servername gVimStudio --remote-silent +"execute 'normal! $(CurLine)G$(CurCol)|'" "$(ItemFileName)$(ItemExt)"
--servername gVimStudio --remote-silent +"execute 'normal! $(CurLine)G$(CurCol)|'" "$(ItemPath)"
Note that, if you are using tabs for indenting, this will only place the cursor on the correct column if you have tabs set to display as the same width in both Vim and Visual Studio.
If you have other settings you'd like to apply (like normal zz to centre the cursor or updating path for :find, then you can put them in $HOME/vimfiles/visualstudioinvoke.vim and add +"runtime visualstudioinvoke.vim" before $(ItemFileName). $HOME is either the %HOME% environment variable if one is defined, or Vim determines an appropriate directory which you can see by doing :echo $HOME within Vim.
Command: ExternalCommand1 (it's easiest if you move your Vim external tool to be the first, otherwise use the correct index).
This will allow you to use your key combination to open the current file at the current line and cursor in a new vim browser. The browser will start at the directory of that file, so ':e .' will edit the directory of that file.
Remove the --servername VimStudio part if you want it to open a new instance of Vim each time.
Detect when file is changed outside the environment.
Auto-load changes (if not currently modified inside the environment).
See Use Vim like an IDE for some useful plugins to help you stay in Vim longer.
Note: Only old versions of Vim include sendtovim.exe.
Note: <c-z> brings gvim to foreground - on win2k, gvim gets focus but won't bring itself to foreground otherwise. You can remove it if you don't have this bring-to-foreground problem.
These arguments work better as for some reason the above ones break.
Much like Vim's --remote, you can run devenv with the edit parameter to open a file in an existing Visual Studio. This command abbreviation opens the file you are currently editing, but doesn't transfer line or column postition.
:cabbrev vsedit :!start "c:\Program Files\Microsoft Visual Studio 8\Common7\ide\devenv.exe" /edit "%"
See also Using DDE to open the current Vim file in Visual Studio.
This is not the same as Embedding vim in Visual Studio.
Open a solution in VS.Net.
In the solution explorer (View->Solution or Ctrl + R), you should see a list of files (click on the "Solution Explorer" tab if you do not see the file list).
Right click on any of the files and choose "Open With...", this brings up the Open With dialog.
Click on "Add..." this brings up the Add Program dialog.
Click on "Browse..." and point the Browse dialog to your gvim location.
You have now added gvim to the list of editors, you may also select gvim to be the default editor for that file type.
You may need to do this for all file types you wish to edit with gvim. And yes you still have VS.Net open the file in its own editor.
Of course if you want to reverse changes simply remove gvim from the list of editors; but why would you want to do that?
If you use nmake, you can use compiler msvc to set Vim's errorformat and makeprg for Visual C++. Use compiler cs for C#.


text:
From strangers to sisters
Directed by: Noah Baumbach
Greta Gerwig, as
Lola Kirke, as
Heather Lind, as
Mimi Claire
Michael Chernus, as
Matthew Shear, as
Jasmine Cephas-Jones as
Reviewed on: August 15th, 2015
Lola Kirke and Greta Gerwig in Mistress America.
Mistress America is the follow up collaboration to 2013's Francis Ha from the real life couple of director/writer Noah Baumbach and star/writer Greta Gerwig. Although lighter in tone and more overtly comic, it shares the style and sensibility of that earlier film and the character of Brooke, played by Gerwig, has a lot in common with Francis. It's a winning and witty formula that, with its New York setting and increasing comedy feels like a cross between vintage Woody Allen and a screwball comedy.
Lola Kirke plays Tracy, a freshman in college in New York City. She's finding life in the city to be lonelier and less romantic than she thought it would be. Her life changes when she arranges to meet Brooke (Gerwig), who is the daughter of Tracy's mother's fiancee. Brooke is flighty and fun. She has dozens of ideas and follows through on none of them. Tracy is fascinated and entertained by her, but also sees her as an interesting subject for a short story that Tracy hopes will get her into her college's literary club. Their friendship takes them to a suburban home in Connecticut where an old friend of Brooke's lives. Brooke needs money to keep her latest idea afloat, which is a restaurant/bodega/hair salon and she believes that Mimi Claire owes her money for a t-shirt idea they had together. She also believes that Mimi Claire stole her boyfriend and her cats. Brooke and Tracy are accompanied by a fellow student of Tracy's, whom she has a crush on, but also by his girlfriend who has come along because she's jealous of Tracy. This leads to the comedy climax inside Mimi's home as the clash of all these personalities comes to its boiling point.
The heart of the story is the relationship between Brooke and Tracy. They each provide the other with something they need. Brooke craves attention and affirmation and Tracy needs a friend and someone to inspire her. In a way they're using each other for what they want, but also giving as good as they get. The performances by Gerwig and Kirke are both well done. Brooke isn't as fully developed a character as Francis was in Francis Ha, but by the end you see beneath her flighty exterior and you realize that she too is all too aware of herself. The ending between the two of them is rather touching.
Gerwig and Baumbach share the writing duties and their dialogue is sharp, funny, and often quite fast. The best moments come with the clash of different personalities. This is most noticeable during the film's comic climax at the home of Mimi Claire. Even the minor characters in these scenes, such as the snooty neighbor and the member of the book club who is stuck waiting for her husband to come pick her up, generate laughs.
Although not a huge stretch from Francis Ha, anyone who enjoyed that earlier film or who enjoys Woody Allen's films from when he was a contemporary filmmaker instead of a fossil, is bound to find plenty to enjoy here.
Photos © Copyright Fox Searchlight (2015)
Frances Ha (2013)


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Woody Internship – Taft Museum of Art – Blog 6
July 26, 2019 by hmlowe Leave a Comment
I can't stop saying this, but I'll say it again: time is flying this summer. It's already the end of July (what?), and I only have two weeks left in my internship at the Taft. Time flies when you're having fun, as they say.
Yesterday, I give a presentation about my research at the monthly staff meeting. It was an excellent opportunity to reflect on the work I've done this summer — and panic mildly when I realized how much material is out there that I still haven't read. I figured I would share that presentation on this blog.
I've put my presentation slides in the blog post, and accompanied them with a version of what I said during my presentation. This is your window into Taft Museum of Art staff meetings — as Lin-Manuel Miranda would say, the room where it happens.
Slide 1: Who am I?
My name is Hannah, and I am a rising junior at the College of William & Mary in Williamsburg, Virginia. At William & Mary, I am a double major in history and film and media studies.* Within the field of history, I am interested in cultural history: the media that is produced and consumed during different eras in the past. This includes art, but it also encompasses other mediums, such as theatre, music, films, and television shows.
I am also an aspiring museum professional. Though I haven't entirely made up my mind on what I want to do in the future, I'm considering pursuing the curatorial track. My passion is for the research and interpretation of the past, and I am hoping to one day land in a position where I can do that at a history museum.
* This is not 100% true. I am actually self-designing my second major, but I don't have a name for it yet and Film and Media Studies is the closest thing to it. "Pop culture and mass media" might be a more appropriate description of major no. 2.
Slide 2: What am I doing here?
I'm from Delaware and I go to college in Virginia, so why Cincinnati? The answer is the Woody Internship in Museum Studies. The Woody internship is a program founded by Carol and Robert Woody (pictured during their visit to the Taft in June) to give undergraduate students the opportunity to gain practical experience in museum work. The Taft is one of five sites around the country where interns are placed every summer. The Taft is also the newest; it was added just this year, so I am the first (hopefully, of many) Woody interns in Cincinnati.
Slide 3: What is the project?
This is the point of the presentation: what am I working on? I am doing research for the bicentennial digital reinterpretation project at the Taft. This means I am using online databases to cull information about five research subjects: Martin Baum, Nicholas Longworth, David Sinton, Anna Sinton Taft, and Charles Phelps Taft. I am primarily looking at historical periodicals — meaning I spend all my time reading old newspaper articles, it's actually quite fun — and focusing on these individuals' art collections as well as their social and personal lives.
I am organizing this information into an annotated bibliography with a citation for every source, as well as notes on its relevance and pertinent information. I am also compiling a library of PDF versions of every source consulted. At the end of the summer, I will be handing over all my research for use in the digital reinterpretation project in the coming year.
Regarding the illustrations: these are examples of some of the quirky things you find in this kind of research. They are illustrations from a poem published to celebrate the fiftieth wedding anniversary of Nicholas and Susan Longworth (or "Golden Wedding," as it was then known). They are symbolic representations of episodes in Nicholas Longworth's life, and I think they are charming in a really weird sort of way.
Slide 4: What have I found?
Good question. I'll tell you.
Slide 5: The search thus far.
In eight weeks, I have read a total of 569 sources.** Broken down into categories, I have read 543 articles from historical periodicals, thirteen other primary sources (including poetry), five book chapters, four articles from academic journals, three reference entries, and two dissertations. Don't worry, I didn't read the entire dissertations. Just the relevant parts.
To give a sense of the kind of stories I've turned up in my research, I've been asked to share some fun anecdotes about each of my research subjects.
The illustration here is another from the aforementioned Golden Wedding poem. It's an artistic representation of the Baum-Taft house as it looked when the Longworths lived here.
** Also inaccurate. I read 26 more articles yesterday afternoon, bringing the total to 595 sources.
Slide 6: Starting with Martin Baum.
Did you know the historic house is earthquake-proof? As it turns out, Martin Baum lived through the devastating effects of an earthquake that struck Cincinnati in 1811, and he kept these effects in mind when building his home in 1820. According to an article published in the Wisconsin State Journal in September 1886:
"…the walls are of cubic dimensions sufficient to sustain at least a hundred times their present weight, and iron girders and stout iron braces in every corner render the building proof against the lateral movements which were the most destructive feature of the earthquake of 1811."
So, if there happens to be a freak earthquake in Cincinnati, we know we'll be safe. At least those of us in Curatorial and Learning & Engagement, because our offices are in the historic house.
Slide 7: Nicholas Longworth.
Before I get started on Longworth, I would like to say that I think research subjects should be like your children: you shouldn't pick a favorite. That said, I totally have a favorite, and it's Nicholas Longworth. He was a let's-just-say-eccentric old man, and the newspapers are full of interesting stories about him. This is one that cropped up in a slew of newspapers both during and after Longworth's life. It goes like this:
As a young lawyer, Nicholas Longworth defended a horse thief in court. After the trial, the thief couldn't afford to pay Longworth, so he offered him two secondhand copper stills as payment. The problem was, the stills were in use by another guy, Joel Williams. Williams didn't want to give Longworth the stills, understandably, because he was, you know, using them. In exchange, williams offered Longworth 33 acres of land he owned in an area called Western Row. At the time, this land was basically useless, but Longworth accepted it. As it turned out, this was an excellent choice. By the time Longworth died in 1863, this land was worth more than two million dollars.
I like this story because it exemplifies Longworth's path to wealth. In addition to his law career and successful winemaking business, Longworth essentially bet on the future of Cincinnati via real estate. He came to Cincinnati in the early nineteenth century when it was little more than a town on the Ohio River and bought up land throughout his life, counting on Cincinnati growing into a city and the land appreciating in value. Considering Longworth died the second richest man in the United States at the time, it's safe to say his bet paid off.
Slide 8: David Sinton.
Next up: David Sinton. David Sinton, like Nicholas Longworth, was many things: a multimillionaire, an industrialist, and a philanthropist.*** Did you knew he was also an inventor?
In 1880 and 1881, David Sinton filed two patents for "smoke-consuming furnaces." These devices used a combination of arches and grates to reduce the smoke emitted by coal-burning furnaces. Sinton developed them by tinkering with the furnace of one of his business properties on Vine Street, and he sought to address the problem of coal smoke that was plaguing Cincinnati in the latter half of the 1800s.
The pictures here are from the Official Gazette of the United States Patent Office for 1880 and 1881. They are the actual listings for Sinton's patents, numbers 233,168 and 239,635, with descriptions and diagrams of the devices.
*** I didn't say this during my presentation, but I was thinking of that line from The Avengers: "Genius, billionaire, playboy, philanthropist." I'm not saying David Sinton was Cincinnati's nineteenth-century Iron Man, but he did make his money in the pig iron industry, so…
Slide 9: Charles Phelps & Anna Sinton Taft
That brings us to the Tafts. I've compiled an abridged list of charities and organizations supported by the Tafts as I've found in my research. The full list is long, but even the short version includes notable organizations such as the Cincinnati Symphony Orchestra, Zoological Garden, and Medical College, as well as a working women's hotel and a women's training school in Covington, Kentucky.
So why does this matter? We know the Tafts were charitable; the Taft Museum of Art wouldn't exist if they weren't. I find this list interesting because it illustrates the connections between this house and its inhabitants to the bigger story of Cincinnati history, which is the overarching theme I've noticed throughout my research.
Slide 10: The Taft Museum & Cincinnati History
At the end of the summer, I'll be going back to Virginia. I won't be in Cincinnati to see the reinterpretation project realized, so it's not my place to develop a thesis synthesizing all this information, nor a report summarizing it. That said, I have come to two conclusions which I would like to share.
First, the Baum-Longworth-Sinton-Taft House is a crossroads of Cincinnati history. Second, Cincinnati would not be the Cincinnati we know today without this house and the people that have lived in it.
(As a real film nerd would say:) FIN.
Filed Under: Internships, Summer 2019, Woody Museum Studies Internship Tagged With: Hannah Lowe, Taft Museum, Taft Museum of Art, Woody Internship, Woody Museum Studies Internship


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Les batteries de Tremet (ou Fort du Tremet) sont situées sur la presqu'île de Roscanvel et participent à la défense du goulet de Brest et plus spécifiquement à l'interdiction d'approche de la baie de Camaret-sur-Mer.

Elles étaient situées à l'extrémité ouest de la ligne de défense de Quélern barrant l'accès à la presqu'île de Roscanvel.
Elles sont placées sur un site occupé dès 1694 et remanié plusieurs fois au  et .

Il existait probablement déjà sous Vauban une batterie. En 1883 et en 1896 seront construites diverses batteries sur la Pointe de Tremet.

En 1955, la batterie est devenue batterie lourde de défense contre avions (DCA) de défense éloignée du port militaire de Brest. Une partie est encore en fonction sur le terrain militaire de Quélern.

Le site est sur terrain militaire et il est interdit d'y pénétrer.

Notes et références

Liens externes

 Position de Tremet  (inventaire général)
 Batteries de Tremet  (photos)

Rade de Brest
Roscanvel

redpajama_set_name: RedPajamaWikipedia


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Q: Limit of difference of sequence both going to $+\infty$ Let $(a_n), (b_n)$ be two sequences sucht that $a_n \rightarrow +\infty$ and $b_n \rightarrow -\infty$. Assume that for all $\epsilon > 0$ we have $$\frac{a_n}{n} \leq \epsilon$$ for $n$ large enough and for some $\xi \geq 0$$$\frac{b_n}{-n} \geq \xi$$ for $n$ large enough.
How can I see that then the sequence $$C \cdot a_n + D \cdot b_n \rightarrow -\infty$$
for some constants $C,D > 0$?
Thanks a lot in advance!

A: Let $\xi >0$ and $\epsilon = \xi/2$, then, for $n$ large enough :
$$\frac {a_n + b_n}n \le \xi/2-\xi =  -\frac \xi 2.$$
Then $a_n+b_n \le -n\frac \xi 2 \to -\infty$.

A: If there is $N \in \mathbb N$ such that
$\frac{a_n}{n} \leq \epsilon$ for all $ \epsilon >0$ and all $n>N$, then we have
$\frac{a_n}{n} \leq 0$ for all $n>N$, hence $a_n \leq 0$ for all $n>N$.
But then it is impossible to have $a_n \rightarrow +\infty$ !

redpajama_set_name: RedPajamaStackExchange


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Sebastian Wännström (* 3. März 1991 in Gävle) ist ein schwedischer Eishockeyspieler, der seit Juli 2022 bei den Augsburger Panthern aus der Deutschen Eishockey Liga (DEL) unter Vertrag steht und dort auf der Position des rechten Flügelstürmers spielt.

Karriere

Wännström begann seine Karriere als Eishockeyspieler in seiner Heimatstadt in der Nachwuchsabteilung des Brynäs IF, für dessen Profimannschaft er in der Saison 2009/10 sein Debüt in der Elitserien gab. Dabei blieb er in insgesamt 19 Spielen punktlos und erhielt zwei Strafminuten. Anschließend wurde der Flügelspieler im Juni 2010 zunächst im KHL Junior Draft von Salawat Julajew Ufa aus der Kontinentalen Hockey-Liga (KHL) in der dritten Runde als insgesamt 72. Spieler und anschließend im NHL Entry Draft in der zweiten Runde als insgesamt 44. Spieler von den St. Louis Blues aus der National Hockey League (NHL) ausgewählt. Der Schwede verblieb jedoch noch zwei weitere Spielzeiten bei Brynäs und gewann mit der Mannschaft in der Saison 2011/12 die Schwedische Meisterschaft.

Anschließend wechselte der Flügelstürmer im Sommer 2012 nach Nordamerika in das Organisation der St. Louis Blues wechselte. Dort kam er in der Saison 2012/13 jedoch ausschließlich bei den Farmteams Peoria Rivermen in der American Hockey League (AHL) und Evansville IceMen in der ECHL zum Einsatz. Im Januar 2013 wurde der Schwede noch einmal an seinen Heimatklub zurück verliehen. Auch in den folgenden zwei Spielzeiten stand Wännström ausschließlich in der AHL für das neue Farmteam der Blues, die Chicago Wolves, auf dem Eis und konnte sich nicht für einen Platz im NHL-Kader empfehlen.

Ohne ein Spiel in der höchsten Spielklasse Nordamerikas absolviert zu haben, kehrte er im Sommer 2015 zurück nach Schweden und schloss sich dem Rögle BK aus der Svenska Hockeyligan (SHL) an. Zwischen 2017 und 2019 war er anschließend für den Ligakonkurrenten HV71 aktiv, gefolgt von einem Jahr bei Leksands IF. Im September 2020 wechselte Wännström zuÄssät Pori in die finnische Liiga. Mit Ässät belegte er am Saisonende den zwölften Platz, wurde in das All-Star-Team berufen und als bester Torjäger mit der Aarne-Honkavaara-Trophäe ausgezeichnet. Nach diesem Erfolg wechselte er zu Dinamo Riga in die Kontinentale Hockey-Liga (KHL). Bereits im Oktober 2021 verließ der Angreifer den lettischen Hauptstadtklub nach nur zehn Einsätzen und beendete die Spielzeit beim HC Ajoie aus der Schweizer National League. Im Juli 2022 heuerte er daher bei den Augsburger Panthern aus der Deutschen Eishockey Liga (DEL) an, mit denen er am Ende der Saison 2022/23 als Tabellenvorletzter in die DEL2 abstieg.

International
Für die schwedischen Juniorenauswahlteams nahm Wännström am Ivan Hlinka Memorial Tournament 2008 sowie der U20-Junioren-Weltmeisterschaft 2011 teil. Dabei konnte er mit der Mannschaft beim Ivan Hlinka Memorial Tournament die Bronzemedaille gewinnen. In der schwedischen A-Nationalmannschaft debütierte der Stürmer im Rahmen der Saison 2016/17 der Euro Hockey Tour.

Erfolge und Auszeichnungen

International
 2008 Bronzemedaille beim Ivan Hlinka Memorial Tournament

Karrierestatistik
Stand: Ende der Saison 2022/23

International
Vertrat Schweden bei:
 Ivan Hlinka Memorial Tournament 2008
 U20-Junioren-Weltmeisterschaft 2011

Weblinks

Eishockeynationalspieler (Schweden)
Eishockeyspieler (Brynäs IF)
Eishockeyspieler (Leksands IF)
Eishockeyspieler (Peoria Rivermen, AHL)
Eishockeyspieler (Evansville IceMen, ECHL)
Eishockeyspieler (Chicago Wolves, AHL)
Eishockeyspieler (Kalamazoo Wings, ECHL)
Eishockeyspieler (Rögle BK)
Eishockeyspieler (HV71)
Eishockeyspieler (Porin Ässät)
Eishockeyspieler (Dinamo Riga)
Eishockeyspieler (HC Ajoie)
Eishockeyspieler (Augsburger Panther)
Schwedischer Meister (Eishockey)
Schwede
Geboren 1991
Mann


Chincoteague Island 2018 - A Folly Fish Story!
After a successful ocean fishing trip in Ocean City, I looked a bit further down south of us in Virginia to see where we could go next. With Livie completing her 2018 species goal, I wanted to have the opportunity at some new fish for myself to meet my goals. Also I wanted a nice family get away as well. The Assateague and Chincoteague islands looked promising. So I booked a charter out of Chincoteague for 7:30 am Friday morning. Instead of driving down at O'dark thirty, my Betterhalf got us accommodations for Thursday night. Unlike the BilletHeads we were not going to be roughing it at all on tis trip .
When you have spent over a month in a half this year in hotels like I have, you can reap the benefits of the rewards like booking a stay without paying a dime on the room!
Outside of the hotel in the morning we were met with another beautiful day.
After the complimentary breakfast, we headed to the dock to meet Capt. Pete and the Fish Tales. He only books a single group of folks at one time and up to six anglers. With three of us there was plenty of room on the boat. The water was calm and there was fish busting the surface where ever we looked. The mate and Captain kept saying that was baitfish, but in the Folly eyes, those could be a new target ! We headed out of Tom's cove and just out into the Atlantic. This was a comfortable trip with us fishing out of our chairs with rods dropping baits over the sides. As with the Ocean city fishing trip, I was the first to hook up with an Atlantic croaker.
We sore mouthed quite a few with Livie and my Betterhalf catching several each and even doubling up at times.
Livie just loves noisy fish and would squeal with delight at every croak these fish made when she caught one.
On the way out to fish we mentioned that we might take some fish home, but we really wanted to catch a few different fish and just have some fun. While we were bottom fishing the mate set out a cut bait under a float. It wasn't more than a minute or two that the float went under and he was calling to have someone reel in the fish. Livie junped up and began her fight with a bigger fish. After about a 10 to 12 minute fight she had the fish to the boat and the mate hauled it on board. It was nice male Atlantic sharpnose shark!
I will state that we Follys are omnivores and are not likely to pass on fresh fish particularly if they are a sustainable species. So this guy did end up on ice. The mate got the line baited again and this time I was on the rod to land my first sharpnose shark!
He was the lucky one and was soon released. We continued bottom fishing this deeper water and both Livie and I caught Virginia Trout - @JestersHK would be proud! These are really sea trout or weakfish. related to the croakers and other drum species.
We moved into shallower water in Tom's Cove between Assateague and Chincoteague islands to try for kingfish (another drum species also known as whiting). We saw several small pods of dolphins and a few loggerhead turtles taking a breath. There were lots of shore birds, pelicans, skimmers, etc. that would have made for a nice birding trip if we weren't set on fishing! We dropped our lines and I was again the first to get bit and land my first southern kingfish!
As with the croakers both Sue and Livie had doubles at times.
Several kingfish went into the box for a future fish fry. We caught a bunch of other fish that the mate called white perch. Since we have caught whiter perch I didn't take any photos. However, these were a very silvery fish with yellow fins and tail. They didn't look like white perch that we have caught in the rivers near home. I kept thinking that maybe is the saltwater they were different color phase. At home I looked at a lot of white perch photos and none had that same coloration as these fish. I looked up saltwater fish of Virginia and found a reference to silver perch. All of the photos for that species matched what the fish that we caught. All too son the trip ended and we headed past the island and back to the harbor.
At the end of the day, Livie and I both caught four new life list fish and my Betterhalf only three since she opted out of trying for a shark of her own. As we headed back to Maryland, we talked about trying to come down again in Sept. Looking forward to that trip!


Thread: Why to choose cloud smtp servers?
Why to choose Cloud SMTP server and how it will work?
Cloud Servers are best choice if you want to pay as you grow. If you think you need to send 10K emails per day and in next 2-3 months you will be sending about 100K per day. Then instead of hiring full dedicated server now at this point when you only need to send 10K you should go for cloud server and with the passage of time as per requirements increase the resources and get more resources to send more emails.


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Ace Attorney 5 Coming to Nintendo 3DS
We have no objections here.
By Richard George
Posted: 5 Sep 2012 11:50 pm
Capcom has confirmed to IGN that Ace Attorney 5 (aka Gyakuten Saiban 5) will be coming to "the West." The publisher stated it will have more news soon.
ORIGINAL STORY: Capcom has confirmed Ace Attorney 5 is coming to the Nintendo 3DS. The next installment of the courtroom drama was announced earlier this year, but the latest issue of Famitsu, translated by Andriasang, has revealed the game's intended platform. The article also revealed that Phoenix Wright will return as this game's main protagonist, alongside a new female partner.
Few other details were provided, and there is no indication of a release date.
Rich is an Executive Editor of IGN.com and the leader of IGN's Nintendo team. He also watches over all things WWE, Resident Evil, Assassin's Creed and much more. Follow him on Twitter, if you dare!
Control: Full Side Mission Gameplay - IGN First


The church means a variety things to different people. Its' lowest perception is that of a building on the corner. Higher yet is there is the gathering of the people of God. Then to more enlightened students of the Bible is the Body of Christ. This is a more abstract term but certainly a higher understanding.
But finally we come to Ephesians especially Chapter 1, 2 and 3 where we see the highest definition of the Church. The Church which is His Body, the fullness of the One who fills all in all and to know the knowledge surpassing love of Christ that you may be filled unto all the fullness of God. To see it in this light as the fullness of God requires more than simply Bible study. As we study today, it requires a vision even revelation.


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June 9, 2021 July 7, 2021 admin
Mortal Kombat's HBO Max Success exceeds executives' expectations
movies based on video games They were all branded as bad forever. But the latter may have to be excluded,
although the 2021 edition of Simon McQuoid's Mortal Kombat has received some negative reviews. but from the revenue and audience, It can be seen that it was a great success. Especially the launch on streaming applications like HBO Max
Mortal Kombat launched in early April for Thailand. and mid-April abroad As the world continues to grapple with the COVID-19 crisis, cinema is a risky area that many people don't want to get close to. Streaming applications are therefore the choice of today's generation.
Mortal Kombat's debut on HBO Max was more successful than executives had anticipated. And it has resulted in more and more HBO Max users, and more continuity.
Mortal Kombat is very interesting to us. We didn't expect it to do well. But because the movie people began to enter more than HBO Max went over to the other content in the app, application
, however, it will be very successful on HBO Max, but in the sequel. At this time, there has been no announcement to confirm the creation. Although the ending of the movie has fully paved the way for a sequel
, Mortal Kombat fans are eagerly awaiting the news. because if everything goes well We're likely to see a sequel with new characters and characters we'd like to see appear in this sequel.
Posted in Mortal Kombat
Online Baccarat Bonus Minimum bet benefit
Mobile casinos are tiny, but they're great


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Center for Cultural Analysis
The Developing Room
CCA Seminar 2020–2021: "What is Photography?"
Photography Between Evidence and Disclosure
Photography and the Crimes of War
Jennifer Raab
Jennifer Raab is an associate professor in the Department of the History of Art at Yale University and a faculty affiliate of the Program in the History of Science and Medicine. Her first book, Frederic Church: The Art and Science of Detail (Yale University Press, 2015), examined the aesthetics of detail that fundamentally shaped nineteenth-century American landscape painting and that was inseparable from scientific discourses of the time. More broadly, it asked: What is a detail? What does it mean to see a work of art "in detail"? Her next book, Relics of War, under contract with Princeton University Press, examines the many lives of a single photograph taken just after the American Civil War. Recently, she co-authored a book and exhibition, Picturesque and Sublime: Thomas Cole's Trans-Atlantic Inheritance (Yale University Press, 2018) and contributed the lead essay to East of the Mississippi: Nineteenth-Century Landscape Photography (National Gallery of Art, Washington, D.C., 2017). She has written on topics from history painting and the aesthetics of mapping, to the gendering of ornament in portraits of and by indigenous men, to alchemy in contemporary sculpture. Her work has appeared in Art Bulletin, Art History, American Art, and Journal of American Studies and has been supported by grants from the Andrew W. Mellon Foundation, the Wyeth Foundation, and the Terra Foundation for American Art, among others. At Yale, she is one of the founding members of the Environmental Humanities Program.
Whittled wooden spoons, crude baking dishes, artillery shells, and soup bones form a strange, altar-like arrangement. Taken right after the American Civil War, this photograph—known as Relics of Andersonville Prison—was produced by Mathew Brady's studio in 1866 and pictures objects collected by Clara Barton (later the founder of the American Red Cross) from the notorious Confederate prisoner of war camp. Through the trope of the relic, the image engages with the most pressing issues of the time: finding, naming, and burying the unprecedented number of dead, as well as indicting those responsible. The photograph becomes a political tool to argue for legislative change on behalf of the women and children left behind; a sacred site for mourning and remembrance made portable, reproducible, and collectively available by photographic technology; a means to visualize and racialize pain and sacrifice; and an act of witnessing indelibly shaped by the first use of photographs as legal evidence in a war crimes trial. Widely circulated in its time but little known today, Relics of Andersonville tells a story about violence, grief, advocacy, accusation, memory, and martyrdom. This talk will focus on the photograph's particular relationship to a newly emerging, but still profoundly unstable, discourse of the evidentiary and of visual testimony.
Muriel Hasbun, X post facto (équis anónimo), (6.7), 2009
Part of the 2020–2021 CCA Seminar "What is Photography?"
Organized by Alexander Bigman and Michelle Smiley, CCA Postdoctoral Associates
Sponsored by the Center for Cultural Analysis at Rutgers University and the Developing Room
Email: admin@cca.rutgers.edu


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Cypress Street Summary & Questions & Answers
July 29, 2020 by WittyChimp Team
Hi Everyone!! This article will share Cypress Street Summary & Questions & Answers.
This poem is written by Todd-Michael St. Pierre. In one of my previous posts, I have shared the questions and answers of Saving Dory, Operation Blackbeard and Travelling with Grandfather's Zoo so, make sure to check these posts as well.
Sidewalk – American English for pavement
Stroll – walk in a slow, relaxed manner
Concrete – a substance used for constructing building and pavements
Cypress Street Summary
In this poem, the poet is talking about Cypress Street which is named after Cypress Tree, an evergreen coniferous tree. The poet was walking down the pavement of Cypress Street and felt that it was very hot due to the sun's heat. The poet's great aunt Gem explained that all Cypress trees have been cut down to make use of wood and lampposts have taken the place of Cypress trees. The poet feels that a treeless street has no beauty. Therefore, it is better to change its name from 'Cypress Street' to 'Lamppost Street'.
Cypress Street Questions & Answers
Question 1: Read the line and answer the questions:
I'd never seen so much concrete.
(a) What is the poet talking about?
Answer: The poet is talking about the presence of many buildings.
(b) Why was there so much concrete?
Answer: There was so much concrete because the population was increasing and that led to an increase in the demand for buildings.
There used to be a lot of them.
(a) What is referred to as a lot of them?
Answer: Here, 'a lot of them' refers to Cypress trees.
(b) What happened to them?
Answer: The Cypress trees of the Cypress Street were all cut down.
Question 3: What was the poet doing?
Answer: The poet was walking down the Cypress Street.
Question 4: What had taken the place of the trees?
Answer: Lampposts had taken the place of the trees.
Question 5: What had happened to the trees?
Answer: The trees had all been cut down for their wood.
Question 6: What does the poet feel about a treeless street?
Answer: The poet feels that a treeless street has no aesthetic beauty and is as good as a treeless neighbourhood.
Question 7: What message does the poet want to convey to the Mayor?
Answer: The poet wants to tell the Mayor to change the name of the street from 'Cypress Street' to 'Lamppost Street'.
Question 8: What message is the poet trying to convey to us through the poem?
Answer: Through this poem, the poet is trying to convey to us the adverse effects of modernization at the cost of the natural environment. He wants to make us realise the need for environment conservation.
Question 9: Quote two lines from the poem to show that the poet is disturbed by this turn of events.
Answer: The two lines which show that the poet is disturbed by this turn of events are-
"I'd never seen so much concrete"
"No Cypress left on Cypress Street."
So, this was Cypress Street Summary & Questions & Answers.
Saving Dory Questions & Answers
A Stitch in Time Questions & Answers
A Retrieved Reformation Questions & Answers


text:
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CATAPULT Profile: Christopher Williams and Johannes Sistermanns (GER)
Jul 19, 2019 | CATAPULT, News, Past Articles
Photograph Guildhouse
CATAPULT Profile: Christopher Williams and Johannes Sistermanns
Guildhouse's current series of mentorships culminated in dramatic style on 6 May 2019 with a collaborative sound art performance by mentor Johannes S. Sistermanns (Germany) and mentee Christopher Williams (Adelaide). Their performance, at the University of South Australia, emerged from a nine-day intensive program of experimentation and workshopping in which Sistermanns introduced Williams to his use of electronic transducers (exciters) to generate sound and his use of that sound to map architectural space.
Christopher Williams already has a very substantial practice, having been a producer of radiophonic works for many years, particularly with the ABC. But, having seen Johannes perform in Adelaide in 2017, he was keen to learn more of Johannes's techniques so as to incorporate them into his own constantly evolving practice. In his written proposal for the mentorship, Williams indicated that his key goals were;
"To develop an understanding of the technical application of transducer technology in sound sculpture: especially experimenting with piezo speakers and exciters. To experiment with new compositional approaches to the design of sound environments and soundscape installation. To invite a composer and sound artist of international standing to my studio to carry out experiments in new approaches and creative techniques in sound studio practice. To benefit from the critical exchange through shared listening sessions to my own work and those suggested by Johannes."
Mentorships are a vitally important form of professional development, and one-to-one teaching has traditionally been an essential element of the preparation of top-level musicians, composers and artists generally. It is expected that a mentorship will enable the mentee and perhaps the mentor to progress their artistic practice significantly.
I spoke with Johannes and Christopher on 27 April, at the commencement of their work together. Christopher had projects in train and he invited Johannes to respond to them and make suggestions and critical comments. Christopher said that;
"Working as an established sound artist, opportunities to engage with artists of greater or even equal standing are rare… When I met Johannes in 2017,
I recognised immediately that his interests and experience would make a unique fit with my own creative development needs at this time."
For Johannes, mentoring is a positive experience and mentors can also potentially gain by intensifying their own practice. He suggested that there is a positive kind of friction — you get reinforced or perhaps even redirected in your own work. But it is essential that the mentor and mentee find a common wavelength, or the mentorship can fail. Undertaking it intensively (theirs fully occupied nine days) ensures that the interaction remains top priority for both participants
and the experience is not submerged by other demands.
Williams has himself been a mentor and considers that mentors must understand their own practice so as to be able to identify emerging points of difference that can precipitate artistic development. Johannes and Christopher did not work within a hierarchical relationship but as equals, they both mapped their experience onto each other's and both reassessed their past experience and practices. Christopher wanted Johannes to help him reflect on which of the many threads of his practice should take precedence, but Johannes took the view that all areas are important as they cross-pollinate.
During their work together, they not only discussed sound art techniques, compositional methods and aesthetics, they also discussed the social aspects of sound. And they considered potential career paths and career management for the sound artist.
As to the realisation of his sound art events, Johannes takes an experimental approach, responding spontaneously to the sound of the space in which the performance takes place. At the live performance, they outlined their progress and performative approach and Williams emphasised that they tried not to define specific outcomes too closely in advance, instead allowing the ideas and the performance to emerge. In preparation for their performance, Johannes had placed transducers around the space, for example on a window and on a water heater above a sink. Christopher generated four channel sound using an analogue mixing console, modular filter and Moog phaser, and mixed in Johannes's sounds and his voice. The result was a complex, evolving soundscape that filled the room. They have also developed for future use a work based on recordings made at Christopher's home during the development of the Guildhouse performance.
Because of its spontaneous nature, their performance is, technically, unrepeatable, but it is unrepeatable in the broader sense that it resulted from an intense program of work by two sound artists developing their first collaboration. The resulting sonic event was quite unique, not previously experienced in Adelaide, and represented a conceptual and technical development in sound art that adds to the genre.
Johannes reports that they spent more time together than initially anticipated, such was their level of energy and interest. They both found the mentorship very valuable and will continue to correspond. Christopher offers;
"The Catapult mentorship programme has afforded me the opportunity to undertake an intensive creative engagement with an internationally significant sound artist with an unequalled (in my experience) degree of overlap between our respective creative practices. This has led to a fruitful exchange of ideas on technique, artistic purpose, and aesthetic philosophy."
Christopher Williams is a joint artist-in-residence with Therese Williams at the Hampstead Rehabilitation Centre for the South Australian Living Artist Festival in August this year and and has been commissioned to produce a major public sound art installation in Melbourne. The mentorship has given him the confidence and skills to develop and realize these projects. Johannes intends to nominate their electroacoustic work for a major international sound art/new music award in Germany, the Karl Sczuka Preis.
Freelance writer on visual art and music.
Adelaide Central School of Art, Chair, Academic Board.
Flinders University, Program Manager, Lunchtime Concert series.
Return to CATAPULT
Guildhouse ABN 75 442 934 320
Lion Arts Centre, Corner North Terrace & Morphett Street,
PO Box 8067 Station Arcade South Australia 5000
guildhouse@guildhouse.org.au
© Guildhouse 2019
We acknowledge the Kaurna people as the traditional owners of the land upon which we work. We recognise that sovereignty was never ceded, and pay our respects to Elders past, present and emerging.


On 200th Anniversary of Gogol, the famous novelist and shot story writer of all time Google published Gogol Google Doodle ,in his honor. Google logo was changed in to his name and included the image from one of his most prominent work.
Nikolai Gogol, known as Gogol was an honorable writer of Russia. By taking his works in account UNESCO declared the year 2009 as Gogol Year, that is his 200th birth anniversary year,tt shows how much influential his works were.
In Google doodle to make it Gogol special, it included the image of nose replacing the alphabet 'e' in the logo which makes us remember his work 'The Nose and The Coat'. As there is great resemblance for the name Gogol and Google in the Gogol Google Doodle entire logo is transformed in his name on the day.
It was in the year 1831 Gogol first set of works were released and it was a great success. Most of Gogol works were shot stories relating to Ukrainian culture and customs. After few years Gogol worked as professor in Ukrainian University as he got great passion for Ukrainian history.
Gogol was a man who traveled to many places during the life time. During 1840's he learned arts and started learning and reading Italian literature works. This made him to get in to interest for Opera.
During life time Gogol worked on many satirical works. But unfortunately he died at the age of 42 in 1852. Last days of his life was not happy. It was on March 4th he passed away. After his death many honors were given to him for the contributions that he gave. Many postal stamps and monuments were built to honor him after his death.Many of Gogols works were featured in to films and now also Gogol is living in the heart of those who love reading and his works.


It's that time of year where we all seem to hibernate and find ourselves doing nothing but Netflix and chilling, swiping away on online dating apps and, generally speaking, being as bored as possible. That may sound like a good break from the craziness of the summer, when you were outdoors and busy all day and night, but, for some, it sounds like torture.
For those who fall into the latter category, it might be a good time to find some hobbies that can help you find some fulfillment that you wouldn't otherwise have. From joining an indoor soccer league, to taking an online class to sharpen your job skills, to starting a club with friends and coworkers that helps break up the work week, it's your time to do something you enjoy.
That said, it's not easy finding hobbies that pique your interest all the time. That's where we're here to help, giving you a list of manly activities that can help you survive the winter and, hopefully, lead you to meeting new people and, maybe, a future girlfriend.
Even if you're not a frequent runner, joining a running club for a hobby is a good way to stay in shape and meet some new people. They usually have various routes around town, too, which means you get to see different parts of your city that you might not usually visit.
You don't need to be an expert hiker with all the expensive gear to have fun. Sure, some people are willing to camp in the woods and get out of the city, but if you've got some trails around your town, get out there in nature and take in some fresh air every once in a while. It's a nice change of pace from the craziness in the city.
If you want to learn how to make something other than frozen pizzas or grilled chicken, go ahead and try your hand at cooking classes. It's fun to do with a friend, and, you know, there's probably a good chance you'll meet girls in there, too. Plus, you'll become skilled in something that's pretty important; cooking.
We probably sound like your grandpa right now, but a bowling league is a fun way to survive the winter and still feel productive. Seriously, how many times do you go bowling and walk away saying you wish you did it more often? If you're like us, probably every single time. Well, now's your chance to do it regularly.
It's a bit more expensive than some of the other hobbies on this list, but when you live in an area with snow, hitting the slopes to go skiing or snowboarding is always fun. Even if you don't have all the equipment to go regularly, you can rent everything to get out there a few times during the season.
Much like bowling, heading down to your local pool hall this winter to play a little bit is definitely encouraged. Not only is it social and gets you out of the house and away from your TV, but it's super cheap for a few hours of activity, meaning you won't feel guilty about doing it a couple times each week.
We're not talking about getting into the ring and swinging at someone random, but, instead, going to a boxing gym and learning some of the techniques of boxing. It involves conditioning, endurance and strength building, so this is a cool hobby that's physically good for you, too.
It's a long process that takes months to fully see the fruits of our labor, but wine making is one of those grown up hobbies that can be fun to do. All you need to do is find a vineyard and/or a club that does it together and, boom, by summertime you'll have your own, homemade wine to sip on with friends. That's pretty cool.
C'mon, of course we're going to add fishing to this list of hobbies every guy should try out. It's one of those old faithful hobbies that boys and their dads have been doing for centuries, so don't be afraid to get out on the water and catch and release some fish every once in a while.
Mentoring might not be something you think about doing often, but, believe it or not, there are groups out there where guys can lend their skills and advice to others to help them get ahead in their own careers. Not only will you feel good about yourself, but it's a chance to network with other professionals, too, which may help you get new ideas or job opportunities.
Similar to mentoring, volunteering is a great hobby to do to fulfill some good deed. It's a chance to do something you enjoy and help other people, so don't be afraid to look at clubs or organizations that you're passionate about that you can lend a hand with.
We're not talking about taking Instagram pics on your phone and posting them to social media, guys. Put the phone down and get yourself a professional camera like a digital SLR and snap away. Better yet, once you get really good, you can print your pics out and hang them in your apartment, cutting down on costs to decorate your place and making you feel proud about the artwork on the walls.
What personality types are attractive to women?


Their dedicated local staff are helping end violence against women and girls and changing lives, for good.
They won't stop until women and girls are out of danger, out of poverty and on track to create the future they want.
Why not support ActionAid at festivals in 2019?


text:
Q: How to add new item to Room (ORM) With LiveData and display it as first item in RecyclerView I am Using Room Persistent Data of Android, to store data coming from the server - locally. In addition, I am using MVVM pattern, recommended by Android official docs, thus my recyclerView gets displayed inside a LiveData Observer something like this:
@Override
public View onCreateView(@NonNull LayoutInflater inflater, @Nullable ViewGroup container, @Nullable Bundle savedInstanceState) {

    View view = inflater.inflate(R.layout.activity_feed, container, false);

    ((App)getActivity().getApplication()).getmAppComponent().inject(this);

    rvFeed = view.findViewById(R.id.rvFeed);
    mLinearLayoutManager = new LinearLayoutManager(getActivity());
    rvFeed.setLayoutManager(mLinearLayoutManager);
    feedAdapter = new FeedAdapter(this);
    feedAdapter.setRV(rvFeed);

    mFactory = new PostsViewModelFactory(postRepository);
    mViewModel = ViewModelProviders.of(this, mFactory).get(PostsViewModel.class);
    mViewModel.init();
    mViewModel.getPostsLiveData().observe(this, new Observer<List<Post>>() {
        @Override
        public void onChanged(@Nullable List<Post> posts) {

            feedAdapter.setPostsList(posts);

            if (firstLaunch) {
                rvFeed.setAdapter(feedAdapter);
                firstLaunch = false;
            }
            loading = true;
        }
    });
    return view;
}

The mViewModel.getPostsLiveData() is bassically retrieving LiveData from Room (via repository), thus, any new data added to Room triggers the LiveData Observer, and the feedAdapter repopulates the recyclerView(i.e. setPostsLists() which in return calls notifyDataSetChanged()).
But as you can notice the new fresh data added to room won't be displayed as first item in the recyclerView since it doesn't get added to the Adapter directly [hence, I cannot call notifyItemInserted(0)], but rather to Room (local storage).
So my question is, what's the best way to add to the local storage (Room) but in addition to force the item to be displayed as first in the recyclerView when it get's re populated when the LiveData observer get's triggered?
Thanks in advance :)


text:
//-----------------------------------------------------------------------
// <copyright company="Sherlock">
//     Copyright 2013 Sherlock. Licensed under the Apache License, Version 2.0.
// </copyright>
//-----------------------------------------------------------------------

using System;
using System.Diagnostics;
using System.Diagnostics.CodeAnalysis;
using System.Globalization;
using System.Text;
using System.Threading;
using Sherlock.Shared.Core.Properties;

namespace Sherlock.Shared.Core
{
    /// <summary>
    /// Runs applications on the console or command line.
    /// </summary>
    public sealed class ConsoleApplicationRunner : IRunConsoleApplications
    {
        /// <summary>
        /// The number of bytes per KiloByte.
        /// </summary>
        private const int BytesPerKb = 1024;

        private static ProcessStartInfo CreateStartInfo(string executablePath, string[] arguments)
        {
            var startInfo = new ProcessStartInfo();
            {
                startInfo.FileName = executablePath;

                // Build the command line arguments
                startInfo.Arguments = string.Join(" ", arguments);

                // do not display an error dialog if the process
                // can't be started
                startInfo.ErrorDialog = false;

                // Do not use the system shell. We want to
                // be able to redirect the output streams
                startInfo.UseShellExecute = false;

                // Redirect the standard output / error streams
                startInfo.RedirectStandardOutput = true;
                startInfo.RedirectStandardError = true;
            }

            return startInfo;
        }

        private readonly ProcessInformation m_ProcessInformation = new ProcessInformation();

        /// <summary>
        /// Runs the specified executable.
        /// </summary>
        /// <param name="executablePath">The executable path.</param>
        /// <param name="arguments">The arguments.</param>
        /// <returns>The exit code of the application that was executed.</returns>
        [SuppressMessage("Microsoft.Design", "CA1031:DoNotCatchGeneralExceptionTypes",
            Justification = "Not sure what to catch here.")]
        public int Run(string executablePath, string[] arguments)
        {
            m_ProcessInformation.Clear();

            // Log the command line for debugging purposes.
            {
                var text = string.Format(
                    CultureInfo.InvariantCulture,
                    Resources.ConsoleApplicationRunner_Output_RunningExe_WithPathAndArguments,
                    executablePath,
                    string.Join(" ", arguments));
                RaiseOnConsoleOutput(text);
            }

            try
            {
                // Start the console app?
                var startInfo = CreateStartInfo(executablePath, arguments);
                using (var exec = new Process())
                {
                    // Define the application we want to start
                    exec.StartInfo = startInfo;

                    // Redirect the output and error stream. Note that
                    // we need to be careful how to read from these streams
                    // in order to prevent deadlocks from happening
                    // see e.g. here: http://msdn.microsoft.com/en-us/library/system.diagnostics.process.errordatareceived.aspx
                    exec.ErrorDataReceived += (s, e) =>
                    {
                        // There is no reason to get a lock
                        // before setting the value because
                        // we wait for the process to exit before
                        // checking the value. So there is no
                        // simultaneous access at any point.
                        if (!string.IsNullOrEmpty(e.Data))
                        {
                            var output = string.Format(
                                CultureInfo.InvariantCulture,
                                Resources.ConsoleApplicationRunner_ErrorWhileRunning_WithError,
                                e.Data);
                            RaiseOnConsoleOutput(output);
                        }
                    };
                    exec.OutputDataReceived += (s, e) =>
                    {
                        if (!string.IsNullOrEmpty(e.Data))
                        {
                            var output = string.Format(
                                CultureInfo.InvariantCulture,
                                Resources.ConsoleApplicationRunner_OutputWhileRunning_WithOutput,
                                e.Data);
                            RaiseOnConsoleOutput(output);
                        }
                    };

                    // Start the process
                    exec.Start();
                    exec.BeginErrorReadLine();
                    exec.BeginOutputReadLine();

                    // Wait for the process to exit
                    while (!exec.HasExited)
                    {
                        // Log the statistics for the process
                        TrackProcessStatistics(exec);

                        // Sleep for 1 second before polling again
                        Thread.Sleep(1000);
                    }

                    // Notify the user that the process has exited.
                    {
                        var text = string.Format(
                            CultureInfo.InvariantCulture,
                            Resources.ConsoleApplicationRunner_Output_ProcessCompleted_WithTimeAndProcessStats,
                            m_ProcessInformation.TotalTime,
                            StoreStatistics(exec));
                        RaiseOnConsoleOutput(text);
                    }

                    return exec.ExitCode;
                }
            }
            catch (Exception e)
            {
                var log = string.Format(
                    CultureInfo.InvariantCulture,
                    Resources.ConsoleApplicationRunner_Error_FailedToRunExe_WithPathAndError,
                    executablePath,
                    e);
                RaiseOnConsoleOutput(log);

                return -1;
            }
        }

        /// <summary>
        /// Logs the CPU, time and memory statics for the process.
        /// </summary>
        /// <param name="exec">The process for which the statistics should be logged.</param>
        private void TrackProcessStatistics(Process exec)
        {
            var pi = m_ProcessInformation;
            if (exec.PrivateMemorySize64 > pi.PrivateMemorySize)
            {
                pi.PrivateMemorySize = exec.PrivateMemorySize64;
            }

            if (exec.VirtualMemorySize64 > pi.VirtualMemorySize)
            {
                pi.VirtualMemorySize = exec.VirtualMemorySize64;
            }

            if (exec.WorkingSet64 > pi.WorkingSet)
            {
                pi.WorkingSet = exec.WorkingSet64;
            }

            if (exec.PeakPagedMemorySize64 > pi.PeakPagedMemorySize)
            {
                pi.PeakPagedMemorySize = exec.PeakPagedMemorySize64;
            }

            if (exec.PeakVirtualMemorySize64 > pi.PeakVirtualMemorySize)
            {
                pi.PeakVirtualMemorySize = exec.PeakVirtualMemorySize64;
            }

            if (exec.PeakWorkingSet64 > pi.PeakWorkingSet)
            {
                pi.PeakWorkingSet = exec.PeakWorkingSet64;
            }

            if (exec.NonpagedSystemMemorySize64 > pi.NonPagedSystemMemorySize)
            {
                pi.NonPagedSystemMemorySize = exec.NonpagedSystemMemorySize64;
            }

            if (exec.PagedSystemMemorySize64 > pi.PagedSystemMemorySize)
            {
                pi.PagedSystemMemorySize = exec.PagedSystemMemorySize64;
            }

            if (exec.PagedMemorySize64 > pi.PagedMemorySize)
            {
                pi.PagedMemorySize = exec.PagedMemorySize64;
            }

            pi.PrivilegedProcessorTime = exec.PrivilegedProcessorTime;
            pi.UserProcessorTime = exec.UserProcessorTime;
            pi.TotalProcessorTime = exec.TotalProcessorTime;

            pi.StartTime = exec.StartTime;
        }

        /// <summary>
        /// Logs the statistics for the process that was run.
        /// </summary>
        /// <param name="exec">The process for which the statistics have to be collected.</param>
        /// <returns>
        /// A string containing a summary of the statistics for the process.
        /// </returns>
        private string StoreStatistics(Process exec)
        {
            m_ProcessInformation.ExitTime = exec.ExitTime;
            var builder = new StringBuilder();
            {
                builder.AppendLine(
                    string.Format(
                        CultureInfo.InvariantCulture,
                        Resources.ConsoleApplicationRunner_ProcessStats_ForFilePath,
                        exec.StartInfo.FileName));

                builder.AppendLine(
                    string.Format(
                        CultureInfo.InvariantCulture,
                        Resources.ConsoleApplicationRunner_ProcessStats_ForStartTime,
                        m_ProcessInformation.StartTime));

                builder.AppendLine(
                    string.Format(
                        CultureInfo.InvariantCulture,
                        Resources.ConsoleApplicationRunner_ProcessStats_ForEndTime,
                        m_ProcessInformation.ExitTime));

                builder.AppendLine(
                    string.Format(
                        CultureInfo.InvariantCulture,
                        Resources.ConsoleApplicationRunner_ProcessStats_ForTotalTime,
                        m_ProcessInformation.TotalTime));

                builder.AppendLine(
                    string.Format(
                        CultureInfo.InvariantCulture,
                        Resources.ConsoleApplicationRunner_ProcessStats_ForPrivilegedCpuTime,
                        m_ProcessInformation.PrivilegedProcessorTime));

                builder.AppendLine(
                    string.Format(
                        CultureInfo.InvariantCulture,
                        Resources.ConsoleApplicationRunner_ProcessStats_ForUserCpuTime,
                        m_ProcessInformation.UserProcessorTime));

                builder.AppendLine(
                    string.Format(
                        CultureInfo.InvariantCulture,
                        Resources.ConsoleApplicationRunner_ProcessStats_ForTotalCpuTime,
                        m_ProcessInformation.TotalProcessorTime));

                builder.AppendLine(
                    string.Format(
                        CultureInfo.InvariantCulture,
                        Resources.ConsoleApplicationRunner_ProcessStats_ForPrivateMemory,
                        m_ProcessInformation.PrivateMemorySize / BytesPerKb));

                builder.AppendLine(
                    string.Format(
                        CultureInfo.InvariantCulture,
                        Resources.ConsoleApplicationRunner_ProcessStats_ForVirtualMemory,
                        m_ProcessInformation.VirtualMemorySize / BytesPerKb));

                builder.AppendLine(
                    string.Format(
                        CultureInfo.InvariantCulture,
                        Resources.ConsoleApplicationRunner_ProcessStats_ForWorkingSetMemory,
                        m_ProcessInformation.WorkingSet / BytesPerKb));

                builder.AppendLine(
                    string.Format(
                        CultureInfo.InvariantCulture,
                        Resources.ConsoleApplicationRunner_ProcessStats_ForPeakPagedMemory,
                        m_ProcessInformation.PeakPagedMemorySize / BytesPerKb));

                builder.AppendLine(
                    string.Format(
                        CultureInfo.InvariantCulture,
                        Resources.ConsoleApplicationRunner_ProcessStats_ForPeakVirtualMemory,
                        m_ProcessInformation.PeakVirtualMemorySize / BytesPerKb));

                builder.AppendLine(
                    string.Format(
                        CultureInfo.InvariantCulture,
                        Resources.ConsoleApplicationRunner_ProcessStats_ForPeakWorkingSetMemory,
                        m_ProcessInformation.PeakWorkingSet / BytesPerKb));

                builder.AppendLine(
                    string.Format(
                        CultureInfo.InvariantCulture,
                        Resources.ConsoleApplicationRunner_ProcessStats_ForNonPagedSystemMemory,
                        m_ProcessInformation.NonPagedSystemMemorySize / BytesPerKb));

                builder.AppendLine(
                    string.Format(
                        CultureInfo.InvariantCulture,
                        Resources.ConsoleApplicationRunner_ProcessStats_ForPagedSystemMemory,
                        m_ProcessInformation.PagedSystemMemorySize / BytesPerKb));

                builder.AppendLine(
                    string.Format(
                        CultureInfo.InvariantCulture,
                        Resources.ConsoleApplicationRunner_ProcessStats_ForPagedSystemMemory,
                        m_ProcessInformation.PagedMemorySize / BytesPerKb));
            }

            return builder.ToString();
        }

        /// <summary>
        /// Occurs when new console output is available.
        /// </summary>
        public event EventHandler<ProcessOutputEventArgs> OnConsoleOutput;

        /// <summary>
        /// Raises the console output event.
        /// </summary>
        /// <param name="output">The output.</param>
        private void RaiseOnConsoleOutput(string output)
        {
            EventHandler<ProcessOutputEventArgs> local = OnConsoleOutput;
            if (local != null)
            {
                local(this, new ProcessOutputEventArgs(output));
            }
        }
    }
}

redpajama_set_name: RedPajamaGithub


St Michaels Hall C/- St Michaels Association Inc.
"Make it Work" for Launceston!
Register your attendance to the Launceston "Make it Work" forum through this Eventbrite form. You will be kept updated with event information and reminders in the lead up to the forum.
NDIS Make It Work Forum - Launceston at St Michaels Hall C/- St Michaels Association Inc.


50 mm Bamboo Venetian blinds recently installed in a bathroom.
Find out what bamboo blinds colours and options we have available, visit our showroom and get yours from TLC Blinds, Honeywell rd, Tokai.
Visit out contact page to view our location via map.