Training content must meet the learner where he or she is, instead of the other way around. It must be readily accessible within the learner's natural work context.
The keys to integrating learning into day-to-day routines are hidden in that statement: We must work with the brain not against it…solving problems…related to survival…in an unstable environment.This means training content mustmeet the learner where he or she is, instead of the other way around. What exactly does that mean? Content must be readily accessible within the learner's natural work context, and the process of finding content that specifically meets the needs of learners must be frictionless and targeted. This is where a combination of a state-of-the-art learning discovery and delivery platform, combined with leading-edge microlearning content, is unbeatable.
Today's workers spend significant time using productivity and collaboration software applications and are always just a click away from accessing the Web. If a learning platform is not embedded in that application–Web ecosystem, it often creates a disconnect for employees. This disconnect causes a barrier between the question and the answer; if it is not integrated, employees will not take the time to log into a separate learning platform to access content in the moment of need. To address this disconnect, learning platforms should be immediately accessible—at the click of a button—within the worker's immediate context or workflow. This is what the term, "contextualized learning," stands for. Once a learner is in the learning platform, search and discovery of the most relevant learning content must a be a highly efficient and seamless process. Ideally, a learner can quickly search for content that addresses a specific issue or need and then find, in order of relevance, the content that is best designed to address that need.
The content itself should be created to make the learning experience enjoyable, efficient, and effective. To do so, content must be able to be consumed quickly by the learner (ideally in three to five minutes for most business skills learning content). Also, the instructional strategy used to design and develop the content should ensure maximum retention of the material for proactive application on the job. For example, for soft skills content, delivering negative feedback to a direct report exposes the learner to a quick interactive scenario that can effectively demonstrate desired behaviors the learner then can emulate in a scheduled feedback meeting.
An extension of the research on problem-based learning, which first was introduced by the medical faculty at McMaster University to improve medical students' development of diagnostic competency, shows learning is most effective when it is connected to solving a tangible problem an employee faces. This is another way of viewing "contextualized learning." The learning is connected to a pragmatic problem the learner is passionate about solving, and the learner is in the driver's seat and responsible for finding a solution to the problem. We also know from research that learners are more likely to remember material they have learned when they are in the driver's seat and when there is no question that what is being learned is useful and can be applied immediately. This represents a shift from the days when the primary delivery mode of development for employees was lengthy, classroom-based training and day-long sessions in remote locations. That kind of training increasingly is being challenged by the kind of "contextualized," in-the-workflow training solutions that are made possible by a new generation of learning platforms that include effective microlearning and video-based e-learning content offered by training solutions providers such as Skillsoft.
A modern learning experience is achieved when a fully contextualized platform is combined with optimally designed content. This experience enables employees to integrate learning into their daily workflow and overcome the typical challenges imposed by limited time and busy schedules. More importantly, employers can make sure employees are continuing to grow their skills and competencies for strong execution in the workplace. A constantly improving workforce is key for an organization to maintain competitive advantage. In fact, the ability for human capital to continue to continue to develop, grow, learn, and contribute in new and different ways may be the only real sustainable competitive advantage for today's organization.
Sue leads a product development team of six. One of the members of the team, Jack, missed the delivery deadline for a high-profile prototype of a new product her team is working on. Sue needs to give Jack feedback, but because Jack is otherwise a strong performer, she wants to make sure she goes about it in the right away. She sets up a meeting with Jack in the next hour.
Sue has Google Chrome open because she was learning about a competitor's recent product launch. Without closing out of the Webpage she was reading or opening a different platform, Sue easily clicks on the icon for her organization's learning platform, which is embedded in Chrome. At the click of a button, Sue is able to search for content about "giving employee feedback" in the learning platform.
She finds a three-minute video on the topic titled, "Conducting an effective feedback session with an employee." She reviews it and carefully watches how the leader in the video-based scenario delivers feedback in an effective manner. She observes the choice of words, how the leader starts the conversation on a positive note, body language, and other aspects of the content. She makes a note of the key points that appear on screen and then takes a screen capture of the course's job aid so she can quickly review the critical pointers from the course just before the meeting.
In three minutes, Sue gained a lot more confidence in her ability to deliver the feedback she needs to provide to Jack so the team does not continue to miss project milestone delivery dates. She also learns how to use an approach that will keep him motivated and engaged.
That is how learning can be integrated into flow of work.
Heide Abelliis senior vice president of Content Product Management at Skillsoft,an industry leader driving innovative corporate learning solutions and technologies. Its mobile learning platform, Percipio,has been adopted by a diverse portfolio of clients. Most recently, Skillsoft released the Percipio Embedded Learning Synchronized Assistant (ELSA), which seamlessly integrates learning resources into an organization's workflow.


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Q: Converting my C:\ to NTFS from EXT4 I was playing with my computer attempting to install Ubuntu 12.04.2 LTS i386, and I accidentally converted my C:\ with Windows on it to EXT4, and Windows hangs on boot. All of windows is still on the drive, along with the files, but I really want to use Windows again. All I need to know is how to convert back to NTFS without losing windows. Any help would be appreciated.

A: Despite what some other people are suggesting, formatting a partition generally doesn't erase all the data on it. However it doesn't exactly keep them either. It wipes the file table that records what files are stored on the partition and where. Generally the data for all the files will be there, but as you start using the partition it will get overwritten with new files. You are unlikely to be able to go back to NTFS and have all the files, directory structure etc exactly as it was before. You are unlikely to be able to get Windows to boot properly without reinstalling it. You should be able to recover most of the files using a file recovery tool such as TestDisk or PhotoRec, but there is no garauntee.
http://www.cgsecurity.org

A: I'm sorry to say it, but I believe you formatted your C: to EXT4, which erases all data on it. Like psusi said, there is no way to "convert" NTFS to EXT4 - you must be getting mixed up with formatting. Again, if this is true, all data has been lost. Be more careful next time; it even warns you!
CITATION:
Convert filesystem NTFS -> EXT4?

A: Use TestDisk (http://www.cgsecurity.org/wiki/TestDisk) to undelete the files. Save the recovered files to an external drive. Then, reformat EXT4 to NTFS. Lastly, move the files from the external drive to the new NTFS filesystem.

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Q: Android fragments: AsyncTask IO error handling I have a main activity which use view pager to display 3 tabs. In each tab fragment, I may call two AsyncTask classes to fetch data from the my web service. When the background task failed to connect to the web service, I would like to handle the ConnectException by closing the main activity(that has the 3 tabs) and redirect to errorActivity. What is the best way to do this?
I have set launchMode="singleTop" in the manifest file.
Currently, what I do for each AsyncTask is:
private class FetchDataTask extends AsyncTask<Void, Void, ArrayList<Person>> {
        @Override
        protected ArrayList<Person> doInBackground(Void... params) {
            try {
                return new Fetcher().fetchPeople();
            } catch (IOException e) {
                Log.e(TAG, "Failed to fetchPeople");
                cancel(true);
                return null;
            }
        }

        @Override
        protected void onPostExecute(ArrayList<Person> people) {
            mPeople = people;
        ….
        }

        @Override
        protected void onCancelled() {
            super.onCancelled();

            Intent i = new Intent(getActivity(), ErrorActivity.class);
            i.putExtra(ErrorFragment.EXTRA_ERROR_MSG, ErrorFragment.MSG_UNEXPECTED_ERROR);
            startActivity(i);
            getActivity().finish();
        }
    }

But the problem I am facing is having to open multiple ErrorActivity considering that the first two tabs will be called upon start up.

A: Create a function in your activity called onConnectionFailed() and in all fragments when service call fails call getActivity() typecaste it into your activity and call onConnectionFailed().
You can also create an interface with this function, make you activity implement that function and provide the body for it, and finally pass the activity as the object of that interface to the fragments.
inside onConnectionFailed() just call finish()
EDIT 1:
onWebServiceCallFailed(){
if(!error){
Intent i = new Intent(this,
            i.putExtra(ErrorFragment.EXTRA_ERROR_MSG, ErrorFragment.MSG_UNEXPECTED_ERROR);
            startActivity(i);
            this.finish();
  error = true;
}
}

And inside activity create a boolean error = false


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Singer, songwriter, producer and actress Ashanti was born Ashanti Shequoiya Douglas on October 13, 1980 in Glen Cove, New York, where she grew up taking dance lessons and singing in the church choir. As a child, she had bit parts in the films Malcolm X, Who's the Man?, and the Disney TV film Polly. After meeting producer Irv Gotti in 2001, she appeared on tracks by artists such as Big Pun, Ja Rule, and Jennifer Lopez. She released her debut album, Ashanti, on Gotti's Murder Inc. record label in April of 2002. The album contained her biggest hit to date, "Foolish", which spent ten weeks at #1 on the Billboard Hot 100 and won her a Grammy Award for Best Contemporary R&B album. In 2003, Ja Rule and Ashanti collaborated on the hit song, "Mesmerize." Later that year, she released her second album, Chapter II, which debuted at #1 on the Billboard 200, as well as the holiday album Ashanti's Christmas. She followed this up with Concrete Rose in 2004 and the remix album Collectibles by Ashanti in 2005.
In January of 2005, Ashanti made her feature film debut in Coach Carter with Samuel L. Jackson. Later that year, she starred as Dorothy Gale in the made-for-television film Muppets' Wizard of Oz. She followed this up with roles in John Tucker Must Die and Resident Evil: Extinction, as well as guest appearances on Sabrina the Teenage Witch and Buffy the Vampire Slayer. On June 3, 2008, Ashanti released her fourth album, The Declaration, which featured the single "Body on Me", a duet with rapper Nelly. From June 12th to July 5th of 2009, Ashanti headlined The Wiz as part of New York City's Encore! series. On December 15, 2011, she released the lead single from her fifth album, "The Woman You Love", featuring rapper Busta Rhymes. In November of 2012, she landed her first series regular role on the Lifetime series Army Wives. The following year, she starred in the Lifetime TV movie Christmas in the City and had a guest-starring role on Law and Order: Special Victims Unit alongside Clay Aiken and Taylor Hicks.
On March 4, 2014, Ashanti released her fifth album, Braveheart, on her own record label Written Entertainment. The album features appearances by Rick Ross and French Montana, among others.
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You are here: Home » Love World Music » Who Play Ralph In Andrew Lloyd Webber Phantom Of The Opera
Who Play Ralph In Andrew Lloyd Webber Phantom Of The Opera
We know that sometimes you might not know exactly what you're looking for, so we have compiled a list of all the events we have. As well as the name and the venue we have also included prices, booking dates, and a little bit of information, so you can make an informed decision on.
Sep 1, 2016. In that case, your name is Sir Andrew Lloyd Webber. on Broadway – Cats, The Phantom of the Opera and School of Rock – here are eight of the. Though first developed as a concept album by Sir Andrew Lloyd Webber and his primary lyricist Tim Rice, the musical. Neil Simon Theatre, 250 W. 52nd St.
Oct 15, 2017. The Phantom of the Opera is a timeless classic, a tale of unrequited. Andrew Lloyd Webber brings us Love Never Dies, a sequel set in. Recently, I was able to chat with cast member Karen Mason, who plays the role of Madame Giry, It's an amazing company starting with Simon Phillips, the director.
Dances Are Not Considered Part Of The Folk Music Tradition. Enchanting China: An Orchestral Extravaganza is an eclectic program featuring Peking Opera, classical hits and folk music that showcases the best of traditional Chinese opera. showing in three U.S. For years, folk music. are now a part of city culture. Modern fusion manages to retain the flavour of traditional India but has strains of modern
LONDON – The long-awaited sequel to "Phantom of the Opera" should be ready at the end of 2009, with a possible simultaneous opening on three continents, said composer Andrew Lloyd. And who will.
Apr 8, 2018. Andrew Lloyd Webber writes more music of the night for the Phantom of the Opera in this infamously uneven sequel to his hit musical. It is directed by Simon Phillips, best known in the States for staging the original "Priscilla.
Andrew Lloyd Webber was born in Kensington, London, the elder son of William Lloyd Webber (1914–1982), a composer and organist, and Jean Hermione Johnstone (1921–1993), a violinist and pianist. His younger brother, Julian Lloyd Webber, has had a notable career as a solo cellist. Lloyd Webber.
One serene face among the bedlam is that of Lord Andrew Lloyd Webber, the multiple-Grammy–winning composer. came out as albums before they were theatrical works – and "Phantom of the Opera" was a.
FILM. Film in London is a big disappointment and a national weak spot. The programmes are months behind other countries due to a backlog in the cinemas, and prices are a disgrace, twice the price of Paris or New York (although some cinemas, such as the Curzons and ABCs) do half price tickets on Mondays.
Mar 26, 2019 · Looking for the best musicals in Sydney? From international blockbusters to indie shows, here are Sydney's biggest all-singing, all-dancing spectaculars.
Alexander Hanson and Charlotte Spencer in a scene from the the Andrew Lloyd. a setback in Lloyd Webber's attempted comeback following the poor reception in London for "Love Never Dies," his.
Andrew. night of 'Phantom of the Opera.'" That was in 1986, so a second volume does seem inevitable — although, as the English composer darkly hints in his coda, it won't be as chipper as this one.
Andrew Lloyd Webber and Tim Rice wrote the music and lyrics for 1980. and a major motion picture. "The Phantom of the.
After the sadness came the disappointment that I was never going to see him again. I first met Michael when he came to see Phantom of the Opera in New York when we'd just opened in 1988. He was.
Oct 5, 2017. Andrew Lloyd Webber's "The Phantom of the Opera" sequel "Love Never Dies". London, has played several continents but has never been on Broadway. Simon Phillips's production appears to be less glossy than the Bob.
Andrew Lloyd Webber has tapped a favorite actress to play the school principal in the musical stage version of School of Rock. Sierra Boggess, who has played Christine in The Phantom of the Opera in.
Jesus Christ Superstar was Webber's first play to premiere on Broadway. Phantom of the Opera The music playing on the organ alone gives people the chills. Andrew Lloyd Webber came out with this tale.
How Do The Farmers React To Their Own Animals Singing Beasts Of England Working.com – Canada's most comprehensive job search engine. Find your dream job today! West Yorkshire is revealed as the most dangerous county in England and Wales, with more than 100 victim-based crimes per 1,000 people. London is only 10th out of 42 counties despite the wave of. More Education Nad Traing Helps The Gospel Music
Welcome to the LOVEtheatre index. A list of all our London Shows and Theatre tickets – always up to date with the very latest London Theatre Tickets.
"Andrew Lloyd Webber without Robert Stigwood [the flamboyant impresario who had. When Lloyd Webber played it for the cast, Nunn turned to the performers and. The melody in The Phantom of the Opera at the words, "And in his eyes/all the. Phantom are the spiritual heirs of the first notes of Ralph Vaughan Williams'.
He has his critics, but Andrew Lloyd Webber is nothing short of a master at knowing what makes a musical a hit. After 25 years, Phantom of the Opera is the longest running. The troubled show.
Gerard Butler: Gerard Butler, Scottish actor, known for his rugged masculinity and charm, who often appeared as legendary literary and historical figures, notably Leonidas in 300 (2006), the movie that made him an international star. He went on to play the lead.
Katharine McPhee will make her West End debut starring as Jenna in the UK premiere of Waitress, having played the role on Broadway earlier this year. Since finding international fame as a captivating singer on American Idol – Season 5, Katharine has become a successful recording artist, landing numerous songs and albums on Billboard's pop, jazz, holiday and adult-contemporary charts in her.
The Phantom is a manipulator, an emotional and psychological bully, If you were Christine in The Phantom of the Opera, would you go with Ralph or the Phantom?. Avery Bond, Broadway fan; trained in musical theatre singing style. In the Andrew Lloyd Webber version of Phantom of the opera, could.
Me and Julio Down by the Schoolyard, Paul Simon, Paul Simon. Andrew Lloyd Webber is the composer of The Likes of Us, Joseph and the. Me on a Sunday, Cats, Starlight Express, The Phantom of the Opera, Aspects of Love, Sunset. La Bête, the ground-breaking Bollywood musical, A. R. Rahman's Bombay Dreams,
Marcus is a proud Bay Area-born playwright-poet whom the New Yorker calls "the heir to Garcia Lorca, Pirandello and Tennessee Williams." His play The House that will not Stand was commissioned by and premiered at Berkeley Rep in 2014, won the 2015 Will Glickman Award for best new play to premiere in the region, and opened off Broadway in the summer of 2018 to rave reviews and a sold-out.
Mar 10, 2015 · Disney has announced its latest animation adventure Zootropolis will be released in the UK on 25 March 2016. The film is directed by Byron Howard (Tangled) and Rich Moore (Wreck-It Ralph).
American lovers of musical theatre who blame Andrew. Lloyd Webber does write at his best, he writes at Rodgers's best; the influence flows in and then out, as in the genuinely beautiful "All I Ask.
Amazon.com: The Phantom of the Opera (Two-Disc Special Edition): Austin. Minnie Driver, Simon Callow, Ciarán Hinds, Joel Schumacher, Charles Hart, Musical Drama based on Andrew Lloyd Webber's celebrated musical phenomenon.
Major Cast Changes for The Phantom of the Opera London. changes in the smash hit Andrew Lloyd Webber musical "THE PHANTOM OF THE OPERA" at. Simon Rackley; Celinde Schoenmaker; Danielle Stephens; Ashley Stillburn; Claire.
Dec 21, 2004. Andrew Lloyd Webber's Phantom of the Opera Movie Review. | Roger Ebert. I do not think Lloyd Webber wrote a very good musical. The story is thin. Wouldn't get past Simon Cowell, let alone Rodgers & Hammerstein.
The Phantom of the Opera (2004) cast and crew credits, including actors, actresses, directors, writers and more. Andrew Lloyd Webber. Simon Callow. Ralph Kamp. executive producer. Richard Stilgoe. musical book: stage.
Aug 25, 2017 · About 200 hits from the 1970s to today – 1153 pages of sheet music! These classics are arranged for piano, voice and guitar with lyrics: Angel, Borderline, Come Sail Away, Drift Away, Fast Car, Free Bird, Girls Just Want to Have Fun, Hey Ya!, Imagine, Lady in Red, Love Shack, Respect, Smells Like Teen Spirit, Sweet Home Alabama, What I Like About You, You Give Love a Bad Name and.
Crawford will next be see starring as 'The Wizard' in Andrew Lloyd Webber's upcoming THE WIZARD OF OZ. THE PHANTOM OF THE OPERA became the longest-running show in Broadway history on January 9, 2006,
Simon Callow. Andre. Known As: Andrew Lloyd Webber's The Phantom of the Opera See more ». Select any poster below to play the movie, totally free!
Andrew Lloyd Webber was thirteen when it happened, on Christmas Day of. He had in mind a musical about dueling versions of La Bohème. Instead, Andrew received the following judgment: "It sounds like a million. Puccini and Lloyd Webber—between opera and Phantom of the Opera—will come to seem trivial.
You're the "Greatest Star of All" From Joseph and the Amazing Technicolor Dreamcoat to School of Rock, you seem to know it all when it comes to the musicals of Andrew Lloyd Webber. Lord Lloyd Webber.
One's heart went out, too, to the Phantom of the Opera, a deformed loner who lived beneath. and sent threatening letters.
In the early stages of rehearsal for Andrew Lloyd Webber's latest. Michael is an opera singer, his mother Patricia teaches singing and his brother Alexander – who played Raoul in the most recent.
The Phantom of the Opera is a musical with music by Andrew Lloyd Webber and lyrics by. John Owen-Jones and Earl Carpenter alternated as the Phantom, with Katie Hall and Olivia Brereton as Christine and Simon Bailey as Raoul.
What The Brain Looks Like When Playing A Musical Instrument A lot of dance-music performers insist that they want to make you think, but French Vanilla are one of the few bands whose. Learn how to play Music On The Brain Made famous by The Yousicians. guitar. piano. ukulele. bass. singing. Levels and exercises. Choose a guitar exercise below for a preview of how Music
The Phantom of the Opera is a 2004 British–American musical drama film based on Andrew Lloyd Webber's 1986 musical of the same name, which in turn is based on the French novel Le Fantôme de l'Opéra by Gaston Leroux. Produced and co-written by Lloyd Webber and directed by Joel Schumacher, Simon Callow as Gilles André; Ciarán Hinds as Richard Firmin; Victor.
How Many Cadence Does One Sentence Structure Have In Music I wanted to get the words into my poem that nobody else would think to put into their poems. Certainly, those words make plain certain artifacts of ethnicity, race, and culture, but I have trouble with the idea that my use of lengha or kurta or my naming a character Apna or that the poem
"Andrew. who will play Jesus in "Superstar." Lloyd Webber's shows include "Joseph and the Amazing Technicolor Dreamcoat," "Jesus Christ Superstar," "Evita," "Sunset Boulevard," "Cats," "The Phantom.
Andrew Lloyd Webber, the Tony Award-winning composer and impresario, has confirmed that he will indeed be going ahead with a previously announced sequel to his blockbuster hit The Phantom of the Opera.
Nov 1, 2018. An Evening with Stephen Sondheim & Andrew Lloyd Webber. "Jesus Christ Superstar," "Evita," "Phantom of the Opera," "Cats," "A. She won the prestigious Tony Award for Best Featured Actress in a Musical for her performance in. Scarlett has recorded with Simon Keenleyside "Something's Gotta Give".
The late-night host takes on a few of Andrew Lloyd Webber's most memorable musicals. When it came time to tackle "Phantom of the Opera," however, Corden had one problem: they didn't have a.
Apr 17, 2018. Andrew Lloyd Webber's West End disappointing "Phantom of the Opera". record-breaking smash "Phantom of the Opera," is showing signs of life on the road. Simon Phillips ("Priscilla Queen of the Desert," the new musical.
But at "Love Never Dies," the sequel to Andrew Lloyd Webber's mega-smash "The Phantom of Opera," the lush strings are emoting. And since "Love Never Dies" has yet to play Broadway, where the.
Tim Howar has come to be known as one of the most electric, engaging performers to emerge from the Toronto Canadian musical theatre scene. He has received the Edmonton Civic Award for Outstanding Achievement in Dance 1990, and is the first and still the only Canadian to be awarded the Grand Prize at the Youth Talent International Competition in Memphis Tennessee USA.
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Chronicles of an Ordinary Woman
This is a discussion of a woman, an ordinary woman who participates in the everyday and commonplace acts of life. As she re-views (reminiscences) about her present, past, and future. This collaboration of, and interdependence between the visual and the verbal, forms an autoethnography of a woman's life and explores a still developing, still evolving selfhood.
Linda Rader Overman: How Everyone I Knew Has Died Too Soon
Recently at the memorial for a dear friend, and former boyfriend of old, I sat and pondered how was it that so any of my old friends from teenage-hood either did not live to see 40 or have not made it to 60?
Tony Peluso and I met when he was 16 and I was 15. He was in a band a bunch of us girls had hired to play at a party we were giving for our friends from Hollywood High School. It was 1966 or thereabouts. It was in the spring and for some of us, our junior year was coming to an end. I had skipped first grade and was a year younger than most of my friends. This would plague me for most of my secondary school life as I was always too immature to fit in. I crashed and burned when I failed my entire freshman year of college, dropped out, and then did not complete my undergrad year until I was almost 40. But that's another story.
Tony was also not a particularly good student. In fact, he had left Loyola High School and was attending the dreaded Hollywood High Continuation school. That way he could focus on his passion: playing and composing music. He was actually quite the prodigy. Upon meeting Tony and his band mates in The Abstracts, filled with kids who had all met and attended various catholic schools together, Blessed Sacrament, Loyola, Notre Dame, St. John Vianney (before it became Daniel Murphy)--I met a large group of guys and girls who were all trying to fit in. That is what the high school years are partially about belonging...doesn't necessarily matter what, just belonging.
We all shared a love of Tony's band and the various clubs on the Sunset Strip in Hollywood, CA that his band was paid to perform at. Later, I introduced some of my girlfriends to some of these cute young men and relationships and even a marriage or two resulted. My first roommate out of high school and I enjoyed socializing with the band members and its group of band groupies. We all did what a lot of people did in the swinging sixties....participate in those free loving rituals Dr. Timothy Leary opined. Tune in, turn on, and drop out aka sex, drugs, and rock 'n roll. We were invincible. We were against Vietnam. We enjoyed the rituals of smoking marijuana and experimenting with hallucinogenics. We protested "The Man" and what he stood for especially what the man did to blacks in those days.
Many of us went on to college and did very well, many of us did not go to college and still did well. Many of us were enmired in drug addiction and struggled out the abyss it threw us into, some of us did not, and succumbed. In our late twenties and early thirties some of this crowd I had hung with started dying off for a variety of reasons. Illness--physical and mental, drug addiction, AIDs, heart problems, Cancer, and the list goes on.
It all came to a head for me one afternoon, when I was visiting the Rock n Roll Hall of Fame in Cleveland, Ohio with family members around 1996. We were simply tourists and I stumbled into the screening of a documentary of the Sixties and The Who were being interviewed. Pete Townsend was very upset at the grim reality that so many of his friends in some of the most famous rock 'n roll bands in the world were all dead. He was in tears as I heard him say, "All my fucking friends are dead!" And that phrase exploded in my head because so many of my fucking friends were also. I had to run out of the museum immediately. I rushed out of there balling my eyes out at the loss of over a dozen of the old crowd I had so long ago become friends with, partied with, cried with, smoked weed with, done other drugs with, regretted it with, and then laughed about it all with. I was in a rage at the stupid naivete we all showed by our cavalier approach to living. We inhaled life in that devil-may-care way that so many young people do, even today, except when I was growing up AIDs was not an acronym.
Tony was charismatic, diligent in his goal to be a rock n roller. He was a genius at his ability to play the guitar, arrange and produce records, as later evidenced by his long list of Grammy awards and other amazing musical accomplishments. See below from the Hollywood Reporter obit page:
Tony Peluso, who played lead guitar with the Carpenters before becoming a successful producer, died on Saturday, June 5 in Los Angeles of heart disease, according to the Hollywood Reporter. Peluso, 60, was a four-time Grammy winner who made an impressive mark on the world of pop music, performing and producing on records that, in total, sold in excess of 150 million copies.
Peluso got his start working with teen idol Bobby Sherman in the late '60s and played guitar with Paul Revere and the Raiders before joining the Carpenters in 1971 at the age of 21. Following the death of Karen Carpenter in 1983, Peluso signed on with Motown Records, where he was an A&R executive. He produced records by Smokey Robinson, Michael Jackson, the Temptations and the Four Tops in his 10 years with the label. He most recently worked on the Oscar-winning soundtrack to 'Brokeback Mountain.'
In 1992, he and Latin artist Santaolalla helped define the Roc en Espanol genre. Through this affiliation, Peluso was later tapped to produce the 'Brokeback Mountain' theme song 'The Wings.' Peluso is also credited for producing and engineering records by Kenny Loggins, Seals and Crofts, Apollonia, Animotion, Stephanie Mills, the Fixx, Ricky Martin, Café Tacuba and Boyz II Men with Selena, among others.
Peluso is survived by his sons, Joe and Andrew. Funeral services will be held on Saturday, June 26 at Our Lady of Lourdes Catholic Church in Northridge, Calif.
Sitting and listening to Tony being eulogized and afterwards talking with so many faces (that at times I didn't always recognize), I realized how old I am and that I feel much older. I realized that some four to five decades ago, how many mistakes I had made as young girl who was narcissistic, concerned with how much of an impact I made entering a room, and totally unaware of life's dangers. I, of course, would never have any problems, that was only other people, not me. I realized, too, how much I had eaten my life in one large gulp instead of one bite at a time, and yet I had relished doing so.
Many of my friends who I had not seen since the last memorial service we attended, in the fall of last year, also ate life on those terms in their youth. Yet here we were still surviving: our hair was whiter, our physiques showed how good a life we were still living, we had wrinkles, we wore glasses, we embraced and bemoaned how we had to stop meeting like this. And we all mourned a friend, a father, a musician, a former altar boy, a husband, a boyfriend, a band mate, a colleague, and in my case one of the first men I actually fell madly in love with, when I was a college freshman. His insatiable appetite for music and for me frightened me so that it took all my power to run from him. His intensity for those things terrified, mystified, inspired, intrigued, attracted and repelled me. He did not let go without a fight. But to survive, I had to turn my back on him and that life.
I can't believe how much I miss that me, that him, those friends who stood in a semi circle that day at the church for a group photo. And what makes me even sadder is that when I see them again, another one of us will have died. Another one of us will remind us all what we were, what we did and should not have done, what we loved, embraced and lived.
Our lives were better because of and in spite of each other. And to one who had a compelling impact on my early life I say:
Dear Tony,
Goodnight sweet prince. And flights of angels sing thee to thy rest.
Posted by Linda Rader Overman at 6:38 PM No comments:
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Home » Lifestyle » Cheryl Burke Gets Real About Near Elimination From 'Dancing With the Stars'
Cheryl Burke Gets Real About Near Elimination From 'Dancing With the Stars'
A near miss. Cheryl Burke and partner Sam Champion almost went home on Dancing With the Stars this week, but the ballroom pro is keeping her head up.
Dancing With the Stars' Most Shocking Eliminations
"With this season in particular, there's peace along with the whole elimination process," the Dance Moms alum, 38, exclusively told Us Weekly after the Monday, October 3, episode. "Like, normally I'm a nervous, sweaty wreck, but with Sam, if I'm looking at the actual ability of all the celebrities? We are very blessed to still be in this competition, to be quite honest, and Sam knows that."
The DWTS veteran and the Good Morning America weatherman, 61, finished in the bottom two during Monday's episode, but the judges unanimously voted to save them from elimination. Cheryl Ladd and Louis van Amstel, who scored a 24 on the rumba to "Diamonds Are Forever" by Shirley Bassey, went home instead.
Burke has been competing on DWTS off and on since 2006, but life in the ballroom never gets easier — especially when the contestants step up their game.
"Every season is a lot more challenging than the previous season," the "Pretty Messed Up" podcast cohost told Us. "Everybody's so talented. Everyone's got their own thing. And Sam and I are just really happy to be here."
All the Rules and Secrets You Didn't Know About 'Dancing With the Stars'
The I Can Do That runner-up also pointed out that her partner has a bit more life experience under his belt than many of his fellow contestants. "Let's not forget, he's 61 years old," Burke told Us. "This is a hard journey so far, but it's been worth it. He's learned a lot as well."
Earlier this month, the dance pro told Us that DWTS has been a constant for her amid her divorce from Matthew Lawrence. "It's like, this show, there's one common denominator here and it's Dancing With the Stars, you know?" she said after the season 31 premiere, noting that the series had been present during many "different chapters" of her life.
Everything Cheryl Burke Has Said About Healing Amid Matthew Lawrence Split
Burke and the Brotherly Love alum, 42, called it quits in January after three years of marriage. The duo finalized their divorce last month.
"As far as the divorce goes, you know, it's slowly getting there," Burke told Us in September ahead of the settlement. "There's no rush. It's not like I've got someone else to marry tomorrow, nor do I want that. I'm not even dating anybody at the moment."
Dancing With the Stars airs on Disney+ Mondays at 8 p.m. ET.
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Revision as of 11:59, 21 June 2019 by Infernian Ignis (talk | contribs) (→Synopsis: References)
Now, four brave warriors begin their journey, prepared to fight. What awaits the warriors, however, they do not know. [10]
In the west rose Niflheim, an empire that prospered through technological advances; and in the east stood Lucis, a kingdom blessed with the magic of the divine Crystal. An imperial proposal sets the stage for an armistice and end to the fighting that has kept the two nations at odds for many years. As a symbol of this proffered peace, Prince Noctis is to marry Lady Lunafreya, princess of the imperial province of Tenebrae. At the behest of his father, King Regis, the crown prince sets out to be wed in Altissia, a protectorate of the empire and former ally of Lucis, ahead of the signing ceremony, his royal retinue in tow. [7] [11] [12]
Before long, his journey takes a sudden turn. On their way to the wedding, Noctis and his friends catch sight of a troubling headline: "INSOMNIA FALLS." A radio broadcast confirms their worst fears: the Crown City of Insomnia has indeed fallen to the empire's full-scale assault, and Noctis, his father, and his betrothed have all been pronounced dead. With their ruined homeland behind them and a long road ahead, the prince and his companions drive onward to save their kingdom—but not without some excursions along the way. [7] [11]
Prince Noctis Lucis Caelum sets forth from his homeland with his three-man retinue in two. His destination: Altissia, capital of Accordo, where he will formalize the union of states through his marriage to Lady Lunafreya of the imperial province of Tenebrae. [13] Having channeled all their funds into repairs for the Regalia, however, the Chocobros must now find a way to earn some gil, the currency of choice outside Insomnia. [14]
A hunter named Dave, charged with exterminating the pests around Hammerhead, has gone missing. While the Chocobros are exterminating pests themselves, the mechanic Cindy asks Noctis to track him down. [15] After finding him barricaded in a shack, Dave informs the Chocobros of a mutant dualhorn run amok. Up the challenge, Noctis agrees to take it down. [16] Using all four of their efforts, they defeat the dualhorn and return to Hammerhead with some funds and a repaired Regalia waiting for them. [17]
With the Regalia repaired, the four continue to Galdin Quay where they are to board a ferry to Altissia. Upon arriving, however, a "man of no consequence" informs them that the dock is blocked. While Chocobros search for an alternate means of sailing to Altissia, a reporter named Dino immediately identifies Noctis as the crown prince. [18] [19] He promises to keep quiet and secure a ship if Noctis agrees to mine some rare gemstones for him. [19] Once the Chocobros fulfills their part of the bargain, Dino suggests they rest at the Galdin Quay's hotel for the night while he acquires a ship. [17]
In a single night, however, the promise of peace has been broken, the Crown City along with it. [20] Upon seeing the news of Insomnia's fall in the morning paper, the Chocobros decide to return to Insomnia. [17] But with their only way back to Insomnia blockaded, the Chocobros look for a vantage point from which they can view the city, determined to take down all obstacles in their way. [21] On the cliff overlooking Insomnia, a phone call from Cor, Marshall of the Crownsguard, confirms Noctis' fear that his father, King Regis, has been slain and the Crystal has been stolen by Niflheim. Struggling to come to terms, the Chocobros leave the hilltop to meet the marshal and plot their next step. [22]
Putting their home behind them, the four friends set forth to find the answers in Hammerhead. [20] Cid, King Regis' friend and Cindy's grandfather, explains to them that Regis "played the best hand he was dealt." He then sends them to Prairie Outpost to meet Cor. [23] In a royal tomb, Cor explains that in order to reclaim the Crystal and save his homeland, Noctis needs the power to battle the empire. One way to gain power is by reclaiming the powerful royal arms of late Kings of Lucis from their royal tombs. To that end, the Chocobros make for Keycatrich Trench, where a royal arm is said to lie. [24]
↑ 7.0 7.1 7.2 Takeo X. (2018, January 27). FINAL FANTASY 30th ANNIVERSARY EXHIBITION 『別れの物語展』に行ってきた話. Retrieved from http://ff14-0t0.blogspot.com/2018/01/final-fantasy-30th-anniversary.html
↑ Square Enix Co., LTD (2016). Final Fantasy XV (Prologue) [Video game]. Tokyo, Japan: Square Enix Co., LTD.
↑ 11.0 11.1 oshiruco0465. (2018, March 23). FF15 – 最先端ゲームの感動体験をすべてのユーザーに [Photo]. Retrieved from https://twitter.com/oshiruco0465/status/977105457859850240
↑ History of Eos. (2016). In Final Fantasy XV Ultimania - Scenario Side (pp. 038—039). Tokyo, Japan: Studio BentStuff Co., LTD.
↑ Square Enix Co., LTD (2016). Final Fantasy XV (Loading - Chapter One) [Video game]. Tokyo, Japan: Square Enix Co., LTD.
↑ Square Enix Co., LTD (2016). Final Fantasy XV (Quests - The Pauper Prince) [Video game]. Tokyo, Japan: Square Enix Co., LTD.
↑ Square Enix Co., LTD (2016). Final Fantasy XV (Quests - Hunter Becomes the Hunted) [Video game]. Tokyo, Japan: Square Enix Co., LTD.
↑ Square Enix Co., LTD (2016). Final Fantasy XV (Quests - The Mutant Marauder) [Video game]. Tokyo, Japan: Square Enix Co., LTD.
↑ 17.0 17.1 17.2 Chapter 01. (2018). In Final Fantasy XV Official Works (pp. 016—021). Tokyo, Japan: Square Enix Co., LTD.
↑ Square Enix Co., LTD (2016). Final Fantasy XV (Quests - The Errand Prince) [Video game]. Tokyo, Japan: Square Enix Co., LTD.
↑ 19.0 19.1 Square Enix Co., LTD (2016). Final Fantasy XV (Quests - A Gentleman's Agreement) [Video game]. Tokyo, Japan: Square Enix Co., LTD.
↑ 20.0 20.1 Square Enix Co., LTD (2016). Final Fantasy XV (Loading - Chapter 2) [Video game]. Tokyo, Japan: Square Enix Co., LTD.
↑ Square Enix Co., LTD (2016). Final Fantasy XV (Quests: Ill Tidings) [Video game]. Tokyo, Japan: Square Enix Co., LTD.
↑ Square Enix Co., LTD (2016). Final Fantasy XV (Quests: Legacy) [Video game]. Tokyo, Japan: Square Enix Co., LTD.
↑ Chapter 02. (2018). In Final Fantasy XV Official Works (pp. 022—025). Tokyo, Japan: Square Enix Co., LTD.
↑ Square Enix Co., LTD (2016). Final Fantasy XV (Quests: The Power of Kings) [Video game]. Tokyo, Japan: Square Enix Co., LTD.


Today is Holy Tuesday and I was inspired and motivated to spread the Devotion to the Holy Face because of the many graces Our Lord is giving us through the merits of his Holy Face recently. Today I just realized that the world is getting even worst. The Messages of Our Lady in Fatima and Our Lord's Messages to Sr. Marie of S. Pierre and Bl. Maria Pierina de Micheli are always disregarded. It's our time NOW to spread this messages to revive this Important Devotions for our times. We need no much time.
Here in Our Place in Legazpi City it's still in peace and we hope that our Block rosary missions will continue. In connection with this, I decided not just to give Pamphlets and Rosaries but I decided to give Holy Face Medals. But my problem is that we have no much funds to produce 200 medals for the missions. So I write this letter to help us attain our goal. Through your donations, we can give Holy Face Medals for free to our mission work here in Legazpi City Philippines. Through your help, we can spread awareness of this Devotion and Our Lady's Messages.
We strive to Promote this devotions that is needed very in our times. Our ministry provides rosaries and scapulars, pamhplets and talks through our mission works here in Legazpi and to individuals who request them through this site. We will gratefully accept a donation of any amount in support of the work of our Ministry.
HELP US, ONLY YOUR HELP WILL MAKE THIS POSSIBLE!
Thank you and May God Bless us always!


On my Videos page, you may notice a new addition – a super-fun and artful music video shot around LA and Catalina Island!
I have started a YouTube channel called Marilyn Mondays where I'll be posting brand new (Marilyn-related) videos every week!!
I've only just begun, and I'll keep growing the channel from last Monday on out – I'll cater to what the fans want – within reason, you guys, haha – so please comment on the videos with your feedback, suggestions, requests, etc!!
I have tonssss of ideas and scripts for upcoming videos, and they're all very different, but they're mostly going to be reverently comedic, and vaguely satirical… but careful, you might accidentally learn something about Marilyn that you never knew that you needed to know 😉 And you might also UNlearn some things that you THOUGHT you knew!
She was a very complex lady, so my goal is to break down the myths and remind about the surprising secrets in a fun and entertaining way.
Transitioning from live performance (which I am still doing more regularly than ever!) to recorded videos is a bit of a system shock, I have to admit; when you're on stage, you know if a joke is funny or if a moment is touching IMMEDIATELY when the audience responds (or doesn't, yikes!). With videos, you write something that you feel is fun or important or emotional, you shoot it the best you can with the weather/locations/materials/health you have, you assemble it the best you can, and then you release this vulnerable little private thing into the ether, all exposed and instantly open to judgement all over the globe! It is daunting, especially when the subject matter is particularly important to you (like Marilyn). So aaaaany feedback you have, please leave it in comment or at least click the thumbs-up so I know if I'm on the right track in creating something that people want to see.
Thank you soooo much, to everyone who has shown me support!!! You really keep me going. I won't let you down!


RACELAND -- Curbside recycling is a nice idea but is simply not economically feasible for the time being, Lafourche Parish President Charlotte Randolph said this week.
She told the Parish Council Tuesday that despite a larger-than-expected solid-waste fund, starting a curbside recycling program would not be the best use of that money.
Although the parish anticipates a roughly $2 million surplus in the solid-waste fund at year�s end, Randolph said, officials should set aside the extra money for unanticipated expenses, such as removing debris after storms.
Reinstating curbside recycling, Randolph said, "would take every bit" of the anticipated surplus.
With startup costs, including the purchase of collection bins, the parish could expect to pay $1 million to $1.9 million in the first year and $700,000 per year for weekly pickup after that, Randolph said. She said she based her figures on conversations with SWDI, the parish�s solid-waste contractor.
SWDI representatives could not be reached for comment Thursday.
The parish discontinued curbside recycling in 2005 as part of an effort to reduce solid-waste costs. At the time, parish officials said the solid-waste account was in sharp decline and couldn�t sustain more than the most-basic services over the long term. In its place, the parish established recycling drop sites at various parish maintenance barns.
But the solid-waste fund, which benefits from a half-cent sales tax, collected about $1.6 million more last year than the year before, Randolph said, attributing the spike to post-Hurricane Katrina spending.
The parish cannot count on the same sales-tax proceeds into the future, she argued.
Recycling "certainly is something we would like to begin doing," she said. "But it�s very expensive. We just don�t have that money right now. There also is not a market for (recycled materials) right now. That�s another problem we have."
Randolph�s presentation came at the request of some councilmen interested in reviving the program. At their urging, the parish budgeted $300,000 this year for curbside recycling.
Councilman Brent Callais is among the advocates.
"Without a doubt" curbside recycling should be reinstated, he said.
To that end, the councilman said, he would continue to investigate available options, including the possibility of hiring a lower-cost contractor to collect recyclable materials.
Curbside recycling is available in Thibodaux, which operates under a separate solid-waste contract.
Region A Field Office, 2565 Veterans Blvd., Thibodaux, 446-0335.
Region C Field Office, 6236 La. 308, Lockport, 532-6474.
SWDI, 201 W. 39th St., Larose, 693-4866.


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Is a Letter of Intent Really Necessary?
By Thoits Law March 23, 2010 Blog, Business Law
Is a letter of intent for a sale or acquisition of a business, or other M&A transaction, worth the paper it's written on? Why spend time and money on negotiating and drafting a letter of intent (aka memorandum of understanding, term sheet, summary of principal terms, or heads of agreement – all referred to as a "LOI") that is, for the most part, non-binding? These are common, but important, questions, and as with many legal questions, the most accurate answer may be – it depends. When considering an LOI, however, the answer is clear: much can be gained by going through the process of negotiating and signing a LOI.
From a seller's perspective, it's important to learn whether the seller and prospective buyer are on the same page regarding the principal deal terms such as type or structure of the potential deal, price, payment terms (including any financing contingencies), possible non-competes for key employees/shareholders, indemnification rights and obligations, holdbacks, timing for completing due diligence, outside date for signing the definitive agreement, and the closing date. The buyer wants to find out many of the same things, but also wants to tie up the seller by imposing a lock-up or exclusivity period to prevent the seller from negotiating with others.
Although the binding parts of a LOI usually favor the prospective buyer, a seller may also reap benefits from the signing of a LOI by placing a stake in the ground and obtaining what may be viewed as an ethical commitment from the prospective buyer regarding principal deal terms. In addition, the seller can try to use the leverage of the buyer's desire to lock-up the seller to discuss additional deal terms and ideally resolve them to the seller's benefit early on by including them in the LOI. The earlier in the negotiation process the seller can resolve significant deal issues, the more comfortable the seller will be about providing the buyer with extensive and detailed due diligence information, including voluminous financial information and sensitive and valuable intellectual property or other proprietary or confidential information. Even though a non-disclosure or confidentiality agreement will protect the seller against the unauthorized use or disclosure of seller's important information, before that disclosure occurs, with its increased level of business risk to seller, the seller will want to be in a strong position. An LOI can certainly help achieve that goal for the seller.
For an example of a LOI that contains typical terms in the context of an asset sale, you can click here. In future blogs, I will explain the rationale behind certain of the terms in a LOI and include some atypical terms and why they may be appropriate for a particular potential M&A deal.
Terrence P. Conner, Business Group
California Supreme Court Overturns Steiner v. Thexton
Author Thoits Law
More posts by Thoits Law


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WWE Immortals Released – Details & Trailer Introduce Fighters
Warner Bros. Interactive Entertainment and NetherRealm Studios released the Free-to-Play mobile game WWE Immortals. You can play the game on iPad, iPhone, iPod Touch and Android-devices. They also released a Launch trailer and some ingame videos, that introduce the fighters. You can see all videos below this report.
WWE Immortals takes WWE Superstars such as John Cena, The Rock, Brock Lesnar, Triple H, Roman Reigns, The Bella Twins, Big Show and Sheamus, out of the ring and into an alternate universe where they battle as out-of-this-world versions of their in-ring personas. Utilizing a touch-based combat system, opponents can wield over-the-top signature Superstar moves and devastating powers to conquer opponents in bone-crunching matches. As the game progresses, participants can supercharge their roster with gear and support cards, engage with players around the world, and participate in in-game challenges tied to WWE pay-per-view events. Enjoy the videos below.
New Cities XXL Trailer
New Dying Light Trailer Shows Features


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Rams get revenge on Varsity Blues, earn fifth consecutive win
Libaan Osman Recaps, Sports January 19, 2020
Rams cruise to eighth straight victory over Varsity Blues on the road
Ryerson student crafts pouches for animals orphaned by Australia's bushfires
Dhriti Gupta Communities January 18, 2020
Harland's heroics power Rams past Lions at WOCO
Rye's sexual violence policy amended in favour of 'transparency'
Madi Wong Campus News, News January 17, 2020
Rye community honours Tehran plane crash victims at campus memorial
Fun & Satire
Podcast: The Ear-opener
The Blackout Issue
Women In Sports
We're Not Going Anywhere
The Darkest Timeline
The Crisis Issue
The Fashion Issue
Student Choice Initiative
What is the Student Choice Initiative?
Stories We Broke
We The Students RU
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Photo: Keith Capstick
RSU to reevaluate effectiveness of CFS ties
In News, Student Politics May 10, 2016 Leave a Comment
By Keith Capstick
On April 26, a motion was passed unanimously at the Ryerson Students' Union (RSU) board of directors meeting requesting that this past year's executive present a report to students on the effectiveness of the services offered by their relationship with the Canadian Federation of Students (CFS) by September 2016.
The motion was supposed to be tabled at the RSU's annual general meeting (AGM), but was moved to the board meeting when the AGM lost quorum.
The CFS is a national advocacy group that the RSU pays $465,000 to each year to be the Ryerson community's voice on a national level and in country-wide student campaigns, in conjunction with more than 50 other post-secondary communities around the country.
The motion cites students not knowing "what the CFS even does" and the RSU's responsibility to make sure students' money benefits Ryerson students as reasons for the requested review of CFS services.
Incoming RSU president Obaid Ullah pointed to students' right to learn about who they're affiliated with and pay money to.
"It's great to see students pay attention to the RSU and the functionality. It seems that some students are curious about who the RSU is affiliated with," Ullah said in a statement. "The students have a right to ask information on how the RSU is run and they seem to be using that right."
The CFS is often a popular topic within discussions of student action and policy. The group participates in lobbying on a federal and provincial level for students interests particularly around discussions of equity and diversity, tuition increases and environmental sustainability.
Each undergraduate student at Ryerson pays $15 to the CFS and that amount is then split up and given to CFS national and CFS-Ontario (CFS-O), the federation's provincial branch. According to Ullah, who was also last year's vice-president operations, about $7 goes to CFS-O and $8 goes to CFS national.
The CFS has engaged in multiple legal disputes over the last decade, particularly in Quebec, with various student unions looking to defederate from the organization. Most prominently a four-year long legal battle with the McGill post-graduate student society (PGSS) which ended with the PGSS leaving the CFS. Additionally, in 2008 Cape Breton University's union presented a petition with over 90 per cent of its students supporting defederation but the petition was denied by the CFS. The CFS then sued the Cape Breton Students' Union for $295,000. The union later filed for bankruptcy.
Last year's RSU president and current CFS-O Spokesperson, Rajean Hoilett, welcomes this review of the federation's services but stresses the importance of the CFS being involved in the consultation process.
"It is important that before the report comes out that we have an opportunity to talk about the value of being a member of the federation," Hoilett said. "More than that to have a space to answer questions of whoever is conducting this review and that we are given space to critically engage in the discussion on campus."
Hoilett also said that he and CFS-O are looking forward to this opportunity to engage with both the RSU and to spend time on campus engaging with students in person to ensure they're aware of the work the CFS is doing.
"I think that engaging in the real work in the federation, the campaigns and services of our organization is a really great way for students to learn more but also [we need to make] ourselves more available for students to come by, ask a question to hear more about our organization," Hoilett said.
Hoilett also mentioned that the CFS would be announcing a new tuition fee campaign to work from the momentum of the Ontario government's new tuition grant model.
The motion was originally moved by Akhil Shiv Kumar, a third-year english student.
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A Constitution for the Ryerson newspaper "The Eyeopener"
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PRICED TO SELL! HURRY! Great massive built beachfront residence with newer added elevator, huge deep pool with spacious spa. No mangroves in front of this lot for unobstructed beach and Gulf views from the pool deck. Tropical added landscaping, fenced with gate. Storm shutters and impact doors throughout. Master suite has wonderful beachfront office/den. Laundry on each floor.


Continuing its tradition of bringing the new to Omaha's Turner Park, Midtown Crossing is set to launch its inaugural Turner Park Night Market, an eclectic, energetic, first-of-its-kind event series in Omaha.
Moonlight Yoga with Lora McCarville from 9:00-10:00 p.m.
While this event is new to Omaha, similarly-styled night markets have grown very popular in cities, including Dallas, Milwaukee, Oklahoma City and Portland, Ore.
"Our goal is to introduce this all-in-one-kind of experience that is active and engaging – music, markets, food and activity all happening in harmony. A lot of our other events have a set start time, and it's easy to miss the fun, festival-style attractions beforehand. The Night Market turns those events on their head and changes the definition of what a Friday night can be," said Amanda Lustgraaf, Midtown Crossing's marketing communication coordinator.


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Two Autograph Letters Signed Bernard Rackham, ceramics expert, to Roderick D. Mackenzie.
Bernard Rackham, sometime Keeper of the Dept of Ceramics at the Victoria and Albert Museum i
[Headed notepaper] Victoria and Albert Museum, South Kensington, London, SW7, 22 & 29 December 1920
Total 5pp., 12mo, minimal marking, good condition. [Letter One, 22nd] He discusses his correspondent's offer of a gift through the [National Art Collection] Fund three Chinese ridge-tiles of the Ming Dynasty. He says that they would like to examine the tiles before formal acceptance and would send a packer from Marlow. He suggests a time. [Letter Two, 29] He apologises for not having understood the nature of the tiles (blaming the Secretary of the Fund), and anticipates their being brought in as suggested. Two items.
calling card signed,
Adelaide Helen Calvert, actress [née Biddles or Bedells]
undated.
English actress (1837-1921), wife of the actor-manager Charles Calvert (1828-1879) and mother of the actor Louis Calvert (1859-1923). Black-letter calling card, 3½ by 2¼ inches, of "Mrs. Charles Calvert. / 22, York Mansions, / Battersea Park. / S. W. 11." Signed between the signature and the address "Adelaide Helen Calvert".
autograph letter signed to Ella [Davis],
Florence Terry
23 August 1881, Theatre Royal, Oldham.
English actress (1855-96), sister of Ellen Terry and member of celebrated theatrical dynasty. 2 pp, 12mo. "You really must think me a pig for not having written to you all this time - but now I send these few lines to thank you first for your good wishes and congratulations on my engagement to Mr Morris & for kind remembrance of my birthday - The card was a very pretty one - I hope to be home after the 4th of next month - so I shall hope to see you before long now: It must be delightful on the Thames: With love and thanks to you & Alice Lewis for all your good wishes".
autograph note signed to unnamed correspondent,
Fred Terry
English actor (1864-1932), brother of Ellen Terry and member of the celebrated theatrical dynasty. Apparently in reply to a request for an autograph. "Yours always sincerely / Fred: Terry / 20th July '90". Traces of mount and glue on blank reverse.
typed letter signed to Jean [Webster Brough?],
no date or place.
English actor (1864-1932), brother of Ellen Terry and member of the celebrated theatrical dynasty. One page, cropped, 12mo. "My dear Jean, / I wish you had been in Bolton. I would have liked to have seen you. / I am so glad you have had such a chance, and, my dear, I wish you every success in your work, but above all, good health in your life. / How nice of Mayhew to say good things about me, - and how sweet of you to tell me. Bless you both. / My love to you, my dear, and to your mother when you write to her.
one autograph note signed to Mrs [?] Pagée,
Henry Brodribb Irving
9 December 1893, on letterhead of the Shelbourne Hotel, Dublin.
English actor-manager (1870-1919), elder son of the celebrated Henry Irving. "My wife has asked me to send you the . I do so with the greatest pleasure. [...]". Discoloured, with heavy creasing to margin, and traces of previous mounting on reverse of blank second leaf.
autograph note signed to the playwright and novelist Herman [Charles] Merivale (1839-1906),
Henry Kemble
23 July 1886, on letterhead with mourning border of the Garrick Club.
Actor (1848-1907). One page, 12mo. He thanks him for sending a book. "I shall hope to read much of it on Sunday next". Two strips of paper glued to the reverse.
Garrick


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Сухой Иргиз — река в Самарской области России, правый приток реки Большой Иргиз, её устье находится в 590 километрах от устья последней по правому берегу. Длина реки составляет 32 км, площадь бассейна — 147 км².

Данные водного реестра
По данным государственного водного реестра России относится к Нижневолжскому бассейновому округу, водохозяйственный участок реки — Большой Иргиз от истока до Сулакского гидроузла. Речной бассейн реки — Волга от верхнего Куйбышевского водохранилища до впадения в Каспий.

Примечания

Притоки Большого Иргиза
Реки Большеглушицкого района
Реки Большечерниговского района

redpajama_set_name: RedPajamaWikipedia


text:
Israel - General Introduction
Threats to Israel
Blessing or curse?
Part 1: History of Israel
Part 1: History of the modern state of Israel
Christian Palestinianism
Israel back in the land means blessing for the Church
Focus on Israel
A short history of the modern state of Israel: Part1(introduction)
The following series of articles draws heavily 'Zionism' by David Engel and 'The Story of Israel' by Martin Gilbert. We would recommend these books as an introduction to this topic.
In 1700 the Jewish population of Palestine was at an historic low of 3,000 people. It appears that certain Jewish religious ideas discouraged Diaspora Jews from trying to reclaim sovereignty in the land. They saw the exile as God's punishment and thought that if the Jews tried to resettle the land before the Messiah came, God was liable to interpret their actions as rebellion and extend the exile.
A minority understood the concepts of exile and Messiah differently, however, and they believed that God would only send the Messiah after Jews showed that they were prepared not merely to pray for a return to Palestine, but to live in the land. This minority view gained influence from the sixteenth century onwards and by the beginning of the eighteenth century some Jewish leaders were organising groups to settle the country.
Post-French Revolution
The century following the French Revolution of 1789 was a stressful and turbulent time in Jewish history. This resulted largely from powerful changes that took place throughout Europe concerning how states, societies and individuals related to each other. Prior to the French Revolution most Europeans thought of states as the creations of ruling families that governed them in whatever way they wanted. The Revolution changed this to a new political model where states were governed by the entire body of individuals. For Jews adjusting to this new system was not a simple matter.
Before the Revolution the Jews had a charter of rights in any given country and if they were good citizens they were secure and even welcomed because of the economic advantage they brought. Following the Revolution, Jews' citizenship in the states was decided by non-Jewish citizens as a whole. Debates raged as to whether Jews should be admitted as citizens or not. By 1870 Jews were full citizens in most countries in Western and Central Europe. Most Jews then gradually abandoned their distinctiveness other than their religion.
However, only 15% of Europe's nine million Jews lived in states of this type. The vast majority lived in Austria-Hungary (with over two million Jews) and Russia (with over five million), which were the two great multinational empires of Eastern Europe. After the First World War these empires were split into a number of new states on ethno-linguistic lines – Hungary, Poland, Estonia, Latvia, Lithuania, Czechoslovakia and Yugoslavia. But Jews did not form a majority in any of the nations they resided in, so it was unlikely that they would ever be a state in their own right.
Towards Zionism (1800 onwards)
From about 1880 onwards Jews began to think about how they could become a state in their own right and the Zionist movement grew out of this. Some Jews continued to favour integration but others began to favour Jewish nationalism and the need for a Jewish homeland, somewhere where they could be safe and secure and govern themselves.
Some Jews continued to favour integration but others began to favour Jewish nationalism and the need for a Jewish homeland, somewhere where they could be safe and secure and govern themselves


Hey guys. I'm actually kinda excited that the new X-Men Deadpool came with an alternate head and hat from Madcap, but it just doesn't look right on that body. Any suggestions for a Marvel Legends figure that it would look good on, perhaps something a tiny bit closer to his original look in the comics? I don't feel like painting, however, so it doesn't have to be exact color-wise or design-wise. Just something that works decently.
Last edited by Dolemite; 08-09-2018 at 02:59 PM..
i was literally looking at that this morning and i have no idea who Madcap is.
I took the pimp hat and sat it on the pimp troopers (han solo movie)head. though the helmet doesn't really fit IN it.
i also was wondering what to do with this..
but i was certain i'd see someone doing something clever with it in the future.
If I had to use any figure as a base for a simple headswap custom, I'd go with Batroc or Zemo, since they have similar colors to the character. I would trade out the boots though for the pirate type boots the Dark Phoenix Cyclops came with, which you should be able to do with a simple hot water swap.
Why did they put this head and hat with this particular Deadpool?
Why spend the tooling dollars to release it this way instead of doing an easy kitbash later?
Oooo.....both REALLY good suggestions. I'm actually having a hard time figuring out which one to go with.
Leaning towards Zemo (EDIT: just checked ebay...Batroc is WAY cheaper!). We'll see! Thanks for the suggestions, dude.
Last edited by Dolemite; 08-09-2018 at 03:30 PM..
Yeah, seriously. They could have cheaped out and just used the standard male buck...it would have worked fine.
just have Deadpool carry it around- He cut it off (briefly).
The Madcap head looks pretty good on the Paladin body.
I put it on the batroc body with a purple cape.
Im leaning toward an AoA morph custom i think as i have no idea who madcap is. Doesnt help you one bit unfortunately, but food for thought for others perhaps!
If you do that, you may want to use some putty/epoxy/whatever to smooth out some of the wrinkles, and make the face look a little less menacing.
And fill in the nostrils.
^ Why though? It's the better head.
To watch something blow up?
I accomplished this by applying conditional text to the heading that I wanted to show in the PDF. If the h2 heading is the heading that you want to show, set that as conditional text for print only. When you build the PDF, check of to include the print only conditional text in your print target.
Morph was super easy- and since I'm good with my Hasbro official figures rarely being 100% costume accurate I'm A-OK with a head-swap custom not being 100% accurate!If folks can look at it and think "Oh yeah- that's Morph" then I'm good with it.


Free The Collapse Download Mp3 ● Free Mp3 The Collapse ● Mp3 Downloader The Collapse Free Download ● Mp3 Download The Collapse Mobile ● Download Free The Collapse Music Online ● Mp3 The Collapse Songs Free Download ● Mp3 Download The Collapse Youtube.
The Collapse of Deron Williams' NBA Career: What Happened?
Biologist Neil Dawe: "Chances Are, When a Collapse Occurs, It Will Be a Major Collapse"


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10 Examples of Innovative Contact Form Design
By Dusica Popovic
More so than any other element on a site, contact forms help incite and establish interaction between a user and a business. They are a medium that helps generate more leads, which is why they should not be treated as an afterthought.
If a contact form is too long and time-consuming, users may outright ignore it. If it looks bland, they may not even notice it at all. Brands should carefully craft their contact forms in a way that inspires users to get in touch. To do that, they need to be mindful of their users' interests, ask them the right questions through a form, and wrap it all up in appealing packaging. The end result should be an authentic and a well-thought-out, imaginative contact form that clients will enjoy filling out.
There are a lot of brands that have found terrific ways of creating irresistible, fun, and beautiful contact forms. We will introduce you to some of the most innovative examples from the web that demonstrate what you can do to create engaging and effective contact forms. The websites we will discuss include:
730DC
Noodz – Nothing to hide
The Covid Art Museum
Cevitxef
Mysta Electric
The Badass Project
Alfa Charlie
Zorka Agency is an international digital marketing agency focused on developing ROI-forecasted strategies. They've worked with Activision Blizzard, Hennessy, Domino's Pizza, AliExpress, and many other notable companies. Their homepage is all about juxtapositions between the black background and white and yellow typography. Save for several geometric shapes and a smiley face, you won't see too many visuals on the agency's site. Instead, they manage to keep the visitor's attention by skillfully combining uppercase sans serif typography with subtle, yet engaging hover effects that sometimes change the color as well as the position of the displayed text. The biggest surprise on the site is nestled at the bottom of the homepage. As you reach the end of the layout, the color of the typography and the background invert, with gigantic black fonts inviting you to "Say Hello" and type your full name in a designated field. The encircled "Next Step" button informs you that this is just the beginning of an imaginative contact form. Instead of listing form labels and fields in one or two columns (which is a common practice on most sites), Zorka Agency structured their contact form as a 5-step feature asking clients for required information one question at a time. Users can see five short lines on the side, suggesting the number of questions the form contains. A contact form that doesn't immediately reveal its content seems less scary to viewers. If they were to see a lot of questions at once, they'd be more likely to skip the form. By requesting information from users one step at a time, brands ensure their audience doesn't feel stressed out by the sheer length of the form. And that, in return, positively affects conversion rates.
730DC is a daily newsletter that contains all the latest news from Washington DC. It is delivered to subscribers every day at 7.30 AM, hence its name. The design of this site is extremely minimal. Its content is in grid and the screen is divided into several sections. The main navigation is at the top, with each menu link placed in a separate field. The rest of the screen is divided in half. On all of the site's pages, the left side is intact, while the right is further divided into smaller sections with straight horizontal lines. The color palette predominantly consists of white and red hues, save for the shop page that contains colorful items. The contact form is featured on the homepage and it has only two questions. The moment you click on any field, the color of its lines goes from red to blue. And when you start typing your name or email address, the questions disappear from the view, leaving you an empty field to fill in with your details. On hover, the background color of the call-to-action button and that of the button text transpose, so that the button becomes red and the text white. Aside from signing up for the newsletter, you can also submit a story to 730DC. The design of that form matches the subscription form, except that it requires more information from the users' end. Both forms are incredibly simple and geometric, yet it is precisely their minimalism, rawness, and slightly brutalist vibe that makes them interesting.
Noodz – Nothing to hide is a brand that makes vegan oral-care products. The design of their website relies on eye-catching combinations of contrasting colors, such as yellow and dark purple, pink and dark purple, lime green and dark green, to name a few. The vivacious color palette is applied to the overlay contact form as well. The screaming lime green color is the most prominent hue of them all. It is applied to the checkbox field as well as the call-to-action and close buttons, setting them apart from the rest of the form's content. Its vibrancy disrupts the more peaceful pink and purple hue used on the form, creating a simple yet exciting and alluring visual unit. The contact form fields are all placed inside of a rectangle that is visible at all times, so users immediately know what kind of information they are expected to provide. Beautiful font choices and the playful character of the typography further enliven the form, while a cute smiley face helps add more of a fun character to it.
Top Themes for Creatives
Portfolio & Agency Theme
A Theme for Movie Studios and Filmmakers
The Covid Art Museum is the world's first online museum for artworks created during the Covid19 pandemic. The design of the site is rather simple, with selected artworks dispersed throughout the homepage. All pieces are marked with a number. Some fields seem empty, but if you click on them, the "Keep Social Distance" text will appear. You can explore the website in dark and light modes. Depending on your choice, the color of typography changes. However, the artwork submission menu link stays red at all times, ensuring this section is noticeable regardless of the selected mode. On click, the form appears in the viewport. If you don't like its default location (on the right-hand side of the screen), you can move it wherever you like. The form's design is simple and clean, combining white and grey sections with black and red typography. The call-to-action button is in red, with "Submit" placed on the far left part of the field and the forward-facing arrow on the right. On hover, the two elements come closer together in the middle while the background color of the button and that of the text invert. This subtle change breaks the inertia of the form, making the "Submit" button all the more prominent.
Cevitxef is a restaurant in Bilbao and their website is a stunning synergy of immersive visuals, beautiful parallax effects, and excellent typography combinations. The link to the reservation form is placed in the sticky menu, along with other navigation links. Typography in the menu is mainly black and outlined, but some words are in full color, including parts of the reservation form link ("Reserva Tu Mesa"). The words "Reserva" (reserve) and "Mesa" (table) are in bold black while "Tu" (your) is outlined. This text is placed inside of a rectangle that on hover turns neon pink. When you click on it, a brutalist-looking reservation form appears on the screen. It is entirely in black and white, with lots of grid lines. When you click on a field, a red circle appears on the text line. This attention-grabbing element injects some color into the form and signals that you should enter the required details. The call-to-action button contains scrolling text, which, in combination with the outlined and bold black typography, infuses the form with life and excitement.
For their contact form, antidote used only lowercase letters. This email and SMS marketing agency opted for a monospace font for both the labels and placeholder text. The font's typewriter character is a great fit for the form's slightly retro design, evoking 90s vibes. To start collaborating with this agency, you need to go through a series of questions first. The questions appear one at a time and are positioned at the center of the page where your eyes are most likely to land first. This contact form contains 7 questions that allow "antidote" to learn more about you and your business, helping them choose potential clients. The backdrop, the button background, and the placeholder text are in various shades of blue, and the calmness of these hues accentuates the whiteness of the label and button texts.
Mysta Electric's contact form is placed at the bottom of his commanding one-page website. Everything is in black and white, with Mysta's head in the background following every movement of your cursor. The site is filled with huge typography. On hover, some words reveal gorgeous examples of this tattoo artist's outstanding work, immersing you into his world of "dark melancholy". The contact page is simple, containing just three fields that allow you to get in touch with Mysta. When you place the mouse on any field, the cursor enlarges. Some text also appears, inviting you to fill in your details. The "Submit" button is transparent, but it becomes eye-catchingly white as soon as you hover over it. The minimalist style of the contact form perfectly blends in with the rest of the content and its simplicity ensures that Mysta's art remains the star of the site.
WE3 is an internship program developed by Jam3, a design and experience agency that's collaborated with Adidas, Levi's, eBay, Postmates, and many other huge brands. The application form for the WE3 internship consists of 14 steps. Thanks to the practical bar displayed on the left side of the screen, you can take a look at all of the questions without entering any of your details first. The form is uncluttered, with labels and form fields taking up the majority of the screen. The homogeneity of the white background is interrupted by large, light grey, question numbers. While the form labels are pretty standard, the placeholder text is quirky and humorous. For instance, in the field where you're supposed to enter your email address, the placeholder text says "We're not judging you if it's hotmail.". Another useful feature each field contains is a character counter as well as a character limit. Even though this form may seem too long, the questions make perfect sense and are there to help find the best applicants for the program.
The Badass Project is comprised of two wedding and documentary photographers and filmmakers. The ubiquitous large typography and the interplay of black and yellow hues are among the most prominent features on their website. The design of the contact form is not any different. The backdrop is mostly black while the content is yellow, and the stark contrast between the two colors captures the viewers' attention from the get-go. The contact form starts with an image of the two members of the team holding binoculars, signaling they are on the lookout for potential clients. Another unusual and rarely seen element on contact forms is the word "Blah". By writing it repeatedly on the page, the Badass team added a bit of nonsensical playfulness to their form. The typography is mostly in all caps and it goes from outlined and serif to bold and sanserif. These constant style changes make the text more interesting to the viewer's eye. The call-to-action button includes a graffiti-like font that enhances the form's alternative vibe. The company's email address and the phone numbers of the two members are displayed in three lines that on scroll start to move in opposite directions from one another.
Alfa Charlie is a branding studio based in San Francisco. Their website looks clean, fresh, and modern, providing a beautiful insight into their impressive portfolio. The studio's contact form stretches across the entire screen. Its design aesthetically matches the rest of the site – it is elegant and simple, with questions written in a big, refined serif typeface. The form starts off with a playful greeting. A simple "Ahoy" sets a relaxed and fun tone. It also breaks the linguistic monotony typical of most contact forms. You can't immediately grasp the length of the form because the questions are presented to you one by one. However, if you look closely at your cursor, you will notice a circle around it. As soon as you go to the second question, one quarter of the circle becomes dark grey while the rest of it remains in a lighter shade of the same color, suggesting you have three more quarters of the form to go. This seemingly small detail ensures excellent UX because it gives users a hint of how long the form is, which can greatly increase user engagement and conversions. By knowing there aren't too many questions to go through, users are more likely to stick around and fill in the necessary details. Below the line where you are supposed to type in your replies, you can see two arrows – one lets you go back and the other allows you to proceed with the form as soon as you are done with a question. But when you reach the end of the form, the forward-facing arrow turns into a "Send" button, signaling you've successfully completed all the steps.
Contact forms help bridge the gap between brands and users, which can often make them one of the most important elements on a website. This is especially true if your business hinges on generating leads. In these cases, a contact form can and should be viewed with the same significance as, say, a hero slider.
The brands we've mentioned in this article understand the significance of contact forms. They've created them with just as much attention as any other element on their website, which is why their forms are so well-structured, immersive, and beautifully designed.
We hope these innovative examples will be of help when you start creating your next contact form. You can organize yours in several steps if you like, as well as add imagery, illustrations, and other cool visuals to it. Even if you decide to forgo imbuing graphics, you can still inject a fun factor into your form by experimenting with entertaining copy, typography choices, letter sizes and weights, colors, and hover effects. Don't limit yourself thinking contact, reservation, and submission forms need to be clean and prosaic. Sure, you do need to request certain information from your users, but that doesn't mean you can't be creative while doing so. You should incite the audience to contact you, so try your best to create visually stimulating and engaging forms that users won't be able to resist filling out.
Creative Inspiration Showcase UX
13 Beautifully Designed Property Websites
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10 Examples of Imaginative Mouse Cursor Design
10 Examples of Websites Inspired by Poster Aesthetics
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10 Inspiring Design Podcasts to Listen to While You Work
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Q: looking for a plugin disease solution on wordpress ReferenceError: jQuery is not defined at /collect:1:0(i.clarity.ms)
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/collect:1:0(i.clarity.ms)
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I have test all in PageSpeed Insights.
I have a similar problem in wordpress. I'm using cdn service but I don't think the problem is caused by that.
As I try to solve it, it looks like this on a normal page on another page.
Have any idea?
I've seen other threads but I think there is a simple solution.

A: Here's your first clue, your jQuery file is failing to load:
Failed to load resource: net::ERR_TIMED_OUT

…script/jquery.actual.min.js?ver=6.1.1:8:933(----)

Make sure the path you're supplying is the correct path to the file in your plugin folder. However, WordPress has jQuery by default so you shouldn't need to load your own file.
Simply add this to your plugin somewhere on init: wp_enqueue_script('jquery');
You can add that to the main plugin file if you're only using one file, or add it to your dependency loading function. Hard to tell what you're doing without example code.
You should be loading dependencies on init, something like this:
add_action('init', 'load_plugin_dependencies');

And a function like:
function load_plugin_dependencies() {
    wp_enqueue_script('jquery');

    // other dependencies loaded below:
}