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L'église Saint-Laurent est une église de style roman provençal située 16 Esplanade de la Tourette, dans le  de Marseille à proximité du fort Saint-Jean, sur une butte à laquelle elle a donné son nom. Elle est la paroisse des pêcheurs de Marseille.

Situation géographique
Implantée sur la butte Saint Laurent - appelée aujourd'hui « La Tourette » -, cette église devait se trouver à proximité du château Babon. Des fouilles pratiquées dans les environs ont montré l'existence d'un habitat grec du début de la fondation de la cité phocéenne. En 1952 fut découvert au pied de la butte un chapiteau ionique archaïque utilisé en réemploi, ce qui laisse supposer l'existence d'un sanctuaire, peut-être un temple d'Apollon, sans qu'on puisse en préciser l'implantation exacte, rien ne permettant d'affirmer que l'église Saint Laurent ait été construite sur son emplacement. Ce chapiteau ionique est exposé au Musée d'histoire de Marseille.

Historique
En 870, l'évêque Babon fait construire une enceinte fortifiée pour protéger la ville après les pillages sarrasins de 838 et de 842, des razzias faisant suite à la Conquête musulmane de la péninsule Ibérique. À la fin du  ou au début du , la stabilité économique et politique enfin reconquise, l'église Saint-Laurent est édifiée à cet emplacement, en pierre de taille rose en provenance du cap Couronne.

En 1249, sous l'épiscopat de Benoît d'Alignan, l'église de Saint-Laurent devient la quatrième paroisse de Marseille avec la Major, les Accoules et Saint-Martin. Le bâtiment a été remanié au  à ses deux extrémités. Au début du , l'abside a été reconstruite pour la réalisation du clocher octogonal auquel on accède par un escalier hélicoïdal établi dans une tourelle. À l'autre extrémité, à l'Ouest, une travée a été supprimée en 1668 lors de la construction du fort Saint-Jean. La porte principale qui se trouvait sur cette façade Ouest, fut transportée sur le côté Sud.

Le , en pleine épidémie de peste, l'évêque de Marseille,  célèbre une messe devant la porte de cette église entourée des patrons pêcheurs et des calfats. Construite au cœur du quartier des pêcheurs, les sanjanen, elle devient leur paroisse au milieu du . Pendant la Révolution le vicaire Bouzon dut remettre le  l'inventaire du mobilier et de l'argenterie de l'église. Tout ce qui était en cuivre ou argent fut envoyé le  à l'atelier des monnaies pour y être converti en lingots. L'église est fermée pour être utilisée comme entrepôt de matériel militaire jusqu'à sa réouverture en 1801. En 1943, cette église a échappé à la destruction par dynamitage des vieux quartiers du vieux port par l'occupant allemand, mais a été fortement ébranlée par les explosions. Le curé a fait sonner le glas pendant la destruction du quartier.

L'église Saint-Laurent est de style romano-provençal, simple et sans transept. La nef et les bas-côtés se terminent à l'Est par une abside et des absidioles. L'absence de tout décor sculpté ne peut que faire penser au dépouillement des « trois sœurs provençales » les abbayes cisterciennes du Thoronet, Sénanque et Silvacane. On notera une statue de la Vierge en bois polychrome et une statue de Saint-Laurent en bois doré de la fin du . La chapelle du baptistère est actuellement non-visible dans l'attente d'une restauration, le baptistère lui-même du  se trouve dans l'Église de la Mission de France également à Marseille.

La chapelle du baptistère est classée au titre des monuments historiques par arrêté du  alors que l'église est classée par arrêté du .

Jusque dans les années 1980, l'abbé Victor Party, curé de la paroisse, avait l'habitude à l'issue de la messe dominicale de laisser un groupe folklorique  donner un récital de musique provençale sur le parvis de l'église Saint-Laurent. L'abbé Party apparaît dans son propre rôle dans les films de Marcel Pagnol.

Bibliographie

 Augustin Fabre, Les Rues de Marseille, édition Camoin, Marseille, 1869, 5 volumes, tome I pages 369-370.
 Abbé Daspres, Notice historique sur l'église et la paroisse Saint-Laurent, imprimerie Chauffard, 1877, 48 pages.
 André Bouyala d'Arnaud, Évocation du vieux Marseille, les éditions de minuit, Paris, 1961, pages 91-92.
 Andréas Hartmann-Virnich, L'Architecture religieuse à Marseille, dans Marseille, trames et paysages urbains de Gyptis au roi René, études massaliètes  numéro 7, Centre Camille Jullian, Edisud, Aix-en-Provence 2001, pages 283-285. .

Liens internes
 Liste des monuments historiques de Marseille
 Fête de Saint-Léon (Marseille)

Liens externes
 Site du diocèse-horaire
 Site du diocèse-Patrimoine

Références et liens externes

Laurent
Marseille Saint-Laurent
Monument historique classé en 1921
Monument historique classé en 1950
Marseille
Marseille de l'an mil au rattachement à la France


My suspended aviaries are lined with cement sheeting to reduce the heat effect and I've had no problem with it. Having said that, and as Kaz said, it's on the ceiling so the edges are pretty much out of reach for chewing anyway.
Did any of the affected batches make it to Australian shelves? Also wondering if anyone on the forum uses this, or any other handrearing formula for their budgies, either as supplementary feeding or to handraise their budgies.
How close to the fence it is will be an issue council will have rules on. Agreed. My council states the aviary has to be a minimum of 1 metre from the fence. However the distance from the front road is to be a minimum of 5 metres and the distance from your own or neighbouring house is up to 25 metres dependant upon the number of birds you keep. Definitely worth tracking down your council website (or visit if the info is not available) to determine if your chosen placement recieves the council tick of approval.
I know this is only a typos or spelling gaff, but ya gotta laugh when trying to picture budgies or birds eating palletts..wooden they get splinters LMAO :D That's what happens, when your spell check,dosn't tell you have put the wrong word. :rolleyes: Pallets: A designer food for wood ducks!
D: I feed pellets as an ADDITION to my birds balanced diet which also consists of seeds (dry and sprouted), vegetables, and assorted mineral additives. BJ: Most show bird breeder are more concerned with progeny production than the long term liver & kidney damage, due to vitamin & mineral overdose. D: That's a pretty broad and sweeping statement and an insult to the people who frequent this forum. It's also contradictory as long term liver and kidney damage is going to prevent progeny production. I am aware of the effects of feeding particular pellets as a sole source of nutrition but that's not what I'm advocating. A quick browse through the posts in this forum will show you that breeders here ARE very concerned with the well being of their birds, some paying more attention to their birds' diet than their own! D: The pellets are offered in a separate bowl on a daily basis. Most of my birds eat the pellets, a few do not so obviously they mustn't taste too bad. BJ: Too bad doesn't mean good. D: So if you went to a smorgasboard buffet and most of the diners ate, say, the roast, your conclusion would be that you still can't tell whether the majority think it tastes good? If a fish slapped you in the head would you know it was a fish? Geez!!! D: I'm not sure why people insist on coming on here and starting threads about how pellets are the work of the devil and nobody should feed them as a single source of nutrition to their budgies. BJ: I'm sure I never said that! D: Your topic heading says "B.J's Pellets or Natural Diet, NO CONTEST". That sounds to me like you're post is discussing a pellet only diet vs a natural diet. You also wrote "why would you force your birds to eat anything they don't like?" D: I note you're in Manchester and I'm not sure how things operate over in the UK, but you're on an Australian forum and for what it's worth i know of NO budgie breeders who feed their birds a diet consisting solely of pellets. BJ: Come on, Australia a big place. There could be some you don't know about. D: Nope, I know them all. ;-) Okay, say I knew about 100 and none of them fed a diet consisting solely of pellets. Do you really think the feeding of pellets as a sole dietary source is that big of a problem in budgie breeders? Personally I only know of 1 guy that replaced seed with pellets as a trial and that was 14 years ago. I don't know if he persisted with that. I tried it myself a few years ago on a small sample of birds for a few weeks and concluded that the birds did better on a diet with pellets plus all the usual stuff (although I sort of suspected that might be the outcome). Typically budgie breeders in Aus (as far as I know) haven't taken on the idea of pellets but parrot breeders here have embraced it in a big way. D:The few of us who use them feed in addition to a balanced diet. BJ: In a balanced diet. Why would you need them? D: You're right, they probably don't need them, but given they've been developed by an avian nutritionist and my birds like to eat them in addition to their non-pellet diet I feel that they may benefit from their inclusion. D:Also, making absurd statements about protein coming from the slaughter house is just downright misleading as your post implies BJ:Your right, I can only speak for pellets manufactured in GB. I worked for 2years in a slaughter house. No doubt Australian pellets are made from prime steak. D: The ingredients list might be a giveaway, especially the little bit of writing on some where it says "contains no animal products". Perhaps some do contain meat products but none of the mainstream ones that I've looked at here contain any meat products. None! D: ALL pellets are the same! That's like saying all cars are **** because you bought a piece of junk from "Dodgy Dan the Car Sales Man". BJ: Funny you should mention cars. The one I have is great but there are at least four identical models that I have spotted with a different manufacturers badge on. D: I think you missed my point. See next para for explanation. D: As with any product it's up to the consumer to determine which product is suitable because unlike the implication in your post, pellets are not all the same. BJ: Well I can't prove they are & you can't prove they ain't. D: No YOU can't, but have you tried using Google? There's a lot of pellets types/brands on the market but I'm not going to fill this post further with countless lists of ingredients. I'm sure some are much better than others too but again that's for the buyer to research and decide. D: One final thing: most pellets contain a mycotoxin deactivator. Do breeders know where their seed comes from and if it's been treated for mycotoxins or even what the dangers of them are? Given our (Aust east coast) wetter climate of the last 12 months mycotoxins are sure to be more prevalent in grains now than in our past drier years. I attended a chook forum last year and questioned the expert pitching his mycotoxin deactivator to the audience about how our budgie seed could be treated. In short, he didn't know. Seeing as you've spent the "latter part of your working life" in "seeds, grain and animal feedstuff" perhpas you would be able to shed some light on how we can decrease the risk of mycotoxin in seed. BJ: Sorry I'm not a scientist. I retired in 1985, but if you know, why don't you tell us? Pellets are like sausages. it's best not to know wots in em! D: If I knew I wouldn't be asking you, lol! That is why I was asking as you've included in your introduction how you've worked in the seed and grain business. I have no experience in this field but found it interesting that when I questioned the "expert" he agreed it could be a problem but wasn't sure what to do about it. Ironically his only suggestion was to feed a foodstuff which contained a mycotoxin deactivator which, lo and behold, are in the pellets I feed! I don't know how effective this approach would be especially since a few of my birds (I'll estimate it'd be about 10-20%) consume little or no pellets. BJ: That was hard work. my typing finger will need a long rest now. Yours No insult intended. B.J. D: I guess in summary you're saying that pellets shouldn't be used as a sole dietary source and on that we both agree. However I feel they have a place offered as a part of my birds diet given the research done by the manufacturer to make it as a "complete diet". I just choose to make my birds' diet a little more complete by also feeding all the traditional stuff. Anyway, I gotta go as I'm going to be late for work if I don't get outside and feed the other animals including the old horse who gets 2 scoops of pellets morning and night. Uh oh, better not start again!!! Have a good day BJ. Cheers.
*sigh* here we go again........ I feed pellets as an ADDITION to my birds balanced diet which also consists of seeds (dry and sprouted), vegetables, and assorted mineral additives. The pellets are offered in a separate bowl on a daily basis. Most of my birds eat the pellets, a few do not so obviously they mustn't taste too bad. I'm not sure why people insist on coming on here and starting threads about how pellets are the work of the devil and nobody should feed them as a single source of nutrition to their budgies. I note you're in Manchester and I'm not sure how things operate over in the UK, but you're on an Australian forum and for what it's worth i know of NO budgie breeders who feed their birds a diet consisting solely of pellets. The few of us who use them feed in addition to a balanced diet. Also, making absurd statements about protein coming from the slaughter house is just downright misleading as your post implies ALL pellets are the same! That's like saying all cars are **** because you bought a piece of junk from "Dodgy Dan the Car Sales Man". As with any product it's up to the consumer to determine which product is suitable because unlike the implication in your post, pellets are not all the same. One final thing: most pellets contain a mycotoxin deactivator. Do breeders know where their seed comes from and if it's been treated for mycotoxins or even what the dangers of them are? Given our (Aust east coast) wetter climate of the last 12 months mycotoxins are sure to be more prevalent in grains now than in our past drier years. I attended a chook forum last year and questioned the expert pitching his mycotoxin deactivator to the audience about how our budgie seed could be treated. In short, he didn't know. Seeing as you've spent the "latter part of your working life" in "seeds, grain and animal feedstuff" perhpas you would be able to shed some light on how we can decrease the risk of mycotoxin in seed.
ask RIP......she both uses this and sells it. That's the Ken Yorke product she sells Yorke The link given above by Jimmy is a free one and quite comprehensive but takes a while to grasp.
Thanks Vicki for posting, I hadn't heard this news which is very sad. A lovely person and a huge loss to the budgie breeding world.
An awesome result Splat, congratulations. For those that don't know, this is one of the biggest things you can win on the Victorian Show Calendar in the year!
Definitely a pain RIP. YUP! I'm ALWAYS going to honour my high school science teacher and his calling them Mendel Squares so no matter HOW many times you make this point it won't make an inch of difference okay! Well sorry, but ya teacher got this one wrong. Just like trying to explain to some notable budgie breeders that YF is recessive to green and not masked by it, right Good luck. Some people just can't assimilate and prefer to listen to the usual run of the mill BS! When faced with this argument I just ask them to explain to me how YF is masked in both SF and DF and how you breed such birds. That usually stumps them.
The YF is only dominant in the Blue series but recessive in the Green series. Perhaps the question should be as to whether the YF should even be termed a Dominant variety!
I think FordMob has hit on something here. We bleat about loss of numbers in "the fancy" but maybe it's just an image problem. Maybe to get more blokes involved we need a bit of a danger element thrown in, a Fear Factor if you like. You can't sit at the local with a few mates and tell them how you've been pulling spots and trimming vents all day. You'd be laughed out of the Ladies Lounge. That stuff just doesn't do your manliness levels any credibility. Forget about terminology, what we need is meaner birds, dangerous little b@ggers that strike fear in the hearts of even the blokiest blokes as they enter your aviary and see a feathered missile launching itself straight at your nether region. "Crikey, what do you call these things?" "Killer budgies", you proudly reply. Breeding them up to this level shouldn't be too difficult, we've all had the hen that's ripped our hand to to a bl00dy mess as we've gently prised her from her chicks. The task of just feeding them would be a life and death adventure, but you'd just have to harden the @#$# up and face the music at feed time. Soon the demand for the fighting Chuck Norris of budgies would be insatiable. So blokes of Australia, now's the time to take our hobby from "fancy" to "blokey". Killer budgies, you know you want them.


text:
Police appeal for witnesses after man allegedly touched girl on bus
The man is described as being in his late 20s or early 30s
Sarah Bryan
A bus stop
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Police are trying to track down a man who allegedly touched a girl at a bus stop.
The incident happened on September 11 at around 4.30pm when the girl was sat waiting for a bus in the Market Place, Heanor.
Officers say a man came, sat down next to her and put his hand on her knee.
It is believed that the girl then stood up and walked away when he followed her. But when she looked back, the man had gone.
Plans for new Hucknall McDonald's rejected
Police have launched an appeal for witnesses who may have seen the incident or noticed a man in the area around the time.
A Derbyshire Police spokesman said: "The man is described as being in his late 20s or early 30s, was wearing jeans, fleece top or jumper, and looked to be walking with a wobble, or like he was going to fall over.
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"If you have any information which could help with enquiries, please call PC Tiffany Hall on 101, quoting reference 17*395033, or send her a message online through the Contact Us page of our website."
TV chef James Martin warns about storing eggs in the fridge
food&drinkThe subject is controversial

redpajama_set_name: RedPajamaCommonCrawl


Rick has 12 years of investment industry experience.
Rick joined Welch & Forbes in 2012. As an Equity Research Analyst, Rick analyzes stocks for purchase in client portfolios. He is also responsible for the firm's investment performance reporting and analysis. Rick was formerly an Analyst at Barry Investment Advisors and Angel Island Partners. He started his career at Cambridge Associates.
He received his Bachelor's Degree from Reed College and his Graduate Diploma in Accounting and Finance from the London School of Economics. Rick is also a CFA charterholder.


text:
Ву́лиця Євге́нії Мірошниче́нко — вулиця в Шевченківському районі міста Києва, місцевість Шулявка. Пролягає від Берестейського проспекту до Дегтярівської вулиці.

Прилучаються вулиці Марії Капніст і Антона Цедіка.

Історія
Вулиця виникла в 50-ті роки XX століття під назвою Нова «Б». З 1957 року отримала назву вулиця Софії Перовської, на честь революціонерки-народниці Софії Перовської.

Сучасна назва на честь, української оперної співачки, народної артистки СРСР, Героя України Євгенії Мірошніченко — з 2016 року.

Примітки

Посилання

Джерела

Вулиці Шевченківського району Києва
Вулиці Києва, названі на честь жінок

redpajama_set_name: RedPajamaWikipedia


text:
BOOK 6: YUDDA KANDA
Then, the Rakshasas there, approached Ravana and informed him that the city had been besieged by Rama along with his Vanaras.
Hearing that the city has been attacked, Ravana exhibiting his anger, doubly made the necessary arrangements for the war and ascended his mansion. That Ravana caught a glimpse of the city of Lanka, with its mountains, groves and forests all being covered by innumerable troops of Vanaras, waiting for war. Seeing the earth made all brown with innumerable Vanaras, Ravana in great perplexity reflected: How can they be exterminated?
Having pondered for long, regaining his confidence and with his eyes widened by surprise, Ravana gazed on Rama and his troops of Vanaras. Full of delight, Rama passed forward (on the back of a Vanara) along with his army and saw Lanka being guarded on all sides and thronged with Rakshasas. Seeing that city of Lanka duly decorated with banners and flags, Rama remembered Seetha with a distressed heart.
He said to himself, Here is that daughter of Janaka, whose eyes resemble those of a fawn, tormented with grief, emacitated, with a bare ground as her bed and suffering here on my account. Reflecting on Seetha being troubled, the virtuous Rama speedily issued a command to the Vanaras to destroy the enemies forthwith. Hearing those words of Rama, who was unwearied in action, the Vanaras vying with one another filled the air with their roaring resembling those of lion. We shall tear asunder this Lanka with mountain peaks or with fists alone. thus resolved all the Vanara generals.
Lifting up mountain peaks and huge rocks and plucking up various kinds of trees, the Vanara generals stood prepared (for the attack). In order to fulfill Ramas cherished desire, those troops, forming themselves into columns, began to scale the heights of Lanka, while Ravana stood gazing. Those Vanaras, of golden hue with coppery countenance, fighting with Sala trees and mountain peaks, marched ahead towards the city of Lanka, ready as they were to lay down their lives in Ramas service.
Those Vanaras demolished innumerable defensive walls and arches with blows from trees, mountain tops and fists. The Vanaras filled the moats containing clear water with sands, mountain tops, grasses and logs of wood. The commanders scaled the walls of Lanka, taking with them battalions of Vanaras in thousands, in crores and even hundreds of crores.
The Vanaras stood tearing up the golden arches and breaking down the gates that equaled the peak of Kailasa the mountainous abode of Shiva the Lord of Destruction. The Vanaras who resembled great Elephants hurled themselves towards that Lanka, springing, leaping and roaring. The Vanaras, who were able to change their form at will, shouting Victory to the mighty Rama and the valiant Lakshmana! Victory of Sugreeva protected by Raghava! and roaring, rushed towards the defensive walls of Lanka. Those Vanara generals Virabahu, Subahu, Nala and Panasa, having position on them. Meanwhile, they formed an encampment of a multitude of military divisions there.
The mighty Kumuda, surrounded by a crore of Vanaras, who behaved like conquerors, stood besieging the eastern gate (while remaining stationed in north east). Surrounded by other Vanaras, a Vanara called Prasabha and the mighty armed Panasa too up their position, in order to assist Kumuda himself. The strong and valiant Vanara, Shatabali accompanied by twenty crores of Vanaras, approached the southern gate (while remaining stationed in south east) and stood there, to obstruct the exit.
The mighty Vanara named Sushena, the father of Tara (Valis wife), going to the western gate (while remaining stationed in the south west) surrounded by crores and croes of Vanaras, stood besieging that gate. Rama along with Lakshmana and Sugreeva the mighty lord of the Vanaras, seeking the northern gate (while remaining stationed in the north west) stood besieging that gate. Accompanied by a crore of Rikshas having terrific rage, Dhumra (brother of Jambavan, the king of Rikshas) of great prowess and the annihilator of enemies, took up his position by the side of Rama.
Vibhishana of great energy with mace in hand, clad in defensive armour and accompanied by his watchful ministers, took his position where the mighty Rama is stationed. Gavaksha, Gavaya, Sharabha and Gandhamadana, galloping on all sides, defended the army of Vanaras. Ravana the lord of Rakshasas with his mind filled in anger, then commanded for the decamping of the entire army immediately. At this command coming from Ravana lips, a tremendous clamour arose among the Rakshasas.
By beating with sticks of gold, the Rakshasas stirred up on every side, kettle drums whose discs were white as the moon. Hundreds and thousands of sonorous couches blared forth, blown with their cheeks extended to the full, by the most ghastly Rakshasas. With their handsome limbs equipped with couches, those rangers of night shone like clouds bordered with lightning accompanied by rows of cranes.
The battalions rushed forth under Ravanas instructions like the rushing forth of the ocean, which is swollen by the clouds, at the time of universal dissolution. Then, from every side a clamour, arose from the army of Vanaras, which filled Malaya mountain with its ridges, plains and caves. The sound of couches and drums made by the Rakshasas and the leouine roars of those Vanara warriors re echoed over the earth, sky and sea.
With the trumpeting of Elephants, the neighing of the Horses, the clattering of the chariot wheels and the sounds of the foot steps, the sound of the couches reechoed over the earth, sky and sea. In the meantime, a terrible struggle ensued between the Rakshasas and the Vanaras, as in the former times between Devas and Asuras. Exhibiting their native prowess, the Rakshasas began to strike all the Vanaras with their flaming maces, spears, harpoons and axes. Then, the gigantic Vanaras swiftly struck those Rakshasas with trees, mountain tops, nails and teeth Victorious is king Sugreeva thus arose a loud war cry.
Then, some other terrifying Rakshasas on their part, shouting Be winsome! Be victorious!, proclaimed their own respective names. While some Rakshasas standing on walls hacked at the Vanaras standing on the ground (below) with hooks and harpoons. The enraged Vanaras, who wee standing on the ground, leapt into the air and dragged down the Rakshasas stationed on the walls by seizing them with their arms. That tumultuous combat between Rakshasas and Vanaras transformed into a wonder, leaving a mire of flesh and blood.


RKVY launched by GoI in eleventh plan from 2007-08 with aim to achieve 4% agricultural growth rate.
Nodal agency : Gujarat Agro Industries Corporation , for preparation of DAPs & SAPs & DPRs.For Stream-I , Project sanctioned by SLSC on 18-2-2008.For Stream-II , Rs. 12.50 crore , proposal submitted to Planning Commission & DAC-GoI, Grant release by GoI.DAPs , Grant of Rs. 2.20 crore release by GoI & it allocated to GAIC.reparation of DAPs for 2008-09 is under process.
An outlay of Rs 1.00 lakh as Central share (100%) has been provided for the scheme as 100 % GOI share for 2008-09.
National Food Security Mission is being implemented in the state in 4 districts forWHEAT which are Ahmedabad, Mehsana, Sabarkantha, Banaskantha and in 11 districts for PULSES which are Vadodra, Bharuch, Narmada, Dahod, Panchmahal, Surat,Patan, Sabarkantha, Banaskantha, Jamnagar and Kutch and 2 districts for RICE namely Dahod, Panchmahal.
The states Govt. has already submitted an Actionplan and get approved from Govt. of India in turn ofRs. 480.25 lakh for NFSM-Wheat and Rs. 226.00 lakh for NFSM-Pulses.


text:
BEF 25 Feb 1572 - 1635
BIRTH: BEF 25 Feb 1572
RESOURCES: See: notes [S486] [S3086]
Father: Thomas BAGLEY
Mother: Elinore HARISONE
Family 1 : Ann TOMLINSON
MARRIAGE: ABT 1601, England
+Edward BAGLEY
Dudley BAGLEY
Elizabeth BAGLEY
Family 2 : Agnes? TOMLINSON
MARRIAGE: ABT 1602, Dudley, Staffordshire, England
Family 3 : DUDLEY
MARRIAGE: 5 Dec 1609, St. Edmund, Dudley, co. Staffordshire, England
Thomas BAGLEY
Robert BAGLEY
Samuel BAGLEY
Richard BAGLEY
"One of her sisters or possibly an illegitimate daughter through her affair with Edward, the Fifth Lord Dudley, married a Bagley and had issue. According to an article in the Jan. 1996 issue of TAG by Charles M. Hansen, the Bagley's are her nephews, children of her unnamed sister and John Bagley. Edward Bagley, one of John Bagley's sons, is named as the administrator in the dispersal of Elizabeth Tomlinson's estate on Jun 19, 1635 in Canterbury, England. He is listed in that document by the term "nepoti ex matre" which according to Charles Hansen's source, "Index to Administrations in the Prerogative Court of Canterbury" was translated as nephew through the sister. (C-2324) In a straight translation of latin however, Edward would be listed as the grandson of Elizabeth Tomlinson.
There is a Chancery suit Dudley alias Tomlinson vs Dudley alias Tomlinson, Stafford, 1626-1639 under PRO reference C3/400/154 that needs located in the Court of Chancery or Court of Probate that should shed more light on this matter. 8 9"
Marriage: (1): Ann TOMLINSON Abt 1601
Marriage: (2): Unknown SUTTON 5 Dec 1609, St. Edmund, Dudley, co. Staffordshire, ENG 1
1 Family Search Pedigree Resource File at www.familysearch.com ID#: C-2279, 2315, F-640.
2 I.G.I. Files at the Mormon Family History Centers and at www.familysearch.com ID#: C-302, 473, 521-526, E.
"The Dudley/Bagley Connection," which was published in the April 1995 issue of "The Plantagenet Connection:"
Date: Fri, 08 May 1998 From: Bill Blackburn
Reply-To: shastabill@snowcrest.net
To: Josephine Lindsay Bass
Subject: Re: Dudley-Bagley - Re: Harrison repository
Dear Josephine, THANK YOU !! This is my family, but some of the data you have is different. Do you have the American Genealogist article: "The Ancestry of William and Ann (Bagley) Brinton"?? If not, send me your snailmail, and I will mail to you. Are you sure I have not already sent it to you ??
The theory here is that John Bagley married ??Tomlinson, sister of the longtime mistress of Edward Sutton, Lord Dudley, not one of their many children.
Best wishes, Bill [S3086]
_Thomas BAGLEY ______|
|                     |                      __
|                                           |__
|--John BAGLEY
|                                            __
|                      _William HARRISON ___|
|                     | (1520 - ....)       |
|                     |                     |__
|_Elinore HARISONE ___|
Hon. W. N. CHANCELLOR
TITLE: Hon.
RESIDENCE: Parkersburg, Wood Co. VA
Father: Thomas CHANCELLOR
Mother: Prudence RECTOR
_ CHANCELLOR ________
_Thomas CHANCELLOR __|
|                     |                      _Richard GAINES _____+
|                     |                     | (1728 - 1804) m 1758
|                     |_Judith GAINES ______|
|                       (1764 - ....) m 1789|
|                                           |_Jemima PENDLETON ___+
|                                             (1750 - 1805) m 1758
|--W. N. CHANCELLOR
|                                            _____________________
|                      _____________________|
|                     |                     |_____________________
|_Prudence RECTOR ____|
Elizabeth CHERRY
RESIDENCE: Marengo and Sumter Co. AL
Father: Jared William CHERRY
Mother: Susan JENKINS
_Job CHERRY Jr._________+
_Joshua CHERRY ______|
|                     |_Julia Or Abbie VINTER _
_Jared William CHERRY _|
| (1796 - 1871) m 1827  |
|                       |                      _George KEENE __________
|                       |                     | (1740 - ....)
|                       |_Martha R. KEENE ____|
|                         (1762 - 1820) m 1782|
|                                             |_Elsie HOLLY ___________
|                                               (1740 - ....)
|--Elizabeth CHERRY
|                                              ________________________
|                        _____________________|
|                       |                     |________________________
|_Susan JENKINS ________|
(1800 - 1849) m 1827  |
|                      ________________________
Jacob DUVALL
19 Apr 1715 - ____
RESIDENCE: Prince George Co. MD
BIRTH: 19 Apr 1715, Queen Annes Par., Prince George, Maryland
Father: Mareen "the Younger" DUVALL of "Great Marsh"
Mother: Elizabeth JACOB
VIII. Jacob, b. 19th April, 1715; m. Miss BOURNE of Calvert County, Md.
_Mareen (Laval) DUVALL "the Immigrant"_|
| (1630 - 1694) m 1673                  |
|                                       |_____________________________________________
_Mareen "the Younger" DUVALL of "Great Marsh"_|
| (1680 - 1741) m 1701                         |
|                                              |                                        _Benjamin (Benois) BRASHEARS "the Immigrant"_
|                                              |                                       | (1610 - 1663)
|                                              |_Susanna Marie BRASHEARS ______________|
|                                                (1655 - 1692) m 1673                  |
|                                                                                |_Mary RICHFORD ______________________________+
|                                                                                (1621 - 1663)
|--Jacob DUVALL
|                                                                                _____________________________________________
|                                                                                |
|                                               _John JACOB ___________________________|
|                                              | (1650 - ....)                         |
|                                              |                                       |_____________________________________________
|                                              |
|_Elizabeth JACOB _____________________________|
(1683 - 1752) m 1701                         |
|                                        _____________________________________________
|                                       |
|_______________________________________|
|_____________________________________________
Phillip FELIX
5 Mar 1802 - 18 Jan 1867
RESIDENCE: Ohio Co. KY
BIRTH: 5 Mar 1802, Franklin Co. Kentucky
DEATH: 18 Jan 1867, Ohio Co. Kentucky
RESOURCES: See: NOT PROVEN SON [S1639]
Father: John Isaac FELIX
Mother: Sarah HAYNES
Family 1 : Judith HAYNES
MARRIAGE: 18 Apr 1824, KY
_Johann Isaac FELIX ____________|
| (1730 - ....)                  |
|                                |______________________
_John Isaac FELIX ___|
|                     |                                 ______________________
|                     |_Catherine Elizabeth CLAESMANN _|
|                       (1740 - ....)                  |
|                                                      |______________________
|--Phillip FELIX
|                                                       _William HAYNES ______+
|                                                      | (1710 - ....) m 1734
|                      _William R. HAYNES Jr.__________|
|                     | (1740 - 1827) m 1764           |
|                     |                                |_Elizabeth MILLINER? _
|                     |                                  (1720 - 1780) m 1734
|_Sarah HAYNES _______|
|                                 _Charles ELLIS _______+
|                                | (1719 - 1759) m 1739
|_Hannah ELLIS __________________|
(1741 - 1791) m 1764           |
|_Susannah HARDING ____+
Clara HAMMETT
ID Number: I693
RESIDENCE: Campti, Natchitoches Parish, LA
BIRTH: 6 Mar 1877
DEATH: 23 Jan 1916
RESOURCES: See: [S2]
Family 1 : William Clinton CORLEY
+Lela Vista CORLEY
Joseph Carroll CORLEY
+Alma Gertrude CORLEY
+William Clyde CORLEY
Clara Merle CORLEY
Thelma Carolyn CORLEY
Winifred HODGSON
RESIDENCE: Old Rappanock and Essex Cos. VA
BIRTH: ABT 1668, Old Rappanock Co. Virginia
DEATH: BEF 1717, Essex Co. Virginia
Father: William HODGSON
Family 1 : Bartholomew VAWTER
+John VAWTER Jr.
+Margaret VAWTER
William VAWTER
David VAWTER
Edward VAWTER
Richard VAWTER
Augustine VAWTER
+Benjamin VAWTER
"Winifred Hodgson and her brother John Hodgson received 300 Acers of land in 1676 from Thomas R Page. Thomas Page being a business partner of their father William Hodgson. While single minor women could not hold land. John held the 300 acres until it was given to Bartholomew Vawter at their marriage. This was found about 1997, the index to this deed dated 1690-1695 but nothing else. The deed was found and it shows John Hutson [Hodgson] gave 150 Acers to Bartho on 9 Oct 1690 but not recorded until 10 Feb. 1692 Essex Co. So that gives us a very firm date of marriage. Likely this would be Winifred's dower and it would have been transfered to them as soon as possible after their marriage. This comfirms the belief that John Vawter [oldest son] was born 1691-92. From Georgene Jurgensen Aug 11, 1999."
_William HODGSON ____|
|--Winifred HODGSON
Amos LOVE
RESIDENCE: of Northhampton,VA
RESOURCES: See: notes
Father: (RESEARCH QUERY) LOVE
Family 1 : Mary Ann INGRAM
+Thomas LOVE
From: Our Family Tree and Branches by vicki on Gencircles.com
1. John Love
2. Margaret Love
3. Judith Love
4. DescendantsThomas Love b. 1743
5. DescendantsAmos Love Jr. b. 1747 in VA
6. Winneford Love b. 7 Oct 1750
7. Mary Love b. 1 Aug 1753
8. Elishe Love b. 17 Dec 1757
9. Elizabeth Love b. 11 Jul 1760
10. DescendantsCharles Love b. 1765
_(RESEARCH QUERY) LOVE _|
|                        |   __
|                        |  |
|                        |__|
|                           |__
|--Amos LOVE
|                            __
|                         __|
|                        |  |__
Michael Iverson MORGAN
19 Apr 1860 - 31 Mar 1915
RESIDENCE: Liberty, Amite Co. MS
BIRTH: 19 Apr 1860
DEATH: 31 Mar 1915
Father: Hiram MORGAN C.S.A.
Mother: Augusta Elizabeth HAMILTON
2 Michael Iverson MORGAN b: 19 APR 1860 d: 31 MAR 1915 + Martha Elizabeth COCKERHAM b: 07 DEC 1865 d: 27 NOV 1913;
Child: 3 Ellie Ray MORGAN b: 05 JUN 1893
_Batson MORGAN ______+
_William MORGAN _____|
|                     |_Elizabeth WADDELL __+
_Hiram MORGAN C.S.A._________|
|                             |                      _George GAYDEN ______
|                             |                     | (1739 - 1819) m 1782
|                             |_Elizabeth GAYDEN ___|
|                               (1785 - 1854) m 1805|
|                                                   |_Lois COLLINS _______+
|                                                     (1749 - ....) m 1782
|--Michael Iverson MORGAN
|                                                    _____________________
|                                                   |
|                              _Robert HAMILTON ____|
|                             | (1800 - ....)       |
|                             |                     |_____________________
|_Augusta Elizabeth HAMILTON _|
|_Mary FRENCH ________|
Lucy R. NELSON
1804 - 20 May 1837
RESIDENCE: Hanover Co. VA
RESOURCES: See: [S1516] [S757] [S2036] [S2103] [S2170]
Father: Robert NELSON
Mother: Judith Carter PAGE
Family 1 : Hugh Nelson PENDLETON
MARRIAGE: 12 Mar 1829, Hanover Co. VA
+Julia Nelson PENDLETON
"Their one surviving child, Lucy Nelson, married Hon. Hugh N. Pendleton, of Caroline Co., and was his first wife."
_William NELSON Dominion of Virginia_+
_Thomas NELSON Gov. of Virginia_|
|                                |_Elizabeth "Betty" BURWELL __________+
|                                  (1719 - ....) m 1737
_Robert NELSON ______|
|                     |                                 _Philip GRYMES ______________________+
|                     |                                | (1721 - 1768) m 1741
|                     |_Lucy GRYMES ___________________|
|                       (1743 - 1830) m 1762           |
|                                                      |_Mary RANDOLPH ______________________+
|--Lucy R. NELSON
|                                                       _Mann II PAGE _______________________+
|                                                      | (1718 - 1780)
|                      _John PAGE Gov. of Virginia_____|
|                     |                                |_Alice GRYMES _______________________
|                     |                                  (1720 - ....)
|_Judith Carter PAGE _|
|                                 _Robert Carter BURWELL Esq.__________+
|_Frances BURWELL _______________|
|_Sarah NELSON _______________________+
Francis Howard WEAVER
RESIDENCE: Putnam Co, GA.
BIRTH: 31 Jan 1814, Putnam Co, GA.
Father: David Andrew "Andy" WEAVER Sr.
Mother: Frances HOWARD
Family 1 : Priscilla ELEY
MARRIAGE: 15 Apr 1847, Green Co, GA.
_Samuel III WEAVER __+
_David WEAVER ________________________________|
|                                              |_Françoise L'ORANGE _+
|                                                (1700 - 1769) m 1737
_David Andrew "Andy" WEAVER Sr._|
|                                |                                               _____________________
|                                |                                              |
|                                |_Masinbird SHOEMAKER _________________________|
|                                  (1745 - 1825) m 1769                         |
|                                                                               |_____________________
|--Francis Howard WEAVER
|                                                                                _____________________
|                                                                               |
|                                 _(RESEARCH QUERY) HOWARD of VA & SC & GA & KY_|
|                                |                                              |_____________________
|_Frances HOWARD ________________|
|                                               _____________________
|______________________________________________|


text:
Park Ridge Pirates Developing Quality Reps
Home /Blog/Park Ridge Pirates Developing Quality Reps
by Kelli Greene
Park Ridge Pirates have shown that the Development Pathway for their Junior/Youth Players is very successful. For a young club the Pirates have seen several upcoming players who played in last years Seniors Division 2 Premiership Team, making their way to Senior Lists at QAFL Clubs.
Riley Greene (Sherwood), Nathan Colenso and Anthony Stewart (Morningside) have all come through the Park Ridge system. Club Coaching Coordinator, Tony Jarrett, said, "It is a credit to the coaches, team mates and the three players themselves, that they have been moulded into ready-made senior QAFL players. There wouldn't be too many clubs in the area providing what we have at our club, in the sense of technology and coaching, that is helping develop these players."
"Both Riley and Nathan have already made their senior debuts this season and Anthony is not far off. This is inspiring for all our youngsters coming through, to be able to see that our club is providing the resources they need to make it to the highest levels, along with their natural talent, work ethic, dedication and commitment", Mr Jarrett stated.
"These three footballers still have plenty of upside and are now taking their careers to the next level. Who knows where they will end up but with Riley and Nathan only being 17 and Anthony 18 the football world is at their feet. Nathan had a great debut kicking 3 goals and being named the Rising Star of the round 1 in the QAFL. The boys have all worked extremely hard over the preseason and deserve all the accolades they receive", Mr Jarrett said.
Hopefully it wont be too long before the Pirates produce our first player to be drafted into the AFL. "I think with the systems we have in place and the talent coming through, it will happen", said Mr. Jarrett. "Its not only these 3 boys, we have numerous boys and girls in Lions or Suns Academies as well. So the future is definitely bright for the Pirates."
Follow the Pirates at@parkridgepiratesafc
Next-Gen Mazda 3 Review
Greenbank Raiders' Mum Takes Footy Team to Blackall


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Representative Sharice Davids: Congress must stay in session until relief package is passed
Pictured: Representative Sharice Davids (D-KS-03).(Photo: davids.house.gov)
Davids pens letter to Democrat and Republican leaders calling for an end to partisan bickering
Office of United States Representative Sharice Davids (D-KS-03)
Representative Sharice Davids (KS-03) continued to urge congressional leaders to reach a deal on a coronavirus bipartisan relief package today, saying that Congress must stay in session until a relief package is passed. In a letter to leaders of both parties, Davids called for an end to partisan bickering and instead for them to work together to get relief into the hands of those who need it most.
"Coronavirus cases are skyrocketing, our hospitals are being pushed to the brink, and our workers and small businesses are continuing to suffer. We cannot, in good conscience, go back to our districts for the Holiday recess while millions continue to suffer without help from their government. We need leaders in both parties to stay at the negotiating table until we reach a bipartisan deal that provides for the health, safety, and economic security of the people in this country," said Davids.
While coronavirus cases are on the rise in Kansas and across the country, many key relief measures are set to expire at the end of the year – leaving families, workers and small businesses without much-needed support. Davids has expressed support for a new bipartisan aid proposal as the framework for negotiations, which has quickly gained momentum in the House and Senate.
"The basis of any relief package must include providing resources for the expansion of widespread and rapid testing, increased access to personal protective equipment for our frontline workers, funding for our hospitals, help for small businesses, unemployment and housing assistance, accountability and transparency measures in the distribution of relief funds, and importantly, support for state and local governments who are fighting this virus head on," said Davids.
Davids has repeatedly pushed for leaders in both parties to reach a deal on coronavirus relief.
(Image: Office of U.S. Representative Sharice Davids)


Library programs offer a dynamic exchange of information, as well as lifelong learning opportunities through classes, presentations, performances, hands-on experiences, and more.
Library programs are typically planned at least three months in advance to allow for adequate publicizing of the event. Program proposals are frequently reviewed and those proposals most closely aligned with our strategic priorities and initiatives are retained for future collaborations.
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1 Presenter Information 2 Program Information 3 References, Etc.


text:
Deiphobella gardeneri es una especie de mantis de la familia Mantidae.

Distribución geográfica
Se encuentra en la India.

Referencias

Mantodeos del subcontinente indio
Mantidae
Insectos descritos en 1935
Fauna de India


text:
Book It: The Five Best Literary Events This Week
Are Big Property Tax Bills Painting Denver Arts Districts Into a Corner?
Review: DU's Faculty Triennial Shows How Vital Teachers Are to Colorado's Art Scene
Michael Paglia
"Battle of the Little Big Horn, Finale," by Edie Winograde, color photo.
Vicki Myhren Gallery
Michael Paglia | January 29, 2015 | 10:00am
2015 Faculty Triennial Vicki Myhren Gallery 2121 East Asbury Avenue
Over the past decade, Dan Jacobs, the director of the University of Denver's Vicki Myhren Gallery, has built an impressive exhibition roster and presented one interesting show after another. In his related if distinct role as the curator of DU's art collection, Jacobs has also endeavored to document the various ways in which this private institution has been a key force in the art world around here.
See also: Matisse and Friends at the DAM Is What the Future Looked Like a Century Ago
In a way, the 2015 Faculty Triennial brings both of these ambitions together. On one level, it's a knockout exhibit, perfectly in line with past efforts; on another, its subject -- the work of the studio art teachers in the School of Art and Art History -- shows how vital the department is, as so many of those included are among the most notable and talked-about artists in town. Come to think of it, that's something that's pretty much been true since the legendary Vance Kirkland founded DU's art department way back in 1929, when he was initially hired to teach painting.
This is only the second triennial exhibition dedicated to the faculty, although the school has presented faculty shows before. By their very nature, faculty shows have a subject -- the efforts of the studio professors and instructors -- but no theme, as each artist-educator has his or her own approach and medium. Jacobs points out that the 2015 Faculty Triennial wasn't curated, either, at least not in a typical way. By that he means that he didn't personally choose the pieces in the show, though he did make the pieces work together as a coherent exhibit -- no mean feat, considering the diversity of inclusions. Instead, he simply asked each of the artists who are teaching at DU to bring in works that they felt were representative of their current aesthetic practice.
Sometimes faculty shows are limited to full-timers, but Jacobs insisted that the adjunct faculty be included as well -- which makes a lot of sense, because it turns out that some in that group are just as prominent in the community.
Roddy MacInnes, Smile #1 x 30, Smile #2 x 30, Smile #3 x 30, 2014, archival ink-jet photograph.
Photo and photo-based works represent a strong current in this exhibit. The three interconnected pieces by Roddy MacInnes are really compelling. At first glance, they look like three grids made up of dozens of antique collodion prints done on heavy stock. They seem timeworn, with some of them creased, scratched or dog-eared. But looking closer, you realize that they are actually digital prints that MacInnes made by taking cell-phone pictures of faces, then antiquing them and joining them together using software.
Edie Winograde also mashes up the past and present in exaggeratedly horizontal color photos from her "Place and Time" series. These photos record historic reenactments, such as Indian battles and wagon trains. Using a long exposure, Winograde captures the movement through blurry swatches. It's great the way these pieces are both conceptual and part of the Western tradition.
Laleh Mehran, Dominant Policy, 2013, Single channel HD digital video (left); Conor McGarrigle, It takes 54,400 steps to walk Colfax Avenue, 2015, Digital (right).
Conor McGarrigle is an artist who uses photography as a means of documenting a performance. For "It takes 54,400 steps to walk Colfax Avenue," he video-recorded the actual walk, then used programs that measure time and perform frame-content analysis to automatically select the images that would be turned into static prints. Interestingly, this produced a sameness to the hundreds of images.
Though Chinn Wang used screen-printing and painting for her wall installation, "Album," the images in it are photo-derived. On either end of a wall, Wang arranged rectangular plywood elements covered with altered prints of floral pictures. The subjects of each of these images were cut out, and the cut-out parts were arranged in an oval that holds the center of the piece. It's very intriguing.
Mia Mulvey, Bouquet, 2013, Porcelain, wool felt.
Another artist who has created wall sculptures is Mia Mulvey, who is working in felt, ceramics and sometimes 3-D digital printed nylon. The felt is precision-cut into the form of roots or branches, while the ceramic and nylon objects resemble flowers or fruit. Mulvey has a tremendous sense for color, which you will notice in the gorgeous deep blues and chilly whites that she used here.
Derrick Velasquez takes a different approach to three-dimensional wall pieces. In the center of his section is one of his well-known untitled bas-reliefs, made from a board with strips of vinyl laid over it so that it takes a found shape determined by gravity. To the right is "Symbols of Progress," a multi-panel formalist painting presented informally (it is simply propped against the wall). To the left is "Sexy on the Wall," made up of found materials visually held together by the piece's vertical orientation. A lot of artists are doing this kind of messy room installation, but Velasquez is different from most in that he makes it beautiful.
Jeffrey Keith, Blue September, 2013, Oil on Linen (left); Sarah Gjertson, Object of Contention, 2014, wood, rope, artifacts, photographs from London Mill and Mine site printed on fabric (right).
More classically formalist is well-known Denver painter Jeffrey Keith, who is represented by one of his signature post-minimalist paintings that juxtapose loose brushwork with the illusion of patterning. In "Blue September," an oil on linen, painterly and expressionist lines in blues and grays form blocks that are artfully crammed into the picture plane.
Lawrence Argent is one of the city's biggest art stars: in addition to teaching at DU, he is the creator of "I See What You Mean," known more commonly as the Big Blue Bear, one of the city's most beloved public works. His piece in the Triennial is a maquette for a part of his "C'era Una Volta" cycle of pieces currently being installed in San Francisco. Using computers, Argent abstracts classical sculptures and fragments. The model in this show is a lightweight 3-D print depicting a standing woman whose proportions have been flattened and stretched out. The full-sized piece will ultimately be executed in stainless steel and rise to a height of 92 feet.
Tom Mazzullo, Wrap, 2012, Silverpoint on prepared paper.
Given the tenor of this show, with all of the digital works and the many conceptual and abstract pieces, the inclusion of traditional drawing is somewhat unexpected, but it's here nonetheless, in the form of meticulous realist silverpoints on paper by Tom Mazzullo that depict such unlikely subjects as a knot of cloth or a spiral of paper.
Also employing representational imagery rendered in a straightforward manner is Deborah Howard's "Echoes #2," a four-panel bas-relief covered with casts of old-fashioned shoes. Although each of the panels is unique, they are designed in such a way that they could be lined up to form a continuous set of repeated images covering a whole wall.
With nearly two dozen faculty artists represented here, some of them by multiple pieces, it's impossible to make note of everything, so I've just pointed out a few things that struck me as being standouts. But given the high standards expected from the studio faculty at DU, it's no surprise that everything in this show turns out to be worth a look.
See more photos from the Triennial on the next page.
"Sexy on the Wall," by Derrick Velasquez, mixed materials.
Roddy MacInnes, Smile #3 x 30, 2014, archival ink-jet photograph.
Deborah Howard, Echoes #2, 2014, Cast aluminum.
Lawrence Argent, C'era Una Volta (Once Upon a Time), 2015, 3D print of 92-foot tall sculpture fabricated in stainless steel.
Derrick Velasquez, Untitled 106, 2015, Vinyl, walnut, courtesy of Robischon Gallery, and Lawrence Argent, C'era Una Volta (Once Upon a Time), 2015, 3D print of 92-foot tall sculpture fabricated in stainless steel.
View of works by Derrick Velasquez (left) and Roddy MacInnes (right).
View of works by Chinn Wang (left) and Catherine Chauvin (right).
Mia Mulvey, Bouquet , 2013, porcelain, wool felt.
2015 Faculty Triennial Through February 22 at the Vicki Myhren Gallery, 2121 East Asbury Avenue, 303-871-3716, du.edu/vmgallery.
Follow @WestwordCulture
Michael Paglia is an art historian and writer whose columns have appeared in Westword since 1995; his essays on the visual arts have also been published in national periodicals including Art News, Architecture, Art Ltd., Modernism, Art & Auction and Sculpture Magazine. He taught art history at the University of Colorado Denver.
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I'm a Massachusetts native and Boston is my favorite city. Looks like you had a blast!
Oh, and good call on the Dogfish Head brews – Delaware makes good beer.
We did! And yes, Dogfish is probably one of my favorite beers, one thing I miss about living in NoVA is being right down the street from one of their restaurants… I felt like I was cheating on Sam Adams, being in Boston and all…but I couldn't help it!


Leading brokerage firm, Motswedi Securities announced that Botswana Telecommunications Corporation Limited (BTCL)'s share price was stable in March, as it closed the month firm on its opening price of 90 thebe per share.
According to data compiled by Motswedi's Head of Research Garry Juma and analyst Salome Makgatlhe, for the month of March, 1.48 million shares changed hands with a value of P1.33 million made as turnover. According to the duo, the trade was a decrease from the previous months, where 2 million shares were traded worth P1.84 million.
As the quarter ended on the 31st March, BTCL registered its third consecutive quarter on quarter loss – the latest quarter amounting to 5.3 percent in losses. "However, it is encouraging to note that since listing, this is the smallest quarterly loss BTCL has endured and most of these losses were incurred in February 2019 alone," said Motswedi researchers.
For the month, the total market's turnover increased from P86.84 million to P108.56 million. However, BTCL's contribution to the market liquidity fell to 1.2 percent from 2.1 percent in the previous month. In terms of quarterly participation, Motswedi Securities said BTCL was less liquid for the just ended quarter, with a total of 4.8 million shares with a value of P3.10million having been traded. The entire market traded P318.69 million worth of shares during the same period.
Motswedi analysts said this was a slight step back from the previous quarter's 4 million shares that traded with a value of P4.29 million.
BTCL's share price has kept at 90 thebe for the month under review. Part of the reason according to the brokerage firm is an active demand for BTCL shares. They further noted that the influx of sellers that had put pressure on the price in the previous month was abated by an increase in buyers in the market.
Juma and Makgatlhe also said BTCL has a history of declaring a large dividend payout with its full year financial results. In 2017, the company declared 11.09 thebe to its investors, in 2018 the company declared 9.70 thebe, and investors are now looking forward to a similar outcome, according to the duo. BTCL is on a closed period, which in simpler terms means that the Board members of BTCL, the staff members of BTCL and their immediate families are not allowed to transact in the company's shares, up until the full year financials of the company are released. The results are expected before the 30th June 2019.
Motswedi analysts said the company has a good dividend payout policy which states that the telecommunications giant will payout between 50 percent- 65 percent of earnings subject to the financial position of the company.


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text:
Species Directory
Overview Resources
Salmo salar
Sea run salmon, Kelts, Black salmon
About The Species
Only farm-raised Atlantic salmon are found in U.S. seafood markets.
Commercial and recreational fishing for Atlantic salmon in the United States is prohibited. In addition, the Gulf of Maine distinct population segment (DPS) of Atlantic salmon are protected under the Endangered Species Act. Learn more about protected Atlantic salmon.
Population Level
Significantly below target population levels. Rebuilding plan is in place.
Fishing Status
Commercial and recreational fishing for Atlantic salmon is prohibited.
Habitat Impacts
Not applicable – there is no commercial or recreational fishery for Atlantic salmon in the United States.
Not applicable – there is no commercial fishery for Atlantic salmon in the United States.
The U.S. Atlantic Salmon Assessment Committee, a team of state and federal biologists, collects data on Atlantic salmon throughout New England and assesses the species' population status. Their 2019 annual report indicates that returns remain at historically low levels.
Scientists determine the population status by counting the number of adults that return to spawn, either directly at traps and weirs or indirectly using nest surveys and modeling.
Atlantic salmon stocks began to decline in the mid-1800s due to a number of factors including habitat destruction and historic overfishing.
Atlantic salmon have a spindle-like body shape – rounded, broad in the middle, and tapered at each end. The shape is somewhat flattened toward the sides, which is typical of salmon species.
The head is relatively small, about one-fifth of the body length. The underside paired fins are prominent, especially on juveniles.
Spawning adults darken to a bronze color after entering freshwater and darken further after they spawn. When spawning has been completed, they are often referred to as kelts or black salmon. Their silver color returns after they re-enter the sea.
Atlantic salmon are anadromous – they leave the ocean to return to freshwater streams and rivers to breed.
Females lay an average of 7,500 eggs in gravel nests, called redds.
Eggs incubate slowly due to cold winter water temperatures. About 9 to 20 percent of the eggs survive to the fry stage.
Fry remain buried in the gravel for about 6 weeks and emerge in mid-May.
They quickly disperse from the redds and develop camouflaging stripes along their sides, entering the parr stage.
Parr eventually undergo a physiological transformation called smoltification that prepares them for life in a marine habitat. During smoltification, fish imprint on the chemical nature of the stream or river to enable them to find their way back to where they were born. After smoltfication is complete in the spring, smolts migrate to the ocean to grow, feed, and mature.
Atlantic salmon growth rates are variable and depend on several factors including season, habitat quality, age, sex, and population density.
They grow much faster in saltwater than in freshwater. After 2 years at sea, adult salmon can grow to an average length of 28 to 30 inches and weight of 8 to 12 pounds.
Unlike the Pacific salmon species, Atlantic salmon do not die after spawning, and adults can repeat the breeding cycle. They live for 4 to 6 years.
Juvenile Atlantic salmon mostly prey on invertebrates and terrestrial insects while in freshwater and on amphipods (small, shrimp-like crustaceans), krill, and fishes while at sea.
Larger adult Atlantic salmon mainly prey on fish such as Atlantic herring, alewife, rainbow smelt, capelin, mummichogs, sand lances, flatfish, and small Atlantic mackerel.
Birds, marine mammals, and fish prey on Atlantic salmon.
Where They Live
Atlantic salmon are the only salmon native to the Atlantic Ocean.
There are three groups of wild Atlantic salmon: North American, European, and Baltic. The North American group, including the Canadian and U.S. populations, was historically found from northern Quebec southeast to Newfoundland and southwest to Long Island Sound.
In the United States, Atlantic salmon were once native to almost every river north of the Hudson River. Due to the effects of industrial and agricultural development (including habitat destruction, dams, and historic overfishing), most populations native to New England were eradicated. Now, the only native populations of Atlantic salmon in the United States are found in Maine.
NOAA Fisheries, the U.S. Fish and Wildlife Service, the New England Fishery Management Council, and the State of Maine manage Atlantic salmon.
Managed under the Fishery Management Plan for Atlantic Salmon:
Prohibits possession of wild Atlantic salmon and any directed or incidental Atlantic salmon catch in federal waters.
All Atlantic salmon caught incidentally in other fisheries must be released in a manner that ensures maximum probability of survival. This protects Atlantic salmon in U.S. marine waters and complements management in state-managed riverine and coastal waters.
In 2000, NOAA Fisheries and the U.S. Fish and Wildlife Service listed the Gulf of Maine distinct population segment of Atlantic salmon as endangered under the Endangered Species Act. The two agencies are jointly responsible for the recovery of this endangered population of Atlantic salmon.
In December 2005, the agencies, in coordination with the State of Maine, finalized the Recovery Plan for the Gulf of Maine distinct population segment. This plan identifies recovery actions needed to halt the decline of the species and lays out a process to minimize threats.
In June 2009, they extended Endangered Species Act protection to more Atlantic salmon, adding fish in the Penobscot, Kennebec, and Androscoggin rivers and their tributaries to the endangered Gulf of Maine distinct population segment. Protection also applies wherever these fish are found, including these rivers' estuaries and marine environment.
A new recovery plan is being developed to reflect the expanded range of endangered salmon and the designation of their critical habitat (the area needed to support the fish population's survival and recovery).
In 2015, NOAA Fisheries announced a new program to focus and redouble our efforts to protect eight species that are currently among the most at risk of extinction in the near future. This 5-year action plan focuses on priority actions for Atlantic salmon. Species in the Spotlight
International management:
Because Atlantic salmon migrate all along the North American coast, the United States joined with other North Atlantic nations in 1984 to form the North Atlantic Salmon Conservation Organization (NASCO) to cooperatively manage Atlantic salmon stocks through conservation, restoration, and enhancement programs.
The United States' participation in NASCO supports the long-term commitment by the states and federal government to rehabilitate and restore U.S. Atlantic salmon stocks.
The International Council for the Exploration of the Sea (ICES) is the official research arm of NASCO. ICES provides scientific advice to NASCO members to inform science-based management recommendations for the conservation of North Atlantic salmon stocks.
Substantial efforts are ongoing to restore wild Atlantic salmon and their habitat. These include improving fish passage by removing or modifying dams so salmon can reach freshwater spawning and rearing areas critical to their survival, understanding and improving historically low salmon survival in the ocean, and supplementing wild populations with hatchery-raised Atlantic salmon.
Atlantic salmon have been raised in hatcheries since 1864 to enhance wild populations. Today, these hatcheries help to prevent further decline of Atlantic salmon and subsequently prevent their extinction.
In the late 1970s, commercial aquaculture ventures started rearing Atlantic salmon in Maine. See Atlantic Salmon – Farmed for more information.
Tributaries: Small Rivers, Big Returns
Penobscot River Salmon Run Highest Since 2011
Get Ready to Take LEAPS for Atlantic Salmon and Journey to the Rivers and Coasts of New England - with Agents of Discovery!
Learning about Atlantic Salmon in Greenland via Satellite Tags
Recreational Fishing Regulations
Commercial Fishing Regulations
Atlantic Salmon Assessments
The U.S. Atlantic Salmon Assessment Committee monitors the population status of U.S. Atlantic…
Recovery Plan (2019) for the Gulf of Maine Distinct Population Segment of Atlantic Salmon (Salmo salar)
The goal of this 2019 recovery plan is the removal of the Gulf of Maine DPS of Atlantic salmon from…
Species in the Spotlight: Priority Actions 2016-2020, Atlantic Salmon
In 2015, NOAA Fisheries announced a new program to focus and redouble our efforts to protect eight…
Status Review for Anadromous Atlantic Salmon (Salmo salar) in the United States
This Status Review presents the findings of the 2005 Atlantic Salmon Biological Review Team (BRT)…
Atlantic Salmon Gulf of Maine DPS Boundaries
Recovery Action Database
The Recovery Action Database tracks the implementation of recovery actions from Endangered Species…
Atlantic Salmon Critical Habitat - Gulf of Maine DPS
More Data and Maps
Peer-Reviewed Research
Atlantic Salmon Ecosystems Research Team Publications
Publications related to the research by the Atlantic Salmon Ecosystem Research Team in support of…
Sea-Run,Go! Wild Atlantic Salmon
In this lesson students will use the Agents of Discovery™ app on their mobile devices to learn…
More Outreach and Education Materials


The J/95's performance hull emphasizes high form stability, relatively narrow beam and an easily driven shape. A modest upwind sail plan powers this boat at speeds and upwind tacking angles that sailors expect from a J. The J/95 will sail upwind with the centerboard fully retracted and retain its stability while doing so. This is a distinct advantage over boats with vertical lift-keel arrangements where stability is all but lost (and sailing not an option) when the keel in the "up" position. Over 90% of J/95's ballast is in the fixed lead keel, with the rest in the foil shaped bronze centerboard. To optimize steering control during shoal draft operation, the J/95 is specified with tandem rudders. Sailboats of the past with single shoal draft rudders share the common trait of horrendous weather helm load when sailing at large heel angles, especially close reaching in a breeze. This is true of everything from traditional catboats up to the finest keel-centerboard designs to the CCA Rule back in the 1950s and 60s. Likewise deep rudders which pivot up for shallow water create huge helm loads when raised. J/95 will be a dream to steer in any situation with centerboard up or down. Balance and steering control are two of the key features which set the new J/95 apart.While reaching and running the J/95 has high speed potential, especially with a large masthead asymmetric spinnaker and a raised centerboard. This is a boat that's even easier to handle than a J/105, with the same high maneuverability in tight quarters that sailors of smaller J's have been showing off for years.


This sterling silver St Christopher pendant is made up of the classic circular St. Christopher image which has been set upon a plain, rectangular silver background. Fully hallmarked in London, this silver pendant is perfect for men and women and comes on a sturdy silver curb or ball chain.
We can engrave the pendant with a name or special message.
If you prefer, you can order the pendant without the chain, please make your choice in the dropdown menu below.


Published: March 28, 2013 at 05:48 p.m.
Updated: March 29, 2013 at 04:39 a.m.
Way back in early January, Kansas City Chiefs coach Andy Reid met with his former longtime offensive coordinator, Brad Childress, about an advisor position.
Three months later, the Chiefs announced that Childress indeed will be on Reid's coaching staff in a rather unique role.
Childress' official title is "Spread Game Analyst/Special Projects."
While we've never heard of that title before, the inference is that Childress will help implement elements of the spread offense, which has become increasingly popular in the NFL. Reid is unlikely to ditch his West Coast scheme, but he could be looking for an occasional curveball to throw at defensive coordinators.
Childress' first job might be to explore how to take advantage of quarterback Alex Smith's experience in the spread-option under Urban Meyer at Utah. Like Jay Cutler in Marc Trestman's offense, Smith is athletic enough to give defenses pause on option plays, even it's only a minor part of the Chiefs' offensive attack.


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Published September 25, 2020 9:48pm EDT
Herschel Walker accuses Democrats of denouncing violence 'yet you don't really mean it'
'We need law and order right now in the United States of America,' former Heisman winner tells 'The Story'
Breonna Taylor case: Louisville prepares for third night of unrest
Ex-NFL star Herschel Walker tells 'The Story' Democrats often 'denounce' violence but 'really don't mean it'
Democratic political leaders have given token statements denouncing violence and rioting in cities across America, but have failed to take meaningful action, former NFL running back Herschel Walker told "The Story" Friday night.
"It's not [a] peaceful [protest] when they say you have got to disperse," Walker told host Jon Scott in response to reports of a third night of unrest in Louisville following a grand jury decision in the Breonna Taylor case. "It means you have got to go home, [but] they didn't go home. They moved to another place."
Walker, who won the 1982 Heisman Trophy as a junior at the University of Georgia and who addressed the Republican National Convention last month, added that "every governor should be punished who is going to let people be injured because there is not a peaceful protest when you have police officers that were shot earlier.
"We need law and order right now in the United States of America."
TRUMP'S WORK FOR BLACK COMMUNITY 'UNPARALLELED TO ANY OTHER PRESIDENT' OF PAST 50 YEARS: DEM LAWMAKER
Walker added that all Americans, regardless of race, want to live in a peaceful and orderly society, and even though he doesn't like to "call out" political parties, Democrats need to "start doing their job."
"They say you can denounce violence and the riots," he said. "You can denounce it, but yet you really don't mean it. If you really mean it, you have to tell the people this is unlawful.
"It's time for these governors, it's time for these mayors to start doing their job or they get sued by the citizens. You know, people work hard for their job. And when people are injured, when people are hurt, when people are killed, you need law and order."


Companies were asked to provide rates for standard personal auto program for each of five scenarios shown using assumptions listed below.
Comparison of 6 month premiums for a 2010 Chevrolet Malibu LS 4-door sedan reflects the following insurance coverage: A $25,000 max. bodily injury limit for anyone person in any one accident subject to a max. for all bodily injury damages of $50,000 in any one accident; a $25,000 max. limit for property damage liability for any one accident; a $500 comprehensive deductible; a $500 collision deductible.
Each scenario provided has a quote for both a male and a female operator.
Each insurer has its own underwriting guidelines. These scenarios are assuming the insured meets all criteria as set forth by the company in determining eligibility.


In Europa sind CLUTCH aus Maryland nie über den Geheimtipp-Status und Anerkennung im Heavy- und Stoner-Underground hinaus gekommen. Der vierköpfigen Band dürfte es egal sein, denn sie pflegt seit jeher einen DIY-Ansatz und setzt lieber auf einen erlesenen Kreis loyaler Fans denn auf vergänglichen Ruhm in der Breite. Und in "ihrer Sparte" sind CLUTCH eine der wichtigen Institutionen, die vor 15 Jahren schon mit ihrer ersten Platte ein essentielles Werk ablieferte.
Musicscan: First of all: What have you guys lately been up to?
Clutch: We just finished a short US tour last week, so these days are spent enjoying time at home. We are preparing to go into J Robbins studio next week to record an e.p.. It will consist of some more low key acoustic tunes.
Musicscan: Clutch' sound is pretty unique for everyone who ever got in contact with you guys. What would you point out to be bands "trademarks", and what makes the difference out of your view?
Clutch: It's hard to talk about the band's sound since I'm so involved in it, but I suppose we are a pretty percussive band, even outside of drums. Our riffs are informed by a lot of classic rock bands and I think we are attracted to that time period ('65-'75) because that is when rock bands really accepted acoustic blues into the electric rock context. There was a pretty cool musical conversation happening between continents for the first time. I'd like to think that we are reminiscent of that. Maybe even participants.
Musicscan: What are the motives behind writing in this heavy style Clutch is best known for, and what reactions are you seeking to evoke in your audience?
Clutch: Music is art. And I don't think we have any other motive other than music for music's sake, art for art's sake. At shows, we like to see people smiling, forgetting about everything other than the music that is happening right then and there. I think any other motives (i.e. "pushing envelopes" or "redefining extreme genes") are contrived and self-defeating.
Musicscan: Clutch have always been a heavy and straightforward band, never sticking to any formulas. Listening to your songs and albums for several years now, I would say you focus most on the natural groove and flow of your songs and bring it together with a confident old school heavy approach. Would you agree to this description?
Clutch: Sounds good to me! We do try to experiment with different grooves, but at the end of the day it's the same 4 guys, so the end product will sound familiar.
Musicscan: Do you still remember when you wrote your first song with Clutch and what it felt like and how it feels like now when you finish a song? How has your relationship to music and the band changed over the years?
Clutch: It was 1991. The first song I think was "Wicker." It's pretty amazing how little has changed about our song writing process. We still get together in the basement, play riffs until something sounds somewhat like a song and then I take it home to write lyrics. The lyric writing process takes the longest, but I think by this point the guys aren't expecting me to suddenly change my ways. If there is any change I think we're all better players and we all have a better appreciation for music in its entirety. It's both exhilarating and humbling.
Musicscan: With this new wave of insane and technical grind/tech-metal-bands with influences ranging from progressive to jazz aren't you scared that it has become harder for Clutch to find its listeners? Kids do listen to a different kind of metal nowadays. What have been the experiences you've made with younger audiences on your last few tours?
Clutch: Kids are always listening to a different kind of anything. That's just the way it goes. The minute one starts to tailor his music to "keep up" is the minute he is no longer a musician, but a marketing hack. Trends come. Trends go. But rock and roll is forever.
Musicscan: This whole underground-metal-thing turned more and more professional over the past few years. What do you think about it? Is the extreme-underground loosing its basis, identity and sincerity?
Clutch: It's become a lot easier for "extreme" bands to find larger audiences because of the advent of the internet. Because of this, extreme musics are not as special and threatening. Hell, I hear grind beats in the background of car commercials these days. But then again, maybe nothing has changed other than the sheer number of bands and listeners. As any type of music become more popular, the more flooded it becomes with supply and demand, bands and fans. Imitators and band-wagoneers are always bland and derivative. The information age has its downsides.
Musicscan: What lessons have you learned from being involved with the heavy-underground for a longer time now? What has it done for you?
Clutch: I've learned that some of the most infernal and diabolical people in the world wear business suits while some of the most righteous and civil people in the world wear Venom shirts. Go figure.
Musicscan: Is there something that bores you about todays heavy-underground-scene, or maybe there is something you miss?
Clutch: I miss how difficult it was to find new music. I remember the one or two record shops that carried underground music. That was a weekend trip and the record buying process seemed a serious decision. Walking into the shop that carried Celtic Frost records or Minor Threat records seemed an initiation an into some type of cabal. Nowadays it's just as easy as sitting in a living room and hitting a few keys. Don't get me wrong, bands like Clutch benefit from that accessibility, but I do have some nostalgia for how under the radar that music was in the 80s.
Musicscan: Are there any principles you would never give up to with Clutch? Which?
Clutch: The day it stops being fun is the day it should end.
Musicscan: What makes Clutch special to you? How would you describe the essence of the band?
Clutch: It's special because we're doing the same thing we did when we were 19. We are still brothers and friends and we still make music for the sake of making music. Every year I appreciate that more and more as it is a very fragile thing that could have ended years ago for any number of reasons.


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Semi To Leave? Ball To Stags?
Date: 8th July 2019 at 12:10pm
Rotherham United might be losing Nigerian International Semi Ajayi with The 72 saying that Championship side Leeds United are on the brink of signing him.
Semi came to the Millers originally on loan from Cardiff City in January 2017 impressing enough for the club to offer him a permanent deal in March which was completed in the summer. He scored his first goal on Valentines Day at home against Huddersfield Town, playing seventeen times during his loan spell. The following season he was always first on the team sheet and his five goals helped Rotherham back into the Championship via a the Wembley Play-Off Final.
Last season Semi played wherever Rotherham Boss Paul Warne asked him too and scored eight times in forty-nine appearances one of those goals being a long range strike against Leeds United at the New York Stadium in January which saw him get the clubs Goal Of The Season award. He was also named the Away Player Of The Season.
Will Semi leave? Well, to be honest, I'm not sure. Yes he would get Championship football but would he get to play week-in week-out? I'm not sure about that. He'd be a big miss for the Millers and, if I was a betting person, I'd like to think his name, once again, would be on the team sheet first every week. But, (and there's always a but isn't there) would he get to play any more International games for Nigeria as a League One player?
Also, released forward David Ball is interesting Mansfield Town. Chad seem to think the Stags could be losing a striker who Ball could replace.
After signing for the Millers in the summer of 2017 from Fleetwood Town, David scored nine goals in his first season with his second season seeing him play just three times, the last time in the League Cup at Goodison Park against Everton in the August. In September he went out on loan to Bradford City where he made forty-two appearances finding the net seven times.
Rumours? Or could there be some truth in both cases?


One of 2013's last additions to the buzzing Palermo scene was Leitmotiv, a bar designed to please on rainy, windy, cold and also sunny summer days. The arty/old-fashioned decoration takes retro to a whole new level, and the yummy platters feature options for vegetarians and meat eaters and look pretty enough to bat eyes and kiss over. The new venue is not only a restaurant, but also a bar, and so stopping by for drinks is equally nice, either inside on a day with rain and thunder, or outside on the rooftop terrace on warm porteño summer nights. The crowd that stops by is always good looking and very bohemian-style cool, plus the bartender serves great drinks and is responsible for some of the venue's artwork. José Antonio Cabrera 5696, Palermo. 4777-0743.
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We crafted this one to be simple yet exquisite in every detail. You don't need to be flashy when you have the finest quality of materials. All materials and design were specifically selected to bring out the sweet, crisp, and warm tone to this instrument. As a solid koa wood instrument, the tone will open up and mature with age, providing a incredible mid range tone and lovely sustain.
This is a hand-crafted all solid top, back and sides koa concert ukulele. The SKC1's visual depth and complexity is truly amazing, and is complimented with gorgeous solid maple binding, which adds a refined look and feel. The ease of playability with the thin neck and body is incredible. We have given this ukulele the title of our Master Luthier's Choice ukulele, as its his favorite in our line.
*Like all of our products, this one comes with a 30 day money back guarantee. If you aren't in love, send it back and we will issue a refund minus shipping cost back to us.
Also, we carry Oasis humidifiers. If you live in a dry climate, its very important to keep your instruments (especially the solid wood ukuleles), humidified to prevent warping and cracking.