text:
TICKERS: ABRA.TSX.V
Explorer Readies the Drill for Argentinian Silver-Gold Project
Source: Maurice Jackson for Streetwise Reports��(4/29/18)
In this interview, Maurice Jackson of Proven and Probable discusses AbraPlata Resource Corp. and plans for advancing its flagship project in Argentina with company President and CEO Willem Fuchter.
Maurice Jackson: AbraPlata Resource Corp. (ABRA.TSX.V) is focused on unlocking value in Argentina. Willem, let's discuss the latest press release entitled, "AbraPlata Files Diablillos Silver-Gold Project PEA Report." Let's get into the details of the release. When did AbraPlata officially file its PEA with Sedar, and what can you share with us?
Willem Fuchter: The report is titled, "Technical Report on the Diablillos Project, Salta Province, Argentina," and is dated April 16, 2018. The report proposes an open-pit mining by contractor, using a conventional truck and shovel operation, in two pits�the larger Oculta pit, as well as the much smaller Fantasma open cut. Processing is by a conventional silver plant, comprised of crushing, grinding, agitated back leach and then precipitation of the precious metals by the Merrill-Crowe process.
The project is expected to achieve an undiscounted pretax cash flow of some US$630 million, or an after-tax cash flow of nearly $400 million�$391 million, to be exact. It's also expected to achieve an after-tax NPV (net present value), at a discount rate of $7.5%, of $212 million, and will achieve an after-tax internal rate of return (IRR) of some 30.2%. Payback will be in 3.1 years, and it will have a mining life of eight years after a preproduction period of 18 months. It's expected to produce nearly 10 million ounces of silver equivalent a year, and it'll require initial capital of some $293 million.
Jackson: Willem, how do these numbers relate, using the same discount rate, but using current gold and silver prices?
Fuchter: The economic data were based on using $20 an ounce ($20/oz) for silver, and $1,300 an ounce for gold. At $16/oz silver, the IRR will be 20.3%, and NPV, at a 7.5% discount rate, changes about $25 million for every $1 change in the silver price. For example, at $16/oz, NPV will be $110 million, compared to what we calculated using the $20/oz silver price of $212 million. At $24/oz, the NPV will be close to $300 million.
Jackson: Now that the PEA is complete, what is the timeline for a prefeasibility study?
Fuchter: We hope to complete the prefeasibility study (PFS), by the end of the year, and our overall objective is to deliver a fully permitted, construction-ready project by the end of 2019. In 2019, we will move on from the PFS to do the definitive study.
This will require that we do the following: First of all, we need to do additional engineering work to complete the PFS. We're also continuing with the environmental studies, and starting the permitting applications. Finally, we're going to do further drilling, as we see strong potential to increase resources from the property, and which will need to be considered in the prefeasibility study.
Jackson: Speaking of drilling, let's discuss current activity going on right now. Talk to us about resource expansion at the Oculto deposit, and satellite occurrences. Are the drills turning there right now?
Fuchter: No. We hope to have them as turning �round about late May early June, and we see three important locations where we can increase the resource. First, within the existing Oculto pit shell, there's a lot of opportunity to increase mineralization�to turn mineralization in the current pit shell into a resource category.
Second, we will continue drilling some of the satellite deposits, like Fantasma, which surround the Oculto Deposit.
Third, there's the deep gold zone, which lies below the pit, which we hope to do some drilling on to show there is considerable potential to increase gold rich resources below the pit.
Jackson: We have focused on the silver and gold at the Diablillos, but AbraPlata has three more projects in its portfolio, some of which host copper and may have a significant influence on the share price in the future. Can you provide us with an update on these projects?
Fuchter: Absolutely. In addition to Diablillos, we've got two other porphyry projects; copper, gold and molybdenum projects. Cerro Amarillo is located in west-central Argentina, in the province of Mendoza, and Samenta lies about 120 kilometers northwest of the Diablillos.
Cerro Amarillo shares a mining camp with the famous Chilean copper deposit called El Teniente. It lies in the same belt of volcanics, and is hosted by intrusives that have the same age as El Teniente. El Teniente is a behemoth porphyry project just across the border in Chile. In terms of current reserves, as well as past production, it hosts at least 170 billion pounds of copper. So it truly is a behemoth.
The Cerro Amarillo project, like El Teniente, is not a single porphyry. Rather, it's a cluster of porphyries, and on our property, we've got at least five porphyry intrusions, four of which have copper mineralization mapped at surface.
All five of them have got good geochem expression, and on two of them, we've been able to do a conventional IP, and the IP has indicated there's chargeable material underlying mapped copper mineralization at surface. This is ready for drilling. However, it lies in on 168-square-kilometer property, and these porphyry projects are large projects.
What we hope to do is get a major mining company interested in coming in to assist in the further development of those large copper, gold, moly porphyry projects.
Jackson: Willem, we've talked about the latent material in the ground. What about the relationship that management and the technical team's expertise have for the task at hand, and their ability to secure permits.
Fuchter: Most of the executive management is resident in Argentina, and that certainly helps with the relationships we have, both with provincial authorities, as well as with federal government officials. But I think what's most important is the fact that our chairman, Hern�n Zaballa, is one of the prominent mining lawyers in Argentina. He's been on the boards of such companies as Barrick Gold Corp. (ABX:TSX; ABX:NYSE), Pan-American Silver and Pe�oles, from Mexico.
As well, he's done work for most of the junior explorers that have been working in Argentina over the last 20 years. As a mining lawyer, he's obviously well connected with the various authorities in the mining provinces, and Salta is one of those, as well as with the mining authorities in the federal system. That certainly makes it a lot easier as we move forward in further developing the Diablillos project.
Jackson: Willem, what is the next short-term goal for AbraPlata. When should we expect results, and what determines success?
Fuchter: We hope that the drill will be turning in late May or early June, and since some of these targets are high-grade gold targets, I think we can expect to see some pretty exciting results in June or July, of this year. This is a metal summation of gold-rich, at the bottom of a deposit, moving to gold to silver in the bulk of the project and then, silver to gold. Right at the top of the deposit, it seems be silver only.
Most of the targets that we are going to be drilling are some of the deeper gold-rich targets, and I think what you might be seeing is that we might be moving this project from a silver project with a strong PEA, indicating robust economics, to a gold-rich deposit with a silver cap.
So we're really excited with the future possibilities for this project.
Jackson: Willem, if we don't achieve the results we're looking for, what's Plan B?
Fuchter: First of all, I think we can expect the results we're looking for, because there's already one or two drill holes that have intercepted some of these gold-rich zones, and they indicate grades of up to 17 grams per ton gold over 10 meters. I'm not too concerned about not being able to meet expectations.
Nevertheless, the PEA, in its own right, which is based upon the current information, indicates really robust economics, as we've been talking.
Second, we're already talking to some midyear silver producers, to see if they can assist with the construction and operating phases of a project within the next two years.
Jackson: Last question, sir: What did I forget to ask?
Fuchter: Well, our goal is completing the prefeasibility study, and to accomplish that, we're going to need capital. So we have just opened up a private placement financing, and we're offering units, at $0.20, with each unit comprising a share and a full warrant, exercisable at $0.30 cents, for three years.
Jackson: For someone who wants to get more information regarding AbraPlata Resource Corp., please share the contact details.
Fuchter: Please look at our website, which is at www.abraplata.com.
Jackson: Thanks. Please visit our website www.provenandprobable.com, where we interview the most respected names in the natural resource space. You may reach us at [email protected]
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1) Willem Fuchter: I, or members of my immediate household or family, own shares of the following companies mentioned in this article: AbraPlata. I personally am, or members of my immediate household or family are, paid by the following companies mentioned in this article: AbraPlata.
2) Maurice Jackson: I, or members of my immediate household or family, own shares of the following companies mentioned in this article: AbraPlata. I personally am, or members of my immediate household or family are, paid by the following companies mentioned in this article: None. My company has a financial relationship with the following companies mentioned in this article: AbraPlata is a sponsor of Proven and Probable. Proven and Probable disclosures are listed below.
6) From time to time, Streetwise Reports LLC and its directors, officers, employees or members of their families, as well as persons interviewed for articles and interviews on the site, may have a long or short position in securities mentioned. Directors, officers, employees or members of their immediate families are prohibited from making purchases and/or sales of those securities in the open market or otherwise from the time of the interview or the decision to write an article, until one week after the publication of the interview or article. As of the date of this interview, officers and/or employees of Streetwise Reports LLC (including members of their household) own securities of AbraPlata, a company mentioned in this article.
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Cirencester Tennis Club is a great place for junior players, whether you are an aspiring Wimbledon champion or just looking to enjoy the game. All ages and standards of player are welcome! Junior membership is £54 for juniors under 19 on 1 January 2019 and £37 for children under 10 on 1 January 2019. Please Scroll down to bottom of page for more information on junior membership, news letters and policies.
This year's Junior Mira Tournament was held on 9th September, the sun was shining and we had a wonderful group of hugely enthusiastic players ranging from 7 – 15 years old. Not only did they play some fabulous tennis, but impressed us enormously with the consideration they showed towards each other on court, whatever the level of play or age of their partner / opponents. They should all be very proud of themselves. We were treated to some great rallies and excellent serving; so fantastic to see the juniors putting into practice the skills they learn in their lessons. This year's winners were Ben Woodcock and Jess McKenzie, well played!
We would like to thank everyone who came along and supported the tournament and we hope that both the tennis and delicious cakes were enjoyed by all. Finally, and most importantly, a huge huge thank you to Jono who gave up his time to come and run the day. We couldn't have done it without you Jono, thank you!
Saturday 17th June, the sun was shining and every court was occupied by our wonderful juniors taking part in the tournament under the close eye of Jono and Zac. This was a fantastic afternoon of junior tennis played with brilliant enthusiasm and fair play with everyone showing great support to the players within their groups. Many spectators commented on the quality of play they were watching – the standard was certainly very impressive. Most importantly, all the children seemed to enjoy themselves. We would like to thank all the children for taking part in the tournament as it would not have been possible to run it without them coming along.
U8 mixed Lollie Walker – congratulations to you all!
Many thanks also to our coaches for all their input, the parents who came to support this event and to DJ Sports who so very kindly donated the prizes.
Keep practicing and we look forward to seeing you back on court for the MIRA tournament, Sunday 9th September.
The tournament was held on 3rd June 2018. Twelve competitors took part, the sun was shining and we had lots of spectators watching the juniors show off their tennis skills. A big thank you to Adam for ensuring the tournament ran smoothly. Our girl winner was Anya Pereira with runner up Decima Archer, and our boy winner was Will Pereira with runner up Archie Baker. The winners will now go on to the county finals to play for a place at Wimbledon. Good Luck in the next round!
Congratulations to James and Decima for winning this years Penny Albery Award. They have received the award for the dedication and commitment they have given to their tennis and our club.
As a junior member, you have discounted coaching rates, free access to courts (with some restrictions) and you can take part in the club ballot for Wimbledon tickets (age 9+). We hold various social events throughout the year. For competitive players there is plenty of opportunity: We enter the Aegon Junior Summer league- Stage a Road to Wimbledon competition – Run mini events.


text:
THIRLWELL, Adam
London, Cape, (2003). The advance reading copy, marked "Uncorrected Proof." Fine in wrappers. [#915628] $19
THOMAS, Rosanne Daryl
The Angel Carver
NY, Random House, (1993). The advance reading copy. Near fine in wrappers. [#913729] $19
THOMPSON, Hunter S.
Extracts from The Proud Highway
(London), Bloomsbury, (1998). The advance reading copy of the British paperback edition (one year after the American and British hardcovers). Fine in wrappers. Uncommon advance copy. [#032911] $150
Songs of the Doomed. More Notes on the Death of the American Dream
(London), Picador/Pan, (1991). The uncorrected proof copy of the first British edition of Vol. 3 of the Gonzo Papers. Wrappers slightly stained and creased; very good. Uncommon advance edition; this is the first copy we've seen. [#032913] $150
The Proud Highway
NY, Villard, (1997). An advance copy, the first issue proof, of Volume One of "The Fear and Loathing Letters," printing Thompson letters from 1955-1967. 8-1/2" x 11" sheets, tapebound in cardstock covers. Spotting/handling to covers; near fine. Date ("3/19") on front cover. There was an advance reading copy of this title in pictorial wrappers, which is common; an uncorrected proof copy in perfectbound white wrappers, which is uncommon; and this issue, preceding and scarcer than both; we've seen only one other copy of this issue offered for sale. [#031513] $450
TILGHMAN, Christopher
Mason's Retreat
NY, Random House, (1996). The hardcover advance edition of his well-received second book. Fine in a fine dust jacket, which differs in design from that of the trade edition jacket and states "Special Preview Edition" on the front panel. With promotional letter laid in. [#916929] $19
TOFFLER, Alvin
NY, Random House, (1970). The uncorrected proof copy of Toffler's massively successful book naming the disorientation caused by the accelerated pace of cultural and technological change. A tall, fragile, pad-bound proof: the covers and spine have some staining and insect damage; a good copy, although the covers seem likely to detach in time. Because of the fragile nature of the proof, only a cursory search was made for textual variations from the published version, but revealed that the Acknowledgements were moved from front to rear (and the spelling changed) and a change was made to the book's dedication. A scarce state of one of the bestselling books of its time, and a book whose title became a part of the vernacular, naming a condition that is now taken for granted. [#034366] $850
TOPOR, Tom
The Codicil
NY, Hyperion, (1994). The advance reading copy. Fine in wrappers. [#916936] $19
TOTLEBEN, John, ed.
(Wilmington), (Totleben & Bissette)/[Spiderbaby Grafix], (1988). An advance copy of the first issue of Taboo, a landmark comix/graphic novel anthology, inscribed by the editor (Totleben), with the written note "#3.5 in 25 preview copies." Tapebound 8-1/2" x 11" galley sheets, with a handwritten "Taboo!" label on the front cover. Contributions by Clive Barker, S. Clay Wilson, Alan Moore, Chester Brown, Charles Burns, Eddie Campbell, Charles Vess, Dave Sim, and others. Taboo published edgier graphic fiction than could be done by mainstream presses, including Alan Moore and Chester Brown's From Hell, and work by Charles Burns, famous for his later graphic novel Black Hole. Front label lifting; ownership stamps; else fine. Together with an 8-page solicitation of contributions dated the previous year, delineating the guidelines and the vision. Again, an ownership stamp; near fine with one corner stapled. Together with the published version of the first issue, inscribed by Totleben and the publisher, Stephen Bissette, as well as Taboo 2 and Taboo 3. A notable collection, particularly with the advance copy -- a handmade production apparently limited to 25 copies but doubtless far fewer still exist. [#030703] $750
TUCK, Lily
Interviewing Matisse, or, the Woman Who Died Standing Up
NY, Knopf, 1991. The uncorrected proof copy. Fine in wrappers. [#912861] SOLD
Siam, or, the Woman Who Shot a Man
(Woodstock), Sewanee Writers' Series/Overlook Press, (1999). The uncorrected proof copy. Fine in wrappers. [#912863] $60
The Woman Who Walked on Water
NY, Riverhead Books, 1996. The uncorrected proof copy. Fine in wrappers. [#912866] $35
TYLER, Anne
Back When We Were Grownups
Breathing Lessons
NY, Knopf, 1988. The uncorrected proof copy of her Pulitzer Prize-winning novel. This is the second issue proof, with the first leaf corrected so that Tyler's previous publications are listed on the verso rather than the recto. Fine in wrappers. [#018767] SOLD
NY, Knopf, 1988. The uncorrected proof copy of this Pulitzer Prize-winning novel. This is the first issue proof, with the first leaf bound in backwards, so that "Also By Anne Tyler" appears as the first page, rather than on the verso of the first page. Publisher's notations ("Press Copy," "front page needs flipped," etc.) written all over this page. "P.C" written on front cover as well; else fine in wrappers. [#912053] $100
NY, Knopf, 1985. The uncorrected proof copy. A novel made into an award-winning movie that solidified Tyler's place as one of the foremost writers of her generation. This is the second issue proof, in red wrappers. A little surplus glue on the spine; else fine in a fine dust jacket. [#018218] $60
Markham, Penguin, 1985. The uncorrected proof of the Canadian edition of the novel that solidified Tyler's place as one of the foremost writers of her generation. Spine creasing; else fine in wrappers. [#000734] $30
Due Considerations
NY, Knopf, 2007. The uncorrected proof copy of this collection. Includes essays, reflections, criticism and reviews, introductions he wrote to others' books, art criticism, a six-page introduction, and more. A bulky text, nearly 700 pages, with shallow corner creasing to the covers; near fine in yellow wrappers, with the cover art bound in. [#029541] $60
Hugging the Shore
NY, Knopf, 1983. The uncorrected proof copy of this massive collection of essays and criticism from The New Yorker and elsewhere. Promotional sheet stapled inside the front cover and press release laid in. Fine in wrappers. [#030409] $95
My Father's Tears and Other Stories
NY, Knopf, 2009. The uncorrected proof copy of this posthumous collection. A few light spots to covers; near fine in wrappers. [#029542] $95
The Lovelorn Astronomer
(Boston), G.K. Hall and Marquis Who's Who, Inc., (1978). A poem by Updike, published as a holiday greeting card. Signed by the author. Fine, with original (unused) mailing envelope. Together with a presumed proof copy, with the copyright notice handwritten (in an unknown hand) rather than printed on the rear cover. Also fine. Both housed together in a G.K. Hall envelope. A scarce ephemeral piece, especially uncommon signed, and notably rare in the variant with the handwritten copyright notice. [#031524] $1,500
Toward the End of Time
NY, Knopf, 1997. The uncorrected proof copy of this novel that was initially published to mixed reviews: Margaret Atwood, in The New York Times Book Review, loved it; David Foster Wallace, a self-proclaimed Updike fan, wrote a scathing review of it in The New York Observer. Fine in wrappers. [#912111] $70
VACHSS, Andrew
NY, Knopf, 1991. Crime fiction. The uncorrected proof copy. Fine in wrappers. [#915656] $19
NY, Knopf, 1993. The advance reading copy. Crime fiction from the killer's point of view. Tiny spot to foredge, else fine in wrappers. [#915657] $19
VALDES-RODRIGUEZ, Alisa
Playing with Boys
NY, St. Martin's, (2004). The advance reading copy. Fine in wrappers. [#916949] $19
VIZINCZEY, Stephen
An Innocent Millionaire
Boston/NY, Atlantic Monthly Press, (1983). The advance reading copy of the first American edition. Fine in wrappers. [#914350] $19
Timequake
London, Jonathan Cape, (1997). The advance reading copy of the first British edition. Fine in wrappers. [#011047] SOLD
NY, Putnam, (1997). The advance reading copy of this novel in which Vonnegut and his fictional alter-ego, Kilgore Trout, each touch on stories they would have liked to have told and, in doing so, tell another, about the whole in life being the sum of the parts one attends to. Fine in wrappers. [#007237] $40
WAKEFIELD, Dan
All Her Children
Garden City, Doubleday, 1976. The uncorrected proof copy of an account of the making of the popular TV soap opera, All My Children, and because of the popularity of the show one of Wakefield's best-loved books, albeit not one of his most well-known in the literary community. Inscribed by the author. Glue shadows on the front cover from a removed label (laid in); near fine in tall wrappers. [#013027] $60
NY, Delacorte/Seymour Lawrence, (1973). The uncorrected proof copy of his second novel. Inscribed by the author. Near fine in edge-sunned tall wrappers. Uncommon. [#013025] $60
Good Night Willie Lee, I'll See You in the Morning
NY, Dial, (1978). The uncorrected proof copy of her third poetry collection, and the book preceding her Pulitzer Prize- and National Book Award-winning novel The Color Purple. Cardstock covers bound with a black tape spine, a format that suggests few were created. Slightly dusty with a small rear corner crease; else fine. [#020063] $750
Living by the Word
NY, Harcourt Brace Jovanovich, (1988). Uncorrected proof copy of this collection of short prose pieces, with publisher's annotations ("Press Copy," etc.) on the front cover and first blank. This is the first state proof, with thicker, less crisp lettering on the spine. Fine. [#005580] $30
WALLACE, Michele
Black Macho and the Myth of the Super Woman
NY, Dial, (1979). The uncorrected proof copy. Inscribed by the author in 1978. Fine in wrappers. [#000355] $40
WALLER, Robert James
Slow Waltz in Cedar Bend
(NY), Warner, (1993). The advance reading copy. Smudges to lower edge of the text block; near fine in self-wrappers. [#915665] $19
WALTERS, Minette
(London), Macmillan, (1995). The limited advance reading copy. One of 1001 numbered copies signed by the author. Fine in wrappers. [#913472] $30
The Sculptress
[London], Macmillan, (1994). An advance reading excerpt of the paperback edition of her second book. Published to coincide with the hardcover release of The Scold's Bridle. Prints Chapter One. Fine in stapled wrappers. [#913468] $45
NY, St. Martin's, (1993). The advance reading copy of the first American edition of her second book. Fine in wrappers. [#913469] $19
WATERS, Frank
Book of the Hopi
NY, Viking, (1963). The uncorrected proof copy in comb-bound printed cardstock covers of this landmark volume relating the worldview of the Hopis, as compiled by Waters from the tales of thirty Hopi elders. A matter of some controversy in later years -- some people questioned the authenticity of the material or the qualifications of those who provided it -- this book nonetheless was profoundly influential in the Sixties, as another of the seminal volumes bringing some version of a Native American perspective and ethos to the mainstream society: this was a counterculture classic and a staple on college campuses in the late Sixties and early Seventies, thus contributing to the general push toward a more multicultural society. Waters' father was reportedly part Cheyenne, and Waters was an ardent admirer of, and advocate for, the values of Native American culture. A bit of corner creasing and dust soiling to covers; near fine. [#002732] $1,250
WATSON, Brad
The Heaven of Mercury
NY, Norton, (2002). The advance reading copy. Signed by the author. Fine in wrappers. [#916974] $19
WEAVER, Michael
(NY), Time Warner, (1993). The advance reading copy. Fine in wrappers. [#913731] $19
WEIGL, Bruce
The Circle of Hanh
NY, Grove Press, (2000). The uncorrected proof copy of the poet's memoir of his time in Vietnam. Several of Weigl's highly acclaimed books of poetry have focused on his experiences in Vietnam, and he has also translated Vietnamese literature into English. Unmarked, but from the library of Philip Caputo. Near fine in wrappers. [#033948] SOLD
WELCH, James
The Death of Jim Loney
NY, Harper & Row, (1979). The uncorrected proof copy of his second novel. Pages reproduce copy editor's corrections. Very good in wrappers. [#003284] $115
The Indian Lawyer
NY, Norton, (1990). The uncorrected proof copy of his fourth novel. Signed by the author. Some fading and staining to covers; very good in wrappers. [#025820] $95
NY, Norton, (1990). The uncorrected proof copy of his fourth novel. Inscribed by the author. The faintest of spine fading; still fine in wrappers. [#025821] $135
WELSH, Irvine
London, Secker & Warburg, (1993). The uncorrected proof copy of his first novel, acclaimed upon publication and later the basis for the phenomenally successful movie that became a cultural milestone of the 1990s. The first edition of this book is scarce -- preceding the movie and its associated cultural uproar by a couple of years, it was issued in a hardcover edition reported at only 600 copies; the proof is many times scarcer; we have seen it only a handful of times. This copy is signed by Welsh. Shallow corner creases; very near fine in wrappers. [#911191] $3,500
WESTMORELAND, Timothy A.
Good as Any
NY, Harcourt, (2002). The uncorrected proof copy. Fine in wrappers. [#913733] $19
WHARTON, William
London, Cape, (1979). The proof of the British edition of the author's pseudonymous first book, which won the National Book Award for best first novel. Fine in a near fine proof dust jacket. [#014331] $60
WHEELER, Kate
Not Where I Started From
Boston/NY, Houghton Mifflin, 1993. An advance excerpt printing three stories from the author's first book. Fine in stapled wrappers. The contents page lists a different story selection, in a different order, from what was eventually published. [#916987] $19
WHISNANT, Luke
Watching TV with the Red Chinese
Chapel Hill, Algonquin Books, 1992. The advance reading copy of his first novel. Slight rubbing to edges, else fine in wrappers. [#915698] $19
Poems and Sketches of E.B. White
NY, Harper & Row, (1981). The uncorrected proof of this compilation of pieces, many of them never collected before. White was a longtime writer for The New Yorker, and his intelligent, humane and understated essays helped define that magazine's literary style over more than three decades, setting it apart from the other mass-circulation journals of its time. Fine in wrappers. [#016069] $40
WILCKEN, Hugo
(London), Flamingo, (2001). The advance reading copy. Fine in wrappers. [#916993] $19
WILEY, Richard
WILLARD, Nancy
Sister Water
NY, Knopf, 1993. The uncorrected proof copy. A couple tiny spots and a small corner crease; very near fine in wrappers. [#914372] SOLD
WINEGARDNER, Mark
Crooked River Burning
NY, Harcourt, (2001). An advance reading excerpt. Fine in stapled wrappers. [#913502] $19
WOLFE, Michael
The Chinese Fire Drill
NY, Harper & Row, (1975). The uncorrected proof copy of his third suspense novel set in Vietnam, and the least common of the author's novels. Fine in wrappers. [#014684] $60
From Bauhaus to Our House
NY, Farrar, Straus & Giroux, (1981). The uncorrected proof copy of this critique of modern architecture, in the same vein as the author's assault on Modern Art in The Painted Word. Tiny horizontal crease to spine; else fine in wrappers. [#014956] $40
Printer's Sample Pages for The Right Stuff
(n.p.), (Farrar Straus Giroux), (1973). The printer's sample pages. One sheet, folded in half, printing three pages of text, numbered pp. 3, 56-57, but with contiguous text; the fourth page lists type and setup specifications. Fine. Unusual publisher's ephemera of a sort that seldom reaches the market. [#013464] $40
WOLFF, Tobias
NY, Knopf, 2004. The uncorrected proof copy of this novel, billed as his first, discounting Ugly Rumours, which was published in London in 1975. Signed by the author. Fine in wrappers. [#915728] $100
WOODS, Stuart
New York Dead
Santa Fe Rules
WOZENCRAFT, Kim
Notes from the Country Club
Boston, Houghton Mifflin, 1993. The advance reading copy. Fine in self-wrappers. [#915732] $19
YARBROUGH, Steve
Visible Spirits
NY, Knopf, 2001. The uncorrected proof copy. Signed by the author. Fine in wrappers, with promotional material laid in. [#915739] $19
YATES, Richard
Young Hearts Crying
(NY), Delacorte, (1984). The uncorrected proof copy of his next-to-last novel. Uncommon, especially compared to the proof of his preceding novel, Liars in Love. Tiny numbers in the upper corner of about a half dozen pages throughout the book seem to be marking some kind of countdown (+:22, -2:00, -1:50, -1:30, -1:20, -1:00). The number 10 is written on the spine crown; handling apparent to covers, otherwise a near fine copy in wrappers. [#032840] $75
YGLESIAS, Rafael
YUNQUÉ, Edgardo Vega
No Matter How Much You Promise to Cook or Pay the Rent You Blew It Cauze Bill Bailey Ain't Never Coming Home Again
NY, Farrar Straus Giroux, (2003). The advance reading copy. Fine in wrappers. [#915742] $19

redpajama_set_name: RedPajamaCommonCrawl


text:
Alberta AB
T5Y3X6
Customer Reviews for HighEnd Convenience
(Concessionnaire U-Haul dans le voisinage)
6504 170 Ave NW Edmonton, AB T5Y3X6
Heures d'ouverture de l'établissement
Lun - dim : 8h am à 9h pm
Services dans cet établissement :
Icône de camion de déménagement Camions de déménagement
Icône de camion de déménagement
Icône de remorque
6504 170 Ave NW
Edmonton, AB T5Y3X6
Testimonials From Recent Customers
Les commentaires de nos clients sont extrêmement importants pour nous. Nous en tenons compte pour guider nos efforts et améliorer notre service. Tout ce qui suit vient directement de la part de nos clients, sans filtre ni modification.
All Services (42)
Camion (42)
Les commentaires sans texte sont cachés. Afficher affichés. Ne pas les afficher
Évaluation :
I didn't know it would be charged in US funds.
Rosalea W.  (1/12/2022)
Le client n'a pas laissé de commentaire.
Tomas R.  (11/27/2021)
Your website sucks, switched me over to another location without me knowing. I also opted out of the insurance for $30 and ended up being charged for it. The website isn't easy, too much upselling.
Albert K.  (11/22/2021)
It was a busy location but didn't really feel like more staff was nessiary. Staff member who helped me was patient kind and healpful with last minute rental. The truck dash was dirty was only real complaint and only for fear of being stuck with extra cleaning bill really but of course civic .but nothing super bad mostly dusty and dirty cup holder
Ashley A.  (11/17/2021)
Everything was good. I am not used to drive with imperial odometer and in Canada people usually drive vehicle with metric odometer. Needs to calculate speed in km to stay within allowing limit.
Varinder A.  (11/14/2021)
Overall a good experience, quick service and were very fair with what I was charged after I overfilled with fuel. Inside of truck cab could have been cleaner, there were used masks and tissues and smelled like cigarette smoke.
Patrick C.  (11/7/2021)
When the truck says 0,99 it should be in km not SURPISE we're charging you for miles because the truck is in miles. And I called and asked what the deposit was and was told no deposit or credit card and when I got there there was a 150$ charge on my card. And 1,59 a MILE. it's I'm in Canada and vehicle should be changed over. Ya I should have noticed but was not told about miles. Not impressed 250$ later when i only went about 100 km or less.
Nancy S.  (10/31/2021)
Luis T.  (10/6/2021)
I think an estimate of miles per gallon for running the truck at highway speed would help to buy the gas for fill up
Douglas P.  (10/2/2021)
Paul C.  (9/23/2021)
Very bad location very bad people he was so rude He doesn't has any experience. I wait more than 30 minutes to got the truck. This is last time I rent with you.
Majd I.  (9/20/2021)
Reece B.  (9/13/2021)
Arthur L.  (9/9/2021)
Worst customer service ever . Trying to charge me for 3 days when I booked for days . Had the rental for 26 hours . Also tried to charge me for someone else's booking when I had the truck back before the next rental . This location sucks
Michael D.  (8/31/2021)
Allan P.  (8/30/2021)
Process was easy. Convenient location.
Maria M.  (8/14/2021)
Matthew H.  (8/12/2021)
Better signage showing that it's a U Haul business. You cans barely see the small sign on window. Cashier should also refrain from being on the phone while dealing with customer. Very rude
Aneta P.  (7/30/2021)
The truck was dirty, the temperature the day I rented the truck was 40 degrees Pulse and the air condition was not working. I had to pick the truck up at a convenience store and not a regular U Haul location. Still have not received my receipt
Gordon C.  (7/3/2021)
They are a "third party" location and will serve their customers first, even if you wait in line. They will make you wait until the store is empty. Had to leave and come back to return vehicle, waited 10 minutes in line and then was told I had to wait longer until all their personal customers were served.
Jessica A.  (6/19/2021)
GEORGE M.  (4/20/2021)
Diplom Y.  (4/13/2021)
The unit was clean in the cab although there was a partial bag of dog food in the cab and a significant smell of smoke. When I got the van home and opened the back, it had what appeared to be tree and straw debris and smelled like manure. After I swept the back out then blew it out and sprayed air freshener many times I was able to start loaded, but the smells in the cab and cargo area persisted. I did notify management as soon as I observed the back of the van and upon return I did receive a slight discount, although initially that was not the owners first choice.
Lolyd L.  (3/26/2021)
Friendly staff! Clean location!
Michaela F.  (2/5/2021)
ROBERT K.  (1/30/2021)
Ordered furniture pads, utility dolly, and furniture dolly but were not in uhaul when I picked it up. Had to return to location but they only had utility dolly. The clerk was friendly but seemed to have no idea what I ordered.
Corey C.  (1/19/2021)
The person that helped me to receive the truck is a good ambassador for U-Haul . The person that helped with the return was also very good and efficient.
Ernest M.  (10/16/2020)
When talking to dispatch, we were supposed to be able to pick up the uhaul truck at 8am and confirmed twice with the rep that it would be open at 8am. We sat in the parking lot until 9am when the store actually opened. The phone line to call, etc, was busy for up to 20 minutes when I called from the parking lot to try and determine how to pick the truck up. I then was transferred from one agent to another and sat on hold for another 20 minutes. Very poor communication and ability to speak with an agent.
Charles C.  (10/13/2020)
Uhaul messed with my reservation twice in one day
Nazheef G.  (8/23/2020)
More signage showing where the location for Uhaul is.
Deniel A.  (8/22/2020)
Denise B.  (6/7/2020)
Joseph L.  (5/23/2020)
Joseph L.  (5/5/2020)
Kevin S.  (4/14/2020)
Unfortunately our experience yesterday was brutal from start to finish. Our pick up originally was booked for 11 am at the 24/7 location south east Edmonton. There was no truck available when we arrived. The associate told us that we need to go to the other side of the city (north west) to pick up a truck as that was the only one available. We got on the phone with a representative from Uhaul that ensured us we would get a $50 credit and 50 free kilometres for our trouble. When we arrived at the north location the associate had no idea how to process our contract. We were there for close to 2 hours as she had trouble with understanding English and proceeded to charge us full price. We were on the phone with a rep by the name of John who then transferred us to another rep to discuss our charges. The associate was confused, flustered and at 2 points directed her computer screen to us so we could help her complete the transaction. As we had to get back to the other side of town to do a move I signed off on a contract as she didn't know how to fix it. We were blown away at the lack of professionalism and lack of knowledge she had to complete what should have been a simple 10 minuite transaction. When we returned the truck that evening(to the north side) the new associate said he was charging an additional $200 for mileage. Come Monday morning I will be calling Uhaul as I have no idea what kind of charges will be on my visa. This was a total nightmare experience from beginning to end. Theresa Crawley
Theresa C.  (3/29/2020)
Sukhdeep S.  (1/21/2020)
Hello, the representative that dealt with this service was horrid. I arrived early to pick up the truck and left 30mins later, I arrived early to drop off the truck and waited nearly 30 minutes to be told I would receive a call. I was called three different times and each time I was put on hold or hung up on by the representative. I was overcharged for a dolly and pads that I never received the truck was entirely empty and the representative was the one who took these items off and I was informed I would not be charged for them. Please rectify this issue.
Ochuko O.  (11/30/2019)
seamus J.  (9/8/2019)
My request was to pick up a van in my city, Ft Saskatchewan AB. The original request went through and I was told this would be the pick up and delivery location. When I checked in on the website, the location was changed to another city location 40 Km away. I had to pay extra for 80 Km travel just to pick up and deliver the van. When I arrived, the person running the convenience store had very little idea what they were doing. They also had to stop every few minutes to wait on convenience store customers. The whole system is pretty much a failure to me and I will be trying to avoid ever using U-Haul again.
Lynd F.  (9/4/2019)
Some of the attendants down not know what they're doing. . The first day I went to book for reservation, I could not be help and was blamed on Uhaul system. After getting it done the second day, I had a confirmation but the day I went for the vehicle, it took the lady extra 40 mins before I could get the vehicle and I was late for what I needed it for. Poor servives
Maxwell A.  (8/15/2019)
I would absolutely recommend this location to anyone. Super friendly, very helpful, and knowledgeable staff.
TANYA G.  (5/30/2019)
Ron B.  (3/31/2019)
Non les évaluations ont été soumises pour cet établissement.
Services supplémentaires à cet emplacement
Nous avons la plus grande sélection de camions neufs!
Nos remorques fermées et ouvertes sont offertes à partir de 14,95 $!


Why Let Snoring Ruin your Vacation… or Your Life?
Sleep quality is an important factor in having an enjoyable, restful and safe holiday. How many times do you hear someone say they were exhausted when they got home from their vacation?
Summer travel peak is here – a time to hit the road and enjoy the adventure you've planned for months on that new elektroroller unu scooter. It´s probably be the best way for transportation. This also equates to more cars, driving long distances, increased stress, family pressures, shared and unfamiliar accommodation, and poor sleep so make sure you check out the plantwear site to make sure you have the best accessories to travel.
Besides putting a damper on the holiday, these are some factors that can lead to daytime fatigue and the increased risk of an accident. The threat of driver fatigue is compounded for those who suffer from sleep disordered breathing like snoring and sleep apnea. In Canada driver fatigue kills over 400 people, while in the US there are about 56,000 sleep related road accidents that kill over 1,500 people every year (NTSA).
The snoring problem; having to bunk up with someone that snores is not a comfortable experience for all those sharing the room, trailer or tent. The person that snores may be self-conscious about keeping everyone awake, so he/she won't sleep well, while those having to put up with the snoring noise are also going to have poor sleep as well. Many people who snore don't go on holiday in the first place, because they don't want to disturb the sleep of others.
There are many snoring solutions that vary in effectiveness, comfort and cost. If you are considering camping, make sure the device is portable, easy to keep clean (sanitize), and even discrete for those who are self-conscious. Research your options for treating snoring, and make sure you try and get accustom to the anti-snoring device before you venture off on vacation.
Many people that snore have obstructive sleep apnea (OSA), a condition where a person repeatedly stops breathing during sleep. These stop breathing episodes (apneic events) are typically followed by gasping as the person subconsciously awakes to take a breath. There are a number of therapies to treat Sleep Apnea sufferers that typically include CPAP (Continuous Positive Airway Pressure), oral appliances, and surgery. CPAP is well proven, but is not the easiest device to lug around on your travels. The oral appliances vary; the dental 'jaw' advancement devices needing special fitting, while the tongue stabilizing device (TSD) is simple to fit and inexpensive.
Sleep deprivation and fatigue can be minimized on your holiday. You can improve the quality of your sleep on your vacation by being well prepared. Consider the following suggestions; take your favourite pillow, reserve a campsite away from noise and lights, plan to eat meals a few hours before sleep, reduce/eliminate alcohol, and even resort to earplugs. To reduce driver fatigue, be well rested and take a 'driver break' every two hours. Even consider a "20 minute power nap can boost your energy… improve your driving skills and alertness" New Zealand's Accident Compensation Corporation.
Relax, enjoy your vacation and don't drive when tired – becoming a statistic is not a great way to end a holiday.


text:
Rachel Weisz battles a rainstorm in a green hooded coat as she films scenes for the gender-swapped remake of Dead Ringers in NYC
By Sarah Abraham For Dailymail.com
Rachel Weisz was pictured on the set of the gender-swapped TV remake of Dead Ringers in New York City on Monday.
The Constant Gardener star, 51, braved a torrential downpour which looked to be created by production, while filming an emotional scene for the Amazon series.
Dead Ringers is a re-imagining of the 1988 cult thriller, which starred Jeremy Irons, and will mark Weisz's first leading role in a television series.
TV magic: The Constant Gardener star, 51, braved a torrential downpour created by production, to film an emotional scene outside of a church
A drenched Weisz was seen in a green coat and black pants with white sneakers outside of a church in downtown Manhattan.
Looking forlorn for the scene, she ran her hands along the gate while walking with her head down.
Sarah Jessica Parker and Chris Noth film And Just Like That... Anya Taylor-Joy is Dior's new global ambassador for fashion... Former Playmate lifts the lid on Hugh Hefner's infamous... Christina Haack cuddles up to fiance Joshua Hall at...
Extras with umbrellas were pictured behind her to give the impression that it was storming in NYC.
The wife of Daniel Craig was seen re-setting in between a few takes at which point the rain would stop.
Moody: A drenched Weisz was seen in a green slicker and black pants with white sneakers outside of a church in downtown Manhattan
Soaked: The actress looked deep in her emotions while doing a few takes of the scene
Full production: Extras with umbrellas were pictured behind her to give the impression that it was storming in NYC
Production on Dead Ringers has been underway for several months, and is expected to wrap in December.
The project has been given a code name 'Larry's Diner' on a few film notices spotted around the city.
In the series Weisz will play the gender-swapped version of The Mantle Twins, a role originally played by Jeremy Irons in the David Cronenberg movie.
Originator: The idea to do a re-imagining of the cult movie came from Weisz and it began development back in 2018
Coming soon: In the series Weisz will play the gender-swapped version of The Mantle Twins, a role originally played by Jeremy Irons (pictured) in the David Cronenberg movie
In the re-imagining the identical twins are OB-gyns on a mission to change the way women birth using unethical medical means and illegal research.
In their personal lives the twins take advantage of their identical nature and share everything including lovers, and generally push the boundaries on all aspects of life.
The idea for the re-imagining came directly from Weisz who then teamed up with Normal People writer Alice Birch for an Annapurna production.
With her love: Weisz with husband Daniel Craig at the Night of Opportunity Gala, New York, in April 2018
Rachel Weisz braves torrential rain as she films on the set of Dead Ringers
Shop our favorite Women's Shoes finds at great prices.
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Shop the best selection of deals on Food Storage now.


text:
Q: How to return value from stored procedure I have a MySql procedure that gets some input arguments and as a result selects a single value like this:
declare rez int;
///
...some other code...
///
select rez;

Now, i want to call that stored procedure from another stored procedure and obtain "selected" value. I tried something like this:
declare myVar int;
set myVar = call existingStoredProcedure();

but it won't do. How should i do this? I was googling for the solution and all solutions i found begin with something like "create >existingStoredProcedure< with OUT param". For me that's not an option - "existingStoredProcedure" can't be changed as it's being used in many parts of the application so adding another parameter would ask for a lot of changes i presume.
Is there a way to return a value without adding "out" parameter? I'm a Java programmer so it would be very nice if mysql stored procedure could just "return" selected rows and values to any entity that placed a call :)

A: If a procedure just executes a select statement, then you can read the results into an instance of ResultSet.
CallableStatement cst = con.prepareCall( "{call sql_procedureName()}" );
ResultSet rs = cst.executeQuery();

Working Example:
Let us say, you have a stored procedure that returns current date and current day name.
drop procedure if exists today;
create procedure today()
    select @dt:=current_date as today, dayname( @dt ) as dayname;

Now, call the same from JAVA program.
CallableStatement cst = con.prepareCall( "{call today()}" );

ResultSet rs = cst.executeQuery();
ResultSetMetaData  rsmd = rs.getMetaData();
int columnCount = rsmd.getColumnCount();
System.out.println( "Column Count: " + columnCount );
for ( int i = 1; i <= columnCount; i++ ) {
    System.out.print( ( i == 1 ? "Column Names: " : ", " )
                        + rsmd.getColumnLabel( i ) );
} // for each column
System.out.println();

int rowNumber = 1;
while( rs.next() ) {
    for ( int i = 1; i <= columnCount; i++ ) {
        System.out.print( ( i == 1 ? ( "Record " + rowNumber++ + ": " ) : ", " )
                         + rsmd.getColumnLabel( i ) + ": " + rs.getString( i ) );
    } // for each column
    System.out.println();
} // while rs

Output:
Column Count: 2
Column Names: today, dayname
Record 1: today: 2014-04-03, dayname: Thursday

Refer to:

*

*java.sql.CallableStatement

*

*A CallableStatement can return one ResultSet object or multiple
ResultSet objects.

redpajama_set_name: RedPajamaStackExchange


text:
Council makes U-turn over website listings
Even as it was drafting its new customer service action plan, the City of Victoria was dropping names and contact information for department heads from its revamped website.
It's a decision that will now apparently be reversed after questions were raised by the Times Colonist.
But the city's director of communications initially explained in an email that no longer listing department heads would provide more efficient customer service.
"When we moved to the new site in late February, we reviewed customer feedback that [people] want to connect to operational staff faster, with fewer steps," Katie Josephson said.
She said few emails were sent to directors through the site, and the queries were often better directed to their respective service areas. "For example, if a resident has a query about garbage, parking or a street light, which is the majority of queries, the appropriate contact is the service area."
As a result, she said, contact information for main service areas is more comprehensive on the new site. "We also recognize each department is different in their customer needs, so in some areas direct contact information is noted for specific positions."
If someone looked under the "contact us" tab on the city's website before the change, they would have found, under the heading of City Manager's Office, names, individual phone listings and emails for city manager Gail Stephens and other senior staff members. After the change, they would have found "City Manager's Office: 250-361-0202."
Many city councillors, some of whom list their home phone numbers on the city website, were unaware of the change when contacted by the Times Colonist.
Coun. Marianne Alto, who has her office and cellphone numbers on the website, and has been the driving force behind the city's open data initiative, said she understands why the changes were made. "But it is a public body and the leadership of a public body needs to be identified. I don't have any reservations about that at all."
Coun. Geoff Young, who lists his home, office, mobile and city hall numbers on the website, said service staff should be able to handle most calls dealing with garbage collection or burnt-out street lights, but it makes sense to at least list names of department heads.
"I've always been in the [phone] book and I have found that people are generally modest in their demands for service," Young said, adding with a chuckle, "I certainly hope we don't get a situation where [people are] calling us instead of the department heads."
In her email, Josephson said there had been no negative feedback about the change. But Alto later said that after consulting with senior staff, the city has decided to restore the listings.
The city's plan to improve service for residents, businesses, builders and developers was outlined by Mayor Dean Fortin Tuesday at a meeting of the Greater Victoria Chamber of Commerce at the Hotel Grand Pacific.
More than 200,000 people work or visit Victoria each day and the city should streamline how it serves them, said Fortin. "Recognizing how you do business is as important as the business that you do."
A key change will be the creation of a one-stop service counter at city hall where staff can effectively serve the business and development community, Fortin said. bcleverley@timescolonist.com


text:
Posts Tagged 'The Last Ship'
The Flickcast 301: Batman Is the New Cowbell
by The Flickcast, Sep 12 2015 // 10:00 AM
That's right, it's time for an all-new episode of The Flickcast! Finally. We had some issues this week. What are you gonna do? At least it's out now, so enjoy!
On this week's show Chris and Joe get down to the end. Well, the end of a couple TV shows anyway with the season finales of The Last Ship and the much-discussed Mr. Robot. There's also some talk about the new The Force Awakens teaser, Star Wars in general, the need for more Batman in the next Superman movie, the genius of Jack Kirby and a whole lot more.
Picks this week include Chris' pick of the book Kirby: King of Comics and Joe's pick of the new album from the band Spock's Beard.
As always, if you have comments, questions, critiques, offers of sponsorship, or whatever, feel free to hit us up in the comments, on Twitter, at Facebook, Google+ or via email.
Posted in: News · Podcasts
Tagged: Batman vs. Superman: Dawn of Justice, Ben Affleck, Books, Comics, fsociety, J.J. Abrams, Jack Kirby, Kirby: King of Comics, Mark Evanier, Movies, Mr. Robot, Music, Podcasts, Rami Malek, Stan Lee, Star Wars, The Force Awakens, The Last Ship, TV, USA
The Flickcast 300: This. Is. The Flickcast!
by The Flickcast, Sep 2 2015 // 6:00 PM
It's time for an all-new episode of The Flickcast! And it's a special one. It's our 300th episode.! We know, right?
On this week's show Chris and Joe don't really do anything special to commemorate the 300th episode, but they do discuss all sorts of new and recurring topics. Some of these topics include Fear the Walking Dead, The Last Ship, Mr. Robot, the upcoming Shannara Chronicles, Netflix and Hulu, Strike Back and the tragic death of director and horror icon Wes Craven. There's also the usual more.
Picks this week include Chris' pick of the Wes Craven classic Scream and Joe's pick of the novel The Martian, soon to be a major motion picture.
Tagged: AMC, Billy Loomis, Fear the Walking Dead, Horror, Kevin Williamson, Matt Damon, Movies, Mr. Robot, MTV, Neve Campbell, Nightmare on Elm Street, Podcasts, Robert Englund, Robert Kirkman, Scream, Shannara Chronicles, Skeet Ulrich, The Last Ship, The Martian, TNT, TV, Wes Craven
The Flickcast 298: More Human Than Human
by The Flickcast, Aug 13 2015 // 6:00 PM
It's time for an all-new episode of The Flickcast! Finally, right? Yeah, we know. Next week we'll get back on track again. Promise.
Putting our tardiness aside, on this week's show Chris and Joe discuss all sorts of new and recurring topics, per usual. Some of these topics include Mission Impossible: Rogue Nation, Josh Trank and The Fantastic Four, Constantine's appearance on next season of Arrow, The Last Ship season 3, the upcoming Westworld series on HBO, still more about the guy's current favorite TV show you should be watching, Mr. Robot, and a whole lot more, more more.
Picks this week include Chris' pick of the home video release of Mad Max: Fury Road and Joe's pick of the ever-amazing LEGO creative building sets.
Tagged: Anthony Hopkins, Arrow, Charlize Theron, Ed Harris, Fantastic Four, George Miller, HBO, J.J. Abrams, Josh Trank, Mad Max, Mad Max: Fury Road, Marvel, Michael Bay, Michael Crichton, Movies, Podcasts, Stephen Amell, The CW, The Last Ship, Tom Hardy, TV, Yul Brenner
'The Last Ship' Launches a New Season Two Trailer
by Stephanie Coats, Apr 6 2015 // 11:14 AM
Stars and the executive producers from TNT's The Last Ship treated fans to an exclusive new trailer at WonderCon this weekend and unveiled key art for the upcoming second season. The show was basic cable's #1 new series last year and TNT is hoping for a strong repeat with the new season as well.
Based on William Brinkley's novel, The Last Ship chronicles the aftermath of a global catastrophe that nearly wipes out the world's population. Captain Tom Chandler's (Eric Dane) Navy destroyer was able to avoid the disaster, potentially making Chandler and his crew among the last humans on earth. In its first season, the show reached an average of 14.5 million viewers across all platforms.
At WonderCon, cast members Rhona Mitra, Adam Baldwin, Travis Van Winkle, Charles Parnell, Christina Elmore, John Pyper Ferguson, and Jocko Sims filled out the panel with executive producers and showrunners Hank Steinberg and Steven Kane and fellow EP, Jack Bender.
The Last Ship will begin its second season on Sunday, June 21, with a two-hour premiere at 9 p.m. (ET/PT)
Posted in: Drama · TNT · Trailers · TV · TV Previews
Tagged: 2015, Adam Baldwin, Eric Dane, Season 2, The Last Ship, TNT, Trailer, TV, WonderCon
The Flickcast Episode 258: Equalize This!
by The Flickcast, Aug 27 2014 // 10:15 AM
We're back again with an all-new episode of The Flickcast. Be happy because it probably won't last. But for now …
On this week's show, Chris and Joe discuss and debate more Guardians of the Galaxy, James Gunn's personality, upcoming TV series like Shutter Island and The Omen, Denzel Washington's career and his upcoming Equalizer movie and the brand new season of Doctor Who.
Guess which of your favorite hosts liked the season premiere and which didn't? Not that hard to figure out. Of course, that's not all they talk about. There's also the usual "more."
Picks this week include Chris' pick of the just released D&D Player's Handbook from Wizards of the Coast and Joe's pick of the movie Locke, featuring Tom Hardy and a car.
Tagged: AD&D, Antoine Fuqua, Chloe Moritz, D&D, Denzel Washington, Doctor Who, Dungeons & Dragons, Games, Gaming, Glen Mazzara, Guardians of the Galaxy, HBO, James Gunn, Locke, Martin Scorsese, Movies, Peter Capaldi, Podcasts, Tabletop, The Equalizer, The Flickcast, The Last Ship, The Omen, Tom Hardy, TV, Wizards of the Coast


Welcome to Nestlé Professional As consumer behaviors change, people are eating and drinking out more - much more. Over the course of the next years, consumers in India will spend more than Rs. 3546 billion at restaurants*—and that number is expected to increase with every passing year. Wherever you are, an increasing proportion of every Rupee spent on food and drink is being spent out of home.
That's why we've created Nestlé Professional, a new foodservice-dedicated organization with three clear ambitions.
By bringing these things together, our goal is to become an intimate partner with our customers. Nestlé Professional will allow every foodservice professional to feel the support of the world's largest food company—a company that will offer real solutions that address your unique business challenges and opportunities, always valuing your perspective and input, so that in the end we can all work together to grow and succeed.


text:
Margaret "Meg" Wade (born 15 September 1961 in Sydney) is an Australian equestrian and endurance champion, the youngest daughter of electrical engineering manufacturer William Glenn Wade and nursing sister Betty Alice Mitchell.  Her maternal grandfather, Walter Steadford Mitchell served in the 11th Light Horse regiment during World War I.

Equestrian career
Meg Wade was the first person to win, four times, the Southern Hemisphere's premier 100 mile (160 km) endurance race, the Tom Quilty Gold Gup.  Meg Wade grew up on her parents farm at Wallacia, New South Wales and began riding at an early age, competing at local pony clubs and shows.  She was educated at Presbyterian Ladies' College, Sydney, and at Hawkesbury Agricultural College and later qualified as a helicopter pilot.  She began competing in endurance equestrian events in 1988 on 'Quillionaire' a thoroughbred she had bred and raised herself, but then began to ride Arabians.  She subsequently completed in sixty-three one-day 160 km competitions and won twenty-four of them. Wade has been 'Australian Endurance Rider of the Year' ten times and has thrice won team bronze medals at World Championships and an individual 4th placing at the 2002 World Championships. On numerous occasions she has competed on behalf of Sheikh Mohammed bin Rashid Al Maktoum Prime Minister and Vice-President of the United Arab Emirates.

She and her husband, Chris Gates, raise Angus beef cattle on a property near Albury. She also established the Castlebar Arabian Stud with a foundation breeding stock of 20 competition horses.

Her brother-in-law is the Australian historian Edward Duyker.

Riding Accident and Recovery
On Easter Sunday, 2009, while competing in a 100 kilometre ride at Tumbarumba she was thrown from her horse and was critically injured with a fractured skull.  She was subsequently airlifted to Canberra Hospital in a coma. Although she eventually regained consciousness, she spent nine months in Epworth Hospital in Melbourne recovering from Acquired Brain Injury. Her medical expenses were paid by Sheikh Mohammed bin Rashid Al Maktoum. Wade's courageous struggle to walk and ride again was chronicled by Pip Courtney in a Landline feature broadcast on ABC Television on 1 August 2010. The program also featured her first post-accident helicopter flight with the late Gary Ticehurst.

References

Further reading
Gilly Wheeler, 'Meet Meg Wade', ''Endurance World'', July/August 2001

External links
 Fitter, Further, Faster, Landline, 1 August 2010
 Castlebar Stud official website
 Wade's road to recovery

1961 births
Australian female equestrians
Living people

redpajama_set_name: RedPajamaWikipedia


text:
'FBI: International' 1×09 Review: "One Of A Kind Madman"
Home » 'FBI: International' 1×09 Review: "One Of A Kind Madman"
One thing that I love about FBI: International is the passion of this team. They don't and won't let things just pass – they are going to do everything that they can to solve and issue and sometimes it will be in conjunction with others and sometimes it will be however they need.
One thing that this team has not gotten down is using everyone for their skills and expanding upon them. It feels as though we've concentrated on Forrester and Jamie, both their personal relationship and Vo and Gaines seem to be on the sidelines.
But Gaines has had it. He wants more. He wants to do more. He wants to be more. But one has to wonder, does he know what that entails?
Do any of us?
In this episode, "The team jets to Bulgaria when terrorists hold hostage for millions in cryptocurrency a concert hall filled with multinational student performers and their families. Also, Raines is intent on proving his field skills, and Forrester receives news of their dog, Tank."
What we walked away with in this episode was more than we thought we would. We have such a deep respect for this whole crew, but Gaines, man we've got nothing but love for you.
ÒOne Kind of MadmanÓ Ð The team jets to Bulgaria when terrorists hold hostage for millions in cryptocurrency a concert hall filled with multinational student performers and their families. Also, Raines is intent on proving his field skills, and Forrester receives news of their dog, Tank, on the CBS Original series FBI: INTERNATIONAL, Tuesday, Jan. 4 (9:00-10:00 PM, ET/PT) on the CBS Television Network, and available to stream live and on demand on Paramount+*. Pictured (L-R) – Luke Kleintank as Special Agent Scott Forrester, Carter Redwood as Special Agent Andre Raines and Christiane Paul as Europol Agent Katrin Jaeger Photo: Nelly Kiss CBS©2021 CBS Broadcasting Inc. All Rights Reserved.
We've been asking for a while for more information on Gaines, more about his life, the way that he deals with things, and his whole persona. From the beginning of this episode, Gaines said that he wanted to do more, not just numbers, so we know that he's going to get his chance. But we're for that.
We're living for that.
The team heads out to Bulgaria and Forrestor is coming in hot. I think that he's partially in a state because something is wrong with Tank.
Tank is the hero of FBI: International and you can't convince me otherwise. Yes, he's a dog, but he's the best dog. And he needs immediate attention – he's got a blockage in his throat. For Forrester, this is his best friend. He looks broken, and when he says goodbye to Tank, but tells him that he needs to stay – this grown ass women broke down in tears.
Cried like a baby.
The team has to get to Bulgaria. Armed gunmen have taken over a concert that includes some young American students. You don't fuck with kids. The team is also there because the hostage takers only want to speak to the FBI.
Hostage negotiations ensued, but they don't get far. The terrorists have said that they have fitted the entire place with explosives, so even storming the place doesn't seem like a possibility. How do they protect everyone when they are at a disadvantage?
The terrorists want ten million dollars. Shit isn't chump change and easy to get. They don't want to wait and the leader wants to tell prove that he is serious so he shoots a man in cold blood in front of everyone. He wants Forrester to know that he is serious.
Two things that I will say about Forrester is he has a way of persuading people to do what he wants, but he also has a tendency to miss what is right in front of him. He's not noticed Gaines want to do more, which has been obvious. But Gaines is willing to say what he wants.
ÒOne Kind of MadmanÓ Ð The team jets to Bulgaria when terrorists hold hostage for millions in cryptocurrency a concert hall filled with multinational student performers and their families. Also, Raines is intent on proving his field skills, and Forrester receives news of their dog, Tank, on the CBS Original series FBI: INTERNATIONAL, Tuesday, Jan. 4 (9:00-10:00 PM, ET/PT) on the CBS Television Network, and available to stream live and on demand on Paramount+*. Pictured (L-R) – Carter Redwood as Special Agent Andre Raines, Heida Reed as Special Agent Jamie Kellett and Luke Kleintank as Special Agent Scott Forrester Photo: Nelly Kiss CBS©2021 CBS Broadcasting Inc. All Rights Reserved.
And so as Forrester negotiates for the wounded to be let go, he also negotiates for one of his team to head inside and make sure that everyone is okay. Gaines volunteers and my heart grew. Why? Because he spoke up, but also because for once Scott saw the eagerness in his eyes.
Gaines is great at seeing the details and when he gets inside, he's taking it all in. He also gets guarded by a terrorist that has written on his hand, I want out.
This could be the break that the team is waiting for. When Gaines and the injured are escorted out he tells the guy to run, that his team won't shoot him, they can hear everything. This man trusts him and takes off running as soon as he can.
The team talks to the man who says that it was supposed to be a kidnapping. It was not supposed to be this. He had only met the guy the night before and it was quick and easy money. It wasn't supposed to happen that they took kids hostage.
But here we are. They best laid plans and all that.
Did I mention during all of this, Jamie gets a call about tank. They've found another blockage in his intestines and he needs surgery. She knows she can't distract Forrester and makes the call for him.
They are running out of time. The Bulgarian police have a history of blood shed and their Commissioner had been on vacation, but was now in root to the standoff. He had a tendency to use methods that were extreme and didn't care about bloodshed, as long as it was handled.
Due to Jamie having a contact, they are about to figure out the man is Ivo Kostov. He went in not caring if he dies, because he is already living on borrowed time. Forrester begs the Commissioner for more time as he says that he's going to gas the place.
Umm.. why is this man taking the extreme? Forrester finally had Kostov participating and on the same page. So why is heavy handed shit the only way? I don't understand.
Forrester isn't backing down and manages negotiating 10 minutes for his team to bring this to an end before the gas is deployed. The Commissioner is a douchebag but agrees.
The thing about this team is that they know what they need to do and are going to do it. So they get in there and they take care of business. But what I am worried about is how Gaines is going to handle it because he took a life.
And that looks like it really got to him. He seems shaken and I am concerned that he's not going to be able to deal with it. Especially when he says he's going to take the train back home. Gaines is a soul that seems like it would be hard on him if something happened to someone. He doesn't seem like it would be something he could easily live with.
What I do love is that Vo makes sure that he isn't alone. She shows up at the train station and asks if he wants company.
This team is everything. They are finding their way and I can appreciate all of this. The way that all of their character arcs are evolving – I love. I am here for. FBI: International is such a big asset to this franchise and I can't wait to see where it goes.
FBI: International airs Tuesdays on CBS.
Tags cbs FBI: International TV
Works too hard. Plays too little. Wouldn't have it any other way. Head Bitch In Charge.
Lily James and Sebastian Stan Transform into Their Roles in New 'Pam & Tommy' Trailer
'Chicago Fire' 10x10 Review: "Back With A Bang"
Elizabeth Mitchell Cast In Key Role On 'FBI: International'
Amazon's 'Lord of the Rings' Series Finally Has a Title & It's Beautiful
'New Amsterdam' 4×13 Preview: "Family"
'Ordinary Joe' 1×12: "Whiteout"


text:
Schneeflöckchen, Weißröckchen (little snowflake, white little skirt) is a German christmas carol. The original version comes from  (1837–1901), who published the song in her first book in 1869.

Lyrics
Contemporary (German) version and its English translationSchneeflöckchen, Weißröckchen,
wann kommst du geschneit?
Du wohnst in den Wolken,
dein Weg ist so weit.

Komm setz dich ans Fenster,
du lieblicher Stern,
malst Blumen und Blätter,
wir haben dich gern.

Schneeflöckchen, du deckst uns
die Blümelein zu,
dann schlafen sie sicher
in himmlischer Ruh'.

Schneeflöckchen, Weißröckchen,
komm zu uns ins Tal.
Dann bau'n wir den Schneemann
und werfen den Ball.
Tiny Snowflake, little whitedress,
when are you coming snowed?
You live in the clouds
your way is so far

Come sit at the window
you lovely star
paint flowers and leaves,
we like you.

Tiny Snowflake, you cover us
the flowers,
then they sleep safely
in heavenly peace.

Tiny Snowflake, white little skirt,
come to us in the valley.
Then we'll build the snowman
and throw the ball

Compared to the original text, which consists of two stanzas, each with eight lines, the text is now usually reproduced in four four-line stanzas. Weißröckchen, a Silesian synonym for snowflake, does not appear in the original version of the text in the opening verse, only in the fourth to last line.

Melody

According to the poet's will, the song should have been sung to the melody of the song "Wir Kinder, wir haben der Freuden so viel" (We children, we have so much of joy). The text of this song by Christian Adolph Overbeck was first published in the Musen-Almanach on the year 1777. Wolfgang Amadeus Mozart set the revised text in 1791 as a song for voice and piano "Das Kinderspiel", KV 598. Another setting had been published by Karl Christian Agthe in 1782. It cannot therefore be said with absolute certainty whether Hedwig Haberkern wanted Mozart's melody for her snowflake song. Since the two known settings are art songs that are melodically and rhythmically more demanding than a simple children's song, it would also be conceivable that Hedwig Haberkern knew another, more folksong melody.

The melody common today, the composer of which is not known, has been documented in song books since 1915. However, in the first half of the 20th century, the song was spread across several different melodies. So it was sung on the melody of "" as well as on compositions by Johann André and Kurt Schläger. At the latest after the end of the Second World War, the melody known today prevailed. Occasionally – but only in post-war songbooks – the source is mentioned, that the song was brought by German colonists from Russia or from Courland.

See also
 List of Christmas carols

References

Songs about weather
Christmas in Germany
German-language Christmas carols
1869 songs
19th-century hymns in German


Nanny, a national heroine of Jamaica, was the leader of the Windward Maroons, ex-slaves living in interior communities in the eastern or windward area of Jamaica during colonial times. As such, her history is integrated with that of the Maroons, warriors fundamental to the history of resistance in the Caribbean. Next to the Guianas, Jamaica had the largest Maroon community in the British-colonized Caribbean, with Portland, St. Thomas-in-the-East, St. Mary, Trelawny, and St. Elizabeth being the parishes with the largest centers of Maroon settlement. Marronage, derived from Maroons, signifies flight to the forest or mountains (or by sea to other territories) and the formation of Maroon communities. The height of marronage activity came after 1655, when the English captured Jamaica from the Spaniards. Between 1655 and 1739, when the first Maroon War ended, Maroon Towns had been established firmly at Accompong (St. Elizabeth), Trelawny Town (the Leeward Maroons in the Cockpit country), Scott's Hall (St. Mary), and at Crawford Town, Nanny Town, and Moore Town in the Blue Mountain range of eastern Jamaica (the Windward Maroons).
Nanny has emerged as the most important female figure in the history of the liberation struggles in Jamaica. Her name (properly Nanani ) was derived from the Akan (Ghanaian) word meaning "ancestress" and "mother," and this establishes her ethnic origin. It is widely believed that she was born in Africa in the late seventeenth century and was transported to Jamaica with captives via the transatlantic trade. There are differing views about whether or not she arrived in Jamaica as an enslaved woman or as a free black woman with enslaved people of her own. Some say she was married to Cudjoe, a Maroon leader, others to a man named Adou. Nanny's exploits in eastern Jamaica in the eighteenth century are both real and legendary, although, as a historical figure, she has more visibility than the majority of black women in pre-emancipation Jamaica. For some, she exists as a shadowy, mythical figure with supernatural powers; an Obeah woman (meaning she would have been a practitioner of the religious belief of African origin involving folk magic practiced in some parts of the Caribbean) whose pumpkin seeds, after only a few days of being planted, sprouted miraculously to feed her starving people, and whom bullets from British muskets could not harm, for she had the power to catch them in a certain part of her anatomy (following that genre of writing that represents female resisters as unsexed amazons).
But Maroon historiography details her real existence and contribution to Jamaican resistance history. She is credited, both in the oral and written history, with employing guerilla tactics—especially between 1724 and 1739—to help her people to defeat the British, uniting the Maroon communities in Jamaica, and negotiating land for her people as part of the 1739 treaty with the British. Her original base, Nanny Town, was destroyed by the British in 1734. Moore Town (or New Nanny Town) then became the primary town of the Windward Maroons. As a military leader, her historical presence predictably diminished in the post-treaty period. She is believed to have died around 1750.
Brathwaite, Kamau. Wars of Respect: Nanny, Sam Sharpe, and the Struggle for People's Liberation. Kingston, Jamaica: Agency for Public Information, 1977.
Carey, Beverley. Maroon Story: The Authentic and Original History of the Maroons in the History of Jamaica, 1490–1880. Gordon Town, Jamaica: Agouti Press, 1997.
Gottleib, Karla. The Mother of Us All: A History of Queen Nanny, Leader of the Windward Jamaican Maroons. London: Africa World Press, 2000.
Mathurin Mair, Lucille. The Rebel Woman in the British West Indies during Slavery. Kingston, Jamaica: Institute of Jamaica, 1975.
Sharpe, Jenny. Ghosts of Slavery: A Literary Archaeology of Black Women's Lives Minneapolis: University of Minnesota Press, 2003.
"Nanny of the Maroons." Encyclopedia of African-American Culture and History. . Encyclopedia.com. 22 Apr. 2019 <https://www.encyclopedia.com>.


Following the sold-out exhibit, The Art of the Walking Dead by John Watkiss, Nucleus is pleased to announce that additional concept art created for the series is now available from the prolific artist. These new arrivals will be made available online to collectors on April 21, 2013. Please inquire using the form to the right. There will not be a physical exhibit in tandem. Below is information regarding the initial exhibit which was on display at Nucleus from November 17 through December 11, 2012.
The television series, The Walking Dead, tells the story of a small group of survivors living in the aftermath of a zombie apocalypse. The group struggles to balance their humanity with their survival against the zombie horde.
Nucleus presents a collection of concept art developed for the television series by acclaimed artist, John Watkiss. Each original drawing or painting created by the artist served as reference for the film crew to pre-visualize film sequences, action, and camera angles. This is a rare opportunity to own an important piece of the hit television series.
With notable academic accomplishments, John Watkiss began his career in London as a portrait painter and illustrator as well as teaching anatomy and fine art at the Royal College of Art and Spielberg's Amblimation. The artist has collaborated with numerous high profile studios on projects including Tarzan, Atlantis, Sky Captain and the World of Tomorrow, and Sherlock Holmes. Watkiss' work has been featured in the British National Portrait Gallery and The Ford Motor Company Museum.
If you have questions about this show, would like to be added to the preview list, or would like to be notified about specific artists, please send us a message using the form below.
Please update me on new products, upcoming events, and exclusive discounts via the Nucleus email newsletter.


text:
Q: javascript Highcharts over option change backgroung color I have 5 days trying to change color zone, this's code:
   [https://jsfiddle.net/gerarca/7sg1c4nz/187/][1]

I just want to change backgroung color on over event, like:
enter image description here
If I put the mouse pointer over a department, an area should be highlighted in red, the area to which the department belongs.
I tried to do it using multiple overs, but this property can only be used once and don't work.
where I'm wrong??

A: Add this to your css file:
.highcharts-series-group path:hover {
    fill: rgba(249, 209, 12, 0.87); // or whatever color
}

A: Each department in your example refers to one point in the series. If you want to change the colour of the hovered point, you can use i.e point.events to achieve that:
    point: {
      events: {
        mouseOver: function() {
          originalColor = this.color;

          this.update({
            color: '#5F9EA0'
          });
        },
        mouseOut: function() {
          this.update({
            color: originalColor
          });
        }
      }
    }

But if you want to change the colour of the zones and enable the dataLabels on hover, as like image shows, it would be best to create zones as a separate series. Then you will be able to easily update these series after mouseOver event.
Highcharts.mapChart('container', {
      chart: {
        map: topology
      },

      title: {
        text: ''
      },

      plotOptions: {
        series: {
          dataLabels: {
            enabled: false,
            color: 'white',
            format: '{point.name}'
          },
          color: 'grey',
          allAreas: false,
          states: {
            hover: {
              color: 'red'
            }
          },
          events: {
            mouseOver: function() {
              this.update({
                color: 'red',
                dataLabels: {
                  enabled: true
                }
              }, false)
              chart.update({}, true, false, false);
            },
            mouseOut: function() {
              this.update({
                color: 'grey',
                dataLabels: {
                  enabled: false
                }
              }, false)
              chart.update({}, true, false, false);
            }
          }
        },
      },

      series: [{
          data: zone1,
          name: 'zone 1'
        },
        {
          data: zone2,
          name: 'zone 2'
        },
        {
          data: zone3,
          name: 'zone 3'
        },
        {
          data: zone4,
          name: 'zone 4'
        },
        {
          data: zone5,
          name: 'zone 5'
        }
      ]
    });

Demo:
https://jsfiddle.net/BlackLabel/296ujzf4/
API References:
https://api.highcharts.com/highcharts/plotOptions.series.events.mouseOver
https://api.highcharts.com/class-reference/Highcharts.Series#update


As my stay lasts longer, the hotel personal has become more and more personal. At first everybody was polite and friendly in a professional matter. But since I take the time to return the question: "How are you?" it seems that I have become a person to them as they have to me. Somehow, me asking the return question comes as a surprise to them. Maybe this is the key explanation to the shift in attitude? Or is it only duration?
I end up having conversations with the chef over the recipe of Brussels sprouts. The chef prepared some last week and I mentioned to him that they were not really tasty (they were really hard). So this week I ended talking to Harschvardan (not the chef but what a name!) who questioned me on the proper way of cooking Brussels sprouts. Writing the recipe down, he thanked me for the recipe stating that next time they serve BS (he he), he'll have the recipe out on display. My 5 minutes of fame! After that the chef personally prepared some small Indian snacks on the counter (different snacks every day, yum). As I have now effectively tasted almost everything from the buffet, I'm getting curious what the Indian cuisine in Holland tastes like.


A range of consulting services to filmmakers that are a few clicks away.
Film distributors and film strategists live within the same fraternity but have been kept separated in many ways. One of the main exceptions to that is their end goal: Your film should get the maximum exposure. Here is where Film Festivals To Go (FFTG) comes in; to bring the distributors and strategists together to take your film beyond your expectations towards its full potential.
We also understand that each film is to be approached with respect to its topic and target audience. Thus, our services are customizable to your needs.
Festivals: Which festival to apply to, maximizing the opportunities within each festival and strategizing your steps in the festival you end.
Distribution: A complete plan of the film release along with hybrid approaches, finding and signing the right domestic and foreign partners. Facilitating monetization of films to maximize ROI across various platforms including theatrical, off theatrical, VOD (SVOD, TVOD, AVOD, FVOD), Satellite rights and Digital including Netflix, Amazon Prime, Hulu, Hotstar, Sony, Star, among others.
Online: Reaching out to the targeted audience digitally by creating a dynamic website and tying up with allied websites as well as direct the focus with appropriate mailing lists.
Direct Sales: Websites will add on to be the Ecommerce platform, selling all versions of your films, along with additional products that will also be able to minimize replication.
Review, discuss, strategize and execute the film festivals marketing strategy & distribution goals.
We guide you with the submissions to all the film festivals you wish to target and even represent you while following-up with them.
This includes the initializing, designing, execution and management of a film festival PR Campaign, from submitting your films to Fee wavering, Promotion, and Social Media Campaign, we cover it all!
Help you to secure invitations from film festivals.
Be a part of the marketing collaterals including the press kit.
We also engage to assist you in post-production work including teasers, trailers; finishing elements like color correction, sound design, mixing, etc. to enhance the overall production quality.
Upon selection at film festival, we will be a part of the complete strategy and formalities of screening including budgeting, time management, each festivals' required respective screeing format etc., outlining the tasks before, during and after the festival.
Now! As early as possible!
So you've shot your film, spent countless hours in postproduction, and triumphantly screened your final cut. Now all you need to do is find out how you can get it up there so that the public can fall in love with your chef d'oeuvre, right? This is where FFTG comes in. A customized film festivals marketing and distribution strategy will help you maximize audience, revenues, impact, and career. This strategy will be designed based on your goals, your film's content, its core audiences, and the opportunities in key avenues of distribution (from theatrical and television to direct sales) to build the awareness that gives you the head start to begin monetizing among targeted audience. Think of us as your fast track hands-on learning and exposure in to the real world film festival and distribution process.
However, we can take care of your needs at any stage you require us. Having a detailed strategy before applying to festivals, signing distributors or screening for the press, is essential. Whatever you need of us, we are just a thought away!


text:
<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.01 Transitional//EN" "http://www.w3.org/TR/html4/loose.dtd">

<title>PAPBinTable (POI API Documentation)</title>
<link rel="stylesheet" type="text/css" href="../../../../../stylesheet.css" title="Style">

JavaScript is disabled on your browser.

Overview

Package

Class

Use

Tree

Deprecated

Index

Help

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Method

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org.apache.poi.hwpf.model

Class PAPBinTable

java.lang.Object

org.apache.poi.hwpf.model.PAPBinTable

Direct Known Subclasses:

OldPAPBinTable

@Internal
public class PAPBinTable
extends java.lang.Object

This class represents the bin table of Word document but it also serves as a
 holder for all of the paragraphs of document that have been loaded into
 memory.

Author:

Ryan Ackley

Field Summary

Fields

Modifier and Type
Field and Description

protected java.util.ArrayList<PAPX>
_paragraphs

Constructor Summary

Constructors

Constructor and Description

PAPBinTable()

PAPBinTable(byte[] documentStream,
           byte[] tableStream,
           byte[] dataStream,
           int offset,
           int size,
           CharIndexTranslator charIndexTranslator)

PAPBinTable(byte[] documentStream,
           byte[] tableStream,
           byte[] dataStream,
           int offset,
           int size,
           int fcMin,
           TextPieceTable tpt)

Deprecated.

Use
             PAPBinTable(byte[], byte[], byte[], int, int, CharIndexTranslator)
             instead

Method Summary

Methods

Modifier and Type
Method and Description

void
adjustForDelete(int listIndex,
               int offset,
               int length)

void
adjustForInsert(int listIndex,
               int length)

java.util.ArrayList<PAPX>
getParagraphs()

void
insert(int listIndex,
      int cpStart,
      SprmBuffer buf)

void
rebuild(java.lang.StringBuilder docText,
       ComplexFileTable complexFileTable)

void
writeTo(HWPFFileSystem sys,
       CharIndexTranslator translator)

Deprecated.

void
writeTo(HWPFOutputStream wordDocumentStream,
       HWPFOutputStream tableStream,
       CharIndexTranslator translator)

Methods inherited from class java.lang.Object

clone, equals, finalize, getClass, hashCode, notify, notifyAll, toString, wait, wait, wait

Field Detail

_paragraphs

protected java.util.ArrayList<PAPX> _paragraphs

Constructor Detail

PAPBinTable

public PAPBinTable()

PAPBinTable

public PAPBinTable(byte[] documentStream,
           byte[] tableStream,
           byte[] dataStream,
           int offset,
           int size,
           int fcMin,
           TextPieceTable tpt)

Deprecated. Use
             PAPBinTable(byte[], byte[], byte[], int, int, CharIndexTranslator)
             instead

PAPBinTable

public PAPBinTable(byte[] documentStream,
           byte[] tableStream,
           byte[] dataStream,
           int offset,
           int size,
           CharIndexTranslator charIndexTranslator)

Method Detail

rebuild

public void rebuild(java.lang.StringBuilder docText,
           ComplexFileTable complexFileTable)

insert

public void insert(int listIndex,
          int cpStart,
          SprmBuffer buf)

adjustForDelete

public void adjustForDelete(int listIndex,
                   int offset,
                   int length)

adjustForInsert

public void adjustForInsert(int listIndex,
                   int length)

getParagraphs

public java.util.ArrayList<PAPX> getParagraphs()

writeTo

@Deprecated
public void writeTo(HWPFFileSystem sys,
                      CharIndexTranslator translator)
             throws java.io.IOException

Deprecated.

Throws:

java.io.IOException

writeTo

public void writeTo(HWPFOutputStream wordDocumentStream,
           HWPFOutputStream tableStream,
           CharIndexTranslator translator)
             throws java.io.IOException

Throws:

java.io.IOException

Overview

Package

Class

Use

Tree

Deprecated

Index

Help

Prev Class

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Frames

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All Classes

Summary:

Nested |

Field |

Constr |

Method

Detail:

Field |

Constr |

Method

                Copyright 2014 The Apache Software Foundation or
        its licensors, as applicable.

redpajama_set_name: RedPajamaGithub


text:
Resilience Was Key in the 19th Amendment Ratification
Home /Articles/FoxNews.Com/Resilience Was Key in the 19th Amendment Ratification
Articles,FoxNews.Com |
President Trump announced Tuesday that he will issue a posthumous pardon to Susan B. Anthony, a suffrage leader. Anthony was arrested for illegally voting in 1872 and subsequently put on trial.
The pardon comes 100 years to the day when all women won the right after Tennessee ratified the 19th Amendment, which was named for Anthony. What quality stands out about Anthony and the suffragists? Resilience.
This is an undated sketch drawing of suffragette Susan B. Anthony. Anthony, who was active in the anti-slavery movements, became a leader in women's rights in 1854 and co-founded the National American Woman Suffrage Association in 1869. She was born in Adams, Ma., in 1820 and died in 1906. (AP Photo)
Resilience guided Abigail Adams in 1776. When a British admiral intercepted and published a letter in the newspaper from her husband, John Adams, to her, Abigail had a reason to pause.
Read the full article on FoxNews.com.
Buy Resilience on Parade
How did John Adams Respond to Abigail's Call to Remember the Ladies?
100 Years Ago-The Tennessee Hero Behind the Headlines


WALLDORF, Germany – SAP AG (NYSE: SAP) is taking the next step to make the recently announced unified cloud portfolio vision a reality for customers, putting them in the driver's seat for their cloud journey. SAP now offers customers and partners a simple, flexible model for extending current on-premise solutions to cloud applications, including offerings from SAP companies Ariba and SuccessFactors.
Based on their existing investments in SAP® software, customers can decide to reallocate elements of their installed on-premise solutions to the respective cloud solutions from SAP, replacing the affected on-premise license and maintenance with a cloud subscription. The transaction assumes an expanded investment with cloud solutions from SAP, given the substantial added value from this new hybrid scenario.
SAP® Rapid Deployment solutions for the SAP® Cloud portfolio support the new cloud extension opportunity. Hybrid deployment scenarios can be quickly implemented based on packaged content and implementation services in the areas of human resources, procurement, and business collaboration, among others. The cloud extension model helps companies of any size create entirely new experiences for their customers, empower employees at scale, optimize the use of resources and unlock value for their business.
Proven support offerings from SAP, including SAP® MaxAttention™ and SAP® ActiveEmbedded services, are available to support customers in transitioning without disruption, allowing them to build and run SAP solutions like a factory.


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Q: @MapsId and two objects with the same identifier value associated with the session I have @OneToOne relationship between my entities DirigeantsEntreprise  and Fournisseur like this :
@Entity
@Table(name = "dirigeants_entreprise", catalog = "ao")
public class DirigeantsEntreprise implements java.io.Serializable {

    private int idEntreprise;
    private Fournisseur fournisseur;
    private String nom;
    private String poste;
    ....

    @Id
    @Column(name = "id_entreprise", unique = true, nullable = false)
    public int getIdEntreprise() {
        return this.idEntreprise;
    }
    ...

    @MapsId
    @OneToOne
    @JoinColumn(name = "id_entreprise")
    public Fournisseur getFournisseur() {
        return this.fournisseur;
    }

but when i try to save object :
....
fournisseur_respository.save(fournisseur);
dirigeants_repo.save( new DirigeantsEntreprise( fournisseur,...,... ));

i got this exception :
javax.persistence.EntityExistsException:
A different object with the same identifier value was already associated   with
the session : [persistence.DirigeantsEntreprise#35]

PS : 35 is the ID of my fournisseur
I thinks the problem is with maps and i have two object of DirigeantsEntreprise and Fournisseur with same identifier 35.
How to resolve this problem ?

A: We Have to flush the session by saveAndFlush() so it will be just one object with same identifier.
....
fournisseur_respository.saveAndFlush(fournisseur);
dirigeants_repo.save( new DirigeantsEntreprise( fournisseur,...,... ));


There are total 15 letters in Consultantships, Starting with C and ending with S.
Consultantships is a scrabble word? Yes (22 Points) Consultantships has worth 22 Scrabble points.
In Consultantships C is 3rd, O is 15th, N is 14th, S is 19th, U is 21st, L is 12th, T is 20th, A is 1st, H is 8th, I is 9th, P is 16th letters in Alphabet Series.


BREAKING::: hundreds of Dead Sea turtles washed up on shore at cape cod..apparently from "cold shock " an extremely quick cooling of the water environment..
Experts say Global warming is the cause.
Much more HERE including graphs and pics!
They are all singing from the same song sheet.
God help any person within the cult who questions ANYTHING!!!
You are correct on the god cult...science is not a cult like the Roman catholic church, key word Roman.
The Catholic Church teaches that the pastoral office, the office of shepherding the Church, that was held by the apostles, as a group or "college" with Saint Peter as their head.
They might, if they bother to look, find out that our NAVY is playing with high power SONAR that might kill the turtles?
Because wasn't they found guilty of hurting some smaller whales several years back due to their SONAR? Caused them to beach or some such stuff to get away from the damage/pain in their hearing organs, (read, ears!)..??
Looks like the Artic Sea ice is getting close to normal. I think this is tied into the Atlantic ocean cooling down.
wonder why that wasnt BLASTED all over the msm's propaganda sites?
Simple really. It doesn't fit the "warmers" narrative!!
This isn't part of the "pause " it's actually going the other way.