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The Home of Easy Credit - s/t
Here's another knockout from Northern Spy. The Home of Easy Credit is the husband/wife duo of Louise Dam Eckardt Jensen and Tom Blancarte, whose intricate, dense work together is hard to define in terms of genre. This music shifts between worlds of composition and free improvisation, pop, avant-jazz, postmodern classical, psychedelic and electroacoustic work, often woven within the boundaries of each track.
Jensen primarily focuses on alto saxophone and voice performance with electronic manipulation. She builds layers of sound with live electronics and loops, over which motivic materials are often reinterpreted or extended. And Blancarte (who also played on the beautiful "Fire Sign" album from Jeremiah Cymerman that I recently reviewed) creates a powerful foundation for this music with his amplified upright bass work, mostly playing with more conventional pitched ideas to hold everything together, though he does get into extended techniques like bowed harmonics and sul ponticello passages when the music heads into more ethereal territory. The pair make an incredible amount of sound on their own, and once loop-building is added to their approach, you would never imagine this music coming from only two performers with no overdubs.
Although The Home of Easy Credit covers a wide stylistic territory, this music evolves through structured consideration: these pieces fuse raw musical materials together slowly and thoughtfully, adding and removing layers with patience. I like my share of collage/cutup compositions, but there's something about these kinds of more mature methodical fusions of sound. They tend to stay with you longer. It also invites a more participatory kind of listening--I feel like I can get "inside" these tracks, as opposed to looking at them on a wall. They're plaintive, emotional pieces, and they readily invite you inside. Check out a track from the album, "The Feast of the Meal Replacement Bars" below, and you'll see what I mean.
Usually I don't have a strong opinion about the methods used in the creation of a good recording, but in this case I think that the "no overdubs" approach contributes a lot to the emotional intelligence of this music. The band's name and the titles of the tracks all point to frustration with the shallow artifice of consumer culture, toward having genuine shared experiences instead of choosing among brightly-colored, prepackaged Mcexperiences. These pieces succeed at being very complex and nuanced without losing a sense of intimacy. I can imagine how well this music translates live, a vibe that The Home of Easy Credit sustains by selecting small, intimate venues to play: galleries, coffee shops, house shows, all places where artists and audiences can be together with a minimum of mediation.
Fortunately, I won't have to simply imagine the live performance of this music for long, and maybe you won't, either: The Home of Easy Credit is on tour right now (check out their tour dates below). And their Lincoln, NE stop will be at my house! It seemed right to start hosting occasional shows as the opportunity presents itself, as I've been co-hosting a radio show and actively writing music reviews for a few years now. If you live in the area, you can keep up with our events on this blog, or "like" our Facebook page here.
Home of Easy Credit tour dates:
10/4 San Francisco @ The Luggage Store
10/7 Berkeley, CA @ Berkeley Arts Festival
10/8 Corvallis, OR @ The Red Room
10/9 Portland, OR @ Creative Music Guild
10/10 Seattle, WA @ 1412 Gallery
10/11 Caldwell, ID @ The Bird Stop Coffee House
10/13 Denver, CO @ Plus Gallery
10/14 Lincoln, NE @ Think Tank House (my house! This will also be the debut show for local duo Moss!)
10/15 Chicago, IL @ Jerry's
10/17 Cleveland, OH @ Black Cat Factory
Jealousy Mountain Duo - No_2, The Home of Easy Credit
I reviewed the debut record from Jealousy Mountain Duo back in April, and I'm pleased to report that they're already back with their second album. And it's another keeper--while staying close to the style and approach of their debut, No_2 finds Jealousy Mountain Duo digging even deeper into their unique style. Blending elements of math rock with creative looping and collaborative improvisation, this record shows continued growth and development for JMD: the interplay between Berger (guitar) and Schneider (drums) continues to improve as they play together.
The JMD sound will probably remind listeners most immediately of the duo configuration of Hella, but I like this band much more. They're capable of subtleties that one rarely hears from Hella--Berger's loop-layering techniques let him build vertical dimension in the music that gives space and support for some great melodic ideas, instead of having to blaze along with noodly horizontal passages most of the time. Berger writes beautiful melodies, and finds great ways to embellish them with thoughtful loops as real support, rather than layering a bunch of unnecessarily complicated figures. At times, he somehow balances Frippertronics-sounding layers, rich with backwards-sounding volume swells and occasional whammy pedal glissandos, with very listenable and memorable melodies, something often lacking in experimental rock circles. It sounds like guitar synths are getting some play on No_2 as well, with sub-bass tones and waspy synth textures added to tracks like "All Day Blizzard."
The "complicated figures" in JMD are mostly the domain of Schneider, whose drum work combines rhythmic density with a very light, free spirit. Although his playing in this band is very busy, it's much more jazz-influenced than the constant barrage of megabashing one gets from Zach Hill (I like Hill's approach sometimes, but he totally has the "Buckethead problem" of doing the same crazy over-the-top thing on almost everything he plays). Schneider balances his complicated ideas by spending a lot of time working the rims of his drums and paying attention to dynamics and shifts in volume and intensity, and he generally saves his cymbals for especially poignant emphasis. He's certainly capable of being a hard hitter and playing more riff-oriented drum parts (hear his work in Nicoffeine for great proof of that), but the heart of the JMD sound is his transcendent thoughtful-yet-rocking drum work, at least to me. I love listening to this guy play--he's intense, but very deliberate.
Like the first Jealousy Mountain Duo record, I'm sure there's some improvisation involved in these tracks, but it's obvious that even on the most free-form cuts, a lot of planning and composition is helping to guide this music. It's awesome to hear math-y music that can feel composed and loose at the same time. The music has room to breathe, and listeners have room to have fun.
Schneider is a skilled producer as well. He does it up old school with JMD, recording live to 1'' tape and pressing vinyl. If you don't buy the hype about analog recording and vinyl sounding "warmer," you might change your mind after a few spins through this record. Tubes, vinyl, and tape make the world of Jealousy Mountain Duo go around, and the kind of beautifully warm, diffused light and heat one can expect from using them is reflected throughout this music and all the way onto the album art, which makes a great companion piece with art and design of their the first record. Another well done record! I'm excited to hear what the future holds for JMD.
Good news for America: Jealousy Mountain Duo is touring the US through October and part of November! I'm sure we're not likely to see this German duo play here often, so be sure to get out and see them while you can. Their tour started in Boston last night, and the rest of their tour dates are listed below. Maybe I'll see some of you at the Omaha show. And in case you're not able to make it to a show, check out the Jealousy Mountain Duo BandCamp site for record ordering information.
--Scott Scholz
2 whitehouse family records, Boston, MA, US
3 The Flywheel, Easthampton, MA, US
4 Shea Stadium, Brooklyn, NY, US
5 The Space, Ithaca, NY, US
6 Elm Bar (old Rudy's), New Haven, CT, US
7 houseshow with hyrrokkin, Athens, OH, US
8 Mickey Finn's Pub, Toledo, OH, US
9 The Shop, Pittsburgh, PA, US
10 Bug Jar, Rochester, NY, US
11 Now That's Class, Cleveland, OH, US
12 Stone Taverne, Kent, CT, US
13 Borg Ward Collective, Milwaukee, WI, US
14 The Frequency, Madison, WI, US
15 Burlington Bar, Chicago, IL, US
16 Black Sparrow, Lafayette, IN, US
17 Slowdown, Omaha, NE, US
18 Replay Lounge, Lawrence, KS, US
19 Lemp Arts, St Louis, MO, US
20 Court House Co-op, Memphis, TN, US
21 SoundPony, Tulsa, OK, US
23 The Trunk Space, Phoenix, AZ, US
24 Bar Eleven, San Diego, CA, US
25 Solar Culture Gallery & Performance Space, Tucson, AZ, US
26 The Percolator, El Paso, TX, US
27 1919 Hemphill, Fort Worth, TX, US
28 Notsuoh, Houston, TX, US
29 Beale Street Tavern, Austin, TX, US
30 The White House, Conway, AR, US
31 The Owl Farm, Nashville, TN, US
1 Conondrum Music Hall, West Columbia, SC, US
2 Roasted Lounge, Macon, GA, US
3 The Goat Farm, Atlanta, GA, US
4 The HandleBar, Pensacola, FL, US
5 Burro Bar, Jacksonville, FL, US
6 The Junkyard Saloon, De Leon Springs, FL, US
7 Safe // Sound, Savannah, GA, US
8 Chapel Hill Underground, Chapel Hill, NC, US
9 Slim's Downtown, Raleigh, NC, US
10 subterreanea collective, Richmond, VA, US
Zs - Score: The Complete Sextet Works 2002-2007
For anyone who missed out on the early years of NYC's remarkable ensemble Zs, this new four CD box set documents the complete recordings of the first five years of the band, covering eight out-of-print releases along with a disc of unreleased material. For those of us living away from the East Coast, the original pressings of this music were almost impossible to find, coming out in tiny batches on small labels, and partly because of that, I think that this music hasn't gotten the attention it deserves on a wide scale. Northern Spy, how you spoil us!
Folks in the Midwest, for example, didn't stand a chance. Sure, we have the internet (and indoor plumbing, in case any readers weren't sure), but there is a bit of truth to the notion that cultural news moves a little more slowly in the middle of the country. Many of us missed out on Zs, and the rest of us came late to the Zs party, struggling to track down their back catalog through mail-order distros and living vicariously through YouTube videos of stunning live performances. If you care about "New Music" made with serious dedication and heart, my advice is to take the release of Score as an opportunity to experience some of the most powerful music made in several generations.
As much as I cringe at heading toward hyperbole, I don't think I can overstate my admiration for this music. Zs is my church. And taken as a body of work, I think that the pieces included in Score should be mandatory listening for the next generation of music students: a copy of this box set should be a heavy purchase consideration for every academic music library that takes contemporary music seriously. The day that Zs gets added to the contemporary music sections of music history classes will be the beginning of some majorly harder/deeper art music.
I was a music school cat myself just a few years before Zs took off, graduating in 2000, and there was something in the air back then that I kept reaching for but never quite found. Looking back, I think there was something about the impending change-of-millennium that was making a lot of creative folks ponder those deepest issues of "what comes next," and musical genres were splintering into more sub-sub-sub genres by the hour. But it was also the beginning of the internet age, with so much potential for bringing people together--how would that affect music when creation of more pigeonholes seemed to work against that potential being realized? I was hearing the beginning of something in my head that could draw from the resources of any genre without having to live in those lines, and in reading the liner notes of Score, I really vibed with the similar impulses that were driving the beginning of Zs for founders Sam Hillmer and Alex Mincek: as Mincek reports, "Sam and I wanted to be something that was blurry."
Ironically, being "blurry" in the sense of genre transcendence requires an almost inconceivable level of focus and discipline, individually and collectively, and that kind of intense attention to detail is one of the main forces behind the music of Score. Most of the pictures online are too small to make out the details, but the outer box artwork in this collection is a composite of military ribbons. In one sense, this album art highlights Zs as an incredibly disciplined military unit, thoroughly practiced and capable of perfected surgical strikes. From a performance perspective, the Zs sextet was certainly capable of almost impossible musical acrobatics, and the military theme has a certain resonance.
But with Zs, one has to consider a broader compositional scope in addition to breathtaking performance capabilities, and from that perspective, the military iconography takes on a more complex significance: Zs is a military unit acting in opposition to the hollow, insincere trappings of New Music performances, the stale air of classical performance spaces and the bureaucracy of academia, polite clapping deployed carefully at the ends of pieces and never between movements. This music might borrow from a vocabulary and conceptual palette often associated with "academic music," but it succeeds in a more immediate way by simple virtue of being played in front of "normal" people at shows including various kinds of rock/pop music.
To the extent that this music is demanding to listeners, it's also true that it demands even more head and heart to compose and play--there is an undeniable spiritual component underlying the conception and performances of these pieces, and even hearing the music as recordings-from-afar, you can accurately guess what performances might often be like: the crowd gathers in close around the band, the band turns within and plays impossibly hard. Everyone has to give. And collectively, everyone receives, too: the pretentious distance of art music appreciation dissolves as quickly as postmodern sarcastic self-referential TV culture detachment, and everyone has a legitimate shared experience and becomes part of a community, at least for a while. As Hillmer reports, "I have serious reservations about how much gravity something can have that's taking place outside the logic of community," and at least within the Brooklyn scene that got to directly experience this period of Zs performing and evolving, I think this is both the ultimate triumph of the pieces documented in this box, as well as their ultimate potential for experience with a broader audience. Sometimes it seems like it would take an army to cut through the caustic layers of attitude and apathy that pass for "culture" today, and the Zs sextet was the right kind of army.
I realize that I'm heaping praise before I've even described the music. Forgive me--it's an enormous task to describe 4 discs documenting five years of nearly impeccable musical activity and evolution. Your best bet, seriously, is to drop what you're doing and dig into Score. But if you need at least some generalities before you commit, the first three discs of the box are organized chronologically by release date. The early self-titled Zs release, which I first happened upon years ago on iTunes, first made me think of relatively recent Anthony Braxton work, particularly the "ghost trance music" period. That's a good starting point, as the music develops through similar kinds of focus on systems and their fortification/refinement, but as much as I'm a fan of Braxton's work, Zs is even more intense. In addition to a similarity in compositional discipline, the presence of saxophones as dominant instruments has given both Braxton and Zs a parallel uphill battle in terms of transcending a similar "Saxes? This must be jazz, then" form of lazy musical interpretation. But Zs doesn't need to Swing to mean more than a Thing.
From there, the music on this box gets increasingly difficult to describe in terms of pre-existing forms, as Zs continued to evolve into a bewilderingly powerful unit, drawing from many disciplines without committing to any. I suppose that it's fair to say that over time, a dominant theme that one must confront in the music of Zs has to do with ever-shifting distinctions between minimalism and a sort of maximalism/brutal-prog attack. Small cells can repeat and subtly shift, and when they're played long and hard enough, ostinatos become drones, become oppressive walls, become transcendent doors to B sections that arrive just in time. That minimalism/maximalism continuum is violently and even religiously shifted in perspective and context, in ways that are usually unexpected but seem perfect once you hear them. As a listener, you have to be able to both "hold on" harder and "let go" faster than you ever have before. But you will be richly rewarded: by the time we get to the music of the "Arms" LP, which takes up most of disc 3 in this box, Zs has become an absolute genre unto themselves.
"Arms" is my favorite of the albums contained in the Score box. I've been listening to it regularly for five years, but I still don't think I'm capable of articulating the special magic of this record. My favorite piece on the album, though, and one of my favorite pieces of music ever, is the Charlie Looker-penned "Nobody Wants To Be Had," which I've discussed a bit before in my review of Looker's most recent album with his Extra Life band. Hearing this music alone is well worth the very reasonable cost of admission to this box set (under $30 for 4 discs!), and there is so much more to discover.
You'll get a chance to hear those extramusical, "music as community" aspects of Zs' work mentioned above within "Score," too. The "Buck" cassette release is included here, for example, which is a fascinating document that shows both how these pieces continued to develop and change (especially in tempo) as they were played live, and well as capturing some of the live atmosphere around Zs performances: these are loud clubs. People are listening intently, but they're also talking, drinking, sometimes laughing, and the band banter is funny at times, too. It's so refreshing to hear this music played to real people, no jacket required. The inclusion of various remixes of Zs pieces throughout the box represents another aspect of this music being absorbed into the greater culture, too: it's hard to imagine most new music composers developing the kinds of social and musical relationships with the rest of the "normal" world to have occasional remixes become a normal part of their work. They're good remixes, too.
"Score" isn't one of those box sets made in a crazy oversized shape that forces you either to hide the thing after listening or leave it out somewhere to become an endless topic of conversation every time someone visits your house: it's housed in a tight, clean box that should fit right onto your CD shelves, right at the end of the alphabet where music keeps evolving, and where you'll always be able to find it (it's time to throw out those ZZ Top "Nice Price" discs, son). But I'm not even bothering to make room for these albums on a shelf--I can't imagine more than a few days passing without these discs getting some play time. The 20 page essay included in the box is a great read, too, covering both this sextet period of the band as well as more recent efforts through the "New Slaves" period of Zs. The layout also includes some interesting score snippets, if you're interested in what the scores of "Score" actually look like. My only minor quibble with the box is that this essay was already published a couple of years ago by New Music Box, but it makes sense that they ran with it--it's easily the best piece of journalism on Zs that's been done to date. And I hope more people find out about Zs through the release of this box set, and more articles get written, and young musicians get the chance to experience this stuff and take it to the next crazy level.
If you check out "Score" and you're hungry for more, members of both this original sextet lineup of the band and later iterations have all played in a wide variety of other bands that I would count as mind-blowing essential listening: Period, Extra Life, Normal Love, and Little Women are four of my favorites, and there are many more. After all, the Zs sextet might have been an impossibly tight unit, but they were also the catalyst for a much wider community. Or as an anonymous poster recently put it on Brooklyn Vegan, "You dis Zs, you dis yourself."


In partnership with Viacom, Time Warner Cable is celebrating the return of the popular TV Land series, 'Hot in Cleveland', with the debut of a national TV spot created to highlight Time Warner Cable's TWC TV™ app.
The 30-second spot finds the show's four lead characters, played by Betty White, Valerie Bertinelli, Wendie Malick and Jane Leeves, discovering their flight to Cleveland has been delayed. Frustrated, one of the women says she wishes she could catch up on her favorite show, 'Hot in Cleveland'. Sitting nearby, Time Warner Cable's head coach, Bill Cowher, overhears this and introduces them to the TWC TV app on his iPad, which lets them watch select programming outside of the home, including 'Hot in Cleveland'.
In addition, Time Warner Cable will host a national sweepstakes for a chance to win a walk-on role on the fifth season of 'Hot in Cleveland'. More information will be available in the upcoming weeks on Time Warner Cable Exclusives.
Customers across the TWC footprint can view the TV spot on TWC's YouTube channel www.youtube.com/twc.
For more information on the app, please visit the TWC TV page.
Debuting June 2010, Hot in Cleveland's premiere episode was the highest-rated telecast in TV Land's history. Through its past three full seasons, Hot in Cleveland averaged 3 million total viewers, according to Nielsen. The fourth season of Hot in Cleveland can currently be seen Wednesday nights at 10pm ET/PT on TV Land.
The cast of Hot in Cleveland has been honored with numerous awards since its initial premiere including a People's Choice Award for Favorite Cable TV Comedy. The series was also awarded a Creative Arts Emmy® Award for Outstanding Art Direction for a Multi-Camera Series. Additionally, Betty White received three Screen Actors Guild Award® nominations and two wins for Outstanding Performance by a Female Actor in a Comedy Series for her performance as "Elka Ostrovsky." White was also nominated for an Emmy® Award in 2011 for Outstanding Supporting Actress in a Comedy Series for the same role.
Filmed in front of a live audience, Hot in Cleveland is executive produced by Emmy® Award-winner Sean Hayes and Todd Milliner of Hazy Mills Productions and is helmed by Emmy® Award-winning Suzanne Martin ("Frasier," "Ellen") serving as executive producer, show runner and writer. Lynda Obst also serves as executive producer, and Larry W. Jones and Keith Cox are executive producers for TV Land. "Hot in Cleveland" is currently seen around the world in over 190 countries.
Now seen in over 98 million U.S. homes, TV Land is the programming destination featuring the best in entertainment on all platforms for consumers in their 40s and 50s. TV Land is a unit of Viacom (NASDAQ: VIA, VIAB).


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Fads & Fashions
Dennis Macdonald / Getty Images
by Jennifer Rosenberg
Jennifer Rosenberg is a historian, history fact-checker, and freelance writer who writes about 20th-century history topics.
Historical Importance of the American Red Cross
The American Red Cross is the only congressionally mandated organization to provide aid to victims of disaster and is responsible for fulfilling the mandates of the Geneva Convention within the United States. It was founded May 21, 1881
It has historically been known under other names, such as ARC; American Association of the Red Cross (1881 - 1892) and American National Red Cross (1893 - 1978).
Clara Barton, born in 1821, had been a schoolteacher, a clerk in the U.S. Patent Office, and had earned the nickname "Angel of the Battlefield" during the Civil War before she founded the American Red Cross in 1881. Barton's experiences of collecting and distributing supplies to soldiers during the Civil War, as well as working as a nurse on battlefields, made her a champion for the rights of wounded soldiers.
After the Civil War, Barton aggressively lobbied for the establishment of an American version of the International Red Cross (which had been founded in Switzerland in 1863) and for the United States to sign the Geneva Convention. She succeeded with both -- the American Red Cross was founded in 1881 and the U.S. ratified the Geneva Convention in 1882. Clara Barton became the first president of the American Red Cross and led the organization for the next 23 years.
Just days after the first local chapter of the American Red Cross was established in Dansville, NY on August 22, 1881, the American Red Cross jumped into its first disaster relief operation when they responded to the devastation caused by major forest fires in Michigan.
The American Red Cross continued to aid victims of fires, floods, and hurricanes over the next several years; however, their role grew during the 1889 Johnstown flood when the American Red Cross set up large shelters to temporarily house those dislocated by the disaster. Sheltering and feeding continue to this day to be the largest responsibilities of the Red Cross immediately following a disaster.
On June 6, 1900, the American Red Cross was given a congressional charter that mandated the organization to fulfill the provisions of the Geneva Convention, by rendering aid to those wounded during the war, providing communication between family members and members of the U.S. military, and administering relief to those affected by disasters during peacetime. The charter also protects the Red Cross emblem (a red cross on a white background) for use only by the Red Cross.
On January 5, 1905, the American Red Cross received a slightly revised congressional charter, under which the organization still operates today. Though the American Red Cross has been given this mandate by Congress, it is not a federally funded organization; it is a non-profit, charitable organization that receives its funding from public donations.
Though congressionally chartered, internal struggles threatened to topple the organization in the early 1900s. Clara Barton's sloppy bookkeeping, as well as questions regarding Barton's ability to manage a large, national organization, led to a congressional investigation. Instead of testifying, Barton resigned from the American Red Cross on May 14, 1904. (Clara Barton passed away April 12, 1912, at the age of 91.)
In the decade following the congressional charter, the American Red Cross responded to disasters such as the 1906 San Francisco earthquake and added classes such as first aid, nursing, and water safety. In 1907, the American Red Cross began working to combat consumption (tuberculosis) by selling Christmas Seals to raise money for the National Tuberculosis Association.
World War I exponentially expanded the American Red Cross by significantly increasing Red Cross chapters, volunteers, and funds. The American Red Cross sent thousands of nurses overseas, helped organize the home front, established veterans hospitals, delivered care packages, organized ambulances, and even trained dogs to search for wounded.
In World War II, the American Red Cross played a similar role but also sent millions of packages of food to POWs, began a blood collection service to aid the wounded, and established clubs such as the famous Rainbow Corner to offer entertainment and food to servicemen.
After World War II, the American Red Cross established a civilian blood collection service in 1948, has continued to offer aid to victims of disasters and wars, added classes for CPR, and in 1990 added a Holocaust & War Victims Tracing and Information Center. The American Red Cross has continued to be an important organization, offering aid to millions affected by wars and disasters.
Clara Barton: Civil War Nurse, American Red Cross Founder
A Timeline of Historic Events of the 1880s
Issue Summary - Geneva Conventions & POW Treatment
12 Notable Women in Virginia History
Clara Barton Quotes: Wise Words From the Lady With the Lamp
Were the First Architects Licensed Professionals?
Disaster Relief Organizations That Provide Housing and Construction Skills
7 Contributions Lugenia Burns Hope Made to the Progressive Era
Find Volunteer Opportunities for Online Students
A Guide to the American Civil War
All About the Inventor of the Blood Bank
Historical Pictures From the 1899-1900 Famine in India
The Civil War Surgeon Who Revolutionized Battlefield Medicine
The Yuan Dynasty: When Mongols Ruled China
What to Know About the Rwandan Genocide
Timeline of Major Events of the 1820s

redpajama_set_name: RedPajamaCommonCrawl


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La Guitarra Y El Mar ist das 25. Extended-Play-Album des österreichischen Schlagersängers Freddy Quinn, das im 1962 in Frankreich im Musiklabel Polydor (Nummer 1012 & Nummer EP0-1702) in Mexiko hergestellt wurde und erschien. Der Vertrieb erfolgte durch Dusa Discos Universales, Quinn sang die Lieder auf spanisch.

Schallplattenhülle

Auf der Schallplattenhülle ist Freddy Quinn auf Fischernetzen sitzend zu sehen, die sich auf einem Schiff befinden. Er trägt ein Hemd und eine Hose in der gleichen Farbe sowie Stiefel. Für die Hülle wurde das gleiche Foto wie für das Freddy-Quinn-Extended-Play-Album J'ai besoin de ton amour verwendet.

Musik

La guitarra y el mar wurde im Original als Die Gitarre und das Meer von Quinn gesungen, Hijo Vuelve Pronto ist im Original Junge, komm bald wieder.

La salsa del amor ist im Original das Lied Memories Are Made of This von Mindy Carson with Ray Conniff's Orchestra & The Columbians

La Paloma ist eine Komposition des spanisch-baskischen Komponisten Sebastián de Yradier (1809–1865), von dem die älteste vorhandene Tonaufnahme ungefähr um 1880 entstand. Quinn hatte dieses Lied zuvor bereits auf Deutsch gesungen.

Titelliste

Das Album beinhaltet folgende vier Titel:

 Seite 1
 La Guitarra Y El Mar
 Hijo Vuelve Pronto

 Seite 2
 La Salsa Del Amor
 La Paloma

Weblinks

Einzelnachweise

Freddy-Quinn-Album
Extended Play
Album 1963
Album (Schlager)

redpajama_set_name: RedPajamaWikipedia


Annie wanted a palette that she could use to create all of her favourite, essential eye looks. She didn't want nothing extra or lacking.
She included all of the colours that she considers are non-negotiable.
also a peachy transition etc.
The palette is slightly reminiscent of Anastasia Beverly Hills' Modern Renaissance, but is pretty unique to Lawless.
The One was designed over many months of travels, and Annie even used it on her wedding day!
The One retails for $64 (yikes) and is available exclusively online on lawlessbeauty.com.


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TERRY, EMANUEL
Crvena Zvezda mts Belgrade 33 Center
Height: 2.06 Born: 21 August, 1996 Nationality: United States of America
EuroLeague 2020-21 STATISTICS
Totals 9 3 169:45 50 20/31 0/0 10/17 14 26 40 4 4 9 10 2 24 13 68
Averages 9 3 18:51 5.6 64.5% 0% 58.8% 1.6 2.9 4.4 0.4 0.4 1 1.1 0.2 2.7 1.4 7.6
4 at LDLC ASVEL Villeurbanne 24:42 2 1/4 3 4 7 3 4 1 1 4 1 2
5 vs CSKA Moscow 17:27 10 4/5 2/2 2 2 1 1 1 5 1 6
6 at Khimki Moscow Region 12:09 4 2/3 0/2 1 2 3 1 1 1 2 7
7 * at FC Bayern Munich 21:58 6 2/3 2/2 2 4 6 1 2 1 9
8 vs Real Madrid 13:39 4 2/3 0/1 2 3 5 2 1 10
9 * at AX Armani Exchange Milan 20:00 9 4/5 1/2 3 4 7 1 1 4 2 12
10 * at FC Barcelona 24:02 9 2/4 5/8 2 4 6 1 2 4 4 13
11 vs Anadolu Efes Istanbul 24:47 4 2/3 3 3 1 3 2 1 7
12 at Maccabi Playtika Tel Aviv 11:01 2 1/1 1 1 1 2 2 2
9 Totals 169:45 50 20/31 0/0 10/17 14 26 40 4 4 9 10 2 24 13 68
Average 18:51 5.6 64.5% 0% 58.8% 1.6 2.9 4.4 0.4 0.4 1 1.1 0.2 2.7 1.4 7.6
EuroLeague 2020-21 individual rankings
This player is not ranked among the Top 25 in any category.
Index rating 13 FC Barcelona vs. Crvena Zvezda Belgrade 11/20/2020
Points 10 Crvena Zvezda Belgrade vs. CSKA Moscow 10/22/2020
Offensive rebounds 3 AX Armani Exchange Milan vs. Crvena Zvezda Belgrade 11/18/2020
Defensive rebounds 4 FC Barcelona vs. Crvena Zvezda Belgrade 11/20/2020
Total rebounds 7 AX Armani Exchange Milan vs. Crvena Zvezda Belgrade 11/18/2020
Assists 3 ASVEL Villeurbanne vs. Crvena Zvezda Belgrade 11/11/2020
Steals 2 Crvena Zvezda Belgrade vs. Real Madrid 11/13/2020
Blocks 3 Crvena Zvezda Belgrade vs. Anadolu Efes Istanbul 11/26/2020
Minutes 24 Crvena Zvezda Belgrade vs. Anadolu Efes Istanbul 11/26/2020
Played college basketball at Lincoln Memorial University (2014-18).
Signed for the 2018-19 season by Canton Charge, G-League.
In January'19 signed by Phoenix Suns.
In February'19 signed by Miami Heat, also played with Sioux Falls Skyforce.
Moved to Turkey for the 2019-20 season, signed by Teksut Bandirma.
In February'20 moved to Israel, signed by Hapoel Jerusalem.
Moved to Serbia for the 2020-21 season, signed by Crvena Zvezda Belgrade.
Played the 2020 Turkish All Star Game.
Named to the 2017-18 All-SAC 1st Team.
2020-21 Crvena Zvezda mts Belgrade 9 50 5.6 20/31 64.5 0/0 0 10/17 58.8 40 4 4 10
Totals 9 50 5.6 20/31 64.5 0/0 0 10/17 58.8 40 4 4 10
Averages 9 50 5.6 20/31 64.5 0/0 0 10/17 58.8 4.4 0.4 0.4 1.1
2014/15 Lincoln Memorial 30 123 4.1 55/88 62.5 0/0 0.0 13/35 37.1 134 12 8 32
2015/16 Lincoln Memorial 33 248 7.5 109/152 71.7 0/0 0.0 30/68 44.1 192 9 10 77
2016/17 Lincoln Memorial 26 263 10.1 106/146 72.6 0/0 0.0 51/80 63.8 209 14 22 51
2017/18 Lincoln Memorial 31 523 16.9 209/294 71.1 0/0 0.0 105/150 70.0 319 17 37 68
2018/19 Canton Charge 20 162 8.1 68/114 59.6 0/3 0.0 26/50 52.0 130 14 12 35
Phoenix Suns 2 9 4.5 4/6 66.7 0/0 0.0 1/2 50.0 6 3 1 0
Miami Heat 1 1 1.0 0/1 0.0 0/0 0.0 1/2 50.0 1 0 1 0
Sioux Falls Skyforce 18 253 14.1 106/178 59.6 0/1 0.0 41/80 51.3 169 23 30 17
2019/20 Teksut Bandirma 20 216 10.8 92/128 71.9 0/0 0.0 32/49 65.3 158 22 26 21
Hapoel Jerusalem 10 94 9.4 39/61 63.9 0/0 0.0 16/24 66.7 65 9 13 6


I'm sorry but I probably would have done the same thing. Carl is like a son to Shane. If Shane hadn't shot Otis & left him as bait, they both would have been eaten & Carl most likely would not have survived the shoddy surgery attempt.
I propose that Mondays be added to all weekends for the rest of eternity. More Play Less Work.
8 minutes after being drafted by the Washington Wizards, Jan Vesely pulls "a Riggelman" and retires from professional basketball.
How come they can draw Powerball on live TV but the NBA has to go behind closed doors to do the drawing? Adolf Stern doesn't even try to hide it anymore. It's laughable.
**** Irving, **** Duke & **** Adolf Stern.
I'm sure he will be the first one out "modeling" the new jersey.
VAST improvement. I will be buying a Wall jersey for the summer.
http://www.nba.com/wizards/intro_countdown.html Who is gonna watch?
Damn, ****ing Mosely is going down within 2 more rounds.
---------- Post added May-7th-2011 at 11:53 PM ---------- Broadway is less gay than Mosley's intro.
I think that's the nail in the coffin. This nightmare is finally over.


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Ariana Grande concert-goers face terror at Manchester performance as bomb detonates
Jackie Sedley - Editor-in-Chief, Photo courtesy of Google Images
On May 23rd, a suicide bombing attack at an Ariana Grande concert at Manchester Arena in England left 22 dead and roughly 60 severely injured. The bomber was identified as Salman Abedi, who died on the scene. The victims of the attack included several children and teenagers.
The bombing has been established as the deadliest act of terror in Britain since 2005 and the fourth deadliest act of terror in Western Europe since 2015. This act of terrorism caused British Prime Minister Theresa May to raise the nation's threat level to critical for the third time in history, suggesting the impending possibility of another attack. However, May has expressed her intentions behind raising the threat level, wishing for citizens to feel a sense of precaution and protection rather than heightened fear.
"I do not want the public to feel unduly alarmed," said May in a speech at Downing Street in Manchester. "We have faced a serious terrorist threat in our country for many years, and the operational response I have just outlined is a proportionate and sensible response to the threat that our security experts judge we face."
While the Islamic state has claimed responsibility for the attack, the fear of another attack and premonitions that others may have been involved are high. By raising the threat level, British police forces and security organizations will be provided additional resources and support as means to heighten their enforcement of security for the nation.
"NPOCC has provided additional firearms support to Greater Manchester police following the recent attack and is working closely with the force to assist with reviewing the security procedures," said the National Police Coordination Centre in a public address.
Although the terrorist attack is not thought to be linked to Ariana Grande personally, the location of the act has caused the music industry to grow more attached to the tragedy. Grande, in particular, has expressed her values of sorrow and devastation for the city and those affected.
"I'll be returning to the incredibly brave city of Manchester to spend time with my fans and to have a benefit concert in honor of and to raise money for the victims and their families," Grande said in an Instagram post.
While Grande's involvement in the aftermath of the situation was expected given the location of the attack, some celebrities appear to be using "heartfelt" online sentiments to victims and their families as means of publicity. In particular, Kim Kardashian's tweet including an old photo of Grande and herself at a concert with a seemingly-narcissistic caption turned heads.
"Concerts are supposed to be a place where you can let loose and have fun," Kardashian's Twitter photo caption read. "So scary to not feel safe in this world. @arianagrande I love you."
On the surface, the message appeared sentimental and considerate; however, both the photo and tweet have little to no correlation with the actual Manchester bombing itself. From the caption alone, one with no prior knowledge of the tragedy would assume that something had happened to Ariana Grande herself. Contrarily, anyone educated on the situation would know that this is far from the case. Additionally, given positive representation of Kardashian in the photo and her reputation for craving media attention, her tweet as a whole truly appeared as nothing more than a publicity stunt to better her image.
As of May 27th, the threat level has officially been lowered to severe and eleven suspects are currently in custody. In much less significant news, Kim Kardashian has deleted her tweet in response to negative feedback from other social media users. As terrorist attacks around the globe are growing in prevalence, society should strive to focus less on how tragedies can be used to one's advantage and more on how they can help those truly affected.
Maryland bans conversion therapy
Robotic systems lead to stem cell research development
The legal age for marriage affects youth throughout the U.S.
The town Bathurst in Canada bans trick-or-treating for those over the age of 16
China renews commitment to the Paris Agreement
3-D printed skin will limit animal testing and benefit burn victims
Decades after desegregation laws swept America, a Mississippi school district will finally join society
Microchips redefine what it means to be an employee
President Donald Trump's new internet policy jeopardizes the personal privacy of Americans
Elon Musk prepares to colonize Mars in 2024


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Salmo trutta fario, sometimes called the river trout, and also known by the name of its parent species, the brown trout, is a predatory fish of the family Salmonidae and a subspecies or morph of the brown trout species, Salmo trutta, which also includes sea trout (Salmo trutta trutta) and a lacustrine trout (Salmo trutta lacustris). Depending on the supply of food, river trout measure  in length; exceptionally they may be up to  long and weigh up to over . Their back is olive-dark brown and silvery blue, red spots with light edges occur towards the belly, the belly itself is whitish yellow. River trout usually attain a weight of up to . They can live for up to 18 years.

Habitat
River trout live in fast flowing, oxygen-rich, cool clear waters with gravel or sandy riverbeds. They occur across almost all of Europe, from Portugal to the Volga, with the exception of Central Anatolia and the Caucasus regions. They are found as far north as Lapland. They do not occur in Greece or on the islands of Corsica, Sardinia and Sicily.

River trout are very faithful to their habitat (i.e. they live only at one spot and do not migrate), leaving it only to reproduce. Even after being disturbed they will return to their traditional sites. The adult river trout requires its own territory. During the day it is hidden in the shadows of the river bank, facing upstream.

Depending on size and habitat, they feed mainly on insects and insect larvae that live in water, small fish such as bullhead, small crustaceans, snails and other water animals. Cannibalism has also been frequently observed among river trout. They are fast swimming predators, but in rivers and streams they will usually take prey that is being driven past by the current.

Reproduction

River trout spawn between October and January in the northern hemisphere and between May and June in the southern hemisphere. The fish uses rapid fanning of the tail and caudal fin on a rock riverbed to make several shallow pits, into which about 1,000 to 1,500 reddish eggs, four to five millimetre wide, are laid. The fish larvae emerge after two to four months.

The river trout has a special significances as a host fish for the  glochidia of the freshwater pearl mussel.

Other forms
Because trout live in habitats with fixed boundaries, in addition to the river trout, Salmo trutta fario, there are various other subspecies of Salmo trutta. See Species of Trout.

Hybrids
The tiger trout (Salmo trutta fario × Salvelinus fontinalis) is a genetic cross between a river trout and a brook trout. It gets its name from its characteristic golden yellow markings. Tiger trout are sterile, despite male and female may be distinguished by their external markings. The female tiger trout does not develop any gonads. By contrast, male tiger trout develop testicles as well as secondary sex features such as kypes, humps, darker and thicker skin and a lighter fillet colouring during the spawning season.

Fishing

In the past, European waterbodies were heavily and artificially stocked with rainbow trout, a native of America that grows more quickly and is less demanding of water quality. It is disputed whether this threatens the river trout. Today, it is bred in fishponds with almost the same rate of success as the rainbow trout, for food and for restocking rivers. To protect native species of fish, the stocking of rivers with non-native species has been restricted for several years.

River trout makes an excellent fish dish.

Angling
River trout is very popular with anglers. It is frequently fished using artificial lures. Angling with natural lures (worms, maggots, grasshoppers) is discouraged in most rivers because it is difficult to throw those trout back that are below the minimum landing size uninjured, when they have ingested this food so quickly and deeply.

Fly rods are used to catch river trout. Medium-sized, wet and dry flies are thrown into streams with a rod of AFTMA Class 4-6 and are intended to mimic an emerging or egg-laying insect.
A spinning rod can also be used in some waters. For this purpose, a light spinning rod and various artificial lures, such as spoon lures and spinners are used. In using wobblers and rubber fish care should be taken because they are banned on some waterbodies or may only be used with restrictions.

Research use
The fish has been used as a bio-indicator species in freshwater systems due to their sensitive nature. They are a well-established 'model organism' in aquatic toxicology research, especially for heavy metal bioaccumulation.

References

Literature
 Fritz Terofal: Süsswasserfische in europäischen Gewässern. Mit 200 farbigen Darstellungen von Fritz Wendler. Mosaik Verlag u. a., München u. a. 1984, .
 Alexander Kölbing, Kurt Seifert: So macht Angeln Spass. Mehr wissen – mehr fangen. 5., durchgesehene Auflage. BLV, München u. a. 1995, .
 Roland Gerstmeier, Thomas Romig: Die Süßwasserfische Europas. Für Naturfreunde und Angler. Kosmos, Stuttgart 1998, .

External links

Salmo
Freshwater fish of Europe
Fish described in 1758
Taxa named by Carl Linnaeus
Morphas


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Recipe Links
Cat's Blog
In 1902 my Great Grandparents Charles and Alice chose to settle our family in the small village of Alvingham 3 miles Northeast of Louth, Lincolnshire. They are seen to the right with three of their sons stood in the grounds of Grange Farm with our family home behind them.
Great Grandad Shaw established a successful market gardening business specialising in early chitted seed potatoes along with growing flowers, fruit, cucumbers and tomatoes. Glass houses were built to accommodate all of this produce, pictures of which can be seen in the early aerial photographs. A small shop was opened for local families to buy produce at our family home Buxton House and deliveries made in the local vicinity. 'Charlie's tomatoes' were not to be missed, he is seen sat outside the greenhouses amongst his produce.
My Great Grandparents had five sons and the youngest, John, (my grandfather) took to the land from an early age. He fondly told customers the story of being sent to serve his first customer in the yard at the age of 13, selling a stone of seed potatoes. In 1935 he officially joined the business and continued the tradition of market gardening, 'Jack' as he was known to many, was involved with the family business for over seventy years. He and Granny worked tirelessly growing tomatoes, hundreds of pounds of strawberries, lettuce and many other seasonal salads, fruits and vegetables. Jack served in the retail shop into his mid eighties as seen in the bottom photo on the right hand side.
My father, Robert, worked hard for Grandad learning the trade of market gardening, of sales to local retailers and delivering fresh produce. Grandad and Dad formed the partnership "J. Shaw & Son" in 1971 moving away from market gardening, gradually expanding product lines by working with other local growers and farmers offering a hub of local produce supplemented by produce from across the UK and where necessary the world via large commercial import specialists. Mum, Carolyn, worked alongside Dad helping to grow the business and in the mid nineties a new retail shop was built in the yard to continue to serve local families at Buxton House.
In 2011 my brother Michael and I joined the family business on a full-time basis and since then we've worked under Dad's watchful eye but with the insight of our own farming and catering backgrounds. We were incredibly fortunate to have served several other businesses in the area and also run our family farm shop at the yard for a further nine years in Dad's existing business structure.
When the pandemic hit in March 2020 whilst many businesses were having to close their doors, we as an essential food business were allowed to continued operating and almost overnight our business changed completely. Panic buying set in, extremely vulnerable people were asked to isolate (including my father and brother). To manage both the availability of produce and the safety of our team and family we closed the yard and began operating a time allocated collection and home delivery service serving hundreds of local households.
Our community stepped up in a way one could never imagine, suddenly, I had friends and family phoning up volunteering their time supporting our team to come and pick and pack orders, help with deliveries, answering telephones and generally being a tower of strength when the world seemed dark and very unfriendly. I shall be forever indebted to these friends and family who helped keep our small family business alive when otherwise we might not have survived.
In the thick of the pandemic my father was diagnosed with Parkinson's and my brother (already a dialysis patient) was diagnosed with Leukaemia. Therefore, in April 2021 we announced that we would no longer be offering a wholesale delivery service, hoping to better manage our work life balance and enjoy more family time together. Both diagnoses given and a year of the pandemic really forced us to look at what is important, family. It was a very difficult decision to make as we knew we would be letting people down but knew that we sadly could no longer offer the wholesale delivery service if we were to improve our health.
From May 2021 we have been concentrating our efforts on the retail farm shop, operating Tuesday to Saturday 9am to 4pm. We're really focusing on selling as much fantastic local Lincolnshire produce as we can, luckily, we live in a county abundant with fresh produce. To offer a wide range of potatoes, vegetables, salads and fruits we do source from across the UK and world, but only where necessary. We also stock local products such as honey, coffee, bread, cooking ingredients and publications such as The Louth Leader and the Lincolnshire Life Magazine.
Mike and I, together with our parents and hardworking team welcome you to visit us and hope as the food critics say, you leave feeling it was well worth the detour!
Catherine Shaw
Great Grandad Charles and Great Grandmother Alice with 3 of 5 sons.
Great Grandad Charlie
Buxton House circa 1950s
Jack Shaw
J. Shaw & Son, Buxton House, Yarburgh Road, Alvingham, Near Louth, Lincolnshire LN11 0QG
Tel: 01507 327 395 info@shawsfruitandveg.co.uk
Tuesday - Saturday 9am to 4pm
Mondays: CLOSED
Copyright 2022 J. Shaw & Son, Fruit and Vegetable Merchants


`The new-style number plates start with two letters followed by two numerals, e.g. AB51 ABC. You must wear spectacles or contact lenses for the whole duration of the test if you need them to read the number plate.
You cannot take the driving part of the assessment if you fail the eyesight test. You can still do the wheelchair section if you're taking the enhanced assessment.
If you are improving your driving skills to be licenced to convey disabled passengers at our Uckfield branch, you must carry out an enhanced assessment. This assessment includes a specific wheelchair exercise. If you have already qualified but want to add the wheelchair element to your licence, you may carry out an upgrade assessment.
What do you need to have with you to complete the Brighton Steering Clear enhanced driver and taxi driver training and test?
In order to take your test you must bring your driving licence and if you have an old- paper licence instead of the newer photo card, you must also bring your valid passport.
Your local council will then tell you what to do when you've passed the assessment.
The price of our taxi driver tuition in Uckfield is £27 per hour.


You've heard it a million times: Do your best. That's great for a math test or a band concert, but what about the rest of your life? God wants you to do your best and be your best. How? Lost of ways! In The Christian Girl's Guide to Being Your Best, you will see what it means to be the best Christian girl you can be. Stories about real and fictional girls, devotionals, Scripture, journaling, quizzes, crafts and other activities will show you how to live out God's special plan for your life. Recommended for ages 8 and up.


I'm so impressed with Amy's beautiful challenge post of the architecture of Machu Picchu with the accompanying audio that I'm going to have to go in a completely different direction for my post so as not to invite comparison.
And part two. Happy Anniversary, dear Josh & Daena!
One year ago…and since, a wedding reception and a cross-country move. It's been a big year for this little family. I'm wishing them every good thing and all my love.


At Suresky Hyundai, we love giving our customers options, especially when it comes to inventory. Whether you're interested in our wide variety of used vehicles, featured used vehicles, or certified used vehicles, our selection of used cars in Goshen, New York is certain to have something you love at a price you can afford. Explore one of our most popular options and browse our premium selection of featured cars online below.
With the featured used car inventory at Suresky Hyundai, you can expect to find popular pre-owned models at special prices. From used Jeep Wrangler SUVs, to certified pre-owned Hyundai Elantra sedans and other featured Hyundai vehicles, you'll find what you've been looking for at our Goshen, NY dealership. To explore your options, check out our used inventory online now.
Thinking about trading in and saving even more on one of our low-priced featured used vehicles? At Suresky Hyundai, all you need to do is work with our sales and auto financing professionals to determine the best route forward for you and your budget. Whether that means taking advantage of our bargain inventory or our featured used car selection. What are you waiting for? Stop by and test drive from our amazing inventory of used cars in Goshen, NY today.


We were going to make a hat joke, but we couldn't think of one off the top of our heads... But seriously, get in on the fun and a chance to win these Cowboy Hat tees and flags.
Compete now in CC Event #55 through Fri, 9/8 for your chance to win in-game rewards, including these virtual tee markers and flags.
CC Event #55 runs 9/7-9/8 with multiple 4-hour Clashes, so be sure to play as many games as you can for your club and keep your eyes on the leaderboard.
We here at VOTSCC enjoyed our CLASH with your CC in CLASH # 55.
"Thank you from Tianium Bunkers!!"
I just saw your wall post on my profile! Really appreciate the kind words! from Titanium Bunkers CC to your Club we enjoyed the Turf War and on a separate note we have not heard a cross word in playing any of your Members. When playing a Club Member of yours I am always greeted with a nice gesture and great sportsmanship. I have no doubt that we will be battling again!


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Television.AU
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The Top 60 begins…
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1990: April 14-20
Murray Nicoll
The 52nd TV Week Logie Awards
Home And Away actor Ray Meagher (pictured) has been awarded the TV Week Gold Logie for Most Popular Personality on Australian Television. Despite Meagher's lengthy career, including 22 years on Home And Away, it is his first Logie award.
Home And Away also won an award for actor Luke Mitchell as Most Popular New Male Talent. And Seven's other drama Packed To The Rafters also swept up several awards last night – Most Popular Drama Series, Most Popular Actress (Rebecca Gibney) and Most Popular Actor (Hugh Sheridan).
Seven also won Most Outstanding News Coverage for Seven News' coverage of the Black Saturday bushfires in Victoria and Most Outstanding Sports Coverage for the V8 Supercars: Supercheap Auto Bathurst. Better Homes And Gardens won Most Popular Lifestyle Show.
The Ten Network was well rewarded last night with two Logies for its hit show Masterchef Australia (pictured) – including Matt Preston winning the Graham Kennedy Award for Outstanding New Talent – and Talkin' 'bout Your Generation winning three Logies, including Shaun Micallef for Most Popular Presenter. The 7PM Project also scored a win with Carrie Bickmore winning Most Popular New Female Talent, and Bondi Rescue won Most Popular Factual Program.
The Nine Network didn't score all that well at last night – winning only one award for The Footy Show (NRL) as Most Popular Sports Program.
ABC won awards for Most Outstanding Children's Program (My Place, ABC3) and for its Four Corners report, Code Of Silence. SBS' drama series East West 101 won two Logies – Most Outstanding Drama and Most Outstanding Actor (Don Hany) – and the telemovie Saved won Most Outstanding Actress for Claudia Karvan.
The tribute to those in the industry that have passed away in the last 12 months included a performance by PJ Lane, son of Don Lane (pictured), who was joined on stage by several performers from the earlier days of IMT and The Don Lane Show, including Philip Brady, Toni Lamond, Patti Newton, John Michael Howson and Geoff Harvey.
Bert Newton, hosting the awards solo for the first time since 1993, did an admirable job for what has become one of the toughest gigs in television – keeping up the tradition of topical humour as well as a candid interview with guest k.d. Lang. Restoring Newton to the hosting role could be regarded as a safe option after the last few years' instability in the Logies hosting, but he did well to restore some of the Logies' sense of occasion.
Newton also presented an excellent introduction to the Hall of Fame presentation, with former Melbourne newsreader Brian Naylor (pictured) posthumously inducted in the TV Week Logie Awards' Hall of Fame in an outstanding tribute including speeches by Naylor's former colleagues Mal Walden, Peter Hitchener and Peter Mitchell.
Musical performances came from Gabriella Cilmi, k.d. Lang, John Mayer (who seemed rather disinterested in being at the awards) and the Rogue Traders.
Last night's four-hour presentation at Melbourne's Crown Casino earned an average of 1.4 million viewers for the Nine Network across the five cities – a decline on last year's awards which were watched by 1.58 million viewers and the Red Carpet arrivals which scored 1.7 million viewers. The Logies were beaten in the ratings last night by Nine News, Masterchef Australia and Seven News – though none of those had a four-hour run time and the Logies did not wind up until after 11.30pm.
Nine also won the night's ratings convincingly with a 32.8 per cent share, well ahead of Seven (25.4%), Ten (19.1%), ABC1 (9.9%) and SBS1 (3.4%), with digital channels GO! (4.5%), 7TWO (2.5%), ONE (1.4%), ABC2 (0.7%), ABC3 (0.2%) and SBS2 (0.1%).
GOLD LOGIE:
Ray Meagher, Home And Away
SILVER: MOST POPULAR ACTOR
Hugh Sheridan, Packed to the Rafters
SILVER: MOST POPULAR ACTRESS
Rebecca Gibney, Packed to the Rafters
SILVER: MOST POPULAR PRESENTER
Shaun Micallef, Talkin' 'Bout Your Generation
MOST POPULAR DRAMA:
Packed to the Rafters, Seven
MOST POPULAR REALITY:
MasterChef Australia, Ten
MOST POPULAR NEW TALENT: MALE
Luke Mitchell, Home And Away
MOST POPULAR NEW TALENT: FEMALE
Carrie Bickmore, The 7PM Project
MOST POPULAR LIFESTYLE:
Better Homes and Gardens, Seven
MOST POPULAR LIGHT ENTERTAINMENT:
Talkin' 'Bout Your Generation, Ten
MOST POPULAR SPORTS:
The Footy Show NRL, Nine
MOST POPULAR FACTUAL:
Bondi Rescue, Ten
OUTSTANDING AWARDS:
SILVER: MOST OUTSTANDING ACTOR:
Don Hany, East West 101
SILVER: MOST OUTSTANDING ACTRESS:
Claudia Karvan, Saved
SILVER: MOST OUTSTANDING DRAMA SERIES, MINISERIES OR TELEMOVIE:
East West 101, SBS1
MOST OUTSTANDING NEWS COVERAGE:
Victorian Bushfires, Seven News
MOST OUTSTANDING PUBLIC AFFAIRS REPORT:
Code of Silence, Four Corners, ABC1
MOST OUTSTANDING LIGHT ENTERTAINMENT:
MOST OUTSTANDING SPORTS:
V8 Supercars: Supercheap Auto Bathurst, Seven
MOST OUTSTANDING CHILDREN'S:
My Place, ABC3
MOST OUTSTANDING FACTUAL:
Law And Disorder, SBS1
GRAHAM KENNEDY AWARD FOR MOST OUTSTANDING NEW TALENT:
Matt Preston, MasterChef Australia
TV WEEK LOGIE AWARDS' HALL OF FAME:
Brian Naylor
Bert Newton, East West 101, Four Corners, Home And Away, Masterchef Australia, Neighbours, Packed To The Rafters, Rebecca Gibney, Seven News, Talkin' 'bout Your Generation, The Don Lane Show, The Footy Show, The Project, TV Week, TV Week Logie Awards
Permanent link to this article: https://televisionau.com/2010/05/the-52nd-tv-week-logie-awards.html
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The first Shakespearean play produced by Skidmore dramatists tor many years will be presented this weekend at 8:30, on Friday and Saturday nights of this May Day weekend, Omnibus will present Shakespeare's Twelfth Night.
The doors of the Little Theatre will open at 8 P. M. both evenings of the production. There are no reserved seats, and no admission will be charged.
Each Junior Drama Major, as part of her exam, is head of one of the backstage crews.
Twelfth Night is one of Shakespeare's most popular Romantic comedies. It is a comedy of mishaps and errors, concerning a young girl, Viola, who is shipwrecked and, disguised as a boy, becomes a page to a king. Any number of things could happen then and did! But we won't spoil it for you—just be sure you're there in the Little Theater, either Friday, or Saturday night of May Day Weekend at 8:30 to see Twelfth Night.
Many interesting exhibits, of which the students should take full advantage, are planned for the next few weeks. The current exhibit of student work in the Gallery will continue through May 10, and those who have not already seen it should visit the Studio before that date. From May 16 to May 29, senior Art majors will display their original problems in the Gallery and the Art Reading Room. This work is a part of their general major examination.
There will be special Founder's Day exhibitions in the Hathorn Studio, Clark Street, and the Sculpture Studio from 9 A. M. to 9 P. M. on Saturday, and from 9 A. M. to 5 P. M. on Sunday. The faculty of the Art Department expect many parents to visit the exhibits, and will be there to greet them Saturday, 1-3 P. M. Also at this time, there will be a special demonstration called, "Paintings With Light" which has been designed by members of the sophomore Structural Design class.
The Board of Trustees of Skidmore College will visit the school on April twenty-eighth and twenty-ninth. This will be the fourth meeting of the year, and as yet, no definite information has been disclosed concerning the plans or topics to be discussed. The Buildings and Grounds Committee, The Art Committee, The Committee on Academic Freedom and Tenure, The Committee on Student Health, and The Executive committee will all meet separately during the course of the weekend.
Tomorrow evening April 28th at 8:30, music will emanate from College Hall where the Skidmore chorus and Colgate glee club will present a joint concert. Mr. James Sykes will direct the Colgate chorus and Mr. Hoyt Irwin will lead the Skidmore group.
The program will begin with four songs by Clokey; "Last Night", "Flower of Dreams", "A Bird Flew", and "Pretense", which the Skidmore chorus will sing.
Mr. Irwin will then conduct . both choruses in "John Brown's Song," a poem by Steven Vincent Benet set to music by Charles Delaney.
This will be followed by the Skidmore Chorus singing "Waters Ripple and Flow", a Czech-Slovak folk song. Genevieve Terpening '52 will be the soprano soloist, and Wanda Whiting '52 will sing the contralto solo. The girls then will render "Holiday Song" by William Schuman, "Bachannale Arabe", a composition of Laquorge's.
Under the direction of Mr. Sykes, the Colgate glee club will sing "Tarantella" by Randall Thomson, "Shango", a Brazilian incantation by James Orally, and "A Barn Song" by Eduard Grieg.
There will then be a piano duet rendered by Robert Sager ('51) and Jantoon de Jong ('52). The selection will be an arrangement by Davidson, of the Coronation Scene from Moussorgsky's opera Boris Gudonov.
This is the first of two concerts to be given in conjunction with the Colgate glee club. The second, by invitation of Colgate, will be held on May 13th, at Colgate.
On Saturday morning, April 29, the Home Economics department is presenting its annual fashion show at 11:00 A. M. in Clark Street Building. This year the show is to be called "Every Inch a Lady". The fashions modeled by the students are those which each girl has made in the Home Economics classes: flat pattern, construction, and draping. Featured will be skirts, blouses, wool dresses, suits, coats, cottons, and evening gowns.
An added attraction will be two very young models from Saratoga —Patty Collins and Kit Moore. They will wear the dresses made for them by two girls in the Home Economics classes.
The show is produced by the Fashion coordination class under the direction of Miss Verna Moulton. Acting as narrator will be Jean Nelson '50 with Jean Rowe '50 as piano accompanist.
is now on sale at the Skidmore Shop. The three records, ten inches in size and unbreakable, sell for five dollars.
A Yorkshireman by birth, Mr. Raphael spent a large part of his early years in the industrial areas of England. Before the war he was on the faculty of Oxford, having graduated from there in 1930. During the early war years, he was put on to special work with the British Home Office on the handling of aliens within the country, holding the post of Lieson Officer for Interment Camps. After doing similar work in Canada, he was transferred to the British Information Service.
Mr. Raphael has been in the United States since just before Pearl Harbor. He has spent a great deal of his time writing and lecturing on economic affairs. Labor and Industry in Britain and Economic Record are two periodicals that he founded and still edits.
The presentation of the May Queen and her court will highlight Founder's Day services on Saturday, April 29.
Ethel Leete, this year's queen, will follow the procession in a white gown and will carry a spray of red roses. Her crown, of silver, brilliants, and crystal, is to be a permanent possession of the college for succeeding May Queens. It was made by Miss Carolyn Rosse, who was graduated from Skidmore last year and who is now a member of the faculty in the Art Department.
Peg Rye, the queen's attendant, and Jackie Twiss, who will present the queen with the crown, will lead the cortege in gowns of American Beauty. Following them, in order, are Nancy Cutting and Isabel Singer in lilac gowns, Peggy McConnell and Harriet Sato in yellow, Peg Smith and Jan Sutherland in gold, Joan Kreu-ser and Inge Hansen in lime, and Helen Merriam and Arden Weyde in kelly green.
The attendants, wearing gold shoes, white gloves, and a single strand of pearls, will carry Chinese fans of spring flowers, each bouquet matching the separate gowns.
The gowns, lovely as always, were designed by students of the costume class under the direction of Mrs. Davidson. A beautiful job of draping was done by the advanced draping class under Miss Moulton. The Misses O'Connor, sewed all the gowns by hand, as they have done for many years.
Mr. Irwin merits credit for the music; Miss Paulding for direction of the procession and presentation; Miss Katherine Reid for organization of the program; and Miss Elizabeth Wiles for design of the throne.
Next Saturday, April 29, at 4:00, the traditional song contest and crowning of the May Queen will take place in Convention Hall.
Each class writes an original song and "pop" songs, of original words to familiar tunes. After the contest the traditional prizes will be awarded. For the original song the prize is $10 to be divided between the composers; for the pop song, a silver tray; and for the competition singing, a silver cup.
The Seniors will then sing the "Senior Farewell," and the ceremony will end with the whole college singing the Alma Mater.
The college song leader is Betty Rae Smith; the college accompanist is Joan Varley. Class song leaders and accompanists are: Senior: Song leader, Leontine Jameson; Accompanist, Jean Ann Rowe Junior: Song leader, Betty Rae Smith; Accompanist, Joan Varley.
Sophomore: Song leader, Jane Davis; Accompanist, Shirley Welber.
Freshman: Song leader, Barbara Hyman; Accompanist, Lois Kite.
Skidmore, a school young in years, is adding another tradition to its growing list. This year, the May Queen, Ethel Leete, will be the first of Skidmore royalty to wear the newly acquired permanent Skidmore Crown. In past years, our May Queen has been crowned with a tiara of flowers or a cloth symbol of queendom. Now she will wear the true symbol of her office, a silver crown.
The crown was designed and is being made by Miss Carol Rosse, an instructor in the Skidmore College Art Department. Thanks for the original idea of a permanent crown go to Mrs. Davidson, also of the Art Department. Miss Rosse is making the crown of sterling silver and the jewels are imported Czechoslovakian crystals. The design is based on a spring motif of blossoms and buds, very much in keeping with the spirit of May Day. All of the work on the crown is being done by hand and Miss Rosse is really contributing a work of art to Skidmore College. After the May Day presentation of the crown, it may be kept in a show case in the library during the year until next year's queen is chosen and crowned.
At four-fifteen Monday afternoon May 1 in the Recreation Center, Miss Kathryn Starbuck will present a lecture on parliamentary procedure. This talk, entitled "How to Run a Meeting", is being given especially for the nursing majors; however, everyone who is interested is cordially invited.
The senior chorus, which will sing at commencement, is now being assembled. Fifty singers are needed. No try-outs are necessary as the chorus will be chosen on a volunteer basis.
On Tuesday, May 2, at 8:00 P.M. at the Hathorn Gallery, the Studio Arts Club will present Mr. Lane Faison. Mr. Faison, who is the Chairman of the Art Department at Williams College, is to lecture and show slides on the subject of Viennese Art Treasures. A reception at the Gallery will follow. The subj'ect is an interesting one, and the affair should be well worth attending.
Transcript Skidmore News Volume Twenty-Five	SARATOGA SPRINGS, N. Y., THURSDAY, APRIL 27, 1950	Number Fourteen SKIDMORE FOUNDER'S DAY Shakespeare Comes To Little Theatre May Day Weekend The first Shakespearean play produced by Skidmore dramatists tor many years will be presented this weekend at 8:30, on Friday and Saturday nights of this May Day weekend, Omnibus will present Shakespeare's Twelfth Night. The doors of the Little Theatre will open at 8 P. M. both evenings of the production. There are no reserved seats, and no admission will be charged. The Cast Members of the cast of Twelfth Night are: Olivia...........................Kay Borzani Viola............................Nancy Foell Maria......................Anita Helfenstein Orsino.......................Barbara Heinzer Captain........................Dot Danninger Antonio............................Lyn Wager Fabian..........................Ginny Martin Sir Andrew......................Nancy Owings Sir Toby...........................Gwyn Dunn Sebastian........................Jan Gregory Clown............................Addie Zuger Curio..............................Ann Davis Malvolio.......................Lois Lunsford Officers.......................Anne Hankmson Toni Spring Ladies in Waiting.............Ann Whitehouse Jerry Buskin Priest..........................Betty Tullis Valentine ..................Laura Richardson Each Junior Drama Major, as part of her exam, is head of one of the backstage crews. Twelfth Night is one of Shakespeare's most popular Romantic comedies. It is a comedy of mishaps and errors, concerning a young girl, Viola, who is shipwrecked and, disguised as a boy, becomes a page to a king. Any number of things could happen then and did! But we won't spoil it for you—just be sure you're there in the Little Theater, either Friday, or Saturday night of May Day Weekend at 8:30 to see Twelfth Night. Gallery Will Hold Special Founder's Day Exhibitions Many interesting exhibits, of which the students should take full advantage, are planned for the next few weeks. The current exhibit of student work in the Gallery will continue through May 10, and those who have not already seen it should visit the Studio before that date. From May 16 to May 29, senior Art majors will display their original problems in the Gallery and the Art Reading Room. This work is a part of their general major examination. There will be special Founder's Day exhibitions in the Hathorn Studio, Clark Street, and the Sculpture Studio from 9 A. M. to 9 P. M. on Saturday, and from 9 A. M. to 5 P. M. on Sunday. The faculty of the Art Department expect many parents to visit the exhibits, and will be there to greet them Saturday, 1-3 P. M. Also at this time, there will be a special demonstration called, "Paintings With Light" which has been designed by members of the sophomore Structural Design class. Trustees Will Visit Here Founder's Day Weekend The Board of Trustees of Skidmore College will visit the school on April twenty-eighth and twenty-ninth. This will be the fourth meeting of the year, and as yet, no definite information has been disclosed concerning the plans or topics to be discussed. The Buildings and Grounds Committee, The Art Committee, The Committee on Academic Freedom and Tenure, The Committee on Student Health, and The Executive committee will all meet separately during the course of the weekend. Colgate, Skidmore Combine Choruses Tomorrow evening April 28th at 8:30, music will emanate from College Hall where the Skidmore chorus and Colgate glee club will present a joint concert. Mr. James Sykes will direct the Colgate chorus and Mr. Hoyt Irwin will lead the Skidmore group. The program will begin with four songs by Clokey; "Last Night", "Flower of Dreams", "A Bird Flew", and "Pretense", which the Skidmore chorus will sing. Mr. Irwin will then conduct . both choruses in "John Brown's Song," a poem by Steven Vincent Benet set to music by Charles Delaney. This will be followed by the Skidmore Chorus singing "Waters Ripple and Flow", a Czech-Slovak folk song. Genevieve Terpening '52 will be the soprano soloist, and Wanda Whiting '52 will sing the contralto solo. The girls then will render "Holiday Song" by William Schuman, "Bachannale Arabe", a composition of Laquorge's. Under the direction of Mr. Sykes, the Colgate glee club will sing "Tarantella" by Randall Thomson, "Shango", a Brazilian incantation by James Orally, and "A Barn Song" by Eduard Grieg. There will then be a piano duet rendered by Robert Sager ('51) and Jantoon de Jong ('52). The selection will be an arrangement by Davidson, of the Coronation Scene from Moussorgsky's opera Boris Gudonov. This is the first of two concerts to be given in conjunction with the Colgate glee club. The second, by invitation of Colgate, will be held on May 13th, at Colgate. Fashion Trend Is "Every Inch a Lady" On Saturday morning, April 29, the Home Economics department is presenting its annual fashion show at 11:00 A. M. in Clark Street Building. This year the show is to be called "Every Inch a Lady". The fashions modeled by the students are those which each girl has made in the Home Economics classes: flat pattern, construction, and draping. Featured will be skirts, blouses, wool dresses, suits, coats, cottons, and evening gowns. An added attraction will be two very young models from Saratoga —Patty Collins and Kit Moore. They will wear the dresses made for them by two girls in the Home Economics classes. The show is produced by the Fashion coordination class under the direction of Miss Verna Moulton. Acting as narrator will be Jean Nelson '50 with Jean Rowe '50 as piano accompanist. Skidmore Classics By College Chorus The long-awaited album of the College Chorus Town Hall recording entitled Songs of Skidmore is now on sale at the Skidmore Shop. The three records, ten inches in size and unbreakable, sell for five dollars. Songs recorded are: 1. Now We Sing in Proud Devotion This Is Skidmore 2. Senior Farewell Skidmore Memories Way Down Among the New York Hills 3. Founders Song Alma Mater 4. Song of Praise Sister Awake 5. Singing Memories Forward Through the Ages 6. Waters Ripple and Flow British Economist, C. Raphael Speaks At May Day Chapel May Day Chapel Service, one of Skidmore's oldest and best loved traditions, will be commemorated this Sunday, April 30, at 10:30 A. M. in College Hall. Chaim Raphael, Senior Economic Information Officer in the United States for the British government, will be the speaker. The subject of his talk is "Britain's Economic Position." A Yorkshireman by birth, Mr. Raphael spent a large part of his early years in the industrial areas of England. Before the war he was on the faculty of Oxford, having graduated from there in 1930. During the early war years, he was put on to special work with the British Home Office on the handling of aliens within the country, holding the post of Lieson Officer for Interment Camps. After doing similar work in Canada, he was transferred to the British Information Service. Mr. Raphael has been in the United States since just before Pearl Harbor. He has spent a great deal of his time writing and lecturing on economic affairs. Labor and Industry in Britain and Economic Record are two periodicals that he founded and still edits. Making the May Day Service complete will be the reading of the Founder's Day Prayer by Dean Norma MacRury. The freshman chorus will sing the traditional "Sister, Awake" by Louis Edgar Johns and the favorite "How Silently April Takes a Battlefield," written by Myra Boitos. This is the last time that this chorus will appear as a group, and, therefore, to express their appreciation to Mr. Stanley Saxton, they will sing the anthem that he wrote and dedicated to them, "Softly Now the Light of Day." Singing, Queen's Coronation Highlight May Day Weekend The presentation of the May Queen and her court will highlight Founder's Day services on Saturday, April 29. Ethel Leete, this year's queen, will follow the procession in a white gown and will carry a spray of red roses. Her crown, of silver, brilliants, and crystal, is to be a permanent possession of the college for succeeding May Queens. It was made by Miss Carolyn Rosse, who was graduated from Skidmore last year and who is now a member of the faculty in the Art Department. The Court Costumes Peg Rye, the queen's attendant, and Jackie Twiss, who will present the queen with the crown, will lead the cortege in gowns of American Beauty. Following them, in order, are Nancy Cutting and Isabel Singer in lilac gowns, Peggy McConnell and Harriet Sato in yellow, Peg Smith and Jan Sutherland in gold, Joan Kreu-ser and Inge Hansen in lime, and Helen Merriam and Arden Weyde in kelly green. The attendants, wearing gold shoes, white gloves, and a single strand of pearls, will carry Chinese fans of spring flowers, each bouquet matching the separate gowns. The gowns, lovely as always, were designed by students of the costume class under the direction of Mrs. Davidson. A beautiful job of draping was done by the advanced draping class under Miss Moulton. The Misses O'Connor, sewed all the gowns by hand, as they have done for many years. Mr. Irwin merits credit for the music; Miss Paulding for direction of the procession and presentation; Miss Katherine Reid for organization of the program; and Miss Elizabeth Wiles for design of the throne. Next Saturday, April 29, at 4:00, the traditional song contest and crowning of the May Queen will take place in Convention Hall. Song Competition After the coronation of the queen, she and her court will preside over the song contests. First the Founder's Song will be sung by the entire college, then the classes will compete in singing songs written by alumnae. The Juniors and Freshmen are to sing "This Is Skidmore" and the Sophomores and Seniors will compete with "Song of Praise". The winners of these two will then compete in singing "Skidmore Marching Song." Each class writes an original song and "pop" songs, of original words to familiar tunes. After the contest the traditional prizes will be awarded. For the original song the prize is $10 to be divided between the composers; for the pop song, a silver tray; and for the competition singing, a silver cup. The Seniors will then sing the "Senior Farewell," and the ceremony will end with the whole college singing the Alma Mater. Class Song Leaders and Accompanists The college song leader is Betty Rae Smith; the college accompanist is Joan Varley. Class song leaders and accompanists are: Senior: Song leader, Leontine Jameson; Accompanist, Jean Ann Rowe Junior: Song leader, Betty Rae Smith; Accompanist, Joan Varley. Sophomore: Song leader, Jane Davis; Accompanist, Shirley Welber. Freshman: Song leader, Barbara Hyman; Accompanist, Lois Kite. A New Tradition-The Silver Crown Skidmore, a school young in years, is adding another tradition to its growing list. This year, the May Queen, Ethel Leete, will be the first of Skidmore royalty to wear the newly acquired permanent Skidmore Crown. In past years, our May Queen has been crowned with a tiara of flowers or a cloth symbol of queendom. Now she will wear the true symbol of her office, a silver crown. The crown was designed and is being made by Miss Carol Rosse, an instructor in the Skidmore College Art Department. Thanks for the original idea of a permanent crown go to Mrs. Davidson, also of the Art Department. Miss Rosse is making the crown of sterling silver and the jewels are imported Czechoslovakian crystals. The design is based on a spring motif of blossoms and buds, very much in keeping with the spirit of May Day. All of the work on the crown is being done by hand and Miss Rosse is really contributing a work of art to Skidmore College. After the May Day presentation of the crown, it may be kept in a show case in the library during the year until next year's queen is chosen and crowned. [photograph] Queen and Her Court Miss Starbuck Lectures At four-fifteen Monday afternoon May 1 in the Recreation Center, Miss Kathryn Starbuck will present a lecture on parliamentary procedure. This talk, entitled "How to Run a Meeting", is being given especially for the nursing majors; however, everyone who is interested is cordially invited. Fifty Girls Needed For Senior Chorus The senior chorus, which will sing at commencement, is now being assembled. Fifty singers are needed. No try-outs are necessary as the chorus will be chosen on a volunteer basis. Gallery Exhibition On Tuesday, May 2, at 8:00 P.M. at the Hathorn Gallery, the Studio Arts Club will present Mr. Lane Faison. Mr. Faison, who is the Chairman of the Art Department at Williams College, is to lecture and show slides on the subject of Viennese Art Treasures. A reception at the Gallery will follow. The subj'ect is an interesting one, and the affair should be well worth attending.


text:
Katastrofa lotu LAM Mozambique Airlines 470 – wydarzyła się 29 listopada 2013 roku na terytorium Namibii. W wyniku katastrofy samolotu Embraer 190 należącego do linii lotniczych LAM Mozambique Airlines śmierć poniosło 33 osób (27 pasażerów oraz 6 członków załogi) – wszyscy na pokładzie.

Samolot
Embraer 190 o numerze seryjnym 581 został wyprodukowany w 2012 roku. Wyposażony był w dwie jednostki napędowe General Electric CF34, uzyskał numer boczny C9-EMC, po czym został dostarczony liniom LAM Mozambique Airlines. Od tego momentu maszyna wykonała 1877 startów i lądowań o łącznym nalocie 2905 godzin.

Przebieg lotu
Feralnego dnia maszyna wykonywała regularny lot o numerze 470, na trasie Maputo-Luanda. Samolot wystartował o 11:00 czasu lokalnego z Maputo, a jego planowany przylot do Luandy miał mieć miejsce o 14:10 czasu miejscowego. Nagle, na wysokości przelotowej wynoszącej 38 000 stóp (11,600 m), maszyna zaczęła zniżać się z prędkością 100 stóp na sekundę (108 km/h). Samolot z ekranów radaru zniknął na wysokości około 3000 stóp, po około 6 minutach od rozpoczęcia opadania. Wrak samolotu został odnaleziony 30 listopada na terenie Parku Narodowego Bwabwata.

Pasażerowie i załoga
Na pokładzie samolotu znajdowały się 33 osoby – 27 pasażerów i 6 członków załogi. W dniu katastrofy lot nr 470 obsługiwała dwuosobowa załoga. Kapitan Herminio dos Santos Fernandes latał na tej trasie regularnie i do czasu katastrofy miał nalot na tym typie samolotu w ilości 4000 godzin, natomiast pierwszy oficer miał w swej karierze nalot na tym typie w wysokości 1000 godzin.

Zestawienie pasażerów i załogi według narodowości.

Badanie przyczyn katastrofy
30 listopada 2013 czynności wyjaśniające przyczyny katastrofy rozpoczęła międzynarodowa komisja wypadków lotniczych pod kierownictwem rządu Namibii. Do składu komisji zostali powołani eksperci z Brazylii (producent samolotu) i Mozambiku (operator samolotu). Tego też dnia odnaleziono obie czarne skrzynki, z parametrami lotu i rozmowami załogi z kokpitu. Zgodnie z przepisami ICAO wstępny raport z przyczyn katastrofy powinien zostać opublikowany po 30 dniach od daty śledztwa.

Zapisy z czarnych skrzynek ujawniły, że kapitan Herminio dos Santos Fernandes miał "jasny zamiar rozbić pilotowany samolot".

Zobacz też
 Katastrofa lotu Royal Air Maroc 630
 Katastrofa lotu SilkAir 185
 Katastrofa lotu EgyptAir 990
 Katastrofa lotu Germanwings 9525

Przypisy

Linki zewnętrzne
 Interim Report (Archive) Directorate of Aircraft Accident Investigations Namibia
 LAM Mozambique Airlines – Index of press releases related to the crash
 Voo TM 470 (Archive)
 Flight TM 470 (Archive)
Embraer
 "COMUNICADO." (Archive) 30 November 2013.
 "COMMUNIQUÉ." (Archive) 30 November 2013.
 Informacje na temat katastrofy

Katastrofy lotnicze w Namibii
Katastrofy lotnicze w 2013
Katastrofy lotnicze z udziałem samolotu Embraer 190
2013 w Afryce


I got home around 3:30 PM. I actually would have been home close to two o'clock but I decided today's pleasant weather wasn't going to last and that I should take advantage of it. So, having decided that, I figured it was a perfect opportunity to take some photographs of the local urban decay. I stopped by the abandoned grocery store across the street from the apartment, poked here and there around the property and burned up maybe ten or twelve exposures. While I was wandering around behind the store I was distracted for a bit by some of the local wildlife -- apparently there's a duck pond behind that strip mall -- so I took some pictures of them. I'm a little upset with myself, I could have had a great action shot of a duck flapping its wings if I hadn't been so foolish as to set the camera into "lock" when I finished taking the previous picture. Everything was focused, the light was right, my film was fast enough... and when I pushed the shutter release absolutely nothing happened. Damn, what a letdown.
Once I had had my fill of waterfowl I drove a bit past the apartment to the abandoned K-mart to finish up the roll. While I was framing a shot of the boarded-up entrance and the cart corral I met an amusing cab driver named Joe. Joe asked me to take his picture (he hailed me from the frontage road by shouting, "Hey, you want a photo of the world's greatest cabbie?") and so... yeah, I took a picture of him just for the hell of it. We talked for a couple of minutes and he gave me his e-mail address so I can send the pictures along once they're developed and scanned (e-mail is so ubiquitous these days even cabbies have it... what a time to be alive). I had to laugh at this guy overall, he was one of the folks who has a surplus of personality and makes the world a more interesting and enjoyable place. He asked me if I was a photographer by trade and I told him No, I just fiddle around. He said I looked like a professional to him since I had about 18 pounds of gear hanging off my shoulder and was walking around in 78 degree weather with a black trench coat on. Naturally he asked why I was lurking around the old K-mart, and I had to tell him it wasn't for a school assignment like he assumed, it was just because I find abandoned and decaying buildings rather fascinating.
To recap the weekend: Our little trio of Don Williams fans made it up to Wisconsin Dells, arriving around 4:00 PM or so. We checked into the hotel, had dinner at a restaurant they knew called "Wally's House of Embers" and then drove over to the concert venue. The opening act was a local comedian who was pretty decent, something I can't say I'm accustomed to seeing at a music revue. I mean, an opening band is one thing... but a comedian? That's definately a new one on me. While some of his jokes fell flat a number of them were rather amusing, so I guess in the end all that matters was that I got a giggle out of his routine (he had a rather self-deprecating attitude, which I guess leads me to sympathize or relate with him more easily). On a side note, I don't really believe he grew up in Wisconsin, he talked like he was from Fargo both in terms of accent and how he paced his speech.
Once the comedian had finished we had a brief five minute intermission while the roadies finished getting all the gear in order for Don and his band. When they actually walked on stage the crowd started cheering, and when they introduced Don the whole place went up in a roar of applause. The concert itself was really good... it was hard for me to take my attention off the music long enough to write down his playlist. I typed so many notes onto my SideKick that I actually locked it up at one point and had to reboot it. Another thing distracted me as well: my camera. I burned up a 24-exposure roll of film during the evening, taking pictures mostly from my seat in the third row but stepping off once to take some pictures from down by the balcony wall. Sometime this week I'll have to drop that roll off to get developed, but I really don't know who to take it to right now. Sam's Club has good prices on developing but I'm not sure they're what I call a "quality photolab." If I take it to one of the local specialy photo shops (Like Wolf) I'm sure they'll do a good job with the film but the prices will, of course, be completely outrageous. Given the poor conditions these photos were taken under (stage lighting, no tripod, 200mm lens, etc) I imagine giving it to the experts in the field is the better choice... if there's anything they can do to rescue the pictures they'll do it. Ah well, a small fortune down the drain, but hopefully I'll have a few shots that turned out so I can have something to remember the evening with.
After the concert was over we waited for a while in the truck so the traffic could clear out and we wouldn't be taking our lives in our hands by trying to drive back to the hotel. While we waited I skimmed around the AM band to try and find a radio station so we could confirm that the Chicago Cubs had won their game last night (Pretty soon we sound the local sports station, and confirmed Chicago's win). As soon as the traffic got light enough we hit the road and cruised back down the main strip of the Dells, searching for a bar. Finding nothing that really suited our fancy we wound up back at Wally's. We each had a couple of drinks to unwind with (I had vanilla vodka and coke, Cap had a soco-cherry-coke and a "Bartender's Milkshake"), talked for a while and then unanimously decided to call it a night. Once we were back at the hotel we all hit our respective beds and were quickly asleep. I imagine we all passed out so fast due to a combination of factors such as the hour (11:30 PM), the alcohol, the hours of driving and the general excitement of the night We all slept until late this morning --- I know I didn't move before 8:15 AM and I don't think we got out the door until around 9:15 or so. Cracker Barrel was where we stopped for breakfast, and by 11:15 or so we had eaten, refuelled and were on I-90 and headed back for Illinois. Guess what, hakeber and kristenq? We were right up in your neighborhood. I should have stopped by to say "hi."
It was really nice to hang out with captain18, I've missed his company since he got married and moved out East to live with spoothbrush. It was also fun to hang out with Cap's dad for the weekend too, he's a pretty good fellow. Maybe I can luck out at the office and swing some trip time to our Long Island campus, then I could go hang out with Cap and Spoothbrush for an evening of dining and drinks, or something. It's not terribly likely, but I can hope, can't I?
My employer doesn't honor Columbus Day as a holiday so I'll be starting my workweek tomorrow morning as usual. Since I wasn't home this weekend I didn't get any laundry done, which means I'll be looking pretty pitiful tomorrow if I can't find at least one pressed shirt. Ah well, I'll cross that bridge when I get to it in the morning. Right now I have something far more pressing to attend to, and that's my desire to sleep.
You'd be surprised at how often I hear that.
My employer doesn't honor Columbus Day as a holiday so I'll be starting my workweek tomorrow morning as usual.
As do I, although come to think of it I don't know any private sector employer that has Columbus Day as a work holiday, that is only for government folks.