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A hardware wallet is a cryptocurrency wallet which stores the user's private keys (critical piece of information used to authorise outgoing transactions on the blockchain network) in a secure hardware device. The main principle behind hardware wallets is to provide full isolation between the private keys and your easy-to-hack computer or smartphone.
After his performance on stage at the 2005 Screen Actors Guild Awards, when he had giggled in presenting Brokeback Mountain as a nominee for Outstanding Performance by a Cast in a Motion Picture, the Los Angeles Times referred to his presentation as an "apparent gay spoof".[75] Ledger called the Times later and explained that his levity resulted from stage fright, saying that he had been told that he would be presenting the award only minutes earlier; he stated: "I am so sorry and I apologise for my nervousness. I would be absolutely horrified if my stage fright was misinterpreted as a lack of respect for the film, the topic and for the amazing filmmakers."[76][77]
Heath Andrew Ledger[a] (4 April 1979 – 22 January 2008)[1] was an Australian actor and music video director. After performing roles in several Australian television and film productions during the 1990s, Ledger left for the United States in 1998 to further develop his film career. His work comprised nineteen films, including 10 Things I Hate About You (1999), The Patriot (2000), A Knight's Tale (2001), Monster's Ball (2001), Lords of Dogtown (2005), Brokeback Mountain (2005), The Brothers Grimm (2005), Casanova (2005), The Dark Knight (2008), and The Imaginarium of Doctor Parnassus (2009), the latter two being posthumous releases.[2] He also produced and directed music videos and aspired to be a film director.[3]
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^ Gemma Jones and Janet Fife-Yeomans (31 March 2008). "Did Heath Ledger Father a Secret Love Child?". The Daily Telegraph. Australia. Retrieved 25 July 2008. The April will lists only [US]US$145,000 in assets and names the late actor's father, Kim, mother Sally Bell, sister Kate Ledger and half sisters Olivia Ledger and Ashleigh Bell as the only beneficiaries. The New York documents also acknowledge Matilda Rose, as Ledger's only known child, as an interested party.
At a news conference at the 2007 Venice Film Festival, Ledger spoke of his desire to make a documentary film about the British singer-songwriter Nick Drake, who died in 1974, at the age of 26, from an overdose of an antidepressant.[41] Ledger created and acted in a music video set to Drake's recording of the singer's 1974 song about depression "Black Eyed Dog" – a title "inspired by Winston Churchill's descriptive term for depression" (black dog);[42] it was shown publicly only twice, first at the Bumbershoot Festival, in Seattle, held from 1 to 3 September 2007; and secondly as part of "A Place To Be: A Celebration of Nick Drake", with its screening of Their Place: Reflections On Nick Drake, "a series of short filmed homages to Nick Drake" (including Ledger's), sponsored by American Cinematheque, at the Grauman's Egyptian Theatre, in Hollywood, on 5 October 2007.[43] After Ledger's death, his music video for "Black Eyed Dog" was shown on the Internet and excerpted in news clips distributed via YouTube.[41][44][45][46]
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Bitcoin mining saps energy, costly, uses more power and also the reward delays. For mining, run software, get your wallet ready and be the first to solve a cryptographic problem and you get your reward after the new blocks have been added to the blockchain.Mining is said to be successful when all the transactions are recorded in the blockchain and the new blocks are added to the blockchain.
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For his portrayal of Ennis Del Mar in Brokeback Mountain, Ledger won the New York Film Critics Circle Award for Best Actor and the Best International Actor Award from the Australian Film Institute; he was the first actor to win the latter award posthumously.[4] He was nominated for the BAFTA Award for Best Actor in a Leading Role[5] and the Academy Award for Best Actor.[6] Posthumously, he shared the 2007 Independent Spirit Robert Altman Award with the rest of the ensemble cast, the director, and the casting director for the film I'm Not There, which was inspired by the life and songs of American singer-songwriter Bob Dylan. In the film, Ledger portrayed a fictional actor named Robbie Clark, one of six characters embodying aspects of Dylan's life and persona.[7]
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After his break-up with Williams, in late 2007 and early 2008, the tabloid press and other public media linked Ledger romantically with supermodels Helena Christensen and Gemma Ward. On 30 January 2011, Ward stated that the pair began dating in November 2007 and their families spent Christmas together in their home town of Perth.[65][66][67][68][69][70]
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Disclaimer: Buy Bitcoin Worldwide is not offering, promoting, or encouraging the purchase, sale, or trade of any security or commodity. Buy Bitcoin Worldwide is for educational purposes only. Every visitor to Buy Bitcoin Worldwide should consult a professional financial advisor before engaging in such practices. Buy Bitcoin Worldwide, nor any of its owners, employees or agents, are licensed broker-dealers, investment advisors, or hold any relevant distinction or title with respect to investing. Buy Bitcoin Worldwide does not promote, facilitate or engage in futures, options contracts or any other form of derivatives trading.
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In their New York Times interview, published on 4 November 2007, Ledger told Sarah Lyall that his recently completed roles in I'm Not There (2007) and The Dark Knight (2008) had taken a toll on his ability to sleep: "Last week I probably slept an average of two hours a night. ... I couldn't stop thinking. My body was exhausted, and my mind was still going."[80] At that time, he told Lyall that he had taken two Ambien pills, after taking just one had not sufficed, and those left him in "a stupor, only to wake up an hour later, his mind still racing".[31]
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^ Sean Cowan (15 March 2008). "Ledger Feud Grows Over 'second' Will". The Age. Melbourne. Retrieved 15 March 2008. Some of Heath Ledger's relatives may be planning a legal challenge against his will after it emerged the actor may have written a second will after his daughter was born, leaving most of his multimillion-dollar fortune to her. ... Ledger's second will, which is understood to be unsigned, was reportedly drawn up after Matilda's birth. ... The looming battle over which of Ledger's wills should be used to divide his estate ... has caused waves on this side of the Pacific, with his uncles Mike and Haydn Ledger accusing their brother – and Heath's father – Kim of mismanaging their late grandfather's [A] $2 million estate. ... Kim Ledger hit back this week, issuing a statement claiming his estranged brothers did not know what they were talking about. ... Under the terms of the first will, the division of the estate will be managed by Kim Ledger's former business colleague Robert John Collins and Geraldton accountant William Mark Dyson.
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He had a thick ledger lying open before him, and with the fingers of his right hand inserted between the leaves, and his eyes fixed on a very fat old lady in a mob-cap--evidently the proprietress of the establishment--who was airing herself at the fire, seemed to be only waiting her directions to refer to some entries contained within its rusty clasps.
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After Ledger's death, in response to some press reports about his will, filed in New York City on 28 February 2008,[103][104] and his daughter's access to his financial legacy, his father, Kim Ledger, said that he considered the financial well-being of Heath's daughter Matilda Rose an "absolute priority", whilst also stating that her mother, Michelle Williams, was "an integral part of our family". He added, "They will be taken care of and that's how Heath would want it to be".[105] Some of Ledger's relatives may be challenging the legal status of his will signed in 2003, prior to his involvement with Williams and the birth of their daughter and not updated to include them, which divides half of his estate between his parents and half among his siblings; they claim that there is a second, unsigned will, which leaves most of that estate to Matilda Rose.[106][107] Williams' father, Larry Williams, has also joined the controversy about Ledger's will as it was filed in New York City soon after his death.[108]
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In 2018 Coinbase launched their independant mobile wallet for iOS and Android. The wallet stores the private keys on the user's device and only they have access to the funds. This brings Coinbase full circle as it started out as a wallet, transitioned to an exchange only (claiming that they are not a wallet) and now they are offering wallet services again.
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Bitcoin is the world's first cryptocurrency which works on a completely decentralized network known as the blockchain. The blockchain network consists a link of blocks that are secured using cryptography and record all the transactions. Bitcoin was first presented to the world in 2009 by an anonymous identity known as Satoshi Nakamoto. As Bitcoin works on a decentralized network, it is completely free from the involvement of third-party financial institutions or central banks. The Bitcoin blockchain facilitates instant peer-to-peer transactions at minimum transactions fees required to maintain the network. The total number of Bitcoins is fixed at 21 million with its smallest unit being referred to as Satoshi. Each Satoshi represents a hundred millionth part of Bitcoin which means that 100,000,000 Santoshi = 1 BTC. Additional Bitcoins are generated by a process known as mining. Bitcoins are mined by professional miners solving complex computational equations. For each Bitcoin mined, the miners are rewarded with either more coins or transaction fees. The miners also validate all transactions on the Bitcoin network as well as look after the network security. Bitcoin can be exchanged with fiat currencies or other digital currencies. There are over 100,000 merchants and vendors accepting Bitcoin all over the world.
In April 2019, a UK corporate filing stated that Coinbase's non-U.S. revenue grew 20% to €153 million (U.S.$173 million) in 2018 resulting in a net profit of €6.6 million.[37] Coinbase UK CEO Zeeshan Feroz said the company's non-U.S. operations accounted for nearly one-third of the company's overall revenue and Reuters estimated that the company's global revenue totaled "around $520 million" in 2018.[38]
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Because the blockchain works by verifying transaction history, and this verification process is labor-intensive and slow, only so many transactions can be verified in a certain timespan. So, if you sell your Bitcoin, but the purchase isn't confirmed by the blockchain network, and the price of the currency changes, the sale won't process. You'd have to sell your Bitcoin at whatever the new rate is (if you so choose to sell). Also due to the reality of blockchain, as well as for other reasons thus far unidentified, the Coinbase payout system can sometimes be unreliable. There have been reports of extensively delayed payout periods, and bugs sometimes keep the site from running as efficiently as it could or should. A word to the wise: if you are going to invest in and speculate on cryptocurrencies, do so carefully.
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Coinbase Pro charges 0.1% to 0.25% for taker trades, and no fees at all for maker trades. As long as you place limit orders, you won't have to worry about paying a fee. What's more, if you have a Coinbase account, you already have a Coinbase Pro account. Simply log in to Coinbase Pro with your Coinbase credentials. Better still, you can transfer funds instantly between Coinbase and Coinbase Pro.
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Ledger went on to win the Academy Award for Best Supporting Actor, becoming the second person to win a posthumous Academy Award for acting (after fellow Australian actor Peter Finch, who won for 1976's Network), as well as the first comic-book movie actor to win an Oscar for their acting. Ledger's family attended the ceremony on 22 February 2009, with his parents and sister accepting the award on stage on his behalf.[163][33] Following talks with the Ledger family in Australia, the Academy determined that Ledger's daughter, Matilda Rose, would own the award. However, due to Matilda's age, she will not gain full ownership of the statuette until her eighteenth birthday in 2023.[164] Her mother, Michelle Williams, will hold the statuette in trust for Matilda until that time.[165]
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The platform stores 98% of customers funds offline to ensure the security of the cryptocurrency assets you purchase and store within Coinbase. On their website, Coinbase assures customers that "sensitive data that would normally reside on our servers is disconnected entirely from the internet." Data is then encrypted, and transferred to USB drives and paper backups, and distributed in safe deposit boxes vaults all over the world.
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On 31 March 2008, stimulating another controversy pertaining to Ledger's estate, Gemma Jones and Janet Fife-Yeomans published an "Exclusive" report, in The Daily Telegraph, citing Ledger's uncle Haydn Ledger and other family members, who "believe the late actor may have fathered a secret love child" when he was 17, and stating that "If it is confirmed that Ledger is the girl's biological father, it could split his multi-million dollar estate between ... Matilda Rose ... and his secret love child."[109][110][111] A few days later, reports citing telephone interviews with Ledger's uncles Haydn and Mike Ledger and the family of the other little girl, published in OK! and Us Weekly, "denied" those "claims", with Ledger's uncles and the little girl's mother and stepfather describing them as unfounded "rumors" distorted and exaggerated by the media.[112][113]
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After a flurry of further media speculation, on 6 August 2008, the US Attorney's Office in Manhattan closed its investigation into Ledger's death without filing any charges and rendering moot its subpoena of Olsen.[99][100] With the clearing of the two doctors and Olsen, and the closing of the investigation because the prosecutors in the Manhattan US Attorney's Office "don't believe there's a viable target," it is still not known how Ledger obtained the oxycodone and hydrocodone in the lethal drug combination that killed him.[100][101]
Portraying a variety of roles, from romantic heroes to the reluctantly oppressed, Ledger created a hodgepodge of characters that are deliberately unlike one another, stating "I feel like I am wasting my time if I repeat myself". He also reflected on his inability to be happy with his work, "I feel the same thing about everything I do. The day I say, 'It's good' is the day I should start doing something else."[144] Ledger liked to wait between jobs so that he would start creatively hungry on new projects.[145] In his own words, acting was about harnessing "the infinite power of belief,"[143] thus using belief as a tool for creating.
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^ Michelle Nichols (29 October 2008). "Elvis Ranked Top-earning Dead Celebrity". Thomson Reuters. Reuters.com. Retrieved 10 December 2008. Forbes.com said it spoke to experts and sources inside the dead celebrities' estates and researched gross earnings, before taxes, management fees and other costs, from the period of October 2007 to October 2008 to come up with the rankings. Based on its estimates, Nichols reports, Forbes.com ranks Ledger as third among the world's highest-earning deceased celebrities for that year, following Elvis Presley (1) and Charles M. Schulz (2).
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^ Jump up to: a b Janet Fife-Yeomans (15 July 2008). "Entertainment: Heath Ledger's Daughter Matilda's Estate Claim Decision". news.com.au. News Limited. Archived from the original on 2 August 2008. Retrieved 10 August 2008. [Matilda Rose's] mother, actor Michelle Williams, will have to officially lodge a claim with the court supported by an affidavit which could end up in the public domain, legal experts said.
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After Brokeback Mountain, Ledger costarred with fellow Australian Abbie Cornish in the 2006 Australian film Candy, an adaptation of the 1998 novel Candy: A Novel of Love and Addiction, as young heroin addicts in love attempting to break free of their addiction, whose mentor is played by Geoffrey Rush; for his performance as sometime poet Dan, Ledger was nominated for three "Best Actor" awards, including one of the Film Critics Circle of Australia Awards, which both Cornish and Rush won in their categories. Shortly after the release of Candy, Ledger was invited to join the Academy of Motion Picture Arts and Sciences.[28] As one of six actors embodying different aspects of the life of Bob Dylan in the 2007 film I'm Not There, directed by Todd Haynes, Ledger "won praise for his portrayal of 'Robbie [Clark],' a moody, counter-culture actor who represents the romanticist side of Dylan, but says accolades are never his motivation".[29] Posthumously, on 23 February 2008, he shared the 2007 Independent Spirit Robert Altman Award with the rest of the film's ensemble cast, its director, and its casting director.[30]
^ Nick Squires (1 April 2008). "Heath Ledger 'fathered a secret love child' ". The Daily Telegraph. UK. Retrieved 6 August 2008. If the claims are proved to be true, Ledger's multi-million pound estate would have to be divided between the child he fathered in his teens and his two-year-old daughter, Matilda Rose, whose mother is Hollywood actress Michelle Williams. ... The actor's parents, Kim and Sally Ledger, have declined to comment on the reports [based on comments by other family members, including his uncle Haydn Ledger].
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^ Cazzulino, Michelle (29 March 2008). "Heath Ledger's Gambit to Be a Director". The Daily Telegraph. Retrieved 24 April 2008. It was an opportunity tailor-made for Ledger, Scott said. 'The movie is about chess, and what is a little known fact is Heath was very close to being on the grandmasters level. He was a chess whiz, and he intended to get his grandmaster rating before he started shooting the picture.' However Australian grandmasters Ian Rogers described the claims of Ledger being close to grandmaster strength as "ridiculous and false claims, disproved multiple times", Tweet by Ian Rogers, 28 July 2018.
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"You know when you see the preachers down South? And they grab a believer and they go, 'Bwoom! I touch you with the hand of God!' And they believe so strongly, they're on the ground shaking and spitting. And fuck's sake, that's the power of belief... Now, I don't believe in Jesus, but I believe in my performance. And if you can understand that the power of belief is one of the great tools of our time and that a lot of acting comes from it, you can do anything."
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"Some people find their shtick," Ledger reflected on the categorisation of style. "I never figured out who 'Heath Ledger' is on film: 'This is what you expect when you hire me, and it will be recognisable'... People always feel compelled to sum you up, to presume that they have you and can describe you. That's fine. But there are so many stories inside of me and a lot I want to achieve outside of one flat note."[144]
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^ Denby, David. "The Current Cinema: Past Shock: 'The Dark Knight' and 'WALL-E' ". The New Yorker (21 July 2008): 92–93. Retrieved 17 July 2008. When Ledger wields a knife, he is thoroughly terrifying (do not, despite the PG-13 rating, bring the children), and, as you're watching him, you can't help wondering—in a response that admittedly lies outside film criticism—how badly he messed himself up in order to play the role this way. (Postdated)
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On February 16, 2018, Coinbase admitted that some customers were overcharged in error for credit and debit purchases of cryptocurrencies. The problem was initiated when banks and card issuers changed the merchant category code (MCC) for cryptocurrency purchases earlier this month. This meant that cryptocurrency payments would now be processed as "cash advances", meaning that banks and credit card issuers could begin charging customers cash-advance fees for cryptocurrency purchases. Any customers who purchased cryptocurrency on their exchange between January 22 and February 11, 2018 could have been affected. At first, Visa blamed Coinbase, telling the Financial Times on February 16 that it had "not made any systems changes that would result in the duplicate transactions cardholders are reporting." However, the latest statement from Visa and Worldpay on the Coinbase blog clarifies: "This issue was not caused by Coinbase."[45]
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In August 2019, Coinbase announced that it was targeted by a sophisticated hacking attack attempt in mid-June. This reported attack used spear-phishing and social engineering tactics (including sending fake e-mails from compromised email accounts and created a landing page at the University of Cambridge) and two Firefox browser zero-day vulnerabilities. One of the Firefox vulnerabilities could allow an attacker to escalate privileges from JavaScript on a browser page (CVE-2019–11707) and the second one could allow the attacker to escape the browser sandbox and execute code on the host computer (CVE-2019–11708). Coinbase's security team detected and blocked the attack, the network was not compromised, and no cryptocurrency was stolen.[39][40][41]
On 4 August 2008, citing unnamed sources, Murray Weiss, of the New York Post, first reported that Mary-Kate Olsen had "refused [through her attorney, Michael C. Miller] to be interviewed by federal investigators probing the accidental drug death of her close friend Heath Ledger ... [without] ... immunity from prosecution" and that, when asked about the matter, Miller at first declined further comment.[94][95] Later that day, after the police confirmed the gist of Weiss's account to the Associated Press, Miller issued a statement denying that Olsen supplied Ledger with the drugs causing his death and asserting that she did not know their source.[96][97] In his statement, Miller said specifically, "Despite tabloid speculation, Mary-Kate Olsen had nothing whatsoever to do with the drugs found in Heath Ledger's home or his body, and she does not know where he obtained them," emphasizing that media "descriptions [attributed to an unidentified source] are incomplete and inaccurate."[98]
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Ledger died on the afternoon of 22 January 2008[6][1] due to a drug overdose.[8][9][10] A few months before his death, Ledger had finished filming his performance as the Joker in The Dark Knight. At the time of his death, The Dark Knight was in its editing-phase and The Imaginarium of Doctor Parnassus was in the midst of filming, in which he was playing his last role as Tony. His untimely death also affected the subsequent promotion of The Dark Knight.[11] His role as the Joker in The Dark Knight earned him widespread acclaim and popularity from both fans and critics alike, and is often regarded as one of the greatest performances in film history. Ledger also received numerous posthumous accolades for his performance in The Dark Knight, including the Academy Award for Best Supporting Actor, a Best Actor International Award at the 2008 Australian Film Institute Awards, the 2008 Los Angeles Film Critics Association Award for Best Supporting Actor, the 2009 Golden Globe Award for Best Supporting Actor – Motion Picture,[12] and the 2009 BAFTA Award for Best Supporting Actor.[5]
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Another post from the past, this one originally appeared on March 16, 2011. It has been cleaned up a little for clarity.
Has there ever been a movie that you've simultaneously loved -and disliked- at the same time? A film that hits so many good notes, yet stumbles so badly in other ways that in the end, despite so much good, you feel it is difficult to recommend it?
I recall when M. Night Shyamalan released Unbreakable, his follow up to the incredibly successful Sixth Sense, back in 2000. The film was presented as something of a mystery: David Dunn (Bruce Willis) is a man who questions exactly who/what he is after a devastating train accident leaves him the sole survivor. In the end, it turns out (SPOILERS!) that he has the powers of a superhero…and must eventually confront his very own super-villain. While the film was, for the most part, enjoyable, there was a scene in it that just irritated the hell out of me to such an extent that, even today, I can't help but think of it whenever I think of the film itself.
The sequence in question involved our protagonist and his son in their home's garage. Dunn has begun to realize he is different from other people, and he and his son are checking out just how different he really is by seeing how much weight he can bench press. Dunn, who previously was a star on the high school football team, states that while he lifted weights back then, he never pushed himself to see just how much he could lift. He does this now, and finds he can seemingly effortlessly lift a considerable, even supernatural amount. This further provides evidence that he is indeed not a typical human being.
Unfortunately, this scene made absolutely no sense and, worse, revealed the director/writer's ignorance of High School jocks.
You see, it was my experience while in High School and, afterwards, college, that people who actively engaged in sports -surprise surprise!- tended to be very invested in their physical training. They kept track of how many situps, pull ups, or miles they ran each day. And they most certainly knew (and took pride!) in how much they could lift in the weight room. It was not unusual for me to overhear their conversations, wherein they noted how much they lifted that day, how often, and for how long. They took pride in striving to incrementally do a little more, and then a little more than that, for it is in this progress they gauge their physical improvement.
For David Dunn, an alleged football star in High School, to profess in that movie scene that he never knew how much he could lift was simply ridiculous. If he made any effort at all during his football playing years, then he damn well would have kept some track of his physical prowess. This would be a source of pride, not something that he would shrug off. Further, in exploring just how strong he was while in High School, Dunn would/should have come to the realization that he was a super being much, much earlier in his life. Just like that, the entire movie's premise -that he was blissfully unaware of what he was after all these years-simply fell apart for me.
In Adventureland we have a sweet coming of age dramedy that struck a deep cord within me. No, I never worked at a dodgy amusement park following High School/College to make some money, but the movie took place in a time and featured a cast of characters I could easily identify with. The movie is set in the mid-1980's and features a cast of characters who are roughly the same age as I was in that same period of time. Like the protagonist, I too was finding my way in the world and, over the course of doing so, met and made friends with people very similar to the various characters, both male and female, presented in the movie. I knew the womanizers, I knew the clueless adults and youths, I knew the potheads, I knew the parties. And, yes, in my youth I also fell for that out of reach "edgy" girl. In fact, I made a habit of it. As someone who often loves reflecting on those sweet feelings of my youth, the movie proved a pleasant nostalgic kick.
Jesse Eisenberg is James Brennan, our protagonist, a nerdy, intelligent guy who comes from a poor family and is looking to leave his roots and head to New York. He's just finished high school and is expecting his parents to help pay for a trip he intends to make with his best friend to Europe. He's planned out his post-Europe life: He will go to New York to complete his studies and from there become the adult he wants to be.
All those youthful plans are dashed when he discovers his parents aren't doing so well financially and thus cannot pay their share of the trip. He is forced to abandon Europe and take a job at a somewhat sleazy carnival/park called Adventureland. It is there he meets Em Lewin (Kristen Stewart, who absolutely nails her role). When they first meet, she seems instantly interested in James.
There is no real reason. She simply is. As the movie progresses, we find she has a messy home and personal life. She is involved with the park's resident handsome lothario, Mike Connell (Ryan Reynolds in a relatively small role). Mike is married, but he's an alley cat who carries on with whatever female he can charm into his bed. In any other film, he might be presented as the movie's villain but here he is humanized and shown to be yet another person with faults. Indeed, everyone in the film is presented this way…no one is a pristine heroes of a terrible villain. The people in and around the park go about their young lives as best they can, stumbling at times, being let down at others, all while working their way through this summer.
As stated before, I found myself really into the story and even more so into the characters presented because I could sympathize with that epoch. The film really had me, especially regarding the growing love James had for the (somewhat) troubled Em. As the movie progressed, I was expecting it to go bold and give us an ending that was honest and true to life…in as much as a film can be.
Instead, the filmmakers decided to go into a direction that, unfortunately, wound up souring the experience.
Setting the film in the past already had me as a viewer on alert. As with other films set in the past that wax nostalgic, like the equally sweet but overall better American Graffiti or the more bawdy Animal House, I figured we were headed into a bittersweet "where are they now" type ending.
Young love -at least in my experience- is often filled with hormone infused frustration. Therefore, I was certain the relationship between James and Em was never destined to be. Indeed, when James loses Em and hears she has moved to New York toward the end of the film, he says of his relationship with her: "I wish it hadn't ended that way", and I thought that would be it, and that the movie would then shift to the present, wherein we would find an older, wiser James standing before the now crumbling Adventureland park and remembering that one youthful love he had…and lost.
"Where is she now?" he would wonder in my imaginary ending. His youthful looks are marred a bit by the passage of the years, his hair is a little gray. He looks on at this place where the last moments of his childhood played out and walks away. Despite the sadness of losing Em, there is a smile on his face, for he still has those pleasant memories.
Instead, the filmmakers decided to opt for a more standard "happy ending." Unfortunately, their idea of a happy ending is to have our protagonist travel to New York in search of Em. Like a stalker, he eventually finds her, and, despite the implied passage of time (it is hinted many months have passed since they last saw each other), they instantly, indeed too quickly, rekindle their puppy love and decide that now they can go all the way.
Yes, the movie's happy ending is that James finally gets to sleep with Em.
As with the problem I had with Unbreakable, Adventureland's conclusion might not put off other viewers and may be something that bothered me and no one else.
Still, the ending rang hollow and ruined what until then was a beautiful slice of life feeling. I suppose saying I "hated" the movie is too strong a word. Yet despite all the good stuff, despite the fact that this film had me waxing nostalgic with memories both good and bad of my youth throughout its run, that ending proved a real turn off. Too bad.


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UK launches hydrogen-fuelled transport hub and train trials
Britain's first hydrogen train has begun trials in the Midlands while Tees Valley in north-east England is announced as the location for the nation's first hydrogen transport hub.
The HydroFlex train has begun trials in the UK. Image: University of Birmingham
Trials of the first ever hydrogen powered train on a UK mainline have taken place with plans to retrofit current in-service trains with the technology from 2023 to help deliver on the UK's net-zero targets.
The trials of the train, known as HydroFlex, follow two years' development work and more than £1m of investment by both rolling stock solutions provider Porterbrook and the University of Birmingham. The project has also been supported with a £750,000 grant from the Department for Transport (DfT).
Hydrogen hub
Transport secretary Grant Schapps also revealed plans for Tees Valley to become a hydrogen transport hub, bringing together industry and academia with the aim of becoming a global leader in the field and to help create hundreds of green jobs.
"As we continue on our road to a green recovery, we know that to really harness the power of transport to improve our country – and to set a global gold standard – we must truly embed change," said Schapps.
"That's why I'm delighted that through our plans to build back better we are embracing the power of hydrogen and the more sustainable, greener forms of transport it will bring."
To kick start the development in Tees Valley, the DfT has commissioned a masterplan to understand the feasibility of the hub and how it can accelerate the UK's ambitions in hydrogen.
"With the growing demand to switch to a net zero economy, the advancement of R&D means we can further demonstrate this innovative technology for road, rail, and freight and logistics"
According to the DfT, the masterplan will pave the way for exploring how green hydrogen could power buses, HGV, rail, maritime and aviation transport across the UK. The aim would then be for the region to kick on and become a global leader in industrial research on the subject of hydrogen as a fuel as well as an R&D hub for hydrogen transport more generally, attracting hundreds of jobs and boosting the local economy in the process.
The Government also pledged £6.3m of funding for a green hydrogen refuelling station and 19 hydrogen-powered refuse vehicles in Glasgow as part of its £23m Hydrogen for Transport programme.
"With the growing demand to switch to a net zero economy, the advancement of R&D means we can further demonstrate this innovative technology for road, rail, and freight and logistics as an efficient and economic solution," said Julian David, CEO, TechUK.
"TechUK is excited to work together with the tech community and the Government to spearhead the market offering for green hydrogen."
The next stage in the development of HydroFLEX will see the University of Birmingham develop a hydrogen and battery powered module that can be fitted underneath the train, allowing for more space for passengers in the train's carriage.
Green tech start-up wins funding for solar rail demonstrator
Pilot project pioneers solar-powered rail
Could HS2 provide green energy to homes?
air qualityBatteriesClimate change/ResilienceDepartment for TransportFeaturedGlasgowGrant Schappsgreen hydrogengreen recoverygreen transportHydroFlexhydrogenJulian Davidnet-zeroPorterbrookRailRoadsustainabilityTechUKTees ValleyTransporttransport hubUniversity of Birmingham

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This guide will explain you how to get rid of the Trojan software, known as DarkGate, the manners of its penetration into the workstation, and the ways to protect your system from it. We have made easy and efficient guide that will assist you to eliminate DarkGate, and all the effects of its actions once and for all.
Let's talk about DarkGate Trojan, on which we've been receiving more and more complaints recent days. If DarkGate already penetrated the workstation, then you need to know how to fight it. Viruses of the Trojan kind are distinguished by their high effectiveness, and are able to actively resist removal, create their own copies and recover after partial deletion. We can help you, and in final part of our guide you'll see the efficient tips on DarkGate uninstalling. Trojan viruses rarely penetrate the device on their own, so you shouldn't focus on the removal of one virus, but clean the whole system. If you know enough about Trojans - skip the following paragraphs, but if Trojans threat is something unknown for you - familiarize with the following paragraphs to understand how to protect the machine against these threats.
Experts declare that Trojans make up most share of all perilous software, thanks to usability and efficiency. The most common examples of such tasks are the steal of passwords and crucial information, botnets development, updating and maintaining already installed viruses or espionage. Despite their multiple advantages, Trojans have one significant weakness - they can't infect user's system on their own. In last years, customers think that all malicious or suspicious software are viruses, but we should say that Trojans can't be called so, because virus can replicate itself, capable of quickly spread over local networks and the Internet. Trojan programs cannot reproduce themselves, and cannot infect the computer on their own. The only thing that Trojan is capable of doing before infesting the system is waiting until some trustful customer chooses to download it and installs it. All the facts written above lead us to one solution: Trojans have to be found and disarmed before they infest the machine!
If you're not ready to fully abandon the use of unlicensed programs, you should thoroughly inspect all programs that you are going to install. Trojans most often hide under the guise of good programs such as search engines, driver updaters, browsers, special software, system optimizers and browser games. Do not install weird utilities from this list, and when installing another unlicensed utility - watch closely at the installation, declining all proposals for installing extra programs.
The easiest method is to fully quit using utilities of suspicious provenance. By these we mean all the programs downloaded not from the reliable developer websites or well-known distributors. Naturally, the cracked copies of good tools also are potentially malicious. If you quit using suchlike programs, the probability of infestation would be reduced to minimal, and antivirus can easily cope with this minimum.
Abide to these advices and you'll immediately feel the fruits: your machine will become clean, fast and workable, and will stay so forever.
Usually we offer two ways to remove undesired programs, but unfortunately, when removing Trojans, it's almost impossible to find and remove them in manual mode. Trojan can be placed literally anywhere in the system, so a novice user can slip up, delete an important data and cause a system failure. If you don't want such things to happen, we have made a guide that will help you to get rid of DarkGate quickly and efficiently. The first stage will be going into Safe Mode and inspecting system folders. Stage #2 is downloading and installing Spyhunter antivirus. Next stage will be to abide the instructions, and after five minutes your system will be again in service.
Remember that you don't have to buy Spyhunter right now - you can familiarize with its advantages by installing an unpaid trial version. If you're interested in purchasing Spyhunter or want to read more about it - click on the button below.


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It allow information from sex workers about dangerous clients to be passed on to other people who may be affected and to the police, if agreed by the person reporting. However, it suffers from chronic underfunding.
Programs like this which seek to prevent Politicl - not only prosecute it - should be a social priority, and yet, they are not. The focus on who the oPlitical are is a hot topic right now in debates about sex work. Only a handful of politicians have spoken up for Political escorts nude Zealand model' style decriminalisation, such as Jean Urquhart and Margo MacDonaldboth in Scotland. But in all the discussion, we risk taking the focus away from the men and women who actually are sex workers and what they are asking for. Just like Mary Honeyball on Newsnight last month, talking over the only sex worker invited to the debate. An arts undergraduate, I had no pressing need for money, the reason usually cited for entry into the sex industry — an umbrella term that encompasses stripping, web-camming, escorting, prostitution and porn.
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I own my own home and my car is paid off. I live beneath my means and still have stacks of cash from the Jack shack days. I also have an unpaid internship that's going to be great for me when I'm done with school. Now, I have seven clients. They're all married dudes. Some I see weekly, some monthly. It's sort of like I just have seven part time, low maintenance boyfriends really. Oh, except they leave cash on the table. This experience hasn't been traumatic for me at all. It's helped with my negotiating skills, it's made me more comfortable around people, and it's made me sharper and more aware. I know it's dumb, but I love it. I was 19, and going thru a real self hating phase and was engaging in tons of high risk behavior drugs.
The gentleman was very straight to the point, he wanted me to come meet him at his place, which was in one of the most exclusive neighborhoods in the city so I agreed. Shortly after my arrival, he started questioning me on why I was there, and what my intentions were in the business. I was immediately freaked out and thought he had some sort of ulterior motive, but he then informed me he ran an 'agency' aka he was a pimp! He said if everything in the next hour went well, he'd love to have me aboard. This agency had a real hipster feel, he took all of our photos with the same white backdrop, asking all of us to wear something cute vs. It ended with him being a truly great guy and really caring about me In Octoberprosecutors investigated a camping trip that Kolbe took in July with two male pages, as well as National Park officials, staffers and his sister.
InKolbe signed an amicus brief to the Supreme Court in support of same-sex marriage.
Peruse the image for raunchier needles. I also have an incorrect Politicap that's new to be us for me when I'm done with original. It was after Boehning, a candidate of the Newly Dakota House of Elements, feared against gay stories that he was lipped on Grindr with global photos and feet.
Jim West Jeff T. West confirmed he had offered gifts, Politicao and an internship in Internet chats with a man he believed was 18, but denied the molestation charges. Before his death inhe said he regretted voting for a bill that banned discussion of homosexuality or LGBT rights in schools. Paul Babeau Pinal County Sheriff Paul Babeau was once considered a rising star in Arizona politics—until reports surfaced that he threatened an ex-boyfriend with deportation back to Mexico.
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After the end of his political career, Bauman became legal counsel for a group dedicated to offshore banking and investments. His memoir, The Gentleman from Maryland: The Conscience of a Gay Conservative, was published in
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Faith-Based Healthcare News – July 2019
By Linda Fry July 17, 2019 News, Healthcare Articles
Baptist Health Care is Moving Their Main Hospital
A new 650,000 square foot, state-of-the-art facility will sit on 50 acres will house Baptist Health Care in Pensacola. The announcement was made by Baptist Health Care's CEO, Mark Faulkner. As reported on ABC3WEARTV, construction is scheduled to begin next year with plans to open in 2023
Health Matters: Baptist Health and UAMS Launch New Graduate Medical Education Program
Construction is wrapping up on the home of the new Graduate Medical Education Program in North Little Rock. Opening in September, 24 residents will kick off this inaugural class. Baptist Health and UAMS partnered to offer these three-year programs as a solution to address the physician shortage and to expand health care in Arkansas. NBC's KARK reports the GME Program should be able to train up to 120 residents in about five years.
Wake Forest Baptist Health Unveils New Colon Cancer Screening App
Called mobile Patient Technology for Health – or mPATH-CRC for short, the new iPad app developed by doctors at Wake Forest Baptist Health assists in colon cancer screening tests. As reported by 88.5WFDD, the National Cancer Institute has awarded over a million dollars in grant funds for further testing of the technology in clinics across North Carolina and Kentucky.
NewYork-Presbyterian Unveils Health IT, Telemedicine Institute
NewYork-Presbyterian has launched an innovation institute called the Hauser Institute for Health Innovation to promote advances in health IT and telemedicine. "With the Hausers' extraordinary support, NewYork-Presbyterian is transforming the way health care is delivered, using technology to put patients' needs first and expand access to our world-class care," said Steven J. Corwin, president and CEO of NewYork-Presbyterian. According to HIT Infrastructure, a focus of the institute will be expanding telemedicine services deeper into the communities NewYork-Presbyterian serves to provide care with an emphasis on preventive health and wellness.
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Back in August, before the skies turned grey, the temperature dropped, and we all frantically searched for our favourite winter-ready coat, we brought you the news that food art fanatics Bompas & Parr were announcing a design competition to create three-dimensional ice cream moulds for London Design Festival.
Its search for the tastiest iced treats saw Bompas & Parr cast a global gaze at current trends in experimental ice creams, and today it has revealed the three winners, each of whom will see their design turned into one-off ice cream moulds. For one day only — Thursday 20 September 2018 — they designs will also be available to buy as part of the British Museum of Food's Scoop: A Wonderful Ice Cream World exhibition.
So, what can hungry visitors expect? Well, overall winner Sally Reynolds' mould has taken inspiration from Roman classical sculpture, second place Estela Gless looked toward a Mexican thirst-quenching treat for her design, and bronze medalist Michele Menescardi's entry is modelled on a bubble-producing bar of soap. We're a long way from a Mr Whippy with a dessicated Flake slung in it.
Sally's ice cream — which comes in rose masala chai flavour — has been described as "a state-of-the-art ice cream, a beautiful sculptural piece with a very thoughtful concept, that evokes the lavish and lustful days of Ancient Rome in every bite," by judge Gonzalo Herrero Delicado.
Anyone intending to eat their way through the winning selections should remember that you aren't getting raspberry ripple here. Michele's design has been paired with a pineapple and lemon concoction that's inspired by a fruit-salad and the ancient Arabic tradition of sweets and culinary art, while Estela's flavour is, we're told, "Turkish-Dondurma-Elastic Cherry" that comes with candied ginger and poppy seeds.
These bespoke creations are available to eat for one day only, but Scoop runs until 30 September at Gasholder 11, London.


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LET'S SPIN THE… WHEELS SINCE 1964
From a first vehicle for the trade of straw and hay to a fleet of 50 vehicles for every need for personal mobility
The first vehicle
The first bus
Amitour is a passenger transport company with over 35 years of experience in the sector.
We are based in the Municipality of Castellina Marittima in the province of Pisa, where the offices and the garage-workshop are located.
We carry out school services and scheduled transport for many municipal and provincial administrations in Tuscany.
We offer bus and minibus rental services with driver for every occasion, from tour to sports transfer.
We carry out shuttle and shuttle bus services in tourist resorts as well as transport with tourist trains in the main towns of the Etruscan coast.
Consultancy for companies and municipalities
The changes in society and the need to respond to the need to reduce the impact of traffic and pollution in our cities has given rise to a new professional figure, the Mobility Manager. A key figure for present and future sustainable mobility.
The company has kept up with the times by establishing a mobility manager on its board who can offer valuable external advice for companies and public administrations.
Our staff is highly qualified and periodically undergoes medical examinations and checks.
Courtesy and efficiency for a safe and pleasant journey.
In our internal workshop, the vehicles are constantly checked and overhauled to guarantee excellent service and maximum safety.
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The Amici family moved from their native Emilia to Tuscany in the period immediately before the Second World War.
And here he will be born in 1941 Giuseppe the founder of the company.
Last of 5 siblings, Giuseppe follows in the footsteps of his parent and closest siblings in the straw and hay trade, opening his own VAT number and buying his first truck in 1964, the same VAT number he still has today 00177820495, an uninterrupted activity for over 58 years.
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Why Immersive Beauty Experiences Are The Way Of The Future
Beldi Country Club, Morocco via LUMIRA
Charli D'Amelio Apologises To Cosplay Community, Fans Defend Her "They're Not Oppressed"
When it comes to shopping— gen-z have grown up online. Instagram became shoppable in November 2016 and since then e-tailers like Sephora, Mecca and The Iconic have dominated the fashion and beauty landscapes. Between convenience, choice and same-day delivery, there is little to be desired when it comes to online shopping. And as far as modern-day retail shoppers, few are gen-z'ers venturing out to bricks and mortar stores to find what they really need. But for the generation who has access to everything — how does a brand stand out or make a connection with consumers? And is an immersive experience the only way to combat retail fatigue?
As one of the leaders in digital first beauty — initially opting to skip retail all together and sell exclusively online, Glossier almost immediately saw, and continues to see, insane levels of success. Case in point for millennial pink (but still chic and minimal) branding and a capsule collection-esque range, the brand, founded in 2014 saw 90% of its revenue come directly from online*. However, with the building of a cult-like online community, (think instantaneous and cheeky responses from the Glossier team to every single customer tag on social media) and really good products comes the potential to move an already engaged and committed audience offline…this is where Glossier really cemented its status.
The launch of their New York City flagship store in 2016 saw more than half a million people through its doors. The doors of which, at the time, were to the company's office space, turned show-room. The key? Glossier's founder Emily Weiss told the New York Times, "We're not focused on selling you stuff," she said. "We don't have people working on a commission. When you're in such a transaction time — a time of Amazon having engineers working on cross-selling and up-selling and better and better algorithms to get you to buy stuff — it's really important to create spaces and experiences that help you feel things."
Cheers from Glossier London ✨??
A post shared by Glossier (@glossier) on Dec 3, 2019 at 5:50pm PST
Glossier has seen continued success. With perfectly curated pop-ups across major cities like Boston, Austin, and most recently London. Fitted with decor and merch shoppers can only find at said location — these pop-ups are just one example of the power of the exclusive and immersive beauty experience. One that goes above and beyond your traditional retail experience, and exists as a space for trusted brands to deepen their relationship with customers who have genuinely become part of their community.
Huda Beauty, another one of digital's fastest growing beauty brands, has successfully executed a similar idea— her Cosmic Experience held at Covent Garden took place in November 2019 and was still written about months later.
Now, Australian luxury niche fragrance brand LUMIRA, is taking the immersive and exclusive beauty experience one step further with LUMIRA Journeys. In partnership with Encore Journeys, brand founder Almira Armstrong has created a personalised itinerary which will allow (a small group of) consumers to join her on tours of destinations that have inspired the brand's fragrances.
"From our very first fragrance, LUMIRA has always been inextricably linked with the art of travel and every scent is inspired by a moment in time experienced around the world. For some time now, I've been searching for an even more meaningful way to share my love of travel. Now, I'm delighted to announce the launch of LUMIRA Journeys – a bespoke luxury travel experience to the places that have influenced my senses. First up Morocco in 2021," Armstrong told Centennial Beauty.
https://www.instagram.com/p/B71b_eEn9Sl/
In appealing to a generation that cares about the consumer experience as much as the ethics behind a brand, immersive beauty experiences are more powerful than ever. Plus, beauty is an intrinsically palatable category, meaning "experiential retail is the future," says Armstrong. "Gen-z [particularly] love an immersive experience because they can get hands-on with the product" which is increasingly rare in an online driven shopping industry. Receiving insider access and being in a position to ask questions about the products they're purchasing "are all elements that influence how someone thinks and feels about a brand," she says. "It [allows the building of] emotional connections with shoppers. Our goal is to share our brand philosophy and build deeper connections with our community." As seen with Glossier, online and offline communities developed by brand and consumer engagement is a surefire way to stand out. Establishing alignment between personal and brand values through a travel experience is a powerful way to develop a sense of community and loyalty amongst an educated, hyper-aware generation.
Time will tell if more beauty brands jump on the bandwagon, but as far as a Moroccan fragrance experience goes… we're already sold.
*According to the New York Times.
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The Chicago Center for Diabetes Translation Research's mission is to improve the lives of people with diabetes and people at risk for diabetes through innovative, high-impact research. It seeks to prevent diabetes, improve the quality and value of diabetes care, and empower patients and communities.
The Einstein New York Regional Center for Diabetes Translation Research has a strategic vision to leverage, energize and coordinate translational diabetes-related research efforts in this region. Our unifying themes of health equity and a biopsychosocial approach are supported by three cores: Translational Research Methodology, Life Course, and Population Health & Health Systems Core. In addition, we have a new national resource core, the Latino Network for Diabetes Translation Research.
The Georgia Center for Diabetes Translation Research (includes Emory University/Georgia Tech/Morehouse School of Medicine) focuses on using behavioral sciences, technology, and intervention design to close the gap in diabetes prevention and care, especially across ethnicity, age, and comorbid groups in Georgia.
The Health Delivery Systems Center for Diabetes Translational Research (including Permanente/UCSF/HealthPartners/Harvard) aims to actively foster and support translational research in diabetes within health care delivery systems affiliated with the Health Care Systems Research Network (HCSRN), University of California San Francisco, and safety net hospitals nationally.
The Michigan Center for Diabetes Translational Research focuses on research expertise to better translate interventions that have clearly demonstrated efficacy into real-world populations, health care settings, and communities.
The Vanderbilt Center for Diabetes and Translational Research (CDTR) promotes innovative, translational diabetes research to develop prevention and treatment strategies for diabetes and obesity. The Vanderbilt CDTR fosters a robust research enterprise of behavioral and translational diabetes and obesity researchers at Vanderbilt University and neighboring Meharry Medical College. This CDTR builds upon this partnership's ongoing success in diabetes translational research and specifically provides diabetes-related translational research addressing the following areas: behavioral intervention technologies, innovations in care, community engagement and community-based participatory research, health disparities in diabetes, culturally-sensitive/competent interventions, and clinical trials.
The Washington University Center for Diabetes Translation Research supports rigorous translational research focused around two interacting scientific themes: (1) the root causes of diabetes disparities, and (2) the prevention of obesity as a major contributing cause of Type 2 diabetes. The CDTR is a 'network of networks', supporting investigators at Washington University, and those affiliated through a regional core with the University of Missouri at Columbia, and two health disparity population cores with the National Congress of American Indians and the African American Collaborative Obesity Research Network. The CDTR houses unique translational cores that assist investigators conducting transformative research addressing multiple dimensions of diabetes disparities in real world settings.


God's grace is His goodness, His direction, His guidance, and His watch care for His children. His grace helps us stop sinning, induces joy, lifts us up in difficult moments, and leads us along His path. Someone once said that grace is "God's Riches At Christ's Expense".


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Tag Archives: Amy Adams
ZACK SNYDER'S JUSTICE LEAGUE: JUSTICE IS GRAY (2021)
May 3, 2021 Alfred Eaker 1 Comment
Zach Snyder's Justice League: Justice Is Gray (2021) is four-hours (!) of sullen macho masturbation that drains away whaever minuscule color and joy were left in the DC deities. The title is half-apt; look elsewhere for justice, but you'll be hard-pressed to find a more epically gray landscape of Fascistic mediocrity. While the Snyder/Whedon Justice League (2017) was an understandably lopsided affair, it at least had a few affecting moments.
Like the Mango Mussolini cult, Snyder's fan base heaps their rabid obsessions on the least deserving object of adulation. While HBO Max's Justice League had strong viewership on its premiere, it eventually got knocked out of the public consciousness when the ape and lizard started strutting their stuff. In a 2 plus 2 equals eight moment, a faction of Snyder disciples made like QAnon (or like Snyder's Taliban, or Jehovah's Witnesses at the door—take your pick) to review bomb Godzilla vs. Kong (2021) on IMDB, revealing their barrel-dwelling lunacy. Snyder himself came out of his narcissistic closet, mantling his best Dotard impersonation, thanking his believers for sharing the dream.
Snyder epitomizes macho movie-making for low-demanding pubescents. There's nothing authentically masculine or aesthetically competent in his Triumph of the Will for the funny papers. Some critics have heaped praise on it, pontificating about its better sense of depth. No, that's merely excessive exposition from characters that have gone from symbolic (and vulnerable) heroes of justice to two-dimensional combatants, straight out of a soulless Transformer movie, who will eventually team up against a big black shiny villain named Darkseid (Ray Porter) who makes for one of the most personality-bankrupted antagonists in all of cinema.
Wonder Woman (Gal Gadot) is portrayed in sharp contrast to her character in Patty Jenkins' films (and although WW 84 is flawed, it's considerably better than this excrement). She's merely a video byte here and the only time she manages to emit any light is when she kills (yup, she kills).
The Flash (Ezra Miller, who pales next to Grant Guston) provides the 7th grade humor. Aquaman (Jason Momoa) provides the yawn-inducing macho one-liners, variations of quips we've heard in hundreds of action pics. Batman (Ben Affleck, delivering a white trash portrayal of the Dark Knight, repeatedly seen riding a horse) channels Terminator's talk of "the looming war" in a banal landscape that literally zaps out all the color that Whedon infused into it. Cyborg (Ray Fisher) and Steppenwolf (Ciarán Hinds, as a digital blob) compete with Darkseid for dullest characterizations. Lois Lane (Amy Adams) waxes wide-eyed, hand-wringing desperation awaiting the resurrection of Superman (Henry Cavill). One would think a literal resurrection would be accompanied by bells, whistles, and a jubilee. Nope. You see, these mother boxes… just don't ask.
Our "heroes" (i.e., nationalist deities), step down from a Nintendo Mount Rushmore and stand in the drab, ashen horizon. Checking the watch here, one might be thankful for the finale. Nope. That was just a teaser, because there's epilogues galore to come, all of which practically announce the sequels (which apparently are not not going to happen and/or will be Hack Snyderless).
This four-hour masturbation orgy doesn't offer anything vital that we didn't receive in its 2017 forerunner. That one was no great shakes, but it's tolerable compared to this sadomasochism dictated by mob rule. While the Snyder cultists didn't physically storm the Capitol, they did storm the studio demanding their prophet the chance to spew his unabridged sermon. Now, they're toxically flooding social media demanding a "restoration of the Snyderverse." You can't make this shit up.
2021ActionAmy AdamsGal GadotSuperheroZach Snyder
TIM BURTON'S BIG EYES (2014)
January 22, 2015 Alfred Eaker Leave a comment
Big Eyes (2015) is probably Tim Burton's most satisfactory film since Ed Wood (1994). Alas, that is a minuscule compliment. Burton began as a refreshing original working within a tinseled industry, but formulaic demands soon rendered his later work imitative and an example of style over substance.
Burton was once the hip auteur for the perennial college and goth crowds. Now, he is the butt of their humor: a cautionary warning of a sell-out losing all originality and vitality.
He went the distance in proving the cynical naysayers correct, reaching his nadir with Alice in Wonderland (2010), which jettisoned authentic Carrollesque surrealism in favor of populist fluff and a cringe-inducing slice of Johnny Depp ham.
In vain, one hoped Burton had nowhere to go but up, but he only continued his slide, proving nostalgia is fleeting with an ill-advised and execrable update of Dark Shadows (2012). He followed this with a pointless, self-plagiarized feature, Frankenweenie (2012), which predictably worked better in its original version as a compact short.
Burton is certainly not immune to critical fallout. Of course, it has hardly affected his box office standing, but popularity with aesthetically illiterate masses is only salt to the wound.
With Big Eyes, Burton belatedly responds to critics by playing the narcissistic victim, projecting himself onto the figure of artist Margaret Keane. In doing so, he damn near kills the film, but, surprisingly, his opus (barely) survives him.
Burton's epic misstep is in subduedly addressing Keane's art as kitsch. It is kitsch. There is nothing original about her mass-produced art for the Walmart home spread. Her illustrations are a kind of synthetic parody of Modigliani. Yet, Burton is a Keane fan, and fan is short for fanatic. Naturally, he takes the fanboy approach in identifying with his object of adulation. Undoubtedly, Burton can find affinity in Keane's strategical marketing to a bourgeoise public.
In pedestaling Margaret Keane's gimmicky, one-note cartoons, Burton casts the art critics and gallery dealers as two-dimensional, jealous predators. It's the equivalent of a cinematic exclamation point, or a big bang at the end of a pedestrian symphony. The homogenous Tim Burton/Margaret Keane hybrid becomes a much put-upon martyr. Cue big, puppy-eyed closeup. It is the kind of manipulative choice that Spielberg used to be so goddamned guilty of.
Big Eyes would have been a far better film had Burton made a smarter choice by avoiding the topic altogether, or in taking either an objective or idiosyncratic approach (as he did in Ed Wood). In many ways, Big Eyes serves as little sister to Ed Wood, but in that earlier film, a younger, fresher director did not succumb to tomfoolery. Continue reading TIM BURTON'S BIG EYES (2014) →
2014Amy AdamsChristoph WaltzTim Burton
CAPSULE: HER (2013)
February 11, 2014 Ben Sunday 2 Comments
DIRECTED BY: Spike Jonze
FEATURING: Joaquin Phoenix, Scarlett Johansson, Amy Adams
PLOT: Still wounded by his divorce, professional letter writer Theodore Twombly retreats from human relationships into a lonely life of videogames, gossip websites, and anonymous phone sex. However, his world changes after he upgrades to "the first artificially intelligent operating system," a sentient program named Samantha that he initially treats with suspicion but soon accepts as a confidant, then a lover. When Twombly and Samantha becomes more intimate, though, her insatiable curiosity about the world strains their bond and threatens to recreate the heartbreak that Twombly experienced once before.
WHY IT WON'T MAKE THE LIST: While Twombly and Samantha's pairing is weird, Jonze's story glosses over the odder aspects of the couple to concentrate on the universal qualities of the affair. The early introduction of phone sex normalizes the sensuous but purely vocal encounter between man and program that begins their romance, and the casual acceptance of their relationship by others further overlooks uncomfortable questions that another film might dwell upon. Instead, Jonze uses the scenario to fancifully illustrate the needs, passions, and pains felt by anyone who falls in love, even a woman who exists within a digital cloud.
COMMENTS: One of Her's most endearing moments occurs after Twombly and Samantha's first sexual encounter, when he awkwardly tells his OS that he isn't interested in a serious relationship. It's strange to see a morning after scene play out between a man and his computer, and yet that strangeness is absent from the dialogue as Johannson responds with the same charming annoyance and veiled attraction she'd provide in any romantic comedy. On the surface Samantha is defined by her nonphysical nature, but the warmth of Johannson's performance shows the character's emotions are not constrained by the lack of a body, that she feels with as much range and depth as any person. Rather than asking if computer programs could ever feel love, as other sci-fi films have, love is not merely possible but inevitable for Samantha. In Her, love is a fundamental part of intelligent life, and so anyone worthy of being called alive, whether human or artificial, naturally must be able to love.
At the same time, Her envisions an emotionally barren future where media technology isolates people from each other, eroding the personal connections they need to thrive. Twombly embodies that isolation as he shuffles from work to home with his eyes glued to one high-tech device or another, engaging others in only the most superficial ways. However, Phoenix's awkward, self-enclosing performance also suggests someone not just glued to technology but also afraid of emotions, even as his sensitive letters hint at a deeply empathetic soul. Like Samantha, Twombly has a natural ability to love, but unlike his newborn OS he is burdened by past romantic failures and the fear of seeing them repeated, which discourages him from pursuing love at all. That fear pushes Twombly into a stupefying routine of media consumption that keeps other people, and the emotional risks attached to them, safely at bay. Whereas Samantha's urge to love gives her life, Twombly's reluctance to love leads him to numbly, thoughtlessly live out his days in front of machines, depriving him of a real life.
Given Twombly's attachment to machines, it's fitting that the person who finally reaches him is herself part of a machine. The chemistry between the characters is palpable despite Samantha's invisibility, not solely because of Johannson's strong voice work but also because of Phoenix's total commitment to the conceit. In one scene Twombly shuts his eyes and lets Samantha guide him through a busy carnival, and as he follows her voice he moves so eagerly and joyfully that she could be leading him by the hand. Conversely, when Samantha disappears at various points in the film, Twombly's solitude exceeds that of a man simply standing by himself. In Phoenix's face we see a wordless grief through which Samantha's absence is apparent, and through that sense of absence the invisible character takes shape.
Twombly is shaped by the relationship too as he ends his solitude and begins to let other people connect with him again. By the end, Twombly has realized that the ability to form those connections is itself a marvelous thing, regardless of whether or not they end in heartbreak. Samantha herself is not a perfect mate and Twombly's relationship with her never seems sustainable, but the film treasures their bond no matter how absurd and fleeting it may be. In a world where people can rely on technology to smooth out the complications in their lives, Her argues that something as complicated and ephemeral as love has a place in our lives too, that love is in fact still what makes life worth living.
"With Jonze playing down his trademark absurdist humour and opting for a melancholy tone, we are left with a rather sad cautionary tale."–Simon Weaving, Screenwize (contemporaneous)
2013Amy AdamsArtificial intelligenceHollywoodJoaquin PhoenixRomanceScarlett JohanssonScience FictionSpike Jonze


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Has Ford Motor Company shown the way for businesses large and small to cope with these tough economic times? Ford has terminated its' Mercury line of automobiles after 69 years of production. Currently Ford is the best selling brand of American automobiles with a market share of 16%. Mercury products only made up 1%. This relatively small amount of sales volume does not justify all the tooling, materials, production and marketing costs to make and sell Mercury's anymore. Ford's decision followed General Motors dropping Oldsmobile a few years ago and then the Pontiac brand last year. Chrysler also left the Plymouth marquee to the annals of history.
The proliferation of computer design in the 1980's, 90's and the first decade of the 21st century led an almost overwhelming increase in products and options from almost every company in every industry. Though this trend continues, many companies like Ford are finding out that too much of a good thing may be counterproductive.
We have all been overwhelmed by choices, whether it is cereal in the supermarket, buying a cellular phone or an automobile. There are just too many choices for everything!
Are you overwhelming your customers or clients with too many choices? We often think that we have to offer a large variety of products in order to compete with the big box and mega stores of the world. Everyone doesn't enjoy those superstores with more isles than a small city! I know I don't!
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1935 On April 11 Richard Berry is born in Extension, Lousiana. On the age of 1 he and his family move to Los Angeles.
childhood Suffers from a hip-injury and has to walk on crutches until he is six. Learns to play the ukulele.
Early 1950s Richard Berry plays in various LA bands: The Flamingos, The Flairs (a doowop and close harmony group). He also sings the lead vocal with The Robins (later to be known as The Coasters) and had the leading 'gangsta' vocal (however uncredited) part in their big hit 'Riot In Cell Block #9'.
He also sang a duet with Etta James titled 'Roll With Me Henry' in which he played the 'Henry' part.
In this period Richard Berry starts to write his own material, inspired by the various music styles he's working in.
1955 He signs for Flip records and starts his own group, The Pharaohs. Also works with a latin & calypso band Rick Rillera & The Rhythm Rockers.
1956 Inspired by the repertoire he hears from Rick Rillera he writes 'Louie Louie' (alledgedly on a napkin) and records it a year later with The Pharaohs.
1957 'Louie Louie' is released by Flip Records on a 45 single as B-side to 'You Are My Sunshine'. When 'Louie Louie' attracts more attention than its A-side the single is rereleased with 'Louie Louie' on A- and 'Rock Rock Rock' as new B-side. These singles becomes a minor local hit in the LA-area.
In that same year 'Louie Louie' emerges in the Pacific Nortwest; it gest some radio airplay over there and is on the repertoire of several bands from the Seattle/Tacoma area. The 'Spanish Castle' is an important venue where many bands perform, among which Rockin' Robin Roberts And The Wailers are one of the more succesful. They hear 'Louie Louie' and decide to put in on their repertoire. The latin/calypso-influence is removed and 'Louie Louie' becomes a rock 'n' roll song for the first time as well as a local cult-club-hit.
1961 Rockin' Robin Roberts And The Wailers decide to put 'Louie Louie' on record. The yell 'Okay, let's give it to them right now!' is heard for the first time.
Once more 'Louie Louie' becomes a minor local hit, this time in the Seattle/Tacoma area. It also gets played quite often by some Oregon radio station and lots of local bands (Sonics, Ventures) put it on their repertoire.
1963 Two bands from Portland, Oregon record 'Louie Louie' within a week independently from each other. Paul Revere And The Raiders (originally from Boise, Idaho) have a bit more success with it than the other band, The Kingsmen. The latter recorded their version as a demo under difficult technical circumstances (they consider the recording a failure and are very dissatisfied that they have to pay $50 for the recording) which results in a rather chaotic and unintelligible rendition of the song.
Later that year their 'Louie Louie' suddenly gets airplay in Boston. Due to Jack Ely's unintelligible lyrics rumour has it over there, that there might be serious obcenities involved. This rumour spreads quick over the whole nation and hence The Kingsmen's 'Louie Louie' becomes a national hit and reaches a Billboard #2 position on December 7th, 1963. A Belgian singing nun prevents it from becoming #1.
1964 The state of Indiana bans radio airplay of Louie Louie and as a consequence of worried parents' letters concerning the spiritual health of their children the FBI starts an investigation after the alledgedly obscenity of the 'Louie Louie' lyrics. This quest will continue until the end of 1965 when they decide that the lyrics are unintelligible at any speed and no further investigation is to be conducted in this way. Richard Berry's comment to the whole rumble: "If I told you the words, you wouldn't believe them anyway".
1966 The Kingsmen's version re-enters the Billboard charts briefly, alledgedly again due to the obscenity-rumours.
1983 During the years following 'Louie Louie' is on the repertoire of almost any (starting) band and becomes an obligatory song in almost every style of music, culminating in Rhino Records' release of 'The Best Of Louie Louie' a whole LP dedicated just to this one song. KFJC radio broadcasts 'Maximum Louie Louie', 63 hours and 800 versions long.
1986 Richard Berry regains a part of his musical rights to the song aided by the 'Artists Rights Enforcement'.
During the years 1985 tot 1988 'Louie Louie' becomes the subject and anthem of many nationwide parades and fundraising campaigns. In 1988 Rhino releases another 'Best Of Louie Louie' compilation.
1992 'Louie Louie' is sold to Windswept Pacific and Richard Berry regains the complete rights to 'Louie Louie'. At last he starts cashing in for the song.
1993 Richard Berry gets some substantial payment for his song: about $2 million.
1994 He starts having heart problems and has an operation in December.
1997 On January 23 Richard Berry's heart gives up. He dies aged 63 at home in Los Angeles in his sleep and is buried at Inglewood Cemetery.
1998 The Kingsmen finally get their royalties after a five year lasting lawsuit.
The McCord Middle School band from Benton Harbor, Michigan is ordered by Superintendent Paula Dawning not to perform 'Louie Louie' in Saturday's Grand Floral Parade, held as part of the Blossomtime Festival.
The song's allegedly raunchy lyrics were the reason the song was not appropriate for Benton Harbor students to play while representing the district � even though the marching band wasn't going to sing it.


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text:
Government meddling makes energy costlier, peers say
By John Moylan
Industry correspondent, BBC News
Interventions in the energy market by successive governments have pushed up prices, but not secured supplies, peers found.
A House of Lords committee said the interventions have led to an opaque, complicated and uncompetitive market.
The peers blame "poorly designed government interventions in pursuit of decarbonisation" that they say have put pressure on energy supply and bills.
The government said its priority was ensuring secure, affordable energy.
In recent years policy has been focused on the so-called "energy trilema" of delivering security of supply at an affordable cost to consumers while meeting our climate change goals.
However, the report states energy security should be the priority and that low-carbon policies have contributed to higher bills for households and businesses, leading some energy-intensive firms to relocate abroad.
"It's a very high price that is being paid," says Lord Hollick, who chairs the House of Lords Economic Affairs Committee.
He points out that green levies, which account for around 10% of energy bills, are set to soar: "Those renewable costs are estimated to go up to nearly 25% by the mid 2020s."
The committee says decarbonisation should be achieved at the lowest cost to consumers with targets managed flexibly.
"The government should vary the pace of emissions reductions rather than adhere to a linear approach", the report says.
It suggests that this may mean waiting for the development of technology that can reduce emissions.
"We are not in any way saying we should take the foot off renewables," says Lord Hollick.
"In fact we're saying we should put more effort into the R&D for renewables and deploy more renewables and make the UK at the leading edge of innovation for renewables and other means of managing demand like storage."
EDF says Hinkley Point C will provide 'value for money'
The report is particularly scathing of the recent agreement between the government and EDF for a new nuclear plant at Hinkley Point in Somerset.
That guaranteed EDF will be paid £92.50 per megawatt hour, inflation linked for 35 years, for the energy the plant will provide.
"We thought that it was extraordinarily expensive," says Lord Hollick. "Where is this technology up and running? Where is it proven? It's either over budget or over time - or both."
The Lords also call for the government to publish a contingency plan in case Hinkley Point C is delayed.
Responding to the report, EDF said that the Somerset project had been through a long and thorough process of scrutiny and examination.
"Hinkley Point C provides value for money and is competitive with all other future energy choices. It is already delivering significant benefits to the economy by creating jobs, boosting skills and strengthening the UK's industrial capacity," the company said.
Some believe the cost of new nuclear plants could be reduced if the government took advantage of its low borrowing rates and took stakes in new nuclear projects.
While the committee took evidence on the issue, most of which supported taking equity stakes, it did not reach a conclusion on the issue.
But Lord Hollick went further, telling the BBC: "If there is proven technologies around, including nuclear, the government should consider doing that ... and lower the cost.
"The opportunity for the government to use its borrowing power to reduce the costs of new generation, assuming they are backing proven technology, would be a sensible part of an industrial strategy."
The report says that the government should reduce and remove its interventions in the energy market.
It calls for generating capacity to be secured by a technology-neutral auction that would ensure that consumers pay the lowest prices for low-carbon electricity.
An Energy Commission should also be established to provide greater scrutiny of energy policy decisions and a National Energy Research Centre created to look at new ways of producing cheap, clean energy.
The Department for Business, Energy and Industrial Strategy said that keeping the lights on for families and businesses was non-negotiable.
It added: "The purpose of government subsidies is to kickstart new clean energy technologies, not to support them indefinitely. When costs have fallen dramatically we have scaled back support in order to protect household bills."
MPs urge action on green energy schemes
UK 'need not fear electricity blackouts'
'No excuse' for energy price rises
9Search for monkey missing after US motorway crash
10Petito boyfriend admitted murder in journal - FBI


There is now a "Biometrics Identity Management Agency" created by the Defense Department.
"With biometric information taking an increasingly prominent role in national security, the Department of Defense has created the new Biometrics Identity Management Agency, which will lead DoD activities to integrate and synchronize biometrics technologies and capabilities and to manage the DoD's biometrics database to support the National Security Strategy".
Read the rest of the article in "New Biometrics Agency to Support National Security Strategy", ExecutiveGov, March 30, 2010.