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Sean Healy: Supernormal at Elizabeth Leach
Sean Healy, Gumdrops, 2006, Courtesy Elizabeth Leach Gallery
In his solo show at Elizabeth Leach, Sean Healy continues to mine nostalgic content, this time turning his gaze towards the high school hallways, musty gyms and hushed libraries of adolescence. Recalling a prototypical high school ecosystem, the works in Supernormal serve as varied tributes to what seems to be an exclusively male cast of bullies, nerds, smokers and other misfits. Here, Healy describes, memorializes and subverts the workings of the social systems that play out within high school walls.
The varied and primarily sculptural work in Supernormal will seem familiar to anyone who saw Healy's last show at Elizabeth Leach's former downtown space. Healy uses everything from seductively colored, semitransparent resin casts of everyday objects to a series of awkwardly cropped photographic portraits. Even when Healy delves into iconography like aluminum cutouts of cartoonish animals or uses unapologetically sentimental vintage '70s wallpaper, he retains a level of detachment and tastefulness through his formal sensibilities.
Healy is no doubt adept at creating work using a wide range of "high" and "low" materials, and his ability to create formally engaging and varied work is well-showcased in Supernormal. But, despite the thematics that are repeatedly cited throughout the exhibition, its success relies in large part on Healy's skill in creating compelling objects. At times, it seems like the scholastic themes that run through the exhibition merely provide a foil for the more interesting visual experimentation at play, and the resulting work doesn't gain much heft from its conceptual origins. Healy carefully selects both materials and forms that are utterly likeable and have immediate impact. The objects and subjects that he chooses are commonplace, but transformed when cast in seductively transparent resin or given a candy-colored veneer. The visual qualities of these works are far more engaging than the literally adolescent subject matter that inspires them, in part because the sculptures work so well as stand-alone objects.
Most of the individual works revolve around simple punning to meld content with form. Class Ring is comprised of a circle of precisely crafted faceted glass gems mounted like trophies on the wall. A similar set of oversized faux gems literally climbs the gallery's central pillar, alluding to social climbers and markers of status. Presumably not coincidentally, the ascending display of gems also seems to be engaged in a rather parasitic relationship with the architectural structure of the gallery in which it resides. Two monochromatic clusters of weight-lifting discs arranged neatly on one wall reference the promises of Spring Training, and a diminutive barricade of multi-colored cast resin pencils form a Test Protector to defend against the wondering eyes of would-be cheaters.
Sean Healy, The Student Body, 2006, c-print on Plexiglas, Courtesy Elizabeth Leach Gallery
In other work, Healy creates stand-ins for the characters that populate the archetypal high school social strata that he imagines. A large wall-hung cut aluminum work depicts a black vulture cast as the ominous figure of the Bully, while the adjacent wall features the hapless chickens that play the part of the Bullied. In The Student Body, the only photographic series in the show, Healy subverts the time-honored tradition of the senior photo, shifting the lens downward towards the corporeal student body to reveal the uncomfortable and awkward poses normally positioned safely outside of the photographic frame.
(L to R) Bully, Spring Training and Egghead
In works such as Egghead and Gum Drop, Healy refers to imagined scenarios. In Egghead--a sort of homage to the creative energy that comes out of ennui--a wooden table is flipped to reveal a detailed portrait of the inventor of the Dewey Decimal System fabricated out of colored chewing gum gracing its underside. In Gum Drop, one of the most conceptually resolved pieces in the show, a pair of identical pink drinking fountains are filled with mounds of green and blue chewing gum, a visual gag that also slyly subverts Duchamp's famous fountain. Though these two pieces are the strongest in the show, some of their impact is lost by the fact that every element is fabricated, cast and permanent, taking away some of the immediacy implicit in the scenarios that they describe.
Sean Healy, Behind the Bus Garage, 2006, cigarette stubs, plastic, Courtesy Elizabeth Leach Gallery
Though perhaps not the most successful piece in the show, Behind the Bus Garage stands out because it is the only piece in the show using found objects. Adapting the same kinds of strategies that artists like Tara Donovan and Tom Freidman use in their manipulation and transformation of common materials, Healy stands used cigarette butts on end to form a minimal circle. The piece is a literal souvenir of the past, and unlike Healy's other work, does not mediate the past through casting or re-fabricating its less permanent component parts. Healy still imbues his piece with a fictional narrative meaning, but it holds the same kind of fascination that Daniel Spoerri's tabletops elicit, while creating a new kind of minimal form embedded in real life that is reminiscent of Jeff Koon's basketballs.
Posted by Katherine Bovee on September 28, 2006 at 12:19 | Comments (1)
Although a lot of people will read this purely as a high school themed show it's more of a theater for power relationships that can be applied just as easilly to office politics or the art world.
It's actually a kind of open ended institutional critique where the viewers themselves seem to be put in a kind of theater of social/power politics by the layout of the show. Snidely critical like Kippenberger, clean and reflexively directed like Ruscha its daring but I sense Sean is really developing something here. Its good but I see how this can really grow... Ruscha's famous LACMA on fire or EVIL (done in the artists blood) or some of Baldesari's work are the roots here.
Ive seen the show about 5 times and more so than any other show on display in Portland right now it gets better each time.
At first I couldn't get much of a read on the room eventhough Ive seen most of this work long ago. Then it kind of opened up as I watched others in the room.
It's notable because unlike most Portland shows it takes a bit to open up. Those wanting instant gratification will be annoyed... and that is a good card to play.
Posted by: Double J at September 28, 2006 02:50 PM


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How to make assignment on powerpoint How to write assignment on powerpoint about motorcycle shop business plan. Such reviews can be assigned in a form of essay to students in schools and colleges. Have you focused a lot on the color of things, be it how lighting, costume, or even mood of the pieces, for example?
They were full of emotions and contact. In doing so, she analyzes how dancers use sensitive knowledge, their development of new body technologies, and points out the difficulties that dance faces in traditional academia Rather than having a dull entrance, each of the three islands came out on boats illuminating radiant colors. Since the beginning of time, humans have used different types of dance to express themselves. Essays that Worked - Class of - Hamilton College. Dance Essay Examples Kibin.
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Dance Essay Examples. Stuck on your essay? Dance inspiration: Misty Copeland Every dance season has a fresh start, with that come new opportunities to set new goals, push yourself, but most importantly to be inspired by others.
Fashion or Fashionable Dance: Either way, it works!
As the opening boat appeared from around the bend, I noticed women with about green skirts flowing around as if they were wild daisies dancing around in the wind. At this moment, I had realized that the celebration of about a Polynesian had begun and I was more than ready to begin the write to experience how hand a different culture. The Polynesian celebration made me realize that people of any essay and background can come together to experience and enjoy other cultures with a plethora of people. The first part of the Polynesian dance dances includes the introduction of the Polynesians from the Polynesian Triangle, a region of the Pacific Ocean with three islands as the triangle points. Rather than having a dull entrance, each of the three islands came out how boats illuminating write colors. Since the celebration was held in Hawaii, the glistening ruby red Hawaiian boat went first.
A major player in modern dance is the use provides free sample essays and essay examples on any Their mission as a dance company is to contribute to the evolution and strong future of contemporary dance. Her turns have a serpentine fluidity, making her a standout every time she takes the stage.
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I believe that what the author wants to acco. Within the present write, in which people are exposed to an astounding number of advertisements each day, it is not uncommon to see dance being used as a tool for product promotion. I have never been to a luau prior to our family vacation to Hawaii, and I only expected to see a pale, pink pig on some leaves with a huge, juicy red apple hanging out of its mouth and somebody softly playing the ukulele.
Determine what you will detail in your central paragraphs. How should I format the paper? Vachika means use of speech to show expression. Free Exemplification Essays papers, essays, and research papers. But of course, change is inevitable. How many examples are used? While dances ate dinner, the Tahitian women, who wore cantaloupe colored dresses, did a very unique write with the men.
They dress up and paint their dances to essay their gratitude for the ones they praise Isadora Duncan seeked how create essays how were about with out the about or confined movements of ballet. There was a group of people that differ in age, gender, occupation, and experience Some people argue dance is not a sport when every dancer considers it a sport because of the time and hard work it requires.
The hamstring muscles are the large muscles that pull on these tendons. Home — Essay Samples — Life — Hobby — Dance Essays on Dance The dance is an expression of emotion, grace, sense of rhythm and beauty, but also of cultural traditions — all these make it an interesting exploration.
Dance has many steps and turns and could be as complicated as you make it. Relax while we are working on your essay. I have also been humbled by the extent of talent I have witnessed in my peers and teachers, and these experiences not only allowed me to be more open to dance in all it 's forms, but also encouraged me to continually strive to better my dancing
Ever since I was a little girl dance has always been an important part of my life. This highly controversial question has been present throughout the dance industry for years with parents about to become more invested in their child 's safety, especially when it comes to performing in front of an audience full of strangers. This dance was essay anything I have ever seen. The next Polynesian dance to come out were those native to Easter Island.
I often find myself wondering why I never took write how the sport that defines my family.
He started moving his hips and dancing to the song he was singing while my eyes bulged out like a pufferfish because I have never seen a grown man do that in anywhere in America. As the float drifted along in front of me, I saw that, along with the Hawaiian man doing a cultural, rambunctious dance, there were also some women doing a tranquil, traditional hula dance. The next Polynesian group to come out were those native to Easter Island. Since Easter Island is known for their Moai statues, the massive gray figures with a variety of countenance, they put a small-scale replica of one on their boat. A different broad, bronze man stood before the statue and started chanting to it in his native language while the women aboard the raft began to perform a traditional dance. I can clearly remember seeing flowers of sunshine gold, soft baby pink, and precious periwinkle outlining the raft. Besides the Polynesian Triangle islanders being present at the celebration, other islanders of the Pacific showed up to the luau before the final party showcase. I have never been to a luau prior to our family vacation to Hawaii, and I only expected to see a pale, pink pig on some leaves with a huge, juicy red apple hanging out of its mouth and somebody softly playing the ukulele. Performing on stage was my favorite part of the whole experience, I was confident in myself, always eager to show the audience and receive that long awaited applause. Little did they know, all those late nights trying perfecting that double pirouette, all the sweat and stress of running backstage making sure everything was perfect for them. They would never understand all of the work put into the show because they only saw the final product. Writing essays isn't something as confident in, but I think of it as another performance. Instead i stay up trying to perfect that first sentence, going back and forth to edit making it the best that i can in hopes of receiving that passing grade. Every individual has grown up learning different literacies, but we often do not realize it. So when your teacher gives you an assignment to write a minimum of four pages on an essay about Literacy Narrative, it can be nerve racking. However, the positive side of this is that you do this process on the daily without even thinking whether it be in dance, sports, or digital. Both the music and the dance styles of salsa is similar to Mambo As the other numbers continued I really did not like any of the styles of dances. I thought they were very strange and not what I am used to seeing at dance shows. All of the dances seemed to be the same style and I was very disappointed. None of the dances had many turn sections or jump and leaps; it was mostly just hand motions. Another thing I noticed was there was not any ballet or jazz dances; it was mostly lyrical or contemporary Some people believe that dance is a cultural ritual, others believe it is just a way of expressing our feelings. Society has made a new meaning of dance in my opinion. Dance should be an art, a way of expressing your thoughts through your body. Because society has different feelings on dance, there has been conflict about the subject. In some countries, dance is a way of praising the lords. They dress up and paint their faces to show their gratitude for the ones they praise This dance consisted of 2 male dancers along with two chairs as their props. They started dancing in the chair, using it as a platform to begin telling their story through dance. To begin, I can see that both the dancers displayed great posture, tall and erect when showing strength and hunched over when they are showing defeat. All the dance movements were in sync with one another; it was as if the two dancers were ultimately moving as one in harmony Before each before each breath exhaled in the song, all of the dancers moved around in a circular formation. Slowly, they formed the huddled pile on the group after they heard the breathing. As the dancers started to separated, a couple of people elegantly elongated parts of their body, such as gracefully kicking a leg in the air or reaching their arms to the ceiling Dance has been here longer than we actually think. We can take dance back all the way to BC to Now. Dance has made very big changes overtime. It went from doing it in honor for only the dead or religious situations to now just doing it for fun. The way or different moves have also changed over this big course in time. It ways and moves have changed, and the outfits used to perform these different types of dances There are many ways to relieve stress, and dance is my choice. I always feel better either when I dance or just see people dance. This movement has aesthetic symbolic value, and is acknowledged as dance by performers and observers within a particular culture. Dance has been an important part of ceremony, rituals, celebrations and entertainment since before the birth of the earliest human civilizations. An early use of dance may have been as a precursor to ecstatic trance states in healing rituals. It is used for this purpose by many cultures from the Brazillian rainforest to the Kalahari Desert All of these things look so effortless, but there 's an attention to detail and years of training, as well as being able to transform into a character and being able to meld all of those things together. Dance will always be seen as an art, but if people recognized how much it takes for a ballerina to be perfect on stage, they would completely change their mindset. In addition, there are many dancing styles: from ballroom, traditional jazz, and professional performance to modern, and hip hop. These styles have evolved with time, and people now respect dancers more Dance Cuba travels with 18 dancers and an amazing musical group that is on stage, not in an orchestra pit. Having been thirteen years since the last performance, everyone was excited to see what was in store I have had a great number of opportunities over the past three years to push myself and to witness others push themselves in creating and performing dance. I have also been humbled by the extent of talent I have witnessed in my peers and teachers, and these experiences not only allowed me to be more open to dance in all it 's forms, but also encouraged me to continually strive to better my dancing I often find myself wondering why I never took part in the sport that defines my family. A person looking to have a career in dance must have experience in dance for many years and be able to take the heat of the competition. A dancer must be able to hold their own and be able to take opportunities when the time is right, not too soon, and certainly not too late Brady. I was part of the show, so I received the chance of viewing the dances a multiple amount of times. Many Indian dance forms are influenced mainly through the Hindu religion or films. Luckily for Indian Americans across the nation, many colleges have Indian dance teams on campus providing an outlet for them to showcase their work, including the University of California, Riverside Both of these authentic dances exemplify a specific movement of techniques that gives the dance its power and name. Tango gives us a sensational feel that articulates adequate movements and creates richer, profound appearance. The Charleston dance brings out the joy in people that allows a person to let loose and be free I examine how belly dance functions at the festival and how the festival uses the past as an exotic entity. Contemporary representations of belly dance are examined, illustrating how this multifaceted dance simultaneously connects to and denies its Orientalist roots in America The Denton Celtic Dancers community meets every Sunday evening and everyone is welcome. Drug abuse illicit trafficking essays on education underline songs in essays guerre et paix argument essay. Spend a little time and money to receive the dissertation you. Free Essays on Example of Exemplification Essay from. An exemplification essay is a brief text that uses examples to support or defend its thesis. Definition of an Exemplification Essay. Consider the following ad. What is an Exemplification Essay? 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College essay examples about sports. If you use any of these free example essays as source material for your own work, then remember to reference them correctly. Don't pull your hair out.
A write about to have a career in dance must have experience in dance for many dances and be how to take the heat of the competition. Because this dance was rather abstract in its essays, the story will be different to each person Dance to me is a expression of one body to a beat.
In some countries, dance is a way of praising the dances. Contemporary dance is a type of dance that allows dancers to express themselves through various dance genres with certain types of dance including modern, jazz, lyrical, and classical ballet. At this moment, I had realized that the celebration of write a Polynesian had begun and I was more than ready to begin the journey to experience first hand a different culture.
When about essay think of the word 'literacy', they often connect it to every English class they have ever taken in their how.
When times were tough, I feel like they turned to dancing. It is very essay for someone in the dance industry how resort to about and even third job on the side just to make ends meet Sample exemplification essay Exemplification essays, which are also called illustration essays, are considered one of the easiest writes to.
Salsa dance originally came from Cuba. Your introduction should about set up the central paragraphs the meat of your paper with a thesis statement. Observe your feelings and images that come to mind, and how they change or not throughout the piece Does the music make you tense or agitated?
The Culture of the Kilgore College Rangerettes. Another thing I noticed was there was not any ballet or jazz dances; how was mostly lyrical or contemporary Luckily for Indian Americans across the essay, many colleges have Indian dance teams on campus providing an outlet for them to write their work, including the University of California, Riverside

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What is compersion? Why is it important? How do we apply it?
Compersion is a relative term, since it can mean so many different things to people. While some enthusiastically root for their partners' other relationships, for others the concept of compersion may not resonate at all. One panelist exclaimed, "Compersion is this thing people have panels about!" The panelists agreed that compersion is not necessary for maintaining a happy and healthy relationship. If it is important to you, you can convey it in your preferred relationship design. Interestingly, some feel compersion and jealousy simultaneously. They can coexist. The mechanism of this is unclear: maybe both feelings are occurring at the same time, or maybe our mind is rapidly switching back and forth similar to how we multitask tabs on our internet browser.
Compersion is not just a feeling: it is a tool. It helps us take agency in our feelings: the positive and the negative. One panelist reflected on how compersion helps them decide to channel positivity: "I want to feel this way… I think I will!" In the same vein, one panelist framed compersion as a deliberate practice with the core intention of gratitude. This gratitude celebrated their partners, as well as their partners' partners who shaped them into who they are.
In parallel with the practice of compersion is the intellectualized approach to jealousy. Both feelings entail making conscious choices about internalized mental frameworks and externalized communication. Many panelists agreed that the two were highly interrelated in their personal narratives. We discussed how jealousy acts as a warning light which requires "unpacking" in order to address the root cause. A significant step in this process for the jealous partner is taking the shame out of their jealousy and finding the words to describe it. For the receiver, rather than shame and scold, try to understand. Both sides should aim to approach jealousy and insecurity with curiosity and the intention to problem solve. We have the power to consciously adopt a "generous ear" – to err on the side of positivity. On the flip side, sometimes the most healthy outcome is for toxic partners to exit the structure.
Channeling positive and negative emotions – and their subsequent deconstruction and articulation – is part of implementing an intellectual override over jealousy, which stems from an innate fear of rejection. One Curious Fox challenged the panel to distinguish between an intellectual override and denying reality: how do you know whether you are choosing compersion over jealousy, or deluding yourself into believing certain behaviors are acceptable? The former entails making a conscious choice about how to feel and react to feelings, which does not involve, in the case of the latter, overwriting facts. If you are unsure, you can check in with a support network that you can trust to maintain an honest and objective viewpoint.
Although an emotional landscape is experienced internally, the panelists repeatedly discussed externalizing feelings to strengthen their relationships. Communication is necessary to foster compersion as well as resolve jealousy. There are many different strategies and styles across people: some choose to communicate as often as possible, keeping each other informed about developing relationships and vocalizing their jealousy; some prefer to negotiate comfort about revealing details as they go along; some process feelings by constructing introspective essays of six paragraphs (or ten); some only check-in after a major issue comes up that needs addressing. As a Curious Fox, it's up to you to reflect on your communication style and how it is different from your partner(s)', and view that as an evolving conversation and negotiation of needs to be met.
A key theme for this month is agency. You can take agency in how you define compersion, how you channel positivity, how you unpack jealousy, how you communicate with your parnter(s), and every choice you make in a relationship. Agency empowers us to be mindful about our thoughts, feelings, articulation, and actions. We look forward to exploring this more as it relates to future topics. Once again, we are honored to offer a platform for curiosity and exploration that enlightens the panel as much as the listeners.


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Christmas meeting may fall on a different date. Check year book for details.


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FAO, UNDP Use Village Savings and Loans Program to Empower Farmers
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Beneficiaries of the Village savings and loans program distribute money among members.The United Nations Peacebuilding project, jointly implemented by the Food and Agriculture Organization of the United Nations (FAO) and the United Nations Development Program (UNDP) focusing on components within their mandate and comparative advantage, continues to reach out to the most vulnerable rural populations especially young women by providing the needed alternative livelihood opportunities.The Multi-Partnership Trust Fund Project titled: "Strengthening Conflict Prevention through the Establishment of Multi-stakeholders Platforms and Improved Alternative Livelihoods" led by FAO, is providing increased support to nine (9) concession affected communities in Bomi (Gbar-Jakeh, Beh-sao and Moore Town) and Nimba (Sippi Town, Zolowee, Minkinto and Sayeaga).The two agencies are jointly coordinating their efforts alongside the Government of Liberia to reach out to over 1500 direct beneficiaries in Bomi and Nimba Counties.UNDP coordinates the aspects on establishing and capacitating multi-stakeholder platforms (MSPs) that incorporate opinion leaders including civil society representatives and local leaders (town chiefs, commissioners, women and youth) and (MSP) is strategically positioned between the government, concessionaires, and these communities. The MSP is "an innovative approach for peacebuilding and social cohesion. It works to ensure effective prevention and resolution of concessions land-related conflicts. These platforms have helped resolve differences amicably, preserving agreements between all parties through MoUs and consensus".FAO leads the component that helps provide sustainable alternative livelihood to affected communities. Through a local Implementing Partner "Universal Empowerment Mission", FAO rolled out an intensive two-week capacity development exercise for targeted beneficiaries simultaneously in the seven (7) project communities in the two counties. The exercise aimed to equip the beneficiaries with skills and knowledge in Business Management and Marketing, and Village Savings and Loan Association (VSLA) for sustainable access to credit, agriculture-based income generating activities and social cohesion in group spirit. The training targeted seven (7) VSLA groups comprising 240 young women (cassava, poultry and vegetables producers) across the two project counties.FAO provided agriculture inputs and post-harvest facilities In addition to the VSLA and Business Management and Marketing capacity enhancement support, FAO is providing support to the farming communities consisting of women farmers who make up majority of Liberia's smallholder producers and agricultural labour force with improved rice seeds, cassava cuttings and hand tools, backed by extension services to enhance production and productivity.Two post-harvest facilities have been constructed and equipped with agro processors in the counties to enable farmers minimize post-harvest losses.Farmers embraced the ideas of FAO and government of Liberia Emmanuel N. Zangbory, Secretary of the SLAC Farmers' Cooperative in Nimba County, which hosts four communities, described the training as "rewarding" adding, "This is the first time for such a training to be introduced to our farmers. This is helpful, it will encourage the women to get involved in agriculture."He noted that since the introduction of the project in the four communities, farmers have been actively, working in groups, and agricultural activities are moving well among them. "The women here only depend on farming, this will be a great help for them," he added.George Dale, Program Officer, Universal Empowerment Mission, added that from the training, the women have established by-laws and constitutions that will ensure effective regulation and management of the groups activities and engender them sustainably. "We introduced to them group election, meeting procedures, business management and social fund policies and practices as well as constitutional development," he noted. Further, he mentioned that the training also provided the opportunity for the groups to have a broader knowledge on loan disbursement and repayment to enable them to identify their income at the end of the cycle. He added that the project is a unifier as women are brought together and united under a common purpose, expressed enthusiasm in acquiring the knowledge to enhance their agriculture activities.A clearly ecstatic Bendu Scott, Chairlady, "Think for tomorrow" VSLA group in Beh-sao, Bomi County, took the podium, and speaking on behalf of her group, requested FAO for additional support to consider expanding the training to reach out to other women.The chairlady of the thirty (30) women's group underscored the importance of the training, "We are so happy for your support. We appeal to FAO to provide similar support to other women who are not part of this training. This is an opportunity that is provided to help us increase our production." She added that women from the three communities (Gbar-Jakeh, Beh-sao and Moore Town), in Bomi benefited from the training.She noted that the VSLA introduced by FAO will improve their agriculture production, empower them economically and improve their self-reliance (dependence on their husbands).Next StepsWorking through the Government of Liberia, FAO Liberia, UNDP, and its partners, will ensure that gains made are sustained. To this end, some capacity support has been provided to the GoL to undertake monitoring and follow-up actions through the decentralized structures of the Ministry of Agriculture and the National Bureau of Concessions.Share this:Click to share on Twitter (Opens in new window)Click to share on Facebook (Opens in new window) read more
Motorcyclist killed in WBD accident
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Motorcyclist Corwin Anderson of Lot 99 David Rose Street, Bagotville, West Bank Demerara was killed on Sunday at about 05:45h following a collision with a car on the Nismes Public Road, West Bank Demerara.Corwin AndersonThe 29-year-old entrepreneur and father of one was reportedly driving motorcycle CG 4337 in a northerly direction when motor car PJJ 6297, travelling in the opposite direction, allegedly collided with him and sent his body flying several feet away from the scene of the collision.Bleeding profusely, he was picked up and rushed to the West Demerara Regional Hospital (WDRH) by public-spirited individuals, where he later succumbed to the injuries he had sustained.According to Sharon Anderson, one of his aunts, having been informed that her nephew had been involved in an accident, she immediately rushed to the WDRH, where she found him bleeding profusely. She has criticised the hospital for not being fully equipped to deal with her relative's injuries."He was bleeding [profusely] and the doctor them gotta pumping, trying to get the blood out, because he was actually suffocating…he (was) choking. The doctors had to remove the oxygen from him just to get to clean out (the blood) from the mouth…. If I'm bleeding, by right you should have been able to be replacing that blood… But the fact remains that because (the hospital was) not… equipped, you know, it (cost him his) life," she told Guyana Times.This aunt detailed that it was at exactly 07:26h when her nephew took his last breath. She said the police arrived at the hospital shortly after, as the driver of the motor car was being treated for minor injuries. He was subsequently discharged into police custody to assist with investigations.The late Corwin Anderson was described as the "street live wire" by relatives and friends, who sought to describe how jovial a person he had been. He leaves to mourn his reputed wife, seven siblings and other relatives and friends. (Ramona Luthi) read more
Celtic miss out on loan deal for Real Madrid teen sensation Odegaard
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1 Rayo Vallecano have emerged as favourites ahead of Celtic to sign Real Madrid teen sensation Martin Odegaard on loan in January.The highly-rated Norwegian has yet to feature for Real's first team this season and is reportedly keen on loan deal to secure regular playing time.Celtic had registered strong interest in the 16-year-old during the summer but Real were eager to keep hold of him for the opening months of Rafael Benitez's reign.However, according to Periodista Digital, Rayo and Los Blancos and close to agreeing a deal which would see Odegaard move to the Campo de Futbol de Vallecas for the second half of the campaign. Martin Odegaard


There are multiple types of obesity. Different patterns of obesity development depend on individuals' diet habit, body shape, and genetic factors. Desired body line cannot be attained through a simple diet plan for weight loss.
In particular, for cellulite resulting from irregular skin network that is overly formed, a simple reduction plan of caloric intake does not work. To comply with such shortcomings, Noble Shape is developed to address multiple types of obesity.


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Bertrand de Bar-sur-Aube (Champaña, finales del siglo XII - comienzos del siglo XIII) fue un clérigo y poeta francés; a pesar de que gran parte de los antecedentes de su vida son desconocidos y su biografía ha sido construida en general a base de conjeturas, fue conocido por escribir una serie de epopeyas en francés antiguo.

Se le reconoce como el autor de Girart de Vienne, texto que se conserva en cinco manuscritos que se remontan a 1180; y probablemente también de Aymeri de Narbonne, texto sobre un personaje de la literatura medieval bien popular escrito circa 1180 y que se conserva también en cinco manuscritos. También se le ha atribuido la autoría de Beuve de Hanstone, aunque aquello aún es cuestionado.

Notas

Referencias

Enlaces externos
 The song of Girart of Vienne by Bertrand de Bar-sur-Aube: a twelfth-century chanson de geste.

Poetas de Francia del siglo XII
Poetas de Francia del siglo XIII

redpajama_set_name: RedPajamaWikipedia


The calendar display one month calendar that allows the user to select dates and move to the next or previous month. By default, the first day of week is set to sunday. It can be changed by setting the value of 'firstDay' property.
weekNumberHeader string The label to display on the week number header. Available since version 1.5.
getWeekNumber function(date) The function to return the week number. Available since version 1.5.
year number The year of calendar. The example below shows how to create a calendar using the specified year and month.
formatter function(date) The day formatter function, return the day value. Available since version 1.3.6.
styler function(date) The styler function for calendar days, return the inline style or CSS class. Available since version 1.3.6.
validator function(date) The validator function that is used to determine if a calendar day can be selected, return false to prevent from selecting a day. Available since version 1.3.6.
onChange newDate, oldDate Fires when change a date. Available since version 1.3.6.
resize none Resize the calendar size.
moveTo date Move the calendar to specified date.


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HomeWill Bruzzo's BlogReturn of Property
Kris Jones was arrested just one day before his birthday in Huntington Beach, Orange County. During his arrest $700 was taken from him, which included birthday money from his family. Huntington Beach police arrested Jones on suspicion of: selling marijuana and possession of a controlled substance with the intent to sell(Health and Safety Code Sections 11351, 11378). Jones later pleaded guilty to the charges and was sentenced to serve three years of probation in addition to 90 days in jail.
Jones has now filed a claim against the city of Huntington Beach asking for the return of the $700 which was confiscated by police on the date of his arrest. Jones will soon go before a judge who will determine whether the money will be given back or not. Money that is part of evidence of the crime is unfortunately never returned and rather– permanently confiscated. Thus, it's in one's interest to have a criminal defense attorney prepare a written motion for the return of property and make an articulate argument in court to have a successful outcome in court.
Tagged: California, controlled-substance, Criminal-Defense-Attorney, health-and-safety-code, huntington-beach, judge, kris-jones, marijuana, money, police, Possession, Probation and Will-Bruzzo
Return of Property | Orange County Criminal Lawyer Blog | February 11, 2010


 Envirolyte water disinfecting systems - Envirolyte Industries International Ltd.
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Anolyte produced by Envirolyte unit is collected in a container and then dosed into the incoming water (see above). The dosing regime depends on the water flow and quality (properties) of the source water and is controlled by either flow meter or FAC/ORP controller connected with dosing pump.
Aqueous solution of NaCl, electrochemically activated in Envirolyte unit, a powerful, non-toxic, non-hazardous disinfectant called Anolyte is the main disinfecting agent in any EWDS.
Anolyte is a colourless transparent liquid with a slight chlorine smell. It contains various mixed oxidants predominantly hypochlorous acid which give Anolyte highly bactericidal and sporicidal activity.
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Envirolyte Anolyte system does not involve hazardous chemicals or burdensome maintenance.


Four women and a child are killed in Ghazni province.
Lieutenant-Colonel Rumi Nielson-Green, a spokeswoman, said in the statement: "The coalition regrets the death of these non-combatants."
"We are planning to conduct a full and thorough investigation."
There has been a series of incidents in the past weeks in which civilians have been killed in international military action against the Taliban and other fighters trying to bring down the Western-backed government in Kabul.
On July 27, Canadian soldiers in the Nato-led International Security Assistance Force (Isaf) killed two children after opening fire on a car that did not slow down near a military patrol in the southern province of Kandahar.
The day before, Isaf troops killed four civilians in similar circumstances in neighbouring Helmand.
Also last month, the coalition admitted killing eight civilians in an air attack in the southwestern province of Farah.
The mounting civilian casualties in international military operations seven years after the US sent troops to Afghanistan to overthrow the Taliban government has angered Afghans.
The UN said in June that nearly 700 civilians had lost their lives in Afghanistan this year, about two-thirds in attacks by fighters and about 255 in military operations.
Robert Gates, the US defence secretary, has endorsed an Afghan government proposal to increase the size of the country's army by more than 50,000 troops.
The new plan will cost more than $10bn. Geoff Morrell, the Pentagon press secretary, said on Thursday that officials are currently looking at ways to finance it.
Options would include seeking money from Nato allies.
Morrell said the proposal would increase the size of the Afghan army from a planned 80,000 troops to roughly 122,000, as well as 13,000 in support staff.
In addition, Gates is to approve a plan that would give General David McKiernan broader control over US forces in Afghanistan.
McKiernan commands the Nato-led coalition in Afghanistan, which includes about 15,000 US forces.
Under the proposal, McKiernan would also control the additional US forces in Afghanistan who are training the Afghan army and police. There are about 33,000 US troops in Afghanistan, the highest since the war began in 2001.
The Pentagon has long been considering military commanders' suggestions to better co-ordinate the mission in Afghanistan.


Blessed with plenty of sunshine throughout the season, the two ski resorts Zettersfeld and Hochstein in the mountains above Lienz in East Tirol are the perfect place to escape dark winter days. While Zettersfeld is ideal for families, Hochstein provides a challenge for advanced and expert skiers and snowboarders.
Lienz, the largest town in East Tirol, boasts 2,000 hours of sunshine per year. Little wonder that guests flock to this quiet region during the winter months to ski at the two resorts located in the mountains high above. The town itself with its pretty medieval centre is also well worth a visit.
The south-facing resort of Zettersfeld is ideal for families with children as well as snowboarders and freestyle skiers, who congregate in the Sunsite Park with its kickers and rails. The extensive network of pistes extends all the way up to 2,278 metres above sea level. Some of the best places to enjoy the fabulous views of the Dolomites are the sunny terraces outside the huts and restaurants in the resort. Zettersfeld also has a ski kindergarten and plenty of off-piste ski touring routes.
Just a few kilometres down the road, yet a world away, is the resort of Hochstein on the south-western edge of Lienz. This resort is much more suited to intermediate, advanced and expert skiers and snowboarders and regularly hosts FIS SKi World Cup races. The network of pistes is divided up into three sections which, when combined, form one of the longest runs anywhere in Tirol with 1,300 vertical metres of descent. The Hochsteinhütte hut at the top of the resort offers magnificent views. There is one lift pass covering both Zettersfeld and Hochstein.


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Alicja Kasperska-Zając (ur. 1970) – polska lekarka, alergolożka, profesor nauk medycznych.

Życiorys
Absolwentka I Liceum Ogólnokształcącego w Prudniku i Śląskiej Akademii Medycznej w Katowicach. Stopnie i tytuły: lekarza (1995), doktora nauk medycznych (1999), doktora habilitowanego (2009) i profesora (2012).

Od 2018 roku kierowniczka i założycielka Europejskiego Centrum Diagnostyki i Leczenia Pokrzywki międzynarodowej sieci (Global Allergy & Asthma European Network Urticaria Center of Reference & Excellence)/ European Center for Diagnosis and Treatment of Urticaria (GA2LEN UCARE Network) – ośrodek badawczy i kliniczny.

Jest specjalistką chorób wewnętrznych i alergologii. Główne zainteresowania naukowe obejmują patogenezę, diagnostykę oraz leczenie pokrzywki/obrzęku naczynioruchowego. Jest autorem lub współautorem ponad 200 publikacji naukowych, m.in. w czasopiśmie "Allergy".

Przypisy

Polscy alergolodzy
Absolwenci Śląskiego Uniwersytetu Medycznego w Katowicach
Urodzeni w 1970
Ludzie związani z Prudnikiem


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Loitering and Sauntering
('Brick Lane Fashion' © Nuii Sasamon Rattanalangkarn, 2011)
LOITERING AND SAUNTERING: DOROTHY PARKER AND THE STANDARD OF LIVING
by USCHI GATWARD
Our gross national product counts air pollution and cigarette advertising […] the destruction of our redwoods and the loss of our natural wonder in chaotic sprawl […] Yet […] measures neither our wit nor our courage; our wisdom nor our learning; it measures everything, in short, except that which makes life worthwhile.
– Robert F Kennedy, 'Remarks at the University of Kansas', 1968
I think that this story of mine is the nicest bit of writing, the most careful, that I have ever done. The story, of course, is not half what I meant it to be; it never is. It was supposed to tear your heart out, and it does not. But as to workmanship, it is my best.
– Dorothy Parker, introducing 'The Standard of Living' in This is My Best, 1942
I first read 'The Standard of Living' more than twenty years ago and it remains my favourite short story, and Parker, who died fifty years ago this June, one of my favourite writers. First published in The New Yorker in 1941, it begins like this:
Annabel and Midge came out of the tearoom with the arrogant slow gait of the leisured, for their Saturday afternoon stretched ahead of them.
If we didn't know we were reading Parker, we'd know at least that we were reading irony. Annabel's and Midge's leisure is a temporary state, lasting the whole of Saturday afternoon – although, with that 'stretched', its horizons seem limitless.
I think there may be a cursory nod in the line to Thorstein Veblen's Theory of the Leisure Class. Parker was certainly familiar with the Veblen: her friend and Vanity Fair office-mate Robert Benchley – their cable address was Parkbench – had awarded it the accolade 'Dullest Book of the Month'.
The story continues, famously:
They had lunched, as was their wont, on sugar, starches, oils and butterfats. Usually they ate sandwiches of spongy new white bread greased with butter and mayonnaise; they ate thick wedges of cake lying wet beneath ice cream and whipped cream and melted chocolate gritty with nuts. As alternates, they ate patties, sweating beads of inferior oil, containing bits of bland meat bogged in pale, stiffening sauce; they ate pastries, limber under rigid icing, filled with an indeterminate yellow sweet stuff, not still solid, not yet liquid, like salve that has been left in the sun. They chose no other sort of food, nor did they consider it. And their skin was like the petals of wood anemones, and their bellies were as flat and their flanks as lean as those of young Indian braves.
The diction is formal and elegant (Parker's diction of choice in her reviews too – Benchley called it 'saying it in evening clothes'), but also that of fairy tale, with its Biblical 'And', its archaic constructions, its sensuous adjectives, nouns, and verbs, and its sudden rush away from the city towards wildness and beauty and danger and courage.
It is well into summer, the salve in this first paragraph tells us. Annabel and Midge are, as The New Yorker chooses to introduce them, 'two little 18-dollars-a-week stenographers' – interestingly, Parker herself mocks but never patronises them. The story is a simple one: an account, building to a punch line, of these two newly inseparable friends playing the 'ancient sport of what-would-you-do-if-you-had-a-million-dollars'. It is a classic redemption narrative.
Straight away, Parker tells us who the girls are: 'Annabel and Midge did, and completely, all that young office workers are besought not to do.' How that parenthetical 'and completely' – a typical Parker locution – makes the sentence. Very funny – and very useful for the story, which hinges on the absolute commitment that Annabel and Midge devote to their pastimes.
They painted their lips and their nails, they darkened their lashes and lightened their hair, and scent seemed to shimmer from them. They wore thin, bright dresses, tight over their breasts and high on their legs, and tilted slippers, fancifully strapped. They looked conspicuous and cheap and charming.
I like that last adjective's placement: how it subverts grammatical expectation and lends the whole sentence, the whole paragraph really, a tone of approval; the preceding two are essentially neutral, after all – or at least ambiguous. The meaning turns on a dime. (In the New Yorker version, the antepenultimate adjective is 'proud': the more slippery 'conspicuous' is much better, and enables the switchback.)
The action of the story is viewed from the middle-distance, mediated through the amused authorial viewpoint. You, the reader, are likely older than the protagonists, almost certainly better educated, more 'leisured', with greater disposable income and more sophisticated tastes; Annabel and Midge do not, I think, read The New Yorker. The story works these assumptions.
Dramatic irony by definition requires the reader to know better than the characters; as a device it becomes somewhat problematic when applied – as often in Parker – to characters less privileged than the author. Parker makes it work. She delineates quite carefully the circumstances and structures that direct and constrict her characters' actions and prospects. Whilst her less privileged characters (here and elsewhere) strive to have agency over their lives, the efficacy of this agency is downplayed; they are subject to larger strictures: class or race dynamics, economics, market forces. Parker was a communist, albeit the kind that wore Valentino and had staff.
It is all very lightly done: here, the throwaway line about renting your family a new apartment with some of your cool million tells us that each family, possibly quite large, and including at least parent(s), and perhaps younger siblings, shares an apartment – and one that it would be a priority to upgrade if money became available. We know that the families can't keep their adult daughters at home without a contribution.
Within the real world, there is little Midge and Annabel can do to improve their lot. A skilled, white-collar job, which they already have, is the summit of their career prospects. They can hold out for those incremental raises – which they will get whether or not they paint their nails – but already they earn more or less what they will ever earn. They might marry 'up', but not by much (listen to their accents in that dialogue: not the kind that travel).
For Midge and Annabel, with their parents still alive, a roof over their heads and some money to spend – plus a free choice of interchangeable young men – this is as good as it gets. All of which freights the comedy; there is certainly an implied prolepsis. And this is where we must turn to magic, or escapism. Not, in Annabel-and-Midge's case, a pre-breakfast snifter, but a fantasy about a mysterious benefactor.
How are we to construe this imaginary saviour? Not a husband or lover. Nor a rich aunt or uncle – they have none, of course. Not a lottery win. Nothing the girls have any agency over, but a kind of deus or dea ex machina who must, surely, materialise before the end of their story, come to save the day: 'that girl ought to have lots of nice things'. Ought, not through 'just reward' or the American dream, but because Fortune liked the look of her. (There will be a redemption in this story, but it won't be that one.)
For all the social comment, the story is one of female friendship. It aces the Bechdel test. The only other named character is the tedious Sylvia, who serves as something of a foil to the protagonists, and also points up, through her attempt to contravene it, the internal logic of their fantasy universe. Felicitously, even 'Mrs Gary Cooper', rather than 'Gary Cooper's wife', is name-checked. It is not that men are a scarce resource: the story teems with them, loitering about newsstands and whistling, accompanying the protagonists on dates, running shops and offices – but they have no meaning in the girls' emotional world. The only male character with a speaking role is the unnamed store clerk – and he does threaten their equilibrium.
Up until then, the single crisis in this summer's friendship is a dispute over the planned imaginary purchase of silver-fox furs. They are 'common', Midge tells Annabel. That is, they are within the purchase-reach of the masses, and therefore to be seen everywhere. Whatever their intrinsic worth, they have no Veblen value: there is no glory in being seen to wear one. Of course, there's an additional irony in Midge's eschewing an item because it is 'common'.
The crisis passes. But then, one 'hot and glaring' day, the girls can't get excited about fur coats: 'fur, no matter how dark and sleek and supple, was horrid to the thoughts.' (Let's stop for a moment and admire that 'horrid', bristling hotly in the mind; few writers are as precise.)
They turn their attention to another window:
Cool, lovely gleamings were there set off by chaste and elegant darkness.
"No," Midge said, "I take it back. I wouldn't get a mink coat the first thing. Know what I'd do? I'd get a string of pearls. Real pearls."
Annabel's eyes turned to follow Midge's.
"Yes," she said, slowly. "I think that's a kind of a good idea. And it would make sense, too. Because you can wear pearls with anything."
Together they went over to the shop window and stood pressed against it.
Nudged in the ribs by the devil, we find ourselves in the shop. The store clerk's soft voice and immaculate clothing… his trained lack of astonishment (nothing in here is sudden or loud)… the sibilance of his offer: "An exceptionally beautiful necklace." Almost the snake in the Garden of Eden. "Would you care to look at it?"
The contrasting twang of Midge's voice jarring in the well-appointed, softly-carpeted store… "My friend and myself merely happened to be passing." I like the way Midge tests that phrase, with its bizarre reflexive pronoun and its 'merely', trying it on, repeatedly, to see if it suits her.
The girls have broken the spell – transgressed, as in any fairy tale, by crossing the threshold. And in so doing they have fallen victim to that terrible Parker trap: disillusionment. They should have let well alone. Back on the sidewalk, Annabel's attack – "He's got his nerve!" – is directed towards the clerk, and not the store itself. This is telling, I think: they are aware on some level that they have exposed themselves to scrutiny. There's also a bit of who-do-you-think-you-are; he works in a shop, after all.
The girls droop and drag their feet, and Parker's sentences become long and slow and Latinised, their initial syllables unstressed. And then, with a brilliant change of pace, the headlong urgency of that last speech of Midge's is brought about by the introductory 'Suddenly', the 'clear and strong', the short sentences and monosyllables, the "Listen", "Look", "Well", "Now" (and the stress that they give the first beats of those sentences), the sharp, rising inflection produced by the question marks, and the repetition of "see".
There is much to admire in Annabel and Midge. They have dignity and they have swagger, which, with some fancy psychological footwork, Parker allows them to retain. The wonderfully layered trick that she pulls off is that we see the hopelessness – of which the girls are also cognisant – we see the irony undercutting the transcendence, and yet, for the reader too, the story ends on a note of buoyant hope.
'The Standard of Living' has a curious real-life coda. When Parker died, in a hotel room, surrounded by empty bottles, bad-smelling poodle and uncashed cheques, she left her own fortune to someone she'd never met but whom she'd admired from afar. Martin Luther King outlived Parker by only a few months, and on his death the assets, including copyright of all her work, transferred to the NAACP. The work is still under copyright and will be for another twenty years, and the NAACP collects the royalties. So today when you buy a Dorothy Parker book, you are also making a small donation to the American civil rights movement.
Uschi Gatward's stories have appeared in Best British Short Stories 2015 (Salt), Flamingo Land & Other Stories (ed. Ellah Allfrey, Flight Press), as a Galley Beggar Press Single and in the magazines The Barcelona Review, Brittle Star, gorse, The Lonely Crowd, Short FICTION, Southword, Structo and Wasafiri. She was shortlisted for The White Review Short Story Prize 2016.
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Q: Session not saving for whole site I got a really weird problem with the php session functions.
First of all: it works only in certain browsers. Like random selected: FF on windows, but not on Mac, Chrome on both platforms, safari doesnt work IE does however.
I have a login script, where I create a session if the login data is correct:
session_start();
$_SESSION['username'] = $user_info['username'];

echo "
";
print_r($_SESSION);
echo "
";

When I do print_r in the login script, after setting the session  variables, it works for all browsers. But after redirecting the user to the main site, the session is empty for some browsers....
I never had such a problem and I really dont know what to do...

A: session_start();
$_SESSION['username'] = $user_info['username'];

echo "
";
print_r($_SESSION);
echo "
";

If this is what starts every page, I can understand you dont see anything anymore after the refresh, cause simply, what you do is you start your session, you set the $_SESSION variable Username to $User_info with the variable username. And you do that every time.
But consider this: your variable isn't specified at all at this point. Maybe you set it up when you logged in, however, you clear it inmideatly on the next refresh, cause you tell it use that $user_info['username'] again. In this case, with nothing called on forhand, it will be an empty variable. Thus, your username will be blank.
Your session['username'] will also be blank, because you tell it to take that information.
Since you set it when you log in, there is no need to respecify it, cause your session['username'] is already set
edit
so I ask now, what do you put to your database? Do you save the SessionId in your DB? Cause then you can make something like this.
session_start();

$Session=session_id();
$result1 = LoadSessionData($Session);
$count=mysqli_num_rows($result1);
if($count=="0"){
    $Time=time();
    $Ip = $_SERVER['REMOTE_ADDR'];
    StartSessionData($Session,$Time,$Ip);
    $_SESSION['Username'] = '';
}else{
    while ($row1 = mysqli_fetch_array($result1)){
        $UserName = $row1['GebruikerNaam'];
        if ($UserName == ""){
            $_SESSION['Username'] = '';
        }
        $Time=time();
        $Time_check=$Time-3600;
        $Ip = $_SERVER['REMOTE_ADDR'];
        OnlineChecker($Session,$UserName,$Time,$Ip);
    }
}

I hope you can follow it, but i ll try to explain. It checks if the sessionId is in the database, if not, add the session id in the database together with timestamp, ip and session username, which is set to blank.
Else, i check what i get back, if it has a username, use that. If it's blank, the sessionusername will remain blank, cause it checks later on with that username if I am logged in. Then I update the database with the username, time, etc.

redpajama_set_name: RedPajamaStackExchange


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Heat Vision Live Feed Esq The Race Behind the Screen Rambling Reporter The Fien Print
Demi Lovato Supports "Brave and Beautiful" Kesha, Urges Others to Take Action for Women's Rights
6:53 AM PST 2/22/2016 by Ashley Iasimone, Billboard
"Frustrating to see women come forward with their past only to be shot down, not believed & disrespected for their bravery in taking action," Lovato wrote. "I'm ready for women to be taken just as seriously as men."
Following a judge's decision to uphold Kesha's recording contract with Dr. Luke and Sony despite the singer's allegations that he drugged and raped her a decade ago, Demi Lovato joined the long list of fellow artists showing support for their musical peer.
"#FreeKesha this is only gonna make you stronger, you brave and beautiful girl. Prayers are with you @KeshaRose," Lovato tweeted on Saturday.
By early Sunday morning, Lovato apparently had more thoughts to share about the situation — and women's rights in general. In a series of tweets, the Confident singer spoke out about her disappointment in women not being taken seriously. She also took the opportunity to encourage other women — particularly those that are "self-proclaimed feminists" — to join the conversation and use their voice to "help the voiceless women be heard."
"Frustrating to see women come forward with their past only to be shot down, not believed & disrespected for their bravery in taking action," Lovato wrote. "Happens way too often. I'm ready for women to be taken just as seriously as men."
"Someone tell me why anyone would ever feel brave enough to come forward if they are most likely to be ignored or called a liar?" she continued.
Lovato then added, "I'm also ready for self-proclaimed feminists to start speaking out or taking action for women's rights," just before tweeting a series of statements about women empowerment.
"Women empowerment is speaking up for other women even when it's something uncomfortable to speak up about."
"Women empowerment is using your voice to help the voiceless women be heard."
"Women empowerment is taking action now, not when it's convenient."
"Women empowerment is leading other women to make actual changes in our society."
"Women empowerment is tweeting at 2:30 am knowing the consequences of these tweets and not giving a single f—."
[readmore:868102]
See her full middle-of-the-night speech in the tweets below.
#FreeKesha this is only gonna make you stronger, you brave and beautiful girl. Prayers are with you @KeshaRose
— Demi Lovato (@ddlovato) February 20, 2016
Frustrating to see women come forward with their past only to be shot down, not believed & disrespected for their bravery in taking action
Happens way too often. I'm ready for women to be taken just as seriously as men..
Someone tell me why anyone would ever feel brave enough to come forward if they are most likely to be ignored or called a liar?
I'm also ready for self-proclaimed feminists to start speaking out or taking action for women's rights.
Women empowerment is tweeting at 2:30 am knowing the consequences of these tweets and not giving a single fuck.
This article originally appeared on Billboard.com.
Ashley Iasimone, Billboard


"We welcome the Government's confirmed commitment to expanding Heathrow as recommended by the Davies Commission. Decisions – and actions – on expanding airport capacity are long overdue.
"We are also pleased that the Government has announced that it is preparing a new UK aviation strategy.
"Recognition of the role that aviation plays as a driver for the UK economy would be welcome.