text:
The Quaker Unmasked
1 2016-08-19T13:27:59-07:00 Will Fenton 9e3bf7727b68fc64e416bcd18efaefb81d06944c 7200 3 The Quaker unmask'd; or, Plain truth: humbly address'd to the consideration of all the freemen of Pennsylvania. [Four lines of quotations] The second edition. gallery 2018-02-12T02:19:24-08:00 Philadelphia: : Printed by Andrew Steuart, in Second-Street., 1764. Dove, David James, 1696?-1769. Call Number: Am 1764 Dov 795.D.7 Defending the Paxton Boys; also suggesting that the Quakers were enamored of both Indian squaws and Indian trade. Cf. Dictionary of American biography. Signed on p. 13: Philopatrius. Second-Street, Philadelphia, February 18, 1764. Attributed to David James Dove in the Dictionary of American biography. "Postscript."--p. 14-15. Bookseller's advertisement, p. 16. Evans, C. American bibliography, 9647; English short title catalogue (ESTC), W32375; Hildeburn, C.R. Pennsylvania, 1982 1982. Library Company of Philadelphia. Will Fenton 9e3bf7727b68fc64e416bcd18efaefb81d06944c
1 2016-08-19T13:31:01-07:00 Will Fenton 9e3bf7727b68fc64e416bcd18efaefb81d06944c The Quaker Unmasked Will Fenton 3 (two editions) image_header 2018-02-12T02:17:59-08:00 1764. Dove, David James, 1696?-1769. Reference editions. Two editions: first and second edition. Library Company of Philadelphia. Will Fenton 9e3bf7727b68fc64e416bcd18efaefb81d06944c
1 2016-08-19T13:30:04-07:00 The Quaker Unmasked (Second Edition) 2 The Quaker unmask'd; or, Plain truth: : humbly address'd to the consideration of all the freemen of Pennsylvania. gallery 2018-02-12T02:21:02-08:00 Philadelphia [Pa.]: : Printed [by Andrew Steuart], in the year of our Lord, M,DCC,LXIV. [1764] Dove, David James, 1696?-1769. Call Number: Am 1764 Dove 1007.D.6 Defending the Paxton Boys; also suggesting that the Quakers were enamored of both Indian squaws and Indian trade. Cf. Dictionary of American biography. Signed on p. 13: Philopatrius. Second-Street, Philadelphia, February 18, 1764. Attributed to David James Dove in the Dictionary of American biography. "Postscript."--p. 14-15. Bookseller's advertisement, p. 16. Evans, C. American bibliography, 9647; English short title catalogue (ESTC), W32375; Hildeburn, C.R. Pennsylvania, 1982 1982. Evans, C. American bibliography, 9646; English short title catalogue (ESTC), W21215; Hildeburn, C.R. Pennsylvania, 1981. Library Company of Philadelphia.
1 2016-08-20T13:14:50-07:00 Will Fenton 9e3bf7727b68fc64e416bcd18efaefb81d06944c Pamphlets Will Fenton 24 image_header 2018-07-27T15:21:49-07:00 Will Fenton 9e3bf7727b68fc64e416bcd18efaefb81d06944c
1 2016-08-19T17:19:20-07:00 An Address to the Freeholders and Inhabitants of the Province of Pennsylvania 2 An Address to the freeholders and inhabitants of the province of Pennsylvania. : In answer to a paper called the Plain dealer. gallery 2018-02-12T02:50:13-08:00 Philadelphia: : Printed and sold by Anthony Armbruster, at the German and English printing-office; in Moravian-Alley., 1764. Anonymous. Call Number: Am 1764 Add 1983.O.2 Signatures: [A]? B. Evans, C. American bibliography, 9561; English short title catalogue (ESTC), W973; Hildeburn, C.R. Pennsylvania, 1942 Library Company of Philadelphia.
1 2016-08-19T16:56:31-07:00 An Answer to Mr. Franklin's Remarks on a Late Protest 2 An answer to Mr. Franklin's Remarks, on a late protest. gallery 2018-02-12T02:53:46-08:00 Philadelphia : Printed and sold by William Bradford, at his bookstore, in Market-Street, adjoining the London Coffee-House, M.DCC.LXIV. [1764] Smith, William, 1727-1803. Call Number: Am 1764 Fra(bw) Ar64 F84.2 Attributed to Smith by Evans. Two states of gathering A noted. In the first, p. 3 ends with the word "Protesters", and the last word of text on p. 5 is "charter"; in the second, p. 3 ends with "assembly", and p. 5 ends with the added phrase "which has put that matter wholly out of their power." Two states of gathering C noted. The second contains a note on p. 22 not present in the first. Also, two lines of verse have been shifted from p. 22 to p. 21. Evans (entry 9842) describes this variant as a second impression. Signatures: A-C? (C4 blank). Evans, C. American bibliography, 9841; Evans, American bibliography, 9842; English short title catalogue (ESTC), W11639; Hildeburn, C.R. Pennsylvania, 1952; Sabin, J. Dictionary of books relating to America from its discovery to the present time, 84586. Historical Society of Pennsylvania.
1 2016-08-19T17:46:32-07:00 A Brief State of the Province of Pennsylvania 2 A brief state of the province of Pennsylvania, : in which the conduct of their assemblies for several years past is impartially examined, and the true cause of the continual encroachments of the French displayed, more especially the secret design of their late unwarrantable invasion and settlement upon the river Ohio. To which is annexed, an easy plan for restoring quiet in the public measures of that province, and defeating the ambitious views of the French in time to come. In a letter from a gentleman who has resided many years in Pennsylvania to his friends in London. gallery 2018-02-12T02:57:52-08:00 London [England]: : Printed for R. Griffiths at the Dunciad, in Paternoster-Row., 1755. Smith, William, 1727-1803. Call Number: Am 1755 Smi 112519.O With a half-title. By William Smith. "Price one shilling."--half-title. Signatures: [A]-B-F? G (G2 verso blank). English short title catalogue (ESTC), T68506; Sabin 84589; Howes, W. U.S.iana (2nd ed.), S686; Smith, J. Anti-Quakeriana, p. 405. Library Company of Philadelphia.
1 2016-08-19T17:25:57-07:00 The Cheat Unmasked 2 The Cheat unmask'd: being a refutation of that illegitimate letter, said to be wrote by a clergyman in town: in a true copy of a letter from that clergyman to his friend. gallery 2018-02-12T11:48:33-08:00 [Philadelphia] : Printed [by Henry Miller], in the year M,DCC,LXIV. [1764] Anonymous. Call Number: Am 1764 Che Ar.64 C 51 Signed on p. 8: The Rector of you know where. Ascribed to the press of Henry Miller by Evans. Evans, C. American bibliography, 9614; English short title catalogue (ESTC), W33689; Hildeburn, C.R. Pennsylvania, 1965. Historical Society of Pennsylvania.
1 2017-06-20T10:26:04-07:00 The Cloven-Foot Discovered (contained in "A Letter from Batista Angeloni") 2 A letter, from Batista Angeloni, who resided many years in London, to his friend Manzoni. Wherein the Quakers are politically and religiously considered. To which is added, The Cloven-Foot discovered. [One line of Latin text] gallery 2018-02-12T11:51:57-08:00 Printed at Carolina [i.e., Philadelphia?] : and sold by Edward Merefield, at the corner of Arch-Street, and opposite the Church Burying-Ground, in Philadelphia, [1764?] Shebbeare, John, 1709-1788. Call Number: Am 1764 She 13293.O.11 Extracted from Shebbeare's Letters on the English nation, also published pseudonymously. Cf. the Dictionary of national biography. Probable place and date of publication suggested by Hildeburn. "The Cloven-Foot discovered."--p. 7-8, in verse. An attack on the Quakers for their dealings with and support of the Indians. Evans, C. American bibliography, 9838; English short title catalogue (ESTC), W13438; Hildeburn, C.R. Pennsylvania, 2013. Library Company of Philadelphia.
1 2016-08-19T17:32:19-07:00 The Curse of Meroz 2 The curse of Meroz; or, The danger of neutrality, in the cause of God, and our country. : A sermon, preached the 2d of October, 1757. By Samuel Finley, A.M. Minister of the Gospel, in Nottingham, Pennsylvania. Published at the desire of many. gallery 2018-02-12T11:57:06-08:00 Philadelphia: : Printed and sold by James Chattin, at the newest-printing-office, on the south side of the Jersey-Market., 1757. (Price, one shilling) Finley, Samuel, 1715-1766. Call Number: Am 1757 Fin Ar.57 F 51 Parentheses substituted for square brackets in imprint transcription. English short title catalogue (ESTC), W30570; Evans 7893; Hildeburn, C.R. Pennsylvania, 1526 Historical Society of Pennsylvania (housed at Library Company of Philadelphia).
1 2016-08-19T17:01:56-07:00 The Delineated Presbyterian Played Hob With 2 The author of Quaker unmask'd strip'd start [sic] naked, or The delineated Presbyterian play'd hob with. gallery 2018-02-12T11:59:01-08:00 Philadelphia. : Printed [by Anthony Armbruster], in the year M,DCC,LXIV. [1764] Wigwagg, Timothy. Call Number: Am 1764 Aut Ar.64 A 94 "Charges Franklin with the authorship of the 'Quaker unmask'd'--Evans. Signed on p. 11: Timothy Wigwagg. Ascribed to the press of Anthony Armbruster by Evans. Signatures: A? B. Evans, C. American bibliography, 9586; English short title catalogue (ESTC), W15378; Hildeburn, C.R. Pennsylvania, 1956. Historical Society of Pennsylvania.
1 2016-08-19T17:51:55-07:00 Eine dem hochedlen Herrn Guvernor 2 Eine dem hochedlen Herrn Guvernor und der Landesversammlung der Provinz Pennsylvanien ubergebene Erklarung und Vorstellung von den bedrangten und in Todesgefahr stehenden Einwohnern an den Grenzen dieser Provinz: worin die Ursachen ihrer letztherigen Unzufriedenheit und Kummers angezeigt werden; samt den Beschwerungen, die sie ausgestanden haben, und um deren Abschaffung sie unterthanig bitten. Aus dem Englischen ubersetzt. gallery 2018-02-12T01:13:47-08:00 [Philadelphia, Pa.] : Gedruckt [bey Henrich Miller?], im Jahr 1764. Smith, Matthew. Call Number: Am 1764 Ein German Translation of "Declaration and Remonstrance." On the massacre of the Conestoga Indians by the Paxton Boys and the Indian policy of the Pennsylvania authorities. Translation of: A declaration and remonstrance of the distressed and bleeding frontier inhabitants of the province of Pennsylvania. Signed on p. 16: Matthaus Smith. James Gibson. Den 1sten Febr. 1764. Ascribed to the press of Henrich Miller by Seidensticker. Signatures: A-B?. Evans, C. American bibliography, 9631; English short title catalogue (ESTC), W18562; Hildeburn, C.R. Pennsylvania, 1971. Historical Society of Pennsylvania.
1 2016-08-19T13:40:58-07:00 Historische Nachricht von dem neulich in Lancaster Caunty 2 Historische Nachricht von dem neulich in Lancaster Caunty durch unbekante Personen ausgefuhrten Blutbade uber eine Anzahl Indianer, welche Freunde dieser Provinz waren. Mit einigen hinzu gefugten Anmerkungen. Aus dem Englishen ubersetzt. gallery 2018-02-12T01:41:28-08:00 [Ephrata, Pa.? : Druck der Bruderschaft?], Gedruckt im Jahr 1764. Franklin, Benjamin, 1706-1790. Call Number: Am 1764 Fra Ac.134 German translation of "A Narrative of the Late Massacres." Translation of: Franklin, Benjamin. A narrative of the late massacres, in Lancaster County, of a number of Indians, friends of this province, by persons unknown. Tentatively recorded as an Ephrata imprint by Seidensticker, Hildeburn, and Evans. Signatures: A-D? (D4 verso blank). Evans, C. American bibliography, 9666; English short title catalogue (ESTC), W16999; Hildeburn, C.R. Pennsylvania, 2005 Historical Society of Pennsylvania.
1 2016-08-19T13:24:34-07:00 A Little Looking-Glass for the Times 2 A little looking-glass for the times; or, A brief remembrancer for Pennsylvania. : Containing some serious hints, affectionately addressed to people of every rank and station in the province: with an appendix, by way of supplication to Almighty God./ By G.C. gallery 2018-02-12T12:10:45-08:00 Wilmington [Del.], : Printed and sold by James Adams,, 1764. Churchman, George Call Number: Am 1764 Chu Ar.64 L 86 Attributed to George Churchman by Shipton & Mooney. Signatures: [A]? B-C?. Evans, C. American bibliography, 9611; English short title catalogue (ESTC), W19710; Rink, E. Delaware, 21; Sabin, J. Dictionary of books relating to America from its discovery to the present time 9743. Historical Society of Pennsylvania.
1 2016-08-19T17:40:16-07:00 The Lottery: A Dialogue Between Mr. Thomas Trueman and Mr. Humphrey Dupe 2 The lottery. : A dialogue between Mr. Thomas Trueman and Mr. Humphrey Dupe. gallery 2018-02-12T12:12:27-08:00 [Germantown, Pa. : Printed by Christopher Sower, 1758] Dove, David James, 1696?-1769. Call Number: Am 1758 Dov Ap758 D743 Attributed to David James Dove in the Dictionary of American biography. Includes also two mock ballads: "The academy garland" and "The lottery. An excellent old ballad." Imprint supplied from Hildeburn. Evans, C. American bibliography, 8114; English short title catalogue (ESTC), W21214; Hildeburn, C.R. Pennsylvania, 1579; Wegelin, O. Early American poetry, 123. Historical Society of Pennsylvania (housed at Library Company of Philadelphia).
1 2016-08-19T17:14:24-07:00 The Paxton Boys: a Farce (Second Edition) 2 The Paxton boys, : a farce. / Translated from the original French, by a native of Donegal. By a native of Donegall. The second edition. gallery 2018-02-12T01:49:15-08:00 Philadelphia [Pa.]: : Printed and sold by Anthony Armbruster, at the German and English printing office; in Moravian-Alley., 1764. A native of Donegall. Call Number: Am 1764 Pax 795.D.21 Second Edition. Library Company copy inscribed: Du Simitiere; wanting the two plates. Evans, C. American bibliography, 9777; English short title catalogue (ESTC), W37240. Library Company of Philadelphia.
1 2016-08-19T13:56:29-07:00 The Paxtoniade (Second Edition) 2 gallery 2018-02-12T01:56:03-08:00 Philadelphia: : Printed and sold by John Morris, opposite the Three Reapers in Third-Street., [1764] Gymnast, Christopher. Call Number: Am 1764 Gym 795.D.24 Second Edition. Date of publication supplied by Evans. Evans, C. American bibliography, 9686; English short title catalogue (ESTC), W37201; Hildeburn, C.R. Pennsylvania, 2034; Sabin, J. Dictionary of books relating to America from its discovery to the present time, 59272; Wegelin, O. Early American poetry, 709. Library Company of Philadelphia.
1 2016-08-19T13:48:09-07:00 Protestation gegen die Bestellung Herrn Benjamin Franklin 2 Protestation gegen die Bestellung Herrn Benjamin Franklins zu einem Agenten fur diese Provinz. gallery 2018-02-12T02:25:01-08:00 [Germantown, Pa. : Gedruckt bey Christoph Saur, 1764] Franklin, Benjamin, 1706-1790. Call Number: AbG[1764]-17 German Translation of: Protest, presented to the House of Assembly [of Pennsylvania], by the subscribers, at the close of the late debate there, concerning the sending of Mr. Franklin as an assistant to our agent, at the court of Great-Britain (Bristol B2512). Caption title. Signed and dated: Den 20ten October, 1764. John Dickinson [and nine others]. Followed on p. [2-4] by "Anmerkungen uber eine neuliche Protestation gegen die Bestellung Herrn Benjamin Franklins zu einem Agenten fur diese Provinz," a translation of Franklin's "Remarks on a late protest against the appointment of Mr. Franklin an agent for this province" (Evans 9669). Signed and dated on p. [4]: Philadelphia, am 5 Nov. 1764. B. Franklin. Imprint supplied by Evans. Erroneously filmed by Readex Microprint Corp. for Evans 9803, which records a German language broadside which apparently includes only the protest, and which is ascribed to the press of Henry Miller at Philadelphia. Evans, C. American bibliography, 9668; Evans, C. American bibliography, 9803; Hildeburn, C.R. Pennsylvania, 1993; English short title catalogue (ESTC), W21040. Historical Society of Pennsylvania.
1 2016-08-19T13:45:37-07:00 Remarks on a late protest against the appointment of Mr. Franklin 2 Remarks on a late protest against the appointment of Mr. Franklin an agent for this province. gallery 2018-02-12T02:23:22-08:00 [Philadelphia : Printed by Benjamin Franklin and David Hall, 1764] Franklin, Benjamin, 1706-1790. Call Number: Am 1764 Fra Ar 64 F84 Caption title. Signed on p. 7: B. Franklin. Philadelphia, Nov, 5, 1764. Ascribed to the press of Franklin by Evans and Miller. For an account of this work see: Ford, P.L. Franklin bibliography, 1889, p. 123, and Ford, P.L., ed. The writings of John Dickinson, 1895, v. 1, p. [147]-157. Signatures: [A]? ([A]4 verso blank). Evans, C. American bibliography, 9669; English short title catalogue (ESTC), W2487; Hildeburn, C.R. Pennsylvania, 1994; Miller, C.W. Franklin, 808. Historical Society of Pennsylvania.
1 2016-08-19T17:28:16-07:00 The Scribbler 2 The Scribler, : being a letter from a gentleman in town to his friend in the country, concerning the present state of public affairs; with a lapidary character. gallery 2018-02-12T12:22:49-08:00 [Philadelphia] : Printed [by Anthony Armbruster], in the year MDCC,LXIV. [1764] Anonymous. Call Number: Am 1764 Scr Ar.64 S 43 In reply to Hugh Williamson's What is sauce for a goose is also sauce for a gander. Ascribed to the press of Anthony Armbruster by Evans. "Hints for another inscription in the lapidary style, or a sketch of a character."--p. 19-24, concerning William Smith. Signatures: [A]? B-C?. Evans, C. American bibliography, 9831; English short title catalogue (ESTC), W4821; Hildeburn, C.R. Pennsylvania, 2060. Historical Society of Pennsylvania (housed at Library Company of Philadelphia).
1 2016-11-13T15:18:34-08:00 Sermon Preached in the Church of St. Peters 2 Sermon preached in the Church of St. Peters in Lewis, in Sussex County on Delaware, on July 8, 1757. Being the day appointed ... to be observed as a day of fasting and humiliation, to implore the blessing of God on His Majesty's arms, especially on the expedition now carrying on under His Excellency John Earl of Loudoun. / By Matthias Harris, officiating minister to the several congregations of the Church of England, in Sussex County on Delaware. gallery 2018-02-12T12:25:01-08:00 Philadelphia : Printed and sold by James Chattin, 1757. Harris, Matthias, 1718-1773. Call Number: AMPHIL 200 Pam. v.36, no.2. Available in "Pamphlets on Religion, v.36, no.2" at the American Philosophical Society. American Philosophical Society.
1 2016-08-19T17:43:30-07:00 Several Conferences Between Some of the Principal People Amongst the Quakers in Pennsylvania 2 Several conferences between some of the principal people amongst the Quakers in Pennsylvania, and the deputies from the Six Indian Nations, in alliance with Britain; : in order to reclaim their brethren the Delaware Indians from their defection, and put a stop to their barbarities and hostilities. To which is prefix'd (as introductory to the said conferences) two addresses from the said Quakers; one to the Lieutenant-Governor, and the other to the General-Assembly of the Province of Pennsylvania; as also the Lieutenant-Governor's declaration of war against the said Delaware Indians, and their adherents. gallery 2018-02-12T12:27:20-08:00 Newcastle Upon Tyne [England]: : Printed by I. Thompson and Company., MDCCLVI. [1756] Pemberton, Israel, 1715-1779 Call Number: Am 1756 Several 112087.O Often attributed to Israel Pemberton, a Philadelphia Quaker who, in April 1756, tried to mediate between the Delaware tribes and the government of Pennsylvania. Signatures: pi_ A-C?. English short title catalogue (ESTC), T111251; Sabin, J. Dictionary of books relating to America from its discovery to the present time, 59612; Howes, W. U.S.iana, 1650-1950 (1962 edition) P192; Smith, J. Descriptive catalogue of Friends' books, II: 280. Library Company of Philadelphia.
1 2018-07-27T14:55:23-07:00 The Speech of Joseph Galloway 1 (path) gallery 2018-07-27T14:55:24-07:00 1764 Galloway, Joseph, 1731-1803. The Kislak Center for Special Collections, Rare Books and Manuscripts. F152 .D543 1764. Philadelphia: Printed and sold by W. Dunlap, in Market-Street., 1764. Preface, p. iii-xxxv, by Benjamin Franklin. Signatures: a-d4 e2 [A]2 B-G4 (e2 verso blank; G3 verso, G4 blank). ''Errata.''--p. [xxxix]. Cited in: Evans 9671; Hildeburn, C.R. Pennsylvania, 1996; Adams, T. R. Brit. pamphlets 64-8a.
1 2016-08-19T14:32:12-07:00 The Substance of an Exercise had this Morning in Scurrility Hall 2 The substance of an exercise, had this morning in Scurrility-Hall. gallery 2018-02-12T12:31:20-08:00 [Philadelphia, Pa.] : Printed [by Andrew Steuart], in the year, M,DCC,LXV. [1765] Hunt, Isaac, approximately 1742-1809. Call Number: Am 1765 Hun Ar65 H95 Attributed to Isaac Hunt in the Dictionary of American biography. Ascribed to the press of Andrew Steuart by Evans. Signatures: [A]? ([A]4 blank). Evans, C. American bibliography, 7893; English short title catalogue (ESTC), W30570; Hildeburn, C.R. Pennsylvania, 1526. Historical Society of Pennsylvania.
1 2016-11-13T15:15:37-08:00 A Touch on the Times 2 A Touch on the times : a new song to the tune of Nancy Dawson. gallery 2018-02-12T12:33:12-08:00 [Philadelphia? : s.n., 1764] Anonymous. Call Number: B2526. 41494. A reply to David James Dove's The Quaker Unmask'd. Ten numbered stanzas with chorus. Caption title. Imprint suggested by Bristol. Not in Ford. Sabin no. 96322. American Philosophical Society.
1 2016-08-19T14:50:26-07:00 True Copy of a Letter From a Member of St. Paul's 2 True copy of a letter, from a member of St. P--l's, to an intimate friend: shewing the real source from which the present wranglings in that congregation have sprung. gallery 2018-02-12T12:34:47-08:00 [Philadelphia] : Printed [by Andrew Steuart?], in the year M,DCC,LXIV. [1764] Member of St. P--l's. Call Number:Am 1764 Tru Api764 S77 Place of publication and printer's name suggested by Evans. Signatures: [A]? Evans, C. American bibliography, 9857 English short title catalogue (ESTC), W13160; Hildeburn, C.R. Pennsylvania, 2077. Historical Society of Pennsylvania.
1 2016-08-19T17:34:55-07:00 Unanimity and Public Spirit 2 Unanimity and public spirit. : A sermon preached at Carlisle, and some other Episcopal churches, in the counties of York and Cumberland, soon after General Braddock's defeat. Published by particular request. By the Reverend Mr. Thomas Barton, missionary to the said churches. To which is prefixed, a letter from the Reverend Mr. Smith, provost of the College of Philadelphia, concerning the office and duties of a Protestant ministry, especially in times of public calamity and danger. gallery 2018-02-12T12:36:15-08:00 Philadelphia: : Printed and sold by B. Franklin and D. Hall, at the new-printing-office; by W. Dunlap, in Lancaster; and in York County by the author, 1755. Barton, Thomas, 1730-1780. Call Number: Am 1755 Bar Ar.55 B 29 Evans, C. American bibliography, 7354; Shipton, C.K. National index of American imprints through 1800, 40800; English short title catalogue (ESTC), W1569; Hildeburn, C.R. Pennsylvania, 1398; Hildeburn, C.R. Pennsylvania, 1439; Miller, C.W. Franklin, 603. Historical Society of Pennsylvania (housed at Library Company of Philadelphia).
1 2018-07-27T14:47:37-07:00 The Universal Peacemaker 1 (path) gallery 2018-07-27T14:47:37-07:00 1764 Philanthropos. The Kislak Center for Special Collections, Rare Books and Manuscripts. AC7 A100 764u. Philadelphia: Printed by Anthony Armbruster, in Moravian Alley, 1764. Dated at end: Walnut-street, March, 25, 1764. Relating to the Paxton boys. Culture Class Collection copy is stitched and untrimmed; in cloth folder. Cited in: Evans, 9797; Hildeburn, C.R. Pennsylvania, 2080; ESTC, W31613.
1 2016-08-19T12:59:54-07:00 Will Fenton 9e3bf7727b68fc64e416bcd18efaefb81d06944c The Quaker Unmasked - Title Page 1 The Quaker unmask'd; or, Plain truth: humbly address'd to the consideration of all the freemen of Pennsylvania. [Four lines of quotations] The second edition. 2016-08-19T12:59:54-07:00 Dove, David James, 1696?-1769. LCP Am 1764 Dov 795.D.7 Philadelphia: : Printed by Andrew Steuart, in Second-Street., 1764. Defending the Paxton Boys; also suggesting that the Quakers were enamored of both Indian squaws and Indian trade. Cf. Dictionary of American biography. Signed on p. 13: Philopatrius. Second-Street, Philadelphia, February 18, 1764. Attributed to David James Dove in the Dictionary of American biography. "Postscript."--p. 14-15. Bookseller's advertisement, p. 16. 16 p. ; 17 cm Evans, C. American bibliography, 9647; English short title catalogue (ESTC), W32375; Hildeburn, C.R. Pennsylvania, 1982 1982 16 Title Page Will Fenton 9e3bf7727b68fc64e416bcd18efaefb81d06944c
1 2016-08-19T12:59:54-07:00 Will Fenton 9e3bf7727b68fc64e416bcd18efaefb81d06944c The Quaker Unmasked - 3 1 The Quaker unmask'd; or, Plain truth: humbly address'd to the consideration of all the freemen of Pennsylvania. [Four lines of quotations] The second edition. 2016-08-19T12:59:54-07:00 Dove, David James, 1696?-1769. LCP Am 1764 Dov 795.D.7 Philadelphia: : Printed by Andrew Steuart, in Second-Street., 1764. Defending the Paxton Boys; also suggesting that the Quakers were enamored of both Indian squaws and Indian trade. Cf. Dictionary of American biography. Signed on p. 13: Philopatrius. Second-Street, Philadelphia, February 18, 1764. Attributed to David James Dove in the Dictionary of American biography. "Postscript."--p. 14-15. Bookseller's advertisement, p. 16. 16 p. ; 17 cm Evans, C. American bibliography, 9647; English short title catalogue (ESTC), W32375; Hildeburn, C.R. Pennsylvania, 1982 1982 16 3 Will Fenton 9e3bf7727b68fc64e416bcd18efaefb81d06944c
1 2016-08-19T12:58:27-07:00 Will Fenton 9e3bf7727b68fc64e416bcd18efaefb81d06944c The Quaker Unmasked - 10 1 The Quaker unmask'd; or, Plain truth: humbly address'd to the consideration of all the freemen of Pennsylvania. [Four lines of quotations] The second edition. 2016-08-19T12:58:27-07:00 Dove, David James, 1696?-1769. LCP Am 1764 Dov 795.D.7 Philadelphia: : Printed by Andrew Steuart, in Second-Street., 1764. Defending the Paxton Boys; also suggesting that the Quakers were enamored of both Indian squaws and Indian trade. Cf. Dictionary of American biography. Signed on p. 13: Philopatrius. Second-Street, Philadelphia, February 18, 1764. Attributed to David James Dove in the Dictionary of American biography. "Postscript."--p. 14-15. Bookseller's advertisement, p. 16. 16 p. ; 17 cm Evans, C. American bibliography, 9647; English short title catalogue (ESTC), W32375; Hildeburn, C.R. Pennsylvania, 1982 1982 16 10 Will Fenton 9e3bf7727b68fc64e416bcd18efaefb81d06944c
1 2016-08-19T12:58:26-07:00 Will Fenton 9e3bf7727b68fc64e416bcd18efaefb81d06944c The Quaker Unmasked - Book Plate 1 The Quaker unmask'd; or, Plain truth: humbly address'd to the consideration of all the freemen of Pennsylvania. [Four lines of quotations] The second edition. 2016-08-19T12:58:26-07:00 Dove, David James, 1696?-1769. LCP Am 1764 Dov 795.D.7 Philadelphia: : Printed by Andrew Steuart, in Second-Street., 1764. Defending the Paxton Boys; also suggesting that the Quakers were enamored of both Indian squaws and Indian trade. Cf. Dictionary of American biography. Signed on p. 13: Philopatrius. Second-Street, Philadelphia, February 18, 1764. Attributed to David James Dove in the Dictionary of American biography. "Postscript."--p. 14-15. Bookseller's advertisement, p. 16. 16 p. ; 17 cm Evans, C. American bibliography, 9647; English short title catalogue (ESTC), W32375; Hildeburn, C.R. Pennsylvania, 1982 1982 16 Book Plate Will Fenton 9e3bf7727b68fc64e416bcd18efaefb81d06944c


text:
Yankees' Jordan Montgomery out 6-8 weeks with elbow strain
Yankees starter Jordan Montgomery pitches in the first inning against the Astros at Minute Maid Park on Tuesday. Credit: Getty Images / Bob Levey
By Erik Boland erik.boland@newsday.com @eboland11 Updated May 2, 2018 9:45 PM
HOUSTON — The news could have been better regarding Jordan Montgomery.
But it could have been far worse as well for the Yankees lefthander.
Aaron Boone announced before Wednesday night's game an examination in New York of Montgomery's left elbow earlier in the day showed a flexor tendon strain. Boone said the 25-year-old Montgomery, who left his start here Tuesday night after one inning because of discomfort in the elbow, would be out 6-8 weeks.
"He's not going to play catch or throw anything for three weeks," Boone said. "Not great news but not worst-case news either. Hopefully he can use this time and get well and come back and help us for most of the second half."
Rookie righthander Domingo German, who allowed four hits and struck out four in four scoreless innings in relief of Montgomery Tuesday, will slot into the rotation for the time being.
"We have a lot of confidence in him being able to step into that role," Boone said of the 25-year-old German, who has a 3.77 ERA in five appearances this year. With an at-times killer curveball, German has struck out 18 and walked seven in 14 1⁄3 innings.
Other options to start on the current 25-man roster are David Hale, added to the roster Wednesday, and A.J. Cole. Righty Chance Adams, a top pitching prospect, hasn't been very good for Triple-A Scranton/Wilkes-Barre — he's 0-2 with a 5.11 ERA in five starts — and lefty Justus Sheffield, another top pitching prospect, is off to a good start (2.25 ERA in five starts) but is only at Double-A Trenton. And neither prospect is on the 40-man roster.
Regardless of options, it is a blow to a rotation that came in 6-1 with a 2.17 ERA in its last 11 games. Montgomery, coming off a rookie season in which he went 9-7 with a 3.88 ERA in 29 starts, was a part of that, entering Tuesday 2-0 with a 3.76 ERA in six starts.
"He's pitched really well," Boone said of Montgomery. "He's given us a chance to win every time he's gone out there, so we'll just have to pick up the slack."

redpajama_set_name: RedPajamaCommonCrawl


To get to Monaco from Italy and France, you can use the service of car rental with driver in Monaco. You do not have to take the car back, the carrier will charge only one way and comfortably take you to a small state. Book a transfer to Monaco in advance if you arrive at Monte Carlo station. No need to overpay for a taxi and crowded in public transport. Travel in comfort with GetTransfer.com!
See also, how to get to Monaco from nice airport, Milan, San Remo, Genoa.
Monaco is a small country neighbouring with Italy and France. These countries had a great influence on the culture and traditions of the local population. The small Principality is divided into comune: La Condamine, Monaco, Fontvieille and Monte Carlo. The last region is a real Paradise for adherents of rest "at the level": yachting and rest on the Cote d'azur, ski resorts in the Alps, casinos and"Formula 1".
Services for the carriage of passengers in Monaco from the service GetTransfer.com have experienced drivers. Book your transfer to Monaco in advance to get to the festivals and carnivals that Monaco is famous for.


Yes it seems I am unable to start a line with a hyphen (doing some copy that requires I write out command line things). It places it on the previous line. I am not sure if this is a designated character or something.


This colorful spring plaid outdoor bow is a perfect way to adorn wreaths, stairway, arches, gates, mailboxes, trees, and more. This bow is created with a waterproof - weatherproof ribbon.
9 loops 2.5" colorful woven plaid weatherproof ribbon with wire edge.
This bow is created with wire edge ribbons that hold their shape.


text:
Q: Using sed with regex to remove text from a file I'm trying to use sed with regex to remove specific patterns from a file.
Here is the command I'm using:
sed '/location .*?\/\s+{(?:[\w\W]+?)}\s*(?=(?:location|$))/d'

Here is a sample text I'm testing with:
location / {
                try_files $uri $uri/ /index.php?$args;
}
location ~*  .(jpg|jpeg|png|gif|ico|css|js)$ {
            expires 365d;
        }

        location ~*  .(pdf)$ {
            expires 30d;
        }

        location ~ \.php$
                {
                        try_files $uri =404;
                        fastcgi_split_path_info ^(.+\.php)(/.+)$;
                        include /etc/nginx/fastcgi_params;
                        fastcgi_index index.php;
                        fastcgi_param SCRIPT_FILENAME $document_root$fastcgi_script_name;
                        include /etc/nginx/nginx_limits.conf;
                        if (-f $request_filename)
                        {
                                fastcgi_pass unix:/usr/local/php73/sockets/rgeoipdsm1.sock;
                        }
                }
        location ~ / {
                        try_files $uri $uri/ /index.php?$args;
        }

        location ^ / {
                        try_files $uri $uri/ /index.php?$args;
        }

        location ~ / {
                        if (-f $request_filename)
                        {
                                fastcgi_pass unix:/usr/local/php73/sockets/rgeoipdsm1.sock;
                        }
                        try_files $uri $uri/ /index.php?$args;
        }

location ~ \.png {

}

location ~ / {
}

What I'm expecting to see after running sed:
location ~*  .(jpg|jpeg|png|gif|ico|css|js)$ {
        expires 365d;
    }

    location ~*  .(pdf)$ {
        expires 30d;
    }

        location ~ \.php$
                {
                        try_files $uri =404;
                        fastcgi_split_path_info ^(.+\.php)(/.+)$;
                        include /etc/nginx/fastcgi_params;
                        fastcgi_index index.php;
                        fastcgi_param SCRIPT_FILENAME $document_root$fastcgi_script_name;
                        include /etc/nginx/nginx_limits.conf;
                        if (-f $request_filename)
                        {
                                fastcgi_pass unix:/usr/local/php73/sockets/rgeoipdsm1.sock;
                        }
                }
    location ~ \.png {

}

But after running sed I get no changes at all, it seems to match nothing.
Is it possible to fine-tune this command (perhaps with escape characters?) so it'll remove the required patterns?

A: This might work for you (GNU sed):
sed -E '/location ([~^] )?\/ \{/{:a;N;/^(\s*)location.*\n\1\}\s*$/d;ba}' file

Match the location required, then append lines until the white space before the closing } matches the opening lines initial white space and delete those line.

A: You can use
sed '/^[[:blank:]]*location .*\/[[:blank:]]*{[[:blank:]]*$/,/^[[:blank:]]*}[[:blank:]]*$/d' yourfile > newfile

This sed command finds blocks of lines between line matching ^[[:blank:]]*location .*\/[[:blank:]]*{[[:blank:]]*$ and a line matching ^[[:blank:]]*}[[:blank:]]*$, and removes them (with d).
The ^[[:blank:]]*location .*\/[[:blank:]]*{[[:blank:]]*$ regex matches

*

*^ - start of string

*[[:blank:]]* - zero or more spaces/tabs

*location  - a location  string

*.* - any zero or more chars

*\/ - a / char

*[[:blank:]]*{[[:blank:]]* - a `{~ enclosed with zero or more spaces/tabs

*$ - end of string.

The ^[[:blank:]]*}[[:blank:]]*$ regex matches a string that only contains a single } char eclosed with optional spaces/tabs.

redpajama_set_name: RedPajamaStackExchange


Christmas decorations do sneak into my kitchen this time of year, but not like these kitchens. I am completely inspired by them. Fun, festive and completely inviting. I can imagine drinking a hot cup of cocoa in any of them. How about you?
How to: Make the Cutest Drink Koozies Ever!
I have a love/hate relationship with banquettes (aka kitchen booth things). I love them because because of their ability to tuck into small spaces yet provide a lot of seating. I hate them because they're built in and can't be moved, unlike furniture. And then there's that "what happens when the dude in the center needs to get out?" thing. "Excuse me.
Store-Bought Cake Makeovers Pretty Enough for a Wedding!


text:
Meet the Filmmaker: Leon Welling, "Man Gurgles Mouthwash (and Then Dies)"
Posted on October 15, 2014 by efpdenver
Man Gurgles Mouthwash (and Then Dies) | Bungofilms.com
LW: To buy expensive pants!
LW: Man Gurgles Mouthwash. No plans for it as yet
LW: Completing post on a feature film and an animated music video
LW: They're all just very complicated punchlines.
LW: Bungofilms.com
LW: Always a good place to go for external stimuli regarding film.
Man Gurgles Mouthwash (and Then Dies) will screen October 16th at The Emerging Filmmakers Project.
Leon Welling, Meet the Filmmaker, October 2014
Meet the Filmmaker: Mark Fukae, "The Unearthly Episode 1: Missing" (Part One)
The Unearthly Episode 1: Missing | http://theunearthlyseries.com
MF: I love telling stories! But I could never find the right vehicle to do it properly, until I saw my older brother shooting, editing and projecting his Super 8 comedy films at home. That and seeing Monty Python and the Holy Grail on the big screen. I was hooked! How did Terry Gilliam do that? It's amazing how influenced a 7 year old can be to the gateway drug of film…
MF: We are going to be seeing at the EFP, The Unearthly pilot titled "Missing". This is a cosmic horror series, based upon the Cthulhu mythos of Howard Phillips Lovecraft. It has not screened elsewhere, other than directly on its website: http://theunearthlyseries.com
MF: We are going to be starting another crowdfunding campaign for The Unearthly, due to the costs of the special effects animation for the alien creatures later in the season. In addition to the ongoing production and post production work on The Unearthly series, I am going into production in Colorado on a feature thriller titled Divergence. We start that in March and am writing two other feature projects to develop.
MF: Ironically, production on a Cthulhu based project can make one go crazy! I unintentionally have a character in the show, as well as write, direct, edit, and grade The Unearthly. It's a given that a filmmaker wears many hats on their labors of love. Just don't kill yourself doing literally everything on every production. Filmmaking is truly a collaborative medium. Surround yourself with talented craftspeople. You will thank yourself and be a more effective storyteller in the process!
MF: Check out The Unearthly's website at http://theunearthlyseries.com and my personal Vimeo site: https://vimeo.com/3rfilmworks/videos for current projects. The Internet Movie Database also lists current projects as well.
MF: What more can I say about The Emerging Filmmakers Project? That it is truly the only venue that is ongoing every third Thursday of every month, where you can see and be and interact with amazing, talented filmmakers! You got to love that!
The Unearthly Episode 1: Missing will screen October 16th at The Emerging Filmmakers Project.
Mark Fukae, Meet the Filmmaker, October 2014
Meet the Filmmaker: Evan Wiley, "Reservoir Rising" (Trailer)
Reservoir Rising (Trailer) | www.reservoirrising.com
EW: For me, it's never been about anything but the film. I started as a photographer when I was young and began to interpret the world in a visual way, and began making films with friends. It became a passion, and turned into a profession after that.
EW: We'll be seeing the trailer for Reservoir Rising which is a movie about fulfillment and decision. It's funny that you asked what our plans are. We haven't screened this film elsewhere because we encountered technical difficulties with our project. We have started a crowdfunding campaign so we can finish the project by November.
EW: I'm currently in pre-production for a smaller short film, planned to film in November. After that, I will immediately begin seeking funding for the largest of my projects, filming in April of 2015.
EW: As a writer and director, my inspiration comes from the world around me in a visual way. I don't necessarily start a project by thinking of characters and a plot line. For example, I showed a film back in November of last year called The Old Tin Can. This was a silent short film based entirely around a rusty old can I came upon in my garage one day.
EW: They can go to my websites where there's more info about my production company; Venture Compass Pictures, and our current film; Reservoir Rising. www.venturecompasspictures.com and www.reservoirrising.com.
EW: The Emerging Filmmakers Project is a great space for networking and publicity because it's the central hub for filmmakers in Denver. Everyone knows each other, everybody can share their projects with each other, and everybody can benefit. We're lucky to have a place like this.
The trailer for Reservoir Rising will screen October 16th at The Emerging Filmmakers Project.
Evan Wiley, Meet the Filmmaker, October 2014


text:
Philadelphia Suburban Zone, PA
40° 10' 26", -74° 54' 53.03"
The phone number 267-619-8622 is located in or around Philadelphia PA-Wilmington DE-Trenton, NJ. This landline number is registered with Onvoy. There have been 632 searches conducted for this number overall. There are 4 user comments, the latest received on January 13th, 2023 and it has been marked as spam 3 times. This number has a current spam score of 40%. Below you will find additional detailed information:
Donation requested
Didn't say anything
January 3rd, 2023 1:36pm
Who Called: Fundraiser
Somebody claiming who put an envelop in our mailbox asking for donations for law enforcement. Spammer blocked.
January 2nd, 2023 5:03pm
that number called me and knowbody spoke


Fashion and costume designer Chris March learned a lot from Project Runway. Reaching the final round of the beloved reality competition show during its fourth season was not only a major personal and professional accomplishment but also a crash course in the power of television. "The second the show started, I started getting all of these e-mails, and then I would get a million hits a month on my website," he tells us in this second installment of our three-part Media Beat interview. "I had no idea what television could do." Click below to hear more about his experience on Project Runway, why he considers the show a "pop culture phenomenon," and what it all means for the future of fashion design.


text:
Q: Use battery supply as backup I'm designing a circuit that has a built-in single-cell LiPo battery with its charger for a GSM circuit. The board feeds from a 12V power supply and uses the battery as a backup, and when the power supply goes out, the battery must power the load, and when the supply goes back battery should begin charging, and the load should be fed from the power supply. I used two Schottky diodes to select between the two. But I'm not sure what happens when the battery is being charged and powering the board at the same time. Another problem is that both regulator circuits supply 5 volts, but how can I make it use the step-down regulator (power supply) when both regulators are working? My load uses 5V and 1~2A, and the maximum dropout should not get over 600 millivolts.

simulate this circuit – Schematic created using CircuitLab

A: If you set or design the step-down regulator to 5.6 V but the step-up converter (after the battery) slightly lower, for example to 5.3 V then as long as the 12 V power is "up" the step-down regulator will always "win" (be used, supply the current) as it delivers a slightly higher voltage.
When the 12 V power is off, then the step-down regulator cannot supply a voltage so the step-down regulator will will be used.
I recommend adding a battery protection circuit between the battery and the rest of the circuit so that when the 12 V power is off for a long time, the step-up converter cannot fully deplete the battery. It should stop at about Vbat = 3.0 V to prevent over discharging of the battery which damages the battery.
A battery protection circuit will simply disconnect the battery when Vbat gets too low (and too high as well if the charger circuit breaks).
But allow me to suggest an alternative solution: many power banks come with an input and an output socket and allow for supplying 5 V and charging the battery at the same time. Then you would have a complete finished, working solution. If the powerbank needs 5 V in put then you only need a step-down regulator module.


Home » Post tagged "testing"
There are two other topics in that node that I'll be revising and/or integrating into the stuff above: Test Apache Cordova apps with Karma and Jasmine and Test Apache Cordova apps with Chutzpah.
I'd love to know what you think, as this material is easily the basis for a video course with Microsoft Virtual Academy as well.
In January I'll start diving into UI testing for mobile–should be fun!
As the WinRT API is laced with async methods, having a robust approach to testing async behavior is very helpful for producing a robust app. Here are a few keys suggestions.
First, test re-entering a page multiple times when that page starts async operations. That is, navigate to a page that starts those operations, navigate away, then navigate forward again. Repeat a few times. Ideally what's happening in the code is that any unfinished async operation is canceled then you leave the page. Otherwise this test can produce redundant operations that could collide.
More generally, the suggestion above means to plan and test for cancelation. With this, look at behaviors in your UI that depend on async operations either being started or completing, such as enabling/disabling controls.
When testing your app, keep a keen eye out for how and when progress indicators are showing up, or how they aren't showing up for that matter. Generally speaking progress indicators show that some long-running process is happening or that the app is waiting for some data or other results to be delievered. The latter is probably the most common, because long running processes like image manipulation are under the app's control and is just a matter of crunching the pixels. Network latency, on the other hand, whether from connection timeouts of slow transfer speeds, isn't something the app can do much about other than wait.
To simulate a slow connection, you can, of course, create additional traffic on your connection while you're testing the app–e.g. playing videos, running big downloads (and uploads), and so forth. The faster your connection, the more you'll have to load it up. You might also be able to change settings in your modem or router to make everything run more slowly. For example, if you have a wireless-N router, change it to run only at wireless-A speeds, then load it up with extra work.
Whatever the case, slowing down the network speed will help show where and how progress indicators are being used. You'll want to especially look for places where your app just appears to sit without any visual indication of the work it's doing. This reveals that your code is making assumptions about how quickly data is coming back and that you'll need to put up a progress indicator if the user waits for more than 1-2 seconds (the recommended timeout for showing an indicator).
On a slow connection, too, you can better evaluate whether you're overusing progress indicators. That is, while it's nice that we have controls to show work happening, they are something that users will get tired of looking at over and over. So think about how you might architect the app to wholly eliminate the need for those indicators. For example, if you are switching between a page with a list of items and a details page for one item, and there's a delay in that switch, it's a good place to simply switch the visibility of two pages that are fully constructed, rather than doing a real navigation that would tear down and rebuild the pages each time. The user won't be able to tell the difference, except that everything is running much faster. Indeed, building a page with a list control of hundreds or thousands of items is a very expensive process, so avoiding that work is a good thing, especially when the list page itself doesn't change in the process of navigating in and out of details.
On the flip side, also test your app on the fastest connection you can find and see if there are any places where progress indicators show up unnecessarily. This would also reveal places where you're assuming that the data will take a long time to obtain, and where a progress indicator might just flash on the screen momentarily and create visual noise. In those cases you'll want to make sure you again use a timeout before the indicator appears.
Make sure that all logos (logo, wide logo, small logo, and store logo) are all representative of your app. Avoid shipping an app with any of the default graphics from the VS templates. Note that the Store logo never shows up in the running app, so you won't notice it at runtime.
If you set Short Name, its text will be used on the tile instead of Display Name.
Be aware that if you're using live tiles, the XML update for a tile can specify whether the display/short name should be shown in the branding attribute. See my post on the Windows 8 Developer Blog, Alive with Activity Part 1, for details.
If you don't have specific scaled assets, reevaluate your choices here. Remember that if you don't provide a specific version for each given pixel density, Windows will take one of the others and stretch or shrink it as needed, meaning that the app might not looks its best.
Examine the relationship between the small logo, your specified tile background color, and any live tile updates and toast notifications you might use. Live tiles and toasts can specify whether to show the small logo, and the tile background color is used in both instances. If you have a mismatch between the small logo edge colors and the background color, you'll see an obvious edge in tiles and toasts.
The Windows Store Certification requirements (section 4.5) stipulates that apps doing data transfers must avoido doing large transfers over metered connections (you know, the ones that charge you outrageous amounts of money if you exceed a typically-small transfer limit!). At the same time, getting a device set up on such a network can be time consuming and costly (especially if you exceed the limit).
There is certainly room here for third-party tools to provide a comprehensive solution. At present, within Windows itself, the trick is to use a Wi-Fi connection (not an Ethernet cable), then open up the Settings charm, tap on your network connection near the bottom (see below left, the one that says 'Nuthatch'), then in the Networks pane that appears (below right), right click the wireless connection and select Set As Metered Connection.
It's also worth noting that Task Manager has a column in its detailed view, on the App history tab, for metered network usage, where you can track your app's activities.
It's good to know this as a user, too, as you can see if there are any misbehaving apps you might want to reconfigure or uninstall.
When using different contracts that broker interaction between two apps, it's a natural question to wonder if your app is really going to work with all other arbitrary apps. This is the intent of contracts in the first place, but it's good to put apps in the Store when you're reasonably confident that they'll work according to that intent.
With sharing data through the Share contract, in particular, it really boils down to finding target apps that can consume the data formats you provide. If you're using only known formats (HTML, text, bitmap, files), then the Share target sample app in the Windows SDK provides a good generic target. When you invoke it through Share, it basically shows you all the data it finds in the shared package, which is very helpful for checking out that the package contains the data you think it should.
You'll then likely want to test with some likely common targets. The built-in Mail app is a good candidate, as is the Twitter app that you can find in the Windows Store.
For custom formats, you probably don't share such data without having some target app in mind, so you'll know who to test with.
Beyond that, the APIs for sharing are actually designed so that you don't need to worry too much about more extensive testing. The only way standard format data gets into a shared data package is through method calls like DataPackage.setBitmap and DataPackage.setUri. That is, rather than having the source app just drop a string or some other object into the package directly, these method calls can validate the data before making it available. This guarantees that the target app will have good data to consume, meaning that the target app can just examine the available formats and use them how it will.
View states: fullscreen landscape, filled, snapped, and fullscreen portrait.
You can test these things on actual hardware, of course, which is why Microsoft set up the app labs as I mentioned before.
Otherwise, get to know the features of the Visual Studio simulator as well as the Device options in Blend.
Make it a habit, then, to regularly run through these different combinations to find layout problems with configurations that some part of your customers will certainly have themselves.
Process lifetime events, like suspend, resume, and being restarted after being terminated by the system from the suspended state, are very important to test with your app. This is because when you're running in a debugger, these events typically don't happen.
Selecting either of the first two will fire the appropriate events, allowing you to set breakpoints in your handlers to debug them.
The third command, Suspend and shutdown, simulates the case where the app is suspended (as if the user switched to another app), and then the system drops the app from memory due to the needs of other apps.
In the debugger, you'll see your suspend events fired, then the app exits and the debugger stops. More importantly, however, is that when you start the debugger again, you'll see the previousExecutionState flag in the activated handler set to terminated. This gives you an easy way to through the startup code path where you'll be rehydrating the app from whatever session state you saved during suspend.
After testing in the debugger, it's a good idea to test the app under real conditions as well. Suspend and resume are easy enough–just switch to other apps. Be sure to leave the app suspended for different lengths of time if you have any kind of timestamp checking in your resuming handler, e.g. code that determines how long it's been since suspend so that it can refresh itself from online content, etc. If you can, try to leave the app suspended for a day or longer, even a week, to really exercise resuming.
To test terminate/restart in a real world scenario, you'll need to basically run a bunch of other memory-hungry apps to force Windows to dump suspended apps out of memory (large games are good for this). You'll make it easier on yourself if you have less memory in the machine to begin with; in fact, to test this condition you could shut down your machine and pull some physical memory (or use an older, less powerful machine for this purpose).
Alternately, you can use a tool that will purposely eat memory, thus triggering terminations. A good list of tools for this purpose can be found on http://beefchunk.com/documentation/sys-programming/malloc/MallocDebug.html.


............Check out......... CatholicVitamins.com...... Nourish Your Faith!
Welcome, dear guests. This could be the beginning of a meaningful friendship. You never know! If you want to give it a shot, you have 160 characters to say something about yourself.
Can't wait to read the book!


Where are you shooting, one might ask.
I came home from a long day of teaching and this is what my dining room has turned into!
We have had our photography/design studio at the same location for many years. Here is a picture of it several years ago and if one looks closely one can see the reason for change. The large format camera on the left uses sheets of film. This studio had lots of space devoted to film—loading film, developing film and printing prints—at least 3 darkrooms. We don't shoot film anymore and haven't for a number of years.
So…we are reconfiguring the space—ripping out everything—dividing it in two and using half to create a brand new studio. It's exciting on one hand but bitter sweet as the old one is being demolished!


text:
Valerius Poplicola
Article signed Valerius Poplicola
by Samuel Adams
[1] October 5, 1772
3348160Article signed Valerius PoplicolaSamuel Adams
ARTICLE SIGNED "VALERIUS POPLICOLA." (1)
Messieurs EDES & GILL,
"Is there a Prince on Earth, who has power to lay a single Penny upon his Subjects, without the Grant and Consent of those who are to pay it, otherwise than by Tyranny and Violence? No Prince can levy it unless through Tyranny and under Penalty of Excommunication. But there are those who are Bruitish enough not to know what they can do or omit in this Affair."
Such is the language of a great and good Historian and Statesman, a Subject of France. Had the English Politicians and Ministers been either half as honest or half as wise as he, they would never have driven the American Revenue without the Grant or Consent of those who pay it, to such a length, as to cause an Alienation of affection which perhaps may not easily if ever be recovered. By this kind of politics, says the worthy Frenchman, Charles the seventh brought a heavy Sin upon his own Soul and upon that of his Successors, and gave his Kingdom a Wound which would continue long to bleed. The British Ministers, possibly, may entertain different Ideas of Morals from those of the French Historian, if indeed they have any such kind of ideas at all. However, the Nation, I fear, will have Occasion to rue the day, when they suffer'd their Politics so far to prevail, as to gain such an Influence in their Parliament as they certainly did in the last, to say nothing of the present The Impositions upon the French, says Mr. Gordon(2), grew monstrous almost as soon as they grew arbitrary. Charles the seventh, who began them, never rais'd annually more than one hundred and eighty thousand Pounds. His Son Lewis the eleventh almost trebled the Revenue; and since then, all that the Kingdom and People had, even to their Skins, has hardly been thought sufficient for their Kings." An awakening Caution to Americans ! Lest by tamely submitting to be plundered, they encourage their Plunderers to grasp at all they have.
The Merchants of this Continent have passively submitted to the Indignity of a Tribute; and the Landholders, tho' Sharers in the Indignity, have been perhaps too unconcern'd Spectators of the humiliating Scene. Posterity, who will no doubt revenge their Fathers Wrongs, may also be ashamed, when in the Page of History they are informed of their tame Subjection. Had the Body of this People shown a proper Resentment, at the time when the proud Taskmasters first made their appearance, we should never have seen Pensioners multiplying like the Locusts in Egypt, which devoured every green Thing. I speak with Assurance; because it seldom has happened if ever, that even a small People has been kept long in Bondage, when they have unitedly and perseveringly resolv'd to be Free.
At that critical Period, we hearkened to what we then took to be, the Dictates of sound policy and Prudence. We were led to place a Confidence in those, whose Protection we had a right to claim, and we hoped for Deliverance in dry Remonstrances and humble Supplication. We have petition'd, repeatedly petition'd, and our Petitions have been heard, barely heard! The Grievances of this Continent have no doubt "reached the Royal Ear"; I wish I could see reason to say they had touch'd the Royal Heart. No-They yet remain altogether unredress'd. Such has been the baneful Influence of corrupt and infamous Ministers and Servants of the Crown; that the Complaints of three Millions of loyal Subjects have not yet penetrated the Royal Breast, to move it even to pity.
Have not our humble Petitions, breathing a true Spirit of rational Loyalty, and expressive of a just Sense of those Liberties the Restoration of which we implored, been followed with Grievance upon Grievance, as fast as the cruel Heart and Hand of a most execrable Paricide could invent and fabricate them? I will not at present enumerate Grievances ; they are known, sufficiently known, felt and understood. Is it not enough, to have a Governor, an avowed Advocate for ministerial Measures, and a most assiduous Instrument in carrying them on—moddel'd, shaped, controul'd, and directed—totally independant of the people over whom he is commissioned to govern, and yet absolutely dependent upon the Crown-pensioned by those on whom his existence depends, and paid out of a Revenue establish'd by those who have no Authority to establish it, and extorted from the People in a Manner most Odious, insulting and oppressive. Is not this, Indignity enough to be felt by those who have any feeling? Are we still threatned with more? Is Life, Property and every Thing dear and sacred, to be now submitted to the Decisions of PENSION'D JUDGES, holding their places during the pleasure of such a Governor, and a Council perhaps overawed! To what a State of Infamy, Wretchedness and Misery shall we be reduc'd if our Judges shall be prevail'd upon to be thus degraded to Hirelings, and the Body of the People shall suffer their free Constitution to be overturn'd and ruin'd. Merciful God! Inspire Thy People with Wisdom and Fortitude, and direct them to gracious Ends. In this extreme Distress, when the Plan of Slavery seems nearly compleated, O save our Country from impending Ruin-Let not the iron Hand of Tyranny ravish our Laws and seize the Badge of Freedom, nor avow'd Corruption and the murderous Rage of lawless Power be ever seen on the sacred Seat of Justice !
Is it not High Time for the People of this Country explicitly to declare, whether they will be Freemen or Slaves ? It is an important Question which ought to be decided. It concerns us more than any Thing in this Life. The Salvation of our Souls is interested in the Event: For wherever Tyranny is establish'd, Immorality of every Kind comes in like a Torrent. It is in the Interest of Tyrants to reduce the People to Ignorance and Vice. For they cannot live in any Country where Virtue and Knowledge prevail. The Religion and public Liberty of a People are intimately connected; their Interests are interwoven, they cannot subsist separately; and therefore they rise and fall together. For this Reason, it is always observable, that those who are combin'd to destroy the People's Liberties, practice every Art to poison their Morals. How greatly then does it concern us, at all Events, to put a Stop to the Progress of Tyranny. It is advanced already by far too many Strides. We are at this moment upon a precipice. The next step may be fatal to us. Let us then act like wise Men; calmly took around us and consider what is best to be done. Let us converse together upon this most interesting Subject and open our minds freely to each other. Let it be the topic of conversation in every social Club. Let every Town assemble. Let Associations & Combinations be everywhere set up to consult and recover our just Rights.
"The Country claims our active Aid. That let us roam; & where we find a Spark Of public Virtue, blow it into Flame."
Valerius POPLICOLA.
(1) Attributed to Adams by William V. Wells. See above, page 256.
(2) Rev. William Gordon, of Roxbury, author of The History of the Rise, Progress, and Establishment, of the Independence of the United States of America.
Retrieved from "https://en.wikisource.org/w/index.php?title=Valerius_Poplicola&oldid=10501587"


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EP4 Blog
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Alicia Keys's Marriage, Family, & Sexuality Attacked By Singer Jaguar Wright
Another day, another set of blistering insults being thrown about by Jaguar Wright. We've heard quite a bit from the singer over the last few months, and none of it has been related to new music from the artist. Instead, she's hurled accusations at some of her former collaborators including The Roots, who she said were aware of R. Kelly's alleged interactions with underage girls, and Common, who she claims sexually assaulted her many years ago. Mary J. Blige and Summer Walker have also felt Jaguar's wrath and doesn't look as if Wright is finished verbalizing her issues now that she's shifted her attention to Alicia Keys.
Amy Sussman / Staff / Getty Images
Alicia Keys isn't the type of artist who is known to cause controversy, but years ago there were rumors that she had an affair with Swizz Beatz while he was married to Mashonda Tifrere. That gossip has been laid to rest, but Jaguar Wright has come forward to share her version of events and why she isn't a fan of the beloved artist.
"That woman invited you up in her house thinking that you was an artist and you was coming in to steal her husband Alicia Keys, you f*cking goofy b*tch," Jaguar Wright said in her expletive-laced video. It's unclear why Wright has specifically targeted Keys, but it seems as if Jaguar believes that something Keys posted was directed at her.
Then, Wright goes on to talk about a man that both she and Alicia Keys both allegedly dated who told Wright intimate details about Keys. She claims that this ex of Keys's found her sleeping with someone else during a surprise visit and was so devastated that he stopped trusting people. Wright went on to attack Key's marriage with scathing words about Keys only marrying and having children to mask her sexuality. It's a lot to take in, but you can press play below and check it out for yourself.
Bad Bunny x Crocs Glow-In-The-Dark Kicks Sells Out In 16 Minutes
For the Bad Bunny fans hoping to snag their coveted pair of glow-in-the-dark, special edition Crocs, we hope you were one of the few who were able to make a purchase from the sold-out collection. International superstar Bad Bunny partnered with Crocs to release a limited edition shoe. These types of deals prove lucrative for brands—we just need to look to McDonald's and their Cactus Jack collaboration with Travis Scott—and Bad Bunny's fanbase came through to make sure his footwear deal was well worth it. Considering that it only took 16 minutes for Crocs to sell-out of the shoes priced at $59.99, it's clear that the collab was a brilliant move.
"We appreciate everyone SHOWING UP today and congrats to those that scored a pair. For those who didn't, stay tuned for many more surprises to come in Croctober 🔥 P.S. We don't like bots either, which is why we use a combination of a queuing system and other fraud protection measures to protect against them. @badbunnypr," Crocs wrote on their Instagram page.
Michelle Poole, the president of Crocs, also praised the Crocs-Bad Bunny collaboration. "He's got a very daring style, a very unapologetic attitude and he's also someone who loves Crocs," she told the New York Times. "He's been spotted wearing Crocs in live performances and in music videos." Would you rock these?
Zendaya Rumored To Star As The Ronnettes Singer Ronnie Spector In Biopic
Fresh off of her Emmy win, Zendaya has new roles already lined up. The accomplished Euphoria actress was already one of the most coveted entertainers in today's culture, and at 24-years-old, she's taken Hollywood by storm. After winning her first Emmy—an award that also placed her as the youngest person to take home Best Lead Actress in a Drama Series—Zendaya doesn't have time to mull about. It's reported that she is in talks to star as Ronnie Spector, the lead singer of one of the most popular girl groups from the 1960s: The Ronnettes.
Ronnie Spector, who is now 77-years-old, penned her memoir Be My Baby: How I Survived Mascara, Miniskirts And Madness back in 1990 and it's reported by Deadline that the legendary singer's life rights have been purchased by a production company. "The film will be produced by Marc Platt, Adam Siegel, Mark Itkin, Tom Shelly and Zendaya. Jonathan Greenfield and Spector will be the exec producers," reports Deadline.
The Ronnettes were known for their hits "Be My Baby" and "(The Best Part of) Breakin' Up," but after they disbanded, Ronnie went on to have a solo career that included the release of five studio albums. By her photos alone, it's clear that Spector lived a life filled with music memories that need to be captured cinematically. It's also reported that Ronnie Spector specifically requested Zendaya to portray her in her younger years. It's unclear when production will begin, but they're still shopping for a screenwriter.
PAST/TENSE has "Gold Standards"
By Tayo Odutola Word Is Bond
Emerging emcee PAST/TENSE taps into his life experiences to bring forth the reflective single titled "Gold Standards."
He makes use of a somewhat solemn backdrop to paint his pictures filled with dreams, hopes, and fears. He doesn't hold back his thoughts and acknowledges the ups and downs while pushing forward. He also keeps it relatable with his raw unfiltered honesty.
Get it on Apple Music//Deezer//Soundcloud
Keep up with PAST/TENSE | Soundcloud: Spotify: Instagram
2nd Round Q&A With Rising Oakland Rapper HeiR
HeiR! Thanks for the consistent body of work you've been putting out for the past year. Before getting into the new EP, for the readers who don't know, how long have you been making music?
I been doing this since middle school when I wrote my first rhyme. Like 20 years ago lol.
We have seen a major growth in your music since the last time we did a Q&A! In your opinion, what are some major improvements in your music?
I feel like my songs became a lot more structured since my last releases. It's hard for me to describe my sound, I would have to say I'm always pushing to do something creative, and I always want to have something to say.
HeiR · The Everybody'z.Poor EP
How are you coping with this whole Covid 19 situation? Has it delayed any new music production by any chance?
It was hard finding a open studio but when I did I locked in. Covid is teaching me to be more self sufficient.
We have to ask, with all this social discourse and revolt, protesting and rioting, exposed police brutality toward blacks and BLM, how do you feel about this? We would love your perspective on the climate we are living in right now.
I went thru a real traumatic experience with law enforcement when I was 18 where I almost died. It's amazing to me how no one protested or rioted when that happened to me. A cop also shot and killed the babydaddy of a girl we knew. Nobody organized a protest or nothing. Police are known for being rough where I come from in alameda, CA but nobody ever started a movement and spoke up. Now everybody wants to riot and spark up protests and try to be a part of the change that needs to happen. I feel like it only matters to people now because it's a trend soon they'll forget about it and stop fighting when others stop.
Being from Oakland, have you witnessed any rioting, looting etc due to the BLM protests?
Yea I saw all that shit right in the heat of it. Bank atms hanging out the wall all busted up. 7 eleven ransacked with windows busted and people running in and out. A line of police with gear on and automatic weapons standing outside of Best Buy… shit was nuts.
Are you voting this year? If so, who are you voting for?
Nope. I don't feel like who I vote for matters anymore. I feel like it never did. Change for me happens in my own pursuit of happiness and helping my family.
Please breakdown the creative process of your new EP "The Everybody'z.Poor". And tell us a little about the album cover concept! Also who produced this project?
I had been sitting down and really looking at the insane reality of the rich only being 1% and with the middle class disappearing there is only rich and poor now. Gentrification is some real shit and it's happening everywhere. I felt like I wanted to diagnose this reality in my music and so I sat down and wrote my ideas on the pursuit of financial stability and all that comes with it. When I was done writing it felt like a project and so I decided to make a ep.
I had been surfing Instagram and found this producer in the sponsored ads who had an amazing sound. It was that unique sound that I liked and it carried the qualities of a movie soundtrack, like the background music of a movie or anime scene. So I hit him up and found out his name was @0teska on Instagram and was able to get some beats to put behind the lyrics. The cover concept came together when I found this singer from Queens, New York @phoenixjoans who just started releasing her music and had a unique voice that was similar to Macy gray with the lyrical ability of jhene aiko. Since I decided to name the project The Everybody's.Poor EP I wanted the cover to reflect the poverty that's existed in where both of our families come from even before our conception by showing our face on their country's currency. The blood symbolizes the blood of our ancestors spilled on the soil.
Your honest opinion, out of all the songs on the project, which is the one song you feel stands out the most!?
I feel like "Noel" is a big shock to a lot of people that don't know me or thought they knew me lol.
If it came down to 1 ALBUM only, what underground Hip Hop album would you consider THE BEST OF ALL TIME!!!???……One 1 album you can choose.
Illmatic off top.
Any new music we can expect for the rest of 2020?
I'm working on a new project now that has a few moving parts to it so to complete the whole thing it will take longer than the few months left in this year. I may put up some a teaser from it or some unreleased music it depends.
Has your definition of "underground hip hop" changed since the last time we asked?
Nope. The underground will always the raw unfiltered and unfucked wit, that will never change.
Where can people find you on the web? Drop all the vital links.
Instagram: @thealmightygenius
Twitter: @goldchainz88
SoundCloud: SoundCloud.com/kwamode
Cashapp: $kwamode
The post 2nd Round Q&A With Rising Oakland Rapper HeiR first appeared on UndergroundHipHopBlog.
Quakers team up with The Koreatown Oddity for the insightful "Double Jointed" [video]
Eight years after their self-titled debut on Stones Throw, Quakers are back with a new single "Double Jointed" featuring The Koreatown Oddity. Quakers are made up of Supa K (fka Katalyst), 7STU7, and Fuzzface aka Geoff Barrow who are pushing the envelope in terms of alternative hip-hop with their off-kilter soundscapes and themes.
"Double Jointed" is a very visceral and thought-provoking single that is ripe with cinematic and somewhat ominous textures. It sure strays far from the norm and lends its strengths to The Koreatown Oddity's passionate rap performance and unapologetic lyrics. Lines like "Sometimes praying bibles ain't enough for the dark-skinned niggaz that don't hide from the sun/Take the life from your son and everyone you love" shows how years of oppression and religious conformity shaped the current state. He goes forth to add "This ain't no spray tan or reverse Vitiligo/It's my permanent skin that I didn't decide on" as he reflects on his own being and how he can't help being who he is. The video was created by Koreatown Oddity and Mark Bijasa with illustrations by Aaron Douglass and other artists from Alain Locke's anthology The New Negro (1925)
"Double Jointed" is taken from Quakers' upcoming project II: The Next Wave. You can Preorder it here
Quakers – II: The Next Wave Tracklist
Start It Like This (feat. Phat Kat)
One Of A Kind (feat. Guilty Simpson)
Sell Your Soul
Bare Essentials (feat. The Niyat)
A Myth (feat. Sageinfinite)
This Station (feat. Jeremiah Jae)
Heat On It (feat. Grandmilly)
Double Jointed (feat. The Koreatown Oddity)
Who Dat (feat. Chester Watson)
Radiola (feat. Radioactivists)
Gun Control (feat. The Black Opera)
We Tried
Duck & Cover (feat. Guilty Simpson, Cysion)
Morphine (feat. Bob Banner)
Approach With Caution (feat. Sampa The Great)
Looking For Love (feat. Denmark Vessey)
Fa Real (feat. Jeru The Damaja)
A Quick Fix (feat. Y2, Super Vic)
Test My Patience (feat. Jonwayne)
Too Many To Count
Greatness (feat. Nolan The Ninja)
Hit List (feat. Cazeaux O.L.S.O)
Another Kind Of War (feat. Jeremiah Jae)
Leaflet Drops
One O'clock
All Of It (feat. Boog Brown)
Machine Room (feat. Fat Ray)
Pain (feat. SavKillz)
The Line (feat. Cavalier)
Blocks (feat. Dante Boom)
Get it on Apple Music//Deezer//Spotify
Girl Talk Enlists Dreamville's Bas For New Single "Fallin'"
Girl Talk and Bas may have first linked up on the song "Outta Pocket" from Revenge of the Dreamers III earlier this year, but their chemistry makes it sound like they've been making music together much longer than that.
Girl Talk told Complex that he had been a Bas fan for some time, first encountering his music with 2016's Too High to Riot. He recalled that he was struck by the rapper's unique blend of technical skill and melodic sensibility.
"When we linked up, I had a wide variety of beats ready for him. This was the first one that I played, and he was off and running," said Girl Talk of the making of the new single. "The whole thing came together quickly!"
Over Girl Talk's ambient production, Bas' dexterous flow weaves through the sort of pockets that an Andre 3000 or a Smino would find.
His hook is punctuated by Girl Talk's ghostly plucks, which echo behind him and wrap around his voice as he sings, "fallin'/don't know how low I be."
Check out "Fallin'" below. Do you want to hear the duo collaborate on more music? Let us know in the comments below.
Quotable Lyrics
Cut the tension with a Ginsu knife
It get hard to handle but it get you right
Priceless lessons falling to me, perfect blessings
Read intentions clear, I'm never second guessing
I'm ready, born to ball
My chick is ready too
She dressing for the ball
Giuseppe on her shoes
It's scary where we grew up
Only a few of us privy to life
I used to think that we the ones living it right
Copyright © EP4 Blog


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Yoshinari Hyakutake (jap. , Hyakutake Yoshinari; * 21. November 1977 in der Präfektur Nagasaki) ist ein ehemaliger japanischer Fußballspieler.

Karriere
Hyakutake erlernte das Fußballspielen in der Schulmannschaft der Kunimi High School. Seinen ersten Vertrag unterschrieb er 1996 bei Cerezo Osaka. Der Verein spielte in der höchsten Liga des Landes, der J1 League. Für den Verein absolvierte er 24 Erstligaspiele. 1999 wechselte er zum Drittligisten Denso. Ende 2000 beendete er seine Karriere als Fußballspieler.

Weblinks

Fußballspieler (Cerezo Osaka)
Japaner
Geboren 1977
Mann

redpajama_set_name: RedPajamaWikipedia


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culture | Nov 3, 2017
Bongreads of the Week: Diggin' in the Tabs Edition
A survey of great writing on Big Foot, podcasts, and other idiosyncratic subjects that have resulted in our columnist having too many damn tabs open on his web browser.
by Drew Millard | culture | Nov 3, 2017
For the past year or so, I have had extremely slow internet. This is great, it turns out — there are a lot of better things to do than be online, including but not limited to reading, talking to people I know in real life on the phone, talking to people I know in real life in real life, eating, sleeping, and also smoking weed. The only time that having extremely slow internet is not great is when I want to watch Netflix, in which case I have to close all the tabs on my browser to conserve bandwidth, or when I write this column, which is the reason I always have so many damn tabs open. But it's worth it, because I both love my precious tabs, and I hate being online. Here are the best tabs that have been open on my browser that I finally read so that I could close them and watch the new Stranger Things:
"What Is Listening to Podcasts All Day Doing to My Brain?"
Sirena Bergman for New York Magazine
OK, story time: I play golf several times a week, and whenever I hit the links, I am invariably alone, because I am the one person under 40 left who still thinks golf is cool. And so, to keep myself company and try to stifle the abject loser-ness of my main hobby, I listen to podcasts. Earlier today, I was playing like shit and couldn't concentrate, so I unplugged my iPhone from my brain and focused on my shot, a 170-yard tee shot on a par three. Normally, this is the type of shot I radically misjudge and and miss the green by at least 30 feet, but without someone yapping into my brain I actually nailed it. And so, I drove home with the very question that Sirena Bergman poses with this piece on my mind. Lo and behold, it turns out that listening to too many podcasts too quickly can cause you to not absorb any of the information in them, and if you're doing other stuff — i.e., golfing — while listening to them, you might not be paying close enough attention in the first place. So, uh, I guess I'll try to not listen to a podcast when I go golfing tomorrow.
"Fantastic Beasts and How to Rank Them"
Kathryn Schultz for The New Yorker
This piece in its entirety is a delightful thought experiment meant to assess the question of why we think some imaginary creatures/beings are plausible, and why we feel that others aren't. I, for one, am a card-carrying member of the People Who Believe In Bigfoot Society, a social group that I just made up but which is devoted to believing in Bigfoot. Like, I mean, Bigfoot's gotta be a thing, right? It's pretty presumptuous of humanity to assume we've already discovered every single non-microscopic animal species on the planet; from there, it feels presumptuous to assume that we know about all the extant hominids out there, given that there's so much unexplored (or at least underexplored) terrain out there. Anyways, bigfoot! Definitely a thing, and I also definitely just fell into the line of thinking that Schultz writes so bemusedly about in her excellent essay.
"The Man Who Created Bigfoot"
Leah Sottile for Outside
On an extremely related note, please enjoy this profile of Bob Gimlin, who did not actually create Bigfoot as a concept but definitely helped insert it into the national consciousness. If you would like to contribute to the search for Bigfoot, please consider joining the Bigfoot Field Researchers Organization (BFRO), whose very old website contains a dead link to its membership information. Another good thing about having very slow internet, by the way, is that it keeps me from making impulse purchases on the BFRO merchandise page.
"The Unchanging, Ever-Changing Earth Room"
Kyle Chayka for The Paris Review
Kyle Chayka is a writer I admire a lot, primarily because of his ability to take design — a subject I do not particularly understand or have any interest in — and make even design philistines such as myself feel that it's as important and vital as he finds it. Here, he writes about The New York Earth Room — which is, as its name might suggest, a room in New York City that has a dirt floor — and its creator, the late Walter De Maria, as well as its curator, Bill Dilworth. In Chayka's telling, the Earth Room stands as both a hidden secret of the New York gallery world (read: you're not allowed to take Instagram pictures of it) and a testament to a peace that can be found only in our planet's subtle beauty. Both are worth preserving.
Follow Drew Millard on Twitter
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Drew Millard is a freelance writer and dog owner living in Durham, North Carolina. His writing has appeared in VICE, High Times, Hazlitt, SPIN, and many other publications. Follow him on Twitter at @drewmillard.


Each time I host a Yoga Teacher Training program, I find myself stepping closer towards my authentic self. Whether I'm leading students through their journey towards teaching yoga, or I'm back in the role of the student, I inevitably end up surrounded by individuals that leave a lasting impression on my life.
Teaching my students and peers how to be effective and compassionate yoga teachers is one of my favorite personal practices. I call this a personal practice because each and every unique individual I come into contact with leads me towards a deeply personal place of self-reflection and learning.
As I embark on my latest teacher training course with my friend and colleague Amber Karnes, I've found myself back in that place of contemplation and self-reflection.
With our Yoga For All online teacher training program, Amber and I are leading students through a program dedicated to bringing more diversity and self-awareness to the techniques required in teaching yoga to larger-bodied individuals and those with differently-abled bodies.
The tone of the course is centered on expanding our perspectives of who we are able to safely and effectively share the yoga practice with. Our first module asks our participants to examine their personal understanding of ahimsa (non-harming) and ultimately, their experience of compassionate self study.
When I was completing my own Restorative Yoga teacher training program, I met one of my greatest inspirations—Dr. Gail Parker. Dr. Parker invited us to explore the concepts and practices of compassionate self-study which revealed to be both challenging and eye-opening, and yet also deeply rewarding.
Until that point in my life, my self-study practices were less than compassionate.
As a black woman in a larger body, I had learned to believe that I was pretty much invisible in society. I understood that I could walk around relatively ignored, until someone noticed my race.
I had come to openly accept that judgments would be made about me once my race had been noticed. As a result, I spent much of my life working hard to reduce the amount of space I claimed as my own, often biting my tongue and keeping quiet for the sake of leading an undisturbed life.
This left very little time for compassionate self-study. Until I met Dr. Parker, I haven't had the opportunity to really step back and compassionately observe my actions, my interactions and the authentic person I was.
From my perspective, compassionate self-study is akin to a ceasefire. It is the process of stepping down from self-inflicted battles. It is a time and a space dedicated to observing all the good you do in this world, and a chance to honor your body and all the ways you are taking care of it.
Compassionate self-study inherently cultivates acceptance, appreciation, tolerance, and an entirely new and unexpected love for humankind's struggles, because it is a way of living that is gentle and loving towards ourselves so that we can be the same way towards others.
I've spent a lot of time criticizing my body and my intellect because I have been taught by society to do so.
I am always struggling with feelings of inferiority and the stale belief that somehow, I am not good enough, especially as someone who has been denied her history and her culture in favor of assimilation.
It was not until I invested in becoming a yoga teacher that I started to realize my journey wasn't just about teaching yoga, but rather a journey of learning more about myself as a whole person. Where did I fit into society and what am I all about? How will I share my yoga with the world?
You see, yoga is the ultimately embodiment of compassionate self-study, as we are called to love ourselves by breaking down the conditioning and traumas that have clouded our understanding of our authentic self. It then impels us to share that love with the world in a meaningful way.
Understanding the practice of compassionate self-study starts with an exploration of ahimsa (non-harming). It starts with exploring all the ways in which we unknowingly perpetuate violence towards ourselves, and then moving on to determining how violence is perpetuated in the world around us.
Oftentimes, we unknowingly inflict our internal pain on those around us, which perpetuates the cycle of violence and abuse that keeps our society at arms with one another.
What if we spoke to each other the same way we speak to and about ourselves? Many of us commonly use self-deprecating humor to mask the pain or dissatisfaction we feel about ourselves.
In contrast, identifying that pain and trauma with loving kindness allows us to work through those experiences to that we can be free to step more fully into our authentic selves. When we are closer to our true nature, we are better able to serve mankind and change the negative narratives around us.
Our yoga mats can either be a place of healing or a place of pain. It is really hard to simultaneously regard ourselves critically and compassionately.
Yet, if we work through the emotional, physical and mental discomfort that emerges when we are on our mats, we can start to experience greater self-awareness, as well as a deeper understanding of who we are and all of the experiences we are holding onto. This leads us to greater feelings of peace and ultimately self-acceptance.
Everyone comes to this practice with their own life experiences. We must learn to identify which experiences are helpful in moving us forward and which are holding us back. We must then learn to let go of the negative thoughts and self-talk we perpetuate in order to continue that forward motion.
Compassionate self-study helps us recognize when and where we are projecting our ideas and judgments onto others. It is also the tool that illustrates whether we pick up other people's baggage or we bless them and walk away from relationships that do more harm than good.
Compassionate self-study has taught me that I am good enough, I have enough, I am powerful and I am strong—just as I am.
I can always dig deeper into my journey or I can take the path of least resistance. This is my choice. In truth, I learn more about myself from places of friction and resistance. Armed with a strong practice of compassionate self-study, I am able to stand up for what I believe in as I've learned that what other people think of me is none of my business.
Not everyone will like me, my views are my own and I can confidently hold my own space. I have nothing to prove. My biggest lesson from compassionate self-study is that I don't have to apologize for being me.
I invite each of you to begin with the virtue of ahimsa as you start letting go of self-criticism and replace it with compassionate self-study and quiet reflection. As you come to regard yourself as well as your self-talk, your thoughts, your judgments and your actions, with more love and acceptance, I invite you to share that loving compassion with those you come into contact with.
Together we can change the negative narratives and put an end to the cycle of pain and violence that has infiltrated our society and prevents us from loving all people.


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On Thursday, June 6th, 2019, from 12:00 noon to 1:30 p.m. in the School of Education Matoaka Room, we will celebrate the successes of our learners and the service of our tutors at our annual Celebration of Lifelong Learning!
Our featured speaker will be Megan Healy, chief workforce development advisor to the governor.
Literacy for Life will host Williamsburg's first Twisted Tri Health and Wellness Festival on Saturday, June 29 at the Kingmill Resort Plantation site. This family-friendly festival will include golf, a 1 mile fun run, a 5K run, yoga and meditation as well as health conscious vendors, food and drinks. Live music for the festival will be provided by BrassWind band.
This popular fall annual fundraiser features a guest author, live and silent auctions, and heavy hors d'oeuvres. This year's event will be held at William & Mary's Mason School of Business and will feature New York Times best selling author, Deanna Raybourn. Deanna is a nominee for the 2019 Edgar Alan Poe Award for best mystery writer.
This yearly event is held in collaboration with Big Brothers, Big Sisters and features local celebrities as dancers. This year's evening of fun and entertainment was held Saturday, March 2, 2019, 7:00 p.m. at CrossWalk Community Church on Rt. 60 in Norge.


text:
St Mary Magdalen Leprosaria
In the civil parish of Chilcomb.
In the historic county of Hampshire and the Isle of Wight.
Modern Authority of Hampshire (City of Winchester).
1974 county of Hampshire.
Medieval County of Hampshire.
OS Map Grid Reference: SU50572961
St Mary Magdalen Leprosaria has been described as a Uncertain although is doubtful that it was such.
The site of an early leprosaria outside Winchester is being excavated and investigated by a team from the University of Winchester lead by Dr Simon Roffey and Dr Phil Marter.
It appeared that this primary phase of hospital development was interrupted sometime in the first part of the 12th century. Evidence for this was represented by a large 'cellared' or sunken-featured structure underlying the later twelfth-century medieval infirmary. It is not yet clear whether or not this was a feature of the early Norman hospital or represented a change in site use. At present the evidence indicates that it functioned for only a relatively short period of time and had certainly gone out of use by the time a new, masonry, hospital infirmary was built in the 1150s. Current thinking is that it may be part of a fortification dating to period of the Anarchy (Civil War) of 1139-53. If this was the case it purpose might have been built to defend the eastern entry to the city. These features will form the subject of continued excavations in 2013. (Simon Roffey and Phil Marter 2012)
The leprosaria may date from 1070 and may be the first such foundation in England. It was replaced by a more institutional Leper Hospital in 1150. As a leprosaria this site is outside the scope of the Gatehouse website. Although called a 'cellared' feature this was almost 5m deep with a floor surface and possibly timber lined. Dr Roffey writes "The sides of the feature are straight- our assumption is that this would enable a timber frame/foundation to be placed in it to support an upstanding structure ie like a deep foundation (no evidence for superstructure around it)" (pers corr 23-9-2013). The feature seems rare and Dr Roffey welcome any information of idea regarding this feature (Contact Gatehouse). Gatehouse can only add that although this is securely dated, on stratigraphical and ceramic grounds, to the Anarchy normal life did continue during this period and the feature need not necessarily be military.
However, if this cellared feature is a fortification of the Anarchy then it may be speculated as to whom occupied the site. It is important to note leprosy was not seen as a contagious disease at this time and that in the C12 attitudes of revulsion toward victims of the disease were not common, profound or an encultured norm. The site, on a hill, close to a major road is of tactical military value. Was the site occupied by troops paid for and owing direct allegiance to Henry of Blois, Bishop of Winchester? In this case, with a site so close to Winchester, this seems probable. However the Anarchy was period when small groups of basically unaligned armed men did occupy existing sites (cf. Church of St Mary at Lower Slaughter) but if they did so here it must have been with at least some tacit approval from Henry de Blois.
Data > PastScape County HER
Historic England (PastScape) Defra or Monument number(s) 234936.
County Historic Environment Record (or Sites and Monuments Record) number(s) MWC1161.
Websites (Gatehouse is not responsible for the content of external websites.)
the Magdalen Hill Archaeological Research Project
Society for Medieval Archaeology
Winchester Archaeology's Blog
Page, Wm and Doubleday, H.A. (eds), 1903, VCH Hampshire and the Isle of Wight Vol. 2 p. 197-200 online transcription
Roffey, Simon, 2011 Mar/Apr, 'The Big Big: St Mary Magdalen Hospital, Winchester' British Archaeology No. 117 online transcription
Simon Roffey and Phil Marter, 2012, Excavations at the Hospital of St Mary Magdalen, Winchester, 2008-2012: A Summary Report (Winchester University) online copy


Crystal Miller was booked on 2/8/2019 12:32:46 AM. Miller was arrested by THORNTOWN POLICE DEPARTMENT in Boone, Indiana. Miller was 43 years old at the time of the arrest.
Crystal Miller may not have been convicted of the charges or crimes listed and are presumed innocent until proven guilty. Please contact the THORNTOWN POLICE DEPARTMENT for more information regarding arrest records.


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5 5 Hand Pruner leather case Jim B.
A real nice soft and flexible leather case for a hand pruner up to 9 inches. The leather case stands out with the name AM Leonard in bold gold lettering.
Corona High Performance Orchard Lopper, 26"


text:
Dit is een lijst van burgemeesters van de Nederlandse gemeente Montfoort in de provincie Utrecht.

Zie ook
 Lijst van burgemeesters van Linschoten
 Lijst van burgemeesters van Willeskop

Montfoort