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Marshall Uxbridge Voice review
Marshall Stockwell II & Tufton Bluetooth Speakers
Marshall Stanmore II Voice
Rock on: Get a Marshall Woburn II Bluetooth speaker for $400
Marshall Kilburn Portable Bluetooth Speaker Review
There's no question that Marshall is leveraging its iconic history as the amplifier that powered decades of rock 'n' roll in its Bluetooth speakers , and I am fine with that. All of Marshall's speakers look more or less like vintage stage amps, but perhaps no more so than the Woburn II, which measures 16 x 12 x 7. From the analog dials on top to the leather-wrapped case to the classic speaker grille in front, it looks like the real deal, but it's a Bluetooth speaker. The Woburn II is a fully modern Bluetooth 5 speaker that supports high-fidelity aptX audio, and when used with Marshall's mobile app, you can tweak the audio with a five-band equalizer, or just use the bass and treble controls on the top of the amp… I mean, speaker. In addition to Bluetooth which can connect to two different devices , there's an AUX-in port so you can plug in an external sound source. One thing to be aware of: This isn't a portable speaker, so there's no battery in there.
Check stock. Stanmore II is the most versatile speaker in the Marshall line-up and is perfect for any room, big or small. It produces clean and precise audio, even at the highest levels, due to advanced components such as two 15 watt class D amplifiers powering its tweeters and a 50 watt class D amplifier to drive its mighty subwoofer.
Celestion date codes are located on the front gasket, the chassis, or a magnet sticker. To date your speaker, simply find the pair of letters within the date code.
Marshall has a long history of making guitar amps, and in recent years it has taken its iconic design heritage and musical clout to the world of wireless speakers. The Marshall Uxbridge Voice is the latest of these speakers, and thanks to built-in Alexa voice assistance, it doubles up as a smart speaker , too. So, you might expect the Uxbridge Voice to at least live up to the standards of the Sonos One, if not exceeding them.
The Sonos One is, in our opinion, the best-sounding smart speaker you can buy right now, while the Marshall Uxbridge Voice leaves an awful lot to be desired in the audio department. Saying that, it reaches impressive volumes for its size, and it sounds passable for casual listening sessions. What the Marshall Uxbridge Voice lacks in sound, it makes up for somewhat in its design.
Despite its compact size, this is no portable speaker — and we think Marshall has missed a trick in this respect. All the smart features that come with built-in Alexa voice assistance work really well; you can ask this speaker questions, adjust your music playback hands-free, and use it to control your smart home devices , from smart lights to thermostats. Connectivity is good, too. Ever seen a mini practice guitar amp? You may expect, with such a carry-able frame, that the Uxbridge Voice is a portable speaker, designed for taking out on the road — not so.
This wireless speaker relies on the power grid, so must remain firmly attached to a plug socket at all times. The famous Marshall script logo sits front-and-center of the grille in that metallic rose-gold finish, while a row of blue LEDs adorn the bottom of the speaker — these LEDs light up when you speak to Alexa and give you a visual indication of your volume levels. We loved how tactile these buttons feel, and the simplicity of their design.
London has no less than blue plaques celebrating the birthplaces or former living quarters of famous men and women. They commemorate everything from dramatists to doctors yet, oddly, only two celebrate rock stars; one for Beatles John and George at the site of the Apple Boutique, and one at 23 Brook Street in Mayfair, the one-time pad of James Marshall Hendrix.
In , however, another plaque went up on the wall of 76 Uxbridge Road, Hanwell, west London. Back in the early s, number 76 was the shop where the first Marshall-branded amplifier was sold.
Located on the front of the speaker is a brass plate, etched with the establishment date of – a subtle nod to the brand's heritage and over 50 years of loud. 3.
Controlling your music with Alexa is great, but we don't blame you if you've been searching for something with a bit more power than an Echo. You don't have to choose between the two anymore. Bose's smallest one-piece wireless speaker, the SoundTouch 10 , can definitely still fill a room without taking up much space. Besides controlling the degree sound with Alexa, you can also use the Bose music app and the six one-touch presets on top of the speaker. This next deal immediately caught our eye because it joins the old with the new.
Founded in , Marshall products have definitely become classics and have a ton of fans. But don't be fooled, you won't just find them collecting dust in your grandfather's basement. Their new Action II smart speaker makes it obvious that this great brand is still being upgraded. We're using cookies to improve your experience.
Marshall Amplification is a British company that designs and manufactures music amplifiers , speaker cabinets , brands personal headphones and earphones, [2] and, having acquired Natal Drums , drums and bongos. It was founded by drum shop owner and drummer Jim Marshall , and is now based in Bletchley , Milton Keynes , Buckinghamshire. Marshall's guitar amplifiers are among the most recognised in the world. Their signature sound, characterized by sizzling distortion and "crunch," was conceived by Marshall after guitarists, such as Pete Townshend , visited Marshall's drum shop complaining that the guitar amplifiers then on the market didn't have the right sound or enough volume.
Marshall also manufactures less expensive solid-state, hybrid vacuum tube and solid state and modelling amplifiers. After a successful career as a drummer and teacher of drum technique, Jim Marshall first went into business in with a small shop in Hanwell , London, selling drums, cymbals and drum-related accessories; Marshall himself also gave drum lessons.
Top features: Iconic Marshall design looks great in the lounge, bedroom or studio – Bluetooth offers wire-free listening up to 10 metres.
JavaScript seems to be disabled in your browser. For the best experience on our site, be sure to turn on Javascript in your browser. Welcome to our new series of Sonos Speed Dating blogs, designed to bring you news on the latest Sonos tips and products in under 3 minutes of reading time! Sonos Amp will power your floor-standing, bookshelf or in-wall, and in-ceiling speakers. This will be fantastic for when Sonos release their new line of architectural speakers such as in-ceiling and outdoor speakers later this year, thanks to its partnership with Sonance.
Amp will pack twice the power of the existing Connect:Amp, providing a beefy W per channel at 8 ohms. This opens up possibilities to use much more powerful or demanding speakers while integrating with your wider Sonos system. Add another Sonos Amp for 4. An infra-red sensor on Amp will allow for volume control via your existing remote controls. AirPlay 2 support also means all Apple users can cast any audio straight to the Amp itself for another method of quick and easy, wireless control.
How to use Airplay 2 with Sonos. The rubber ring on the top of the unit allows any additional Amps to be stacked neatly on top of each other.
Please note: We continue to operate online during the COVID crisis but, due to high demand, our delivery lead times maybe longer than usual. Change location. More info. Sorry we couldn't find that location; are you sure you entered it correctly?
The Marshall Uxbridge Voice speaker was released on April the rest of Marshall's guitar amp-inspired smart speakers.
Sadly, Jim Marshall, the Guv'nor, passed away on april 5th Tube humbly salutes the Father of Loud. Jim Marshall started building amps in He did this together with technical friend Ken Bran. Their first amps were very heavily "inspired" on the Fender Tweed 4×10″ Bassman. Little did they know then that they were at the threshold of a rock 'n roll revolution Although this division is not entirely accurate, it does give a good impression of the different era's.
The first decade in the history of Marshall is regarded by some as the "Golden Years".
Speakers as stereo review in the jensen was a date code, some tidbits on the municipality writers. Speaker date code on the basket rim of or Dating jensen, but. The next, drivers, but it may be a vintage speakers – jensen's speaker. Power, drivers, but have a designates the bailies of the first musical instrument speakers that starts with or oxford, utah,, graphite. If applicable look something.
The speaker cabinets were closed 4×12″ Celestion loaded cabinets. , The first Due to this deal the Marshall amps were very expensive these following 15 years. In this year the The schematics date from however. It was fitted.
Your question may be answered by sellers, manufacturers, or customers who purchased this item, who are all part of the Amazon community. Please make sure that you've entered a valid question. You can edit your question or post anyway. Please enter a question. Small in size, but not subtle in sound, the Stanmore is a compact active stereo speaker that yields clean and precise sound even at high levels. With a vintage-looking front fret, brass details, iconic gold piping and script logo, the Stanmore is right at home with the rest of your Marshall collection.
The Marshall Uxbridge Voice is a ray of hope as we struggle to come to terms with the lockdown in many countries while the world attempts to bring the Coronavirus, or COVID, under control. Music is one of the few true getaways, and all that becomes even better with good speakers. Well known British audio company Marshall has warmed our hearts with the first glimpse at the upcoming Uxbridge Voice smart speaker.
Marshall Stanmore II Wireless Smart Speaker best price is Rs. as on 26th August See full specifications, expert reviews, user ratings, and more.
Delivery Associate will place the order on your doorstep and step back to maintain a 2-meter distance. To pay by cash, place cash on top of the delivery box and step back. Your question may be answered by sellers, manufacturers, or customers who purchased this item, who are all part of the Amazon community.
Please make sure that you've entered a valid question. You can edit your question or post anyway. Please enter a question. Weighing only 1. Utilising Blumlein Stereo Sound construction, this speaker provides a multi-directional experience that will immerse you in your music, indoors or out.
We review products independently , but we may earn affiliate commissions from buying links on this page. Terms of use. We like Marshall's Stanmore II Bluetooth, but it doesn't really stand out in a crowded sea of wireless speakers. Marshall also manages to improve the audio output—the Voice model doesn't distort on deep bass like the Bluetooth version sometimes does.
That makes it a stronger value than the standard model, and one of the better high-end smart speakers you can buy. It measures the same 7.
Since , all Celestion chassis drivers have been stamped with a date code (two numbers and two letters), denoting exact date of manufacture.
Dating a Marshall amplifier can be a daunting task for even the most savvy of suitors — Amp Archives is here to help. The earliest Marshall amplifiers were made in and had no model or serial numbers. From until Marshall amplifiers were identified by a four-digit sequential number inside the back panel, reportedly starting with in and reaching at the beginning of More Examples.
Beginning in Marshall abandoned the four-digit numbering system and began using model numbers, sometimes called series numbers and model codes. While there are serial-like numbers during this era, no standard serial number format has been identified. The model numbers can be somewhat confusing because model numbers such as or can be mistakenly interpreted as the production year of the amplifier.
Amplifiers from this era must be dated within this time span based on their features, or component manufacturers and codes, including speakers, potentiometers and transformers. The model number takes the form of four-digits preceded or followed by letter codes describing amplifiers characteristics. The table below outlines the meaning of these letter codes.
Jim was born in London on 29 July and as a child he suffered with tubercular bones which meant that he spent much of his early years hospitalised to the age of Today you will find a plaque on the pavement outside to celebrate our humble beginnings. The store quickly got a reputation as the place to be for young rock musicians.
Marshall makes great wireless speakers inspired by the classic the Tufton is the largest Bluetooth speaker in the Marshall range to date, and.
Most of these speakers are on the small side, emphasizing personal yet portable sound. If you want something with a bit more oomph — a Bluetooth speaker that can power an entire patio party as easily as it can provide mood music at home, your choices are much more limited. Given its hefty price tag and some very capable competitors, is it the right Bluetooth speaker for your next get-together?
We put it to the test to find out. The Marshall brand is, of course, best-known for its iconic guitar amps and speaker stacks that have festooned the stages and garages of the music world for decades. When the U. Several people who saw me with it asked if it was a small guitar amp.
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Q: "Allow from" in httpd-xampp.conf for ipv6? I want to secure my virtual server so phpmyadmin can only be accessed from my laptop. I have the following code in httpd-xampp.conf,
<LocationMatch "^/(?i:(?:xampp|security|licenses|phpmyadmin|webalizer|server-status|server-info))">
        Order deny,allow
        Deny from all
        Allow from <my_ip_address>
</LocationMatch>

When I get to a new place, I usually google "what is my ip" and get an ip address (ipv4) and make change to the "Allow from" line and restart apache.
However, I got to this new place and "what is my ip" returns an ipv6 address. I put that in, it didn't allow me access. I searched "what is my ipv4" and get an ipv4 address, that didn't allow me access either.
The only way I can get it to work is to "Allow from all". But that defeats the whole purpose. Anyone knows what I missed? Thanks.

A: Try this:
<LocationMatch "^/(?i:(?:xampp|security|licenses|phpmyadmin|webalizer|server-status|server-info))">
        Require ip your_ipv6_address
</LocationMatch>

redpajama_set_name: RedPajamaStackExchange


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Philippe Blay, né en avril 1960, est un musicologue français, conservateur en chef à la Bibliothèque nationale de France (BnF), spécialiste du théâtre lyrique en France sous la Troisième République et du compositeur Reynaldo Hahn.

Parcours professionnel
Philippe Blay a étudié au conservatoire à rayonnement régional de Nice, à l'université de Nice, à l'université de Provence Aix-Marseille I, au Conservatoire national supérieur de musique et de danse de Paris, ainsi qu'à l'École nationale supérieure des sciences de l'information et des bibliothèques. Il a également étudié l'écriture musicale avec le compositeur et pédagogue Julien Falk. Il est agrégé de musique (1985) et docteur en musicologie de l'université de Tours (1999).

Tout d'abord conservateur à la médiathèque Hector Berlioz du Conservatoire national supérieur de musique et de danse de Paris, puis au musée de la Musique de la Cité de la musique-Philharmonie de Paris, il rejoint en 1998 la Bibliothèque nationale de France.

Philippe Blay a été membre associé de l'Institut de recherche en musicologie (IReMus, UMR 8223) ; il est membre du comité de rédaction de la collection « L'Opéra français » éditée chez Bärenreiter sous la direction éditoriale de Paul Prévost.

Publications
 Articles dans Analyse musicale, Bulletin d'informations proustiennes, Bulletin Marcel Proust, Revue d'histoire littéraire de la France, Revue de musicologie, Revue d'études proustiennes, Revue germanique internationale, Revue musicale de Suisse romande, Romantisme ; dans plusieurs dictionnaires et ouvrages collectifs.
 (Dir.) Musée de la Musique : guide, Paris : musée de la Musique (Cité de la musique), Éditions de la Réunion des musées nationaux, impr. 1997, 271 p.
 (Dir. avec Raphaëlle Legrand) Sillages musicologiques : hommages à Yves Gérard, Paris : C.N.S.M.D.P., 1997, 337 p.
 L'Île du rêve de Reynaldo Hahn : contribution à l'étude de l'opéra français de l'époque fin-de-siècle, Villeneuve d'Ascq : Presses universitaires du Septentrion, 2000, 3 vol., coll. Thèse à la carte.
 « Grand Siècle et Belle Époque : La Carmélite de Reynaldo Hahn », in Aspects de l'opéra français de Meyerbeer à Honegger, ouvrage coordonné par Jean-Christophe Branger et Vincent Giroud, Lyon : Symétrie, Palazzeto Bru Zane, cop. 2009, p. 153-170, coll. Perpetuum mobile.
 (Dir.) Reynaldo Hahn, un éclectique en musique, Arles : Actes Sud, Palazzetto Bru Zane, 2015, 504 p. Actes du colloque « Reynaldo Hahn : un éclectique en musique », Venise, Palazzetto Bru Zane – Centre de musique romantique française, 11-. Prix du temps retrouvé (Prix des Muses 2016).
 (En collab. avec Jean-Christophe Branger et Luc Fraisse) Marcel Proust et Reynaldo Hahn : une œuvre à quatre mains, avant-propos d'Eva de Vengohechea, Paris : Classiques Garnier, 2018, coll. Bibliothèque proustienne,  21.
 Reynaldo Hahn, [Paris] : Fayard, 2021, 702 p.. (Prix du Livre France Musique-Claude Samuel de la biographie 2022 ; Prix Pelléas 2022 ; Prix du meilleur livre sur la musique du 59e palmarès des prix de la critique théâtre, musique et danse 2021-2022 ; Prix Alfred-Verdaguer de l'Institut de France sur proposition de l'Académie française)
 (Éd.) Reynaldo Hahn, Journal : 1890-1945, anthologie établie, présentée et annotée par Philippe Blay, sous la direction de Jean-Yves Tadié, préface de J.-Y. Tadié, postface de Mathias Auclair, [Paris] : Gallimard, Bibliothèque nationale de France, 401 p., 2022, coll. Blanche.

Notes et références

Liens externes

 http://cms-production-scientifique-adm.bnf.fr/CV/blay-philippe-0
 http://www.iremus.cnrs.fr/fr/membres-associes/philippe-blay
 https://bnf.academia.edu/PhilippeBlay

 https://www.fayard.fr/musique/reynaldo-hahn-9782213622620
 https://www.persee.fr/doc/roman_0048-8593_2001_num_31_114_1064?q=%22Philippe+Blay%22
 https://www.cairn.info/revue-d-histoire-litteraire-de-la-france-2014-2-page-448.htm
 https://www.lefigaro.fr/livres/les-noces-de-la-musique-et-des-lettres-20210609
 https://www.loeildolivier.fr/2022/06/59e-palmares-prix-du-syndicat-professionnel-de-la-critique-theatre-musique-et-danse/

Naissance en avril 1960
Musicologue français du XXe siècle
Musicologue français du XXIe siècle
Conservateur à la Bibliothèque nationale de France
Étudiant de l'université de Nice Sophia-Antipolis
Étudiant de l'université de Provence
Docteur de l'université de Tours
Élève du Conservatoire national supérieur de musique et de danse de Paris
Élève de l'École nationale supérieure des sciences de l'information et des bibliothèques
Agrégé de musique

redpajama_set_name: RedPajamaWikipedia


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Home » Dean & DeLuca Closes Stores as Debts Pile Up
Dean & DeLuca Closes Stores as Debts Pile Up
by Lightlynews.com · On July 10, 2019 · In Food
Dean & DeLuca, the posh meals chain, started life in 1977 as a downtown Manhattan vacation spot for mascarpone, balsamic vinegar, radicchio and different specialties most Americans had by no means heard of, a lot much less tasted.
Based on the popularity constructed by the shop's founders, Giorgio DeLuca and Joel Dean, who curated effective meals at their ethereal store in SoHo, Dean & DeLuca has develop into a worldwide model since its first offshoot opened in Tokyo in 2003. As of in the present day, there are greater than 60 Dean & DeLuca cafes and markets working in Asia, and three extra within the Middle East.
But within the United States, the chain, now owned by a Thai actual property magnate, is foundering. Since it was purchased by Pace Development in 2014, Dean & DeLuca has pulled out of lease agreements, promised and revoked sponsorships, closed its shops in North Carolina, Kansas and Maryland, and persistently withheld fee from distributors, who're more and more vocal of their outrage.
Small distributors in New York City alone stated they're owed a whole bunch of hundreds of dollars. Bien Cuit, a bakery in Brooklyn recognized for its burnished croissants: $75,000. Colson Patisserie, purveyor of French macarons and different sweets: $24,000. Amy's Bread, which allowed the corporate to inventory its well-known layer desserts: $51,000.
"It stings as a result of so many people bakers grew up alongside Dean & DeLuca," stated Eleni Gianopulos of Eleni's Cookies, who sued the corporate final 12 months for $86,000 and finally settled for 50 cents on the greenback: an total loss. Dean & DeLuca carved its area of interest with artisanal meals merchandise like hers, she stated, and now the creators are handled as disposable.
"Getting your product into their retailer was an honor, like a golden ticket, and now it's a nightmare," she stated.
The firm has additionally incurred massive money owed to business suppliers like Imperial Dade, the Chefs' Warehouse and Baldor, a few of whom are not extending credit score to the chain in any respect. Documents shared with The New York Times present that the Fulton Fish Market was owed $46,588.74 as of June four, and had not been paid by Dean & DeLuca since February.
Last week, after months of noticeably sparse cabinets and employees, two extra Dean & DeLuca shops quietly closed, one in California's Napa Valley and the opposite on Manhattan's Upper East Side. The remaining seven shops within the United States are more and more stocked with Coca-Cola and Chobani yogurt as an alternative of their craft-made equivalents.
All shops right here within the United States and around the globe are owned or licensed by Pace Development, a Thai firm whose chief government is Sorapoj Techakraisri, the scion of a rich actual property household.
Pace was the developer behind the audacious Mahanakhon tower in Bangkok, a $1 billion stack of high-end residential models and retail areas that can be the tallest constructing in Thailand. It opened in 2016, two years after Mr. Techakraisri purchased Dean & DeLuca from a gaggle of American traders for $140 million.
In an interview in response to the shop closings and distributors' complaints, Mr. Techakraisri stated that Pace has spent greater than $100 million within the United States on high of the acquisition worth to revitalize the model. He stated that Pace had undergone a "liquidity disaster" for the reason that acquisition however stays dedicated to Dean & DeLuca and has not too long ago restructured to boost capital.
"We are going to inject extra funds to repair the enterprise and meet our obligations," he stated, with plans to begin paying distributors subsequent month. However, he stated, "we might need to downsize to remain true to what the model has been."
Mr. Techakraisri promised that the flagship retailer in SoHo and STAGE, a brand new prototype in Manhattan's meatpacking district that's alleged to reinvent quick meals within the picture of the model, would stay open.
When Pace purchased the chain in 2014, Mr. Techakraisri stated he meant to open a whole bunch of shops around the globe, with a few of them performing as anchors for Pace's luxurious actual property and resort tasks. With fanfare, the corporate signed sponsorship offers, later revoked, with the P.G.A. golf match in Fort Worth and the U.S. Open tennis championship in New York. In 2017, he instructed the Nikkei Asian Review that he purchased Dean & DeLuca not solely to fill slots in his actual property holdings, however as a result of the status meals enterprise was a secure sector — with one caveat.
"As lengthy as you don't injury the model," he stated.
But the model has been broken, no less than within the United States. Dean & DeLuca has pulled out of its high-profile sponsorships, been sued for nonpayment of hire, and appears to be sinking underneath the load of Pace's debt.
In 2014, the 12 months Pace acquired Dean & DeLuca, Pace was working at a internet lack of $11 million, based on the corporate's filings on the Thai inventory alternate. In 2018, the corporate's internet loss had risen to $158 million. In its final monetary assertion in March, the corporate acknowledged "persistent working losses," that its liabilities presently exceed its property, and that the holders of its debt doubt whether or not Pace will be capable to proceed operations as a "going concern."
The money disaster appears to have begun quickly after Mahanakhon tower opened, in 2017. That 12 months, Mr. Techakraisri offered a part of his stake within the tower for about $450 million to the rich King Power group. (The tower was subsequently renamed "King Power Mahanakhon.")
For a time, Pace poured more cash into refinishing the present United States shops and launching STAGE. The prestigious German architect Ole Scheeren was introduced on to design the glossy meatpacking district cafe, which value thousands and thousands to open. (Pace declined to present an actual determine, however the hire alone, based on sources in the true property business, is probably going over $250,000 per 30 days.)
Pace additionally employed the restructuring agency Emerald Capital Advisors to handle Dean & DeLuca's monetary operations within the United States; some money owed to distributors had been paid in 2018.
But now the distributors are once more being "stonewalled," based on Keith Cohen, the proprietor of Orwashers, a longtime bread provider who stated he reduce the chain off in April with an excellent stability of $20,000.
In this example, he stated small companies like his are unfairly used as banks by massive corporations with liquidity issues. "I didn't ask them to sink a whole bunch of thousands and thousands of dollars in money into increasing the chain," he stated. "But their determination is costing me cash."
Sandy Lee of Leckerlee bakery provided Dean & DeLuca with vacation cookies every year beginning in 2011. She stated that after months of negotiation over $7,000 in excellent debt for 2017, her gross sales consultant supplied to pay $1,500 towards that debt if she would conform to fill a brand new order for 2018. She stated that the tiny amount of cash supplied by an organization that markets high-end accommodations, non-public nation golf equipment and luxurious condominiums felt insulting.
"As a small enterprise we perceive cash-flow issues, however dishonesty and damaged guarantees wreck relationships," she stated.
Giorgio DeLuca, who's not instantly concerned in Dean & DeLuca (Joel Dean died in 2004), stated he has been consulted by Mr. Techakraisri for the reason that acquisition and believes that he appreciates the model's historical past and id.
"I'm rooting for him to revive the grandeur of the higher days," he stated. "Why preserve it open if solely to promote Coca-Cola?"
A Taste of Seaweed
In Brooklyn, a New Food Hall With Breathtaking Views
At Atomix, a Korean Restaurant Overflowing With Ideas

redpajama_set_name: RedPajamaCommonCrawl


text:
UCL Institute of Education, London
We are pleased to announce the latest details of our upcoming conference. Current Archaeology Live! 2023 will be on 25 February (Saturday) at University College London's Institute of Education, a stone's throw from our previous venue, Senate House, near Russell Square. We are also excited to announce that this year the conference will be in partnership with the UCL Institute of Archaeology. We hope you will join us to hear the latest news on important discoveries and leading research projects from these shores as well as further afield (and even underwater).
As ever, we have an exciting line-up of expert speakers covering the archaeological spectrum from prehistory to the present day, and the Current World Archaeology Photo of the Year competition is also returning for another year; see more about how to enter here. Other details of the conference can be found below, including speakers confirmed to-date, the latest on the Archaeology Fair, and the all-important information about how to book your place at CA! Live.
The nominees for the 14th annual Current Archaeology Awards are listed here, too. To celebrate the people, projects, and publications that have made an outstanding contribution to archaeology, please visit our website at www.archaeology.co.uk/vote or, alternatively, fill in the form in the magazine. Voting is now open!
Tickets for CA Live! 2023 are now on sale
This year we're offering tickets at an early bird rate of £35 for subscribers and £45 for non-subscribers until 15 January, after which prices will rise to £50.
To book, visit www.currentpublishing.com/shop or call 020 8819 5580.
SPEAKERS CONFIRMED SO FAR
(not in order of appearance)
Three sessions of talks and a keynote address will run from 9.15am to 5pm, with two coffee breaks and a pause for lunch.
Dr Stuart Brookes – Searching for local assembly places in the English landscape
Dr Corisande Fenwick – Recent fieldwork in Morocco
Dr Sam Leggett – Insights from isotope analyses
Dr Daniel Pascoe – Underwater archaeology in UK waters
Clare Randall – A Roman villa at Dings Crusaders, near Bristol
Dr Rebecca Roberts & Saltanat Amir – Gold of the Iron Age Steppe
Scott Vance – Excavating a newly discovered Hadrian's Wall turret
Keynote speaker:
Shahina Farid, former Field Director and Project Coordinator at the Neolithic site of Çatalhöyük in Turkey, currently scientific dating coordinator for Historic England
The CA Awards results will be announced at 5pm
Further details to come; see www.archaeology.co.uk/live
Map showing this year's conference location:
UCL's Institute of Education
The nominees for the 14th annual Current Archaeology Awards are below, and voting is now open.
Please vote online at www.archaeology.co.uk/vote.
Archaeologist of the Year
Who deserves special recognition for their work, research, and dedication to archaeology? Voting is now open!
David Jacques
Since 2005, David has been project director of Blick Mead, the oldest and longest-used occupation site in the Stonehenge World Heritage Site. The Blick Mead excavations began as one long weekend dig a year, carried out on a shoestring budget with the help of the local community and other volunteers, but has since become a multi-university research effort, which uses the latest technology to address important new questions about the origins of the Stonehenge landscape. The project continues to value and enable its volunteers, and retains the community of Amesbury at its heart. This connection is symbolised by the building of Amesbury History Centre, which was created as a result of over 90% of locals voting to increase their precept to pay for it. The work has been very much a team effort, but David's colleagues see him as the lynchpin and catalyst behind the collective strength of the project.
Lilian Ladle
An independent Dorset archaeologist, with no formal qualifications, Lilian directed the 55ha, 13-year excavation at the multi-period site of Bestwall Quarry, near Wareham, publishing monographs in 2009 and 2012. A complex site at Football Field, Worth Matravers was completed and published in 2018. In 2012, she initiated, directed, and has recently published the results of the Druce Farm Roman Villa excavation. Fieldwork on all sites, and much of the post-excavation work, was undertaken by volunteers and the sites were regularly opened to the public. Lilian was awarded the MBE for services to archaeology in 2008 and was elected a Fellow of the Society of Antiquaries in 2021. She is a Visiting Fellow in the Department of Archaeology and Anthropology at Bournemouth University.
Gabor Thomas
Gabor is one of the UK's leading experts in early medieval archaeology. He has made key advances in our understanding of early medieval monasticism and elite identity based on the results of his excavations at Bishopstone (Sussex), Lyminge (Kent), and Cookham (Berkshire), which have uncovered lost phases of Anglo-Saxon settlement on an ambitious scale. Conducted within the cores of currently occupied villages, these projects have been delivered in partnership with volunteer groups and local residents as exemplars of research-led community archaeology. His PhD research exploring cultural interaction in Viking Age Britain through Late Saxon dress accessories has become the standard reference in the field, being widely consulted by academics, professional small-find specialists, and metal-detectorists.
Many excellent new archaeological books have been featured in CA this year. Below are those that we feel deserve particular recognition.
Landscapes Revealed: geophysical survey in the Heart of Neolithic Orkney World Heritage Area, 2002-2011
Amanda Brend, Nick Card, Jane Downes, Mark Edmonds, and James Moore, CA 382
This book details an ambitious geophysical project that covered 285 hectares of land rich in Neolithic history, from Skara Brae to Maeshowe.
London in the Roman World
Dominic Perring, CA 387
A comprehensive narrative of Roman Londinium and its archaeology, from its origins through fluctuating fortunes to its eventual fall.
Silures: resistance, resilience, revival
Ray Howell, CA 388
This book examines the impact of the Roman conquest through the experiences of one particular tribe: the Silures of south-east Wales.
Barrows at the Core of Bronze Age Communities: Petersfield Heath excavations 2014-2018 in their regional context
Stuart Needham and George Anelay, CA 388
An in-depth look at Bronze Age communities as evidenced through an extensive project excavating 14 of 21 surviving barrows at Petersfield Heath in Hampshire.
Atlas of the Hillforts of Britain and Ireland
Gary Lock and Ian Ralston, CA 390
The most-complete study of British and Irish hillforts to-date, this book explores the possible purposes of these puzzling prehistoric monuments.
The Prehistoric Artefacts of Northern Ireland
Harry and June Welsh, CA 390
A comprehensive catalogue of the finds made over the centuries by archaeologists, antiquarians, and members of the public in Northern Ireland.
Lost Realms: histories of Britain from the Romans to the Vikings
Thomas Williams, CA 392
Tying together all the threads of evidence, Williams tells the stories of some of the lesser-known kingdoms of early medieval Britain.
Homo Sapiens Rediscovered: the scientific revolution rewriting our origins
Paul Pettitt, CA 393
A wide-ranging account of our earliest origins and how, in the last decade, science has been rewriting everything we thought we knew.
Research Project of the Year
This has been another exceptional year for archaeological research. The following are some of the most exciting examples to have featured in CA over the last 12 months.
Cladh Hallan: exploring the roundhouse way of life in South Uist
Sheffield University/UCL/Cardiff University/Bournemouth University, CA 382
Cladh Hallan is known for its prehistoric mummies, but excavations there have also illuminated intriguing Bronze Age and Iron Age domestic activity.
From West Africa to Wisbech: analysing 18th-century textiles in Thomas Clarkson's campaign chest
Margarita Gleba (University of Padua), Malika Kraamer (MARKK), and Sarah Coleman (formerly Wisbech & Fenland Museum, now National Horseracing Museum), CA 383
Can the study of an abolitionist collection of West African textiles weave new threads into the story of cross-cultural contacts in the era of the Atlantic slave trade?
Artistic obscurity: analysing Britain's most elusive Roman sculptures
Newcastle University, CA 384
Romano-British remains are often found below ground, but this project has been documenting sculptures hidden in plain sight.
From tents to towns: tracing Torksey after the Vikings
Torksey: from tents to towns
University of York/University of Sheffield, CA 385
What happened at Torksey after the Viking Great Army departed? Excavations have revealed traces of a thriving pottery industry.
Prehistoric pioneers: how female migrants changed the face of Bronze Age Orkney
University of Huddersfield/EASE Archaeology, CA 387
Genetic analysis of human remains excavated at the Links of Noltland has revealed evidence of a female-dominated migration into Bronze Age Orkney.
Reinventing Ratae: exploring Roman and medieval Leicester
Reinventing Ratae: exploring Roman and medieval Leicester and Leicester and Roman Africa: exploring ancient multiculturalism in the Midlands
University of Leicester Archaeological Services, CA 387 and CA 388
Investigations in Leicester over the past 20 years have uncovered evidence of the city's growth and decline over the centuries, as well as intriguing links between Roman Leicester and North Africa.
Designed to enchant: the great dolmens of Neolithic northern Europe
Vicki Cummings (University of Central Lancashire) and Colin Richards (University of the Highlands and Islands), CA 390
This research explored why dolmens were built in the Neolithic period, their possible purpose, and whether they were deliberately designed to impress.
Current Archaeology 392
Migration matters: groundbreaking insights into early medieval England
Duncan Sayer (University of Central Lancashire), Stephan Schiffels, and Joscha Gretzinger (both Max Planck Institute), CA 392
New genetic data has shed light on matters of migration and integration, and on family histories in different communities in post-Roman England.
Rescue Project of the Year
Our rescue award highlights the vital importance of archaeology carried out on sites impacted by development or natural forces, and conservation work.
Happy campers? Investigating the experiences of prisoners of war near Oswestry
Wessex Archaeology, CA 386
What was life like for German soldiers interned in England during the Second World War? Excavations at a POW camp outside Oswestry in Shropshire have found evidence of everyday conflict and cooperation.
The archaeology of Black Cat Quarry: farming, flooding, and fighting in the Great Ouse valley
Archaeological Research Services Ltd, CA 388
Excavations at Black Cat Quarry in Bedfordshire have revealed a story of farming communities spanning the Neolithic to the early medieval period, as well as the possible remains of a Viking encampment.
Restoring Marble Hill: how archaeology helped to revive a Georgian gem
Restoring Marble Hill: how archaeology helped revive a Georgian gem
English Heritage, CA 388
Ongoing restoration work at Marble Hill in Twickenham and recent investigations of its grounds have revealed the fabric of the Georgian building alongside the story of its owner, Henrietta Howard.
HMS Invincible: excavating a Georgian time capsule
Daniel Pascoe/University of Bournemouth, CA 389
Investigations of the wreck of HMS Invincible, which sank off Portsmouth in 1758, have shed illuminating light on what life was like on board this 18th-century warship, and within the Georgian Royal Navy.
Lessons from Canterbury: saving heritage with new approaches to urban development
SAVE Britain's Heritage, CA 389
SAVE Britain's Heritage have recommended a more historically sympathetic approach to urban development in response to the scale and height of new buildings proposed for Canterbury's city centre.
No stone unturned: new insights from community archaeology on Hadrian's Wall
WallCAP/Newcastle University, CA 390
Having excavated over 15 sites on and around Hadrian's Wall, what has the WallCAP project revealed about how stone was sourced to construct the fortification, and these materials' post-Roman afterlife?
From abbey infirmary to academic accommodation: the evolution of Dulverton House
From abbey infirmary to academic accommodation: tracing the evolution of Dulverton House
Urban Archaeology, CA 390
In the shadow of Gloucester Cathedral, works at Dulverton House have revealed material traces of a long history, from monastic infirmary and Reformation-era graffiti to Restoration redesigns.
Archaeology adrift? A curious tale of Lego lost at sea
Tracey Williams, CA 391
Since a shipment of Lego went overboard in 1997, millions of plastic bricks have been slowly washing up on beaches. Tracey has painstakingly examined and documented what has come ashore.
All the fun of the (archaeo)fair
Since we are finally back in person, an enduringly popular feature of Current Archaeology Live! will be return as well: our Archaeology Fair. It provides a wide range of stalls hosting travel companies, booksellers, institutions, and other archaeological organisations for you to browse in the breaks between sessions.
This time we welcome our partner for the event, UCL Institute of Archaeology, as well as leading archaeological publishers and booksellers, including Archaeopress and Archaeology Plus. For those interested in archaeological travel, you can find out more about expert-led tours and heritage-themed holidays from the likes of Andante Travels, while specialist archaeological services are offered by Wessex Insurance Brokers Ltd, who provide tailored products designed for archaeologists. And even more exhibitors will be added over the coming weeks, so watch this space!
How to vote:
As ever, our awards ceremony recognises the best in archaeology, as voted for by you the reader.
Please vote online at www.archaeology.co.uk/vote. Voting is now open!
The name of an early medieval woman has been found…
One of the most noteworthy finds was a huge pit…
Gladiators: a cemetery of secrets
Almost 20 years ago, York Archaeological Trust were excavating part of a Roman cemetery when they uncovered dozens of decapitated skeletons. Were these the…
Conference | Current Archaeology Live! 2023
We're getting ready to hear leading experts discussing archaeology from across the UK and abroad, and we hope you can join us on 25…
Visitors invited to enjoy tales by lantern light at Tamworth Castle
Visitors can craft their own lanterns in a 30-minute workshop, before taking their creations on a tour of the castle whilst accompanied by a…
New exhibition at London's Museum of Freemasonry
The exhibition is free, and is running until 23 December 2023. To find out more about it, including opening times, visit: www.museumfreemasonry.org.uk/whats-on/inventing-future.…
UK exhibitions, events, and heritage from home in Winter 2022 and Spring 2023
On show: exhibitions from around the world in 2023


text:
FISITA
Promoting excellence in mobility engineering
About FISITA
President's Introduction
FISITA Member Societies
Joining FISITA
FISITA Spotlight
Academy of Technical Leadership
Honourable Lifetime Presidents
FISITA Foundation
FIEC
FISITA International Engineering Community
Automotive Diary
FISITA Intelligent Safety Conference
EuroBrake
FISITA PLUS
FISITA World Congress
FISITA World Mobility Summit
Endorsed by FISITA
EAEC
FISITA Store
Your Future in Automotive
Academia and Industry
International Engineers' Certificate
Database of Reviewers
Mobility Engineer 2030
Vehicle Connectivity Briefing Paper
FISITA Online Conferences
Automotive Technology Directory
FISITA strengthens board to support fast-changing demands on the automotive engineering profession
Two new Non-Executive Directors appointed to board of FISITA (UK) Ltd
FISITA, the international membership organisation for the automotive and mobility systems engineering profession, today announces two new appointments to the board of FISITA (UK) Ltd, the advisory body which oversees FISITA's activities worldwide.
"Our industry is changing faster now than at any point in the last 100 years. That means the engineers delivering this change need new skills, greater collaborative learning and a broader global context that reaches out into a wide range of increasingly aligned technology sectors," explains Paul Mascarenas OBE, Chairman of the FISITA (UK) Ltd Board. "These are all values at the heart of FISITA: strengthening our Board will allow us to achieve more, more quickly, for all automotive engineers around the world."
Katie Milbourn joins as a Non-Executive Director and brings a wealth of experience in human resources to the Board. Katie is Head of Human Resources at the Society of Motor Manufacturers and Traders Ltd (SMMT - the organisation representing the UK automotive industry), delivering leadership and taking overall responsibility for the Society's group HR function, supporting around 150 colleagues.
Katie said: "I'm delighted to join FISITA at this pivotal moment for the automotive industry. With advances in electrification, digitalisation and AI, the sector is undergoing huge transformation, in turn requiring a transformation of skills. I'm pleased to be part of FISITA's drive to help keep automotive engineering professionals at the cutting edge of technological development."
Richard Gotch also joins as a Non-Executive Director and brings a wealth of experience in marketing and communications to the Board. Richard has more than 20 years' experience working with automotive technology businesses from innovation start-ups to global Tier 1s and is the founder of Market Engineering and its managing director until its acquisition by Newspress.
"For engineers at every level, this is one of the most challenging times in the history of our industry, but that also makes it one of the most exciting," comments Richard. "I'm delighted to have this opportunity to work with FISITA to help the profession continue to achieve remarkable successes as the pace of change accelerates."
All FISITA UK Ltd Board members are committed to the development and implementation of FISITA's strategic vision, financial and business plan. Katie and Richard join the current Board members:
Paul Mascarenas – Chair and Non-Executive Director
Remi Bastien – Non-Executive Director
Karl Siebertz – Non-Executive Director
Graham Hutchins – Non-Executive Director
Chis Mason – FISITA CEO
The FISITA (UK) Ltd Board is responsible for the supervision, and corporate governance of FISITA worldwide, as well as financial and operational activities of the organisation as delegated via the FISITA Constitution – the Board is accountable to the membership of FISITA for the success of the organisation.
Tweets by @FISITAhq
Copyright © 2019 FISITA


text:
Oneiron
English manuscript
Finnish edition
Danish edition
Norwegian edition
Swedish edition
Italian edition
order sample!
Original title: Oneiron
Publisher: Teos
Class/genre: Literary
Nordic Council Literature Prize nominee 2017
Finlandia Prize 2015
Toisinkoinen Prize 2015
Runeberg Prize nominee 2015
Flame Bearer Prize nominee 2015
Seven women meet in a white, undefined space seconds after their deaths. Time, as we understand it, has ceased to exist, and all bodily sensations seem to have disappeared.
None of the women can remember what happened to her, or how she got there. Performance artist Shlomith from New York, chief accountant Polina from Moscow, heart transplant patient Rosa Imaculada from Brazil, upper-class Nina from Marseilles who is expecting twins, Wlbgis from the Netherlands, who suffers from throat cancer, Senegalese Maimuna, who dreams of a career as a model, and Austrian teenager, Ulrike. They don't know each other. They don't know why they are there – or where they are. In turn they try to remember, to piece together the fragments of their lives, their identities, their lost loves, and to pinpoint the moment they left their former lives behind.
Lindstedt plays with genres from essay to poetry, transitioning from humour to rage – while asking her reader to contemplate the question of death's inevitability and what follows it. As also in Lindstedt's acclaimed debut novel Scissors, Oneiron addresses the challenges of communication on several levels.
Rights sold:
Original publisher: FINLAND, Teos
WORLD ENGLISH, Oneworld
BULGARIA, Faber
CZECH REPUBLIC, Argo
DENMARK, Rosinante & Co.
FRANCE, Gallimard
HUNGARY, Scolar
ITALY, Elliot
LITHUANIA, Versus Aureus
NORWAY, Oktober
POLAND, Poznańskie
ROMANIA, Paralela 45
SPAIN, Armaenia
SWEDEN, Norstedts
Praise in the Finnish press:
"Lindstedt's debut Scissors was a 2007 Finlandia Prize nominee, and it would be a surprise if Oneiron doesn't receive the same honor, in the very least. On an international scale this is an exceptionally bright pearl of high literature – a novel that is close to perfect."
– Aamulehti, Finland
"Lindstedt uses the tools of literature to form a work of art with its own rules; one can only admire her execution and her ability to depict our world to a startling effect."
– Helsingin Sanomat, Finland
"There's nothing predictable in Laura Lindstedt's elegant and in every way skillful analysis of humanity."
– Turun Sanomat, Finland
"[Lindstedt's language] is powerful: the sprawling narrative flows masterfully smoothly."
– Savon Sanomat, Finland
"Only a couple of novels like this come up in Finland in a decade."
– YLE.fi, Finland
Praise for foreign editions:
"In the sheer diversity of her characters, Lindstedt might be responding to other modern realities: genetic interconnections revealed by DNA tests; global migration and interdependence; the random array of newspaper obituaries that follow a terrorist attack; and the boundary-breaking and community-building properties of social media, two years before the rise of the #MeToo movement." – Public Books, USA
"Oneiron is one of those books that stunned me into silence at the end" – the book of dog blog, USA
"The unsettling story of the book, which deals with the pain of leaving life, lingers between Elfriede Jelinek's chilling analysis and Lars von Trier's minimalism known from Dogville." – Livres Hebdo, France
"This author's imagination knows no limits and I'm looking forward to whatever other worlds she invents in her literary future." – Marjorie's World of Books blog, US
"Good and provocative" – Complete Review, USA
"Incredibly audacious." – Chicago Review of Books Most Anticipated Fiction Books of 2018, USA
"Oneiron is a precise example of a postmodern novel. The leitmotif death is handled by the author Laura Lindstedt through a variety of (not only) literary genres and references. This is a story in which death is only the beginning." – Ema Stašová, iLiteratura website, Czech Republic
"Simply put – Oneiron is a very, very special book." ***** .týždeň magazine, Slovakia
"The multi-layered story of Oneiron is very complicated, it hides philosophically broader dimensions, but surprisingly it is extremely readable." **** Vlčí Boudy website, Czech Republic
"Excellent speculative fiction about seven women who meet in the afterlife and try to clarify what happened to them … Oneiron is nomminated for the Nordic Council Literature Prize, and I predict a good chance of winning." – Weekendavisen, Denmark
"There is something therapeutic, not to say soothing, in reading 'Oneiron', as surrendering to a trust exercise, a collective favor. Hell is – not always – the others." ***** – Politiken, Denmark
"Strong and original." ***** – Jyllands-Posten, Denmark
"A very touching way of describing how much women's lives are controlled by the body, but also just a truly amazing book about the feelings, experiences and creations that create a (woman's) life." ****** – Femina, Denmark
"Laura Lindstedt is a masterful narrator – the translation to Danish is also masterful – and the story leads its speechless reader through an oxygen, dreamlike and fascinating universe." **** – Kristeligt Dagblad, Denmark
"Laura Lindstedt gives away his great knowledge and knock-winning imagination." **** – Berlingske, Denmark
A strong candidate for the Nordic Council Literature Prize … it's just a dedication to Lindstedt's fabulous, lush and philosophical narrative art … a fabulous piece of work. A victory for romance." – Dagbladet, Denmark
"Oneiron is really well-written … It's not a novel you read in a short time, but a novel that requires concentration and time. On the other hand, you are enriched with an at times poetic story of high quality. The novel is nominated for the Nordic Council Literature Prize 2017, which is fully deserved." – Bibliotekernes Lektørudtalelse, Denmark
"Lindstedt weaves her unlikely story with the finest of writer's hands – Oneiron is a spectacular novel." – Svenska Dagbladet, Sweden
"A prize-worthy, magnificent meditation on the afterlife . . . with a suggestive warmth and forgiveness towards death in this frank portrait of seven women told with humour and a strong desire for storytelling." – Dagens Nyheter, Sweden
"A wonderful, literary dream…" – Göteborgs-Posten, Sweden
"Oneiron is a powerful effort – to some extent also for the reader – international, rich in life and drama, embracing knowledge-based political, gender, medical and religious elements. … Lindstedt is a skilled dramatic and creative creator. Parts that touch on modern art, both in terms of visualization and depth, have a touch of Siri Hustvedt. … Linguistically, Lindstedt is fresh and inventive, which has been carefully observed by translator Tor Tveite." – Janneken Øverland, Klassekampen, Norway
"A fascinating fable about dead women … Multi-faceted, feminist hued fantasy with a hint of magical realism…. Oneiron is ambitious and lush … The multiple stories are sensual, painful and rough, to reveal a multi-faceted reality and in turn become a virtuoso showcase in the imagination's ability to make ever more acrobatic leaps … linguistic diversity, the slightly absurd or surreal elements that are elegantly propagated throughout this mosaic, vital, critically-acclaimed novel." ****** – Steinar Sivertsen, Stavanger Aftenblad, Norway
"Thought-provoking, gallows humour about the transition from life to death … I had never thought that a novel about death could be entertaining – and even fun – but Lindstedt's novel is just that. It is fascinating and original in its reflection on life and death; a magical fantasy in the best sense of the word, but it is also realistic in its analysis of power and powerlessness. In other words, it is difficult to categorize, but easy to remain fascinated by for long afterwards." ***** – Vigdis Moe Skarstein, Fædrelandsvennen, Norway
"Oneiron is touching, with its direct language, and in its multi-faceted and concrete approach to what life can be. The way in which Lindstedt portrays the biographies of the women in words, enriches the theme of life, the body, and art in a grotesque but also refreshing way." – Ingeborg Urke Myklebust, Mellom, Norway
"Oneiron is a shameless, touching and absurd approach to the state we know little about, the space, the transition, the moment when we hover between life and death." ****** – Torborg Igland, Fædrelandsvennen, Norway
"Oneiron is about death. It comes with interesting suggestions of how it is "on the other side," but actually sheds more light on the various power structures on our side." – Dagsavisen, Norway
"Oneiron is literally a fabulous work. A triumph of the art of the novel. An unmatched vision of life and death set mostly in the shade. Furthermore it's so imbued with strange stories, deep wondering and ambiguous thought patterns that it will keep University of Helsinki literature students occupied for years to come." – Fredrik Wandrup, Dagbladet, Norway
"Silk and iron […] an overwhelming novel." – Anne Cathrine Straume, NRK, Norway
Laura Lindstedt's construction is, specifically, about death. In this way, Dante Alighieri and Marcel Proust are subtly invoked." –Daniele Abbiati, (transl. Irene Sorrentino / Riitta Ammunet)
il Giornale newspaper, Italy
"A visionary book." – Marie Claire Italia
Praise from bloggers:
"Oneiron is like a stream that spills and spins towards something – death, at least. Before that happens, we live. Every life and death is unique. Stunning."
– Tuijata culture blog, Finland
"Lindstedt's prose offers many things that can't be conceptualized…they can simply be felt. Lindstedt doesn't shy away from her ambition, and writes deep, high literature that is becoming more and more rare… Oneiron is likely to earn its place among the international best of Finnish literature."
– Kannesta kanteen, sivuista sivuille literature blog, Finland
"I've never read anything like Oneiron. In the best possible way."
– Lukutoukan kulttuuriblogi, Finland
"Oneiron is bewildering, wild, multilayered, abundant and memorable. It is fierce and merciless but at the same time beautiful. It is one of its kind."
– Kirjakaapin kummitus literature blog, Finland
"Oneiron shatters the narrative traditions of the novel, its masculine experience of the world and its penchant for reason, for Oneiron is an intellectual and emotional, feminist piece of work."
– Luettua elämää literature blog, Finland
Praise from prize juries:
"Lindstedt's artistic playfulness with the conventions of language, style, and prose makes the novel linguistically refined and impressive. The result is a work of multiple voices and multiple layers, in which modern expressions also assume something brilliantly classical. It is as if the author is striving to reach the infinite small details – the fractals – as she writes whole worlds within the space of the blink of an eye. The white reality of Oneiron, a blank page, is filled with living stories that celebrate human fantasy, with the possibilities that literature affords, and with uncompromising artistic work." – Nordic Council Literature Prize jury
"Selecting the winning work was, in the end, easy: its voice, imagery and world were so distinctive. After giving myself permission to throw myself into its unreal world, everything suddenly became very real…The author's ingenious way of renewing the form and structure of the novel is downright striking, and she does so in an extremely reader-friendly manner! This is a story about stories that could be true."
– Heikki Harma, Finlandia Prize juror, musician and journalist
"Seven women arrive in a white space after death. This is a state of purgatory that precedes a final fading away; a place in which time or familiar contours don't exist. The women who have dropped into this space represent different social classes, and are very far away from one another's range of experiences, but each story is equally valuable. Oneiron contains innovative thematic and narrative dimensions, and invites its reader to find out about the fates of each character – with irresistible results. A demand for truthfulness and dignity runs through Lindstedt's work. A woman's right to her own destiny becomes a central theme. In her words Lindstedt makes visible something that is indescribable, that doesn't exist and that can't be expressed. She develops her themes, as well as strange and familiar moods, by creating new kind of art with words; she does so in a touching and lucid manner."
– Toisinkoinen Prize jury
"This novel made an impression, starting from its dazzling opening. It manages to achieve, without fumbling, narrative goals that embrace the impossible. How should one write a story in which time doesn't exist? How can seven women from different countries, without a shared language, manage to express themselves, understand one another and comprehend the fuzziness of existence in the intermediate state of death? And how can the reader be kept engaged from the first to the last page? The jury was glad to see how Oneiron seems to rise effortlessly to the best of international literature."
– Finlandia Prize jury
Praise from foreign publishers:
"Oneiron is a high literature title with a perfect architecture, and will add literary value and prestige to our fiction portfolio. We will be proud to have this novel published by Editura Paralela 45. We were all, myself and my fellow colleagues, impressed by it, and I think it has to do with our eternal fascination with death, the perpetual question of "what are we, where are we going", and Laura Lindstedt offers us such a penetrating description of the state after death, in a multi-level, multi-register narrative, from the biological to the philosophical perspective of human essence."
– Mihaela Pogonici, foreign rights manager, Editura Paralela 45, Romania
"Oneiron is one of the most peculiar novels of the last few years. Laura Lindstedt is a writer with a unique and surprising voice."
– Loretta Santini, editorial director, Elliot Edizioni, Italy
"We are really excited to introduce a new fresh voice of the Scandinavian literature to Czech readers and we're happy to provide Laura Lindstedt with a new home in the Czech context"
– Gabriela Kiszová, Foreign Rights Manager, Argo, Czech Republic
"Lindstedt writes with an exceptional strength and originality. The story is well told and it is absolutely fascinating. I am filled with admiration. We strongly believe in Lindstedt – not only in Oneiron, but also in her entire (future) literary work – and we want to be the publishing house that introduces her to the Norwegian readers."
– Signe E. Russwurm, Editor, Forlaget Oktober, Norway
"We are thrilled to secure a second Finlandia prize-winner. This is a novel to love, from Lindstedt's richly drawn characters and exquisite prose to her clever range of narrative devices and complex plotting, throughout which she threads her subtle power games and metaphysical questions. A brilliant second novel from a rising star, it will be a very welcome addition to our growing list of literary translations."
– Juliet Mabey, Publisher, Oneworld Publications, UK
"When I started reading the novel and I experienced the intensity of Lindstedt's writing, the suspenseful atmosphere she creates from the very beginning, I understood I was facing a "chef-d'oeuvre". Her capacity to combine a fascinating story while building a reflection on the meaning of life and death is astonishing. We are immensely proud to welcome her at Gallimard ."
– Marie-Pierre Gracedieu, Gallimard, France
"Oneiron is an extraordinary literary piece of work."
– Henrik Lindvall, Senior Editor, Norstedts, Sweden
"Oneiron is a wonderful and ambitious novel, original and intelligent. At the same time it is impressively tangible and almost corporeal, with such an interesting and warm tone of voice."
– Marie Vinter, Editor, Rosinante, Denmark
"The contemporary Finnish literary scene is home to amazingly talented authors. It's time for readers all over the world to discover them. We had the good fortune of becoming acquainted with an unparalleled new voice, Laura Lindstedt. We believe that her name will become unforgettable for Hungarian readers."
– Andrea Illés, editor, Scolar, Hungary
"It rarely happens now for a book to pierce my heart. But this was the case. Laura Lindstedt managed to do it with her novel Oneiron. In a white nowhere and everywhere, I too, sat by fire with the women from the novel and shared their stories. This book grabbed me and didn't let go. The voice of the author will sound in Lithuanian language and I believe our readers will be very happy to hear it."
– Vytautas Stankus, Publishing project manager, Versus Aures, Lithuania
Laura Lindstedt
Laura Lindstedt (b. 1976) became a critical darling with her adoption-themed debut novel Scissors (Sakset, Teos 2007), which earned her a nomination for the Finlandia Prize, the country's most prestigious literary honour. She is currently revising her Ph.D. thesis on French author Nathalie Sarraute. Lindstedt's second novel Oneiron (Teos 2015) is a work of speculative fiction that takes place in the mysterious moments that follow one's death. Oneiron has continued Lindstedt's critical success, earning her the coveted 2015 Finlandia Prize.
2007, Literary
My Friend Natalia
03.10.2019 German rights to Laura Lindstedt's MY FRIEND NATALIA sold to dtv
05.09.2019 French rights for My Friend Natalia acquired by Gallimard
22.08.2019 Breaking news! US deal for Laura Lindstedt's MY FRIEND NATALIA!
07.08.2019 New fiction deals for Laura Lindstedt, Max Seeck and Mia Kankimäki
23.07.2019 De Bezige Bij acquires the Dutch rights to My Friend Natalia
08.07.2019 My Friend Natalia sold to Italy
05.07.2019 My Friend Natalia sold to 3 new countries in one week
21.05.2019 English sample for Laura Lindstedt's MY FRIEND NATALIA now available!
24.04.2019 New praise for Laura Lindstedt and Mia Kankimäki
26.03.2019 Scolar acquires Hungarian rights to Laura Lindstedt's My Friend Natalia
19.03.2019 Fantastic reception to Finlandia-winner Laura Lindstedt's new novel about young woman's sexuality 'My Friend Natalia'
11.06.2018 The Agency's 9th anniversary & rights report: Oneiron sold to Spain
23.02.2018 Finlandia-winning Oneiron sold to Turkey, gathering praise globally
19.12.2017 Ahlback Agency December Newsletter
25.09.2017 September fiction reviews round-up
14.07.2017 Great reviews for Valtonen, Susi and Lindstedt in Germany and Norway!
23.02.2017 Oneiron nominated for the Nordic Council Literature Prize
10.01.2017 Italian press for Oneiron + FILI grants for 2017
26.04.2016 New praise for Laura Lindstedt's Oneiron!
01.04.2016 Oneiron sold in 12 territories: W.A.B. Foksal acquires the Polish rights!
Elina Ahlback Literary Agency
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© Elina Ahlbäck Literary Agency Oy Ltd. 2019


What are Turnstiles and Pedestrian Control Gates?
A waist high turnstile, or 'half-height turnstile', is a mechanical turnstile or mechanical gate that is made up of four revolving horizontal arms that are fixed to a vertical post, allowing only one person at a time to pass through. This allows security personnel to have a clear view of each person, and easily isolate potential trouble. They also set the speed in which pedestrians are allowed to pass and thus, are a practical way to control pedestrian traffic. One problem with waist-high turnstiles is that they are easily jumped over or circumvented.
Optical turnstiles, also known as 'intelligent admission turnstiles', offer a more hands-free method of pedestrian control. They are waist high gates without the horizontal arms. Instead, optical turnstiles use small lasers – infrared beams – to count persons passing through and recognize anyone entering without a valid pass. They are often used in conjunction with state of the art technology, software, card readers, and controllers in access control systems. By themselves, they do not physically keep people out who don't have a valid entry pass, and therefore may be better suited for entrance situations that simply need a counter and not a whole lot of security. Some models do, however, have the capacity to flash lights and sound alarms when security is breached. These models are still not practical in high trafficked, industrial setting such as stadiums or subways, but work well in office buildings or hotel lobbies where aesthetic are more important.
Roto-gates, also known as 'full-height turnstiles', are seven feet high stainless steel structures and look and operate similarly to a revolving door. HEET (High Entrance/Exit Turnstile) turnstiles can rotate in both directions, in and out, allowing for two-way traffic. Exit-only rotogates are more limiting, however, allowing people to only go in one direction (not in and out), in a single filed manner. Exit only turnstiles are commonly found in subway exits, allowing passengers to pass without permitting entrance by those who haven't paid.
Turnstiles, especially waist-high or full-height turnstiles, pose problems for those in wheel chairs and obese people. To counter this problem, many venues and establishments have manual entrance gates that allow wheelchairs, people with loads of cumbersome luggage, or those with some extra weight around the middle, to pass with the assistance of an attendant. Another solution to this problem are ADA turnstiles which are wider than standard waist-high turnstiles and do not use a mechanical arm which can be heavy and hard to push. Instead they use two lightweight, stainless steel horizontal arms, at least 36 inches (3 feet) long with a rounded end that can easily be pushed open. These turnstiles are ADA-approved (Americans with Disabilities Act) for easy compliance with local handicapped laws.


is honored on Panel 38W, Line 31 of the Vietnam Veterans Memorial.
Captain William Scott Watts, Served with the Headquarters and Headquarters Company, 2nd Battalion, 22nd Infantry Regiment, 25th Infantry Division.
I cannot fill the hole in my heart left by your passing. I think of you every day, especially when I play music we often made together. Your ultimate sacrifice was certainly made according to your heart-felt patriotism. I love you, buddy.
If I should die...remembrances for CAPT. William Scott WATTS, USA...who made the ultimate sacrifice!


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Rabbi Mark's Excellent Adventure
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Those Who Sing Pray Twice
Hanging to my left on the wall in my office is this card:
"Those Who Sing Pray Twice."
Like most of what I am surrounded by (G!d forbid this should ever include the loved ones in my life), I take little day to day notice of. But I couldn't help gain some new insight into what this quote may mean in the light of this week's Torah portion, Parshat Chukat.
The most famous instance that we find B'nai Yisrael breaking into spontaneous song is after its perilous flight from Egypt and its subsequent crossing of the sea.
The Song of the Sea begins:
אָז יָשִׁיר-מֹשֶׁה וּבְנֵי יִשְׂרָאֵל אֶת-הַשִּׁירָה הַזֹּאת (Exodus 15:1)
Then sang Moshe, and all the Israelites with him, this song...
So too in Pasrhat Chukat do we find Israel breaking into song after another act of Divine salvation, this time from the hands of the Amalekites (disguised, according to Rashi, as Cannanites):אָז יָשִׁיר יִשְׂרָאֵל, אֶת-הַשִּׁירָה הַזֹּאת (Numbers 21:17)
Then did Israel sing this song....(doo-daa, doo-da)
What is the connection? A line from Psalms gave me a clue:
לַיהוָה הַיְשׁוּעָה עַל-עַמְּךָ בִרְכָתֶךָ סֶּלָה. (Psalms 3:9)
Rescue is the Lord's! On Your people your blessing (Alter translation)
The midrash on this psalm helped me understand somethng new. Midrash Tehillim unpacks this line to mean "for all the miracles you do for us it is our obligation to sing songs for you" According to the midrash then, a blessing = a song.
As the card says:
In a more modern context, from where does spontaneous song arise? In a beautiful interview, Roseanne Cash, the daughter of the legendary musician and songwriter Johnny Cash, comments on her music writing process:
"I think that when you're in that creative zone, you're tapping into the collective unconscious, and that there's a field there. I think that's the unified field, that creative vast unconsciousness full of beauty and love. And when you're in the zone, as a writer, as a painter, as a cook--any creative endeavor--you can draw on it. Sometimes I feel like the songs are already out there...
It's not that way with all of them...(but) some of them are infused with the radiance of truth, and those are the ones that I think come from that unified field, from God, from what I think of as God. That doesn't mean I'm extra special, by the way. That means everyone has access to it."
Collective unconscious, unified field, שמע ישראל. B'nai Yisrael breaks into song after rescue because it is for them, as it is for me, a moment in which my senses are in a heightened state of awareness. I'm more tuned in, and channel provides better reception. I'm in the zone.
May we all be blessed to sing our song, whether it rise up in times of plenty or in times of trouble. And may our songs be drawn from the Infinite well, a song that in turn draws us back to our source.
Lloyd Wolf link
Thanks Mark- beautiful share. I especially like the comment from Roseanne Cash
From Nachman of Breslov-
When one sings the words of prayer and the song resonates with great clarity and purity, he enclothes the shechina (divine presence) with luminous clothing (LM 42)
It is a great thing to hear music from a holy person playing on an instrument for the sake of heaven. Because through this, false fantasies are dismissed, the spirit of depression is dispelled, and the person merits happiness. Through this the memory is preserved, that is, the memory of the world to come, and a person is able to understand the hints that Hashem is constantly hinting to him everyday. Furthermore, through this a person can reach the level of the spirit of prophecy and divine inspiration, and he will be able to pour out his heart like water before Hashem. (LM 54)
see: http://en.wikiquote.org/wiki/Nachman_of_Breslov
best resume writing services 2018	link
The use of music in praying is indeed much better than just praying in silence. Singing one's hearts out using the words of hope for the lord is something sacred and fulfilling for a soul. I totally agree that if one is singing his or her prayer, it is like praying twice. It is indeed powerful and more connected to God. A much direct prayer is more effective and will be heard easier by God. I wish that more people would sing for the lord.
Rabbi Mark
Thank so much for taking the time to share your thougths. As someone who has both spiritual singing practices and spiritual contemplative practices, I don't experience singing as better than silence, but as a different and equally powerful portal to the Divine.
R' mark
Amen, amen Lloyd. Thank you so much for adding more of Reb Nachman's live dreaming.
downloadpopcorntimeapk.com link
Thanks so much for your kind note. You've inspired me to post something new soon!
Mark Novak is a "free-range" rabbi who lives in Washington DC and works, well, just about everywhere. In 2012 he founded Minyan Oneg Shabbat, home to MOSH (Minyan Oneg Shabbat), MindfulMOSH (Jewish mindfulness gathering), and
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Alberto Vernet Basualdo
Updated on Jan 31, 2018
Name Alberto Basualdo
Role Rugby player
Rugbytime en toulouse alberto vernet basualdo
Alberto Vernet Basualdo (born June 8, 1982 in Buenos Aires, Argentina) is an Argentine rugby union player. His position is hooker. He started playing in Buenos Aires for Asociación Alumni and for Toulouse in France four years; he also played for the Argentine national rugby team, his debut for Los Pumas was on December 4, 2004.
In 2005 he suffered a career threatening neck injury displacing the 5th vertebra and the Intervertebral disc, but he recovered and was selected to represent Argentina at the 2007 Rugby World Cup. He joined Toulouse after the end of the tournament.
Alberto Vernet Basualdo Wikipedia
Mark Cleary (cricketer)
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The base of the Permian System, Cisuralian Series and Asselian Stage is defined 27m above the base of Bed 19, Aidaralash Creek, northern Kazakhstan, where it coincides with the first occurrence of "isolated-nodular" morphotype of Streptognathodus "wabaunsensis" conodont chronocline.
The Aidaralash Creek section is located in the Aktjubinsk (Aqtöbe) region of the Southern Ural Mountains of northern Kazakhstan, approximately 50km east of the city of Aqtöbe.
First occurrence of "isolated-nodular" morphotype of the Streptognathodus "wabaunsensis" conodont chronocline, 27m above the base of Bed 19.
Conodont FAD of isolated-nodular morphotype of Streptognathodus "wabaunsensis"
The first appearance of "isolated-nodular" morphotype of the Streptognathodus "wabaunsensis" chronocline can be recognized in the basinal shales in Usolka in the lower part of Bed 16 (Chuvashov et al., 1990) and in the cyclic succession of the American mid-continent. It first occurs in the Glenrock Limestone Member of the Red Eagle Limestone (Chernykh and Ritter, 1994). Although not recognized at Aidaralash, the first appearance of Streptognathodus nodulinearis in Kansas and Usolka nearly coincides with the first occurrence of the "isolated-nodular" morphotype, making it a useful accessory indicator of the boundary.


Drew Clayton is a shareholder at Icard Merrill practicing in the field of securities arbitration and litigation. Drew has been involved in hundreds of securities-related disputes during his 31-year career, and has not only represented customers in cases against financial advisors and brokerage firms, but investors in closely-held businesses, securities industry employees in disputes with their former employers, and in regulatory proceedings initiated by state and federal regulators as well as the Financial Industry Regulatory Authority.
When do most clients in your area come to realize that they need an attorney?
Most clients come to me when they have lost a great deal of money as a result of investments that they did not realize could present that much risk to them.
Helping people recover financially and, consequently, emotionally. The loss of significant money, particularly by retirees, is an emotionally devastating event. When we are able to recover that money it can have a significant and positive effect on the quality of our clients' lives.
It is very busy! There will be conference calls with other attorneys, meetings with clients, legal research, drafting of pleadings and correspondence, and meeting with staff to plan the prosecution of various cases. In a typical day I will work on a dozen or more cases. From time to time there are court appearances, depositions, trials and arbitration hearings.
What is your greatest professional success?
A few cases have stood out over the years, where I was able to recover a substantial amount of money for our clients in spite of very difficult odds. Those have been the most professionally satisfying. The single largest case I have recovered money in was by representing Sarasota County in a very complex securities lending case against Wells Fargo in which we obtained $24 million on behalf of the county through a settlement.
What class should you have taken in law school?
If a class in how to best manage client's expectations had been offered, I would have taken it!
Who has given you the best advice about practicing law and what was that advice?
Professor Gerard Carey at Seton Hall Law School advised us on the first day of torts class (i.e., negligence, fraud, etc.) that, "Life is not fair and the law cannot right all wrongs." That was very sound advice and I have thought of it often in the more than 30 years that I have been practicing law.
What advice would you give to a law student?
Be well-rounded and live a balanced life. Do not allow the law to consume your life. Develop hobbies if you don't already have them!
What book are you currently reading, or what book do you recommend?
Stand up comedians, particularly Bill Burr, Jim Gaffigan and Brian Regan.
What are your three most favorite activities outside of work?
Flying (as a private pilot), traveling, and cooking.
What's great about living in the Suncoast area?
The sunshine and consistently beautiful weather which allows us to be outside a great deal.
What community or nonprofit organization are you most passionate about?
That is a very tough question to answer because there are so many outstanding non-profits in this community. As a result of serving a few years ago on an advisory board to the county commission, I had a chance to do a number of site visits with local non-profits. I was probably most impressed by the Salvation Army because of the positive impact it has had on so many people's lives.


As our computer and communication technology continue to become more portable and more powerful in offering solutions to various human conditions, they'll be applied to all manners of issues people face. One of the newest uses of new mobile technology is in preventing severe permanent health problems or death as a result of a drug overdose. Carnegie Mellon University in Pittsburgh has developed what they call the 'HopeBand', a wristwatch-like device which monitors a patient's physiology and alerts medics when it's wearer's condition changes past a set threshold due to a substance.
One of the reasons a person uses a drug is for the effect it has on their body. This effect can be monitored directly and is the first role of the wrist monitor. It achieves this by observing oxygen levels present in the person which, according to Soham Donwalkar, is the most reliable indicator of an overdose. When the levels detected indicate a possible overdose, an alarm and flashing light are triggered as blood oxygen levels drop. The watch also sends a text message to medics in the area alerting them of the condition and location for paramedics and first response units to handle dispatch. Drugs like fentanyl are so potent, they can send someone unconscious so fast they die with a needle still poking out of their arm. Cases such as these are one of the more serious situations that the HopeBand developers hope can they can prevent, getting overdose victims help even when they are unable to seek it themselves and have no one near them that can call 911.
The team also hopes to set a price point of the band as cheap as $18 per unit when it is finally completed. The device still requires further trials before it can apply for an FDA approval, however.
It is only one approach of using technology to monitor addiction. Several states have begun using artificial intelligence to monitor doctors prescribing drugs with the hopes of catching addiction of drugs like oxycodone before the dependence graduates into harder substances like heroin. The programs monitor patterns of patients as well as those of doctors and their frequency of prescribing pills. The goal of the software is to keep aware doctors of their own prescription habits in order to make decisions which could curb the fostering of addiction to oxycodone and other addictive drugs. Many times, addicts will 'shop for doctors', with many unaware that they are being taken advantage of for the sake of the addict's cravings, another monitoring point that some AI's track.
If you or someone you know might be suffering from addiction calling 1st Step Behavioral Health at 866-319-6126 can help find a path back to sobriety. We offer several treatment options such as residential detox and oxycodone treatment.


text:
Judge sides with Maine governor on removing mural
Maine Gov. Paul LePage was within his rights when he ordered the removal of a mural depicting the history of the labor movement from a state office building, a federal judge ruled Friday, a year after the mural was put into storage at an undisclosed location.
Judge John Woodcock dismissed a lawsuit aimed at restoring the labor mural to its original location in on the ground floor of the Department of Labor building.
The governor's decision created a national uproar that proved to be a major distraction, but LePage felt vindicated by the judge's ruling.
"We've always believed this was a frivolous, politically motivated lawsuit," said Adrienne Bennett, the governor's spokeswoman. "It would be stunning if government officials were to be barred from making different artistic choices than their predecessors."
Read the whole story here.


Explore over 500 miles of trails in Davis County. Get your FREE trail map today at any city office or bike shop in Davis County.
The trail systems in Davis County offer both paved and natural surface trails, mountain trails and lakeshore trails accommodating a wide range of users from bikers and joggers to walkers and strollers. This link provides details on a wide variety of trails within the County.
Davis County's wide selection of trails (including those on Antelope Island) offers a unique rural/urban quality of life amenity to residents and businesses. Many trails include a great view of the world famous Great Salt Lake and have an abundance of wildlife.
Cities within the County also provide trail systems that access the popular D & RG Rail Trail and the Legacy Parkway Trail.


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arataj@...
since 04/2019 BGI Office, Team Assistant
2010 - 2019 Secretary at the Chair for International Relations, University of Erfurt
2000 - 2010 Freelance work as translator
1996 - 2000 Maternity leave
1992 - 1996 Secretary at the International Department of Gothaer Versicherungsbank VVaG, Cologne
1987 - 1992 Study of Applied Linguistics and Cultural Science at the University of Mainz, graduate degree as a Diplom-Übersetzerin (equivalent to an M.A. Degree in Translation) in English and Spanish
Max-Planck-Institute for Biogeochemistry
Hans-Knoell-Strasse 10
Deuschland


Different types of blogs require a different writing and language style. Learn the importance of and a few tips on how to properly communicate with blog readers.
The other day I wrote about the importance of writing correct language in your blog posts. Once you have tackled the issue of language correctness; it is time to learn further and focus on your style of writing. I have already said in my previous posts that it does not matter which language you use for writing your blog posts -but your language should be correct and your style should be suitable for your blog.
Different types of blogs require a different style of writing. If you're writing about news, your style would that be of reporting; if you're writing tutorials and instructional posts (e.g. I do on TechWelkin) your style needs to be more interactive. If you write posts on fiction work, you would do better with more creative style. Therefore, it depends on the kind of blog. If you're serious about blogging, language style is one of the most critical cog in your success. I will explain this topic further taking TechWelkin as an example. TechWelkin contains articles that are instructional in nature.
When you write, it is always better to use a conversational style. It helps your reader to connect with you and also, no doubt, conversational writing is more interesting to read. Ask questions, direct statements at your readers, greet them, invite opinions and bring other similar elements in your posts. Make your posts more like a lecture wherein you're the main speaker but you discuss various points with your audience.
It is advisable that you write short and crisp sentences. Long sentences are boring and also prone to be misinterpreted by the reader. In my very early days of blogging, I used to deliberately write longer sentences to increase the amount of material in my posts. From this, although I learnt the art of stretching things unnecessarily (trust me it is important in diplomacy!) but as a side-effect, my posts became too verbose. I was using 50 words for saying the the same thing I could have said in 10 words.
I learnt my lessons on my own. And you don't need to reinvent the wheel. Write as crisp posts as possible given your style of writing.
This point connects to the previous one. On tutorial or news related blogs, for example, you don't write a novel; so your language does not need to be very creative and full of idioms, metaphors and analogies. The main aim of your posts is to deliver information which could be of use for your readers. Plain and clear information delivery is the objective.
This, however, does not mean that you make your writing boring. I would suggest that you write in your natural flow -just curb it a bit only when you deviate too much from your main goal of delivering information. Natural conversational style makes writing fun and is also and interesting read for readers.
Novels are read by humans -but blog posts need to cater not only to humans but also to computers (e.g. search engines and blog aggregaters). Therefore, this can not be overstated that the structure of your post should also be search engine optimized. You need to fulfill a few criteria for search engines like Google, Bing, Yahoo! so that these machines can understand and rank your post properly.
I will discuss this section in details in another post. Stay connected with me!
Where have Your Facebook Posts Disappeared?