text:
Fraud justifies (extrajudicial) annulment of the employment contract
24 February 2020 / article
The central question in this judgment of the Supreme Court is whether an employer may nullify the employment contract on the ground that the contract was concluded under the influence of fraud by the employee and, if so, whether the additional requirement that the employment contract has been (almost) completely useless must be met in order for the contract to be nullified.
What was going on in this case?
In 2016, an employee applied for the position of psychotherapist and care director at a care provider. He stated on his curriculum vitae that he was a member of various specialist associations and that he had obtained several degrees. He was hired for an indefinite period of time in January 2017 and was also appointed as a statutory director. Not much later, the employer was informed by a specialists' association that the employee had never been a member of that association and that nothing was known about his educational background. The healthcare provider informs the employee by e-mail that the false information provides for an urgent reason for dismissal and that they intend to dismiss him as a statutory director, which also terminates the employment contract. The shareholder's decision to appoint him and the employment contract are subsequently (extrajudicially) annulled on the grounds of fraud. The employer also requests the subdistrict court to order the employee to repay the salary that has already been paid.
Judgment of the Subdistrict Court and Court of Appeal
The Supreme Court ruled that, despite the closed system of the law on dismissal, the employer may invoke the (extrajudicial) annulment in the event of fraud. The closed system of the law on dismissal does not stand in the way of this, because it does not aim to protect an employee who commits fraud when entering into an employment contract. It is also not required that the employment contract has become (almost) completely useless. However, the Supreme Court does state that the annulment may be reversed in whole or in part if it is difficult to reverse the consequences of the employment contract that have already taken effect. In addition, it is of course possible that the employer's request for annulment of the employment contract on the grounds of fraud may be unacceptable according to standards of reasonableness and fairness. It can thus be taken into account when the employer benefitted from the employment contract.
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text:
After all the excitement of the BriSCA Formula I meeting of last week then it was a bit natural that this week's offering was going to be a bit of a letdown at the Cowdenbeath Racewall. However on a warm and sunny Saturday evening there was plenty of entertaining racing although the pits were a bit quieter than they had been the previous week.
The new BriSCA Formula II grading list has been announced and Adam Blacklock, who has hit a purple patch recently has as a result moved up to the red grade for the first time. Adam celebrated with a couple of wins and is looking forward to the challenge from the back of the grid.
There were 15 of the 1300 Saloon cars at the track including George Hendry who was having a run in the Colin Bruce car whilst Craig Connelly was all set for his debut only to seize his engine in practice and was left to spectate.
Ian Christie came out on top in the Prostock formula winning a heat and the final.
The bangers were thin on the ground and there were even less when Scott Russell was sent crashing into the infield Armco and wrecking his car.
There were a couple of late call offs in the formula IIs with Pete Davidson encountering a late problem whilst Ryan Farquhar had a tyre blow out on his trailer and had to limp back home.
The opening heat saw Craig Reid for a couple of laps before Blacklock took over and soon had a big lead. However a few laps later Liam Rennie moved into second spot and slowly began to cut back his lead. However Rennie ran out of laps and Blacklock picked up his first win with Ian Thompson in third place. Paul Reid was the first to show when heat two started but soon had Blacklock in close order. On lap three Blacklock was through into the lead but this time Chris Burgoyne worked his way through into second place. Again the gap between first and second began to close but again Burgoyne was just too far adrift allowing Blacklock to pick up his second win of the night.
When the final started C. Reid led the cars away whilst P. Reid was running ahead of Blacklock although both were closing in on the leader. Thompson was leading the chase from the back of the grid but soon had C. Burgoyne running in close order. Blacklock was soon through into the lead whilst C. Burgoyne got ahead of Thompson and then began to eat into Blacklock's lead. On lap 12 C. Burgoyne was ahead and he eased away to win. Blacklock was caught and dropped down the order with Thompson claiming second and Craig Wallace third.
Rennie went through to win the Grand National from Thompson and Wallace with C. Burgoyne coming through into seventh place from his lap handicap.
There was a good turnout of 1300 Saloon cars and as a result there was some close and fast racing with quite a bit of contact thrown in for good measure.
The opening heat saw Alan Robertson go straight into the lead and was soon clear of the pack. Gordon Myers held second but then lost out to Colin Wotherspoon who then began to close the gap and with only a couple of laps remaining took the lead and through to win from Grant McGowan and James Ellis. In heat two Robertson led the pack away soon building up a big lead. Lisa Freebairn tangled with Hendry and spun but then restarted. However Robertson was well clear of the pack and he ended up winning from Wotherspoon and Ellis.
The final was hectic especially during the closing stages. Robertson led the cars away with Cameron Milne in second but further back Ellis had made a good start and was soon clawing his way through the field. Just adrift of him Craigie Millar, McGowan and Fraser Clark were running nose to tail. On lap 11 Robertson retired and was clipped by Millar and Aaron Hastie suspending the race. The field lined up behind Ellis and whilst he got away well Milne was sent wide as Clark and McGowan slipped through. Ellis began to ease away as McGowan moved ahead of Clark and then Tommy Walls was clipped by the spinning Hendry who was then collected by a couple of cars that were in close order stopping the race. Ellis was declared the winner from McGowan and Clark.
There was a healthy turn out of Prostock drivers and whilst their racing was fast there was no shortage of contact.
Mark Boyle led the opening heat right to the end, even through a race suspension but was pipped on the run up to the flag by Scott Wilson with Paul Barron in third. In heat two Boyle again made a good start from Kevin Muir but as the race progressed Paul Barron with Ian Christie in close order burst through into the lead places. Christie managed to get Barron wide, dived inside and through to win from Barron and John Taylor.
Boyle was the first to show when the final started but Alexander Hamilton and Wilson tangled with the former having to retire. The race was suspended when Dean Abercrombie's car came to a halt on the back straight. Boyle led the cars away but then lost out to Christie who then went through to pick up his second win of the night, leading Barron and Wilson home.
The Banger drivers were scarce on the ground and even more so after Sean McConnachie drove Scott Russell into the infield Armco barrier wrecking his car in the process. Liam Glendinning led only for his car to slow and after Ryan Thompson had ended up in the wall McConnachie ended up as the winner. Scott Lindsell then came out on top in heat two where he led for the complete race.
Four cars made it onto the grid for the final where Glendinning won from Lindsell and Thompson with the cars then going straight into the Destruction Derby. Lindsell was sent spinning but when hit hard by McConnachie his car burst into life and he ended up as the last car running.
This Saturday is the last prior to the holiday break and features the 1300 saloons, ORCi Stock Rods, Prostock Basics, Ministox and MicroF2s. The meeting will start at 6.00pm but there is no access to the stadium until 5.00pm
Heat 1 852 3 901 629 647 16 17 203 626 0
Heat 2 852 647 901 16 629 3 674 17 626 0
Final 647 901 16 629 852 3 674 17 203 217
GN 3 901 16 852 674 629 647 17 217 626
Heat 1 180 27 83 0 0 0 0 0 0 0
Heat 2 83 0 0 0 0 0 0 0 0 0
Final 27 180 58 0 0 0 0 0 0 0
DD 83 0 0 0 0 0 0 0 0 0
Heat 1 754 127 755 330 273 16 170 760 45 518
Heat 2 170 755 31 16 273 127 717 518 0 0
Heat 1 9 211 314 577 19 668 246 537 153 642
Heat 2 19 9 314 211 60 577 668 73 66 153
Final 314 211 668 577 60 73 9 246 66 537

redpajama_set_name: RedPajamaCommonCrawl


Map Creator offers a selection of visual displays to support editing. Switching to different map displays allows you to edit the map more accurately, review larger map views faster, focus on specific attributes and in turn, improve map quality.
When editing road geometry, it is possible to make mistakes. Common errors include crossings that are not defined, duplicate roads, small hanging road segments and disconnected roads. You can use the "Missing connections" display to find and fix these issues.
1) Activate the "Highlight missing connections" display by clicking on the icon.
2) Error icons will appear where any connection problems exist.
A road crosses over another road but the connection is not defined.
To fix, click on the red circle and select the correct option.
Roads are on top of each other.
To fix, select the road segment and move it a bit to the side to check if duplicates exist. Adjust the geometry according to reality and delete the duplicated road.
A small hanging segment of a road next to an intersection.
To fix, select the node and move it to the road that it should intersect with. Release the mouse button and the road will auto snap into place.
A small gap between two roads that should be connected.
Activate the display when adding, modifying, or deleting roads.
The display is visible at zoom level 17 and closer.
The display can be combined with all other displays but with only one simultaneously.
It is important to maintain road name consistency. Common naming errors include missing road names or road name hopping (road segments with naming gaps in between). You can use the "Highlight roads without names" display to find and fix these issues.
1) Activate the "Highlight road without names" display by clicking on the icon.
2) A dark blue outline highlights roads without names. The "Unnamed road" label appears when moving the mouse over the road.
How to fix: Local knowledge or additional sources are needed to add a name to unnamed roads.
Road name hopping occurs when there are gaps in naming along a stretch of road.
How to fix: Logically apply road names based on connecting roads, always taking into account posted signs.
For display and routing purposes it is essential to apply the direction of travel per reality and logic. An incorrect one way or two-way attribute prevents proper routing. You can use the "Highlight one way roads" display to visually check the logical correctness of missing, hopping, and contradicting direction of travel.
1) Activate the "Highlight one way roads" display by clicking on the icon.
2) One way roads display with a dark blue border and arrows show the actual driving direction.
4) Check if the one way roads create any logical issue.
Logically, the road segments with blue arrows should be one way.
How to fix: Update direction of travel.
Some roads in the HERE database require highly accurate positioning. These roads have been driven and geometry adjusted by internal experts and so their geometry is not editable in Map Creator. You can modify the attributes of a protected road, divide the road into segments or connect other roads to it. The "Highlight protected roads" display helps visualize protected roads so you are aware that your changes to the road are limited.
If you believe there is a problem with the geometry of a protected road, then use the "Report inaccurate geometry" feature.
Speed limit is one of the fundamental attributes of HERE maps. The speed limit should always be added based on posted signs. You can use the "Highlight roads by speed limit" display to identify the correctness of the attribute but also to identify suspicious situations.
1) Activate the "Highlight roads by speed limit" display by clicking on the icon.
2) The colors of the roads display based on speed limit value.
3) A map legend appears noting the colors and the corresponding speed values. You can also hover the cursor over roads to see the speed limit values.
4) Use the display to identify speed limit gaps or inconsistencies.
Dirt or gravel roads is an attribute which is related to the surface type of a road. Roads with a solid surface (concrete, asphalt, brick, cobblestones, etc.) are called paved. Roads with a non-solid surface (dirt, gravel, grass, etc.) are called unpaved. New roads are set to paved by default so, in the event a road is unpaved, it is common to forget to adjust this attribute when adding many roads. You can use the "Highlight dirt or gravel roads" display to identify the consistency of the surface type within an area or along a road.
1) Activate the "Highlight dirt or gravel roads" display by clicking on the icon.
2) Unpaved roads display with a dark blue outline.
3) Check for surface type consistency within an area or along a road and change the surface type if needed.


text:
Q: Selenium Web driver/java session should expires after 20min Selenium Web driver/java. I have a scenario where i login to a web site and if the site is idle for 20 minutes then it should redirect the user back to the login screen. can anyone give me a sample example. Appreciated

A: Since after 20 minutes of inactivity, the application should log out, it will have to go back to the log in page. That means you have to check for visibility of Login button after 20 minutes.
Use the WebDriverWait to wait for 20 minutes after login and then check if Login button is visible.
WebDriverWait wait = new WebDriverWait(getWebDriver(), 1200);
wait.until(ExpectedConditions.visibilityOfElementLocated(By.id("loginButton")));

redpajama_set_name: RedPajamaStackExchange


text:
Q: How to pass argument to Angularjs's router-ui without showing up in URL? I have an AngularJS app that uses ui-router to manage my app's states and URL routing.
Here is a sample state:
.state('my_state', {
    url: '/my_state/:arg1',
    templateUrl: 'http://www.example.com/html/my_file.html',
    controller: 'MyCtrl'
})

Here is it's controller:
app.controller('MyCtrl', function($stateParams) {
    console.log('arg1 = ', $stateParams.arg1)
);

Here is how I send people to it from within another controller:
$state.go('my_state', {'arg1': 'hello'});

When the $state.go line above is executed, I get sent to this URL /my_state/hello and I see the following printed to the browser's debug window:
arg1 = hello

Now here is my question: Can I add another argument to this controller such that:

*

*It is named arg2.

*It is optional.

*If provided, it can be accessed inside MyCtrl.

*It does not show up in the URL.

If so, please show me how.

A: .state('someState', {
            url: '/my_state?arg1',
            templateUrl: 'http://www.example.com/html/my_file.html', // I assume this is correct for the way you set it up.
            controller: 'MyCtrl',
            params: { // This is the part you'll add
                arg2: {
                    value: null, // you can set a default value
                    squash: true
                }
            }
})

This should do the trick for you! I've used it plenty of times! Very useful.

A: Route parameters in UI Router are optional by default. For example you code (following) says that arg1 is an optional parameter. So both /my_state/:arg1 and /my_state/ will work, but not /my_state (no trailing slash). It also reveals the arg1 value in the URL.
.state('my_state', {
    url: '/my_state/:arg1',
    templateUrl: 'http://www.example.com/html/my_file.html',
    controller: 'MyCtrl'
})

You Can add another optional argument to this controller with your preferences :
.state('my_state', {
    url: '/my_state/:arg1',
    templateUrl: 'http://www.example.com/html/my_file.html',
    controller: 'MyCtrl',
    params: {
        arg2: { value: null }
    }
})

To hide parameters you have to define them in params.
Note that the squash property (inside params) configures how a default parameter value is represented in the URL when the current parameter value is the same as the default value. If squash is not set, it uses the configured default squash policy.
Working Plunker
Update
Another Working Plunker which uses $state.go('my_state', {'arg1': 'hello', 'arg2': 'world'}); inside controller.
Note that there is no functional difference between ui-sref and $state.go for Activating a state

A: Try this:
.state('my_state', {
    url: '/my_state',
    templateUrl: 'http://www.example.com/html/my_file.html',
    controller: 'MyCtrl',
    params: null
})

A: Using Parameters without Specifying Them in State URLs

You still can specify what parameters to receive even though the parameters don't appear in the url. You need to add a new field params in the state and create links as specified in Using Parameters in Links
For example, you have the state.
.state('contacts', {
        url: "/contacts",
        params: {
            param1: null
        },
        templateUrl: 'contacts.html'
    })

The link you create is
View Contacts

Or you can pass them to $state.go() too.
$state.go('contacts', {param1: value1})


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redpajama_set_name: RedPajamaGithub


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text:
Travel Culture Food + Drink News Outdoor Lifestyle Entertainment
Photo: City of New York
New Map Shows Official Boundaries for 245 NYC Neighborhoods
News New York, NY, United States
Eben Diskin
New York City is more like a conglomeration of closely connected countries than a single uniform city. Each neighborhood has its own distinct culture, and residents will defend their little slice of the city as fiercely as they would a close family member. Exactly where the lines are drawn for each neighborhood, however, can be a point of contention. A new interactive map on the NYC Census 2020 website has officially set the boundaries, with the division of the city into 245 sections.
The map is intended to make it easier to get an accurate count in the upcoming 2020 census. The goal of the US census, which happens every 10 years, is to count every person, and it has occurred every decade since 1790. Data from the census is used to evenly distribute $650 billion in federal funds earmarked for public services like education, housing, congressional seats, and infrastructure. New York City residents don't have the best track record of responses, though. Less than 62 percent of people self-responded, according to the NYC Census 2020 committee. The national average is 76 percent.
Despite the intention to improve count accuracy, some are taking issue with how the boundary lines have been drawn.
Kathleen Daniel, the NYC Census 2020's field director, told Patch that reaching an agreement on the boundaries was no easy task. "Did we come to 100 percent consensus? No, because we're New Yorkers," Daniel said. "Nobody agrees on everything here. What we reasonably tried to do was label the neighborhoods in a manner that was most familiar to people."
Ultimately, however, Daniel does not believe that the boundary lines will deter people from participating. After all, high census participation could lead to hundreds of billions of dollars in federal aid across the state.
Regardless of how the boundaries are set for this count, it joins one of many attempts to define where in the city you're at. And whether you agree with the NYC Census map, the New York City map, whatever Google tells you, or any other map, there's a good chance you can find someone who will disagree with you.
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What's that whooshing, stomping, skittering, warping-and-woofing sound? Why, it's the uniquitous sound of electronic dance music invading the ears of 2012.
Quiet is relative for this antsy L.A.-based producer, who convenes Thom Yorke, Erykah Badu and a rushing data stream for a stoned soul-jazz picnic.
England's Darren Cunningham makes electronic dance music that bursts of static, LP surface noise, reverberant space and clattering synthetic rhythm, with hallucinatory flashes of cello or harp for real-world color.
Dan Snaith (a.k.a. Caribou) channels old-school house jams, Afrobeat and Detroit techno through his kaleidoscopic production sensibility. The result is a meta party record that works as well in the bathtub as it does on the dance floor.
This U.K. abstractionist magnifies intimate vocal fragments to swoon-inducing proportions over ghostly melodies, hypnotic grooves and deep bass rumbles. Like a massage in an all-hours sauna located under the Earth's surface.
Bass-in-your-face mixology transformed into trigger-fingered pop music, with cross-generational help from the surviving Doors and newbie U.K. pop diva Ellie Goulding. More warrior hollers, computer glossolalia and laser-blast sound effects than a Star Wars battle sequence.


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Home 5 Minutes of Fame U.S. Must "Man Up and Take the Pain" or We'll Become Japan
U.S. Must "Man Up and Take the Pain" or We'll Become Japan
by Vitaliy Katsenelson December 12, 2010
5 Minutes of FameJapanThe Process
After it's property bubble burst, Japan embarked on a stimulus program Katsenelson describes simply as: "Lower taxes and borrow money to finance it," which pretty much sounds like U.S. fiscal…
After it's property bubble burst, Japan embarked on a stimulus program Katsenelson describes simply as: "Lower taxes and borrow money to finance it," which pretty much sounds like U.S. fiscal policy during the Bush years.
Japan's central bank has also employed quantitative easing repeatedly since the early 2000s; if their experience is any indication, Ben Bernanke is just getting started with the 'QEs'.
Periodically, Japanese officials would stop stimulating, but the resulting economic pain would compel them to start again.
Walk Away, Taste the Pain
Of course, there are important differences between Japan and the U.S.
Most importantly, Japan is dealing with a "horrible demographic profile," Katsenelson says, citing its aging population, low birth rates and limited immigration.
With its savings rate falling, Japan's aging citizenry is reaching a tipping point where it will no longer be able to purchase Japanese Government Bonds (JGBs) at anywhere the same level as in the past 20 years, when over 90% of JGBs were purchased internally.
As a result, Japan will soon have to tap the global markets to fund its borrowing. Katsenelson predicts JGBs will get a cold reception from international buyers because of Japan's demographics and the fact its debt is already almost 200% of GDP, or roughly double America's. (Relatively speaking "were doing great," he quips.)
JGBs current sport much lower yields than comparable U.S. or German government debt but Katsenelson says that won't continue. With rates rising, Japan's government will be forced to make the Hobson's choice of drastically cutting services or printing yen in order to monetize the debt.
"This is a case where you go from deflation to inflation," he says, and a warning to America to change its ways before it's too late.
"Japan is proof that a country cannot borrow itself to prosperity," Katsenelson writes. "The U.S. and other developed nations still have a chance to make the politically difficult but right decision to cut fiscal spending and stop looking for government to be the source of sustainable growth – which it never is." Source: Yahoo! TechTicker
Vitaliy N. Katsenelson, CFA, is Chief Investment Officer at Investment Management Associates in Denver, Colo. He is the author of upcoming The Little Book of Sideways Markets (Wiley, December 2010). To receive Vitaliy's future articles by email, click here.
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The young daughter of a small town butcher, Melanie Prouvot (Julie Richalet), is a truly gifted pianist. She has a good chance to enter the Conservatory and auditions before the judging panel, headed by a famous concert pianist. The chairwoman behaves thoughtlessly when she allows an autograph hound to barge in, interrupting the proceedings and totally distracting Melanie. The unfortunate experience causes the girl to give up her beloved piano. Ten years later, while interning at a law firm, grown up Melanie (Deborah Francois) meets one of the partners, Monsieur Fouchecourt (Pascal Greggory), the husband of the woman who destroyed her musical ambitions. The young woman's competence and loyalty soon attracts her to Ariane (Catherine Frot) and Melanie ingratiates herself into the Fouchecourt household to care for their son and, also, become "The Page Turner." Director Denis Dercourt must have spent a lot of his spare time watching the films of Alfred Hitchcock and Claude Chebrol. "The Page Turner" does a solid job with its tale of revenge for a life ruined by a thoughtless act. It does not hit you over the head with its sinister edge as Melanie's agenda unfolds. But, she may walk like an angel, but there is a vengeful devil inside as she insinuates herself into the Fouchecourt family, particularly with Ariane.
The Page Turner" is a low-key thriller that deals mostly on a psychological plane. There is little by way of action but this works as Melanie's plans unfold before us. It is not a keep-you-guessing kind of story but one that, you know, will end in vengeance attained. The getting there is the thing that appeals most as you wonder just how Melanie will exact her pound of flesh.
Acting is decent with Catherine Frot giving a solid perf as the phobia-challenged concert pianist who comes to rely on her assistant, Melanie. Deborah Francois plays the vengeful Melanie with little emotion as she does what she has to do to destroy her nemesis. It is a two hander cat and mouse game with only you, the viewer, and Melanie privy to what is coming.
satisfy with its outcome. I give it a B.
Young Mélanie Prouvost (Julie Richalet) seems destined to rise above the small town, blue collar world of her parents on the wing of her piano playing talent, but when her mother (Christine Citti) takes her to audition for a prestigious school, the insensitive behavior of one of the judges, world renowned pianist Ariane Fouchécourt (Catherine Frot, "The Dinner Game," "The Trilogy"), causes the girl to stumble. She gives up the piano. Ten years later, Mélanie (Déborah François, "L,Enfant") works her way into the graces of Ariane's husband Jean (Pascal Greggory, "La Vie Promise," "Gabrielle"), whose law firm supports his wife's career, then into his home to watch their young son, budding pianist Tristan (Antoine Martynciow). Like a bird of prey, Mélanie swoops in and seizes her change to become Ariane's professional assistant, "The Page Turner."
Belgian director Denis Dercourt, who cowrote the screenplay with Jacques Sotty, has made a quietly effective thriller right out of the Claude Chabrol catalog. While we know all along that Mélanie is hell bent on revenge, the insidious methods with which she enacts it are nowhere near as obvious as her desired end. Déborah François, so vibrant in last year's "L'Enfant," may never let us get inside Mélanie's head, but watching her cooly calculated moves is akin to spying a spider weaving its web.
Mélanie's crisp efficiency soon earns the admiration of Jean's secretary, then Jean himself, and when she is greeted by Ariane, who does not recognize her, the good words which have preceded her gain her a wary acceptance. She's accepted quickly by Tristan and proves herself useful in other ways as well, her father's butchery background coming to play in the kitchen for example. But it is her perfect musical timing and non-disruptiveness that Ariane, who suffers severe stage fright, most values after a series of unsuitable page turners. With Mélanie at her side, the high strung Ariane can almost relax in the face of an upcoming high profile radio audition.
We, the audience, see the web being cast rather immediately, however. In a sequence that recalls the original noir "Cat People," Mélanie walks down a lengthy hallway, dark except for the flickering reflections from the indoor pool where Tristan works at holding his breath underwater. Mélanie helps the young boy break his record by holding his head down. She also assists his piano practice by counteracting Ariane's instructions to keep his count slow so to avoid tendonitis. Virginie (Clotilde Mollet, "The Red Violin," "Amélie"), Ariane's violinist, is suspicious of the young page turner but when her husband, the trio's cellist Laurent (Xavier De Guillebon, "L'Auberge espagnole," "The Da Vinci Code"), is brought to hospital with a severe foot injury caused by his instrument's spike, he obviously cannot admit to his wife that it was retaliation for unwanted (yet courted via non-resistance) sexual attentions towards Mélanie.
Dercourt continues to surprise as Mélanie, not content to just upset a career, sets her traps to destroy an entire life from every angle. Déborah François elicits no sympathy in her character's endeavors, just as her younger reincarnation's decision to stop pursuing her dream should her audition fail seem to come from a cold place. The one to watch here is Frot, whose destruction is advanced with a nervous fragility that seems to come from interior rather than exterior sources.
"The Page Turner" has the same creepy build as "The Hand That Rocked the Cradle," but without that film's hysterical madness. It's a satisfying, if chilly, little thriller.


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text:
Q: UIWebView's loadHTMLString method doesn't work well with online javascript? I use loadHTMLString method to load a HTML string.
self.webview.loadHTMLString("the html", baseURL:nil)

the html's content like below:
<!DOCTYPE html>
<html>
<head>
<script src="http://cdn.bootcss.com/jquery/2.1.4/jquery.js">
</script>
<script>
$(document).ready(function(){
    $("p").click(function(){
        $(this).hide();
    });
});
</script>
</head>
<body>
<p> Tap me to hide</p>
</body>
</html>

The result didn't work well. The javascript code didn't execute. But when I change <script src="http://cdn.bootcss.com/jquery/2.1.4/jquery.js">
 to a local one and give a proper baseURL, it will work well.

A: As @matt mentioned, it's about https.
Remote JavaScript must be a https one. when I change the script to "https://ajax.googleapis.com/ajax/libs/jquery/1.11.3/jquery.min.js", it worked.
I test it on iOS 9/8.4, UIWebView / WKWebView, they all require https.


Shopzters | Boutique of the month - January'15!
Want to buy sarees this Pongal? Parijat Collections, an online business that deals only with traditional Indian wear for women, will deliver it to you! Continue reading to find out how they started and how much they have grown! �Parijat Collections� was conceived on February, 2013 as a simple Facebook business to sell women�s clothing. To be honest, the genesis of the idea was curiosity rather than huge ambition. It all started as a hobby. We started by selling cotton sarees and hand block printed salwar materials. Initially, it was slow, customers were appreciative but apprehensive of buying clothes online let alone on a social network. But we were hopeful and in a couple of months we had made some sales that led to us branching into custom made sarees. This is the point where we realized that what started as a hobby has evolved into something important. All thanks to our customers and followers who really showed interest and gave purpose for us to move forward. On a personal front, we faced challenges that forced us to give up on what we developed so far. But it acted as a catalyst that gave us the strength and resolve to hold our ground. Facebook gave us the means to connect with customers from world over and this opened up various opportunities. As our business slowly grew, there was a definite need to differentiate from the already crowded and competitive market. So we started looking into Silk cotton and Silk Sarees. But there were already prominent names in the online circles and not to mention the established retail players who are selling their products online. We observed and noticed that most online sales of these Sarees were very basic in that there was no set professional approach in the presentation of the products. All the sarees were promoted with either amateurish or obscure pictures. In essence, we needed our products to stand out above the rest; this was of priority since we don't have any other means like a shop to sell our goods. This was our gateway and we needed to be ahead on something. So equipped with some knowledge on photography, we disciplined our approach towards the presentation.
Each and every saree in our inventory is photographed individually in all necessary angles and we took extra care to replicate the color as close as possible. It has worked wonders with our business and this disciplined approach instills trust in our customers. From the, there has been no looking back for us. This approach has not stopped with the presentation part alone, it continues with the entire sale too. Once you initiate a sale with us, it's a promise that we ship the product within one business day, we never drop ship and we keep you updated till the order reaches your doorstep. This approach has earned us prominence among the online fraternity. We are very happy and humbled to have had some wonderful customers to serve whose continued interest in us makes our work special. We were amazed at the enthusiasm overseas for traditional Sarees, which subsequently resulted in three exhibitions (One in Singapore, Two in Malaysia). The response was very good and hopefully more will follow. All this positive response and the need to continuously expand has led us to open our own online shopping portal www.parijatstore.com, having all our exclusive collection in one place. It's been nearly 6 months since we have gone live and the response has been very good. With nearly 500 registered users and 12,000 unique visits per month and growing, it's been a learning experience for us. From a multitude of payment options to speedy shipping to using reputed logistics (Fedex, Gati, Speed Post, Blue dart) to shipping worldwide, we are committed to delivering a professional and smooth shopping experience. As in any field or business, there is an inherent need to continuously grow and expand, that we can only do by giving the customers the best ever product and the experience to buy it. In this age of e-commerce and aplenty, uniqueness of your give lends you some recognition and the professionalism you imbue in your work lends you the respect. That is the ethics on which we base our passion and the rest is up to the end user to decide and value us.
Address: 55/27,Rajendra prasad road,hastinapuram,above axis bank,Chrompet,Chennai-600044.


Which is better, a PPO or HMO?
An HMO means everything you do as far as medical care MUST occur "in-Network". That is , of course, excluding emergency care. First, you must have a PCP or Primary Care Physician. This doctor basically controls you healthcare. Any visits to specialists must be coordinated with your Primary Care Doctor.
Another important note about HMO coverage is that all your care must occur "in-network". In most cases the insurance company specifies which hospital you need to go to, where you get blood work and where you go for medical procedures and tests.
On the plus side, HMO's generally have much lower and often times zero premium. In addition, some have extra benefits like dental cleanings, vision care and some even have OTC or 'over the counter" debit cards to use for non prescription health products.
PPO's give you much more flexibility as far as your care goes. Although you will still have a PCP Doctor, you can can go to any doctor you choose providing he or she accepts Medicare. Also, you can pretty more go to whatever hospital you want and get tests and procedures done where you choose.
It is also important to know you can go anywhere in the country to receive care, This is important if you need or want to go to a specific specialist or hospital that is not in your area.
It also must be noted that the copays and deductibles are a little bit higher if you go out of network. The max-out-of-pocket is also a bit higher should you choose to go outside the network.
PPO's also have extra benefits like gym memberships, dental cleanings and other perks.
The premiums are usually higher than HMO's but not always. If you are considering a PPO, you should get with a Nationwide carrier like United Healthcare, Aetna or Humana as they have networks all over the country which is an added benefit.
Do not hesitate to call me if you need more clarification or have specific questions.
HMOs give you access to doctors and hospitals that are within a network established by the insurance company.


text:
Canal Moraleda är en havskanal i Chile.   Den ligger i regionen Región de Aisén, i den södra delen av landet,  km söder om huvudstaden Santiago de Chile.

Trakten runt Canal Moraleda är nära nog obefolkad, med mindre än två invånare per kvadratkilometer.

Källor

Sjöfartsrelaterade platser i Región de Aisén

redpajama_set_name: RedPajamaWikipedia