We recently caught up with Edinburgh Castle's head chef, Adrian Knibbs.
Here at Edinburgh Castle we started to build our Castle Roast Tent. It looks more like a pagoda than a tent, which should make it easy to spot us! My team and I have put in a lot of hard work, to bring you the Castle Roast. We have spent many hours measuring and tasting, to make it a great experience.
Last year, we also had a hog roast tent that served delicious Ayrshire ham. But this year, we wanted to take it up a level. We are going to offer a variety of meats and a vegetarian option. You can choose from Scottish beef, British turkey, Ayrshire ham or a veggie option. After you have selected your main, you can then decide if you want it on its own, in a roll or in a Yorkshire pudding. I know which one I would have, Yorkshire pudding! And if that isn't enough, the meal is served with a side of your choice; roast potatoes to root vegetables or stuffing balls. YUM!
As you can imagine, having a mobile kitchen in Scotland holds many problems let alone in a windy castle high above the street of Edinburgh. One of the difficulties was cooking on the huge hog roasting machine. Through many conversations with my team, old chef pals and some internet searching, we overcome the difficulties. Another glitch is the weather, as you can see from the photo we took during the install, it's not always bright blue skies.
Despite some challenges, we are excited about our new roasting tent which has helped us overcome these difficulties. You know it's all been worthwhile when you sit down in the castle to enjoy the amazing views across Edinburgh while you whet your appetite with a delicious roast.


text:
Ultimate Edition containing all versions
The Fly Collection
To the Devil...A Daughter
Theatrical Version
Release: Apr 01, 2011 - Author: Coffus - Translator: Gladion - external link: IMDB
"Close encounter of the first kind:
Sighting of a UFO,
Close encounter of the second kind:
Physical evidence,
Close encounter of the third kind:
Contact"
One night, family father Roy Neary witnesses, together with a few other people the appearance of seemingly exterrestrial space ships. His life is completely turned upside down by that, since his thoughts only pivot on a hill-like shape from then on. Soon, he also realizes that he is not the only one with this fate and thus, he starts searching for the origin of the shape and the unknown flying objects. As the UN starts finding out about this, it searches for answers, as well, though...
Backgrounds:
Steven Spielberg's science-fiction-debut titled "Close Encounters of the Third Kind" is a film that, to this day, makes for a pretty unique movie in this genre. Be it because of the fantastic, lovingly-made special-effects, that never lost any bit of their fascination, the wonderful music of Spielberg's regular composer John Williams, the greatly played characters or the neutral story itself. Back then, there was the image of the enemy from space burnt into the people's heads, mostly of course due to the big science-fiction-horror-wave of the 50s and 60s with flicks like "The Thing" or "War of the Worlds", both concerning the expectations for any science-fiction-film to come and the real world. Movies with a sort of more positive feedback from the broad expanse of space, such as "The Day the Earth Stood Still", were rather rare.
Thus it came, that the film was loved by both audiences and critics in 1977. It grossed more than 100 Million Dollars and claimed numerous prizes, most notably an oscar for best camera and a special-oscar for best sound-editing. It was also taken into the "National Film Registry".
So Spielberg was happy with the theatrical version thus far, but some things couldn't be achieved like he intentionally wanted, due to issues with both deadlines and costs. When the film finally showed to be a bombshell (and saved the production company "Columbia TriStar" from a financial hardship), Spielberg was offered the director's chair for a sequel, three years later. He denied, though, for him, the story ended with the final shot of his film. Effectively as a compromise, he agreed to make a new version of "Close Encounters of the Third Kind", the Special Edition, as which the film was to be re-released in theaters. He was provided with a new budget for this version, with which he shot two new, big scenes - on the one hand the scene of the discovery of the ship in the Gobi desert, and on the other hand scenes of the spaceship-interio in the finale. Additionally, there were other, reshot scenes implemented, which were probably simply dropped for the theatrical version. In the same way, there were many scenes from the theatrical version removed, to tighten the pacing.
The scene in the ship's interior was the one Spielberg thought was the most neccessary, because he wanted to give audiences really something new, which made them go into theaters again out of curiousisty. Afterwards, critics, and Spielberg himself, were rather discontent with this version, and thought the ship's interior should be kept a secret. This is why he created a final version for the video-release in 1998, the Director's Cut. There, he removed the extended finale again, but put back some of the removed scene from the theatrical version. Effect-improvements or even George Lucas-style integrated effects are luckily left out of both alternative versions.
Spielberg said, that the Director's Cut now really was the final version of his film and that there won't be another.
The film was released on DVD and Blu-Ray a.o. as the Ultimate Edition with all the three versions on occasion of the 30th anniversary, with which this report was made, too.
The versions:
Compared to the other versions, the theatrical version seems a bit crazy and black-humorous in the middle part, due to the scenes in which Roy goes completely insane. He and his family are characterized enough even without the extended beginning that was implemented in the Special Edition. The scenes that are still contained in this version, like the one that shows Row arriving at work do not bother, but have their right to exist. In the finale, we don't see what happens to Roy after climbing into the spaceship, which leaves the audience's imagination total freedom.
Thus, the theatrical version is, in my opinion, still the best version and the most recommended one for first-time watchers.
Runtime 135 min.
Special Edition:
The Special Edition seems mostly a little more imposing because of the two new, big effect-scenes. It is shorter than the theatrical version, because many scenes - e.g. Roy at work - are missing, but doesn't neccessarily seem any quicker, because the other, new scenes slow the pacing down again. The family is introduced longer, which works very well. Though this version misses e.g. Roy's complete, insane material-acquisition, which makes the climax of his insanity be left out totally, it does have the almost substitutional scene in the bathroom, in which he despairs entirely. The scene is pretty dark, but doesn't change the tone of the film. So, the Special Edition seems a bit more depressive in the middle part, but then gathers pacing just like the theatrical version.
The new scene in the Gobi desert is made wonderfully, but in the end unneccessary and does not fit quite right. The other, newly shot scene, the extended finale, gives some more answers now, but of course we still do not get total clarity. It is great to watch, but also steals a lot of the mystery you are left with from the theatrical version.
To me, the film is still a great story in the Special Edition, but in the least pretty depiction. Second-time viewers and fans can take a look at this in any case, but for the rest, I advise against.
Director's Cut:
As the name implies, the Director's cut is Spielbergs favored version, seems mostly like the theatrical version, even though it is almost a little darker than it. Here, there are now both scenes in the middle part, both Roy's shower-scene and his total freak-out, which brings across the insanity the most intense. There are no new scenes or anything like that. The removal of the extended ending and the reimplementation of the press conference as against the Special Edition stand out positively, and the scene in Gobi is contained here as well.
All in all the rule "less is more" takes effect here, at least in my opinion. Basically, this version is worthy of the theatrical version, only the desert-scene sticks out in an unpleasant way. I suppose, maybe a little boldly, that Spielberg thought so as well. Had he removed this scene from his final version now, too, then the Special Edition-reshoots would have been completely in vain.
Thus, the Director's Cut is a clear improvement of the Special Edition, does the original finale leave room for one's own imagination again. It seems the darkes in the middle part and basically offers the most scenes, which makes it interesting and worth watching, but despite all that, it is, in the end, not the perfect version of the film.
Here, the Theatrical Version (DVD/PG) has been compared to the Special Edition (DVD/PG), both contained in the 30th Anniversary Ultimate Edition:
14:07-14:33 (Timecode Theatrical Version)
14:07-16:38 (Timecode Special Edition)
The introduction of the Nearys is different in the two versions, resp. it was extended in the Special Edition.
The Special Edition fades to a panorama-view at night of the city. A conversation between Roy and Brad in front of a railway model takes place now:
Brad: "Dad, do my problems for me."
Roy: "I don't have to do your problems for you. You do your problems for you. That's why I graduated, so I don't have to do problems."
Brad: "I don't understand these fractions."
Roy: "All right. What's one-third of 60?"
*Brad looks a little baffledly*
Brad: "That's a fraction, I don't understand them."
Roy: "All right, look." *he puts a wagon onto the rail* "Let's say, that this boxcar is 60 feet long. Okay?"
Brad: "Okay."
Roy: "And one-third is across this switch here." *He puts the wagon onto the rail* "All right? Okay?"
*Brad takes a look*
Roy: "And now another train is coming." *he has the train driving* "Now, how far you have to move this boxcar off the track so that the other train doesn't smash it? Quickly, Brad, there are thousands of lives at stake."
*Brad keeps looking*
Roy: "Brad, any answer."
*Brad laughs, the driving traing crashes into the other train*
Ronnie gets out of the chair with a newspaper in the hand:
Ronnie: "Honey.. Remember last weekend, you promised everybody a movie this weekend." *Roy does not react* "Honey?"
Brad: "And you also promised Goofy Golf!"
Roy: "Oh, yeah.."
*Ronnie goes to the table in the back and discovers the clay-figures that ly on it*
Ronnie: "Roy, what is all this stuff on my table? I thought I told you this was for my stuff this table! I mean, you can have that table. I don't want this stuff on my breakfast table. This can cause tetanus!" *she takes a closer look at it* "What is this?!"
Roy: "Hey, you know what's playing in town? Pinocchio! The kids have never seen Pinocchio! You guys have never seen Pinocchio! You'll love it."
*Brad moans*
Ronnie: "I don't believe this!" *she carries the clay figures from table to table*
Brad: "Who wants to go see some dumb cartoon rated G for kids?"
Roy: "..how old are you?
Brad: "Eight."
Roy: "You wanne be 9?"
Brad: "Yeah."
Roy: "Then you're gonna see Pinocchio tomorrow night."
Ronnie: "Roy, that is a wonderful way to win over your children."
Roy: "I'm not serious.. I'm just saying that I grew up with Pinocchio! And if kids are still kids, they're gonna eat it up!"
*Ronnie sits down again and does not look very excitedly*
Roy: "Okay. Okay, i'm wrong. I'm Wrong Roy, all right?"
*Son Toby keeps pointlessly hammering a handrail with a puppet*
Roy: "Toby! You are close to death! Come out here!"
*He comes to Roy, Ronnie looks worriedly*
Roy: "Okay, now, I'm gonna give you your choice. I'm not gonna be biased in any way - tomorrow night you can either play Goofy Golf, which means a lot of waiting and shoving and pushing, and probably getting a zero, or you can see Pinocchio which is a lot of furry animals and magic and you'll have a wonderful time. Okay? Now let's vote."
Toby and Brad: "Golf!"
Special Edition: 2:38 min.
In the Theatrical Version, the scene starts with the fade to a toy-clown that plays music. It is standing on the table next to the railway model.
A train drives around but is stopped by an opened lift bridge. Roy looks a bit annoyedly.
Theatrical Version: 0:26 min.
From the next shot of Ronnie in the chair on, both versions run in sync again.
17:46 (Timecode Special Edition)
The Special Edition doesn't show Roy arriving at work before.
Red lights are blinking and we see Roy walking through the power plant. He comes to a room with many other technicians:
Technician 1: "Coxfold. Crystal Lake is dark."
Technician 3: "I understand the system's failing. What do you want me to do about it?"
Technician 2: "Let it all fail. Let it all fail, we'll pick up the pieces later after all it's fallen."
Technician 3: "Let's do things my way, alright? I got reports of vandalism on the line. I got eight 90-megawatt lines down all over."
Technician 1: "Crystal Lake is dark. ..Tolono is completely gone."
Technician 2: "It doesn't matter. It's down. It's down!"
Technician 2 looks disappointedly, technician 1 goes back in the room to Roy and some others at that:
Technician 2: "What's the normal tension for that area?"
Roy: "If there's no wind.. Normal tension for the sag is 15.000 pounds per wire. I was a journeyman in that are a few years back."
*Technician 3 joins*
Technician 3: "Good, an expert. ..How would you like the job?"
Technician 2: "You're kidding! Where's the seniority?"
Roy: "..Well, it's not up to me, where's the supervisor?"
Technician 3: "Supervisor's stuck in an elevator trying to run the show from one of the [unintelligible] trouble phones. But I'm in charge here right now, you're going to Crystal Lake."
Roy: "I am."
Technician 3: "I can't help it, everybody's everywhere. Now if you have any questions to ask, get on the horn to me, direct"
Technician 1: "We got a fresh impedance coming up. It's not an overload, it's a drain. Lines M-Mary-10 through M-Mary-15. Municipal Lighting is asking to be cut free."
Technician 3: "..Neary, you know where that is? Alright, you grab a splicing tool and a high-wire act. And Neary, don't get creative out there, just productive. Remember, he's counting on you, and I'm depending on you."
*Roy leaves, technician 3 looks to technician 1*
Technician 3: "You tell Municipal Lighting we're going to candle power in 10 minutes!"
There is an alternative scene as Roy follows the big space ship. Since the Special Edition starts later afterwards, though, there is no runtime difference.
In the Special Edition, Roy's car is driving across the street from a distance, while the space ship's giant shadow flys over him visibly.
The Theatrical Version misses this, but the scene in which Roy drives through the tunnel starts earlier.
24:33 (Timecode Theatrical Version)
The Special Edition has a short, new scene of the ships flying over the street implemented.
The orange ship glows and looks at the Burger King/McDonald's-sign.
Shortly after, though, the Special Edition misses a scene of an observer saying something.
Observer: "They can fly rings around the moon. But we're years ahead of them on the highway."
After Roy's and Ronnie's kiss, the Special Edition shows one of the new big scenes from the Special Edition.
Some mongols are travelling through the sands of the Gobi desert with their camels as they seem to discover something. One of them happily lifts his weapon in the air.
At that, two UN-vehicles and helicopters are coming over the hills, passing the mongols. They are all pointing in one direction all the time.
Finally, the camera pans from a helicopter high above down and gives sight to a giant ship with the name "Cotopaxi" on the side, lying in the middle of the sand.
Mr. Laughlin and another UN-man are walking towards the ship:
Laughlin: "I don't believe it. I don't believe it." *he continues walking* "I don't believe it."
UN-man: "It's the Cotopaxi!"
Laughlin: "Why is it here?"
UN-man: "Beats the shit out of me!"
Another longshot of the ship with the camels and the UN next to it.
The Special Edition misses the end of the scene after the quitting, and ends with the first shot of the children at the door.
In the Theatrical Version, Ronnie talks longer to Roy:
*Brad and Toby are standing at the door and listen*
Ronnie: "I mean I don't understand this, Roy. ..Roy."
*Roy lays down on the bed*
Ronnie: "What is happening here? We were up all night."
*Roy notices a pillow that lies there like the shape; music starts*
Ronnie: "I'm not getting a job, you know. I'm not getting a job. Forget it."
*Roy keeps looking at the pillow, the music is getting more and more intense, he reaches for the pillow*
Roy: "That's not right."
Afterwards, the second expected arrival was removed from the Special Edition and delayed to later. The Special Edition continues with India right away.
The conference was a little extended here in the Special Edition.
We see the attendants getting up after the demonstration.
Lacombe is obviously happy.
The scene of the second arrival, which was removed earlier, is shown now, after the conference.
After Billy's abduction, the complete press conference with the initial arrival of Jillian is missing in the Special Edition.
There is a big press furore in the US Air Force's lobby. We see a woman sitting at the reception.
Jillian arrives and tries to make way through the reporters; Roy and Ronnie are already there:
Roy: "Jillian! Jillian!"
Reporter 1: "May we have a statement, please? The report you gave to the police was quite spectacular! We need it for the 6:00 news."
Roy: "Jillian."
*Jillian looks to Roy*
Jillian: "They got him."
Roy: "What?"
*she moves on, the reporters follow her*
Reporterin: "Is it true you're leaving the state to look for your son?"
[wild talking of all the reporters]
Jillian: "HIS name is Barry!"
*cut to Roy, who looks at her worriedly, cut to Ronnie; then again cut to Jillian*
[still talking of the reporters]
Reporter 2: "Are you involved in any kind of parapsychologies?"
Reporter 3: "Turn around, please! Turn around!"
Reporter 2: "You gave the police a report. Would you mind repeating it for the television?"
Receptionist: "Folks, you can go in now! Room 3655."
Cut to the room of the press conference; Major Benchley is on screen:
Benchley: "Ladies and Gentlemen, this is a flying saucer."
*he holds up a picture that seems to show a UFO, the attendants are starting to talk wildly, one of them says "That's the one I saw!"*
Benchley: "It's made of pewter, made in Japan, and thrown across the lawn by one of my children."
*more talking*
Benchley: "I just wanted to point that out to get sure we're not all "polished brass" about these things. And also to make a point that last year Americans shot more than seven billion photographs at a record of §6.6 billion for film equipment and processing. Now with all those shutters clicking, where is the indisputable photographic evidence?"
*Roy wants to say something, but is interrupted*
Reporter: "Major Benchley.. I've been in the news business for a long time, and our cameras have never been able to take a picture of a plane crash as it actually happened or an automobil accident and get it on the 6:00 news."
Roy: "That's right! That's right.."
*the attendants are starting to discuss again, some agree*
The man next to Major Benchley starts moving his head towards the microphone:
Man: "Now there are all kinds of ideas that would be fun to believe in. Mental telepathy, time travel, immortality, even Santa Claus. *Shot of Roy* Now I know it's not fun to go home and say, "Guess what happened today. I was in the shopping centre, and there was this tremendiously bright light, and I rushed outside, and it was an aeroplane."
Roy: "Excuse me, Sir. I didn't want to see this."
Man: "I sure wish I had. You know, for 15 years I've been looking for this damn silly lights in the night sky. I've never found any. I'd like to, because I believe in life elsewhere."
Attendant: "Why don't you guys just admit that the Air Force is conducting secret tests in the Foothills area?"
Man: "It would be easy to say 'yes' to that - but I'm not going to mislead you, this is not the case. To tell you the truth, I don't know what you saw."
Roy: "You can't fool us by agreeing with us." *the attendants start laughing* "No, no, no, no, come on, come on."
The observer from last night, who made the remark and now also sits at the table, starts talking:
Observer: "I saw Bigfoot once." *the reporters point the cameras at him, he gets up* "1951. Back in Sequoia National Park. Had a foot on her, 37 inches. Heel to toe."
*he pushes two ashtrays on the table to show the length; attending children are amazed*
Observer: "Made a sound I would not want to hear twice in my life."
*camera shows Roy and Ronnie, he holds his hand before his face; the attendants are starting to talk wildly; observer sits down again, a little proud and smirking; shot of Roy*
Attendant 2: "I believe I've encountered that gentleman myself."
Attendant 3: "I was sitting on the porch one year, seeing through the screen. I seen this big white dot in the sky. Then it turned to red, blue, and green."
*cut to the newspaper in front of Roy; he starts drawing the shape; the attendants continue talking*
Man: "UFOs do not represent a direct physical threat to our national security. We do not support them, and we encourage you not to."
*Roy draws so hard the pencil breaks*
The beginning of the dinner with the potato mash was removed from the Theatrical Version.
Ronnie, Toby and Brad are sitting at the table, Sylvia is standing next to them. Ronnie gives out potato mash from the bowl:
Ronnie: "Toby!"
Toby: "I'm gonna hit you across the street, tomorrow night!"
*Toby and Brad talk promiscuously*
Ronnie: "Ride your bike.."
*they keep talking loudly*
Toby: "You are not!"
*Roy steps into the room*
Ronnie: "Boys. ..Toby. Did you finish your science project?"
*suddenly silence as they notice Roy; he sits down; Toby holds a napkin in front of his mouth*
Toby: "Baaaaah!"
Ronnie: "Toby?"
Sylvia: "I don't want any potatoes." *Ronnie puts potato mash on her dish*
Ronnie: "Yeah, just a little bit.. that's good."
The two versions run in sync again as Ronnie gives the keys to Toby.
1:01:11 (Timecode Theatrical Version)
58:59-1:01:37 (Timecode Special Edition)
Another big scene in the Special Edition.
Ronnie wakes up and hears the shower is on. She knocks at the door:
Ronnie: "Roy? ..Roy? Open the door, please. Please. Roy." *she tries to open the door by force* "Roy! Open this door! ..Open this door!"
*she goes to the dresser and looks for something, Sylvia steps out of her room, Ronnie finds a pair of scissors and breaks the door open with it; Roy is sitting in the bathtub with the shower on*
Roy: "I don't think I know what's happening to me." *he moans*
Ronnie: "Look, Roy. What it is, is family therapy. I mean, we all go. We all talk. No one is singled out. Maybe it's not your fault anyway!"
*Roy looks at his wristwatch*
Roy: "Oh, it's waterproof, it still works!"
Ronnie: "ROY! Promise me you will go! Please!"
Brad steps into the bathroom and starts continuously beating the door against the wall:
Brad: "You crybaby, you crybaby, you crybaby, you crybaby!.."
Ronnie: "Get out of here! Get out!"
Brad: "..you crybaby, you crybaby, you crybaby!.."
Roy: "Come on, you guys. Come on."
Brad: "..you crybaby, you crybaby, you crybaby, you crybaby!" *he runs away*
*Sylvia holds her ears*
Sylvia: "BE QUIEEET!"
Ronnie: "Stop it!"
Ronnie and Roy leave the bathroom:
Ronnie: "I don't understand it!"
Brad: "You crybaby!"
Roy: "Neither do I."
*Ronnie points at Brad*
Ronnie: "Get out! Go to your room, and close the door." *both children run away*
Roy: "Ronnie? ..Ronnie?"
Ronnie: "Yes."
Roy: "I'm really scared. I want you to help me."
Ronnie: "All this bullshit! It's turning this house upside down!"
Roy: "Ronnie, just.."
Ronnie: "I just hate you! That's why!"
Roy: "Ronnie, Ronnie. Ronnie."
Ronnie: "No!"
*he holds both her arms and tries to pull her to himself*
Roy: "Ronnie, just - hold it. Just put your arms around me. It'll really help me! It'll really help me."
Ronnie: "Listen, listen, listen! Don't you see what's happening? None of our friends call us anymore! You're out of work! You don't care! You're wrecking us, you're ruining us!"
Roy: "Ronnie, just hold on..!"
Ronnie: "No! ..No!"
Roy: "Hold on!"
*she runs into the bathroom and bangs the door behind her; Roy goes to the door*
Roy: "Ronnie? ..Ronnie? Ronnie. Come on."
Finally, we see Brad closing the door with tears in his eyes. Toby freaks out in the background.
1:03:20-1:06:53 (Timecode Theatrical Version)
1:03:46 (Timecode Special Edition)
Now, the Special Edition misses the entire scene of Roy going crazy, after he destroyed his clay shape.
Ronnie, Brad and Toby are lying in the room and sleep. They wake up as Ronny starts ripping out plants outside in front of the window:
Ronnie: "Roy? I'm sorry about last night. ..Roy! Roy? Roy, what are you doing? ..Jesus."
*she gets up and runs out of the room; Cut to the next room; Ronnie comes running to Sheryl, who is standing at the window; Roy is frantically ripping out more plants*
Ronnie: "Roy! Roy!" *she knocks at the window* "The plants are fine there! ..Roy, can you hear me?!"
*Roy continues walking outside, Ronnie follows him on the inside to the other window*
Ronnie: " Wait! ..Wait, what are you doing?!"
Roy: "You're gonna love it, Ronnie!"
Ronnie: "What do you mean?!"
Roy: "You'll really love this!"
Ronnie: "Roy, wha-what are you doing?"
*Roy moves on, Ronnie runs to the next window; she looks outside*
Ronnie: "Oh.. OH ROY!"
*a plant with root and soil crashes through the window, Ronnie dodges*
Ronnie: "My god!"
Cut outside, Roy is standing in front of the window and shovels soil from a pushcar into the house.
Brad and Toby are standing next to him:
Roy: "Come on, men!"
Toby: "Dad, after this, can we throw dirt in MY window?"
*Ronnie joins*
Ronnie: "Stop it. ..Stop. Stop it."
Roy: "Ronnie - if I don't do this, that's when I'm gonna need a doctor." *he throws a brick through the window and runs away*
Cut to a window of the next house, which opens. Mrs. Harris, who is blow-drying her hair, takes a look outisde. Roy then runs to a pile of bricks, Ronnie, Brad and Toby are going after him:
Ronnie: "..you doing. What are you doing?"
Roy: "I got it! ..I, I figured it out, that's all! Will you just listen?"
Roy: "Ronnie, look: you ever look at something when it's crazy, and then you look at it in another way and it's not crazy at all?"
Ronnie: "No, I haven't, no!"
Roy: "Come on, Ronnie! Just listen!"
Ronnie: "I don't know what you're doing."
Roy: "If you just close your eyes.. Close your eyes and hold your breath, everything will be real pretty."
*he picked some bricks from the pile and goes away with those; Toby also picks up one*
Ronnie: "Roy? You're scaring us now!"
Roy: "Don't be scared! Just don't be scared, I feel really good! Everything's gonna be alright! I haven't felt this good in years!"
*He is back at the window and throws the bricks inside; Ronnie, Brad and Toby have walked after him*
Roy: "Everythings gonna be okay. I feel it."
*quick cut to the sink, where the bricks land*
Roy: "Now what else? What else?"
*he looks around; Toby throws his brick through the window as well*
Toby: "Like this, like this?"
Roy: "Right."
Cut to blow-drying Mrs. Harris again, then shortly to Roy, and then to an approaching and stopping garbage truck.
A garbage man gets off and wants to take the garbage can, Roy takes it away from him, though, and empties it. At that, he goes away with the can; Cut to Ronnie, who is warily looking into the sky.
Roy pushes the garbage can through the window. He then looks around again and seems to discover something.
Roy: "Chicken wire."
He goes to the neighbor's garden's geese-compound, and starts to rip out and roll in the fence. Cut to Mrs Harris' room, going to the other window and looking to Roy:
Mrs. Harris: "Whatever you're doing, it's against the law!"
*Brad and Ronnie with Sylvia in her arms are coming*
Ronnie: "He's putting it back, Mrs. Harris!"
*Roy sprints towards Mrs. Harris with the fence in his hand*
Roy: "I'll pay you for this!"
*she suddenly blow-dries threateningly in his direction*
Mrs. Harris: "Take it. Take it."
Roy: "I'm perfectly fine."
*he goes away again; Ronnie tries to stop Toby from carring the fence*
Ronnie: "Let go of this fence right now. You come with me. Do you want me to hit you? You let go of that fence!"
*Roy wirft die Drähte weg und geht auf die noch stehenden hinzu
Roy throws away the wire and goes to the ones that are still standing*
Ronnie: "Toby! Listen to me. Listen to me. ..Right now, we're going."
Toby: "[indistinguishable]"
Ronnie: "Let go off the fence! Come on."
*two children come running and are watching; Roy continues ripping fences out of the ground;
Shot of Brad; Roy runs away with the wire, the geese follow him; Ronnie tries to chase them back*
Ronnie: "Stay! Stay."
*interior-view of the Neary's house; more plants are flying in through the window.*
The versions are in sync again as Ronnie leaves the house with the children.
Afterwards, end of the scene of Ronnie having driven away with the children is missing.
Roy shakes off his hands, gets up and steps back to the house. The people continue watching him; he looks to a neighbor:
Roy: "Morning."
He continues going to the window, throws in a plant, and looks to Mrs. Harris. She tries to chase together the geese, the two children are standing at the side and look at him. Finally, Roy climbs into the window, we can hear something crash shortly after. He then takes a quick look outside, gets in the ladder, changes clothes, and bangs the window shut.
The Theatrical Version shows another shot of Roy's view outside, this is missing in the Special Edition.
Some children play baseball, a house in the background. Afterwards, Roy from outside looking through the window again.
1:09:30-1:10:42 (Timecode Special Edition)
There are two alternative scenes here again, the vendor at the station is shown differently and a little longer.
In the Theatrical Version, the vendor is standing in front of a pick-up with a dog on it, a bird's cage in his hand.
Vendor: "..and you'll be real disappointed and sorry if you don't have one of these an early-warning systems, such as a bird, a gas mask.. Why, even my dog has a gas mask. And any of you folks are worth more than a dog."
In the Theatrical Version, the vendor only says shortly something about the gas.
Another, sideways view of the vendor, more people are standing around him and look at him.
Vendor: "Alright folks, I don't want to alarm you, but this genuine nerve gas is odourless and colourless."
The two versions run in sync again as Roy gets out.
The Special Edition misses the scene in which Roy talks to a border official.
Three men are riding over a wooden way. At that Roy, passing the vendor through the crowd:
Vendor: "So now I'm gonna tell you, these canary birds are guaranteed to fall off of their perch one hour before the gas does anything to you."
Roy moves on, more people in the background, UN-troops, a herd of sheep and horses. He bypasses a barrier and stands still. A radio can be heard:
Radio voice: "..last names beginning with the letter "K" to the letter "P" as in "Peter". All aboard please."
A border official goes to Roy.
Border official: "You got next-of-kin in the red zone, buddy?"
Roy: "Ehe, my sister!"
Border official: "What's her name?"
Roy: "..well, that's okay, she's probably out of there by now already." *he wants to go but the border official stops him*
Border official: "We got everybody out of here before noon yesterday. You tell me her name and I'll tell where she's relocated."
Roy: "That's okay, I can find her myself."
Border official: "Oh man, there's more than 20 evacuation stations across the state. What's your name?" *he laughs*
Roy: "Smith."
*two more border officials have joined in by now*
Border official: "Smith. ..we got orders to shoot anybody looting around here - Smith?"
Roy: "You don't think I am..." *he laughs*
Border official: "Pass it on, heh?"
*Roy goes away, the border officials are looking at him*
People are running past Roy's car; Roy approaches it with two gas masks and a bird cage in his hand. Suddenly you can hear someone shout in the frantic noise:
Jillian: "Roy!"
He looks in the direction, quickly opens the car door and throws the stuff inside.
He looks up shortly.
The two versions run in sync again as Roy goes up the path.
The Special Edition misses a short scene of Roy, Jillian and another ally first freeing themselves out of the helicopter.
A man with gas mask and protective suit walks around the helicopter and closes the doors. Suddenly Roy pushes Andy out and follows. He pushes another gas-man away and takes Jillian's hand. The other passangers also try to free themselves but are being forced back by the gas-men.
The sequence is the same again as all three walk through the tons.
After Roy steps on the entering-plate, the Special Edition now shows the big scene in the space ship's interior.
Roy walks through the space ship. He looks around happily. He steps a round room with lights that point upwards.At that, the ceiling comes loose and lifts, which makes way for the space ship's upper places. Some sort of orange honeycomb starts closing with hatches on the sides. Just before it is shut, some ships are flying inside, just like the little red straggler-light.
Roy watches gleefully. A big wall is shown, with dozens of square windows at which are many little, dark creatures standing and appear to be watching.
Finally, a rain of bright, colorful lights comes shooting out of the honeycomb at the ceiling.
The Theatrical Version continues with the shot of Lacombe, Laughlin and co.
The music differs after the ship has disappeared.
There is a more upbeat music in the Special Edition played, the Theatrical Version on the other hand features a darker, more serious music.

redpajama_set_name: RedPajamaCommonCrawl


When you think of editing images, Adobe Photoshop is probably the first program that comes to mind.
But while Photoshop has the most brand recognition, it's not always the best tool for the job. In this short video from my course on Setting Up Your Mac for Photo and Video, I'll take a look at the pros and cons of Photoshop and its much loved companion program, Lightroom.
What happens in the digital editing studio can make or break even the best photos and video. In the full course, Setting Up Your Mac for Photo and Video, you'll learn everything you need to create the perfect environment on your Apple Mac and bring out the best in your work. We'll look at hardware and software options and trace all the steps to a powerful and efficient digital workflow.
No matter whether you use Photoshop or Lightroom (or both!), Envato Market has some really useful items to help speed up your workflow. Check out the vast range of Photoshop actions and Lightroom presets.


answer, step-by-step, from the beginning to the end of the solution.
A step by step method for computing confidence interval and sample size for population mean.
Confidence interval estimation of population proportion.


Discussion so are you able to buy new analog t shirt if you purchased membership in 2017?
so are you able to buy new analog t shirt if you purchased membership in 2017?
If you purchased an Analog 10club membership in 2017 your t-shirt is .. https://pearljam.com/shop/analog-member-items/2017-ten-club-analog-member-shirt .
The new stickman shirt is for 2018 https://pearljam.com/shop/analog-member-items/2018-ten-club-analog-member-shirt . You would have to of purchased a 2018 Analog 10club membership to get this shirt.


text:
81" Diagonal Ultra-wide Display
Model: PANA81
Perfect for team collaboration environments. 81 inch diagonal ultra-wide display. A form factor for pure and convenient interactivity. Breathtaking collaboration visualization canvas. 21:9 panorama 5K
Jupiter Systems Launches New Website For Global Market
Capstone of Year-Long Marketing Program to Increase Value for Customers and Enhance Brand Identity
LAS VEGAS, June 9-11, 2010 — Jupiter Systems, (www.jupiter.com), the industry leader in display wall technology, announced the launch of its new corporate website, designed to provide customers around the world with easy access to the information they need. The new website is one in a series of marketing programs the company has undertaken over the past year to enhance and expand its global presence.
"Jupiter Systems made a considered decision to add customer value and brand identity by investing in new marketing, promotion and customer outreach during the economic downturn. At a time when other companies determined to cut expenses and retrench, we decided to increase our investment in marketing and promotion. Our goal was to strengthen our position and be fully prepared to leverage the inevitable recovery," said Brady O. Bruce, Vice President of Marketing and Strategic Alliances at Jupiter Systems.
"We decided to invest in new programs that would expand and solidify our global footprint. We added more tradeshows around the world. We re-crafted our collateral and sales tools for a global audience. We issued more software updates for existing products and launched significant new product line extensions. As part of our long-term strategy, we anticipated that such investments in a precarious economy might yield the company's first loss in years, and we were prepared to accept them. Instead, we found that the investments paid off quickly. We were still profitable at year end, with increased sales of PixelNet and an increased market share. The new website is another step in our effort to expand and improve our brand footprint," said Bruce.
From a design perspective Jupiter spent the last year developing a consistent Jupiter visual identity. The new website was redesigned from the ground up to balance high impact visuals with an uncluttered, easy-to-read format and consistent theme. Information is categorized by major industries including military and intelligence, security, traffic and transportation, utilities, telecommunications, government, emergency operations centers, health care and education.
Customers can quickly and easily find information and best practices relevant to their requirements. For example, customers can easily find information on the best way to design a control room for an intelligent traffic system, a telecom network operations center or a surveillance system, with access to videos, photos, case studies, and published articles from around the world. While today's site is available in English, local language versions are planned for China, Europe and Latin America.
"Our goal is to provide a rich environment that enables our partners and their customers to find the information they require 24/7," Bruce said.


text:
Q: replace string using array in javascript abc1    abc2    abc3
abc4    abc5    abc6
abc7    abc8    abc9

using above csv file, load text by replacing the double quotes from the bellow sentence.
Sentence:
"" is going with "" to "" for something to know.

Expected out put is:
abc1 is going with abc2 to abc3 for something to know.
abc3 is going with abc5 to abc6 for something to know.

like this in javascript, php.
Code I have tried so far:
var s = 'Neque porro "" estqui "" dolorem';
var insert = [["a1", "b1"]["c1","d1"]];
console.log(insert);
var words = new Array();
words = s.split(" ");
console.log(words);
var count = 0;
for (i = 0; i < words.length; i++) {
    for (j = 0; j < insert.length; j++) {
        if(words[i] == '""')
            s = s.replace(/""/, insert[j]);
    }
}
console.log(s);

A: Hurray I got the answer:
    reader.onload = function (e) {
                                    var sent = ''; var sentt = ''; var senttt = '';
                                    sent = $('#mixmsg').val();
                                    var quoteLength = (sent.match(/""/g) || []).length;
                                    var rowcells = [];
                                     rows = e.target.result.split("\n"); alert(rows);
                                    for (var i = 0; i < rows.length; i++) {
                                        var cells = rows[i].split(",");
                                        rowcells.push(cells);
                                    }
                                    var rowcellso = rowcells.slice(0, -1);
                                    console.log(rowcellso);
                                    for (var ro = 0; ro < rowcellso.length; ro++) {
                                        for (var scol = 0; scol < quoteLength; scol++) {
                                               sent =  sent.replace(/""/,rowcellso[ro][scol]);
                                           console.log(rowcellso[ro][scol]);
                                        } sentt +=sent+'\n'; sent= $('#mixmsg').val();
                                    }
                                    $('#container').html(sentt);
                                }

redpajama_set_name: RedPajamaStackExchange


text:
The Epilepsy Society has changed my life, and I want others to receive the same support.
current page urgentappeal
September appeal 2020
Updated: 2 November 2020
Jasmine is working on the front line in the fight against Covid-19
The last six months have been difficult for everybody, especially for people living with epilepsy who have faced increased fear and anxiety. Jasmine has received support from us since she was diagnosed with epilepsy aged 17 and is now working as an ICU nurse.
'The Epilepsy Society has always been there for me - I wouldn't be nursing today without their support. They have been a lifeline for so many other people with epilepsy, not least during lockdown when many were desperate for expert information and support that they could access from home.
In the first three months of the pandemic income fell by more than 42%
The Covid-19 crisis means The Epilepsy Society missed out on so many donations it would normally have received, and countless fundraising events have been cancelled. In the first three months of the pandemic alone, the charity's income fell by more than 42%.
There is no other organisation in the UK that offers such wide-ranging, high-quality support for people with epilepsy and their families. But if we want The Epilepsy Society to continue to be there for us all, it needs our urgent help.
Please give today
Your support today is so important.
We have to maintain vital services that so many people with epilepsy and their families depend on… but we simply can't do it without you.
Please give whatever you can today
Here are some of our services:
The Epilepsy Society's helpline continues to play a vital role during the Covid-19 pandemic. We're providing information and emotional support to people affected by epilepsy, which they can access from the safety of their own homes
People across the UK turn to the Epilepsy Society's website and publications to help them understand their condition, and for details on benefits and services that can support them to live a full life. Seizures don't stop during a pandemic. It's crucial that people can continue to access the help they need.
The Epilepsy Society's centre of medical excellence provides the latest diagnostic tests, assessments and medical treatment. While some medical services were halted at the start of the pandemic to avoid the spread of Covid-19, and to allow consultants to support frontline staff in the NHS, they have now restarted and continue to offer the highest quality care.
Vital research
The Epilepsy Society research projects are currently aimed at spearheading personalised treatments. Our clinical and research activities are integrated on a single site, ensuring that the research we fund is relevant to clinical care and that advances made are quickly put into clinical practices. Many of our research projects have been on hold since the beginning of the pandemic but your gift today can ensure they continue finding breakthroughs long into the future.
Our care services provide residential care for approximately 90 adults, who in addition to their epilepsy, often have associated and additional complications, including physical and learning disabilities, brain injury and autism. Our care homes empower residents to live as full a life as possible within a supportive environment.
Please give whatever you can today.


text:
Home » National News » Coronavirus Update: No night curfew in Delhi for now, govt tells HC
Coronavirus Update: No night curfew in Delhi for now, govt tells HC
News Agencies | Updated on: 3 December 2020, 16:00 IST
No night curfew will be imposed in the national capital or parts of the city as of now, the Delhi government has decided after a detailed assessment of the COVID-19 situation, it informed the Delhi High Court on Thursday.
The Delhi government, in its status report filed before a division bench of Justices Hima Kohli and Subramonium Prasad, said that it has been taking all necessary measures as required and demanded by the everchanging circumstances and committed to making every effort to arrest the spread of COVID-19 in the national capital.
The submissions come as the Delhi High Court had, in the last hearing, asked the Delhi government to take a call on imposing a night curfew in view of the COVID-19 pandemic situation in the national capital.
The report also said that the Delhi government has collected over Rs 17 crore as fine against over 2 lakh challans issued in respect of COVID violations. It said that the Delhi Police has so far collected fines of over Rs 27 crore against over 5 lakh challans issued by the cops.
The Delhi government has issued an order dated November 28, whereby status quo has been maintained with regard to permitted and restricted activities in Delhi till December 31, 2020, or till the further orders whichever is earlier and therefore, no new activities have been permitted till December 31, the court was informed.
It also submitted that fines collected from the challans are deposited in the government treasury as per the accounting procedure in government and as per the prevailing procedures all expenditure in any department has to be incurred from the budget allocation approved through the legislative procedure. Therefore, COVID-19 related expenditures are being made by departments concerned out of the allocated funds, the status report said.
The Delhi government said that 189 enforcement teams and 145 enforcement vehicles are deployed in the national capital by the government administration. It also said that the Delhi Police has deployed 255 enforcement vehicles and 275 enforcement teams in this regard.
The government also said that arrangement for burial and cremation of those who have succumbed to COVID-19 infection is stated to be sufficient.
The court was hearing a petition filed by lawyer Rakesh Malhotra seeking large-scale testing in the national capital to identify COVID-19 infections. During the hearing, the court again asked the Delhi government to keep the focus on rapid testing in the national capital.
The bench remarked that the present petition is not adversarial but to ensure the public in the city is safe. Meanwhile, the Delhi government also informed the court that there is a decline in the numbers of COVID-19 infections and the death rate in the national capital.
The matter is now listed for further hearing before the court on December 14.
(ANI)
First published: 3 December 2020, 16:00 IST
night curfew in Delhi Delhi news Delhi High Court coronavirus pandemic
Farmers' Protest: Parkash Singh Badal returns Padma Vibhushan in protest against farm laws
READ NEXT >> Farmers' Protest: Parkash Singh Badal returns Padma Vibhushan in protest against farm laws


text:
HPV-18 E7 conjugates to c-Myc and mediates its transcriptional activity
Yi Wei Wang, Hung Shu Chang, Ching Hui Lin, Winston C Y Yu
Several reports in the literature have indicated that the E6 not only elevates the level of c-Myc level but that the protein also associates with the Myc complex and activates Myc-responsive genes. There would seem to be a mechanism by which this oncogene can modulate cell proliferation and differentiation. Furthermore, an increase in c-Myc levels has also observed during ectopic expression of HPV E7 alone. Using the yeast two-hybrid system, we further found that the c-Myc interacts and forms a specific complex with HPV-16E7. In this study, we have demonstrated that E7 does indeed interact with c-Myc and a sequential deletion analysis of E7 maps the c-Myc interaction site to the carboxyl-terminal region. We determined two HPV-18 E7 binding sites on c-Myc involving the amino acids regions 1-100 and 367-439. The interaction of the high-risk type HPV E7 with c-Myc can augment c-Myc transactivation activity but this does not occur with low-risk type HPV E7. Deletion within the Cys-X-X-Cys repeat motif at the C-terminus of HPV-18 E7 leads to a lost of association with c-Myc and also abolishes the enhancement of c-Myc's transactivation activity. Furthermore, the interaction of HPV-18 E7 with c-Myc functionally promotes c-Myc's DNA-binding ability. Using the hTERT promoter as a model, enhanced c-Myc binding ability to the hTERT promoter as measured by immunoprecipitation assay was observed and occurred in an E7 dose-dependent manner. Taken together, these results provide significant new insights into the association of c-Myc with E7 and the possible involvement of high-risk E7 in oncogenesis.
International Journal of Biochemistry and Cell Biology
https://doi.org/10.1016/j.biocel.2006.09.006
Transactivation
10.1016/j.biocel.2006.09.006
Fingerprint Dive into the research topics of 'HPV-18 E7 conjugates to c-Myc and mediates its transcriptional activity'. Together they form a unique fingerprint.
Human papillomavirus 18 Medicine & Life Sciences
Cell proliferation Chemical Compounds
Proto-Oncogene Proteins c-myc Medicine & Life Sciences
myc Genes Medicine & Life Sciences
Yeast Chemical Compounds
Assays Chemical Compounds
Wang, Y. W., Chang, H. S., Lin, C. H., & Yu, W. C. Y. (2007). HPV-18 E7 conjugates to c-Myc and mediates its transcriptional activity. International Journal of Biochemistry and Cell Biology, 39(2), 402-412. https://doi.org/10.1016/j.biocel.2006.09.006
HPV-18 E7 conjugates to c-Myc and mediates its transcriptional activity. / Wang, Yi Wei; Chang, Hung Shu; Lin, Ching Hui; Yu, Winston C Y.
In: International Journal of Biochemistry and Cell Biology, Vol. 39, No. 2, 2007, p. 402-412.
Wang, YW, Chang, HS, Lin, CH & Yu, WCY 2007, 'HPV-18 E7 conjugates to c-Myc and mediates its transcriptional activity', International Journal of Biochemistry and Cell Biology, vol. 39, no. 2, pp. 402-412. https://doi.org/10.1016/j.biocel.2006.09.006
Wang YW, Chang HS, Lin CH, Yu WCY. HPV-18 E7 conjugates to c-Myc and mediates its transcriptional activity. International Journal of Biochemistry and Cell Biology. 2007;39(2):402-412. https://doi.org/10.1016/j.biocel.2006.09.006
Wang, Yi Wei ; Chang, Hung Shu ; Lin, Ching Hui ; Yu, Winston C Y. / HPV-18 E7 conjugates to c-Myc and mediates its transcriptional activity. In: International Journal of Biochemistry and Cell Biology. 2007 ; Vol. 39, No. 2. pp. 402-412.
@article{aac47a0184b745888cf8c1ddc9ff685f,
title = "HPV-18 E7 conjugates to c-Myc and mediates its transcriptional activity",
abstract = "Several reports in the literature have indicated that the E6 not only elevates the level of c-Myc level but that the protein also associates with the Myc complex and activates Myc-responsive genes. There would seem to be a mechanism by which this oncogene can modulate cell proliferation and differentiation. Furthermore, an increase in c-Myc levels has also observed during ectopic expression of HPV E7 alone. Using the yeast two-hybrid system, we further found that the c-Myc interacts and forms a specific complex with HPV-16E7. In this study, we have demonstrated that E7 does indeed interact with c-Myc and a sequential deletion analysis of E7 maps the c-Myc interaction site to the carboxyl-terminal region. We determined two HPV-18 E7 binding sites on c-Myc involving the amino acids regions 1-100 and 367-439. The interaction of the high-risk type HPV E7 with c-Myc can augment c-Myc transactivation activity but this does not occur with low-risk type HPV E7. Deletion within the Cys-X-X-Cys repeat motif at the C-terminus of HPV-18 E7 leads to a lost of association with c-Myc and also abolishes the enhancement of c-Myc's transactivation activity. Furthermore, the interaction of HPV-18 E7 with c-Myc functionally promotes c-Myc's DNA-binding ability. Using the hTERT promoter as a model, enhanced c-Myc binding ability to the hTERT promoter as measured by immunoprecipitation assay was observed and occurred in an E7 dose-dependent manner. Taken together, these results provide significant new insights into the association of c-Myc with E7 and the possible involvement of high-risk E7 in oncogenesis.",
keywords = "c-Myc, E7, Human papillomavirus, Telomerase, Transactivation",
author = "Wang, {Yi Wei} and Chang, {Hung Shu} and Lin, {Ching Hui} and Yu, {Winston C Y}",
doi = "10.1016/j.biocel.2006.09.006",
journal = "International Journal of Biochemistry and Cell Biology",
T1 - HPV-18 E7 conjugates to c-Myc and mediates its transcriptional activity
AU - Wang, Yi Wei
AU - Chang, Hung Shu
AU - Lin, Ching Hui
AU - Yu, Winston C Y
N2 - Several reports in the literature have indicated that the E6 not only elevates the level of c-Myc level but that the protein also associates with the Myc complex and activates Myc-responsive genes. There would seem to be a mechanism by which this oncogene can modulate cell proliferation and differentiation. Furthermore, an increase in c-Myc levels has also observed during ectopic expression of HPV E7 alone. Using the yeast two-hybrid system, we further found that the c-Myc interacts and forms a specific complex with HPV-16E7. In this study, we have demonstrated that E7 does indeed interact with c-Myc and a sequential deletion analysis of E7 maps the c-Myc interaction site to the carboxyl-terminal region. We determined two HPV-18 E7 binding sites on c-Myc involving the amino acids regions 1-100 and 367-439. The interaction of the high-risk type HPV E7 with c-Myc can augment c-Myc transactivation activity but this does not occur with low-risk type HPV E7. Deletion within the Cys-X-X-Cys repeat motif at the C-terminus of HPV-18 E7 leads to a lost of association with c-Myc and also abolishes the enhancement of c-Myc's transactivation activity. Furthermore, the interaction of HPV-18 E7 with c-Myc functionally promotes c-Myc's DNA-binding ability. Using the hTERT promoter as a model, enhanced c-Myc binding ability to the hTERT promoter as measured by immunoprecipitation assay was observed and occurred in an E7 dose-dependent manner. Taken together, these results provide significant new insights into the association of c-Myc with E7 and the possible involvement of high-risk E7 in oncogenesis.
AB - Several reports in the literature have indicated that the E6 not only elevates the level of c-Myc level but that the protein also associates with the Myc complex and activates Myc-responsive genes. There would seem to be a mechanism by which this oncogene can modulate cell proliferation and differentiation. Furthermore, an increase in c-Myc levels has also observed during ectopic expression of HPV E7 alone. Using the yeast two-hybrid system, we further found that the c-Myc interacts and forms a specific complex with HPV-16E7. In this study, we have demonstrated that E7 does indeed interact with c-Myc and a sequential deletion analysis of E7 maps the c-Myc interaction site to the carboxyl-terminal region. We determined two HPV-18 E7 binding sites on c-Myc involving the amino acids regions 1-100 and 367-439. The interaction of the high-risk type HPV E7 with c-Myc can augment c-Myc transactivation activity but this does not occur with low-risk type HPV E7. Deletion within the Cys-X-X-Cys repeat motif at the C-terminus of HPV-18 E7 leads to a lost of association with c-Myc and also abolishes the enhancement of c-Myc's transactivation activity. Furthermore, the interaction of HPV-18 E7 with c-Myc functionally promotes c-Myc's DNA-binding ability. Using the hTERT promoter as a model, enhanced c-Myc binding ability to the hTERT promoter as measured by immunoprecipitation assay was observed and occurred in an E7 dose-dependent manner. Taken together, these results provide significant new insights into the association of c-Myc with E7 and the possible involvement of high-risk E7 in oncogenesis.
KW - c-Myc
KW - E7
KW - Human papillomavirus
KW - Telomerase
KW - Transactivation
U2 - 10.1016/j.biocel.2006.09.006
DO - 10.1016/j.biocel.2006.09.006
JO - International Journal of Biochemistry and Cell Biology
JF - International Journal of Biochemistry and Cell Biology


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At 4:30 am our tuk-tuk will pick you up from the hotel and transfer to the Cambodia Quad Bike office. Before heading out on a ride you will be given quad bike safety training. After the briefing you will ride through small villages and rice fields and will watch the sun rising above green fields. Bright and fresh mornings allow many photo opportunities. On the way back to town you will stop at the local market. It's a great place to see people having a quick breakfast before work, to sample fresh fruit and to take more photos. During the length of the trip you will be accompanied by our professional guides on motorbikes.
Tour finishes at Cambodia Quad Bike office at about 8:30 am. After you wash mud off your feet and take a refreshing drink, we will transfer you back to your hotel in Siem Reap.
Sunrise time in Cambodia depends on the season. You will be notified about exact time of pick up when your booking is confirmed.
For groups over 5 people safety brief and familiarization training is held in the afternoon of the day before the tour. Transfers to/from the hotel in Siem Reap to the Cambodia Quad Bike office for the training are included in the cost of the trip.


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Former S. Korean President Roh Tae-woo dies at 88 Updated: 2021-10-26 15:03:13 KST
Former South Korean president Roh Tae-woo died today at the age of 88.
A former army general, as South Korea's 13th president, he was the country's first leader chosen in a free and direct election.
Under his administration, from 1988 to 1993, South Korea started the process of building ties with North Korea, and established ties with socialist countries.
Prior to Noh's election, South Korea had been ruled by a dictator, Chun Doo-hwan, and Noh's help bringing him to power in a coup marred his career.
Under Chun, Roh directed crackdowns on pro-democracy protesters and served as a government minister.
After his presidency, Roh was convicted of mutiny, treason and corruption, but was pardoned by his successor Kim Young-sam.
Foreign Correspondents from all around the glob...
The Arirang NEWS quickly delivered the news about National/Politics, N...


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«Rumors» — перший сингл першого альбому американської поп-співачки Ліндсі Лоан — «Speak». Вважається найуспішнішою піснею альбому, в США вийшла 21 вересня 2004.

Інформація
Пісня «Rumors» написана Ліндсі Лоан, Корі Руней, Терілл Джексон і ТіДжей Джексон. Сенс пісні взятий з життя Ліндсі. Відеокліп став номером один в «MTV's» TRL і був номінований на «2005 MTV Video Music Awards» в категорії Best Pop Video. 25 лютого 2005 сингл «Rumors» отримав Золото від RIAA. В пісні є посилання на пісню Майкла Джексона «Privacy» з альбому «Invincible».

Спочатку пісня мала мати назву «Just What It Is». «Rumors» і «Bossy» до сих пір вважається найкращими піснями Ліндсі.

Музичне відео
Режисер — Джейк Нава. Існує дві версії відеокліпу: стандартна і невідредагована. Невідредагована версія на 20 секунд довша ніж оригінал, через не вирізані кадри танцю. Невідредагована версія офіційно не виходила.

Список пісень
CD-сингл
«Rumors» — 3:16
«Rumors» (Full Phatt Remix) — 3:25

Максі-CD-сингл
«Rumors» — 3:16
«Rumors» (Full Phatt Remix) — 3:25
«Rumors» (Full Phatt Club Mix) — 3:49
«Rumors» (Video)

12" LP із реміксами Phatt
Сторона A:
«Rumors» — 3:16
«Rumors» (Full Phatt Club Mix) — 3:49
Сторона B:
«Rumors» (Full Phatt Remix) — 3:25
«Rumors» (Full Phatt Club Mix Instrumental) — 3:48
«Rumors» (Full Phatt Remix Instrumental) — 3:23

12" LP із реміксами Sharp Boys
Сторона A:
«Rumors» (The Sharp Boys Club Gossip Vocal Remix) — 7:24
«Rumors» (The Sharp Boys Gossiping Dub) — 7:22
Сторона B:
«Rumors» (The Sharp Boys Club Gossip Instrumental) — 7:24
«Rumors» (Sharp-A-Pella) — 6:00

Чарти

Примітки

Посилання

Пісні за алфавітом
Сингли 2004
Пісні 2004
Пісні Ліндсей Лохан
Дебютні сингли
Англомовні пісні
Електропоп-пісні
Денс-поп-пісні

redpajama_set_name: RedPajamaWikipedia


Bioeconomy is a hot topic in a lot of debates that concern how Finland will develop new strengths for its economy and society. However, very little is still understood about what types of ethical questions it may provoke as our societies start more vigorously embrace the concept. Thus, in the BioEcoJust project we shall dive deep into understanding the moral aspects of emerging bioeconomy scheme for the next hundred years, and even further. Project is funded by the Academy of Finland.
The Bioeconomy is proposed to be the next significant wave of social and economic development transformation. Bioeconomy is a term used to refer to the production and use of different bio-based techniques and materials, as well as business models that seek to replace fossil fuel and materials as the core of modern economies, that is currently proposed as a key solution to the pressing environmental concerns, like the climate change. It also promises to create employment for rural areas and produce economic growth by creating new high value-added products and services.
The shift to the bioeconomy will require a number of active decisions by individuals, businesses and political decision makers. Certain choices will promote the transition, while others may make it less likely to occur. Also, as with all large-scale transformations, there are central ethical issues leading to adopting a bioeconomy, and choices to be made about the form in which it would be implemented.
In the BioEcoJust project, our research team comprising of futures researchers and morality philosophers who will anticipate the decisions that have to do with the transformation to a bioeconomy. We will explore the nature and potential outcomes of these decisions: who are the key actors making the decisions, what kinds of factors may affect their decisions, and what are the causal responsibilities attached to these decisions. We will also look into past transformations and identify patterns that can be utilised in informing on decisions regarding future transformations. An important aspect of the work is to make private and public decision-makers aware of the long-term repercussions attached to decisions made today, and to discuss the responsibilities and choices that will need to be confronted.
In the project, scenarios will be prepared for relatively near futures (year 2025) and then also scenarios reaching as far into the future as the year 2125. Methods used for the work include the Delphi method, applied here in order to better understand the possibilities for advanced biotechnologies and their potential impacts on society. We will assemble a series of futures workshops in order to explore debates about the acceptability of different solutions and ethical dimensions linked to this decision-making. The results are valuable for their potential to generate further insightful discussion around the topics, from both the general public and the key decision-makers. To ensure that the ideas produced in the project are disseminated we will organise academic meetings, general lectures, and panels and seminars with political decision-makers.
The long time span of the study, combined with a focus on the ethical dimensions of technological decision making, place this research at the core of futures studies. Investigating ethical dilemmas of the future will necessarily draw attention to the need to consider multiple possibilities. It will force us to clarify our expectations about the impacts of our decisions, and question the projected technological trajectories. Black swans will also need to be considered, that could disrupt any development assumed to be given. Yet, the most important aspect in discussing long-range futures is that the impacts of any decision made about future technologies will often be both deeply ethical and also divisive. Bioeconomy represents new challenges, and it brings up new issues that we as decision-makers need to be ready to face.
One thing is sure: the more nearer 2020 and beyond comes, the more the challenge and the opportunity of bioeconomy will haunt us.


Money placed in the HRA is done so on a tax-free basis (no federal, state or FICA taxes are paid). Any of the HRA's investment earnings allocated to your account are also tax-free. All reimbursements from your account for out-of-pocket eligible medical expenses for you, your spouse and your dependents are also tax-free. This tax-free advantage could save you and your family a considerable amount of money.
For example, if you are eligible for a $10,000 cash payout from your employer at termination of employment, you may only receive about $6,000 after deductions for federal, state and FICA taxes are deducted. However, if your employer places the same cash payout into an HRA, no taxes are paid and the full $10,000 is placed in your account to reimburse you and your dependents for out-of-pocket eligible medical expenses.


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New York Giants head coach Joe Judge will have a substantial number of challenges in his first year with the...
Craig Johnson latest assistant to part ways with…
The purge of Pat Shurmur's former New York Giants staff continued on Wednesday with news that outside linebackers coach Mike...
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New York Giants made a mockery of the Rooney Rule
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There are many reasons to let pessimism fester if you're the New York Giants, but nothing gets accomplished while looking...
New York Giants interview Mike McCarthy for head…
The New York Giants interviewed former Green Bay Packers coach Mike McCarthy for their vacant head coach role, the team...


Timing is really tight - I need to get my nomination papers in by 4pm this Friday.
I will check in the morning if I need to have the certificate of authorisation with the rest of it. If so, we'll probably need to get you to fill it in, scan it and e-mail it to me (if that's acceptable, which I'll also check).
I delivered these to as many homes as I could (which unfortunately, wasn't all the homes in the ward) and received quite a few back - including some hand-delivered.
This was pretty different to my last campaign where I pretty much only did online campaigning, including buying adverts on Facebook and Twitter. Those online ads cost more and I got a similar result (6.8%). It might be that leafleting and online campaigning are just as effective as each other.
What I couldn't do this time is any canvassing (although I naturally spoke to a few people at the door) because there was nowhere near enough time. I'd like to try that only and see how it compares, but we'll see if that's feasible. If not, I'd like to combine similar leafleting (I have loads of postcards left that I can easily use again) with online ads and see what happens.
At the end of the campaign I also released an online tool where I added the responses on the physical cards and allowed folks to add their own as well as their votes. It's fairly crude, but I'm interested in doing this kind of thing again.
That's all I can remember right now. Ask if you have questions!
@philipjohn, well done, that's brilliant.
I am only in Tamworth, I'm impressed with the postcards and if I stand I'd use them, think they could be really useful.
Will you be standing again in Lichfield in 2019?
I noticed they are doing a lot to encourage people to do so as a council.


Pastor Enersen has been the Senior Pastor of Full Gospel Temple since 1987.
He has the anointed ability to share his knowledge of the Word in a down to earth, uncompromised, practical way that challenges, educates, & encourages everyone that has the privilege of sitting under his ministry.
His unwavering commitment has been a stalwart example for all who know him.


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Q: Omnibus Test for 3 or more Dichotomous Variables I would like to ask whether there is an omnibus test to determine whether the proportions across three or more dichotomous variables are different. If so, then what is the name of the test.
For example, suppose that participants are asked to state whether they like red (yes/no), blue (yes/no) and orange (yes/no). The results indicate that 60% of participants stated that they like red, 65% of participants indicated that they like blue, and 57% of participants indicated that they like orange.
Is there a test to determine whether these proportions (i.e., 60%, 65% and 57%) are different at the population level?


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How the metaverse won Christmas
SEO Vaibhav Sharma December 27, 2021
This photo from Oculus shows what it might be like to play it in an apartment.
The metaverse won Christmas this year.
Meta, Facebook's parent company, had the most popular app in Apple's App Store on Christmas Day: the Oculus virtual reality app. That's the app people download to manage the Oculus VR headset, and its top ranking is an indicator Meta's VR headset was one of the most popular technology gifts over the holidays.
App Store rankings aren't perfect, but they offer a good snapshot of how popular a given app is at a moment in time. It's also a good peek into technology trends every Christmas as folks activate all their new gadgets.
In Meta's case, this is the first time its Oculus app has topped the App Store on Christmas. CEO Mark Zuckerberg announced this year that the company will invest at least $10 billion to build the metaverse, a virtual world he believes will become the standard for social networking, gaming and even work in the future. Zuckerberg believes in the metaverse concept so much that he changed Facebook's name to Meta this fall.
Zuckerberg's pivot to the metaverse was just one of the major events that showed the growing excitement around the metaverse this year. Gaming company Roblox, which made its bet on the metaverse years before we even heard the word cross Zuckerberg's lips, went public in March at a nearly $40 billion valuation. That's pushed investors to hunt for the next big metaverse stock, with names like Nvidia and AMD dominating the conversation. Both companies sell chips that will power it.
Today's VR headsets from Meta are nowhere near as powerful or capable enough to enable Zuckerberg's ultimate vision for the metaverse. But they can give you a taste of what's possible. On top of that, Meta now has a lot more customers, giving it a chance to gather more data about how normal folks use virtual reality and tailor experiences to those tastes. If Zuckerberg's thesis about the metaverse is correct, then this year's new crop of VR users will help inform Meta, and other companies working on similar technologies, to decide on what kind of experiences to make next.
Still, although Meta doesn't disclose how many VR headsets it sells, the technology hasn't hit the adoption inflection point where it can gather the kind of attention from customers and software developers the way smartphones and computers have.
The party won't necessarily last just because Meta had a great Christmas this year. To put it in perspective, we've seen companies like Amazon, Google and Fitbit "win" Christmas in past years thanks to sales of their gadgets. So far, none of those products proved to be the game changer Meta hopes VR will become.
For now, though, Meta's holiday success is a strong indicator the company is on the right path in its quest to build the metaverse.
Category: LATEST NEWSTagged: Advanced Micro Devices IncAlphabet Class AAmazon.com IncApple Incbusiness newsConsumer electronicsMark ZuckerbergMeta Platforms IncNVIDIA CorpRoblox CorpTechnology
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After examining the poor quality solar clubs, the stock will deteriorate in the market area


The prevalence rate of awake Bruxism and sleep Bruxism is about 20 and 8–16% respectively in adult populations and is continuing to grow. Awake Bruxism is found to occur predominantly among females while no such gender difference is seen for sleep Bruxism.
The disorder is appearing more frequently in the younger population with a prevalence between 14 to 20%. The need to be able to correctly diagnose, treat and select cases for referral has never been more relevant to general practice.
This program is presented by world-renowned Oral Medicine expert, Assoc. Professor Michael Stubbs, who outlines the most up-to-date concepts in the diagnosis and treatment of Bruxism.
You can still have an option to attend our Live Program!


For a new product to win initial trials and then ongoing repeat business, it needs to bring something new to the marketplace. Potential customers need an incentive – such as additional benefits or some form of variety – to be persuaded to try and buy a new product. Without any real point of difference, the new product is likely to fail.
Most retailers are pretty happy with their existing merchandising mix and also need to be persuaded that the new product has value for them and their customers. Many new products will fail because they do not obtain the necessary distribution and market coverage to be viable, due to lack of interest from most retailers.
Virtually all products that are put to development and launch sound good on paper. However, during the development phase when final design decisions are made at the product is actually developed and produced, this may not go exactly to plan. The end result is a poorly designed or poor quality product, which is unlikely to generate a large number of repeat sales.
The success of new products will rely upon existing consumers being willing to switch from their current purchases OR entering a market where there are a significant proportion of first-time customers without any established brand loyalty. In many cases, existing customer inertia – the unwillingness to switch brands – will limit the potential success of a new product. Clearly this phenomenon will vary by type of product – for example, many basic supermarket products are bought by consumers who follow simple habitual loyalty and are less likely to switch as a result.
Most new products require a reasonable degree of promotional support to build brand awareness and to access distribution channels and retailers. With a limited launch budget or a poorly executed launch, then the success of a new product is less likely.
Occasionally a new product may attract adverse media attention, usually related to deficiencies in the product design, price level, or early use problems experienced by consumers. If this occurs, in today's Internet connected world it becomes difficult to achieve new product success.
Virtually all new products are designed to take market share away from established competitors. Therefore, some form of competitor reaction should be expected. In some cases competitors will increase their level of promotion, reduced prices, leverage retail relationships to discourage their partners from supporting a new product from a competitor, or even launch a similar product themselves.
All of these initiatives are designed to protect their market share and try to have the new product to be as unsuccessful as possible.
New products may suffer from a poor pricing and cost structure. Sometimes companies will design products with many features in an attempt to bring something new to the market. As a result, these products are often more costly to produce, but the firm expects the marketplace to have a willingness to pay more for a better product. This may or may not be the case and this product strategy may be quite successful, or be perceived as poor value in the market.
In line with this concern, an expensive development process, along with an expensive launch, may necessitate the need to charge a higher price – which again may or may not be accepted by the marketplace.
As we know, new products launched under a strong brand have a greater likelihood of success. This is because the brand has existing customer following and loyalty. These consumers are more likely to trial the new products produced by a brand that they trust and like. Obviously the reverse will apply – weak brands do not have the same degree of customer loyalty or brand awareness, and are therefore less likely to generate strong sales due to their brand support.
In today's marketing world, market segments are fragmenting and a number of companies now pursue niche markets. While niche markets provide a suitable and possibly attractive market if there is no or little competition, they have the danger of being relatively small. Clearly a small target market will generate less sales volume and is less financially viable as a consequence.
For new-to-the-world products, they have the extra concern of whether their benefits/features are actually meeting a market need. By their very nature, this classification of new products (brand-new inventions) are something new to the marketplace and provide a different solution to an established need and sometimes a solution to need it does not yet exist in the minds of the consumer.
Therefore, if the company misreads this situation, then their level of sales is likely to be disappointing. This is relatively common with backyard inventors who think that their new invention is the next big thing.
Service companies in particular rely on internal staff – such as retail staff and call center staff and various other customer contact personnel. Usually they are the sales or fulfillment part of the overall launch and marketing process of the new product. Surprisingly, without an internal marketing program to convince the staff members of the benefits of the new product for their customers, many of them will be reluctant to sell, or help switch customers to, the new product.
A risk associated with a product line extension is that it may simply cannibalize an existing product. So in essence, while the new product may be successful, because it could take significant sales away from an established product the overall new product could be deemed a failure by management. This is because the company has invested time and money into bringing new product to market, yet no additional profitability has been delivered to the bottom line.
However, of course, there are companies who believe in the importance of cannibalizing their own products – primarily as a competitive defensive measure – an example here is 3M.
When we discuss a product failure, it needs to be considered in conjunction with the overall size of company. For example, take a large company like Coca-Cola. If they were to bring a new product to market, some sort of beverage, and that only generated $1 million per year profit (which is good money for the average company) a company the size of Coca-Cola would deem this new product a failure and would probably look to discontinue it.
Because new product success relies upon consumers being willing to switch and trial new products and then become a repeat and loyal purchaser, there are several steps phases involved in the customer's journey. This process obviously takes time. Some companies are willing to wait and invest in a new product, whereas others seek and expect almost instant success in the marketplace.


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Bees blog: Sixth man needed to help us reach play-offs
Well another week has passed and we only have six games to go till the end of the season.
Katie Eleftheriou, fan turned boss of the Bracknell Bees, gives an insight into running a top ice hockey team.
I can't believe it has gone by so quickly.
These last six games have become the most vital if we are to make a play-off spot after this weekend's defeats.
Bracknell Bees 4 Basingstoke Bison 6
I have to admit, I was expecting a loss against the Bison on Sunday, but to lose so badly against the Cats on Saturday was a big surprise!
Dumas still in shock after Bracknell Bees are mauled
The fans were also getting restless too!
Anyway, after the debacle on Saturday, we were all hoping for a much more competitive game against the Bison.
At least the Bees did not disappoint.
The game was certainly much more entertaining even if we didn't get the result.
At least we didn't have any serious injuries this week.
Although, we do have some serious Bees team solidarity. Bomber has a new name........ Sparticus Kaminskas.
The famous line "I'm Sparticus" is very apt.
Just make sure you check his gloves as he returns to the bench…a) for the number and b) for the left one because he was already wearing it........ Boniface obviously doesn't like stinky gloves being thrown at him and who would?
I also saw another first, the Netminder being sent off and given a game penalty for laughing. Classic piece of refereeing.
Well, we face the raiders from Romford on Saturday. I hope you will join us and be the sixth man as we need the points to ensure we reach the play-offs.
Then to Manchester on Sunday.
Still proud to be a Bee, Katie x
Reading man who drove past National Lottery HQ hundreds of times finally picks up big prize
ReadingWhen driving past lottery HQ with his son he used to joke about one day going there to collect a cheque...


Luxury villa with swimming pool in the heart of picturesque Tuscany near the famous tourist and spa towns of Monsummano and Montecatini Terme. Framed by a well-kept lawned garden Villa Radiosa with its terraces and panoramic swimming pool offers magnificent views over the surrounding countryside and the Serravalle towers, the Abetone mountains and Montecatini Alto. The 18th century building has been lovingly and accurately restored according to the tastes and styles of the Tuscany of the time. The interior is spacious, refined and welcoming and equipped with all modern conveniences. Every detail has been carefully considered, from the furniture to the antiques, the prints and the valuable Persian carpets. The ground floor contains a kitchen which opens onto a veranda, a lounge and a large living room with a stone fireplace, a double bedroom and a bathroom. Three other bedrooms and two bathrooms are on the first floor. The villa is perfectly located for visiting the artistic and natural beauties of Tuscany. The towns of Florence, Pisa, Lucca, Siena and Pistoia are all only a few kilometres away, as are the famous beaches of Versilia and the Padule di Fucecchio.
Ground Floor: entrance, living room with 2 sofa beds, dining room with sitting area and fireplace, large kitchen with fireplace, laundry room, 1 bathroom with shower (hydro massage), 1 double bedroom (green) with fireplace. First Floor: 1 double bedroom (yellow) with en-suite bathroom with shower (hydro massage with Turkish bath), 1 twin bedroom (blue), 1 double bedroom (red), 1 bathroom with tub and shower.
Porch, garden, terrace-solarium, fitness room, dressing room and bathroom with shower, swimming pool.


Sandwich High Sensitivity ELISA kit for Quantitative Detection of Mouse IGFBP-1. 96wells/kit, with removable strips.
IGF-binding proteins prolong the half-life of the IGFs and have been shown to either inhibit or stimulate the growth promoting effects of the IGFs on cell culture. They alter the interaction of IGFs with their cell surface receptors. Promotes cell migration (By similarity). .
IGFBP1 is also known as amniotic fluid binding protein(AFBP), placental protein-12, alpha-pregnancy-associated endometrial globulin, growth hormone independent binding protein, binding protein-28, binding protein-26, and binding protein-25. The low-molecular weight insulin-like growth-factor binding protein(IGF-BP25) is synthesized by human liver, secretory endometrium and decidua, and is also present in human serum. It binds insulin-like growth factors IGF-I and IGF-II with high affinity, and is proposed to act as a paracrine regulator of cell growth. These IGF-binding proteins are expressed at different concentrations in different tissues and are thought to regulate the activity of IGF I and II. The gene is organized in four exons and spans 5.9 kb. The IBP-1 gene is a single copy gene, located on chromosome 7. The standard product used in this kit is recombinant mouse IGFBP-1, consisting of 247 amino acids with the molecular mass of 27KDa.
A: Baculovirus was not used in the production of EK0383.


Changing out my sand filter to another TR100. installer suggests we put 4 bags of pea gravel and 5 bags of zeobrite. pool is 34,000 gallons and i run the variable speed pump 24hrs/day at 2500rpms.
Is this enough media (gravel and zeobrite) for this filter?
The TR-100 will have very specific instructions for the amount of filter media. Check with Pentair if they don't come with the paperwork of your filter.
The TR100 takes 150lbs of pea gravel and 450lbs of sand OR just 600lbs of sand and no pea gravel if you want.
Honestly, I would just use good old fashioned filter sand and no gravel. Zeosand has always been more trouble than it's worth......for me anyway.


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Die Tanglefoot Company wurde 1885 in Grand Rapids (Michigan) gegründet und war einer der ersten Hersteller von umweltfreundlichen Schädlingsbekämpfungsmitteln. Der Klebestreifen gegen Fliegen machte die Firma berühmt. 2009 wurde sie vom kanadischen Unternehmen Contech Enterprises übernommen.

Geschichte
1880 begann William Thum, ein deutscher Chemiker, mit der Produktion von Fliegenpapier in Grand Rapids im US-Bundesstaat Michigan. Er hatte noch große Schwierigkeiten mit der Herstellung, da der Klebstoff zu schnell austrocknete. Nachdem er die Produktion an seine vier Söhne Otto, Hugo, William und Ferdinand übergeben hatte, kümmerten sich diese um die Weiterentwicklung des Fliegenpapiers. Sie entwickelten eine auf Rizinusöl, Harz und Wachs basierende Mischung, die wesentlich länger haltbar war und das Trägerpapier nicht durchtränkte.
1887 ließen sie ihr nun perfektioniertes Fliegenpapier patentieren und begannen es auch nach Europa zu exportieren. Im Jahre 1909 verkauften die Brüder die Firma.
1923 wurde sie von "The O&W Thum Company" in "The Tanglefoot Company" umbenannt.
Da es in den Städten durch zunehmend bessere Hygiene immer weniger Fliegen und andere Insekten gab, wurde die Produktpalette auf umweltfreundliche Schädlingsbekämpfungsmittel für die Landwirtschaft ausgeweitet. Bei der Übernahme durch Contech 2009 wurde die Hauptproduktionsstätte für die Tanglefoot-Produkte in Grand Rapids belassen.

In der deutschen Literatur setzte Robert Musil dem Tanglefoot-Fliegenpapier in seinem um 1913 entstandenen Text "Das Fliegenpapier" ein Denkmal ("Das Fliegenpapier Tangle-foot ist ungefähr sechsunddreißig Zentimeter lang und einundzwanzig Zentimeter breit; es ist mit einem gelben, vergifteten Leim bestrichen ...").

Einzelnachweise

Ehemaliges Unternehmen (Grand Rapids, Michigan)
Insektenbekämpfung
Produzierendes Unternehmen (Grand Rapids, Michigan)


A pilot helped three passengers escape from his advertising blimp moments before he burned to death.
Mike Nerandzic ordered the journalists to jump when the Goodyear-branded airship caught fire near a festival.
The Australian, described by friends as 'one of the best airship pilots in the world', called out to the trio, 'We're having a crash,' before telling them to leap about 2m (6ft) to the ground.
The A60 airship then soared about 50m (165ft) into the air and burst into flames.
One survivor, photographer Joachim Storch, described hearing a 'terrible bang' after the blimp approached Reichelsheim airfield is southern Germany on Sunday.
'I was scared to death,' the 54-year-old said.
He then told how he 'heard the screams of the pilot' being burned alive.
The blimp is one of two leased by Goodyear tyre company from Lightship Europe Limited for marketing campaigns.
One flew over London in April, Toby Page, marketing director at Lightships, said Mr Nerandzic, believed to be aged 53 and married without children, was 'very experienced'.
'He died doing what he loved – it's tragic,' he added.
An investigation has been launched into the cause of the incident.
Reports in Germany claimed a fire broke out in both engines.