OXFORD, Miss. — Ole Miss capped off an impressive weekend of games with a 10-3 win over Auburn on Saturday to complete the sweep. The Rebel bats were hot during the series, combining for a total of 23 runs and 34 hits during the three-game stretch.
After falling behind in the first two games, Auburn finally got an early lead Saturday. The leadoff hitter for the Tigers, Will Holland, homered to give Auburn a 1-0 lead.
Head coach Mike Bianco trotted out James McArthur for game three, a reliable arm in the rotation who came in with a 4.09 ERA and a 5-0 record on the year. However, after giving up a home run in the first, he soon gave up another run in the second which gave Auburn a 2-0 lead. Bianco had seen enough and decided to pull him after just 1.1 innings of work.
If you've watched this Ole Miss team at any point during this season, you've learned one thing; they're never out of it. Three consecutive base hits and corresponding RBI from Anthony Servideo, Grae Kessinger and Ryan Olenek helped Ole Miss storm back to take a 3-2 lead.
"(The players) have to show up today," Bianco said.
Will Ethridge took over on the mound after McArthur and found great success. He dominated for 6.2 innings and allowed only one ER and three hits while striking out 10 of the 20 batters he faced.
"He was terrific," Bianco said.
Auburn tied things up at three in the fifth, but it wouldn't be long until the freshman phenom Tyler Keenan would destroy a ball to right field for his seventh home run of the year. Keenan will certainly garner attention for the SEC Freshman of the Year honor after a marvelous season at the plate and in the field at third base.
"I wouldn't say anything is different," Keenan said.
Ole Miss apparently wasn't satisfied with a one-run lead heading into the ninth, so the Rebels decided to put up six more runs in the eighth. Kessinger, Chase Cockrell, Michael Fitzsimmons and Nick Fortes all recorded an RBI in the inning to give Ole Miss a commanding 10-3 lead, which would be the final score.
"One of the things about this offense is they play all 27 outs," Bianco said.
With the season coming to an end next weekend at Alabama, the race for the top of the SEC West is heating up. Ole Miss now sits just a half-game behind Arkansas for first in the SEC West standings. Arkansas completes its weekend series with A&M on Sunday, and should the Hogs lose, they would be tied with the Rebels with only one weekend remaining. While the Rebels play the Crimson Tide, the Razorbacks travel to Georgia.
Luckily for Rebel fans, Ole Miss holds the tiebreaker over Arkansas due to the series win earlier in the season.
"We're just trying to stay where our feet are and win an SEC West championship," Keenan said.


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text:
St Patrick's Cathedral, Dublin
For other uses, see St Patrick's Cathedral (disambiguation).
St. Patrick's Cathedral, Dublin
53°20′22″N 6°16′17″W / 53.33944°N 6.27139°W / 53.33944; -6.27139Coordinates: 53°20′22″N 6°16′17″W / 53.33944°N 6.27139°W / 53.33944; -6.27139
Previous denomination
Roman Catholic, Anglican
Diocese of Dublin and Glendalough
Province of Dublin
W. W. Morton
Precentor
P. R. Campion
N. J. Sloane
Organist/Director of music
Stuart Nicholson
Organist(s)
David Leigh
Organ scholar
Martina Smyth
Saint Patrick's Cathedral (Irish: Ard-Eaglais Naomh Pádraig) in Dublin, Ireland, founded in 1191, is the National Cathedral of the Church of Ireland. With its 43-metre (141 ft) spire, St. Patrick's is the tallest church in Ireland and the largest.[1] Christ Church Cathedral, also a Church of Ireland cathedral in Dublin, is designated as the local Cathedral of the diocese of Dublin and Glendalough.[2]
St Patrick's Cathedral Dublin
Unusually, St Patrick's is not the seat of a bishop, as the Archbishop of Dublin has his seat in Christ Church Cathedral. Since 1870, the Church of Ireland has designated St Patrick's as the national cathedral for the whole of Ireland, drawing chapter members from each of the twelve dioceses of the Church of Ireland. The dean is the ordinary for the cathedral; this office has existed since 1219. The most famous office holder was Jonathan Swift.
State pew of the President of Ireland, still retains a British Standard carving on the front
There is almost no precedent for a two-cathedral city, and some believe it was intended that St Patrick's, a secular (diocesan clergy who are not members of a religious order, i.e. under a rule and, therefore, "regular") cathedral, would replace Christ Church, a cathedral managed by an order.
A confrontational situation persisted, with considerable tension, over the decades after the establishment of St Patrick's, and was eventually settled, more-or-less, by the signing of a six-point agreement of 1300, Pacis Compositio. Still extant, and in force until 1870, it provided that:
The consecration and enthronement of the Archbishop of Dublin was to take place at Christ Church – records show that this provision was not always followed, with many archbishops enthroned in both, and at least two in Saint Patrick's only
Christ Church had formal precedence, as the mother and senior cathedral of the diocese
Christ Church was to retain the cross, mitre and ring of each deceased Archbishop of Dublin
Deceased Archbishops of Dublin were to be buried alternately in each of the two cathedrals, unless they personally willed otherwise
The annual consecration of chrism oil for the diocese was to take place at Christ Church
The two cathedrals were to act as one, and shared equally in their freedoms
Over the following centuries, the two cathedrals functioned together in the diocese, until in the period of disestablishment of the Church of Ireland, the current designation of one as the cathedral of Dublin and Glendalough, and one as the National Cathedral, was developed.
Pre-Reformation period
The choir of St Patrick's Cathedral
In 1192, John Comyn, first Anglo-Norman Archbishop of Dublin, elevated one of the four Dublin Celtic parish churches, the one dedicated to Saint Patrick, beside a holy well of the same name and on an island between two branches of the River Poddle, to the status of a collegiate church, i.e., a church with a body of clergy devoted to both worship and learning. The new collegiate church fell outside the City boundaries, and this move created two new civic territories, one under the Archbishop's temporal jurisdiction. The church was dedicated to "God, our Blessed Lady Mary and St Patrick" on 17 March 1191.[3]
Comyn's charter of 1191 or 1192, which allowed for a chapter of thirteen canons, of which three held special dignities (as Chancellor, Precentor and Treasurer), was confirmed by a Papal Bull (of Pope Celestine III) within a year. The thirteen prebendaries attached to the church were provided with archepiscopal lands.
Over time, a whole complex of buildings arose in the vicinity of the cathedral, including the Palace of the St Sepulchre (seat of the Archbishop), and legal jurisdiction was divided between a Liberty controlled by the Dean, around the cathedral, and a larger one belonging to the Archbishop, adjacent.
While it is not clear when precisely the church was further raised to the status of cathedral, a unique move in a city with an existing cathedral, it was probably after 1192, and Comyn's successor as Archbishop, Henry de Loundres, was elected in 1212 by the chapters of both Christ Church and St Patrick's, this election being recognised by Pope Innocent III. See below for more on the question of status. Henry granted a number of further charters to the Cathedral and Chapter between 1218 and 1220, and one of these in 1220 created the office of Dean to head the Cathedral,[4] the right of election being allocated solely to the canons of the Chapter.
The basis of the present building, as noted, the largest church in Ireland, was built between 1191 and 1270, though little now remains of the earliest work beyond the Baptistry. Much of the work was overseen by the previously mentioned Henry of London, a friend of the King of England and signatory of the Magna Carta, who was also involved in the construction of Dublin's city walls, and Dublin Castle.
An order from King Henry III in 1225 allowed the collection of donations from across the island for reconstruction for a period of four years, and the work, in the Early English Gothic style, lasted at least until rededication in 1254. The Lady Chapel was added around 1270.[5]
In 1300, Archbishop Ferings of Dublin arranged an agreement between the two cathedrals, the Pacis Compositio, which acknowledged both as cathedrals and made some provision to accommodate their shared status.[6] For more, see Status below.
Lady Chapel.
In 1311 the Medieval University of Dublin was founded here with William de Rodyard, Dean of St Patrick's, as its first Chancellor, and the Canons as its members. It never flourished, and was suppressed at the Reformation.
From the mid-14th century, and for over 500 years, the north transept of the building was used as the parish church of St Nicholas Without (i.e. the part of the Parish of St Nicholas outside the city proper).
The tower (Minot's Tower) and west nave were rebuilt between 1362 and 1370, following a fire. The name commemorates Thomas Minot, Archbishop of Dublin 1363–75, who oversaw the rebuilding.
From the very earliest years there were problems with seepage of water, with a number of floods, especially in the later years of the 18th century, caused by the surrounding branches of the River Poddle – even in the 20th century, it is reported that the water table was within 2.3 metres (7.5 feet) of the floor.[7] This situation ensured there would never be a crypt or basement area.[8]
Reformation period
Memorial to Thomas Jones, Dean of St Patrick's from 1581 to 1585
After the English Reformation (an uneven process between 1536 and 1564 but at St Patrick's, effective from about 1537), St Patrick's became an Anglican Church of Ireland church. Most Dubliners followed the same line. In the 1530s some images within the cathedral were defaced by soldiers under Thomas Cromwell, and neglect led to collapse of the nave in 1544. The conventionally-flexible style of the Archbishop of Dublin Hugh Curwen is instructive; he was a follower firstly of Henry's non-Lutheran church in the 1530s, then of Edward VI's full-blown Protestantism c.1550, then accepting his appointment as archbishop during Queen Mary's reversion of the church to Roman Catholicism in 1555, and continued to serve as the archbishop, using the Anglican rite from 1559, under Queen Elizabeth until 1567.
Under King Edward VI, St Patrick's Cathedral was formally suppressed, and the building demoted back to the status of parish church. On 25 April 1547, a pension of 200 marks sterling was assigned to "Sir Edward Basnet", the Dean, followed, some months later, by pensions of £60 each to Chancellor Alien and Precentor Humphrey, and £40 to Archdeacon Power. The silver, jewels, and ornaments were transferred to the Dean and Chapter of Christ Church. The King designated part of the building for use as a court house, the Cathedral Grammar School was established in the then vicar's hall and the deanery given to the archbishop, following the transfer of the Archbishop's Palace to the Lord Deputy of Ireland. In 1549, it was further ordered that the walls be repainted and inscribed with passages from the scriptures.
In 1555 a charter of the joint monarchs Philip and Mary restored the cathedral's privileges[9] and initiated restoration and a late document of Queen Mary's reign, a deed dated 27 April 1558, comprises a release or receipt by Thomas Leverous, the new Dean, and the Chapter of St Patrick's, of the "goods, chattels, musical instruments, etc.", belonging to the Cathedral, and which had been in the possession of the Dean and Chapter of Christ Church. It was during this reign that the patronal festival of the Blessed Virgin Mary was last celebrated (in 1558).
Following the ejection of the Catholic chapter of canons in 1559, the Catholic community continued in the 1560s–1570s at least to go on nominating canons and the principal dignitaries to St Patrick's.
In 1560, one of Dublin's first public clocks was erected in "St Patrick's Steeple".
Lady Chapel in Saint Patrick's Cathedral today.
By the early 17th century, the Lady Chapel was said to have been in ruins, and the arch at the east end of the choir was closed off by a lath and plaster partition wall. There was also routine flooding and a series of galleries was added to accommodate large congregations. In 1620 the English-born judge Luke Gernon referred to the Cathedral's poor state of repair.[10]
During the stay of Oliver Cromwell in Dublin, during his conquest of Ireland the Commonwealth's Lord Protector stabled his horses in the nave of the cathedral. This was intended to demonstrate Cromwell's disrespect for the Anglican religion, which he associated with Roman Catholicism and political Royalism.
After the Restoration of the monarchy in 1660, repairs to the building were begun.
In 1666, the Cathedral Chapter offered the Lady Chapel for the use of French-speaking Huguenots who had fled to Ireland, and after some repair and preparation works, it became known as L'Eglise Française de St Patrick. A lease was signed on 23 December 1665 and was renewed from time to time until the special services ceased in 1816, by which time the Huguenots had been fully assimilated into the city population.
In 1668 the roof, in danger of collapsing, was taken down, a new roof being completed by 1671. Buttresses were erected and the west window was replaced with a perpendicular window. Then, in the 1680s, the choir was reformed. In 1688–90, during the Williamite War in Ireland, James II and his fellow Catholics briefly repossessed St Patrick's. James attended Mass services there with his Jacobite supporters for a time, however, the victory of the Protestant Williamites in this war meant that the cathedral was restored to Anglican ownership in 1690 when James abandoned Dublin after his defeat at the Battle of the Boyne.
Bust of Jonathan Swift
Mid 18th century floor plan
Throughout its long history the cathedral has contributed much to Irish life, and one key aspect of this relates to the writer and satirist Jonathan Swift, author of Gulliver's Travels, who was Dean of the cathedral from 1713 to 1745. Many of his famous sermons and "Irish tracts" (such as the Drapier's Letters) were given during his stay as Dean.[11]
His grave and epitaph can be seen in the cathedral, along with those of his friend Stella. Swift took a great interest in the building, its services and music and in what would now be called social welfare, funding an almshouse for poor women and Saint Patrick's Hospital.
The Choir School, which had been founded in 1432, supplied many of its members to take part in the very first performance of Handel's Messiah in 1742.
In 1749, the cathedral spire was added by George Semple; it remains one of Dublin's landmarks.
In 1792, divine service was temporarily suspended due to the poor condition of the south wall, then 60 centimetres (2 feet) out of perpendicular, and of parts of the roof.
Chivalric chapels
Knights of St Patrick. From 1783 until 1871 the cathedral served as the Chapel of the Most Illustrious Order of Saint Patrick, members of which were the Knights of St Patrick. With the dis-establishment of the Church of Ireland in 1871 the installation ceremony moved to St Patrick's Hall, Dublin Castle. The heraldic banners of the knights at the time of the change still hang over the choir stalls to this day.
Knights of Saint Lazarus of Jerusalem. The Cathedral contains the so-called Dunsany Chapel which is the spiritual home of the Military and Hospitaller Order of St Lazarus of Jerusalem. The decoration of the chapel was provided for by Randall Plunkett, 19th Lord Dunsany, who established the Knights of St Lazarus in Ireland in 1962. The Cathedral is used for investiture ceremonies and the Dean of the Cathedral is an Ecclesiastical Commander of the Order.
Celtic cross discovered near the church in the 19th century.
Bronze statue of Sir Benjamin Lee Guinness by John Henry Foley, erected in 1875.[12]
By 1805, the north transept was in ruins and the south transept was in a poor condition; urgent work was carried out to the nave roof, held up by scaffolding.
In 1846, the post of Dean of Saint Patrick's was united with that of Dean of Christ Church, a situation which lasted in law until 1872.
An attempt at major restoration began under the direction of Dean Pakenham (Dean, 1843–1864), limited by poor economic circumstances. The Lady Chapel was restored, the floor (then raised several metres) reduced to its original level and other urgent matters were at least partly addressed.
In the mid-19th century, a Celtic cross was found buried near the cathedral. This has been preserved and it is thought it may have marked the site of the former holy well.
The major reconstruction, paid for by Benjamin Guinness, in 1860–65, and inspired by the fear that the cathedral was in imminent danger of collapse, means that much of the current building and decoration dates from the Victorian era; medieval chantries were removed among other actions, and few records of the work survive today.
Though the rebuilding ensured the survival of the Cathedral, the failure to preserve records of the scale of the rebuild means that little is known as to how much of the current building is genuinely mediæval and how much is Victorian pastiche. Sir Benjamin's statue by JH Foley is outside the south door. His son Arthur (also a brewer) came in for humorous but gentle criticism when he donated a stained glass window of 'Rebecca at the well'; its motto read: 'I was thirsty and ye gave me drink'. In 1901 his son Edward created the adjacent "St Patrick's Park" from an area of decrepit housing, and donated a new set of bells to the cathedral.
The other great change for the cathedral occurred in 1871 when, following disestablishment of the Church of Ireland, the newly independent church at its general synod finally resolved the "two cathedral" issue, making Christ Church the sole and undisputed cathedral of the Dublin diocese and St Patrick's the national cathedral.
The nave as viewed from the western end
The cathedral is the location for a number of public national ceremonies. Ireland's Remembrance Day ceremonies, hosted by the Royal British Legion and attended by the President of Ireland, take place there every November. Its carol service (the Service of Nine Lessons and Carols), celebrated twice in December, including every 24 December, is a colourful feature of Dublin life.
On Saturdays in autumn the cathedral hosts over twelve ceremonies at which new graduates of Dublin Institute of Technology receive their degrees.
The funerals of two Irish presidents, Douglas Hyde and Erskine Hamilton Childers, took place there in 1949[13][14] and 1974 respectively. At President Hyde's funeral, the whole of the Irish government and opposition contingent, but for Noel Browne and Erskine Childers, stayed in the foyer of the church. This was because, at the time of the funeral, the Holy See forbade Roman Catholics from entering the churches of other Christian traditions. Because President Erskine Childers died in office in 1974, his state funeral was a major state occasion. The attendance included foreign dignitaries King Baudouin of the Belgians, the Vice-President of the United States (Spiro T. Agnew representing President Nixon), Earl Mountbatten of Burma (representing Queen Elizabeth), British Prime Minister Harold Wilson and former British prime minister Edward Heath.
In 2006, the cathedral's national prominence was used by a group of 18 Afghan migrants seeking asylum, who occupied it for several days before being persuaded to leave without trouble.
Dean and chapter
Floor of the cathedral
The cathedral is headed by the Dean and governed by the entire chapter, originally 13 in number and having been as many as 30, now numbering up to 28, whose foundation and members' rights derive from the charter of 1191 as approved by Pope Celestine in 1192.
According to the Constitution of the Church of Ireland, the dean is the "immediate ordinary of the cathedral for the purpose of directing the clergy and official and ordering the services". However, "All other matters relating to the cathedral and not otherwise provided for shall be determined in chapter".[15] The members of the chapter, which today represents in part the whole Church of Ireland, hold one of four dignities or special offices, or one of 24 prebends (22 regular, 2 ecumenical as noted below). One prebend is reserved for the Archbishop of Dublin, an unusual arrangement which is only actively used for elections of the dean.
Of the 13 original prebends, several were later reallocated, new ones created to replace them, and later, yet further prebends were designated. For many years, the chapter comprised the four dignities, the archdeacons of Dublin and Glendalough and 24 prebendaries, but the archdeacons ceased to be members based on those offices in the late 19th century.
Cathedral group of parishes (1970 to 2012)
As part of a reorganisation of city-based parishes (many with long histories), several were attached to each of the Dublin cathedrals. The Saint Patrick's Cathedral Group of Parishes which dated as a group from 1970 ceased to exist on the retirement of Dean Robert MacCarthy on 25 January 2012.
A new parish, called the Parish of St Catherine and St James with St Audoen, was created by an act of the General Synod of the Church of Ireland.[16] This new parish is made up of each of the parishes of St Peter, St Matthias and St Audoen; St Catherine and St James; and St Luke and St Kevin.[17] The rector is the Revd Canon M. D. Gardner, Prebendary of Maynooth.
Current offices
Dean: from 1220 to 2007, the dean held the prebend of Clondalkin (a prebend since 1191), and churches at Kilberry, Clonwanwyr (Cloney) and Clonardmacgory (Tullaghgory), all later in the Parish of Kilberry. In 1228, the Church of Tallaght was attached to the Deanery. The current dean-elect is the Very Revd William Morton, currently Dean of Derry
Precentor: the precentor was given the prebend of a portion of Lusk in 1191, and in 1218 the churches of St Andrew in Dublin and Ardree. After several changes, a portion of Lusk was left. The current precentor is the Revd Peter Campion.
Chancellor: from 1218 to 2007, the chancellor held the prebend of Finglas (from the 1191 charter) and the churches of St Martin's (Dublin) and Killachegar, though the latter ceased by 1280. By 1280, St Martin's also no longer provided revenue but St Werburgh's replaced it. The current chancellor is the Revd Niall Sloane.
Treasurer: this office originally held the church of Clonkene and the prebend of St Audoen's (Dublin), as well as the rectory of St Mary's near Dublin Castle. Ballymore-Eustace later replaced Clonkene, and part of Lusk, St Audoen's. The current treasurer is H. E. Finlay, Canon of Windsor (Royal Peculiar, UK).
Taney: this prebend, relating to an ancient rural diocese, originated with the 1191 charter, was given to the Archdeacon of Dublin about 1275 and became independent in 1883 when the office of Archdeacon of Dublin ceased to hold a place in the chapter. The current Prebendary of Taney is the Venerable R. W. Carney, Archdeacon of Killaloe and Clonfert.
Newcastle, County Dublin: this is a prebend since at least 1227 and was held by the Archdeacon of Glendalough from 1467 to 1872, when that archdeacon ceased to be a member of the chapter. The current Prebendary of Newcastle is the Revd I. M. Ellis, Rector of Newcastle (Dromore).
Kilmactalway: this was made a prebend circa 1366 and was attached to the office of precentor for a time before becoming independent in 1467. The current Prebendary of Kilmactalway is the Venerable G. L. Hastings, Archdeacon of Tuam.
Swords: Swords has been a prebend since the original charter of 1191. As at September 2011, the Prebendary of Swords is the Very Revd G. J. O. Dunstan, Dean of Armagh.
Yagoe: this has been a prebend since 1191, and was for over 600 years in the patronage of senior Irish aristocrats. The Prebendary of Yagoe at September 2011 is the Revd T. S. Forster (Armagh).
St Audoen: after over 200 years as an adjunct to the Treasury, this became an independent prebend in 1467. The Prebendary of St Audoen as at September 2011 is the Revd J. P. Barry, Rector of Comber (Down).
Clonmethan: Clonmethan has been a prebend since the 1191 foundation. At July 2007, the Prebendary of Clonmethan is the Revd P. K. McDowell, Rector of Ballywillan (Connor).
Wicklow: attached to the Archdiaconate of Glendalough from the early 14th century to 1467, this has since been independent. Prebendary of Wicklow as at September 2011 is the Revd S. E. Doogan, Incumbent of Ballyholme (Down).
Tymothan: a manor estate, rather than a church, was attached to the Archbishopric until 1247, and has since been independent, though until Disestablishment, often vacant. As of September 2014, the Prebendary of Tymothan is Canon Paul Willoughby, Rector of the Kilmocomoge Union of Parishes (Cork).
Mulhuddart: Mulhuddart has a history intertwined with the prebend of Castleknock, the two having been designated from at least 1230. The Revd J.M. Catterall, Mostrim (Ardagh), is Prebendary of Mulhuddart as at September 2011.
Castleknock: with a history intertwined with the prebend of Mulhuddart, this has been designated since at least 1230. As at December 2015, the Prebendary of Castleknock is the Revd W. P. Houston, Rector of Castleknock (Dublin).
Tipper: this has been a prebend since at least 1227. Prebendary of Tipper as at September 2011 is the Revd J. D. M. Clarke, Rector of Navan (Meath).
Tassagard: this has been a prebend since at least 1227. The Prebendary of Tassagard as at September 2011 is the Revd I.P. Poulton, Rector of Clonenagh (Ossory).
Dunlavin: this has been a prebend since no later than 1227. At at September 2011, the Prebendary of Dunlavin is A. H. N. McKinley, Rector of Whitechurch (Dublin).
Maynooth: a prebend since 1248, the right of presentation was long held by a lay person. Prebendary of Maynooth as at September 2011 is the Revd M. D. Gardner, Rector of St Catherine and St James with St Audoen (Dublin).
Howth: Howth was one of the founding prebends, and at any early stage, the Archbishops removed the prebendal church from Ireland's Eye to Howth village. The Prebendary of Howth as at December 2015 is the Very Revd W. W. Morton, Dean of Derry.
Rathmichael: this has been a prebend since 1227 at latest. At July 2013, Prebendary of Rathmichael is the Revd C. W. Mullen, dean's vicar .
Monmohenock: originally part of the "Economy Estate" which supported cathedral operations, this became a lay-appointed prebend but was a regular prebend by circa 1227. The Prebendary of Monmohenock is the Revd T. C. Kinehan, Rector of Helen's Bay (Down).
Tipperkevin: Tipperkevin actually comprised two prebendaries from the early 14th century to circa 1600, lying in the remote parts of County Dublin later separate from the main county, between Kildare and Wicklow. As at September 2011, the Prebendary of Tipperkevin is the Revd R. Warren, Rector of Taney Parish (Dublin).
Donaghmore: this was a prebend from at least 1267. The Prebendary of Donaghmore as at September 2011 is the Revd E. R. G. West, Rector of Carnteel (Armagh).
Stagonil: named as a prebend in the Papal Bull of Celestine III, this does not seem to have functioned independently until 1303. The Prebendary of Stagonil as at December 2015 is the Revd P.A. Harvey, Rector of Abbeyleix (Leighlin).
Cualaun: after the impedance of the Prebend of Tymothan, and following a gap, from 1317, this prebend without a church provided a seat for the Archbishop of Dublin at the Chapter, used only at the election of a dean. The Prebendary of Cualan as at September 2011 is the Archbishop of Dublin, the Most Revd M. G. St A. Jackson.
Clondalkin: transferred from the dean in 2007, as one of two newly authorised posts of ecumenical canon, this is now held by the Revd Heather Morris, President of the Methodist Church in Ireland
Finglas: transferred from the chancellor in 2007, as one of two newly authorised posts of ecumenical canon, this is now held by the Revd Kiaran O'Mahony OSA.
Ecumenical canons
As noted above, in late June and early July 2007, Saint Patrick's appointed two ecumenical canons, one Presbyterian and one Roman Catholic, who can be invited by the dean to say Morning or Evening Prayer in the cathedral, read holy scripture and assist at baptisms, marriages, funerals or celebration of Holy Communion as well as participating in the meetings and decisions of the chapter.
The Door of Reconciliation, through a hole in which the earls of Kildare and Ormond shook hands in 1492.
The cathedral, which generally receives no State funding, welcomes all, with a chapel for those who come simply to pray and a small fee for those who wish to sight-see.[18] The Cathedral website mentioned in 2006 that visitor numbers had reached around 300,000 a year.
Legend has it that Saint Patrick's was the place where the expression "chancing your arm" (meaning to take a risk) originated, when Gerald Mór FitzGerald, 8th Earl of Kildare, cut a hole in a door there, still to be seen, and thrust his arm through it to shake hands in friendship, in an effort to call a truce in the Butler–FitzGerald dispute with James, Earl of Ormond in 1492.
It was outside St Patrick's that the troops of the Jacob's Garrison assembled after the Easter Rising to march to Richmond Barracks where their leader Thomas MacDonagh and his sub-officers John MacBride and Michael O'Hanrahan were condemned to death and moved to Kilmainham Gaol to be shot.
Over 500 people are buried on the site, both under the cathedral's floor and in the graveyard outside. Some notable individuals include:
Richard Northalis, Catholic Archbishop of Dublin
John de Sandford, Catholic Archbishop of Dublin
Hugh Inge, Catholic Archbishop of Dublin
Marcus Beresford
Sir John Blennerhassett and his wife
Thomas Jones as well as his wife
Michael Boyle
Richard Meredith
Michael Tregury, Archbishop of Dublin (1450–1471)
Adam Loftus, also the first Provost of Trinity College, Dublin – in a family vault also containing his wife and two of their children
John Cradock, Church of Ireland Archbishop of Dublin (1772–1778)
Frederick Schomberg, 1st Duke of Schomberg (1615/6-1690)
Jonathan Swift, author and dean of the cathedral and Esther Johnson ("Stella") his companion of many years.
Sir Jerome Alexander (died 1670), a notoriously severe judge
Choir school and grammar school
The current organ console
The choir school continues and although originally all-male, now also admits girls; a Cathedral Girls' Choir was founded in 2000 and sings once or twice a week. The girls are mostly drawn from either the choir school or St Patrick's Grammar School, which provides a secondary education. It is no longer compulsory for grammar school pupils to be in the choirs, although many of the girls are, and a few boys; many of the boys leave when their voice breaks. Choirboys are considered professional singers and are paid monthly for their services. The girls are not. The choir also sings very occasionally at weddings for the well-off and receive payment for this. Until 1998 they received a large discount on their education; they are still offered free music lessons. While non-choirboy students had two months' holidays during the summer, half of the boys were on duty every day during the summer and had to attend choir practice and two services each weekday, one service on Saturday and two on Sunday. This arrangement was also changed in 1998.
The organ of St Patrick's Cathedral is one of the largest in Ireland with over 4,000 pipes. Parts of it date from a Renatus Harris instrument of 1695. The organ was rebuilt in the 1890s by Henry Willis and Son, in consultation with Sir George Martin. It was restored in 1963 by J. W. Walker & Sons Ltd.
List of organists
1509 William Herbit
1555 William Browne
1606 Anthony Willis
1631 Randal Jewett
1661 John Hawkshaw
1686 Thomas Godfrey
1689 Thomas Finell
1691 William Isaac
1695 Robert Hodge
1698 Daniel Roseingrave
1727 Ralph Roseingrave
1748 Richard Broadway
1761 George Walsh
1765 Henry Walsh
1769 Michael Sandys
1773 Samuel Murphy
1780 Philip Cogan
1806 John Mathews
1827 William Warren
1828 Francis Robinson
1830 John Robinson
1844 Richard Cherry
1845 William Henry White
1852 Sir Robert P. Stewart
1861 William Murphy
1879 Charles George Marchant
1920 George H P Hewson
1960 William Sydney Grieg
1977 John Dexter
2002 Peter Barley
2010 Stuart Nicholson
Friends of the cathedral
The cathedral is supported by a volunteer organisation, with both subscribing (annual and five-year) and life members, who perform various tasks and contribute materially to the work and fabric of the cathedral. In addition, there are a range of voluntary groups performing specific tasks, such as bell-ringing, welcoming of guests and cleaning.
Bernard, J. H. (Provost of Trinity College Dublin and former Dean of St Patrick's); The Cathedral Church of Saint Patrick, A History & Description of the Building, with a Short Account of the Deans; London: G. Bell and Sons, 1924
Wikimedia Commons has media related to St Patrick's Cathedral, Dublin.
Deans of St Patrick's Cathedral, Dublin
↑ Brewer, Stephen (2008), The Unofficial Guide to Ireland, John Wiley & Sons, p. 141, ISBN 9780470285688
↑ "A History of Worship on the Site". Saint Patrick's Cathedral, Dublin. Retrieved 26 November 2016.
↑ Bernard, 1924: p. 8
↑ Bernard, 1924: pp. 9–10
↑ Bernard, 1924: pp. 73–74
↑ Bernard, 1924: p. 10, note 3
↑ Bernard, 1924: p. 10
↑ Gernon, Luke A Discourse of Ireland 1620 edited by C.S Falkiner 1904
↑ History of St Patrick's Cathedral by Monck Mason
↑ Casey, Christine (2005). The Buildings of Ireland: Dublin. Yale University Press. p. 606. ISBN 978-0-300-10923-8.
↑ The State Pew at St Patrick's Cathedral
↑ Dunleavy, Janet Egleson & Gareth W. Dunleavy (1991). Douglas Hyde: A Maker of Modern Ireland. Berkeley, California: University of California Press. p. 433.
↑ "An ecumenical matter for St Patrick's, The Irish Times, 28 October 2011.
↑ The Church of Ireland, General Synod of (2010). "Statute, Chapter II of 2010" (PDF). Retrieved 2015-12-27.
↑ "Our New Parish". St Catherine and St James with St Audoen. Retrieved 2015-12-27.
↑ "St Patrick's Cathedral – Opening Times and Prices". St Patrick's Cathedral. Retrieved 20 January 2015.
St Patrick's Cathedral website
St Patrick's Cathedral (photo gallery)
William FitzGuido
Richard Gardiner
Richard de St. Martin
John de Sandford
Thomas de Chaddesworth
William de Rodyard
Thomas de Montpellier
Adan de Kingston
Matthew Brissele
John de Brienne
William de Bromley
John Colton
Henry Bowettt
Thomas de Everdon
John Prene
Nicholas Hill
Philip Norris
John Alleyne
Thomas Rochfort
John Rycardes
Thomas Darcy
Geoffrey Fyche
Edward Bassenet
Thomas Leverous
Alexander Craike
Adam Loftus
Robert Weston
William Gerard
Richard Meredyth
John Ryder
Thomas Moigne
Benjamin Culme
William Fuller
Thomas Seele
Benjamin Parry
John Worth
Michael Jephson
Thomas Lindsay
Edward Smyth
Jerome Ryves
John Sterne
Gabriel Maturin
Francis Corbet
William Cradock
Robert Fowler
James Verschoyle
John Keatinge
Richard Ponsonby
Henry Dawson
Robert Daly
Henry Pakenham
Henry Jellett
John Bernard
Charles Ovenden
Jackson Lawlor
Arnold Harvey
Cecil De Pauley
John Armstrong
Victor Griffin
Maurice Stewart
Robert MacCarthy
Victor Stacey
Cathedrals of the Church of Ireland
Province of Armagh
Clogher
Killala
Raphoe
Tuam
Clonfert
Cloyne
Dublin, Christ Church
Killaloe
Leighlin
Rosscarbery
Dublin, St Patrick's


text:
Previous (Dean Acheson)
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Dino Paul Crocetti
June 7, 1917, Steubenville, Ohio, United States
December 25, 1995 (aged 78)
Big band, Swing
Dean Martin, born Dino Paul Crocetti (June 7, 1917 – December 25, 1995), was an Italian American singer, film actor, and comedian. He was one of the most famous music artists in the 1950s and 1960s. His hit singles included songs such as "Memories Are Made Of This," "That's Amore," "Everybody Loves Somebody," "Mambo Italiano," "Sway," "Volare," and "The Beast and the Harlot." Martin received a gold record in 2004, for his fastest-selling album ever, which also hit the iTunes Top 5. Martin's success with his songs reflected a knowledge of life, from illegal distributorships and the fast world of gaming to being able to touch his audiences through the sincerity of his words. He pulled himself up to bask in the limelight of the entertainment world and showed that the essence of a good performer was reaching out to those in his audiences and to take the human responsibility of transforming a song into a message of fun, love, and hope.
1.2 Early career
1.3 Martin and Lewis
1.4 Solo career and "The Rat Pack"
1.5 The Dean Martin Show and The Dean Martin Celebrity Roasts
1.6 Decline
2 Marriages and children
3 Popular culture
Dean Martin was born Dino Paul Crocetti in Steubenville, Ohio on June 7, 1917. He was the second son for Gaetano Crocetti, who adopted the name "Guy" upon arriving in America from Abruzzi, Italy, and Angela Barra, an Italian American from Fernwood, Ohio. His father was a respected local barber, but neither of Dino's parents spoke English meaning Dino spoke only Italian until age five. This, combined with his dropping out of school in the tenth grade, left Dino with an inferiority complex and fear of speaking in public because he believed he never spoke properly.[1]
Upon leaving school, Dino began boxing, claiming to be an "amateur prizefighter" who billed himself as "Kid Crochet." Dino tried other means of earning money, but none paid as well as fighting (at his best he made twenty-five dollars per match). However, the game left him with a broken nose (which a plastic surgeon later repaired in hopes that it would help Martin's career) and permanently damaged his hands because of his manager's inability to bind them properly.[2]
Although initially hesitant to take the job as a roulette stickman and croupier for fear of showing his hands Dino eventually realized there were more opportunities for him in gambling than in boxing. So, he began working in an illegal casino behind the Rex, a tobacco shop where he had started out as a stock boy. He became so proficient that he began working at local casinos and eventually began to travel to Florida, West Virginia, and Washington, D.C. for work. At his best, he was earning upwards of $125 a week. But, it was while hanging out with friends after work that his true talent was discovered. Dino would take to the stage of Columbus' Walkers Cafe and sing with the band to entertain his friends. Band leader Ernie McKay liked what he heard and offered Dino the opportunity to perform with the band. Dino took it and billed himself as "Dino Martini," cousin of then-famous Metropolitan Opera tenor, Nino Martini. But Dino lasted only a month before returning home to Steubeville. However, his friends encouraged him to return, offering to supplement his pay if he continued to sing. Dino returned to McKay but was discovered by band leader Sammy Watkins, who convinced him to join his band in Cleavland. Martin took the offer and arrived in Cleavland as "Dean Martin."[2]
Martin worked with Watkins' band, touring the country and meeting Watkins' demands that he both sound and act like Bing Crosby. However, one night while speaking to Merle Jacobs the band's agent, Martin agreed to strike out on his own.
He began to travel as a solo act in 1942, but it was his famous flop at the Riobamba, in 1943, that introduced him to Frank Sinatra and made him hate New York City. Jacobs made the arrangements for Martin to replace Sinatra after his own successful run at the theater. However, Martin received terrible reviews and left the establishment after only a few shows. He continued to tour, but the venue quality dropped as well as his income. But touring ended after he was drafted into the United States Army during World War II. Martin served a year (1944-45) in Akron, Ohio, but was then classified 4-F due to a hernia and was discharged. (Possibly due to a double hernia; Jerry Lewis referred to the surgery Martin needed for this in his autobiography.)
After being released from the Army, things did begin to look better for Martin. The war created a shortage of talent providing plenty of bookings along the East Coast as well as his first record contract. His newly fixed nose also gave him a certain appeal that interested some film studios, although nothing panned out. However, it was his booking at The Glass Hat in the Belmont Plaza Hotel in New York City that was to provide Martin his greatest opportunity. For he was sharing the bill with a young performer named Jerry Lewis.
Martin and Lewis
There are several accounts detailing who was originally responsible for introducing the pair. The Belmont's doorman, Lou Perry, and Jerry's agent, Abby Greshler, both have taken credit for the introduction. But it was not until Lewis had a gig at Atlantic City's 500 Club on July 24, 1946, that they worked together. Jerry maintains that when the scheduled singer became ill, he suggested Martin as a replacement to owner Skinny D'Amato, but Greshler claims that when a girl Jerry was working with was not working out, he asked for Martin as a replacement. Either way, the original show went terribly, so in order to keep the gig the two decided that Martin would sing and Jerry would act as a foolish busboy. The combination was a hit with Martin singing and improvising lines with his lightning wit while Jerry soared with his own brand of wit and physical comedy, clattering dishes, cutting patrons' shirts and ties, and causing general comedic chaos. Their success at the 500 led to a series of well-paying engagements up and down the Eastern seaboard, culminating with a triumphant run at New York's Copacabana. Club patrons were convulsed by the act, which consisted primarily of Lewis interrupting and heckling Martin while he was trying to sing, and ultimately the two of them chasing each other around the stage and having as much fun as possible. The secret, they have both said, is that they essentially ignored the audience and played to one another.[2]
A short lived radio series commenced in 1949, but the reason the act worked was because of the visuals the pair provided. However, the brief failure was followed by the pair being signed by Paramount producer Hal Wallis as comedy relief for the film My Friend Irma. Their agent, Abby Greshler, negotiated for them one of Hollywood's best deals: Although they received only a modest $75,000 between them for their films with Wallis, Martin and Lewis were free to do one outside film a year, which they would co-produce through their own York Productions. They also had complete control of their club, record, radio, and television appearances, and it was through these endeavors that Martin and Lewis earned millions of dollars.[1]
Martin and Lewis were the hottest act in America during the early 1950s, but the pace and the pressure took its toll. Most critics of the time underestimated Dean's contribution to the team, dismissing him as a straight man whose singing had yet to develop its own unique style. Lewis, however, was praised and while critics admitted that Martin was the best partner he could have, most of them claimed Lewis was the real talent of the team and could succeed with anyone. Soon the plots to their films were mirroring the critics appraisal with Martin's role being marginalized while Lewis' increased. As Martin grew more aggravated with his role as the stooge, Lewis' interest in film making increased, and the two grew apart, often arguing on set or not speaking at all. Eventually it came to a head and the pair decided to split. It still remains unclear what finally caused the break. Lewis states that he was saddened to see his partner's talents go to waste and decided they should part so they could each pursue other options. However, there are also claims that when Lewis told Martin that he was to play a cop in the production of Lewis' screenplay, The Delicate Delinquent, and he refused, Lewis said he would just have to find someone else. Martin's response was: "Start lookin', boy," and the partnership that lasted ten years and made sixteen movies was over.[2]
While the two separated on rocky terms Martin, at least publicly, was always respectful of Lewis and praised his talents. However, he also refused to appear with him for fear it would spark rumors that they would reunite. There were the occasional run ins but they were not publicly reunited until 1976. Sinatra shocked both Lewis and the public by bringing Martin out on stage with him for Lewis' Labor Day Muscular Dystrophy Association telethon, an event Martin and Lewis had established together in 1952. The meeting was an emotional one, especially for Lewis. The two became close once more when Martin lost his son, Dean Paul Jr., in a plane crash in 1987. Lewis had attended the funeral, but spoke to no one. When Martin heard, he called Lewis and the two spoke for hours, ending the call by reaffirming their love for one another.[3]
Solo career and "The Rat Pack"
Never totally comfortable in films, Martin still wanted to be known as a real actor. He initially tried his hand at a romantic musical called Ten Thousand Bedrooms. The film flopped, but he followed it with the war drama The Young Lions (1957), co-starring Marlon Brando and Montgomery Clift; which he agreed to make for a fraction of his typical salary. The film received critical praise, especially for Martin who was at last recognized for his acting ability. He went on to make several more successful films, including more serious turns in Rio Bravo (1959 film) (1959), directed by Howard Hawks, and also starring John Wayne and singer Ricky Nelson, as well as The Sons of Katie Elder which once again starred Wayne (1965), where they were somewhat unconvincingly cast as brothers. However, aside from romantic musicals and dramas, Martin enjoyed a series of films co-starring various members of the legendary "Rat Pack" or "The Clan" as they were more popularly known at the time.
The Rat Pack had originated with Humphrey Bogart, who used the term to refer to his friends who would sit at his table and "chew whatever fat he thought was worth bringing to public attention."[2] At the time the group included Katherine Hepburn, Spencer Tracy, wife Lauren Bacall, John Huston, and Sinatra himself. After Bogart passed, Sinatra felt the responsibility to maintain the club and started a new group which included the likes of Martin, Sammy Davis, Jr., Joey Bishop, Peter Lawford, Sammy Cahn, and Shirley MacLaine, along with others who would come and go. While Bacall did not approve of the new incarnation of the group, the name has come to be most closely linked to them rather than Bogart's original group.[2]
At first, the group only appeared together on stage, originally brought in for support after Martin opened his legendary act at The Sands in Las Vegas. It was during his time in Las Vegas that Martin developed and perfected his role as the drunken comic and singer, always introduced to the audience by way of "Here he is, direct from the bar…." He even went so far as to always have a small bar on stage with him, although the bottle was never filled with more than apple juice. It was also here that he took on the role of second in command to Sinatra's "Chairman of the Board" in the Pack's hierarchy. And so the group caroused and performed, although Martin was a minimal part of the antics and was not the drinker his act portrayed him to be. He was notorious for being an early riser (by entertainment standards) and often went to bed before the party was considered over in order to pursue his daily passion for golf. However, despite lifestyle differences, the group got along famously and eventually decided to film Ocean's Eleven. The movie was a success and led to several more pairings for various members of the Pack on screen. However, most critics were never crazy about the films, a result of the groups' choice to make everything an inside joke.[2]
As a singer, Martin also began to come into his own. He recorded more than 100 albums and 600 songs and it was his signature tune, "Everybody Loves Somebody," that knocked The Beatles' "A Hard Day's Night" out of the number-one spot in 1964 (in the United States). By the end of his career, however, he had transitioned from crooner and had begun to predominantly record country and western songs.[1]
The Dean Martin Show and The Dean Martin Celebrity Roasts
In 1965, Martin launched his weekly NBC comedy-variety series, The Dean Martin Show, which exploited his public image as a lazy, carefree boozer. It was there that he perfected his famous laid-back persona of the half-drunk crooner suavely hitting on beautiful women with hilarious remarks that would get anyone else slapped. Even though critics complained Dean was the epitome of sloth, few entertainers worked as hard to make what they were doing look so easy. Martin did admit however, that he hated rehearsals. And so, rehearsals were eliminated almost entirely for Martin with producer-director Greg Garrison standing in for Martin during the rehearsals for the dancers and crew. Martin, however, would listen to cassette tapes of the arrangements of that week's songs non-stop, often performing the pieces better than the band. It was this approach that made his laughter at the jokes genuine, allowed him room to improvise, and also created hilarious moments when he flubbed a line from the cue cards. However, it did cause problems at other variety shows when celebrity guests who had already appeared on Martin's show complained about the rigorous rehearsal schedule to which they had to adhere.[2]
The final (1973-74) season of his variety show would be retooled into The Dean Martin Celebrity Roasts, which quickly became a favorite with television audiences. The original deal called for twenty-five roasts, all of established, well-known performers, including Sinatra, Lucille Ball, James Stewart, and Martin himself. After the season was complete, the roasts continued as television specials until 1984.
Martin's world began to crumble on March 21, 1987, when his son Dean Paul Junior was killed when his jet fighter crashed while flying with the Air National Guard. At the bequest of Sinatra, in hopes of helping earn a broke Davis some money, Martin agreed to take part in a 1988 tour. However, after a few shows, Martin realized that he was in no state to be performing and bowed out. It led to a two year silence between Sinatra and Martin, but the tour continued with Liza Minnelli in Martin's stead.
The loss of his son coupled with a long time struggle with arthritis in his back and stomach ulcers left his health in generally poor condition. The effects of being a lifelong smoker also took hold and he began to suffer from emphysema and was eventually diagnosed with lung cancer in September 1993.
He had been told he needed major surgery on his kidneys and liver to prolong his life, but he refused. Martin died of respiratory failure, at home on Christmas morning 1995, at 3:15 a.m. aged 77. Although widely believed that his second wife Jeanne, with who he had reconciled, was at his bedside, in truth she had been giving her annual Christmas party until 4 a.m.[3]
The lights of Las Vegas were dimmed in his honor, and his funeral was held on December 28, 1995 Pearce Brothers in Westwood, CA. Rosemary Clooney sang "Everybody Loves Somebody Sometime" and MacLaine, Garrison, and Lewis all spoke. Martin is interred in a crypt in the wall of the Sanctuary of Love at Westwood Village Memorial Park.
Marriages and children
Martin was married three times. Martin wed first wife, Betty McDonald, October 2, 1940. The two had four children over the course of their nine year marriage. While, by all accounts, Betty was a good wife and mother, Martin's traveling took a toll on their relationship as did his leaving her for second wife, Jeanne Biegger. While there conflicting accounts of what finally made Betty file for divorce, the most popular is that she received calls from friends saying they had received invitations to Martin and Jeanne's wedding. Their divorce was finalized in September 1949, at which point Martin wed Jeanne. However, the divorce and the birth of Martin and Jeanne's three children caused Betty to turn to alcohol as a coping mechanism. This led to Martin's cutting off her alimony and taking sole custody of their children. Martin's marriage to Jeanne lasted twenty-four years, although it threatened to falter a number of times. Martin then wed Catherine Mae Hawn in 1973, but their marriage lasted only three years and ended bitterly. Martin continued to date but ultimately reconciled with Jeanne and though they never remarried, the two remained together until his death.[2]
Martin was the father of seven children and one step-child.
First Wife: Elizabeth (Betty) Anne McDonald
First Child: Stephen (Craig) Martin, born June 29, 1942
Second Child: Claudia (Dean) Martin, born March 16, 1944, died 2001 (breast cancer)
Third Child: Barbara (Gail) Martin, born April 11, 1945
Fourth Child: Deana (Dina) Martin, born August 19, 1948
Second Wife: Jeanne Biegger
Fifth Child: Dean Paul Martin (Jr.), born on November 17, 1951, died March 21, 1987 (plane crash)
Sixth Child: Ricci James Martin, born on September 20, 1953
Seventh Child: Gina Caroline Martin, born on December 20, 1956
Third Wife: Catherine Mae Hawn
Eighth Child: Sasha (adopted)
There was talk of a film biography called Dino, with Tom Hanks in the title role (Hanks previously portrayed the singer in an episode of Saturday Night Live) and Martin Scorsese directing. But as of 2007, the project has yet to happen.
Martin was portrayed by Joe Mantegna in an HBO movie about Sinatra and Martin titled The Rat Pack.
British actor Jeremy Northam also portrayed the late entertainer in a made-for-TV movie called Martin and Lewis, alongside Will & Grace's Sean Hayes as Jerry Lewis.
For the week ending December 23, 2006, the Dean Martin and Martina McBride duet of "Baby, It's Cold Outside" reached #7 on the R&R AC chart. It also went to #36 on the R&R Country chart. The last time Martin had a song this high in the charts was in 1965, with the song "I Will," which reached #10 on the Pop chart.
A Budweiser commercial that premiered during Super Bowl XLI featured Martin's "Ain't it a Kick in the Head."
Dean Martin continues to be very popular with music fans even after more than 40 years when he knocked the Beatles out of the #1 spot. Movies such as Goodfellas, Casino, Swingers, Out of Sight, L.A. Confidential, A Bronx Tale, Moonstruck, and Payback, not to mention TV's The Sopranos and The West Wing as well as commercials for the 2005 Nissan Altima, Microsoft, Marriott Hotels, Carl's Jr. and Heineken all feature Martin songs.
Capitol's 2004 collection, Dino: The Essential Dean Martin, features some of Martin's best recordings. Billboard's "Hotshot Debut" was the week's highest-charting new entry, and has sold more briskly than any previous Martin recording, going gold within months and to platinum status within a year. It also hit the Top 5 on Apple's iTunes Music Store album chart. As Bill Zehme observed in a 2004 Playboy profile, "Dean provides smooth, winking succor to generations anew."
Writer/Actress Jacqueline Susann claimed that Dean Martin provided inspiration for the character of Tony Polar in Valley of the Dolls.
Chronological list of singles and albums recorded by Dean Martin
Alphabetical list of studio recordings by Dean Martin
Film Vodvil: Art Mooney and Orchestra (1946) (short subject)
Screen Snapshots: Thirtieth Anniversary Special (1950) (short subject)
Road to Bali (1952) (Cameo)
3 Ring Circus (1954)
Screen Snapshots: Hollywood, City of Stars (1956) (short subject)
Ten Thousand Bedrooms (1957)
The Young Lions (1958)
Some Came Running (1958)
Career (1959)
Who Was That Lady? (1960)
Bells Are Ringing (1960)
Pepe (1960) (Cameo)
All in a Night's Work (1961)
Ada (1961)
Something's Got to Give (1962) (unfinished)
Sergeants 3 (1962)
The Road to Hong Kong (1962) (Cameo)
Who's Got the Action? (1962)
Come Blow Your Horn (1963) (Cameo)
Toys in the Attic (1963)
4 for Texas (1963)
Who's Been Sleeping in My Bed? (1963)
What a Way to Go! (1964)
Robin and the 7 Hoods (1964)
Kiss Me, Stupid (1964)
The Sons of Katie Elder (1965)
Marriage on the Rocks (1965)
The Silencers (1966)
Texas Across the River (1966)
Murderers' Row (1966)
Rough Night in Jericho (1967)
The Ambushers (1967)
Rowan & Martin at the Movies (1968) (short subject)
How to Save a Marriage (and Ruin Your Life) (1968)
Bandolero! (1968)
5 Card Stud (1968)
The Wrecking Crew (1969)
Something Big (1971)
Showdown (1973)
Mr. Ricco (1975)
The Cannonball Run (1981)
Cannonball Run II (1984)
↑ 1.0 1.1 1.2 Nick Tosches, Dino: Living High in the Dirty Business of Dreams (New York: Doubleday, 1992, ISBN 0385262167).
↑ 2.0 2.1 2.2 2.3 2.4 2.5 2.6 2.7 2.8 Michael Freedland, Dean Martin: King of the Road. (London: Robson Books, 2004, ISBN 1861058829).
↑ 3.0 3.1 Deana Martin, Memories Are Made of This: Dean Martin Through his Daughter's Eyes (New York: Harmony Books, 2004, ISBN 140005043X).
Hale, Lee, and Richard D. Neely. Backstage at the Dean Martin Show. Thorndike, ME: Thorndike Press, 2001. ISBN 0-786-23234-X.
Lewis, Jerry, and James Kaplan. Dean & Me (A Love Story). New York: Doubleday, 2005. ISBN 0-767-92086-4.
Martin, Deana, and Wendy Holden. Memories are Made of This: Dean Martin Through his Daughter's Eyes. New York: Harmony Books, 2004. ISBN 1-400-05043-X.
All links retrieved November 8, 2017.
Dean Martin at the Internet Movie Database
Official Fan Club and Organization for Entertainer Dean Martin
Great American Songbook
Arlen | Berlin | Blane | Cahn | Carmichael | Coleman | Dietz | Ellington | Fain | Fields | G. Gershwin | I. Gershwin | Hammerstein | Hart | Kern | Lerner | Loewe | Loesser | Mancini | Mandel | Martin | Mercer | McHugh | Porter | Rodgers | Schwartz | Styne | Webster
Anka | Armstrong | Astaire | Bennett | Boswell | Boswells | Brice | Bublé | Carter | Clooney | Cole | Como | Connick | Crosby | Day | Dearie | Eckstine | Faye | Feinstein | Fitzgerald | Francis | Garland | Holiday | Horn | Horne | Keel | Kelly | Krall | Laine | Lamour | Lee | Manilow | Martin | Mathis | McRae | Midler | Nilsson | Page | Rogers | Shore | Simone | Sinatra | Stafford | Stewart | Streisand | Tormé | Vaughan | Washington | Williams
Dean Martin history
History of "Dean Martin"
Retrieved from //www.newworldencyclopedia.org/p/index.php?title=Dean_Martin&oldid=1007655
Art, music, literature, sports and leisure


text:
Stan Gunter
Meet Stan
Union County Mag - December 19, 2019
Stan Gunter: Attorney, District Attorney, PAC, Chief Superior Court Judge
The honorable superior court Chief Judge Stan Gunter retired this year after serving as a judge since 2012. Gunter became a Superior Court Judge when appointed to the position in the Enotah Judicial Circuit in 2012 by Gov. Nathan Deal. Gunter won election without opposition in the general election on May 20, 2014. Gunter became Chief Judge to the Enotah Judicial Circuit in 2018. Prior to being a judge, Gunter served as executive director of the Prosecuting Attorney's Council for two years, 2010-2011.
Stan Gunter serves that Enotah Judicial Circuit as a District Attorney for three terms, winning elections in 1998, 2002 and 2006. He served as President of the District Attorney's Association of Georgia, served on the Prosecuting Attorney's Council (six years) and prosecuted over 10,000 cases in the circuit.
Gunter's father was a judge in the Mountain Judicial Circuit with the counties of Union, Towns, Rabun, Stephens and Habersham, from 1972 to 1992. The elder Judge Gunter swore in his son, Stan Gunter, as district attorney of the Enotah Circuit. DA Gunter, working with the Georgia Bureau of Investigation, gained national attention in a case involving a murdered hiker in 2008. Gunter got a confession quickly, recovered the body, and gained on of the fastest sentences in a murder case in the history of Georgia. In the process, it saved the county million of dollars it would have taken to prosecute the case. They provided the information to Florida, which now has the murderer on death row.
Union County residents Stan and Rita have been married 37 years. They have two children, Trey and Chase, and five grandchildren. Gunter reflected on his retirement and time in the judicial system. "It was a really good job and I really enjoyed the work," said Gunter. One of the duties Gunter did were adoptions. "I did quite a few adoption and always enjoyed it. They were happy occasions". Criminal cases and divorce cases were numerous. "It is satisfying in those cases when justice is done. That happens quite often."
Gunter created a successful Drug Court in the circuit in 2013. The success stories are some of the things Gunter is most proud of. "We were serving a lot of people," said Gunter. "When I served as a Drug Court Judge there were a lot of graduates who I see in the community and doing very well." Gunter noted that drug addiction changes their personalities. "We try to get them off of the drugs so that they are thinking clearly. Drugs affect people differently."
Gunter became involved with the Mental Health Court, where those involved are in a different set of circumstances than in Drug Court. Some of them had very serious mental health issues, some are never going to be cured, and many are able to control issues with medication.
Sitting in the position of dealing with criminals is something Gunter describes as "taking very seriously. I wanted to make sure I did a good job." Those who observed him over the years testify that he did.
Gunter was asked, "How hard was it to take the 12 years as a prosecutor, switch that off and turn on the switch to being a judge?" Replied Gunter, "Not hard at all. I was in private practice doing defense work prior to being a prosecutor, so I have seen both sides of it and I understand it."
Gunter's first job was working for Georgia Governor Joe Frank Harris. "I learned a lot about state government, the inner workings of the executive branch, and dealing with the legislature." That experience will be helpful if Gunter's next adventure is successful.
Stan Gunter announced that he is a candidate for the office of Georgia State Representative of the 9th District, which includes Union County. As a candidate, he will be on the ballot for the Republican Primary election in May 2020. Qualifying takes place in March 2020. Campaigning began in November 2019.If Gunter is elected, he will be the fourth Union County resident to have served as a Representative in the Georgia General Assembly.
Information can be found on website 'www.stangunterforgeorgia.com' and Stan can be reached by email at stan@stangunterforgeorgia.com.
Stan Gunter Announces Candidacy for District 8 State Rep.
The Waterfall Club Event
2022 Legislative Session Week 1 Update
ACCG honors Rep. Stan Gunter with a 2021 ACCG Legislative Service Award
General Assembly Special Session: Reapportionment
Meeks Park Meet and Greet
Community celebrates life of Sydnie Grace Jones at intersection dedication
Stan Gunter is the Conservative Fighter We Need. Can Stan Count on Your Support? Make a Donation!
Add Your Name to Stay Up to Date on the Gunter Campaign:
Paid for by Stan Gunter for Georgia
CONTACT TEAM GUNTER TODAY!
Email: Stan@StanGunterForGeorgia.com
Mail: P.O. Box 2376, Blairsville, Georgia 30514


text:
import { which } from "@cedx/which";
import { EventEmitter } from "events";
import FormData from "form-data";
import fetch from "node-fetch";
import { Configuration } from "./configuration.js";
import { GitCommit, GitData } from "./git.js";
/** An exception caused by an error in a [[Client]] request. */
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}
/** Uploads code coverage reports to the [Coveralls](https://coveralls.io) service. */
let Client = /** @class */ (() => {
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         * Uploads the specified code coverage report to the Coveralls service.
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         * @param coverage A coverage report.
         * @param config The environment settings.
         * @return Completes when the operation is done.
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                job = await parseReport(report);
            }
            else if (report.startsWith("TN:") || report.startsWith("SF:")) {
                const { parseReport } = await import("./parsers/lcov.js");
                job = await parseReport(report);
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            if (!job)
                throw new TypeError("The specified coverage format is not supported.");
            this._updateJob(job, config ? config : await Configuration.loadDefaults());
            if (!job.runAt)
                job.runAt = new Date;
            try {
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                const branch = job.git ? job.git.branch : "";
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                job.git = git;
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            catch { /* Noop */ }
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        /**
         * Uploads the specified job to the Coveralls service.
         *
         * Rejects with a [[ClientError]] if an error occurred while uploading the report.
         * Rejects with a `TypeError` if the specified job does not meet the requirements.
         *
         * @param job The job to be uploaded.
         * @return Completes when the operation is done.
         */
        async uploadJob(job) {
            if (!job.repoToken.length && !job.serviceName.length)
                throw new TypeError("The job does not meet the requirements.");
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            // @ts-expect-error: `fetch` has wrong typings.
            const request = new fetch.Request(url.href, { method: "POST", body });
            this.emit(Client.eventRequest, request);
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            this.emit(Client.eventResponse, response, request);
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         * Updates the properties of the specified job using the given configuration parameters.
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})();
export { Client };

redpajama_set_name: RedPajamaGithub


text:
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Our international response to the Coronavirus pandemic
We are actively managing our response to COVID-19 in line with local government advice in each of the countries in which we operate. Our collective objective is to help reduce the rate at which the virus spreads and protect those at risk. We are doing this by:
Supporting our employees, tenants, partners and the communities we are part of
Looking to make immediate cash contributions to charities and community foundations to help tackle the crisis
Avoiding all non-essential travel
Enabling flexible and remote working across the business
Actively exploring how we can make a real difference within each of our communities and what we can do for others
Our long history, which goes back to 1677, reminds us of how our organisation has faced and overcome many challenges. Through it all, we've kept a far-sighted approach and now is no different. We will continue to deliver as close to business-as-usual as we can, heeding local government advice along with feedback from our people, peers and from our local communities.
We will ensure that regular communications continue to flow internally and externally throughout this period of disruption and wish good health to all.
Find out more about our response in the UK, North America and Europe.
Mark Preston
Chief Executive, Grosvenor Group
Grosvenor Group is part of the Grosvenor Estate © 2020 Grosvenor Ltd. All rights reserved.
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