TMSM Plug-in will not open when clicking the Manage Program button to open the console. Nothing happens and rebooting and restarting the services does not fix the issue.
This is only applicable to Windows Server 2008 running SQL 2005. If you are using a different environment setup, please contact Trend Micro Technical Support.
Confirm that the SQL Server (TMSM) service is running.
Go to Start > Run and type "services.msc" then press Enter.
Look for the SQL Server (TMSM) service and confirm that it is started.
Enable the Remote Connections Protocol.
Open the SQL Server 2005 Surface Area Configuration. Go to Start > All Programs > Microsoft SQL Server 2005 > Configuration Tools > SQL Server Surface Area Configuration.
Under the Configure Surface Area for localhost section, click Surface Area Configuration for Services and Connections.
Under the TMSM section, go to [Database Engine] > [Remote Connections].
Select the Local and remote connections option and make sure Using both TCP/IP and named pipes is selected.
Click the Apply button to save the settings.
On the left pane of the same window, click [Database Engine] > [Service] and stop and restart the service.
Go to the [SQL Server Browser] and modify Startup type to "Automatic" if not already done.
Click the TMSM Manage Program button to confirm that you can now access the TMSM console.
Go to SQL Server Configuration Manager (Local) > SQL Server Network Configuration (32bit) > Protocols for TMSM.
Go to SQL Server Configuration Manager (Local) > SQL Native Client 10.0 Configuration (32bit) > Client Protocols.


text:
Поздняков Евгений Михайлович (, Петроград, СССР — 1991, Ленинград, СССР) — советский художник, живописец, декоратор, член Ленинградской организации Союза художников РСФСР<ref>Справочник членов Ленинградской организации Союза художников РСФСР. — Л: Художник РСФСР, 1987. — с. 104.</ref>.

 Биография
Поздняков Евгений Михайлович родился 9 июля 1923 года в Петрограде в рабочей семье. В 1933-1937 годах параллельно с учёбой в средней школе занимался в студии Ленинградского Дворца пионеров у Горкевич Б. В. и Тихомировой Е. В. В 1937 году на городском конкурсе юных дарований Поздняков был отмечен премией, а его работа «Партизаны у костра» напечатана в журнале «Юный художник». В 1938-1939 занимался в Средней художественной школе при Всероссийской Академии художеств у Владимира Горба. В 1939-1941 работал художником-портретистом в портретной мастерской товаришества Ленизо, размещавшейся на Невском проспекте в доме № 16.

В июле 1941 был призван в РККА. Воевал на Ленинградском фронте, участник боёв на Ораниенбаумском плацдарме, сначала в качестве пулемётчика 98 стрелковой дивизии, затем 2-го зенитно-пулемётного полка. 14 января 1944 года был тяжело ранен, по август 1944 находился в госпиталях на излечении. После выздоровления воевал в частях Ленинградского фронта в должности зенитного пулемётчика. В январе 1946 был зачислен на сверхсрочную службу в 176 зенитно-артиллерийский полк. Демобилизовался в 1948 в звании младшего сержанта, командира 85 мм зенитного орудия 1176 зенитно-артиллерийского полка. Награждён медалями "За оборону Ленинграда" (1942), "За боевые заслуги" (1944), "За победу над Германией" (1945)Центральный Государственный Архив литературы и искусства. СПб. Ф.78. Оп.8. Д.395. Л.3..

После демобилизации в 1948 году поступил на факультет декоративно-монументального искусства ленинградского Высшего художественно-промышленного училища. Занимался у Ивана Степашкина, Глеба Савинова, Петра Бучкина. В 1955 окончил ЛВХПУ, представив дипломную работу — многофигурный декоративный фриз «Строители коммунизма» для фойе концертного зала Калининского райсовета Ленинграда, исполненный в технике гризайль.

После окончания учёбы в 1955-1957 гг. занимался реставрацией живописи и памятников архитектуры. В 1957-1961 Поздняков работал в творческой мастерской КЖОИ ЛОХФ, писал пейзажи для реализации через художественные салоны и выполнял творческие заказы на портреты.  С 1961 года и до конца жизни работал в художественно-оформительской мастерской № 2, где занимался проектированием и выполнением музейных и выставочных экспозиций. При его участии были выполнены экспозиции музеев здравоохранения в Ленинграде и Караганде, мемориальных музеев И. П. Павлова в Ленинграде, Колтушах, Рязани.

Одновременно Поздняков работал творчески, участвовал в выставках с 1965, экспонируя свои работы вместе с произведениями ведущих мастеров изобразительного искусства Ленинграда. Ведущим жанром в его творчестве стал пейзаж-картина, главной темой — живописные окрестности Малоярославца и Красного Холма. Поздняков тяготел к панорамным пейзажам с широким охватом пространства, с изображением множества ясно читаемых планов. Использовал разнообразную фактуру письма. В стилистическом отношении опирался на опыт русской пейзажной живописи конца XIX – начала XX века. В 1985 году был принят в члены Ленинградской организации Союза художников РСФСР.

Среди произведений, созданных Поздняковым, картины «Набережная в Рыбинске» (1957), «Зимний вечер в Малоярославце» (1958), «Дворик в Малоярославце», «Пионы», «Большая вода» (все 1959), «На Юкковских холмах» (1967), «Весенний мотив. Юкки» (1968), «Дождливый день в Терентьево», «Сумерки в Константиново» (обе 1979), «Свежий день на озере Имандра» (1981), «Большая вода в Малоярославце» (1984), «Весенний разлив в Малоярославце», «Апрель в Юкках» (обе 1985) и другие.

Скончался в 1991 году в Ленинграде.

Произведения Е. М. Позднякова находятся в музеях и частных собраниях в России, Германии, Великобритании, США и других странах.

 Примечания

 Галерея

 Выставки

 Источники
 Центральный Государственный Архив литературы и искусства. СПб. Ф.78. Оп.8. Д.395.
 Осенняя выставка произведений ленинградских художников. 1978 года. Каталог. — Л: Художник РСФСР, 1983. — с.13.
 40 лет Великой победы. Выставка произведений художников - ветеранов Великой Отечественной войны. Каталог. - Л: Художник РСФСР, 1990. - с.12.
 Справочник членов Ленинградской организации Союза художников РСФСР. — Л: Художник РСФСР, 1987. — с.104.
 Выставка произведений художников — ветеранов Великой Отечественной войны. Каталог. — Л: Художник РСФСР, 1990. — с.12, 73.
 Этюд в творчестве ленинградских художников. Выставка произведений. Каталог. — Санкт-Петербург: Мемориальный музей Н. А. Некрасова, 1994. — с.6.
 Лирика в произведениях художников военного поколения. Выставка произведений. Каталог. — Санкт-Петербург: Мемориальный музей Н. А. Некрасова, 1995. — с.6.
 Русская зима. Живопись. Выставка произведений петербургских художников. Каталог. — Санкт-Петербург: Мемориальный музей Н. А. Некрасова, 1995. — с.4.
 Натюрморт в живописи 1940-1990 годов. Ленинградская школа. Каталог выставки. - Санкт-Петербург: Мемориальный музей Н. А. Некрасова, 1996. — с.4.
 Мы помним… Художники, искусствоведы – участники Великой Отечественной войны. – М: Союз художников России, 2000. – с.222.
 Иванов С. В. Неизвестный соцреализм. Ленинградская школа. — Санкт-Петербург: НП-Принт, 2007. — с.18, 130, 256, 313, 367, 400, 402—405. ISBN 5-901724-21-6, ISBN 978-5-901724-21-7.
 Санкт-Петербургская государственная художественно-промышленная академия им. А. Л. Штиглица. Кафедра монументально-декоративной живописи. - СПб., Искусство России. 2011. с. 112.

 См. также
 Изобразительное искусство Ленинграда
 Список живописцев Ленинградского Союза художников

 Ссылки

 Евгений Поздняков на сайте «Неизвестный соцреализм. Поиски и открытия»''
 Ленинградская школа живописи. Очерк истории.
 Хронология Ленинградской школы живописи.

Художники СССР
Художники России
Художники Санкт-Петербурга
Художники-пейзажисты России
Художники-реалисты
Члены Союза художников СССР
Выпускники Санкт-Петербургской художественно-промышленной академии
Члены Санкт-Петербургского Союза художников

redpajama_set_name: RedPajamaWikipedia


Many bigger brands are now switched to the mobile application along with a website. Many of them are using flexible techniques to merge their app into the operating system of the phone which is fine enough. Smaller brands are also looking for mobile apps in the future. Hubsol is presenting mobile application development for its clients in Dubai. We know that we are the quality this is the reason we have started doing mobile application development. Our many clients in Dubai are satisfied with the services we are providing them and welcoming our new products also.
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text:
Williamson County DA, John Bradley, Defeated in Primary
Texas Parole | June 2, 2012
While we try to stay out of politics on TexasParoleNow.com except as it relates directly to parole and prison issues we are going to break our own rule this once and say Yay!
John Bradley, a pompous ass at best and a prosecutor that, like so many, forgot that his duty is to see that justice is done was defeated in the Republican primary.
Many people will remember Bradley for two reasons, both of which are a black eye on the justice system.
The first would be his role in fighting to keep evidence from being DNA tested in the case of Michael Morton, a man who spent 25 years in prison for a crime he didn't commit. Eight or more of those years can be directly attributed to Bradley's fighting against allowing a bandana to be tested for DNA. Whether this was just because he is an ass or whether it was an attempt to keep covering the ass of former Williamson County DA and now judge, Ken Anderson has yet to be determined.
Bradley is also known for being a lapdog of Rick Perry's and when appointed to the Forensic Science Commission he immediately began working hard to shut down the commission's efforts to look into the flawed arson expert testimony in the case of Cameron Todd Willingham, a(nother) man put to death for a crime that it is likely he didn't commit.
While we obviously have strong feelings about Mr. Bradley, even if we didn't know him it is obvious that a man with the inability to follow the tenets of his vocation, which is not to convict everyone even if they are innocent, should not be in such a position of power. We're sure that Governor Perry will find a position in state government for a lackey such as Bradley but in the meantime it is refreshing to see someone who is responsible for such injustices get at least a little comeuppance.
Cameron Todd Willingham, john bradley, Ken Anderson, michael morton, williamson county DNA Exoneration, Forensic Science Commission No Comments »
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While we try to stay out of politics on TexasParoleNow.com except as it relates directlyRead More
Texas Attorney General to Probe Wrongful Conviction Case
Although we tend to take all statements from John Bradley, the Williamson County District AttorneyRead More

redpajama_set_name: RedPajamaCommonCrawl


A landowner told me he was offered a lease in Guernsey County, Ohio. He doesn't remember the company name and didn't save the phone number... was anyone else approached?
I have land in Millwood township and was leased by Eclipse back in March. I don't know what township you are in but that will play a factor in who may be interested in leasing you. Back in March, Eclipse was interested in SE guernsey. Ascent and Antero were also active in parts of the county at that time. I went through the law firm KWGD to get the lease.
I do know someone who was recently approached. Leasing in Guernsey County is nothing new. But "WHERE" in the county could be very interesting,if its a parcel that is west of Old Washington/Birmingham line.
Have you heard anything about any drilling in my area, north side of Rt.22, west side of Skullfork Rd., Section 21, Londonderry Twp.?
Resigned, with Ascent, for the second time in Oct. '16 but haven't heard anything about any drilling.
Have you, or anyone on Marcellus, any info you can share?
Wishing you and all on Marcellus a Merry Christmas!
NC Man; they're drilling south of Rt. 22 in Londonderry twp. not north. Carrizo sold out, not sure to whom. suspect it was Ascent.An employee of Ascent ,said they are wanting to lease ALL of Guernsey county if possible. Eclipse has been drilling away down in Millwood twp. They stay below the interstate so far, but have been leasing as far north as Winterset. Big Natural Gas power plant going in just below Byesville, They'll tie in to the Rockies Express pipeline. When that fires up,The Crackers get built., and oil&gas prices rise a little, watch out, I figure we'll be in for round two,or the second inning,if you will. Happy Holidays.
Sure would be nice to be receiving some royalties, after all these years!
But I certainly feel blessed to have the "surprise" $ I have gotten.
Hope it works out for you, too.
Appreciate your time in responding!
Keep in touch if you hear any news about the area.


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When I first became interested in Revere Ware and started looking for replacement parts (which led me to start this business), a guy named Charlie Anjard ran The Shine Shop, a business that restored cookware to almost new. Charlie was extremely helpful and always willing to answer the odd question. He has unfortunately closed his business due to health reasons, but in the time Charlie ran his business, he was very active in tracking down the history of the Revere Ware company and the geneology of their products, and he compiled all his work in what he called the Revere Info Center. It wouldn't be a stretch to say that most of what we know about the history or Revere Ware's products is due to Charlie's work.
Unfortunately Charlie's original site is offline now, but we archived a copy which you can find here. One of the most helpful pages is the photo guide to Revere products over the years.
Hi, is the revere photo guide going to be back on the net?
If it isn't is there an address where I can contact the producer of the site?
Read the post a little closer. 🙂 It was announcing that the guide was back up and lists the link in the body of the post.
Hello, although Revere coffee pots are shown in ads from 1940 I can't find any with logos used earlier than 1947. Does anyone know the actual production date for the beginning of production? Has anyone seen one with a "pat. pend." logo?
Hi, a coffee pot with an early "Pat. Pending" finally showed up.
Is the Revere patent file still available? The attachment given is no longer active.
i think there needs to be a specific coffee pot guide here too. there were several production changes to those pots, and it's hard to know exactly what's what.
as a fairly reliable rule, the pots with the vertical handles are usually pre-1968 with the heavy cladding, while the pots with the splayed handles are post-1968 with the thin cladding. additionally, there is no spoke pattern on the metal basket inserts and the 'lid' of the basket slips down inside (rather than resting on top of the basket) for the pots that have the splayed handle. so, both handle and basket typically go together.
however, i have seen a few pots where the splayed handles and new baskets are on are pots with the old logo. the ones i've seen like that don't have any city in the logo–they're just like the original old-logo pots. so, when did they switch to the newer handle?
to complicate this even further…the metal basket inserts are definitely the newer basket design. yes, the baskets can get switched, but i don't see how the handles can get switched, since the old style has a metal plate down the side for the handle that just isn't there on the newer splayed design.
also, i usually look at how high the copper goes up the sides to help identify the heavy cladding when the bottom isn't visible. the copper almost always goes much farther up the sides on the pre-1968 pots. and yet, a few of the pre-1968 pots have a very low copper coating on the side of the pot.
so, does that mean the correlation to the height of the copper coating on the sides isn't 100 percent reliable, or are there some older-style pots with the thinner cladding? i don't have one of those older pots with the low-height coating on the sides or i would surely be able to see and/or weigh for myself if it had the thicker stainless.
i've noticed some other things too, but those are the most critical to have answered, if anyone knows.
I've learned that the 1946 or 1947 and older coffee pots all have a deep recessed ring in the bottom outside of the logo. The bottom of the tube platform sits inside of this. Apparently it was unecessary and deleted in later production. In 1938 they used the 1938 ONLY small three quarter inch single circle logo without any fihure of Revere, riding a horse or his bust, no "1801" and no mention of Revere Ware. It only has Revere Copper and Brass Co. and Rome NY plus Pat. Pend. The inside area of the spout has a gridwork of small holes punched in the part that drains from the pot into the spout. The inside lip of the lid has small indents for this year only. The height of these early pots varies slightly and the lid fit varies as well as the heighth of the copper. The copper is straighter on the sides until 1947 and there is an early glass top with a straight ninety degree angle (I have only seen two of these. The only 1938 pot I have seen is the one in my collection. When more examples show up a better understanding of the differences can be discovered.


text:
Choppy waters at Cedar Lake's Hidden Beach
Neighbors in the affluent Kenwood neighborhood say they're turning the beach's reputation around with family-friendly events and money to pay for extra police patrols. But it's an ongoing battle, with police incident reports doubling last year.
By Karen Zamora Star Tribune
June 19, 2018 — 11:29pm
As families leave Cedar Lake's Hidden Beach after a day of swimming and playing in the sand, a Minneapolis Park Police squad car is pulling up for an eight-hour shift.
No other Twin Cities beach receives this much attention. Police patrol the beach on summer evenings, watching for drunken, drug-fueled behavior that's made it the neighborhood's top safety priority and one of the most closely watched areas in the park's system.
"East Cedar Beach has been a challenging site since 1995 and way beyond that," Park Police Chief Jason Ohotto said of the one-time nude beach, nicknamed "Hidden" because it's accessed through a clearing on a dead-end street and down a long, narrow dirt path.
Neighbors in the affluent Kenwood neighborhood say they're turning the beach's reputation around with family-friendly events and money to pay for extra police patrols. But it's an ongoing battle, with police incident reports doubling last year.
"It could mean we were focusing more resources there; it's not indicative that there's more crime," Ohotto said.
Four years ago, neighbors debated closing Hidden Beach after a tumultuous summer season of drunken driving, drug use and fighting.
Neighbors complained of people urinating on their lawns, driving into yards and ringing doorbells in the middle of the night. In 2007, a lifeguard tower was destroyed.
The Kenwood-Isles Area Association (KIAA) has been footing the bill for Park Police overtime hours since 2006 in an effort to curb problems in the area, saying safety at the beach is one of the association's top neighborhood priorities. This year, it allotted $5,000, or about 80 hours in overtime, Ohotto said. But the money for overtime is not always used, he added.
Police responded to 134 incidents in 2013 and 49 in 2016 — the lowest in five summers. But reports jumped to 95 last year. This year there have been some low-level crimes reported, the chief said. From May 1 to June 14, 24 of the 35 reports were alcohol-related. Last year, during the same time period, only five of the nine reports were related to alcohol.
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In addition to the neighborhood's overtime funding, the Park Police uses budgeted general fund dollars for two park patrol agents assigned to the beach. The patrols work at the beach from 3 to 11 p.m. Thursday to Sunday from May to September.
Ohotto said the level of service is similar to that at Webber Natural Swimming Pool, Jim Lupient Water Park and North Commons Water Park.
Regular on-duty Park Police patrols also provide coverage and call response for all beaches and pools, he added.
The neighborhood association recently added more family-friendly programming, including a Shakespeare production and a luau. The season's first event on June 9 was canceled due to rainy weather.
"We've been trying to police our way through the problem, but now we are trying to do something different," said Shawn Smith, chair of the association.
Park Board Commissioner Jono Cowgill said the board wants to "make sure neighbors feel safe at home. How do we make a culture of respect?"
Neighbors and beachgoers have noticed a shift from the beach's rocky history.
Last year, Mark Brown, a KIAA board member who lives on the closest street to the beach, said a family thanked them at a BBQ event for making the place safe for their kids. "It feels like we're moving in the right direction," he said.
Brown said he doesn't want to come across like "you kids get off my lawn," but instead wants a "balanced and respectful place." He said his family moved to the 2600 block of W. 21st Street three years ago because of the beach, which he called a hidden gem.
Recent daytime visitors praised the beach. Hannah Knazan-Lippman, of Minneapolis, called it a beautiful spot. Zachary Tisdell of St. Paul said his parents brought him there when it was still a nude beach. Seven years ago he started frequenting Hidden Beach because that's where his friends would hang out.
"It wasn't cleaned, no walkways, there were drugs and homeless people," he said. "It was like a punk, anarchy beach."
But on Thursday, returning for the first time after two years of living in Kentucky, Tisdell saw a much different scene.
There were benches and chairs, new sand, and families. "Wow, it's different," he said. "It's awesome."
Karen Zamora is a Southern California native who joined the paper in 2014 after graduating from Texas State University in San Marcos.
karen.zamora@startribune.com 612-673-4647 karenanelzamora


text:
Apple complies with greater proportion of US data demands
Apple is consistently more compliant with US requests for access to users' information than with the rest of the world on average, it has emerged.
Its own figures showed that, in 2015, Apple released data on users' devices to US authorities 80% of the time, compared to 55% when it came to the UK.
That compared to a global average of nearly 60%, Apple's data showed.
A security expert said it was "deeply frustrating" for law enforcement agencies.
Apple released its latest transparency report on Monday to complement previous releases going back as far as 2013.
It published the numbers of device requests it received – those from law enforcement for contact information and other data.
Separately, it released data on account requests – those from government agencies for account details, including iTunes and iCloud account information.
Data release
The BBC's analysis has revealed that, similar to in 2015, the UK was below the global average and the US above it for both types of request in each of the previous years for which there were comparable data.
Among the five countries that regularly submitted a large number of device requests – more than 2,000 per year – the US was the only country to consistently receive Apple customer information a greater-than-average proportion of the time. Singapore was also below the average in each of the three years.
Apple's figures showed that, on average, it was unable to release data for 33% of account requests from across the world in 2015. In the US, the rate was 18% and, in the UK, 40%. A similar picture emerged in 2014. A comparison of account requests in 2013 was not possible because Apple did not release exact figures for the US for that year.
The US and the UK were the only countries to make more than 300 account requests per year.
Image caption Apple's figures showed a lesser propensity to release information to UK authorities
The consistently lower proportion of successful requests from the UK could be because Britain is seen as "less protective of personal privacy" than the US, said Prof Alan Woodward of the University of Surrey.
The security expert, who advises Europol and who has also advised GCHQ in the past, said: "Whatever the reason, it is a deeply frustrating situation for law enforcement agencies."
Despite Apple's presence in many countries outside the US, he added that it may also feel less duty bound to comply with requests from foreign governments.
'Government abuse'
According to Apple's report, the majority of device requests were in cases of lost or stolen phones and the BBC understands that some of the differences between countries were dependent on the differing approaches of national police forces towards phone theft.
The BBC also understands that some of the unsuccessful account requests were down to the company not holding any information, rather than resisting law enforcement efforts.
The firm declined to comment when contacted by the BBC.
On Monday, Blackberry's chief executive John Chen said the firm would comply with law enforcement but would prevent "government abuse of invading citizen's privacy".
He spoke in response to reports that Canadian police could intercept and read encrypted messages sent using Blackberry phones. Mr Chen said the firm "stood by [its] lawful access principles".
Tags: apple, complies, data, demands, ilicomm, us


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As many as 2,529 products have shrunk in size Jul 28, 2017 12:41:06 GMT -8
Post by WeAreAllOne on Jul 28, 2017 12:41:06 GMT -8
As many as 2,529 products have shrunk in size over the past five years, but are being sold for the same price
As many as 2,529 products have shrunk in size over the past five years, but are being sold for the same price, official figures show.
The Office for National Statistics (ONS) said it was not just chocolate bars that have been subject to so-called "shrinkflation".
It said toilet rolls, coffee and fruit juice were also being sold in smaller packet sizes.
Andrex admitted its rolls were smaller, but said they were now better quality.
At the same time the ONS said 614 products had got larger between 2012 and 2017.
Five products hit by shrinkflation
The ONS said the phenomenon of shrinkflation had not had an impact on the overall inflation figures. However, in the category of sugar, jam, syrups chocolate and confectionery, the rate of inflation when adjusted for shrinking products was significantly higher.
Since 2012, the inflation rate for products such as chocolate was actually 1.22 percentage points higher, when the smaller size was taken into account.
Andrex toilet tissue, which used the catchline "Soft, strong and long" alongside the famous Labrador puppy, has shrunk its rolls from 280 sheets originally, first to 240 sheets, and more recently to 221 sheets, according to Which?
The company told the BBC that even though the roll was smaller, the product itself was better.
"Reducing the roll by a number of sheets has helped us make this multi-million pound investment in product performance possible," a spokesperson said.
"Consumer pricing is solely in the domain of the retailer."
Dozens of chocolate bars and sweets have already got smaller.
Packets of Maltesers have shrunk from 121g to 103g, a reduction of 15%. Makers Mars have said it was a way of helping consumers afford the product.
Why are our chocolates getting smaller?
Mind the gap: Toblerone gets fewer triangles
Toblerone has shrunk by 12%, with larger spaces between the triangular "mountains".
The manufacturers, Mondelez - formerly Kraft - said they changed the shape "to keep the product affordable". It said it was experiencing higher costs for "numerous" ingredients.
The ONS has cast doubt on whether raw material costs are really rising.
The European import price of sugar has been falling since the middle of 2014, and reached a record low in March 2017, the ONS said.
The price of cocoa, another major ingredient, reached a five-year high in December 2015, but has fallen sharply over the last year.
The ONS also dismissed Brexit as a reason for recent shrinkflation, even though it has contributed to an increase in the price of some imported goods.
"Our analysis doesn't show a noticeable change following the referendum that would point to a Brexit effect," the ONS said.
www.bbc.com/news/business-40703866
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Composed by Freddie Mercury
Performed by Queen.
Freddie Mercury-Vocals and piano,
Brian May-Guitars and vocals.
Roger Taylor-Drums
John Deacon-Bass.
The single was released on 31/10/1975 from the album, A Night at the Opera, which was released on 21/11/1975. The single spent 50 weeks in the U.K. charts and 56 in the U.S. reaching No. 1. It took 3 weeks to record-7 days just on vocal overdubs, but it was pre-composed by Freddie with harmonies written out etc. before it was taken to the recording studio. In 1975 it usually took about 3 weeks to record an entire album!
3-minute singles were the norm and many felt that a 6-minute song could not be a success. D.J. Kenny Everett played it 14 times in one weekend on Capitol Radio, and by Monday, EMI were loaded with orders for a single that hadn't even been released yet! It was the first time an Opera section had been included in a Pop/Rock song.
"No Synths"was printed on the album covers because they felt that many people couldn't heart the difference between a multi-layered guitar and a synthesizer. The guitar was considered as an orchestral instrument rather than a raunchy one and May spent hours layering and harmonising guitar tracks.
Style or Genre.What makes Bohemian Rhapsody unique for its time is that it can't be confined to one style or genre. It is a mixture of styles including Rock, Pop, Classical choral, Opera added to revolutionary recording practices.
Homophonic (block chords) in the vocals at the start.
Mostly Melody and Accompaniment throughout (still Homophonic)
A Cappella (unaccompanied by instruments) at the start, leading onto solo voice with backing vocals.
Loads of layered backing vocals throughout.
Solo voice with accomp. on the ballad type main song.
Polyphonic and antiphonal in the operatic section
Lots of overdubbing and layering of guitar and vocal parts throughout
Guitar, drums and piano appear and disappear throughout the song
Bass often doubles the rhythm guitar in the rock sections
Broken chords on piano in the "ballad" section
Block chords on piano in the operatic section
Power chords on guitar in the rock sections
Broken chords on guitar in the coda
1st section is in Bb major starting with a chord of Bb6
Piano intro into the "ballad" section broken chord of Bb major with an appoggiatura (g)
Chord progression for the main song is I, vi, ii, V (Bb Gm Cm F)
Major chords moving chromatically on "easy come, easy go" in the introduction
Each verse of the "ballad" changes to Eb major halfway through
1st Guitar interlude in Eb Sudden change to A major at the start of the operatic section
Change back to Eb midway through the operatic section
2nd guitar interlude in Eb
Rock section in Eb
Coda in Eb but ends on a chord of F major
Vocal Style
Choral at the start.
Soft "ballad" type of singing in the main song changing to a harsher rock sound on the words "thrown it all away". Pop-style backing vocals throughout featuring "oohs" and "aahs" multi-layered. Operatic section – multi-layered vocals featuring extreme dynamic changes, imitations and falsetto (very high pitched male singing). Harsh "throaty" rock-style singing in the rock section.
Return to the softer "ballad" type singing in the coda
No guitar in the intro.
Enters playing a chromatic line on the words "thrown it all away" (doubled by the bass) matching the change of vocal style.
Much overdubbing and layering throughout (multi-tracking) up to 7 guitar tracks!
Features distortion, string bends, vibrato, scale passages and glissandi in the guitar interludes.
Drops out of the operatic section and plays a much smaller role in the coda
Enters on the 2 bar intro to the main song (bar 15) in semibreves (o)
Continues in semibreves in the main song
Note the glissando (slide) at
Note the rhythm (Appendix 1) under the words "now I've gone and thrown it all away"
Doubles the guitar throughout this section
In the operatic section the bass drops in and out like the Drums.
Again doubles the rhythm guitar in the guitar interludes and rock sections
Enters on the word "away" in the 1st verse with a cymbal crash, followed by a roll and crescendo.
Note the rhythm of the snare drum and bass drum (Appendix 2) which is know as "backbeat".
Note the difference between the 2 verses of the main song ie drums from the start of verse 2 and ride cymbal in quavers.
Also note the drum "fills" on tom-toms and snare.
Change of drumming style in the operatic section where the drummer drops out at the soft bars and plays the rhythm of the words at the loud bars. This is more like orchestral percussion than rock drumming.
Back to rock drums at the 2nd guitar interlude
Flam A soft gong is the final sound in the entire song
Enters with a soft broken chord (Gm) on "open your eyes" in the introduction
Learn the piano introduction to the main song (bars 15 & 16 broken chords – Appendix 3)
Start of operatic section 8 staccato block chords of A major – mostly block chords in this section
Occasional piano linking motives throughout, linking the entire song (see Themes & Motives)
Return to broken chord (arpeggio) style in the coda
Multi-tracking (overdubbing) of guitar and vocals feature prominently throughout the entire song, giving rich layers of sound
Use of distortion on the guitar to give rock sound
Panning of vocals and guitar throughout
Use of flanger on the cymbal to illustrate "wind blows"
Phasing.
Reverb Delay
Themes & Motives
Chromatic motives act as a unifying feature tying the different sections together.
"Easy come, easy go" motif (Appendix 4) can be closely linked to various piano links (Appendix 5), "I'm just a poor boy", the chromatic bass( Appendix6) line and the final "Any way the wind blows" at the end (Appendix 7)
The main rock motif (Appendix 8) features triplets on guitars and bass
Counter motif "any way the wind blows"
Word Painting
Flanger on the cymbal to describe the words "the wind blows"
Bell tree to describe "shivers down my spine"
Extreme dynamics and changes in texture to illustrate the "very very frightening" section.
Many changes of dynamics throughout showing a Classical influence, sometimes changing gradually (crescendo and diminuendo) and sometimes very suddenly, as in the operatic section.
Rubato (free) in the introduction, mostly 4/4 time, one 5/4 bar
A tempo at bar 15 (the piano intro to the main song)
One 2/4 bar in the main song
Change of tempo at the operatic section - one 2/4 bar
Change of tempo at the rock section – where 4/4 = 12/8
Return to slow "ballad" type in the coda
Rubato and rit at the end


Here's a puzzle for you – why would Chase Bank offer a $200 cash bonus for opening a new savings account where you must deposit a minimum of $10,000 and not touch it for 90 days?
Our household received such an offer in the mail a few days ago. Here's the outer envelope – notice the faux check creative approach through the window.
Note that the offer was addressed to "Our Neighbor" and not a specific person. This approach enables new movers to take advantage of the offer as well.
The one-page letter is brief as you can read below.
To make responding easier, the location of the nearest Chase branch appears just after the middle of the letter.
I see this offer as a puzzle given that I've read several media articles lately telling me that banks and credit unions are swimming in deposits as a result of very low loan demand. Some smaller financial institutions have gone so far as to discourage more deposits.
So why would Chase want $10,000 from me and thousands of other people living around this branch?
Perhaps the answer can be found in the attached chart appearing on page 36 in the August 27 – September 2 issue of Bloomberg Businessweek.
Look carefully at the comment in the green area of the chart – it's very enlightening.
So, one answer to the puzzle could be that the folks at Chase need your savings for speculative purposes.
On the other hand, I believe another reason exists for this lucrative savings account offer.
Offer prospects a savings account and hope they open a checking account.
Now consider this question for which I don't have a proven answer: Which approach generates the most new accounts – offering a $200 cash bonus for opening a new checking account or $200 for opening a new savings account?
An educated guess tells me it would be the savings account offer.
It's much faster and easier to open a new savings account – even if the money is coming from another bank or credit union.
Yet, a savings account isn't of much value without a linked checking account.
Perhaps they've discovered that it's easier to get the savings account first and the checking account will follow at some point.
They encourage this behavior by mentioning the following three items on the front and back of the direct mail letter shown above. A page of important information and disclosure copy appears on the back of the letter.
Sell the savings account up front by offering a $200 cash bonus and subtly sell the value of a companion checking account throughout the copy.
If I continue receiving similar savings account offers I'll know this strategy must work.
Chase wants the savings deposits for speculative use while hoping to also get the new customers' checking account down the road.
What are your thoughts about Chase's $200 cash bonus offer for a $10,000 savings account?


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Eidsivating lagmannsrett is een Noors lagmannsrett met zetel in Hamar. Het gerecht, vergelijkbaar met een Hof van beroep in België of een gerechtshof in Nederland, is bevoegd voor beroepszaken in zowel straf- als civiele zaken tegen uitspraken van de 10 Tingretter in het ressort. Het ressort omvat de fylke Innlandet en een klein deel van Vikenl, het historische Romerike. Oorspronkelijk omvatte het gerecht ook de provincies Akershus, Buskerud, Østfold en Oslo, in 1995 werd het ressort gesplitst en vormden deze het Borgarting lagmannsrett. Naast Hamer houdt het gerecht zitting in Lillehammer en Eidsvoll. In Eidsvoll wordt daarvoor het oude station van de stad gebruikt.

Indeling in Tingretter

Externe link
website

Rechtspraak in Noorwegen
Innlandet
Viken


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A rare, petite, late-17th century, walnut gateleg table
The rectangular top in three sections, with a solid moulded edge. The frieze with a long, single drawer, the handle probably replaced in the 19th century. Standing on elegant, barley-twist legs, one with a brace and two with repairs to breaks. The legs joined by barley-twist stretchers on original toes. The carcass pine. Excellent original colour and patina
This table is of exceptionally rare, delicate and petite form. The overall proportion of the table is fluid and elegant, with the square top balanced and supported by the shapely, turnings which flow into the feet. The carpenter has moulded the edge of the top which enhances and balances the form. The barley-twist turnings, which were the latest fashion at the time, have the most delicate proportions, each one hand-turned by a master craftsman and bearing subtle differences. They give the table delicate elegance and fluidity, and balance the overall proportion of the piece. It has survived in excellent condition, and the minor repairs are consistent with use over time. The table has developed an outstanding, original lustrous, patinated surface. The gateleg has stood the test of time as ergonomic design, being used as an occasional, tea, gaming or centre tables.


The Epcot International Flower and Garden Festival is going on now, from March 1st to May 29, 2017. This year saw the addition to two new Outdoor Kitchens, bringing the total up to fifteen. There's of course the more than 70 topiaries, most based on beloved Disney characters. And it wouldn't be a garden festival without the gardens. Epcot is truly a beautiful place this time of year. And remember, the festival is included with general admission!
After visiting twice already since the festival began, and eating my way around the world both times, I can say there's some fantastic food and drink options available this year. Many are returning favorites, but there's some new offerings as well, including the delicious Sugar Cane Shrimp Skewer from La Isla Fresca (pictured above.) With a few more months of festival remaining, I'm sure I'll be stopping by at least once more to try a few more bites that I skipped on my last trips. And there's a couple things that were so good I'm going to have to go back for seconds.
For now, please check out the video and my full coverage below of every outdoor kitchen and topiary from this year's event, plus an in-depth look at the merchandise and some of the gardens as well. If you're looking for the full food menu and concert lineup, check out our complete festival guide!
Welcome to the Epcot Flower and Garden Festival 2017!
The Festival Center is located in Future World between Mission: SPACE and Universe of Energy. (It's the former location of Body Wars, but back then was called the "Wonders of Life" pavilion.) The Festival Center is your first stop for festival info, merchandise, special seminars and how-to demonstrations, and more. While the festival is open every day of the week, keep in mind that the Festival Center is only open Friday through Sunday.
I've already visited twice and sampled over two dozen foods and drinks (and I cannot wait to go back and try some more!) The fifteen outdoor kitchens are located throughout World Showcase and offer a great variety of options. They range in price from $3 to $12 (with the alcoholic mixed drinks being on the higher end.) Many of the food items are also available as Disney Dining Plan snack credits too. Check out the photos below as well as my personal thoughts on the foods I've tried. Visit our previous post to see the full lists of food menus.
Moving on to Northern Bloom in Canada, originally I was super excited to try the Seared Scallops with French Green Beans, but unfortunately it ended up letting me down. The scallops were shown with a nice sear in all the released photos, but mine ended up squishy with absolutely no sear. And the green beans were completely raw, which wasn't entirely terrible given they were in a vinaigrette, but it wasn't at all what I expecting. The Beef Tenderloin Tips with Mushroom Bordelaise Sauce and Whipped Potatoes wasn't much better. The sauce tasted amazing, the potatoes were good, but the cut of meat I got was not the best; a little fatty and underwhelming. To drink I had the Maple Popcorn Shake (non-alcoholic version.) It was quite nice, very smooth, with a vanilla-like flavor, and topped with caramel corn. I still want to try the version with alcohol, which includes maple flavored Crown Royal, and I hear is really good.
Next up in the United Kingdom, Cider House offers what might be my favorite dish at the festival, the Pear Cider-brined Shredded Corned Beef with Braised Cabbage and Branston Dressing. Maybe I was just in the mood for some good old corned beef and cabbage, but this dish really hit the spot. It was a huge portion too, not bad for $5.50. The cider brine works well with the cabbage. The dressing goes great over the meat. All in all a great dish. We tried the Cider Flight on my second visit and all three were great! The big winner though was the McKenzie's Black Cherry Hard Cider, and we even picked up a 6-pack of it from Total Wine on the way home.
Moving on to France, I tried a couple things from Fleur de Lys that I hadn't tried in previous years, but were not new this year. The Alsatian Onion Tart with Sautéed Onions, Fresh Thyme and Rosemary on a Flaky Puff Pastry Crust was quite yummy, but much less onion-y than I was expecting, (which might be a plus for most people.) And the Raspberry Macaron with Chocolate Fudge and Raspberry Jam was so rich I really wish I had someone else there to share it with. Great flavors, just deceivingly filling.
I haven't tried anything from Florida Fresh yet, but there's a Key Lime Tart with my name on it. I haven't had anything from Taste of Marrakesh yet either, but I've tried their Baklava in the past and it's a scrumptious treat. I did try the Frushi from Hanami in Japan, and I wasn't that impressed. This is certainly a good-looking dessert, but not as sweet as I think it should be. It's made of fresh pineapple, strawberry and melon rolled with raspberry coconut rice, but unfortunately the rice just wasn't sweet enough to really call it a dessert. The whipped cream on the side helped, and it's still worth trying once, but not as good as I was hoping.
THE SMOKEHOUSE: Barbecue and Brews at the American Adventure Pavilion had the longest line when I visited, and I'm guessing the popularity of the returning Beef Brisket Burnt Ends Hash had something to do with it. Mine was not very good though. Maybe they were rushing the food to help get the line down, but both the hash and my Pulled Pig Slider did not come out that great. The hash was not at all warm. And the bun for the slider was hard as a rock. Luckily there were squirt bottles of tasty barbecue sauce to pour over the dishes which made them more palatable. I'm hoping I caught them on an off day. Having said that, the Warm Chocolate Cake with Bourbon-Salted Caramel Sauce was absolutely incredible. And unlike the hash, was actually served warm. That's something I'll be getting again. And maybe next time I'll try the Smoked Pork Ribs too. They looked much better than the other dishes coming out.
I was able to sample the Antipasto Misto from Primavera Kitchen in Italy. This cold Italian appetizer sampling includes Cerignola Olives, Sweet Soppressata and Salami, Ovolini, Mozzarella, Sweet Roasted Peppers and Ciabatta Bread. For only $6 it's a good snack and a nice gateway into Italian meats and olives without getting into anything too out there. The Meatball Parmigiana here looked amazing as well, but haven't had the chance to try it just yet.
Some of the best things I've tasted were from La Isla Fresca in Showcase Plaza. The Caribbean Conch Salad with Avocado, Mango and Onions is a great mix of some of my favorite things all in one bowl. It's crisp and light (which can be nice after trying so many heavy dishes in the hot sun all day.) The Jamaican-braised Beef with Pigeon Pea Rice and Micro Cilantro was a nice surprise with great flavor and a much better meat texture than the dish from Northern Bloom. The rice that came with the beef was simple, but nice and filling.
Besides the corned beef from Cider House, I have to say the Sugar Cane Shrimp Skewer with Steamed Rice and Coconut Lime Sauce was the only other dish that hit it out of the park for me this year (so far.) The shrimp were much larger than you normally see in festival dishes. The flavors were all amazing. And I'm not usually a big fan of coconut milk flavor, but the sauce was perfect on this dish and complimented the rice perfectly, which was a nice generous portion. This was not only a great dish, but I think it's a fair price as well at $6.50.
While sampling foods and drinks can be fun, I've always loved seeing the topiaries most of all. Not only are there a few new entries to this year's lineup, but many classic topiaries are offering more brilliant colors this time around. I hope this trend continues. When the festival began topiary displays were all green, but over time more colors and different plant materials have been introduced, helping to bring beloved Disney characters to life more than ever before! Of course there's also many walk-through gardens, and the infamous "Festival Blooms" and "Floating Gardens" along the water that separates Future World and World Showcase as well.
What is this, a garden for ants?
This is one of my favorite times of the year. The flowers, food, and topiary displays really bring Epcot to life during the Flower and Garden Festival! I hope you enjoyed our coverage of this year's event. I can't wait to go back and sample some more tasty dishes, and with the festival running until May 29, 2017, there's still plenty of time. Be sure to watch the video for even more gardens and topiaries and stay tuned for more theme news and events coverage!
See the full food menu and concert lineup for the event here and subscribe to our news feed to stay up on theme park news.


Outrageous comedy The Merry Wives of Windsor is broadcast live to cinemas on 12 September.
Director Fiona Laird brings her fun-filled production of The Merry Wives of Windsor to cinemas around the UK later this month.
Featuring David Troughton as Falstaff alongside Rebecca Lacey and Beth Cordingly as the two wives he's desperate to seduce, the show will be broadcast live from the Royal Shakespeare Theatre on 12 September, with international screenings scheduled for later in the year.
The production runs in Stratford-upon-Avon until 22 September before transferring to the Barbican in London this December.
Ahead of the screening, why not watch Merry Wives actor Charlotte Josephine, Movement Director Ayse Tashkiran and Head of Scenic Resources Rebecca Cubitt in discussion with Lynne Enright of The Pool, as they talk about women in theatre over on Facebook?


1. The original 15-year investment frame has been doubled. With the Spanish investment, you get two rolling contracts, each for 15 years.
2. You exit and receive money in year 31, not year 30.
3. The currency's changed. These Spanish truffles are priced in U.S. dollars.
Invest US$51,563 for 100 trees, and you're looking at an Internal Rate of Return (IRR) in the region of 16%. In year 31, you exit having received just over US$600,000. However, invest US$77,965 and this 600k return could change to just under one million dollars.
These estimated returns are high, but I'm confident. There's a lot of science behind this project. At Christmas, Esteban de Paz joined the team as Estate Manager. Esteban has a number of years managing truffle plantations in New Zealand and, for the last two years, he's advised clients specifically on Spanish plantations. He is the world's leading Consultant Agronomist in the field of truffles and assisting him is Alistair Irving. To ensure the quality and purity of the plantations, their lab checks every truffle used in the spore inoculations that are down on the tree roots.
Estimated demand is at least 10 to 20 times more than production. Truffles are often called the "diamonds of the kitchen" because they are so expensive and so desired.
Chefs all over the world use them. Customers all over the world want to see them on menus. The smell and flavor of truffles is particular, like nothing else. Michelin-star U.S. chef Thomas Keller uses truffles in many dishes ranging from "Salmon 'Chops' with Celery and Black Truffles," to truffle-infused custards.
The reasons for putting agriculture into your portfolio are straightforward. The world's population will probably reach nine billion by 2050. It's growing and it needs feeding. Specifically relating to truffles (a luxury food), disposable income is increasing and this affects food consumption trends. More income means more eating out in fancy restaurants like Thames Keller's and more expensive supermarket purchases.
I agree with Jim, but I don't want to pick up a shovel and become a farmer. This Spanish truffles investment, however, is turnkey. You stand to get 16% IRR without breaking a sweat. With anticipated profits this high, it wouldn't surprise me if this investment sells out like the French one did, so get in touch here before it's too late.
Lief Simon is the Director of Overseas Property Alert . Lief has lived and worked on 5 continents and traveled to more than 70 countries. His real estate investing experience began more than 20 years ago with a multi-unit building in Chicago. After selling that building for a leveraged total return of more than 1,800% in 2 ½ years, Lief began to diversify internationally. In the two decades since, Lief has personally purchased more than 45 properties, investing in 26 different countries around the world. He has developed land, managed rentals, and flipped pre-construction buys. Lief has more experience buying and profiting from real estate around the world than any other individual investor you're likely to find anywhere.


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Flavio Ariel Mendoza (Mendoza, Mendoza; 22 de diciembre de 1971) es un bailarín, coreógrafo y director artístico argentino. Ha participado en distintas obras de teatro y programas de televisión y posteriormente ha ocupado el rol de productor artístico, destacándose por su obra Stravaganza.

Biografía
Paso su infancia en Mendoza. Proviene de una familia de varias generaciones circenses. Ha logrado destacarse en artes como la acrobacia, la danza y la actuación. Su primera incursión en la danza fue en su adolescencia realizando imitaciones de Michael Jackson. Ha participado en distintas obras de teatro y programas de televisión y posteriormente ocupado el rol de productor artístico.

En 2008 participó como panelista en La previa del show (Ciudad Magazine), en 2010 trabajó como panelista en Animales sueltos (América TV) y como participante junto a Gisela Bernal en el programa Bailando por un sueño, en 2011 ocupó el lugar de jurado en Bailando por un sueño y luego formó parte del BAR-SM junto a Aníbal Pachano y Laura Fidalgo.

A su vez, comenzó a relacionarse y participar con el circo "Hermanos Servián", cuyo nombre es modificado por Mendoza para ser llamado "Servián, el Circo".

En 2018 se sumó como panelista a Los Especialistas del Show, programa emitido por Eltrece.

En 2018, se incorporó al personal de participantes del programa: Bailando por un sueño.

Stravaganza

Stravaganza es el nombre que Flavio Mendoza le ha dado a una serie de espectáculos que estrenó el 25 de diciembre de 2011 en el teatro Luxor de Villa Carlos Paz, provincia de Córdoba. En todas sus versiones el espectáculo se destacó por innovaciones tecnológicas. El 25 de diciembre estrenó la primera versión de su obra, Stravaganza: Water in Art. En 2012 retomó su rol de jurado en Bailando por un sueño y presentó Stravaganza en el teatro Broadway en Capital Federal. En 2013 presentó Stravaganza: Estados del tiempo. En el 2014 presentó Stravaganza tango. En 2015 participó del programa Tu cara me suena 3, donde debió imitar a cantantes nacionales e internacionales.

En 2015 presentó Stravaganza: Sin reglas para el amor. En el mismo año estrenó además en el teatro Broadway Franciscus, obra que Mendoza solo se limitó a producir y dirigir. En el 2016 presentó otra obra, Mahatma.

La primera obra de Stravaganza tuvo de título Water in Art y contaba con la participación de Diego Reinhold, Cinthia Fernández, Gisela Bernal, Noelia Pompa y la banda de rock cordobesa Iceberg del Sur. Con esta primera edición, Flavio Mendoza rompió todos los récords de venta de entradas históricos a nivel nacional con 168.000 entradas vendidas solamente en la temporada de verano.

La segunda versión fue denominada Estados del tiempo, y contó con figuras como Adabel Guerrero y Belén Pouchán.

La tercera versión fue Stravaganza tango, con la participación de Nicolás Vázquez y Melina Greco. Esta última pasó luego a denominarse Stravaganza: Sin reglas para el amor, contando con la participación de Nacha Guevara y Eleonora Cassano.

Mahatma
Mendoza abandonó el nombre Stravaganza, denominando a su última obra Mahatma. Esta fue inspirada en un viaje que el mismo Mendoza realizó a la India. Fue estrenada el 25 de diciembre de 2016 en el teatro Luxor de Villa Carlos Paz en una función a beneficio.

Controversias
En 2017 se vio envuelto en un escándalo, a tal punto que un comunicado de la Asociación Argentina de Actores lo amonestó por "fraude laboral", trabajo en negro y "por salarios por debajo del mínimo que incluso estipula el convenio de actores". Además, el texto asegura que el bailarín atendió "de forma agresiva" al sindicato durante los ensayos de la obra Taboo en el teatro Broadway. La secretaría gremial y el consejo integral de la Asociación Argentina de Actores informó y denunció "la decisión ilegítima de la productora" de Mendoza, Giopar S.R.L., de no presentar los contratos y de no haber efectuado los pagos de salarios del elenco que integran 20 trabajadores, correspondientes a los ensayos. Posteriormente, en medio de una inspección del Ministerio de Trabajo, Mendoza agredió verbalmente a los inspectores. Finalmente, fue denunciado por irregularidades en el pago de salarios y maltrato laboral. El productor ya había tenido denuncias previas de la conducción de la Asociación Argentina de Actores por intentar rebajar el pago de horas de ensayo de los bailarines de su obra Stravaganza en 2012.

Referencias

Enlaces externos
 Twitter oficial de Flavio Mendoza

Artistas LGBT de Argentina
Bailarines de Argentina
Coreógrafos de Argentina
Jurados de Bailando por un sueño


text:
Ванесса Лов (, род. 17 июля 1990 года, Шверин, Мекленбург — Передняя Померания, Германия) — немецкая легкоатлетка, выступающая в прыжках в длину и беге на короткие дистанции в классе T42. Паралимпийская чемпионка 2016 года в прыжках в длину с мировым рекордом 4,93 м. Чемпионка мира 2015 и двукратная чемпионка Европы (2014, 2016) в прыжках в длину.

Биография и карьера
Ванесса Лов родилась 17 июля 1990 года в Шверине. У неё есть две сестры — старшая Синтия и младшая Оливия. Училась в начальной школе Ратцебург, затем в средней школе. 18 июня 2006 года на платформе в Ратцебурге она попала под поезд. Чтобы спасти жизнь, врачи ампутировали ей обе ноги до уровня колена. Ванесса 2 месяца находилась в коме, а в общей сложности пробыла в больнице 5 месяцев.

Начала профессионально заниматься лёгкой атлетикой в 2008 году, после того как бросила учёбу в последнем классе школы. В составе Паралимпийской сборной команды Германии участвовала в двух летних Паралимпийских играх (2012, 2016).

Основные результаты

Примечания

Ссылки

 Профиль Ванессы Лов

Прыгуны в длину Германии
Бегуны на короткие дистанции Германии
Чемпионы Паралимпийских игр от Германии
Чемпионы Паралимпийских игр по лёгкой атлетике
Чемпионы летних Паралимпийских игр 2016 года
Серебряные призёры летних Паралимпийских игр 2016 года
Легкоатлеты на летних Паралимпийских играх 2012 года
Легкоатлеты на летних Паралимпийских играх 2016 года


text:
PROJECT LANTERN
Lantern Podcast
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Back to Unimelb Campus Guide
"Never doubt that a small group of thoughtful, committed people can change the world. Indeed, it is the only thing that ever has."
— Margaret Mead
© 2020 by Project Lantern.
We acknowledge that we work on the land of the Wurundjeri people of the Kulin Nations and pay respects to their Elders past, present and emerging. Sovereignty has never been ceded, this is and always will be Aboriginal land.


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text:
Interwar Period
Medals & Cap Badges
» Military history
» Medals & cap badges
» European Orders And Decorations To 1945
Brand: Peter Duckers
European Orders And Decorations To 1945
by Peter Duckers
Publisher Shire Pubns.
Qty: Quantity 12
European Orders And Decorations
Since the early Middle Ages, the Royal and princely families of Europe have conferred a wide range of Orders of Knighthood and Chivalry both to reward loyal service to the Crown or Royal Family and to strengthen the bonds of loyalty which existed between sovereign and subject. Although many ancient Orders have fallen into disuse over time, many European states continue to award Orders for distinguished service. Badges of the highest quality are worn to show membership of an Order. The manufacture, and the materials used in creating these badges are exquisite and these decorative objects are studied and collected widely.
In this volume, expert medal collector Peter Duckers describes the range of European Orders conferred before 1945, some of which stretch back hundreds of years. A brief introduction to a fascinating subject, this is an ideal reference book for anyone interested in collecting these rare and valuable objects.
1914-15 Star
A Pocket Guide to British Gallentry Awards
Annotations Found on the Reverses of the Military Medal Index Cards 1916-1920
Battlefield Bravery
British Army Cap Badges of the First World War
British Army Cap Badges Of The Second World War
British Campaign Medals 1815-1914
British Campaign Medals Of The First World War
British Gallantry Awards 1855-2000
British Orders And Decorations
First World War British War Medal
Military Badge Collecting
Military Cross
The Distinguished Conduct Medal Awarded to the Allied Armies by the British Government during the Great War
The First World War Campaign Medals DVD
The Great War Medal Collectors Companion Volume 3
Great War Medal Collectors Companion


text:
Q: R - C++ code reproduction in Rcpp Math.Min issue I am trying to reproduce a C++ code that I found here about the LevenshteinDistance.
More precisely, I am trying to reproduce the part starting by
static int LevenshteinDistance(string s, string t)

until
  return d[n, m];
 }

However, I am experiencing an error with Math.Min(Math.Min(. I am not sure what is the translation in rcpp. I tried with min but it doesn't seem to work. Any clue ?
// [[Rcpp::export]]
NumericVector LevenshteinDistance(NumericVector s, NumericVector t) {
    int n = s.size();
    int m = t.size();
    NumericMatrix d(n+1, m+1);

    if (n == 0)
    {
      return m;
    }

    if (m == 0){
      return n;
    }

    for (int i = 0; i < n; i++)
      d(i, 0) = i;
    for (int j = 0; j < m; j++)
      d(0, j) = j;

    for (int j = 1; j < m; j++)
      for (int i = 1; i < n; i++)
        if (s(i - 1) == t(j - 1))
          d(i, j) = d(i - 1, j - 1);  //no operation
        else
            d(i, j) = min(
            d(i - 1, j) + 1,    //a deletion
            d(i, j - 1) + 1),   //an insertion
            d(i - 1, j - 1) + 1 //a substitution
        );
        return d(n, m);
  }

So with
d(i, j) = min(

I get this error message : no matching function.

A: Three issues really:

*

*You have a typo
d(i, j) = min(
d(i - 1, j) + 1,
d(i, j - 1) + 1),  //typo here with )
  d(i - 1, j - 1) + 1
)

*The use of std::min() is defined to be between two values e.g. std::min(obj1,obj2) whereas you are aiming use min() in an R way.
So,
min(c(1,2,3,4))

But, C++ definition of std::min requires it to be written as:
std::min(1, std::min(2, std::min(3,4)));

*If you want to be true to the string notion of LevenshteinDistance, then you need to switch how the values are entering your function away from the NumericVector type to any one of the following: std::string, std::vector<std::string> (see Gallery Post: Strings with Rcpp), Rcpp::StringVector (see Gallery Post: Working with Rcpp StringVector), or Rcpp::CharacterVector.

The following should be sufficient:
#include <Rcpp.h>

// [[Rcpp::export]]
int LevenshteinDistance(std::string s,
                        std::string t) {

  // Number of elements
  int n = s.size();
  int m = t.size();
  Rcpp::IntegerMatrix d(n+1, m+1);
  Rcpp::Rcout << "n:" << n << ", m:" << m << std::endl;

  if (n == 0){
    return m;
  }

  if (m == 0){
    return n;
  }

  for (int i = 0; i <= n; i++){
    d(i, 0) = i;
  }

  // No sense to revisit the (0,0) coordinate
  for (int j = 1; j <= m; j++){
    d(0, j) = j;
  }

  for (int j = 1; j <= m; j++){

    for (int i = 1; i <= n; i++){

      if (s[i - 1] == t[j - 1]){

        d(i, j) = d(i - 1, j - 1);  // no operation

      } else {

        d(i, j) = std::min(d(i - 1, j) + 1,    //a deletion
                           std::min(d(i, j - 1) + 1,   //an insertion
                           d(i - 1, j - 1) + 1)); //a substitution

      } // end if

    } // end inner for

  } // end outer for

  return d(n, m);
}

With this function being written, we can opt to write a quick wrapper to process different dimensions of comparisons such multiple sources to a target and so on...
// [[Rcpp::export]]
Rcpp::IntegerVector LevenshteinDistance_Vector(std::vector<std::string> s,
                                               std::string t){

  // Number of Sources
  unsigned int sn = s.size();

  Rcpp::IntegerVector o(sn); // populates automatically with 0.

  for(unsigned int i = 0; i < sn; i++){
    o(i) = LevenshteinDistance(s[i],t);
  }

  return o;
}

redpajama_set_name: RedPajamaStackExchange


text:
Кита́й () — остров в центральной части залива Сиваш Азовского моря. Расположен между Чонгарским полуостровом и Перекопским перешейком и относится к Геническому району Херсонской области.

География
Общая площадь острова составляет 0,03 км². Наивысшая точка острова расположена на высоте 3 метров.

С 1927 года расположен в пределах Азово-Сивашского заповедника (ныне — национального парка).

Состоит из лёссовидных суглинков, разрушается под действием абразии.

Растительность острова — синатропная (лебеда татарская, ячмень мышиный, латук дикий). Кроме этого, Китай и заповедная акватория Сиваша — место массового гнездования птиц, включая редких (черноголовый хохотун, чеграва, большой баклан).

Примечания

Острова Сиваша
Острова Херсонской области
Генический район


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While for many of us Christmas is a time that we can relax and spend time with our families, for lots of our team Christmas is still a busy time, as they continue to work tirelessly to make sure we are providing the highest possible standard of care for every patient, visitor and guest that walks through our doors.
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On behalf of everyone at the Golden Jubilee, let me wish you all a very happy Christmas and a healthy, peaceful New Year.
Check out our very special Christmas message from all of our staff, head over to our official Youtube Channel here.


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The dies I used here are from the Craft Passion, Noor Design, Magnolia, Simon Says Stamp, Go Kreate, La-La Land Crafts.
The Flowers are all from I Am Roses.
Hugs and kisses to the little one!
This is gorgeous Alexandra. Another gorgeous and beautifully coloured image with fabulous embellishments.
Oooooh what a Sweetie just love the way you layer.


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We were so glad to get another visit from the lovely Jennifer Hall of Lake Shores Church! She wanted to remind us about the Christmas Caddy Golf Tournament on Dec. 5.
Proceeds from the event will help meet the needs of many families this holiday season. To participate, show up at Hidden Falls Golf Course, 220 Meadowlakes Drive in Meadowlakes, on Saturday an hour before the noon shotgun start or call ahead at (830) 693-3300.


text:
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Chelsea FC news: Diego Costa Will Leave For China If His Demand Is Not Met
Jan 20, 2017 Alexis Sanchez, Antonio Conte, Arsene Wenger, Atletico Madrid, China, Diego Costa, Mesut Ozil, Oscar, Shanghai SIPG and Tianjin Quanjian
In the football world today, the love for high pay has overridden the passion and loyalty footballers once had for their club. Though many players with huge players transfer fees would deny that money was not the motive such transfers.
Arsenal duo of Mesut Ozil and Alexis Sanchez have dragged on their contract issue since the summer and it has not been resolved yet as the two continued to demand for fees their club are finding it difficult to succumb to.
Chinese Super League doesn't seem to be helping matters on that either with "out-of-the world" offers for players to lure them to China. Following the£60 million sale of Oscar to Shanghai SIPG and Tianjin Quanjian have also come for the Blues main striker Diego Costa with a contract of £30 million per year.
It was believed that the offer could have led to the training ground buts-up he had with Antonio Conte which led to him being dropped for the Leicester City match.
And as reported by The Sun, the Spanish international will only cooperate on the condition that the club reopen negotiations over a new contract.
The former Atletico Madrid star is currently earning £150,000 per week but has requested his pay be doubled to a staggering £300,000. But the Premier League leaders are willing to offer him £225,000 a week which didn't go down well with the forward.
He has netted 14 goals this season, it is understood that the striker feels he is underpaid considering his contribution to the club far. Despite the strong interest from China, Chelsea are confident the forward will not leave until summer.
Can Chelsea Be Stopped From Winning the Title This season?
Liverpool FC news: Jurgen Klopp admits youngsters have made a big step towards the right direction
Sergio Aguero gives honest opinion on ex-teammate
Oct 13, 2022 varun gandhi
Brighton & Hove Albion Premier League
Brighton have appointed an Italian head coach to replace Graham Potter
Sep 20, 2022 varun gandhi


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ALA-CBC Joint Committee
CBC Diversity Committee
Mid-Level Career Committee
Graphic Novel Committee
Early Career Committee
Home > Blog > Storia, the eReading App for…
September 24, 2012 Member News
Storia, the eReading App for Kids Created by Scholastic, to Offer Titles from Albert Whitman & Company
Kyle Good 212.343.4563 or kgood@scholastic.com
Sara Sinek 212.343.6899 or ssinek@scholastic.com
Michelle F. Bayuk 847.232.2811 or mbayuk@albertwhitman.com
NEW YORK, NY — September 20, 2012 — Scholastic (NASDAQ: SCHL), the global children's publishing, education and media company, today announced an agreement with Albert Whitman & Company, one of the most established children's publishers best known for their large collection of picture books, novels and non-fiction titles, to offer a selection of their books on Storia®, the teacher-recommended eReading app for kids. A collection of books from Albert Whitman & Company will be available on Storia beginning in Spring 2013.
Available for free download on PC, iPad or Android tablets (with more platforms to come later this fall), the StoriaeReading app, is specially designed to captivate kids while helping them become better readers. Storia offers more than 2,000 titles for kids from toddlers through teens with more content being added weekly. Storia was recognized by Warren Buckleitner with the "Editor's Choice Award" for children's eBook apps and most recently was named one of the "Top 10 Best High-Tech Toys" of 2012 and one of the "Top 100 Best Toys" of 2012 by Dr. Toy.
"We are absolutely thrilled to include Albert Whitman as our new Storia publishing partner and to offer their titles for children of all ages to enjoy reading digitally," said Jenny Frost, SVP ePublisher and eBook Strategy, Scholastic Book Clubs and Ecommerce. "Their vast collection of fiction and nonfiction titles are ideal for our school market and Storia app."
"Albert Whitman and Scholastic have been successfully collaborating to put great books into the hands of children for many decades," noted company president John Quattrocchi. "Our Storia partnership is the next logical progression in our continued close relationship and a wonderful way to bring our titles to even more children."
Among the Albert Whitman & Company titles to be offered on Storia are When I Feel Angry (written by Cornelia Maude Spelman, illustrated by Kathy Parkinson),Lulu and the Duck in the Park (written by Hilary McKay, illustrated by Priscilla Lamont), A Kiss Means I Love You (written by Kathryn Madeline Allen, photographs by Eric Futran), Miss Fox's Class Goes Green (written by Eileen Spinelli, illustrated by Anne Kennedy), among many other fiction and nonfiction titles.
Scholastic is currently working with several other top publishers to offer their front- and backlist titles on Storia.
For more information about Scholastic, visit our media room at http://mediaroom.scholastic.com. The online press kit for Storia is available at: http://mediaroom.scholastic.com/storia.
About Albert Whitman & Company
Albert Whitman & Company (www.albertwhitman.com) has been publishing children's books since 1919. Best known for the classic series The Boxcar Children® Mysteries, it's highly praised picture books, novels, nonfiction titles success in delighting and reaching out to children and teens of all backgrounds and experiences. Albert Whitman's special interest titles address subjects such as disease, bullying and disabilities. All Albert Whitman books treat their readers in a caring and respectful manner, helping them to grow intellectually and emotionally.
History is Lit
Holiday Series


In a near packed house at the Norton Center at Danville's Centre College, Rev. Al Green gave us an intimate connection to himself and his music, armed with a 16-piece band, stockpile of roses and endless bottles of orange Gatorade.
There were moments where Al let his band showcase their skills. He introduced three of the backup vocals as his daughters, calling them "Green Power" The keyboard player got into his solo so much, his throne flew back as he swept the keys, leaving him standing and waiting for a stagehand to help him back to earth.
At one point he told the crowd, "I know when you see me sweat, you want to turn the AC on. Leave the fans off, I am going to sweat anyway, it's my second job." He explains that #1 is preaching, #2 is sweating and #3 is singing. He even backed off the mic on several occasions, using the amazing acoustics of the room to his advantage. Standing ovations were typical during the show, giving praise back. After 35 or more years of doing this, he humbly utters, "I have love for you all" as he reminded us throughout the show. Well, Reverend, Kentucky has love for you as well.
Click here to purchase Al Green music on iTunes.
Next articleNow Watching: The Art of the Steal. Recommended DVD.


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Angela Boškin, slovenska medicinska sestra, * 6. junij 1886, Pevma, † 28. julij 1977, Pevma.

Življenje in delo
Rodila se je v slovenski kmečki družini. Iz številne družine z devetimi otroki je 20-letna odšla na Dunaj gospodinjit starejšemu bratu. Leta 1912 se je odločila za poklic medicinske sestre in bila sprejeta na dunajsko porodniško-ginekološko kliniko. Med 1. svetovno vojno je delala v raznih vojaških bolnišnicah ter 1918 diplomirala iz socialno zdravstvenega dela skrbstvenih sester, ter tako postala prva jugoslovanska diplomirana otroška negovalka in medicinska sestra. Po vojni je na Jesenicah ustanovila posvetovalnico za matere in dojenčke. V letih 1922−1926 je predavala v Ljubljani na enoletni šoli za medicinske sestre. Leta 1926 je v Trbovljah odprla posvetovalnico za otroke. Po vrnitvi v Ljubljano (1939) se je najprej zaposlila na Higienskem zavodu in kasneje do upokojitve 1944 v Zdravstvenem domu v Škofji Loki. Med okupacijo je na Gorenjskem skrbela za ilegalce. Po upokojitvi se je preselila v rojstno Pevmo, kjer se je udeleževala v prosvetni dejavnosti. Bila je agilna v društvu Naš prapor in članica glavnega odbora Demokratične fronte Slovencev.

Za zasluge pri organizaciji dispanzerske dejavnosti in otroških posvetovalnic so ji podelili prvo zlato značko medicinskih sester. Odlikovana pa je bila tudi z redom zaslug za ljudstvo s srebrnimi žarki.

Viri
 Enciklopedija Slovenije. (1987). Knjiga 1. Ljubljana: Mladinska knjiga.
 Primorski slovenski biografski leksikon (1976). Snopič 3. Gorica: Goriška Mohorjeva družba

Zunanje povezave

 dokumentarna oddaja o Angeli Boškin

Slovenske medicinske sestre
Nosilci reda zaslug za ljudstvo