text:
Q: I added all the widgets that i need but my programs main window is still blank and I dont know why My mainwindow seems to be empty and i added the necessary widgets i dont know what to do about the situation
class menu(QMainWindow):
    def __init__(self,parent=None):
        super(menu,self).__init__(parent)
        layout0=QFormLayout()
        self.b1=QPushButton("Öğrenci Girişi")
        self.b2=QPushButton("Öğretmen Girişi")
        menubar=self.menuBar()
        bilgi=menubar.addMenu("Bilgi")
        Hakkinda=QAction("Hakkında",self)
        Yardim=QAction("Yardim",self)
        bilgi.addAction(Hakkinda)
        bilgi.addAction(Yardim)
        Hakkinda.triggered.connect(self.hakkinda)
        Yardim.triggered.connect(self.yardim)
        layout0.addWidget(self.b1)
        layout0.addWidget(self.b2)
        self.b1.clicked.connect(self.gettext)
        self.b2.clicked.connect(self.gettext1)
        self.b1.setEnabled(True)
        self.b2.setEnabled(True)
        self.setLayout(layout0)

A:
void QMainWindow::setCentralWidget(QWidget *widget)
Sets the given widget to be the main window's central widget.

from PyQt5.QtWidgets import *
from PyQt5.QtGui import *
from PyQt5.QtCore import *

class MyMenu(QMainWindow):
    def __init__(self,parent=None):
        super(MyMenu,self).__init__(parent)

        centralWidget = QWidget()
        self.setCentralWidget(centralWidget)

        layout0 = QFormLayout(centralWidget)

        self.b1 = QPushButton("Öğrenci Girişi")
        self.b2 = QPushButton("Öğretmen Girişi")

        menubar = self.menuBar()
        bilgi = menubar.addMenu("Bilgi")
        Hakkinda = QAction("Hakkında",self)
        Yardim = QAction("Yardim",self)

        bilgi.addAction(Hakkinda)
        bilgi.addAction(Yardim)

        Hakkinda.triggered.connect(self.hakkinda)
        Yardim.triggered.connect(self.yardim)

        layout0.addWidget(self.b1)
        layout0.addWidget(self.b2)
        self.b1.clicked.connect(self.gettext)
        self.b2.clicked.connect(self.gettext1)
        self.b1.setEnabled(True)
        self.b2.setEnabled(True)
#        self.setLayout(layout0)

    def hakkinda(self):
        print("def hakkinda")

    def yardim(self):
        print("def yardim")

    def gettext(self):
        print("def gettext")

    def gettext1(self):
        print("def gettext1")

if __name__ == '__main__':
    import sys
    application = QApplication(sys.argv)
    window = MyMenu()
    window.show()
    sys.exit(application.exec_())


While this line from the Andy Williams holiday classic gets stuck in my head every December, I often find myself humming it in September, February, and even in May. That is because a day at Country Day is such a special and unique experience. It is easy to take for granted and to forget to be grateful for how lucky we all are.
In this holiday season, aside from getting rest and time with your family, I hope we all pause to reflect on how wonderful our school is and how fortunate we are to be part of a community that cares so deeply for the children in its care. This holiday version of Headlines is a fantastic encapsulation of a day in the life of the school we all hold so dear!


text:
87-year-old woman crashes car into Encintas Trader Joe's
On behalf of Nield Law Group, APC | Mar 15, 2017 | Pedestrian Accidents
An 87-year-old woman backed her car into the Trader Joe's store, located in Encitas, California, on Jan. 26, around 2:38 p.m. In doing so, she seriously injured three pedestrians while another suffered only minor injuries.
In the accident, witnesses recalled seeing the elderly woman back her 2002 Honda Civic up closest to the front door. The woman confessed she believed she was attempting to back up out of her space when she confused the gas pedal for the brake, sending her car into a crowd of four women.
While details weren't immediately clear, a spokesperson with the San Diego Sheriff's Department said at least three of the women struck were transported to area hospitals, with some of them complaining of broken bones. One of the women was treated at the scene.
As for the driver of the vehicle in question, it was discovered that she not only never had a driver's license, but had been stopped in the past for numerous moving violations. Her car was impounded at the scene and she received a citation for driving without a license before being let go.
Unfortunately, incidents like these are not all that uncommon. Pedestrian accidents can result from a number of different factors including driving drunk, poor road conditions, distractions and others.
If you or someone you know has suffered serious injuries in San Diego as a result of the negligent driving of another, the advice of a California personal injury attorney can be of great counsel as you look to recover damages for lost wages, pain and suffering and other related damages.
Source: Del Mar Times, "Woman crashes car into Encinitas Trader Joe's, injures four people," Brittany Woolsey, Jan. 26, 2017

redpajama_set_name: RedPajamaCommonCrawl


Sonic the Hedgehog has always been the fastest thing alive—that is, until one encounter with Dr. Eggman changes everything.
Now permanently transformed into a werehog, it looks like the evil doctor may finally have the upper hand. Sonic can't even remember how he got away.
Even the sun can't change him back, and Sonic feels like he has nothing left—his speed is gone, he keeps drifting into some sort of uncontrollable, feral trance, and why would the public trust him like this?
Things get even weirder when Metal Sonic shows up. Sonic doesn't know who to trust any more, but even if his former copy has ulterior motives, he finds Metal becoming the only one who truly understands him.
Sonic has always been the hero, but when he sacrifices his life to save hundreds of people, many wonder who will take his place.
However, the one who decides to take his place is the one people least expect, Metal Sonic.
Metal goes to Tails to both learn to become a hero, and help Tails overcome his grief over Sonic's death.
A collection of Metonadow one-shots with inconsistent updating.
Doctor Robotnik (Eggman) has given his greatest enemy a challenge: Stop his Eclipse Cannon within five years, or his entire life will be destroyed.
Sonic the Hedgehog and his fellow Freedom Fighters finally gathered all the chaos emeralds to defeat Dr. Eggman/Robotnik. However due to unfortunate events Tails is captured and Sonic makes a grave decision to give his life for that of his little brother. With Sonic as everyone knows him gone forever, Tails, Shadow, and Silver have to find a way to bring the beloved blue blur back to his senses before Eggman wins this war with his new weapon and without losing anymore freedom fighters to the cause.
Metal was programmed to do nothing more than fight Sonic. He feels nothing but contempt for the hedgehog, as his sentience only allows for negative emotions (that's how it works, right?). Thus, when Eggman demands that Metal go after Sonic, Metal sets off to do so.
Sonic, however, is just as uncooperative as ever.


text:
Q: Overlapping Ctrl+Shift on Arch Linux On my Manjaro system (KDE) I set Ctrl+Shift to change keyboard layout.
After this combination with Ctrl+Shift+n, Ctrl+Shift+p , etc not work in another applications.
Before, for  solve this problem I installed package xorg-server-bug865 from aur.
But after upgrade system X not start and I was forced to uninstall xorg-server-bug865 & reinstall sddm.
Perhaps someone had the same problem and found a good solution.
Thanks.

A: This is a bug about shortcuts mapped to combinations which include each other.
For example, if we have Ctrl+Shift (for keyboard layout) and Ctrl+Shift+N (to open a new terminal), then we are practically unable to use the second shortcut; this is what happens:
Ctrl press (nothing happens)
Shift press (keyboard layout change)
N (a simple N appears, since a shortcut has already fired)
The expected behavior is to fire shortcuts on the release (not on press) of the special keys (ctrl,shift,alt, etc) This is a serious problem for bilingual layouts, typically using Alt+Shift or Ctrl+Shift for keyboard layout change.
It looks like the patch requires manual intervention. Do to the overriding of the xorg-server.conf file.
It seems like this has been an issue that dates all the way back to 2004

redpajama_set_name: RedPajamaStackExchange


Bring water to a boil and remove from heat. Add the herbs, cover, and allow to steep for 30 minutes. Strain mixture into a medium-sized bowl, add the oils and stir vigorously. Add the shampoo and gently stir until thoroughly mixed. Pour into a labeled bottle and keep refrigerated to preserve the freshness. You may keep a small bottle in the shower with enough shampoo for about one week, if you wish. Use approximately 1 tablespoon per application. This shampoo will not produce mountains of billowy suds as it does not contain strong foaming agents. Before use, lightly shake shampoo to mix the oil that may separate from the rest of the ingredients.
Put boiling water on the dried soapwort and soak overnight. Bring mixture to boil (in an enamel pan) and simmer, covered for about 15 - 20 minutes. Stir In herbs, and store it, covered, until it is cool enough to use. Strain before using.
Apply to hair and allow to soak into the hair, for 20 minutes or so.
Pour the water-vinegar mixture over the herbs let it sit for one week and shake daily strain the herbs out to make a rinse dilute 1/4 of herbal vinegar with 1 cup of water after shampooing apply rinse and let it sit on the scalp for 2-3 mins rinse out.
Place 5 tablespoons of chamomile flowers in a bowl and add 4 cups of boiling water. Allow to steep, covered, for half an hour. Strain the liquid and add 4 ounces of Castile soap flakes. Shake the bottle and use this as shampoo. Used continuously, hair should eventually lose its dryness.
Apply warm olive oil or coconut oil all over hair. Massage into the scalp. Cover the head with a warm towel and leave for 20 min. Then take a bath and wash hair with a gentle, natural shampoo.
Mash a ripe banana with a few drops of almond oil and massage into hair. Leave it for about 15 minutes. Rinse with water and shampoo in the usual way.
Mix 3 tablespoons of olive oil with 2 tablespoons of honey, massage into hair. Wrap the hair with a towel or shower cap and let it rest for 15 minutes. Shampoo and rinse the hair.


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The AUAM production truck parked outside Linden church in Laurelton, New York, for the June 11, 2005, dedication.
To produce Christ-centered Seventh-day Adventist programming for broadcast.
To reach millions of people with the Advent Message in New York City and other cities in the Atlantic Union through satellite and cable television.
In 2002, Donald King, Atlantic Union president, invited Three Angels Broadcasting Network (3ABN) to partner with the union in reaching New York for Christ through the cable television stations. As a result of this partnership, the two conferences in the metropolitan New York area, along with a local New York based coordinating committee, headed by Ruben Carr Jr., have conducted major letter-writing and phone-call campaigns to get 3ABN on cable in New York. The campaign officially began with a rally held at Ephesus Seventh-day Adventist Church in Harlem on July 20, 2002. Since that time, rallies to create awareness have been held at churches in the New York City area and transmitted live on 3ABN. As a result, many contacts have been made to Time Warner and Cablevision.
With the assistance of 3ABN, a generous donor who has a deep interest in inner-city work gave a major gift to the Atlantic Union to help in developing ways of reaching the masses in New York City and other cities for Christ. The Atlantic Union Adventist Media Governing Board was subsequently formed to manage the use and disbursement of the donation as well as to determine sources of additional funds for this project. The decision was made to purchase a production truck rather than utilizing a fixed facility, and have it customized with all the equipment necessary to videotape, edit, and produce local programs. Subsequently, the North American Division, who also shares a passion for inner-city evangelism, gave the additional funds needed to complete the customization of the production truck. In addition, individuals in the Greater New York and Northeastern conferences have given generous donations toward this project.


Get the perfect gentleman look with these black and white colored suspenders which are proffered by Peluche. Ensuring high flexibility and strength, these durable suspenders are made from high quality elastic material. Besides the Y back design and argyle pattern, they also feature an excellent finish and easy to use metal clasp to attach to the trousers. Their adjustable size helps them to fit perfectly. They comes in an elegant looking box packaging. Peluche exhibits a remarkable craftsmanship and believes in zero compromise in the quality of its products.


text:
Catopsis subulata är en gräsväxtart som beskrevs av Lyman Bradford Smith. Catopsis subulata ingår i släktet Catopsis och familjen Bromeliaceae. Inga underarter finns listade i Catalogue of Life.

Källor

Gräsordningen
subulata

redpajama_set_name: RedPajamaWikipedia


text:
Septic Tank Applications
Development Act & Plans
General Building Information
Development Services Officers
Native Vegetation Clearance
Development Planning Portal
The safe disposal of sewage and household wastewater is necessary to safeguard the health of the community and protect the environment.
Not all sites have characteristics suitable for conventional subsurface effluent disposal; therefore, it is very important to carry out the necessary investigations to determine the suitability of the site and design the system accordingly.
NOTE: It is important that the requirements of the septic tank system be considered during the planning stage of any development.
Approval must be obtained from the relevant authority before proceeding with the installation of a septic tank system.
Application to Install a Septic Tank
Prior to installing a septic tank system it is necessary to submit an application to receive an approval from the relevant authority.
Applications for approval to install a septic tank system must be made on the required application form and provide the necessary information. The application form can be obtained from the Council or South Australian Health Commission.
It is encouraged to engage the services of a Registered Plumber to assist in designing a suitable system and lodging an application.
Council Sewerage Services
For sewerage customers: See attached document for an understanding of the standard of service you can expect from Council and your customer rights and responsibilities.
Customer Charter - Sewerage August 2015 (PDF File, 78.4 KB)
https://www.kimba.sa.gov.au/__data/assets/pdf_file/0028/381709/Customer-Charter-Sewerage-August-2015.pdf
Septic Tank Application Form (PDF File, 1006.0 KB)
https://www.kimba.sa.gov.au/__data/assets/pdf_file/0027/383148/Septic-tank-application-1.pdf
Septic Tank Fees 2020-2021 (PDF File, 387.6 KB)
https://www.kimba.sa.gov.au/__data/assets/pdf_file/0022/381163/Septic-Tank-Fees-2020-2021.pdf


text:
Man accused in Covington burned bodies case has violent criminal history
Updated: 7:24 AM CST Nov 30, 2022
Aubry Killion
COMING UP IN A MOMENT. RIGHT, MARGARET, THANK YOU. BREAKING RIGHT NOW, THE COURT CORONER HAS JUST IDENTIFIED FATHER AS ONE OF THE VICTIMS IN YESTERDAY'S HOMICIDE IN COVINGTON. WELL, THE BODIES, THEY WERE BURNED BEYOND RECOGNITION AND LEFT BEHIND A WAREHOUSE. THIS COMES AS WE'RE LEARNING MORE ABOUT THE SUSPECT ACCUSED IN THE CASE. WDSU, INVESTIGATIVE REPORTER AUBRY KILLION DIGS DEEPER INTO THE CRIMINAL PAST OF THE SUSPECT, AUBREY. HEY THERE. SO A FIRST, LET'S GET STRAIGHT LIVE TO THE SCENE TAMMANY PARISH CORONER. THERE'S A BIG DEVELOPMENT IN THIS CASE. DR. PRESTON, WHAT IS THE MOST NEW YOU CAN GIVE US AT THIS HOUR? SO THE MOST IMPORTANT DEVELOPMENT IS HAVE BEEN ABLE TO POSITIVELY IDENTIFY FATHER OTIS YOUNG, AS ONE OF THE DECEDENTS. WE WERE TO DO THIS BASED ON UNIQUE MEDICAL FINDINGS AND HIS MEDICAL RECORDS. THE OTHER DECEDENT. WE ARE GOING TO HAVE TO RELY ON DNA TO MAKE THE POSITIVE IDENTIFICATION. WE HAVE ALREADY COLLECTED REFERENCE TO DNA LAB FOR SAINT TAMMANY PARISH HERE IN THE CORONER'S OFFICE ARE IN PROGRESS RIGHT NOW AND WE EXPECT TO HAVE A POSITIVE IDENTIFICATION. OUR SECOND VICTIM BY THE END OF THE WEEK. WALK ME THROUGH THE PROCESS. WHAT GOES TO THE DNA SAMPLING TO IDENTIFY THAT YOU VICTIMS IN THIS HOMICIDE? SO, AGAIN, I WANT TO MAKE IT CLEAR THAT WE'RE USING DNA ON ONLY ONE VICTIM. THE FIRST MANDATE OF THE CORONER IS TO MAKE POSITIVE IDENTIFICATION, AND WE HAVE TO DO IT TO A SCIENTIFIC. SOMETIMES THIS CAN BE DONE BY A VISUAL EXAMINATION OF A PICTURE, AN IDENTIFICATION BY A FAMILY MEMBER. SOMETIMES IT HAS TO BE SPECIFIC SCARS OR TATTOOS. SOMETIMES IT'S TEETH. AND SOMETIMES DNA. IN THE CASE OF THE PRESUMED SECOND VICTIM, DNA IS GOING TO BE OUR FIRST LINE TO IDENTIFY HER OR TALK THE PARISH. THIS CASE HAS RUN THE PARISH. WHAT IS YOUR MESSAGE RIGHT NOW TO THIS HORRIFIC CRIME THAT HAPPENED? WELL, AGAIN, YOU'RE ABSOLUTELY RIGHT. THIS CASE HAS ROCKED THIS PARISH AND IT HAS PARTICULARLY ROCKED THE CHURCH PARISH, AS WELL AS THE ARCHDIOCESE. THE FAMILY IS BEING BOMBARDED BY INFORMATION ON MEDIA AND SOCIAL MEDIA. AND I CAN TELL YOU ALL, THEY WANT IS A LITTLE PIECE PRAYER AND PRIVACY. ALL RIGHT, DR. PRESTON, I APPRECIATE YOUR YOU ALL HAVE BEEN VERY BUSY. AND THE SECOND VICTIM IS EXPECTED TO BE NAMED BY THE END OF THE WEEK. YES, SIR. ALL RIGHT, DR. PRESTON TAMMANY PARISH CORNER, LIVE RIGHT THERE. MUCH MORE ON THIS STORY COMING UP ON WDSU NEWS AT SIX.
A man arrested and accused in a double homicide in Covington where two bodies were found burned beyond recognition has a violent criminal history. The bodies were found Monday morning in the 500 block of East Gibson Street. Antonio Tyson was arrested shortly after. One of the victims has been identified as Father Otis Young, 71, according to James Hartman, St. Tammany Parish Coroner's Office spokesman. It has been reported that Father Young died from blunt and sharp trauma, and the death is classified as a homicide. The identity of the second victim has not been identified at this time. However, according to Covington police, Father Otis Young's associate, Ruth Prats, is missing at this time. Tyson was recently released from Rayburn Correctional Facility prison after pleading guilty in 1993 to one count of forcible rape, one count of armed robbery, and one count of burglary.He was sentenced to 40 years and served 30 years. Tyson was arrested on Monday and booked with first-degree murder, second-degree kidnapping, obstruction of justice, resisting an officer, and illegally possessing stolen items.He had his initial appearance in court Tuesday morning, where he was held without bond. The Covington Police chief said officers are looking to determine if Tyson worked for Prats as a landscaper. According to the Archdiocese, Tyson did not work at any churches or schools. Police believe they are getting closer to determining a motive.
COVINGTON, La. —
A man arrested and accused in a double homicide in Covington where two bodies were found burned beyond recognition has a violent criminal history.
The bodies were found Monday morning in the 500 block of East Gibson Street. Antonio Tyson was arrested shortly after.
One of the victims has been identified as Father Otis Young, 71, according to James Hartman, St. Tammany Parish Coroner's Office spokesman.
It has been reported that Father Young died from blunt and sharp trauma, and the death is classified as a homicide.
The identity of the second victim has not been identified at this time. However, according to Covington police, Father Otis Young's associate, Ruth Prats, is missing at this time.
Tyson was recently released from Rayburn Correctional Facility prison after pleading guilty in 1993 to one count of forcible rape, one count of armed robbery, and one count of burglary.
Hearst Owned
He was sentenced to 40 years and served 30 years.
Tyson was arrested on Monday and booked with first-degree murder, second-degree kidnapping, obstruction of justice, resisting an officer, and illegally possessing stolen items.
He had his initial appearance in court Tuesday morning, where he was held without bond.
The Covington Police chief said officers are looking to determine if Tyson worked for Prats as a landscaper.
According to the Archdiocese, Tyson did not work at any churches or schools.
Police believe they are getting closer to determining a motive.


2017 Buick Envision Owners Manual – We're not sure of the whole history of GM's choice to construct cars in China, but it was years back, and that we remember it, in the beginning, is about selling cars in China, not about constructing them there with China labor and delivering those to the U.S. to market as Us cars. So, just before you look at the virtues of the classy Buick Envision midsize/compact crossover, realize that it is produced in China.
Buick is speedy to say that the Envision was created in Detroit, for the North Us marketplace. Even so, it's a little thin for its type. Buick brings that a lot fewer Envisions will probably be offered in the U.S. than in China, where people are small.
And nowadays, many of them better. Despite cheap work, the Envision is still fairly expensive and lacks some features on the top-rated models that we've observed on competitors like the Lexus RX and Acura RDX, as well as the Nissan Murano.
The Envision is well built but unremarkable. The trip is really nice, but the rest of the driving dynamics are average.
New last year, the Envision matches in sizing between the Buick Encore hatchback and three-row Enclave wagon. It is a husband and wife of " quicker than the Chevy Equinox and GMC Terrain crossovers. It weighs about 3800 kilos and will pull 1500 pounds when properly loaded.
For 2017, Buick Envision enlarges to six models, giving a decision of front side-tire generate or all-wheel drive.
The base engine is a 2.5-liter 4 tube creating 197 horsepower, with a 2.0-liter turbocharged a number of cylinder producing 252 horsepower which comes simply with an all-wheel push. Each engine is mated to a 6-speed automated transmission.
There are two readily available all-wheel-drive methods. The 2.5-liter becomes the fundamental process, whilst the 2.0-liter turbo becomes a dual-clutch program that splits the energy not simply in between the front and rear wheels, and also between each rear tire for greater control insides. That's torque vectoring at the rear. Some cars practice it at the entrance.
What the Envision does to improve control at the front side tires is by means of the steering that is helped by an electric motor, which may counter-top-guide in crosswinds.


text:
The Devil Inside
Catholic Courier | 01.18.2012
By Kurt Jensen and Adam Shaw
NEW YORK (CNS) — "The Devil Inside" (Paramount), so we're told, is a film the Vatican doesn't want you to see. If so, perhaps there's a "Da Vinci Code"-like conspiracy afoot intended to save you 12 of your hard-earned, economic-downturn dollars.
Those foolhardy enough to insist on wading through this cheap, inept piece of storytelling will experience an eye-poppingly bad, grotesque little horror outing. And that's not to mention the consistent spewing forth of lazy, sullen antagonism toward the Catholic Church.
The uninformed bias on display, in fact, can be compared not only to the turgid fantasies of Dan Brown but to the loopy visions of anti-Catholic cartoonist and tract churner Jack Chick. Thus one character declares, "In the eyes of the church, what we're doing is wrong; that's how we know it's so right!"
Keen to learn what provoked her mother Maria (Suzan Crowley) to murder two priests and a nun during an exorcism 20 years earlier, plucky documentary maker Isabella Rossi (Fernanda Andrade) jets off to Rome in search of answers, accompanied by her faithful cameraman Mike (Ionut Grama)
While this could be the premise for a faith-friendly (and genuinely terrifying) offering, instead director William Brent Bell, who co-wrote the screenplay with Matthew Peterman, opts to place a mix of poor theology, bizarre conspiracy theories and downright nastiness into the mouths of two rogue priests who ally with the duo of filmmakers in their quest for "truth."
Said clerical types — Ben (Simon Quarterman) and David (Evan Helmuth) — are renegade exorcists who step in when the "institutional," "bureaucratic" church is too cowardly, hypocritical or just plain stupid to grant the possessed the rites that will set them free. Ben — an unshaven, twentysomething Englishman who seems permanently on the edge of forming an "Occupy Vatican City" movement — is particularly outspoken with his prejudices.
Such bigotry is never challenged. Nor does it ever seem to occur to anyone on screen that the church might have good reason to be wary of granting exorcisms. If performed on someone who is mentally ill — as opposed to genuinely possessed — after all, the ritual could potentially cause significant further psychological damage.
The film's opening proudly proclaims that the Vatican didn't assist in its production. That's all-too obvious, given the numerous inaccurate portrayals of both doctrine and practice. These range from made-up rites of exorcism to a blatant misrepresentation of the theology of baptism.
Another distortion is the supposed principle of "demonic transference," whereby an evil spirit can jump from one person to another in a flash, almost like a satanic form of the flu. Carried to farcical extremes, this idea has far less to do with Catholic teaching than with advancing the movie's halting plot.
Other entries in the genre — such as 1973's "The Exorcist" and the more recent "The Exorcism of Emily Rose" — inspired fear through implication and tension. Bereft of such subtlety, "The Devil Inside" resorts to loudly cracking bones, enormous amounts of blood and bouts of obscene language — with results more risible than terrifying.
Don't say Mother Church didn't warn you.
The film contains anti-Catholic animus, a fallacious presentation of church teaching and practice, implied acceptance of abortion, rare but intensely gory violence, a few uses of profanity and frequent rough and occasional crude language. The Catholic News Service classification is O — morally offensive. The Motion Picture Association of America rating is R — restricted. Under 17 requires accompanying parent or adult guardian.
Jensen and Shaw are guest reviewers for Catholic News Service.


text:
Q: How to make a countdown timer using PIC 16 My countdown timer starts with 30 minutes (3 for the tens place of minute, and 0 for the units place of minute, and the tens and units place of seconds). I followed this youtube video https://www.youtube.com/watch?v=mIG8N5sbXUY&t=1782s but instead of incrementing the seconds, I decrement. I'm quite new to PIC assembly so I do not know why this does not work while the code in the video does. Below is my code
      LIST P=16F84A, F=INHX8M
      INCLUDE<P16F84A.INC>
      __CONFIG _CP_OFF & _WDT_ON & _XT_OSC

MINUTE_TENS     EQU     0x20
MINUTE_UNITS    EQU     0x21
SECOND_TENS EQU     0x22
SECOND_UNITS    EQU     0x23
COUNT           EQU     0x24

    ORG     0X00
    GOTO        START
    ORG     0X04
    GOTO        ISR

LOOKUP  ADDWF   PCL,F
        RETLW   0X00
        RETLW   0X01
        RETLW   0X02
        RETLW   0X03
        RETLW   0X04
        RETLW   0X05
        RETLW   0X06
        RETLW   0X07
        RETLW   0X08
        RETLW   0X09

ISR     MOVLW   0x0C
        MOVWF   TMR0
        BCF     INTCON,TMR0IF
        DECFSZ  COUNT,F
        RETFIE
        MOVLW   .122
        MOVWF   COUNT

        DECF    SECOND_UNITS,F
        MOVF    SECOND_UNITS,W
        SUBLW   0x00
        BTFSS   STATUS,C
        RETFIE
        CLRF    SECOND_UNITS

        DECF    SECOND_TENS,F
        MOVF    SECOND_TENS,W
        SUBLW   0x00
        BTFSS   STATUS,C
        RETFIE
        CLRF    SECOND_TENS

        DECF    MINUTE_UNITS,F
        MOVF    MINUTE_UNITS,W
        SUBLW   0x00
        BTFSS   STATUS,C
        RETFIE
        CLRF    MINUTE_UNITS

        DECF    MINUTE_TENS,F
        MOVF    MINUTE_TENS,W
        SUBLW   0x00
        BTFSS   STATUS,C
        RETFIE
        CLRF    MINUTE_TENS
        RETFIE

DELAY   NOP
        RETURN

START   BSF     STATUS, RP0
        CLRF    TRISA
        MOVLW   0x70
        MOVWF   TRISB
        MOVLW   0x44
        MOVWF   OPTION_REG
        BCF     STATUS, RP0
        MOVLW   0x0C
        MOVWF   TMR0
        MOVLW   .122
        MOVWF   COUNT
        MOVLW   0xA0
        MOVWF   INTCON              ;enable tmr0 interrupt

        MOVLW   3                   ;start at 30:00
        MOVWF   MINUTE_TENS
        CLRF    MINUTE_UNITS
        CLRF    SECOND_TENS
        CLRF    SECOND_UNITS
        CLRF    PORTA

MAIN    MOVF    MINUTE_TENS,W
        CALL    LOOKUP
        MOVWF   PORTB
        BSF     PORTA,RA0
        CALL    DELAY               ;1 ms
        BCF     PORTA,RA0

        MOVF    MINUTE_UNITS,W
        CALL    LOOKUP
        MOVWF   PORTB
        BSF     PORTA,RA1
        CALL    DELAY               ;1 ms
        BCF     PORTA,RA1

        MOVF    SECOND_TENS,W
        CALL    LOOKUP
        MOVWF   PORTB
        BSF     PORTA,RA2
        CALL    DELAY               ;1 ms
        BCF     PORTA,RA2

        MOVF    SECOND_UNITS,W
        CALL    LOOKUP
        MOVWF   PORTB
        BSF     PORTA,RA3
        CALL    DELAY               ;1 ms
        BCF     PORTA,RA3

        GOTO    MAIN

        END

The multiplexing of the LEDs work but it does not countdown. How can I make this countdown every second? It seems like my tmr0 isn't working.

A: The code you posted does not work as you have claimed.
This code does seem to simulate correctly:
MPASM  5.22                          MAIN.ASM   3-3-2022  0:58:20         PAGE  1

LOC  OBJECT CODE     LINE SOURCE TEXT
  VALUE

                      00001     list        c=132,n=0   ; Make .LST look nice
                      00002     list        p=16F84A    ; Tell assembler the controller we are using
                      00003     list        r=dec       ; Use desciaml as default radix for expressions
                      00004     errorlevel  -224        ; Suppress Use of this instruction is not recommended warning
                      00005 ;
                      00006 ; File:     main.asm
                      00007 ; Target:   PIC16F84A
                      00008 ; Author:   dan1138
                      00009 ; Date:     2022-MAR-02
                      00010 ; Compiler: MPASMWIN(v5.22) absolute mode
                      00011 ; IDE:      none
                      00012 ;
                      00013 ; Description:
                      00014 ;
                      00015 ;   Example project for the PIC16F84 controller using the MPASMWIN(v5.22) from the command line.
                      00016 ;
                      00017 ;
                      00018 ;                           PIC16F84A
                      00019 ;                   +----------:_:----------+
                      00020 ;     DIGIT_3 <>  1 : RA2               RA1 : 18 <> DIGIT_2
                      00021 ;     DIGIT_4 <>  2 : RA3               RA0 : 17 <> DIGIT_1
                      00022 ;             <>  3 : RA4/T0CKI        OSC1 : 16 <- 4MHz crystal
                      00023 ;    ICSP_VPP ->  4 : MCLR             OSC2 : 15 -> 4MHz crystal
                      00024 ;         GND ->  5 : GND               VDD : 14 <- 5v0
                      00025 ;   LED_SEG_g <>  6 : RB0/INT       PGD/RB7 : 13 <> LED_SEG_dp/ICSP_PGD
                      00026 ;   LED_SEG_f <>  7 : RB1           PGC/RB6 : 12 <> LED_SEG_a /ICSP_PGC
                      00027 ;   LED_SEG_e <>  8 : RB2               RB5 : 11 <> LED_SEG_b
                      00028 ;   LED_SEG_d <>  9 : RB3               RB4 : 10 <> LED_SEG_c
                      00029 ;                   +-----------------------:
                      00030 ;                            DIP-18
                      00031 ;
                      00032 ;
                      00033 ; Include target specific definitions for special function registers
                      00034 ;
                      00035 #include "p16f84A.inc"
                      00001         LIST
                      00002
                      00003 ;==========================================================================
                      00004 ;  MPASM PIC16F84A processor include
                      00005 ;
                      00006 ;  (c) Copyright 1999-2013 Microchip Technology, All rights reserved
                      00007 ;==========================================================================
                      00008
                      00208         LIST
                      00036 ;
                      00037 ; Set the configuration word
                      00038 ;
2007   3FF1           00039   __CONFIG _XT_OSC & _WDT_OFF & _PWRTE_ON & _CP_OFF
                      00040 ;
                      00041 ;
                      00042 ;
                      00043 ;
                      00044 ; Declare RAM for application
                      00045 ;
                      00046   CBLOCK 0x0C
  0000000C            00047     TMR0_Sample      :1     ; Sample of TIMER0 use for system tick
  0000000D            00048     TicksInOneSec    :1     ; Count Ticks in one second
  0000000E            00049     Seconds          :2     ; Seconds: units, tens
  00000010            00050     Minutes          :2     ; Minutes: units, tens
  00000012            00051     LED_Segments     :4     ; Segment refresh buffer
  00000016            00052     LED_DigitOn      :1     ; Mask of which one digit is on
                      00053   ENDC
                      00054
                      00055
                      00056 ;
                      00057 ; Define how much real time is in a system tick.
                      00058 ;   This application uses a system tick of 4 milliseconds.
                      00059 ;
                      00060 ;   This is:
                      00061 ;       FOSC / 4 / TMR0_prescale = (TIMER0 clock frequency)
                      00062 ;       4000000/4/32 = 31250 Hz
                      00063 ;
                      00064 ;       (TIMER0 clock frequency) / TMR0_8_MS = System tick frequency
                      00065 ;       31250/125 = 250 Hz
                      00066 ;
                      00067 ;       250 Hz has a period of 0.004 seconds.
                      00068 ;
                      00069 #define TMR0_4_MS d'125'          ; TIMER0 counts in 4 milliseconds
                      00070 #define TICKS_PER_SECOND d'250'   ; System ticks in one second
                      00071 ;
                      00072 ; ==============================================================
                      00073 ; Power on reset
                      00074 ;
0000                  00075     org 0x0000
0000                  00076 Start:
0000   2854           00077     goto    main
0001                  00078 LookupSegments:
0001   018A           00079     clrf    PCLATH
0002   390F           00080     andlw   h'0F'
0003   0782           00081     addwf   PCL,F
                      00082 ;            abcdefg       _
0004   347E           00083     dt    b'01111110'  ;  | |
                      00084                        ;  |_|
                      00085                        ;
0005   3430           00086     dt    b'00110000'  ;    |
                      00087                        ;    |
                      00088                        ;   _
0006   346D           00089     dt    b'01101101'  ;   _|
                      00090                        ;  |_
                      00091                        ;   _
0007   3479           00092     dt    b'01111001'  ;   _|
                      00093                        ;   _|
                      00094                        ;
0008   3433           00095     dt    b'00110011'  ;  |_|
                      00096                        ;    |
                      00097                        ;   _
0009   345B           00098     dt    b'01011011'  ;  |_
                      00099                        ;   _|
                      00100                        ;   _
000A   345F           00101     dt    b'01011111'  ;  |_
                      00102                        ;  |_|
                      00103                        ;   _
000B   3470           00104     dt    b'01110000'  ;    |
                      00105                        ;    |
                      00106                        ;   _
000C   347F           00107     dt    b'01111111'  ;  |_|
                      00108                        ;  |_|
                      00109                        ;   _
000D   3473           00110     dt    b'01110011'  ;  |_|
                      00111                        ;    |
                      00112                        ;   _
000E   3477           00113     dt    b'01110111'  ;  |_|
                      00114                        ;  | |
                      00115                        ;
000F   341F           00116     dt    b'00011111'  ;  |_
                      00117                        ;  |_|
                      00118                        ;   _
0010   344E           00119     dt    b'01001110'  ;  |
                      00120                        ;  |_
                      00121                        ;
0011   343D           00122     dt    b'00111101'  ;   _|
                      00123                        ;  |_|
                      00124                        ;   _
0012   344F           00125     dt    b'01001111'  ;  |_
                      00126                        ;  |_
                      00127                        ;   _
0013   3447           00128     dt    b'01000111'  ;  |_
                      00129                        ;  |
                      00130 ;
                      00131 ; ==============================================================
                      00132 ; The LED task is called every system tick (4 milliseconds)
                      00133 ;
                      00134 ; It refreshes one of the four LED digits from the segment buffer.
                      00135 ;
0014                  00136 LED_Task:
0014   0816           00137     movf    LED_DigitOn,W
0015   0716           00138     addwf   LED_DigitOn,W
0016   390F           00139     andlw   h'0F'
0017   1903           00140     skpnz
0018   3801           00141     iorlw   1
0019   0096           00142     movwf   LED_DigitOn
001A   1816           00143     btfsc   LED_DigitOn,0
001B   0812           00144     movf    LED_Segments+0,W
001C   1896           00145     btfsc   LED_DigitOn,1
001D   0813           00146     movf    LED_Segments+1,W
001E   1996           00147     btfsc   LED_DigitOn,3
001F   0814           00148     movf    LED_Segments+2,W
0020   1996           00149     btfsc   LED_DigitOn,3
0021   0815           00150     movf    LED_Segments+3,W
0022   0185           00151     clrf    PORTA
0023   0086           00152     movwf   PORTB
0024   0816           00153     movf    LED_DigitOn,W
0025   0085           00154     movwf   PORTA
0026   0008           00155     return
                      00156 ;
                      00157 ; ==============================================================
                      00158 ; The Count Down task is called every system tick (4 milliseconds)
                      00159 ;
                      00160 ; This task count system ticks until one second has elapsed (250 counts)
                      00161 ; Decrements the 30 minute time to zero
                      00162 ; Converts the minutes and seconds to segments
                      00163 ; Updates the segment buffer
                      00164 ;
0027                  00165 CountDown_Task:
0027   0B8D           00166     decfsz  TicksInOneSec,F
0028   0008           00167     return
0029   30FA           00168     movlw   TICKS_PER_SECOND
002A   008D           00169     movwf   TicksInOneSec
                      00170
002B   038E           00171     decf    Seconds,F
002C   1E0E           00172     btfss   Seconds,4
002D   283F           00173     goto    UpdateSegments
002E   3009           00174     movlw   d'9'
002F   008E           00175     movwf   Seconds
                      00176
0030   038F           00177     decf    Seconds+1,F
0031   1E0F           00178     btfss   Seconds+1,4
0032   283F           00179     goto    UpdateSegments
0033   3005           00180     movlw   d'5'
0034   008F           00181     movwf   Seconds+1
                      00182
0035   0390           00183     decf    Minutes,F
0036   1E10           00184     btfss   Minutes,4
0037   283F           00185     goto    UpdateSegments
0038   3009           00186     movlw   d'9'
0039   0090           00187     movwf   Minutes
                      00188
003A   0391           00189     decf    Minutes+1,F
003B   1E11           00190     btfss   Minutes+1,4
003C   283F           00191     goto    UpdateSegments
003D   3003           00192     movlw   d'3'
003E   0091           00193     movwf   Minutes+1
                      00194
003F                  00195 UpdateSegments:
003F   0811           00196     movf    Minutes+1,W
0040   2001           00197     call    LookupSegments
0041   0612           00198     xorwf   LED_Segments+0,W
0042   397F           00199     andlw   h'7F'
0043   0692           00200     xorwf   LED_Segments+0,F
0044   0810           00201     movf    Minutes+0,W
0045   2001           00202     call    LookupSegments
0046   0613           00203     xorwf   LED_Segments+1,W
0047   397F           00204     andlw   h'7F'
0048   0693           00205     xorwf   LED_Segments+1,F
0049   080F           00206     movf    Seconds+1,W
004A   2001           00207     call    LookupSegments
004B   0614           00208     xorwf   LED_Segments+2,W
004C   397F           00209     andlw   h'7F'
004D   0694           00210     xorwf   LED_Segments+2,F
004E   080E           00211     movf    Seconds+0,W
004F   2001           00212     call    LookupSegments
0050   0615           00213     xorwf   LED_Segments+3,W
0051   397F           00214     andlw   h'7F'
0052   0695           00215     xorwf   LED_Segments+3,F
0053   0008           00216     return
                      00217 ;
                      00218 ; ==============================================================
                      00219 ; Main application starts here
                      00220 ;
0054                  00221 main:
0054   30D5           00222     movlw   b'11010101'     ; Select TIMER0 clock source as FOSC/4, prescale TMR0 a 1:64
0055   0062           00223     option
                      00224 ;
                      00225 ; Wait for about 800 milliseconds before making PGC/PGD outputs.
                      00226 ;
                      00227 ; This will give the In-Circuit-Serial-Programmer a chance
                      00228 ; to connect to the PIC16F84A
                      00229 ;
0056   3032           00230     movlw   d'50'
0057   008C           00231     movwf   TMR0_Sample
0058   0181           00232     clrf    TMR0
0059   018B           00233     clrf    INTCON
005A                  00234 POR_Wait:
005A   1D0B           00235     btfss   INTCON,TMR0IF
005B   285A           00236     goto    POR_Wait
005C   110B           00237     bcf     INTCON,TMR0IF
005D   0B8C           00238     decfsz  TMR0_Sample,F
005E   285A           00239     goto    POR_Wait
                      00240
005F   30D4           00241     movlw   b'11010100'     ; Select TIMER0 clock source as FOSC/4, prescale TMR0 at 1:32
0060   0062           00242     option
0061   30F0           00243     movlw   b'11110000'     ; RA3,RA2,RA1,RA0 as outputs
0062   0065           00244     tris    PORTA
0063   3000           00245     movlw   b'00000000'     ; All PORTB as outputs
0064   0066           00246     tris    PORTB
                      00247 ;
                      00248 ; Initialize application states
                      00249 ;
0065   0181           00250     clrf    TMR0
0066   018C           00251     clrf    TMR0_Sample
0067   30FA           00252     movlw   TICKS_PER_SECOND
0068   008D           00253     movwf   TicksInOneSec
0069   0196           00254     clrf    LED_DigitOn
006A   0192           00255     clrf    LED_Segments+0
006B   0193           00256     clrf    LED_Segments+1
006C   0194           00257     clrf    LED_Segments+2
006D   0195           00258     clrf    LED_Segments+3
006E   018E           00259     clrf    Seconds+0           ; Seconds units
006F   018F           00260     clrf    Seconds+1           ; Seconds tens
0070   0190           00261     clrf    Minutes+0           ; Minutes units
0071   3003           00262     movlw   d'3'
0072   0091           00263     movwf   Minutes+1           ; Minutes tens
0073   203F           00264     call    UpdateSegments
                      00265 ;
                      00266 ; ==============================================================
                      00267 ; Application loop
                      00268 ;
                      00269 ;   The application does this:
                      00270 ;       Creates the system tick
                      00271 ;       Counts timer down from 30 minutes
                      00272 ;       Updates the LED digits
                      00273 ;
0074                  00274 AppLoop:
                      00275 ;
                      00276 ; Loop to wait for system tick
0074                  00277 WaitForSystemTick:
0074   080C           00278     movf    TMR0_Sample,W   ; Get previous TIMER0 count state
0075   0201           00279     subwf   TMR0,W          ; Difference of current minus previous sample
0076   3C7D           00280     sublw   TMR0_4_MS
0077   1C03           00281     btfss   STATUS,C        ; Skip if period longer than 0.8 milliseconds
0078   2874           00282     goto    WaitForSystemTick
0079   307D           00283     movlw   TMR0_4_MS
007A   078C           00284     addwf   TMR0_Sample,F   ; Update tick period count
007B                  00285 SystemTickTime:
                      00286 ;
                      00287 ; Do LED task
007B   2014           00288     call    LED_Task
                      00289 ;
                      00290 ; Do Count down task
007C   2027           00291     call    CountDown_Task
007D   2874           00292     goto    AppLoop
                      00293
                      00294     end


3. With the sticky side down, place the transfer on to the fabric. (Picture 4) The transfer can be repositioned at this point.
• We advise you to do a test pressing before Ironing on.
• Always use a clean Teflon sheet.
• In general, the higher the temperature, the shorter the pressing time needed. Fabrics vary. Some work better with a higher temperature and less time.
• Washing the decorated garments inside-out and drying on a cool setting will be better.
• Working presses are HOT. Always keep children away.


Shazam, the next Superhero of DC Comics, has come to theatres now. Has Shazam impressed us with much 'wow' or has it been just another addition to the fiction characters that Hollywood movies introduce to us? Let's know more!
Just like every superhero movie ever, the movie starts with a clueless scene that shows an underestimated kid and his desire to be something more. There is not much cliché in the story that comes ahead. We are introduced to a young boy, Billy, who plays pranks on police and keeps escaping foster homes in search of lost parents.
Interestingly, the villain's story starts unfolding sooner and he becomes a 'supervillain' in no time. Billy, accidentally, lands in a wizard's castle and gets superpowers. What follows is a very entertaining and interesting story that is extremely different from the usual. Our Superhero has an interesting sidekick, from his Foster home, Freddy. Freddy tests the now Superhero Billy (whose superhero name keeps changing very often) to find out his abilities.
A Superhero, who poses to selfies for money and uses his abilities to be a street performer and earn money, by accident, makes a blunder mistake and puts people's lives at stake. He saves them (as usual), but before the celebration breaks in, the villain enters his life and smashes him to the ground in no time. From then on, the villain becomes the super one and our hero just keeps escaping from him rather than fighting back. At one point, Billy realizes that he is not a superhero but just a person with superpowers and runs away.
Billy, then, finds the solution to his childhood trauma. What's more impressive is that the movie doesn't become cinematic or typical after that; instead, it gives a neat diversion to the story. From that moment on, the excitement just starts to building up. The clever usage of the brand of DC gives goosebumps every now and then.
The colour tone used is very different from any of the DC movies, including Aquaman. There is no too much use of radiating colours, not much artificial touch but looks very elegant and natural. The music elevates the Superhero moments with all its might and the sound effects are not overdone but they play along just as enough to lend good support to screenplay. Special effects have been handled carefully and that's why the film looks very close to reality.
The director has intended to give a Superhero film which would appear like it can happen anywhere and he has neatly accomplished it. He has brought out the comedy element extremely well and all the Superhero moments are not exaggerated much but just enough to break out an applause.
The (d)evil nature of the villain is established with suave and style and it deserves a praise. The hints the wizard provides which becomes a major twist, the amazing performances by kids, the scene where Shazam finds out he can fly and finally the last scene of the movie, all these are guaranteed goosebumps moments.
Shazam is an extremely fun ride where DC movies have got off their usual track and come up with a superhero who is not just mighty and powerful but also funny, practical and close to reality. The movie also deals with love and family which fall right into place. Overall, we are offered a very entertaining and interesting ride.
Verdict: Shazam has great momentum and amazing surprises to fall in love with the new superhero. Don't miss the fun!
Shazam! (aka) Shazam DC Films is a English movie. Asher Angel, Mark Strong, Zachary Levi are part of the cast of Shazam! (aka) Shazam DC Films. The movie is directed by David F. Sandberg. Music is by Benjamin Wallfisch. Production by DC Comics, New Line Cinema.


text:
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text:
namespace Norm.Responses
{
    ///
    /// The dropped collection response.
    ///
    public class DroppedCollectionResponse : BaseStatusMessage
    {
        /// TODO::Description.
        /// <value></value>
        public string drop { get; set; }

        /// TODO::Description.
        /// <value></value>
        public double? NIndexesWas { get; set; }

        /// TODO::Description.
        /// <value></value>
        public string Msg { get; set; }

        /// TODO::Description.
        /// <value></value>
        public string Ns { get; set; }
    }
}

redpajama_set_name: RedPajamaGithub


text:
BuhayPinayCultureMovies
Mga Anino ng Kahapon: Illness as Metaphor │Pinay.com
Actress Agot Isidro (Resha Destiny@pinay.com)
reshadestiny
By Resha Destiny
Madness, national security and militarization, diaspora, and the social costs of labor migration outweigh its economic costs —Mga Anino ng Kahapon has a lot to offer for Pinays who would like to see new realities of Filipino families surviving separation.
Cast members Agot Isidro, Carlo Cruz Jay Gonzaga, and Carl Acosta with the film's director, Alvin Yapan, and co-producer Alemberg Ang (Resha Destiny@pinay.com)
The film examines the struggles a family encounters in dealing with a mentally ill matriarch. Mga Anino ng Kahapon tells a tale about a woman's slow descent into madness brought by schizophrenia. "Mga Anino ng Kahapon is a journey of first unlearning and then learning. By challenging false notions head-on and exposing the real journey of a patient with schizophrenia and how it affects the family, I hope that more and more Filipinos will develop compassion and understanding, and as a result, help awareness on the condition," explained Alvin Yapan, director of the film.
The film begins with Ed preparing to leave his family temporarily to work in Dubai for better wages. The pangs of abandonment unconsciously surfaces within the wife Irene, triggering her paranoia of 'military personnel' as guests that only she can see. She begins to see and hear conversations and characters that aren't real. The experience affecting the family and their memories of their past resurfaces.
The apex of this film is Agot Isidro. She maneuvers the nuances of the character effectively without resorting to the banalities of overacting. Her extensive study of the role paid off. There is also a scene that evokes the folk misconception on schizophrenia being caused by demonic possession. Here, her relatives thought she was being possessed by a spirit as displayed by her erratic behavior. At first, I wasn't able to understand what triggered the regression of her traumatic experience. Then it dawned on me that most mental illnesses are actually triggered and made worse by the feeling of abandonment, which the character has experienced when her husband left her to work overseas.
Mga Anino ng Kahapon has a fascinating coherent narrative and its humorless temperament resonates well in the film despite the somber tone of the storytelling. It is also fitting that the violence of militarization is like spirit hovering over the structure of the film's narrative. Yapan noted towards the end of the Q & A session after the press screening, in reference to some Filipinos' regressive love for the Marcoses, "Our nation also has schizophrenia."
An advocacy film co-produced by Jannsen and directed and written by Alvin Yapan, Mga Anino ng Kahapon (English title: Shadows of the Past). An award-winning writer, Yapan is successful in crossing genres from the written words to the visual arts. Yapan's critically-acclaimed films include Ang Sayaw ng Dalawang Kaliwang Paa (2011) and Debosyon (2013). Mga Anino ng Kahapon was part of the 2013 MMFF New Wave Category films that were shown in Glorietta 4 and SM Megamall cinemas from December 18 to December 24. The film stars Isidro as Irene, TJ Trinidad as Ed, with Upeng Galang-Fernandez, Carlo Cruz, and Carl Acosta in supporting roles.
I got the chance to interview the film's lead, Agot Isidro, after the screening. Isidro was my classmate in an acting workshop I attended years back. She is also a singer-host and most of her films were produced by one of the Philippines' major film outfits, Viva Films. Some of her previous films are Mumunting Lihim and One More Try. She is also slated to appear in GMA Network's television series entitled Carmela.
Actress Agot Isidro (Resha Destiny for pinay.com)
Resha: With this challenging role, did you peg your performance from films previously made on schizophrenia?
Agot Isidro: No. No pegging. I didn't see any film that has schizophrenia. I saw videos of real patients and the caregivers, the doctors… but no movie. Nothing was pegged.
Resha: I've read an article saying you were into the role that at time it was hard to get out of the character.
Agot: Yes. Especially the last part, the hallucinations were really extreme. That was really hard to let go that's why my crying scene with Ed, it's all real. It's like it's there, okay it's not, okay it's there, okay it's not. I was like "please say cut already!" It was so painful.
Resha: Since this role is already challenging, as an artist, do you have any dream roles in the future?
Agot: None. I don't have any dream roles. I just wait for projects that are offered to me like this one. It's not something that I consciously plan for. It's 'whatever comes'. I find it challenging or if I can make it challenging, then I'll do it.
Resha: Here is my last question. Towards the end, a support group for people with schizophrenia is depicted. I'm not aware that these kinds of intervention existed in our country. Do you have a statement regarding the lack of support groups here?
Agot: I guess. Especially when we went to the National institute for Mental Health, they do have different wards. They have public and private wards, rooms for people with slight mental (illness) conditions as well as really extreme cases. There are support groups but still there is something lacking. I think even private hospitals have them… it's really not available for everybody.
Resha: Okay, that's all. Thank you very much.
Agot: Thank you.
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Otso: Truth is in the Eyes of the Beholder
I'm a prokaryotic entity who loves the blue hue and chicken curry.
I believe in the law of attraction, that each of us can shape our own destiny.
I started writing when I was still in my mother's womb. I'm the twin of Joan Jett from another dimension.
Latest posts by reshadestiny (see all)
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House in the Beach is a semi-detached home that was recently given a renovation and addition by , located in a beach area of Toronto, Ontario, Canada. Prior to the renovation, the clients had lived in this 100 year old home for twelve years. Their work as fashion photographer and model took them around the world to stylish architectural sites which served as inspiration for this well-worn residence.
While wanting to update the house to better reflect who they are and how they live, the clients also wanted the house to re-inforce the existing fabric of the street by respectfully re-inventing both the exterior and the interior. Although it lacks a classic beach charm, the house has an elusive quality of heart and soul which the project team tried to uphold.
Looking closely at the brick lines relative to the right angle of the new box window in the image of the front facade, the house leans to, or yearns for, the lake. It is that sense of an ideosychrotic personality that defines this custom home renovation, as opposed to merely emulating a generic boutique hotel-like space.
Small moments strive to accommodate and celebrate the personality of the owners, the history of the house, and the process of its re-making: the open shelving for rotating personal objects of affection, the mobile kitchen island on wheels, the exposed steel support brackets at the junction of new and old structure, shop notes on the raw steel custom fi replace surround, old brick piers incorporated into the new entry assembly.
The scope of the project involves a new entry, re-invented façade, and a ground floor plan opened for access to light and space for contemporary family life. The basement is finished as useable space and occasionally acts as a suite. The second and third floor bedroom and bathroom spaces are also re-finished. A small rear addition on the ground floor allows for a new space with natural light, a distinct ceiling height, and a previously-absent connection to the rear yard.
The existing house is a very common Toronto house type: A semi-detached, three-story residence with a finished basement, front pad parking, and a private backyard. While wanting to update the house to better reflect who they are and how they live, the home-owners did not necessarily want an unrecognizable or unreasonably large new house. Refreshingly, they cherished the idea of a small, stylish and cozy home where the family can scrunch up on the sofa to be together.


text:
Childhood Cancer-A Parents Guide to Solid Tumor Cancers, 3rd Ed.
July 16, 2020 altitude
Each year more than 6,000 children and teens in the United States are diagnosed with a solid tumor (e.g., kidney tumor, liver tumor, neuroblastoma, retinoblastoma, or sarcoma). This newly updated edition contains essential information families need from diagnosis through survivorship. It includes descriptions of the newest treatments, such as computer-assisted surgery, tandem stem cell transplants, and targeted therapies as well as practical advice about how to cope with diagnosis, medical procedures, hospitalization, school, and finances.
Woven throughout the text are true stories—practical, poignant, moving, funny—from more than 150 children with solid tumors, their siblings, and their parents. The text was reviewed by renowned experts in pediatric oncology, and the foreword was written by Garrett Brodeur, MD, Co-director of the Division of Oncology, Director of the Center for Childhood Cancer Research, and Director of the Hereditary Cancer Predisposition Program, Children's Hospital of Philadelphia.
Anne Spurgeon and Nancy Keene
ABOUT THE AUTHOR(S):
See Nancy Keene's bio for Childhood Leukemia book, (above). Anne Spurgeon, trained as a historian at the University of Wisconsin, is the parent of a long-term survivor of rhabdomyosarcoma, a soft tissue sarcoma. For more than 15 years, she served as the executive director of the Badger Childhood Cancer Network in Madison, Wisconsin. Its mission is to educate, support, serve, and advocate for children with cancer, their families, survivors of childhood cancer, and the professionals who care for them. Anne enjoys having adventures with her three young adult children; kayaking the beautiful lakes of Wisconsin; reading history, anthropology, and science; and making and drinking craft beer.
PURCHASE BOOK URL:


text:
New Close Farm, Hutton Rudby
FOR a true slice of country living, this dream home takes some beating.
Karen McLauchlan
This outstanding property is set in a truly stunning location.
With views of Roseberry Topping and the Cleveland Hills and standing in about 20 acres of land, New Close Farm at Hutton Rudby is a real rural retreat.
Some of the property dates back to 1840 - but other parts are even older, built in about 1760.
And it seems things come in fives in this beautiful home - with five bedrooms, five bathrooms and five reception rooms.
Stepping into the reception hallway you are welcomed by a beautiful tiled floor which leads to the sitting room and dining room, with stone flagged floor and inner hall.
The inner hall gives access to a study, and on to the central lobby with glazed door to the courtyard - which can be accessed from four of the five reception rooms, making it ideal for entertaining.
The hand crafted kitchen has an African slate tiled floor, exposed beams and that quintessential country item - an Aga.
From here you step down into the dining area, which spills into the summer room which has exposed trusses and high ceilings.
A further snug, offering a cosy hideaway, leads to the rear lobby giving access to a superb converted barn.
A door beneath the staircase in the main reception hall leads to a fantastic wine cellar.
When fully stocked there is room for 2,000 bottles.
There is also a utility and cloakroom on the ground floor.
On the first floor the master suite has an en suite shower room and a dressing area.
On this level you'll find the main bathroom and a further two bedrooms - one with en suite.
Stairs then lead to the second floor where there are two double bedrooms, each with an en suite bathroom, and a spacious landing with wood flooring, exposed ceiling trusses and sitting area.
But the accommodation doesn't stop there.
There are also stables, a garage and a separate annex with living accommodation.
Here there is a living room, games room, bedroom and an en suite shower room.
This property is also set in beautiful gardens and grounds. Mature trees, water features and a duck pond are just some of the many attractions.
And there are paddocks, which service the stables.
New Close Farm, Hutton Rudby, is up for sale with a guide price of £1.7m.
More details from Rentons Countrywide, Stokesley, 01642 711555.
Special FeaturesShare the Love with someone special and they will appear in The Gazette, Valentine's Day keepsake.Celebrate Valentine's Day with those you love. Upload a photo today to appear in our Photo Special Supplement!
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text:
Highs & Lows - WSU vs. UCLA
Mon., Oct. 17, 2005
The Cougars could do no wrong in the first half, especially on offense, and never was that more apparent than when Jerome Harrison took a counter to the left through a sizeable hole created by his offensive line, bursting into the secondary and juking one last UCLA defender out of his shoes as he cut back right into the end zone. The 21-yard run gave WSU a 28-7 second-quarter lead. For most teams that would be enough, but …
Low point
… these are the Cougars of 2005, and that means no lead is safe. After the Cougar defense hung tough to stop the Bruins on a fourth-and-1 near midfield, the WSU offense – in full shutdown mode – had a third consecutive three-and-out in the fourth quarter. Even though the resulting punt put UCLA deep in its own territory, the defense was exhausted because of WSU's inability to make a first down and let the Bruins go 96 yards for the tying score.
It wasn't a scoring play, it wasn't even a play in the red zone. But Adam Braidwood's roughing the passer penalty on the last snap of the third quarter was the WSU defense's third 15-yard infraction in three plays. Those 45 yards gave UCLA an easy touchdown and let a comfortable 17-point lead become a shaky 10-point margin in less than a minute.
This should probably be Drew Olson because of the way he led UCLA's comeback, but it's tough to ignore Jerome Harrison's 260 yards. The problem, however, is that 250 of those yards came in the first three quarters. Harrison is durable, sure, fighting his way through every carry with determination and skill. But one has to wonder: With a capable backup like DeMaundray Woolridge, must Harrison touch the ball 37 times like he did Saturday evening? The guess here is that Harrison could get just as many yards in fewer touches if he were still fresh when it counts and the Cougars need first downs.
Stat of the game
Alex Brink, having thrown for 142 yards in the first half, threw for one in the third quarter, 26 in the fourth, and none in overtime.
Glenn Kasses, staff writer
All those EVs are great, but where will the electricity come from?
As part of my career of over 30 years in the energy industry, I led the effort to complete Oregon's portion of the West Coast's "Electric Highway."


The Carson's department store in Circle Centre mall is closing soon.
Carson's parent company, Bon-Ton Stores Inc., announced Wednesday that 42 of its stores, including the Indianapolis anchor store, will shut down as part of its "store rationalization program."
The exact closure date has not been announced, but officials said a going-out-of-business sale will begin Thursday and run for 10 to 12 weeks.
"As part of the comprehensive turnaround plan we announced in November, we are taking the next steps in our efforts to move forward with a more productive store footprint," Bill Tracy, president and chief executive officer for The Bon-Ton Stores, said in a statement. "Including other recently announced store closures, we expect to close a total of 47 stores in early 2018. We remain focused on executing our key initiatives to drive improved performance in an effort to strengthen our capital structure to support the business going forward.
A total of five Indiana locations are closing, including stores in Columbus, Anderson, Marion and Elkhart.
Bon-Ton has partnered with a third-party liquidator, Hilco Merchant Resources, to help manage the store closing sales.
Associates at impacted locations will be offered the opportunity to interview for available positions at other store locations, officials said.
In January 2017, Carson's announced that it had extended its lease with mall manager Simon Property Group Inc. through January 2023, solidifying Circle Centre as a shopping center for the foreseeable future. Before that extension, the lease had been set to expire in January 2018.
Carson's has been Circle Centre's only anchor store since Nordstrom closed in 2011. Simon has reacted to closings by Nordstrom and other smaller retailers by signing office, restaurant and entertainment tenants to fill vacant spaces.
Calls seeking comment have been placed to Simon Property Group officials.


text:
Q: load data from Backendless in chunks (small parts) I am trying to figure out the answers of my questions , I'm fetching data from
backendless asynchronously.
CODE:
BackendlessDataQuery dataQuery = new BackendlessDataQuery();
dataQuery.setPageSize(10); // here am setting the page size (10 items to load at a single fetch )
dataQuery.setWhereClause(whereClause);

Backendless.Data.of(Note.class).find(dataQuery, new AsyncCallback<BackendlessCollection<Note>>() {
    @Override
    public void handleResponse(BackendlessCollection<Note> notes) {
        //here i got the first 10 objects from Note Table
    }

    @Override
    public void handleFault(BackendlessFault fault) {
        swipeToReload.setRefreshing(false);
        Toast.makeText(getContext(), "" + fault.getMessage(), Toast.LENGTH_LONG).show();
    }
});

So now I wanna know how can I load  data in chunks , there would be a Button as the footer of RecylerView (here am populating my fetched data) but I don't how am gonna do that , what am I picturing about this in my mind is that "U have to fetch the data by telling server. The index of desired data like on first request fetch the data from 1 to 10 on next request fetch the data from 11-20 and so on."
But what if we're requesting the data (its 3rd Request ) from 21-30 and some new data got created (in first indexes) then how we gonna load those? Do we have to load everything from the starting ?? Please correct me.

A: got it working :
public class MyForm {
    final DataHandler dataHandler;
    BackendlessCollection<Note> data;

    MyForm() {
        dataHandler = new DataHandler(this);
    }

    void setData(BackendlessCollection<Note> data) {
        this.data = data;
        //render new set of data
    }

    //'Fetch Data' Button click handler
    public void fetchData() {
        BackendlessDataQuery dataQuery = new BackendlessDataQuery();
        dataQuery.setPageSize(10);

        Backendless.Data.of(Note.class).find(dataQuery, dataHandler);
    }

    //'Next Page' Button click handler
    public void fetchNext() {
        data.nextPage(dataHandler);
    }

    void setError(BackendlessFault fault) {
        //swipeToReload.setRefreshing(false);
        //Toast.makeText(getContext(), "" + fault.getMessage(), Toast.LENGTH_LONG).show();
    }

    class DataHandler implements AsyncCallback<BackendlessCollection<Note>> {
        final MyForm form;

        DataHandler(MyForm form) {
            this.form = form;
        }

        public void handleResponse(BackendlessCollection<Note> notes) {
            form.setData(notes);
        }

        public void handleFault(BackendlessFault fault) {
            form.setError(fault);
        }
    }
}


Made from: Using only high quality vinyl and all is hand made in Britain. Our wall vinyl stickers has a matt finish which is perfect for interior wall use, as this will blend in with its surroundings with a 5 - 7 year exterior life.
Where to apply: We recommend to be apply onto interiors walls, as well as exteriors wall.
Can be apply onto any smooth surfaces like windows, walls, metal, wood, and many more.
How to apply: Our vinyl wall stickers will be supplied with backing paper already applied to it, simply stick it to the wall and carefully peel off the backing paper. Full instructions are included with every sticker.


2014 was a bumper year with over 16,000 people cycling on LCC organised rides. This makes LCC the biggest provider of free rides in London. In addition we helped an extra 977 people participate in led rides through our Community Cycle Fund for London programme which is funded by Transport for London.
The majority of rides were organised by volunteers in our 33 local groups who have been putting on rides for all abilities since LCC formed in 1978. These included rides for Ride London where we helped over 2000 people cycle from their borough into the Freecycle ride and back home again, as well as rides for students and council residents.
Guided and led ides are ideal ways for new or returning cyclists to build their confidence to cycle on London's roads. Putting on these led rides is a key part of LCC's mission to get more of London cycling as well as campaigning for better and safer infrastructure. The skills and expertise of our volunteers and staff have helped LCC create a ride leader training course to help share this knowledge to enable more people to put on safe and enjoyable rides.
If you want to find about an LCC ride near you have a look at our improved 'Rides & Events' section of our website.


text:
For Debbie
On January 14, 2021 By angeliquejamailIn bellydance, friendship, memorial
In the mid-1990s, in my twenties, I decided to begin a series of formal dance lessons that would help me connect more deeply with my Lebanese heritage. Raqs sharqi — bellydance — was not a difficult thing to find in Houston, and I easily found a school — Sirrom — where I could take lessons.
My mother seemed…skeptical. Perhaps because I'd dropped out of ballet and tap at the age of seven so I could start playing the piano? Perhaps because I had neither balance nor grace? Perhaps because the prevailing opinion was that I was probably afraid of my own shadow? "I don't recommend it," my mother said.
"I'm pretty sure this is something I want to do," I said.
A couple of days later, she added, "You know, if you bellydance, you'll actually make your stomach bigger from all that exercising of your abdominal muscles."
That didn't really track with me. "I'm doing it," I said. "I've already found a school. The classes won't be expensive, and I can do it around my teaching schedule."
Mom wasn't thrilled, but she got over it in time for my first recital, a performance which was…okay. Enthusiastic, though, definitely that. (I got better over time.)
One of my first bellydance teachers, or "dance mamas" as we often called them, was a woman named Debbie Scheel. In the dance community, she also went by Shakira Massood-Ali. Shakira was her dance name, Massood was her mother's last name, and Ali was the name of Debbie's own dance teacher. Debbie was Syrian and Lebanese and American, and she had the biggest personality I had ever encountered up to that point in my life. It's a cliché to say a person is always smiling, but in her case, it was true. She was a veritable repository of good humor and a good sense of humor. She wasn't afraid to crack herself up, and we all learned how to embrace being funny with her.
Debbie was one of the most brilliant choreographers I have ever known, and that's saying something. She could nimbly execute even the most difficult combinations that my body, even after my eventual years of experience in the dance, would just stare at in wonder and despair. Debbie was also the first person I knew who really demonstrated body positivity before I even knew what the phrase meant. She made it clear that bellydance was empowering rather than objectifying. Debbie wasn't the teacher who said to me: "When a woman can control her body, she can control her space, and when she can control her space, she can control her life." But she damn well demonstrated it in real time better than almost anyone I knew. And she taught dozens, if not actual hundreds, of women the same.
In Debbie's eyes, you did not have to be a super model to look glamorous in a bellydance costume. You didn't have to be a Bellydance Superstar to be excellent in the dance. You did not have to be young and nubile and whatever else the dominant culture would have you believe is the right thing for a woman to be, to be worthy of notice. Every woman, every girl, every person of any age and size and ability was all of those wonderful things as far as she was concerned, or so she made us believe.
I have rarely seen anyone who displayed a more intense and genuine joy to be dancing. She cut an intimidating figure, and her elaborate costumes and up-to-eleven exuberance did nothing to tamp this down. Nor would we have wanted that. She was her own force of nature, and she taught us that we were good enough, we were beautiful, we were elegant and fun and smart and worth every minute of anyone's attention. She instructed us not only in how to be really good dancers, but also that we were goddesses, each in our own amazing ways. Some of us even believed it sometimes, especially after a really vigorous performance.
photo by Ron Mailloux
I had trouble making it to class and performances consistently after my children were born. I remember ending my enrollment at the studio, tearfully, telling Debbie that I just couldn't manage the time right then, between teaching full-time, caring for two babies, and writing a novel. She took my face in her hands and said, "Habibti, you can have it all. Just not all at the same time. We will always be here for you when you come back." And she was.
I retired from bellydance (performance) over a decade ago, but I often miss the dance. I'm still close friends with some of the women I danced with the most, some of whom were my classmates and troupemates and some of whom were my own dance students. I've always meant to get back into it, even just doing it at home as part of my regular exercise routine.
But inertia is a bitch. It's just been easy not to, especially during the pandemic. I know that I've never been physically healthier than when I was dancing regularly. My chiropractor and physical therapist reminds me frequently that quitting dance was the stupidest thing I've ever done for my body. He's right, of course. I've always put it off, though, because of course I'll get to it later, when I'm not so busy.
Last week, amidst all the other absolute craziness, Debbie suffered a massive heart attack and couldn't recover from it. Her sudden death, a shock that quaked through the bellydance community, had all of us calling and texting each other the next morning, regardless of whatever classes or meetings or anything else we were supposed to be doing. We couldn't believe it. How could this have happened? How was there not more time? We can't even all get together for a funeral. Now what?
If there is anything I learned from Debbie, it's that verve and enthusiasm and doing what's right for you should be on every woman's to-do list. Maybe that means I'm going to start dancing again after all. It definitely means that tonight I'm going to be editing one of my novels. I'm so grateful to her for teaching me to prioritize myself, even when I've failed to do so.
Tim O'Brien wrote, it's easy to get sentimental about the dead. I don't want to do that. I don't want to posture that Debbie was more or less than she was, to me or to anyone or all on her own. But somehow just knowing she's not out there cracking jokes and ululating and intimidating — maybe (for the more timid) frightening — the hell out of every man in the room with her incredible presence makes the world a little less musical place.
If you'd like to see Debbie's obituary, click here. You can watch the memorial video on the site and see a lot of wonderful pictures of her that will give you a taste of her vibrant spirit. Enjoy.
Monday Earworm: Wrabel
Monday Earworm: Ben Harper
6 thoughts on "For Debbie"
emmakatetsai
From: Sappho's Torque
Reply-To: Sappho's Torque
Date: Thursday, January 14, 2021 at 8:22 PM
To: Emma Tsai
Subject: [New post] For Debbie
angeliquejamail posted: " In the mid-1990s, in my twenties, I decided to begin a series of formal dance lessons that would help me connect more deeply with my Lebanese heritage. Raqs sharqi — bellydance — was not a difficult thing to find in Houston, and I easily found a schoo"
Thank you. 🙂
Barbara A Brown
Well done! Thank you.
Inanna
Thank you so much! 🙂 Long time no see. 😉
What an amazing woman! I'm so sorry she's gone from this world. I'd like to think she's cracking jokes and intimidatimg all the men in heaven now. And I LOVE this: "Habibti, you can have it all. Just not all at the same time."
We expect ourselves to go do things at the most extreme, unsustainable level. We take ideas like "having it all" too literally and then, when it doesn't work, we think we have to go to the opposite extreme and say it's not possible at all.
Thank you so much for sharing Debbie with us. ❤
Thank you so much. ❤ And yes, you are right about the insane pace of life and thinking about it in that way.
January 16, 2021 at 12:19 pm Reply


Having worked with you throughout the years, we know you have come to trust our commitment to honesty and integrity in our interactions. Because of this, we want to let you know personally about a significant and exciting announcement regarding the future of Etica Group.
Etica Group is proud to announce our recent acquisition of PCS Engineers. This transition became effective on April 12, 2017. Etica and PCS Engineers have worked together for many years and because of our shared self-made mentality and identical approach to ethical practices, we have experienced an incredible synergy between our firms. In short, the choice to become one company was a natural one.
Due to this acquisition, the Etica team has nearly tripled in size, and has experienced significant growth to our services, certifications, specializations, and capabilities, all with the same level of personalized attention and communication that you are already accustomed to from both firms. We are very excited for what the future holds for Etica Group, and we are optimistic that you also will see the benefit of this venture.
Additionally, there will be no change to any personnel working on current and future projects. You will receive the same quality of work, on time schedules and professional services with the same people you have grown accustomed to.
If you have any questions, comments, or concerns, please do not hesitate to contact, Cheryl Cunningham, Chet Parsons, or myself, personally.
Etica Group looks forward to better serving you as a result of this acquisition. Here's to the future!


How to update my code as often as lua updates itself.
I recently moved my game from love2d to corona, and everything seems to be transitioning pretty well.
But I have a Gameupdate() function that I call all my code from, and when I go to update my code, it is only running like 15 times a second.
Can anyone tell me why it is only running 15 times a second?