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Cassandra is a level ?? Boss in Divinity: Original Sin Enhanced Edition.
The fight with Cassandra goes on in 3 phases.
PHASE 1: Cassandra summons 3 Walking Corpses (slow, tough zombies), 2 Headless Corpses (headless zombies,faster but weaker,blind).
PHASE 3 (HP <20%): Cassandra summons an army of zombies, casts Rage on herself and starts to melee.
Note: When her HP <15%, she may cast Meteor Shower.
Hitting Cassandra with a melee attack may inflict a Cursed on the attacker.
The Electrified Zombies in Phase 2 may Stun you if you attack them with melee attacks.
In Phase 3, killing Cassandra will kill all summons automatically and end the fight. So focus on her rather than the summoned zombies.
IF the distance that separates Cassandra from her throne <30m, she will not summon anything.


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I was born in Zimbabwe (then Rhodesia) in 1950. One of a very artistic family – all much better than me! So I only really started drawing in my forties when a friend, Patricia Wood Broderick, taught me that I could draw. She also taught me watercolours.
Life interfered with my art and in 2004 I relocated to Britain. After a few years of wandering around trying to find my space I moved to Pembrokeshire, Wales and found the time and opportunity to draw and paint the wonderful landscape around me.
At the end of 2013 I moved to Glastonbury where all sorts of changes have taken place and I discovered the joys of intuitive art. Using pastels I create images of the plants and trees that I am drawn to. New ways and new things are emerging!


James Harrison is now 76 and he's single handly saved an estimated 2.4 million babies.
He was only 14 at the time, but vowed to give back the lifesaving gift he had received.
"As a throw away line at 14 years of age i said "i'll be a blood donor when i turn 18 dad."


text:
Tag Archives: Basil Rathbone
Captain Blood (1935) Starring Flynn and De Havilland
Posted on September 8, 2019 by 4StarFilmFan
To a certain stratum of society — namely classic movie fans — it's nearly impossible to imagine Errol Flynn and Olivia de Havilland not being paired together or not being box office draws, for that matter. However, on both accounts, in 1935, the studio was taking quite the risk, still undoubtedly reeling from the heart of the Depression Years and shelling a hefty sum of money for a vehicle essentially starring two unknowns.
Sometimes you catch lightning in a bottle, and it remains for all posterity. Scoring, again and again, is quite another matter entirely. The pair would be placed together in an astounding 11 films in total!
This initial entry opens in England in 1685 and a band of patriotic rebels has taken it upon themselves to depose the current tyrant James II. Though he chooses to forego involving himself in the fighting, physician Peter Blood nevertheless goes with them in spirit and is ready and willing to operate on a fugitive who is mortally wounded. However, in the process of attending to the man, the king's guards burst in upon him and all involved are arrested.
Their future is decided in a trial of pomp, circumstance, and unyielding justice. There are few figures in the legions of contenders as charismatic as Errol Flynn, beginning with his attempt to exonerate himself and extol his own noble profession. Even that fails to keep him from the executioner though the king fancies himself a humanitarian and decides to send the lot of traitors on slave ships to the West Indies instead.
There is a blatant irony in the depictions of white slavery while the deep wounds of black slavery were still being felt in our country through the oppression of Jim Crow Laws and racial injustice. This continues on the island plantation prison where the lads find themselves.
There they are sold on the auction blocks like chattel though much to his shame, Blood finds himself indebted to a pretty matron Arabella Bishop (Olivia De Havilland) who bought him for 10 pounds. Their relationship begins on the rockiest of soil and life thereafter is hard. Though eventually, Dr. Blood gains favor when he cures the hissy hypochondriac governor of his gout, earning himself greater freedom.
And with that the good doctor bides his time, planning an escape to coincide with a timely interruption on the outpost by Spanish Pirates. In the drunken escapades that follow, Blood gathers his men together, switching places with the invaders and a new band of pirates is born. They are a hardy lot including Blood's faithful pilot and friend Jeremy Pitt (Ross Alexander), the sturdy gunner Hagthorpe (Guy Kibbee), and one Bible-spouting mate who has a bit of scripture for every occasion (And then the whale came and the whale swallowed Jonah. I hope!).
Their acclaim grows to such an extent that they fall into the company of a band of French Buccaneers led by a salty lady's man named Levasseur (Basil Rathbone). He and Blood draw up a loose pact which quickly falls apart as they quarrel and end up dueling for the company of their esteemed "guest" Ms. Bishop. Laguna Beach, California ends up filling in for the Caribbean as they have it out in stirring fashion. Flynn and Rathbone were the best of foes when it came to crossing swords, even when they were purportedly allies.
In the final act, the outlaws are redeemed (like Robin Hood anyone?) taking up the banner of the new king William of Orange to fight a valorous battle for the glory of Merry Ol' England. Thus, in spite of the tumultuous path he traversed, Captain Blood and his boys reach the pinnacle. He's a hero and, of course, he gets the girl. There's nothing her indignant uncle can do about it now as he's been replaced by a far more benevolent governor.
I would be remiss if I didn't ruefully admit how much I yearn for the epic swashbucklers of old. Captain Blood was the beginning of great successes to come and the type of Hollywood entertainment that is sorely missed today.
Although I hardly can remember their lips even touching, nevertheless, Flynn and de Havilland are fire together, all but cementing a screen partnership that would continue for many more. Even in the final scene together what becomes apparent is this genuinely contagious brand of fun. If anything they make it seem like a blast for the audience.
There's a splendidly pulsating finale at sea where it's convenient enough to cast inconsistencies overboard and instead be overwhelmed by the sheer mayhem of 2500 extras called on to do battle and make a show of it. They take to it handily clashing their cudgels, swinging from the yardarms, and falling into the drink, casualties of pistol fire.
Captain Blood is blessed with laughter as much as action and romance. The tenets of quality adventure filmmaking mean the picture enthralls us as much today as in its day because it knows what it means to have a good time. The seriousness can be shed for the sake of light-hearted, invigorating, no holds barred entertainment.
Because in the assured hands of Michael Curtiz, with a dashing new screen idol in Errol Flynn, Captain Blood never loses sight of what makes movies communal and thoroughly gratifying. Movies of old had a habit of being all things to all people, and it's true this one has it all, I'm delighted to say.
The final testament is a smile imprinted on the face of the viewer as big as Flynn's jaunty grin. Oh, what we wouldn't give to be on the deck of that ship brandishing our cutlass and romancing a pretty young maiden just like he does. Maybe that's my boyhood imagination speaking, but he really is the ideal action hero.
Posted in 1930s, Action, Romance	| Tagged Basil Rathbone, Donald Crisp, Errol Flynn, Great Film, Michael Curtiz, Olivia de Havilland, Review	| 2 Replies
The Court Jester (1955): The Brew That Is True
Maybe I'm simply partial to Medieval forms of entertainment but it's hard to imagine a finer vehicle for Danny Kaye than The Court Jester. It needs to be lithe enough to accommodate his goofy even acrobatic brand of song-and-dance buffoonery. What better arena for Kaye than the king's courts, that laughable domain of a man in a dunce cap and tights?
However, equally important is some form of plot for the actor to hang his routine on. The production is complemented exquisitely by a lavish setting replete with fine costuming, bejeweled individuals, and everything from knights and sword fights to magic incantations, backroom treachery, and romantic entanglements.
The humorous tongue-in-cheek opening diddy "Life Could Not Better Be" sets the tone nicely. We are inserted into a storyline that is a decidedly genial Robin Hood knockoff. In his place is our righteous outlaw The Black Fox who is looking to install the rightful king to the throne, the infant with the royal birthmark — the purple pimpernel.
The malevolent, power-hungry King Roderick has usurped the domain and set himself up as the supreme leader of the land, surrounding himself with an array of equally loutish characters, namely Lord Ravenhurst (Basil Rathbone). The King is hopeful an alliance with a knight named Griswold will help him to vanquish his mortal foe, the Fox, promising to betroth his reluctant daughter (Angela Lansbury) as a sign of goodwill.
Ravenhurst, fearful that his place of prominence might be undercut, calls on the services of a Court Jester named Giacomo (John Carradine) to do away with the king's other consorts. However, on the surface, it seems the perfect disguise for the minstrel Hubert Hawkins (Kaye) to aid the Black Fox in his raid on the castle.
If Kaye is for all intent in purposes our Allan a Dale thrust into our Robin Hoodish role, then Glynnis John is his fair companion Maid Jean (aka Maid Marian) who also happens to be a trusted captain of the Foxes men (aka his capable Little John).
After they overtake the real Giacomo, the carnival showman dons the robes of a jester for the masquerade. He thinks there is only one agenda. To meet a contact within the castle on behalf of The Black Fox. Little does he know, he's also got to look after the well-being of a precious baby in a basket while unwittingly making a connection with Ravenhurst who assumes him to be an assassin ("Get it?" "Got it." "Good!").
Meanwhile, the princess receives an oracle from her personal maid — a witch named Griselda (Mildred Natwick) — that a gallant man will soon arrive at the castle to have her hand. Little does the new Giacomo know he's now caught up in a third complication as Griselda casts a spell on him turning him into a strapping and virtuous lover with the snap of her fingers — another one of the film's recurring gags.
After his new entertainment arrives from Italy, the king also sends out an edict that all the fair wenches of the land be brought into his courts and, of course, the lovely countenance of Maid Jean gains the favor of the king, earning her a prestigious place in his company.
As he does his best not to bungle (by purposefully bungling) his floor show to earn the approbation of his master, Kaye must try and resolve the three plans of action put forward, though he's conveniently forgotten them all.
Soon our hero is ousted as an imposter and a cunning plan is enacted to red light him for knighthood so he will be eligible to face off against Griswold at the following day's tournament for the hand of the princess. It's all but inevitable. He's a dead man without a chance at survival unless the Black Fox can come in time to take his place! Alas, it is not to be.
Their last-ditch effort is to try and poison Kaye's formidable foe before they enter into combat. What it sets up is the film's most beloved gag and one of the most heavily quoted routines there ever was: The Vessel with the Pestle and The Chalice from the Palace. In typical Kaye fashion, he struggles to remember which one holds the brew that is true or as he says it "the true that is brew." Add the Flagon with the Dragon to the verbal shell game and he's done for.
The extended hijinks is pure tongue-twisting, mind-boggling perfection, given an added exclamation point by his suit of armor becoming conveniently magnetized. This causes him to continually clunk into his adversary as they present themselves before the king. It couldn't be funnier. And as a good belly laugh is often hard to come by these days, I was greatly delighted. The scene plays just as well as the first time I'd seen it.
But the antics in part give way to some genuine thrills as the jester leads a daring uprising against their would-be captors capped off by a counter-offensive by their friends. A merry band of little people sneaks in only to terrorize the courts and form a conveyor belt to fling their adversary away from the castle premises with a catapult. What follows is a storming of the castle by the rest of the rebels and a finale of the best comical homage to Technicolor Robin Hood there ever was.
A final duel with Ravenhurst showcases Kaye's bipolar "dual" personalities. First, the frantic slap fighting of a craven coward, then the cocksure swordsmanship of a man with endless confidence, though it takes some support from his true love to send Ravehurst to his fitting demise.
There, in a nutshell, you have the impeccable concoction of the film reflected in Kaye. He's a buffoon as much as he is a hero who nevertheless comes out on top thanks to another's love. With a fairy tale ending such as this, life could not better be. Of course, The Court Jester is spruced up by the very fact it supplies a wagon-load of laughs to supplement a thoroughly agreeable adventure.
Posted in 1950s, Adventure, Comedy	| Tagged Angela Lansbury, Basil Rathbone, Danny Kaye, Great Film, Review	| 2 Replies
The Adventures of Sherlock Holmes (1939)
Posted on January 31, 2019 by 4StarFilmFan
"Elementary My Dear Watson" owes its indelible stature in the lexicon hall of fame to this second installment in 20th Century Fox's Sherlock Holmes series. The studio obviously did not gather the phrase to have that much resonance as they gave up on the franchise only to have it be picked up by Universal Pictures for many, many more outings. This would be the last one set in its original historical context and it's unquestionably the gem of the lot.
Though the analogy breaks down, it was easy to see the first installment of Rathbone's outing as Holmes like Peter Sellers in the original Pink Panther (1963). You get a sense of a formidable character who is subsequently given greater fluidity and is, therefore, able to break into their own. A Shot in the Dark (1964) was far better than its predecessor because it gave Inspector Clouseau his own vehicle.
The Adventures of Sherlock Holmes proves to be a superior film for two such reasons. First, Rathbone and Bruce coming off their success are put front and center in this picture. But also while the first film was an adaptation of a Doyle story, this picture is an original narrative thus taking the characters from the page and extrapolating them onto the screen in new and intriguing ways.
In one sense, I'm glad for that change because whereas The Hound of the Baskervilles was much better as detailed by Doyle's pen, this story is a creation blessed with an imagination. Taking all that is good about the original work and synthesizing it into something that never quite loses the spirit but on the contrary, builds on it all the better for distillation to the big screen.
The remarkable revelation is that the story does provide a true conundrum for Holmes as he battles it out with his arch nemesis Moriarty in a chess match of wits. While there are several moments that seem uncharacteristically on-the-nose for a man of his intellect, otherwise we relish the game and his astute observations.
It opens in a courtroom as Professor Moriarty is exonerated for a crime that everyone seems to agree that he committed. Only moments after the pronouncement Holmes rushes into the courtroom with the needed evidence. But it's far too late. His rival has lived to scheme another day and what a scheme it is. He plans to pull off the crime of the century by distracting Holmes with two toys that he won't be able to put down. He likens Holmes to a fickle little boy easily distracted and he plans to exploit his idle curiosity.
What unravels and what is articulated by the script is a lovely piece of intrigue that provides many distractions not only to Holmes but his audience as well. We know full-well that though they might appear completely unrelated, they're indubitably tied together. It's simply a matter of understanding how and for what purpose.
The first involves a young woman named Anne Bramdon (Ida Lupino). She comes to Mr. Holmes on the behalf of her older brother who has received an ominous note. The reason she's worried is that her dear father received much the same message before he died under strange circumstances years before.
Although it ultimately takes a back seat to this more interesting case, Holmes is also counted on by his friend at the Tower of London to help with security in the transfer of a priceless diamond to be added to the Crown Jewels.
Holmes is caught up in this perplexing case in front of him as Bramdon's frightened brother is attacked by a mysterious assailant and soon after the lady gets a note of her own telling her to attend a certain social gathering of a longtime friend. Holmes advises her to go as he will be there to protect her but of course, the date and time are the exact same as the jewel transfer. You see the point already.
Rathbone makes another stunning showing in disguise apprehending the killer and dashing off to thwart another crime as Moriarty cleverly infiltrates the Towers security no thanks to Watson. George Zucco seamlessly embodies an intellectual yet sociopathic mind filled with disdain for human life. He asserts in one such scene to his harried valet that killing a plant should be a far greater offense than taking human life. He proves overwhelmingly that a superior villain with brazen intentions elevates any story.
Director Alfred L. Werker shoots the finale with some amount of artistry that heightens the climax to an agreeable apex. It goes down as it must on the top of the Tower of London and what is curious but rather refreshing is that there are no back and forth monologues of doom and heroism. Actions speak for both our hero and villain. While London Fog now seems like free atmosphere and little else, the film is actually at its best in visual terms with well-lit Victorian interiors.
The finest success of this film was in projecting a certain image or reputation that extends far into the present age. Watson became an incorrigible bumbler. Holmes a cinematic detective both partially sanitized and still witty. Moriarty remains one of the standards for villains to this day. And with so many different iterations on these same characters, the influence on Robert Downey Jr. to the modernized Benedict Cumberbatch is equally evident. There are few qualms acknowledging the impact of such a sublime mystery adventure as this.
Posted in 1930s, Drama, Mystery	| Tagged Basil Rathbone, Ida Lupino, Review	| Leave a reply
Hound of the Baskervilles (1939)
Though there's not a shred of doubt this picture was filmed on a Hollywood backlot, our story takes place in 1889 on the Moors of Dartmoor in Devonshire. It's all very British and when you do a quick scan of the most British figures coming out of literature and pop culture, you would probably find few higher on the list than Sherlock Holmes.
For better or for worse, this is one of the films we must thank for countless Sherlock Holmes archetypes as established by Basil Rathbone's characterization. Joined by his oafish, vacuous-minded friend Dr. Watson (Nigel Bruce), Holmes looks to investigate the mysterious death of one Sir Hugo Baskerville which supposedly came to pass due to the curse of a demonic curr labeled "The Hound of the Baskervilles."
Right at this very moment, his nephew Sir Henry (Richard Greene) is coming to take up residence at the supposedly deadly manor deep in the heart of Devonshire. Holmes asks for Watson to accompany him as he has important business of a different nature to attend to. It unfolds as a stylized gothic murder mystery with typical studio melodramatics that are still somehow invariably delectable.
Some might be especially surprised to find out about Holmes' absence for much of the film's middle though Rathbone makes a stunning reemergence just in time to do a bit more sleuthing and confirm his numerous empirical suspicions. Bruce proves just how vital he is because there must be a stooge to make the hero look all the more preeminent.
The picture is hardly a whodunit. Deciphering the guilty party is quite simple to guess, working with the tropes that we have in our toolkit. But in the habit of Arthur Conan's Doyle's work, the enjoyment is in our hero's highly-perceptive method of deduction.
While the short stories are probably more rich in this regard, what this film has in an iconic turn by Basil Rathbone — a man who was often made into a villain and yet was just as impeccably cast as a hero. However, to match the aesthetics at the time this picture has a broad menagerie of characters and the foggy atmosphere with the easily conjured shrouds of Gothic Hollywood.
We have shifty house servants, a deranged killer out on the loose, a husband and wife trained in the art of seances, and the crotchety old buffoon who is constantly threatening lawsuits. They are among the casts most colorful additions. Yes, we even get an appearance from the Hound, though, in fact, he's actually a Great Dane.
It's hardly an exercise to work your brain too strenuously but it's a jolly fun piece of entertainment with several true moments of intrigue and menace. The pleasure is in its economy as well because the adventures of Sherlock Holmes as portrayed by Rathbone and Bruce proved so popular they were serialized on both radio and many more films to come.
Of course, when this effort came out, 20th Century Fox wasn't so sure how their new hero would fare and so they conveniently cushioned his billing and his sidekick between the two love interests. I have nothing against Richard Greene or Wendy Barrie whatsoever but they are hardly the reason we turn out to see this picture.
Still, it seems necessary to at least acknowledge that one would do well to start with Arthur Conan Doyle's work first and once you get a sense of them, enjoy this film without reservations. You can test the merits of Sherlock Holmes on this picture but you would do better not to. Because this is a Hollywood confection more than anything, proving to be a diverting adventure even as it helped usher in the accepted mythology of everyone's favorite amateur detective for future generations.
Posted in 1930s, Drama, Mystery	| Tagged Basil Rathbone, Review	| Leave a reply
If I Were King (1938)
Posted on September 14, 2018 by 4StarFilmFan
There's a moment in the film that can't help but draw us back to Genesis where Joseph (of technicolor dream coat fame) has risen in the ranks of Egypt and finds himself with the lives of his brothers in the palm of his hands. He's able to toy with them while also blessing them immensely. It's easy to see the hand of Providence at work. Nothing so meaningful happens in If I Were King but there is, nevertheless, a similar moment.
Ronald Colman plays the charming, most agreeable of vagabonds and that's hardly a complaint. We might call into question the validity of his portrayal of such a mythic figure as Francois Villon but we can never doubt his pure charisma.
Francois Villon as witnessed in this film, directed by Frank Lloyd (Mutiny on the Bounty) is a glorified scoundrel who might be a far cry from the man who actually bore the name Francois Villon but, once more, do we care? Hardly.
Preston Sturges' quill is in playfully fine form mixing eloquent verse with a lightness of being that's able to upend typical medieval drama with its warring nations, kings, and battles. All of the aforementioned are present but they're made rather more enjoyable. The tongue in cheek nature of it all enlivens any dips into needless melodrama.
Instead of stringing this man up for his obstination, insubordination, and theft the giggling king (Basil Rathbone) proceeds to make the same man commander of his armies for not only killing the most loathed traitor in the king's ranks but also boasting he could do a far better job running the kingdom. The origins of a new medieval gameshow are afoot: King for a week.
Basil Rathbone shines in a particularly enjoyable performance for its various quirks including a cackling delivery that feels completely at odds with the persona he cultivated with the majority of his villainous roles. In other words, it's a real corker.
Meanwhile, in his newfound place of power, the remade Grand Constable finds he has considerable influence. First, to free his friends from the caverns of the dungeon and being by the king's side to advise him in his moment of crisis. You see, his generals don't want to fight the militant Burgundians who are about to lay siege to his kingdom.
Villon receives a stroke of genius from the lovely lady in waiting (an exquisite Frances Dee clothed in royal opulence), unload all the kingdom's food supplies to the poor so the feckless military leaders will get off their duffs and be stirred to action with their larders all but depleted. It's a drastic and terribly outrageous solution but it does produce some results.
The earlier raucous swordfight within a tavern against the king's constable is only surpassed and subsequently quashed by the sheer magnitude of the final conflict between the Burgundian marauders and the city's protectorate — a sequence that was declared to use some 900 extras. It's certainly no hoax watching the mad chaos of clattering steel.
It was some time into watching this medieval period piece that I realized if Hollywood were to remake such a film as this or one of a similar nature it seems like there would be an unspoken impetus to somber it up and make it into high drama.
All but gone are the days when period dramas could be fun with a touch of whimsy to go with the usual action, adventure, and romance. Errol Flynn and Ronald Colman, those charming heroes of old, are a forgotten breed of leading men and the last time I remember a film channeling this same enjoyment in such things was The Princess Bride now over 30 years ago.
In truth, I suppose the space for medieval heroes and swashbucklers has been edged out by newer and bigger blockbuster beasts. Namely, sci-fi and superhero mammoths that have taken over the main stage. And I have nothing particularly against said tent poles mind you, but I do long for more pictures like this one. Period pieces that don't have to be so serious. They can have fun too (even if historical accuracy goes a bit to the wayside). That's a pardonable offense when there's no pretense for accuracy.
Because If I Were King is blessed by its rich and constantly comedic overtones. That is no doubt the gift of Preston Sturges. This picture can wear the strains poetry and still keep the mood a sprightly one. Films like this are something special.
Posted in 1930s, Action, Historical, Romance	| Tagged Basil Rathbone, Preston Sturges, Review, Ronald Colman, Swashbuckling	| Leave a reply
A Tale of Two Cities (1935)
Posted on December 23, 2017 by 4StarFilmFan
It's no surprise that this adaptation begins with that oft-repeated bit of poetic parallelism. "It was the best of times it was the worst of times" etc. Of course, in its abridged format the opening suggests the universal quality of those iconic words. It was a period very much like the present.
The scene is set. What follows are images that prove to be deliciously atmospheric with a loving mixture of British colloquialism and Hollywood storytelling all stirred together in an agreeable period drama.
Perhaps the highest compliment I can pay this film, directed by Jack Conway, is that it manages to capture some of the essence of Dickens' novel even if it does not wholly enrapture me as the source material did those many years ago in my freshman honors English class.
The beauty of literature is that it allows you to create pictures in your head — to let your imagination run rampant — the magic of film is how it allows for such spectacles to be brought to us visually though they might come out imperfectly. Owing to length and practicality, it cannot completely transcribe every last detail onto the screen resorting to jumps in time and abridging of the text.
In fact, a slight criticism is that the film resorts to title cards too much. Still, there are some inspiring moments including the climactic storming of the Bastille sequences courtesy of that inspired combination of Val Lewton and Jacques Tourneur. It's simultaneously harrowing and marvelously condenses the sweeping forces of the mob rule's swift rise during the French Revolution into a matter of brief images that overwhelm with their sheer scope and ferocity.
Also, whether this film succumbs to pure histrionics or is instead an impassioned interpretation of Charles Dickens' material is up for debate but there is no denying that there is a pleasing texturing to many of the most prominent characterizations.
Though a minor part, Basil Rathbone that legendary villain turns in one of his myriad performances as a heartless French nobleman. Whereas Miss Pross is played with endearing yet resolute defiance by Edna May Oliver. Both Lucie Manette and Charles Darnay exude a certain geniality that we've come to attribute to the roles. They are less interesting but necessary for the story to have any magnitude.
The most telling difference in depictions for me was in the character of Mr. Lorry (Charles Gillingwater) likened to a crotchety old coot though Dickens paints a picture of him that feels much more reserved and similarly steadfast. I would know because out of all the many figures, I always resonated with him a man who remained a supporting player but nevertheless reflected fine qualities of loyalty and quiet integrity.
But of course, we must inevitably come to Sydney Carton. In the book, he transforms into our hero coming to the fore among a wide array of other characters but with Ronald Colman undoubtedly the biggest star in our film we are conveniently tipped off to his crucial importance and he is vital to the story.
It could have been all too probable that like The Prisoner of Zenda, Ronald Colman could have taken a double role because (SPOILER ALERT) Dickens' original novel hinges on the likeness of Charles Darnay and Sydney Carton. But in this case, it's almost a stroke of good fortune that Colman was only given one part.
In it, Ronald Colman plays the brilliant young solicitor who nevertheless spends most of his evenings with his snout in a bottle wasting so much of his talent toward purposeless diversions. He's a charming fellow but he seems hardly a person of note. But that's not the final word.
Colman is aptly able to focus all his energies on the man and he's further allowed to embody one of the great redemption tales in all of English literature. It seems he knew it too, willingly relinquishing his iconic and beloved mustache in deference to the role which no doubt was one of the defining moments of his career.
There's also no denying the transcendent themes that course through this narrative and reveal themselves much as we would expect. Because this is a story of ultimate sacrifice and a very overt evocation of the Christ story.
Thus, it seems no small coincidence that as Carton takes part in a selfless act that will define his life the trills of "Come All Ye Faithful" quietly play in the background. The inference is plain. Though, it's a political fable as well a spiritual one, Carton's words are what entrench themselves into the viewer's consciousness, "It is a far, far better thing that I do, than I have ever done; it is a far, far better rest that I go to than I have ever known." Some might vehemently disagree but this is a Christmas film if ever there was one. Because it points to hope even in the darkest times. That's how those paradoxical lines can stand true. It was the worst of times but also the very best.
Posted in 1930s, Drama, Historical	| Tagged Basil Rathbone, Charles Dickens, Review, Ronald Colman	| Leave a reply
Review: The Adventures of Robin Hood (1938)
As a young boy, no hero was greater in my mind's eye than Robin Hood and only Star Wars held a more honored spot in my childhood imagination. Because, to this day, Robin of Locksley remains the quintessential hero of mythical lore. Part historical truth mostly canonized myth and that's the beauty of him. We can believe in him — see how he was in so many ways real but in the same instance larger than life.
To his credit, Erroll Flynn does a surprisingly phenomenal job in portraying the legendary outlaw in Lincoln green with a bit of British (Australian…) cheekiness, as well as bravado and charm. In fact, the film is full of so many wonderful elements from its engaging action sequences full of timeless spectacle and a plethora of characters who come right off the pages of the greatest Robin Hood narratives. Will Scarlett, Much the Miller, Friar Tuck and of course Little John still hold a great deal of esteem in my heart. While there are no men more villainous and corrupted than the likes of Prince John (Claude Rains), The Sheriff of Nottingham (Melville Cooper) and Guy of Gisbourne (Basil Rathbone).
Meanwhile, Michael Curtiz took the reigns of the film and makes it a lively swashbuckler that revels in a sense of good fun and that starts with Flynn's performance radiating out from there. While this early use of three-strip Technicolor only serves to add yet another layer of elegance and vibrancy to the film's look. It truly was made for color and every shade of Lincoln green and every bit of medieval opulence proves to be a feather in the film's cap. It looks absolutely stunning and the same goes for young Olivia De Havilland as Maid Marian.
From what I know from Robin Hood folklore, specifically Howard Pyle's seminal edition, the film is surprisingly true to many of the origin stories and tales that have long since proliferated. As an audience, we become privy to the first meetings of Robin and the formidable Little John (Alan Hale) who lays him out in the local stream after a bout with quarterstaffs. Then, in another instance, Robin provokes the portly Friar Tuck (Eugene Palette) who happens to be a master swordsman and a lover of good food and drink. Still, other vignettes include Robin's successful masquerade as a lowly archer who wins the grand prize at the Sheriff of Nottingham's Archery Tournament.
Of course, the most thrilling set pieces occur in Nottingham Castle, initially when Robin brazenly drops in on Prince John and his cronies bearing a deer over his shoulders. Admittedly I have Star Wars on the mind, but this sequence is rather reminiscent of Luke wandering into Jabba's Palace.
Then, the climax comes later with the return of King Richard and Robin's assault on the castle full of stellar swordplay and general chaos. The duel between Flynn and Basil Rathbone is especially thrilling and it holds up well even today because there is something so satisfying in watching them thrust and feint back and forth.
For me, the reason very few heroes surpass Robin Hood is based on his innumerable qualities. He's a superior fighter with bow, sword or staff. He's blessed with a wonderful wit and impressive leadership capabilities. He wins over the girl with his charm. He gets to live out in the forest with his best friends, eating great food. But most of all, he's a rebel with a heart of gold, robbing the rich to feed the poor.
He's an embodiment of all things that a little boy dreams of as a kid and in many ways, he's a fairy tale, but the kind of fairy tale that a boy readily conjures up in his own imagination. The villains are formidable and the action is unmistakable, but it's all in good fun. That's why the Adventures of Robin Hood remains an enduring folk tale of the cinema. Its hero transcends a single medium. Because he lives in the heart of many a young lad long after the title credits have rolled.
Posted in 1930s, Action, Adventure	| Tagged Alan Hale Sr., Basil Rathbone, Claude Rains, Errol Flynn, Eugene Pallette, Great Film, Michael Curtiz, Olivia de Havilland, Review, Swashbuckling	| Leave a reply
The Mark of Zorro (1940)
Posted on August 4, 2016 by 4StarFilmFan
Madrid–when the Spanish Empire encompassed the globe and young blades were taught the fine and fashionable art of killing…
The mythology of Zorro most certainly starts with the swashbuckling silents of Douglas Fairbanks, but the character's legacy would be carried forward into the 1940s. So much so that it even gave some inspiration to a young Bruce Wayne, along with numerous boys picking up comic books in his generation.
In all fairness, I don't know a whole lot about director Rouben Mamoulian. I assumed his forte was costume dramas and stage production as he did do a lot on Broadway. And if that is true, The Mark of Zorro, while not seemingly the work of some creative mastermind, is invariably enjoyable. That is also to the credit of 1940s matinee idol and dashing leading man Tyrone Power. Although over his career and even in this film, he proves to be more than a handsome face. He seemed to hold his own up against Basil Rathbone when it came to swordplay and he danced between the superficial and heroic personas with relative ease. It brings to mind other such roles as Christopher Reeves in Superman (1978) for instance. That of course, brings up the need for an origin story.
In many ways, it feels anachronistic that Don Diego Vega makes the long voyage from Spain to Los Angeles California, but then in the 1800s Spain still had some presence on the West Coast. It's there were Vega gives up his sword, rendezvous with his father and mother, while slowly taking on a second life. Zorro certainly has a wonderful double life going. By day a stuffy, foppish playboy fascinated with magic tricks and given to fatigue. Then, by night he dons the black mask and saber as "the fox" wholly prepared to rob from the oppressors and bring hope to the common man. He's the Robin Hood of the Spanish settlements marking his territory with his iconic "Z" and simultaneously getting a bounty stuck on his head.
The corrupt tub of lard Luis Quintero pushed Vega's father out of office with the help of his menacing right-hand man Captain Pasquale (Basil Rathbone). On the surface, Don Diego plays into the older man's hand, while at night he fools everyone including the local priest (Eugene Palette) with his masquerade.
Perhaps most importantly of all Zorro is able to romance the young ingenue Lolita Quintero by eventually letting her in on his little secret and taking down her nefarious uncle. But of course, everything must come down to some epic swordplay and heroics. Zorro and Pasquale eventually face on in an office sword fight that made me absolutely giddy with excitement. As he leads the revolt against the powers that be there is an obvious energy pulsing through the storyline. This is a pure cinematic action-adventure that glories in the age of swashbucklers.
True, we have a pair of tragic stars in Tyrone Power and Linda Darnell. He died of a heart attack at the age of 44 and she died only a few years later at 41 years of age after a house fire. But, for the time being, they are young, vibrant, and full of life. Perfect protagonists in a film where love and justice reign supreme and heroes always conquer evil.
Posted in 1940s, Action, Adventure, Period	| Tagged Basil Rathbone, Eugene Pallette, Linda Darnell, Review, Rouben Mamoulian, Swashbuckling, Tyrone Power	| 1 Reply
The Court Jester (1956)
Starring Danny Kaye with Glynis Johns, Basil Rathbone, and Angela Lansbury, this comedy of errors has a man posing as a court jester in order to assist the true heir to regain his throne. After infiltrating the castle, Kaye unknowingly gets mixed up in a murder plot, falls under the spell of the witch, and must complete his mission, all the while posing as the funny man. However, he finds himself accidentally jousting for the king's daughter as well as dueling while his beautiful accomplice tries to bail him out and save their plan. Despite all the mishaps, more often then not everything turns out right and that goes for the ending too. Danny Kaye is hilarious and some of the scenes are classic including the snapping spell and the chalice from the palace. It is certainly evident after watching this film that life could not better be!
Posted in 1950s, Adventure, Comedy	| Tagged Angela Lansbury, Basil Rathbone, Danny Kaye, Medieval	| Leave a reply
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Silver Lode (1954): More Noir on The Range
Station West (1948): Starring Dick Powell and Jane Greer
A New Leaf (1971)
Review: Nightmare Alley (1947)
Classic Movie Beginner's Guide: 1940s Film Noir
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redpajama_set_name: RedPajamaCommonCrawl


These days plastic shower curtains come in a phenomenal range of patterns. Check out the plastic shower curtains offered by the online stores listed on this site for an idea of the selection available. If you are bathroom remodeling on a budget or simply want to change the appearance of your room, then a low cost alternative to a sliding shower door is a clear shower curtain. Plastic is a great water resistant material that can protect your bathroom fixtures and décor from water spray.
Plastic shower curtains are designed to be very easy to fit to existing hooks or rings. If you have put in a new bathroom suite then you will need to install a shower curtain rod or track. You can do this by drilling holes in the bathroom tiles or by using a spring loaded mechanism that allows the rod to fit between two walls. For those awkward spaces there are curved shower curtain rods available at affordable prices. All kinds of bath and shower accessories like this can be purchased from the comfort of your own home if you shop online.
As well as plastic shower curtains there are other fabrics available that do the same job. Maybe you have your heart set on a vinyl shower curtain with pockets. Or perhaps you want to create a more traditional look, in which case check out some rustic shower curtains made from cloth. Just remember that cotton is not waterproof so you will need to make sure you attach a special shower curtain liner to prevent your curtain from going soggy. If you are concerned about mildew ruining your unique shower curtain then a fungicidal treatment should help.


text:
Q: What path to enter in PyQt QIcon.setThemeSearchPaths() in pyqt on win7? As is written in the docs I would like to edit setThemeSearchPaths() as from current code:
if __name__ == "__main__":
    app = QtGui.QApplication([])
    for path in QtGui.QIcon.themeSearchPaths():
        print "%s/%s" % (path, QtGui.QIcon.themeName())

it prints out:
C:/Python27/icons/
    :/icons/

And no icons are found. I would like to ask you what path do I have to pass as input argument in function setThemeSearchPaths() on win7?
As I found out the icons should be on path/file:
C:\Windows\system32\imageres.dll

But if I input a path to .dll file nothing happens?

A: Windows doesn't have any icon themes. Qt uses freedesktop icon specification.
Using default paths, either extract your icon theme to C:/Python27/icons/ or embed it as a Qt resource.
You can try to download Faenza Icons. You should end up with file structure like:
icons/<theme name>/index.theme
icons/<theme name>/apps/
icons/<theme name>/actions/
...

redpajama_set_name: RedPajamaStackExchange


text:
Tenet on Blu-ray – The DVDfever Review – John David Washington, Robert Pattinson
Tenet is a film definitely been worth a second viewing, since before seeing it the first time, I didn't quite get what was going on, and then after seeing it, I was still trying to process it. Another few viewings would still help, though.
John David Washington plays an unnamed CIA agent who's simply referred to as 'The Protagonist', and is told that in order to progress his mission after retrieving a rather odd object in the opening scene, saying the word 'Tenet' will open the right doors, but also some of the wrong ones… and as we see that you can simply drop the word into a conversation, what's to stop someone else finding out the word and using it in other situations? However, that's not addressed, and given it's a Christopher Nolan script, the dialogue can be a bit soap-opera-like and doesn't always have to explain every last thing.
The theme of this film is that some things can travel backwards, while the rest of the world travels forwards – and that it's not that things ARE happening backwards… they're actually happening forwards, but to the rest of the world, it just LOOKS like it's happening backwards. Got it? Good.
This is shown early on as our lead is shown piece of material which has had bullets fired into it, along with some of those bullets, and that thanks to their entropy being "inverted", he can put his hand over them, and watch them jump into his hand as if you've just dropped them onto the table yourself, and then someone's reversed the footage (which is how those scenes were made, but go with it, anyway.
How is all this a thing? Down to inverse radiation caused by nuclear fission, and it's come from the future as remnants from a future war… yep, exactly. Someone's been on the happy sauce. In fact, as he's told by scientist Barbara (Clémence Poésy), "Don't try to understand it"… good advice.
# Top of the line in utility sports,
Unexplained fires are a matter for the courts!
Canyonero! Canyonero! #
Thrown into the mix is a fake drawing for which the real one is very expensive, Kenneth Branagh with a cod-Russian accent as arms dealer Andrei Sator, who has a penchant for 241 Weapons-Grade Plutonium; Robert Pattinson (The Batman) as the lead's handler, Neil; Elizabeth Debicki (The Night Manager) as Sator's very put-upon ex-wife Kat; while Nolan regular Michael Caine also pops up as a man called Sir Michael Crosby, and it's just one scene, so when the character who meets him is about to leave, it was quite amusing to hear him say, "Goodbye, Sir Michael", as if Caine has a knighthood… although I actually thought he did 🙂
At the 90-minute mark, we then get a trip into the backwards world for ourselves, but all too often, a fair smattering of the dialogue is quite muffled or drowned out, hence it's essential to watch with subtitles on, but I would've liked to have heard it in the cinema, too. However, it's what Christopher Nolan likes to do, the same as how Michael Bay was changing widescreen aspect ratios every two seconds (literally!) in Transformers: The Last Knight.
Like with all of Christopher Nolan's films since 2008's The Dark Knight, since Warner Bros bought up all of the remaining 70mm IMAX stock for which he appears to have exclusive access, he has shot a large proportion of each film in that format. The first I saw on the big screen was 2012's The Dark Knight Rises, but I was big-time impressed with 2014's Interstellar as it made the sci-fi drama one hell of an outing. 2017's Dunkirk had around 70% of the film shot with such film stock, and brought so much of the movie into incredible vivid detail.
And now, with Tenet, the majority of this film is also made that way. But what's the big deal about it? Well, if you watch this in a regular cinema (do take the chance when they re-open, as I'm sure it'll embrace the big screen again), the film will be in a traditional 2.39:1 widescreen aspect ratio, but if you can get to one of the four cinemas in the UK that can show 70mm IMAX film – like the Vue Printworks cinema I attended – you'll see the picture open vertically to a 1.43:1 aspect ratio which is literally floor-to-ceiling and is breathtaking, leaving memories on the eyeballs to saviour.
There's so much more to enjoy onscreen, and while there's not yet an example clip of this film online, I'll link a Dark Knight Rises clip below, so you can see what the difference is effectively like between a 2.39:1 widescreen ratio, a digital IMAX ratio (well, that is 1.90:1, while they've used a slightly taller Blu-ray clip which is 1.78:1) and 70mm IMAX of 1.43:1. The side-by-side clip isn't as big as you'd see on a cinema screen, obviously, but if you imagine the 70mm IMAX clip as being floor-to-ceiling, you'll get the idea.
The Dark Knight Rises – Theatrical vs. IMAX Blu-ray vs. IMAX 70mm Comparison
In addition, after this film was put back from mid-July a few times, including being 'postponed indefinitely', I half-expected it to be delayed again. I was glad it finally came out, and it's clear that Christopher Nolan wanted to be seen as 'the saviour of summer' by insisting this be the first major release post-lockdown, because most major productions which were due out in 2020 – such as Fast and Furious 9 and A Quiet Place Part II were put back around a year until 2021. Whether they still surface by then is another question.
As such, Warner Bros took one for the team, and it was clear in the weeks following Tenet's release that it wasn't going to break even as Nolan's previous films did. A film has to take up to 3 times its budget to break even, taking promotion into account. Checking Boxofficemojo, I see Dunkirk cost $100m but took $525m. Of his best before that, Dark Knight Rises cost $250m, but took $1.081m. Interstellar cost $165m and took $702m. All revenue are box office only, so there's home sales on top of all that.
Tenet cost $200 and took $362m which isn't bad considering so many places were shut, so how this squares with releasing films in the cinema day/date with HBO Max for 2021 is yet to be seen. I think in any normal year, it would've taken $800m+ based on the promotion, and the two male leads. Similarly, while I loved that I could recently see and review Wonder Woman 1984, it's gutting that its eventual release date coincided with so much more of the country being shut down than before, thanks to the behaviour of the Tories. Hopefully, before long, cinemas can play out to packed audiences again, Gal Gadot's sequel can have a full theatrical run, and I can get in another viewing of Tenet in 70mm IMAX… although I wonder if I will have to wait until the next Christopher Nolan film is released, and this one will then get a cinema resurgence.
Overall, Tenet is a bit too clever for its own good – as well as borrowing elements from at least one time-bending film at one point, which I will only name in a spoiler section below because if you've seen that film as well, you may get what I'm driving at, so if you're going to see this and you know your films, best wait until afterwards. Either way, this is an absolute visual feast – and if you're anywhere near a 70mm IMAX showing, do so.
And finally (before I get to the extras), the film teases a potential sequel… or is it a prequel? My head hurts…
Spoiler Inside
The film I'm thinking of is Twelve Monkeys
A Conversation With Christopher Nolan LIVE – Tenet Q&A
The film is almost as breathtaking to watch at home as it was on the big screen (since you haven't got a floor-to-ceiling screen in front of you), and as I alighted to with the drowned out speech, it's LOUD! 😀
The extras take us to a second disc, but is mostly one huge making-of, which for most films would be almost feature-length, but to Christopher Nolan, is half-feature-length, so it's like the length of four regular featurettes in one:
Looking at the world in a new way: The Making of Tenet (1:15:22): Split into 13 chapters, this goes into detail on many different aspects including chat with key cast and crew, locations and more.
Trailers: A Teaser (1:!2) – for when the film was meant to have been released on July 17th this year, and three trailers (2:16, 3:00, 3:13), all in 2.39:1. The last one features Travis Scott's The Plan, from the movie's soundtrack.
Audio description: Does exactly what it says on the tin.
The menu features clips from the film set to a piece of the incidental music, subtitles are in English only, but despite the film running for 150 minutes, there's only 15 chapters for the entire film! For all of Christopher Nolan's perfection, how come he doesn't insist a decent amount of chapters?!
Still, as Neil tells our lead at one point, "Does your head hurt yet?", to which comes the reply, "Yes".
Tenet is out now on Blu-ray, 4K Blu-ray, Amazon Video and DVD.
You can also buy The Secrets of Tenet: Insi de Christopher Nolan's Quantum Cold War (hardback book) and the Deluxe Edition CD soundtrack.
Tenet – The Blu-ray package
Tenet – Trailer 1
Cert:
Distributor: Warner Bros
Cat.no: 5000276755
Released: December 14th 2020
Picture: 1080p High Definition
Sound: DTS 5.1 HD Master Audio
Subtitles: English SDH
Widescreen: 1.43:1 (70 mm IMAX – most scenes), 1.90:1 (Digital IMAX – most scenes), 2.20:1 (70mm prints), 2.39:1 (35mm prints)
Disc Format: BD50
FILM CONTENT
PICTURE QUALITY
OVERALL 8
Director: Christopher Nolan
Producer: Christopher Nolan, Emma Thomas
Screenplay: Christopher Nolan
Music: Ludwig Göransson
The Protagonist: John David Washington
Neil: Robert Pattinson
Kat: Elizabeth Debicki
Ives: Aaron Taylor-Johnson
Andrei Sator: Kenneth Branagh
Barbara: Clémence Poésy
Wheeler: Fiona Dourif
Sir Michael Crosby: Michael Caine
Mahir: Himesh Patel
Stephen: Andrew Howard
Sammy: Wes Chatham
Priya: Dimple Kapadia
Victor: Martin Donovan
Quinton: Yuri Kolokolnikov
Timmy: Rich Ceraulo Ko
Max: Laurie Shepherd
Toby: Mark Krenik
Sanjay Singh: Denzil Smith
Archibald: Jonathan Camp
Rohan: Anthony Molinari
Tenet – Trailer 1 – Christopher Nolan
Inception on Blu-ray – The DVDfever Review
Interstellar on Blu-ray – The DVDfever Review
Dunkirk on Blu-ray – The DVDfever Review
Dunkirk – 70mm IMAX – The DVDfever Cinema Review
Tagged with Aaron Taylor-Johnson, Andrew Howard, Anthony Molinari, Christopher Nolan, Clémence Poésy, Denzil Smith, Dimple Kapadia, Elizabeth Debicki, Emma Thomas, Fiona Dourif, Himesh Patel, John David Washington, Jonathan Camp, Kenneth Branagh, Laurie Shepherd, Ludwig Göransson, Mark Krenik, Martin Donovan, Michael Caine, Rich Ceraulo Ko, Robert Pattinson, Tenet, Wes Chatham, Yuri Kolokolnikov
The Witches on Blu-ray – The DVDfever Review – Anne Hathaway, Octavia Spencer
FIFA 21 on PS5 (free upgrade from PS4) – The DVDfever Review


I am working all night and my brain is soup. I am going through the motions. I want to be close to you and write you something more meaningful and important, but my body betrays me and tells me this is physically impossible at the moment.
It's 6pm on Friday, and I'm writing to a few thousand friends I have not met yet. I'm writing to ask them to change our plans and meet a little while later.
I have a dog, Janet, and she's been ill for about 2 years now, as a tumor has been idling in her chest, growing ever so slowly. She's almost 14 years old now. I got her when she was 4 months old. I was 21 then — an adult, officially — and she was my kid.
Janet has been the most consistent relationship of my adult life, and that is just a fact. We've lived in numerous houses, and joined a few makeshift families, but it's always really been just the two of us.
She was under the piano when I wrote songs, barked any time I tried to record anything, and she was in the studio with me, all the time we recorded the last album.
The last time I came back from tour, she was spry as ever, and she's used to me being gone for a few weeks, every 6 or 7 years.
She has Addison's Disease, which makes it more dangerous for her to travel, since she needs regular injections of Cortisol, because she reacts to stress and excitement without the physiological tools which keep most of us from literally panicking to death.
Despite all this, she's effortlessly joyful & playful, and only stopped acting like a puppy about 3 years ago. She is my best friend, and my mother, and my daughter, my benefactor, and she's the one who taught me what love is.
I can't come to South America. Not now. When I got back from the last leg of the US tour, there was a big, big difference.
But I know she is coming close to the time where she will stop being a dog, and start instead to be part of everything. She'll be in the wind, and in the soil, and the snow, and in me, wherever I go.
I just can't leave her now, please understand. If I go away again, I'm afraid she'll die and I won't have the honor of singing her to sleep, of escorting her out.
Sometimes it takes me 20 minutes just to decide what socks to wear to bed.
These are the choices we make, which define us. I will not be the woman who puts her career ahead of love & friendship.
I am the woman who stays home, baking Tilapia for my dearest, oldest friend. And helps her be comfortable & comforted & safe & important.
Many of us these days, we dread the death of a loved one. It is the ugly truth of Life that keeps us feeling terrified & alone. I wish we could also appreciate the time that lies right beside the end of time. I know that I will feel the most overwhelming knowledge of her, and of her life and of my love for her, in the last moments.
I need to do my damnedest, to be there for that.
So I am staying home, and I am listening to her snore and wheeze, and I am revelling in the swampiest, most awful breath that ever emanated from an angel. And I'm asking for your blessing.
We both have pets who have a special place in our own lives. I'm certain this will touch you deeply, as it has touched me. I was reading it while listening to a piece by Kavin Hoo, so I thought I'd share that, too.


Facebook is one of the huge social networking websites. Now, Its became the most used social networking website all over the globe. On this contemporary, It's come to be a custom to have a Facebook account. Facebook has around 1.71 billion energetic customers that makes it a big social networking website. So, if you want to sing up as well as Create Facebook Account, after that just use our discussed process.
Typically, Facebook used to stay connected with each other. You could follow your preferred superstar or sportspersons with your Facebook account. Facebook also has a gaming area where you could play the on the internet video games with your friends. The brand-new features named Facebook Live became viral anywhere in the world. It resembles an enjoyable box, where nobody gets bored. To make use of those fun features on Facebook initially, you need to register for Facebook, as well as it's entirely totally free.
Action 1: first off, established a legitimate and also working internet link for your computer. Then open your internet browser as well as go to www.facebook.com.
Action 2: Now, You have to fill out vacant boxes with right details. At the initial box, compose your first name as well as at second once, give your surname. Your provided name will certainly be revealed beside your account image.( Ex: Andru - Russel.).
Step 3: At next boxes, you have to offer your E-mail address or Mobile number.
Tip 4: You have to set a password for your Facebook account in package named "New password".
Tip 5: Below you need to set your exact birthday for your brand-new Facebook account. Select your birth date, month & year one at a time.
Step 6: Currently, pick your gender. Male or Female.
Step 7: After providing every one of that information just click create an account option.
At the end, they will send a confirmation code to your Email or Mobile number. Just give that code and also validate your account. That's it.
Facebook has a lot more customers in mobile after that all other systems. If you have a smart phone for sing up and also creating a Facebook account, then you can adhere to those procedures.
Action 1: In the beginning, established a web link on your mobile phone. After that most likely to your internet browser and also check out m.facebook.com.
Action 2: Click on 'create New Account' switch.
Action 3: Then you will certainly get a web page named Sign up for Facebook. At first, offer your First Name and Last Name. After that you have to offer your Telephone number or Email Address at next box.
Tip 4: After that you need to pick your gender( Male/Female). After that give your birth day( Day, Month, Year) then established a new password for your Facebook account. Click on Sign up button with blue color.
After that, you will certainly obtain a verification code to your given Email address or mobile number. Simply adhere to the web link in the message, after that copy and paste the code on Facebook. Then you will obtain your brand-new Facebook account ready!
Facebook is now more pleasurable at Facebook application. It provides some added attributes to search your Facebook. If you want to sign up an account on your Facebook application, then adhere to these steps.
Step 1: Open your Facebook application and also click create brand-new Facebook account.
Step 2: Click on Alongside get started.
Step 3: In the beginning select your country and then offer your mobile number.
Note: If you intend to make use of email for your brand-new Facebook account, then click Sign with an Email address.
Step 4: Just give your First name as well as Surname that would look efficient your Facebook account. After that click on Following.
Step 5: Establish your birthday for a new Facebook account. That, click on Next.
Step 6: Below you have to pick your Gender. Select Man or Female and also click Next.
Step 8: Lastly, click the Sign Up option. Then confirm your Facebook account using Email or contact number.
That's just how you can sign up your Facebook account on the main Facebook application.
Facebook is an impressive location. There are lots of fun stuff to appreciate. You shouldn't miss this amusing world of Facebook. Those steps will offer you, colorful world of Facebook. Satisfied Facebooking!
If you have any type of question that pertaining to Facebook signup or encountered any problem, after that comment your concern and troubles.


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ACP-EU Culture Programme launched during 5th ACP Ministers of Culture Meeting in Niger
Niamey, 18 October 2019: The African, Caribbean and Pacific (ACP) Group of States, in partnership with the European Commission (EC), launched a new Programme to support the cultural sector, ACP-EU Culture.
Themed, "Towards a sustainable cultural industry", the programme was officially launched and presented by H.E. Léonard-Emile Ognimba, Deputy Secretary-General of the ACP Group, at the 5th meeting of ACP Ministers of Culture, which was held in in Niamey, Niger from 19 - 20 October 2019.
CULTURE AND SOUTH-SOUTH COOPERATION
"Strengthening and diversifying partnerships for ACP cultures" was the theme of the 5th Meeting of Ministers of the African, Caribbean and Pacific Group of States (ACP) held on Saturday 19-20 October 2019 at the Palais des Congrès in Niamey. The opening of the meeting was chaired by the President of Niger H.E Mr. Issoufou Mahamadou.
ACP Group Re-affirms its Commitment to Cultural Sector as ACP Senior Technical Officials Meet to Discuss Culture, Finance and SDGs In Run Up to 5th Meeting of Ministers of Culture
Brussels, 16 October 2019/ACP/FAO: The ACP Secretariat is joining today with the FAO to observe the World Food Day 2019 with the aim to step up actions to end hunger and malnutrition in all its forms possible by 2030.
Rome, 14 October 2019/ACP/EU/FAO: European Commissioner for International Cooperation and Development, Neven Mimica, and Director-General of the UN Food and Agriculture Organization, Qu Dongyu, today signed a new agreement which will see the EU provide an additional €9 million to support the UN agency's work in Africa, the Caribbean and the Pacific.
In particular, the funding will boost the efforts of countries in the targeted regions to bring about sustainable changes in agricultural policies and practices to conserve and sustainably use biodiversity and natural resources.
Congratulatory Statement by the ACP Secretary General, H.E. Dr Patrick I. Gomes to Prime Minister Dr. Abiy Ahmed Ali of Ethiopia on Being Awarded the 2019 Nobel Peace Prize
Brussels, 11 October 2019/ ACP: The Secretary General of the African, Caribbean and Pacific (ACP) Group of States on behalf of the ACP Group of States and the Secretariat, proudly salutes this great achievement of our dearly admired and courageous, Honourable Dr. Abiy Ahmed Ali, Prime Minister of the Federal Democratic Republic of Ethiopia for the outstanding contribution he has made to the cause of peace, freedom and justice for the people of Ethiopia, Eritrea, Sudan and South Sudan.
H.E. Mr. Christophe Joseph Marie Dabire reiterates the need for ACP solidarity during Special Session with ACP Ambassadors
Fresh EUR 50 million boost for research and innovation in the ACP countries
Science, technology and innovation (STI) are increasingly recognised as key drivers of sustainable and inclusive development across the world. Moreover, STI are vital to help achieve the globally agreed Sustainable Development Goals and provide solutions to pressing societal and economic challenges.
It is against this shared understanding that the African, Caribbean and Pacific (ACP) Group of States and the European Union (EU) have agreed to launch the ACP Innovation Fund, a substantial effort to boost and optimise STI capacities in the countries concerned.
New Africa-Caribbean-Pacific/European Union Partnership: Chief negotiators agree on economic priorities for future agreement
New York, 28 September 2019/ACP/EU: Meeting in New York today in the margins of the United Nations General Assembly, the chief negotiators Commissioner Mimica and Togolese Minister Robert Dussey further specified the economic framework of future relations between African, Caribbean and Pacific countries with the European Union after 2020.
ACP Countries Leading by Example: Supporting 1.5 to Stay Alive!
New York, 26 September 2019/ACP/: States across Africa, the Caribbean and Pacific (ACP) remain deeply committed to urgent and effective climate action. At the joint side event co-organised by the ACP Group, AOSIS and the European Commission (EC) on the margins of the United National General Assembly today, the organizations highlighted the need for urgency to address the "climate emergency. "


This post has been a long time in the making. Almost three years ago, while T.J. and I were still dating, we traveled to Lynchburg, Virginia to photograph Elisha and Jeremy's wedding. I met Elisha while attending Liberty University. Lish was my RA - and room mates with my cousin, Kate. Anyway, on Elisha's wedding day, while photographing her flowers, T.J. and I had this funny idea to take a photograph of T.J. holding Lish's flowers, looking super awkward. We certainly got a good laugh out of ourselves.
Well, dozens of weddings later, the tradition continues.. and it will, probably forever. :) While preparing this blog I was laughing so hard I was starting to tear up. The images are just outrageous. No other way to describe it.


So this is the second version of FatMouse and his favorite food, JavaBean -- boy he just cannot have enough of it, can he? Again FatMouse was lucky enough to find a map of another storehouse which contains JavaBean. The map showed several scattered rooms storing JavaBeans and the rooms were connected by some tunnels. Amount of JavaBeans in each room and the length of each tunnel between any pair of rooms were marked on the map. After some negotiations FatMouse finally had a cat agree to clear two of the rooms' guards for him to enter and leave, under the condition that he had to leave as soon as possible from the other end. Now he comes to you with his map, asking if you could tell him the path for getting the maximum amount of JavaBeans.
Input consists of several test cases.
For each test case, the first line contains 4 positive integers: N (<= 500) - the number of rooms (and the rooms are numbered from 0 to N-1), M - the number of tunnels, Rm1 and Rm2 - the rooms that FatMouse may enter or leave. The next line contains N integers, where the i-th integer is the number of JavaBeans at the i-th room. Then M lines follow, each describes a tunnel with three integers R1, R2 and L, which are the pair of rooms connected by a tunnel and the length of that tunnel, respectively.
It is guaranteed that there exists at least one path from Rm1 to Rm2.


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Serotonin Syndrome Induced by Combined Use of Mirtazapine and Olanzapine Complicated with Rhabdomyolysis, Acute Renal Failure, and Acute Pulmonary Edema-A Case Report.
Let them eat during dialysis: an overlooked opportunity to improve outcomes in maintenance hemodialysis patients.
Hypotension, as consequence of the interaction between tacrolimus and mirtazapine, in a patient with renal transplant.


Contact Indian Trail Pest Elimination Experts Today.
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In addition to Indian Trail, NC, Economy Exterminators provides residential and commercial pest control services to Concord, Matthews, Monroe, Mint Hill, Charlotte and across the greater Charlotte-Mecklenburg area.


Just four days after his wife, Hilaria, gave birth to a baby girl, Alec Baldwin went after a photographer.
The street fight happened after Baldwin got upset when he found a slew of photographers outside his Manhattan apartment trying to take pictures of his baby.
Baldwin's wife, Hilaria, was seen attempting to calm the actor down, but to no avail. Cops were called to the scene.
Both men admit to pushing and shoving each other, but neither is pressing charges.


it is a technique where the ultrafiltrate produced during membrane transit is replaced in part or completely with appropriate replacement solutions to achieve blood purification and volume control.
In CVVHD diffusion and ultrafiltration are used to remove waste products. The fluids used are known as dialysate fluids. The dialysate is infused countercurrent to the blood flow, into the outside compartment of the hemofilter to provide a diffusion of wastes from the blood. In diffusive therapy, small molecular wastes and electrolytes diffuse from the high concentration in the blood into the sterile dialyzing fluid on the other side of the membrane and are removed in the ultrafiltrate.
SCUF is a hemofiltration therapy used primarily for fluid removal.44 No dialysate or replacement fluids are used because wastes, electrolyte balance, and acid-base status may not be as critical an issue in patients who have SCUF and in patients who have other CRRTs. As it is removed from the hemofilter, ultrafiltrate is regulated to provide a slow, continuous removal of plasma water for diuresis, for example, 50 to 500 mL/h to achieve fluid balance. SCUF is a good therapy of choice when the only goal is fluid removal and the patient does not have azotemia.


Juno-nominated singer-songwriter Chelsea Amber comes to Langley for an intimate and interactive acoustic performance at Bez Arts Hub in Langley. Join us on Saturday, November 10 at 7 pm for an amazing night of music in support of Compassion Canada. Click for details.


text:
L'estuaire de Taz (en ) est un long golfe formé par le Taz. Il est constitué de  d'estuaire qui débute depuis la ville de Tazovski et finit jusqu'au golfe de l'Ob, connecté à la mer de Kara. Sa distance est d'environ  et il est classé comme l'un des plus grands estuaires du monde.

Il débute depuis les bouches du Taz et du Pour dans une direction nord-sud à une latitude et une direction de 67° 30' N, et s'étend au 69e parallèle nord avant de rejoindre le golfe de l'Ob.

La compagnie russe Gazprom investit dans l'expansion de la production du gaz dans la zone de l'estuaire, possédant soi-disant de grosses réserves.

Le biologiste et explorateur russe Alexander von Middendorff a découvert un mammouth congelé près de l'estuaire de Taz. Le corps du mammouth a été transporté à Saint-Pétersbourg en 1866.

Références
  T. Armstrong, In Search of a Sea Route to Siberia, 1553-1619.
 Erki Tammiksaar & Ian R. Stone, Alexander von Middendorff and his expedition to Siberia (1842–1845)
 Gas production:
 Major estuaries of the world:

Golfe en Russie
Iamalie

redpajama_set_name: RedPajamaWikipedia


The Hampton Inn Mebane hotel is conveniently located just off Exit 153 on Highway 85/Highway 40 in Mebane North Carolina. The Hampton Inn Mebane hotel is convenient to many local businesses attractions and restaurants such as Alamance Community College the Arrowhead Golf Course the Burlington Manufacturing Outlet Cracker Barrel and Country Kitchen. The Hampton Inn Mebane hotel features in-room coffeemaker hair dryer micro/fridge 2-line speakerphone TV with cable and complimentary wireless internet. This Mebane North Carolina Hampton Inn hotel also offers whirlpool suites voicemail On Demand movies audio/visual equipment connecting rooms cribs and an exercise gym. . Guests of this Mebane North Carolina Hampton Inn hotel will also enjoy the complimentary On the House hot breakfast and the On the Run breakfast bags /available Monday-Friday/. We love having you here at the Hampton Inn Mebane hotel in Mebane North Carolina.
- Alamance Regional Med. Ctr.
- Safe Way Sprinkler Co. Inc.
- United Sprinkler Co Inc.
Unexpected and unsettling is this museum's giant talking farmer robot.
Town landmark, once called the "Bureau of Information." 38 feet tall, with two giant socks hanging from one of its drawers.
A TV Land tribute to characters from the 1960s Andy Griffith Show. Griffith's home town of Mt. Airy has a duplicate of the statue.
A historic roadside symbol, older than any other big pot in America.


Want to make a real difference to the lives of young women in Iran?
The OMID Angels Program was made for people like you.
The OMID Angels program takes young people (aged 14* to 25) from outside of Iran to our centers in Tehran, which works with vulnerable young women. During the 2 week program you'll immerse yourself in the day-to-day life at the OMID center. You will be able to work with the young women, hear their stories and then you will go back and be part of a group of young people which helps change their lives through fundraising to help us fund our programs.
The trip will change you and the way you see the world. You will take your passion and experiences back home, become future fundraising ambassadors for the charity and educate a new generation of young people that they are members of a global international community, and that they should care about something more important than the day-to-day details of their personal lives.
Sisters Yasse and Ladan from the UK also described their gratitude for an unforgettable experience.
The first impressions of Tiina, an OMID Angel from Finland were soon changed when she visited our center in Tehran.
Sheema Shabahang set out her aims before her trip.
Find out more about our OMID Angel Program by watching this video about OMID Angels.
If you would like to apply please fill out this downloadable application form and send it to info@omidfoundation.com. You can also email us for more information or with any questions you have.
*Please note for applicants under 18, whose applications are accepted, written parental consent is needed.


text:
A 'War' On Wheels: The Biker Shootout At Waco, And What Came Next
NPR Staff, NPR Digital Media
Kelly McEvers/NPR
Photos on the wall of a bar memorialize the seven members of the Cossacks Motorcycle Club who were killed in the Waco shootout last May.
The deadly shootout between the Bandidos Motorcycle Club and the Cossacks Motorcycle Club in Waco, Texas, in May 2015 raised questions about the groups involved.
At the end of the shootout, 20 people were injured, and seven members of the Cossacks, one member of the Bandidos and one biker not affiliated with either group were dead. Police arrested nearly 200 people on charges of engaging in organized criminal activity.
The two biker groups have been around since the 1960s. An indictment filed in U.S. District Court in San Antonio calls the Bandidos "a highly organized criminal organization" and charges three of the group's leaders with "racketeering activity," including murder, drug trafficking and extortion. The Cossacks, the smaller of the two groups, have also been identified by the Texas Department of Public Safety as an "emerging outlaw motorcycle gang." Both groups deny being gangs or being involved in illegal activities.
On this episode of Embedded, Kelly McEvers tries to find out what led to the shootout in Waco.
On the Texas bottom rocker
Some members of the Cossacks say the fight began over a patch: the Texas bottom rocker.
The patch is worn on the back of a member's vest, and it establishes the organization's territory. According to the federal indictment, the Bandidos didn't want the Cossacks wearing the patch without the group's permission.
But some Cossacks say that about a year before the shootout, they had started to wear the Texas bottom rocker. One Cossack leader, who did not want to be named because of the ongoing investigation into Waco, says the group informed the Bandidos the Cossacks were going to wear the patch.
Court documents allege John Portillo, then the national vice president of the Bandidos, declared the group was "at war" with the Cossacks beginning in 2013 and continuing through 2015. The two groups began to fight in other parts of Texas. In an incident in March 2015, the indictment alleges, one Cossack was struck on the head "multiple times with a claw hammer, causing serious injury."
The Cossack leader says the Waco chapters of the two biker groups decided to sit down and try to work it out — a claim the Bandidos deny — on May 17, 2015, a Sunday.
How the shootout allegedly started
Cossacks member Richard Luther says a Bandido started the skirmish. He and several other members were sitting on the patio of the Twin Peaks restaurant when, he says, a Bandido ran over a Cossack prospect's foot in the parking lot. A police spokesman at the time said the same thing.
Luther says there was a lot of yelling before a Bandido hit a Cossack.
"I couldn't see exactly what he hit him with, but he hit him with an object upside the head," Luther says. "I saw another one of our Cossacks step up, and I heard the first gunshot."
Luther says there were maybe two more pistol shots followed by a barrage of rifle fire.
"I hit the ground right where I was," he says. "It was myself and a couple of other brothers laying on the ground, and I'm thinking to myself, 'Oh, my God, I'm going to die here.' "
The Cossacks say they're the victims in this situation, but the Bandidos say this isn't true. They point to surveillance video showing one Cossack with a gun drawn, and two witnesses who say Cossacks shot first.
A statement from Stephen Stubbs, a lawyer who had been acting as a spokesman for the Bandidos soon after the incident, says group members "were not aggressors, did not start the altercation, did not strike first, were not the first to pull weapons, and were not the first to use weapons." The statement also accuses the Waco Police Department of creating a "false narrative" of the incident.
On the future of the groups
Despite what happened in Waco, a Cossack leader says the group will continue wearing the Texas bottom rocker, even if it means more fighting.
"You notice our Texas didn't come off our backs," he says. "And we're not hiding — we're driving down the highway."
Authorities say fights between the Cossacks and the Bandidos have not died down.
In an incident on Aug. 23, 2015, the federal indictment alleges, members of the Bandidos assaulted Cossacks in the city of Port Aransas and one Cossack "was hit in the head with a beer bottle."
According to the Waco Tribune, 154 people have now been indicted in connection with the Waco shootout. The defendants are still awaiting trial.
To hear more of this story, listen to Embedded. Keep up with podcast host Kelly McEvers on Twitter at @kellymcevers, and join the conversation using the hashtag #NPREmbedded.
#embedded


PGA REACH extends partnership with Grayhawk Golf Club in Scottsdale, Ariz.
SCOTTSDALE, Ariz. (Sept. 5, 2018) – The PGA Jr. League Championship presented by National Car Rental will remain at picturesque Grayhawk Golf Club in Scottsdale, Arizona, through 2022. Grayhawk Golf Club has hosted the Championship since 2016, with the 2018 event scheduled for Nov. 16-19.
The Championship features 12 PGA Jr. League All-Star Teams of boys and girls ages 13 and under from across the country for a competitive golf tournament, and a fun and memorable experience for players and their families.
The state of California has had teams win the Championship four times. Teams representing Georgia and California have advanced to the Championship finals all six years, with Georgia winning in 2013 and 2017. Each of the last two years, PGA REACH, Grayhawk Golf Club and National Car Rental have worked together with Golf Channel to air a two-hour, primetime special highlighting the event. This year's show will debut on Dec. 4.
PGA Jr. League brings friends and families together around fun, co-ed team golf experiences, with expert coaching and instruction from PGA and LPGA Professionals. Boys and girls learn and play golf in a fun and inclusive team environment, utilizing a scramble format for competition that accommodates players of all skill levels.
This year, a record 50,000 boys and girls played on nearly 4,000 teams nationwide, up from 42,000 kids on 3,400 teams in 2017. Accordingly, the PGA Jr. League Championship is expanding from eight teams to 12.
Following the close of the regular season (July 31), 10-player All-Star Teams were formed from a combination of players in each league, based upon standings. The PGA Jr. League Postseason presented by National Car Rental provides a fun and aspirational environment for PGA Jr. League players who identify as competitive golfers. The postseason is a celebration of PGA Jr. League as a whole, and all competitions are conducted in a family friendly, festival-like atmosphere.
The postseason begins with the All-Star Teams competing in Sectional qualifiers, followed by Section Championships hosted by all 41 PGA Sections nationwide. In total, 48 Section Champions move on to one of 12 Regionals, with the 12 Regional winners advancing to the PGA Jr. League Championship presented by National Car Rental.
During the Championship, National Car Rental will create an Emerald Club All-Star Team Zone, as well as a Parent Lounge, onsite at Grayhawk Golf Club. Like National's award-winning loyalty program, both of these areas are designed to provide an elevated and exclusive experience for the respective attendees throughout the event. National will also host a private reception at Topgolf on the Saturday of the PGA Jr. League Championship. The event, open to all PGA Jr. League Championship players, parents and family members, is a way to bring everyone together for a fun and relaxing evening, and celebrate their accomplishments.
©2019 PGA Jr. League / SportsEngine. All Rights Reserved.


text:
Cerithiopsidella alcima är en snäckart som först beskrevs av Bartsch 1911.  Cerithiopsidella alcima ingår i släktet Cerithiopsidella och familjen Cerithiopsidae. Inga underarter finns listade i Catalogue of Life.

Källor

Snäckor
alcima