A high level of data quality is critical to understanding product inventory and supply chain operations. Products data must be accurate if you're to to succesfully conduct spend analysis and spot trends and iniefficiencies. Good product data is also critical to master data management (MDM) initiatives.
In this screencast, Ron Agresta, a solutions manager for DataFlux, a subsidiary of SAS Institute based in Cary, N.C., demonstrates the vendor's Accelerator for Materials Data Classification (AMDC). AMDC helps companies improve the quality of inventory and product data, and is designed for business users, according to Agresta. It has a relatively simple interface that lets business users, those with domain expertise, manually and automatically classify product data, he said.
Jeff Kelly: Hello, I'm Jeff Kelly, the News Editor for SearchDataManagement.com. Today we're joined by Ron Agresta, solutions manager at DataFlux. And Ron's going to give us a demo of DataFlux's accelerator for materials data classification. Welcome Ron, and why don't you tell us a little bit about the product first and then we can move right into your demo.
Ron Agresta: Sounds good, thanks for having me. Okay so today we're going to look at just a couple of materials data classification. And what it does is takes product or service description data and matches that to a taxonomy, and that could be an interest taxonomy like UNCSE or [e-client] or it could be a personal taxonomy for your organization. The taxonomy or the [toting] process what is ultimately provides is a means to categorize your data for [hiccups], the way data might be categorized, not a retail like Amazon or something like that. But usually it's done, the classification is done for spec analysis, so you can put your product in a hierarchy of product categories, and then you can drill and mange what your spending]with various vendors, how can you save money, how can you optimize your spending, things like that. So it's part of a bigger process but it's important piece because it's what is the strength of data matching, clinging of data, and things like that.
So I guess I'll just dive right in. So what I've already done is brought about thousands of data through our application here. And it can handle hundreds or thousands or millions of roads of data, I've just kept of smaller just for this demo. And I've already tried to match it against the USDSC taxonomy. So I've got the data mark here, let it load, and when it comes up what we'll see is a screen, it's really our match confirmation screen, that lets me see whether the system is matching your product description data to the taxonomy correctly. And if it didn't make a good guess it allows you to modify the match that it makes. So you get a screen here that say I evaluated nine hundred ninety nine roads, we managed to confirm 836 of these automatically, that's pretty good. So we got a match threshold that we set. So as we're matching we also score things, and if it scores above a level then the system is reliable at that point and you probably do now have to review those matches. Anything below that threshold ends up here on our unconfirmed screen that we'll see in a second, and that lets me go and see out of the guesses that the system makes, educated guesses, what matches should we actually make.
Jeff Kelly: Now how do you come up with a number, a threshold that's acceptable to you?
Ron Agresta. Okay, so a couple things go on. The score itself is generated by a number of phrases and words that match, how closely they match, things like that, and how many times it match the taxonomy. That threshold generally speaking, it's around the 100. The threshold is usually set at a 100 to start out with, and then what organizations usually do is they run the match processes over time. They feel that 105 or 110 is a better threshold, maybe it's 90, 85. They get comfort levels of for how reliable they thing the system is for matching. So it improved per use I guess over several iterations.
Ron Agresta: So the screen that we see first is all the unconfirmed matches and real quickly if you look on the far left screen you see the ID field. And that ID is representing the fact that a product description called color, which is not very descriptive, came in. And we said how many matches are here, four, so we said we think that it could be matched to one of these eight or so categories in this UNCSE taxonomy. You can see the class and the class description field, that's what we're actually matching to. That was pulled right in from the taxonomy. And the classes are hierarchical so they start out at the two digit all the way to the left there, 44 for the first row, and then 44 has a lot of sub levels, 10, 11, 12, and so on.
And then the next level down has lots of sub levels, it goes. And then from product segments, class, family, I'm not exactly sure if I got that hierarchy right. It's down here at the bottom, got that totally wrong, segment, family, class, yeah I was close. We'll go into this browser here in a second, but what I do want to show is the confirmed matches that give you an idea what's going on. So if we look across this what we see is for each product that the system saw or there is a clamp tracing, which should have been paper there but input data sometimes gets truncated and we may have to figure out that that should match the tracing paper. So if you look across to class description, that's the taxonomy category that we managed to map this column to.
As you can see the score there for lots, good scores. You can also see confirmed by, that says what the auto confirm. In the case of the second one here, tracing paper, that was something that I manually confirmed, it wasn't originally in my confirmed results, and I did some investigation and managed to figure out that it really ought to be matched to tracing paper, and I confirmed that. What probably happened is I had several options to pick from and me as business user went and said okay that's a good match, I'm going to confirm that. And that's what you see by the confirmed by there.
There's a lot of different ways we can find matches. DataFlux match plays the data match strength that is the same but had some differences and we can match that pretty reliably. There are also business rules, match rules, and a couple other mechanisms that we use to try and get the best matches. All this other data is configurable per process so there are other pieces of information that might help the business user to determine a proper match, then you can show it on the screen here, the things like supplier name, it gives insight due to what a part might need to be described or might need to be matches to figure a category.
Jeff Kelly: Just quickly, you mentioned a business user can use this tool. Why is it important for business users to be able to use a tool like this as opposed to a more technical user?
Ron Agresta: That's a good question. The main reason is that a technical user who may be good at moving data around, communicating, or hooking up your database and evaluating or generating reports, they're not going to understand the actual terms they're looking at. So usually it's a domain expert, somebody that knows parts data identification in the line of business, or a business user that understands if I see something like substrates, that's probably a particular category of product that they know just by them as a matter of course doing business. So the business user is really going to be the ones to tell if this is matching correctly. And if it comes up with several possible matches they don't need that threshold, they will be able to choose the best match much better than a technical user.
Ron Agresta: But really the heart of this program is looking at unconfirmed matches and trying to figure out what to match that to. If we look at some of these like plug, one inch, well we try to match that to a category in the taxonomy, we'll probably see plug in a lot of different places. Drain plugs, [race] plugs, spark plugs, and so on. So it would be up to a business user to determine what kind of plug it is, if they have enough information. And that's why these other additional fields become very useful, what was the supplier name? What division is it from? If it was in the division that works in electronics then it might be a piece of a kind of plug and the business user will very quickly be able to confirm these matches.
So if you confirm a match, you can right click on whatever the preferred categorization is, let's say in this case it's an electrical plug, and we'll confirm that match. And what that is doing is that database in our datamart there it says whenever I see that term now I know that it is an electrical plug. And what will happen once all of the data is categorizes is that it will probably be moved into a data warehouse, maybe integrated with some ERP applications to help people start to analyze their spend data. In fact DataFlux has another component that does just that, it's a spend analysis piece, how much am I spending on what. And this is a critical piece to that larger process.
But some of the other tools that are available here to help me figure out the match are things like looking at, a web search for example, might see something like Panasonic AJ-250, that doesn't mean anything to me ordinarily but if I do a search on that particular model number it may come back as video editor or something like that, in this case I think that's what that is, it's a video editing machine. You can say we didn't know what that was because there weren't really enough clues there beyond just the name, so what we can do is use some of the other tools we have here, for example the quick code tool lets me look up something like video editor and figure out what the code might be for video editor.
In this case you can see 45111805, so what I can do, let's see if I can do this a little bit better, use a slightly different way to do it. I can browse my taxonomy for video editor, here's my commodity description here and I can drag that up to that particular line and now I've categorized that piece of code there. I can do a lot of different things with sorting all this data, I can look at all of the items confirmed, I can set filters, so getting everything that confirms the word circuit and let me categorize those things in that fashion. And I can also just do general browsing as well, so if I want to, for example, maybe I'm looking at something like this cover and I just go through the taxonomy itself and if I'm familiar with the business I can just start to drill down right into the categories that are useable for me.
So I might go down to hardware components, all the way down to the lowest level to find something that might be appropriate for this cover. But it's pretty general there cover, and there's not a whole lot of information so it's hard to make a determination in this case what the categorization ought to be, but business users who know the data really well can usually figure out what they ought to apply there. So one whole piece of this is actually assigning all these codes. We saw everything, eighty four percent of the data was automatically assigned to code either by our fuzzy match process or some business rules. The business rules themselves live in a different place in the application. They're usually company specific. They help to figure out product numbers and synonyms and brand names and things like that, and they go beyond our fuzzy matching.
So fuzzy matching is good at figuring out what data should be regardless of typos, regardless of ordering, regardless of extra noise characters and things that might be in the data. Business rules start to be specific to lines of business or to industry that we see something like, some of these chemicals, sulfate  is also an antibiotic, something that an ordinary fuzzy search wouldn't necessarily know but your match rules are designed to figure those things out for you. So what the business rules really are saying is any time I come to a product description that has some combination of these words and they don't have to be in order and they can be in any part of the product description, then I know to assign a particular category to that product description.
So you can add business rule to your, excuse me, natural [tier], and you can also affect the way that some of the fuzzy matches works beyond just the things that I mentioned earlier, the noise words and things like that, or the noise characters. You can set up common words that should be combined or should be split, so that if I come across something like a ball point pen, whether it's split out as ball point or jammed together I can still assign a correct code. I can do the same type of editing and rule building with abbreviations, brand names, synonyms, and so on.
So what this does for us is, as business user are evaluating the matches that they get, and you saw we did pretty well on our first pass, about 84, 85 percent of automatic matches, that additional 15 percent as the business users go through, they may see themes there, say okay every time I see circuit with the word integrated, for whatever reason that wasn't coded correctly. If I build a business rule for those two things, or a match rule, then I can make sure that every time I see those two words in a product description it always matches a particular code.
And likewise if I see integrated abbreviated Intg then I also want to make sure that matches to a particular category. That's how all these rules come into play. What is ultimate to mention is every time I classify a product description I can instruct the system to use that as a natural moving forward, so I never have to re-categorize the same product description twice. It improves every time, the more data the system sees the better the matching becomes, the better and bigger the match library becomes. And it really makes that classification process very easy and what a lot of companies do is struggle with it because they've got five, ten, or more business users that are manually coming through data, trying to match these things up in spreadsheets. But we give them an automated process pooling data, assigning code, lets them review the codes, build up some libraries around how to do the matching, and then that repeatable process gets better and better every time.
Jeff Kelly: And ultimately this supports, as you've said, kind of doing supply chain analysis and other types of analyses.
Ron Agresta: That's right yeah, supply chain analysis is real common. It would be also common to use this to take product data and prep it for online retail sites like I mentioned the Amazon's of the world where you have a lot of different products that you want to put in certain buckets and let users drill through those terms. And you can assign those categories using this type of application.
Ron Agresta: And things that I haven't shown but you can also run all of your data mark creation processes from here. So if I want to create a new run of a match job or create a whole new data mark using a whole new set of rules or a different taxonomy, you can manage that all from here. And there also are some reports that you can run as well that will help you figure out how the system is working, what are the overall match rates across different taxonomy levels, what are common words that come into my system that maybe don't have rules built around them already. So that's what some of these [war] reports do, they go and analyze your data and try to determine how much or what types of rules you can build to support additional match, or get your match rate higher. And so it tells me things like when I see assembling cables, we'd already have a rule for that, it assigns this code. But there are some other things like cable and SP occur a fair amount together, twenty one times they occur together but we have no automated rule for that. That doesn't mean we won't get it using a fuzzy match, but you can explicitly tell the system, whenever you see those two together assign it a particular category. This report helps you do those kinds of things.
Ron Agresta: But the whole idea here you've got this match confirmation and rule building application that really helps you streamline you commodity code process and really enables higher level data quality and higher level precision for all the downstream processes that might be built on this product description data.
Jeff Kelly: Well Ron thank you so much today.
Ron Agresta: I think that's about it.
Jeff Kelly: Okay. Well Ron thanks again, we really appreciate it.


text:
CITES Censures Japan for Trading in Endangered Whale Products
sei whale and calf
Japan's import and sale of sei whale products from its controversial "scientific" whaling program in the North Pacific has been censured as illegal by the global body entrusted with protecting endangered species from trade.
Sei whales are listed on Appendix I of the Convention on International Trade in Endangered Species of Wild Fauna and Flora (CITES), which means that international commercial trade in their products is banned. Japan mostly hunts sei whales on the high seas beyond its national jurisdiction. Under CITES rules, bringing these products into Japan is considered international trade, referred to under the treaty as an "introduction from the sea." Each year, Japan hunts as many as 134 sei whales as part of its "scientific" whaling program in the North Pacific.
The sei whale is a baleen whale, the third-largest after the blue whale and the fin whale. It has a lifespan of 70 years and can reach 19.5 meters (64 feet) long and weigh as much as 28 tons.
During the 70th meeting of the CITES Standing Committee in Sochi, Russia, this week, committee members nearly unanimously concluded that Japan was acting in violation of the convention by landing thousands of tons of sei whale meat for primarily commercial purposes. The committee then agreed that Japan must take immediate remedial action to address this compliance issue and report on its specific actions by February 1 for consideration at the next Standing Committee meeting in May. At that time, if the committee does not accept Japan's remediation plan, it could recommend that the other 182 governments impose trade sanctions on Japan.
For years, Japan has presented its whaling as a "scientific" endeavor in order to skirt the commercial whaling moratorium agreed to by the International Whaling Commission. But that attempted justification is irrelevant to CITES which regulates the end use of products after they are brought to Japan. The vast majority of each sei whale is packaged purely for commercial use, amounting to thousands of tons of sei whale meat from more than 1,500 sei whales in the last 16 years. However, Japan has been using CITES certificates, which should only cover the importation of limited scientific samples, to import sei whale meat and parts for the express purpose of commercial sale throughout Japan.
CITES' censure of the commercial nature of Japan's North Pacific sei whale hunt follows a 2014 judgment by the International Court of Justice, which found that Japan's Antarctic whaling was not for scientific purposes. Last month, the International Whaling Commission determined that Japan's lethal whaling was not scientifically justified and voted to defeat the country's attempts to resume commercial whaling.
Sue Fisher, consultant for the Animal Welfare Institute, congratulated the Standing Committee on its decision: "Anything less than a firm rebuke of Japan's longstanding and large-scale commercial exploitation of sei whales under the guise of research would have had devastating consequences, not just for the protection of endangered species from commercial interests but also for the credibility of CITES," she said.
MarEx Job
Head Maritime Operations at NATO – CMRE
Director, Terminals
Business Director- San Francisco
Business Development Manager - Hamburg
Technical Superintendent - Denmark
Marine Project Manager

redpajama_set_name: RedPajamaCommonCrawl


text:
package com.github.lerocha.fuelup.domain;

import com.fasterxml.jackson.databind.annotation.JsonDeserialize;
import com.fasterxml.jackson.databind.annotation.JsonSerialize;
import com.fasterxml.jackson.datatype.jsr310.deser.LocalDateTimeDeserializer;
import com.fasterxml.jackson.datatype.jsr310.ser.LocalDateTimeSerializer;
import org.springframework.data.annotation.CreatedDate;
import org.springframework.data.annotation.LastModifiedDate;

import javax.persistence.*;
import java.io.Serializable;
import java.time.LocalDateTime;

/**
 * Created by lerocha on 6/27/15.
 */
@MappedSuperclass
public class BaseEntity implements Serializable {
    @Id
    @GeneratedValue(strategy = GenerationType.IDENTITY)
    private Long id;

    @JsonSerialize(using = LocalDateTimeSerializer.class)
    @JsonDeserialize(using = LocalDateTimeDeserializer.class)
    @Column(nullable = false)
    @CreatedDate
    private LocalDateTime createdDate;

    @JsonSerialize(using = LocalDateTimeSerializer.class)
    @JsonDeserialize(using = LocalDateTimeDeserializer.class)
    @Column(nullable = false)
    @LastModifiedDate
    private LocalDateTime lastModifiedDate;

    @PrePersist
    private void prePersist() {
        LocalDateTime now = LocalDateTime.now();
        createdDate = now;
        lastModifiedDate = now;
    }

    @PreUpdate
    private void preUpdate() {
        lastModifiedDate = LocalDateTime.now();
    }

    public Long getId() {
        return id;
    }

    public void setId(Long id) {
        this.id = id;
    }

    public LocalDateTime getCreatedDate() {
        return createdDate;
    }

    public void setCreatedDate(LocalDateTime createdDate) {
        this.createdDate = createdDate;
    }

    public LocalDateTime getLastModifiedDate() {
        return lastModifiedDate;
    }

    public void setLastModifiedDate(LocalDateTime lastModifiedDate) {
        this.lastModifiedDate = lastModifiedDate;
    }
}

redpajama_set_name: RedPajamaGithub


Provides interviewing tips, techniques and sample interview questions and answers for conducting a job interview.
Provides information in order to earn a degree online. Online degree program by level, by subject, or by university.


Yay for Lauren Oliver! In honesty, her books have been hit and miss for me, but I still love her.
I love Lauren Oliver's books and am definitely looking forward to this one (even though it is a little outside of my usual reading choices) great choice!
Ooh sounds like a thrilling read. I like the cover as well!
Nice! This one sounds interesting, but think it seems too contemp for me. Hope you love it once you read it though!
I'm waiting on this one too! The only Lauren Oliver book I have read is Rooms and I loved it. I'm really excited to read another one of her books and this one sounds like an interesting mystery/thriller. Great pick!
I haven't read this author but I was lucky enough to be offered an egalley for this one so I am really curious as it sounds very good!
This sounds like it'll be an amazing read! Nice WoW pick!
Same here, I either love them or they are "eh".
This story sounds awesome! Adding it.


text:
THUMB SUCKING SISTER
Posted on March 14, 2021 by John Yeo	| Leave a comment
Prompt ~ THUMB SUCKING SISTER
March 2021 Writing Prompts
The Dawson sisters were identical twins. Judging by looks; it was hard to tell one from another. Yet somehow, it was easy, once you got to know them well. One of the sisters was extremely introverted by nature and the other sister developed exactly the opposite characteristics. I will let the story unfold and allow the reader's natural judgement to separate our twins. It was the time of the school Christmas pantomime; which was to be 'Cinderella,' this year. The twins, Cleo and Marie, were desperate to be in their first stage show. They went to the audition together, where the only roles left were the ugly sisters. Everyone agreed they were far too pretty to be cast as ugly sisters.
The girls were devastated; they begged, pleaded and made such a scene. It was then, their dramatic acting abilities became clear.
Cleo was particularly vociferous; 'We will be perfect for the parts as we're real sisters. We won't even have to act the parts. Will we Marie?'
Marie had her thumb in her mouth and simply nodded, having wiped away some stray tears with the back of her hand.
Mr.Soames, the English teacher shrugged, then suddenly said,
'I can see you would be perfect for the part of one of the sisters Cleo, but would Marie be capable of playing a bully? Both of the ugly sisters bully Cinderella.'
Marie still had her thumb firmly lodged in her mouth and she seemed to be about to answer when Cleo responded.
'Of course she can! it's only a play not real life.'
Miss Eagleton the casting director decided to send them to a makeup artist to work magic and make them appear ugly.
The professional makeup artist threw her arms up in the air, and shouted. "Impossible! I cannot work with these girls. How can I be expected to change Beauty into the Beast, twice?"
Once again, between them, the two girls created such a scene, Miss Eagleton quickly caved-in and agreed to do her best. Make up was applied liberally, wigs were added to create an effect of individuality. Everyone agreed that she had done her best but the twins would have to act even more ugly to complete the effect.
Cleo was a natural actress and she was able to portray herself as ugly as she could possibly be, in everyone's opinion. Marie got through the transformation almost without uttering a word.
Then fate stepped in, Mr Soames received a message from his star of the show, Eve Simpkins, informing him that she was unable to play Cinderella as she had developed laryngitis and her voice had become gruff and masculine. Mr Soames then announced there would be some changes in the cast.
'Eve Simpkins will be recast as one of the ugly sisters and one of the twins will play Cinderella.'
A voice from the group enquired, 'Which one of the twins have you got in mind? The bossy sister or the quiet one?'
'I'm choosing the quiet one. The thumb sucking sister is perfect for the part. If we can keep her thumb out of her mouth.'
© Written by John Yeo ~ All rights reserved
Posted in Fiction, Flash fiction, Writing, Writing Practice, Writing Prompts by 'M'	| Tagged Cinderella, Extrovert, Introvert, Role Casting, Ructions, Thumb Sucking Sister, Twins


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The complete set of CDE 2.1 and Motif 2.1 Documentation including the User and System Manager Guides, Program Reference, Style Guides, Application Developer's and Widget Writer's Guides.
List and the Style Guide Reference for both CDE 2.1 and Motif 2.1.
This document explains how to use the Motif application programming interface to create Motif applications. It provides an overview of the architecture of the Motif widget set, explains features of the Motif toolkit, and presents a model and examples for constructing Motif applications.
Set of Programmer's Documentation for Motif 2.1 including the Programmer's Guide and 3 Volume Reference.
The complete set of Open Motif 2.1 Source and Documentation including the User Guides, Program Reference, Style Guides, Application Developer's and Widget Writer's Guides.


Today's Photo of the Day is a beautiful photo from Kristal Leonard.
Kristal: "I got out of work just in time to get this amazing sunset on Half Dome with the almost full moon rising next to it! I literally had to run from my house to the spot or I would have missed this!! That would have been so sad! I love winter sunsets and moonrises and don't want to miss any of them!
Great shot, Kristal! Thanks for sharing.
You can check our more of Kristal's work on Flickr and be sure to give her page a "Like" on Facebook. It's a great way to keep up with her beautiful photos.


text:
God's Gift of Tremendous Power by Ann Shakespeare
Doncaster super slimmer awarded diamond title by weight loss group
Rotherham United: No moans as '˜Victor Meldrew' Halford steps up for Millers
He began Rotherham United life as a marquee signing, was dropped by his first boss, told he had no future under his second and could now be an unlikely survival saviour for his third.
Monday, 07 March, 2016, 23:00
Greg Halford in derby action
Finally, Greg Halford, whose nickname in the Millers camp is 'Victor Meldrew' after the infamous grump in TV comedy One Foot in the Grave, has little to moan about.
Since Neil Warnock and Kevin Blackell arrived five matches ago in the third-bottom Millers' Championship hour of need, he has featured in every game, become a key figure and is a likely starter tonight at home to promotion-chasing Middlesbrough.
Halford was a star performer for Sheffield United under Blackwell in 2008/2009 and Rotherham's new assistant boss clearly knows how to get the best from a complex character.
"You just get on with him," he said. "If he moans about something, it's the way you handle it. We've nicknamed him 'Victor Meldrew' here. The lads all call him 'Victor'. Now, he moans so they can have the 'crack' rather than having a moan about the moan.
"Also, it must be great - for anybody - to have someone who believes in you. He was thoroughly lost here. But he had the best spell of his career under me at Sheffield United, so he already had a big ally in me. And now Neil has seen it and Neil is a big ally."
Halford was a man-of-the-match contender in the 1-0 derby win over Sheffield Wednesday at Hillsborough last Saturday and his versatility is a huge asset to the Millers. Already under the Warnock-Blackwell axis he has played at right-back, centre-half, right midfield and in a defensive midfield role just in front of the back four.
It's a far cry from the early-season days of Steve Evans - the man who signed him - when he was left out of the side and stripped of the captaincy and the reign of Neil Redfearn who decided he was surplus to requirements and had him training away from the first-team squad.
"I think Greg's had to work to become popular and earn the acceptance of the dressing room and I think even now he's still got to work at it because I'm sure his arrogance came across," Blackwell said.
"It did at Sheffield United when he first arrived but in the end, let me tell you, the players loved him. It may just be a front with him. For all the 'flash' and whatever, he's not the most confident of players. A player may come in and give it 'all that', but when you go 'boo' they step back a bit. He's a little bit like that, I think."
Rotherham have won their last two matches and are three points from safety with 11 matches to go.
Kevin Blackwell
Middlesbrough arrive at AESSEAL New York Stadium pushing for a top-two spot, but are definitely without central defender Daniel Ayala, who has an ankle injury, while the match may come to soon for skipper and midfielder Grant Leadbitter who has had a hamstring problem.
Tonight's fixture is the second of three in eight days for Rotherham against teams in the top six, and Warnock said: "I will make changes because, quite frankly, I don't think some of the lads will make three games in a week."
Boro boss Aitor Karanka warned: "It could be the most difficult game for the rest of the season. Everyone expects us to get three points and thinks it will be easy, but for me it'll be the most difficult as they've won the last two.
"Under Neil Warnock, they're a team. He's motivated them and he's a good manager."
One man showing more motivation than at any stage since his summer arrival is Halford.
"Neil's fabulous in how he deals with players," Blackwell added. "He knows how to get the best out of them - a little comment here, a b*llocking if it's needed. It's about knowing when, where, how. With Greg, it's easy for Neil really."
Whatever happens between now and the end of the campaign, the 31-year-old's rehabilitation is one of the Millers stories of the season, and supporters, who were once calling for him to leave, were contacting him on social media over the weekend to congratulate him on his display against the Owls.
Fans praising Halford on Twitter, the very vehicle he used to fire well-publicised barbs at the club in his darkest Millers days ...
As Victor might say, I don't believe it.
Click here for more Millers news
More from South Yorkshire Times


text:
Brian est un prénom masculin d'origine celtique. On fête ce prénom le 18 décembre.

Étymologie
Le prénom Brian vient de bri qui signifie « autorité », « élévation » ou « noblesse », racine que l'on trouve également dans Briac et Brieuc ainsi que dans le proto-brittonique brigonos (gaulois brîgo).

Date de fête
On fête ce prénom le 18 décembre comme Briag.

 Parmi la communauté des fans des Monty Python, la Saint Brian est célébrée en référence au film La Vie de Brian. Une semaine avant Noël, la Fête de la Saint Brian en reprend les codes en les détournant dans l'esprit parodique des Monty Python : réunion des convives, préparation d'un plat de fromage fondu (type Welsh ou Poutine), et échange de cadeaux absurdes et inutiles ayant un rapport plus ou moins direct avec le Royaume-Uni. Dans les faits, elle est l'occasion d'un « repas de Noël » entre amis avant des festivités plus traditionnelles et généralement familiales.

Variantes et formes dérivées
On rencontre les formes masculines Brayan, Brayane, Brayann, Briand, Briac, , Brett et Bryan, voire Bryant (Kobe, NBA), et les formes féminines Briana, Brianna, Brianne, Briagenn, Brivaëlle et Bryana.

Personnes portant ce prénom
 Pour voir tous les articles concernant les personnes portant ce prénom, consulter les pages commençant par Brian.

Patronyme
 Frank Sands Brian (1923-2017), joueur américain de basket-ball.

Voir aussi

Notes et références

Prénom masculin
Homonymie de patronyme
Patronyme irlandais
Prénom irlandais

redpajama_set_name: RedPajamaWikipedia


Shere is a delightful village in the rolling Surrey Hills. Set in an Area of Outstanding Natural Beauty and located off the A25 between Guildford and Dorking, it is the ideal destination for lunch and an afternoon walk.
Steeped in history, Shere was recorded in the Domesday record of 1086 as the Saxon Village Essira, with a church and 30 families. A fascinating free local museum welcomes visitors and local residents to relive the history of the area. As a result of the Heritage Lottery Fund, Shere Museum will be hosting a permanent display of the industrial history of the Tillingbourne Valley.
Popular as a film location and appearing in films such as 'The Holiday' and 'Bridget Jones – The Edge of Reason', Shere is not just a pretty village, but also a vibrant working community, hosting many successful businesses, pubs, restaurants and shops.
Events are held throughout the year, such as Shere Open Gardens and Carols in the Square on Christmas Eve. The lively community supports many social and sporting activities for all ages, including cricket, bowls, a small skate ramp, Shere Cinema and History Society.


TRY OUTS ARE QUICKLY APPROACHING!!!!!!
Club Picnic Food, Music, Soccer, & Fun!!!
5 Teams make it to the finals at the Michigan Classic Tournament at Borden Park in Rochester.
White Eagles U11 Boys Team Shoots to 1st Place!!!!
The White Eagles U11 Boys Team Take 1st Place at Total Soccer Fraser!!!!


text:
Q: Loading a document on OpenOffice using an external Python program I'm trying to create a python program (using pyUNO ) to make some changes on a OpenOffice calc sheet.
I've launched previously OpenOffice on "accept" mode to be able to connect from an external program. Apparently, should be as easy as:
import uno
# get the uno component context from the PyUNO runtime
localContext = uno.getComponentContext()

# create the UnoUrlResolver
resolver = localContext.ServiceManager.createInstanceWithContext(
                            "com.sun.star.bridge.UnoUrlResolver", localContext)

# connect to the running office
ctx = resolver.resolve("uno:socket,host=localhost,port=2002;"
                       "urp;StarOffice.ComponentContext")
smgr = ctx.ServiceManager

# get the central desktop object
DESKTOP =smgr.createInstanceWithContext("com.sun.star.frame.Desktop", ctx)

#The calling it's not exactly this way, just to simplify the code
DESKTOP.loadComponentFromURL('file.ods')

But I get an AttributeError when I try to access loadComponentFromURL. If I make a dir(DESKTOP), I've see only the following attributes/methods:
['ActiveFrame', 'DispatchRecorderSupplier', 'ImplementationId', 'ImplementationName',
'IsPlugged', 'PropertySetInfo', 'SupportedServiceNames', 'SuspendQuickstartVeto',
'Title', 'Types', 'addEventListener', 'addPropertyChangeListener',
'addVetoableChangeListener', 'dispose', 'disposing', 'getImplementationId',
'getImplementationName', 'getPropertySetInfo', 'getPropertyValue',
'getSupportedServiceNames', 'getTypes', 'handle', 'queryInterface',
'removeEventListener', 'removePropertyChangeListener', 'removeVetoableChangeListener',
'setPropertyValue', 'supportsService']

I've read that there are where a bug doing the same, but on OpenOffice 3.0 (I'm using OpenOffice 3.1 over Red Hat5.3). I've tried to use the workaround stated here, but they don't seems to be working.
Any ideas?

A: It has been a long time since I did anything with PyUNO, but looking at the code that worked last time I ran it back in '06, I did my load document like this:
def urlify(path):
     return uno.systemPathToFileUrl(os.path.realpath(path))

desktop.loadComponentFromURL(
        urlify(tempfilename), "_blank", 0, ())

Your example is a simplified version, and I'm not sure if you've removed the extra arguments intentionally or not intentionally.
If loadComponentFromURL isn't there, then the API has changed or there's something else wrong, I've read through your code and it looks like you're doing all the same things I have.
I don't believe that the dir() of the methods on the desktop object will be useful, as I think there's a __getattr__ method being used to proxy through the requests, and all the methods you've printed out are utility methods used for the stand-in object for the com.sun.star.frame.Desktop.
I think perhaps the failure could be that there's no method named loadComponentFromURL that has exactly 1 argument. Perhaps giving the 4 argument version will result in the method being found and used. This could simply be an impedance mismatch between Python and Java, where Java has call-signature method overloading.

A: This looks like issue 90701: http://www.openoffice.org/issues/show_bug.cgi?id=90701
See also http://piiis.blogspot.com/2008/10/pyuno-broken-in-ooo-30-with-system.html and http://udk.openoffice.org/python/python-bridge.html

redpajama_set_name: RedPajamaStackExchange


I am currently living in San José, in Cabo de Gata, Almeria, Southern Spain. It is a beautiful National Park with stunning, unspoilt beaches and small towns and villages. It can get quite busy in the peak of summer but the rest of the year is quiet and delightful. I work in the cool peaceful studio of Yoga San José, or by arrangement can visit you at your location - with an extra charge to cover my travel time.
I can offer you single sessions if you're in the area for a holiday or if you would like to tailor a retreat including a number of massages along with yoga, and other of the delights offered here get in touch and we can create something just for you.
I am currently living in Spain and visit London on a regular basis so if you would like to be informed of my visits join my mailing list here.
Content copyright . MAGICHEARTTANTRA.COM. All rights reserved.


text:
Unter Schreibmaschinenschrift versteht man nichtproportionale Schriftarten mechanischer oder elektrischer Schreibmaschinen. Außerdem wurden Schreibmaschinenschriften seit dem Ende des 19. Jahrhunderts in großer Variation für den Bleisatz hergestellt. So verzeichnet das "Handbuch der Schriftarten" 1926 bereits 46 verschiedene lieferbare Handsatzschriften. Damit wurden z. B. Anschreiben und Angebote auf Geschäftsbriefbogen gedruckt. Ende des 20. Jahrhunderts kamen Schreibmaschinenschriften auch als digitale Versionen auf den Markt.

Besondere Eigenschaften
Bei einer Schreibmaschinenschrift haben alle Schriftzeichen die gleiche Dickte, also eine feste Breite. Dies führt zu besonderen Anpassungen der Formen: Ein kleines i muss künstlich verbreitert werden, ein großes M muss verschmälert werden. Normale Schriften, mit schmalem i und breitem M, nennt man Proportionalschriften.

Schreibmaschinenschriften in Form von Typen müssen sehr robust sein, insbesondere verbieten sich feine und dünne Striche. Sie haben daher meist sehr einheitliche Strichstärke und gleichen in dieser Hinsicht der Egyptienne.

Es gibt sehr verschiedene Schreibmaschinenschriften: Solche mit Serifen (wie Courier, Pica oder Computer Modern Typewriter), serifenlose (wie Lucida Typewriter) und sogar eine Schreibmaschinen-Schreibschrift mit dem Namen Roma (für die Kugelkopfschreibmaschine von IBM).

Die späteren elektrischen und elektronischen Schreibmaschinen mit günstig auswechselbaren Schriftträgern kannten weitere Schriften. Die bekanntesten unter ihnen sind die Letter Gothic (eine weitgehend serifenlose Schrift), die Prestige (eine Serifenschrift mit Strichstärkenkontrast), die Quadro (eine etwas eckige, weitgehend serifenlose Schrift) und die Script (eine Art Schreibschrift). Es gab eine ganze Reihe von Varianten dieser Grundtypen, ebenso wie Typenträger mit Sonderzeichen – etwa für mathematische Formeln.

Die Schriftgrößen unterschieden sich nicht wesentlich voneinander. Erst mit den elektronischen Schreibmaschinen wurden drei standardisierte Größen eingeführt: 10, 12 und 15 Zeichen pro Zoll (CPI). Manche Hersteller von Schreibmaschinen lieferten auch mechanische Schreibmaschinen mit anderen Größen aus. Die häufigste Standardgröße war jedoch 10 CPI in der Schriftart Pica. Es gab aber auch Maschinen mit 12 CPI, hierfür wurde meist die Schriftart Elite verwendet. Obwohl die Schriftart Pica sich sicherlich auch verkleinert mit 12 CPI verwenden lassen würde, bezeichnet man mit Pica und Elite auch die Schriftdichte, unabhängig von der verwendeten Schriftart. Die Schriftart Prestige Elite hat also 12 CPI und Prestige Pica hat 10 CPI, obwohl die Schriftart Prestige der Schriftart Pica nicht sehr ähnelt. Schriftarten in 15 CPI werden auch als Micron bezeichnet.

Später gab es auch Schreibmaschinen mit Proportionalschrift, wie zum Beispiel den IBM Selectric Composer (1966). Bei diesen Schriften handelte es sich oft um Varianten Times-ähnlicher und Helvetica-ähnlicher Schriften. Adrian Frutiger passte eine Version seiner Univers speziell auf das auf 9 möglichen Dickten basierende System des Selectric Composer an. Diese Schreibmaschinen wurden oft für kleinere Satzarbeiten als Alternative zu den Setzmaschinen der Druckereien verwendet, und die mit ihnen produzierten Texte sehen auch eher gesetzt als maschinengeschrieben aus. Deshalb verbindet man heute immer noch hauptsächlich die nichtproportionalen Schriften mit dem Begriff Schreibmaschinenschrift.

Häufig verwendete nichtproportionale Schriftarten
Der Wechsel der Schriften kam hauptsächlich erst seit der häufigen Verwendung von Kugelköpfen und Typenrädern in Frage. Frühe historische Wechseltypenträger gab es gelegentlich auch früher, siehe z. B. Blickensderfer. Die prinzipielle Wechselmöglichkeit bedeutet aber nicht, dass vom Wechseln des Typenrades auch häufig Gebrauch gemacht wurde. Typenräder kosteten in den 1990er Jahren umgerechnet rund 50 Euro, Kugelköpfe wegen der nötigen speziellen Verwindungssteife auch erheblich mehr. In Privathaushalten war der Einsatz mehrerer Typenträger deshalb die Ausnahme. Standardmäßig wurden Schreibmaschinen mit einem Typenträger für 10 und 12 CPI gleichermaßen geliefert. Bei 12 Zeichen pro Zoll war der Zeichenabstand marginal und die Schrift so gestaltet, dass der Abstand bei 10 Zeichen nicht zu groß wirkte. Dieser Abstand wirkte zwischen 12 und 15 CPI jedoch zu groß für gemeinsame Typenträger.

Folgende Schriftarten waren häufig anzutreffen – Schrittweiten in Klammern (10, 12, 1012 für beide, 15):

Serifenschriften
 Prestige (10, 1012, 12, auch italic 1012)
 Pica (10) bzw. Elite (12, selten auch 15)
 Brougham (10, 12, 15)

Serifenlose Schriften
 Letter Gothic (12)
 Quadro (selten 10, 1012, 12, 15)
 Grande (meist nur 10)
 diverse OCR-Schriften (meist nur 10)

Handschriften
 Script (10, 12, bei Brother auch 1012)
 Roma (10, 12)

Frakturtypen für die Schreibmaschine

In der ersten Hälfte des 20. Jahrhunderts gab es im deutschen Sprachraum auch Schreibmaschinen mit Frakturtypen. Diese hatten im Allgemeinen die frakturtypischen Ligaturen ch, ck, tz, st und das lange s als zusätzliche Zeichen. Die Schreibmaschinenfraktur war nicht vereinheitlicht, d. h. es gab mehrere Versionen. Die häufigste war eine Schrift, die von der gewöhnlichen Buchfraktur abgeleitet war. Es gab aber auch Schwabacher- (bzw. die so genannte Neue Schwabacher) und einfache Texturaschriften. Einige dieser Frakturschriften hatten auch leicht unterschiedliche Strichstärken. Eine Besonderheit dieser Schreibmaschinen war zumindest bei einigen, dass auch die Tastenkappen in Frakturschrift beschriftet waren. Die Frakturschriften setzten sich aber auf der Schreibmaschine nicht durch, da sie als nicht-proportionale Schreibmaschinenschriften sehr schwer zu lesen sind. Versuche, Schreibmaschinen mit proportionalen Frakturschriften auszurüsten, schlugen ebenfalls fehl.

Digitalisierte Schreibmaschinenschriften
Nachdem die Schreibmaschine heute nahezu obsolet geworden ist, existiert eine Reihe von Schreibmaschinenschriften in digitalisierter Form als Computerschriftart weiter. Hierbei kann man zwischen den oft als Rough-Version bezeichneten Schriftarten unterscheiden, die die Unregelmäßigkeiten im Anschlag, das Verschmieren der Farbe und die Struktur des Farbbandes imitieren, und den sauberen Digitalisierungen, die auf der Originalform der Metalltypen basieren.

Beispiele für saubere Digitalisierungen sind z. B. die Fontfamilien Courier, Typewriter MT und Typewriter Elite MT (Monotype), Letter Gothic Std, Orator Std und Prestige Elite Std (Adobe), FF Magda Clean und FF Elementa (FontFont), Pica 10 Pitch BT und Script 12 Pitch BT (Bitstream).

Von den Rough-Versionen gibt es unzählige, viele auch als Freefonts. Die erste kommerzielle rau digitalisierte Schreibmaschinenschrift war die FF Trixie (1991) von Erik van Blokland.

Weblinks

Einzelnachweise

Schriftart
Schreibmaschine


The designer was inspired by "It" girl Poppy Delevingne for her spring bridal collection.
Elizabeth Fillmore is a bohemian at heart. Inspired by "It" girl Poppy Delevingne, the designer imagined Delevingne "twirling in the rose gardens and her twin, the delicate earth angel," for her spring bridal collection.
Fillmore showed a tight lineup of 13 exquisite bridal looks. These included a silk crepe sheath with a bib lace front; a rose-pattern lace jumpsuit; a cropped bralette top with a bias-cut skirt, and a handkerchief-hem lace slip dress ‹ each style more free spirited than the next. Fillmore also showed several stunning frocks in an elegant floral print.


text:
IT HAPPENED! Elon Musk FINALLY Reveals New Tesla E-Bike!
June 7, 2022 by Shreya Verma
Elon Musk reveals the release date of the Tesla e-bike, be it a luxury vehicle, a mid-tier model an 18-wheeler or a four-wheeler Tesla makes everything but there is always room to fit two-wheelers it occurs.
We know that Elon Musk doesn't usually speak about the tubular section of the company which could argue that we fans miss this void left by Tesla because you know this void has existed for a long time Is.
Now there are some reports that Elon Musk is working on a new electric bicycle in the two wheeler category, are you excited to know about it, Elon Musk is the CEO of Tesla leading the way in innovation.
Prolific entrepreneurs often redefine entire industries starting with a single clown tweet. Tesla is opening the door to the electric bicycle in an interview with Swisher.
Elon Musk sat down with it during the interview and discussed a range of topics, including the funny story of the Tesla CEO's frequent use of Twitter. When asked about his Twitter use, Musk asked what Twitter is good at.
Now the man is the master of this anonymous Twitter thing and the toxic political climate in America. Musk at the end of the interview he did a new kind of bang and it was no one expected the main point he made is that electric scooters like birds And the ones used by lime are indecent and Tesla will never be able to make one.
So he decided to talk about two wheeler electric bicycle he said electric bike I think we can do an electric bike yes this could be Tesla's way to set it in motion.
It's no secret to the booming electric bicycle industry that the electric bicycle market in the US continues to experience impressive year-on-year growth despite the Trump administration imposing 25 percent tariffs on imported Chinese e-bikes in the United States.
Electric bicycles are becoming an increasingly popular form of transportation for both recreational and everyday transportation, unfortunately there has been no domestic manufacture of electric bicycles for US markets, although the Trump administration did increase import duties on electric bicycles.
Most US e-bike makers have confirmed that they have no plans to move production to the United States, which would result in the development of the equipment supply chain and skilled labor force needed for the product so expensive that any such e-bike There will be no bike companies.
Tesla could on the other hand produce an electric bicycle that would be able to afford it. Based on Tesla's current design and manufacturing capabilities, there would be no significant challenge for the company, it is possible that if they do, we will be able to produce an electric bicycle.
Like we've never seen before in the last decade. A significant advance in the electric bicycle markets Early electric bicycles were largely standard bicycles with bolt-on motors and batteries as vehicle parts became more integrated with cables and electronics.
There is a more sleek appearance to the vehicle design, although over the years there hasn't been a notable quantum leap in the development of e-bike technology as there are many packs for batteries that look sleeker and sexier but they are still the same old 18650 batteries.
With e-bikes not getting much lighter or more durable in recent years since the invention of the e-bike hub, otters haven't changed much since almost a decade ago, many improvements have made the gears stronger and their The efficiency has gone up a bit.
Although nothing major has been made, it's no surprise that mid-drive motors were a big deal three or four years ago. And since then only minor updates have been made to make them lighter or give them more torque.
Categories Elon Musk, Tesla Tags IT HAPPENED! Elon Musk FINALLY Reveals New Tesla E-Bike!
Tesla will have the right to produce more than 2000 bodies for the Model Y even before the company's launch in Germany
IT HAPPENED! Elon Musk FINALLY Reveals New Borophene Battery 2023


text:
NYC Top Comedy Choices for Saturday 3/18/17
Kyle Ayers placed an ad on Craigslist claiming to be the CEO/Producer of a major adult film company. He asked for 3-4 page porn scripts from aspiring adult film writers. What he didn't expect was to get over 1,000 responses in one week…which he now has comedians and friends act out verbatim on stage, for better or worse. This month's cast consists of The Reformed Whores, Jean Grae, Corinne Fisher, Blair Socci, Courtney Maginnis, Marcia Belsky, Sharron Paul, Maria Wojciechowski, Cate Weinberg, and Marlena Rodriguez: First Comes Love (8:00 pm, $10, Brooklyn's Union Hall at 702 Union Street; take R subway to Union Street)
More recommendations for the best in New York City comedy tonight (in chronological order, with top picks noted and shows over $10 marked with $) include:
[FREE; reserve tickets here] 1:00 pm: A rare lunchtime stand-up show for families, with all kids under 15 allowed on stage to tell a joke, at The Creek upstairs theatre in Queens' LIC (10-93 Jackson Avenue) typically hosted by Peggy O'Leary & Lindsay Boling: Guess What?
[$] 2:00 pm ($20): A kid-friendly musical that "promotes positive messages of creativity, niceness, acceptance, and frivolity" by Lard Dog and his 6-piece Band of Shy at The PIT Mainstage: Life's a Real Dream
6:00 pm ($7): Food-related stand-up and storytelling at The PIT Loft (154 West 29th Street): This Tastes Funny
6:00 pm ($3): Sketch, improv, and other comedy forms at Brooklyn's The Annoyance Theatre (367 Bedford Avenue; take J/M/Z to Marcy Avenue or L to Lorimer Street) hosted by Brian Pisano & Josh Bates: The Golden Hour
6:00 pm ($5): Four Indie improv troupes performing at The Magnet theatre: The Rundown
6:00 pm ($5): Solo improv by Dion Flynn (frequent sketch comic on Jimmy Fallon) at The PIT Mainstage: Works Well With Others
[TOP PICK] 7:00 pm ($5): Ted Alexandro (one of the very finest stand-ups in the country; David Letterman, Conan O'Brien, Jimmy Kimmel, two Comedy Central Presents half-hour specials; comedy album I Did It; webseries Teachers Lounge; frequently opens for Louis C.K. and Jim Gaffigan) tries out new material for an upcoming hour-long special one last night at The Creek upstairs theatre in Queens' LIC (10-93 Jackson Avenue): Week at the Creek: Ted Alexandro
[TOP PICK] [$] 7:00 pm ($12): Improv group Women and Men interview audience members about a weird and/or wild birthday, wedding, bar mitzvah, or other social gathering and then make up scenes based on those anecdotes at the UCB East theatre: Women and Men: Party Jumpin'
[TOP PICK] [$] 7:00 pm, 7:15 pm, 8:00 pm, 8:45 pm, 9:15 pm, 10:00 pm, 10:30 pm, 11:15 pm, and 12:15 am ($20-$24 per show, plus 2-item food/drink min.): Some of the finest stand-ups in the country spread among four shows at Comedy Cellar (117 MacDougal Street, between 3rd Street & Minetta Lane), the 7:15, 9:15, and 11:15 shows at Village Underground (130 West 3rd Street, off Sixth Avenue), and the 8:00 pm & 10:00 pm shows at The Fat Black Pussycat Lounge (130 West 3rd Street): Comedy Cellar Saturday
7:00 pm pm ($10): A one-man show by Eli James that provides "a decade-by-decade journey through the sordid history of rock 'n' roll" at The PIT Loft (154 West 29th Street): Imagine All the People: A Survey of Music Business Creeps
7:00 pm ($10): Improv group Big Black Car 2 makes up scenes at The PIT upstairs theatre: BBC2
[TOP PICK] [$] 7:30 pm ($12): Improv powerhouses Charlie Todd, Jeff Hiller, Jim Santangeli, Natasha Rothwell, Brandon Gardner, Chelsea Clarke, Kevin Hines, Erik Tanouye, and John Timothy at UCB Chelsea interview an audience member about where he or she grew up and then "turn that town's tourist attractions, landmarks, hangouts, local celebrities, urban legends, and more into a hilarious show made up on the spot:" The Curfew: Not From Around Here
[TOP PICK] 7:30 pm ($10): A sketch comedy troupe that includes Kristen Bartlett & Jason Gore performs The PIT Underground: Bridge & Tunnel
[TOP PICK] 7:30 pm ($10): "Created in 1995 at the iO Theater in Chicago, The Armando Diaz Experience is the longest running improv show ever. A guest monologist—who tonight is Robert Weinstein—takes a suggestion from the audience and shares true personal tales. These stories are then brought to life by a rotating cast of improv all-stars—and occasionally Armando himself" at The Magnet theatre: The Armando Diaz Experience
[$] 7:30 pm & 10:00 pm ($41 & 2-drink min.) A comic who's made a fortune from dysfunction addresses America's recent political choices headlining one last night at the Carolines Comedy Club: Christopher Titus: America…Really?
7:30 pm ($5): Bob Powers (author of such books as The Werewolf's Guide to Life and You Are a Miserable Excuse for a Hero; also written for The New Yorker and Triumph the Insult Dog), Ben Pernick (comic & songwriter/musician), and Tahlia Robinson (New York Funny Songs Fest) performing at Astoria Queens comedy venue QED: A Place to Show & Tell (27-16 23rd Avenue) hosted by Rob Paravonian (Comedy Central, VH1; to watch his hit video Pachelbel Rant, which has been viewed by over 13 million people on YouTube, please click here): Don't Feed the Musicians
[TOP PICK] 8:00 pm ($10): Improv groups Gypsy Danger (which includes brilliant comics Katie Hartman and Evan Kaufman, and which will make up a feature film on the spot) and The Baldwins (which includes brilliant comics Micah Sherman and Sarah Nowak) make stuff up at The PIT Mainstage: Gypsy Danger: The Improvised Movie and The Baldwins
8:00 pm ($10): In this mini-play, "When the four most qualified (and emotionally unstable) astronauts money can buy crash-land on the moon, they find there are worse things in space than being out of fuel, out of radio contact, and out of luck. Much worse. But at least they still have plenty of Tang" at Brooklyn's The Annoyance Theatre (367 Bedford Avenue; take J/M/Z to Marcy Avenue or L to Lorimer Street): The Moon Crew
8:00 pm ($5): Skilled improvisors David Rysdahl & Paul Gutkowski make up a play on the spot at The PIT Loft (154 West 29th Street) as improv duo True East
8:00 pm ($5): NYC stand-ups performing at The Creek upstairs theatre in Queens' Long Island City hosted by Ray DeVito, Ben Kronberg, Nick Cobb, and/or Tim Dimond: Shoot the Shite
[TOP PICK] [$] 8:30 pm ($12): Improv group Airwolf—with big talents Molly Lloyd, Tim Martin, Achilles Stamatelaky, Eddie Dunn, Ben Rameaka, and Adam Fruccie—make up scenes about terrible audience experiences related to a home at UCB East: Airwolf: Let's Go Back to Your Place
[TOP PICK] 9:00 pm ($10): A freestyle rapping long-form improv group that includes such talents as Evan Kaufman (Your Love Our Musical) takes the stage for nearly an hour at The PIT Underground: North Coast
[TOP PICK] [$] 9:00 pm ($12): An improvised apocalypse from sharp comics John Murray, Sean Casey, Jackie Jennings, Glenn Boozan, Joanna Bradley, Chad Carter, and Caroline Cotter at the UCB Chelsea theatre: Goat
[TOP PICK] 9:00 pm ($10): Sharp improvisors Peter McNerney & Rick Andrews make up scenes at The Magnet as comedy duo Trike
[TOP PICK] 9:00 pm ($10): A talk & variety show that spotlights character comics Molly Cahen, Amanda Hunt, Alyssa Lott, Mary-Alice McNab, Richard Templeton, and Michelle Francesca Thomas performing at The PIT Loft (154 West 29th Street) hosted by Jay Malsky (highly talented, super-charged improvisor & character comic; FringeNYC): This Live Show
9:30 pm ($10): Shortform improv games—e.g., a new Shakespeare play running under 10 minutes, a quickie Broadway musical, a series of characters based on audience suggestions—performed at The PIT Mainstage: What's Luck Got to Do With It: Shortform Show
9:30 pm ($8): Kevin Avery (staff writer for HBO's Last Week With John Oliver), Louis Katz (Jimmy Fallon, HBO, Comedy Central Half Hour), Dan Perlman, Lois Thompson, Venessa Peruda, and Fantasy Grandma performing stand-up at Astoria Queens' QED: A Place to Show & Tell (27-16 23rd Avenue) hosted by Elsa Waithe (This American Life): Tina Fey Will (Not) Be Here
9:30 pm ($5): Long-form improv with a playful title directed by Conner O'Malley at Brooklyn's The Annoyance Theatre (367 Bedford Avenue; take J/M/Z to Marcy Avenue or L to Lorimer Street): Michael Jordan Steakhouse
[TOP PICK] [$] 10:00 pm ($12): A powerhouse group of improvisors—Zhubin Parang (writer for The Daily Show), Michael Kayne (Baby Wants Candy, Diamond Lion), Aaron Jackson (Fuck That Shit, Newsadoozies), Natasha Vaynblat (one-woman show United Federation of Teachers), and Nate Dern (News Editor for Funny or Die)—springboard scenes off interviewing an audience member about his or her love life at the UCB East theatre: What I Did For Love
10:00 ($5): Comics compete in freestyle rap games and battles, with the prize being stage time, at The Creek downstairs lounge in Queens' LIC (10-93 Jackson Avenue) hosted by Noah Savage with DJ Will Winner: So You Think You Can Rap
[TOP PICK] 10:30 pm ($10): Long form improv about the behavior of a theatrical troupe both on-stage and off-stage, revolving around a different show biz theme each week—which tonight is American Drama—at The Magnet theatre: The Cast: American Drama Edition
[TOP PICK] [$] 10:30 pm ($12): At UCB Chelsea, improv group Grandma's Ashes—which includes stellar talents Ryan Karels, Morgan Grace Jarrett, Brandon Scott Jones, and more—takes your written secrets and turns them into very funny improv scenes: Grandma's Ashes: We Won't Tell
[TOP PICK] 10:30 pm ($5): Considering this relatiively new Brooklyn branch of Chicago's The Annoyance Theatre & School is scheduled to close at the end of the month, this particular show might be livelier than usual: "We're here to listen to things you're sad, angry, frustrated, or just feeling strongly about. We will listen to audience members share their emotions and help them deal with it in whatever way they choose—including but not limited to dancing, singing, screaming, hugging, eating, breaking shit, whatever you need. We've got a list of approved methods for dealing with strongly held emotions; you choose which method speaks to you and the whole crowd supports you. You're not alone. You are heard!" at Brooklyn's The Annoyance Theatre (367 Bedford Avenue; take J/M/Z to Marcy Avenue or L to Lorimer Street): You Are Heard
10:30 pm ($5): Comics pretend to be infants at The PIT Underground: Babies Night
11:00 pm ($7): Improv group Ghosted and friends make up scenes at The PIT Loft (154 West 29th Street): The Ghosting Hour
[FREE] 11:00 pm: Stand-ups performing at Astoria Queens comedy venue QED: A Place to Show & Tell (27-16 23rd Avenue) produced by Fredric Goldstein: Last Stop Laughs
[TOP PICK] 11:30 pm ($7): A unique show based on the premise "Let's be honest, love doesn't exist, couples suck, and Valentine's Day is bullshit. We test real life couples to see if they are meant to be together (they aren't). The couple with the least amount of points at the end of the night will have to break up, because we all die alone anyway and what's the point of anything really? It'll be fun!" at UCB East hosted by Carly Ann Filbin: Let Me Break You Up: An Anti-Dating Game Show
[TOP PICK] [FREE] Midnight: A monthly lip synch contest judged by you and your audience, taking into account costume, choreography, and lip syching perfection, with this month's theme 90s hip-hop and R&B, at The Creek upstairs theatre in Queens' LIC (10-93 Jackson Avenue) hosted by Christina Galston: What That Mouth Do
Saturday Open Mics & Jams
[TOP PICK] [FREE] Noon-3:00 pm: "After a nice brunch with your best and brightest gal pals, come on over to QED for some second-hand clothing and first time jokes. The clothing swap begins at noon and the mic starts at 2:00 pm" at Astoria Queens comedy venue QED: A Place to Show & Tell (27-16 23rd Avenue) hosted by Lauren Hope Krass: Ladies' Open Mic & Clothing Swap
4:00 pm ($5; your ticket provides $3 off a drink at nearby Pioneers Bar): Walk-in lottery style open mic (sign-up starting at 2:45 pm) at The PIT Loft (154 West 29th Street): Swing Riders Open Mic
[FREE] 5:00 pm-7:00 pm: Walk-in comedy open mic (lottery system, with sign-up starting at 4:30 pm) providing each selected comic 4 minutes on stage at Astoria Queens' QED: A Place to Show & Tell (27-16 23rd Avenue) hosted by Chris Gersbeck & Veronica Garza: Murray Povich Mic
[ALMOST FREE] 6:00 pm ($1): Experienced hip-hop improvisers perform scenes with "anyone willing to stretch that hip-hop improv muscle; it's a fun supportive environment where scenes turn into a rap song, beatbox, freestyle, or rap battle" at The PIT Underground hosted by Raymond Morency & Richie Alfson: Off Top!: A Hip Hop Mixer
[FREE] 7:00 pm: Walk-in open mic, with names drawn from a bucket (sign-up starts at 6:50 pm), and a designated beer drinker on stage who might chime in at any moment to riff with you during your set, at Queens LIC's The Creek downstairs lounge hosted by Amy Shanker, Brett Hiker, and Cameron Ford: Power Hour Open Mic
[FREE] 9:00 pm: Walk-in open mic for character bits, stand-up, etc. at Queens LIC's The Creek downstairs lounge hosted by Elise Edwards: Discount Disco
[FREE] 11:30 pm: If you're female, this is your chance to get on stage for an improv jam hosted by Marybess Pritchett & Heather Harrison at Brooklyn's The Annoyance Theatre (367 Bedford Avenue; take J/M/Z to Marcy Avenue or L to Lorimer Street) followed by a dance party: Twat the Night: Gal Improv Jam
[TOP PICK] [FREE] Midnight: In this free Magnet show, women audience members can join in with stellar improv group The Cast to make up scenes on the spot: Womyn Jam
For many more shows, please click the following links to top NYC comedy venues:
Upright Citizens Brigade Chelsea (307 West 26th Street): 150-seater; one of the most respected comedy theatres in the world; especially strong on improv, sketch, solo shows, and one-act comedic plays; shows free-$10
Upright Citizens Brigade East (153 East 3rd Street): 99-seater; a top comedy venue that focuses more than sister theatre UCB Chelsea on stand-up and screenings, and on experimental shows taking big risks; shows free-$10
The PIT Striker (Upstairs) Theatre (123 East 24th Street): 88-seater; a top venue that's a powerful rival of UCB, and often surpasses UCB when blending comedy with music and/or theatricality; shows free-$20
The PIT Underground (Downstairs) Theatre (123 East 24th Street): 40-seater; often more quirky & experimental than upstairs Striker; shows free-$10
The PIT Loft (154 West 29th Street): 50-seater; not at the level of its two sister PIT theatres, but evolving; shows free-$10
The Magnet (254 West 29th Street): 60-seat theatre; strong on improv, musical improv, sketch, and energy; shows $5-$10
The Annoyance Theatre (367 Bedford Ave. in Brooklyn; J/M/Z to Marcy or L to Lorimer): 50-seat theatre; spinning off from Chicago's Annoyance Theatre, brings a fiercely fresh, experimental approach to improv and sketch; shows free-$10
The Creek and the Cave (Queens' Long Island City): 40-seat theatre upstairs, 25 downstairs; virtually all shows free
Union Hall (702 Union Street in Brooklyn; R to Union Street): 50-seat theatre; shows $5-$20
Littlefield (622 Degraw Street in Brooklyn; R to Union Street): 100-seat theatre; shows $5-${20
Bell House (149 7th Street in Brooklyn; R to 9th Street or F/G to Fourth Ave.): 200-seat theatre; shows $10-$25
QED: A Place to Show & Tell (27-16 23rd Avenue in Astoria Queens; N/Q to Ditmars Boulevard): 40-seat theatre; shows free-$10
Comedy Cellar (117 MacDougal Street): Among the finest daily stand-up lineups in the world; 2-item min.
Village Underground (130 West 3rd Street): Comedy Cellar's larger sister venue, just around the corner with the same top comics; 2-item min.
The Stand (239 Third Avenue): Recent competitor to Comedy Cellar; no drink min.—support this policy!
Carolines Comedy Club (1626 Broadway): Focuses on the world's top headliners, who perform hour-long sets; 2-drink min.
Gotham Comedy Club (208 West 23rd Street): Headliners on weekends, specialty & lineup shows weekdays; 2-drink min.
Eastville Comedy Club (85 East 4th Street): Strong weekend lineups; no cover using code HyReviews; 2-drink min.
Greenwich Village Comedy Club (99 MacDougal Street): Convenient if Comedy Cellar's sold out; no cover using code HyReviews; 2-drink min.
Comic Strip Live (1568 Second Avenue, off 81st): Upper East Side club with typically solid lineups; 2-drink min.
Stand Up NY (236 West 78th Street, off Broadway): Upper West Side club with typically solid lineups; 2-drink min.
The Standing Room (4738 Vernon Blvd., by #7 train; Queens LIC club): No drink min.—support this policy!
For a desktop version of this site that includes more material—such as NYC theatre discounts and FringeNYC coverage—please click here.
This entry was posted on Saturday, March 18th, 2017 at 8:49 am and is filed under Best New York Live Comedy Shows.	You can follow any responses to this entry through the RSS 2.0 feed. You can leave a response, or trackback from your own site.


A former professional musician, he believes that there is always more than one way to approach a problem, and that creativity and hard work often yield the best results.
Andrew firmly believes that experiencing as much as possible makes life more exciting and work more rewarding. During college, he toured as a drummer with the Dizzy Gillespie All-Stars in Scandinavia before completing his degree in economics and philosophy. When away from his desk, Andrew can mostly be found riding his Moto Guzzi V7 Stone.
Andrew's experience in the world of venture capital gave him a love for the entrepreneurial spirit and the grit and determination necessary to launch a start-up. He endeavors to apply this spirit to all engagements, even at larger, more developed companies.
With experience in the pharmaceutical industry, financial services, and real estate, Andrew has a great passion for assisting his clients through periods of transition. He enjoys combining creative strategies, formal analytics, and strong project management to produce the best results.
Prior to joining Acquis, Andrew was an analyst at Newark-based venture capital firm Point Prospect, and was then a consultant at New York-based Satori Consulting. He holds a Bachelor of Arts in Economics and Philosophy from The New School in Manhattan.


At AppNexus every customer has a private VLAN, or Virtual Local Area Network, made of list sequential of IP addresses that can be assigned to the instances that they launch on the AppNexus system. Every AppNexus customer has one VLAN in each datacenter where they have equipment. Every VLAN has Access Control List (ACL) that protects traffic to the VLAN. Extensive use of VLANs provides segregation of each customer's traffic from AppNexus traffic and other customers' traffic meaning only explicitly permitted traffic is allowed to pass. The use of TCP-based protocols provides connection reliability and allows for session protection via ACLs and host firewalling.
VLAN can consist of 8, 24, 56 or 120 IP addresses (we assign 2^8^ addresses but eight of them are reserved for networking equipment so they can act as if belonging to an individual VLAN). By default, all ports between your two VLANs in different datacenters will be open. Traffic between LAX1 and NYM1 travels over the Internet and is not encrypted.
Assignment of new VLANs could take up to workday, as it involves changes in ACL rules for all your VLANs. As we assign second VLAN temporarily (just for the migration time), you'll have to migrate instances from the old VLAN to the new one. This doesn't require instance downtime, you'll get detailed instructions on the migration from Support when second VLAN is created.
Meanwhile I'll prepare instructions on how to deal with multi-VLAN environment, how to migrate instances from old IP space to the new one with the existing API/CLI functionality, et cetera. – Actually Alexander Novitskiy is communicating with GiftReal (RT:5483) and OpenAds (RT:5118) on this.
A firewall with a stateful packet inspection looks at packets in groups rather than individually. It keeps track of which packets have passed through the firewall and can detect patterns that indicate unauthorized access. In some cases, the firewall may hold on to packets as they arrive until the firewall gathers enough information to make a decision about authorization or rejection. Appnexus does not use a stateful firewall but instead an ACL. Stateful inspection is most useful for protecting outbound traffic, but with hosting, the servers tend to receive traffic instead of initiate it. Also, because we are dealing with an unknown amount of traffic, the ability to scale is very important. Stateful inspection is an expensive task for a device to perform and therefore subject to strict capacity limitations (we're talking sub Gigabit for most firewalls). On the other hand, Cisco routers perform ACL packet filtering at line rate with absolutely no performance hit. So, while stateful inspection is appropriate for small, stable amounts of outbound traffic or for protecting niche pieces of the network (like e-commerce databases), ACLs are more scalable and efficient for protecting inbound traffic to servers. If a customer still desires a stateful firewall, we can add it for a fee. – This paragraph ideally should be checked by Peak / Mike – Vladimir.


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Partly cloudy. Low 78F. Winds SSW at 5 to 10 mph.
S.C. State football coach Buddy Pough is 120-64 in 16 seasons with the Bulldogs. File/AP
South Carolina State head coach Buddy Pough has won or shared 6 MEAC titles. File/AP
S.C. State's Buddy Pough on last season with Bulldogs: 'Not thinking about the end'
By Andrew Miller apmiller@postandcourier.com
Subscribe for $2.98 / week
If this is the final season for South Carolina State's Oliver "Buddy" Pough on the Bulldogs sideline, the veteran football coach doesn't seem to be too concerned about his future in the game.
Pough enters his 17th season as the Bulldogs' head coach, but in his the final year of his contract with the school. While his tenure at his alma mater might be coming to an end, Pough remains confident he will be on the sidelines somewhere next season.
"I don't think about the end or that kind of stuff, I just think about today and what's in front of us," Pough said after practice last week. "It's like the guy who jumped off the Empire State Building. When he got down to floor number two or three, he thought he still had a shot. I'm just going to keep coaching until I get to the end. You never know what might happen in this business."
The Bulldogs are coming off a disappointing 3-7 season, but return a solid nucleus of players, especially on offense. In all the Bulldogs return 14 starters, including eight on offense and several key playmakers.
Quarterback Dewann Ford, a junior, had nearly 2,000 yards of total offense in 2017, throwing for 1,763 passing yards and eight touchdowns. Ford is being pushed during the preseason by sophomore Tyrece Nick, who played in four games last year.
"We've had our offensive woes of late, but we think we can turn things around," Pough said. "Having both Ford and Nick back should be a plus for us. Ford had a good offseason and I expect him to be improved this season. Nick played well in the spring and will have a chance to show what he can do. As the quarterback goes, so goes the offense."
The Bulldogs' passing attack ranked eighth out of 11 teams in the Mid-Eastern Athletic Conference last year, but will have two of their top receivers back in Quan Caldwell and De'Mo Burroughs.
"I think our wide receivers group will be improved," Pough said. "We have some solid veterans and a bunch of young guys that should see a lot of action. I expect us to get more production out of this group. Next to our running backs, this is one of our deepest groups, depth-wise."
S.C. State will have to figure out a way to replace All-American linebacker and MEAC defensive player of the year Darius Leonard. Leonard, a second-round NFL draft pick of the Indianapolis Colts, is the program's career tackles leader.
"That's a big void to fill and I'm not sure one player can't do it," Pough said. "It will have to be a group effort."
The Bulldogs' defensive line will have to become more of a factor for it to remain an elite defense. Defensive tackles Tyrell Goodwin (29 tackles, 5 tackles for loss) and Paul McKeiver (21 tackles, 7 tackles for loss) are among three starters back.
"Paul is our best lineman and we will be looking for him to set the tone," said Bulldog assistant head coach and defensive line coach David Blanchard. "He has good leverage and hands to shed blocks. Tyrell is powerful, with a low center of gravity and can move people around."
The Bulldogs open the season against back-to-back FBS opponents in Georgia Southern and Central Florida. Pough is just nine victories away from becoming the school's all-time winningest coach.
S.C. State Bulldogs
Head coach: Oliver "Buddy" Pough is 120-64 in 16 seasons at S.C. State.
Last year: 3-7
Returning starters: Offense 8, Defense 6
Impact players: OL Kendrick Hair, OL Robbie Stephenson, RB Lebron Morris, DB Alex Brown, DB/LB Kendric Gathers, DL/LB Damu Ford.
Notable: The Bulldogs' strength defensively will be along their front where they have three starters back led by DTs Tyrell Goodwin (29 tackles, 5 tackles for loss) and Paul McKeiver (21 tackles, 7 tackles for loss). … QB Dewann Ford returns for his junior year, after throwing for 1,763 yards and 8 TDs, while he rushed for 208 yards in 2017. His top two receivers, Quan Caldwell (41-398-3 TDs) and De'Mo Burroughs (30-427-2 TDs) are back for the Bulldogs. Former Fort Dorchester running back Datron James, a sophomore, is expected to have a bigger role in the offense.
S.C. State schedule
Date Opponent Time
Sept. 1 at Georgia Southern 6 p.m.
Sept. 8 at Central Florida 6 p.m.
Sept. 15 N.C. Central 6 p.m.
Sept. 22 Norfolk State 6 p.m.
Sept. 27 at N.C. A&T 7:30 p.m.
Oct. 6 at Morgan State 1 p.m.
Oct. 13 Bethune-Cookman 2 p.m.
Oct. 20 Delaware State 1:30 p.m.
Oct. 27 at Howard 1 p.m.
Nov. 10 at Florida A&M 4 p.m.
Nov. 17 Savannah State 1:30 p.m.
Reach Andrew Miller at 843-937-5599. Follow him on Twitter @APMILLER_PandC
South Carolina State Football
Buddy Pough
Meac Football
Sc State Bulldogs
Dewann Ford
Buddy Pough Last Season
Buddy Pough Contract
Meac Championships
Mid-eastern Athletic Conference
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French edition comes with a 3 tracks promotional maxi CD.
Although not listed, Would You Like To Be There is the Acoustic Version.
Mixed @ Studio 4, Conshohocken, PA.
Recorded @ Sound City, Van Nuys, CA & Disgraceland, Santa Barbara, CA.
Published by Say Ten Cents Music (ASCAP).
Some copies have sticker "Parental Advisory Explicit Lyrics" on front cover.


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in Music News
Eric Church's "Like a Wrecking Ball" Enters Country Radio's Top 10
Eric Church [ABC]
by Brian Cantor Sep 6, 2015, 6:22 pm
Eric Church's "Like a Wrecking Ball" is officially one of the Top 10 songs at country radio.
Up three places, the song rises to #8 on this week's edition of the Mediabase country radio singles chart. It is the week's only new addition to the Top 10.
Ranked #8 based on Mediabase chart points, "Like a Wrecking Ball" was also the Mediabase country panel's eighth-most-played and eighth-most-heard song during the August 30-September 5 tracking week.
It received ~5,080 plays and ~33,080 million audience impressions within that seven-day window.
"Like a Wrecking Ball" is the follow-up to Church's "Talladega," which hit #1 on the country radio chart.
eric churchlike a wrecking ball
More From: Music News
Nick Jonas' "Levels" Rises Into Pop Radio's Top 30
Trey Songz' "About You," Fetty Wap's "679" Officially Enter Rhythmic's Top 10


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featured Inclusion
Judy Haiven: Women are men's targets for men's rage
By Judy Haiven - December 7, 2019
Not so silent vigil, Halifax 2019. Photo Judy Haiven
KJIPUKTUK (Halifax) – Maybe what comes out of the Montreal Massacre – 30 years later is this: women are men's targets for men's rage.
No matter what women do, or women say – women who stand up to men, or say no to men or confront men (whether actually, or potentially or symbolically) become targets. Of course shooting women, or killing them with knives or cross-bows is extreme. Still it happens.
Back to 25 year old Marc Lépine in Montreal on that snowy Dec. 6 thirty years ago. Before he opened fire, Lépine shouted: "You're all a bunch of feminists, and I hate feminists!" One student who survived, Nathalie Provost, protested: "I'm not feminist, I have never fought against men." Lépine shot her anyway.
What this shows is that women – even if they don't openly challenge men — are seen as the enemy by misogynists, and "incells" and many other men.
They say women have come a long way. What the last three decades of "progress" have delivered are that even today between 2 and 3 Canadian women are killed by their intimate male partners every week of the year.
In divorce, women suffer declines in their household incomes, their standard of living and often lose their housing— in comparison to their ex-husbands.
Women are still a long way from easily obtaining abortions in two out of three Maritime provinces. Health Canada, in its 2016-17 Annual Report, wrote that New Brunswick's lack of coverage for abortions "remains a concern." PEI refused to provide abortions at all until 2016, when the government allowed a clinic to open. In PEI, medical abortions are restricted to the first 9 weeks; surgical abortions are allowed only until 12 weeks and days.
In the last 20 years, the wage gap between men and women has shrunk by only 5.5%. On average, men earned 18.8% more than women in 1998, and only 13.3% more in 2018. It still means women make 87 cents for every $1 that men do. Women have barely made a dent in the struggle for equal pay for work of equal value (also known as pay equity).
Pay equity has all but fallen off the negotiating table when trade unions bargain and legislated pay equity is in retreat. The federal Liberals promised childcare in their budget as far back as 1993, and 26 years later too many women cannot work, or attend school, because there is a paucity of affordable childcare right across the country (except for Quebec).
While women suffer from out and out discrimination, in terms of earnings, jobs and opportunities, men continue to act as their gatekeepers and their bosses, both at home and at work.
The fact is that even speaking openly about rebelling against men, against husbands, against fathers, against bosses – can be dangerous. Maybe not a capital offence, but an offence nonetheless—with often violent repercussions.
Thirty years ago, the media – taking its cue from the police — ignored the message Lépine's suicide letter. The media in English and French Canada insisted Lépine was a crazy man—that the fact that the14 murder victims were women meant little.
However, Francine Pelletier* at the time agreed that that Lépine's act was highly political and that he knew exactly what he was doing that day. "I always felt those women died in my name. Some of them probably weren't even feminist," Pelletier said, "they just had the nerve to believe they were peers, not subordinates of their male classmates."
*Francine Pelletier was and is still a prominent left-wing journalist in Quebec. Shortly after the Massacre, police told her that her name was on a "hit list" compiled by Lépine as an "annex" to his victims at the engineering school. Before the 6 Dec., he had not got around to killing her and his list of other feminists in the media.
Judy Haiven is on the steering committee of Equity Watch, a Halifax-based organization which fights bullying, racism and discrimination in the workplace. You can reach her at equitywatchns@gmail.com
With a special thanks to our generous donors who make publication of the Nova Scotia Advocate possible.
Subscribe to the Nova Scotia Advocate weekly digest and never miss an article again. It's free!
Tags: #Domestic violence #Misogyny
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Sometimes you don't always know the RIGHT answer, but you might know the most POPULAR answer. Name a cartoon animal on a cereal box. Name something that every party should have. Name a popular honeymoon destination. With Pub Poll, you are rewarded for knowing what the most popular answer is, not necessarily what the correct answer is. During Pub Poll, pre-polled results from our online surveys are compiled and teams are asked to submit their best guess as to what the top answer, top two answers, or top three answers for that specific survey question. Teams are awarded points for each matching answer. Leave your book knowledge at school. This is common sense trivia. #PubPoll kicks off weekly at 7:30p starting on Wednesday 4/10! Free to play, prizes to win!


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La Royal Brunei Navy (malese: Tentera Laut Diraja Brunei, TLDB abbreviato) è la forza navale della difesa del Brunei. È una piccola forza ma relativamente ben attrezzata di cui la responsabilità principale è difendere le acque di Brunei contro l'attacco portato da forze esterne.

La Royal Brunei Navy è stata fondata il 14 giugno 1965, la seconda unità militare di Brunei. La RBN ha base in Muara. La Royal Brunei Navy è stata comandata da Joharie bin Hj Metussin dal 14 giugno 2002.

Altri progetti

Forze armate bruneiane


Our Apple, Strawberry, Sultana & Mango bars are great way to give your child the goodness of organic fruit and grains in one little finger bar. They make the perfect addition to lunch boxes, or the emergency snack in your handbag!
May contain traces of milk, soy, peanuts, tree nuts, sesame and sulfites.
All sugars are naturally occurring in our ingredients.
Not recommended for infants under the age of 12 months.


If you follow me on Twitter, you may know that last weekend my car had a bit of a run in with a large tree. And I didn't run into the tree, it ran into me! Actually, a very large branch of the tree fell on my windshield, shattering it into a million pieces.
It could have been much worse than it was. It didn't wreck anything but my windshield and turns out that getting your windshield replaced is pretty easy. They come to you and it only takes about 45 minutes and you have a brand new, shiny windshield!
Then comes the hard part. If you live in DC, or any city probably, you have to have a number of various stickers on your windshield saying that it passed inspection, and that you can park where you are parking, etc. You have to go to the DMV to do all of this.
If you asked me to dream up the craziest, most bureaucratic way of managing cars in a city, I guarantee you that it wouldn't be close to as bad as the DC DMV. Most of all, I feel bad for the people that work there. They spend their days yelling at people and getting yelled at by people. Not. Fun.
great links this week! i love the link in the link for http://www.rouxbe.com, best culinary resource i've found yet! thanks!