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Destination Finder
Travel Profile: Enter Shikari
By Sean Ritchie | Published on February 15, 2018
A massive European band, Enter Shikari have headlined festivals such as Reading, Leeds and Download among others, while playing huge, headlining shows throughout the world. Continually building their fan base in the United States, their new album "The Spark" has been critically-acclaimed on both sides of the Atlantic. It's been described as a cross between Blur, Queen, Manic Street Preachers and Queens of the Stoneage, but decidedly very Enter Shikari. Be sure to have a listen to "Rabble Rouser" and "Live Outside", two tracks from the album, embedded below.
Sean Ritchie: Since we're in New York City, we might as well start off with a New York question. So, what about the city particularly stands out to you when visiting?
Rob Rolfe: I think what stands out to me is the aggressive honking on the horn constantly. We were in [Manhattan] earlier doing an acoustic-type session, and we were just standing on the street corner after and all you heard was the aggressive honking. People don't really do that back in England unless they're really pissed off. So, I immediately look at the driver and think, "What are you so angry about? Calm down." Every three cars are honking.
© Mariano Mantel
Rou Reynolds: I never really got New York until the last time we went, because we always pretty much played in, or around, Times Square. I only ever saw the madness of the area. I just thought it was all a bit intense. When we released "The Spark", our last album, we spent about four days here, so we actually got see Williamsburg, Brooklyn and Central Park — bunch of others. Then it clicked, "Ah, this place is awesome!"
SR: It's crazy how all the different neighborhoods have different vibes. We were also just in Midtown and we couldn't find parking, but we pulled up here in Brooklyn and we found street parking relatively easily.
READ MORE: Travel Profile: Willy William
Rob: Yeah, it's cool around here. I think I prefer it in Brooklyn, as opposed to Manhattan. Friends of mine when in New York would say, "Let's go to a bar in Brooklyn." And, I was always a bit apprehensive, because I thought Manhattan was the cool place. But now, as Rou said, being here for the last album exposed us to more of the city. There is so much carrying on in Brooklyn that I didn't realize there was.
SR: Yes, you can even see the changes in the last five-to-10 years in Brooklyn. There's more places to go out and there's more places to eat. It's pretty cool in that respect.
Rou: The vegan food here is amazing! I always have something really good here. Just down the road there's a place called Champs Diner. It does all the classic diner food, but vegan versions of it. I'm going to try and go there.
SR: That's really cool to hear. Now, bringing it back to your home country of England. What particularly differentiates it from the US? And, if someone was visiting for the first time, where would you send them?
Rob: It's a difficult question. It's always pretty difficult to pinpoint the differences between America and the [United Kingdom]. They are so different, but trying to figure out exactly what about them is different is challenging. There are so many small differences.
Rou: I think one of the broadest things is everything is a bit smaller — roads, cars, meals and houses. Everything is a bit quainter.
Rob: But, the other thing is, America is so big. There are areas of the US that are very similar to parts of the UK, but then you have places like Texas where there is nothing like that [at home]. The states individually are so different. Every state is in its own way different as opposed to the country as a whole. It's like Europe, but luckily you all speak the same language.
SR: I understand that completely. Flipping into your music, how did you both become exposed to it? Was it something in your family? Friends?
Rob: For me, it was my parents and older brother. My parents had a record player and a big vinyl collection. They got me into The Beatles, Jimi Hendrix and Led Zeppelin. All those 60's and 70's classics. I remember summers just sitting in my bedroom listening to my brother's Walkmam — cassette player. I would get so taken away by Hendrix. I then started learning the drums.
© Jennifer McCord
Rou: My earliest would probably be watching big-band jazz with my nana, which made me pick of the trumpet. That was my first instrument. My dad was also a DJ. He had a mammoth collection. I remember just being in the basement and just putting records on, dancing by myself when I was 10. Then I got into other types of music as I grew older.
SR: How did the evolution happen to wanting to create your own and eventually starting Enter Shikari?
Rob: When we did start our band we were 12 years old. It started off as covers. We played a lot of the music from our parents influence. We played a lot of Oasis, The Beatles and Stereophonics. We just kind of grew doing that and then slowly started writing our own stuff. As we were getting older and our tastes were changing we started to get our own gigs, as opposed to our dad's birthday party or something. We began to break into the local music scene. We started with hardcore punk, but as we got older we got into more electronica and house — drum and bass. We just began to experiment more. Being from St. Albans, right outside London, we were very lucky, because anyone that tours England tours London. We had the worlds music almost on our doorstep. We took a lot of influence from it.
READ MORE: Travel Profile: POLIÇA
SR: Spanning off of that, running SCP, I started off with an idea, but it has produced new ideas as we continue building and evolve over time. It seems like your music is similar to that as you started off in one genre, but built and expanded upon it. To fast forward, you released "The Spark" in September of last year. How has it been received by the fans since it's been out? How cool has it been to play it live?
Rou: In general, it's been received really well, which was quite surprising, because it's such a different album for us. It's a lot more melodic and lucid in general — minimal. I think we've perhaps lost a lot of the fans that just want heavy over the years. It's been received really well and it's so much fun to play live.
SR: That's great to hear! Switching into the travel side of things, when you have some downtime and are looking to get away, are you more of beach guys? Looking for a city? Or, somewhere in the mountains?
Rob: For my honeymoon, I went up into the Austrian mountains and then down into the flats of the Austrian wine country. So, I love being out in the mountains. But, one of the first holidays that we ever took together was in Mexico where we spent a lot of time on the beach. So, very much both. I like a bit of adventure and exploring, but I also just like to chill out, stick my feet in the clear water and have a Corona in my hand.
Rou: I guess I'm the same, but I haven't really had a holiday in quite a while. I had a few days in Ibiza which is cool. That was beach oriented.
SR: Really cool. One of our core objectives at SCP is to bring people together while traveling. I feel like there's a lot of parallels with that and music. You're constantly traveling the world bringing people together from all walks of life under your music — different backgrounds and languages. Talk about how cool that is to have that power to bring people together. How important is it, in the world that we live in, to unite people with music?
Rou: Music is kind of the last bastion of unity there is. Religion is having it's slow decline, and that was discriminate anyway. I feel very lucky and proud to be able to use music for the same thing it's been used for through all of history. It's always been something that's brought people together.
© Mathijs Huis
Rob: It's a universal language, as well. One of the most amazing things about it is you don't have to understand what the singer is saying if speaking a different language, or even need it to have words at all. Music is a universal language that everyone can speak. It's really unifying.
SR: I always love to ask well-traveled people if there are a couple destinations that they haven't been to, but still want to see. Do you each have a couple?
Rob: Loads!
Rou: All of the above!
Rob: Central and South America I'd still love to get to. We've tried for a long time, but it's just fallen through. India is a place we'd really like to play. We had a few times where we thought it was going to happen, but it just kind of fell through.
Rou: I'd like to go to either of the poles. That would be cool. Literally very cool.
SR: You were talking about Central America. One of my favorite destinations is Costa Rica.
© PhotoSkunk
Rob: I want to go to Costa Rica! They don't have a military. It blows my mind.
SR: Yes! And, I also believe they are one of the highest renewable energy countries in the world.
Rob: Yes! I love that country. I'm so despite to go there. I love monkeys too.
SR: If you do ever go, you have to go zip-lining, because it's such mountainous terrain.
READ MORE: Travel Profile: Lee DeWyze
Rob: I've read reports, and I don't know how they gauge it, but they are one of the collectively happiest countries in the world too. They're in no way one of the richest, but there's not a big disparity between incomes. It just seems like they live very happy lives. That excites me a lot.
SR: Similarly, being travel pros, when you hop on a flight are there essentials you need to bring with you?
Rob: Slippers, they're good. I always take my shoes of straight away, but then you have to put the shoes back on or walk to the toilet in your socks. A good book too. I often zone out and just watch movies. Nothing too emotional. There's something about being up in a plane that gets you emotional already. I always bring water, because it's smart to stay hydrated. They never come around with enough. Headphones too.
© Alain
SR: Lastly, I know you're in the midst of this US run of shows, but what do the next couple months have in store for Enter Shikari?
Rob: More of the same. We're in the process of planning a Southeast Asia tour, so more to come on that.
Rou: European festivals too! That's one of my favorite things to do.
For more on Enter Shikari visit their website:
Cover photo © Jennifer McCord
By: Sean Ritchie | Published on February 15, 2018
Belizean Dreams
A value property that packs a punch, this oceanfront property on the Caribbean Sea will immerse travelers in the local culture.
Hilton Rose Hall Resort & Spa
With Montego Bay's famed mountains providing a picturesque backdrop, this resort is a wonderful location for family-minded travelers.
Peering out over the heart of the strip, the views rival that of any Vegas hotel, and with all the nightlife one could ask for, why not?
The Ritz-Carlton Golf & Spa Resort
Paired with the colorful, life-loving, Jamaican culture, this edition of Ritz-Carlton's prestigious chain awes all patrons.
Travel Profile: Kevin Smart of The Stolen
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Travel Profile: Jon Fratelli of The Fratellis
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Travel Profile: Royston Langdon
Royston Langdon, former lead singer of Spacehog has released his solo LP "Everthing's Dandy," under the moniker LEEDS (a nod to his UK hometown).
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SEARCH: i.e., caribbean, beach, sandals, couples, romantic SEARCH


appreciation and thanks to all who visited or called, attended the funeral and sympathized with them during the time of their grief.
May his soul rest in peace. Thanks to his Rotary friends of St Vincent and all his Lodge members.


text: A Sup'Internet project in Django and Python

redpajama_set_name: RedPajamaGithub


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Professor Young Mie Kim
Former Visiting Fellow
Young Mie Kim
Profile Contents
Positions at the OII
Young Mie Kim (Ph.D. University of Illinois at Urbana-Champaign) is an Assistant Professor of the School of Journalism and Mass Communication at the University of Wisconsin-Madison. Her research program centres around 'New Media and the Transformation of Democracy', that is, how new communication technologies (e.g., the Internet, social media) and new formats of political media (e.g., political talk shows) contribute to the changing foundation of political communication. Her research has been published in Communication Research, Journal of Communication, Journal of Politics, among others. At the OII, Dr Kim will examine how latent 'issue publics' are emerged and organized for collective action in the new media environment, developing her theoretical model of public relevant to the new media environment.
The internet and politics.
Visiting Fellow, June 2011 - January 2012
Programme on Democracy and Technology
DemTech investigates the use of algorithms, automation, and computational propaganda in public life.
Russia, Cambridge Analytica, and What Else? Groups and Targets behind Divisive Issue Campaigns on Facebook
With Professor Young Mie Kim
The Oxford Internet Institute is excited to welcome Prof Young Mie Kim from the University of Wisconsin-Madison for the talk "Russia, Cambridge Analytica, and What Else? Groups and Targets behind Divisive Issue Campaigns on Facebook".

redpajama_set_name: RedPajamaCommonCrawl


A pair of dogs were rescued and resuscitated following a canal boat fire.
On Tuesday morning, fire crews from Rickmansworth and Watford station were called to Grand Union Canal, close to the Aquadrome.
There they were confronted with a small blaze on a long boat, but the situation was severe as the boat had filled with smoke - and two dogs were trapped inside.
When firefighters rescued the animals, Sean Good, leading the operation, said they looked "lifeless" and was unsure whether they would survive.
Using specialist Smokey Paws equipment, after around 20 minutes, the dogs began responding and were soon back to full health.
Mr Good says he believes had they not had the equipment with them, the dogs would have died.
It is the first time the life-saving equipment has been used in Rickmansworth.
The rescue comes just days after a dog was rescued further up the Grand Union Canal after getting trapped near a lock.


Whales, zombies and dragons were spotted in Adanti Student Center as students and some brave faculty members experienced the virtual reality world brought to Southern by UNIVRSE. Running two HTC Vive VR headsets, those in attendance were able to play game demos and VR experiences in front of the Ballroom in ASC last Thursday.
Daphney Alston, assistant director of clubs and organizations in the Office of Student Involvement, discovered UNIVRSE from their participation in a Network and Chill event that took place in Hartford in October 2017. According to Alston, she witnessed the young professionals from the area posting their VR experiences online and generally having a good time.
Alston then contacted Earl Stallings and made arrangements for the demo at Southern. On UNIVRSE's website they describe themselves as, "Connecticut and Massachusetts premier virtual reality destination." Through what they call a VRNITEOUT, they can provide between one and three Vive headsets to entertain parties and all sorts of social gatherings in groups more than 20 people.
UNIVRSE also provides a 50-inch TV so that those not wearing the headset can see what the player sees. This turns the VR experience into a much more social affair. On Thursday, some students were seen encouraging and giving advice to those in the VR headsets.
Originally planned for Wednesday, fear of snow convinced Alston to reschedule to the same time as the Commuter Luncheon which she admitted might have increased turnout. "I think it was a happy coincidence," Alston said.
Oneto said that some of the problems like not really being able to move but instead to stay stable or in the case of the bow and arrow game that she played, "teleport," to different locations by shooting highlighted areas with the arrows.
There were also some technical difficulties with too much sunlight getting into the sensors on the controllers; because of this, the curtains to the room had to be drawn closed.
Alston also says that the goal of having between 20 to 25 students attend the VR Experience was successful and that in the future more events that can be experienced by one person in ten minutes or so might be paired with commuter events.


As the weather turns chilly, remember that CCHS is still providing free dog houses to Carroll County pet owners in need. Under the Shelter Me! program umbrella, we will deliver a dog house and bedding so that outdoor animals have protection from the elements.
While we are concerned at the moment about protecting the animals from extreme cold, ice, and snow, when summer comes, the housing also protects them from heat and rain. if you know someone who needs Shelter Me assistance, please contact CCHS.


After what only can be described as a dismal World Cup, Emile Heskey today announced his retirement from international football. Heskey, aged 32, has taken much of the flak for the England's team flop in Africa this summer.
"I have enjoyed every moment of my England career and worn the shirt with pride," the Aston Villa forward said.
"I would like to thank every manager I have played under, everyone at the FA and the fans for all their support over the years.


Melcrest Auto Express is an Australian family business that's holds the experience and knowledge from over 20 years of car carrying, who pride themselves on personal customer care and silver service for your vehicle. Melcrest Auto Express staff has been employed with the company long term and have managed to gain the experience they require to provide the BEST service you can get.
Melcrest Auto Express has car carriers driving all over the Australian roads every day of the year. With Melcrest's extensive knowledge of car carrying, and repetitive business from happy customers, Melcrest Auto Express offer services Australia wide with a loud reputation for unbeatable quality service.
We understand the emotions involved in handing over care and custody of one of your most valuable possessions. Whether it be, relocating your family car, your business vehicle, a classic or an expensive exotic. This is why we consider our care factor as "Silver Service".
Melcrest Auto Express is located all over Australia and when you choose to utilise the depot to depot facilities, it will save you money and you will receive face to face friendly service. Ask Melcrest staff for more information on how to save when booking your vehicle with Melcrest.
Car transport services are Melcrest's speciality. That is ALL we do.
Car transport services are Melcrest's speciality. That is ALL we do. Transport cars. So you can be sure that our focus is precisely that. And with over 20 year's experience, you will see why Melcrest Auto Express is growing throughout Australia and have repetitive business from satisfied customers.
Melcrest Auto Express trucks and trailers come in all shapes and sizes to cater for all your vehicle transportation requirements, so there is no need to worry when Melcrest are taking care of your car transporting needs! You can be assured that your vehicle is secured with the correct road safety measure and will receive the same care and attention it would get at home.
It really is WORRY FREE when your car carrying needs are looked after by Melcrest Auto Express. Lets us take care of your car and you can be the judge on our level of excellence.
Updates on damaged roads that nature causes do to our motorways.
Unfortunate fatal accidents that can hold up roads for hours.
Melcrest communicates. We believe it is one of our major business assets.


Recently, I gave blood. I like doing this as it is an easy way to save peoples' lives. I just fill out a form to ensure I haven't been engaging in any risky activity, get a basic health test, a quick needle stick and my blood is on its way from my veins to the body of someone in need. I even get juice and cookies afterwards. What's not to like?
Don't ask my why I didn't notice it before, but that form is what I don't like. This time, I noticed that the form included some personal information that I'd rather not have given. Specifically, they asked for my social security number. The ID Theft Victim in me1 started blaring alarms. This isn't information to give to just anyone. I tried to think of the good I was doing and go ahead. So, ignoring all common sense, I gave my information.
After my form was completed, another person came over to make sure it was all completed. This person again read my social security number from the computer screen to confirm it with me. Then, she printed it out… Twice since something went wrong with the first printout. By this point, my internal alarms were blaring, but I was past the point of no return. I couldn't ask her to delete my number from their systems, rip up the paper, and forget she had ever seen it on the screen.
I called the Red Cross and was told a few things. First of all, I could refuse to answer the SSN question. Their database relies on name and date of birth to make a match. This makes sense and there might be a hundred John Smiths, but only one who was born on January 5th, 1965. Secondly, they *could* (and would) delete my social security number from their databases. Of course, this just raises another question: Why do organizations (and this is not just limited to the Red Cross) as for SSN if it's so non-essential?
In the end, I don't regret giving blood. In the future, though, I will definitely refuse the SSN part of the form. I'd recommend that everyone else do the same. You shouldn't let that one question deter you from giving blood, but neither should you have to give up that information in order to give blood. If enough people refuse to give their SSN when giving blood, perhaps the Red Cross will change their SSN policy.
1 Amazingly, in my blog searches, it appears as though I've never blogged about this. I'll have to write up a blog post about my experiences one day.


When: Tuesday, July 4th, 2017 from 9:00 a.m. to 10:30 p.m.
Celebrate Independence Day with festivities for all ages and beautiful fireworks from inside Dallas' historic Fair Park at FAIR PARK FOURTH from 4:00-10:00 p.m., Tuesday, July 4, at Fair Park. Free and open to the public, the family-fun event will feature patriotic performances, reduced admission to Fair Park's museums at select times, "dancing water" shows at the Esplanade Fountain, kids activities and entertainment, plus a spectacular fireworks show.
When: Tuesday, July 4th, 2017, 12:00 p.m. to 10:00 p.m.
Join the City of Bedford this July 4, as we celebrate Independence Day. This 4thFEST will feature free live musical entertainment, a variety of themed family friendly activities, a birthday themed classic car show, yummy festival food and of course, the spectacular fireworks when the sun goes down.
4thFEST visitors can also take a dip in Bedford's Splash Aquatic Center, featuring plenty of cool fun for the whole family. It features three unique pools with several water slides, a kids' play area, umbrella-shaded leisure patios and a cabana party pavilion. Admission is $6.50 for adults, $5.50 for kids under 18 and free for children two years old and younger.
Denton 45th Annual KIWANIS Fireworks Show – 2017!
When: Monday, July 4th, 2016 at 6-8 p.m.
Where: Simpson Plaza at City Hall – 6101 Frisco Square Blvd.
When: July 4th, 2016, 4:00 p.m. to 10:20 p.m.
Frisco Freedom Fest 2017 is Tuesday, July 4, so don't miss your once-in-a-year chance to celebrate our nation's birthday with fantastic food, great music and aaahhh-worthy fireworks!
Party in the Plaza features a wide array of fun and exciting activities for families, or just about anyone who enjoys saluting independence by dancing in the streets with thousands of their closest friends and neighbors.
The Taste of Frisco returns with Frisco restaurants will be serving some of their most popular menu items. The variety of fare is sure to be pleasing to every palette. Be sure to visit all the great businesses taking part in our Vendor Village.
When: Tuesday, July 4th, 2017, 5:00 p.m. to 10:30 p.m.
It's that time of year again! Get ready to help us celebrate our nation's freedom, loud and proud, at Independence Fest 2017.
Our full day of activities begins with our annual Children's Parade at the LISD School Administration Building, 1800 Timber Creek Road, and concludes with a fantastic fireworks finale at around 10:00 p.m. that follows the free concert featuring Loverboy at Bakersfield Park.
When: Monday, July 3rd, 2017, 4:00 a.m. to 11:30 p.m.
Kaboom Town is a nationally recognized fireworks show in Addison, Texas that takes place at Addison Circle Park every July 3 to celebrate the Independence of the United States. With over 400,000 visitors and 1,500 pounds of fireworks, it is the largest fireworks display in the Dallas–Fort Worth metroplex.The celebration features an air show, sponsored by the Cavanaugh Flight Museum and Addison Airport, which includes historic warplanes completing flyovers over the park.
Where:Stewart Creek Park, 3700 Sparks Rd.
When: Saturday, July 1st, 2017, 6:30 a.m. to 10:00 p.m.
Join us in Stewart Creek Park for an entire day of family fun as we celebrate the birth of America's freedom! There is something for everyone, with several new activities this year. Don't miss the fun!
When: Tuesday, July 4th, 2017, 10:00 a.m. to 10:30 p.m.
Activities for the entire family. A full day of free hometown fun! The City of McKinney celebrates the Fourth of July at Red, White and BOOM! with free family activities, live entertainment and a spectacular fireworks show Tuesday, July 4th.
Evening festivities resume at the McKinney Soccer Complex at Craig Ranch with music, food, kids' activities and a fireworks display. Prophets and Outlaws will be on stage to provide live entertainment. WRR will provide "Sounds of America" on a live simulcast during the fireworks on Classical 101.1.
Call The Leaman Team for details about low Dallas area mortgage rates. Currently, mortgage rates are at record-setting low levels: call (800) 301-3405 or email Team@MaxLeaman.com.


From July 29th to August 7th, we were traveling from Idaho through Oregon, basically with the goal of getting to the Oregon coast. There's not a lot to say about these locations, with the exceptions of a few adventures.
On July 29th, we traveled to Boardman through the Columbia River Gorge. Unbeknownst to us, this area is known for its persistent high winds, which makes it an ideal spot for kitesurfing and windsurfing. It does not make it a good spot for RVs, however and we (Cyndi) fought serious crosswinds and struggled to keep our speed above 40 mph.
We then arrived in Boardman for a couple of nights, but that part of Oregon was experiencing a heat wave. Our second day there, the temperature reached 108 degrees. Luckily we had a shady site next to the river and good A/C, so we were reasonably comfortable. The sunsets were beautiful, partly because of the fires in the area (a recurring theme henceforth).
From 7/31 to 8/5, we camped at Olde Stone Village in McMinnville. I chose this site because it's in the middle of the Oregon wine country. Cyndi was back in NJ for a week from 8/1 to 8/8, so I figured I might as well be entertained. But wine tasting is a tipsy and expensive hobby. I could only do a couple of tastings a day (at around $15 each) and then felt compelled to buy a bottle from each winery ($40 to $60 each), so I decided to move on early. The real hidden gem was the Evergreen Air and Space Museum, which houses the Spruce Goose, among other craft. Sunny posed for an excellent photo gallery. And speaking of flying, Cyndi had an eventful ride home and took some dramatic photos.
I drove to Tillamook by myself on 8/5, which at about 70 miles looked like it would be a piece of cake. However my GPS sent me up Nestucca River Road, which winds along a river up a mountain for about 20 miles. The road was so steep and winding I could barely maintain 30 mph (in a 55 mph zone), which did not make the cars behind me happy. And then I hit a (surprise!) dead end due to road construction, before which everyone behind me had wisely turned. Because I'm towing a car, I cannot back up. I reached the dead end – a beautiful wooded spot 200 feet or so above a cascading mountain spring – got out of the RV, and was instantly swarmed by mosquitoes. I retrieved the bug spray, unhooked the Jeep, moved it out of the way, performed a 14-point turn with the RV, hooked up the Jeep, headed back down and started over again. After another couple of hours, I was in Tillamook.
There's not much to say about this site, except that it was unpleasant and I was so close to the 101 that I felt like I was sleeping in the middle of the highway. When I put out the back slide, I discovered that something had gotten bound up the last time I brought it in and that the front end popped off the bed frame. I spent a day removing the popped screws and installing angle brackets to hold the sides of the bed together.
The best news is that I left early because Cyndi was able to get me into the Cannon Beach RV resort.
For more photos, see here..


If you think using an electronic smoking device is safer than cigarettes, think again.
Researchers at the University of Tasmania have shown that the latest device on the international market, heat-not-burn (HNB) cigarettes, may be as dangerous to your health as e-cigarettes and smoking cigarettes.
"In Tasmania, we have high smoking rates, particularly in lower socio-economic areas," he said.
E-cigarettes or vaping relies on heating 'e-liquids,' many of which Dr Sohal said had already been proved to contain dangerous toxins.
"Smoking is one of the leading causes of death and disability globally, and with the introduction of e-cigarettes in the last decade, the trend of nicotine uptake is not going to slow down in the near future," Dr Sohal said.


We've just spent a very long weekend shooting the video promo for our Kickstarter. Set up in our exclusive studio (Colin's office) using advanced technology (his iPhone) and powered by the latest in food advancements (crispy M&Ms) we've managed to cobble something together that shouldn't be too incomprehensible.
Wayne mistakenly thinks he's at a 'Herbal Essences' fashion shoot.
Colin has the unenviable task of editing hours of footage into a 5 minute short introducing Battle Systems, the new line and guides to setting up. We will probably post some footage here before the Kickstarter starts so keep your peepers peeped.
Meanwhile we've been renovating two more parts of the line-up: the containers and the hangar bay. The containers have been changed from a simple box to a more sci-fi shape and the hangar bays have been retrofitted to fit in better with the new doorways. We've also been hammering away at a number of stretch goals which include ((BLEEP)) and ((CENSORED)).
New hangar bay and container crates. Shiny.


text:
Bantams go down to Town with narrow defeat
Bradford City Women lose narrowly at Chester le Street Town
By Nathan Atkinson @NathanA_TandA Reporter
BRADFORD City Women went down to their first league defeat of the season, with a narrow 1-0 loss away at Chester le Street Town in Division One North of the FA Women's National League.
They had edged out Durham Cestria 3-2 in their opener, but had less success against these north-east opponents.
The game started slowly but after half an hour, City striker Falone Sumaili picked up a through ball and prodded her shot from the edge of the box just wide.
Chester le Street went closest just before the break, as a looping header went over City keeper Aimee Routledge, only to bounce back off the bar, giving Sophie Parrish an easy clearance.
Two minutes into the second half, midfielder Liuli Dyson hobbled off to be replaced by Jemma White.
City's captain Zoe Roberts tried to take the initiative with three trademark long-range shots that forced the Chester le Street keeper into saves but, on 76 minutes, came the decisive moment in the match.
The Bantams failed to clear their lines down the right, and a low cross found Jessica Ellison unmarked at the far post. The striker tucked the ball home past the helpless Routledge.
City then spent most of the last 10 minutes camped in the Chester le Street half, but found themselves repeatedly frustrated by a stubborn home side.
Bantams manager Steve Winterburn was disappointed with the score, but used it as another opportunity to learn about his side.
He said: "After 45 minutes, I just knew one goal was going to decide the match and with 90 per cent of the decisions going against us, I knew the outcome was going to hurt us more.
"We are now three matches in, and so far I've started three different line-ups due to injuries.
"It hasn't helped us settle, but at the same time it has given me the opportunity to see which players have earned the right to start the next game.
"Hopefully I can get the team settled and back to winning ways. Leeds United are up next and it won't be easy, but the team I put out will be ready for the challenge."
Next up for City is that first West Yorkshire derby of the season, as Leeds travel to Eccleshill this Wednesday.
Roberts knows the importance of a big performance in a big game, and said: "There's always a lot of hype before a midweek derby but we want to play our game and focus on playing to the standard we know we can.
"We need to take what we've learnt from previous games and in training into the game and be focused and ready for what will be a tough game.
"We need to play to our strengths and work together as a team and the results will come."
Kear: Bulls are fit for purpose
Preview: Avenue out for revenge against the Saints
Veteran City striker Donaldson not on hold much longer
Lilley's debt to Bulls coach Kear during toughest times
Away the lads! Bulls find their new home from home
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Our multidisciplinary approach to cancer care is unique. Each treatment team is comprised of skilled specialists who address every concern you have about cancer. Our patients go home with a patient-driven plan of care and a complete support system, including a nurse navigator, who serves as an advocate for you and your family following you medically throughout treatment and later visits.


text:
// Copyright (C) 2015  Davis E. King (davis@dlib.net)
// License: Boost Software License   See LICENSE.txt for the full license.
#undef DLIB_DRECTANGLe_ABSTRACT_H_
#ifdef DLIB_DRECTANGLe_ABSTRACT_H_

#include "rectangle_abstract.h"

namespace dlib
{

// ----------------------------------------------------------------------------------------

    class drectangle
    {
        /*!
            INITIAL VALUE
                The initial value of this object is defined by its constructor.

            WHAT THIS OBJECT REPRESENTS
                This object is just like dlib::rectangle except that it stores the
                coordinates of the rectangle using double rather than long variables.  As
                such, this object represents a rectangular region inside an image.  The
                region is the rectangle with its top left corner at position (left(),top())
                and its bottom right corner at (right(),bottom()).

                Note that the origin of the coordinate system, i.e. (0,0), is located at
                the upper left corner.  That is, points such as (1,1) or (3,5) represent
                locations that are below and to the right of the origin.

                Also note that rectangles where top() > bottom() or left() > right()
                represent empty rectangles.
        !*/
    public:

        drectangle (
        );
        /*!
            ensures
                - #left() == 0
                - #top() == 0
                - #right() == -1
                - #bottom() == -1
                - #is_empty() == true
        !*/

        drectangle (
            double left_,
            double top_,
            double right_,
            double bottom_
        );
        /*!
            ensures
                - #left() == left_
                - #top() == top_
                - #right() == right_
                - #bottom() == bottom_
        !*/

        drectangle (
            const vector<double,2>& p
        );
        /*!
            ensures
                - #left()   == p.x()
                - #top()    == p.y()
                - #right()  == p.x()
                - #bottom() == p.y()
        !*/

        template <typename T, typename U>
        drectangle (
            const vector<T,2>& p1,
            const vector<U,2>& p2
        );
        /*!
            ensures
                - #*this == drectangle(p1) + drectangle(p2)
        !*/

        drectangle (
            const drectangle& rect
        );
        /*!
            ensures
                - #*this represents the same rectangle as rect
        !*/

        drectangle (
            const rectangle& rect
        );
        /*!
            ensures
                - left()   == rect.left()
                - top()    == rect.top()
                - right()  == rect.right()
                - bottom() == rect.bottom()
                - dcenter(*this) == dcenter(rect)
                - width() == rect.width()
                - height() == rect.height()
        !*/

        operator rectangle (
        ) const;
        /*!
            ensures
                - returns a rectangle where left(), top(), right(), and bottom() have been
                  rounded to the nearest integer values.
        !*/

        double left (
        ) const;
        /*!
            ensures
                - returns the x coordinate for the left side of this rectangle
        !*/

        double& left (
        );
        /*!
            ensures
                - returns a non-const reference to the x coordinate for the left side
                  of this rectangle
        !*/

        double top (
        ) const;
        /*!
            ensures
                - returns the y coordinate for the top of this rectangle
        !*/

        double& top (
        );
        /*!
            ensures
                - returns a non-const reference to the y coordinate for the
                  top of this rectangle
        !*/

        double right (
        ) const;
        /*!
            ensures
                - returns the x coordinate for the right side of this rectangle
        !*/

        double& right (
        );
        /*!
            ensures
                - returns a non-const reference to the x coordinate for the right
                  side of this rectangle
        !*/

        double bottom (
        ) const;
        /*!
            ensures
                - returns the y coordinate for the bottom of this rectangle
        !*/

        double& bottom (
        );
        /*!
            ensures
                - returns a non-const reference to the y coordinate for the bottom
                  of this rectangle
        !*/

        const vector<double,2> tl_corner (
        ) const;
        /*!
            ensures
                - returns vector<double,2>(left(), top())
                  (i.e. returns the top left corner point for this rectangle)
        !*/

        const vector<double,2> bl_corner (
        ) const;
        /*!
            ensures
                - returns vector<double,2>(left(), bottom())
                  (i.e. returns the bottom left corner point for this rectangle)
        !*/

        const vector<double,2> tr_corner (
        ) const;
        /*!
            ensures
                - returns vector<double,2>(right(), top())
                  (i.e. returns the top right corner point for this rectangle)
        !*/

        const vector<double,2> br_corner (
        ) const;
        /*!
            ensures
                - returns vector<double,2>(right(), bottom())
                  (i.e. returns the bottom right corner point for this rectangle)
        !*/

        double width (
        ) const;
        /*!
            ensures
                - if (is_empty()) then
                    - returns 0
                - else
                    - returns the width of this rectangle.
                      (i.e. right() - left() + 1)
        !*/

        double height (
        ) const;
        /*!
            ensures
                - if (is_empty()) then
                    - returns 0
                - else
                    - returns the height of this rectangle.
                      (i.e. bottom() - top() + 1)
        !*/

        double area (
        ) const;
        /*!
            ensures
                - returns width()*height()
        !*/

        bool is_empty (
        ) const;
        /*!
            ensures
                - if (top() > bottom() || left() > right()) then
                    - returns true
                - else
                    - returns false
        !*/

        drectangle operator + (
            const drectangle& rhs
        ) const;
        /*!
            ensures
                - if (rhs.is_empty() == false && this->is_empty() == false) then
                    - returns the smallest rectangle that contains both *this and
                      rhs.
                - if (rhs.is_empty() == true && this->is_empty() == false) then
                    - returns *this
                - if (rhs.is_empty() == false && this->is_empty() == true) then
                    - returns rhs
                - if (rhs.is_empty() == true && this->is_empty() == true) then
                    - returns a rectangle that has is_empty() == true
        !*/

        drectangle intersect (
            const drectangle& rhs
        ) const;
        /*!
            ensures
                - if (there is a region of intersection between *this and rhs) then
                    - returns a rectangle that represents the intersection of *this
                      and rhs.
                - else
                    - returns a rectangle where is_empty() == true
        !*/

        bool contains (
            const vector<double,2>& p
        ) const;
        /*!
            ensures
                - if (the point (p.x(),p.y()) is contained in this rectangle) then
                    - returns true
                - else
                    - returns false
        !*/

        bool contains (
            const drectangle& rect
        ) const
        /*!
            ensures
                - if (rect + *this == *this) then
                    - returns true
                      (i.e. returns true if *this contains the given rectangle)
                - else
                    - returns false
        !*/

        drectangle& operator *= (
            const double& scale
        );
        /*!
            ensures
                - performs: *this = *this*scale;
                - returns #*this
        !*/

        drectangle& operator /= (
            const double& scale
        );
        /*!
            requires
                - scale != 0
            ensures
                - performs: *this = *this*(1.0/scale);
                - returns #*this
        !*/

        drectangle& operator += (
            const dlib::vector<double,2>& p
        );
        /*!
            ensures
                - performs: *this = *this + drectangle(p)
                - returns #*this
        !*/

    };

// ----------------------------------------------------------------------------------------

    void serialize (
        const drectangle& item,
        std::ostream& out
    );
    /*!
        provides serialization support
    !*/

    void deserialize (
        drectangle& item,
        std::istream& in
    );
    /*!
        provides deserialization support
    !*/

// ----------------------------------------------------------------------------------------

    std::ostream& operator<< (
        std::ostream& out,
        const drectangle& item
    );
    /*!
        ensures
            - writes item to out in the form "[(left, top) (right, bottom)]"
    !*/

// ----------------------------------------------------------------------------------------

    std::istream& operator>>(
        std::istream& in,
        drectangle& item
    );
    /*!
        ensures
            - reads a drectangle from the input stream in and stores it in #item.  The data
              in the input stream should be of the form [(left, top) (right, bottom)]
    !*/

// ----------------------------------------------------------------------------------------

    vector<double,2> center (
        const drectangle& rect
    );
    /*!
        ensures
            - returns the center of the given rectangle
    !*/

// ----------------------------------------------------------------------------------------

    vector<double,2> dcenter (
        const drectangle& rect
    );
    /*!
        ensures
            - returns the center of the given rectangle.  (Both center() and dcenter() are
              identical when applied to drectangle objects)
    !*/

// ----------------------------------------------------------------------------------------

    drectangle operator* (
        const drectangle& rect,
        const double& scale
    );
    /*!
        ensures
            - This function returns a rectangle that has the same center as rect but with
              dimensions that are scale times larger.  That is, we return a new rectangle R
              such that:
                - center(R) == center(rect)
                - R.right()-R.left() == (rect.right()-rect.left())*scale
                - R.bottom()-R.top() == (rect.bottom()-rect.top())*scale
    !*/

// ----------------------------------------------------------------------------------------

    drectangle operator* (
        const double& scale,
        const drectangle& rect
    );
    /*!
        ensures
            - returns rect*scale
    !*/

// ----------------------------------------------------------------------------------------

    drectangle operator/ (
        const drectangle& rect,
        const double& scale
    );
    /*!
        ensures
            - returns rect*(1.0/scale)
    !*/

// ----------------------------------------------------------------------------------------

    drectangle operator+ (
        const drectangle& r,
        const vector<double,2>& p
    );
    /*!
        ensures
            - returns r + drectangle(p)
              (i.e. returns the rectangle that contains both r and p)
    !*/

// ----------------------------------------------------------------------------------------

    drectangle operator+ (
        const vector<double,2>& p,
        const drectangle& r
    );
    /*!
        ensures
            - returns r + drectangle(p)
              (i.e. returns the rectangle that contains both r and p)
    !*/

// ----------------------------------------------------------------------------------------

    template <typename T>
    drectangle translate_rect (
        const drectangle& rect,
        const vector<T,2>& p
    );
    /*!
        ensures
            - returns a rectangle R such that:
                - R.left()   == rect.left()   + p.x()
                - R.right()  == rect.right()  + p.x()
                - R.top()    == rect.top()    + p.y()
                - R.bottom() == rect.bottom() + p.y()
    !*/

// ----------------------------------------------------------------------------------------

    drectangle intersect (
        const drectangle& a,
        const drectangle& b
    );
    /*!
        ensures
            - returns a.intersect(b)
              (i.e. returns a rectangle representing the intersection of a and b)
    !*/

// ----------------------------------------------------------------------------------------

    double area (
        const drectangle& a
    );
    /*!
        ensures
            - returns a.area()
    !*/

// ----------------------------------------------------------------------------------------

    drectangle centered_drect (
        const vector<double,2>& p,
        double width,
        double height
    );
    /*!
        ensures
            - returns a rectangle R such that:
                - center(R) == p
                - if (width < 1 || height < 1)
                    - R.width() == 0
                    - R.height() == 0
                    - R.is_empty() == true
                - else
                    - R.width() == width
                    - R.height() == height
    !*/

// ----------------------------------------------------------------------------------------

    drectangle centered_drect (
        const drectangle& rect,
        double width,
        double height
    );
    /*!
        ensures
            - returns centered_drect(center(rect), width, height)
    !*/

// ----------------------------------------------------------------------------------------

    const drectangle shrink_rect (
        const drectangle& rect,
        double num
    );
    /*!
        ensures
            - returns drectangle(rect.left()+num, rect.top()+num, rect.right()-num, rect.bottom()-num)
              (i.e. shrinks the given drectangle by shrinking its border by num)
    !*/

// ----------------------------------------------------------------------------------------

    const drectangle grow_rect (
        const drectangle& rect,
        double num
    );
    /*!
        ensures
            - return shrink_rect(rect, -num)
              (i.e. grows the given drectangle by expanding its border by num)
    !*/

// ----------------------------------------------------------------------------------------

    const drectangle shrink_rect (
        const drectangle& rect,
        double width,
        double height
    );
    /*!
        ensures
            - returns drectangle(rect.left()+width, rect.top()+height, rect.right()-width, rect.bottom()-height)
              (i.e. shrinks the given drectangle by shrinking its left and right borders by width
              and its top and bottom borders by height. )
    !*/

// ----------------------------------------------------------------------------------------

    const drectangle grow_rect (
        const drectangle& rect,
        double width,
        double height
    );
    /*!
        ensures
            - return shrink_rect(rect, -width, -height)
              (i.e. grows the given drectangle by expanding its border)
    !*/

// ----------------------------------------------------------------------------------------

    drectangle set_aspect_ratio (
        const drectangle& rect,
        double ratio
    );
    /*!
        requires
            - ratio > 0
        ensures
            - This function reshapes the given rectangle so that it has the given aspect
              ratio.  In particular, this means we return a rectangle R such that the
              following equations are true:
                - R.width()/R.height() == ratio
                - R.area() == rect.area()
                - dcenter(rect) == dcenter(R)
    !*/

// ----------------------------------------------------------------------------------------

}

#endif // DLIB_DRECTANGLe_ABSTRACT_H_


Set amidst celebrity-obsessed contemporary London, members of a bourgeois family find their relationships unravelling.
Character-wise - awful. They are undeveloped, the film gives little understanding of why the characters do what they do, the stories the writer wants to tell drives the piece, rather than the characters existing of themselves. There is lots of crying but not much emotion evoked as an audience because I can't relate to these people, they are unreal. Just feel sad for Rhys Ifans, not even a kiss from Penelope Cruz.
Although elements of this film's plot line are engaging enough, overall, it lacks depth and has some pretty shoddy dialogue. The talents of Holm, Scott Thomas et al were rather wasted here.
I hated every character in it. Maybe that's the point? Either way it doesn't work for me. Not that this is a bad film, it's enjoyable to watch. One time.
Comes across as a vanity piece and as vapid as the lives it attempts to depict. The acting is superb, however, especially Kristin Scott Thomas if don't fall asleep. Evelyn Waugh's Vile Bodies is a much better evocation and execution of this concept. I am sure that was an inspiration but it falls woefully short.
You may want to watch this just to escape the heaviness that can otherwise pervade the MUBI film list sometimes. It's not a great film but it has a good cast and there are some nice flourishes to it.
Following a sublime exposition, a change in tone weakened this film for me slightly. Still, excellent performances, a strong soundtrack and some inspired scenes make this an engaging film. Martha Fiennes is a fascinating director.


Yes, it's been often overlooked in men's fashion and seen as old but then again, the turtleneck is making a comeback amongst stylish gentlemen.
Turtlenecks are totally cool! You can either wear it in sleek and classic ways or you can go for a casual or street look. Depends on you. Whether you choose to downplay or accentuate your look with the turtleneck, I am most certain, you would definitely appear great wearing it. For some ideas and style inspiration, we've come up with six different ways you can rock this timeless piece.
1. Choose the right type of turtleneck.
Choosing the right type of turtleneck solely depends on the function and one's preferential look. While finding the right turtleneck, you should consider the type of fabric, colour, pattern and weave. For a formal or business look, we suggest you go for the classic thin knit turtlenecks in neutral colours while for a casual look, pick the chunky knit turtlenecks and choose any colour you are comfortable wearing, but ensure they go well with the rest of your outfit.
A simple two-piece or the more sophisticated three-piece suit styled with a dark turtleneck is a perfect choice for any man who wants to achieve the undoubtedly timeless, classic look.
3. With a double breasted suit.
Layering your double breasted suit with a turtleneck is a cool and classy way to archive this style. Take it to the next level of refinement by going for a double monk strap to match with your suit colour or a dark leather oxford shoes. Trust me, you can never go wrong.
Pairing your turtleneck with nothing but jeans, chinos or dress pants is a cool way to dress down this style in a smart casual way.
5. With coat, blazer, sportcoat or suit jacket.
Coats, blazers, sports coats and suit jackets all do well when layered over turtlenecks. They make a turtleneck look instantly more professional. I know someone personally who loves wearing his thick turtleneck top a lot with a sports jacket because they are the most loose fitting option. However, it surely goes with all four pieces – just ensure you choose a thin turtleneck for blazers.
Leather, jean and bomber jackets are super versatile no matter which color they come in and yes, they always make sense with turtlenecks. Mix and match them in style either by pairing your turtleneck with jeans and a black leather jacket or by pairing it with a dark leather bomber jacket and black wool pants to ooze class and sophistication.
Prev 5 suits every man should own in his wardrobe.


I am about to bestow upon you the most amazing elixir ever. It's a "sit your bumper down in your chair," kickin' that "you didn't have sugar but you're acting like you had it mood swing – shot of good fats and protein – all things good for you" kid drink.
The secret? Butter and collagen – two very simple ingredients that when combined, effect everything from your skin and bones to your blood sugar and brain. Adding a good fat to your kid's "milk" provides a slow and steady release of energy (the good kind), a truckload of essential fatty acids, and numerous vitamins and minerals.
A nutritent-dense magical elixir to help balance your child's energy, sugar levels, focus, and concentration.
Warm almond milk (medium heat) on the stove.
Combine almond milk, butter, and collagen in a blender and blend until nice and frothy.
Pour into a mug so your girl can pretend she's drinkin' coffee just like you.
What about if I skipped collagen, would that be fine for my kids? Having a hard time getting one here in the Philippines.
You certainly can. It will be less "frothy" though.
I can't wait to try this, both for me and my very active son!
Check back and let me know how it goes!
Is the taste of the collagen neutral or does it lend any flavor? Some of my patient's palates are very sensitive. TY! I usually suggest this recipe with coffee to ADHD kids who are primarily inattentive. It actually doesn't make them more hyperactive.
There are flavored collagens out there. I use unflavored and I can't taste it.
Collagen should be gf, as it's from animal sources. Always worth checking, I have found other ingredients even in my milk lately!
I made this with coconut milk, butter, collagen, a little bit of raw honey, and a generous dash of cinnamon!! The cinnamon really was an amazing addition!
Thank you so much for this recipe Megan!
Can the collegen be replaced with a plant priduct with the same results?
Is the collagen okay for a 2 year that has allergies to casein and whey protein?
I would use something else just to be safe. You can get fish or chicken collagen.
Are the collagen peptides safe for my two-year-old?
We don't digest stevia well – do you think a smidgen of maple syrup would be alright, or might it funk the flavor?
Nope! Maple syrup would be delicious.
What do you do if the kid is allergic to dairy?
Two questions, can you use whole milk and what brand of coconut milk do you use?
I use So Delicious coconut milk. I personally don't do dairy but I am sure it would work with whole milk too.
What about adding a little chocolate for "hot cocoa"?
I think that would be DE-LICIOUS. Butter and chocolate? Yum.
I used carob powder + chocolate flavored stevia. It was definitely amazing.
That sounds delicious! Def. going to try that.
I'm making this for me too! I don't do coffee so I'm intrigued plus I have been wanting to use collagen more often so this could work well! Thanks.
Unfortunately my daughter won't drink anything like this without it being hidden in a smoothie or something. she is suspicious and skeptical of everything! Think it would change the way collagen works if it were frozen? calming ice cream? 🙂 she might be convinced to try that.
As for you, you can try this with different flavors of stevia or also use a naturally sweetened "milk" if you want to get creative.


Pope Francis met on October 7 with members of the Missionary Oblates of Mary Immaculate, who recently concluded a meeting of their general chapter.
The Pope reminded the Oblates that their religious order was founded by St. Eugene de Mazenod after he experienced a profound feeling of Christ's mercy, while praying before the crucifix on Good Friday. "May mercy always be at the heart of your mission," the Pope said.


In an Oregon prison, butterfly technicians pose with their larvae, growing in cups under energy-efficient LED bulbs. From left to right: Marisol, Carolyn, Mary, Sarah. Photo by Tom Kaye or Chad Naugle.
Our summer newsletter highlights a selection of environmental programs in corrections. Most of these programs have been replicated across the country, and we have included a few international examples. Beyond these examples, environmental and sustainability programs are operating in prisons, jails, and juvenile facilities nationwide and around the world. Many extend the SPP-style model of ensuring benefits for everyone involved—these are not just cost saving measures.
In these articles, we share perspectives from inmates, corrections staff, and outside-prison partners, demonstrating the collaborative nature of the work. Connections with allied environmental programs have strengthened a growing movement to offer environmental education, access to nature, and sustainable living skills to incarcerated people. We get to continually learn from each other to improve and expand programs, collaborate on new initiatives and evaluate impacts.
Dog handlers of Freedom Tails at Stafford Creek Corrections Center pose for Atsuko Otsuka, freelance journalist and author, consultant for the Guide Dog Puppy-Raising Program and the Horse Program at Shimane Asahi Rehabilitation Program Center in Japan.
Together we are inviting people who are incarcerated to recognize the significance and relevance of their skills, talents, and contributions to the environmental movement. Honoring their creativity, experience, and resilience and adding the power of education creates potential for positive shifts in self-perceptions and agency. At the same time, we are working to add diverse and talented stewards to the environmental movement.
As a result of this growing movement, beekeeping is thriving in multiple states. Environmental education in correctional facilities is no longer so uncommon. Countless prisons are creating new standards for reclaiming and revaluing resources the rest of us are too likely to throw away. In Washington, we can barely keep up with the excitement and demands for sustainability programs in prisons. It is wonderful to be part of something big-hearted, socially inclusive, and life affirming!
I often ask myself the question: will the habitats and amazing native species still be here, and will they be here when my children's children are grown up? Will they be reflecting on what could have been?
Where does the Ministry of Justice (MoJ) and Her Majesty's Prison and Probation Service (HMPPS) fit into nature and wildlife, and how does it reflect in its aim of serving the public by keeping in custody those committed by the courts? Our duty is to look after inmates with humanity, to help them lead law-abiding and useful lives whilst in custody and following release. I'm glad to say that MoJ and HMPPS take these responsibilities seriously.
HMPPS estate is one of the largest within the MoJ portfolio, and the MoJ Estates Cluster is one of the largest built and non-built rural estates in UK Government. Thus, we face quite a challenge in protecting the property's native flora and fauna. MoJ and HMPPs takes this responsibility seriously as well, so much so it implemented one of the first UK Government Department Biodiversity Action Plans (BAPs). This goes some way to supporting the UK's commitment to halting species' decline, as well as fulfilling MoJ's and HMPPS obligations to a sustainable and compliant Government estate.
Prisoners on a biodiversity course within the woodland management module. Photo © Phil Thomas.
A wealth and diversity of wildlife lives and thrives around individual prison sites; with over 147 prisons across the HMPPS estate in England and Wales, the diversity of wildlife is quintessentially very rich. There are nine prison sites which are nationally important Sites of Special Scientific Interest (SSSIs), including two European designated sites and two sites which are internationally designated for their wetlands and wading birds. With another 39+ sites of county and local biodiversity significance, the MoJ and its MoJ Ecology network are significantly challenged.
The MoJ Ecology network and HMPPS recognises that the actions and targets it has set for biodiversity can only be achieved through active support from corrections' staff, and prisoners and local partners. By encouraging staff and prisoner involvement in all aspects of biodiversity within its estate, and through local community projects, HMPPS and the MoJ Ecology network can broaden its sustainable operations' and social impacts agenda.
HMPPS and the MoJ Ecology network believe it's important that all members of staff and prisoners should have access to green space and the natural world, for enjoyment, education and wellbeing. Nature's biological diversity remains a source of constant enjoyment in people's lives. Both the MoJ Ecology network and HMPPS aims to build upon its past successes in this field, to help form and bond closer links with prisoners and those that work in the local community promoting and protecting wildlife. Forming new partnerships and locally driven initiatives will aid in delivering BAPs, protecting important and declining wildlife, and in addressing other important social, health and wellbeing issues for inmates and staff.
The MoJ Ecology network and HMPPS consider that active management of its designated and wildlife significant sites and natural green spaces can improve the wellbeing of individuals, encourage Restorative Justice, and address offending behaviour programmes for prisoners. As the MoJ Ecology network and HMPPS works alongside such partners as Natural England, the Royal Society for the Protection of Birds, Bumblebee Conservation Trust, County Wildlife Trusts and other nationally recognised wildlife groups and various academics, it demonstrates how wildlife and life's rich tapestry can have widespread benefits. This includes communities beyond the prison environments—prisoners can do meaningful work that benefits local communities, and obtain transferable learning and skills that will help them secure stable employment on release.
Broadening the opportunities for nature conservation and wildlife protection by developing activities that are enjoyable and inclusive for both staff and inmates enables them to explore and improve the sustainability of their everyday life choices and how they impact wildlife and the outside community. These opportunities are a key tool, in delivering such events and activities as our national BioBlitzes, our national Biodiversity Day and the annual HMPPS Wildlife Award.
The MoJ Ecology network and HMPPS considers that involving inmates in the protection of wildlife, events such as the HMPPS Wildlife Award, and managing priority habitats can give them a sense of accomplishment, a sense of achievement and more importantly, a sense of pride in themselves. Together these feelings and emotions can help prisoners not only get in touch with themselves, but help them become positive and active members of society and their local communities once more.


Have you finished your secondary education and tired of waiting for admission in Nigeria?
Do you wish to find a university to study outside Nigeria and escape the incessant strike actions that will extend your stay in school?
Then you might consider seeking for admission outside Nigeria.
To do this, you need to know how to get admission outside Nigeria.
The first step is to identify the particular school where you would like to study. You can however decide on a country first.
After deciding the country you want, you can then get a list of universities in that country that accepts international students especially Nigeria.
Compile the list and find out more information on each school from their websites.
If you are interested in studying abroad there are a set of academic standard you must have in place with you before you even apply to any school of your choice.
The most important is your WAEC certificate (with up to 5 credits including Math and English).
If possible you should enroll for a foundation course and strive to have at least 3.5 out of 5 CGPA. This will increase your chances of admission.
But in case of postgraduate courses you will need to have a bachelors degree with second class upper honours although some schools might accept a second class lower honours.
For admission into schools in the US, you will need to provide proof of an understanding of the English language. This is done by writing tests such as TOEFL (Test of English as a Foreign Language), GRE (Graduate Record Examinations) and IELTS (International English Language Testing System). A certain score is usually accepted as the pass mark and could vary based on schools and departments.
It is also important to apply for a student visa as you apply for the admission. Sometimes the school could facilitate the visa application process but not in all cases.
Some courses might also require that you have a certificate of fitness to prove that you can cope with the course.
The entry requirement in each department of every university varies. You are advised to check them individually to see how it applies to you.
Once you have identified the particular school in which you would like to study, you can then proceed to submit an application on their website.
There is usually a prospectus which can be found on the website. If you have any question about the admission process for a particular school it is best to reach out by sending them an email to help you clarify.
Most schools have a calendar and will have admission open for a certain period of time. You need to put this into consideration so that you can send in your application at the right time.
During the application process, you might want to consider applying for full or partial scholarship.
Always provide as much information as possible when sending in your application. You will never know which part of the information you provide that will give you the upper hand to gain admission.
After applying you then wait for the school to reply with news of the status of your application.
can i combine the both to study in outside country?


Have you got six grand lying about?
How many pixels are enough? That's the question that's most often asked by photographers contemplating the purchase of a digital camera. And can you ever have too many?
While resolution is an issue of considerable interest to amateurs, for professionals it can be a matter of success or failure. Photography is an increasingly competitive business, and if your rivals can produce better quality images, they're more likely to get the job than you - it's as simple as that.
This is less of an issue in wedding and portrait work, where many customers seem happy with the results they get from six to eight megapixel cameras, but when it comes to advertising and stock photography the ultimate file size can be extremely important.
Many professionals make sales through picture libraries as a way of supplementing the income they earn from commissioned work. But over the last couple of years stock agencies have become more demanding and discriminating when it comes to accepting images that have been captured digitally. Most, such as Alamy (www.alamy.com), for example, now insist that files be 48Mb and over without interpolation.
It may be a remarkable coincidence, but the ultimate file size you get from the Mark II version of Canon's EOS 1Ds is 47.5Mb, which is within a whisker of that magic figure. This means that for an investment of £6,000 - not an outrageous sum when you consider that a single image could easily return that in a year - the door could be opened to a lucrative career as a stock photographer.
In the studio, meanwhile, this incredible resolution means you can now match the quality of a 6x7cm film camera with a 35mm-style digital SLR.
But it's not only Canon's new 16.7 megapixel resolution that makes it a significant development. There's also the fact that it uses a CMOS sensor that's capable of producing images with little of the noise or chromatic aberration (fringing) issues that have dogged some other high-end digital SLRs such as the Kodak Pro14/n.
Add to that the full-frame capture you get from the 24x36mm sensor and you can see why the 1Ds Mark II is such a tempting proposition for professionals in all areas. Not only does this mean that your wideangles really are wide-angled, but there's no lens magnification to narrow the field of view.
Whether the 1DS Mk II will appeal to amateurs affluent enough to buy this is another matter entirely. This is a camera built without compromise. For a start, it's big and heavy; tipping the scales at over 2kg with a typical zoom lens and memory card.
Some 320g of that, the bottom 3cm of the camera, is accounted for by the battery, which is a heavy-duty cell that's good for 1,200 shots before it needs recharging. While it adds significantly to the weight, it's well worth it to know you're not going to run out of juice at a crucial moment when you're on location.
The EOS 1Ds Mark II is also stuffed to the gunnels with just about every advanced feature you could imagine. However, this makes it potentially complicated and confusing for those whose requirements are not so demanding.
For anyone wanting a '35mm' SLR with the ultimate current pixel count, Canon's update of its flagship model is in a class of its own. The increase from the 11.1 million pixels of the original EOS 1Ds to the 16.7 million pixels of the Mark II version places it fully at the front of the pack.
Focusing on the pixel count, however, can blind you to the many other reasons for buying the camera. In fact, listing all the features on offer would fill this review alone, so we'll only concentrate on the most exciting developments.
Where to begin? Well, how about the startup time and the speed of capture? Situations often change rapidly when you're taking pictures, and professionals need to be able to respond quickly.
With a start-up time of just 0.3 seconds, the 1Ds Mark II is ready to go immediately, so you never miss a shot. Even at its maximum resolution you can capture 32 images at a rate of 4 frames per second as JPEGs. This is more than sufficient for most situations, and even makes the camera suitable for some sports jobs and specialist areas such as fashion.
Images can be recorded to CompactFlash and SD cards - there are slots for both - but you'll need high capacity cards. If you decide to shoot in RAW for maximum quality, each file will take up around 14.6Mb. For everyday work the highest JPEG setting will do fine, but even then files are between 8Mb and 13Mb - depending on factors such as the subject, the ISO, and the processing parameters - and in our test we only got 83 shots on a 1Gb card.
Be prepared for the first time you view images from the 1Ds Mark II up on the screen - because if you haven't set any in-camera sharpening, they look rather soft. But implement a little Unsharp Mask in Photoshop and the true quality of the files jumps out at you. Use the magnifying tool to enlarge a particular area and you'll be amazed at the tremendous depth of detail - sufficient for images to be printed at A2 size and beyond.
The standard ISO range is 100 to 1600, but this can be expanded at both ends to 50 and 3200. The quality throughout is exceptional. At ISO100 to 400 noise is minimal and even at high settings it is more than acceptable.
When it comes to metering and white balance, the 1Ds Mark II boasts everything but the kitchen sink. And if it doesn't have it, then you probably don't need it!
The 21-zone Evaluative exposure that showed its worth on the original 1Ds is retained - and it's so accurate you really don't need anything else. But that doesn't prevent Canon giving you a complete set of options, including Partial (8.5 per cent), Spot (2.4 per cent), Multi-spot (averaging 8 different readings) and even good old Centre-Weighted. And on top of that, you get a memory lock, exposure compensation and bracketing.
Shutter speeds go all the way up to 1/8,000 sec, and the flash synch speed is 1/250 sec - ideal for subjects like weddings and portraits where fill-in flash may be required.
As with most professional SLRs, there's no built-in gun, but the camera is equipped with the latest E-TTL II flash metering control when used with a Canon EX Speedlite for almost total flash accuracy.
The auto white balance is pretty reliable as well, but once again there's all the overrides you could want, including six pre-sets, Kelvin settings and custom controls. Plus there are five user-selectable colour spaces, including sRGB and Adobe RGB.
The EOS 1Ds Mark II is fitted with Canon's well established 45-point auto-focusing system, which is blisteringly fast and bitingly accurate. There's the option to allow the camera to choose the focusing point for you, or you can do it yourself.
A professional camera needs to be reliable, and Canon has always had an enviable reputation in this area. Built around a tough water and dust-resistant body, the EOS 1Ds Mark II has a shutter durability of 200,000 cycles - enough to take 250 pictures every single day for over two years.
Despite its size and weight, the camera handles beautifully, with every control both easy and intuitive to operate. In fact, after a few days of use it begins to feel like an extension of your own hand.


Premier Wen Jiabao said Tibet was prospering under Chinese rule, as he hit back at the Dalai Lama who this week said his Himalayan homeland had turned into "hell on earth".
Premier Wen Jiabao said on Friday Tibet was prospering under Chinese rule, as he hit back at the Dalai Lama who this week said his Himalayan homeland had turned into "hell on earth".
Wen also signalled China would maintain its hardline stance against the exiled Tibetan spiritual leader, saying future talks rested on him dropping his bid for independence, a charge the Nobel Peace Prize winner has long denied.
"The situation in Tibet is on the whole peaceful and stable," Wen told a press conference at the end of China's annual parliamentary session in Beijing.
After this week's 50th anniversary of a Tibetan uprising against Chinese rule passed amid tight security to prevent unrest in the Himalayan region, Wen defended China's leadership there.
"It is a fact that Tibet's peace and stability and continued progress have proven that the policies we have adopted are correct," he said.
Armed Chinese security forces sealed off Tibet and neighbouring areas with Tibetan populations during the anniversary of an uprising in 1959 which forced the Dalai Lama into exile and cemented Chinese control.
The crackdown fuelled criticism from rights and press groups, as well as foreign governments such as the United States, which called this week for China to reassess its "harmful" Tibet policies and to open talks with the Dalai Lama.
However, Wen went on the attack, accusing the Dalai Lama of lying, trying to deceive foreign leaders in a bid for international support and heading an "illegal" government in exile in India.
"The Dalai Lama has been travelling the world and is quite capable of misleading some political figures in other countries. Some western countries are also willing to use him," Wen said.
He repeated China's position that it would resume contacts with the Dalai Lama's government in exile only if he stopped trying to win independence for his homeland.
"As long as he abandons separatist activities, we are willing to carry out consultations with his representatives. This door is always open," Wen said.
China has long accused the Dalai Lama of scheming to subvert Chinese control in a bid for Tibetan independence.
The spiritual leader has repeatedly denied the charge, saying he only seeks more autonomy for Tibet's people through negotiations, plus an end to Chinese repression.
In a speech from his exiled base in Dharamshala on Tuesday to mark the uprising's anniversary, the Dalai Lama said violent Chinese repression had made his homeland a "hell on earth".
"Even on Friday, Tibetans in Tibet live in constant fear. Their religion, culture, language, identity are near extinction," he said, adding Chinese repression had led to the deaths of "hundreds of thousands" of his people.
Wen signalled that China would push ahead with its controversial policies of pouring billions of dollars into Tibet to develop the region.
"Tibet will remain committed firmly to the policy of opening up because this meets the needs of Tibet's own development," he said.
The Dalai Lama and other critics of China's rule in Tibet say so-called development has brought in a massive influx of Han Chinese people, eroded Tibetan culture and damaged the region's environment.
Before Chinese communist troops poured into Tibet in 1951 to "liberate" it from feudal rule, the remote region was an extremely closed society whose leaders cherished its isolation and unique Buddhist culture.


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Q: Why Check_MK service showing status details as null? I am using Check_MK version 1.2.0p2.
On Check_MK UI I am getting (null ) as a status details for service Check_MK.
Here is the image for more clarification.

A: just remove the precompiled check for that hosts, then "check_mk -II " and then "check_mk -R". That did it for me! (I am using OMD)

redpajama_set_name: RedPajamaStackExchange


The Diary of the Late George Bubb Dodington, Baron of Melcombe Regis: From March 8, 1749, to February 6, 1761. With An Appendix Containing Some Curios and Interesting Papers Which are either referred to, or Alluded to, in the Diary.
Salisbury: E. Easton, 1784 506 pages, plus one page of ads. Nicely rebacked with leather spine covers, raised spine bands, and a leather spine label. New end leaves added. Original covers are rubbed, and show general wear around edges. There are a couple of inked names on original from free end page. Volume is tight and contents are clean and intact.. New Edition. Full Leather. Good+/No Dust Jacket.
Title: The Diary of the Late George Bubb Dodington, Baron of Melcombe Regis: From March 8, 1749, to February 6, 1761. With An Appendix Containing Some Curios and Interesting Papers Which are either referred to, or Alluded to, in the Diary.


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New York Rangers likely clinch playoff spot with NHLPA announcement
Frank Curto
The NHL and NHLPA are finalizing the details of a 24-team playoff and that means the New York Rangers are going back to the postseason.
The New York Rangers will be heading to the Stanley Cup Playoffs for the first time since 2017. This news comes following an announcement that the NHLPA approved the league's return to play.
There are still some details that need to be ironed out, but this a major step toward a restart of play.
The NHLPA Executive Board has authorized further negotiations with the NHL on a 24-team return to play format, subject to reaching an overall agreement with the League on resuming the 2019-20 season: https://t.co/SIzQYyooEE pic.twitter.com/9TftmApiGJ
— NHLPA (@NHLPA) May 23, 2020
"The Executive Board of the National Hockey League Players' Association (NHLPA) has authorized further negotiations with the NHL on a 24-team return to play format to determine the winner of the 2020 Stanley Cup," the NHLPA said in a statement. "Several details remain to be negotiated and an agreement on the format would still be subject to the parties reaching agreement on all issues relevant to resuming play."
Things continue to be fluid at the time of the NHLPA's announcement, but it looks like there is still plenty of work to do before the NHL announces anything firm regarding when they would get back on the ice.
What the teams with byes do during the first round of play-in games is a detail that still appears to be unresolved.
The Boston Bruins, Tampa Bay Lightning, Washington Capitals and Philadelphia Flyers would secure the top seeds in the Eastern Conference while the St. Louis Blues, Colorado Avalanche, Vegas Golden Knights and Dallas Stars would do the same in the West. These teams would play games against one another to secure their seedings, but some teams have not been happy with that scenario.
Play In
The best-of-five play-in games, would have the Rangers (11 seed) playing the Carolina Hurricanes in the first round.
The play-in games would look like this:
• 5. Pittsburgh vs. 12. Montreal (winner plays four seed)
• 6. Carolina vs. 11. Rangers (winner plays three seed)
• 7. Islanders vs. 10. Florida (winner plays two seed)
• 8. Toronto vs. 9. Columbus (winner plays one seed)
• 5. Edmonton vs. 12. Chicago (winner plays four seed)
• 6. Nashville vs. 11. Arizona (winner plays three seed)
• 7. Vancouver vs. 10. Minnesota (winner plays two seed)
• 8. Calgary vs. 9. Winnipeg (winner plays one seed)
Chris Johnston of Sportsnet reported that an NHL playoff bracket vs. reseeding is one of the details that still need to be worked out. It appears the players would want the second round of the playoffs to use a reseeding of the teams.
Even with this affirmative vote, there are still some details with the 24-team playoff format still to be worked out between the NHL and NHLPA. One of them is whether they'll go ahead with a playoff bracket or use reseeding.
— Chris Johnston (@reporterchris) May 23, 2020
The NHL and NHLPA have done all they can to get to this point. Though more work needs to be done, one thing seems very certain: Hockey is coming back.
Rangerstown will get to see what Artemi Panarin, Mika Zibanejad, and Igor Shesterkin can do to advance to the Stanley Cup Finals.
Great news indeed.
Artemi Panarin
Igor Shesterkin
Mika Zibanejad


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Syl Sobel
Blog: Civics and Civility
Federal Judiciary
The Supreme Court: Can It Survive the Current Era of Hyperpartisanship?
Let me start by asking you a question. How many of you think the Supreme Court and the federal courts are nonpartisan? How many don't?
My topic is The Supreme Court: Can It Survive the Current Era of Hyperpartisanship, which is a catchy way of saying I'm going to talk...
I have a good buddy who's a huge baseball fan. A real purist. He loves the game for the love of the game.
Back in the early 1980's, when free agency wa...
Let's All Play Ball
I probably shouldn't have called my first book, "How the U.S. Government Works."
I mean, I can't begin to tell you how many times people have said to m...
I Can Take It
We're a great country no doubt, but we can still learn from others. Read more in my latest op ed in The Baltimore Sun.
http://www.baltimoresun.com/new...
We're Number One! . . . Well, Sort Of
Trump's Attacks on Congress, Immigrants Are Attacks on American Values
Federal Judges Are 'Guardedly Apolitical'
Time for the Shadow Government to Come Out of the Shadows
Change in the Court
Taking the Revolution Back to England
I Support the Constitution -- All Of It
Mueller Investigation Is About More Than Trump
Compromise: It's Good For Our Health
American Exceptionalist


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WTLC Daily Loud Links for Monday, November 4, 2013
Russell Westbrook is back, and here are your morning links to go with your WTLC cup of coffee (cup of coffee not included).
By J.A. Sherman Nov 4, 2013, 11:20am CST
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There are two ways to look at the Thunder's win over the Suns last night. 1) Russell Westbrook is back, so we're turning this thing around! and 2) Russell Westbrook was back and they almost lost to the Suns.
Allow me to address point 2 - the Suns are still a ways away from being a playoff contender, but after getting a look at them through 3 games, I am getting the sense that they could be a lesser version of last year's Houston Rockets team. They play fast, rely on the 3-point shot, and use a former bench player dynamo (Eric Bledsoe) to make it run. They may not be good this year, but they will be more competitive than in years past.
Darnell Mayberry's post-game nuggets. Scott Brooks says you should ask how Derek Fisher's teammates feel about him:
"You guys should just ask the other 13 players what do they think about Derek Fisher. They guy is a winner. He plays inspiring ball. He had two plays that nobody will ever talk about, but they were a big part of the win tonight."
I'll ask the question myself. Here's how I feel about Fish - keep him in a position where he can just do what he does well and not expect him to do more than that, and he'll be fine. Just like every other player in this league. Just don't expect him to do things that he did 10 years ago or not even at all.
Royce Young writes that there are still a bevy of issues the Thunder are facing, which include bad shooting and bad perimeter defense. This quote from Durant reminds me of Tom Ziller's article about how Westbrook is the best shot creator in the league:
"He was able to make it easier for me, for Reggie, for Serge — we missed some shots, which I think we're going to start making here soon, but just his presence. It was good to have him out there."
Rob Mahoney at SI writes that Westbrook was economic in his point production, even as he only made 5 baskets.
Even while visibly rusty, Westbrook still managed 21 points on 16 shots, to go along with seven assists. His economic scoring stemmed from drawing seven fouls in characteristically Westbrookian fashion. He split double teams to vault himself to the rim, posted up smaller guards and challenged shot-blockers.
This is a great report from ESPN's Brian Windhorst. He gets an insider to comment on Westbrook's medical recovery:
But according to a source who was briefed on the process, Westbrook's knee quickly responded to the treatment and the swelling that was bothering him and concerning the team quickly disappeared. In addition, the scope showed the meniscus Westbrook tore during the playoffs last season had totally healed, giving him the confidence that he'd be able to return to his normal self.
Sekou Smith writes that even a rusty Westbrook changes the equation. The reason why is twofold - 1) it cannot be underestimated how much pressure Westbrook puts on opposing defenses, even at 75%. He's like a battering ram that never gets tired; and 2) all of his teammates can shift back to what they do best, Reggie Jackson in particular. Smith is right that Westbrook is the team's emotional epicenter. By contrast, Smith also predicted the Warriors to win the West, so you kind of have to take everything he writes with a grain of salt.
Ball Don't Lie chimes in on Westbrook's return. Now, don't I feel stupid for predicting that Westbrook might be out until January?
Don't panic! Seriously you guys, the Hickory High team brings some perspective on how Kevin Durant may be one of the under reported players in this coming season, which is amazing given the historic company he now keeps.
Welcome to Loud City's Daily Loud Links
Thursday Loud Links: February 6,2014
Monday Loud Links: November 4, 2013
Friday Loud Links: November 1, 2013


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Disney Isn't Interested In 'Alien 5' With Sigourney Weaver
That's according to producer Walter Hill.
The Worst Movie Mistakes, And How to Easily Explain Them
Viewers love to make fun of these errors — but they all make sense when you think about it in a certain way.
A New 'Alien' Movie Is Coming to Hulu
Ridley Scott is producing.
'Blade Runner' and 'Alien' Are Getting Live-Action TV Series
Ridley Scott confirmed both shows are in development.
Why Neill Blomkamp's 'Alien 5' Never Happened
The director revealed why his anticipated sequel didn't come together.
'Alien' Is Getting Its First TV Series on FX
It's from 'Fargo' creator Noah Hawley.
UFO Sighting Takes Over The Internet
What do you think it is?