text:
Chauvin Murder Trial Testimony; Professionals Dread Returning to Office; Tishaura Jones is Interviewed about Becoming St. Louis' Mayor. Aired 8:30-9a ET
Aired April 08, 2021 - 08:30 ET
ERICA HILL, CNN ANCHOR: Getting a lot of attention about this bit of audio that we can hear and how both the defense and the prosecution and asked an expert witness about it.
Take a listen.
UNIDENTIFIED MALE: And I'm going to ask you, sir, to listen to Mr. Floyd's voice.
GEORGE FLOYD: (INAUDIBLE).
UNIDENTIFIED MALE: Did you hear that?
UNIDENTIFIED MALE: Yes, I did.
UNIDENTIFIED MALE: Did it appear that Mr. Floyd said, I ate too many drugs?
UNIDENTIFIED MALE: Yes, it did.
FLOYD: (INAUDIBLE). I ate (ph) too (ph) many drugs. Please. Please! Please, I can't breathe.
UNIDENTIFIED MALE: Having heard it in context, you're able to tell what Mr. Floyd is saying there?
UNIDENTIFIED MALE: Yes, I believe Mr. Floyd was saying, I ain't do no drugs.
UNIDENTIFIED MALE: So that's a little different than what you were asked about when you only saw a portion of the video, correct?
UNIDENTIFIED MALE: Yes, sir.
HILL: Two very different approaches to that audio, which, you know, as we've been talking about all morning is hard to discern, period, full stop. Elliot, who came out on top after those exchanges?
ELLIOT WILLIAMS, CNN LEGAL ANALYST: I don't think -- sorry, Erica. Look, I don't think anybody did because there's no reasonable conclusion that anyone can draw from listening to that video. Now it's certainly in the defense's interest to throw a lot of things up there to try to create doubt in the minds of the jury, but you cannot -- I listened to it multiple times, on my own television, and it's just, you cannot come away from that with a clear conclusion. And the notion that either side seems to be thinking that you can is -- I would even go as far as to say foolish.
Look, this case is not going to rise and fall on the strength of that one sentence. And what the prosecution has already put on the record quite clearly is that nine minute -- nine-plus minute video. That's where -- and, of course, the question is to how George Floyd died. But this one sentence, a lot is being made of it. The defense has done its job. But it's not going to change the outcome of the case pretty dramatically.
JOHN BERMAN, CNN ANCHOR: Joey, what's your view on that?
JOEY JACKSON, CNN LEGAL ANALYST: Look, my view is, I agree, it's inaudible. And you could review it and listen and listen and you could come to different conclusions as to what it says.
Now, to me, it's not really what he said, it's what was the effect of the death. Now, remember what happens. If you're the defense, you're going to seize on the narrative that it's all about the drugs. He was involved in drugs. He has a drug history. He ingested drugs just prior to this. As a result, he's dead because of the drugs, right?
But the fact is, if you're the prosecutor, you're going to say, keep your eye on the prize. We're going to base this upon what you believe he said or didn't say and we all have difference as to what that could be? This is about cause of death and this is about what was a substantial cause of the death. And if you're the prosecutor you're going to say that the drugs very well may be a cause if you want to concede that even. But the fact is, if it is a cause, you don't have to establish as a prosecutor, John, it's the sole cause, right? The fact is, is that you just have to demonstrate that the kneeling of the knee on the neck is a substantial cause, case closed, ladies and gentlemen, keep your eye on the prize. And I think that will be the narrative of the prosecution.
HILL: You know, one other thing that stood out to me in terms of reaction from Charles Ramsey this morning is, he was noting, and I'm just looking down at my notes here, he was noting that even if George Floyd had said, I ate too many drugs, there was a duty of care here, Elliot, for the officers. So that duty of care, according to, you know, former Commissioner Ramsey was, if someone said to you, I ate too many drugs, if you're the responding officer and now this suspect is in your care, you should have been calling to get his stomach pumped if he ate too many drugs.
WILLIAMS: Right. HILL: Is -- could this backfire on the defense?
WILLIAMS: It could. Number one, get his stomach pumped. Number two, later on in the circumstance where they're interacting with him, where was the CPR or any attempts to resuscitate him? None of those things were done. So this whole question of, I ate too many drugs and, moreover, if you are to believe, as the defense wants you to, that he did die of a drug overdose or from some other substances in his body, you have to then suspend all disbelief and assume that he just happened to expire at this moment that, oh, by the way, he was also being asphyxiated by another individual with a knee on his neck for nine minutes. It just defies logic and reason. They've got to put it up there, but it just -- it's a stretch.
BERMAN: Elliot, if you can, you wrote an interesting op-ed last night which addresses something that we've been hearing quite a bit the last few days. There's this notion out there that's been raised on our air and others that somehow the prosecution is over prosecuting the case in the sense that they're calling too many witnesses, they're hammering their points home for too long.
What do you say to that?
WILLIAMS: Yes, it's two things, John. Number one, this whole notion of reasonable doubt that we all know from watching "Law & Order," it's a very high standard to beat in any case, right? And let alone when you're prosecuting police officers, which the public overwhelmingly is reluctant to do, it's just hard to do.
What this prosecution has to do to overcome doubts is hit this jury over the head with evidence and get enough prosecutors -- pardon me, enough police officers, experts and eyewitnesses and so on to overwhelm them to avoid this notion of doubt. It's not just a normal criminal case where you've got to hit that burden. You've got to hit that burden and overcome society's predisposition against prosecuting police officers. And then, you know, you put race on top of that and sort of biases that people carry into the criminal justice system and there's a big burden prosecutors have. So I just don't buy this argument that prosecutors are gilding the lily or putting too much evidence on. They couldn't possibly put too much evidence on in this particular case.
BERMAN: Joey, very quickly, your view on that?
JACKSON: I agree. I think excellent op-ed. This is not just any case, to be clear. And I think what we're seeing in this case is usually you have police protecting police. Not here.
WILLIAMS: Yes.
JACKSON: You have a sergeant of 27 years saying, guess what, that's not what we're trained to do and that was excessive. You have the police chief come in and say, you know what, this is about the sanctity of life. That's not protecting the sanctity of life. You have a person, Lieutenant Zimmerman, 40 years on the force, saying he should have stopped. The parade goes on.
And so to Elliot's excellent point and with respect to the op-ed made today, you know, police convictions are rare in itself. Indictments are rare, much less prosecutions and convictions. So you have to make a compelling case. I think the prosecution is doing just that.
BERMAN: Joey, Elliot, thank you very much.
JACKSON: Thank you, John.
WILLIAMS: Thank you.
HILL: New, weekly jobless claims just released. So is the economy still moving in the right direction? We're going to bring you those numbers, next.
BERMAN: So just into CNN, jobless claims up last week as the economy tries to recover from the pandemic.
CNN's Julia Chatterley with the new numbers.
Julia.
JULIA CHATTERLEY, CNN ANCHOR AND CORRESPONDENT: Thanks, John.
It's still an ugly report. A further 744,000 people filing for unemployment benefits in the past week alone. That's higher than expected. In addition to that, a further 151,000 people getting pandemic related support. It's a worse number than expected. If you compare to what we saw in January, it's still lower. But these numbers simply aren't coming down quickly enough.
What we have to remember here is not all these people are going to actually get access to benefits. So the best way to look at this is just the high degree of uncertainty. We are still in crisis mode. The final point, there's still more than 18 million people getting some form of aid. The hope is that we can add around 4 million jobs in the next couple of months then we start to see these numbers coming down.
But, Erica, I'll hand back to you and say, this is really work in progress and there's lots of work still to do.
HILL: Yes, that's for sure.
Julia, thank you.
Well, meantime, employers are preparing to bring workers back to offices. For some, the prospect of returning to the workplace is giving them pause.
CNN's Vanessa Yurkevich has more.
TOM MARTINEZ, WORKS FROM HOME: That's it. That's my commute.
VANESSA YURKEVICH, CNN BUSINESS AND POLITICS CORRESPONDENT (voice over): For Tom Martinez and millions of other Americans, this has been the morning commute to work. In homes across America, work from home is the new way to work.
YURKEVICH (on camera): Do you feel like you were able to do your job from home?
T. MARTINEZ: Oh, absolutely. Pretty much everything that I do relies on digital tools. So I'm in front of a computer 90 percent of the time anyway.
YURKEVICH (voice over): Martinez works for a major publisher. In a year, a lot has changed. He's moving to upstate New York, his 11-year- old son Logan, who has ADHD, is thriving in virtual learning.
LOGAN MARTINEZ, TOM MARTINEZ'S SON: I'm super happy.
YURKEVICH: And he loves working from home.
T. MARTINEZ: At first I wasn't sure what that would mean, but I think now I've seen that there are a lot of benefits to not having to perform tasks in such a very compartmentalized and rigid order.
YURKEVICH: But now he says his company, like others, is figuring out how to bring employees back into the office.
Citigroup says they hope to have 30 percent of their U.S. workforce in the office this summer, while New York City plans to bring back 80,000 city employees starting next month.
Taylor Seegmiller, a psychotherapist, says she could be back in the office within 30 days.
YURKEVICH (on camera): What is your level of comfort and anxiety?
TAYLOR SEEGMILLER, WORKS FROM HOME: I would say definitely some anxieties, definitely some anticipation.
YURKEVICH (voice over): For the past year, Seegmiller has seen her patients virtually and says she's shared concerns with her employer about a return to in-person work.
SEEGMILLER: We've talked about some of the concerns with being in very small rooms, face to face. Sometimes those rooms don't have windows. A lot of times they're not very well ventilated. You know, it's trying to find a balance between what is the best care for somebody versus what is the safest for everybody.
YURKEVICH: But even as vaccinations ramp up, 55 percent of adults say returning to pre-pandemic life right now would be a moderate to large risk to their health and well-being. Spotify, which has 3,000 U.S. employees, says they can now work from anywhere. KATARINA BERG, CHIEF HR OFFICER, SPOTIFY: But what we're aiming for is
that 100 percent freedom of flexibility.
YURKEVICH: Chief HR Officer Katarina Berg says the pandemic proved their new model will work long term.
BERG: Productivity and efficiency did not go down. I think it is the future of work. I think that is what we're going to see. In some industries and businesses earlier and in some others a bit later.
YURKEVICH: This last year has shifted priorities for both companies and employees. They've also changed for Martinez.
T. MARTINEZ: We'd all come home exhausted. We'd barely have a conversation. But now we're all together all the time, working together, taking time and benefiting from it tremendously. People are starting to value the moments we have together. That's something that maybe we were taking for granted for a minute there.
YURKEVICH: Companies are taking several things into account when they're bringing people back to work. They're looking at CDC guidance, the speed of vaccinations. But they're also surveying employees. We heard from several major companies, Erica, who said that their millennial employees are more eager to get back into the workplace, to see people again.
But some people with families and kids want that flexibility.
But one thing is for certain, that these best laid plans will probably change. As we all remember, we are still in the middle of a pandemic with new cases every single day, Erica.
HILL: Yes, we certainly are. Great reporting, as always. You stories, about this past year, as you know, Vanessa, as we've -- I've told you, have just been so important and so well told to bring those voices to us.
Breaking barriers. As the first black woman to lead the city of St. Louis, we're going to speak with the mayor-elect about her historic victory and also her big plans for the city. That's next.
HILL: In less than two weeks, St. Louis, Missouri, will make history, swearing in the city's first black woman as its mayor. Tishaura Jones won by a couple thousand votes earlier this week, running on a promise to reform and revitalize the city.
And joining us now, the mayor-elect of St. Louis, Tishaura Jones.
Madame Mayor-Elect, good to have you with us this morning.
I know you're probably still letting it all sink in at this point, but we can't overlook just how important this is, not just for you, but for your city because representation matters.
I'm curious, what have you heard from the community since -- since your election?
TISHAURA JONES (D), ST. LOUIS MAYOR-ELECT: Yes, good morning, and thank you for having me.
Absolutely representation matters in a city that's 45 percent African- American, 45 percent white, and the rest are other populations of color. We are a majority minority city. And what I heard from voters is that they are ready for a black woman to lead this city, that a black woman has lived experiences that others do not.
And also, I am a daughter of the most neglected part of the city, which is north St. Louis. I was born and raised there, and my plans are to definitely revitalize that part of the city. And I am ready for St. Louis to thrive instead of just survive.
HILL: You know, you mention where you grew up in the city and also that this is a majority minority city. There's also been a decrease, though, in the city's black and African-American population in the last ten years. It was at, I believe, 51 percent. Now it's down to 45 percent. And a lot of that is over concerns that racial issues are not being addressed. Inequities in the city are not being addressed. And there is a massive divide in the city of St. Louis.
JONES: Yes, absolutely. We lost 21,000 African-Americans since the last census. And that's alarming. And we should be sounding the alarm, asking the questions why, asking why black people don't feel welcome in St. Louis, that they would choose to leave. And many young people who go to college don't even think about returning to St. Louis after they finish. So there's a huge brain drain. And so we need to reverse that trend. We need to provide opportunities, everyone to succeed, no matter their zip code, the color of their skin, who they love or how they worship.
HILL: You know, one of the thing that really struck me is when it comes to the police force, I didn't realize until reading up, you know, for this interview the fact that there are two police unions still, a black police union and a white police union for officers in St. Louis.
How do you begin to tackle that issue?
JONES: Yes, absolutely. So we are done avoiding the hard and difficult conversations. We haven't had those. And we also have a white firefighters union and black firefighters union. So this is indicative of all of our first responders. And so, you know, obviously, there is a level of mistrust within our first responders and public safety department, and we have to have the hard and difficult conversations to heal those divides.
I think St. Louis is long overdue for a truth and reconciliation commission because we have had systemic policies that have increased inequalities for decades and for generations. And that has to stop.
HILL: You talk about maybe a reconciliation commission and starting that piece of the puzzle, but how do you start the conversation initially? I mean you said it's time for the tough conversations. You can't avoid them any longer. Do you -- I mean is it your sense that there's a willingness to just start the conversation, to come to the table?
JONES: Yes, absolutely, because when I look at the support that I received across this city, it was multigenerational and multiethnic, multiracial. So I won 18 out of 28 wards. And not only in March, but also in -- yesterday or a couple of days ago. And so that mean -- that signals to me that we are ready to have these tough conversations. And it has to come from leadership. It has to come (INAUDIBLE) because (INAUDIBLE) by example.
HILL: YOU know, and we've talked so much over the last couple of weeks about the new voting law in Georgia. Things changed in St. Louis before your election, but sort of went in the other direction.
How much do you think this, you know, approval voting system has gotten you to the point where there is more opportunity for conversation?
JONES: Well, in previous elections, we were being governed by the minority. You could win mayor with only winning 32, 33 percent of the vote. And so what we saw our new voting system allows for voting by -- or being governed by the majority. And, obviously, 52 percent of the voters in St. Louis elected me on Tuesday.
And so I think that, especially with our last election with the vote being so split, there were seven candidates in the -- our current mayor, our outgoing mayor won with 32 percent of the vote. And people wanted a runoff. That's all of the text messages I received. You know, when's the run-off? Is it top two? You know, what can we do? They felt cheated. And now they feel like their voices are being heard.
HILL: Really quickly, I do want to point out, you are fully vaccinated. I know you're going to use that to encourage more people in your city to follow that lead. But I do want to ask you about your son. You're not just a black woman in terms of representation. You are a mother of a 13-year-old son. You're a single mother. He had a lot to do with the fact that today you are the mayor-elect.
How's he feeling this morning looking at you?
JONES: He's so proud. He's so proud. But also, he feels like (INAUDIBLE) safe. We were having a conversation before I started running about what a mayor does and he asked, well, mommy, are you going to be (INAUDIBLE)? And I said, yes. Indirectly, I -- the police chief will report to me. And he said, well, that means I'm going to be safe. And that hit me like a ton of bricks because his mom should haven't to become mayor in order for him to feel safe with interactions with our law enforcement or any child.
And so I want to build a St. Louis where my son doesn't feel afraid and my son is able to be a little boy, a little black boy and explore and learn and make mistakes and not have to lose his life over it.
HILL: And he will not be the only one who will be able to do that.
Madam Mayor-Elect, thank you for joining us this morning. We look forward to continuing the conversation.
JONES: Thank you.
HILL: CNN's continuous -- coverage, rather, continues right after this.
BERMAN: And our continuous coverage.
HILL: And our continuous coverage.
BERMAN: Continues.
HILL: We're very busy.


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In November 2013 Alphabet launched AlphaElectric, a multi-marque consultancy service for fleets considering plug-in vehicles, setting a target of some 595 orders in the first year.
Today, we found out that 738 were ordered, which is 143 (or 24%) more than the goal.
Alphabet offers a comprehensive EV plan with cars, charging stations, and service.
1 Comment on "Alphabet Leased 738 EVs In First Year Of AlphaElectric"
charging you even will be saving fossile energy!
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text:
Q: What could 'Roaming not allowed by server' of ssh client mean? I'm failing to connect to an SSH server instance and the verbose output contains debug1: Roaming not allowed by server. The following predictable and there avoidable problems arise:

*

*Roaming means to access services from different types of networks. I can't figure out what it could mean in the context of the verbose output of a ssh 6.6.1 client running on Ubuntu 14.04.

*It is not clear whether this is an error or not and if it is whether it is causing the failure of the login or not (I don't want to dive into the connection failure here, though; none of the output message of ssh does BTW -> more problems and time waisting - you have been warned!)

*I queried site:www.openssh.org roaming in google with empty result and manpages don't contain the term. It is nonsense to use it even if it was documented because of its ambiguity!

What could the message mean? How could I use it to debug the large set of other highly ambiguous, unintuitive and unhelpful error and other messages of SSH?

A: The changelog from openssh 5.3 on CentOS6 has a note:
2009/06/27
     Add client option UseRoaming. It doesn't do anything yet but will
     control whether the client tries to use roaming if enabled on the
     server. From Martin Forssen.

A: @ILMostro_7 chmod 600 authorized_keys worked fine for me.
For the benefit of anyone else who arrives here by googling "Roaming not allowed by server", and is using a Linux (Ubuntu) client, you might fix that warning and then see:-
Agent admitted failure to sign using the key

The cure for that is given at https://help.github.com/articles/error-agent-admitted-failure-to-sign/
    # start the ssh-agent in the background
    $ eval "$(ssh-agent -s)"
    # Agent pid 59566 (displays process id)
    $ ssh-add
    # Enter passphrase for /home/you/.ssh/id_rsa: [tippy tap]
    # Identity added: /home/you/.ssh/id_rsa (/home/you/.ssh/id_rsa)

'#' = comment. you = your-username. [tippy tap] = humo[u]r? = press the Enter key.
I hope that helps somebody as much as this Q&A already helped me.

A: It's not really an error message. It's just a debug message telling you that the server doesn't accept roaming connections.
Roaming is apparently an experimental feature added to OpenSSH back in 2009 or so. The purpose of the feature is to let an ssh client disconnect from a server session and then resume the session from another location. See here (Archive.org) for some discussion about it. Googling ssh, roaming, and "Martin Forssén" will turn up other pages. It doesn't look like it's being actively developed. I suspect the SSH developers never documented it because it's experimental and perhaps not finished.
From inspecting the OpenSSH source code, there's an undocumented client-side option UseRoaming which can be set to yes or no. Adding the line "UseRoaming no" to your client configuration (normally your .ssh/config file) ought to suppress the debug message.
It wasn't obvious to me why the server-side HostbasedAuthentication setting would control whether the server accepts roaming connections or not.
Update: The client roaming support is apparently the subject of a computer vulnerability exposure report, CVE-2016-0777. OpenSSH versions 5.4 through 7.1p1 are vulnerable. Users should upgrade to OpenSSH 7.1p2 or later. Users who cannot upgrade should disable roaming in the client by adding "UseRoaming no" to their ssh client configuration. See the following:

*

*https://cve.mitre.org/cgi-bin/cvename.cgi?name=CVE-2016-0777

*https://www.qualys.com/2016/01/14/cve-2016-0777-cve-2016-0778/openssh-cve-2016-0777-cve-2016-0778.txt

*http://undeadly.org/cgi?action=article&sid=20160114142733

*https://forums.freebsd.org/threads/openssh-client-bug-cve-2016-0777.54736/

A: This error message can show up when /etc/ssh/sshd_config doesn't have  HostbasedAuthentication set to yes on the server.
I have no idea why.
Another issue may be:

Check the permissions on the $USER/.ssh directory which should be owned by the user and be chmod 700. The authorized_keys file should also be chmod 700 and owned by the user

redpajama_set_name: RedPajamaStackExchange


We have been working together for many years, we have grown professionally together and have become good friends. We have shared good times, confided in each other and even overcome some crazy obstacles together. I know that each personal project, each client and each creative team is different. I also know that the rules are always changing and you often find yourself without all of the information you need. My experience is that. You do your best with what information you have. I often find myself thinking about how similar our jobs are. We are both translators. You have to translate many humans. While I only have to translate one life language to validate who I am. It is a delicate dance but when we partner together it always seems to work out.
Hopefully these notes can help you to help us make all of our experiences together even better. Even though some of them are obvious, they are still important to note so I decided to include them.
1) When I ask you for the budget, please know that I am only trying to get an idea of how to approach my next endeavor. My experience is that people never really think they have enough. I am not looking for a situation that is monetarily driven. I want to get you the best possible situation for the amount I am worth at the period of time "in totality" of my life on this earth. I am sure there are so many outside influences on the budget that make it hard to give me a solid number, but in those cases, a range or target are really helpful. I know how to be smart about a budget and will do my best to keep things lean when I can.
2) If I ask you who else is looking for the same opportunity, it is ok if you don't want to share that information. I get it. But if it doesn't really matter to you, then I could really use the information. It is so hard nowadays to know whom my competition is and to determine where we fit in the spectrum of the life and opportunities we are given.
3) If you ever have feedback for me or my endeavors as a creative individual which I cannot change. It would really be appreciative. I can't really tell who is looking at my self worth. I used to have ample opportunities to get feedback from you but now access is limited so any information I can share with my sole is very much needed.
4) If I am just another application for the position I want, please let me know. I am happy to provide a courtesy interview for you but would much rather do so without the song and dance. I can be fast, efficient and very professional about it. My skillsets are all present and I appreciate knowing when not to spend the time pondering if I will have an interview at your institution.
5) When we are not awarded the job, please let me know right away. I know it isn't an easy call to make or email to send but there are many people who helped with the bid that need to know as well. We are so fortunate that often the job does come our way so we get it when it does not. We have thick skins and would much rather know. Besides, do you really want me calling and emailing?
6) I so appreciate when you let me come to brag. I know it takes time out of your day and is a distraction from your work. And I am sure you feel the pressure when no one shows up. Please know though that if you cheerlead just a little for me then the turnout is that much better. And, I so do not mind if you call me the day before to tell me everyone is now at a creative meeting. I would much rather reschedule if I can then come when we know it will be slow.
7) I also appreciate when you spell out your expectations for a me – especially when it comes to what will entice the creative. I know you know it is very expensive to host the shows so if you would, please do try not to be too insistent about what I should bring. In return I promise to bring something delicious.
8) Please do not get annoyed with me when I send email blasts. I know, I know you get so many. However, these are one of the only measurable forms of communication we have nowadays. Since I am not called on face to face interviews that much, I never know who is looking at the work unless I send a blast. They help me to be more targeted. If I see that you never look at our work I actually do take you off the list. AND, if you feel that the work is not relevant for you, then please do let me know. I can easily remove you from my list. And, it goes without saying, but I promise not to stalk.
I am sure you have lots of notes that you could share with me and I welcome you to send them my way. We both speak each other's language so it will be easy to keep the conversation going.
I have enjoyed our working relationship and feel fortunate to call you my friend.


text:
Fernando Tola Cires, (Lima, 30 de mayo de 1885 - ibídem, 13 de julio de 1949) fue un jurista, diplomático y político peruano. Fue ministro de Hacienda y Comercio en 1935, así como ministro accidental de Relaciones Exteriores, por un breve periodo ese mismo año. Fue también senador por Lima (1945-1948), catedrático y decano de la Facultad de Derecho en la Universidad Nacional Mayor de San Marcos.

Biografía

Fue hijo de Luis Jorge Tola y Mercedes Cires. Estudió en el Colegio de La Inmaculada de los padres jesuitas. Inició estudios en el noviciado de la Compañía de Jesús, pero poco después los abandonó para estudiar en la Universidad Nacional Mayor de San Marcos donde se graduó de bachiller (1913) y doctor en derecho (1914), recibiéndose como abogado.

Ejerció como funcionario público de Hacienda, llegando a ser ministro de Hacienda y Comercio durante el gobierno de Óscar R. Benavides, de mayo a octubre de 1935. Por ausencia temporal del canciller Carlos Concha Cárdenas, se encargó accidentalmente del ministerio de Relaciones Exteriores, de junio a julio de ese mismo año.

Pasó luego a Checoslovaquia como ministro plenipotenciario y enviado extraordinario. Allí fue testigo de la crisis de los Sudetes, que desencadenó la intervención de las tropas hitlerianas sobre ese país, que fue el prolegómenos de la segunda guerra mundial.

De regreso en el Perú, se desempeñó como catedrático en San Marcos (1942-1949) y llegó a ser decano de la Facultad de Derecho (1948-1949).

En 1945 fue elegido senador por Lima en la lista del Frente Democrático Nacional. Su carrera parlamentaria se truncó en 1948, cuando se produjo el golpe de Estado del general Manuel A. Odría. Al año siguiente falleció.

Obras

 Los impuestos en el Perú (2 ediciones en 1914).
 Pensamientos (París, 1934).
 Derecho romano (2 fascículos, 1944).
 Derecho Administrativo del Perú, I parte (1945).
 La renovación jurídica en el Perú (1945).

Descendencia
Casado con María Rosa Elena Mendoza de Almenara, fue padre de Fernando Tola Mendoza (1915-), filólogo y lingüista; y Enrique Tola Mendoza (1917-1996), que fue ministro de Fomento (1947) y de Educación (1967), así como director del CONCYTEC. El destacado ingeniero y matemático José Tola Pasquel (1914-1999) fue su sobrino.

Referencias

Bibliografía
El Mariscal Benavides, su vida y su obra. Tomo II. Lima, Editorial Atlántida, 1981.
 Tauro del Pino, Alberto: Enciclopedia Ilustrada del Perú. Tercera Edición. Tomo 16, TAB/UYU. Lima, PEISA, 2001. ISBN 9972-40-165-0

Nacidos en Lima
Fallecidos en Lima
Abogados de Perú
Juristas de Perú
Diplomáticos de Perú
Ministros de Relaciones Exteriores de Perú
Ministros de Economía y Finanzas de Perú
Sanmarquinos (siglo XX)
Tola (familia)
Alumnado de la Universidad Nacional Mayor de San Marcos
Catedráticos de la Universidad Nacional Mayor de San Marcos
Senadores de Perú 1945-1948
Senadores por Lima

redpajama_set_name: RedPajamaWikipedia


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There were tears, laughter, jumps for joy and proud parents walking the halls at Sidmouth College yesterday (Thursday), when the A-level students received their results.
An astounding 73 per cent of students achieved an A* to C grade, while 22 per cent got A to A* results.
A total of 49 per cent of pupils also received an A* to B grade.
And the overall pass rate, A* to E mark, was 100 per cent.
A large number of individuals did well and three particular students were highlighted for their exceptional results.
This included Pascal Bisson, who got A*, A*, B, Alice Dell, who was awarded an A*, A, A and Isabelle Reed, who achieved A*, A, A.
Alice Dell, 18, said: "I am very shocked. My offer was for three Bs. I'm going to university in Cardiff to do English.
Head girl Evie Seller, 18, achieved an A, B, B. She said: "I didn't expect to do that well. I worked hard for the two years but I thought I messed up the exam.
James Ingham-Hill, co-principal at the college, said: "This is an excellent set of results, which is testament to the hard work and commitment that this cohort has put into their studies.
"It is great to see the college students achieving a positive value-added score, meaning that students, on average, are achieving above their target grades.
"It is also fantastic that the average points score for students has increased from last year. They deserve their success.


text:
Paul McCartney's III To Be Released Dec. 18 - 50 Years After McCartney (1)
By Carter Alan Dec 9, 2020
Via paulmccartney.com: On December 18, Paul McCartney releases the third album in a trilogy of classics, with McCartney III. McCartney III will be Paul's eighteenth solo studio album, following on from 2018's Egypt Station. 2020 marks 50 years since Paul McCartney released his self-titled first solo album. Featuring Paul playing every instrument and writing and recording every song, McCartney's charms have only grown in stature and influence over time. The chart-topping album would signify not only a creative rebirth for Paul after the Beatles, but also as a template for generations of indie and lo-fi musicians seeking to emulate its homespun vibe and timeless tunes including 'Maybe I'm Amazed', 'Every Night' and 'The Lovely Linda'.
The 1970s saw Paul forming his second band Wings and dominating the charts, stages and airwaves of the world, with multiple #1 singles, sold-out world tours, and multi-million-selling albums including Band on the Run, Venus and Mars, and Wings at the Speed of Sound. In 1980, ten years after the release of McCartney, Paul wrapped up the decade of Wings with the surprise release of his second solo album, the electronic-tinged McCartney II. Once again featuring Paul entirely on his own, McCartney II would come to be regarded as a leftfield classic, with songs such as 'Coming Up', 'Temporary Secretary' and 'Waterfalls'.
The 1980s saw Paul start again, this time kicking off an unprecedented solo run. The following four decades would see Paul's legendary status grow exponentially, with solo works including Tug of War, Flowers in the Dirt, Pipes of Peace, Flaming Pie, Memory Almost Full and New, and massive live shows the world over — actually setting the World Record for the largest attendance at a concert. In 2018, 54 years since The Beatles first hit #1 on the Billboard Album Charts – Paul's Egypt Station would be yet another historic #1 McCartney album.
Hard as it is to believe, it's only been two years since Egypt Station went #1--and it was only last year that Paul's Freshen Up tour played its last show before Covid hit pause on live music, a legendary blowout at Dodger Stadium in Los Angeles.
Paul hadn't planned to release an album in 2020, but he soon found himself fleshing out some existing musical sketches and creating even more new ones. Before long an eclectic collection of spontaneous songs would become McCartney III: a stripped back, self-produced and, quite literally, solo work marking the opening of a new decade, in the tradition of 1970's McCartney and 1980's McCartney II. Recorded earlier this year in Sussex, McCartney III is mostly built from live takes of Paul on vocals and guitar or piano, overdubbing his bass playing, drumming, etc. atop that foundation.
Speaking about III, Paul said: "I was living lockdown life on my farm with my family and I would go to my studio every day. I had to do a little bit of work on some film music and that turned into the opening track and then when it was done I thought what will I do next? I had some stuff I'd worked on over the years but sometimes time would run out and it would be left half-finished so I started thinking about what I had. Each day I'd start recording with the instrument I wrote the song on and then gradually layer it all up, it was a lot of fun. It was about making music for yourself rather than making music that has to do a job. So, I just did stuff I fancied doing. I had no idea this would end up as an album."
McCartney III's vast and intimate range of modes and moods, from soul searching to wistful, from playful to raucous and all points between — captured with some of the same gear from Paul's Rude Studio used as far back as 1971 Wings sessions. And Paul's array of vintage instruments he played on the new album have an even more storied history, including Bill Black of Elvis Presley's original trio's double bass alongside Paul's own iconic Hofner violin bass, and a mellotron from Abbey Road Studios used on Beatles recordings, to name but a few.
McCartney III will be released December 18 on Capitol Records across digital platforms, on CD, and on LP manufactured by Third Man Pressing. Vinyl configurations will range from standard 180g to a Third Man Edition of 3000 hand-numbered red vinyl copies, a '333' Edition sold only via Third Man Records online store and limited to 333 copies on yellow-with-black-dots vinyl created using 33 recycled vinyl copies of  McCartney and McCartney II, a U.S. indie retail exclusive pressing of 4000 hand-numbered white vinyl LPs, and more.

redpajama_set_name: RedPajamaCommonCrawl


text:
Iowa Administrative Code
Agency 661 - PUBLIC SAFETY DEPARTMENT
Chapter 235 - LICENSING FOR COMMERCIAL EXPLOSIVE CONTRACTORS AND BLASTERS
Iowa Admin. Code r. 661-235.11 - Child support collection procedures
Current through Register Vol. 44, No. 6, September 22, 2021
The following procedures shall apply to actions taken by the state fire marshal on a certificate of noncompliance received from the Iowa department of human services pursuant to Iowa Code chapter 252J:
(1) The notice required by Iowa Code section 252J.8 shall be served upon the applicant or licensee by restricted certified mail, return receipt requested, or personal service in accordance with Iowa Rule of Civil Procedure 1.305. Alternatively, the licensee or applicant may accept service personally or through authorized counsel.
(2) The effective date of revocation or suspension of a license or denial of the issuance or renewal of a license, as specified in the notice required by Iowa Code section 252J.8, shall be 60 days following service upon the licensee or applicant.
(3) Licensees and applicants for licensure shall keep the state fire marshal informed of all court actions and all child support recovery unit actions taken under or in connection with Iowa Code chapter 252J and shall provide the state fire marshal with copies, within seven days of filing or issuance, of all applications filed with the district court pursuant to Iowa Code section 252J.9, all court orders entered in such actions, and withdrawals of certificates of noncompliance by the child support recovery unit.
(4) All fees for applications, license renewal or reinstatement must be paid by the licensee or applicant before a license will be issued, renewed, or reinstated after the state fire marshal has denied the issuance or renewal of a license or has suspended or revoked a license pursuant to Iowa Code chapter 252J.
(5) In the event a licensee or applicant files a timely district court action following service of a notice pursuant to Iowa Code sections 252J.8 and 252J.9, the state fire marshal shall continue with the intended action described in the notice upon the receipt of a court order lifting the stay, dismissing the action, or otherwise directing the state fire marshal to proceed. For the purpose of determining the effective date of revocation, suspension or denial of the issuance or renewal of a license, the state fire marshal shall count the number of days before the action was filed and the number of days after the action was disposed of by the court.
Note: The procedures established in this rule implement the requirements of Iowa Code chapter 252J. The provisions of Iowa Code chapter 252J establish mandatory requirements for an agency which administers a licensure program, such as the one established in this chapter, and provide that actions brought under these provisions are not subject to contested case procedures established in Iowa Code chapter 17A but must be appealed directly to district court.
Iowa Admin. Code r. 661-235.11
Adopted by IAB January 13, 2021/Volume XLIII, Number 15, effective 2/17/2021
661—235.11(101A,252J) Child support collection procedures. The following procedures shall apply to actions taken by the state fire marshal on a certificate of noncompliance received from the Iowa department of human services pursuant to Iowa Code chapter 252J:
235.11(1) The notice required by Iowa Code section 252J.8 shall be served upon the applicant or licensee by restricted certified mail, return receipt requested, or personal service in accordance with Iowa Rule of Civil Procedure 1.305. Alternatively, the licensee or applicant may accept service personally or through authorized counsel.
235.11(2) The effective date of revocation or suspension of a license or denial of the issuance or renewal of a license, as specified in the notice required by Iowa Code section 252J.8, shall be 60 days following service upon the licensee or applicant.
235.11(3) Licensees and applicants for licensure shall keep the state fire marshal informed of all court actions and all child support recovery unit actions taken under or in connection with Iowa Code chapter 252J and shall provide the state fire marshal with copies, within seven days of filing or issuance, of all applications filed with the district court pursuant to Iowa Code section 252J.9, all court orders entered in such actions, and withdrawals of certificates of noncompliance by the child support recovery unit.
235.11(4) All fees for applications, license renewal or reinstatement must be paid by the licensee or applicant before a license will be issued, renewed, or reinstated after the state fire marshal has denied the issuance or renewal of a license or has suspended or revoked a license pursuant to Iowa Code chapter 252J.
235.11(5) In the event a licensee or applicant files a timely district court action following service of a notice pursuant to Iowa Code sections 252J.8 and 252J.9, the state fire marshal shall continue with the intended action described in the notice upon the receipt of a court order lifting the stay, dismissing the action, or otherwise directing the state fire marshal to proceed. For the purpose of determining the effective date of revocation, suspension or denial of the issuance or renewal of a license, the state fire marshal shall count the number of days before the action was filed and the number of days after the action was disposed of by the court.
[ARC 8303B, IAB 11/18/09, effective 1/1/10; ARC 5395C, IAB 1/13/21, effective 2/17/21]


text:
Matthew cooper national journal politics
Politics journal cooper
Add: olidemi17 - Date: 2020-12-29 21:19:10 - Views: 8198 - Clicks: 4695
National Journal asked for suggestions about creative costumes for this year&39;s season. Matthew Cooper has matthew cooper national journal politics worked for some of America&39;s most prestigious magazines including Time, The New Republic, National Journal, U. PAC 101: A Guide to the Rules and Regulations for Political Advocacy Groups.
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text:
Rabah Ameur-Zaïmeche and The Story of Judas
I was asked by programmer Delphine Selles-Alvarez to introduce FIAF's December 13 screening of the 2015 film Histoire de Judas (Story of Judas), the last film in a complete Rabah Ameur-Zaïmeche retrospective. There isn't much written on Ameur-Zaïmeche in English, and my notes for the introduction read well enough, so:
I'd like to discuss some of the qualities of Ameur-Zaïmeche's work so far, and talk a little about how tonight's film grows out of what Ameur-Zaïmeche did before.
Some characteristics that we find in his work from the beginning:
1. An attention to documenting places and evoking their ambience, with emphasis on natural sound and a pleasure in long shots and long takes. He has a good compositional sense, with an eye for natural grandeur.
2. A tendency to suggest story rather than foreground it, giving a few muted story cues along with his evocations of locations: story emerges from within the ambience, or hides within it.
3. A tendency to present sympathetic and unsympathetic actions in a similar manner, and to let signals about characters be absorbed in the prevailing mood of the environments he creates.
The last three elements taken together make one think of Jean Renoir, in that both filmmakers want to document the world and in some sense they don't want the fiction to triumph over the documentary - they want the fiction to be infused with the qualities of the documentation. As a side effect, both filmmakers evince a generosity toward people.
A few of Ameur-Zaïmeche's characteristics come on stronger with his third and fourth films, Adhen and Les chants de Mandrin (Smugglers' Songs):
1. A romanticism in the presentation of people and their struggles, and a pleasure in the heroic. The romanticism also has the general effect of making characters more admirable - Histoire de Judas is a good example.
2. A taste for abstraction in his stories and subjects: a suggestion of allegory or symbolism, a preference for stories that point to larger issues. This tendency collides in an interesting way with the realism of image and sound that Ameur-Zaïmeche likes. The ambient style and the romantic largeness of the gestures and stories modify each other. One can almost define Ameur-Zaïmeche's style as the combination of these two tendencies.
Adhen used an unusual setting and striking art direction to create a sense of microcosm, of a part representing the whole. And after that Ameur-Zaïmeche left modern times and took up legendary subjects. The socialist politics in his films come to the surface in this period, but the politics are expressed in romantic, heroic terms - I feel as if the romanticism is at least as important to him as his political aims.
On Histoire de Judas:
The solemnity of this particular story seems as if it might weigh the film down, but Ameur-Zaïmeche soon starts doing peculiar things with the material - the sanctified subject matter throws Ameur-Zaïmeche's daring into relief. One small sign of his assertion is the modern way Jesus and Judas express their mutual affection: he humanizes them by transforming them into bros. I kind of like it because it's so much him, even if it's not the way I might approach the material: he's using that male energy that we see in his other films.
I don't want to give away the plot, but you'll see big deviations from the New Testament version as the story goes along, changes that feel more artistically than politically motivated. One interesting addition that can perhaps be mentioned without spoiling the film is the important character of the madman who impersonates Jesus and functions in the film as his double, and who eventually is the focus of a emotional scene on the site of the crucifixion. Though such additions to the story are a bold gesture, they don't alter the intent of the original much: Ameur-Zaïmeche seems to be trying to make vivid to himself the emotions of the story, rather than depart from it in fundamental ways.
In his last three films, Ameur-Zaïmeche has been moving a step at a time toward legend and grandeur: from the abstract conflict of Adhen to the Robin Hood-like figures of Les chants de Mandrin to the Christ story. I'm curious where he goes from here, as his stories have pretty much gotten as big as they can get.


When you watch those fireworks tonight, Quail Bell(s), keep in mind the words of one of our favorite feminists--Eleanor Roosevelt. She said, "The purpose of life is to live it, to taste experience to the utmost, to reach out eagerly and without fear for newer and richer experience." Need another wordy bird's sage advice? Take Emily Dickinson's thought: "Forever is composed of nows."
Maybe you return to campus in a month. Maybe your lease expires soon. Maybe you're gearing up for a big trip or a new job. Whatever the case, remember that you will never be here in the same place, exactly as you are, again. We know we're a nostalgic bunch, but because of our fondness for the otherworldly, we find ourselves mentally positioned in the future--even the far future--perhaps more often than we should.
Appreciate what's in your nest today. Count those eggs and count those blessings.


As you might guess, I am called on to review appraisals of marinas. Most of the time it's to find ways for an attorney to attack another appraisal. Often it's for a bank or an investor who now has a troubled property.
So we don't get off on the wrong track, how about some ground rules?
I won't be naming names.
The names of the firms that employ the nameless won't be mentioned.
This is not a "rag on the appraiser post" or a moan-and-groan session about the industry.
Yes, I have a real reason for writing this post. There are many questions I always ask about the report when I'm working in the capacity of a review appraiser. Still more questions are asked when I'm on the telephone with the appraiser who wrote the report (when it is necessary). When I have to contact them, rather than repeating myself, I'm going to send them this post via a hyperlink, introduce myself and give them some time to compose their answers. You could say that this is, in some ways, a review checklist. It goes way beyond that with commentary.
So to help me I'm going to pull out some appraisal reviews. Some good reports and some bad. But first I have to do some housekeeping.
The reviewer's opinion about quality must encompass the completeness, adequacy, relevance, appropriateness, and reasonableness of the work under review, developed in the context of the requirements applicable to that work.
There are several key points I'd like to make.
Notice that in a review you are forming an opinion of the appraisal even if you would have done the appraisal 100 percent differently.
There is no mention of providing a different value if you results of your review indicate substantive problems that would naturally lead you to be skeptical of the final value conclusion (this can be overcome by doing all the work under Standards 1 and 2, but then again that's an appraisal which is a separate service from a review).
There are different types of reviews. A pure desktop review usually only uses the appraisal report under review for its data. A field review is usually the other extreme where the subject and comparables are inspected. In between can be independent research into sales, rentals and other data.
So what if you don't agree with the value opinion? Although it is not covered by Standard 3, this topic is addressed in the USPAP Frequently Asked Questions. If you need to conclude a different value, you will need to develop that opinion under Standards 1 and 2, the same standards that apply if you were the original appraiser writing the appraisal for review. Technically, you can develop it under Standard 3, but if the report is poor enough to warrant concluding a separate value, I do not believe it prudent to simply use the data to conclude a different market value without doing all the homework you would do if you were doing a full blown appraisal. So simply doing a review and concluding a different market value from the other appraiser's report is typically not good review practice if you only rely on the other appraiser's data.
Another issue addressed under Standard 3 is competency. For a marina, I find this issue to be huge. Just like it would not be wise to hire an appraiser who has never appraised a marina to perform one, reviewing a marina when you have never appraised one violates USPAP's Competency Rule.
Are you ready for a shock? In my opinion, even if an appraiser has appraised a marina, they are not competent. There is no quantity test for competency… it's quality. The Competency Rule states that "you must have the knowledge and experience to complete the assignment competently." As I discuss in review appraiser competency below, applying the same rules you use for every other property type to a marina results in an inaccurate market value conclusion and an appraisal that is not competent. If you don't understand the business of marinas then the value conclusion is nothing more than a dart throw.
For all you attorneys out there, this is how you attack and destroy a flawed marina appraisal on the witness stand. You prove the appraiser is not competent and in violation of USPAP's Competency Rule. The result is the appraisal is thrown out of court. Strange but oh so very true.
So let's say you've appraised a few marinas before. Technically under the Competency Rule, you may be qualified to do a review. For common property types like apartments or offices, I'd say that is true. For marinas, I'm a disbeliever. I say this because too many of the common property type rules do not apply to a marina, which is a special purpose property. The 40 percent operating expense ratio of an apartment project does not apply to a marina. Korpacz's expected investment rates do not apply. Band of investment is bogus. I could list some more, but the point is made. You need to understand what is different and what is unique about a special purpose property to be competent and produce a credible review. Too many bank reviewers miss these two facts; instead, they put their stamp of approval on an inflated appraisal and today we're seeing these loans wind up in foreclosure and litigation. I know because I get to read those appraisals.
Part 2 of this series will address the Introductory portion of the marina appraisal.


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Sources and Methods
A blog of the History and Public Policy Program
Archives Cold War Modern Korean History Nuclear History Post-Cold War
21 Newly Translated Soviet Documents on North Korea, 1968-1969
By Charles Kraus
The North Korea International Documentation Project (NKIDP), a part of the Wilson Center's History and Public Policy Program, has just published translations of 21 documents from the archives of the former Soviet Union. The records, which come from the Russian State Archive of Contemporary History (RGANI), deal with a number of subjects, including North Korean decision-making during the USS Pueblo and EC-121 crises, North Korea-China relations during the Sino-Soviet split and China's Cultural Revolution, the Kim Il Sung cult, and economic conditions inside of the DPRK. A full list of the new translations available on DigitalArchive.org is provided below:
December 21, 1968 – Record of Conversation between N.G. Sudarikov and Pak Seong-cheol, a Member of the Political Committee of the Workers' Party of Korea. (RGANI, fond 5, opis 61, delo 466, listy 46-50. Obtained by Sergey Radcheno and translated by Gary Goldberg.)
Sudarikov informs Pak Seong-cheol that a delegation of the Democratic Republic of Vietnam, led by Pham Van Dong, visited China and the Soviet Union and asked for assistance in the Vietnam War.
December 21, 1968 – Record of Conversation between N.G. Sudarikov and Ri In-gyu, the Head of the Department of the Foreign Ministry of the DPRK. (RGANI, fond 5, opis 61, delo 466, listy 57-59. Obtained by Sergey Radchenko and translated by Gary Goldberg.)
Ri In-gyu states that the US has finally agreed to sign a document admitting its guilt over the USS Pueblo incident.
January 6, 1969 – First Secretary of the Soviet Embassy in North Korea, 'Korean-Chinese Relations in the Second Half of 1968.' (RGANI, fond 5, opis 61, delo 466, listy 1-14. Obtained by Sergey Radchenko and translated by Gary Goldberg.)
The document examines Sino-Korean relations by analyzing international relations with US and Japan, describing how Mao's ideology affects the relationship. It also discusses trade relations and military relations.
March 17, 1969 – Record of Conversation between N.G. Sudarikov and Kim Il Sung, General Secretary of the Central Committee of the Workers' Party of Korea. (RGANI, fond 5, opis 61, delo 463, listy 120-129. Obtained by Sergey Radchenko and translated by Gary Goldberg.)
Kim Il Sung discusses an armed clash with Americans in the demilitarized zone and an incident in the Korean-Chinese border. He discusses Sino-Korean relations thoroughly as well.
March 28, 1969 – Far East Department, Ministry of Foreign Affairs, 'The Domestic Situation and the Foreign Policy of the Korean People's Democratic Republic.' (RGANI, fond 5, opis 61, delo 466, listy 71-81. Obtained by Sergey Radchenko and translated by Gary Goldberg.)
The document discusses the DPRK's difficult economic situation and several changes in its political system, such as a new ideology "Juche" and shifts in the high command in parties. It also examines international politics of DPRK with China, Japan, and the Soviet Union.
April 14, 1969 – Record of a Conversation with Kim Il Sung, General Secretary of the KWP CC and Chairman of the DPRK Cabinet of Ministers. (RGANI, fond 5, opis 61, delo. 462, listi 95-101. Obtained by Sergey Radchenko and translated by Gary Goldberg.)
Soviet leader Leonid Brezhnev sought the help of Kim Il Sung in influencing China, which was in a border dispute with the Soviet Union. He requested that the North Koreans "exercise political influence on Peking."
April 16, 1969 – Record of Conversation between N.G. Sudarikov and Heo Dam, the leader of the Ministry of Foreign Affairs of DPRK. (RGANI, fond 5, opis 61, delo 462, listy 71-74. Obtained by Sergey Radchenko and translated by Gary Goldberg.)
Heo Dam reports on the DPRK's recent shoot down of an American plane, which he claims violated North Korean air space.
April 16, 1969 – Record of Conversation between N.G. Sudarikov and Pak Seong-cheol, a Member of the Political Committee of the Workers' Party of Korea." (RGANI, fond 5, opis 61, delo 466, listy 119-127. Obtained by Sergey Radchenko and translated by Gary Goldberg.)
Sudarikov updates Pak Seong-cheol on the US and South Korean reaction to the shoot down of the American airplane. Pak Seong-cheol says that the DPRK should not forgive the American enemy.
April 25, 1969 – Deputy Chief of the 1st Main Directorate of the Committee for State Security, 'Concerning Korean-Chinese Relations.' (RGANI, fond 5, opis 61, delo 466, listy 96-99. Obtained by Sergey Radchenko and translated by Gary Goldberg.)
The document describes several provocations between the DPRK and China in 1968.
June 9, 1969 – Soviet Embassy in North Korea, 'Concerning Changes in the Views of the Korean Leadership on Questions of the Unity of the Socialist Camp and the International Communist Movement.' (RGANI, fond 5, opis 61, delo 462, listy 79-94. Obtained by Sergey Radchenko and translated by Gary Goldberg.)
The report states that the DPRK is influenced less by Beijing and has started to contact European socialist countries more. It describes how the DPRK is advocating for "absolute independence" as well.
July 23, 1969 – Record of Conversation between N. M. Shubnikov and Pak Seong-cheol, a Member of the Political Committee of the Workers' Party of Korea. (RGANI, fond 5, opis 61, delo 462, listy 165-166. Obtained by Sergey Radchenko and translated by Gary Goldberg.)
Pak Seong-cheol discusses Kim Il Sung's schedule in order to schedule a meeting with the Soviet ambassador.
July 27, 1969 – Record of Conversation between N. G. Sudarikov and Kim Il Sung, General Secretary of the Central Committee of the Workers' Party of Korea. (RGANI, fond 5, opis 61, delo 462, listy 138-152. Obtained by Sergey Radchenko and translated by Gary Goldberg.)
Sudarikov briefs Kim Il Sung on the issues discussed at the International Meeting of Communist and Workers' Parties. Sudarikov and Kim Il Sung also discuss relations between the Soviet Union and China, as well as the DPRK's position on the demarcation line.
August 4, 1969 – Minister-Counsellor of the Soviet Embassy in North Korea, 'Information About a Trip to Panmunjom.' (RGANI, fond 5, opis 61. delo 466, listy 142-146. Obtained by Sergey Radchenko and translated by Gary Goldberg.)
Shubnikov discusses the situation in Panmunjom, stating that troop movements are calmer than during the previous year. He assumes that both Koreas do not want to be accused of aggressive behavior prior to the UN discussion of the Korean issue.
August 17, 1969 – Record of Conversation between N. M. Shubnikov and Kim Cheol-man, First Deputy Chief of the Korean People's Army General Staff. (RGANI, fond 5, opis 61, delo 466, listy 155-156. Obtained by Sergey Radchenko and translated by Gary Goldberg.)
Kim Cheol-man states that at 11:15 am, an anti-aircraft artillery of Korean People's Army shot down an American military helicopter, which intruded into the airspace of DPRK.
August 28, 1969 – Record of Conversation between N. M. Shubnikov and Janos Lewandowski, the Director of the 2nd Department of the Ministry of Foreign Affairs of Poland. (RGANI, fond 5, opis 61, delo 463, listy 206-214. Obtained by Sergey Radchenko and translated by Gary Goldberg.)
After discussing economic relations between the DPRK and Poland, Lewandowski states that DPRK's absence in the International Meeting of Communist and Workers' parties cannot be justified. He denounces Juche ideology as a purely nationalist policy which has nothing to do with the ideas of internationalism.
September 1, 1969 – Report about the Trip of a Delegation from Primorsky Kray to Northern Hamgyong Province. (RGANI, fond 5, opis 61, delo 462, listy 219-225. Translated by Gary Goldberg.)
The delegation from Primorsky Kray visited various places in Northern Hamgyong. The report describes their impressions, such as how primitive the factories were and how much the cult of Kim Il Sung was evident in society.
November 7, 1969 – Record of Conversation between A. D. Putivets and Sim Dong-hye, the head of the first division of the Department of the Foreign Ministry. (RGANI, fond 5, opis 61, delo 462, listy 177-180. Obtained by Sergey Radchenko and translated by Gary Goldberg.)
Sim Dong-hye reports that there is a revolutionary movement deep underground in the ROK. The DPRK is willing to help them by all possible means, but will await a request for assistance.
November 7, 1969 – Record of Conversation between N. G. Sudarikov and Pak Seong-cheol, a Member of the Political Committee of the Workers' Party of Korea. (RGANI, fond 5, opis 61, delo 463, listy 298-304. Obtained by Sergey Radchenko and translated by Gary Goldberg.)
After reporting on economic developments between the Soviet Union and the DPRK, Pak Seong-cheol criticizes the nature of collective security in Europe since it does not target the US any longer.
November 18, 1969 – Soviet Ambassador to North Korea, 'The Main Directions of the Domestic and Foreign Policy of the KWP CC and DPRK Government and the Situation in Korea.' (RGANI, fond 5, opis 61, delo 462, listy 246-264. Obtained by Sergey Radchenko and translated by Gary Goldberg.)
The document describes the increased exaltation of Kim Il Sung. Regarding international relations, the DPRK diverges with the Soviet Union and other European countries. The document also touches on relations with the Soviet Union, China, and South Korea. Lastly, some issues which should be addressed during the visit of Pak Seong-cheol to the Soviet Union are mentioned.
December 2, 1969 – Record of Conversation between N. G. Sudarikov and Kim Il, a member of the political Committee of the Workers' Party of Korea and chairman of the Cabinet of Ministers of North Korea. (RGANI, fond 5, opis 61, delo 463, listy 267-272. Obtained by Sergey Radchenko and translated by Gary Goldberg.)
Sudarikov and Kim discuss North Korea's debt and other economic problems.
December 9, 1969 – First Secretary of the Soviet Embassy in North Korea, 'Korean-Chinese Relations in 1969.' (RGANI, fond 5, opis 61, delo 466, listy 187-197. Obtained by Sergey Radchenko and translated by Gary Goldberg.)
The document indicates that there was a significant shift towards the normalization of relations between DPRK and China in 1969, particularly since June-July when the talks on the border settlement began.
Tags: Cold War, Modern Korean History
Charles Kraus
Charles Kraus is the Senior Program Associate for the Wilson Center's History and Public Policy Program.
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Many great combos, because of how your most valuable monster that you would need is either between Gem-Armadillo, Gem-Turtle, Gem-Knight Obsidian, Gem-knight Garnet, and Gem-Knight Citrine. However, you guys do what you want.
A non-meta Gem-Knight and Xyz Dragon deck.
It's a Gem Knights deck , I hope you will enjoy it .


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What is the plot of the book A Long Way Gone?
What happened in the beginning of A Long Way Gone?
What is the main conflict in A Long Way Gone?
What are symbols in A Long Way Gone?
Why did Ishmael shoot the monkey?
What is the falling action in the book A Long Way Gone?
What is the resolution in the book A Long Way Gone?
What does the moon symbolize in a long way down?
Why is the moon significant in A Long Way Gone?
What surprising thing did Ishmael do when he was captured Why?
A Long Way Gone is the true story of Ishmael Beah, who becomes an unwilling boy soldier during a civil war in Sierra Leone. When he is twelve years old, Beah's village is attacked while he is away performing in a rap group with friends.
Our story starts with Ishmael Beah, a 12-year-old boy living in Sierra Leone. One day, Ishmael, his brother, and another friend walk to a neighboring village where they plan on rapping and dancing in a talent show.
What is the climax of the book A Long Way Gone?
Climax. The climax occurs when Ishmael realizes he will never escape war and find peace until he leaves Sierra Leone. He finds a way to get to Guinea and then to New York City and become a new person.
These conflicts include Ishmael running away from the war, his family, and his friends, Ishmael's entire family dying and him becoming a soldier at the age of 13, Ishmael going through rehabilitation, and Ishmael trying to move to a safer area when war meets Freetown.
The symbols used in this literary work to show the theme of freedom are the moon and the cassette tape Ishmael had from his childhood rap group. The symbol used to represent the theme of oppression is Ishmael's dreams or nightmares. The symbol of the moon represents the theme of freedom.
What is ironic about the war fought by the liberation movement against a corrupt government in A Long Way Gone?
– Ishmael remembers an adult saying that the war was to liberate the people from a corrupt government. – Ishmael was a soldier for the government, thinking that they were killing to liberate the people from the RUF. – The irony is that they were shooting innocent civilians and children for this "liberation movement."
Ishmael's story concludes with his metaphorical decision to kill the monkey so that future hunters don't face the same dilemma. As it relates to war-torn Sierra Leone, Ishmael would risk his own family if it meant future families wouldn't have to make the same choice.
The falling action involves Ishmael's long and harrowing journey out of Sierra Leone to Guinea and thence to New York City.
What is the main theme in A Long Way Gone?
In A Long Way Gone, the theme is "Always have hope", and is shown through Ishmael Beah's hope for a better life, to find his family, and through the rehab staff`s hope for the boy soldiers. Ishmael`s hope for a better life portrays one example of the theme "Always have hope".
Resolution. Ishmael eventually ends up in the United States where he is adopted by Laura Simms and everything ends happily.
At times, the moon is the closest thing to Ishmael Beah as he runs for his life against rebel forces during Sierra Leone's civil war. For Beah, the moon is a gateway from the past and a symbol of hope.
Why does Beah flash back to his grandmother's village at the end of the excerpt?
Beah chose to provide this flashback because of the fact that it gives the reader a little historical background and also provides for the story the comparison between civil war and independence.
For Ishmael and his family, the moon is a symbol of goodness and joy. The moon shines a light in the darkness (something Ishmael really needs at times). And good things can happen by the moonlight.
What surprising thing did Ishmael do when he was captured? Why? He danced to OPP because the chief told him to. What again saves the boys from being killed?


It would appear that after our 3 heavenly, gorgeous sunny days here in Salzburg we may have consumed all the sunshine for our 2-week allotment. That does make me a bit sad, but it's imperative to remember why the rain is necessary and, in fact, sublime!
At a recent dinner party (oh God, it was good! And the recipe can be found in the new Opera Singer's Cookbook: Die Oper Kocht!) I couldn't get enough of the gorgeous flowers that were abundantly and proudly strutting their stuff. I leave you in peace to enjoy the hard labors of the rain that so dutifully falls on this lovely, historic, sonorific town!
PS – Don't forget you can now follow me on Twitter if you like!!


Great game, just a couple suggestions.
I love this game it's really addictive and fun. But there's just one little issue with the gems: they're too hard to get! The only ways to get gems are to either buy them with real money or complete certain goals that award a handful of gems. Which is really inconvenient considering lots of things in the game cost gems and I'm talking about way more then just five or three. And in some of your other games like dragon story and castle story, sometimes there are goals that reward several gems for doing something really simple like buying any decoration you want or collecting coins from any coin generating building (castle story). But there aren't any goals like that ever. And when you level up you don't get anything then either. I think you should add those gem and experience rewarding goals that sometimes show up and I think that every time you level up you get a 1 or 2 gems so you'll have something to look forward to other then unlocking new animals that you may or may not be able to afford because they might cost a bunch of gems. I also think you should make an aquarium story game. It could be just like zoo story except with more sea creatures basically. So please consider my game idea and make it easier for people to earn gems.
I really like this game. It is fun, addictive, and, although I am writing this within about two hours of downloading the app, I know it will be great for boring times. I am glad I decided to get it.
And on to the problem. I don't have any idea how to earn the gems other than purchasing them. That wouldn't be annoying if some animals were only available through Jems.
I am not sure if anybody else have said anything about it in their reviews. I did not spend much time reading them because I want to get back to playing this game!!!
Anyways, I'd give five stars if it were easier to collect gems. Still, don't get me wrong, this is an awesome and addictive game.
Coming back to this about three months since I wrote that, I noticed something. On the screenshots, it says it costs 70 coins to crossbreed a liger. The truth is it costs 7 gems, which leads to spending real money. So if you are wanting to crossbreed a liger, it may result in spending some money, and please fix this, and make things easier to afford (like, for example, you could make animals and decorations available for gems, but, then, some levels later, have them available for coins, of you could make gems a little easier to acquire). In another similar game, the equivalent of gems are far easier to achieve.
MUST READ!! MIGHT HAVE A GOOD IDEA!!
I love this game very much! But the problem is that.. I don't have as many gems to complete the challenges it gives me. For the crossbreed it costs 30+ gems! I can't do that! It costs way to much! And I'm not the type of person who spends a lot of money for gems. I would consider using a watch a video for earning gems! That's what is happening in Restaurant Story and Bakery Story! You get 10 gems everyday and I think that's good enough for me. You should do the same exact thing for Pet Shop and Zoo Story and many more to come. Like Fashion Story and etc. but why pay 149 gems for another bed? That's too much. It's should at least be 8 the max. And the price for the dogs and cats and etc. costs like 18+ and I can't waste as much because I'm not the type of person who likes wasting money. I can't even waste money! I'm young! I'm a teen and yeah I have a job but I don't like buying things off of iTunes. So please reconsider this! I would be really pleased if you made this come true! It would be a little bit easier for me to complete the challenges! I would be the happiest person if you add on watch the video to earn gems. So please please please! I'm begging you! Please consider doing this! I would really appreciate it and I would rate it 5 stars! Thank you!


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I have been considering the idea of starting private music tuition in Port Moresby but am wondering just how feasible it would be. How many of you would be interested in, or have children that would love the idea of learning to read music, understand the theory behind, and learn to play an instrument?
I understand the schools over there don't offer a lot in the way of music education so perhaps a dedicated music school would have a reasonable market in Moresby...? From what I know there is not really anything like this set up in POM yet - but just because people and their children live in PNG, that doesn't mean they shouldn't get the chance to learn music.
If anyone is interested, please "register your interest" right here so I can get a bit of an idea just how many people would actually love to learn music. If you have any questions, ask them here in the public forum instead of PM, as others may have the same question.
That is a very good idea. Our kids need to learn music.
this is a good idea for the young generation to learn music so that they can become music professionals in the future.
Most of the musicans now are self-taught musicans and still I see that they lack some more in music.
gre** idea,but one thing to remember th** most famlies in Png can't afford to send their children to school let alone send their kids to music school. Png people love their music & they are self taught.
most unstrument they first learn would be the ukalele.
May be you should start of with by giving them some free lessons and talk to the parents about it wh**'s best for them.
Than work out how much you charge per lesson & so fort.
Would you be able to run a basic to advanced sound engineering course also?
hi jaybee - unfortunately i wont' be offering a class in sound engineering - it's definitely not my area of expertise.
however, i'm very happy to say that the music school will be going ahead! we hope to start as soon as october (term 4) - if not, then definitely next year. please pass the word around that people will very soon be able to get private music tuition in port moresby!!!
i will post more definitely about it in the coming weeks, incl what will be offered, pricing, location etc etc.
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text:
search filter All ContentJournal of Palestine Studies
Book Review| August 01 2019
Review: Triadic Coercion: Israel's Targeting of States That Host Nonstate Actors, by Wendy Pearlman and Boaz Atzili
Triadic Coercion: Israel's Targeting of States That Host Nonstate Actors
, by Wendy Pearlman and Boaz Atzili.
. 384 pages. $65.00 cloth, $30.00 paper, $29.99 e-book.
Peter Krause, associate professor of political science at Boston College, is the author of Rebel Power: Why National Movements Compete, Fight, and Win (Ithaca, NY: Cornell University Press, 2017) and the coeditor of Coercion: The Power to Hurt in International Politics (Oxford: Oxford University Press, 2018).
Journal of Palestine Studies (2019) 48 (4): 132–134.
https://doi.org/10.1525/jps.2019.48.4.132
Peter Krause; Review: Triadic Coercion: Israel's Targeting of States That Host Nonstate Actors, by Wendy Pearlman and Boaz Atzili. Journal of Palestine Studies 1 August 2019; 48 (4): 132–134. doi: https://doi.org/10.1525/jps.2019.48.4.132
© 2019 by the Institute for Palestine Studies. All rights reserved. Please direct all requests for permission to photocopy or reproduce article content through the University of California Press's Reprints and Permissions web page, http://www.ucpress.edu/journals.php?p=reprints.
Bibliography of Recent Works: 16 FEBRUARY–15 MAY 2020
Photos from the Quarter
Palestine Unbound
Review: The Movement and the Middle East: How the Arab-Israeli Conflict Divided the American Left, by Michael R. Fischbach
Review: The ABC of the OPT: A Legal Lexicon of the Israeli Control over the Occupied Palestinian Territory, by Orna Ben-Naftali, Michael Sfard, and Hedi Viterbo