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Invesco Implements Eagle Performance Measurement Solution in Europe
Project Represents Next Phase of Consolidation for Invesco by Expanding on its North America Deployment
BOSTON and LONDON – September 18, 2012 – Eagle Investment Systems LLC, a leading provider of financial services technology and a subsidiary of BNY Mellon, today announced that its client Invesco, a leading independent global investment manager, has fully implemented Eagle's performance measurement solution to manage its retail and institutional business in Continental Europe, leveraging the existing production instance of the Eagle platform in North America.
Invesco selected Eagle's performance measurement solution to help consolidate its global portfolio management operations onto one platform and create more efficiency.
As a result of this deployment, Invesco now has a consolidated view of its business across North America and Continental Europe. Streamlining these processes has helped Invesco realize cost savings and establish a baseline for consolidating additional European funds in the future.Invesco is also utilizing Eagle's data mart for enhanced reporting across performance, holdings, transactions, fund rankings/ratings, and risk metrics. Additionally, the Eagle platform helps support Invesco's client reporting, P&L reporting and fact sheet development for their Paris and Frankfurt businesses.
"By consolidating our data and performance operations, Invesco has been able to return capacity back to our IT group and improve efficiencies for our business partners, and we can now offer an enhanced client experience for the funds we have consolidated on the Eagle platform. Despite this being a large undertaking, we are pleased that the project was completed on schedule and according to plan," said Fabian Gomez, senior director at Invesco. "We are excited about the efficiencies that Eagle's technology affords our business and clients. The groundwork has already been laid to leverage Eagle's software for the next phase of consolidation for Invesco."
"Our work with Invesco is the perfect example of how Eagle collaborates with clients to create a successful global implementation strategy when faced with complexity and scale," said John Lehner, president and CEO of Eagle. "Working with Invesco illustrates how thorough planning and true collaboration can result in a successful deployment, while providing the client with immediate benefits and results. We look forward to our continued collaboration in the future."
Invesco is a leading independent global investment manager, dedicated to helping investors worldwide achieve their financial objectives. By delivering the combined power of distinctive investment management capabilities, Invesco provides a wide range of investment strategies and vehicles to retail, institutional and high net worth clients around the world. Operating in more than 20 countries, the company is listed on the New York Stock Exchange under the symbol IVZ. Additional information is available at www.invesco.com.
Eagle Investment Systems is committed to helping financial institutions worldwide grow assets efficiently with its innovative portfolio management suite of data management, investment accounting and performance measurement solutions that are delivered over its secure private cloud, Eagle ACCESSSM. Since 1989, Eagle has deployed trusted solutions and services that create operational efficiencies and help reduce complexity and risk. Eagle Investment Systems LLC is a subsidiary of BNY Mellon. Additional information is available at www.eagleinvsys.com.
BNY Mellon's Asset Servicing business supports institutional investors in today's fast-evolving markets, safeguarding assets and enhancing the management and administration of client investments through services that process, monitor and measure data from around the world. We leverage our global footprint and local expertise to deliver insight and solutions across every stage of the investment lifecycle.
BNY Mellon is a global financial services company focused on helping clients manage and service their financial assets, operating in 36 countries and serving more than 100 markets. BNY Mellon is a leading provider of financial services for institutions, corporations and high-net-worth individuals, offering superior investment management and investment services through a worldwide client-focused team. It has $27.1 trillion in assets under custody and administration and $1.3 trillion in assets under management, services $11.5 trillion in outstanding debt and processes global payments averaging $1.4 trillion per day. BNY Mellon is the corporate brand of The Bank of New York Mellon Corporation (NYSE: BK). Learn more at www.bnymellon.com or follow us on Twitter @BNYMellon.
Emily Bonkowski
Eagle Investment Systems LLC
ebonkowski@eagleinvsys.com
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Eagle Investment Systems LLC is a leading global provider of financial technology solutions.Eagle's data management, investment accounting and performance measurement solutions integrate and streamline the investment process in support of achieving improved business efficiencies at a lower cost of ownership.


The anime studio Fanworks reports on its Twitter account that Kôichi Motohashi, the president of the acclaimed anime studio Nippon Animation, passed away. He was 80 years old. Motohashi was the executive producer of dozens of Nippon Animation titles, including the classic World Masterpiece Theater collection. Those titles include Adventures of Tom Sawyer, Dog of Flanders, Anne of Green Gables, Ai no Wakakusa Monogatari (Little Women), Wakakusa Monogatari Nan to Jou Sensei (Little Men), and many others.


Long Beach/Los Alamitos Gastroenterology Associates is Excited to Announce Our New Hungtington Beach Location!
Long Beach Gastroenterology Associates is pleased to announce the arrival of two new Providers. Dr. Sunny Lo and Dr. Farid Jalali.
Dr. Sunny Lo, D.O. spent the majority of his childhood in Los Angeles County, growing up in Rowland Heights. He received his undergraduate degree in Biological Sciences from the University of California, Irvine and his medical degree at Western University of Health Sciences in Pomona CA. He completed his Internal Medicine internship and residency at Loma Linda University Medical Center and ultimately his Gastroenterology fellowship at Parkview Medical Center in Colorado.
His interests range from General GI to hepatobiliary and pancreas to the esophagus and general hepatology. He has been trained extensively in endoscopy, colonoscopy and ERCP procedures.
Dr. Farid Jalali, M.D. grew up in Iran, completed his undergraduate and medical degrees at West Virginia University. His internship and residency were completed at the University of California Irvine. He went on to graduate from the Gastroenterology Fellowship program at the University of California Irvine. Dr. Jalali is board certified in internal medicine and will be completing his board certification in Gastroenterology in 2018.
He performs GI consultations and has extensive experience in endoscopy and colonoscopy procedures, including biliary and small bowel endoscopy.
The liver is responsible for several metabolic functions in the body, one of the most important being the storage and breakdown of nutrients that is then utilized as energy. When we overly consume food and beverages it forces the body to turn what it can't utilize into stored body fat. While it's normal for the liver to store minimal amounts of fat, when the liver is 5% or more fat the individual has developed a fatty liver. This is caused by consistent, excessive alcohol or food and beverage intake. Individuals that have Diabetes, high cholesterol, high triglycerides, and/or are obese are at a higher risk for developing fatty liver.
How can you reverse or minimize the damage of Fatty Liver?
If lifestyle changes are not made, fatty liver can progress to cirrhosis, liver cancer and/or end-stage liver disease. Working with a Registered Dietitian to monitor your diet, food selections and weight loss progress is the most effective way to prohibit further health complications.
What types of nutrition changes can you implement?
The main goal for any individual attempting to lose weight is to control the amount of food you are consuming. As stated previously, overconsumption of carbohydrates, fats, and protein can all be stored as body fat, therefore learning the amount of food that your body can utilize without storing anything as fat is ideal for a successful weight loss journey. Selecting better quality food items is also extremely important in weight loss for satiety and overall health benefits.
Select more fresh food options than processed items.
Eliminate items that are high in fat and added sugar.
Consume items higher in fiber to keep your bowels regular and for satiety purposes.
Keep a food journal to keep track of what and how much you are eating, this is a great way to hold yourself accountable and learn the nutrient content of items you regularly consume.
Drink at least 64 ounces of water daily to limit water retention and promote the breakdown of stored body fat.
Prepare for your next day of meals the night before so that you can get easily get through your day without steering away from your goals.
We offer the Ideal Protein weight loss program overseen by our Registered Dietitian, Andrea Marincovich, R.D. that is a highly effective, turn-key nutrition program. This program is a low fat, low carbohydrate, moderate protein, ketogenic protocol that is suitable for individuals with Fatty Liver to achieve the weight loss necessary to decrease the amount of fat stored in the liver. Click here to learn more about this program!
How can you monitor your Fatty Liver?
At Long Beach Gastroenterology Associates we are excited to announce that we now offer FibroScan. FibroScan is a noninvasive scan performed at our office that evaluates the amount of fat in your liver. This is a great way to assess how effective your diet is in improving your fatty liver and the progress you are making. A FibroScan is commonly covered by insurance every 6 months.


There has been a notion that financial institutions depend on a particular method of adverts to reach out to their consumers and target audience. This is as a result of the fact that most institutions are faced with multiple stiff competitions from their counterparts in the global market. We can all imagine the rate at which most financial institutions would handle the issues of promoting their business brands to target prospects and consumers. This aspect of the business sector now gets harder by the day as we can witness the different channels that multiple financial institutions have utilized in promoting their business brands and services in the global market.
It may interest you to know that when a financial institution can attract the interest and awareness of target prospects, the institution is able to connect to their interest. This gives the business organization the opportunity to be able to develop a certain level of confidence in the institution and consistently retain the purchasing strength of the consumers. Since the inception of the introduction of the internet, information has been made available in abundance, and this has helped a lot of consumers review the particular product they are interested in before making their purchase. In the business sector, channels for brand promotion and service awareness must be aligned through the digital marketing system. This is because the ability to convert a target prospect to a consumer online is a very challenging task. It takes much educating and follow up information to make a convincing impact on the prospect.
The digital marketing technology consists of multiple channels at which financial institutions can promote their business brands. The channels that take the financial institutions to the level of communication all round to target prospects and audience at large which is a way that financial institutions can succeed and grow in the global market. Financial institutions are encouraged to understand the unique components that are put together to make up the digital marketing system. Also, the methods of the search engine optimization system in other to enable target prospects and consumers build trust and last longing relationships to connect consumers to their business brand.
Our team of experts and professionals have worked hard and created a platform that integrates the digital marketing platform that would assist financial institutions to understand and utilize the unique advantages of the digital marketing system. The platform of platforms creates content for financial institutions to connect to consumers which would enable them to comprehend all about the business brands. The custom platform goes in details to provide financial institutions with specific information to make a proper evaluation of the business brands. Take for instance, when a consumer is trying to get a loan for his small scale business, the content on the webpage would be all about building sound communication with the target prospect. It is important that when an institution is creating content for their business brand on their webpage, they must put into consideration the interest of the target prospect.
content is the backbone for all significant forms of brand promotion.
The custom platform bridges the gap that has been existing between target prospects, consumers and financial institutions. These are the reason for providing a quality platform for financial institutions to develop quality content to educate consumers and target audience on the various types of business brands and services they possess. This is based on the fact that quality brand promotion cannot be easily achieved without the concept of content creation.
The platform of platforms gives financial institutions the enormous capacity to increase the visibility of their business brands and services. The more visible their brands are the more target prospects, and the consumer is attracted, and it would result in establishing a strong relationship with the target prospects and consumers that lasts long. As far as the institution can meet the needs of the target prospects and consumers with their brands, we can be sure that the financial institutions would be largely recognized. A high level of awareness would also be achieved.
Finally, the platform of platforms has been highly influential and relevant to the financial institutions in the sense that institutions can now boast of credibility amid their consumers. This has enabled the institutions to affirm their authority in the global market. This feat achieved has as gone far as making other organizations focus on digital strategies of marketing.


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text:
Q: Outsystems - Add another environment I previously created a personal environment in Outsystems 11, I need to create a new one in Outsytems 10 because it is the version I needed. I searched over the internet and saw how to add another environment in Lifetime cloud but the options in my environment management looks like this only.

How can I add a new environment? Thanks for any help.

A: In a Personal Environment you can have only one stage/environment. Adding other stages is only available on paid subscriptions.
In any case, it's no longer possible to launch new version 10 infrastructures. Only v11 infras are now available.

A: Like Miguel said, only paid subscriptions can have multiple environments, and each environment is paid. Also personal environments have the last version of the platform. Only creating another account, to have a new environment.

redpajama_set_name: RedPajamaStackExchange


It's our third birthday! We're celebrating with art, drinks, chocolate and jewelry. Duh.
Save the date! We're celebrating two years in business and one year in Midtown. Drinks, snacks, trunk shows, photo booth, live music and giveaways. You won't want to miss it!
Home/Work, along with twenty artisans, will have tables selling unique goods within the Museum of Art & History. There will also be live demonstrations by makers on their process. Hope to see you there!
We're having a party to make holiday shopping a little less painful and a heck of a lot more fun! Join us for an evening of cocktails, treats, giveaways, and a little help crossing the people you love off your shopping list.


VisitHATTIESBURG is kicking off Black History Month with the relaunch of an updated 1964 Freedom Summer Trail and its accompanying audio tour. The 16-stop Hattiesburg tour begins at the Visitors Center, winds through downtown, the Palmer's Crossing community, and ends at The University of Southern Mississippi.
Mississippi Tourism Association presented VisitHATTIESBURG with the 2018 Tourism Achievement Award this week at the Mississippi Governor's Conference on Tourism held in Oxford, Miss. on Sept. 23-25, 2018.
VisitHATTIESBURG is excited to announce #CulinaryCrawl as the kickoff event for the city's first Restaurant Week, scheduled for Oct. 7-14, 2018. The #CulinaryCrawl is a ticketed progressive dinner featuring stops at four Hattiesburg hotels.
VisitHATTIESBURG is pleased to announce its new Tourism Grant Program (TGP), a dedicated fund for sponsorship of local events, festivals, and other community programs aimed to increase overnight travel to Hattiesburg.
VisitHATTIESBURG is pleased to announce the city's first Restaurant Week, scheduled for October 7 – 14, 2018. By partnering with local restaurants and hotels to highlight culinary offerings to visitors, VisitHATTIESBURG expects this event to attract foodies from throughout the southeastern U.S.
The 7th Annual Downtown BBQ Showdown, presented by The Hattiesburg Historic Neighborhood Association, along with Brown Bottling Group- Pepsi will take place on Saturday, August 18, at Town Square Park in Hattiesburg. Participating BBQ Teams will set up on Friday, August 17, with the public event on Friday from 5:30 - 9:00 p.m. continuing until Saturday from 10:30 a.m. until 4:00 p.m.
Americana music enthusiasts have another concert option in Hattiesburg as singer-songwriter Gillian Welch takes the stage at the historic Hattiesburg Saenger Theater for the second installment of the summer series on Friday, August 17 at 8 p.m.
The Mississippi Tourism Association recently held elections for their Executive Board positions. VisitHATTIESBURG Executive Director Marlo Dorsey was voted by her peers to serve as Secretary / Treasurer for fiscal year 2018 – 2019.
Anna McDaniel was crowned the 2018 Mississippi Miss Hospitality Saturday evening at the Historic Saenger Theater in Downtown Hattiesburg. With 31 contestants competing for the title, McDaniel was selected following the week of competition, which included one-on-one and panel interviews, speeches, on-stage interviews, and an evening gown component.
You'll find Hotel Indigos in metropolitan cities around the world – New York, Bali, Hong Kong, Warsaw – but since its 2004 inception, the hotel has lacked a presence in Mississippi.
For the first time, the Downtown Hattiesburg Association and the Petal Area Chamber of Commerce are partnering to offer a family-friendly Fourth of July experience. The Star-Spangled Celebration on the River will take place Tuesday, July 3 from 5 p.m. to 10 p.m. in Hattiesburg's Chain Park and Petal River Park, complete with a 9 p.m. fireworks display over the Leaf River.
Americana music enthusiasts now have two more summer concert options in Hattiesburg as singer-songwriter Robert Earl Keen takes the stage at the historic Hattiesburg Saenger Theater on Thursday, June 28 at 8 p.m., followed by Gillian Welch on August 17.
The TownePlace Suites hotel in Hattiesburg, Mississippi has been officially recognized by Marriott, earning two prestigious awards for the McNeill Hotel Company property.
During the 17th annual Tourism Partners Luncheon yesterday at the Historic Train Depot, VisitHATTIESBURG recognized thirty-two tourism industry workers as Shining Stars as part of its National Travel and Tourism Week celebrations.
VisitHATTIESBURG is hosting a variety of community events focusing on "Travel: Then and Now" May 6-12 in celebration of National Travel and Tourism Week 2018. The events will highlight Hattiesburg's tourism economy growth over the last decade, while also recognizing individuals who exemplify excellent service in the hospitality industry.
We are thrilled the Area Development Partnership featured us on the spring issue of The Navigator. Read below to find out how the VisitHattiesburg team is promoting tourism!
The Hattiesburg Tourism Commission is pleased to announce the addition of experienced tourism professional Kristen Brock as its new Programs and Promotions Manager. Brock brings extensive knowledge of Hattiesburg's tourism industry and a strong community outreach network to the team in this community liaison role.
A new marker on the Mississippi Freedom Trail memorializes Clyde Kennard, the first African-American student known to apply for admission to The University of Southern Mississippi.
The Hattiesburg Tourism Commission is pleased to announce the addition of experienced tourism professional Paige Hunt as its new director of sales and visitor services. Hunt brings extensive knowledge and proficiency to the leadership role having worked in both local and state tourism during her fifteen-year career.
Join two of Mississippi's favorites – chef Robert St. John and artist Wyatt Waters – as they visit six Mississippi cities, including Hattiesburg, creating scrumptious dishes and beautiful watercolor paintings in their new television series Palate to Palette on Mississippi Public Broadcasting Television. The Hattiesburg episode airs at 7 p.m. Nov. 9, with an encore presentation at 10:30 a.m. Nov. 12.
The Hattiesburg Tourism Commission is pleased to announce the addition of Paige Crane to the team as director of communications and digital strategies. In this role, Crane will focus on growing and strengthening Hattiesburg's digital marketing efforts and serve as the media relations contact for VisitHattiesburg.
After an executive search process with nationally recognized firm Searchwide, the Hattiesburg Tourism Commission has selected Marlo Dorsey as its new executive director effective October 1.
VISITHATTIESBURG™ officially launched its new website today, which features a comprehensive listing of Hattiesburg's restaurants, attractions, places to stay, and meeting facilities.
During the 16th annual Tourism Partners Luncheon yesterday at the Historic Train Depot, VISITHATTIESBURGTM recognized twenty-two tourism industry workers as Shining Stars.
Starting today, Feb. 13, the Hattiesburg Tourism and Convention Commissions are selling HBURG branded items in order to raise tornado relief funds.
Rick Taylor was honored with the Hub Award during a gala dinner and program at Lake Terrace Convention Center.
VISITHATTIESBURG's Executive Director Rick Taylor was awarded a leadership award at a 12-state tourism conference.
The Hattiesburg Zoo unveiled its new Tigger the Tiger monument, which was donated by the Hattiesburg Tourism Commission.
VisitHattiesburg and the Hattiesburg Convention Commission have named Marlo Dorsey as Director of Marketing and Communications. With more than 20 years of marketing experience, Dorsey will lead public relations, advertising, communications and sales for both commissions.


Last week BEAU + LUCI squeezed out as much of South Georgia as they could for the people who came out to Rockwood Music Hall in Manhattan's Lower East Side. The band hopped up on stage, said their hellos, and jumped right into it. Fueled up on caffeine and adrenaline, the group played their brand of melodic rock, accented with southern swag. After the first song, it was obvious that this crew didn't come all the way to New York to sightsee; they came to kick out the freakin' jams!
The electric, Southern Rock riffs, accompanied by the larger-than-life, siren-song vocals of BEAU + LUCI are hard to ignore. Their sound seems deeply rooted in the Southern Rock influences of the Allman Brothers Band and Alabama Shakes, with the vocal stylings of Grace Slick or Adele. The group definitely has jumped off the shoulders of some great rock giants, but are now soaring off, doing their own thing.
On a side note, another thing that makes BEAU + LUCI awesome is that one of their members, Luci Turner, is also the editor of Left Bank Magazine. So if you're not able to see her and her band live, you can always catch her here on Left Bank, giving her take on what's hot or not in current music and culture.
Be sure to check out BEAU + LUCI on tour in 2019 and on YouTube, Spotify and iTunes.
Artist,writer and all in all creative misfit.


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If you're trying to conceive or interested in your fertility, you can take the Female Hormone test on day 3 of your cycle to discover a broad picture of your fertility status. The text looks at key hormones, such as; Follicle Stimulating Hormone (FSH), Lutenising Hormone (LH), Prolactin and Oestradiol.
These hormones can indicate whether you have a low ovarian reserve, ovarian failure or suppressed ovulation, which can all affect how easily you conceive.


We offer 10 years of professional experience and we are so confident in our product that we offer a full money back guarantee! If your passport photo gets rejected for any reason, we will give you a full refund and even take another passport photo for you for free. To top it all off, we offer the lowest pricing for passport pictures in all of Hamilton!


In an effort to explain the larger than usual surplus of year end funds from Dinwiddie County School Board, the following facts are being offered. In addition, a detailed report has been posted on our website concerning the final budget numbers.
The School Board and its finance department has examined the issue to determine what caused the surplus to be so high, and to make sure this does not happen in the future. We are also reviewing procedures to better project funding streams from state and federal sources.
There were three separate factors that led to the $1.5 million dollar surplus in last year's budget. First, we experienced significantly lower than projected expenditures in many of the line items in our budget. For example, a milder than expected winter left a surplus in our gas and electricity category; The employment and replacement of staff with people who were lower on the pay scale; fewer special education students placed in out of district programs (which we are required to pay for); and not filling many budgeted personnel slots (when circumstances such as smaller enrollment numbers, made it unnecessary).
The second factor that affected the surplus was the always changing revenue picture from the state of Virginia this past year. In September our enrollment was around 60 students lower than was projected. Knowing that this would result in a net loss of state funding, we began to cut expenditures in many categories. We were also informed by the state to expect significantly lower sales tax revenues. The state in midyear revised its sales tax revenue projection to be $262,000 less then what was originally forecasted. Based on this information, we further reduced our expenditures. However, by the end of the year, better that expected sales tax was collected ($360,000). We also received $53,000 towards our JROTC Program. While we knew that we would receive partial funding for the JROTC program, we did not have an exact figure, nor did we know when it would be provided to us by the federal government. We also received a Forest Reserve Payment for timber cut on state lands throughout Virginia. Because of our intentional cutbacks, and the increase in revenue in these areas, our end of year funds grew after the July 1 spending deadline.
The third factor that affected the higher than expected surplus at the end of the year was our not including our carryover ($750,000) from our previous year budget into our end of year balance. This was a mistake. This amount was on the books and was available to us, but had not been posted to budget worksheets when we started looking at the year end balance. As a result, it was not recorded in our end of year balance.
The changes we are making, such as the formation of a Budget Committee and how we post our beginning balance, will result in us doing a better job of tracking revenue and expenditures. Our projections and account balances from the previous year are now listed as a line item in our calculation spreadsheet.
We are confident that these changes will prevent this situation from happening in the future. Additionally, the monthly review by staff will also include review by a newly created budget committee.
The funds that were in our roll-over account would not have allowed us to keep all of our buildings open. Many of the funds mentioned were not reoccurring, meaning that they would not be available in future years.
If citizens and taxpayers have additional questions, please contact your School Board member or Superintendent W. David Clark. We appreciate your concern and your support.


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Q: new relic synthetics strange http response codes -7,-20, -9999 Looking at the synthetics page of the new relic monitoring tool we have in place, I'm seeing unfamiliar http status codes in the http response codes panel, for example -7, -20 and -9999
Is this usual? Anyone know what these would mean/where they would be coming from?
Many thanks

A: The -7 response code indicates that a timeout has occurred requesting the resource.
From the Synthetics documentation:

New Relic Synthetics returns a number of additional response codes beyond standard HTTP response codes, visible in the Resources page. These response codes are based on Chromium's response codes  and give you more detail on the behavior of your monitors

A full summary of the extra response codes supported is available at that URL.


How to Sail a Boat?
Sailing is an activity that involves propelling a boat considering crucial factors such as the wind. Below, we are going to discuss how to sail from day one. Hopefully, the wind is only at 5 or 6 knots, which makes it easy to maintain control of the sailboat, especially when this is your first time at the helm.
Experts suggest using only the mainsail. It is best to wait until you have gained a certain amount of experience by using the sails individually at first.
You'll have plenty of opportunities to use both at a later time. Assuming that the main is up, next you will need to turn the tiller towards your intended direction of travel until the sail finds the wind. By the way, a tiller is the steering control mechanism on smaller sailing boats. Nevertheless, the tiller steers in the opposite direction you will want to go.
On the other hand, a ship wheel works exactly the same as the steering wheel on an automobile. So depending on how your sailboat is equipped with a tiller or a ships wheel will determine how you will steer with it.
Just keep in mind that sailing downwind is much faster and easier than tacking! It's a good reminder to be aware of the time and allow plenty of time to get back to your original destination. Your next task is to trim the mainsail to the wind by using the boom block. The boom block is a sailing term that is a set of pulleys that are attached to the end of the boom and allows you to position the boom in various angles up to 90 degrees perpendicular to the mast.
Running or reaching is the sailing term for traveling downwind and depending on the angle of the mainsail in relation to the wind, determines if you are running or reaching. If running, the position of the mainsail is approximately 90 degrees to the centerline of the hull. However, if you are reaching, then the mainsail is at an angle less than 90 degrees in relation to the wind.
Depending on your natural abilities, you may be happy reaching at first. By experimenting with angling the boom, you will gain the necessary skills for running or reaching. However, there a wide range of boom angles between a beam reach and running downwind.
Next, you'll have to turn or come about. There are essentially two ways to accomplish this, by tacking or turning upwind is one way, or you can jibe or turn downwind which is faster than a tack turn. The reason being is that in a jibe turn you have the wind behind you pushing the sailboat through the turn, as opposed to a turning into the wind in a tack turn. Experts suggest that you practice both turns the tack and jibe until you feel comfortable, as you will need this skill to tack or sail upwind.


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Brachycylix is a genus of flowering plants in the family Fabaceae. It belongs to the subfamily Detarioideae. It contains a single species, Brachycylix vageleri.

Detarioideae
Monotypic Fabaceae genera

redpajama_set_name: RedPajamaWikipedia


Seventh-grade science classes at Great Hollow spent the day participating in hands-on studies during an outdoor, interdisciplinary nature field trip on Nov. 1.
The seventh-graders walked as a group to Charles P. Toner Park. Students were instructed to complete multiple interdisciplinary stations outdoors. All the stations incorporated nature, using the senses, and allowed students to spend an entire day to appreciate the nature in their hometown. The students hiked up a fitness trail, taking temperature readings at six different experimental stations. They used a compass to find four different mystery locations throughout the park. Students used their math skills to determine the age of a tree and wrote poetry about the nature around them.
Taking their learning indoors, students walked to the Smithtown Public Library in Nesconset. Great Hollow's librarian worked with the Smithtown Public Library's teen librarian to create a library-themed nature escape room.


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Family tree of Willard LIBBY
Physicist, Chemist
Born Willard Frank LIBBY
American physical chemist noted for his role in the 1949 development of radiocarbon dating
Born on December 17, 1908 in Grand Valley, Colorado, USA , United States
Died on December 08, 1980 in Los Angeles, California, USA
Born on December 17 65
Deceased on December 08 30
Chemist 75
This form allows you to report an error or to submit additional information about this family tree: Willard LIBBY (1908)
Sophrona C.
James D.
Mary Homer
Anway
Margaret Marie
Warren C.
Joseph Stearns
Zella Mary
Ora Edward
Willard Frank
He received his B.S. in 1931 and Ph.D. in 1933 in chemistry from the University of California, Berkeley, where he then became a lecturer and later assistant professor. Libby spent the 1930s building sensitive geiger counters to measure weak natural and artificial radioactivity. In 1941 he joined Berkeley's chapter of Alpha Chi Sigma.
Awarded a Guggenheim Fellowship, he spent most of 1941 at Princeton University. After the start of World War II, he worked on the Manhattan Project at Columbia University with Nobel laureate chemist Harold Urey. Libby was responsible for the gaseous diffusion separation and enrichment of the uranium-235 which was used in the atomic bomb on Hiroshima.
... He received his B.S. in 1931 and Ph.D. in 1933 in chemistry from the University of California, Berkeley, where he then became a lecturer and later assistant professor. Libby spent the 1930s building sensitive geiger counters to measure weak natural and artificial radioactivity. In 1941 he joined Berkeley's chapter of Alpha Chi Sigma.
In 1945 he became a professor at the University of Chicago. In 1954, he was appointed to the U.S. Atomic Energy Commission. In 1959, he became Professor of Chemistry at University of California, Los Angeles (UCLA), a position he held until his retirement in 1976. He taught honors freshman chemistry from 1959 to 1963 (in keeping with a University tradition that senior faculty teach this class). He was Director of the University of California statewide Institute of Geophysics and Planetary Physics (IGPP) for many years including the lunar landing time. In 1966 he married his second wife Leona Woods Marshall, an original experimenter on the world's first nuclear reactor and a UCLA professor of environmental engineering. He also started the first Environmental Engineering program at UCLA in 1972.
Margaret Fowler Bayly , John Warren
Philippa de LUXEMBOURG , Jean de HAINAUT
Alain VANNEY
Yolande de COUCY
galcantara
Agnès de ROEULX , Jacques de CONDÉ
Are you related to Willard LIBBY?
André-Marie

redpajama_set_name: RedPajamaCommonCrawl


Erik Nørding is the god father of Danish freehand pipes; he started the revolution which put Danish pipes on the map. Made from a stunning piece of briar, this free hand features some nice grain and a plateaux top. Unlike the natural freehands which are left unstained, this has a lightly applied black stain. As this is left without wax and unpolished, it will colour slowly with use giving a unique look. As with all of the Signature freehands, this has been signed by Erik himself.
The pipe shown in the images is the pipe you get, we photograph and measure every Nording freehand.
Click the button below to add the Erik Nørding - Signed Black Grain Freehand #9 to your wish list.


Check Writer is quite intuitive and easy to use check writing software for Windows. The application enables you to easily input check related information to print it. It currently includes the ability to adjust the print position of the various fields upon a check's surface.
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Version 7.03 is a freeware program which does not have restrictions and it's free so it doesn't cost anything.
For security reasons, you should also check out the CheckWriter download at LO4D.com which includes virus and malware tests. Additional screenshots of this application download may be available, too.


text:
// Copyright (C) 2002-2012 Nikolaus Gebhardt
// This file is part of the "Irrlicht Engine".
// For conditions of distribution and use, see copyright notice in irrlicht.h

#ifndef __COLOR_H_INCLUDED__
#define __COLOR_H_INCLUDED__

#include "irrTypes.h"
#include "irrMath.h"

namespace irr
{
namespace video
{
	//! An enum for the color format of textures used by the Irrlicht Engine.
	/** A color format specifies how color information is stored. */
	enum ECOLOR_FORMAT
	{
		//! 16 bit color format used by the software driver.
		/** It is thus preferred by all other irrlicht engine video drivers.
		There are 5 bits for every color component, and a single bit is left
		for alpha information. */
		ECF_A1R5G5B5 = 0,

		//! Standard 16 bit color format.
		ECF_R5G6B5,

		//! 24 bit color, no alpha channel, but 8 bit for red, green and blue.
		ECF_R8G8B8,

		//! Default 32 bit color format. 8 bits are used for every component: red, green, blue and alpha.
		ECF_A8R8G8B8,

		/** Floating Point formats. The following formats may only be used for render target textures. */

		//! 16 bit floating point format using 16 bits for the red channel.
		ECF_R16F,

		//! 32 bit floating point format using 16 bits for the red channel and 16 bits for the green channel.
		ECF_G16R16F,

		//! 64 bit floating point format 16 bits are used for the red, green, blue and alpha channels.
		ECF_A16B16G16R16F,

		//! 32 bit floating point format using 32 bits for the red channel.
		ECF_R32F,

		//! 64 bit floating point format using 32 bits for the red channel and 32 bits for the green channel.
		ECF_G32R32F,

		//! 128 bit floating point format. 32 bits are used for the red, green, blue and alpha channels.
		ECF_A32B32G32R32F,

		//! Unknown color format:
		ECF_UNKNOWN
	};

	//! Creates a 16 bit A1R5G5B5 color
	inline u16 RGBA16(u32 r, u32 g, u32 b, u32 a=0xFF)
	{
		return (u16)((a & 0x80) << 8 |
			(r & 0xF8) << 7 |
			(g & 0xF8) << 2 |
			(b & 0xF8) >> 3);
	}

	//! Creates a 16 bit A1R5G5B5 color
	inline u16 RGB16(u32 r, u32 g, u32 b)
	{
		return RGBA16(r,g,b);
	}

	//! Creates a 16bit A1R5G5B5 color, based on 16bit input values
	inline u16 RGB16from16(u16 r, u16 g, u16 b)
	{
		return (0x8000 |
				(r & 0x1F) << 10 |
				(g & 0x1F) << 5  |
				(b & 0x1F));
	}

	//! Converts a 32bit (X8R8G8B8) color to a 16bit A1R5G5B5 color
	inline u16 X8R8G8B8toA1R5G5B5(u32 color)
	{
		return (u16)(0x8000 |
			( color & 0x00F80000) >> 9 |
			( color & 0x0000F800) >> 6 |
			( color & 0x000000F8) >> 3);
	}

	//! Converts a 32bit (A8R8G8B8) color to a 16bit A1R5G5B5 color
	inline u16 A8R8G8B8toA1R5G5B5(u32 color)
	{
		return (u16)(( color & 0x80000000) >> 16|
			( color & 0x00F80000) >> 9 |
			( color & 0x0000F800) >> 6 |
			( color & 0x000000F8) >> 3);
	}

	//! Converts a 32bit (A8R8G8B8) color to a 16bit R5G6B5 color
	inline u16 A8R8G8B8toR5G6B5(u32 color)
	{
		return (u16)(( color & 0x00F80000) >> 8 |
			( color & 0x0000FC00) >> 5 |
			( color & 0x000000F8) >> 3);
	}

	//! Convert A8R8G8B8 Color from A1R5G5B5 color
	/** build a nicer 32bit Color by extending dest lower bits with source high bits. */
	inline u32 A1R5G5B5toA8R8G8B8(u16 color)
	{
		return ( (( -( (s32) color & 0x00008000 ) >> (s32) 31 ) & 0xFF000000 ) |
				(( color & 0x00007C00 ) << 9) | (( color & 0x00007000 ) << 4) |
				(( color & 0x000003E0 ) << 6) | (( color & 0x00000380 ) << 1) |
				(( color & 0x0000001F ) << 3) | (( color & 0x0000001C ) >> 2)
				);
	}

	//! Returns A8R8G8B8 Color from R5G6B5 color
	inline u32 R5G6B5toA8R8G8B8(u16 color)
	{
		return 0xFF000000 |
			((color & 0xF800) << 8)|
			((color & 0x07E0) << 5)|
			((color & 0x001F) << 3);
	}

	//! Returns A1R5G5B5 Color from R5G6B5 color
	inline u16 R5G6B5toA1R5G5B5(u16 color)
	{
		return 0x8000 | (((color & 0xFFC0) >> 1) | (color & 0x1F));
	}

	//! Returns R5G6B5 Color from A1R5G5B5 color
	inline u16 A1R5G5B5toR5G6B5(u16 color)
	{
		return (((color & 0x7FE0) << 1) | (color & 0x1F));
	}

	//! Returns the alpha component from A1R5G5B5 color
	/** In Irrlicht, alpha refers to opacity.
	\return The alpha value of the color. 0 is transparent, 1 is opaque. */
	inline u32 getAlpha(u16 color)
	{
		return ((color >> 15)&0x1);
	}

	//! Returns the red component from A1R5G5B5 color.
	/** Shift left by 3 to get 8 bit value. */
	inline u32 getRed(u16 color)
	{
		return ((color >> 10)&0x1F);
	}

	//! Returns the green component from A1R5G5B5 color
	/** Shift left by 3 to get 8 bit value. */
	inline u32 getGreen(u16 color)
	{
		return ((color >> 5)&0x1F);
	}

	//! Returns the blue component from A1R5G5B5 color
	/** Shift left by 3 to get 8 bit value. */
	inline u32 getBlue(u16 color)
	{
		return (color & 0x1F);
	}

	//! Returns the average from a 16 bit A1R5G5B5 color
	inline s32 getAverage(s16 color)
	{
		return ((getRed(color)<<3) + (getGreen(color)<<3) + (getBlue(color)<<3)) / 3;
	}

	//! Class representing a 32 bit ARGB color.
	/** The color values for alpha, red, green, and blue are
	stored in a single u32. So all four values may be between 0 and 255.
	Alpha in Irrlicht is opacity, so 0 is fully transparent, 255 is fully opaque (solid).
	This class is used by most parts of the Irrlicht Engine
	to specify a color. Another way is using the class SColorf, which
	stores the color values in 4 floats.
	This class must consist of only one u32 and must not use virtual functions.
	*/
	class SColor
	{
	public:

		//! Constructor of the Color. Does nothing.
		/** The color value is not initialized to save time. */
		SColor() {}

		//! Constructs the color from 4 values representing the alpha, red, green and blue component.
		/** Must be values between 0 and 255. */
		SColor (u32 a, u32 r, u32 g, u32 b)
			: color(((a & 0xff)<<24) | ((r & 0xff)<<16) | ((g & 0xff)<<8) | (b & 0xff)) {}

		//! Constructs the color from a 32 bit value. Could be another color.
		SColor(u32 clr)
			: color(clr) {}

		//! Returns the alpha component of the color.
		/** The alpha component defines how opaque a color is.
		\return The alpha value of the color. 0 is fully transparent, 255 is fully opaque. */
		u32 getAlpha() const { return color>>24; }

		//! Returns the red component of the color.
		/** \return Value between 0 and 255, specifying how red the color is.
		0 means no red, 255 means full red. */
		u32 getRed() const { return (color>>16) & 0xff; }

		//! Returns the green component of the color.
		/** \return Value between 0 and 255, specifying how green the color is.
		0 means no green, 255 means full green. */
		u32 getGreen() const { return (color>>8) & 0xff; }

		//! Returns the blue component of the color.
		/** \return Value between 0 and 255, specifying how blue the color is.
		0 means no blue, 255 means full blue. */
		u32 getBlue() const { return color & 0xff; }

		//! Get lightness of the color in the range [0,255]
		f32 getLightness() const
		{
			return 0.5f*(core::max_(core::max_(getRed(),getGreen()),getBlue())+core::min_(core::min_(getRed(),getGreen()),getBlue()));
		}

		//! Get luminance of the color in the range [0,255].
		f32 getLuminance() const
		{
			return 0.3f*getRed() + 0.59f*getGreen() + 0.11f*getBlue();
		}

		//! Get average intensity of the color in the range [0,255].
		u32 getAverage() const
		{
			return ( getRed() + getGreen() + getBlue() ) / 3;
		}

		//! Sets the alpha component of the Color.
		/** The alpha component defines how transparent a color should be.
		\param a The alpha value of the color. 0 is fully transparent, 255 is fully opaque. */
		void setAlpha(u32 a) { color = ((a & 0xff)<<24) | (color & 0x00ffffff); }

		//! Sets the red component of the Color.
		/** \param r: Has to be a value between 0 and 255.
		0 means no red, 255 means full red. */
		void setRed(u32 r) { color = ((r & 0xff)<<16) | (color & 0xff00ffff); }

		//! Sets the green component of the Color.
		/** \param g: Has to be a value between 0 and 255.
		0 means no green, 255 means full green. */
		void setGreen(u32 g) { color = ((g & 0xff)<<8) | (color & 0xffff00ff); }

		//! Sets the blue component of the Color.
		/** \param b: Has to be a value between 0 and 255.
		0 means no blue, 255 means full blue. */
		void setBlue(u32 b) { color = (b & 0xff) | (color & 0xffffff00); }

		//! Calculates a 16 bit A1R5G5B5 value of this color.
		/** \return 16 bit A1R5G5B5 value of this color. */
		u16 toA1R5G5B5() const { return A8R8G8B8toA1R5G5B5(color); }

		//! Converts color to OpenGL color format
		/** From ARGB to RGBA in 4 byte components for endian aware
		passing to OpenGL
		\param dest: address where the 4x8 bit OpenGL color is stored. */
		void toOpenGLColor(u8* dest) const
		{
			*dest =   (u8)getRed();
			*++dest = (u8)getGreen();
			*++dest = (u8)getBlue();
			*++dest = (u8)getAlpha();
		}

		//! Sets all four components of the color at once.
		/** Constructs the color from 4 values representing the alpha,
		red, green and blue components of the color. Must be values
		between 0 and 255.
		\param a: Alpha component of the color. The alpha component
		defines how transparent a color should be. Has to be a value
		between 0 and 255. 255 means not transparent (opaque), 0 means
		fully transparent.
		\param r: Sets the red component of the Color. Has to be a
		value between 0 and 255. 0 means no red, 255 means full red.
		\param g: Sets the green component of the Color. Has to be a
		value between 0 and 255. 0 means no green, 255 means full
		green.
		\param b: Sets the blue component of the Color. Has to be a
		value between 0 and 255. 0 means no blue, 255 means full blue. */
		void set(u32 a, u32 r, u32 g, u32 b)
		{
			color = (((a & 0xff)<<24) | ((r & 0xff)<<16) | ((g & 0xff)<<8) | (b & 0xff));
		}
		void set(u32 col) { color = col; }

		//! Compares the color to another color.
		/** \return True if the colors are the same, and false if not. */
		bool operator==(const SColor& other) const { return other.color == color; }

		//! Compares the color to another color.
		/** \return True if the colors are different, and false if they are the same. */
		bool operator!=(const SColor& other) const { return other.color != color; }

		//! comparison operator
		/** \return True if this color is smaller than the other one */
		bool operator<(const SColor& other) const { return (color < other.color); }

		//! Adds two colors, result is clamped to 0..255 values
		/** \param other Color to add to this color
		\return Addition of the two colors, clamped to 0..255 values */
		SColor operator+(const SColor& other) const
		{
			return SColor(core::min_(getAlpha() + other.getAlpha(), 255u),
					core::min_(getRed() + other.getRed(), 255u),
					core::min_(getGreen() + other.getGreen(), 255u),
					core::min_(getBlue() + other.getBlue(), 255u));
		}

		//! Interpolates the color with a f32 value to another color
		/** \param other: Other color
		\param d: value between 0.0f and 1.0f
		\return Interpolated color. */
		SColor getInterpolated(const SColor &other, f32 d) const
		{
			d = core::clamp(d, 0.f, 1.f);
			const f32 inv = 1.0f - d;
			return SColor((u32)core::round32(other.getAlpha()*inv + getAlpha()*d),
				(u32)core::round32(other.getRed()*inv + getRed()*d),
				(u32)core::round32(other.getGreen()*inv + getGreen()*d),
				(u32)core::round32(other.getBlue()*inv + getBlue()*d));
		}

		//! Returns interpolated color. ( quadratic )
		/** \param c1: first color to interpolate with
		\param c2: second color to interpolate with
		\param d: value between 0.0f and 1.0f. */
		SColor getInterpolated_quadratic(const SColor& c1, const SColor& c2, f32 d) const
		{
			// this*(1-d)*(1-d) + 2 * c1 * (1-d) + c2 * d * d;
			d = core::clamp(d, 0.f, 1.f);
			const f32 inv = 1.f - d;
			const f32 mul0 = inv * inv;
			const f32 mul1 = 2.f * d * inv;
			const f32 mul2 = d * d;

			return SColor(
					core::clamp( core::floor32(
							getAlpha() * mul0 + c1.getAlpha() * mul1 + c2.getAlpha() * mul2 ), 0, 255 ),
					core::clamp( core::floor32(
							getRed()   * mul0 + c1.getRed()   * mul1 + c2.getRed()   * mul2 ), 0, 255 ),
					core::clamp ( core::floor32(
							getGreen() * mul0 + c1.getGreen() * mul1 + c2.getGreen() * mul2 ), 0, 255 ),
					core::clamp ( core::floor32(
							getBlue()  * mul0 + c1.getBlue()  * mul1 + c2.getBlue()  * mul2 ), 0, 255 ));
		}

		//! set the color by expecting data in the given format
		/** \param data: must point to valid memory containing color information in the given format
			\param format: tells the format in which data is available
		*/
		void setData(const void *data, ECOLOR_FORMAT format)
		{
			switch (format)
			{
				case ECF_A1R5G5B5:
					color = A1R5G5B5toA8R8G8B8(*(u16*)data);
					break;
				case ECF_R5G6B5:
					color = R5G6B5toA8R8G8B8(*(u16*)data);
					break;
				case ECF_A8R8G8B8:
					color = *(u32*)data;
					break;
				case ECF_R8G8B8:
					{
						u8* p = (u8*)data;
						set(255, p[0],p[1],p[2]);
					}
					break;
				default:
					color = 0xffffffff;
				break;
			}
		}

		//! Write the color to data in the defined format
		/** \param data: target to write the color. Must contain sufficiently large memory to receive the number of bytes neede for format
			\param format: tells the format used to write the color into data
		*/
		void getData(void *data, ECOLOR_FORMAT format)
		{
			switch(format)
			{
				case ECF_A1R5G5B5:
				{
					u16 * dest = (u16*)data;
					*dest = video::A8R8G8B8toA1R5G5B5( color );
				}
				break;

				case ECF_R5G6B5:
				{
					u16 * dest = (u16*)data;
					*dest = video::A8R8G8B8toR5G6B5( color );
				}
				break;

				case ECF_R8G8B8:
				{
					u8* dest = (u8*)data;
					dest[0] = (u8)getRed();
					dest[1] = (u8)getGreen();
					dest[2] = (u8)getBlue();
				}
				break;

				case ECF_A8R8G8B8:
				{
					u32 * dest = (u32*)data;
					*dest = color;
				}
				break;

				default:
				break;
			}
		}

		//! color in A8R8G8B8 Format
		u32 color;
	};

	//! Class representing a color with four floats.
	/** The color values for red, green, blue
	and alpha are each stored in a 32 bit floating point variable.
	So all four values may be between 0.0f and 1.0f.
	Another, faster way to define colors is using the class SColor, which
	stores the color values in a single 32 bit integer.
	*/
	class SColorf
	{
	public:
		//! Default constructor for SColorf.
		/** Sets red, green and blue to 0.0f and alpha to 1.0f. */
		SColorf() : r(0.0f), g(0.0f), b(0.0f), a(1.0f) {}

		//! Constructs a color from up to four color values: red, green, blue, and alpha.
		/** \param r: Red color component. Should be a value between
		0.0f meaning no red and 1.0f, meaning full red.
		\param g: Green color component. Should be a value between 0.0f
		meaning no green and 1.0f, meaning full green.
		\param b: Blue color component. Should be a value between 0.0f
		meaning no blue and 1.0f, meaning full blue.
		\param a: Alpha color component of the color. The alpha
		component defines how transparent a color should be. Has to be
		a value between 0.0f and 1.0f, 1.0f means not transparent
		(opaque), 0.0f means fully transparent. */
		SColorf(f32 r, f32 g, f32 b, f32 a = 1.0f) : r(r), g(g), b(b), a(a) {}

		//! Constructs a color from 32 bit Color.
		/** \param c: 32 bit color from which this SColorf class is
		constructed from. */
		SColorf(SColor c)
		{
			const f32 inv = 1.0f / 255.0f;
			r = c.getRed() * inv;
			g = c.getGreen() * inv;
			b = c.getBlue() * inv;
			a = c.getAlpha() * inv;
		}

		//! Converts this color to a SColor without floats.
		SColor toSColor() const
		{
			return SColor((u32)core::round32(a*255.0f), (u32)core::round32(r*255.0f), (u32)core::round32(g*255.0f), (u32)core::round32(b*255.0f));
		}

		//! Sets three color components to new values at once.
		/** \param rr: Red color component. Should be a value between 0.0f meaning
		no red (=black) and 1.0f, meaning full red.
		\param gg: Green color component. Should be a value between 0.0f meaning
		no green (=black) and 1.0f, meaning full green.
		\param bb: Blue color component. Should be a value between 0.0f meaning
		no blue (=black) and 1.0f, meaning full blue. */
		void set(f32 rr, f32 gg, f32 bb) {r = rr; g =gg; b = bb; }

		//! Sets all four color components to new values at once.
		/** \param aa: Alpha component. Should be a value between 0.0f meaning
		fully transparent and 1.0f, meaning opaque.
		\param rr: Red color component. Should be a value between 0.0f meaning
		no red and 1.0f, meaning full red.
		\param gg: Green color component. Should be a value between 0.0f meaning
		no green and 1.0f, meaning full green.
		\param bb: Blue color component. Should be a value between 0.0f meaning
		no blue and 1.0f, meaning full blue. */
		void set(f32 aa, f32 rr, f32 gg, f32 bb) {a = aa; r = rr; g =gg; b = bb; }

		//! Interpolates the color with a f32 value to another color
		/** \param other: Other color
		\param d: value between 0.0f and 1.0f
		\return Interpolated color. */
		SColorf getInterpolated(const SColorf &other, f32 d) const
		{
			d = core::clamp(d, 0.f, 1.f);
			const f32 inv = 1.0f - d;
			return SColorf(other.r*inv + r*d,
				other.g*inv + g*d, other.b*inv + b*d, other.a*inv + a*d);
		}

		//! Returns interpolated color. ( quadratic )
		/** \param c1: first color to interpolate with
		\param c2: second color to interpolate with
		\param d: value between 0.0f and 1.0f. */
		inline SColorf getInterpolated_quadratic(const SColorf& c1, const SColorf& c2,
				f32 d) const
		{
			d = core::clamp(d, 0.f, 1.f);
			// this*(1-d)*(1-d) + 2 * c1 * (1-d) + c2 * d * d;
			const f32 inv = 1.f - d;
			const f32 mul0 = inv * inv;
			const f32 mul1 = 2.f * d * inv;
			const f32 mul2 = d * d;

			return SColorf (r * mul0 + c1.r * mul1 + c2.r * mul2,
					g * mul0 + c1.g * mul1 + c2.g * mul2,
					b * mul0 + c1.b * mul1 + c2.b * mul2,
					a * mul0 + c1.a * mul1 + c2.a * mul2);
		}

		//! Sets a color component by index. R=0, G=1, B=2, A=3
		void setColorComponentValue(s32 index, f32 value)
		{
			switch(index)
			{
			case 0: r = value; break;
			case 1: g = value; break;
			case 2: b = value; break;
			case 3: a = value; break;
			}
		}

		//! Returns the alpha component of the color in the range 0.0 (transparent) to 1.0 (opaque)
		f32 getAlpha() const { return a; }

		//! Returns the red component of the color in the range 0.0 to 1.0
		f32 getRed() const { return r; }

		//! Returns the green component of the color in the range 0.0 to 1.0
		f32 getGreen() const { return g; }

		//! Returns the blue component of the color in the range 0.0 to 1.0
		f32 getBlue() const { return b; }

		//! red color component
		f32 r;

		//! green color component
		f32 g;

		//! blue component
		f32 b;

		//! alpha color component
		f32 a;
	};

	//! Class representing a color in HSL format
	/** The color values for hue, saturation, luminance
	are stored in 32bit floating point variables. Hue is in range [0,360],
	Luminance and Saturation are in percent [0,100]
	*/
	class SColorHSL
	{
	public:
		SColorHSL ( f32 h = 0.f, f32 s = 0.f, f32 l = 0.f )
			: Hue ( h ), Saturation ( s ), Luminance ( l ) {}

		void fromRGB(const SColorf &color);
		void toRGB(SColorf &color) const;

		f32 Hue;
		f32 Saturation;
		f32 Luminance;

	private:
		inline f32 toRGB1(f32 rm1, f32 rm2, f32 rh) const;

	};

	inline void SColorHSL::fromRGB(const SColorf &color)
	{
		const f32 maxVal = core::max_(color.getRed(), color.getGreen(), color.getBlue());
		const f32 minVal = (f32)core::min_(color.getRed(), color.getGreen(), color.getBlue());
		Luminance = (maxVal+minVal)*50;
		if (core::equals(maxVal, minVal))
		{
			Hue=0.f;
			Saturation=0.f;
			return;
		}

		const f32 delta = maxVal-minVal;
		if ( Luminance <= 50 )
		{
			Saturation = (delta)/(maxVal+minVal);
		}
		else
		{
			Saturation = (delta)/(2-maxVal-minVal);
		}
		Saturation *= 100;

		if (core::equals(maxVal, color.getRed()))
			Hue = (color.getGreen()-color.getBlue())/delta;
		else if (core::equals(maxVal, color.getGreen()))
			Hue = 2+((color.getBlue()-color.getRed())/delta);
		else // blue is max
			Hue = 4+((color.getRed()-color.getGreen())/delta);

		Hue *= 60.0f;
		while ( Hue < 0.f )
			Hue += 360;
	}

	inline void SColorHSL::toRGB(SColorf &color) const
	{
		const f32 l = Luminance/100;
		if (core::iszero(Saturation)) // grey
		{
			color.set(l, l, l);
			return;
		}

		f32 rm2;

		if ( Luminance <= 50 )
		{
			rm2 = l + l * (Saturation/100);
		}
		else
		{
			rm2 = l + (1 - l) * (Saturation/100);
		}

		const f32 rm1 = 2.0f * l - rm2;

		const f32 h = Hue / 360.0f;
		color.set( toRGB1(rm1, rm2, h + 1.f/3.f),
			toRGB1(rm1, rm2, h),
			toRGB1(rm1, rm2, h - 1.f/3.f)
			);
	}

	// algorithm from Foley/Van-Dam
	inline f32 SColorHSL::toRGB1(f32 rm1, f32 rm2, f32 rh) const
	{
		if (rh<0)
			rh += 1;
		if (rh>1)
			rh -= 1;

		if (rh < 1.f/6.f)
			rm1 = rm1 + (rm2 - rm1) * rh*6.f;
		else if (rh < 0.5f)
			rm1 = rm2;
		else if (rh < 2.f/3.f)
			rm1 = rm1 + (rm2 - rm1) * ((2.f/3.f)-rh)*6.f;

		return rm1;
	}

} // end namespace video
} // end namespace irr

#endif

redpajama_set_name: RedPajamaGithub