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Vita e carriera

Ioannis Vlachos nacque nel villaggio di Anopolis a Sfakia, una regione semi-autonoma di Creta, nel 1722 o 1730. Suo padre, che era anche un ricco armatore, lo mandò a studiare all'estero. Per via della sua educazione, i suoi compatrioti lo chiamavano "Daskalos" (maestro), da qui il suo soprannome Daskalogiannis, letteralmente "Giovanni il Maestro". Viene indicato come impiegato comunale nel 1750, come presidente della regione di Sfakia nel 1765 e come proprietario di quattro navi mercantili a tre alberi. Questi sarebbero salpati da Prosyalo e dal golfo di Loutro.

Daskalogiannis conosceva Emmanouil Benakis a Mani ed è probabile che Benakis lo abbia presentato al conte Orlov che Caterina la Grande aveva inviato nel Peloponneso nel 1769 per istigare una rivolta in loco. Molti uomini di Sfakia parteciparono anche alla rivolta che Orlov istigò nel Peloponneso.

Capo della rivolta

All'inizio del 1770 fu contattato da emissari russi, che speravano di istigare una rivolta tra i sudditi greci dell'Impero ottomano. Daskalogiannis accettò di finanziare e organizzare una ribellione a Sfakia contro le autorità turche quando gli emissari russi promisero di sostenerlo. Nella primavera del 1770, Daskalogiannis fece i preparativi per la rivolta; riunì uomini, fucili e rifornimenti e fece costruire le difese in punti strategici. Tuttavia, la flotta russa nell'Egeo, sotto il conte Orlov, non salpò per Creta e la rivolta fu lasciata alle proprie risorse. La rivolta iniziò il 25 marzo 1770, con la bandiera issata presso la chiesa di Agios Georgios di Anopolis, e per un breve periodo alcune parti di Creta ebbero gli attributi di una nazione indipendente, comprese le proprie monete coniate in una grotta vicino Hora Sfakion.

L'intervento russo, promesso a Daskalogiannis, non si concretizzò e la rivolta non si estese alle pianure. Senza supporto esterno, fu brutalmente abbattuta dalle forze turche superiori dell'isola, che sconfissero facilmente i 1.300 ribelli. Sfakia fu per la prima volta completamente dominata dalle forze turche. Daskalogiannis si arrese con 70 uomini al castello di Frangokastello vicino Hora Sfakion. Per ordine del Pascià di Candia (Heraklion), fu torturato fuori dalla fortezza del porto di Heraklion, scuoiato vivo e giustiziato il 17 giugno 1771. Si dice che abbia subito la tortura in silenzio. I turchi costrinsero il fratello di Daskalogiannis ad assistere alla torturante esecuzione, che presumibilmente lo fece impazzire.

Memoria
Daskalogiannis è stato immortalato in diversi racconti e canti popolari, il più importante dei quali è la celebre ballata epica di Barba-Pantzelios, un povero casaro di Mouri – To tragoudi tou Daskalogianni del 1786:

 …Φτάνουν στο Φραγκοκάστελο και στον πασά ποσώνου,
 κι εκείνος δούδει τ' όρντινο κι ευτύς τσοι ξαρματώνου.
 ους τσοι ξαρματώσασι και τσοι μπισταγκωνίζου
 και τότες δα το νιώσασι πως δεν ξαναγυρίζου.

 . . . Arrivano a Frangokastello e si arrendono al pascià,
 e dà l'ordine di disarmarli subito.
 Erano tutti disarmati e a disagio,
 per ora sentivano che non sarebbero mai tornati a casa.

La tradizione afferma che prima che Daskalogiannis e i suoi pochi uomini facessero la loro ultima resistenza contro gli ottomani, ballarono la danza di guerra di Pentozalis.

L'aeroporto internazionale di Chania (CHQ/LGSA) porta il nome di Daskalogiannis. Una statua commemorativa può essere vista nella sua città natale Anopolis. Uno dei traghetti regolari nelle rotte sud-est di Creta si chiama Daskalogiannis.

Note

Bibliografia

Altri progetti

Rivoluzionari greci
Morti nel 1771
Rivolte contro l'Impero ottomano

redpajama_set_name: RedPajamaWikipedia


The fifth cut off released on july 11. This year DU was asked to release realistic cut offs rather than extending the cut offs to 7-8 cut offs. With the release of fifth cut off it gave a relief to the students who were able to enroll themselves in the colleges of DU.
In Ramjas college , in courses economics honours, bcom honours and english honours, seats are available for all the categories. For BA PROGRAMME the percentage required is 93.75% for general category. For admission in BA(H) Economics the percentage necessary is 96.25 for general category. While for English hons , one must have 94.5 percentage to get themselves enrolled in Ramjas College.
In Gargi College admissions are available for various reserved categories for many courses. Percentage for BA Programme is 90.50 for general category. For courses like BA(H) economics and BCOM Hons , the admissions are available for the reserved category.
However, those who haven't still able to enroll themselves in colleges of DU , don't loose hope. After the admissions in fifth cut off,there are still as many as 6000 seats still vacant. Although DU was planning to declare fifth cut off as the last cut off, the seats still remain vacant and thus, will release the sixth cut off.


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Q: How to collect a text value that is between two other objects using ' cheerio '? The sitemap looks like this:

When trying to recover in general:
var Result = $('h3.thick.scoretime').text().trim();

The result is this:
FT
1 - 0
(HT 1 - 0)

I tried to use the search by child:
var Result = $('h3.thick.scoretime:nth-child(2)').text().trim();

But the result is blank:
Expected result:

1 - 0

How should I proceed in these cases?

A: You can get the total texts with
var TotalText = $('h3.thick.scoretime').text()

Then get the texts in child nodes with
var ChildTexts = $('h3.thick.scoretime span.match-state').text()

And then replace the ChildTexts in TotalText with '' so that parent node text only will remain.
BTW 'h3.thick.scoretime' and 'h3.thick.scoretime:nth-child(2)' are CSS Selectors, not XPath expressions.

A: You could just remove the spans:
$('.scoretime span').remove()

now it's in:
$('.scoretime').text()

redpajama_set_name: RedPajamaStackExchange


text:
Home Events Movies
2007, R, 191 min. Directed by Robert Rodriguez, Quentin Tarantino. Starring Rose McGowan, Marley Shelton, Freddy Rodriguez, Josh Brolin, Jeff Fahey, Michael Biehn, Naveen Andrews, Kurt Russell, Sydney Poitier, Jordan Ladd, Vanessa Ferlito, Zoë Bell, Rosario Dawson, Tracie Thoms, Mary Elizabeth Winstead, Michael Parks, Danny Trejo, Bruce Willis, Quentin Tarantino.
REVIEWED By Marjorie Baumgarten, Fri., April 6, 2007
More than just a fun three hours at the movies, Grindhouse is a total immersion into movie geekdom, in which the packaging, marketing, lore, and accumulative experience are as much a part of the deal as the images that are up on the screen. If they could, I suspect Rodriguez and Tarantino would design their own grind-house movie chain of theatres that would re-create the urban scuzz-holes of the past, which ran cheap movies nonstop – a usually eclectic mix of exploitation, horror, and action films, as well as a random assortment of top studio product that had seen better days and more intact prints. As it is, Grindhouse is an homage to an experience rather than any certain type of film, and with its two separate feature films – "Planet Terror" by Rodriguez and "Death Proof" by Tarantino – a host of tongue-in-cheeky trailers by the likes of Rob Zombie, Edgar Wright, and Eli Roth; scratches and notices of missing reels intentionally inserted into the prints in order to heighten the illusion of the celluloid's sprocket-weary authenticity; a splashy two-for-the-price-of-one marketing campaign; and enough cast members to keep the talk-show couches on permanent rotation, Grindhouse raises the bar for a certain kind of movie lollapalooza (and also for the kind of filmmaker who is also a showman, along the lines of a William Castle or Cecil B. DeMille). It's this injection of playfulness and fun and attention to the entire moviegoing gestalt that will probably become Grindhouse's lasting contribution to movie history rather than any on-the-screen content of the movie itself. Ultimately, "Planet Terror" and "Death Proof" are as transient and expendable as the movies they ape (which is meant as a tribute to their authenticity rather than a put-down). Of course, by now, everyone in Austin knows that Grindhouse was filmed here last summer, and part of the local fun will derive from the sight of and references to familiar locations in Tarantino's section, whose first half is set in Austin. First up, however, is Rodriguez's "Planet Terror," a zombie barrage that begins with some pus and guts and builds to an all-out Armageddon between the humans and zombies. Rodriguez again proves that he's a brilliant action director, making those of us who wish he would give at least equal attention to his scripts seem churlish for desiring more storyline when he's able to invent a set-piece as good as that of a leading lady who has a machine gun for a leg (McGowan). Tarantino's half is harder to judge within its Grindhouse context, as "Death Proof" is practically two discrete movies in itself – the first part a talky jamboree of girls' night out and the second a gloriously staged car chase/vengeance film, which plays like a demented filmmaker/fan's love offering to stuntwoman Zoë Bell (who is showcased here doing her own stunts) and the non-Disney career of Kurt Russell (who plays a badass called Stuntman Mike in both "Death Proof" segments). Following the zombie rampage of "Planet Terror" and the crazed momentum of the whacked-out trailers and fake ads, the detail-rich dialogue of Tarantino's girls-night-out segment becomes an unfortunate victim of the adrenaline-fueled madness that precedes it. Then an abrupt change of place and characters, linked only by the centrality of Stuntman Mike in both segments, leads directly into the near-wordless muscle-car mayhem that consumes the second half of "Death Proof. " I imagine that somewhere down the line we'll get to see "Death Proof" and "Planet Terror" as stand-alone DVD releases with lots of extras, which is the point at which we'll get a better handle on how Tarantino's film plays without the pacing predicament of this combo release. Grindhouse holds a wealth of opportunities for potential DVD releases in the future: Don't be surprised to see whole movies spun out from some of the trailers or characters (Trejo's Machete and Poitier's Jungle Julia seem likely candidates) or a special directors' cut version that restores the missing reels and "remasters" out the splices and scratches. Rodriguez and Tarantino are nothing if not inexhaustible masters of movie revivification. (For more about Grindhouse, see p.56 of this week's Screens section.)
A note to readers: Bold and uncensored, The Austin Chronicle has been Austin's independent news source for almost 40 years, expressing the community's political and environmental concerns and supporting its active cultural scene. Now more than ever, we need your support to continue supplying Austin with independent, free press. If real news is important to you, please consider making a donation of $5, $10 or whatever you can afford, to help keep our journalism on stands.
Support the Chronicle
More Robert Rodriguez
Robert Rodriguez Opens The Book of Boba Fett
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Richard Whittaker, Dec. 24, 2021
How Robert Rodriguez Saved Alita: Battle Angel From the Scrap Heap
After a decade and a half, the legendary manga's battle dreams are made real
Richard Whittaker, Feb. 15, 2019
Alita: Battle Angel Trailer
Robert Rodriguez's new Austin-shot science-fiction epic
Richard Whittaker, July 23, 2018
Alita: Battle Angel Teaser Arrives
First look at latest Robert Rodriguez film
Richard Whittaker, Dec. 8, 2017
More Robert Rodriguez Films
The manga heroine comes to motion capture life
Matthew Monagle, Feb. 15, 2019
Frank Miller's Sin City: A Dame to Kill For
Forget it, Jake; it's Sin City.
Marjorie Baumgarten, Aug. 22, 2014
More by Marjorie Baumgarten
Almodóvar and Cruz's latest pairing unearths Spain's history
This Job Will Change Your Life
Former staff reflect on the zigs and zags of life post-Chronicle
KEYWORDS FOR THIS FILM
Grindhouse, Robert Rodriguez, Quentin Tarantino, Rose McGowan, Marley Shelton, Freddy Rodriguez, Josh Brolin, Jeff Fahey, Michael Biehn, Naveen Andrews, Kurt Russell, Sydney Poitier, Jordan Ladd, Vanessa Ferlito, Zoë Bell, Rosario Dawson, Tracie Thoms, Mary Elizabeth Winstead, Michael Parks, Danny Trejo
MORE IN THE ARCHIVES
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redpajama_set_name: RedPajamaCommonCrawl


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magnetic drums first generation - Stone Crushing Equipment
magnetic drums first generation - Grinding Mills Category
magnetic drums first generation Description
Computer Generations: Magnetic drum
15.01.2015· The tracks on a magnetic drum are assigned to channels located around the circumference of the drum, forming adjacent circular bands that wind around the drum. A single drum can have up to 200 tracks. As the drum rotates at a speed of up to 3,000 rpm, the device's read/write heads deposit magnetized spots on the drum
First generation computers are characterised by
First generation computers are characterised by Vacuum tubes and magnetic drum. The first computer systems used vacuum tubes for circuitry and magnetic drums for memory, and were often enormous, taking up entire rooms. These computers were very expensive to operate and in addition to using a great deal of electricity, the first computers generated a lot of heat, which was often the cause of
History Of Computer: First Generation (1940-1956)
24.09.2016· The first computers used vacuum tubes for circuitry and magnetic drums for memory, and were often enormous, taking up entire rooms.They were very expensive to operate and in addition to using a great deal of electricity, the first computers generated
Generation Of Computer 1st To 5th With Pictures
24.03.2019· The first generation of the computer used vacuum tubes for the circuitry and the magnetic drums for the memory and taking up the big rooms. It was very expensive to operate and uses a
A Brief History of Data Storage - DATAVERSITY
01.11.2017· Magnetic drums were the first incarnation of magnetic disk storage. Gustav Taushek, an Austrian inventor, developed the magnetic drum in 1932. The drums read/write heads were designed for each drum track, using a staggered system over the circumference. Without head movement to control, access time is quite short, being based on one revolution of the drum. If multiple heads are used, data
Old Photos of the First Generation of Computers
2011-02-24· Nineteen machines were built, a record volume for such a machine in that era. Its internal memory contained 2,048 36-bit words of electrostatic memory and 8,192 words of magnetic drum memory (see early memories). It used magnetic tapes for storage and was one of the first machines to use plastic-based tapes instead of metal tapes.
Magnetic Drum – History of Magnetic Drum
Magnetic Drum. First magnetic drum memory, a magnetic data storage device and an early form of computer memory, which plays an important role in the computer memory development (e.g. used in ABC computer) and was widely used in the 1950s and into the 1960s, was invented by the Austrian engineer Gustav Tauschek (1899-1945) in 1932 in Austria.
2016-09-24· The first computers used vacuum tubes for circuitry and magnetic drums for memory, and were often enormous, taking up entire rooms.They were very expensive to operate and in addition to using a great deal of electricity, the first computers
Five Generation of Computer – PDF Download for
2019-06-18· First Generation (Vacuum Tubes) Year . 1940 – 1956 Characteristics > Used vacuum tubes for circuitry and magnetic drums as primary internal storage medium > Enormous in size, occupying entire room > Limited internal storage capacity > Consumed lot of electricity > Heating Issues > Used punched cards for input and printouts for output
The Ferranti Mark 1: World's First Commercially
2016-04-29· It stored data in cathode-ray tubes and a rotating magnetic drum. The Ferranti Mark 1 was the first commercially available general-purpose computer. The one shown in
1st Generation/2nd Generation - COMPUTERS
First Generation The period of first generation: 1946-1959. - Vacuum tube based. The first generation computers used vacuum tubes for circuitry and magnetic drums for memory, and were often enormous, taking up entire rooms.The vacuum tube was developed by Lee DeForest. A vacuum tube is a device generally used to amplify a signal by controlling the movement of electrons in an evacuated space.
Five {1st, second, third, fourth, fifth} generation
First generation computers used thermion values or Vacuum tubes for circuitry, magnetic drums for memory, and where often enormous, occupying entire room. They where very expensive to operate and in addition to using a generate deal of electricity, generated a lot of heat, which was often the cause perform operations and could only solve one problem at a time. Input was based on punched cards
Magnetic Drum Separator – Magnetic Drum
2016-06-24· Magnetic Drum Separator are predominantly designed and manufactured as low field power extractors. They have an open magnetic system with the magnetic poles located in one plain. Low field intensity separators are employed for separating determined subdivisions from substance material whenever foreign iron disturbs the following development structures.
1st Generation - A Computer History
The first generation of computer history is generally characterized by the widely used vacuum tubes. A vacuum tube worked similarly to a light bulb and was invented around the same time as a bulb. It made signals stronger; as an amplifier. They acted as switches as well by instigating and stopping the flow of electricity. They also served as magnetic drums for memory. However, these components
Generations of Computers (1st to 5th) | Webopedia
06.04.2021· First Generation: Vacuum Tubes (1940-1956) The first computer systems used vacuum tubes for circuitry and magnetic drums for memory, and were often enormous, taking up entire rooms. These computers were very expensive to operate and in addition to using a great deal of electricity, the first computers generated a lot of heat, which was often the cause of malfunctions.
18.06.2019· First Generation (Vacuum Tubes) Year . 1940 – 1956 Characteristics > Used vacuum tubes for circuitry and magnetic drums as primary internal storage medium > Enormous in size, occupying entire room > Limited internal storage capacity > Consumed lot of electricity > Heating Issues > Used punched cards for input and printouts for output > Used binary machine language, which is the lowest
Generations of Computers and Their
2018-07-12· 1. First Generation Computers (1942 to 1954) – Based on Vacuum Tubes. The first generation computers were used vaccum tubes as the main electronic part. For memory devices punch card and paper tapes were used. Magnetic drums are also
First generation computers are characterised by. A. Vacuum tubes and magnetic drum. B. Minicomputers. C. Magnetic tape and transistors. D. All of the above. E.
The IBM 650 Magnetic Drum Calculator - Columbia
2021-04-16· The 650 could add or subtract in 1.63 milliseconds, multiply in 12.96 msec, and divide in 16.90 ms. The memory was a rotating magnetic drum with 2000 word (10 digits and sign) capacity and random access time of 2.496 ms. For an additional $1,500/month you could add magnetic core memory of 60 words with access time of .096ms.
What is a Magnetic Drum? - Definition from
Magnetic Drum: A magnetic drum is a magnetic storage device used in many early computers as the main working memory, similar to how modern computers use random access memory (RAM) cards. In some cases, magnetic drum memory was also used for secondary storage. It is basically a metal cylinder that is coated with a magnetic iron-oxide material
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2 Dedication to the striking "workers at Yale-New Haven Hospital"
Emanuel (Manny) Gomez is a Connecticut activist in his 80s.
July 2013, over 50 members of Connecticut Alliance for Retired Americans (CT ARA) along with our Labor and Community allies worked together to create a human chain across the street from the Federal Building in New Haven to protest the chained CPI. Bette Marafino, President of Connecticut Alliance for Retired Americans organized the group into a human chain.
Noted speakers included Lisa Perrone Chief of staff for Congressman John B. Larson, Marilyn Cheyne staff for Congresswoman Rosa DeLauro, Win Heimer CT ARA board member read a statement from Congressman Joe Courtney in opposition of the Chained CPI, Manny Gomez newly elected CT ARA board member representing the New Haven People's Center spoke about the importance of Social Security , Jade our youngest participant (12 years old!) explained that Social Security needs to be there for her when she is older, Connecticut AFL-CIO President John Olsen commented that Social Security provides retirement security for millions of Americans. Mark Henson District Director for Congressman Jim Himes greeted attendees. Our Connecticut Senators Richard Blumenthal and Chris Murphy were unable to attend. However, CT ARA President Bette Marafino assured our group that both Senators do oppose Chained CPI and both have signed on to Senator Harkins bill S567.
Dedication to the striking "workers at Yale-New Haven Hospital"
The May Day Supplement, page H, to the People's Weekly World May 20 2000, carried a dedication to the striking "workers at Yale-New Haven Hospital"
The City of New Haven Peace Commission is an organ of the City of Hartford Connecticut. It was organized in the 1980s by Communist Party USA leader Alfred Marder and has been infiltrated by local communists ever since.
We are excited to invite you to celebrate the 90th birthday of Al Marder and to recognize his many contributions, international and local, toward world peace, justice and equality.
Please join us in this joyous occasion on Sunday, March 18, at 3:00 pm at the New Haven Peoples Center, 37 Howe Street, New Haven, Connecticut 06511.
This page was last modified on 13 September 2015, at 21:55.


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Tag: Pumangol
Angolan Oil Greases a Trio of Palms
30 de August de 2016 Rafael Marques de Morais
At a time of prolonged economic crisis, Angola has an interesting way of prioritizing who gets first dibs on its dwindling supply of foreign exchange. Angola's President José Eduardo dos Santos recently told the central committee of his ruling MPLA (People's Movement for the Liberation of Angola) party that the government had not received any contribution from Sonangol (the national oil company) since the beginning of the year due to the sharp decline in oil price. He added: "the income Sonangol does derive is barely enough to pay its own and the State debts." Dos Santos admitted that this was causing a foreign exchange crisis for the National Bank of Angola, the BNA, which was only able to muster approximately US $300 million per month. That comes from receivables from foreign oil companies working in Angola, who are required to exchange their national currencies into Angolan kwanzas to pay in-country […]
Trafigura and the Angolan Presidential Mafia
5 de January de 2013 Rafael Marques de Morais
In two years of operations in Angola, Pumangol has become a leading player in the marketing of Angolan oil, as well as in the distribution of oil products in the country. This company is a joint venture between multinational Puma Energy, a subsidiary of Swiss based company Trafigura, and its Angolan counterpart Cochan. In August 2010, President José Eduardo dos Santos authorized a total of five investment contracts worth US$ 931 million, by multinational Puma Energy and its Angolan partner Cochan. In a country ranked among the 15 worst in the world to do business, the rapid success of Trafigura and its subsidiary Pumangol is, by its own right, a case study and one for an in-depth investigation into its dealings with the presidential inner circle. The Geneva-based company benefits of a swap contract with Sonangol. Trafigura receives Angolan crude oil (in unknown quantities) in exchange for delivering all petroleum […]


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In my continuing selfless service to the world (ahem), I'm always looking for the next awesome thing to stream. And, of course, I must share my finds with you fabulous folks. Hence, Stream-It Saturday.
Check out all my previous recommendations over here.
Manhattan is the little show no one heard of when it debuted last year on WGN. The drama is set in 1940s Los Alamos, New Mexico and focuses on both family life in this weird little outpost and the professional drama among the scientists working on the Manhattan Project.
I ended up watching the entire first season of Manhattan over a weekend (I was sick, I have an excuse) and was absolutely engrossed.
First of all, I liked in Northern New Mexico, and as part of one of my jobs visited the Los Alamos National Lab and the town of Los Alamos fairly frequently. That place is weird as hell, I tell you. What I loved about this show is it really shows the weird roots of that place. Let's face it, you get a bunch of the world's best scientists together in one place, you've got a recipe for the bizarre. Then, you layer the requirement of secrecy--even from one's own family--required of many of the lab occupations, a very odd culture results.
More generally speaking, the thing I love about this little show is that it takes a small view of a big event. Most of us have seen the movie Fat Man and Little Boy, which looks at the big stuff around the development of the first atomic bombs, but Manhattan looks at the intimate moments: Families struggling in this strange world, scientists whose belief in their own rightness takes over for the sense of right and wrong, and the lies, lies, lies that permeate this world.
Manhattan could easily be a show populated by Problems of Important Men, but it's the women in this show that are the most compelling. Olivia Williams' (who I like in everything she does) character is the wife of one the group leads (Frank, who's ostensibly the story's lead), but is actually a respected scientist--a botanist--in her own right. Helen Prins, played by Dutch actress Katja Herbers, is one of the few female scientists on the project and she's rather unexpected. (Women did work on the Manhattan Project, incidentally.) The relationships between the women of Los Alamos are equally riveting and go in directions I didn't expect.
It was a surprise to me, but this actually ended up being one of my favorite shows of last year--with the exception of the weak, overly-expository pilot, Manhattan has the feel of a slow-moving novel with quietly-building tension. You know, the sort of story that sneaks up on you. It was renewed for a second season coming next summer, and I can't wait to see where it goes. There aren't a lot of "quiet" shows on television these days, so it's refreshing that the Manhattan producers took a major event in world history and chose to make it a quieter human drama. (Also fascinating: There's a certain corner of the internet that's Extremely Upset about this.) Since the ending of the series is in many ways predetermined due to history, the route to the inevitable ending through the lens of these characters is the story and there are so many directions it could go.
Manhattan is available on on-demand and is streaming on Hulu.


TO BE BUILT: Multiple lots to choose from. The Bradford is a perfect ranch home w/ 3 bedrooms, 2 baths, 2 car garage, great room, galley kitchen with spacious dining nook. Offers opt extensions & sunroom to customize your needs. Standard Items include: Efficient Mechanicals, wood floors, Whirlpool Appliances, Crown Molding, Ceramic Tile & More. Yard Maint/Snow & Trash Rem/Irrigation. Elevation L.


Found from the Indian subcontinent to Southwest China, mainland Southeast Asia, Java and Bali.
Identification: Adult has distinctive yellowish bill, broad yellow orbital skin, mostly brown head and breast with broad whitish streaks, green wings and tail. Juvenile looks similar to adult.
Habitat: Wooded area, forest edge, gardens and parks.
Behaviour/Ecology: Nest in excavated tree-hole 3-12 meters above ground.
Location: Chinese/Japanese Garden, Singapore Botanic Gardens, Hindhede Park, Bukit Batok Nature Park, Bidadari, Jurong ECO Garden and other suitable wooded areas.


This article could easily be subtitled "Why Seemingly Logical Approaches to Security Open New Forms of Secondary Risk and Vulnerability." Put another way, predictability in any conflict with an intelligent opponent isn't a good strategy.
My good friend and colleague David Berliner and I were discussing a collection of several bad strategies that we see in security; and in seeking an analogy, we came up with the notion of "mirror chess." For those that don't play, mirroring in chess is a strategy where you simply copy the moves of your opponent. Generally speaking, it is a terrible approach: it opens you up to predictable weaknesses asynchronously because there is asymmetry in chess that can be exploited when you know the steps your opponent will take. This, in turn, led to a well-received advanced session at RSA Conference in 2018, but we've since advanced our thinking on the subject and how to use this concept of mirroring to improve security operations.
The board isn't symmetrical: the rightmost square on the nearest row (if you're playing properly) is always white, and the left-hand peer is always black.
The pieces aren't symmetrical: Kings face Queens and vice versa, looked at in either the X direction or the Y direction of the cartesian cut-up of the chess board.
The moves aren't symmetrical: each player takes a move in their own turn, on their own timeline, slightly slipped from one another temporarily. The white player initiates and is responded to if played properly. In theory, two equally skilled "perfect" players will always see the initiative favoring the white player.
Mirror Adversary Behavior: In the dance of move and countermove, we can become predictable and exploited. In the wake of CVE-2018-4878, companies started shutting down Flash, which had a measurable effect on Flash-based services and technology. What if that had been the desired goal of the attackers: the denial of service? What if instead, they did this to Word or to an ICS program?
Mirroring Past Behavior: This is when the defender either mirrors past successful strategies or is manipulated by the attacker into a predictable course of action. If attackers know that defenders always follow a standard playbook response to a given exploit, they can intentionally trigger it to distract the defenders, extending time-to-live, or even trick the defenders into further damaging the environment themselves. A classic example of this is the growing use of ransomware as a wiper, anticipating that security teams will try to contain and clean up the ransomware attack without realizing this action is destroying evidence of a deeper incident (see, among other sources, Assaf Dahan's research on MBR-ONI).
The difference here from the mirroring in (1) is who is exploiting and being mirrored, and here the defender is doing the mirroring in a way that the attacker can predict. This is also true when the attacker sets up an expectation by the defender and then does something different. The best example of this is false flag operations. After all, defenders generally love attribution (hint: I don't) because it let's them personify their opponent and focus in on idiosyncrasies, but this is inherently manipulable by an organized, intelligent attacker.
Mirroring Other (1st order chaos as described here) Fields (e.g. IT): This is entirely an "own goal" scenario, no opponent required. Companies will behave like…companies. In other words, if we are used to business processes being managed a certain way (in HR, in marketing, in Sales, in R&D, in IT and really any other department), we'll do the same in security, right? What works as "good business discipline and wisdom" should be applicable everywhere, right? No. Actually, that's not the case.
The only part of the security stack where there is an intelligent opponent is in security. In IT, the opponent is nature and predictable natural processes. In R&D, the opponent is entropy in the balancing act of quality, scope and time (hence shipping is the art of cutting) and so on. But in security, we have 2nd order chaos, as previously mentioned, because of an intelligent opponent (this is true by the way in sales-and-marketing too as there is business competition, but not elsewhere in the tech stack).
In looking at risks, David and I rapidly came to the conclusion that there are some very obvious ("no, duh") types of risks associated with mirror complications. For the most part, we don't care about the simple risks that others see and we dove deeper to find the secondary risks. For each area of analysis, we looked at four areas: complication, predictable impact, predictable response and mirror problem.
Let's start with a simple example and do exactly that: complications from asymmetries in rates of innovation between adversaries and defenders (this is an instance (1) above). Here the major complication is that adversaries are generally faster to innovate than three groups: target companies, product suppliers to those companies and services that manage operations in-house or as-a-service to those companies. The predictable impact of this is an increase in ZeroDay techniques and exploit development in new, uncovered vectors in the Kill Chain. The predictable response is the lionization of machine learning for its own sake and then an increase in automation and machine learning; but the secondary mirror problem this creates is distinct: defenders get in a rut following adversaries, the time-to-live for adversaries goes up and more aggressive uses of machine learning (whether they are appropriate or not) continues causing a vicious circle in effect.
This mention of machine learning is important, incidentally, and probably worth a whole new article at some point. Machine learning is incredibly valuable as a toolkit in our new Data Age, and that is equally true for cybersecurity as for any other domain. However, it is far too often dragged out and thrown around as if it were a single thing capable of anything. It's become almost a MacGuffin in cybersecurity and is bandied about as a form of magic, and that's a dangerous thing.
However, there are mirror complications inherent in machine learning. The major complication is fourfold: over-learning, not having enough data, having too many variables for machine learning to produce significant actionable insight and the fallacy of correlating statistical significance with security significance. The predictable impact is that it can create blind spots and increase options, ironically, for adversaries. The predictable response to that is to add more machine learning and deploy traditional countermeasures on top of machine learning in a "hybrid" approach; and the secondary mirror problem is that the data store gets corrupted, output becomes stochastic, risk increases and there's an erosion of trust in machine learning.
In my next article, which I am creatively thinking of calling "Mirror Chess, Part 2" (unless I think of a better name), I'll dive a little deeper into some of the mirror complications of so-called next-generation technologies and policy-driven systems. I'll also look at concrete takeaways for all security practitioners to avoid mirror complications and advise how to be on the lookout for these secondary issues.


A legislated "right to disconnect" could yield benefits for employers, Toronto employment lawyer Sean O'Donnell tells AdvocateDaily.com.
The CBC recently reported that the federal government, as part of a revamp of the Canada Labour Code (CLC), is considering its own version of a 2016 law that gave workers in France the right to ignore job-related emails during off-hours.
If a law were to pass, O'Donnell, principal of SJO Legal Professional Corporation, says it would apply to only a small portion of Canada's workers, since the CLC only applies to federally regulated industries, such as banking and telecommunications, but that it could form a template for provinces to follow.
"There are some very good reasons to have a right to disconnect, and I think it could really improve people's health," he says. "If you're in a nine-to-five job, and you see a work email on your smartphone after work hours, you're going to feel like you have to respond, regardless of whether it is actually required.
"We always hear about stress, depression and burnout, and if there were limits put on when you're expected to work outside of regular working hours, there could be benefits to employers in terms of less sick days, and fewer claims for failure to accommodate mental health issues," O'Donnell adds.
The French law applies to companies with more than 50 employees and requires them to create policies to limit work-related technology usage outside the office. But O'Donnell says the different work cultures in the two countries may prove a barrier to its adoption here.
"I can imagine a great deal of resistance coming from the 'old-guard' crowd with more traditional views of work and the sacrifices you have to make," he says.
While some employers already have policies in place to limit off-hours work, O'Donnell says, "There's always going to be that expectation, particularly in professional fields, that you need to be available at all times."
"While many concerns were raised during our consultations, one message was clear: Canadians want more work-life balance," Labour Minister Patty Hajdu said in a statement to the news outlet.
Whatever the final decision on the specifics of any new legislation, O'Donnell says the CLC is long overdue for an update.


It's been almost a whole year since I've logged in to create a new post on this site. That is not to say that I haven't been cooking, eating and of course, sharing my food photos. I've been posting to my Tumblr fairly regularly, since it's a quick way to share Instagram pics and easy to do from my phone. It's also about 99% visual, and well, frankly I didn't feel like sharing my thoughts much this year. At times it seems like the entire food blogosphere is just one site after another of people with these amazingly beautiful lives and families. The thought of being able to keep up with the Joneses had me retreating this year. Cooking, baking and taking photos of food still works wonders to lift my mood. In 2012, I needed a lot of that, and although I didn't share it here, I was home cooking up a storm. With my friend-the chef-turned-neighbor, I've been fortunate to have a built-in audience to feed and learn from. I just didn't have the words to share stories in 2012. Sometimes it's good to be quiet, and just take notice of how you feel, rather than letting everyone know.
Despite there being plenty to smile about in 2012 - a lot of laughter, a bit of travel and a lot of silliness - my thoughts were mainly on other things. The nitty-gritty stuff, the sitting in a cubicle stuff, the hussle-ing and rat race cause it's time to be serious stuff. Or, is it? At some point along the way, I realized that I had turned down the wrong path once again, and lost sight of the things that I knew made me happy. Sharing food with people, baking, and taking photos makes me happy. It's almost like a form of meditation for me, forcing me to be present, and content in the moment. Life feels more lovely when your kitchen smells good.


text:
KY sheriff's office issues social media scam warning
By James Long | December 16, 2017 at 12:27 AM CST - Updated August 8 at 9:37 PM
PADUCAH, KY (KFVS) - The McCracken County Sheriff's Office is warning residents about a financial scam involving social media.
According to the sheriff's office, a woman was told to send some money to a man who she met on Facebook who worked on an oil rig.
He wanted the woman to send him money via courier by way of Western Union and MoneyGram so that he could send back money to her to buy a house at Kentucky Lake.
The woman told detectives she never received the money from the man, and the courier needed more money after she already sent $13,000.
The sheriff's office says not to send money to people you don't know. If something appears wrong it probably is.
If you believe you are a target, contact law enforcement.
Download the KFVS News app: iPhone | Android
Digital Content Executive Producer


text:
Review – Blacktop Mojo; Under the Sun
By iceberg Music News Interviews Reviews August 14, 2019
Blacktop Mojo has been a station favorite ever since finding them through their publicist, Tom George from TAG Publicity. Always on the lookout for up and coming bands, I checked them out and fell in love with the sound. Since then we've been fortunate enough to interview the singer, Matt James, in "an evening with" series. We also recorded a video of them doing Underneath live for the very first time. Also captured whole lot of concert memories along the way. It didn't take very long to fall in love with the band, their energy, and their "guys next door" attitude that makes them wide open to fans everywhere.
Mix up a bit of southern grunge with classic rock and a musical attitude, you've got Blacktop Mojo. Under The Sun, their 3rd release, has been highly anticipated and even made my "watch" list for 2019. Sept 13th the album drops and fans around the world will get to hear what I am lucky enough to be hearing now. Brand New Blacktop Mojo. For all the BTM fans, yes, it's everything you hoped for. For the new fans looking for new bad ass rock and roll; it's everything you hoped for as well.
Lay it On Me has the trademark driving guitars that hold nothing back. We have a slow roll into the beat with each member coming on one at a time. Light guitar, gimme some drums, throw in the bassline, more guitar and in drops James to get things going. Lay It On Me is a great way to get introduced into this release, if not Blacktop Mojo themselves. Lay it on me, guys. One rock and roll song at a time.
Set it Free changes the pace up some. Guitars and vocals get the tone and the rest jump in on queue. While the same "style" you know and love from Blacktop Mojo, it's a changeup that experienced bands know how to provide so you don't get caught in a rut. I'll call it a sign of growth I saw early on and run with that.
Speaking of changing things up, we're only to song 3 and they've done it 3 times. I feel like I'm reading the same story to be sure, but the different chapters/songs pull you in with mood changes and fascinating story telling. Come Get Your Coat is an instant stand out in a crowded field of great songs. The trend continues and when we get to It Won't Last you'll get a touch of the blues mixed into their grunge southern rock style.
The first single from Under the Sun was Can't Sleep. While the last release had Prodigal and Underneath to slow things down, Under the Sun only really has Can't Sleep. A bit more introspective in nature, still haunting, Can't Sleep carries on the "visual music" feeling they've come to do so well. You just see the story unfold in your mind, injecting your own life's events into their music. Can't Sleep is a perfect one for this mental adventure as everything comes together so well once again.
Under The Sun is certainly another solid effort from one of the hottest bands going today. If you're new to Blacktop Mojo make sure you join their Facebook group and give 'em a like and find out where else you can put some Mojo into your life. Give Blacktop Mojo 5 minutes, they'll give you a new favorite band.
Per my own strange habits, I never review each and every song; leaving some meat on the bone for you to hear and make up your own mind how you feel about the music. Let your imagination soar and just fall into it, my best recommendation.
Getting my photopass now for the Oklahoma City show on 8/23, which wraps up the current leg of the Can't Sleep tour. While I've seen BTM many times before, they put on a great show every time and do all they can to pull the fans in as well. Their energy could power many 3rd world countries and quite a few major cities as well. The fact I get to see Lullwater with BTM on this night, well I can't think of a better way to get 1 more year older as this is my birthday present to myself.
Catch the review from Cherri Bird, another Dallas rock journalist we love and appreciate and find out even more about Blacktop Mojo from another point of view. Also, check out their Store to keep an eye out for the 9/13 drop date or pre-order here so you can support up and coming music. Easy to do when done this well.
Matt James – Vocals
Nathan Gillis – Drums
Ryan Kiefer – Guitar
Chuck Wepfer – Guitar
Matt Curtis – Bass
Underneath – First time Live
iceberg / About Author
iceberg is the founder of https://renegaderadio.net back around 2000. since that time he's taken the site in a lot of directions and a lot of different "looks"; but his focus has always been music and entertainment. part time fiction writer as well, his current project is a sci-fi 2 part movie that explores making an entire city a 250 year "project". all he will say for now but you can check out a mini movie he did, 7 Sunsets, on our video page. You can also catch him on Friday nights on the Icehouse where he plays new music from around the world and an occasional theme night.
More posts by iceberg
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Blacktop Mojo Does It Again – Icepicks for September
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recently on a bands support group, someone made a post where they got into it with a local radio station…


text:
using CsQuery;

namespace PreMailer.Net.Sources
{
	public class DocumentStyleTagCssSource : ICssSource
	{
		private readonly IDomObject _node;

		public DocumentStyleTagCssSource(IDomObject node)
		{
			_node = node;
		}

		public string GetCss()
		{
			return _node.InnerHTML;
		}
	}
}

redpajama_set_name: RedPajamaGithub


MOV AX, BX Code depilation salon: Articles, Code samples, Processor code documentation, Low-level programming, Working with debuggers RCE in Adobe Acrobat, describes the buffer overflow and shows how the researcher bypassed the original patch in a couple of hours.
RCE in Adobe Acrobat, describes the buffer overflow and shows how the researcher bypassed the original patch in a couple of hours.
setIntent is implemented inside Escript.api, which is located inside the plug-ins folder in Acrobat. I won't dig into how to locate setIntent in Escript in this blog — we'll cover that in a future MindshaRE blog.
Предыдущая запись:Назад Run PowerShell with rundll32. Bypass software restrictions.


For this commercial pool heater installation, we were contacted by a large hotel in San Diego. It was mid-summer when they were at their highest occupancy and they needed the pool heater repaired and working. When it comes to commercial swimming pools during a San Diego summer, they need to be working. As with most commercial swimming pools, they are always heated during the peak months for the guests enjoyment. Most of the time regardless of the seasons, commercial pools and spas are always being heated. Due to the swimming pool and spa being such a big draw to hotel guests,keeping the equipment up and running is a priority.
When we arrived at this commercial facility which was in downtown San Diego, we found other concerns. We identified multiple issues with pool pumps that were leaking and a few that were not running at all. Along with that, they were having issues with their pool filtering. This commercial pool and spa have sand filters that look to have had no maintenance in a long time. Upon looking into the commercial pool heater repair we also noticed more than one pool heater with issues. The one pool heater we were called out on was a priority as it was not working at all. Upon walking the equipment room we found a pool heater and one spa heater leaking.
Thes types of issues are not uncommon at all due to the facility engineers during the summer are buried with work. To keep everything focused on the job that we were called out for, our technician started to diagnosis the commercial pool heater. What he found was extensive damage to the heat exchanger and a lot of rust on the burner tray. With this extent of damage, we explained that it would not be worth repairing this specific commercial pool heater. It's not that most heater repairs are possible but, there are times it is not worth the expense. This is also a factor when repairing a commercial pool heater, that it might encounter another issue causing down time.
Because it was a time sensitive pool heater job, we sent the estimate and were asked to get it done ASAP. As we have multiple supply houses to get the necessary materials, we were able to schedule for the same day. We went with a commercial pool heater which was a Raypak ASME pool heater. The existing pool heater was also a Raypak which makes the installation a bit more cut and dry. Raypak pool heaters are a very good pool heater and we will usually recommend for most commercial facilities. We recommend Raypak for commercial pool heater installations as they hold up well to heavy use. That and commercial facilities have the space required to fit these full sized pool heaters. Due to it being a commercial pool heater, we also needed to re-install the venting. Another reason we went with the Raypak so that we did not have to install all new venting. This would have significantly raised the overall cost.
Once the commercial pool heater was installed, we then focused on an additional work order. This work order write up was to inform the commercial facility about the other repairs that need to be made. This repair write up consisted of multiple commercial pool repair issues. Upgrade single speed pumps to variable speed options. Quote to clean three sand filters and change out the laterals were also needed. The last thing was to send additional quotes to repair or replace the other commercial pool heaters.
We perform all types of commercial pool equipment repair and new commercial pool equipment installation. Regardless the scope of work, we can help. Hotels, HOA's, apartments, fitness centers, city pools and spas, and government facilities. We know that commercial repairs and new equipment replacement for commercial needs to have a quick turn around and we can handle it. We prioritize all of our commercial pool and spa customers to ensure that your facility stays up and running at all times.
If you have any questions or need to schedule a service call, we can help. Give us a call directly or fill out our contact form and we will get in touch with you.


From Hungary to Venezuela, Pakistan to Norway, these musicians don't let their countries' borders limit the scope of their art.
¡Globalquerque!, an annual global music festival, will be held at the National Hispanic Cultural Center this Friday and Saturday and features three concurrent stages of performers each night.
Neal Copperman, one of the founders and directors of the festival, said while people come to the festival with certain preconceptions and formed musical tastes, they often leave with a whole new mindset.
¡Globalquerque! is entering its seventh year, and Copperman said that compared to previous festivals, ¡Globalquerque! 2011 boasts a strong Latin American presence.
The ¡Globalquerque! festival is not just about music — it crosses all cultural boundaries. On Saturday a free, family-geared event called Global Fiesta offers a variety of activities that promote cultural understanding.
Baraka Moon, one of the bands set to perform at ¡Globalquerque!, is a trio with members from India, New York and England who together create a combination of the musical traditions of India, Pakistan, Australia and Africa. Didgeridoo player and percussionist Stephen Kent said he and his bandmates' music is based on Sufi ecstatic trance music from India, and the group's diverse background helps create a profoundly unique sound.
Kent said musicians have an ability to truly unite those who listen.
"Music is like water — it flows into all cultures, and there's respect for musicians and the energy that we bring in our music everywhere I go," Kent said.
Copperman said ¡Globalquerque! provides attendees with a diverse spectrum of music from all over the world, which is important for understanding other cultures.


text:
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Coronavirus | Updates, advice and resources for families and practitioners
Redbridge Family Services Directory
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Information for Practitioners
Contact FiND
Family Services Directory Parents and Carers Childcare Education and schools Employment and training Health matters In the community Money matters Parenting Parenting through difficult times Places to go Staying safe Young parents Things to Do Childrens Centres Albert Road, Loxford and Christchurch Children's Centres Newbury Hall, Hainault and Fullwell Children's Centres Orchard, Ray Lodge and Wanstead Children's Centres Thackeray Drive and Peabody Children's Centres EYPAD Volunteer Parent Champions Ready to Learn Young People Careers Education Getting involved in your community Health and well being Living away from home Places to go Stressful times Young people with a disability and/or SEN Your safety
Your toddler's development
Gender Identity Development Service (GIDS)
The Gender Identity Development Service (GIDS) is for children and young people, and their families, who experience difficulties in the development of their gender identity. It's a national specialised service, based in London and Leeds, and is the only one of its kind in Great Britain.
Many, but by no means all, of the children and young people who we see are unhappy with aspects of their body's primary or secondary sex characteristics.
Some children who were assigned male (i.e. registered as male) when they were born, may not feel like a boy when they are older, or may prefer to dress in clothes or play with toys that other people say are "for girls". They may feel or say that they are a girl. In the same way, some children or young people who were assigned 'female' at birth might feel or say that they are a boy. Others might say that neither "boy" nor "girl" seems the right word for how they feel about themselves.
We recognise how complex ideas around gender can be and that there is a huge range of human diversity in how people feel about and express their gender. Young people who are developing an understanding of their own gender that is different from what everyone had first expected can sometimes find things very tough. Both young people and their families can experience high levels of distress as their gender identity evolves.
We try to help young people and their families cope with distress, and to reduce it. We aim to understand the obstacles standing between young people and the development of a more settled and confident gender identity, and to try and minimise any negative influences from these obstacles.
We also work with a small number of children who have a trans parent, and whose difficulties are related to their experience of their parent's gender identity or transition.
020 8938 2030/1
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text:
Q: C# double value returns NaN I have this code Here:
public double ProgressBar
{
    get
    {
        return ((double)Completed / Progress);
    }
}

But it always returns NaN when both values (Completed and Progress) are 0.
I have also tried:
public double ProgressBar
{
    get
    {
        return ((double)Completed / (double)Progress);
    }
}

Same result NaN
What am I doing wrong?

A: Dividing by zero is not allowed and thus should be avoided.
Per the docs:

Trying to divide an integer or Decimal number by zero throws a DivideByZeroException exception. To prevent the exception, ensure that the denominator in a division operation with integer or Decimal values is non-zero.
Dividing a floating-point value by zero doesn't throw an exception; it results in positive infinity, negative infinity, or not a number (NaN), according to the rules of IEEE 754 arithmetic.

So if you want the result to be 0.0 if Progress is 0, then you should express so explicitly in your code. For example like this:
public double ProgressBar
{
    get
    {
        return Progress == 0 ? 0.0 : ((double)Completed / (double)Progress);
    }
}


Historic Wilmington Foundation has been working with the Brookwood and the City Preservation Planner to get this neighborhood listed on the Register since 2007. HWF managed the funding for the project and oversaw the consultant work and compliance with the deadlines. This is a great achievement for the City. For the story from Port City Daily click here.


text:
Q: python type error: a is undefined Python newbie here. I am writing a program to count how many times a substring is a string, but keep receiving the error message: TypeError: a is undefined. I have looked at /googled similar threads but the code is usually convoluted and hard to follow.
Here is my code:
def stringcount(char, word):
for eachChar in word:
    if char==eachChar:
        count=count+1
        return count
    print count

stringcount('a', 'apple')

Thanks a lot!

A: def stringcount(c, word):
    count = 0
    for eachChar in word:
        if c==eachChar:
            count=count+1

    return count

>>> stringcount('a', 'apple')
1
>>>

But in this case you can simply use:
>>> 'apple'.count('a')
1

A: This code is dangerous. You aren't initializing count, so if count exists as a variable in the namespace you could get a different result every time. For example, if you call the function multiple times, count will not reset and the second time the function is called it will return 2. The following code is much safer and works.
def stringcount(char, word):
    count = 0
    for eachChar in word:
        if char==eachChar:
            count += 1
    return count

>>> stringcount('a', 'apple')
1

Also note that you can simply do 'apple'.count('a') to do the same thing.
A nice one-liner does the same thing:
def stringcount(char, word):
    return sum(x==char for x in word)
>>> stringcount('p', 'apple')
2

A: If you aren't writing this for a programming exercise, you could do:
def stringcount(c, word):
    return word.count(c)

print stringcount("a", "apple")

Docs: http://docs.python.org/library/string.html#string.count


text:
By Vivian Sky Rehberg
LA TRIENNALE 2012
La Triennale 2012 'Intense Proximité', installation view, Palais de Tokyo
Formerly known as 'La Force de l'art', the 2012 edition of the Paris Triennale was rebranded 'La Triennale 2012: Intense Proximité' and relocated from the Beaux-Arts Grand Palais to the leanly stylized and newly expanded Palais de Tokyo. Curated by Okwui Enwezor and his associates Mélanie Bouteloup, Abdellah Karroum, Émilie Renard and Claire Staebler, 'La Triennale' departed from the premise that the mobility and migration of people and cultures in our postcolonial, global era has resulted in societies in which the collapse of distance heightens spatial, temporal and social tensions. 'Intense Proximity', Enwezor writes in the catalogue, is 'a form of disturbing nearness that unsettles as much as it exhilarates, and transforms as much as it disquiets the coordinates of national cultural vectors.'
I've already spilled ink over the outdated and chauvinistic nationalist rhetoric underlying the two previous Paris Triennales (as have many others). This one, which included more than 100 artists from around the world and works dating from the 1920s to the present, bore no resemblance to its predecessors, making it praiseworthy by comparison. Whether this shift hints at or heralds a new phase in French cultural policy remains to be seen; 'La Triennale' was still very much an official affair. Though the exhibition and catalogue insisted on the international character of art today, Frédéric Mitterand, Minister of Culture and Communication under former president Nicolas Sarkozy, reminded us once again, in his catalogue preface, that this exhibition's goal was to 'highlight contemporary creation in the visual arts in France' and that it would 'testify to the vitality of the French art scene'. I agree that the French art scene is full of vitality; I'd venture, however, that this is hardly due to major state-sponsored events and institutions, but rather to the open-minded dedication of a generation of still largely unsung artists, curators, critics, gallery owners and directors at peripheral art centres like Les Laboratoires d'Aubervilliers, Le Crédac and Bétonsalon, whose concurrent exhibitions were linked to 'La Triennale'.
While it's impossible for an exhibition like this to avoid being caught up in national interests, 'La Triennale' did place histories of colonialism and decolonization centre stage, subtly highlighting France's complicated and unresolved relationship to its own colonial past at a particularly poignant moment. Enwezor and his co-curators unpack these histories in the catalogue, where they simultaneously rely upon and critique ethnographic and anthropological models for analyzing the interactions between cultures. The book also anthologizes key texts by Claude Lévi-Strauss and Frantz Fanon, among others, as well as art-historical and philosophical speculations on ethnographic and anthropological methods.
It will come as no surprise that what Enwezor calls 'ethnographic poetics' figured prominently in the exhibition, though mainly on the sprawling ground floor, where one encountered Walker Evans's African Negro Art Portfolio (1935), ethnographic filmmaker Timothy Asch's self-reflexive The Ax Fight (1975), from his 'Yanomamo Series', which pedagogically explores the veracity of documentary approaches to ethnographic materials, and Lothar Baumgarten's Fragmento Brasil (1977–2005). Unfortunately the latter was so poorly installed that the images Baumgarten collected during his stay amongst the Yanomami Indians, including works on paper made by them contrasted with black and white photographs of landscapes and colourful 17th-century paintings of birds, were completely washed out and quasi-invisible.
Because Enwezor's understanding of the temporal specificity of our present moment revolves around the disjunctive relationship between the history of modernity and contemporaneity, the juxtaposition of works from different periods was coherently framed theoretically, if not always visually. However, there seemed to be no other justification, except my personal jubilation, for including, right at the entrance, an absolutely stellar set of Carol Rama's abstract rubber and canvas paintings, plus several of her surrealistic figurative works.
The productive visual connections and clashes that abounded on the first floor started to degrade as one descended into the newly renovated lower galleries. Lili Reynaud-Dewar's Some Objects Blackened and a Body Too (2011) in which the nude artist, covered in black make-up, films herself dancing in the studio, à la Josephine Baker, captivatingly questions the role of images and gestures in the construction of identities, including artistic ones, and the transmission of stereotypes. So why was one of Reynaud-Dewar's pendant photographs hanging above a fire extinguisher behind an exhibition guard's chair? The relegation of this work to the corner immediately raised my feminist hackles. On the other hand, what a delight to discover a generous selection of Ellen Gallagher's intricate, double-sided collages on plinths, and David Hammons' Stone With Hair (1998), which is exactly as the title describes, nestled on a shoe polish tin, and more than nodded to Evans's African masks on the floor above. On the cavernous floor below, the dark grey walls and gloomy lighting of the temporary galleries did no favours, however, to Isabelle Cornaro's sumptuously cast objects (Homonymes/Homonyms, 2010) or, in fact, to any of the other non-moving-image works that had the misfortune of being exiled there.
On the whole, Enwezor's attempts to translate ethnographic models into a curatorial practice were laudable at times, but somewhat risible at others, for example when he extolled the contemporary curator as a 'creature of wanderlust'. 'La Triennale's'focus on spatial or geographical proximities and distances would have felt more forcefully contemporary if it had equally accounted for discussions about economic precariousness, the rapidly growing gaps between the rich and the poor, and between art and society at large, evidenced by cuts in cultural funding everywhere. The impact this will have on employment and opportunities in the arts will no doubt affect future projects of this scale. Some people travel far and wide to see exhibitions, but for many others, contact may soon be overwhelmingly mediated by technologies, also heirs of the regimes of visibility built out of ethnographic observation, note-taking and image-making.
Vivian Sky Rehberg
Vivian Sky Rehberg is a contributing editor of frieze and course director of the Master of Fine Art at the Piet Zwart Institute, Rotterdam, the Netherlands. She lives in Rotterdam, the Netherlands.


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Team development is fundamentally different from team building since your 'established' team will have a history. It will have gone through various growth stages, team members will have established relationships, they will have experienced success or failure, and will have established 'norms' for behaviour.
There is 'no' one size fits all approach to team development!
Poor Performance is costing you money!
These outcomes will contribute to the costs of your business or your organisation in terms of lost revenue, higher costs, excessive use of personnel's time, missed opportunities etc. Look beneath the surface and some of the following will most probably be apparent.
Think of your team as a machine. It needs to be well constructed and fit for purpose. An effective 'team building' event will ensure your team is well made and gets off to a flying start. However, the maintenance process for any machine is there for a reason: it ensures it functions consistently well, simply checks everything is in working order and highlights where things are not working well. Compare the cost of a major repair against the costs of a routine service and you soon appreciate the value of a team development programme.
Every well-oiled machine needs regular servicing and checks. A team is no different in this respect: it is an investment – and needs to be looked after!
If you would like to talk to us about designing a development programme for your team that will take improve their cohesion and effectiveness, contact us now for an informal discussion as to how we would achieve this.


text:
Most local students who retake FCAT fail again
Jackie Alexander Staff writer
Most Alachua County high school students retaking the FCAT failed the test again, according to state Department of Education data released Thursday.
High school seniors, who need to pass the FCAT or a college entrance exam to graduate, performed poorly on the test, with only 13 percent of 277 Alachua County students passing the reading portion and 12 percent of 77 students passing the math section.
That falls below the state level of 15 percent passing in reading and 21 percent passing in math.
"We're never happy with these numbers," said Deputy Superintendent Sandy Hollinger.
Now, she said, the district must work to determine how to help those students.
Seniors who fail the FCAT may enroll for another year of high school or attempt to earn a comparable score on the ACT or SAT.
Although the percentage passing was low, Hollinger said, it was close to the state's level.
"Statistically (the difference between statewide passing levels and local levels) is not a big difference, so there's a big problem at grade 12 across the board," she said.
The county's math retake scores are a decrease from last year's 18 percent passing. Fewer students took the retake exam this year as compared to the previous school year.
"They are taking reading during the day — that's required," Hollinger said, "but I think where we really need to step it up is the after-school tutoring."
Students can come after school to supplement their reading skills, but that requires a certain degree of motivation, Hollinger said.
"If you've failed this test three times, you're not feeling too great about yourself," she said.
The district plans to redirect money to allow students to earn high school credit while attending tutoring, she said.
"If you can get a credit, I think you're going to be more motivated, especially if you're credit-deficient," she said.
Contact Jackie Alexander at jackie.alexander@gvillesun.com or 338-3166.


text:
Changing States
Infinite Mile
Essay'd – in print
Juked
Breakfast with the Artist
"Outside the Palace of Me" by Shary Boyle @ Hyperallergic
"Beautiful, Still." book review @ Hyperallergic
"Artists in My Life" book review @ Hyperallergic
Hiwa K at Power Plant, Toronto @ Hyperallergic
Colonial Ruptures at the Gardiner Museum, Toronto @ Hyperallergic
Laura Rosenberger on William L. Hawkins at CMA @ Hyperallergic
Mary C Fortuna on Life is But a Dream @ Galerie Camille
Joyce Shapiro on Pandemic Art Residency: Op-Ed @ Hyperallergic
Sarah Sharp on Radical Tradition at Toledo Museum of Art @ Hyperallergic
peppercory on Radical Tradition at Toledo Museum of Art @ Hyperallergic
Public Appearance
Unpaid and Unsolicited Promotion of Something Awesome
Sarah Rose Sharp
Andy Malone @ Essay'd
On the game board shelf in Andrew Malone's living room, stuck in between Castle Blast and Where in Space is Carmen Sandiego?, is a nondescript wooden box containing a game of his own creation, called X+ (Ex-Cross). Players line up two-sided wooden game pieces, each embedded with the eponymous X on one side and + on the other, along the back row of a modified checkerboard. In three-movement turns, players navigate the board, trying to capture each other along diagonals for X and orthogonal for +. Each piece can, at any time in a turn, flip to alter its capacity to move. Malone used this game as an opportunity to discuss with his daughter, Julia, the opposing philosophies of Dr. Martin Luther King, Jr. and those of Malcolm X. As Malone sees it, each of these civil rights leaders was locked into a singular kind of movement, but ultimately an individual has better options when able to think flexibly.
This microcosmic example contains all the hallmarks of Malone's artistic practice: intricately hand-crafted woodworks, kinetic movement, analog technologies, didactic games with open-ended outcomes, a thoughtful practice of viewer engagement, and deft sugar-coating to serious subjects. His work is poised between generations, using games and engineering as an outlet for an artistic practice that was both inherited from and inhibited by his father's career as a painter, but also a tool for communication and learning with his own children. Increasingly, science recognizes the importance of games as method of developing and reinforcing neural plasticity, and Malone is endlessly engaged in a practice of leveraging their ability to change thinking, in himself and others. His current piece, Quatern (working title), acts as an attempt to disrupt Malone's self-reported tendency for "analysis paralysis," by having players take turns simultaneously, the action forced along by a motorized mechanism. It sits on the workbench in his home-studio—a garage replete with hanging wooden gears and clockworks stashed in the rafters, salvaged from old projects and recycled into new ones.
July 14, 2015 Sarah Sharp Writing 1967 Rebellion Chess Set, Andy Malone, Essay'd, fun and games
Breakfast with the Artist (113)
Curatorial (11)
Public Appearance (21)
Sourcebook (24)
Unpaid and Unsolicited Promotion of Something Awesome (17)
Copyright © 2018 Sarah Rose Sharp | Site by. Detroit Spaces


text:
Wabash Provides Update on Current Conditions at Investor Conference
Wabash National Corporation
LAFAYETTE, Ind., Dec. 01, 2021 (GLOBE NEWSWIRE) -- Wabash (NYSE:WNC), the innovation leader of engineered solutions for the transportation, logistics and distribution industries, today presented at the Stephens Investment Conference. President and Chief Executive Officer Brent Yeagy provided an update on current conditions, citing that while supply chain dynamics continue to be challenging during the quarter, demand conditions remain robust.
"We continue to use the full extent of our resources to manage through an uneven supply chain environment," said Yeagy. "That said, demand remains robust across our first to final mile portfolio of transportation solutions and we have continued to book meaningful volumes of new orders during the quarter with our backlog ending November 2021 at a record level of more than $2.3 billion. We are growing to be a partner for an evolving set of strategic customers and our discussions are shifting to a multi-year framework in order to align on how we will support our customers' long-term growth and related equipment needs as well as the formation of trailer pools to support power-only business models."
About Wabash
As the innovation leader of engineered solutions for the transportation, logistics and distribution industries, Wabash (NYSE:WNC) is Changing How the World Reaches You™. Headquartered in Lafayette, Indiana, the company's mission is to enable customers to succeed with breakthrough ideas and solutions that help them move everything from first to final mile. Wabash designs and manufactures a diverse range of products, including: dry freight and refrigerated trailers, platform trailers, bulk tank trailers, dry and refrigerated truck bodies, structural composite panels and products, trailer aerodynamic solutions, and specialty food grade equipment. Its innovative products are sold under the following brand names: Wabash National®, Benson®, Brenner® Tank, Bulk Tank International, DuraPlate®, Supreme®, Transcraft®, Walker Engineered Products, and Walker Transport. Learn more at www.wabashnational.com.
This press release contains certain forward-looking statements as defined by the Private Securities Litigation Reform Act of 1995. Forward-looking statements convey the Company's current expectations or forecasts of future events. All statements contained in this press release other than statements of historical fact are forward-looking statements. These forward-looking statements include, among other things, all statements regarding the Senior Notes, revolving credit facility and Term Loan Credit Agreement. These and the Company's other forward-looking statements are subject to certain risks and uncertainties that could cause actual results to differ materially from those implied by the forward-looking statements. Without limitation, these risks and uncertainties include a continued or prolonged shutdown or reduction of our operations, substantially reduced customer orders or sales volumes and supply disruptions due to the coronavirus (COVID-19) outbreak, the continued integration of Supreme into the Company's business, adverse reactions to the transaction by customers, suppliers or strategic partners, uncertain economic conditions including the possibility that customer demand may not meet our expectations, increased competition, reliance on certain customers and corporate partnerships, risks of customer pick-up delays, shortages and costs of raw materials including the impact of tariffs or other international trade developments, risks in implementing and sustaining improvements in the Company's manufacturing operations and cost containment, dependence on industry trends and timing, supplier constraints, labor costs and availability, customer acceptance of and reactions to pricing changes and costs of indebtedness. Readers should review and consider the various disclosures made by the Company in this press release and in the Company's reports to its stockholders and periodic reports on Forms 10-K and 10-Q.
Dana Stelsel
Director, Communications
dana.stelsel@wabashnational.com
Director, Corporate Development & Investor Relations
ryan.reed@wabashnational.com


Cyber Monday is the perfect time to plan your vacations.
Cyber Monday is a great time to save on your next vacation.
In the past, Ryanair has offered flights starting at $6.50.
From airline discounts to excursions, here are all of the travel deals you need to know about ahead of Cyber Monday.
Whether you're in search of one last trip to end the year or planning your first getaway of 2019, we've rounded up some of the top travel deals you can take advantage of this Cyber Monday.
Prior deals at Ryanair include flights starting at $6.50.
Air France will sell 500 digital gift cards valued from $50 to $5,000 from Nov. 26 - Dec. 2 while supplies last. Any gift card over $150 will be given an extra $30 in value to be used at airfrance.com. Gift cards will never expire.
Budget carrier Ryanair has been offering a different deal each day from Monday, Nov. 19 through Monday, Nov. 26. Be sure to check out Ryanair's website on Cyber Monday to see its deal of the day, with prior deals including flights starting at just $6.50.
Low-cost carrier Norwegian is also running Cyber Monday deals that include up to 15 percent off of restrictive fares on longhaul routes (flexible fares are excluded) from both the U.S. and Canada. The savings will automatically show up in the featured fares, so customers won't need a promo code. The sale ends on Monday, Nov. 26 at 11:59 p.m. EST. The deals apply for travel between Dec. 3 and March 31, 2019, with a blackout period from Dec. 17 to Jan. 6, 2019.
Hilton is running a sale that includes up to 25 percent off of trips across Europe, the Middle East, and Africa.
The JW Marriott Nashville will be offering 40 percent off of its rooms, in addition to providing complimentary Wi-Fi, two cocktails in its Cumberland bar, complimentary valet, and 15 percent off of the hotel's spa when booking on Cyber Monday for stays through 2019.
The Andaz Maui will be offering 20 percent off of rooms and a $50 credit at its restaurant, Ka'ana Kitchen, when you use the code SAVOR to book between Nov. 23 and Nov. 26.
The River's Edge Hotel in Portland, Oregon, will slash 30 percent off of rooms and offer a complimentary upgrade when you book direct on Cyber Monday. The offer is valid for stays through March 31, 2019 when using the promo code CYBER.
California's Timber Cove Resort will offer 40 percent off of 2019 stays when booking on Cyber Monday and using the code CYBER.The Redbury in New York City is offering 50 percent off of weekend stays (Thursday through Sunday) on travel between Nov. 23 and March 2019 for bookings made between Nov. 23 and Nov. 26 when using the code Cyber online or DSCYB on the phone.
You can get up to 70% off your trip to the Bahamas.
Small adventure tour operator Intrepid Travel is offering 20 percent off more than 1,000 trips around the world as part of its Black Friday and Cyber Monday deals. The deals are available from Nov. 20-28 for travel between Jan. 15 and Dec. 15, 2019, with the discount automatically applied. Example itineraries range from the eight-day India's Golden Triangle trip filled with hot air balloon rides and safaris to a cycling trip in Tanzania to explore volcanoes, national parks, and more.
Those looking to head on a tropical getaway can save up to 70 percent off some of CheapCaribbean's most popular locations for the new year. These include the Dominican Republic, Jamaica, Bahamas, Los Cabos, and Cancun/Riviera Maya. For example, all-inclusive rates start as low as $349 for flights and a three-night stay at the Oasis Tulum Lite. Bookings are open through Nov. 26 for travel dates ranging from Nov. through May of 2019.
Safari and tour operator and Beyond will be offering 20 percent off a selection of wildlife and culture itineraries for travel between Jan. 15 and December 2019 when booking on Cyber Monday. Travelers will also need to provide a 20 percent deposit within 14 days after booking for the deals to apply.
Expedia's coupons will also include $100 off of $1,000 vacation packages, and $100 off of activities priced at $200.
Luxury yacht charter company the Moorings will offer 30 percent off of Bareboat Sail and Power charters in all of its worldwide destinations (excluding Italy and Tonga) for bookings made on Cyber Monday and for travel between Nov. 26 and June 30, 2019. A minimum charter of seven days is required.
Get 50 percent off of tickets to New York City's Circle Line Sightseeing Cruises' Landmarks Cruise, Liberty Cruise, Harbor Lights Cruise, Best of New York Cruise, and Statue of Liberty Express Cruise or New York Water Taxis' All Day Access Pass when purchasing between Nov. 23 and Nov. 27. Use the code CYBER18 for the deals.
Grab some new hiking boots.