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RATHEGALIA:
RATHEGALIA: ENDOWMENT OF BLOOD
Written by Christopher Ikpoh
Illustrations by Junki Sakuraba
Sometime in the distant past, many eons ago…
"The price for what we have obtained will be paid in blood!" a deep, anguishing voice bellowed under a pair of menacing moons.
The night sky was raging with lunar illuminations and vibrant lightning amidst ominous darkness. Rain assaulted the terrain, saturating the majestic forest beneath it. Everything was overflowing with water. The events transpiring seemingly infuriated the planet of Friki, and the heavens were voicing their anger.
Within a wide clearing before a kneeling figure was a group of warriors surrounded by dead enemies. Their black and gold armor channeled the rain down the course of their bodies as leather and metallic riverbeds. The leader of the group stood with her arm extended, confidently holding a sword representing the tradition of untold generations. Her chest heaved mightily as she pressed the tip of the blade against the neck of the defeated man. It was apparent they were at the conclusion of an intense battle. Her long midnight hair, once fallen over her porcelain white face, had just been moved back with her off-hand. However, elation was not the expression displayed. No. Instead, her furrowed brow and slight snarl exposing her elongated fangs portrayed an incensed demeanor giving way to relief. A violent, horrific feud was finally over.
"Then, let the endowment be paid with yours," she calmly replied. A stern nudge was given to the weapon, piercing the tip of the sword through the defeated man's neck, and exiting it through the back. She continued to breathe heavily while holding the dead body in place with the blade. Her fellow warriors watched intently as blood poured from the man's jugular, creating crimson streaks down his chest as rainwater ferried the liquid life towards the ground. The defeated was no more.
As the group of warriors stood silently, thunder cracked with hostility overhead. There was magic encompassing everything – a dark magic – and those present could feel it. It permeated all creation for as far as they could see, and it was this magic that cried out to nature begging not to be dragged into oblivion. The leader removed her sword from the man's neck and turned to view the entirety of their celestial surroundings. Bolts of lightning battled in the sky above a rocky cliff in the distance as the rain crashed into her face more aggressively than before. The wind intensified, flapping the attire under her armor in all directions.
"Queen Rathegalia!" one of the warriors shouted to their leader over the roaring wind and thunderous cracking. Their queen's attention was not captured, though, as she continued to observe the malevolence before them resisting its eternal damnation. Thus, the warrior shouted louder and with a more familiar tone. "Adelfi!" The leader turned sharply to her caller as her deep concentration was broken, and realizing they had the queen's attention, the warrior resumed. "What is happening?!"
Adelfi fixed her gaze on the warrior as her hair danced before her eyes and streams of water were swept into the wind from their armor. "Death!" the queen answered with a shout. They all looked at the black abyss above them being ripped apart by the destructive thunderstorm, and they could sense the withering dark magic clawing to prevent its inevitable demise. Adelfi then continued with a murmur to herself, "Evil never dies quietly…"
Two Worlds
The year – 749 AD; the beginning of the medieval period on planet Earth. A continental holy war was burgeoning. The Byzantine Empire – one of the grandest in the world – had absorbed and replaced their Roman predecessors. The newly formed realm was believed to be a direct reflection of the Kingdom of Heaven by its inhabitants, and the emperor, Constantine V, was their divinely anointed leader.
However, unrest was bubbling over in the cauldron of society. The Byzantines experienced an enormous division within the Christian faith that permeated every aspect of the empire's existence. This separation was caused by the implementation of iconoclasm, which Constantine himself spearheaded. He was devoted to carrying on the work of his father and previous Byzantine emperor, Leo III, despite the exponential growth of contention iconoclasm caused within the powerful Roman Catholic Church in the west. Constantine's greatest opponent was Pope Zachary, and his papal opposition to iconoclasm was supported by Catholics throughout Europe, including some within Constantinople.
The consternation surrounding iconoclasm regarded the belief the veneration and worship of Christian symbols and icons was in direct opposition to the second of the 10 Commandments; that it stripped Christ, Mary, the saints, and all other holy figures of their divinity by lessening them to the equals of mere humans. The Roman Catholic Church and Pope Zachary counterclaimed Constantine was a heretic for enacting laws and practices supporting iconoclasm, and that the emperor's campaign was weakening the Christian faith and its followers. Rome and its leaders also made claims Constantine was committing treason against the Christian faith, stating the emperor had been influenced by the Muslims to their eastern borders, as forbidding the worship of symbols and icons was said to be purely an Islamic ideal.
Amidst the widespread religious turmoil, ancient myths about demonic creatures stalking the Earth were no longer just the fables of some and nightmares of others. They were becoming a reality, as the twilight began to birth unspeakable horrors. Monstrous beings emerged from the shadows to hunt humans, devour their flesh, and drink their blood. Innumerable reports of unholy entities ravaging entire villages and taking victims to never be seen again overtook the empire, transforming the myths into undeniable truth. Pope Zachary fanned the flames by publicly claiming across the world Constantine and his iconoclasm crusade were the cause of the supernatural enemy's emergence and the chaos they inflicted. In lands far and wide, the Catholic Church preached the emperor's beliefs were of the Devil, and ultimately his actions invited a supernatural evil into their homelands by continuously removing man's divine weapons against wickedness: Christian symbols and icons.
The emperor refused to allow Pope Zachary and the Catholic Church to admonish him and brazenly undermine his rule. Thus, with the division between the eastern and western parts of the Byzantine Empire beyond repair, the Roman Catholic Church and Constantine amassed their armies and advanced on one another resulting in the dawn of a holy war greater than any known before it.
Meanwhile, across the universe existed a majestic planet known as Friki. The forests were alive and rich with life. The mountain ranges were vast and reached the skies. The plains were plush and bountiful, and the seas were deep and teemed with all types of awe-inspiring creatures. In addition, flourishing civilizations were established across the planet. The inhabitants were nothing like those of Earth, though. A darker side to Friki's natural beauty existed in the form of terrifying creatures roaming the lands. Among them were werewolves and higher vampires, which were regarded as the two most dominant species on the planet.
From the dawn of time on Friki, fierce tribalism kept the two sides segregated within their territories, each bestowing their own chosen monarchs with power. However, unlike the werewolves who were joined in solidarity as a race, vampires were further divided with each familial clan mostly isolating themselves from the others. Yet, about 4000 years ago after ages of skirmishes back and forth, the vampires realized peace and unity were needed in order to overcome the ever-growing werewolf threat as the Great War of Friki erupted.
There was massive bloodshed, and violent atrocities were committed by both sides during the hundreds of years the war raged on. It was the newly formed cohesiveness amongst the vampires that finally allowed them to emerge victorious, though, catapulting their kind to the top of the Frikian order. But alas, peace would not endure amongst the victors, for harmony always has a way of falling victim to unbridled ambition.
Once they reigned supreme, the vampires began debating which clan's monarchy should rule over their unified kingdom. This resulted in more fighting and battles. Thus, to gain an edge over the other clans, vampires sought to control the most precious resource on the entire planet; the supply lines which served as its inhabitants' sole source of nourishment and sustenance. It was a series of interdimensional portals connecting Friki to Earth, which the vampires had been using for millennia to capture humans to feed from and farm on Friki.
Amid the chaos, a single vampire ascended above the rest. His name was Belmont Rathegalia of the Rathegalia Clan. He was regal. He was studious. He was domineering. Belmont was all the things a vampire ruler should be. After rising to become the unquestioned leader of his clan, Belmont implemented his unique military strategies. This turned the tide of the clan wars, and coupled with his sheer domination on the battlefield, resulted in his people gaining firm control over most of the portals. Once in a position of power and influence, though, Belmont chose to use diplomatic governance to align all the clans instead of seeking to crush them. This unprecedented decision saw vampires come together under one accord to manage the usage of the portals and their dealings with humans, eventually resulting in the creation of the Vampire Order of Friki, or the VOF – a group of elders from all the clans that worked as a council of delegates. Thus, peace was reestablished amongst the vampire ranks.
With a governing body in place and order restored, Belmont sought to further expand the reach of their newfound harmony to better stabilize the kingdom. Thus, he vigorously negotiated the inclusion of their mortal enemy – the werewolves – in usage of the portal system, as they too had come to primarily feed on humans over the ages. His bold campaign came much to the chagrin of his fellow elders, as their widely shared belief was vampires were entitled to sole control of the portals to Earth after winning the Great War of Friki. Belmont helped them realize, though, that if they continued to oppress and battle their ancient enemy, they would never truly know peace; their borders would be under constant attack.
As revelations always do, Belmont's logic pierced the hardened hearts of the other vampire elders and they eventually agreed to the plan. Finally, Belmont embarked on an ambassadorial mission to meet with the werewolf elders. He offered shared access to the Earth portals in exchange for a truce, and despite all the odds his proposal was accepted. Alas, for the first time in Frikian history amity between the two sides existed. True peace was achieved.
The multiple feats of diplomacy, along with Belmont's legendary status as one of the greatest vampire warriors to ever live, inspired the clans to anoint him king. It was a timeless vampire tradition for a single monarch to rule over their kind, and there existed no better selection than Belmont Rathegalia. Yet, despite all his greatness and the adoration he garnered from vampires and werewolves alike, not even King Belmont could prevent chaos from arising once more on Friki. A fact that began to haunt their world in 749 AD.
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This canopy walkway elevates Shenzhen library-goers into the treetops
Design Architecture Public Spaces
A new pagoda-like library in China's megacity of Shenzhen sweeps visitors above the tree canopy with an elevated walkway. Located in Xiangmi Park, a densely forested area originally used as an agricultural research center, the Xiangmi Park Science Library celebrates its verdant surroundings with a "treetop walk" and an abundance of glazing. International architecture and design firm MLA+ led the design of the library and visitor center, and ZEN landscape architects handled the landscape design.
Completed in 2017 in Shenzhen's central Futian District, the Xiangmi Park Science Library covers an area of 1,500 square meters. The park had been protected from urban encroachment for 35 years and includes a large lychee orchard on a hill, fishponds, a flower market and a rich diversity of local flora and fauna. The architects have compared the site to an "undiscovered treasure box in the middle of a metropolis" and thus aimed to preserve and enhance the natural environment as much as possible.
Drawing inspiration from classical Chinese garden architecture, the pagoda-like library building is made from steel and glass for an airy and lightweight feel; the cantilevered elements provide solar shading and reference local architecture. In addition to library stacks, the building includes a meeting room, a reading area, terraces and administrative offices.
Related: BIG completes an energy-efficient sculptural skyscraper in Shenzhen
"Perched in between the trees, the building offers an ever-changing experience of its surrounding landscape," the firm said. "This experience varies from floor to floor. With its dematerialized ground floor, it becomes a part of the shaded forest floor. Structural elements blend with the surrounding tree trunks. Upper levels sit in between the dense canopy of leaves and therefore have a more enclosed, intimate feeling. The very top floor offers the views of the surroundings and the city. Experiencing the library is like climbing a tree — a tree of knowledge."
+ MLA+
Images © Vlad Feoktistov
NEW GREEN TOWER IN MIAMI - The COR Building
Oppenheim Unveils Exoskeletal LEED Campus Center for Miami Dade
The Shack: Marin County Retreat Restored to Reveal Old-Growth Timber Features
Exbury Egg: Amazing Self-Sustaining Floating Office Launches in the UK
Extraordinary treehouse is a climber's dream with its own indoor climbing wall
Spectacular origami pavilion made of recycled plastic pops up in Columbus, Indiana
Shanghai flying car tower to clean the air with a 50,000-plant vertical forest
The peaceful Micro House serves as an artist's refuge in Vermont
ANNIVERSARY OF HURRICANE KATRINA: Design for Disaster
A hygrothermal-optimized house boasts thermal comfort with volcano views
Xiangmi Park Science Library by MLA+
The library is situated in Xiangmi Park, a densely forested area in Shenzhen.
The library was inspired by traditional Chinese garden architecture.
The library features reading rooms, offices and meeting rooms.
An atrium fills the interior with natural light.
The library's treetop walk is illuminated at night.
The library offers elevated vantage points of the city.
An aerial view over the library.

redpajama_set_name: RedPajamaCommonCrawl


It's great that you've open sourced Shadowgrounds and Survivor. Can we get the "ported" Linux source code rather than the Windows specific code? I'm interested in porting these games to 64bit Linux and It would be way easier to start from the 32 bit Linux port rather than having to redo the porting process from Windows to Linux.
The Shadowgrounds games are quite old and possibly very messy - these sources have not been cleaned too much.
It's also worth noting that the source code has a lot of "hacks" and "todos". It is in many ways messy and could be hard to understand.
We haven't had a commercial name for the game engine, but internally it's been called "Storm3D". Storm3D is partially based on work by the awesome Finnish programmer Sebastian Aaltonen, from whom we bought the original code in 2000/2001.
The Jack Claw source is based on the same code that we have used in all of our games so far. This will finally change with Trine 2 which uses a completely rewritten game engine. You will find a lot of code related to Shadowgrounds (2005) and Shadowgrounds Survivor (2007). There may also be references to older projects, such as "Disposable" or "DH", which mean our very first game, an (RTS) prototype from 2001-2003.
That's it. We'll be discussing Jack Claw much more in the future on our websites and in the community, so be sure to check them out.
As you can see, both games are using the same engine. Maybe with releasing the code for Linux&Mac-part of Jack Claw they also release the Linux&Mac-part of the Shadowgrounds-series. Else we can maybe port the Shadowgrounds-stuff over to Jack Claw so Shadowgrounds would run with the "new" engine.
Combining both code-parts (Shadowgrounds and Jack Claw) would also save much time and effort because they have the same basis. Improving one will also improve the other one.
Is the linux port coprighted by IGIOS and thus cannot be released, or did I misunderstood something?
I've been looking pretty hard for a link to the source on multiple pages with no luck in finding one. Could somebody please point me in the direction of where this can be downloaded?
The Linux-sourcecode is not online yet.
We gave Frozenbyte the latest Linux source code and hopefully they'll release it sometime soon.
Yes, we plan to release the Linux/Mac source soon. Most likely happens next week as things got so busy this week that we haven't had the chance to double check it yet. Sorry about this extra delay.
fb_joel wrote: Yes, we plan to release the Linux/Mac source soon. Most likely happens next week as things got so busy this week that we haven't had the chance to double check it yet. Sorry about this extra delay.
Yeah and I'll again say "next week". I want to get all the support issues dealt with and then we'll focus more on the "extras".
One extra with the source would be to trying switching to using FFMpeg 0.6 where it became slightly more shared library friendly. Don't think there should be too many changes required.
This would me to use system libraries (at least with my distros current versions) but movies for some reason tend to stutter on my system which might be an issue with the older FFMpeg 0.5ish used.
The source supports both versions of FFMpeg. When I tried to build a stripped-down version for distribution the 0.6 libavcodec kept crashing and I couldn't really track down the problem. Might have been something in the asm-optimized decoders.
looking forward to the OpenGL based source release!
Yeah it's just waiting for me to comb it through for any oddities, if all things go to plan then tomorrow could be a good candidate... Sorry for all the delays, there's been so many things going on simultaneously that it's been tough to get everything done. At least we're not in the "next week" phase anymore though, now it's "tomorrow".


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Classical music: Madison Area Concert Handbells (MACH) turns 20 and will give three performances of "Bells of Christmas" this coming weekend. Plus, there is a FREE concert of women composers on Friday at noon and a FREE community string quartet concert on Thursday night
ALERT 1: This week's FREE Friday Noon Musicale at the meeting house of the First Unitarian Society of Madison, 900 University Bay Drive, features Sarah Gillespie, French horn, and Susan Gaeddert, piano, in music by women composers: Fanny Hansel, Clara Schumann, Kay Gardner and Andrea Clearfield. The concert runs from 12:15 to 1 p.m.
ALERT 2: The Hunt Quartet, made up of UW-Madison graduate students, will perform a FREE concert at the Beth Israel Center, 1406 Mound Street, on Thursday night at 7:30 p.m.
The program includes the String Quartet No. 2 by Sergei Prokofiev, the String Quartet in G Major Op. 77, No. 1, by Franz Joseph Haydn, the "Langsamer Satz" (Slow Movement) by Anton Webern.
The string quartet is a joint community outreach project of the University of Wisconsin-Madison School of Music and the Madison Symphony Orchestra, and is funded by Kato Perlman. It plays at many local schools. For more information, visit: http://www.music.wisc.edu/event/hunt-quartet/
The Ear has been asked to post the following information:
It's the 20th anniversary of Madison Area Concert Handbells (MACH) and we're celebrating!
Our Bells of Christmas concerts will feature some best-loved pieces from the past along with exciting new ones that will showcase our ringers' and soloists' talents. MACH's founder and Director Emerita, Susan Udell (below, front center with baton), will be conducting the December concerts to bring an air of fun-filled nostalgia and continuing excellence to our programs.
Performances are on Friday, Dec. 9 at 7:30 p.m. and Saturday, Dec. 10, at 7:30 p.m. in the Middleton Performing Arts Center (bel0w), 2100 Bristol Street, Middleton. The center adjoins Middleton High School.
There is another performance on Sunday, Dec. 11, at 3 p.m. at St. Stephen's Lutheran Church, 5700 Pheasant Hill Road, in Monona.
Tickets in advance are $12 for adults and $9 for students 16 and under; and $9 for seniors; at the door, tickets are $15 and $12 respectively.
Advance tickets are available at Cool Beans Coffee Café, Ward-Brodt Music, Metcalfe's Market at Hilldale, and Orange Tree Imports.
Advance tickets can also be ordered. Go to http://www.madisonhandbells.org
To pay with check or money order, you can order by mail — please print an order form and mail with payment to MACH. Advance ticket prices apply.
Group tickets (10 or more) can be ordered in advance for $10 per person, whether adult, student or senior. These are not available at the door; to order, please print an order form and mail with payment (check or money order)
Here are program notes written by Susan Udell:
"The Bells of Christmas" opens with the timely reminder that Christmas is Coming before an array of pieces that unfold the events of Christ's birth. "Wake, Awake," a stirring arrangement of Philipp Nicolai's "Wachet Auf," is replete with giant chords, flowing passages, and the resonance of bass chimes as the city of Jerusalem is made aware of the Savior's importance.
Next, an arrangement of the 17th century French tune "Picardy," "Let All Mortal Flesh Keep Silence," features mysterious random ringing of bells and hand chimes while the melody is intoned. This evolves into a burst of fiery 16th-note passages and a maestoso statement of the tune before subsiding into the sound of silence punctuated by random chimes once more.
A lively Caribbean tune, "The Virgin Mary Had a Baby Boy," arranged by one of the handbell world's top composers and arrangers, Hart Morris, gives a change of pace with its syncopation and moments of percussive instruments.
The noted English composer John Rutter's "Angels' Carol" follows, sung by our favorite guest vocalist from the past, Carrie Ingebritsen, and our own Rachel Bain; their voices blend beautifully with a liquid handbell accompaniment to give the angels' message from that long-ago night.
Another favorite soloist, Barbara Roberts, takes the leading part in an excerpt from Benedetto Marcello's sonata for flute that has been combined in a Gigue with "Forest Green", an alternate tune for "O Little Town of Bethlehem." A bell tree duet of "Bring a Torch, Jeanette, Isabella" follows, played by MACH members Caitlin Ristow and Karen Paschke.
Then it's time for an audience sing-along in Christmas Carol Fest III. "How Great Our Joy" closes the first half of the concert with variations on the carol "While By My Sheep" and then another opportunity for the audience to sing as "Joy to the World" affirms the events that occurred in Bethlehem so long ago.
After a brief intermission, renowned handbell composer Cynthia Dobrinski's arrangement of "I Heard the Bells on Christmas Day" brings sobering and dramatic music that climaxes in a joyful affirmation that, despite all, God will prevail. Carrie Ingebritsen will help illuminate what the music portrays as she sings the verses accompanied by the bells. (You can hear a sample of Cynthia Dobrinski's music for handbells in the YouTube video at the bottom.)
An energetic "Comfort, Comfort Ye My People" follows, based on tunes by Louis Bourgeois and George Frideric Handel, also arranged by Cynthia Dobrinski. Next, her arrangement of "On Christmas Night All Children Sing" (Sussex Carol) brings us to a light-hearted celebration of the holiday as seen through the eyes of children.
Peter Ilych Tchaikovsky's famed "Nutcracker Suite" is then represented as our MACH ringers present a challenging, full-bodied arrangement of its March as transcribed by noted handbell composer William Griffin.
Former MACH member, Janet Rutkowski, returns as handbell soloist for "The Tin Soldier," an amusing rendition of that well-known tune. Then the ever-popular "Up on the Housetop" details the gifts children anticipate at Christmas and depicts Santa's arrival, descent of the chimney, and filling of stockings before he departs in a flash of sound.
Our concert concludes with a joyful, foot-stomping "Caroler's Hoedown," created and arranged by Valerie Stephenson, who received her graduate degree in composition from the University of Wisconsin-Madison many years ago.
We hope you will join our 20th year's celebration by attending one of our concerts. We will recognize past ringers and Board of Directors members in our programs as a special tribute of thanks for their support over the years.
Tags: advance, Andrea Clearfield, angel, arrangers, Arts, Bach, Baroque, bass, bells, Benedetto Marcello, Bethlehem, birth, cafe, Caribbean, Carol, Chamber music, check, children, chimes, chme, chords, Christ, Christmas, Christmas and holiday season, Clara Schumann, coffee, Comfort Ye My People, composers, English, Fanny Hansel, First Unitarian Society of Madison, flute, French, George Frideric Handel, gifts, gigue, God, handbells, Haydn, Holiday, Horn, Hunt Quartet, hymn, I Heard the Bells on Christmas Day, Jacob Stockinger, Jerusalem, Jesus, John Rutter, Joseph Haydn, Joy to the World, Kay Gardner, Langsamer Satz, MACH, Madison, Madison Area Concert Handbells, mail, market, Middleton Performing Arts Center, money order, Music, Nutcracker, O Little Town of Bethlehem, online, percussion, Philipp Nicolai, Piano, Prokofiev, Santa, savior, sing, sing-along, Sonata, String quartet, Suite, Susan Udell, Sussex Carol, syncopation, Tchaikovsky, ticket, tune, United States, University of Wisconsin-Madison School of Music, University of Wisconsin–Madison, Up on the Housetop, vocal music, vocalist, Wachet auf, Webern, Wisconsin, YouTube


The Saudi government says they have given the Palestinians $6 billion in aid since the year 2000. So Palestinian Authority President Mahmoud Abbas has good reason publicly to declare his support for Saudi Arabia in the standoff with the rest of the world over the Jamal Khashoggi affair. Abbas pictured, handing the Saudi King a Jewish, Zionist newspaper as a present.


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New Zealand born supermodel, actress, television presenter.
Lifestyle & Wellbeing / Motivational
New Zealand born supermodel, actress, television presenter and now successful thoroughbred racehorse identity, Kylie Bax has appeared on a wide variety of international publications including Vogue, Harper's Bazaar, ELLE and Marie Claire while appearing in eight films between 1999 and 2005.
She's worked with top photographers including Karl Lagerfeld, Steven Meisel and Helmut Newton, and appeared in the 2000 Sports Illustrated Swimsuit Issue. Bax has walked the catwalks for high fashion houses such as Chanel, Valentino, Gucci and many more, and has been the face of some of the world's most prestigious beauty and fashion brands.
Kylie is back home in New Zealand and available for speaking engagements - from the glitz and glamour of the Hollywood lifestyle and all the behind the scenes stories to an inspiring address on how she has achieved in such a highly competitive market. Kylie is also an in demand personal branding coach - how to present the best possible you - with all the top styling tips and tricks from one of the world's top models!
Media Personalities & Celebrity
Celebrity & Media
Having Kylie as our Master of Ceremonies made the day, she was terrific. Her modelling of our WBCRT T-shirt was superb, which goes without saying. You certainly were a highlight of the day. ... keep reading Waikato Breast Cancer Research Trust


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«Претенденты» () — будущий художественный фильм режиссёра Луки Гуаданьино по сценарию Джастина Курицкеса. Главные роли в фильме исполнили Зендея, Майк Фейст и Джош О'Коннор.

Премьера фильма запланирована на 11 августа 2023 года.

Сюжет
Жена и тренер знаменитого теннисиста, находящегося в полосе неудач, записывают его на соревнования «Челленджер», где он будет соревноваться с бывшим любовником своей жены.

В ролях
 Зендея — Таша Дональдсон
 Майк Фейст — Арт Дональдсон
 Джош О'Коннор — Патрик Цвейг

Производство
В феврале 2022 года стало известно, что компания Metro-Goldwyn-Mayer получила права на съёмки фильма, режиссером которого станет Лука Гуаданьино, а Зендая, Джош О'Коннор и Майк Фейст исполнят главные роли. Зендая также выступит в качестве продюсера фильма. Сайомбху Мукдипром выступает в качестве оператора.[2] В интервью Collider в 2022 году Гуаданьино рассказал, что на создание фильма его вдохновили сценарий Курицкеса, Эми Паскаль и Зендея.

Съёмки начались 3 мая 2022 года в Бостоне, где был объявлен кастинг для местных жителей на роли теннисистов, статистов и дублеров. Готовясь к роли, Зендая три месяца тренировалась с профессиональным теннисистом и тренером Брэдом Гилбертом. Съёмки проходили в районе Бэк-Бэй и Восточном Бостоне и завершились 26 июня 2022 года. Гуаданьино навестил Зендайю на съёмках фильма «Дюна: Часть вторая», чтобы завершить ADR для «Претендентов». Трент Резнор и Аттикус Росс напишут музыку для фильма, ранее они работали с Гуаданьино над его фильмом «Целиком и полностью».

Премьера фильма запланирована на 11 августа 2023 года.

Примечания

Фильмы Луки Гуаданьино

redpajama_set_name: RedPajamaWikipedia


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History of the Periodic Table
Download "History of the Periodic Table"
Beatrix Cole
1 SECTION 5.1 History of the Periodic Table By 60, more than 60 elements had been discovered. Chemists had to learn the properties of these elements as well as those of the many compounds that the elements formed. The elements were not organized into any patterns and the factors that determined the properties of the elements were unknown. In addition, there was no method for determining an element s atomic mass or the number of atoms of an element in a compound. Different chemists used different atomic masses for the same elements, resulting in different compositions being listed for the same compounds. This made communication of results between chemists difficult. periodic law periodic table Key Terms lanthanides actinides 1. Infer How could organizing the elements according to trends or patterns help chemists study the properties of the elements? In 60, Italian chemist Stanislao Cannizzaro presented a method for accurately measuring the relative masses of atoms. This allowed chemists to agree on standard values of atomic mass. It also allowed them to search for relationships between atomic mass and other properties of the elements. Mendeleev s periodic table grouped elements by their properties. A Russian chemist, Dmitri Mendeleev, decided to write a chemistry textbook and include the standard values of atomic masses. For the book, Mendeleev hoped to organize the elements according to their properties. Mendeleev went about organizing elements much as you might organize information to study for a test or write a research paper. He placed the name of each known element on a card, together with its atomic mass and a list of its observed physical and chemical properties. He then arranged the cards according to various properties and looked for trends or patterns. These note cards could be used to determine patterns in the properties of the elements. 125
2 Mendeleev s First Periodic Table Ti = 50 Zr = 90? = 0 V = 51 Nb = 94 Ta = 2 Cr = 52 Mo = 96 W = 6 Mn = 55 Rh = Pt = Fe = 56 Ru = Ir = 19 Ni = Co = 59 Pl = Os = 199 H = 1 Cu = 63.4 Ag = 10 Hg = 200 Be = 9.4 Mg = 24 Zn = 65.2 Cd = 112 B = 11 Al = 27.4? = 6 Ur = 116 Au = 197? C = 12 Si = 2? = 70 Su = 1 N = 14 P = 31 As = 75 Sb = 112 Bi = 210 O = 16 S = 32 Se = 79.4 Te = 12? F = 19 Cl = 35.5 Br = 0 I = 127 Li = 7 Na = 23 K = 39 Rb = 5.4 Cs = 133 Tl = 204 Ca = 40 Sr = 7.6 Ba = 137 Pb = 207? = 45 Ce = 92?Er = 56 La = 94?Yt = 60 Di = 95?In = 75.6 Th = 1? Mendeleev noticed that when the elements were arranged in order of increasing atomic mass, certain similarities in their properties appeared at regular intervals. For example, there are seven elements between F and Cl atoms, which have similar properties. There are also seven elements between two other atoms that have similar properties: Na and K. This repeating pattern is referred to as periodic. Something is periodic if it repeats again and again. For example, the second hand on a clock is periodic because it passes over the same spot every 60 seconds. Mendeleev s arrangement of the elements is shown in the table above. He switched two elements, iodine, I, and tellurium, Te, to maintain the patterns. He also hypothesized undiscovered elements to fill in the gaps in his pattern. By 6, three of these elements had been discovered. READING CHECK 2. Name three things in everyday life that are periodic. 126 CHAPTER 5
3 Moseley arranged elements by their atomic numbers. The periodic law states that the physical and chemical properties of the elements are periodic functions of their atomic numbers. In other words, when the elements are arranged in order of increasing atomic number, elements with similar properties appear at regular intervals. Mendeleev s periodic table ordered the elements by atomic mass, not atomic number. In 1911, English scientist Henry Moseley found that the elements fit into patterns better when they were ordered by nuclear charge, or the amount of positive charge in the nucleus. Moseley s work led to the modern definition of the atomic number and also to the reorganization of the elements by atomic number instead of atomic mass. Modern periodic tables arrange the elements by both atomic number and properties. The periodic table has undergone extensive changes since Mendeleev s time. Chemists have discovered more than 40 new elements and, in more recent years, manufactured new ones in the laboratory. Each of these elements, however, can still be placed in a group of other elements using the same type of pattern originally described by Mendeleev. The modern periodic table is an arrangement of the elements in order of their atomic numbers so that elements with similar properties fall in the same column, or group. The Noble Gases An important addition to the periodic table was made near the end of the nineteenth century. In 94, English physicist Lord Rayleigh and Scottish chemist William Ramsay discovered an unreactive gas called argon, with atomic mass 40. However, no spot was available for argon on the periodic table. In 95, Ramsay isolated another such gas, helium, which previously had been observed in the Sun, using the Sun s emission spectrum. William Ramsay won the Nobel Prize for his discoveries in Over the next several years, four more unreactive gases were discovered: neon, krypton, xenon, and radon. Scientists realized that a new column was needed to account for these elements, which they called noble gases. READING CHECK 3. In what way is the periodic table periodic? 7 N 15 P 33 As 51 Sb 3 Bi O 16 S 34 Se 52 Te 4 Po 9 F 17 Cl 35 Br 2 He 10 Ne Ar 36 Kr 53 I 54 Xe 5 At The noble gases, or Group elements, are all unreactive. 6 Rn 127
4 The Lanthanides The next step in the development of the periodic table was completed in the early 1900s. The lanthanides are the 14 elements with atomic numbers from 5 (cerium, Ce) to 71 (lutetium, Lu). These elements have very similar properties. The process of separating and identifying these elements required a large effort by many chemists. However, finally it was understood that the elements were best located in the sixth period, between Group 3 and Group 4. The Actinides Another major step in the development of the periodic table was the discovery of the actinides. The actinides are the 14 elements with atomic numbers from 90 (thorium, Th) to 103 (lawrencium, Lr). The actinides belong between Group 3 and Group 4 directly below the lanthanides. They are located in the seventh period of the table. To save space, the lanthanides and the actinides are often broken off and displayed below the rest of the periodic table. The periodic table in Section 2 is one example of this form of display. Periodicity The periodicity of the atomic numbers is one of the most important features of the periodic table. Consider the noble gases in Group. The first noble gas is helium, He. It has an atomic number of 2. The next element that has similar properties to helium is neon, Ne, with atomic number 10. The rest of the noble gases are argon (Ar, atomic number ), krypton (Kr, atomic number 36), xenon (Xe, atomic number 54), and radon (Rn, atomic number 6). The progression of the differences between the atomic numbers of these elements is shown at the right. The elements in Group 1 follow the same pattern. As the figure at the right shows, the atomic number of each successive element in the group is,,,, and 32 higher than the previous element. Group Group 1 Element and atomic number He 2 Ne Ar Kr Xe Rn Li Na K Rb Cs Fr Difference in atomic numbers In Groups 1 and, the differences between the atomic numbers of successive elements are,,,, and 32, respectively. 4. Calculate What is the pattern of differences between the atomic numbers of Groups 2 and of the periodic table? 12 CHAPTER 5
5 SECTION 5.1 REVIEW VOCABULARY 1. State the periodic law. REVIEW 2. a. Who is credited with developing a method that led to the determination of standard atomic masses? b. Who discovered the periodic law? c. Who established atomic numbers as the basis for organizing the periodic table? 3. Name three sets of elements that have been added to the periodic table after Mendeleev s time. 4. How do the atomic numbers of the elements within each of Groups 1, 2, and 13 of the periodic table vary? 5. RELATING IDEAS Why are the atomic masses of the elements not strictly in increasing order in the periodic table, even though the properties of the elements are similar? For example, by atomic mass, tellurium, Te, should be in Group 17 and iodine, I, should be in Group 16, but grouping by properties has Te in Group 16 and I in Group
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text:
Genus: Ototropis Nees
Ototropis sequax (Wall.) H.Ohashi & K.Ohashi
This species is accepted, and its native range is Tropical & Subtropical Asia.
According to International Legume Database and Information Service under the synonym Desmodium sequax
Perennial, Not climbing, Shrub
Includes data from the synonyms:
Desmodium sequax Wall.
Environmental, Food and Drink
Assam, Bangladesh, China South-Central, China Southeast, East Himalaya, India, Jawa, Malaya, Maluku, Myanmar, Nepal, New Guinea, Sulawesi, Sumatera, Taiwan, Tibet, Vietnam, West Himalaya
Desmodium ancistrotrichum K.Schum. & Lauterb.
Desmodium dasylobum Miq.
Desmodium hamulatum Franch.
Desmodium sinuatum (Miq.) Blume ex Baker
Meibomia dasyloba (Miq.) Kuntze
Meibomia sequax (Wall.) Kuntze
Meibomia sinuata (Miq.) Kuntze
Ototropis sequax (Wall.) H.Ohashi & K.Ohashi appears in other Kew resources:
Aug 3, 1988 Wallich [5712], India Desmodium sequax K000858792 isotype
Aug 3, 1988 Wallich [5712], Uttaranchal Desmodium sequax K000858793 isotype
Horsfield, T. [73], Jawa Desmodium sequax K000858842
Delavay, J.M. [3015], Yunnan Desmodium sequax K000587490
s.coll. [Cat. no. 5712] Desmodium sequax K001121834
First published in J. Jap. Bot. 87: 116 (2012)
Mostaph, M.K. & Uddin, S.B. (2013). Dictionary of plant names of Bangladesh, Vasc. Pl.: 1-434. Janokalyan Prokashani, Chittagong, Bangladesh.
Wu, Z. & Raven, P.H. (eds.) (2010). Flora of China 10: 1-642. Science Press (Beijing) & Missouri Botanical Garden Press (St. Louis).
Lock, J.M. & Ford, C.S. (2004). Legumes of Malesia a Check-List: 1-295. Royal Botanic Gardens, Kew.
Lock, J.M. & Heald, J. (1994). Legumes of Indo-China a checck-list: 1-164. Royal Botanic Gardens, Kew.


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Resources : Clients & Friends
COVID-19 Update: Thoughts on Force Majeure and Impossibility of Performance
Force majeure clauses are provisions in contracts that either defer or release parties from contractual obligations due to specific circumstances beyond the control of the breaching party. Such clauses allocate the risks of certain unforeseeable events that might result in a party's nonperformance and in each case are (or at least should be) highly tailored to the nature of the transaction. Qualifying events that constitute force majeure, the contractual obligations to which the clause is applicable, as well as the rights and obligations of the parties upon the occurrence of such an event in order to invoke a force majeure defense, are specifically defined in and limited by the agreed upon terms of the force majeure clause. Some common examples of what might constitute force majeure include acts of God, war, riots, strikes, labor disputes, casualty, terrorism, civil commotion, earthquakes, floods, shortages of, delays in obtaining or an inability to obtain labor, utilities or materials, and generally any event beyond the control of the relevant party. Typically, parties will agree that force majeure is applicable to only certain types of breaches, such as a borrower's obligation to restore its collateral after a casualty or to complete the construction of improvements by a date certain pursuant to a construction loan. In some documents, force majeure may apply to any breach of the agreement without limitation. However, many agreements provide for a limit or "cap" on the period of time that a force majeure may apply, such as ninety days. In addition, it is typical that lack of funds is carved out as an event that is beyond the control of a party seeking to invoke force majeure. Typically, a force majeure provision will NOT apply to an obligation to pay rent or an obligation to pay debt service.
In the absence of a looming natural disaster or pandemic, force majeure clauses are sometimes treated as boilerplate language and the implications are easily overlooked. However, the increasing economic effects of the coronavirus (COVID-19) have underscored the potential significance of force majeure clauses, especially with respect to commercial real estate lending. Over the past week, in an effort to slow the spread of COVID-19, multiple governors have issued state-wide orders closing all non-essential businesses, and in some states, governors have issued "shelter-in-place" orders mandating residents to stay inside. At this rate, it is not difficult to imagine scenarios in which some borrowers may no longer have adequate cash flow to pay the monthly debt service on their loans or may be in breach of other non-monetary obligations or covenants as a result of tenants whose businesses have been shut down and are no longer able to pay rent. In these cases, borrowers may begin to look to force majeure clauses for protection from what is hopefully a temporary condition.
Even if the specific language of a contract or lease would arguably give rise to a claim of force majeure, the claim must satisfy the following:
the event must be beyond the reasonable control of the applicable party;
the applicable party must have been prevented from performing its obligation;
the applicable party must have taken all reasonable steps to avoid its non-performance and have satisfied its duty to mitigate damages as a result thereof; and
applicable and timely notice must have been given to the counterparty in accordance (and usually in strict accordance, time being of the essence) with the relevant agreement.
Whether a borrower can successfully invoke force majeure will depend on the language of the force majeure clause itself and the nature and cause of the breach. For example, if the breach in question is the borrower's failure to pay the monthly debt service and the force majeure clause specifically excludes breaches for failure to satisfy monetary obligations, then the force majeure clause may not provide the borrower any relief. However, if the borrower's failure to pay its monthly debt service is the direct result of the government mandate requiring its tenants to shut down and the definition of force majeure includes governmental restrictions without any exclusion as to monetary breaches, then the protection of the force majeure clause may apply.
In the absence of a qualifying event that is ancillary to COVID-19 and can be identified as the cause of a borrower's breach, such as a government mandated shutdown of a tenant's business operation, it is not clear whether and in what circumstances the COVID-19 outbreak alone would successfully provide the basis for a borrower to claim force majeure. As previously stated, the bargained-for language of the clause would first determine whether the clause is applicable to COVID-19 at all. Assuming the force majeure clause contains language such that it applies to "pandemics," "epidemics," "disease," or similar events and the specific breach in question is subject to the force majeure clause, the borrower would still have to show that its failure to perform was caused by COVID-19. It is unclear when a pandemic rises to the level of interfering with performance of contractual obligations, especially monetary obligations. Further, to the extent that a borrower's non-performance is the result of its tenants voluntarily shutting down as a preventative measure, the virus is unlikely to be viewed as the direct cause of the breach.
In addition to force majeure provisions, there remains the doctrine of impossibility of performance, which is applicable to all contracts and may excuse performance in limited circumstances. Generally speaking, impossibility of performance of a contract would require that the event in question was not the fault of either party to the contract, the event occurred after creation of the contract, and that there was an intervening event, which was both unforeseeable and destroyed either the subject matter of the contract or the means of performance. This doctrine is applied narrowly and the current case law specifically states that the performance of a contract is not excused where impossibility or difficulty in performance is caused by financial difficulty or economic hardship, even in the case of bankruptcy or insolvency.
These are unprecedented times and with each passing day, they become more unprecedented. While it is common knowledge that under New York and Federal law, courts will generally enforce as written commercial agreements entered into between sophisticated parties represented by counsel and will not "read into" an agreement a force majeure provision to relieve a party from its obligation to perform, it remains unclear what a court might hold given a dramatic set of facts such as the ones we are currently experiencing. Additionally, force majeure provisions are strictly construed, which means that the specific language will need to be analyzed to determine if the facts and events will give rise to relief from the applicable obligation. However, even if the language of a force majeure clause does not contain the specific words "pandemic," "epidemic" or "COVID-19," the language still needs to be examined to determine whether the current pandemic or its effects fall within language such as a "governmental restriction," "an act of God" or some other catch-all such as "events outside of the reasonable control" of the applicable party. It remains unclear whether the current pandemic would satisfy such a provision.
While a tenant or borrower can always make a claim that it is absolved from its obligations due to force majeure or the doctrine of impossibility of performance regardless of the language in its documentation, claims of that sort are very difficult to prevail upon absent extraordinary facts and circumstances, which may weigh upon the discretion of the courts. Given the unprecedented nature of the events we are living through, I would suggest that many of these claims and issues will be resolved through good old-fashioned negotiations between reasonable parties who are cognizant of the severity of the facts at hand.
Finally, there have been and will no doubt continue to be governmental proposals, executive orders and regulations promulgated to address some of the distress impacting tenants and borrowers. Please see the following links to recent publications outlining some of these relief measures: New York Governor Issues Executive Order on Forbearance Actions; DFS Releases Emergency Regulation on Forbearance Actions.
Steven Herman
Related Practice(s)


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Home Conspiracy Vault Crop Circles
Mysterious phenomena reported from Great Britain beginning
in 1980. Large, wide circles, sometimes more than 100
feet in diameter, have appeared overnight in fields of grain.
The grain in the circle is not dead, but the plant stems are flattened
and sometimes darker in color than the surrounding
grain. The first report of the circles appeared in the Wiltshire
Times on August 15, 1980. It told of several circles that had appeared
in the oat fields of John Scull farm near the town of
Bratton. A year later a set of circles was discovered in Hampshire,
near Cheesefoot Head. Unlike the earlier set, which had
been randomly placed, this second set of three circles was in a
straight line.
Most of the circles have been reported from the southern
counties of Hampshire and Wiltshire, the same area already
noted for its monolithic structures such as Stonehenge and
Avebury. There are some occasional reports of similar phenomena
in France, Canada, Australia, and the U.S. Between
1980 and 1987 approximately 120 circles appeared in the original
area west of London. Then a dramatic increase occurred
in 1988 with 112 reported. Over 300 were reported in 1989
and in 1990 over 1,000.
Over the years, the original circles gave way to ever more
complex patterns, called ''pictograms,'' which included circles
arranged in geometric patterns, rectangles, crescents, and
dumbbell shapes. In the case of concentric rings, the grain is
sometimes flattened uniformly, at other times in contrary directions.
Typically, a new circle appears completely formed over one
evening. The area forming the pattern is flattened, while the
surrounding grain shows no sign of disturbance. The flattened
grain shows no sign of damage other than being bent.
Explanations of the phenomenon include giant hailstones,
crazed hedgehogs, too much or too little fertilization, and
UFOs. There was even a suggestion that the circles may have
been formed by helicopters flying upside down, but the absence
of widespread helicopter wrecks disproved any dangerous
practice of this kind. It is well known that small rings in grass
meadows and lawns are known to be caused by mushrooms, but
there is no evidence that the giant crop circles result from any
known fungi. One theory that is distinct from speculations of
paranormal effects is that of physicist George T. Meaden. He
proposes a theory of atmospheric vortices that are electrically
charged.
In 1991 Doug Bower and David Chorley claimed to have
personally produced more than 250 of the circles. With the assistance
of the British tabloid Today, they created a circle and
invited Pat Delgado, the author of a popular text on the phenomenon,
to inspect it. Once he pronounced the new circle
genuine, the hoax was revealed. Other hoaxers had also produced
circles that were judged genuine. However, those who
believe in the mystery of the circles have suggested that hoaxing
would only account for a few of the more than 2,000 circles.
No one has been caught making a crop circle and none appear
to have been left half finished. Additionally, it seems difficult
to create some of the more complex pictograms in the dark. To
date, monitoring of the area has failed to catch the formation
of a circle on film or instrumentation.
Clark, Jerome. Encyclopedia of Strange and Unexplained Phenomena.
Detroit Gale Research, 1993.
Delgado, Pat, and Colin Andrews. Circular Evidence A Detailed
Investigation of the Flattened Swirled Crop Phenomenon. London
Bloomsbury Publications, 1989.
———. Crop Circles The Latest Evidence. London Bloomsbury
Publications, 1990.
Meaden, George Terence. The Circles Effect and its Mysteries.
Bradford-on-Avon, England Artetech Publishing, 1989.
———. Circles from the Sky. London Souvenir Press, 1991.
Randles, Jenny, and Paul Fuller. The Controversy of the Circles.
London British UFO Research Association, 1989.
———. Crop Circles A Mystery Solved. London Robert Hale,
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Our experience of monitoring and surveillance in the railway industry has resulted in our involvement in a number of projects relating to safety systems. Over recent years IV has worked towards establishing in-house skills to enable it to take part in the design of high integrity systems and software for use in safety-related applications in the mass transportation sector. We have developed a good understanding of the relevant European standards and are currently working on the system software for two railway applications to be certified to the CENELEC 5012x group of standards.


I mentioned before that I found a wonderful online community Healthy Habits for Happy Moms (HHHM) earlier this year. And that group has changed the way I look at my own body and think about food and exercise. I can honestly say now that I am completely comfortable in my own skin. I have let go of the idea that there are things wrong with my body that need to be fixed. I will never again believe I should eliminate anything completely from my diet for any length of time, I accept that I know how to nourish myself and that as long as I pay attention to what my body needs, it's all ok. I am not coming back to exercise with any end goal. I want to be strong and have stamina for life. I have also learned that taking care of myself means a lot more than a balanced diet and regular exercise. I know I have to work at my mental and emotional health too, as I just discussed a couple of posts ago. Period. And that's all pretty amazing. EVERY WOMAN should join this group.
But post-move after finally getting into our house we were still in survival mode with so much to do before we could even begin to function in our new space that regaining control over my diet and working out were distant dreams. So I decided to start with the most basic of measures just to be doing something to take care of myself. I set the goals of drinking four twenty ounce bottles of water each day and going to bed by midnight. I decided that once I had made those two things habits, it would be a good indication that I might be ready to move on to bigger things. And with these two most basic of self care measures, I struggled. At times mightily. In the meantime we did get our kitchen together and found a good, easy source for our groceries and were finally able to stop eating (so much) take out and start preparing our own food. But not succeeding at drinking the quantity of water or getting to sleep as prescribed made getting back to exercising feel like something I couldn't handle/didn't deserve. Even though overall I was making a conscious effort and doing better, I'd sort of set myself up to really feel my failures by making these things preconditions to move on to the next bit of self-care I wanted to tackle which was getting back to working out.
Furthermore, I really, really wanted to get back into moving my body by going regularly to a yoga class. I've never really tried to have an at home practice because I love that sense of community that comes with going to a studio, that's just how I like to do yoga. And there is a nice-looking studio down the road that does the Ashtanga/vinyasa/power style of yoga that I love. My plan was to do a combination of yoga and running (some day weight training too), but my body was so sore and stiff, that jumping into running without spending a few weeks stretching it out first and then continuing to do so, seemed like I would just be asking for trouble. I had heard about a free online program, 30 Days of Yoga with Adriene via HHHM, that I was even willing to try in lieu of making it to a class. But every time I would consider moving forward, ounces of water or bedtime be damned, getting to the class wouldn't work out with Greg's work schedule (unfortunately the studio doesn't offer daycare or have any parent/baby classes) or there was some project that I needed to be working on rather than find time in the day to start the 30 Days program. So for the last couple of months, I've just kept being the martyr, either to my own causes or others', sacrificing any attempt at exercise to circumstances that just felt impossible.
Pictured above are glimpses of the Maumee River (they don't call it River Road for nothing) on our (of course Ida has been my running partner) runs . And savasana and reclined pigeon (my favorite).


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Fritz Kalkbrenner • True Colours Tour 2020 • Copenhagen VEGA Enghavevej 40
23may7:00 pmFritz Kalkbrenner • True Colours Tour 2020 • Copenhagen
Fritz Kalkbrenner • True Colours Tour 2020 • Copenhagen Doors: at 7 pm Show: at 8 pm (support) Show: at 9 pm (main) Last time you saw him was at the sold out show
Fritz Kalkbrenner • True Colours Tour 2020 • Copenhagen
Doors: at 7 pm
Show: at 8 pm (support)
Show: at 9 pm (main)
Last time you saw him was at the sold out show at Pumpehuset last year when he delivered a fantastic DJ set. Now, Fritz Kalkbrenner returns to Copenhagen with a brand new album on his True Colors Tour and will give you a epic live performans at Store Vega.
• • Tickets on sale tomorrow 10:00 • •
Fritz Kalkbrenner – Basic Infos Born in East Berlin 1981 Fritz Kalkbrenner was heavily impressed by the mid 90ies Berlin Techno scene following his older brother Paul who just made his first steps in that modern world of electronic music. After working on various film- and TV related agencies Fritz showed up behind a microphone in 2003 to contribute vocals to "Forms & Shapes" by his friend Sascha Funke. From the release of that vinyl 12inch (with a great Paul Kalkbrenner Remix) the artist career of Fritz Kalkbrenner was on its way.
His next vocal contribution happened by accident when his brother Paul was composing the soundtrack for an underground film project called "Berlin Calling" which became a cinematic milestone for techno music. Discovered on some old DAT tapes a random
demo vocal of Fritz ended up on Paul Kalkbrenner's computer and within a few days in 2008 "Sky & Sand" was created and became a worldwide anthem.
On the back of these experiences Fritz started making his own music and joined the Berlin based record label SUOL in 2010 with the intention to create his blend of soulful and deep electronic house music. After a couple of 12inchs his debut album "Here Today
Gone Tomorrow" was released the same year and got him great feedback from media and fans highlighting tunes like "Facing the Sun" or "Kings in Exile". His formula of using his own unique voice for his interpretation of house music was very well received by
many people at clubs or doing homelistening. At the same time Fritz started doing live gigs in clubs all over Germany and other close European countries.
With critically acclaimed remixes by Henrik Schwarz or Booka Shade he went further on in his career delivering his second album "Sick Travellin'" in 2012 with the help of his coproducers and SUOL label owners Chopstick & Johnjon. With him singing on "Get a Life"
and "Little by Little" Fritz Kalkbrenner created singles which made their way to German radio and opened another door for him.
It took him another two years to enter the German album Top 10 with his next studio album "Ways over Water" and his big single success "Back Home" which got played thousands of times on German radio and reached the German Top 20 single charts. With
Fritz constantly touring and playing clubs and the biggest festivals he became a household name on the European electronic music scene presenting his music at big festivals.
He came back to Berlin after many live shows with lots of musical ideas and went straight to the studio to work on new music which showed up officially at the end of 2016 under the name "Grand Départ". Again, released on SUOL his fourth studio album scored a Top 10 position in the German album charts and manifested his position in the top league of German electronic music artists.
After doing impressive TV live broadcasts for ARTE and the impressive "Cercle" live show in front of the French chateau "Domaine de Chantilly" Fritz Kalkbrenner felt a need for a new musical direction. He headed back to strictly instrumental underground House music which led to the epic "Drown" album which got released in 2018 on "Different Spring" a SUOL Sublabel. "Drown" gave Fritz a new creative freedom to work again with lots of hardware like oldschool drum machines and made him re-discover his own roots planted on dancefloors somewhere in east Berlin.
Being his 5th studio album "Drown" led to a next level for Fritz Kalkbrenner with him starting his own label imprint "Nasua Music". For his new label Fritz Kalkbrenner started producing new music in 2019 with a new crew of people. The new single "Kings & Queens" was released in October 2019 with Fritz doing a great reality song with an organic analog feel within the catchy production. "Kings & Queens" and it's follow up singles will lead to a new artist album called "True Colours" to be released in March 2020.
We reserve the right to make any changes.
18 years at pre-sale


We take a different look at GPS data prep... we prepare 3D Virtual Construction Models. These models are "Survey Quality", giving the contractor the highest quality data possible.
• Conflicts and plan issues are identified and resolved prior to construction start.
• The surface is built to the actual horizontal and vertical geometry and does not rely on the contours.
• The contours drawn by the engineer are not accurate enough to use for any fine grading of sub base areas. Most engineers do not draw the contours to match the details given for features such as basins and swales.
• The data can be set up once and be used for both grading operations and stakeout of "hard" improvements such as utilities and curbing.
• Sharing the data with the surveyor will reduce calculation time.
• Reduce survey costs due to less stakeout required.
• Conflicts/plan inconsistencies are uncovered ahead of time and the surveyor will have the exact same information that is in the machines.
• There will be less restake charges because the survey data can be stored and recreated with rover on the jobsite.
During our procedure for preparing an accurate 3D Virtual Construction model, our certified, professional engineers will review the plans for Quality Control, Accuracy, and Potential Constructability Issues. We point out any discrepancies/conflicts and we will work with you and the design engineers to correct design/constructability problems, while holding the intent of any design. All of this will be done long before any of these problems cause delays during the construction of the project.
We are experienced with preparing complex data including rough and fine road and pad grading, utilities, stormwater basins, and swales. MESH can also provide the data necessary for all stakeout including utilities, curbing, and other miscellaneous site improvements. All this data will be built to your specific standards…the way you like it.


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Lorenzo Campeggio
Italian cardinal and politician
For the 17th century Italian bishop, see Lorenzo Campeggi (bishop of Senigallia). For the 16th century Italian bishop, see Lorenzo Campeggi (bishop of Cervia).
This article includes a list of references, related reading or external links, but its sources remain unclear because it lacks inline citations. Please help to improve this article by introducing more precise citations. (October 2016) (Learn how and when to remove this template message)
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His Eminence
Cardinal-Bishop of Sabina
Diocese of Sabina
Term ended
Bonifacio Ferrero
Antonio Sanseverino
Cardinal-Priest (1517–1534)
Cardinal-Bishop (1534–1539)
19 July 1539 (aged 64)
(1) Santa Maria in Trastevere, Rome
(2) Santi Marta e Bernardino, Bologna
Giovanni Zaccaria Campeggio and Dorotea Tebaldini
Francesca Guastavillani
Lorenzo Campeggio (7 November 1474 – 19 July 1539) was an Italian cardinal and politician. He was the last cardinal protector of England.
Campeggio was born in Milan, the eldest of five sons. In 1500, he took his doctorate in canon and civil law at Bologna and married Francesca Guastavillani with whom he had five children. When she died in 1509, Campeggio began an ecclesiastical career under Pope Julius II's patronage.
He was soon appointed to two diplomatic missions, both against the Council of Pisa, first to the emperor Maximilian I, who gave him the Bishopric of Feltre in 1512 (held until 1520), and then in 1512–13 to the Duke of Milan. In 1513 he returned to Germany seeking a league against the Turks. Pope Leo X made him a Cardinal on 1 July 1517, and Maximilian made him Cardinal–protector of the Holy Roman Empire. On 3 March 1518 he was sent to England as part of Leo's peace policy. This gave Thomas Wolsey the chance to become legate himself by using permission for Campeggio to enter England as leverage, and then to outmanoeuvre the new legate when he arrived, taking over the process of peace-making which led to the Treaty of London in 1519. He was also a member of Johann Goritz's humanist sodality.
Campeggio was appointed cardinal–protector of England on 22 January 1523. He was not involved in much English business, except for the referring of episcopal provisions in consistory. The election of Pope Adrian VI in 1522 cemented his position in the Roman Curia.
Campeggio wrote his De depravato statu ecclesiae for Adrian, which proposed radical reforms for the papal bureaucracy. On 2 December 1524 he received the bishopric of Salisbury, which he had been promised in 1518. The election of Pope Clement VII in 1523 further exalted Campeggio's power. Clement made him bishop of Bologna on 2 December 1523 (held until 1525) and then on 9 January 1524 legate to the Diet of Nuremberg.
During the sack of Rome in 1527, Campeggio lost everything. Clement, who fled to Orvieto, left him behind as papal legate in the city, just when the English political situation required his attention. Wolsey and Henry VIII expected his support for their proposal that a papal co-legate should decide Henry's divorce from Catherine of Aragon in co-operation with Wolsey. Campeggio had, however, already given a legal opinion to the Pontiff supporting the validity of the marriage.
Nevertheless, he was named legate on 8 June 1528, after a joint commission with Wolsey had been agreed on 13 April. Campeggio arrived in London on 8 October 1528 and held the first of many sessions with Wolsey and Henry, the first English King to sue before a papal judge in person.
Campeggio found himself in a difficult position, since Emperor Charles V, Catherine of Aragon's nephew, was determined to prevent the divorce, and was putting pressure on Clement. The deciding point in law for Campeggio was Julius's dispensation for Henry and Catherine's marriage. In Catherine's possession from early in 1528, she showed it to Campeggio in October, and he took it to invalidate his commission, since the latter failed to cover the document. He tried to make the case disappear on 23 July 1529 by proroguing it until October, but this was forestalled by the Pope sending the matter to Rome a week earlier. On his way back to Rome, Campeggio met Charles and Clement in Bologna, where the pope gave Campeggio the castle of Dozza and the Emperor took Campeggio's family under his patronage. Charles later (2 September 1530) gave Campeggio the Spanish bishopric of Huesca and Jaca, which he held until 17 June 1534 when he became bishop of Candia (Crete) (until 1536); in 1532, moreover, when making Campeggio's son Gianbattista bishop of Majorca, the emperor reserved the administration of the see to the young man's father. Campeggio was legate to the Diet of Augsburg in 1530, where he pursued negotiations with Philip Melanchthon.
By 20 May 1531, Henry had dismissed Campeggio as legate. In August 1533, he lost the revenues of Salisbury, and on 21 March 1534 was deprived of the bishopric by act of Parliament; also deprived was Girolamo Ghinucci, Bishop of Worcester. Campeggio was a member of the commission which excommunicated Henry in 1535. He remained protector of Germany until his death, at the same time devoting much energy to insuring the future of his family; his two sons, two brothers, and one nephew all became bishops. He was named legate to the general council called first at Mantua and then at Vicenza, but he attended only the first session in May 1538. He died on 25 July 1539, aged sixty-four, and was buried in Santa Maria in Trastevere; in 1571 at least some of his bones were transferred to the church of Santi Marta e Bernardino that he had built in Bologna.
E. V. Cardinal, Cardinal Lorenzo Campeggio, legate to the courts of Henry VIII and Charles V (1935)
"Campeggio, Lorenzo" . Dictionary of National Biography. London: Smith, Elder & Co. 1885–1900.
Wilkie, William E. 1974. The cardinal protectors of England. Cambridge University Press. ISBN 0-521-20332-5.
Herbermann, Charles, ed. (1913). "Lorenzo Campeggio" . Catholic Encyclopedia. New York: Robert Appleton Company.
Miranda, Salvador. "CAMPEGGIO, Lorenzo (1474-1539)". The Cardinals of the Holy Roman Church. Florida International University. OCLC 53276621.
Catholic Church titles
Antonio Pizzamano
Bishop of Feltre
1512–1520 Succeeded by
Tomaso Campeggi
New title Cardinal-Priest of San Tommaso in Parione
Girolamo Doria
Antoine Bohier du Prat
Cardinal-Priest of Sant'Anastasia
Antoine du Prat
Achille Grassi (bishop)
Bishop of Bologna
Andrea della Valle (administrator)
Edmund Audley (bishop)
Administrator of Salisbury
Nicholas Shaxton
As CofE bishop of Salisbury
(unrecognized by Vatican)
As RC administrator of Salisbury
(unrecognized by Crown)
Francesco Armellini Pantalassi de' Medici
Cardinal-Priest of Santa Maria in Trastevere
Diego de Cabrera (bishop)
Administrator of Huesca
Jerónimo Doria (bishop)
Girolamo Campeggi (bishop)
Administrator of Poreč (Parenzo)
Giovanni Campeggi (bishop)
As administrator of Salisbury
(recognized by both Crown and Vatican)
Gasparo Contarini
(administrator)
Giovanni Landi (archbishop)
Administrator of Candia
Pietro Landi (archbishop)
Cardinal-Bishop of Albano
Matthäus Lang von Wellenburg
Bonifacio Ferreri
Cardinal-Bishop of Palestrina
Retrieved from "https://en.wikipedia.org/w/index.php?title=Lorenzo_Campeggio&oldid=1065487010"
Apostolic Nuncios to the Holy Roman Empire
Diplomats from Milan
16th-century Italian cardinals
Italian expatriates in England
Bishops of Bologna
Cardinal-bishops of Palestrina
Bishops of Salisbury
16th-century English Roman Catholic bishops
16th-century Italian jurists
Italian Renaissance humanists
Burials at Santa Maria in Trastevere
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Clergy from Milan
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