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The Latest Casino, Gaming News & Research
Catch up on the latest gaming and gambling news right here
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The Alfa Romeo Formula One Team will now be called the Stake Alfa Romeo Formula One Team. This is because of an agreement that was ...
Read moreStake Strikes Agreement with Alfa Romeo Formula One Team
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Alabama – one of the Bible Belt states – prohibits all forms of gambling, except for those run by Native Americans. Section 13A-12-20 defining gambling equipment can apply to online gambling as well.
In Alaska, gambling is an offense punishable by a fine of not more $1,000 as per Sec. 11.66.200 of the state statutes. Even Charity gambling is limited to Dog Contests and paper-based lottery games.
Gambling activities are largely illegal in Arizona, save for Tribal casinos that run under the Federal Indian gaming regulatory act of 1988. It also allows charitable games of bingo, raffles, and state-operated lottery and wagering on horse/dog races, exclusively available on track.
Arkansas, through statutes 5-66-113, bans gambling, whether it is on games of chance or skills. It, however, permits charitable gambling games courtesy of the Charitable Bingo and Raffles Enabling Act (2007 number 338).
Even though gambling is legal in California, the state doesn't regulate the online gambling market. Some of the laws that guide gambling in the state include California Penal Code 330 et seq., Bus, and Prof Code 19400 et seq., and Gov't Code 98001 et seq.
Colorado allows social gambling, lottery, betting on live and off-track horse and dog racing events, bingo, raffles, and charitable games. It, however, limits casinos to Black Hawk, Central City, and Cripple Creek. All gambling activities are legal on tribal reservation land.
Connecticut gambling laws, Public Act 17-89, 17-161, and 17-209, are multifaceted. The only allows state lottery, licensed horse and dog-racing, jai alai, and Charitable and social gambling. As for casinos, the state only allows the natives, Pequot and Mohegan tribes, to run casinos
Gambling, whether on the internet or at the racino, is legal in Delaware. The Blue Hen state passed interactive gambling law in 2013 and further allowed sportsbetting in 2018.
Chapter 849 of the Florida laws, bans most forms of casino gambling, save for those services offered by Native American Tribes. Section 849.08 terms gambling on as a second-degree misdemeanor.
Georgia forbids maintaining of gambling places or equipment. It has strict anti-gambling laws, and even something that is not expressly prohibited by code 16-12-20 et seq. may still be illegal.
In the state of Hawaiian, wagering on events or gambling aboard ships or maintaining any kind of a casino or casino-like place is strictly prohibited. As per code section 712-1220 et seq., the state only allows social gambling, but which must only happen in a hotel, nightclub, motel, bar, or any public business establishment.
Idaho Statutes, section 18 .3802, bans gambling anyone who maintains a gambling place or machine, or gambles commits a misdemeanor. However, the law allows Indian Casinos along with parimutuel betting on horse and dog racing.
According to Illinois gambling laws, Code Section 720 5/28-1 et seq.; 230 10/1 et seq.; 230 5/1 et seq, only riverboat casinos, contests of skill, and charitable gaming are allowed.
Indiana code section 35-45-5-1 et seq.; 4-31-1-1 et seq. limits gambling to Riverboat and Indian Casinos, Hoosier Lottery, Pari-Mutuel Wagering on Horse Races, Charity Gaming, and Type II Gaming. It also allows online sports betting in October 2019.
Iowa restricts gambling to licensed tribal, riverboat, and racetrack casinos. It is difficult to establish what's legal and what's not, but the state gaming laws include Iowa Code 99, et seq., and Iowa Code 725.5 et seq.
Kansas, under Article 15, Section 3 of the Kansas Constitution, bans most forms of gambling except stated-licensed pari mutuel wagering on horse and dog races, charitable bingo, and state-operated lotteries. This law, however, excludes casinos lawfully operated by Indian tribes.
Kentucky gambling laws permit neither casinos nor tribal gaming facilities. Kentucky Revised Statutes 528.010, et seq. only allow pari-mutuel wagering on horse racing, trotting, and pacing races.
While Louisiana has a strange mix of accommodating and restrictive gambling statutes, almost every form of popular gambling is legal in the state. Section 90 of its statutes outlining what is and isn't permitted.
According to Maine Revised Statute, Title 8 (Amusements and Sports), it is legal to gamble on casino games, including poker, or participate in pari-mutuel betting.
In Maryland, you are only allowed to bet, wager, or gamble at a licensed venue. Section 12 of the Maryland code permits casinos to provide slots and traditional table games, such as roulette and blackjack.
Massachusetts allows various forms of gambling, including casinos, pari-mutuel wagering on horse racing, lottery, and charitable gaming. The gambling laws are found in section 271§1 et seq. and 128A§1 et seq. of the Code of Massachusetts Regulations.
All forms of gambling, whether conventional or over the internet, is legal in Michigan. Penal Code Chapter 750, sections 301 - 315a and the Michigan Complied Laws Chapter 432 guides the industry.
Apart from tribal gaming, gambling activities in Minnesota are illegal unless they are for charitable purposes. 349.11 et seq. and 609.75 et seq. the qualifying charity games.
Mississippi law permits all forms of gambling, but limits them to the casinos. All unlicensed gambling is prohibited and subject to Miss. Code Ann. § 97-33-1.
Missouri limits all the various forms of casino gambling to its licensed excursion boats under Missouri Revised Statutes Chapter 572.010 et seq. and 313.001 et seq. Only lottery and pari-mutuel betting are allowed anywhere within the state.
The state of Montana partially allows gambling, legalizing only card games and video gambling machines with a max bet of $2 and a payout of up to $800. Gambling Statutes include 23-5-110 et seq. and 23-4-101 et seq.
Nebraska prohibits any games or schemes determined by chance for profit. Legal forms of gambling are limited to charitable and community betterment purposes.
Nevada Gambling is legal and forms a critical economic state pillar. Therefore, the state regulates it under Chapters 462 - 466 of NRS.
Several forms of gambling, as defined Section 225.00(2) of the State of New York laws, are legal. The state, however, doesn't regulate online gambling.
All forms of gambling are legal in New Jersey, provided the activities are licensed. Section 2C:37-1 et seq. and 5:5-1 et seq. of the state laws clearly define what amount to crime in gambling.
New Mexico Statutes 30-19-1 forbids gambling places, except as those under Indian Gaming Compact. Bookmarking is also illegal, but the state, nonetheless, allows on-track pari-mutuel wagering on licensed horse racing.
In North Carolina, gambling is a class 2 misdemeanor. The state General Statutes Article 37 bans all forms of gambling except bingo and raffles by nonprofit organizations, and casinos on Indian reservations.
North Dakota allows pari-mutuel wagering on licensed horse and dog racing events, charitable gambling activities. As for casinos, code 12.1-28-01 et seq. and 53.06.1-01 et seq. restricts the operation to Native American reservations.
Operating a gambling house in Ohio is illegal except as per tribal-state compact. Chapter 2915 of the Ohio Law and Rules also limit charitable gamling limited to games such as bingo and raffle tickets should be conducted within not more than four days and not more than twice a year.
Oklahoma's gambling laws, Title 21 §941 et seq. 3A §200 et seq., authorize charitable games, bingo, and raffle prizes, but not casinos. Full-fledged casinos in the state are found in Indian reservations running under the Tribal-State Compact.
According to the Oregon legal code, the state forbids online casinos. Code Section 167.109 deals with the person operating an internet casino.
It is legal to gamble at both a casino and online in Pennsylvania. The state regulates online casinos, sportsbooks, and poker sites through its HB 271 that became law in October 2017.
Rhode Island has not authorized casino-style online gambling or poker. As per its code 11-19-1 et seq. and 41-3-1 et seq., it, in fact, bans operating of gambling places, save for those in the Indian reservations.
South Carolina Code of Laws 16-19-40 et seq. neither permits online casinos nor land-based ones. The closest it comes to legalizing gambling is limiting all gambling equipment to a cruise ship docked in international waters.
The only form of online gambling legal in South Dakota is Horse racing. The state's Codified Laws, Chapters 21-6, 22-5 and 42-7B, limit casinos to the city of Deadwood, where a variety of casinos games are legal.
Tennessee state outlaws almost every form of gambling save for lottery and charitable bingo and raffle games. The section code 4-36-101 et seq. and 39-17-501 et seq., outlaws online gambling, though it does not explicitly state so.
Texas prohibits gambling places (Casinos), save for those in Native American lands. Through its laws PEN 47.01 et seq.; Civ. St. 179e, the Lone Star state only permits social gambling and licensed dog and horse-racing.
Online casinos, charitable or social gambling, or any other form of gambling is illegal in Utah state. Its Constitution forbids gambling, which is a misdemeanor, with repeat offense as a felony.
In Vermont, the only form of gambling allowed is charitable gambling organized by nonprofit organizations. So, casinos, online gaming, and all kinds of gambling are illegal.
Online casinos are illegal in Virginia. Its laws, under section codes 18.2-325 et seq. and 59.1-364 et seq., explicitly bans gambling places, including casinos and greyhound racing.
Washington gambling laws, found in code section 9.46.010 et seq. and 67.16.010 et seq., do not permit casinos, except for only those on Indian reservations. With gambling devices banned in the state, online gambling is illegal.
Gambling, at least most forms of land-based gambling, is legal in the State of West Virginia. While the state's new law HB2934 legalized online poker, it is yet to permit online casinos.
Wisconsin gambling laws, 945.01 et seq.; 562.001 et seq., prohibits most forms of commercial gambling in the state. However, it allows a few riverboat casinos, contests of skills, and charitable gambling like bingo and raffles.
Gambling, whether land-based or online, is illegal in Wyoming. Through code section 6-7-101 et seq. and 11-25-101 et seq, though, the state has reservations licensed tribal casinos, charitable and social gambling, and pari-mutuel wagering on licensed races.
Code section 22-1701 et seq. prohibits any form of gambling save for state lottery in the Nation's Capital. Though the law does not explicitly ban online gambling, it is illegal to participate in commercial gambling in DC.
The US territory of Puerto Rico allows all forms of land-based gambling. It doesn't, however, regulate online gaming as no law explicitly makes it illegal to play at online casinos within the territory.
Where is Online Gambling Legal in the US?


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Burke • Gillis • Juliano Group Formed to Serve the Extended Retail Value Chain
Jan 9, 2014 5:38pm
NAPLES, Fla. -- Retail and consumer products industry veterans Vince Burke, Jim Gillis and Rich Juliano today announced the founding of the Burke • Gillis • Juliano Group, a global consultancy focused on the supermarket, mass retail, convenience, drug and specialty retail trade channels. Burke • Gillis • Juliano Group offers executive management, market strategy, mergers & acquisitions, private equity, business development, product marketing, trade relations and related services to leading retailers, suppliers and vendors in the United States and around the world.
At the core of the new company are partners with senior retail and supply leadership experience -- Vince Burke comes from Hallmark Cards and Rich Juliano worked at SUPERVALU, Genuardis Family Markets and Giant Eagle. Tying the group together is Jim Gillis, who has broad consulting, P/L management, private equity and both public and private board experience.
"Burke • Gillis • Juliano Group features retail and supplier executives who are at the top of their game -- Vince connects at all levels of retail bringing with him expertise in DSD, store merchandising, distribution, contacts, and trade relations. Rich on the other hand has been on the other side of the desk working through the "deal", SBT, inventory control, general merchandise, IT, private label, vitamins, drugs, in other words, all sides of retail," said Gillis.
"By combining our backgrounds servicing both retailers and suppliers, and integrating our close relationship with private equity firms, we are creating synergies that deliver the insights and innovations needed to transform our client's business for the better. We are updating the best practices from my tenure at Aders, Wilcox, Gillis Group and Gillis & Associates to collaborate with retailers and suppliers, and deliver results that increase their market share and brand value."
Vince Burke has more than 34 years of experience in the mass and specialty retail industry, developing relationships with the leadership teams at many of the most respected companies in the country. Most recently, Burke served as Vice President, Strategic Relationships and Business Development for Hallmark Cards, the world's leading social expression company, where he was responsible for initiating, developing, and maintaining strategic relationships with the highest level of leadership at retailers, key licensors, CPG companies, industry trade groups and within the Hallmark family of companies. Also, Burke has been a very active member of the GMDC leadership team.
"The Burke • Gillis • Juliano Group is drawing on decades of experience, contacts and market understanding to provide our clients with the best advice to meet their short-, medium- and long-term goals. Jim, Rich and I are personally involved with each engagement, virtually guaranteeing success," said Burke.
James Gillis is President and CEO of Gillis & Associates, where his clients include TNG/Division of The Jim Pattison Group, Globalworx, Hudson News Retail, Rubicon Global, Synergy Systems and Park City Group. He also sits on several corporate boards and works with private equity firms. Gillis retired as President, Chief Operating Officer and Co-CEO of Source Interlink Companies, a premier marketing, merchandising and fulfillment company of entertainment products, where revenues increased from $38 million to $2.5 billion during his tenure. He was previously President, CEO and Owner of Brand Manufacturing Corporation, a leading designer and manufacturer of retail display systems and was Managing Partner of Aders, Wilcox, Gillis Group, a global developer of trade relationships serving major brand marketers and retailers worldwide.
"Vince, Jim and I all know retail and CPG inside and out – we've been students of the industries for decades. We are now bringing that knowledge and connection base to select clients to help them profitably grow their businesses," said Juliano.
Rich Juliano began his career with Giant Eagle Super Markets, becoming the Senior Vice President and General Manager of the GM/HBC Division and then Senior Vice President of Merchandising and Marketing of the Phar-Mor Division. He then served as Executive Vice President at Thrifty Payless Drug and Vice President of Marketing and Merchandising at Genuardis Family Markets. Most recently, he was a senior executive at SUPERVALU, joining the company as Executive Vice President of Supply Chain Services for the Central Region and then moving to the Corporate Retail group as Vice President, GM/HBC and ultimately Group Vice President of Center Store Merchandising. Juliano currently sits on a public and private corporate board.
About Burke • Gillis • Juliano Group
Based in Naples, Fla., the Burke • Gillis • Juliano Group is a global consultancy focused on the supermarket, mass retail, convenience, drug and specialty retail channels. Founded by retail and consumer products industry veterans Vince Burke, Jim Gillis and Rich Juliano, the firm offers executive management, market strategy, mergers & acquisitions, private equity, business development, product marketing, trade relations and related services to leading retailers, suppliers and vendors.
Read more here: http://www.miamiherald.com/2014/01/09/3860713/burke-gillis-juliano-group-formed.html#storylink=cpy

redpajama_set_name: RedPajamaCommonCrawl


Defenses have contended with a half-speed Khalil Tate in recent weeks because of an ankle injury that has bothered the Arizona quarterback since early in the season.
UCLA won't have to deal with Tate at all.
Wildcats coach Kevin Sumlin announced Tuesday that Tate would sit out his team's game against the Bruins on Saturday at the Rose Bowl, the latest setback in an injury-marred season for the preseason Heisman Trophy candidate from Gardena Serra High.
Tate's absence should drastically alter the to-do list for a surging UCLA defense.
"Well, we don't have to chase the fastest kid in the country around," Bruins coach Chip Kelly cracked.
Tate lost that designation when he hurt his left ankle Sept. 8 against Houston. He continued to play at less than full strength until getting sacked and reaggravating his injury last week during Arizona's second offensive series against Utah.
Sumlin said sophomore Rhett Rodriguez, one of two quarterbacks to play against the Utes after Tate was hurt, would make his first career start against the Bruins. Rodriguez, the son of former Wildcats coach Rich Rodriguez, completed 20 of 38 passes for 226 yards and a touchdown in more than a half of play last weekend.
Freshman quarterback Jamarye Joiner also played sparingly against Utah, completing three of four passes for 17 yards.
"They still seemed to be doing the same things, maybe not to the extent they were doing it with Khalil, with the other two quarterbacks," Kelly said of Arizona's offensive plan. "So we'll just have to prepare" for both quarterbacks.
With his status in doubt for what amounts to a homecoming game for the Los Angeles native, Tate met with Sumlin on Monday to discuss the best plan for the balance of his season.
Tate never resembled the player who rushed for 1,411 yards last season as one of the most dynamic quarterbacks in the nation after taking over as the starter in October. He rushed for just 112 yards in seven games this season, his average of 2.4 yards per carry well below the 9.2 yards he averaged in 2017.
Left tackle Andre James did not attend practice Tuesday after the death of his father, Marcus, who had been battling an aggressive form of testicular cancer for more than a year.
Freshman Alec Anderson took James' spot along the offensive line in practice Tuesday.


These decadent looking margaritas are from Astoria's newest Mexican offering, Maizal. The real star of the show is the pomegranate straight up with real pomegranate nectar- sounds utterly delicious! Have you been yet? Have a favorite margarita?
We thank you very much We Heart Astoria. We had a great neighborhood response from your posting.


text:
Samantha Hill
svhill16@uab.edu
2021 COVID-19 Vaccination of Adolescents and Young Adults of Color: Viewing Acceptance and Uptake With a Health Equity Lens. Journal of Adolescent Health. 68:844-846. 2021
2021 Multilevel Factors Shaping Awareness of and Attitudes Toward Pre-exposure Prophylaxis for HIV Prevention among Criminal Justice-Involved Women 2021
2021 The Use of Protective Caregiving to Create Positive Racial-Ethnic Socialization and Mitigate Psychological Outcomes of Racial Discrimination. JAMA Network Open. 4. 2021
2021 Exploring adults as support persons for improved pre-exposure prophylaxis for HIV use among select adolescents and young adults in the Deep South. PLoS ONE. 16. 2021
2020 Identifying Missed Opportunities for Human Immunodeficiency Virus Pre-exposure Prophylaxis During Preventive Care and Reproductive Visits in Adolescents in the Deep South.. Sexually Transmitted Diseases. 47:88-95. 2020
2020 Identifying Missed Opportunities for Human Immunodeficiency Virus Pre-exposure Prophylaxis during Preventive Care and Reproductive Visits in Adolescents in the Deep South. Sexually Transmitted Diseases. 47:88-95. 2020
2019 A comparative analysis of documented contraceptive use among women aged 18–30 living with and without HIV in Alabama. Contraception. 100:275-278. 2019
Alabama Ryan White Part D Program - The Family Clinic awarded by Health Resources and Services Administration/DHHS
CHEER Center for the Study of Community Health awarded by National Center for Chronic Disease Prevention & Health Promo./CDC/DHHS
Center For AIDS Research - Implementation of HIV testing and linkage to PrEP at an HBCU in Alabama awarded by National Institute of Allergy and Infectious Diseases/NIH/DHHS
Center for AIDS Research - EHE Implementation Science Consultation Hub awarded by National Institute of Allergy and Infectious Diseases/NIH/DHHS
Effectiveness of a Smoking Cessation Algorithm Integrated into HIV Primary Care awarded by National Institute on Drug Abuse/NIH/DHHS
PrEP Pro: Adapting A Multi-Component Intervention to Train and Support Providers to Promote PrEP for Adolescent Girls and Young Women in the Deep South awarded by National Institute of Mental Health/NIH/DHHS
The UNC/Emory Center for Innovative Technology (iTech) Across the Prevention and Care Continuum awarded by University of North Carolina at Chapel Hill
UAB Center for AIDS Research (CFAR) awarded by National Institute of Allergy and Infectious Diseases/NIH/DHHS
UAB Center for AIDS Research (CFAR) - EHE Implementation Science Consultation Hub awarded by National Institute of Allergy and Infectious Diseases/NIH/DHHS
UAB Center for AIDS Research - CFAR Administrative Supplement - Promoting PrEP use among African-American AGYW in the Deep South at-risk for HIV: Provider and Client Perspectives awarded by National Institute of Allergy and Infectious Diseases/NIH/DHHS
Doctor of Medicine, Morehouse College 2013


different age groups such as Children, juniors, adults and adults second place.
During this event there will also be a great solo and crew battle Breakdance and Hip Hop take place!
Each participant will receive a certificate. The competition takes place in two halls.


The UK mortgage market context is important when comparing US and UK research. For example, the UK has a system of variable rate mortgages with fixed rate debt typically being fixed for short periods of 1 to 5 years. Thus reactions to changes in the current mortgage interest rate could differ in elasticity, as most contracts reverted eventually to the variable rate. Also, unlike US research (Brueckner & Follain 1989), there is no evidence of simultaneity in the choice of mortgage instrument and housing/mortgage demand for the UK (see Leece 2000b, 2001b). Given these differences then we might predict significantly different elasticities of mortgage/housing demand with respect to the net of tax mortgage interest rate. Of course, this is what we find with US estimates of 1.00 or 1.5 and UK elasticities of 0.24 and 0.20. Differences might also reflect the perceived gap between mortgage rates and the relevant rate of return on the alternative investment to housing.
Tax benefits on UK mortgage interest rates were automatically calculated at source under a scheme called MIRAS (mortgage interest relief at source), while in the US, households are responsible for claiming relief through self-assessment. Some UK borrowers could separately claim tax relief at the higher rate of tax up to 1991 when mortgage interest relief was reduced to the standard rate. Whether tax deductions have, or have not, been claimed has proven to be a significant impact upon mortgage demand in US research (Ling & McGill 1998; Dunsky & Follain 2000). With automatic deduction this is clearly less the case for the UK; as noted, the tax relief on mortgage interest payments in the UK was finally abolished in April 2000.
Ling & McGill (1998) suggest that in the US the general belief is that the after tax cost of equity exceeds the net of tax mortgage interest rate. This is also the position adopted by Brueckner (1994a). A criticism here might be that with imperfect capital markets, and less than complete portfolio diversification, the opportunity cost of equity in property might vary between households. The borrower's actual perception of the relevant opportunity cost of equity in a residence is an area that merits further research. Estimating the cost of equity for owner occupied property is a topic where a number of different techniques have been applied, and a variety of estimates made (see Gillingham 1983; Miles 1992; and Leece 2000b). The advantage of the UK study reported above is that we can be fairly certain that the mortgage rate is perceived to be lower than the forgone return on investment.
A direct comparison of parameter estimates obtained in US and UK research are difficult, and may not be very meaningful. However, there are a number of general lessons to be drawn from such a comparison. The importance of locating the appropriate opportunity cost of equity in property has been noted. The elasticity of demand for mortgage debt with respect to the mortgage interest rate may vary according to the discrepancy between net of tax mortgage rates and the appropriate forgone rate of return. Key characteristics of the system of housing finance, including prevalent mortgage designs might also influence these relationships. For example, the short periods for which mortgage rates are fixed on fixed rate debt in the UK may have resulted in a more short-term perspective on movements in interest rates, and a focus upon comparative costs of mortgage instruments (Leece 2001a). Later chapters will provide further comparisons between US and UK decisions on mortgage size, in particular the simultaneity of mortgage demand and choice of mortgage contract design.


text:
package net.sf.esfinge.gamification.processors;

import java.lang.annotation.Annotation;
import java.lang.reflect.Method;

import net.sf.esfinge.gamification.achievement.Ranking;
import net.sf.esfinge.gamification.annotation.RankingsToUser;
import net.sf.esfinge.gamification.mechanics.Game;
import net.sf.esfinge.gamification.user.UserStorage;

public class RankingsToUserProcessor implements AchievementProcessor {

	private String name;
	private String level;

	@Override
	public void receiveAnnotation(Annotation an) {
		RankingsToUser rtu = (RankingsToUser) an;
		name = rtu.name();
		level = rtu.level();
	}

	@Override
	public void process(Game game, Object encapsulated, Method method,
			Object[] args) {
		Object user = UserStorage.getUserID();
		Ranking r = new Ranking(name, level);
		game.addAchievement(user, r);
	}

	@Override
	public void process(Game game, Object encapsulated,
			Class<? extends Method> class1, Object[] args) {
		Object user = UserStorage.getUserID();
		Ranking r = new Ranking(name, level);
		game.addAchievement(user, r);

	}

}

redpajama_set_name: RedPajamaGithub


text:
A variant of the student's t-test for data of varying reliability
Suril B. Sheth, Bhavin R. Sheth
Suril B. Sheth
Carnegie Vanguard High School, Houston, TX, 77019
Bhavin R. Sheth
Department of Electrical & Computer Engineering, University of Houston, Houston, TX 77204-4005
The copyright holder for this preprint is the author/funder, who has granted bioRxiv a license to display the preprint in perpetuity. All rights reserved. No reuse allowed without permission.
Suril B. Sheth+ and
Bhavin R. Sheth&
+Carnegie Vanguard High School, Houston, TX, 77019
&Department of Electrical & Computer Engineering, University of Houston, Houston, TX 77204-4005
Corresponding author: Suril B. Sheth, Carnegie Vanguard High School, Houston, TX 77019, email: surilbsheth{at}gmail.com
You are going to email the following A variant of the student's t-test for data of varying reliability


text:
Cagliostro-Walzer  (Valzer di Cagliostro) op. 370, è un valzer di Johann Strauss (figlio).

Cagliostro in Wien (Cagliostro a Vienna), la quarta operetta di Johann Strauss, ebbe la sua prima al Theater an der Wien di Vienna il 27 febbraio 1875, e fu il frutto della collaborazione fra il compositore e i due librettisti F. Zell e Richard Genée.

Anche se alla sera della prima i critici si divisero sul giudizio per Cagliostro in Wien, essi furono universalmente d'accordo sulla pura bellezza del valzer-duetto Konnt 'ich mit Ihnen fiegen durchs Leben (Vorrei volare con voi attraverso la vita), cantato nel 2° atto da Henriette Wieser (signora Adami) ed Alexander Girardi (il servo Blasoni).

Il Neues Fremden-Blatt (28-02-1875) considerò tale lavoro:

Strauss stesso riconobbe il valore della sua creazione, e non solo la elevò a Cagliostro-Walzer, sulla base delle melodie dall'operetta, ma più tardi (fra il 1882 e il 1883) dedicò tale partitura, come atto di amore, ad Adele Deutsch, la donna che sarebbe diventata la sua terza moglie.

Collegamenti esterni

Valzer di Johann Strauss (figlio)

redpajama_set_name: RedPajamaWikipedia


Arnica Montana - Leopard's Bane - is a popular and versatile equine anti-inflammatory remedy which can aid the healing of bruises, bruising, soft tissue injuries, wounds, bruised soles, muscular strains and soreness, joint stiffness, lameness pain in the horse. It can also be useful for the treatment of shock and trauma.
It has become known as "Homeopathic Bute" - as it is anti-inflammatory. It is also believed to be anti-bacterial.
Arnica preparations for horses are to be found in ointment, spray, liquid, liniment, gel, tablet, pillule or pill form.
The treatments can be applied externally or taken internally.
Arnica should not to be applied to open wounds , and, be careful, not all forms may be given internally to a horse or pony. it is important to check this carefully when you buy Arnica to treat your horse!
As well as treating existing problems Arnica can be used as a preventative medicine for your horse. Used prior to a strenuous ride or training session it can help to prevent soreness.
If used after exercise it can help to prevent the horse from stiffening or tying up. It can also be used as a liniment during massage.
Arnica works on horses by by dispersing trapped fluids from bruised tissue and stimulating the activity of the white blood cells.
The active ingredients in Arnica are sesquiterpene lactones. These are known to reduce inflammation and pain. One of these sesquiterpene lactones is Helenalin.
It is not fully known how sesquiterpene lactones in Arnica exert their anti-inflammatory effect.
Can be used before and after strenuous exercise to help prevent stiffness.
Arnica Cream: Apply to bruised areas, but NEVER on open wounds or broken skin.
Pills / Pillules / Tablets: After injury, dose as often as every 15 minutes with 5-10 small pills, either directly into horse's mouth or dissolved in water until a positive response is seen. Continue dosing twice daily for up to 7 days, or until bruising or lameness subsides.
ALWAYS check the manufacturer's instructions.
NOT to be used on open wounds or broken skin!!
Arnica does not replace any veterinary treatment.
Internal use can cause a toxic action upon the heart and may cause large increases in blood pressure.
Arnica is a herbaceous perennial plant with orange-yellow daisy like flowers. It is mainly the dried flower heads that are processed to provide homeopathic remedies.
It is common in many parts of Europe, Canada and North America and Russia.
Arnica grows on alpine meadows, pastures and light forests up to the alpine level.
A North American tribe, The Cataulsa, made a tea from arnica roots to treat back pains.
Johann Wolfgang von Goethe, The German poet and philosopher , used arnica to treat his angina. He claimed it saved his life.


text:
Reviews For The Easily Distracted:
Best Of Houston® 2020: Best Place To People Watch
Reckless: A Dark Quirky Comedy About Christmas and Being Redeemed
Margaret Downing
The return of an old favorite for the last show this season from 4th Wall Theatre Co.
Photo by Gabriella Nissen
Margaret Downing | November 21, 2017 | 6:00am
Rachel is one just really happy person by nature – this despite the fact that her husband tells her he has hired a hit man to kill her. She's really happy but not completely stupid and flees their home as the sound of bullets whiz about her, embarking upon a cross country driving trip.
She ends up living with another couple who appear perfect on the surface but have secrets of their own. In Reckless, a dark comedy by Craig Lucas, Kim Tobin-Lehl plays an optimist dealing with one blow after another that comes her way in what 4th Wall Theatre Company has said will be their last show before closing up shop.
Her husband and co-founder of the theater company, Philip Lehl, will direct the seven-member cast that also includes John Feltch, Jennifer Dean, Nick Farco, Deborah Hope, Kathleen Teodoro and Zac Kelty.
4th Wall Theatre Company Finds a Donor, Will Not Shut Down After All
"I would call it a quirky Christmas comedy," he said. "We're doing it again because we loved the first production and it's been seven years since we did it. And we wanted a holiday play but we didn't want more of the same."
Set in the 1980s before the dawn of ubiquitous cell phones and before computers were everywhere, the play offers "a terrific part for Kim and she wanted to do it again," Lehl said.
"I think its a great acting role for a woman, a lead role for a woman and it has a kind of agelessness to it as well," Tobin-Lehl said. "It spans about 20 years for the lead character but because it's also a kind of magical realism as well the age has some flexibility for that character."
Alley Theatre regular Feltch, who plays Lloyd, said he always wanted to do a play with 4th Wall. "this is one of those plays that theater people tend to really love because it has a theatricality. It sort of pushes the boundaries of what's real and what isn't. It's also got a wonderful sense of humor. Dark sometimes but a very delicious sense of humor even in the most morbid moments. I think on that level it's a highly relatable."
"Lloyd is a man with a hidden past who has completely turned his life around and is a giver, a nurturer who carries a burden," Feltch said. "Fate has not been kind to him but he has compensated in all kinds of positive and wonderful ways."
"What's refreshing about this play is that everyone in it has a struggle but they all of them have a positive life force about them," Feltch said.
"Almost every person in this play has done or is doing something really bad but they're very lovable wonderful good people," Tobin-Lehl said. "Which I think is a really interesting thing to watch and I think you should take into the world. People are not one thing. People are not one deed, are not one thing they did. They're a lot of things.
"If you did one thing in the past you regret, it doesn't mean you can't make up for it, your can't start over, you can't reinvent yourself and go forward to make up in spades and be better than you ever were in your past."
Lehl says the back story to this play includes the fact that playwright Lucas was abandoned by his mother in the back seat of a car as an infant. "This play feels like a love letter to his mother who he never knew in that it follows a woman who is forced to abandon her children and explains why she can't go back to them and what she does in her life in that time," he said.
Tobin-Lehl says her character "believes in people more than the average bear. Some people would call it naive but other people would call it faith. She has a lot of faith in mankind. She believes in good. I
"It's a Christmas-based play," she said. "It's reflecting back why you never give up, you never stop believing. Even if you have to retreat to recoup, there's always hope."
Performances of Reckless are scheduled from November 30 through December 16 at 7:30 p.m. Thursdays, Fridays and Saturdays and 3 p.m. Sundays at Spring Street Studios, 1824 Spring. For information, call 832-786-1849 or visit 4thwalltheatreco.com. $32-$53. $17 Students, $26 Seniors. Pay what you can Monday December 11.
Margaret Downing is the editor-in-chief who oversees the Houston Press newsroom and its online publication. She frequently writes on a wide range of subjects.
Facebook: Margaret Downing
Twitter: @HoustonPress
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Can you feel it? That change in the air isn't just the sudden and surprising arrival of spring, it's the pheromone buzz of September heralding the art world's annual celebration of new and emerging artists.
The most conspicuous example is the Museum of Contemporary Art's annual Primavera exhibition, which opens tomorrow, a selection of promising artists under 35 years old. But there are numerous other celebrations in the art world's spring carnival - travelling scholarships, graduation shows and various prizes - all aimed at showcasing the efforts of tomorrow's art stars.
That's the theory anyway. While these events serve a worthy purpose, they're also the death knell for any number of budding careers. Being an "emerging artist" has become the preferred career status for most practitioners of contemporary art, because what lies beyond is an unknown and uncertain career path that often leads to oblivion. While the fun and excitement of emerging artists and their work in various prize shows is akin to the early bloom of flowers, the realisation soon follows that the flowers which open early are the first ones to die.
Talented younger artists get rewarded because they offer something fresh, but staying emerging is difficult. It's not unknown for artists who are well into their 40s, who are represented by commercial galleries and who have exhibited in major public galleries, to be comically mislabelled "emerging artists". Having promise and opportunity is far better than sitting there, your career idling in so-so group shows and solo exhibitions once every 18 months.
Being an emerging artist isn't just about grants, big shows and scholarships, and being "new" could conceivably mean that you're a mature or older person, but new to the art world. But what being eternally "emerging" really means is you can avoid the next stage of development, which is either "established" - or even worse - "mid-career".
The art world is much like the real world. Once you hit middle age, everyone forgets about you. Artists who are truly mid-career must suffer through their commercial success with little in the way of critical recognition or media coverage. No one outside the art world is really interested in artists, unless they are winning prizes or being "controversial," while within it artists going through the doldrums of their post-cool careers are tolerated like embarrassing uncles and aunties who insist on dancing at the school disco.
Very few visual artists seem to stay relevant throughout their working lives. Like the careers of authors or musicians, the best that most visual artists can hope for is a good 10 years, followed by an artful capitalisation on their slowly diminishing visibility. The small rewards offered to mid-career artists - a survey show tour through regional galleries, a vanity press publication - pale in comparison to the rush of excitement of being young and hot. It's not enough to make a living out of your art if no one really notices that you're doing it.
A cynical person might think, well, to hell with it - if the art world is so wound up with what's fashionable then you can count me out. Such a view is understandable. Making art needn't be so closely connected to career building, or the official art world, or to making a living, or anything else. But being wrong and rich has to be better than being right and dead. Just think of Vincent Van Gogh.
The hierarchy of career positions within the art world is patently absurd.
The promise is that, beyond the attrition of early career and the longueurs of mid-career, another and even better position awaits those who can stick it out into their 70s and 80s. That position is the much-vaunted "senior artist".
How one can become a senior artist is one of the profound mysteries of the art world. A late-career burst of creativity accompanied by a complete disregard for fashion and good taste means an artist is ripe for a rediscovery often led by younger artists in awe of their talent. If an older person becomes a senior artist, there are riches too - career survey shows in a big capital city museum, publications about their work paid for by other people, a media eager to hear their dotty and eccentric views. You can even paint a picture of your lunch - and call it Lunch at Doyles - and people will pay top dollar for it. You can even wear a beret if you like. You've earned it.
Andrew Frost presents The Art Life on ABC1. He is mid-mid career.


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Drinking Behind the Bar: How Much Is Too Much?
Contributed by Laura ScholzPosted on Dec 06, 2018
(photo illustration: Glenn Hilario)
Call it an occupational hazard or simply part and parcel of the business, but many of today's more seasoned bartenders grew up drinking on the job.
"When I first started in the early 2000s, I worked at college bars where drinking was really encouraged and shots with friends and other bartenders were the norm," says Gina Chersevani, owner of Buffalo & Bergen in Washington, D.C. "I think it was way more acceptable back then, because bartending wasn't taken seriously as a profession."
But as the industry and its professionals have matured, so have bars' policies about drinking while behind the stick. Many eschew on-the-job imbibing altogether, whereas others condone moderate consumption.
Below, Chersevani and other bar managers and owners share their perspectives and rules on drinking behind the bar and how much is too much.
1. Don't Get Drunk
Like Chersevani, when Kirk Estopinal, a partner and bartender at Cane & Table in New Orleans, started in the industry, drinking on the job was commonplace. "At my very first bartending job, you could drink on shift as long as you didn't get too drunk," he says.
Max Green, a managing partner at Blue Quarter in New York City, still ascribes to this philosophy. "My perspective is this: Drinking behind the bar is fine. Being drunk behind the bar is not."
Signs your employee has overdone it? "If you get to the end of your shift and can't quickly and efficiently count your money or do simple tasks like cleaning the bar or prep for the next day, you've gone too far," says Green.
While she's not allowed to drink at work in her role as bar director at The Spare Room in Los Angeles, Yael Vengroff says she has no problem with moderate drinking on the job in other contexts. "If you think you're going to be more outgoing and more exciting if you've had a few shots and can keep it together behind the bar, I'm all for it," she says.
But like Green, she says that if drinking "impacts service, especially in a high-volume bar," think twice about combining drinking and work.
2. Keep It Low Proof
Both Vengraff and Green agree that having a shot with a guest is still prevalent and considered a sign of good hospitality. "There's ritual and tradition in having a small nip or shot with your guest, to show appreciation to them and acknowledge that they have had fun with you, which is the intention of bartending and hospitality—to have fun," says Green.
To moderate his consumption, he often does sherry, vermouth, or amaro-based 50/50 shots if guests offer to buy a round. "The intention is not to get drunk, but to share a moment of camaraderie and hospitality with a guest," he says.
While shots with guests are still commonplace at sister bar Cure, Cane & Table is a non-employee-drinking bar. "I never set a specific policy about it," says Estopinal. "But people take cues from what's around them. I don't drink at work, or hard liquor anymore ever, and it's really important that my bar is a nondrinking bar to counteract all the enabling we do of young people in the industry who might have problems with drinking."
Chersevani has the same nondrinking policy at Buffalo & Bergen. "Your staff follow what you do," she says. "I'm a mother of two young children, and just like I want to be a good example for them, I want to be a good example for my employees. After two drinks, you're going to get sloppy, and honestly for many of my young bartenders, drinking on the job is just not part of their norm anymore."
4. Remember It's a Profession
Part of that shift is the industry evolving and taking itself more seriously, which means treating the work like you would a regular nine-to-five office job.
"When you're working, this is your business," says Estopinal. "You wouldn't show up at your accounting job with a Martini or hungover three days a week. You'd get fired."
Similarly, Chersevani has noticed a new set of standards and norms among bartenders. "Once the cocktail renaissance happened, a lot of us got really serious, going from club and restaurant bartending to managing city and even nationwide cocktail programs," she says. "We don't have time to be nursing hangovers anymore."
For Clayton Rollison, the owner of Lucky Rooster in Hilton Head Island, S.C., the restaurant's nondrinking policy sets the tone that you're here to work. "This is a real job, with real expectations and standards," he says. "We want to take care of our guests and focus on their experiences, and we can't do that in an altered state of mind. Plus, it just makes for a safer, healthier work environment for everyone."
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45 kg lpg cylinder
45 kg lpg cylinder - In a refinery or gas plant, LPG must be stored in pressure vessels. These containers are either cylindrical and horizontal or spherical. Typically, these vessels are designed and manufactured according to some code. In the United States, this code is governed by the American Society of Mechanical Engineers (ASME).
45 kg lpg cylinder - LPG containers have pressure relief valves, such that when subjected to exterior heating sources, they will vent LPG to the atmosphere or a flare stack.
45 kg lpg cylinder - If a tank is subjected to a fire of sufficient duration and intensity, it can undergo a boiling liquid expanding vapor explosion (BLEVE). This is typically a concern for large refineries and petrochemical plants that maintain very large containers. In general, tanks are designed so that the product will vent faster than pressure can build to dangerous levels.
45 kg lpg cylinder - One remedy that is utilized in industrial settings is to equip such containers with a measure to provide a fire-resistance rating. Large, spherical LPG containers may have up to a 15 cm steel wall thickness. They are equipped with an approved pressure relief valve. A large fire in the vicinity of the vessel will increase its temperature and pressure. The relief valve on the top is designed to vent off excess pressure in order to prevent the rupture of the container itself. Given a fire of sufficient duration and intensity, the pressure being generated by the boiling and expanding gas can exceed the ability of the valve to venting the excess. If that occurs, an overexposed container may rupture violently, launching pieces at high velocity, while the released products can ignite as well, potentially causing catastrophic damage to anything nearby, including other containers.
45 kg lpg cylinder - People can be exposed to LPG in the workplace by breathing it in, skin contact, and eye contact. The Occupational Safety and Health Administration (OSHA) has set the legal limit (Permissible exposure limit) for LPG exposure in the workplace as 1000 ppm (1800 mg/m3) over an 8-hour workday. The National Institute for Occupational Safety and Health (NIOSH) has set a recommended exposure limit (REL) of 1000 ppm (1800 mg/m3) over an 8-hour workday. At levels of 2000 ppm, 10% of the lower explosive limit, LPG is considered immediately dangerous to life and health (due solely to safety considerations pertaining to the risk of explosion).


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Covid-19 cases are rising, new rules now in place:
Vaccines are available across Lambeth, including a pop-up at the Civic Centre, Brixton. You can get free rapid tests all over Lambeth. New measures have been introduced to protect us all, due to the Omicron variant.
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Dr. Craig Rustici is an Associate Professor of English at Hofstra University. He received his B.A. from Lafayette College and his M. A. and Ph.D. from the University of Chicago. His presentation "Glass Houses: Why the Subjects of Queen Elizabeth Avoided the Subject of Pope Joan" was chosen as Hofstra's Fall 2001 Distinguished Faculty Lecture and included on the 2003-2005 program for New York State Speakers in the Humanities. His book The Afterlife of Pope Joan: Deploying the Pope Joan Legend in Early Modern England has been published by the University of Michigan Press.
The Afterlife of Pope Joan: Deploying the Pope Joan Legend in Early Modern England (University of Michigan Press, 2006) investigates how writers and thinkers in early modern England retold, modified, and manipulated medieval legends concerning Pope Joan, a woman who, as the story goes, disguised herself as a man and ruled over the ninth-century church.
"'Ceste Nouvelle Papesse': Elizabeth I and the Specter of Pope Joan." Elizabeth I: Always Her Own Free Woman. Eds. Carole Levin, Debbie Barrett-Graves, and Jo Eldridge Carney (Ashgate: Burlington, Vermont and Aldershot, England, 2003). 131-148.
"Gender, Disguise, and Usurpation: The Female Prelate (1680) and the Popish Successor." Modern Philology 98.2 (November 2000): 271-98.
"Glass Houses: Why the Subjects of Queen Elizabeth Avoided the Subject of Pope Joan." Fall 2001 Distinguished Faculty Lecture, Hofstra University..


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Adopt The Growth Mindset To Kickstart Your Success
DALLAS, TX / ACCESSWIRE / March 19, 2019 / Major Depressive Disorder on average affects over 16.1 million adults over the age of 18. If you are someone who feels lost, alone, or aimless, chances are the person next to you at work or in the grocery store feels the exact same way. Major companies like Johnson & Johnson (JNJ) and Allergan (AGN) devote tens of million of research and development dollars to trying to fight this epidemic.
Many people often believe that a diploma or a relatively secure job will solve most of their problems, however, people like Jordan Paris know that this is simply not the case.
When Paris found himself in a pit of despair, he struggled with the idea of what his life meant. His struggle yielded a mind frame where he claimed, "I got caught up in the flow of life, letting the current take me wherever it wanted to go. This meant fitting in and getting good grades so that I could get a job for 50 years before retiring." Between the ages of 18 and 20, he climbed a ladder which he designed to elevate his spirits and his career.
At age 20, Paris produced his first book, Growth Mindset University. From start to finish the process took him less than 2 months and in his Growth Mindset University podcast he hosts the brightest business minds, world-class athletes, and influential thought leaders like David Meltzer to teach people the lessons they should have learned in school but didn't.
Growth Mindset University focuses on jumping into life while holding on to curiosity, joy, and love, the things that drive all of our actions. His book empowers principles and notions to bring one's self into a realm of success, satisfaction, and fulfillment through learning.
Those who are feeling lost or without skill to create the success they want will find hope in Jordan's statement from his website. He supports all growth by stating that seeds of greatness aren't inherently in us, therefore we must plant the seeds and water them continually through development.
Jordan Paris turned his blog platform into a resource for all who feel as though they are wandering through the motions. His podcast covers a wide array of topics and features inspiring stories and valuable lessons by influential leaders, which covers everything from health and psychology to communication and entrepreneurship.
Now the 21-year-old entrepreneur is expanding his own fulfillment by serving as a resource space for people who want to turn their lost hope into vivacious dedication to satisfaction. Through his blog, book, and podcast, many perspectives are highlighted and each anecdote comes with a valuable lesson from someone who created their success with their own hands.
To find out more about Jordan Paris, his journey, and resources available to you, visit https://jordanparis.com/
Empower Yourself with Minimal Guesswork: Growth Mindset University
Finding yourself not satisfied where you are and overcome with a dark sense of aimlessness can often times trigger an intense desire to reap the fruits of joy, success, and fulfillment.
Jordan Paris took his despair as he left school and began to transform his outlook on life and focused on curiosity, joy, and love. This down and out teen was able to develop a new sense of vitality over the next two years of his life.
At age 20, Paris sat down to write his first book, Growth Mindset University. He completed the 184-page book in exactly 29 days. To any and all who don't know where to start or how to build the blocks from dumps to castles, Paris invigorates his readers with a need to find their unique truths and creatively design the lives which they desire.
His book lays out the principles and thought patterns to bring one's self into a realm of success, satisfaction, and fulfillment. Through learning how to do work that matters for people who care, taking full responsibility of results, and growing to give, his invigorating manifesto brings meaning to 'growing through the motions of life.'
He discusses the growth mindset which is the basic empowering tool which one can possess. This is the knowledge that anything we don't know or are not good at CAN be mastered. He teaches how to feed the mind, develop unique inspiration, and invest in yourself. Several of the topics covered bring to light how and why we do what we do to create success, something that we must understand in order to put our ideas into actions.
Aside from his book, Paris started the Growth Mindset University podcast where he hosts the brightest business minds, world-class athletes, and influential thought leaders like David Meltzer to teach people the lessons they should have learned in school but didn't. His podcast serves to put the pen in his audiences' hands that they can use to write their own story, to creatively design the masterpiece of art that is their lives. What was once a blog platform for Paris, has become an all-encompassing resource for people who find themselves wanting to take control of their lives.
To find out more about Jordan Paris, his journey, and the content available to you, visit https://jordanparis.com/.
SOURCE: SV Advisory Group
https://www.accesswire.com/539482/Adopt-The-Growth-Mindset-To-Kickstart-Your-Success
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Debut, Features, Music, Reviews, Track-by-Track November 17, 2020 November 17, 2020
'Razzmatazz' & Razzle-Dazzle: iDKHOW Go Track-by-Track Through Their Thrilling Debut Album
by Mitch Mosk
iDKHOW © 2020
A fresh, buoyant outpouring of theatrical, emotional pop/rock glitz, iDKHOW's debut album 'Razzmatazz' is a dramatic invitation to indulge and dream to the heart's content.
Stream: "Leave Me Alone" – iDKHOW
The term "Razzmatazz" conjures up a frenzy of ideas and emotions.
A synonym for razzle-dazzle, the word evokes excitement and energy, glitter and glamour, and sparks galore. It's an invitation to get lost in wonder; to embrace one's fantasies and frolic to the heart's content. As such, it should be no surprise that Salt Lake City duo iDKHOW would give their debut album this expressive name. A fresh, buoyant outpouring of theatrical, emotional pop/rock glitz, Razzmatazz is a dramatic invitation to indulge.
Razzmatazz – iDKHOW
Big shot, so what?
Do you wanna pretend?
You took the money
But the money couldn't buy a friend
Now I want you to leave me alone
They say the devil that you know
Is better than the devil that you don't
Oh, you're a big shot here, but nobody else knows
Blind spot, take your best shot
Go fly a kite until you're
tangled in the hanging tree
Released October 23, 2020 via Fearless Records, Razzmatazz is a sweeping, seductive delight. It's a soaring, finessed introduction to the band that formally named themselves "I DONT KNOW HOW BUT THEY FOUND ME" – but you can call them iDKHOW for short.
iDKHOW Emerge with Spirited, Feverish "Leave Me Alone"
:: TODAY'S SONG ::
"The band name is a line from one of my favorite movies as a kid. I wanted something that was long and ridiculous and would fit into the whole modus operandi of keeping our band a secret for the first year or so of our existence," lead vocalist and bassist Dallon Weekes recently told Atwood Magazine. A key member of Panic! At The Disco from 2009 to 2018, Weekes has worked hard to separate iDKHOW from Panic! in an effort to maintain his new project's independence and integrity. Together, Weekes and drummer Ryan Seaman make up the core of iDKHOW, which first debuted in 2017 and built a steady following the next year, culminating in their 1981 Extended Play EP and the three-track holiday special Christmas Drag single in 2019. Quite a long time in the making, Razzmatazz is a fun, creative full-length album that effortless radiates charm and cheer, pain and love, the whole nine yards – all without taking itself too seriously.
Twist the knife
Like it's something to do
I'm a voluntary victim
Watch your colonial tongue
I'll watch you tighten the noose
I'm burning in your mad IQ
How, otherwise, could we square away a song like "Nobody Likes the Opening Band," fit in-between the bristling rock and pop drama of "New Invention" and "Mad IQs," each a tight, finely-produced outpouring of high-octane music? Weekes' decades-long career has given him the kind of polish and panache one would reasonably expect from a seasoned sonic architect, yet throughout iDKHOW's debut there is an obvious thirst for reinvention and defying expectations; iDKHOW purposefully avoid putting themselves into any one box by staying open to possibilities and peppering their record with eccentricities and fresh standards. There's a surprise around every corner – from the strut-your-stuff aura of "Sugar Pills" to the tender balladry of "Door," to the immersive space within "From the Gallows" and the explosive throttling of "Clusterhug."
No, Razzmatazz doesn't take itself too seriously; but that, in itself, is an art form: Because behind the carefully placed, seemingly laissez-faire bells and whistles, we know Weekes and Seaman spent countless hours fine-tuning each of these twelve songs, tirelessly tracking themselves in order to produce an effort of the highest caliber. Fans of early Maroon 5, Fun., Arctic Monkeys, and yes, Panic! At The Disco will surely find favor in Razzmatazz's depths, as will fans of classic rock legends like Queen or Meat Loaf. What this band have going for them is their uncanny ability to embrace a wealth of familiar sounds – namely those of the pop and rock canon – and to make them entirely and unapologetically their own.
iDKHOW are here to have a good time, and they wish you the same. Whether you find yourself dancing the night away with the love of your life to the sweet sounds of "Kiss Goodnight," or reveling to the unencumbered emotional eruption within title track "Razzmatazz," know that iDKHOW are right there with you, enveloped in those same present moments and fleeting dreams.
An impressively enticing listen, Razzmatazz is the climactic culmination of that fresh start Weekes no doubt set out for when forming I DONT KNOW HOW BUT THEY FOUND ME and bidding adieu to the band with whom he had spent the past decade. It's a thrill through and through, and a must-listen for those looking to spark their energy levels in the year 2020. Experience the full record via our below stream, and peek inside iDKHOW's Razzmatazz with Atwood Magazine as Dallon Weekes goes track-by-track through the music and lyrics of his new band's debut album!
Razzmatazz is out now via Fearless Records.
:: stream/purchase Razzmatazz here ::
Stream: 'Razzmatazz' – iDKHOW
:: Inside Razzmatazz ::
This song felt like an opening statement. Especially when considering the state of the world, the theme of wanting to quarantine yourself from toxic people and situations seemed like an appropriate way to begin. Although "Leave me alone" is the title, I feel like lyrically, the centerpiece for the song is "…the devil that you know is better than the devil that you don't", which is an old cliché, but one that isn't necessarily true. The truthful bit is that we do often fear the unknown, and we stay in bad situations because they are familiar to us. Luckily, I've found that the unknown can also be incredibly rewarding and much healthier.
INDOCTRINATION*
This is where we are officially inducted into the Tellexx corporation, and get a hint at what it is they aim to do. It's where the fictional narrative behind iDKHOW begins to turn.
MAD IQs
Our Producer Tim Pagnotta, played me the beginnings of a chorus that he had been toying with. I loved it so much upon hearing it, that I asked him if we could use it, and build on it. It really reminded me of Talking Heads 'Girlfriend Is Better', so I feel like i was chasing that vibe down a little bit as we wrote the rest of it. I don't want to say what it's about. You decide.
OPENING BAND
I wrote this song on the way to an early iDKHOW show, when we were still playing in secret. It was the first time in a while that I had thought about being in that position. Playing to a room full of complete strangers and hopefully doing something that is worthy of commanding their attention for thirty minutes. So I wanted to sarcastically address the elephant in the room. It ended up being a really special moment. Despite the sarcastic title, the theme behind the song is to encourage folks to give new things a chance. This is usually our first song whenever we are an opener. If we play a headline show, we always talk to the opening bands beforehand to make sure they know it's not meant to disparage anyone. Quite the opposite.
NEW INVENTION
This was one of the later songs we recorded during the few weeks we had to make Razzmatazz. I was pretty stressed out because I wanted to make sure that everything was just right before we had to wrap up recording and go home, so I wasn't sleeping and I was this giant ball of stress that was constantly overthinking every aspect and lyric of every song we had done. So I tried to channel all that out lyrically. It references some other songs we've done. namely 'Leave Me Alone' and 'Choke', but the lines about having bad dreams were born from that period. After we recorded it, I slept like a baby.
SPACE FORCE*
This is a transitional track that appears at the end of 'New Invention'. I made this track with SLC musician Daniel Fischer (Fischloops). He is a master manipulator of samples and beats. I've been an admirer of his work for over a decade, and I really wanted to collaborate with him on some transitional ideas for the record. He also helped produce the music behind 'Indoctrination'.
FROM THE GALLOWS
This is a favorite for me. Lyrically, the inspiration for it came from the 1976 sci-fi film 'Logans Run'. Musically, it was inspired by The Ink Spots. They were a fantastic jazz combo from the 1930's. They had this really great songwriting formula. This song is my attempt at using that formula. The original demo sounded a lot more like them. Very minimalistic, and mostly rooted in piano and barbershop harmonies. We ended up dissecting it, and putting back together for the record so it fit better, sonically. I love how it turned out. Lawrence Welk on acid.
CLUSTERHUG
Clusterhug was originally a demo I made for Panic years ago, but it ended up being too weird for them. It doesn't really follow the standard verse/chorus conventions of pop music which I think is why I was always really enamored with it. I brought it into our 'Razz' sessions because I felt like it never really got a proper chance to be heard. I'm glad that everyone on the team got behind it. Clusterhug is just a good song title, too.
SUGAR PILLS
I wrote this song with a really talented musician from Provo, Utah named Stu Maxfield. He is one of those people who can pick up any instrument and have it mastered within a matter of minutes. It's about the placebo effect and wanting things to work despite knowing that they most likely won't. My favorite part of the track is the 'noise solo' in the middle. It's this wonderful moment of absolute chaos that I had edited together out of this myriad of different samples, synths, feedback, and random sounds that I had been collecting for a long time. I feel like this song carries a lot of our 90s influences on its shoulders. Blur, Elastica, or any of that wonderful 90s Britpop, really.
KISS GOODNIGHT
The second song I've written about the night I met my wife. The first being an old Brobecks number called 'Love At First Sight'. While I feel like I've improved somewhat in the song titling department, the sentiment here is the same. It was one of the most impactful nights of my life. Fifteen years later, I'm still writing about the first time we met. It was one of those pivotal moments that change the course of your life. I may write about it some more in the future, who knows?
LIGHTS GO DOWN
One of our earliest recordings. I wrote this with a friend, Jason Hill of Louis XIV. I've been such a huge fan of his band and his work for a long time, so t be able to write a song together was pretty special. The bass on this track was recorded using his vintage Fender Mustang that has over the years, been beaten entirely to hell, but for some reason it has this very unique tone to it that I haven't been able to replicate with anything else. Early on, we were strongly advised by a potential manager to not include the sax solo in this song. We declined to take that advice.
NEED YOU HERE
The silver lining in all this quarantine business is that I've gotten to spend it entirely with my family. In ten years, I haven't been able to be home with them for this long without being interrupted by touring. This song is about those moments on the road when I miss them. Which is a common occurrence. I hope to be able to bring them along with me one day, should shows ever be a thing again. This song took me a while to compose because I could never seem to get past my daughters spoken word bit. I recorded it when she was very little. By the time we got to officially record it, she had grown so much. I wanted to include her again singing the bridge melody to show how quickly time can pass for a parent. I hope I'll be able to get through playing it live one day.
I took a page out of the 'Guided By Voices' playbook for this song, and left it as a single statement that comes in under two minutes. It's brief, but I felt like it carries more impact that way. Rather than forcing it to repeat, I wanted it ton leave early, and hopefully make people want to listen and examine it again.
TOMORROW PEOPLE*
The experimental electronic work of Raymond Scott was the inspiration behind this final transitional track. It's meant to wrap up the fictional narrative behind Tellex.
The title track, and the last to be written and recorded. It felt like a nice closing argument for the album's sounds and themes. I had been stuck on the piano line for months and didn't know where to go with it, but once I took it into the studio, it seemed to start writing itself. Ultimately it's about optimism in the face of isolation, and disillusionment with the dark aspects of Hollywood entertainment business culture. I just wanted to pull back the curtain on it all.
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These eBooks require EBSCO login info. Many more eBooks about business and accounting are available through the Library's EBSCO and other databases.
about business by Rhymer Rigby. London; Philadelphia, PA: Kogan Page, 2011.
The 7 habits of highly effective people: restoring the character ethic by Stephen R. Covey.
Accounting control best practices by Steven M. Bragg.
Accounting control and controlling accounting interdisciplinary and critical perspectives by Jane Broadbent.
Accounting demystified by Jeffry R. Haber. New York: AMACOM, ©2004.
Accounting for value by Stephen H. Penman. New York : Columbia University Press, c2011.
Accounting in emerging economies edited by Mathew Tsamenyi and Shahzad Uddin. Bingley, UK: Emerald, c2009.
Accounting policies and procedures manual a blueprint for running an effective and efficient department by Steven M.
Bragg. Hoboken, N.J. : Wiley, c2007.
Accounting workbook for dummies by John A. Tracy. Hoboken, NJ: Wiley Pub., ©2006.
Aligning Human Resources and Business Strategy by Linda Holbeche. Ed.: Paperback ed. Oxford : Routledge. 2001.
American business leaders: from colonial times to the present by Neil A. Hamilton.
Linda Pinson. Tustin, CA: Out of Your Mind and Into the Marketplace, c2008.
Beyond the Model T: the other ventures of Henry Ford by Ford R. Bryan. Detroit: Wayne State University Press, c1997.
Black firsts: 4,000 ground-breaking and pioneering historical events by Jessie Carney Smith.
intelligence product by Edward J. Cody. Birmingham, UK : Packt Pub., 2010.
Vandana Mangal. Singapore : World Scientific Pub., c2006.
Business continuity & disaster recovery for IT professionals by Susan Snedaker. Burlington, MA : Syngress, c2007.
J. Wiley & Sons, c2009.
contribution, John Zachman. Cupertino, CA: HappyAbout.info, 2006.
Hoboken, N.J.: John Wiley, c2006.
Business the Bill Gates way 10 secrets of the world?s richest business leader by Des Dearlove.
Arch G. Woodside. Bingley, UK: JAI Press, 2009.
Buying and selling a business for wealth by Kevin Uphill. London: Thorogood, c2007.
A call to action : taking back healthcare for future generations by Henry A. McKinnell.
Communicating for results : a guide for business and the professions by Cheryl Hamilton.
Oakland, CA : Berrett-Koehler Publishers. 2016.
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management as a profession by Rakesh Khurana. Princeton: Princeton University Press, c2007.
Selma Myers, and George F. Simons. Amherst, Mass : HRD Press. 2000.
The handbook of project management a practical guide to effective policies, techniques and processes Trevor L.
Young. London : Kogan Page, 2007. Farnham, Surrey, England; Burlington, VT: Gower, c2009.
by George Tesar [et al.]. Singapore: World Scientific, 2008.
The studio business book a guide to professional recording studio business and management by Mitch Gallagher.
Laszlo Tihanyi. Bingley, UK : Emerald, 2010.
business planning by R. Malcolm Schwartz. Morristown, N.J. : Financial Executives Research Foundation, c2006.
Effective small business management : an entrepreneurial approach by Norman M. Scarborough.
The exceptional presenter : a proven formula to open up! and own the room. by Timothy J. Koegel.
How to say it: choice words, phrases, sentences, and paragraphs for every situation by Rosalie Maggio.
The librarian's guide to partnerships.ed. by Sherry Lynch, Shirley Amore, and Jerrie Bethel.
Living rich by spending smart : how to get more of what you really want by Gregory Karp.
Persuasive business proposals : writing to win customers, clients, and contracts by Tom Sant.
Public international law: text, cases, and readings by Ray August. Englewood Cliffs, N.J.: Prentice Hall, c1995.
Sixteen weeks to your dream business : a weekly planner for entrepreneurial women by Nada Jones.
The Starbucks experience: 5 principles for turning ordinary into extraordinary by Joseph A. Michelli.
Vox new college Spanish and English dictionary : English-Spanish/Spanish-English by Carlos F. MacHale.
Your brain at work : strategies for overcoming distraction, regaining focus, and achieving all day long by David Rock.


text:
Brussels metro shut as Belgian capital put on maximum alert
Sat, Nov 21, 2015 - 1:53 PM
A sniper and an observer of Belgian police special forces are seen on a balcony of a building on Brussels Grand Place after security was tightened in Belgium following the fatal attacks in Paris, in Brussels, Belgium, on Nov 20, 2015.
[BRUSSELS] Belgium raised the alert status for its capital Brussels to the highest level on Saturday, shutting the metro and warning the public to avoid crowds because of a "serious and imminent" threat of an attack.
A week after the Paris attacks carried out by Islamic State militants, of whom one suspect from Brussels is at large and said by authorities to be highly dangerous, the city was placed on the top level "four" in the government's threat scale after a meeting of top ministers, police and security services. "The advice for the population is to avoid places where a lot of people come together like shopping centres, concerts, events or public transport stations wherever possible," a spokesman for the government's crisis centre said.
He declined to say what specifically prompted the new alert.
A statement on the centre's website said it had recommended closing the underground rail network until Sunday and the municipal transport authority tweeted that stations on the four main metro lines were closed "by order of the police".
The crisis centre website said it was calling on local authorities to cancel large events, urge people to avoid crowds, postpone soccer matches, close the Brussels metro for the weekend and stepping up the military and police presence.
Early Van Gogh works auctioned in Belgium
Suspected militant Salah Abdeslam, 26, returned home to Brussels from Paris after the attacks, when his elder brother Brahim blew himself up at a cafe.
Fears of the risk he still poses prompted the cancellation last week of an international friendly soccer match in Brussels against Spain. The crisis centre said weekend games in the top two professional divisions should now be postponed.
The alert level for the whole country was raised following the Paris attacks to level three out of four, implying a"possible or probable" threat. Previously, only certain sites, such as the US embassy, were at level three.
Belgium, and its capital in particular, have been at the centre of investigations into the Paris attacks - which included suicide bombers targeting a France-Germany soccer match - after the links to Brussels emerged. Three people detained in Brussels are facing terrorism charges.
French authorities have said the attacks were planned in Brussels by a local man, Abdelhamid Abaaoud, 28, who fought for Islamic State in Syria and was killed in the siege of an apartment in the Paris suburb of St Denis on Wednesday.
Salah Abdeslam, who was from the same neighbourhood and is said by officials to have known Abaaoud in prison, was pulled over three times by French police but not arrested as he was driven back to Brussels early last Saturday by two of the men now in custody. As well as Abdeslam's brother, a second man from Brussels, Bilal Hadfi, was also among the Paris suicide bombers.
The crisis centre spokesman declined to say what had led to the status change because investigations were proceeding. "We cannot give more information... The work of federal prosecutors is still going on," he said, adding the government was assessing what extra security measures to take. Soldiers are already on guard in certain parts of Brussels, including at the institutions of the European Union headquartered in the city.
Brussels is also home to the headquarters of NATO.
The last time any part of the country was put on maximum alert was in May 2014 when a gunman shot dead four people at the Jewish Museum in Brussels. At that time, Jewish schools, synagogues and other institutions were put on level four.
The capital as a whole was last at the level four for about a month at the end of 2007 and the start of 2008, when authorities intercepted a plot to free convicted Tunisian Nizar Trabelsi. Brussels' traditional New Year fireworks display was cancelled.
Trabelsi was sentenced in Belgium in 2003 to 10 years for attempting to blow up a Belgian military base that houses US soldiers. He was extradited to the United States in 2013.
The government's four-level alert system has been in place since 2006.
terror alert


text:
Fire at downtown residence causes $75,000 damage
An early morning house fire in the downtown area caused an estimated $75,000 in damages, but there were no injuries.
Dave Battagello • Windsor Star
Apr 23, 2016 • Last Updated April 24, 2016 • < 1 minute read
Yellow tape surrounds a house at 402 Alymer Ave. after an early morning fire caused extensive damage, Saturday, April 23, 2016. No one was injured in the blaze. Photo by Dax Melmer /Windsor Star
Windsor Fire and Rescue Services reported the fire started at about 3:30 a.m. in the basement of the two-storey home located at 402 Aylmer Avenue.
It took firefighters about an hour to extinguish the blaze.
None of the residents were home at the time of the fire, according to John Lee, spokesman for Windsor Fire.
Cause of the fire is undetermined, according to fire department investigators.
"It looks like it started in the basement and spread in the walls to the rest of the house," Lee said.