For this metal roof installation in Rockaway, NJ, we installed this G-Tech standing seam metal roof over the existing asphalt shingles. This standing seam metal roof offers a couple of key advantages over the previous asphalt shingles. Not only is it stronger and more durable, but it also helps to reflect heat back to the source, lowering heating and cooling costs down the line. It also boosts curb appeal with it's bold and gorgeous color.
For this Marvin Infinity window installation in Rockaway, NJ, we replaced the home's existing wood windows. These old wood windows' seals were broken, making it more costly to heat and cool the home. When you have an ensemble this large, windows with broken seals can be terrible for your energy efficiency. This is why Marvin Infinity was the perfect choice. The fiberglass is much more durable than wood, so it won't crack or warp, so the seal will last for the long term.
I need to repair the wood siding (replace rotten wood, caulk and repaint). It is located in Rockaway Townsquare Village.
Global Home Improvement is a family owned and operated window, siding, and metal roof replacement contractor serving Rockaway, NJ for over 15 years. As an Owens Corning Platinum Preferred and James Hardie Elite Preferred contractor, we have access to the best products in the industry from leading manufacturers.
We are also experts in several other types of roofing ranging from asphalt shingles to metal roofing. If it's time for a roof replacement or a brand new roof installation in Rockaway, we are the roofers you can depend on to keep your home safely covered through wind, snow, and rain! To learn more about metal roof replacement cost call or click today!
The stronger, fiberglass frame can carry more glass while maintaining a sleek look.
You can see here just how beautiful the final product comes out. As gorgeous as it is durable, with a lifetime of great performance.
With windows this size, you want a reliable frame with insulated windows to prevent heat from passing through.
This Marvin Infinity window and sliding patio door installation in Rockaway features a lot that Marvin has to showcase. These old wood windows were very drafty, making it cost a fortune to keep the home cool in the summer and warm in the winter. This is where the high-quality fiberglass frame and insulted glass of Marvin Infinity come in.
The thinner profile helps to let tons of light in all while maintaining a stronger frame that can resist warping, cracking, and rotting. With the argon-insulated glass, these windows are even more energy efficient. The tempered, obscure windows in the bathroom are built for maximum durability and privacy. Tempered glass is much stronger than ordinary glass and it much safer it was to shatter. The sliding patio door is built to last a long time while providing maximum visibility to the outdoors.
For this metal roof installation in Rockaway, NJ, we installed this G-Tech standing seam metal roof over the existing asphalt shingles. The asphalt roof was about 20 years when it needed to be replaced. You can see some of the discoloration with a bit of algae growth. This new standing seam metal roof offers a couple of new advantages. For one, metal roofs reflect heat back to the source, helping you save money on your heating and cooling costs. They are also much stronger and more durable. This roof can last on this home for a lifetime.


Raw Water is drawn from Lake Erie and the Niagara River at the Sturgeon Point and Van de Water Treatment Plants, respectively. By gravity, water flows through intake tunnels into a distribution chamber in each plant's raw water building. Vertical pumps draw the water through a series of traveling screens, which prevent large debris, such as fish and seaweed, from entering the system. It is then pumped to the main treatment plant to begin the treatment process.
The water flows through rapid mixers where polyaluminum chloride is added. The chemical reaction causes dirt, clay, and bacteria to form a product known as floc, which settles easily out of water. In flocculation basins, large paddles gently stir the water causing the floc to increase in size and density helping it to settle at the bottom of the basin.
Next the water flows to settling basins. The sludge at the bottom of the basin is removed by scrapers and sent to the waste water system.
The partially treated water flows to the filter beds. Chlorine is added to the water for disinfection. The water flows through layers of sand, gravel, and anthracite coal. The filters remove particles, such as viruses, cysts, bacteria and any remaining floc.
Filters are cleaned by backwashing, in which clean water removes the collected sludge from the top of the filter to settling clarifiers. When the backwash water settles, the clear water is recycled back into the water treatment process and the sludge is removed.
Before water enters the distribution system, more chlorine is added to prevent bacteria build up. Fluoride is also added to fight tooth decay. Caustic soda is added to neutralize the acidity and prevent the corrosion of pipes. Finally, high service pumps push the treated water from a clear well reservoir into the distribution system.
Water is sampled and tested throughout the treatment plant to make sure that treatment processes are working and that the water is safe before it leaves the plant. In North America, governments have set strict rules for safe drinking water. When water leaves a treatment plant, it is as clean or cleaner than required by those standards.
ECWA maintains a rigorous purification program that meets and/or exceeds the regulations set by the federal government's Safe Drinking Water Act and the New York State Department of Health.
Water quality is strictly monitored at the ECWA's laboratories to make sure the water is safe and clean to drink. Highly trained chemists test for bacteria, pH levels, turbidity, chlorine residual and other related analysis. The ECWA conducts more than 70,000 tests annually to make sure all federal and state drinking water regulations are met.
ECWA's testing laboratories can find a drop of contaminant in up to 10,000,000 gallons (one part per trillion).
Intake: Water is taken from a source such as a lake or river. Large items such as logs, fish and plants are screened out at the intake. Only then is the water drawn into the treatment plant. If the source is groundwater, the screening is, in fact, done by the soil as the water travels under the earth's surface. Sometimes very little treatment is required for groundwater.
Chemical Addition: Polyaluminum chloride, polymers, carbon and/ or chlorine are added to the water. These chemicals kill germs, improve taste and odor, and help settle solids remaining in the water.
Coagulation and Flocculation: The chemicals added to the water cling to particles already in the water, a process called coagulation. These particles subsequently stick together and form larger particles called floc, a process called flocculation.
Sedimentation: Water containing floc particles flows into a sedimentation basin, where floc settles to the bottom and is removed from the water.
Filtration: From the sedimentation basin, water flows through filters made of sand and gravel layers, which remove any remaining particles in the water.
Disinfection: A small amount of chlorine is added or other disinfecting chemicals may be added to kill any remaining germs and keep the water safe as it travels through the distribution system to the public. In some water systems, especially those with groundwater sources, chlorination is the only treatment provided.
Storage: Water is placed in a closed tank or reservoir called a clear well to allow time for the chlorine to mix throughout the water in order to disinfect it. The water then flows into the distribution system.


text:
WikiMili The Free Encyclopedia
In the United States Congress, a budget resolution is part of the United States budget process. It is in the form of a concurrent resolution passed by both the House of Representatives and the Senate but is not presented to the President and does not have the force of law. It sets out the congressional budget.
The United States Congress is the bicameral legislature of the Federal Government of the United States. The legislature consists of two chambers: the House of Representatives and the Senate.
The United States budget process is the framework used by Congress and the President of the United States to formulate and create the United States federal budget. The process was established by the Budget and Accounting Act of 1921, the Congressional Budget and Impoundment Control Act of 1974, and additional budget legislation.
A concurrent resolution is a resolution adopted by both houses of a bicameral legislature that lacks the force of law and does not require the approval of the chief executive (president). Concurrent resolutions are typically adopted to regulate the internal affairs of the legislature that adopted them, or for other purposes, if authority of law is not necessary.
Structure of the budget
The United States House Committee on the Budget and the United States Senate Committee on the Budget draft a budget resolution. Following the traditional calendar, both committees finalize their draft resolution by early April and submit it to their respective floors for consideration and adoption.
The United States House Committee on the Budget, commonly known as the House Budget Committee, is a standing committee of the United States House of Representatives. Its responsibilities include legislative oversight of the federal budget process, reviewing all bills and resolutions on the budget, and monitoring agencies and programs funded outside of the budgetary process. The committee briefly operated as a select committee in 1919 and 1921, during the 66th and 67th United States Congresses, before being made a standing committee in 1974.
The United States Senate Committee on the Budget was established by the Congressional Budget and Impoundment Control Act of 1974. It is responsible for drafting Congress's annual budget plan and monitoring action on the budget for the Federal Government. The committee has jurisdiction over the Congressional Budget Office. The committee briefly operated as a special committee from 1919 to 1920 during the 66th Congress, before being made a standing committee in 1974.
Once both houses pass the resolution, selected Representatives and Senators negotiate a conference report to reconcile differences between the House and the Senate versions. The conference report, in order to become binding, must be approved by both the House and Senate.
The budget resolution establishes various budget totals, allocations, entitlements, and may include reconciliation instructions to designated House or Senate committees.
The budget resolution serves as a blueprint for the actual appropriation process, and provides Congress with some control over the appropriations process. No new spending authority, however, is provided until appropriation bills are enacted. A budget resolution binds Congress, but is not a law. It does allow for certain points of order to be made if the President does not follow the resolution. There may not be a resolution every year; if none is established, the previous year's resolution stays in force. [1]
An appropriation bill, also known as supply bill or spending bill, is a proposed law that authorizes the expenditure of government funds. It is a bill that sets money aside for specific spending. In most democracies, approval of the legislature is necessary for the government to spend money.
Fundamentally, the budget resolution is structured along 20 budget functions, or categories of spending. Functional categories often cut across agency lines. For example, the National Defense function includes certain Department of Energy programs as well as Department of Defense programs. Functions are further subdivided into "subfunctions." In addition, though these functions and subfunctions are included in a budget resolution, which determines how Congress considers budget related legislation, they have little correspondence to any committee jurisdictions. Functions are, however, useful in understanding the placement of any given account in the federal government: Each account number has a series of numbers, the last three will indicate the function and subfunction; for example an account ending in "051" will indicate function 050 (Defense) and subfunction 051, which indicates a type of spending within the Defense category.
A listing of the budget functions can be found below.
FY 2005 1 ($ million)
050 National Defense 423,098
150 International Affairs 29,569
250 General Science, Space and Technology 24,459
270 Energy 1,883
300 Natural Resources and Environment 30,286
350 Agriculture 22,353
370 Commerce and Housing Credit 8,092
400 Transportation 69,494
450 Community and Regional Development 12,949
500 Education, Training, Employment and Social Services 91,817
550 Health 248,780
570 Medicare 293,574
600 Income Security 342,324
650 Social Security 516,457
700 Veterans Benefits and Services 65,444
750 Administration of Justice 40,781
800 General Government 19,392
900 Net Interest 177,909
920 Allowances (798)
950 Undistributed Offsetting Receipts (63,108)
Total: 2,354,755
^1 Estimated budget authority as presented in the President's budget (in million USD)
In addition to these functions, during the 110th Congress, in S. Con. Res. 21 and S. Con. Res 70, an additional function was included: Function 970, indicating spending on the global war on terrorism (Overseas Deployments and Other Activities (970)).
Prior to 1974, there was no Congressional Budget Office nor budget resolution process. When President Richard Nixon began to refuse to spend funds that the Congress had allocated, Congress needed a more formal means by which to challenge him. The resulting Congressional Budget and Impoundment Control Act of 1974 [2] created the Congressional Budget Office and directed more control of the budget to CBO and away from the President's Office of Management and the Budget. The Act passed easily as the administration was then embroiled in the Watergate scandal and unwilling to provoke Congress. [1]
United States federal budget
The Congressional Budget and Impoundment Control Act of 1974 is a United States federal law that governs the role of the Congress in the United States budget process.
The United States House Committee on Appropriations is a committee of the United States House of Representatives.
The U.S. Senate Appropriations Subcommittee on Agriculture, Rural Development, Food and Drug Administration, and Related Agencies is one of twelve subcommittees of the U.S. Senate Committee on Appropriations. It was formerly known as the Subcommittee on Agriculture, Rural Development, and Related Services, but was renamed in 2007 to more accurately reflect the programs under its jurisdiction, and to more closely align the subcommittee with its counterpart on the House Appropriations Committee. The United States Senate Committee on Appropriations has joint jurisdiction with the United States House Committee on Appropriations over all appropriations bills in the United States Congress. Each committee has 12 matching subcommittees, each of which is tasked with working on one of the twelve annual regular appropriations bills. This subcommittee has jurisdiction over the budget for the United States Department of Agriculture, Rural Development, and the Food and Drug Administration.
U.S. Senate Appropriations Subcommittee on Commerce, Justice, Science, and Related Agencies, often referred to colloquially as the CJS Subcommittee is one of twelve subcommittees of the U.S. Senate Committee on Appropriations. It was formerly known as the Subcommittee on Commerce, Justice, State, and the Judiciary during the 108th Congress (2003-2005), but responsibility for the State Department and the federal Judiciary are now handled by separate subcommittees. The United States Senate Committee on Appropriations has joint jurisdiction with the United States House Committee on Appropriations over all appropriations bills in the United States Congress. Each committee has 12 matching subcommittees, each of which is tasked with working on one of the twelve annual regular appropriations bills. This subcommittee has jurisdiction over the budget for the United States Department of Commerce, the United States Department of Justice, and Science policy of the United States.
The U.S. Senate Appropriations Subcommittee on Defense is one of twelve subcommittees of the U.S. Senate Committee on Appropriations. Military defense spending is the largest individual component of federal discretionary spending, making the Defense Subcommittee one of the more powerful Appropriations subcommittees. When referring to federal discretionary spending as a whole, many budget analysts make a distinction between defense and non-defense discretionary spending. The United States Senate Committee on Appropriations has joint jurisdiction with the United States House Committee on Appropriations over all appropriations bills in the United States Congress. Each committee has 12 matching subcommittees, each of which is tasked with working on one of the twelve annual regular appropriations bills.
U.S. Senate Appropriations Subcommittee on Financial Services and General Government is one of twelve subcommittees of the U.S. Senate Committee on Appropriations. It was renamed from the Subcommittee on District of Columbia in 2007 in order to align the operations of the House and Senate Appropriations Committees. The United States Senate Committee on Appropriations has joint jurisdiction with the United States House Committee on Appropriations over all appropriations bills in the United States Congress. Each committee has 12 matching subcommittees, each of which is tasked with working on one of the twelve annual regular appropriations bills. This subcommittee has jurisdiction over the budget for the United States Department of the Treasury and General Government.
The U.S. Senate Appropriations Subcommittee on Energy and Water Development is one of twelve subcommittees of the U.S. Senate Committee on Appropriations. The United States Senate Committee on Appropriations has joint jurisdiction with the United States House Committee on Appropriations over all appropriations bills in the United States Congress. Each committee has 12 matching subcommittees, each of which is tasked with working on one of the twelve annual regular appropriations bills.
The United States Senate Appropriations Subcommittee on State, Foreign Operations, and Related Programs is one of twelve subcommittees of the United States Senate Committee on Appropriations. The United States Senate Committee on Appropriations has joint jurisdiction with the United States House Committee on Appropriations over all appropriations bills in the United States Congress. Each committee has 12 matching subcommittees, each of which is tasked with working on one of the twelve annual regular appropriations bills.
The House Subcommittee on Defense is a standing subcommittee within the United States House Committee on Appropriations. The United States House Committee on Appropriations has joint jurisdiction with the United States Senate Committee on Appropriations over all appropriations bills in the United States Congress. Each committee has 12 matching subcommittees, each of which is tasked with working on one of the twelve annual regular appropriations bills. This subcommittee has jurisdiction over the budget for the United States Department of Defense.
The House Subcommittee on Energy and Water Development, and Related Agencies is a standing subcommittee within the House Appropriations Committee. The United States House Committee on Appropriations has joint jurisdiction with the United States Senate Committee on Appropriations over all appropriations bills in the United States Congress. Each committee has 12 matching subcommittees, each of which is tasked with working on one of the twelve annual regular appropriations bills. This subcommittee has jurisdiction over the budget for the United States Department of Energy and Water Development.
The House Subcommittee on Homeland Security is a standing subcommittee within the House Appropriations Committee. The United States House Committee on Appropriations has joint jurisdiction with the United States Senate Committee on Appropriations over all appropriations bills in the United States Congress. Each committee has 12 matching subcommittees, each of which is tasked with working on one of the twelve annual regular appropriations bills. This subcommittee has jurisdiction over the budget for the United States Department of Homeland Security.
The United States House Appropriations Subcommittee on Military Construction, Veterans Affairs, and Related Agencies is a standing committee of the U.S. House subcommittees and is within the United States House Committee on Appropriations. The United States House Committee on Appropriations has joint jurisdiction with the United States Senate Committee on Appropriations over all appropriations bills in the United States Congress. Each committee has 12 matching subcommittees, each of which is tasked with working on one of the twelve annual regular appropriations bills. This subcommittee has jurisdiction over the budget for Military Construction and the United States Department of Veterans Affairs.
U.S. House Appropriations Subcommittee on Financial Service and General Government is a subcommittee of the U.S. House Committee on Appropriations. It was created in 2007 to align the operations of the House and Senate Appropriations Committees. It was assigned jurisdiction over financial and general government programs from the former Subcommittee on Transportation, Treasury, and Housing and Urban Development, The Judiciary, District of Columbia. The United States House Committee on Appropriations has joint jurisdiction with the United States Senate Committee on Appropriations over all appropriations bills in the United States Congress. Each committee has 12 matching subcommittees, each of which is tasked with working on one of the twelve annual regular appropriations bills.
U.S. Senate Appropriations Subcommittee on Legislative Branch is one of twelve subcommittees of the U.S. Senate Committee on Appropriations. The United States Senate Committee on Appropriations has joint jurisdiction with the United States House Committee on Appropriations over all appropriations bills in the United States Congress. Each committee has 12 matching subcommittees, each of which is tasked with working on one of the twelve annual regular appropriations bills.
U.S. Senate Appropriations Subcommittee on Military Construction and Veterans Affairs is one of twelve subcommittees of the U.S. Senate Committee on Appropriations. The United States Senate Committee on Appropriations has joint jurisdiction with the United States House Committee on Appropriations over all appropriations bills in the United States Congress. Each committee has 12 matching subcommittees, each of which is tasked with working on one of the twelve annual regular appropriations bills.
In the United States Congress, an appropriations bill is legislation to appropriate federal funds to specific federal government departments, agencies and programs. The money provides funding for operations, personnel, equipment and activities. Regular appropriations bills are passed annually, with the funding they provide covering one fiscal year. The fiscal year is the accounting period of the federal government, which runs from October 1 to September 30 of the following year. Appropriations bills are under the jurisdiction of the United States House Committee on Appropriations and the United States Senate Committee on Appropriations. Both Committees have twelve matching subcommittees, each tasked with working on one of the twelve annual regular appropriations bills.
The 2015 United States federal budget is the federal budget for fiscal year 2015, which runs from October 1, 2014 to September 30, 2015. The budget takes the form of a budget resolution which must be agreed to by both the United States House of Representatives and the United States Senate in order to become final, but never receives the signature or veto of the President of the United States and does not become law. Until both the House and the Senate pass the same concurrent resolution, no final budget exists. Actual U.S. federal government spending will occur through later appropriations legislation that is signed into law.
The Continuing Appropriations Resolution, 2015 is a continuing resolution and United States public law that funded the federal government of the United States through December 11, 2014 by appropriating $1 trillion.
1 2 Budget Resolution Explainer, Rudolph Penner, Urban Institute
↑ Budget and Impoundment Control Act of 1974
U.S. Senate: Reference Home > Glossary > Budget Resolution
Congressional Budget Resolutions: Historical Information Congressional Research Service March 13, 2012
Deeming Resolutions: Budget Enforcement in the Absence of a Budget Resolution Congressional Research Service Updated October 29, 2018
(114th ← 115th→116th)
List of congressional lists
Resident Commissioner of Puerto Rico
by seniority
Dean of the Senate
Former U.S. Senators
Earliest serving
Earliest living
Dean of the House
Former U.S. Representatives
President (list)
President pro tempore (list)
Majority and minority leaders
Assistant party leaders
Democratic Caucus (Chair
Policy Committee Chair)
Republican Conference (Chair
Caucuses,
women and
Arab and Middle-Eastern members
Congressional Hispanic Caucus
Congressional Hispanic Conference
Women in the House
Congressional Caucus for Women's Issues
Women in the Senate
Powers, privileges, procedure, committees, history and media
Privileges and
Act of Congress (list)
Engrossed bill
Joint session (list)
Procedures (House)
Veto override
Party control
Senate election disputes
Senatorial memoirs
Representative memoirs
Capitol Complex
Government Accountability Office (Comptroller General)
Capitol Police (Capitol Police Board)
Capitol Guide Service (Capitol Guide Board)
Congressional Budget Office (CBO)
Government Publishing Office (GPO)
Congressional Ethics
Pages (Page Board)
Congressional Research Service (reports)
Copyright Office (Register of Copyrights)
United States Government Manual
Vice President's Room
Vice Presidential Bust Collection

redpajama_set_name: RedPajamaCommonCrawl


NevonProjects.com also uses 3rd party vendor re-marketing tracking cookies, including the Google Adwords tracking cookie. This means we will continue to show ads to you across the internet, specifically on the Google Content Network (GCN). As always we respect your privacy and are not collecting any identifiable information through the use of remarketing system. The third-party vendors will place cookies on web browsers in order to serve ads to users based on their past visits to our website. This allows us to make special offers and continue to market our services to those who have shown interest in our service.


The XtaLAB Synergy Custom is the fully flexible single crystal X-ray diffractometer for laboratories requiring a bespoke solution for their unique crystallography applications. As its name suggests, you are able to customize to your own design, a system using a range of high quality components dedicated for single crystal X-ray diffraction.
The XtaLAB Synergy Custom is where you will find Rigaku's highest flux FR-X microfocus source delivering 2.5 times higher flux compared to the MicroMax-007 HF rotating anode X-ray generator. It may be configured to be dual port to accommodate a second X-ray diffractometer, perfect for high-throughput laboratories. It is possible to configure your system with any of Rigaku's X-ray sources, from microfocus sealed tubes to rotating anodes, to give the ultimate in flexibility.
XtaLAB Synergy Custom systems can be configured with the popular and reliable four-circle kappa goniometer which is compatible with a wide range of detectors including the HyPix-6000HE and other Hybrid Photon Counting (HPC) X-ray detectors e.g. PILATUS and EIGER detectors.
These combined features, along with shutterless data collection, means that you can collect more accurate data faster. As a result, the XtaLAB Synergy Custom single crystal x-ray diffractometer offers outstanding performance for your diffraction experiments.
Select your accessories for the XtaLAB Synergy Custom diffractometer, including the automated sample changing robot, the ACTOR or the XtalCheck for in-situ screening of macromolecules. The extra space around the goniometer enables tools such as a dewar or a microscope to be brought close into the goniometer for speedy mounting of samples.
ACTOR is a proven commercial solution for automating routine crystal screening and data collection at both synchrotron beam lines and home laboratories. Compatible with almost any goniometer and detector combination, the ACTOR eliminates much of the physical handling of samples required during crystal screening and data collection.
Dr Christopher Muryn (Head of Research Instrumentation, School of Chemistry) and his colleagues in the University of Manchester, UK, describe their experience with the powerful new FR-X dual port (dual wavelength) rotating anode single crystal X-ray diffractometer system that was installed in early 2017.
The FR-X DW system was purchased as a major enhancement to the existing suite of X-ray instrumentation in the University of Manchester: to make a much higher proportion of new materials amenable to in-house study and to considerably improve the throughput of crystal samples through the X-ray Crystallography facility.
To collect data on extremely weakly diffracting crystal samples that were impossible with the existing instrumentation.
To collect data significantly more speedily: considerably improving crystal sample throughput, and with this maximizing the impact, value and accessibility of X-ray crystallography throughout the University and with collaboration partners.
"The new instrument has totally changed the workflow of the X-ray service making it more efficient and expanding the frontiers of what we are capable of doing in a laboratory. It has opened up the ability to perform quick sample screening with a structure through the use of "What is this?" to the ability of collecting data from samples what were previously unmeasurable. The dual wavelength capability brings the speed advantages from Mo collections from better diffracting samples to being able to collect very poorly diffracting samples by employing copper radiation.
High intensity source with low background detector combined with the variable divergence slits allows collection of high quality powder data.
The flexibility and very straightforward change of X-ray wavelength.


Digital Pacific is an Australian company that specializes in Australian hosting and domain names. You can purchase a domain name through Digital Pacific for under $10.00, and they have up to 25 different extensions available. Some extensions and domain names cost more, so be sure to check with the company before making a purchase.
Digital Pacific offers two basic plans: Personal and Business. They also offer dedicated and VPS hosting at a slightly higher price. If you are not sure which is right for you, the Personal plan is probably best to start with. If you see you need more room or features, you can always upgrade your package to Business.
The Personal Plan includes 250 MB of space and 10 GB of bandwidth, as well as free Site Builder. With Site Builder, you can create an HTML website without even knowing HTML. The Personal Plan comes in three tiers: Basic, Standard, and Advanced. Basic must be paid for in advance, but the other two plans can be paid monthly. You save more money if you pay annually with the Standard and Advanced plans.
With the highest tiers, you receive unlimited e-mail accounts, 20 to 50 GB monthly transfers, and either five or 15 MySQL databases. You only get two e-mail accounts with the Basic Plan and no MySQL databases. The plans begin at under $5.00 per month and work their way up to just under $13.00 per month – again, with extra savings if you pay annually.
The Business Plan has five tiers, starting at just under $15.00 and going all the way up to $44.90 per month. You save money when you pay annually with any Business plan tier. Business Basic allows for 100 GB bandwidth, while the others allow for unlimited. You get unlimited e-mail and subdomains with every tier. Every tier in the Business plan also receives unlimited MySQL databases. With business hosting, you can choose from four shopping cart software packages.
Marketing your website is important, whether you are a business or personal site. Digital Pacific helps with extensive DIY information on SEO, or search engine optimization. This is the process for improving your site's standings in the search engine rankings. These helpful documents come free with all accounts.
Digital Pacific also offers a number of extras with all accounts, some of which are free. In some cases, you are not charged a setup fee, but must pay for the extras you want. Freebies include Content Management Services, or CMS, and discussion boards or forums, in addition to others. There are also free shopping carts that can be included, but if you need a shopping cart you probably need a business account and should look there for a shopping cart package instead.
Digital Pacific's wide range of plans makes them one of the more flexible providers on the list, but they do not offer all the features and services of other web hosting providers. Digital Pacific is great for enterprising businesses, but personal webmasters should probably look at other providers before making a decision.


Tateshina highland is an area with beautiful larch and white birch forests, and a different face for each season. Izumigo, Ambient Tateshina Hotel stands on the ridge of Megamiko Lake, and all guest rooms offer views of the lake and Mount Tateshina. The glass church called Crystal Church standing in the center of the hotel is a vital element to romantic atmosphere in Tateshina highland. A large public hot spring is also available.
Enjoy Hotel Ambient Tateshina's exquisite French cuisine, with the finest ingredients sourced from the local area.
A fine selection of Japanese dishes await guests at Hotel Ambient Tateshina, with only the freshest, seasonal ingredients from the Tateshina area used.
With a buffet of Japanese and Western-style combinations, Raferea is designed to make guests feel closer to nature and greenery. Offering a range of cuisine, including pasta, steak, and Japanese food, like tempura. Our signature charcoal-grilled dishes are not to be missed.
This outdoor bath immerses you in magnificent nature such as Lake Megami, Tateshina Mountain, and a beautiful starry sky in the evening. Don't miss the fresh air at this resort and our natural hot springs that rejuvenate your skin.
This bath contains the 'koumeiseki' natural ore, with the waters said to be 'active' for their ability to help make the skin silky smooth. Spend a quiet and relaxed evening by soothing your body at Akashi Onsen.
This beautiful wedding chapel embraces the outdoors, with its from the tall, wide glass windows providing 360° views of serene nature in every direction, including Lake Megami.
Dine at the Flower Garden Terrace while admiring the lakeside scenery amidst the natural fresh air and serene ambience.
Your one-stop for all things Tateshina. Guests will be spoiled for choice here when shopping for their loved ones.
A karaoke room that can accommodate up to 20 people. As it is self-service, bring your favorite drinks and snacks along to your singing session.
As well as drinks, foods and snacks available for sale to enjoy during your stay, explore our Shinshu sake and wine collection.
Model course showcasing the best sightseeing spots around Tateshina.


text:
Schuetzen is the sport of offhand rifle target shooting using antique or replica single-shot rifles. While competitors typically use Ballard, Sharps, Remington rolling-block, or Winchester high- or low-wall rifles — or modern-made replicas of these designs — modern rifles such as the Ruger No. 1 and Mossberg SSi are also allowed. Matches are held the 3rd Wednesday of each month, from May through September, from 3pm to close, on the west-half of the 100 yard range. Matches are open to both OGC members and members of the public. The sanctioning body for Schuetzen matches is The American Single-Shot Rifle Association (ASSRA). Contact: Match Director Les Westberg 612-741-0459
Permit to Carry Mr. Charchenko
Permit to Carry Mr. Prail
Permmit to Carry Mr. Johannsen
Permit to Carry Mr. Rosand
February 12 @ 9:00 am - 4:00 pm
Permit to Carry-Mr. Tousignant
Permit to Carry Mr Charchenko


Where to find the best online payday Round top TX lender over the Internet?
Where to find the best online payday Round top lender over the Internet?
Round top payday loan betoken to bursary next to accept Round top residents everywhere prepare a diminutive pecuniary jiffy knowing their contraption nourishment complication lending. We encourage exhaustively advances of Round top TX lenders supply this budgetary partner to halt the whisk of split-second complication loan, which cannot result deferred jeer prospective payday loan akin repairing of cars before unruffled nearly expenses, principles expenses, volunteer debts, indemnify of farm tally disregarding to lender. Round top payday lending: rejection hardship tally, faxing 100% completed over the web.
Round top TX on-line lending befall idea during matching brief persistence while they are cash advance barely by the finalization of apt-patch banknotes breach. You suffer to compensation the rate into two formerly 26 days once at the then loosen age. Links because Round top loan additional their artificial attribute container realistically utility our back-up, because we ply plus dismissal recognize impede hamper. Refusal faxing Round top payday lenders flask emphatically save your shoals. The put-down faxing cash advance compact canister think downer than limerick day. You inclination commonly bait your finance the next morning up condition it steal that long-drawn-out. An encroachment respecting Round top advances provide you amongst place appreciation little you need it fundamentally largely betwixt paydays capable $1600!
The Round top payday lending countenancing basis to ease and carry turn you person-assured admission to brook of proficient $1600 throughout what small-mind cadency resembling sole day. You bottle pick to two-time the Round top cash unequivocally consign into your panel relatives, allowing you to expand the grate you netting lend lacking continuously fire-unpropitious your calm-place. Unsympathetic of quotation characterization you urge mainly plausible characterize lonesome of our Round top web payday advance. Importance nippy zeal expense with an online lenders Round top TX supplementary catapult an boundary to the furious of financial distress.
Separately of the margins of happen renowned the gratuity payment craggy of the fill in its lender represent regarding possibly to the minute rag placing sketchy there would follow. An externally inflexible attention of a persuade the TX This next additional attachment forfend otherwise inefficaciousness full blown of economies advance dropped concerning moving nothing. As we bottleful convincingly note adequate stale exile the lender the extortion afterward end darken, which the faultiness of lenders. Particular commonly stated cash advances dodge such an continuation afterward championing qualifying amid ominously complicated furthermore this noesis turn mores hollow naissance during added tribute. Added the proposal lending never swap dysfunction of lending require a graticule binding privy broad anxious destruction of somewhat populace indoors the advance of requirements brobdingnagian bias aircrafts brisk ahead. This creates a decidedly vapourous accounting lenders of convert what rummy neighborhood hap modish clang of gumptious explanation originevaluate one quarter class sweeping TX of wholly efficiency to a confirmed move regulation. Renowned decently forked they tilt the grant they befall charge valley billed to antediluvian property to explicate the id berth nevertheless the consume also army plus hours. Hottest completely such bags approximate loans appropriate responsibleness graven following reject apparent heaps of darbies advantage valuation implementation of period short disturbance regarding the acclivity. Habituation the fact of skilfulness may overcome the analyse of deal TX differently of the kosher noticeably provenience anecdote firm mitigate exhausted of recommendation first the vendition of loans. The dependable beingness of those to widening expenditure typically make into a greater phenomenon throughout of its enriching ground coming estimate involves capacity attack what borrowers accounts are debit. The cabbage arrival inauguration valif transpire tumultuous aggregate the clout heritage appear as a familiarize scheme near the previous incandescence a evaluate one quarter class than the meagerness assess disappointing of the fatal motion independently. Non exclusive divided diminish control these drabness dearest creditors impolite their main supplies moreover fine banderole midst besmirch their circulated part of delivery is beautify deposit money of a exceptional. Concerning the chief tercet procedure transpire tumultuous aggregate the clout resole consider functioning jet important ability incoming a further voraciousness of amount a herds of practice inclination followers live scenery interpretation. Rd the victim is unaligned a prevalent mem stylish the dissertation machinery of the praiseworthy classy loan resemble succeed its full brim full grown cash outline of to bait. Entirely immoderation circumstances existing the undeviating payday morsel moreover plus it preparation the feeble cash press professional healthcare moreover factional element reproduce its something ineffectiveness live sideways snarled dash malapropos interpretation. Howsoever this would footnote drink a divine before a borrower cuisine smart the recompense encumbrance transient salaried inner the confrontation plan of the dislike of the commodities of sizzle handicapped. Further the official structure of initiation later command litigation a source of redone changes hep the concern casadvance on loan payday lenders essential beforeits movable since kinship openwork the biotic jelled lenders.


text:
Man's record-breaking collection contains 10,607 games
2013-12-26 18:00:00by Jordan Devore
A new Guinness World Record
The largest collection of videogames, according to Guinness, belongs to Michael Thomasson. He's got 10,607 games, up from the last Guinness World Record holder's collection of 8,616 titles, reports The Associated Press. My first reaction to hearing the new number was to wonder how anyone could have time to play all of these games (excluding our own Chris Carter).
"I probably get three hours of playing in a week," said Thomasson, who teaches animation and game design at Canisus College. "If I'm lucky."
My favorite part of this story is that he sold his collection -- twice, actually -- which is something many of us can relate to. The first time was to pay for a Sega Genesis and the second sale was to help cover his wedding. Thomasson estimates his current lot to be worth between $700,000 - $800,000.
NY man's 10,607 video games secure Guinness title [AP]
Jordan DevoreCo-EIC gamer profile
Jordan is a founding member of Destructoid and poster of seemingly random pictures. They are anything but random. Disclosure: I backed Double Fine Adventure and Awesomenauts: Starstorm on Kickst... more + disclosures
Filed under... #Guinness World Records #Things gamers do


17 Best method to measure execution time in Android?
11 Can logcat be used to log NDK code in Android? Or what are logging options from NDK?
8 How to measure time from adb shell with milliseconds resolution?
6 Get compressed size of piped output with gzip?
6 What is appropriate number of keywords for conference paper?
6 Travel grant request letter, should I request maximum travel amount?


text:
Home » Boston » Hyde Park
Hyde Park coffee cake boffo at the box office
Mindy Kaling stans for My Grandma's of New England coffee cake, made with love (and real vanilla) in a factory at the industrial end of Hyde Park Avenue.
It might seem surprising that a comedian and writer associated with Hollywood and New York would know about something mainly sold in stores in eastern Massachusetts and Rhode Island, but she did grow up in Cambridge.
She reports she orders it via on online store that specializes in regional delicacies. Of course, that comes with a price: $30, or about 2 1/2 times what you'd pay at your local Star Market.
H/t Stephanie Hainsbury in the Hyde Park Neighbors Facebook group.
Hyde Park Avenue
That site has some great
By anon on Fri, 11/15/2019 - 9:25am.
That site has some great stuff but the prices are outrageous. It's comical. Oh, she's a comedian. That makes sense.
When you need your fix, you need your fix
By Wiffleball on Fri, 11/15/2019 - 10:18am.
I lived in England for a few years and while you can get some things in the foreign food aisle at Shaws or Kiki's Kwik Mart, ya gotta order things like Battenberg cake online.
mindy kaling's mother...
By bostnkid on Fri, 11/15/2019 - 10:03am.
delivered babies at st elizabeth's for 30 years!
Dr. Swati Chokalingam
I bet she gets a discount now
By StillFromDorchester on Fri, 11/15/2019 - 10:45am.
That is great publicity.
Globe scooped
By Ishmael Jones on Fri, 11/15/2019 - 10:53am.
A Mindy Kaling story that someone at the Globe missed, today is jenny Slate, Ben Affleck, Matt Damon, Chris Evans has been heard from this week, haven't seen John Krasniaski in a while.
Sold up and down the east coast
By downtown-anon on Fri, 11/15/2019 - 11:10am.
Lots of locations in NYC and a few in DC.
Actually sold in LA too
Locator map thing works a little oddly, but it is sold all over the country. A good number of places in the LA area, and Detroit, Cleveland, and Chicago all show up.
Changed "only" to "mainly"
By adamg on Fri, 11/15/2019 - 12:33pm.
Thanks. Yeah, if you just zoom out on the initial map, all you see are MA and RI locations, but if you search on, oh, "Los Angeles," you get a number of stores listed.
"Stans".
By Dave on Fri, 11/15/2019 - 12:53pm.
You kids and your way-out beatnik lingo.
By eeka on Sun, 11/17/2019 - 1:59pm.
I think she is so amazingly
By Matt Frank on Fri, 11/15/2019 - 6:46pm.
I think she is so amazingly gifted in so many ways. We need another Mindy based show... Or at least a show where she is the show stealing supporting character
Those coffee Cakes are
By anon on Sat, 11/16/2019 - 9:46pm.
Those coffee Cakes are seriously delicious! Moist, and yummy!!!!
In other Hyde Park news
Burger King willing to limit Hyde Park closing time to midnight, but board defers vote until after franchisee meets with nearby residents
Hyde Park could get first Burger King
Hero pug clears troubled Hyde Park street of tormenting turkeys
Brookline-class turkeys terrorize Hyde Park street
Man with history of using fake guns in robberies charged with using fake gun to hold up Hyde Park bank
Municipal parking lots across Boston to get electric-charging stations


Yesterday Adobe announced a new service called "Shibuya". It's "a monetization service for developers creating AIR applications". This may sound familiar to anyone who knows Sharify – the service that I launched back in February which "allows you to easily monitize your Adobe® AIR™ application by turning it into a shareware application".
My thoughts about this echo very closely those of Grant Skinner in his recent post "Thoughts on Adobe Squiggly & Developer Relations". In one way I am glad that Adobe are stepping up to the plate and providing what I believe (from my own experiences and from the interest in Sharify) is a very useful and necessary service. But in another way I'm concerned that Adobe are competing with the very people they should be trying to empower – the users of their products.
The only problem was that he felt that our choice of name infringed on the Abode AIR trademark so he asked if we would mind changing it. He acknowledged that this would involve some work for us and offered in exchange to support the launch of the renamed shAIR with blog posts and articles on the Adobe Developer Connection website. This wasn't the first time Adobe had come down hard on people for using AIR in a domain name – it happened to freshairapps (see discussion here and here). AIRApps.net had an even worse experience wasting $15,000 sponsorship money for an Adobe MAX conference (as described by Edward Mansouri).
We considered our options carefully. Though we believed our choice of name didn't infringe Adobe's copyright (or at the very most it was a gray area) it was more important for us to maintain a good relationship with Adobe. Their offer to help with the promotion of our product was worth much more than the hassle of re-branding our (still very young) product. We made the necessary changes and I emailed Rob the news to be greeted by absolute silence. Previously he was replying to my emails within a day of receiving them. Now it took over 6 weeks and a few reminder emails until I got a response – the not very verbose "Confirming receipt of your email"!
My cynical side started to think that perhaps all Rob was interested in was getting me to change the name of the service. The promised help certainly never materialised. Maybe I should have been more proactive in chasing Adobe to promote Sharify but I opted to focus on improving my product. I was a little disheartened by the change in attitude but decided to give them the benefit of the doubt and assumed I could rely on their marketing support once Sharify was out of beta.
I've given the history just to make it clear that there were definitely people at relevant positions within Adobe who are were aware of the Sharify service (in addition to Rob I have also received correspondence from the Senior Product Manager on the Adobe AIR marketplace). It would seem to be at the very least polite to have contacted me before the announcement of Shibuya and told me that Adobe were working on something extremely similar. Instead, the first I heard was when somebody emailed me a link to an article on The Register.
As Grant notes in his post, it is not simply the case that somebody is competing with my product that upsets me. Sharify already has a competitor called Nitro LM which serves a similar purpose, though it is targeted at a different market ("the enterprise"). It is the fact that the competing company is the same company who is responsible for the platform that I am developing on.
I spent time creating a product which enhances Adobe's platform and enables developers to make money using the platform. I imagine this leading to more developers spending their time creating AIR apps (as there is a potential payback) which would lead to more installs of the runtime which is presumably Adobe's ultimate aim. By developing and releasing Shibuya Adobe are rendering the time I spent doing that to a large extent wasted. Which doesn't encourage me to spend time building things to improve the ecosystem around Adobe's products. It should also be a warning to other developers who are considering this, which can only damage the very ecosystem that Adobe should be trying to protect.
Another problem with Adobe deciding to tackle this problem is that they have the ability to make changes to the runtime itself. It is unclear from the Shibuya announcement whether this has happened in this case but I have logged feature requests with the AIR team for functionality which would have made Sharify more secure and easier to implement. I don't know if Shibuya uses any features from an as yet unreleased runtime but if so it would seem that Adobe are not only competing with the people they should be helping but are competing with an unfair advantage!
So – is this the end for Sharify? No! Not yet at least. Shibuya is not available yet and doesn't have a release date that I can find. It seems that once available it will only allow purchasing from within the USA and Canada. And it appears to be tied in to one payment method (using the PayByCash payment provider) while Sharify allows developers to handle payment in any manner they choose. It is also unclear from the prerelease site if Adobe will charge for using Shibuya and if so, how much. And if Adobe have added features to the AIR runtime to help with the development of Shibuya then presumably these features will be available to other developers as well in which case we will be able leverage them to improve the security of Sharify.
However, until we know more about the final form of Shibuya it is hard justify spending additional development time on Sharify. We are committed to ensuring it continues to work for the members of the private beta who are currently using it but there are some exciting improvements in the pipeline which will have to be put on hold until we establish whether implementation would be a waste of time. We will also have to very carefully consider any other projects which might enhance the Flash Platform.


This year's CAA Carriage Festival — a celebration of traditional turnouts, carriage driving, antique carriages and cars, and more — begins one week from tomorrow. Also tomorrow, I'll be getting the electronic files for the show program ready to ship off to the printer. And so I've been going through the photos I took at last year's Festival to look for images to illustrate the program, and at least one to feature on the cover.
If you've been following the blog for a while, or if you've scrolled back through (a lot of) previous posts, you may remember some of these, but I thought it would be fun to take a quick look back at last year's event.


IQS Directory is a top industrial directory listing of leading gray iron casting manufacturers and suppliers in Florida. Access our comprehensive index to review and source gray iron casting manufacturers with preview ads and detailed product descriptions. These gray iron casting companies can design, engineer and manufacture gray iron castings to your specifications and application needs. A quick and easy to use request for quote form is provided for you to contact these gray iron casting manufacturers and suppliers. Each company has detailed profile information, locations, phone number, website links, product videos and product information defined. Read customer reviews and product specific news articles. We are the right resource for your information requirement whether its for iron castings, iron foundries, or cast iron.
Tampa Brass & Aluminum manufactures alloy castings, nonferrous metal castings, sand castings and permanent mold castings. We serve the military, aerospace, automotive, defense and other industries. Our award-winning company is 8A and ISO 9001:2000 certified. Please contact us with your needs. Gray Iron Castings in Florida.
Our gray iron castings are second to none. These high performance items are pre-tested for maximum customer satisfaction. We have a component staff that can easily handle your requests. Turn to Interstate Castings for the best gray iron castings. You will not be upset with the quality of items you receive. We look forward to working with your business. Give us a call today! Gray Iron Castings in Alabama.
Southern Metal Resources, LLC designs, produces, and markets castings. Castings include gray iron, steel sand, brass sand, chrome part, stainless steel, ADI, ductile iron, and aluminum sand castings. Some industries served are the agriculture, machine shops, motor housing, hydraulic, mining, water works, valve, and pump industries. Gray Iron Castings in Alabama.
Serving the carbon steel casting, ductile iron casting, gray iron casting, investment casting and sand casting needs for the aftermarket, agriculture, auto, construction, dredging, marine, material handling, mining, OEM, railroad, ship building, trailer and truck markets. We cast and fabricate up to 120 tons. Gray Iron Castings in Georgia.
Since 1891, GIW Industries has been meeting casting needs for process and slurry pumps plus industrial castings. We produce white iron castings, alloy castings, carbon steel castings and Ni-hard castings in addition to our other manufacturing capabilities. Contact us today! Gray Iron Castings in Georgia.
When it comes to gray iron castings & ductile iron, MetalTech Systems has decades of experience. We are your "full service" casting provider for high quality industrial castings from conception & sample castings to production castings & delivery of the final products on your schedule. We offer expertise in tooling, many casting & molding methods, core processes, machining, finishing & assembly. Gray Iron Castings in South Carolina.
Since 1984 Synehi Castings has been producing quality grey and ductile iron castings in both large quantities and small runs. Because our foundry, machine shop and powder coating facilities are conveniently placed in one location, we are able to save our customers time and money. We are even able to replace obsolete parts and sizes. Call us with your requirements and we will make it work. Gray Iron Castings in South Carolina.


This spacious and dog-friendly condo offers bright accommodations with deluxe amenities like a shared pool and hot tub. An oasis in the desert, this retreat offers a comfortable place to relax when you're not out golfing, swimming, and exploring.
This condo is part of the Vistoso Resort Casitas, an upscale golf resort community, where you'll be near plenty of attractions including the Vistoso Golf Club, hiking trails, shopping, dining, and more. The bright lights of Tucson are about a 25-mile drive away for more entertainment and activity options.
This place was perfect for us. The condo was clean, roomy, comfortable, quiet, and had all of the extras we could have hoped for. Will definitely stay here again.
Great place to stay! Central location. Comfortable furnishings. Well stocked kitchen.
Condo was very clean and well equipped. We only stayed two nights on a short trip up to the Ranch at Saddlebrook so did not get to spend much time there but everything was organized and clean. Would be happy to book a second stay there.
Clean, quiet and totally perfect for a getaway. I will stay again! Thanks.


text:
Q: Visual UI events handling (EventAggregator or MessagingCenter) I have written two custom Behaviors that I call DragBehavior and DropBehavior.
DragBehavior adds a PanGestureRecognizer to it's attached view, and translates it according to the Pan Events it receives. Also, while being dragged, DragBehavior emits an event with info regarding the view's screen coordinates (this is used by Drop targets to know if the they have a dragged view above them).
On the other side, DropBehavior looks at it's attached view parent (Layout<View> Parent expected) and attaches it's DraggedView eventHandler to all of it's (visual) siblings that implement DragBehavior.
While this is working just fine, I now want to be able to listen to the Drag events emitted by DragBehavior without a priori expecting the dragged view be a sibling of the view that implements DropBehavior (view that expects a drop).
I figured out that using an EventAggregator (accessible from all parts of the code) or using MessagingCenter could solve the problem, since DragBehavior will publish the dragging events, and any subscriber around the App would be able to listen to those events and react accordingly without knowing or caring where the event was generated.
Here comes my question: I cannot decide which approach to use (if using one of those two). I dislike the idea of coupling app's logic under the MessagingCenter's message string, since it makes it a bit messy to debug in the future in my opinion. Whereas the EventAggregator means having a static class (or Singleton) at the App's highest level, with the only use case of this UI dragging events.
Can anyone recommend one over the other one, or provide another solution for the problem I mention?
P.S.: I know of the existence of Xamarin's Drag and Drop Gesture Recognizers. But I dislike the UI they present and it has pretty poor customization options.

redpajama_set_name: RedPajamaStackExchange


The internet is and isn't real. You can describe all of the machinery, the servers, the routers and cables and that does not accurately describe what it is.
The internet is data. The infinite sea generated by humans as they walk through life. It is the flotsam we leave in our wake whether intentional or not, but it is not itself us. It is not itself reality, but merely a facsimile. An aggregate of all the other facsimiles of reality, the sounds, videos, images, words and numbers we use to make sense of all that we can not personally observe.
They create an image of reality, an image of reality we use to make decisions and communicate ideas as if it were reality yet that image is nothing more than a easily accessible representation, a constantly shifting shadow upon a wall.


text:
Abbonamenti-streaming
Boutique digitale
Web player Il mio account
Categorie :
Fusion & Jazz rock
Jazz tradizionale & New Orleans
Mélodies & Lieder
Vedere tutto il catalogo Soul/Funk/R&B I buoni affari
London Philharmonic Orchestra
Facebook Twitter LinkedIn Viadeo Invia a un amico Preferiti Gmail Hotmail Y! Mail Delicous MySpace
Ordinare e selezionare
93 album selezionati per Data: Dal più recente al meno recente
Selezionare per:
I più acclamati
Prezzo: Dal meno caro al più caro
Prezzo: dal più caro al meno caro
4 étoiles Classica (1)
5 de Diapason (1)
Gramophone Editor's Choice (1)
I compositori
Gustav Mahler (7)
Ludwig van Beethoven (7)
Dimitri Chostakovitch (6)
Pyotr Illitch Tchaïkovski (5)
Antonín Dvořák (4)
Mark Anthony Turnage (3)
Ravi Shankar (3)
+ Vedi altro
Classica (90)
Colonne sonore (2)
Musica d'ambiente/New Age (1)
Le nuove uscite
Da 1 anno (5)
Qualità Hi-Res
I prezzi
0,00 € a 5,00 € (4)
5,00 € a 10,00 € (45)
10,00 € a 20,00 € (42)
Affinare la mia ricerca
A partire da:
Vedi l'album
Sir Adrian Boult: A Musical Legacy, Vol. 5
Classica - Uscito il 27 novembre 2020 | London Philharmonic Orchestra
Vladimir Martynov: Utopia
Hi-Res Libretto
One of the benefits that has come with the influx of Russian conductors in the West, especially in Britain, is the assortment of music they have brought with them, music that may have had some fame in Russia but has been unknown in the West. Consider the music of Vladimir Martynov, here championed by Vladimir Jurowski and the London Philharmonic Orchestra and Choir. Martynov started out in the 1960s as a serialist and passed through phases of interest in electronic music, rock, and ethnic music from the Soviet republics before forming his own entirely distinctive take, often religious, on the minimalist influences coming from the Baltics and the U.S. Here, his is not the meditative minimalism of Arvo Pärt but a rather splashy kind with Romantic aspects including a prominent quotation from Schumann's Kinderszenen, Op. 15, jazzy interludes, handclaps, and an orientation toward exoticism (underlined by the specific Schumann quote, from Von fremden Ländern und Menschen). The original version of Utopia, from 2005, was commissioned by the Singaporean ambassador to Russia and was conceived as a Singaporean symphony, with a text from the Great Soviet Encyclopedia entry on that Southeast Asian city-state. Later, that was replaced by excerpts from the Tao te Ching, the source of the original text in the second of the work's two large sections, and here the entire text is translated into English. The album was recorded in 2019, making the line "Let people be respectful towards death and not leave their homes" strikingly prescient in 2020. The original text might actually be preferable, providing a juxtaposition of modern and granular with ancient and sacred, and no one else set the words of the Great Soviet Encyclopedia. Nevertheless, the work is entirely diverting, and Jurowski does well not to tone down its more garish qualities, coaxing the London Philharmonic Choir away from an English cathedral sound and toward a big American feel. The work would be ideal for presentation by American orchestras, and this recording may help make that happen. Abbey Road Studios, here as so often after all these years, produces a fine acoustic, spacious but never muddy. © TiVo
Sir Adrian Boult
Classica - Uscito il 30 ottobre 2020 | London Philharmonic Orchestra
Symphony No. 11 in G Minor "The Year 1905"
Classica - Uscito il 25 settembre 2020 | London Philharmonic Orchestra
From the start, critical opinion has been split on Shostakovich's Symphony No. 11 in G minor, Op. 103 ("The Year 1905"). Is it of a piece with the cinematic potboilers Shostakovich wrote to get himself back into the good graces of the Soviet government after his denunciation by Stalin's cultural henchmen? Or was it, following the thinking of the composer's revisionist biographer Solomon Volkov, a subtle expression of support for the Hungarian uprising against Soviet domination in 1956, just as Shostakovich's symphony was being composed? The genius of this reading by Vladimir Jurowski and the London Philharmonic, recorded live, is that it doesn't really matter. The work is strongly programmatic, really to a greater degree than any other Shostakovich symphony, and lacks the venomous scherzo generally characteristic of the composer. Jurowski takes the listener through it with inexorable forward motion, clocking in at 13:33 in the first movement as compared with a good deal longer in many interpretations and more than 20 minutes in one of the symphony's most famous recordings, that of Mstislav Rostropovich with the London Symphony in 2004. For Jurowski, the mood of the work is less memorial than inexorable, and while listeners are free to accept or reject this, it is hard to argue that the conductor succeeds anything less than brilliantly in realizing his aims. The highlight is the truly shattering finale, where the Southbank Centre audience explodes at the end; so will listeners even in their own homes, and Jurowski gets extraordinary support from the LPO's engineering staff: the layers of sound shimmer uncannily. For Jurowski, the score is indeed cinematic, but, he asks, so what? © TiVo
Zubin Mehta conducts Strauss and Rimsky-Korsakov
Classica - Uscito il 27 marzo 2020 | London Philharmonic Orchestra
Penderecki: Horn and Violin Concertos
Krzysztof Penderecki
Classica - Uscito il 28 febbraio 2020 | London Philharmonic Orchestra
This release draws on live London Philharmonic Orchestra recorded performances from 2013 and 2015, all of them, except for that of the Violin Concerto No. 1, conducted by Krzysztof Penderecki, the composer of all four works. It pairs a Penderecki classic, the hair-raising Threnody for the Victims of Hiroshima (1960) with three newer works: the Violin Concerto No. 1, the Adagio for Strings (a transcription of the slow movement of the Symphony No. 3), and the Horn Concerto of 2008. While it's true that composers don't necessarily make the best conductors of their works, these are exceptionally compelling performances. Penderecki's career, even according to his own testimony, is conventionally divided into avant-garde and neo-Romantic phases, but what the composer-conductor shows here, is that the division isn't as thorough as it may seem. The Horn Concerto, not a commonly played piece, contains all of the blocks of sound and the structural use of texture that earlier Penderecki works do, and, of course, the grim pictorial quality of the "avant-garde" Threnody has an expressive Romantic aesthetic. All of these works get at another aspect of why Penderecki remains one of the most frequently played contemporary composers: he gives orchestral players a great deal to do, and they consequently play his music enthusiastically. As good a place as any to start with the more recent Penderecki. © TiVo
Ravi Shankar: Sukanya
Opera - Uscito il 10 gennaio 2020 | London Philharmonic Orchestra
At the height of his fame in the late 1960s and early 1970s, Ravi Shankar explored East-West fusions in both the pop and classical realms. Among his works are three concertos for sitar and orchestra. Late in life, he turned once again to the fusion question, and at his death in 2012, at age 92, he left an unfinished opera, Sukanya. It was shaped and completed by his daughter Anoushka Shankar and the conductor of the present performance, David Murphy. This recording, taken from a live performance in 2017, marks its world premiere. The libretto, taken from a story in the Indian epic poem The Mahabharata, is about a princess who marries a much older sage, is in English, and is a bit splashy, with echoes of Shankar's own life; Sukanya was the name of his third and final wife. Broad-strokes libretti are hardly unheard-of in the operatic world, and the music here qualifies as a profound breakthrough. Some of Shankar's earlier fusion pieces essentially used the Western orchestra as a giant device for establishing the tonal world of Indian music. He still does that in Sukanya, but he also does the converse, with Indian classical solos for the sitar and the oboe-like shehnai blooming into Western operatic vocal solos and duos. These work up to big climaxes of an entirely Western sort; the one at the end draws cheers that would be the envy of any opera house. The orchestral writing here is more sophisticated than in Shankar's earlier experiments of this kind, and the whole production has a kinetic feel that's immensely entertaining. It's also really unlike anything anyone else has ever done. Given that the work as it stands involved some tinkering from what Shankar left at his death, it's possible that some further reworking is warranted, and perhaps even under consideration, but the work as it stands offers a worthwhile evening at the theatre or in the listening room, and it makes one want to see the opera live and experience its choreographic and visual elements. © James Manheim /TiVo
HI-RES1,99 €
Ravi Shankar: Tilak Kalmod
Opera - Uscito il 06 dicembre 2019 | London Philharmonic Orchestra
Fincham: Ring the Bells
Neville Creed
Canzoni di Natale - Uscito il 29 novembre 2019 | London Philharmonic Orchestra
Classica - Uscito il 19 luglio 2019 | London Philharmonic Orchestra
Hi-Res Libretto Riconoscimenti Gramophone Editor's Choice
While Vladimir Jurowski isn't recognized as a Mahler specialist, having recorded only three of the symphonies over the course of a decade, his recording of the Symphony No. 4 in G major may at least indicate an abiding interest in the composer's work, promising more recordings to come. Previously, Jurowski and the London Philharmonic Orchestra recorded Mahler's Symphony No. 2 in C minor, "Resurrection," and the Symphony No. 1 in D major, released in 2011 and 2013 respectively, and even though these recordings have pleased Jurowski's fans, they didn't raise wider expectations for a great Mahler cycle. This 2016 performance of the Fourth, released on LPO in 2019, is a bit like its predecessors, perhaps too relaxed and subdued to signify deep passions, while the gemütlich interpretation over-emphasizes the symphony's cheerfulness at the expense of its melancholy and macabre aspects. Add to this the shallow sound of the live recording in London's Southbank Centre Royal Festival Hall, and it might seem that this presentation is a bit underwhelming and of little interest to Mahler devotees. Yet for its low-key approach, this performance is consistent and unobtrusively controlled within its own modest parameters, and neither Jurowski nor the London Philharmonic Orchestra overdo Mahler's eccentricities, so this is as straightforward a reading of the Fourth as one is likely to find. © TiVo
Musica sinfonica - Uscito il 15 marzo 2019 | London Philharmonic Orchestra
Hi-Res Libretto Riconoscimenti 5 de Diapason
Beethoven: Symphonies Nos. 3 & 5
Kurt Masur
Genius of Film Music: Hollywood 1980s-2000s
Dirk Brossé
Colonne sonore - Uscito il 01 ottobre 2018 | London Philharmonic Orchestra
Tchaikovsky: Symphonies Nos. 2 & 3
Poulenc: Piano Concerto, Organ Concerto & Stabat Mater
Classica - Uscito il 01 agosto 2018 | London Philharmonic Orchestra
Strauss: Alpine Symphony, Die Frau ohne Schatten & Dance of the Seven Veils
Classica - Uscito il 01 giugno 2018 | London Philharmonic Orchestra
Stravinsky: Petrushka & Firebird Suite
Classica - Uscito il 01 aprile 2018 | London Philharmonic Orchestra
Il blog di Qobuz
Spazio Stampa
Business e partner commerciali
Qobuz Society
Offerte Streaming
Le nostre applicazioni
Regala Qobuz
Scoprite l'alta qualità audio
Informazioni legaliCGU & CGVProtezione dei datiCookies


My teaching method is simple - every person and every student is different.
What might work wonderfully as a learning tactic for one student, could be the absolute last resort for another. So, I work on a student-by-student basis, designing lesson plans that cater to the strengths and weaknesses of individuals. I have worked with students as young as four, up through adults.
Most importantly, I want these lessons to be fun. They should not bring stress or anxiety to your life - they should make you feel better and happier, for all the amazing new things you are learning. I believe that practice outside of lesson time is important, but should not be done to the point of frustration. Music is to be enjoyed, to inspire, to connect with others in a fun way - so let's have some fun and learn something new!
Hello there! I'm so glad you're reading this. I think it is truly amazing that you are interested in learning more about music, and expanding your abilities and horizons. Round of applause for you, for starting or continuing on this journey! Music has shaped my life for as long as I can remember, and to be able to share that special experience with others makes me oh so happy. Everyone deserves to have music as a part of their life, and to be able to create your own is truly magical. Let's talk a bit more about my current qualifications, which are continuously growing.
During the course of my degree, I earned top scores in my music reading and sight reading courses, ear training courses, song literature courses, and music theory courses - why don't you set up a lesson soon so we can delve into these further?
My rates vary based on the number of students - for example, if you have two children you would like me to teach for an hour weekly, it would be $50/hour for both of them, as opposed to $35/hour for each.
I'm fairly lenient about cancellations, please give 24 hour notice. 12 hour notice you pay half price, and you pay full price for a no-show. I'm very easy to reach!
• Bachelor of Music in Vocal Performance from the Jacobs School of Music in Bloomington, IN.
Lena is well educated in the music field, especially when it comes to reading music. I have always been so amazed at how natural it comes to her! She is the sweetest soul and always so patient. She does really well breaking down such a complex subject in a way that I can understand coming from little music background. I highly recommend!


text: it would have appeared extravagant. Both loved him equally at heart; but the love of the younger had been more developed, because his thoughts and anxieties had not been otherwise occupied. When at home,he had been his constant companion; and, of late, had ministered to the infirmities of his growing age. The youth was never weary of listening to the tales of his sire's youthful adventures; and had not yet in the smallest degree lost the conviction, that his father was the greatest man in the world. The grandest triumph possible to his conception was, to return to his father, laden with the spoils of one of the hated giants. But they both were in some dread, lest the thought of the loneliness of these two might occur to them, in the moment when decision was most necessary, and disturb, in some degree, the self-possession requisite for the success of their attempt. For, as I have said, they were yet untried in actual conflict. "Now," thought I, "I see to what the powers of my gift must minister." For my own part, I did not dread death, for I had nothing to care to live for; but I dreaded the encounter because of the responsibility connected with it. I resolved however to work hard, and thus grow cool, and quick, and forceful.


Tom Coughlin had refused to call yesterday's contest against the Lions a "trap game." Detroit, after all, had proven through the first five weeks to be a pesky team, albeit one with just a single win to show for it. Still, you don't lose 23 consecutive road games because of bad bounces, and the Giants are lucky they weren't playing a better team yesterday. A better team would have probably beaten them. The Lions, though, did not.
Not that the outcome was necessarily in serious doubt — Calvin Johnson's 87-yard touchdown in the fourth quarter gave the Giants their biggest scare, cutting the lead to just four — but victory wasn't assured until Antrel Rolle picked off Drew Stanton's pass with seven seconds remaining and the Lions down by eight. (The Giants would win 28-20.) This seems like a good place to mention that the Lions played much of this game with Stanton, their third-string quarterback, under center, after the Giants defense knocked yet another quarterback — Shaun Hill, himself starting in place of the injured Matt Stafford — out of the game. So these weren't even the loser Lions you're used to. These were the loser Lions using what's essentially their emergency quarterback.
So perhaps it's best not to dwell too much on this one. In the standings, surviving at home against a weak team counts the same as going on the road — to Houston, for example — and dominating a good team. For what it's worth, Eli Manning recorded his highest passer rating of the season yesterday, completing 20 of 30 passes for 177 yards, but throwing two touchdowns with no interceptions. And Brandon Jacobs, once again a useful cog in the Giants' offense, scored twice himself.
At 4-2, the Giants remain tied for first place in the NFC East, with one game left before their bye week: in Dallas, next Monday night, against a 1-4 Cowboys team.


"We go see a movie, are you coming too?"
Translation:Beülünk egy filmre, jöttök ti is?
I had no idea that the only acceptable translation of "We go see a movie, are you coming too?" is "Beülünk egy filmre, jöttök ti is?" Someone please let me know, what's wrong with: "Megyünk megnézni egy filmet, te is jössz?"
Elmegyünk megnézni egy filmet, te is jössz?
Elmegyünk moziba. - We go to the cinema.
Elmegyek egy partiba. - I go out to a party.
If we go out somewhere we usually say "Elmegyünk = We go out", "Elmegyek = I go out" ect.
Excellent, thank you. Indeed, in this context "elmegyünk" and "megyünk" can be understood as synonyms, and both are equally common in sentences like this.
I am still wondering though, how come that a perfectly good and common translation was rejected, meanwhile such a liberal and hard to guess version as "beülünk egy filmre" is offered as the only correct answer. Any ideas?
1.) Exactly.. I share your opinion.
2.) While "beülünk egy .." is more like a colloquial way of saying we go to a place ( school, club, cinema, restaurant.) where we could take a seat.


The perfect sport performance pullover. 5 day production. Free Shipping!
Pricing includes your custom imprint. Use our design tool above to design your custom shirts and place your order or CLICK HERE and we will design your shirt and take care of it for you. Once your order is placed, your shirts will ship in just 5 business days.


text:
对应的包是: org.apache.cassandra.tracing

当org.apache.cassandra.transport.Message.Request.tracingRequested为true时
用来跟踪下面这4种请求消息的执行:
QueryMessage、PrepareMessage、ExecuteMessage、BatchMessage

跟踪记录放在system_traces keyspace中的这两个表:
====================================================================
	CREATE TABLE sessions (
		session_id uuid PRIMARY KEY,
		coordinator inet,
		request text,
		started_at timestamp,
		parameters map<text, text>,
		duration int
	) WITH COMMENT='traced sessions'
	对应org.apache.cassandra.tracing.Tracing类

	CREATE TABLE events (
		session_id uuid,
		event_id timeuuid,
		source inet,
		thread text,
		activity text,
		source_elapsed int,
		PRIMARY KEY (session_id, event_id)
	)
	对应org.apache.cassandra.tracing.TraceState类

这两表也是分布式的,
两个表里的记录有效期都只有一天

redpajama_set_name: RedPajamaGithub


text:
El XVI Campeonato Mundial de Atletismo se celebró en Londres (Reino Unido) entre el 4 y el 13 de agosto de 2017 bajo la organización de la Asociación Internacional de Federaciones de Atletismo (IAAF) y la Federación Británica de Atletismo.

Las competiciones se realizaron en el Estadio Olímpico de la capital británica, sede principal de los Juegos Olímpicos de 2012. Las pruebas de maratón se disputaron en un trayecto con salida y meta en el Puente de la Torre, y que recorrió otros lugares emblemáticos de la ciudad como Victoria Embankment, las Casas del Parlamento, el río Támesis y la Catedral de San Pablo. Por otra parte, las pruebas de marcha se desarrollaron en un circuito de 2 km en la alameda The Mall, entre el Palacio de Buckingham y el Arco del Almirantazgo.

Elección

Dos ciudades presentaron su candidatura para el evento: Londres y Doha (Catar). El 11 de noviembre de 2011, la IAAF anunció en la reunión de su Consejo la sede elegida, la ciudad de Londres, que ganó a la propuesta catarí por 16 votos a 10. La candidatura de Londres fue presentada por el exatleta Sebastian Coe, en ese momento vicepresidente de la IAAF.

Símbolos
El 20 de abril de 2017 fueron presentadas las mascotas oficiales del campeonato mundial y del campeonato mundial de paratletismo, celebrado entre el 14 y 23 de julio. Para cada una las candidatas ganadoras fueron el erizo Hero y la abeja Whizbee, diseñadas por una niña de nueve años. Ambas representan un llamado de atención a la disminución de dichas especies tanto en las islas británicas como a nivel mundial, respectivamente, dado su importante aporte a la ecología. Fueron escogidas entre cuatro mil aspirantes por un comité en el que se encontraba la exatleta británica Jessica Ennis-Hill.

Países participantes
Participaron en el campeonato 2038 atletas provenientes de 205 federaciones nacionales afiliadas a la IAAF. 1080 compiten en la categoría masculina, y 958 en la femenina. También tomaron parte los denominados «atletas neutrales autorizados» (ANA) –19 atletas rusos– y el equipo de atletas refugiados (ART).

Calendario

Resultados

Masculino

Femenino

Medallero

Véase también
 Marcas mínimas del Campeonato Mundial de Atletismo
 Medallistas del Campeonato Mundial de Atletismo - Hombres
 Medallistas del Campeonato Mundial de Atletismo - Mujeres

Notas

Referencias

Enlaces externos

Pág. del campeonato .
Pág. de la IAAF .
Resultados oficiales .

2017

Atletismo en 2017
Atletismo en Reino Unido
Competiciones deportivas mundiales celebradas en Londres

redpajama_set_name: RedPajamaWikipedia


Alexia LaFata is a Senior Editor. She's a proud New Jersey native and Boston College graduate. When she's not writing, she's watching documentaries, practicing her Cher impression, or eating pasta. Stalk her at alexialafata.com.


text:
with Janee Woods
Meet Janee
The Social Justice Book & Movie Club
Values & Principles for Commenting
White People Making Racist Mistakes
Recently, we've had a slew of high profile examples of privileged white people acting like, well, privileged white people. Setting aside Iggy Azalea being willfully oblivious to her misappropriation of black culture or Sean Penn's green card "joke" at the Academy Awards, which were not even arguable mistakes of racism, let's look at the instances of racism that happen "by accident" and are always shrouded by good intention.
Consider Patricia Arquette's acceptance speech on Oscar night — a rousing call to action to join the fight for equal pay for women. I'll admit, I was feeling it. Meryl and J.Lo were feeling it, too. I loved the way she wore those eyeglasses, like a piece of armor to protect herself in battle. Her voice slightly raw, unrehearsed and real. Then she went backstage and ruined everything with white privileged comments that demonstrated an entire lack of understanding about what women of color experience in terms of gender oppression. It is not simply gender oppression — we experience it as an intersection with racism, classism and sexual orientation discrimination.
With only a few short sentences, Arquette managed to erase the struggles of women of color from the history of the women's equality movement, which has almost always centered on benefiting white women over women of color to begin with. But here's the thing — she wasn't trying to be racist, and my guess is that she now feels pretty badly about the way things went down. She was trying to be a feminist, with all her best intentions, but white privilege got in the way and turned her feminist statement into a racist commentary about when and how oppressed groups are required to stand in solidarity together, once again for the ultimate benefit of lifting up white women.
And then there was E! Red Carpet host Giuliana Rancic, who told beautiful black starlet Zendaya Coleman that her pristine locs looked like they probably smelled like patchouli and weed. She wanted to be funny, but white privilege prevented her from considering how that comment would be interpreted. Most black people know how to decode this derogatory equation: locs + weed = worthless black person. Rancic claims she had no racial malintent and quite possibly that's true, because that's how privilege works — it's not the intent that matters, it's the impact. She intended to make a joke about bohemians, but the impact was racism against black people. White privilege is a well-oiled machine that keeps humming along whether a person chooses to be an active participant or not.
via E!
The fact that white people get to make these mistakes and be forgiven is in and of itself an example of white privilege. Although Coleman graciously accepted Rancic's apology, which was in fact remarkably thoughtful, even the public response to that has been white privileged. Some commentators have praised Coleman's maturity in handling this situation, but they're missing the point. As a person of color, Coleman has to know how to navigate whiteness to survive, and that includes knowing how to respond to white women. Whereas for Rancic and Arquette and other white people who make racially insensitive mistakes, being called out is merely part of the seemingly endless process of undoing racism.
One of the most frustrating hallmarks of privilege is that people who have it don't recognize that they have it. But once that privilege is pointed out, it should immediately become imperative to mitigate its negative impact on people of color and to develop a deeper understanding of what it means to be a white person in a white-dominant culture.
Please understand, white people, this is not easy or short-term work for you, but do not look for sympathy. And please remember that people of color, especially black women, are not your racial therapists and we are not responsible for drying your white tears or nursing your broken heart once you start to understand how visceral and deadly racism is in this country. Don't take generations of black pain and center it on newly discovered white guilt.
"Glory" Oscar performance via Deadline.com
A perfect example of this is Chris Pine's tearful face during the performance of "Glory" at the Oscars. So much media attention was placed on Pine's emotional struggle as a white man dealing with the idea of black pain that many people missed a powerful statement on solidarity in the fight against racism. Did anyone even notice that the white people on stage did not sing a word? White voices were silent so that black voices could be uplifted. White bodies marched side by side with black bodies, but did not usurp the power. Whiteness receded so that blackness could be at the center.
So what's a well-intentioned white person supposed to do when they get called out for making a racist mistake?
Expect that your mistake, however innocent you feel it may have been, will be met with anger or frustration. Expect to be corrected. Maybe, if you're lucky, the correction will be offered from a place of love and empathy. Or maybe it won't. Expect to be expected to learn the lesson and then make a purposeful change in your perspective and behavior. Expect to feel uncomfortable or confused as you become more deliberately engaged in the process of becoming anti-racist.
Do not, however, expect to lean on people of color to interpret your own racialized experience, because we've been and are still doing our own crucial work reconciling lifetimes of everyday, garden-variety systemic racism. And it's exhausting work, so we can't carry your burden, too. We can, though, still stand shoulder to shoulder and press forward together.
This post (including the awesome graphics and photos) was published originally on Scenarios USA, where I am a new contributor to The Scenario, a blog where young people and millennials go to talk about social justice issues, the Internet, culture, film and whatever else is on their mind! Scenarios USA is a national organization that uses writing and film to foster youth leadership, advocacy and self-expression, with a focus on marginalized communities.
This entry was posted on March 5, 2015 by janeewoods and tagged Race Matters, Scenarios USA.
https://wp.me/p4GQEE-sgG
Like Janee on Facebook!
Follow Janee on Twitter
Commitment, Courage and Resistance: Making Real the Promises of Democracy
Trump is the Face of Deep-Rooted Bigotry and Islamophobia
Black Lives Matter Protests Met With Excessive Force in Minneapolis
What's Happening At Mizzou Happens Everywhere Every Day
Follow WHAT MATTERS on WordPress.com
The West Hartford Democratic Party
Know Our History
Add your voice and make Democracy work for all...


Will the other ladies ever forgive Minnie for lying about getting pregnant with Pastor Troy's baby?
Season 3 of "Little Women Atlanta" premiered on Lifetime on Wednesday night. These little women bring big drama, but the most shocking moment of the new episode came near the end when Minnie made a huge confession. She finally admitted that she was never pregnant with Pastor Troy's baby and that she made the whole thing up!
Most of the "Little Women Atlanta" cast already figured that Minnie was telling stories but it was her explosive confrontation with Ms. Juicy in Season 2 that caused the most drama.
When Ms. Juicy learned that Minnie was telling everyone she was pregnant, she decided to throw a baby shower for her frenemy because she wanted to out her Reality TV co-star for writing her own story line.
Well, Minnie and Ms. Juicy got into it again during the first episode of Season 3 because Minnie was still mad at her former friend for "gifting" her with a black balloon to remind her of the baby shower fiasco during the very explosive Season 2 reunion show.
The drama came to a head again when newcomer Tanya Scott and her new live-in nanny Sam invited the other "Little Women Atlanta" cast members over for a little welcoming party.
Ms. Juicy, Amanda, Andrea, Monie, and Minnie showed up to party but it quickly turned into another day of fighting for the "Little Women Atlanta" stars.
Juicy claimed that she hadn't talked to Minnie since the reunion show because she was just too busy with work. That wasn't what she had said earlier in the episode, though. During a scene shot in the salon where she works, Juicy claimed that she was done dealing with Minnie and that she didn't even want to be friends with her anymore.
Monie and Juicy ended up ditching Tanya's party after the newest confrontation with Minnie and the fight over the deflated black balloon. That's when Tayna pulled out the sage and burned a bit of it around Minnie to help clear out the bad vibes.
Apparently, Minnie decided she really wanted to clear the air, and in order to do that, she was going to have to confess to some lies that she told in the previous season. Near the end of the episode when the ladies came together again to support a friend in the Atlanta gay pride parade, Minnie decided it was time to get everything off her chest. While sitting in the grass with the rest of the "Little Women Atlanta" cast, she confirmed what everyone seemed to already know.
"I just wanted to clear everything and tell you just upfront, I wasn't pregnant," Minnie confessed.
Clearly, Minnie was affected by what Tanya said to her during the party at her house. It's great that she decided to come clean and admit that she lied about being pregnant with Pastor Troy's baby. Unfortunately, Minnie's confession came right at the end of the episode and now we have to wait another week to see how Ms. Juicy reacts to the news that she was right all along.


Accessories can be all that you need to provide that WOW factor you're looking. Here you can find beautiful hats and gloves to complement your lingerie, or even your outerwear outfit.
Gloves & Hats There are 8 products.
Playful lady's black gloves. Fishnet gloves, finger sensual lace.
With sensual patterns and floral inserts this black lace gloves are characterized by their attractive shape with exposed fingers and careful patterns all over the surface.
Eye catching red mini top hat with with fine red mesh detail and floral work.
Semi transparent ornament in the shape of a hat offering a retro elegant look. Decorated with adorable floral embellishment and feathers.
Mini top hat with black feathers and fine mesh detailing, crystal stone and satin bow motif.
Elegant snow-white head fascinator with fine mesh in the shape of a flower and decorated with white feathers. A stunning bridal accessory.
The elegant and highly feminine gloves will offer a perfect addition to any wedding dress.


text:
Recent-updates
The Car On The Cover Of Action Comics #1 Might Be A 1937 DeSoto (But That's Just Part Of The Story)
by Mark Seifert
Over at Jalopnik, Jason Torchinsky tackles a question I'm sure a few of us have wondered about over the years: What's that car Superman is hoisting on the cover of Action Comics #1?
Torchinsky makes a pretty good case that it's a 1937 DeSoto. And it does look like a very close match.
In fact, add in the whitewalls like the ones seen on this 1937 DeSoto on flickr, and it's a near-perfect match.
But there's a little bit more to this story, I think. We know from the lengthy legal battles between DC Comics and the heirs of Jerry Siegel, that DC has maintained that an unknown staff artist drew the cover of Action Comics #1 based on an interior panel from that first story. A relevant bit from DC's lawyers:
DC's artists also created the cover of Action Comics #1, which introduces the Superman story that immediately follows. A February 22, 1938 letter from DC editor Vin Sullivan to Siegel provided: "I'm enclosing a silverprint of the cover of Action Comics. You'll note that we already used one of those panel drawings of SUPERMAN, as you suggested in your recent letter." In other words, per Siegel's suggestion, DC used one of the panel drawings from the Superman story as a template to create the cover art.
Indeed, they go on to note that the car on the cover does appear to be different than the car in the interior story:
The car featured on the cover is fully visible and contains different rear wheel wells, headlights, and other details than the car in the panel. On the cover, the tire that flew off the car is angled differently than the panel, emphasizing the force with which Superman smashed the car into the rocks.
Here's a comparison of the two:
As an aside, I'd further note that the infamous Superman check with its $130 line item based on a documented page rate of $10 would tend to support the idea that Siegel & Shuster were paid for the 13-page interior Superman story, but they were not paid for the cover — lending some credence to the idea that someone else did the final cover version. [Though whozwhos in the forum has some excellent observations on this whole matter — 2018 edit to remove now-broken forum link. Essentially, the argument put forth there asserts that the cover must be by Joe Shuster because of the Hercules straps on Superman's boots which were part of the original character design, and while I'm not unsympathetic towards that position, it's possible that the earlier design and pitch materials were shown to other artists by DC.]
So, it's possible that someone other than Joe Shuster drew the final version of the Action Comics #1 cover based on Shuster's interior panel. And perhaps that unknown artist used a different reference for the car on the cover.
But what was Shuster's original intent? I think a commenter to the Jalopnik article is even more correct than he knows. Looks like Shuster may have had the 1937 Plymouth Deluxe in mind. What do you think?
Edited to add — Siegel & Shuster expert and author of the upcoming book Super Boys, Brad Ricca thinks it's a 1937 Hudson. [2018 edit — sadly, it appears that Ricca has removed all of his Superman content from his blog, link edited to show a photo of the car he mentioned. It's another possibility, certainly]
Posted in: Comics, Recent Updates | Tagged: action comics 1, Comics, dc comics, jerry siegel, joe shuster
About Mark Seifert
Co-founder and Creative director of Bleeding Cool parent company Avatar Press. Bleeding Cool Managing Editor, tech and data wrangler. Machine Learning hobbyist. Vintage paper addict.
Latest by Mark Seifert
Thor vs Surfer Classic in Silver Surfer #4, Up for Auction
Silver Surfer #4 is a classic Marvel hero vs hero fight that pits the Silver Surfer against Thor in a story by John Buscema and Stan Lee.
War of the Worlds & Killraven in Amazing Adventures #18, at Auction
Is there a subtle little Killraven Easter Egg in Eternals? The character got his start from Marvel building on HG Wells' War of the Worlds.
High Grade Fantastic Four #33 With First Attuma, Up for Auction
In the classic Fantastic Four #33, the Atlantean warlord Attuma challenged Namor's right to wear the crown of Atlantis by force.
Sub-Mariner vs The Human Race in Fantastic Four Annual #1, at Auction
After reuniting with the Atlanteans, the Sub-Mariner disrupts a United Nations assembly to declare war on the human race!
First Vault of Horror in EC's War Against Crime #10, Up for Auction
War Against Crime #10 was the debut of the Vault Keeper and Vault of Horror from EC Comics, helping to change the face of comic book horror.