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Play On Shakespeare
Hitz Foundation
Festival Playbills
Program: Pericles
THE PLAY ON FESTIVAL
at Classic Stage Company's Lynn F Angelson Theater
In a modern verse translation
by Ellen McLaughlin
Directed by: Lisa Rothe
Dramaturg: Alan Armstrong
Stage Manager: Shana Ferguson
Assistant Stage Manager: Nathan Andrew Riley
Casting: Ada Karamanyan
Sound Design and Original Music by: Matt Callahan
Allison Strickland
Dionyza, Thaisa
Benjamin Bonenfant
First Lord, First Gentleman, Second Fisherman, Second Knight, Second Pirate
Bianca Leigh
Lychorida, Bawd, Diana
Blake Russell
Second Lord, Third Fisherman, Third Knight, Third Pirate, Second Gentleman, Lord
Brooke Parks
Gower, Cerimon
David Ryan Smith
Genesis Oliver
Cleon, Marshal, Thaliard
Jeff Biehl
Antiochus, Simonides, Pandar
Michael Gabriel Goodfriend
Leonine, Lysimachus
Nat Cassidy
Messenger, First Fisherman, First Knight, First Pirate, Bolt, Sailor, Servant, Lord
Nemuna Ceesay
Daughter, Marina
Patrice Johnson Chevannes
Helicanus, Ship's Master, Philemon
There will be one 15-minute intermission.
A short talkback with members of the creative team will take place immediately following the reading.
Originally commissioned by Oregon Shakespeare Festival as part of Play on! 36 playwrights translate Shakespeare.
The Play On Festival is supported by a generous grant from the Hitz Foundation.
All performers in this production are members of Actors' Equity Association, the Union of Professional Actors and Stage Managers in the United States. The use of any recording device, either audio or video, and the taking of photographs, either with or without flash, is strictly prohibited. Please turn off all electronic devices such as cellular phones, beepers, and watches. The use of cellular phones in the theater is prohibited by New York City law.
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Ellen McLaughlin
Ellen McLaughlin is an award-winning playwright and actor. Her plays include...
Ellen McLaughlin is an award-winning playwright and actor. Her plays include Tongue of a Bird, A Narrow Bed, Iphigenia and Other Daughters, Trojan Women, Infinity's House, Helen, The Persians, Oedipus, Ajax in Iraq, Kissing the Floor, Septimus and Clarissa, Pericles and Penelope. Her work has been performed in New York Off-Broadway and regionally as well as overseas. Producers include The Public Theater, National Actors' Theater, Classic Stage Co., New York Theater Workshop, The Guthrie, The Intiman, The Mark Taper Forum, Oregon Shakespeare Festival, Actors' Theater of Louisville, and The Almeida Theater in London. Among her honors are the Susan Smith Blackburn Prize and the Lila Wallace Reader's Digest Writer's Award. Her Trojan Women was nominated for a 2017 Drama Desk Award for Best Adaptation.
She has taught playwrighting at Barnard College since 1995. Other teaching posts include Princeton University and Yale School of Drama.
As an actor, she is most well known for having originated the part of the Angel in Tony Kushner's Angels in America, appearing in all workshops and productions of the play through its Broadway original run.
Lisa Rothe
Lisa Rothe is a NYC-based freelance theater director, coach and educator,...
Lisa Rothe is a NYC-based freelance theater director, coach and educator, and is currently the Interim Director of New Works at Kansas City Repertory Theatre. Her most recent directing work has been seen at Indiana Repertory Theatre, Cincinnati Playhouse, Virginia Repertory Theatre, Irish Repertory Theatre and at the Tony award winning TheatreWorks/Silicon Valley; and her award-winning production of HOLD THESE TRUTHS by Jeanne Sakata, starring Joel de la Fuente, has toured all over the country. Future: HOLD THESE TRUTHS (Barrington Stages & The Cultch/Vancouver); CAT ON A HOT TIN ROOF (KC Rep); STEEL MAGNOLIAS (Guthrie Theatre); FUN HOME (KC Rep). Lisa is a co-Artistic Director of The Actor's Center in NYC, a recent co-President of the League of Professional Theatre Women, a Usual Suspect with New York Theatre Workshop, member of the National Theater Conference, an Artistic Affiliate and former Audrey Fellow with New Georges, a former Fox Fellow, and a Drama League alum. She was also the Director of Global Exchange at The Lark for over five years, providing expanded opportunities for playwrights, aimed at advancing new plays to production, both nationally and globally. MFA: NYU Graduate Acting & Director's Lab. www.lisarothe.com
Alan Armstrong
Dramaturg, Pericles
Alan Armstrong was the founding director of the Southern Oregon University...
Alan Armstrong was the founding director of the Southern Oregon University Center for Shakespeare Studies, working in collaboration with the Oregon Shakespeare Festival to make performance more central to Shakespeare teaching and scholarship. He led twelve NEH national Shakespeare institutes for school teachers and served as a senior scholar for NEH institutes for college and university professors at Shakespeare's Globe (London) and the American Shakespeare Center. He is currently research dramaturg for the Oregon Shakespeare Festival's 2017 productions of Henry IV, Part One and Henry IV, Part Two, and 2018 production of Henry V.
Dr. Armstrong studies both original and contemporary staging of Shakespeare's plays. His most recent work includes a book of interviews entitled Oregon Shakespeare Festival Actors: Telling the Story; an essay discovering textual evidence for the doubling of Egeon and Dr. Pinch in original performances of The Comedy of Errors; and an article on "Actors as Evidence: Building a Character." For many years, he also co-edited the international journal Literature and History and reviewed OSF productions for Shakespeare Bulletin.
Armstrong earned his Ph.D. in Renaissance literature from Cornell University, where he was a Woodrow Wilson Fellow. He has been the recipient of a Leverhulme Fellowship (University of Southampton, U.K.) and ACLS research grant (Bodleian Library, University of Oxford), and has taught also at Hamilton and Kirkland Colleges, the Georgia Institute of Technology, and the Mary Baldwin University/American Shakespeare Center's graduate program in Shakespeare and Performance.
Armstrong has been production dramaturg for eight OSF Shakespeare plays: King John; Coriolanus; Henry VIII; Hamlet; Henry IV, Parts One and Two; Henry V; and Pericles. He was also dramaturg for OSF's world premiere production of Great Expectations and literary consultant for its production of Wit.
Alan is working on Pericles – Click here for more details!
Plays: All's Well That Ends Well; Antony and Cleopatra;...
Plays: All's Well That Ends Well; Antony and Cleopatra; As You Like It; The Comedy of Errors; Coriolanus; Cymbeline; Edward III; Hamlet; Henry IV, Parts One and Two; Henry V; Henry VI, Parts One, Two and Three; Henry VIII; Julius Caesar; King John; King Lear; Love's Labor's Lost; Macbeth; Measure for Measure; The Merchant of Venice; The Merry Wives of Windsor; A Midsummer Night's Dream; Much Ado about Nothing; Othello; Pericles, Prince of Tyre; Richard II; Richard III; Romeo and Juliet; The Taming of the Shrew; The Tempest; Timon of Athens; Titus Andronicus; Troilus and Cressida; Twelfth Night; The Two Gentlemen of Verona; The Two Noble Kinsmen; The Winter's Tale.
Poems: "Venus and Adonis," "The Rape of Lucrece," "The Phoenix and the Turtle," Sonnets (154).
Allison Strickland is a performer and visual artist with a focus on where...
Allison Strickland is a performer and visual artist with a focus on where Spirituality, Creativity, and Healing meet. She has worked at several regional theatres including Syracuse Stage, Seattle Rep, and Seattle Shakespeare Company. This past fall her visual work was presented in a Swan Feather produced evening to honor "Strength in Spirit" with proceeds going to the New London public school lunch system. She is a believer that Art is Medicine and that we are ALL creators. allisonstrickland.co and healingtheartist.co
Benjamin Bonenfant is based in New York City and most recently appeared as...
Benjamin Bonenfant is based in New York City and most recently appeared as Octavius in Julius Caesar at Theatre For A New Audience. New York credits also include Robin in The Heart of Robin Hood and Aumerle in Richard II at Hudson Valley Shakespeare Festival. In two seasons at the Oregon Shakespeare Festival: Great Expectations, Hamlet, Julius Caesar, and Mary Zimmerman's The Odyssey. Regional: Denver Center (Hamlet, Benediction, A Christmas Carol, When We Are Married); Colorado Shakespeare Festival, 5 seasons (Henry V, Wittenberg, Henry IV parts 1 & 2, Merry Wives of Windsor, The Tempest, Romeo and Juliet, The Inspector General, Comedy of Errors, Taming of the Shrew, King Lear, Much Ado About Nothing); Arvada Center (The Lion In Winter); Boulder Ensemble (Ambition Facing West, And The Sun Stood Still); Curious Theatre (Red, Colorado Theatre Guild "Henry Award," Best Supporting Actor); Colorado Springs Fine Arts Center (4000 Miles); and TheatreWorks (Love's Labour's Lost, Salome, The Seagull, The Bacchae, Our Town, As You Like It. TV: "Bull." He has a BA from University of Colorado at Colorado Springs. Represented by KMR Talent.
Bianca Leigh Theatre: Waxy Bush in MTC's THE NAP on Broadway (Understudy/performed),...
Bianca Leigh Theatre: Waxy Bush in MTC's THE NAP on Broadway (Understudy/performed), Time/Wind in Taylor Mac's theatre epic THE LILY'S REVENGE, Franny Halcyon in the New York and San Francisco workshops of TALES OF THE CITY THE MUSICAL, Tatiana in Paul Lucas' award-winning verbatim piece TRANS SCRIPTS at American Repertory Theatre, Beatrice in Christina Anderson's MAN IN LOVE at Kansas City Rep, and Olivia in Del-Sign Project's TWELFTH NIGHT, performed entirely in American Sign Language. Film and Television: Mary Ellen in the groundbreaking film TRANSAMERICA, Karma Johnstone in HURRICANE BIANCA, and Dr. Rachel Sandow on LAW & ORDER: SVU. Bianca wrote and performed her solo musical BUSTED, the tale of a young Trans woman in pre-Disney New York City at the Laurie Beechman Theatre. Her new play, MBJrT, was part of last spring's Monday Night Playwright Series at Kansas City Rep. She will be featured in Laverne Cox's upcoming documentary, DISCLOSURE, an exploration of Trans representation in motion pictures and on television.
Juilliard: Two Gentlemen of Verona, Bus Stop, La Cocina by Tony Meneses.
Off Broadway: The Glory of the World by Chuck Mee (BAM).
Regional: That High Lonesome Sound by Jeff Augustin, Diana Grisanti, Cory Hinkle, and Charise Castro Smith (Actors Theatre of Louisville), White Rabbit/Red Rabbit by Nassim Soleimanpour, and 'Cause I Know You Got Soul by Zayd Dohrn (Chicago Home Theater Festival), Reluctant to Burn by Korde Tuttle (New School), Partners by Dorothy Fortenberry (LiveWire Theatre), Spark (Adventure Stage), Othello (Suitcase Shakespeare).
Workshops: Thoughts of A Colored Man directed by Taye Diggs, Fire Island by Korde Tuttle (NYTW), Slave Play by Jeremy O. Harris (Yale).
TV: The Blacklist (NBC).
Training: HB Studio, School at Steppenwolf, Actors Theatre of Louisville Apprenticeship, Juilliard.
Blake is a co-founder of The Chicago Home Theater Festival, a yearly city-wide month-long performance festival aimed at disrupting injustice through the arts and community organizing, associate producer with HomeBase Theatre Collective, an emerging black student actor organization, and he was awarded partial funding at Juilliard for Self Care Saturdays, a rotating weekly workshop of wellness practitioners from the practical to the esoteric.
Represented by Nicolosi & Co, Abrams, Liz Rosier.
Currently, a second year actor at Juilliard. Group 51!
blakerussell.weebly.com/
In four seasons at OSF: Dionyza, Thaisa and Ensemble in Pericles; Iras and...
In four seasons at OSF: Dionyza, Thaisa and Ensemble in Pericles; Iras and Ensemble in Antony and CleopatraKatherine in Henry V; Doctor Kaya in The Very Merry Wives of Windsor, Iowa; Helen of Troy in Troilus and Cressida; Decius Brutus in Julius Caesar; Mariana in Measure for Measure; Viola in Twelfth Night; Caroline Bingley in Pride and Prejudice.
Other theatres: Ophelia in Hamlet (Yale Repertory Theatre); The Princess of France in Love's Labour's Lost, Katrin in Mother Courage (Shakespeare and Company); Susan in Wait Until Dark (Geva Theatre, Arizona Theatre Company); Georgette in The School for Wives, Antoinette in A Flea in Her Ear, Helena in A Midsummer Night's Dream, Ermengarde in The Matchmaker (A Noise Within); Sylvia in The Two Gentlemen of Verona (Illinois Shakespeare Festival); Hilda in The Autumn Garden (Williamstown Theatre Festival workshops); Maja in Baal, Katherine in The Taming of the Shrew, Tamora in Titus Andronicus, Lady Macbeth in Macbeth, Rossignol in Marat/Sade, Arkadina in The Seagull, Mrs. Gibbs in Our Town, among others (Yale School of Drama).
David Ryan Smith: Broadway: "One Man, Two Guvnors"; "Passing...
David Ryan Smith: Broadway: "One Man, Two Guvnors"; "Passing Strange". Off Broadway: "Passage" (Soho Rep); "A Midsummer Night's Dream", "Henry V" ,"Twelfth Night", "Romeo & Juliet", "The Comedy of Errors", "Pericles" (The Public Theater), "Gone Missing" (City Center/Encores! Off Center), "Mankind" (Playwrights Horizons), "The Death of the Last Black Man…"(Signature Theater), "The Glory of the World" (BAM), "#9" (59E59); "Marat/Sade" (Classical Theater of Harlem). Regional: Shakespeare Theater Company, Hudson Valley Shakespeare Festival, Actors Theater of Louisville, Barrington Stage, American Conservatory Theater, Dallas Theater Center, Triad Stage, Crossroads Theater Company, California Shakespeare Theater, etc. Film: The Amazing Spider-Man 2, Medal of Victory, Bee Season. Education: MFA, American Conservatory Theater.
Genesis Oliver Broadway: Angels In America. Off-Bway: Empathitrax, How To...
Genesis Oliver Broadway: Angels In America. Off-Bway: Empathitrax, How To Live On Earth (Colt
Coeur); Primal Play (New Georges). Regional: We Are Proud To Present…(Playmaker's
Rep), One Night In Miami…(Baltimore CS) & various others. TV: LITTLE AMERICA,
NOS4A2 Commercials: KIA, AT&T, CITI BANK & various others.
National Theatre Conservatory (MFA)
Jeff Biehl – Broadway: MACHINAL (Roundabout). Off-Broadway: LIFE SUCKS...
Jeff Biehl – Broadway: MACHINAL (Roundabout). Off-Broadway: LIFE SUCKS (Drama Desk Nomination, Wheelhouse), CATCH AS CATCH CAN (Page73), RAPE OF THE SABINE WOMEN (Playwrights Realm), CHARLES FRANCIS CHAN'S JR'S EXOTIC ORIENTAL MURDER MYSTERY (NAATCO), 10 OUT OF 12 (Soho Rep), LIVES OF THE SAINTS and POOR BEHAVIOR (Primary Stages), FULFILLMENT (Flea), BURNING (New Group), ISSAC'S EYE (EST). Regional: world premieres at Yale Rep, Denver Center, and Humana Festival. Also shows with South Coast Rep, Shakespeare Theater, Long Wharf, and Westport. FILM: What is Life Worth, A Master Builder, Ricki and the Flash. TV: The Path, Vinyl, Mysteries of Laura, Forever, Southland, all Law & Orders. Juilliard. jeffbiehl.net
Michael has appeared in plays at regional theaters across the country including...
Michael has appeared in plays at regional theaters across the country including the Guthrie, Folger, Woolly Mammoth, Cincinnati Playhouse, Actors Theater of Louisville, Yale Rep and St. Louis Rep. He has performed extensively in New York with the Irondale Ensemble Project, 59E59 Theaters, Pecadillo Theater, Pearl Theater Company and more. He was a member of the Oregon Shakespeare Festival for five seasons and has made appearances on a few television shows and low budget films. He has written several plays, most notably "Dear Father", a play about Franz Kafka, which was a semifinalist at the O'Neil Festival. He also wrote and produced for "Left Jab", a weekly talk show that aired on Sirius XM Radio for nine years, and was a producer for "The Majority Report" on Air America Radio. MFA, Yale School of Drama. www.michaelgabrielgoodfriend.com
Nat Cassidy is an actor, playwright, screenwriter, novelist, and musician....
Nat Cassidy is an actor, playwright, screenwriter, novelist, and musician. Acting credits include "Blue Bloods" (CBS), "Bull" (CBS), "Quantico" (ABC), "The Good Fight" (CBS All Access), "The Following" (Fox), "The Affair" (Showtime), "Red Oaks" (Amazon) "High Maintenance" (original webseries), "Law & Order: SVU" (NBC), "Instinct" (CBS), theatrical productions both Off- and Off-Off-Broadway, and Lloyd in Gideon Media's hit audiodrama "Steal the Stars." Nat is the author of numerous award-winning horror plays which have been produced and developed across the country. His plays have been nominated for a combined total of 17 New York Innovative Theatre Awards, including 3 times for Outstanding Full-Length Script (which he won in 2009 for his play about Christopher Marlowe and Caligula, and in 2011 for Outstanding Solo Performance for his one man show about HP Lovecraft) and he was commissioned by The Kennedy Center to write the libretto for a world-premiere opera. Nat also wrote the novelization of the "Steal the Stars" podcast, which was published by Tor Books and named one of the best books of 2017 by both the Chicago Review of Books and NPR. Pancakes to K. www.natcassidy.com
Nathan Andrew Riley
Ordinarily found ONstage, Nathan Andrew Riley is thrilled for the opportunity...
Ordinarily found ONstage, Nathan Andrew Riley is thrilled for the opportunity to be behind the scenes on this project as Assistant Stage Manager. Special thanks to Shana for the opportunity to learn from the best!
Nemuna is a big fan of Play On! and is honored to be a part of the Festival!...
Nemuna is a big fan of Play On! and is honored to be a part of the Festival! New York: The Cake U/S (MTC), Dracula (Three Day Hangover), The Unfortunates (Joe's Pub). Regional: The Cake (Barrington Stage Company), The Christians and Tartuffe (PlayMakers Rep), Henry IV Parts 1 and 2, Roe and Great Expectations (Oregon Shakespeare Festival), A Christmas Carol (American Conservatory Theater), and A Raisin in the Sun and The Comedy of Errors (Cal Shakes). International: Major Barbara (Theatre Calgary) and The House of Bernarda Alba (Moscow Art Theater). TV/Film: The Assistant, Younger, Instinct, An Enemy Within, Madame Secretary, Broad City and Forever. MFA in Acting from American Conservatory Theater. www.nemunarceesay.com	Pronouns: she/her/hers
Patrice Johnson Chevannes is an award winning actress whose Broadway credits...
Patrice Johnson Chevannes is an award winning actress whose Broadway credits include Racing Demon and The Crucible, which starred Academy Award Nominees, Liam Neeson and Laura Linney, directed by Sir Richard Eyre. Off Broadway, her credits include Desdemona, opposite Sir Patrick Stewart, in what was billed as a 'photo negative' production of Othello. Recently she had the pleasure of working on Yael Farber's adaption of August Strinberg's, Mies Julie, directed by Shariffa Ali, Ngozi Anyanwu's plays, Good Grief and Homecoming Queen, directed by Awoye Timpo; The Public's Mobil Unit, Henry V, directed by Robert Ohara; Pericles, directed by Sir Trevor Nunn and Tamburlaine, directed by Sir Michael Boyd, (both with Theatre For A New Audience). Patrice has received an Audelco Nomination for Angelique, and Tamburlaine and won an Audelco Award for For Colored Girls. She received a Barrymore Nomination for Best Actress in Athol Fugard's, Coming Home at The Wilma Theater. Patrice wrote and directed three award winning feature films through the film company she started with her brothers and sisters, God-And-All-O-Wee Productions: (Jamaican patois for, God and all of us); Kings County, NY's Dirty Laundry and Hill and Gully. This year, through her music company, U-big-witus Inc she helped to debut new, Jamiacan Reggae artists, Richie & The Ragga. Television: Chambers for Netflix, POSE for FX. hillandgully.com
Shana Ferguson
Shana is thrilled to be a part of this exciting project! Broadway: Living...
Shana is thrilled to be a part of this exciting project! Broadway: Living On Love. Tours: Beautiful, Motown (First National). Off-Broadway: Trip of Love, Songbird, Bedbugs!!! New York: Cabin in the Sky (New York City Center Encores!), Here's Hoover! (Abrons Arts Center), Oliver! (The Secret Theatre). Regional: Double Trouble, The BFG (Imagination Stage), Room Service (Westport Country Playhouse).
Ada Karamanyan
Ada Karamanyan is a casting director based out of New York, NY. She currently...
Ada Karamanyan is a casting director based out of New York, NY. She currently serves as the casting associate for the off-broadway theater organization The Playwrights Realm, and as a producing artistic leader for the year-round fellowship program Trans Lab, co-created and produced by MJ Kaufman and Kit Yan. Recent affiliations include casting for Baltimore Center Stage, Milwaukee Repertory Theater, Arizona Theatre Co., New York Musical Festival, and ACT – A Contemporary Theatre. In addition, she served as the casting fellow at New York Theater Workshop during their inaugural 2050 administrative fellowship program.
Pronouns: she/her or they/them
Lue Morgan Douthit
During her 25 years at the Oregon Shakespeare Festival, Douthit oversaw a...
During her 25 years at the Oregon Shakespeare Festival, Douthit oversaw a full service literary department as Director of Literary Development and Dramaturgy. Play on! began in 2012 as a pilot program under her supervision. She was the Production Dramaturg for more than 50 productions, including 15 world premieres including: Hannah and the Dread Gazebo; Head Over Heels; Family Album; The Unfortunates; Throne of Blood; and Equivocation.. She has also worked on over two dozen Shakespeare productions. She is the co-adapter of a six-actor Macbeth and seven-actor Measure for Measure, which were both produced at OSF and elsewhere. She was the co-producer of the Black Swan Lab in 2009, going on to produce the lab from 2010 to 2016. Douthit is the recipient of the 1999 Literary Manager & Dramaturgs of the Americas (LMDA) Prize in Dramaturgy: The Elliott Hayes Award. She received a PhD at the University of Washington, an MFA from Trinity University, and an MA from University of Arizona.
Taylor Bailey
Taylor Bailey spent four years in Chicago where he worked on twelve productions...
Taylor Bailey spent four years in Chicago where he worked on twelve productions with The Neo-Futurists. He served as Operations Manager and Education Coordinator for The Neo-Futurists, as well as the program developer and coordinator for Neo-Access, a multi-winged strategy for diversity and inclusion as well as accessibility for the differently abled. As a freelance director, performer, storyteller, dramaturg and producer worked with: First Floor Theatre, Victory Gardens Theatre, American Theatre Company, The Agency Collective, Timeline Theatre, About Face Productions, Collaboration Theatre Company and others. In Dallas, worked with WaterTower Theatre and served as the Associate Artistic Director of Sideman Productions for two years. Additional experience as a teaching artist, IT coordinator and project manager.
Publications: Contributor, New York Times Bestseller It Gets Better: Coming Out, Overcoming
Bullying, and Creating a Life Worth Living with Dan Savage and Terry Miller.
Summer Martin
Summer Martin has spent over a decade in domestic and international grant...
Summer Martin has spent over a decade in domestic and international grant management for non-profits focused on the arts and education. Summer's commitment to community empowerment informs her dedication to the mission of Play On Shakespeare.
Education: BA, Mount Holyoke College; MSc, Maryland University of Integrative Health
Sally Cade Holmes
Sally Cade Holmes (Line Producer) is a Tony-nominated producer committed...
Sally Cade Holmes (Line Producer) is a Tony-nominated producer committed to making challenging and innovative entertainment with broad appeal. On Broadway, she has co-produced Hadestown, Anastasia and Frankie and Johnny in the Clair de Lune. Off-Broadway, she is a producer on the his play Puffs. She has produced projects in Ars Nova's AntFest, New York Musical Theatre Festival, Hot! Festival and The Public's Under The Radar Festival. She collaborated with Les Freres Corbusier to produce Here's Hoover! directed by Alex Timbers. Additionally, she is the Associate Producer at Tom Kirdahy Productions (The Inheritance, White Rabbit Red Rabbit, The Visit, It's Only A Play). She served as the Producing Associate at Williamstown Theatre Festival. Other companies that she's collaborated with include: Rattlestick Playwrights Theater, The Theatre @ Boston Court, Keen Company, SpeakEasy Stage Company, Sans A Productions, and TheatreWorks USA. Sally Cade is a Master of Arts Administration candidate at Boston University and received her BS in Theatre Studies with a minor in Religious Studies from the University of Evansville. She is an associate member of the Broadway League and a member of the 2016-2018 WP Lab.
Assistant Line Producer
Hannah Lang is a producer and theatre-maker living in Brooklyn. She is currently...
Hannah Lang is a producer and theatre-maker living in Brooklyn. She is currently working as the Programming Associate at NYMF and as an Artistic Associate at Hypokrit Theatre Company, in addition to being the proud founder of Three of Cups Theatre Collective. She is a recent graduate of St. John's University, where she earned her M.A. in History. She is most passionate about producing work that uplifts voices of marginalized communities. She recently assistant directed Molly Houlahan on Hypokrit's R+J, and is a former intern of The New Victory Theater, New York Musical Festival, and Honest Accomplice Theatre. Thank you to the entire Play On Shakespeare team!
Matt Hagemeier
Assistant Festival Producer
Matt is the Assistant Festival Producer for the Play On Festival. He's...
Matt is the Assistant Festival Producer for the Play On Festival. He's spent the past five years in events and festivals; including work for the Austin Film Festival, Dallas International Film Festival, and the New Harmony Project. BS in Theatre & History from the University of Evansville.
In the fall of 2015 Oregon Shakespeare Festival...
In the fall of 2015 Oregon Shakespeare Festival announced a new commissioning program called Play on! 36 playwrights translate Shakespeare. The project was simple yet enthusiastically ambitious in its original conception: to commission 36 playwrights (with one lucky playwright taking on all three Henry VI's) to "translate" 39 plays attributed to Shakespeare (including Two Noble Kinsman and Edward III) over the course of three years (last drafts were submitted December 31, 2018) and with a commitment that the commissioned group comprised at least 51% women and writers of color. In it's three year tenure at OSF, Play on! worked with nearly 1000 actors, directors, stage managers, and producers on nearly 80 readings, workshops, productions and demonstrations in 19 different cities, collaborating with 24 different theatres and academic institutions around the world.
At the end of Play on!'s three-year tenure at OSF, energized by its overwhelming scope and success, the project's producing team secured funding to form their own, new not-for-profit company. On January 1, 2019, once again with the critical support of the Hitz Foundation, they established Play On Shakespeare, whose mission is to enhance the understanding of Shakespeare's plays in performance for theatre professionals, students, and audiences by engaging with contemporary translations and adaptations. The Play On Festival is the first of many undertakings planned by the company.
Classic Stage Company
Classic Stage Company (CSC) is committed...
Classic Stage Company (CSC) is committed to reimagining classic stories for contemporary audiences. It is a home for New York's finest established and emerging artists to grapple with great works of the world's repertory that speak directly to the issues of today.
In 1967, director Christopher Martin founded CSC Repertory in a 100-seat theater at Rutgers Presbyterian Church on West 73rd Street. Following short stints in small spaces, CSC grew to the point where it needed a permanent home. In 1973, the theater moved to its present premises on 13th Street, an intimate space that was formerly an East Village carriage house.
In the 50 years since, CSC has become a leading Off-Broadway theater that is a home for new and established artists, as well audiences seeking epic stories intimately told. Productions have been cited by all major Off-Broadway theater awards including the Obie, Drama Desk, Outer Critics Circle, Drama League, and the Lucille Lortel Award for Outstanding Body of Work.
Founded by Angus Bowmer in 1935, the Oregon...
Founded by Angus Bowmer in 1935, the Oregon Shakespeare Festival (OSF) has grown from a three-day festival of two plays to a nationally renowned theatre arts organization that presents an eight-month season of up to 11 plays that include works by Shakespeare as well as a mix of classics, musicals, and world-premiere plays and musicals. OSF's play commissioning programs, which include American Revolutions: the United States History Cycle, have generated works that have been produced on Broadway, throughout the American regional theatre, and in high schools and community theatres across the country. The Festival draws attendance of more than 400,000 to approximately 800 performances every year and employs approximately 575 theatre professionals.
OSF invites and welcomes everyone, and believes the inclusion of diverse people, ideas, cultures and traditions enriches both our insights into the work we present on stage and our relationships with each other. OSF is committed to equity and diversity in all areas of our work and in our audiences.
Welcome Letter from Lue
For the first half of my career at the Oregon Shakespeare Festival, I was the "new play girl", doing what literary managers since time immemorial...
Good Tickle Brain Synopsis
Who needs a five-act structure? See what Pericles is about in only three panels...
Play Synopsis
Read a play synopsis from the Folger Shakespeare Library, and see scans of some of the original Folios!
Play On Festival Staff
Lue Douthit, Executive Director
Taylor Bailey, Producer
Summer Martin, General Manager
Sally Cade Holmes, Line Producer
Hannah Lang, Assistant Line Producer
Matt Hagemeier, Assistant Festival Producer
Emma Hogan, Script Supervisor
Ada Karamanyan, Casting
Cameron Bell, Erin Michelitsch, Micah Ammons, Nicolas Di Miele,
Peter Charney, Savanah Sanchez, Production Assistants
Blake Zidell and Associates, Press Representative
Gold Rush Creative, Marketing Consultation
Ligature Creative, Graphic Design
CSC Administrative Staff
John Doyle, Artistic Director
Toni Marie Davis, Chief Operating Officer/GM
Gina Cimmelli, Director of Audience Services
Phil Haas, Director of Marketing and Communications
Brendan McNamara, Assistant General Manager
Michael Mullen, Education Coordinator
Cassandra Nwokah, Executive Assistant
Oliver Pattenden, Director of Development
Megan Sover, Company Manager
Whitaker Gardner, Courtney Kuhbach, Board Operators
Emily Murphy, Megan Sover, Clarisse Van Kote, Box Office Associates
Alex Irish, Jarvis Griggs, Emily Murphy, Cassandra Nwokah, Megan Sover, House Managers
Come Back For More!
King Henry VIII
Two Noble Kinsmen
info@playonshakespeare.org (313) 462-9234
Play On Shakespeare Mailing Address
PO Box 955, Ashland, OR 97520
Classic Stage Company (Performance Space)
136 E 13th St, New York, NY 10003
© 2020 Play On Shakespeare


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NewsClubMatchesStatistics
Season 2019/20 Season 2018/19 Season 2017/18 Season 2016/17 Season 2015/16 Season 2014/15 Season 2013/14 Season 2012/13 Season 2011/12 Season 2010/11 Season 2009/10 Season 2008/09 Season 2007/08 Season 2006/07 Season 2005/06
Veteran keeper to take on Great North Run again
Veteran Toolstation NCEL keeper Jody Barford will once again be taking part in the Great North Run next month, raising money for charity.
The Hall Road Rangers shot-stopper has run the prestigious event for a number of years in aid of Cardiac Risk in the Young and in memory of his mum, Linda.
On his JustGiving page, Jody wrote: "My dear mum was the most generous and supportive lady I knew!!
"So, when she passed away, I decided to do something every year to remember her and try to give a little back and support other people.
"I have done the GNR a few times now and love the challenge and the atmosphere and having connections in the North East - the event always excites me.
"Please support if you can, it doesn't matter how much, as every little will go towards helping people."
Jody is hoping to raise ?1,000 and all at the NCEL wish him the best in the race that takes place on Sunday 8th September, 2019.
Click here to go to his JustGiving page.
1 Staveley MW 26 55 33
2 Liversedge 24 53 38
4 Penistone Church 28 53 26
6 Hemsworth MW 28 45 11
7 Maltby Main 28 43 -2
9 Grimsby Borough 26 40 6
10 Silsden AFC 28 37 -5
11 Barton Town 27 36 0
12 Eccleshill United 25 35 2
13 Knaresborough 25 32 3
14 Thackley 26 32 -5
15 Handsworth 23 30 -16
16 AFC Mansfield 26 28 -10
17 Goole AFC 28 25 -21
18 Bottesford Town 27 23 -28
19 Albion Sports 25 22 -16
20 Athersley Rec 27 12 -64
1 Winterton Rangers 27 59 24
2 Skegness Town 26 58 39
4 North Ferriby 26 52 28
5 Campion 24 48 30
6 Retford FC 28 44 6
7 Glasshoughton Welfare 26 43 11
9 Swallownest 25 37 1
10 Nostell MW 25 35 13
11 Dronfield Town 25 35 7
14 Rossington Main 26 31 -6
15 Brigg Town 30 30 -19
16 Ollerton Town 26 28 2
18 Worsbrough Bridge 24 23 -10
19 Harrogate Railway Ath 25 16 -35
20 East Hull 26 1 -116


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Electronic Soundscapes 13
First broadcast on Resonance-FM, London - Friday 28th February 2020
1. Jerry Fielding - "Birth Scene/Speaking Room/ElkHerd" - from the film Demon Seed (1977), directed by Donald Cammell
2. Vladimir Ussachevsky - "Suite From No Exit 1" - from the film No Exit (1962), directed by Tad Danielewski
4. Hildur Gudnadottir - "Pump Room" - from the TV series Chernobyl (2019), directed by Craig Mazin
5. Hildur Gudnadottir - "Gallery" - from the TV series Chernobyl (2019), directed by Craig Mazin
6. Hildur Gudnadottir - "Corridor" - from the TV series Chernobyl (2019), directed by Craig Mazin
7. Wil Malone - "Death Line (Main Theme)" - from the film Death Line (1972), directed by Gary Sherman
8. Fabio Frizzi - "Main Title" - from the film Zombi 2 (1979), directed by Lucio Fulci
9. Fabio Frizzi - "Virus" - from the film Zombi 2 (1979), directed by Lucio Fulci
10. Walter Rizzati - "I Remember" - from the film House By The Cemetery (1982), directed by Lucio Fulci
11. Chemical Brothers - "Escape 700" - from the film Hanna (2011), directed by Joe Wright
12. Ken Arai - "I Am" - from the anime series Parasyte: The Maxim (2014), directed by Kenichi Shimizu
13. Nakaido "Chabo" Reichi - "Albatross' Ballad" - from the anime series Serial Experiments Lain (1998), directed by Ryutaro Nakamura
14. Nakaido "Chabo" Reichi - "Strange Dimension Of Mist" - from the anime series Serial Experiments Lain (1998), directed by Ryutaro Nakamura
15. Reinhold Heil & Johnny Klimek - "Breaking and Entering" - from the film One Hour Photo (2002), directed by Mark Romanek
16. Reinhold Heil & Johnny Klimek - "Main Titles" - from the film One Hour Photo (2002), directed by Mark Romanek
17. Reinhold Heil & Johnny Klimek - "Wall Of Photos" - from the film One Hour Photo (2002), directed by Mark Romanek
18. Kotaro Nakagawa - "drown in the life" - from the anime series s-CRY-ed (2001), directed by Rion Kujo & Goro Taniguchi
19. Kotaro Nakagawa - "lost ground" - from the anime series s-CRY-ed (2001), directed by Rion Kujo & Goro Taniguchi
20. Laibach - "Washington's Escape With Interlude" - from the film Iron Sky (2012), directed by Timo Vuorensola
21. Jerry Fielding - "Pre-Trip/Big Wind/Sperm/Spirograph/Tetra Waltz" - from the film Demon Seed (1977), directed by Donald Cammell


"A lovely place to stay on Procida, great central location (a quick bus ride or walk to the nice cleaner beaches), fabulous produce available in local shops. The flat itself is nicely decorated and easy to keep clean with nice tiles on the floors. It is big and has a lovely little terrace."
"The accomodation was well equiped and furnitured, nicely decorated, with a very personal touch and atmosfere. The only thing lacking were some good knifes and something to cut on and a good light in hte kitchen.
The house was clean enough and everyting to clean it during the stay by hand. Clean sheets and towels too and a washing machine.
It is a very quite place during the night, in daytime you can hear some traffic noise but not disturbingly.
The house is situated in the village, across the street is the church and the butcher, supermarket and groceries are nearby. The beach is on a ten minutes walk (including 186 stairs). Several other small beaches are on a walking distance. The island can be crossed walking, but there are mini busses for 0,80 eurocents p.p. which go on a very regular basis. The house is less accessable for disabled, so is probably the whole island.
Less comfortable is the amount of traffic during the day. Through the narrow streets lots of cars and scooters drive, fast, and this makes walking with little children somewhat "exciting", but you get used to it and obviously everyone pays very good attention because nothing ever really goes wrong. When my son jumped after his ball, the cars and scooters stopped immediately and he got away with the shivers."
To make trips to Napoli, Vesuvio, Pozzuoli takes time, the boat is between 15 and 22 euros per 4 persons and the train is cheap, compared to the Netherlands. You just have to have the time, patience and preferrably a good Italian vocabulary, to find out how the train- and ticketsystem works can be a bit hard sometimes.
Nevertheless, when you want to have a relaxed holiday with enough sites to visite on the island itself, and a nice calm beach with a quite good restaurant on it, you can perfectly have a good stay here. For families with small children it is very much to recommend.
Last but not least the owners are very kind, helpfull and personal in contact.
Una delle poche case che mi sia mai piaciuta fra tutte quelle che abbiamo scelto x le nostre estati!
Il mare si raggiunge facilmente e tutto, ma proprio tutto a portata di mano!
Una famiglia allegra e simpatica come poche. Spero di riaverle come ospiti.
"Siamo stati in questo appartamento l''anno scorso e complessivamente ci siamo trovati bene. L''appartamento è un po'' decadente ma pulito, centrale e silenzioso. Il giardino è un tantinello trascurato ma affascinante. Un appunto vorrei farlo ai materassi della cameretta che sono davvero deformati (spero che quest''anno siano stati cambiati). C''è anche un gatto nero e bianco nel giardino, è simpatico...noi l''avevamo chiamato "Cuoricino"!"
commerces à proximité, proche de la plage, bien desservie par les bus. La terrasse est petite mais très agréable et permet de profiter du beau jardin. A recommander."
"Logement pratique et très agréable.
Accueil charmant de Francesco & Florian"
(Text automatically translated) the island of Procida can be reached from Naples by ferry from the pier beverello (1h) and hydrofoils (30 ") of the company caremar (+390815513882) and snav (+390814285555). caremar From pozzuoli with ferries and procidalines (+390818960328) . to Procida can be reached by ferry or hydrofoil also the island of Ischia (20 "approx.) capodichino from the airport to the pier beverello are about 30 minutes by bus.
(Text automatically translated) the restaurant in the shell on the beach of Chiaia. Mediterranean pottery in the village of St. James. bar of the rider to the port.


The PMSA will complement the formal AICD governance review process with a public forum at each of the PMSA schools and we invite anyone interested in the school's governance to attend.
Each forum will open at 6pm for a 6.30pm start.
Discuss the current governance structure.
Provide the opportunity for the community to ask questions.
Provide clarity on governance change options available.
Pre-register your attendance at least seven days before the forum date.
Pre-register your questions relating to governance. The PMSA will endeavour to answer all questions, however, questions registered within seven days of forum unfortunately will not be considered.
Not film or audio record the session. The PMSA will be taking notes.
Pre-registered questions will be grouped into issues which will be answered and discussed in depth. Participants will have the opportunity to ask clarifying questions on the night as we work through each issue together.
Boarding parents and guardians are also able to participate in the live forum. To find out details, please email communications@pmsa-schools.edu.au.
In the week before the forum, you will receive an email confirming the venue at the school.


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To find the ideal OmniAccess® Stellar WLAN configuration to meet your needs – from access points built to the latest industry standard (802.11ac) to unified management and location-based services – just answer the questions below by selecting the relevant options.
Do you currently have a WLAN?
How many access points (APs) do you currently have?
Do you want location-based services?
The WLAN for compact, self-contained sites, such as a boutique hotel, medical practice or clinic, school or study center and smaller transport hub, requiring up to 32 AP1101 entry level access points, managed by Wi-Fi Express for SMB.
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Connecting several sites into a single WLAN, whether a hotel park, connected hospitals, linked campuses or geographically-separate transportation stations, requires the most advanced technology and widest coverage.
Specially designed for SMBs, these 802.11ac Wave 1 access points provide 3x speed of previous standard – up to 1.2 Gb/s throughput.
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Designed for the harshest of environments, the AP1251 wireless access point supports 802.11ac Wave 2 and performs well under any weather conditions.
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Download your personal guide to how OmniAccess WLAN Solutions can help your Wi-Fi work harder for you and your business.
Set up and go, Wi-Fi Express for SMB lets you manage any of the OmniAccess Stellar WLAN access points direct from your web browser. Any access point you add is automatically added to a cluster. Simple and secure to use, there is a guest management portal for setting up who can have wireless access, when, where and for how long. Supports up to 64 access points (32 access points if it's an AP1101-only cluster).
Access management for guests and employees using rule-based policies that set access limits, priority, QoS, and more, as well as automatic on-boarding of employees' own devices (BYOD) and IoT devices, such as media players or projectors.
Specially designed for SMBs, these 802.11ac Wave 1 access points provide 3x the speed of previous standards – up to 1.2 Gb/s throughput.


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Home/World/Prince Harry saw a "red haze" in William during the alleged attack on brother | Prince Harry
Prince Harry saw a "red haze" in William during the alleged attack on brother | Prince Harry
Prince Harry said he saw the "red mist" in his brother, Prince Williamwhen his older brother allegedly assaulted him during a confrontation about the younger duke's relationship with Meghan Markle.
In a newly released clip from an upcoming ITV interview with Harry, the Duke of Sussex said his brother William was so distraught during the 2019 incident that he saw "the red mist in him".
"He wanted me to hit him back, but I chose not to," he says of his brother, who he previously claimed in his book to have physically assaulted him — as he was first reported by the Guardian.
The revelations in the book have made the front pages of almost every national newspaper in the UK and are likely to reduce the possibility of a reconciliation between the Sussexes and the rest of the British royal family.
In the clip, released early on Friday morning, Harry tells interviewer Tom Bradby: "What was different here was the level of frustration and I'm talking about the red fog that I had for so many years and I saw that red fog in him."
The Duke first told of the confrontation in his autobiography Spare – an extract of which was reported by the Guardian on Thursday. The book claims the Prince of Wales grabbed Harry by the collar and knocked him to the floor, ripping his collar and breaking a dog bowl under his back.
This video has been removed. This could be because it started early, our rights have expired, there is a legal issue, or for some other reason.
Prince Harry talks about calling brother William 'archenemy' in memoir – video
The Duke has also said he wants to reconcile with his family – something he says cannot happen without "some responsibility".
"I want reconciliation," he says, "but first there has to be some accountability."
In a clip from another upcoming interview, Harry admits he was "probably a bigot" before his relationship with Markle.
In a new teaser for a CBS News interview set to air this Sunday, Harry tells interviewer Anderson Cooper that he was "incredibly naive" about how the British media would treat his relationship with the American actor.
The "race element" of the couple's relationship was "right jumped on" by the British press, he told the programme, adding that he had no idea how "fanatic" the UK media was until his wife and their relationship were thrust into the light on the spotlights.
"What Meghan had to go through was somewhat similar to what Kate and Camilla went through – very different circumstances," the Duke says in the 30-second clip released on Thursday. "But then you add the racial element, which was what the press – (the) British press jumped right on.
"I went into it incredibly naive. I had no idea the British press was so fanatical. Heck, I was probably a bigot before the Meghan relationship.
Cooper responds by asking the Duke: "Do you think you were bigoted before the relationship with Meghan?"
Harry replies, "I don't know. That said, I didn't see what I see now.
Kensington Palace and Buckingham Palace declined to comment.
Elsewhere in the Brady interview clip, Harry addresses the drug use detailed in the book Spare. Bradby tells the Duke, "There's a lot of drugs (in the book). Marijuana, magic mushrooms, cocaine. I mean, it's going to surprise people.
The Duke seems to agree and says it's "important to acknowledge".
The show, called Harry: The Interview, will be broadcast on ITV1 and ITVX at 9pm on January 8.
#Prince #Harry #red #haze #William #alleged #attack #brother #Prince #Harry
alleged attack Brother Harry Haze Prince Red William
Minnesota Automotive Insurance coverage and Saving Cash Getting Quotes
Travelers are rushing to take advantage of China's reopening
The war is at a stalemate, says Ukraine's intelligence chief
The Taliban ban women's NGO workers, jeopardizing aid efforts
Peruvian President Castillo was impeached and arrested after attempting to dissolve Congress
Papavasiliou: Al-Ahly player can play in Europe… and Zamalek surprised me in the Super
China retaliates against South Korea's COVID curbs, says outbreaks have peaked
FilGoal | News | Goal in first appearance. What did Mostafa Mohamed do against Verois in the French Cup?
The Russo-Ukrainian War at a Glance: What We Know on Day 326 of the Invasion | Ukraine
Strategie di formazione e scrittura aziendale convenienti per le piccole imprese


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There remain issues with benchmarking, attribution, and risk adjustment that CMS needs to address with accountable care organizations (ACOs), said Rob Fields, MD, assistant profession, family medicine and community health, Icahn School of Medicine at Mount Sinai, and senior vice president, chief medical officer, population health at Mount Sinai Health System.
What are some areas for continued improvement in Medicare Shared Savings Program that CMS has not addressed yet?
I think that's a difficult question. They've addressed a lot of the things in part. So, I think there are several major buckets, I think, where systems and other ACOs have concerns. One is around benchmarking. The way that CMS attributes the target price essentially for patients has been challenging and hard to predict. It is improving: things like regional benchmarking, for the most part, is a step in the right direction for most systems, but not across the board. But I think what needs to improve is the predictability. We see pretty significant swings even within the same performance year from baseline, historical benchmarks, to final, reconciled benchmarks. And I think that's a challenge, especially when you're talking about risk. If we're seeing swings of as much as 10% in how the benchmark goes, that's really difficult to predict. You could be tracking great all year, and then end up upside down in the end in a way that wasn't predictable. So, that's a problem and it doesn't exist in Medicare Advantage, but it absolutely exists in these models.
I think the other piece is attribution still can be challenging. And I don't know if there's a perfect solution for that, whether it's retrospective or prospective and there are models that try to address both. There are ways of perhaps reconciling attribution based on where patients are actually seen and things like that. But I think there needs to be continued work on attribution, as well.
And I think the last one, which is as important as the benchmarking piece, is ability to risk adjust throughout the performance year would be particularly helpful as the population changes. There is certainly significant churn in membership because of attribution. And not being able to adapt the risk adjustment to the new patients that are coming on is perhaps a problem.
What additional innovations would you like to see coming out of CMS?
I would really be interested in things coming out of CMMI [Center for Medicare and Medicaid Innovation] that start to look at how do we pay or how do we finance the social determinants and other nonhealthcare-related services that we all deal with. We are talking about it here at the conference this fall, many sessions discussing how we handle social determinants and how we finance that. And having models that more easily tie the delivery and coordination of those services, which is very much a part of this work, finding a way of connecting that to the financial model, I think, would be an interesting thing to try to work on. But that's likely more of a CMMI innovation process rather than a true MSSP process.


text:
ಎನ್ . ಎಂ ಬಗ್ಗೆ
ಜೀವನ ಚರಿತ್ರೆ
ಬಿಜೆಪಿ ಕನೆಕ್ಟ್
ಪೀಪಲ್ಸ್ ಕಾರ್ನರ್
ಟೈಮ್ಲೈನ್
ಸುದ್ದಿ
ಸುದ್ದಿ ಅಪ್ಡೇಟ್ಗಳು
ಮಾಧ್ಯಮ ಪ್ರಸಾರ
ಸುದ್ದಿಪತ್ರ
ರಿಫ್ಲೆಕ್ಷನ್ಸ್
ಟ್ಯೂನ್ ಇನ್
ಮನ್ ಕಿ ಬಾತ್
ನೇರ ಪ್ರಸಾರ ವೀಕ್ಷಿಸಿ
ಆಡಳಿತದ ದೃಷ್ಟಿಕೋನ
ಜಾಗತಿಕ ಗುರುತಿಸುವಿಕೆ
ಇನ್ಫೋಗ್ರಾಫಿಕ್ಸ್
ಒಳನೋಟಗಳು
ವರ್ಗಗಳು
ಅಂತಾರಾಷ್ಟ್ರೀಯ
ಒಂದು ವರ್ಷ
ಆಕ್ಷನ್ ಆಂಡ್ ಹೋಪ್
ಅಂತರರಾಷ್ಟ್ರೀಯ ಯೋಗ ದಿನ
ಎನ್ . ಎಂ ಆಲೋಚನೆಗಳು
ಎಕ್ಸಾಮ್ ವಾರಿಯರ್ಸ್
ಉಲ್ಲೇಖಗಳು
ಭಾಷಣಗಳು
ಭಾಷಣದ ಪಠ್ಯ
ಸಂದರ್ಶನಗಳು
ಏನ್.ಎಂ. ಲೈಬ್ರರಿ
ಇಪುಸ್ತಕಗಳು
ಕವಿ ಮತ್ತು ಲೇಖಕ
ದಿಗ್ಗಜರು
ಇ -ಗ್ರೀಟಿಂಗ್ಸ್
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Almanac of PM's engagements in Dublin, Ireland
ಶೇರ್
Narendra Modi becomes first Indian Prime Minister to visit Ireland after almost 60 years
PM Narendra Modi meets Taoiseach of Ireland, Enda Kenny
Irish PM Kenny presents PM Modi personalized cricket jersey of Ireland cricket team
PM Modi presents reproductions of selected manuscripts & papers from the National Archives of India to Irish PM
PM Modi appreciates growing bilateral trade and investment ties between India & Ireland
India & Ireland ideally placed to form productive partnerships to take advantage of the opportunities in the digital age: PM
PM Modi seeks Ireland's support for India's membership of NSG & other international export control regimes
PM Narendra Modi interacts with Indian Community in Ireland
The Prime Minister, Shri Narendra Modi, visited Ireland on September 23rd, 2015, and held bilateral talks with the Prime Minister of Ireland, Mr. Enda Kenny.
Shri Narendra Modi was received on arrival at Dublin Airport by Mr. Leo Varadkar, the Irish Minister for Health.
He was later warmly received by the Prime Minister of Ireland, Mr. Enda Kenny, at the Government Buildings in Dublin.
The Prime Minister presented to Mr. Kenny, reproductions of a selection of manuscripts and papers pertaining to two Irish officials, Thomas Oldham and Sir George Abraham Grierson, in recognition of their contributions in India.
The Irish Prime Minister presented to Shri Narendra Modi, an Ireland cricket jersey, and a "hurling" kit. Hurling is one of the major sports in Ireland. Shri Modi also signed the visitors' book at the Irish Prime Minister's Office.
In their opening remarks during the working luncheon, both leaders noted that an Indian Prime Minister was visiting Ireland after nearly 60 years. Shri Modi referred to the common shared values between the two countries. He mentioned the friendship between Rabindranath Tagore and W.B. Yeats.
Shri Narendra Modi made a strong pitch for closer partnership and cooperation between the two countries. The two sides exchanged views on a broad range of international challenges, including terrorism, radicalization, and the situation in Europe and Asia. The Prime Minister sought Ireland's support for the reforms of the UN Security Council within a fixed time frame. He also sought Ireland's support for India's membership of the NSG and other international export control regimes.
The Prime Minister later interacted with members of the Indian community in Ireland. 20 Irish students of the John Scottus school, a local school which teaches Sanskrit, recited Sanskrit shlokas to welcome the Prime Minister. In his remarks, the Prime Minister expressed profound admiration for the teachers of these students, as well as for the students, for the high quality of their recitation.
The Prime Minister spoke of the vast shared values and common heritage between India and Ireland, which, he said, included the struggle for freedom. He said India would be a part of Ireland's celebrations of the centenary of their freedom struggle, in 2016.
The Prime Minister talked about the changes happening in India. He said India is the fastest growing major economy in the world. Not long ago, he mentioned, the "I" in BRICS (referring to the BRICS countries) was shaky, but today it is the strongest element of the BRICS.
Shri Narendra Modi mentioned how Yoga had been accepted the world over, with the adoption of the International Yoga Day by the United Nations. He said the world would pay attention to India, if India is strong. He said that the world had acknowledged already that the 21st century would be an Asian century. He added that for the first time, the possibility was arising that it could also be an Indian century. The Prime Minister said that if current levels of growth could be sustained for 30 years, India could eliminate poverty. He said that with 65 percent of India's population below the age of 35, he believed that the youthful nation should be able to accomplish this goal.
Enda Kenny
ಸಾಮಾಜಿಕ ಮಾಧ್ಯಮ ಕಾರ್ನರ್ 18 ಜನವರಿ 2022	(January 18, 2022)
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