text:
Retailers Association of India appoints Bijou Kurien as Chairman
Retailers Association of India (RAI) on Tuesday said retail industry veteran Bijou Kurien has been appointed as its Chairman.
The Board of Directors of RAI at its meeting held on September 30, 2020, also appointed Kulin Lalbhai, Executive Director, Arvind Ltd as the Vice Chairman, RAI said in a statement.
Kurien takes over from B S Nagesh, who led RAI as the founding chairman for over 15 years since inception.
Commenting on the appointments, Nagesh said, "We have decided to hand over the reins of RAI to new hands. This combination of Bijou as the Chairman, Kulin as the Vice Chairman and Kumar Rajagopalan as the CEO will add tremendously to the work already done in the industry during COVID-19 times."
He further said, "With Kulin joining, we get a young leader with omni experience who represents the second generation of businesses."
Kurien is a veteran of Indian retail industry with over 35 years of experience, having worked with the likes of Hindustan Unilever Ltd and Titan Industries, where he helped build brands in the watch and jewellery industry like Titan, Fastrack, Sonata, Tanishq etc.
He also had a stint with Reliance Retail. Currently, he is an independent consultant and member of the Strategic Advisory Board of L Catterton Asia (a part of the LVMH Group). He is also an Independent Director on several listed and unlisted companies, RAI said.
Lalbhai, on the other hand has been instrumental in setting up several new retail concepts and also spearheads Arvind Group's digital initiatives, it added.
B S Nagesh
Bijou Kurien
Hindustan Unilever
Kulin Lalbhai
Retailers Association of India
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Hi Anuj, You seem to have seen this problem. We have a TFS 2010. What I am facing currently that after around 10 to 12 builds on my build agent, I start seeing my unit tests failing randomly with OutOfMemory and Not enough storage exceptions. Once I restart the build agent, I am fine till I fire another 10 to 12 builds and the problem starts popping up again.
Increasing the RAM fixed the issue for me. So you might want to try that.


Business and Financial News Find the latest business news with reports on Wall Street, interest rates, banking, companies, and U.S. and world financial markets. Subscribe to the Business Story of the Day podcast.
November 28, 2002 • Retailers welcome the tentative labor agreement between union dockworkers and West Coast ports. But some merchants worry there is not enough time to properly stock shelves for the holiday shopping season. NPR's Elaine Korry reports.
November 27, 2002 • A federal judge approves a partial settlement between WorldCom and the SEC in which the company accepts allegations of fraud and agrees to close monitoring of its corporate governance and its accounting controls. The judge defers a decision on penalties. NPR's Jim Zarroli reports.
November 26, 2002 • A federal judge in New York accepts a settlement between WorldCom and the SEC.
November 26, 2002 • A former broker for Citigroup's Salomon Smith Barney division sues his former employer, claiming he was a "pawn" sacrificed to protect senior executives at the firm. NPR's Chris Arnold reports.
November 25, 2002 • Shipping companies and West Coast dockworkers reach a tentative agreement on a six-year labor contract. If ratified, the settlement would end a bitter labor dispute that shut down West Coast ports for 10 days this fall. NPR's Scott Horsley reports.
November 25, 2002 • Over the past five years, Maverick Construction founder Michael McNally has seen revenues grow tenfold and even in the current economic slump, sales are up about 20 percent over last year. Still, McNally is feeling cautious about the future -- and he's not alone. NPR's Chris Arnold reports.
November 25, 2002 • Shipping companies and dockworkers on the West Coast reach an agreement on a six-year labor contract. If ratified, it would end a bitter dispute. A union vote is expected after Thanksgiving. Carrie Kahn reports.
November 24, 2002 • Troubled companies rush to appoint new chief executive officers to appease stockholders as scandals and losses continue to plague many of the country's biggest firms. NPR's Steve Inskeep talks with Jeffrey Garten, dean of the Yale School of Management.
November 23, 2002 • Butterball CEO Bob Wright talks turkey about a business that does roughly half its yearly business during the holiday season. Wright says his company -- a division of ConAgra Foods -- is about to trot out a variety of new turkey products. Wright's interview is from The Motley Fool Radio Show.
November 23, 2002 • Californians Jim McKenna and John Lieberman are collecting those ubiquitous AOL promotional CDs with the intent of dumping one million of them on the Internet giant's doorstep. They're fed up with the promotional blitz. McKenna speaks with NPR's Scott Simon.
November 22, 2002 • The Bush administration issues long-awaited revisions to clean-air regulations, allowing utilities, refineries and manufacturers to avoid having to install expensive new anti-pollution equipment when modernizing plants. NPR's John Nielsen reports.
November 22, 2002 • Congress approves fines and prison sentences for persons who disclose critical infrastructure information that businesses want kept secret. The provision is part of the newly passed Homeland Security Act. Sen. Robert Bennett (R-UT) speaks with NPR's Bob Edwards.
November 22, 2002 • Wal-Mart's employment practices are under fire from labor unions. Demonsrations were held Thursday in 40 states. The discount leviathan shrugs at union criticism. Company officials note that previous union bids to organize Wal-Mart have failed. NPR's Adam Hochberg reports.


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text:
The Day the Music Died: A Grooveshark Retrospective
Justin Pot May 2, 2015 02-05-2015 5 minutes
Grooveshark is dead. Killed after 10 years by record labels baying for blood.
Unlock the FREE "Spotify Keyboard Shortcuts" cheat sheet now!
The music streaming service famously offered free streaming of seemingly every song, and infamously did so without licenses. It's kind of surprising the site stayed online as long as it did – it took until April 30, 2015 for the site to be taken offline entirely Tesla Energy Is Live, Grooveshark Is Dead, Microsoft Guesses Your Age, & More... [Tech News Digest] Tesla Energy Is Live, Grooveshark Is Dead, Microsoft Guesses Your Age, & More... [Tech News Digest] Tesla Energy lives, Grooveshark dies, Microsoft knows how old you are, Night Terrors invades your home, download P.T. from PlayStation Store, and elders react (badly) to Mortal Kombat X. Read More , after nearly a decade of controversy.
As of now, would-be users are treated to a message instead of music:
We failed to secure licenses from rights holders for the vast amount of music on the service. That was wrong. We apologize. Without reservation. – message on the Grooveshark.com homepage
It's quite a statement, considering the history of the company. As recently as 2012, its CEO argued all music should be free, suggesting artists focus on concert revenue instead:
It's clear that in ten years, the incentives are going to align so that music should be free, because it's going to sell everywhere else. -Grooveshark CEO Sam Tarantino
Well, it's now 2015 and the streaming generation is well established The End of Ownership: Netflix, Spotify, and The Streaming Generation The End of Ownership: Netflix, Spotify, and The Streaming Generation Streaming media is convenient, but you're giving up something important: ownership of digital media. Read More , but it's services like Pandora and Rdio – both of whom pay royalties to artist and labels Why Taylor Swift Is Wrong About Spotify Why Taylor Swift Is Wrong About Spotify In the past week Taylor Swift has pulled her music from Spotify, inspired countless song-pun laden headlines and reignited the debate about streaming music services. Read More – that are leading the pack.
How did Grooveshark stay alive so long? And what does its closure mean for users? Let's take a look.
What Was Grooveshark?
In its most recent incarnation, Grooveshark was a website offering free streaming music. You could head to the site, search for any artist, album or track, and basically start playing what you wanted right away.
A mobile app was briefly available, but ultimately removed from both Apple's App Store and Google Play. To get around these restrictions, Grooveshark created an HTML5 version of their site that mobile users could open in any browser.
There was a lot to like about Grooveshark. You could play whatever songs you wanted, including a lot of stuff not offered on other streaming services. If you couldn't find a particular song, but had it on your computer, you could upload it – meaning Grooveshark was a sort of YouTube for music.
Why Did Grooveshark Shut Down?
Of course, in its early days, YouTube itself was full of pirated content – something that prompted more than a few lawsuits. This is why YouTube today has a filter to catch unauthorized uploads of protected movies and TV shows, along with a number of other (controversial) tools for rights holders to remove videos from the site.
Grooveshark didn't implement anything like this. If a record company specifically requested a recording be taken down, they'd comply – all that's necessary under the Digital Millennium Copyright Act (DCMA).
But once music was taken down, it would reappear on the site quickly – sometimes within hours. Grooveshark argued it was the users that were re-uploading the music, and that it wasn't Grooveshark's responsibility to take the music down again without another takedown request. This meant that, for record companies, keeping their music off of Grooveshark meant playing a neverending game of whack-a-mole.
This was the status quo for a long time, until internal emails revealed at least some Grooveshark staff were uploading music themselves.
Basically, Grooveshark shut down because it was a streaming piracy service. That's a claim Grooveshark denied for a long time, but now makes explicit in the mea culpa published on its home page.
If That's True, Why Didn't Grooveshark Die Sooner?
That's a good question. The answer is simple, according to music industry consultant Mark Mulligan.
"Good lawyers, basically," Mulligan told The Atlantic, adding that it took the labels "time to be able to make the case." He added:
Ultimately, they were always going to get there, but the complexity of copyright law almost always means that these cases can take a huge amount of time. -Mark Mulligan
Grooveshark was very good at exploiting the gray areas in the law – and the legal system's endless series of appeals – in order to stay online. But that couldn't possibly last forever.
So What Happens to the Users?
Basically, they're screwed. Grooveshark is completely gone, and it's not coming back. The record labels now own the service, and it's highly unlikely they'll bring it back in any form that resembles what the site was – if Jay Z's Tidal is any indication, the industry sucks at running streaming sites Why Jay Z's Tidal Music Streaming Service is Doomed to Fail Why Jay Z's Tidal Music Streaming Service is Doomed to Fail Jay Z recently relaunched Tidal, the music streaming service he acquired for $56 million. Tidal has 99 problems, and the pitch is one. Read More .
However, if you were a longtime Grooveshark user, it might be possible to get at least something back. GrooveBackup [Broken URL Removed] aims to provide you access to your playlists, but reports of this working are mixed at best.
Assuming you haven't cleared your browser's cache in a while though, there's another thing you can try:
If you act fast you can still go to http://t.co/CaocE7iHGe, open up developer tools, and inspect the localstorage values for a list of songs
— Russell Heimlich (@kingkool68) May 1, 2015
What Did Early Grooveshark Look Like?
MakeUseOf profiled Grooveshark way back in 2008 Grooveshark - Free Legal Online Music Grooveshark - Free Legal Online Music Read More , and it looked very different back then, to say the least.
Users needed to download a piece of software before they could play music, and even email a Grooveshark employee directly before they could get access to the service.
At the time, Grooveshark wasn't just for streaming songs: you could actually buy a "used copy" of an MP3 from another Grooveshark user (if you did, the MP3 would be deleted from the other user's computer).
Naturally, for most major labels, Grooveshark had no permission to do this, whatsoever, as Chris Morrison of VentureBeat explained at the time.
Although users are only supposed to share songs by artists from the small records on the company's list, that's an unrealistic expectation at best, as there's no way to automatically filter content.
This would be the pattern of Grooveshark for most of its existence. The site ultimately abandoned the idea of selling used MP3s without permission from rights holders, focusing instead of offering streams of music without permission from rights holders.
What Will You Replace Grooveshark With?
Longtime Grooveshark users will clearly miss the site, but anyone surprised by its passing clearly wasn't paying attention. The writing has been on the wall for Grooveshark for a while now.
As such, I bet most of you found alternatives a long time ago – and I want to know which services you plan on using now that the inevitable has happened. Potential replacements for Grooveshark include Spotify, Rdio, and even YouTube, but I want to know what hidden gems you guys might know about. Let's talk!
Explore more about: Grooveshark, MP3, Rdio, Spotify, YouTube.
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A new music streaming service called urRadio was launched in late March. urRadio combines streaming music and what you loved about Radio DJs (broadcasting, group chatting, sharing music and more!). Still testing this new music platform and like it so far. Their catalogue is not as big as Grooveshark's but hopefully it should be improved by the end of this year along with some enhancements and new features for DJs.
Hi Les Voyageurs. Were you a folk deejay with that name on Grooveshark? I can't find your station on urRadio.
Hey Mike. Indeed we did broadcast "Folk & Beyond" on Grooveshark for many years and now on urRadio. Our pseudo is: LESVOYAGEURS and we are on air atm. Cheers!
Thank you! I have always liked your station and was the biggest reason I missed Grooveshark.
Hey Mike! You are most welcome. Hope you will enjoy our new selection. Many good vibes your way and see you soon on urRadio.
There is a new streaming service that allows to import your "lost" GrooveShark playlists into it and start listening almost immediately. Import process is very fast and takes a couple of seconds.
http://streamsquid.com/index.php?type=gs
You just saved me years of collecting music and playlists that I liked to listen to. I honestly can't even tell you just how happy you just made me. This is amazing!
Justin Pot
Seems like it uses YouTube for its music source, but otherwise works a lot like Grooveshark. Interesting.
Sarah Al Akkad (?????????)
People keep saying Spotify as if everyone in the world lives in the US. Spotify isn't available in Japan (nor are Pandora or rdio). What am I supposed to do then? Grooveshark was my only to discover what was popular at the time (I had been using it for about 7 years now) I have to dig deeper.
Honestly, I think spotify is cool, but i miss how I could just type in grooveshark.com and it would remember all the songs i had bookmarked without me having to log in. And spotify has no where near as many songs, grooveshark had many songs from pretty much every band in the world and it was rare for a band to "not exist" on the site, but now I go to spotify, and bands like "The Legion of Doom" among other bands apparently "do not exist" or if i can find the band, all the songs are crappy knock-offs done by "tribute bands" or "live performances" and I would rather hear the real band and if i want to hear it "live" then i will go to a concert myself.
Grooveshark was only able to pull that off because they didn't both to ask permission to put the songs on the site. I'll admit it's nice for the user, but it's not ideal for artists.
Gleeren
I do not like the music industry's attempt to squeeze every penny out of us for every song every created. I understand getting compensated when you work really hard and that should always be the case but when the industry is a billion dollar business to destroy something groove shark was about you can't do this because we said no.
That stated I am very disappointed in Grooveshark. They always stated that they were in it for the music lovers, if that was the case then why not come to some kind of compromise with the industry. I would completely understand if they explained that in order to stay afloat even the basic service would be $10.00 a month. Why think "even for a second" that your were going to win against an entity as powerful as the music industry.
I have been looking for a week now to find something even close to Grooveshark, not possible.
I don't think they had much of a choice to compromise, they were very clearly in the wrong and the music industry had every right to take them down. Nothing close to it will ever exist again, unless some company manages to get the rights to most of earth's music.
Very interesting Grooveshark retrospective Justin!
If you feel like it, you might join the Grooveshark Forum to get some feedback.
http://sharkcommunity.com/viewtopic.php?f=2&t=233
Maybe all hope is not lost after all! ;-)
Sir Gib
Really liked Groveshark, quite a shock when it dispappeared the other week:( HAd listenend for free about 3 years, was 1 of the paying members the last year. An idea for a revival would be to have interested music lovers listen & build playlists for free for a set amount of time, say 1 month. After that, an advisory note of "Would you like to be a member? Here's how!" should pop up upon entering the site with the correct username & password. After another month a final adivsory note "Your trial time is soon over - become a full member by [date]. After this, your usernamne, account & playlists will be removed". Of course 1 could start afresh by joining for free as a new member, & have copied the playlists, but most people are decent about these things in the end.
Spotify is really similar in some ways, and offers an unlimited free trial with ads. Not sure if anything better is likely to come along, but you can also check out Rdio if Spotify isn't right for you.
I will miss grooveshark very much... I used to only listen to classical music when I was a kid... And with 17 I began with back metal too... I used to download... When I discovered groovesharck, as I couldn't stand spotify after the first advert destoid my listening session, I began to search for new music and discovered electronical music... And other weird stuff. Most of my follows had less than 100 listners... There was this band for which I was the only follower! I never uploaded... Wasn't even sure I could, not being a band myself. I hope I can find another site, I prefer this to the mule, so much better to discover new musicians.
If you want to discover independent musicians, I recommend checking out Bandcamp. There's a lot to explore on that site.
I looked into it and found this: http://bgr.com/2015/05/05/grooveshark-is-back-online/
Supposedly "Shark" and some colleagues are trying to completely restore Grooveshark, but right now only have parts of it. I guess we'll just have to wait and see what the future holds for Grooveshark.
Yeah, we're watching this closely. Should be interesting...
Update: this doesn't seem to be affiliated with Grooveshark in any way. It's a search engine for file sharing sites.
its just like the torrent sites, they will always find another way. please bring grooveshark back
I'm not so sure. Offering streaming music is pretty different, in terms of cost, than offering magnet links. Whoever sets up an alternative system is going to need some cash on hand – and having cash on hand will make you a target pretty quickly.
Then again, there are plenty of streaming sites with pirated video out there, so maybe I'm totally wrong.
Shane Plank
We all need to start campaigns in our own communities and watch it spread throughout music lovers everywhere. It shall be called the Save the Shark campaign
I will miss Grooveshark. I only listened to music for myself and never uploaded a thing. To my friends at Grooveshark, I am sure we will see you again in some form or fashion. You have a lot of fans in the cyberworld and the genie is well out of the bottle.
It will be interesting to see what the members of the team do next, I have a feeling this isn't the end.
Thewarsword
Grooveshark cared about their customers and innovated, and brought services without spoiling the experiences for the customer.
Meanwhile, Spotify and pandora can't seem to provide half the value, features, customer service, and with more ad revenue (if they aren't making more with those intrusive ads that ruin my experience then another thing they should'vshould've learned from GS) then GS.
GS was clearly a marvel and built a community that no other company I Know of, let alone streaming service could match.
From my perspective, they (labels) don't care about my experience, just my cash. Then they want to know why everyone turns to GS and torrents for free music?
Thanks for the article and reading my comment. I like this website.
If you don't like the labels, don't steal their music – stop listening to it. There are plenty of musicians out there who do care about your experience, many of whom share their music free of charge on sites like Bandcamp.
I like pandora's service...Spotify is only good when I want to listen on my ps4.
Looking at what grooveshark accomplished I realized it never was about it being free.
Grooveshark didn'tt have ads that were overly annoying, added radio like pandora, broadcasts by my fellow sharks, I could say I really loved this song, or I didn't love that song for this station. I had a voice and a community.
I never paid for grooveshark, but if they had asked like Wikipedia asks I would've found the money without asking any questions.
They let it be free, helped me find music I can't find anywhere else...added features reguarlly, let me make playlists...and with me not paying a dime, no ads to ruin my experience, and providing a community and unique service... and here pandora and Spotify and beats... all they want is my 10 dollars a month for half the quality?! Are you kidding me?
Grooveshark did a lot more then these larger companies could with less resources. That whole last message on their site tells me they cared about my experience even though they got shut down.
They didn'didn't blame the labels, or compete with Spotify in that last message. They just wanted me, the nonnon-payment customer, to be happy. Holy shit, business around the world should learn from this.
Am I only person outraged by this loss? Angry that a company gave a damn and no one else cared anything other then the money?
What GS did was wrong, and I wish it turned out differently.
Thanks for the article. Thanks for the read.
There really was a lot to like about Grooveshark, it's true, I hope other companies are paying attention.
I'd add one other point to yours, though: it's easy to keep ads to a minimum if you're not paying for the content shown. And there are sites that let users uploading and share music, and build a community, just without the protected works.
This was very bad news. The Grooveshark was actually a great service to music fans, allowing access to music from all over the planet and that are outside the mainstream, including the labels.
Lose the public, but also lose the artists who had an excellent tool to democratize public access to their works and make them earn sense.
I would love to get the data of my playlists. For years I researched a lot of good stuff that stood there. To all who felt wronged, sign: https://www.change.org/p/grooveshark-allow-users-to-backup-their-playlists
I'm still researching how best replacement for Grooveshark. For now, what seems to be closest is the http://www.deezer.com.
I agree that artists have a lot to gain by giving their audience easy access to their work, and I'm sure many took advantage of that. Some still will, using platforms that also filter out protected information.
I would point to SoundCloud and BandCamp as sites that all sorts of independent artists are using to offer free streams of their music, and in many cases even free downloads. You won't find the big-label stuff there, but there's some great music to be found if you take the time to look.
Good tips, Justin!
But I enjoy very much sounds from Latin America, Africa and East, like Bi Kidude, Hamza El Din, Kélétigui Diabaté, Toumani Diabaté, Zakir Hussain, Hariprasad Chaurasia, Manu Dibango, Giovanni Hidalgo, Mercedes Sosa, Babatunde Olatunji, Egberto Gismonti, Hermeto Pascoal, Nana Vasconcelos, among many others. And unfortunately, it is very hard to hear them for free and even more so their albums.
But thanks anyway and congratulations for this work!
I'm wondering if anyone has found another site that will let you broadcast like GS did.
I'm not familiar with this broadcasting feature, how did it work? I could look for something for you.
Broadcasting would let you be the DJ. You start the broadcast, choose the name of it, the songs it played, whether you wanted to allow chat or not (it had a chat feature for in the BC), if you wanted to appoint someone as your "special guest" (which was basically chat cop - they could ban someone if they got too unruly). It was a nice feature. I used to listen to one every day at work, 80s - Best of, that had an awesome selection and great regulars. You could chat with people if you wanted to, request certain songs be played (which were then upvoted by others who wanted to hear it), and if the DJ approved it, it became part of the queue that day.
That sounds amazing, I wish I'd found this before the site was shut down.
I think it's interesting that Grooveshark being forced into making an HTML5 site due to getting shut out of the app stores means that, now, all the users are getting their data out even with the site shutdown. Web standards are pretty cool!
Web standards are amazing, this is a great footnote to this entire story.
Re: Groovebackup: the actual URL just leads back to the takedown message right now, BUT if you google groovebackup and click on the cached page, you can still access it. That's how I got my playlists back, big relief.
It's a shame it was taken down, that was useful for music fans. Seems like a dumb move.
Im trying but nothing happens :(
Thanks Emma! I have recovered all my playlists using from the cached view, which loaded groovebackup.com/home.
i used Grooveshark faithfully for 10 years and even won tickets to VooDoo Fest in New Orleans with the service . Amazing right It served me well it was my one excuse for avoiding spotify and pandora (the more common services)
Have you thought about which service to check out now that Grooveshark is gone?
The RIAA strikes again. The DMCA not only stops sharing sites, it prohibits new artists from putting their content online for free, though deals with Microsoft etal.
Now a good artist who may offer brilliant new music will never be heard unless some fat lazy ass well fed record A and R guy feels like actually listening to new sources.
What are the odds of that? Practically 0.
Artists should be allowed to put their own music online with the software they purchase and not be harassed by a cabal of record label executives, who fear competition.
Dood artists who just want to be heard are free to upload their music to sites like SoundCloud. Many of them do; some make careers out of it.
Grooveshark could have behaved like Soundcloud, giving independent artists a place to show off their work while stopping users from uploading protected work. They didn't, because they thought having that work without a license would help them attract listeners.
Good news... you can still retrieve your playlists.
Go to audiosplitter.fm and sign up, then click on the Grooveshark logo in the header and you'll be prompted to type in your GS email address and after a few minutes a dropdown menu will appear with...guess what...all of your GS playlists which you can then import one at a time.
That's pretty cool, I'll have to check this out.
I fount this message:
Hi ogakors,
Due to circumstances beyond our control, the Grooveshark Playlist Import feature is temporarily unavailable. Please bear with us, we're working hard to solve the problem, and we'll let you know when it's back online.
audiosplitterHQ
I've already follow your steps and I could only recovered 24 songs, from different playlists that I've use to have. Is it normal? How can I get back all of my songs?
Shit! How can i get back all my playlists..! and even worst I begun to pay the service this month , already 18 euros are gone for this website and no one will give me back that money!
There's a few tips for grabbing your playlists above, but you gotta be fast about it.
I hope they (the record companies) just want the software for Apples upcoming music service! I liked the Grooveshark interface better than the others (Spotify, Google Play, etc).
Yeah, Grooveshark did a lot of things right in terms of UI, it's sad to see it go from that perspective.
Arpit Kharbanda
I think SoundCloud is good.
I love SoundCloud, there's a lot of great music there to explore.
Hildegerd
Too bad Grooveshark is down, but, but things always ends.
Well, I'm computer dumb. I had a number of Playlists---so isn't that the same as downloading the songs, because I did NOT share the music, but I did "download" them to my playlists, so wasn't I downloading then?
I have no idea, since I didn't do that.
Connie: you'd be downloading the list of songs, not the songs themselves.
James Edward Crowley Maximus Meridius
yeah true i wish they will be another website like grooveshark that will replace one day.
I would be afraid to even get a "copy" of my playlists so I could go on another legal site to rebuild. I'd be afraid that whoever shut Grooveshark down could sue just for trying to get access to the playlists for none other than building new playlists elsewhere.
There's not really any risk of that happening, Connie – you never downloaded music from them, so you never really broke the law. You're fine.
I moved to spotify a few months back. I didn't foresee this happening this quick, but like it was indicated above , it was just a matter of time.
Yep, only a matter of time. Spotify seems to be doing things the right way, though, users and the industry are both pretty happy with it I think.
Paul R
I like spotify's model. They legally allow you to play music--it just doesn't become part of your own collection that you can have when you aren't logged in to Spotify. They do make payments to the rights holders of the music. They have paid $2 billion for the music they play. I actually prefer listening to music there, rather than youtube, as Spotifiy does make payments.
I realize that those payments aren't much at all--but that is due to the record companies and the economics of the music industry; that isn't Spotify's fault.
They don't have as much music as youtube does, but any more, I only go to youtube for videos, or for rare or concert footage. For listening to most music, spotify is just fine.
Yep, there's a lot to like about Spotify's model for consumers. As for artists getting paid: that needs to be worked out. But anyone who pays for Spotify shouldn't feel guilty about anything.
The majors insist on "the artist being paid", hiding that they give them almost nothing, keeping the money for themselves ! With over-the-internet music, the majors are not needed any more, that's why they are so aggressive to try to lock the market..
So stop listening to anything made by the majors; support independent artists. Plenty of them offer free streaming of their songs, and DRM-free MP3s to purchase. If you want change, ignore what the major labels put out entirely.
Howard Pearce
Copyrights are one of those intellectual property rights enforced in various countries.
Such agreements/arrangements should be enforced with a contract/agreement when you buy a product .... similar to software, maybe.
Justin Pot 857 articles
Justin Pot is a technology journalist based in Portland, Oregon. He loves technology, people and nature – and tries to enjoy all three whenever possible. You can chat with Justin on Twitter, right now.
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redpajama_set_name: RedPajamaCommonCrawl


His musical career began at his fifteen. Soon after he played in various jam sessions. After breaking of their first band, he has landed in The Fifth Season (later AlmostRage), band that play a unique metal and is not based on speed and brutality. Participation in this band is a special pleasure, as they are primarily good friends. Creativity and performance is always a challenge for them. His second band in the is Sixtynine. He was invited to the band by guitarist Tadej, with whom he played together in the first band "VzRock". They are finishing their first album "Lazy Crazy Thing", produced by Andrea F.
For the album he wanted a unique sound. For that occasion Manic drum designed him a snare with the combination of acacia and walnut and the "beast" named "Tempesta" was created.
VzRock, Tribu`Litfiba, Albakiara, Sin Story, Plava Jabuka, AlmostRage, Sixtynine.


In 1971, when the Southern area of Washoe County was still a predominantly rural area, the Diocese dedicated a small mission church in an area known - Washoe Valley. In those days, the whole of Washoe County contained only 121,000 people. Holy Spirit Mission was a metal building that had served as a commercial engineering shop and was then donated to the Diocese. This little mission was originally served from a parish in Carson City.
As the years went by, St. Teresa of Avila Parish in Carson City grew and it was no longer possible to spare a priest to go to Washoe Valley so its care was transferred to the new parish of Corpus Christi, also in Carson City. Corpus Christi was a small parish that had been formed originally to serve the needs of the students at the Stewart Indian School. When the Federal Government changed its approach to the education of Native American children, the school was closed. Corpus Christi remained to serve the small population of the area that is still known as Stewart. The growth of Carson City continued and the number of parishioners at Corpus Christi and St. Teresa"s continued to grow. No one from Carson City was available to care for Holy Spirit Mission and it was closed for a number of years. The people of the area still tried to maintain the church in hopes that they would have another priest to serve their needs.
Eventually Father Vincent, a retired priest of the Diocese, took on the task of serving Washoe Valley. He traveled out to the mission each week for Mass. The building itself began to fall into disrepair since neither the mission nor the Diocese had the funds to maintain it and no one knew whether or not it would remain in use. When Father Vincent was no longer able to care for the mission, it was closed again.
In 1996 as the population of the County reached 305,000 people, Bishop Phillip Straling established a new parish in South Reno. St. Rose of Lima Parish was formed to serve the rapidly developing community. St. Rose of Lima had no facilities in which to gather or celebrate the liturgy. Sunday Mass was celebrated in a nearby public school but the facility was only available for use on Sunday mornings. As St. Rose Parish Council and pastor began to plan and look for options, Holy Spirit Mission, though small, was given a new lease on life. It could be used for Saturday evening Masses and provide a place to celebrate weddings and funerals even though it was too small for use on Sunday morning.
The building was in a state of disrepair and the grounds had never been developed. Located on only a small plot of land and with no possibility of expansion for St. Rose of Lima Parish, the mission would never be able to serve the permanent needs of this new parish but it could serve as a temporary base.
"Perhaps it was the Holy Spirit who worked to assure that this little church named in His honor would remain, more beautiful than before, to serve the People of God in Western Nevada." The above quote and the early history of Holy Spirit Mission were taken from a pamphlet, "The History of Holy Spirit Mission". published by the Frontier of Faith, a missionary effort of the Roman Catholic Bishop of Reno.
In 1980, after Frank Le Sage placed rocks in front of the Chapel in the form of a cross, Father Flannigan blessed the property.
The first Tridentine Latin Mass was celebrated by Father Avela in August of 1983, before the Chapel was completed. The Chapel was completed in 1987. Father Bengal donated artifacts from the first altar of St. Mary's in Virginia City along with the life size statutes of the angels. There were approximately one hundred members.
In 1990 after the Bishop of Reno announced that Our Lady of the Most Blessed Sacrament was not with Rome, the membership dwindled. In 1991, the Chapel was reinstated, Father Viegas became the new pastor under the Diocese of Reno. After Father Viegas left, Father Gallager, from St. Robert Bellarmines in Femley, was appointed to service Our Lady of the Most Blessed Sacrament as a Mission Chapel.
Mr. Jack Scholz, who moved to Reno in 1991, was interested in the Tridentine Latin Mass. In 1996, he asked Bishop Straling for formal approval to celebrate the Tridentine Latin Mass in the Reno Diocese. His approval was granted on the basis that a priest would be available to say the Mass.
Mr. Scholz donated money to improve the chapel, Our Lady of the Most Blessed Sacrament in Silver Springs. Mr. Scholz was friends with Father Cyril Apassa when he lived in Los Angeles. He asked Father Apassa if he would be interested in saying the Tridentine Latin Mass in Silver Springs. In July of 1996, Father Cyril Apassa, who was from Nigeria, was appointed the new Mission Priest, and celebrated Mass at Our Lady of the Most Blessed Sacrament in 1997. Mr. Scholz sent Father Apassa to the University of San Francisco where Father received his doctorate. Father Apassa was under the direction of the Bishop of Nigeria until the year 2006, when he was incardinated into the Diocese of Reno.
Because the Chapel in Silver Springs was too far for most Washoe County people to attend, and since it was located on private land, the Chapel in Silver Springs was no longer approved by Bishop Straling, therefore, Mr. Scholz had to look elsewhere for a building. The Chapel in Silver Springs is still open to the public and anyone is welcomed to visit at any time.
Mr. Scholz had the option of choosing Washoe Valley, or a church on Highway 80. He also tried to get the Immaculate Conception Church, but the cost of renovation was too high.
Bishop Straling offered the Holy Spirit Mission church which was not being used at the time other than for some special purposes.
Mr. Scholz was very interested in the growth of the Church in Western Nevada. He was willing to take on the responsibility of making Holy Spirit Mission usable and attractive. It was soon discovered that in order to bring the old mission building up to code, a major overhaul would be needed. In essence, the building was stripped down to the metal frame and then reconstructed. The result is a mission church that is structurally sound and very beautiful: more than suitable to the celebration of the Mass.
In the years 1995 and 1996, Mr. Scholz had the entire church renovated, and had the landscaping redone. The only thing left in the church which were not replaced are the organ and the cement pad. He extended the building by 20 feet to allow for a sacristy and proper altar placement, built bathrooms, replaced heating and air conditioning, windows, the roof, windows, etc. The parking lot was raised and the rock wall was installed to accommodate better parking. The landscaping was completely redone. The sign in front was added. The pews came from a convent in Chicago, which was closed, and were completely refurbished in Wisconsin and shipped to Reno. He also had an artist from Los Angeles paint the mural behind the altar. The mural depicts the vision Sister Lucy of Fatima had around 1937. It is slightly changed as there was not enough room to depict the vision exactly. All of the religious items, tabernacle, vestments, angels on the altar and the crucifix were hand carved in Austria. The stain glass windows were done by a company in Reno.
In light of the papal indult of October 1984, Bishop Phillip Straling approved the celebration of the 1962 Ordo Missae within the Diocese of Reno with the stipulation that the celebrations take place at Holy Sprit Mission in Washoe Valley, NY. Father Apassa was appointed by Bishop Phillip Straling, as Parochial Vicar of St. Rose of Lima Parish to serve the Tridentine Rite community at Holy Spirit Mission, effective July 29, 1997. On February 28, 2007, Bishop Randolph Calvo continued Father Apassa's appointment, and granted the same permission as Bishop Straling.
Holy Spirit Mission became a mission of St. Rose of Lima parish, with Father Tom Donnelly as its Pastor and Father Cyril Apassa as its Parochial Vicar. Since Father Donnelly's retirement, Father Larry Morrison became the new Pastor of St. Rose of Lima parish and Holy Spirit Mission.
Some of the members who attended the Mass at Our Lady of the Blessed Sacrament in Silver Springs became members of Holy Spirit Mission. Frank and Barbara La Sage, owners of Our Lady of the Most Blessed Sacrament chapel, are also members of Holy Spirit Mission.
After the first week of Father Apassa's celebrating the Tridentine Mass at Holy Spirit Mission, Mr. Scholz asked Mary Pat Thompson to begin a bulletin for the church. Mary Pat faithfully did so for ten years. She retired, because of illness, after her October 22, 2006 bulletin was published. Mary Pat was also of great help to Father Apassa through her years of service. Enola White took over from Mary Pat with the publication of the October 29, 2006 bulletin.
The church choir was organized and led by Kathy Reinheimer in September of 2002. About the same time, Mark Dorio became the organist. At present Kathy leads six choir members, Sylvia Czyz, Judith Dragon, Anne Marie Dixon, Kim Pilant, Rachel Slagel and Pat Blasius.
The Church Council was organized by Andy Scholz, son of Jack Scholz, in 1999. At present the council consists of seven members, Tom Czyz, Sylvia Czyz, Tommy Czyz, Anne Marie Dixon, Judith Dragon, Phillip LaPoint, and Enola White.
The Finance Council was organized at the same time as he Church Council, but was not fully active until June of this year. It consists of three members, Tom Czyz, Anne Marie Dixon and Enola White.
On June 2, 2007, Father Apassa began religious instructions. Instructions are held on the first and third Saturday of each month. All children of Holy Spirit Mission are welcome to attend.
In the past we have had Father Gardner, from the Institute of Christ the King, replace Father Apassa when Father was not available. Recently, Bishop Calvo has requested that we use the priests in the Diocese to take Father Apassa's place when he is not available to say the Tridentine Latin Mass. The priests who say the Latin Mass in the Diocese are Father Tom Donnelly, Father Albert Fosselman, who is retired and resides in Reno, Father Angeles DeLeon from Carson City. Father Apassa has also mentioned a seminarian who is planning to be ordained in the Latin Rite.
Maintenance of the church is ongoing. The parking lot was paved about four years ago. The church was painted in September of 2005. The lawn is being maintained on a weekly basis during the Spring and Summer months, and in the Winter months, we have a contract for snow removal.
As of this date (circa 2008), we have 139 registered members, including children. There are 71 families registered.


Pride and Prejudice and Zombies may not have been the first historical zombie novel but it did bring the idea into the mainstream. There is something about an undead uprising before the advent of modern technologies that is endlessly entertaining to read about. Of course Pride and Prejudice's big thing was that it was the original text from Jane Austen but with extra parts slotted in. Lizzie Borden, Zombie Hunter is slightly similar, though this time around a fictional book has been written about real world Lizzie Borden who was on trial in the late 19th Century for the axe murder of her father and stepmother in Massachusetts, and who was acquitted of the charge. This book theorises what if she really did commit the murders, but with the twist that it was down to her parents both being zombies.
After finding her parents infected with a strange affliction that causes them to try and violently attack her, Lizzie Borden is forced to kill them. John Fremont; a member of a secret group named 'The Society' introduces himself to Lizzie and tells him that people have been returning from the dead all over the city, and that his group are dispatching them in secret so as not to cause a panic. However due to the clandestine nature of their actions they can't stop Lizzie from being arrested for murder. Without even knowing if she is going to be locked away for her perceived crimes she must work with John and others to investigate just how this plague came to the city, and what part her father may have had to play in all this.
This book starts off with no slow introduction, instead we are thrown straight into Lizzie's first contact with the undead. This abrupt start didn't really resonate with me as I felt more confused than anything at what was going on. Not at the actual events, more that the main character is in the midst of action with no feeling of what sort of person she was. However the book then settles down into something more familiar with the main bulk being the investigations that Lizzie, her sister Emma, and John carry out on various properties her father once owned. This leads to a lot of localised zombie fighting. I liked the idea of a secret society trying to contain an undead apocalypse from coming to pass and I liked what they did with the character of John. Initially it seems he is to be Lizzie's love interest, for me I couldn't stand his character as it felt like he was using her for his own ends, so it was good to see him fade out the story, I had worried this off putting nature of his was accidental on Verstraete's part, but it wasn't at all. Of the other main characters it is Lizzie who stands out as the best one. She is strong willed, but there was also a vulnerability to her character on the many occasions she bites off more than she can chew. The less said about her sister Emma the better though, she came across as a perpetual damsel in distress whose meek nature and poor sensibilities just created no end of situations where she need to be rescued from the ghouls.
I did wonder if basing this character on a real life woman was a good move, she may have been acquitted of the charge but there are many to this day who believe she was guilty of murder. However it has been over a hundred years so is not exactly like it matters too much in modern day. It leads to most the chapters starting with a real excerpt from her trial that was fun with the twist this story gives her motivations. There was a decent sense of Crime and Punishment at times with Lizzie living in fear of being arrested, but that whole element of the story is dealt with at around the halfway point. With the verdict already known it was less being worried about what would happen to her and more wondering how she would manage to avoid jail. The story is simple, but it is fun to read and leads up to an escalation, even if it does all get resolved frustratingly off the page for the most part.
As always it is cool to see how people of a different time deal with the undead, here it is mostly pistols and bats that leads to a lot of exciting scenes. There are comparisons of the zombies to things more well known of at the time such as Dante's Inferno, and Mary Shelley's Frankenstein which was a nice touch, while with the corpses themselves there is a little addition in that they are so full of insects that they often spill out upon the reanimates passing.
After a sudden start Lizzie Borden, Zombie Hunter slows down into a more structured read, one that doesn't create too many memorable characters but is still a good yarn told in a well written and engaging style. If your after a fix of olden days zombie slaying then this should do you fine, the book can be found here.
Thanks for the review. Glad you enjoyed the book!


Doll well updated and lots of charm. Residence features 3 bedrooms, 2 bath, 9' main level ceilings, hardwood floors, formal living room and dining rooms, sunroom, whirlpool, built in bookshelves, fireplace and kitchen appliances included. Basement has comfortable and cozy rec room and home theatre room, garage, storm shelters and mechanicals. Huge multi-level deck, large shaded backyard, concrete drive and more. Call today for your private tour.


text:
PAHO Donates Vaccine Carriers To Saint Lucia – St. Lucia Times
1 month ago ·1 min read
The Pan American Health Organization, on Dec. 21, donated 80 vaccine carriers to the Ministry of Health, Wellness and Elderly Affairs valued at over EC $3500.
These vaccine carriers will strengthen the cold chain program to ensure that needed vaccines are accessible and delivered to hard-to-reach areas in the country.
This initiative is part of ongoing technical cooperation to reduce the spread of vaccine preventable diseases.
Country Program Specialist for PAHO, Reynold Hewitt, said the organization is pleased to donate to Saint Lucia's Ministry of Health. The donation will assist in the immunization programme.
PAHO sees immunization as the flagship programme of the organization, and makes every effort to ensure that every member state has the capacity to always respond, in order to prevent outbreaks of diseases that can be treated by vaccines.
17 to compete for NWAC Calypso Queen title
SOURCE: Ministry of Health, Wellness and Elderly Affairs


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redpajama_set_name: RedPajamaGithub


text:
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Stocks to Watch in Publishing: Gannett Co Inc. and The New York Times Co.
By Leo Sun – Dec 15, 2015 at 9:45AM
You're reading a free article with opinions that may differ from The Motley Fool's Premium Investing Services. Become a Motley Fool member today to get instant access to our top analyst recommendations, in-depth research, investing resources, and more. Learn More
NYSE: NYT
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(1.10%) $0.38
Price as of January 31, 2023, 2:11 p.m. ET
These two newspaper publishers are standout players in a dying industry.
Newspaper publishing is often considered a dying industry. Research firm PWC claims that worldwide newspaper revenues declined almost 1% annually last year, and will continue falling through 2019. But despite that dire forecast, investors should keep an eye on Gannett (GCI), which is aggressively consolidating the domestic newspaper market, and The New York Times (NYT 1.10%), which staged a surprising digital recovery under a new CEO.
Source: Pixabay.
The consolidator: Gannett
Gannett, which owns USA Today and various other newspapers, split into two companies in June. Tegna (TGNA 0.81%) retained Gannett's higher-growth broadcasting and digital businesses, while the newly spun off Gannett retained the slower-growth publishing business.
Before the spin-off was completed, Gannett bought the remaining 59.4% stake of the Texas-New Mexico Newspapers Partnership that it didn't own from Digital First Media. That acquisition, which added 11 regional newspapers to its portfolio, gave Gannett a digital, mobile, and print presence across a total of 92 local U.S. markets, 16 markets in the U.K., and Guam.
In October, Gannett announced that it would acquire Journal Media Group (NYSE: JMG), which owns the Milwaukee Journal Sentinel, The Commercial Appeal of Memphis, 13 other daily newspapers, and other publications across 14 U.S. markets. The $280 million deal, which will be mostly funded by a $500 million credit facility, is expected to close in the first quarter of 2016. Gannett expects the acquisition to add $450 million to its annual revenue, $60 million to its adjusted EBITDA, and $25 million in cost-saving synergies by the second year. Analysts currently expect Gannett to report $2.9 billion in 2015 revenue.
Last quarter, Gannett's revenues fell 8.6% annually to $701.2 million, and missed estimates by $25.4 million. Excluding reporting changes for digital ad products, divested businesses, and currency impacts, revenue fell 4.5%. Advertising revenue fell 13.1% to $384.1 million as circulation revenue slipped 3.4% to $265.2 million. But despite those declines, its adjusted EPS of $0.43 (down from $0.49 a year earlier) topped estimates by six cents a share.
During the quarter, digital-only subscriptions rose 37% annually and generated $159.9 million in revenues. Gannett hopes that stronger digital growth in advertising and subscriptions will eventually offset its print revenue declines.
The survivor: The New York Times
Many industry watchers thought that The New York Times couldn't survive in a digital world. Between fiscal 2005 and 2011, the Times' annual revenue was cut in half from $3.37 billion to $1.55 billion. To reverse that trend, the Times aggressively slimmed down and streamlined its business over the past few years.
In 2011, it sold off its Regional Media Group, which included 16 regional newspapers and other print publications, to Halifax Media Holdings for $143 million. In 2013, it sold the Boston Globe, which it originally purchased for $1.1 billion, for a mere $70 million. It also sold off numerous local TV and radio stations, laid off employees, and hired new execs to strengthen its digital and mobile efforts.
CEO Mark Thompson, who took over the top job in 2012, believes that the Times can double its annual digital revenues to "around $800 million by 2020", which would be equivalent to about half of its projected sales for fiscal 2016. Digital revenues only account for about a third of The Times' top line today. Last quarter, the company added 51,000 digital subscribers for a total of 1.04 million subscribers, which represented its biggest quarterly gain since the fourth quarter of 2012.
Looking ahead, the Times plans to expand international readership, strengthen video initiatives, and "reimagine" its print business to reach new readers. Based on this positive progress, analysts believe that the company's annual revenue can stabilize at around $1.57 billion in fiscal 2016 and 2017 instead of continuing its year-over-year declines.
The NY Times' iPad app. Source: iTunes.
Last quarter, The Times' revenue rose 0.7% annually to $367.4 million and beat estimates by $2.7 million. Circulation revenue inched up 1.1% to $209.1 million, but advertising revenue slipped 2.1% to $135.4 million. On the bottom line, adjusted earnings tripled to $0.09 per share, exceeding expectations by three cents.
Watch these stocks, but don't buy them yet
The new Gannett and The New York Times are both key publishing stocks to watch, but neither one is a compelling buy yet. Gannett's trailing P/E of 10 looks cheap compared to the industry average of 14 for the newspaper publishing industry, but its circulation and advertising revenues are still headed in the wrong direction. Meanwhile, The New York Times looks like a compelling turnaround story, but its P/E of 50 looks a bit too pricey.
Leo Sun has no position in any stocks mentioned. The Motley Fool owns shares of Tegna. We Fools may not all hold the same opinions, but we all believe that considering a diverse range of insights makes us better investors. The Motley Fool has a disclosure policy.
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text:
Q: Why WCF Service run application locally instead of network? I have a SOAP api at the remote computer which is for runnig IBM Doors application and dxl scripts in a website (company private network). I hosted my application at the IIS Server with dxlApiPool (Managed pipeline mode: Integrated, Identity: NetworkService).
My problem is that every time when I try to run dxl script, dxlApi open Doors application with my username at the remote computer locally and it cannot be authenticated. I want to run this application as a network service.

Error: "Access denied: DOORS session is not authenticated at
DOORSCOMLib.DOORSClass.runStr(String dxlFragment) at
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I realize this line in the code maybe cause of that problem:
Activatior.CreateInstance(typeof(DOORSClass)) as IDoorsDxl;

redpajama_set_name: RedPajamaStackExchange


text:
The conservation and enhancement of biodiversity is one of the principal aims of the Group. Biodiversity describes the biological wealth of a region, at both the habitat level and the species level. The region around Farnham is underlain by a finely-scaled geology, and hence has a surprisingly varied mosaic of habitats, so has an unusually high biodiversity. Although The Bourne is extensively built over, it still has many types of habitat. Gardens and mixed woodland cover the greatest proportion of its area, but there are remnants of heathland, a few open fields, small patches of wetland along the seasonal streams. The group is seeking to conserve these remnants and enhance the biodiversity throughout our local wildlife.
Here are illustrations of a very small subset of wildlife that occurs in The Bourne.
These are comfrey, lesser celandine, germander speedwell and greater stitchwort. Our surveys have identified 200 species growing in Compton Field, 169 in the Middle Bourne Lane Garden and 122 in
the Bourne Old Churchyard. This rich diversity of plants supports an equally rich diversity of animal life.
A brimstone butterfly feeds on knapweed, a peacock sunning on nettles, a small copper feeding on fleabane and a small skipper on tufted vetch al take in Compton Field. Many of our butterflies are in
decline. We have recorded 19 species in Compton Field, 22 in Middle Bourne Lane and 18 in the Old churchyard.
An angle shades feeds on ivy blossom in the Old Churchyard, a rosy footman feeds on ling on Farnham Heath, a six-striped rustic on purple loosestrife in the Old Churchyard and a figure-of-eighty
on feeds on bugle in Compton Field. We have recorded 390 species in Compton Field, 213 species in Middle Bourne Lane, 432 species in the Old Churchyard and 650 species in a garden. In all we have
recorded over 750 species in The Bourne which is a quarter of all moths ever recorded in Britain.
A fox, a grey squirrel, a wood mouse and a couple of badgers all photographed in a garden in The Bourne. All these are common animals. Other mammal species that are often seen are roe deer,
brown rats and bank voles, and there have been rare sightings of hedgehogs and dormice.
A female blackbird, a robin, a green woodpecker and the ubiquitous wood pigeon photographed in a garden. Most of the birds in The Bourne are common garden and woodland species and can be
attracted to feeders. In winter there are good numbers of winter migrants especially redwings which are attracted to the abundant holly berries. For seeing less common birds like wood larks, Dartford warblers and nightjars, a visit to the Farnham Heath Reserve is a must.
A common frog, a slow worm, a smooth newt and a common toad photographed in a garden and in the pond we created in the Old Churchyard. Grass snakes are occasionally spotted, and adders are
quite common in Sable Wood. Common lizards occur on the Farnham Heath Reserve, where the much rarer sand lizards have been re-introduced.
An earwig couple, a dusky cockroach a field grasshopper and an oak bush cricket from four different locations in The Bourne. Earwigs and the native cockroach are abundant in gardens. The oak bush cricket was photographed at night in the Old Churchyard. The richest fauna of this group has been recorded in Compton Field.
A common wasp is the main pollinator of figwort, a honey bee collecting pollen from a bluebell, a red banded sand wasp excavating its nest hole in a sandy bank, and a queen hornet feeding on ivy
nectar in late autumn before hibernating. There are numerous other bee and wasp species to be found in The Bourne. Some are important pollinators and others like the common wasp and the hornet perform a valuable ecological service by controlling many pests.
A stag beetle that flew into the moth trap in the garden and the beginning of June, a hazel leaf roller, a pair of summer chafers and a pair of wasp beetles. 45 species of beetle have been recorded in
Compton Field, 33 in the Old Churchyard, and 28 in Middle Bourne Lane. These are gross underestimates because we lack anyone with the ability to identify this highly diverse group of insects.
An emperor dragonfly resting on bramble in Compton Field, a common blue damselfly, a large red damselfly and a broad-bodied chaser all take in Middle Bourne Lane. The greatest diversity of this
charismatic ancient group of insects can be seen in greatest diversity in the wetlands on Thursley Common, but can be attracted into gardens by digging even quite small garden ponds.
There are over 7000 species of fly in Britain so the 93 species we have recorded in Compton Field is just the tip of the iceberg. The beefly photographed here on a lesser celandine is a harbinger of Spring And its larvae live in the nests of bumblebees. Many hoverflies like the Seriocomya silentis on bramble and the narcissus fly on knapweed mimic bees or wasps and are important pollinators. The robberfly is just one of the many predatory species.
Few spiders have been given common names. The male Amaurobius ferox was photographed on a tree trunk in the Old Churchyard, the crab spider on ragwort, the green Areniella cucurbitina and the
wasp spider wee all in Compton Field. These predatory species are important as they keep down the numbers of pest species.
There are many important species of invertebrate that are associated with soils and rotting vegetation. Here is a flat-backed millipede, two species of woodlouse and a centipede, all from the Old Churchyard. The millipede and the rough woodlice recycle dead plant material. The small blind white woodlice live in ant nestsm and the centipede is a ferocious predator.
Invasive alien plants
A small percentage of the plants introduced into Britain become invasive and pose environmental problems. In The Bourne. Checkerberry grows in Bourne and Sable Woods; we have found floating pennywort together with New Zealand pygmy weed in a garden pond; the group has expended much time and effort into removing Himalayan balsam from the valley of the Bourne Stream, and found Japanese knotweed flourishing along the stream in Compton Field.
Since we started monitoring wildlife in 2006, we have observed the arrival of the tree bumblebee in Farnham in 2009 (first UK record 2001), the harlequin ladybird in 2010 (first UK record 2004), the
boxwood moth in 2015 (first UK record 2008) and the ivy bee in 2013 (first UK record 2001). Some get introduced accidentally, others arrive apparently unaided. So, our fauna is in a state of flux, but
while additions are easy to record, losses may go unrecognised for decades. Nationally there is clear evidence that many of our 'common or garden' species are showing clear signs of major decline.
Our wildlife recording has been limited; for example, we have no identification skills for mosses and liverworts, fungi, and molluscs, and limited skills for several of the groups illustrated. Even so, we are making useful contributions to both local and national monitoring, and our toad watches along Boundary Road have succeeded in rescuing several hundreds of amphibians.
What is the Importance of local biodiversity?
Probably most of the population of The Bourne is unaware of the wildlife around them, yet they avidly watch natural history programmes on television, and make appreciative remarks about the
differences we are making to the appearance of the village at The Bourne Crossroads. Many enjoy walking through Bourne Woods and the network of footpaths that criss-cross the village. This
enjoyment is based on the diversity of natural world they encounter. So, biodiversity is contributing extensively to the health and well-being of our community and to the pride we take in our
surroundings.
Most householders in The Bourne have gardens where they grow flowers and apple trees, and have bird-feeders. Some grow vegetables on allotments and wage wars on the pests that their efforts unwittingly encourage. Unwittingly they depend on the soil fertility being maintained and their plants being pollinated – ecological services being provided by the biodiversity.
The trees that are a major feature of The Bourne not only contribute to the landscape and provide habitat for our birds, but filter out pollutants from the atmosphere and muffle the traffic noise. The seasonal changes in the deciduous trees give use a feel for the changing seasons. These are benefits that far outweigh the downside of having to tidy up the autumn leaf-fall, but the fallen leaves help to maintain the soil fertility and moisture especially of the sandy soils of The Bourne.
By caring for the biodiversity in our patch, we are contributing to maintaining the biodiversity nationally, counteracting the effects of environmental degradation resulting from urbanisation,
pollution and climate change. We should all be alarmed by the marked decline in the populations of so many of our wildlife species.


Why hasnt anyone commented on this? Anyway the war was great probably if not the best one i've went to. Thanks a ton for hosting Echoes!
Thank for organising echoes this war was good fun.
This was a great war, and patience folks, for the footage and pics are great, and will be making an appearance soon enough - i'll be working on the Gordon footage this week, and depending on how i go, there should be time to start compiling the new Carysfield stuff too.
Thanks to our gracious hosts echoes+syn as always for running a great war!


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This was the first album I ever bought, back in 1973 (just to give away my age - ha ha! It had a remarkable effect on me, it lead me to love Pink Floyd and their music and to be in love with the vinyl record. Shame I didn't keep all the bits and pieces together with that record, as I recall it came with some post cards and a poster. The poster ended up on my sister's bedroom wall. And stayed there for many years. There's no bad track on this album, it's probably may favourite Floyd album, never get tired of listening to it. I bought it again recently, this set the 40th Anniversary one. Sounds as good today as it did back then, my equipment's a little better these days. My favourite track has to be Money, it typifies the album and Pink Floyd and is as relevant now as it was back in 1973. Just shows class endures. 5 stars for this.