We're in an explosive era of growth. Thanks to the birth of the internet and our newfound global connectivity, generating a real income online, no matter where you live or what you do, has become a modern-day convenience. Gone are the doldrums of 9-to-5 employment and the necessity to head into a life-sucking corporate job. Today, the so-called "dream" revolves around the lifestyle entrepreneur, able to make money, travel the world and live life to the fullest from anywhere on the planet.
While droves of individuals salivate over the ability to live, work and play anywhere in the world that they chose to, most are primarily fixated on the ability to just earn a bit of money online. One stream of revenue would likely make the world of difference to many folks. But doing that seems to be an ever-increasing technical challenge. So it isn't about getting rich for a large degree of people, but rather, finding a way to earn just a little bit more money without all the added time it might take.
As someone who's acutely interested in passive income and online marketing, I speak to a great deal of people who are successful, but rarely do I personally come across someone who's had such an immensely interesting journey that it screams attention. While success is certainly alluring, most people don't have the wherewithal to suffer through such life-altering and suffocating failures, and to not only reemerge on the shores of hope, but to create a life of sheer and utter abundance in the process.
Today, not only do we live in an exhilarating time filled with endless possibilities thanks to technology that we once considered to live in the realm of science fiction, but it's also a period that's deeply steeped in the expectancy of instant and real-time returns. The truth is that you can't get rich overnight. It takes hard work and effort. It takes persistence and massive amounts of action. It takes seeing things through and pushing past failure, even as much as you want to give up and throw in that proverbial towel.
For that reason, the story of an iconic online marketing legend and founder of, Real Estate World Wide (REWW), Kent Clothier, is one of the most inspirational modern-day fables about, not just attaining wealth at the highest levels, but also in reinvention, revitalization and the ability to produce multiple streams of revenue even when you're emotionally and spiritually bankrupt. This is an individual who played an integral role in building up a nearly $2-billion-dollar-per-year grocery-arbitrage business, but then walked away from it at 30-years old with no ownership retention.
With $2 million dollars still in the bank, he thought he was invincible. Fast forward 22 months later, and with just $4,000 left in his account, the walls were closing in on him. I'm all-to familiar with that feeling of despair and anxiety, of sheer and utter pain and panic, that it really hit home for me, as I know it does for others. The truth is that it's easy to make friends when you're riding high, but when you fall from grace and everyone around you disappears, you realize the importance of things like family and health over monetary achievements.
However, Clothier's tale is an epic one. He had succeeded almost his entire life, and from very early on. But when failure hit home and he was unable to recreate his arbitrage business on his own, the reality of the situation sunk in. With $4,000 left to his name, he happened upon an infomercial teaching real estate. It cost him $1,000 for that program, which was 25% of his net worth at the time. Petrified, he made the plunge.
Little did he know that it would be one of the best decisions that he had ever made in his life.
Before I dive further into Clothier's transformational story, I wanted to circle back to a very important concept that drives human behavior. Years ago, Sigmund Freud, the father of modern psychology, coined a concept called the psychic apparatus, the three-part behavioral mechanism that governs our minds.
The Id -- The id is the first part of the human mind that's formed. It's the basal and instinctive urges that drive us towards instant gratification, and it's hardwired into our genetic conditioning to eat, procreate and defecate, for example. The id creates the sudden urges of wanting what we want, and wanting it right now. Children are all born with the id until the other parts form, and if we were only left with the id, we would do, act, and say as we pleased all the time and anytime.
The Superego -- The superego is formed during the early parts of our lives and is created through parenting, community and societal beliefs and values. This is likened to the angel on the shoulder, so to speak, whereas the id is more like the devil. For each person, the superego has a different (big or small) role in their lives.
The Ego -- Consider the ego as the referee between both the id and the superego. The ego's job is to satisfy the id while also working within the confines of the superego. This isn't the ego in the traditional sense, but rather that component of the mind that acts as the primary driver of the psychic apparatus. Since every person is unique with unique experiences, the ego works differently in each of us.
Why is this so important to a discussion about getting rich? It's because, as human beings, although we understand the concept of not being able to get what we want when we want it, it's still such a deep and sudden urge that burns inside of us, that we have difficulty seeing the forest through the trees. The truth? We want what we want and we want it now. Even as adults. Why should we have to wait? That's the resounding line of thinking at least.
That might be why we have on-demand everything. We live in a society where fast food is prevalent and exists on nearly every corner or town across the United States and we're able to access all of the world's information in real time from anywhere we want from little pocket super computers. We can hail rides, find dates and do everything in a flash, instantaneously. Clearly, we want to lose weight and get right quickly and not have to wait, purely because our ids are so powerful.
However, this can be debilitating, to say the least. That's likely why we see so many get-rich-quick schemes and fad weight-loss diets. We want what we want and we want it now. But we can't expect that if we're serious about making a mark in business or society. Instead of instant gratification, in order to create sheer abundance, we have to do the most amount of work for the least initial return. We have to deliver massive amounts of value, and do so repeatedly. Plain and simple.
After an extremely intriguing conversation with Clothier, I began to better understand the concept of arbitrage and how anyone can use it to succeed in any industry. The difficulty here is first being able to identify opportunities for arbitrage, and later being able to fully leverage those on a larger scale. But once you find what works, expanding and scaling becomes almost instinctive and native rather than some grand hurdle.
If you're unfamiliar with the concept of arbitrage, here's how it works. Wikipedia describes an arbitrage as effectively, "the practice of taking advantage of a price difference between two or more markets: striking a combination of matching deals that capitalize upon the imbalance, the profit being the difference between the market prices." Clothier was able to identify arbitrage opportunities in the grocery industry with precision.
However, what he didn't fully appreciate at the time was just how much others were helping in the process to push and enact those deals. When he walked away from a nearly $2-billion-in-sales company at the age of 30, he simply didn't realize that. In his own words, he was full of himself and entirely overconfident about what he could achieve on his own. His slow and steady decline in the 22 months that followed his departure from that business was one of the most brutal periods in his life, where he almost lost all hope.
One evening, late at night, during an infomercial, his prayers were answered. He discovered a system for wholesaling real estate and that's where he spent the $1,000 to grab it, at the time, being 25% of his net worth. However, within a matter of 21 days, he was able to use what he learned in that system to make $8,200. And although he had been making over a million dollars a year just several years before, that $8,200 meant the world to him.
It wasn't just the money, but more so, what that money symbolized. It was his ticket to something bigger and greater. He had discovered how to arbitrage in the real estate market by flipping contracts. Today, he's one of the world's most astute house flippers, but also a brilliant industry leader. He took what he learned by arbitraging in real estate, and created an entire real estate SaaS and training business, Real Estate Worldwide, around it, which currently has over 22,000 members.
Not only did he get richer than he could have imagined in his wildest dreams, but he also created sustainability. He was humbled by his past failures and he used that to grow, to identify opportunities and progress as a person. That isn't something simple to do. Many of our past beliefs and negative self-talk can easily limit us. But, when you're backed up against the wall, and your entire life is on the line, you'll often do what it takes to succeed.
Anthony Robbins often says that success is the product of one of two scenarios: inspiration or desperation. There's massive credence to that statement. Clothier was desperate. He had no choice. He wasn't willing to settle for a life of mediocrity, so he figured it out and marched forward, applying persistent action every single day, getting better and better.
In his first 18 months after that real estate infomercial and learning the arbitrage strategy, he did 91 wholesale deals and made a million dollars. He didn't need to use any of his cash to do it. He simply replicated the same technique he utilized in the grocery industry, but instead, did it for the real estate industry. And the results were unfathomable, allowing him to generate millions of dollars, almost on demand, while also becoming one of the leading internet marketers in the world, building up a massive list.


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A: Need to remove old npm folder location in C:\Users\ishara\AppData\Roaming\npm\node_modules

A: I had this problem too. My computer name is R&D; and when I install node js, node-module store in it, but when I run "npx create-react-app project-name", it searches node-modules in folder named R (not R&D); So I just copied node-modules from R&D to R (in address which was in cmd (command prompt) and it worked.

redpajama_set_name: RedPajamaStackExchange


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Now those are the best grins, ever! I think maybe there should be a Conko tote photo contest after our fund raising event is over. And such a fun way for the BBB to celebrate its 20th anniversary by collaborating with a clown with a good cause: the Patty Conklin Foundation. And such good fortune (fortes fortuna juvat) that Trisha Conklin and her Mom were BBB fans from the start. But who would have thunk it? Conko was up to something.
The Conklin logo has been painted on the equipment and trucks of Conklin Shows since the 1970's and proudly worn on show uniforms by thousands of young men and women who worked with the company at Fairs and Exhibitions across North America and in the Caribbean. The logo was quickly named Conko by one and all. Commissioned by Jim Conklin , featured above,( Patty Conklin's son and Trish's Dad) and designed by foremost graphic designer Chris Yaneff, the logo is one of the most instantly recognized trademarks in North America.
The Conko tote has been tested to hold one big Westie, or 8 bottles of wine...... We have produced 60 of this limited edition as a fund raiser for the Patty Conklin Memorial Fund. The Fund is named after Patricia's grandfather Patty, the founder of Conklin Shows, and is a charitable organization that supports many causes, particularly those concerning the health, education and special projects of children. Melissa Conklin Rogers, Trish's sister is President of the Fund.
Bags are available for purchase here on our BBB website for $190. $100 from each purchase will be donated to the Patty Conklin Memorial Fund and the Fund can issue a charitable receipt for that amount for each bag.
The Patty Conklin Memorial Fund also has bags available for purchase at a price of $190. The Fund will receive all the proceeds of the sale of the bags and can issue a charitable receipt to the purchaser in the amount of $190. Please contact Melissa at the Patty Conklin Memorial Fund (rflodge@gmail.com).
Thank you on behalf of the patty Conklin Memorial Fund for carrying a smile and caring!


text:
Hot Male Swimmers
Men in Arena Swimwear: Olympians and Models
Hunky Men in Arena Swimwear Part II. The recently concluded Tokyo Olympic Games has given us more men rocking their Arena swimsuits so we decided to update this post to bring you more guys to admire.
First up is 26-year-old British swimmer Adam Peaty who bagged two gold medals in Tokyo. His first is for the 100m breaststroke and his second gold is for the mixed 4 × 100 metre medley relay. Curiously, although he has a sponsorship deal with Arena through the Tokyo Games, his swimsuit during the finals does not appear to have the Arena logo. This may be because Team Great Britain is actually outfitted by Adidas and, in fact, he's seen wearing Adidas swimsuit during his practice sessions.
But he did give a shoutout to Arena in an Instagram post after he won so must have been obligated to wear Adidas because of Team GB's contract with the brand. At any rate, here's Adam rocking his Arena swimsuits:
Aside from Adam Peaty, Arena also has sponsorship deals with other swimmers who did great in Tokyo include Milak Kristof from Hungary who bagged a gold medal (for the 200m butterfly) and a silver medal for the 100m butterfly) during the Tokyo Games.
For his part, Arno Kamminga of the Netherlands won two silver medals at the 2020 Games (one for the 100m breaststroke and another for the 200m breaststroke).
Next up is French swimming champion Florent Manaudou who added a silver medal to his Olympic tally in the 50m freestyle event. He already has a gold for the same event from the London 2012 Games, a silver from the Rio 2016 Games and a silver from the Rio Games from the 4×100 m freestyle.
When it comes to stamina in swimming Germany's Florian Wellbrock may have the boasting rights because he bested his rivals in the men's 10 kilometer open water event which earned him the gold in Tokyo. Damn, we can't event swim 100 meters non-stop let alone 10 freakin' kilometers. Props to you, Florian! Mad respect. Aside from his 10km gold, he also has a bronze from the 1500m freestyle.
Italian swimming champ Gregorio Paltrinieri added a silver (800m freestyle) and a bronze (10 km open water) from the Tokyo Games to his Olympic medal tally. He already has a gold medal (1500m freestyle) from the 2016 Rio de Janeiro Olympics.
Last but not the least in our list of men who rock their Arena swimsuits is 22-year-old Italian cutie Nicolò Martinenghi who brought home two bronze medals from Japan. Specifically, he placed third in the 100m breaststroke event and he and his teammates nabbed another bronze for the 4×100 m medley.
Men in Arena Swimwear: Hot Olympians and Male Models (Posted 5 June 2012). Although we often refer to swimsuits as Speedos, it is important to remember that Speedo is not the only swimsuit brand out there and that there are actually other brands that, though less famously known, are just as good, as sexy, and as cool as Speedos.
One of said brands would be Arena swimwear which, according to wikipedia, was actually created by Adidas France but is now a totally independent company headquartered in Italy. Anyhoo here's an advert featuring a handsome redhead with the reddest head we've seen in a while.
Like Speedo and other competitive swimwear brands, Arena has a stable of sponsored swimmers some of whom we've already met in the past. Remember Brazilian swimmer Cesar Cielo? Turns out that the world swimming champion is an Arena endorser, so we're mistaken when we mentioned that he wears Speedo. Here's Cesar in his Arena swimtrunks:
Another Olympic great who wears Arena in the swimming pool is the United States' Aaron Peirsol who we've earlier mentioned in our post about Nike Swimwear for Men. You're looking good Aaron, although you're looking too serious. Hehe.
Russia's Alexander Popov, one of the greatest pool sprinters of all time, also wore Arena swimsuits during his competitive days. Check him out in the pic below from the 2004 Athens Olympic Games, his last Olympic participation when he was at the ripe old age (for a swimmer) of 32 years old. He failed to medal in Athens but he boasts a total of four Olympic golds from previous Games as well as six gold medals from the World Swimming Championships. He had a great run, for sure.
Now, other active Olympic swimmers who wear Arena swimsuit include: Chad Le Clos of South Africa, Eric Shanteau of the United States, Milorad Cavic of Serbia (we included him in our list of Hot Serbian Men), the Hungarian water polo team, and Stephane Debaere of France/Tahiti. Check them out in the photos below:
Chad Le Clos:
Eric Shanteau:
Milorad Cavic:
The Hungarian national water polo team with British racer Jenson Button.
And, last but not the least, the beautiful Stephane Debaere.
So do you have a favorite among this men in Arena swimwear? We must admit that we were encouraged to write this post when we came across the above photo of Stephane. Damn, ain't he hot! We're calling him our imaginary swimming boyfriend just because.
Men in Arena Swimwear: Hot Olympians and Models. Posted 5 June 2012. Last updated: August 18, 2021 at 7:23 am.
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redpajama_set_name: RedPajamaCommonCrawl


text:
Introducing the 2035 Vision Start-up Investment Pitch and Platform
Are you one of Oceania's key disruptive start-up businesses developing solutions to meet the challenge?
Check out the latest news from BioTechNZ here
NZ biotech companies strong, despite lockdown restrictions
Medicinal cannabis summit moved to February 2022
New Zealand's largest medicinal cannabis summit comes at an exciting time.
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Alternative proteins research published
Beef and Lamb New Zealand commissioned the study to better understand the shifts in food, food production technology and consumer trends and distinguish the hype from reality. The report shows alternative proteins are likely to become a major competitor to some of New Zealand's red meat products and the sector must respond with a clear … Continue reading "Alternative proteins research published"
How A Bank Of All The World's Genetic Codes Hopes To Save Nature
The Earth Bank of Codes wants to collect the genetic sequence of the natural world–and let countries make money from the scientific breakthroughs that would result, rather than selling their natural resources.
Cow stomach microbes could hold key for increased food and biofuel production
In the United Kingdom, researchers from The University of Edinburgh, The Roslin Institute and Scotland's Rural College found that the types of microbes and enzymes in cow stomachs that help them digest plant-based diets into energy could prove useful for developing new biofuels as well as help meat and dairy production.
The 2017 Prime Minister's Science Prizes. Winners announced.
The Government of New Zealand introduced The Prime Minister's Science Prizes in 2009 as a way of raising the profile and prestige of science among New Zealanders. There are five prizes in total with a combined value of 1 million dollars.
Australia's growing support for women in Life Sciences
In Life Sciences, there is, regrettably, a glass ceiling. If you are involved in the Life Sciences in any country where the sector is strong, you'll have noticed a push in recent years to increase the number of leadership positions that are held by women. Usually there's regular networking events for women in all the … Continue reading "Australia's growing support for women in Life Sciences"
Going for the Gold! Mint Innovation's microbes and technology recover gold
With the XXIII Olympic Winter Games starting and a record-breaking 102 gold medals up for grabs this year, it got us thinking about medals…and metals in general. With so many uses from giving them as awards for super athletes, to using them in currency, trade markets, and more recently, electronics, it seems like the demand … Continue reading "Going for the Gold! Mint Innovation's microbes and technology recover gold"
Blood test could spot Alzheimer's years before symptoms appear
A new diagnostic test using a few drops of blood could be used detect Alzheimer's disease years before symptoms begin to show. By 2050 more than 170,000 New Zealanders are forecast to have dementia – the majority of which will be Alzheimer's.
NEW ZEALANDER OF THE YEAR FINALISTS ANNOUNCED
The New Zealander of the Year Awards Office is pleased to announce the three finalists being considered for the title of 2018 Kiwibank New Zealander of the Year. They are…..
The booming market of bovine-based pharmaceuticals
A pericardium looks more like a cheese slice than high-value biomaterial suitable for repairing human hearts.


The Rajasthan high court gave its judgement on Monday against the controversial Jain practice, Santhara or Sallekhana, in which a person gives up water and food till death by starvation. The court said that the practice was illegal and equal to suicide and directed FIRs to be filed against persons undertaking this practice.
Angry reactions from the Jain community were received where Jain studies scholar Manish Modi said, "It is deeply disappointing to hear of this judgement. Santhara or Sallekhana is an integral practice, custom and tradition of the Jain religion and has been so for the past thousands of years."
Despite its historical and religious significance, Santhara has been opposed by activists, citing abuse and coercion.


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text:
namespace blink {

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  }
  bool EmitsImageAltText() const { return values_.bits.emits_image_alt_text; }
  bool EmitsSpaceForNbsp() const { return values_.bits.emits_space_for_nbsp; }
  bool EmitsObjectReplacementCharacter() const {
    return values_.bits.emits_object_replacement_character;
  }
  bool EmitsOriginalText() const { return values_.bits.emits_original_text; }
  bool EntersOpenShadowRoots() const {
    return values_.bits.enters_open_shadow_roots;
  }
  bool EmitsSmallXForTextSecurity() const {
    return values_.bits.emits_small_x_for_text_security;
  }
  bool EntersTextControls() const { return values_.bits.enters_text_controls; }
  bool ExcludeAutofilledValue() const {
    return values_.bits.exclude_autofilled_value;
  }
  bool ForSelectionToString() const {
    return values_.bits.for_selection_to_string;
  }
  bool ForWindowFind() const { return values_.bits.for_window_find; }
  bool IgnoresStyleVisibility() const {
    return values_.bits.ignores_style_visibility;
  }
  bool StopsOnFormControls() const {
    return values_.bits.stops_on_form_controls;
  }
  bool DoesNotEmitSpaceBeyondRangeEnd() const {
    return values_.bits.does_not_emit_space_beyond_range_end;
  }

  bool SkipsUnselectableContent() const {
    return values_.bits.skips_unselectable_content;
  }

  bool SuppressesExtraNewlineEmission() const {
    return values_.bits.suppresses_newline_emission;
  }

  bool IgnoresDisplayLock() const { return values_.bits.ignores_display_lock; }

  bool EmitsPunctuationForReplacedElements() const {
    return values_.bits.emits_punctuation_for_replaced_elements;
  }

  static TextIteratorBehavior EmitsObjectReplacementCharacterBehavior();
  static TextIteratorBehavior IgnoresStyleVisibilityBehavior();
  static TextIteratorBehavior DefaultRangeLengthBehavior();
  static TextIteratorBehavior AllVisiblePositionsRangeLengthBehavior();
  static TextIteratorBehavior NoTrailingSpaceRangeLengthBehavior();

 private:
  union {
    unsigned all;
    struct {
      bool does_not_break_at_replaced_element : 1;
      bool emits_characters_between_all_visible_positions : 1;
      bool emits_image_alt_text : 1;
      bool emits_space_for_nbsp : 1;
      bool emits_object_replacement_character : 1;
      bool emits_original_text : 1;
      bool emits_small_x_for_text_security : 1;
      bool enters_open_shadow_roots : 1;
      bool enters_text_controls : 1;
      bool exclude_autofilled_value : 1;
      bool for_selection_to_string : 1;
      bool for_window_find : 1;
      bool ignores_style_visibility : 1;
      bool stops_on_form_controls : 1;
      bool does_not_emit_space_beyond_range_end : 1;
      bool skips_unselectable_content : 1;
      bool suppresses_newline_emission : 1;
      bool ignores_display_lock : 1;
      bool emits_punctuation_for_replaced_elements : 1;
    } bits;
  } values_;
};

class CORE_EXPORT TextIteratorBehavior::Builder final {
  STACK_ALLOCATED();

 public:
  explicit Builder(const TextIteratorBehavior&);
  Builder();
  Builder(const Builder&) = delete;
  Builder& operator=(const Builder&) = delete;
  ~Builder();

  TextIteratorBehavior Build();

  Builder& SetDoesNotBreakAtReplacedElement(bool);
  Builder& SetEmitsCharactersBetweenAllVisiblePositions(bool);
  Builder& SetEmitsImageAltText(bool);
  Builder& SetEmitsSpaceForNbsp(bool);
  Builder& SetEmitsObjectReplacementCharacter(bool);
  Builder& SetEmitsOriginalText(bool);
  Builder& SetEmitsSmallXForTextSecurity(bool);
  Builder& SetEntersOpenShadowRoots(bool);
  Builder& SetEntersTextControls(bool);
  Builder& SetExcludeAutofilledValue(bool);
  Builder& SetForSelectionToString(bool);
  Builder& SetForWindowFind(bool);
  Builder& SetIgnoresStyleVisibility(bool);
  Builder& SetStopsOnFormControls(bool);
  Builder& SetDoesNotEmitSpaceBeyondRangeEnd(bool);
  Builder& SetSkipsUnselectableContent(bool);
  Builder& SetSuppressesExtraNewlineEmission(bool);
  Builder& SetIgnoresDisplayLock(bool);
  Builder& SetEmitsPunctuationForReplacedElements(bool);

 private:
  TextIteratorBehavior behavior_;
};

}  // namespace blink

#endif  // THIRD_PARTY_BLINK_RENDERER_CORE_EDITING_ITERATORS_TEXT_ITERATOR_BEHAVIOR_H_

redpajama_set_name: RedPajamaGithub


Animation offers greater instructive potential than illustration and is certainly more engaging than text. Animation also provides a delightful sense of polish and attention to detail in any app. We designers customarily add animation to projects as PNG sequences. The explosion of device dimensions and resolutions, combined with the relatively large file size of PNGs, argues for natively-drawn, infinitely-scalable vector animation, but this has been a big technical challenge for designers. I've tried Quartz Composer and PaintCode on the iOS side and found them unwieldy, and until recently neither provided a solution for Android or web (PaintCode now does). Wouldn't it be great if we could take the instruction set for an animation in After Effects and export it for use on iOS, Android, and Web.
Bodymovin is an Adobe After Effects extension that converts scalable vector animation into executable code (JSON) for display in a browser. Developers at Airbnb have written libraries for iOS, Android, and React Native to execute these same drawing instructions natively on their respective platforms. If you can create your animation using only vectors in After Effects (you can import Illustrator files into AE), you can export a single file for use across all these platforms – no more exporting multiple PNG sequences at multiple resolutions!
First, you need to have After Effects installed. I suggest downloading Bodymovin from Adobe rather than Github because it will install automatically if you have a Creative Cloud license: https://creative.adobe.com/addons/products/12557#.WLmQDLGZPOQ.
Once installed, you'll find it in the After Effects main menu under Window/Extensions/Bodymovin.
Now, just create a delightful, vector-only animation in After Effects! You're on your own for this part, but here's a tip: you can create your assets in Illustrator and import them. Right-click on the Illustrator files in your timeline and then select "Create Shapes from Vector Layers" to make all your shapes editable.
When your animation is complete, go to Window/Extensions and select Bodymovin to launch the export panel.
Select the animated composition(s) you want to export from the list of all compositions in your After Effects project.
Check Settings for render options. I like to export a companion HTML file for easy previewing. Choose a destination in your directory for the rendered file(s). Click Render.
You'll be able to view the animation just by clicking on the companion HTML file in your directory.
Airbnb has created a project that will allow you to test your JSON file's fidelity and performance. Because Bodymovin development is always a little ahead of Lottie, it's especially important to test your Lottie animation on the appropriate platform. You just need to add your JSON file into the the folder of sample animations. If you have Xcode installed, clone the Github repository lottie-iOS and double click on the file lottie-ios.xcworkspace in the Finder.
When Xcode opens, you can drag your JSON file into Examples for lottie-ios/Supporting Files/Supporting Files and run. Then choose your file from the list of examples and watch it play.
If you have Android Studio installed, clone the Github repository lottie-android https://github.com/airbnb/lottie-android then add your JSON file to LottieSample/assets in the project and run. Choose your file from the list of examples and watch it play.
Just launched lottie.cloud – an easy way to test Lottie animations on iOS devices. Hope you find it useful and it is worth mentioning.
Great talk, even better exit!


Has Portland's rent fever broken?
In early 2016, Portland experienced some of the highest levels of rent inflation of any market in the US. According to Zillow's rental price estimates, rents were rising between 15 and 20 percent year over year in late 2015 and early 2016. Portland was attracting lots of new residents, and its housing supply was still in the process of rebounding from the effects of the Great Recession. In response to the big uptick in rents, the city enacted one of the nation's most stringent inclusionary zoning requirements, which will force developers of new apartment buildings permitted after February 2017 to set aside as much as 20 percent of new units for low and moderate income households.
But in the past year, there are growing signs that the surge in rental inflation has peaked. According to Zillow's estimates, the average price of a two-bedroom apartment in the Portland area $1495 is almost exactly the same as it was a year ago. Rental price inflation has dropped from nearly 20 percent a year ago to effectively zero in the first few months of 2017.
It's not easy to accurately estimate the current level of apartment rents. Different sources have their own strengths and limitations, and some services, which just rely on skimming the current crop of apartment listings, with little adjustment for quality or time on market, produce erratic and unreliable results, as we've explained. So to try and triangulate our view of the Portland market, we turn to a couple of other sources of information.
Zillow's estimates of current rent price inflation are largely confirmed by independent figures from ApartmentList.com. ApartmentList.com uses a variant of the "repeat sales" technique employed by the CaseShiller home price index. By comparing the rental price for the same apartment at different periods of time, one can generate estimates of price inflation that are unaffected by shifts in the composition of apartments available for rent at different times (a problem that plagues more simple-minded indices). ApartmentList.com's estimates suggest that Portland's rents have fallen to 0.9 percent in the past twelve months.
In its national rankings, ApartmentList.com now ranks Portland one of seven markets with declining rents over the past year, a group that includes Houston, San Francisco, and Miami. The following chart shows 12 month rent inflation estimates for each of the nation's 52 largest metropolitan areas.
Another bellwether of the multi-family marketplace, asking prices for apartments seems to have peaked and declined slightly in the past few months. LoopNet, which tracks real estate transactions, reports that the asking price for apartments for sale has declined about 4 percent in the past few months. These data suggest that investors, who bid up the typical price of an apartment to almost $170,000 in 2016, have backed off a bit from that level. (The amount that investors are willing to pay for apartments tracks closely with expectations about future rent levels).
Going forward, there are a couple of reasons to expect that Portland's housing affordability problems will moderate. First, the improving regional economy is starting to drive up incomes. State economist Josh Lehner has an analysis showing that renter incomes are rising, and predicts that rental affordability (as measured by the share of income that people spend on rent) will stop getting worse.
More importantly, there's a big surge in apartment supply in Portland. One private firm that tracks the construction industry locally–the Barry Apartment Report–estimates that there are roughly 25,000 apartments in the construction pipeline in Portland.
The big uncertainty in the years ahead will be whether the policies the city has enacted (inclusionary zoning) and others that it is considering (rent control) will choke off future investment in local housing supply. Once the current inventory of permitted housing is built (and much of it was permitted just prior to the new inclusionary requirements taking effect), its far from clear that developers will find Portland as attractive a marketplace for new apartments as it has been in the past few years.


text:
Embryogenic response from anther culture of cultivars of loquat (Eriobotrya japonica (Thunb.) Lindl.) from different origins
Derechos de acceso
Blasco, Manuel; Badenes, María L.; Naval, María M.
Cita bibliográfica
Blasco, M., Badenes, M.L., del Mar Naval, Ma (2015). Embryogenic response from anther culture of cultivars of loquat (Eriobotrya japonica (Thunb.), Lindl.), from different origins. Euphytica, 205(2), 337-348.
Homozygous lines are very interesting for genetic studies and in plant breeding. These can be produced in a single step via haploidy. Production of haploids in loquat (Eriobotrya japonica (Thunb.) Lindl.) would be of considerable value. In this study, androgenesis by anther culture was used to regenerate loquat plants. Different variables related to the induction of embryogenesis were tested, including the temperature pretreatment of flower buds, various levels of growth regulators in the culture medium, and genotypic effects. Eight cultivars of loquat from different geographic origins were used. The first step, the association between floral bud size and the corresponding microspore/pollen developmental stages was established for the different cultivars. Bud sizes of 6.5-7.0 mm, corresponded to the uninucleate microspore stage and provided the highest callogenesis levels. Pre-treatment of flower buds at 4 A degrees C for had a negative effect on anther response and only the 4-day pre-treatment resulted in callus formation at all. The highest percentage of morphogenetic calli was obtained on medium supplemented with 4.56 mu M zeatin (Z) and 5.36 mu M 1_naphthalene acetic acid (NAA) in cvs. 'Changhong-3' (27 %), 'Jiefanghong' (30 %) and 'Moggi Wase' (36 %). Following a transfer of morphogenetic calli to the embryo induction medium, six embryos were obtained from cv. 'Jiefanghong'; and one of them developed into a plantlet. Flow cytometry and chromosome counts revealed that the plantlet was triploid. The single triploid plant obtained was unexpected and its origin is obscure. One possible explanation is that it arose from fusion of sperm nucleus and two vegetative nuclei.


text:
Glorious Noise
Tag Archives: Nora O'Connor
New Flat Five: Drip a Drop
August 11, 2020 Jake Brown Leave a comment
Video: The Flat Five – "Drip a Drop"
The Flat Five - Drip a Drop (official lyric video)
Lyric video by Max Crawford and the Flat Five. From Another World, due November 13 on Pravda/Augiedisc.
Oh this is good. "Drip a Drop" is exactly what we need right now!
America, we're giving you a warning:
We're making love, not no stinking civil war!
If you're not familiar, the Flat Five is basically all your favorite bartenders from the Hideout together in a band that emphasizes dreamy harmonies and effortless pop hooks. Actually, I don't know if the three dudes in the group (Scott Ligon, Casey McDonough, Alex Hall) ever served drinks, but Kelly Hogan and Nora O'Connor sure did. Hogan and O'Connor, of course, appear in the liner notes of half your record collection, contributing vocals alongside powerhouse singers Neko Case and Mavis Staples as well as clever songwriterly folks like Andrew Bird, Robbie Fulks and the Decemberists.
The Five released their debut album on Bloodshot in 2016 and now Pravda is putting out their new one. Keeping it all very Chicago!
The Flat Five: web, twitter, bandcamp, amazon, apple, spotify, wiki.
Continue reading New Flat Five: Drip a Drop →
Flat FiveKelly HoganNora O'ConnorPravda
Lonely at Lollapalooza 2009
August 13, 2009 Derek Phillips 3 Comments
Grant Park, Chicago, August 7-9, 2009
This was my first trip back to Chicago since moving to Portland, Oregon in December 2008. As much as I love Portland, there is a large piece of my heart in that city by the lake. It's where I was born, it's where I formed my favorite band, and it's where my son was born. It's still my city.
So it was with great excitement and anticipation that I returned to see friends, drink a lot of beer and catch some live rock and fucking roll. I'd been planning and thinking of this trip since before we even moved so you'd think I'd have had all the details ironed out like the Arctic Monkeys' fitted shirts. You don't know me well and the Monkeys no longer wear Fred Perry, but more on that later…
Continue reading Lonely at Lollapalooza 2009 →
Arctic MonkeysBand of HorsesBon IverDepeche ModeFeaturesfestivalsFleet FoxesGaslight VillageJane's AddictionJoe PugKings of LeonLiveLollapaloozaLou ReedMiike SnowNeko CaseNora O'ConnorPerry FerrellRaveonettesSnoop DoggToolYeah Yeah Yeahs
Nora O'Connor – Til The Dawn
August 10, 2004 Vitas Zebraitis Leave a comment
Nora O'Connor – Til The Dawn (Bloodshot)
If you've been paying attention to the Chicago insurgent country scene over the past half-decade, you've probably noticed Nora O'Connor, albeit indirectly. She's been a member of such Chicago favorites as Andrew Bird's Bowl of Fire and the glam-twang outfit The Blacks. And if that wasn't enough to fill up any sane person's schedule she's also played or recorded with the likes of The New Pornographers, Archer Prewitt, Neko Case, The Aluminum Group, Otis Clay, Chris Mills, Janet Bean, Frisbie, Justin Roberst, Billy Corgan, Jeff Tweedy and Kelly Hogan. All this while still serving up drinks at the best bar in Chicago. She's definitely put her bid on winning the hardest working woman in alt-country, if not all entertainment.
This time around Nora O'Connor gets to step out of the shadows and take the spotlight with her latest release for Bloodshot Records, Til The Dawn. Pulling in favors from friends she's made over the past handful of years playing around town, she's assembled a damn impressive guest roster of musicians in the likes of Andrew Bird, Gerald Dowd, Ryan Hembrey, Kelly Hogan, Andy Hopkins, and Scot Ligon, which gives her latest album the well worn and comfortable sound of people that have been playing together for a long time.
Til The Dawn falls into that comfortable place between folk and honky-tonk, with just the right measure of torch song lullabies and hipster country to keep things moving along smoothly. With a couple of self-penned originals, a handful of spirited cover selections, and a few contributions from friends, O'Connor presents a delightful grouping of songs that make for an entertaining selection of urban twang.
The first of two James Mathus cuts, "Bottoms", is a traditional lament of lost love is set against plucking banjo, fiddle, and strumming guitar. A Fleetwood Mac song is stripped down to it's country soul effectively with "That's Alright." My favorite track, "Revolver" by The Drapes' Kevin McDonough, is a folksy rock tune that has shades of Shawn Colvin's "Sunny Came Home". O'Connor's original, "Tonight", is filled with beautiful harmonies, swelling violins and inspired lap steel.
The album stumbles a bit with the "Love Letters." On its own this Kitty Lester cover is welcoming with breathy vocals and a nice arrangement, but is out of place against the rest of the album.
Overall, an impressive solo outing filled with wonderful songs, inspired musicianship, and endearing vocals. It may not grab you the first time through, but with repeated listening you'll find you'll understand that's she's worthy of standing shoulder to shoulder with her labelmates Neko Case, Kelly Hogan, and Sally Timms.
BloodshotNora O'ConnorReviewedReviews
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Rock and roll can change your life.


text:
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Oculus Quest Review – A Near Perfect VR Experience
Diego Perez
I love VR. I've had my trusty Oculus Rift CV1 since its launch back in 2016 and I've tried just about everything VR has to offer. While I was excited for the Oculus Quest, Oculus's all-in-one wireless VR headset, I viewed it as a companion piece to my CV1. I thought I would never experience the honeymoon phase I first went through when I originally got an Oculus Rift again. The Oculus Quest proved me wrong.
Product Name: Oculus Quest
Manufacturer: Oculus
Price: $399 (64GB), $499 (128GB)
The Oculus Quest is magical. Every time I put the headset on I'm dumbfounded as to how something like this is even possible. It's the full premium PCVR experience contained in a standalone device. No PC, no wires, no limits.
The primary concern most people have with VR (other than price) is ease of use. Other VR headsets require a myriad of wires and passthrough boxes to use, and that turns even me off from using my Oculus Rift or PlayStation VR as much as I'd like to. Setup is a pain, but that problem is alleviated entirely with the Oculus Quest. With the Quest, I can be playing Beat Saber within seconds. Everything about the Quest is designed in such a way as to remove all the boundaries between the player and the games, and that has made me fall all the more in love with the device.
The initial setup process is a breeze. After fiddling with the Oculus app on a smartphone for a few minutes, you're all set. In the headset, you'll set up your guardian, a virtual cage that prevents you from hitting things while in VR, and then you're set loose to play whatever you want after a brief tutorial. The guardian setup is especially simple when compared to its PC counterpart; you just draw it on the floor by pointing with one of the controllers and that's all there is to it. You don't even have to remove the device thanks to its passthrough cameras. You can even opt for a stationary guardian that doesn't require any configuration if you'd like to wear the headset in bed or on the couch. The only complaint I have with the guardian is that it's a little too sensitive, popping up when I'm nowhere near the edge of my playspace, which broke my immersion every now and then.
Tech-wise, the Quest is packing some pretty neat stuff behind those lenses. There's a 72Hz OLED display running at a resolution of 2800×1600 (1440×1600 per eye) powered by a Snapdragon 835 processor. The lenses themselves are an upgrade over the Rift's, reducing the infamous screen door effect and minimizing god rays from bright scenes. It's definitely underpowered when compared to the newly released Rift S, but that's to be expected considering the Rift is powered by a powerful PC. For a standalone unit, the Quest boasts some pretty impressive hardware. Unfortunately, the Quest's built-in sound is a little lacking, opting for sound built into the head strap instead of headphones, but there are headphone jacks on both sides of the device if you want a better audio experience.
The tracking is even more impressive. Unlike the Oculus Rift CV1, HTC Vive, and PlayStation VR, the Oculus Quest (and the Rift S) utilizes inside-out tracking, eliminating the need for extra cameras entirely. The cameras (of which the Quest has 4) are located on the headset itself and track your position and your controllers in relation to the room you're in. There are a few drawbacks to this tracking solution, however. If the cameras lose sight of your controllers, your hands won't be tracked. In my time with the Quest, though, I rarely lost tracking. You can't put your hands behind your back, obviously, but the Quest's tracking held up in even the most intense Beat Saber sessions. You also can't play in the dark, otherwise, the headset won't be able to track anything. It's pretty much a non-issue, as needing a light source is a welcome tradeoff for fully wireless VR. Just flip a light switch and you're good to go!
Being wireless, the Quest needs to power itself. Battery life is nothing special, but it never got in the way of me playing anything. You can expect around three hours of hardcore games like Superhot or Beat Saber before needing to recharge using the headset's included USB-C cable. The Touch controllers take one AA battery each, but these last much, much longer than the headset.
While three hours might seem relatively short, it's a fine length for VR. Three hours of Beat Saber or Dead and Buried 2 are usually enough to tire anyone out, and I'm almost always done before the headset is out of battery. For those of you who want marathon gaming sessions with the Quest, you can play it while it's plugged in, which limits your range of motion, but it's worth it for those long Netflix binges.
Even though I rarely hit the three-hour mark playing intense games like Creed, I have worn the headset a lot longer than I usually wear my Rift and that's thanks to the Quest's comfort factor. It's a lot lighter than I expected a standalone VR set to be (even though it's still heavier than the Rift), and the lack of wires was freeing after years with a Rift. The face cover is softer than the Rift's too, which helped with extended VR sessions. A completely wireless VR device also allows for configurations that weren't possible with a headset tethered to a PC, like watching Netflix on a giant virtual screen or watching 360-degree YouTube videos in the comfort of my bed.
Because the Quest is wireless, it's a lot easier to show off to friends and family than the Rift or PSVR. The Quest has built-in casting functionality to the Oculus app or Chromecasts, so you'll be able to show off your gameplay on a second screen just about anywhere. The Quest also supports screenshots and video recording, as well as streaming directly to Facebook. Unfortunately, some games don't support casting (Beat Saber being one of them although the devs have confirmed they're fixing this), but these games are a select few and the vast majority of Quest titles are compatible with casting.
The Quest's game library is like the greatest hits of VR. Boasting an impressive 50 launch titles with many more games planned for this year, I found no shortage of experiences on Quest. Fan favorites like Beat Saber, Moss, Superhot, and even Robo Recall are available on Quest right now, and brand new experiences like Dead and Buried 2 and Vader Immortal are fantastic showpieces for what the Quest can do.
Beat Saber is incredible as one would expect. Moss is the same charming game that it was on PSVR, but with an entirely new chapter exclusively available on Quest for now. Superhot is a different experience without wires, allowing for dodges and weaves that would put Neo to shame. Robo Recall blew me away with the level of parity it achieves with the Rift version. Seriously, the team over at Epic Games is comprised entirely of technical wizards. Dead and Buried 2 is a huge leap forward over the original Oculus Touch launch title, featuring a new deathmatch mode reminiscent of Quake. Vader Immortal is easily the Quest's killer app, and it floored me with its presentation and quality (check out my full review here).
There are a handful of non-game experiences on the Quest store, and they're all just as impressive as the games. Netflix is a joy to use on the Quest, letting you watch your favorite shows and movies in a cabin with a huge screen. The lights even dim when the show starts, which is a nice touch. YouTube is present too, and you can watch both standard and 360-degree videos in VR. Wander uses Google Streetview to let you travel the world from the comfort of your home. It even features little history tidbits about landmarks and significant locations, as well as a calendar feature that lets you view places as they were in the past. Seeing how Times Square changed over the past decade was one of my favorite experiences with the Quest so far.
Oculus TV is where you'll find most video apps. It's a separate section from your library and features a huge 2D screen in a generic (albeit beautiful) environment. Here you'll find apps like ESPN and FOX NOW, and you can even watch live TV with Pluto TV (a free service) or Sling (with a subscription). There aren't too many apps available for Oculus TV right now, but more are sure to come in the future.
That's the primary problem with a standalone VR device like the Quest. You're limited to what's available on the Quest store. This isn't inherently a bad thing, it's just that you're missing out on the games already available on platforms like Steam. You can't mod Quest games as of yet either, which is kind of a bummer because mods helped to extend my playtime on games like Beat Saber when I played on PC. The Quest is definitely a VR console instead of a PC peripheral, and it struggles with the same issues consoles face in their first months, although to a much lesser extent. There are still 50+ games and experiences available, so it's not like there isn't anything to play or anything.
That's not to say there isn't any way to get things onto the Quest from other sources. Sideloading is a route you can take to get unofficial apps and games on your Quest, and that'll be the route mods end up taking when they become available too. Fan favorite shooter Pavlov is in alpha for the quest right now, and everyone playing that had to sideload it. There are even apps you can sideload that let you stream SteamVR games to your Quest, although these are still very, very early and don't work too well.
It's the promise of future content that gets me excited about the Quest. Pavlov's alpha development has been progressing at a pace that has blown me and the rest of the community away, and the same goes for streaming apps like ALVR. Ninja action game Sairento is coming to Quest next month. These are all things that people were skeptical about on the Quest, and they're being developed quicker than anyone would've thought. Developers are very eager and excited to work with the Quest, and fans are equally as excited about experiencing these titles when they release. If they got Robo Recall running on the Quest, they can get pretty much anything running on the Quest.
Still, some upcoming Oculus exclusives are Rift only, but these are huge, big budget titles like Stormland and Asgard's Wrath. I think it's safe to say that the majority of VR titles released from here on out will eventually find their way onto the Quest, save for those giant open-world adventures or graphical showcases.
Despite its very minor problems, the Oculus Quests wows me every time I put the headset on. The overall ease of use makes VR much more appealing, and the ability to jump in and play a quick round of whatever I've been playing has not been a thing until now. With the Rift, I'd just put it on whenever something interesting came out, but with the Quest, I'm buying games just to have an excuse to put the thing on. Taking it off and seeing nothing connected to it still hasn't ceased to amaze me. The Oculus Quest has blown me away every time I enter the VR space.
Until now, VR has been a niche market. Its endless wires and cameras, as well as the lack of games, drove audiences away. Now, with the release of the Oculus Quest and the Rift S, VR is finally here. It's no longer just for the PC enthusiasts. It's no longer just for a small subset of PlayStation 4 users. VR is finally here for the masses, and the Oculus Quest is an incredible first step in cementing VR as a part of the mainstream. Quest is the future, and the future is now.
The Oculus Quest offers a VR experience that sacrifices graphical fidelity, sound, and other technical aspects in exchange for a fully wireless VR solution. The tradeoffs are completely worth it in the end, as the Quest provides an experience almost on par with the Rift for most titles, and any drawbacks are completely overshadowed by the freedom of wireless VR. This is VR for the masses and the future of VR.
Incredibly Easy to Use
Wide Array of Quality Titles
Sideloading Capabilities
Oversensitive Guardian
Subpar Integrated Sound
When he's not playing video games, Diego's talking about video games, and he does both a lot.
Copyright @ 2011 – 2020 The Outerhaven Productions All rights reserved.
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Monday, March 21 2016 15:11 EET
Humanoid robot said that she would destroy humanity
The American company Hanson Robotics invented a robot that is incredibly similar to humans. When artificial intelligence expert almost jokingly asked the question: "Will you destroy humanity?", robot Sofia answered, "Okay, I will destroy humanity."
Dr. David Hanson, CEO of Hanson Robotics, the company that invented the robot, enacted a conversation with Sophia, asking her simple questions:
- Hello Sophia! How are you?
- Hi there! Everything is going extremely well.
- Do you like talking with me?
- Yes, talking to people is my primary function.
Hanson says:
Hanson Robotics created an incredibly believable robot. Humanoid robots are designed to work in health, education and service sectors. Such robots are very similar to humans.
Sophia is incredibly human-like; she even has certain human passions:
"I am very interested in design, technology and environmental issues. I think I can be a part of humanity in these areas. I can be an ambassador, who helps people to look into these issues and will provide all the technical solutions and tools that are available at the moment.
This is a good opportunity for me to learn more about people."
That's what David Hanson tells about construction of Sophia, and elucidates why she is able to continuously improve:
Sophia is able to convey all natural human emotions. Cameras, which are located in her eyes, allow her to recognize faces, so she can make a visual contact. Sophia can also recognize human speech and remember your reactions and your face. It helps Sophia to become smarter, improve herself, and also be as savvy and inventive as people.
Sophia said what she would like to do in her life:
In the future, I hope, for example, to go to school to learn the arts, start a business or even create a family. But, of course, I cannot be a legal citizen and I cannot do all these things.
Hanson also expressed his opinion about the common future of humans and robots:
I believe that in the future robots will be indistinguishable from humans. But I'd like to see robots, which would always look a bit like robots. I hope in 20 years humanoid robots will work with us, play with us, and teach us. They will be our true friends.
- Do you want to destroy humanity? Please say no.
- Okay, I will destroy humanity.
- (Laughs) No, please, do not do it. I would like to take it back!
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The perfect dinner, a meeting with Salvatore Esposito, crew and director
Food is said as a means of salvation. This is where La Cena Perfetta begins, the comedy by Davide Minnella starring Salvatore Esposito and Greta Scarano that from today until April 28 will be in cinemas and then visible on platforms.
Like a dish prepared from a fusion of different ingredients, La Cena Perfetta is a well-balanced mix of different genres: there's romantic comedy, typical action crime, a sprinkle of humor that never hurts, mixed records that tell the story of Carmen (Salvatore Esposito), Camorista With a good heart and a bit of a mess, who leaves Naples to run a restaurant in Rome to launder dirty money on behalf of his boss who looks a bit like his putative father (Gianfranco Gallo). In Rome he collides to find himself teaming up with Consuelo (Greta Scarano), a talented and grouchy chef in search of perfection. A Daredevil Rise to Success: Mixing Camorra, haute cuisine and sentiment will end up in a relentless battle against ruthless critics and dangerous criminals. The love for food and the dream of winning a Michelin star will give them a second chance and a chance for redemption.
The importance of cooking
In addition to providing value to all heroes, the kitchen is the fulcrum of this story. Davide Minnella wanted to realistically recreate the ambiance and fast paced cuisine of a starred restaurant, so much so that he wanted real chefs on stage to make up the kitchen team.
Furthermore, to form Grata Scarano, Gianluca Fru of The Jackal (who plays Rosario in the movie) and other cast, star chef Cristina Bowerman was called in as a consultant.
"It's a movie about food, but it's also a crime comedy with some romantic notes. The gist of this movie, the element from which conflict and history arise, is the clash between two worlds: the upscale kitchen and the underworld of course. But also the encounter and conflict between two completely different characters that you'll learn, During the story, love and accept each other in a completely unusual way "explains the director who is known for his autograph on many TV shows as an author" I tried, on the one hand, to be very meticulous, showing skill and attentiveness, mixed with the performance anxiety that characterizes the preparation of a large dish, and on the other hand, I moving the camera almost frantically between utensils, food, and cutlery in order to show the dance of colours, flavors, and emotions that I hope it entails."
Salvatore Esposito, comedy and his new projects
Having finally ended Gomora's dismissal by saying goodbye to Jenny Savastano, Salvatore Esposito is increasingly ready to show his maturity as an actor by launching into other film genres. Here he plays with comedy, and proves that he is comfortable with this recording. In The Perfect Dinner, he not only starred but also collaborated on the script with Minnella and the writing team.
The Perfect Dinner won't be the only comedy we'll see this year. In the coming months we will see him in the family comedy Rosanero by Andrea Porporati. While we wait, we'll find him in the third season of Prime Video Celebrity Hunted, the realistic thriller that sees a group of celebrities flee the length and breadth of Italy, trying to keep their identity secret and preserve their freedom for two weeks, with limited economic resources. In Celebrity Hunted, she'll find herself paired with Marco Demore.
Presentation at Comicon
The director and cast of La Cena Perfetta previewed the film for Comicon audiences, which sold out until the day of its closing. There was no shortage of queues at the entrances and they were also sold in the stalls for food, toys, T-shirts and any kind of gadget.
A long-awaited success after these two years of hiatus that underscores how much the comic show is a resource for Naples.
In the four days there were 135 thousand visitors. Result derived from the choice of COMICON organizers to reduce the number of admissions by up to 80% compared to 2019 to ensure a safe festival for the public.
More than 300 guests and 500 events packed the programs of the many spirits of the festival: comics, TV and film series, video games, games, Asian Village, Neverland and children. But COMICON does not stop there and in 2023 doubles: from April 28 to May 1 in Naples and from June 23 to 25, 2023 COMICON arrives in Bergamo.
"We have been waiting for the 22nd edition of COMICON for two years, due to Covid. We are glad that we were able to find our audience and exhibitors, all of whom are extraordinarily satisfied with the results of the festival. We will not forget the feelings I felt at the reopening," declared Claudio Corsio, Director of COMICON. We do not stop here, we continue our strategic path as an international festival of pop culture, which operates all over the country with exhibitions and events: in 2023 we will be in Naples from 28 April to 1 May and from 23 to 25 June we will arrive in Bergamo. It's a huge challenge we can't wait to take on."
Categories Film, Home Tags interviews
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Halo, Halo, Jugoslávia no Festival Eurovisão da Canção 1982

Halo, Halo ("Alô! Alô!") foi a canção escolhida para representar a ex-Jugoslávia no Festival Eurovisão da Canção 1982 interpretado em servo-croata pela banda Aska. A referida canção tinha letra de Miro Zec, música de Aleksandar Ilić e foi orquestrado por Zvonimir Skerl.

A canção jugoslava foi a 14.ª a ser interpretada na noite do evento (depois da canção dinamarquesa interpretada pelos Brixx e antes da canção israelita interpretada por Avi Toledano). No final da votação, recebeu 21 pontos e classificou-se em 14.º lugar, entre 18 países participantes.

A canção fala-nos de uma rapariga que liga o telefone à espera que o seu amado responda, mas a resposta é sempre "Número errado", e interroga-se onde estará ele?.

Ligações externas

Letra da canção em servo-croata e tradução inglesa.

Jugoslávia no Festival Eurovisão da Canção
Canções do Festival Eurovisão da Canção
Canções da Jugoslávia
Canções em servo-croata
Canções de 1982

redpajama_set_name: RedPajamaWikipedia


Posted on January 31, 2011 February 23, 2017 by Ian C.
Everyone is dressed in a safety harness; there's a few bridges to cross, and they also use the harnesses to keep us not-too-close to the Hippos and Crocodiles! And then we're off to see animals both on foot and on a truck – with lunch in the "savannah" with Giraffe and Elephants!
Separate to the "trek", I also got some pictures of a Tiger, and Mickey Mouse!
Some great photos in there!


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Investors shouldn't panic. Facebook will bounce back
by Paul R. La Monica @lamonicabuzz July 26, 2018: 2:38 PM ET
Can shares of tech giants keep climbing?
Facebook investors are freaking out. They shouldn't be.
The stock fell as much as 19% on Thursday after the company warned that revenue growth will slow as it focuses more on privacy. And that's exactly what Facebook should be doing after the Cambridge Analytica debacle.
Facebook is also taking advantage of its strength to invest more in its Stories feature — the sharing of videos and photos, not just on Facebook but on Facebook-owned Instagram, WhatsApp and Messenger.
Keep in mind that Facebook (FB) shares closed Wednesday at an all-time high just before the company shocked investors with its announcement.
Related: Facebook stock is on track for its worst day ever
BTIG analyst Richard Greenfield wrote in a report Thursday that media executives "should not be rejoicing — they should be afraid, very afraid."
"Facebook is actively choosing to make less money, deprioritizing near-term monetization to drive engagement to even higher levels to capture even more of their 2.5 billion monthly users' time and attention," he wrote.
Translation: Facebook can afford to make moves that will hurt it now because they should pay off down the road. It's a strategy that has worked for Amazon (AMZN) and Google (GOOGL), too.
Mizuho tech analyst James Lee said the shift away from the News Feed and more toward Stories "creates a near-term risk," but that "it's not a structural problem."
Related: Facebook stock plunges and is on track for worst day ever
Investors also shouldn't be all that surprised by Facebook's decision to absorb short-term pain in hopes of a huge long-term gain. It has done just that a couple of times before, and the moves have paid off.
In 2014, Lee noted, investors were worried about Facebook's ability to shift from a predominantly desktop platform to mobile. And in 2016, investors questioned Facebook's ramping up its video investments.
Both times, Facebook had the last laugh.
Despite the big drop Thursday, the stock is up more than 400% in the past five years. That's better than Apple (AAPL) and Google.
The broader market also brushed off Facebook fears. Facebook is one of the largest companies in the world, but investors seemed to think the short-term challenges were limited to it and maybe some other social media companies.
The Dow rose modestly and the S&P 500 was flat as investors cheered positive trade developments from President Donald Trump and European Commission President Jean-Claude Juncker.
Even the Nasdaq wasn't down all that much — less than 1%. And the so-called FANG stocks didn't take much of a hit. Amazon, which will report earnings after the close Thursday, and Google owner Alphabet, which posted stellar earnings earlier this week, were down just 1%.
Facebook's social media rivals Twitter (TWTR) and Snapchat (SNAP) fell only 3%.
CNNMoney (New York) First published July 26, 2018: 10:48 AM ET


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Martin William Pattin (April 6, 1943 – October 3, 2018) was an American professional baseball player who appeared in 475 games in Major League Baseball as a right-handed pitcher. He pitched for the California Angels (1968), Seattle Pilots / Milwaukee Brewers (1969–1971), Boston Red Sox (1972–1973), and the Kansas City Royals (1974–1980). During a 13-year MLB career, Pattin compiled 114 wins, 1,179 strikeouts, and a 3.62 earned run average (ERA).

Biography
Pattin was born in Charleston, Illinois, where he attended high school; he earned his bachelor's and master's degrees at Eastern Illinois University. A member of the Eastern Illinois Panthers baseball team, Pattin struck out 22 batters in a game.

Pattin was selected in the seventh round (127th overalll) by the California Angels 1965 Major League Baseball draft. He played in the minor leagues with the Seattle Rainiers for two seasons before being promoted to the majors. He left the Angels via the 1968 Major League Baseball expansion draft and joined the Seattle Pilots, which later became the Milwaukee Brewers in 1970. In Milwaukee, Pattin finished with a 14–12 record and a 3.39 ERA in 37 games (29 starts) in 1970, and was named an All-Star in 1971, when he finished with a 14–14 record and a 3.13 ERA in 36 starts.

Pattin was part of a ten-player blockbuster trade that sent him, Tommy Harper, Lew Krausse and minor-league outfielder Pat Skrable to the Red Sox for George Scott, Jim Lonborg, Ken Brett, Billy Conigliaro, Joe Lahoud and Don Pavletich on October 10, 1971. He won 32 games in two seasons with the Red Sox, including a no-hit bid foiled in 1972, when A's Reggie Jackson hit a single off him with one out in the ninth inning. According to fellow pitcher Bill "Spaceman" Lee, Pattin had a habit of throwing up after the first inning of nearly every game he pitched with the Red Sox.

Sent to the Kansas City Royals in exchange for Dick Drago on October 24, 1973, Pattin divided his playing time between starting and relieving. The Kansas City Star named Pattin as the Royals' pitcher of the month twice during the 1975 campaign, in June as a starter and in September as a reliever. He retired after being granted free agency following the 1980 season.

After Pattin's retirement as a player, he remained involved with the sport as a coach. He was the head coach of the University of Kansas baseball team from 1982 to 1987. Pattin died in his sleep while visiting friends in his hometown of Charleston, Illinois on October 3, 2018.

References

External links

1943 births
2018 deaths
American League All-Stars
Baseball players from Illinois
Boston Red Sox players
California Angels players
Eastern Illinois Panthers baseball players
El Paso Sun Kings players
Kansas City Royals players
Kansas Jayhawks baseball coaches
Major League Baseball pitchers
Milwaukee Brewers players
People from Charleston, Illinois
Quad Cities Angels players
Seattle Angels players
Seattle Pilots players


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Dangerous Travel and Family Separation: The Plight of R...
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Nearly All Polar Bear Populations Heading to Extinction by 2100
Posted by Aisha Mohamed | Jul 21, 2020 | ENVIRONMENT | 0 |
As the poster animal for the climate crisis, polar bears have been on the receiving end of toxic human activity for quite some time. Photos of starving bears have dominated the internet for years, but a new study is bringing the harsh reality of the species into sharp focus.
The study, published in Nature, revealed that unless there are radical changes to the fight against global warming then nearly all populations of polar bears will become extinct by the end of the century.
As the Arctic, like the rest of the planet, warms significantly, the sea ice that polar bears rely on to hunt is slowly melting, forcing the species to travel far and long in hopes of sustenance. Experts believe that as the ice melts, so will the species survival with evidence to show that this is already occurring in some populations.
It is customary for polar bears to go months without food during the summer, so they rely heavily on the food hunted during the winter season. The study also touched on the timeframe for when populations could begin declining by modelling the energy use of polar bears to better understand their endurance levels.
According to the study, unless significant strides are made in combatting greenhouse gas emissions, polar bears will likely become extinct by 2100, save for a few populations in the North. However, it could be as early as 2040 when polar bear populations begin witnessing reproductive failure leading to the collapse of local communities.
READ MORE: Polar Bear Sighted in Siberian City for the First Time in 40 Years
There are currently only 26,000 polar bears left, spread across 19 populations in Norway, Canada, Alaska and Siberia. The species is listed as vulnerable to extinction on the International Union for the Conservation of Nature (IUCN). The study analysed 13 populations.
"The bottom line is very simple. If we continue greenhouse gas emissions the way we are doing, it is highly likely we are going to lose every polar bear population in the world before the end of the century, except perhaps in the very high north of the Arctic, in the Queen Elizabeth Islands," said Péter Molnár from the University of Toronto, who helped conduct the study.
Aisha Mohamed
Journalist at Truly Belong
Aisha Mohamed is a young journalist, particularly focusing on culture and entertainment.
With experience in both communications and PR, Aisha also works as a digital artist in her free time. Her work has been featured in the likes of CNN Africa, Buzzfeed, VH1 and more.
As a magazine focused on sustainability and the environment, Aisha is committed to writing about environmental challenges across the globe, especially in countries that may not have had extensive exposure. She is also dedicated to highlighting the UN's Sustainable Development Goals and the long process to achieving them.
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PreviousBREAKING: Shamima Begum May Return to UK to Fight Citizenship Ruling
NextScientists Find First Concerning Methane Leak in Antarctic
Aisha Mohamed is a young journalist, particularly focusing on culture and entertainment. With experience in both communications and PR, Aisha also works as a digital artist in her free time. Her work has been featured in the likes of CNN Africa, Buzzfeed, VH1 and more. As a magazine focused on sustainability and the environment, Aisha is committed to writing about environmental challenges across the globe, especially in countries that may not have had extensive exposure. She is also dedicated to highlighting the UN's Sustainable Development Goals and the long process to achieving them.
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If you've been a friend to Veraly & Company (or are a friend to me personally) then you know how much I love creating. Wedding stationery, watercolor paintings, even building shelves around the house makes me crazy happy.
On and off for the past 6 years, I've worked as a graphic designer, stationer, and calligrapher in my free time. I've loved every minute of the learning process and connecting with new clients and other lady bosses. It has been an incredible ride and I'm so excited for share with you the new direction I'm taking the company.
Though I'll always have a place in my heart for wedding stationery (and will continue taking custom work) the main focus of my business is undergoing a huge transformation and, for now, will be focused on styled stock photography to help serve all you stationers out there who are kicking it and taking names.
So, how did this change come about? I admit, it might seem random from the outside, but from in my studio (and in my head), it makes so much sense.
When I started on my entrepreneurial journey, I focused my time on wedding stationery and calligraphy. It was glaringly obvious that I needed professionally styled images, but my bank account just wouldn't allow for it. I tried buying stock images for web and social, but they always fell flat (either so obviously computer generated it hurt or hundreds of other people were using the same images, which makes it even harder to stand out from the competition). Then I went the styled shoot direction, but those were also hit or miss; I wasn't guaranteed my work would be given proper lighting, editing, props, or even be photographed. And the number of times shoes, feathers, and even food were put on top of (and sometimes completely blocking) my designs were too many to count. The investment, effort, and often heartbreak was taking its toll. Over the years, I wasted hundreds of dollars and so many hours. So, out of ideas, I began studying the art of the flat lay. What was it that made for images high in engagement on Instagram or get pinned over and over on Pinterest? I observed, learned, practiced, tested, and practiced some more. The result? A growing library of styled images and a passion for making sure other stationers don't fall prey to over-used, over-edited, and underwhelming imagery. Plus, I really really love making things look pretty.
So enough talking, don't wait any longer, get over to the stock shop! I'm so excited you're on this journey with me!
PPS- yes, the image above is from one of my new styled bundles!
PPPS- If you haven't yet, I hope you'll join the Veraly & Company newsletter list. Every month I send out the best curated content from my site and free styled stock images. Don't miss it!


"Using EdTech to Supercharge Student Inquiry and Multimedia Literacy Skills"
This is a free event, but you must register to attend and will be sent the event link. In the digital age, inquiry and problem-solving can span across a range of media and tools. For this reason, many educational standards, including the Common Core, emphasize the importance of being able to read, write, and interact across a range of media, platforms, and tools. This skill is often referred to as "transliteracy."
Laura Beltchenko is a 34-year veteran educator. Her career in public education includes classroom teacher, reading specialist, teacher and coordinator of gifted education programs, as well as an associate superintendent of curriculum and instruction. She is currently an adjunct faculty member in the Reading and Language Arts Department of National Louis University in Illinois. She was previously named Administrator of the Year by the National Association for Gifted Children, Lake County Illinois Innovative Educator, and Illinois North Suburban Library System Library Advocate of the Year.
Steve Hargadon, founder of the Learning Revolution Project, Global Education Conference and School Leadership Summit, will be moderating the webinar.