text:
/*---------------------------------------------------------------
	APPLICATION: Camera calibration GUI
	AUTHOR: Jose Luis Blanco, based on code from the OpenCV library.
  ---------------------------------------------------------------*/

#include "camera_calib_guiMain.h"

#include "CDlgCalibWizardOnline.h"
#include "CDlgPoseEst.h"

//(*InternalHeaders(camera_calib_guiDialog)
#include <wx/font.h>
#include <wx/intl.h>
#include <wx/settings.h>
#include <wx/string.h>
//*)

#include <mrpt/containers/yaml.h>
#include <mrpt/gui/WxUtils.h>
#include <mrpt/opengl/CGridPlaneXY.h>
#include <mrpt/opengl/stock_objects.h>
#include <mrpt/system/filesystem.h>
#include <mrpt/vision/pnp_algos.h>
#include <wx/filedlg.h>
#include <wx/msgdlg.h>
#include <wx/progdlg.h>

#include <Eigen/Dense>
#include <fstream>
#include <iostream>

using namespace mrpt;
using namespace mrpt::math;
using namespace mrpt::img;
using namespace mrpt::vision;
using namespace mrpt::gui;
using namespace std;

#include <mrpt/gui/CMyRedirector.h>
#include <mrpt/gui/about_box.h>

#define USE_EXTERNAL_STORAGE_IMGS 1

// VARIABLES  ================================

TCalibrationImageList lst_images;  // Here are all the images: file_name -> data
mrpt::img::TCamera camera_params;

// END VARIABLES  ============================

#include "../wx-common/mrpt_logo.xpm"
#include "imgs/icono_main.xpm"

// A custom Art provider for customizing the icons:
class MyArtProvider : public wxArtProvider
{
   protected:
	wxBitmap CreateBitmap(
		const wxArtID& id, const wxArtClient& client,
		const wxSize& size) override;
};

// CreateBitmap function
wxBitmap MyArtProvider::CreateBitmap(
	const wxArtID& id, const wxArtClient& client, const wxSize& size)
{
	if (id == wxART_MAKE_ART_ID(MAIN_ICON)) return wxBitmap(icono_main_xpm);
	if (id == wxART_MAKE_ART_ID(IMG_MRPT_LOGO)) return wxBitmap(mrpt_logo_xpm);

	// Any wxWidgets icons not implemented here
	// will be provided by the default art provider.
	return wxNullBitmap;
}

//(*IdInit(camera_calib_guiDialog)
const long camera_calib_guiDialog::ID_BUTTON8 = wxNewId();
const long camera_calib_guiDialog::ID_BUTTON1 = wxNewId();
const long camera_calib_guiDialog::ID_BUTTON2 = wxNewId();
const long camera_calib_guiDialog::ID_BUTTON9 = wxNewId();
const long camera_calib_guiDialog::ID_LISTBOX1 = wxNewId();
const long camera_calib_guiDialog::ID_STATICTEXT5 = wxNewId();
const long camera_calib_guiDialog::ID_CHOICE1 = wxNewId();
const long camera_calib_guiDialog::ID_STATICTEXT1 = wxNewId();
const long camera_calib_guiDialog::ID_SPINCTRL1 = wxNewId();
const long camera_calib_guiDialog::ID_STATICTEXT2 = wxNewId();
const long camera_calib_guiDialog::ID_SPINCTRL2 = wxNewId();
const long camera_calib_guiDialog::ID_RADIOBOX1 = wxNewId();
const long camera_calib_guiDialog::ID_STATICTEXT3 = wxNewId();
const long camera_calib_guiDialog::ID_TEXTCTRL1 = wxNewId();
const long camera_calib_guiDialog::ID_STATICTEXT6 = wxNewId();
const long camera_calib_guiDialog::ID_TEXTCTRL3 = wxNewId();
const long camera_calib_guiDialog::ID_CHECKBOX1 = wxNewId();
const long camera_calib_guiDialog::ID_TEXTCTRL2 = wxNewId();
const long camera_calib_guiDialog::ID_BUTTON3 = wxNewId();
const long camera_calib_guiDialog::ID_BUTTON6 = wxNewId();
const long camera_calib_guiDialog::ID_BUTTON7 = wxNewId();
const long camera_calib_guiDialog::ID_BUTTON5 = wxNewId();
const long camera_calib_guiDialog::ID_BUTTON4 = wxNewId();
const long camera_calib_guiDialog::ID_CUSTOM2 = wxNewId();
const long camera_calib_guiDialog::ID_SCROLLEDWINDOW2 = wxNewId();
const long camera_calib_guiDialog::ID_PANEL2 = wxNewId();
const long camera_calib_guiDialog::ID_CUSTOM1 = wxNewId();
const long camera_calib_guiDialog::ID_SCROLLEDWINDOW3 = wxNewId();
const long camera_calib_guiDialog::ID_PANEL3 = wxNewId();
const long camera_calib_guiDialog::ID_XY_GLCANVAS = wxNewId();
const long camera_calib_guiDialog::ID_PANEL1 = wxNewId();
const long camera_calib_guiDialog::ID_NOTEBOOK1 = wxNewId();
const long camera_calib_guiDialog::ID_BUTTON10 = wxNewId();
//*)

BEGIN_EVENT_TABLE(camera_calib_guiDialog, wxDialog)
//(*EventTable(camera_calib_guiDialog)
//*)
END_EVENT_TABLE()

camera_calib_guiDialog::camera_calib_guiDialog(wxWindow* parent, wxWindowID id)
{
	// Load my custom icons:
	wxArtProvider::Push(new MyArtProvider);

	//(*Initialize(camera_calib_guiDialog)
	wxStaticBoxSizer* StaticBoxSizer2;
	wxFlexGridSizer* FlexGridSizer4;
	wxFlexGridSizer* FlexGridSizer16;
	wxStaticBoxSizer* StaticBoxSizer4;
	wxFlexGridSizer* FlexGridSizer10;
	wxFlexGridSizer* FlexGridSizer3;
	wxFlexGridSizer* FlexGridSizer5;
	wxFlexGridSizer* FlexGridSizer9;
	wxFlexGridSizer* FlexGridSizer2;
	wxFlexGridSizer* FlexGridSizer7;
	wxStaticBoxSizer* StaticBoxSizer3;
	wxFlexGridSizer* FlexGridSizer15;
	wxFlexGridSizer* FlexGridSizer18;
	wxFlexGridSizer* FlexGridSizer8;
	wxFlexGridSizer* FlexGridSizer13;
	wxFlexGridSizer* FlexGridSizer12;
	wxFlexGridSizer* FlexGridSizer6;
	wxStaticBoxSizer* StaticBoxSizer1;
	wxFlexGridSizer* FlexGridSizer1;
	wxFlexGridSizer* FlexGridSizer17;
	wxStaticBoxSizer* StaticBoxSizer5;

	Create(
		parent, id, _("Camera calibration GUI - Part of the MRPT project"),
		wxDefaultPosition, wxDefaultSize,
		wxDEFAULT_DIALOG_STYLE | wxDEFAULT_FRAME_STYLE, _T("id"));
	FlexGridSizer1 = new wxFlexGridSizer(1, 2, 0, 0);
	FlexGridSizer1->AddGrowableCol(1);
	FlexGridSizer1->AddGrowableRow(0);
	FlexGridSizer2 = new wxFlexGridSizer(3, 1, 0, 0);
	FlexGridSizer2->AddGrowableCol(0);
	FlexGridSizer2->AddGrowableRow(0);
	FlexGridSizer2->AddGrowableRow(2);
	StaticBoxSizer1 =
		new wxStaticBoxSizer(wxHORIZONTAL, this, _("List of images"));
	FlexGridSizer4 = new wxFlexGridSizer(2, 1, 0, 0);
	FlexGridSizer4->AddGrowableCol(0);
	FlexGridSizer4->AddGrowableRow(1);
	FlexGridSizer5 = new wxFlexGridSizer(0, 4, 0, 0);
	btnCaptureNow = new wxButton(
		this, ID_BUTTON8, _("Grab now..."), wxDefaultPosition, wxDefaultSize, 0,
		wxDefaultValidator, _T("ID_BUTTON8"));
	wxFont btnCaptureNowFont(
		-1, wxFONTFAMILY_DEFAULT, wxFONTSTYLE_NORMAL, wxBOLD);
	btnCaptureNow->SetFont(btnCaptureNowFont);
	FlexGridSizer5->Add(btnCaptureNow, 1, wxEXPAND, 5);
	btnPoseEstimateNow = new wxButton(
		this, ID_BUTTON10, _("Pose Est. now..."), wxDefaultPosition,
		wxDefaultSize, 0, wxDefaultValidator, _T("ID_BUTTON10"));
	wxFont btnPoseEstimateNowFont(
		-1, wxFONTFAMILY_DEFAULT, wxFONTSTYLE_NORMAL, wxFONTWEIGHT_BOLD);
	btnPoseEstimateNow->SetFont(btnPoseEstimateNowFont);
	FlexGridSizer5->Add(btnPoseEstimateNow, 1, wxEXPAND, 5);
	Button11 = new wxButton(
		this, ID_BUTTON1, _("Add image(s)..."), wxDefaultPosition,
		wxDefaultSize, 0, wxDefaultValidator, _T("ID_BUTTON1"));
	FlexGridSizer5->Add(Button11, 1, wxEXPAND, 5);
	Button22 = new wxButton(
		this, ID_BUTTON2, _("Clear all"), wxDefaultPosition, wxDefaultSize, 0,
		wxDefaultValidator, _T("ID_BUTTON2"));
	FlexGridSizer5->Add(Button22, 1, wxEXPAND, 5);
	btnSaveImages = new wxButton(
		this, ID_BUTTON9, _("Save all..."), wxDefaultPosition, wxDefaultSize, 0,
		wxDefaultValidator, _T("ID_BUTTON9"));
	btnSaveImages->Disable();
	FlexGridSizer5->Add(btnSaveImages, 1, wxEXPAND, 5);
	FlexGridSizer4->Add(
		FlexGridSizer5, 1,
		wxALL | wxALIGN_CENTER_HORIZONTAL | wxALIGN_CENTER_VERTICAL, 0);
	FlexGridSizer15 = new wxFlexGridSizer(1, 2, 0, 0);
	FlexGridSizer15->AddGrowableCol(0);
	FlexGridSizer15->AddGrowableRow(0);
	lbFiles = new wxListBox(
		this, ID_LISTBOX1, wxDefaultPosition, wxSize(294, 84), 0, nullptr,
		wxLB_ALWAYS_SB | wxVSCROLL | wxHSCROLL | wxALWAYS_SHOW_SB,
		wxDefaultValidator, _T("ID_LISTBOX1"));
	FlexGridSizer15->Add(lbFiles, 1, wxEXPAND, 5);
	FlexGridSizer16 = new wxFlexGridSizer(0, 1, 0, 0);
	StaticText5 = new wxStaticText(
		this, ID_STATICTEXT5, _("Zoom:"), wxDefaultPosition, wxDefaultSize, 0,
		_T("ID_STATICTEXT5"));
	FlexGridSizer16->Add(
		StaticText5, 1,
		wxALL | wxALIGN_CENTER_HORIZONTAL | wxALIGN_CENTER_VERTICAL, 5);
	cbZoom = new wxChoice(
		this, ID_CHOICE1, wxDefaultPosition, wxDefaultSize, 0, nullptr, 0,
		wxDefaultValidator, _T("ID_CHOICE1"));
	cbZoom->Append(_("25%"));
	cbZoom->Append(_("50%"));
	cbZoom->Append(_("75%"));
	cbZoom->SetSelection(cbZoom->Append(_("100%")));
	cbZoom->Append(_("150%"));
	cbZoom->Append(_("200%"));
	cbZoom->Append(_("300%"));
	cbZoom->Append(_("400%"));
	cbZoom->Append(_("500%"));
	FlexGridSizer16->Add(
		cbZoom, 1, wxALL | wxALIGN_CENTER_HORIZONTAL | wxALIGN_CENTER_VERTICAL,
		5);
	FlexGridSizer15->Add(FlexGridSizer16, 1, wxEXPAND, 0);
	FlexGridSizer4->Add(FlexGridSizer15, 1, wxEXPAND, 0);
	StaticBoxSizer1->Add(FlexGridSizer4, 1, wxEXPAND, 0);
	FlexGridSizer2->Add(StaticBoxSizer1, 1, wxEXPAND, 2);
	StaticBoxSizer3 = new wxStaticBoxSizer(
		wxHORIZONTAL, this, _("Checkerboard detection parameters"));
	FlexGridSizer6 = new wxFlexGridSizer(2, 2, 0, 0);
	FlexGridSizer6->AddGrowableCol(0);
	FlexGridSizer6->AddGrowableCol(1);
	StaticBoxSizer4 = new wxStaticBoxSizer(
		wxHORIZONTAL, this, _("Number of inner corners: "));
	FlexGridSizer17 = new wxFlexGridSizer(1, 4, 0, 0);
	StaticText1 = new wxStaticText(
		this, ID_STATICTEXT1, _("In X:"), wxDefaultPosition, wxDefaultSize, 0,
		_T("ID_STATICTEXT1"));
	FlexGridSizer17->Add(
		StaticText1, 1,
		wxALL | wxALIGN_CENTER_HORIZONTAL | wxALIGN_CENTER_VERTICAL, 5);
	edSizeX = new wxSpinCtrl(
		this, ID_SPINCTRL1, _T("9"), wxDefaultPosition, wxSize(50, -1), 0, 1,
		200, 5, _T("ID_SPINCTRL1"));
	edSizeX->SetValue(_T("9"));
	FlexGridSizer17->Add(
		edSizeX, 1, wxALL | wxALIGN_CENTER_HORIZONTAL | wxALIGN_CENTER_VERTICAL,
		5);
	StaticText2 = new wxStaticText(
		this, ID_STATICTEXT2, _("In Y:"), wxDefaultPosition, wxDefaultSize, 0,
		_T("ID_STATICTEXT2"));
	FlexGridSizer17->Add(
		StaticText2, 1,
		wxALL | wxALIGN_CENTER_HORIZONTAL | wxALIGN_CENTER_VERTICAL, 5);
	edSizeY = new wxSpinCtrl(
		this, ID_SPINCTRL2, _T("6"), wxDefaultPosition, wxSize(50, -1), 0, 1,
		200, 8, _T("ID_SPINCTRL2"));
	edSizeY->SetValue(_T("6"));
	FlexGridSizer17->Add(
		edSizeY, 1, wxALL | wxALIGN_CENTER_HORIZONTAL | wxALIGN_CENTER_VERTICAL,
		5);
	StaticBoxSizer4->Add(FlexGridSizer17, 1, wxEXPAND, 0);
	FlexGridSizer6->Add(
		StaticBoxSizer4, 1, wxALL | wxALIGN_LEFT | wxALIGN_CENTER_VERTICAL, 2);
	wxString __wxRadioBoxChoices_1[2] = {
		_("OpenCV\'s default"), _("Scaramuzza et al.\'s")};
	rbMethod = new wxRadioBox(
		this, ID_RADIOBOX1, _(" Detector method: "), wxDefaultPosition,
		wxDefaultSize, 2, __wxRadioBoxChoices_1, 0, 0, wxDefaultValidator,
		_T("ID_RADIOBOX1"));
	FlexGridSizer6->Add(rbMethod, 1, wxEXPAND, 2);
	StaticBoxSizer5 =
		new wxStaticBoxSizer(wxHORIZONTAL, this, _(" Size of quads (in mm): "));
	FlexGridSizer18 = new wxFlexGridSizer(1, 4, 0, 0);
	StaticText3 = new wxStaticText(
		this, ID_STATICTEXT3, _("In X:"), wxDefaultPosition, wxDefaultSize, 0,
		_T("ID_STATICTEXT3"));
	FlexGridSizer18->Add(
		StaticText3, 1,
		wxALL | wxALIGN_CENTER_HORIZONTAL | wxALIGN_CENTER_VERTICAL, 5);
	edLengthX = new wxTextCtrl(
		this, ID_TEXTCTRL1, _("25.0"), wxDefaultPosition, wxSize(40, -1), 0,
		wxDefaultValidator, _T("ID_TEXTCTRL1"));
	FlexGridSizer18->Add(
		edLengthX, 1,
		wxALL | wxALIGN_CENTER_HORIZONTAL | wxALIGN_CENTER_VERTICAL, 5);
	StaticText6 = new wxStaticText(
		this, ID_STATICTEXT6, _("In Y:"), wxDefaultPosition, wxDefaultSize, 0,
		_T("ID_STATICTEXT6"));
	FlexGridSizer18->Add(
		StaticText6, 1,
		wxALL | wxALIGN_CENTER_HORIZONTAL | wxALIGN_CENTER_VERTICAL, 5);
	edLengthY = new wxTextCtrl(
		this, ID_TEXTCTRL3, _("25.0"), wxDefaultPosition, wxSize(40, -1), 0,
		wxDefaultValidator, _T("ID_TEXTCTRL3"));
	FlexGridSizer18->Add(
		edLengthY, 1,
		wxALL | wxALIGN_CENTER_HORIZONTAL | wxALIGN_CENTER_VERTICAL, 5);
	StaticBoxSizer5->Add(FlexGridSizer18, 1, wxEXPAND, 0);
	FlexGridSizer6->Add(
		StaticBoxSizer5, 1, wxALL | wxALIGN_LEFT | wxALIGN_CENTER_VERTICAL, 2);
	cbNormalize = new wxCheckBox(
		this, ID_CHECKBOX1, _("Normalize image"), wxDefaultPosition,
		wxDefaultSize, 0, wxDefaultValidator, _T("ID_CHECKBOX1"));
	cbNormalize->SetValue(true);
	FlexGridSizer6->Add(
		cbNormalize, 1,
		wxALL | wxALIGN_CENTER_HORIZONTAL | wxALIGN_CENTER_VERTICAL, 5);
	StaticBoxSizer3->Add(FlexGridSizer6, 1, wxEXPAND, 0);
	FlexGridSizer2->Add(StaticBoxSizer3, 1, wxEXPAND, 2);
	StaticBoxSizer2 =
		new wxStaticBoxSizer(wxHORIZONTAL, this, _("Calibration"));
	FlexGridSizer7 = new wxFlexGridSizer(2, 1, 0, 0);
	FlexGridSizer7->AddGrowableCol(0);
	FlexGridSizer7->AddGrowableRow(0);
	FlexGridSizer9 = new wxFlexGridSizer(1, 1, 0, 0);
	FlexGridSizer9->AddGrowableCol(0);
	FlexGridSizer9->AddGrowableRow(0);
	txtLog = new wxTextCtrl(
		this, ID_TEXTCTRL2, _("(Calibration results)"), wxDefaultPosition,
		wxDefaultSize, wxTE_MULTILINE | wxTE_READONLY | wxHSCROLL | wxVSCROLL,
		wxDefaultValidator, _T("ID_TEXTCTRL2"));
	wxFont txtLogFont = wxSystemSettings::GetFont(wxSYS_OEM_FIXED_FONT);
	if (!txtLogFont.Ok())
		txtLogFont = wxSystemSettings::GetFont(wxSYS_DEFAULT_GUI_FONT);
	txtLogFont.SetPointSize(9);
	txtLog->SetFont(txtLogFont);
	FlexGridSizer9->Add(txtLog, 1, wxEXPAND, 5);
	FlexGridSizer7->Add(FlexGridSizer9, 1, wxEXPAND, 0);
	FlexGridSizer8 = new wxFlexGridSizer(2, 3, 0, 0);
	FlexGridSizer8->AddGrowableCol(0);
	FlexGridSizer8->AddGrowableCol(1);
	btnRunCalib = new wxButton(
		this, ID_BUTTON3, _("Calibrate"), wxDefaultPosition, wxDefaultSize, 0,
		wxDefaultValidator, _T("ID_BUTTON3"));
	btnRunCalib->SetDefault();
	wxFont btnRunCalibFont(
		-1, wxFONTFAMILY_DEFAULT, wxFONTSTYLE_NORMAL, wxBOLD);
	btnRunCalib->SetFont(btnRunCalibFont);
	FlexGridSizer8->Add(btnRunCalib, 1, wxEXPAND, 5);
	btnSave = new wxButton(
		this, ID_BUTTON6, _("Save matrices..."), wxDefaultPosition,
		wxDefaultSize, 0, wxDefaultValidator, _T("ID_BUTTON6"));
	FlexGridSizer8->Add(btnSave, 1, wxEXPAND, 5);
	FlexGridSizer8->Add(
		-1, -1, 1, wxALL | wxALIGN_CENTER_HORIZONTAL | wxALIGN_CENTER_VERTICAL,
		5);
	btnManualRect = new wxButton(
		this, ID_BUTTON7, _("Manual params..."), wxDefaultPosition,
		wxDefaultSize, 0, wxDefaultValidator, _T("ID_BUTTON7"));
	FlexGridSizer8->Add(btnManualRect, 1, wxEXPAND, 5);
	btnAbout = new wxButton(
		this, ID_BUTTON5, _("About"), wxDefaultPosition, wxDefaultSize, 0,
		wxDefaultValidator, _T("ID_BUTTON5"));
	FlexGridSizer8->Add(btnAbout, 1, wxEXPAND, 5);
	btnClose = new wxButton(
		this, ID_BUTTON4, _("Quit"), wxDefaultPosition, wxDefaultSize, 0,
		wxDefaultValidator, _T("ID_BUTTON4"));
	FlexGridSizer8->Add(btnClose, 1, wxEXPAND, 5);
	FlexGridSizer7->Add(FlexGridSizer8, 1, wxEXPAND, 0);
	StaticBoxSizer2->Add(FlexGridSizer7, 1, wxEXPAND, 0);
	FlexGridSizer2->Add(StaticBoxSizer2, 1, wxEXPAND, 2);
	FlexGridSizer1->Add(FlexGridSizer2, 1, wxEXPAND, 0);
	FlexGridSizer3 = new wxFlexGridSizer(1, 1, 0, 0);
	FlexGridSizer3->AddGrowableCol(0);
	FlexGridSizer3->AddGrowableRow(0);
	Notebook1 = new wxNotebook(
		this, ID_NOTEBOOK1, wxDefaultPosition, wxSize(719, 570), 0,
		_T("ID_NOTEBOOK1"));
	Panel2 = new wxPanel(
		Notebook1, ID_PANEL2, wxDefaultPosition, wxDefaultSize, wxTAB_TRAVERSAL,
		_T("ID_PANEL2"));
	FlexGridSizer13 = new wxFlexGridSizer(1, 1, 0, 0);
	FlexGridSizer13->AddGrowableCol(0);
	FlexGridSizer13->AddGrowableRow(0);
	ScrolledWindow2 = new wxScrolledWindow(
		Panel2, ID_SCROLLEDWINDOW2, wxDefaultPosition, wxDefaultSize,
		wxHSCROLL | wxVSCROLL, _T("ID_SCROLLEDWINDOW2"));
	FlexGridSizer11 = new wxFlexGridSizer(0, 1, 0, 0);
	FlexGridSizer11->AddGrowableCol(0);
	FlexGridSizer11->AddGrowableRow(0);
	bmpOriginal = new mrpt::gui::wxMRPTImageControl(
		ScrolledWindow2, ID_CUSTOM2, wxDefaultPosition.x, wxDefaultPosition.y,
		wxSize(640, 480).GetWidth(), wxSize(640, 480).GetHeight());
	FlexGridSizer11->Add(bmpOriginal, 1, wxALL | wxALIGN_LEFT | wxALIGN_TOP, 0);
	ScrolledWindow2->SetSizer(FlexGridSizer11);
	FlexGridSizer11->Fit(ScrolledWindow2);
	FlexGridSizer11->SetSizeHints(ScrolledWindow2);
	FlexGridSizer13->Add(ScrolledWindow2, 1, wxEXPAND, 0);
	Panel2->SetSizer(FlexGridSizer13);
	FlexGridSizer13->Fit(Panel2);
	FlexGridSizer13->SetSizeHints(Panel2);
	Panel3 = new wxPanel(
		Notebook1, ID_PANEL3, wxDefaultPosition, wxDefaultSize, wxTAB_TRAVERSAL,
		_T("ID_PANEL3"));
	FlexGridSizer10 = new wxFlexGridSizer(1, 1, 0, 0);
	FlexGridSizer10->AddGrowableCol(0);
	FlexGridSizer10->AddGrowableRow(0);
	ScrolledWindow3 = new wxScrolledWindow(
		Panel3, ID_SCROLLEDWINDOW3, wxDefaultPosition, wxDefaultSize,
		wxHSCROLL | wxVSCROLL, _T("ID_SCROLLEDWINDOW3"));
	FlexGridSizer14 = new wxFlexGridSizer(1, 1, 0, 0);
	FlexGridSizer14->AddGrowableCol(0);
	FlexGridSizer14->AddGrowableRow(0);
	bmpRectified = new mrpt::gui::wxMRPTImageControl(
		ScrolledWindow3, ID_CUSTOM1, wxDefaultPosition.x, wxDefaultPosition.y,
		wxSize(640, 480).GetWidth(), wxSize(640, 480).GetHeight());
	FlexGridSizer14->Add(
		bmpRectified, 1, wxALL | wxALIGN_LEFT | wxALIGN_TOP, 0);
	ScrolledWindow3->SetSizer(FlexGridSizer14);
	FlexGridSizer14->Fit(ScrolledWindow3);
	FlexGridSizer14->SetSizeHints(ScrolledWindow3);
	FlexGridSizer10->Add(ScrolledWindow3, 1, wxEXPAND, 0);
	Panel3->SetSizer(FlexGridSizer10);
	FlexGridSizer10->Fit(Panel3);
	FlexGridSizer10->SetSizeHints(Panel3);
	Panel1 = new wxPanel(
		Notebook1, ID_PANEL1, wxDefaultPosition, wxDefaultSize, wxTAB_TRAVERSAL,
		_T("ID_PANEL1"));
	FlexGridSizer12 = new wxFlexGridSizer(1, 1, 0, 0);
	FlexGridSizer12->AddGrowableCol(0);
	FlexGridSizer12->AddGrowableRow(0);
	m_3Dview = new CMyGLCanvas(
		Panel1, ID_XY_GLCANVAS, wxDefaultPosition, wxSize(-1, 300),
		wxTAB_TRAVERSAL, _T("ID_XY_GLCANVAS"));
	FlexGridSizer12->Add(m_3Dview, 1, wxEXPAND, 0);
	Panel1->SetSizer(FlexGridSizer12);
	FlexGridSizer12->Fit(Panel1);
	FlexGridSizer12->SetSizeHints(Panel1);
	Notebook1->AddPage(Panel2, _("Original Image"), false);
	Notebook1->AddPage(
		Panel3, _("Rectified image and reprojected points"), true);
	Notebook1->AddPage(Panel1, _("3D view"), false);
	FlexGridSizer3->Add(Notebook1, 1, wxEXPAND, 2);
	FlexGridSizer1->Add(FlexGridSizer3, 1, wxEXPAND, 0);
	SetSizer(FlexGridSizer1);
	FlexGridSizer1->Fit(this);
	FlexGridSizer1->SetSizeHints(this);

	Bind(
		wxEVT_BUTTON, &camera_calib_guiDialog::OnbtnCaptureNowClick, this,
		ID_BUTTON8);
	Bind(wxEVT_BUTTON, &camera_calib_guiDialog::OnAddImage, this, ID_BUTTON1);
	Bind(wxEVT_BUTTON, &camera_calib_guiDialog::OnListClear, this, ID_BUTTON2);
	Bind(
		wxEVT_BUTTON, &camera_calib_guiDialog::OnbtnSaveImagesClick, this,
		ID_BUTTON9);
	Bind(
		wxEVT_LISTBOX, &camera_calib_guiDialog::OnlbFilesSelect, this,
		ID_LISTBOX1);
	Bind(
		wxEVT_CHOICE, &camera_calib_guiDialog::OncbZoomSelect, this,
		ID_CHOICE1);
	Bind(
		wxEVT_BUTTON, &camera_calib_guiDialog::OnbtnRunCalibClick, this,
		ID_BUTTON3);
	Bind(
		wxEVT_BUTTON, &camera_calib_guiDialog::OnbtnSaveClick, this,
		ID_BUTTON6);
	Bind(
		wxEVT_BUTTON, &camera_calib_guiDialog::OnbtnManualRectClick, this,
		ID_BUTTON7);
	Bind(
		wxEVT_BUTTON, &camera_calib_guiDialog::OnbtnAboutClick, this,
		ID_BUTTON5);
	Bind(
		wxEVT_BUTTON, &camera_calib_guiDialog::OnbtnCloseClick, this,
		ID_BUTTON4);
	Bind(
		wxEVT_BUTTON, &camera_calib_guiDialog::OnbtnPoseEstimateNowClick, this,
		ID_BUTTON10);
	//*)

	camera_params.intrinsicParams(0, 0) = 0;  // Indicate calib didn't run yet.

	wxIcon icon;
	icon.CopyFromBitmap(wxBitmap(wxImage(icono_main_xpm)));
	this->SetIcon(icon);

	this->show3Dview();	 // Empty 3D scene

	Center();
	this->SetTitle("Camera calibration - Part of the MRPT project");
	Maximize();
}

camera_calib_guiDialog::~camera_calib_guiDialog()
{
	//(*Destroy(camera_calib_guiDialog)
	//*)
	this->clearListImages();
}

// Ask the user for new files to add to the list:
void camera_calib_guiDialog::OnAddImage(wxCommandEvent& event)
{
	try
	{
		wxFileDialog dlg(
			this, _("Select image(s) to open"), _("."), _(""),
			_("Image files (*.bmp;*.png;*.jpg)|*.bmp;*.png;*.jpg|All files "
			  "(*.*)|*.*"),
			wxFD_OPEN | wxFD_FILE_MUST_EXIST | wxFD_MULTIPLE | wxFD_PREVIEW);

		if (wxID_OK != dlg.ShowModal()) return;

		wxBusyCursor waitcur;

		wxArrayString files;
		dlg.GetPaths(files);

		wxProgressDialog progDia(
			wxT("Adding image files"), wxT("Processing..."),
			files.Count(),	// range
			this,  // parent
			wxPD_CAN_ABORT | wxPD_APP_MODAL | wxPD_SMOOTH | wxPD_AUTO_HIDE |
				wxPD_ELAPSED_TIME | wxPD_ESTIMATED_TIME | wxPD_REMAINING_TIME);

		wxTheApp->Yield();	// Let the app. process messages

		int counter_loops = 0;

		for (unsigned int i = 0; i < files.Count(); i++)
		{
			if (counter_loops++ % 5 == 0)
			{
				if (!progDia.Update(i)) break;
				wxTheApp->Yield();	// Let the app. process messages
			}

			const string fil = string(files[i].mb_str());

			TImageCalibData dat;

#if USE_EXTERNAL_STORAGE_IMGS
			// Optimization: Use external storage:
			// ---------------------------------------
			// string tmp_check     = mrpt::system::getTempFileName()+".jpg";
			// string tmp_rectified = mrpt::system::getTempFileName()+".jpg";
			// dat.img_original.saveToFile(tmp_check);
			// dat.img_original.saveToFile(tmp_rectified);

			// mark all imgs. as external storage:
			dat.img_original.setExternalStorage(fil);
			// dat.img_checkboard.setExternalStorage(tmp_check);
			// dat.img_rectified.setExternalStorage(tmp_rectified);

			dat.img_original.unload();
// dat.img_checkboard.unload();
// dat.img_rectified.unload();
#else
			// All in memory:
			if (!dat.img_original.loadFromFile(fil))
			{
				wxMessageBox(
					format("Error loading file: %s", fil.c_str()).c_str()),
					_("Error");
				this->updateListOfImages();
				return;
			}

#endif

			lst_images[fil] = dat;
		}

		this->updateListOfImages();
	}
	catch (const std::exception& e)
	{
		wxMessageBox(
			mrpt::exception_to_str(e), _("Error"), wxICON_INFORMATION, this);
	}
}

void camera_calib_guiDialog::clearListImages() { lst_images.clear(); }
// Clear list of images.
void camera_calib_guiDialog::OnListClear(wxCommandEvent& event)
{
	this->clearListImages();
	this->updateListOfImages();
}

void camera_calib_guiDialog::OnbtnRunCalibClick(wxCommandEvent& event)
{
	try
	{
		txtLog->Clear();

		CMyRedirector redire(txtLog, true, 10);

		const unsigned int check_size_x = edSizeX->GetValue();
		const unsigned int check_size_y = edSizeY->GetValue();
		const double check_squares_length_X_meters =
			0.001 * atof(string(edLengthX->GetValue().mb_str()).c_str());
		const double check_squares_length_Y_meters =
			0.001 * atof(string(edLengthY->GetValue().mb_str()).c_str());

		const bool normalize_image = cbNormalize->GetValue();

		const bool useScaramuzzaAlternativeDetector =
			rbMethod->GetSelection() == 1;

		wxBusyCursor waitcur;

		bool res = mrpt::vision::checkerBoardCameraCalibration(
			lst_images, check_size_x, check_size_y,
			check_squares_length_X_meters, check_squares_length_Y_meters,
			camera_params, normalize_image, nullptr /* MSE */,
			false /* skip draw */, useScaramuzzaAlternativeDetector);

		refreshDisplayedImage();

		if (!res)
			wxMessageBox(
				_("Calibration finished with error: Please check the text log "
				  "to see what's wrong"),
				_("Error"));

		if (res) show3Dview();
	}
	catch (const std::exception& e)
	{
		wxMessageBox(
			mrpt::exception_to_str(e), _("Error"), wxICON_INFORMATION, this);
	}
}

void camera_calib_guiDialog::OnbtnCloseClick(wxCommandEvent&) { Close(); }
void camera_calib_guiDialog::OnbtnAboutClick(wxCommandEvent&)
{
	mrpt::gui::show_mrpt_about_box_wxWidgets(this, "camera-calib");
}

// save matrices:
void camera_calib_guiDialog::OnbtnSaveClick(wxCommandEvent& event)
{
	if (camera_params.intrinsicParams(0, 0) == 0)
	{
		wxMessageBox(_("Run the calibration first"), _("Error"));
		return;
	}

	{
		wxFileDialog dlg(
			this, _("Save camera calibration"), _("."), _("calibration.yml"),
			_("YAML files (*.yml)|*.yml|All files (*.*)|*.*"),
			wxFD_SAVE | wxFD_OVERWRITE_PROMPT);

		if (wxID_OK != dlg.ShowModal()) return;

		std::ofstream f(string(dlg.GetPath().mb_str()));
		ASSERT_(f.is_open());
		camera_params.asYAML().printAsYAML(f);
	}
}

// Update the listbox from lst_img_files
void camera_calib_guiDialog::updateListOfImages()
{
	lbFiles->Clear();
	for (auto s = lst_images.begin(); s != lst_images.end(); ++s)
		lbFiles->Append(s->first.c_str());

	btnSaveImages->Enable(!lst_images.empty());

	refreshDisplayedImage();
}

// Shows the image selected in the listbox:
void camera_calib_guiDialog::refreshDisplayedImage()
{
	try
	{
		if (!lbFiles->GetCount())
		{
			// No images:
			return;
		}

		// Assure there's one selected:
		if (lbFiles->GetSelection() == wxNOT_FOUND) lbFiles->SetSelection(0);

		const string selFile = string(lbFiles->GetStringSelection().mb_str());

		auto it = lst_images.find(selFile);
		if (it == lst_images.end()) return;

		// Zoom:
		const std::string strZoom =
			string(cbZoom->GetStringSelection().mb_str());
		const double zoomVal = 0.01 * atof(strZoom.c_str());

		ASSERT_(zoomVal > 0 && zoomVal < 30);

		TImageSize imgSizes(0, 0);

		// Generate the images on-the-fly:
		CImage imgOrgColor = it->second.img_original.colorImage();

		imgSizes = imgOrgColor.getSize();

		// Rectify:
		CImage imgRect;
		if (camera_params.intrinsicParams(0, 0) == 0)
		{
			// Not calibrated yet:
			imgRect = imgOrgColor;
			imgRect.scaleImage(
				imgRect, imgSizes.x * zoomVal, imgSizes.y * zoomVal,
				IMG_INTERP_NN);
		}
		else
		{
			imgOrgColor.undistort(imgRect, camera_params);
			imgRect.scaleImage(
				imgRect, imgSizes.x * zoomVal, imgSizes.y * zoomVal,
				IMG_INTERP_NN);

			// Draw reprojected:
			for (auto& k : it->second.projectedPoints_undistorted)
				imgRect.drawCircle(
					zoomVal * k.x, zoomVal * k.y, 4, TColor(0, 255, 64));

			imgRect.drawCircle(10, 10, 4, TColor(0, 255, 64));
			imgRect.textOut(18, 4, "Reprojected corners", TColor::white());
		}

		// Zoom images:
		imgOrgColor.scaleImage(
			imgOrgColor, imgSizes.x * zoomVal, imgSizes.y * zoomVal,
			IMG_INTERP_NN);

		imgSizes = imgOrgColor.getSize();

		CImage imgCheck = imgOrgColor;

		// Draw the board:
		for (unsigned int k = 0; k < it->second.detected_corners.size(); k++)
		{
			imgCheck.drawMark(
				it->second.detected_corners[k].x * zoomVal,
				it->second.detected_corners[k].y * zoomVal, TColor::blue(), '+',
				3);
			imgCheck.drawCircle(
				it->second.projectedPoints_distorted[k].x * zoomVal,
				it->second.projectedPoints_distorted[k].y * zoomVal, 4,
				TColor(0, 255, 64));
		}
		imgCheck.drawCircle(10, 10, 4, TColor(0, 255, 64));
		imgCheck.textOut(18, 4, "Reprojected corners", TColor::white());

		imgCheck.drawMark(10, 30, TColor::blue(), '+', 3);
		imgCheck.textOut(18, 24, "Detected corners", TColor::white());

		this->bmpOriginal->AssignImage(imgCheck);
		this->bmpRectified->AssignImage(imgRect);

		it->second.img_original.unload();

		// Plot:

		this->bmpOriginal->SetMinSize(wxSize(imgSizes.x, imgSizes.y));
		this->bmpOriginal->SetMaxSize(wxSize(imgSizes.x, imgSizes.y));
		this->bmpOriginal->SetSize(imgSizes.x, imgSizes.y);

		this->bmpRectified->SetMinSize(wxSize(imgSizes.x, imgSizes.y));
		this->bmpRectified->SetMaxSize(wxSize(imgSizes.x, imgSizes.y));
		this->bmpRectified->SetSize(imgSizes.x, imgSizes.y);

		this->FlexGridSizer11->Layout();
		this->FlexGridSizer14->Layout();

		// this->ScrolledWindow2->SetVirtualSize(wxSize(imgSizes.x,imgSizes.y));
		// this->ScrolledWindow3->SetVirtualSize(wxSize(imgSizes.x,imgSizes.y));
		this->ScrolledWindow2->SetScrollbars(1, 1, imgSizes.x, imgSizes.y);
		this->ScrolledWindow3->SetScrollbars(1, 1, imgSizes.x, imgSizes.y);

		this->bmpOriginal->Refresh(false);
		this->bmpRectified->Refresh(false);
	}
	catch (const std::exception& e)
	{
		wxMessageBox(
			mrpt::exception_to_str(e), _("Error"), wxICON_INFORMATION, this);
	}
}

void camera_calib_guiDialog::OnlbFilesSelect(wxCommandEvent& event)
{
	refreshDisplayedImage();
}

void camera_calib_guiDialog::show3Dview()
{
	mrpt::opengl::COpenGLScene::Ptr scene =
		mrpt::opengl::COpenGLScene::Create();

	const unsigned int check_size_x = edSizeX->GetValue();
	const unsigned int check_size_y = edSizeY->GetValue();
	const double check_squares_length_X_meters =
		0.001 * atof(string(edLengthX->GetValue().mb_str()).c_str());
	const double check_squares_length_Y_meters =
		0.001 * atof(string(edLengthY->GetValue().mb_str()).c_str());

	if (!check_squares_length_X_meters || !check_squares_length_Y_meters)
		return;

	opengl::CGridPlaneXY::Ptr grid = std::make_shared<opengl::CGridPlaneXY>(
		0, check_size_x * check_squares_length_X_meters, 0,
		check_size_y * check_squares_length_Y_meters, 0,
		check_squares_length_X_meters);
	scene->insert(grid);

	for (auto& lst_image : lst_images)
	{
		if (!lst_image.second.detected_corners.empty())
		{
			mrpt::opengl::CSetOfObjects::Ptr cor =
				mrpt::opengl::stock_objects::CornerXYZ();
			cor->setName(mrpt::system::extractFileName(lst_image.first));
			cor->enableShowName(true);
			cor->setScale(0.1f);
			cor->setPose(lst_image.second.reconstructed_camera_pose);

			scene->insert(cor);
		}
	}

	// scene->insert( mrpt::opengl::stock_objects::CornerXYZ() );

	this->m_3Dview->setOpenGLSceneRef(scene);
	this->m_3Dview->Refresh();
}

// Enter calib. params manually:
void camera_calib_guiDialog::OnbtnManualRectClick(wxCommandEvent& event)
{
	wxMessageBox(
		_("Please, enter calibration parameters manually next to overpass "
		  "automatically obtained parameters."),
		_("Manual parameters"));

	wxString s;

	if (camera_params.intrinsicParams(0, 0) == 0)
	{
		wxMessageBox(_("Run the calibration first"), _("Error"));
		return;
	}

	s = wxGetTextFromUser(
		_("Focus length in X pixel size (fx):"), _("Manual parameters"),
		wxString::Format(wxT("%.07f"), camera_params.intrinsicParams(0, 0)),
		this);
	if (s.IsEmpty()) return;
	if (!s.ToCDouble(&camera_params.intrinsicParams(0, 0)))
	{
		wxMessageBox(_("Invalid number"));
		return;
	}

	s = wxGetTextFromUser(
		_("Focus length in Y pixel size (fy):"), _("Manual parameters"),
		wxString::Format(wxT("%.07f"), camera_params.intrinsicParams(1, 1)),
		this);
	if (s.IsEmpty()) return;
	if (!s.ToCDouble(&camera_params.intrinsicParams(1, 1)))
	{
		wxMessageBox(_("Invalid number"));
		return;
	}

	s = wxGetTextFromUser(
		_("Image center X (cx):"), _("Manual parameters"),
		wxString::Format(wxT("%.07f"), camera_params.intrinsicParams(0, 2)),
		this);
	if (s.IsEmpty()) return;
	if (!s.ToCDouble(&camera_params.intrinsicParams(0, 2)))
	{
		wxMessageBox(_("Invalid number"));
		return;
	}

	s = wxGetTextFromUser(
		_("Image center Y (cy):"), _("Manual parameters"),
		wxString::Format(wxT("%.07f"), camera_params.intrinsicParams(1, 2)),
		this);
	if (s.IsEmpty()) return;
	if (!s.ToCDouble(&camera_params.intrinsicParams(1, 2)))
	{
		wxMessageBox(_("Invalid number"));
		return;
	}

	s = wxGetTextFromUser(
		_("Distortion param p1:"), _("Manual parameters"),
		wxString::Format(wxT("%.07f"), camera_params.dist[0]), this);
	if (s.IsEmpty()) return;
	if (!s.ToCDouble(&camera_params.dist[0]))
	{
		wxMessageBox(_("Invalid number"));
		return;
	}

	s = wxGetTextFromUser(
		_("Distortion param p2:"), _("Manual parameters"),
		wxString::Format(wxT("%.07f"), camera_params.dist[1]), this);
	if (s.IsEmpty()) return;
	if (!s.ToCDouble(&camera_params.dist[1]))
	{
		wxMessageBox(_("Invalid number"));
		return;
	}

	s = wxGetTextFromUser(
		_("Distortion param k1:"), _("Manual parameters"),
		wxString::Format(wxT("%.07f"), camera_params.dist[2]), this);
	if (s.IsEmpty()) return;
	if (!s.ToCDouble(&camera_params.dist[2]))
	{
		wxMessageBox(_("Invalid number"));
		return;
	}

	s = wxGetTextFromUser(
		_("Distortion param k2:"), _("Manual parameters"),
		wxString::Format(wxT("%.07f"), camera_params.dist[3]), this);
	if (s.IsEmpty()) return;
	if (!s.ToCDouble(&camera_params.dist[3]))
	{
		wxMessageBox(_("Invalid number"));
		return;
	}

	refreshDisplayedImage();
}

void camera_calib_guiDialog::OnbtnCaptureNowClick(wxCommandEvent& event)
{
	CDlgCalibWizardOnline dlg(this);

	// Set pattern params:
	dlg.edLengthX->SetValue(this->edLengthX->GetValue());
	dlg.edLengthY->SetValue(this->edLengthY->GetValue());
	dlg.edSizeX->SetValue(this->edSizeX->GetValue());
	dlg.edSizeY->SetValue(this->edSizeY->GetValue());
	dlg.cbNormalize->SetValue(this->cbNormalize->GetValue());

	// Run:
	dlg.ShowModal();

	// Get params:
	this->edLengthX->SetValue(dlg.edLengthX->GetValue());
	this->edLengthY->SetValue(dlg.edLengthY->GetValue());
	this->edSizeX->SetValue(dlg.edSizeX->GetValue());
	this->edSizeY->SetValue(dlg.edSizeY->GetValue());
	this->cbNormalize->SetValue(dlg.cbNormalize->GetValue());

	// Get images:
	lst_images = dlg.m_calibFrames;
	this->updateListOfImages();
}

void camera_calib_guiDialog::OnbtnPoseEstimateNowClick(wxCommandEvent& event)
{
	// Compute pose using PnP Algorithms toolkit

	CDlgPoseEst dlg(this);

	// Set pattern params:
	dlg.edLengthX->SetValue(this->edLengthX->GetValue());
	dlg.edLengthY->SetValue(this->edLengthY->GetValue());
	dlg.edSizeX->SetValue(this->edSizeX->GetValue());
	dlg.edSizeY->SetValue(this->edSizeY->GetValue());
	dlg.cbNormalize->SetValue(this->cbNormalize->GetValue());

	// Run:
	dlg.ShowModal();

	// Get params:
	this->edLengthX->SetValue(dlg.edLengthX->GetValue());
	this->edLengthY->SetValue(dlg.edLengthY->GetValue());
	this->edSizeX->SetValue(dlg.edSizeX->GetValue());
	this->edSizeY->SetValue(dlg.edSizeY->GetValue());
	this->cbNormalize->SetValue(dlg.cbNormalize->GetValue());

	// Get images:
	lst_images = dlg.m_calibFrames;
	this->updateListOfImages();
}

void camera_calib_guiDialog::OnbtnSaveImagesClick(wxCommandEvent& event)
{
	try
	{
		if (lst_images.empty()) return;

		wxDirDialog dlg(
			this, _("Select the directory where to save the images"), _("."));

		if (dlg.ShowModal() == wxID_OK)
		{
			string dir = string(dlg.GetPath().mb_str());

			for (auto& lst_image : lst_images)
				lst_image.second.img_original.saveToFile(
					dir + string("/") + lst_image.first + string(".png"));
		}
	}
	catch (const std::exception& e)
	{
		wxMessageBox(
			mrpt::exception_to_str(e), _("Error"), wxICON_INFORMATION, this);
	}
}

void camera_calib_guiDialog::OncbZoomSelect(wxCommandEvent& event)
{
	refreshDisplayedImage();
}

redpajama_set_name: RedPajamaGithub


text:
A story of survival and a promise of hope
Leila Stewart, Editor in Chief|October 31, 2019
As Breast Cancer Awareness month comes to an end, it is important to recognize those affected by this life-threatening disease and remember those lost to this illness.
For many students and staff, cancer hits close to home. Editor in Chief senior Leila Stewart talked to her grandmother, a survivor of breast cancer, about her experience and what the average person can do to support their family and friends or simply the cause itself.
Jan Stewart was initially diagnosed with Paget's Disease, a rare form of breast cancer, in her right breast. She always considered herself healthy and thought, ""how could this happen to ME?'"
When she had the Mastectomy they told her she was stage two, but after more scans she learned the situation was more severe than initially anticipated.
"Further scans indicated I was stage 4," Stewart said. "I was diagnosed on July 13, 2011, three days after my 68th birthday."
Her husband, Al Stewart, was there to receive the news with her.
Afterwards, she told her family and her neighbor she walked with in the morning.
"Janet, who had the same name as me, was diagnosed with Breast Cancer, she was doing radiation," Stewart said. "We talked, we walked, we prayed. She shared a lot of information with me, she was going through this journey, as I was just staring mine."
She says she felt encouraged by all of her family members and established new relationships along the way. Everyone came out to show their support during this difficult time and lifted her spirits.
"I heard from folks I had not seen in ages," Stewart said. "People I didn't know sent me cards, scarves, socks, hats, books, prayers, bracelets , key chains, journals. Special gifts came from my kids and their families. Books, Cook Books, phone calls and visits."
She received twelve months of chemotherapy and was given the strongest doses from the start.
"This stuff was so strong, they told [her husband] and Jodi [her daughter] they had to stay far away while this was given," Stewart said. "The nurse was completely covered from head to toe with gloves, a gown, headgear and a mask. Her appearance was frightening."
Her daily life was forever changed. During chemotherapy, patients' immune systems are incredibly weak.
"In the start of my chemotherapy I had to limit my trips to the store," she said. "I could not be around small children, coughing, sneezing, people with colds, or flu."
She couldn't walk, could hardly cook because the smells made her nauseous, and couldn't eat much because she could taste the rust.
"I was sick, depressed, and cried," Stewart said. "I would sit outside on my patio early in the mornings- I HAD to go outside, "cabin fever"- drink black coffee, or a smoothie. It tasted terrible at first, then I got used to it and I was able to gradually get my strength back."
In the next few months she lost all of her hair, but was able to start walking with Janet again.
"The strength of the Chemotherapy gradually lessened," Stewart said.
Throughout her treatment, she did meet people that could relate to her experience and share their own. She was hooked up to the machine for six to eight hours each session, and eventually she told her husband and daughter they could stay home.
She heard stories of those who were in remission and had a "recurrence of cancer in a different area" or who had a history of cancer. Stewart doesn't have a family history of it, so the experience was completely new for her. These stories provided her with hope and strength, but most importantly for her, she rooted her faith in God.
"One lady in the waiting room was Lamenting about her "end stage cancer" and how she was feeling about her life," Stewart said. "I told her, 'whatever your faith is, use it to help you heal."
She says she tried to smile at "each and every appointment" or person she came in contact with.
"A warm and friendly greeting with a smile, can really help lift spirits," Stewart said. "It helps to give encouragement to each other, cause you kinda feel like it's never ending. This was the longest year of my life."
For those who need support or would like to, she says that there are cancer support groups for both patients and loved ones and cancer walks and other charities that give back to patients and research.
"Be patient with someone who has lost a loved one," Stewart said. "They need to speak with other folks who have had similar family situations. It's not easy for families of young children and it's a very sad moment to live through.
To support patients themselves, they can "visit a person who has cancer and needs a little encouragement, especially if they are alone." Take them out to lunch, church, or a movie.
"Often take them for an outing when they are up to it or its OK for them to be out and about," Stewart said. "Offer rides to Doctor appointments, or treatments and just sit there and keep them company."
Stewart says that it's okay if patients in treatment request for their alone time or are too tired to talk or listen. Some are "in constant pain, but don't always want to complain."
"Ask 'How are you feeling today?'" Stewart said. "What treatments are you currently? Is there anything I can get you? Have you eaten today? Do you need anything from the store?"
It's the little things like these that can truly make an impact in their life.
"I feel it's important to keep hope alive, and keep the fundraising efforts going," Stewart said.
Leila Stewart, Co-editor in Chief
My name is Leila Stewart and I am a junior. I coach elementary girls volleyball, I'm the Vice President of ASA, and the co-editor of the Roundup. This...
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Behind the Scenes of CTV
Good morning, Rangers! And welcome back to another episode of CTV. Today we will be featuring a special segment. We will be showing what goes on b...
Summer Moon Cafe
To the Limits of Our World
Shape. Sound. Gesture. All strung together, these tools become stories. All strung together, t...
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Treating the Injuries- Clements Athletic Trainers
Q & A With Mrs. Stanescu

redpajama_set_name: RedPajamaCommonCrawl


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We specialize in Mother of Pearl photo pendants and charms, which are available in a variety of sizes and styles. We chose to work with Mother of Pearl because of its incredible strength and natural beauty. The result is a beautiful piece of jewelry that begs to be worn.
Gorgeous solid sterling pendant with inset waterproofed image. Simple and stylish, it's easy to dress up or dress down. Available in 3 styles to work perfectly with any image.


Background: Behavioural approaches to knowledge translation inform interventions to improve healthcare. However, such approaches often focus on a single behaviour without considering that health professionals perform multiple behaviours in pursuit of multiple goals in a given clinical context. In resource-limited consultations, performing these other goal-directed behaviours may influence optimal performance of a particular evidence-based behaviour. This study aimed to investigate whether a multiple goal-directed behaviour perspective might inform implementation research beyond single-behaviour approaches.
Methods: We conducted theory-based semi-structured interviews with 12 general medical practitioners (GPs) in Scotland on their views regarding two focal clinical behaviours--providing physical activity (PA) advice and prescribing to reduce blood pressure (BP) to <140/80 mmHg--in consultations with patients with diabetes and persistent hypertension. Theory-based constructs investigated were: intention and control beliefs from the theory of planned behaviour, and perceived interfering and facilitating influence of other goal-directed behaviours performed in a diabetes consultation. We coded interview content into pre-specified theory-based constructs and organised codes into themes within each construct using thematic analysis.
Results: Most GPs reported strong intention to prescribe to reduce BP but expressed reasons why they would not. Intention to provide PA advice was variable. Most GPs reported that time constraints and patient preference detrimentally affected their control over providing PA advice and prescribing to reduce BP, respectively. Most GPs perceived many of their other goal-directed behaviours as interfering with providing PA advice, while fewer GPs reported goal-directed behaviours that interfere with prescribing to reduce BP. Providing PA advice and prescribing to reduce BP were perceived to be facilitated by similar diabetes-related behaviours (e.g., discussing cholesterol). While providing PA advice was perceived to be mainly facilitated by providing other lifestyle-related clinical advice (e.g., talking about weight), BP prescribing was reported as facilitated by pursuing ongoing standard consultation-related goals (e.g., clearly structuring the consultation).
Conclusion: GPs readily relate their other goal-directed behaviours with having a facilitating and interfering influence on their performance of particular evidence-based behaviours. This may have implications for advancing the theoretical development of behavioural approaches to implementation research beyond single-behaviour models.


Here you have ball scuffle. You have to push one being outside the selected area as much as possible of heavy balls. When you don't have either one, you will find out who will be the winner. Sports proposition for two player will require from you a great skill. It's not only precise jostling on the board, but above all an attempt accuracy. Adjust yourself worthy rival and invite him to compete with one hardware. If you lose - accept it as a science for the future and train even more! In the end, you will become a champion in this discipline, you need just a little patience and a lot of exercise.


text:
Carrollton Township may refer to the following places in the United States:

 Carrollton Township, Boone County, Arkansas
 Carrollton Township, Carroll County, Arkansas
 Carrollton Township, Greene County, Illinois
 Carrollton Township, Carroll County, Indiana
 Carrollton Township, Michigan

Township name disambiguation pages

redpajama_set_name: RedPajamaWikipedia


text:
Tabletop Review: Mythic Iceland (Chaosium Basic Roleplaying/Cthulhu Dark Ages)
Alex Lucard | August 10, 2012 | Archive, Tabletop Gaming, Top Story | No Comments
Publisher: Chaosium
Cost: $19.22 (PDF)/$34.95 (Print)
Release Date: 07/16/2012 (PDF)/05/17/2012 (Print)
Get it Here: DriveThruRPG.com or Chaosium.com.
Let me start off this review with one statement: Mythic Iceland is perhaps the most intense campaign setting I have ever encountered in my life. It's less a supplement than a mammoth text of information with enough of the core Basic Roleplaying rules system included that you can almost use this book on its own. I went into this thinking it would be like Cubicle 7's Shadows Over Scotland where it's mainly flavor text about the location coupled with a few adventures. Well, Mythic Iceland is like that but a whole lot more. It took me forever to wade through text. Not because it was dry or dull, but because there was so much information that it was almost sensory overload. It's like the old Enclycopedia Britannica commercial where the kid gets a B+ for putting in too much information. So know what you are in for when you pick up this mammoth text. You're not just getting a little history on Iceland – you're getting character creation rules, a massive history, a set of new monsters, story seeds, a full adventure, information about other lands and even a Cthulhu Dark Ages supplement and adventure. Holy crap. Now, with that out of the way, let's take a look at what all you get.
I should stress that Mythic Iceland is a blend of true Icelandic history, folklore and stuff the author made up to fill in the blanks. The book starts with an Introduction covering just this fact, along with the time period being covered (930-1050) and an Icelandic Alphabet guide. I thought this last bit was very cool and was the first indication that Mythic Iceland was going to be more a college textbook for gaming than your usual campaign setting book.
The next section is "History of Mythic Iceland," which covers several creation myths (The world, the Norse Gods, Iceland itself and mankind)which is then followed up by a list of the various cultures that discovered, explored and eventually settled Iceland. I loved this section as I'm a big history buff and I found the blending of folklore and actual Icelandic history to be quite a fun read. I realize it won't be for everyone, but each page gave me new ideas for adventures – not just for the BRP setting, but any game that uses real world settings. I had thoughts of Hidden World zombies for All Flesh Must Be Eaten to recovering artifacts with my Shadowrun chummers.
"Character Creation" is just what you think it's about. When I first saw this I was surprised a chapter was devoted to the concept because hey, I already have several BRP books. Why would I need this? Well, it's because Mythic Iceland has several new things that it brings to the table in regards to character creation ranging from Runic Magic to religious affiliation. Now you will still need both books in order to create a character, which is a bit of a downer because of the cost (almost $80 for physical copies!) involved. However because I love this book so much I'm going to help you out. Just get this and then download the free Basic Roleplaying Quick Start Rules directly from Chaosium. Problem solved. I also found it interesting how important status and family were in character creation. These are two things you don't see brought up in the process by most RPGs. Finally, this chapter ends with some new skills, lists of Icelandic names and a two page character sheet.
"Life in Saga-Age Iceland" is another chapter devoted to historical flavor in a level of detail I've never really seen from a campaign setting before. Sure this chapter covers geography, climate, flora, fauna, cost of items and the other things you'll find in most high quality campaign supplements, but Mythic Iceland continues to take things farther than I've ever seen before. You get essays on family life, social status, burial rights and so much more.
The following chapter is even MORE in-depth as you get fifteen pages of just "Law and Government." Do you want to know how to probably engage in a duel with someone that has wronged you? It's in here. Do you want to know all the districts of Iceland in the 10th and 11th Century? It doesn't matter as the book will tell you anyway! You are given a systematic look at the courts, crimes, punishments, inheritance laws, and even how to run a full court proceeding within the BRP system mechanics. This is both awesome and crazy – I'm just not sure which it's leaning to more. There is so much here, this will either become one of your favorite RPG books or all time to read…or you'll burn out before you're even a fraction of the way done with it!
The next twenty or so pages comprise the chapter on Religion. Here you are given a look at the major Norse gods and goddesses and how worshiping one can affect your character. Basically you are given a stat that measures your faith towards a particular Norse God with is directly contrasted by your stat towards Loki. As your ties towards a particular god strengthens, you'll find your character is blessed with new abilities. The key, of course, is to make sure your deity of choice continues to look upon your character favorably. You're also given a large section of Christianity and what this religion did to Iceland for both good and ill.
"Magic in Mythic Ireland" is the chapter you may want to pay the most attention to if you're only into game mechanics. The magic section here is vastly different from every other Chaosium setting I've ever read or played. It's the magic that also helps to truly make this setting come to alive in regards to hucking dice and scribbling on character sheets. Of course, few characters will be able to use magic due to the POW requirements, but it's still as intricate as it is important to the setting.
Like with any good Norse based game, magic is primarily done through runes. Mythic Iceland gives you not only a "history" of Norse magic, but also a list of each rune, how many you start with, rules for how to actually cast magic, how to gain new spells and increase the power of ones your character already knows. The rules for runic magic are thirty-three pages long, which probably shocks you to read that. The good news is that most of those pages are the detailed description of each rune and what you can do with them, similar to a list of spells in a D&D Player's Handbook. Basically, a runecaster just needs to combine three runes to form a spell. It's a pretty open ended system with no specifics on what to combine to make a spell. It's pretty much common sense. You wouldn't have a rune for Ice (Iss) to create a rainbow coloured beaver for example. You could however take the runes Sol (sun), Elgur (defensive protection) and Dagur (Day & unexpected joy) to create a ray of sunlight to do damage to an undead creature though. The book gives examples of various combinations for certain effects, but otherwise it's wide open for the player and Keeper, which I like.
"A Traveller's Guide to Mythic Iceland" lists thirty-five different major locations on the island, complete with a bit of history behind the area, some mythology to compliment it and an adventure seed based on the previous myth for you to flesh out and then unleash on your players. You can pretty much have several campaigns worth of adventures just from this chapter. Whether it's accidentally killing a troll's beloved pet sheep in Skafti's Mountains or being haunted by ghosts in Goose Sands, there's so much stuff to throw at PCs, you'll never have to worry about coming up with your own adventures.
"Elves and the Hidden People" is a chapter you'll really want to read as Norse elves are not the tall thin pale pointy ear elves we see in most fantasy. No, these elves look just like humans; it's just they reside on another plane of existence. You get details on why the average person can't see the Hidden People and why even exceptional people can only see them for a limited amount of time. You're given information on their culture, family life, what happens if a Hidden Person mates with a human and so on. You're even given NPC stats. The one thing missing is that the book neither dissuades or promoted the idea of Hidden People as player characters. Obviously someone is going to try to do this, and it really doesn't work. I wish there had been a sidebar or something that was to the effect of "Don't allow this race as PCs because…""Alfheimur" is another chapter, albeit a short one about elves. Unlike the previous chapter which were about elves that left their homeland to settle in Iceland, this chapter is about the actual land elves come from.
"The Lands to the West" was my favorite chapter in Mythic Iceland. This chapter alone is one of the best resource materials I've seen in a very long time. This very long and extensive chapter gives you a look at other countries/lands/regions that you can use. Maybe your characters get exiled from Iceland or just get restless. The two areas that can be found in this chapter are Greenland and Wine-Land, the latter being made up of eastern Canada and the United States. You're given a specific breakdown of each country, such as locations, creatures and travelling by vessel to reach them. You're even given information about the White-Fur and Dark Fur Skraelingar AKA Native Americans. Again the book is neutral on whether you can or even should make a PC Skraelingar, but as they are just humans, it might be a fun idea to have one as a guide if the other players are exploring say, the Slab-Land region of Wine-Land for reasons of riches and glory. Special note goes out to the awesome monsters you'll find in what we know as North America like the race known as the One-Legged. I also loved the Thunderbird and how much the art looks like the Pokémon Zapdos. Although I'm sure it's totally unintentional, it's very telling as Zapdos is based on Thunderbird. Nice to see the unconscious collective at work here. Honestly, "The Lands to the West" is the best chapter in the book and it's the one I know I'll get the most use out of.
"The Wide World" is a chapter that simply talks about what is going on in the rest of the world during the time frame Mythic Iceland is set in. You get timelines and several paragraphs on each nation or island and although it's nowhere in depth as "The Lands to the West," it's still a very fun read. "Going Viking" is about well…going Viking. It gives you information on Viking vessels, how to pilot them, the preferred weaponry one would carry and how to properly run a raid on a village or monastery. Very fun. "Running a Game of Mythic Iceland" is the all GM chapter in the book. It's basically advice on how to run a game, ways to properly dole out various rewards such as experience, status, luck, magical items and religious allegiance points. I really liked the part on how to us a PCs prophecy power (if one has this ability) to keep the adventure flowing in the way you want it to go. Yeah for a built-in sidetracking prevention. This chapter also contains tables for inclement weather and alcohol effects.
"Creatures of Mythic Iceland" is just what you suppose. I do think Gms will get a bit lost looking for monsters since they are spread between this chapter and "Lands to the West." People will probably look for wendigo or trolls in the wrong chapter. It might have been better layout wise had the book just had a pure chapter on monsters, but this is a minor nitpick on my part.
The final chapter in Mythic Iceland is an adventure entitled, "The Trouble With Neighbors." It's a long convoluted affair which has PCs being tricked by their neighbor into doing battle with trolls and then being railroaded by the ancient Icelandic legal system, forcing them to do battle not with sword and shield, but lawyers. Of course, every lawyer the party can pick from wants something in return for their services… The adventure is well written and laid out, but it felt like it was more Mythic Phoenix Wright than an adventure about stalwart Norse warriors. I actually felt most of the adventure seeds earlier in the book were more interesting than this one. While not a bad adventure, it did feel like a mediocre one and it isn't one I'd ever run myself.
Mythic Iceland has three appendices – two of which are related to the Call of CthulhuL spin off: Cthulhu Dark Ages. Each of these appendices are quite long – more so that even some of the chapters in the main book. I was pleasantly surprised to see over twenty pages devoted to a different (but far more popular) Chaosium setting than Basic Roleplayingh; if only because of the differences in the two. That said, the inclusion of Cthulhu Dark Ages material was the original impetus for my picking up Mythic Iceland and I'm happy to say that the CoC bits are no less impressive than the rest of the book.
"Cthulhu Dark Ages Iceland" is the primary chapter CoC players will want to read. It gives you a more fantastical history of Iceland that the rest of the book in order to keep things in tone with the Lovecraftian history of the world. Elves and trolls are slightly different in appearance and demeanor, and you are given stats for both. You're told about various cults, given sanity loss information about the monsters that appeared earlier in the book and quite a few new tomes and spells native to Iceland. Interestingly enough this section includes information on magic staves, which isn't mentioned in the core Mythic Iceland book.
The second appendix is "Cthulhu Dark Ages Scenario," which pretty much tells you what it is. Like the BRP adventure, this one is a little lacking and dull for my tastes. It's your run of the mill, "Oh no! Relative of upstanding citizen X is actually Kai En Tai style EEEEEVIL (Indeed!). " The adventure does highlight a special monster and spell from the book, but other than that, it's a pretty cookie cutter affair. Again, it's not bad, and it definitely works as a first ever adventure for people new to CoC, but for veterans of the system it's a little week.
The third and final appendix is a wonderful bibliography by the way.
So there you go. 2,500+ words on why Mythic Iceland is one of the most in-depth and detailed roleplaying books I've ever read. Unfortunately I don't think I'll ever be able to use it as it was designed as I don't know anyone that plays BRP and I only own a few pieces from the system/ That said, I'll definitely be adapting the book to everything from Call of Cthulhu and Vampire: Dark Ages to things like Shadowrun and even a D&D or Pathfinder game. There is SO MUCH information and material in Mythic Iceland that it might be a little too overwhelming for some gamers. It can be hard to remember where something was the first few times you go through it and there's so much here it'll take you a few days (or even weeks) to get through it the first time. For gamers that love to just read RPG related books or who love flavor text and background info rather than hard system mechanics, you'll probably devour Mythic Iceland the same way I did. I will be shocked if this doesn't win some sort of award at the end of the year from us here at Diehard GameFAN. Chaosium has been releasing some truly amazing stuff this year and Mythic Iceland is no exception.
Tags: Basic Roleplaying, Call of Cthulhu
Review: Dynasty Warriors: Gundam 2 (Microsoft Xbox 360)
4 Comments | May 18, 2009
Review: Two Worlds II (Sony PlayStation 3)
Tabletop Review: Cultists of Havra Zhoul
Review: Batman: The Brave and the Bold (Nintendo Wii)
Alexander Lucard
Alexander Lucard was the Editor-in-Chief of Diehard GameFAN and Director of Operations for the InsidePulse network. He has since retired from writing, but clearly shows up now and again. He has worked in video game journalism since 2002 and was also a paid consultant for Konami and The Pokemon Company. Alex has previously written for Tips N Tricks, Gamespot, White Wolf, TSR, Wizards of the Coast, Eden Studios, 411mania, Not a True Ending and more. His writing could also be found in the monthly periodicals Massive Online Gamer and Pokemon Collector Magazine.


I have 2 Samsung HD320KJ Hard drives I am interested in selling but I have no clue what they are worth.
Anyone? I'm not lookin to turn any kind of ridiculous profit with the HDD pricing the way it is. Just want to get rid of them to add funds to my water cooling as they are sitting around collecting dust.


likely to ease their back pressure temporarily.
connected to the natural rubber pieces below.
(11 kg and 25 kg) weight of goods, at the same time keep in 30, 60 degrees and 90 degrees.
15 and 45 per cent on average in each task.


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Derick Hutchinson, Senior Web Producer
Published: June 21, 2021, 11:46 AM
Tags: Anthony Girard, Allen Park, Wayne County, Local, Crime, Allen Park Crime, Criminal Sexual Conduct, Child Pornography, FBI, Perrysburg, Ohio, Child Sex Predator, Sex Offender, Allen Park Sex Offender
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Learn how to play the piano from well-known composers with this $35 online course
Allen Park man living with his wife, daughter tried to entice young girls for sex on Instagram, FBI says
Anthony Girard accused of trying to produce child porn, coerce minor
Published: June 21, 2021, 11:46 AM Updated: June 21, 2021, 5:12 PM
Anthony John-Hamernik Girard (Sex Offender Registry)
ALLEN PARK, Mich. – An Allen Park man who lives with his wife and daughter was caught having sexual conversations with young girls on Instagram and trying to lure them to meet up for sex, according to the FBI.
Court records show Anthony John-Hamernik Girard, 30, of Allen Park, was required to register as a sex offender after an incident in 2013.
Girard was charged with three counts of third-degree criminal sexual conduct after he entered into a sexual relationship with a 16-year-old girl, according to authorities.
Police said Girard worked as a student monitor at a high school in Dearborn, and he met the 16-year-old girl who was in a special education class. Girard picked her up from school multiple times and drove her to different spots to engage in sexual acts, according to officials.
Records show Girard entered into a plea deal in which he pleaded guilty to one count of aggravated indecent exposure, and the criminal sexual conduct charges were dropped.
WARNING: Some of the details described below are disturbing.
Chat with undercover officer
On May 26, 2021, the FBI was contacted by a detective from the Perrysburg Police Department in Ohio. The detective said someone working in an undercover role had matched with a user on Omegle.
Omegle is a chat platform that allows users to chat using text or video, according to authorities. The undercover detective and the account matched on Jan. 5, police said.
When the person behind the account asked how old the other user was, the undercover detective responded that it was a girl who would turn 15 years old on Jan. 11. The user told the girl he was 30 years old and lived in Toledo, Ohio, court records show.
The user asked to move the conversation to Instagram, so the detective provided an Instagram username. The Instagram account received a message from user "Youngmuny1234," FBI officials said.
The account user asked if the girl was a virgin and requested a picture, police said. The detective sent a picture that was age regressed and appeared to show a minor female, court records show.
When "Youngmuny1234″ asked for nude pictures, the detective declined, saying that a friend had sent nude pictures to someone online and gotten in trouble, authorities said.
The two discussed meeting up for sex, and "Youngmuny1234″ continued to ask for nude pictures, according to officials.
Here are some of the messages included in the criminal complaint:
Undercover account: Sent a photograph showing her face.
Youngmuny1234: "Any with less clothing?"
UA: "Lol prob not. U asking for nudes? I don't do that a friend of mine got burned."
Youngmuny1234: "Lol I delete pics after I view them"
Youngmuny1234: "Are you on birth control"
UA: "Lol no"
"Youngmuny1234″ also asked if she would want him to wear protection if they engaged in sex and discussed locations where they could meet. He also described in graphic detail some of the sex acts he would perform, according to the criminal complaint.
Officials said "Youngmuny1234″ offered to drive to Perrysburg to meet the girl.
At one point, the undercover detective said, "Lots of pic requests but u r sending me nothin," and received a partially nude picture showing private parts, according to authorities.
In the picture, officials said they could see a ring on a man's ring finger, as well as crutches propped against a wall in the background. There was an open door showing a hallway the a light-colored hardwood and white-trimmed baseboard, according to the complaint.
The two stopped chatting Jan. 12, and "Youngmuny1234″ never traveled to Perrysburg, officials said.
13-year-old girl
FBI officials obtained a search warrant from Facebook, Instagram's parent company, for the "Youngmuny1234″ account, in January.
While reviewing the data on Feb. 1, an FBI agent saw the account was trying to chat with a 13-year-old girl.
When the account told the girl that she was attractive and that he was 30 years old, the child called him a "dumb b****" and said to "go f*** yourself be ashamed," according to the criminal complaint.
Child sends nude photos
Officials said the "Youngmuny1234″ account interacted with a 16-year-old girl on Dec. 29, 2020. The two appeared to have met on Omegle and chatted on Instagram.
They talked about having sex, and "Youngmuny1234″ asked the child for nude photos, according to police. She sent nude photos on multiple occasions, court records show.
Tracking down Girard
Authorities obtained the IP addresses used by "Youngmuny1234″ and traced them to a home in Allen Park.
A search of the Michigan Sex Offender Registry for the address indicated that Girard was living there, and his employment address matched a company that he worked for.
On Friday (June 18), police served a search warrant at the home in Allen Park. Girard was at the home with his wife, his daughter and his brother-in-law, according to police.
Girard denied using any social media other than Twitter, then invoked his right to counsel when officials mentioned the "Youngmuny1234″ account on Instagram, the criminal complaint says.
Officials said they saw Girard wearing a ring that resembled the one sent to the undercover detective in the nude photo. They also identified the room where the photo was taken -- including a crutch in the closet, the hardwood floors and baseboard -- authorities said.
Girard's wife agreed to look at the nude photograph and confirmed it was his wedding ring, officials said. She identified the room in the background of the picture and said she had used a crutch after surgery, and sometimes placed the crutch in the location where it's seen in the picture.
The criminal complaint concludes that there's probable cause that Girard attempted to produce child pornography, attempted to coerce and entice a minor and committed a felony office when required to register as a sex offender.
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In terms of social resonance, Vilis Lapenieks' film The Fisherman's Son has no equal. The film adaptation of Vilis Lācis' popular novel was a national blockbuster and created such excitement that at its premiere on 2 January, 1940, the public at the Splendid Palace broke down the theatre's doors. Deemed a "relic of bourgeois Latvia", it was hidden during the Soviet years; when independence was regained, the film was once again up on the screen and became a symbol of the youth of the free Latvia. Slightly naive, fresh as a sea breeze, heartfelt and as real as a child of nature – Latvia's first feature film.
Oskars lives in a typical sea-side village, but wants to break free of his father's rule and the old ways – he dreams of new, large nets, an ice-cellar, and the fishermen's independence from the fish wholesaler. At first, no one wants to believe in Oskars' plans, except for happy-go-lucky Fredis. With the help of Fredis, Oskars builds a new fish trap, gaining admiration from even the old fishermen. Love and deceit also play into the story, as do colorful village characters and folksy songs, which have since been absorbed into the national folklore.
Cast: Oskars – Pēteris Lūcis, Anita – Ņina Melbārde, Zenta – Milda Zīlava, Roberts – Hermanis Vazdiks, Fredis – Kārlis Lagzdiņš, Kļava – Ēvalds Valters, Banders – Valdemārs Švarcs and others.


ABOUT A YEAR AND A HALF AGO WE ANNOUNCED THAT PHOTOGRAPHER NICHOLAS HERNANDEZ WAS GOING TO REBUILD HIS PORTFOLIO. HE HAD SET AS AN OBJECTIVE TO FOCUS ON THE MALE FORM AND BUILD A FOLIO WITH MALE MODELS ONLY. WE CAN THINK OF WORSE OBJECTIVES TO ACHIEVE. NOW, 18 MONTHS LATER, NICK IS STILL BUILDING, WHICH IMPLIES THAT HE IS EITHER VERY SUCCESSFUL IN DOING SO, OR HE SIMPLY JUST LIKES IT. JUDGING BY HIS WORK, WE'D SAY BOTH.
Nicholas – Nick – Hernandez is a 27 years old photographer who lives and works in Los Angeles. Here amidst the beauty that thrives in the City of Angels, Nick made the decision to work on male photography with the objective to capture the male physique at its best. He does not only limit himself to what LA has to offer but searches the whole of the North American continent for fitting subjects. And we are sure he wouldn't even say no to willing guys from beyond the borders of the United States of America.
Last year January we introduced you to Nicholas Hernandez with the series he shot of Pablo Hernandez. Pablo, actor and model and living in Now York City, flew all the way to the West Coast especially for his collaboration with the young photographer. An investment that clearly paid off as his portraits shot by Nick are stunning. Today we'd like you to meet Tyler Rowland. Living in the Surrounding LA Area, Tyler obviously is a bit closer to home for Nicholas, but definitely worth taking his place among the other handsome guys Nick already immortalized for his project.
Tyler Rowland grew up an outgoing and active kid in a small town in Washington. After attending High School, Tyler moved to Montana where he went to the Montana State University and worked as a Wild Land Firefighter during the summer months. Something he definitely liked doing as he dropped out of college only a few semesters before graduation to pursue firefighting as a career. Now if you ask us why Tyler chose firefighting, our guess would be because he likes the heat. The reason why we think that is that he, after moving to Colorado and working their as a firefighter for 4 years, Tyler eventually decided to give California a try, simply because he really craved the year-round warm weather. And so it came to happen that Tyler Rowland gave everything he had worked for up, jumped into the unknown and is loving every minute of it.
IF JORGE RIVAS INTENDED THIS SET AS A FASHION SET TO PROMOTE THE LATEST AND GREATEST IN 2013 SWIMWEAR, HE MADE A HUGE MISTAKE. TRUE, THE APPAREL PIECES ARE HANDSOME, BUT IT IS HARD TO CONCENTRATE ON THEM. HELL, IT'S HARD EVEN TO NOTICE THEM AT ALL. ALL OUR EYES CAN REGISTER IS TREVOR ADAMS.
Do we really need to introduce Trevor Adams. Mmmm, maybe we do for those who just tuned in. 31 years old, Trevor Adams lives in Houston, Texas. Relatively convenient considering photographer Jorge Rivas is also based in the Lone Star State, so that reduces travel time to a minimum. Now even if you don't know much about Trevor, you must have seen his face and wonderful curves before. After all, Trevor has been active in modeling for 10 years already. But make no mistake, as much loved he is by many renowned photographer and doubtless a large fan base, Trevor is not a professional.
Trevor Adams is a man who knows what he wants, and it shows. Not only is he in the possession of an amazing body - looking good tomorrow means taking care of yourself today is his motto – it also shows in the determined look in his steel blue eyes. And though influenced by many others, Trevor is not the kind of guy to let others dictate him what to do or how to do it. I'm sure many in the industry already experienced that, but apparently he gets away with it anyway. Well sought after, Trevor has no intention to move to one of the 'modeling cities' such as LA or New York. Nor does he have any intention to be represented by an agency. Trevor takes gigs here and there and shoots with a select group of photographers. He makes his own choices and apparently he does it well.
Now all this might give you the impression Trevor Adams is arrogant, but nothing could be further from the truth. Despite what his photographs might convey, Trevor is rather shy and modest. He doesn't strive for celebrity, is not interested in a career in movies, no matter if it is adult or mainstream. He just likes to model because, well, he likes to model. In fact, he likes to take care of himself and uses modeling as a sort of documentary to follow his own progress. Again, it sounds like Trevor has quite the attitude, but trust me, he really is just the kind of guy who knows what he wants and doesn't loose time on sidetracks. Determined is the right word. Personally, I like this kind of guy. Life is too short to get distracted.
ONE THING I REALLY LIKE ABOUT THE UNITED STATES IS THE OFTEN SIMPLICITY IN NAMING TOWNS AND CITIES. NEW YORK HAS BECOME AN UNDERSTANDING, BUT BASICALLY IT REALLY MEANS NEW YORK. BUT SOMETIMES NAMES THAT SEEM LOGICAL HAVE A VERY DIFFERENT ORIGIN. MOUNT HOOD FOR EXAMPLE DID NOT GET ITS NAME BECAUSE OF A DISTINCTIVE SHAPE. IT WAS SIMPLY NAMED AFTER THE BRITISH ADMIRAL SAMUEL HOOD. AND FOREST CITY? WELL, THAT IS A VERY DIFFERENT STORY.
Prior to 1749 the area we now know as Rutherford County, North Carolina was a frontier and indefinable. But this was a time of exploration drift and colonization and it wasn't for long that this area was claimed by the white man who had discovered the fertile soil of this wild country. This rich and fertile soil surrounded one particular crossroads, that at the juncture of the Shelby-Rutherfordton and Spartanburg-Lincolnton Roads. This is where James McArthur decided to settle and built his large farmhouse in 1830. 20 years later a big fire made an end to James' dreams of being a landowner at this place but the location was not forgotten. In 1877 a small settlement rose around the remnants of the McArthur house, that would become known as Burnt Chimney.
Burnt Chimney and its small group of residents made history during the turbulent years of the Civil War but the town as it had grown to be was not destined to live forever. In 1877 the General Assembly incorporated Burnt Chimney and its 110 residents and on March 7, 1887, the town changed its name to Forest City, named after its prominent citizen Forest Davis. Forest City is now a beautiful green town with an active social life. Little reminds of its dynamic past except the burnt chimney from the McArthur house, of which a replica has been erected at the town square. Forest City now knows almost 8,000 residents, and until recently Tion Watkins used to be one of them.
Tion Watkins is a 2005 graduate of East Rutherford High School and grew up in Grahamtown in Forest City. After graduating Tion played basketball in Louisiana. At the age of 20 he went to visit a friend in New York while simultaneously participating in the street ball summer league. This is when he was spotted by a model scout, but his career as model wouldn't seriously kick off until later. After some ups and downs and a brief relocation to Atlanta, Tion is now back in New York, working hard to make modelling a real career. "It's very competitive, you have to be very strong minded because things are not just going to happen," Tion said. "Some people feel like once you sign with an agency and once you really start modelling, jobs are just going to come. It takes time you have to know what you are doing and you have to most of all have personality."
THERE ARE SEVERAL EXPRESSIONS AND WORDS THAT ARE USED TO DESCRIBED AUSTRALIA AND ITS INHABITANTS. DOWN UNDER OR THE LAND OF OZ ARE OFTEN HEARD TO DESCRIBE THE COUNTRY WHERE AUSSIE, OZZIE AND OCKER ARE SOME EXAMPLES OF HOW ONCE REFERS TO AUSTRALIANS. BUT IF THERE IS ONE EXPRESSION THAT TRULY CAPTURES THE AUSTRALIAN SPIRIT IT IS PROBABLY FAIR DINKUM.
The expression fair dinkum originates from Lincolnshire, England but has since then successfully made the crossing and became a Southern Hemisphere expression used to describe Austrialians. Hardly used outside of Australia, the term calls up images of well-built, sunburned field workers. Someone true to his core and true to his values. And indeed, fair dinkum is what Australians call someone who embodies the nations values.
The word dinkum is a slang term that came forth out of two different meanings: work and fair play. The word appeared first in 19th century English literature and was carried overseas with the many emigrant who were sent to the Australian colony. Here the word with the addition of fair appeared for the first time in the Sydney newspaper The Bulletin, back in 1894. The term is still being used in Australia, often in the meaning of honesty and truth. And in that form it has become a description of Australian character, more often expressed as true blue, which is the equivalent of the red blooded descriptor when it comes to Americans.
Chad Hursty describes himself as a true blue Australian. And we must agree. Chad works as personal trainer and construction builder and is - yes, wait for it - only 20 years old. Chad is obviously one o those gifted guys that have developed into manhood at early age and radiate both a strong masculinity and powerful sensuality at the same time. If he calls himself a true blue Australian, we would like to add to that drop-dead gorgeous and a real head turner. Living in Sydney, Chad has dedicated his whole life to sports and fitness which reflects in his lifestyle. He enjoys motivating people to set and achieve their fitness goals. In true Australian tradition, Chad is laid back and outgoing which thrives in situations on learning new things and exceeding in training settings. Throughout his high school years he represented his state in several sports such as, rugby league, basketball and both track and field events. Yes, with his achievement-oriented mindset, Chad Hursty is totally fair dinkum.
Chad Hursty is represented by Crew Models International.
WHEN WORKING IN THE CREATIVE BUSINESS IT IS ALWAYS IMPORTANT TO HAVE SOMEONE AROUND YOU WHO SHARES YOUR PASSION AND IS ABLE TO GIVE CRITICISM WHEN AND WHERE NEEDED. EVERY CREATIVE CAN AGREE TO THAT. IT'S A FACT THAT THE BEST CREATIVE WORK COMES FORTH FROM DISCUSSIONS AMONG LIKE-MINDED. BECAUSE IT OPENS YOUR EYES AND CAN BRING YOUR WORK TO ANOTHER LEVEL.
Troy Phillips was born and raised in Oklahoma, USA. With a background in counseling psychology and design, Troy also has a passion for photography which started in his early teenage years. And as we have seen many times already, once that kind of passion is found, it will never go away anymore. Troy's love for photography followed him like a shadow. He took it with him when he moved to Japan for studies. And it followed him back to the United States when he settled in New York City in the early 1990's. Still it would take another handful of years before Troy Phillips would give in to his affection for the art and turned it into a career. A successful one as well.
Currently located in Brooklyn, NYC, Troy Phillips has made quite a name for himself as photographer with a specialization in editorial, fashion, fitness, beauty, fine arts and portrait photography. But Troy is not alone. He works in partnership with Akimitsu Sadoi, another fine artist. Akimitsu originates from Hiroshima, Japan but has been living in New York since 1990. Besides a very talented photographer himself, Akimisu is also the soundboard fro Troy when it comes to bouncing off creative ideas. Together they can sign off on numerous publications in just as many renowned magazines and photo books, as well as exhibitions in prominent galleries.
MITYA NEVSKY HAS A TWO-FOLD DREAM. FIRST IT IS HIS DREAM TO REACH THE HIGHEST LEVEL IN PHOTOGRAPHY. TO CREATE WORK THAT IS CONSIDERED TO BE ART. SECOND HE DREAMS ABOUT SEEING HIS NAME APPEAR ALONGSIDE THOSE HE ADMIRES AND WHO INSPIRE HIM. HOW WONDERFUL IT WOULD BE FOR HIM TO SE HIS DREAMS COME TRUE. AND HOW WONDERFUL IT WOULD BE FOR US IF WE COULD HAVE A HAND IN THAT.
One part of Mitya Nevsky's dream seems easy to fulfill. Placing his name alongside those of who he admires so much. So here we go. Mitya Nevsky, Justin Monroe, Annie Leibowitz, Herb Ritz, David Vance, Thomas Synnamon. This probably doesn't quite realize that pat of Mitya's dream, but one has to start somewhere, and this place is as good as any other. Mitya Nevsky once to find recognition for his work and it is our job, or better said our privilege, to give him a boost.
Oh how we love our men from Russia. There is something about them we do not find in any other man. It's not just that they are handsome and well built. We can find that anywhere else. No, it's something else. Something more primitive that lies hidden in their expression. Or maybe it is the fact that their expression is often so stoical. Yes, almost detached. It is hard to read their faces, to see what's going on in their mind and it is that what makes them so attractive. We have had the opportunity to present you several photographers from Russia already, with their portfolio's full of these special men, and today it is Mitya Nevsky's turn.
Mitya Nevsky is 35 years old and lives and works in Moscow. He has built a rich portfolio with his models, but it is not all he does. Mitya also photographs landscapes and architecture and claims he does that better than his models. Which is a very promising aspect, considering his model photography is already of outstanding quality. Russia is a country with very strong believes and values and we always wonder how difficult it must be for photographers to find models. Especially male models. But Mitya guarantees us that, though more difficult outside the city, in Moscow he has no issue finding what he is looking for. Of course his works is his best advertising. Knowing what Mitya can do with his camera obviously is enough comfort for the Moscovian men to undress without hesitation.


DIRECTIONS: From North: I-95S/I-64, Exit Boulevard, right on Boulevard to West Broad Street, left on West Broad Street--museum is two blocks on left.
From South: I-95/I-64, Exit Boulevard, left on Hermitage Road to West Broad Street, right on West Broad Street--museum is ahead on right.
GENERAL DESCRIPTION: Science Museum of Virginia mission: Inspiring Virginians to enrich their lives through science. The Museum has become the premier center for hands-on science education in Virginia. The Museum has permanent exhibitions on health, energy and natural science and includes hundreds of interactive exhibits, fascinating artifacts, live animals, a theater company and cutting edge technology. The IMAX®DOME creates the ultimate "you are there" experience with the largest film screen in Virginia wrapped around you. The Museum also features visitng exhibitions, educational programming, overnight adventures, lectures, demonstrations and summer camps.
PARKING: 12 wheelchair accessible parking spaces at least 96 inches wide with 96 inch access aisle between spaces.
TYPES OF PATHS: Concrete, with slight grade from parking lot.
ENTRANCE: Front of building. Automatic doors, 34 in. wide. Interior steps located various places. Handrails.
PUBLIC REST ROOMS: 1st and 2nd floors. Doors are 35 in. wide, open out. Turns to enter. Accessible stalls have 33 in. wide doors opening out, handrails. Sink height 34 in. Accessible stall checked for obstructions. Rest rooms are identified by a raised figure with pants or skirt on door to designate men or women.
For guests with hearing disabilities,there are signing interpreters available with advance notice. Some written scripts available.
For guests with visual disabilities, there are hands-on exhibits such as gem and mineral exhibit with description in braille, and Knox Chapman exhibit for the blind. Elevators equipped with braille markings. There are documents in large print on non-glossy surfaces.
For guests with mobility disabilities, the Museum has a limited number of manual and motorized wheelhairs available for guests. Please contact us at 804-864-1400 or visit Guest Services for details.
FOOD AND BEVERAGE FACILITIES: The cafe, the Periodic Table, has a variety of fresh deli sandwiches, salads, barbecue, kid-friendly items and desserts. There are 9 tables for customers in wheelchairs. Table height 29 in. Aisles vary in. width.
GIFT SHOP: Aisles 33 in. wide. Counters 37 in. high. Clerks assist customers with special needs. Aisles clear of temporary displays.
ADDITIONAL INFORMATION: MC and V accepted. Admission fee and fees for IMAX films. Planetarium show is free with exhibit admission. Hours: Tues-Sat 9:30 - 5. Open Mon. from Memorial Day to Labor Day. Sun. 11:30- 5.


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Points: Finlay Young
Current Club: dooleys cycles
Year End Club: Equipe Velo Ecosse/Montpeliers
Age Category: JUNIOR
Category: 2nd
National Rank: 999
Regional Rank: 7
Regional Points: 28
06/11/2010 Regional C+ British Universities & Colleges Sport Track Champs (Men's Individual Pursuit) 10 0
06/11/2010 Regional C British Universities & Colleges Sport Track Champs (Men's Kilometre Time Trial) 11 0
06/11/2010 Regional C+ British Universities & Colleges Sport Track Champs (Men's 20km Points Race) 2 8
30/08/2010 National Junior Only Junior Tour of Wales (General Classification) 72 0
30/08/2010 National Junior Only Junior Tour of Wales (Stage 5 - Road Race) 74 0
29/08/2010 National Junior Only Junior Tour of Wales (Stage 3 - Closed Circuit) 86 0
28/08/2010 National Junior Only Junior Tour of Wales (Stage 1 - Time Trial) 78 0
26/08/2010 Regional C+ BC National Youth and Junior Track Championships (Junior Mens Points Race) 22 0
25/08/2010 Regional C+ BC National Youth and Junior Track Championships (Junior Mens Pursuit) 33 0
15/08/2010 National B Billy Warnock Sup6r Six SPR Memorial Road Race (E/1/2/3) 59 0
21/07/2010 Foreign National Strijpen - Zottegem (O) 1.14.3 Juniores Open Omloop (Juniors) 49 0
13/06/2010 Regional C Scottish 25 mile TT Championship (EL/1/2/3/4/A) 53 0
12/06/2010 Regional C+ Grand Prix of Edinburgh (10km Points Race) 1 10
12/06/2010 Regional C+ Grand Prix of Edinburgh (Devil Take the Hindmost) 5 5
12/06/2010 Regional C+ Grand Prix of Edinburgh (15km Scratch) 5 5
12/06/2010 Regional C+ Grand Prix of Edinburgh (10km Points Race) 4 6
12/06/2010 Regional C+ Grand Prix of Edinburgh (5km Scratch) 7 0
09/06/2010 Regional C+ Eastern Promise Road Race (E/1/2/3/4) 7 3
05/06/2010 Regional C+ WOSCA Track Championships & Open Omnium (Open Points Race) 3 7
05/06/2010 Regional C+ WOSCA Track Championships & Open Omnium (Open Scratch) 2 8
23/05/2010 National B Sam Robinson Sup6r Six Memorial Road Race (E/1/2/3) 46 0
02/05/2010 National Junior Only Isle of Man Youth & Junior Tour (Juniors Overall) 27 0
02/05/2010 National Junior Only Isle of Man Youth & Junior Tour (Stage 3 (Junior)) 35 0
30/04/2010 National Junior Only Isle of Man Youth & Junior Tour (Junior Stage 1 TT) 48 0
27/04/2010 Regional C Meadowbank National Track League 2 (Devil for riders not in Sprinters Ladder) 3 0
24/04/2010 Regional C Jason Macintyre Memorial/Scottish National 10 mile Championship (EL/1/2/3/4) 44 0
22/04/2010 Regional A Edinburgh RC Ingliston Crit Series 3 (2/3/4) 5 6
18/04/2010 Regional C Tour of the Meldons (EL/1/2/3/4) 31 0
11/04/2010 National B Sup6r Six Duncan MacGregor Memorial Road Races (E/1/2/3) 31 0
27/03/2010 Regional C+ Jack Murray Junior Trophy Road Race (EL/1/2/3/4) 1 10
06/03/2010 National B Gifford Sup6r Six SPR Road Race (E/1/2/3) 18 0
Rider's total points 68


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Tag: Dish TV FTA channels on Doordarshan DTH
Latest Free-To-Air (FTA) channels list from Dish TV available on DD Free Dish (DD Direct Plus) as on 08th March 2017
Channels List
Here is the latest Free-To-Air (FTA) channels list from Dish TV available on DD Free Dish (DD Direct Plus) as on 08th March 2017. Totally there are 46 TV channels including Promo channels of Dish TV and Private TV channels which are (Free-To-Air) FTA on Dish TV. . Below is the latest frequency wise Free-To-Air […]
Latest Free-To-Air (FTA) channels list from Dish TV available on DD Free Dish (DD Direct Plus) as on 10th February 2017
Here is the latest Free-To-Air (FTA) channels list from Dish TV available on DD Free Dish (DD Direct Plus) as on 10th February 2017. Totally there are 47 TV channels including Promo channels of Dish TV and Private TV channels which are (Free-To-Air) FTA on Dish TV. . Below is the latest frequency wise Free-To-Air […]
Latest Free-To-Air (FTA) channels list from Dish TV available on DD Free Dish (DD Direct Plus) as on 6th February 2016
Here is the latest Free-To-Air (FTA) channels list from Dish TV available on DD Free Dish (DD Direct Plus) as on 6th February 2016. Totally there are 92 TV channels (Free-To-Air) FTA on Dish TV. There are some more (Free-To-Air) FTA channels which are Promo channels of Dish TV. Below is the latest frequency wise […]
Latest Free-To-Air (FTA) channels list from Dish TV available on DD Free Dish (DD Direct Plus) as on 16th July 2015
Temporarily FTA
Here is the latest Free-To-Air (FTA) channels list from Dish TV available on DD Free Dish (DD Direct Plus) as on 16th August 2015. Totally there are 41 TV channels (Free-To-Air) FTA channels on Dish TV. There are some more (Free-To-Air) FTA channels which are Promo channels of Dish TV. Below is the latest frequency […]
Here is the latest Free-To-Air (FTA) channels list from Dish TV available on DD Free Dish (DD Direct Plus) as on 26th July 2015 after few technical parameter changes happened on Dish TV. Totally there are (Free-To-Air) FTA channels available on Dish TV in which few of them are Dish TV promo channels. Below is […]
Latest Free-To-Air (FTA) channels list from Dish TV available on DD Free Dish (DD Direct Plus) as on 01st July 2015
Here is the latest Free-To-Air (FTA) channels list from Dish TV available on DD Free Dish (DD Direct Plus) as on 01st July 2015. Totally there are 39 TV channels (Free-To-Air) FTA channels on Dish TV. There are some more (Free-To-Air) FTA channels which are Promo channels of Dish TV. Below is the latest frequency […]
Latest Free-To-Air (FTA) channels list from Dish TV available on DD Free Dish (DD Direct Plus) as on 01st June 2015
Here is the latest Free-To-Air (FTA) channels list from Dish TV available on DD Free Dish (DD Direct Plus) as on 01st June 2015. Totally there are 43 TV channels (Free-To-Air) FTA on Dish TV. In that some of the channels are Promo channels of Dish TV. Below is the latest frequency wise Free-To-Air (FTA) […]


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Теорема, доказанная Пуанкаре и Вольтеррой, утверждает следующее:

Множество элементов вида  полной аналитической функции с центром в определенной точке  не более чем счетно.

Вследствие этого многозначная функция может иметь не более чем счетное множество значений в одной точке. Пример функции, обладающей счетным всюду плотным множеством значений в любой точке, доставляет гиперэллиптический интеграл 1-го рода.

Литература
 Borel E. Lecons sur la Theorie des Functions. Paris, 1898. P. 53

Комплексный анализ
Пуанкаре-Вольтерры


Shower head and Hand shower Serene Steam unique line of luxury showerheads offers something for every décor. If you want classic, old-world or contemporary style, you're certain to find the right showerhead for you. Serene Steam is your source for showerheads and 100s of other Premium plumbing-related products.


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New Zealand Order of Merit
Missing image
Cnzm.jpg
Companion's Badge of the New Zealand Order of Merit
The New Zealand Order of Merit is an order of chivalry established on 30 May 1996 by Elizabeth II. The Order includes five classes in civil and military divisions, in order of seniority:
Principal Companion (PCNZM) (formerly Knight or Dame Grand Companion, GNZM)
Distinguished Companion (DCNZM) (formerly Knight or Dame Companion, K/DNZM)
Companion (CNZM)
Officer (ONZM)
Member (MNZM)
Only the two highest ranks were knightly, though knighthoods and damehoods were discontinued by the Labour government of Helen Clark in 2001. This was criticised by opposition parties, with Richard Prebble of the ACT New Zealand party deriding the PCNZM's initials as standing for 'a Politically Correct New Zealand that used to be a Monarchy'.
It was established "for those persons who in any field of endeavour, have rendered meritorious service to the Crown and nation or who have become distinguished by their eminence, talents, contributions or other merits." In the reorganisation of the New Zealand Honours System in 1996 it has taken over the role formerly played by the Order of the British Empire in being the general, all-purpose award for New Zealanders.
The Order's motto is For Merit/Tohu Hiranga.
The Collar is a gold chain of linked esses, with traditional New Zealand koru patterns, with the Coat of Arms of New Zealand hanging at the centre. It is worn with the badge by Principal Companions around the neck on certain occasions in lieu of the sash.
The Star is an eight-pointed star, gold for Principal Companions and silver for Distinguished Companions, with the appearance of fern leaves, bearing at the centre the badge of the Order. It is worn on the left chest.
The Badge for the three highest classes is a gold and white enamel cross with curved edges. The central disc has the Coat of Arms of New Zealand, surrounded by a ring in green enamel bearing the Motto of the Order, and topped by a royal crown. The badge for ONZMs and MNZMs are similar, but in plain gold and plain silver respectively. Principal Companions wear the badge on a sash worn over the right shoulder; DCNZMs and CNZMs wear a necklet (men) or a bow on the left shoulder (women). For ONZMs and MNZMs it is worn from a ribbon on the left chest (men) or a bow on the left shoulder (women).
The ribbon is red ochre.
Officers of the Order
Sovereign: HM The Queen
Chancellor: The Governor-General of New Zealand
Secretary and Registrar: The Clerk of the Executive Council of New Zealand
Herald: New Zealand Herald of Arms
Official Site (http://www.dpmc.govt.nz/honours/overview/nzom.html), has images of the various insignia
Retrieved from "http://clipart.academickids.com/encyclopedia/index.php/New_Zealand_Order_of_Merit"
Categories: Orders and decorations | New Zealand
This page was last modified 23:16, 2 Jun 2005.


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McGregor was arrested at a private residence the morning of March 11th.
Heat fans have smoke for Paul Pierce.
Fieri was taken to Flight Club instead of Flavortown.
The man who had his phone smashed is looking for some damages.
Justise Winslow gave Lil Pump his jersey after the game.
The fan was more upset that he lost out on photos of his son.
"Patience in this world is a virtue I continue to work on."
Conor's found himself in more trouble.
Kodak Black's Beef With Lil Wayne Has New Orleans Cops On "High Alert"
Cops are on high alert over Kodak Black's gig in the NOLA next week.
Rick Ross Announces New Memoir "Hurricanes"
Rick Ross' memoir hit shelves in September.
Teyana Taylor spent time at the beach this weekend.


BRAND NEW and available immediately ....... 15.25", 15.75" and 16.5"
The Maverick is an unconventional Australian stock saddle, handmade fender style. It offers optional mounting system and choice of kneepads. It has a Cheyanne roll and is sheepskin lined.
The Maverick is built on one of our own laminated wood, steel-lined trees. These trees have a poly-urethane gullet, lined with steel.
I only use the best quality leather available.
Because these saddles are totally handmade and largely hand stitched, we are able to satisfy your individual requirements.
The Maverick saddle, due to it's unique tree design, is extremely strong and fits close to the horse, and I confidently claim there is no stock saddle available that allows the rider closer contact to the horse.
Above is current AVAILABLE stock.
Contact me if a different size is needed.
This 15" Campdrafter Saddle is in stock and available immediately.