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Alvin Lee And Friends Live Concert Music Videos Mix
Michael Bloomfield Recollections E-mail additional c ontributions to [email protected] Since "MiKE bloomfield: An American Guitarist" went live in the winter of 2007, many of Michael's friends and fans have contributed their recollections, insights and thoughts to what has happily turned into a colossal project. Most of those additions have been incorporated into the listings, but a lot.
Related stories Fémina Drop Surrealistic New Video for 'Resist,' Featuring Iggy Pop Venezuela Aid Live: A Music. Friends Keep Secrets, which arrived last year. The record featured collaborations wi.
San Francisco Music Box Company Unicorn Snow Globe Dear Twitpic Community – thank you for all the wonderful photos you have taken over the years. We have now placed Twitpic in an archived state. Lady Gaga cries as she wins Golden Globe for Best Original Song and says 'it's hard to be taken seriously' as a woman in music. Her eyes welled up
Girl Stares At You At A School Dance Yahoo Answers Watch breaking news videos, viral videos and original video clips on CNN.com. now seriously, why some people are so obsessed about swede girls i'd never figure out, i mean to me it's just absurd to be spending my time on how to get a cute girl.if you aren't looking for a long term relationship though,
45 p.m., with music direction by Mark Hartman. At the Duplex, Manhattan; 212-255-5438, theduplex.com. (Gardner) 'EVERYTHING IS TERRIBLE!'S NEW YEAR'S EVE IN NEW YORK CITY!' Best known for collecting h.
Sandra Bullock Dancing In The Woods In The Proposal Starring: Sandra Bullock, Ryan Reynolds, Betty White, Oscar Nuñez. Grandmother performing a sort of Indian chant/dance around a campfire in the woods, Dancing with the Stars Season 13 early cast rumors include Regis Philbin, Mike Tyson and Melissa Gilbert. I'm sure the female dancing pros will be more than relieved to hear a definitive 'no'from
Alvin Ailey American. the Academy Award for Best Live Action Short. In its last go-round, the RIIFF presented 295 features.
The Old-Time Herald Volume 6, Number 2. Reviews: Chet Atkins – Chet Atkins' Rare Performances 1955-1975 The Guitar of Chet Atkins – Stefan Grossman's Guitar Workshop Bad Livers – Hogs On the Highway Camp Creek Boys – Old-Time String Band Bob Carlin – Learn to Play Clawhammer Banjo Cliff Carlisle – Blues Yodeler And Steel Guitar Wizard The Rufus Crisp Experience – Chickens Are A-Crowing
Ron Baltrusz: My earliest memories of Harpos would just be the transformation and the things we had to do to make it live-show ready. I didn't get it all. Smith: Alvin Lee from Ten Years After was.
"I Will Follow You into the Dark" is a song by indie rock band Death Cab for Cutie, the third single from their fifth album Plans, released on August 30, 2005.
The evening will include a mix. music to help rehabilitate prisoners and youth offenders. This year's concert will include friends from Wayne's 50-year career who will drop in for a night of rock '.
Lindsey, Alvin Richardson & Brian Courtney Wilson, songwriters Track from: A Great Work Category 37 – Best Contemporary Chris.
The first time I heard the most interesting newish band in the English-speaking world was at a sort of music-video party in North Carolina. sleeping on friends' couches. The day after the concert,
"Lee. live music, but not necessarily Keith Urban. He was blown away. He described it as being 'held hostage' by Urban's m.
Close Up With The Hollywood Reporter. Music by Eddie Baytos and friends; aerialist Jamie Ray of Air Seekers; DJ set by DJ Shields. Presented by Louisiana International Film Festival. In total, 28 p.
Sandy Brown Jazz Album Reviews [The links on this page were correct when the item was included – please contact us if you find that any of them are no longer working]. Click here for BOOK and PERFORMANCE REVIEWS Click here albums reviewed in 2017. By artist in alphabetical order:
Watch breaking news videos, viral videos and original video clips on CNN.com.
Madonna Louise Ciccone (/tʃɪˈkoʊni/) (born August 16, 1958) is an American singer, songwriter, dancer, actress, and businesswoman. She achieved popularity by pushing the boundaries of lyrical content in mainstream popular music and imagery in her music videos, which became a fixture on MTV.
Find Dean Parks credit information on AllMusic. 1960s – 2000s. Genre
Colin Hodgkinson (born 14 October 1945, Peterborough, Cambridgeshire) is a British rock, jazz and blues bassist, who has been active since the 1960s.
Mardi Gras Celebration: With Alvin Waddles & Fats Waller Review, 8 p.m., Palmer Woods Music in. Kenji Lee and Friends: 7 p.m., Cliff Bell's, 2030 Park, Detroit. 313-961-2543. $10. MJ Live, The Mich.
Yoakam set up headquarters at the DGA in 1997, not long after he started directing his own music videos, a sort of "poor man. who are filming the concert for a live stream. "It's harder and easier,
Features In Search Of The Forgotten Heroes Of 70s Rock. These overlooked 70s rock heroes moved audiences, made fantastic albums, then faded, but are still fondly thought of by diehards.
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Abbott and Costello Meet Frankenstein ("Main Title") [YouTube clip at that link], composed by Frank Skinner, captures both the chills and the laughs of the classic film that drops the immortal comedic duo into the horrors of the Universal monster franchise. Skinner's wonderful score for this 1948 film was given a Halloween tribute by conductor William Stromberg and the Golden State Pops.
Daddy B. Nice's Top 10 Southern Soul Singles charts and Commentary About Southern Soul Music. Official singles charts for southern soul, r&b, including best songs and best artists of 2014, Daddy B. Nice's Year in Review and Southern Soul RnB awards.
A 2006 mix tape. and because his friends thought he was moody. "He mentored me on the radio and sort of got me started," says Campbell. The show was a mixture of interviews with live guests as well.
It's a star-studded effort, featuring everyone from Calvin Harris and Halsey though to Ty Dolla $ign, Swae Lee, and Brockhampton associate Ryan Beatty. We caught up with the producer to chat 'Friends.
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In their short few years together, the band have been captivating fans across the country with their high-energy live performances. engineer and mix their music as well as direct all their own musi.
"Lee. live music, but not necessarily Keith Urban. He was blown away. He described it as being 'held hostage' by Urban's musicianship, guitar breaks and vocal excellence. As he put it, if you're as.
Country interloper Kane Brown just released his second record called Experiment, and since most of music media has devolved into nothing more than a promotional arm of the mainstream industry, the album's arrival has been dutifully met with a host of fawning puff pieces filled with over-hyped tripe about how Kane Brown is the future of country music, and is changing the music forever.
Madonna Louise Ciccone (/ tʃ ɪ ˈ k oʊ n i /; born August 16, 1958) is an American singer-songwriter, actress and businesswoman.Referred to as the "Queen of Pop" since the 1980s, Madonna is known for pushing the boundaries of songwriting in mainstream popular music and for the imagery she uses onstage and in music videos.She has frequently reinvented her music and image while maintaining.
Aug 30, 2018 · August 4. Cold Justice (Oxygen) The fifth season premiere of the unscripted, true-crime series about former prosecutor Kelly Siegler and former.
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jojo bennett
JoJo Bennett - Reggae trailblazer
JoJo Bennett was a Jamaican orphan who found his calling when a teacher handed him a horn. Excelling on the trumpet, he grew to become a successful touring musician, songwriter and recording artist. In Canada, he added award-winning bandleader and owner of a recording studio and record label to his accomplishments. But he never forgot his roots, also starting his own music school along the way. Mr. Bennett, who died on Aug. 3 at the age of 81, may have been best known as the charismatic, dreadlocked figure in celebrated Canadian pop-reggae band the Sattalites. But after his passing, those close to him remembered a wise, modest man they affectionately called "Guru" and "Teach." "Jo was a beau...
jackie mittoo sattalites reggae fergus hambleton jojo bennett
Liner Notes: Sattalites - The Best of Canadian Reggae
Rare is the band that survives the challenges of constant touring, recording and inevitable membership changes. Rarer still is the group that keeps improving, consistently honing its craft and polishing its sound. The Sattalites have achieved that remarkable feat over the course of 30 years, establishing themselves along the way as one of the world's premier reggae acts. Built on the foundational talents of Jo Jo Bennett and Fergus Hambleton, the Sattalites have forged a fresh, vital sound that blends stirring roots reggae with thrilling harmonic pop. This collection represents all sides of the Sattalite sound, from the bubbling joy of "Wild" to the horn-driven ride of "Sunroof." Two can mak...
toronto reggae jojo bennett fergus hambleton sattalites
Music Review: The Sattalites - Reggaefication
Canada's reggae veterans have "reggae-fied" everything from the Beatles' "She Loves You" to Cat Stevens' "The First Cut is the Deepest." Here, they add the one-drop rhythm to the Rascals' "Groovin'." But catchy covers are only part of the Sattalites' oeuvre. Led by Jo Jo Bennett and Fergus Hambleton, the band—now happily celebrating its 20th anniversary—also delivers polished originals like Hambleton's "The Key" and Bruce "Preacher" Robinson's spirited dancehall rap "God Bless." Joyful, unpretentious stuff.
reggae fergus hambleton jojo bennett sattalites toronto
barenaked ladies joni mitchell african reggae music history yorkville gordon lightfoot beatles ronnie hawkins neil young paul mccartney lightfoot book movie soundtrack christmas obituaries bruce cockburn toronto bob dylan tv soundtrack world music

redpajama_set_name: RedPajamaCommonCrawl


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It seemed apt that Giorgio Armani, such a stalwart of the red carpet, should present his autumn/winter collection at Milan fashion week the Monday morning after the Oscars. The dresses worn for Sunday night's ceremony – including Cate Blanchett's aqua-coloured Armani Privé gown – have been hung back in the wardrobe, but awards-season dressing requires careful forward planning. Smart red-carpet players are already shopping for the next one.
Prospective red-carpet customers had to wait with this collection. The first thing of note was that Armani was catering to the vast majority of the women who buy his clothes: professionals, some of whom grew up in the 80s when the designer revolutionised workwear by adapting the men's suit to womenswear. More than half of this show had outfits with trousers and a concession to the loosening-up of dress codes was implicit. Suits were in the minority here. Instead, most outfits were contrasting jacket and trousers – with many variations on the combination of black velvet trousers and pink tweed jacket.
There were also jogging pants, worn with blazers, in a very Armani nod to trends such as athleisure. More garden party than office were a selection of suits and some dresses printed with pastel flowers with the blur of a watercolour. Missteps came in clashing floral prints on a harlequin-ish jacket, but the cropped bootcut velvet trousers were the exact shape currently preferred in the front row.
When the eveningwear section of the show came, it was also heavy on the velvet. The dresses were all black, combining the transparent effect you get with deep black velvet to dramatic effect. A long dress with an exaggerated V neckline and embroidery on the bodice looked straight out of Blanchett's wardrobe, while a sweet, strapless A-line tulle design with big velvet polka dots would work for another of Armani's other celebrity clients, Rihanna. Catwalk debut over, the red carpet beckons for these dresses.
Last year marked 40 years of Armani, an anniversary that the designer celebrated with a coffee table book and a press conference. The show notes on Monday said this collection "looks at reality with a new eye", a "mandatory" notion for the designer. How long the brand can keep doing that is unknown, but 40 years is pretty good going by anyone's standards. Now 81, Armani has made it clear that retirement is not happening any time soon, and the search for a successor is not on the horizon. The designer remains the elder statesman of Italian fashion. Armani, which is Italy's biggest luxury brand after Prada, was one of the first western brands to expand into China – with 150 stores there, and a Chinese version of the website. Its profits have been affected by the country's recent slowdown. While 2014 saw a 16% growth in profits, largely due to expansion in the region, 2015's figures reflect the newer climate. The fashion crowd will now travel to Paris, where the shows begin today.


Hey may be your hottest emerging hunk yet. Nice find.
David Holloway was, and remains, an excellent *baritone*.
I can attest to the "Hotness". This guy is an amazing performer and colleague!
Bob Jones U. Maybe he should perform Thais.
I love your blog! It is hilarious, we were ROFL at the office today seeing many baritones we know featured on your site. John is truly wonderful!
Just heard him in Rossini's La Cenerentola in Munich--most of the cast was in their underwear for about a third of the performance!


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CV: CV-2018-Scott Anderson.pdf
Website: University of Nebraska Trombone Studio
Professor of Music, Trombone, Area Head for Brass and Percussion
Area of Focus: Brass, Music History
DMA-University of Minnesota-1995
MM-Northwestern University-1987
BM-Iowa State University-1985
Scott Anderson is Professor of Trombone in the Glenn Korff School of Music at the University of Nebraska-Lincoln. He is the head of the Brass and Percussion Area and trombonist in the University of Nebraska Brass Quintet. Anderson holds the Vernon A. Forbes Chair as Principal Trombone in the Lincoln Symphony Orchestra. He earned degrees from the University of Minnesota (DMA 1995), Northwestern University (MM 1987) and Iowa State University (BM 1985). Dr. Anderson is and active recitalist, chamber musician and orchestral musician. He has performed solo recitals throughout the United States including the International Trombone Festival, The American Trombone Workshop, The University of Iowa, Iowa State University, Concordia University, Luther College (Iowa), Trinity College (Texas), The University of Memphis, St. Cloud State University (Minnesota) and the University of Nebraska. He has also appeared as a soloist with the Dallas Brass, the Strategic Air Command Band, the ACC Heartland of America Band, the Twin Ports Wind Orchestra, the University of Nebraska Wind Ensemble, the University of Nebraska Symphonic Band, the University of Nebraska Symphony Orchestra, the Omaha Wind Symphony, the University of Minnesota Symphony Orchestra, the Iowa State University Symphony Orchestra, the Lincoln Municipal Band, The Nebraska Chamber Ensemble, The New Music Agency and the Iowa State University Wind Ensemble.
He has performed with the University of Nebraska Brass Quintet on tours throughout the United States as well as internationally with recitals in the Czech Republic. Anderson is an active orchestral performer on trombone, tenor tuba and bass trumpet and has performed nationally and internationally as Principal and Second Trombone with the Minnesota Orchestra, the Saint Paul Chamber Orchestra, the Omaha Symphony and the Des Moines Symphony and as second trombone in the Kansas City Symphony, Kansas City Ballet and Opera Omaha. He has performed under the direction of a number of conductors including Osmo Vanska, Christopher Hogwood, John Williams, Eiji Oue, Robert Shaw, Neeme Järvi, Christoph Eschenbach, David Zinman, Michael Stern, Hans Vonk, Christopher Wilkins, Edward Polochick and Edo de Waart. Dr. Anderson has performed on numerous national touring productions including Matilda, Chicago, The Producers, Ragtime, 42nd Street, A Chorus Line, Hello Dolly, Matilda and Victor/Victoria. He has also played in concerts backing Hannah Huston, Lou Rawls, The Lettermen, Steve Lawrence and Edie Gorme, The Moody Blues, The Temptations, Blood, Sweat and Tears, Pam Tillis, Mannheim Steamroller, Marvin Hamlisch and Mark O'Connor to name a few. Anderson has recorded with the Minnesota Orchestra, the Nebraska Jazz Orchestra, The Strategic Air Command Band, Hannah Huston and The Des Moines Symphony.
Lincoln's Symphony Orchestra
Applied Trombone
History of Rock Music
Nebraska Trombone Ensemble
2015	Hixson-Lied Leadership Award in Curriculum or Programmatic Development
2012-2018	Hixson-Lied College of Fine and Performing Arts Professorship
2011	Iowa State University College of Liberal Arts & Sciences Outstanding Alumni Award in Music and Theatre
2009	Hixson-Lied College of Fine and Performing Arts College Distinguished Teaching Award
What do you enjoy the most about being on the faculty at the Glenn Korff School of Music?
Anderson: I enjoy working with the trombone students every day. It is gratifying to watch them improve and become better musicians. My goal is for the student to surpass the teacher. If a student commits to Nebraska, I will do everything that I can to see that this happens.
What do you want others to know about the Glenn Korff School of Music?
Anderson: I want others to know that the faculty and students at the GKSOM are first rate musicians.
What are you most proud of in the area you work for the Glenn Korff School of Music?
Anderson: I am most proud of the fact that the students who study or have studied trombone at Nebraska are out in the professional working world as performers, educators and lifetime musicians.
What do you like to do outside of the Glenn Korff School of Music?
Anderson: My life outside of the GKSOM is filled with opportunities to perform as a soloist, orchestral trombonist and chamber musician. I want to continue to improve my own skill set as well as those of my students. My other passion is reading, researching and listening to rock and roll music.


Capsule Wardrobe For Girls | Winter/Spring - Better. Than. Dreams.
Capsule wardrobes are everywhere right now, and they've inspired me to share the (very pink) girls capsule wardrobe from winter to spring for my girly girl.
I can't remember exactly what age my daughter was when she started getting picky about her clothes. It had to have been around age 3, but it definitely felt a bit early to me. One day I could put her in anything and overnight she decided to develop her own sense of style.
Of course I did what any parent would do — I fought her. I fought her on this for years, wondering how in the world she could not love that little tank with the beach ball on it. Eventually, I realized that I was wasting precious time, precious energy and precious money. Then, came the capsule.
This dress is sold out in the US, but there are still some sizes if ordered through Gap UK.
Every parent knows that you basically need to create a capsule for your growing child nearly every season. Each time I did this for Vivien, I would deliberately avoid going over the top pink. This was because I didn't want pink to swallow up her entire wardrobe — plus it was too "easy" in my opinion. To my surprise, pink is exactly where we met on many of her clothes.
There are certain things my daughter just will not wear unless they're pink. The dress above is a good example. If it were blue, she would certainly not be wearing it with that much sass. A sweatshirt she has is another item that would not be a top choice if it weren't pink.
As I opened my eyes to a lot more pink items in the stores, I discovered that it doesn't always need to be in your face. Soft, pale and muted pinks are really easy to find right now. If that's what makes her feel good, I can let the color go and focus on the practical elements of the capsule.
I have had a little girl for almost seven years now (suddenly feeling old). While I don't know everything, I think I have figured out how to have a cute and practical wardrobe that is also minimal. So let's start from the bottom and work our way up. So what shoes does a young girl needs from winter to spring?
That's really it in my opinion. They need sneakers for school and physical activities. The boots are for school and extra cold or rainy days. Then, the flats take care of anytime they need to get dressed up and this should really be enough. You can always add to this if you choose, but this should definitely work for a girls capsule wardrobe from winter to spring.
These are some hand-me-down boots from a close friend. Mixing up the funky and the delicate with this outfit. Same dress as above.
This also seems to be the perfect "sweet spot" amount. I've definitely had times where I've had much more for her, and too many choices is not always the best thing. This is especially true in the mornings, can I get an "Amen"?
I really hope this post inspires you to create a simple, minimal capsule wardrobe for your little girl. This is definitely the way I will structure her wardrobes in the future.
Creating this capsule wardrobe has made the dressing part of the day so much less stressful for us. Starting the day with ease has been so worth it, so let me know if you capsule your child in the comments below.
Also, check out this video to see this girls capsule wardrobe from winter to spring in all it's glory! Use these checklists above to create a similar wardrobe for your child. Check back soon.


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40 color themes for baby girl rooms for decoration ideas. Themes for baby boy rooms best boy nursery themes ideas on baby room. Baby themes for rooms interior4you. Baby themes for rooms baby room colors boys bedroom nursery room.


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Terrorist plot to kill Prince Charles thwarted by Gardaí
BY: James Mulhall
A SUSPECTED plot to kill Prince Charles was foiled by Gardaí in Ireland yesterday, according to reports.
Two people were arrested in Co. Leitrim for the possession of the "components of an explosive device", as well as firearms, and four others were reportedly arrested during Garda raids across the country.
The Leitrim arrests occurred in the Glenfarne area – which is less than an hour from the Sligo town of Mullaghmore, where the Prince of Wales and his wife Camilla will visit next week.
The British royal couple will spend the four-day visit in the west of Ireland – which begins next Tuesday, May 19.
The Irish Mirror claim a source told them that the suspects, along with several others, had been monitored over the past few months in an effort to curb terrorist activity.
The paper also reports that those arrested have close connections with the Continuity IRA.
A Garda spokesman confirmed to The Irish Post:
"Gardaí recovered firearms and component parts of an explosive device, pending analysis, at 11.45am in the Glenfarne area on the N16."
"Two males in their 20s were arrested at the scene and are currently detained under the provisions of Section 30 of the Offences Against the State Act at Manorhamilton Garda Station."
See More: Featured, Prince Charles, Royal Visit
News 1 week ago
All 32 Irish county coat of arms, what they mean and where they come from
By: Irish Post - 1 week ago
The 100 most popular baby names in Ireland in 1965 v 2020
By: Irish Post - 2 months ago
12 unusual Irish surnames and where they come from


A quick article on Best celtic cross tattoos for men . Read more.
Comments on Best celtic cross tattoos for men are below.
Other popular hands incorporate the total house and straight. Playing cards make for some wonderful tattoos and can arrive in an assortment of fashions. Follow love and it'll flee, flee love and it'll follow.
Tags are Best celtic cross tattoos for men , tattoo, ink.


Many great pearls of wisdom here. One of the main things that stood out was the regular postmortems that occur. What he describes is very close to agile retrospectives.
- "Fundamentally, successful companies are unstable."
Awesome! Thanks! How did you come across that? I couldn't find it on The Economist website.
Stumbled across it on another blog somewhere (referenced by a tweet).
Thanks so much for this. I'd like to share it with my students by posting this on my blog. Thanks so much! You saved us from much despair. Hehe.


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Eric Dolphy at the Five Spot, Vols. 1 and 2, is a pair of jazz albums documenting one night (16 July 1961) from the end of Eric Dolphy and Booker Little's two-week residency at the Five Spot in New York. This was the only night to be recorded. The engineer was Rudy Van Gelder.

A third volume from this session was released, titled Memorial Album, containing "Number Eight (Potsa Lotsa)" and "Booker's Waltz". These two tracks were later released on the Rudy Van Gelder remaster of Volume 2.

All three volumes were reissued, without alternate takes, as a triple LP under the title The Great Concert of Eric Dolphy. Two other tracks, Mal Waldron's "Status Seeking" and Dolphy's solo rendition of Billie Holiday's "God Bless The Child", were released on the Dolphy compilation Here and There. Dolphy and Little were backed by a rhythm section consisting of pianist Mal Waldron, bassist Richard Davis, and drummer Eddie Blackwell.

Dolphy's composition "The Prophet" is a tribute to the artist Richard "Prophet" Jennings, who had designed the covers of Dolphy's earlier albums, Outward Bound and Out There.

Reception
In an AllMusic review of volume 1, Michael G. Nastos stated that Dolphy's group had "developed into a role model for all progressive jazz combos to come", while "[t]he combined power of Dolphy and Little -- exploring overt but in retrospect not excessive dissonance and atonality -- made them a target for critics but admired among the burgeoning progressive post-bop scene." Nastos continued: "With the always stunning shadings of pianist Mal Waldron, the classical-cum-daring bass playing of Richard Davis, and the colorful drumming of alchemistic Ed Blackwell, there was no stopping this group." He concluded: "Most hail this first volume, and a second companion album from the same sessions, as music that changed the jazz world as much as Ornette Coleman and John Coltrane's innovative excursions of the same era. All forward thinking and challenged listeners need to own these epic club dates."

Scott Yanow, reviewing volume 2, called the album "[a]n excellent set that records what may have been Dolphy's finest group ever, as well as one of that era's best working bands." A review in PDX Jazz called the Five Spot recordings "a tremendous live set" and "a very spirited performance with surprisingly good sound quality given its recording in a mere club back in the early 1960s." Stuart Nicholson, writing for Jazzwise, included the Five Spot tracks in his list of "five essential albums" by Dolphy, and wrote: "Eric Dolphy liked plenty of solo space to express himself, and this live date at New York's Five Spot... gave him precisely that. His fiercely vocalised alto solo on 'Fire Waltz' is the stuff of legend, for many his most memorable, diverging from the linear logic and techniques of variation employed by most post-war jazz musicians."

Dolphy biographers Vladimir Simosko and Barry Tepperman observed that the Five Spot recordings "present the rare opportunity to study a night's work in the club," and stated: "despite any unevenness in strength of solos or tightness of the performances, a very well-balanced and brilliant group is in evidence... the unity and wide dimensions revealed by the preservation of one night's work remain to testify to the quintet's worth and vitality."

Setlist
"Status Seeking"
"God Bless the Child"
"Aggression"
"Like Someone in Love"
"Fire Waltz"
"Bee Vamp" (two takes)
"The Prophet"
"Number Eight (Potsa Lotsa)"
"Booker's Waltz"

Track listing

Volume one
"Fire Waltz" (Waldron) – 13:44
"Bee Vamp" (Little) – 12:30
"The Prophet" (Dolphy) – 21:22
"Bee Vamp" (Alternate Take) – 9:27
(Track 4 not on original LP.)

Volume two
"Aggression" (Little) – 17:21
"Like Someone in Love" (Jimmy Van Heusen) – 19:58
"Number Eight (Potsa Lotsa)" (Dolphy) – 15:33
"Booker's Waltz" (Little) – 14:39
(Tracks 3-4 not on original LP.)

Memorial Album
"Number Eight (Potsa Lotsa)" (Dolphy) - 15:33
"Booker's Waltz" (Little) - 14:39

Personnel
Eric Dolphy — alto saxophone, bass clarinet and flute
Booker Little — trumpet
Mal Waldron — piano
Richard Davis — double bass
Ed Blackwell — drums

Sources
Richard Cook & Brian Morton. The Penguin Guide to Jazz on CD 6th edition.

References

1961 live albums
1964 live albums
Eric Dolphy live albums
New Jazz Records live albums
Live post-bop albums
Live avant-garde jazz albums
Original Jazz Classics live albums
Albums produced by Esmond Edwards
Albums recorded at the Five Spot Café

redpajama_set_name: RedPajamaWikipedia


THE QUEER ISSUE: Gaze into the future of the gays -- LGBTQ leaders, artists, and activists offer their visions for what lies ahead. Plus our 2010 Hot Pink List!
THE QUEER ISSUE: Isn't the whole point of a midlife crisis to change everything before it's too late?


text:
Shitty Beer Is the Best Beer, and Miller High Life Is Best of All
Madeleine Davies
It's the end of the day and I'm craving a brewskie. IPA? More like I.P.-NO WAY. Brooklyn Lager? Throw it in the garbage bag-ger. That's right, baby. Mama wants to live the High Life.
There are a lot of negative things that you can say about the champagne of beers, all of them equally wrong. "It tastes like piss," you might say and sure, I'd agree with you... if we're talking about the delicious piss of the gods.
That's right. I am the bold, brave hero who is willing to come out and say it: Cheap beer is better than "good" beer, and Miller High Life is the best beer of all.
Imagine this. It's a blazing hot day. The sun is beating down. You've sweated through your clothes. Steam rises off the blacktop and it feels like your body is on fire. Suddenly, the silhouette of a person—an angel? Your brain is too fried to tell—blocks the sun.
"You look thirsty," they say.
You nod, desperate.
"Here. Take this"—they hold out a bottle —"German style schwarzbier."
It was a trick. That wasn't an angel, but a demon. It's trying to poison you with a heavy beer on a hot day. You die on the sidewalk, alone and with an awful taste in your mouth.
Now imagine the alternative: "Here. Take this," the being says. They hold out an ice cold bottle of golden liquid. Cold condensation beads on the outside of the glass. "It's a Miller High Life."
You drink it and feel invigorated.
"Here have another," the angel says. Turns out, the High Life is magical. You immediately cool down and, as a bonus, the angel tells you the secret to immortality. You decide not to use it because, feeling the cold beer trickle down your throat, you finally understand that brevity is what makes life precious.
"Excellent. You passed the test," the angel says. It gives you a high five, then another beer. "Have the gift of flight and invisibility instead."
You pass away at the age of 101, happy and adored by all.
Congratulations, you lived the High Life. And it's all thanks to Miller's easy-on-the-wallet, liquid gold. It's the champagne of beers. The champagne of champagne. No, I'm not being paid extra to write this. It's just one girl's expert opinion.
Contact the author at madeleine@jezebel.com.


I have just finished a this interesting scabbard and sword for a customer and it is beautifully over the top.
The customer very closely outlined the project and so colours and fabric choices etc were dictated, but I then the end result is stunning and of course will be noticed, which was half the point of being alive in the 15thC.
The sword was based on an Albion bare blade (customer supply) and the hilt and grip work is by me. The guard and pommel were popular in both England and Germany and are in steel. The grip is waxed cord over an ash core and terminated in cord Turks head knots.
The scabbard has a poplar core and is covered in two types of fabric with the change at the lower scabbard knot; the fabric was sewn not glued. The top of the scabbard has the fabric turned over and glued.
The scabbard is finished with a bronze chape and the belt furniture is bronze also.
Is the upper material velvet? I seem to recall another historical scabbard with a velvet covering, I wonder how common it was.
I am curious about "waxed cord". Is it sold waxed, or you somehow soak it in wax before or after wrapping? What's the cord material and diameter? Do you color it with some kind of paint/dye?
Alex Indman asked about waxed cord. It can be done in two ways, either bond it first and the n hot wax it, or wax the cord first and then warp it. I use hemp and dye it before doing anything else.


The Rajinikanth starrer 2.0 is currently in its third week, and we must say, the film's performance at the box office has exceeded all expectations.
The film, being a dubbed one, has faced touch competition from films like Aquaman, but it has been going strong. So far, the film has brought in 518 crores in India including Hindi, Tamil and all other languages.
By doing so, the film has smashed the records set by Baahubali: The Beginning and has gone on to become the 2nd highest Indian grossing film of all time.
However, it must be mentioned that the film has not defeated Baahubali 2 at the box office yet. This was evident in the opening weekend itself, however, we did not give up hopes.
The film, although a science fiction, comes bearing a strong social message. It highlights the evils of technology, and the harmful impacts of mobile phones on birds.
The film had a massive budget of 600 crores, and was the first of its kind in India. Akshay Kumar in the role of Pakshi Raja and Rajinikanth as the scientist Chitti has been critically acclaimed.
The film is going to face even more competition today as Zero releases. We'll just have to wait and see.


text:
Liberal MP dodges backing Royal..
Liberal MP dodges backing Royal Commission into energy prices, says there's a better way
Craig Kelly
There's a push to establish a Royal Commission into power prices and energy affordability, but it's not coming from the government or the Opposition.
The Greens are calling for a parliamentary inquiry into why prices are so high and what could be done to bring them down.
The Prime Minister has played down the need for a Royal Commission into skyrocketing energy costs but several coalition backbenchers are understood to have shown their support.
Liberal MP Craig Kelly tells Ben Fordham he knows a way to "save them the time and the effort" of a commission.
"There's $3.6 billion this year that gets added to everyone's electricity bill to subsidise these renewables.
"Getting rid of those subsidies… will save every household of four $600.
"Second, if you get rid of those subsidies, you're also able to get more coal-fired generation into the system… exactly like they're building hundreds of coal-fired power stations around the world."


text:
Il Museo civico archeologico di Jesi e del territorio di Jesi (AN) ha sede nelle scuderie di Palazzo Pianetti.

Storia

L'istituzione culturale è nata nel 1785 quando Mons. Cappellari, allora governatore di Jesi, consegnò al Comune delle sculture romane che aveva rinvenuto nel Complesso di San Floriano.

Dal 1867 ai primi anni '90 del XX secolo la collezione, arricchita di altri reperti, fu collocata a Palazzo della Signoria in Piazza Colocci. Venne spostata a Palazzo Pianetti e poi nel complesso di San Floriano nel 2003.

Nel dicembre del 2017 la collezione è definitivamente collocata nelle scuderie di Palazzo Pianetti.

Collezioni

I reperti vengono presentati secondo un ordinamento cronologico in tre sezioni, riservate rispettivamente alla preistoria, protostoria (civiltà picena) ed età romana. Tra i reperti più interessanti il lapis aesinensis, documento epigrafico con preziose informazioni sulla viabilità nell'Italia centrale, e l'importante complesso di statue e ritratti di età giulio-claudia fra cui si segnalano i busti di Augusto e di Tiberio unitamente alla statua di Agathè Tyche (Buona Fortuna).

Paleolitico

Nel territorio della Media Vallesina sono stati rinvenuti reperti che certificano la presenza di industrie litiche tra il Paleolitico Inferiore e il Paleolitico medio. Questo territorio attraversato dal fiume Esino costituiva un'importante via di comunicazione tra la zona appenninica e la costa adriatica. Qui, a partire dal Paleolitico Inferiore si insediarono gruppi di cacciatori e raccoglitori. La presenza di cacciatori nella zona risale ad un periodo compreso tra 400.000 e 130.000 anni fa. Sono infatti stati rinvenuti, tra le cittadine di Monte San Vito e di Jesi dei ciottoli scheggiati e dei bifacciali. Il ritrovamento di strumenti di caccia di più pregevole fattura certifica la presenza di industrie litiche in un periodo compreso tra 130.000 e 120.000 anni fa, riconducibili all'Archeuleano recente. Tra Jesi e Monsano gli studiosi hanno certificato la presenza di industrie litiche di tecnica Levallois prive di bifacciali, attive presumibilmente 120.000-80.000 anni fa.

Neolitico

L'avvento dell'agricoltura e dell'allevamento, introdotte in Italia dall'Oriente 7.500 anni fa, segnò una tappa fondamentale nel cammino dell'umanità e diede il via alla costruzione di villaggi. Tra questi gli studiosi hanno riconosciuto Monte Cappone, Coppetella e Castel Rosino. Nei villaggi sopra citati venivano praticate la tessitura, la filatura, la lavorazione della selce, l'allevamento e l'agricoltura, che sfruttava la fertilità dei terreni vicini ai fiumi. Risale all'Eneolitico la prima testimonianza di un insediamento jesino. Negli scavi di Palazzo Mestica, infatti, sono stati rinvenuti dei frammenti ceramici prodotti nella metà del quarto millennio.

Primo Millennio

La media Vallesina è abitata da popolazioni picene che raggiungono un buon livello di benessere grazie al controllo del fiume Esino e allo sfruttamento delle risorse naturali. Tali popolazioni si concentrano tra 800 e 300 a.C. attorno agli attuali centri di Pianello di Castel bellino e Monteroberto. La presenza dei Piceni è attestati dal ritrovamento di alcuni manufatti nei territori di Mergo e Monsano. Nelle zone di San Vittore di Cingoli, Staffolo, Maiolati Spontini, Jesi e Castelbellino sono state rivenute sculture votive, dedicate tra gli altri alla dea Cupra. Alcuni culti risultano mutuati dalla tradizione etrusca (si veda l'Ercole di Pantiere). Le popolazioni picene che abitarono questi territori erano suddivise in comunità di tipo non urbano e questo tipo di organizzazione comporta l'assenza di una cultura comune condivisa. Uomo e donna hanno una sostanziale parità, in particolare nell'accesso a cariche religiose e politiche. Nello specifico all'uomo è riconosciuto il valore militare, mentre alla donna quello di garante della comunità familiare.

Epoca romana

La conquista romana viene sancita con la vittoria ottenuta nella Battaglia del Sentino, del 296 a.C. La prima colonia viene costituita nel terzo secolo e prende il nome di Aesis. Proprio da questa colonia provengono numerosi esempi di scultura colta e con funzione pubblica. Tra queste il complesso onorario rinvenuto nella zona del convento di San Floriano nel '700, costituito di statue acefale femminili e togate, oltre a ritratti di Augusto, Tiberio e Caligola. Tra gli altri reperti rinvenuti ci sono iscrizioni funerarie ed onorarie, realizzate tra il primo secolo a.C. e il terzo d.C; frammenti di statue, tra cui una della dea Fortuna e una testa di donna in marmo bianco lunense lavorata a tutto tondo. Il reperto, che ritrae una donna di età matura, è stato rinvenuto fortuitamente nella zona di San Vittore di Cingoli, ed è databile alla fine del secolo I a.C. in età tardo repubblicana. La scultura presenta alcune lesioni, più o meno vistose, sono comunque riconoscibili il tratto severo del volto, gli occhi a mandorla evidenziati da borse vistose, le gote rilassate marcate da duri solchi nasolabiali. Gli angoli laterali della bocca tendono a scendere e le trecce che partono dal nodus sulla fronte si riuniscono sulla nuca in una stretta crocchia. Inoltre è presente un mosaico, di forma rettangolare, con le dimensioni di 120 cm. di altezza e 263 di lunghezza, ritrovato casualmente nel 1960 presso il vicolo delle Terme a Jesi. Questo mosaico risale all'epoca romana del I secolo a. C. ed è composto da motivi geometrici a rombi neri su fondo bianco; molto probabilmente apparteneva ad una domus privata.

I signacula ex aere della regio VI adriatica
Il signaculum di Aesis è un timbro di bronzo con il manico di forma quasi cilindrica che termina con una placca rettangolare, dove si trova un caduceus alato; il timbro vero e proprio è di forma semicircolare su cui è stato inciso il nome del proprietario del signaculum: L GALERI PHILARG (Luci Galeri Philagyri). Si presume che la persona citata dalla lamina appartenga a una gens senatoria di origini riminese (Ariminum). Il praenomen non comune nel ramo di questa gens può indicare che risalga a una datazione alta, mentre il cognomen di origine greca potrebbe voler dire che fosse di origine libertina, dunque liberato dalla Gens Galeria e poi coinvolto nella gestione della fabbrica. È stato rinvenuto nella località Montegranale dove sono stati ritrovati anche dei resti d'impianti di cottura per produrre i laterizi da costruzione.

Gruppo scultoreo di prima età imperiale

Il Museo archeologico espone un gruppo scultoreo i cui reperti risalgono alla prima età imperiale, dal tardo periodo augusteo all'età flavia (e forse anche a quella adrianea). Esso fu ritrovato una prima volta nel 1559 nella zona dell'antico foro romano (attuale piazza Federico II), nel cortile dell'allora chiesa di San Floriano durante dei lavori di restauro, ma le autorità dell'epoca decisero di lasciare in situ i preziosi reperti. Il convento francescano di San Floriano è stato per molti secoli la più importante chiesa di Jesi ed oggi è stato trasformato in una istituzione culturale, al cui interno risiede, tra l'altro, il Teatro studio intitolato all'attrice Valeria Moriconi, originaria di Jesi.

Un secondo ritrovamento dei medesimi reperti avviene nel 1784, di nuovo durante lo svolgimento di importanti lavori di rifacimento che coinvolgono il cortile del convento. In questo caso il Gonfaloniere ed i priori di Jesi, d'accordo con le autorità pontificie, incaricano i nobili locali Niccolò Guglielmi Balleani ed Antonio Grizi di garantire e curare il ritrovamento. L'archeologo Ennio Quirino Visconti opera un primo riconoscimento del gruppo scultoreo, identificando i ritratti; è probabile che la struttura circolare nella quale vengono ritrovati i reperti appartenga alle antiche terme cittadine, oggi comunemente nota come "la cisterna".
Si ritiene che la produzione delle statue sia avvenuta ad opera di maestranze locali; purtroppo, nel caso delle statue, la perdita delle parti fisiognomiche e la sostanziale uniformità della realizzazione artistica non permettono attribuzioni particolari.

Ritratto di Augusto

L'attribuzione del viso all'imperatore Augusto è resa agevole dalla "ciocca a tenaglia" che si nota sulla fronte e che caratterizza l'iconografia del fondatore dell'impero. Il volto è raffigurato giovane, non tanto dal punto di vista cronologico, ma come esaltazione della sua atemporalità e della sua giovinezza perenne. Da notare il movimento del volto verso destra, la capigliatura più netta nella parte alta, gli zigomi pronunciati, la mascella regolare, la bocca sottile e l'incavo del mento, tratti che denotano la floridezza del personaggio e la sua splendida ieraticità; il volto ha subìto, come accade di frequente, un vistoso danno al naso.

La testa, che appare più rifinita nella parte anteriore e più abbozzata nella parte posteriore, era posta forse in visione frontale addossata ad una parete, con molta probabilità facente parte di un busto o di una statua (come testimonia il taglio netto alla base del collo), forse sul modello di Augusto loricato (cosiddetto di Prima Porta); la resa artistica la avvicina anche ad Augusto capite velato e alla statua conservata nel museo archeologico di Chiusi, databile alla prima età tiberiana.

Ritratto di Tiberio

Il ritratto, identificato in Tiberio, prodotto nella prima metà del I secolo d.C. è considerato di secondo tipo. Pur essendo numerose le sbrecciature sul padiglione auricolare destro e le piccole cadute di grana sulla guancia destra, presenta la più grande mutilazione nella punta del naso. La testa, pensata per un possibile inserimento in una statua o in un busto, include, oltre al collo, anche parte della spalla, di cui è ben descritta la muscolatura. Il volto è lievemente rivolto a destra, ha forma triangolare, il naso è aquilino e il labbro superiore è sporgente. Il cranio, molto dettagliato, ha forma geometrica. Sono queste le caratteristiche che rendono possibile l'identificazione con Tiberio. Per quanto riguarda i capelli sono lavorati simmetricamente a ciocche a virgola, attaccati al capo e terminano sulla fronte, disponendosi a forbice, mettendo questa in evidenza. Sul retro, le ciocche sono più lunghe e le basette, anch'esse riprendendo la forma a virgola, hanno la punta diretta in avanti.

Ritratto di Caligola

Il ritratto, attribuito a Caligola, collocabile nel I secolo d.C. e più precisamente tra il 37 e il 41 d.C., è stata prodotto da marmo bianco ed è stato lavorato al fine di essere inserito in una statua o in un busto come la sezione conica alla base del collo dimostra. La damnatio memoriae, a cui Caligola è stato sottoposto, rende il manufatto raro e prezioso. La testa è orientata verso destra e i capelli a ciocche terminano in una frangia che si apre a forbice sopra l'occhio sinistro. Il viso asciutto, con mento ben distinto, presenta sopracciglia arcuate e il labbro superiore della bocca è pronunciato. Oggi il ritratto è parzialmente ricomposto, ma la parte posteriore, quella della nuca, è mancante. Il manufatto è danneggiato, inoltre, da tre fratture: una dalla tempia destra allo zigomo, una nella zona cranica sinistra e un taglio netto verticale sul retro che è riconducibile a una probabile iconografia a capite velato.

Statua di fanciullo con bulla

La statua è databile al I secolo d.C. e il suo stato di conservazione è mutilo, poiché mancante della testa, del braccio destro e della mano sinistra. Rappresenta una figura che, in piedi, insiste sulla gamba destra mentre la sinistra è flessa e leggermente arretrata. La scultura è rivestita di una toga che ricade in panneggi pesanti, che però lasciano trasparire, in alcune zone, l'anatomia della figura e contribuiscono a creare l'effetto chiaroscuro; tra le pieghe il sinus si allunga fino al polpaccio. Sul petto è ben evidente una bulla che denota l'età giovanile del personaggio riprodotto; allo stesso tempo però, sulla sinistra, addossata al plinto è visibile una cista con coperchio e manico che indica il rango di magistrato.

Statua femminile acefala

È stato ipotizzato che la statua raffigurasse la Fortuna o la dea Cerere. Il peso insiste sulla gamba sinistra mentre le gamba destra è piegata e spostata leggermente all'indietro. La figura è avvolta da una tunica fine fermata sotto il seno da una cintura, chiusa da un fiocco al centro della vita. Il capo, ora non più visibile, era originariamente avvolto dalla palla che ricopre completamente la statua lasciando scoperto il braccio destro ed è raccolta invece sul braccio sinistro facendo sì che scenda lungo il fianco. Ai piedi indossa delle alutae. Sono visibili delicati attributi femminili sia in questa statua che nel busto di statua femminile. È mancante della testa e di altre parti anatomiche come il braccio sinistro e la mano destra.

Busto di statua femminile

La donna appare nobilmente vestita. Si riconoscono i bottoni, tre di questi ben visibili, che fermano la tunica e una sopraveste in cui si nota una bretella con un motivo a spina di pesce che sorregge la stola. Si riconosce anche un mantello che panneggia il braccio sinistro e passa dietro a quello destro. La porzione di schienale che sembra essere presente lascia immaginare che la statua raffigurasse una donna seduta su uno scranno. Purtroppo non sono stare ritrovate le gambe ed altre parti anatomiche come braccia e testa.

Statua maschile togata

L'oggetto scultoreo è un corpo maschile togato, quasi certamente magistrato. Ciò risulta deducibile dalla presenza di una cista poggiata sul plinto che simboleggia l'istituzione Romana. Si evidenzia la morbidezza e l'eleganza del panneggio che avvolge completamente il corpo fino ai piedi. Le pieghe della toga formano fitte zone di chiaro-scuro. Lo stato di conservazione non è ottimale, infatti la statua presenta mutilazioni alla testa e alle braccia, diverse scheggiature agli orli dei panneggi ma un frammento del braccio è stato riattaccato.

Statua maschile togata piegata verso destra

La statua presenta la gamba sinistra come perno mentre la destra è leggermente flessa ed arretrata. Indossa una tunica e sopra una toga, che crea grandi panneggi come all'altezza del petto che si ordinano in un motivo a "V". Si può notare anche il sinus che si arresta al ginocchio destro. La statua ha una leggera torsione del busto verso destra ed è mancante di testa e braccia che erano lavorate a parte. È presente anche una lunga frattura che interessa la parte inferiore della statua.

Statua maschile togata mutila dei piedi

All'interno del gruppo iconografico degli uomini togati, la statua seguente è sicuramente la più mutila. Presenta infatti la mancanza del capo, del braccio destro, della mano sinistra, dei piedi e anche scheggiature sugli orli dei panneggi. La figura stante frontalmente si erge sulla gamba sinistra mentre la destra è leggermente piegata. La toga risulta avvolgente e forma un ampio sinus aderente alla gamba flessa. Nel lato sinistro il panneggio si appesantisce per essere ripreso sul braccio e ricadere lungo il fianco corrispondente. Appoggiata sul plinto, è riconoscibile una cista, elemento da cui si può dedurre che il personaggio incarni la funzione di magistrato.
La parte posteriore è solo abbozzata, cosa che ci permette di dedurre che fosse addossata ad una parete.

Statua maschile togata di grandi dimensioni

Rispetto alle altre statue togate, questa ha dimensioni superiore al vero: è alta infatti più di 2 m. È eretta frontalmente, mutila del capo che era originariamente coperto con la toga. La tunica forma un ricco panneggio a partire dal sinus ampio e articolato in quattro sborsature, che scende sino al polpaccio per poi risalire trasversalmente sulla spalla sinistra. L'orlo inferiore della toga, sollevato all'altezza dei fianchi, lascia intravedere l'anatomia della gamba. Risultano particolarmente evidenti i calcei patricii, annodati al polpaccio, che indossa ai piedi. La statua è, inoltre, mutila delle mani, che erano inserite con due perni, di cui si conserva quello di una mano, e presenta scheggiature lungo gli orli del panneggio.

Note

Bibliografia

Voci correlate
 Pinacoteca civica e Galleria d'Arte contemporanea
 Studio per le arti della stampa
 Teatro Pergolesi
 Teatro studio Valeria Moriconi

Altri progetti

Collegamenti esterni

Musei archeologici delle Marche
Musei di Jesi
Palazzo Pianetti


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text:
Q: Docker Compose Up Build Node-Sass Errors I've been trying to build my docker container using the docker-compose up --build command, but every time, I get a whole bunch of errors. I see a lot of node-sass and node-gyp, I've googled every combination of the errors, but can't find a solution.
System

*

*MacOS 11.2.3 (MacBook Pro M1)

*Node 15.0.0

*Docker 3.3.1

Command Run

*

*docker-compose up --build
Dockerfile
FROM node

# Set up client
WORKDIR /usr/src/app/client
COPY ./client/package*.json ./
RUN npm install

COPY ./client/src ./src
COPY ./client/tsconfig.json ./tsconfig.json
COPY ./client/babel.config.js ./babel.config.js
COPY ./client/.eslintrc.json ./.eslintrc.json

RUN npm run build

# Set up server
WORKDIR /usr/src/app/server
COPY ./server/package*.json ./
RUN npm install

COPY ./server/src ./src
COPY ./server/database ./database
COPY ./server/tests ./tests
COPY ./server/tsconfig.json ./tsconfig.json
COPY ./server/knexfile.ts ./knexfile.ts

EXPOSE 3000
CMD ["npm","run","dev"]

docker-compose.yml
version: "3.9"
services:
  app:
    build: .
    ports:
      - "3000:3000"
      - "9229:9229"
    environment:
      NODE_ENV: development
      SESSION_SECRET: a_secret
      REDIS_SECRET: a_secret
      JWT_SECRET: a_secret
      DB_USER: a_user
      DB_PASSWORD: a_password
      DB_NAME: a_database
      DB_HOST: db
      DB_CLIENT: pg
    env_file:
      - ./server/.env
      - ./client/.env
    volumes:
      - ./client/dist:/usr/src/app/client/dist
      - ./server/src:/usr/src/app/server/src
      - ./server/database:/usr/src/app/server/database
      - ./server/tests:/usr/src/app/server/tests
  db:
    image: "postgres"
    restart: always
    environment:
      POSTGRES_USER: a_user
      POSTGRES_PASSWORD: a_password
      POSTGRES_DB: a_redis
    ports:
      - "5432:5432"
  redis:
    image: "redis:alpine"
    command: redis-server --requirepass some_pass
    volumes:
      - ./server/redis.conf:/usr/local/etc/redis/redis.conf
    environment:
      REDIS_REPLICATION_MODE: master

Partial Output of Error (I'd post it all but, it's quite long)
% docker-compose up --build
Docker Compose is now in the Docker CLI, try `docker compose up`

Building app
[+] Building 89.5s (8/21)
 => [internal] load build definition from Dockerfile                                                                                0.0s
 => => transferring dockerfile: 91B                                                                                0.0s
 => [internal] load .dockerignore                                                                                0.0s
 => => transferring context: 2B                                                                                0.0s
 => [internal] load metadata for docker.io/library/node:latest                                                                                0.0s
 => [internal] load build context                                                                                0.0s
 => => transferring context: 15.26kB                                                                                0.0s
 => [ 1/17] FROM docker.io/library/node                                                                                0.0s
 => CACHED [ 2/17] WORKDIR /usr/src/app/client                                                                                0.0s
 => CACHED [ 3/17] COPY ./client/package*.json ./                                                                                0.0s
 => ERROR [ 4/17] RUN npm install                                                                                89.4s
------
 > [ 4/17] RUN npm install:
#8 33.75 npm WARN deprecated chokidar@2.1.8: Chokidar 2 will break on node v14+. Upgrade to chokidar 3 with 15x less dependencies.
#8 34.31 npm WARN deprecated urix@0.1.0: Please see https://github.com/lydell/urix#deprecated
#8 34.41 npm WARN deprecated resolve-url@0.2.1: https://github.com/lydell/resolve-url#deprecated
#8 34.91 npm WARN deprecated har-validator@5.1.5: this library is no longer supported
#8 38.60 npm WARN deprecated @hapi/topo@3.1.6: This version has been deprecated and is no longer supported or maintained
#8 38.62 npm WARN deprecated @hapi/bourne@1.3.2: This version has been deprecated and is no longer supported or maintained
#8 39.38 npm WARN deprecated @hapi/address@2.1.4: Moved to 'npm install @sideway/address'
#8 39.43 npm WARN deprecated @hapi/hoek@8.5.1: This version has been deprecated and is no longer supported or maintained
#8 39.88 npm WARN deprecated request@2.88.2: request has been deprecated, see https://github.com/request/request/issues/3142
#8 39.90 npm WARN deprecated chokidar@2.1.8: Chokidar 2 will break on node v14+. Upgrade to chokidar 3 with 15x less dependencies.
#8 40.29 npm WARN deprecated eslint-loader@2.2.1: This loader has been deprecated. Please use eslint-webpack-plugin
#8 40.65 npm WARN deprecated html-webpack-plugin@3.2.0: 3.x is no longer supported
#8 41.26 npm WARN deprecated @hapi/joi@15.1.1: Switch to 'npm install joi'
#8 42.21 npm WARN deprecated babel-eslint@10.1.0: babel-eslint is now @babel/eslint-parser. This package will no longer receive updates.
#8 89.28 npm notice
#8 89.28 npm notice New minor version of npm available! 7.10.0 -> 7.11.2
#8 89.28 npm notice Changelog: <https://github.com/npm/cli/releases/tag/v7.11.2>
#8 89.28 npm notice Run `npm install -g npm@7.11.2` to update!
#8 89.28 npm notice
#8 89.28 npm ERR! code 1
#8 89.28 npm ERR! path /usr/src/app/client/node_modules/node-sass
#8 89.28 npm ERR! command failed
#8 89.28 npm ERR! command sh -c node scripts/build.js
#8 89.28 npm ERR! Building: /usr/local/bin/node /usr/src/app/client/node_modules/node-gyp/bin/node-gyp.js rebuild --verbose --libsass_ext= --libsass_cflags= --libsass_ldflags= --libsass_library=
#8 89.28 npm ERR! make: Entering directory '/usr/src/app/client/node_modules/node-sass/build'

A: I found the solution to my own problem.
Turns out node-sass is not compatible with node version 16.0.0+
I realized that in my Dockerfile, I had not specified the node version, I had incorrectly assumed it was using node version 15.0.0, but in reality it was installing node version 16.0.0
After updating my docker file to FROM node:15.12.0, everything works perfectly

A: For whoever facing this issue in the future, use sass instead. To be able to use sass files with node 16+
https://www.npmjs.com/package/sass

redpajama_set_name: RedPajamaStackExchange


The double magazine carrier is a minimalist magazine carrier and allows for quick reloads. It has adjustable retention to allow the user to set it depending on their application. The double magazine carrier comes standard with premium injection molded belt loops that is compatible with 1.50"- 2" belts.


text:
FROM debian:stretch-slim

RUN groupadd -r bitcoin && useradd -r -m -g bitcoin bitcoin

RUN set -ex \
	&& apt-get update \
	&& apt-get install -qq --no-install-recommends ca-certificates dirmngr gosu gpg wget \
	&& rm -rf /var/lib/apt/lists/*

ENV BITCOIN_VERSION 0.14.2
ENV BITCOIN_URL https://bitcoin.org/bin/bitcoin-core-0.14.2/bitcoin-0.14.2-x86_64-linux-gnu.tar.gz
ENV BITCOIN_SHA256 20acc6d5d5e0c4140387bc3445b8b3244d74c1c509bd98f62b4ee63bec31a92b
ENV BITCOIN_ASC_URL https://bitcoin.org/bin/bitcoin-core-0.14.2/SHA256SUMS.asc
ENV BITCOIN_PGP_KEY 01EA5486DE18A882D4C2684590C8019E36C2E964

# install bitcoin binaries
RUN set -ex \
	&& cd /tmp \
	&& wget -qO bitcoin.tar.gz "$BITCOIN_URL" \
	&& echo "$BITCOIN_SHA256 bitcoin.tar.gz" | sha256sum -c - \
	&& gpg --keyserver keyserver.ubuntu.com --recv-keys "$BITCOIN_PGP_KEY" \
	&& wget -qO bitcoin.asc "$BITCOIN_ASC_URL" \
	&& gpg --verify bitcoin.asc \
	&& tar -xzvf bitcoin.tar.gz -C /usr/local --strip-components=1 --exclude=*-qt \
	&& rm -rf /tmp/*

# create data directory
ENV BITCOIN_DATA /data
RUN mkdir "$BITCOIN_DATA" \
	&& chown -R bitcoin:bitcoin "$BITCOIN_DATA" \
	&& ln -sfn "$BITCOIN_DATA" /home/bitcoin/.bitcoin \
	&& chown -h bitcoin:bitcoin /home/bitcoin/.bitcoin
VOLUME /data

COPY docker-entrypoint.sh /entrypoint.sh
ENTRYPOINT ["/entrypoint.sh"]

EXPOSE 8332 8333 18332 18333
CMD ["bitcoind"]