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/ All about yu
A Foreign Country
1960's alumnus Ian Stuart returns to York to find a different world to the university he remembers
by Ian Stuart
The past is a foreign country and they really do things differently there. I came to realise that a few years ago when I took part in the university's 50th-anniversary celebrations. It wasn't just that we all looked very much older, it was the evidence of massive change all around us.
A university that started with 216 undergraduates now has 4100 students on its books. There were no colleges in 1963; there are now ten. A university that has a worldwide reputation started off in Heslington Hall (with refurbished stables.)
The year 1963 was more of a continuation of the 1950's than the start of the swinging '60s. It was an era of steam trains, black and white TV, and Dixon of Dock Green. Even the currency was different; pounds, shillings, pence, florins, guineas, half-crowns, tanners, threepenny bits, and who knows now how many farthings there were in a pound? (960 actually.)
The University of York's 50th Anniversary Website
It was a time of formality and strait-lacedness which would be cracked open in the following years. We dressed to imitate our parents not to annoy them. The men wore sports coats and cavalry twills, the women pencil skirts and twinsets. There was a distinct air of "Brideshead Revisited" in the early months.
If, as Philip Larkin said, 'Sex began in 1963 between the end of the Chatterley ban and the Beatles first LP', then it was very cautious sex in a pre-Pill world There was plenty of lust but little fulfilment- any girl who got pregnant disappeared without trace – no doubt put on the next train out of town and sent home.
"We dressed to imitate our parents not to annoy them."
Being a single mother incurred a massive stigma. It was a time of enormous and unthinking prejudice. Most women were expected to marry and were underpaid if they insisted on staying at work. Indeed, the generation of women who started university in the early sixties was the generation who would knock down these barriers once and for all.
As for gay rights… most of us didn't really know what homosexuality was, and the prejudice of the time meant we would probably have mocked it. I can recall no racial prejudice, perhaps because there were a large number of overseas students and we were all as bewildered as each other.
Perhaps the greatest social change in the last fifty years has been the explosion of mass communication. No-one could imagine the instant connectivity we now enjoy. Landline phones were far from universal in 1963. If you needed to contact someone and didn't have a landline, you'd ask to borrow a neighbor's or use a phone box. And yes, police boxes were an actual thing. And no, I never found The Doctor in any of them. Although I did look…
If all else failed, you wrote a letter. There were two postal deliveries a day and it cost fourpence for the stamp. People kept letters, especially if they were love letters. Does anyone keep love emails today? Or Tweets?
The first University of York Chancellor, Lord James
York has always looked for more than academic competence in its students, and the first cohort was selected to be pioneers as well as able academics. Before the university even opened, York was slated to be the "Oxbridge of the North." Students – and lecturers – turned down prestigious Oxbridge offers to come north and be in at the start.
I'm sure that I was offered a place, not on my respectable but mundane A levels, but on my theatrical experience. A friend of mind wanting to read Maths, had a rather lukewarm interview until he mentioned that he played the cello. He was immediately offered a place, not only at the university but in the string quartet which was in the process of formation.
The advantages of having 216 students and 28 academic staff are obvious. You could have as much contact time with your tutor as you wanted. The teaching style was based on tutorials and seminars, rather than formal lectures.
Lord Harewood, Chancellor from 1963 to 1967
Because we were such a small community and rather isolated from the city, the academic staff played an important role in student societies. The first president of the Drama Society was Bernard Harris, a member of staff, and Tony Gibbs, and John Dixon Hunt both played in Richard II one of the early productions. There was a real sense of joint enterprise. We knew we were laying foundations.
There is one huge difference between now and then. No tuition fees. I was financially supported by Leeds City Council (I lived there then) for three years. Hard to imagine today. I shall always be grateful for the enormous freedom I enjoyed and I hope that I have repaid some of that gift since.
Yes, the past really is a foreign country, and it was wonderful to go back there as a tourist for the anniversary celebrations. And I can always visit again if I want to. After all, I have dual nationality.
Head further down memory lane: Swinging Sixties (Part I), Swinging Sixties (Part II)
Wandering with Warren
Former Provost Dr. Allen Warren on his new book about York's history
by Victoria Lee
Open minds / 18 May 2017 3 January 2018
URY: Still a hit at 50
University Radio York celebrates half a century on the airwaves
Centre stage / 3 June 2018 7 June 2018
Music celebrates 50 years
We mark 50 years of Music at the University of York!
Centre stage / 5 May 2015 14 May 2015
(English and Related Literature, Derwent, 1966)
After leaving York in 1967, Ian taught in a variety of schools in Derbyshire, Manchester and the Isle of Man. On retirement he returned to York and took up another career as Ghost Trail guide, as well as writing poetry and working as a voice-over artist.
ISSUE EIGHT / All about yu / 15 May 2017 18 May 2017 Tagged alumni / Alumni memories / creativity / University of York / York
University of York alumni magazine
© 2015–2020 University of York


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Sri Lanka suicide attack highlights lethal rebel 'navy'
Posted on October 18, 2006 | Politics
Oct 18, 2006 (AFP) – A seaborne attack by suspected Tamil Tiger rebels on the Sri Lankan port town of Galle on Wednesday has highlighted the guerrillas' lethal "Sea Tiger" arm, whose suicide wing claims to have inspired Al-Qaeda. Suspected rebel suicide bombers using at least five boats infiltrated Galle's harbour and attacked a key naval base, detonating powerful explosions that killed at least two people and injured 20, officials and the police said.
The Sea Tigers are supposedly restricted from venturing out to sea under a ceasefire agreed in 2002 by the Liberation Tigers of Tamil Eelam and the government.
But the warring parties have fought deadly naval battles in recent months during an upsurge in violence that has left the truce in tatters, cost more than 2,300 lives, and now threatens peace talks planned for later this month.
The attackers who infiltrated Galle were disguised as fishermen, Sri Lanka's defence spokesman Keheliya Rambukwella told AFP, adding, "obviously they have come to Galle on a suicide mission".
Authorities later imposed a curfew on the town, whose idyllic beaches had regained some of their popularity with foreign tourists after Galle was devastated by the 2004 Indian Ocean tsunami.

redpajama_set_name: RedPajamaCommonCrawl


Anansi The Trickster Spider from Celeste Fraser Delgado on Vimeo.
Young artists resident at Miami Bridge youth crisis shelter and Barry University students in theology and sociology classes collaborated with ceramicist Rebeca Gilling to make masks inspired by Anansi, the trickster spider famous from the folktales of the Ashanti people of Ghana and performed a version of an Adowa dance led by Barry prof Celeste Fraser Delgado to choreography by Barry students Akosua and Samira.
Bags courtesy of Bloomingdale's, who are hosting a Carnival Arts exhibit at their stores in Aventura and The Falls from Feb. 21-March 7. Join us for an open Carnival Arts workshop from 4-6pm on Friday, February 28 and a Carnival Arts fashion show from 3-6pm on Saturday, March 1 at Bloomingdale's Aventura. Be sure to shop and say your with Carnival Arts: Bloomie's is donating 10 percent of the proceeds to our community partner, Miami Bridge Youth and Family Services.


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Home » 5 Reasons Why We Love Jessica Chastain
5 Reasons Why We Love Jessica Chastain
Jessica Chastain is slowly, but surely becoming a household name in the movie industry. She's been in more than 20 movies, she was nominated for an Academy Award for her role in Zero Dark Thirty and in The Help. Jessica broke into the scene with the title role in Jolene, a movie inspired by Dolly Parton's song. Her filmography also includes Take Shelter and Terrence Malick's The Tree of Life. Jessica also starred in The Heiress on Broadway, alongside Dan Stevens. She's got rave reviews for her role in the play and we hope to see her back on the stage soon. Here are 5 reasons why we love Jessica Chastain.
1. Jessica Chastain's Red Carpet Style
Jessica exudes style and we love that about her. Aside from being a great actress, she also has impeccable taste in clothes and that shows best on the red carpet. Her favorite type of dresses are the long ones that have a little sparkle on them, such as the Armani Privé that she wore to this year's Academy Awards. The lovely actress never crosses the line, never reveals too much and never becomes Jessica Rabbit.
2. Jessica Chastain is a Vegan
Yes, Jessica Chastain cares so much about animals that she became a vegan. She's been a vegan for 6 years and a vegetarian for 15.
She said that:
I don't want to torture anything. It's about trying to live a life where I'm not contributing to the cruelty in the world….While I am on this planet, I want everyone I meet to know that I am grateful they are here.
Her devotion to veganism brought her the title of 2012's Sexiest Vegetarian Celebrity, along with Woody Harrelson.
3. Jessica Chastain's Perfect Hair Color
Some have called it marigold red, rose gold red or simply copper, but one thing's for sure: her signature red hair turns heads and enchants both men and women. If you're looking to emulate this wonderful color, we suggest you don't try it at home. This color may be quite popular at this moment, but it doesn't suit everybody.
4. Jessica Chastain's Lovely Dog
Just look at that amazing pooch! The beautiful Jessica brought her lovely dog, Chaplin, on the New York City set of her new film, The Disappearance of Eleanor Rigby. The dog is a rescue and has three legs. What does this tell us about Jessica? That she has a heart of gold and loves animals. Jessica is not married, but she does have a boyfriend, Gian Luca Passi De Preposulo, an Italian-born executive who works for French fashion house Moncler. As far as dating famous people, Jessica has also had a relationship with British heart throb, Tom Hiddleston.
5. Jessica Chastian's Body
We hope we don't upset anybody when we say that Jessica Chastain has a rocking body. We don't know the 37-year-old's exact measurements, but we do know her height, she's 5′ 4″ (1.63 m) tall and apparently weighs 123.5 pounds (56 kg). The actress got even more voluptuous, because her role in The Help required her to do so. How did she gain 15 pounds? She said that:
I had to be soft and curvy, so I ate a lot of soy. Soy helps you become curvy because it has estrogen in it. So what I would do — and this is really gross — is buy cartons of soy ice cream, microwave it and drink it. It was disgusting, [but] wait [until] you see my boobs in the movie.
But did she like gaining all the weight? Definitely not, as she called the whole process a form of torture.
We love that she's not afraid to appear in the nude in her movies. The red-haired actress has appeared naked/topless in two movies: Lawless and in Jolene, where she also had a hot sex scene.
If you're still hungry for pics, photos and info about Jessica Chastain, you can read her bio on wiki and IMDB, find a photo gallery on a Jessica Chastain fansite (there's one around every corner)/Tumblr and gawk all you want. You can get in touch with the gorgeous actress through her Twitter.
Filed Under: movies Tagged With: Jessica Chastain, Jessica Chastain boyfriend, Jessica Chastain feet, Jessica Chastain IMDb, Jessica Chastain Jolene, Jessica Chastain movies, Jessica Chastain naked, Jessica Chastain nude, Jessica Chastain the help, Jessica Chastain topless
About Fred Mitchell
I like midnight surfing and going for jogs at sunrise with my my golden retriever, Charlie. When I'm not studying Russian literature or reading Dostoievski, you can find me playing video games like Witcher 3 or Battlefield Hardline, or hanging out in Starbucks sipping an Americano. I never leave the house without my phone and saying I am a social media addict would definitely not be an understatement.


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Leaked Battlefield trailer shows the series moving away from war to crime
The new title seems to be leaving behind the franchise's past, focusing on law enforcement rather than the military.
Ned Donovan
Published May 28, 2014 Updated May 31, 2021, 5:55 am CDT
There's a new Battlefield game on the way, although it's not exactly set on a battlefield. In a trailer leaked online long before the official reveal set for June, we see the newest addition to the franchise will place players in history's favourite conflict: cops vs robbers.
Taking inspiration from the wild success of games like Pay Day 2, and the catastrophic failure of Battlefield 4, the game's multiplayer has been revolutionized and is now based around scenarios like heists and car chases.
The single player, which was also revealed in the trailer, revolves around missions structured as episodes drawing "influence from popular television cop dramas." Including cliffhangers and an "all star cast and crew" from Justified, The Americans, and House of Cards. Much like another recent game reveal.
With development lead reportedly being taken by EA's Visceral studio (with an assist from the team behind Need for Speed Raids) and not the DICE division, the game is in truly new hands. Also apparently helping Visceral are Ghost Games,. More news about Battlefield Hardline will likely come our way with E3. Is this the new start the series needed, or the beginning of the end?
Lead Art via EA
*First Published: May 28, 2014, 1:05 pm CDT
Ned Donovan is a politics and entertainment journalist who's done stints with GQ, Wired, and the Daily Mail. His bylines have also appeared in the Week, the Telegraph, BuzzFeed, History Today, and elsewhere.
'It's actually kind of insane just how much pet food I've rescued': TikToker reveals how much pet food she found while dumpster diving in viral video


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Home diary 9 May 2004
Basics Festival Salzburg
The RRF Project
Salzburg is actually best known primarily as the birthplace of the famous composer W.A.Mozart, and related to that – also famous for its musical, opera and theater events like the annual Salzburg Festival, so famous for being dedicated to classical forms of performative art – also as an expression of conservative values manifestied in the material wealth of the festival visitors. In so far, it was a surprise that Wilfried saw and followed an open call for the 1st edition of a media art festival in the beginning of 2004 where the concept of his RRF fit perfectly in- dealing with memory and identity and conceptual questions around remembering – repressing-forgetting. A kind of counter concept! After Wilfried's submission was accepted he was invited to attend the opening on 8 May, thus yesterday.
Although the Austrian Salzburg is located directly at the German border, and Wilfried having spent his study years 1971-1974 in Munich, and Munich is no more than 1 hour distant by train, Wilfried hadn't been in Salzburg before. Salzburg downtown is part of the UNESCO heritage of culture and actually Wilfried loves historical places – himself he grew up in a medieval town in Southern Germany – but Salzburg has the strange atmosphere of the "saturated" – and art which can be found at any corner in most different manifestations seems to have the function of a kind of luxury good – he experiences the spirit of the "priviledged" and after his first walk around the old town he is not sure weather he likes the city, at all. Fortunately, he is among visual artists, but rather a kind of ghetto artists because they represent a new type of artists which have nothing in common with any convention, and differently like at many other place he was visiting – he did not feel home, but felt the need instead to leave the town at best immediately.
Differently like one probably might have expected, Basics Festival – 8-16 May 2004 – seemed to be a festival of local artists, only Wilfried coming from Germany gave the festival a kind of "international" flair especially via his global networking project including more than 400 international artists, so he met only Austrian artists and most of them came from Vienna, and knew each other, of course, because the Austrian art scene is quite small. So, Wilfried felt rather like as if he was in Vienna. But in terms of the exhibited art, he found out already when the exhibition was installed, that his RRF Project was in very good company, but – he was the oldest artist being at least 30 years older than any other present artist – here in Salzburg, this age felt really (unpleasently) strange!
And looking back in 2020, it can be stated, that Wilfried didn't visit Salzburg another time, so far.
The RRF Project @ Basics Festival 2004 Salzburg
Basics Festival Salzburg/Austria – 8-16 May – 2004
Enter The RRF Project online
Basics Festival was showing The RRF Project in its version 2.0 like MNAC – National Museum of Contemporary Art Bucharest was showing it until 30 April 2004.
In May 2004, The RRF Project is featured on the German broadcasting SWF (Südwestfunk – radio & television)
The RRF Project - general concept
[R][R][F] 200x —>XP
An independent cultural production in progress —>
The project was initiated in October 2003 in order to start in March 2004 the realisation of the global network by presenting [R][R][F] 2004 –>XP at Museum of Contemporary Art Bucaresti/Romania, Bergen Electronic Arts Center Bergen/Norway and New Media Art Festival Bangkok/Thailand and later at different places around the globe and starting a variety of associated processes developing and running during 2005 as [R][R][F]2005—>XP, as [R][R][F]2006—>XP in 2006 etc.
[R][R][F] 200x —>XP is an experimental New Media art project created and developed by media artist and New Media curator Agricola de Cologne which he is developing and organising completely online.
[R][R][F] 200x–>XP includes a variety of online and offline components
The basic subject –>"Memory and Identity"
The basic operating aspect –>"networking as artworking".
The basic presentation aspect –>physical installation – the exchange/combination of virtual and physical space.
Due to its complexity, [R][R][F] 200x —>XP is constructed of two parts, a low tech administrative body which contains all relevant project related information in a textual form, and an high tech artistic body based on an interface developed in Flash. Both together form the art work to be transported or distributed via the Internet. The artistic body includes all art related components which may come from most different sources.
The interface of the artistic body refers to the human brain and its complex networking structures by visualizing them in different ways. The essential nodes of connection are reduced to some basic sections , named: "Memory Channels". Each of these "Memory Channels" (currently eight) is focussing on different aspects of "memory and identity" – the main subject of [R][R][F] 200x –>XP – and may carry some sub-sections as well, modules which contain specific project environments or individual art works.
[R][R][F] 200x –>XP is an interactive environment. Both, the dynamic of the project becomes perceivable and the actual art work comes up only through the activity of at least one single user. But it is not only the activity of using a mouse or keyboard for exploring this net based art environment, but as the result of it the activity which is provoked by using the senses and initiating processes through associating.
In this way, [R][R][F] 200x–>XP does not represent a complete art work, but Internet specific as it is, the project is ongoing. Corresponding to the collage principle the brain is using for its associative system, the project represents rather a framework for options to start processes. By following them, the actual art work can take shape in most individual ways, in a kind of dynamic virtual sculpture, a kind of hyper-dimensional collage or patchwork.
The composition of the work is as simple and simultaneously as complex as it can be. Agricola de Cologne holds the position of a creator who is building an Universe of hisown in which most different networking instances are acting. He is creating a specific system, which is based on filtering, associating and linking on different level, starting from his personal view based on specific filters, then by inviting curators, who select artists of their choice, the next filtering and networking level is installed,. The artists who are selected via curating form the next following level. As they may come from different cultural, religious, political and social backgrounds and more than 45 countries on the globe, they are installing a complex filtering system of their own via the artworks and the specific view the art work is based on. Each included art work has and gets a very special meaning in this networking context.
The active user anywhere on the globe, finally, forms another level by contributing his personal filtering system via associating and reflecting, it is him who is initiating actively processes which lead finally to his personal art work.
The term "global" has a fundamental meaning in many concerns, not only related to the global aspect in terms of this Universe the creator is building, but even more to the networking structure the creator is installing in the global context of this "one" world we all are living in, by inviting/involving/incorporating physical networking instances as curators, artists, institutions, organisations etc, which can form the basis for external/affiliated local networks consisting optionally again of a variety of virtual and physical components, but also in the sense of distributing the specific project contents which may have again complex relations to the term "global".
Without the existence and the rapid developments of the new (and above all affordable) communicating technologies and the virtual environment of the Internet, which allows communicating in real time to any place on the globe, a project like [R][R][F] 200x –>XP would have never been started .Agricola de Cologne is using these technologies in most different ways according their rules –>the Internet as a whole not only as a database, but as an environment for creating art, for distributing net based art in its various forms and in this way the specific content of his project via the net in real time to any part on the globe.
Thus, "networking" in terms of " artworking" is not reduced to a certain aspect of artistic creating in which several artists work on a common project under mutual influence and inspiration, but includes all possibible elements and their mutual relation and dependence the actively involved networking instances are producing .
Networking is a specific form of communicating, and communicating as such forms the fundament of the project, in general. Consequently, an essential part of the project consist of components which may become visible only as the result of a communicating process, but are actually acting entirely in the background , as the communicating between the physical networking instances which keep the project running.
The exchange/communication between physical and virtual space has a specific relevance. One main goal of [R][R][F] 200x–>XP represents its installation/presentation in physical space at locations in most different parts on the globe, whereby [R][R][F]200x —>XP does not provide any physical component, but exclusively its art related contents distributed via the Internet. Each single physical installation represents an unique action, not only due to the different conditions space and the dimension the technical equipment may have, but also to the inclusion of new aspects and components in this continuously expanding project environment.
[R][R][F] 200x —>XP is an open system, not in the sense of "open source", but, independently from any restricting ideology, it is open for all developments which might come .
Agricola de Cologne shows himself as a universal instance which incorporates most different functions in one single person, in first place the artist, but also the programmer & multi-media developer of its content, the creator of an universe of itsown, a director of a virtual institution, the chief –curator who curates curators, the curator who curates artist and contents, the co-ordinator and organiser of virtual and physical events, initiator and central networking instance withing the entire networking structure, but rather as a "primus inter pares" than in an hierarchic sense.
The RRF Project artists
The RRF Project -[Remembering][Repressing][Forgetting] participating artists
100 (The RRF Project) (((controller-band (Germany), 8gg (Beijing /China), A.Andric & I.Vasiljev (Serbia), Abinadi Meza (USA), Adam Beebe-Infanticide (USA), Adam Nash (Australia), Adam Overton (USA), Adam Willets (New Zealand), AGGTELEK (Spain), Agricola de Cologne (Germany), AL (France), Alan Sondheim USA), Aldo Peredo (Chile), Alejandra Perez Nunez (aka Elpueblodechina)(Argentina), Alejandro Delgado (Philippines), ALEJANDRO GOMEZ TOLOSA (Argentina), Alejandro Jaimes-Larrarte (Venezuela), Alessandro Orlandi (Italy), Alex Dragulescu (Romania), Alex Riviera (Peru/USA), Alexander John Castro II (Philippines), Alexander Kharkovsky (Russia), Alexey Tschebykin (Russia), Alfred Anton Po (Philippines), Alfred Mark Trajeco (Philippines), Alfredo Ramírez Castruita (Philippines), Alice Arnold (USA), Alicia Partnoy (USA), Alicia Porcel de Peralta (Philippines), Alison Chung-Yan (Canada), Alison Cole (USA), Alvaro Ardevol (Spain), Amanda Earl (Australia), Amiel Lapuebla (Philippines), Anahi Caceres (Argentina), Anatoly Belov (Bulgaria), Andamio Contiguo (Argentina), André Austvoll (Norway), Andre Vallias (Brazil), Andre Zogholy (Austria), Andrea Ferrari, Fiorella Nicosia, Polytimi Patapi (Italy), Andrea Polli (USA), Andreas Genz (Austria), Andreja Andric (Italy), Andres Ingoglia (USA), Andres Yepes (Venezuela), Andrew François (Australia), Andy Cox (USA), Andy Deck (USA), Anna Friz and Annabelle Chvostek (Canada), Anna Teresa Cabardo (Philippines), Anne Bray and Molly Cleator (USA), Annie Abrahams & Jan de Weille (France), anonymous, Antoine Schmitt (France), Antonia Valero (Spain), Antonio Alvarado (Spain), Antonio Sassu (Italy) – Antony Milton (New Zealand), Antti Sakari-Saario (Finland), Archie Yumul (Philippines), Arie van Schutterhoef (NL), ARM with John Hegre (Norway), Arne Rygg (Norway), Arthur X. Doyle (Ireland), Astrêe Galbiatta (France), Atanas Djonov (Australia), audible3 (New Zealand), Austin Camilleri (Malta), Avi Rosen (Israel), Babel (Canada), Babis Venetopoulos (Greece), Bang-Geul Han (South Korea), Barry Smylie (Canada), Bastard Pop (Germany), Beat Suter and René Bauer (Switzerland), Beatriz Caravaggio (Spain), Beeoff (Sweden), Benjamin B. Kinsley (Australia), Big Orange (Germany), Bill Berry, Mark Palmer (USA), Bjørn Wangen (Sweden), Bluescreen, Cendres Lavy, BNC, Jörg Ritter (Germany), Borras Michael (France), Brian Goeltzenleuchter, Brian Judy (USA), Brian Oliver (USA), brocolis VHS (Brazil), Brody Condon (USA), Brook A Knight (USA)
100 Bruce Eves (USA), Bruce Petty (Australia), Bulent Bas (Turkey), Burak Bedenlier (Turkey), C6.org (USA), Caitlin Berrigan (USA), Calin Dan (Romania), Calin Man (Romania), Camilla Tabagan, (Philippines), Carl Priestly (UK), Carla Della Beffa (Italy), Carlito Amalla (Philippines), Carlo Ahillion (Philippines), CARLO FATIGONI (Italy), Carlos Ruiz-Valarino (Purto Rico), Carmen Pezido (Argentina), Caroline de Lannoy (UK), Carrie Gates (Canada), Casaluce/Geiger (Italy), Cassia Kallenah (Brazil), Catalin Rulea (Romania), Caterina Davinio (Italy) , Catherine Clover (USA), Catherine Rose Lasam (Philippines), Cecilia Lundquist (Sweden), CEZAR LÃZÃRESCU (Romania), Chang-Kyum Kim (South Korea), Cherry Ann Tolentino (Philippines), Cheryl HENG and WhooKiat HENG (USA), Chiara Passa (Italy), Chris Funkhouser (USA), Christian Bermudez (San Salvador), Christian Bøen (Norway), Christian Rupp (Austria), Christina McPhee (USA), Christoph Bruno (France), Chua, Cincia Cremona (UK), Cindy Gabriela Flores (Mexico), Clare Ultimo (USA), Claudia Masin (Argentina), Claudia Sohrens (Germany/USA), Claudia Tribin (Colombia), Claudina Pugliese (Italy), Clemente Padin (Uruguay), Coco Gordon (USA), Colin Black (Australia), Coniglioviola (Italy), Conor McGarrigle (Ireland), Cosmic Jinx (Germany), Craig Macneill (USA), Craig Poirier (Canada), Cynthia Payne (UK), Cynthia Whelan (UK), Cyril Rouge (France), Dagmar Kase (Estonia), Damian Stewart (USA), Dana Levy (Israel), Daniel Gontz (Romania), Daniel Hanequand (Belgium), Daniel Lo Iacono (Germany), Danielle E. Lee USA), Dante Smirnoff (Spain), Darko Fritz (Croatia/Netherlands), Darko Vuckovic (Croatia), Darshana Vora (USA), David Cheung (Canada), David Clark (Canada), David Crawford (USA), David Fujino (Canada), David Guez (France), David McCallum (Canada), David McKenzie (USA), David Phillips and Paul Rowley (USA), David R. Mooney (USA), David Vegezzi (USA), Davida Kidd )Canada), Deb King USA), Deodato Pairez (Philippines), DerWarst (Germany), Dimitris Zouroudis (Greece), Dirk Wichmann (Germany), DJ Noor (Germany), DJ Sascha (Germany), DJRABBI (USA), Dlsan (Italy), Dmitry Bulnygin (Russia), Don Juan Paolo Torres (Philippines), Donald Bousted (UK), Doppelpluss – Brigitte Kuepper (voc/tb/div), Wolfgang Simons (git/sax/div), Konrad Doeppert (synth/perc/div), Peter Wolf (voc/perc/div), Doron Golan (USA), Dorothea B. Wegelein (Germany), Dotcom Poppa Disasta (Germany), Downwind Productions (USA), Dyian Anguelov (Bulgaria), Dylan Graham (USA), ED Mole (France), Eduardo Angel (Colombia)
100 Eduardo Nava (El Salvador/USA), eduardo paz carlson (Uruguay), Edward Marszewski (USA), ego (Italy), Eileen Bonner (UK), Eldad Tsabary (USA), Eleanor Alfante (Philippines), Elena Stanic (Croatia), Elia Alba (Domenican Republic), Elyasaf Kowner (Israel), Emilie Pitoiset (France), Emilio Jiménez Sánchez (Spain), Empar Cubells (Spain), Enrico Tomaselli (Italy), Enrique Radigales (UK), Ensemble All-Tag – Frank Bersziek (sax, bcl), Konrad Doeppert (analogsynth, objects), Matthias Kaiser (violin), Joerg Koenig (git), Eric Flores (Philippines), Eric Parnes (USA), Eric Sandellin (Sweden), Eric van Hove (Belgium), Eric Wennermark (Sweden), Erkki Kirjalainen (/Santtu Rantanen) (Finland), ESTHER BOURDAGES (Canada), Eugeny Umansky (Russia), Eva Lewarne (Canada), Eva Sjuve (Norway), Eyewash (Germany), F.I.M. (Free improvised music cologne) – Nobert Zajac (voc), Matthias Kaiser (violin), Frank Bersziek (sax, basscl), Michael Haverkamp (sax, perc), Karl Kruetzmann (fl, tr, piano), Joerg Koenig (git), Axel Hoeptner (piano), Frank Homburg (sax), Wolfgang Simmons (git), Fabian Giles (Mexico), Fabio Oliveira Nunes (Brazil)Fabio Paolizzo (Italy), Fanny Aboulker (UK), Fatih Balci (Turkey), Feargal O Malley (Irland), Feedbuck Galore (Germany), Fernanda Bragone (Argentina), Fernando Baena (Spain), Fernando Palmeiro (Spain), fishtank – Giovanni Antignano, Fernanda Veron (Italy/Argentina) , Fran Ilich (Mexico), Francesca da Rimini (Australia), Francis Rafael Sanbuenabuentura (Philippines), Francisco Lopez (USA), Franck de las Mercedes (Nicaragua), Fred, Fennollabate (France), Fruit (Germany), Future Remix (USA), G.H. Hovagimyan (USA), Gabi Bila-Günther (Germany) , Gabriel Otero (Argentina), Garrett Lynch (Ireland), GAST BOUSCHET/Nadine Hilbert (Belgium), Gaumen (Germany), Gem Alexandria Tuano (Philippines), Genco Gulan (Turkey), Geniwate (Australia), Geoffrey Thomas (USA), Gerald Schwartz (USA), Gerard Baja (Argentina), Giacomo Picca (Brazil), Gijs Gieskes (Netherlands), Gildardo Cruz Rojas (Philippines), Giles Trendle (UK), Gimo Lanot (Philippines), Gina Bremen (Germany), Gina Valenti (Argentina), gintas K (Lithuania), Giovanni Antignano (Italy),, Giselle Beiguelman (Brazil), Gita Hashemi (Canada), Glenn Bach (USA), Glorious Ninth (Patrick Simmons & Kate Southworth)(UK) , Goh Lee Kwang (south Korea), Grègoire Zabé (F), Gregory Chatonsky (France), Gruppo Sinestetico (Italy), Gudrun Bittner (Austria/Spain), Guido Braun (Germany), Guillaume Dimanche (France), Guillermo García de la Torre (Philippines), Hae-Min Kim (South Korea), Haleh Niazmand (Iran), Hardpressed Collective (Canada/Pakistan), HarS – Harold Schellinx (Netherlands), Helen Thorington (USA), Helga's Ephemeris (Russia), Hervé Constant (UK), Holger Eggert (Germany), Holly Daggers (USA), Home Team, Hugues Rochette (Frane), Humberto Ramirez (USA/Chile), I8U (Canada), Ian Flitman (UK), Ickejana (Germany), Igor Baskin (Russia), Igor Marinkovic (Serbia) <7font>
100 Igor Ulanowsky (Israel), Ilse Hilpert (Germany), Indira Montoya (Argentina), Irena Paskali (Macedonia), Irene Coremberg (Argentina), Irene Marx (Germany), Irvis Gonzalez (USA), Isabel Aranda Yto (Chile), Ivan Abreu (Cua), Ivan Bachev (Bulgaria), Ivan Monroy-Lopez (Mexico), Ivana Ozetsky & Jadanko Pongrac (Croatia), J Sundheim & Reuss (Germany), J Trautwein (USA), Jack Messenger & Chirstinn Whyte (UK), Jamelie Hassan (Pakistan), Jane Fenton Keane (UK), Janek Schaefer (UK), Janne Vanhanen (Finland), Jaqueline Heer (Germany), Jaromil (Italy), JASON SWEENEY (Australia), jean-françois flamey (France), Jeanne Fremaux (Croatia), Jeff Gurecka (USA), Jelena Vukotic (CRoatia), Jen Ross (UK),, Jen Simmons & Sarah Christman (UK), jen, Jennifer and Kevin McCoy (USA), Jennifer Helia, DeFelice (Czech Republik), Jens Salander /Mikael Stroemberg (Sweden), Jeremy Owen Turner (Canada), Jerusalem Pimentel (Philippines), Jerzy Kolasinski (Canada), Jess Loseby (UK), Jevgeny Palamarchuk (Russia), Ji-Hyun Kim (South Korea), jimpunk (FRance), Jo Cook (Canada), Jo-Anne Green (USA), Joaquin Ivars (Spain), JODY ZELLEN (USA), Joerg Gruenberg (Germany), Joerg Piringer (Austria), Joey, Claronino (Philippines), Johanna Thompson (USA), Johannes Finke (Germany), John E. Bower (USA), John Ervin General (Philippines), John Hopkins (USA), John Johnston (USA), John Kannenberg (USA), John Michael Acevedo (Philippines), John Plenge (USA), Jojoti Wylie (New Zealand), Jon Burgerman (UK), Jon Vaughn (Canada), Jonathan Cardillo (Argentina), Joon-Yong Jung (outh Korea), Jørgen Larson (Sweden), Jose Cuckier (Argentina), Joseph Raz, Jr. (Philippines), Josephine Lipuma (USA), Josh McPhee (USA), Joy Garnett (USA), Joyce Charis (Greece), Juan Alcón (Spain), Juan Antonio Lleó (Spain), Juan Carlos Carrazón (Spain), Juan Del Gado (UK), Juan Devis and OnRamp Arts (Colombia/USA), Juan Domingo Ferris (Spain), Juan Manuel Ruiz (Puerto Rico), Judith Villamayor (Argentina), Judson Wright (USA), Juergen Trautwein (USA), Julian Alvarez (Spain), Julie Andreyev (Canada), Jürgen Bysard Adams (Germany), Kaesha KvK (Germany), Karla Brunet (Brazil), Karo (Croatia), Kathrin Kur (UK/Germany), Katie Bush USA), Katrina De Dios (Philippines), Katrinka Moore (USA), kdag (Colombia/Spain), Kenji Siratori (Japan), Khaled Sabsabi (Lebanon/Australia), Kirsten Reese (Germany), Kirsty Boyle (Australia), Klaudia Kemper (Chile), Klaus Schrefler (Austria), Knut Eckstein (Germany), Komninos Zervos (Australia) , KPHB (France), Kristin Norderval (Norway),Ksenija Kovacevic (Serbia), Kyon (Germany), Larry Caveney USA), Lars Vilhelmsen (Denmark), Laura Amigo (Spain), Laura Chiari (Italy), Laurie Halsey Brown (Netherlands/USA), Lawrence English (Australia), Le Tuan Hung & Ros Bandt (Australia), Le Tuan Hung (Vietnam/Australia), Lea Segarra (Philippines), Lee Kwang, Goh (Malaysia), Lee Welch (Ireland), Leif Inge (Norway), León Ferrari (Argentina), Les Riches Douaniers (France), Lewis LaCook (USA), Li-Chi Hsieh (South Korea), Lionel Wainsztok (Argentina), Lisa Cianci (Australia), Lisa Gye (Australia), LISA HUTTON AND MARK POLISHOOK (USA), Lital Dotan and Eyal Perry (Israel), Liz Miller (USA), Lizamae Orola (Philippines), Lorenzo Oggiani (Italy), Lorenzo Taiuti (Italy)
100 Loy (Poland), Lu(x)z (Germany), Luc Fierens (Belgium), Luca d'Angelo (Italy), Luca di Gregorio (Italy), Lucia Leuci (Italy), Lucky Pierre (USA), Ludovic Guerry alias 20000volt (France), Luigia Cardarelli (Italy), Luke Duncalfe (New Zealand), Lunar (Croatia), Luther Blisset (Netherland), Lynne Williams(UK), Magnus Torstensson (sweden), Maite Camacho (Spain), Makis Faros (Greece), Malte Steiner (GE), Manuel Schiesches (Germany), Mara Infidelious USA), Maral Yakshieva (Russia), Marc Garrett UK), Marc Lee (Switzerland), Marcello Mercado (Germany), Margarida Paiva (Portugal), Maria Blondeel (Belgium), Maria Miranda (Australia), Maria Papadimitriou (Greece), Mariam Ghani(Afghanistan/USA), Marianne Holm Hansen (Denmark), Marielle Nadal (France), Marina Zerbarini (Argentina), Mark Amerika (USA), Mark Anthony Alvarado,, Mark Kammerbauer (USA), Mark Mangion (Malta), Mark Polishook (USA), Marko Stamenkovic (Serbia), Markus Christian Koch (Germany), Marta Sacco (Argentina), Martin Koplin (Germany), Mary Grace Tenorio (Philippines), Mashica (Spain), Mason Petrie (USA), Massimiliano Viel (Italy), Matt Roberts (USA), Matt Rogalsky (USA), Matze Schmidt (Germany), Mauro Ceolin (Italy), Max Haiven Canada), May Trubuhovich (Australia), Maya Kalogera (Croatia), Maysa Arabit Philippines), Medea (Austria), Melinda Rackham (Australia), Merwin De Mesa, Jr. (Philippines), meta (USA), MEZ (Australia), Michael Angelo Lampayan (Philippines), Michael Crane (USA), Michael Grimm (Australia), Michael Kargl (Austria), Michael Sagcal (Philippines), Michael Sellam (France), Michael Szpakowski (UK), Michael Takeo Magruder (USA), Michael Yuen (Australia), Michel Cleempoel (Belgium), mIEKAL aND (USA), Miguel Carlos Labra (Philippines), Miha Ciglar (Slovenia), Miika Nyyssönen (Finland), Mike Haskett (Sweden), Mike Salmond (USA), Miklos Legrady (Canada), Mikrokiko (Germany), Milos Jovanovic (Croatia), Mira Burt-Wintonick (Australia), Mireille Astore (Australia/Lebanon), Miss Johnny (Germany), Mollum (Germany), Monica Delgado (Philippines), Mostra (Germany), Moya Devine (USA), Mustafa Maluka (South Africa), mutantlab (USA), Myron Turner (Canada), Nadja Kutz (Germany), name diffusion (France), Nancy Atakan (Turkey), Nancy Jane Moore (USA), Nancy Mauro-Flude (Australia)
Nanette Wylde (USA), Natalia Ludmila (Mexico), Natalie Bewernitz + Marek Goldowski (Germany), Nathaniel Stern (South Africa), navn (Bulgaria), Nazrin, Neide Jallageas (Brazil), Neil Jendon (Canada)
Néstor Olhagaray (Chile), Nicholas Ruiz III (USA), Nick Barker and Rob Jacobs (UK), Nick Fox-Gieg (USA), Nicolas Clauss (France), Nicolas Economos (USA), Nicolas Ojeda (Argentina), Nicole Lawter (Australia), Nikki Johnson (USA), Niko Loren Dela Cruz (Philippines), Nita Mocanu (Romania), Norie Neumark (Australia), NOTUS (USA), Noya Abdelaziz (Egypt), Oleg Lystsov (Russia), Oliver Dyens (Canada), Oliver Griem (South Korea), Olivia Lopez (Argentina), Olja Stipanovic (Croati)
100 Omar Emir Barquet (Brazil), on Air (Spain), Oren Ben Yosef (Isarel), OSTROWSKI (Poalnd), Osvaldo Cibils (Uruguay), otium (Belgium), Owen Plotkin (USA), Ozge Yilmaz (Turkey), Pablo Bas (Argentina), Päivi Hintsanen (Finland), panoptica (Canada), Panos Kouros (Greece), Pat Badani (USA), Patricia Carini, Patrizia Alemanno (Italy), Pau Pascual Galbis (Spain), Paul Alexandru (Romania), Paul Catanese (USA), Paula Gimenez (Argentina), Paula Miiklosevic (erbia), Paulo Vinluan (Philippines), Pawel Janicki (Poland), Per Pegelow (Germany), Petar Brajnovic (Croatia), Pete Stollery (USA), Peter Jacobi (Romania), Peter John Sprenkeler (Australia), Peter Lind (Denmark), Peter Prautzsch (Germany), Petra Lindholm (Sweden), Pierre Elie Mamou (France), Pierre Portelli (Malta), Pierre Proske (France), Pighed (UK), popcrash (Bulgaria), Post-Exile Collective (Pakistan), PRISM/lars nagler (Austrai), Procemik (Germany), Rafael Alcalá (Puerto Rico), Raivio Keelomes (Estonia), Ramesh Srinivasan (India/USA), Raphael Lyon USA), Raquel Meyers & Raul BB (Spain), Raquel Partnoy (USA), re:combo (Brazil), Regina Célia Pinto (Brazil) , Remigio Coco (Italy), Renee Kellner (Austria), Restate (USA), Reuben James Preston (UK), Ricardo Baez (Venezuela), Ricardo Mbarak (Lebanon), Ricardo Miranda Zuñiga (USA/Nicaragua), Richard Monge (Puerto Rico), Rick Silva (USA), Rika Ohara (USA), Rikki Carmelo Baranda, Criselda Cac (Philippines), Robert Ciesla (Finland), Robert Dohrmann (USA), Robert Echen (Argentina), Robert Finder (USA), Robert Kendall (Canada), Robert Labor (France), Robert Sazdov (Australia), Rodrigo de Toledo (Brazil), Rogelio Santos, Jr. (Philippines), Roland Schappert (Germany), Roopesh Sitharan (Malaysia), Rosa Revsin (Argentina), Rozalinda Borcila (Romania/USA), rüdiger schlömer (Germany), Ruediger Axel Westphal (Germany), Ruth Catlow (UK), Ruth Irupe Sanabria (USA), Ruth Kathryn Santiago (Pgilippines), Ry Sedrick Bolodo (Philippines), Ryan Griffis USA), RZL – Luca Fruzza (Italy), Sabine Scholz (Italy), Sabrina De Leon (Phippines), Sachiko Hayashi (Sweden), Sadiq Bey (USA), Sandra Crisp (UK), Santiago Perez Alfaro (Mexico),santo-File (Spain), Sarah Savage (Canada), Sarawut Chutiwongpeti (Thailand), SCART, Scott Becker (USA), Sebastian Tomczak (Canada), Seng Tat Liew (Malaysia), Serge Smilovich (USA), Sergej Jakovlev (Russia), Sergej Teterin (Russia), Sergio Varela (Argentina), Sergiu Negulici (Romania), Seth Lew USA), Sharon Harper (USA), Sheryl Valencia (Philippines), Shilpa Gupta (India), Shira z. Carmel, Shay Kun (Israel), Shirin Kouladije (Canada), Simon Fildes and Katrina McPherson (UK), Simon Longo (Italy), Sinasi Gunes (Turkey), skylined (Germany), Sol Kjok (Norway/USA), Somaya Langley (UK), Sonic Kitchen (Germany), SonicBoost (Geramany), Soundso – Bettina Wenzel, Brigitte Kuepper, Norbert Zajac, Peter Wolf (all vocal), Speranza Casillo (Italy), Ste van de Minng (Germany), Stefanie Alice Vandriesche (Spain), Stephane Barron (France), Stephane Tomora (France), Stephanie Bouvier (France)
90 Stephen Dixon (Sweden), Stephen Gard (USA), Steve Bradley/Timothy Nohe (USA), Sue Huang (Sweden), Suguru Goto (Japan), Susan Collins (UK), Susana Mendes Silva (Portugal), Svetlana & Andi Wallwhore (USA), swag (Germany), Sylvestre Evrard (France), Szabolcs KissPál (Hungary), TACTICAL20 (USA), Tae Hong Park (South Korea), Tamar Schori (Israel) , Tamara Lai (Belgium), Tan Chui Mui (Malaysia),, Tania Fraga (Brazil), Tautvydas Bajarkevicius (Lithuania), Team of Get Carded (USA), Thadeus Frazier-Reed (USA), Thanasis Beroutsos (Greece), Thanos Chrysakis (GReece), Thomas Petersen (Denmark), Thomas Reiner (Australia), Thorsen, Lossius, Bastiansen (Norway), Thorsten Wieckert (Germany), Threadbare Coalition (Canada), Tigran Tovmeysyan
Tiia Johannson (Estonia), Till Nikolaus v. Heiseler (Germany), Tim Coster (New zealand), Tim Nikolai Hoffmann (Germany), Timothy Bowen (USA), Tjader Knight Inc. (Finland/Belgium), Tobias C. van Veen (Canada), Todd Jokl (USA), Tolya Glaukos (Germany), TOMAS PHILLIPS and DEAN KING (Canda), Tomislav Brajnovic (Croatia), Toni Mestrovic (Croatia), Trace Reddell (USA), Trebor Scholz (USA), Trevor Thomas (USA), triggerMotion (Germany), Trond Lossius (Norway), Tsila Hassine (USA), Tsunamii.net (Thailand), Un Mundo Feliz, Guerrera de Interfaz (Spain), Uriel Colomo (Philppines), URTICA (Serbia/Montenegro), user (ctrl) (Italy), UsineDeBoutons (Lionello Borean+Chiara Grandesso) (Italy), Valentin Chincisan (Romania), Valery Grancher (France), Vanesa Turcinhodzic (Croatia), Ventsislav Zankov (Bulgaria), Vicdan Nalbur Tasdemir (Philippines) , Viki Betsou (Greece), Vince Briffa (Malta), Vincent Paul Samson (PHilippines), Vladimir Todorovic (Serbia), Wehrtheater Leineweber (Germany), Welmo E. Romero Joseph (Puerto Prico), Werner Cee (Germany), wildfirejo (UK), Wilton Azevedo (Brazil), Winchell Saludares, (Ph), Winston Yang (China), Wirecrossing (Singapore), Wittwulf Y Malik (Germany), Wolf Kahlen (Germany), Won-Kon Yi (South Korea), x mac dunlop (UK), Xavier Cahen (France), Xavier Leton (France), Xavier Malbreil & Gérard Dalmon (France)
Ximena (Spain), Yevgeniy Fiks (USA), yosuke hayashi (Japan), Yuri Vasiliev (Bulgaria), Yvonne Martinsson (Sweden), Zhel (Croatia), Zoltan Pabon (Philippines), Zulma Ducca (Philippines)
The RRF Project - 65 venues
The RRF environments are presented in in an exchange between virtual and physical space completely and partially in most different constellations.
Since 01 January 2007 presented as [R][R][F]200x—>XP
65. IN-Difference IV Festival Belgrade/Serbia
12/11 – 17/11 2007
64. ENTER Festival Caravansarai Istanbul/Turkey
63. Dutch Electronic Art Festival Rotterdam – unDEAF –
62. CeC & CaC India International Centre New Dehli/India
7-9 February
61. MACRO – Museum of Contemporary Art Rosario/Argentina
3 March -10 April 2007
60. MAC – Museum of Contemporary Art Santa Fe/Argentina
10 December 2006 – 7 March 2007
59. Casoria Contemporary Art Museum Naples/Italy
16 December 2006 -30 January 2007
presented as [R][R][F]2006—>XP —>
58. CROMA – 8th Audiovisual Festival Guadalajarra/Mexico
57. Festival Arte Digital Rosario/Argenina
56. PI 5 Intermedia Festival Szczecin/Poland
55. Officyna Art Space Szczecin/Poland
20 Oct – 20 Nov 2006
54. Play IV VideoFestival Buenos Aires/Argentina
53. Al Kahf Art Gallery Bethlehem Palestine 1-30 July 2007
52. VIII SALON Y COLOQUIO INTERNACIONAL DE ARTE DIGITAL
Havanna/Cuba – 17/06-17/07 2006
51. MAF'06 -New Media Art Festival Bangkok/Th
02/05-04/05 2006
50. FILE – Electronic Language Festival RIO–
Telemar Cultural Center Rio de Janeiro/Brazil
–> Internet based works from [R][R][F]200x—>XP
20 March – 20 April
49. India International Center New Dehli/India–
CeC & CaC – The Carnival of e-Creativity & Change-agents Conclave
–> VideoChannel –> SELECTION'03
27-28-29 January
48. The Art Gallery of Knoxville/USA–
Global Groove (Nation Building as Art) –> VideoChannel
01-25 January
47. Biennale of Video and New Media– Santiago/Chile
46. State University – Rio de Janeiro/Brazil
presentation 7 November
45. Univercidade – IAV (Institute of Visual Arts)– Rio de Janeiro/Brazil
44. Select Media 4 Festival– Chicago/USA
20 October – 13 November
43. Finis Terrae University– Santiago/Chile
presentation 25 October
41. National University/Art Department– Rosario/Argentina
39. Recoleta Cultural Centre– Buenos Aires/Argentina
38. National Library– Buenos Aires/Argentina
37. Interferencias – University of North West of Buenos Aires– Junin/Argentina
36. PI Five Video Festival– National Museum Szczecin/Poland , Aktionsbank Berlin
VideoChannel – 9/10 – 17/10
35. "Groundworks" – Regina Gouger Miller Gallery at Carnegie Mellon University– Pittsburgh/USA-
34. FILE – Hipersonica Festival– Sao Paulo Brazil –
SoundLab Channel – 05 November
33. FILE – Electronic Language Festival– Sao Paulo Brazil – 31 October – 05 November
32. prog:ME – 1st Electronic Art Festival– Rio de Janeiro/Brazil – 18 July – 28 August – VideoChannel
31. EAST'05 – Norwich Gallery Norwich/UK – 02 July – 20 August
30. Salon Arte Digital – Maracaibo/Venezuela –
"Women: Memory of Repression in Argentina" – 20 June – 03 July
29. MAF05 – New Media Art Festival Bangkok/Thailand – 25-29 June
28. Hic et Nunc – San Vito a/Tagliamenti Italy –
VideoChannel – 11 June – 17 July
27. Israeli Digital ArtLab Holon/Israel 16 April – 16 July 2005
26. Version'05 Festival Chicago/USA
"Women: Memory of Repression in Argentina" – 22 April – 01 May
25. Images Festival Toronto/Canada – 7 – 13 April
24. ZKM Karlsruhe/G – Making Thinks Public –
"Women: Memory of repression Argentina" – 20 March – 08 August
23. Camera Obscura Academy Tel-Aviv/Israel – lecture – 02 March
22. MAF05 – New Media Art Festival Bangkok/Thailand – 25-29 February
21. Musrara Media Art Academy Jerusalem/Israel – lecture – 22 February
20. Bethlehem International Center – presentation as lecture – 19 February
19. Bethlehem University – presentation as lecture – 17 February
18. CAVE Gallery at ICB Bethlehem/Palestine – solo exhibition 17 February – 14 March
presented as [R][R][F] 2004 —>XP —>
17. University of Bremen/Germany –
[R][R][F]2004—>XP – New Media event – 18/19 December
16. 404 New Media Art Festival Rosario/Argentina (7-15 December)
15. FILE –
Electronic Language Festival Sao Paulo/Brazil (23 November-12 December)
14. 1st International Exhibition of Digital Art – Orilla'04 –
Museum of Contemporary Art Santa Fe/Argentina (04 November – 04 December)
13. 24h of Nuremberg/Germany – VideoChannel
International Shortfilm Festival 15/16 October
12. Biennale of Electronic Art Perth (Australia)
1 September – 7 November
11. West Coast Numusic & Electronic Arts Festival
Stavanger/Norway 17-22 August
10. public_space_festival Yerewan/Armenia
23 July – 03 August
09. International Festival of New Film and New Media
Split/Croatia (26 June-2 July)
08. VI SALON Y COLOQUIO INTERNACIONAL DE ARTE DIGITAL
Havanna (Cuba) 21-24 June
07. BASICS Festival
Salzburg/Austria – 8-16 May 2004
06. Electronic Art Meeting
PEAM 2004 – Pescara (Italy) 19-23 May
05. Version'04 Festival –
Invisible Networks – Chicago/USA – 16 April-01 May
04. Now Music Streaming Festival Berlin (Germany)- – 7 April
03. New Media Art Festival Bangkok (Thailand) (20-28 March)
02. Bergen Electronic Arts Centre
Bergen/Norway (5 March – 28 March)
01. National Museum of Contemporary Art
Bucaresti/Romania (5 March – 30 April)
00. Interactiva 03 Biennale for New Media Art
Museum of Contemporary Art Merida/Mexico – June-August 2003
Schedule for 8 May 2020
•Now & After International Videoart Festival Moscow – 17 April – 12 May 2019
• *Museo National Arte Contemporanea Reina Sofia – 31 March – 8 May -"Violencia sin cuerpos"
•CologneOFF 2016 USA @ Torrance Art Museum – Los Angeles/CA – 2 April – 28 May 2016
•"Bivouac Project – The Big Switch: New Media, Film and Video" – Sumter County Gallery of Art (USA) – 2 April- 22 May 2009
•Basics Festival Salzburg/Austria – 8-16 May – 2004
•Israeli Center for Digital Art Holon/Israel – 16 April – 16 July 2005
•ARTchSo Video Festival Rennes – 26 April – 9 May 2012
•"Proceso de Error" – 3rd International Experimental Video Festival – Valparaiso/Chile – 31 May – 4 June 2016
•SENEF – Seoul Festival for Internet & Film – 01 May -01 July 2005
•International Film Festival Naoussa/Greece 8-11 May 2008
•6th Naoussa International Film Festival- Naoussa/Greece – 7-10 May 2009
10 May 2008 / 2009


As the UN hub for space affairs, UNOOSA works every day with the global space community to deliver the benefits of space to everyone, everywhere.
Space agencies are a key part of this community. Below you will find basic details and links to the ever-growing list of space agencies from around the world.


text:
Q: Борьба с самоочищением ViewModel Сразу после успешного биндинга EmployeesViewModel на DataContext страницы он очищается.
ViewModel EmployeesViewModel наследуется от BaseViewModel и содержит методы получения ObservableCollection<ClinicService.Employee> от WCF:
public class EmployeesViewModel:BaseViewModel
    {
        public ObservableCollection<ClinicService.Employee> Employees{get;set;}

        public EmployeesViewModel()
        { }

        public async void GetEmployees(bool ShowInactive)
        {
              Employees = await Data.WCFConnection.GetEmployeesAsync(true);
        }

    }

Сам BaseViewModel - это вариация хорошо знакомого MVVMщикам синглтона, унаследованого от INotifyPropertyChanged
public class BaseViewModel : INotifyPropertyChanged
{

 private static BaseViewModel instance;

        public static BaseViewModel Instance
        {
            get
            {
                if (instance == null)
                {
                    instance = new BaseViewModel();
                }
                return instance;
            }
        }

        protected void RaisePropertyChanged(string property)
        {
            var handler = PropertyChanged;
            if (handler != null)
            {
                handler(this, new PropertyChangedEventArgs(property));
            }
        }

        public event PropertyChangedEventHandler PropertyChanged;

        public virtual bool IsValid()
        {
            return true;
        }

Назначение происходит следующим образом:
public partial class Employees : Page
    {
        EmployeesViewModel emv = new EmployeesViewModel();
        public Employees()
        {
            InitializeComponent();
            emv.GetEmployees(true);  //emv успешно получил 16 элементов
            this.DataContext = emv;  //emv показывает полученные элементы (их даже видно в DataGrid, если поставить brakepoint)
        }                            //emv очищается после окончания метода, несмотря на то, что объявлен в классе
       ...
   }

Я не буду показывать View, потому что дело явно не в нем.
Вопрос: Почему очищается emv.Employees сразу после завершения конструктора страницы?
P.S. Интуитивно чувствую, что косяк в жизненном цикле ViewModel... но нигде не вижу криминала.
UPD: Поправил объявление Employees в EmployeesViewModel
UPD2: Дальнейшая локализация показала, что Employees очищается сразу после выполнения асинхронного метода GetEmployees в EmployeesViewModel, хотя внутри метода по данным трассировки Employees заполняется:
 public async void GetEmployees(bool ShowInactive)
        {
            Employees = await Data.WCFConnection.GetEmployeesAsync(true);
        }

UPD3: Для упрощения отказался от класса BaseModelView, перенес его функциональность в EmployeesViewModel, который теперь выглядит так:
  public class EmployeesViewModel: INotifyPropertyChanged
    {

        private  ObservableCollection<ClinicService.Employee> employees;

        public ObservableCollection<ClinicService.Employee> Employees
        {
            get
                {
                    return this.employees;
                }

            set
                {
                    if (value != this.employees)
                    {
                        this.employees = value;
                        NotifyPropertyChanged();
                    }
                }
        }

        public EmployeesViewModel()
        {

        }

        public async Task GetEmployees(bool ShowInactive)
        {
            employees = await Data.WCFConnection.GetEmployeesAsync(true);
        }

        public event PropertyChangedEventHandler PropertyChanged;

        private void NotifyPropertyChanged([CallerMemberName] String propertyName = "")
        {
            if (PropertyChanged != null)
            {
                PropertyChanged(this, new PropertyChangedEventArgs(propertyName));
            }
        }

        private static EmployeesViewModel instance;

        public static EmployeesViewModel Instance
        {
            get
            {
                if (instance == null)
                {
                    instance = new EmployeesViewModel();
                }
                return instance;
            }
        }

Теперь проблема в том, что при вызове NotifyPropertyChanged событие PropertyChanged  всегда остается null.
Вопрос закрыт
Причиной проблемы являлось то, что привязка к данным осуществлялась до момента завершения их получения в асинхронном методе. Генерация события   public event PropertyChangedEventHandler PropertyChanged; по завершении работы асинхронного метода в EmployeesViewModel решило проблему:
 public async Task GetEmployees(bool ShowInactive)
        {
            employees = await Data.WCFConnection.GetEmployeesAsync(true);
            NotifyPropertyChanged("Employees");
        }

A: Думаю, проблема не в этом. В EmployeesViewModel Employees — поле, а не свойство. Биндинг к полям в WPF не работает.
Сделайте Employees нестатическим публичным полем.

Следующая ошибка:
emv.GetEmployees(true); // (1) async-функция
this.DataContext = emv; // (2)

Что происходит? Строка (1) запускает async-функцию получения результатов. На момент, когда эта строка отработала, emv.Empoyees всё ещё null. Затем строка (2) привязывает DataContext. Срабатывают триггеры, осуществляется привязка по текущему значению Empoyees — null. Через некоторое время async-функция заканчивается, присваивает Empoyees ненулевое значение. Но поскольку в новом коде всё ещё не реализовано INotifyPropertyChanged, это новое значение никто не видит.
Делайте правильно:
ObservableCollection<ClinicService.Employee> employees;
public ObservableCollection<ClinicService.Employee> Employees
{
    get { return employees; }
    set { if (value != employees) { employees = value; RaisePropertyChanged(); }}
}

То, что async-функция «завершилась» (то есть, начала выполняться следующая строчка после вызова функции), ещё не значит, что код самой функции отработал до конца. Ваша функция скорее всего ожидает в await и завершится позже. (Это, кстати, причина того, почему async void-функции не рекомендуются, используйте async Task.)

Кстати, ваш метод RaisePropertyChanged должен бы пользоваться атрибутом [CallerMemberName], как, например, в примере здесь (см. класс DemoCustomer).

Всё ещё неправильно. На этот раз строка employees = await Data.WCFConnection.GetEmployeesAsync(true);. Присвоение полю не генерирует PropertyChanged. Замените это на Employees = ....

redpajama_set_name: RedPajamaStackExchange


text:
Gilbert Neville Harris
Gilbert Neville Harris (1892–1915), Lance Corporal (G/9033) in the 2nd Battalion the Royal Fusiliers (City of London Regiment), was killed in action at Gallipoli on 6 June 1915. His death is recorded on the Helles Memorial, Gallipoli, Turkey (Panel 37-41 or 328) as well as in this family grave.
His brother, Bertie Archibald Blinkhorn Harris, was killed in action on the Western front in 1917. Both brothers were commemorated on the war memorial in St Mary the Great, Cambridge.
Gilbert was born on 9 August 1892 in Cambridge. He was the eleventh of twelve children born to Thomas William Harris and Harriotte Harris (née Vinsen). Gilbert together with at least two of his brothers (Cyril and Reginald) were educated at the Mead House School for Young Gentlemen in Biggleswade, Hertfordshire. Gilbert became a draper and moved to Hastings, Sussex with his younger brother, Percy, where they worked for the department store, Plummer Roddis.
However, in 1909 Gilbert enlisted in the 5th Sussex Battery 2nd Home Counties Brigade, Royal Field Artillery. At the time he enlisted he was living at 10B Queens Road, Hastings. On the outbreak of the War he enlisted again at Dover, Kent. Gilbert became Lance Corporal (G/9033) in the 2nd Battalion, Royal Fusiliers (City of London Regiment). He was killed in action on 6 June 1915 in Gallipoli, Turkey.
Bertie and Gilbert Harris obituary (CCUJ)
Harris monument
The War Graves Photographic Project
http://www.roll-of-honour.com/Cambridgeshire/CambridgeAllSaints.html
http://www.roll-of-honour.com/Cambridgeshire/CambridgeStMarytheGreat.html
London, England, Marriages and Banns, 1754–1921
British Army WWI Service Records, 1914–1919
← Bertie Archibald Blinkhorn Harris
Herbert James Haynes →


UPDATE MAY 2018: Thanks to everybody for joining us in the celebration – we hope ya'll received your swag packs! Congrats to all of you for winning. We're going to be launching 150+ Courses and Hands-On Labs in July so stay tuned for another month of celebrations, giveaways, and more!
Several times in April, we'll also be live streaming on YouTube about the latest Course launches and Hands-On Labs. Follow us on Facebook, Twitter, or LinkedIn to interact and engage with our team. Who knows, Course Authors, celebrities, or even I may be making an appearance!
As you're going through these new labs, you'll be able to see your progress in real time, get graded as you go, and receive tailored instructions or hints for how to go about completing the lab.
Additionally, our new quizzes and practice exams (launched after April 1st) will also be utilizing our brand new (literally completed today) Practice Exams system – V1.0!
Our team has been working hard to create these new courses and features, so we can't wait for all of you to start digging in. We're so excited to bring you along with us on this journey in April and equipping you with the latest and greatest. YOU are our inspiration, and our team can't thank you enough for all of your recommendations, suggestions, and feedback. Thank you for being a part of the family, and we can't wait to continue this journey with you. Be on the lookout – we've got a lot in store for 2018!
Are you most excited for new Courses or Hands-On Labs?
Don't forget to follow us on social media and check back here for the latest course updates. We'll see you around soon!
In addition to our current features including 6 Cloud Servers for you to spin up and Hands-On Labs for you to gain real-world skills through taking actions in live environments, we've got some great Linux Academy content and features (like the new Practice Exams system) coming for you in 2018 that we can't wait to share with you. Thank you for using Linux Academy and thank you so much for your amazing feedback so far – please keep them coming!
It's a great time to get started on your training! If you're not already training with us, we've got a 7-days free trial that gets you access to all of our platforms — Linux Academy. We hope to see you on the other side!
EP 5 – Fri, April 6 – Introducing: Building a Serverless Chatbot with AWS Lex ; Scale Your Code Episodes Coming!
Wed, April 4 – Complete with 9 quizzes, learn and understand how to manage and build an app with Google App Engine Deep Dive.
Thurs, April 5 – Explore AWS IAM Deep Dive through our Hands-On Labs that focuses on user and group management, as well as assigning access to specific resources using IAM managed policies.
Fri, April 6 – Utilizing a live AWS environment through our Hands-On Labs, learn how to create the fulfillment and validation lambda functions to Build a Serverless Chatbot with AWS Lex that can integrate with Slack.
Mon, April 9 – Deploy and Manage OpenStack on Ubuntu – Pike contains 3 Hands-On Labs to master the skills of: using the CLI, setting ACLs in Swift, and managing policies!
Tues, April 10 – DevOps Essentials with a Hands-On Lab where you'll create a DevOps pipeline all the way from making a code change to deploying that change to a production environment.
Prepare for your career in system administration through the 15 hands-on labs in Linux Foundation Certified System Administrator (v3.18) where you'll get hands-on experience in: managing file attributes & permissions, installing and managing packages on different systems, deploying a web server with vHost, generating & exchanging SSH keys for secure access, creating users & groups, and more!
Administer applications on AWS from an operations viewpoint based on information from monitoring, auditing, and gathering performance feedback in AWS Certified SysOps Administrator – Associate to get your certification!
Here's the list of all the hands-on content we released in April!
What exactly are you launching? I am unable to find any details. The details would be nice instead of teasers.
Based off of what our students have been requesting to us, we're launching new courses, Challenges, and Learning Activities throughout April. You'll want to follow us on social media, here on the blog, or in the community to see which ones are coming out though!
The docker videos are really old too.
Hey Ian, have you gotten a chance to check out our latest Docker Certified Associate Prep Course? This one will prepare you to successfully pass the Docker Certified Associate exam and Terry Cox just launched it at the end of December 2017!
The material you have for LFCSA is outdated , will it be part of the new course? I remember several people asked about this.
Great request – we're always listening!
Hi Anything on extending chef ?
We launched our OpenShift certification course last quarter!
Any new course for Ansible ?
Great suggestion – follow us live with Anthony James to hear the latest content announcements!
You have DevOps section but here nothing about monitoring and logging. Something about tools like riemann , monit, prometeus, elk etc. Also would like to learn more about tools like Consul, Vault (very interesting to see some practical tasks). Also good to have some courses about messaging systems like rabbit, activeMQ.
We like this idea a lot 😉 Stay tuned for our Course announcements!
I would very much like to see some courses on Cloud Security, like CCSK.
Still, updates for some of the courses were long overdue. I hope those will be on the list for sure.
Could you please add courses for Machine learning and Artificial Intelligence.
I hope for more Linux on Linux Academy, lack of sed, awk scripting , apache2 .
All great suggestions – while we can't promise everything, we're always listening. We hope you'll tune in LIVE with Anthony James to see what we've planned for this quarter!
We are really launching 70+ Courses, Challenges, and Learning Activities throughout April – keep up with us on social media for the latest updates. We'll even be live streaming some of the content announcements!
More hands-on live labs on AWS would be great.
We completely agree and love this idea 😉 Stay tuned throughout the month to find out more – we've even got live streaming on the calendar!
what about the AWS CSA Pro course ?
Great question, Fabian! Here's a little bit more about our upcoming Azure content – hope this sheds a little light!
Will splunk administration course will be added in the new courses list?
We like this idea a lot – while we can't promise everything, we're always listening. We hope you'll tune in LIVE with Anthony James to see what we've planned for this quarter!
Anything. New coming for good cloud plateform ?
We think you may be on to something 😉 Stay tuned and follow us on social media for some live announcements – we can't wait to share the news with you!
I hope you're updating the Azure content?!?
Here's more information about our Azure content for this year.
We like this idea a lot.. stay tuned to find out! We'll be livestreaming our first content release in 12 hours!
Thanks for the requests, Kumar! While we won't be releasing a list ahead of time, we appreciate your enthusiasm and hope you'll join us live to hear more about the new content releases for this month!
Than New Courses, I suggest to refresh the courses regularly to catch with new features/versions.
Great suggestion! We fully agree and will do our best to refresh the courses as much as we can!
Sorry, I came here to see what new content you have, besides looking at the most strangest cubicles I have ever seen I can't find anything?
Just tell us what you have, why is this so difficult? We're not 12 year olds you know.
Hi Yves, we understand how frustrating this could be but here's why we're doing this. We appreciate you being a part of this community and hope you'll tune in live with Anthony James for more content information as we release new ones throughout April.
for a paid customer, i am finding it quite frustrating getting a teaser of 70courses every other day and not having any visibility of the content. why can't we just announce it to the paid customers at-least if not public as i can understand you want to drum up new interest/signups.
We're sorry and understand how frustrating this can be, but here's Anthony James on why we're doing it this way. Hope this sheds some light and we hope you'll join us in our livestreaming as we release content throughout this month! We appreciate your support and patience!
We can't tell you more except this, but thank you for your request in the meantime and we hope you'll tune in LIVE this month to catch the latest content with us!
It looks like Azure 70-533 training is older now. MS has launched new 2nd edition book along with revise course. Yours is still Nov, 2016.
This is true, here's more about our upcoming Azure content! Bear with us and thank you for your patience as we do have big Azure plans coming this year!
How about some courses on mobile app development?
Great suggestions – we're always listening! While we can't promise everything, we hope you'll tune in live with Anthony James to celebrate new content and engage with us throughout this month!
Hashicorp Products? A full course for Terraform, Nomad?
Great suggestions – we're always listening! While we can't promise everything, we hope you'll tune in live with us to get the latest announcements, as well as celebrate new content with us this month!
Stay tuned, Walid! While we're not releasing the content list right now, we'll be going live on Monday for some more announcements with Anthony James so we hope you'll celebrate with us then!
I really hope you are adding mojolicious courses!
Of course! 😉 We hope you'll keep up with us throughout the month!
It could be really good to improve the excersises and hand-on labs, what I mean with this? The following, for example, when you are taking an on-site course for a certification of Red Hat, you have the possibility to "grade" the lab, so you, for example, run a script with the parameter grade, and this is going to check every step you did in the lab, and in that way you are going to have a feedback on what you did wrong or not, allowing in that way to improve.
We completely agree – Stay tuned throughout this month to hear more from us about how we've improved some of our features for you, we're going LIVE soon!
I noticed that there is a course for "RHCE OpenStack", but not one for RHCSA. Any chance that y'all are planning on releasing a study course for Red Hat EX210?
Celebrate with us to find out what our next content releases will be – we're going live again on Monday, April 23 at 10:30AM CST! While we can't post the list right now, be assured that we're always listening to your requests!
Definable a good place for anyone want to get their hands dirty with the new technology. Good Job!
Thanks for the kudos, Salman! We hope you enjoy the new content that we're releasing.. stay tuned though, because we've got more coming your way! We hope you'll continue to celebrate this amazing month with us!


APY = Annual Percentage Yield. Rates and APYs accurate as of March 12, 2019.
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Color: Very deep ruby red with garnet shades, clear.
Color: Intense ruby red with violet hues, limpid.
Notes: Available only individually in wooden case.
Description: Brunello di Montalcino is surely one of the most well-known and treasured wines in the world. It is a red wine of extraordinary elegance and concentration obtained from a long aging process. It has a full and ethereal fragrance with hints of wild berries, black cherry and vanilla.
Recognitions: Decanter Award: 5 Stars.
Description: Made with jujube fruit, this wine was a fantastic idea of Silvano Buccolini to "make a unique dessert wine with an extraordinary flavor." In fact, the AIS (Italian Sommelier Association) also describes Giuggiolone as "a real new flavor in the wine landscape." Four years of labor go into every bottle, but it's worth it!
Description: Made with sour black cherry, born from a traditional recipe of the Marche region in the center of Italy, and called "the wine of women" for its ability to conquer the female palate, this wine has a full-bodied flavor that brings more style to the end of every meal.
Notes: '15 available only in 1.5 L.
Notes: '14 available only in 1.5 L.
Notes: Also available in 1.5 L.
Producer: Azienda Agricola Il Gelso S.R.L.
Color: Intense and deep ruby red colour with garnet highlights.


text:
Uncharted Waters – The Documentary
Published on July 5th, 2016
Uncharted Waters is a feature-length film (click to enlarge) exploring the challenges, triumphs, and motivations of US Sailing Team Sperry athletes, as well as the profound beauty of the sport of sailing.
The film offers audiences unrivaled access inside the national team, and explores the unique circumstances that have compelled American sailors to pursue success on the international stage. The film was produced by Sunbrella, a US Sailing Team Sperry Gold Partner and the leading supplier of performance fabric to the marine industry.
"Uncharted Waters is an unprecedented media project in sailing," said Josh Adams, Managing Director of U.S. Olympic Sailing. "The full-length film demonstrates the national team sailing experience through the eyes of the athlete — commitment to excellence, dedication, sacrifice, the agony and thrill of competition. The action footage that is featured is some of the best in our sport."
The film focuses on the journey of national team sailors competing in both Olympic and Paralympic boat classes, and was shot on location at racing venues in North America, South America, and Europe. For the sailors portrayed in the film, the project has taken on great personal significance over nearly two years of filming.
"When our team started our campaign seven years ago, it was just my teammates and I doing this for ourselves," said Hugh Freund (South Freeport, Maine), a current Para Sailing World Champion and one of eleven athletes featured onscreen in the documentary.
"The Uncharted Waters project is emblematic of how much bigger this campaign has become than just a few sailors hoping to represent their country. This movie is big in the kind of way I've experienced in other major sports films, and it will help create the kind of public awareness that transcends our sport. Fans will cheer for us just because they know our flag and where we come from, and not because they already have deep knowledge of sailing. It is a historic moment for our sport."
Featured Athletes in Uncharted Waters:
Paris Henken (Coronado, Calif.) and Helena Scutt (Kirkland, Wash.) – Rio 2016 will be the first Olympic Games appearances for both Henken and Scutt, who won bronze at the Toronto 2015 Pan American Games.
Paige Railey (Clearwater, Fla.) – Rio 2016 will be the second consecutive Olympics for Railey, a World Champion, Rolex World Sailor of the Year, three-time Pan American Games medalist and US Sailing Rolex Yachtswoman of the Year.
Caleb Paine (San Diego, Calif.) – Paine, a Sailing World Cup Series Champion, has been the top-ranked American Finn sailor since 2012, and will compete in his first career Olympics.
Annie Haeger (East Troy, Wisc.) and Briana Provancha (San Diego, Calif.) – Winners of the 2015 Olympic Test Event in Rio de Janeiro, Brazil, 2015 US Sailing Rolex Yachtswoman of the Year Haeger and Youth World Champion Provancha will make their first career Olympic Games appearances.
Rick Doerr (Clifton, N.J.), Brad Kendell (Tampa, Fla.) and Hugh Freund (South Freeport, Maine) – The American Paralympic Sonar trio are the reigning Para World Sailing Champions, and have been together for seven years, longer than any national team boat.
Sarah Everhart-Skeels (Tiverton, R.I.) and Cindy Walker (Middletown, R.I.) – The only all-female Paralympic-class sailing team competing in the world, Everhart-Skeels and Walker have inspired fans across the country through their quest to make history.
Source: US Sailing
Tags: Uncharted Waters, US Sailing, US Sailing Team
US Sailing awards rescue medals →
Need hosts with 5-star Yelp reviews →
Holiday letter from US Sailing →
Sailing Symposium postponed again →


TOP funny Cats dancing like super Dancer TOP Cats video Compilation ▮Link Video : https://youtu.be/fF8dvP8srco Link uploaded on https://www.woanetwork.com See More : #Woaanimals #Woafunny COPYRIGHT ISSUES: We guarantee the copyright of the upload content on the channel. https://www.vdbpcollective.com/ Our purpose, when making COMPILATIONS, is NOT to steal other people's videos, but to share those in quality compilation with other people. If any owner of clips, used in our compilation, has a copyright issue, feel free to contact us by personal message and add title COPYRIGHT ISSUE. ▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬ ► About My Channel ▮ Playlists - Funny Vines - Top Video Compilation HD https://goo.gl/x5zVCC - ➤ ♥ ℱuηηy ᗩηЇᗰαℓ ᑕompilation ♥ ٩(͡๏̮͡๏)۶ https://goo.gl/Pyvz8G - ➤ ♥ ℱuηηy ßαßy ᑕompilation ♥ (•‿•) ✌ https://goo.gl/72RpEd - ➤ ♥ ℱuηηy Ḏσℐ ᑕompilation ♥ (▰˘◡˘▰) https://goo.gl/MoRY7z - ➤ ♥ ℱuηηy Cᗩt Compilation ♥ (●_●) https://goo.gl/Zskwj8 ▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬ ► About us: ▮ Woa network : http://woanetwork.com ▮ Email : [email protected] ▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬ ►►►►►►►►► THANKS FOR WATCHING ◄◄◄◄◄◄◄◄◄ ► AND DON'T FORGET TO LIKE COMMENTS AND SUBSCRIBE! HIỂN THỊ THÊM ------------------- Welcome to Top Funny Cat Youtube Channel Have a nice time watching our content.The content we build with the aggregation of various sources on Youtube, Blog, Website. It is difficult to guarantee all copyright protection, we always try to communicate with the owners rights to cooperate copyright even if there are still errors. We look forward to receiving your contribution mail: [email protected] Content description: Music: ▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬ ► About My Channel - Top Funny Cat Youtube Leisure with funny cats ▮ Subscribe -https://goo.gl/HXJyAJ ▮ Playlists - https://goo.gl/LOFP3b See more : #WOAanimals #WOAfunny ▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬ ► About us ▮ Woa network: https://goo.gl/HVvEqC ▮ Woa Animal G+: https://goo.gl/4w3zBZ ▮ Woa Animal Twitter: https://goo.gl/b15cBd ▮ Woa Animal Facebook: https://goo.gl/z5k3sj ▮ Woa Comic G+: https://goo.gl/h1F5Cr ▮ Gmail: [email protected] ▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬ ►►►►►►►►► THANKS FOR WATCHING ◄◄◄◄◄◄◄◄◄ ► AND DON'T FORGET TO LIKE COMMENTS AND SUBSCRIBE!
Wiggle - Cats can dance better than you.
That awkward moment when cats can dance better than you.
Cats Do Love Hip Hop music and dance, watch the way their movin' homie! They hear the beat! Best funny animal videos compilation, funny cat and dog videos compilations, video compilations about the funniest animals ever - all of this right here on our Funny Homies channel. Funny pets videos comes out on the channel every day! Maybe you have your own cat or dog? Maybe you should make funny videos with them too? If you still not have your own youtube channel, you can send your funny cat videos, or funny dogs video on my e-mail and I will upload it on this channel and make a link on your page in social-media. Warning! Funny animals video can be a reason of very good mood, and watching funny cat videos can even improve your karma and prolongs life(not scientifically proven). At our channel you will find funny cats videos one-hour duration. Can you imagine this? Unbelievable! Funny Homies warns you - funny cat videos and funny dogs video can be cause of uncontrollable laughter! Subscribe on this channel, watch funny video compilations every day - https://www.youtube.com/channel/UCN0_oHHQ8JXdzTtpvLP1i2Q Watch all funny cat videos in single playlist - https://www.youtube.com/playlist?list=PL6yr5qqNnNHPzrvcgWOUHS_XN2N-IOoM5 Funny dog videos we colect at this playlist - https://www.youtube.com/playlist?list=PL6yr5qqNnNHNH4snSrHd8Xfucb0jeaFsp Funny animal videos compilation you'll find here - https://www.youtube.com/playlist?list=PL6yr5qqNnNHNyrIRCi8JLXeyWQkMNBRDr Subscribe link - https://www.youtube.com/channel/UCN0_oHHQ8JXdzTtpvLP1i2Q - the most funny cat videos , funny dog videos and screaming funny animals video compilations at the Funny Homies Channel, Subscribe!
Funny Cats and Dogs Dancing around.
Funny cats! Twin cats dance and move in same way!!


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HomeAuditsSan Francisco Ethics Commission Audit Report: No Wall on the Northeast Waterfront, No on B and C, supported by local property owners, tenants, neighbors, and environmentalists. Top contributors include Richard and Barbra Stewart, FPPC ID #1348226
San Francisco Ethics Commission Audit Report: No Wall on the Northeast Waterfront, No on B and C, supported by local property owners, tenants, neighbors, and environmentalists. Top contributors include Richard and Barbra Stewart, FPPC ID #1348226
This Audit Report summarizes the audit results of the committee, "No Wall on the Northeast Waterfront, No on B and C, supported by local property owners, tenants, neighbors, and environmentalists. Top contributors include Richard and Barbra Stewart," Identification Number 1348226 ("the Committee"), from January 1, 2012 through December 31, 2013. The audit was conducted to determine whether the Committee materially complied with the requirements of the Political Reform Act ("the Act") (California Government Code section 81000, et seq.) and San Francisco's Campaign Finance Reform Ordinance ("CFRO") (San Francisco Campaign and Governmental Conduct Code section 1.100, et seq).
II. Audit Authority
San Francisco Charter section C3.699-11 authorizes the Ethics Commission ("the Commission") to audit campaign statements that are filed with the Commission along with other relevant documents to determine whether the committee complied with applicable requirements of State and local laws.
III. Audit Scope and Procedures
This audit was performed in accordance with generally accepted auditing standards. The audit involved a review of the Committee's records for the period covered by the audit. This review was conducted to determine:
Compliance with all disclosure requirements pertaining to contributions, expenditures, accrued expenditures, and loans, including itemization when required;
Compliance with applicable filing deadlines;
Compliance with restrictions on contributions, loans, and expenditures;
Accuracy of total reported receipts, disbursements, and cash balances as compared to bank records; and
Compliance with all record-keeping requirements.
The Commission posts audit reports to its web site and, in cases of apparent violations of law, forwards them to the appropriate enforcement agency.
IV. Committee Information
The Committee qualified as a primarily formed ballot measure committee on June 19, 2012 to circulate a referendum petition relating to zoning along the San Francisco waterfront. After the measure qualified for the ballot, the Committee formed to oppose Measures B & C of the November 5, 2013 election. During the period covered by the audit, the Committee's treasurer was Stacy Owens and the assistant treasurer was Marissa Quaranta. The Committee was active as of December 31, 2013.
V. Audit Findings
For the period from January 1, 2012 through December 31, 2013 the Committee received $870,619 in monetary contributions, $36,891 in non-monetary contributions, and incurred $871,994 in expenditures.
The Commission determined that there were no material findings with respect to the audit of the Committee. The Committee substantially complied with the disclosure and record-keeping provisions of the Act and CFRO.
https://sfethics.org/ethics/2014/12/san-francisco-ethics-commission-audit-report-no-wall-on-the-northeast-waterfront-no-on-b-and-c-suppo.html


US President Barack Obama arrives for the East Asian Summit Plenary Session at the Peace Palace in Phnom Penh, Cambodia, November 20, 2012.
WASHINGTON — US President Barack Obama's Southeast Asia-only trip in 2012 marked a high point in the US prioritization of the region. But there has been a drop in the presence of high-level US diplomats since then, and in his recent State of the Union speech, Obama spoke of Asia only rarely.
There were not that many mentions of Asia in the speech, says Ernie Bower, senior advisor and chair for the Southeast Asia Studies at the Center for Strategic and International Studies in Washington, DC.
"He missed the opportunity to tell Americans why Asia is important to us, to our economic prosperity, to our jobs, to our ability to innovate and help drive the integration of global markets, to our security," Bower told VOA Khmer in a recent interview.
Since taking office, Obama has often touted his diplomatic pivot—generally seen as a strategic refocusing on the region to counter China's growing influence there. His 2012 visit to Southeast Asia included historic trips to Burma and Cambodia, where he attended the Asean Summit. But the president canceled a Southeast Asia trip in October due to the government shutdown.
Meanwhile, Burma is holding its first Asean chairmanship, Thailand is facing a political crisis, Indonesia is changing leaders, and Cambodia remains mired in a post-election deadlock. And all this as China considers expanding its air defense zone over the contentious South China Sea.
Bower said October's trip cancelation, along with Obama's quieting of rhetoric on Asia, has not reassured partners in the region.
Aaron Connelly, an analyst at the Albright Stonebridge Group in Washington, says Obama may have set expectations too high for Southeast Asia, only to be constrained by domestic politics. But Connelly says actual engagement activities at the bureaucratic and grassroots levels have increased in the region.
U.S. President Barack Obama tours the Shwedagon Pagoda with Secretary of State Hillary Rodham Clinton in Rangoon, Burma, Monday, Nov. 19, 2012.
Speaking at the National Press Club in Washington last week, Daniel Russel, Assistant Secretary of State for East Asian and Pacific Affairs at the US State Department, said the US remains strongly committed to the region not only for security interests.
"My conviction and my experience is that our ongoing rebalance strategy that dates back to January of 2009 is broad and deep and encompasses not just regional security, but also, as I mentioned, economic prosperity, people-to-people ties," he said.
That includes the president's Young Southeast Asian Leaders Initiative, which was announced in December to empower the next generation of leaders in Southeast Asia, where 65 percent of the population is under 35.
Ou Virak, president of the Cambodian Center for Human Rights, says that kind of initiative would be welcome in Cambodia. But following the State of the Union speech, he too worried about a missed opportunity to capitalize on the region's demographic change, including in Cambodia, which he says now holds "historic" potential for democratic transition in the region.
He says he worries that growing Chinese influence will mean rising authoritarianism in Cambodia and the region in the coming years. So he hopes Obama will pay attention to Cambodia's democratization potential.
Connelly says after a low travel year, Obama will likely not miss another chance at Asean meetings late this year. The White House has confirmed at least one Asia trip, planned for April.