text:
A $119B seawall still might not protect Manhattan, critics say
Army Corps of Engineers is studying the plan, which has already attracted opposition
Jan.January 20, 2020 10:05 AM
Army Corps of Engineers Commander Lt. Gen. Todd Semonite and flooding caused by Hurricane Sandy in 2012 (inset) (Credit: Getty Images)
New York could get a $119 billion sea wall to help defend the city from future Sandy-like storms, but the tentative plan has already attracted fierce opposition and criticism.
The barrier is the largest of five options the Army Corps of Engineers is studying to protect the city, according to the New York Times. Supporters say a barrier miles from the Manhattan coastline is the best solution for maintaining New Yorkers' access to their waterfront while still protecting people, properties and landmarks. However, many environmental and resilience planning experts have described it as an oversimplified idea that doesn't address multiple serious climate threats, such as storm runoff and flooding from high tides, and could make things worse.
The Corps has stressed that its designs can change and that it is not committed to any of the five options it has been studying.
The fastest and cheapest option the Corps is studying would be a nine-year $14 billion project that would only include shore-based measures. A cost-benefit analysis favors options costing between $43 billion and $47 billion that consist largely of several smaller barriers in places such as the entrances to Newtown Creek, Jamaica Bay and the Gowanus Canal.
"Barriers are a shiny object, a silver-bullet fix luring us away from where [we] need to go," Paul Gallay, head of the Hudson advocacy group Riverkeeper, told the Times. "The danger of one big wall is that if it fails, we're all in danger. We need layered solutions." [NYT] – Eddie Small
Climate ChangeHurricane Sandy
Who's judging real estate's environmentalism? The industry itself
NYC floats $5B coastline extension in Lower Manhattan climate plan
Exit interview: New York's climate chief on reshaping the city
In Amsterdam, embracing life on the water
Council makes it official: Buildings must go electric, J-51 is back
Real estate is drunk on ESG. But what's in the cocktail?
Miami redevelopment wave sparks fears of climate gentrification
New buildings must go electric under City Council deal


Oh you sweet beautiful salad.
I guess not sweet because it's kale. But sweet in the sense of victory... because it came from my garden. After watching only two Youtube videos about how to harvest kale, I felt ready to actually do it. I used to get this awesome kale salad from B. Good that was pure heaven. A large part of the heaven came from the "marinated kale". Thus, marinated kale was the inspiration for this dinner.
Please consider this the Garden Progress Update.
I almost bought a webcam a few weeks ago just so I could watch my garden all day long. So that's just a little hint of how obsessed I am with every little damn flower that grows here. Besides the family contest of "First to Fruit" I'm also just really excited to eat from the yard. I am particularly invested in the snap peas, sweet yellow peppers and the Mexican gherkin cucumbers... the later two of which aren't looking incredibly strong. I'm optimistic.
Just last week I was swearing the left third of my garden was a bloomless wasteland. Slightly dramatic but it felt accurate... especially when compared to the bountiful garden that I had imaged and planned. The benefit of being home sick for nearly the entire month of February was that I had plenty of time to plan my vegetable garden and alleged cutting garden.
The downfall of the garden came when a lot of the bulbs were initially out of stock from Floret and then continued when the seedlings did the opposite of thrive. The bright side has always been the sunflowers. So damn easy and so damn hearty. Lessons learned for the future.
Other bright spots? The Dusty Miller. I love this one for so many reasons. It has a subtle sage color to it and the leaves are almost a little fuzzy. A few weeks after transplanting them in the garden they really took root and have nearly doubled in size. I'm not exactly sure how to treat them like a "cutting flower" but I imagine they look beautifully romantic in almost any arrangement. That being said, they'll probably just stay in the garden all summer because I love seeing them there with their scallop shell row marker.
Then, the unthinkable happened. One of the poppies bloomed over the weekend. Like overnight ... all of sudden ... a tiny white flower appeared out of the middle of nowhere. I think I actually shrieked out loud. I had completely given up hope on them. Despite how weak these seedlings felt, I decided to transplant them several weeks back and just give it a shot. A few more of them suffered some severe blows by the wind (literally).
And while I wouldn't consider these poppies a "success", I am beyond excited by the few blooms that seem to be popping up. On Saturday? One Poppy. On Sunday? Two Poppies. It does look like there will be a few more coming but I do not expect them to look like bountiful, strong flowers on the Floret website. Boo hiss.
Other garden posts to come? My love of geraniums and slate walkways.
Previous posts? Meet my garden. What I planted.
Oh you beautiful little wonder. The peony.
So bright and cheerful. So feathery. So elegant. So lightly fragrant. Also, so damn seasonal.
I didn't understand the magic of the peony until probably like 5 years ago. I'm not sure what world I lived in. But peonies are just amazing. The house we grew up in had a semi-circle driveway surrounded by peony bushes. This meant absolutely nothing to me. But I do remember peeking out the living room window curtains and catching stranger ladies cutting our flowers. I had no idea why.
I began to plan my garden in February. Yes, February. I wanted to be very intentional with what I decided to grow and I wanted to do it from scratch. No pre-manufactured solutions here. I cobbled together a grow station with lights in the garage. I lovingly selected the seeds for things that I would be excited to see grow.
Not everything was a success. Pretty much all the flowers I tried to grow from seed were a failure - except the sunflowers. This was particularly disappointing because I was so excited about them. I had selected a few options from a west coast flower farm called Floret Flowers. Their Instagram will make you feel like you are living in a pastel pollen filled dream. Maybe I'll try again next year.
I think I read somewhere in the last year that to garden is to essentially have hope or a plan for the future. I fully believe and embrace this. For the past 4 years, my garden has slowly expanded from 1 tomato plant on my fire escape to a garden that my landlord deemed a fire hazard (2013, 2014, 2015). Now, I live in the burbs... and while there are many perks to this, the highest for me is time spent outside... and specifically in the garden.
Every so often I make something in the kitchen that delights me to no end. This gnocchi dish was absolutely that - and almost nearly by accident. I last cooked with fiddleheads in May 2013 at a phenomenal cooking class. It might have been one of the best meals ever and so much fun. Since then, I've always wanted to tackle fiddleheads again.
The thing with fiddleheads is... they are super seasonal. So you literally get a few weeks a year - maybe - to play with them before you lose your opportunity. And for the last 3 years I've let that opportunity just skate by... UNTIL last week when I was at Whole Foods during lunch. I saw those curly little delights and bagged a handful before I could think otherwise.
I'll admit that this doesn't perhaps look like the most appetizing meal. But that's my poor work-night, too hungry to care, just feed me now.... photography. I'm not alone in this sentiment. I know it.
But unless the meal is an absolute g-d trainwreck, I'm going to write about it... so that I can make it again. Or learn from my mistakes. When making burgers, I've always let the meat shine and been resistent to add many flavors. I think my burgers end up being a beer, kosher salt, garlic powder, and maybe like two other things. I honestly can't remember. I should fix that.
But you can see rather quickly how different this recipe is from my straight forward burger. There are a LOT of flavors being tossed in here. Plus, they are spicy flavors. I did love the idea of the heavy scallions, cilantro, and lime .... but perhaps will hold back on the cayenne and 5-spice going forward.
(2) Preheat broiler to high with the rack about 6-8 inches from the heat.
(3) Shape turkey mixture into 2 patties and place on a rimmed baking sheet. The patties will be about 4 inches wide.
(4) Broil patties until browned and then flip and brown the other side. It should be about 5 minutes each side. Pull from the oven and set aside.
(5) Toasted Buns? Lay buns open flat on a baking sheet ... or just the rack. I went with the rack. Broil until toasty - which is about a minute.
(6) Heat a skillet to medium-high heat and add olive oil. Then add ginger and scallions for a minute or two until it smells nice. Then add beans and garlic. Cook until beans are tender. Probably about 4 minutes.
(7) Assemble! Patties go onto buns, top with a bit more hoisin sauce. Serve with those tasty green beans and a lime wedge.


text:
Home Periodicals, Books, and Pamphlets American Cinematographer, Volume 9 Number 12
American Cinematographer, Volume 9 Number 12
Six AMERICAN CINEMATOGRAPHER March,1929
During this time it was apparent that what was re-quired
was a film which carried visible color actually
incorporated in the film itself and one that would run
on any standard projector at normal speed and with this
in view, an Englishman, Donnisthorpe, by name, carried
on experiments and did actually obtain such a result but
his process was extremely complicated and little has ever
been heard of it.
After the failure of Kinemacolor in this country, ex-tensive
experiments were carried on atf the Company's
studios at Long Island, under the direction of Wm. Fox,
of England. Fox had seen the result of Donnisthorpe's
experiment and realized that such a process was possible,
but that it would have to be much simpler than Donnis-thorpe's
if it was to be considered at all practical. Re-markable
results were eventually achieved by Mr. Fox,
but for some reason he left the company, and the task
of completing experiments passed on to Mr. Waddingham,
but little of the results has, as yet, reached the market.
After the Kinemacolor activities came to an end, the
Prizma, Inc., of Jersey City, was formed. The technical
problems of the new Company were in the hands of
Charles Raleigh and William V. D. Kelley. Raleigh was
a graduate of Kinemacolor and it is natural, I suppose,
that his tendencies should be toward the process that he
knew so well and so the basic principle of the original
Prizma process was practically the same as Kinemacolor,
but with this difference, that instead of using the special·
projector they made use of an attachment, carrying the
red and green color filters, which could be attached to
either the Powers or Simplex machines. ~ further im-provement
was in the photographing and projecting filt-ers
whereby the colors on the screen were very soft and
quite pleasing to view. The results thus obtained were
far superior to Kinemacolor, but it was generally realized
that it was but a question of time before even this im-proved
method would be in the discard, especially since
Fox had proved that quite good results could be made
by the subtractive method, i.e., visible selective color in
the film. Raleigh didn't stay with the company long.
Apparently he, like Charles Urban, could see no further
than the additive method. Kelley was more progressive,
and with the capable assistants, made quick progress. His
first step forward was the method known as the "alter-nate
dye" method. A means of obtaining color result
without the aid of attachments to the projector. The
idea was not new, it having been previously tried by an
English Company, who called their product Bio-Color.
This was in the days of Kinemacolor and, if my memory
serves me correctly, Charles Urban put a stop to their
activities on the grounds of infringement of his process.
The "alternate dye" method was applicable to either
Kinemacolor or Prizma prints. The positives instead
of being projected through color filters, were dyed red
and green, that is, the picture carrying the latent red
color values, were colored red, likewise, the pictures
carrying the green values, were colored green. This was,
in reality, transferring the colors of the projection filter
onto the film itself. The advantage of this method was
that the film could be projected from any standard pro-jector
without attachments, by merely running the ma- .
chine twice as fast as normal. The difficulty of the pro-cess
was, applying the colors evenly to their respective
areas. Remember that the film was colored alternately
red and green throughout its entire length. The first
attempt, which was very crude and costly, was by apply-ing
coverings to all of the red pictures on lengths of
fifty feet, which meant applying four hundred of these
coverings by hand. The film was then immersed into the
green dye bath, washed and dried. The coverings of
course, protected the red pictures from the green dye.
The green pictures were then protected in the same man-ner,
and the red areas, having been uncovered, were then
subjected to the red dye bath. washed and dried and
the operation was complete. This method was quickly
abandoned for obvious reasons.
Thereafter, various schemes were tried until an ex-tremely
simple method was perfected. By this arrange-ment,
the positives were immersed completely in the
green dye, washed and dried. The films thus treated,
were then taken in any lengths and run through a ma-chine
which sprayed a thin coating of water-proofing onto
the green picture only, after which the films were im-mersed
in running water which quickly removed the
green dye from the unprotected areas. The film was then
placed in the red dye bath, the dye affecting only the
red pictures, of course. While Prizma was exploiting
this alternate dye method, a new process appeared on the
market called Technicolor. As with Kinemacolor, a spe-cial
projector was needed. Their first exhibition in New
York City, at the Museum of Natural History, showed a
very pleasing result. Their process was a two-color one
and their negatives were of a similar nature to both
Prizma's and Kinemacolor's. Prints from the negatives
were black and white in appearance. Their projector had
two lenses-one above the other and back of each lens
was a color filter, one red and the other green. The prin-ciple
of this arrangement was ~that the pair of pictures,
that is the red and green pairs, were on the screen at
exactly the same time and therefore the annoying color
flicker and eye strain so apparent in Kinemacolor was
entirely eliminated. So far, so good. But there was one
serious drawback. Deviating for a moment and going
back to Prizma, we find that the late Dr. Nichols, of
Yale, carried out extensive experiments with a projector
having two lenses, his idea being to obtain a result
like that of Technicolor's. The result of Dr. Nichols'
work was that such a method could hardly, if ever, be
a success, due to shrinkage of the positive film. In order
to illustrate this point, let us follow the action of the
Technicolor projector. The operator has threaded up the
machine with the red picture back of the red lens and
the green picture back of the green lens and the pro-jector
is started. At the commencement, the pictures on
the screen may not be exactly in register, but the ope-rator
quickly corrects it by a slight adjustment of either
lens and with that condition existing the result on the
screen is both fine and pleasing'. But suddenly there
comes a join in the film and a change of scene and the
chances are a hundred to one that there is a different
shrinkage to the previous scene and if that is the case,
the images will no longer be in register, but there will
be two images slightly off-set, one in red, and one in
green. Of course this condition will stay but a few
seconds or until the operator has adjusted the lenses
and brought the images into register again. And so an-other
process is put in the discard. Technically, it was
far better than either Kinemacolor , or Prizma, but
practically, it was worse.
The alternate dye method adopted by Prizma was but
a stepping- stone along- the way. Mr. Kellev, who now
had complete charge of all the technical problems of the
company. realized this and proceeded without delay to
put all the energies of his department to work on the
subtractive method. and shortly thereafter produced very
:fine results. Mr. Kelley employed a positive film having
a coating of emulsion on both sides of the celluloid base.
Color records were made by an inzenious color camera
and these negative records printed on this a double-coated
film, mordanted and dved with acid dves. With
this film, Prizma were able to forget their troubles, since
the film could be projected from any standard machine
without chances of any sort to the machine.
Amongst the admirers of the new Prizma process was
Miss Mae Murray and her director, Robert Leonard, who
were the first to use this new process in dramatic 'oro-ductions.
Thereafter. manv other producers followed
suit. D. W. Griffith. Hugo Ballin. Famous Players Com-pany,
etc. Commodore Stuart Blacktcn, of England.
nroduced a seven-reel picture by this process entitled
"The Glorious Adventure," featuring' Lady Diana Man-ners
and Vidor Mcl.azlan. The failure of this Company,
after several years of activity. I put down. largely to the
fad of the poor location of the Iaboretorv in Jersey
City. It was anything but an ideal place for the pro-duction
of color work. Had they moved to the coast
as they once planned to, thev would undoubtedly have
held a very prominent place in the industry today. Dur-ing
the Prizma era, other processes were heard of. East-man,
of Rochester, was perfecting "Kodachrome;"
Brewster, of New York, was working on a process known
as "Cohn-a," and still another process was being per-fected
known as "Color Craft." News from England
brought word of Gorsky's process and the Hamburger
process, but to date little has been heard of these. All
of these ideas followed the lines of the Prizma process
Title American Cinematographer, Volume 9 Number 12
Description Volume 9 Number 12, March 1929, pages 1-40.
Subject Topical Cinematography--United States--Periodicals; American Society fo Cinematographers, Inc.--Periodicals.
Publisher American Society of Cinematographers, Inc.
Date March 1929
Full text Six AMERICAN CINEMATOGRAPHER March,1929 During this time it was apparent that what was re-quired was a film which carried visible color actually incorporated in the film itself and one that would run on any standard projector at normal speed and with this in view, an Englishman, Donnisthorpe, by name, carried on experiments and did actually obtain such a result but his process was extremely complicated and little has ever been heard of it. After the failure of Kinemacolor in this country, ex-tensive experiments were carried on atf the Company's studios at Long Island, under the direction of Wm. Fox, of England. Fox had seen the result of Donnisthorpe's experiment and realized that such a process was possible, but that it would have to be much simpler than Donnis-thorpe's if it was to be considered at all practical. Re-markable results were eventually achieved by Mr. Fox, but for some reason he left the company, and the task of completing experiments passed on to Mr. Waddingham, but little of the results has, as yet, reached the market. After the Kinemacolor activities came to an end, the Prizma, Inc., of Jersey City, was formed. The technical problems of the new Company were in the hands of Charles Raleigh and William V. D. Kelley. Raleigh was a graduate of Kinemacolor and it is natural, I suppose, that his tendencies should be toward the process that he knew so well and so the basic principle of the original Prizma process was practically the same as Kinemacolor, but with this difference, that instead of using the special· projector they made use of an attachment, carrying the red and green color filters, which could be attached to either the Powers or Simplex machines. ~ further im-provement was in the photographing and projecting filt-ers whereby the colors on the screen were very soft and quite pleasing to view. The results thus obtained were far superior to Kinemacolor, but it was generally realized that it was but a question of time before even this im-proved method would be in the discard, especially since Fox had proved that quite good results could be made by the subtractive method, i.e., visible selective color in the film. Raleigh didn't stay with the company long. Apparently he, like Charles Urban, could see no further than the additive method. Kelley was more progressive, and with the capable assistants, made quick progress. His first step forward was the method known as the "alter-nate dye" method. A means of obtaining color result without the aid of attachments to the projector. The idea was not new, it having been previously tried by an English Company, who called their product Bio-Color. This was in the days of Kinemacolor and, if my memory serves me correctly, Charles Urban put a stop to their activities on the grounds of infringement of his process. The "alternate dye" method was applicable to either Kinemacolor or Prizma prints. The positives instead of being projected through color filters, were dyed red and green, that is, the picture carrying the latent red color values, were colored red, likewise, the pictures carrying the green values, were colored green. This was, in reality, transferring the colors of the projection filter onto the film itself. The advantage of this method was that the film could be projected from any standard pro-jector without attachments, by merely running the ma- . chine twice as fast as normal. The difficulty of the pro-cess was, applying the colors evenly to their respective areas. Remember that the film was colored alternately red and green throughout its entire length. The first attempt, which was very crude and costly, was by apply-ing coverings to all of the red pictures on lengths of fifty feet, which meant applying four hundred of these coverings by hand. The film was then immersed into the green dye bath, washed and dried. The coverings of course, protected the red pictures from the green dye. The green pictures were then protected in the same man-ner, and the red areas, having been uncovered, were then subjected to the red dye bath. washed and dried and the operation was complete. This method was quickly abandoned for obvious reasons. Thereafter, various schemes were tried until an ex-tremely simple method was perfected. By this arrange-ment, the positives were immersed completely in the green dye, washed and dried. The films thus treated, were then taken in any lengths and run through a ma-chine which sprayed a thin coating of water-proofing onto the green picture only, after which the films were im-mersed in running water which quickly removed the green dye from the unprotected areas. The film was then placed in the red dye bath, the dye affecting only the red pictures, of course. While Prizma was exploiting this alternate dye method, a new process appeared on the market called Technicolor. As with Kinemacolor, a spe-cial projector was needed. Their first exhibition in New York City, at the Museum of Natural History, showed a very pleasing result. Their process was a two-color one and their negatives were of a similar nature to both Prizma's and Kinemacolor's. Prints from the negatives were black and white in appearance. Their projector had two lenses-one above the other and back of each lens was a color filter, one red and the other green. The prin-ciple of this arrangement was ~that the pair of pictures, that is the red and green pairs, were on the screen at exactly the same time and therefore the annoying color flicker and eye strain so apparent in Kinemacolor was entirely eliminated. So far, so good. But there was one serious drawback. Deviating for a moment and going back to Prizma, we find that the late Dr. Nichols, of Yale, carried out extensive experiments with a projector having two lenses, his idea being to obtain a result like that of Technicolor's. The result of Dr. Nichols' work was that such a method could hardly, if ever, be a success, due to shrinkage of the positive film. In order to illustrate this point, let us follow the action of the Technicolor projector. The operator has threaded up the machine with the red picture back of the red lens and the green picture back of the green lens and the pro-jector is started. At the commencement, the pictures on the screen may not be exactly in register, but the ope-rator quickly corrects it by a slight adjustment of either lens and with that condition existing the result on the screen is both fine and pleasing'. But suddenly there comes a join in the film and a change of scene and the chances are a hundred to one that there is a different shrinkage to the previous scene and if that is the case, the images will no longer be in register, but there will be two images slightly off-set, one in red, and one in green. Of course this condition will stay but a few seconds or until the operator has adjusted the lenses and brought the images into register again. And so an-other process is put in the discard. Technically, it was far better than either Kinemacolor , or Prizma, but practically, it was worse. The alternate dye method adopted by Prizma was but a stepping- stone along- the way. Mr. Kellev, who now had complete charge of all the technical problems of the company. realized this and proceeded without delay to put all the energies of his department to work on the subtractive method. and shortly thereafter produced very :fine results. Mr. Kelley employed a positive film having a coating of emulsion on both sides of the celluloid base. Color records were made by an inzenious color camera and these negative records printed on this a double-coated film, mordanted and dved with acid dves. With this film, Prizma were able to forget their troubles, since the film could be projected from any standard machine without chances of any sort to the machine. Amongst the admirers of the new Prizma process was Miss Mae Murray and her director, Robert Leonard, who were the first to use this new process in dramatic 'oro-ductions. Thereafter. manv other producers followed suit. D. W. Griffith. Hugo Ballin. Famous Players Com-pany, etc. Commodore Stuart Blacktcn, of England. nroduced a seven-reel picture by this process entitled "The Glorious Adventure" featuring' Lady Diana Man-ners and Vidor Mcl.azlan. The failure of this Company, after several years of activity. I put down. largely to the fad of the poor location of the Iaboretorv in Jersey City. It was anything but an ideal place for the pro-duction of color work. Had they moved to the coast as they once planned to, thev would undoubtedly have held a very prominent place in the industry today. Dur-ing the Prizma era, other processes were heard of. East-man, of Rochester, was perfecting "Kodachrome;" Brewster, of New York, was working on a process known as "Cohn-a" and still another process was being per-fected known as "Color Craft." News from England brought word of Gorsky's process and the Hamburger process, but to date little has been heard of these. All of these ideas followed the lines of the Prizma process

redpajama_set_name: RedPajamaCommonCrawl


Big Red Car here. Going to be a nice day in the ATX and a great day to discuss the essential ingredients in a robust Company Culture.
The Boss was looking through some old files and came upon a picture book from a company he founded and grew to almost 500 employees and then sold the assets. It was a "good lick". It seemed to bring a smile to his face.
In looking at that picture book, The Boss was ruminating on the different ideas and notions that went into developing a strong Company Culture.
We will discuss each of these ingredients in detail in the weeks ahead. The development of a robust Company Culture is not a simple or easy exercise.
This entry was posted in company culture and tagged company culture, culture. Bookmark the permalink.


Over the passed week, I have had the honor of reading a few manuscripts not yet published. As I read them, I began to think about what drives writers to write. Where do their stories come from? The obvious answer would be from the mind, or heart, of the writer. Is that always the case though? Of course the book, in the form it is in, came from the mind of the writer, but was it always there? This leads me to my topic, the different types of writers.
This post has nothing to do with genres, writing styles, or even whether or not you are professional. It has to two with two things, and two things only. The ones who write to write, and the ones who write to win. Now that may seem like a bit of an odd way to phrase things, but please allow me to clarify. Those that write to write have a story to share. They have something deep within them waiting patiently, or sometimes not so patiently, to burst from within and make its debut onto paper. It keeps you awake at night, figuratively pokes you at random points during your day, it even interrupts your most important business meetings without hesitation. At times all you can do is write simply to evade its pestering. And when it is finally out of your head, and onto paper does it finally lapse into silence. These are the writers of passion, the ones who go on to captivate fresh minds and plant seeds of its own. These are the writers I admire.
Opposite from them, you have the writers that write to win. I despise you. Not because you do not have a story to tell, for surely as I sit typing this you sat typing your book. However these stories did not bloom within you, and did not invade your every day life. You are the ones who sit at your computer and use google to tell you your story. You use the media, the sales records, anything that tells you whats in to write your story. Suddenly, a book about clowns taking over the moon becomes a bestseller, and before we can even stop to consider just who the hell would right a book about clowns, the world is bombarded with clown books. This is your doing, you pesky writer you. Am I disdainful of your desire to write something that someone will read? Of course not. I could never despise you for wanting your book to reach an audience. Every writer wants someone to read their work, anyone who says otherwise is lying. Instead I despise you simply because you did not suffer. Google can not tell you what your passion is, only you can.
Point is, write your story, and write it the way you want, not the way you think more people would want it.
Reblogged this on Kay Froebel.
I completely agree with you. There are so many books being published that are absolutely ridiculous. You know those writers are marketing to a certain audience just so they can make a little extra cash (50 Shades of Grey comes to mind).
I have a problem. I feel like I have to write something. Something wants to be put down on paper, but I just can't get it out. Occasionally I'll think of something and jot it down, so now I have a bunch of random sentences written down and nothing to go on. I think that's why I started a blog. Maybe it will help me out.
Do you have this problem as well?


text:
Q: Dynamic generated modal and action of a form I have this error

invalid literal for int() with base 10: '" + key + "'

I generate the
session['Exit'] is a dictionary inside a dictionary
DictItems = {index:{'foo':foo.foo, ...}}

where index is a int
generated like this
numkey = len(session['Exit'])
ind = int(numkey) + 1
index = str(ind)

The code I was trying to create is

                        {% for key, items in session['Exit'].items() %}
                          {% if key %}
                            <button type="button" class="btn btn-primary" data-toggle="modal" data-target="#new_value" data-key="{{key}}" data-price="{{items.price}}" onclick="updateModal(this)">
                                {{items.price}}
                              </button>
{% endif %}

                        {% endfor %}

New_Value

          <button type="button" class="close" data-dismiss="modal" aria-label="Close">
            ×
          </button>

        <form id="modal-form" action="" method='POST' >

            <input class="form-control" name="new_value" step="any" required>

            <button type="button" class="btn btn-secondary" data-dismiss="modal">Close</button>
            <button class="btn btn-primary" type="submit">Change</button>
          </form>

{% if session['Exit'] %}

{% endif %}

I imagine that it coud be because the session['Exit'] could be empty, so i tried a {% if session['Exit'] %} but stop working when session has elements and gives the error
still if session session['Exit'] doesnt exist it shouldnt render
in other: i tried to make the key int
data-key="{{key|int}}

also in the script
var key = parseInt(element.dataset.key);

and in the key
+ parseInt(key) +

still in the url_for because is a string shouldnt give me a problem
so i tried to make the url like this in a triple level
form.action = "\"{{url_for('salidas.change_price', key=" + key + ")}}\"";

i still have the same problem
any idea what else could i try?
EDIT: the solution
basically as Detlef said
"doesn't know about the javascript variable key"
the reason escapes my understanding, because this string
document.getElementById("modal-text").innerHTML

works
so what i did is in the button that calls the data-key, renamed it to data-url and generated the url_for
and from there i just called it, leaving something like this
<button type="button" class="btn btn-primary" data-toggle="modal" data-target="#new_value" data-url="{{url_for('salidas.change_price', code=key)}}" data-price="{{items.price}}" onclick="updateModal(this)">
                            {{items.price}}
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and the javascript

redpajama_set_name: RedPajamaStackExchange


text:
The Bias List // K-Pop Reviews & Discussion
K-Pop reviews and discussion with just a hint of bias…
Top 3 Songs of the Month
K-Pop A-Z
Legendary Songs
Concert Reviews/Recaps
Random Shuffle Reviews
Music Shows & Specials
K-Pop Retrospectives
Producer Spotlight
Grading the K-Pop Agencies
K-Pop's Best Albums
Ultimate Playlists
K-Pop Reviews
K-Pop Top Ten Lists
Top Ten Title Tracks
Top Ten Album Tracks
Top Five Albums
Yearly Best-Of Lists
Buried Treasure: Twice – What You Waiting For
Posted on November 23, 2019 by Nick	9 Comments
Most of the time, a k-pop group's title track is the best song on their album. But, sometimes b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve.
What a transformation Twice's Japanese music has made this year! Previous to June's Breakthrough, I found much of their J-pop material to be downright unlistenable, but as their Korean work has shifted toward more sophisticated sounds, their Japanese output followed suit. This culminates in the release of &Twice, their second original full-length J-pop album. Song for song, it's better than it needs to be, and totally eclipses its predecessor.
For a couple of the album's tracks, Twice enlist producers with long ties to JYP Entertainment. This allows them to keep musical continuity between different markets, with much of &Twice feeling like an extension of their 2019 Korean minis. What You Waiting For was composed by Collapsedone and Mayu Wakisaka, the duo responsible for their 2017 hit Knock Knock, as well as many other Twice tracks. They bring their gift for pop melody to an ultra-cool aesthetic that finds the girls working over a catchy instrumental with shades of deep house and classic club music.
The vocally-processed hook is as effortlessly smooth as Twice has ever sounded on a dance track, and the instrumental answers with an edgy electro throb. I'm exhausted over fans' desire to constantly see their groups "mature" – whatever that means – but there's no doubt that a song like What You Waiting For feels sleeker and more composed than most of what Twice offered in their debut years. It's a good sound for them, and an excellent addition to their steadily-improving Japanese discography.
Hooks 8
Longevity 9
Bias 8
Be sure to add your own rating by participating in the poll below!
Tags: buried treasure, j-pop, jpop, jyp, k-pop, kpop, rating 8, review, twice. Bookmark the permalink.
Previous post ← Song Review: Sungmin – Orgel
Next post K-Pop A-Z Review: EXO – Smile On My Face →
9 thoughts on "Buried Treasure: Twice – What You Waiting For"
Gabriel Tan says:
I think the gap between your taste and Japanese general idol music consumer preference is even larger than the one between yours and Korean general public's.
Xenoterran says:
There is no "TL;DR" escape this time. Just read the damn post! 😛
In many of my recent posts, I seem to mosh on TWICE a lot which may imply I'm not a fan. However, I'm actually a huge ONCE. So why am I more critical? Sure, part of it is the usual "heavy is the head that wears the crown" trope along with other analogous quips like "the higher the pedestal gets, the more it wobbles", but my reasons are more selfish. If I'm going to heavily invest in them, then they need to invest in themselves; then, everyone gets a payout.
I agree with you, Nick, their maiden efforts into the Japanese market have been largely puerile. I've always thought their saccharine cross-cultural efforts were a mistake. Koreans rarely succeed in their efforts to translate "aegyo" to "kawaii". SNSD and KARA both learned this lesson quickly when they dipped their toes in the J-market. Koreans also need to abandon the "waifu" (wife) approach because there is still a lot of national divide between both countries.
Another problem with interpretatively tailored music, other than disingenuity, is the difficulty in trying to cash in on those efforts back home. If Koreans want to listen to J-Pop, then they have the genuine article already. Why, then, would they want to listen to clumsy efforts that transition even more awkwardly back into Korean?
So.. ..where does that leave TWICE? Well, with "&TWICE"; 10 more tracks attempting to bridge the Korean Strait and it's their best effort towards that goal. All 10 songs (yes, even HAPPY HAPPY) are.. ..TWICE songs. Even if you can't speak either Korean or Japanese, you can easily identify every song as coming from TWICE because they now have a "sound". Like Red Velvet, when TWICE experiments, listeners can easily recognize the group singing it.
Each song on &TWICE is a paragraph in itself, so I'm not going to break the whole release down. All I'll say is that I'm very proud of JYP and the lovely ladies of TWICE. There are some truly wondrous journeys awaiting anyone willing to explore the entire album. It this release quintessential TWICE? No, but only because the group is still active. I can't assign the "magnum opus" title until the group is no longer together. But &TWICE is worthy of top-tier praise, so.. .."WHAT YOU WAITING FOR"?; go buy it already!
I just really want to see the analysis of why "aegyo" doesn't translate to "kawaii", what are the fundamental differences and does Japanese really have a punity test of "kawaiiness"? Not in any way do I mean to rebut but just want to study further these (terrible) cultures
Sorry, but an in-depth discussion on aegyo/kawaii is going to quickly devolve into some of really dark and primal regions of human psychology. I really don't think this is a proper forum for that type of exchange.
However, if Nick gives the thumbs up, I'll reconsider; maybe.
Wm. says:
Hi! This really helped elevate my appreciation for this album. I have nothing of value or insight to add, other than – thanks for sharing!
kpopmastered says:
Really? I don't hate the song but I just found it very boring when I checked the album out and would always skip it.
I still don't know how I feel about the whole album though, sometimes I change my mind on songs out of the blue but I doubt this will be one of them, nothing about it pulls me into it.
Chris Derick says:
Glad you enjoyed &TWICE Nick! What other songs you mostly enjoyed from this album?
My favorite is How u Doin', it's so PC Music (it's a underground type of EDM music, in case you don't know it), the chorus is very memorable and the melodies are so freaking nostalgic, one of TWICE best songs imo.
mymagoogle says:
I thought is was okay, solid b-side song, but nothing more than that.
Is there a difference between aegyo and kawaii? Interesting question. Is there a difference between the US and Canada? well, yes but no, or no but yes, and.
Each week, I'll be taking a listen to the newest kpop releases and giving my thoughts. Check back frequently for new reviews and commentary on everything kpop!
Where to Buy K-Pop Albums Online
Top 3 K-Pop Songs of December 2019
BEST OF 2019 MASTERPOST
The Top 50 K-Pop Songs of 2013 (Day Five: 10-1)
The Top 50 K-Pop Songs of 2013 (Day Four: 20-11)
The Top 50 K-Pop Songs of 2013 (Day Three: 30-21)
The Top 50 K-Pop Songs of 2013 (Day Two: 40-31)
The Top 50 K-Pop Songs of 2013 (Day One: 50-41)
My K-Pop Ratings Key
Where to Buy K-Pop Albums Online: The Best Stores Reviewed!
Song Review: BTS - Black Swan
The Top Ten Best Songs by STRAY KIDS
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text:
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redpajama_set_name: RedPajamaGithub


Bhikhiwind ( Tarn Taran ) As many as 423 people including BSF personnel attended a free multispecialty health camp at Singhpura village near Bhikhiwind today . The camp was organized by Ivy Hospital, Amritsar in association with 138 BN BSF, Bhikhiwind.
JK Singh, Commanding Officer of BSF 138 Battalion along with Rakesh Panwar, second in command inaugurated the camp.
A team of doctors including Dr Sarabjeet Singh from Neurology , Dr Sumit Mahajan from Orthopedic , Dr Ajay from Gastroenterology, Dr Pardeep Kaur Bajwa from Obstetrics and Gynecology and Dr Rohit Dhawan from General Surgery provided free consultations to the people during the camp. The tests like BP, blood sugar and ECG were offered free of cost in the camp.
Sunil Dhar, GM- Operations, Ivy Hospital, Amritsar said that Ivy Hospital, Amristar is empaneled with all serving BSF employee and their dependents on cashless facility.
He said further that we are committed towards making specialized healthcare services accessible to all sections of society. Through this free medical camp, our endeavour is to address the health concerns of BSF personnel, their family and people of in and around area.
Dr Kanwaldeep, Medical Director of Ivy Healthcare Group said that we feel that it is important for people to commit themselves to a healthier future through a comprehensive health check-up on a regular basis. With this objective, our team of expert doctors has come together to counsel people on their orthopaedic, cardiac, neurology, and general medical consultation related problems. Through this health camp, we hope to extend our free services to maximum members of Bhikhiwind, asserted Dr Kanwaldeep.
blood sugar and ECG were offered free of cost in the camp.


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File size: 11 KB (5 pages).
our physical health. People are able to control their own feelings, even if they believe they can't.
Both your mental health, and you emotional health can be made better by doing various things.
health is a matter of taking a few things, as revealed in this article, and putting them into practice.
be physically active, it is also important to be mentally healthy as well.
because they expect it to be automatically worked out as long as they become physically fit.
what do you think they mean? Food and exercise are what most people think about with health.
place of advice given to you by a mental health professional).
positive things you can list for yourself.
this can help you feel a lot better.
even better if you spend time around people who are positive, cheerful, etc.
increasing your wellness, as well as feelings of happiness.
type of exercise will do, even a ten minute walk around the block.
to simply be nice to others, even something as simple as letting someone go in line ahead of you.
better. What you have to get done will be less tedious, when you spend some time being happy.
only by a pet. Being alone is hard, so having even one fish is better than that.
to step up your mental and emotional health.
To feel better on a daily basis, these tips and tricks should be able to help you.
professional for their mental health drugs.
that having good mental and emotional health is just as important as having good physical health.
down to choices, and these must be made by you if you truly want to get better.
like more help.You may also visit mood disorders treatment for some great info on this topic.
This file has been shared by a user of PDF Archive. Document ID: 00191523.


November 27, 2018 | Bay Area, CA, Global Grid for Learning (GG4L) and McREL International are pleased to announce the open application period for the Safer Schools in America Impact Grant with a total in-kind value of over $25 Million over three years.
Starting today, GG4L Member US districts may nominate up to three schools each to qualify for grants that fund several pre-integrated innovative solutions from over 25 global EdTech providers to be deployed and measured at no cost to the schools for a minimum of three years each. Any US school or school district could be a GG4L member at no cost and apply for the Grant Application. 100 US schools will be selected for the initial phase of the Grant by January 30, 2019, with 400 additional schools to be selected in later phases in 2019.
Aligned to the US national ESSA-Title IV Part A, Student Support and Academic Enrichment (SSAE) framework for school safety, the Safer Schools in America Impact Grant will capture data-driven validation research around the expansive range of activities needed to foster safer school environments, including emotional, physical and digital safety, emergency preparedness, school facilities, culture, and community engagement.
About Global Grid for Learning (GG4L) – Embracing the belief that our nation's education system impacts our future, GG4L is building innovative public and private partnerships mindfully structured to harness the power of data to solve big school challenges such as school safety, literacy, college and career readiness and student wellness. With privacy and security top of mind, GG4L's 3-way partnership between schools, industry and philanthropy, actively champions continuous cycles of improvement informed by data. By facilitating affordable access to proven solutions and efficacy data, GG4L fuels rapid innovation in education. As a membership-based Public Benefit Corporation, GG4L is committed to voluntarily meeting higher standards of corporate purpose, accountability and transparency.
About McREL International – A nonprofit research and development organization that since 1966 has turned knowledge about what works in education into practical, effective guidance and training for teachers and education leaders across the U.S. and around the world. McREL provides schools, districts, and other education organizations with high-quality research and evaluation, professional development and coaching, strategic planning, and assistance with improvement and innovation projects.


Hope Christian Trust | Contact the Trust.
Trustees are willing to speak at Churches, or Centres, about our ongoing work.
Mail - 14 Farthing Combe,Axbridge,Somerset,BS26 2DR , UK.
Janet Angle , John Angle.
Peter Burden , Rosemary Burden.
Paul Warren , Christine Warren.


text:
Jane Kent (born 1952) is an American artist. Her work is included in the collections of the Whitney Museum of American Art, The RISD Museum and the Smithsonian American Art Museum.

References

External links
Official website

1952 births
Living people
20th-century American women artists
Artists from New York (state)
21st-century American women

redpajama_set_name: RedPajamaWikipedia


Install a QR code reading app on your smartphone to scan and convert it to Preferred Home Mortgage Co contact information.
There are no reviews on Preferred Home Mortgage Co yet.
According to our records, this business is located at 1033 State Road 436 # 245 in Casselberry (in Seminole County), Florida 32707, the location GPS coordinates are: 28.6731311 (latitude), -81.4912164 (longitude). Preferred Home Mortgage Co is categorized under Mortgage Bankers and Correspondents, Nec (SIC code 6162). Known organization president is Pete Strouder. You can contact the company by phone at (407) 331-7547.


text:
Developed by CA Immo
IntercityHotel Frankfurt Central Station South
Directly adjacent to Frankfurt`s main station, the new IntercityHotel Frankfurt Central Station South has opened its doors. With 414 rooms the hotel is both the newest flagship building as well as the biggest building of the Steigenberger Group.
The architecture was created by the Frankfurt-based architects Schneider+Schumacher. The interior design was styled by the italian architect Matteo Thun. The building also has six conference rooms, a bar and a restaurant.
Overall development of the area with car-park and coach station
CA Immo Group has constructed the IntercityHotel Frankfurt Hauptbahnhof Süd as part of a new development of the entire area on the south of Frankfurt Central Station. Already in 2016, CA Immo Group had built an new car park with 350 spaces for cars and 300 bicycle spaces.
Siimultaneously with the construction of the hotel, CA Immo Group also built a new long-distance bus station for Frankfurt on the site, with a total of 14 long-distance bus platforms. The long-distance bus station was opened in April 2019.
DE|Frankfurt am Main
directly to the south side of the Frankfurt central station
18,500m²
Hotel, multi-storey car park, bus terminal
60329, Frankfurt am Main


text:
Dr. Freeman A. Hrabowski, president of the University of Maryland, Baltimore County (UMBC) and The Honorable Shirley Ann Jackson, president of Rensselaer Polytechnic Institute, are both part of US Black Engineer magazine's list of influential college presidents, provosts, and academic deans. Stay tuned for the next issue of USBE magazine.
Both presidents have a special relationship with USBE magazine. In 2001, Dr. Jackson became the first woman to receive the Black Engineer of the Year Award. Dr. Hrabowski won the top award at the BEYA STEM Conference in 2013 for his achievements in science, technology, engineering, and math (STEM) education.
In related education news, NASA announced this week that UMBC is one of the select institutions awarded fellowships given to institutions through its Minority University Research and Education Project (MUREP).
Rensselaer Polytechnic Institute received one of the five additional fellowships through mission directorate project funds.
All the awards begin in the 2020 academic year and total more than $3 million to support graduate student research. The selected projects include research into the dynamics of Mars' atmosphere, satellite communications, solar technologies, and other areas that have the potential to contribute directly to NASA's missions, including returning America to the Moon through the Artemis program.
Dr. Freeman A. Hrabowski, president of the University of Maryland, Baltimore County since 1992, is a consultant on science and math education to national agencies, universities, and school systems. He leads a university that has been recognized as a model for inclusive excellence by such publications as U.S. News & World Report, which for the past 10 years has recognized UMBC as a national leader in academic innovation and undergraduate teaching. Named one of the 100 Most Influential People in the World by Time magazine (2012) and one of America's Best Leaders by U.S. News (2008), he is the recipient of numerous awards, including the American Council on Education's Lifetime Achievement Award (2018) and the University of California, Berkeley's Clark Kerr Award (2019). Hrabowski's 2013 TED talk highlights the "Four Pillars of College Success in Science." His most recent book, The Empowered University, written with two UMBC colleagues, examines how university communities support academic success by cultivating an empowering institutional culture.
The Honorable Shirley Ann Jackson, Ph.D., has served as the 18th president of Rensselaer Polytechnic Institute since 1999. A theoretical physicist described by Time magazine as "perhaps the ultimate role model for women in science," Jackson has held senior leadership positions in academia, government, industry, and research. She is the recipient of many national and international awards, including the National Medal of Science, the United States' highest honor for achievement in science and engineering. Jackson served as co-chair of the United States President's Intelligence Advisory Board from 2014 to 2017 and as a member of the President's Council of Advisors on Science and Technology from 2009 to 2014. Before taking the helm at Rensselaer, she was chairman of the U.S. Nuclear Regulatory Commission from 1995 to 1999. She serves on the boards of major corporations that include FedEx, IBM, and PSEG, where she is lead director. Jackson holds an S.B. in physics and a Ph.D. in theoretical elementary particle physics, both from MIT.
Greg GreenSeptember 7, 2020
Staying connected. Retired EE, now teaching math/science part time.


Today we ran a story about Councilor Bill Turlay and how he is confused about email. Specifically distinguishing between his personal and private accounts.
Turlay's wife Stephanie is a semi-regular commentator on city issues. You can read about her last encounter where she criticized English-language learners' and their right to a bilingual education here.
But it looks like she also doesn't quite understand how email works. Stephanie sent an email stating her opposition to funding for the arts — an issue the council recently discussed — but had some trouble getting her thoughts from here to there. Instead, Stephanie sent her email to City Manager Eric Holmes to forward on to council.
If you want to read her view on arts funding, her email is below.
without a vote is wrong and unfair.
forcing others to pay to support my interests.


text:
When will the Media Vaccinate Mantra hit the buffers
By Mike on August 13, 2021 • ( Leave a comment )
EUROPE RENAISSANCE: book sales royalties are independent of our donations dependent information platform. We are 100% dependent upon donations without which we would close. Contact euroman_uk@yahoo.co.uk to discover how you can help us to spread the truth.
Given the spike in COVID-19 cases due to the new, more contagious Delta strain, Norway's health authorities have warned of a coming increase in hospital admissions, even among fully vaccinated Norwegians. Still, the mind-blowing truth denying media message is that the vaccines provide robust protection, especially to the elderly and at-risk groups.
So far, 1,137 fully vaccinated Norwegians have been diagnosed with coronavirus. Of these, 35 people have been admitted to hospital with COVID-19 symptoms of varying severity. 29 of these are in risk groups with a high or moderate risk of a serious course, the recent report by the Norwegian Public Health Institute (FHI) has said.
'We expect that in the future there will be more fully vaccinated people admitted to hospital because the number of fully vaccinated will increase in the weeks ahead. For the time being, we see that the number of inpatients is low, but we believe it will increase in the weeks ahead,' FHI department director Line Vold told national broadcaster NRK.
In weeks 30 and 31, 418 or 8 percent of Norway's 5,215 new COVID-19 cases were fully vaccinated. The share of the vaccinated ones is rising steadily and will continue to increase, FHI has warned. As of now, the so-called but unproven more contagious Delta strain has become the dominant one in Norway, accounting for 98 percent of confirmed cases, at a time when the number of cases reached its peak since February. Recent FHI reports also indicate a rise in hospital admissions.
Overall, the FHI described the incidence of hospital and intensive care admissions and deaths as 'relatively low', which Vold ascribed to vaccine protection for the elderly and at-risk groups.
VIDEO Messages for the people
Despite the anticipated spike, the FHI believes that the incoming wave won't reach the same scope as the previous ones that sparked national lockdowns and extensive social distancing measures, due to the fact that vaccines provide for a milder course of the disease. The rising number of infections notwithstanding and bracing themselves for a backlash from the increasingly sceptical public, the Norwegian health authorities plan to lift some of the remaining restrictions starting from the end of September.
Health Minister Bent Høie went so far as to pledge that life will largely 'return to normal', luring fellow Norwegians with the possibility of 'dancing tightly' and 'going on one-night stands again'. Still, he mentioned an underlying uncertainty in the big picture.
Big Tech is censoring us. FOLLOW MY BLOG) to continue getting our news.
EUROPE RENAISSANCE UNCENSORED STORIES. Help us to reach out by SHARING our news stories and memes. Donations information Michael Walsh euroman_uk_yahoo.co.uk
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Categories: Current Events
Tagged as: Corruption, COVID-19, crimes by government, Dictatorship, European Union, globalism, lockdown, masks, politics, restrictions, The Great Replacement, the Great Reset, Tyranny, vaccine
Jewish Actress Turned Down for Pride and Prejudice Because No One In Jane Austin's England Looked Like Her
Afghan Liberated Armies invade Europe through Poland, Lithuania and Latvia


text:
UAE- Gov Games 2020 goes global with 'International City' category
(MENAFN - Emirates News Agency (WAM))
DUBAI, 16th April, 2019 (WAM) -- The Gov Games - the Dubai government's high-energy team-building challenge is going global by adding a new category for international city teams.
H.H. Sheikh Hamdan bin Mohammed bin Rashid Al Maktoum, Crown Prince of Dubai and Chairman of Dubai Executive Council, who conceived the Gov Games initiative, announced a decision to further evolve the games into a global sporting event that will see the addition of the 'International City Teams' category to Gov Games 2020.
The evolved Gov Games 2020 format was initiated to engage global communities with the event's founding message of 'One Team, One Spirit'. The new category seeks to expand the impact of the event, in line with Dubai's commitment to be a global example of teamwork, unity and tolerance.
The new category will see many teams representing global cities competing in Dubai for a dedicated AED1 million prize.
Open to men and women, the city-teams category will take place on the same Gov Games obstacles that host the highly-successful men's and women's competitions for government departments from the UAE and around the world. The one-day city-teams category will extend Gov Games 2020 to five days.
Aside from the city-teams category, Gov Games 2020 will continue hosting dedicated competitions for male and female teams representing the UAE's government entities and federal departments. The UAE men's and women's categories will both retain separate prize funds of AED1.5 million, with AED1 million for winners, AED300,000 for second-place teams and AED200,000 for third-place teams.
The Gov Games 2019 winners - the F3 men's team led by Sheikh Hamdan, and the F3 women's team - both donated their AED1 million top prizes to charity after Gov Games 2019, which took place on Dubai's Kite Beach earlier in April.
Gov Games is organised by the Executive Council of Dubai in partnership with Dubai Sports Council.
[Image Credit: Gov Games]
WAM/Nour Salman
#UAE
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text:
Mozambique har flere betydninger:

 Mozambique – et afrikansk land i det Indiske Ocean
 Mozambique-øen – en lille ø i Mozambique, beliggende ud for landets nordøstkyst
 Mozambique-kanalen – strædet mellem Mozambique og det afrikanske fastland
 "Mozambique" – en sang på Bob Dylans album Desire


text:
Revelation's Message to Us
Revelation is a special book with a unique message.
To better understand its significance for us today, there are some principles to guide our study:
Humility.
Realising the dangers of self-deception.
The importance of prayer in asking God to guide us as we read this book.
Spending most of our time in the areas that are more readily understood.
Discovering the meaning for the original recipients, then for us today.
Conducting our study in a group.
Concentrating our study on how this book reveals fresh insights into understanding Jesus Christ
Do we Know who Wrote Revelation?
See Revelation 1:4
John wrote Revelation with no need to present himself. The churches in Asia Minor already knew him very well. He is probably thinking in Hebrew and writing in Greek. His Greek grammar is not so good. He probably has no one to help him—no secretarial assistance.
It is generally accepted that John was one of the disciples of Jesus. Revelation reads like a pastoral letter to the seven churches.
Where was the Author Located?
John was on the island of Patmos, a small, barren island just off the coast of Asia Minor, when he received God's messages.
Read Revelation 1:7
The return of Jesus is a theme that runs throughout Revelation: It is featured in the prologue.
Read Revelation 22:7, 12 & 20
It is also woven into the epilogue.
The last half of the book features events leading up to the return of Jesus to this world and uses imagery from the sermon He gave about the end of the world.
Island of Patmos, Port of Skala | David Henderson | Getty Images
When was Revelation Written and for Whom?
Numerous second and third century sources report Revelation was probably written during the time of Domitian—between 81 and 96AD. It was when this Roman emperor was beginning to give Christians a hard time. The worst of the persecution for the Christians was soon to come and this book was written to encourage and warn the seven churches.
But we will see that Revelation's messages spill over into helping all of us living many centuries later. An important reason for believing this is that many of the seeds for John's book came from a well-known sermon Jesus gave on the Mount of Olives in Jerusalem about the end of the world. He gave this sermon shortly before He was crucified.
This end-time sermon provides both clues as to when Jesus' return is near and instruction on how to find hope, meaning and purpose in our lives today, as we approach the end.
As Jesus gives His answer, He sometimes talks about the destruction of Jerusalem. But He also speaks of the whole world being involved.
Jesus speaks of the destruction of Jerusalem and the end of the world as if they were the one event. Why do you think He did this?
The destruction of Jerusalem is a miniature event that teaches people about how the end of the world will come about.
Jesus didn't explain that the two events would be separated by centuries.
This knowledge would surely have discouraged them.
Map of Ancient Roman Empire | Andrew Howe | Getty Images
Using one event to foreshadow another greater event is an important feature found in Bible prophecy. A small, local event becomes the model that also applies in many respects to a larger event that follows in the future.
Jesus said before Jerusalem was to be destroyed there would be indications when this dramatic event was near.
He explained how certain events would precede the destruction of Jerusalem in the first century AD.
Read Matthew 24:4–8
Wars.
There were wars in different parts of the empire in the 60's. This was particularly true around Palestine. There were guerilla and terrorist activities going on all over Palestine.
Famine.
In 44 AD, there was a famine in Palestine. There were four famines alone in the short reign of Claudius.
Pestilences.
Luke 21:10 adds pestilences to the list— "There will be great earthquakes, famines and pestilences in various places." Some 30,000 people died of the bubonic plague in Rome at the time of Nero, in just one autumn season.
Earthquakes.
In 60 AD, Laodicea was levelled, followed by Pompeii in 63 AD. Pompeii was just being rebuilt when Mt Vesuvius wiped it out in 79 AD. Earthquakes became common in the middle of the first century.
Appearance of false Christs and false prophets.
Jesus said there would be many. The Jewish historian Josephus tells us there were many false messiahs; Palestine was being torn apart by deceivers and impostors who promoted a revolt against Rome.
Matthew 24:15–17 talks of a strange power described as the abomination that causes desolation. Jesus interprets this in Luke 21:20 as fulfilled when the Romans crushed Judah— "when you shall see Jerusalem surrounded by armies, you will know that its desolation is near."
Historians tell us how this was fulfilled before Jerusalem was destroyed in 70 AD. They massacred the small Roman garrison in Jerusalem so the Roman governor of Syria, Cestius Gallus, gathered an army of 30,000 men and marched toward Jerusalem. After trying to enter Jerusalem via Herod's palace and then the northern wall of the Temple Mount, he surprised the Jews by retreating toward the coast. The Jews drew courage from this retreat and pursued the Romans, wiping out almost 6,000 Roman soldiers.
The Roman armies carried standards, which they worshipped. They were on long poles with crossed arms near the top.
Each legion had its own symbols. To the Jews, this was idol worship. Idol worship was an abomination and the land outside the walls of Jerusalem was considered holy ground.
Therefore, Matthew describes this event as an abomination that causes desolation standing in the Holy Place, while Luke says it more clearly as Jerusalem being surrounded by armies.
Jerusalem, view from the Mount of Olive | Fred Froese | Getty Images
In Matthew 24:29–31, Jesus is clearly talking of the end of the world as we now know it.
Jesus prophecy not only predicted the destruction of Jerusalem in the first century; it predicts the end of the present world and also gives us indicators by which we can know it is drawing near.
The first century Christians remembered Jesus' sermon and, when they saw his predictions happening, they knew they must flee.
They saw the withdrawal of the Roman armies as their chance and they fled to a nearby city called Pella.
Later, the Romans returned under Titus. This time, the city was destroyed but not one Christian lost their life. They had followed what Jesus had said.
Notice in verses 32 to 35, there will come a time when a generation will see all these things happen. But they will be given indications when the time is drawing near.
At the same time, He also warns us in verse 36: "no-one knows about that day or hour."
Jesus goes on to describe life in this world and how it will be until He returns to this world again.
But before we consider this, let's take a look at how many people a little more than 100 years ago spoke of life in the 20th century.
The late 19th century was a time of optimism. Modern science was making an impact. It seemed humanity was going to control the future for itself.
Notice what one famous man said: "I see a world where thrones are crumbled and where kings are dust. I see a world without a slave and man at last is free. I see a world at peace, a world in which no exile sighs, nor prisoner mourns. I see a race without disease of flesh or brain, shapely and fair, married harmony of form and function and as I look, life lengthens, joy deepens, love canopies the earth, and all over the great dome shines the eternal star of human hope."
This man was Robert G Ingersoll. He was a sworn enemy and mocker of the Bible. But let's compare what he and others said about the future 100 years ago with what Jesus Christ said 2,000 years ago.
We can expect the same events Jesus spoke about being a prelude to His reappearing. They occur like a woman's birth pains, when contractions become more frequent and stronger just before the baby appears.
This is certainly true of war and our ability to destroy ourselves. We now have sufficient capability to destroy all life on this planet.
Today, the world is involved in a global fight against terrorism. What makes this war different to the two world wars of the past century is that there are tens of thousands of combatants who actually want to die and, in the process, kill as many non-believers as they can with them. They want to cause people to become afraid to travel, even on public transport.
We can expect wars in the future to be fought in ways very different to the past. For example:
Hacking into another nation's computers, causing them to crash. The effect of this would be to immobilise communications, as well as key infrastructure such as water, electricity and defence capabilities. Developing diseases to infect specific people types. This enables the unaffected invaders to simply take over those who are infected without destroying or damaging valuable infrastructure or the environment.
Famines
Today, more than 1 billion people live on the equivalent of less than a dollar a day. The richest 20 per cent of the world's people use 86 per cent of the resources, while the poorest 20 per cent employ only 1.4 per cent.
Eight hundred million people are malnourished or facing starvation. A quarter of a million children die every week from malnutrition and easily-preventable diseases. While we know 80 per cent of brain development occurs by age two, 150 million children in the world still lack the protein intake necessary for adequate brain growth, leading to permanent retardation.
More than a quarter of a million people lost their lives in the Boxing Day tsunami in 2004.
In 2008, more than 70,000 perished in the devastating Szechwan earthquakes in China, and also in the 2010 earthquake in Haiti and instantly caused millions to be homeless.
Jesus said there would be earthquakes in different places and today we see them happening in many places around the world.
False Christs and False Prophets
Jesus said there would be false Christs and prophets. They will show signs and wonders.
We live in a world today that is fascinated and obsessed with supernatural "signs and wonders" in the spiritual realm. The Book of Revelation gives us many warnings not to believe in all we see.
As we work through Revelation, we will see how important it is to heed the warning Jesus gave us about false Christs and false prophets.
Hope, Meaning, Purpose
All these events show us that we are drawing toward the end of human history. To this day, life is as Jesus said it would be. How important it is to understand the messages given in this book.
The world we live in at the moment is a world without much hope or meaning to life. But Revelation teaches us not to be discouraged or frightened about the future. God is still in control of this world.
Although He is warning us of difficulties we are yet to experience, also He gives us hope that He will be there to help us face the future. If we accept what Revelation is telling us, we know the best is yet to come.
Jesus said there will always be:
• Wars • Famines • Earthquakes in various places • False Christs and prophets
But as the end of the age draws near, these events will intensify.
Tell us," they said, "when will this happen, and what will be the sign of your coming and of the end of the age?"


text:
I Would Rather Be Invisible Than Absurd, Jamming, 01/03/2014
I few months ago, I wrote a post about Albert Camus; to be more specific, it was about Edward Said's reading of the colonialist presumptions and absences within his most famous work, The Stranger. I recently started reading Ralph Ellison's Invisible Man, sparking a few thoughts in relation to Camus' work, which I think can be enlightening. When I first wrote the Camus post, I advertized a little more widely than usual — beyond Facebook and Twitter, I also went to a couple of Reddit boards — and it got more hits than any other. But there was one critique of what I had written that stuck out to me, which was that I didn't understand the concept of the Absurd Man.
If you're making a film in Europe about the alienation of a
decadent, nihilistic character who symbolizes all the
existential emptiness of post-War European Man™, you
cast Marcello Mastroianni. Federico Fellini did it with La
Dolce Vita, and Luchino Visconti did it with his adaptation
of Camus' The Stranger.
Now, I can understand why this Reddit user would say such a thing. The Stranger is the fictional articulation of a universal posit about human nature itself, whose philosophical version is The Myth of Sisyphus. At least, this is how it's most often presented to people. Camus had more philosophical subtlety than this in his writings, but one can definitely see the common territory between the two works. Basically, the philosophical point is that we all live isolated from each other, that no one can ever truly know our personal perspectives on life, and this personal viewpoint is the sole true source of meaning in our lives. Meursault is only interpreted as having no concern or emotional connection to the death of his mother because he doesn't express it in the customary way. He practically alienates himself from people because he appears emotionally dead, externally. But this only shows our actual alienation from each other. We all have our own burdens to shoulder, and no one will ever help us or even be able to understand those burdens.
There are other ways to explain absurdity, about as many as there have been literary theory papers about it. But this will suffice for my purpose today. Because reference to the universalism of what Camus is trying to say doesn't overcome Said's basic critique of The Stranger, as well as The Plague: its Arabs are invisible. This would be uncharitably interpreted as Said attempting to invalidate Camus' philosophical perspective by reducing that perspective to an erudite expression of racism. And it's exactly what a bad post-colonialist reading of the product of an imperialist culture does. It's exactly why such reduction is a bad post-colonialist reading.
A good post-colonialist reading would understand how Camus' universalizable idea failed to achieve all that it could precisely because of the invisibility of Arab people in the social world of his characters. There was an enormous, complicated aspect of Camus' world that he left behind. The basic concept of the absurdity of life can hold, and remains philosophically rich and useful. The problem with Camus' version is that Meursault himself is too solipsistic. Even The Plague, which is my favourite of Camus' novels because it focusses on how worldly friendships and community-building can overcome our individual alienation, remains incomplete because these wider relationships are ignored.
If Camus had lived long enough to write a truly political novel, it would have been brilliant. Camus was always a partisan for French colonial control of Algeria: he was a French Algerian, and Algerian independence under Arab rule would have disenfranchised its white and mixed citizens. Indeed, it did. But Camus never engaged with his own thoughts on Algerian independence as a wider social phenomenon; he only saw how people like him, the poor whites of French Algeria, would have been left behind. He couldn't sympathize with Arab Algerians because his own personal heritage embedded him in that war on a partisan side.
I don't fault Camus for this lack of engagement. It takes a long time to understand the historical and cultural perspectives of a people who have declared themselves your enemy. A lot of people never do. I think Camus had that potential because of the nuance of his thought. I think an aged Camus and Jean-Paul Sartre could have reconciled their friendship after May 1968 and the conservative counter-revolution of Europe in the 1970s.
Of course, that never happened because Camus died in a car crash in 1960, two years before the Algerian War even ended. He simply never had a chance to write a great political novel about poor white French Algerians: people who were shut out of the material wealth of the colonial elite, but who were never able to join the cause of the revolutionaries because their race made them complicit with the colonial powers in Arab eyes. He never got to write a gritty, brutal, philosophically deep, epic novel of the Algerian war from the viewpoint of people who always lose in every violent political revolution: poor people, no matter their race. I think that if Camus had lived, he would have had the potential to become one of Europe's great chroniclers of revolutionary war in the 20th century, alongside Gillo Pontecorvo. But he died.
I've heard criticisms of existentialism that it is an
apolitical philosophy that offers no ethical
guidance for your political life. This is true unless,
like me, you consider Invisible Man to be an
existentialist novel.
Instead, we have Ralph Ellison. I'm probably not the first to compare these books; indeed, the comparison strikes me as obvious. Ellison's protagonist lives a life story punctuated by his attempts to strike his own perspective into institutions and movements that would make him no more than a cog in their machines, a voiceless element in a larger plan. Invisible Man speaks to the irreducibility of an individual's singularity in the face of wider social values, conventions, institutions, and structures. Just as The Stranger did. But in this regard (as well as differences in style and form), Invisible Man is the better book. After all, imagine if The Stranger's protagonist was an Arab.
Invisible Man presents a protagonist with a very different type of story, more multifaceted in what kinds of incidents it includes and what kinds of people appear. It's about someone who just wants to make a positive statement for himself, always with justice in mind, but who is overcome and silenced by his surroundings. Meursault does the same thing, but can only justify it through his individuality alone; separate from political contexts, he only has his raw singularity. That raw singularity is important to understand, but we in our lives have more than our singularity on which to draw. Ellison's narrator has mobilized his political existence, his entanglement with the world, to justify the singularity of his existence with a power from which Meursault has separated himself: a call for justice.
Labels: Albert Camus, Existentialism, Jamming, Politics, Ralph Ellison
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Vendor ends six-month wait for patches.
McAfee has issued patches for ten flaws in its enterprise version of VirusScan for Linux that allow attackers to remotely take over a system, after originally being notified of the security holes six months ago.
MIT Lincoln Laboratory researcher Andrew Fasano yesterday revealed he had reported to McAfee in June that attackers could remotely execute code as a root user by combining ten separate security vulnerabilities.
Four of the flaws are deemed critical. Attackers can exploit CVE-2016-8020, CVE-2016-8021, CVE-2016-8022, and CVE-2016-8023 to escalate their privileges to root and remotely force the target machine to run malicious script.
The six additional flaws involve a cross-site scripting vulnerability, file test and read bugs, HTTP response splitting, tokens forgery, and authenticated SQL injection.
The vulnerabilities exist in at least VirusScan Enterprise for Linux version 1.9.2 to version 2.0.2, released in April, Fasano said.
"At a first glance, Intel's McAfee VirusScan Enterprise for Linux has all the best characteristics that vulnerability researchers love: it runs as root, it claims to make your machine more secure, it's not particularly popular, and it looks like it hasn't been updated in a long time," Fasano said.
"When I noticed all these, I decided to take a look."
He said he reported the flaws to McAfee in June.
Public disclosure had initially been set for August, but Fasano said the company requested an extension until September at the earliest.
He claims to have heard nothing for three months from the September deadline, before he issued McAfee a public disclosure date of December 12 in the first week of that month.
McAfee published a security bulletin and assigned the CVE IDs on December 9.


A full month into the 2018/9 school year, Samantha and Amy are already working to develop a shared language of learning as Kings' looks to supercharge the educational environment with a new initiative focused on team development through coaching and mentorship, best practice, and CPD opportunities.
With Samantha appointed Lead Practitioner for Foundation Stage/Year 1 and Amy for Years 2-6, the strategic goal is to ensure the highest levels of teaching and learning across all year groups, from FS1 to Year Six, along with specialist teaching.
Observation and data collection underpin the process, with subsequent analysis of the impact of the teaching teams on the learning experience allowing the pair to map out internal and external staff professional development opportunities, as well as providing mentoring and coaching support.
The final piece in the puzzle will be to evaluate the overall process and oversee maintenance of teaching standards and practise across all areas. "Developing inspiring learning environments across the campus is a key focus for the year ahead, so our children can learn in a space that enables independent, collaborative and creative individuals," said Samantha.
Both teachers received coaching and mentoring training as well as being able to draw on their combined years of leadership experience as part of the Kings' family and throughout their career.
"Staff development is a strength within Kings' schools, and over the last three years I have been given many opportunities by the leadership team to take risks, share ideas, lead initiatives and reflect and improve on current practice. This mentoring and support has hugely enhanced my professional development, and has pushed and driven me to want to make a bigger impact," remarked Amy.


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