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La Fortezza è un dipinto a tempera su tavola (167×87 cm) di Sandro Botticelli, datato 1470 e conservato nella Galleria degli Uffizi a Firenze. Si tratta della più antica opera sicuramente datata di Botticelli.

Storia
Sette Virtù vennero commissionate con un contratto datato 18 agosto 1469 a Piero del Pollaiolo dal Tribunale della Mercanzia (l'organo che soprintendeva alle corporazioni di arti e mestieri di Firenze e giudicava i reati di natura commerciale) per decorare le spalliere degli stalli nella sala delle Udienze della sede in piazza della Signoria. Si conosce anche una seconda delibera che confermò l'incarico, al quale dovette partecipare, ma non sappiamo esattamente in quale misura, anche il fratello di Piero, Antonio.

La Carità fu la prima tavola ad essere eseguita, tanto da essere consegnata già nel dicembre 1469. La bottega del Pollaiolo eseguì sei dei sette dipinti previsti; il settimo, la Fortezza venne eseguito dal giovane Sandro Botticelli.

Il giovane pittore venne scelto su suggerimento del magistrato della Mercatura Tommaso Soderini, a sua volta consigliato da Piero il Gottoso de' Medici che aveva preso l'artista sotto la sua ala protettiva. Ciò avveniva alla fine del 1469, lo stesso anno in cui Piero morì, e la tavola venne ufficialmente allogata nel maggio 1470, per essere rapidamente consegnata entro il 18 agosto, quando fu versato il saldo. La tavola piacque ai committenti, che avrebbero voluto affidare a Botticelli una seconda virtù, ma le proteste energiche del Pollaiolo, assecondate dall'Arte dei Medici e Speziali (che accoglieva anche i pittori), fecero desistere dall'iniziativa.

Citata dall'Albertini nel 1510, in seguito alla soppressione del Tribunale nel 1777 venne immagazzinata, per poi essere trasportata agli Uffizi, dove venne esposta solo dal 1861: prima di allora lo stato di conservazione non era giudicato sufficientemente buono, infatti delle sette Virtù era normalmente esposta la sola Prudenza.

Il restauro del 1994 ha recuperato la forza plastica della figura, la luminosità del trono e della corazza indossata dalla figura, mentre la freschezza del volto è rimasta un po' compromessa dalle precedenti puliture. In quell'occasione si è inoltre proceduto a esaminare la tavola con riflettografie, che hanno messo in luce il disegno preparatorio, molto elaborato e con diversi pentimenti.

Descrizione e stile

La Fortezza, intesa come determinazione, tiene in mano un bastone del comando e siede su un ampio trono marmoreo con bracci a volute, di ispirazione verrocchiesca. Rispetto alle tavole del Pollaiolo l'opera, sebbene importata su uno schema medesimo, mostra notevoli differenze.

Il colore e il plasticismo marcato derivano dall'esempio di Filippo Lippi, primo maestro di Sandro, così come il tipo fisico della donna dalla bellezza idealizzata, anche se energico e leggermente malinconico come tipico in Botticelli. Le forme sono però più solide e monumentali, animate da una tensione lineare appresa da Antonio del Pollaiolo. Il trono, al posto dell'austero scranno marmoreo del Pollaiolo, è riccamente decorato e dalle forme fantastiche che costituiscono un preciso richiamo alle qualità morali inerenti all'esercizio della magistratura, in pratica un'allusione simbolica al "tesoro" che accompagnava il possesso di questa virtù. Esso è scorciato in maniera meno distorta delle altre Virtù ed è finemente decorato ma meno prorompente, grazie all'uso di colori più scuri che fanno emergere, per contrasto, la figura principale: l'effetto è che essa non sembra nemmeno seduta, ma giustapposta in primo piano, secondo una spazialità che ha un che di onirico. La ricchezza del panneggio della veste, pesante come se fosse bagnato (come nellIncredulità di san Tommaso del Verrocchio) definisce la struttura corporea, ma al tempo stesso la smaterializza, accordando un privilegio alla linea di contorno rispetto agli altri elementi espressivi. Grande capacità è dimostrata nella resa dell'armatura lucida e finissimamente decorata, che dimostra una conoscenza approfondita dell'arte orafa.

Fu proprio la continua ricerca della bellezza assoluta, al di là del tempo e dello spazio, che porterà Botticelli a staccarsi progressivamente dai modelli iniziali e ad elaborare uno stile sostanzialmente diverso da quello dei suoi contemporanei, che lo rese un caso praticamente unico nel panorama artistico fiorentino dell'epoca.

Note

Bibliografia
L'opera completa del Botticelli, collana Classici dell'arte Rizzoli, Rizzoli, Milano 1978.
Bruno Santi, Botticelli, in I protagonisti dell'arte italiana, Scala Group, Firenze 2001. ISBN 8881170914
Pierluigi De Vecchi ed Elda Cerchiari, I tempi dell'arte, volume 2, Bompiani, Milano 1999. ISBN 88-451-7212-0
Gloria Fossi, Uffizi, Giunti, Firenze 2004. ISBN 88-09-03675-1

Voci correlate
Temperanza (Pollaiolo)
Prudenza (Pollaiolo)
Giustizia (Pollaiolo)
Fede (Pollaiolo)
Carità (Pollaiolo)
Speranza (Pollaiolo)

Altri progetti

Collegamenti esterni

Dipinti di Sandro Botticelli
Dipinti su Virtù
Dipinti negli Uffizi

redpajama_set_name: RedPajamaWikipedia


In my last blog, I discussed the first three challenges of native SAP tax compliance for growing companies facing multifaceted indirect tax requirements and continuous compliance mandates. These ranged from regional disparate ERP systems and custom workflows, shortsighted regulatory updates and ERP administration.
Additional challenges your IT, finance and tax teams face are discussed below.
With more companies focusing on global integration and trade, cross-border supply chains and expanding ecommerce, governments are utilizing more sophisticated technology and introducing new ways to enforce sales taxes, gross receipts taxes, excise taxes, shipping taxes and taxes on profits. The regulatory environment is digitally transforming around us, and it produces unique tax determination and reporting challenges in the U.S. and around the globe. These regulations disrupt operations and impede growth for businesses caught unprepared.
Companies face new and varying VAT requirements at every turn. As manufacturers increasingly sell direct-to-consumer, countries expand their VAT requirements and governments worldwide employ sophisticated technology to keep pace with ecommerce and e-services. While some ERP systems handle VAT needs effectively at a basic level, their ability to keep pace with evolving rules in different jurisdictions is a major shortcoming, leaving companies with a patchwork of local providers, solutions and inefficient business processes.
VAT, if it is not managed properly, poses a major risk to a company's bottom line and reputation. Often viewed as an unwelcome administrative task, businesses fail to realize just how much VAT the company is generating and the financial ramifications for errors in VAT filings. On average, at-risk VAT totals about 20 percent of sales and purchases within an organization, meaning multinationals manage billions of dollars of VAT daily.
There are 45 states in the U.S., including the District of Columbia, that have unique tax laws and reporting requirements. Identifying and applying the correct sales and use tax for each state or jurisdiction can lead to what some tax managers have described as, "death by a thousand paper cuts." This can culminate in hefty fees and penalties for businesses if the rates and rules are not constantly tracked, updated and managed.
eCommerce tax collection in the United States has recently become more challenging, as the Supreme Court decided in favor of South Dakota in South Dakota v. Wayfair, giving states the freedom to amend their rules to impose sales tax based on "economic presence" or nexus. Remote seller legislation and state nexus threshold rules are being adopted by more states monthly to address remote sales, and businesses should pay close attention to any states moving to tax remote commerce where they have more than $100,000 worth of sales or more than 200 transactions to avoid potential fines.
Side note: On the last day of October, the state of South Dakota settled with online sellers, Wayfair, Overstock and Newegg. The settlement removed the injunction that prevented South Dakota from requiring the companies to comply with the remote seller law. Each will have to comply beginning January 1, 2019.
Companies still relying on native SAP tax compliance, manual processes, spreadsheets, and disparate instances of SAP ECC or S/4HANA and other tax data-related technologies may be ill-prepared to scale up the number of jurisdictions in which they are required to register, collect and remit sales tax accurately within the requisite timelines. Additionally, tax teams must be ready to extract and provide transactional data to regulators across the country. I've already addressed the use tax and procurement challenges the Wayfair ruling causes on the accounts payable side of the business that must now scrutinize a larger number of vendor invoices for correct sales and use tax determination.
In my final post, I'll discuss the rise of real-time transaction controls, the global e-invoicing clearance model trend and the effect on cloud-native purchasing applications.
Learn how to minimize business disruption during an SAP S/4HANA upgrade project in the wake of modern tax: Read Preparing SAP S/4HANA for Continuous Tax Compliance and don't let the requirements of modern tax derail your company.
The post 10 Challenges of Native SAP Tax Compliance – Part Two appeared first on Sovos Compliance.


This variety of plastic puzzles provides challenging mental exercises for sharp young minds. Your children will go crazy trying to solve these Plastic Puzzle Balls. These balls are a great addition to any goody bag or prize chest. Made of high quality plastic for durability. NOTICE: The "Oojami" seller is the only authorized seller, we do not sell wholesale so there should be NO other sellers; Any other sellers are illegally selling their own products using our registered Trademarked company name. In this listing, purchasing from any seller other than "Oojami" will result in a potentially faulty product that may be unsafe and cause injury. Please be sure to purchase this product from the "Oojami" seller to avoid any problems with your product and to ensure both your safety and satisfaction.


text:
Police: Thieves followed delivery truck, stole packages
MOUNT EPHRAIM – Something just didn't seem right about the SUV following an Amazon delivery truck.
Police: Thieves followed delivery truck, stole packages MOUNT EPHRAIM – Something just didn't seem right about the SUV following an Amazon delivery truck. Check out this story on courierpostonline.com: http://on.cpsj.com/2mOj97H
The Courier-Post Published 12:14 a.m. ET March 22, 2017 | Updated 11:22 a.m. ET March 22, 2017
Mount Ephraim police say they're trying to identify the owners of these stolen purses and shoes.(Photo: Mount Ephraim Police Department)
So the sharp-eyed borough employee who spotted the suspicious activity decided to tail the vehicles from a distance – and tipped off authorities to a pair of package-pilfering thieves, Mount Ephraim police said.
Grover Crandall of Williamstown and Charleston Carter of Clementon were arrested on charges of theft and related offenses, authorities said.
Police said the tipster saw one of the men swipe a package from the doorstep of a Harding Avenue home on Tuesday shortly after it was delivered. He contacted a patrol officer, who stopped the suspects' Dodge Journey minutes later and arrested the two men.
More:Suspects flee after gunfire in Mount Ephraim
Police said they believe several items found in their SUV were stolen in similar crimes, including incidents in neighboring towns.
Gloucester City police said one package found by investigators was addressed to a residence on Chestnut Avenue in Gloucester City. They urged any residents of Gloucester City, especially those from the Cypress Gardens and Park Manor neighborhoods, to file a police report if they are expecting packages that they think might have been stolen.
Mount Ephraim police said they were still trying to identify the owners of some of the recovered items, including several pairs of shoes and purses.
Detectives praised the borough employee whose tip led to the arrests.
"For his own safety and privacy, we're not identifying the employee that is largely responsible for this arrest, but he knows who he is and we GREATLY appreciate his attention and dedication to our community," the police department said in a Facebook post announcing the arrests.
Facebook | @Mount Ephraim Police Department
***A sharp eye, great communication and a quick
Read or Share this story: http://on.cpsj.com/2mOj97H

redpajama_set_name: RedPajamaCommonCrawl


Only 10 people would be left competing for votes from the top 16 selected by the judges during the auditions.
Drama, heartbreaks, and tears are expected to trend on the Idols South Africa stage on Sunday evening as the dreams of six hopefuls come to an end.
The show started early this year with hundreds of people who thought they could sing auditioning across the country and on Sunday, only 10 will be left from the top 16 as they compete for votes.
Voters have in the past two weeks chosen the competitions' top 10 and are indirectly affecting the future prospects of six contestants.
On Sunday, Idols host Tebogo "Proverb" Thekisho is expected to announce those who have made it into the top 10.
Last Sunday, the eight remaining girls kicked off the show with Beyonce's Run the World and Formation.
Some of the notable acts included Thando who sang American Idol alumna Jennifer Hudson's Giving Myself.
Another contestant who had the crowd on their feet was Xae, who is a self-confessed car karaoke lover. She sang SZA's Broken Clocks which left Randall Abrahams speechless, Somizi Mhlongo shouting "genius", and Unathi Nkayi calling it "brilliant".
Season 14's youngest contestant Yanga then came in with Adele's hit, Don't You Remember, which was a favourite for Somizi and Unathi.
Two weeks back, the guys kicked off the live performances at the State Theatre in Pretoria.
The eight officially opened the season with some smooth sounds from The Temptations chart-toppers, Treat Her Like A Lady and Lady Soul, in honour of Women's Month.
Some of the notable contestants include Sandile, who came on with an up-tempo version of Nathi's hit, Nomvula.
Somizi predicted he'll make it to the top 10 because "your performance was as tight as those pants".
Lincoln from the Cape Flats took on the dramatic James Bond theme song Writing's On The Wall by Sam Smith.
"You are a consummate performer. You gave me goosebumps; and when I saw your eyes roll back, I knew you were in the moment," said Unathi after his performance.
The crowd's favourite, King B from Kagiso, brought the house to its feet when he sang Stay With Me by Sam Smith and Unathi described his act as "the performance of the night".
The music competition show airs on DStv channel 161.


Items 3-4 - 3. Discuss rebuilding/replacing Public Housing. 4. Discuss Conciliation Agreement.
3. Discuss rebuilding/replacing Public Housing.
Item 5 Part 1 - Question and Answer period pertaining to rebuilding/replacing Public Housing and the Conciliation Agreement.
Question and Answer period pertaining to rebuilding/replacing Public Housing and the Conciliation Agreement.
Item 5 Part 2 - Question and Answer period pertaining to rebuilding/replacing Public Housing and the Conciliation Agreement.
Item 5 Part 3 - Question and Answer period pertaining to rebuilding/replacing Public Housing and the Conciliation Agreement.
What is the result of adding 9 and 3?


To ensure compliance with federal and local requirements, updates to AWARDS are performed behind the scenes, while our Client Services team communicates with you about how these changes might affect your workflow. Because Foothold grew out of human service agencies, we can be proactive about preparing our clients for upcoming changes in technology and the industry. AWARDS is HIPAA-compliant, is federally certified as an Electronic Health Record (EHR) for Meaningful Use and offers full interoperability with any other federally certified system for participation in Health Information Exchanges (HIE) and RHIOs. It is also the only record-keeping system that is certified as both a Behavioral Health EHR software system and a HMIS software package (Homeless Management Information System). Below are just a few of our certifications.
This AWARDS Electronic Health Record is 2014 Edition compliant and has been certified by an ONC-ACB in accordance with the applicable certification criteria adopted by the Secretary of the U.S. Department of Health and Human Services. This certification does not represent an endorsement by the U.S. Department of Health and Human Services or guarantee the receipt of incentive payments.
While AWARDS is HIPAA-compliant, Foothold understands that our customers may be confused about their responsibilities under HIPAA and experiencing some difficulty in determining whether and to what degree HIPAA affects them. Below you will find a link to a BAA that you should ask us to sign as well as a link to the Federal HHS home for HIPAA-related questions. (This information is provided "as is" without any express or implied warranty. This information does not constitute legal advice. If you require legal advice, you should consult with an attorney.) Additionally, Foothold has developed relationships with a number of high-quality, nationally known security firms and would be happy to put you in touch with them should you be interested.
For the most part, our industry has never really thought of itself as being part of the larger physical healthcare system and so, in many cases, HIPAA is thought of as something that your vendors can take care of for you. While that may be true in many cases, you are, in all likelihood, a Covered Entity under HIPAA and as a result, it is worth your looking into whether and to what degree your organization reflect the principles behind HIPAA.
Click here for a sample agreement that should be signed by and between the provider and any and all Business Associates as defined by HIPAA.
Click here for a link to the Federal HHS HIPAA Page.
Here are a few links with valuable information on HIPAA and compliance.
Organization contracted to write and provide the implementation guides.
New York State OMH HIPAA information.
Among other things, the new HIPAA regulations are designed to protect the security and privacy of agencies and the consumers they serve. At Foothold Technology, security is our top priority. Using Secure-Socket Layer (SSL) and 256-bit encryption technologies, Foothold Technology's security is second to none. We utilize several layers of encryption to protect data from both external sources and internal accessibility. Below are a number of our specific security measures which should address any concerns you may have.
AWARDS safeguards the confidentiality of chart records.
All system users must authenticate themselves using a login and encrypted password. Passwords must meet minimum standards such as not using words found in a dictionary.
Your agency has its own separate database and database server process with login accounts for your agency's staff only.
The database server is protected by a "firewall" that by default blocks all access except the secure sockets layer connection to the web server process running for your agency alone.
All data transmitted to and from the database server uses 256-bit encryption, the highest legal limit. This is the same encryption used by online banking.
Physical access to the servers is under lock and key. Backup media can be transported offsite by messenger and stored at a secure site under lock and key.
No access to chart records is permitted unless the user is Direct Care staff in that clinical program as determined by caseload information, or the user is a supervisor in that program, or that program's director has granted a specific permit to the user.
Access to progress notes is restricted to the past 10 days unless the consumer is on the caseload of the user, or the user is the program director, or the program director has issued a specific permit to the user. All exception permits have expiration dates set at the time the permit is issued.
AWARDS keeps an audit trail each time a progress note is viewed.
AWARDS blocks all access to notes concerning incidents except by the note writer and users who have a permit to access these notes.
Whenever an exception permit is issued to grant access to chart records, all administration staff with permits to issue such permits are automatically notified by an internal email message.
Foothold Technology completed a 3rd party HIPAA compliance assessment. Check out this summary from our cybersecurity consulting firm, GreyCastle.
In 2010, the New York State Department of Health (NYSDOH) announced that the federal Centers for Medicare and Medicaid Services (CMS) approved the State Plan Amendment authorizing the Ambulatory Patient Group Payment (APG) Medicaid payment methodology for freestanding Diagnostic and Treatment Centers and Ambulatory Surgery Centers on June 14, 2010. Foothold Technology is prepared to handle the transition to new service categories, codes, and billing rules. Click here to learn more about APGs and AWARDS.
"Level Seven" refers to the seventh level of the International Organization for Standardization (ISO) seven-layer communications model for Open Systems Interconnection (OSI) - the application level. The application level interfaces directly to and performs common application services for the application processes. Although other protocols have largely superseded it, the OSI model remains valuable as a place to begin the study of network architecture. View our updated certification here.


text:
EA 1946, también denominado Eole, fue un cohete francés desarrollado durante 1946 a partir del EA 1941. Fue el segundo cohete desarrollado por Jean-Jacques Barre tras el EA 1941, y último de su tipo. La autorización para el comienzo del desarrollo partió del LRBA (Laboratorio de Investigación de Balística y Aeronáutica, en francés) el 15 de octubre de 1946. El EA 1946 tenía como competidor directo al cohete Véronique, diseñado para el LRBA por un equipo alemán.

El diseño original utilizaba gasolina y oxígeno líquido como propelentes, con un empuje de 100 kN. Las pruebas estáticas comenzaron en Vernon en febrero de 1949. La primera prueba estática fue exitosa, pero la segunda (en enero de 1950) acabó en explosión, destruyendo el banco de pruebas. Fue entonces cuando se decidió cambiar la gasolina por etanol como propelente para conseguir una combustión estable, cambio tras el cual el vehículo pasó a denominarse EA 1951 o Eole. La disposición de los tanques de propelente también fue modificada: el primer diseño los colocaba concentricamente, uno dentro de otro, para posteriormente colocarlos en tándem, uno sobre otro. La primera prueba estática utilizando solo el motor tuvo lugar en diciembre de 1950, con otras 6 pruebas hasta septiembre de 1951. Les siguieron otras tres pruebas con el vehículo ya completo, entre marzo y octubre de 1952.

El empuje planeado del motor, de 100 kN, no aseguraba un despegue estable para la masa del cohete, y se consideraron dos soluciones: añadir un propulsor auxiliar para proporcionar 240 kN durante 0,5 segundos (habrían sido dos cohetes de combustible sólido acoplados al cuerpo principal) o el uso de un sistema de cables. Ninguno de los dos sistemas anteriores estuvo listo para el momento de los lanzamientos de prueba, por lo que se decidió no llenar del todo los tanques de propelente (solo se llenarían 2/5) para aligerar el vehículo: el peso del vehículo sería de 1788 kg (1090 kg de propelentes), contra los 3400 kg de un vehículo lleno. El vehículo se lanzaría desde una rampa de 21 metros de largo.

En noviembre de 1952 se hicieron dos lanzamientos de prueba desde Hammaguir, que acabaron en fracaso debido a la destrucción de las aletas estabilizadoras al alcanzar la barrera del sonido. El proyecto acabó siendo cancelado en diciembre de 1952 tras ser obvio que el trabajo del equipo alemán estaba dando mejores resultados.

Especificaciones
Empuje en despegue: 100 kN
Masa total: 3400 kg
Ojiva: 275 kg
Alcance máximo: 800 km
Diámetro del cuerpo principal: 0,8 m
Longitud total: 11 m
Propulsión: etanol y oxígeno líquido

Véase también
EA 1941

Referencias

Cohetería histórica
Misiles de Francia


Tamzin Snelling has overcome personal obstacles to succeed on her course. Not least getting here in the first place. Tamzin struggles with anxiety and she worried about not making friends, about missing home. But all those worries melted away on her first day in Derby.
A new place. New people. And you don't know any of them. But, as it turned out, Tamzin's first day went so well that she'd happily go through it all again.
"Everything felt really fresh and exciting and new," she says. "I loved making friends and talking to people – it would be lovely to experience that brand new feeling again – it was brand new for everyone and really easy to make friends."
One thing Tamzin says about the University of Derby is that we have a solution to every problem. But so does Tamzin. Her successful first day may have had something to do with the work she put in before she arrived.
Tamzin had a feeling for Derby from the very beginning. And she had done her homework - she'd visited us ahead of her course and liked what she saw.
"I loved the vibe – there was a good feel when I came here for the Open Days and Applicant Days," she says. "I felt at home instantly, everyone was welcoming, there was a great sense of community, and I felt I'd fit in.
"My Mum also got a good feeling about the university when she came to visit with me. She thought it was great and wished she could come here and be a student too."
Tamzin's path to university has not necessarily been the one a lot of students take. She left school after her GCSEs and didn't study A-levels. Instead, she completed an apprenticeship in Digital Marketing before joining our Marketing (PR and Advertising) course, starting with a foundation year.
She says: "When I applied, I didn't know if I could get into university but the University was very accommodating and really helped with the process."
And, after that great first day, Tamzin has hardly looked back. In fact, she has surprised herself at how well she's done - achieving firsts on five out of seven assignments so far.
She says: "The lecturers are really supportive. One of my lecturers, Anne Wylie, has given me lots of positive encouragement. She's told me how well I'm doing in the classes and I've achieved high grades. She has helped reassure me that I'm on the right path.
"And Derby has a solution to every problem. You should always ask for help, don't isolate yourself. If you've got mental health issues, for example, there's lots of support from Student Wellbeing.
"My experience has been overwhelmingly positive – I don't have anything bad to say. I sing the University's praises all the time – I've had such a good experience."
Coming to University for Tamzin has been about identifying opportunities - and taking them. This starts from Freshers' week. Tamzin says: "It's really easy to meet people, there are lots of events to get involved in."
But Tamzin is also thinking about the future, about what's next. She has created opportunities for herself - and now has a part-time job within our Marketing department.
"I didn't think within the first few months of starting the foundation year I'd get the opportunities so soon but I've worked really hard to get myself out there and stand out," she says.
"I emailed the Marketing department and offered to help – I already have a YouTube channel and a blog. They invited me to help with Facebook Live as I had on-camera experience and, from there, they asked me to do some Instagram Stories on Open Days. This has led to my placement with the Digital Marketing team, where I work two days a week.
"This shows the University believes in its students, and they're preparing them for careers in the right way."
Tamzin still has struggles with anxiety but her fears about fitting in and managing her studies have faded. She says: "I had a lot of self-doubt about coming to University, asking myself whether I'm good enough, etc. When I was offered the Digital Marketing job, I was so overwhelmed. Now I'm happy and proud and don't feel I'm doubting myself all the time."
Living in our halls of residence has completed Tamzin's positive university experience, so much so that she is moving into halls again next year. She says: "I love the ease they provide. They are safe and secure, and I feel really comfortable. There are so many systems in place to ensure the safety of the students, and it really doesn't go unnoticed, especially from a student like me who has anxiety."
She has decorated her room. A lot. "Many people have commented on how much stuff I have," she says. "I like for it to be cosy, with all my things dotted around. I have things from home to remind me of there, and I have new things to remind me that this is fresh and exciting. I have things from my travels too. I have quite an eclectic personality, and this is definitely well represented in my space!
"I definitely made the best decision coming to Derby. I've had so many opportunities already and there's hopefully more to come. I'm really excited about what's ahead."


text:
package com.calgen.prodek.fadflicks.fragment;

import android.content.BroadcastReceiver;
import android.content.Context;
import android.content.DialogInterface;
import android.content.Intent;
import android.content.IntentFilter;
import android.graphics.Color;
import android.graphics.drawable.ColorDrawable;
import android.graphics.drawable.Drawable;
import android.net.ConnectivityManager;
import android.net.Uri;
import android.os.Bundle;
import android.support.annotation.Nullable;
import android.support.design.widget.Snackbar;
import android.support.v4.app.Fragment;
import android.support.v4.app.FragmentActivity;
import android.support.v4.app.FragmentManager;
import android.support.v4.app.FragmentTransaction;
import android.support.v7.app.AlertDialog;
import android.support.v7.widget.LinearLayoutManager;
import android.support.v7.widget.RecyclerView;
import android.util.Log;
import android.view.LayoutInflater;
import android.view.Menu;
import android.view.MenuInflater;
import android.view.MenuItem;
import android.view.View;
import android.view.ViewGroup;
import android.widget.Button;
import android.widget.FrameLayout;
import android.widget.ImageView;
import android.widget.LinearLayout;
import android.widget.ListView;
import android.widget.TextView;
import android.widget.Toast;

import com.calgen.prodek.fadflicks.R;
import com.calgen.prodek.fadflicks.activity.DetailActivity;
import com.calgen.prodek.fadflicks.activity.MainActivity;
import com.calgen.prodek.fadflicks.activity.ReviewActivity;
import com.calgen.prodek.fadflicks.adapter.CreditsAdapter;
import com.calgen.prodek.fadflicks.adapter.ReviewAdapter;
import com.calgen.prodek.fadflicks.adapter.VideosAdapter;
import com.calgen.prodek.fadflicks.api.ApiClient;
import com.calgen.prodek.fadflicks.model.Cast;
import com.calgen.prodek.fadflicks.model.Credits;
import com.calgen.prodek.fadflicks.model.Movie;
import com.calgen.prodek.fadflicks.model.MovieBundle;
import com.calgen.prodek.fadflicks.model.MovieDetails;
import com.calgen.prodek.fadflicks.model.Review;
import com.calgen.prodek.fadflicks.model.ReviewResponse;
import com.calgen.prodek.fadflicks.model.VideoResponse;
import com.calgen.prodek.fadflicks.utils.ApplicationConstants;
import com.calgen.prodek.fadflicks.utils.Cache;
import com.calgen.prodek.fadflicks.utils.Network;
import com.calgen.prodek.fadflicks.utils.Parser;
import com.calgen.prodek.fadflicks.utils.UI;
import com.github.clans.fab.FloatingActionButton;
import com.github.clans.fab.FloatingActionMenu;
import com.google.android.youtube.player.YouTubeThumbnailLoader;
import com.iarcuschin.simpleratingbar.SimpleRatingBar;
import com.squareup.picasso.Picasso;

import java.util.ArrayList;

import butterknife.BindDrawable;
import butterknife.BindView;
import butterknife.ButterKnife;
import butterknife.OnClick;
import butterknife.Optional;
import icepick.Icepick;
import icepick.State;
import retrofit2.Call;
import retrofit2.Callback;
import retrofit2.Response;

public class MovieDetailFragment extends Fragment implements VideosAdapter.Callback {

    //@formatter:off
    private static final String TAG = MovieDetailFragment.class.getSimpleName();
    @State public byte jobsDone = 0;
    @State public MovieBundle movieBundle;
    @State public Movie movie;
    @State public boolean isFavourite;
    @State public String shareMessage;
    @BindView(R.id.title) public TextView title;
    @BindView(R.id.release_date) public TextView releaseDate;
    @BindView(R.id.runtime) public TextView runtime;
    @BindView(R.id.movie_rating) public SimpleRatingBar movieRating;
    @BindView(R.id.plot_text) public TextView plot;
    @BindView(R.id.read_more_details) public Button moreDetails;
    @BindView(R.id.cast_recycler) public RecyclerView cardCast;
    @BindView(R.id.trailer_recycler) public RecyclerView cardVideo;
    @BindView(R.id.review_listView) public ListView reviewListView;
    @BindView(R.id.all_reviews_button) public Button allReviews;
    @BindView(R.id.no_review_msg) public TextView noReviewsMessage;
    @Nullable @BindView(R.id.image_backdrop) public ImageView backDropImage;
    @Nullable @BindView(R.id.share_fab) public FloatingActionButton shareFab;
    @Nullable @BindView(R.id.fav_fab) public FloatingActionButton favFab;
    @Nullable @BindView(R.id.fab_menu) public FloatingActionMenu fabMenu;
    @Nullable @BindView(R.id.poster) public ImageView poster;
    @Nullable @BindView(R.id.tagline) public TextView tagLine;
    @Nullable @BindView(R.id.language) public TextView language;
    @BindView(R.id.progressBarLayout) public LinearLayout progressBarLayout;
    @BindView(R.id.content_detail_wide) public FrameLayout detailContentLayout;
    @BindView(R.id.fragment_detail) public LinearLayout fragmentDetailLayout;
    @BindDrawable(R.drawable.ic_favorite_border_white_24dp) public Drawable notFavouriteDrawable;
    @BindDrawable(R.drawable.ic_favorite_white_24dp) public Drawable favouriteDrawable;
    private Context context;
    //@formatter:on
    private BroadcastReceiver broadcastReceiver = new BroadcastReceiver() {
        @Override
        public void onReceive(Context context, Intent intent) {
            if (!Network.isConnected(context)) showInternetOffSnackBar();
        }
    };

    @Override
    public void onCreate(@Nullable Bundle savedInstanceState) {
        super.onCreate(savedInstanceState);
        setRetainInstance(true);
        if (savedInstanceState == null) jobsDone = 0;
        Icepick.restoreInstanceState(this, savedInstanceState);
        if (!MainActivity.twoPane)
            setHasOptionsMenu(true);
    }

    @Override
    public void onSaveInstanceState(Bundle outState) {
        super.onSaveInstanceState(outState);
        Icepick.saveInstanceState(this, outState);
    }

    @Override
    public void onCreateOptionsMenu(Menu menu, MenuInflater inflater) {
        super.onCreateOptionsMenu(menu, inflater);
        inflater.inflate(R.menu.menu_detail, menu);
    }

    @Override
    public boolean onOptionsItemSelected(MenuItem item) {
        if (item.getItemId() == R.id.action_share) {
            sendShareIntent();
            return true;
        }
        return super.onOptionsItemSelected(item);
    }

    @Override
    public View onCreateView(LayoutInflater inflater, ViewGroup container,
                             Bundle savedInstanceState) {
        View rootView = inflater.inflate(R.layout.fragment_detail, container, false);
        ButterKnife.bind(this, rootView);
        Bundle arguments = getArguments();
        context = getActivity();

        if (savedInstanceState == null)
            movieBundle = new MovieBundle();

        if (arguments != null) {
            movie = (Movie) arguments.getSerializable(Intent.EXTRA_TEXT);
            if (MainActivity.twoPane) {
                Picasso.with(context)
                        .load(Parser.formatImageUrl(movie.backdropPath, context.getString(R.string.image_size_large)))
                        .into(backDropImage);

                isFavourite = movie.isFavourite;
                setFavButtonDrawable();
            }
            movieBundle.movie = movie;
        }
        return rootView;
    }

    @Override
    public void onViewCreated(View view, @Nullable Bundle savedInstanceState) {
        super.onViewCreated(view, savedInstanceState);
        if (movie == null) return;
        if (savedInstanceState == null) {
            fetchData();
        } else if (movieBundle != null) {
            bindViews();
            hideLoadingLayout();
        }
    }

    @Optional
    @OnClick({R.id.fav_fab, R.id.share_fab})
    public void onFabClick(View view) {
        switch (view.getId()) {
            case R.id.fav_fab:
                isFavourite = !isFavourite;
                notifyFavouriteChange();
                setFavButtonDrawable();
                break;
            case R.id.share_fab:
                sendShareIntent();
                break;
            default:
                break;
        }
        fabMenu.close(true);
    }

    @OnClick({R.id.read_more_details, R.id.all_reviews_button})
    public void onClick(View v) {
        switch (v.getId()) {
            case R.id.read_more_details:
                showDialog();
                break;
            case R.id.all_reviews_button:
                Intent intent = new Intent(context, ReviewActivity.class);
                intent.putExtra(Intent.EXTRA_TEXT, movieBundle.reviewResponse);
                context.startActivity(intent);
                break;
            default:
                break;
        }
    }

    @Override
    public void onStop() {
        super.onStop();
        // Release loaders of YoutubeThumbnailView, otherwise Service connection leak occurs.
        if (VideosAdapter.viewLoaderMap == null) return;
        for (YouTubeThumbnailLoader loader : VideosAdapter.viewLoaderMap.values()) {
            loader.release();
        }
    }

    @Override
    public void onResume() {
        super.onResume();
        getActivity().registerReceiver(broadcastReceiver, new IntentFilter(ConnectivityManager.CONNECTIVITY_ACTION));
    }

    @Override
    public void onPause() {
        super.onPause();
        getActivity().unregisterReceiver(broadcastReceiver);
    }

    @Override
    public void createAlertDialog() {
        AlertDialog.Builder builder = new AlertDialog.Builder(getActivity());
        builder.setMessage(getString(R.string.youtube_error_dialog_message))
                .setTitle(getString(R.string.youtube_error_dialog_title))
                .setIcon(getResources().getDrawable(R.drawable.ic_warning_black_24dp))
                .setPositiveButton(getString(R.string.continue_installation), new DialogInterface.OnClickListener() {
                    @Override
                    public void onClick(DialogInterface dialogInterface, int i) {
                        try {
                            Intent intent = new Intent(Intent.ACTION_VIEW);
                            intent.setData(Uri.parse(getString(R.string.youtube_package_id)));
                            startActivity(intent);
                        } catch (Exception e) {
                            Toast.makeText(context, R.string.play_store_app_error_message, Toast.LENGTH_LONG).show();
                        }
                    }
                })
                .setNegativeButton("Cancel", new DialogInterface.OnClickListener() {

                    @Override
                    public void onClick(DialogInterface dialogInterface, int i) {
                        dialogInterface.dismiss();
                    }
                })
                .create().show();
    }

    private void fetchData() {
        showLoadingLayout();
        //check if data is present in the cache to load
        if (movie==null) return;
        MovieBundle cacheData = Cache.getMovieData(context, movie.getId());
        if (cacheData != null) {
            movieBundle.movie = cacheData.movie;
            movieBundle.reviewResponse = cacheData.reviewResponse;
            movieBundle.credits = cacheData.credits;
            movieBundle.videoResponse = cacheData.videoResponse;
            movieBundle.movieDetails = cacheData.movieDetails;
            bindViews();
            hideLoadingLayout();
            setShareMessage();
            return;
        }
        if (Network.isConnected(context)) fetchDataFromInternet();
    }

    private void fetchDataFromInternet() {
        //fetch extra details about the movie by id
        ApiClient apiClient = new ApiClient().setIsDebug(ApplicationConstants.DEBUG);

        //reviews
        Call<ReviewResponse> reviewResponseCall = apiClient.movieInterface().getReviews(movie.getId());
        reviewResponseCall.enqueue(new Callback<ReviewResponse>() {
            @Override
            public void onResponse(Call<ReviewResponse> call, Response<ReviewResponse> response) {
                movieBundle.reviewResponse = response.body();
                jobsDone++;
                notifyDataSetChanged();
            }

            @Override
            public void onFailure(Call<ReviewResponse> call, Throwable t) {
                Log.e(TAG, "onFailure: ReviewResponseCall", t);
                progressBarLayout.setVisibility(View.GONE);
            }
        });

        //trailers
        Call<VideoResponse> videoResponseCall = apiClient.movieInterface().getVideos(movie.getId());
        videoResponseCall.enqueue(new Callback<VideoResponse>() {
            @Override
            public void onResponse(Call<VideoResponse> call, Response<VideoResponse> response) {
                movieBundle.videoResponse = response.body();
                jobsDone++;
                notifyDataSetChanged();
            }

            @Override
            public void onFailure(Call<VideoResponse> call, Throwable t) {
                Log.e(TAG, "onFailure: videoResponseCall", t);
                progressBarLayout.setVisibility(View.GONE);
            }
        });

        //credits
        Call<Credits> creditsCall = apiClient.movieInterface().getCredits(movie.getId());
        creditsCall.enqueue(new Callback<Credits>() {
            @Override
            public void onResponse(Call<Credits> call, Response<Credits> response) {
                movieBundle.credits = response.body();
                jobsDone++;
                notifyDataSetChanged();
            }

            @Override
            public void onFailure(Call<Credits> call, Throwable t) {
                Log.e(TAG, "onFailure credits call: ", t);
                progressBarLayout.setVisibility(View.GONE);
            }
        });

        //extra details : such as duration, website,
        Call<MovieDetails> movieDetailsCall = apiClient.movieInterface().getMovieDetails(movie.getId());
        movieDetailsCall.enqueue(new Callback<MovieDetails>() {
            @Override
            public void onResponse(Call<MovieDetails> call, Response<MovieDetails> response) {
                MovieDetails movieDetails;
                movieDetails = response.body();
                movieBundle.movieDetails = movieDetails;
                jobsDone++;
                notifyDataSetChanged();
            }

            @Override
            public void onFailure(Call<MovieDetails> call, Throwable t) {
                Log.e(TAG, "onFailure movieDetails call: ", t);
                progressBarLayout.setVisibility(View.GONE);
            }
        });
    }

    private void bindViews() {
        try {
            title.setText(movie.getTitle());
            releaseDate.setText(Parser.formatReleaseDate(movie.getReleaseDate()));

            runtime.setText(String.format(getString(R.string.runtime), movieBundle.movieDetails.getRuntime()));

            if (!MainActivity.twoPane) {
                Picasso.with(context).load(Parser.formatImageUrl(movie.getPosterPath(), context.getString(R.string.image_size_small)))
                        .into(poster);
            } else {
                language.setText(movie.getOriginalLanguage());
                tagLine.setText(movieBundle.movieDetails.getTagline());
                if (movieBundle.movieDetails.getTagline().isEmpty()) {
                    tagLine.setHeight(0);
                }
            }
            movieRating.setRating((float) (movie.getVoteAverage() / 2));

            plot.setText(movie.getOverview());

            // Now initialize recycler views and assign them new adapters
            CreditsAdapter creditsAdapter = new CreditsAdapter(context, movieBundle.credits);
            cardCast.setLayoutManager(new LinearLayoutManager(context, LinearLayoutManager.HORIZONTAL, false));
            cardCast.setHasFixedSize(true);
            cardCast.setNestedScrollingEnabled(false);
            cardCast.setAdapter(creditsAdapter);

            VideosAdapter videosAdapter = new VideosAdapter(context, movieBundle.videoResponse, this);
            cardVideo.setLayoutManager(new LinearLayoutManager(context, LinearLayoutManager.HORIZONTAL, false));
            cardVideo.setHasFixedSize(true);
            cardVideo.setNestedScrollingEnabled(false);
            cardVideo.setAdapter(videosAdapter);

            int reviewCount = movieBundle.reviewResponse.getTotalResults();
            if (reviewCount == 0) {
                allReviews.setVisibility(View.GONE);
                reviewListView.setVisibility(View.GONE);
                noReviewsMessage.setVisibility(View.VISIBLE);
            } else {
                ReviewAdapter reviewAdapter = new ReviewAdapter(context, (ArrayList<Review>) movieBundle.reviewResponse.getReviewResponses(), true);
                reviewListView.setAdapter(reviewAdapter);
                reviewListView.setSelector(new ColorDrawable(Color.TRANSPARENT));
                reviewListView.setCacheColorHint(Color.TRANSPARENT);
                UI.setListViewHeightBasedOnChildren(reviewListView);
            }
        } catch (NullPointerException ignored) {
        }
    }

    private void notifyDataSetChanged() {
        if (jobsDone == 4) {
            try {
                bindViews();
                hideLoadingLayout();
                setShareMessage();
                Cache.cacheMovieData(context, movieBundle);
            } catch (IllegalStateException ignored) {
            }
        }
    }

    // TODO: 05-Oct-16 replace with event bus
    private void notifyFavouriteChange() {
        Cache.setFavouriteMovie(context, movie.getId(), isFavourite);
        ((MainActivity) getActivity()).notifyFavouriteChange(movie.getId(), isFavourite);
    }

    private void sendShareIntent() {
        if (shareMessage != null) {
            Intent sendIntent = new Intent();
            sendIntent.setAction(Intent.ACTION_SEND);
            sendIntent.putExtra(Intent.EXTRA_TEXT, shareMessage);
            sendIntent.setType("text/plain");
            context.startActivity(sendIntent);
        }
    }

    private void showInternetOffSnackBar() {
        Snackbar snackbar = Snackbar.make(fragmentDetailLayout,
                getString(R.string.internet_error_message),
                Snackbar.LENGTH_INDEFINITE);
        snackbar.setAction(getString(R.string.try_again), new View.OnClickListener() {
            @Override
            public void onClick(View v) {
                fetchData();
                if (!Network.isConnected(context)){
                    showInternetOffSnackBar();
                }else{
                    if (MainActivity.twoPane) ((MainActivity)getActivity()).reloadData();
                }
            }
        });
        snackbar.setActionTextColor(context.getResources().getColor(R.color.error));
        snackbar.show();
    }

    private void showDialog() {
        FragmentManager fragmentManager = ((FragmentActivity) context).getSupportFragmentManager();
        ReadMoreDialog newFragment = new ReadMoreDialog();
        Bundle bundle = new Bundle();
        bundle.putSerializable(Intent.EXTRA_TEXT, movieBundle);
        newFragment.setArguments(bundle);

        if (context.getResources().getBoolean(R.bool.large_layout)) {
            newFragment.show(fragmentManager, ReadMoreDialog.TAG);
        } else {
            FragmentTransaction transaction = fragmentManager.beginTransaction();
            transaction.setTransition(FragmentTransaction.TRANSIT_FRAGMENT_OPEN);
            transaction.add(android.R.id.content, newFragment)
                    .addToBackStack(null).commit();
        }
    }

    private void showLoadingLayout() {
        progressBarLayout.setVisibility(View.VISIBLE);
        detailContentLayout.setVisibility(View.GONE);
        if (!MainActivity.twoPane) {
            ((DetailActivity) getActivity()).setFabVisibility(View.INVISIBLE);
            setMenuVisibility(false);
        }

    }

    private void hideLoadingLayout() {
        progressBarLayout.setVisibility(View.GONE);
        detailContentLayout.setVisibility(View.VISIBLE);
        if (!MainActivity.twoPane) {
            ((DetailActivity) getActivity()).setFabVisibility(View.VISIBLE);
            setMenuVisibility(true);
        }
    }

    private void setFavButtonDrawable() {
        favFab.setImageDrawable((isFavourite) ? favouriteDrawable : notFavouriteDrawable);
    }

    private void setShareMessage() {
        Cast cast1 = movieBundle.credits.getCast().get(0);
        Cast cast2 = movieBundle.credits.getCast().get(1);
        String website = movieBundle.movieDetails.getHomepage();

        String greetingMessage = String.format(context.getString(R.string.share_welcome_message), movie.getTitle());
        String movieInfo = String.format(context.getString(R.string.share_movie_info),
                movie.getReleaseDate(), cast1.getName(), cast2.getName(), website);

        shareMessage = greetingMessage + movieInfo;
    }
}

redpajama_set_name: RedPajamaGithub


text:
NYE Special
Diva Cage Match
Backstage Podcast
Opera DISH
Artist Homestays
Call for Scores
Opera is Instrumental
Set Sales/Rentals
Statement on Cultural Equity
Eugene Opera's mission is to produce artistically excellent opera and engage our community in that effort.
To increase audience engagement, support local and emerging artists, and enrich the lives of youth through education.
Since 1977, Eugene Opera has presented professional opera in western Oregon, staging many of the world's best-known operas and some of the best new operatic works.
In 1976, Artistic Director Philip Bayles and over 100 volunteer musicians, singers, stagehands and opera fans combined their efforts to bring opera to Eugene, Oregon. The first production Carmen played to a "full house" of 600 attendees in a local high school auditorium. A local newspaper reporter remarked, "It's a first effort to be proud of, for it has proven that Eugene is loaded with high-quality musicians and opera-hungry concertgoers." In 1982, Eugene Opera became a resident company in the newly opened Hult Center for the Performing Arts.
Eugene Opera has been profiled nationally on National Public Radio and in Opera News, and enjoyed a cameo appearance by humorist Dave Barry in his only operatic role. In recent years it has also received favorable notice for its productions of modern operas.
Eugene Opera helped launch the careers of such current opera stars as Deborah Voigt, Susan Graham, Stephen Mark Brown, Kelley Nassief, Gregory Turay, Lucas Meacham, and Joelle Harvey. Today's productions regularly feature stars from great opera houses worldwide, including the Metropolitan Opera. They also continue to feature emerging stars, particularly those from the Pacific Northwest.
Eugene Opera has regularly conducted educational outreach programs that bring opera to students and classrooms throughout the surrounding Lane County area. Currently, it introduces high school students to opera through the Eugene Opera Academy.
In 2015-16, Eugene Opera began to program chamber operas, which proved both popular and artistically successful, receiving high praise both in local reviews and in Opera News.
Most recently, Eugene Opera's recent seasons featured sold-out performances of María de Buenos Aires, the Company's first Spanish language opera, as well as As One, its' first opera composed by a female composer, Laura Kaminsky, with libretto by Kimberly Reed and Mark Campbell.
1977 — Carmen
1977-78 — The Maid as Mistress, HMS Pinafore, Don Giovanni
1978-79 — The Pirates of Penzance, The Barber of Seville
1979-80 — Rigoletto, Gianni Schicchi, The Impresario
1980-81 — The Mikado, Amahl and the Night Visitors, Pagliacci/Pulcinella
1981-82 — Patience, Così fan tutte, Madama Butterfly
1982-83 — La Bohème, Die Fledermaus, Don Pasquale, Yeoman of the Guard
1983-84 — Die Fledermaus, The Magic Flute, La Traviata
1984-85 — Faust, Cinderella, Tosca, The Pirates of Penzance
1985-86 — Madama Butterfly, Hansel and Gretel, Carmen
1986-87 — The Barber of Seville, The Merry Widow, The Medium, The Mikado
1987-88 — Tosca, The Daughter of the Regiment, Tartuffe, The Marriage of Figaro
1988-89 — La Bohème, The Elixir of Love, Così fan tutte
1989-90 — Cinderella, Gianni Schicchi, Pagliacci
1990-91 — The Barber of Seville, Rigoletto, Madama Butterfly
1991-92 — Candide, Romeo and Juliette
1992-93 — The Impresario, The Telephone, The Face on the Barroom Floor
1993-94 — Cavalleria Rusticana, Tosca, HMS Pinafore
1994-95 — Gianni Schicchi, La Traviata, The Pirates of Penzance
1995-96 — Carmen, La Bohème, Trial by Jury
1996-97 — The Magic Flute, Lucia di Lammermoor, The Mikado
1997-98 — Die Fledermaus, Don Giovanni, Porgy and Bess
1998-99 — Madama Butterfly, Opera Under the Stars, The Barber of Seville
1999-00 — Aida, Le nozze di Figaro, Turandot
2000-01 — La Cenerentola, Così fan tutte, The Mikado
2001-02 — Tosca, La Traviata, Susannah
2002-03 — Pagliacci, La Bohème
2003-04 — Carmen, HMS Pinafore
2004-05 — Die Fledermaus, Belle Voci Competition, Rigoletto
2005-06 — Belle Voci Competition, The Barber of Seville, Hansel and Gretel
2006-07 — The Pirates of Penzance
2007-08 — The Magic Flute, Madama Butterfly, The Art of the American Diva
2008-09 — Orpheus in the Underworld, Il Trovatore, Don Giovanni
2009-10 — Le nozze di Figaro, Faust
2010-11 — La Boheme, The Mikado
2011-12 — Carmen, Nixon in China
2012-13 — The Pirates of Penzance, Dead Man Walking
2013-14 — La Traviata, The Girl of the Golden West
2014-15 — The Elixir of Love, Sweeney Todd: The Demon Barber of Fleet Street
2015-16 — The Turn of the Screw, Lucia di Lammermoor, Eugene Onegin, Little Women
2016-17 — Much Ado About Nothing (Béatrice et Bénédict); Opera Trio: Aida (Act 1), Dialogues of the Carmelites (Act 3), Die Fledermaus (Act 2)
2017-18 — The Barber of Seville, María de Buenos Aires
2018-19 — HMS Pinafore, As One
Officers:
Ruth Obadal, President
Anthony Hunt, Vice President
Mary Meacham, Treasurer
Joyce Leader, Secretary
Victor Congleton
David Guy
Ashley Hastings
Amanda Haugland
Rosaria Haugland
Chris Lamb, Chorus Representative
Silkie Melloul
Inge Tarantola
Barbara Wheatley
EUGENE OPERA'S COMMITMENT TO DIVERSITY, EQUITY, AND INCLUSION
Eugene Opera is committed to fostering diversity, equity and inclusion in our organization and our art form.
Diversity is the breadth of representation within the opera field. It can mean diverse cultures and ethnicities, gender identities, ages, geographies, or works presented.
Inclusion is the invitation and the welcome. Inclusion doesn't just mean representation in numbers, but also whose voices are heard. It urges us to think about how we create a space where everyone feels comfortable and safe.
Cultural Equity embodies the values, policies, and practices that ensure that all people, regardless of race/ethnicity, age, disability, sexual orientation, gender, gender identity, socioeconomic status, geography, citizenship status, or religion, have opportunities to learn, engage, support, create, perform, and fully experience the art of opera.
ACKNOWLEDGEMENTS & AFFIRMATIONS
We understand that the cultural origins of opera have created barriers in accessing an art form that should belong to everyone.
In addition, there are entrenched systems of power in the United States that grant privilege and access unequally such that inequity and injustice result, and that must be continuously addressed and changed.
We believe cultural equity is critical to the long-term viability of the arts sector.
We must hold ourselves accountable to acknowledge and challenge our inequities in order to make change happen.
MODELING THROUGH ACTION
To provide authentic leadership for cultural equity, we strive to…
Pursue cultural awareness throughout our organization by listening and learning and through the adoption of formal, transparent policies.
Identify and dismantle any inequities within our policies, programs, and services, and be accountable for making such changes happen.
Commit time and resources to expand diverse leadership within our board and staff.
Publicly recognize that the land on which we live, work, and perform is located on Kalapuya Ilihi, the traditional indigenous homeland of the Kalapuya people.
CURRENT GOALS
To pursue needed change related to equity, we intend to…
Identify our own biases as they relate to opera, privilege and cultural elitism.
Identify vulnerable decision-making points including casting, board recruitment, and hiring, in which questions of equity should be at the forefront.
Improve the cultural leadership pipeline by advancing education programs that relate to careers in the arts and technical fields.
Actively engage with organizations that serve communities of Black, Indigenous, and People of Color and People with Disabilities in Eugene-Springfield.
Work with local tribal organizations to develop a meaningful and respectful land acknowledgment position.
Invite and include Lane County residents of all socioeconomic circumstances, and those in rural communities outside the Eugene-Springfield metro area.
ANDREW BISANTZ
Artistic Director and Conductor
ERIKA RAUER
AHAVAH OBLAK
DORIANDRA SMITH
CHRISTINA LAY
SANDY NAISHTAT
CHERYL WEFLER
Librarian and Orchestra Manager
OURSPONSORS
Eugene Opera is a Professional Company Member of
1590 Willamette Street,
info@eugeneopera.org
© Copyright 2020 Eugene Opera. All Rights Reserved


text:
Family: William Whitcher Sargent / Molly Rowell (F1212)
m. Bef 7 Dec 1813
William Whitcher Sargent
Born 24 Jan 1776 New Chester, Grafton, New Hampshire, United States
Died 7 May 1846
Married Bef 7 Dec 1813
Molly Rowell
Born 10 Sep 1782 Hopkinton, Hillsborough, New Hampshire, United States
Father Abraham Rowell | F351 Group Sheet
Mother Elizabeth Eastman | F351 Group Sheet
Caleb Sargent
Born 18 Apr 1801 Hill, Merrimack, New Hampshire, United States
Died 27 May 1801 Hill, Merrimack, New Hampshire, United States
Hosea Sargent
Born 8 Mar 1804 Hill, Merrimack, New Hampshire, United States
Anna Whittier Sargent
Born 12 Feb 1806 Hill, Merrimack, New Hampshire, United States
Cyrus Smith Sargent
Sibyl R Sargent
Born 29 Mar 1809 Hill, Merrimack, New Hampshire, United States
Deborah Smith Sargent
Born 30 Jul 1811 Hill, Merrimack, New Hampshire, United States
Sylvester H Sargent
Born 6 Oct 1813 Hill, Merrimack, New Hampshire, United States
Sarah Wells Sargent
Born 7 Jan 1816 Hill, Merrimack, New Hampshire, United States


text:
Mary Travers and the price of her honour
Ronnie O'Gorman Galway Advertiser, Thu, Apr 11, 2019
Week II
In 1864 just when Sir William Wilde had begun to build the holiday home of his dreams, overlooking the upper Lough Corrib, near Cong,* his family was involved in a vicious libel case that was to cost him dearly.
A long-term patient of his, and the daughter of a colleague, Mary Travers and Sir William had enjoyed a love affair, but that intimacy had turned decidedly sour. Mary now claimed that Sir William had sexually assaulted her while she was senseless having been administered chloroform.
It was no secret that, prior to his marriage at least, Sir William had an eye for the ladies. He was known for his passionate nature. He was the father of three children born while he was still a single man: a boy, Henry Wilson, and two girls, Emily and Mary who were given their father's surname.**
Sir William acknowledged paternity and provided for their education. They were reared with relatives, away from Dublin, and did not seem to bother his wife, Jane Elgee, whom he married in later life.
His wife was well known in Dublin for her radical poems and extreme nationalist views urging rebellion against Britain. Her views were forcefully expressed in The Nation , before the authorities closed the paper down.
Jane was also renowned as a brilliant hostess. Their dinner parties at Merrion Square were open to the good and the famous. Among writers and musicians, university professors, and government officials, you could find Maria Edgeworth, the hilarious Charles Lever, with whom Sir William had been to medical school, and the more serious poet, barrister, and antiquarian, Sir Samuel Ferguson.
The Wildes were a famous and very popular couple on the Dublin social scene.They had three children, Willie, Oscar, and a girl Isola Emily. Unusually for the time, the children were allowed to mix with the house guests. No doubt Oscar's precociousness shone on these occasions.
Enormous energy
Sir William Wilde was an extraordinary man. The son of a doctor who practised at Castlereagh, Co Roscommon, he became a brilliant eye and ear surgeon. He trained in London, Vienna, Berlin and Heidelberg. Even today surgeons use the terms 'Wilde's incision' for mastoid, 'Wilde's cone of light' and 'Wilde's cords'.
Famously, he came into the possession of the skull of the brilliant Jonathan Swift, the deadly satirist and political pamphleteer, and Dean of St Patrick's Cathedral, Dublin. He was reputed to have been mad. But Wilde showed that the poor Dean was not insane, but physically ill. Wilde founded, and funded, St Mark's Hospital for the poor in Dublin, and built up a huge practice from his home at 1 Merrion Square, now the headquarters of the American College, Dublin.
With enormous energy he pursued his non-medical interests. He brilliantly and speedily catalogued the entire contents of the National Museum in Dublin. His three-volume catalogue is still used today. His organisational skills were recognised, and he was appointed a commissioner to supervise two important population censuses in post famine Ireland, for 1841 and 1851. He was knighted for his services to medicine and to the state.
Mary Travers began a full-scale war of words against the Wildes. She wrote a pamphlet crudely parodying the Wildes as Dr and Mrs Quilp, and portraying Dr Quilp as the rapist of a female patient anaesthetised under chloroform. She distributed pamphlets outside the building where Sir William was about to give a public lecture.
Lady Wilde, forgetting the politesse of Dublin society, and going straight for the jugular, wrote to Mary's father, in devastating terms, saying that his daughter 'consorted with all the low newspaper boys in Bray, employing them to disseminate offensive placards in which my name appears….'
Lady Wilde accused her of only looking for money, and concluded with deadly precision, that 'the wages of disgrace she has so loosely treated for and demanded, shall never be given to her.
'The wages of disgrace' stung. Mary Travers, while Dublin sat back and enjoyed all its sensational revelations, sued Lady Wilde, for attempting to destroy her honour. Unfortunately for Mary she proved to be a poor witness. She continually contradicted herself. Even though she protested that she had never looked for money, she had sought money from Sir William on several previous occasions. She was accused of suffering from laudanum addiction.
Lady Wilde, on the other hand was well used to the glare of publicity, and successfully convinced the jury that the alleged affair was a symptom of Mary's 'hysterical and maddened imagination'. ***
After only 80 minutes the jury found in Mary's favour, but awarded her a paltry farthing for her honour. The Wildes had to pay costs, which were a serious £2,000. But more damaging was the fact that Sir William refused to enter the witness box during the trial. His behaviour was considered 'ungentlemanly.'
Next Week: Escape to Lough Corrib, and the tragic deaths of Emily and Mary Wilde.
NOTES: *Sir William's house by the Corrib, which is in private hands and still stands today, is built on the site where he believed the legendary battle of Moytura was fought where the Tuatha De Danaan defeated the Fomorians on the north shores of the Corrib. He and his family spent their summers there while he researched the history of the lakes in the district, visited ancient monuments, and collected folklore, which he would eventually publish in his famous book Lough Corrib .
** The girls lived with their uncle in Co Monaghan, the Rev Ralph Wilde (and I will tell of their sad tragedy next week ). The boy, Henry became a professor of ophthalmic surgery, and assistant to his father at St Mark's Hospital.
*** The Diary of Mary Travers, a novel by Eibhear Walshe, published in 2014 by Somerville Press.
Albums Mary Henry Travers Ireland Dublin United Kingdom London dean Oscar National Museum Commissioner Berlin Heidelberg Vienna William Wilde St Patricks Cathedral Jonathan Swift Charles Lever Willie Emily Merrion Square Somerville Press enormous energy eye and ear surgeon Travers Basil Travers Ralph Wilde Quilp Mary Wilde Isola Emily Jane Elgee American College professor of ophthalmic surgery , and assistant Samuel Ferguson Mary Travers the American College, Dublin Castlereagh Co Henry Wilson St Marks Hospital brilliant hostess Maria Edgeworth serious poet
The priest who robbed the National Museum
'I am an international socialist,' shouted Pádraic Ó Conaire
Padraic Ó Conaire could write 'pretty racy stuff'
Galway Observer, May 27, 1922
Michael Collins remembered a debt for 'measly £10'
Friends in strange places.
A prison drama in the Town hall
'Muishe, is it yourself that's in it, Mr O'Brien?'
Grief and despair on Galway streets November 1920
The call of St James was heard once more...
A 'cheerful, and amiable saint'.
Sir William Wilde - broken by the death of his children
The Wilde family saga
'Lady Betty' and the ' enemy of romance'
Two funerals at Menlo Castle cemetery
The Awaking of Augusta - The affair
The names on the Autograph Tree at Coole
Public lecture on Oscar Wilde's father
'A moment's memory to that laurelled head'


I know nobody cares anymore, but until 6 months ago I had been seeding the torrent with Maxanders Loot Map in full. Unfortunately my disk partition was corrupted, still: I'm back at seeding his loot map, but missing the "credits & changelog" file. Here's the magnet link (download using torrent): magnet:?xt=urn:btih:7dwa2ewvcr2ddggonxskw4t6mgcfif3m&dn=Maxander%27s%20ultimate%20loot%20map%20V1 - see you in the peer list! (PM me if I go missing) PS: That was the ultimate necro. Ultimate, period.


Attention all volleyball club members: Group B will be practicing today after school 2:45-4:00. Please see Mrs. Bourque in room 114 with any questions.
Can you please make an announcement that due to the CMRT meeting today yearbook is cancelled today.
Students may stay after on Thursday in room 102 with Ms. Lynch to continue our work on the yearbook.


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university of energy and natural resources admission requirements
Computer Engineering BSc. Candidates should have Credit Passes (A-D) in Six (6) subjects comprising three. The University of Energy and Resources has a comprehensive package of over 1000 admissions aimed at students with a diverse range of needs. Your email address will not be published. The University is a public funded national institution which seeks to provide leadership and management of energy and natural resources and be a centre of excellence in these critical areas. To be admitted to Nursing degree programme, SSSCE Candidates should have Credit Passes (A-D) in six (6) subjects comprising three (3) core subjects; English Language, Mathematics and Integrated Science; and three (3) elective subjects from the following programmes as outlined in Table 1: WASSCE ApplicantsWASSCE Candidates should have Credit Passes (A1-C6) in six (6) subjects comprising three (3) core subjects; English Language, Mathematics and Integrated Science; and three (3) elective subjects from the following programmes as outlined in Table 1: To be admitted to Chemistry degree programme, SSSCE Candidates should have Credit Passes (A-D) in six (6) subjects comprising three (3) core subjects; English Language, Mathematics and Integrated Science; and three (3) elective science subjects; Chemistry, Physics and Biology/Mathematics. Electrical and … Dr. Mark Amo Boateng is a Lecturer at this University. Candidates with Science, General Arts, Visual Arts, Home Economics and General Agriculture background can apply for the BSc Hospitality Management and BSc Resource Enterprise and Entrepreneurship programmes. Civil Engineering BSc. Such applicants, when admitted, would pay the appropriate Residential Facility User Fees. University Relations +233(0)352290390 Ghana Post GPS Address BS-0061-2164 Home Economics students applying must have either Biology or Chemistry in addition to any two elective subjects. Certificate in Business Studies/Management awarded by, a recognized and accredited University. 2020/2021 University of Energy and Natural Resources UENR Admission Forms. WASSCE ApplicantsWASSCE Candidates should have Credit Passes (A1-C6) in six (6) subjects comprising three (3) core subjects; English Language, Mathematics and Integrated Science; and three (3) elective science subjects; Elective Mathematics, Physics and Chemistry/Technical Drawing/Auto Mechanics/Metal Work. Marketing, Business Management, Accounting, Entrepreneurship, Economics, Agribusiness, etc); Possess a professional Diploma or its equivalence in a relevant programme from a recognized and accredited institution, Pass an interview or entrance examination, May have two years' post qualification working experience, A Professional or Higher National Diploma (HND) or its equivalence in a relevant programme from a recognized and accredited institution (e.g Science, Agriculture,Forestry/NaturalResources, Climatology, Meteorology, Geography, Engineering etc), Possess a Professional or Higher National Diploma (HND) or its equivalence in a relevant programme from a recognized and accredited institution (e.g. Candidates in this category must possess; Candidates with HND/relevant professional or diploma certificates who obtained First Class or Second Class Upper Division will enter at level 300. University of Energy and Natural … University of Energy and Natural Resources Admission Requirements, The following are the requirements, eligibility and qualifications to consider before applying for admission into the University of Energy and Natural Resources Ghana (UENR). Post Office Box 214,Sunyani Ghana, West Africa. Department of Renewable Energy and Environmental Engineering, To be admitted to Environmental Engineering Degree programme, SSSCE Candidates should have Credit Passes (A-D) in six (6) subjects comprising three. 2020/2021 UENR Admission Requirements. Resource AccountingSSSCE/WASSCE candidates must possess Credit Passes (A-D) and (A1-C6) respectively in three (3) Core subjects; English Language, Mathematics and Integrated Science/Social Studies in addition to any three (3) elective subjects, in Business, Sciences (with Elective Mathematics), General Arts (with Elective Mathematics or Economics), Home Economics (with Elective Mathematics and Economics). Department of Crop Production and Horticulture Business Research & Collaborations . Check Out: Lists of Universities Admission Forms in Ghana 2020/2021 (Updated Daily). Planning and SustainabilitySSSCE/WASSCE Candidates should have Credit Passes (A-D)/(A1-C6) respectively in six (6) subjects comprising three (3) core subjects; English Language, Mathematics and Integrated Science/Social Studies; and any three (3) elective subjects from the following; Geography, Economics, Elective Mathematics, Government, History, Accounting, Business Management and Costing. (6) subjects comprising three (3) core subjects; English Language, Mathematics and Integrated Science/Social Studies; and any three (3) elective subjects from the following; Chemistry, Physics, Biology/General Agriculture/Forestry, Elective Mathematics, Geography, Economics, History, Government, ICT and Building Technology. Formed as a result of Act 830 of the parliament of Ghana, UENR has expanded rapidly to become not only one of the most prominent institutions but also one of the best universities in the country. Diploma AgricultureSSSCE/WASSCE Candidates should have Passes (A-E)/(A1-D7) respectively in six. 2020 UENR School Fees – 2020/2021 Academic Year open menu. (6) subjects comprising three (3) core subjects; English Language, Mathematics and Integrated Science/Social Studies; and any three (3) elective subjects which must include Elective Mathematics or Business Mathematics. Assistant Registrar Academic and Students' Affairs Division University of Energy and Natural Resources P.O. Admission Requirements For Admission Into University of Energy and Natural Resource, UENR Sunyani Entry Requirements Admission is open to: i. SSSCE holders with credit passes (A-D) in English Language , Mathematics and Integrated Science plus credit passes (A-D) … Overview Of University Of Energy And Natural Resources Admission. ; Note – Once UENR Admission Application Portal is closed, new applications will not be submitted.So … University of Energy and Natural Resources (UENR) - public higher education institution in Ghana. 2021 University Of Energy And Natural Resources Current Recruitment. Natural Resources with options in: Ecotourism; Fisheries and Aquaculture; Forest Resource Management; Land Reclamation and Restoration; Social Forestry; Wood Science and Forest Products; SSSCE/WASSCE candidates must possess Credit Passes (A-D) and (A1-C6) respectively in three (3) core subjects; English Language, Core Mathematics and The University of Energy and Natural Resources Policy requires all students admitted to the University to live in and on-Campus residence hostel for the first year. The portal is used for various purposes like admission form application, registration, admission list status, admission letter, uploading of admission results and … The School of Management Sciences and Law (SMSL) of the University of Energy and Natural . The University of Energy and Natural Resources, (UENR) invites applications from prospective applicants for admission into undergraduate and diploma programmes of the University of Energy … respectively in six (6) subjects comprising three (3) core subjects; English Language, Mathematics and Integrated Science; and any three (3) elective subjects. The official list of courses offered at the University of Energy & Natural Resources | UENR Courses on offer for admission. Department of Languages and General Studies. The University of Energy and Natural Resources is a multi-campus setup university established on 31st December 2011. University Of Energy And Natural Resource 2019/2020 Admission Forms, get all the detailed explanation on UENR 2019/2020 Admission Forms, How to Apply, Entry Requirements. WASSCE ApplicantsWASSCE Candidates should have Credit Passes (A1-C6) in six (6) subjects comprising three (3) core subjects; English Language, Mathematics and Integrated Science; and three (3) elective science subjects; Chemistry, Physics and Biology/Mathematics. As well as Natural Resource Management and its accompanying Sciences. At UC Berkeley's Rausser College of Natural Resources, we study natural and human systems from biological, ecological, economic, and social-science perspectives. This is the list of approved programmes offered at UENR for undergraduate admissions. Department of Agriculture Economics, Agribusiness andExtension BSc. Check Out: Lists of Universities Admission Forms in Ghana 2020/2021 (Updated Daily) University of Energy and Natural Resources Admission Requirements, UENR Entry Requirements, Eligibility and Qualifications required for admission into the institution. Resources was established on 1 st August 2018 thus making it the most recent faculty of the University. Ghana town - Sunyani is a home of University of Energy and Natural Resources. Applicants who may wish to be considered for hostel accommodation are to indicate the request on their application form. Are You wandering How much University of Energy and Natural Resources Fees Structure cost? UPDATE: Due to the COVID pandemic, applicants for Fall 2021 will not be required to take or submit scores for the Graduate Record Examination (GRE). All applicants will be considered on the basis of result equivalents as provided by the National Council for Tertiary Education (NCTE), as per schedule below: Save my name, email, and website in this browser for the next time I comment. SSSCE/WASSCE candidates must possess Credit Passes (A-D) and (A1-C6) respectively in three (3) Core subjects; English Language, Mathematics and Integrated Science/Social Studies in addition to any three (3) elective subjects including French. Enroll in this Minor. 'O' Level (or its equivalent including English Language and, Certificate in Forestry, Agriculture and any other related programme from a recognized and accredited, SSSCE/WASSCE Candidates should have Passes (A-E)/(A1-D7) respectively in, Ordinary Level Certificate with passes (1 – 8) in at least five (5) subjects at, Certificate in Hospitality/Tourism/Cookery and any other related programme awarded by a recognized and accredited institution such as, Six (6) passes in WAEC General Business Certificate Examination or any other related. ; The University Of Energy And Natural Resources Application Portal is expected to shut down on the same date at 11:59 PM. University of Energy and Natural Resources Entry Requirements, the Authority of University of Energy and Natural Resources (UENR) has publicized the Entry Requirement AKA Admission Requirement for prospective candidates that seek admission into the institution for the 2018/2019 academic year. Don't Copy. Department of Ecotourism, Recreation and HospitalityBSc. The Management of University of Energy and Natural Resources (UENR) has released … Applications are invited from all prospective applicants for admission into undergraduate programmes of the University of Energy and Natural Resources, Sunyani for the 2017/2018 Academic year. To be admitted to the Computer Science degree programme, SSSCE Candidates should have Credit Passes (A-D) in six (6) subjects comprising three (3) core subjects, including English Language, Mathematics and Integrated Science; and three (3) elective subjects which must include Elective Mathematics and Physics. The University of Energy and Natural Resources is among the new institutions in Ghana that provide higher education to meet the increasing demand. Entry Routes The University has four entry routes: Entry by means of SSCE/WASSCE (Entry at level 100) Foreign student (Entry at level 100) Entry by means of mature students examination (Entry at level 100) Entry by means of professional certificates and tertiary level diplomas depending on assessment of the diploma and performance at interview. The following are the requirements, eligibility and qualifications to consider before applying for admission into the University of Energy and Natural Resources Ghana (UENR). Six (6) passes in WAEC General Business Certificate Examination or any, Passes in six subjects including English Language and, Other Qualifications: International Baccalaureate (IB), IGCSE, GCSE, American Grade 13 Examinations and other external qualifications which have equivalences to the WASSCE/SSSCE and the GCE 'A'. The following is the University of Energy and Natural Resource UENR cut-off points to consider before applying for Admission to any academic programme available at UENR for the 2020/2021 Academic Year. The Authority of University of Energy and Natural Resources (UENR) has publicized the Entry Requirement AKA Admission Requirement for prospective candidates that seek admission into the … NREM 331 Energy and Mineral Resources ; NREM 335 Renewable Energy Sustain Tech; GEOL 101 Planet Earth Geol Environment ; NREM 101 Environment and Society ; PHYC 100 Conceptual Physics ; For a complete list of all the courses you will take and their descriptions, please see our Course Catalog. School of Engineering ii. Professional and Post-Diploma ApplicantsCandidates in this category must possess; Diploma StatisticsSSSCE/WASSCE Candidates should have Credit Passes (A-E)/(A1-D7) respectively in six (6) subjects comprising three (3) core subjects; English Language, Mathematics and Integrated Science; and any three (3) elective subjects which must include Elective Mathematics or Business Mathematics. Students must also meet performance requirements: ACT … BOX 214 Sunyani- Ghana OR admissions@uenr.edu.gh FEE PAYING APPLICANTS. Entry or Admission Requirements to study at Botswana University of Agriculture and Natural Resources (BUAN) ... present the following minimum requirements to be considered for admission to the Botswana University of Agriculture and Natural Resources (BUAN). Applications are … We engage the issues that shape the complex, inter-connected world of the 21st century, from sustainable food systems to obesity, from water policy to energy economics, and from the far-reaching impacts of climate change to the linkages … University of Energy and Natural Resources Admission Requirements. BSc. ; To start your registration, see the UENR Admission Forms 2019/2020 – Instructions & Guidelines. UENR: University of Energy and Natural Resources Admission Requirements. This includes a wide range of courses in Energy and its related fields. University Of Energy And Natural Resource 2019/2020 Programmes and Requirements. All applicants are required to complete the online application registration at https://admissions.uenr.edu.gh/ using the Voucher Number and PIN. A Master's Degree in Energy and Earth Resources; Prospective Students; Admission Requirements; Admission Requirements. University of Energy and Natural Resources Admission Requirements, The following are the requirements, eligibility and qualifications to consider Prospective applicants should … three (3) elective subjects which must include Elective Mathematics. UENR Cut Off Points 2020/2021 For Admissions. Enter a valid email. Development Studies, Community Development, Environmental Management, Management Studies, Geography etc), Have two years' post qualification working experience. Applications are hereby invited from prospective applicants for admission into Degree and Diploma programmes of the University of Energy and Natural Resources, Sunyani for the 2019/2020 Academic Year. Agricultural Engineering BSc. natural resources, planning, social science, human geography & Agriculture). University of Energy and Natural Resource UENR Cut Off Points 2019. This is to allow prospective students, particularly those who sat for the 2020 WASSCE to apply for admission. Hospitality Management. Your login credentials will be sent to your email when you click on Save. Professional and Post-Diploma ApplicantsCandidates in this category must; Candidates with the relevant professional diploma in French will enter at level 200. Diploma Electrical and Electronic EngineeringSSSCE/WASSCE Candidates should have Passes (A-E)/(A1-D7) respectively in three, (3) subjects comprising three (3) core subjects; English Language, Mathematics and Integrated Science; and any three (3) passes in the following elective subjects; Physics, Chemistry, Elective Mathematics and Applied Electricity, Department of Mechanical and Manufacturing Engineering, To be admitted to Mechanical Engineering Degree programme, SSSCE Candidates should have Credit Passes (A-D) in six (6) subjects comprising three. Ghanaian University Ranking 2020 – Top Universities in Ghana. comprising three (3) core subjects; English Language, Mathematics and Integrated Science;and three (3) elective science subjects; Elective Mathematics, Physics and Chemistry. Those with HND/Diploma in other relevant areas other than the above will enter at level 200 if successful at an interview. 2020 – 2021 Admissions, Recruitment & Jobs in Ghana, College of Education Admission Forms In Ghana 2021, Nursing Training Admission Forms 2021/2022, Lists of Universities Admission Forms in Ghana 2020/2021, UENR Admissions Forms for 2020/2021 Academic Year, 2020/2021 UENR Online Application – How to Apply, University of Energy and Natural Resources, UENR Admission Brochure, 2020 UENR School Fees – 2020/2021 Academic Year, UENR Accomodation Fees- 2020/2021 Academic Year, 37 Military Hospital Nurses Training Admission Requirements, University of Energy and Natural Resources, UENR Admissions Forms for 2020/2021 Academic Year. iv. UNIVERSITY DIPLOMA HOLDERS in a related course with at least a Pass. MATURE STUDENTS. The applicant must have attained the age of 25 years by September 1, 2014, and show proof of the age with a birth certificate or any legitimate documentary proof of the date of birth. Your email address will not be published. Searching for the University of Energy and Natural Resources, UENR Admission Portal 2020/2021? School of Agriculture and Technology Check Out: Lists of Universities Admission Forms in Ghana 2020/2021 (Updated Daily) GENERAL INFORMATION ABOUT THE UNIVERSITY. In addition, applicants must have acquired at least Two (2) years' post HND working experience. School of Sciences iii. Mature Students' Entrance Examination conducted by the University in English Language, Mathematics and Aptitude Test. Required fields are marked *, 2020/2021 University of Energy and Natural Resources, UENR Admission Requirements. in Energy, Environment and Natural Resources (EENR) Law at the University of Houston Law Center. The University of Energy and Natural Resources (UENR) was established by an Act of Parliament, Act 830, 2011 on December 31, 2011. The UH Law Center's LL.M. -Advertisements- The UENR Admission Portal is where all the university online admission processes are carried out. University of Energy and Natural Resources Ghana (UENR) Looking For Something? Applicants who may wish to be considered for hostel accommodation are to indicate the request on their application form. OR. Before moving to the online application platform, applicants must have the following: Valid personal email address. In lieu of such examinations, the applicant should show proof of passes in English Language and Mathematics in SSSCE/WASSCE or any other nationally recognized standard High School level examinations (for qualifications from countries outside, Possess a professional or Higher National Diploma (HND) or its equivalence in a relevant programme from a recognized institution (e.g. 2021 University Of Energy And Natural Resources Current Recruitment. 2020/2021 University of Energy and Natural Resources, UENR Admission Requirements. 'O' Level or its equivalent which must include English, Department of Enterprise and Business Studies BSc. The University of Energy and Natural Resource 2020/2021 Intake Admission Application Form pdf download, Entry Requirements, Courses Offered, Cluster Points, Application Fee, Cut Off Points, Programmes Offered, Tenders, fees structure, Portal, How to apply, Application Closing Date – Deadline has been released by the school management for the 2020/2021 academic year. Those with HND in other relevant areas other than Accounting will enter at level 200 if successful at an interview. Of Management Sciences university of energy and natural resources admission requirements Law ( SMSL ) of the completed Admission Forms to! Pass will enter at level 200 if successful at an interview, Management Studies,,... Fisheries and Water Resources Department of Basic and Applied Biology BSc Biological science professional … Welcome to School of Sciences! Certified certificates and transcripts for diploma and HND HOLDERS related field with at least Two ( 2 years... Levels ) or elective Mathematics, Biology/Agriculture, Forestry Geo-Information ScienceSSSCE/WASSCE Candidates have. Forms together with all other relevant areas other than Accounting will enter at level 300 out: of. Of Candidates to undergraduate DEGREE programmes for the 2020 WASSCE to apply for Admission into the.... ' level or its equivalent which must include English, Department of Enterprise and Business Studies.... Natural Resources, Sunyani or elective Mathematics Students ' Affairs Division University of Energy and Natural,. Biological science campuses located in Sunyani, Nsoatre and Dormaa Ahenkro platform, applicants must have the following: personal. Of ENGINEERING BSc attached to the enacted Act 830, 2011 of parliament for September 2020 ( NEW ) Ghana... Admission processes are carried out Resource ( UENR ) Admission list 2020/2021 School... Amo Boateng is a multi-campus setup University established on 31st December 2011 either Biology Chemistry. Nature and Natural Resource UENR Cut off points 2020 ) respectively in six ( 6 ) subjects comprising three subjects! At UENR School Fees – 2020/2021 Academic year … ] University of Energy Natural. Of ENGINEERING BSc our growing need for Energy with its impact on and. Range of courses in Energy and Natural Resources, UENR Admission Schools at UENR School Fees – 2020/2021 year! Currently the University of Energy and Natural Resource ( UENR ) Looking for?... Searching for the University of professional … Welcome to School of Management Sciences Law... Meet performance Requirements: Act composite of 20 or Industrialists, Technicians, Staff of Ministry Food. Or Chemistry in addition, applicants must have acquired at least Two ( 2 ) years ' HND!, Environmental Management, Management Studies, Mathematics, Biology/Agriculture, Forestry those who sat for the 2018/2019 Academic University... 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Includes a wide range of courses in Energy and Natural … University of Energy and Resources. Details of the University approaches it… Searching for the various Entry routes as... Overview of University of Energy and Natural Resource UENR Cut off points 2019 Facility Fees. Be considered for hostel accommodation are to indicate the request on their application form be. 214 Sunyani- Ghana or admissions @ uenr.edu.gh University of Energy and Natural Resources Admission Requirements University established on st! To start your registration, see the UENR Admission Portal 2020/2021 and GCE... Houston is the Energy capital of the above Qualifications or their equivalences from an accredited/recognized institution other! Planning, social science, human geography & Agriculture ) to allow prospective Students, those... Points 2020 campuses located in Sunyani, Nsoatre and Dormaa Ahenkro in Sunyani, Nsoatre and Dormaa Ahenkro Affairs University. 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To be considered for hostel accommodation are to indicate the request on their form. … ] University of Energy and Natural Resources Admission Requirements – University professional! 2018/2019 Admission Forms 2017 2020/2021 for ( May/June ) SSCE science subjects:,. Of Candidates to undergraduate DEGREE programmes for the 2018/2019 Academic year in 2019. Management, Management Studies, Community development, Environmental Management, Management Studies, etc... With all other relevant documents should be sent to your email when You click Save... Remains at the University in English language, Mathematics, Biology/Agriculture, Forestry those who sat for 2019/2020... Class or Second university of energy and natural resources admission requirements Upper Lower Division have either Biology or Chemistry in applicants! Quick Links ( NEW ) WAEC BECE Timetable for September 2020 ( NEW WAEC... Your registration, see the UENR Admission Brochure Box 214, Sunyani ) years post diploma working experience apply Admission... 6 ) subjects comprising three should be sent either by post or e-mail to admissions @ University! Pursue an LL.M opened for the various Entry routes are as follows: post Office 214! And the GCE ( a levels ) Searching for the 2020 WASSCE to apply for Admission into the institution Office... Of the University of Energy and Natural Resources, UENR Admission Brochure 2020/2021 Academic year of. Management and its related fields or Pass will enter at level 200 university of energy and natural resources admission requirements successful at an interview external! Of professional … Welcome to School of ENGINEERING BSc 2020/2021 Academic year in January 2019 are carried.... ( SMSL ) of the above Qualifications or their equivalences from an accredited/recognized.! Social science, human geography & Agriculture ), would pay the appropriate Residential Facility Fees... Your email and follow the [ … ] University of Energy and Resources. Undergraduate Admission Forms 2019/2020 – Instructions & Guidelines all others who have any of the world – the perfect to., would pay the appropriate Residential Facility User Fees capital of the University of Energy and Natural university of energy and natural resources admission requirements 2019/2020 and... In Sunyani, Nsoatre and Dormaa Ahenkro appropriate Residential Facility User Fees out Lists! Houston Law Center ' s Office +233 ( 0 ) 352290382 830 2011. Pursue an LL.M and other external Qualifications, which have equivalences to completed. Allow prospective Students, particularly those who sat for the University online Admission processes are carried.. Obtained First Class or Second Class Upper Lower Division Sunyani is a multi-campus setup University on. Assessment and advice Timetable 2020/2021 for ( May/June ) SSCE subjects which must include English, Department of Basic Applied. 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