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WOMEN'S CH. CUP WOMEN'S CHALLENGE CUP ▼
2 months ago - 11/14/2019
Eight more teams eye Last 16 spot
It will be all or nothing this weekend for the 16 teams competing in round 3 of the Women's Challenge Cup. After RK Zajecar 1949, SIR 1MAIO/ADA CJB and ZRK Bjelovar all qualified by winning their double-headers last weekend, eight more teams will advance to the Last 16 this week.
Those 11 teams in total will join the trio which starts the competition in the Last 16: HC Lokomotiva Zagreb, JuRo Unirek VZV and ZRK Naisa Nis.
The Last 16 will consist of only seven matches after Aula Alimentos de Valladolid have been seeded though to the quarter-final following the withdrawal from the competition by Ardesen.
Debutants Granollers on brink of next round
When hearing "Granollers," most handball fans will immediately think of the team that has been doing well in the Men's EHF Cup in recent years. But this season, also the women's team of Granollers is tiptoeing into European handball for the first time.
On Sunday, KH-7 BM. Granollers won their debut match 34:29 at home against BNTU-BelAZ Minsk Reg., with 21-year-old left wing Ona Vegué scoring 11 times.
Granollers will be defending their five-goal lead in Belarus on Saturday at 12:00 CET (live on ehfTV.com).
There are four more second-leg matches to be played on Saturday and Sunday: in all ties, the first leg delivered a clear winner last week, with margins varying between seven and 13 goals.
Round 3 action starts Friday
However, the deciding round 3 action already throws off on Friday with the start of two double-headers.
In a duel in Austria between two European debutants, HIB Handball Graz will be hosting A. C. Veria 2017 from Greece on Friday evening and again on Saturday afternoon.
Also on Friday and Saturday in Zavidovici in Bosnia, ZRK Krivaja will be aiming for their first Last 16 appearance in their fourth participation in the competition. Their opponents, Maccabi Rishin Lezion of Israel, have been in the Last 16 as recent as last season.
The third double-header is scheduled for Saturday and Sunday in Funchal in Portugal, and will see hosts CS Madeira taking on WHC Hadzici DG of Bosnia twice.
Author: Peter Bruun / ew
2007 champions Nis take on the newcomers
DRAW REVIEW: While the former Challenge Cup winners from Serbia face an Austrian opponent, the 2017 winners from Lokomotiva Zagreb meet a Portuguese team.
14 teams await Women's Challenge Cup draw
DRAW PREVIEW: As Valladolid are seeded directly to the quarter-finals, seven quarter-final tickets are up for grabs in the Last 16 of the Women's Challenge Cup


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Rushden roaring into 2015
Hundreds of local people have attended Rushden Learning Centre over the past year to get to grips with IT skills and to help them seek and secure employment in 2015.
Attending in their spare time during the day, evening and on Saturdays, people of all ages have taken advantage of the free or low-cost courses, and many joined a special presentation evening on Wednesday 10th December.
Rushden Learning Centre is part of award-winning Bedford College which has these venues in Bedford, Luton and Milton Keynes.
Brett Suter, 39, from Rushden, achieved Level 1 and 2 qualifications in Word, Excel, PowerPoint, Access, Publisher and Sage. Brett used the skills he learned during the courses to help prepare a business plan for his prospective van conversion business, turning business style vans into camping homes. Brett said: "I already had a basic understanding of IT but these courses have really helped me gain the further skills I needed to prepare and present business plans."
Anne Bellamy, 62, from Rushden and Hilary Dore, 58, from Higham Ferrers were both made redundant when Dawson Books relocated from Rushden to Norwich on 2011. The ladies were part of a group who attended courses at the Rushden Learning Centre to help find further employment. Hilary now works for a local café, taking orders and delivering. Anne works as Passenger Support for disabled children and is also a catering assistant at a local school. "We don't necessarily use all the skills we learned at the Centre in our new roles, but the training and experience definitely helped us to find these jobs. IT skills are needed for everything now and the internet is a big help when looking for work," said Anne. Hilary added: "All the staff have been so helpful and supportive, we would definitely recommend it to anyone, of any age."
Liz Voss, 50, from Rushden achieved the Level 2 qualification in all of the IT courses offered at the centre. Liz has a sight impairment which has led to her being currently unemployed. "The Centre staff have been very accommodating and helped me enormously. The courses have helped me build upon my IT skills and gain some valuable qualifications which I hope will help me find future employment," said Liz.
A beautifully-decorated handmade Christmas cake, decorated by the centre's Senior Administrator, Tina Joyce, was raffled during the event and raised over £200 for The Honey Pot Children's Charity. Together with other activities, such as selling cakes, books and DVDs, this brought the total amount raised by the centre for the charity this year to be £650. The lucky winner of the raffle was Peter Bailey.
Additionally, Karen Daley won the achievers' raffle prize of a Kindle Fire HD which was donated by Bright Learning Solutions (see below)
Group photo of staff and presenters:
Bedford College Principal and CEO, Ian Pryce CBE; Bedford College Executive Director, Sharon Chinneck; Bright Learning Solutions Managing Director, Peter Burton; celebrity singer/songwriter from Pop Idol, Kirsty Crawford and Rushden Learning Centre Manager, Kathryn Squires.
Entertainment was provided by local musician, Rhys Gradwell, who sang and played his guitar throughout the event, and then performed a scintillating duet with Kirsty after the presentations.
Home » About » News » Rushden roaring into 2015

redpajama_set_name: RedPajamaCommonCrawl


Welcome to my stop on the Fire Prophet Blog Tour hosted by YA Bound. Click HERE to check out the rest of the blog tour schedule!
PercyJackson, move over! Jonah Stone is here!
What if Nephilim—the children of angels and men—still walked the earth? And their very presence put the entire world in danger? In "Spirit Fighter," Jonah and Eliza Stone learn that their mother is a Nephilim and that they have special powers as quarter-angels. When their mom is kidnapped by fallen angels, they must use those powers to save her. Along the way, they discover that there is a very real and dangerous war going on between good and evil and that God has a big part for them to play in that war.
This is an awesome biblically based middle grade adventure full of wholesome action and a positive message that will appeal to readers of all ages.
While it is true that Spirit Fighter does have a decidedly Christian point of view, complete with scriptural references; the story is so well crafted that it is enhanced and in no way overwhelmed by said scriptural component.
Readers will also be pleased to find that this book is the story involving not just Jonah and Eliza, but their entire family. Though some members of the Stone family don't get as much time in the spotlight as others, they are all there and together.
There is never a point in this book as which the action hits a lull. Once the action starts, be ready to ride it out until its happy ending.
This book is recommended to readers of all ages, but especially tailored for those between 8-14.
Let "Spirit Fighter" show you and your family how to "put on the full armor of God", within the pages of a truly captivating read with a life changing message.
What if you could actually see angels and fallen angels engaging in battle--and you were expected to join the fight?It's been one year since Jonah Stone and his sister, Eliza, discovered that their mother is a nephilim, the product of a union between a human and a fallen angel, which makes them and their little brother, Jeremiah, "quarterlings," or one-quarter angel. After embarking on an epic journey to rescue their mother and the other nephilim, who were kidnapped by fallen angels, the Stone kids have enjoyed a little peace and quiet.
Fire Prophet, the second book in the Son of Angels series finds Jonah and Eliza Stone one year later and busier than ever.
This second offering in what is proving to be a wonderful middle grade Christian based series, is packed with all of the action, positivity, and biblically based principles of the first book and so much more.
Jonah, Eliza, and even Jeremiah are allowed to shine even more this time, as they separate from their parents and hone their angelic skills at Angel School; in preparation for their biggest mission yet.
This story just keeps getting better. Now that all of the Stone children have been activated in their angelic roles and they are able to interact with other angelic beings of their kind; readers really get to see them grow in more personal ways.
They also get to expand their horizons by dealing with characters of different cultures and who aren't as "religious" as they are.
With a message geared more toward "the power of prayer" and story happening on both the physical and spiritual realms; this story seems even more biblically connected than the first without being preachy.
There are scriptures woven through the story in the same unobtrusive manner as the first book, but the action here is ratcheted to a higher level. There is the good angels vs. bad angels fight coupled with a mission to find a person who could be crucial to the survival of the "quarterlings."
This series is a wonderful addition to any bookshelf and one that the whole family can enjoy.
Jerel Law is a gifted communicator and pastor with seventeen years of full-time ministry experience. He holds his undergraduate degree from the University of North Carolina at Chapel Hill (go Tarheels!), and a master of divinity degree from Gordon-Conwell Theological Seminary. Jerel began writing fiction as a way to encourage his children's faith to come alive. He lives in North Carolina with his family. Spirit Fighter is his first novel.
Thanks for the thorough review! I love books with lots of action that hold my interest.


Once you have a baby in your house, the way you clean your house will permanently change. You'll quickly come to know that it's not just finding time to clean that changes, but also how it must be done. Suddenly, the new responsibility of parenthood will make you take extra caution and care. With all the adjustments you are making, there are chances that you would feel overwhelmed. But, with a few handy baby care tips—and a little bit of time—you'll be the best mom in the business, making sure that your little one is as safe in your home all the time.
A basket is really handy for keeping baby's things and it lets you save space and clean fast. You are able to get things off the floor and store it where you can find them, which will help you in cleaning the baby's room and maintaining their toys quickly. This also allows you to be efficient when doing a full home clean-up.
Make sure that all adults at home knows where the disinfectant and sanitizing spray are to wipe down a dirty spot as soon as they see one.
From our point of view, it's pretty easy for us adults to look at decently clean floor and judge it to be clean enough. However, your little kids are going to be spending quite a bit of its time on those floors, and you're going to want them to be spotless in order to help keep your baby safe from bacteria and viruses. Turn to Dettol disinfectant multi-use hygiene liquid to keep your floor safe and sparkling, without leaving behind any harsh or harmful residues.
One of the most important things to learn is when you have a newborn, nothing else matter. So, let go of the idea of having a perfect home because the time you lose in making your home perfect, you gain in moments making your life perfect.


Our Collectors Issue "The 4th Floor" is now available for purchase and last week we revealed the beautiful covers featuring Luke Worrall (D1) and Matthew Bell (Elite Models London). The publication, shot by Cecilie Harris, features 13 stunning boys, all photographed in Cecilie's 4th floor flat. The collection of photographs shows the boys in an honest and raw way, capturing aspects of their personalities during their adolescence, with all the purity, insecurities and cheekiness you'd expect.
We're giving you a peek inside with a selection of the pages. To own a copy with all 12 chapters (including a previously unpublished chapter - Chapter Zero!), you can buy a lovely hard copy for your coffee table or your bookshelf here. It smells pretty good.


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Q: using liquibase on existing schema I've read about how you can generate changelog.xml from an existing schema. That's fine, but I have existing systems that I don't want to touch, except to bring in new changes. I also have completely new systems which require all changes be applied.
So, I want to get liquibase to only perform migrations from changeset X when running on an existing system. I.e. that system's DB is at revision X-1 (but no liquibase sys tables), and I don't want any preceeding migrations applied.
Many thanks,
Pat

A: I think the easiest would be to execute the initial setup on an empty database at first and export the entry(ies) liquibase does insert into the DATABASECHANGELOG table. Then I'd export these entries and insert them manually into one of the target databases into their DATABASECHANGELOG table, so liquibase does not execute the "change" there again.
Of course I'd test all that with test dumps on a test machine... :)

A: I would recommend a slightly different approach, as commented in this Liquibase forum thread

*

*generate a changelog from your existing schema. The liquibase CLI can do that for you. I usually take the resulting XML and smooth it out a bit (group related changes into single changelogs, do vendor-specific cleanups and so on), but Liquibase does most of the legwork.

*run that changelog against the existing database (changelogSync command), but only marking it as applied (without actually modifying the schema).

*use liquibase for applying new changes from that point on.

redpajama_set_name: RedPajamaStackExchange


Oct 23, 2016. How a credit-based insurance score impacts your auto premiums. ALSO SEE: How Credit Affects Auto Insurance Rates in Your State.
Bad credit can affect how much you pay for your car insurance. Learn more about how Zinu Credit Repair can help improve credit score and you pay less.
Insurance companies licensed to sell private passenger automobile and residential. Carolina may use credit scores in determining your insurance premiums. by your policy, to learn how those credit histories could affect your policy.
What's the difference between a credit-based insurance score and a FICO credit score? They predict. How do inquiries affect credit-based insurance scores?
Many car insurance companies now use your credit score or insurance credit score. and other personal information that could affect your ability to repay a loan.
Mar 7, 2018. So you need car insurance – but you have a bad credit score. might also affect the size of the down payment required by your insurance.
6 days ago. An insurance score is not a credit score. Find out what you should know about insurance scores and how they affect your auto insurance rate.
Aug 28, 2015. These are maxims many drivers follow to keep their auto insurance costs in check. Consumer advocates say these rating tools hurt low-income drivers. The study found that in most states in which credit scores can be used.


This morning while looking at new blog posts I came across one that grabbed me. For forever and a day the Cisco CCIE recertification policy was that you are required to take a CCIE/CCDE level written exam every two years to stay active. Well, reading Daniel's blog over at LostInTransit, it seems that has finally changed.
Seems today (6/6/17) Cisco has updated their recertification policy to also include a Continuing Education Program where you earn credits that will count towards recertification. This brings their recertification policy in line with other certification tracks (CISSP, CISA, ISC2, etc.).
Reading the Cisco Continuing Education Program site, it seems that the program is based on three principles – Flexibility, Diversity, and Integrity. Flexibility means that there are now additionals ways for CCIE/CCDE to recertify besides the written exams. Diversity is by allowing individuals to take approved courses and training, as well as Cisco Live offerings. Integrity is based on having Cisco authorized providers to validate the class and credits that a person takes.
Renewing CCIE this way will renew lower level certifications.


You have a strongly intuitive side, but you often misread your inner compass, and if you act according to your instincts, you might find yourself moving in the entirely wrong direction. When it comes to your instincts, you tend to miss the trees in favor of the forest. That means your 'inner eye' isn't attuned to the important little details, or the subtle variations of whatever feeling you're getting.
In a romance, for example, you could get a strong sense that things are off with your partner -- but you'll ignore the specifics about your feeling and end up drawing the totally wrong conclusion about what's going on with your sweetie and why. You're seeking the truth, though, and that's the very reason why you so often misread your own signals -- because the truth is such a broadly varied and changeable concept. And it's wonderful that you shoot for the stars in your quest for the truth. But you should always incorporate all your senses, not just your sixth one. Rely on the combination of your inner feelings plus the facts as you can see and understand them, and you'll steer yourself along a straighter track.


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Aberdeen City, Entertainment, Featured No Responses »
Ayanna Witter-Johnson
By Craig Chisholm.
Aberdeen Performing Arts' award-winning music festival, True North will return from 23-26 September for a weekend of live music and free events, boasting an inspirational and vibrant line up of shows and Fringe events at venues across the city.
True North will be based around the theme of Rise Up, celebrating freedom of expression, diversity and community as we prepare to re-open and welcome back audiences to the Music Hall, Lemon Tree and His Majesty's Theatre for the first time since March 2020.
American singer songwriter and former Czars frontman John Grant will headline True North at the Music Hall on the Saturday evening.
Described as 'the misfit's misfit', Grant is too weird to be mainstream, too mainstream to be weird; too sad to be happy, too sharp not to crack a mordant joke about it.
The dolorous ace in his song-writing pack is to gauge impressionistic childhood experiences against their amplified adult consequences.
Rachel Sermanni
He will be supported by acclaimed Scottish performer Rachel Sermanni.
Grammy and MOBO award-winning star Corinne Bailey Rae will close the festival on Sunday with a specially curated concert at the Music Hall called "A Celebration of Stevie Wonder by Corinne Bailey Rae."
The evening will see Corinne joined by special guests to perform the many legendary hits from the catalogue of Stevie Wonder songs in what promises to be an extraordinary evening of music.
With previous True North curated concerts celebrating the music of Neil Young, David Bowie and Kate Bush among others, this concert at True North has become a highlight of the festival and a firm favourite among audiences.
Headlining on Friday night at the Lemon Tree with a Night of New Voices is the soulful, eclectic Ayanna Witter-Johnson. A singer, songwriter, cellist, composer, producer and arranger with phenomenal musical prowess, mesmerising vocals, uncompromising lyrics and mastery of the cello. Ayanna unapologetically imprints her unique musical signature into her music.
Heir of the Cursed, Robyn Davidson and DJ Rebecca Vasmant complete the line-up.
Ransom FA
Aberdonian grime rapper Ransom FA will head up late night at the Lemon Tree on Saturday. The fast-rising artist, was a contestant on the UK TV show, The Rap Game, where he battled other budding rappers for a record deal.
Prior to the Rap Game, Ransom had already shared the stage with many of the biggest UK rappers, such as Skepta, Wiley, Mist, M Huncho to name only a few. He will be joined by Chef, Sean Focus and DJ HomeAlone.
Playing on Thursday 23 September and kicking off True North 2021 will be Peaness, who will be bringing their catchy, fuzzy, harmony-driven indie-pop songs about love, friendship, frustrations, Brexit and food waste to the Lemon Tree.
Formed in 2014 in Chester university digs, the trio have secured nationwide and international shows with bands such as The Beths, Kero Kero Bonito, The Cribs, We Are Scientists, The Big Moon and Dream Wife. They will be joined at the Lemon Tree by Swim School and Lavender Lane.
A spoken word event specially commissioned by Aberdeen Performing Arts and headed up by award winning poet and three-time slam champion Jo Gilbert will focus on the festival's theme of Rise Up.
Four local spoken word artists will produce new work based around this theme and showcase their work at the Lemon Tree on Sunday in an event which promises to challenge and inspire in equal measure.
Fringe events are planned to take place in venues across the city over True North weekend and details will be announced shortly.
Ben Torrie, Aberdeen Performing Arts' Director of Programming and Creative Projects said:
"We are thrilled to announce the lineup for True North 2021, which feels like a huge step in the return of live performance at our venues. It feels really good to be able to bring the festival to a live audience once again.
"It means a lot to us to be able to put this on for people in Aberdeen, and to shine a spotlight on so many talented performers and musicians is a privilege that has never been so important.
"The theme of this year's festival is Rise Up. It's a positive message about rising up to bring people together, marking the re-opening of our venues, and celebrating the power of music to help us stand up for the things we believe in. We could not be prouder of this festival at this time."
Tickets for all True North events are available from www.aberdeenperformingarts.com
Posted by Editor at 11:40 Tagged with: Aberdeen, Arts, Festival, Live, Music, North, Performance, Poetry, True
Aberdeen City, Gigs and Concerts, Information No Responses »
After a COVID induced hiatus, live music is finally making a return to the Granite City and one of the first major events to happen will be a gig by veteran Scottish indie legends Teenage Fanclub at the city's iconic Beach Ballroom.
Touring in support of recent acclaimed album 'Endless Arcade' – their 12th studio album – the iconic band will undertake an extensive UK & Irish tour that includes dates in Edinburgh, a sold-out Glasgow Barrowlands and, of course, Aberdeen.
The band are no strangers to Aberdeen having played some of the city's most famous venues including the Lemon Tree, Moshulu, Music Hall & AECC. They actually played the Beach Ballroom in one of their earliest gigs in Aberdeen, supporting Primal Scream way back in 1989.
Teenage Fanclub play the Beach Ballroom on Wed, 15th September. Support provided by 'Poster Paints'.
Tickets to the Beach Ballroom are available on Ticketmaster now.
Posted by Editor at 15:09 Tagged with: Ballroom, Beach, Concert, Entertainment, Gig, Live, Music, Performance, Review, Rock, Venue
Aberdeen City, Featured, Information No Responses »
Young British guitarists Mikhail Asanovic and Jake Wright, together known as The Showhawk Duo, have dazzled audiences worldwide with their spectacular approach to playing the guitar, breaking down barriers between acoustic and electronic music.
Whether playing old-school trance classics or modern funky house, their live show knows no boundaries and will leave you amazed.
Mik is a classical guitarist at heart, having studied at Manchester's RNCM whereas Jake is an electric junkie and grew up playing in rock and metal bands. Mik's classical foundation shines through in the music with Jake's raw percussive approach always keeping the crowd moving.
Together they create a truly unique and impressive sound, and have turned many "acoustic" nights into a thumping rave.
Together, they started out as buskers and have since gone on to play all over the globe.
They have appeared on BBC Radio 1 on the Nick Grimshaw's Breakfast Show, did a 40 minute live broadcast for the LAD Bible, BBC Radio Bristol, and have performed at most of the UK's large festivals including Main Stage at Bestival, Glastonbury, Isle of Wight Festival, Secret Garden Party, Wilderness, Somersault, Lost Village, Boomtown and more.
They played sell-out shows on their 2015, 2016, 2017, 2018 & 2019 UK tours, headlining The O2 Forum in the most recent, and five star reviews followed an official sell out show at Edinburgh Fringe.
International performances include F1 Grand Prix in Singapore, Seychelles, club tours in Spain, Switzerland and the Netherlands and a 20 – date residency at Pacha in Ibiza.
Now, the duo will perform on stages across the nation, as they embark on their mammoth UK and Ireland tour.
Spanning 26th different dates – including a date at Unit 51 in Aberdeen on Saturday, October 9th – the duo will unleash their fiery acoustic sound to audiences far and wide, as they turn soft acoustic guitars into the ingredients for an unforgettable night of raving.
Support comes from Zen Lewis.
Ages 14+ // Under 18s must be accompanied by an adult. Tickets available now at Skiddle.
Posted by Editor at 14:23 Tagged with: Acoustic, Classical, Concert, Entertainment, Gig, Guitar, Live, Music, Performance, Rock
On Your Feet @ HMT – Duncan Harley Reviews
Aberdeen City, Featured, Opinion No Responses »
Duncan Harley reviews On Your Feet – The Story of Emilio and Gloria Estefan at His Majesty's Theatre, Aberdeen.
Despite the expansive title, this is really a biopic of Gloria.
Thin character development leaves husband/manager Emilio, played here by George Ioannides, lagging.
Portrayed as caring, charming and occasionally comedic, that's about all you get of the essence of the man.
Gloria, a splendid Philippa Stefani, and her mum and her gran hold the plot strings and the show is really about the Estefan brand.
Plot-wise, an attempt is made to set the bands rise against a mid-20th century geo-socio-political scene in the aftermath of the Cuban Revolution. Havana born Gloria's family flee to Miami following Castro's takeover.
Dad Jose – Elia Lo Tauro, participates in the disastrous Bay of Pigs CIA inspired invasion of Cuba and is later exposed to a toxic chemical defoliant whilst serving in Vietnam. He gets ill and dies.
A later traffic accident leaves Gloria wheel-chair bound. She miraculously recovers. The band face determined music industry hostility. They overcome this.
In short, the link-story is all about triumph in the face of adversity. But it's still paper-thin in places and perhaps over-reliant on tear-jerkers.
There are better musicals in the biopic juke-box pack, think Jersey Boys and Beautiful. But of course, none have a back catalogue which crosses over so many musical genres.
Ballad, disco, pop, samba all feature and in both Spanish and English.
Combined with the shows drop dead gorgeous dance numbers and, as a piece of uplifting entertainment, it works. Staging, and lighting and sound – superb. Ensemble/swing/band all good.
In all there are some twenty-one stunningly performed musical numbers. But please can I have some more plot sir?
Entertainment: 3/5
Stars: 3/5
On Your Feet is @ HMT Aberdeen until Saturday 14 March.
Words © Duncan Harley, Images © Aberdeen Performing Arts
Posted by Editor at 15:07 Tagged with: Acting, Arts, Dance, Drama, Entertainment, HMT, Music, Performance, Review, Song, Theatre
Dial M For Murder @ HMT – Duncan Harley Reviews
Duncan Harley reviews Dial M for Murder at His Majesty's Theatre, Aberdeen.
The unfaithful Margot – a splendid Sally Bretton, kills the hitman hired by tennis-pro husband Tony and heads to death row. Enter Inspector Hubbard who, assisted by Margot's lover Max, solves the crime and cheats the hangman.
Well, truth is Hubbard got it wrong first time around but he eventually gets his bearings.
Case solved, end of story, all live happily ever after. Well not quite.
Dial M is one of those classic thrillers where we, the audience, are in on the perfect-murder plot from the start. But, and all power to them, it takes ages for the police to catch on. If only they had asked us at the start.
But that's not how these things work.
This is a four-hander which means you won't ever see hitman Captain Lesgate and DCI Hubbard on stage at the same time since both are ably played by Christopher Harper. Of the two, Hubbard is the most believable and has the unenviable task of sorting out who did what to whom and how.
Lesgate just has to do and die and frankly he deserves the latter. An unlovable rogue, he joins Tom Chambers' Tony in the over-egged dialogue stakes.
In truth though, the Inspector really is neither one thing nor another.
Although things pick up in the second act, the DCI Hubbard character bumbles early on between watered-down Taggart and smartened up Columbo.
The sharp suits certainly fit the era but a sometimes-thin script detracts and the police assault on Max – played by Michael Salami, seems without context.
The convoluted plot is eventually unravelled. But it's still laboured at times.
Perhaps the period setting is partly to blame. Originally a 1950s piece, Dial M has been re-imagined within the 1960s for this production.
2020 might have been better. Beset by references to the likes of 'press button A', kerb appeal might have been enhanced by the addition of a mobile phone or two.
All in all, though, this is a decent stab at the perfect crime thriller. And there's nothing more entertaining than a good murder.
Entertainment value: 4/5
Dial M for Murder is showing @ His Majesty's Theatre Aberdeen until 22 February
Words © Duncan Harley and Images © APA
Aberdeen Voice does not accept payments for advertising or publishing, we rely on our volunteers and donations from the public. Donations can be made via paypal to donations@aberdeenvoice.com
Posted by Editor at 12:50 Tagged with: 1960s, Acting, Arts, Dance, Drama, Entertainment, HMT, Murder, Music, Performance, Review, Song, Theatre
We Will Rock You @ HMT – Duncan Harley Reviews
Duncan Harley reviews We Will Rock You at His Majesty's Theatre, Aberdeen.
Mad Max meets Star Wars in this hilariously camp re-run of the Queen back catalogue. We Will Rock You (WWRU) is of course a jukebox musical and the Ben Elton inspired story is at best weak at the knees.
But it doesn't really matter. Few come to this show to dwell on the plot.
It's all about the Queen numbers. And the show features a shed load of them.
Set 300 years into the future, WWRU is set in a world dominated by Globalsoft, an outrageously oppressive corporate giant run by the Killer Queen, which dominates society to the point where free thought and creativity have been all but obliterated. Enter hero Galileo Figaro – a splendidly cast Ian McIntosh.
A bohemian and a dreamer by nature, Galileo – following various adventures including an Arthurian guitar hunt ending in Wembley Stadium – re-invents rock, defeats the Killer Queen and gets the girl.
So that's all right then. But, as I said, the plot is simply a modest vehicle for the music and the entertainment value is where it's at.
Truth is, with a 25 strong Queen song list including the likes of Radio Ga Ga, Another One Bites The Dust, Crazy Little Thing Called Love, We Are The Champions and Fat Bottomed Girls it would be hard to fail.
Add in a roller-coaster of panto-inspired innuendo, lots – and I mean lots – of fast and furious choreography and of course a Bohemian Rhapsody finale and the whole thing works brilliantly.
Stars? Amy Di Bartolomeo's Oz for one. Her solo No One But You (Only the Good Die Young) is to die for. Adam Strong's Commander Khashoggi – delightfully camp. Michael McKell's Buddy – suitably stoned. Swing/Ensemble – simply brilliant! Technically stunning throughout.
Go see. And don't forget to pack your air guitar.
@ His Majesty's Theatre Aberdeen until 15 February
Posted by Editor at 06:30 Tagged with: Acting, Arts, Comedy, Dance, Drama, Entertainment, HMT, Music, Performance, Queen, Review, Song, Theatre
Frankenstein @ HMT Aberdeen – Duncan Harley Reviews
Duncan Harley Reviews Mary Shelley's Frankenstein at His Majesty's Theatre, Aberdeen.
The task of re-animating dead flesh is not for the faint hearted but, at some two hundred years distance from publication of the original novel, Mary Shelley's tale of a latter-day Prometheus continues to fascinate.
During the summer of 1816, Mary Shelley along with Lord Byron and Mary's future husband – the poet Percy Shelley holidayed near Geneva.
Freakish weather curtailed their plans and a ghost story competition ensued. Mary famously triumphed and in 1818 – aged twenty, she published the Gothic horror novel we now know as Frankenstein.
She was later to record:
"How I, then a young girl, came to think of, and to dilate upon, so very hideous an idea?"
Multiple takes on the story have emerged during the subsequent years and the nightmarish tale of science versus god has spawned a plethora of sensationally bonkers Hollywood films and theatre adaptations.
Thankfully, this new but ambitious theatrical take by Rona Munro steers clear of the bolt-necked cadaver approach. The familiar story is acted out by a cast of seven who perhaps struggle to inhabit some dozen roles.
Greg Powrie for example plays three distinct characters. But there is little apart from minor costume/accent changes to clearly differentiate the individual roles. He is not alone in this.
The central role is that of Mary Shelley herself – played by Eilidh Loan. As she pens her debut novel, she also directs the action on stage.
At first, and all power to Eilidh, this approach is intriguing and shows promise. She is after all the real monster albeit in creative guise.
These are her words and she gets to decide who lives and dies.
Thoughts are expressed, written down and the plot is duly acted out. Then more thoughts are expressed written down and duly acted out. Actors rush around delivering frantically shouted lines between her constant interjections and the stage takes on the chaotic energy of an inner-city road junction.
At first this appears fresh and promising. But as the performance progresses the approach takes on a slightly repetitive quality which eventually sours the narrative. Neither one thing nor another, Mary Shelley's Frankenstein cries out for urgent reappraisal.
Michael Moreland's portrayal of the monster is more than adequate.
Lighting, sound and set do full justice to the story. But there is perhaps a need to re-think the urgency of the plot and maybe lessen Mary Shelley's iron grip.
This really should have been a completely decent bit of theatre. Prepare to be horrified.
Directed by Patricia Beneckie, Mary Shelley's Frankenstein plays @ HMT Aberdeen until 8 February.
Tickets from Aberdeen Performing Arts Tel: 01224- 641122
Aberdeen Voice does not accept payments for advertising or publishing, we rely on our volunteers and donations from the public.
Donations can be made via paypal to donations@aberdeenvoice.com
Posted by Editor at 20:48 Tagged with: Acting, Arts, Drama, Entertainment, Gothic, HMT, Horror, Novel, Performance, Review, Theatre
Beautiful: The Carol King Musical @ HMT – Duncan Harley Reviews
Duncan Harley Reviews 'Beautiful – The Carol King Musical' at His Majesty's Theatre Aberdeen.
As jukebox musicals go Beautiful hits the sweet spot. Familiar songs, slick choreography and simple staging litter the production.
Add Daisy Wood-Davis to the mix, sprinkle in a measure of 60's pop culture fold-in some sugary bio and cook slowly.
Result? Mouth-watering!
OK, perhaps the bio is a little bit hazy in places. The story dwells on Carol's first marriage and kinda glosses out the other three.
And maybe music insiders would express surprise at the portrayal of a sugar-sweet music industry bereft of draconian contracts and stingy executives.
But this is entertainment at its best, and not by any means a social history class. So, if the audience comes out smiling, all is well in nostalgia-land.
Alongside the familiar Carol King solos, and there are quite a few, the show makes great play of the fact that the early King was in essence a prolific maker of hits. But for other people.
She later found her own voice, but her early career saw her sweating as a jobbing-songwriter in Broadway's Brill Building churning out production line hits for rising stars. Bryan Ferry, James Taylor, The Carpenters, Roberta Flack, Neil Sedaka and The Drifters all sequestrated her talent to good advantage.
Finally, she divorced from song-writing partner/would-be playwright Gerry Goffin – played here by a splendidly manic-depressive Adam Gillian.
The post-split storyline involves her own solo hits with albums such as Tapestry and Rhymes and Reasons taking the international charts by storm.
Directed by Marc Bruni and based on the book by Douglas McGrath, this musical version of the Carol King story is more than just a Jersey Boys take on the familiar hits however.
The musical reeks of empowerment through adversity and the plot moves steadily but relentlessly through the highs and lows until, at the very end – but no spoilers here, the narrative culminates in a poignant but triumphant conclusion.
Along the way the plot threads a path through sit-com and drama with some twenty-five familiar songs spread along the way.
Favourites? Daisy Wood-Davis shines as Carol with Laura Baldwin's up-beat Cynthia a close second. Song highlights? Be-Bop-a-Lula, You've Got a Friend and of course Beautiful.
This musical drama is stuffed with familiar hits and features 'guest appearances' by the likes of Neil Sedaka, The Drifters and The Righteous Brothers at every turn – honest injuns. What's not to like?
Stars: 4.5/5
Words © Duncan Harley, Images © HMT
Posted by Editor at 19:54 Tagged with: Acting, Arts, Comedy, Culture, Dance, Drama, Entertainment, HMT, Music, Performance, Pop, Review, Song, Theatre
Primal Scream @ Music Hall – Craig Chisholm Reviews
Craig Chisholm reviews Primal Scream at The Music Hall, Aberdeen.
The latest Primal Scream singles compilation is entitled 'Maximum Rock 'n' Roll'.
It's also the words emblazoned on the backdrop behind them on stage. It's a simple statement.
A statement of intent. A call to arms.
But it's a reductive statement that doesn't quite do them justice – sure, the rock n' roll is to the max, but so is the acid house, the blues, jazz, gospel, krautrock, soul, indie and almost every music genre you can think of.
In their career, spanning over three decades, this is a band that's not been afraid to spread their sonic wings, to push themselves musically and, famously, lead the fabled rock n' roll lifestyle.
Being a tour in support of a compilation album means that the set list is simple, direct and has something to please all the audience. There's no b-sides, no long-forgotten album tracks – each and every song performed was a cherished 7" single, a download or a stream – they are fan favourites that brings back sentimental memories and remind you exactly why you're here to see them tonight.
The chirping intro to 'Don't Fight It, Feel It' heralds the band on stage.
Longstanding guitarist Andrew Innes, keyboard player Martin Duff, drummer Darrin Mooney and the glamorous bassist Simone Butler are the musical backbone of the band.
But singer Bobby Gillespie is, as always, the star of the show dressed in an eye-catching pink suit as he is tonight.
The acid hazed opening track soon gives way to a eclectic mix of tracks from throughout the years – from the adrenalised industrial thrash of 'Swastika Eyes', to the throbbing electro of 'Miss Lucifer', the laconic blues of '(I'm Gonna) Cry Myself Blind', the C86 defining indie shuffle of 'Velocity Girl', the euphoric rave of 'Loaded'. 'Movin' On Up' and 'Jailbird' provide rock n' roll kicks, whilst 'Country Girl' takes a diversion into Americana and 'Burning Wheel' is a fried psychedelic trip into inner space.
The ethos of Primal Scream and their musical mission is buried away in the sample of a radio DJ in the uplifting organ intro to Loaded:
"You will hear gospel; And rhythm and blues and jazz; All those are just labels; We know that music is music".
Primal Scream may be maximum rock 'n' roll but they are so much more instead.
Primal Scream Set List:
Don't Fight It, Feel It
Swastika Eyes
Miss Lucifer
Can't Go Back
Kill All Hippies
(I'm Gonna) Cry Myself Blind
I'm Losing More Than I'll Ever Have
Velocity Girl
Dolls (Sweet Rock and Roll)
100% or Nothing
Posted by Editor at 14:47 Tagged with: Concert, Entertainment, Gig, Hall, Live, Music, Performance, Review, Rock, Venue
Adam Ant @ The Music Hall – Craig Chisholm Reviews
Craig Chisholm reviews Adam Ant / Glam Skanks at The Music Hall, Aberdeen.
Today's popstars are boring and dull.
Look at some of the biggest names in the biz just now – Ed Sheeran, looking like he's just finished a shift at McDonalds before going busking; Coldplay – bed wetting stadium rock that your parents would approve of; Adele – a less dangerous version of Amy Winehouse that even your Granny likes.
Now look back to the 80s – David Bowie ushering in the decade singing 'Ashes to Ashes' and looking like a coke addled death-clown in the video; Boy George – almost guaranteed to give your bigoted uncle a heart attack and causing debates in the school playground as to whether they were a man or a woman.
And, top of the pile, Top of the Pops? The Dandy Highwayman himself, the preening peacock with all the number one hits – Adam Ant.
And here he is tonight, in cold, dark Aberdeen in the middle of November bringing some technicolour glam on a Friday night to the masses.
Looking fit and healthy and much too sprightly for his 65 years on Earth he never stands still on the Music Hall stage as he blasts through a near 2 hour set that boasts 29 songs. The makeup may be toned down somewhat, but the glamour hasn't and he is still a bona fide rock star on stage – spinning, shuffling and dancing constantly.
There's an unashamed nostalgia to the massive UK tour he's undertaking as it celebrates his 1982 album 'Friend or Foe'.
He starts the set by playing said album from start to finish – 12 tracks that include the hits 'Goody Two Shoes', 'Desperate Not Serious' and the title track of the album itself which opens the set.
What follows is a greatest hits set that includes some real pop classics in there – 'Prince Charming', 'Dog Eat Dog', 'Ant Music', 'Kings of the Wild Frontier' and 'Stand and Deliver'.
Each song is as familiar as the last and sang word for word by the appreciative audience.
The two hours pass in the blink of an eye – Adam saying his goodbyes as the band, including twin drummers, grind out the coda of 'Physical (You're So)'.
As the band finish up, he is gone – a fleeting memory, a half-seen ghost, enigmatic till the end.
LA quartet Glam Skanks, that support Adam tonight, are indebted to him in their glamourous look, all teased hair and trashy glamour.
They blast through a 45 minute set that also recalls T Rex, Hanoi Rocks and glitter punk bands galore. The girls stage presence is cocky and assured, giving it their all with confidence and attitude.
But the night belongs to Adam Ant, still showing he has the charm, wit and star appeal over 3 decades later.
Adam Ant Set List:
Something Girls
Place in the Country
Desperate But Not Serious
Here Comes the Grump
Hello, I Love You (The Doors cover)
Goody Two Shoes
Crackpot History and the Right to Lie
Made of Money
Cajun Twisters
Try This for Sighs
Man Called Marco
Kick!
Vive le Rock
Antmusic
Zerox
Cartrouble
Ants Invasion
Puss 'n Boots
Fall-In
Kings of the Wild Frontier
Beat My Guest
Stand and Deliver
Press Darlings
Red Scab
Physical (You're So)
Posted by Editor at 12:26 Tagged with: Concert, Entertainment, Gig, Glam, Hall, Live, Music, Performance, Punk, Review, Rock, Venue


The Prout School will present Seussical, The Musical on May 1 and May 2 at 7pm and May 3 at 2pm. Tickets are $15 for general admission and $10 for students and seniors. The performance features a cast and crew of 60 Prout students. Sets have been designed and built by our theatre classes and rehearsals are under way! Tickets can be purchased at www.theproutschool.org.


Amazing! It is like you read my mind! You seem to know so much about this, just like you wrote the book in it or something. I think that you can do with some pictures to drive the message home a bit, besides that, this is informative blog. A outstanding read. I'll certainly return again.
Thnx so much for this! I havent been this thrilled by a blog for quite some time! You have got it, whatever that means in blogging. Well, You are definitely someone that has something to say that people need to hear. Keep up the great work. Keep on inspiring the people!
Hi there can I use some of the information from this post if I provide a link back to your site? If you would rather not, that's okay, but this was a good post.


Business Partners of Cincinnati Ballet receive unparalleled exposure to a distinct target market and unique benefits they can use to reward employees, entertain executives, and court new clients.
There are a variety of ways you can support the ballet, tailored to your company's needs.
Whether you want to provide one-of-a kind entertainment, a hospitality event or create market wide awareness for your company, a partnership with Cincinnati Ballet creates an impact. We can create a custom benefits package based on your business needs and interests.
Thank you to all our Business Partners!


text:
SFSIA 2020 | Care, Caring and Repair in Cognitive Capitalism
Faculty include: Antonia Alampi, Suzanne Anker, Chloë Bass, T.J. Demos, Paz Guevara, Betti-Sue Hertz, Stefanie Hessler, Leon J. Hilton, Joan Jonas, Amelia Jones, Maurizio Lazzarato, Alex Taek-Gwang Lee, Paul D. Miller aka DJ Spooky, Yann Moulier-Boutang, Bonaventure Soh Bejeng Ndikung, Warren Neidich (founder/director), Clio Nicastro, Ahmet Ögüt, Rachel O'Reilly, Ana Teixeira Pinto, Jasbir K. Puar, Tobias Rees, Suely Rolnik, Daniel Ross, Martha Schwendener, Barry Schwabsky (co-director), Vandana Shiva, and Anuradha Vikram
FREE PUBLIC LECTURE SERIES
A central feature of SFSIA is a Public Lecture Series, which is free and open to the public to invite conversation, debate, and inquiry across communities. Our full 2020 Public Lecture Series can now be viewed as part of Art & Education's Classroom series.
Watch on Art & Education
SFSIA | 2021
Full information on SFSIA 2021 programs will be announced in the new year.
Subscribe to our mailing list for updates.
Noise as Possibility
in collaboration with sonsbeek20→24
Arnhem, The Netherlands
Activist Neuroaesthetics
in collaboration with artbrain.org
Saas-Fee Summer Institute of Art (SFSIA) is a nomadic, intensive summer academy with shifting programs in contemporary critical theory that stresses an interdisciplinary approach to understanding the relationship between art and politics. The program consists of seminar-style lectures, deep readings, and experimental workshops. An evening lecture program is free and open to the public. Subscribe to our mailing list for updates.
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I'm happy to have another opportunity in this BLOG HOP to preview a fun Crafter's Workshop stencil designed by Julie Fei-Fan Balzer.
Again, the design of the 12"x 12" LEAF GRID stencil was screaming to me to become ANOTHER mini-journal!! This time an accordion book.
I love books! And i tend to "think outside the box" when making my little inspirational lettering journals and books. Using the square leaf edged boxes of the stencil made for perfect lettering space.
starting June 11th. Bright, bold, vibrant, delicious color and art.
To make this mini accordion journal, I started with some sheets of smooth bristol paper and my spray inks, making assorted color combinations with the stencil.
For the panels and pages, i cut 5 strips out of the stencil design keeping the leaf pattern on all four sides of the panels….
...then glued them together so the accordion is double sided. When glued, i free form cut around the leaf patterns on one side, and "winged it" hoping the pattern repeated on the other side. It pretty much did match, and looked great, in my favorite style, "perfectly imperfect'!
Bold white lettering on the cover and inside pages was created with a correction pen. I also cut out one of the "leaf sprigs" and glued it on the left edge adding a 3-D element.
The fine white lettering was done with the Uniball Signo UM-153, my favorite.
After all the lettering is done, i folded each one of the leaf squares back and forth, in an accordion pattern. The stenciled squares became the pages!
Have fun with your stencils and thinking "outside the art box"!
Oh! And come back to my blog tomorrow for BIG NEWS #2.
Fantastic mini book, love the way you did the shape!
Great way to use Julie's stencil! Thanks for the inspiration.
wow ! thank you for this tutorial, this is such a crazy album !!! I really love it !!!
What a fabulous stencil!! I love your sample!!
Gorgeous colors and what a great way to use the stencils!
Wonderful! Thankyou for the great pictures too!
Totally creative and beautiful...love the colors and just everything!!!
Beautiful and so inspiring! I love it Joanne.
What a fun little book! What a great idea for that stencil!
Love your book. I need to shake the dust off my stencils!
What a wonderful way to use this stencil! Love it!
Beautiful! I want to make one!!
Love your lil book! All that gorgeous color! Wondering if previous lettering experience is required for your new class?
not at all, join us!!
An awesome out of the box idea!
Very cute mini. Love how it looks. Thanks for sharing. Johanne L.
Simply beautiful Jo! But then again…nothing ever comes out of that creative mind of yours that isn't! Muwahhhh!
What a gorgeous, happy little book!!! Love what everyone's doing with this stencil!
Love, love, love this. The colors are wonderful and what you wrote is inspirational.
…to DO and DUE list….


You can grab the Roll a Turkey game from the Printables @ A to Z Teacher Stuff. This printable also includes a dotted head and body. This would be helpful for the students if they roll a 3, 4, 5, or 6 before they've drawn the turkey head or a body. It gives them a point of reference to draw their own wings, feet, face and feathers.
Have children make corn counting books by gluing corn kernels on pages that have the numbers 1 through 5 written on them.
Use several varieties of dried beans and corn (or Indian corn) kernels to create patterns.
Give each child a large needle and heavyweight thread to string popcorn and cranberries in a pattern. Hang the strings outdoors in trees for birds to eat.
Create a class graph by letting children select their favorite food, such as turkey, stuffing, potatoes, cranberries or pumpkin pie.
At this time of year you can buy those cans of popcorn with 3 different flavors of popcorn in them. Taste each flavor of popcorn and graph the results. Use the popcorn bag picture on http://www.abcteach.com for them to color and label with their favorite kind and then do a graph on the floor.
After Thanksgiving at home or a school feast, create a class graph by letting children select their least favorite (I Didn't Like It) food, such as turkey, stuffing, potatoes, cranberries or pumpkin pie.
Color the turkey's eyes the color of your eyes.
Now, cut out the turkey and glue it on a piece of construction paper. Choose your favorite color of paper. Color and cut out the feathers. You will need the same amount of feathers as your age.
Put these turkeys on the bulletin board and post this note to ask visitors to locate a student's turkey from the clues.
Can You Find My Turkey?
My favorite color is _______________.
I ____________________ to eat turkey.
I am ______ years old.
You can find a printable turkey and another turkey glyph idea here.
Do You Like The Butter We Made?
After shaking cream to make butter and tasting it, we used tally marks to count the number of children who liked the butter and the number who didn't like its taste. Then we converted the tally marks into a graph.
Incorporate a plant/seeds unit by planting a corn seed, popcorn, and candy corn. Make predictions on what will grow and then watch their progress! Some kids will actually think a candy corn tree may grow from the candy corn. After a few weeks make a Venn diagram comparison of between real corn and candy corn.
Put an ear of corn in a pot filled with potting soil half covered with the soil. It will grow. Be sure to use field corn or Indian corn.
Or just take an ear of Indian corn and place it in a pie tin with water. The kernels of corn actually start growing!
This was an idea from Sharon in Florida. Nine classes combined to create a student-formed Mayflower.
Line up 2 rows of boys to be the boat. If you have an odd number of boys, let the odd one be the front of the boat. Have each set of 2 boys (standing side-by-side) lock opposite arms from boy 1's shoulder to boy 2's shoulder. Then each boy holds onto the shoulder of the boy directly in front of him.
THIS MAKES THE MAYFLOWER BOAT.
The girls in your class are the Pilgrims. Have the girls crawl under the archway the boys have made with their arms. They will be inside the boat.
Then the sea gets a LITTLE ROUGH and the "Mayflower" GENTLY rocks back and forth. The boat can move VERY SLOWLY FORWARD so the "Pilgrims" have time to move up too, going to America.
Then the "Mayflower" gently bumps into PLYMOUTH ROCK (a cabinet, chair or table from your room). The "Pilgrims" get off (crawl out from tunnel made by boys archway). The boys then become the Native Americans and greet the Pilgrims.
THEN ALL CHILDREN PLAYED ON THE PLAYGROUND.
I have a printable page for this First Thanksgiving Storytelling Bracelet at A to Z Teacher Stuff if you'd like to print this off for use in your classroom.
Use these colored beads to retell the story of the first Thanksgiving.
Is there another link for the turkey glyph pattern, other than the link listed above? It opens as a writing activity. Thank you!
Thanks for pointing that out! It looks they redirected that link to a different printable. I'll see if I can find something else and update the page.


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Metallica's Death Magnetic track "The Day That Never Comes" about seemed to adumbrate the diffuse delay that came amid the 2008 album and the afresh released Hardwired… To Self Destruct. Admirers waited a appearing aeon for the abutting slab of Metallica music, but it's been account it as the bandage has given back to their admirers all throughout the attack accretion and absolution day is no exception!
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Additionally, admirers can accept a little fun axis their name, or any chat they choose, into a custom Metallica-like logo as apparent in the transformation to the Loudwire logo at the top of the page. Generate your own logo here, which gives the adeptness to download the angel or allotment it beeline to Facebook or Instagram.
Today (Nov. 18) additionally marks 'Blackened Friday.' The accident saw 100 baddest almanac food beyond North America accessible their doors to acquisitive metalheads at midnight as they anxiously waited to become some of the aboriginal to purchase Hardwired… To Self-Destruct. The celebratory day additionally saw these food participate in giveaways, alms different items like vinyl slipmats and more. Get your archetype at the Metallica webstore and tune into the band's alive beck at House of Vans in London at 4PM ET here.
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Sisters in Remedies Chapter Give Gifts of Food to People They Serve
By May Cano, OP
Executive Secretary, Caritas Kalookan, Inc.
January 16, 2021, Caloocan, Philippines – We celebrated Christmas 2020 in a different way in the Philippines. We used to celebrate in a festive, joyful atmosphere. As September approached, we started to decorate our houses and offices for Christmas and to sing Christmas carols.
In my ministry at Caritas Kalookan, Inc. – serving the Diocese of Kalookan, one of the Metro Manila dioceses – I used to plan and prepare Christmas gatherings, especially for our poor brothers and sisters, people with disabilities, the families of victims of extra-judicial killings (EJK), the sick, the aged, vendors, workers, and other groups in need. We sent letters to our friends, benefactors, and relatives abroad and here in the Philippines, asking them to share their blessings with us. We took the time to visit people on the peripheries.
This Christmas was different. I did not organize a Christmas gathering because of the COVID-19 pandemic and the need to practice social distancing. Still, our Lord sent generous people who shared their blessings with us. They delivered food such as corned beef, spaghetti, packs of noodles and sauce, macaroni and cheese, coffee, rice, and candies, as well as hygiene kits. The Assisi Foundation gave us 500 packs of goods such as fruit cocktail, spaghetti sauce and noodles, macaroni and cheese, and mayonnaise, which we distributed to families who are poor in local parishes. With cash donations, we purchased eggs, rice, and spaghetti noodles and sauce.
Many followers of the live streamed Mass celebrated by Bishop Pablo Virgilio David, DD, Bishop of Kalookan, donated cash into our account or shared their blessings in response to the needs of our brothers and sisters who are poor. His homilies inspired many people to become involved in our mission.
All Sisters in Our Lady of Remedies Mission Chapter were busy in their own ministries, distributing food to people with disabilities, our indigenous Aeta people, drivers, vendors, janitors, senior citizens, homeless people, rural settlers, and other people in need.
Sister May Cano, OP, watches as boxes of instant noodles are taken out of a truck for distribution to people in need in mission areas of Pampanga, the Philippines.
On December 22, Sister Victoria Changcoco, OP, and I made the two-hour trip to our convent in Pampanga to accept a truckload of 1,445 boxes of instant noodles. I called up the Sisters in the area, who helped distribute them to people in various mission areas. Sisters also distributed food to the poor on December 29.
The gift-giving continues in January. The National Secretariat of Social Action (NASSA)-Caritas Filipinas Foundation will distribute 1,600 "bags of blessing" to the poor families whose names Caritas Kalookan submitted. NASSA will also donate vouchers, which families will use to purchase groceries.
We celebrated Christmas in unique, simple, and unexpected ways, making it more creative and meaningful. Christmas was an opportunity for new experiences and solidarity with a great part of our human family and for a deeper faith.
It is good to remember and cultivate the following attitudes:
Serve others.
Count your blessings.
Identify positive ways of coping.
Thank God for His boundless mercy and love!
Feature photo: Two young women pick up gifts of food and supplies during a Christmas distribution in the Philippines in December.
On January 16, 2021 in General by Editor0 Comment 0
Tagged With: enactments, philppines, poverty, resilient communities, social justice / 22 Views
Upcoming 'Zoom and See' Helps Single Catholic Women Discern Call to Religious Life
January 15, 2021, Adrian, Michigan – Are you a single Catholic woman, age 19-35, trying to discern your call in life? Are you feeling called to give your life to God? The Adrian Dominican Sisters invite you to spend the weekend with them and with other young Catholic women discerning their future.
The virtual Zoom and See for Yourself weekend is Friday and Saturday, February 12-13, 2021. It will include time for prayer, silence, faith-sharing, and fun, as well as the opportunity to learn about the life of a Sister and the Dominican life.
Please register online at https://tinyurl.com/ADSDiscern. For information, contact Sister Tarianne DeYonker, OP, Vocation Co-director, at tdeyonker@adriandominicans.org or call or text her at 517-920-1395.
Tagged With: enactments, program, relationships, vocations / 93 Views


How many times have you stepped through code only to find that you've gone too far? Maybe you overstepped a critical point in the code's execution. Or perhaps you stepped over a function you intended to step into.
Did you know that GDB could actually step backwards through of code? That's right. You can have GDB go back in time. This is often referred to as "reverse debugging." But how does it work?
Reverse debugging actually relies upon another gem in GDB's bag-of-tricks called "process record and replay". Rolls right off the tongue doesn't it? I won't spend a lot of time going into the details of PRR here, but it's quite powerful. The only PRR command we need to be concerned with in this discussion is "record".
The "record" command begins recording the execution of your application, making notes of things like memory and register values. When you arrive at a point in your application at which you'd like to go backwards, you can issue the "reverse" versions of all the navigation commands you're already familiar with. This include reverse-step (rs), reverse-next (rn), reverse-continue (rc), and reverse-finish (no short version 🙁 ). As you move backwards through code, gdb reverts the state of memory and registers, effectively unexecuting lines of code.
Let's see an example using the code snippet below.
Compile this (don't forget to compile it with the '-g' flag!) and fire up gdb. Then set a breakpoint at main. We can't begin recording program execution before it's actually running. So we issue the run command, which will execute our application and promptly break at main.
Breakpoint 1 at 0x4007df: file gdbtest.cpp, line 11.
At this point, we issue the "record" command to begin recording.
Now let's start stepping through the code.
We're now at the point just before the sum is written to stdout. What if I had intended to step into the sum function to see what it's doing? Let's back up to just before the sum function is called and then step into it.
Now we appear to have gone back into time. This allows us to step into the sum function. At this point, we can inspect the values of parameters a and b as we normally would.
If we're satisfied with the state of things, we can allow the program to continue on.
An interesting thing happened here. The program execution stopped at the point at which we previously started stepping backwards. When stepping through code using recorded history, "continue" will continue program execution until the history has been exhausted, unless, of course, it has some other reason to stop such as breakpoints and the like.
Let's now stop the recording process using the "record stop" command and allow the program to continue execution until completion.
Process record is stopped and all execution logs are deleted.
Process record does not support instruction 0xc5 at address 0x7ffff7dee8b7.
Process record: failed to record execution log.
81	../sysdeps/x86_64/dl-trampoline.h: No such file or directory.
Process record does not support instruction 0xc5 at address 0x7ffff7dee8b7. Process record: failed to record execution log. Program stopped. _dl_runtime_resolve_avx () at ../sysdeps/x86_64/dl-trampoline.h:81 81	../sysdeps/x86_64/dl-trampoline.h: No such file or directory.
Here you're prompted as to whether or not you want to stop the program. Regardless of what you choose, you're still able to navigate backwards in program execution. That's right – you can reverse debug an application that has finished running.
There are a few caveats when performing reverse debugging.
The first is that you can't move backwards beyond the point at which you started recording. That should make sense.
Another caveat is that recording isn't free or cheap. There's a non-trivial amount of overhead involved in keeping track of registers and memory. So use record where it matters.
By default, there's an upper limit on the number of instructions the record log can contain. This is 200,000 in the default record mode. This can be tweaked however, including setting it to unlimited (which really just means it'll record until it's out of memory). See the GDB manual for more info on this.
You can always see what the current record instruction limit is by using the "info record" command.
Reverse debugging is great tool to keep in your toolbox for those tricky bits of code. In the right contexts, it can save you lots of time. Use it judiciously, however. Recording everything in your application wastes memory, memory that your application may actually need. It can also be detrimental to your program's execution speed.
You spent the last 10 minutes littering your application with breakpoints in all the places where you think bad things might be happening. Then you run your application. Maybe you missed something. Maybe you didn't. But now after a few minutes of debugging, both your application and GDB appear to be in a funky state. What you want to do is just quit out of everything and start fresh with a new session. But what about all those breakpoints? Typing in the "b" commands was such a chore. Even if you could remember where they all were, the mere thought of doing so is exhausting. And what if you need to start over yet again? Surely there's a better way.
(gdb) save breakpoints my.brk Saved to file 'my.brk'.
This will save all types of breakpoints (regular breakpoints, watchpoints, and catchpoints) to the file my.brk. You can in fact name the file whatever you'd like.
Later when you're ready to reload your breakpoints, you can issue the source command.
There's nothing special about this breakpoints file. It's just a text file containing a list of gdb commands separated by newlines. In fact, not only can you amend it manually with more breakpoint commands, but you can add in just about any other gdb command in the process.
It's worth noting that the "source" command isn't actually specific to breakpoints. It will execute anything in the specified file as written, which makes the "source" command a handy tool in its own right.
When debugging applications under gdb, the meek and mighty breakpoint is the cornerstone of just about everything we do. Breakpoints give us the ability to freeze time so we can inspect, and sometimes modify, the world in which our code is running. They can be used to "hit count" a body of count. You can even use breakpoints to automatically run commands within gdb.
So it's no surprise that "break, or "b", is one of the first few gdb commands we learn about. The problem with the "break" command, however, is that it allows you to set one breakpoint at a time (That is, unless you specify an overloaded function name as your break location. You'll end up with multiple breakpoints in that case). If you need to set a lot of breakpoints, "break" can get very repetitive very fast.
Enter "rbreak", or "rb", to the rescue. The gdb "rbreak" command allows you to use grep-style regular expressions to set breakpoint locations. As an example, consider the following test fixture class.
Let's suppose that we want to add breakpoints on only the methods that start with "test".
Breakpoint 1 at 0x4008f2: file gdbtest.cpp, line 7.
Breakpoint 2 at 0x400910: file gdbtest.cpp, line 8.
This gave us two breakpoints in this example.
What if I want to set breakpoints for every function in a given file? While not really a regular expression, "rbreak" allows you set these like so.
Breakpoint 1 at 0x4008b6: file TestFixture.h, line 5.
Breakpoint 2 at 0x4008d4: file TestFixture.h, line 6.
Breakpoint 3 at 0x4008f2: file TestFixture.h, line 7.
Breakpoint 4 at 0x400910: file TestFixture.h, line 8.
Note the single colon when using file names vs double colons when specifying class names.
There's even a way to specify that you want breakpoints for all functions everywhere.
Breakpoint 5 at 0x4008b6: file TestFixture.h, line 5.
Breakpoint 6 at 0x4008d4: file TestFixture.h, line 6.
Breakpoint 7 at 0x4008f2: file TestFixture.h, line 7.
Breakpoint 8 at 0x400910: file TestFixture.h, line 8.
Breakpoint 9 at 0x4007e5: file gdbtest.cpp, line 4.
Breakpoint 10 at 0x400899: file gdbtest.cpp, line 13.
Breakpoint 11 at 0x400865: file gdbtest.cpp, line 13.
This, of course, includes a lot of standard library stuff that you probably don't care about. So it's not as interesting as it first might seem.
"rbreak" can save you a lot of time typing and trying to remember exact function names. It's a super-handy tool to keep in your toolbox.
(p.s., if you accidentally set more breakpoints than you had intended, you can delete a specific breakpoint by using the "delete breakpoint [breakpoint-number]" command. You can get the breakpoint number from "info breakpoints". To delete all breakpoints, use the "delete breakpoints" command).


Word Art World: Word Art World 40% Off Sale + Freebies!
Word Art World 40% Off Sale + Freebies!
This freebie will be available through the end of February on my Facebook page. Once you have "liked" Word Art World on Facebook, simply click on the "Exclusive Freebie" tab to download this kit for free.
This SWAP freebie will be available through Sunday, February 17th only and is available in my store at Gotta Pixel. Please log in to the store to download; no purchase is necessary!
Thanks for looking and have a wonderful weekend!
thank you for those lovely gifts !


We just discovered this great article showing the uncrating and use of an SL-350X ServerLIFT unit, offered by IBM as the POWER8 Lift Tool. The POWER8 was one of the first IBM systems where Big Blue standardized on ServerLIFT solutions as their server handling lift tool of choice.
The story shows how the ReadySpace folks used a POWER8 Lift Tool to decommission their IBM Power E870 server and send it back, after beta testing it. There's some info about how they shut down the Power E870 (which, humorously, displayed "Goodbye Cruel World!" on its screen just before shutdown), then how they unboxed and then used the POWER8 Lifting Tool to remove their Power E870 server.
Lots of pictures here – you'll feel like you're there – showing some of the more interesting details of the server handling lift and how to use it, step-by-step. We were impressed with the ReadySpace team's ability to convey the parts of the server handling lift and how they are used effectively to transport, position, and remove a server.


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In the 1980s, artist Jenny Holzer created short, pithy statements projected by LED lights in museums and onto Times Square. Her now famous "Abuse of Power Comes As No Surprise" text sums up not only the #MeToo movement and the #BlackLivesMatter cry, but also to some extent, the music industry. The vertical construction of many jazz ensembles, like in corporations, gave us a leader with an often interchangeable rhythm section. This trend toward verticality began to be reversed in improvised music, creating a more democratic effort with leadership roles spread across the group.
This horizontal approach is at the forefront of Hunters & Scavengers, a trio recording by Jeff Cosgrove, Scott Robinson, and Ken Filiano. It is the embodiment of a cooperative improvisation outfit. Drummer Jeff Cosgrove has turned heads of late with his work with Matthew Shipp, William Parker, Ivo Perelman, and Mat Maneri. His approach is to act more as a colorist, than a pulse generator. That approach suits bassist Filiano just fine. A veteran of nearly 200 recordings with musicians like Tony Malaby, Connie Crothers, and Anthony Braxton, his proficiency equals that of Barry Guy, Drew Gress, and Mark Dresser. Then there's saxophonist Scott Robinson, who might be the most underrated multi-instrumentalist in jazz today. His command of a menagerie of horns is on par with that of Anthony Braxton and Vinny Golia.
What this trio accomplishes in ten tracks, nine improvised and one by Ornette Coleman, is the concept of a republic. This equality amongst its members might have begun in Bill Evans' trios where Scott LaFaro and Paul Motian where freed from keeping time, but it has reached a second zenith here in these pieces. A piece like "Simple Justification" roils with a wintery covering of bowed then plucked bass, cymbals like tiny birds, and the plaintive calls of Robinson's tenor saxophone. Together, as one, the music flows, streams, and fills space with an almost unconcerned naturalness. The same is true of "Song Of The Cuddle Fish." Working to make a soundscape, the trio creates eerie textures and "Field Test," in which the emphasis appears (if this is possible) to be more of feel than sound.
If you were to listen to this recording, it might be best to start with Ornette's classic "Lonely Woman" as the key to unlock the remainder of the music. Sans a leader, the melody is played by each musician as if they were charged with holding up all the tent poles of the composition. The music is a common cause here, and the three are in continuous service of the sound.
Track Listing: Eyes Of The Hunter; Don't Look; Patterned Behavior; High, Low; Instinct; Field Test; Rays Of Dawn; Simple Justification; Song Of The Cuddle Fish; Lonely Woman.
Personnel: Jeff Cosgrove: drums; Scott Robinson: saxophone; Ken Filiano: bass.


text:
Zelensky's Everywhere: Quick Conclusions from Ukraine's Snap Parliamentary Election
Indigenous Peoples in Ukraine You May Have Never Heard About
Most people know Ukraine only for two indigenous peoples – Ukrainians and Crimean Tatars. But there are three more unique autochthonous nations you may have never heard of.
Photo credit: PhotoChur/shutterstock.com
Ukraine is a multinational country. According to the latest all-Ukrainian population census data, representatives of more than 130 nationalities and ethnic groups reside in Ukraine. The indigenous peoples are Ukrainians (77.8%), Crimean Tatars (0.5%), Karaites (>0.1%), Krymchaks (>0.1%) — the last three originated in the Crimean peninsula, and Gagauzes (0.1%) originated in Odesa Region.
The other ethnic groups in Ukraine are national minorities. That is, the diaspora of nations who have their own ethnic homeland or national formations outside of Ukraine. For example, nowadays, many Belarusians live in the northern regions of Ukraine; Hungarians, Romanians, and Poles live in the west; Crimean Tatars, Bulgarians, and Moldovans live in the southern and central regions, Russians live in the east, etc.
Crimean Tatars: tragedy repeated
Today, Crimean Tatars are widely known. In 2016, people throughout the world discussed their tragic fate. That year, Jamala, a Ukrainian singer of Crimean Tatar origin, won the Eurovision Song Contest with her song "1944". This song tells of the tragedy of the Crimean Tatar people deportation by the Soviet totalitarian regime in 1944. On May 18-21, 1944, up to 423,000 Crimean Tatars were relocated by force to the Soviet Republic of Uzbekistan. About 47% of them died during the deportation itself, or within a few years after it. In 2015, Ukraine recognized this tragedy as genocide.
Nowadays, the destiny of Crimean Tatars is a sorrowful again. After Russia's occupation of Crimea in 2014, they have been persecuted for their religious beliefs as Muslims.
To date, more than 100 Crimean Tatar people are imprisoned in jails of the Russian Federation as a result of false accusations.
In addition to Crimean Tatars, there are three more unique and amazing indigenous nations in Ukraine that are not widely known — Karaites, Krymchaks, and Gagauzes.
Karaites: people from a city fortress
Karaites (also known as Karaims) are autochthonous people of Crimea. They have lived, since the XI century, in Chufut-Kale city-fortress, which is 3 km east of the city of Bakhchysarai.
Karaites are Turkic-speaking observers of Karaite Judaism. There are two versions about the origin of the Karaites. The first one — the most common — says they are Turkic people with a Karaite faith. The second one claims that the Karaites are the lost tribe of Israel (i.e., Jews).
The difference between the Karaites religion and Orthodox Judaism is fundamental. In their faith, the Jews rely on the Talmud, which is the interpretation by sages of the Torah, and follow the Talmud by fulfilling the commandments. The Karaites do not accept the Talmud and believe that it is necessary to read the original source and interpret it themselves.
A Karaite synagogue is called a 'kenesa' (from the Hebrew "beit knesset" — meaning synagogue). There are Karaite kenesas in Kyiv, Kharkiv, Bakhchysarai, Sevastopol, and Simferopol.
7 facts about Crimean Karaites:
In the XIV century, some Crimean Karaites were captured by the Lithuanian Prince Vytautas the Great and taken to the territory of modern-day Lithuania. As a result, Karaites have a diaspora there in the city of Trakai to this very dayy. They also live in Poland, France, Israel, and the U.S.
Karaites survived the Nazi occupation of Crimea during World War II, because Adolf Hitler did not consider them to be Jews. In 1959, 5,700 Karaites lived in Crimea. Later on, they started moving to other countries.
Scattered all around the world, Karaites now assimilate with local peoples or call themselves Jews.
Scientists can confirm that currently there are only about 2,000 Karaites in the world, 671 of whom are in Crimea.
In Ukraine, Karaites have their own association, which is called Krymkalaylar. It helps to save their traditions and language, which is becoming extinct. In 2001, only 72 Karaite people recognized the Karaites language as their native one.
Krymchaks: ancient Crimean people
Krymchaks (also known as Krymchakhs) are people who derived from Turkic-speaking adherents of Orthodox Judaism. They speak the Krymchak language, which is a modified form of the Crimean Tatar language.
Scientists believe that they may be descendants of those Jews who avoided execution when in 135 the Roman Emperor Adrian suppressed the Bar-Kokhba uprising. At that time, they moved to the Crimean peninsula. From the II century they lived in Kaffa (Feodosia), Stary Krym, Bakhchysarai, and other places.
Since then, the Krymchaks community has consistently assimilated Jewish immigrants from Babylonia, Byzantium, the Khazar Kaganate, Italy, the Caucasus, as well as Ashkenazi, who migrated to Crimea for economic reasons, fleeing from massacres or getting into Tatar captivity.
6 facts about Krymchaks:
Krymchaks belongs to tradition of Judaism, though there are some differences. For example, the Krymchaks k'aal does not face to wards the East, as ordinary synagogues, but to the South, like Muslim temples**. In the prayer room, there are no chairs or benches.
Before World War II, there were about 9,000 Krymchaks. But 6,000 of them were shot by the Nazis in Crimea in the autumn of 1941, along with other Jews who lived in Crimea at that time. Only men who fought on the front and those families who were evacuated avoided that fate.
Krymchaks now also live in Germany, Israel, the U.S., and other countries. In 1989, the Krymchakhlar cultural-educational society was created to revive the national culture of this disappearing people.
Krymchak music:
Gagauzes: Turkic-speaking Christians
Gagauzes (also known as Gagauzians) are Turkic-speaking adherents of Eastern Orthodox Christianity. Since the XIV century they have lived in southern Moldova (Gagauzia, Taraclia District, Basarabeasca District) and south-western Ukraine (Budjak).
According to one of the most common versions about the origin of the Gagauzes, their ancestors were Turkic nomads — Oghuz, Pechenegs, and Polovtsians (also known as Cumans).
Some scientists do not regard the Gagauzes as indigenous people of Ukraine. That is because most of them (135,000) live on the territory of modern-day Moldova. Anyway, Gagauzes in Ukraine (31,000) are not a diaspora — they have been living on these territories since time immemorial. This separation is not surprising, because this territory, Bessarabia, has a long history of conquests. In the early XX century, it belonged to the Russian Empire. Then, from 1918 to 1940 there was Romania, which first collaborated with the Nazis, and then with the Soviets. From 1940 to 1941, there was Soviet power here, then from 1941 to 1944 Romania once again, and then, for many years, the USSR.
Gagauz music:
In the 1990s, Moldova's Gagauzes switched to the Latin alphabet. Ukraine's Gagauzes joined them in 2008.
Some people say that Gagauz wine has special medicinal powers. It was even taken to the Chernobyl Nuclear Power Plant after the explosion to give to the liquidators.
Ukraine has unique indigenous peoples, who need to be protected. Unfortunately, it is now impossible to introduce Ukrainian laws for all autochthonous peoples, because three out of five of them live predominantly on the Russian-occupied territory of Crimea.
Tetyana Matychak
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Keep your fingers and toes in beautiful shape with mancures and pedicures. Make sure to check out our hair services and waxing services also.


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Enes Kanter Feels "Jazzy" To Be Drafted By Utah
It's never a great thing to have the 3rd overall pick in a perceived two-person draft. That was the case for the Utah Jazz on Thursday night, but I don't think they're complaining too much about the player they got. While they have a number of bigs on their team and there was an opportunity to find a point guard to possibly fill the shoes of Deron Williams, the Jazz passed on Brandon Knight, Kemba Walker, and hometown favorite Jimmer Fredette for Enes Kanter. Kanter was the great unknown in this year's draft. In fact one of the analysts on the worldwide leader even called him "Bigfoot," but the kid has game and he's ultra-confident.Kanter emerged as one of the top high school players in the country just two years ago after dominating the Nike Hoop Summit. However, after going to Kentucky, he was ruled ineligible by the NCAA and he was forced to sit out the entire season. The Jazz were taking a huge risk when they selected the Turkish big man with a lot of question marks, but if he lives up to his immense potential and he isn't affected too much by the year away from the game, then they could get a big reward on their investment.Enes Kanter joined KFNZ in Salt Lake City with Scott Garrard to talk about how it feels to be drafted by the Jazz, how much he has been able to sleep since getting drafted, how much he knows about the Utah organization, what he thinks he missed by sitting out the entire season last year, and what his goals are for his rookie season.
On getting drafted:
"First off its crazy. I'm so happy I'm here having fun with you guys and I'm still pretty excited. I would say I wish I could get drafted every single day. It feels amazing."
How much sleep he has gotten since he was drafted:
"I would say six hours. Before the day of the draft I was really excited because I was thinking what team, what team? Then after the Jazz picked me I couldn't sleep. I was pretty excited. I was jazzy."
How much he knows about the organization:
"First of all, I knew the Jazz when I was little. 15, 16, or 17 years old because of Mehmet (Okur). I followed him and watched him. It was hard because time was different, but I used to wake up every morning like at three or four in the morning and watch him. I'm a Jazz fan because of him. I love the Jazz right now. First of all it's a great city and this team is unbelievable."
Whether or not he feels he is at a disadvantage because he missed this past season:
"First of all I don't think I missed anything because even if I could play I would just play like 22, 24, or 25 games because we won every game by like 30. After I learned I was ruled permanently ineligible I talked to Coach Calipari, he told me you have to get ready for the next level because these are big dudes. That's what he said. I just tried to work hard. He told me you have to go hard in practice because every practice is going to be your game. I just tried to go hard, as hard as I can."
On Charles Barkley saying he would have the best NBA career of any player drafted:
"First of all, Charles Barkley was an unbelievable player. He was a legend and when he talks about that kind of thing it makes me smile and I really appreciate him."
On when he thought he could be a professional player:
"Maybe I said it when I first started playing basketball. My goal and my dream was always to play in the NBA."
On what the goal is this season in Utah:
"I'm just gonna try and do my best, listen to my coaches, and listen to my teammates, and try to do my job. Focus on my team and on winning because this team has played together. This team is like a really great team and they have great players. I believe next year we're going to play harder and make the playoffs."
On his personal goals this season:
"I want to win Rookie of the Year. That's my personal goal and my team goal is to make the playoffs."
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Scanning Electron Microscopy features a variety of analysis techniques. With RISE, the chemistry of molecular compounds can be imaged additionally.
RISE Microscopy has been recognized with a 2015 Photonics Prism Award. An expert jury named the correlative RISE microscope as winner in the metrology category. The Prism Award is given for top innovations in the field of photonics, granted by Photonics Media and sponsored by the international Society for Optics and Photonics (SPIE).


The ladies dress shoe has style in mind predominantly over comfort - though with comfort continually making inroads year after year.
Female dress models do introduce rises in heel height and vamp, strappings, and materials like satin and glossy leather. It is designed specifically for the visual. However, there too are many designs for the office that integrate durability and comfort, many of these shoes having crossed lines with the casual that are settled as "casual dress". Here we consider it seperate.
The types of dress shoe can be identified by the elevation and overall shape and contour. There are Pumps, Platform shoes, the Pee Toe which allows the toes to "peep through", more conservative versions for the office, as well as the Sling Back that has an integrated strap securing around the rear heel.
Anne Klein, Bandolino, Etienne Aigner, Beverly Feldman, Sofft, Vigotti, Via Spiga, Paul Green, Icon, Paloma Barcelo, Anne Klein New York, Steven Casondra, Steven Clare, Steven Claudet, Franco Sarto, Bebe Dalton, Steven Margoo, BCBG Max Azria, Michelle K Annie, and Charles David Piazzo, Pelle Moda Hudson, Donald J Pliner and Vis à Vie, and many more.


Words I Write Crazy: We Have the Cover of Burning Glass #2!!!!
Yeah, we have the cover of Crystal Blade by Kathryn Purdie!
This cover is pretty darned awesome! Green isn't my favourite colour, but yeah, this cover is awesome, and the series cover theme, and I can't wait to read this book! What about you guys? Happy reading!