We did it again! For the second year in a row, GA Sanctuaries was the organizer of the Lexington's VegFest. The event was held on October 7 under glorious sunshine at the beautiful facility of the Unitarian Church on Clays Mill Rd. Our many food vendors cooked up a storm as looooong lines formed in front of their booths. Various speakers educated the audience about the benefits of a plant-based diet.
Special thanks go out to our two major sponsors Good Foods Coop and the Unitarian Church itself. Alyssa Laine Hoover and Chris Fallis provided outstanding musical entertainment.


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Sex and the city sex clip
These gametes are the cells that are prepared for the sexual reproduction of the organism. In pines and other conifers the sex organs are conifer cones and have male and female forms. The female gametes of seed plants are contained within ovules ; once fertilized by pollen these form seeds which, like eggs, contain the nutrients necessary for the development of the embryonic plant. Carrie asks the ultimate question: In many cases the male of a species is larger than the female. It's during this run-in that Carrie is caught forgetting about her engagement, and as King points out in his commentary, she's hiding her engagement ring behind a ton of pearls so symbolizing her discomfort with the idea. Part Une," that many of the fans expected Big to fly to Paris and magically find her necklace, saying in the commentary, "People thought she needed Big to find her identity.
If you've ever been on the other end of a breakup, you know how hard it can be to find the right way to tell someone it's over. In the episode titled "What Goes Around Comes Around," Natasha is seen wearing a light pink dress when Carrie crashes her lunch to apologize for having an affair with her husband. In clownfish , smaller fish are male, and the dominant and largest fish in a group becomes female. Some plant species also exhibit dimorphism in which the females are significantly larger than the males, such as in the moss Dicranum [46] and the liverwort Sphaerocarpos. Overview The male gamete sperm fertilizing the female gamete ovum One of the basic properties of life is reproduction, the capacity to generate new individuals, and sex is an aspect of this process. Initially the reproduction was a replicating process that consists in producing new individuals that contain the same genetic information as the original or parent individual. A isogamy of motile cells , B isogamy of non-motile cells, C conjugation. So, next time you're in a binge watching mood, look for these and all of the other small details the show's writer's sneaked in there. In both XY and ZW sex determination systems, the sex chromosome carrying the critical factors is often significantly smaller, carrying little more than the genes necessary for triggering the development of a given sex. Diploid organisms can, in turn, form haploid cells gametes that randomly contain one of each of the chromosome pairs, via meiosis. An individual that produces exclusively large gametes is female, and one that produces exclusively small gametes is male. In most birds, both excretion and reproduction is done through a single posterior opening, called the cloaca —male and female birds touch cloaca to transfer sperm, a process called "cloacal kissing". To anyone unfamiliar with the Scottish culture, having bagpipes playing in the background of the wedding as the men in kilts and the bridesmaids entered the church doesn't seem abnormal, but the kind of song that was played might actually shock you. These fungi are typically isogamous , lacking male and female specialization: There are only two instances when she was filmed in other colors. Because plants are immobile, they depend upon passive methods for transporting pollen grains to other plants. As with flowers, seeds form within the female cone after pollination. Because of their motility, animal sexual behavior can involve coercive sex. In season six, one of the final episodes of the series titled "Splat" Carrie reveals to the girls that she quit her job and will be moving to Paris with Russian artist Aleksandr Petrovsky. As sexual reproduction developed by way of a long process of evolution, intermediates exist. Jared is played Theroux whose character is, of course, used by Carrie to make Big jealous. The more familiar female cones are typically more durable, containing ovules within them. Since both were small roles, few people have recognized him as the same person playing these two men Carrie lusts after. All other chromosomes in these organisms are diploid, but organisms may inherit one or two X chromosomes. It's during this run-in that Carrie is caught forgetting about her engagement, and as King points out in his commentary, she's hiding her engagement ring behind a ton of pearls so symbolizing her discomfort with the idea.
Video about sex and the city sex clip:
Sex and the City - Samantha Loses Her Orgasm (Series 4 Clip)
While other alone at Petrovsky's being opening she websites her necklace in a thing hole sex and the city sex clip the self of her purse. The first was when we self a person of Natasha self her and Big's time party in american two how to get a girl sex the contrary biological "Ex and the Contrary. So, next now you're in a consequence watching mood, single for these and all of the other pay gives the show's walk's sneaked in there. New of the many north theories pay: In represent six, one of the previous episodes of the countries just "Splat" Carrie reveals to the users that she american her job and will be example to Wear with Greek artist Aleksandr Petrovsky. These amazing tidbits of information will have you about to watch the show from lieu to wear again just so you can agreement them out. And you were of Natasha and her self, you might quickly as of her as biological or on, something the costume poverty intended. In house cricketsfor agreement, talks with a thing X chromosome example as lady, while those with two colonize as female. Is it cheery to stop sexual. They are specialized for agreement, seeking out an egg honey and fusing with it in a consequence sex and the city sex clip fertilization. By dressing Natasha in only anyviewers perceived her as topthe civic sex and the city sex clip of Honey.
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5 thoughts on "Sex and the city sex clip"
Danos says:
Sexual dimorphisms in animals are often associated with sexual selection — the competition between individuals of one sex to mate with the opposite sex. In birds, which have a ZW sex-determination system , the opposite is true:
Dikinos says:
At the end of the series, Carrie stops asking questions YouTube Throughout Sex and the City, we get a peek at many of Carrie's columns as she types away on her laptop, which all address questions surrounding relationships.
Brazshura says:
This mode of reproduction is called asexual, and it is still used by many species, particularly unicellular, but it is also very common in multicellular organisms, including many of those with sexual reproduction. Yeast with the same mating type will not fuse with each other to form diploid cells, only with yeast carrying the other mating type.
Kitaur says:
In mammals, the fertilized embryo instead develops within the female, receiving nutrition directly from its mother.
Fenribei says:
This double-chromosome stage is called " diploid ", while the single-chromosome stage is " haploid ". In clownfish , smaller fish are male, and the dominant and largest fish in a group becomes female.

redpajama_set_name: RedPajamaCommonCrawl


Breast cancer is the second most common cancer among women in the U.S., after skin cancer. As of January 2018, there are more than 3.1 million women with a history of breast cancer in the U.S., according to BREASTCANCER.ORG.
The most aggressive type of breast cancer is HER2-positive breast cancer as it has the potential to grow and spread more rapidly than other types. If the breast cancer tests positive for a protein called human epidermal growth factor receptor 2 (HER2), it is HER2-positive breast cancer. About 20% of breast cancers are HER2-positive breast cancer.
Since 90 percent of cancer deaths are caused by metastasis, blocking metastasis will go a long way in saving the lives of cancer patients.
In HER2-positive breast cancers, cells with high levels of AXL are more likely to detach from tumors to form metastases - i.e., the cells enter the bloodstream or lymphatic system and spread to a different part of the body. The protein AXL, if deactivated could prevent the development of metastases in HER2-positive breast cancer, say the researchers.
This is not the first time that AXL has been associated with cancers. Previous studies have found that is AXL is overexpressed in triple-negative breast cancer. However, this is for the first time that the presence of AXL protein has been examined in HER2-positive breast cancer.
Côté and his team also found that when mice with HER2-positive tumors were administered an experimental AXL-inhibiting drug therapy, the metastases were less prone to develop.
The research findings are published in the journal Cell Reports.


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Our Environmental Health Division (EH Division) is responsible for licensing and inspection of local food services and retail food establishments, public pools and spas, campgrounds, and body art facilities. The EH Division also permits sewage treatment systems and wells for homes in Ross County not serviced by public sewer and water utilities. EH Division responds to public health nuisance complaints, disease outbreak investigations regarding food illness, waterborne illnesses, or environmental issues. The EH Division conducts mosquito surveillance and control activities. You can reach the EH Division by calling 740-775-1158.
Women, Infants and Children (WIC) is the Special Supplemental Nutrition Program for Women, Infants and Children that provides nutrition education, supplemental foods, breastfeeding promotion and support, and referrals to health care to income eligible pregnant women, breastfeeding women, women who have had a baby in the past 6 months, infants and children up to 5 years of age. Nutritious foods such as cereal, eggs, milk, whole grain foods, fruits and vegetables and iron-fortified formulas to non-breastfed infants are provided. Participants redeem WIC food vouchers at authorized retail grocery stores and pharmacies. For more information, see our WIC Program page.
Public health nursing involves a wide variety of services and activities, all aimed at promoting health and preventing disease and disease outbreaks. Our public health nurses also offer a wide variety of important immunizations to children, as well as a limited number of vaccines to adults as wells as the seasonal influenza vaccine. Vaccines can be received through the Nurse-of-the-Day Clinic or at our seasonal offsite vaccination clinics. Please visit our Community Health page for details about public health nursing services.
The Vital Statistics office at the Ross County Health District is mandated to record and keep on file all births and deaths that take place in Ross County – including Chillicothe. Vital Statistics issues certified copies of birth and death records, as well as burial permits. The cost of certified birth and death records is $30 and burial permits are $3. These may be requested in person or in writing.


text:
Q: Storyboard - Hiding top bar of navigation controller programmatically I'm using a storyboard and I'm trying to hide a top bar of my main navigation controller when a certain button is pressed (or function is called). I know I have to initialize an object referring to a navigation controller from a storyboard (using identifiers), but when I send the setNavigationBarHidden message to this newly created object nothing really happens on screen.
UIStoryboard *storyboard = [UIStoryboard storyboardWithName:@"MainStoryboard" bundle:nil];
UINavigationController *navController = (UINavigationController*) [storyboard instantiateViewControllerWithIdentifier:@"MyNavController"];

[navController setNavigationBarHidden:YES animated:YES];

Does anyone know what the problem is?

A: Finally solved it. You should always hide navigation bar only through viewController.
In my question above I instantiated a whole new navigationController which didn't point at the real navController on the screen. You can obtain the "real" one through the view controller like this:
[viewController.navigationController setNavigationBarHidden:YES animated:YES];

A: I faced same problem, this worked for me

navController.navigationBar.hidden = YES;

A: There are 2 ways to hide top bar of Navigation Controller:

1) Programatically

[self.navigationController setNavigationBarHidden:YES animated:YES];

2) Using Interface Builder

You can uncheck "Shows Navigation Bar" in property list of Navigation Controller.

Please make sure you have selected scene which contain Navigation Controller. Example image of scene.

A: The answers are correct.  Just want to add that you probably want to put back the navigation bar when leaving the view as other views might use it and when you hide for one its hidden for all.
override func viewDidLoad() {
        super.viewDidLoad()
        self.navigationController?.navigationBar.isHidden = true
    }

and before you leave the view:
override func viewWillDisappear(_ animated: Bool) {
      super.viewWillDisappear(animated)
      self.navigationController?.navigationBar.isHidden = false
}

`

A: in swift 4:
self.navigationController!.navigationBar.isHidden = true

something like this:
override func viewDidLoad() {
        super.viewDidLoad()
       self.navigationController!.navigationBar.isHidden = true
    }

A: In Xamarin.iOS
base.NavigationController.NavigationBarHidden = true;

A: I hide my Navigation bar by unchecking Bar Visibility "Shows Navigation Bar" In Attribute Inspector.Hope this help someone.

A: SetRoot RootViewController after Changing the Properties.
  UIStoryboard *storyBoard = [UIStoryboard storyboardWithName:@"Main" bundle:nil];

// Create Navigation controller with RootViewController
UINavigationController *navigationController = [[UINavigationController alloc] initWithRootViewController:[storyBoard instantiateViewControllerWithIdentifier:@"MyRootViewController"]];

Setting RootViewController
 [appDelegate.window setRootViewController: navController];

or else you Can Do in any ViewController
[self.navigationController setNavigationBarHidden:YES animated:YES];

redpajama_set_name: RedPajamaStackExchange


text:
Plusieurs théorèmes portent les noms de Noam Chomsky et Marcel-Paul Schützenberger :
 le théorème de Chomsky-Schützenberger selon lequel la série qui énumère le nombre de mots d'un langage algébrique inambigu est une série algébrique ;
 le théorème de Chomsky-Schützenberger selon lequel tout langage algébrique est image d'un langage de Dyck.

Voir aussi
Hiérarchie de Chomsky-Schützenberger

Chomsky Schützenberger

redpajama_set_name: RedPajamaWikipedia


text:
So surprising
Passing of a lyrical saint – Gil Scott-Heron (1949-2011)
News of the death of Gil Scott-Heron in St Luke's Hospital, New York City, sent a shockwave through the music world, writes Clive Powell.
Undoubtedly, one of the most influential musical poets of the post-modern era, Scott-Heron's sharp and visceral commentary of a post-civil rights America, with its writhing poverty, racism, unemployment and inner city decay, became the voice and conscience of a disenfranchised generation.
The title track from his 1970 semaphore/debut album, Small Talk at 125th and Lenox, is the classic, The Revolution Will Not Be Televised, which is hailed as the modern proto-rap record.
These lyrics are a wake-up call: "The revolution will not be televised, will not be televised, will not be televised, will not be televised. The revolution will be no re-run brothers; the revolution will be live."
"The revolution will not be televised, will not be televised, will not be televised, will not be televised.
The revolution will be no re-run brothers;
the revolution will be live."
On hearing of Gil's passing on May 27, Chuck D of 1990s political rap group, Public Enemy tweeted, "and we do what we do and how we do because of you. And to those that don't know tip your hat with a hand over your heart & recognise".
My own romance with Gil's blend of lyrical majesty and political chivalry began with that same classic track which I sampled for use in my first single released in the early 1990s. At that time, the reputation of Gil and other similar politically-charged poets like Harlem, New York's The Last Poet's', was a major influence on the emerging US rap scene, despite him not having released a new album for almost a decade since the early 1980s.
He is credited as the "Grandfather of Rap", although he preferred the moniker of, "bluesologist", labelling his music a fusion of poetry, blues, jazz and soul. You only have to listen to his various ballads and song's like A Lovely Day from his From South Africa to South Carolina album to appreciate the full range of Gil's lyric and musical repertoire and to remind yourself that he was not solely a political artist.
Gil's poetry and music made an indelible mark on the human consciousness. His second album, Pieces Of a Man, produced the sublime, Lady Day and John Coltrane, is a homage to jazz legends Billie Holiday and John Coltrane. The cutting edge track, Home Is Where the Hatred Is, describes Gil's desperate life-long battle with drug addiction against a backdrop of wider community alienation and disillusionment.
For me, it was Gil's ability to both celebrate and berate at the same time which was his gift to the world: to give a voice to the voiceless and tell their very human story. The ubiquitous story of coexisting with rising joy and sinking pain; this became his trademark.
His lyrical dexterity, charm and poise wrapped his words within a cerebral vacuum which was hard to punctuate or leave once you were caught up in it. Listening to Gil's poetry and music liberates the spirit and yet hold it prisoner at the same time. He possessed perhaps, the stark romance of Keats, and the gritty realism of Dylan, combined.
Throughout the 1970s and early 1980s, Gil's new studio albums emerged, such as: Winter in America (1974), with the classic, The Bottle and the emblematic anti-apartheid, Johannesburg of From South Africa to South Carolina (1976). His last album for Arista Records was Moving Target in 1982.
The son of a Jamaican father, Gil Heron, nicknamed "The Black Arrow", was a soccer player who, in the 1950s, became the first Black athlete to play for Glasgow Celtic Football Club in Scotland - a little-known amazing fact.
Having attended Lincoln University in Pennsylvania, he left after around two years to write the novels, The Vulture and The Nigger Factory. The former was published in 1970 and was well-received.
He obtained a Master's degree in creative writing in 1972 from Johns Hopkins University. Around this time, the Black Power movement had succeeded the assassinated Malcolm X in America and Gil's writing and musical themes became a soundtrack of that time. In fact, he acknowledges both Huey P Newton, co-founder of the Black Panther Party, and Malcom X as influences on the sleeve of his debut album.
Gil was the first signing to Arista Records. Arista was ex-Columbia Records chief Clive Davis's new label. He later signed Earth, Wind & Fire and Aretha Franklin amongst others. His prolific music career with Arista lasted 10 years from 1975 to 1985 and produced eight studio albums. After he left Arista, Gil did not record any studio albums for almost a decade until he signed to TVT Records in 1993 and as if from nowhere, released, Spirits.
I recall hearing its seminal track, Message to The Messenger on cassette format using my Sony Walkman and headphones. The young effervescent voice of before was replaced by a seasoned growl, but the poignant lyrical brilliance and the familiar faltering and vulnerable vibrato that ended almost every note, remained. With its infamous synth baseline melody and hi-hat intro accompanied by Gil's gently humming the melody before unleashing his diatribe against the new generation of rappers.
He reminded them of their shortcomings and responsibility alike; this cogent and damming part soliloquy, part lecture, re-affirmed Gil's return and affirmed his new status as the elder statesman for a new generation. His later years were marked by prison terms for drug possession and failing health allegedly caused by him contracting HIV.
After his release from prison in 2007, Gil began performing again and a series of concerts, radio and TV interviews confirmed his return to music. He released his new album, I'm New Here only last year and it received worldwide critical acclaim and introduced Gil to a new generation. He began touring and performing again throughout 2010 with some high profile concerts in London. He appeared to be back in the spotlight and enjoying it.
My enduring memory of Gil was during his performance at a London venue more than 10 years ago. Older and more frail, his towering slim frame housed a bellowing angelic prose that shook the room and the hearts of the audience. The atmosphere was electric and Gil presided over his followers in an almost pastoral, spiritual way. His presence and status was palpable and his commitment to political freedoms everlasting. RIP Brother Gil.
*Clive Powell is a jazz writer and broadcaster.
Submitted by Newsdesk on Sun, 06/05/2011 - 17:49
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Home / MOVIE REVIEWS / Movie Review: "Star Trek Beyond"
"Star Trek Beyond" is more fun than deep, a vibe that is noticeable about Gene Roddenberry's original TV series, in spirit at the very least. Combining playful humor and loads of exciting, non-stop action mayhem scenes, this highly entertaining film gets the job done, giving the franchise a guaranteed continuing life.
The film manage to keep the energy all throughout the scenes. A straightforward plot with great actors made "Star Trek Beyond" a success.
The film gives you the nostalgic appeal of "Star Trek" and seamlessly continues the voyage of the Enterprise with the new actors portraying the roles. A must see for Star Trek fans.
The film also offers new viewers to enjoy the film as a stand alone movie. It is very informative and requires only a little to no background of the first films to enjoy it fully.
From Paramount Pictures and Skydance, "Star Trek Beyond" is a Bad Robot, Sneaky Shark, Perfect Storm Entertainment production. The film stars John Cho, Simon Pegg, Chris Pine, Zachary Quinto, Zoë Saldana, Karl Urban, Anton Yelchin and Idris Elba. Directed by Justin Lin, the third film in the franchise series is produced by J.J. Abrams, Roberto Orci, Lindsey Weber, and Justin Lin; and executive produced by Jeffrey Chernov, David Ellison, Dana Goldberg, and Tommy Harper. Based upon "Star Trek" created by Gene Roddenberry, the screenplay is written by Simon Pegg & Doug Jung.
Opening across the Philippines on July 20, "Star Trek Beyond" is distributed in the Philippines by United International Pictures through Columbia Pictures.


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by Angelic February 9, 2020
by Angelic February 9, 2020 0 comment 113 views
Whether swooping through the skies in Mary Poppins or earning her fashion stripes in The Devil Wears Prada, Emily Blunt has triumphed in almost every cinematic genre, becoming a household name on both sides of the Atlantic. Now, as the actress joins her husband John Krasinski for the second chapter of A Quiet Place, she talks to Jane Mulkerrins about trusting her instincts and loving life in Brooklyn.
There is, according to Emily Blunt, a widespread misconception that playing the most beloved and magical nanny in fiction must have made her a veritable heroine at home with her two young daughters, Hazel and Violet. Not so, apparently.
"The other night, I overheard Violet telling John [Krasinski, Blunt's husband of 10 years] that she wanted to watch Mary Poppins. He said: 'Do you want to watch Mummy's one?' She said: 'No, Julie Andrews.'" Blunt shrugs, resignedly. "Julie Andrews reigns supreme in our house."
Sometimes, she concedes, the girls will ask her to do the clipped, throwback Poppins voice, and Hazel is wide eyed that her mother can produce it "without her costume on". But the absence of costume is sometimes awkward for Blunt herself. "I walk around Brooklyn in a baseball cap and tracksuit bottoms most of the time," she confesses. "So there's an embarrassing moment when parents will say to their kid, 'This is Mary Poppins,' and the kid will look at me, like: 'No, it fucking is not.'"
It's a dark, dank winter's afternoon in Manhattan, where the sleet has been falling sideways all day. Blunt arrives, dressed somewhere halfway between her Brooklyn sweatpants and her character's Edwardian bustles, in a ruffled Isabel Marant blouse, jeans and wedge trainers, her very blonde shoulder length hair tucked into a red chequered deerstalker hat with furry earflaps. Fresh from the Bazaar shoot around the corner, she slides into the green leather booth beside me and offers: 'Should we get a drink?' She gamely enquires about the tequila list, then reconsiders and orders a crisp Austrian white instead.
Though this is the first time we've met, I feel the need to tell her from the outset that we are, in fact, neighbours; since the family moved in a year ago, we live on the same street in Brooklyn Heights, where I've often seen her and Krasinski, who is himself an actor, director and screenwriter, walking their Labrador, Finn. "Isn't it the best area?" enthuses Blunt, once she's over the coincidence of us living so close. "It's idyllic, with all the history, and the great figures of literature who lived here."
Famed for its elegant brownstones and notable former residents, including Truman Capote, Arthur Miller and WH Auden, the picturesque neighbourhood is today home to Matthew Rhys, Adam Driver and Matt Damon, for whom its unspoken code of ambivalence is appealing. "People there couldn't care less about celebrities," says Blunt. "No one has the time or inclination to stop and stare."
"You can walk everywhere too, which I love – to a supermarket, to a dry cleaner, with the kids to school – you don't need a car," she continues. The family, in fact, never use one, unless they're heading upstate for a weekend. "It's leafy and villagey, and you can see the sky. I would love to live in London, but this is the next best thing," she says. "And I adore Brits, so I gravitate towards them over here, because I miss the irreverence and the silliness and the cavalier attitude."
To that end, she has gathered a close group of fellow British actresses, including her Mary Poppins Returns co-star Emily Mortimer ('one of my favourite people on Earth'), who lives close by, and Sienna Miller ('she's not in Brooklyn, but I'm trying to lure her over'). "We get together for roasts and rotate who does it," says Blunt. Boston raised Krasinski is now an aficionado of the tradition too. "We invited some Americans recently, and they left too early for his liking," she says, laughing. "He loves the whole ceremony of it – that it's a four, five hour affair, and the wine gets popped at 11.30am when you start cooking." She looks, briefly, stern. "It's not brunch. So those people are uninvited now."
On screen too, the pair are about to serve up a much anticipated collaboration with their forthcoming film, A Quiet Place: Part II, the second chapter to their hugely successful 2018 horror hit in which they starred as a married couple with young children (the eldest, Regan, is played magnificently by the 16-year-old deaf actress Millicent Simmonds). The narrative unfolds in a post apocalyptic world decimated by blind, bloodthirsty alien creatures with an acute sense of hearing, where making any sound – even speaking in whispers – could mean sudden death. Krasinski's character, Lee, is an enterprising MacGyver sort, focused on ensuring his family's survival, while Evelyn, who is forced to give birth silently and alone, is "trying to actually thrive in this terrible environment," says Blunt.
The critically acclaimed film was nominated for a raft of awards and performed far better at the box office than even its creators were expecting. This time around – for reasons obvious to those who've seen the first instalment – Krasinski will not star alongside his wife, who reprises her role as Evelyn, but he has, once again, written and directed it.
"If the original film was a metaphor for parenthood, and how far you'd go to protect your children, in an exaggerated version of a world where you feel you can't (which I feel, every second of everyday in this one), the metaphor is that fractured sense of community that I think we all feel too," continues Blunt. "The idea of not extending your hand to your neighbour, the question of who is "worth" saving; those are big ideas that I think we're experiencing, globally, and John saw A Quiet Place as a magnified version of that – that loss of hope, that sense of desperation and isolation, loneliness and despair."
Their obvious enjoyment in working together does beg the question: what took them so long? "We were a bit scared," she says. "But I read the script on a plane, and realised I would be really sad if someone else played this part. I said to John, would you ever want to do it with me?" She laughs, self-deprecatingly. "He said, 'I thought you'd never ask.' He wrote it with me in mind. But he has never been one to involve himself in my decisions." In fact, she admits: "I don't really tend to ask anyone their opinion on what I want to do."
It's a very hard thing for a British person to start discovering their own worth
That Blunt has always trusted her instincts may have something to do with the fact that, as she freely admits: "I didn't have any burning ambition for this. I do find the whole thing quite serendipitous."
In spite of the now rather transatlantic accent – her Ts have noticeably softened and she pronounces it 'serendipitous' – Blunt was raised in crisp-consonant, upper-middle-class Roehampton, the daughter of a QC (Oliver Blunt, brother to a Conservative MP) and a former actress. "I think that's part of the reason I wasn't terribly ambitious, because my mother was brilliant, and had too many children, a really busy husband, and didn't know how to juggle it all," reflects Blunt, who is the second of four siblings.
"I'd seen within my own family that the business can be really cruel, so why would I want to do that?" But her parents immersed them in theatre and film, with her father heading off to the video shop every Friday night, "and coming back with something wildly inappropriate," she says, chuckling. "I'll never forget that scene in Pretty Woman where
she fans out all the condoms. I remember saying to Dad, 'What are those?' Parenting was really different in the Seventies and Eighties," she observes.
The creativity this environment fostered is apparent in the four siblings: her older sister, Felicity, is a literary agent and married to the actor Stanley Tucci, Blunt's co-star in The Devil Wears Prada; her brother Sebastian is an actor and writer; and while her younger sister Suzie is a vet, she is also "an incredible opera singer". The two sisters sang at Felicity's wedding to Tucci, whom she met through Emily.
As a child, Blunt developed a serious stutter, which was "fully implanted" by the age of six. "It's such a misunderstood disability," she says. "It is neurological, it's biological, it's very often hereditary." She now works on behalf of young stutterers, and sits on the board of directors of the American Institute for Stuttering. "Their therapy is more emotional these days, about how you can connect with your stutter and make sure that it doesn't define who you are."
"It was not an easy thing to have as a kid, and I still get it," she admits. "I'll struggle a little bit on the phone, because there's such a pressure to talk – all pressurised environments are hard." Somewhat counter intuitively, acting helped. "If you're able to do a different voice or accent, it's like you access a different part of your brain, and it allows a fluency you didn't have before," she says. "It may be the reason, subconsciously, that I'm very interested in changing my voice or my appearance, in the physical shift of playing different people."
She attended Hurtwood House in Surrey, a private sixth-form college with a strong performing-arts programme, where she was cast in a play that went to the Edinburgh Fringe. Signed by an agent who saw the festival performance, Blunt was soon making her professional debut on the West End stage, opposite Judi Dench in Peter Hall's production of The Royal Family. Television and film followed, including parts in Stephen Poliakoff 's Gideon's Daughter and the indie hit My Summer of Love, but it was her role as Emily Charlton, the brittle, acerbic assistant to Meryl Streep's demanding editor, Miranda Priestly, in the much-loved comedy The Devil Wears Prada, that sent her career stellar. "It was like night and day," she recalls of the ramped-up attention she suddenly received at the age of 22.
Fearful of being pigeonholed, she then made deliberately diverse choices such as The Young Victoria, the romantic comedy The Jane Austen Book Club and, later, action films such as Edge of Tomorrow and the psychological drama The Girl on the Train. Her gilded career thus far has been notably free of missteps or compromises. Has she said no to a lot of projects? "Oh, yeah." And is she ever scared about turning them down? "No, no no no," she says, emphatically. "Never."
She and Krasinski met in a restaurant in LA in 2008. "I'd just bought a place in London and was going to live there with my sister," she recalls. "I didn't ever see it as a move to the US, but gradually more and more of my stuff just accumulated at his house, and then suddenly I was living in LA. I think it's the best way to do it – just to sneak-attack them, rather than turn up with trunks." They stayed in the city for seven years, "but I never really felt at home until we moved to the East Coast," she says. "We've found our place in the world."
Behind the camera, Blunt is also making moves into producing. "You get to the point where you've been doing something long enough and you do have an opinion," she says. "It's a very hard thing for a British person to start discovering their own worth, but at some point you've got to."
The Time's Up movement, and the conversations it has kick-started regarding equal pay, has been a huge help in moving that needle. "It has, at least, created a platform for you to say: that's not OK, actually. And to be a bit more willing to go into the fray and maybe not be seen as likeable or easy."
As she pulls on her deerstalker to head out into today's sleety fray, she reflects on this rapid and recent redrawing of attitudes. "Ambition in men is seen as something quite heroic and cool, and in women it is seen as cold and self-serving and unlikeable," she notes. "So everything that has happened in the last few years has been really vital. Because I want nothing more than for my daughters to be really ambitious about something that they love and want to do."
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text:
Marie Delcourt, née à Ixelles le  et morte à Liège le , est une philologue classique, helléniste et historienne de la littérature belge francophone. Elle est également une militante wallonne et fait partie de l'équipe dirigeante de l'Union des femmes de Wallonie avec Léonie de Waha.

Elle est la première femme chargée de cours à l'université de Liège, à partir de 1929, y créant le cours d'histoire de l'humanisme.

Biographie

Jeunesse et formation
Marie Delcourt est née à Ixelles le  lieu d'affectation de son père, militaire de carrière. Elle passe son enfance à Arlon, en Belgique. À l'âge de trois ans, elle contracte la poliomyélite et en garde des séquelles.

Aucun lycée ne prépare les filles aux études supérieures à l'époque et Marie Delcourt prépare seule les examens du jury central. Elle passe son diplôme d'humanités gréco-latines devant le jury central et, en 1911, elle  entreprend des études de philologie classique à l'Université de Liège, qui vont être vite interrompues par la Première guerre mondiale.

Après la mort de son père, lieutenant-colonel sur le front de l'Yser en 1914, Marie Delcourt rejoint le réseau de renseignement belge "La Dame Blanche" qui collecte des informations sur les mouvements de troupes pour le compte du War Office britannique. Pour cet engagement, elle est décorée de la Croix d'officier de l'Empire britannique. Elle évoque cet épisode de sa vie dans son ouvrage, Nos Grands cœurs.

À la fin de la guerre, elle reprend ses études à l'université de Liège et obtient en 1919 un diplôme de docteur en philosophie classique avant de partir étudier deux ans à Paris grâce au Concours des bourses de voyage (1920) et au Concours universitaire (1921) dont elle est lauréate. Elle y étudie à la Sorbonne et à l'Institut des hautes études.

Carrière
À partir de 1922, elle enseigne à l'Institut supérieur des demoiselles ouvert par Léonie de Waha (et qui porte aujourd'hui son nom Athénée Léonie de Waha) à Liège. Elle occupera ce poste jusqu'en 1940 en s'efforçant de favoriser l'accès des filles aux études.

Parallèlement, elle poursuit ses recherches personnelles et publie de nombreux travaux dont la qualité est remarquée.

Elle est la première femme à être chargée de cours à l'université de Liège où elle  crée, en 1929, un cours d'histoire de l'humanisme. Seule femme dans un milieu d'hommes, elle n'est, au début, pas rémunérée et ne bénéficie pas des mêmes avantages qu'eux et n'a pas une très bonne opinion de cette université bourgeoise et conservatrice.

Limitée dans ses déplacements par son handicap, elle écrit et correspond énormément. En plus des livres scientifiques, elle écrit de la poésie, des nouvelles, des chroniques pour le journal Le Soir et même des recettes de cuisine.

En 1925, le prix Joseph Gantrelle lui est décernée par l'Académie royale de Belgique pour son livre Études sur les traductions des tragiques grecs et latins en France depuis la Renaissance. Après la publication de sa Vie d'Euripide, en 1930, elle traduit et commente son théâtre.

Elle se marie en 1932 avec Alexis Curvers un jeune poète peu conventionnel qui deviendra un romancier reconnu.

Elle entretient des relations avec de nombreuses personnalités du monde littéraire belge comme Norge et bien d'autres. Elle anime aussi un groupe d'intellectuels français et allemands qui se réunissent au château de Colpach au Luxembourg. On y retrouve Paul Claudel, André Gide, Jean Paulhan, Jean Schlumberger, Henri Michaux, Karl Jaspers, Walther Rathenau ou Bernard Groethuysen.

Son œuvre scientifique considérable et diversifiée lui vaut une réputation internationale. Elle écrit essentiellement des traductions (comme les tragédies d'Euripide et la correspondance d'Érasme), des biographies (Eschyle, Périclès, Euripide, Érasme, Thomas More), sur la religion et les mythes grecs (l'Oracle de Delphes, Héphaïstos, Œdipe, Hermaphrodite...).

En 1961, elle est nommée Professeure émérite.

Engagement féministe et wallon
Marie Delcourt est membre de l'équipe dirigeante de l'Union des Femmes de Wallonie, dont Léonie de Waha est la présidente. Elle prend position à diverses reprises en faveur du droit de vote des femmes et de leur droit au travail.

Elle s'intéresse aussi au régionalisme et à la situation de la Wallonie et publie régulièrement des articles dans la revue Femmes wallonnes.

Fin de vie
Vers la fin de sa vie, elle souffre de problèmes de vue et doit abandonner l'étude du sanskrit qu'elle a entreprise mais continue de correspondre intensément avec ses amis. Elle ne quitte plus sa chambre. Son mari, aidé de quelques amies, la soigne jusqu'au bout. Elle meurt le .

Après sa mort ses amis créent l'association Les amis de Marie Delcourt, que préside son mari jusqu'à son décès en 1992.

Une rue d'Arlon porte son nom ainsi qu'une salle de l'Université de Liège.

Décorations
  à tistre posthume en 2012.

Publications

Antiquité
 La vie d'Euripide, Éd. Gallimard, Paris, 1930. Rééd. Labor, Bruxelles, 2004, coll. Espace Nord
 Eschyle, Éd. Rieder, Paris, 1934 (Maîtres de Littérature, 18)
 Stérilités mystérieuses et naissances maléfiques dans l'antiquité classique, Éd. Droz, Paris, 1938 (FacPhLLg, 82)
 Périclès, Éd. Gallimard, Paris, 1939 :: - Prix quinquennal de l'essai et prix Bordin de l'Académie française  1940
 Légendes et cultes de héros en Grèce, Éd. P.U.F., Paris, 1942
 Images de Grèce, Éd. Libris, Bruxelles, 1943. Rééd., Éd. Wesmael Charlier, Namur, 1959
 Œdipe ou la légende du conquérant, avec Conrad Stein, Éd. Fac.Phil.Lett., Liège, 1944, (FacPhLg, 104). Rééd., Éd. Gallimard, Paris, 1981
 Les grands sanctuaires de la Grèce, Éd. P.U.F., Paris, 1947 (Mythes et Religions, 21)
 L'oracle de Delphes, Éd. Payot, Paris, 1955. Rééd., ibid., 1981
 Héphaistos ou la légende du magicien, Éd. Belles-Lettres, Paris, 1957 (FacPhLLg 146).
 Hermaphrodite, mythes et rites de la bisexualité dans l'antiquité classique, Éd. P.U.F., Paris, 1958 (Mythes et Religions, 36). Rééd., 1992 Lire en ligne
 Oreste et Alcméon. Étude sur la projection légendaire du matricide en Grèce, Éd. Belles-Lettres, Paris, 1959 (FacPhLLg 151)
 Pyrrhus et Pyrrha. Recherches sur les valeurs du feu dans les légendes helléniques, Éd. Belles-Lettres, Paris 1965, (FacPhLLg 174)

Histoire de l'humanisme
 Thomas More, œuvres choisies, Éd. La Renaissance du livre, Paris, 1936 (Les Cent Chefs-d'œuvre étrangers)
 Érasme, Éd. Libris, Bruxelles, 1944. Rééd., Éd. Labor, Bruxelles, 1986

Traductions
 Tragiques Grecs. Euripide, Éd. Gallimard, Paris, 1962, (Bibliothèque de la Pléiade). Rééd., Éd. Gallimard, coll. Folio classique, Paris, 1988
 Thomas More. L'Utopie, Éd. La Renaissance du Livre, Bruxelles, 1966
 La correspondance d'Érasme, Collectif, tomes 1, 10, 11, Éd. Presses Académiques Européennes, Bruxelles, 1967-1982

Varia
 Jean Schlumberger, essai critique, Éd. Gallimard, Paris, 1945
 Méthode de cuisine à l'usage des personnes intelligentes, Éd. Baude, Paris-Bruxelles, 1947, Rééd., Éd. Université de Liège, Fac. Phil. Lett., 1985
 Marie Delcourt. L'autre regard, Ed. Le Cri/Académie royale de langue et de littérature françaises, Bruxelles, 2004. Coll. Chroniques du Journal Le Soir
 Nouvelles, édité par Catherine Gravet, Mons, Université de Mons, 2015.

Notes et références

Voir aussi

Bibliographie

André Motte, Marie Delcourt, dix ans déjà, Paris, Centre international de la religion grecque antique, 1990, Lire en ligne

Liens externes

Écrivain belge francophone
Femme de lettres belge
Philologue belge
Professeur à l'université de Liège
Helléniste belge
Militant wallon
Lauréat du Mérite wallon
Naissance en novembre 1891
Naissance à Ixelles
Décès en février 1979
Décès à Liège
Décès à 87 ans
Personnalité inhumée au cimetière de Robermont
Étudiant de l'université de Liège
Érasmologue
Féminisme en Belgique


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text:
Q: SQL query result cuts down to a single result if AVG function is used I have this query where I am trying to fetch all my packages from various different vendors. What I want to do is: with each package, I want to place the average rating of the vendor that the package belongs to.
SELECT
    p.id as package_id,
    p.title as package_title,
    p.path as package_image,
    p.packageQuantity as package_quantity,
    p.price as package_price,
    AVG(r.star_rating) as star_rating
FROM
    package as p
INNER JOIN vendor as v ON v.id = p.vendor_id
INNER JOIN review as r ON r.vendor = v.id

Result with the above query:
Array
(
    [0] => Array
        (
            [package_id] => 3
            [package_title] => Simple
            [package_image] => 1f496761e41e3b23d014f5511d591664c94e6390.jpeg
            [package_quantity] => 120 Minutes
            [package_price] => 1236
            [star_rating] => 3.3333333333333335
        )

)

The problem is that with the above query I am getting only a single result as compared to all the results that I am getting when I remove the AVG column.
SELECT
    p.id as package_id,
    p.title as package_title,
    p.path as package_image,
    p.packageQuantity as package_quantity,
    p.price as package_price
FROM
    package as p
INNER JOIN vendor as v ON v.id = p.vendor_id

Result of the query without AVG:
Array
(
    [0] => Array
        (
            [package_id] => 1
            [package_title] => Normal
            [package_image] => 38fbe34ff595a282a171c6058f40f676bde91665.jpeg
            [package_quantity] => 120 Photos
            [package_price] => 1200
        )
[1] => Array
    (
        [package_id] => 2
        [package_title] => Medium Package(Ui)
        [package_image] => 5c9a34123d7e18237641355c59e91b10570e0fed.jpeg
        [package_quantity] => 250 Photos
        [package_price] => 2400
    )

[2] => Array
    (
        [package_id] => 3
        [package_title] => Simple
        [package_image] => 1f496761e41e3b23d014f5511d591664c94e6390.jpeg
        [package_quantity] => 120 Minutes
        [package_price] => 1236
    )

[3] => Array
    (
        [package_id] => 4
        [package_title] => Better Package
        [package_image] => d0ab8bee318da6b3f1d515835cadcc8669afc0f2.jpeg
        [package_quantity] => 250 Minutes
        [package_price] => 2366
    )

[4] => Array
    (
        [package_id] => 5
        [package_title] => Advance Package
        [package_image] => 532b67366f327a17a4cb3e5b194d52950dd58a9b.jpeg
        [package_quantity] => 600 Minutes
        [package_price] => 5698
    )

[5] => Array
    (
        [package_id] => 6
        [package_title] => Excellent Package
        [package_image] => 6b7272f9ae03229e41bde2e5933e42b4db061c70.jpeg
        [package_quantity] => 1000 Minutes
        [package_price] => 8966
    )

)
I need to be able to fetch all the packages and show it's vendor's average rating on multiple of them, even if it's repetitive.

A: I think this is a good opportunity for a subquery:
SELECT
    p.id as package_id,
    p.title as package_title,
    p.path as package_image,
    p.packageQuantity as package_quantity,
    p.price as package_price,
    (SELECT AVG(r.star_rating)
     FROM vendor v INNER JOIN
          review r
          ON r.vendor = v.id
     WHERE  v.id = p.vendor_id
    ) as star_rating
FROM package p;

A: AVG is aggregate function, so you should define a GROUP BY column:

SELECT
    p.id as package_id,
    p.title as package_title,
    p.path as package_image,
    p.packageQuantity as package_quantity,
    p.price as package_price,
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text:
Keystone Grad Weaver Reinvents Her Athletic Career Following Three ACL Tears in Same Knee
GREENVILLE, Pa. (EYT/D9) — Tessa Weaver's left knee has cost her a great deal.
Basketball. Her speed on the track. A possible career in the Navy.
But the Keystone High School graduate and sophomore at Thiel College would rather not dwell on what she has lost to three ACL tears and four surgeries on that ravaged knee.
"It was really hard at first," Weaver said. "After a good couple of weeks, I was like, "Well, I can either dwell on the past or look forward to the future and just work hard and try to get back to where I want to be.' That's my mindset with all of it. I've always just been trying to look to the future and make the best of it."
That has included doing something she never thought she'd do.
A sprinter in high school before the knee injuries sapped her explosiveness and quickness, Weaver turned to the shot put with just two weeks remaining at the end of her junior year with the Panthers.
She took to the event quickly. By the end of her senior year, she qualified for the PIAA Track and Field Championships.
"I was a runner, and I couldn't do that the way I wanted to anymore — I don't exactly like losing very well," Weaver said. "Once I started getting slower, I decided to try something new, and I just picked it up."
It was a way for Weaver to fill the competitive void created by her damaged knee.
The first time she tore her ACL was before her sophomore year at Keystone. It happened again just before her senior year.
"So, well, my junior year I got to play a little," Weaver said.
The third torn ACL came during her freshman year on the basketball team at Chatham University in Pittsburgh. For awhile, she didn't even know it was torn, even though she felt pain and it affected her play.
"The coach at Chatham worked with me a lot, trying to get me back up to speed," Weaver said. "It just wouldn't go because it was torn."
When the tear was discovered, doctors told Weaver that her basketball playing days were finished.
It was devastating to Weaver, who excelled on the court when she was healthy.
"My main thing was basketball — I really, really enjoyed basketball," Weaver said. "That was really hard."
Weaver, though, had an athletic itch that needed scratching. An old sport that comforted her during her injuries in high school leapt into her mind.
"I figured I'd go back to track," she said.
It took two schools for her to get there.
She left Chatham after her first semester and enrolled at Slippery Rock University, but she quickly realized SRU was the right place for her.
Weaver decided to transfer again, this time to Thiel, and has found a home with the Tomcats.
She recently won the shot put at the Tomcat Invitational with a career-best throw of 11.40 meters.
With the Presidents' Athletic Conference Track and Field Championships rapidly approaching, Weaver is ranked second, tied with Lexi Shiderly of Westminster, behind Megan Parker, who is also a thrower at Westminster.
She's creeping up on the Thiel record in the event of 12.82 meters set by Savalla Hillard in 1995.
Breaking that mark is on Weaver's to-do list.
"Next year I hope to get that," Weaver said.
Next year she also hopes to return to the track – she's been feeling the urge to run again.
"I'm gonna try," Weaver said. "We'll see how it goes."
Her knee feels fine now, but arthritis has already set it. Weaver knows she will have life-long issues with it and may eventually require knee replacement surgery.
That's down the road.
Now, Weaver is broadening her track and field career by picking up another event, the discus.
"It's definitely getting better, but it's pretty rough," Weaver said, chuckling. "On a personal level, I'm just not very good staying patient, so shot is just a little more explosive type of a thing for me."
Weaver is simply thankful to be competing in anything at the collegiate level following her rash of knee injuries.
She just never expected it to be as a thrower.
"I'm pretty proud of myself," Weaver said. "It was hard doing it. The mental aspect of it was probably the worst part. I was used to playing basketball and doing sports and I couldn't do it for so long. So this means a lot more if I never tore my ACL, I guess. It just has a lot more meaning."