*Sift flour, baking powder and salt together.
*Cut in Crisco until the particles are about the size of small peas.
*Sprinkle milk over mixture and press together lightly, working dough only enough to hold together.
*For ease in handling, separate dough into two parts. Roll each half out to at least 10″x15″ (or 12″x 18″) and cut into six equal squares of 5″- 6″ each.
*Put a dab of butter (like 1/2 teaspoon or so) on each square.
*Put about 1 & 1/2 teaspoons of sugar on top of the butter.
*Sprinkle cinnamon on top of the sugar.
*Place a half apple on top, with the middle cavity over the sugar and cinnamon.
*Fold the dough up and around the apple to cover it completely.
*Place dumplings 1 inch apart in the greased baking pan, with the seam down and the sugar cavity up.
*do the same with the second half of the dough.
*Combine brown sugar, water and spices.
*Pour over the dumplings, trying to drench each one with the sauce.
*Bake at 375 for 35-40 minutes.
Variation: Sometimes I grate my apples – especially if I'm using seconds and don't have nice "halves" and then I use a half-cup measure pretty tightly packed to put a pile of grated apple on top of each sugar pile and wrap it in dough, just like it was an apple half. Daniel seems to prefer this to having a half apple in there, but it is strictly personal preference.
Another variation that I've had (but never made) is to roll the dough out, butter the dough, sprinkle sugar and cinnamon on it and then spread it with the grated apple, and roll as a jelly roll, slice as a cinnamon roll, and put into the pan and pour the sauce over it like you would with the regular dumplings. Bake as instructed. This is REALLY good, and I'm indebted to Loretta Miller for my exposure to this method.
There has been quite a discussion going on over on Dorcas Smucker's facebook page about what to call adult children. Those of you who read my blog know that I refer to our children collectively as "The Offspringin's." Certain Man calls them "The Young'uns" (I'm not sure how to even spell that!) along with other specific dutch words that fit individual children at any given time. His parents firmly believed that you did not give nicknames or shorten names in any way, and I decided early on that it wasn't in my best interest to shorten his good, strong name in any way. Hence, he has always been "Daniel" to me when I use his given name (or "Mr. Yutzy"). When we had our children, it seemed like there was this plethora of names that just came naturally, and when I read somewhere that "a love child has many names" I decided that it wasn't something to worry too much about.
Along with that were other titles of respect. We would never have thought of calling our aunts and uncles by their given names alone. It was always, Uncle Jesse, Uncle Lloyd, Uncle Amos, or Aunt Ruth, Aunt Naomi, Aunt Gladys, Aunt Dottie, etc.. To this day I wouldn't/couldn't call them anything different. Somehow there was something that went with that title that was compelling. And my myriad of aunts and uncles were worthy of all the respect given them. They were beloved and Godly and always interested in the lives of their nephews and nieces. When our children came along, we insisted on the same respect given to aunts and uncles.
But that is not the story, although the discussion on Dorcas' blog spurred both the preceding paragraphs as well as this story.
When our children were very young, and even before Rachel was born, our children were exposed to a difficult family situation where the father had abandoned the family and the mother was struggling with a desperate mental illness and the children were temporarily in various homes who tried hard to provide some stability whenever they could. Two of the little boys were with our family at various times and their heartache was difficult to see. Our youngest son, Lemuel, was a curly haired, verbal, blond three year old at the time, and he didn't miss much that went on around the little house on Andrewsville Road that was our home.
I looked into his young face, knew immediately the impetus for his question, felt his anxiety and made a promise that I prayed I could always keep. "Oh, no, Lemmie Joe! I would never go away. I love Daddy and your brother and sisters too much to ever go away and leave you." He turned abruptly and motored his way out to the living room where his unsuspecting siblings were involved in their own worlds.
"Our Mama say she NEVER go away, " I heard him announce to them in full voice. I wondered what in the world they thought of such an unexpected proclamation, but there were various acknowledgements of his statements that carried muffled through the walls. I smiled at his earnestness, but scarcely had I had time to think before my little guy was back at the door of the laundry room with a proclamation for me.
"I telled your chill'jens you said that!" He declared with a satisfied air, like he had just settled a great big issue and since I had given my word and he had "telled them" there was nothing more to be discussed. He turned away, out of the door, and went back to his play.
It has never, ever left my heart. I can tell you right where I was standing when he came in to ask me the question that was on his young mind. Often I've thought about all the Mamas (or Daddies) who go away and don't come back, or are sent away and not allowed to come back, or who, for whatever reason, physical or emotional, are unable to come back. How my heart aches for the "chill-jens" (some now all grown up) who are wishing for a parent to come to stay.
For this and so much more on this rainy Monday in Delaware, my heart gives grateful praise.
Today, just about now, our son and his wife and their three little boys are saying good-bye to a precious little slip of a girl who has stolen all our hearts and will take more than a piece of us with her when she goes.
There should be no criticism of the social system in this particular circumstance. This is one of the good decisions, and it would be a malicious wrong to indict anyone involved. This is the sort of thing that happens when things need to be done right, and it takes time. There is relationship in place. This baby will be loved. She will be cared for. She will be taught about Jesus. And she will have contact with the family that holds her first year in their hearts, in their minds, and in their memories.
My heart is caught up today with the sadness of our Ohio family. On my mind and in my prayers are Raph and Gina and the boys as well as the extended family . Especially, I keep thinking about the grandparents there, Andy and Saloma Yoder. My grief as a Grammy has surprised me, making me aware of how far reaching this event is. Looking at this from a Grammy's point of view has triggered memories that I had almost forgotten. Specifically, I remember something that happened to us nearly forty years ago that comes to this day with a familiar, aching twist.
We had gotten an eight and one-half month old baby boy, Joseph, in December of 1975. We were so in love with this beautiful baby. He was with us over 20 months. He was our first foster baby, and he was a favorite of everyone in our family. When he left to go to an adoptive home (back then, foster parents were not allowed to adopt except in rare situations) we thought we would die! Because our agency was known to close homes or withhold placements in homes where people "became too attached" we couldn't voice our anguish to anyone at Franklin County Children's Services. Our church was supportive, but I often felt alone in this grief that I felt we had "signed up for!" Certain Man and I moved through our days with a slow sadness that couldn't be brushed away or even washed away by the buckets of tears. I remember the day I stripped the sheets off his crib to wash them, and I buried my face in those sheets and smelled the essence that was my baby, and I muffled my screams and cries of despair in their thick softness and then sobbed uncontrollably until the storm passed. The days were dark.
Soon after Joseph left, My Sweet Mama came for a week to "help out." I was pretty much wrapped up in my own sorrow, and she didn't invade much. One day she took a load of laundry to the wash line for me, and didn't return. I finally went to see where she was, and I found her crying, standing among the flapping clothes in the breezy Ohio sunshine.
I remember standing there as a realization dawned on my fuzzy, grief-stricken heart. This loss was not only ours. It was everyone who had loved him – all of those to whom he was a grandson, brother, nephew and toddler friend. As I cried with My Sweet Mama, the sweetness of sharing this aching loss was comforting, and it was good. I look back on that day as when my grief started to turn around, although I sometimes think that the depth of sorrow that I feel over these grandchildren who come and don't stay, (and the fierce protectiveness towards those who come to stay) probably has more to do with our experience as young parents in a sunny house on the hill in Madison County, Ohio.
The hard times, the grief and the days when we would rather die than live through them (except for the people that are counting on us) are the times when we come to realize what it is that we really believe, and what it is that we are trusting. I'm so grateful that God didn't give up on that headstrong young woman who had so much to learn. And not only God, but so many strategically placed people who cared, and invested and supported and believed that their investment would be worth it. I've been the recipient of so much grace. I've been given so much. And in this loss, and in the other losses of my life, there has been an anchor for my hurting heart.
Today, I choose Jesus again.
My heart gives grateful praise.


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What are your squad goals this holiday season? Here at New Times, we want to make sure you can get your crew in the right gear for next year—whatever segment of humanity you and your buddies lay claim to. And we know it's hard to always agree with the people you surround yourself with, but we also know you value those differences because they're what make a group of individuals great. So, no, you can't get Uncle Johnny a lump of coal because he didn't vote the way that you did. It's been a toughie of a year, but nothing ties people together like clinging to common ground, which means you get the person you disagree with the exact thing that matches up with who they are, simply because you care about them. Bring your squad back together and get them outfitted better than ever by checking out this year's Last-Minute Gift Guide, whether you want to spend $10 or need to make up for last year's "oops" by overspending.


Prof. William Robinson: Gaza is Israel's Warsaw-A Vast Concentration Camp!!!
Gaza is Israel's Warsaw – a vast concentration camp that confined and blockaded Palestinians, subjecting them to the slow death of malnutrition, disease and despair, nearly two years before their subjection to the quick death of Israeli bombs. We are witness to a slow-motion process of genocide (Websters: "the systematic killing of, or a program of action intended to destroy, a whole national or ethnic group"), a process whose objective is not so much to physically eliminate each and every Palestinian than to eliminate the Palestinians as a people in any meaningful sense of the notion of people-hood.
The Anti-Defamation League's top official met with administrators and faculty members of the University of California at Santa Barbara last month and urged them to investigate a professor for academic misconduct for his harsh criticism of Israel in an e-mail message to students, a university spokesman confirmed on Tuesday.
But the spokesman, Paul Desruisseaux, said a university administrator had told Abraham H. Foxman, national director of the Jewish advocacy group, that an investigation was already under way in response to two students' complaints, and that any further discussion of the matter would be inappropriate.
The university, Mr. Desruisseaux said, "has not responded in any way to any pressure from the ADL or other groups" in its inquiry into misconduct allegations that the two students formally brought against William I. Robinson, a professor of sociology, in response to the e-mail message. He said the investigation was "working its way through standard procedures," with a panel of the Academic Senate looking into the matter to determine whether the allegations have enough weight to be considered by the senate's Privilege and Tenure Committee.
A national spokeswoman for the Anti-Defamation League, Myrna Shinbaum, confirmed Tuesday that the meeting with university officials had taken place. She declined, however, to provide additional comment, and said Mr. Foxman was out of the country. Officials of the organization's Santa Barbara regional office, which also was involved in the March 9 meeting, declined to take calls and referred inquiries to the group's national headquarters.
The uproar centers around an e-mail message that Mr. Robinson sent on January 19 to students in his "Sociology of Globalization" class. In it, he accused Israel of war crimes for its military actions in Gaza, and forwarded juxtaposed photographs of what he called "Nazi atrocities against the Jews and Israeli atrocities against the Palestinians." He argued that "Gaza is Israel's Warsaw" and characterized Israel as a state "founded on the negation" of the Palestinian people.
The letter, arguing that the e-mail message appeared unrelated to Mr. Robinson's sociology course, cited several provisions of the university's faculty code of conduct that, it said, he had probably violated by using his university e-mail account to distribute a message that was not course-related.
In the ensuing weeks, two students separately filed formal letters of complaint about the e-mail message with university officials. Both of those letters complained that Mr. Robinson had violated the same provisions in the code of conduct that had been cited by the regional office of the ADL, and both accused Mr. Robinson of anti-Semitism using a definition taken from a U.S. State Department document.
The other student said she had been nauseated about a professor sending such an e-mail message and felt compelled to drop the class in response to it.
The campus spokesman, Mr. Desruisseaux (who is a former editor at The Chronicle), said the March 9 meeting with Mr. Foxman and local ADL officials was organized by Leonard Wallock, associate director of the campus's Walter Capps Center for the Study of Ethics, Religion, and Public Life. Among those in attendance were Michael D. Young, vice chancellor for student affairs; David B. Marshall, executive dean of the College of Letters and Science; and several faculty members.
When Mr. Foxman pulled out the regional ADL office's letter of complaint about Mr. Robinson and asked if the university had done anything in response, "about half the people in the room did not know what he was talking about," Mr. Desruisseaux said. Mr. Marshall then told the ADL official that the inquiry was under way, and ended discussion of the subject.
A student group that is supporting Mr. Robinson and working closely with him, the Committee to Defend Academic Freedom at UCSB, issued a statement arguing that Mr. Foxman had held the meeting solely to pressure the university to investigate the complaints against the professor. Neither Mr. Robinson nor the committee was able on Tuesday to produce any faculty members who had attended the meeting and who could support their account, however. Mr. Robinson did not comment on Tuesday.
The Anti-Defamation League's calls for Santa Barbara to investigate Mr. Robinson is not its only current effort to challenge campus relationships with critics of Israel. The group also is protesting decisions by Michigan State University and the University of North Carolina at Chapel Hill to have Archbishop Desmond Tutu, a vocal critic of Israel, speak at their commencements this year.


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Tuggeranong Community Council (TCC) Community Survey
By TCC 2 June 2020 2 June 2020
It was great to see that the TCC Community Survey organised late 2019 to find out the major concerns of the people in Tuggeranong, received comment from residents in every suburb in Tuggeranong. Most of these people valued the Environment, open spaces, character and street scape above others. Though a lot of people wanted better local shops
It was interesting to note that the biggest issue identified was Crime and Community Safety, a surprise when TCC monthly police reports do not seem to reflect increased crime. It was interesting to note however, that when this question was asked in the Youth Survey the students mostly commented on safety – obviously the needs clarification which we wi;;l follow up in a future mini suvey. Public transport was the next biggest concern at followed by Park and Garden maintenance, Community and support for residents, concern about rates then Improved Water quality in Lake Tuggeranong – the biggest concern in our Youth Survey.
When asked What they wanted improved over the next 2-5 years they said, not surprisingly the the answer was Improved Bus services, then revamping local shopping centres, Improvements to recreation/parkland areas. then Improved Water Quality in waterways.
When the survey asked about where Tuggeranong residents worked and how they got there, it was interesting to see that over a quarter of people worked in Civic compared to less than in Tuggeranong, while 13.21% worked from home (note this is before Covid 19), but could also reflect retirees.
How people got to work was again not surprising with over three quarters of the responders saying they used their own car to get to work. Only 13.44% caught the bus, over 40% said that they no longer use public transport since the bus changes and 43.01 say their journeys are longer with the new bus timetable. When asked about What improvements would make the current bus network and timetable for the Tuggeranong region better?, we had many comments, but the overwhelming response was for more and more frequent buses and better route. A few commented that there should be more express services and services on the weekend, better connection times, and more direct routes to the city.
Other interesting facts from the survey showed that:
almost three quarters or people want light rail to Woden and then onto Tuggeranong.
they wanted better maintenance of green spaces, more trees and shrubs and organic waste collection
contrary to previous polls most people didn't want a cemetery or a crematorium in Tuggeranong
most people were not satisfied with the number of outdoor markets in Tuggeranong,
people were concerned over access to mental health support and services and the lack of Social activities in Tuggeranong
most felt there were sufficient sporting facilities in Tuggeranong, but many made commented on: re-opening mPowerzone, upgrading some facilities, more indoor stadiums and some mentioned need for an ice skating/ice hockey stadium.
We had comments from all Tuggeranong suburbs (see above) and people from all ages. It was interesting to note that the biggest group to respond were from 35-44 yrs (27.17%)
Almost half the responders had lived in Tuggeranong for over 20 years, and females were the biggest group to respond.
In conclusion, when looking at the results of this and the recent Youth Survey, there are a number of things that the Tuggeranong Community Council should follow up on:
The bus network
more frequency, better routes and new interchange
Continue to put pressure on the government to improve water quality in Lake Tuggeranong.
Look at safety concerns including:
Better lighting, footpaths and safety on buses
Look at a program to upgrade local shopping centres;
Look at upgrading parks and recreational spaces and
We could also look at supporting and promoting more local markets
Look at developing a surveys re 'Crime and Safety' to clarify issues
Next Meeting 2 Jun 20
Next Meeting 7 Jul 20

redpajama_set_name: RedPajamaCommonCrawl


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text:
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stevie nicks denver
[59] "I said, 'What do you think about my nose? 3911 West 50th St at France Edina, MN 55424(952) 920-8796, Quad Cinema 544 likes. The best tickets will sell out fast, so you'd better score yours right away! "[181][182], Until July 2007, Nicks lived in Paradise Valley, Arizona, a suburb of Phoenix, in a home she had built in 1981 and shared with her brother Christopher Nicks, his wife Lori Perry-Nicks and their daughter Jessica. Buy Stevie Nicks Denver tickets for sale at cheap Stevie Nicks ticket prices to the Stevie Nicks 2020 tour dates schedule. ... Nobody is leading us. Retrouvez infos & avis sur une large sélection de DVD & Blu-ray neufs ou d'occasion. The couple began dating each other back in 1983 and separated in 1986. "[62], Later that year, on the advice of friends concerned that she might relapse, she visited a psychiatrist who prescribed the sedative Klonopin to help her remain free from cocaine.[63]. 6350 Delmar Boulevard in The Loop St. Louis, MO 63130(314) 727-7271, Plaza Frontenac Cinema In late 1974, Keith Olsen played the Buckingham Nicks track "Frozen Love" for drummer Mick Fleetwood, who had come to Sound City in California in search of a recording studio. [42], After the success of the Rumours album and tour in 1977 to 1978, Fleetwood Mac began recording their third album with Nicks and Buckingham, Tusk, in the spring of 1978. The band embarked on the Shake the Cage tour in September 1987, with Buckingham replaced by Rick Vito and Billy Burnette. Il analyse également les commentaires pour vérifier leur fiabilité. Nicks's goddaughter Kelly appears in the video wearing a vintage dress that Nicks wore on stage in 1976. 043 – Stevie Nicks – Behind The Music – Episode Summary, Highlights, and Recaps", "Many Concerts Cancelled After 9/11 Attacks", "Reviews for Say You Will by Fleetwood Mac", "Music Review: Fleetwood Mac – Say You Will", "Pop DVD: Fleetwood Mac, Destiny Rules – Music", "McGraw Leads Seven Top 10 Debuts Onto Billboard 200", "Bella Donna -Bella Donna – Casino Connection Atlantic City", "Stevie Nicks To Join Chris Isaak on Tour", "Stevie Nicks Is Looking Back, Charging Forward on New Album", "PrideSource – Stevie Nicks talks gays, 'Glee' controversy and losing weight ... with her own music? Nicks credits the acts as having inspired her stage intensity and performance. 5458 West Lovers Lane just off the Dallas North Tollway Dallas, TX 75209(214) 352-5085, Greenwood Village Following the tour for The Wild Heart, Nicks commenced work on her third solo album. Acts confirmed for the Denver stop include The Used, Thrice, Circa Survive, Sum 41, The Story So Far, Atreyu, Sleeping with Sirens, Andy Black, Four Year Strong, Memphis May Fire, Trophy Eyes, Meg & Dia, Juliet Simms and Hyro The Hero. In late 2008, Fleetwood Mac announced that the band would tour in 2009, beginning in March. Rumours, Fleetwood Mac's second album after the incorporation of Nicks and Buckingham, was the best-selling album of the year of its release and to date has sold over 40 million copies worldwide, making it one of the best selling albums of all time. One Embarcadero Center Promenade Level San Francisco, CA 94111(415) 352-0835, Opera Plaza Cinema Buckingham refused, insisting that Nicks and he were "a package deal" and he would not join without her. Sorry, your blog cannot share posts by email. I want people to put my songs on because they are unhappy and need a boost to dance around their apartment a little and feel good. While visiting wounded service men and women, she became determined to find an object she could leave with the soldiers that would raise their spirits, motivate, and give them something to look forward to each day. [73] Nicks, who is 5 feet 1 inch (1.55 m), had gained weight, peaking at 175 lbs (79.4 kg). Decadent rock star, '70s survivor, gypsy songbird, white-winged dove—the inimitable Stevie Nicks has entranced millions of fans worldwide with her poetic lyrics, sultry singing and feather-and-lace style. 2906 Hennepin Avenue in the Uptown District Minneapolis, MN 55408(612) 823-3005, Lagoon Cinema 3699 McKinney Avenue in West Village Dallas, TX 75204(214) 520-0394, Inwood Theatre Check out the Stevie Nicks Tour schedule below to learn more about upcoming shows, including appearances at the New Orleans Jazz and Heritage Festival and the Governors Ball Music Festival in New York — but don't wait. Reprise provided a free download of the single to fans who ordered the album via certain websites. Advance Tickets are now available at the following theatres: This film will also be available at the following theatres with tickets available soon: Rock & Roll Hall of Fame icon Stevie Nicks brings her legendary music to the big screen in Stevie Nicks: 24 Karat Gold The Concert. 3965 5th Avenue in the heart of the Uptown District San Diego, CA 92103(619) 298-2904, Embarcadero Center Cinema The event will be screened in cinemas around the world on Oct. 21 and 25. 16 Pine Street in the heart of Downtown Waltham, MA 02453(781) 736-7852, Century Centre Cinema Then maybe we'll talk. Denver, CO – Sept. 16: Trafalgar Releasing announced today that Stevie Nicks, two time Rock & Roll Hall of Fame inductee, legendary Grammy winning recording singer/songwriter supreme, will debut Stevie Nicks 24 Karat Gold The Concert, which will be released for two nights only on October 21 and 25 at select cinemas, drive ins and exhibition spaces around the world. Amazon.fr : Achetez Live in Denver 1986 au meilleur prix. The group decided that incorporating the pair would improve Fleetwood Mac, making the British band into an Anglo-American one. 1948–1971: Early life and career beginnings, 1972–1978: Buckingham Nicks and Fleetwood Mac, Transcribed by Jane Fijal, "Spotlight on Stevie Nicks", Aired on 96.1, Beyoncé Knowles (August 2, 2009). [105], After a few months' respite from the Say You Will tour, Nicks did a four-night stint in May 2005 at Caesars Palace in Las Vegas, and then did 10 shows with Don Henley dubbed the Two Voices tour. Nicks provided additional vocals and writing on Vanessa Carlton's 2007 album, Heroes and Thieves. The Petty Nicks Experience, Denver, Colorado. 1 On Country Songs", "Stevie Nicks Reveals Inspiration Behind For What It's Worth", "Stevie Nicks 'For What It's Worth' on 'Leno, "Stevie Nicks Discusses Her New Album and Performs on 'The Talk' (VIDEO)", "Stevie Nicks Performs in New York City " Q105", "Rod Stewart and Stevie Nicks announce North American 'Heart and Soul' tour dates", "Legendary Ladies of Rock Perform on The Oprah Winfrey Show" WCBS-FM 101.1", "Beastie Boys Score No. Nicks filed tax deductible expenses in 1991 costing "$12,495 for makeup and hairstyling [and] $43,291 for professional clothing and maintenance". Nicks previously reached number one on this chart, with "Planets of the Universe" (from Trouble in Shangri-La) in 2001. [58] Rock a Little, as it was retitled, was released November 18, 1985, to commercial success, supported by three successful singles. [9] Nicks, Danny Goldberg, and Paul Fishkin founded Modern Records to record and release Nicks's material. 555 11th Street NW Entrance on E Street between 10th & 11th Streets NW Washington D.C., 20004(202) 783-9494, Bethesda Row Cinema They divorced three months later.[55][56]. 290 Delaware Avenue Albany, NY 12209(518) 449-8995, Midtown Art Cinema "Everybody was angry because Mick was married to a wonderful girl and had two wonderful children. "Edge of Seventeen" was sampled on Destiny's Child's 2001 number one single "Bootylicious". 7235 Woodmont Avenue Bethesda, MD 20814(301) 652-7273, West End Cinema Fleetwood remembered Buckingham's guitar work when guitarist Bob Welch departed to pursue a solo career. [155] It was at the Velvet Underground where Nicks' unique and easily recognizable style began. Studio engineer and co-producer Ken Caillat said that Nicks was very unhappy to find that the band had decided against her song "Silver Springs", which he said was beautifully crafted, and carried some of the band's best guitar work. Recorded live over two nights during her sold-out 24 Karat Gold Tour, the film features a set-list of fan favorites and rare gems from Stevie's multi-platinum selling catalog. [189], Nicks joined Rod Stewart in the summer of 2012 for another leg of the Heart and Soul tour, and resumed the In Your Dreams tour in June 2012.[190]. She is known for her distinctive voice, mystical stage persona and poetic, symbolic lyrics.[2]. We floated from room to room down through the halls of the two hospitals over a three-day period. Nicks has since expressed major disappointment with the album, claiming that a lot of its production work took place during her second stint in rehab, meaning she had little or no say over the final product. 2009 West Gray at Shepherd Houston, TX 77019(713) 524-2175, Keystone Art Cinema '—we are heading for a crash; people are dying because people aren't wearing their masks. [17] Both Nicks and Buckingham attended San Jose State University, where Nicks majored in speech communication[18] and planned to become an English teacher. [145] For this reason, she developed a penchant for 6-inch (15 cm) platform boots. 4186 Piedmont Avenue at Linda Oakland, CA 94611(510) 985-1252, Aquarius Theatre According to Nicks, Kelly portrays the young Nicks blending with the soul of Nicks's 62-year-old self. Mick became his tall, loving, father figure, English self, taking in every word they said, remaining calm (at least on the outside) inspiring them. Nicks joined Fleetwood Mac in 1975 along with her then-boyfriend Lindsey Buckingham. Billboard charts, "Secret Love" was a modest hit on the Adult Contemporary Singles chart, peaking at number 20, and at number 25 on the Triple-A Singles chart. [60][61] Recalling the strong influence of Janis Joplin and Jimi Hendrix on her music and life, she told a UK interviewer, "I saw how they went down, and a part of me wanted to go down with them ... but then another part of me thought, I would be very sad if some 25-year-old lady rock and roll singer ten years from now said, 'I wish Stevie Nicks would have thought about it a little more.' [102][103] Nicks joined the group to support the album with a world tour lasting until September 2004. When a scheduling conflict forced Crow to drop out of the project, Nicks first approached R&B producer Dallas Austin, but these sessions have never surfaced. A tour with Chris Isaak, opening in Concord, California on May 17, 2007, supported the release.[108][109]. À la place, notre système tient compte de facteurs tels que l'ancienneté d'un commentaire et si le commentateur a acheté l'article sur Amazon. [38][39] "Never in a million years could you have told me that would happen," Nicks has stated. Nicks supported the album with a successful tour, although some shows were canceled or postponed because of her bout with acute bronchitis. Nicks ended the relationship. Disgusted by the criticism she received during the tour for being overweight, she vowed to never set foot on a stage again unless she slimmed down. The Dixie Chicks covered "Landslide", which became a top-10 hit (number one on the Adult Contemporary chart) and a number one hit on the Country chart. 118 North Main Street in the heart of downtown Royal Oak, MI 48067(248) 542-5198, River Oaks Theatre Nicks and Anderson divorced after only three months: "We didn't get married because we were in love, we got married because we were grieving and it was the only way that we could feel like we were doing anything.
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U.S. Rep. Brian Mast was a speaker at the David Horowitz Freedom Center's Restoration Weekend conferences in 2016 and 2017.
The Treasure Coast's congressman has spoken at two annual conferences and on three online radio shows featuring others' racist, misogynistic and anti-Muslim sentiments.
U.S. Rep. Brian Mast, R-Palm City, was an unpaid speaker at the David Horowitz Freedom Center's Restoration Weekend conferences in Palm Beach in 2016 and 2017 — the same event former Republican congressman and current Florida gubernatorial candidate Ron DeSantis was criticized for attending.
The Southern Poverty Law Center, which tracks white nationalists and hate groups, says Horowitz's conferences "range from single-day presentations given by anti-Muslim fear mongers in Horowitz's network to extravagant weekend getaways that convene government officials with far-right thought leaders and activists."
Some of Horowitz's views are "radical" and "abhorrent" and do not represent Mast's views, campaign spokesman Brad Stewart told TCPalm.
"Just like every person he talks to doesn't agree with his positions, he absolutely doesn't agree with every statement ever made by the people he talks to," Stewart said in an email, calling the revelation about Mast's conference appearance a political "hit job."
The information was first posted by American Ledger, a news website operated by Democratic PAC American Bridge.
Mast is running for re-election against Democrat Lauren Baer. Nonpartisan political analysts — Cook Political Report, Sabato's Crystal Ball and Inside Elections — predict Mast will win, but faces a tough battle.
Horowitz, a conservative political figure who has shared controversial views on race and religion, has said the "only serious race war" was against whites.
His foundation funds the "Jihad Watch" website that regularly criticizes Muslims.
He also recently called Rutgers University professor a "self-loathing Jew" because she opposes Israel's occupation of the West Bank and Gaza.
Mast's fellow speakers at the conference included President Donald Trump's former strategist Steve Bannon and Sebastian Gorka, a former Trump foreign policy adviser who vocally defended Trump's travel ban targeting predominantly Muslim countries.
Also among the speakers was Clint Romesha, who in 2013 received the Medal of Honor from President Barack Obama for his Army service in Afghanistan, Stewart noted.
Last month, after CNN reported on Mast's online radio show appearance with two hosts who regularly make anti-Muslim comments, Stewart said Mast talks to all media.
Mast "talks to many reporters about the issues that are most important to his constituents like clean water, support for veterans and community safety — just as he did in this interview," Stewart reportedly told CNN.


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Ostorhinchus leslie és una espècie de peix pertanyent a la família dels apogònids.

Descripció
 Pot arribar a fer 4,9 cm de llargària màxima.
 8 espines i 9 radis tous a l'aleta dorsal i 2 espines i 8 radis tous a l'anal.
 14 radis a l'aleta pectoral.
 24 escates a la línia lateral.

Hàbitat
És un peix marí, associat als esculls i de clima tropical que viu fins als 12 m de fondària.

Distribució geogràfica
Es troba al Pacífic central: Vanuatu i la Samoa Nord-americana.

Observacions
És inofensiu per als humans.

Referències

Enllaços externs
 BioLib
 Catalogue of Life
 AQUATAB

Apogònids

redpajama_set_name: RedPajamaWikipedia


Julia Condon is an artist whose still lives and portraits have been collected and exhibited around the world for the last 25 years.
Julia spent her early childhood in India, surrounded by color and decorative art, and she was educated in England. She attended Chelsea and Central School of Art (now Central St. Martin's) where she received her BA in Fine Arts, after which she moved to New York. Working as an artist's assistant and making money as a young portraitist, Julia honed her experience with technique and slowly accumulated a large body of work consisting of still lives and portraits.
The inspiration for Julia's early work came primarily from Renaissance painters such as Titian and Da Vinci. Her careful studies of their techniques enabled her to recreate a long-neglected method of glazing which enable her oil paintings to retain pronounced depth of color and definition. There can be as many as eighty layers of glazes on a single painting, each requiring at a day to dry before the next.
By 1985 her intense interest and study of metaphysics unexpectedly expanded her paintings into a more abstract but no less intensely felt format. Using subtle layers of color and form, she created a rich, sensate manifestation of her exploration and work with energy and light. Colours and shapes are woven and re-woven until they hold an idea such as fluidity or shadow. As was true of Tibetan mandalas, these paintings are a modern invitation for the viewer to open to different conscious states and realities.
Simultaneously, the artist reached into three dimensional expression with large, web-like mobiles of blown glass and crystals. Their floating patterns are used to represent the shifting mirrors of creation, both within and beyond.
The integrity of her painting process permits her work to translate very successfully into fine arts prints.
After eighteen years in the US, Julia moved back to Europe and broadened her subject matter to include Mandalas, which are essentially geometric expressions of energy in color. Hugely popular, her Mandalas are held in high regard for their beauty as well as their healing properties.
To make her work more accessible, Julia decided to translate some of it into prints. Julia has created a line of affordable, high quality art. A successful Kickstarter campaign enabled her to buy a state-of-the-art printer so that she can supervise quality of reproduction on each and every print made.


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Home » Keywords » renovation project
Items Tagged with 'renovation project'
Quartz and Natural Stone used to revamp a Joseph Eichler house
Jennifer Richinelli
Perched high on a hillside in Carmel, CA, with stunning views of the ocean is a house that was originally built by renowned architect Joseph Eichler, who was recognized in the 1950s and 60s for his clean, open, mid-century modern designs.
Stone Column: Communication and success go hand in hand
During the many years that I have been with Stone World I have sat in on more fabricator forums, workshops and other industry events where ideas and experiences are discussed than I can count.
Reviving the stonework of a Philadelphia landmark
The Carrara marble in the members' shower area of the historic Racquet Club of Philadelphia was repaired and replaced to bring back its original grandeur
Once a lavish Turkish bath, the members' shower area at the historic Racquet Club of Philadelphia had lost its luster. The building itself, which was designed by Horace Trumbauer and constructed in 1906, sits in Center City and is well known for its multiple levels of activity areas.
Vermont slate meets historic and environmental requirements
Jason Kamery
Originally built as Fort Saint Anthony in the 1820s, Fort Snelling is spread across 300 acres in St. Paul, MN, and is strategically situated at the confluence of the Minnesota and Mississippi rivers. Today, the Minnesota Historical Society runs the fort, which is located atop a bluff along the Mississippi River.
Restoring the stonework at Our Lady of Lourdes
An act of goodwill leads to an update of other stone elements in Our Lady of Lourdes Cathedral in Spokane, WA
Joey Marcella
A vandal singled out a 100-year-old Italian bas-relief carving of the Last Supper, making the historic work of marble his personal piñata. After shaking my head, and wondering just what is wrong with people, I told my wife, "I should go down there and see if I can help fix the damage."
Restoring the marble base of a historic sculpture
Matt LoGiudice of Dynamic Stone Care stepped up to the challenge to clean and repair a Calacatta marble base of a historic sculpture that had been damaged from enduring years of South Florida's weather conditions
A 1964 historic building in South Florida that currently houses a condominium complex was designed by Edward Durell Stone and restored by his son, Hicks Stone Son, in the late 1990s. But while the exterior of the building was revived, the Italian marble base of a sculpture that sits outdoors was in need of repair.
Natural stone contributes to Better Sorts Social Club's chic design
The new swanky cocktail lounge at the Kimpton Nine Zero Hotel in Boston, MA, exudes sophistication with a Nero Marquina marble bar top complemented by other luxurious materials and furnishings
Located on Tremont Street in the historic city of Boston, MA, the Highball Lounge at the Kimpton Nine Zero Hotel transitioned to the Better Sorts Social Club. The renovation is credited to Punch Architecture, Las Vegas-based design and architecture firm.
Addressing Challenges to the Watergate Hotel
Architects BBGM and Ron Arad had to focus on two main challenges for the multi-million dollar renovation to the Watergate Hotel
After being closed for nearly a decade, the Watergate Hotel reopened its doors after completing a 200 million dollar renovation. The hotel is best known for its famous political scandal that eventually led to the resignation of President Richard Nixon.
Updating a Classic: Quartz Surfacing Used in Hoboken Renovation
A combination of Caesarstone, tin metal ceiling tiles and Neolith were the chosen materials to create a neutral redesign in the kitchen of a 125-year-old New Jersey home
Heather Fiore
Hoboken is one of the most thriving cities in New Jersey. Located on the Hudson Waterfront, with trendy restaurants on every corner and nightlife comparable to that of its New York City counterpart, the developing city has a lot to offer its residents.
Neuse Tile working on tight deadline for UNC's Dean Smith Center
Since the last updates to the locker rooms were 15 years ago, the team decided it was time for an upgrade that matched their reputation as a breeding ground for many of the sport's top athletes.
More Articles Tagged with 'renovation project'
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In this issue of Stone World Magazine, read about the latest product innovations in the stone fabricating industry, hear about digital solutions in stone fabricating, read a renovation case study, and much more!
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You are here: Home > Warships > Forces of Valor
Find by Brand Waltersons (16)
Forces of Valor Aircraft Carrier Series (1:700 Scale) Forces of Valor Battleship and Cruiser Series (1:700 Scale)
Forces of Valor Destroyer and Frigate Series (1:700 Scale) Forces of Valor PT-Boats and Littorals Series (1:700 Scale)
Forces of Valor WWII Era Warships (1:1000 Scale) Forces of Valor Extreme Metal Warships
Forces of Valor Warships
Created with the military enthusiast in mind, the Forces of Valor range presents stunning replicas of legendary military vehicles and the soldiers that operated them. Authentically designed, Forces of Valor replicas bring battle-hardened machines to life in amazing detail. Precision engineering in die-cast and plastic with working treads, rotating turrets, elevating weapons, opening hatches and removable accessories make FOV real.
#FOV861010A - People's Liberation Army Navy Surface Force Liaoning Class Nuclear-Powered Aircraft Carrier - Liaoning (CV-16), Hong Kong Visit, 2017 (1:700 Scale)
Note: Legacy products once offered by Unimax, the original owners of the brand, are denoted with a UNI prefix in their SKU. Newer items produced by Waltersons, the new owners of the Forces of Valor brand, are denoted with a FOV prefix in their SKU.
-- Updated June 13th, 2019 --
One of the nice things about our new site is that it now allows us to highlight some of the more noteworthy items being released by each manufacturer. In the case of Forces of Valor, what follows is a list of some of the more intriguing products that have just arrived which we feel would be of interest to the savvy collector.
Royal Navy Admiral Class Battlecruiser - HMS Hood (51), Battle of the Denmark Strait, May 1941 (1:700 Scale)
US Navy Pennsylvania Class Battleship - USS Arizona (BB-39), Pearl Harbor, Hawaii, 1941 (1:700 Scale)
Japanese aircraft appeared in the skies over Pearl Harbor just before 8:00 am on Sunday morning, December 7th, 1941. The color detail was on deck in anticipation of raising the flag at the stern at 8:00. The Arizona came under attack almost immediately, and at 10 minutes after the hour received a hit by a 800-kilogram bomb just forward of turret two on the starboard side.
Royal Navy Ark Royal Class Aircraft Carrier - HMS Ark Royal (91), Battle of the Atlantic, 1941 (1:700 Scale)
HMS Ark Royal (pennant number 91) was an aircraft carrier of the Royal Navy that served during the Second World War. Designed in 1934 to fit the restrictions of the Washington Naval Treaty, Ark Royal was built by Cammell Laird and Company, Ltd. at Birkenhead, England, and completed in November 1938.
German Kriegsmarine Bismarck Class Battleship - DKM Bismarck, Operation Rheinubung, Gotenhafen, Poland, May 1941 (1:700 Scale)
The German battleship Bismarck is one of the most famous warships of the Second World War. The lead ship of her class, she was named after the 19th-century German chancellor Otto von Bismarck. Bismarck's fame came from the Battle of the Denmark Strait in May 1941 (in which the battlecruiser HMS Hood, flagship and pride of the Royal Navy, was sunk), from Churchill's subsequent order to "Sink the Bismarck", and from the relentless pursuit by the Royal Navy that ended with her loss only three days later.
US Navy Iowa Class Battleship - USS Missouri (BB-63), Signing of the Japanese Surrender, Tokyo Bay, 1945 (1:700 Scale)
USS Missouri (BB-63) ("Mighty Mo" or "Big Mo") is a United States Navy Iowa-class battleship, and was the fourth ship of the U.S. Navy to be named in honor of the U.S. state of Missouri. Missouri was the last battleship built by the United States, and was the site of the surrender of the Empire of Japan which ended World War II.
Imperial Japanese Navy Yamato Class Super Battleship - Yamato, Operation Ten-Go, Okinawa, 1945 (1:700 Scale)
The Yamato class battleships were battleships of the Imperial Japanese Navy (IJN) constructed and operated during World War II. Displacing 72,000 long tons (73,000 t) at full-load, the vessels of the class were the largest, heaviest, and most heavily-armed battleships ever constructed. The class carried the largest naval artillery ever fitted to a warship, nine 460-millimetre (18.1 in) naval guns, each capable of firing 2,998-pound (1,360 kg) shells over 26 miles (42 km).
German Kriegsmarine Bismarck Class Battleship - DKM Tirpitz, Norwegian Fjords, 1944 (1:700 Scale)
Tirpitz was the second Bismarck class battleship of the German Kriegsmarine, sister ship of Bismarck, named after Admiral Alfred von Tirpitz. She was the largest battleship ever built in Europe, with dimensions slightly exceeding those of her sister ship. In contrast to Bismarck's short but active career in the Atlantic, Tirpitz spent most of World War II in various bases in German-occupied Norway, where her mere presence was a threat to the Allies, tying up significant naval forces.
French Navy Charles de Gaulle Class Nuclear-Powered Aircraft Carrier - Charles de Gaulle (R91) (1:700 Scale)
Charles de Gaulle is the flagship of the French Navy (Marine Nationale) and the largest western European warship currently in commission. She is the tenth French aircraft carrier, the first French nuclear-powered surface vessel, and the only nuclear-powered carrier completed outside of the United States Navy. She is named after French statesman and general Charles de Gaulle.
Our Price: $99.99 Pre-order! Ship Date: 2020
You'll earn: 100 points
US Navy Kitty Hawk Class Aircraft Carrier - USS Kitty Hawk (CV-63) (1:700 Scale)
The supercarrier USS Kitty Hawk (CV-63), formerly CVA-63, is the second naval ship named after Kitty Hawk, North Carolina, the site of the Wright brothers' first powered airplane flight. Kitty Hawk was both the first and last active ship of her class, and the last oil-fired aircraft carrier in service with the United States Navy.
Royal Navy Invincible Class Aircraft Carrier - HMS Invincible (R05), Falkland Islands, 1982 (1:700 Scale)
HMS Invincible was the Royal Navy's lead ship of the three light aircraft carriers in her class. She was launched on May 3rd, 1977, as the seventh ship to carry the name. She saw action in the Falklands War when she was deployed with HMS Hermes and took over as flagship of the British fleet when Hermes was sold to India. Invincible was also deployed in the Yugoslav Wars and the Second Gulf War (Iraq War).
People's Liberation Army Navy Surface Force Liaoning Class Nuclear-Powered Aircraft Carrier - Liaoning (CV-16), Hong Kong Visit, 2017 (1:700 Scale)
The Liaoning (16), is the first aircraft carrier commissioned into the People's Liberation Army Navy Surface Force. It is classified as a training ship, intended to allow the Navy to practice with carrier usage.
US Navy Enterprise Class Nuclear-Powered Aircraft Carrier - USS Enterprise (CVN-65), Mediterranean Sea, 2001 (1:700 Scale)
USS Enterprise (CVN-65), formerly CVA(N)-65, is a retired US Navy aircraft carrier. She was the world's first nuclear-powered aircraft carrier and the eighth United States naval vessel to bear the name.
Our Price: $99.99 Back Order!
Russian Navy Kuznetsov Class Aircraft Carrier - Admiral Kuznetsov (1:700 Scale)
Admiral Flota Sovetskogo Soyuza Kuznetsov ("Admiral of the Fleet of the Soviet Union Kuznetsov") is an aircraft carrier (heavy aircraft-carrying missile cruiser, or TAVKR, in Russian classification) serving as the flagship of the Russian Navy.
Royal Navy Invincible Class Aircraft Carrier - HMS Illustrious (R06), Operation Ocean Wave, 1997 (1:700 Scale)
HMS Illustrious was a light aircraft carrier of the Royal Navy and the second of three Invincible-class ships constructed in the late 1970s and early 1980s. She was the fifth warship and second aircraft carrier to bear the name Illustrious, and was affectionately known to her crew as "Lusty".
US Navy Yorktown Class Aircraft Carrier - USS Hornet (CV-8), Doolittle Raid, April 1942 (1:700 Scale)
The seventh Hornet (CV-8) launched 16 Army B-25s to strike the Japanese home islands in one of the most daring raids in the history of warfare -- the "Doolittle Raid." She went on to fight at the Battle of Midway and was subsequently lost to an overwhelming air attack at the Battle of Santa Cruz in late 1942.
People's Liberation Army Navy Surface Force Liaoning Class Nuclear-Powered Aircraft Carrier - Liaoning (CV-16), South China Sea, December 2016 (1:700 Scale)


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Deze lijst bevat de afleveringen van de Colombiaanse jeugdtelevisieserie Chica Vampiro.

De Nederlands gesproken versie van de serie is sinds 1 september 2014 te zien op Nickelodeon in Nederland en België. Per keer wordt steeds een halve aflevering uitgezonden (met uitzondering van de eerste aflevering, die in zijn geheel werd uitgezonden).

Overzicht

Afleveringen

Seizoen 1

Chica Vampiro


We've provided several CLI commands to help with debugging and exploring Puppet Server. Most of the commands are the same ones you would use in a Ruby environment — such as gem, ruby, and irb — except they run against Puppet Server's JRuby installation and gems instead of your system Ruby.
Note that if you are running from source, you need to separate flag arguments (such as --version or -e) with --, as shown above. Otherwise, those arguments will be applied to Leiningen instead of to Puppet Server. This isn't necessary when running from packages (i.e., puppetserver <subcommand>).
Installs and manages gems that are isolated from system Ruby and are accessible only to Puppet Server. This is a simple wrapper around the standard Ruby gem, so all of the usual arguments and flags should work as expected.
If needed, you also can use the JAVA_ARGS_CLI environment variable to pass along custom arguments to the Java process that the gem command is run within.
For more information, see Puppet Server and Gems.
Runs code in Puppet Server's JRuby interpreter. This is a simple wrapper around the standard Ruby ruby, so all of the usual arguments and flags should work as expected.
Useful when experimenting with gems installed via puppetserver gem and the Puppet and Puppet Server Ruby source code.
$ puppetserver ruby -e "require 'puppet'; puts Puppet[:certname]"
$ lein ruby -c /path/to/puppetserver.conf -- -e "require 'puppet'; puts Puppet[:certname]"
If needed, you also can use the JAVA_ARGS_CLI environment variable to pass along custom arguments to the Java process that the ruby command is run within.
$ JAVA_ARGS_CLI=-Xmx8g puppetserver ruby -e "require 'puppet'; puts Puppet[:certname]"
Starts an interactive REPL for the JRuby that Puppet Server uses. This is a simple wrapper around the standard Ruby irb, so all of the usual arguments and flags should work as expected.
Like the ruby subcommand, this is useful for experimenting in an interactive environment with any installed gems (via puppetserver gem) and the Puppet and Puppet Server Ruby source code.
If needed, you also can use the JAVA_ARGS_CLI environment variable to pass along custom arguments to the Java process that the irb command is run within.
Starts the Puppet Server, but doesn't background it; similar to starting the service and then tailing the log.
Accepts an optional --debug argument to raise the logging level to DEBUG.
2014-10-25 18:04:26,101 INFO  [main] [p.t.s.w.jetty9-service] Initializing web server(s).


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Electrical and Computer Engineering Department
Edmonton, AB Canada T6G 2V4
Office: W2-106 ECERF
Email: vzhao [AT] ece [DOT] ualberta [DOT] ca
Ph. D, 2004, University of Maryland, College Park
M.S. and B.S., 1993 - 1999, Tsinghua University, Beijing, P. R. China
My research interests
Media-sharing Social Networks
Information Forensics and Security
Digital Signal Processing and Communications
Our book "Behavior Dynamics in Media-Sharing Social Networks" (co-authored with Dr. W. Sabrina Lin and Prof. K. J. Ray Liu) is published by Cambridge University Press. It reviews the fundamental methodologies to model and analyze human behavior, and shows how an understanding of human behavior can improve system performance.
IEEE Signal Processing Magazine Special Issue on "Signal and Information Processing for Social Learning and Networking".
Lead guest editor: K. J. Ray Liu (Univ. of Maryland),
Guest editors: Herve Bourlard (Idiap Research Institute/EPFL), Vikram Krishnamurthy (Univ. of British Columbia), Yan Lindsay Sun (Univ. of Rhode Island), and H. Vicky Zhao
Prof. Yan Lindsay Sun at University of Rhode Island and I recently gave a tutorial on "Multimedia Social Networks: Behavior Dynamics, Security, and Beyond" at IEEE International Conference on Acoustics, Speech and Signal Processing (ICASSP 2010) in Dallas. More...
I was selected to receive the IEEE Signal Processing Society 2008 Young Author Best Paper Award. The paper, co-authored with Prof. K. J. Ray Liu at Univ. of Maryland, is entitled "Behavior Forensics for Scalable Multiuser Collusion: Fairness vs Effectiveness" and appeared in the September 2006 issue of IEEE Transactions on Information Forensics and Security. The award was presented at a ceremony at the IEEE Int. Conf. on Acoustics, Speech, and Signal Processing (ICASSP) 2009. More (UMD news) (UofA news)
Our book "Multimedia Fingerprinting Forensics for Traitor Tracing" (co-authored with Prof. K. J. Ray Liu, Prof. Wade Trappe, Prof. Z. Jane Wang, Prof. Min Wu) addresses both fundamental and practical issues in multimedia forensics for proactive protection of multimedia intellectual property rights.
Articles about my research on multimedia security and forensics
"Chasing the Pirate", University of Alberta Engineer Alumni Magazine, Winter 2007
"Funding will help track pirates", University of Alberta Folio, June 8, 2007, University of Alberta Express News, June 1 and June 2, 2007
EE 231 Numerical Analysis for Electrical and Computer Engineers
EE 338 Discrete-Time Signals and Systems
EE 442 Introduction to Multimedia Signal Processing
ECE 740 Digital Image and Video Processing
This page was last updated on 06/28/11.


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Mr. Robot | Season 2 Episode 5 Recap
Hello, friend! Welcome to the Mr. Robot podcast on Post Show Recaps. Every week, Josh Wigler (@roundhoward) and Antonio Mazzaro (@acmazzaro) discuss the latest episode of Mr. Robot, covering each and every hour of the USA Network drama's second season.
This week, Josh and Antonio detonate a Logic Bomb and sift through the wreckage surrounding Elliot Alderson, Dom DiPierro, Angela and Darlene, among others. Despite being the shortest episode of the season yet, it's one of the most jam-packed, with massive reveals about Ray's secret business, White Rose's public persona, Joanna Wellick's willingness to hit the kill switch, and further teases about Tyrell's current whereabouts. Plus, Josh and Antonio pour one out for DDP's BFF.
Subscribe to the Mr. Robot podcast by clicking here, and leave questions and comments for Josh and Antonio on Twitter, in the comments section below, through our feedback form, or by e-mailing us.
Read Josh's THR Coverage of Mr. Robot
Josh Wigler is an entertainment journalist who covers Survivor, Game of Thrones, The Walking Dead and other popular TV shows for The Hollywood Reporter. He's the co-author of The Evolution of Strategy, creator of First One Out, host of Post Show Recaps and The Wiggle Room, and occasional Wanda Shirk impersonator. He once interviewed Kermit the Frog about The Avengers and The Hunger Games, and hung out with Daryl Dixon and Ted the teddy bear during New Year's... so, you know, he's kind of a big deal. Follow Josh on Twitter @roundhoward.
Antonio Mazzaro
Antonio Mazzaro is a Kentuckian, Lawyer, and Radio/TV/Film graduate of Northern Kentucky University--but he would love it if you didn't hold any of those things against him. Antonio's covered shows including Breaking Bad for Post Show Recaps, and Jack Benny, My Morning Jacket, and the Cincinnati Bearcats are a few of his favorite things. The TV character he would most like to emulate is his hero, Mr. Rogers. Follow Antonio on Twitter: @acmazzaro.
Mr. Robot See all podcasts


Home > News > News > On Stage Now!
Our all-new Original Show Broadway: Now & Forever has officially raised the curtain! Our amazing Designers, Builders, Cast, Orchestra and Crew have worked super hard to present the greatest songs from the greatest musicals, in concert format.
Andrea McCormick, AMT's Artistic Director, wrote, directed and choreographed a magical Broadway experience with over 40 songs that tribute the Great White Way, including memorable songs from blockbuster Broadway hits like Wicked, Jersey Boys, West Side Story, Chicago, Les Miserables and more.
The show boasts a large cast of 23 exceptionally talented Singers, Dancers, and Musicians, and also a youth cast of 23 area youngsters, about a dozen of whom will perform in each show.
Broadway: Now & Forever is on stage now through October 12 with afternoon and evening performances available. Call the box office at 800-648-4102 or click here for tickets.


I have had the privilege to be published in several online and print publications. Following is an index of my work.
A regional magazine in the Peace Country of Alberta, Canada, articles focus on promoting community spirit by featuring local public figures, attractions, events, businesses, and business owners.
Please write to me through my contact form.


Emerging technologies such as artificial intelligence, robotics, virtual reality, augmented reality and cloud computing, will transform our lives and how we work over the next decade; and by 2030 every organisation will be a technology organisation. As such businesses need to start thinking today about how to future-proof their infrastructure and workforce, according to a report published by Dell Technologies. The research, led by the Institute for the Future (IFTF) alongside 20 technology, academic and business experts from across the globe also offers insight on how consumers and businesses can prepare for a society in flux. 'The Next Era of Human-Machine Partnerships' forecasts that emerging technologies, supported by massive advancements in software, big data and processing power, will reshape lives. The report predicts that an estimated 85 percent of jobs in 2030 haven't been invented yet. The pace of change will be so rapid that people will learn "in-the-moment" using new technologies such as augmented reality and virtual reality. The ability to gain new knowledge will be more valuable than the knowledge itself.
• In 2030 humans' reliance on technology will evolve into a true partnership with humans, bringing skills such as creativity, passion and an entrepreneurial mindset. This will align with the machines' ability to bring speed, automation and efficiencies, and the resulting productivity will allow for new opportunities within industries and roles.
• By 2030 personalised, integrated artificial intelligence (AI) assistants will go well beyond what assistants can do now. They'll take care of us in predictive and automated ways.
• Technology won't necessarily replace workers, but the process of finding work will change. Work will cease to be a place but a series of tasks. Machine learning technologies will make individuals' skills and competencies searchable, and organisations will pursue the best talent for discrete tasks.


The ease of access of internet based services has fuelled an explosive growth of human interaction in the digital world. A large part of our everyday lives is now spent online, for business, education, social contact or just entertainment.
In addition, a web of connected digital devices is emerging that operates independently of personal interaction. These devices - such as mobile phones, smart energy meters, traffic flow meters or point-of-sale scanners - are all continually producing data snapshots as part of their ongoing operation, making them all sources of potentially new and highly detailed datasets.
Much of this human and machine generated data - collectively referred to as 'big data' - is now accessible to national statistical agencies. It can be assembled and analysed to create a richer, more dynamic and better focused statistical picture of society, the economy and the environment.
When combined with traditional data sources - from surveys or existing administrative processes - these new big data sources enable new forms of statistical analysis with potential benefits when it comes to government service delivery and the development of well informed policy.
Government policy development and evaluation is increasingly hindered by the persistence of what have been called 'wicked problems'. These are social, economic or environmental issues that are difficult to define clearly - definitions may even change over time - and involve complex and often hidden interdependencies among many possible causes.
No one statistical dataset is likely to encompass all the information relevant to a particular wicked problem, and a better understanding may require a unique combination of sources - drawing from government and private sector data, from surveys, administrative collections and data created by digital devices - in order to more fully understand the problem.
In this context, the analysis of big data promises new insights into long standing policy problems, and may even provide the means to reduce the cost and improve the timeliness of mainstream statistical products.
The whole concept of big data is relatively new, and many of the statistical techniques required to make the best use of it are still being developed and tested by national statistical organisations and academia.
The ABS is already developing methodological and technological foundations for what it believes will be a new paradigm in official statistics, drawing heavily on recent advances in mathematical and computer sciences and underpinned by a number of significant advances in the representation, storage, transformation and integration of data.
There are a range of technical, legislative and privacy challenges to address. Not all government organisations may have appropriate legislation in place to enable the sharing of administrative datasets; private organisations may regard the data they hold as commercially sensitive and be unwilling to share it, and - most importantly - considerable methodological work may be required to create processes that maintain the confidentiality and privacy of individuals when a number of datasets are combined.
In order to demonstrate and validate its research into the possibilities of big data, the ABS has produced some prototype solutions that apply new methods and technologies to real business problems. These have been developed to meet the analytical and computational demands of big data.
The centrepiece is the Graphically Linked Information Discovery Environment (GLIDE) - an integrated platform for the linking and analysis of multiple datasets from diverse sources. The basis of the approach used in GLIDE is that statistical concepts and data are represented and stored in the form of an 'information network'. This structure can be drawn upon to retrieve and visualise both unit-level and aggregate data, and it allows users to explore a linked dataset from different analytical perspectives - including structural, relational, spatial, temporal and schematic.
Existing data about employers is mostly collected from ABS business surveys and is generally unconnected to data about employees, which are usually collected through ABS household surveys. The ability to identify the employer-employee relationship in a statistical dataset greatly enhances the type of analysis that can be conducted.
firm turnover at regional levels.
The ABS has developed GLIDE as a proof-of-concept implementation of the sorts of technical components needed to represent and work with multiple data sources. Following the development of a business strategy, the intention is to expand it further into a robust production system that can support the exploratory analysis of large, complex, interconnected datasets. In addition, the ABS is investigating the use of 'machine reasoning' methods to mine such data automatically for new insights, and natural language processing to extract information efficiently from the content of text documents.
The ABS has developed an initial 'information discovery environment' as a proof-of-concept implementation of the sorts of technical components needed to represent and work with multiple data sources.
This prototype information discovery environment helps to find, manipulate and visualise data drawn from a number of sources and the intention is to further develop it into a robust tool that can support a range of valid statistical analyses. The goal is to have a data framework that will enable analysis from a number of different perspectives – spatial, temporal, relational, structural or schematic – and in a form that can be adjusted and evolved as required.
looking at natural language processing as an aid to extracting information from datasets.
The ABS acknowledges the ongoing support and assistance of the Australian Taxation Office in the creation of the linked dataset employer-employee database.


Our tireless team of editors is running all over New York City in order to bring you the very best of what the Fall 2013 season has to offer, and we must say, we think they look pretty darn good while they're doing it. Photographer Kathryn Wirsing caught up with MC staffers outside of the shows, and you can check out her snaps of their stellar personal style right here.
Jessica Minkoff (left), Associate Market Editor: Helmut Lang jacket, Zara jeans, Balenciaga bag.
Rae Boxer (right), Senior Market Editor: Celine bag, Sandro jacket, Zara skirt, Topshop shoes, vintage sweater.
Katie Connor, Fashion Features Editor: 3.1 Phillip Lim boots, Gap coat, Topshop skirt.
Kyle Anderson, Accessories Director: Chanel bag, clothes by Juun J.
Zanna Roberts Rassi, Senior Fashion Editor: Stella McCartney and Burberry.
Bryn Poulos, Associate Accessories Market Editor: Herve Leger dress, Adrienne Landau coat.
Alyssa Vingan, Associate Web Editor: J. Crew Sweater, Zara coat, Frye boots, Reece Hudson clutch.
Zanna Roberts Rassi: Wearing Burberry and Reed Krakoff.
Alyssa Vingan: Kenzo top, rag & bone jacket, jeans, and shoes, Reece Hudson bag.
Brittany Kozerski, Fashion Assistant: Alexander McQueen coat, vintage jeans and boots, L.A.M.B. bag.
Elana Zajdman, Accessories Assistant: Sandro coat, Adrienne Landau fur, Theyskens' Theory pants, Givenchy bag.
Kyle Anderson: The Chanel hula hoop bag.
Zanna Roberts Rassi: Wearing Burberry.
Nina Garcia, Creative Director: Wearing Fendi and Givenchy.
Kate Schweitzer, Senior Web Editor: Helmut Lang pants, Samsoe + Samsoe jacket, Tom Ford sunglasses, Ecco shoes.
Kyle Anderson: Michael Kors coat, Fendi iPad case.


Most of our tenants have a Scottish Secure Tenancy. This type of tenancy is the same as other tenants living in council or housing association homes anywhere in Scotland.
Some tenants may have a Short Scottish Secure Tenancy. The main differences in the conditions of tenancy are that the Council can bring the tenancy to an end more easily, as a court will not question the reason for eviction.


Click to see nearby in La Mesa.
Jack in the Box is currently Open.
What do you like at Jack in the Box?
Founded in 1951, Jack in the Box Inc. is a restaurant company that operates and franchises Jack in the Box® restaurants and—through a wholly owned subsidiary—Qdoba Mexican Eats® restaurants.
Jack in the Box pioneered a number of firsts in the quick-serve industry, including menu items that are now staples on most fast-food menu boards, like the breakfast sandwich and portable salads. Today, Jack in the Box offers a selection of distinctive, innovative products targeted at the fast-food consumer, including hamburgers, specialty sandwiches, salads and real ice cream shakes. Hamburgers represent the core of the menu, including the signature Jumbo Jack®, Sourdough Jack®, Ultimate Cheeseburger and Buttery Jack™ burgers. And, because value is important to fast-food customers, the company's menu also features Jack's Deals, which includes value-priced products like tacos, chicken nuggets, a chicken sandwich and a Jr.. Bacon Cheeseburger.
In addition to offering high-quality products, Jack in the Box recognizes that an increasing number of quick-serve customers also want the ability to customize their meals. Whether that means forgoing the bun and sauce in favor of a low-carb burger, or substituting ingredients to create the exact mix of flavors to suit an individual's personal tastes, customers have that flexibility at Jack in the Box. "We don't make it 'til you order it®." So, regardless of the order, each meal is served hot and fresh to customers. We also serve our full menu, including breakfast, all day every day. So whether you want a Buttery Jack™ burger for breakfast or Breakfast Jack® sandwich for dinner, you can get what you want whenever you want it at Jack in the Box.
Qdoba Mexican Eats, which was acquired by Jack in the Box Inc. in January 2003, is a leader in fast-casual dining - with approximately 700 restaurants in 47 states as well as the District of Columbia and Canada. Qdoba is a Mexican kitchen where anyone can go to enjoy a fresh, handcrafted meal prepared right in front of them. Each Qdoba restaurant showcases food that celebrates a passion for ingredients, a menu full of innovative flavors, handcrafted preparation and inviting service. For more on Qdoba, including information on its menu and locations, please visit www.qdoba.com.
Based in San Diego, Jack in the Box Inc. has more than 20,000 employees.
Dot is Green if Jack in the Box is currently open and Red if currently closed.
HoursMap is not affiliated with Jack in the Box.


text:
var Transform = (function () {

    /**
     * Defines position, rotation and scale of an entity.
     *
     * @class Transform
     * @extends Component
     * @constructor
     */
    var Transform = Fire.extend('Fire.Transform', Component, function () {
        /**
         * @property _position;
         * @type {Vec2}
         * @default new Vec2(0, 0)
         * @private
         */
        this._position = new Vec2(0, 0);
        /**
         * @property _scale;
         * @type {Vec2}
         * @default new Vec2(1, 1)
         * @private
         */
        this._scale = new Vec2(1, 1);

        this._worldTransform = new Matrix23();

        /**
         * the cached reference to parent transform
         * @property _parent
         * @type {Transform}
         * @default null
         * @private
         */
        this._parent = null;

        //this._hierarchyChangedListeners = null;
    });

    Fire.executeInEditMode(Transform);

    Transform.prop('_position', null, Fire.HideInInspector);
    Transform.prop('_rotation', 0, Fire.HideInInspector);
    Transform.prop('_scale', null, Fire.HideInInspector);

    // properties

    var ERR_NaN = 'The %s must not be NaN';

    /**
     * The local position in its parent's coordinate system
     * @property position
     * @type {Vec2}
     * @default new Vec2(0, 0)
     */
    Transform.getset('position',
        function () {
            return new Vec2(this._position.x, this._position.y);
        },
        function (value) {
            var x = value.x;
            var y = value.y;
            if ( !isNaN(x) && !isNaN(y) ) {
                this._position.x = x;
                this._position.y = y;
            }
            else {
                Fire.error(ERR_NaN, 'xy of new position');
            }
        },
        Fire.Tooltip("The local position in its parent's coordinate system")
    );

    /**
     * The local x position in its parent's coordinate system
     * @property x
     * @type {number}
     * @default 0
     */
    Object.defineProperty(Transform.prototype, 'x', {
        get: function () {
            return this._position.x;
        },
        set: function (value) {
            if ( !isNaN(value) ) {
                this._position.x = value;
// @ifdef EDITOR
                // notify change
                this.position = this._position;
// @endif
            }
            else {
                Fire.error(ERR_NaN, 'new x');
            }
        }
    });

    /**
     * The local y position in its parent's coordinate system
     * @property y
     * @type {number}
     * @default 0
     */
    Object.defineProperty(Transform.prototype, 'y', {
        get: function () {
            return this._position.y;
        },
        set: function (value) {
            if ( !isNaN(value) ) {
                this._position.y = value;
// @ifdef EDITOR
                // notify change
                this.position = this._position;
// @endif
            }
            else {
                Fire.error(ERR_NaN, 'new y');
            }
        }
    });

    /**
     * The position of the transform in world space
     * @property worldPosition
     * @type {Vec2}
     * @default new Vec2(0, 0)
     */
    Object.defineProperty(Transform.prototype, 'worldPosition', {
        get: function () {
            var l2w = this.getLocalToWorldMatrix();
            return new Vec2(l2w.tx, l2w.ty);
        },
        set: function (value) {
            var x = value.x;
            var y = value.y;
            if ( !isNaN(x) && !isNaN(y) ) {
                if ( this._parent ) {
                    var w2l = this._parent.getWorldToLocalMatrix();
                    this.position = w2l.transformPoint(value);
                }
                else {
                    this.position = value;
                }
            }
            else {
                Fire.error(ERR_NaN, 'xy of new worldPosition');
            }
        }
    });

    /**
     * The x position of the transform in world space
     * @property worldX
     * @type {number}
     * @default 0
     */
    Object.defineProperty(Transform.prototype, 'worldX', {
        get: function () {
            return this.worldPosition.x;
        },
        set: function (value) {
            if ( !isNaN(value) ) {
                if ( this._parent ) {
                    var pl2w = this._parent.getLocalToWorldMatrix();
                    var l2w = this.getLocalMatrix().prepend(pl2w);
                    if (l2w.tx !== value) {
                        this._position.x = value;
                        this._position.y = l2w.ty;
                        pl2w.invert().transformPoint(this._position, this._position);
                    }
                }
                else {
                    this._position.x = value;
                }
// @ifdef EDITOR
                // notify change
                this.position = this._position;
// @endif
                //将来优化做好了以后,上面的代码可以简化成下面这些
                //var pos = this.worldPosition;
                //if (pos.x !== value) {
                //    pos.x = value;
                //    this.worldPosition = pos;
                //}
            }
            else {
                Fire.error(ERR_NaN, 'new worldX');
            }
        }
    });

    /**
     * The y position of the transform in world space
     * @property worldY
     * @type {number}
     * @default 0
     */
    Object.defineProperty(Transform.prototype, 'worldY', {
        get: function () {
            return this.worldPosition.y;
        },
        set: function (value) {
            if ( !isNaN(value) ) {
                if ( this._parent ) {
                    var pl2w = this._parent.getLocalToWorldMatrix();
                    var l2w = this.getLocalMatrix().prepend(pl2w);
                    if (l2w.ty !== value) {
                        this._position.x = l2w.tx;
                        this._position.y = value;
                        pl2w.invert().transformPoint(this._position, this._position);
                    }
                }
                else {
                    this._position.y = value;
                }
// @ifdef EDITOR
                // notify change
                this.position = this._position;
// @endif
            }
            else {
                Fire.error(ERR_NaN, 'new worldY');
            }
        }
    });

    /**
     * The counterclockwise degrees of rotation relative to the parent
     * @property rotation
     * @type {number}
     * @default 0
     */
    Transform.getset('rotation',
        function () {
            return this._rotation;
        },
        function (value) {
            if ( !isNaN(value) ) {
                this._rotation = value;
            }
            else {
                Fire.error(ERR_NaN, 'new rotation');
            }
        },
        Fire.Tooltip('The counterclockwise degrees of rotation relative to the parent')
    );

    /**
     * The counterclockwise degrees of rotation in world space
     * @property worldRotation
     * @type {number}
     * @default 0
     */
    Object.defineProperty(Transform.prototype, 'worldRotation', {
        get: function () {
            if ( this._parent ) {
                return this.rotation + this._parent.worldRotation;
            }
            else {
                return this.rotation;
            }
        },
        set: function (value) {
            if ( !isNaN(value) ) {
                if ( this._parent ) {
                    this.rotation = value - this._parent.worldRotation;
                }
                else {
                    this.rotation = value;
                }
            }
            else {
                Fire.error(ERR_NaN, 'new worldRotation');
            }
        }
    });

    /**
     * The local scale factor relative to the parent
     * @property scale
     * @type {Vec2}
     * @default new Vec2(1, 1)
     */
    Transform.getset('scale',
        function () {
            return new Vec2(this._scale.x, this._scale.y);
        },
        function (value) {
            var x = value.x;
            var y = value.y;
            if ( !isNaN(x) && !isNaN(y) ) {
                this._scale.x = x;
                this._scale.y = y;
            }
            else {
                Fire.error(ERR_NaN, 'xy of new scale');
            }
        },
        Fire.Tooltip('The local scale factor relative to the parent')
    );

    /**
     * The local x scale factor relative to the parent
     * @property scaleX
     * @type {number}
     * @default 1
     */
    Object.defineProperty(Transform.prototype, 'scaleX', {
        get: function () {
            return this._scale.x;
        },
        set: function (value) {
            if ( !isNaN(value) ) {
                this._scale.x = value;
// @ifdef EDITOR
                // notify change
                this.scale = this._scale;
// @endif
            }
            else {
                Fire.error(ERR_NaN, 'new scaleX');
            }
        }
    });

    /**
     * The local y scale factor relative to the parent
     * @property scaleY
     * @type {number}
     * @default 1
     */
    Object.defineProperty(Transform.prototype, 'scaleY', {
        get: function () {
            return this._scale.y;
        },
        set: function (value) {
            if ( !isNaN(value) ) {
                this._scale.y = value;
// @ifdef EDITOR
                // notify change
                this.scale = this._scale;
// @endif
            }
            else {
                Fire.error(ERR_NaN, 'new scaleY');
            }
        }
    });

    /**
     * The lossy scale of the transform in world space (Read Only)
     * @property worldScale
     * @type {Vec2}
     * @default new Vec2(1, 1)
     * @readOnly
     */
    Object.defineProperty(Transform.prototype, 'worldScale', {
        get: function () {
            var l2w = this.getLocalToWorldMatrix();
            return l2w.getScale();
        }
    });

    // override functions

    Transform.prototype.onLoad = function () {
        this._parent = this.entity._parent && this.entity._parent.transform;
    };

    Transform.prototype.destroy = function () {
        Fire.error("Not allowed to destroy the transform. Please destroy the entity instead.");
    };

    // other functions

    Transform.prototype._updateTransform = function (parentMatrix) {
        //var mat = this._worldTransform;

        //var px = this._pivot.x;
        //var py = this._pivot.y;

        //var radians = this._rotation * 0.017453292519943295;
        //var sin = this._rotation === 0 ? 0 : Math.sin(radians);
        //var cos = this._rotation === 0 ? 1 : Math.cos(radians);

        //// get local
        //mat.a = this._scale.x * cos;
        //mat.b = this._scale.x * sin;   // 这里如果是pixi,b和c是反过来的
        //mat.c = this._scale.y * - sin;
        //mat.d = this._scale.y * cos;
        //mat.tx = this._position.x;
        //mat.ty = this._position.y;

        //// parent
        //var pa = parentMatrix.a;
        //var pb = parentMatrix.b;
        //var pc = parentMatrix.c;
        //var pd = parentMatrix.d;

        //// local x parent
        //if (pa !== 1 || pb !== 0 || pc !== 0 || pd !== 1) {
        //    mat.a = mat.a * pa + mat.b * pc;
        //    mat.b = mat.a * pb + mat.b * pd;
        //    mat.c = mat.c * pa + mat.d * pc;
        //    mat.d = mat.c * pb + mat.d * pd;
        //    mat.tx = mat.tx * pa + mat.ty * pc + parentMatrix.tx;
        //    mat.ty = mat.tx * pb + mat.ty * pd + parentMatrix.ty;
        //}
        //else {
        //    mat.tx += parentMatrix.tx;
        //    mat.ty += parentMatrix.ty;
        //}

        var mat = this._worldTransform;
        this.getLocalMatrix(mat);
        mat.prepend(parentMatrix);

        //this._worldAlpha = this._alpha * this._parent._worldAlpha;

        // update children
        var children = this.entity._children;
        for (var i = 0, len = children.length; i < len; i++) {
            children[i].transform._updateTransform(mat);
        }
    };

    Transform.prototype._updateRootTransform = function () {
        var mat = this._worldTransform;
        this.getLocalMatrix(mat);
        //this._worldAlpha = this._alpha;

        // update children
        var children = this.entity._children;
        for (var i = 0, len = children.length; i < len; i++) {
            children[i].transform._updateTransform(mat);
        }
    };

    /**
     * Get the local matrix that transforms a point from local space into parents space.
     * @method getLocalMatrix
     * @param {Matrix23} [out] - optional, the receiving vector
     * @return {Matrix23}
     */
    Transform.prototype.getLocalMatrix = function (out) {
        out = out || new Matrix23();

        //var px = this._pivot.x;
        //var py = this._pivot.y;

        var radians = this._rotation * 0.017453292519943295;
        var sin = this._rotation === 0 ? 0 : Math.sin(radians);
        var cos = this._rotation === 0 ? 1 : Math.cos(radians);

        out.a = this._scale.x * cos;   // scaleMat.a * rotateMat.a(cos) 00
        // 这里如果是pixi,b和c是反过来的
        out.b = this._scale.x * sin;   // scaleMat.a * rotateMat.b(sin)
        out.c = this._scale.y * - sin; // scaleMat.d * rotateMat.c(-sin)
        //
        out.d = this._scale.y * cos;   // scaleMat.d * rotateMat.d(cos) 11
        out.tx = this._position.x;/* * ra + this._position.y * rc*/
        out.ty = this._position.y;/* * rb + this._position.y * rd*/
        //out.tx = this._position.x/* - out.a * px - py * out.b*/;    // 02
        //out.ty = this._position.y/* - out.d * py - px * out.c*/;    // 12

        //above should equivalent to:
        //  var t = new Matrix23();
        //  t.tx = this._position.x;
        //  t.ty = this._position.y;
        //  var r = new Matrix23();
        //  r.rotate(radians);
        //  var s = new Matrix23();
        //  s.setScale(this._scale);
        //  out.set(s.prepend(r).prepend(t));

        return out;
    };

    /**
     * Get the world transform matrix that transforms a point from local space into world space.
     * @method getLocalToWorldMatrix
     * @param {Matrix23} [out] - optional, the receiving vector
     * @return {Matrix23}
     */
    Transform.prototype.getLocalToWorldMatrix = function (out) {
        // todo, merge with this._worldTransform
        out = out || new Matrix23();
        this.getLocalMatrix(out);
        var t = new Fire.Matrix23();
        for (var p = this._parent; p !== null; p = p._parent) {
            out.prepend(p.getLocalMatrix(t));
        }
        return out;
    };

    /**
     * Get the inverse world transform matrix that transforms a point from world space into local space.
     * @method getWorldToLocalMatrix
     * @param {Matrix23} [out] - optional, the receiving vector
     * @return {Matrix23}
     */
    Transform.prototype.getWorldToLocalMatrix = function (out) {
        return this.getLocalToWorldMatrix(out).invert();
    };

    /**
     * Rotates this transform through point in world space by angle degrees.
     * @method rotateAround
     * @param {Vec2} point - the world point rotates through
     * @param {number} angle - degrees
     */
    Transform.prototype.rotateAround = function (point, angle) {
        var delta = this.worldPosition.subSelf(point);
        delta.rotateSelf(Math.deg2rad(angle));
        this.worldPosition = point.addSelf(delta);
        this.rotation = this._rotation + angle;
    };

    /**
     * Moves the transform in the direction and distance of translation. The movement is applied relative to the transform's local space.
     * @method translate
     * @param {Vec2} translation
     */
    Transform.prototype.translate = function (translation) {
        var rotated = translation.rotate(Math.deg2rad(this._rotation));
        this.position = this._position.add(rotated, rotated);
    };

    /**
     * up direction in world space, point to the y(green) axis
     * @property up
     * @type {Vec2}
     */
    Object.defineProperty(Transform.prototype, 'up', {
        get: function () {
            return (new Vec2(0.0, 1.0)).rotateSelf(Math.deg2rad(this.worldRotation));
        },
        set: function (value) {
            if (value.x === 0.0 && value.y === 0.0) {
                Fire.warn("Can't get rotation from zero vector");
                return;
            }
            var radians = Math.atan2(value.y, value.x) - Math.HALF_PI;
            this.worldRotation = Math.rad2deg(radians);
        }
    });

    /**
     * right direction in world space, point to the x(red) axis
     * @property right
     * @type {Vec2}
     */
    Object.defineProperty(Transform.prototype, 'right', {
        get: function () {
            return (new Vec2(1.0, 0.0)).rotateSelf(Math.deg2rad(this.worldRotation));
        },
        set: function (value) {
            if (value.x === 0.0 && value.y === 0.0) {
                Fire.warn("Can't get rotation from zero vector");
                return;
            }
            var radians = Math.atan2(value.y, value.x);
            this.worldRotation = Math.rad2deg(radians);
        }
    });

    ///**
    // * Subscribe the `onHierarchyChanged` event.
    // * When this transform or one of its parents' hierarchy changed, the `onHierarchyChanged`
    // * method will be invoked on supplied instance of Component. If you want to unsubscribe this event,
    // * you must destroy the Component.
    // * 这里不支持自定义回调,因为如果忘了反注册很容易就会内存泄漏。
    // *
    // * @method Fire.Transform#_addListener
    // * @param {Component} component - the component to be invoked.
    // * @private
    // */
    //Transform.prototype._addListener = function (component) {
    //    //if (component.entity === this.entity) {
    //        if (this._hierarchyChangedListeners) {
    //            this._hierarchyChangedListeners.push(component);
    //        }
    //        else {
    //            this._hierarchyChangedListeners = [component];
    //        }
    //    //}
    //    //else {
    //    //    Fire.error("Can not listen other entity's onHierarchyChanged event");
    //    //}
    //};

    //// 这里就算不调用,内存也不会泄露,因为component本身就会被destroy。
    //// 只不过调用了以后内存能清理的更及时。
    //Transform.prototype._removeListener = function (component) {
    //    if (this._hierarchyChangedListeners) {
    //        var idx = this._hierarchyChangedListeners.indexOf(component);
    //        this._hierarchyChangedListeners.splice(idx, 1);
    //    }
    //};

    //Transform.prototype._onHierarchyChanged = function (transform, oldParent) {
    //    // notify self listener
    //    if (this._hierarchyChangedListeners) {
    //        for (var i = this._hierarchyChangedListeners.length - 1; i >= 0; --i) {
    //            var target = this._hierarchyChangedListeners[i];
    //            if (target.isValid) {
    //                if (target.onHierarchyChanged(transform, oldParent)) {
    //                    // 目前只有一种component会终止事件,如果有多种,这里需要做分类
    //                    return;
    //                }
    //            }
    //            else {
    //                this._hierarchyChangedListeners.splice(i, 1);
    //            }
    //        }
    //    }
    //    // notify children
    //    for (var c = 0, len = this._children.length; c < len; c++) {
    //        this._children[c]._onHierarchyChanged(transform, oldParent);
    //    }
    //};

    return Transform;
})();

Fire.Transform = Transform;

redpajama_set_name: RedPajamaGithub


Daniel Salgado is an associate in the firm's Intellectual Property practice group. Clients benefit from his experience in engineering and medical research, as well as litigation and contracts. Prior to joining the firm, Daniel was a judicial extern for the Hon. Judge Jimmie V. Reyna, U.S. Court of Appeals for the Federal Circuit in Washington, D.C., and completed clerkships and internships in Arizona and New York. Before entering law, he was a math instructor for Teach for America, and a research intern at the Translational Genomics Research Institute.


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Home > List of families > Passifloraceae > Adenia > panduriformis
Adenia panduriformis Engl.
Selected images: Click on each image to see a larger version and details of the record View all images (6)
Umvumvumvu River gorge
Woody climber up to 10 m. Stems more or less terete, fibrous; tendrils axillary and on the inflorescences, up to 20 cm long. Leaves unlobed or 3-7-lobed, up to 13 × 12 cm, usually more or less deeply cordate; margin entire. Petiole 0.5-6 cm long with 2 glands at the base of the lamina. Flowers in axillary clusters, unisexual. Male clusters up to 10-flowered; female clusters 1-5-flowered, greenish-yellow. Capsule subspherical, up to 4 × 5 cm, 3-ribbed, greenish to yellow, blackish when dry.
Derivation of specific name:
Habitat: Occurring in dry open forest and thickets
Altitude range: (metres)
Flowering time:
Worldwide distribution: Tanzania, Mozambique, Zambia, Zimbabwe
Zimbabwe distribution: N,E,S
Images last updated: Friday 9 March 2018
Drummond, R.B. (1975). A list of trees, shrubs and woody climbers indigenous or naturalised in Rhodesia. Kirkia 10(1) Page 262.
Fernandes, R. & A. (1978). Passifloraceae Flora Zambesiaca 4 Pages 393 - 394. (Includes a picture).
Fernandes, R. & A. (1980). 79. Passiforaceae Flora de Moçambique Junta de Investigaçoes de Ultramar, Centro de Botanica Pages 20 - 22. (Includes a picture).
Other sources of information about Adenia panduriformis:
Flora of Mozambique: Adenia panduriformis
Flora of Zambia: Adenia panduriformis
African Plants: A Photo Guide (Senckenberg): Adenia panduriformis
African Plant Database: Adenia panduriformis
Biodiversity Explorer (Biodiversity of southern Africa): Adenia panduriformis
BHL (Biodiversity Heritage Library): Adenia panduriformis
EOL (Encyclopedia of Life): Adenia panduriformis
ePIC (electronic Plant Information Center): Adenia panduriformis
Flora Zambesiaca web site: Adenia panduriformis
GBIF (Global Biodiversity Information Facility): Adenia panduriformis
GRIN (Germplasm Resources Information Network): Adenia panduriformis
IPNI (International Plant Names Index): Adenia panduriformis
Ispot Southern Africa: Adenia panduriformis
JSTOR Plant Science: Adenia panduriformis
Kew Herbarium catalogue: Adenia panduriformis
Mansfeld World Database of Agricultural and Horticultural Crops: Adenia panduriformis
The Plant List (version 1.1): Adenia panduriformis
Tropicos: Adenia panduriformis
Hyde, M.A., Wursten, B.T., Ballings, P. & Coates Palgrave, M. (2019). Flora of Zimbabwe: Species information: Adenia panduriformis.
https://www.zimbabweflora.co.zw/speciesdata/species.php?species_id=141090, retrieved 16 July 2019
Site software last modified: 26 March 2018 2:01pm (GMT +2)