text:
/*
 * Reference implementation of Buttons component.
 *
 * Buttons sends to SDLCore press and hold events of soft buttons, presets and
 * some hard keys.
 */

FFW.Buttons = FFW.RPCObserver.create( {

    /*
     * access to basic RPC functionality
     */
    client: FFW.RPCClient.create( {
        componentName: "Buttons"
    }),

    /**
     * Contains response codes for request that should be processed but there were some kind of errors
     * Error codes will be injected into response.
     */
    errorResponsePull: {},

    /*
     * connect to RPC bus
     */
    connect: function() {

        this.client.connect(this, 200); // Magic number is unique identifier for
        // component
    },

    /*
     * disconnect from RPC bus
     */
    disconnect: function() {

        this.onRPCUnregistered();
        this.client.disconnect();
    },

    /*
     * Client is registered - we can send request starting from this point of
     * time
     */
    onRPCRegistered: function() {

        Em.Logger.log("FFW.Buttons.onRPCRegistered");
        this._super();
    },

    /*
     * Client is unregistered - no more requests
     */
    onRPCUnregistered: function() {

        Em.Logger.log("FFW.Buttons.onRPCUnregistered");
        this._super();
    },

    /*
     * Client disconnected.
     */
    onRPCDisconnected: function() {

    },

    /*
     * when result is received from RPC component this function is called It is
     * the propriate place to check results of reuqest execution Please use
     * previously store reuqestID to determine to which request repsonse belongs
     * to
     */
    onRPCResult: function(response) {

        Em.Logger.log("FFW.Buttons.onRPCResult");
        this._super();
    },

    /*
     * handle RPC erros here
     */
    onRPCError: function(error) {

        Em.Logger.log("FFW.Buttons.onRPCError");
        this._super();
    },

    /*
     * handle RPC notifications here
     */
    onRPCNotification: function(notification) {

        Em.Logger.log("FFW.Buttons.onRPCNotification");
        this._super();
    },

    /*
     * handle RPC requests here
     */
    onRPCRequest: function(request) {

        Em.Logger.log("FFW.Buttons.onRPCRequest");
        this._super();

        if (request.method == "Buttons.GetCapabilities") {

            // send repsonse
            var JSONMessage = {
                "jsonrpc": "2.0",
                "id": request.id,
                "result": {
                    "capabilities": [
                        {
                            "name": "PRESET_0",
                            "shortPressAvailable": true,
                            "longPressAvailable": true,
                            "upDownAvailable": true
                        }, {
                            "name": "PRESET_1",
                            "shortPressAvailable": true,
                            "longPressAvailable": true,
                            "upDownAvailable": true
                        }, {
                            "name": "PRESET_2",
                            "shortPressAvailable": true,
                            "longPressAvailable": true,
                            "upDownAvailable": true
                        }, {
                            "name": "PRESET_3",
                            "shortPressAvailable": true,
                            "longPressAvailable": true,
                            "upDownAvailable": true
                        }, {
                            "name": "PRESET_4",
                            "shortPressAvailable": true,
                            "longPressAvailable": true,
                            "upDownAvailable": true
                        }, {
                            "name": "PRESET_5",
                            "shortPressAvailable": true,
                            "longPressAvailable": true,
                            "upDownAvailable": true
                        }, {
                            "name": "PRESET_6",
                            "shortPressAvailable": true,
                            "longPressAvailable": true,
                            "upDownAvailable": true
                        }, {
                            "name": "PRESET_7",
                            "shortPressAvailable": true,
                            "longPressAvailable": true,
                            "upDownAvailable": true
                        }, {
                            "name": "PRESET_8",
                            "shortPressAvailable": true,
                            "longPressAvailable": true,
                            "upDownAvailable": true
                        }, {
                            "name": "PRESET_9",
                            "shortPressAvailable": true,
                            "longPressAvailable": true,
                            "upDownAvailable": true
                        }, {
                            "name": "OK",
                            "shortPressAvailable": true,
                            "longPressAvailable": true,
                            "upDownAvailable": true
                        }, {
                            "name": "SEEKLEFT",
                            "shortPressAvailable": true,
                            "longPressAvailable": true,
                            "upDownAvailable": true
                        }, {
                            "name": "SEEKRIGHT",
                            "shortPressAvailable": true,
                            "longPressAvailable": true,
                            "upDownAvailable": true
                        }, {
                            "name": "TUNEUP",
                            "shortPressAvailable": true,
                            "longPressAvailable": true,
                            "upDownAvailable": true
                        }, {
                            "name": "TUNEDOWN",
                            "shortPressAvailable": true,
                            "longPressAvailable": true,
                            "upDownAvailable": true
                        }
                    ],
                    "presetBankCapabilities": {
                        "onScreenPresetsAvailable": true
                    },
                    "code": 0,
                    "method": "Buttons.GetCapabilities"
                }
            };
            this.client.send(JSONMessage);
        }
    },

    /**
     * Send error response from onRPCRequest
     *
     * @param {Number}
     *            resultCode
     * @param {Number}
     *            id
     * @param {String}
     *            method
     */
    sendError: function(resultCode, id, method, message) {

        Em.Logger.log("FFW." + method + "Response");

        if (resultCode) {

            // send repsonse
            var JSONMessage = {
                "jsonrpc": "2.0",
                "id": id,
                "error": {
                    "code": resultCode, // type (enum) from SDL protocol
                    "message": message,
                    "data": {
                        "method": method
                    }
                }
            };
            this.client.send(JSONMessage);
        }
    },

    /*
     * Notifies the ButtonsRPC that the web is all set. Should be called twice:
     * when the RPC link is up or failed to connect and all the views are
     * rendered.
     */
    buttonPressed: function(id, type) {

        Em.Logger.log("FFW.Buttons.buttonPressed " + type);

        var JSONMessage = {
            "jsonrpc": "2.0",
            "method": "Buttons.OnButtonPress",
            "params": {
                "name": id,
                "mode": type
            }
        };

        this.client.send(JSONMessage);
    },

    /*
     * Notifies the ButtonsRPC that the web is all set. Should be called twice:
     * when the RPC link is up or failed to connect and all the views are
     * rendered.
     */
    buttonEvent: function(id, type) {

        Em.Logger.log("FFW.Buttons.OnButtonEvent " + type);

        var JSONMessage = {
            "jsonrpc": "2.0",
            "method": "Buttons.OnButtonEvent",
            "params": {
                "name": id,
                "mode": type
            }
        };

        this.client.send(JSONMessage);

    },

    /*
     * Notifies the ButtonsRPC that the web is all set. Should be called twice:
     * when the RPC link is up or failed to connect and all the views are
     * rendered.
     */
    buttonPressedCustom: function(name, type, softButtonID, appID) {

        Em.Logger.log("FFW.Buttons.OnButtonPress " + type);

        var JSONMessage = {
            "jsonrpc": "2.0",
            "method": "Buttons.OnButtonPress",
            "params": {
                "name": name,
                "mode": type,
                "customButtonID": softButtonID,
                "appID": appID
            }
        };

        this.client.send(JSONMessage);
    },

    /*
     * Notifies the ButtonsRPC that the web is all set. Should be called twice:
     * when the RPC link is up or failed to connect and all the views are
     * rendered.
     */
    buttonEventCustom: function(name, type, softButtonID, appID) {

        Em.Logger.log("FFW.Buttons.OnButtonEvent " + type);

        var JSONMessage = {
            "jsonrpc": "2.0",
            "method": "Buttons.OnButtonEvent",
            "params": {
                "name": name,
                "mode": type,
                "customButtonID": softButtonID,
                "appID": appID
            }
        };

        this.client.send(JSONMessage);

    }
});

redpajama_set_name: RedPajamaGithub


This is a stunning 10 x 8 action shot of the 3 time Isle of Man TT winner and Extreme Art & Gadgets sponsored Adrian Archibald tearing round the Braddan Bridge section of the famous mountain course during the 2006 TT festival. This image was signed by Adrian in his motor-home on 31st May 2006. Extreme is committed to putting money back into the sport, you can clearly see the Extreme logo's on Adrian helmet. This item will be posted by recorded delivery with a certificate of authenticity.


Searching for "Experienced Electrical Technician" job or career in Qatar? Welcome to CareerDP, your all in one easy to use job site that can assist you to any job search. We wish you a good luck and have a prosperous career.
Data as of 2019-03-30 (Latest) with id 14899.
If you are switching jobs: The wrong steps when switching your job can throw a poor image you in the eyes of the past boss. Be tactful and don't resent anyone if you are changing a working job. You in no way know very well what may take place later on and it you can do that you'll need to return to your old work.


text:
Cambridgeshire writer David Hill spills all about his journey from Kickstarter to Comic Con with his hit book, Lunakita: A Dog Log
Harry Rutter
harry.rutter@archant.co.uk
@HRCTJ
Cambridgeshire author David Hill pictured with his rescue dog Luna who inspired his latest book, Lunakita: A Dog Log. Picture: DAVID HILL
A Fenstanton author has revealed all about his journey from a Kickstarter campaign to selling his book, Lunakita: A Dog Log, at London's famous Comic Con expo.
David Hill wrote his book about life with his five-year-old Staffordshire Bull Terrier X Akita rescue dog, Luna who he adopted from Wood Green, Godmanchester in 2014.
The story shows David's struggles after he lost his home and job, he says the book is a "humour title about how I lost everything but managed to keep my dog and sense of humour".
In 2016, he launched an online fundraising Kickstarter campaign to raise enough cash to publish the comedic title. It proved to be a success as the book was successfully published last year.
One of the Kickstarter backers was famous British actress Emma Samms MBE who starred in Dynasty in the 1980s.
Cambridgeshire author David Hill's rescue dog Luna who inspired his latest book, Lunakita: A Dog Log. Picture: DAVID HILL
David said: "I fought long and hard, but finding myself out of work during the bleakest period of my life did untold damage, and I was forced to sell my home in July 2017.
"The following month I moved into rented acclamation in Cambridgeshire; a cold, draughty property that's a far cry from my dream home beside the coast, but it's all part of my journey.
"And, whatever happens, nothing can take away my sense of humour. It's given me a 600 page book that's made readers laugh and cry - and I can't ask for anymore than that."
Mr Hill was also the one responsible for creating a blue mouse character called Norton Mouse who is loved by celebrities such as Jonathan Ross and Philip Schofield.
Cambridgeshire author David Hill's latest book, Lunakita: A Dog Log. Picture: DAVID HILL
He added: "The problem was that Luna was a very different dog, who, having spent nine months with a previous owner, was now carrying a lot of emotional baggage.
"Separation anxiety and reactive barking at other dogs were just the tip of the iceberg, and I was beginning to feel like a prisoner in my own home."
David describes the moment he "broke down during a Skype call" in late 2014 as he tried to explain that he was suffering with depression.
He said thankfully he "found solace through my writing" and despite the fact he was "broke" and needing to ration his food, his daily 'dog logs' were giving him "a reason to smile".
David added: "Poverty is a dark, lonely place, and although I've lost a few friends over the past five years, I've certainly gained a best friend in Luna".
For more information or to buy Lunakita: A Dog Log, visit: www.doglog.co.uk

redpajama_set_name: RedPajamaCommonCrawl


The lecture will be given on August 28 between 2 – 3 PM and is called "Japanse warenhuizen en de cadeaucultuur" – Japanese department stores and the culture of giving. The lecture will be in Dutch.
In the early decades of the 20th century, the first big department stores opened in Japan, based on the so-called 'Grands Magasins' of Paris, London, Philadelphia and New York. In that time, large department stores were the summum of modernity with their lavish product presentations and technical innovations like elevators and escalators. However, nowadays, Japanese department stores are presenting themselves as guardians of Japanese traditions, a point stressed by the importance put on formal gift giving. In this lecture, Prof. Cwiertka will talk on how this change has taken place.
Attending lecture is free after entering the SieboldHuis museum. Please register through the following link: Japanse warenhuizen en de cadeaucultuur.


text:
OIL PAINTER SINGER SONGWRITER COMPOSER FOR
THEATRE, FILM & TV
ANITA ANDREIS ART & music
Anita Andreis is a New Zealand-based artist, music producer, singer-songwriter and award-winning composer renowned for her works in the field of film music. She has worked on a variety of films, TV, theatre and ballet productions, both independent and commercial; and has won three Best Film Music Awards for her musical scores.
After moving to New Zealand in late 2019, Anita's voice and expression went through a substantial transformation. The impact of New Zealand on her creativity was first reflected in a brighter and more colourful tone and themes prevalent in her new music before it gradually shifted and expanded from auditive to visual arts. Her artworks range – from – seascapes and space – to – sacred geometry.
WIKIPEDIA - ANITA ANDREIS
FILM MUSIC VIDEO PORTFOLIO
MUSIC FOR THEATRE, FILM & TV
Film music critics describe Andreis's music as "from haunting melancholic, ethereal expression to the dense orchestral textures with a brutal sound, she creates emotional and intellectual depths with a subliminal power that plunges into the narrative character of the film".
FILM MUSIC SHOWREEL
Featured Soundtrack
Bobo (Original Motion Picture Soundtrack)
SCORE BY ANITA ANDREIS
MUSIC DISCOGRAPHY
ALBUMS, EP'S & SINGLES
Her songs defy categorisation due to unusual stories and sound, quirky musical arrangements and complex structures, causing reviewers to describe them as "orchestral, ambient, indie, dark pop and art rock all at the same time".
Chapter Three: Continuum
SINGER SONGWRITER: ANITA ANDREIS
ART ORIGINAL PAINTINGS
OIL & ACRYLIC PAINTINGS ON CANVAS
My SEASCAPES are inspired by my new life in New Zealand. Living close to the beach, I'm a daily witness to the ocean's various moods, shapes and colours. From tranquillity to unpredictability, it provides an endless source of inspiration; and a singularly nuanced perspective on the infinite, immortal phenomenon that is the ocean.
SACRED GEOMETRY & ABSTRACT ART GALLERY
VIEW MORE IN SACRED GEOMETRY ART GALLERY
SEASCAPE & SPACE ART GALLERY
VIEW MORE IN SEASCAPES & SPACE GALLERY
Fans & Reviewers
Review by Alec Cunningham ****
Croatian singer-songwriter Anita Andreis is equipped with a raspy voice complete with soothing, melodic harmonies that are a delight for the ears. Her most recent project is her first single from her solo project titled "Little Spring Snow Leftovers." Not only is Andreis a songwriter, but she is also an award-winning film composer. And that style peeps through with her solo work. "Little Spring Snow Leftovers" has a compositional vastness to it that provides the track with layers of intricacy. With this new singer-songwriter venture, Andreis pulls influence from her background in orchestra and film. Her vocals fill much of the space in the track and the instrumentation does the rest of the work. Though there is a lot going on in this song, it creates the perfect amount of presence and generates the precise buildup necessary. She knows how to build up suspense in her tracks, both through her vocals as well as through her track composition.
 On top of that Andreis proves herself once again through her songwriting capabilities. The track is about falling in love and the hold love can have over a person. She concludes the first verse with, "And she said, take me to the desert; I know we've just met, but I sink down through layers of you." She writes in a way that allows listeners us an intimate glimpse at an unfolding love story. It will be interesting to sit down and listen to a subsequent full-length release from the musician; she may very well surprise us all with a release to be remembered.
Review by Dubravko Jagatic ***** Date: 02.04.2019. Nacional (Croatian Weekly)
ANITA ANDREIS 'BOBO' SOUNDTRACK': A Film Score Masterpiece

It is not very often that soundtrack for a Croatian film merits being
 given proper attention. The soundtrack to the short animated film "Bobo"
 by Andrej Rehak composed by Anita Andreis truly deserves to be praised.
 Anita Andreis is a composer with years of experience and is far from being
 a newcomer to the trade. She has composed music for feature films, short
 and animated films as well as for theatre and ballet productions, among
 other things. She is a composer, music producer, singer, and a musician
 who holds a degree "Orchestration and Production of Music for Film and
 Games" from the prestigious Berklee College of Music. So why is her
 music for this utterly delightful film so good? Because she managed to
 express a whole range of emotions through her music, which facilitates a better understanding of the story and gives the film yet another
 dimension. Her effort was acknowledged at the 27th Days of Croatian Film
 whose jury awarded her with the Best Music Award, explaining their
 choice in the following way: "at the time when electronic music prevails, it
 is really refreshing to hear a classical piece of music, especially when it
 resonates with the nostalgic, supernatural film narrative. In the manner of
 Erik Satie, there are passages that take us back to childhood, creating a
 feeling of great comfort." Had this been the case of music composed for a
 Hollywood movie, backed by a powerful film studio, Anita Andreis might
 have even won the Oscar together with the compliments, thereby joining
 the film score greats the like of John Williams, Hans Zimmer and others.

The fact that it is the score for a short animated film makes no difference
 when we are talking about magnificent music that should be praised and
 pointed out because it deserves all the compliments. Furthermore,
 perhaps these nine beautiful, albeit short, musical moments could serve
 as a starting point for a more comprehensive piece of music. To conclude,
 such beautiful and sincere emotions conveyed by wonderful music can
 rarely be heard in Croatia.
Review by Artistrack ***** Date: April 2019
A journey between soothing melodies and stellar compositional skills.

Anita Andreis is a talented artist based in Croatia. She has developed a very distinctive approach to music. Her songs have a special flavor, and they almost have a visual color to them, thanks to Anita's expansive personality and distinctive character.

Her most recent studio release is actually taken from the soundtrack of a movie, and it is titled "Bobo." This stunning instrumental composition kicks off with a rather simple and understated introduction. However, the piano arpeggio pick up in terms of pace and intricacy, making for a really beautiful sonic soundscape. The song is very rich and detailed in its performance, yet it is strikingly simple and minimalistic in terms of production aesthetics and recording.

Bobo is a beautiful soundtrack project, and the self-titled single is only a small part of the listening experience. The whole concept is really emotional and touching, and it is even more impressive when you enjoy it in addition to the visuals of the actual movie, which matches the melancholic twist of the music with some beautiful art direction.
Ashar
Excellent harmonies....and the song Little Spring Snow Leftovers has its own character. Reminded me of Stevie Nicks..nostalgic feel...pretty awesome..
Denis K.
``Your Pain is My Paint`` Everything is said and played in this song! ...This kind of music is a soul healing experience! Thanks!
Jeff Roberts
Tori Amos without the self-pity. I really enjoyed this!!
Fredrik Swahn
Magical! A wonderful song with a beautiful story. I love how the singer's voice is layered on top of itself in a way that creates a very special sound.
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walkingrock: Your welcome Warren ..wouldn't that be great!
alphaiii: Yes expired March ending. Was fun while it lasted but nobody took it serious. Thanks buddy.
kayu: Thanks for the guess and the key! Wow, what a catch!
claudeby: Thank you for the chest Warren!
Mercedus: thank you for completing the twitter task. approved with additional tokens awarded.
walkingrock: Nice to see you Warren Your welcome!
MorrisS: I'm just seeing your comment on my profile. I been in the hospital for the past few days. I worked pretty hard on my prizerebel website I am thinking of rearranging things.
jws321: Well thanks for the nice gesture.
jws321: Thanks for the tokens.
ardell72: what i advertisde here is no concern of yours.
claudeby: Thank you for the key Warren!
walkingrock: Hi Warren ..hanks for the key!


text:
This page is written by the game's inventor, Andrea Mori.
Small Spherical Chess
Early in November, we received the following email from Andrea Mori regarding a variant he had invented for the 38-challenge contest:
I attach my entry for your Contest for a board with 38 squares.
Actually, I cannot swear that my construction is fully original, so feel free to reject the entry if you can find it elsewhere.
Andrea Mori
Let us start with a description of a model for a spherical board. I already described this model in Eteroscacco. [Eteroscacco Magazine is the bulletin of AISE, an Italian organization playing chess variants. Highly recommended, provided that you are able to read Italian!]
A sphere can be constructed as follows. Take a square, glue two opposite edges to form a cylinder. Then close the cylinder by gluing a disc to the top edge and a disc to the bottom edge. The resulting surface is a sphere.
So, let us start with an n x n chessboard and first glue the first column to the last column. This is the classical cylindrical chessboard of order n. Then add two squares: a square called N (North Pole) and a square called S (South Pole). These two squares are actually n-gons: the n edges of N (resp. of S) are glued to the top edges of the squares in the n-th rank (resp. the bottom edges of the squares in the first rank). Thus N is "above" each square in the top rank, and S is "below" each square in the bottom rank.
This spherical chessboard consists of n2+2 squares.
If we slice a sphere with a plane containing both poles, we obtain a circle consisting of the union of two opposite meridians. On our spherical chessboard, the meridians are the columns, and two columns are "opposite" (in the sense explained above) if their distance is n/2. To make this well-defined, we shall assume that n is even.
We have to discuss separately movement from (or to) a pole and movement through a pole. To fix ideas, we shall refer to the N square and take n=8. The discussion for S and other values of n is completely analogous.
To define the movement of pieces from N, it is convenient to think of N as "x9" where x is a generic column. Thus, on an empty board:
a Rook can move from N to any square on the board by moving along a column;
a Bishop in N can reach any square on the board in two distinct ways (for instance a B can reach b6 either via d8-c7-b6 or h8-a7-b6, remember that the board is cylindrical);
a Knight in N can move to any square in the 8th or 7th rank;
a King in N can move to any square in the 8th rank;
a white Pawn anywhere in the 8th rank can move to N or capture a Black piece in N (i.e. pawns in their 8th rank are unblockable). White pawns are promoted when they reach N.
The movement through N concerns only long-range pieces:
a Rook enters N by moving along a column a may leave it by moving along the opposite column (see previous discussion). E.g. a Rook in b6 can move to f7 via b6-b7-b8-N-f8-f7.
a Bishop moves along oblique lines that make constant angles with the columns. Think of N as reduced to a single point and each 8th rank square joined to its opposite by their topo edges. The Bishop's movement follows. For instance, a Be7 can move e7-f8-N-c8-d7-... or e7-d8-N-g8-f7-....
A Board With 38 Squares
If we take n=6, the resulting spherical chessboard has 62+2=38 squares!
It only remains to define a starting position.
Given the smaller size of the board, let's get rid of Queens and start with:
White: K in S, Ra1, Bb1, Nc1, Nd1, Be1, Rf1, Pawns a2 to f2.
Black: K in N, Ra6, Bb6, Nc6, Nd6, Be6, Rf6, Pawns a6 to f6.
[Editor's note: please forgive the rather crude diagram. However, it does give a convenient, if distorted, view of the "board". We have simply taken the sphere, punched a hole in the southern pole, and then pulled the sphere out flat, so that the outermost ring is what had been the southern pole. -D.H.]
Finally, there is no castling and no initial two-steps pawn moving (and so, no en-passant either).
Written by Andrea Mori. Diagram and HTML conversion by David Howe.
This is an entry in the Contest to make a chess variant on a board with 38 squares.
WWW page created: November 8, 1997. Last modified: November 14, 1997.
Small Spherical Chess. Board of form of sphere, with 38 squares. (Cells: 38)
By Andrea Mori.
https://www.chessvariants.com/38.dir/small-sphere.html
First Created: Monday, November 30th, -0001
Last Modified: Monday, March 26th, 2001


text:
Bowery Boogie
Orchard Street
Ludlow Street
Delancey Street
Rivington Street
Clinton Street
Grand Street
Allen Street
Broome Street
Stanton Street
Hester Street
Eldridge Street
Chrystie Street
Norfolk Street
Suffolk Street
Bluestockings Bookstore Leans on Supporters to Survive Pandemic Winter and Open on Suffolk Street
Posted on: January 13th, 2021 at 5:13 am	by Staff
Bluestockings Bookstore announced last week that its three-months-running crowdfunding campaign was a success, allowing the Lower East Side literary stalwart to realize its relocation.
Over the summer, the first such fundraiser helped the so-called feminist bookstore foot the bill for the lease on 116 Suffolk Street after a pandemic rent hike at the original spot. It'll take the ground floor previously occupied by the Spreadhouse coffee shop, more than doubling their prior footprint. The second cash infusion will help create ADA compliance, create seating, events area, and "much needed technological upgrade" to improve its POS and inventory system. But, most of all, to stay afloat during this pandemic winter.
(Total collected so far is $102,000 and counting.)
Named for the 18th-century intellectual women in the Blue Stockings Society – the store opened at 172 Allen in 1999.
The old storefront, June 2012
116 Suffolk Street Bluestockings
Eighteen Groups Sign Open Letter Demanding Transparency over CB3 Removal of Committee Chairs
Eighteen community groups within Community Board 3 on the Lower East Side this week co-signed an open letter to city and state officials urging inquiry into the removal of Alexandra Militano and Carolyn Ratcliffe as chairs of the SLA and Arts & Culture subcommittees, respectively. The shakeup, apparently inspired by a stated "new direction" for […]
East Broadway Subway Tiles Free of Disgusting Deposits
Down in the bowels of the East Broadway subway station, those hideous wall monsters are now a thing of the past. For years, the tunnel tiling devolved into a complete mess. Conditions were ripe for the formation of brown, slug-like deposits that grew ever larger by the week. Until this month, coincidentally the 85th anniversary […]
Chinatown Welcomes New Easy Access COVID-19 Testing Sites
Finally a step in the right direction. Pop-up COVID-19 test sites opened in Chinatown yesterday, providing much-needed alternatives to locals seeking a swab. The sites – one at 62 Mott Street, and the other at Confucius Plaza – offer walk-in swab tests and antibodies tests. Center Laboratories is handling testing and results, which are emailed or texted […]
New Year, Wrong Stamp for USPS Commemorative Postage [OP-ED]
With the Lunar New Year fast approaching, the U.S. Postal Service released its annual commemorative stamp to honor the holiday. Yet, the new postage seriously misses the mark, is wrong on many levels. The Lunar New Year – observed this year on February 12 – is celebrated by several Asian cultures, but it's difficult to […]
Covid Killed 'Wall of Sound' Producer Phil Spector; Revisiting The Ronettes Outside Parisi Bakery
Phil Spector, the legendary "Wall of Sound" producer, music impresario, and convicted murderer, died on Saturday of purported complications from Covid-19 at the Health Care Facility in Stockton (California), after being transferred from prison. He was 81. Incarcerated for murdering Lana Clarkson in 2003, Spector would spend his final years behind bars. Which makes paying […]
Appellate Court to Hear Community Lawsuit that Halted Development of Two Bridges Towers
Down on the Two Bridges waterfront, the future of three super-tall residential projects will soon be decided. Indeed, it took a year, but a community-led lawsuit is now on appeal, with a court date set for next week. You'll recall that a consortium of community groups under the banner of Lower East Side Organized Neighbors […]
East Broadway Subway Station Turns 85
The East Broadway subway station wasn't always a shady dungeon attracting crime. Once upon a time, the transit stop inspired celebrations across the Lower East Side. It was exactly eighty-five years ago – January 1, 1936 – that the East Broadway subway station debuted to the public. The feat of subterranean engineering, then known as […]
Looking at the New Ludlow House Annex Atop Demolished Libation Site
Well, that was quick. With Libation excised from the Lower East Side, the hole is now filled. Taken over by Ludlow House. The building at 137 Ludlow Street was demolished last year, and replaced in a matter of months. In fact, it's already operational. The architecture of this one-story newcomer mirrors design elements of its […]
Stringer Promises 'Fair Share' of PPP for City Businesses
City Comptroller (and mayoral candidate) Scott Stringer held a press conference yesterday at the Chinatown kiosk on Canal Street, announcing a plan to funnel federal Payroll Protection (PPP) dollars to New York city businesses. It certainly triggered an uncomfortable memory of last year's PPP fiasco. The first round of PPP went into effect just a […]
'Open Streets' Town Hall Yields More Questions than Answers
Tuesday night's Town Hall on Open Restaurants and Open Streets, hosted by Community Boards 3 and 6 – left residents with more questions than answers regarding the long-term impact these pandemic-era health and economic neighborhood solutions have on a post-COVID city. However, the online meetup did bring a wide scope of information in terms of […]
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The Bible is the only book in the world with the power to change your life for the better, because it is God's Word written for you! It is his personal love-letter to you, and it's meant to be read. Some of you might desire to understand the Bible, but when you open it up, you are confused on where to turn, how to study it, and how to understand it. In fact, you might look at it and ask the question, "So what? How is this supposed to change me?"
Throughout this study, we desire to help our group understand the "nuts and bolts" of studying the Bible. Why? So that you can understand it and apply it to your life. Our process of Bible study is divided into 3 categories: observation (what do I see?), interpretation (what does it mean?), and application (how am I supposed to live this out?).
Many of these principles taught in our study come from the work "Living by the Book" by Howard Hendricks, and some of these notes were personally compiled by Pastor Bob Brenneman. I then adapted those notes for our purposes at IUPUI.
The documents included on this page are some supplemental materials that we complied to help us as we studied these topics. If you would like more information, feel free to contact me at director@crossimpactiupui.org.


text:
Why Are You Called Penance RPG?
We did not intend to start an actualplay podcast, or indeed any podcast. Way back in the depths of mid 2016, some folk from a small World of Warcraft guild called "Penance" decided they should run "some form of RPG" over the guilds teamspeak server. That was to keep us sane during the many, many months of running the same raid content. This originally was going to be a ready-made engine such as Dungeons & Dragons, but to significantly reduce the need to buy any books for creating characters, spells, etc. Nikoli decided to rebuild his previously stripped down cyberpunk RPG engine into a fantasy RPG setting. This uses minimal rules for creation and needs minimal prior knowledge to join. This was a much easier way to bring in everyone who was interested in at low (or no) cost.
D&D? Homebrew? Other RPGs?
The Penance RPG system allows for complete free-reign for its players to choose how they want to deal with issues they face. If they want to use some form of elaborate trickery to get past a guard or set a building ablaze they can. However, for every action there is a consequence, and sometimes this sense of karma can come back to bite them. Hard.
We feel that telling a story with the characters and allowing them to grow and change makes for a better experience. The story and characters develop and weave together organically. Our storytelling is collaborative and so every character action is important.
We also have a varying number of characters per recorded episode, typically between 4-8 Characters plus the DM every week. This depends who is free to record the episode that week. The characters that aren't present are said to be "asleep on the cart" or "in the bag of holding" and will return in future weeks. This allows for a greater variety and keeps each episode feeling fresh and dynamic.
Largely, any system or campaign we adapt to our own system is run largely the same as our homebrew engine. In doing so, we attempt to keep the feel of the original – this has included D&D 5e and Call of Cthulhu. In addition, we enjoy and take inspiration from many other forms of gaming and wider entertainment. Board games in particular have a place close to our hearts.
Cast Inclusivity & Diversity
For each of our subsequent series, including the current ones, we've have a different cast for each project. This has several advantages – we get to play with more awesome people, have more diversity in our cast and helps ensure each campaign has its own feel. Our first Halloween series was hugely enlightening as to how we can expand to include different styles and locations, despite some painful time zone differences.
We are and have been LGBT+ from our very first session with a 50:50 male and female identifying balance. In our tales and characters we strive to de-toxify the worst aspects of old-style roleplay (OSR) and TTRPGs as a whole. This includes pushing back against sexism and misogny as well as the deeply racist colonial attitudes found in many, mostly, older RPGs.
Our racial and ethnic diversity took longer to work on. We are taking this into account for current and future series. This is something that we will always be working towards, whether it be adapting published systems or in our homebrew settings. Internalisation means that we need to remain conscious of these issues, there is so much improvement that all of us can make.
While we are on multiple social media platforms, we do not use TikTok due to their stance on LGBT+ content.
We use a "theatre of the mind" style game, recorded via Discord which allows us to make servers for each cast.. The cast use a variety of mics, several use a Blue Snowball. Editing is done on Audacity, with Youtube videos created on LightWorks.
How Much Do You Edit/Censor?
Very little, we endeavour to leave as much of the base content as possible, but it is sometimes necessary to remove elongated tangents or repetition. As a rule, we do not censor the content in the podcast – we feel that being able to explore some adult themes in storytelling and the subsequent consequences to the player interaction creates a more organic story overall.
Do You Use Original Music?
Yes. We have been incredibly fortunate to have some very talented creatives within our casts. Due to not being able to receive a list of the music for the Original Series, during the current re-editing process we are replacing the music. These new tracks and those for subsequent campaigns were composed and performed by Daniel Boström (Ora Dulce, Q Kintara.)
In addition, the logos and graphic design is by members of the cast, primarily the logos by Jon Moore (Stilgar, Kubroq). Several series have art created by members of those casts.
Do You Have A Patreon or Ko-Fi?
Yes, we do (as of March 2018), you can find our Patreon here. We are very grateful for all your support and are starting to expand into more projects. Many heartfelt thanks to our Patrons. Tiers start from just $1 and give access to stat blocks for Penance Friends & Foes, as well as other interesting rewards such as dice and behind the scenes content.
If you would like to support us but not on a monthly basis (we understand, we're skint too, which is why your help is so valuable to us), then we also have a way for you to buy us a coffee – hmmm tasty caffeine! We also offer a Bard's Tale in exchange for the coffee or patreon pledge
Are There Other Ways To Support You?
Always! Theres a range of ways you can support us, many of them free. These include following/liking/sharing us on social media and telling people what you like about the show. You can also buy a range of merch which you can see here, if there's other things you would like to see then let us know!
How To Get In Contact
You can come talk to us on Facebook Twitter Instagram Tumblr Reddit
We're pretty friendly so you're very welcome and chat. If you are looking for a way to catchup on previous seasons and story lines, each of our series pages have a quick summary of where in the arc each part of the story occurs.


text:
Caratteristiche tecniche
È un esterno destro.

Carriera
Cresciuto nel settore giovanile dell', ha esordito in prima squadra il 19 marzo 2016 disputando l'incontro di Prem'er-Liga pareggiato 1-1 contro l'.

Altri progetti

Collegamenti esterni

redpajama_set_name: RedPajamaWikipedia


text:
Q: How do you get changes to laravel model in hasMany relationship? I have model "Contact" which hasMany "Address".
When saving the Contact with a new Address
...
//$contact = some instance of Contact
$contact->addresses()->save(new Address(['street' => '4811 Example Dr.']));

dd($contact->getChanges()); // returns null
// dd($contact->addresses()->getChanges()); // method not available
// dd($contact->addresses->getChanges()); // method not available

How can I check which changes were actually made after the save call?

A: $contact->getChanges() returns null because getChanges() tries to see if there were any changes in contacts table which were not, hence null.
$contact->addresses()->getChanges() won't work either because $contact->addresses() does not return an instance of Address modal.
You could use a simple check save response for verification as it returns boolean.
$addressSavedSucccessfully = $contact->addresses()->save(new Address(['street' => '4811 Example Dr.']));

if ($addressSavedSucccessfully) {
    dd('address was saved correctly');
} else {
    dd('something went wrong');
}

I hope it helps.

A: The below line returns bolean. You can check its return value.
$value = $contact->addresses()->save(new Address(['street' => '4811 Example Dr.']));

if($value){
   //it is saved
}else{
  //it is not saved
}

A: *edited
try this
if (!$contact) {
   $changes = $contact->getChanges();
}

A: Give the below a try. It's working for me
$this->loadMissing('address');
$address = $this->address;
$address->fill($addressFieldValue);
$address->save();
address->getChanges();

redpajama_set_name: RedPajamaStackExchange


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Planning a trip from Aalborg to Los angeles Cleartrip helps you select the best route between Aalborg & Los angeles based on price, timing & easy mode of transport. Prices are indicative (one-way, one traveller).
Los angeles is not well connected to other major cities of the country via regular flights. The nearest airport is in Los Angeles at a distance of 19kms.


Happy New Year! I am writing this in the evening after having an absolutely splendid New Year's Eve. Jeff and I along with one of his friends went out for a night on the town and had such a fun time. I hope today's post doesn't bore you – no pictures and somewhat typical New Year's resolution drivel.
It's popular to have a word for the year, something that one pursues. Many pray about their words, for them to have special meaning. I will do this for the first time this year, and I think my word shall be "INTENTION". I need to start being more aware of my goals and how to achieve them. Instead of thinking about what I want, I think about what I want right now, even though I may not want that as bad, it just happens to be more immediate. Like eating chocolate, I don't want the calories from it and I may just be bored or in need of 'real' food. But eating Hershey's kisses is an immediate fulfillment of the boredom or hunger. If my desire is to be healthier, I am not being intentional with my poor choice to eat something quick instead of taking the time to prepare a good meal.
Basically, does my decision now show my intention for what I want in the future?
Finances – Paying off debt will be a huge focus in 2013. After buying the house, we are totally wiped. But not in too deep, I know we can kick it this year. Also just enrolled in 401K, I am going to attempt $100 out of my check to it every month. We are also the worst tithers ever, and need to get it together!
Friends – I'd like to get to know my church friends better and have them over for lunch or dinner. I feel somewhat intimidated because they all have small children and Jeff and I don't. I don't know how their schedules work, what their kids eat, is it a huge rigmarole for them to come over? I also really want to find more people [my age] that make cards, I would love to make some new friends in this area. I think this might involve going to a crop or two at the local scrap shop.
Fun – Despite trying to pay some bills, I want to live a little too! A trip to Savannah/Charleston would be fab, maybe Nashville for a weekend, and Delaware?? I'm dying to go to the beach.
Free Time – Ok don't get all crazy, gettin sucked into Pinterest for hours. Must get off the duff and be productive!
Fitness – Isn't this on everyone's list? My focus has always been on losing weight (which don't get me wrong, it still is), but I want to be healthier. I want to eat better. I want to be more flexible and have more energy. I have a Groupon for CrossFit, which is moderately intimidating, and I've been doing some yoga recently too. I think also I'd like to get back into zumba because that is hands down the most fun I've had working out.
Followers – Well 'Blog' doesn't start with an F but 'Followers' does! I want to thank everyone that reads my blog and there will be more regarding this coming up. I want to grow this blog and maybe start applying to some design teams and join more linky parties – not to mention comment more and bring joy to others! I want to continue to develop my skill in my favorite hobby, and spend time enjoying the journey of creating. I want to use my stash and not obsess and hoard crafty crap!
Foundation – I'm talkin the House! More work on the house to come, but that's a laundry list of it's own.
Fotos – Ok another cheat, I mean Photos! I'm going to participate in the #FMSPhotoaDay challenge on Instragram, you can follow me if you like and join in the fun yourself! Also 2013 I will buy that darn camera this year or else!!
Faith – Last on this list but certainly not least, I want to focus on being available for God to use me. I want to be present and intent on doing His will, and just need to be a little more aware of that.
How about you? I'd LOVE to hear what YOUR goals are for 2013. Do you have a word too? Please share with me in the comments!!


text:
SSRLUO 2010 Executive Committee Members
Yuji Arai
Clemson University, Department of Entomology, Soils and Plant Science, Clemson, S. Carolina, 29634-0315
Assistant Professor of Environmental Soil Chemistry at Clemson University in Clemson, SC. Since 1997, he has been conducting molecular environmental soil chemistry research using bulk- and microfocused(µ)-XAS, µ-XRF and µ-XRD techniques at ALS, APS, NSLS, and SSRL. His major research interest is to understand the molecular scale chemical reactions of nutrients, metal(loid)s, and radionuclides at the soil mineral-water interface that is responsible for the field-scale transport processes. He is interested in developing an interdisciplinary molecular environmental soil chemical research program through academia. He would like to represent the voice of users to further improve the BL capabilities and the accommodation of SSRL user facilities.
email: yarai@clemson.edu ph: 864-656-2607
Ben Gilbert
LBNL, Earth Sciences Division, Berkeley, CA 94720 USA
Benjamin Gilbert is a scientist in Lawrence Berkeley National Lab's Earth Science Division with a research program studying the materials properties and reactivity of naturally occurring nanoparticles. Following pH work at the UW-Madison SRC on soft x-ray spectromicroscopy, his experimental program includes high energy x-ray scattering at the APS, soft x-ray emission and absorption spectroscopy at the ALS, and small-angle x-ray scattering and EXAFS spectroscopy at the SSRL. He is excited by the development of fast x-ray techniques to study chemical processes with time resolution.
email: bgilbert@lbl.gov ph: 510-495-2748
Leslie Jimison
Stanford University, Department of Materials Science & Engineering, 476 Lomita Mall, Stanford, CA 94305
Leslie Jimison is a fifth year Ph.D. student working for Alberto Salleo in the Materials Science and Engineering Department at Stanford University. Leslie is a regular user at SSRL. She uses X-ray diffraction at beam lines 11-3, 7-2 and 2-1 to investigate the microstructure of organic semiconducting thin films. She uses the diffraction data to correlate microstructural details with electronic performance of organic thin film transistors. She is originally from North Carolina, where she graduated with a B.S. in Materials Science at NC State University.
email: ljimison@stanford.edu ph: 919-815-4851
Katherine A. Kantardjieff (Chair)
CSU Pomona/Keck Center for Molecular Structure
Professor and Chair, Department of Chemistry, Cal Poly Pomona (on leave from CSU Fullerton until May 2011). Director of the W.M. Keck Foundation Center for Molecular Structure. She completed Ph.D and postdoctoral work in physical chemistry and structural biology at UCLA with David Eisenberg. Kantardjieff's laboratory is the only member of the Tuberculosis Structural Genomics Consortium from a non-PhD granting institution. CMolS is comprised of comprehensive X-ray diffraction and computational laboratories supporting research and education as a core facility in the 23-campus CSU, as well as the STaRBURSTT-CyberDiffraction Consortium, a nationwide virtual organization of predominantly undergraduate institutions. CMolS pioneered the use of remote instrumentation access at PUIs and, since 2006, CMolS is a research partner with SSRL. Kantardjieff's own research investigates protein structure and function, employing combined experimental and in silico approaches of crystallography, biophysical methods, computation and informatics. The knowledge gained is applied to the engineering of molecules with specific properties, and to structure-guided drug design. Systems of current interest include bacterial cytochromes c', carbonyl reductases, cholinesterases and several tuberculosis proteins. Kantardjieff and collaborators at Fullerton have established a research computing cluster for computational biochemistry and crystallography, which is part of a larger CSU system-wide, distributed computing resource. Kantardjieff has developed and deployed crystallography and computational courses and workshops, including some delivered entirely online, at both the undergraduate and post-graduate levels. She has led national and international efforts in crystallography education and training. Kantardjieff's activities led to her election to the United States National Committee for Crystallography, of which she is currently Vice Chair.
email: "> ph: 909-869-3651
R. Joseph Kline
NIST, 100 Bureau Dr., Gaitherburg, MD 20899
R. Joseph Kline is a staff scientist in the Polymers Division at NIST. He uses x-ray diffraction to study the morphology and crystallography of semiconducting polymers for organic electronics and photovoltaics. He has been a frequent user at SSRL since 2004 when he was a graduate student at Stanford working for Prof. Michael McGehee. Joe received SSRL's Spicer Young Investigator Award in 2008.
email: joe.kline@nist.gov ph: 301-975-4356
Cathy Knotts (SSRL Liaison)
SSRL, User Research Administration, 2575 Sand Hill Rd., Menlo Park, CA 94025
Manager of User Research Administration since November 2000. Prior to that time, Cathy managed administrative operations and corporate communications in the biotechnology industry. She was a management analyst for National Institute on Aging/National Institutes of Health before moving to North ern California in 1994. Cathy received a B.S. from the University of Maryland majoring in Health Science and Policy.
email: knotts@slac.stanford.edu ph: 650-926-3191
Aaron Lindenberg
Stanford University, SLAC Photon Science MS: 59, 2575 Sand Hill Rd., Menlo Park, CA 94025
Aaron Lindenberg is Assistant Professor in the Materials Science and Engineering Department at Stanford University, joint with Photon Science at SLAC since 2007. Member of the PULSE Institute for Ultrafast Energy Science. Staff scientist at SLAC from 2003-2007. B.A. and Ph.D. in physics from Columbia University and University of California Berkeley, respectively. Research focus is generally on the ultrafast properties of materials.
email: aaronl@stanford.edu ph: 650-926-4558
Wayne Lukens (Ex-Officio)
Lawrence Berkeley National Laboratory, Chemical Sciences, 1 Cyclotron Rd., Berkeley, CA 94720
Staff scientist in the Actinide Chemistry Group at Lawrence Berkeley National Laboratory. His research focuses mainly on the behavior of technetium in nuclear waste and nuclear wasteforms. In addition, his research examines electronic structure and bonding in actinide complexes. He has carried out EXAFS experiments at SSRL since 1992. Currently, he is using EXAFS and XANES to characterize the speciation of technetium in different nuclear wasteforms.
email: wwlukens@lbl.gov ph: 510-486-4305
Matthew Sazinsky
Pomona College, Chemistry, 645 N. College Ave., Claremont, CA 91711
Matthew Sazinsky is an Assistant Professor in the Department of Chemistry at Pomona College in Claremont CA. He has been a user at SSRL since 1999 and was trained as a protein crystallographer in Dr. Stephen Lippard's laboratory at MIT and Dr. Amy Rosenzweig's laboratory at Northwestern University. His research focuses on the structural and functional characterization of membrane proteins and metalloenzymes.
email: matthew.sazinsky@pomona.edu ph: 909-607-1011
UC Berkeley, Department of Earth & Planetary Sciences
David Singer is a post-doctoral scholar in the Berkeley Nanogeoscience Group, working with Jill Banfield (UC Berkeley) and Glenn Waychunas (Lawrence Berkeley National Laboratory). He conducted his graduated work with Gordon Brown at Stanford University in the Geological and Environmental Sciences Department. His main research interest is the fate and transport of heavy metals and radionuclides in the environment. He is currently working on determining the mechanisms of uranium sequestration by magnetite. He aims to elucidate the factors which control sorption, nucleation and (co)precipitation, using synchrotron-based X-ray spectroscopy and scattering techniques combined with microscopy and batch-flow sorption experiments. He has been an active user at SSRL, APS, ALS and NSLS, and looks forward to representing the interests of the Environmental and Geoscience community.
email: davidmarcsinger@gmail.com
website: http://nanogeoscience.berkeley.edu/People/DSinger/DSinger.html ph: 510-495-2359
Robert Szilagyi (Past Chair)
Montana State University, Chemistry and Biochemistry, 223 Gaines Hall, Bozeman, MT 59715
Assistant Professor of Chemistry at Montana State University-Bozeman. His research interest focuses on bioinorganic, organometallic, and computational application of synchrotron radiation. He has five years of experience in XAS at various beamlines of SSRL and ALS. He uses NEXAS and EXAFS techniques in close correlation with theoretical calculations to investigate the relationships between chemical reactivity and electronic and geometric structures of bioinorganic active sites and biomimetic compounds, such as iron-sulfur clusters, S-nitrosated thiolates, as well as, tungsten, molybdenum, and palladium containing homogeneous catalysts. His motivation to be part of the SSRLUOEC is to provide a representation for junior faculty, to increase graduate and undergraduate student training, and to develop a spectral database for the community of synchrotron radiation users.
email: szilagyi@montana.edu ph: 406-994-4263
Beth Wurzburg
Stanford University, Structural Biology, Stanford, CA 94305 USA
Beth Wurzburg is a Research Associate in the laboratory of Prof. Ted Jardetzky. She trained as a protein biochemist (Don Wiley's laboratory) and as a crystallographer (Ted Jardetzky's laboratory), and she has been collecting data at synchrotrons since 1995. Her research interests include biophysical studies of proteins of the immune system and of human pathogens.
email: ph: 650-723-4576
Junko Yano
Lawrence Berkeley National Laboratory, Physical Biosciences, 1 Cyclotron Rd, MS: 66-3, Berkeley, CA 94720
Junko Yano, Ph.D. is a Scientist in the Physical Biosciences Division at Lawrence Berkeley National Laboratory. She has been using X-ray absorption/emission spectroscopy to study the structure of the catalytic Mn4Ca cluster and the mechanism of photosynthetic water oxidation. She is a frequent user of the spectroscopy beam lines at SSRL for last 8 years. Her current interests are in the application of polarized X-ray absorption spectroscopy to protein single crystals. She was also involved in XRD studies using the diffraction beam lines at the PF, and she has used beam lines at the ALS, APS, SPing8 and ESRF. She would like to reflect users' voice to the improvement of SSRL beamlines.
email: jyano@lbl.gov ph: 510-486-4366
Executive Committee Members
SSRLUO | Charter | Meeting Minutes
2018-19 Committee Members
2012 Committee Members


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It started with "community," and the web grew to include "pride," "diversity," "friendship," and "health." Students at Decker Middle School drew a word web to show how ideas are connected in order to guide their planning for a community art project. Throughout the month of October, students at all three Middle School Matters campuses worked to complete 20 canvasses that illustrate varying perspectives on community. The project aimed to show students how art can be used to start a conversation or spark community change.
The paintings, designed and created by Volunteer Project Leader (VPL) students will be on display at Kerbey Lane Café at the Southwest location starting on November 2nd. In VPL, students plan, implement and reflect on volunteer projects that match their interests, and the paintings show broad variations on the theme of making a positive contribution to your community.
A bright nature scene reminds us to recycle, multi-colored handprints underpinning a Spanish phrase celebrate shared space, and cartoon animals promote self-acceptance with the phrase, "There's nothing wrong with who you like. There's nothing wrong with who you are".
By displaying student work, Kerbey Lane Café recognizes these middle school students as leaders in their community and creates an uncommon opportunity for middle school students to start a community-wide conversation. Make sure to stop by the Kerbey Lane Café on William Cannon to see the works of art for yourself, or attend our Big Game Superbowl party in February where we will auction off some of the pieces.
Learn more about our work with local underserved middle school campuses.


text:
Astronaut Kouichi Wakata and Flight Memorial of Subaru Telescope
Space shuttle Discovery with an Astronaut Kouichi Wakata was launched from NASA's Kennedy Space Center in Florida, U.S.A., on March 15, 2009 local time. A banner which has the collection of the Subaru staff writings were brought as an Official Flight Kit (OFK) on Discovery.
Space shuttle Discovery
at the launch pad
He has joined space shuttle flights twice, on Endeavor in January of 1996 and on Discovery in October of 2000. In May of 2002, about 2 years after his second flight, he visited Hilo Base Facility of Subaru Telescope in Hilo, Hawaii. (See Topics: Astronaut Kouichi Wakata Visits Subaru Telescope)
At first, his third time space flight was scheduled at the end of 2008, but it was postponed to February of 2009. This flight is a long term mission for him, and he will stay at the International Space Station (ISS) for about three months. During his hard training before the launch, he sent an e-mail to Dr. Tetsuharu Fuse at the Public Information and Outreach Office of Subaru Telescope. In the mail, he said that he would like to bring memorial goods of Subaru Telescope as OFK, which is a medal, banner, etc. of the astronaut's attended schools or institutes, brought to a space shuttle as memorials.
Subaru's OFK banner. The actual banner has staff's writing.
We decided to make a banner with a background as a picture of the Mauna Kea summit and Subaru Staff member's names written by each member on it. The work place of Subaru Telescope is separated into Hawaii and Japan. At first, Hilo Base Facility staff wrote their names in August of 2008. Following that, the banner was sent to the NAOJ's Mitaka Campus at Tokyo in Japan, and their staff members wrote in September of 2008. Then, the banner was sent to NASA by way of Japan Aerospace Exploration Agency (JAXA) at Tsukuba, Ibaraki prefecture in Japan.
Trace of Discovery
After he returns to the earth from ISS, the banner will be sent back to Hilo Base Facility. Dr. Fuse, who took the banner picture and watched the shuttle launch at Kennedy Space Center, sent the following message to Astronaut Wakata: "It would be a pleasure if you visit Hilo Base Facility again and have your autograph on the banner."
Quicktime / Windows Media


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Q: How to handle different POST request on class-based-view? i'm working with Django, and until now i have only had the necesity to make a single POST request for the page to work, but now i need to make multiple POST request, and i don't know how to handle a different POST request with the same method.
Maybe i'm not explaining me very well.
I have a view.py like
class List(View):
    def post(self, request):
        #Receive the JSON
        return JsonResponse(data,safe=False) #data is a list of dicts []

    def get(self,request):
        return  render(request,'list.html')
list =List.as_view()

Now, with this i return information to create a list of elements, and each of them has a button that opens a modal where i want to show more information. The thing is, i could just send all the information needed with the post method i have, but i don't think is correct to send too much information with one request when not all of it could be used.
So, my idea is that the button first make a new POST request for tha data i need, and then create the modal with it. My problem is that i don't know how to handle the second request, because, in theory, if i send another request, will be handled by the post() method i have, and it doesn't return the information i need, so, how to handle the second request? Is there a way to create another method post() to handle the other request? or how do i make the post() to difference which request was made?
Update
To solve this problem, i sended a value with the JSON from the JS
data: {
    csrfmiddlewaretoken : csrftoken,
    value : nemp,
    second: "second"
}

And i only had to check on the view if request.POST.has_key('second'): to decide if was the first request or the second. It's a very cehap way to do it, but it works. If someone knows another way to do this, don't doubt to say it.

A: You could create another view with a unique url, or basically do what you suggested. Bellow is a more clean implementation of the same thing:
class List(View):
    def post(self, request, *args, **kwargs):
        method = getattr(self, 'step_' + request.POST.get('step', ''), self.step_1)
        return method(request, *args, **kwargs)

    def step_1(self, request, *args, **kwargs):
        pass

    def step_2(self, request, *args, **kwargs):
        pass

This would execute the step_1() method by default, and step_2() when the POST parameter step is 2. You can extend it as much as you like.
Although I'm not sure that "too much data in one request" is really something you should be concerned about. Might make sense if you meant "I don't want to ask the user for too much information at once, so I want to break it into a few steps".


As discussed in the introduction, Jupyter notebooks provide a tremendous advantage for scientific computing, analysis and visualization. Here, we will explain how to start a Jupyter notebook. We will present just enough information to get you started. For a more complete treatment of Jupyter notebook software, please read the official documentation.
In the previous section, we explained how to download and install a complete Python installation with Anaconda for both Mac OS X and Windows. Armed with this experience, we will demonstrate how to start a Jupyter notebook in order to run code.
You aim to further experiment with, or augment, an existing Jupyter notebook like the ones that already exist within a repository in github.
You want to develop a Jupyter notebook or series of notebooks for uses such as supplementing teaching material, or for a scholarly journal article, for example.
In both cases, you will want to start the Jupyter notebook in a specific folder.
On Mac OS X, create a Desktop folder with the Finder called my-notebook. In the last section, we learned how to start the OS X Terminal. Launch the Terminal again so that we may start Jupyter. Change to that directory (i.e., open the newly created my-notebook folder) with the cd command: cd ~/Desktop/my-notebook. The ~ character is a shortcut to indicate you are at your home directory.
On Windows, create a Desktop folder called my-notebook. Hold down the shift key and right-click on the newly created folder. A context menu will appear and there will be an option to, "Open command window here". Click this option to launch the Windows Command Prompt at that specific location.
Once entered, this command will automatically launch your default web browser with a new notebook in an empty directory.
To actually create a notebook, go to the New, Python 3 menu item.
For more information on the basics of using the Jupyter Notebook, we recommend starting with this notebook on Notebook Basics.
This project includes a series of Jupyter notebooks for learning Python with geoscience objectives. They are located in the notebooks folder in the git master branch. In order to clone this project or any projects containing Jupyter notebooks such as the Unidata Python Workshop, please see the section on git and github. Once you have cloned your repository, change directory to where the Jupyter notebooks are located in the repository folder (e.g., the notebooks directory) and start Jupyter with the jupyter notebook command.
MyBinder is a third option that runs Jupyter notebooks on a cloud server that is setup on your behalf. If the project has enabled MyBinder, you will see a badge on the github project page. MyBinder is available for the Unidata Python Workshop Jupyter notebooks at this link. See the MyBinder website for more information.


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Measurements: 2.9 x 1.8 x 0.8 inches.
Promotes sleep, relaxation, astuteness, insight, creativity, grounding, intuition and confidence. Assists with focus and concentration during meditation. Reduces negativity, trepidation, intolerance and impatience.


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* Author

#### Joseph W Becher ([@drazisil](https://github.com/drazisil))
* Unit tests


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Lintel - Prasat Sralao
by Andy Brouwer
Tags: Vishnu, Garuda, lintels, Banteay Srei style, Khmer sculpture, museums, National Museum of Cambodia
Height (cm): 81.5, Depth (cm): 185. Sandstone
Provenance: Prasat Sralao, Siem Reap Province
Location: National Museum of Cambodia, Phnom Penh
Catalogue Number: NMC Inventory Ka.1819
Status: On display
Photo credits: Andy Brouwer
For sheer artistry and exceptional beauty, this 10th-century pink sandstone lintel from Prasat Sralao is the most beautiful example of a decorative door-lintel on show at the National Museum. It was collected from the now-ruined temple by the curator of the Angkor site, Henri Marchal, in March 1937 and after a short stay at the Conservation depot in Siem Reap, was transported to the Phnom Penh headquarters for display to the general public.
Whilst the main subject is the god Vishnu riding atop his mount, the winged Garuda (usually termed as Garudavahana), it's the deep and richly intricate carving of every element that stands out as the perfect specimen of the Banteay Srei style of that era in Angkorian history. The temple of Banteay Srei is encrusted with gorgeous carvings but the Prasat Sralao lintel comes from a very small temple just outside the main Angkor Park, though built during the same time period, and rivals anything that its mother temple can produce. It's almost a certainty that the same craftsmen worked on both temples simultaneously.
The central motif shows a four-armed Vishnu, holding four attributes in his hands, and sitting on top of Garuda, who holds and supports the right foot of the god above him. On the lotus foliage branch either side are tiny heads of three-headed serpents called Nagas, and at the end of the branch is another Garuda, carrying in his mouth, a larger three-headed Naga. The upper frieze is decorated with twelve male dancing figures. All of this is exquisitely sculpted in the Banteay Srei style that is rightfully acknowledged as among the finest that the Khmer Empire had to offer. Sralao denotes a type of tree, popular around Angkor and which produces wood used for construction. Any top-quality woodcarver would be proud to have produced such elegant and delicate carving as the master stonemasons of the Banteay Srei era in history.
ADB Input: Read more about Prasat Sralao, Situated 5 km north-west of Angkor Thom North Gate. The sralao tree ស្រឡៅ is a crape myrtle (Lagerstroemia). A famous song by Sin Sisamuth and Ros Sereysothea is called ម្លប់ដើមស្រឡៅ, In the Shade of the Sralao.
Andy Brouwer
Cheltenham-born and bred, Andy Brouwer (1959, UK) made his first trip to Cambodia in 1994, and that white-knuckle ride hooked him for life. He upped sticks to Phnom Penh in 2007 after more than thirty years in banking back in the UK to join Hanuman Films.
As well as having a serious obsession in temples, books -- he's the editor of the guidebook To Cambodia With Love --, and pretty much all things Khmer, he is a lifetime supporter of Leeds United and has an insatiable passion for the music of Steel Pulse and Ennio Morricone. His website relives his numerous visits to Cambodia, and more.
During his time living in Cambodia, he's been a producer and researcher for Hanuman Films, a product manager at Hanuman Travel, and the media officer with Phnom Penh Crown FC. Since 2020, he developed a personal research, Exploring Khmer Art Worldwide, published as an ongoing series on his Facebook page, that will be soon hosted on Angkor Database.


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Owasso è una città degli Stati Uniti, situata tra le contee di Tulsa e Rogers nello Stato dell'Oklahoma.

Altri progetti

Collegamenti esterni

Comuni dell'Oklahoma


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Blog In Depth Review- TAG Heuer Carrera Calibre 16 Chronograph (Ref. CBK2110, CBK2112)
In Depth Review- TAG Heuer Carrera Calibre 16 Chronograph (Ref. CBK2110, CBK2112)
The Carrera world has transformed significantly over the last three years, with the modular Carrera Heuer 01 ushering in an era of 43 and 45mm watches with rubber straps, squared-off lugs and skeleton-dials. That doesn't mean that the classic Carrera has been forgotten (for example, the Calibre 18 Telemeter) but heritage themed watches have certainly taken a back seat to the bold, modern and bigger Carreras.
And perhaps that's why it's so refreshing to see two new Calibre 16 models added for the 2018/ 19 range during the 55th Anniversary of the Carrera, models that effectively replace the much-loved Carrera 1887 which was discontinued over the last year or so.
There are two dial options on offer with a blue and black dial on offer (the same colour options as offered on the other pair of sporty Carrera twins shown at Baselworld. Let's see if the newest model is a worthy successor to the 1887 model and whether this style of Carrera still has relevance in the Skeletonised world of today's Carrera range.
Son of the 1887….
The easiest way to think of the new Carrera is that it is essentially a Carrera 1887 with a different movement. That may be true at a glance, but there are plenty of detailed differences as you can see below
Calibre 1887 Carrera Calibre 16
Case 41mm Steel 41mm Steel
Pushers Mushroom Cylinder
Bracelet 5-row link 3-row H-link
Inner-flange Tachymeter Minuterie
Sub-dials Two silver rings at 12 and 6 No silver rings
Date placement 6 o'clock 3 o'clock; silver window
While there are elements of the 1887 that we prefer (pushers, tachy scale and date window), there are also aspects of the new Calibre 16 design that represent a step forward, for example the "all-black"dial and
Carrera CBK2110- Black Dial
Kicking off the new range is the black dial watch, reference CBK2110, which we tested on a leather strap.
Dial Up Close
The black dial offers a contrasting finish- a textured dial with azurage finish on the sunken 12 and 6 o'clock registers. The 9 o'clock sub-dial carries the same textured finish as that on the main dial.
Overall, the dial has a similar feel to the original Carrera 1887 "V2" and we like the simpler finish relative to the Carrera 1887.
Perhaps our only complaint is that there is an awful lot going on around the 3 o'clock register, with the "Carrera" and "Calibre 16" text, as well as the TAG Heuer logo and the date window with accompanying date window- leaving the Calibre text on the 9 o'clock register would have helped to even out the balance of the dial.
Case from every Angle
If you're familiar with the heritage-styeled 41mm steel case used across the Carrera range over the last 8 years, then you'll instantly recognise the new Calibre 16 case.
When compared to the 39mm case used on the early 2000s models, the biggest change is the use of the thinner bezel, which gives the watch an elegant look and keeps your gaze firmly fixed to the dial.
The case has a polished finish, and this is one area where we'd like to see a change, as it's hard to beat the (more expensive) brushed case finish with polished contrasts. This is a change that would improve several current TAG Heuer models, such as the Link and the Autavia, and is part of the reason that the Monaco case is such a highlight.
Inside the new Carrera is the Calibre 16 movement, which in the majority of cases for TAG Heuer means the Sellita SW500 movement, although the ETA-sourced 7750 is still used in some cases. The two movements are essentially identical, with a range of small modifications made by Sellita.
While previous Calibre 16 Carreras have used a steel case back (leaving the Sapphire casebacks for the in-house Calibre 1887), the new Calibre 16 models do offer you a window into the mechanics of your watch, which is a welcome feature.
Leather Strap- FC6266
The FC6266 strap is the same alligator leather strap as previously offered on the Carrera 1887. There is also a steel bracelet available (code BA0715).
Given the Carrera 1887 was one of the best watches that TAG Heuer has made in the last decade, it's hardly surprising that the newest Carrera looks equally good on the wrist. The dial is clear and legible and the look is a good balance between smart and sporty.
Given the large number of strap options offered by TAG Heuer today, it had actually been some time since we'd tried out the alligator strap that was basically standard on all Carrera and Monaco models for most of the mid-late 2000s. It's hard to think of a better strap option than this one for the Carrera, which to our eyes looks and feels perfect.
Carrera CBK2112- Blue Dial
As our regular readers will know, we're a sucker for a TAG Heuer blue dial. Yes, blue dials are the "in" colour of the moment, but TAG Heuer has always made truly beautiful blue dials. In fact, for a short period of time there was a blue dial Carrera 1887.
Let's get a closer look at that amazing dial. It has a metallic sun-burst finish, unlike the matte finish of its black-dial brother and if anything the white text and silver hands and hour-markers appears even clearer than the black model.
Now is perhaps the time to revisit one of the questions posed in the opening paragraphs: is there still a place for a mainstream heritage Carrera, or has the world moved on to the larger modular models with in-house movements and use of exotic materials?
In our view not only is there still a place for the heritage Carreras, but it's essential than TAG Heuer continues to invest in the "two sides" of the Carrera: the future and the past. It would be a mistake for the Carrera to be too anchored to the past, simply churning out copies of watches made by Jack Heuer more than 50 years ago, but that heritage angle is critical to the positioning of the Carrera.
In fact, by preserving the importance of the heritage-style Carrera models, it allows TAG Heuer to push the boundaries even further with the modular watches, offering buyers a clear choice.
From this angle you won't be able to tell whether this is the black or blue dial model- they're identical at the back, with the same Calibre 16 movement and the same sapphire crystal.
As was the case with the black dial model, the strap offered on the blue dial is exactly the same as that previously used by the Carrera 1887- this time reference CAR2115.
You can also choose the H-Link bracelet.
Swapping the black dial for the blue doesn't change much in terms of the "on the wrist" experience, although does give another chance to note how nice the 41mm size is- we're maybe old fashioned in believing that 40-41mm is the perfect size for a modern Chronograph.
The Carrera remains a fairly thick watch, but not one that feels too big on the wrist. Still, it's something worth bearing in mind for new Carrera buyers.
Price and Availability- Carrera Calibre 16 Chronographs
So you might ask: why has TAG Heuer released a similar watch to the previous Carrera 1887, and why change the movement? The answer to the first question is easy: before the Carrera Heuer 01 came along, the 1887 was TAG Heuer's top-selling model, so it makes sense to have a strong offering with the classic Carrera style.
The answer to the second question is a combination of strategy (the move to allow fit in-house movements to the modular models in the Carrera range) and price. These watches represent fantastic value for money, and while global pricing hasn't been finalised, we're hearing that it will cost around CHF4000 (Swiss Francs). The reason that price is so relevant is that this is the exact price of the Carrera 1887 when it was launched back in 2010.
So, in going back to the future on price it does feel like the new watch is moving the game forward. Those customers who love skeleton dials are more than well catered for, but now there is a wonderful option for those wanting to stick closer to the original Carrera DNA.


PHOENIX--(BUSINESS WIRE)--AFS Technologies, Inc. ("AFS"), a leading provider of software solutions to the food and beverage industry, announced today that it has concluded an equity financing led by Goldman, Sachs & Co. In addition, AFS has arranged for senior debt financing from TPG Specialty Lending and Wells Fargo Capital Finance, part of Wells Fargo & Company.
This capital will be used to buy out existing investors and finance several strategic acquisitions. Simultaneous with this transaction, AFS announced the acquisition of Answers Inc. and Synectics Group, both of which provide Trade Promotion and Claims settlement solutions.
"AFS has grown substantially over the past few years and we would like to thank the exiting investors, Argentum Capital Partners, Garvin Hill Partners (previously CIBC Capital), Ticonderoga Capital, and Merion Investment Partners who funded AFS through its early growth. Goldman now provides the additional capital for us to continue our growth, and we look forward to working with one of the leading financial institutions in the world," said Kurien Jacob, CEO of AFS.
AFS Technologies is the leading provider of business enterprise and Software as a Service (SaaS) solutions. The company now serves over 1,200 customers across the Americas with a portfolio of solutions for the food and beverage, financial reporting and supply chain segments. AFS Solutions are designed to improve profitability, grow revenue, and assist in regulatory compliance. AFS Profile® offers the food industry's largest single source for product information and data synchronization with GS1. All AFS solutions utilize service-oriented architecture (SOA) built with Microsoft .NET framework technology. With a focus on modular design, the solutions allow customers in manufacturing, sales agencies and distribution, the flexibility to upgrade specific elements of the software without affecting the rest of the system. To match the needs of our diverse customer base, products are available on both a license and true SaaS model basis.
For more information, visit us online at www.afsi.com or call (602) 522-8282.
AFS Technologies has concluded an equity financing led by Goldman, Sachs & Company.


i don't support an artiest that thinks gays are gross and disgusting. sorry deadmau5 you 4ever lost me as a fan.
Deadmau5 is a good artist, but "Polyphobia," did not meet my expectations. For one, in the middle of the song, the Monophobia intro melody plays, which tells me that Joel is recycling his melodies. "Glivch" is another version of "Glish," and the remixes are uninteresting. If you want deep house tracks, listen to "Faxing Berlin," "Brazil," or "Some Kind of Blue".
Well rounded group of tracks in here. Highlights are all the deadmau5 tracks, and that Mark Mackenzie remix is ridiculously good. Not a bad track in here!
Overall just a great set of tracks that have something different to offer. I love the dub wobble of "Are You Not Afraid" though I can see some criticizing it. Its the electro & tech house mixes that shine for me though. Really started to get into C.O.Z the past year and those are probably two of my favorite tracks. This might be my top pick from the mau5trap label this year so far.
Another HUGE release by Joel!
deadmau5 did it once again, but this time showed just how much he can do from a variety standpoint. From the clean, bass-heavy 'Polyphobia' to the glitched-out, funky 'Glivch' to the emotional piano and vocal track of 'Hurricane,' Joel has proven that he can do anything. A very well executed EP! Listen now!