text:
Why, Despite Everything, Supporting Jeremy Corbyn Can Still Make Surprising Emotional Sense
A Pamphlet
The real fun is working up hatred between those who say "mass" and those who say "holy communion" when neither party could possibly state the difference between, say, Hooker's doctrine and Thomas Aquinas', in any form which would hold water for five minutes.
Here are two jokes.
This one comes from a twitter feed called Maomentum. It has been widely circulated by opponents of Jeremy Corbyn:
Over the next few days it is crucial that we fight, and fight, and fight again, to save the party we have loved for the last 10 months!
This one comes from a website called The Daily Mash. It has been equally widely circulated by supporters of Jeremy Corbyn:
A BRITISH political party, founded over 100 years ago by socialists has been 'infiltrated by socialists', it has been claimed.
The Labour Party, started in 1900 by self-confessed socialist Keir Hardie, has seen a 'suspiciously large influx' of people who believe a lot of the same things as he did.
A senior Labour official said: "These people are clearly very interested in politics, but for some reason they haven't joined the Conservative Party. It would appear they are really into redistribution of wealth, nationalisation and the welfare state. It's all very sinister."
Jane Thompson, who joined the Labour Party recently, said: "At first I double-checked to make sure I wasn't an MI5 agent.
"I'm pretty sure I'm not, though MI5 can do all kinds of weird things. Anyway, the most likely explanation is that I now believe the Labour Party could potentially do things with which I actually agree.
"Also, I was a member from 1981 until 1994. At that point I decided it wasn't really for me any more. Something must have happened."
And there you have it. The whole thing. The whole argument laid out in black and white.
On one side, people who think it is ridiculous that people have strong convictions about a party they have only recently joined. On the other side, people who think it is ridiculous that they are being called communists (and worse) for holding perfectly mainstream socialist views. One side quite sure that socialism is going to destroy the party; the other side unable see any point in the party carrying on if it isn't mostly socialist.
The Maomentum joke invokes the spirit of Hugh Gaitskill, who told the 1960 Labour party conference that he would fight, fight and fight again to save the party he loved. The party he loved had just voted against Britain having its own weapons of mass destruction which he thought (and I paraphrase here) made them unelectable. Granted, the issue of WMDs is one that can cut across left/right divisions: Nye Bevan, famous non-nudist and socialist saint, ended up in favor of them. But still: the quote that's being invoked is about saving the party from socialism. Or at any rate, from too much socialism.
Momentum is an internal pressure group which supports Jeremy Corbyn's leadership; Mao Zedong was a Chinese Communist who believed that peasants were the vanguard of any revolution. The point of calling the feed Mao-mentum is to imply that supporters of Jeremy Corbyn are Maoists.
I don't think it is possible to be a Maoist and a Trotskyite at the same time. But supporters of Anyone But Corbyn throw words like Maoist, Communist and Trotskyite at anyone slightly to the left of them. It's a bit like a Church where people say "You damn Calvinist!" and "You bloody Papist!" as if they came to the same thing.
When I complained to one of my traditional Labour friends about their use of the word Trot to describe anyone to the left of them, they pointed out that I sometimes use the word Blairite to describe people to the right of me. Has it really come to that? Is insinuating that a comrade is secretly working towards world communist revolution really as bad as insinuating that a comrade supported the last Labour prime minister but one? Some of my Labour friends really did support Tony Blair but I never even met Leon Trotsky and shouldn't think I would have liked him very much if I had. The real equivalent of calling a Corbynist a Trot would surely be calling an Anyone-But-Corbynist a Stalinist.
For the avoidance of doubt: I mean that both insults would be equally silly.
I do get where the Stalinists Anyone-But-Corbynists are coming from. I really do. Another Labour friend quoted the "I will fight, fight and fight again…" Tweet at me after I had pointed my own Twitter feed to a recording of The Red Flag. I entirely agree that this was a silly thing to do. The guy who has sat in the back pew every Sunday for 60 years must feel pretty pissed off with the keen young convert, bouncing about the pulpit asking why everyone else doesn't wear their Rosary in the bath. (It was the Dick Guaghan version: White Cockade, not Tannenbaum.)
I paid £3, according to party rules, to become a registered supporter of the Labour Party and cast my vote in the last leadership election. When Jeremy Corbyn was elected leader – in that very hour – I became a full member of the party, for something like £60 a year. I admit that I saw joining Labour in the much the same spirit as joining Amnesty or joining Liberty or joining the Bob Dylan fan club. I was indicating my support for a particular programme, committing some money to the cause, promising to vote with the party in elections; and lending them a little extra "clout". In return, I expected to get some information, preferential booking at concerts, a membership card and secret code book. Tens of thousands of us joined in the same spirit, giving the party a not insignificant financial boost. I grok that, since hardly any of those ten thousand came to meetings or volunteered to do electiony things during the election, the Stalinists long-term activists find it very hard to think of us as actually having joined anything at all. Someone said that it was hardly fair that someone who joined a party yesterday should have the same say in choosing a leader as someone who has been pushing leaflets through doors for the last twenty-five years. I agree. So why do the rules say one member one vote rather than one activist one vote?
I believe that if I wanted to become a Quaker, I would simply start attending Meetings. After a certain amount of time, someone would approach me and ask if I wished to become a member of the Society. Not the other way round.
My background is Labour; some of my earliest memories involve my parents running Labour campaigns from our front room. My grandparents where party activists. Tony Benn famously said that the Labour Party owed more to Methodism than to Marx: I was raised Methodist. I feel an emotional connection with the Left that I don't feel with other secular causes. I know I ought to care very much about environmental issues and human rights issues and freedom of speech issues. I still don't really understand what fracking is, but I am quite clear that I am against it. But I don't feel it in my heart. But talk to me about the Tolpuddle martyrs or Mrs Thatcher and the Nottingham miners or Jeremy Hunt and the junior doctors and I'll become emotionally engaged. There is power, there is power in a band of working folk, and all that that entails. I was really quite proud and excited when we Librarians went on strike for a whole day last year.
I supported Labour 1987 and 1992. The '82 election was a month before my 18th birthday. But by 1993 I had formed the opinion that John Smith's shadow Home Secretary was a swivel-eyed lunatic (because of his political exploitation of the grotesque James Bulger murder). When Smith suddenly died in 1994, I said the the cleverest thing I have ever said in my life. "Oh God, please, anyone but Tony Blair."
For the next 20 years I switched between voting Liberal, Green, various flavours of Independent and not bothering to vote at all. I watched with some amusement as Tony Blair's name became a slur and an insult even inside the party in the name of which he had single-handedly won three elections, and tried terribly hard not to say "I told you so". I said that it would take a Clause 4 moment to convince me that Labour was no-longer the party of the Warmonger. When that moment unexpectedly came I posted off my membership fee. Earlier this year we had elections for the local council and the Mayor of Bristol. For the first time in my life, I felt I was voting for a party that I really believed in and which had a real shot at winning.
But here's thing thing.
I don't understand what it would mean to love a political party, any more than I understand what it would mean to love a refrigerator or a wellington boot.
There are people who really like doing politics: who think that door knocking and leafleting and standing outside cold polling stations is almost as much fun as waiting on railway stations for a train number you haven't seen before. There are people who really like doing church: running sales of work and arranging flowers and colouring in pictures of Zacheus the tax collector in crayon. And there are people who really don't. Saintly people like C.S Lewis say "Aha, the very fact that I don't like church proves that going to church is the pious thing for me to do. Doubtless God invented it to challenge my intellectual pride." The less saintly of us find that we can't quite remember the last time our bottom had contact with a pew. But surely, those of us who don't regard putting leaflets through doors as the most fun a young Trotskyite could have on a wet Sunday afternoon are still entitled to some input into the political process?
I do sometimes wonder if perhaps political parties are maybe just a little bit too obsessed with leaflets. You have no idea how many came through my door during the Referendum. I wonder what difference they made? Certainly no-one reads a slogan about how many millions of pounds the E.U wastes on banana straightening devices; or indeed, how many pretty babies the Liberal candidate has, and says "Very good point! I shall shift my allegiance forthwith!"
You may say that I am disengaged from real politics because I only read about it in the newspaper and write about it on the internet, if you want to. You may call what I do "clicktivism" if you like. Vladimir Ilyich Ulyanov started his career publishing a fanzine called Pravda which I believe is still going. Maybe if he'd done it on a blog it wouldn't have counted.
Some time ago I was approached by a nice young man selling copies of a magazine called The Socialist. He said that it used to be called Militant. The Militant group, he explained, had once been part of the Labour Party, but they decided to leave in the 1980s because the party had become too right wing for them. I must admit that this is not exactly how I remember it happening.
When I told this story to my Communist friend he said "But that's the whole trouble with the Left. In an internet age, they are still standing outside railway stations trying to sell newspapers."
What is a middle-aged Trotskyite to do?
I can sign up to the Labour party, as a £3 supporter, a £25 supporter, as full member, and vote for the leadership candidate who believes in the things I believe in. But this, say the Stalinists activists is entryism: I am not a real member and Corbyn is not a real leader. Some of them will go so far as to call me a cancer that needs to be cut out or an infestation which needs to be cured.
OK, then: I can become an activist myself: go to my local party meetings and volunteer for committees, argue for socialist policies; nominate socialist conference delegates and above all try to ensure that there is a socialist candidate standing at the next election. But this makes me, in the eyes of the Stalinists moderates the very devil. Reselection is the great taboo. I think I understand some of the bitterness. The fear is that 150,000 new members will turn up at the little hall where you've been having meetings for the past fifty years and announce that because Mrs Miggins doesn't support unilateral disarmament vociferously enough she will henceforth be relieved of her tea-making duties.
I tried to explain this to my Apolitical friend. "I don't see the problem" he said "Of course someone shouldn't automatically be able to remain an MP for life if members of their party don't agree with them any more."
So then, I shall go away and start my own Trotskyite party; or give my vote to the Greens, or to Respect or to some worthy independent. But the Stalinists Labour loyalists will come to me in 2020 and say "It is self indulgent to waste your vote on a party of protest. The Greens and the Liberals and Respect are free to say whatever they like, content in the knowledge they will never have to implement their promises." Some go so far as to say that the UK is irreducibly a two-party system and it is almost undemocratic to vote for someone who isn't one of the two main parties.
So for me the choice is Corbyn or nothing.
My MP, Thagam Debbonaire has published an open letter which credibly accuses Jeremy Corbyn of (at the very least) catastrophic managerial incompetence since he became Leader of the Opposition. This puts some meat on the bones of the "unelectable, unelectable, unelectable" mantra. Please read it.
Some of Ms Debbonaire's arguments I find a little weak: Corbyn's position, that the government should honour the result of the referendum and withdraw from Europe (even though he personally favoured staying) is highly consistent with his belief in democratic mandates. The fact that the majority of people in Bristol voted Remain is neither here nor there. And I fear that "I want a Labour Government more than anything" is meaningless. I don't want a Labour Government on any terms: not one which get into bed with Donald Trump, bring back hanging, or make people pay to see their doctor. "Oh, but that could never happen." No: no it couldn't. And yet the Iraq war happened: and water is privatized and students have to pay to go to university.
The letter is refreshingly free from words like Trot and leftie and communist and I am sorry if I associated myself with people who were using words like traitor and turncoat when Thangam resigned from the shadow cabinet. The claim that Corbyn is incompetent is serious and important. "The reason I voted 'no confidence' in him as leader is because I have no confidence in him as leader" she writes. You can't put it much more clearly or fairly than that.
But although this letter has helped me understand why some people support Anyone But Corbyn it hasn't persuaded me to change my position.
Back in August 2015, Alastair Campbell told Labour voters to support Anyone But Corbyn in the first leadership election ("no first preferences, no second preferences, no any preferences") because he would be a leader "of the hard left, for the hard left" and would therefore be unelectable. In September, Roy Hattersley wrote in the Guardian that "half the Labour party is deeply opposed to (Corbyn's) policies" (*) and that before an election can be won there would have to be "a formal and public renunciation of many of the policies on which the leadership election was won." Again, it was the policies he appeared to have the problem with. Tony Blair affected not understand how anyone could support a Corbyn because, look we all yes agree that y'know socialism is yes wrong.
I do not say that the complaints about incompetence are untrue. I do not say that they are not deeply felt and sincere. Clearly, our man Could Do Better in some respects. But they are not what this is about. This is about politics.
Before I nailed my colours to this particular mast I had not understood the visceral, gut level hatred that some on the Right feel towards what I would call Socialists and what they would call Trots. I don't know whether, like Mrs Thatcher, like Melanie Philips and indeed like my Fascist friend J.C Wright they honestly believe that Jeremy Corbyn and John Smith and Billy Bragg and me are part of a literal Communist plot to bring about the end of civilization or if it is simply rancor about the 1980s and Militant and the SDP and Tony Benn. (Roy Hattersley talks about the guy running Momentum as having been one of Tony Benn's "henchmen". I didn't know that National Treasures had henchmen. Do they have secret underwater bases and bat signals as well?) I am inclined to think that Corbyn could abolish poverty and bring peace to the middle-east and some of the older Labour Party members would still be unable to forgive him for being a founder member of the Campaign for Labour Party Democracy.
I do not hear any voices in the Anyone But Corbyn camp saying "We like Corbyn. We like his clarity, his authenticity, even (in a funny) way, his charisma. We like the fact that he can pack out halls and that tents full of hippies cheer the mention of his name. We (subject to the normal disagreements which all politicians have with all other politicians) agree with Jeremy. We want what Jeremy wants. But — here's the hitch — we're not convinced by his managerial abilities. We don't think he's up to handling the day to day running of a party and eventually a Prime Minister's office. What we want is for Jeremy to carry on touring the country making speeches, firing people up about socialism and the new politics, but for someone else to be actual Leader of the Opposition."
What I have heard, from the beginning, is the chant "unelectable, unelectable, unelectable." And frankly, it is worth twenty five quid of anyone's money for even a small chance of the newspapers having to print headlines which say UNELECTABLE MAN ELECTED in 2020.
When they say he's unelectable, what they mean is "he's a socialist". That was clearly the opinion of Campell and Blair and Hattersley from the very beginning. He's unelectable because he's a socialist; socialists are unelectable because The People never elect socialists. If we concede that point, it follows that we can never have a socialist government -- or even a socialist opposition -- ever again. Politics can never again be about conviction; it can never again be about candidates saying to voters "I believe in this because it's true, and I want you to believe it as well, and here's why." Politics will always be about candidates second guessing what The People believe, pretending that that is what they believe, and pretending to believe something else if The People change their mind.
We know what The People think. The People have just voted to crash the British economy and break up the United Kingdom because they think that will magically make all the brown people go away. I don't think that it follows that Labour should start putting out anti-immigrant mugs and anti-immigrant tee shirts and start carving anti-immigrant slogans on chunks of marble in order to position themselves alongside the xenophobia brand. I think Labour needs to start telling The People that they are wrong about this one.
I don't think that The People are stupid or evil. I think that The People are mostly not very interested in politics so if you keep on telling them the same story over and over again for long enough they'll end up sort of kind of assuming that it's true. So someone has to start telling them a different story. Someone has to use every tool of propaganda and advertising and rhetoric to say "It isn't the immigrants that are making you poor, you chumps, it's the Tories and their economic policies."
Right now, The People would not elect a socialist prime minister. OK. But how would it be if the Left stopped fighting among themselves and started to make out a case for socialism.
When did we last try that?
This is the last throw of the dice. If we lose this one, then no-one will make the case for socialism again in my lifetime, and I and thousands like me will simply be excluded from the political discourse. Jeremy Corbyn is not the best standard bearer socialism could possibly have. But he is the best one currently on offer. And he does have conviction and moral authority and authenticity and a funny kind of charisma and he speaks from the heart. I really did see young people pushing their way to the front of the crowd to have their picture taken with him.
How much do I like him? Seven and half out of ten.
Baby steps. First, a socialist leader. Then, a socialist opposition. Then, a socialist prime minister.
And then, of course, comes the tricky bit.
(*) Not true, incidentally. Hattersley meant that Corbyn received plurality, but not an overall majority, of votes from Labour Party members, disregarding registered supports and Union affiliates: 49.59% of the votes. But it by no means follows that the remaining 50.41% were deeply opposed to his policies. Many of them will have had him as their second or third preference; and many more will have said "I agree with Jeremy Corbyn's policies, but I don't think that he has what it takes to be party leader."
1: The author acknowledges that everyone is bored with this topic now and would rather he was was writing about Spider-Man
2: The author acknowledges that this article will annoy all sides of the argument equually. On the plus side, think how much writing he'll be able to do when all his friends have stopped talking to him.
3: The author acknowledges that this article was abandoned before Anyone-But-Corbyn's big speech, and is therefore already out of date.
4: The author acknowledges that the court will give its judgement in about an a hour and a half, very probably making the whole question moot.
5: The author acknowledges that he stole this joke from David Eggers.
6: The author thanks bloggist, musician and dinosaur discoverer Mike Taylor for doing the Ditko mash-up.
7: Oh, and the title is a head-nod to Francis Spufford. If you haven't read his book then you ought to.
This blog is supported by my Patreon backers. If you like what I write, you agree to pay £1 every time I write something. It's a good socialist principal.
Labels: politics, POLITICS.
"It comes from a very ancient democracy, you see..."
"You mean, it comes from a world of lizards?"
"No," said Ford, who by this time was a little more rational and coherent than he had been, having finally had the coffee forced down him, "nothing so simple. Nothing anything like so straightforward. On its world, the people are people. The leaders are lizards. The people hate the lizards and the lizards rule the people."
"Odd," said Arthur, "I thought you said it was a democracy."
"I did," said Ford. "It is."
"So," said Arthur, hoping he wasn't sounding ridiculously obtuse, "why don't people get rid of the lizards?"
"It honestly doesn't occur to them," said Ford. "They've all got the vote, so they all pretty much assume that the government they've voted in more or less approximates to the government they want."
"You mean they actually vote for the lizards?"
"Oh yes," said Ford with a shrug, "of course."
"But," said Arthur, going for the big one again, "why?"
"Because if they didn't vote for a lizard," said Ford, "the wrong lizard might get in. Got any gin?"
This is the last chance in our lifetimes to go for the anti-Lizard vote. It's worth twenty five quid. Register as a Labour Supporter
Last chance to register as a Labour supporter and vote for that nice Mr Corbyn. (or someone else, if you are a big fan of nukes and austerity.)
We have to win this one, or it's a choice between a Lizard and another Lizard for the rest of our lives.
No more anti immigrant mugs!
http://www.labour.org.uk/pages/labour-party-leadership-election-2016
The Amazing Spider-Man #6
Face to Face With the Lizard
Villain:
Named Characters:
J. Jonah Jameson, Aunt May, Betty Brant, Flash Thompson, Liz Allan
+ Curt Connors, Martha Connors, Billy Connors
Like the Hulk, the Lizard wears purple trousers after his transformation; although unlike the Hulk, this appears to be the sartorial choice of his human counterpart.
On the cover, the Lizard's white lab coat is also purple — either due to an error, or because red/blue green/purple is a good combination in cheap four colour printing.
The Lizard appears to have no teeth.
Although he's an iconic villain, this is the Lizard's only appearance in the classic era. (Connors appears as a supporting character in #32.)
Connors's son Billy definitely knows about his father's affliction; although when the Lizard returns in issues #44, he appears not to.
As a monster story, it's kind of okay. As a Spider-Man story...
Amazing Spider-Man #4 (Sandman) seemed to have nailed the Spider-Man formula: it achieved a perfect equilibrium between The Writer (who wanted big fights between the Hero and a monthly Challenger) and The Artist (who wanted realistic stories of a guy saddled with weird powers). It interleaved the high-school story and the super-villain story and made the Fight Scene interesting by showing us the goodie and the baddie using their powers in a series of ingenious attacks, defenses and counter-attacks. But it appears that neither Lee nor Ditko quite realized they'd produced the definitive Spider-Man tale. Issue #5 and issue #6 represents a different conjectures about what a Spider-Man story ought to look like. Neither of them quite work.
A Florida swamp is being terrorized by a lizard, known as The Lizard. Near the swamp lives Dr Curtis Connors, an expert on lizards. To no-one's great surprise, it turns out that The Lizard and Connors are one and the same. Connors is an amputee and thinks it is unfair that human beings can't just grow new limbs when they need them. He uses Science to brew a Potion which gives him a new right arm, but unfortunately it has the side-effect of turning him into a giant lizard. For reason which are not explained it also makes him talk like Thor. ("Begone! This swamp is mine!")
Comic book Science is a form of sympathetic magic, so the idea that a Potion brewed from lizards gives you new arms and legs but also turns you into an actual lizard makes a good deal of comic book sense. Harder to swallow is the alchemy of "powers". It seems that individual species — and indeed whole taxonomic categories — have irreducible essences which can be transubstantiated to other individuals. So the radioactive spider-bite transferred the "powers" of the Spiders to Peter Parker; and the lizard potion transferred the "powers" of all cold blooded creatures on earth to Curtis Connors.
On page 16 we see Spider-Man using his wall-crawling ability to run up the side of an old Spanish fort, and The Lizard climbing after him. It looks to me as if The Lizard is just scaling the wall (picking out foot and hand holes in the brick work) but in fact, it's all to do with his Platonic essence. "Hah! He forgets there are thousands of different kinds of lizards on the earth, and I have the powers of ALL of them! Has he never seen a gecko lizard slither up a wall". Similarly, the Scorpion is able to cut through spider-webbing with his fingers because he has the "powers" of a scorpion and scorpions have claws; the Sub-Mariner is able to electrify his body because he has the "powers" of all fish and they serve eels in sea-food restaurants.
The whole logic of the story depends on there being something unnatural or uncanny about The Lizard. Peter Parker has little difficulty in accepting the existence of space aliens, flaming teenagers or giant green monsters, but he finds the story of an intelligent lizard in a swamp a little too far-fetched. Jameson says outright that The Lizard doesn't exist despite Parker having taken photos of it. Connors den is decked out with retort stands and test tubes; and he himself (even in his monster form) wears a long white lab coat. Spider-Man (being at least half way through his chemistry A level) is able to decode his notes and brew up a new Potion which turns The Lizard back into a human being. But no-one regards Connors as anything other than a black magician. "I tampered with forces of nature which must not be tampered with!" he exclaims, before burning his books and breaking his staff. Well, burning his books, anyway. It's not that his experiment had an unexpected result, or that he stupidly didn't think through the consequences: the idea of using Science to restore lost limbs was against the natural order of things. Like picking apples in Eden or trying to steal fire from the gods. Frankenstein was a necromancer.
The bulk of the episode — pages 6 - 20 — takes Spider-Man out of New York altogether, sending him to Florida to fight The Lizard. It's hard not to see this as a last-ditch attempt by Lee to force Ditko to turn in a superhero comic. Lee probably reasoned that Ditko couldn't very well fill the comic with characterization and human interest if Liz Allen, Aunt May, Flash Thompson Betty Brant and Spider-Man are a thousand miles apart.
J. Jonah Jameson, on the other hand, flies all the way to Florida with Peter Parker ("It's such a big story that I'm going with you"), confirming our sense that Amazing Spider-Man has become the Peter and Jonah Show. This is the third consecutive episode which has begun with J.J.J bad-mouthing our hero. It's a potentially good set-up for a story: how many sit-com episodes have involved sending two characters who don't like each other away on a field trip? But, as so often in these early issues, nothing really comes of it. We ought to have seen Parker and Jameson forced to make conversation in a hotel room during a power cut, or Spider-Man and J.J.J. forced to cooperate to escape from the Lizard. In fact, Jameson might just as well have stayed at home: Peter gives him the slip as soon as they arrive in Florida, and the remaining 12 pages is a monster story in which Spider-Man doesn't get out of costume once.
Ditko does manages to smuggle a bit of soap-opera in, a 4 page sequence in which Peter Parker goes to the museum to find out about lizards and finds Flash and Liz already there. (Museums are a sort of olden days version of Google.) Wouldn't you know it, though: some thieves try to rob the museum and briefly take Liz hostage. Peter has to change to Spider-Man to rescue her. This sequence has no actual connection with the main plot, and it's very hard not to think that Ditko dropped it in as a pretext for reminding us readers that the supporting cast still exist.
As we've seen, Stan Lee's dialogue and captions sometimes get out of sync with Steve Ditko's art. There is a minor example of that in the museum sequence: we see two hoods walking through the dinosaur exhibition; Peter Parker clocking them with his spider-sense; the crooks spotting that he's spotted them and grabbing Liz at gunpoint; and Spider-Man knocking them both out with a single punch. ("Ugh! Oof!"). Nothing in the pictures indicates what they are doing in the museum: for that, we have to read the speech bubbles. The crooks say "No-one saw us take the idol's ruby"; a few panels later Spider-Man says "It's the guard! He's chasing those two! He saw them steal something!" and the crooks say "Okay, so you saw us grab that ruby…". It's very odd that we don't see the idol or the theft; and very odd that Ditko doesn't show us the crooks trying to conceal a gem. It's very odd indeed that Spider-Man says that he sees guardS chasing them, even though there is no guard in the picture. It is pretty clear that Stan Lee looked at the pictures, didn't think it was clear what was going on (which, indeed, it isn't) and made up the story about the jewel heist after the event.
But this is as nothing to the counter melody that Lee plays during Spider-Man's big fight with The Lizard.
The plot, as expressed in the pictures, is simple and satisfactory. The Lizard is terrorizing the Swamp. Spider-Man realizes that The Lizard and Curt Connors are the same person; and uses Science to make a potion that will turn him back to his human form. The challenge is how to get The Lizard to drink the potion, which Spider-Man ingeniously solves by grabbing The Lizard and forcing it down his throat. Spider-Man doesn't hand Connors over to the authorities because he hasn't broken any laws. Breaking the law is a big thing for Stan Lee. He keeps saying Doctor Doom isn't really a baddie because there is no law against trying to conquer the universe. Surely the real point is that Spider-Man lets Connors go because he isn't responsible for what he did when he was in his lizardy form?
This doesn't seem to be exciting enough for Lee so he adds a sub plot. During the big fight, The Lizard is shown to be being followed around by three big alligators. I don't think that you or I, just looking at the picture, would have thought that needed much explanation: of course a big intelligent humanoid lizard would have alligators as minions. But Lee feels the need to explain that the Lizard Potion not only turned Connors into a Lizard; not only gave him the Powers of every kind of Lizard; but also gave him mental control over Lizards. Even better, he is going to spill his Potion into the swamp, which will turn every lizard in the world into a super-lizard under his mental command which will enable him to (Evil Laughter) RULE THE WORLD!
I suppose this follows on a bit from the "alchemical" idea that Connors' has transferred some kind of distilled essence of lizardyness to himself. I suppose that Stan Lee thinks that increasing the "hazard" automatically makes the story more exciting, so he upgrades "I have to defeat the monster and return the nice scientist to his right mind" to "I have to defeat the monster and return Connors to his right mind or else he will conquer the world." I think it is unnecessary, and confuses a simple story. None of the pictures remotely suggest the conquer-the-world angle. Ditko shows us Spider-Man physically snapping photos with his camera; and clearly shows Spider-Man holding a flask with the antidote Potion in it. But at no point do we see The Lizard's conquer-the-world Potion. Surely if Ditko had known about it, there would have been a dramatic scene with the Lizard holding a flask over the swamp and Spider-Man grabbing it in the nick of time?
Once again, Spider-Man is not primarily motivated by a sense of duty or altruism. He goes to Florida because Jameson challenges him to fight the Lizard (as Spider-Man) and because he needs the money for the photo-assignment (as Peter Parker). Once again, he starts out acting from honest self-interest and only gradually becomes entwined in situation in which he has to a good thing.
Spider-Man initially thinks that The Lizard is "publicity mad"; where Jameson thinks that Spider-Man will not challenge him because he is more interested in "making a rep" for himself in New York. But when Peter Parker comes up with the pictures, Jameson (having traveled all the way to Florida to get them) declares that the whole thing is "some sort of publicity stunt" and refuses to pay for them. Once again, we appear to be talking about competing sports stars or TV personalities, not heroes and deadly menaces.
On page 6, Parker nervously tells Betty Brant "I've been wanting to ASK you something." We can guess what he wants to ask her: after all, only last issue he suddenly realized how he felt about her. On his return from Florida, he phones her up -- at some point in the last year, he has grown into the kind of guy who confidently asks girls to go out with him. But when he finds out she's working late, he immediately asks Liz to go out with him instead. Which, if he's honestly just realized that Betty is seriously interested in him and he's seriously interested in her is a fairly caddish thing to do.
The Sandman story ended with Peter Parker carrying the weight of the world on his shoulders, declaiming to God about the curse of his powers. Issues #5 and #6 have lightened up considerably; with mildly ironic sit-com style endings. #5 ended with Flash Thompson having become a hero to the other school kids, despite having made a complete idiot of himself. This issue ends with Peter half-smiling when he finds out that Liz doesn't want to go out with him...because she thinks Spider-Man is going to call her. (Spider-Man called her "blue eyes" when he rescued her in the museum.) Parker still thinks that it's not fair when everything doesn't go exactly his own way, but instead of God, he now blames a phenomenon he calls luck. "I've got nothing but luck, and it's all bad"; "Only a guy with my nutty luck could end up being his own competition."
Believing in "bad luck" is a way of reading malice into the ordinary process of stuff happening; it can also be a form of self-sabotage. Some pop psychology suggests that people who believe that they are lucky are the ones who are good at grasping opportunities when they come their way. People who believe in bad luck think they are helpless in the face of set-backs. But it isn't a very serious explanation. People mainly invoke luck when they are throwing dice or betting on horses. You could, perfectly reasonably, say that it was "bad luck" that meant that a crook who had once passed Parker in a corridor just happened to murder the person he loved most in the world; but it would be a trivial way of talking about a serious event. Amazing Fantasy #15 would have been a very different comic if it had ended with Parker winking into camera and saying "My luck's running true to form…"
The grim tragedy of Stan Lee's groundbreaking character has become a comic tick. You can almost hear the waa-waa-waa sound effect in the background. We have four or five months of happy endings to look forward to before everything turns depressing again.
Summary of Peter Parker's Photo Career, So Far:
Issue #2 - Sells pictures of Vulture for tens of thousands of dollars
Issue #3 - Doesn't bother to photograph Doc Ock
Issue #4 - Sells (fake) pictures of Sandman for an undisclosed amount
Issue #5 - Sells pictures of a fire in Doom's base for an undisclosed amount
Issue #6 - Fails to sell pictures of Lizard.
Does Aunt May have an independent source of income? What, indeed, was Uncle Ben's job? Did he have a pension? May has no savings, having to pawn her jewelry to pay the rent in issue #2. Having spent all the money from issue #2 on rent and kitchen equipment, are May and Peter wholly reliant on the Sandman pictures to pay general living expenses? If so, how can Parker even contemplate college?
Listen Bud
A Close Reading of the First Great Graphic Novel in American Literature
Andrew Rilstone is a writer and critic from Bristol, England. This essay forms part of his critical study of Stan Lee and Steve Ditko's original Spider-Man comic book.
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Amazing Spider-Man was written and drawn by Stan Lee and Steve Ditko and is copyright Marvel Comics. All quotes and illustrations are use for the purpose of criticism under the principle of fair dealing and fair use, and remain the property of the copywriter holder.
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Labels: COMIC BOOKS, Comics, Listen, Mr Stan Lee, Mr Steve Ditko, SPIDER-MAN
Dear The Right
This kind of thing makes me raise my voice, roll my eyes and use dismissive body language. I trust you can personally guarantee it won't happen again this time around?
A voter writes...
From: Louise Brown
Sent: 04 July 2016
To: Membership;
Subject: [UK Labour Party]
Is it still possible to register as a supporter and vote in the next leadership election?
Dear Louise
There is no leadership contest. The Labour Party's rules state that in the event of a leadership election being called the Labour Party's National Executive Committee will set out the rules and guidelines of the contest at that time, including rules for members and supporters. All members are eligible to vote in internal elections. Supporters may be able to vote subject to the NEC's approval but at present we are only accepting Affiliated Supporters, which you can sign up for at support.labour.org.uk.
Ben Markham
The Labour Party
To: Labour Membership
My query was expressed as being about the rules for the next contest whenever that might be.
Events have as I anticipated overtaken my query.
Given the ever changing rules any answer would be sadly pointless.
I voted Labour for the first time ever this year.
Partly because I was impressed by the Bristol mayoral candidate but also because I believe Jeremy Corbyn was offering a real alternative based on actual political beliefs I could support and a more thoughtful and reasoned approach to the issues.
I found his balanced approach to the issue of leave/remain far preferable to the misrepresentations and hysteria from elsewhere.
I am a former Liberal Democrat supporter and have never seen myself as "left wing". However I believe in voting for the good of the whole of society not myself or my socio-economic group.
For example I am happy to pay more tax if it leads to a society that is wealthier overall by providing a decent standard of living for all rather than just those of us fortunate enough to be able to buy healthcare, education etc.
The behaviour around the recent referendum has highlighted that there are many people who feel angry, frustrated and frightened.
Many of my formerly non-political friends who broadly share my views on the need for a fairer and more caring society and a more adult approach to politics were considering supporting labour under Corbyn
I have spoken to many people from the legal profession and several doctors who were considering a Labour vote for the first time.
However the current shenanigans by MPs who appear determined to oust Corbyn have left me and many I have spoken to disappointed.
Can they not see that his appeal is not just to the left but to those of us who do not necessarily define ourselves politically but have become increasingly disillusioned with the current government's failure to address the problems of social and financial inequality, diminished access to justice and the problems faced by the NHS to name but a few.
However the most recent events e.g. the almost surreal new rules on members/supporters and voting apparently designed to ensure that only the more wealthy supporters vote have left me feeling that the current PLP is not something I could support.
My enthusiasm for Jeremy Corbyn and what he stands for remains.
The majority of your MPs have sadly misjudged the situation and squandered the most exciting opportunity for many years
Yours in disappointment
Louise Brown.
Results of Labour Leadership election, Sep 2015
Labour Members :
Jeremy Corbyn - 49.59%
Next most popular candidate - 22.69%
Affiliated Members (Trades Unions, etc)
Next most popular candidate - 26%
Registered Supporters -- so called "£3 members")
Next most popular candidate - 7.97%
Overall results:
Jeremy Corbyn - 59.5%
Overall results with "£3 members" eliminated:
Last year I joined a political party because I liked and agreed with the leader and wanted him to have a shot at being PM.
This I now realize was a shameful thing to have done.
What is the solution? Perhaps political parties should be like the Christian Union, with detailed statements of orthodoxy that you have to sign before you are allowed to vote. Perhaps they should be like the I-Spy club where you get a coupon each time you go to a meeting, and are only allowed to join when you have 26 stickers. Or just go back to the old system, where the local party nominates the candidate, and the MPs chose the leader?
I don't know. We certainly can't carry on letting people like me join parties because we like and agree with the leader and want him to have a shot at being PM.
I am sorry for what I did. Like a recovering alcoholic, I should have known better than to start paying attention to current affairs again. I take it too personally.
By the rivers of Babylon,
there we sat down,
yea, we wept, when we remembered Zion.
We hanged our harps upon the willows in the midst thereof.
For there they that carried us away captive required of us a song;
and they that wasted us required of us mirth, saying,
Sing us one of the songs of Zion.
How shall we sing the LORD'S song in a strange land?
If I forget thee, O Jerusalem, let my right hand forget her cunning .
If I do not remember thee, let my tongue cleave to the roof of my mouth;
if I prefer not Jerusalem above my chief joy.
Remember, O LORD, the children of Edom in the day of Jerusalem;
who said, Rase it, rase it, even to the foundation thereof.
O daughter of Babylon, who art to be destroyed;
happy shall he be, that rewardeth thee as thou hast served us.
Happy shall he be, that taketh and dasheth thy little ones against the stone
I TOLD YOU SO
What do I fear? Myself? There's non else by.
Richard loves Richard: that is, I am I.
Shakespeare, Richard III
Gandalf as ring-lord would have been far worse than Sauron. Sauron multiplied evil, he left "good" clearly distinguishable from it. Gandalf would have made good detestable and seem evil.
Letter, Tolkien
1997: Blair's authoritarianism
1998: Blair's regressive welfare policy
1998: Blair's statism
2002: Blair's drive to war
2003: Aftermath of Blair's war
2004: Arrest of Saddam Hussein
2006: Blair's Madness (1) - Leadership
2006: Blair's madness (2): Social Policy
2007: Killing of Saddam Hussein
2010: Blair defends drive to war
It has always been the prerogative of children and half-wits to point out that the emperor has no clothes. But a half-wit remains a half-wit, and the emperor remains an emperor.
I've been doing this for nearly 20 years. Please, put a couple of quid in the tin to show me I've not been wasting my time, okay?
by backing me on patreon, you agree to pay me 50p or more every time I write an article (up to a maximum you specify). It only takes a minute or so to register. If everyone who reads my stuff chipped in, it would make a real different to my beer consumption standard of living.
Amazing Spider-Man #5
Marked For Destruction By Doctor Doom
First use of a pre-existing villain.
First time Flash Thompson is said to be a Spider-Man fan
First hint of a Peter Parker / Betty Brant romance
In issue #1 Jameson sincerely hated Spider-Man because he was stealing fame from his son John. But this issue, Jameson admits to being a hypocrite: he hates Spider-Man because hating Spider-Man sells papers. (Parker responds like the most famous teenager in literature, confronted by The Man: "you big, blustering phony".)
On page 12 of Amazing Spider-Man #5 Stan Lee uses a caption to address the reader directly:
You've struggled through one of the LONGEST INTRODUCTIONS you've ever read! But we think you'll find it well worth it because now the fireworks begin in earnest!
In fact, Spider-Man spends another page and a swinging around the city, searching for Doctor Doom's base, but at the boom of page 13, Lee's voice chips in again:
And now settle back and prepare to witness the gol-dangest, ding bustedest, rip-snoting'est super characters fight you've ever seen!
And there you have it: half way through the fifth issue of Spider-Man — arguably before the character is fully formed — we see the crack that three years from now will bring the first great era of the comic to its end.
No, I don't know what gol-dangest means, either. (The caption sounds a little like Bound For Glory: "the singingest, square dancingest, drinkingest, yellingest, preachingest, walkingest, talkingest, laughingest, cryingest, shootingest, fist fightingest, bleedingest, gamblingest, gun, club and razor carryingest of our ranch towns...")
Even if you knew nothing about the off-stage disagreements between Lee and Ditko it would be obvious that there were two competing voices in this comic. The narrator-voice, the person who speaks the captions, is somehow outside the story: commenting on it as it unfolds, not creating it. And this narrator-voice is impatient with the back-story and wishes we could fast forward to the fight scene. The story-teller, on the other hand, wants to linger in the set-up and show us why the fight happened.
Put another way: the narrator is only interested in the Spider-Man part of the tale; the story teller is interested in Peter Parker as well.
Put a third way: the narrator thinks it's a fantasy book about super-villains; the story teller thinks it's a realistic book about an ordinary guy coping with his weird powers.
Now, this may be a calculated part of the act. Stan Lee takes the mickey our of Art Simek on nearly every credits page, but no-one seriously thinks there was a rift between the writer and the lettering department. But knowing what we know, I think that Stan Lee is editorializing. I think he really does think that Ditko has spent too long on the sub-plot about Peter Parker and Flash Thompson, and is actively criticizing him, right there, on the pages of the published comic.
Whatever else he is, Stan Lee is caption-guy. Like him or loathe him (and I know some people think we should just erase the text and look the pictures) his voice is what the Fantastic Four has in common with Spider-Man. It's the unique selling point that makes Marvel a different proposition from D.C. Anyone can parody it; no-one can imitate it. One of the great strengths of that voice is its immediacy; Lee is honestly responding to the pictures he sees in front of him. The captions are sometimes more like commentaries than narratives. If we enjoy the moments when he says (sincerely) "OMG! Best. Cliffhanger. Ever!" we probably have to accept the moments when he says "Oh, for god's sake Steve, get on with it!"
But it's still an odd thing to do. This is Spider-Man, the hero who could be you, the new, realistic hero, the guy we are supposed to care about, confronting Doctor Doom, Reed Richard's evil lab partner, the worst villain in the Marvel Universe. And Doom is actively threatening to murder one of Peter Parker's classmates. Instead of talking up the melodrama, the narrator treats it as just another wrestling match. "Wohoo! Fight! Fight! Fight!" It's as if George Lucas came on stage at the end of Empire Strikes Back and said "thank god! No-more rubbish about the Force! A sword fight! Finally!"
And this isn't even the weirdest caption in the comic…
Stan Lee's complaint about the long build up isn't particularly valid. The comic is extremely well structured: a two page set up; four pages of Spider-Man's first meeting with Doom; a four page interlude; a second, eight page fight; and a two page wrap up. I think most readers would take the opposite line: the set up is really well done and funny, but it doesn't go anywhere: instead of a payoff, we get an eight page wrestling match.
The story has two prongs. In Prong A, Doctor Doom becomes interested in Spider-Man. First of all, he decides to ask Spider-Man to help him defeat the Fantastic Four. (After all, if he nearly beat them by himself, he should be able to beat them easily with the help of a teenager who can stick to walls.) Doom makes no attempt to deceive Spider-Man (as he does with the Silver Surfer a couple of years later) but appeals directly to his vanity. As ever, fame is the bait, and being a superhero is a branch of showbiz. "And yet, right under your nose, the Fantastic Four bask in the limelight while you are shunned and hunted." ("Limelight" is pretty much a synonym for Spotlight: it was the title of of Charlie Chaplin's last film, about the tragedy of fame.) And astonishingly, Spider-Man is momentarily tempted by the idea: "Me team up with you, huh. Wouldn't that be a gasser!" Spider-Man is still a morally ambiguous character: he does, in fact, make the right decisions, but maybe one day he won't. He doesn't say "get thee behind me supervillain, for I have sworneth on my uncle's grave always to support the forces of good". He says "Sure, it's an amusing thought to kick around…" Teaming up with Doctor Doom? Amusing?
When he has turned down the idea of going into partnership with the world's worst supervillain, Doom decides to capture Spider-Man and hold him hostage — telling the Fantastic Four that Spider-Man will die if they don't surrender to him. This makes literally no sense whatsoever. If Doom wants a hostage, why pick on someone who is difficult to capture and who the Fantastic Four have no particular commitment to? Why not just capture Will Lumpkin the postman?
This brings us to Prong B. Flash Thompson decides to play a prank on Peter Parker — dressing up as Spider-Man and jumping out on him to scare him. In a rather brilliantly timed denouement, Peter Parker and Flash Thompson are walking on opposite sides of a fence while Doom is scanning the area with his Spider-Man Detector. So Doom thinks he has captured Spider-Man, but has actually captured Flash Thompson in a Spider-Man suit. This is an almost perfect example of the accommodation that the story-teller will reach with the narrator: in almost every episode from now on, some unlikely co-incidence will bring an incident from Peter Parker's life and a threat to Spider-Man crashing together. But on this occasion, not very much comes of the set up. I wish Doom had continued to believe, or pretend to believe, that Thompson was Spider-Man for much longer; or that there had been a funnier confrontation between the real Spider-Man and the fake one; or Thompson had somehow found the Master Control Switch and really saved the day.
When Peter hears that Doom has captured Thompson by mistake, our Responsibility Hero's first reaction is…to do nothing: to let Doom kill him, and actually to gloat about it. He appears to have momentarily metamorphosed into Evil Genius Parker (with extra-large glasses) "What a break for me! All I have to do is keep out of it and Flash Thompson will never bother Peter Parker again! Finally, things are going my way!" (Flash certainly does call Peter bad names; but Peter calls Flash bad names in return. Wanting him to be murdered is a fairly extreme over-reaction.) But of course, the other side of Parker, the Spider-Man side, responds "Awww, what am I thinking? Who am I kidding?" Note that Peter Parker's better angels do not say that "just keeping out of it" is precisely what got Uncle Ben killed: they just say that letting Flash die is not the sort of thing Parker would ever do.
This is the third time that the split Parker / Spider-Man face has been used in the context of Parker's relationship with Thompson. At the end of last issue, Parker momentarily morphed into a super-villain and threatened to punch Flash ("you have insulted me for the last time!"); but his Spider-Man half reminded him that if he had a fight with a non-superpowered person, he could easily kill them. At the beginning of this issue, Flash taunts Peter again ("this is a bowling alley, not a knitting parlour") and the Spider-Man side of Peter's face thinks that one day, he will lose control and Flash won't know what hit him. So Spider-Man is both the potential that Peter Parker might do a bad thing — he is so strong, that his strength must be kept in check at all times. But Spider-Man is also Peter Parker's moral side: the side which tells him that he can't stand by and let villains kill civilians — even footballers.
The idea that a strong man has to be a saint because he has so much potential to harm people recalls Sir Lancelot in the Once and Future King; it's one of the central moral ideas in Marvel Comics, eventually daubed across the universe in the Dark Phoenix saga. ("I'd have to stay completely in control of myself every second of every day for the rest of my immortal life. Maybe I could do it. But if slipped, even for an instant, if I… failed… if even one more person died at my hands…")I can't think of any occasion when Spider-Man does cause harm by losing control: his sins are invariably sins of omission.
Stan Lee has a reputation as a motor-mouth who can't stop talking, but in fact, of the 30 or so captions which appear in Amazing Spider-Man #5 fully 1 in 3 are simple stage directions, in the manner of silent movie inter-titles:
The next day, at the offices of J. Jonah Jameson…
A short time later, in another part of town…
Not long afterwords…
Minutes later, after Peter has reached home…
and even simply
A further half-dozen fill out the stage direction with a bit of description, but are still basically functional:
Meanwhile, at home, Peter Parker practices his agility with his web in the privacy of his room…
And at that very moment at the famous skyscraper headquarters of the Fantastic Four…"
These intertitles may seem redundant to the modern reader: if the last panel on page 3 shows Doctor Doom in his lair, and the first panel on page 4 shows Spider-Man in his bedroom, we can infer a shift of location without it being signaled by a "Meanwhile, at home..." But I don't think that comic book writers could assume that level of visual literacy in 1963. Stan Lee felt the need to point out that Peter Parker didn't really have lines coming out of his head when he used his spider-sense, it was just a way of making the picture look more dramatic. TV shows of the period are very reluctant to cut from, say, the surface of the alien planet to the bridge of the Starship Enterprise without an establishing shot of the ship or the planet to tell the viewers where they are.
At any rate "meanwhile…" and "suddenly…" were standard operating procedure in 60's comic books. They are best thought of as beat markers: as if someone were standing just off stage saying "New Scene!" every few minutes. They rarely have any expository baring on the story. Amazing Spider-Man #5 flies past in a haze of action, but if we paid attention to the captions, it would actually unfold over 4 days:
Pages 1 - 6: Peter Parker and the kids are hanging out at the bowling alley. Spider-Man's first encounter with Doctor Doom. (Day 1)
Page 7 "The next day, at the offices of the Daily Bugle…" Peter sells Jameson some pictures of a fire. (Day 2)
Page 8: "A short time later…" Flash plans his prank, and executes it "Not long afterwards…" This leads to Spider-Man's big fight with Doctor Doom
Page 21: "The next day, at the office of J. Jonah Jameson…" Peter admits that he didn't get any pictures of Spider-Man fighting Doctor Doom. (Day 3) And "The next day…" he goes back to school to find that the other kids are treating Flash as a hero. (Day 4)
Now, the final scene pretty much has to happen on a Monday morning, which gives us the time-line:
Friday - Kids at bowling ally, first meeting with Doom
Saturday - Peter goes to Bugle. Flash's prank, big fight with Doom
Sunday - Peter goes to Bugle
Monday - Peter goes back to school
But does Ditko really intend that Peter dropped into the Bugle on a Sunday to tell them that he doesn't have anything to sell them; and that he found both the editor in chief and his PA in the building? In fact, panel 5 on page 21 clearly follows directly from panel 4: while he's at the office, Betty says that Peter is wonderful, and he is still thinking "gosh, I never realised she felt that way about me" when he gets to school. (Note that he is wearing the same clothes in the two panels. Ditko cares about that sort of thing.: Peter is dressed informally in the bowling alley but in his normal yellow tie when he visits the Bugle the next morning.) We could treat this as a simple mistake, and replace "the next day…" with "later that day…" but that means that Peter has to go to school on a Sunday. We could say that the kids were at the bowling alley on a Saturday, but that means that Peter sold J.J.J. the pictures of the fire on a Sunday. It doesn't help that Doom is surprised to see Spider-Man walking about "in broad daylight", but that "a short time later" Aunt May's house is plunged into darkness when the fuses blow!
There are seven day a week newspapers, of course, and it is possible that Jameson never gives Betty any time off. It is possible that Peter Parker knows what hours Betty works and happens to drop in when he knows she'll be there. But Stan Lee doesn't have any chronology in his head: "Next day…" is simply a bit of scene shifting noise. It would be an interesting exercise to change every time-based caption to "Immediately…" and see if it had any effect on the story.
A third category of caption is narrative description.
And then, as the deadly bolts from the awesome machine flicker around them, the two mighty foes battle for their lives...
These seem to be almost entirely indefensible: why on earth would we need to be told that two mighty foes are battling for their lives over a picture of two mighty foes battling for their lives? It's almost as if Narrator Guy feels the need to pop up from time to time and say "Hello! I'm still here!"
But the strangest use of captions comes on page 18. If you aren't paying attention, you could easily miss what is happening: I did the first few times I read the comic. (I suspect I am not the only person who sometimes allows his eyes to glide over the text.) Narrator Guy goes beyond giving Story Teller Guy a scolding in front of all the readers. The caption actually describes a different story from the one in the pictures. And choice of story is fascinating...
Over three panels, Doom tries to push Spider-Man into the path of the death ray; Spider-Man pushes Doom back ("I did it!") but Doom punches him ("Oof"). It is not a particularly inspired sequence; and it isn't clear from the pictures what happens to the death-ray device.
But the caption says:
"Exerting every last bit of power...."
Exerting every last bit of power contained in a super-human body, the Amazing Spider-Man, executing one last maneuver, manages to twist suddenly so that both figures sprawl against the control panel, halting the deadly, disintegrating bolts!
"But on the verge of exhaustion"
But on the verge of exhaustion due to his herculean effort, Spider-Man cannot prevent his older, more experienced adversary from regaining his balance first and striking the initial blow!
A lot of this is empty verbiage. Stan is putting words on the page to force you to linger on this particular panel: it's the writerly equivalent of a full-page art spread. The piece of information which Lee feels (correctly) is not clear in the picture could have been conveyed in a quarter of the words:
Spider-Man twists suddenly so that he and Doom fall against the control panel.
Ditko has just given us 12 panels of Doom and Spider-Man hitting each other, with a weird "war of the worlds" floaty-thing firing death rays at Spider-Man. A page later, the fight just peters out: the Fantastic Four arrive and Doctor Doom runs away. This isn't a very satisfactory way for a wrestling match to end. So Lee creates a climax for the fight, using many words to convince us something important has happened. Nothing in the pictures suggest that Spider-Man is making a big effort. Nothing in the pictures suggests that he pushes Doom against the control panel. And nothing in the rest of the story suggests that Spider-Man is particularly exhausted. The words are, if anything, a counter-melody to the pictures.
Up to now, Spider-Man has beaten villains with Science; because Peter Parker has thought up devices to stop their arms or their wings working. But this time Spider-Man wins because he tries super hard and doesn't give up. (Maybe he's remembering the Human Torch's motivational talk!) He has super-strength; but he is operating at the very limit of that strength. So it doesn't matter that the F.F turn up and Doom escapes, or even that Flash Thompson will take the credit for scaring Doom away. Spider-Man has won a moral victory by continuing to push when he was practically exhausted.
And it is astonishing to see this happening in the space between the panels. Because there is going to come another day on which Spider-Man will have to exert an herculean effort; and another time when he will cry out "I did it!" And that will also be the day when the crack between the Story Teller and the Narrator brings the whole edifice crashing down.
Labels: COMIC BOOKS, Comics, Mr Stan Lee, Mr Steve Ditko, SPIDER-MAN
Why, Despite Everything, Supporting Jeremy Corbyn ...
"It comes from a very ancient democracy, you see.....
Last chance to register as a Labour supporter and ...
Dear The Right This kind of thing makes me raise ...
Last year I joined a political party because I lik...
I don't care to belong to any party that would acc...
Bring Them Into the Light!
And at last Ar-Pharazôn came even to Aman, the Bl...


text:
Q: SED: pasting lines between two patterns > sed skips the next pattern match I have the following scenario
sed -n '/*SET_PART/,/*/p' Inputfile > Outputfile
So I am searching for paragraphs that start with a line containing "*SET_PART" and end with a line that contains "*". (In my scenario the occurence of "*" is always the sign for a new paragraph)
Example: Inputfile
    *SET_PART_COLLECT_TITLE
    Gesamtfahrzeug
           101
       1005043   1005049   1005101   1005102   1005103   1005200   1005300   1005400
       1005504   1005601   1005700   1005800   1005900   1006000   1006100   1006101
       1006102   1006103   1006200   1006201   1006202   1006203   1006400   1006401
       1006402   1006500   1006600   1006700   1006800   1006900   1007000   1007100
       1007200   1007201   1007202   1007203   1007204   1007300   1007301   1007302
       1007303   1007304   1007305   1007306   1007307   1007308   1007309   1007310
       1007311   1007312   1007313   1007314   1007400   1007500   1007600   1007700
       1007800   1007801   1015700   1015800
    *Keyword
           202
       1000000   1002002   1002312   1002313   1002323   1002701

    *SET_PART_COLLECT_TITLE
    Verbindungstechnik_Slave
           201
       1000000   1002002   1002312   1002313   1002323   1002701
    *SET_PART_LIST_TITLE
    Bord_stein_hi_Forcetransducer
             3        0.        0.        0.        0.
             3
    *SET_PART_COLLECT_TITLE
    *SET_PART_LIST_TITLE
    Fahrbahn_Forcetransducer
             1
             1
    *END

with the current command line I get: Outputfile
    *SET_PART_COLLECT_TITLE
    Gesamtfahrzeug
           101
       1005043   1005049   1005101   1005102   1005103   1005200   1005300   1005400
       1005504   1005601   1005700   1005800   1005900   1006000   1006100   1006101
       1006102   1006103   1006200   1006201   1006202   1006203   1006400   1006401
       1006402   1006500   1006600   1006700   1006800   1006900   1007000   1007100
       1007200   1007201   1007202   1007203   1007204   1007300   1007301   1007302
       1007303   1007304   1007305   1007306   1007307   1007308   1007309   1007310
       1007311   1007312   1007313   1007314   1007400   1007500   1007600   1007700
       1007800   1007801   1015700   1015800
    *Keyword
    *SET_PART_COLLECT_TITLE
    Verbindungstechnik_Slave
           201
       1000000   1002002   1002312   1002313   1002323   1002701
    *SET_PART_LIST_TITLE
    *SET_PART_COLLECT_TITLE
    *SET_PART_LIST_TITLE

The desired Output would be: (all the paragraphs that start with "*SET_PART".)
    *SET_PART_COLLECT_TITLE
    Gesamtfahrzeug
           101
       1005043   1005049   1005101   1005102   1005103   1005200   1005300   1005400
       1005504   1005601   1005700   1005800   1005900   1006000   1006100   1006101
       1006102   1006103   1006200   1006201   1006202   1006203   1006400   1006401
       1006402   1006500   1006600   1006700   1006800   1006900   1007000   1007100
       1007200   1007201   1007202   1007203   1007204   1007300   1007301   1007302
       1007303   1007304   1007305   1007306   1007307   1007308   1007309   1007310
       1007311   1007312   1007313   1007314   1007400   1007500   1007600   1007700
       1007800   1007801   1015700   1015800
    *SET_PART_COLLECT_TITLE
    Verbindungstechnik_Slave
           201
       1000000   1002002   1002312   1002313   1002323   1002701
    *SET_PART_LIST_TITLE
    Bord_stein_hi_Forcetransducer
             3        0.        0.        0.        0.
             3
    *SET_PART_COLLECT_TITLE
    *SET_PART_LIST_TITLE
    Fahrbahn_Forcetransducer
             1
             1

Put in words: I want to match the next occurence of "*" to match, but only print up to the line before it's occurence. And the line in which "*" occured should be the line to search for the next match to "*SET_PART". This is in case there are multiple "*SET_PART" paragraphs in succession.
I use Gnome Version 3.32.2 in case this is relevant.
Is there a better tool than sed for this case?
Thank you for your help

A: This might work for you (GNU sed):
sed -n '/SET_PART/{:a;p;n;/SET_PART/ba;/*/d;ba}' file

This is essentially a filter operation, so use -n to turn off implicit printing.
Find a line that contains SET_PART and start a loop.
Print the current line and then replace it with the next.
If that line contains SET_PART restart the loop.
If that line contains *, delete it and effectively end the loop.
Otherwise repeat the loop.

redpajama_set_name: RedPajamaStackExchange


text:
In the heart of the Alpilles mountains, set atop a rocky outcrop.
< Other Villages
See Villas in Les Baux de Provence
Private Chef Services
What you need to know about Les Baux de Provence
In the heart of the Alpilles mountains, set atop a rocky outcrop, Les Baux is crowned by historical castle ruins which overlook the plains to the south. les Baux is known to be one of the most beautiful villages in France. Its name refers to its site: in Provençal, a bauç is a rocky spur.
With its architectural heritage, beautiful landscapes and Provencal traditions, Les Baux is a delightful village to experience.
Though the village can be quite touristy and is only accessible by foot, it is very pleasant in the summer for a morning or late afternoon visit.
Bakeries / Bread Shops
L'Epicerie des Baux
Place Parking Haut, 13520 Les Baux De Provence
Tel: (0)4 90 54 30 24
In the surrounding (4,5Km away) :
Le Petit Gourmand
46 Avenue de la Vallée des Baux, 13520 Maussane-les-Alpilles
Open from 6.30AM to 1PM and 3.30PM to 7.30PM
Closed on Wednesday and Sunday afternoon
La Toison d'Or
84 av Vallée des Baux, 13520 Maussane les Alpilles
Pains des Alpilles
75.	av Vallée des Baux, 13520 Maussane les Alpilles
There is no weekly market in Les Baux. The closest market is in Mausanne les Alpilles (4,5 Km away) every Thursday morning.
Please note that most restaurants in Provence do not open until 7:30 in the evening. Reservations are needed in the high season, especially for groups.
L'OUSTAU DE BAUMANIÈRE
Relais & Châteaux*****
2.	Michelin stars
Mas Baumanière, 13520 Les Baux-de-Provence
Open 7 days a week from April to October
LA TABLE / LE BISTROT
Domaine de Manville, 13520 Les Baux-de-Provence
Tel + 33 (0)4 90 54 40 20 / Bistrot +33 (0)4 90 54 86 28
The bistro is open 7 days a week, for lunch only and served from 12 to 3PM the week and 12 to 4PM the week-end.
The Table is open from Wednesday to Sunday and serves from 7 :30 to 9PM
A brunch is proposed on Sunday
BENVENGUDO
Quartier de l'Arcoule - D78f
13520 Les Baux-de-Provence
Open for lunch and dinner, 7 days a week in high season
LE MAS D'AIGRET
Chemin de Baubesse - D27a, 13520 Les Baux de Provence
Tel +33 0)4 90 54 20 00
There is no supermarket in Les Baux de Provence. The nearest supermarkets are:
Intermarché Google Map
11 impasse de la 1ère DFL - ZA de la Gare, St Remy de Provence
Open from 8:30 AM to 7:30 PM, Closed on Sundays
U Express Google Map
48 av. Durand Maillan, St Remy de Provence
Open 7 days a week 7:30AM to 8:00PM
Intermarché Fontvieille Google Map
14 Cours Alphonse Daudet, 13990 Fontvieille
Open 7 days a week 8 :30AM to 7:30PM and Sunday 8 :30AM to 1PM
Most wineries are closed on Sundays and during lunch hours.
Le Mas de la dame
Mas de la Dame, 13520 Les Baux-de-Provence
Tel :(0)4 90 54 32 24
Mas St Berthe
Chemin Départemental 27 Route des Baux, 13520 Les Baux-de-Provence
Le Moulin de Castelas
Parc Naturel Régional des Alpilles, 13520 Les Baux-de-Provence
Open 7 days a week to visit the mill and taste olive oil
Monday to Friday from 8 :30AM to 6.30PM
Saturday, Sunday from 10AM to 1PM and 2.30PM to 6 :30PM
It covers an area of 7 hectares and is one of the most impressive locations in France. When visiting, you will discover breathtaking panoramic views of Provence landscapes all the way to Aix, Arles and beyond. Discover the history of the Lords of Les Baux and their mediaeval fortress, the Sarrazine and Paravelle Towers, the dovecote, the castle chapel and the Chapel of St. Blaise, the former Quiqueran Hospital and much more.
To make it even more magical, several special events for all ages are organized in the summertime.
Château des Baux de Provence 13520 Les Baux de Provence
Open 7 days a week, from 9:30 to 7PM in April, May and June, from 9 :30 to 8PM in July and August
(last visit an hour before the closing time)
message@chateau-baux-provence.com
Les carrieres de lumières
In the heart of Alpilles, the monumental "Carrières de Lumières" in Les Baux de Provence host extraordinary multimedia shows which are unique in the world.
The 2017 exhibition invites you to explore the unbridled imagination of the animated paintings of Bosch, Brueghel and Arcimboldo.
Open 7 days a week, April, May, June, September October from 9:30AM to 7:00PM, July and August from 9:30AM to 7:30PM
Route de Maillane, 13520 Les Baux de Provence (last visit starts an hour before the closing time)
Tel : (0)4 90 54 47 37
The Yves Brayer Museum
Open every day after the 30th of June, from 10:00 to 12:30 and 2 :00 to 6 :30PM
Place Francois Herain, 13520 Les Baux de Provence
The Santons museum
Place Louis Jou, 13520 Les Baux-de-Provence
Villas for rent near Les Baux de Provence
La Citadelle is set in a spectacular location, walking distance from the famed village of Les Baux de Provence. Incredible panoram...
L'Aqueduc
Splendid 17th Century Mas set in the pristine environment surrounding Les-Baux-de-Provence. Impeccably remodeled to modernize with...
Mas de Belleroche
Situated just below the famous village of Les Baux de Provence, with stunning views of dramatic peaks and landscapes, this renovat...
Mas des Baux de Provence
Attention to detail and a lovely provençal atmosphere define this spacious and refined property in Les Baux de Provence. Excellen...

redpajama_set_name: RedPajamaCommonCrawl


By HeatherLynn on July 29th, 2010 . Filed under: Accessories, Cupcake Ideas, Party Items .
Need a cupcake stand that's a lil' FuNkY but also eco-friendly? If so, there is a website that has exactly what you need.
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The making of timber ladders.
Current no. of skilled craftspeople 6-10?
Until the 1960s wooden ladders were widely manufactured in the UK. With the introduction of aluminium ladders the wooden ladder trade declined. There was still demand for the wooden type, but it was cheaper for customers to purchase on the second hand market – a supply that was plentiful with so many users converting to aluminium.
Today, Network Rail and many UK electricity companies will only use timber ladders as no other material does the job, ensuring that there is a market. Timber is non-conductive and is nicer to user in adverse weather than glassfibre (also non-conductive), and timber ladders are more economic because they can be easily repaired (rather than having to be replaced).
Films showing the process of making a wooden ladder, along with technical drawings, can be found on the Heritage Crafts Association's Wooden Ladder Making project website.
There is a strong and stable market for timber ladders. Network Rail and many UK electricity companies will only use timber ladders as no other material does the job, ensuring that there is a market. Timber is non-conductive and is nicer to user in adverse weather than glassfibre (also non-conductive), and timber ladders are more economic because they can be easily repaired (rather than having to be replaced).
A. Bratt & Son Ltd. – founded in 1895. Make timber steps, ladders and platforms (as well as glassfibre, aluminium and steel ladders). Make timber ladders for the electricity industry and for fruit picking, as well as specialist ladders for bespoke commissions. Have 12 people in the factory, 3-4 of whom specialise in timber ladders, and one trainee. Make timber ladders to British Standard kitemarks.
LFI – based in Gloucestershire. Make some timber ladders, as well as aluminium and steel ladders.
Stanley Clark – based in Northampton. Now retired. As part of a Heritage Crafts Association training programme, Stanley passed on his skills in a workshop and there are now several people with the basic skills to make bespoke wooden ladders completely by hand.
It is believed that there are also one or two companies who repair timber ladders.
Number of trainees: A. Bratt & Son Ltd. have one trainee who will learn all aspects of the ladder making trade (including timber, glassfibre, aluminium and steel). In 2014, 10 experienced woodworkers took part in a workshop to make a wooden ladder with Stanley Clark, a retired timber ladder maker which was recorded. While this was only a short course, the basic skills have been transferred.


text:
Gregory Greenleaf, Harpswell: 'This book belongs to …'
Sometime in my long-ago youth I once received a small box of 20 bookplates. They were about the size of a 4 by 5 photo, and each one depicted the same colorful illustration of the Earth divided into two hemispheres. Below the drawing were the words "This book belongs to" and enough space for me to write my full name in cursive.
Gregory Greenleaf has learned that you don't always get something back just because you've written your name on it.
Gregory Greenleaf lives in Harpswell.
Though I owned a lot of books, none of my friends ever asked to borrow one, except one time. It was "Where the Red Fern Grows," by Wilson Rawls. Here is what I remember about that book. I remember reading it all night and finishing it in the early morning darkness. I remember it was a story about a boy and his hunting dogs. And I remember this is the ONLY book that has ever caused me to cry hot, terrible tears of anguish because – spoiler alert – the boy's dogs died.
Someone must have heard me raving about that book. Someone must have wanted to cry hot, terrible tears, too. Whoever it was, I gave them the book and was confident it would come back to me because within its pages was a bookplate that clearly stated – if you could read cursive – I was the owner.
I never saw that book again.
I ask what is the point of bookplates – their raison d'être? Simple reminders of ownership? Or maybe bookplates are meant to be weapons of psychological warfare employed to guilt-trip so-called "friends" into returning your property. The book "borrower" might hear the bookplate whisper into their ear as they start to put the book into its new bookcase –
Gosh, you're actually going to keep a book that contains physical evidence that Gregory owns it? You're that kind of friend? How do you even look at yourself in a mirror and go about your day knowing you are holding onto something that isn't rightfully yours? You disgust me! You need to bring me back to Gregory, right away! If you keep me, just know, you will truly never own me. Never!
Bookplates are naive to think that a guilty conscience can goad people into returning property. That because something has my name on it, I will always hold on to it. If that were the case, then my name would be embossed, engraved, tattooed and stenciled on all my possessions. This baseball mitt belongs to: Gregory Greenleaf. This bike belongs to: Gregory Greenleaf. This wallet belongs to: Gregory Greenleaf.
Bookplates need to grow up and understand that not every reader is a morally good reader. Alas, Bookplates, there are some people who would even take up their pen and on the page you are stuck on and in the area where it says "This book belongs to" would scribble over my name – maybe even white it out – and then sign their own name. Some people, Bookplates, have no qualms about changing the status of a book from "borrowed" to "on permanent loan."
Borrowed, Meetinghouse
Past Meetinghouse Topics
Instructions - December 2022
Games - November 2022
Decisions - October 2022
Borrowed - September 2022
Up all night - August 2022
First Impressions - July 2022
Broke - June 2022
Guests - May 2022
Grit - April 2022
Mischief - March 2022
Quitting - February 2022
New Kid - January 2022
Overheard - December 2021
Ghosts - November 2021
Old Friends - October 2021
Hometown - September 2021
Moving Day - August 2021
Keepsakes - July 2021
Mistakes - June 2021
Siblings - May 2021
Gardens - April 2021
Haircut - March 2021
Rural Life - February 2021
Silver Linings - January 2021
Surprise - December 2020
Reunion - November 2020
The Attic - October 2020
Locked Out - September 2020
After The Storm - August 2020
Inheritance - July 2020
In The Driver's Seat - June 2020
The Last Time - May 2020
Forgive Me - April 2020
A Fish Out of Water - March 2020
Let's Go - February 2020
Ask Your Mother - January 2020
How to submit to:
On the first Sunday of each month and every Thursday for the rest of that month, we will publish stories by readers on the following topics:
"Maps" – deadline for submissions Dec. 30.
"Style" – deadline for submissions Jan. 27.
"Bikes" – deadline for submissions Feb. 24.
Submissions should be roughly 200 to 500 words in length. Please include your name, hometown and a daytime phone number for verification. Also, give us a one-sentence description of who you are, and a digital photo of yourself or something that speaks to the theme of your piece.
Stories can be emailed to [email protected]; or mailed to Meetinghouse, Portland Press Herald, P.O. Box 1460, Portland, ME 04104-5009 (mailed photos should include a return envelope).


First of all, let me say that I have a terrific wife. The Buzz has been on my wish list for a long time now and yesterday I received one for my birthday! I had hoped for the crimson to pair with my Aeronaut, but I guess it was out of stock. No doubt about it though, the sapphire is a terrific color. After spending the evening with it, I love the sapphire and I think it will contrast nicely with the crimson Aeronaut.
Now for the actual Buzz: This is quickly going to be my favorite bag. The EB is very nice, looks professional, and is cavernous. Unfortunately, it can also get very heavy, especially when also carrying the Aeronaut long distances in the airport. I also find the EB to be a bit of overkill for day to day use, as I'm usually just carrying my laptop back and forth to the office, plus a few notebooks. This is just enough to keep me from carrying only the Brain Cell. So what to do? Answer: The Buzz!
My first impression when unveiling was simply 'wow'. The Buzz is of course manufactured with impeccable precision, and it looks terrific. The bag is both larger and thinner than I had anticipated, both in a good way. I had been a little concerned that my laptop wouldn't leave much room for anything else, but I shouldn't have worried. The Buzz easily holds the laptop while also offering to hold much more. At the same time, the profile is very slim depth-wise, which allows it to fit comfortably against your back.
The outer pocket seems well designed, with pen holders and a pocket that perfectly holds index cards. The key strap is a nice touch as well. The inner laptop sleeve works perfectly, and the outer bottle holder will be a blessing on trips. Maybe my favorite part of the bag is the shoulder strap. It's thick, feeling very secure. The sling design could not be better, as it is easy to carry short distances while thrown over the left shoulder, yet it's very secure when worn more properly across the chest. I love the way it cinches tight, and the cell phone/mp3 pocket is terrific. The slightly oversized loop is also helpful for just grabbing the bag when you need to go.
I've only had the bag a few hours, but I'm already in love with it. I think this is going to be the perfect bag for me. I love the Aeronaut, but only use it when traveling. The EB is a great bag, but probably a little too much for my daily needs. The Buzz fits my lifestyle and purposes perfectly. Tom has definitely hit one out of the park with this one. I think The Buzz is probably as close as it gets to the perfect bag for my needs. I'll try to update with pictures when I can.
We're glad that the Buzz is the right bag for you. We linked to your review on the blog today (http://www.tombihn.com/blog/node/536). And we're excited to see your pictures!
A follow-up note: I wasn't sure how large a water bottle the side pocket would hold, but I'm thrilled to find the Sigg 1.0 L bottle fits perfectly. I debated for a while, but really wanted the slightly larger bottle for daily use, and I'm so pleased it fits well. It's not even awkward; rather, it seems the Buzz was made to accommodate this size bottle. Sigg fans, enjoy!


These people will represent normal problems a working class person faces in life. e.g. illness, debt, abuse & depression.
Another main prop I will use is black and white face paint, I will paint Tom's face a lot like a skull/dead person.


The RadRichTextEditor UI has a built-in context menu feature which can be used to easily customize different elements in a document. The menu is displayed when you mouse right click on the RadRichTextEditor control. It contains some context specific commands arranged in groups. There are groups for spellchecking, clipboard, table editing and text editing.
The menu is accessible through the ContextMenu property of RadRichTextEditor control.
The context menu instance is cached and shared between all the instances of RadRichTextEditor in an application.
The RadRichTextEditor default context menu can be fully replaced by an object that implements the IContextMenu interface which is marked with CustomContextMenuAttribute. Additionally, the menu can be customized by adding, removing and modifying menu groups and items. You can do that by using the Showing event of the menu or by creating a custom content builder and override its construction methods.
The first one involves subscribing to the Showing event of the default ContextMenu. The Showing event is not part of the IContextMenu interface, so in order to subscribe to it you need a cast to the ContextMenu class (the default implementation of IContextMenu in Telerik.Windows.Documents.RadRichTextEditor.dll). Here is an example of this approach.
Text = "Change selection foreground"
.Text = "Change selection foreground"
And of course, for those of you who don't need additional UI pop-ups, these can be disabled by setting the IsContextMenuEnabled property of the RadRichTextEditor to False.


OFX, previously known as OzForex is an Australian online foreign exchange and payments company with headquarters in Sydney.OzForex Travel card allows you to preload and hold multiple foreign currencies on the card at the same time including Australian dollars.
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text:
The Real Macaw Parrot Club – NJ
Help/Resources
Event: Joe D'Angeli – The NJ Batman
Our facility is dedicated to the conservation of bats and ALL wildlife, and to the public education on the importance of these truly magnificent flying mammals.
In 1993 , one of New Jersey's biggest and most read periodicals, "The Record", ran a front page story on our Curator / Lecturer Joseph D'Angeli and the life he leads as "New Jersey's own BATMAN". This was the first of many human interest stories on Mr. D'Angeli and the facility that he helped to create.
Mr. D'Angeli is a NJ state licensed Chiroptologist , and our facility is licensed to exhibit, lecture on & study live bats. Mr. D'Angeli is also a member and former scientific advisor to the AZA's Bat taxon advisory group (BAT TAG).
Our wonderful family of bats have educated many THOUSANDS of people and have been born in our facility or generously donated from zoological institutions worldwide.
We are licensed by the both the State of New Jersey Fish, Game & Wildlife, as well as the US Federal Fish & Wildlife, The USDA, and we support wildlife conservation WORLDWIDE.
Our mission is to educate ourselves on every aspect of owning and caring for all types of parrots. Among our goals is raising funds to support Avian Medical Research projects, Rescues/Sanctuaries, and conservation efforts related to parrots.
The Real Macaw Parrot Club is an educational all species bird club.
Copyright © 2014 The Real Macaw Parrot Club


text:
Q: How to load Chrome in Puppeteer on Mac? Why can I not load Chrome in the browser?
I get error:

The message is Failed to launch the browser process! spawn
/Applications/GoogleChrome.app ENOENT TROUBLESHOOTING:
https://github.com/puppeteer/puppeteer/blob/main/docs/troubleshooting.md

Node version  v13.12.0
 const browser = await puppeteer.launch({executablePath:'/Applications/Google\Chrome.app'});
 const page = await browser.newPage();
 await page.goto('https://my.gumtree.com/login', {waitUntil: 'networkidle2'});
 const myButton = await page.$('#google-sign-in-button');
 myButton.click();

A: If you want to launch puppeteer with already installed chronium, you need to set executablePath. So please check the exact path of chronium.

*

*browse chrome://version/ in your chrome.

*then, you can find executablePath.

*Make sure you wrote the correct path.

const browser = await puppeteer.launch({executablePath:'your executable Path'});
const page = await browser.newPage();
await page.goto('https://my.gumtree.com/login', {waitUntil: 'networkidle2'});
const myButton = await page.$('#google-sign-in-button');
myButton.click();

A: A more straightforward solution:
const browser = await puppeteer.launch({executablePath: '/Applications/Google Chrome.app/Contents/MacOS/Google Chrome'});

executablePath: '/Applications/Google Chrome.app/Contents/MacOS/Google Chrome'

Hope that helps


text:
Val Kilmer is most famously known for his roles in box office hits such as Top Gun, The Prince of Egypt, as well as playing the role of Bruce Wayne in Batman Forever, in 2005. He started his journey studying at Hollywood's Professional's School and, in his teens entered Juilliard's drama program, becoming the youngest student ever accepted into Juilliard's drama department at the time. His passion for the performing arts isn't the only thing fuelling Kilmer to success. More recently, he has explored a more philanthropic side, visiting Iraq briefly in April 1998 with AmeriCares to deliver supplies, and currently a dedicated supporter of Native American affairs and an advocate of environmental protection.
Beyond Boundaries Davos 2020
GCF Celebrates Culture At Grand Prix Abu Dhabi
Global Citizenship Empowered at Web Summit 2019
GCF Brings Mission to New York for UNGA week
5th Annual Summit Announcement
Annual Summit Program Unveiled in London
Meet Tali: GCF's new Chief Executive Officer
The Birth of the Armenian Diaspora
The Forum Tackles New Frontiers
GCF Announces New Partnerships on Sir Richard Branson's Necker Island


text:
How to watch Comedy High School: Season 1: Episode 8 on Netflix Japan!
Sorry, Comedy High School: Season 1: Episode 8 is not available on Japanese Netflix, but you can unlock it right now in Japan and start watching! With a few simple steps you can change your Netflix region to a country like Canada and start watching Canadian Netflix, which includes Comedy High School: Season 1: Episode 8.
Comedy High School: Season 1: Episode 8
Netflix Japan
Comedy High School: Season 1: Episode 8 is not available in Japan BUT it can be unlocked and viewed!
View all seasons and episodes of "Comedy High School" on Netflix Japan
Watch "Comedy High School: Season 1: Episode 8" on Netflix in Japan
There is a way to watch Comedy High School: Season 1: Episode 8 in Japan, even though it isn't currently available on Netflix locally. What you need is a system that lets you change your Netflix country. With a few simple steps you can be watching Comedy High School: Season 1: Episode 8 and thousands of other titles!
Watch "Comedy High School: Season 1: Episode 8"!
Want to learn how to get American Netflix in Japan?
What's New on Netflix Japan