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Juan María Amiano Mariñelarena, conocido en el mundo del fútbol como Amiano (Lecároz, Baztán, Navarra, 20 de noviembre de 1947), es un exfutbolista español, jugó en diferentes equipos profesionales a lo largo de la década de 1970. Su trayectoria abarca 241 partidos y 50 goles en la Primera división española.

Biografía
Amiano nació en la localidad de Lecároz en el valle navarro del Baztán el 20 de noviembre de 1947. Se formó como futbolista en las filas del modesto Club Deportivo Oberena de Pamplona, equipo en el que ingresó como juvenil y en el que jugó hasta 1968. Con el Oberena Amiano llegó a jugar en la Tercera División española.

Ante la tesitura de que Osasuna, equipo representativo de Navarra, pasaba por un mal momento de su historia (coincidía con Oberena en Tercera División), el prometedor delantero navarro tuvo que buscar su oportunidad de convertirse en futbolista profesional fuera de su tierra. Entre las distintas ofertas que se le plantearon, Amiano optó por fichar por el Real Club Deportivo Espanyol en diciembre de 1968

Sin embargo, Amiano tardó todavía en debutar oficialmente con los espanyolistas, Amiano fue cedido por lo que restaba de la temporada 1968-69 al Real Club Deportivo Mallorca de la Segunda División española, donde sufrió una lesión, que le impidió jugar demasiado. Durante la temporada 1969-70, el Espanyol lo cedió a su antiguo club, el CD Oberena, ya que Amiano debía realizar el servicio militar obligatorio durante esa temporada y su destino no era Barcelona.

Tras diversas vicisitudes finalmente debutó con el Real Club Deportivo Espanyol en 1970. Con los pericos jugó 7 temporadas en la primera división española totalizando 174 partidos en Primera y marcando 41 goles.

Destacó su papel en el equipo especialmente en la temporada 1971-72, en la que fue el máximo artillero del Espanyol (14 goles) y en la 1972-73, durante la que anotó 13 tantos.

Tras una última temporada relegado a la suplencia, en 1977 ficha por la Unión Deportiva Salamanca, donde con 6 goles es uno de los máximos artilleros del equipo durante la campaña 1977-78. Al finalizar esa temporada ficha por la Real Sociedad de Fútbol donde acabará su carrera. En la Real jugó 49 partidos y marcó 6 goles a lo largo de 3 temporadas.

Amiano formó parte de la plantilla de la Real Sociedad que se proclamó campeona de Liga en la temporada 1980-81, pero solo jugó un minuto en toda la Liga aquella temporada. Se retiró al finalizar esa campaña.

Después de retirarse montó un negocio de carpintería en Navarra.

Clubes

Títulos

Campeonatos nacionales

Referencias

Futbolistas de Navarra
Futbolistas del Club Deportivo Oberena
Futbolistas del Real Club Deportivo Mallorca en los años 1960
Futbolistas del Real Club Deportivo Espanyol en los años 1970
Futbolistas de la Unión Deportiva Salamanca en los años 1970
Futbolistas de la Real Sociedad de Fútbol en los años 1970
Futbolistas de la Real Sociedad de Fútbol en los años 1980
Nacidos en Baztán

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The expansion Hawaiian Islanders handed the two-time defending arenafootball2 champions Quad City Steamwheelers the ultimate embarrassment last night.
Hawaiian Islander Mike Tillis (11) gave chase to Quad City's Ira Gooch during last night's contest.
Quad City, Iowa, jumped out to a 21-0 lead early in the second quarter and led by 17 points in the fourth, but the Islanders rallied and pulled out an improbable 56-55 victory at the Blaisdell Arena.
The Islanders scored the winning points on a 9-yard touchdown pass from Darnell Arceneaux to Nian Taylor with six seconds remaining and a two-point conversion from Arceneaux to tight end Taulia Lave.
"It was a set play, we scored on it earlier," Arceneaux said of the go-ahead conversion. "I bought time and gave Taulia a chance to catch the ball."
The Steamwheelers had a chance to win, but Brian Hegnauer missed a 50-yard field goal wide right with 2.7 seconds remaining, and Taylor caught the ball off the net and ran out the clock.
"We just came out here, put it together, stayed together and won the game," Taylor said.
The Islanders appeared out of it when Quad City went up 48-31 on a 6-yard touchdown pass from Mike Cawley to Chris Anthony on the first play of the fourth quarter.
Then the Islanders' defense and special teams stepped up.
Their rally started when Cawley was pressured and called for intentional grounding in the end zone for a safety, which cut the deficit to 48-33 with 8:29 remaining.
On the ensuing kickoff, Taylor scored on a 54-yard return to make the score 48-40.
"I told myself I had to step it up," Taylor said. "And I stepped it up and returned it. After that it was over from there. Everybody started picking it up. We got the momentum going and got the win."
On the Steamwheelers' next possession, Niko Vitale intercepted a pass that deflected off Ira Gooch and returned it 25 yards for a touchdown. Arceneaux's run on the conversion tied the game at 48 with 6:21 remaining.
Quad City retook the lead, 55-48, after a 39-yard pass from Cawley to Gooch with 55 seconds remaining.
That led to the Islanders' final drive which lasted six plays and covered 32 yards.
The first quarter was a disaster for the Islanders.
Quad City scored three touchdowns on four possessions, while the Islanders (4-11) failed to score on their three possessions.
It was the second time the Islanders have been shut out in a quarter this season. The last time it happened was against the Wichita Stealth in the fourth game of the season.
The Steamwheelers (9-6) went up 21-0 on an 8-yard pass from Cawley to Hiawatha Phifer early in the second quarter.
"I thought we were in control of the game," Phifer said. "The only one who can stop us is us. We didn't make plays and they gained confidence."
Said Islanders coach Chad Carlson: "We weren't very focused when we came out. We looked around at halftime and said we could play with these guys."
Arceneaux dedicated the win to John Siofele, a St. Louis School graduate who was killed in a car accident earlier this week.
"Our motivation was for the Siofele family," said Arceneaux, also a St. Louis graduate. "Our heart and everything went out to them. They need all the support. I knew he was out there looking over us."
The Islanders will conclude their season with a road game against the Frenso Frenzy next week.
The Steamwheelers are banned from the playoffs because the team violated the league's player compensation rules in their first two seasons.


Some anxiety and worry is a normal part of growing up, but if your child is suffering from debilitating symptoms that are interfering with school or other areas of life, it may be time to consider a consultation for professional help. Phobias and extreme shyness may also become difficult roadblocks that can challenge even the most skilled an patient parents. In children, anxiety can manifest differently than in adults. Although excessive worry or fixation on future events is common, children are also more likely act irritable or to complain of physical symptoms like headaches and stomach aches. Children may also refuse to speak in social situations outside of the home.
When searching for help for a child, finding a therapist who has been properly trained in age-appropriate diagnosis and treatment is important. Using child-friendly activities, the therapist will help the child put his/her fears into context and develop and practice skills to deal with generalized or social anxiety appropriately. As part of treatment, the therapist will also discuss coping skills and strategies with the child's parents. A therapist can also provide documentation in the event that the child needs special accommodations at school.


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Q: AMP FX Works Locally, but not in Google's AMP Cache We have added amp-fx="float-in-top" for the header and amp-fx="float-in-bottom" for tags, which you can see below:
https://www.ccn.com/this-stat-will-make-facebook-amazons-antitrust-hearing-insanely-awkward/
It works fine locally and through the AMP validator, but if you search for the story and visit it in a Google cache, it does not work. The only thing that works on Google is the amp-fx="fly-in-left" for the post title.
We have also added video docking for YouTube videos. This works fine locally, but not on Google cached pages.

redpajama_set_name: RedPajamaStackExchange


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Riverside Grande
By Beth Daly, Realtor®
815 N. Riverside Drive
45 Luxury Units
Under Bldg. Parking
This elegant new project is in the final stages of construction slated for a late second quarter, early third quarter completion date. Riverside Grande is located just north of Atlantic Boulevard on the east side of the Intracoastal Waterway. With soaring views north beyond the Lighthouse at Hillsboro Inlet, and South to the City of Fort Lauderdale skyline and beyond, this will be one of the most beautiful properties around.
This beach area will undoubtedly enjoy the benefits of the "Corridor Enhancement Program" as the City of Pompano Beach begins to introduce "Old Florida/Maritime" Theme Improvements to the shopping areas just north and south of Atlantic Boulevard and from 18th Avenue east to the east and west sides of A1A.
Out of the 45 "Flow-Through" units at Riverside Grande, of which (as of 2/05) only 17 remain, including the magnificent SE Corner Penthouse with 2,620 interior sq.ft. and 358 sq.ft. of open air balconies, for a total of 2,978 sq.ft., offered for a pre-construction price of only $1,044,000, will offer waterfront living at it's finest. This offering price is unrivaled at less than $400 per sq.ft. Unit sizes range from 2,000 to 2,620 sq.ft. under air, to 2,200 to 3,000 total sq.ft. (including extensive terraces). At this time, all remaining units are being offered at unheard of pre construction prices of less than $400 per sq.ft.
Residents and guests alike will be impressed by the richly decorated lobby including the imported marble and exotic wood finishes. For the security of the residents there will be a sophisticated electronic monitoring system, including semi-private elevators with limited key access. There will also be fire sprinklers and smoke detectors throughout the building.
The State of the Art Fitness Center will be completed with the finest in health, fitness, and cardiovascular equiptment. Riverside Grande offers a relaxing heated pool, with lush, tropical landscaping to accent the waterfront deck and whirlpool spa area right on the Intracoastal Waterway. Residents can relax and watch the boats pass by as they read their favorite novel, or bask in the warmth of our gorgeous south Florida sun.
The interiors of the residences at Riverside Grande will offer a private and elegant double-door entry foyer, soaring 9' ceilings with beautiful details, and views that just don't quit. With the "flow through" floorplan, the units stretch from east to west and offer Ocean and Intracoastal Waterway views from most residences. All floorplans, with the exception of one, offer balconies on both the east and the west side of the building.
Kitchens at Riverside Grande will come complete with beautiful European style natural wood cabinetry, and under counter lighting. The design of the kitchen is open with a wonderful imported granite countertop snack bar area. Components will include elegant stainless steel appliances such as a self cleaning oven, a radiant glass cooktop stove, refrigerator/freezer with ice maker, a dishwasher, a double sink, and a garbage disposal.
The spacious Master Baths will surely be luxurious with marble flooring throughout, a separate watercloset with bidet, a large, shower with a frameless, tempered glass door, a relaxing whirlpool tub surrounded by marble, lavish designer faucets, European style wood vanities, all accented by elegant granite countertops. Guest and half baths will include marble flooring, custom European style wood vanities, cultured marble vanity tops and decorative faucets and trim. Laundry rooms are spacious with marble floors, and a wonderful washer and dryer.
This elegant building and it's small, boutique style make Riverside Grande one of the most popular new buildings along the Intracoastal Waterway, and surely one of the most affordable. Please contact me for more detailed information, availability, and for a personal tour of the building itself.
Direct Cellular Phone (954) 663-3180
E Mail: Beth@LiveByTheSea.com

redpajama_set_name: RedPajamaCommonCrawl


Perfect for potential new home buyers, the North State Building Industry Association (BIA) is pleased to announce the 2017 Sacramento Home Tour scheduled for October 12-15. Proudly sponsored by La-Z-Boy Home Furnishings & Décor, the 2017 home tour includes more than 40 new home communities and 150 model homes in seven cities within the greater Sacramento region. Model homes on the tour will range from 1,298 square feet to 4,357 square feet, from two to seven bedrooms, that start from the upper $200,000's to the low $900,000's. Participating Home Tour cities include Sacramento, El Dorado Hills, Lincoln, Rocklin, Roseville, Elk Grove, and Folsom.
Saturday, September 9, 2017, 10:00a-12:00p. Historic Rose Garden volunteer propagators will conduct a hands-on rose propagation workshop to teach participants how to select the best plant material, prepare the cuttings and root them using the "terrarium" approach. Workshop participants will have the opportunity to take and stick a few cuttings of their own to take home with them. The class is free but donations are gratefully accepted and help support rose garden operations. The cemetery is located at 1000 Broadway, Sacramento. There is free street parking on surrounding streets. For more information, call 916-448-0811.


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My Usual GameDecember 23, 2014
Unbroken (by the stupid weather)
My home course has been closed since shortly before Thanksgiving, so we've been playing around. I was traveling (without golf clubs) two Sundays ago, but everyone else played at Tunxis Plantation, which is about an hour from where we live, and last Sunday we went back. I rode with Other Gene. Snow was falling when we left home, and it continued to fall as we drove, and when we were maybe 15 minutes from Tunxis I realized that it was probably going to keep falling and not suddenly melt by the time we got there.
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And that's what happened. So we held a conference in the parking lot:
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We called every golf course we could think of, and discovered that Stanley and Goodwin, in Hartford, were both closed, but that Fairchild Wheeler, in Fairfield, was not only open but "with greens." The Wheel is just an hour from Tunxis, so that's where we went. Tim showed up as we were pulling out, but he decided to be a good husband by returning home and giving his wife holiday-related opportunities to be angry at him. When the rest of us arrived at the Wheel, a maintenance guy with a leaf blower was removing snow from a putting surface:
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We played the Black. The young woman at the desk in the golf shop let us go out as a fivesome after Hacker (real name) assured her that we would play faster than any threesome on the course. And he was telling the truth, because there was a threesome directly ahead of us and we waited on pretty much every shot, including this one, on a long par 3:
Hacker and I took on Gene, Gary, and Kevin (who was visiting from law school). We beat them by three shots, but rather than pocketing our winnings we used them to pay for most of everybody's lunch.
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During the cheeseburger course, Gene suggested that we adopt some kind of ongoing off-season competition, analogous to the FedEx Cup, and we all agreed that that was a good idea. Recently, I wrote about some guys in Massachusetts who call themselves the Winter Tour because they play all winter. Borrowing that name seemed easier than making up a new one, so that's what we decided to do. Hacker, as always, will devise the format and the scoring system; my assignment is to talk to the people who make Jagermeister -- the official cold-weather intoxicant of the Sunday Morning Group -- and persuade them to become the Winter Tour's lead sponsor.
jager.jpg
If they give us just hats, say, we'll agree to call ourselves something like "the Winter Tour of the Sunday Morning Group (in association with Jagermeister)."
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But if they give us shirts in addition to hats, plus maybe some actual Jagermeister, we'd be willing to go as far as "the Jagermeister Tour (in association with the Sunday Morning Group)." Their choice. And if they're really accommodating we'll add their logo to all our other branded merchandise, including our regular hats and our bumper stickers.
mxjagermeister.jpg
The company's headquarters are closed till after the New Year (when the Winter Tour will be playing at Shennecossett, in Groton ) so the actual negotiations won't begin until then. I'm assuming there won't be a problem. I'll post an update as soon as I have the details.
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MyUsualGame


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The Dogtag Chronicles is about the military perspective in our own words. Here is a list of the contributors.
Matt "Archie" Archibald comes from a long line of soldiers. He joined the Canadian Army Reserves at the age of 17, serving in the infantry for two years before transferring to active duty. He went on to become a Signals Intelligence analyst for the next 11 years, serving throughout Canada, Afghanistan, and four years on exchange with the US military at Ft Gordon, GA.
Archie has studied at the University of Cambridge, specializing in South Asian Studies. A recognized expert on the AFPAK region, he spent his last two years in uniform teaching Afghan studies throughout the US intelligence community, at various military units across the globe, and served as a guest lecturer at the US Naval Postgraduate School. In 2012 he retired from the Canadian Army and moved to Maryland to be with his bride. He currently works for the University of Maryland Baltimore County, helping provide cyber-security training for government and military clients.
Michel "Allie" (Nash) Proff graduated from the Naval ROTC program at the University of Washington and in 1999. During her time there, she started out as a Marine Option, went to Officer Candidate School (OCS), took tours with Army and Air Force cadets to Ft Lewis, McChord AFB, and Malmstrom AFB, completed midshipman cruises in Japan and Singapore, and ended up as a Naval Surface Warfare Officer (SWO).
After SWOS, she served as Communication and Training Officer onboard USS VELLA GULF (CG-72), homeported out of Norfolk, VA. They deployed as part of the Theodore Roosevelt battle group just after 9/11 to the Mediterranean and Middle East as part of Operation Enduring Freedom. After getting out of the Navy she taught high school math. Currently she is happily employed as a technical writer/editor at Boeing and enjoying life with her husband, toddler son,and identical twin newborn boys.
Sean Peters comes from a family of sailors, including his father, two brothers, uncle and wife. Following graduation from Texas A&M University with a physics degree in 1987 he was commissioned as a surface line officer. He served in both the Pacific and Atlantic fleets, including participation in Operations Desert Shield/Desert Storm. While on active duty he received a master's degree in Applied Science (Anti-submarine Warfare) from the Naval Postgraduate School. He served for 14 years on active duty and six as a reservist retiring in 2007 as a Commander. Peters currently works for a defense contracting firm in Virginia.
Dogtag Chronicles founder Peter Sessum has spent his adult life in service to his country in one way or another. A former Army sergeant, he has lived, trained or deployed to 11 different countries in uniform. He started his career as Infantry and later switching to Psychological Operations. His PSYOP experience in country helped him get hired on two counter narcotics programs in Afghanistan for the State Department. Sessum used his G.I. Bill to go back to school and graduated from the University of Washington in 2011 with a degree in Journalism.
2 Responses to About the writers
Please email me. I'm interested in sharing your "OPSEC, You Are Doing It Wrong" with everyone in the DoD who belongs to milBook.
I am not sure why I need to email you. It is online, you can send the link to anyone you want. As long as you don't copy and paste the info and pass it off as your own work I don't see a problem. I want people to share the website, "like" on Facebook, follow on tumblr and share or reblog the posts. Get the word out on DTC!


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Deca Revives the Publishing Collective
Driving Change through a Decades-Old Model
by Anais Mohr / JUNE 2108
The publishing market is vast, spanning independent presses, the big five, self-publishing and everything in between. Working with the support of a publisher means, in a sense, to cater to what sells. While some writers have earned immense freedom, it can be difficult for journalists to share every story they are passionate about. At the opposite end of the spectrum, despite its liberties, self-publishing doesn't carry the support of editing and promotional teams or challenge the wide-ranging distribution and press coverage of an established publishing house. However, an old model is resurfacing: the publishing collective.
What is a Publishing Collective?
Historically, publishing collectives were launched by groups of successful people in a field who felt restricted by the structure of their industry. The group of content creators decided to print their work directly for their audience rather than engage with the established process of publishing. While that may sound a lot like self-publishing, the collective creates an organizational structure and name to benefit everyone involved. As opposed to publishing a novel by herself on Amazon, Jane Smith can publish with the editorial support of fellow writers and editors as well as access a promotional platform robust enough to earn a larger percent of the profits.
The text-publishing collaboratives of history often carried hefty political weight and belonged to marginalized opinions, like anarchism in the early 1880s with Freedom Press to anti-capitalism in the 1980s with Z Communications, both of which still publish today. Considering the political charge surrounding literary collectives, it is not surprising that Deca sought inspiration from another field.
Magnum Photos is a photojournalism collaborative founded in 1947 by four photographers at the top of their discipline. "It was important for Magnum's photographers to have this flexibility to choose many of their own stories and to work for long periods of time on them. None of them wanted to suffer the dictates of a single publication and its editorial staff. They believed that photographers had to have a point of view in their imagery that transcended any formulaic recording of contemporary events." (More about the history of Magnum here.)
Membership in the exclusive club, claims Magnum, is one of the highest honors a photographer can achieve. Once a photographer is nominated to join Magnum, the induction process lasts four years. Members must wait twenty-three years before they can start publishing their work elsewhere, and they do so at the expense of their voting privileges. (More about submission to Magnum here.)
What Does It Mean to be a Member of Deca?
While the current application process for Deca isn't too daunting (just a bio and "a few clips"— links to articles on websites hosted by a publisher), membership is limited to a select few. Their titles span the industry: professors, editors, contributors, freelancers, authors, and correspondents. They speak multiple languages, have been honored with a staggering number of awards and fellowships, and boast publication from newspapers to magazines to their own books and Kindle Singles.
The responsibilities of members include producing one novella-length piece for the group and editing another member's story. "Deca works differently," explains Ann Friedman, in a 2014 article for the Columbia Journalism Review. "For each $2.99 Kindle Single they sell, Amazon keeps 30 percent and 70 percent goes to Deca. Of that 70 percent, 70 percent goes to author, 5 percent goes to the editor, and 25 percent goes back to the Deca general fund. That means writers can expect $1.46—roughly half of the sale price—for each Kindle Single sold. And everything that's in the collective kitty gets distributed equally among members at the end of the year— meaning even its lowest sellers reap a bit more of the benefits."
Writers still have the freedom to publish elsewhere, so Deca is also a highly promotional platform; stories members write for other publications are boosted through the collective. Because the only required investment for authors is the one, funded story for the collective and editorial services for another, their time beyond is open to continue what they have been writing and editing with minimal attention diverted from the rest of their careers.
Payment Structure: In the same article where Friedman explains Deca's method of payment, where authors earn roughly $1.50, or half of the story's price for each reader, she expresses skepticism. When a writer pitches a story to a traditional publication, they secure a contract that doesn't rely on the sale of Kindle Singles. It is one thing to write an article with a sense of how much it is worth to the publisher, but the collective puts the purchasing power in the hands of their readers. The model may prove unsustainable should Deca fail to secure a sizable audience for each piece.
Each writer has the opportunity to explore stories that matter to them, that is at the heart of Deca's mission. But sometimes stories fall through. Deca's Kickstarter explains their safety measures: "If one [of us] has an emergency, another can cover…We plan to publish a new 10K to 20K-word story every month. The biggest risk for Deca is that a story we have scheduled for publication, or for printing as a reward, somehow falls through at the last minute. Journalism isn't a science: you have to let events play out. A story that seemed important in February can sometimes, by May, leave you a little...meh. It happens."
Intent and Misinterpretation
Because these stories are published through Amazon, it is easy to gauge audience reactions through reviews. Most Deca titles range from four to five stars. Through close examination of reviews from Mara Hvistendahl's And the City Swallowed Them, a 61-page, true crime nonfiction story, which was also the debut story for Deca, a pattern emerges between both higher-and lower-starred reviews.
Glowing reviews often referenced Deca or acknowledged Hvistendahl's work elsewhere. More critical reviews seemed confused by the presentation. Some readers felt like the reporting element—Deca is composed of journalists reporting on stories— overwhelmed the literary aspect of the story. A few reviews wanted more commentary or explicit themes and moral takeaways, like a work of fiction might carry, others expected a mystery to unfold with a shocking ending that never came: "[Riveting] story, but it feels more like a short investigative piece than a novel"(Amazon Review). One of the issues that these reviews highlight is that Deca is certainly niche and mainstream audiences may not understand the journalistic backbone of Deca stories. As they establish their name and develop the brand, Deca should see this issue resolve itself.
The World, Firsthand
When Deca launched their Kickstarter in 2014, three other endeavors in the literary world had set about the publishing collective path: Epic9, which promises riveting, in-depth stories (many of which have been optioned by Hollywood); The Big Roundtable, which is self-described as a Kickstarter for nonfiction authors; and Narratively, a digital publication whose stories are driven by the people they cover. In a 2014 article, the creators of the three organizations discussed their struggles to find funds and develop sustainable models. "It's a nickel and dime business," explained The Big Roundtable founder, Michael Shapiro.
Regardless of whether or not Deca will find a steady source of revenue to support the content creation model they desire, they have still developed a platform and community for their global initiative. With members based in London, Beirut, Rome, Shanghai, Abu Dhabi, Barcelona, Johannesburg, Los Angeles, New York, Seattle, and Washington, D.C., Deca has range and potential for wide-reaching scope. While they may not have the stringent commitment of Magnum or the financial security of Narratively, they have succeeded in creating a space for longform articles and self-promotion for all writers involved.
Deca claims that "reporting is [their] only product" and, despite the fact that they are not the only ones publishing their work, the collective creates and ease of access for readers to find quality, global stories. Their work spans borders, time, and publications.
Only time will tell if Deca is able to craft the impactful collection they set out to curate four years ago, but they are chasing the kinds of leads which inspire the best kinds of stories.
Anais Mohr is a sophomore Professional Writing major studying at Champlain College. She was a senior member of Front Street Writers, a program where high school students are coached in a workshop setting by professional writers. Anais lives in Traverse City, MI and she loves to read fractured fairytales and middle-grade fiction.


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Independent Music Showcase, Un-Convention Manchester, Returns
Born here in 2008, one of the world's most significant music conferences returns this week with a full live programme to boot.
By Martin Guttridge Hewitt | July 6th '22
Jeff Thompson is a very enthusiastic man. Speaking to Finest via Zoom from his South Manchester base, we barely ask a question before he starts on a 30-minute monologue about where his brainchild is coming from. Then again, if you'd co-founded a game-changing music industry and fan event, you'd also be keen to talk about the journey so far.
Journey being the operative word. This year's Un-Converntion Manchester sees the two-day conference and live showcase return to the city where it all started on Thursday 7th and Friday 8th July. Now 14 years young, 109 editions have already taken place across multiple continents and global cities.
Sticking with this week, daytime panels range from talks with artists and tastemakers like Field Music, Mark Radcliffe, and Everything Everything, to discussions about label management, and well-being in music. Set in the newly transformed Band On the Wall, a showcase of live talent dominates each night. Performances this year come from Cariss Auburn, The Zangwills, Calva Louise, Morgan Harper-Jones, Big Society and King No-One.
Un-Convention's Jeff Thompson works tirelessly to support independent music
"The theme of like the first conference was basically along the lines of 'you have zero budget, how do you make a mark'. There was this new world order happening in terms of digital and streaming. We weren't pioneering, we just came at the right time — Spotify launched the weekend we started," Thompson recounts.
"Back then, there was still In The City, a huge conference and showcase in Manchester. And others in Europe, and the US. I'd got involved with an indie record label, Fat Northerner, and from the perspective of us and similar sized operations, those conferences were focused on really high level stuff. 'We're losing millions because the Japanese market isn't doing XYZ', or: 'How to get a new sync deal with 'Guitar Hero". None of that is about selling vinyl from your bedroom," he continues.
Keen to change the record, Thompson and cohorts decided to do something about it. A fringe event linked to In The City had booked out Sacred Trinity Church, Salford, for evening live events, and offered them the space by day for a conference aimed away from big label interests. Something more about the future of grass roots at a time when sands weren't just shifting beneath feet, but sink holes were forming. Un-Convention was born.
Ivor Novello winning songwriter, Simon Aldridge, speaks to Daniel Rachel at Un-Convention Manchester, March 2020; (C) Brendan Clayton
"There were probably 100 people at the first, but it was people that wanted to be there. A real proactive group. And immediately, at the end of that event, the guys from Belfast said it had been brilliant, they never had the opportunity to talk and network with similar people, and needed one over in Northern Ireland. So it became a franchise model," Thompson explains.
It's an inspiring story, but this barely scratches the surface. Since inception, franchisees have hosted Un-Convention events from Netherlands to Australia, Uganda to Liberia. In that time the situation within recorded and live music has only grown more difficult, making these gatherings even more vital.
As Thompson continues to talk the subject switches, from the conference-proper and its multitude of locations, to associated projects. The first being Off Axis, which — sadly — has suffered badly as a result of lockdowns and associated fallout. Nevertheless, its impact has been profound.
Manchester's Honeyfeet perform at Un-Convention Manchester, March 2020; (C) Brendan Clayton
"We started Off Axis about eight years ago, and had artists from 85 towns and cities signed up to it. The way it works is simple — one band from Dunfermline, for example, have a great following in their hometown. They're the coolest thing there. Another are the biggest in Cornwall. So they say to each other 'let's swap gigs', or 'let's play venues in each other's location," says Thompson.
"Off the back of that we established the Regional Music Scenes Network, too. That's Coventry, Middlesbrough, Leeds, Birmingham — places like that. We meet every three months to essentially talk about the state of play. For example, Hastings has this amazing live music scene. But few people pay to see anything. Manchester has an amazing live scene, but there's little for free. We ask why that is and what can change," he explains.
These conversations may sound logical, but Un-Convention's unique model means the team are in a particularly strong position to facilitate. They've had countless opportunities to learn not just how industries function in different locations, but how music can be used as a vehicle to positively address local problems. In turn, that knowledge is shared to the ever-expanding network, who take it back to their hometowns.
"Everyone does DIY now. But I always have in the back of my mind that what makes us different is that we see the real value of music as being nothing to do with sales. What's really interesting is where it fits in culture and society," says Thompson. "That social change side we're very involved with."
Un-Convention Manchester 2022 runs at Band On The Wall this week. Cariss Auburn, The Zangwills, and Calva Louise perform on Thursday 7th July — doors open at 7PM, advance tickets are available.
Morgan Harper-Jones, Big Society and King No-One perform on Friday 8th July — doors open at 7PM, advance tickets are available. An after-party runs from 11PM with DJ Jude the Obscure.
Follow Un-Convention on Facebook, Twitter, and YouTube.
Pot Kettle Black launch a NEW Mexican Brunch with Oysters & Patrón Tequila Cocktails
A stage show about Manchester's acid house scene is coming to Whalley Range's Carlton Club
Manchester's Gramm has created a community-inspired kit in collaboration with the FA Cup
Manchester celebrates cultural diversity with the opening of its first dedicated children's library


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text:
Q: How to reorder/sort dataframe indexes with Pandas? I got some data:
# 3 Experiments 0,1 and 2.
# 2 Setups 'foo' and 'bar'
# 3 Measured parameters 'a', 'b' and 'c'
d = {0: {'foo': {'a': 12.68, 'b': 54.44, 'c': 83.98},
         'bar': {'a': 11.73, 'b': 53.34, 'c': 82.93}},
     2: {'foo': {'a': 11.12, 'b': 57.99, 'c': 81.05},
         'bar': {'a': 10.05, 'b': 56.12, 'c': 80.01}},
     1: {'foo': {'a': 13.41, 'b': 54.32, 'c': 82.74},
         'bar': {'a': 12.77, 'b': 53.15, 'c': 82.01}}}

I imported them in Pandas
ds = (pd.DataFrame.from_dict(d, orient='index')
      .stack().apply(pd.Series)
      .rename_axis(['experiment', 'setup']))

Which then is nicely displayed:
                      a      b      c
experiment setup
0          foo    12.68  54.44  83.98
           bar    11.73  53.34  82.93
2          foo    11.12  57.99  81.05
           bar    10.05  56.12  80.01
1          foo    13.41  54.32  82.74
           bar    12.77  53.15  82.01

You notice the experiments are in the wrong order and the setups are also not sorted. So I would like to sort the indexes to display it as follow:
                      a      b      c
experiment setup
0          bar    11.73  53.34  82.93
           foo    12.68  54.44  83.98
1          bar    12.77  53.15  82.01
           foo    13.41  54.32  82.74
2          bar    10.05  56.12  80.01
           foo    11.12  57.99  81.05

I tried many things using sort, sort_index, sort_values or even sortlevel, but I doesn't seem to work. I also tried to flatten everything using reset_index and tried again with sort, but it doesn't work.
How to sort or reorder a dataframe as wanted?

A: It's very weird that sort_index doesn't work as expected but I managed to get the expected output by resetting index, sorting values and setting the index back:
ds = ds.reset_index()\
       .sort_values(by=['experiment','setup'])\
       .set_index(['experiment','setup'])


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Create multiple instances when passing in multiple datasets

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redpajama_set_name: RedPajamaGithub


text:
Cameras Going Up Along Highway 4 In East Bay After Spate Of Shootings
Filed Under:Cameras, Highway Cameras, Highway Shooting, Pittsburg, shootings
PITTSBURG (KPIX 5) — More than a dozen cameras are going up along Highway 4 in the East Bay after a string of shootings on the roadway.
Two months and two highway shootings later, Pittsburg's network of surveillance cameras is almost complete.
14 traffic cameras along Highway 4 will now join the 120-plus already up across the city.
"Only place we don't have cameras," Pittsburg Police Captain Ron Raman told KPIX 5.
The cameras are in the process of being set up now, to be fully functional by Monday.
MORE: East Bay Freeway Shootings
READ MORE: San Francisco Superior Court Appoints First Black Woman As Chief of Adult Probation
They sit at the city limits, watching for criminal activity coming in and out of town. They can even be accessed and controlled from officers' mobile phones.
"One, it's a deterrent to people coming into our city and two, it's an investigative tool should something happen on the freeway," Raman said.
Recordings will be kept for 90 days in case it's needed for evidence, and several have license plate readers to help catch folks who are wanted for already committing a crime.
The city spent $100,000 for the cameras, which they hope will pay off in spades.
MORE NEWS: Palo Alto Police Search for Armed Robbery Suspect at Stanford Shopping Center
"We are very thankful, and this has also become a plan other jurisdictions can use as a result," Raman said.


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Home » People » Alyssa Park
Alyssa Park
Associate Professor and Honors Director
Modern Korean History
alyssa-park@uiowa.edu
Alyssa Park is a historian of modern Korea, with allied interests in borderlands history, transnational migration and space, and empires in East Asia, including Russia. She is the author of Sovereignty Experiments: Korean Migrants and the Building of Borders in Northeast Asia, 1860-1945 (Cornell University Press, July 2019), which explores how questions of sovereignty—claims over territorial borders and subjects—became a central concern to multiple states as they confronted the unprecedented mobility of Koreans. Based on documents originating in Seoul, Vladivostok, St. Petersburg, and Manchuria, the book examines the history of the Korean community across China and Russia, illuminating the process by which this border region and people were claimed and imagined as parts of distinct nations and empires.
Dr. Park's research has been supported by grants and fellowships from the Kennan Institute of the Woodrow Wilson Center, Council on East Asian Studies at Yale, ACLS / Mellon, International Research and Exchanges Board, Korea Foundation, and Fulbright-Hays. She received her Ph.D. in History from Columbia University.
HIST:1607 Civilizations of Asia: Korea
HIST:2151 Intro to History Major -- Mapping "Korea" in East Asia: Ideas, Politics, and Society
HIST:3685 Modern Korean History
HIST:3996 Honors Thesis Workshop
HIST:6135 Space and Borderlands of Asia
HIST:6158 Approaches to Teaching Global History
HIST:7622 Readings in Modern Korean History
Sovereignty Experiments: Korean Migrants and the Building of Borders in Northeast Asia, 1860–1945
"Korean Studies in the Global Humanities: A Roundtable Discussion" (featuring Alyssa Park)
Phone:319-335-2299historydept@uiowa.edu
Give to the Department of History