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Set in a re-creation of Torino, Italy, inthe game hosts more than a dozen events in eight different sports. A television-style presentation is designed to enhance the realism and pageantry of odwnload quadrennial arctic athletics extravaganza.
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These sorts of events haven't exactly been the most fun games to play in past Olympic titles, and there's nothing new here in Torino that makes them stand out. The cross-country skiing, biathlon and Nordic combined events at least implement ссылка на подробности original energy meter for the skiing elements, where you essentially manage how hard you push your athlete while managing your energy for the long run.
This at download torino 2006 torent pc brings something new to the table, but like the other events, it still isn't compelling. Therein torfnt half of the problem with Torino http://replace.me/11548.txt of the games are actually fun or compelling to play.
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After the mentioned bland intros for each event, most of what they say is on the order of, "Nice! Another very major aspect of the Olympics that Torino fails miserably download torino 2006 torent pc is the world records.
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Want more? Similarly, speed skating takes up three events with m, m and m distances, and aside from how long you're skating, the events are essentially identical.
With the exception of the start of each speed skating event, the game shies away from the common button-mashing gameplay mechanic that some of the more well known multi-event games are famous for. Instead, Torino focuses on proper timing, energy management or skillful steering in order to excel. Unfortunately, none of these actions are actually compelling. Some of the events are exactly as you'd expect them and have likely played before: alpine skiing requires that you steer, crouch and cut, while luge and bobsleigh are simple steering exercises once you're off and running.
These sorts of events haven't exactly been the most fun games to play in past Olympic titles, and there's nothing new here in Torino that makes them stand out. The cross-country skiing, biathlon and Nordic combined events at least implement an original energy meter for the skiing elements, where you essentially manage how hard you push your athlete while managing your energy for the long run.
This at least brings something new to the table, but like the other events, it still isn't compelling. Therein lies half of the problem with Torino none of the games are actually fun or compelling to play. There's nothing that'll call you back to the couch for another round of events.
There's simply none of that here. The other major problem with Torino is that it doesn't do a whole lot to mimic the majestic and classic exhibition of the Olympics.
From the opening ceremony to the medal presentations after each event to the closing festival, a huge part of the Olympics has to do with its presentation. It's a major reason the games get so much attention and such an enormous amount of viewership every year they came around, and Torino sadly does practically nothing to instill this sense of "history in the making" to the gamer.
For starters, each event simply starts with some extremely drab commentary about the event, entirely unrelated to anything else that's happened thus far, how the CPU has performed or anything else like this.
As for the rest, they're thoroughly joyless, with the Cross-Country Skiing proving a particularly moribund experience. The bottom line is that these events, while fairly dreary in reality, simply have no place in a game. For all its production values and official licence, ultimately you'd have a more interactive experience playing with a yoyo while watching the Winter Olympics on the telly. Browse games Game Portals. Torino Install Game. Click the "Install Game" button to initiate the free file download and get compact download launcher.
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OU Softball Complex
2017 NCAA Champions
OU at the WCWS
Win Streak to 15 as OU Downs Ohio State, CSUF
By Andie Beene
Assistant Director of Communications
17/18Ohio State
5/5 Oklahoma
Box Score Highlights
Inning-by-Inning
Team 1 2 3 4 5 6 7 R H E
OU 0 0 1 0 2 0 2 5 5 0
OSU 0 0 0 0 0 0 0 0 2 1
W - Parker (13-1) 5.2 2 0 0 0 8
L - Ray (11-3) 7.0 5 5 5 6 3
AB R H RBI BB HR
OU - Alo 4 0 2 3 0 0
OSU - Taylor 3 0 2 0 0 0
NORMAN – No. 5/5 Oklahoma softball completed a 5-0 performance at the Easton Tournament with two wins on Sunday, downing No. 17 Ohio State 5-0 and host Cal State Fullerton 14-3.
OU moved to 24-2 on the season and extended its winning streak to 15 games. Additionally, the victory over the Titans was OU's 32nd consecutive road win, extending a program-record streak. The Sooners' last road loss was two years ago to the day when OU fell to Cal State Fullerton, 7-5, on March 18, 2016.
Overall, OU is outscoring its opponents 177-25 this season, including a 43-5 mark at the Easton Tournament.
Seniors Paige Parker and Paige Lowary were stellar in the circle, combining for OU's 13th shutout of the season against the Buckeyes. Parker started in the circle and moved to 13-1 on the season as she tossed 5.2 innings, allowing two hits and no runs while striking out eight.
Lowary earned her third save of the season as she closed the final 1.1 frames, surrendering no hits or runs and registering one strikeout. The save extended her program-record career mark to 14.
The Sooners opened scoring in the top of the third. Kelsey Arnold drew a walk and moved to third as Sydney Romero doubled down the left line, extending her hitting streak to eight games. Caleigh Clifton hit a sacrifice fly to left field to plate Arnold.
OU added a pair of runs in the fifth. Lea Wodach singled through the middle, and pinch runner Raegan Rogers moved to second on a groundout and stole third. After a pair of walks loaded the bases, Jocelyn Alo capitalized with a two-out single into left field that drove in Rogers and Romero.
The Sooners sealed their victory with two more runs in the seventh. After Sydney Romero and Caleigh Clifton both reached on walks, Alo doubled to right center to drive in Romero from second. A throwing error from the right fielder gave Clifton the opportunity to reach home.
Alo led the Sooners at the plate against the Buckeyes with a 2-for-4 performance, driving in three RBIs.
OU 1 5 1 0 0 0 7 14 14 0
CSUF 0 0 0 0 1 0 2 3 8 5
W - Lopez (7-0) 4.0 2 0 0 3 4
L - Grimes (1-5) 1.1 2 6 4 1 0
OU - Romero 4 2 3 6 1 2
CSUF - Vandiver 4 0 1 1 0 0
The Sooners scored a seaon-high 14 runs against Cal State Fullerton, led by home runs from Alo, Nicole Pendley and Romero, who homered twice in the contest.
Romero was 3-of-4 at the plate with a career-high six RBI.
Alo put the Sooners on the board early with a solo home run to left field. The blast was the 11th of her freshman season, leading the team. It also extended Alo's on-base streak to 15 games, also a team-high this year.
The Sooners extended their advantage to 6-0 with a five-run second inning. With the bases loaded, pinch hitter Vanessa Taukeiaho reached on an error from the Titan first baseman that brought in Pendley and Nicole Mendes. Romero then drilled a three-run home run to center field to extend OU's lead.
OU added another run as Wodach singled to right center to drive in Mendes. Wodach recorded a hit in every game of the tournament and has a season-best five-game hitting streak.
After the Titans scored one run in the bottom of the fifth, the Sooners put together a seven-run seventh inning. Romero hit her second three-run homer of the game, a blast to left field. It was her seventh homer of the season and fourth of the weekend.
Eliyah Flores drew a walk and advanced to second as Alo reached on an error. Pinch hitter Kylie Lundberg singled to left center to drive in Flores.
Then, Pendley drilled the Sooners' third three-run blast of the game, with hers going to right center. The homer was the senior's sixth of the season and second at the tournament.
Starting pitcher Mariah Lopez moved to 7-0 on the year, tossing 4.0 innings, allowing two hits and no runs while striking out four and walking three. Lopez got herself out of a bases-loaded jam in the bottom of the second, fielding a grounder to turn a inning-ending double play.
Parker Conrad, Melanie Olmos and Lowary all threw 1.0 inning in relief against Cal State Fullerton. Conrad surrendered one run on three hits with one strikeout, Olmos gave up two runs on three hits and Lowary closed the final inning with no runs or hits and a walk.
The Sooners conclude their trip to the West Coast on Monday as they travel to Northridge, Calif., to take on Cal State Northridge at 2 p.m. CT.
Highlights: OU 5, Ohio State 0
Highlights: OU 14, Cal State Fullerton 3
Ohio State Box Score
CSUF Box Score

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Official language Hungarian
Capital Budapest
Form of government Parliamentary republic
Area 93.032 km²
Currency Forint
Time zone CET (UTC + 1)
License plate H
Internet TLD .hu
The Republic of Hungary is a European landlocked country in a mountain valley that belongs to the Pannonian Basin. With an area of 93.032 km², the country is slightly larger than the neighboring country Austria, to which it borders in the west. The border with Slovenia also runs in the west, Croatia and Serbia in the south.Hungary borders Romania in the east and Slovakia in the north.
More than two thirds of the country's surface is below 200 m above sea level. The Carpathian Mountains delimit the valley to the north and east, the Dinaric Mountains to the south and the Alps to the west. The Great Hungarian Lowlands (Alföld) in the south and east of the country occupies more than half of the state territory with around 50,000 km². To the west of the Danube, which flows through Hungary over a distance of around 420 km from north to south, the landscape is characterized by hills and mountains. The Hungarian Central Mountains are separated by the Danube into a western part, the Transdanubian Central Mountains (Bakony Forest, Vertes, Gerecse, Pilis Mountains), and an eastern part, the Northern Hungarian Central Mountains (Börzsöny, Cserh¨¢t, M¨¢tra, B¨¹kk Mountains). The highest elevation in the country, the K¨¦kes, is 1, 015 m high in the M¨¢tra Mountains.The Little Hungarian Lowlands (Kisalföld) are located northwest of the low mountain range. South of the Transdanubian low mountain range is Lake Balaton, which is the largest lake in Central Europe with an area of 592 km². Mezoföld, a fertile loess plain, read between Lake Balaton and the Danube. In the south-west of the country, between the Danube and the Drau, read the Transdanubian hills, which in the south merge into the Mecsek Mountains in the south (up to 680 m).
The capital Budapest is located in the north of the country on the Danube, the largest river in Hungary, which is navigable along its entire length. Other important rivers are Raab and Tisza, both are tributaries of the Danube.
The climate in Hungary is continental, with temperature fluctuations increasing and precipitation decreasing from west to east. January mean values of -1 °C are measured in the western regions of the country, and around 19 °C in July. In the southwestern part of the Great Hungarian Lowlands (Alföld) the January average is -4 °C, in July 22 °C. The average rainfall here is 500 mm per year, and droughts can occur in summer. Up to 800 mm are measured in the west.
Only about 20% of the country's territory is forested. Larger forest areas are mainly to be found in the west of the country, the most common tree species in the lower areas are oak and ash, in the higher areas of the low mountain ranges mainly beech, maple and birch occur. Sweet chestnuts and mulberry trees are found in the southwest (Transdanubian hills). In the Hungarian lowlands Alföld and Kisalföld there is grass-covered steppe (puszta), which was created by clearing the original oak forests. Much of it is now used intensively for agriculture. The few remaining forests consist mainly of poplar, oak, ash and elm.
The wildlife of Hungary has many of the typical Central European species. These include deer, deer, wild boar, mouflon, rabbits, foxes and martens. A specialty are the otters living on Lake Balaton and the beavers resettled on numerous rivers. The bird life is rich in species, in wetlands there are, for example, cranes, herons (great egrets on Lake Balaton), ibises, cormorants and numerous types of ducks. Hawks, pheasants and quail live in the steppe-like landscapes in the east of the country. The great bustard as a typical steppe dweller has become rare.
Around 10.91 million people live in Hungary. The average population density is 117 people per square kilometer. The largest metropolitan area is the capital Budapest, which is by far the largest city in Hungary with approximately 1.73 million residents. The second largest city is Debrecen (population 215,000). Overall, around 65% of the population live in cities. Since the end of the First World War, when the Hungarian territory was reduced by two thirds, around 93% of the total population has been Hungarians (Magyars). According to COUNTRYAAH, the largest of the 13 recognized minorities are the approximately 60,000 Germans and the approximately 100,000 Slovaks. Other minorities are southern Slavs (Croatians, Serbs, Slovenes) and Romanians.In addition, around 500,000 Sinti and Roma live in the country. Population growth has been declining since the early 1980s.
The official language Hungarian is one of the Finno-Ugric languages, as foreign languages German and English are common. Over 64% of the total population belong to the Catholic Church, around 23% are Calvinists. Religious minorities are Lutherans, Jews, Orthodox and Muslims.
The standard of living in Hungary was already relatively high at the time of the former Eastern Bloc. The social security system and healthcare are well developed. Life expectancy is 72 years. School attendance is compulsory for children between the ages of six and 16, and there are numerous secondary schools and training centers available. The literacy rate is 99.5%.
According to the constitution of 2012, Hungary is a parliamentary republic with a multi-party system and separation of powers. The head of state is the president elected by parliament for five years (since May 2012 J¨¢nos Áder), who has predominantly representative tasks. However, he has a suspensive veto right over the laws of the National Assembly and can make legislative proposals himself. The Prime Minister (since May 2010 Viktor Orb¨¢n) as head of the government heads the Council of Ministers and is also elected by Parliament.
The people's representation (Orszaggyules) consists of a chamber with 386 deputies who are elected by the people for four years.
Hungary is divided into 19 counties and the capital Budapest. There are 24 cities with county rights within the counties. In 1999, the country was also divided into seven regions.
In Hungary the transition from the socialist planned economy to the free market economy was easier than in the other former Eastern Bloc countries, since the country already had a relatively liberal economic system in the socialist era. Hungary joined the European Union on May 1, 2004. However, the Hungarian economy was already on a significantly weakened growth path before the 2008 financial and economic crisis. The state of public finances is critical. The already significant drop in inflation and underemployment are problematic (unemployment in 2013 at 10.2%).
Efficient agriculture now only accounts for 3.5% of gross domestic product (GDP). Around 70% of the country's total area is used for agriculture. In agriculture, mainly wheat, maize, barley, sugar beet, sunflowers, rye, potatoes, rye, fruit and vegetables (peppers) are grown. Wine growing has a long tradition (e.g. Tokaj). Cattle and pig breeding are particularly important in livestock farming.
Industry generates around 30% of GDP. Heavy industry in particular was expanded on a large scale in the socialist era. Many steel and steel works can be found in the greater Budapest area and on the Danube and Raab. Today, electrical engineering and mechanical and vehicle engineering are particularly important, and a large number of new companies have been created through foreign investments. Other important industrial sectors are the chemical industry, textile and food processing companies and the oil and gas refineries along the Danube. The country's energy generation is based on fossil fuels (hard and brown coal, natural gas, oil) and hydropower, but is not sufficient to cover its own needs.Hungary is relatively poor in raw materials, apart from those already mentioned, bauxite,
The most important trading partners for exports today are Germany, Romania and Austria. Germany is also the most important trading partner for imports, followed by Russia and Austria. Tourism is an important source of foreign currency.
Hungary's transport network is well developed; around 160,000 km are available on the road; the rail links have a total length of 8,000 km. There are two international airports: Budapest and S¨¢rmell¨¦k (south-west Hungary).
The currency is the Hungarian forint (= 100 filler).
Hungary Defense and Security
Category: Europe Tags: Hungary
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Open Mike Eagle Uses His Platform to Address the Good, the Bad and the Ugly in America
Emmanuel C.M.
Emari Traffie
Open Mike Eagle is a very busy man. Over the last seven years, the Chicago-bred rapper, born Michael Eagle II, has done a little bit of everything. As an artist, he's released nine albums, with his last three via Mello Music Group—the indie record label that is home to some of today's stellar acts such as Oddisee, Apollo Brown and L'Orange, among others. He also hosts multiple podcast shows, speaking on a wide array of topics such as Cartoon Network's hit animated series Adventure Time (Conversation Parade), Pro-Wrestling (Tights and Fights) and the world of hip-hop that fans don't see (Secret Skin).
Most recently, OME landed The New Negroes, his own show on Comedy Central with comedian Baron Vaughn. The show is based on Mike and Vaughn's current comedy showcase of the same name where they feature stand-up and musical elements while showcasing specific comedians.
While his schedule is jam-packed these days, Open Mike Eagle isn't too busy to pay attention to the current Black experience in America. It's almost hard not to pay attention to the racial turmoil happening across the country during President Trump's tenure. From the White nationalist march in Charlottesville to NFL players kneeling during the national anthem to fight for racial equality and protest police brutality, the gutting of Black neighborhoods, standing up for what's right has become strenuous. But not for Open Mike Eagle.
His latest album, Brick Body Kids Still Daydream, might be the best of his career and is one of best of the year so far. The LP focuses on the Robert Taylor Homes, a project complex in Chicago that was built in the 1960s, where a great amount of Mike's family has lived. The homes were eventually destroyed, displacing thousands of Black families. The Robert Taylor residents were promised accommodations but the majority never received anything after the demolition was completed. With Robert Taylor Homes as the catalyst for the album, Open Mike touches on a number of subjects affecting society like today's economics, the American housing policy and the trauma it causes to Black people when things shift poorly.
While in New York City, Open Mike Eagle sits down with XXL to discuss Brick Body Kids Still Daydream, Trump, the trauma of displacement, Black representation in media and why hip-hop is so popular in comic book culture today.
XXL: You're someone who does a lot of things really well. How do you juggle everything that you're doing?
Open Mike Eagle: It all connects I feel like. At some point, everything I do kind of points back to my music career, in some sense or another. Everything I'm doing is something that I'm genuinely interested in, too, so it's something in some aspect of my personality that already exists. And like I said, it all feeds back to music, and it all feels very cherry on top to me. So, I don't know, I feel fortunate to do everything I'm able to do and that kind of helps me try my best to do it well, too.
Run down everything that you're currently doing.
I do music. I produce. I do a podcast like this. The one I'm doing now is a pro wrestling podcast, but I've done three podcasts. I have my interview show, Secret Skin. I had a podcast that followed Adventure Time the cartoon, it was called Conversation Parade. Now I'm doing Types of Fights and I'm gonna go back into doing mine as soon as I can. Podcasting is a medium that I'm interested in as a consumer and a creator. I just love listening to people having conversations about stuff that I'm interested in. I like to have conversations with other people about stuff that I'm interested in and kind of add on to the podcast universe.
I've been doing some TV writing stuff lately. We had a show picked up by Comedy Central. It's a live comedy show that we do called The New Negroes. Me and Baron Vaughn do that out in L.A. It's been picked up by Comedy Central so we're developing that into a television show right now, but music is a part of that, too. I love comedy anyway. I feel like my brain operates a lot like a comedian's does, in terms of observing things and trying to point out stuff about myself, about society, all of that. I tend to express mine through song. But, because it's coming from the same place, I tend to get along with comedians pretty well too.
But, music is a part of that show too. I perform on that show. In the televised show, it'll have music in it. And there's a few more projects I'm shopping on the TV front, but all of it ultimately just points back to music.
Music is your first love essentially.
Yeah, yep.
And your new album, Brick Body Kids Still Daydream, did you think of the idea while on a plane?
Kind of. It's ... I've been stressed out, probably, over the last year with the political situation. So just everything I made just kind of had this darkness in it, me trying to process all the feelings I was feeling. This one time, I was on a flight, and I think I was flying to Chicago, and I was thinking about my life and thinking about the project building that was in the Robert Taylor Homes that my aunt lived in and all my first cousins. And how I spent so much time there and just thought about it a lot. I was thinking about it, remembering, and then remembering that it got demolished. I thought to check and see what was there now. Because I never had heard what was there. The buildings got demolished, like, 10 years ago, but I never heard what ended up happening to those lots that those buildings were on.
I was on that flight, and I looked it up, and there was nothing there. And then I was looking up ... Like, they actually have footage of the buildings being torn down, you know? You can just sit and watch it, like, for an hour. Just watch this building kind of get torn down by these big, huge cranes and machines. And then I visited, I think, on that trip. I wanted to see what it looked like there. It was just empty fields.
And, I don't know, it struck some tone with me about the policy behind these buildings being erected in the 1950s, and how they're supposed to be this nice, modern living situation for these people who was in these slums before they were built. These real terrible shantytowns. Everybody was excited to move into these huge, 16-story—for the time—super-modern apartments. But then, the maintenance stopped ... The maintenance basically stopped being funded. People funded the building, but then they stopped funding for them to be maintained properly, and it just kind of all went to shit and became what people remember the projects for, which is kind of like these self-contained danger traps that people have to live in. And thinking about that whole arc and them being knocked down, basically just because the buildings were an eyesore at a time when Chicago was trying to get an Olympic bid.
But I think it's so different when you look at a neighborhood, or something, that's demolished to make way for a highway or demolished to make way for a football stadium, whatever. There's something about putting something else there that, like, in some way helps to deal with the trauma of displacing people by the fact that there's some new structure there. So, at least there's something new to pay attention to.
But in that case, for them to just be empty, it just bothered me so much, you know? And how that tied into the crime in Chicago and how ... I think there's some analogy there to police brutality and the black body and what that means to people or doesn't mean to people. And how there's kind of a lack of empathy there, usually.
All of that, kind of was swirling around in my head, and I started to kind of write songs from that space. And ended up kind of fashioning the album out of that.
You feel so small.
Right. You feel like you're not important, like you're, in that case, where you live, your foundation, but these project buildings. I mean, one of these 16 floors, I forget how many apartments or floors, thousands of people in these buildings, man. And there's culture there. It might have been awful, but there's culture. It's just...
Generations.
Yeah, you know? And just to erase it, the trauma of that, you know what I mean? It's crazy.
It had to be tough to write for this album, because it'd feel like, as you dive into something like that, you then start to question pretty much everything. Especially with the political climate, you just feel like, how do you not go dark?
Yeah, I mean, look, I'm really tripping off of pop culture right now because I'm looking at the pop stars of our time. Taylor Swift's like making a whole album about her reputation, or some shit. Who gives a shit about your reputation? Who cares? I don't know your reputation. I don't care. You know what I mean? People out here fucking hurt. Like, what are you doing?
I feel like it's the duty of anybody who's actually trying to, like, use arts and culture to co-process things with people. You've got to put it in there because nobody knows what to do right now, everybody's just stressed the fuck out. Nobody knows how we got here. We're all trying to unravel all of this. I don't know if what I'm doing is necessarily directly helpful, but I feel like I have to be true to how I'm feeling, you know what I mean? That's the strength of my heart is to be true to how I'm feeling. So, like you said, it had to be dark in some sense.
Do you feel like that's your responsibility?
Not my responsibility, but that's my choice. And I don't feel it's every artist's responsibility, you know, I feel like some people need to do other things. I mean, we are all humans on the planet, so you figure somebody has the least amount of empathy, they're going to come out of themselves a little bit right now. But, you know, there are a lot of different artists that serve a lot of different functions in society and in the industry, so I don't expect everybody to do the same thing.
What don't you like about pop culture today?
You know, specifically, I think that... For people who have a really high platform and parts are surrounded by really powerful machinery, where...there are people in pop culture right now that their actions, their thoughts, their words, their videos, they create culture, right? When you're creating culture, and you're choosing to create culture that is more celebratory of pop culture than trying to help anything, to me, God, that's just gross to me. That's just nasty.
Because, I mean, where we are now, even if you're just in it for the money, nobody's going to have any soon. It's all going to shit. We're not going to get through this by just, like, jerking each other off, you know what I mean? And it's real now. It's real. People are dying. People are hurting. It is, I feel like, a time to say something, especially if you have a high platform. I feel like you've got to say something. You have to acknowledge it.
And I understand that, in a lot of senses, bigger acts they have to plan things six, eight months, maybe a year in advance, but I don't think this is a time for business as usual. You know, I don't see how that works. I feel like that's tone deaf. I feel like you're going to get to a point where you could die for being tone deaf. I feel like you're going to end up like Marie Antoinette, you know what I mean? I don't know, people are hurt. And it's just hard to not hear it and not respond to it in any way.
What's the meaning of the title of the album?
The Brick Body Kids, I mean ... have you seen the cover?
So, you know, in that way, it personifies the buildings as kids and as kids that grow up in the buildings, and the heartening that kind of happens from being in dangerous environments. And then, I feel like there's an analogy there to how people outside of that community can kind of build you up and knock you down, you know, with the stroke of a pen, with the vote, with whatever. with their apathy, with their support of the police force. With lots of different means. So to me, that image is kind of the central theme of the album.
One thing you touch on in particular is how this country at this point is in pain. And except for talking about it, it's just lashing out. And we consume it hourly at our fingertips. How do we heal?
I think you just hit it right on the head. We've got to have really tough conversations. And not just like me and you, we probably agree with each other, so it's easy for us to have a conversation. But like, Me and [White nationalist leader] Richard Spencer need to talk, and I need to really not punch him in the face when I see him. But I really want to, real bad. Because the shit he says gets, it just incenses me. Not only is he aware of White privilege, he wants more of it. Like, are you crazy? Like, what are you?
Yeah, but those are the conversations we need to have. A person like him needs to understand that this isn't a joke. The reasons that people take or make efforts to counterbalance in the name of diversity is because you can't... as a Black man, I can't control how people perceive me. I can't change how I look and I shouldn't want to.
And in that sense, the advantage that a White male has in this society is so pronounced. It's so unfair. And it's, like, there's no such thing as fairness, so I get that. And that's why we ended up making these efforts to counterbalance things, but it's important. America's not going to be a White country because y'all decided to bring Black people here. And to not want to deal with that in any way, it's just nuts. And to feel like, "Well, we'll just be post-race," or "We'll be this," or "We'll be that." No, we have to have these really hard talks. We have to feel each other's pain.
And like you said, we all have to heal. And I think that when we…there's pain in rural America, right? But, I think a lot of times, those people get manipulated into thinking that's our fault, and it's not. And they need to understand that. They need to understand who benefits from them thinking that I'm sitting in New York or L.A. causing some problem for you in Wyoming. And I'm not. It's not me, a lot of times, its industrialization. It's a lot of forces that have nothing to do with me. I'm suffering from the same thing. I have a college degree. I'm not using it. You know what I mean?
The job market, the forces, the economy, all of that is really complicated, but a lot of times, we're not the ones that benefit, so why are people telling y'all that we are the ones that benefit? Or that Mexican immigrants are the ones that are benefiting? Like, who's benefiting from telling them that lie? It's really breaking that down and destroying that machine, because that machine is really toxic.
It's getting to the point where you can trace the lines from the Koch brothers and [hedge-fund tycoon] Robert Mercer's donating billions to getting certain kinds of messaging out so that people vote a certain way. And data mining, and finding out what the right trigger words are to get people emotionally invested in this. And man, it's confusing to people. It's wreaking psychological havoc on people. And everything that we're seeing now, all of this violence, all of this conflict, I think is a direct result of that.
So that's all the kind of things that we have to get to. We have to show people. We have to understand how it is that we got here.
Exactly, because that misinformation is what gets Trump as President.
Right, and it was all very calculated, man. Like, the more I find out about it, it's just amazing because now that the people who do pay attention to data have these tools and they execute it so well. I don't know if what we knew as normal, I don't know if we're ever going to see that again. Unless something happens where that sort of data manipulation gets outlawed somehow, but I don't see that happening. Then, we're going to be in the situation where sensationalism is going to create our presidential candidates. It's like everybody's getting gas lighted, you know what I mean? And that is our political process now.
Do you see the Donald Trump presidency being a positive in a sense that here's a singular figure of power that allows Black people in particular to finally unify? It's an extreme idea but one that is being shopped around.
No, because have you seen what the…there's a couple televangelists like Roger Stone saying, "Now what will happen if Donald Trump gets impeached?" Have you seen what they said? They said that if Donald Trump gets impeached, then White Christians are going to start a civil war.
So, like, common sense can't even prevail because they're still pushing that button to blow that dog whistle for people who are invested. Because they're invested in Trump like a demigod, you know? Like, he is a symbol for them. And somehow they've gotten it where psychologically he encapsulates everything they want in one person, who doesn't even give a shit about them. Doesn't even care. Like, throwing little kids under the bus. He does not care about anybody. But, just the way the machinery has worked, that's the thought process now. And they're already on the button. Like, "If they try to get him out of there, y'all know what to do."
I feel like, as long as the people behind that have that sort of, access to the emotions of the people who are in that voting block, we're going to be in this kind of polarized situation for a long time. I feel like, yeah, there's a great number of people for who common sense is like, "Yo, this president's stressing us all the fuck out. Let's get him out of here." But then, there's that other side of the people who actually do support him. The people who do show up to these rallies, you know what I mean? The people who have taken up the cause of protecting Confederate statues. Like, all this shit 10 years ago, you would've looked crazy doing all that stuff. But now, that's the new normal, you know?
Talk about New Negroes. It seems like a really interesting project.
I mean, it's a live show that takes place in L.A. right now, where we have all sorts of different kinds of comedians that we showcase in Hollywood. And the televised version is going to be very similar to that. We're going to be showing that there's such a wide array of voices in the Black comedy community. That's kind of the whole point of it, right, is to show that Black culture isn't like a monolith. And Black comedy isn't a monolith. And Black entertainment isn't a monolith. Like, there's a range to it. We want to be able to put different kinds of comics that people haven't seen before and give them a spotlight and, kind of, give people access points into the real experience of blackness in America.
It's reminiscent of Jay-Z's "Moonlight" video, where viewers see all these famous Black celebrities with very different personalities and approaches. Is that what you want to bring a spotlight to?
Yeah, because honestly that's the creative space we're all working in. The thing is, there's different people with different platforms and different heights, different statures within that. But we're all connected. All them people you just mentioned are, like, all people I've met or worked with or been on shows with, you know, in some form or fashion or one degree removed from. And that was a perfect example, because we want to continue the show as a unified front of all these Black creatives in these spaces where we're finally getting a chance to tell our own stories. They're not the same story over and over again. There's a variance to it, you know?
What's up with the Thirsty Fish and Swim Team? Are those collab projects you want to do in the future again?
I mean, I feel like that creative space is kind of over with. And that was very formative in my career was working with the group, Thirsty Fish, and the overall crew with Swim Team and what my values were as an artist at that time was being very, "Who's the tightest? Let's all get together on these tracks and try to outdo each other. Try to be the best rapper." But that was a space we were all meeting in at that time, and I feel like where we're at now, like as individuals, all of us are kind of in different spaces now.
We all still get along and love each other and make songs occasionally, but as you grow and get older, in hip-hop, what's important to you changes. And what's important to me isn't being, like, the best rapper anymore. Because the further you get into it, you realize nobody ever will be. So for me, it's more important to say the things that are most true to me, and if I can say them in a good way, that's great.
But it's not so much competition-oriented for me anymore. It's me competing with myself to do the best that I can do.
You're a comic book fan, correct?
What's your thoughts on Black Panther? The rollout has been fantastic.
About the movie?
About the movie and how you enjoy the new comic books.
I haven't read much of the new comic. My son's reading it right now, but I haven't read much of the new comic. I haven't read ... I haven't kept up with comics in the modern era like I want to. Like, I'll occasionally dabble in some X-Men. I'll go by the comic book shop and kind of see what's happening, but there are just so many titles right now, and it's hard for me to know which storylines are like the "important ones," you know what I mean?
Because so many of them are just transient. It's like an X-Men No. 1 every other month. I'm like, I don't know. But to me, it's really what resonates with me more than anything are those characters. So, like what Black Panther represents as a character means more to me than whatever storyline is happening at the time.
And I'm excited for the movie, after seeing the trailer of course, just so that a Black superhero with that sort of origin story can be on display in the pantheon of American comic book heroes. In this new space that they're occupying right now, because the movies are so huge.
It's kind of insane to see this merger of comic book culture and hip-hop coming together as of late, now more now than ever
You know what, it is amazing, especially when you put it that way. And I can't ... I haven't necessarily thought about it like that, but it is. My favorite band is called They Might Be Giants, and they're like alt-rock indie legends that have been doing it for 30 years, or whatever. And I remember reading an interview with them in, like, the 1990s. They had had a couple of their songs get animated and get turned into music videos on the Tiny Toons show, which was a huge Warner Bros. cartoon at the time.
They were asking, "How'd that happen? How did this little weird rock band get this look, where this huge cartoon franchise just incorporated them right alongside everything else that they were doing?" And they were saying they had been doing it for so long at that point kids who were super fans of them were now in places of power. They were executives at Warner Bros Animation, so they could bring in those sorts of projects and say, "OK, let's animate this song," and not get any push back.
I feel like that's kind of what's happening with hip-hop, too, is that a lot of people who hip hop was very important to, are now in positions of power within media in all sorts of different platforms. So now they can legitimize it within the platforms that they're in and not get that much push back because they're the powerful people behind it.
How do you make time for all the stuff that you're doing?
I don't sleep that much, man. But you know that's me. I never really did. I stay up late and get up early, man. I love everything I'm able to do, and I'm excited to do it all. Except for the dumb ass emails I have to answer. Other than that, all of it is great. So, it's exciting for me to do. I feel fortunate, like, actively…I try to stay aware of that. My career path has been very strange, you know? Like, a lot of the things I do, just on paper, you wouldn't have expected me to be able to do it all, or even get close to doing some of the things I've been able to do. So I try to keep an awareness of that. And I think that in itself just keeps me excited enough to just keep doing it.
See New Music Releases for October 2017
Source: Open Mike Eagle Uses His Platform to Address the Good, the Bad and the Ugly in America


Our belt fertilizer conveyor is a high-efficiency and easy-operation material transporting machine. The organic & compound fertilizer conveyor can convey not only detrital materials, such as fertilizer, pellets etc., but also packed products. Belt conveyor is widely used in fertilizer, metallurgy, coal, transportation, water and electricity, and chemical industry etc.
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Purpose: Diabetic peripheral neuropathy (DPN) is one of the most common diabetic chronic complications. Methylenetetrahydrofolate reductase (MTHFR) gene variants have been associated with vasculopathy that has been linked to diabetic neuropathy. The aim of the present study was to investigate the possible association between MTHFR gene C677T mutation and DPN and evaluate if there is an association with clinical features in a relatively large cohort of Turkish patients.
Methods: The study included 230 patients affected by DPN and 282 healthy controls. Genomic DNA was isolated and genotyped using the polymerase chain reaction–based restriction fragment length polymorphism assay for the MTHFR gene C677T mutation.
Results: The genotype and allele frequencies of the C677T mutation showed statistically significant differences between the patients with DPN and the controls (p=0.003 and p=0.002, respectively). After the patients with DPN were stratified according to clinical and demographic characteristics, a significant association was observed between the C677T mutation and history of retinopathy (p=0.039).
Conclusions: A high association between the MTHFR gene C677T mutation and DPN was observed in the present study. In addition, history of retinopathy was associated with the MTHFR C677T mutation in patients with DPN.
Diabetes is a common disorder with various systemic complications including diabetic peripheral neuropathy (DPN), which affects most diabetic patients and causes sensory, motor, and/or autonomic dysfunctions [1,2]. Diabetic retinopathy is the most common complication of diabetes mellitus  and is rapidly emerging as a global health issue that may threaten patients' visual acuity and visual functioning. However, the underlying pathogenesis of DPN and diabetic retinopathy has not been well defined. It is widely accepted that vascular complication is the most common cause of diabetes death and disability and has been linked to diabetic neuropathy . A risk factor for vasculopathy in diabetes is elevated homocysteine levels . It has been reported that hyperhomocysteinemia in diabetic patients was associated with the prevalence of diabetic nephropathy and diabetic retinopathy [6,7]. Hyperhomocysteinemia was also independently related to the prevalence of diabetic neuropathy in diabetic patients [8-10].
Methylenetetrahydrofolate reductase (MTHFR) is the enzyme that catalyzes the transformation of homocysteine to methionine via the remethylation pathway (gene located in 1p36) . Hyperhomocysteinemia is the consequence of decreased activity of MTHFR . Mutations of the MTHFR gene lead to decreased enzymatic activity. The most common MTHFR variant is a point mutation (C→T substitution at nucleotide 677) resulting in an enzyme with 50% less activity . The C677T mutation of the MTHFR gene, causing an amino acid change from alanine to valine, is associated with reduced activity and increased thermolability of the enzyme . This mutation is the most common genetic cause of elevated homocysteine levels [15,16].
Although several studies showed that hyperhomocysteinemia is associated with diabetic neuropathy [8-10], no study has focused on MTHFR gene mutations in association with DPN. Thus, we decided to investigate the MTHFR gene C677T mutation in patients with DPN and evaluate if there is an association with clinical features in a relatively large cohort of Turkish patients with DPN.
230 unrelated patients with DPN who were registered at the outpatient clinics of the Physical Therapy and Rehabilitation Department of Gaziosmanpasa University Tokat, Turkey, were included in the study (61 men, 169 women; mean age, 57 years old; age range, 17-83 years old). The patients all fulfilled the American Diabetes Association (ADA) criteria for diabetes (types 1 and 2) . We used the standard Neuropathy Symptom Score (NSS) and Neuropathy Disability Score (NDS) criteria to diagnose diabetic neuropathy [18,19]. The patients underwent an ophthalmological examination, including visual acuity, slit-lamp examination, and funduscopy for the absence or presence of retinopathy. A total of 282 unrelated healthy subjects (mean age 55.550±8.149 years; 65 men, 217 women) were recruited consecutively. All participants, patients and healthy controls, were of Turkish origin, from the inner Central Black Sea region of Turkey. The healthy controls were matched for age, gender, and geographic area with patients with DPN and were free from another systemic disease. The protocol of this study was approved by the Institutional Ethics Committee, and all participants gave written informed consent before enrolling in the study.
Genomic DNA was extracted from whole venous blood samples using a commercial DNA isolation kit (Sigma-Aldrich, Taufkirchen, Germany). The MTHFR C677T (rs1801133) mutation was analyzed with PCR–based restriction fragment length polymorphism (RFLP) assay as described previously . The amplification conditions consisted of an initial melting step of 5 min at 94 °C; followed by 35 cycles of 30 s at 94 °C, 30 s at 61 °C, and 30 s at 72 °C; and a final elongation step of 5 min at 72 °C. The sequences of PCR primers were 5′-TGA AGG AGA AGG TGT CTG CGG GA-3′ and 5′-AGG ACG GTG CGG TGA GAG TG-3′. PCR was performed in a total volume of 25 µl reaction containing 100 ng of genomic DNA, 2.5 µl of 10X PCR buffer, 200 µM deoxynucleotide triphosphates, 10 pM each primer, and one unit of Taq DNA polymerase. After amplification, the 198 bp PCR product was digested with HinfI in a 15 µl reaction solution containing 10 µl of PCR product, 1.5 µl of 10X buffer, and two units of HinfI at 37 °C overnight. The digestion products were separated on 3% agarose gels, and fragments stained with the ethidium bromide were photographed on an ultraviolet transilluminator. Wild-type (CC) individuals were identified by only a 198 bp fragment, heterozygotes (CT) by the 175/23 bp and 198 bp, and homozygote variants (TT) by the 175/23 bp.
Statistical analysis was performed using the Statistical Package for the Social Sciences (SPSS version 13.0, SPSS Inc., Chicago, IL) and the OpenEpi Info software package version 2.3.1. Results are given as mean±standard deviation (SD). The chi-square (χ2) test was used to evaluate the Hardy–Weinberg equilibrium for the distribution of the genotypes of the patients and the controls. The relationships between the C677T mutation and the clinical and demographics features of the patients were analyzed by using the χ2 test or analysis of variance (ANOVA) statistics. The χ2 test and Fisher's exact test were used to compare categorical variables appropriately, and odds ratios and 95% confidence intervals were used to assess the risk factors. All p values were two-tailed, and p values less than 0.05 were considered statistically significant.
The baseline clinical and demographic features of the study patients with DPN are shown in Table 1. Gender, age, disease duration, height, weight, body mass index (BMI), hemoglobin, serum creatinine, glycated hemoglobin (HbA1C), triglyceride, total cholesterol, high-density lipoprotein (HDL) cholesterol, low-density lipoprotein (LDL) cholesterol, systolic blood pressure, diastolic blood pressure, type of diabetes mellitus, history of retinopathy, history of hypertension, medications, and smoking of patients were analyzed. Age and gender did not differ between the patient and control groups (p=0.055 and 0.409, respectively). Baseline characteristics of the patients according to the MTHFR genotypes were similar, except history of retinopathy. The frequency of the TT genotype was significantly higher in patients with a positive history of retinopathy than in the patients with a negative history of retinopathy (p=0.039; Table 1).
The frequency of the CC, CT, and TT genotypes of the C677T mutation in the patients was 53.5%, 37.0%, and 9.5%, respectively, and in the controls, the frequency was 63.8%, 33.0%, and 3.2%, respectively (Table 2). The C and T allele frequencies were 72.0% and 28.0%, respectively, in the patient group and 80.3% and 19.7%, respectively, in the control group (Table 2). The distributions of the genotype and allele frequencies of the MTHFR gene C677T mutation were statistically different between the patients with DPN and the control group (p=0.003 and p=0.002, odds ratio=1.59, 95% confidence interval =1.19–2.13; Table 2). High differences were also observed when the patients and the controls were compared according to CC versus CT+TT and CC+CT versus TT genotypes (p=0.018 and p=0.003, respectively; Table 2). The MTHFR gene C677T mutation was associated with DPN susceptibility in a Turkish population. The observed and expected frequencies of the mutation were in Hardy–Weinberg equilibrium in the patient and control groups.
The major finding of the present study is the demonstration of an association between the MTHFR gene C677T mutation and DPN as well as history of retinopathy. In vitro studies showed that hyperhomocysteinemia affected nervous function by direct cytotoxic effects or by oxidative damage of endothelial cells, leading to occlusive arteriosclerosis in small vessels [20,21]. Therefore, macro- and microvascular damage associated with higher hyperhomocysteinemia plasma values could be associated with nerve damage and would explain our results.
In a previous study, the total plasma homocysteine concentrations and the frequency of hyperhomocysteinemia were significantly higher in the group of diabetic patients with neuropathy compared to non-neuropathic patients in a German population (p=0.04) . In the same study, the vitamin B12 concentrations demonstrated a trend to decrease in the neuropathy group (p=0.06). Plasma total homocysteine concentrations were also independently associated with the occurrence of diabetic neuropathy in two recent Chinese studies [9,10]. In these Chinese studies, the plasma homocysteine levels were significantly higher in patients with diabetic neuropathy than in patients without diabetic neuropathy (p<0.001 and p=0.005, respectively). The authors hypothesized that hyperhomocysteinemia was an independent risk factor for the occurrence of diabetic neuropathy [9,10].
Diabetic retinopathy is a leading cause of blindness . Hyperhomocysteinemia has been associated with diabetic retinopathy . In vitro studies indicated that homocysteine increases the expression of the vascular endothelial growth factor in cell cultures via activation of its transcription [24,25]. The vascular endothelial growth factor is a proangiogenic factor known to play a key role in the development and progression of diabetic retinopathy [25,26]. The C677T mutation in the MTHFR gene has been related to homocysteine levels and to vascular diseases . The relationship between this mutation and diabetic retinopathy has been evaluated in many studies. As a result of a recent meta-analysis that included eight case-control association studies, the 677TT genotype was associated with a moderately augmented risk for diabetic retinopathy . In the current study, in concordance with the previous results, the frequency of the TT genotype was significantly higher in patients with a positive history of retinopathy than in patients with a negative history of retinopathy (p=0.039).
In conclusion, for the first time, our findings demonstrate that the MTHFR gene C677T mutation is related to DPN. The C677T mutation is also associated with a history of retinopathy in these patients. Our results showed that patients with the C677T mutation have a predisposition to DPN. Nevertheless, the significance of the MTHFR gene C677T mutation in DPN requires further studies.
Dr. Nevin Karakus (nevinbalci@hotmail.com) and Dr. Serbulent Yigit (yigit.serbulent@gmail.com) are co-corresponding authors for this paper.
Hoffmann MA, Kohl B, Zumbach MS, Borcea V, Bierhaus A, Henkels M, Amiral J, Fiehn W, Ziegler R, Wahl P, Nawroth PP. Hyperhomocysteinemia and endothelial dysfunction in IDDM. Diabetes Care. 1998; 20:1880-5.
American Diabetes Association. Standards of medical care in diabetes-2010. Diabetes Care. 2010; 29:11-61.


text:
High altitude solar aircraft find testing site in outback Western Australia
Posted on December 7, 2018 April 18, 2019
Space tech giant Airbus is celebrating the opening of its official testing location for its all-electric, solar-powered high altitude aircraft, the Zephyr HAPS at a remote outback airport in Western Australia.
The Zephyr HAPS, an unmanned "high-altitude pseudo-satellite" that can cruise altitudes of 21km for months at a time, will be tested from the site at Wyndham which is surrounded by mostly unrestricted airspace and relatively consistent weather conditions, making it ideal as a testing site.
The aircraft's maiden flight in August 2018 from Arizona, USA, saw it fly non-stop for 25 days, making it the world's longest ever solar flight.
WA premier Mark McGowan said in a statement, "I am delighted to welcome the Airbus team and their Zephyr project to Western Australia. This is the culmination of almost a year of hard work by Airbus and my Government to bring this exciting and innovative technology to our state."
"The Zephyr aircraft provides new capabilities to commercial and military customers and will bring an economic boost to the East Kimberley region," he said.
The high altitude and extended flight capabilities of the Zephyr HAPS will make it ideal to fill a niche that exists between satellites and lower altitude aircraft such as UAVs, bringing persistent surveillance and communications to even the remotest parts of the world.
"The official opening of the Airbus Wyndham launch site in Western Australia, the world's first operational HAPS site, marks the start of a new era for Zephyr," said Jana Rosenmann, head of Unmanned Aerial Systems at Airbus in a statement.
"We are proud to see Australia become part of the Zephyr operational network. The site is our gateway to the stratosphere and will be the main flight base for Zephyr going forward."
The Zephyr HAPS trumps other options such as weather balloons with its ability to land and be redeployed again and again.
If the idea of stratospheric "eyes in the skies" sparks a concern for some, Airbus is keen to emphasise the potential of improved disaster management, and monitoring of the planet's changing environment as well as catastrophic events such as wildfires and oil spills.
electric plane


text:
Hénonville és un municipi francès, situat al departament de l'Oise i a la regió dels Alts de França. L'any 2007 tenia 773 habitants.

Demografia

Població
El 2007 la població de fet de Hénonville era de 773 persones. Hi havia 281 famílies de les quals 63 eren unipersonals (12 homes vivint sols i 51 dones vivint soles), 97 parelles sense fills, 113 parelles amb fills i 8 famílies monoparentals amb fills.

La població ha evolucionat segons el següent gràfic:

Habitants censats

Habitatges
El 2007 hi havia 314 habitatges, 288 eren l'habitatge principal de la família, 11 eren segones residències i 15 estaven desocupats. 291 eren cases i 23 eren apartaments. Dels 288 habitatges principals, 241 estaven ocupats pels seus propietaris, 40 estaven llogats i ocupats pels llogaters i 8 estaven cedits a títol gratuït; 2 tenien una cambra, 14 en tenien dues, 47 en tenien tres, 69 en tenien quatre i 157 en tenien cinc o més. 204 habitatges disposaven pel capbaix d'una plaça de pàrquing. A 114 habitatges hi havia un automòbil i a 149 n'hi havia dos o més.

Piràmide de població
La piràmide de població per edats i sexe el 2009 era:

Economia
El 2007 la població en edat de treballar era de 537 persones, 403 eren actives i 134 eren inactives. De les 403 persones actives 367 estaven ocupades (199 homes i 168 dones) i 37 estaven aturades (13 homes i 24 dones). De les 134 persones inactives 45 estaven jubilades, 46 estaven estudiant i 43 estaven classificades com a «altres inactius».

Ingressos
El 2009 a Hénonville hi havia 291 unitats fiscals que integraven 772,5 persones, la mediana anual d'ingressos fiscals per persona era de 21.156 €.

Activitats econòmiques
Dels 29 establiments que hi havia el 2007, 1 era d'una empresa alimentària, 6 d'empreses de fabricació d'altres productes industrials, 5 d'empreses de construcció, 4 d'empreses de comerç i reparació d'automòbils, 3 d'empreses de transport, 2 d'empreses d'hostatgeria i restauració, 1 d'una empresa immobiliària i 7 d'empreses de serveis.

Dels 7 establiments de servei als particulars que hi havia el 2009, 1 era un paleta, 2 fusteries, 1 lampisteria, 1 electricista, 1 restaurant i 1 agència immobiliària.

Dels 4 establiments comercials que hi havia el 2009, 1 era una botiga de més de 120 m², 1 una botiga de menys de 120 m², 1 una llibreria i 1 una botiga de mobles.

L'any 2000 a Hénonville hi havia 3 explotacions agrícoles.

Equipaments sanitaris i escolars
El 2009 hi havia una escola elemental.

Poblacions més properes
El següent diagrama mostra les poblacions més properes.

Referències

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Overview of RIT
History of RIT
About Rochester, NY
Visit RIT
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Discover RIT
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Overview of Academics
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by Vienna McGrain Follow @viennamcgrain
RPO performs music from Legend of Zelda
Multimedia show features music, scenes from the 1980s video game, and panel discussion
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"The Legend of Zelda: Symphony of the Goddesses," featuring music and scenes from the Legend of Zelda video game and a panel discussion afterward, is co-sponsored by RIT, RIT's MAGIC Spell Studios and Upstate Region Interactive Technologies Hub.
The Rochester Philharmonic Orchestra will kick off its month-long schedule of fantasy-themed concerts with the "The Legend of Zelda: Symphony of the Goddesses," at 8 p.m. Friday, Nov. 11, in Kodak Hall, Eastman Theatre. The show, which includes scenes from the popular 1980s video game projected in high definition on the big screen, is co-sponsored by Upstate Region Interactive Technologies Hub, Rochester Institute of Technology and RIT's MAGIC Spell Studios. Cosplay (costume play) is encouraged at the performance.
Led by conductor Amy Anderson, the multimedia performance features 28 years of music from the Nintendo game series performed live by the RPO, together with Rochester chorus group Madrigalia. Following the performance, Shannon Symonds, associate curator from The Strong's International Center for the History of Electronic Games—the concert's promotional partner—will lead a panel discussion alongside Al Biles, professor of interactive games and media and RIT MAGIC Center affiliate, and James Zolyak, a fourth-year game design and development student at RIT, who worked on the award-winning, student-developed video game Hack, Slash & Backstab. Hack, Slash & Backstab recently became the first video game created by a university to launch on the Xbox One and Steam gaming platforms.
"The Legend of Zelda is one of the most iconic video game series ever created," said Symonds. "Its influence can be seen in future giants of the gaming industry, such as the Final Fantasy and Metroid franchises, and its fifth installment, Ocarina of Time, is often hailed as the best video game of all time. Zelda's important legacy made it an easy choice for induction into The Strong's World Video Game Hall of Fame."
Biles believes that there are several reasons the music from Zelda is so iconic. He said aside from just being "really good music," it is integral to the game play and is initiated and performed by players as part of the game mechanics.
"When players cause the music, they really connect to it," he said. "The music is also consistently excellent in using the audio capabilities of ever-evolving game platforms over the last 30 years. The music always maximizes what the platform can deliver and it maintains that difficult balance between being memorable and still integrating into the overall player experience. The composer, Koji Kondo, has a unique talent for writing evocative music that is central to the game but also stands alone, as the popularity of concerts like this clearly demonstrates."
According to Jennifer Hinton, chief communications officer of RIT's MAGIC Spell Studios, the connection among partners and affiliates like RPO and The Strong help focus attention on the local gaming industry.
"RIT's MAGIC Spell Studios actively seeks unique and compelling opportunities to partner with community organizations to bring the power and fantasy of video games to the general public," said Hinton. "This type of event demonstrates how RIT's commitment to New York state's Digital Gaming Hub is fostering innovation and creating collaborative activities that will encourage students and entrepreneurs to enter the gaming industry—an industry that is vibrant and growing as a result of the games and digital media experiences that are being created right here in Rochester by local studios like Darkwind Media, Workinman and Second Avenue Learning."
MAGIC Spell Studios, which will officially launch with an invitation-only event at RIT Nov. 15, was created to meet the needs of the rapidly expanding digital media industry. In addition, RIT's game design and development program was recently ranked third at the undergraduate level and seventh at the graduate level, according to the 2016 rankings from The Princeton Review.
Tickets for the concert start at $23 and are available online at rpo.org, by phone at 585-454-2100, or in person at the RPO's new Patron Services Center (108 East Ave., Rochester) and at all Wegmans That's T.H.E. Ticket! locations.
The 2016-17 RPO season is presented by Dawn & Jacques Lipson, The Philharmonics Series is sponsored by M&T Bank, the RPO Pops Series is sponsored by Canandaigua National Bank & Trust and Wegmans, and the OrKIDStra media sponsor is KidsOutandAbout.com. RPO performances are also made possible by the New York State Council on the Arts, with the support of Gov. Andrew Cuomo and the New York State Legislature. Additional support is provided by Monroe County, the City of Rochester, the Alfred Davis and Brunhilde Knapp Artists Performance Fund, the Mozart Performance Fund: Sarah D. Atkinson, M.D. and Steven Hess, and the Katherine T. and Jon L. Schumacher Orchestra Musician Soloist Fund.
RIT's online degree programs ranked among nation's best in 2020
The 2020 U.S. News & World Report Best Online Programs rankings, released today, featured RIT on its lists for business, computing, engineering and undergraduate online education.
Connections: Can AI help us become more fair as a society?
WXXI's "Connections" program features Hadi Hosseini, assistant professor in the Department of Computer Science.
Forget football. Video games are the next big college sport
Experience magazine talks to Chad Weeden, director of RIT Esports, about the social benefits of esports.
Why your favorite celebs are ditching Twitter for an app you've never heard of
Fast Company features Matthew Peltier '13 (new media interactive development), founder and CEO of Community.com.


The simple premise I use when going into a case is the fact that most likely each member of the jury is sitting there and thinking but for the grace of God, this could be me. This is probably the only charge in our criminal justice system that this premise works. It certainly does not work for Robbery, Drug or Domestic Violence cases. So now that we have the premise going into trial that the people who are going to hear the case and decide your fate probably have consumed 1,2,3 or more drinks and then got behind the wheel.
The prosecutor has to prove that the amount of alcohol you consumed has diminished your ability to operate a motor vehicle safely. Sounds pretty simple but what on earth does that mean?
I like to focus on what it doesn't say. The instruction doesn't say is that if you have consumed any alcohol whatsoever, you're guilty. In other words, ITS NOT ILLEGAL TO DRINK AND DRIVE. A couple of years ago the State Police had a commercial, "you drink, you drive, you lose. Unfortunately that was not and is not the law and I routinely used that premise in my closing arguments to juries. It is no longer their slogan.
Someone does not have to be drunk to be under the influence of alcohol. A person is under the influence of alcohol if he (she) has consumed enough alcohol to reduce his (her) ability to operate a motor vehicle safely, by decreasing his (her) alertness, judgment and ability to respond promptly. It means that a person has consumed enough alcohol to reduce his (her) mental clarity, self-control and reflexes, and thereby left him (her) with a reduced ability to drive safely. The most important part of this section of our jury instructions is what is said next. "The amount of alcohol necessary to do this may vary from person to person. " Twice in the past 3 years I had clients admit to consuming 7 and 8 drinks respectively yet the jury acquitted both clients.
When you factor in that the prosecutor has to prove their case Beyond a Reasonable Doubt, it becomes clearer why OUI's are very winnable. Part of the jury instruction the court reads on Beyond Reasonable Doubt is as follows.
"A charge is proved beyond a reasonable doubt if, after you have compared and considered all of the evidence, you have in your minds an abiding conviction, to a moral certainty, that the charge is true. The judge will also instruct the jury "I have told you that every person is presumed to be innocent until he is proved guilty, and that the burden of proof is on the prosecutor. If you evaluate all the evidence and you still have a reasonable doubt remaining, the defendant is entitled to the benefit of that doubt and must be acquitted. It is not enough for the Commonwealth to establish a probability, even a strong probability, that the defendant is more likely to be guilty than not guilty. That is not enough. Instead, the evidence must convince you of the defendant's guilt to a reasonable and moral certainty; a certainty that convinces your understanding and satisfies your reason and judgment as jurors who are sworn to act conscientiously on the evidence.
Not only is it NOT enough that the jury PROBABLY thinks my client is guilty but the words MORAL CERTAINTY are used in the instruction as well. I argue to juries in almost every trial that whenever the words moral are used in anything, you have to think we are taking about a very high standard.
Let me review your case and give you a free analysis on what I think your cases strengths and weaknesses are. Not every case is winnable but make sure your attorney has a track record of success.


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Our craftsmen deliver high-quality service to each and every job that they complete and our customers can expect only the most dedicated professionals to work on their remodel. To learn more about our kitchen remodeling services, contact Statewide Remodeling today. Feel free to call us to get started with your free, in-home consultation or use our online form to request your complimentary remodeling estimate. All plumbing done by licensed plumbers. License numbers available upon request.
We received excellent service for our kitchen remodel. The remodel quality is excellent! Andrew Adami in sales, Mark Tadolini and Bruce Baldwin paid close attention to our needs and wants. Bruce came by every day after the project began and addressed immediately any questions we had regarding the project. They are highly trained professionals; they made a fine team and we appreciated each of them. Our regard for Scott Carrasas, the sub-contractor,is sky high! Scott was in our home for the four week remodel. His work ethic was exemplary; he paid attention to details; he listened to our concerns and helped us understand what was happening in each area he worked in. Scott called to let us know his arrival times and talked with us before leaving our home each day. Again, his work was of the highest, most excellent quality! You need to hold on to and appreciate this hard working, highly skilled, completely honest and fine young man!


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DA: State Official Told Butterball Turkey Farm Raid Was Coming
By CINDY GALLI
Animal Rights Group: Video Shows Turkey Abuse
Mercy for Animals goes undercover at a Butterball turkey farm in North Carolina.
Jan. 11, 2012 — -- Days before a Butterball turkey farm was raided by police because of allegations of animal abuse, the company had been tipped off that it was under investigation, ABC News has learned. That leak, according to officials, came from a veterinarian at a government agency charged with overseeing the health of Butterball's animals.
Last month, officials in Hoke County, North Carolina raided the Butterball facility, spurred by hidden camera video obtained by the animal rights group Mercy for Animals. A Mercy for Animals activist had worked undercover at the farm for three weeks and documented what the group called "acts of violence and severe neglect" on turkeys housed there. In the video, workers can be seen kicking and stomping on turkeys, as well as dragging them by their wings and necks. The video also shows injured birds with open wounds and exposed flesh.
READ the original ABC News report.
WATCH video of the alleged abuse.
The video prompted an investigation by the Hoke County District Attorney, and in a Dec. 28 raid by the Hoke County Sheriff's Department, officials inspected 2,800 turkeys, seizing 28 and euthanizing four. The investigation is ongoing and no criminal charges have been filed.
But now phone records of calls between Butterball and government officials may raise questions about the relationship between the nation's largest turkey producer and a regulatory agency that is supposed to oversee it. ABC News has obtained a copy of a search warrant for records of phone calls between a veterinarian at the North Carolina Department of Agriculture and a veterinarian for Butterball.
According to the documents, a prosecutor in the Hoke County D.A.'s office had contacted the N.C. Department of Agriculture prior to the December raid to inquire if the office wanted to assist with the inspection of the turkeys during the action. One of the responsibilities of the Department of Agriculture is to inspect livestock to ensure the health of animals.
In addition, the prosecutor alleged in the search warrant that conversations about the pending raid were supposed to be "treated as confidential, and should not be disclosed." Instead, officials charge, an employee there -- the Director of Animal Health Programs -- contacted a veterinarian employed by Butterball. Upon questioning by prosecutors, documents indicate, the government employee allegedly first denied knowing about the investigation until the raid, then admitted she had called the Butterball doctor prior to the raid "and informed him she had heard there was an investigation into a Butterball farm in Hoke County."
The search warrant seizes phone records between Butterball and the N.C. Department of Agriculture from five days before the raid until late last week.
"It is deeply troubling," said Nathan Runkle, executive director of Mercy for Animals, "that a governmental agency that is entrusted with monitoring and overseeing agriculture and food production is so corrupt that it's in bed with the very corporate interests that were documented abusing and neglecting animals. The fox apparently is guarding the henhouse."
In a statement, the N.C. Dept. of Agriculture said the agency was "cooperating with law enforcement agencies in Hoke County in their investigation of whether any of our employees may have inappropriately shared information about an animal cruelty investigation at a turkey farm. Once the investigation is complete, we will take appropriate action based on the facts."
Butterball, which accounts for 20 percent of total turkey production in the U.S., has said it was "shocked" by the undercover video, is taking the animal cruelty investigation seriously, and has a "zero tolerance policy for any mistreatment of our birds." The company said that as a result of an internal investigation, it is evaluating its animal welfare policies, and has fired "several associates for failure to follow Butterball animal care and well-being policies."
"We are taking steps to help ensure that all new and existing associates have a clear understanding of our animal well-being policies," said Rod Brenneman, president and CEO of Butterball. "In addition to requiring all associates to sign an animal well-being agreement to report abuse immediately, we are performing an intense review across all company operations."
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2017 Chicago Open Air Set Times Revealed
"Are you ready?" Those words will likely be heard at least once at Chicago Open Air with Korn set to headline on the second night of the festival. The event is making its return to the Windy City for its second installment, bringing other headliners KISS and Ozzy Osbourne to the stage with over 40 acts in total slated to perform. Now, attendees can start mapping out their weekend as the set times have been revealed.
Doors will open at 11AM on each day (July 14, 15 and 16), allowing fans to pour into Toyota Park in Bridgeview, Ill., nice and early, affording anyone the opportunity to secure a spot along the rail to watch their favorite acts up close or grab a bite to eat from one of the various on site food vendors.
Fortunately, scheduling conflicts due to overlapping sets, a fest trait that plagues so many fans trying to cram as much rock and metal into their weekend as possible, won't be much of an issue as the set times are either butted right up against each other or separated by a few minutes. As stated, KISS will headline Friday night, with Rob Zombie playing directly before the rock icons, with other notable sets coming from Megadeth, Anthrax, Meshuggah and The Dillinger Escape Plan during the late afternoon and evening.
Friday (July 14) Lineup:
Monster Energy Main Stage
9:50PM KISS
8:20PM Rob Zombie
6:15PM Megadeth
4:40 Anthrax
3:20 Falling in Reverse
2:20 Crobot
1:20 Hell or Highwater
Blackcraft Stage
7:10PM Meshuggah
5:30PM The Dillinger Escape Plan
4:00PM Vimic
2:50PM Suicide Silence
1:50PM Whitechapel
12:50PM Code Orange
11:50AM Failure Anthem
Saturday's lineup leans a bit further onto the rock side than the previous day, with Korn headlining after Godsmack's set. Seether and Clutch will be two undoubted rock highlights with the metal flowing freely from Steel Panther, Body Count, Mushroomhead and more. Submissions for the Battle of the Bands can be entered here through 11:59PM CT for a chance to be the opening Saturday act. The winner will be announced on July 5.
Saturday (July 15) Lineup:
9:35PM Korn
8:05PM Godsmack
6:25PM Seether
4:50PM Steel Panther
3:35PM Avatar
2:30PM Metal Church
1:30PM Cane Hill
7:20PM Clutch
5:40PM Body Count
4:15PM Mushroomhead
3:00PM DragonForce
2:00PM Pig Destroyer
1:00PM Black Map
12:00PM ReverbNation Battle Winner
The final day of Chicago Open Air, Sunday, will treat fans to Ozzy Osbourne's headlining set with the singer once again flanked by axeman Zakk Wylde, who officially rejoined the band earlier this year. Slayer, Lamb of God and Behemoth are one of the hottest summer tours and all three groups will be making a stop at the festival on Sunday as well, with Stone Sour, Amon Amarth and more on hand to ensure one dynamic closing day.
Sunday (July 16) LIneup:
8:25PM Ozzy Osbourne
6:25PM Stone Sour
5:05PM Lamb of God
3:40PM Amon Amarth
2:30PM Hellyeah
1:30PM Demon Hunter
12:30PM DED
7:20PM Slayer
4:35PM Behemoth
3:10PM Kyng
2:00PM DevilDriver
1:00PM Norma Jean
12:05PM Whores
11:15AM Aversed
Check out a new Viking-themed promo video for the fest above. For further information and for tickets, head to the Chicago Open Air website.
Best Metal Album of Each Year Since 1970
10 Epic Walls of Death
Top 50 Metal Bands of All Time
Source: 2017 Chicago Open Air Set Times Revealed
Categories: Concerts, News


Join Us at C. F. Phelps WMA For Clean the Bay Day June 4!
Want bigger deer? More turkeys? You're going to need better habitat and one of the best ways to get that is to have a clean, healthy Chesapeake Bay. Each year in June thousands of Virginians simultaneously descend on the rivers, streams, and beaches of the Chesapeake Bay watershed to remove harmful litter and debris. Many volunteer on June 3 but The Green Bow Foundation will host our event at C.F. Phelps WMA on June 4!
29 years strong, Clean the Bay Day is a true Virginian tradition and an annual opportunity for families, military installations, businesses, clubs, civic or church groups to give back to local waterways. This short, three-hour annual event has a massive cumulative impact. Since 1989, Clean the Bay Day has engaged over 146,000 volunteers, who have removed approximately 6.4 million pounds of debris from nearly 6,900 miles of shoreline in Virginia!
Conservation Classes at the Fairgrounds!
The Green Bow Foundation teaches conservation classes every second Wednesday of the month from 6 p.m. until 7 p.m. at the Fauquier Fairgrounds in Warrenton, Va. April's class focused on forestry and trees roles in nature. We were honored to be joined by Virginia Department of Forestry Senior Area Forester Joe Rosetti from the Warrenton office. Led by our education coordinator, Heather Reisenweber, students from as far away as Alexandria, Va., learned through hands-on exercises how to identify trees, the tree's roles in supporting nature and how trees help humans. All of the students were able to take home oak or apple tree saplings to plant at home. The trees were donated by the Virginia Department of Forestry's Woodstock, Va., office for the class. For more information about joining us for our next class visit our conservation education schedule.
Read all about our successful Spring Camp here!
THANK YOU TO ALL OF OUR STAFF AND VOLUNTEERS FOR A GREAT WEEKEND AT CABELAS!
Incredibly proud and honored to work with a great crew of youth and parent volunteers this weekend at our Cabelas outreach event. Our conservation future is bright. A few volunteers didn't make it into these photos, but everyone who helped was equally important and appreciated!
Nate Reisenweber and his brother, Sam Reisenweber, represented The Green Bow Foundation at the Chris Yung Elementary School's Family Health and Wellness night on March 9. They spoke to parents and children about the organization and had lots of positive feedback from people in Bristow who are looking for archery and outdoor opportunities. They were able to reach an audience who had never heard of Green Bow before. The boys did a great job talking to people about their own experiences with the organization. We're very fortunate and proud to have these great students and their parents, Keith and Heather Reisenweber, who enable them as ambassadors for youth conservation, archery and stewardship.


text:
Jorge Valencia
Twitter @jorgeavalencia
Jorge Valencia is a political reporter at North Carolina Public Radio-WUNC.
A native of Bogotá, Colombia, Jorge studied journalism at the University of Maryland and was a staff reporter for the Roanoke Times in Virginia before joining the station.
His reporting has also been published in the Wall Street Journal, the Miami Herald and the Baltimore Sun.
Free passage is a way of life for Mexicans and Guatemalans on the border
Commuters and shoppers take the five-minute trip across the border on rafts of two-by-fours, fueling the cross-border economy between Suchiate, Mexico, and Tecún Umán, Guatemala.
Death could not stop his drive to help Syria's refugees
After Deah Barakat was shot to death in Chapel Hill, his friends and family made his dream of a dental clinic for Syrian refugees happen.