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Amir named in Pakistan squad for South Africa T20Is
Fast-bowler has replaced Waqas Maqsood in the Men in Green contingent
The national selection committee headed by Chief Selector Inzamamul Haq has named a 15-member T20I squad for the upcoming series against South Africa.
The squad includes one change from the one that defeated Australia and New Zealand by identical 3-0 margins.
Fast-bowler Mohammad Amir has returned to the side and has replaced fellow pacer Waqas Maqsood.
Middle-order batsman Asif Ali and opener Sahibzada Farhan have also been drafted in the side that is presently involved in One-Day Internationals against South Africa, while the players returning home following the 50-over matches are Imamul Haq, Mohammad Rizwan and Shan Masood.
Asif had a successful Mzansi Super League in South Africa, where he scored 150 runs at a strike-rate of over 180 for the Cape Town Blitz. In a 16-match T20I career, Asif has scored 237 runs at a strike-rate of just under 140.
Farhan had scores of 0, 39 and one in his three T20I innings, but he has scored 452 runs in 22 T20 matches at a strike-rate of under 110.
Sharing his thoughts on the squad selected, Inzamam, said: "Once again, the selectors have gone ahead with the policy of maintaining consistency and retaining a winning combination. While our focus is very much on this year's ICC Cricket World Cup, we cannot forget that the ICC T20 World Cup is in Australia in the second half of 2020. So, we need to give as much exposure and experience to our up and coming players as possible, but without compromising on the assignments in hand."
The matches will be held on February 1, 3 and 6 in Cape Town, Johannesburg and at Centurion, respectively, with top-ranked Pakistan aiming to stretch their unbeaten run to beyond nine matches. In 2018, Pakistan won a world record 17 out of 19 T20Is.
Squad (in alphabetical order):
1. Sarfraz Ahmed (captain, wicketkeeper)
2. Asif Ali
3. Babar Azam
4. Faheem Ashraf
5. Fakhar Zaman
6. Hasan Ali
7. Hussain Talat
8. Imad Wasim
9. Mohammad Amir
10. Mohammad Hafeez
11. Sahibzada Farhan
12. Shadab Khan
13. Shaheen Afridi
14. Shoaib Malik
15. Usman Shinwari
Hendricks stars as South Africa beat Pakistan in rain-affected third ODI


The COOL Cuisine Burger Battle of March 2019 has concluded. Thank you for participating!
We are arranging a date and time for chef awards and contacting voters who have won raffle prizes!
COOL Cuisine is planning some pop up dinner events with individual Davis chefs in the near future. The best way to learn about these events is to sign up for our group at Meetup.com, where we can email you invitations directly. Make sure to set your settings to allow communications from group organizer!
Burger Battle awards and our environmental impact calculations will be listed here by the end of April!
Read an interview with some of the chefs!


Sought after 4 bedroom home on a premium lot. Very private with no neighbors behind you. Enclosed patio, plush carpet, fresh interior and exterior paint, stainless steel appliances, ceiling fans and bonus sitting room off 3rd bedroom. A must see.


Here's the heads-up on the top 10 hottest interior design trends of the upcoming year so that you can be prepared and in the loop of what to expect in 2019. This post will help you plan ahead on how you can incorporate these into your space and give you an idea on the kind of things you'll be seeing in all the interior magazines and catalogues. You saw it here first!
A huge trend this year is the scalloped edge. You'll be seeing this design all over interior magazines and catalogues due to it's elegant ability to fit in with both modern and 70s feel that everyone is excited about at the moment. This elegant design would fit in easily with so many home designs due to its simplicity and addition to the art deco feel. Bringing back rounded edges into interior design is looking big in 2019, not only with this particular design, but also with rounded back chairs and carpets in the home which makes 2019 the year of the 'curvy trend'.
This 'scalloped' graphic pattern has also been adapted to lots of different surfaces all over the face of 2019's interior design's up and coming trends due to its original and eye catching nature. Similarly to the curved and scalloped edges which we see emerging, scales fall also into the 'curvy trend' that you'll soon be seeing everywhere. It's alternative name (when tiled) is 'mermaid tiles' – should you want to have a look for yourself!
Although this trend was still extremely apparent in 2018, it's also heading head first into 2019 and not slowing down any time soon. People have been head over heels with velvet on everything including furniture, so it is a firm safe option if you're afraid of short lived trends. It's plush and cosy feel is too intriguing to re-sit.
This super sleek design does not only provide you with lots of sleek space in your bathroom, concrete also provides a waterproof and durable surface to work with which is extremely easy to manage. This industrial-style trend fits in perfectly with the modern minimalist style but also leaves you the flexibility to layer and add accessories which will also go with it.
The emerging trend of darker toned kitchens is a sleek and sophisticated upgrade to the older greys and whites that have been found in kitchens of the past. Having a two tone kitchen like in the images above compliments the colour of your surface, making the whole appearance more minimal and muted. Along with this, not only are they easier to maintain, but they also deter from the plain cupboards and gives you more of a focus on the intricacies of your kitchen decor.
This trend is a more specific example of the emerging brass and gold tones that are becoming more and more apparent in interior design. Touches of this bright metal is an eye catching addition to what may be a cool toned or colour matched room which needs a bit of brightness. As shown, brass taps work beautifully in kitchens when complimenting darker or navy surfaces giving a new twist on a 90s classic due to a bit of mix and match.
This trend has come along with the re emergence of the 70s/80s interior boom which we've been seeing lately. The influence of the era's warmer tones have influenced the interior design world more and more, to the extent that 2019 will be the year of the orangey pinks, guaranteed! Although these colours could seem hard to incorporate, no need to worry – they also pair well with neutral colours and tones for a calming palette and are excellent at emphasising other colours which you can integrate into your space at your own pace.
This has been around for a while now and had taken a step back for a few years but is on the rise and heading straight for trendy interiors in 2019. You'll see it in the form of sustic reds, oranges and beiges, carpeted wooden floors, rugs and plenty of fringing. What is great about this particular trend is that you have the freedom to layer and play around with it to see what works for you. Experiment with different colours, textures and shapes from the high street, online and even antique or thrift shops.
Terrazzo is a confetti type looking pattern, made out of chips of marble, quartz, granite and glass which is set in cement or resin to appear playful and eye catching. Dating all the way back to mid-century design in Italy where it was used for flooring due to its durability (and a short comeback for flooring in the 70s) – it's here to show its face again 2019. And not just to be used for surfaces, these unique patterns are here for the new year in all sorts of different forms, not only as walls or surfaces but also as prints of shower curtains or even candle holders!
The use of matte colours creates an incredibly sleek and sophisticated feel to your space which is modern and clean. It's intriguing due to its silky smooth appearance and clean lines which can mostly be found in kitchen designs. Matte colours are now here to stay, in 2019 you'll see much fewer white shiny and glossy finishes and more matt and powdery darker ones.
We hope you now have a better idea of what to expect in this coming years hottest interior design trends, if you've been inspired or use one of these trends in your own home, please let us know by tagging us or using the hashtag #manomanouk!
If you have a passion for renovation and design and want to curate the space you live in, this doesn't tend to be very straight forward if you live in a rental home. Here are some ideas on how to updo your space and still get your rental deposit back!
Mixing up a simple light shade with your preferred colour or design can quickly transform the appearance of your space. Experiment with the idea by upgrading from a side lamp to a de-light-ful pendant for a more dramatic effect.
Switch up (literally) your usual switch lights to dimmers without affecting your landlord's light system. Simply replacing a simple plastic light cover to a sleek metallic dimmer makes all the difference. It's the little things that make it your own. Plus, who doesn't love a bit of mood lighting?
Adding layering to your space not only gives a personalised touch, but also a lot of character. Choosing deep hued rugs warms up the room and matches with a wide variety of other shades. You may not be able to install carpet over wood, but who said you couldn't get a wall to wall rug instead?
Should you not be allowed to add pattern to your space with wallpaper, we present to you an easy alternative – replacing the curtain drapes. Mix and match whichever patterns you please, whether they go with your cushions or not – it's your free reign!
No matter what kind of rental you have, as long as there's a window you'll be able to gift photosynthesis to some lucky plants. Treat a bit of greenery to a spot on your windowsill and you're guaranteed to give yourself a more zen environment.
When moving from one rental place to another, you would never forget to bring along a headboard, right? We understand that it's that one piece of furniture everyone forgets about. So, whether you do or you don't, adding your own headboard is a great way of adding a personal touch to what little space you do have control over. They're not difficult to DIY at all, all you have to do is place it behind your bed, simple!
Adding your favourite vintage finds gives charm to your rented space. You can find all sorts of antique designs and collectables from flea markets or antique shops without breaking the bank!
An alternative to getting out the plaster and sticking wallpaper onto the walls is by simply framing a pattern you love. This is the perfect solution for commitment-phobes who can't make their minds on which pattern is best, whilst keeping your landlord's peace of mind at the same time.
Whether you already have a hole in the wall to work with or not, spruce up your walls with your own collected art that makes you, you! If you're not able to hang framed art, use blu tack as an alternative for lighter materials. Ensure to be careful to not stick your piece onto recently painted walls as it can peel. Instead try sticking it to a concrete, wood or plastic surface for the best effect.
It's certain that most people's homes have mirrors – but why stop at one? Using mirrors in your space is a great design move for multiple reasons – they can create the illusion of a larger room, reflect light onto even the darkest of surfaces and can even frame as if they were art. Take a look at that!
Divide your given space however you want to by integrating a folding screen. It is an inexpensive and quick solution which is flexible to use either as a room divider or to give privacy to a corner of the room.
We hope you picked up some tips and tricks on how to updo the interior design on your rental home creatively whilst not worrying about your landlord. Renting doesn't mean that your home has to be impersonal and dull, you can elevate and personalise it your way!
Geometric shapes are super trendy at the moment, and what's cooler than a giant 20-sided icosahedron hanging from your ceiling? If you want to create your own bespoke and very unique ceiling light, then this is the DIY for you.
We used free reclaimed wood for this project, however, should you need to buy wood, this project shouldn't cost any more than around £15. The whole DIY took us no more than 2.5 hours to complete.
For this project, we're using some reclaimed wood, but you can use new planed wood if you choose. You want your wood to be around 1cm thick by 2cm width and you will need around 10m of this.
The first step is to put an angled edge onto one side of your wood. Using a digital mitre gauge, set the blade on your table saw to a 68.7degrees tilt with your fence 1cm away from the blade. You can then cut your wood lengthways along this set-up to add that angled edge.
Now your lengths of wood have an angled edge on them, you'll then want to cut them up into smaller pieces with a 30º cut on each end. These small pieces of timber will form a triangle when aligned together.
To do this, set your table saw mitre gauge to the 60º position and align your wood so the angled edge is on the far side away from the blade. Cut one angle and then flip your wood around and make the same cut in the opposite direction around 15cm down.
Now you have all your pieces, you can go ahead and begin to assemble the icosahedron shape. This is made up for 20 triangular sides so you will need to create 20 individual triangles. To do this, use some wood glue along each of the 30º cuts and firmly push together, wiping away any excess glue.
We recommend leaving this for a minimum of 24hours before moving onto the next step.
Once your triangles have dried, all you need to do is assemble them together. Apply some wood glue to the edges and push the triangles together. The angled edge you added in step 1 should ensure the shape begins to 'close in' as you do this.
You'll want to wrap each glued edge in masking tape whilst it dries and we recommend only glueing 5 triangles together at one time to make sure it doesn't become 'too heavy'. Once they've dried, you can continue and add more.
Now we have the shape fully built, we just need to turn it into a light fitting. To do this, we'll need to be able to secure a pendant fitting into the centre on the icosahedron shape we've just made.
Cut a solid triangle shape from a thin piece of plywood. This should be the same size as one one of the triangles on its smallest side. Drill a hole through the centre of this, and cut the triangle into two pieces.
Slot the pendant through one of the triangles of the icosahedron shape so it's positioned in the centre. Apply some wood glue to each piece to triangle you just cut and glue this to the inside of the same triangle. The hole in the triangle should slot around the cable of the pendant. Once this has dried, the pendant fitting will rest on this triangle when it's secured to the ceiling.
Step 8 – Fit to Ceiling and Enjoy!
Now all you need to do is fit the light to a ceiling and enjoy your bespoke and unique geometric creation!
This article was written by Kerry, who's blog you can find at kezzabeth.co.uk. Kerry is a DIY blogger who shares inspiration for home renovation, interior design and hacks for those on a budget!


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Redding COLT45s
Ticket & Location Info
Bat Boy/Girl Sign Up
Third Base Club
Historic Tiger Field
South City Park Security
South City Park Restoration Project
Tiger Field Music Series
Colt 45s forced to cancel 2020 season
Plans for youth camp and concert series remain in place when restrictions lift
Due to national, state and local safety guidelines during the Covid-19 pandemic, the Redding Colt 45s 2020 summer collegiate baseball season has been cancelled. Rick Bosetti's message to fans can be heard above and on the club's YouTube site here.
Plans for the first Colt 45s Baseball Academy and a late summer/fall concert series at Tiger Field remain in place, pending official direction surrounding the Covid-19 pandemic.
"After much consideration and exploration of options, the Redding Colt 45s will be suspending the year's summer collegiate season," General Manager Rick Bosetti said at a press conference, Friday April 24, 2020. "It was a difficult decision, but due to public health concerns and guidelines, as well as the other mitigating factors associated with bringing 25 players from across the United States to play, it became clear this summer's season could not go on as planned."
However, Bosetti is excited to say plans for the team's first Colt 45s Baseball Academy, a three to six-week day camp for youngsters ages 9-14, remain in place.
"Once official restrictions and limits on outdoor crowd sizes ease, baseball will return to Tiger Field for young players with the Colt 45s Baseball Academy," Bosetti said.
The academy will be coordinated by Colt 45s manager Berek Fasking, along with his coaching staff, and will include instruction on all phases of the game for boys and girls ages 9-14.
Details including early registration, official dates, and more, will be released in the near future.
Additionally, the Tiger Park Music Series will tentatively be a weekly event on Friday evenings at Tiger Field, featuring top local artists.
"The net on the backstop will be lowered and the stage for the bands will be set up at home plate facing the stadium seating," Bosetti said. "We'll have concessions and more, all helping to maintain the Colt 45s' positive culture of providing entertainment for our fans in the summer."
The Colt 45s, operated by local non-profit Redding Summer Collegiate Baseball, Inc., have been providing one of the top summer collegiate baseball experiences for players and fans for a decade and a half. This is the first time the team, which draws talent and competition from across California and the U.S., has been forced to suspend an entire season. Season ticket purchases will be honored for the 2021 campaign.
For more information on the 2020 season, the Tiger Park Music Series, or the Colt 45s Baseball Academy, contact Rick Bosetti at (530) 227-4443. You may also keep up with the latest through our website www.reddingcolt45s.com as well as Facebook, Twitter, Instagram and YouTube.
brentweber
colt 45s, Covid 19, redding, rick bosetti, summer collegiate baseball
UPDATE! Covid-19 restrictions cause cancellation of 2020 Colt 45s Baseball Academy!
UPDATE: Colt 45s season suspended due to Covid-19 pandemic
UPDATE: Cancellation of Kool April Nites event at Tiger Field
Joy to the World (Series)
Contact the Colt 45s

redpajama_set_name: RedPajamaCommonCrawl


Jeanne C. Finley in person!
This evening's program presents a selection of videotapes and installation works by San Francisco-based artist Jeanne C. Finley. Playing at the boundaries of documentary and experimental forms, Finley regularly examines the idiosyncratic foibles and traumas of the human condition with irony, humor and compassion. Her work has been exhibited internationally at the Guggenheim Museum, SF and NY Museum of Modern Art, Whitney Museum of Art, Finland's Otso Gallery and the George Pompidou Center. She has been the recipient of several grants including a Creative Capital Foundation Grant, Guggenheim Fellowship, Cal Arts/Alpert Award, and a National Endowment for the Arts Fellowship.


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Gutenberg-networks.com is tracked by us since September, 2013. Over the time it has been ranked as high as 413 999 in the world, while most of its traffic comes from Morocco, where it reached as high as 5 638 position.
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Plastics Austria. Wir haben uns seit dem Gründungsbeginn 1980 unter dem Namen "Interlux" kontinuierlich zu einem führenden Unternehmen in den Sparten Hochbau und visuelle Kommunikation sowie bei der Verarbeitung von Kunststoffen entwickelt. 2011 wurde aus Interlux und Röhm die heutige thyssenkrupp Plastics Austria.
Unitedprint darf sich seit dem 01.10.2018 "Ausgezeichneter Ausbildungsbetrieb 2018" nennen und zeigt erneut, dass sie ihre Auszubildenden als exzellentes Ausbildungsunternehmen zu einem erfolgreichen Abschluss der Berufsausbildung führt.
MaserWarehouse is one step store for all your sign vinyl films, heat transfer vinyl films and also sign equipment. We are located at the OBT and Central Parkway.
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IPRO AS behandler alle kundedata ihht personvernloven (GDPR) - Du kan når som helst be om innsyn eller be om å få slettet de opplysningene IPRO AS har registrert på deg, om du har vært i kontakt med oss som kunde, eller via våre nettsider.
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Entre les Vignes, c'est l'occasion de donner la parole à ceux qui font le vin que l'on aime, en toute liberté, sans tabou. Ce sont des vigneron•ne•s qui s'expriment en totale transparence sur leurs choix, leurs méthodes, leurs terroirs, leurs histoires.
senocryl® G Acrylglas. senocryl® G zeichnet sich durch die besten optischen Eigenschaften und der höchsten Brillanz aller transparenten Kunststoffe aus.
Chinese factory direct price for 3d printers like prusa I3, delta rostock mini, Kossel, 3d printer diy kit, assembled 3d printer and all 3d printer accessories.
Official Epson® support and customer service is always free. Download drivers, access FAQs, manuals, warranty, videos, product registration and more.
Schilder drucken lassen – schnell und günstig. Wir drucken Ihre Schilder nicht nur in Wunschgröße und Wunschform, sondern auch so schnell Sie möchten per Express-, Eil- oder in Standard-Produktionszeit.
Strategically located at the intersection where the M2 motorway meets with Chemin VIngt Pieds, within a major tourist area with affluent demographics, La Croisette is a major shopping and recreational hub for the whole northern region of Mauritius.
Chinese 3D printer manufacturers are known to push interesting 3D printers to the market with breathtaking speed. It took Shenzen-based manufacturer Geeetech just three months to clone the Creality Ender 3.
ThermoFlex Heat Transfer Vinyl offers users a wide color selection as well as products perfect for all your garment decorating needs. From ThermoFlex Stretch for those garments that move to ThermoFlex Xtra for your Nylon garments, ThermoFlex Heat Transfer Vinyl has you covered. Free Shipping on orders of $150 or more.
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Enjoy a variety of family fun activities across Port Stephens for Australia Day 2019!
Start your day with a delicious free Aussie brekkie at Riverside Park in Raymond Terrace. This will be followed by the Civic Ceremony, including Welcome to Country, citizenship ceremony, announcement of award winners and an address from the Australia Day ambassador.
Enjoy a variety of market stalls, entertainment for kids including face painting and a RAAF flyover at both the Raymond Terrace and Nelson Bay events.
You'll find an array of fun activities at Fly Point in Nelson Bay, including a parade, classic and vintage car displays, Australian Reptile Park shows and educational talks (smile at a crocodile), sheep shearing and much more.
At Henderson Park in Lemon Tree Passage, the tunes from bush band Brumby's Run and the Australian Army Band will entertain you.
End your day being dazzled by fireworks in Karuah.
This event is brought to you by Port Stephens Council.


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Turkish Super Lig Review: Gekas double sinks Fenerbahce
Written By Nicholas McGee
https://images.daznservices.com/di/library/omnisport/1e/67/theofanisgekas_lkz1tthbazyf1uky7cygzfspz.jpg?t=-1046655200&w=500&quality=80
Greece striker Gekas took his tally for the season to six with a fine brace, the first coming in the 23rd minute as he converted Bilal Kisa's ball over the top with a vicious half-volley.
The 34-year-old then added a second in the 49th minuteto give the hosts all three points, Fener goalkeeper Mert Gunok unable to keep out his effort despite getting a hand to the shot after Gekas had collected a clever pull-back from Bruno Mezenga.
Victory for Akhisar sees them move to the top of the early Super Lig standingson 10 points from their first four games, two ahead of Besiktas after Slaven Bilic's men were held to a 1-1 draw by Eskisehirspor.
Midfielder Olcay Sahan put Besiktas ahead after 21 minutes but defender Berkay Dabanli levelled in the 72nd minute for the visitors, who clung on for a point despite attacker Rogelio Funes' dismissal four minutes from time.
Galatasaray bounced back from their surprise defeat to Balikesirspor last time out with a 2-1 success against Sivasspor, goals from Aurelien Chedjou and Burak Yilmaz proving enough for Cesare Prandelli's men.
A double from midfielder Berat Tosun ensured that Balikesirspor did not repeat their heroics as the newly promoted side were brought back down to earth with a 3-1 loss at Genclerbirligi.
Rizespor's poor start to the season continued with a 1-0 home reverse versus Bursapor, while Trabzonspor are still waiting for a first win after a 1-1 draw by Kasimpasa, a result that marked their fourth straight league stalemate.
Forward Yusuf Erdogan looked to ensured triumph for Vahid Halilhodzic's side with a 15th minute strike, only for Ezequiel Scarione to dash those hopes by hitting home in the 85th minute.
Elsewhere, bottom club Karabukspor lost 2-0 at home to Mersin Idmanyurdu,Konyaspor drew 1-1 withKayseri Erciyesspor and the game between Gaziantepspor and Istanbul Basaksehir finished goalless.


A ring can be a small item but signifies commitment, loyalty, and the most important one, love. Picking out the suitable jewelry can prove to be tedious and challenging due to the many stores and sites which sell this product on their homepage. The price of an engagement ring is one of the key features a person should look into with caution so that they may not end up paying all their savings. It is not reasonable to buy an engagement ring that will leave you in debt since the thought of purchasing it is what that counts. A person can buy an enhanced ring in the future if they cannot afford it at the time of engagement since they cannot postpone their marriage because of the lack of an expensive ring.
The elegance of the ring plays a significant role depending on the type of a person's interest, particularly vintage and the current fashion trending at the time. When picking out your jewelry style, it is preferable to choose a ring that links you with your feelings. The sitting of the ring will determine whether one will be relaxed when they have it on them, many people prefer it to be closer to their finger. There is a famous quote that states that knowledge is power, hence the need of understanding about standard rings before making up your mind to make a purchase of this product. The period a ring will last is quite crucial when considering to attain one for yourself or partner because no one will want to buy a product that will last for a short time and begin to rust.
The reason that most people opt for diamond pieces of jewelry is that of their toughness and long existence before fading off like other cheaper stones. Some sites sell genuine and kind rings where an individual can click here for more information regarding this service. The thickness and measurement ought to be perfect before finalizing your transaction so that your partner can wear the jewelry without feeling uneasy or edgy. It is accurate to state that every person wants to buy a legit and standard ring from a legalized jewelry store. It is wise to conduct your shopping in an insured trader to avert disappointment in the near future. Jewelry rings are meant to signify a bond between to people making it critical to conduct the best and affordable ring in the marketplace. It is advisable to consider working directly with a jeweler so that they may offer assistance where needed particularly when it comes to customizing rings.


KUALA LUMPUR – The Red Baron Youth and Miri Firehorse banked on experience to carry themselves out of trouble as the second season of the MPL Development League (D-League) got off to an exciting start.
Red Baron, an established name within the basketball community, paraded a young but experienced squad as they overcame newcomers VAG 73-58 in the opening match at the Maba Stadium on Friday.
They had the height and they used that to great effect in the opening minutes to establish a 19-10 first quarter lead.
The Klang-based VAG started to find their feet but Red Baron showed their expertise as a returning team to secure a 37-23 halftime lead.
VAG started to heat up after the break with Yong Jian Teck and Tan Kim Yeow both finding their targets from range.
But despite their best efforts, Red Baron, who managed to use a full rotation by handing every game time, did just enough to secure their opening win.
The 1.96m Goh Yan Qing led the line for Red Baron putting up an efficient display with 12 points and 16 boards while Keng Eng Hong came off the bench for 15 points.
With their heavy rotation, 11 out of 12 players on the Red Baron squad eventually finished on the scoreboard.
For VAG, it was an eye opener although they can take pride with former Selangor player Kim Yeow putting up a game-high 19 points and Jian Teck finishing with 14 points.
While Red Baron were mostly in control, the Firehorse almost suffered a scare before posting up an 85-58 win over GoStrong.
The East Malaysian powerhouse team were surprisingly sluggish to start and the relatively unknown GoStrong took full advantage, aided by some athletic display by Avinaash Vasu to take a 20-15 lead.
Firehorse got their groove back in the second period and but GoStrong just about managed to stay ahead 34-33 at the break.
It was a different story in the third period though as Firehorse, with veterans Wee Chuan Chin and Jason Gan starting to assert influence, stormed ahead to lead 59-50.
They never looked back from there as GoStrong eventually crumbled in the fourth period, allowing Firehorse to walk away with a 27-point win.
Youngster Eddie Wong was on fire for the Firehorse as he finished with 24 points including six from downtown while the evergreen Chuan Chin put in a clutch performance to finish with 16 points.
For GoStrong, the 18-year-old Avinaash was their best player all night as he finished with 17 points.
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Jan Sampiemon
A Smokescreen Summit (03 Mar 2009)
"We must avoid constructing a new Iron Curtain in Europe", so addressed the Hungarian prime minister Ferenc Gyurcsany his twentysix EU-partners last weekend in Brussels. Attached to this appeal was a request for a recovery plan for banks in Eastern Europe worth between 160 en 190 billion Euros. The Hungarian government chief implied that if such a plan did not materialize, Europe would be divided once more, which would blow up the European Union.
The Iron Curtain hyperbole was of course nonsensical and failed to impress Gyurcsany's negotiating partners, but it did reflect the general atmosphere created by rather panicky leaks from Brussels, and the more widespread speculation that Europe's current problems, and the seeming inability to come up with credible measures to cope with those, has caused the Union to drift into a danger zone.
On Nuclear Collision And Disarmament (23 Feb 2009)
The terrorist with a nuclear bomb is the spectre that has now haunted us for some years. It has kept security agencies more than busy. The legal position of free citizens has been sacrificed in the process, and it has justified massive defense expenditures.
And then, suddenly, we hear about the collision of two nuclear submarines in oceanic depths, the British HMS Vanguard and the French Le Triomphant. Both were carrying nuclear ballistic warheads. Their names by themselves are suggestive of the military fairy-tale that has produced these vessels. As if we are still living in the time of Napoleon and Lord Nelson, the navies of these NATO allies and European Union partners are keeping their navigation details hidden from each other. With a near catastrophe as the result. It took several weeks before the world heard snippets of information about it.
Does Biden's Speech Portend Bush Era Foreign Policy? (10 Feb 2009)
Both the speech of vice-president Joe Biden of the United States before the annual security conference in Munich and the reactions it triggered were very disappointing. The speech had been anticipated with more than normal eagerness, and the euphoria of Biden's European audience was palpable. But just at this time at which they had an opportunity to present the United States with a European approach to the deadlocks that have emerged in the world these past eight years, they remained remarkably passsive. By allowing the opportunity to slip by unused they have remained the vassals that George W. Bush has made of them.
Even the Russian vice-premier Sergei Ivanov spoke of a "very strong signal" for the restoration of the dialogue between the United States and Russia. But that can stand on its own. After all, there can be no doubt about the independent position of the Kremlin and its influence on what is happening in the world.
Can the Dutch Come to Terms with the Past (02 Feb 2009)
Vergangenheitsbewaltigung – the German for "struggle to come to terms with the past" is the name of the game today. It originates in the German moral awakening concerning the Holocaust in the years immediately after World War II. But it is applicable to the manner in which the youngest history is dealt with, whether it be the credit crisis, the war on terror, or more specifically the invasion of Iraq. Many, rich or poor, leftwing or rightleaning, religious or secular, are engaged in this struggle. As the philosopher George Santayana remarked about those who forget the past: they "are condemned to repeat it". A warning that has been a forceful spur to reviewing our lessons learned.
This week it was the Netherlanders' turn to, once again, wrestle with their past. They may gradually have become used to this exercise. 'Srebrenica' is carved in the collective memory here as a military disgrace, and as a shocking example of how good intentions may be derailed in a nation which tells itself that, not quite like the others, it pursues nothing but the good.
Feeble European Mediation For Wobbly Peace (01 Feb 2009)
A sharper contrast is hard to imagine: The images of Gaza inhabitants, shell-shocked and bivouacking on the rubble of what once were their homes, and under which their loved ones are buried, and the images produced by the wave of enthusiasm flooding Washington this week. They were produced on Sunday, January 18th, a few days before the inauguration of the first non-white president of the United States, and at the beginning of a wobbly truce between the state of Israel and the Islamitic Hamas movement.
It was also the day on which the Israeli army allowed American and British journalists to enter the Gaza strip for the first time. To quote the International Herald Tribune: "It was a day of digging and bitter discovery. Houses had lost walls, and the dead, after three weeks of war, had lost their faces. Families identified them by their clothes. Families clawed at rubble and concrete, trying to dislodge relatives who had died weeks before".
Europe, Russia And Collective Defense (29 Jan 2009)
Is Europe missing a great opportunity to position itself, finally, on the world's stage? Is its euphoria brought about by Obama's outstretched hand over the Atlantic so overwhelming that it smothers, once again, any critical thought? If so, this means that the bad spirits of the just departed George W. Bush regime continue to linger and continue to encumber Europe-United States relations. It means that yet another opportunity to overcome European infantilism will be allowed to pass by. "Without America nothing works" is the inherited slogan that reveals the often panicky separation anxiety among European politicians and pundits. This anxiety has for decades made them blind and deaf for new chances, for a needed fundamental change that puts in the shade what the new American president appears to have in mind.


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Home / Biography / Mary Jo White Net Worth,Biography, Husband, Age, Morgan Stanley
Mary Jo White Net Worth,Biography, Husband, Age, Morgan Stanley
Published Date 11th Aug. 2017, 01:14 am
Mary Jo White is a prominent American attorney who is known best to be the 31st Chair of the Securities and Exchange Commission under former president Barak Obama. Mary Jo White net worth is known to have been amassed from her remarkable work as the United States Attorney for the Southern District of New York as well. Mary Jo White Morgan Stanley representation for its prosecuted CEO caused some chaos while she was in the office.
The distinguished and talented American attorney Mary Jo White has gained wide recognition and respect for her work for the Securities and Exchange Commission under President Barack Obama. Mary Jo White net worth and prominence has led her to be named to the Forbes 2014 list of most powerful woman in the world. Mary Jo White has served SEC as the 31st chair and the Southern District of New York as its U.S. Attorney.
Mary Jo White was born on September 27, 1947, in Kansas City, Missouri, U.S. Mary Jo White spent most of her childhood days in McLean, Virginia. Mary Jo's father worked for Social Security Administration as a lawyer. She learned about the law from her father and got interested to follow her father's footsteps.
Mary Jo White received her education from College of William & Mary. She graduated with a B.A. degree in 1970. Eventually, Mary Jo White went on to attend The New School for Social Research and graduated in 1971 with an M.A. in Psychology. Mary Jo went on to attend Columbia Law School and graduated in 1974 with a law degree.
Mary Jo White began working for the Columbia Law Review as a Writer & Research Editor. Eventually, she went on to work for the Eastern District of New York as its United States Attorney in 1992. A year later she went on to become the U.S. Attorney for the Southern District when she was appointed by the then president Bill Clinton. Mary Jo White is known best for her remarkable work in the prosecution of John Gotti after the 1993 World Trade Center bombing. She is known to have worked in the litigation department at Debevoise & Plimpton as its chair for 10 long years. During the time there were allegations that Mary Jo White had influenced and protected the CEO of Morgan Stanley executive John J. Mack from prosecution. Mary Jo White Morgan Stanley involvement was highly criticized. She is also known to have worked as a lawyer for JSTOR and has been known to protect Aaron Swarts from prosecution as well.
Mary Jo White was appointed by President Barak Obama as the chair of the Securities and Exchange Commission. She took the office on 10th April 2013. Under her leadership, she announced that the SEC would start demanding more admissions of misconduct as part of an enforcement settlement. Also under her, the SEC would enforce tactics to drive out the small petty crimes from the neighborhood.
There have been huge criticism and cases against Mary J White while she was in the office. She had been charged with 50 cases with in the Commission. She rescued herself and her husband from the charges. Senator Elizabeth Warren in 2016 requested President Obama for the dismissal of White as the Chair of SEC because she was disappointed by her work and also due to Mary Jo's refusal to develop public disclosure rules of political contributions made by the corporations around U.S. At the end of President Obama's term in November 2016, Mary Jo stepped down from her position as the Chair of SEC. Her work in the office has been regarded as "one of the history's most ideological Administrations" under President Obama.
Net Worth & Salary
Mary Jo White net worth is estimated to be $ 16 million which also partly includes her husband's net worth. Mary Jo White net worth has been amassed from her incomparable work in the SEC and as the US attorney. Mary Jo White net worth has made her be recognized as one of the world's most powerful women. Mary Jo White net worth is known to increase in the coming years through her indulgence in various endeavors.
Mary Jo White age at present is 69. Mary Jo White age exceeds her enthusiasm and passion towards her work. White has a petite figure. She has black hair that she likes to put short most of the time.
Mary Jo White is a married woman. She is married to her husband John W. White. The couple got married in 1970 and have been together ever since. Her husband John is a lawyer who works at Cravath, Swaine & Moore. Mary Jo has supported and protected her husband in many situations. Although Mary Jo White is reluctant on speaking about her personal life it is known that she has an only son. Mary Jo is of the Independent Political Party.
Mary Jo White has been honored many times for her remarkable work in the US SEC as its chair. She has been honored with the Gold Medal Award by the New York State Bar Association in January 2017. Mary Jo White has been named the Regulatory Lawyer of the Year by the Chambers USA Women in Law Awards in 2012. Also, she has won awards like Sandra Day O'Connor Award for Distinction in Public Service, National Organization for Women's Women of Power and Influence Award, Margaret Brent Women Lawyers of Achievement Award and also the George W. Bush Award for Excellence in Counterterrorism. Mary Jo White has a fellowship in the American College of Trial Lawyers and also the International College of Trial Lawyers. White has served The NASDAQ stock Exchange as a director on the executive, policy committees, and audit. She has also been working effectively as the Council on Foreign Relations member. Mary Jo White bio can be found on various social media sites like Wikipedia, Twitter, and more.


An adilette slide that celebrates adidas' Equipment heritage.
These men's slides blend two adidas icons: the always-fashionable adilette and the '90s-era Equipment running family. These slides show off the authentic Equipment logo.


Sometimes life can feel like a whirlwind and we can find ourselves easily becoming overwhelmed, unbalanced and like it's all getting a bit out of control! Try these daily rituals to help you to live like a Goddess, and keep you in touch with your Shakti energy and inner super powers!
1) Check in with how you are feeling – HONESTLY!
As women we are made to feel, intuit, empathise and know. Over time however we've been taught that certain emotions are 'negative' and so sadly we have learned they are 'bad' and to shut them off and ignore them, not allowing them (and ourselves) to be heard and expressed. The truth is that there are no negative emotions at all and each one of them is teaching is something that's completely useful and relevant to us in that moment. Get back in touch with that deep Shakti power to FEEL and to KNOW. At the start of each day (and several times through the say of you can) stop, pause and ask yourself "how am I feeling RIGHT NOW". Notice if you immediately judge the emotion and then just be with whatever it is that you are feeling. Some days it's joyous, happy, loved and others it's sad, frustrated and maybe even angry. Know that it's ok not to be ok sometimes and just honour that place within you that is feeling this emotion. The more you tune in to yourself with present moment awareness, no matter what that awareness shows up for you, the more you'll begin to be able to accept and heal the emotions rather than letting them take over and express in some other way (as they will) Through this you'll also get to know yourself and your needs a lot better – this is about honouring YOU and knowing you are perfect however you are.
Once you've checked in take a few moments of silence, just FOR YOU. Make it a time that you don't have to worry about anyone or anything else (as women we are healers, mothers, girlfriends, wives, partners, friends, aunties and everything else in between!) and instead focus on setting the intention for your day ahead. If you have a meditation practice now would be the ideal time, otherwise for just a few simple minutes come back to your breath, yourself and simply BE. How can you possibly be everything to everybody if you are running on empty? This is your time to fuel up and check in with yourself, giving yourself the gift of a few moments of time out to focus simply on YOU. This will open up a whole world of intuitive insights and inner power that comes from being completely in tune with your magical Shakti self.
Everything in the world moves in cycles and as women we are completely tuned into this with a monthly cycle of our own. Be in nature as often as you can, she is a great healer. If you can be barefoot for even a few moments a day on the smallest piece of grass you will notice a huge difference in your energy levels and connection to the deep wisdom of the earth's energy. You can also find great inspiration from nature, the way she lets go with no fear of what is coming next, the way she deeply roots in her own truth yet allows herself to be gently swayed by the passing breeze, the way she just knows and trusts that every need will be fulfilled. Allow nature to whisper her secrets to you as often as you can.
Find something that you can come to in times of both need and also happiness. This anchor will hold you in place when everything feels like it's spinning out of control. It could be crystals (I have a crystal for every occasion and often have one or two in my bra!) or journaling to express and let out you emotions and inner feelings. Morning pages are an amazing daily anchor point; each morning set aside a few moments to write whatever it is that comes to you in the moment. Don't censor or judge it, just go with your flow. Mantras and mudras are also incredible for holding you together and bringing you into the present moment. Try a few and see what really works for you to help keep you grounded and anchored.


MORRISTOWN, NJ, May 21, 2018 – Schindler Elevator Corporation teamed up with Morristown Habitat for Humanity to build homes for two local families at 10 Willow Street in Morristown, NJ. Over the past year, Schindler has provided both financial and volunteer support for the duplex project, contributing $100,000 and recruiting nearly 150 Schindler employees to participate. Schindler staff worked side-by-side with the Andrade-Escobar and Rico families to complete construction. Today, the duplex was dedicated during a ribbon-cutting ceremony, marking the completion of construction.
Work on the site began with a groundbreaking ceremony in April 2017. Since then, Schindler employees have regularly participated in essential tasks such as pouring the foundation, framing the homes, completing the roofing and siding, building the side and back fences, and prepping the ground for lawn seeding and sidewalks. For those involved, the change was truly remarkable.
Volunteers participated in everything from filling air ducts with caulk to installing kitchen cabinets. Elizabeth Dunn, paralegal, worked on framing the second floor and putting up plywood for the bathroom and shower.
"It was a lot of hard work, especially in that summer heat, but it was fun. It's both a humbling and rewarding experience to be able to help change the lives of a family right here in our own community," said Dunn.
Morristown Habitat for Humanity, a local affiliate of Habitat for Humanity International, is dedicated to reducing substandard housing in Morris County by working with low-income families to build new homes and rehabilitate existing homes.
The Ricos and Andrade-Escobars were chosen for the 10 Willow Street project from many qualified lower-income homeowners by lottery in April 2017. Maria Rico is a single mother to her 9-year-old son, and currently works as a quality control inspector at a manufacturing company. Ran Andrade and Gladis Escobar immigrated to the United States from Guatemala. They have two school-aged children: Jocelyn and Kevin, who has an autoimmune disorder. Ran works 15 hours a day between his two custodial and maintenance jobs, while Gladis watches over the children at home.
Morris Habitat for Humanity is part of a global, nonprofit housing organization committed to building homes, communities and hope. Through volunteer labor and donations of money and materials, Morris Habitat builds new homes and provides home repair services to income eligible families. Morris Habitat collaborates with other Habitat affiliates and related housing organizations to improve the affordable housing stock in the region, and over the last four years has more than doubled the number of homes built.
Since 1985 Morris Habitat has served over 400 households though home ownership opportunities, home preservation, and international home building programs. Proceeds from the ReStore, opened May 2007, have helped to fund construction of while diverting almost 5,800 tons of useable material from local landfills. The ReStore store is located at 274 South Salem Street, Randolph and store hours are Tues. & Thur. 10 - 8 p.m., Wed, Fri & Sat 10 - 6 p.m.
To view upcoming opportunities with the Morristown chapter of Habitat for Humanity, please visit https://www.morrishabitat.org/volunteer or contact your local Habitat for Humanity affiliate for volunteer opportunities in your area. Morris Habitat welcomes volunteers and supporters from all backgrounds and serves people in need of decent housing regardless of race or religion.


This set of guidelines is designed to assist the pediatrician in caring for children with achondroplasia confirmed by radiographs and physical features. Although pediatricians usually first see children with achondroplasia during infancy, occasionally they are called on to advise the pregnant woman who has been informed of the prenatal diagnosis of achondroplasia or asked to examine the newborn to help establish the diagnosis. Therefore, these guidelines offer advice for these situations as well.
Achondroplasia is the most common form of disproportionate short stature.1 The diagnosis is based on very specific features on the radiographs, which include a contracted base of the skull, a square shape to the pelvis with a small sacrosciatic notch, short pedicles of the vertebrae, rhizomelic (proximal) shortening of the long bones, trident hands, a normal length trunk, proximal femoral radiolucency, and, by mid-childhood, a characteristic chevron shape of the distal femoral epiphysis. Hypochondroplasia and thanatophoric dysplasia are part of the differential diagnosis, but achondroplasia can be distinguished from these because the changes in hypochondroplasia are milder and the changes in thanatophoric dysplasia are much more severe and invariably lethal. Achondroplasia is an autosomal dominant disorder, but approximately 75% of cases represent new dominant mutations. The gene for achondroplasia has recently been found. Achondroplasia is due to a change in the genetic information for fibroblast growth factor receptor 3.2,3 Almost all of the mutations have been found to occur in exactly the same spot. Now that the gene has been found and the mutation known, potential therapies and diagnostic methodologies are likely to be developed.


From Sleeve: Health Dept. Group- Bureau of Child Welfare. Dec 1922. #23672. N.864.
Caption From Sleeve: Health Dept. Group- Bureau of Child Welfare. Dec 1922. #23672. N.864.
Description Group posed on stairs in Preston Place park. On St. Paul Place near Pleasant, Baltimore.
Condition Chip in glass in corner, very minor. along with very minor red paint at top. discoloration.


Managing Vendor Discounts : Solatech, Inc.
This article explains how Vendor Discounts are managed in SalesPRO.
We will be working with functions found on the Maintenance tab.
Vendor discounts are the factors provided by the vendor/manufacturer to you, the customer, for purposes of calculating the cost of the vendor's product for you. The discount may vary from product to product, even by style within a product. It may be expressed as a percentage, or as a multiplier, to be applied to the product price.
Vendor discounts are found on the Maintenance tab, under Discounts.
The window that opens shows all products by default. You may scroll through all products to find the desired one, or, as an alternative, click on the drop down menu after "Show discounts for". This allows you to select the manufacturer to see only their products, or click on the specific product to only show that one.
Be sure that the group shows "Vendor". In the columns following the Product/Style, you will see Discount (which is always shown) and Multiplier; if multiplier is not shown, click on View on the toolbar and check Multiplier.
If the vendor provides their discount as a percentage, in the Discount column you will enter a percentage.
If the vendor provides a multiplier you will enter the number in the Multiplier column as a decimal.
If you enter in the Multiplier column, once you press Enter you will see the discount column populate with the percentage automatically. This percentage will be used for all cost calculations.
A vendor may choose to have a discount vary for styles within a single product, or even different options within a style. To apply a discount or multiplier at the style or option level, click on the [+] preceding the product name.
This will expand the selection, presenting the specific styles. The appropriate amount can then be applied to the selected style(s).
Note: If the vendor discount varies by style, a discount must be applied to each style. And if discounts are applied at the option level, a discount must be applied to each choice at that option. Once any style or option within a product has a unique discount assigned, a discount at the product level will not act as a default for the remaining styles/options. All styles/options will have to have a discount. A product-level discount will cause the style-level or option-level discounts to be ignored.
Notice that when a discount is applied at the style or option level, the product name turns blue. This is an indicator that a discount has been applied within that product.
If you need to apply the same number to multiple products and/or styles, you may highlight multiple lines, and using the "Set..." function at the bottom of the window. Select the appropriate field from the drop-down list, enter the desired percentage/multiplier and click "Apply".
When finished, just "X" out.
If the vendor discount is changed, any further changes to a line item, even in the sale or order category, will cause the product/style to recalculate the price based upon the new discount. Other changes, such as payments, will not trigger the new discount. If a change must be applied individually for that quote/sale/order, the vendor discount may be manually overridden from the Breakdown tab on the Edit Product Item window.


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Q: Is it possible that Krypton (Winforms library) has memory leak issues I' currently debugging a big Winforms application that's got some memory leak issues. I use the .NET memory profiler and so far I've been able to find some of those leaks and solve them. But now I am faced with a problem which I am not sure is a problem, and if it is one I don't know how to solve it.
After running my application for like 1 min (which is not a lot considering normal users could use it for hours),.NET memory profiler shows me around 100-200 instances of different controls from the Krypton Toolkit, and this number is increasing if I keep going (they are never garbage collected, because it appears they are still being referenced somewhere). Now if I check the root path of those instances and they all look like:

I don't know where to look in my code to make these instances be de-referenced correctly when they are not needed anymore, since I don't know what is still referencing the control. I know the place where the KryptonButtonEx gets created, and from what I understand the ViewManager is created by this button, but still I don't see what I can do about it. For those who are interested, the code to create the button is this:
        KryptonButton newControlButton = new KryptonButton();
        newControlButton.Tag = mtActivityControl;
        newControlButton.Anchor = ((System.Windows.Forms.AnchorStyles)((System.Windows.Forms.AnchorStyles.Left | System.Windows.Forms.AnchorStyles.Right)));
        newControlButton.AutoSize = true;
        newControlButton.AutoSizeMode = System.Windows.Forms.AutoSizeMode.GrowOnly;
        newControlButton.ButtonStyle = ComponentFactory.Krypton.Toolkit.ButtonStyle.ListItem;
        newControlButton.Location = new System.Drawing.Point(3, 3);
        newControlButton.Name = string.Format("controlButton{0}", mtActivityControl.SymbolicName);
        newControlButton.Size = new System.Drawing.Size(96, 23);
        newControlButton.StateCommon.Content.Image.ImageH = ComponentFactory.Krypton.Toolkit.PaletteRelativeAlign.Near;
        newControlButton.StateCommon.Content.ShortText.TextH = ComponentFactory.Krypton.Toolkit.PaletteRelativeAlign.Near;
        newControlButton.TabIndex = 5;

        StringBuilder buttonText = new StringBuilder();
        buttonText.Append(Path.GetFileName(mtActivityControl.ControlName));
        /*if (mtActivityControl.SymbolicName.Length != 0)
        {
            buttonText.Append(" (");
            buttonText.Append(mtActivityControl.SymbolicName);
            buttonText.Append(")");
        }*/

        newControlButton.Text = buttonText.ToString();
        newControlButton.Values.ExtraText = "";
        newControlButton.Values.Image = null;
        newControlButton.Values.ImageStates.ImageCheckedNormal = null;
        newControlButton.Values.ImageStates.ImageCheckedPressed = null;
        newControlButton.Values.ImageStates.ImageCheckedTracking = null;
        newControlButton.Values.Text = buttonText.ToString();
        newControlButton.Click += new System.EventHandler(this.controlsButton_Click);

and even though it is not necessary from what my research told me, I unhook the event like this in the Dispose function:
newControlButton.Click -= new System.EventHandler(this.controlsButton_Click);

So my question is:
Is it possible that Krypton itself keeps a reference to my controls which leads to some memory not being freed (which could be ok if it is a limited amount of memory used for keeping an object pool or something like that, but could be a problem if it is an uncontrolled memory leak)? If it doesn't come from Krypton, do you have an idea where to look to destroy those instances correctly?
Many thanks!
EDIT:
I just noticed that the class KryptonButtonEx doesn't come from Krypton but from my app. But I don't think it changes anything to the question since the only thing it does is override the GetPreferredSize function:
/// <summary>
/// An extended/fixed KryptonButton which handles resizing correctly.
/// </summary>
public class KryptonButtonEx : ComponentFactory.Krypton.Toolkit.KryptonButton
{
    /// <summary>
    /// Gets the size of the preferred.
    /// </summary>
    /// <param name="proposedSize">Size of the proposed.</param>
    /// <returns></returns>
    public override Size GetPreferredSize(Size proposedSize)
    {
        // Do we have a manager to ask for a preferred size?
        if (ViewManager != null)
        {
            // Ask the view to peform a layout
            Size retSize = ViewManager.GetPreferredSize(Renderer, proposedSize);

            // Apply the maximum sizing
            if (MaximumSize.Width > 0) retSize.Width = Math.Min(MaximumSize.Width, retSize.Width);
            if (MaximumSize.Height > 0) retSize.Height = Math.Min(MaximumSize.Height, retSize.Width);

            // Apply the minimum sizing
            if (MinimumSize.Width > 0) retSize.Width = Math.Max(MinimumSize.Width, retSize.Width);
            if (MinimumSize.Height > 0) retSize.Height = Math.Max(MinimumSize.Height, retSize.Height);

            return retSize;
        }
        else
        {
            // Fall back on default control processing
            return base.GetPreferredSize(proposedSize);
        }
    }
}

A: You posted the wrong code.  Instead of the code that creates the button, you should be very interested in the code that removes it.  Search for Controls.Remove and Controls.Clear and make sure that every control that is getting removed is being disposed.  Another diagnostic is TaskMgr.exe, Processes tab.  View + Select Columns and tick USER objects.  Seeing this number go up steadily is a hard clue that the code isn't disposing controls where is should.  This is the only case I know of not calling Dispose() causing a permanent leak.
Instead of Controls.Clear(), use code like this:
 while (panel.Controls.Count > 0) panel.Controls[0].Dispose();

Disposing a control also automatically removes it from the parent's Controls collection.

redpajama_set_name: RedPajamaStackExchange


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Home / Sold - George Rodrigue
An artist who found great inspiration in his native Louisiana, George Rodrigue is celebrated for his iconic and long-running Blue Dog series of paintings. Drawn from a ghost story of his homeland, the Blue Dog became a ubiquitous motif and one of the most recognizable icons in American contemporary culture.
Expressing a personal relationship with Louisiana and his spiritual and cultural ideas as they pertained to his homeland, George Rodrigue gave meaning to a new phrase: Cajun Artist. Visually interpreting the landscape and the rich history of Cajun people, he painted bayou scenes with Louisiana oak trees, family gatherings in the open and local myths. It was one myth in particular that launched Rodrigue into stardom. The myth of a loup-garou, a werewolf-type dog who lurked in the swamps around Louisiana, gave rise to the acclaimed Blue Dog character. Modeled after his late dog Tiffany, a melancholy blue mutt with yellow eyes allowed the artist to jump from a dark, dreary landscape to a very bright Pop Art, contemporary color palette.
Rodrigue was awarded an Honorable Mention from Le Salon in Paris in 1975, an honorary doctorate at the University of Louisiana at Lafayette in 2009, the Distinguished Eagle Award from the Boy Scouts of America in 2011 and received the Opus award from the Ogden Museum of Southern Art in 2013. In 2009, the artist formed the George Rodrigue Foundation of the Arts, a non-profit organization which advocates the importance of the visual arts in children's development and supports a variety of art educational programs.
With each of his series, Rodrigues developed a new mode of expression in a contemporary way, but always rooted in Louisiana and it timeless symbols. His works are about life and the humanity searching for answers.
Born in New Iberia, Louisiana in 1944, George Rodrigue had spent the majority of his life in his native country. He passed away in 2013 at the age of 69 after a long battle with cancer. The value of Rodrigue's art continues to rise after his death. In April 2015, the Blue Dog painting was sold at the Neal Auction Company of New Orleans for $173,000.
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Alexandra Nechita
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Home News Vishnu Prasad wins JK Racing India Series championship for second time in a row
Vishnu Prasad wins JK Racing India Series championship for second time in a row
December 16, 2014 | Suvil Susvirkar
The final round of the 17th JK Tyre Racing India series championship concluded at the Buddh International Circuit on Sunday as Vishnu Prasad emerged as the champion for second time in a row. Prasad won the championship with 104 points, followed by Akhil Rabindra with 88 points and Ananth Shanmugam in third with 55 points.
In the Volkswagen Polo R Cup, the championship remained open till the last race. In the end, Ameya Bafna, who won the second race on Saturday, emerged as the winner in the final race of the season. Karthik Tharani, who waged a grim battle with the winner till the end, had to settle for second place, which was enough to give him the championship with 358 points. Lee Keshav Gupta, who started the weekend as one of the championship contenders, came home in third place.
The final race of the JK Formula LGB F4 was lead by Diljith TS with 98 points followed by Vishnu Prasad with 76 points and Sudarshana Rao K with 52 points. The JK Superbikes Cup was won by Manmeet Singh with 24 points followed by Gurvinder Singh with 20 points and Aashir Agrawal with 18 points.
Raghupati Singhania, Chairman and Managing Director JK Tyres and Industries said, "We have seen some great racing throughout the year. It was very heartening to see these young driver fight right to end. Seeing them go out there and race their hearts out gives us immense pleasure. I congratulate all the winner and also those who make this championship possible. As the 17th season of the JK Tyre Racing Championship came to an end, we have already started looking forward to next year."
Here are the final results
JK Racing India Series (FB 02) Race 2: 1. Vishnu Prasad (24:02.596) 2. AkhilRabindra (24:02.821) 3. Krishnaraj Mahadik (24:03.447) Race 3: 1. Akhil Rabindra (23:33.092 ) 2. Sandeep Kumar (23:38.224 ) 3. Vishnu Prasad (23:39.820)
Volkswagen Polo R Cup: Race 3: 1. Ameya Bafna (21:11.344) 2. Karthik Tharani (21:11.548 ) 3. Lee Keshav Gupta (21:16.759)
JK Formula LGB F4: Race 3: 1. Vishnu Prasad (20:13.860) 2.Sandeep Kumar (20:15:115 ) 3. Karthik Shankar (20:19.854)
JK Superbikes Cup: 1. Manmeet Singh (13:22.510) 2. Vijay Singh (13:22.893) 3. Aashir Agrawal (13: 32.457)
Final championship points standings (Provisional)
JK Racing India Series (FB 02) 1. Vishnu Prasad (104 points) 2. Akhil Rabindra (88 points) 3. Ananth Shanmugam (55 points)
Volkswagen Polo R Cup: 1. Karthik Tharani (358 points) 2. Karminder Pal Singh (347 points) 3. Bonnie Thomas (296 points)
JK Formula LGB F4: 1. Diljith TS ( 98 points) 2. Vishnu Prasad (76 points) 3. Sudarshana Rao K (52 points)
JK Superbikes: 1. Manmeet Singh (24 points) 2. Gurvinder Singh (20 points) 3. Aashir Agrawal (18 points)


"Walter McClintock graduated from Yale in 1891. In 1896 he traveled west as a photographer for a federal commission investigating national forests. McClintock became friends with the expedition's Blackfoot Indian scout, William Jackson or Siksikakoan."


Our fifth Tip Jar Jam, December 19, went swimmingly! (I always wanted to use that word!) We were "lighter" than at the last few jams (meaning we had fewer people), but we were all bubbling with enthusiasm. I know I look forward to these Wednesday night gatherings and I think the students do also.
We were a Bob short (ha ha—I think that sounds British!) as Bob Van was sick as a dog, bless his heart. Janet and Kenney also didn't make it so without my two mainstays on guitar I was obliged to play guitar for the entire two hours. Except for the times I pulled out the fiddle to play a twin tune with Suzi. We, along with Bob A, actually did a pre-jam version of Silent Night (in G) while everyone else was getting tuned up and sampling the cookies Zac's mom, Kathy, had made. Bob had just learned Silent Night (he badgered me into letting him learn it, as he so often does!) and he played it beautifully. Suzi did her usual amazing job of transposing since she normally plays it in the Key of D. It sounded really good with all of us playing the lead together and was a good, Christmassy way to start the jam.
I'll really have to brag some more on Bob A because he took quite a few leads on guitar and did very well. (And he's only been playing for a year and a half! Yes, he does practice all the time!) Some of the songs he picked lead on were: Blue Ridge Cabin Home, I Saw the Light, Two Dollar Bill, I'll Fly Away, and Old Joe Clark. I'm a big believer in learning to pick the simple singing songs on the guitar (playing just the melody notes), because these are actually playable in a jam. The harder instrumentals (Salt Creek, Whiskey Before Breakfast, Liberty, Soldier's Joy) are just that: too hard! More and more I'm realizing that it is the singing songs that make a slow jam work--all instruments can play these.
Two of the lovely surprises of the evening came from Jon, who takes lessons from Casey. He actually sang Mountain Dew! I had no idear he could do that. It sounded really good, too, in the Key of A. This song gave Bob Mc a chance to improvise a break and he came through with flying colors! At the end of the jam, when we were officially done, Jon said something about how he liked to play Joy To The World on the banjo. I said, "Have at it!" So he played a lovely rendition of one of my favorite Christmas carols while son Chris and I accompanied him. I asked him if that was a version Casey had taught him and he said yes. I said, not for the last time, that she really comes up with good versions of the tunes she teaches. One more brag about Jon: he is really, really good at playing through his mistakes, which is exactly what you have to do to play in a jam!
And speaking of son Chris who is in town for Christmas...He came in toward the end of the jam, joining us on mandolin in the middle of I'll Fly Away and tremolo-ing away. He and I then did a blistering version of Little Girl in Tennessee (mandolin and guitar) after I had declined to try to sing tenor on Bill Monroe's The Last Whippoorwill, which I don't know well at all. The jam then moved on to When The Roll Is Called Up Yonder with Chris and me providing the vocals. Then Chris and Zac played a fast instrumental together—I think it was John Hardy—and then we closed out the jam with first a slowish version of Foggy Mountain Breakdown and then Chris and Zac took off on a lightning fast version. Zac, a senior in high school and an excellent banjo player, is so good to come and play slow with us that I was glad he and Chris could cut loose on a couple. Zac and I had done a few fast numbers along and along—Clinch Mountain Backstep, Crying Holy, Sally Goodwin, Salt Creek—with me taking lead guitar breaks on the last too. I figure I can't very well ask the students to step out of their comfort zones if I don't step out of mine occasionally!
After thanking Barbara for doing an excellent job of holding down the bass duties (always nice to thank your bass player!), we parted amid cries of "Merry Christmas" and "Happy New Year!" since we won't be doing a jam the Wednesday after Christmas. But we will be back in the saddle again the first Wednesday in January, January 2, the first Wednesday in the New Year. We have such a good time and the students are improving so much, I urge you to join us if you can. Please call ahead (800-227-2357) if you are coming from a long distance in case of changes.
Now, on to breakfast and the tasks of the day which include a final trip to Toys R Us to get one more thing for grandson Dalton! Hope your last five days before Christmas aren't too hectic!
Not the greatest and I could go on but I will spare you! Happy Christmas to all and to all a good night!
Posted in By Murphy, jamming and tagged jamming, slow jam, tip-jar jam on December 20, 2012 by Murphy Henry.
There are so many different musical situations in Nashville. Often times I find myself surrounded by the best of the world-class professionals, and many other times I like to jam with folks who just do it for fun. There is an event right outside of town called the Full Moon Pickin' Party, and it was a continuation of a party that got started in the 80's by our lawyer friend and bluegrass enthusiast, Ted Walker.
The party is located in a beautiful section of Percy Warner park and is attended by several hundred folks every full moon. They have a stage set up and bands play from about 7-11, but the main attraction for most of the folks that come is the jamming. It costs $20 for a regular adult admission, but only $5 if one shows up with a qualified musical instrument.
I rode with some friends and got to the park about 9:30 and walked in to see a whole lot of people had showed up as it was a very pleasant Friday evening with perfect weather and a huge Supermoon beaming beautifully overhead. I made the usual rounds and took in the lay of the land as it were.
Johnny Campbell, an ardent Bill Monroe style bluegrass fiddler was there with his dad, Bob, and we started off with "The Old Mountaineer". I rarely get to play those tunes and so that was fun. We then played "The Lonesome Old Farmer", a tune that I had learned off Johnny's brother, Jimmy's album that featured Monroe on the mandolin. Another fine moment.
My buddy Adam Olmstead, my favorite songwriter under 50, is visiting for a couple of months from New Brunswick, and we sang "Sweetheart of Mine". That was the first song we ever sang together one night at the Station Inn about seven or eight years ago. He usually sings lead, but this night I rendered the verses and sang lead on the chorus. Next, we did the Delmore Brothers tune, "Here Today, Gone Tomorrow", a good jam number that is easy to follow. Then I saw Ted Walker.
Ted and I visited and reminisced for a while until he said something to the effect of, "you better get back in there". One of the party's only drawbacks is that it ends promptly at 11pm and that's right when a lot of people are just getting warmed up. So I took his advice and came back to assume my position in the jam.
I took a mandolin break on whatever was playing when I got back - I can't remember. I dug in and played hard and loud and the crowd responded, and that was satisfying. We got through with that number and someone asked me to sing, so I thought quickly, then launched into the most recent tune I have learned, the Stanley Brothers' "Paint the Town".
I started the tune out by playing the verse and then I sang a verse and chorus to realize that it wasn't a number the folks were very familiar with, and so when the break after the chorus came around, I went into "Say Won't You Be Mine", which I thought would be more familiar. I've had good luck switching tunes at the blink of a hat recently with my band, and I was feeling confident that the switch could be made easily. Wrong!!
At these parties, not only is it a little raucous with jams going on every ten feet or so, but the adults of 21 years have the opportunity to consume four complimentary beers with the price of admission. So, folks weren't entirely sober to say the least. When I realized that half of the people were still playing the chords to the original song I had kicked off, I thought it would be a good idea to use my hands to show everybody what chords were in the new selection. Wrong!!
The first chord in "Say Won't You Be Mine" is a G chord. It's also what we call the "one" chord in the Nashville numbers system which is used on stage in tight spots but mostly in the studio to write chord charts for folks who have never heard or played the song being recorded before. When I raised my hand to communicate the "one" chord, two things happened: I had to quit playing the mandolin for a moment. and also, with my monodigital articulation, I inadvertently communicated to several that what I wanted was for people to stop playing, as in the one finger meant - "Hold on a second!".
So with half of the people in the jam stopping, the momentum of the song had ceased, the song was awkwardly and uncomfortably ended, and I had earned another lesson in what not to do in that situation. Next time I will most likely, A) Play songs that I am quite certain will be more accessible(Rollin' My Sweet Baby's Arms, How Mountain Girls Can Love, etc.), and B) Don't assume people are going to know what I am doing if I hold up a finger in hopes of communicating the right chords.
These are a couple of lessons that I am surprised I had not fully comprehended and put into practice, but it just goes to show, that in the thick of things, it's easy to forget simple things that help avoid getting into a jam within a jam!
Posted in General, Improvising, jamming and tagged chris, Improvising, jamming on May 10, 2012 by redhenry.
For those who haven't seen the announcements on various music lists, the great bluegrass fiddler Kenny Baker died yesterday in Nashville. Kenny was probably the most influential bluegrass fiddler of our time, having played with Bill Monroe for over 15 years (in itself a record for Bill's sidemen). He played fiddle on all of Bill's classic albums from the late 1960s to the mid-'80s, a nearly-indescribable wealth of bluegrass music which included Bill's great "Uncle Pen" and "Master of Bluegrass" LPs. Kenny's tone, timing, and note choice were the best anywhere, proven not only on his performances and recordings with Bill, but also by the six or seven LPs he recorded on the County label.
Kenny was a grand gentleman, and he loved to pick. He said he learned from other musicians all the time. During his tenure with Bill Monroe's band, he often got out in the parking lot at festivals and played for hours with people like you and me. He said that sometimes people gave him trouble for that, saying "That's not professional!" -- and that got his dander up. He would reply to them, "Who's tellin' WHO here, what's professional?"
The first time I picked with Kenny was at the Lavonia, Georgia festival in July, 1970. I've forgotten just how the session started, but suddenly Mike and Polly Johnson and I were picking in a circle with Kenny. I think we'd just played Bill Cheatham when Kenny, always encouraging to young players, said his first words to me: "That's good mandolin pickin', buddy."
Top: me, Polly Johnson, Mike Johnson. Lower left: Kenny Baker.
I often picked with Kenny after that. I lived on the East Coast from 1972-74, attending as many festivals as I could, and during that time Kenny and I often closed out festivals on Sunday night by picking for hours at my campsite. He was a terrific inspiration for this young picker, and I learned a great deal from him. His talent was amazingly diversified--he could play jazz as well as bluegrass and old time tunes, and occasionally groused in private about being restricted to playing "this MON-roe stuff" for a living. On one occasion, Mike Johnson and I and some friends got Kenny away from a festival at Brasstown Bald, Georgia, and brought him to Mike's cabin nearby to pick. We played for a long time that night, and away from the bluegrass crowd Kenny played some real hot fiddle before we had to take him back to the show.
Kenny Baker left a huge legacy of music both on record albums and in our memories. Thanks, Kenny! Keep on fiddling.
Posted in By Red, jamming, Learning By Ear and tagged fiddle, jamming, Learning By Ear, red on July 9, 2011 by Red Henry.
In the last week or so, I've participated in three really different kinds of picking sessions. All three were enjoyable, all three were beneficial (read: good practice), and all three might have hints for Murphy Method students who like to pick.
The first jam, on Thursday evening, was the weekly event at Linda's Mercantile and Fruit Stand, a mile or two north of Winchester, VA on U.S. 522. As usual, by 7:00 p.m. we had a full crowd of listeners and a dozen or so pickers, and things got under way. Now, you need to understand that at this Thursday night event, the music is not just for the musicians. It's for the listeners too. And the musicians are not all experts (plus, we don't often have a bass player) so you need to hold the music together the best you can and let the audience enjoy the show.
There were about 9 guitar players, 3 fiddle players, 3 banjo players, two mandolin pickers, and a gentleman who alternated between harmonica and spoons. In this situation, holding the music together generally means finding the solidest guitar picker and putting my rhythm 'chunks" right between his down-beats, so that everybody can hear the rhythm. I have a mandolin which will be heard, and so that clear off-beat sound helps all the other musicians stay in time with each other. And then we have to play music for the audience. What do we do? Well, for one thing, before launching into a number it's good to check around to see if some of the other musicians know it. In fact, it's best to stick with well-known tunes and songs altogether, so that nobody's getting lost and everybody can play. Then, when playing or singing lead, you need to get to the front of the group and make sure that the audience can hear what you're playing and singing-- this is pretty important-- and take turns, so that everybody gets a chance to sing or play their favorite numbers, even if they aren't forward enough about it to say they want to. As many musicians and singers as possible, even the shy ones, need to be invited to play. And we did a whole lot of bluegrass and old country songs. It was a good session, and the audience liked it.
The second session was on Friday night. This was an old-time session, playing all traditional or traditional-style tunes, held in a primitive cabin over in West Virginia. We had about 12 or 13 players there: 3 or 4 each on banjo and fiddle, plus a couple each of guitars and mandolins, and a bass. We had a wide range of proficiencies in the group, but the players were all involved and paying attention, and knew what to do in a jam. This meant that we all knew many of the same tunes, and nobody was trying to show off, and nobody was holding the group back. We hit comfortable tempos right off on tunes we all knew, and the music was fun and comfortable to play. I had to quit early, but the group went on to a late hour, partly just because the music was going so well.
On Sunday night Murphy and I were invited to another old-time session, but this time the situation was different. There were about 9 people there. The majority of them had played bluegrass or old-time music for a living at one time or another, and they were mighty fine pickers. (The few "amateurs" were real good players, too.) Since we were playing old-time instead of bluegrass, though, some of the well-known bluegrass pickers switched off from their regular instruments. Murphy, for example, played fiddle instead of banjo. Cousin David played banjo instead of mandolin. And our friend Marshall was there, but he stuck with his usual instrument and played amazing-as-always bass. And two real pros at old-time music were there to inspire the rest of us.
So what did we play? At a session like this, along with familiar tunes, we could bring out a good many fine but interesting and obscure numbers to play. And everybody there listened really well all the time, and kept their rhythm "tight" with the other players. It was a mighty enjoyable time, one of the best old-time sessions I've ever played in, in spite of the fact that the majority of the musicians were not old-time, but bluegrass players!
So what does this musical peregrination show? It shows that you can enjoy a lot of different musical situations. It doesn't have to be all bluegrass. You can have a great experience playing many different kinds of music. Just relax, keep your ears open, "play together" with everybody else, and have a good time!
Posted in banjo, By Red, jamming, Learning By Ear, Practice and tagged banjo, fiddle, guitar, jamming, Practice, red on July 6, 2011 by Red Henry.
...I expect that we'll play there again next year. So if you're ever in this part of the country and would like to visit a place where (as far as I can see) not much ever happens, and it's good that way, drive through North River Mills. But don't blink-- you'll miss it!
Come next year. Bring an instrument. You don't have to be an expert. If you don't know the tune, just play rhythm. You just have to like to play!
Posted in By Red, jamming, Music and Video, pictures and tagged fiddle, jamming, red on May 13, 2011 by Red Henry.
Last Thursday and Friday Red and Murphy and I gathered in Winchester, Va. (Well, I gathered. They were already there.) to film our new jamming DVD. (That possibly had something to do with the profound lack of blogs that got posted last week!) Since our two slow jam DVDs are so popular, we wanted to offer students even more opportunity to practice jamming, but we also wanted to challenge you a little. So this time we did a fast jam DVD. There will be twenty-one songs on it--mostly new ones, but we also repeated a few classics: Lonesome Road Blues, Cripple Creek, John Hardy, and Mama Don't Allow.
Steve Spence, Casey Henry, Malia Furtado -- capoing up to play "Whiskey Before Breakfast"
The filming went great, although it didn't exactly follow our original plan. We were going to spend Thursday and Friday taping, with Saturday as a spare day just in case we needed it. Well, we woke up Thursday morning and Red was sick---unable to run the camera. So we had to scratch Thursday. (It wasn't a total loss though since Murphy and I played a great game of Scrabble and I beat her! I don't think that's ever happened before.) Scratching Thursday meant that we didn't get to use David McLaughlin, who was going to join us on mandolin that day. He was busy both Friday and Saturday, so as a result, there's no mandolin on this release.
But, you'll be happy to know, there IS bass this time. Our long-time friend Steve Spence joined us playing bass, and we were grateful that his flexible schedule allowed him to come Saturday on such short notice. On fiddle you'll recognize Malia Furtado who played some great, bluegrassy breaks with little advance warning and NO practice!
Steve Spence, Malia Furtado, Murphy and Casey Henry practicing for the next tune, which is clearly a singing song, though I don't remember which one.
We ask more of you, the student, on this fast jam disc. The tempos are close to what you'll find in a regular jam session. In the intros to the songs we give you a heads up as to what chords we'll be using in the song, but the guitar left hand will not be in a box on screen. To be sure you can see the guitar player's left hand on the screen the whole time (usually me, sometimes Murphy), but it's part of the wide shot. And we've included the Murphy Method theme song Hazel Creek, which is in the key of G minor, yes, that's right, minor. That will probably be a new vamp chord for just about everybody!
We will have the DVD out by the beginning of June for sure (in time for Kaufman Kamp!), but we're still trying to think of a title. Suggestions?
Posted in By Casey, DVDs, jamming and tagged fast jam DVD, filming, jamming on March 7, 2011 by Casey.
...as you can see, we were having quite a time. Or, to "talk backwards" and put it in Wakefield-ese, Frank and "Leeroy" and "White" didn't play no music. We didn't have no fun. And you can't see it right in this picture!
Posted in By Red, Improvising, jamming, shows and tagged chris, jamming, red, shows on February 4, 2011 by Red Henry.


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#sorrynotsorry: No freedom to falsely criticise your employer in the media
In the matter of Joseph Nzimande and two others v Didben NO and Others, the applicants were dismissed for making false statements to the media, bringing the name of their employer into disrepute and failing to obey an instruction to them to raise their grievances through the recognised internal channels.
The applicants were employed by the South African subsidiary of a multinational mining company. The applicants were part of a march to the Department of Labour to deliver a memorandum of grievances against their employer. The march was attended by about 600 fellow employees. One of the applicants had invited the media to the march where they were interviewed by the SABC. The interviews were subsequently aired on three radio stations.
In the interviews the applicants, amongst other things, alleged that their employer was forcing employees to work long hours without pay and that it had withheld 2.6 billion (currency unspecified) from its Australian head office that was meant to be distributed amongst the employees.
These statements were false and, unsurprisingly, the employer dismissed the applicants for their conduct. The applicants referred an alleged unfair dismissal dispute to the CCMA. At the arbitration hearings they initially denied that they had made the statements but then conceded that they had, when the radio interviews were played to them. The employer argued that they had breached its communications policy by making unauthorised statements about it to the media. The applicants contended that they did not need permission from their employer to make the statements as they were exercising their right to freedom of speech.
The arbitrator was not impressed with this explanation. He found them guilty of the allegations against the, and found that their dismissals were fair. To make matters worse for the applicants, he ordered costs against them because of the manner in which they had conducted themselves during the arbitration hearings.
The applicants then applied to the Labour Court to have the arbitration award reviewed and set aside. The Labour Court found that the statements made by the applicants in the media had a detrimental effect on the employment relationship as they brought the employer's name into disrepute. The court found that although employees were entitled to raise legitimate grievances and to threaten to exercise their constitutional right to strike, they were not entitled to make false and defamatory statements against their employer. The court found that the applicants had acted on a frolic of their own and outside the rules of engagement. They had embarked on the march as employees and had made false statements against their employer contrary to established policies. Their contention that they were merely exercising their freedom of speech and did not need their employer's permission to make statements to the media was without merit.
The Labour Court held that freedom of expression is not unfettered. It was unacceptable of the applicants to make false statements against their employer even in the adversarial context of industrial action. The court dismissed the review application.
This judgment serves as a caution to disgruntled employees that they should carefully consider any public utterances against their employers. If there is a workplace communications policy, they should comply with the policy. More importantly they should at all times refrain from making false statements against their employer, lest they be prepared to suffer the consequences.
Source: www.golegal.co.za By Jose Jorge And Steven Adams
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Basseterre, St. Kitts, February 11, 2019 (SKNIS): In celebration of History and Heritage Month, which is commemorated annually in February, the Charles A. Halbert Public Library in collaboration with the History and Heritage Committee, has set up a book display at the library under the theme "African Survivals in St. Kitts and Nevis".
Percival Hanley, Chairman of the History and Heritage Committee and General Manager of the Brimstone Hill Fortress National Park Society, stated that the theme was chosen to highlight the importance and existence of various aspects that have been inherited over the years from the island's African ancestors.
"It is no secret that we are descendants of Africans who were brought across from the continent to the Caribbean and who worked and toiled on these islands for hundreds of years, but, they haven't just gone, they have left with us certain things that continue to live on in our daily lives, in our culture and in our heritage," said Mr. Hanley.
Charles A. Halbert Library Representative on the History and Heritage Committee, Denise Welsh, stated that every month a different display is presented to highlight the theme for that month.
"For the past few years, we have partnered with the St. Kitts-Nevis History and Heritage Committee to mount a display for the annual History and Heritage Month in February," she said.
The display features write-ups, books based on African heritage and other paraphernalia focused on the theme.
The History and Heritage Committee has coined the term African Survivals to depict aspects of the country's African heritage such as dance, drama, art and craft, music, local customs, local sayings and herbal medicines, said Mrs. Welsh.
According to Chairman Hanley, History and Heritage Month in St. Kitts and Nevis was founded by the late Sir Probyn Inniss. It began as a week and then expanded into a month to promote awareness and understanding of the Federation's history, heritage and culture among citizens and to create a sense of pride within them.


Cheryl Obernuefemann had less than 24 hours to pull off a surprise block party Saturday.
She and husband Steve received a call Friday that their son, Marine Chief Warrant Officer Justin Obernuefemann would be coming home the next day.
There were 40 U.S. and Marine flags lining the streets, said Steve.
"That was hilarious. I thought, 'Oh no, they planned something,'" said Justin. When he looked at his dad, Steve was unable to keep a straight face.
The block party was not the only surprise to Obernuefemann.
Saturday was the first time he had been home since Hurricane Ike.
The 32-year-old knew he wanted to be a Marine, to follow in his father's footsteps, at an early age.