text:
홈페이지 > Press Club > The Venetian Macao 2016 Press Release > Sands China Is Committed to Supporting Local Suppliers
Sands China Is Committed to Supporting Local Suppliers
MOP 55 million in purchases from 74 new local suppliers since July 2015
(Macao, Aug 8, 2016) – Sands China Ltd. has purchased from 74 new local suppliers since launching its successful Local Supplier Support Programme in July of last year. As of July 31, 2016, these purchases have totalled more than MOP 55 million, comprising approximately 1,300 purchase orders and 2,500 purchase items.
Sands China's Local Supplier Support Programme is focused on three types of local businesses, identified in collaboration with the Macao Chamber of Commerce: small and micro companies, "Made in Macao" companies and Macao young entrepreneurs.
Sands China's pioneering long-term initiative was the first programme of its kind in Macao, announced jointly last year with the Macao Chamber of Commerce. Response to the programme has been positive, with many cases of successful results for SMEs working with Sands China.
Information about Sands China's Local Supplier Support Programme is now available at the website of the Macau Productivity and Technology Transfer Centre (CPTTM) at http://cms.cpttm.org.mo. The site provides Macao SMEs with procurement information for the city's gaming operators, giving the SMEs an opportunity to connect with them.
Sands China's Local Supplier Support Programme is in line with the Macao government's initiative to "buy local" and demonstrates Sands China's commitment to supporting local enterprises as part of the company's corporate social responsibility efforts. It is part of Sands China's supplier relationship management strategy, which guides the company's long-standing effort to support local suppliers, whom it views as its strategic partners.
Photo caption: Since launching its successful Local Supplier Support Programme in July of last year, Sands China Ltd. has purchased from 74 new local suppliers. The purchases have totalled more than MOP 55 million, consisting of approximately 1,300 purchase orders and 2,500 purchase items, as of July 31, 2016.
Sands China Ltd. (HKEx: 1928, Sands China or the Company) is a Cayman Islands registered company and is listed on The Stock Exchange of Hong Kong Limited. Sands China is the largest operator of integrated resorts in Macao. The Company's Cotai Strip portfolio is comprised of The Venetian® Macao, The Plaza™ Macao and Sands® Cotai Central. The Company also owns and operates Sands® Macao on the Macao peninsula. The Company's integrated resorts contain a diversified mix of leisure and business attractions and transportation operations, including large meeting and convention facilities, a wide range of restaurants, shopping malls, world-class entertainment at the Cotai Arena and The Venetian Theatre, and a high-speed Cotai Water Jet ferry service between Hong Kong and Macao. The Company's property development projects on Cotai have the goal of transforming it into Asia's premier entertainment and business destination. Sands China is a subsidiary of global resort developer Las Vegas Sands Corp. (NYSE: LVS).
Corporate Communications, Venetian Macau Limited
Mabel Wu
Email: mabel.wu@sands.com.mo
Simpson Lei
Email: simpson.lei@sands.com.mo


The Desert, Various Activity, Previously Unreported. Utah 95 passes through Comb Ridge, a dramatic, deep cut in the Navajo sandstone. In March, 1997, Mike Baker and Leslie Henderson put up Magic Man, a five-pitch, 250-foot 5.10+ route on the Prayer Stick, a column that leans against Comb Ridge. The route climbs the right side of a prominent pillar. Baker also established The Dark Side (5.9, 250') solo up the left side of the tower in September, 1998. In the Valley of the Gods, in 1997, Chris Rowins, Mark Fleck, and Marco Constant put up Cape Town Caper (5.8 A3, three pitches) on the south face of Lady in a Bathtub. In the popular Hatch Wash south of Moab, in the Rims Recreation area, Jay Miller and Andy Roberts climbed the Big Liebowsky (C2+, four pitches) in October, 1998.


text:
"Walk By" by Liv Byrne
Garth Thomas January 14, 2022
MusicNewsReviews
The opening keys are sinister synths and soon the unfolding, gorgeously arranged strings in the new song "Walk By" will have you just as transfixed as can be. "Walk By" from songstress Liv Byrne is a blissful sonic experience that shook my soul and imagination. Rather than fall head over heels for the track's unique ebb and flow, the song is fully capable of cultivating a wide-range of interpretation and emotional transformation. It's not to say the undercurrent isn't as captivating as looking through a child's kaleidoscope. This song doesn't just cast the listener away into a new mind space, Byrne cozies the listener closer and ever so closer to her airy, dreamy vocal soundscape. "Walk By"…dear God no. Come nearer and stay.
Byrne's colorful tenor, much like the way Brandi Carlile's voice cracks like a guitar's neck in "The Story" is especially catchy. In another life, Byrne seems to sing, giving just the right emphasis on the day-dreamer she seems to be evoking. So I walk by, she sings with boundaries, repeating those words with tiny breaths between. Byrne's enunciation can at times get ruffled and scrunched into bows. It works with her voice – much to my delight the silky tones are just as vibrant over the regal-like strings. For a split second the strings that unfold reminded me of "Viva La Vida" (Coldplay). Byrne's use of the classical-meets-synth framework is triumphant. She espouses such a vulnerable, albeit confident, vocal prowess that the changing rhythms flowing beneath her voice sparks a whole new depth.
I felt like this song was about letting go, moving on from another's emotional grasp. I think Byrne is communicating that she's not letting this other person take up space and charge them rent in her mind. She's very romantic about it all and the drama of the song moves like the bloodstream. It has elements of light and dark; sad and happy. What makes "Walk By" peak my interest even more so is the way that it meanders into adult contemporary pop with a vengeance. I mean that in an enlightened way – it's not cold but it's not cutesy or demeaning. Byrne can really sing and her voice is sharing an exceptional story in tandem to a musical beat and rhythm filling the space just as quickly. It's been a long time since I've heard a song like "Walk By" that has me so instantly hooked.
"Walk By" has an essence to it – an air that lingers. Byrne, who's other releases include "Mad At You", "Company" and "Holiday For Us", continues to draw upon the deeper, darker corners of her heart to unleash a deserving emotional connection to her listener. I felt that bond in "Walk By" that created an instant rapport. She wears her heart on her sleeve and there's something building, growing as "Walk By" that engulfs the listener. You're not smothered by her voice; you're embraced into her world. You're in awe that Byrne is somewhat fragile or delicate and equally mesmerized by her fierceness and candor.
Garth Thomas
Software programmer/engineer, music, film, art and literature lover, Red wine connoisseur, nature photography, plays cello, loves his cat, world traveler
"A Light out There" by Pete Miller
Garth Thomas April 11, 2022
"Good In The Bad Days" by Christen Cooper
Garth Thomas October 21, 2022
Lady Gaga pictured kissing engineer Dan Horton during brunch date
Exclusive Interview with The Mumex Trio
Demi Lovato Being Released From Hospital Later This Week
Renowned Writer/Director Thomas J. Churchill Releases Concept Teaser Trailer For New Film "M"
HD Team March 4, 2019

redpajama_set_name: RedPajamaCommonCrawl


Matthew Wade (C & Wk), D'Arcy Short,George Bailey, Alex Doolan, Caleb Jewell, Ben McDermott, Riley Meredith, Simon Milenko, David Moody, Clive Rose, Qais Ahmad, Jofra Archer.
Ben Dunk, Marcus Stoinis, Peter Handscomb(Wk), Glenn Maxwell(C), Nic Maddinson, Dwayne Bravo, Seb Gotch, Jackson Bird, Adam Zampa, Sandeep Lamichhane, Daniel Worrall.
It is almost the case who can hold their nerves as the Big Bash arrives to its final stages, we will expect more of the same from the high scoring Hobart Hurricanes who will look to book their place in the Big Bash final.
The star opening partnership of Matthew Wade and D'Arcy Short has added a combined total of 1192 Runs this time around, which is far more than any other pair. The host team finished first on the points table 4 points ahead of the second seeded Melbourne Renegades.
For the Melbourne Stars, Marcus Stoinis has proven to be the lone ranger leading the team with both batting and bowling and looks set to carry his team to the cup final.
Stoinis with the bat has scored 476 runs in the tournament with an average of 59.50 while with the bowl he leads his team with 14 wickets which is only matched by Dwayne Bravo.
Matthew Wade- He has scored four 50+ scores in the last 6 innings and looks as an excellent option for the fantasy fans.
Marcus Stoinis-With 476 runs and 14 wickets he has proven out to be a fantasy gem this time around and clearly looks like the best All- rounder option in the league.
D'Arcy Short- He is a must have as he is the top scorer in the league and can chip with some wickets as well.
Dwayne Bravo- A T20 maestro, he will look to carry his team in the finals with his experience and skills.
The average first innings score at Hobart in T20 is 182.


text:
2 Comments April 29, 2007 at 12:37 pm
Gladstone Rocks The Hot Docs
By Amanda Buckiewicz
As I waited in line for Last Call At The Gladstone Hotel Saturday afternoon, bartenders from the Gladstone Hotel were behind me. "It makes us look bad, I hear," they were saying. "Like, not us personally, but the hotel. Real bad."
If you are a recent transplant to Toronto, or just barely over the drinking age, then you probably had no idea that the Gladstone was once a cockroach infested, drug-addled, festering slum that was inches away from delapidation. In the documentary, filmmakers Derreck Roemer and Neil Graham follow the Gladstone from disgusting to decadence in just over an hour. Or is it the other way around?
With its slimy floors and peeling paint, the Gladstone was almost unrecognizeable as Roemer and Graham start this film. Soon you were falling in love with the regular tenants such as Marianne (pictured above), an adorable hunched old lady who spends more than her monthly pension on rent, and consequentially has to eat out of the garbage. We also meet charming housekeeper Marilyn, who dipped into her own pockets to buy new drapery and vanilla-scented garbage bags for the weekly tenants. The building is a filthy mess, but it's shelter to those who need it and the Melody bar provides a nice, quiet place to drown your sorrows on any given evening.
Enter new owners Micheal and Anne Tippin of Tippin Corporation, and their partners Margie and Christina Zeidler. They had visions of restoring the hotel to an artistic haven while still allowing residents to stay put. At first, it was off to a good start. They opened up the Art Bar downstairs, and flocks of young people came to dance the night away. When you see Marianne shuffling through the crowd of drunken twenty somethings and their loud techno music follows her upstairs, you realise that this movie isn't about the building, it's about the people who get lost in the renovations.
Things start to go downhill as the Tippins and Zeidlers start to disagree. Soon, the bills remain unpaid and tenants face eviction because of lack of insurance. The Zeidlers step in as the sole owners, and things still don't get better. We see the filmmakers helping Marianne move her belongings out of the building after she is evicted. We see rain pouring in through the ceilings and mould eating away at the walls. Finally, the boiler bursts, and everyone has to leave—for good. Next time the doors open, room prices have increased from $49.95 a night up to $375 a night, and the Gladstone is looked up to as a chic Toronto hotspot.
We all know how this story ends. The Gladstone is now a beacon of the gentrification that West Queen West has been fighting for years. Many left the movie theatre grumbling about how unfair it was to kick out the poor and underprivileged just so that we can have a place to sing out-of-tune Bon Jovi songs on karaeoke night. But at the same time, the filmmakers remind you that the Gladstone was a mouldy drug den, in need of serious renovations in order to stay standing. It was "gut-wrenching" to have to evict all of the tenants, and to their credit, the Zeidlers found everyone affordable housing and paid—and continue to pay—some of their rents.
The movie was a fantastic, well-researched piece that delved deep into the history of the Gladstone and provided a poignant look at how quickly things can change. It didn't necessarily make the hotel itself look bad, dear bartenders, but it did make the point that when urban renewal occurs, there's always someone lost in the shuffle.
As for Marianne? She moved just a few blocks down to the Drake Hotel, where she faced a similar fate mere weeks later. She then moved to a much more affordable rooming house and lived there until her death in 2006.
If you missed out on the chance to see the film, it will be aired on TVO at 10 p.m. on May 9 and 13.
Top photo of Marianne from Hot Docs. Photo of a renovated Gladstone room by Cat O'Neil from Business Week.
Filed under Last Call, Neil Graham, drinking, film, gladstone hotel, the Gladstone, the gladstone hotel, Toronto


text:
Home / Winter 2021 / Feature / Brent Hansen
FeatureProfile January 6, 2022
Brent Hansen holds a pair of soft orthotics custom made in his shop, Ski Tek, established in 1987 and hailed as the place where "boot (or shoe) fitting becomes an art."
Brent Hansen
The "Foot Guru" gives the Valley happy feet Jake Moe
"The average human takes 225 million steps in a lifetime; however, due to the activity level of folks in the Wood River Valley, that total would easily be 300 to 400 million steps. Just one trip up to Pioneer Cabin can easily top 25,000 steps."
That's Brent Hansen, the chief cook and bottle washer at Ski Tek, a jubilant fellow that has had a lifetime of athletic excellence. Name any sport, and it is likely that Hansen has not only experimented with it but also excelled. Skiing has obviously been his number one sport since his family built the Pomerelle Ski Area decades ago. He has raced downhill nationally and in Europe and even dabbled in speed skiing (with a top speed of 119 miles per hour).
In addition to alpine skiing, Hansen has been a kayaker, climber, paraglider, Nordic skier, and cyclist. And, in each pursuit, his strive towards excellence was the norm. He won the very first Boulder Mountain Tour, spent countless days kayaking the Payette River and paraglided here in the States and in Europe. It was in Greenhorn Gulch where death almost came knocking when his paraglider failed, and he crashed. That injury and his resulting rehab turned his attention to how the body really functions and how to perform at the top of your game. As he describes his life back in the 1970s and '80s, he calls it a "smorgasbord of sports" that were rugged and raw.
During the early 1970s, Hansen worked part time in the back rooms of the Scott Boot plant. He experimented with the moldable liner foam to mold footbeds with the intention of allowing the foot to feel the ski and the ski's edge in the most sensitive manner. His goal was to create the connection between the foot and the ski that would resemble the sensitivity similar to a Porsche in a high-speed turn, rather than the squishiness of a 1975 Chevy Suburban. With his experience as a downhill racer, Hansen discovered that the better the connection between foot and ski edge, the faster he went. He likes to describe the action as a "soft touch," making it possible for the downhill skis to float without any restriction. Too much friction, and everything slows down.
Fast forward to today, and Hansen predicts that World Cup alpine racers will eventually transition to custom boots made using 3D printing, so that their boots will mimic every curve, bone, and muscle in their foot. Currently, skilled boot technicians like those at Hansen's shop, Ski Tek, sculpt thick-walled plug boots to follow the athlete's anatomy. This is very time consuming and therefore costly. The price for these custom ski boots for World Cup competitors can easily top $2,000 per pair. This "glove-like" fit not only provides incredible performances on the icy racecourses of the World Cup but also prevents unnecessary pain and injury. Who among longtime alpine skiers doesn't remember cranking down the two-sizes-too-small Lange boots just to get a better feel of the skis on the snow? No wonder Hansen counts skiers' feet as the most damaged he's seen in his nearly 50 years of his foot fetishes.
What is Hansen's secret? How has he become the Foot Guru for athletes throughout the Wood River Valley and beyond? Why do top athletes such as cross-country skier Katie Feldman sing Hansen's praises? "He really cares, not only about our performance on the circuit all season long, but in the off season, as we are running mountain trails and road courses, his focus is on prevention of injury," says Feldman.
The easy answer is the passion that Brent has for feet and combining that passion with 50 years of activity. He literally has seen every possible foot problem and injury. And in collaboration with Professor of Orthopedics Michael Coughlin of Boise, Hansen has been able to learn from the very best in the field of foot and ankle care. Professor Coughlin has co-written Surgery of the Foot and Ankle, considered the "bible" of the craft.
When visiting for the first time at his shop on Sun Valley Road, Hansen and his expert team will dive into a ton of questions such as what sports, activities, and recreational pursuits you like, what pain you have in your feet and, most importantly, what shoes you wear. He will carefully examine your feet and look especially for any callouses and loss of the under-foot padding. Then, he will tell you about his cousins living in Hawaii, cousins with the healthiest feet he has ever seen because they spend their life shoeless walking in the sand on the beaches. The sand, Hansen explains, forms the perfect support for the arch under foot and is soft enough to not pound the natural padding we all have under our feet. Years of time spent walking on cement gradually eliminates that natural padding, and we end up with bone contacting the ground.
Next, Hansen will have you step into his sand-and-beeswax box, and a cast is made of your feet. The soft sand could fill the metatarsal pad under the foot. With that cast, Hansen starts to work making the ultimate SOFT orthotics. Soft is capitalized because one of Brent's most strident opinions is that hard orthotics make no sense when the bottom of the foot has greatly reduced
natural "fatty pad."
Once your cast is complete, then all your shoes can be outfitted with an insert that fits your foot and all its imperfections like a glove. Pain gets vastly reduced or eliminated, and performance excels. Good enough for another hundred million steps perhaps.
This article appears in the Winter 2021 Issue of Sun Valley Magazine.


6 November 2017 marks almost 170 years since the day that Richard Jefferies was born on the family farm at Coate (now part of Swindon). The Richard Jefferies Society  is celebrating the occasion with a public meeting  to be held at Liddington Village Hall on Saturday 4 November starting at 2.30pm and the publication of the first volume of a new biography  of Richard Jefferies that covers his early years living in the Coate area – a time that inspired his writing and which provided his first job as a reporter on the local paper.
Richard Jefferies (1848-1887) is, undoubtedly, the purest and most sensitive, certainly the most passionate, nature writer produced by a country that has always prided itself on the strength of her nature tradition. In his short life he produced an astonishingly rich and varied body of work .
No one English writer before had had such a wide knowledge of labourers, farmers, gamekeepers, poachers, of the fields, and woods, and waters, and the sky above them, by day and night... When he wrote these books—The Amateur Poacher and its companions—he had no rival, nor have they since been equalled in purity, abundance, and rusticity.
Since Thomas's now classic Richard Jefferies, His Life and Works was published in 1909, a vast amount of material has come to light, and a new biography of Jefferies has been long overdue. A Peculiarly English Genius: or a Wiltshire Taoist, a Biography of Richard Jefferies, by Andrew Rossabi  is the first of three volumes and takes in the years from 1848 to 1867 when such places as Coate Water, Liddington Hill and the Marlborough Downs inspired the young man to write fiction and non-fiction that had a strong autobiographical content. It is also the time when he contracted tuberculosis that killed him at the age of 38.
The present biography will extend to three volumes. Whether Jefferies' is worthy of, or best served by, a book of such length and detail is another matter. I believe he is, although the reader will quickly discover that I am far from being an uncritical admirer.
The hardback book published by the Richard Jefferies Society runs to 800 pages and contains over 30 illustrations. It will be launched at the Liddington Village Hall meeting which is open to the public and free to attend.
 A Peculiarly English Genius: or a Wiltshire Taoist, a Biography of Richard Jefferies, Vol I - The Early Years, 1848-1867 by Andrew Rossabi. (Foulsham: Petton Books, 6 November 2017), 800pp. £40. The critic and scholar Q.D. Leavis (1906-1981) was a great admirer of the works of Richard Jefferies. She wrote 'Jefferies was a many-sided and comprehensive genius, not merely a peculiarly English genius but one whose interests, ideas, and temperament associate him with other peculiarly English geniuses' (Scrutiny, March 1938) – hence the main title of the biography.
 Jefferies wrote as much about people as about wild life, and his series of country books, based on the Coate area, The Gamekeeper at Home (1878), Wild Life in a Southern Country (1879), The Amateur Poacher (1879), Round About a Great Estate (1880), which the critic Q.D. Leavis called 'one of the most delightful books in the English language', and Hodge and His Masters (1880), are an unrivalled source for the social history of late Victorian rural England. Jefferies wrote two children's books that have become classics, Wood Magic (1881) and Bevis (1882), and a short volume of spiritual biography, The Story of My Heart (1883), saluted by William James as 'Jefferies wonderful mystic rhapsody'. He wrote five novels of permanent worth including The Dewy Morn (1884), which Mrs Leavis described as 'one of the few real novels between Wuthering Heights and Sons and Lovers'; After London (1885), a futurist romance much admired by William Morris; and Amaryllis at the Fair (1887), to make room for which the critic Edward Garnett said he would turn out several highly-regarded novels by Thomas Hardy. Jefferies' many gifts perhaps found perfection in his essays, collected in Nature Near London (1883), The Life of the Fields (1884), The Open Air (1885) and Field and Hedgerow (1889).
 Andrew Rossabi is President of the Richard Jefferies Society, and has written introductions to reissues of several works by Jefferies. A resident of London for many years, he has alternated a career in publishing (he edited Cyril Connolly's last collection of reviews The Evening Colonnade and J.G. Ballard's controversial novel Crash) with teaching classics part-time at Highgate School.


I'm an avid sports fan. It's fascinating to me when you think about the minute differences between successful teams and those that continually seem to have challenges. They all have talent, right? At the end of the day, I believe it's the little things that make such a big difference; whether it be how a coach runs his practices, to preparation and leadership on and off the field.
I recently read an article on how Doug Pederson, head coach of the Philadelphia Eagles, transformed the organization into a Super Bowl winning team in such a short period of time. Now, I'm not an Eagles fan, but I am a Chiefs fan and Pederson was on the staff there for a number of years so I always like to see how and what coaches learn and do differently from the head coaches they mentored under. Pederson believes there are four keys to building a winning organization/team. Think about how they apply to your situation and the teams you are leading or participating on.
Pederson believes healthy relationships "are rooted in transparency, directness, openness, and honesty." At Interstates, we focus on psychological safety and these 4 attributes fit nicely into that topic. How are you doing this? Are you getting to know the people on your teams? Do you understand what motivates them, what inspires them, what their goals are – not just at work?
Are your people really being heard? Have you created a safe environment for questions, feedback, even trying something different? If you happened to watch the Super Bowl the Eagles ran a trick play where their quarterback caught a pass from another player for a touchdown – that play was called by the QB-Nick Foles, not Pederson. Do you trust your people enough to "call the right play" or "make the tough decision?" Do they know you have their back if things don't go as hoped, or aren't going to take the credit if their idea/actions help the team win?
This is all about people understanding the "why.." As leaders, we can sometimes make things too complicated. We talk about adding value for our clients. Do you truly understand how you are adding value in your role? Take the time to think about this, work with your teams to understand this so there is clarity and understanding.
At Interstates, we have a strong safety culture that we work to maintain every day. It's important, it sets us apart from other organizations, and it attracts people to work with us. Pederson has 4 principles that he tries to drill into the Eagles culture: a. Create energy every day (are your people motivated?) b. Eliminate distractions (are you giving your teams the tools and direction to do there jobs well?) c. Fear nothing (do your teams know it's ok to make mistakes – that accountability is not about "blame?") d. Attack everything (are your teams getting better everyday and having fun doing it?).
None of these principles are new or earth shattering. They're likely things many of you are already doing today. Yet, they're little things that can make a big difference in how our teams perform. Hopefully they can help you as you continue to lead the Interstates way!


text:
Best of Netflix
Best of Amazon
Generally favorable reviews based on 17 Critic Reviews
Universal acclaim based on 59 Ratings
Log in to finish your rating Working Girl
Your score has been saved for Working Girl
Review this Movie
Please enter your birth date to watch this video:
January February March April May June July August September October November December 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 2022 2021 2020 2019 2018 2017 2016 2015 2014 2013 2012 2011 2010 2009 2008 2007 2006 2005 2004 2003 2002 2001 2000 1999 1998 1997 1996 1995 1994 1993 1992 1991 1990 1989 1988 1987 1986 1985 1984 1983 1982 1981 1980 1979 1978 1977 1976 1975 1974 1973 1972 1971 1970 1969 1968 1967 1966 1965 1964 1963 1962 1961 1960 1959 1958 1957 1956 1955 1954 1953 1952 1951 1950 1949 1948 1947 1946 1945 1944 1943 1942 1941 1940 1939 1938 1937 1936 1935 1934 1933 1932 1931 1930 1929 1928 1927 1926 1925 1924 1923 1922 1921 1920 1919 1918 1917 1916 1915 1914 1913 1912 1911 1910 1909 1908 1907 1906 1905 1904 1903 1902 1901 1900
You are not allowed to view this material at this time.
Now Playing: Working Girl
Movie Details & Credits
Twentieth Century Fox Film Corporation | Release Date: December 23, 1988 | R
Starring: Harrison Ford, Melanie Griffith, Sigourney Weaver
Summary: Ambitious secretary Tess McGill (Melanie Griffith) makes her up the corporate ladder with a little creative deception by "taking over" when her boss Katherine Parker (Sigourney Weaver) breaks her leg on a ski trip.
Director: Mike Nichols
Genre(s): Drama, Comedy, Romance
Rating: R
See All Details and Credits
Buy on
One of those entertainments where you laugh a lot along the way, and then you end up on the edge of your seat at the end. Read full review
Richard Corliss
Intoxicating. [19 Dec 1988, p.78]
Sheila Benson
Working Girl is the sparkling success that it is because of the sheer irresistibility of Melanie Griffith. [21 Dec 1988, Calendar, p.6-1]
Judy Stone
An amusing trifle. [21 Dec 1988, Daily Datebook, p.E1]
Stanley Kauffmann
Wade, presumably with Nichols's urging and aid, has tricked up most of the picture with plotting that scuttles the realism of the beginning, strangles any serious view of the theme, and ends up ludicrously incredible. [30 Jan 1989, p.28]
Rick Groen
The laughs in Working Girl are the laughs of near-recognition - just good enough to make us wish they were much better. Read full review
Nichols must have a cummerbund around his head: the directing is constricted – there's no visual inventiveness or spontaneity. And in his hands the script has no conviction. [9 Jan 1989]
smiyamot
Smart, hard working secretary Tess wants to move up from her working class neighborhood. That's the American Dream, right? She lucks out when her new boss is a woman who will mentor her and help her climb the corporate ladder. Or not. Her new boss is getting pressure to make a big dealSmart, hard working secretary Tess wants to move up from her working class neighborhood. That's the American Dream, right? She lucks out when her new boss is a woman who will mentor her and help her climb the corporate ladder. Or not. Her new boss is getting pressure to make a big deal so is she stealing Tess's idea? Good romantic comedy with some high stakes business dealings make for an interesting movie. I don't have that many DVDs but this one is in my collection.… Expand
0 of 0 users found this helpful00
OriginalDanger
Working Girl is a romantic comedy film made in 1988 by director Mike Nichols (Wolf 1994). Working Girl stars Melanie Griffith as probably the main character of Tess and also stars Harrison Ford, Sigourney Weaver and even a short appearance from Kevin Spacey and Alec Baldwin is also present.Working Girl is a romantic comedy film made in 1988 by director Mike Nichols (Wolf 1994). Working Girl stars Melanie Griffith as probably the main character of Tess and also stars Harrison Ford, Sigourney Weaver and even a short appearance from Kevin Spacey and Alec Baldwin is also present. Working Girl is full of guys having affairs, backstabbing to a degree, business deals, love, romance, the issue of trust and chit chat.... Tess (Melanie Griffith) loses her job after calling her boss a pimp and gets another chance but is in a new job and is working as a secretary for her boss (Sigourney Weaver) I think but Weaver has an accident whilst skiing and breaks her leg and is recovering in hospital. Whilst in hospital back at the workplace Tess takes charge and even steals Katherine Parker's (Weaver) love interest played by Harrison Ford and tries to make her life better by reaching the top however when Katherine (Weaver) gets released from hospital she tries to put an end to Tesses dreams and hopes. Working Girl is well acted but it's too long a film so patience is required and Sigourney Weaver is great and very beautiful, it's fairly funny but contains bad language, nudity, drugs, scenes of sex but all in all a decent film.… Expand
lasttimeisaw
However outdated the costumes and settings, outmoded the corporal cooperation business, I believe the ethic of WORKING GIRL is abiding, at least until this moment (24 years later), resembling a 1980s version of THE DEVIL WEARS PRADA (2006), however collected 6 Oscar nominations with 1 winHowever outdated the costumes and settings, outmoded the corporal cooperation business, I believe the ethic of WORKING GIRL is abiding, at least until this moment (24 years later), resembling a 1980s version of THE DEVIL WEARS PRADA (2006), however collected 6 Oscar nominations with 1 win (for Carly Simonâ… Expand
No film with those lines of dialogue could actually be good. Working Girl does not buck the trends and is a cookie cutter romance with my least favorite narrative cliche in the history of humanity. Yet, far too many films seem to think it works. This film may be fun for many, but it justNo film with those lines of dialogue could actually be good. Working Girl does not buck the trends and is a cookie cutter romance with my least favorite narrative cliche in the history of humanity. Yet, far too many films seem to think it works. This film may be fun for many, but it just aggravated me to no end and made me desperate to shut it off. The film is incredibly well-written, even if it is cliche ridden and director Mike Nichols allows the film to successfully follow cliches, always remaining relatively palatable in the face of its annoying plot conventions. Oh and of course the bad dialogue that clearly served as inspiration for Melanie Griffith's daughter Dakota Johnson to say the bad dialogue in Fifty Shades of Grey with confidence because, hell, her mom got an Oscar nomination for the same lines.
Featuring a woman beat down by the system, Tess McGill (Griffith), her goofy friend Cynthia (Joan Cusack), and her **** boss Katharine Parker (Sigourney Weaver), the film's plot is kicked off when Katharine breaks her leg. Having previously pitched an idea to Katharine regarding a possible merger path for a client of their investment firm, Tess - a lowly secretary - learns that Katharine planned to steal the idea and send it off to boyfriend Jack Trainer (Harrison Ford) to bring it home. Well, Tess decides to pose as a tried and true professional in the mergers and acquisitions game, falls in love with Jack, and hides her lies from everybody with the help of Cynthia. You will never guess what happens in the middle though. She almost tells Jack the truth! In the midst of telling him (leading off with, "I have to tell you something"), he gets a phone call to distract him, and then he turns to her and says, "What did you want to tell me?" Later, he learns when Katharine bursts into the big merger meeting where Tess' deal is set to go through and is initially hurt, but quickly gets over it and loves her anyways. Even better, the big client - after Katharine fires Tess - offers Tess a job and gets Katharine fired for stealing the idea from Tess. Is this not just the most upliftingly original plot you have ever heard? No spoiler tags either. I implore you read that past paragraph because it does not spoil anything. If you have seen any romantic comedy, you have seen this plot play out before. It is a shame to see Nichols stuck with such annoyingly derivative material.
That said, he does well with it. Thanks to Harrison Ford and Melanie Griffith, Working Girl nearly comes off. Joan Cusack is annoying here as a loud obnoxious cliche, but all the same, the film nearly gets home. It is quite cute and the ending underscores that when Jack and Tess finally get to be together with no lies between them. But, man did I wish I had read a plot summary beforehand. I will never like a film with this plot. Hell, I hated Some Like It Hot - a classic - for the very same reason. These films where a character misrepresents who they are just leave me agitated and waiting for the same cliched plot to play out where they get exposed, get some egg on their face, but then the people they hid it from do not really care in the end. It is a plot with no tension because it has been played out so much, so it befuddles me to no end to see it constantly played out.
That said, Nichols does write the film quite well. It is cliched throughout, but it does hit all the cliches. The fact it almost works shows that the cliches have some merit, even if it worn out. It is a perfect example of this kind of film, so it is no surprise to see it well received critically. It is a film that is cliche ridden, but has so much bubbly energy from its leads that it masks many of these cliches and, where it does not, the cliches hit sweet notes, though familiar.
Working Girl may be a good film. It did receive a Best Picture nomination. But, its cliched plot is one that simply is not up my alley. It just causes me unnecessary aggravation due to the tediously nature of this particular set of cliches and the prototypical story that ensues. That said, the film does embody the cliches perfectly and for those that enjoy this type of storyline, it will appeal greatly. The acting, particularly from Griffith, is quite good and rise above the derivative material and corny dialogue.… Expand
Broyax
Comédie sympatoche pendant un certain temps, le temps de rigoler devant ces coiffures et ces tenues "années 80" et le temps également d'apprécier tout de même Mélanie qui nous incarne une grande cruche bien nunuche de toute beauté ! elle est tellement conne qu'on dirait la femme de FrançoisComédie sympatoche pendant un certain temps, le temps de rigoler devant ces coiffures et ces tenues "années 80" et le temps également d'apprécier tout de même Mélanie qui nous incarne une grande cruche bien nunuche de toute beauté ! elle est tellement conne qu'on dirait la femme de François Pignon.
Le temps d'apprécier (aussi et surtout) une autre grande, Miss Alien Sigourney en personne, très à l'aise dans le "mauvais" rôle de la "méchante manipulatrice" de service ! elle est excellente à dire vrai, quel dommage de saborder son rôle et de le réduire à une vilaine satire (plus ou moins involontaire d'ailleurs) !...
Puis Harrison qui ne déboule qu'au bout d'une très grosse demi-heure vient nous jouer le sensible bellâtre (de service lui aussi) et là, force est de constater qu'il est presque aussi ridicule que Mélanie !
De toute façon, passée sa première moitié le temps de la curiosité bienveillante est passé... le film s'enlise sévèrement jusqu'aux ongles (très vernis) de ces dames et pédale dans la semoule comme un vieux hamster cardiaque sous Prozac. Avec en point d'orgue final la grosse morale bien niaise que l'on croirait tout droit sortie d'un épisode de Candy. On aura tout vu !… Expand
Working Girl is essentially a 1988 comedy, drama romance type of film but as far as I'm concerned isn't very funny if at all. Tess McGill (Melanie Griffith) is some secretary for some lady boss named Katherine Parker played by Sigourney Weaver but when she has a skiing accident and breaksWorking Girl is essentially a 1988 comedy, drama romance type of film but as far as I'm concerned isn't very funny if at all. Tess McGill (Melanie Griffith) is some secretary for some lady boss named Katherine Parker played by Sigourney Weaver but when she has a skiing accident and breaks her leg and ends up in hospital Tess McGill (Griffith) is forced to take over after receiving a phonecall from hospital and talking to a hospitalised Katherine Parker (Sigourney Weaver). She has a meeting or two with some businessman named Jack Trainer (Harrison Ford) and some romance but when Sigourney Weaver is released from hospital she wants to put an end to Tess McGill's cushty existence and says she's lying about this and that and blah, blah, blah and even gatecrashes a meeting at the end of the film to disrupt a important meeting between Harrison Ford and Melanie Griffith. This film has romance, nudity, bad language, sex scenes, nudity and the odd silly song or musical score thrown in with cheating husbands such as Alec Baldwin, a laughable and short appearance by Kevin Spacey and Oliver Platt makes an appearance.. Most of the film is pure nonsense, meetings, drivel between Harrison Ford and Melanie Griffith and the other characters and feels nice at times and horrible at others.… Expand
Every Harrison Ford Movie, Ranked
We rank every Harrison Ford movie by Metascore from worst to best.
Film Friday (7/20): This Week's New Movie Trailers
Watch all of this week's new film trailers, including new looks at...
DVD/Blu-ray Release Calendar: January 2015
Find a complete guide to TV and movie titles heading to Blu-ray and DVD...
Six Picks for the Week of November 8-14
The upcoming week sees the return of Conan O'Brien to late night, a...
Current Movie Releases
1 85 West Side Story
2 76 Encanto
3 76 King Richard
4 75 Belfast
5 71 Spider-Man: No Way Home
More From Working Girl
Working Girl: Closed Meeting
Working Girl: One Drink
SEE ALL TRAILERS


text:
Кузнецо́в (женская форма — ) — одна из самых распространённых русских фамилий, а также название и топоним:

 Носители фамилии
 А

 Кузнецов, Альвиан Александрович (1929—1998) — советский хоккеист с мячом.

 Кузнецов, Аполлон Александрович (1892—1960) — советский военно-морской деятель, контр-адмирал.
 Кузнецов, Арсений Петрович (1901—1943) — инженер.
 Кузнецов, Артём Александрович (род. 1987) — российский конькобежец.

 Б

 Кузнецов, Бронислав Иванович (1931—1985) — востоковед, тибетолог.

 В
 Кузнецов, Вавила Алексеевич (1829—?) — русский военный деятель, генерал-лейтенант.

 Кузнецов, Виллор Петрович (1934—2013) — советский и российский актёр.

 Кузнецов, Владлен Николаевич (1931—2014) — советский и украинский кинодраматург, сценарист, журналист.

 Г
 Кузнецов, Гарольд Дмитриевич (1923—1958) — советский лётчик.

 Кузнецов, Герард Алексеевич (1925—2020) — краевед.
 Кузнецов, Герман Серапионович (род. 1948) — вице-президент Киргизской ССР.
 Кузнецов, Глеб Александрович (1924—1973) — военный дирижёр, подполковник.

 Д
 Кузнецов, Даниил Андреевич (род. 2003) — российский футболист.
 Кузнецов, Данил Станиславович (род. 1999) — казахстанский футболист.

 Е

 Кузнецов, Евграф Сергеевич — советский учёный, доктор физико-математических наук, профессор.

 Кузнецов, Епифаний Андреевич (Ефрем (Кузнецов); 1875—1918) — епископ Селенгинский, викарий Забайкальской епархии.
 Кузнецов, Ефим Андреевич (1783—1850) — русский купец и меценат.
 Кузнецов, Ефрем Александрович (1892—1976) — геолог.

 И

 Кузнецов, Иннокентий Васильевич (1914—1996) — Герой Советского Союза.
 Кузнецов, Ион Ефимович (1912—1970) — советский шахтёр, Герой Социалистического Труда.
 Кузнецов, Иосиф Матвеевич (1915 — после 1985) — советский военный, государственный и политический деятель, вице-адмирал.
 Кузнецов, Исай Константинович (1916—2010) — советский драматург и сценарист, писатель, педагог.

 К

 Кузнецов, Климентий Платонович (1911—1976) — полный кавалер ордена Славы.

 Кузнецов, Корнилий Тимофеевич (1852—1918) — полковник, командир 3-го Оренбургского казачьего запасного полка, кавалер семи орденов.
 Кузнецов, Ксанфий Андреевич (1913—1984) — российско-украинский скульптор.
 Кузнецов, Кузьма Дмитриевич (1900—1953) — советский промышленный деятель, директор авиационных заводов в Казани и Комсомольске-на-Амуре.

 Л

 Кузнецов, Леонтий Васильевич (род. 1938) — военачальник.

 М

 Кузнецов, Марк Петрович (1908—1986) — участник Великой Отечественной войны, полный кавалер ордена Славы.
 Кузнецов, Матвей Сидорович (1846—1911) — промышленник и предприниматель.

 Н
 Кузнецов, Никита Александрович (род. 1982) — российский биохимик.

 О

 П

 Кузнецов, Побиск Георгиевич (1924—2000) — учёный, Генеральный конструктор СССР.
 Кузнецов, Поликарп Ефимович (1904—1944) — советский военачальник.

 Р

 С
 Кузнецов, Святослав Петрович (1930—1992) — артист балета, балетмейстер и педагог.

 Кузнецов, Стефан Кирович (1854—1913) — русский историк, археолог и этнограф, педагог.

 Т
 Кузнецов, Тихон Петрович (1899—1968) — Герой Советского Союза.
 Кузнецов, Трофим (1885—1919) — иерей, святой Русской православной церкви.

 Ф

 Э

 Кузнецов, Эраст Давыдович (род. 1933) — учёный, искусствовед, редактор.
 Кузнецов, Эфраим Еремеевич (1913—1987) — участник Великой Отечественной войны, дважды за разные подвиги представлялся к званию Героя Советского Союза.

 Ю
 Кузнецов, Юлий Андреевич (род. 2003) — белорусский футболист.

 Я

 Кузнецов, Ярослав Владимирович (род. 1988) — киберспортсмен, игрок в DotA.

 Двойная фамилия
 Кузнецов-Вечеслов, Андрей Святославович (род. 1951) — балетмейстер, актёр, режиссёр и сценарист.
 Кузнецов-Жепинский, Егор Григорьевич (1725—1805) — русский изобретатель.
 Кузнецов-Красноярский, Иннокентий Петрович (1851—1917) — сибирский археолог, этнограф и историк.

 Топоним
 Кузнецов — хутор в Иловлинском районе Волгоградской области.
 Боец Кузнецов — посёлок сельского типа в Партизанском районе Приморского края.

 Другое
 (2233) Кузнецов — астероид главного пояса, найденный 3 декабря 1972 года советским астрономом Л. В. Журавлёвой.
 «Кузнецов» — машиностроительная компания (до 2010 года — «Моторостроитель»).
 «Адмирал Кузнецов» — российский авианесущий крейсер, спущенный на воду в 1985 году.
 «Адмирал Кузнецов» — военно-морская медаль Министерства обороны Российской Федерации.

 См. также

 Кузнецовск

 Новокузнецово
 Новокузнецов
 Проспект Кузнецова
 Старокузнецов
 Старокузнецовский

 Примечания

redpajama_set_name: RedPajamaWikipedia


text:
<!DOCTYPE html>

    <meta charset="UTF-8">
    <title>OpenSeaDragon Image Detail</title>

redpajama_set_name: RedPajamaGithub


A luxury Bed & Breakfast in North Norfolk.
The Barns at Thorpe Market offer high quality accommodation in a converted 18th Century brick and flint barn.
All rooms are elegantly furnished and decorated to a high standard with en suite bathrooms and are located in a private courtyard.
Thorpe Market is a picturesque Village in North Norfolk. Ideally located just a short drive from the Coast, the Norfolk Broads, National Trust properties and Nature Reserves. It's an ideal base for both cyclists and walkers to explore the area.
Thousands of rhododendrons and azaleas in this coastal parkland, will be in spectacular full boom for the next few weeks.
the bluebells in their wild splendour!
We are known for our amazing breakfasts to help kick start your day.
We use local produce where possible and support local businesses to get the freshest high quality ingredients.
Breakfast is served in our beautiful vaulted dining room.
We live in the adjoining Threshing Barn and look forward to giving you a personal welcome, sharing our local knowledge and ensuring that your stay with us is a happy and memorable one.
The Barns is a lovely cosy place to stay. The owners go out of their way to make your stay great. The room was beautiful, nice and warm on arrival. The breakfast was excellent, beautiful tasty fresh ingredients, served in front of the roaring fire in the cosy dining room. The large bed was very comfortable and a lovely bathroom. The homemade cup cakes in the room were a lovely touch. Would not hesitate to stay here again.
We wanted a quiet B & B near Cromer to meet up with family and never thought for one second I would find such a fantastic and beautiful accommodation.
Booking was so easy and Amanda was really helpful.
The accommodation was large and very tastefully decorated; everywhere was lovely and clean and the cupcakes were AWESOME and such a lovely and welcoming touch.
Lovely stay, good location, great hosts would recommend to others.
Join the conversation online! Follow The Barns.


In July of 1870, King Wilhelm sent Foreign Minister Bismarck an account of his meeting with a French envoy who had demanded that the king renounce any Hohenzollern claim to the Spanish throne.
Bismarck edited the report to make it appear the Frenchman had insulted the king, and that Wilhelm rudely dismissed him. The Ems Telegram precipitated the Franco-Prussian war Bismarck wanted.
Words matter. And if a picture is worth a thousand words, how much greater impact can a motion picture have? We are finding out.
The depiction of enslaved Jews building the pyramids and Moses parting the Red Sea to enable the Jews to flee and drown the Egyptian army is false, says Asfour. Historians date the pyramids to around 2540 B.C., 500 years before Abraham, the father of Judaism.
Paramount's "Noah" was banned in Egypt, Indonesia and Malaysia, for taking liberties with the Quran.
Islamabad is in an uproar over the Showtime series, "Homeland," where Pakistani intelligence services are portrayed as colluding with Islamists trying to kill ex-CIA director Saul Berenson and station chief Carrie Mathison. In the season's final episodes, the U.S. cuts ties to Pakistan and closes the embassy.
The 2014 "Homeland" finale was aired just after 140 Pakistani school kids were massacred in Peshawar by the Taliban.
Angrier than Egypt or Pakistan is North Korea over Sony's "The Interview." Why would a film company owned by the Japanese, who are not beloved in Korea, think it would be a great fun to make a comedy out of a CIA plot to assassinate North Korea's head of state?
The North Koreans are serious people. They massacred half of the South Korean cabinet in the Rangoon bombing.
They have brought down airliners and sunk warships without warning. They have plotted to assassinate South Korea's president.
Their megalomaniac ruler, Kim Jong-Un, just had his uncle-mentor executed, along with his family. Kim has atom bombs and seeks to miniaturize them to put atop missiles able to reach the United States.
He is the most erratic and dangerous ruler on the planet and this assassination-comedy is just the thing to set him off.
In retaliation for "The Interview," North Korea, says the FBI, hacked into Sony's computers, published confidential emails and threatened retaliation against any who showed the film.
The North has repeatedly denied it hacked into Sony. But it now appears the U.S. has retaliated by disrupting Internet service in North Korea, much to the cheers of the War Party, which wants President Obama to put the Hermit Kingdom back on the list of state sponsors of terror.
North Korea is now using racial slurs to describe Obama.
There is an aspect of reckless immaturity here.
While the Wall Street Journal thinks it would be fun to send DVDs of "The Interview" by balloon into the North, the Washington Post says possession of the film there would be regarded as treasonous, and could bring a death sentence.
No one denies Sony the right to produce a comedy about blowing up Kim Jong Un. Nor was anyone denying theaters or Internet sites the right to show it. What Sony seemed to want was to produce a movie that made the assassination of a dictator appear hilarious, but to be exempt from any consequences.
But we live in a world today where if you produce cartoons of the Prophet with a bomb for a turban, or disparage Islam in videos, books or movies, you can get yourself and others killed.
Dutch filmmaker Theo Van Gogh was butchered in Amsterdam by an enraged Muslim for "Submission," a 10-minute film that excoriated Islam's treatment of women.
In this weekend's Washington Post, Joe Califano, a confidant of President Johnson, writes of how the new film "Selma" demeans LBJ's crucial role in enacting the Voting Rights Act of 1965.
To enrich itself, Hollywood is playing games with religious beliefs and historical truths — and making enemies, not all of whom believe in turning the other cheek.


text:
§27-535 Safe Areas
NYC 1968 Code (Vol I) > 8 Places of Assembly > 2 Basic Requirements > §27-535 Safe Areas
Safe areas shall comply with the following:
When provided to serve class one or class two exit openings safe areas shall be separated from assembly spaces by noncombustible construction having a two hour fire-resistance rating, and shall serve as transition areas in the line and direction of exit travel. They shall serve for normal entry to the assembly space and may be used as corridors, lobbies, or lounges. No room or space classified in occupancy group A, B-1, D-1, or D-2 shall open upon a safe area. Safe areas shall be at a level not more than six feet above or below the level at which egress is made from the assembly space, except that a separate safe area shall not be required for any assembly space having an occupant load of less than one hundred fifty persons and which is served by a safe area of another assembly space, when such safe area is in the direction of egress. Ventilating systems for safe areas shall not be connected to systems serving any other spaces, unless separated from such systems by fire dampers actuated by smoke detectors meeting the construction requirements of subchapter thirteen of this chapter.
(1) COLLECTING SAFE AREAS. Places of assembly having more than one assembly space may have a collecting safe area that receives the occupant load discharged into it by other safe areas. Collecting safe areas shall be located within six feet above or below the assembly space nearest to grade.
(2) OCCUPANT LOAD. The occupant load of a safe area shall be the aggregate occupant load of all exit openings discharging directly into it. The occupant load of a collecting safe area shall be the aggregate occupant load of all exit openings discharging directly into it, plus fifty per cent of the occupant load of other safe areas discharging into it.
(3) DIMENSIONS. Except as provided in subdivision four of this section, the clear unobstructed floor area of each safe area shall be sufficient to accommodate the total occupant load of the safe area on the basis of two square feet per person, not including space occupied by furniture or equipment. The minimum dimension of such unobstructed space shall be eight feet. The width of the unobstructed space shall be measured at right angles to the direction of travel to an exit and shall not be less than required for the occupant load, on the basis of the exit capacity listed in table 8-1. The height of safe areas shall be at least eight feet at all points.
(4) SAFE AREAS NEAR GRADE. When a safe area provides egress to an open exterior space, either directly or through a vestibule, the safe area need not provide the floor area required by subdivision three of this section when the level of discharge from the safe area to the open exterior space is not more than four feet above or below the grade of the open exterior space.
(5) RAMPS AND STEPS. Ramps in safe areas shall have a gradient of not more than one in twelve, except that when not exceeding six feet in length, the gradient may be not greater than one in ten. Steps in safe areas shall comply with the following requirements:
a. No riser shall be less than six inches nor more than seven and one-half inches high.
b. No riser shall vary in height from the riser immediately above or below it.
c. Treads in flights of steps shall be at least ten and one-half inches wide exclusive of nosing, and, except as provided in paragraph d of this subdivision, the sum of two risers plus the width of one tread shall be at least twenty-four inches but not more than twenty-five and one-half inches.
d. No change in levels shall have less than three risers, except that where the intervening tread is between twenty-eight inches and thirty-six inches, two risers may be used when the edge of each tread is marked by a contrasting color stripe.
e. Where exit openings from an assembly space are above or below the level of the safe area, a platform shall be provided at the same level as that of the exit opening. The platform shall be at least one foot wider on each side than the exit opening, and shall extend a minimum of six feet in the direction of exit travel. The sides of such platforms, and of steps or ramps leading from them, shall be protected by guards at least three feet high.
(6) EXITS FROM SAFE AREAS. The capacity of exits from safe areas shall be as listed in table 8-1. Exit openings from safe areas shall discharge into exit types as provided in subchapter six of this chapter.
(7) DOOR HARDWARE. Doors from safe areas or from exits from safe areas opening directly to the outdoors and furnished with locks shall be equipped with fire exit bolts complying with the requirements of paragraph two of subdivision (k) of section 27-371 of subchapter six of this chapter.
1024.17.3 Means of Egress, Safe Areas
The capacity of exits from safe areas shall be provided for all occupants of the safe area. Safe areas shall comply with the following requirements ...
NYC Building Code 2008 > 10 Means of Egress > 1024 Assembly > 1024.17 Places of Assembly With an Occupant Load of Less Than 12 Square Feet Per Person > 1024.17.3 Safe Areas
§27-535 Places of Assembly, Safe Areas
Safe areas shall comply with the following: When provided to serve class one or class two exit openings safe areas shall be separated from assembly ...
1024.17 Means of Egress, Places of Assembly With an Occupant Load of Less Than 12 Square Feet Per Person
entry to the assembly space, and that open directly to a safe area or to an open exterior space. 2. Class 2—Exit openings ...
NYC Building Code 2008 > 10 Means of Egress > 1024 Assembly > 1024.17 Places of Assembly With an Occupant Load of Less Than 12 Square Feet Per Person
§27-540 Places of Assembly, Exit Lighting
In addition to the requirements of subchapter six of this chapter, lighting shall be provided in the following areas: (a) Safe areas. Safe areas ...
NYC 1968 Code (Vol I) > 8 Places of Assembly > 2 Basic Requirements > §27-540 Exit Lighting


Ball Mill -China Henan Zhengzhou Mining Machinery . Liner of ball mill is made of high-quality wear resistant material with high strength, wear resistance chemical, power plant, aluminum ,building material, glass, ceramic, steel slag and fly ash, ect.
Yaang (Yaang Pipe Industry Co., Limited.) is a professional organizer and one - stop - shop supplier for stainless steel tubes, pipe fittings, flanges, and stud bolts etc. in China. We have devoted to providing the best solutions of stainless materials and industrial equipment for our respected customers.
High quality of raw materials is used in manufacturing these pipe fittings. These Stainless Steel 309 Grade UNS S30900 Tubes are offered in varied shapes and sizes and is appreciated for its durability and toughness.
High quality Textured of 3K twill weave real carbon fiber. Wet lay carbon;. We will assist you in any way possible and aim to answer. we will replace a new one. in good condition before dispatch.
Stainless Steel Welded Pipe, You can Buy good quality Stainless Steel Welded Pipe , we are Stainless Steel Welded Pipe distributor & Stainless Steel Welded Pipe manufacturer from China market.
High Quality Pipe Fittings Stainless Steel Elbows. Get the high competitive factory price, meet the high quality China mould manufacturers and factories like Tianjin Te Feng Steel Tube Co., Ltd. on themouldinfo.
Powerful motor, high-quality materials, outstanding ergonomics – the FEIN Super Cut Construction is the most powerful system for interior and renovation applications. It's fast, strong, versatile and, of course, durable.


text:
package kafka

import (
	"github.com/Shopify/sarama"
	"github.com/hyperledger/fabric/common/flogging"
	localconfig "github.com/hyperledger/fabric/orderer/common/localconfig"
	"github.com/hyperledger/fabric/orderer/consensus"
	cb "github.com/hyperledger/fabric/protos/common"
	logging "github.com/op/go-logging"
)

const pkgLogID = "orderer/kafka"

var logger *logging.Logger

func init() {
	logger = flogging.MustGetLogger(pkgLogID)
}

// New creates a Kafka-based consenter. Called by orderer's main.go.
func New(tlsConfig localconfig.TLS, retryOptions localconfig.Retry, kafkaVersion sarama.KafkaVersion) consensus.Consenter {
	brokerConfig := newBrokerConfig(tlsConfig, retryOptions, kafkaVersion, defaultPartition)
	return &consenterImpl{
		brokerConfigVal: brokerConfig,
		tlsConfigVal:    tlsConfig,
		retryOptionsVal: retryOptions,
		kafkaVersionVal: kafkaVersion}
}

// consenterImpl holds the implementation of type that satisfies the
// consensus.Consenter interface --as the HandleChain contract requires-- and
// the commonConsenter one.
type consenterImpl struct {
	brokerConfigVal *sarama.Config
	tlsConfigVal    localconfig.TLS
	retryOptionsVal localconfig.Retry
	kafkaVersionVal sarama.KafkaVersion
}

// HandleChain creates/returns a reference to a consensus.Chain object for the
// given set of support resources. Implements the consensus.Consenter
// interface. Called by consensus.newChainSupport(), which is itself called by
// multichannel.NewManagerImpl() when ranging over the ledgerFactory's
// existingChains.
func (consenter *consenterImpl) HandleChain(support consensus.ConsenterSupport, metadata *cb.Metadata) (consensus.Chain, error) {
	lastOffsetPersisted := getLastOffsetPersisted(metadata.Value, support.ChainID())
	return newChain(consenter, support, lastOffsetPersisted)
}

// commonConsenter allows us to retrieve the configuration options set on the
// consenter object. These will be common across all chain objects derived by
// this consenter. They are set using using local configuration settings. This
// interface is satisfied by consenterImpl.
type commonConsenter interface {
	brokerConfig() *sarama.Config
	retryOptions() localconfig.Retry
}

func (consenter *consenterImpl) brokerConfig() *sarama.Config {
	return consenter.brokerConfigVal
}

func (consenter *consenterImpl) retryOptions() localconfig.Retry {
	return consenter.retryOptionsVal
}

// closeable allows the shut down of the calling resource.
type closeable interface {
	close() error
}