(a) the words 'we', 'us' or 'our' mean Reed Digital, including any other person or company acting as an authorised representative or lawful agent of Reed Digital.
(e) 'electronic file' means any text, illustration or other matter supplied or produced by either you or us in digital form on disk, via the internet or any other communication link.
2.1 This agreement supersedes all understandings or prior agreements, whether written or oral, and all representations or other communications that may have been made between you and us.
2.2 If you place an order for us to provide goods or services to you, then these terms and conditions apply to your order and to the contract that is made between you and us. These terms and conditions represent a complete and exclusive statement of any agreement between you and us.
2.4 Nothing in any marketing or advertising material that we may issue from time to time is intended to form a contractual offer or to be incorporated in these terms and conditions and must be disregarded in its entirety.
2.5 The terms and conditions are written in plain and easy- to-understand English and should be read using the ordinary everyday meaning. They must not be construed in any way so as to try and give a word, a phrase or expression a different meaning to the ordinary everyday meaning.
2.6 Our agreement in no way confers on any third party the right to enforce any of the terms of this agreement in accordance with the Contracts (Right of Third Parties) Act 1999.
2.7 All clauses, sub-clauses and identifiable parts of our agreement are severable. If any clause, sub-clause or identifiable part is held to be unenforceable by a court of law, then such unenforceability shall not affect the enforceability of the remaining provisions or identifiable parts in our agreement.
2.8 Our agreement, contracts between us and any orders placed by you shall be made in, governed by, and construed in accordance with the Law of England. You also agree to submit to the exclusive jurisdiction of the English courts.
2.9 All references in these terms and conditions to various Acts of Parliament or Regulations refer to Acts and Regulations of the United Kingdom Parliament.
3.1 A separate legally binding contract shall exist each time that you place an order with us and we have notified you of our acceptance of that order. No contract exists between you and us until we notify you that we have accepted your order.
3.2 The placement of an order by you with us constitutes a contractual offer, and a legally binding contract shall exist only when we have notified you of our acceptance of that offer.
3.3 If we have sent you (or have attempted to send you) notification of our acceptance of your offer and that notification has not been received by you, then our starting work on your order (or purchasing materials for your order) shall constitute acceptance of your offer by conduct.
3.4 If we have received pre-payment from you (either in whole or in part) or have processed a pre-payment instruction for you (for example, by taking the pre-payment from your debit or credit card account), then that pre-payment does not constitute the acceptance of an order. A contract only exists between us when we have notified you that we have accepted your order.
3.5 If we send you acknowledgement that we have received your order (your contractual offer), then this acknowledgement does not constitute our acceptance of your offer.
3.6 Orders placed by you and accepted by us for the supply of products and/or services to you shall only be done so in accordance with these terms and conditions and to the exclusion of all other agreements (including any agreement that we may have had with you before now).
3.7 You acknowledge that whenever you place an order that these terms and conditions (including any variations to them) as published on our website shall apply to that order.
3.8 You also acknowledge that any inability by you to access our website before placing any order does not in any way render these terms and conditions invalid, either in whole or in part.
3.9 For the avoidance of any doubt, you should view the latest published copy of these terms and conditions on our website before you place any order with us. If you are unsatisfied with these terms and conditions, then you should not place an order with us.
3.10 If you are unable to view the latest published copy of these terms and conditions on our website then, on request and before placing an order, we will provide you with a complete printed or electronic copy.
3.11 We have taken care to ensure that our website(s) (including any help pages) and these terms and conditions do not contradict each other. However, if there are any inconsistencies or contradictions then these terms and conditions shall apply instead of any contradictory or inconsistent part of our website.
3.12 We are not obliged to accept any order that you place with us.
3.13 If you have made a pre-payment and we do not accept your order, then we will refund the amount of the pre-payment as soon as it is reasonably practicable. However, if there are any amounts overdue and payable by you relating to other orders then we may use the amount of any such pre-payment t reduce your other liabilities towards us.
4.1 We may make changes or variations to these terms and conditions from time to time at our sole discretion and we do not need your express consent to do so.
4.2 We shall publish these terms and conditions on our website, together with any changes or variations that are made to them from time to time. We do not need to notify you of any changes or variations in writing.
4.3 Any changes or variations will apply to any orders that you place after the time that we update the terms and conditions on our website. The changes will not apply to any order that you place before we make the changes on our website.
4.4 Any proposed alternative terms or a proposal to vary these terms in any form submitted by you (for example, on your purchase order or in any special instructions accompanying to an order) shall not be valid, nor shall any action by us (including the acceptance of an order purporting to be in accordance with any other terms or conditions) be construed as meaning that any alternative terms or conditions have been accepted.
4.5 Any handwritten or typed amendments (or any other defacement) to any terms do not form part of our agreement nor an amendment to them and are to be disregarded in their entirety.
7.1 All estimates given and orders accepted will be on a basis that excludes Value Added Tax (VAT) and any other taxes, duties or royalties etc. if any such tax, duty or royalty becomes payable on the sales price, we shall have the right to charge that amount.
7.2 For the avoidance of doubt, the agreed price of any order shall be the VAT-exclusive amount, and any change to the applicable amount of VAT during the performance of our contract shall be payable by you.
8.1 payment shall become due on the completion of work and before delivery or collection of the work is made.
9.1 Title on any goods supplied shall only pass to you when paid for in full (taking into account Value Added Tax and any interest relating to late payment) and when all other debts owing to us have been discharged.
10.1 It is your sole responsibility to ensure that the specification or description of the product or service that you are ordering is correct and will meet your requirements. We are not responsible for checking whether or not the product or service that you have asked us to supply is suitable for your own purposes or for the purposes for which you intend to use it.
10.2 Any advice or recommendations that we may give you do not form part of any contractual offer or contractual negotiation and as such are not legally binding on us. In no way can any advice or recommendation be regarded as a misrepresentation if that advice or recommendation is inaccurate or incomplete.
12.1 You must ensure that digital art work supplied to us is a high resolution PDF, suitable for its intended purpose and in accordance with any specification that we may have published or notified to you.
12.2 You must also ensure that computer files and digital art work supplied to us for the use in the production of artwork and/or printed work are suitable for the purpose for which they are intended, and that you 'pre-flight' and thoroughly check those files to ensure their suitability and completeness. Your lack of knowledge of file types and file formats etc is not sufficient reason for supplying computer files which are not suitable for the purpose intended.
12.3 We are not responsible for checking the accuracy of supplied input from an electronic file unless otherwise agreed in writing.
12.4 We may charge you for any additional work which we deem necessary where copy, artwork or files are not suitable for the purpose intended, whether supplied to us directly by you or by a third party on your behalf. We shall, however, give you the option of correctly re-supplying those copy, artwork or files before performing any chargeable work on the original copy, artwork or files.
12.5 If an electronic file is not suitable (without adjustment or other corrective action) for outputting on equipment that is normally adequate for such purposes, we may make an additional charge for any resulting additional costs incurred or may reject the file without prejudice to our right to payment for work done and/or material purchased.
12.6 You are responsible for maintaining a copy of original electronic files that you supply to us.
12.7 If you supply digital artwork to us, then you confirm and agree that you are sufficiently knowledgeable about the technical aspects of the printing and graphic arts industry and its systems, procedures, practices, processes and production methods. You have an obligation to ensure that you and your employees or agents are sufficiently knowledgeable about such matters and cannot rely on ignorance or doubt as a defence in any dispute or question that may arise.
13.1 Before you supply any digital files to us, you must take reasonable steps to ensure that those files do not contain a computer virus or viruses. This applies regardless of how you supply the files to us.
(b) no more than seven days before you supplied the files to us, the virus definitions used by your anti-virus software were updated to the latest version of those virus definitions and that those latest definitions were used to check the files that you sent to us.
13.3 The commercial anti-virus software that you use should provide protection against viruses similar to the protection afforded by Symantec's range of anti-virus software.
13.4 We will normally check your files upon their receipt to verify that they are virus-free and do not affect our computer systems. However, any failure by us to detect any virus does not in any way reduce your obligations to check files before their supply to us.
13.6 We shall not be liable for any delay in the progress of your order resulting from the supply of computer files where those files contain (or where we have a reasonable belief that those files contain) a computer virus. If a file contains (or may contain) a computer virus, then we will notify you that we are unable to use the file as supplied and you should endeavour to re-supply virus-free copies of those files to us as soon as possible.
(c) the content material in any work where that content has been created by us (this excludes artwork created by you where we merely make amendments or alterations to that artwork at your request and where those amendments or alterations are slight or incidental in nature and do not change the substance of the original design).
supplied to us by yourselves or other third party copyright holders.
14.3 We shall unconditionally license you to use, reproduce or reprint a design or work which we have undertake for you and for which we own the copyright provided that the original work has been paid for in full (taking into account Value Added Tax and any interest relating to payment) and all other debts owing to us have been discharged.
14.4 You must not use a copyrighted design or work which we have undertaken for you to produce a new work or subsequent issue (or an amended past issue) without our prior written permission.
14.5 You are responsible for obtaining all necessary authorities to reproduce pictures, photographs, artwork etc, and you shall indemnify us and our agents from any liability that may arise from any claim arising thereof.
14.6 You agree that we may use any artwork or printing produced by us, or a facsimile or copy of your work, in any promotional material that is produced with the sole intention of promoting or furthering our business. Unless you expressly request otherwise, we may include copies of such work with any promotional material that is distributed to third parties. We will not re-sell your work.
14.7 All working materials (files, disks, papers, bromides, plates, forms etc) used to create or maintain work which we have undertaken for you shall be exclusively owned by us.
(b) at any time to give our working materials (files, disks, papers, bromides, plates etc) or a copy of them to you.
14.9 All property supplied by you to us shall, while it is in our possession or is in transit to or from you or your premises, be deemed to be at your risk. This shall include property belonging to a third party which you have loaned to us. Whilst every care is taken, neither us nor our agents can accept any responsibility or liability for loss or damage to artwork, photographs, transparencies etc.
14.10 Unless we have expressly agreed that we will store your property without charge, we shall be entitled to make a reasonable charge for the storage of any of your property left with us before the receipt of the order or after notification to you of the completion of the work.
(c) ensuring that any artwork files comply with any product specifications that we publish and make available to you.
15.2 Any additional work that we are required to undertake because you have supplied inadequate copy, incomplete or incorrect instructions or insufficient materials (or the late delivery of the same to us) shall be charged in addition to any agreed price.
(b) prepared those artwork files in accordance with any specification that we may have approved, issued or otherwise communicated to you.
16.1 We shall make every effort to obtain the best possible colour reproduction on your work given the limitations of the production process.
16.2 Because of the nature of our work and the production techniques we use, your work may be printed at the same time as work printed for other clients. We therefore make our best efforts to achieve a colour reproduction standard that provides good results for a wide variety of printed work and are unable to guarantee achieving a specific colour reproduction standard on any one particular order.
16.3 You confirm and acknowledge that you are aware that colours reproduce differently on differing types of paper stock or board, on different printing presses and in differing environments (temperature, humidity etc) and agree that this is a normal part of the printing process. For example, you should not expect an exact match between the colours printed on bond paper and coated paper, nor should you expect an exact colour match to commercially available colour swatches.
16.4 we shall periodically calibrate our printing presses in accordance with manufacture of the press. Calibration, amongst other things, involves adjusting the target dot-gain so that the dot-gain on a printed sheet across the full tonal range is within a standardised tolerance as specified by the International Standard. Because of changing environmental and machine conditions (including the paper stock and inks used) it is normal that calibrations and required adjustments will change from time to time. As a consequence colour production on a particular order may not exactly match that of a previous order before a printing press was re-calibrated or adjusted. In addition, colours reproduced may not match those printed on commercially available colour swatches.
16.5 We are unable to guarantee an exact match in colour or texture between your original colour photograph, artwork, transparency or previous printed work and the final printed article because of the processes involved.
16.6 You must ensure that colour artwork submitted is suitable for the work in hand as we cannot accept any liability for unsatisfactory results caused by unsuitable or inferior artwork.
17.1 In accordance with the Sale of Goods Act 1979, any goods that we supply to you must be of 'satisfactory' quality. You shall therefore make sure that the work produced by us in general is of a standard which is acceptable to you before you enter into any contract with us.
(b) in cases where you have supplied copy, artwork or computer files which were not 'suitable for the purpose intended', we did not realise that those files were not suitable before the printing or production of the goods.
(c) in order for us to maintain low prices by avoiding frivolous claims, no claim will be made by you or accepted by us in lieu of a shortage that is not material.
18.3 If a shortage is not material then the agreed price of a particular order shall not be affected and we shall not be required to make-up that shortage.
18.4 For variations where the shortage is material but is not more than twice the percentage levels specified above, a pro-rata credit or refund may be issued or (at our discretion) we shall endeavour to supply any shortage as soon as we are reasonably able to. You shall not be entitled to any form of credit, refund or reduction in price in respect of a shortage that is more than twice the percentage levels specified above and your sole remedy is a re-print of that shortage.
18.5 Because you understand that some variation in quantity is an accepted part of the print production process, you agree that you shall make allowance for any possible shortages in any orders that you place. You also agree that if there is a shortage that is not material (in accordance with the above limits) then the actual quantity supplied will therefore be acceptable for the purpose and use for which the product is intended.
(b) reasonably ensure that the carrier, the method of carriage and how the goods are prepared or packaged for carriage are suitable such that the goods shall not be lost or damaged in normal transit.
(c) indemnify us for any loss as a result of any failure by you to take delivery when tendered (this does not affect our right where your neglect or refusal to take delivery of the goods amounts to a repudiation of the contract).
19.3 Where time is of the essence of a particular contract and we have despatched goods on time (or have attempted to deliver the goods on time) and we have been unable to make delivery because you have not fulfilled your obligations in receiving that delivery, then we shall be deemed to have fulfilled our obligations in accordance with our contract.
19.4 If you are not a consumer or you are a consumer who has entered into a non-distance contract with us, you shall ensure that the goods are adequately insured during transit, although if you so desire we will arrange such insurance with the carrier on your behalf but in doing so we will be deemed to be acting as your agent.
19.5 We shall always make our best efforts to despatch goods to the correct address. However, if we despatch goods to an incorrect address in error, we shall arrange at our expense to have those goods redirected (or collected and redelivered as the case may be). If we have offered to redirect (or collect and redeliver) those goods within a reasonable period of time, we shall be deemed to have despatched those goods on time (and in accordance with our contract) notwithstanding that the goods were despatched to an incorrect address. If you arrange any re-delivery of such goods without our express prior consent, then you shall bear the costs of that delivery and we shall in no way be responsible for any such costs incurred by you.
19.6 Unless otherwise agreed in writing, delivery will be to the kerbside at the delivery address and you are responsible for making arrangements for off-loading and for any additional transportation to a storage facility (whether at your premises or at the premises of a third party). Large orders may be palletised and you are responsible for ensuring that the pallets can be offloaded at the kerbside. Deliveries otherwise than to the kerbside at the delivery address shall be charged extra.
19.7 You are responsible for ensuring that the premises at which delivery is to be made are open during business hours or such other time as delivery is to be made. You shall pay any additional delivery charges that may be incurred if such premises are closed and delivery cannot be made when attempted.
19.8 We can only accept requests for special delivery instructions from you in writing. These may relate to one specific delivery or may be standing instructions that relate to more than one delivery that we may make to you. Any standing instructions shall remain in force until you notify us in writing that you wish to vary or withdraw those instructions. We shall not be liable for any failure to observe special delivery instructions either by us directly or by any courier that we may use to deliver the goods.
19.9 A signature of the person receiving goods is normally required at the time of delivery. Goods may only be left at the delivery address without signature provided that you have given us special delivery instructions to that effect. We shall not be responsible nor liable following delivery for goods left without signature for whatever reason, including (but not limited to) damage by weather, theft or loss of those goods.
19.10 If we are required to despatch goods, we shall not be required to label or package goods in any particular way. If goods are being despatched directly to a third party (and if you request us to do so at the time of ordering) we shall make our best efforts to send those goods in plain packaging that does not bear any identifiable reference to us. If you are onward-supplying the goods to your own customer or a third party, then you are responsible for re-packaging or re-labelling those goods according to your own specification or requirements.
19.11 If we are required to despatch goods directly to a distribution centre, fulfilment house or other third party organisation you shall ensure that you have instructed that third party organisation to accept delivery when tendered. You must also ensure that they accept delivery of those goods without regard to how those goods are packaged or labelled. We shall make our best efforts to package or label the goods according to your own instructions or specification, but we cannot accept any responsibility for any errors made in that packaging or labelling.
19.12 We may make an additional charge for any delivery involving difficult access and/or unreasonable distance from vehicular access whether or not we have agreed to deliver work other than to the kerbside at a delivery address.
(c) the goods shall be at your risk during transit.
19.14 If we are not required to deliver goods, you shall collect the goods from our premises upon notification that they are complete. We will store those goods (at your risk) for a maximum of one month, after which time they may be destroyed without further notice (you are still liable to pay for the goods notwithstanding such destruction).
19.15 In some cases, it may be necessary for us to make the goods available for collection or delivery in instalments, and you shall accept the goods in such instalments when tendered.
19.16 Should expedited delivery be agreed, we shall be entitled to make an additional charge to cover any overtime or other additional costs that we may incur.
19.17 We may make a charge in addition to the agreed or estimated price in respect of administrative and postal costs incurred if you have requested that samples of finished work are to be sent to an address other than the delivery address.
(c) be fit for purpose (but only if the intended purpose was known to us prior to the acceptance of your order and we did not dispute their suitability).
21.2 If goods that we supply to you do not conform to our contract, then you may be entitled by law to ask us to remedy the situation.
(b) in the case of non-delivery, within five working days of notification of despatch of the goods or the invoice date (whichever is the earlier).
22.2 Any claim subsequently made in respect of advice given in accordance with the preceding paragraph must be made by you in writing or electronically in a form specifically approved by us. This claim must be submitted to us within ten working days of the relevant delivery, collection or invoice date specified in the preceding paragraph. If you choose, you may give us the advice at the same time as you submit your claim provided that your claim is submitted within the timescales specified by the proceeding paragraph.
22.3 Claims regarding a service that we provide to you must be made by you either during the provision of that service (and within ten working days of the discovery of the matter that gave rise to the claim) or no later than ten working days after that service had been completed.
22.4 Claims regarding an invoice must be made by you within ten working days of invoice date.
22.5 All other claims must be made within ten working days of the delivery date, collection date or invoice date (whichever is later).
22.6 You agree and understand that the above timescales within which you must give us advice or submit a claim are reasonable.
22.7 Claims regarding the durability of a product may be made outside of the timescales stated above and shall be within timescales as permitted by law.
23.1 Where we perform our obligations to rectify defective work, we shall not be liable for any loss (whether actual, consequential, direct or indirect) or third party claims occasioned by the defective work or arising from delay in the performance of any order or of finished goods in transit (howsoever caused). Furthermore, you shall not be entitled to any further claim in respect of the work nor shall you be entitled to repudiate the contract, refuse to pay for the work or to cancel further deliveries.
23.2 Our liability (if any) to you in respect of any particular order shall be limited to crediting its value against any invoice raised in respect of the work or refunding any monies that you have paid to us in respect of that order (whichever is the lower).
23.3 We shall not be liable for any loss (whether actual, consequential, direct or indirect) or third party claims arising from delay in the performance of any order or of finished goods in transit, whether as a result of our negligence or otherwise.
23.4 If you have partially enjoyed any benefit from any goods or services received from us, then our liability in any matter shall be proportionately reduced to reflect the degree of benefit that you have enjoyed.
23.5 Our employees are not permitted to express any opinion as to our liability in any matter or to accept any liability. You agree and understand that an admission or opinion as to our liability in any matter is only valid if it is made in writing and is signed (or carries the name if that notice is given electronically) by one of our directors. Any other verbal or written communication that purports to accept liability is not valid and any offer is made strictly without prejudice to any rights or remedies that we may have.
23.6 Nothing in these terms and conditions shall exclude our liability for death or personal injury as a result of our negligence.
24.2 You shall indemnify us in respect of any claims, costs and expenses arising out of any libellous matter or any infringement of copyright, patent, design or of any other proprietary rights contained in any material printed, or work undertaken, for you. The indemnity shall extend to any amounts paid on a lawyer or solicitor's advice in settlement of any claim.
25.1 We shall not append our imprint to any artwork if you have supplied that artwork digitally in its final form unless we have given you prior notice in writing.
25.2 If we undertake artwork or origination of work for you, we may append our imprint to any work unless you specifically request otherwise. This imprint shall be clearly shown on any proofs submitted to you.
25.3 If any work is required by law to carry the imprint of the printer it shall be for you to make sure that any regulations or requirements are properly and fully met. You shall indemnify us for any failure to notify us of this obligation.
26.1 We shall be under no liability if we are unable to carry out any provision of a contract for any reason beyond our control, including (without limiting the foregoing): Acts of God, legislation, war, fire, flood, drought, failure of power supply, mechanical breakdown, lock-out, strike or other action taken by employees in contemplation of furtherance of a dispute, an inability to procure materials required for the performance of the contract, or inadequacy or unsuitability of any instructions, electronic file or other data or materials supplied by you.
26.2 During the continuance of such a contingency, you may by written notice elect to terminate the contract but you shall pay for work done and materials used or specifically purchased, but subject thereto shall otherwise accept delivery if an when available.
(d) being an individual, partnership or unincorporated body, you commit an act on bankruptcy or have a bankruptcy petition issued against you.
27.2 If you have become insolvent, without prejudice to other remedies we shall have the right not to proceed further with your order and be entitled to charge for work already carried out (whether completed or not) and materials purchased for you. This charge shall be an immediate debt due to us.
27.3 If you become insolvent, all amounts outstanding shall become immediately due for payment.
27.4 If you become insolvent, we may take any goods back and, if necessary, enter your premises to do so or to inspect and/or label the goods so as to identify them clearly.
28.1 Without prejudice to other remedies, we shall have a general lien in respect of all unpaid debts owing by you on all goods and property belonging to you (including items that you have provided to us) that are in our possession (whether worked on or not). We shall be entitled on the expiration of 14 days' notice to dispose of such goods or property as your agent in such manner and at such price as we think fit and to apply the proceeds towards such debts. When accounting to you for any balance remaining, we shall be discharged from all liability in respect of such goods or property.
29.1 We may hold, store and use information about you in accordance with the Data Protection Act and we may share the information that we hold about you with other group companies.
29.2 We may contact you by mail, fax, telephone or e-mail to inform you of products, offers or promotions that may be of interest to you, or to assist us in ensuring your complete satisfaction with the service we provide.
29.3 You may notify us at any time if you do not wish us to contact you in this way or to share your details with other group companies.
29.4 We may also pass your information to other third parties who may wish to contact you by mail, fax, telephone or e-mail to inform you of products or services that they offer only if you have given your prior consent (either written or electronic) for us to do so.
29.5 We may supply personal information about you to a credit reference agency to assess your creditworthiness, whether or not you have applied for credit facilities.
29.6 If you are a print reseller and you are in breach of contract or you perform any act of bankruptcy or insolvency, we reserve the right to approach your customer and to offer work directly to them, notwithstanding the fact that this will involve advising your customer that you are in breach or default. We will, however, give you written notice of our intention to take this course of action and give you a reasonable opportunity to rectify that breach of contract.
30.1 If you are a print reseller, we will treat any information relating to your clients as confidential and will not approach those clients with a view to gaining work from them. This does not preclude us from sending direct marketing literature to those clients if they are included on a mailing list that we have purchased or acquired from an external source.
31.2 All specifications and notices relied on by either party (or all variations to our agreements that we may notify to you in writing from time to time) shall include a duly authorised signature.
31.2 Any notification or document that is required by these terms to be given in writing may be provided by electronic means in a form that has been approved by us. In such cases, that notification, communication or document need not contain a duly authorised signature, but shall state the name and position of the person responsible for issuing that document.


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Demonstrate to your students the calculations of beginning, ending, and elapsed time plus compare digital and analog time telling with these Learning Advantage Elapsed Time Flash Cards! Featuring durable thick 14-point double-sided cardstock with notched corners for quick organization, you can teach your kids how to read time on the hour, half hour, quarter hour, and more as part of their STEM education. These self-checking 6.25 x 3.25-inch bold, heavy print cards are easy-to-read and use for individuals, small groups, and center activities.
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Sour E-Liquid Flavours: Why Are They Getting Popular?
This blog is a collection of articles written by our customers. They wrote these to help other newcomers find the information they might be searching for. The views, opinions, and information contained in this blog do not reflect the views of Slims Ejuice. If you are interested in writing for this blog please send an inquiry in the contact form and we will respond to your request. Enjoy!
Popularity is an extremely strange concept to wrap your head around. There is no secret formula to making anything popular. There are countless factors that can affect the popularity of a given object. For example, there was a time when the mullet was an extremely popular hairstyle. If you try on the mullet today, then a lot of people are going to be pointing fingers at you and ridiculing you for trying out something so outrageous. Perhaps, years down the line, people are going to look at the buzz cut or the pompadour in the same fashion. When it comes to e-liquids, you would expect products that have strawberry or mango flavours to be extremely popular (and they are). However, sometimes, you have a few eccentric flavours that creep up in the popularity charts and it makes you wonder why people are spending their hard earned money on sour e-liquid flavours when they could have easily bought something that sounds a lot more appealing.
It would not be too unfair to say that the e-liquid market is one that is dominated by trends. These trends are set by people in the vaping community. For instance, if the advanced vapers start developing a preference for a particular type of flavour, then that flavour will eventually attain popularity among the beginners. In other words, the popularity of a particular flavour trickles down from the top to the bottom. The beginners tend to follow the footsteps of the advanced vapers.
The trends pretty much dictate how the new and creative flavours are introduced into the e-liquid market. As a result, you can find a number of novelty products on the shelves. Some of these products are seen as one time purchases. This means that they will mostly be bought only once during a particular occasion and not re-purchased consistently afterwards. For example, if you have a Halloween themed pumpkin flavoured e-liquid in the market, then people would only be inclined to buy that product once a year and ignore it during the other days. This is pretty much how novelty products survive in the market. Very few of them thrive. The ones that do can really surprise you given how eccentric they are. Perhaps a more appropriate way to describe these novelty e-liquid flavours would be to use the term "unique products". As far as uniqueness is concerned, the sour flavoured e-liquids are definitely high up in the list of popular products.
Sweet, salty, fruity, boozy and umami flavoured e-liquids are becoming increasingly popular every single day. This has left a lot of new vapers scratching their heads. Why would anyone in their right minds pay a decent price for sour e-liquid flavours? Aren't we supposed to avoid anything that tastes sour? Well, the market consensus begs to differ. Consumers have grown a fascination with the sour e-liquid flavours and it seems quite unlikely that they are going to give this up anytime soon. There are still a good number of vapers who prefer products that are more sweet than sour. That being said, even the consumers with a sweet tooth are turning towards the sour products to become a part of the growing trend and experience flavours that are incredibly unique and unheard of to say the least.
Why Are People in Love with the Sour Taste?
It is time to get to the bottom of the mystery. Why do people prefer e-liquids that taste sour above those that taste sweeter? The answer is simple. The sour taste of the e-liquids takes them back to their days of childhood that were spent sucking on sour tart candies. Sometimes, all people want from their e-liquid is a good pucker. The sensation of nostalgia is making people fall in love with the sour e-liquid flavours. Besides, the sour taste is something that they have grown detached from since their days of childhood. When people are buying ice cream, candies, chocolate bars and other desserts, they do not normally look for sour flavours (nor are dessert makers too interested to introduce sour flavours). Now that e-liquids are providing them with the sour taste that they desire, they have formed a strong connection with the sour e-liquid flavours. Some of the most popular sour flavours include kiwi, lime, grapefruit and cranberry. All of these provide a great throat punch which is sought by the thrill seeking e-liquid connoisseurs.
A lot of the vapers today were once smokers. The one thing that they miss about smoking is the harsh throat burn that they have grown used to. Most of the e-liquid flavour profiles today fail to reproduce that amazing throaty effect of the tobacco smoke. This is where the sour e-liquids come into play. They help the consumers to relive that missing throat burn feeling.


Yes, there is limited secure parking in our garages .
Please request it on booking.
We have several cats, so yes, we're pet-friendly. Unfortunately, due to our cats, you can't bring your own pets.
See our Contact & Map page for detailed directions.
See our Rates and Booking page .
Do you provide any meals, other than breakfast?
No, we don't, but Darling has numerous wonderful places to eat, so you won't be hungry! See our Things to Do page, which lists just some of them.
How far from Cape Town is it?
From the City Hall in Cape Town to Daisy Darling is under 80 km and takes just over an hour. Basically put, it's the perfect distance.


New CHM Website Has Launched!
Today we launched new CHM websites (Clearing – House Mechanism of the Convention on Biological Diversity). These websites were created with the support of Ministry of Environment and, beyond the obligation, they also include information on other international conventions that are more or less related to the biodiversity and which the Czech Republic is a party.
Adding of information to these new websites is still ongoing. Therefore, we would like to ask you for your kind patience until we finally go through with it. Original CHM website will be available through an archive site in the top menu for another several months.


text:
COMPONENT=Appl

IFRCROOT=${TOSROOT}/contrib/usc-ifrc/
PFLAGS=-I${IFRCROOT}/apps/RateControl -I${IFRCROOT}/apps/Report -I${IFRCROOT}/contrib/ucb/tos/lib/MultiHopLQI -I${IFRCROOT}/tos/lib/CC2420Radio -I${IFRCROOT}/tos/lib/RateControlQueue -I${IFRCROOT}/tos/system

# Avoid using default group and default frequency.
DEFAULT_LOCAL_GROUP=0x5f
CFLAGS+=-DCC2420_DEF_CHANNEL=20
# Decrease the TX power
CFLAGS+=-DCC2420_DEF_RFPOWER=0x3
CFLAGS+=-DTOSH_DATA_LENGTH=36

# Changes to Standard module will come into effect
# with these define and other #define needed for
# the Rate control code to compile
CFLAGS+="-DCONG_CONTROL "

# IFRC Parameters
CFLAGS+="-DMAX_NODES=50"
CFLAGS+="-DMAX_NEIGH=20"

CFLAGS+="-DRESOLUTION=10000"
# This will change depending upon the number of nodes
#CFLAGS+="-DSSVALUE=60000"
CFLAGS+="-DSSVALUE=200"

#CFLAGS+="-DTESTEPSILON"
CFLAGS+="-DEPSILON=80"
CFLAGS+="-DBANDWIDTH=600000"
CFLAGS+="-DPHI=SSVALUE/8"

CFLAGS+="-DPARAM_MINTHR=4"
CFLAGS+="-DPARAM_MAXTHR=8"
CFLAGS+="-DPARAM_INC=8"
# Forget neighbour if a total of AGELIMIT packets
# have been received(for nodes other than the neighbor)
# since last packet from neighbour
CFLAGS+="-DAGELIMIT=50"

# Queue Management
# See QueuedSend.nc too
CFLAGS+="-DALPHA=3" #  w_{q} = ALPHA/100
CFLAGS+="-DIFRC_MAX_TRANSMIT=5 "
CFLAGS+="-DIFRC_QUEUE_SIZE=64 "
CFLAGS+="-DSEND_TIMEOUT=200 "
#PFLAGS+=-I%T/lib/RateControlQueue

#If FIXROUTE is not specified routes are
#selected dynamically

# Just used to separate routing code from IFRC code
CFLAGS+="-DROUTING "
CFLAGS+="-DROUTE_STAB_TIME=1"

#For the routing module
#See MultiHopLQI/MultiHopLQI.nc
CFLAGS+="-DPTHRESH"
CFLAGS+="-DPARENTTHRESH=90"
CFLAGS+="-DPCOUNT=10"
#PFLAGS+=-I%T/../contrib/ucb/tos/lib/MultiHopLQI

# See CC2420RadioM.nc and CC2420Const.h
CFLAGS+="-DSACK "
CFLAGS+="-DACK_DELAY=150"

################ For Experiments #####################
#Static Routing
CFLAGS+="-DFIXROUTE"

#Allow parents to change during the run of the experiment.
#CFLAGS+="-DPCALLOWED"

CFLAGS+="-DBS_ADDRESS=1"

CFLAGS+="-DBEACONFACTOR=3"

#Node addition and deletion
#CFLAGS+="-DDYNAMICS"
CFLAGS+="-DDTIME=1200"

#CFLAGS+="-DFIXRATE"
#CFLAGS+="-DRATE=10000"

# For Subset of node sending data
#CFLAGS+="-DSUBSET"
# For Weighted Fair Queue
#CFLAGS+="-DWFQ"

# Logging
# For getting various status information
#PFLAGS+=-I../Report/
CFLAGS+="-DAM_LOG=245"
CFLAGS+="-DSERIAL_QUEUE_SIZE=32"

CFLAGS+="-DLOG_RLOCAL"
CFLAGS+="-DLOG_NEIGH"
#CFLAGS+="-DLOG_LQI"
#CFLAGS+="-DLOG_PACKLOSS"
#CFLAGS+="-DLOG_LATENCY"
CFLAGS+="-DLOG_TPUT"
#CFLAGS+="-DLOG_TRANS"
CFLAGS+="-DLOG_LINKLOSS"
CFLAGS+="-DLOG_QUEUE"
#CFLAGS+="-DLOG_SDLOSS"
CFLAGS+="-DLOG_INFO"

# For Debugging
CFLAGS+="-DAM_DEBUG=250 "
#CFLAGS+="-DDEBUG "
#CFLAGS+="-DDEBUG_AM"
#CFLAGS+="-DDEBUG_MAC"

include ../Makerules

redpajama_set_name: RedPajamaGithub


text:
"The Christmas Whistle" - SNL Skit - December 14, 2013
By RMeingast,
December 15, 2013 in General Discussions
RMeingast
LocationSt. Thomas, Ontario, Canada
"Saturday Night Live" did a skit last night poking fun at TCM.
Guest host for show was John Goodman and he was in the skit.
Skit was about a black and white classic film "The Christmas Whistle":
http://www.nbc.com/saturday-night-live/video/christmas-whistle/n44355/
Unfortunately, Canadians who missed the show last night are unable to watch any of the video of the skit. Only Americans have that pleasure...
For Canadians who missed the show, a reviewer wrote this summary of the skit (have to agree it wasn't all that funny, despite Goodman):
"The Christmas Whistle
Goodman stars in this fake black and white movie presented on TCM as a father and husband who learns that every time you hear the sound of a Christmas whistle, someone is watching over you. As he tries to explain to his wife and kids (McKinnon, Pedrad, and Milhiser), the whistle keeps annoyingly going off in the background ? also maybe dad is an alcoholic and this angel with the whistle has something to do with that, and the neighbors are getting ****. Aidy Bryant gets to do one of her awesome melodramatic characters, which is good because she just hasn?t been around enough between this week and last week. This sketch is just a bit annoying thanks to the repetitive whistling sound ? it just doesn?t work as intended."
http://screencrush.com/saturday-night-live-review-john-goodman/

redpajama_set_name: RedPajamaCommonCrawl


text:
Q: Toast notification without network - windows phone I want to implement the "toast" notification inside my windows phone application. I'm implementing push message's, but I want them to show always. No matter if the application is running or not. The push notification will handle it when the application is closed, but not when it is running. Also if I create a shelltoast manually it won't show.
To make it more difficult I can't use any external dll's. I only want to use code. What would be the best way to do this?
I already know about the ToastNotificationRecieved event. I want to know how to implement it so that it will show a "toast" like message without using a framework

A: A Windows Phone application won't show a toast notification while the application is running, so it's up to you to intercept the notification and respond accordingly - typically by updating the UI of the app in place versus displaying a toast per se.
You'll want to implement the ShellToastNotificationReceivedEvent to handle the scenario where the app is in the foreground.

redpajama_set_name: RedPajamaStackExchange


text:
A long-term study by Monash University researchers – the first of its kind – has found that gastric band surgery has significant benefits for moderately overweight people with type 2 diabetes. Previous studies have focused on obese people.
The five-year study by Monash's Centre for Obesity Research and Education (CORE), found that gastric or Lap-band surgery improved the patients' chances of diabetes remission, reduced the need for diabetes medication and dramatically enhanced their quality of life.
Diabetes, along with obesity, is occurring in epidemic proportions. According to Diabetes Australia, an estimated 1.7 million Australians currently have the disease. Nearly 90 per cent of people with type 2 diabetes are overweight or obese.
The study, led by clinician researcher Dr John Wentworth and weight loss surgeon Professor Paul O'Brien, compared 45 participants: 22 randomised to receive gastric banding combined with medical care, and 23 who received medical care alone. Both groups received help with lifestyle factors such as exercise and healthy eating.
It found an average weight loss of 12.2 per cent of body weight in the gastric band group compared with 1.8 per cent in the medical care-only group. Almost a quarter of the gastric band group showed diabetes remission at five years, compared to nine per cent of the medical care-only group.
"We had people who were feeling better, moving better and who were happier because of the surgery," Dr Wentworth said.
"Their diabetes was better controlled and they needed fewer diabetic medications to control their blood sugar levels," he said.
Dr Wentworth said the study provided "reasonably strong evidence" that gastric banding, as a safe and effective weight loss operation, was an acceptable alternative for people who wanted it.
"It's an important point because Lap banding is criticised by some people saying it is far too drastic to be used as a diabetes treatment and that it doesn't work in the longer term," he said.
"I think it's a matter of just looking at the best ways of managing diabetes and preventing diabetes complications. We're interested in making life easier for these people and reducing the risk of the main complications, mainly heart attack, kidney failure, blindness and amputation.
"Although we'd be delighted if people could lose over 10 per cent of their weight through lifestyle modification, the reality is that the vast majority of people can't manage that."
The study, conducted in Melbourne between November 2009 and June 2016, found few adverse events associated with the gastric banding – three patients had transient difficulty with swallowing while two had gastric band revision surgery.
The gastric band surgery and after-care cost an average AUD$13,910, countered partly by a saving of AUD$4,257 on drug therapy. Dr Wentworth said that long-term improvements in quality of life further offset the cost of surgery: the wellbeing gained after surgery was similar in magnitude to that gained from knee replacement surgery.
He said the latest findings suggest that the minimum Body Mass Index (BMI) limit for gastric band surgery be revised. Currently guidelines suggest the surgery be reserved for people with a BMI of over 35, whereas those in the study had a BMI of 25-30.
Published in Diabetes Care 2017; 40:e2, the paper is titled Trial of Gastric Band Surgery in Overweight but Not Obese People With Type 2 Diabetes. Authors include Wentworth JM, Burton P, Laurie C, Brown WA, O'Brien PE.


text:
Q: How do i make this work so when name isnt specified it goes to else and why arent elif statements working I'm not sure what I'm doing wrong. I want to make it so that if the user enters a name which isn't of those specified the program should print the else statement at the bottom. I also want the elif statements to work so if the users enter their age then the correct print statement should show.
name = input("What is your name?")
if name == "Jean Gray" or "Max Eisanhardt" or "James Howlett" or "Anne Marie":
    age = int(input("How old are you?")
    if age <= 12:
    print ('You should be placed in the junior category because you are younger than 12 years old')
    elif age >= 18:
    print ('You should be placed in the senior category because you are older than 18 years old')
    elif age <=17:
    print ('You should be places in the teen category')
else:
    print("Sorry, that name is not recognised.")

A: Your if statement will always currently evaluate to true, you should use the syntax
if a == "value1" or a == "value 2" or a == "value3":
  //do something


text:
How Whitby is dealing with its covid-19 outbreak after 10 businesses close
One of those businesses to close over the weekend was The Black Horse on Church Street
Charles Gray
David HuntleyMulti-Media Journalist
(Image: Keane Duncan)
The recent outbreak of coronavirus cases that led to businesses in Whitby closing their doors could be down to a number of reasons, including an influx of tourists.
Last week, 10 businesses and hospitality venues closed, either due to staff testing positive or concerns that employees may have been in touch with others with the disease.
Yorkshire Live reports that councillors and a business owner who closed their venue - have said the outbreak could be down to the close-knit nature of the town's hospitality sector, the influx of visitors since lockdown was eased or even because of how narrow the town's streets are.
One of those businesses to close over the weekend was The Black Horse on Church Street, which closed as a precautionary measure on Saturday after they realised they had a "potential link" to someone who had tested positive.
They reopened on Monday after all staff took a test and returned a negative result.
Landlady Sue Paling said that the recent outbreak may be down to the fact that "everybody knows everybody" in the town and that some people in the hospitality sector work in more than one venue.
She said: "With people always having close interaction in a small town like this there's always going to be a risk of people exchanging the virus and moving it along, no matter how many measures you take."
Residents urged to make good use of buses as three new services are introduced
One Teesside area nears infection rate 'red zone' as covid-19 cases rise again
Cllr Stewart Campbell, who sits on the Streonshalh ward, said there were an additional 10 confirmed coronavirus cases in Whitby over the weekend.
He said: "The perception seems to be that most are in hospitality. Not front-of-house, but in the back of the venues."
On the matter of the businesses taking the decision to close, Cllr Campbell said: "It's encouraging to see businesses be proactive regarding this and taking it seriously. They have decided to close because they don't want to pose a risk.
"They have been under massive pressure since summer and they are trying to get back on their feet. We don't want to make things more difficult for them but we have to understand that we have to abide by the rules."
He also raised the issue of Whitby's tightly packed streets being a potential reason for the spread of the virus.
The rise in coronavirus cases on Teesside
Two councils break ranks
Reasons behind household ban plea
Leaders rule out asking for 'lockdown'
Tory MPs warn against more restrictions
Cllr Campbell said: "With the geography of Whitby it's a very tight space. It's not conducive to social distancing when you're crossing the Swing Bridge or on Church Street."
He added that the town had become "pretty full" with people visiting in recent weeks and that that too had raised some concerns.
Cllr Campbell, a Labour member of the council, said: "We don't want to discourage tourism, we are very reliant on that, but we ask visitors and locals to be vigilant and acknowledge and comply with government advice of wearing masks and maintaining distance.
"Everyone is entitled to travel around and while that is still allowed it's difficult to control in a small town.
"We've had very few cases locally since it started and we hope to maintain that. It's a slight worry there's been a little spike and hopefully it's going to be short lived."
Cllr Michael Stonehouse, who also represents the Streonshalh ward, said that he found the town had been "especially busy" since schools have reopened and that he felt one of the concerns amongst residents was the narrow streets that get filled with people.
Cllr Stonehouse said: "You have old people who are vulnerable and I think they have felt quite vulnerable so when there's people out down there it's made it particularly hard for them and continues to be so."
A delivery man, Cllr Stonehouse said that while working he has spoke to people who "fear there's doing to be another lockdown", but added: "I'm not sure that's because of what's happened in Whitby, it's more just generally."
Asked about the news that the government has limited group meetings to six people at a time, he said: "I don't think it's particularly surprising just by the way the numbers have been seen. In a way I thought it was inevitable because of how the numbers have been going up nationally."
He also praised the businesses in the town for "acting quickly" when there was a risk that there may have been an outbreak of the virus.


A digital curriculum that takes students beyond the walls of the classroom is essential for 21st-century learning. The question is not whether districts will embrace a digital curriculum, but when and how. Digital curriculum development comes with many challenges.
Districts that are already successfully implementing digital curricula have identified some of these challenges and pass on tips for best practices in this eBook – download for secrets from leading school districts.


This woody shrub climbs by twining around its support and is so efficient that it can grow to whatever height its host attains. The stems are woody and its deep green, glossy leaves are ovate and pointed, turning yellow before dropping in the fall. The flowers bear striking orange berries in the fall, lasting through much of the winter. All bittersweet is shipped as 2 year bareroot plants.


Two bedroom penhouse apartment located close to the square of Mavili. .The building is very well kept and features a spacious living room with oak floor, open fire place,very large which opens up into a corner veranda.Separate kitchenand a second living room with fireplace and extra room which is currently being used as an office could be a 3rd bedroom.Also there is first floor apartement 51 sqm. 59.000 Euros . And basement 40sqm. 30.000 Euros.


Location, location, location! Excellent opportunity to own in one of Carmel's hottest redevelopment areas - NEWARK subdisivion. Very near City Centre, the Arts and Design District, Center for the Performing Arts at the Palladium. Lot is .4 acre (estimate per online plat: 80' x 217'). Excellent owner occupant, rental, or land investment opportunity. Floorplan opened up and Kitchen remodeled in the last year. Full bath, HVAC, Plumbing, WH, and most windows updated/replaced within last 4-6 years.
MLS/BLC # 21623366 is a 3 -bedroom, 2-bath property located at 721 Oswego Road, Carmel, IN 46032, in Hamilton County. This Residential/Condo was built in 1962 and offers 1375 square feet of total space. The current listing status of 721 Oswego Road Carmel IN 46032 is "Sale Pending." 721 Oswego Road Carmel IN 46032 is in the Newark Subdivision. See More Carmel homes for sale.
721 Oswego Road, Carmel, IN 46032 Property displayed on MSWOODS.COM and listed by Keller Williams Indpls Metro N. The BLC® listing information is provided by the Metropolitan Indianapolis Board of REALTORS® from a copyrighted compilation of listings. The compilation of listings and each individual listing are © 2019 Metropolitan Indianapolis Board of REALTORS® All Rights Reserved. The information provided is for consumers' personal, non-commercial use and may not be used for any purpose other than to identify prospective properties consumers may be interested in purchasing. All properties are subject to prior sale or withdrawal. All information provided on 721 Oswego Road, Carmel, IN 46032 (and all other homes for sale in Carmel) is deemed reliable but is not guaranteed accurate, and should be independently verified.
I would like to see the house at 721 Oswego Road, Carmel, IN 46032 at the following date and time.


text:
Zoey stopped worrying. After all, she was originally going to die with Levi. So what was there to worry so much about?
Shortly after, a Haval sped by.
Aaron and Caitlyn alighted from the car.
Levi had thought that Aaron would stand by his side to show him support.
However, he did not expect Zoey's parents to come and drag Zoey into the car.
Zoey screamed in shock, "Dad, Mom, what are you doing? Why are you pulling me away?"
"You cannot stay here and court death with this useless piece of trash!" Aaron shouted.
"That's right, you need to come with us! We won't let you die with him!" Caitlyn held tightly on Zoey.
Zoey finally realized why her parents came.
They wanted to bring her away.
She was starting to feel anxious as she was about to be dragged towards the car.
Zoey struggled and shouted at Levi for help, "Levi, save me! Save me!"
"Dare he? If he dares, then I will make sure both of us perish together!" Aaron stared angrily at Levi.
Levi looked at Zoey coldly, and did not take any other action.
In the end, Zoey struggled to break free but to no avail. Aaron held onto her as Caitlyn drove away.
She looked out of the windows at Levi, who was standing there alone and cried bitterly.
It seemed that they were going to go their separate ways from that moment onwards.
However, no matter how much Zoey cried, Aaron was not going to give in.
After taking Zoey home, Aaron and Caitlyn made sure that she was taken care of.
It was the Lopez family's wish to bring Zoey home.
There was no need for her to die with Levi.
As the Lopez family had ended their relationship with Levi, they would not turn up today.
After Zoey left, Azure Dragon, Kirin, Phoenix, Black Tortoise and White Tiger, the Five Great Wars Regiment appeared in black suits.
Azure Dragon had even brought Rowen and his wife over.
"Has Ms. Lopez left already?" Azure Dragon asked.
"It's good that she left. I do not wish to reveal my identity yet!" Levi said.
Kirin walked over to Levi and said, "God of War, The commander-in-chief of the First Army reported that they are ready and prepared to set off! They are stationed three kilometers away and can reach in ten minutes!"
After hearing what was said, Levi nodded his head. "Mmm, tell them to wait for my command!"
"Understood!"
Kirin nodded his head.
At this moment, Nueve arrived. He did not bring many people with him.
Those who came were big shots, like Trey.
They had donned their suits. Several people stood by after receiving Levi's orders.
Azure Dragon stood beside Levi and said, "God of War has just received news that the Garrison family is about to set off."
At the Garrison family's manor.
Joseph waited for everyone in the Garrison family to suit up and get ready to leave.
Jacob was growing really impatient and could not wait any longer.
His son, Ashton, was still lying in the hospital. The chances of him waking up were really slim.
He swore that he must definitely tear Levi up into a dozen pieces!
As for Rick, he had always looked gentle. There was a smile on the corner of his mouth, which made him look very mysterious.
Bryan glanced at Victoria and said, "My little brother was crippled six years ago because of me. I also made you crippled this time round! Do you still remember this baseball stick? That's right, it's the one I used six years ago! Hahaha…"
Bryan revealed a cruel smile as he tossed the baseball stick into the car trunk.
Ben and Winnie smiled coldly. "Son! If not for the fact that we took you in, you would have died! Do you actually want to kill us now? This is ridiculous!"
Holly also arrived together with two others.


Trading the green and Guinness on St Patricks Day for a Japanese funk/soul/jazz band may seem like a daring decision, but one that I can safely say I do not regret.
This particular night was at Howler, as part of the Brunswick Music Festival, and featured an array of pretty damn delightful talent. The musical theme was of a disco/jazz/funk/soul kinda vibe, and it's safe to say that at $40 a ticket, everyone in the crowd was genuinely into every last beat.
Unfortunately, due to confusion with the door lists, my plus one and I missed the entire first act, Melbourne made, South American roots band Madre Monte, which was quite disappointing. Fortunately we were able to make it in by the time second act, Sugar Fed Leopards, took to the stage.
Sugar Fed Leopards hail from Melbourne and it's well worth keeping an eye on them to try and catch them for yourself, even if just for the glitter and sparkle of their costumes. Sugar Fed Leopards were literally just fun to watch! Not to mention very talented, busting some excellent dance moves, and featuring a female drummer and bass player. All things that make up the equation for greatness, made even greater by a member of the crowd busting out some breakdancing.
Japan's Mountain Mocha Kilimanjaro was definitely a great coup for the Brunswick Music Festival. Six guys on stage, with an array of amazing hats, and oozing a no-effort-required-we-are-just-awesome-pheromone cannot go wrong, to be honest. My plus one began to feel a sense of deja-vu, sure she had seen them elsewhere, at the same time losing it over how amazingly talented they were. Her brother is a soul/funk/disco DJ, so her exposure to such music is high, consequently to be this impressed is a gold star for sure. With my feet sticking to the floor (not going to hide it, came home with someone else's hair stuck to my shoes) my dance moves became very awkward shuffles, but my fist pumping was at an all time high.
Maddie Kilby is a freelance writer amongst many vocations and is the type of person who gets bored easily and likes to find herself in weird places doing weird things. You can follow her at @MadKil6.
Check out Mountain Mocha Kilimanjaro's website for further tour details, and Howler for other great shows.


The past is definitely in the present to get Edinburgh Private investigator Chief Inspector Karen Pirie, making the girl fifth look in Val McDermid's skillfully plotted "Broken Ground. " As mind of the Historical Cases Device — that might be cold situations in the United States — Karen is utilized to research that are not just aged but also provide a glimpse associated with life in past times.
As a result, the particular Karen Pirie novels switch the limelight on components of forgotten background. "Broken Ground" has the roots within World War II within the Scottish Highlands. In 1944, soldiers taking out of their encampment were informed to possibly burn or even bury their own equipment since it would be very costly to repair anything. Yet two troops couldn't keep to ruin the set of valuable United states motorcycles that will had simply arrived, so that they buried all of them in safety boxes within the peat swamp, fen, marsh, quagmire, planning to come back one day for treasure. They will never obtained the chance, great one soldier's granddaughter, Alice Somerville, plus her hubby, Will, came to state their gift of money.
The peat moss bog safeguards anything smothered in it, such as the perfectly maintained body of the murdered expert athlete in whose body is discovered along with the motorbikes. But it was a more contemporary crime since it is quickly decided that the guy disappeared within 1995, depending on his costly limited-edition sneakers.
As Karen delves to the decades-old disaster, she is also drawn right into a woman's household violence circumstance that appears to be on the brink of increasing.
McDermid's appreciation for multilayered plots plus complex heroes continues to stand out in "Broken Ground, " her 32nd novel. Function consumes Karen, allowing the girl to compartmentalize her suffering over the passing away of the guy she adored, Phil Parhatka, a other detective slain in the type of duty. Balancing the situations, she furthermore deals with a brand new detective designated to her small squad, who also may be spying on her for new manager who despises Karen.
Law enforcement politics plus crime inspections soar within "Broken Surface, " yet McDermid's glance at the Highlands throughout World War II provides a new regarding Scotland's part during the battle.
And watch out for those peat moss bogs — you may in no way return.


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text:
Rice soccer clinches first outright regular season conference title
Sports // CollegeRice
Glynn A. Hill
Oct. 25, 2017 Updated: Oct. 25, 2017 2:47 p.m.
Rice soccer clinched its first outright regular season conference championship defeating Charlotte 1-0 on Sunday.
The Owls, ranked 18th nationally by the coaches' poll, are 9-0-0 in Conference USA and riding a program-best 10-match win streak overall. The team is 12-2-1 with the regular season finale scheduled at North Texas on Friday.
"I am extremely proud of this team for grit and fight (sic) that they have been showing, today and for the full season," head coach Nicky Adams said. "I thought Charlotte put us under an immense amount of pressure. They are a fantastic team and created a lot of problems for us."
A sluggish start nearly derailed the Owls' streak against Charlotte, before junior midfielder Annie Walker beat a charging goal keeper for the decisive score.
It was Walker's fourth goal of the season.
Her performance earned her C-USA Offensive Player of the Week honors. She's the third Owl to garner that distinction this season after All-Conference USA forward Nia Stallings in September and senior midfielder Samantha Chaiken—a three-time winner of the distinction this season.
"I thought Annie Walker had a fantastic weekend with three goals and two assists," Adams said. "That goal she scored with less than three minutes to play in the first half was crucial because Charlotte did have a lot of momentum."
Rice sophomore and Kinkaid graduate Louise Stephens scored her first collegiate goal Aug. 21 during a 4-0 victory against Texas A&Corpus Christi. Stephens started at defender during both the Owls' first two matches.Rice University Athletics Media Relations
Rice has won 16-straight C-USA regular season matches dating back to last year; although they lost to UTEP in the postseason tournament last season.
In 2012, they split the C-USA regular season crown with Colorado College—a team that now plays in the Mountain West. Rice won the C-USA Tournament title in 2005 and 2014.
"It is pretty awesome being able to solidify a conference championship before the end of the regular season," Adams said, "but we still have a few more of our team goals that we are looking to accomplish."
"We have an extremely tough opponent coming up on Friday at North Texas. What we'll do is re-group after this tough road trip, and come back even more motivated to have good training sessions before our final game heading into the conference tournament," Adams said.
The Conference USA championship tournament starts in Boca Raton, Fla. on Nov. 1.
Reach Glynn A. on
Glynn A. Hill covers Rice and Houston-area college athletics for the Houston Chronicle, joining the paper in September 2015. A graduate of Howard University, he previously worked internships at organizations including the Associated Press and USA Today.


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Join the Integrated Resources, Inc Talent Network today and stay up to-date on our openings as they continue to become available!


Which Junior American Competitors Are Moving On To The American Semifinals?
The Junior American athletes were given the opportunity to earn spots to compete against the "big boys" of RFD-TV's The American today during their finals at the Will Rogers Coliseum in Fort Worth, Texas. Only the top two competitors in a sudden-death style match got to move on today to compete both during the last performance of the semifinals at the Cowtown Coliseum tonight and the Junior American showcase at AT&T Stadium on Sunday.
The other bonus? If they can beat the big dogs that have qualified for the semifinals and seat themselves within the top six, they will also move on to the Saturday performance of The American finals and have a shot at a million dollars.


text:
University of Miami Libraries: Special Collections Explores Miami Beach's Colorful History
From the University of Miami:
Guests of a recent online seminar from the "Deep Dives" series hosted by University of Miami Libraries joined Cristina Favretto on a trip back in time.
Rosie, an Asian elephant, used to march up and down the streets of Miami Beach in the early 1900s. The spectacle was a promotional ploy by then-developer Carl Fisher to draw visitors to the area. It worked.
Photos and drawings of Rosie and many other advertisements of the era are part of the University of Miami Libraries' Special Collections.
On Thursday, department head Cristina Favretto highlighted them in an online seminar called "Selling Some Sand: The Marketing of Miami Beach." This is the first event in a series called "Deep Dives," which highlights select fascinating items in the Special Collections.
Source: U. of Miami Libraries
Using photos, pamphlets, books, and other documents from the collection, Favretto led the participants through the history of the beach, which began after land owner and farmer John Collins and the wealthy entrepreneur Carl Fisher teamed up to build the first bridge from the mainland to the barrier island.
Learn More, Read the Complete Article, View Images
Direct to Access U. of Miami Libraries Digital Collections Including:
Historical Florida Brochures, Pamphlets, and Promotional Materials
Florida Photograph Collection
Filed under: Archives and Special Collections, Digital Collections, Interactive Tools, Libraries, News


SLI Systems works in the Internet & E-Commerce industry, specialising in A/B & Multivariate tests, Dynamic Product Banners, E-commerce Site Search, Merchandising, Mobile Site Search, Navigation, Recommendations, User Generated SEO. The company was incorporated in 2001 and is located in Christchurch, New Zealand. SLI Systems has an estimated revenue and employee in the range of $10 to $50 million and 51-200 respectively.
The purpose of this report is to provide vital facts about SLI Systems and help in key decision making process, via market and competitive benchmarks and key metrics. The report will surely add value to your business development process, deal sourcing and should save countless hours of research and analytical work for the buyer.


We have posted the recording of Wednesdays matchup! It was a great fight between TXR and MERC went up against NNG and TGWW.
Hit up the comments thread or the comments on YouTube and let us know what you think! And don't forget to subscribe to our channel and never miss another video again! Want to participate in a future competition? Have your outfit leader fill out our application! And stay tuned as we announce next weeks matchup!


Tahir and I are now just over two months away from our walk to the peak of the highest mountain in Africa and up to now we have been focused on two things; firstly, raising the £5500 amount that we need to reach before we leave (and we have reached just over 80% of this so please keep donating!) and secondly, training to get ourselves fit enough for the walk itself.
For me, that has meant regularly getting up at the crack of dawn and running around a park with other likeminded people to make sure I get my two or three work out sessions in every week. This has been tough and I've really had to push myself to keep to the schedule (particularly considering I moved house in early July), but of course it will be worth it when we reach the summit.
Meanwhile Tahir has been doing some interesting things with altitude masks and an altitude room in the gym, which, I am pretty certain, will mean that he will be far more prepared than me for the serious challenge that the altitude will provide when we start getting higher up the mountain.
As well as our own individual training we have been meeting up once a month to complete a trek somewhere in the countryside around London. So far we have been to Surrey a few times and the Chiltern Hills, and our next mission will be a walk along the south coast from Brighton to Hastings, which will be a distance of 67.7 kilometres, taking us about 18 hours split over two days.
While training and preparing for the walk Tahir and I have seen on social media how The Kids Network is going from strength to strength in terms of recruiting new mentors, working in new schools and engaging with new communities in London. it is fantastic to see the charity grow to the point that it is at now and this has provided Tahir and I with an even stronger incentive to do what we can to help support this valuable work with vulnerable children.
The main priorities before we leave are now sorting out our visas for Tanzania, getting our inoculations and hiring the equipment that we have decided not to buy. So, with all this to do along with the training and fundraising it is only going to get busier, but with good preparation and sticking to the schedule we will get it done.
I think Tahir and I are both feeling pretty nervous about the climb and the challenge that it will give us. However, the support we have received so far from family, friends, and colleagues has been outstanding.
That support and the fact that we are both totally committed to doing this for The Kids Network and all the children it is supporting will, I am certain, give us that extra push up that mountain that we might need!
Support Jack and Tahir by donating to their fundraising page here.


I have a pen which is blue, I have a friendwhich is you.Flowers will die, waters will dry, But our Friendship will never say Goodbye.
Does Not Become Ur True Friend..
Weve gone our own way, our lives grew apart, & weve made a life wiv another, but despite of how far apart we grew, 2 me there still is no other!
When the night comes, look at the sky. If you see a falling star, don't wonder why,just make a wish. Trust me it will come true,'cause I did it and I found you.
Love &friend r walking in village.
Love falls into a well,why?
Is not complete without "U"
& FR-ENDSH-P will never complete without "I"
HUM TUM 2 Be Good Friend..
We lose people we love but we never lose true friends. Thank God I got u.
What do u select 4 ME?
Don't be dismayed at good-byes. A farewell is necessary before you can meet again. And meeting again, after moments or lifetimes,is certain for those who are friends.
Friend gives hope when life is low, a friend is a place when you have nowhere to go, a friend is honest, a friend is true. A friend is precious a friend is u.


The first-ever BMW 620d Gran Turismo was launched in India at Rs 63,90,000. The BMW 6 Series Gran Turismo is locally-produced at BMW Group Plant Chennai. The first-ever BMW 620d Gran Turismo further diversifies the model's diesel portfolio. The first-ever BMW 620d Gran Turismo is available in Luxury Line design scheme.
The driver can choose between different driving modes to suit diverse driving conditions - Sport, Comfort, Comfort+ , Eco Pro and Adaptive. The adaptive 2-axle air suspension with automatic self-levelling not only provides supreme ride comfort but also sharpens the car's dynamics.
As for safety, the car comes with six air bags, Anti-Lock Braking System (ABS) with brake assist, Dynamic Stability Control (DSC) including Dynamic Traction Control (DTC), Cornering Brake Control (CBC), Hill Descent Control (HDC), Side-impact Protection, Runflat tyres (RFT) with reinforced sidewalls, electronic vehicle immobiliser, crash sensor and emergency spare wheel.
The first-ever BMW 6 Series Gran Turismo has a generously sized long bonnet , frameless windows, coupé-style low roofline and large automatic tailgate. Enhancing the rear looks are the active rear spoiler which reduces lift at touring speeds. The car comes with Adaptive LED headlights, including BMW Selective Beam and cornering lights. The light design comes with four light elements.
Step inside and you get to see an elevated seat position while the rear compartment provides three comfortable, full-sized seats with generous legroom and headroom. The car has a two-part panorama glass roof, electrically operated adjustable rear seats along with electrically operated sun blinds for rear side. The Rear-Seat Entertainment Professional system comprises two 10.2'' colour screens behind the front-seat backrests, a BluRay player, HDMI connection for mobiles, as well as various connections for MP3 players and game consoles.
Exterior features include boldly designed kidney grille slats, front bumper, rear apron and tailpipe in chrome high-gloss endows elegance. The mirror base, window guide rail and B-pillar have black high-gloss. Inside the Luxury Line you find the aluminium door sill plates, sports leather steering wheel, exclusive colours for the ambient lighting and chrome edging for the air vents. Exclusive fine wood interior trim with highlight trim finisher Pearl Chrome further accentuates exclusivity.


text:
Trump Administration Mulling Tougher Iran Sanctions
The Trump White House is poised to ratchet up existing sanctions against Iran and is weighing a much stricter interpretation of the nuclear agreement between Tehran and major powers.
The US administration is inclined to adopt a "more rigorous application of the tools at its disposal", a senior White House official told Foreign Policy, referring to sanctions policy.
Among the options under consideration: broadening US sanctions to include much larger chunks of the Iranian economy linked to the Islamic Revolution Guards Corps.
No final decision has been taken by the president or the Cabinet. But officials said some decisions will need to be taken soon. On April 25, Iran and the six governments that negotiated the nuclear deal with Tehran, including the United States, are due to meet in Vienna for a quarterly review of the accord.
How US President Donald Trump decides to proceed on sanctions and the nuclear deal more broadly carries high stakes for the United States, Iran and the wider Middle East. A concerted US effort to squeeze Iran would represent a gamble that Tehran's push to assert its regional role could be checked in part by increasing economic pressure.
But the approach could backfire if it causes tensions with the Islamic Republic to spin out of control or prompts Tehran to pull out of the nuclear deal. Tougher US sanctions would make for a tougher reelection fight for President Hassan Rouhani, a moderate who championed the 2015 nuclear deal but is under pressure to show Iranians a notable improvement in the economy. And a harder line on sanctions also could drive a wedge between Washington and its European allies.
"Sweeping sanctions that cut across economic sectors could jeopardize the nuclear agreement and prompt Iran to withdraw," said Richard Nephew who was the leading sanctions expert on the US team that negotiated the accord with Iran.
"It all really comes down to whether the people making decisions agree that the [nuclear deal] is worth keeping."
The 2015 agreement imposed numerous restrictions on Iran's nuclear program in return for easing an array of sanctions that had damaged the country's economy.
Trump repeatedly blasted the accord as "the worst deal" and, while on the campaign trail, vowed to "tear it up", but now that he is in office, he has not indicated what he will fulfill that promise.
Forceful Stance
Trump does not have to tear up the deal to tighten the screws on Iran. The agreement, which is not a treaty, provides broad leeway to the governments that signed it in interpreting its terms, and the Trump White House is mulling taking a much more forceful stance on enforcing the deal to the letter.
There are already signs that the Trump administration is using existing legal authorities in a more forceful manner than the Barack Obama administration.
Last Thursday, the Treasury Department announced it had sanctioned an individual and an organization for their role in alleged abuses at Iranian prisons.
In February, the Treasury Department blacklisted eight organizations linked to IRGC, as well as one of its officials based in Lebanon.
The sanctions measures imposed since Trump entered office were based on cases prepared by the Obama Treasury Department that were never enacted, said the White House official, who spoke on condition of anonymity.
And Treasury's recent actions reflect a heightened focus by the administration on IRGC. Its actions coincide with a debate within the administration about whether to designate the entire IRGC as a terrorist organization. At present, only the group's arm for overseas operations, the Qods Force, is blacklisted.
Apart from designating the entire Revolutionary Guards as a terrorist organization, the administration is also looking at other options.
Currently, any entity that has a 50% ownership stake or more held by the IRGC is subject to sanctions, but the administration is mulling a change that would drop the threshold to a lower percentage.
Such a move would break with longstanding policy at Treasury, which has traditionally defined ownership as above 50% for any category of sanctions. A lower threshold would mean blacklisting hundreds and possibly thousands of additional Iranian companies and organizations with links to the IRGC, experts said.
That would almost certainly cause a political backlash in Iran and chill any international interest in investing in Iran. European officials are worried that if the White House opts for a blanket blacklisting of the IRGC, it could effectively kill the nuclear agreement.
Appetite for a tougher stance is not found in the White House. In the Republican-controlled Congress, there is growing bipartisan support for pushing back against Iran through additional sanctions, though most Democrats want to steer clear of measures that would directly violate the nuclear deal. New bills in the House and Senate call for additional sanctions against Iran over its ballistic missile program and its alleged human rights violations and support for resistance groups.
Former US officials believe the sanctions legislation poses a possible threat to the nuclear deal, as the measures could wreck the consensus among the countries that negotiated the deal.
"Rather than containing Iran, such steps would isolate the United States," several former administration officials wrote in a commentary in Foreign Policy.
https://financialtribune.com/node/62715Click to copy the urlCopied
US Reconfirms Iran's Compliance With JCPOA
US Ex-Treasury Official Opposes New Iran Sanctions Bill
Facing US Onslaught, Iran Weighs Cool-Headed Response
Trump Weighing More Aggressive Iran Strategy
Trump's Anti-JCPOA Rhetoric a Desperate Attempt
Trump Team Mulling New Sanctions on Iran
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