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April 4 - 10, 2015 | No. 54
Clem Bastow
The problem with online 'choice feminism'
Many years ago, I announced that I was going to start a feminist blog. A fellow writer contacted me because she was also planning to launch a feminist site. She was concerned the market would be flooded and both our sites would suffer. I responded to the contrary, reassuring her. We were involved in a great unpaid feminist experiment, where the attitude was, as far as feminist commentary was concerned, the more the merrier.
As it turned out, neither of our blogs lasted long. We both moved on to other work. But those words floated above me like the Ghost of Feminism Past when News Corp launched their "women's site" RendezView this month.
The field in 2015 has taken the notion of "the more the merrier" to an almost parodic place: Australia's media landscape is now so crammed with women's sites that any first-wave feminists who were encouraged to "want more" may now be reconsidering their wishes.
Entrepreneur and media personality Mia Freedman has just launched Debrief Daily, a more serious offshoot of her women's site Mamamia; Private Media's Women's Agenda offers a "digital destination for career-minded women"; Fairfax's Daily Life has provided "news and lifestyle content for busy Australian women" since 2012. (I am a weekly contributor to Daily Life.)
There have already been casualties: Wendy Harmer and Jane Waterhouse's The Hoopla, which targeted women over 50, announced its closure on the same day as RendezView's launch. As Harmer told Crikey, "When the elephants go to war, the ants get trampled. The timing has been extraordinary, but it's just how it happened."
But while the rapid proliferation of such sites might be thought to be expanding the forums for feminist thought, their content suggests a disturbing trend in what is considered a useful part of the Western feminist conversation.
Not that these sites are expressly feminist in their intent, despite such frequent characterisation by mostly right-wing commentators. The majority are officially "women's sites" that also happen to run some feminist content.
This model was arguably imported from the US, where a number of women-focused sites have generated immense amounts of traffic. Some, such as Feministing, founded in 2004 by author Jessica Valenti, offer explicitly feminist content, others merely add a hint of feminist flavour to general media commentary. In the latter category, one of the most formidable is Jezebel.
Jezebel, which is one of the heads of new media hydra Gawker Media, is commonly looked upon as one of the giants of feminist commentary. Since its launch in 2007, however, the site has only billed itself as providing "Celebrity, Sex, Fashion for Women. Without Airbrushing". Jezebel positions itself as a different slant on the mainstream media targeted at women; a piece may be a red carpet news story, but it works in discussion of "the male gaze" or mentions "internalised misogyny".
The novelist Emily Gould argued that Jezebel, in fact, plays on the same insecurities in the reader that a "women's magazine" such as Cosmopolitan relies upon to shift copies. Site traffic, Gould wrote, is "ignited by writers who are pushing readers to feel what the writers claim is righteously indignant rage but which is actually just petty jealousy, cleverly marketed as feminism".
The tone I find troubling is apparent when commentary on everything from whether rap music is inherently misogynistic, to whether men should give up their seat on the train for women, to The Big Bang Theory star Kaley Cuoco's right to have a nose job, is commonly prefaced with "As a feminist, I think…" The phrase is common enough already that it's in danger of becoming the new "I'm not racist, but…" It has become an incantation that somehow legitimises any opinion, lifting it above mere op-ed and into a dispatch of first-person cultural criticism.
It is typical of the rise of a kind of populist feminism, what some call "choice feminism": the idea that any choice a feminist makes is inherently a feminist act, any opinion they hold a feminist one. And in the ever-increasing quest for traffic, choice feminism has collided with the ultra-personal, offering up first-person essays as the last word in feminist discussion.
That this brand of feminist commentary is easy clickbait is not necessarily surprising, since the popularity of personal essay has soared in this decade. When it is presented – by virtue of the absence or un-clickworthy nature of a more considered, academic feminism – as the loudest voice in feminist thought, things become problematic.
Andi Zeisler, co-founder of Bitch Media, a non-profit that has published feminist magazine Bitch since 1996, decried the tendency in feminist commentary to drill down to the minutiae of choice, from what clothes to wear to what media to consume as a feminist. "If everything is feminism, then nothing is," she wrote. "And if we feel the need to disavow everything we do and everything we desire, how much easier is it to discount what we claim to really want?"
It is, as Zeisler's essay and my comprehensive Sex and the City DVD collection should remind us, feminism as Charlotte York yelling "I CHOOSE MY CHOICE!" repeatedly into an uncaring phone receiver. The eternal search for personal fulfilment and empowerment is the cornerstone of choice feminism.
There are plenty of egregious examples of this. Jen Caron's "It Happened to Me" article in xoJane last year, about the appearance of "a heavyset black woman" in her all-white yoga class, ham-fistedly discussed "systemic failure" by way of solipsistic memoir: "I tried to very deliberately avoid looking in her direction each time I was in downward dog." This hyper-individualism is also there in the idea that one can criticise Jennifer Lawrence's red carpet gown, and that criticism is a feminist act, elevating sub-Mr Blackwell commentary to the political. Feminism becomes performative and perpetually provides the "lived experience" as insurance against criticism or engagement of any depth.
Such populism, in its watered down "anything goes" state, has led to a dangerous aversion to critical thinking. The broad range of people prepared to put fingertips to keyboard and announce "As a feminist…" might initially give the impression that everyone has a voice; instead, it maintains an unhelpful focus on the individual.
It strays into troubling territory. A piece by Freedman in Mamamia, "This isn't victim blaming. This is common sense", argued she would tell her daughter not to get drunk in order to reduce the risk of rape. This too shapes women's experience as a matter of choice – we can choose not to "put ourselves at risk", and doing so displays feminist sensibilities.
Thus far, RendezView's content also seems caught up in this false sense of choice. This week News Corp columnist Joe Hildebrand writes on the death of Melbourne teen Masa Vukotic and the ensuing debate over women's safety. "Murderous psychopaths don't care too much for feminist theory," he offers. Scroll down a little further and you'll find Susie O'Brien announcing, "I am a feminist and I think girls shouldn't get in dodgy cabs and walk home alone at 3am."
The clickworthiness of choice feminism threatens to swamp more deeply engaged thinking on issues facing women. While it's obviously not necessary that anyone who identifies as feminist must read a number of core academic texts or face expulsion from the movement, a great deal of popular feminism considers academic or professional thinking to be "elitist" and no match for personal lived experience.
Even feminist thinkers who urge for a less individual, more systemic understanding of gender are themselves elevated because of their lived experience.
The Canadian-American media critic Anita Sarkeesian appeared at the recent All About Women event at the Sydney Opera House. "It is not enough to feel personally empowered or be personally successful within the oppressive framework of the current system," she said. "In order to be a feminist … we have a responsibility to work for the collective liberation of all women."
Sarkeesian's position as feminist commentator has not been bolstered as much by her extensive cultural criticism about video games as it has her having endured monstrous abuse at the hands of pro-gamer trolls; her treatment is held as proof that feminism is needed. This has overtones of what academic and activist Yasmin Nair has referred to as the "imperative to reveal oneself as the wounded subject".
Sarkeesian and countless others have made their biggest impacts when focusing on the lived experience rather than their direct challenges of systems of organisation. My own work has been much more widely "shared" when discussing my own body image "journey" or mental health, in a feminist context, than when employing cultural theory or statistics to begin dismantling frameworks of oppression and violence. This traffic-driving first-person feminism maintains a status quo through personal empowerment: "I have reached enlightenment, so the fight is over."
This is the cul-de-sac of choice feminism: it is an expression of what women can choose to do, selecting from what is available. It is appealing because it responds to options rather than fighting to widen the choice. But feminism must be about more than choice, it must be about change. Equal pay, political representation, freedom from domestic violence – the sort of things not so palatable in an economy of clicks and mid-morning think pieces.
We can indeed make a choice to read any number of women's sites, from choice feminism content-mongering to more considered commentary; the more the merrier, as it were. But I am reminded of feminist theorist Elizabeth Grosz's utopian vision for feminism, which includes a "five-year moratorium on speaking on the 'self' ". The sooner popular feminism itself realises just how few choices we actually enjoy beyond the blogosphere, the sooner true liberation will be achieved.
This article was first published in the print edition of The Saturday Paper on Apr 4, 2015 as "I'm alright, Jill".
Clem Bastow is a Melbourne-based writer and critic.


text:
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redpajama_set_name: RedPajamaGithub


text:
DAVID&SCHWEITZER Contemporary 56 Bogart Street, Brooklyn, NY 11206
Hyperallergic (11/18/17): "'Art Among the Ruins: Daniel John Gadd & Elizabeth Murray"
The James Kalm Report (10/08/17): "'ABSTRACT QUARTET Motherwell, Karolac, Belag, Bellinger'"
Whitehot Magazine of Contemporary Art (10/01/17): "'Talking About Decadence, Disneyland, and Little Bathrooms with Lizbeth Mitty'"
Hyperallergic (09/30/17): "'Brenda Goodman Cuts Deep at DAVID&SCHWEITZER Contemporary'"
The New Criterion (09/05/17): "'Critic's Pick: Brenda Goodman'"
Whitehot Magazine of Contemporary Art (08/17/17): "'In A New Space,' Brenda Goodman Turns Towards the Light"
ARTE FUSE (04/03/17): "A Selection of Master Works – Arnold Mesches at DAVID&SCHWEITZER Contemporary"
The New Criterion (04/01/17): "Gallery Chronicle: April 2017"
ArtSlant (03/31/17): "Bearing Witness, Peter Williams Advances an Art History of Accountability"
Whitehot Magazine of Contemporary Art (02/20/17): "The Artistry of Daniel John Gadd"
Vasari 21 (02/13/17): "The Price Is Right"
artnet news (01/13/17): "5 Feminist-Minded Exhibitions to Check Out Ahead of the Inauguration"
Los Angeles Times (01/05/17): "Datebook: 8 Shows and Events to Check Out This Week"
Hyperallergic (12/31/16): "The Pursuit of Art, 2016"
Two Coats of Paint (12/27/16): "Recommended: Ongoing and upcoming exhibitions"
Brooklyn Magazine (11/28/16): "Philogyny First: Female Artists Heat Up Winter"
Hyperallergic (11/26/16): "The Body Politic, in the Flesh"
ARTNEWS (11/17/16): "Arnold Mesches, Artist's Artist Whose Work Examines History, Politics, And Spectacle Culture, Dies At 93"
The New York Times (11/10/16): "Arnold Mesches, Artist Who Was Recorded by the F.B.I., Dies at 93"
ARTFORUM (11/09/16): "Arnold Mesches (1923–2016)"
Hyperallergic (10/18/16): "Paintings of a Homegrown Black Superhero"
Gorky's Granddaughter (10/18/16): "Video Studio Visit with Daniel John Gadd"
The Conversation Project (10/09/16): "Daniel John Gadd in conversation with Brett Wallace"
ARTE FUSE (10/09/16): "Coming-of-Age Story of Brooklyn Art in the Present and Future"
Two Coats of Paint (10/05/16): "Neon and Narrative: Bushwick Open Studios 2016"
Brooklyn Magazine (10/03/16): "Bushwick Open Studios: Field Notes & Takeaways"
Bedford + Bowery (9/29/16): "Here's How to Do Bushwick Open Studios This Weekend"
PAPER Magazine (9/28/16): "12 MUST-SEE ART SHOWS OPENING THIS WEEK"
Bushwick Daily (9/28/16): "Get Out There: Amazing Things Happening in Bushwick This Weekend!"
Hyperallergic (9/27/16): "Your Concise Guide to the 2016 Bushwick Open Studios"
Hyperallergic (8/24/16): "An Artist Channels His Anxiety About Painting into Painting"
The Huffington Post (4/04/16): "Reprising Postminimalism in 4 New York Shows: Gego, Nasreen Mohamedi, Ruth Hardinger and Kara Rooney"
Hyperallergic (12/11/15): "In Five Decades of Self-Portraits, an Artist Refuses to Tone Down Her Feelings"
KnightBlog (12/10/15): "Twin retrospectives mark a triumphant homecoming for Detroit painter Brenda Goodman"
Detroit News (11/21/15): "Brenda Goodman Stars in Shows"
Hyperallergic (10/28/15): "A Charming Reverence for Color: Artists Revisit Paul Klee"
Hyperallergic (7/11/15): "The Other Side of Portraiture"
Tilted Arc (5/12/15): "BACKSTORY: BRENDA GOODMAN"
Brooklyn Rail (5/6/15): "Brenda Goodman: New Work"
Hyperallergic (4/12/15): "Brenda Goodman's Recent Paintings"
The New Criterion (2/1/15): "The Critic's Notebook: Fran O'Neill"
Bushwick Daily (1/15/15): "Fran O'Neill: painting her way home"
Tilted Arc (11/09/14): "FARRELL BRICKHOUSE: ON LIGHT"
Bushwick Daily (11/06/14): "Farrell Brickhouse Solo Show"
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redpajama_set_name: RedPajamaCommonCrawl


2AM Releases MV Teaser for "Days Like Today"
Inquisitive Bro-migo, Oct. 21, 2014, 6:19 p.m.
Who is excited and ready for 2AM's comeback to the K-Pop scene? The four talented members of 2AM will be back to steal fangirls' hearts and are proving their skill has only improved with the release of their MV teaser for "Days Like Today"!
The amazing beats mixed with the boys' smooth vocal work and the message that they give about missing someone so deeply that they can't stop crying are portrayed perfectly in the voices of the singers as well as the loneliness seen in the video.
Be sure to watch the emotional video here at Koogle.tv!


The series takes place in the near future, when it is possible to instantaneously measure and quantify a person's state of mind and personality. This information is recorded and processed, and the term "Psycho-Pass" in the anime's title refers to a standard used to measure an individual's being. The story centers around the "enforcement officer" Shinya Kōgami, who is tasked with managing crime in such a world.


text:
Maestro Pero o Mestre Pero (fl. 1325 -1345) fue un escultor e imaginero de probable origen aragonés (no existen pruebas concluyentes a este respecto), activo en Portugal a mediados del siglo XIV.

El Maestro Pero se distingue como un escultor medieval cuya producción «se individualiza con personalidad artística propia». Realizó la mayoría de su obra en su taller de Coímbra y desempeñó un papel importante en la renovación de la escultura gótica en Portugal.

Origen
Su taller ha sido identificado documentalmente y, mediante análisis formal comparativo, ha sido posible asignarle varias obras en diferentes lugares de Portugal. Sin embargo, quedan muchas incógnitas por aclarar sobre su verdadero origen y formación, las razones de su llegada a Portugal, las conexiones con los círculos de comisiones de la corte de Dionisio I e Isabel de Aragón, la estructura y organización de su taller, su preferencia sistemática por la caliza blanda de Ançã (razón por la que su nombre aparece como cabecera de una ‹escuela› de escultura del siglo XIV en Coímbra) y finalmente, a la distinción entre lo que era su trabajo personal y el de sus colaboradores.

Existen similitudes estilísticas que relacionan al Maestre Pero con el túmulo de Jaime II de Aragón y Blanca de Anjou en el monasterio de Santes Creus. La tumba está documentada como realizada por el escultor Pere de Bonneuil, que trajo el estilo parisino a la península. No se sabe si se trata de la misma persona (Pero = Pere en la tradición de la Corona de Aragón), si simplemente comparten nombre y trabajo/aprendizaje en el mismo taller. Lo que parece seguro es que las obras del Maestro Pero derivan estilísticamente de las realizadas por el taller de Santes Creus, reforzando el eje Francia-España-Portugal del movimiento gótico.

Obra
Se admite que su primera obra en Portugal fue la tumba de doña Isabel de Aragón, en piedra caliza (la policromía original fue borrada por la pintura posterior), para el Monasterio de Santa Clara-a-Velha, hoy en el monasterio de Santa Clara-a-Nova (Coímbra). Mestre Pero también es conocido como el maestro de imágenes de la tumba del arzobispo de Braga, Gonzalo Pereira (capilla de la Gloria, Catedral de Braga), ejecutado en conjunto con el maestro Telo Garcia, a quien se atribuye el yacente. Aunque a veces sin documentación acreditativa, también se le atribuyen las siguientes obras, entre otras: Apostolado, en el portal de la Catedral de Évora (la atribución está discutida); tumba de Vataça Lascaris (dama de la corte de la reina Isabel; catedral vieja de Coímbra); tumba de la infanta doña Isabel, hacia 1326-1330 (del convento de Santa Clara-a-Velha, hoy en el convento de Santa Clara-a-Nova); tumba de Rui do Casal (Iglesia de San Juan de Alporão, Santarém); tumba de João Gordo (catedral de Oporto); Virgen con el Niño (Museo Nacional de Arte Antiguo); Senhora do Ó (MNMC, Coímbra); Ángel de la Anunciación (Iglesia de Santa Maria da Alcáçova, Montemor-o-Velho); etc.

Caracterizada por soluciones faciales algo estereotipadas —«pero de un idealismo naturalista innovador para la época»— y por cabezas desproporcionadamente grandes, típicas del gótico, la escultura del Maestro Pero revela, sin embargo, algunas características distintivas particulares: «un buen modelado de los cuerpos, un excelente colgamiento de las telas, la preocupación por los adornos, concretamente con los broches que fijan los mantos en el pecho de las imágenes y que se convirtieron casi en una firma». Por último, cabe mencionar la composición dinámica de muchas de sus figuras —a saber, imágenes de la Virgen como Nossa Senhora do Ó, MNMC—, donde se contrarrestan las curvaturas en sentido contrario (en forma de S).

Tumba de Isabel de Aragón
Desde el punto de vista estilístico, el monumental sarcófago de doña Isabel de Aragón presenta las idiosincrasias de una producción periférica, dando cuenta integral del modo «gótico» y de su «modo de traducir sistemáticamente la ‹información› esencial, sintetizándola». En cuanto a la iconografía, la tumba presenta un panorama completo y personalizado que atiende a la particular devoción de la reina. «Microarquitecturas formadas por arcos trilobulados con frontón constituyen el marco de las figuras que se encuentran a ambos lados del sarcófago: en el frontal de la mano derecha se representa un coro de diez clarisas y santos franciscanos; en el frontal izquierdo aparecen Cristo y los apóstoles». En el frontal, a los pies de la reina, hay relieves que representan al león de San Marcos y al toro de San Mateo, con Santa Clara, Santa Isabel de Hungría y Santa Catalina. «El frontal de la cabecera está decorado por los mismos motivos arquitectónicos, pero la temática es narrativa: es un calvario simbólico flanqueado por las figuras sagradas que constituyen la combinación individual de este episodio: el ángel —símbolo del evangelista San Mateo—; el Cristo Salvador entronizado, mostrando las llagas; el calvario: la Virgen y San Juan; la Virgen con el niño; y el águila —símbolo de Juan Evangelista». En el frente de la tumba está representada el alma del difunto dentro de una cartela polilobulada, como un niño que sube al cielo llevado por un ángel, según la concepción medieval. Escudos portugueses adornan la cubierta de la tumba, donde se ubica la estatua yacente, que presenta a la reina de manera idealizada, vistiendo el hábito de clarisa (que comenzó a usar después de la muerte del rey Dionisio); ángeles reclinados miran y custodian su cuerpo a cuyos pies se sitúan dos perros vigilantes.

Capilla de los Ferreiros
Por último, destaca el conjunto escultórico de la capilla de los Ferreiros, en la iglesia matriz de Oliveira do Hospital, uno de los espacios funerarios góticos portugueses más importantes; clasificado como Monumento Nacional en 1936. Encargado por Domingos Joanes, este notable conjunto incluye un retablo, una imagen de la Virgen y el Niño, las tumbas de Domingos Joanes y su esposa, Domingas Sabachais, así como una escultura única, Caballero Medieval o Domingos Joanes como caballero, en caliza, cuya policromía inicial desapareció. Sus dimensiones son 72 × 19,5 × 64,8 cm. Hay dos copias de esta obra, sin saberse a ciencia cierta cuál es el original y cuál la copia; la otra se encuentra en el Museo Nacional de Machado de Castro. Según Paulo Pereira, esta escultura es una de las representaciones escultóricas más originales del siglo XIV y «la representación más notable de un guerrero medieval del período gótico». Cuenta con un caballero con un casco de visera baja, armado con una maza, armadura sólida con cota de malla, espuelas, espada en la vaina y escudo, montando un caballo debidamente enganchado, simultáneamente para el combate o el desfile.

Bibliografía

Referencias

Escultores de Portugal

redpajama_set_name: RedPajamaWikipedia


A great English reference book that can be used from grade one till matric.
English textbooks,past papers and notes for matric.
Spud - exit, pursued by a bear - john van de ruit - limited edition - signed on label.
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text:
Honours Psychology and Blogging (Day -01)
Is Sunshine Enough?
This is the post that doesn't end, yes it goes on and on my friends, some people started reading it not knowing what it was...
Robot Insects
Skepticomp2011 - What Woo Will You Do?
Killing Brain Cells and the Hangover...
How Like You are You?
Do it for the Science! Again!
'Happy Ending' and 'Colonoscopy' do not belong in the same sentence...
What do the OWS protesters and Chimps have in common?
Women's Intuition
Thinking with your Fingers
On Souls and Confections...?
On Souls...?
Beware the False Consensus Effect!
Your Preferences - Preliminary Results
Popularity Survey - DO IT FOR SCIENCE!
Zietsch's Response to PZ, Laden and Scicurious.
The Personality of Cities
Discussion #1 - Walking Speed and City Size
People who Doodle Learn Faster = Bullshit
Got the Time? Part II
Got the time?
Can Randomness Predict the Future?
The House of Psycasm
Lick my science!
Has the Uprising Begun?
Freewill, Part 5: What more could you want?
A WEIRD Misunderstanding.
What's in a Face? Creepy Illusions of the Face
Freewill, Part 4: There's no such thing, bitches.
Laughter (part 2): The Evolution of Human Laughter
Part 3: Do We Have Freewill
On Funny men, Intelligence and 'Mating Success'...
Laughter (part 1): What we know about Lolz
Part 2: Do We Have Freewill?
The results are in, and I got nothing!
Psychobabble Podcast
The Open Letter: A follow-up
This is a lie, she said.
MSPaint is mightier than the Sword
The Art of Indecision
Skeptical Checklist 1.1
The Skeptical Checklist 1.0
Of Chimps, Children and Post-Grads...
What we don't know can ... benefit us?
The Macbeth Effect: Out? I Say...
More Cognitive Differences between Christians (Religious) and Atheists (Nonreligious)
The Science of LOL'ing
Near-Death Experiences: Cool, but not evidence for God or an Afterlife.
The Why of Psi: A follow-up
The Cognitive Differences between Christians and Atheists.
What You Might Not Know About Psychology: A Student's Perspective.
Are Men Peacocks and Women Penguins?
A Conversation with a Red-Neck Cabbie (Illustrated)
Feelin' Lucky? Is it more than just a feeling?
For the Benefit of Other Patrons, Please Refrain from using your Mobile Phone. You Dick.
I can haz Internetz?
Snake Oil, Genuine False Hope(tm), or SCIENCE?
Why the Ladies moan (and it's not good news for Men)
It's like a blog in your ears
Magical Thinking: Voodoo, Prayer, Black Cats, and You
The Art of Character Creation
Video Game Morality: Actions inside the box?
Psychobabble goes live!
The Trolley Problem: Who cares?
Podcast delay and misc. Drugs!?
My very own Natural Disaster
A window into your Genetics and Mate Preference?
Oh sorry, I totally phased out there...
Porn: A force of Mutual Benefits
Statistical Pwnage
Why you should care...
The paper of Influence
Sharing: Part I - Emotions
No-one cuts deeper than a Science Blogger.
Me Meme [Ohh, links now]
Half Full, or Half Empty? Well, That Depends on the Shape of the Glass.
What Your Voice Says About You
Babushka Blog: A Meta-Blog on ResearchBlogging.
An Announcement:
Willful Self-Deception is Bliss
Dance, Blogger, Dance!
The Science of Marriage
The Moon and Antarctica
Available: One Mentee. Good Condition.
Again we are limited by our puny human-ness
Blogging Carnival - What is Psychopathology?: Origins
*sigh* Psi: A Rebuttal
The Science of Mind-Reading
How not to think yourself smart...
Welcome to Assassins' League
TODO LATER. A story of procrastination and forgiveness.
A man and his words.
Little kids, little minds...
Smoking (maybemightcould) is Good.
How to stop the Apocalpyse
How to trick yourself creative
Siesta - It sounds like Fiesta, but isn't.
The Dread Pirate Rift
Being Blonde. Natural or otherwise...
My Experimental Virginity (wait, that doesn't sound good...)
Dark Ideas of Different Colours
We should be music testing athletes!
Why you're right enough for it to work, but business still gets it wrong...
I don't want to sound like a blogger, but...
Psycasm
Psycasm is the exploration of the world psychological. Every day phenomenon explained and manipulated to one's own advantage. Written by a slightly overambitious undergrad, Psycasm aims at exploring a whole range of social and cognitive processes in order to best understand how our minds, and those mechanisms that drive them, work.
InSight Mars Lander Saved from Termination, Reset to 2018 Blastoff
Epiphenom
Dogmatic atheism and fundamentalist Christianity: creating certainty in an uncertain world
Mar 08, 2016, 11:00pm
Brainblogger
Sports Concussion – New Testing Methods are Imperative
Badass of the Week: Peter Freuchen
Feb 12, 2016, 5:15pm
The Situationalist
Jon Hanson & Jacob Lipton Respond To Randall Kennedy's "Black Tape" Op-ed
Dec 01, 2015, 4:23pm
A Schooner of Science
A shameless plug for the #asc14
Philistine Brisbane
The likeable hipster bar
[Wherein our Hero pops a question - What's so great about Marriage?]
I'm surrounded by marriage at the moment. In just the last three weeks I've had two cousins marry off (people my own age, I should add), and – most notably for LabSpaceCadets - Brian 'Dear Overlord' Kreuger has become happily married in the last day and a half.
One thing I've noticed about Weddings is that it becomes acceptable, if not customary, to harass established couples into getting married as well. For instance, my girlfriend and I have been together for 4 years, and no-on, not ever, suggests we ought to get married in anything more than jest. Yet at a wedding even my own brother is allowed to take a jab and suggest we ought to get married… My Brother, Father, Mother, Cousins 1 and 2, Auntie and probably a few more brought it up. They ask "Do I hear wedding bells?", to which I respond "I hear nothing, perhaps you have a tumour.".
Obviously marriage is an important social construct, but in my own little microcosm of white, middle-class first-world society I know no-one that feels actual pressure to get marriage. They do it for themselves, and out of love and commitment for the parties involved. And so I wondered what benefits people get out of being married. Sure, there's legal benefits – but I'm going to ignore those. Second, I do not ask 'why people get married' – that's not a question I'm fit to answer. I intend to focus the benefits and outcomes of being married.
Soons & Kalmijn (2009) obtained data (via survey and interview) from a total of 31, 465 individuals across 30 European countries, and looked at the difference between Married Couples and Unmarried Cohabitating Couples. The literature hint at a gap in well-being between the two groups, with some studies supporting greater well-being for Married Couples and some reporting no effect at all. It's a pretty striking proposition, really. What is it that my cousin and her husband will do that differs from what my girlfriend and myself will do? Is the marriage ceremony itself legitimately divine? Does a wedding band have special powers? Or more seriously, might family members support young married couples more than de facto couples?
Soons & Kalmijn (2009) found that in most countries married folk had higher levels of well-being than cohabitants, but found that, in a few select countries (such as Iceland) there was a reverse gap favouring cohabitants. In a striking confound (acknowledged in the paper) when all data was pooled cohabitants were actually happier than married folk – but this was only because countries with high mean happiness had a greater frequency of cohabitants. An interesting thought alone, but a main effect of Marriage on well-being still stands. A few factors that seem to play a role were proposed – Religiosity was more prevalent among married couples and may contribute to well-being, as was the national degree of institutionalisation of the marriage paradigm. Unfortunately, 'well-being' was a defined in a vague and subjective way, which may account for some of the differences. For instance, if you live in a country that's highly religious and you're living out-of-wedlock then being married itself is a good thing (unto itself) and will contribute to one's well-being as a direct result, rather than marriage bestowing some kind of implicit, general well-ness.
Having said that Koball et al (2010) do cite evidence that married folk have better physical and mental health, and generally live longer (as do the children of married couples). Yet there might be some weird self-selection going on here. After all, we can't randomly assign people to get married, right. I did find one article that assessed cardiovascular responses to pleasant, neutral and stressful couple-interaction – but it was terrible. There was no control group (no unmarried couples), it was done in Utah (highly religious and conservative) and 'found' that, yes, arguments and stress do bad things to the heart, which increase the risk of cardiovascular problems (Nealey-Moore et al, 2007).
And so marriage is all about love, right? But there are many kinds of love. Some will argue that point, but Psychologists tend to break down love into component parts (oh, the heartless bastards!), and among the most interesting and difficult to study is romantic love. The kind of love that characterizes early relationships – highly intense, obsessive, anxiety fuelled, close-proximity (and often highly sexual) love. More widely it's referred to as 'the honey moon period', to the best of my understanding. Such emotions are correlated positively for the health of the relationship. Sadly, most people get over it, but Acevedo and Aron (2009) cite evidence that those who maintain it well into an established relationship have it correlated well with satisfaction within the relationship. Companionate love, the kind of enduring, sustainable love that long-term couples enjoy, is also correlated with satisfaction in the relationship, but not as highly as the romantic type. The good news is that satisfaction (from wherever it stems) in a relationship has a positive influence global well-being, including happiness, health and satisfaction (Acevedo and Aron, 2009).
In conclusion I am afraid I cannot offer advice to maximise happiness in marriage. There's probably advice out there, if you were to trawl through the couples-therapy literature, but I think I would find that depressing. But in a way it's a good to know that when someone wishes you a happy and long life together they're probably correct, and actually mean to say best wishes for a happier, healthier and longer life than those unmarried heathen.
If I ever get to be a best man and make a speech, it's definitely going to be scientifically accurate.
Acevedo, B., & Aron, A. (2009). Does a long-term relationship kill romantic love? Review of General Psychology, 13 (1), 59-65 DOI: 10.1037/a0014226
Soons, J., & Kalmijn, M. (2009). Is Marriage More Than Cohabitation? Well-Being Differences in 30 European Countries Journal of Marriage and Family, 71 (5), 1141-1157 DOI: 10.1111/j.1741-3737.2009.00660.x
Koball, H., Moiduddin, E., Henderson, J., Goesling, B., & Besculides, M. (2010). What Do We Know About the Link Between Marriage and Health? Journal of Family Issues, 31 (8), 1019-1040 DOI: 10.1177/0192513X10365834
Nealey-Moore, J., Smith, T., Uchino, B., Hawkins, M., & Olson-Cerny, C. (2007). Cardiovascular Reactivity During Positive and Negative Marital Interactions Journal of Behavioral Medicine, 30 (6), 505-519 DOI: 10.1007/s10865-007-9124-5
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Prabodh Kandala
Texas Tech University Health Science Center
Mon, Nov 15, 2010, 7:47 am CST
I never imagined that there is research going on marriage. I vote for Marriage rather than live in.
"Happy Marriage"
Pascal Wallisch
Fri, Nov 19, 2010, 6:25 pm CST
No Gottman?


If ever there's a wedding happening in Central Park, an event that needs some added martinis or just generally something that requires somebody to be adorable, you can pretty much count on Tom Hanks to deliver.
Game of Thrones stamps are no exception.
On Friday, Hanks appeared alongside Maisie Williams and Anthony Joshua on The Graham Norton Show — and as soon as Norton brought out the new Arya Stark stamp, Hanks enthusiastically donned his glasses to take a look.
If you can somehow make the simple act of looking at a stamp awesome, you know you've got it made.


Crafted in Italy from a soft suede, these dark brown shoes feature a classic Derby style with tonal leather soles.
Designed with travel in mind, the 'Flexible Travel Shoe' range combines the formal styling of a dress shoe with the everyday comfort of a trainer. When suitcase space is limited, this versatile shoe blends the qualities of formal and casual footwear.
Unlike a traditional formal shoe, the leather sole is soft and designed to flex with your foot, which gives the shoe a relaxed trainer-like feel. Plus, built-in padding under the ball of the foot provides an extra layer of comfort.


Message IDs between the server and client are independent and sequential. If a message arrives out of order and the missing messages have timed out on receipt by the client or server, either side should be able to issue a resend request for message IDs.
On both the server and client side, a message buffer must be implemented. On the client side, the message buffer should discard in-order received and processed messages, such that only out of order messages are held before processing and the queue gets a chance to refill.
On the server side, cumulative world state changes, messages, etc., need to be stored for the client between batch updates. Some reasonable (10-30 seconds) window of state changes need to be stored in case of retransmission.
Both the client and server keep track of IDs.
When the user performs an action in the client, the action request is stored for the next update polling request. Some actions may force an immediate update polling request. The update request may have one or more actions performed by the user.
Additional update blocks may be included in the batch to fill in missing updates. The batch may also includes a list of missing client message IDs that the server never received. The client may, if designed appropriately, resend recent, missing messages.
In short, message queues (MQ) allow sharing of messages in a generic way between system components. The upshot is that it allows for translation of messages between client and service types allowing a single MQ to serve and synchronize world state between multiple representations (browser, 3D client, text).
A message is as detailed as the component which uses the finest detail, where possible. It's up to the interface to the client to translate these messages appropriately, such that a user of a text-only client might have to enter "walk to Soandso" in order to move his avatar around the room or zone in a way that 2D and 3D clients could see. Likewise, a 3D client walking around the room would have to be translated into text terms ("Soandso meanders until he stands beside Alice.").
Gizmodo claims the iPhone has 0.10% penetration over all browsers. In Q3 2007, the iPhone had 27% of the mobile browser market.
I'm not targeting exclusively to the iPhone (it's a hard platform to monetize without a subscription or micropayment model–aka, small screen, small ads). I consider the iPhone to be a "bonus platform" with the majority of browser-based play done on PCs with serious screen real-estate and bandwidth to spare. I'll put up a blog post later with my thoughts on the iPhone as a platform and a mock-up of what a mobile browser-based game could look like.


For so many months, I wondered who this little light was inside of my growing belly, a couple of weeks ago we finally got to meet our beautiful daughter, Sonja! Though she came into this world so peacefully and without complications, trying to learn her language has been a challenge as she adapts to her new environment and I to my new role as "mama". I am grateful for the information and suggestions offered in the 0+ NurtureU cards, not only because they have helped guide my husband and me, but they have also validated and affirmed things we intuitively began doing. As a breastfeeding mama, I decided to keep our daughter close so she could eat whenever she asks. For us, this means she shares the bed with us, and I use a sling often to carry her next to my skin throughout the day. One of the most satisfying feelings as a new and tired mama is being able to soothe my baby through nourishment, touch, and movement—without needing to buy anything fancy or technical! My body seems to be the only thing she needs and desires at this point in our journey together.
We have been building a foundation of trust through bonding and swiftly responding to her cries, but sometimes I don't know exactly what she needs. In week two of her life, she became very distressed one day and we noticed that she hadn't had a dirty diaper in some time. Her belly felt a little firm, so we decided to take the tip from a NurtureU Social-Emotional card and try baby massage to help. We read the how-to activity steps and followed up with some YouTube videos to get a visual demonstration on baby belly massage, and went for it. After about three massages over a 24-hour period, our daughter finally passed a healthy stool. We continue to do baby massage because she seems to enjoy the physical touch, and I enjoy the bonding that takes place during those tender moments.
Amidst the challenges of becoming a new parent, we are embracing this sweet time in which our daughter is fully dependent upon us to meet her needs and to learn her language. It can be tiring to be needed every other hour for a feeding and for warmth and cuddles in-between, but it is such a privilege to be that person for her. However, when I need some rest or a shower (a rarity these days!), my husband can provide her with the soothing touch of skin-to-skin contact or the calming effect of bouncing in his arms or sling. The first few weeks of her life have been a whirlwind and a time of stretching and growing. It's been remarkable to experience how such a tiny little human can knit our hearts closer together as we hunker down and navigate this new chapter as a team.
This entry was posted in NurtureU in Action on May 13, 2016 by 13867111.
80 Activity & Advice Cards for YOU & BABY!
As a speech-language pathologist, I created a learning tool that helps strengthen the bond with your baby.


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News Northern Ireland: What happened last night and was murdered journalist Lyra McKee targeted because she was reporting on sectarian violence?
Pride before impartiality: Erosion of police principles?
Stress point: Why are police officers quitting the service?
Police ICT users: We need your views!
No more false dawns: Is this the year the Police ICT Company 'turns a corner'?


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L'aldea de l'auró (Maple Town en anglés, メイプルタウン物語 Maple Town Monogatari en doblatge original i Gúshi de Mapletown a Taiwan) va ser una popular sèrie d'animació anglo-japonesa de l'any 1986 feta per Toei Animation centrada en les aventures de Patty Rabbit, Bobby Bear, i les seues famílies en una xicoteta i utòpica ciutat fictícia. La idea original partia de què en aquella època les sèries amb més èxit a la televisió estaven en mans de personatges antropomorfs vinculats al regne animal.

La història tractava sobre els habitants d'una aldea enmig del bosc. La intrèpida Patty, una conilleta, i el seu amic Bobby junt amb altres personatges viuen les aventures típiques d'una aldea, amb tots els problemes, les alegries i els perills de la vida quotidiana en la comunitat.

Conta la història de Patty Rabbit, una conilleta que acaba d'arribar a l'aldea amb la seua família. Al cap de poc d'arribar, Patty es fa amiga de Bobby Bear, un osset de la mateixa edat, així com el maldestre lladre, el llop Gretel.

TVE va emetre aquesta sèrie en català pels circuits territorials dels Països Catalans amb el títol L'aldea de l'auró i en castellà (La aldea del arce) per a tot l'Estat.

Enllaços externs
 Lloc web oficial de Toei, Maple Town Monogatari

Sèries d'anime de la dècada del 1980
Sèries d'anime doblades al català
Sèries de televisió començades el 1986


Shawn's Barber Shop, barber shop, listed under "Barber Shops" category, is located at 174 Elm St Pittsfield MA, 01201 and can be reached by 4134991982 phone number. Shawn's Barber Shop has currently 0 reviews.
Browse all Barber Shops in Pittsfield MA. Discover census data for Pittsfield, MA.


How long will you receive medical treatment for your worker's compensation claim?
You will receive medical treatment until you are released from the doctor at maximum medical improvement, which basically means your injury is as good as it will get and will not significantly improve with more treatment.
From this point forward, you are free to treat with a doctor on your own, but you will have to pay for this treatment. Exceptions apply to those workers who qualify for permanent total disability, or who are eligible for future medical benefits.


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PixelJunk Monsters Ultimate HD Review
PixelJunk Monsters Ultimate HD is, at its core, an incredibly fundamental tower defense game. You have a point on the map that needs defending from things which plod along slowly on a pre-determined path, and you defend yourself with towers.
If you have played any tower defense game before, or even seen someone playing a tower defense game once, then you probably have a pretty good idea of what to expect from Monsters. If you're looking for a game that's going to revolutionize the genre, you aren't going to find it here, but that's not necessarily a bad thing.
They just went ahead and made the best damn tower defense game money can buy, and filled it to bursting with enough map and game modes to keep you busy for the foreseeable future. It's also hard. It's really fucking hard. You'll have to forgive me because I've never played a PixelJunk game before. I have no idea what's changed in this version of Monsters.
Now, the reason the PixelJunk games have flown under my radar is because I assumed that the PixelJunk games were these kinds of inherently disposable downloadable titles, that exist to make quick cash off the kind of people who would buy something like the Vita to play cellphone games.
If PixelJunk Monsters Ultimate HD is any indication of the quality of its predecessors then Pixel Junk games are nothing if not hardcore. In fact, this game's core is made of diamonds. It's the Ninja Gaiden of tower defense games, and I have done myself a disservice by ignoring it until now. To be fair, Monsters does nothing to try to convince you it is anything other than some kind of casual coffee break game.
It offers no apparent narrative, and the art style offers nothing particularly unique or memorable, and normally this would be a problem. It's the thing that turned me off to the game in the first place, but this game is a bit like an elderly Kung-Fu master. It doesn't have time to tell you a story or impress you with its good looks. Monsters is as old school as it gets.
It only has time to kick your ass, and it will kick your ass. Whereas other games allow you to progress when you merely finish a level, this game only tolerates your imperfection to a point. After a few levels the game will demand you go back to the levels you previously completed and complete them again. This time you need to do it right, and not let a single enemy past your tower defense.
When you have learned how to beat the level properly then you earn a rainbow, and once you have enough rainbows then you have earned the privilege of continuing the game. You can go ahead and try playing the game on the "casual" difficulty if you get stuck, but know now that any rainbows earned on casual difficulty will have little rain clouds under them.
The rainbows still count and you'll be allowed to continue on, but the game still wants you to know that it thinks you're a pansy. Rain cloud rainbows are like participation trophies, everyone knows they don't count, and no one really wants them. Completing levels on the regular difficulty also unlocks levels in challenge mode – which, as the name would imply, is a yet even more difficult mode. It asks you to complete levels under certain conditions, like not allowing you to purchase upgrades.
Rainbows are serious business. PixelJunk Monsters Ultimate HD is an incredibly frustrating game, but it's a good kind of frustrating. When I lose, I feel like it was my fault, and generally manage to learn from the mistake. It's incredibly rewarding to overcome genuine challenge in a video game, and it's something we haven't had enough of lately.
About John Sabin


Life expectancy is increasing at a rate of 15 minutes each hour and babies born today are now expected to live to 104, on average, according to Professor Sarah Harper, founder of the Oxford Institute of Population Ageing. She adds that by the end of the century, there will be 1.5 million centenarians in the UK – up from 14,500 at present.
Claire Ginnelly agrees with Professor Harper that people living longer will cause huge challenges for society and people will have to rethink how they lead their lives.
As healthcare intermediaries, our focus is on how people will afford their longer lives – as Professor Harper says technology can help us to work for longer but that also medical developments are such that while we may survive longer we may not be in the best of health.


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Dazed plans three more verticals from Instagram insight
February 17, 2017 | By Lucinda Southern
Dazed, the youth fashion and culture magazine, is launching three new verticals in the coming months: Dazed News, Dazed Beauty and one focused on streetwear, after seeing what content is flying on Instagram.
Dazed Media, which publishes Dazed, female luxury title AnOther, and male luxury title AnOther Man, already has five Instagram accounts across the titles. Each day its six-person social team posts approximately three images or videos to each account, the main is Dazed which has 900,000 followers. It uses the platform to tease the magazine, post quotes and cover art, as well as usual behind-the-scenes access to fashion shoots. By the summer it expects to have over 2 million followers across Instagram.
"Instagram is a destination in itself, it's not a concern that it doesn't drive much traffic," said Bridget Mills-Powell, head of digital at Dazed.
Since recently posting content from protests, including from The Women's March and rallies against Trump, it has seen there's "a real appetite for news." These posts get around 20,000 likes and 250 comments where most others have less than 10,000 likes.
For Dazed Beauty, it plans to bring on a team of five in the spring, which, like Dazed News, will sit on site and have its own social channels. After running beauty polls on Instagram around Fashion Weeks it has carved out an audience. "A lot of beauty coverage has become stale," said Sophie McElligott, head of communications, "diversity is still really lacking in the beauty industry, publishers may follow the trends but none are as fully committed to it."
Dazed finds political content flies on Instagram.
Instagram has long been a priority for Dazed. Videos are shot specifically for Instagram, the main Dazed account also runs Instagram Live tutorials, and daily Stories — each Story hits six figures. In the last month it has started posting Stories that show off magazine-style galleries, which link back to the website. In 2007, when AnOther Man launched in print, its only online presence was an Instagram account, which has grown to 212,000 followers.
"It's important to stay focussed on social media platforms," points out Mills-Powell. "Even if that focus might change in six months time, we need to stay nimble, and you can't do everything."
For Dazed, Instagram is about reaching international audiences: The magazine arrives at newsstands three weeks later in the U.S., Instagram acts as "a portal to another world," she said.
Dazed doesn't share print circulation figures, but has previously claimed 3.5 million monthly visitors online. Splitting up more verticals, a route many publishers have gone down, makes a more targeted sell for advertisers.
Running ads within Stories isn't something Dazed does for clients yet. The bulk of revenue comes from content it creates with brands, which it works hard to make indistinguishable from editorial. The 20-person Media Studio, launched two years ago to create branded content — brands including Nike, Barbie and eyewear company, Luxottica — works closely with the rest of the team. Its London headquarters has about 200 employees, 40 of which are in the digital team. The content studio is the fastest growing wing of the company, in terms of employees and revenue, but Dazed couldn't give out specifics.
Where advertisers are increasingly squeamish around brand safety, Dazed acts as vehicle for those that want to do something risqué but are too nervous. "Brands hire us to be brave for them," said McElligott. "We had models on the cover with hairy armpits in the 90s."
As news publishers craft their TikTok strategies, Digiday spoke with the BBC, Vice, The Washington Post and LADbible to see who's really behind the posts.
Digiday's survey found that publishers are not feeling great about advertising revenue as 2023 kicks off, with attitudes toward subscriptions and e-commerce shifting as well.


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Home Blogroll PHOTO: Manchester United – Three Special Moments of 2013
PHOTO: Manchester United – Three Special Moments of 2013
What a year this has been for Manchester United. The Red Devils became Premier League Champions for the 20th time, legendary manager Sir Alex Ferguson retired after more than two decades in charge, appointment of David Moyes, special season from Robin van Persie – the list can go on.
Let us take a look at the three special moments of 2013 for Manchester United:
Magical night at Old Trafford – against Real Madrid
It was a special night. A blockbuster in truest sense. Whatever way you see at it. Manchester United vs Real Madrid – two European heavy weights – these sort of fixtures doesn't come regularly. Then, there was the return of Cristiano Ronaldo to Old Trafford for the first time since he left the club, Ferguson's last European match, the controversial decision in sending off Nani – it was a special occasion. And certainly, not many times you hear Jose Mourinho saying after the match the better team has lost.
End of Ferguson Era
What a remarkable day that was. Sir Alex Ferguson retiring from football management after creating a dynasty at Old Trafford, while Manchester United players celebrating their 20th league title. What a way to say goodbye!
Bayer Leverkusen 0-5 Manchester United
Most memorable victory for David Moyes in his short career at Old Trafford. Getting such a result, away to Germany in the Champions League was immense. Whether or not, he will be a success at Manchester United remains to be seen, but this has to be one of the best away performances by the Red Devils throughout their history.
Celtic interested in signing Crystal Palace midfielder James McCarthy


SIAM Workshop on Combinatorial Scientific Computing is going to open on 10 Oct and finish on 12 Oct 2016.
SIAM CSC 2016 is in Albuquerque, New Mexico USA but the venue of the event is not determined yet.
Bringing industry and academia together, SIAM Workshop on Combinatorial Scientific Computing is a 3 days event on Computer, Information Technology, Computing, Mathematical Science and Combinatorial Algorithms matters. It also suggests you the convenience for face-to-face communication with those driving the future.
SIAM Workshop on Combinatorial Scientific Computing is a biennial Workshop.
The association of the SIAM CSC 2016 is Society for Industrial and Applied Mathematics.


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Collections > Regions > Asia Collection
Asia Collection
Asia is the largest continent of the globe. Its name comes probably from an Assyrian or Hebrew word meaning "the rising sun." It has the Arctic Ocean on the north, the Pacific on the east and the Indian Ocean on the south. On the west is Europe, the boundaries being the Ural Mountains, the Caspian Sea, Caucasus Mountains, the Black, Mediterranean and Red Seas. It is joined to Africa on the southwest by the Isthmus of Suez and on the northeast is separated from America by Bering Strait. The immense coast line of 35,000 miles is very irregular.
In the early 20th century Asia was partly independent, but two thirds of the area and nearly half of the people were controlled by Europe and the United States. Independent states include Afghanistan, Arabia (partly), Baluchistan (partly), Bhutan, China, Japan (including Formosa, Korea and part of Sakhalin), Nepal, Siam, some Malay states and Turkey. The dependencies were those of America, Britain, France, Germany, Holland, Portugal and Russia.
America held the Philippines. British colonial possessions included Baluchistan, British Borneo, Burmah, Ceylon, India, Hongkong, Labuan, Sarawak, the Straits Settlements and Weihaiwei. France had Anam, Cambodia, Laos, Tong-King and places in Hindustan. Germany owns Kiaochau. Holland possessed Borneo (partly), Celebes, Java, Sumatra and other islands. Portugal remains at Goa, Kambing, Macao and Timor. Armenia (partly), Caucasia, Siberia and part of Sakhalin belonged to Imperial Russia.
In Asia history began. In Asia Minor originated man's oldest monuments and records outside of Egypt. Though Babylonian civilization ceased two thousand years ago, its contemporary exists yet in China. In Asia arose every great religion - Brahmanism, Buddhism, Christianity, Islam, Judaism and Zoroastrianism. (Confucianism is not a religion but a code of conduct.) Confucius, Gautama the Buddha, Mohammed, Moses, Paul and Zoraster were Asiatics, but each affected the world as powerfully as Alexander and Caesar.
The Aryans, possibly from east of the Caspian and north of the Hindu Kush, invaded Persia and India. Persia became the first world-empire, extending her dominion under Cyrus to the confines of Greece. Alexander in turn invaded Asia 330 B. C., conquered Persia, extended his power into India and carried Greek ideas and culture from the Bosporus to the Indus and Oxus. On the death of Alexander his empire fell to pieces and subsequently all western Asia came under the dominion of Rome, including Arabia in part, Asia Minor and Syria; Constantinople inheriting and holding this region for seven centuries after.
The power of Islam, dating from the seventh century, became dominant, building empires between the Mediterranean, Ganges and Caspian on the wreckage of Rome and extending its sway into Egypt and India. Palestine became a stage (1100-1300) for the wars of religion called crusades. Turks and Tartars issued from central Asia (1215-1415), destroyed the Saracen, Muscovite and Byzantine empires, and overthrew China temporarily. The Ottoman empire was establishes, however (1300), drove back the Mongols and in 1453 captured Constantinople. Mongols founded an Indian Empire (1525-1857) whose rulers included two of the best and ablest among monarchs, Akbar and Aurangzeb.
Portugal found a sea-road to Asia around Africa to India (1497), China (1517), and Japan (1542), and initiated Asia's modern era. Russia started across Siberia (1580), Holland gained footing in the East Indies (1596), England's East India Company arrived in 1600, and France entered India four years later. England's Indian empire began in 1757, and France, failing in Hindustan, built an empire in Indo-China during the 19th century.
America brought Japan into modern life (1854), though the Dutch had influenced it through commerce for two centuries, and in fifty years it entered among the world-powers. A war between China and Japan (1894) resulted in the cession of Formosa to Japan. The Philippines were transferred to the United States (1898) at the close of the Spanish-American war. A war between Russia and Japan (1904-5), the most sanguinary struggle of recent times, resulted in victory for Japan, with added prestige, the cession of part of Sakhalin and the control of Korea.
The first culture to be mentioned about in Asia is the Mongolian, the typical Asiatic and three fifths of the population. The second is the Caucasian, consisting of the Semitic and the Aryan family. The third is the Malay, whose separateness as a race is questioned. One Mongolian group embraces the tribes of Siberia and Turkestan, the other the people of China, Indo-China and Tibet.
The Turks, Koreans and Japanese belong to the first group, the Chinese, Siamese and Tibetans to the second. A Caucasian group, the family of Aryans, includes Afghans, Armenians, Baluchs, Hindus, Kurds, and Persians, but excludes Europeans and Americans; while another, the family of Semites, consists of Jews and Arabs. The Malay prevails in Philippines. Near America live Eskimos; in tropical Asia and the Philippine Islands, Negritos; and Anatolia, Arabia and Persia have Negro slaves. Of unrelated tribes hundreds exist.
The Red Sea, bordering Arabia, has become, by the building of the Suez Canal, a highway of the first importance. The Arabian Sea and Bay of Bengal are wide, open divisions of the Indian Ocean. The Persian Gulf is shut in by deserts and mountains. The archipelagoes of the Pacific form the two China Seas, which, with their three gulfs, Siam, Tonquin and the Yellow Sea, constitute the Mediterranean of Asia. It is these seas that are visited by the dreaded storms called typhoons. In the north are the seas of Japan, Okhotsk and Bering.
The length of the continent from north to south is about 5,300 miles. The area, including islands, is estimated at 17,256,000 square miles, one-third of the dry land of the globe. The peninsulas of Asia occupy one fifth of its area. On the south are the three greatest peninsulas, Arabia, India and Indo-China. On the west, Asia Minor projects Europe-ward, and all but closes the waters of the Black Sea from the Mediterranean. In the east, are Kamchatka, Korea and the peninsula of Tchuktchia. The islands of Asia cover one sixth of her area. In the south and east they form a dotted line running parallel to the coast.
Surface and Drainage
Central Asia has been called the roof of the world. It is a region of lofty mountain ranges and wide plateaus, the highest of the world. North of this elevated region lies the great plain of Siberia, extending to the Arctic, while east and south are narrower plains extending to the Pacific and Indian Oceans. Extending northeast and southwest are mountain ranges and high plateaus. The great mountains of Asia are the Himalayas, the highest in the world. They are 2,000 miles in length, and from 100 to 500 in breadth, rising along their whole length far above the line of perpetual snow. There are several peaks 20,000 feet high or more the loftiest that has been measured, Mount Everest, being more than 29,000 feet. The Ural and Caucasus ranges are on the border of Asia.
There are two great tablelands: that of Western Asia, stretching from the Black Sea to the valley of the Indus, and the higher and larger tableland of eastern Asia, stretching from the Himalayas to the northeastern point of Asia, where it meets the great central tableland of North America. The plain culminates in Tibet, the highest tableland in the world, its lowest valleys being higher than Mont Blanc. These great plains separate the lowlands of Siberia and the Aral-Caspian region from the lowlands of India and China. Across the mountains to the north of Tiber is a swamp, Lake Lob-Nor, which once was a huge area, and whose rapid drying up was probably the cause of the westward migration of the Huns and Mongols.
Drainage systems are numerous, but only those of importance demand enumeration. They include continental and oceanic drainage. The first, 4,900,000 square miles in area includes rivers emptying, as in Gobi desert, Syro-Arabia or Tiber, into the Aral, Caspian or Dead Seas, Lakes Baikal, Kalkhash or Van, or the numberless lakes, sinks or swamps of Persia, Siberia, Turkestan. The oceanic systems drain to the Arctic, Pacific and Indian Oceans and the Mediterranean. The Arctic area covers 4,367,000 miles, the Pacific 3,641,000 and the Indian 2,873,000. The Lena, Ob and Yenisei flow into the Arctic, these rivers and their tributaries, when unfrozen, giving navigation throughout Siberia. China and Tibet contribute the Amur, Hwang-Ho, Si-Kiang and Yang-Tsi-Kiang to the Pacific Ocean. Indo-China gives the Mekong, Salwin and Irawadi to the Indian Ocean; India the Brahmaputra, Ganges and Indus; Armenia the Tigris and Euphrates.
Climate and Rainfall
On the tablelands and north of the main mountains the climate is very dry and there are great extremes of temperature, long severe winters and hot, short summers. South of the mountains and on the Pacific the climate is tropical but modified by altitude and the monsoons or rain-winds from the southern areas. The mean temperature ranges from nearly zero in Arctic Siberia to nearly 90&172; in Arabia. The lowest temperature is 100&172; below zero, the highest 120&172; above. Rainfalls vary from five inches annually over the Aral to 550 on the Khasiya Mountains near Calcutta.
Animal and Vegetable Life
Animals of Asiatic origin include the ass, buffalo, camel, cobra, crocodile, dromedary, dugong, dolphin, elephant, goat, horse, leopard, lion, ox, pheasant, reindeer, sheep, silkworm, sturgeon, tiger, yak, zo and others. Among indigenous plants, the flora of southeastern Asia numbering 12,400 species, are the banyan, barley, breadfruit, cedar, cotton, coffee, fig, indigo, flax, lemon, mulberry, mango olive, orange, peach, pomegranate, poppy, rice, sago, spices, sandalwood, sugar, tea, teak, the vine, wheat and many more.
The New Student's Reference Work (1914)
Regional Sub-Divisions
Circassia
Cochinchina
Coromandel Coast
Himalaya Mountains
Nilgiri Mountains
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The Kingdom and People of Siam Vol. 2 1857
Voyage en Perse Vol. 2 1825
The Book of Ser Marco Polo Vol. 1 1871
Under the Flag of the Orient 1897
Keramic Art of Japan Vol. 1 1875
Narrative of the Earl of Elgin's Mission Vol. 1 1859
The History and Doctrine of Budhism 1829
De Zieke Reiziger, or, Rambles in Java and the Straits 1853
The Theatre of the Empire of Great-Britain 1676
The Costume of Hindostan 1804
Voyages and Travels to India, Ceylon, the Red Sea, Abyssinia, and Egypt Vol. 1 1809
An Account of the Kingdom of Caubul Vol. 2 1839
A Tarantasse Journey through Eastern Russia 1857
Travels through the Southern Provinces of the Russian Empire Vol. 1 1813
Voyage d'Exploration en Indo-Chine [Atlas-Vol. 2] 1873
Results of a Scientific Mission to India and High Asia Vol. 3 1863
Scenes from the Japan-China War 1895
Voyage of the Barracouta to Japan, Kamtschatka, Siberia, China, etc 1859
Notes Relating to the Manners and Customs of the Crim Tatars 1821
Travels in Ladak, Tartary, and Kashmir 1862
Russia: Being a Complete Picture of that Empire 1817
A Narrative of the Mission to the Court of Ava 1858
La Chine : Moeurs, Usages, Costumes Vol. 2 1825
The World in Miniature: China Vol. 2 1823
Sport and Travel in Both Tibets 1909
The Seat of War in the East Vol. 2 1856
Observations on the Neilgherries 1834
Results of a Scientific Mission to India and High Asia Atlas 1866
The Beautiful Scenery and Chief Places of Interest throughout the Crimea 1856
Journals Kept in Hyderabad, Kashmir, Sikkim, and Nepal Vol. 1 1887
Narrative of a Voyage, in His Majesty's late ship Alceste 1818
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Historical Researches on the Wars and Sports of the Mongols and Romans 1826
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The Story of the Campaign of Sebastopol 1855
Journal of a Residence in Circassia Vol. 1 1840
The Happy Valley: Sketches of Kashmir and the Kashmiris 1879
Journal of a Voyage, in 1811 and 1812, to Madras and China 1814
The Danube and the Black Sea 1857
Travels in the Central Parts of Indo-China Vol. 1 1864
Letters Written in a Mahratta Camp 1813
Life in the Forests of the Far East Vol. 1 1862
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Ladak, Physical, Statistical, and Historical 1854
The World in Miniature: Japan 1823
Travel in Aquatint and Lithography Vol. 2 1957
The Ruins of Mandoo 1860
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Diary of a Pedestrian in Cashmere and Thibet 1863
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Geographia Antiqua Latinorum et Graecorum 1721
The Chinese Opium Smoker 1875
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text:
People Race for Recovery in Bangor
By Emily Tadlock
Runners raced for recovery in Bangor Sunday.
Suzanne Farley, Executive Director of Wellsprings Inc. says, "Everybody's out here standing in solidarity for recovery. They're working. They've come out here to do a 5K race to help us raise money to pay for folks who need substance abuse treatment."
Michael Campbell, a runner says, "Had a goal of 45 minutes when I started, and I actually broke 30. It's not hot. It's not very humid out which helps out a lot."
Dawn Pelletier, Race for Recovery Co-Chair says, "The theme for this is dedicated to all of those in recovery, and we believe that recovery rebuilds lives, families, and communities step by step."
Campbell says, "You know that you made a difference in, if even one life is affected by what we do here today, it's all worth it."
Jill Gardner, a runner says, "This is my first race, a 5K. It feels amazing. I got quite an adrenaline rush. I usually do about 2 miles a day at a very slow pace, and this was a lot faster with a bunch of people. So, it was really pretty thrilling. It feels amazing to be a part of a big group of people that are looking towards some solutions."
Farley says, "We're trying to say, look, this affects everybody. I don't care what class you come from. Rich, poor, everyone is affected by addiction. Most people know somebody who's been touched by addiction."
Pat Kimball, Race for Recovery Co-Chair says, "We want people to understand that we're not gonna judge. It's not a judgement call. This is a disorder. It's a brain disorder, and it's an illness."
Gardner says, "I think more people than ever now are affected by the disease of addiction, and alcoholism, and so the more education and awareness we can bring, the more we can help to move toward healing people that walk through that struggle."
Portland hospital welcomes first baby of 2023
Beloved Bangor woman passes away after battling cancer
Bangor community hosts candlelight vigil for homeless
State Police, Ellis Family Market donate Thanksgiving dinners
Congregation Beth Israel Sisterhood in Bangor hosts Hanukkah Craft Fair


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