Below is the agenda for the 2012 Wine Tourism Conference, which took place November 14-15 at the Flamingo Resort in Santa Rosa, Sonoma County, California.
4:00 – 8:00PM Pre-Conference Experience: Tour, Tasting, and Dinner at Paradise Ridge Winery Optional excursion; requires advance registration (additional cost is $50pp); click on the title for more details. Departure will be from the front lobby.
10:25 – 11:30 AM Panel of Wine Industry Leaders (Ballroom) with Steve Warner, President and CEO of the Washington State Wine Commission; Annette Boyd, Director of the Virginia Wine Board Marketing Office; and David Bowman, Vice President of Marketing for FIJI Water, JUSTIN Winery, and Landmark Vineyards. Moderated by Nancy Light of The Wine Institute.
2:00 – 4:00 PM Industry Track Sessions: We will break into four groups (Wineries – Courtyard I, Wine & Tourism Associations – Courtyard II, Tour Operators – Oak Room, and Other Wine Tourism Businesses – Alexander Room), which will allow you to meet others in your industry and get specific information relative to you. Each group will do introductions, have a general discussion, and share best practices. Please come prepared to present your own successes and challenges to your group!
4:15 – 6:15 PM Regional Wine Reception (Ballroom) Sponsored by Touring & Tasting: The first 40 winery associations who send a representative to the conference will receive a table to pour their wines.
6:30 PM Optional Dinner: Perfectly Paired Dinner at Lancaster Estate Optional dinner; requires advance registration (additional cost is $55pp); click title for more details. Departure will be from the front lobby.
9:30 – 10:35 AM Panel of Tourism Industry Leaders (Ballroom) with Todd Davidson, Executive Director of the Oregon Tourism Commission; Traci Ward, Director of Marketing at Visit California; and Morgen McLaughlin, President and CEO of Finger Lakes Wine Country. Moderated by Dan Fox of Touring and Tasting Magazine.
Wine Tourism PR (Alexander Room): Getting a writer from the New York Times to stay at your hotel, visit your winery, or take your tour is a coup. But not every business will be in the Times. How do you go about getting PR for your wine tourism business, both in the traditional press and online? Learn how from Michelle McCue of McCue Communications and Kimberly Charles from Charles Communications.
Social Media in Wine and Travel (Ballroom): Everyone is now using social media. How much time and money should you allocate to this? Should you focus on Twitter, Facebook, and YouTube or is Pinterest or some new site the next great thing? Walk away with new insights and strategies from social media expert Andrew Healy of 3 rock marketing and Todd Iseri, Sales and Marketing Manager at the Napa Valley Marriott.
Wine Tourism Around the World (Courtyard I): In Italy, most wineries are not open to the public on a drop-in basis. In Argentina and Spain, some wineries build a huge, compelling structure that brings in tourists based on architecture as much as wine. Learn how wine tourism differs around the world and what techniques you might be able to employ in your own business. Speakers include Sylvie Tannhauser from Brickell Travel, Courtney Quinn from Our World, Our Community, and Wendy Cheropita from Wine Country Ontario.
Up and Coming Wine Tourism Destinations (Alexander Room): Napa and Sonoma are no longer the only places people think of when they consider a wine tourism visit in North America. Hear from a panel of people who are in the trenches, turning what were once unknown areas into wine tourism destinations. Speaking will be Mike Steele from the Lake Chelan Chamber of Commerce, Moya Dolsby from the Idaho Wine Commission, and January Wiese from the Texas Wine Trail. The panel will be moderated by Heather Herrig of Zephyr Adventures.
Organizing and Promoting Successful Wine Events (Ballroom): Wine events produce crowds, which sleep in hotels, eat in restaurants, and drink wine. How do you create an event for your winery or your community and should you do this on your own or partner with others? Hear from Beth Costa of The Wine Road, organizer of many annual events, and Paul Asikainen of Conn Creek Winery, whose Barrel Blending Seminar was named Most Innovative Winery Experience by the Great Wine Capitals Global Network.
Working with Concierges (Courtyard I): Concierges are very powerful "gatekeepers" for the hospitality community, channeling millions of dollars of recommendations to the region they represent. They are the first to see evolving tourism trends, and are entrusted to make the best match so that both the guest and the vendor benefit. Hear from a panel of professional concierges about the guest perspective. And gain insight on how to develop a strong working relationship with Concierges. Panel is led by Colby Smith, Executive Director of the Concierge Alliance of Napa Valley and Sonoma.
2:30 – 3:30 PM Working Together in Wine Tourism (Ballroom): If you are working on your own to improve your wine tourism, you are probably missing out on opportunities. Cooperation is the key and a rising tide raises all boats. Wineries work with other wineries, wine associations work with tourism associations, and hotels work with everyone. Hear from Linda Bruno, Managing Director of Consulente International; Maggie Anderson, Marketing Director of the British Columbia Wine Institute; and Tim Zahner, Director of Public Relations and Marketing at the Sonoma County Tourism Bureau. The panel will be moderated by Brian Baker of Chateau Montelena.
Consider participating in Flavor Napa Valley, a food and wine festival benefiting the Culinary Institute of America's scholarship fund. Events are ticketed and you must provide your own transportation.


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The Commissioner
Image: Museum Cooma
The Corrective Services NSW Museum is located at Cooma in the Monaro region of New South Wales. Adjacent to it stand Cooma Correctional Centre and other historic buildings.
The museum showcases the History of NSW Corrections since 1788. It contains information, displays and artefacts from convict days to the present.
Minimum security inmates are the tour guides.
There is wheelchair access to and throughout the museum.
Monday - Saturday 9:00am to 3:00pm
Please call (02) 6452 5974 to check for opening times
1 Vagg Street
Click here to view its location in Cooma
Starting out in one room in 1989 the museum moved into the decommissioned Cooma Correctional Centre in 1998. When the centre re-opened in 2002, two adjacent Corrective Services houses were converted into a new museum space and opened by the Commissioner of Corrective Services on 25 August 2005.
Highlights of the collection include an original portable cell, restraint devices (e.g. manacles and leg irons), convict and prisoner clothing, tin wear manufactured within prison industries, security equipment (e.g. riot shields and batons), contraband (e.g. inmate weapons, escape devices and tattoo guns), artefacts from the notorious Katingal gaol, photographs, videos, oral histories, and film documentation.
Museum Photos
This photo selection focuses on selected items in the museum collection. The museum brings together historical objects from correctional centres across the State of NSW to aid in their preservation, display and marketing. The collection has significant heritage value and contributes to an understanding of Australia's cultural history as a penal colony.
View the museum photo gallery
Museum Catalogue
Click here to search the Museum catalogue
Boom Gate Gallery
Long Bay Correctional Complex has a long tradition of creating significant inmate artwork. Inmates continue to practice art at the complex, with many pieces available for display and sale at the Boom Gate Gallery. You are encouraged to drop into the gallery just for a look.

redpajama_set_name: RedPajamaCommonCrawl


RGL may be the biggest North American TF2 league, but the prize pools just don't compare to ESEA.
About the playoffs, is it only the Invite teams that play them or is it the top 2 of Invite + 2-4 teams of each Open group that play another group stage first before playoffs?
How come Asiafortress doesn't have the same stream support for tftv like ESEA and ETF2L?


This was a really cool night. The Demon's Port is a real underground place. You have to be "in the know" for gigs here. Causa Sui thought this would be a good place to try out their new experimental approach on a live audience. It was a small crowd of about 40 or so on this Saturday night before Easter Sunday. The band started quite late. At least 10:30 and included the main Causa Sui line up of guitar, bass and drums plus Luz from Øresund Space Collective and Bland Bladen on congas and percussion, a sax player and Rasmus on synthesizers. The music is mostly improvised but some themes had been worked out in advance. It was a like a really cool mix of Hendrix, early 70's Miles Davis, and Kraut Rock styles. It really worked. I should also say some of the heavy stuff in the first set was really a lot like Hawkwind with a different styled guitar player. I think they played about 90 mins the first set and 2hrs the 2nd set. The band recorded it all on multitrack and one guy was video taping bits and pieces but very inconsistently. Probably can't use that for much of anything.. Cool stuff. Can't wait for the record..


text:
package ch.ntb.inf.deep.runtime.mpc555.test;

import ch.ntb.inf.deep.runtime.mpc555.driver.MPIOSM_DIO;
import ch.ntb.inf.deep.runtime.ppc32.Task;
import ch.ntb.inf.deep.runtime.util.Actionable;

public class ActionableTest1 implements Actionable {
	MPIOSM_DIO out;

	@Override
	public void action() {
		out.set(!out.get());
	}

	public ActionableTest1(int pin) {
		out = new MPIOSM_DIO(pin, true);
		out.set(false);
	}

	static {
		Task t = new Task(new ActionableTest1(15));
		t.period = 100;
		Task.install(t);
	}
}

redpajama_set_name: RedPajamaGithub


Students explore, profess, and reflect on our Catholic faith, which is the content of God's revelation found in Sacred Scripture and Sacred Tradition and lived out in the Creed and Church doctrine.
Students recognize the presence of Christ and enter into communion with Him through active, full, and conscious participation in the Liturgical celebrations and Sacraments of the Church.
Students develop a moral conscience that is informed by Church teachings and conformed to Christ, as modeled in a personal life of virtue, and demonstrated in service of the Gospel's demands for society.
Students experience and engage in Catholic expressions of prayer to deepen their relationship with God and the Church.
Students acquire and demonstrate skills to recognize their gifts and their vocation to share the Good News of Jesus Christ in word and deed in the world.


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Home Breaking Covid-19 Tracking Project shows California's Efforts are Paying off: Here's How
Covid-19 Tracking Project shows California's Efforts are Paying off: Here's How
As the Grand Princess cruise ship arrived off the coast of California, grim foreshadow of what was to come, Gov. Gavin Newsom issued the first statewide mandatory restrictions in the United States.
As other parts of the country battle to keep infected numbers and death tolls down, he required California's nearly 40 million residents to stay home to curb the outbreak, but his efforts didn't stop there.
While most of the states scramble for desperately needed equipment and supplies, Newsom this week declared an agreement for millions of masks for health care workers. Even though the state is still battling the outbreak, it finds itself able to donate hundreds of ventilators to hospitals across the country.
As of today, California and New York — the nation's hardest-hit state — had about the same amount of coronavirus cases in the first week of March, reported the COVID Tracking Project.
By Wednesday morning, California had over 17,000 cases compared to nearly eight times that in New York or over 140,000 cases. The Golden State has 452 deaths compared to New York's more than 5,000.
"When we write this history and look at the tens of thousands of lives in California that will have been spared, I think there will be lots of factors that went into it," announced Dr. Robert Wachter, professor of the Department of Medicine at the University of California in San Francisco.
"The most important was that leaders of all types — whether they were in government or businesses — took it seriously, understood that this was a real risk and did the right thing beforehand."
Take a look at what California did right and continues to battle as a state:
Equipment secured
After declaring two weeks ago that the state had issued 24.5 million N95 masks, Newsom, on Tuesday night, announced during a talk show, California had landed a deal for over 200 million protective covers per month.
Over three-quarters will be N95s, the rest surgical. Stating "enough is enough" when it comes to states competing for vital equipment, he added, "We're confident we can supply the needs of the state of California and potentially the needs of other Western states."
Contracts inked in recent days — including with a consortium of nonprofits and a California manufacturer — "give me confidence in being able to say that," the governor concluded the show with.
California has additionally done well not only refurbishing ventilators but gaining new ones — 1,225 from Tesla billionaire Elon Musk, who had agreed only to donate 1,000 of the devices.
The state's so far ahead of others when it comes to ventilators that it was able to send 500 of its ventilators to high alert spots like Illinois, New Jersey, and New York on Tuesday. Based on federal emergency officials' advice, ventilators will also be donated to Washington D.C., Delaware, Maryland, and likely Nevada.
New Jersey Gov. Phil Murphy tweeted his thankfulness Tuesday, saying his state is "beyond grateful" to Newsom, and "we will repay the favor when California needs it."
Los Angelenos can apply for testing and Receive care
As of Wednesday, 10 million residents in Los Angeles County are now eligible to apply for a coronavirus test without limited access.
There are "no longer any limits" on who can apply to be screened, Los Angeles Mayor Eric Garcetti announced during the Monday briefing—explaining that the county is abandoning prerequisites like having to be older than 65, History of medical conditions and weakened immune systems.
However, this doesn't mean officials have a test for everyone in the county — the most populated in the US –. Yet, the testing capacity is now more significant than the number of cases they've been receiving under the previous restrictions.
Face coverings mandated in Los Angeles Starting April 8th, 2020
Like San Bernadino County, where if you are spotted without a face covering, you could be fined up to 1,000$ or 99 days in jail. Employees and customers of essential Los Angeles jobs that are open during the stay-home order are required to wear face coverings and have the right to refuse anyone who is not starting Friday morning.
According to Garcetti's order, he said it was designed "to take care of those who are taking care of us."
Steps like this are why California sees accurate positive results. Many states that are not implementing the same strict ordinances are falling behind and wondering why. New York is being hit the hardest; however, it is taking the same steps as California to ease the growth and slow the deaths.
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Latest Coronavirus Vaccine Competitors
Resurgence Behavioral Health Trauma-Informed Treatment Program
Mental Health And Election Day 2020


Today was all about finishing some mugs.
First I trimmed them all. And then wrapped them up while I made the handles.
I start with little chunks of clay gently thrown against the table to make "carrot" shapes. For some reason, I'm not sure why, I stand them up as I'm making them?! Like little soldiers waiting to go into service. Or in this case, kinda like a little Stonehenge of Handles?!!!
Then I pull each handles individually the traditional way. After I get them to the right thickness & width, I loop them over on themselves and stand them up again. This way, the curve is already set as they stiffen up a bit.
When the handles get to the right stiffness, I start attaching them to the cylinders. The tricky part with doing this many is trying to keep the handles from drying too fast and all at the same time. So I keep them under wraps and give them an occasional spray of water. Then it's some scoring, slipping & attaching of the handles.
One after another… score… slip… attach… repeat.
Now that they are all "handled," I've got them under plastic wrap for the night. That way the moisture levels can balance out a bit. Tomorrow I will do some final detailing, smoothing and add some colored slip accents before I set them out to dry.
This afternoon I had a new tool to play with… thank you Sarah!
I think it will be fun to throw with to add some grooves on the sides of cylinders. But today was not a "throwing day" for me. So I decided to play with some slabs & some slip to see what it might do?!
First I dragged it across a slab of clay – and it makes some nice clean grooves.
Sharp edges down in the grooves with gently rounded edges on the tops.
Then I painted layers of slip on the slab and dragged the tool through.
on how to REALLY use this fun new tool!!!
Sure, just after I struggle to figure out my eight favorite pottery tools… I receive a new "contender" in the mail today from my friend & wonderful metalsmith Sarah Chapman. She knows I love textures… and we both have far too many tools in our studios!!! So what's one more tool from my "enabling" friend?! Thank you Sarah!!!
and see what wonderful things this tool can make for me?!
It's latest Facebook "trend" going around amongst the potters of the world!!!
Artists showing off their eight favorite tools in their studio. I thought about it for awhile and it was tough to narrow it down. I couldn't make it JUST eight… so I hope that "collections" of the same tools count as one?!!!
3. My Giffin Grip… one of my best gifts to myself!!!
4. My square plastic bats.
5. My wire tool…. love the rubber loop ends and extra thin wire.
6. My wooden knife… with worn down end from burnishing after trimming.
7. My Sherill Mudtools plastic ribs.
8. Last but surely not least… tool boxes full of my own handmade stamps.
Tonight I did a lot of stamping on a lot of cylinders that will become my latest batch of mugs. This batch was made with soda clay… destined for my next soda kiln firing.
So for now they're all wrapped up for the night. Tomorrow I'll do a lot of trimming… and hopefully add handles too!
Looks Like They'll Taste Like Fun.
it now looks like we may have another new flavor to look forward to!!!
Oreos have been around for 102 years. And since 2012, they've put out 35 different variations. We've tried a LOT of them over the years… and always ready to try a new one!!! Like S'mores… or Cotton Candy!!!
Click here for a great video where some "news correspondent" taste tests eighteen different flavors… after separating them into three groups. Classics. Fruit flavors. Dessert flavors… which is oddly redundant as Oreos are typically a dessert already?!
Of the one's he taste-tests, we've had most of them!!!
Still looking for Limeade, Watermelon, Banana Split and Root Beer Float.
But of the 35 variations since 2012… WHICH FLAVOR IS YOUR FAVORITE???
but registration is already open for the Spring Session of my Beginning Wheelthrowing Class!!! We start up again on Tuesday, April 7th for another 10-weeks of fun. Don't miss out… and don't end up on the Waiting List!!!
Click here to register online at www.lillstreet.com.
Good to see that everyone in the family gets to use some Fire When Ready Pottery!!!
Even Lazlo, the cute little one-eyed kitty who lives with my friend & metalsmith Amy Taylor.
Look what was waiting at my front door when I got home… a yummy care package from my favorite Girl Scout up in Minnesota!!! Let's "hope" this is enough cookies to curb my cravings. Thank you Caroline!!!


Last year, Liberated Muse Arts Group celebrated SWAN Day at the Potter's House with a musical concert titled "I'm Every Woman". We return to the Potter's House again this year, but this time with our theatrical musical presentation "In Her Words". "In Her Words" opened for 2013 last Saturday to over 100 audience members and we are excited for our SWAN Day show.
SWAN Day/Support Women Artists Now Day is a new international holiday that celebrates women artists. It is an annual event taking place on the last Saturday of March (Women's History Month) and the surrounding weeks. By focusing attention on the work of women artists, SWAN Day helps people imagine what the world might be like if women's art and perspectives were fully integrated into all of our lives.
People celebrate this new holiday by participating in SWAN Day events and by making donations to their favorite women artists. The long term goal of SWAN Dayis to inspire communities around the world to find new ways to recognize and support women artists as a basic element of civic planning.
We celebrated SWAN Day last year with a music concert featuring some of DC's most talented progressive artists who are longtime members of the Liberated Muse network. Performers included Colie Williams, LEA, Quineice, Mama Moon and Teisha Marie. The late singer/musician Derrick Marquis also did a medley of songs by prolific female soul artists. Liberated Muse founder Khadijah "Moon" Ali-Coleman hosted the evening.
The evening was a hit! We had a packed house that wound up with only standing room left. View photos on Facebook here.


We use an enzyme from White Labs called Clarity Ferm to gluten reduce our beer. This enzyme is added in during fermentation and is dosed at a rate to reduce gluten down below 20 ppm (parts per million).
Note: We use this product on all of our beers with the exception of wheat beers. WHEAT BEERS ARE NOT GLUTEN REDUCED.
Read more about Clarity Ferm here.


text:
Nvidia RTX 4060 and 4050 GPUs spotted – but don't get your hopes up too much
Best Super Bowl TV deals 2023: big-screen TVs from $380
Animal Crossing Is the Breath of the Wild Postgame I Always Dreamed Of
My Animal Crossing villager doing the most.
Image: io9 (Nintendo)
As you play your way through The Legend of Zelda: Breath of the Wild, you end up becoming the catalyst for the creation of Tarry Town, a brand new settlement composed of Hylians who come together to live in the middle of nowhere because—one assumes—they're tired of being harassed by the monsters that roam the land. This sentiment is extremely relatable.
Though there are enough side quests in the game to keep you busy for hours, there's a distinct way in which Breath of the Wild ultimately ends up feeling like a very specific sort of sandbox despite how expansive it is. Eventually, you run out of things to do, but I'd always felt as if there was potential for the game to continue to be engaging beyond the quest to defeat evil that you're initially presented with.
Between things like Tarry Town, your ability to cook, and the house that you are given the time to buy and outfit with whatever you like, Breath of the Wild shifts into life simulation territory when you spend enough time with it. But it somehow never quite gets around to feeling fully robust. Strange as it may sound, Animal Crossing: New Horizons feels like where Breath of the Wild should have ended up gameplay-wise.
For that handful of people who might somehow not be familiar with the franchise, each entry in the Animal Crossing series has focused on you moving to a new neighborhood and building a life for yourself as an assortment of anthropomorphic animals follow in your footsteps to become your neighbors. The recent Animal Crossing: New Horizons leaks have suggested that in coming months, the game is set to let you begin making foodstuffs in addition to being able to construct domestic tchotchkes. Were Nintendo's creation to go all in and let you become an entrepreneur the way that so many of your fellow islanders are, it would become a different kind of game—the sort that Breath of the Wild always could have been.
How to Keep the Fun (And Work, Ugh) Going During a Power
Depending on what Nintendo chooses to do, Breath of the Wild's upcoming sequel might exist in a wholly new space that incorporates things like Animal Crossing's core elements. You know, the ones we've all come to love amid the pandemic that makes the game's focus on basic chores feel strangely comforting. It wouldn't just be an adventure in which you're trying to save the people from destruction, it would be an adventure that leads to you living in and appreciating the world for what it is: a place we all share with one another and can only really exist in because we're there for one another. Doesn't that sound nice?
For more, make sure you're following us on our Instagram @io9dotcom.
Hi-Res View of Ryugu Asteroid Suggests It Had a Close Encounter With the Sun
How to make a video game
Kultur oplevelse i vejle? se de bedste kultur oplevelser i vejle. New hindi movies. Friday, january 27th, 2023.


text:
Spot In Sweet 16 Up For Grabs On Sunday
Notes Package | Irish NCAA Tournament Central
The University of Notre Dame men's basketball team earned a spot in the second round of the NCAA Championship with a 70-63 victory over #11 Michigan on Thursday, March 18. The Irish will face #14 Stephen F. Austin, who is coming off a 70-56 upset victory over #3 West Virginia, on Sunday, March 20 at approximately 2:40 p.m. ET on CBS.
DATE/TIME: Sunday, March 20, 2:40 p.m. (approx)
VENUE: Barclays Center (Capacity: 17,732)
CITY: Brooklyn, N.Y.
TELEVISION: CBS. Verne Lundquist (play-by-play), Jim Spanarkel (analyst), Allie LaForce (sidelines)
NOTRE DAME RADIO NETWORK : Check Affiliates (page 8 of full notes package). Jack Nolan (play-by-play). Torrian Jones (analyst)
WESTWOOD ONE NATIONAL RADIO: Chris Carinno (play-by-play)
Kelly Tripucka (analyst). Available on Sirius Channel 81 and XM Channel 201
NOTRE DAME IN THE NCAA CHAMPIONSHIP – BY THE NUMBERS:
.700 – Shooting percentage in NCAA tournament play (35-50) for senior forward Zach Auguste after going 4-5 from the field vs. Michigan on Thursday.
1.000 – Shooting percentage from the floor (7-7) for junior forward V.J. Beachem vs. Michigan. He also his all four three point field goals he attempted – the ninth time this season Beachem has hit four or more three pointers.
8 – NCAA tournament appearances for the Irish over the last 10 years.
11 – Three point field goals in post season play for V.J. Beachem. He is shooting .647 (11-17) from behind the arc in Notre Dame's last three games.
11.9 – Rebounds per game average over the past 17 games for senior forward Zach Auguste. Over that same stretch, Auguste failed to grab 10 or more rebounds only three times and never less than eight in a game.
14 – Three pointers made off the bench for freshman Matt Ryan in the last eight games. He is 14-29 (.482) from behind the arc during that same stretch.
18 – Points scored by V.J. Beachem vs. Michigan in the NCAA first round on Thursday. In four NCAA games last season, Beachem only scored four total points. He also played 35 minutes vs. the Wolverines, surpassing his 19 combined minutes played in NCAA action last year. (for more on Beachem in the post season, see page 2).
20 – Double-Doubles (points, rebounds) compiled by Zach Auguste this season – the most recent a 12-rebound, 10-point effort vs. Michigan on Thursday.
22 – Points scored by Irish head coach Mike Brey vs. Stephen F. Austin on Jan. 27, 1979, a career-high for Brey's collegiate playing career (see side bar page 2 for more information).
35 – Notre Dame is making its 35th appearance in the NCAA tournament, tied for eighth-most all-time.
54 – Program-record wins over a two-year span for the Irish. Notre Dame was 32-6 in 2014-15 and are 22-11 this season.
117.7 – Notre Dame's adjust offensive efficiency rating as compiled by Ken Pom.com – the 11th-best in the nation.
1,187 – Wins in Notre Dame men's basketball history, ranked eighth all-time. Since Mike Brey took over the Irish program in 2000-01, the Irish have moved from 12th to 8th on the all-time wins list.
2015 NCAA CHAMPIONSHIP, SECOND ROUND: Sixth-seeded Notre Dame earned a spot in the second round of the NCAA Championship with a 70-63 victory over #11 Michigan on Thursday, March 18. The Irish will face #14 Stephen F. Austin, who is coming off a 70-56 upset victory over #3 West Virginia.
This is the 35th overall appearance by Notre Dame in the NCAA Tournament and 17th since the field expanded to 64 in 1985. The spot is also the 11th earned in the Mike Brey era (start of the 2001 season) and eighth in the last 10 years. The Irish are coming off a historic run to the Elite Eight in last season's tournament, knocking off #14 Northeastern, #6 Butler and #7 Wichita State before falling to #1 seed Kentucky by two points just one game away from the Final Four.
Historically, the Irish are 35-38 in NCAA Competition since participating in the tournament for the first time in 1953 and are 10-10 under Mike Brey. As a sixth-seeded team, the Irish are 2-3 in the tournament, with victories over Xavier in 2001 and Michigan on Thursday, with losses to #3 Mississippi in 2001, #11 Winthrop in 2007 and #11 Old Dominion in 2010.
BEACHEM STEPPING UP IN MARCH:
It was a forgettable post season for junior V.J. Beachem last year. While the Irish team pushed toward the ACC Championship and eventual Elite Eight run in the NCAA Championship, Beachem's minutes and production dropped. Then a sophomore, Beachem scored just 14 points combined in the ACC and NCAA Championships.
But if this season's ACC Championship and first round NCAA efforts are any indication, Beachem is focused on putting last season's slow March behind him.
In the ACC Quarterfinals vs. Duke on March 10, Beachem tied for the team lead with 19 points, going 7-12 from the field with four three point field goals and matching his career high in minutes played (38).
His three pointer at 2:35 left in regulation gave the Irish their first lead of the game since the early minutes, he then followed up with a three pointer during Notre Dame's second possession of overtime to put the Irish head to stay.
In the ACC semifinal loss to North Carolina, Beachem continued his hot shooting with 11 points, going 3-6 from behind the arc.
Against Michigan in the NCAA first round game Thursday, Beachem was 7-7 from the field with four three point field goals for 18 points. His penchant for clutch three pointers continued as well, with a three-point field goal to give the Irish a 62-59 lead with 3:43 remaining – a lead the team would hold onto for the victory.
Entering NCAA tournament second round action, Beachem is 16-28 (.571) from behind the three point line in Notre Dame's last six games.
Mike Brey VS. STEPHEN F. AUSTIN:
Notre Dame has never faced Stephen F. Austin in NCAA basketball compeition, but Irish head coach Mike Brey has. In his playing career at Northwestern State (La.), Brey had his career-best scoring effort vs. the Lumberjacks on Jan. 27, 1979.
Leading the Demons with 22 points, Brey helped Northwestern State to a 63-60 victory over their Southland Conference rivals in Nacogdoches, Texas.
Brey played three years for the Demons, leading the team in assists and steals all three years before transferring to George Washington after the 1979-80 season for his final year of eligibility, which he played in 1981-82.
In 2013, Northwestern State named Brey to its `Fab 50′ as one of its top players in the first 100 years of basketball at the school.
Men's Basketball Balanced Performance Leads Irish To 80-70 Win Over Boston College
Men's Basketball @NDMBB | Highlights vs. Boston College (1.16.2021)
Men's Basketball @NDMBB |Mike Brey Press Conference - Boston College (01.16.21)


Shipwreck at the port in Ushuaia, the Patagonia has many shipwrecks! Argentina.
End of the World Museum and a blue double-decker bus in Ushuaia.
A huge A-framed building stands out among others in Ushuaia.
The port in Ushuaia with amazing mountain ranges of snow behind.
Museum of the End of the World and a bust of Adrien de Gerlache (1866-1934), an explorer from Belgium, Ushuaia.
A long row of busts of important people along the waterfront in Ushuaia.


This entry was posted in Progress Updates and tagged ashley, chapter 2-1, hd project, resident evil 4 remaster. Bookmark the permalink.
Thanks for the update. Looking forward to the chapter's completion.
Can't wait for this bad boy to be finalized. You guys are awesome!
Our favourite monkey-eared damsel in distress is looking better than ever!
Good job with the punisher textures too. Can't wait to see more on chapter 2!
In my memories of NGC release there was a light on the torch, to say there was an item hidden in it if you break it, near the merchant in the cave at the beginning of this chapter, but was missing since PS2.
I can't check it right now I'd need a video or picture showing that. Do you have it? Are you 100% sure about that?
Can you remember any other spinel in the game that shines before shooting the torch?
please send me the link i love this texture.
After verification it's on the 1st PC release this litte help, the spinel is even visible attached under the torch and there was the same shiny effect you have for the items revealed after you break the torch in the tunnel between the village ans the chruch (chapter 1-3).
To answer the question in the other response, yes there are others i remember, 2-1 after you got the key for the church in the room with the boat there is a torch on the right when you're in, 1st chapter of the castle in the second room break the torch close to the door to the next room after the merchant, another later in the trial about lion and sacrifice in the room where sand is falling there is a torch here too, and maybe others but i remember that better when playing.
But like i said 'm more interested about your choice to do it or not.
Ahh! the PS2 and old PC versions had visible spinels because you can't break the torches in those ports. That's the reason.
Ah so that's why, i've noticed it wasn't breakable but i hadn't thought it could be the cause of PS2.
So yeah it makes more sense to leave it hidden like it originaly was, thanks.
Thanks for all of your hard work, I can't wait to replay this game in all it's new found glory, I've finished this game at least 15 times and have all the achievements on Steam already, but this is one that never gets old!
Por cierto una pena que el motor no permita esas sombras proyectadas, el juego de sombras con la linterna y los perros hubiese quedado brillante.
Hi, congratulations for your amazing job on it. Instead of asking when will it be released, I would like to ask if you guys have a standard that you aim to achieve. Cause you know, a perfectionist without a deadline will never stop tweaking details and etc… And if you do, how far is it?
We've reached that point with Chapter 1.
As I mentioned, we'll focus on next chapters and we won't touch up anything else until the "pre-final" release is out.
What if done with Chapter 1 (1-Post a video. 2-Pay attention to feedback and correct a few things. 3-Final huge comparison gallery for the entire Chapter) is what I want to do for the rest of the game.
Thank you for being so kind and answering our questions.
El modelo (persona) que escanean para modelar el personaje en cada juego es distinto. Cada uno tiene una nariz distinta. En RE4 la nariz es así, en juegos posteriores usaron a modelos que tenían la nariz más "afilada" por lo que parece. Así que no es una cuestión de que esté mejor o peor, sino que la persona en la que se basan para crear al personaje es diferente.
Hay que recordar que estamos haciendo un remaster, no un remake, y queremos ser fieles al material y diseño original.
Lookin' great. Looking forward seeing geometric improvements on Ashley's in game model.
Take your time. Don't need to work as fast as possible.. just take it easy and keep it enjoyable for you.
Can I ask something that has nothing to do with your project?
Does not this game have dynamic shadows?
Because in my view, it looks like the shadows are something that stays static, as if it were drawn manually and not generated.
Congratulations on the job, I have never seen anyone doing something on this level.
Send a hello to Brazil.
The game engine is too old for that. It would have to be change from very deep in the game code, and I dont want to imagine the amount of glitches it would create (if it is even possible).
In any case, the shadows could change the artistic design of the game, and they are trying to stay faithful to the original version.
So glad to see an update!! Thank you so so much for your work!!!


During my career, I have worked for NGOs such as Care International and Greenpeace, as well as smaller NGOs that focus on more local issues, such as the DC Central Kitchen. Separately, I've worked with the corporate suppliers of NGOs — like Motorola and Glaxo — who see value in associating themselves with charities and non-profit causes. So, as a photojournalist, which is the better route to take professionally?
I've had good experiences with both NGOs and their suppliers. But for a photojournalist trying to break in to this kind of work, I think the supplier path usually makes more sense.
Working directly for NGOs is great experience if you can get it. Unfortunately, NGO work is in high demand among photojournalists building out their portfolios. NGOs recognize that in many cases (not all), the photographer benefits more from the relationship than the NGO.
So, when you approach an NGO for work, you will need to overcome their doubts over your true motivation for working with them. Even then, unless you are James Nachtwey, these organizations tend to place a lot of rules and restrictions on the relationship.
Recognition for producing work that makes a difference.
Strong material for your portfolio that will lead to more work.
Material for a book project or editorial assignment.
A simple sense of satisfaction and being able to help.
With NGOs, all these things are very much in their hands. They can easily restrict access to your subject whenever they want to, demand unreasonable usage terms for the work, demand a percentage of royalties from commercial deals, and so forth.
Look at it from their perspective. They are always looking for sources of funding — and the old line that your work will help increase awareness of their cause which, in turn, will result in more funding, just does not cut it any more. This is certainly true of the larger, more established NGOs. With smaller organizations, this approach may still work, but there are no guarantees.
As a photojournalist, your aim should be to remove as much dependency on the NGO as possible, while still getting access to your subject. I've found that a good way to do this is to work with an NGO's suppliers rather than the NGO itself.
NGO suppliers are often large corporations, devoting some aspect of their time and/or budget to social and humanitarian responsibility. They may supply food, medicines, tents, bedding, water pumps, generators, financing, political influence, transportation, books for children, building materials and tools, or communications equipment. And they are regularly looking for opportunities to be seen making such efforts. It's good for business. And a good photojournalist can help them deliver that message.
Where can information be found on such organizations? Take a look at www.devdir.org, www.onphilanthropy.com and www.thecro.com. You will need to do some research and make some contacts within the organizations you want to work with.
This kind of project is about establishing a working relationship with a valuable partner, getting to do what you want to do, and getting paid to do so. Yes, there is work involved, but if you are passionate about it, and committed to a cause, it should not feel like work.
By doing your work through the NGO suppliers, the NGOs still benefit, but not at their expense — or yours. You get to work in a freer, more creative environment with a better budget and more control over what you produce. The only real requirement is to show the supplier's products or services in a positive way. Other than that, once you are on the ground in a remote environment, the NGO team is likely to give you the freedom to take the shots you want.
Whichever path you choose to follow, I encourage photojournalists to pursue more assignments based on their value to the subject, rather than the bottom line. Yes, earning a living is critical for us to be able to continue doing what we do. But few things are more rewarding than helping the causes we believe in through our work.


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Inclusive, sustainable, transparent and accountable government institutions are at the core of sustainable development. Focusing on low- and middle-income countries, 3ie is supporting the generation of evidence in areas such as transparency and accountability in natural resource governance. We are also supporting the generation and use of evidence on interventions to curb corruption, judicial and civil service reform, land reform, public sector management, conflict prevention and peacebuilding, decentralised governance and public service delivery.
Under our Transparency and Accountability Evidence Programme, we are supporting rigorous impact evaluations of initiatives aimed at improving governance and accountability of natural resources in the extractives sector in Ghana, Ecuador, Mozambique, India, Peru, Tanzania and Uganda.
As part of our Development Priorities Evidence Programme, 3ie is supporting impact evaluations in Bangladesh on the effectiveness of judicial reform, in Colombia on programmes to reduce crime and violence, and in Pakistan to improve public service delivery.
We are working closely with the South Africa Department of Rural Development and Land Reform in supporting an impact evaluation of aspects of the land restitution programme.
For more information, please write to info@3ieimpact.org. To receive alerts about call for proposals, please sign up here.
Transparency and Accountability in Natural Resources Evidence Programme
Mapping the evidence on state-society relations
Evidence gap map Brief 3ie 2017
This brief presents the findings of an evidence gap map that identifies the evidence on the effects of interventions that seek to improve state-society relations. An increasing number of systematic reviews and impact evaluations addressing this topic have been published in recent years. However, clear gaps remain.
State-society relations in low- and middle-income countries: an evidence gap map
This report presents the findings of an evidence gap map that identifies the evidence on the effects of interventions that seek to improve state-society relations.
Do incentives improve tax collectors' performance and increase tax collection in Pakistan?
Impact evaluation Brief 3ie 2017
Researchers worked with the provincial government in Punjab to evaluate the impact of a pay-for-performances scheme for tax collectors. The scheme aimed to incentivise tax collection while maintaining or improving assessment accuracy.
Interventions to promote social cohesion in Sub-Saharan Africa
The relationship between social cohesion and a range of social, economic and political developments outcomes have received increased attention in recent decades.
The GoBifo project evaluation report: Assessing the impacts of community-driven development in Sierra Leone
In this study, Katherine Casey, Rachel Glennerster and Edward Miguel evaluate the impact of GoBifo, a community driven development programme in Sierra Leone.
Social and economic impacts of Tuungane: final report on the effects of a community-driven reconstruction programme in the Democratic Republic of Congo
In recent years, community-driven reconstruction (CDR) programmes have aimed to promote local development in post-conflict settings.
Using information to break the political resource curse in natural gas management in Mozambique
This study evaluated the impact of providing information to local leaders and communities about the discovery of natural gas in Mozambique, and the implications for provincial government revenues and job creation.
This study evaluated the impact of intensive policing and municipal services in targeted hotspots in Bogotá.
Can the wounds of war be healed? Experimental evidence on reconciliation in Sierra Leone
This report evaluates the impact of a reconciliation programme implemented in post-conflict Sierra Leone.
How should Tanzania use its natural gas? Citizens' views from a nationwide Deliberative Poll
In 2010, Tanzania discovered natural gas reserves off its southern coast worth roughly 15 times its annual gross domestic product.
Does incorporating participation and accountability improve development outcomes? Meta-analysis and framework synthesis
This systematic review by Waddington, Sonnenfeld and colleagues examined high-quality evidence from 35 citizen engagement programmes in low- and middle-income countries.
There are no evidence gap maps
There are no replication studies
Video lecture 10: Impact evaluation for democracy and governance
Reversing the resource curse through impact evaluations


Valentino's signature pyramid rockstuds punctuate the geometry of a deconstructed cage slide cut from gorgeously burnished full-grain leather.
Choose a sizeRuns small; order next size up. Sized according to Italian sizes.


A must-have for any art or sneaker collection. These come with a wall-ready stand.
These are one of one custom Reebok Classics in size 10. These shoes are painted by artist John "Crash" Matos from the South Bronx.
Crash has been active in the South Bronx writing graffiti and making pieces since the early '70s.
Born John Matos in 1961, CRASH was raised in the Bronx, New York. At the age of 13, he began following the older teens from his neighborhood to the train yards and began bombing. Taking the name "CRASH" after he accidentally crashed the computer in his school, his name began appearing on trains circulating all throughout New York City. By 1980, he began transitioning from train yards to galleries, he curated the ground-breaking "Graffiti Art Success for America" at Fashion MODA, launching the graffiti movement that has remained very active through today.


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The latest figures published for Q2 show that we could be as much as 1000 tonnes short of the target if we follow 2015 trends.
Despite being on track to hit the Environment Agency projected target, unless schemes draw upon surplus batteries from prior years or step up collections, there could be a shortfall. But at what cost to the market?
The proportion of cheaper and more readily available lead-acid chemistry batteries being used to fulfil targets is now starting to subside. This may be a contributor to the performance year to date where collections have fallen below treatment for two quarters. If we look at the medium term impact, what does the Q2 battery data indicate about meeting the 2016 targets and the setting of 2017 budgets?
Since Q1 we have started off with our lowest battery collection rate since 2013, meaning a bigger uphill battle to achieve the 45% target compared to recent years. So far we could be a little way short of the 17,000 tonnes estimated battery recycling target in 2016, and this leaves two options - step-up up collections in Q3 and Q4, or draw upon surplus collections from prior years.
The former follows performance from 2015 but points towards more costly chemistries, whilst the latter requires a longer term strategy in place to map battery sales growth and producer demand, and carrying over collections from 2015 to meet the 45% target.
Ecosurety have been tracking the market for our own supply, and where excess is available for a 'rainy day' to mitigate shortfalls.
As a result of recent increased targets and treatment costs, some producers have been prompted to re-tender for their batteries compliance provider. Without a surplus buffer, increased costs can only be passed on.
With the possibility of meeting 2016 targets looking tight, the security of battery supply for 2017 becomes an added dynamic, in addition to the cost and chemistry make-up of battery recycling to consider.
The Q2 data is a barometer of where the UK and individual schemes are towards their end of year obligation, and indicate any mid-year adjustments that are required, either relying on existing collections bringing home the additional tonnages required, or calling upon reserves to top up at the end of the year.
Watch this space in November as the Q3 data is released, when we will see if the UK is still on track to hit the member state target of 45%.
To discuss your batteries compliance obligations please contact our team of specialists on 0845 094 2228 or email info@ecosurety.com.


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info@royaltheatrecastlebar.ie
The Royal Theatre Castlebar
TF Hotel
Theatre Specification
The Fureys - Live in Concert
DATE:Fri 17th Jan 2020
DOORS: 7pm SHOW 8pm
TICKETS: € 30.00 Reserved seating
(Inc Booking Fee)
Contact Box Office (094) 9023111
Legends of Irish music & song The FUREYS, renowned for their hit songs 'I will love you', 'When you were sweet 16', 'The Green fields of France', 'The old man', 'Red rose café', 'From Clare to here', 'Her father didn't like me anyway', 'Leaving Nancy', 'Steal away' etc return on Friday 17th January.
The FUREYS have been entertaining audiences worldwide for 42 years, audiences that have included former Australian Prime Minister John Howard, Former Irish President Mary McAleese and the late Pope John Paul while Tony Blair has publicly stated his favourite peace song of all time is the FUREYS "Green Fields of France" and President Michael D Higgins attended their last concert in National Concert Hall.
The oldest of the brothers, Eddie Furey left home in 1966 and travelled to Scotland at the time of the great folk revival where he shared accommodation with then unknown folk singers Billy Connolly, Gerry Rafferty and Alex Campbell. In 1969 with his brother Finbar, he was the special guest for the Clancy Brothers and Tommy Makem throughout the USA and Canada. In 1971 he moved to mainland Europe where he toured for seven years. Dave Stewart from the Eurythmics has credited Eddie with teaching him his first chords on guitar when they met up in the North East of England while Dave was still a teenager.
Relax in luxurious surroundings. Newly renovated accommodation, 26 luxurious rooms & suites. With Great Service, Superb Value and tremendous Attention to Detail - the Hotel's Accommodation offers a choice of either Suites or En-Suite Bedrooms to all of its guests...
Accommodation Packages for this event will be published here shortly. Call our Box Office today on (094) 9023111 if you are interested in buying an Accommodation Package for this event.
There are an array of dining options available here on site at The Royal Theatre Castlebar. Come early to soak up the atmosphere, grab a bite to eat and head straight into the theatre to enjoy the show.
Here at The TF Royal Hotel & Theatre we only use the finest & freshest locally sourced ingredients. Our menus are specially prepared daily ...
We have ensured that there are specific areas designed for wheelchair users within our ground floor. There are also several parking spaces reserved for patrons with disabilities
Midwest Radio - 30TH Birthday Celebration
American Wrestling
ABBA Sensations
The Wolfe Tones
Bingo Loco
The Elvis Spectacular
Sean & Conor Price
The Joe Dolan Show - As it Was
The Miami Showband Story
Beyond The Barricade
Fáinne Óir
Biggest 80's -90's Disco
Agatha Christies - "A Murder is Announced"
Fred Cooke - Fredspace
Frankies Guys
Irelands Curvy Fashion Festival
Bagatelle - Live in Concert
A Country Night in Nashville
David McSavage
FAME The Musical
Beyond The Horizon - Ireland's New Pink Floyd Tribute Show
Mike Denver & Guests
Madagascar The Musical
Nathan Carter
The Three Amigos
Reeling in The Showband years
The Fureys
The Royal Moscow Ballet - Sleeping Beauty
Old Westport Road, Castlebar, Co Mayo, F23 R288
Developed By RKMDesign
Copyright © 2019 - All Rights Reserved - The Royal Theatre Castlebar


League One Bradford City secured an FA Cup fourth-round trip to Chelsea after a convincing win over 10-man Millwall.
City, League Cup finalists in 2013, dominated their Championship visitors, scoring three first-half goals after defender Mark Beevers was sent off.
It is the first time in 15 years Bradford have reached the FA Cup fourth round, while defeat for Millwall continued their torrid run of form in recent weeks.
The Championship strugglers, 22nd in their division, arrived at Bradford looking for only their second win in 13 games and they got off to the worst possible start by having a man sent off and conceding a goal in the opening 10 minutes.
The Lions struggled on a muddy pitch from the outset and when a ball over the top bounced awkwardly for the defence, Hanson's attempt to run through on goal was ended when Beevers pulled back the Bradford striker and the Millwall defender was subsequently shown a red card.
Moments later, Bradford capitalised on a Millwall defence still trying to organise itself by taking the lead. Halliday's corner was flicked on by Rory McArdle and Hanson was left unmarked to power in a header at the far post.
The early goal mirrored the start of the first game between the two sides, when Bradford also grabbed an early lead, but on that occasion Millwall fought back to force the replay.
This time, Millwall's defence quickly conceded a second as a set piece again proved their undoing when Filipe Morais's free-kick was headed down by Andrew Davies for Stead to sweep home.
The away side's frustrations bubbled over soon after as a foul by Millwall skipper Alan Dunne prompted a melee between both sets of players that also resulted in Bradford manager Phil Parkinson and his assistant Steve Parkin being sent to the stands for their reaction to the initial challenge.
But, even without the presence of their manager on the touchline, Bradford continued to dominate a sorry Millwall side, who did not muster a shot on goal until the 85th minute.
The hosts added a third through Halliday's close-range finish before the break before Knott capitalised on poor defending to seal victory in the second half.
"There was a big prize at stake, to get the club into the fourth round for the first time in 15 years, so the tie at Stamford Bridge, we wanted to achieve that and we focused on the factors that would help us.
"I said to the lads at half-time I had to apologise for that [being sent to the stands] because I had to ask them to keep their cool and stay on the pitch.
"But I'm glad it didn't ruin a great night. The lads didn't need us on the touchline anyway. It was nice and quiet for us in the stands."
Match ends, Bradford City 4, Millwall 0.
Second Half ends, Bradford City 4, Millwall 0.
Magaye Gueye (Millwall) wins a free kick in the defensive half.
Corner, Bradford City. Conceded by Alan Dunne.
Attempt missed. Andy Halliday (Bradford City) right footed shot from outside the box is high and wide to the right following a set piece situation.
Filipe Morais (Bradford City) wins a free kick in the defensive half.
Attempt saved. Magaye Gueye (Millwall) left footed shot from the centre of the box is saved in the top right corner.
Hand ball by Filipe Morais (Bradford City).
Stephen Darby (Bradford City) wins a free kick on the left wing.
Attempt missed. Lee Gregory (Millwall) right footed shot from the centre of the box is close, but misses to the left following a set piece situation.
Foul by Andy Halliday (Bradford City).
Attempt saved. Francois Zoko (Bradford City) left footed shot from outside the box is saved in the centre of the goal.
Substitution, Bradford City. Christopher Routis replaces James Hanson.
Mark Yeates (Bradford City) wins a free kick in the defensive half.
Hand ball by Francois Zoko (Bradford City).
Attempt saved. Francois Zoko (Bradford City) header from the centre of the box is saved in the top centre of the goal.
Substitution, Bradford City. Mark Yeates replaces Billy Knott.
Francois Zoko (Bradford City) hits the left post with a right footed shot from the centre of the box.
Corner, Millwall. Conceded by Stephen Darby.
Foul by Francois Zoko (Bradford City).
Danny Shittu (Millwall) wins a free kick in the attacking half.
Nadjim Abdou (Millwall) is shown the yellow card.
Stephen Darby (Bradford City) wins a free kick in the defensive half.
Substitution, Bradford City. Francois Zoko replaces Jon Stead.
Andrew Davies (Bradford City) wins a free kick in the defensive half.
Attempt missed. Andy Halliday (Bradford City) left footed shot from outside the box is close, but misses to the left.
Foul by Stephen Darby (Bradford City).


Though the Bush Theatre has gained a huge reputation as one of London's top fringe theatres, balancing the charm of its intimacy with the severe limitation of the venue perched above a pub in Shepherds Bush has been something of a trial and so the opportunity to relocate to an old library just around the corner was gratefully seized and a new chapter in the Bush's history commenced. Where's My Seat offers audiences a preview of what the theatre will become, as it is still under construction and development, as three short plays test-drive the space and feedback from the audience actively sought from compère-for-the-evening Ralf Little.
Deirdre Kinahan's The Fingers of Faversham was probably the most fun of the playlets, featuring the entire company and the silliest of set-ups, incorporating several of the wackier props, as an am-dram society welcomes a new director who takes their production of Wind in the Willows and turns it into an overblown psychodrama about class struggles and homosexual repression, allowing the group to explore their worst theatrical excesses to frequently hilarious effect. Nina Sosanya's Denise was excellent as the touchy-feely director using the most gruesome necklace ever seen and Hugh Skinner as the needy young man playing a gay singing Ratty and Richard Cordery's fan-of-spanking Toady were also great fun.
That was played in thrust but during the first interval the seats were reconfigured in the round for Tom Well's Fossils. This was essentially a two hander with Francesca Annis and Richard Cordery as two old friends who meet after a long time and reminisce about what romance might have happened between them and the life they might have led. Again, the absurd worked its way into the play through the props in a most funny but touchingly lovely way as well and with actors of the calibre of these two, this was an utterly subtle but true delight.
The final piece, Red Car Blue Car by Jack Thorne, shifted the tone into a darker place with the most serious of the plays and less obvious concession to the complete randomness of the prop selection. And despite it being the dramatically strongest and more interestingly written of the three, one might even say that this could have been written for any space anywhere whereas the others were directly linked to the challenges set, but it was still highly enjoyable, essentially another two-hander this time with Hugo Speer and Nina Sosanya whose everyday stories intersect in a shocking way, Speer in particular shining here with a heartbreaking turn.
That was performed end-on with a raised stage which was probably my least favourite of the configurations as it didn't feel a natural fit into the room nor did it really maximise the potential for using the space and creating the intimacy that the thrust and in-the-round productions were able to generate through the proximity of the actors. There's an opportunity to take a tour around the building which I highly recommend as going backstage and all around is lots of fun and a great way to spend the second interval which is the longer as it takes a while to get the seats prepped for the last show.
Where's My Seat may have seemed an unusual way to open a theatre's tenure in a new building but it is an extremely successful one which provides a unique opportunity to follow the journey of a theatre in transition but also experiment along with them and actually influence the way the Bush will work in the new space. It is an ingenious way of reaffirming the connection with existing Bush audiences but also in reaching out to new people and the local community who will be vital in soaking up the extra capacity at the new venue. It's a brave and bold statement, but one that really works and should lay the basis for a very interesting inaugural Autumn/Winter season.
I went on Friday and thought it was great fun. The plays were all of a good standard plus getting to nose around the building was a treat.
It also happened to be my old library so it was lovely to see it being used in a constructive way.
That is nice: I do think it is a canny 'recycling' of a venue that, if it can capitalise on existing connections with the local community, should help ease the transition of the theatre to the new (and bigger) space.


All retail cars sold are fully prepared and include - Oil & filter service, 6 months warranty, minimum 6 months Mot, 12 months AA breakdown cover, HPI vehicle check assuring you that your new vehicle will have no registered accident claims reported, or any outstanding finance, Government VOSA Mot mileage check. Because we are an AA approved dealer, all our vehicles come with free AA breakdown cover and a free AA history check. Low rate finance available. Up to 3 years warranty available.
All retail cars sold are fully prepared and include - Oil & filter service, 6 months warranty, minimum 6 months Mot, 12 months AA breakdown cover, HPI vehicle check assuring you that your new vehicle will have no registered accident claims reported, or any outstanding finance, Government VOSA Mot mileage check. We are pleased to offer this beautiful high spec Subaru forester xc. In lovely pearl/metallic white paintwork, Full Subaru service history, with Satellite navigation, Electric-heated leather seats, Leather multi-function steering wheel, Electric glass opening sunroof, Dual-climate control, Colour reversing camera, Privacy Glass, Electric folding mirrors, Cruise-control, Bluetooth telephone kit, Auto wipers and headlights,17" Alloy wheels, usb input etc. This car is immaculately presented and ready for it`s new owner. Because we are an AA approved dealer, all our vehicles come with free AA history check. Low rate finance available. Up to 3 years warranty available.
We are located on the Surrey/Hampshire border and just 30 miles from the heart of London, 1 mile from junction 4a of the M3, 20 minutes from the M25 and 25 minutes from the M4. Our local train station is Fleet which is also only a mile away and on the main line from Waterloo to Southampton. If travelling by train please let us know what time you'll be arriving and we can come and collect you. If you have any questions please do not hesitate to call us on 01252 629100.


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package org.eiichiro.gig;

@Stereotype1
class Object4 {}


text:
En los antiguos gremios de oficios mecánicos se llamaba alcalde alarife al presidente de la junta que además contaba con dos diputados y cuatro del oficio, a elección.

Según las Ordenanzas de Sevilla eran obligaciones del alcalde alarife a examinar con dos acompañados a los aspirantes a oficiales de carpintería de lo blanco y de lo prieto, y entalladores y violeros, marcar con los veedores la madera que traían los mercaderes a Sevilla cobrando de derechos por su trabajo dos maravedís por carro, firmar el libro en que se asentaban los nombres de todos los oficiales aprobados el cual junto con los caudales del gremio se guardaban en un arca de tres llaves depositada en casa del alcalde. Todos los oficios se elegían el día de la fiesta del Corpus o al día siguiente.

Referencias
Diccionario general de arquitectura é iǹgeniería ..., Pelayo Clairac y Saenz, 1877

Antiguas ocupaciones

redpajama_set_name: RedPajamaWikipedia


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Home Airlines Atlas Air Takes Delivery of New Boeing 747-8 Freighter
Atlas Air Takes Delivery of New Boeing 747-8 Freighter
Atlas Air, Inc., a subsidiary of Atlas Air Worldwide Holdings, Inc. today announced it has taken delivery of a Boeing 747-8 Freighter. This aircraft is the third of four new Boeing 747-8 Freighters Atlas Air ordered in January 2021 and is the first of two 747-8Fs Atlas Air will operate for its customer Kuehne+Nagel under a long-term agreement.
"This 747-8F delivery underscores the importance of our long-term strategic partnership with Kuehne+Nagel and our commitment to support their continued growth and expansion," said John Dietrich, President and Chief Executive Officer, Atlas Air Worldwide. "We are pleased to provide their first dedicated aircraft which will proudly fly in a custom Kuehne+Nagel livery. "The two 747-8Fs we will operate for Kuehne+Nagel will add more capacity and versatility for their network."
Yngve Ruud, a Member of the Management Board of Kuehne+Nagel, responsible for Air Logistics, said: "It is a very special moment for us to see Kuehne+Nagel 747-8F 'Inspire.' "taking off. Together with the very last 747-8F that we named 'Empower.', these aircraft will support our customers with reliable and flexible solutions globally, continuing the legacy of the most incredible aviation programs in history. "We are delighted to celebrate this with our partners Atlas Air and Boeing and looking forward to seeing our aircraft connecting the world."
"With Atlas Air taking delivery of the final 747s for its customer Kuehne+Nagel, this iconic Boeing airplane will continue to move cargo around the world for decades to come," said Kim Smith, Vice President and General Manager of the Boeing 747/767 Program. "As we say goodbye to the 'Queen of the Skies, we're proud of her legacy as an airplane that propelled aviation innovation and later laid the foundation of our family of freighters.
Carsten Hernig becomes the new Managing Director at PACTL for Lufthansa Cargo
Freighter fleet expected to grow by 2.3% per year
2.4 million passengers traveled with SAS in November
Airlines December 10, 2019
Saudia Cargo joins hands with e-booking platform cargo.one
Air Cargo April 15, 2021


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We have amazing relationships with local limousine and bus companies in South Fayette that can take care of guest arrivals and departures. Similar to a DMC company we specialize in local transportation logistics and corporate travel planning. Experienced chauffeurs will be able to drive you to and from any specified locations, as well as recommend local favorites your guests might want to stop by.
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UN Women/Ryan Brown
FROM THE FIELD: Murals help heal wounds of bloody conflict in Guatemala
"The villagers knew that the military kidnapped [indigenous] people and brought them here and tortured them. While alive, they were forced to dig their own graves. Some would be buried in the ground, here, still half alive." The chilling words of Rosalina Tuyuc Velásquez, a member of an indigenous group in Guatemala.
OCHA/Philippe Kropf
Friday's Daily Brief: human rights in Colombia, Myanmar and Nigeria, global displacement, and more
This Friday, we cover: the UN calling for an end to attacks against human rights defenders; a record number of displaced due to conflict and disasters; human rights issues in Myanmar; 900 children released from the ranks of a north-east Nigeria self-defense armed group; and referenda asking for the border dispute between Belize and Guatemala to be examined by the International Court of Justice (ICJ).
Audio - 9'43" Playlist
PNUD Guatemala/ Fernanda Zelada Rosal
News in Brief 22 January 2019
Repeal of Guatemala 'reconciliation law' would lead to amnesty for rights violators: Bachelet
Mediterranean migrant drownings should spur European States' solidarity, urge UN agencies
Human rights must be bedrock of "Globalization 4.0", UN experts tell Davos leaders
UNDP Guatemala/Fernanda Zelada Rosal
Amending Guatemala 'reconciliation law' would lead to unjust amnesty, warns Bachelet
A bid to give amnesty to all those found guilty of grave human rights crimes during Guatemala's decades-long civil war, by amending the National Reconciliation Law, could represent a "drastic set-back" to the whole legal system and overall accountability, UN rights chief Michelle Bachelet has said.
World Bank/Jesus Alfonso
Ahead of street protests, UN rights chief urges Guatemalan Government to respect democratic freedoms
With demonstrations expected to take place in various Guatemalan cities on Monday and Tuesday, the UN human rights chief, Michelle Bachelet, is urging the Guatemalan Government to guarantee freedom of expression and opinion, and the right to peaceful assembly and association.
CICIG
UN anti-corruption body in Guatemala rebuts government's reasons for expulsion order
In a letter addressed to UN Secretary-General António Guterres, Iván Velásquez, the senior UN official in charge of the International Commission Against Impunity (CICIG) in Guatemela, has responded to the accusations made by the Government to justify its decision to expel the Commission from the country.
UN Photo/Evan Schneider
Guatemala: UN anti-corruption body will continue working, as Constitutional Court blocks Government expulsion
Following the Guatemalan Government's unilateral decision to shut down a long-running UN anti-corruption commission, its spokesperson told UN News on Wednesday that the team is looking at ways to continue to carry out its mandate, hours after the country's highest court ruled against the Government expulsion order.
News in Brief 8 January 2019
UN chief rejects Guatemala decision to close impunity panel
Saudi national Rahaf Mohammed Al-qunun in "safe" place: UNHCR
UN Chief 'strongly rejects' Guatemala decision to expel anti-corruption body
UN Secretary-General António Guterres has "strongly rejected" the Guatemalan Government's decision to unilaterally terminate the International Commission Against Impunity in Guatemala (CICIG), an independent body set up by the UN and Guatemala to investigate illegal security groups and high-level corruption in the country.
UN Photo/ Violaine Martin
Guatemala Dos Erres massacre conviction welcomed by UN human rights office
The conviction of a former Guatemalan soldier involved in the mass killing of villagers in an infamous massacre during the country's civil war has been welcomed by the UN human rights office, OHCHR.
LISTEN TO UN RADIO
Moon landing astronauts visit UN
Gender for beginners
Climate Action Call
Rohingya Refugee Crisis
Sudan & South Sudan


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Usually people don't think of a portable toilet rental vendor as the first place they'd call when having an event, but it's always necessary when large amounts of people are present.Most people have used a portable toilet at some point in their life, yet when the time comes to finally rent several for an event, the taks can bemore confusing than you might think.
for most outdoor gatherings, and even a lot of indoor events, will need facilities for your attendees. From the smallest occasions to the biggest wedding, portable toilets are always going to be a requirement to make sure your special event goes as planned. You should think about how upscale your event is going to be, how long it will last and the amount of guests you are having. It's a good idea to invest some time in reading up on the vendor you rent from to guarantee that you have the full range of services you require for your special event.
The first thing you'll want to think about the range of options the company you are looking at has to offer. The formality of your occasion will help you to decide if you would prefer a portajohn or a toilet trailer, but often times you may need both. Also, think about whether separate hand washing units and hygiene aids are available, and what is needed to make sure that toilet trailers have the electricity and lighting you require. Also, don't forget to inquire about how the toilets are serviced during particularly long events, events in warm weather, and get togethers with a large number of guests.
The basic portable toilet is constructed of lightweight plastic and will come with toilet paper as well as some sort of hand sanitizer . You may be having a smaller get together, then you have the choice of setting up an outdoors hand washing station, rather than rent the pricier units that come with an internal one. Since portable toilets do not use typical plumbing, it has potent deodorizing substances to disinfect and take care of waste . If you are renting your portable restrooms for a longer period of time they will require regular emptying as well as being refilled to keep them fresh.
Where you put your portable toilets is very important, whether you're having a wedding or a jobsite, if they are too far away it could really slow things down. The best placement for a porta potty is a location that's dry, level, and is centrally located for all event guests or construction site workers to access. Fortunately, you can change your porta potties to match your occasion and requirements by adding more options. Even the nicest event can be spoiled by poor quality bathroom facilities, which is why you need to think about the quality of your portable toilet rental.
There's a variety of situations where you can benefit by getting a porta potty rental on site for any event that involves large amounts of people. Cases where you may want to think about getting quality portable restrooms are weddings, business events or charity fundraisers. In these scenarios, your attendees are dressed in nice, and they need clean, comfortable restroom facilities when they need them. These rental facilities will help make sure that your guests aren't impacted by lack of stalls or amenities that they would always enjoy indoors.
Another thing you'll want to think about is the variety of of cleaning options that are going to be available during your event. Refill materials will include things like hand sanitizer, toilet paper and more paper products when guests are washing their hands. Be sure to inquire about more toilet paper and other amenities with your toilet rental company, since it can be very embarrassing if attendees need to come up and you inform you about them or find themselves in a bad situation.
When renting the typical portable toilet then you're probably looking at an average price of between fifty and seventy-five dollars each day. These costs could also change depending on the company and time of year. The more upscale portable toilets can possibly run up to 0 per day, and if you desire a fully loaded stall you may be looking at forking over as much as 0. Thinking about points such as prices, time of your rental and which amenities to go with are vital when deciding on a rental decision. Regardless of who you choose to service your portable toilet requirements, you can't go wrong as long as you're asking the best questions in advance.


It's a Writer intention to write for the right audience and his/her write up to reach a wider number of people. But to meet this manifesto, there are a lot of basic things to know and put into consideration. How Do I Write Compelling Articles For the Right Audience? Is a big question which burder a lot of readers, and that is what I'm discussing today with you.
1 How Do I Write Compelling Articles For the Right Audience??
How Do I Write Compelling Articles For the Right Audience??
1. Know Your Audience First: However, knowing your right audience requires time and hardwork.
the people who are interested in the 'themes' and topics you like and share.
They consist of other writers in the same or related field as you are.
They comprise of writing and publishing agents, and promotional companies.
They comprise of critics and other industry notables.
These groups of people have their unique purposes, and they bring different qualities to your community/fan base. The more perspectives you have to draw from them, the more insight you'll have.
So when once you know this people, you are free to start your writing draft and mingle your thoughts around them.
For 3 years, I wrote to please others. I did it, not because I wanted to add value, but to feed my ego. If the reason you write is for recognition, then you need to make some U-turn.
To meet a larger audience, provide contents with simplify terms and with pictures.
Writers don't write to get published. They write for another reason. This is the first and only lesson every writers must learn.
Real writers don't write for recognition. They don't do it for fame, accolades, or notoriety. They do it because they cannot do without writing. By their gifts and under the authority of a higher calling, they are compelled to create.
Try to wonder, dream and express your thoughts in writing.
Real writers wake up every morning with something to say. Even if the words have yet to come. They discipline themselves to start writing. Forsake every excuse and justification.
Wondering on such things are not relevant, but what is essential, what cannot be neglected, is that you just need to begin from somewhere.
Real writers do not begin the day with aspirations of seeing their words in print. Nor do they dream of being stopped on the street to be congratulated for their genius.
This is natural, of course. This desire to be heard. To be acknowledged as an artist. But ultimately it corrupts the art, the pure desire to create.
We must put these ideas of fame and reward to death. They have no place in the creative process.
The true writer simply shows up. Ready to do the work. Whether the work is successful or acknowledged is not important. Creating is our primary concern.
Real writers do not need inspiration or an audience to begin. They know, without question, that their greatest adversary and ally is themselves. And that they are not alone.
Real writers recognize that there is a hidden force. Acting upon them. Guiding them. And leading them.
The wisest writers call upon this force, taking the time to learn how to wield it well. They do this every day.
But this is not an excuse to wait. It is a call to begin. To honor the gift. To show up. Even without applause.
What makes your real audience different from everyone else who read your works, is the kind of relationship you have with them.
By relationship, I mean the kind of engagement that you have with them as they read your articles or blog posts.
This level of engagement is valuable to you as a writer, because the more people who are paying attention to you, the more authority you command and the more customers you can sell products to.
Are there people you've come across on social media, who provide wonderful feedback about something you shared? You might be leaving a lot of money on the table if you're not considering building relationships.
Once you take the time to build relationships with your readers online, you will be seen as an expert and someone with a vision. Instead of you chasing people to buy your books or pay for your courses, your audience take the stress away from you.
Moreover, you must give them the individual time and attention that they deserve. Know what exactly they are looking for and also provide solutions to them at the right time.
The right audience can promote you and the products that you want to sell. Let me know your thoughts.
Are you the type that snub your readers when they leave a reply on your post? If yes, you are not doing good. Find time to reply every comments to encourage them to do more and also provide solutions for them.
Some days ago, I shared some tips to enable writers create articles on frequently. But for the sake of new members who are eager to know, I will emphasize it again.
Many writers claim they don't have time to write due to work, family, school, etc. I used to be part of a mastermind, and there, out of the total population of aspiring authors, 70% said "Time" is the no. 1 reason they've not been able to publish their books.
This was one of my weak point some years back, because I'm the kind of Guy that love engaging in a lot of creative arts, I'm a Website designer and developer, at the same time I'm a Freelance Writer with a lot of clients queueing in.
But I still find time to impress my audience needs.
Even though I understand that time can be a scarce resource to many of us, I strongly believe that once there's a right reason, then you'll make writing a priority in your life. What do you mean by writing for the right reason?
From my study, the reason writers procrastinate when it comes to writiing, is because you don't understand the science behind motivation.
Let's say you set a goal at the beginning of the month to write for 15 minutes every day. You quickly start writing the next day. But after five days, all the excitement is gone, and you're back to zero motivation.
If you're going to practise this habit successfully, you will have to check with yourself to see where writing actually helps you fulfil a particular purpose in your life; like making extra dough, becoming an thought leader, healing when you're depressed, etc.
Writing becomes easy, and you do it with consistency when you link it to a specific purpose – Your Big Why.
There's got to be a "real" and identified purpose first, in other for the action to become less difficult.
If you want motivation to accomplish any goal, clarity is always the starting point. Once you're clear what the goal is or action you should be taking, your energy is high, ideas begin to pop-up and you start acting immediately. Passion is what makes consistency cheap.
Then writing becomes a priority or a "Big Rock", and the way to schedule it is to PROTECT YOUR CREATIVE TIME.
Finally, Profitable writers, musicians, painters, and other artists tend to work in well-defined work cycles or routines.
They set aside specific hours of day to do creative work, and block this time on their calendar.
You should do the same if you want to complete the first draft of your writing project. The best way to accomplish this is by using a tool that is available to every single person – YOUR CALENDAR.
Uninterrupted creative time needs to get scheduled into your calendar, and you need to defend it, if you want to be serious about creating content and making a living as a writer.
To be productive, and get your content out to your readers, you need to be disciplined about the use of time and the days that you've been blessed with.
Again, the whole point of this is simply…Writers don't write to get published. They write for the love of writing. True or False?
I believe the above 10 tips will help you write articles with the best interest at heart – for your targeted audience. Let me know how this post helped you. Drop your views in the comment area.


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Babylon 6 is not just filled with tons of monsters. The installation itself wants to have you for breakfast. Crushing ceilings, platforms, and deceptive transporters attack you viciously, and trap you for imps to devour! This is a very challenging level, with a lot of secrets, and all of the weapons except the chainsaw.
The Becoming
Only the best vanilla throwback episode I've ever done
Submitted January 4, 2018
Sons of Ares
Episode 1 replacement for Doom 1 Play-tested only with pistol starts Not balanced for continuous play Multiplayer Things exist but NOT playtested Damaging flats are consistent across maps In 320x200 distant shootable switches can be hard to see Infinitely tall monsters can get in your way
Controlled System
A techbase inspired mainly by E1M7 and Nicolas Monti's wads I guess. This is mostly me playing around with a couple of ideas I had for a while, such as using radiation suits instead of keys.
Submitted December 28, 2016
Birthing Pools
A simple remake/re-imagining of the Spawning Vats level from Episode 2 in Doom.
Azurexia
Welcome to the crossroads between the planet's surface and an entrance into the submartian ancient city ruins of Azurexia.
Submitted May 15, 2016
Apokalypsis
Episode 4 replacement for Ultimate Doom
Auxiliary Base (E1M2)
This is an early style "tech base" map for DOOM 1, made in 2015. It was meticulously detailed and should be aesthetically pleasing to those who are not sick of the tech base theme. Think of it as a nostalgic ode to the early DOOM experience.
A little history: I was 13 when I first played DOOM. The level of engagement (and fear) that I felt when I first played it on a 386 with a PC speaker is something I have not felt since those days in any modern game. I guess our imagination was more developed back then. I was absolutely blown away by the detail and realism I saw when walking through the creepy halls of the various military bases.
When I first heard that people were creating their own maps in 1994, I was intrigued and fascinated by what I thought was an impossibly complicated process. I experimented with mapping back then using Doom Editor - The Real Thing by Geoff Allan, in Windows 3.1. It crashed all the time. I also found it difficult to convert my ideas into an actual map. I gave up after loosing my progress a few too many times.
Fast-forward 20 years to 2013, and I stumbled across a website for Doom Builder 2. I was shocked to find out that there was a map editor for Doom, and that it was developed in the 2000s. Since I was not a gamer and rarely played video games at all (except for a short stint of obsession with GTA4), I thought Doom modding died a long time ago. I downloaded the map editor and started to experiment. I was amazed at how rock solid Doom Builder was. (To this day, it has not crashed a single time, nor have I ever noticed a single bug.)
It was on. I started to map out a few ideas and quickly became obsessed. It was so easy to draw out exactly what I was thinking, and the 3D mode was blowing my mind. I started to work on an E1 episode like I had always wanted to since the 90s.
This level is the 2nd map of the episode. It is also the 2nd map I make (ever). The first is complete, and the 3rd is half done. I liked how this one turned out. Halfway through the development of this map, I discovered the PWAD archive and the Doom World forum. I had NO IDEA there was still a huge community of Doom playing and modding. I started to download some maps. When I saw how far mapping has come, I was reluctant to release this. My map comes from someone who last played doom in the 90s so it really was styled to what I thought was the ultimate style. But I still really like the tech base style and figured some people might enjoy it.
Keep in mind that this is the 2nd map I have ever made.
Submitted July 9, 2015
Control Center is a map I made some weeks ago, based on the 90's mapping style. Some areas might even remind you of some places in the original Ultimate Doom episodes. The theme of the map is a base, very similar to the ones in the first episode of Ultimate Doom, Knee-Deep In The Dead.
Death to all DOOMERS !!!
After INFERNO, the demonic creatures have arrived on earth. You have been assigned to clear the US defence base at Atowa of its infiltraitors.
Base of Waste
First map that I release. Short (for about 5 minutes). Vanilla compatible, for Doom 1. 2 secrets. Very easy, especially if you find both secrets. Also, notice the lack of 90 degree corners! I started this a long time ago as a speedmap, but abandoned it for some time. 2 days ago, I felt like mapping, so I finished it. I was thinking of making sequels, because this feels a lot like some first map to an episode. Maybe I'll make a sequel or two someday.
== STORY THAT I MADE UP AFTER MAKING THE MAP ==
You were watching the news, when they reported a weird accident in a local military base. You heard about the base in the news already - hippies were protesting against them, because they apparently were creating a lot of nuclear waste. "Huh, they deserved it." you think. Nevertheless, since you've always been appealed by such mysterious accidents, you decided to go and check stuff out...
Submitted February 23, 2015
Vanilla E3 replacement for doom.wad on marble/wood/caves/hell themes. No custom textures but custom music on each map. The first half takes place underground, after that you'll finally get to see the sky. The difficulty is maybe a bit higher than in original "Inferno". The project was organised by Memfis and he asked a couple of mappers to change some stuff here and there to make the episode more consistent but he tried to not limit the creativity too much so his influence shouldn't be very noticeable.
CASTLE OF DOOM
This level was designed for expert players as the puzzles are far from easy !. It will probably take you over one hour to complete first time around. All textures have been aligned and plenty of thought has gone into designing each room. It's excellent in deathmatch mode as there are plenty of hide-outs and sneaky traps to lure your opponents into. Make sure to use the "Altdeath" command line parameter for respawning when playing in deathmatch mode as it's badly needed for this level.
a level for Chex Quest
One level of moderate difficulty for vanilla chex quest.
The Catacombs (release 2)
Centred around a tiny, winding, ever- changing system of tunnels. The difficulty levels are intentionally easy; in the future this WAD will form the first level of an episode replacement for Doom I. However, there are lots of puzzles to make up for it. --- Changes in release 2: Fixed ceiling height of first teleporter. Rotated step texture in exit room. Added a Supercharge, but you have to know where to look. Texture realignments and replacements. Changed light levels in dark room to be more realistic.
El Castillo del Misterio (Mistery Castle)
Is a castle. Play it in Ultraviolence and you'll see..
Chess, Hades-style
Your pal Satan invited you and fifteen of your closest friends over for a friendly game of chess. Not trusting him one bit, you took along quite an arsenal. As you arrive at Satan's door, you are whisked away to a huge arena. Alas, as your compadres see the terrors before them, most (or all, depending on how many players you're using) die of fear. Some even implode. Now it's up to you to checkmate Satan.
Submitted April 8, 2013
Labyrunth
This is my first wad. So many improvements will be made in the future.
ARENA_II.WAD
A big Arena for Multiplayer with much enemies to kill (really)
BUSHWHACKED!
You need a medikit... bad. You know its location, but can you get to it without gittin' ambushed? This wad was designed for 2 or 3 player deathmatch. Lots of ways to sneak up on your opponent.... :-).
cbpandemonium
A map made to recreate the magic that was Sandy Peterson's Pandemonium map from Doom.
Blood Lake
It's a lake, full of blood, monsters, you know what to do!
Clear Focus (Hardcore Edition)
Modified version of Clear Focus (id=16538) that defeats the critique of being too easy, so this should fare better for those folks.
A small base level to get your focus cleared. The level kinda follows the DTWID rules so it feels more like an id level but isn't. Any minor alignment errors found were intentional and should not be of any concern.
Base_16
You were beamed down from your mother ship to kick but. Do it and get out alive!


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2017-2018 Aid Year Federal and Institutional Verification updates include application verification features.
2017-2018 Aid Year updates to Federal and Institutional Need Analysis Methodologies include INAS need analysis features.
2016-2017 Aid Year (midyear) updates for Common Origination and Disbursement include Direct Loan processing support for SULA Correcting Edit 219.
2017-2018 Aid Year updates for ISIR include updated ISIR import, correction, and other processing.
Activity Management: Updates to Examination "Re-sits" provide a student the ability to resit for an examination during the same or a future term. Resit functionality allows you to specify the number of resit periods with descriptions and to assign a specific academic period for each resit period along with the initial exam.
Program Enrollment Activity Management updates include new AIR category and APT category functions, new rules and new versions of existing rules for the Rules Engine.
Updated Features for Higher Education Statistic Agency (HESA) and DLHE returns for 2015-16 (UK).
Admissions: Updated features for Points Based Immigration (PBI) 2016 include creating Confirmation of Acceptance for Studies (CAS) records for groups of students in the UK.
Functional documentation is available for Campus Solutions Bundles in My Oracle Support PeopleSoft Campus Solutions 9.0 Documentation - Bundles, Feature Packs, Additional Features, and Other Releases (Doc ID 2047464.1). Select the link for CS 9.0 Bundle 43.
Current Adviser Webcasts Schedule and Archived Downloads can be found by going to My Oracle Support, PeopleSoft Enterprise Adviser Webcast Schedule and Archived recordings (Doc ID 1456265.1). The webcast related to this bundle is: PeopleSoft Financial Aid Regulatory 2017-2018 Release 2 (9.0 Bundle 43,9.2 PUM Image 3).