text:
United States Philippines Canada India United Kingdom Afghanistan Albania Algeria Andorra Angola Antigua and Barbuda Argentina Armenia Aruba Australia Austria Azerbaijan Bahrain Bangladesh Belarus Belgium Belize Benin Bermuda Bhutan Bolivia Bosnia and Herzegovina Botswana Brazil Brunei Bulgaria Burkina Faso Burma Burundi Cambodia Cameroon Canada Cape Verde Cayman Islands Central African Republic Chad Chile China Colombia Comoros Costa Rica Cote d'Ivoire Croatia Cuba Cyprus Czech Republic Democratic Republic of the Congo Denmark Djibouti Dominica Dominican Republic East Timor Ecuador Egypt El Salvador Equatorial Guinea Eritrea Estonia Ethiopia European Union Federated States of Micronesia Fiji Finland France Gabon Georgia Germany Ghana Greece Grenada Guatemala Guinea Guinea-Bissau Guyana Haiti Honduras Hong Kong Hungary Iceland India Indonesia Iran Iraq Ireland Israel Italy Jamaica Japan Jordan Kazakhstan Kenya Kiribati Kosovo Kuwait Kyrgyzstan Laos Latvia Lebanon Lesotho Liberia Libya Liechtenstein Lithuania Luxembourg Macau Madagascar Malawi Malaysia Maldives Mali Malta Marshall Islands Mauritania Mauritius Mexico Moldova Monaco Mongolia Montenegro Morocco Mozambique Namibia Nepal Netherlands New Zealand Nicaragua Niger Nigeria North Korea Norway Oman Pakistan Palau Panama Papua New Guinea Paraguay Peru Philippines Poland Portugal Puerto Rico Qatar Republic of Macedonia Republic of the Congo Romania Russia Rwanda Saint Kitts and Nevis Saint Lucia Saint Vincent and the Grenadines Samoa San Marino Sao Tome and Principe Saudi Arabia Senegal Serbia Seychelles Sierra Leone Singapore Slovakia Slovenia Solomon Islands Somalia South Africa South Korea South Sudan Spain Sri Lanka Sudan Suriname Swaziland Sweden Switzerland Syria Tajikistan Tanzania Thailand The Bahamas The Gambia Togo Tonga Trinidad and Tobago Tunisia Turkey Turkmenistan Tuvalu Uganda Ukraine United Arab Emirates United Kingdom United States Uruguay Uzbekistan Vanuatu Venezuela Vietnam Yemen Zambia Zimbabwe Catholic countries Christian countries Cold countries Eastern Europe Emerging markets Europe European Union Eurozone failed states Former British colonies Former French colonies Former Soviet republics Former Spanish colonies Group of 7 countries (G7) Heavily indebted countries High income OECD countries Hot countries Middle Eastern and North Africa Muslim countries NATO countries Non-religious countries OPEC countries Potential Future EU Members Religious countries South and Central Asia South Asia Sub-Saharan Africa
Barbadian and Bajan Companies Stats
Cost of business start-up procedures > % of GNI per capita: Cost of business start-up procedures (% of GNI per capita). Cost to register a business is normalized by presenting it as a percentage of gross national income (GNI) per capita.
Ease of doing business index > 1=most business-friendly regulations: Ease of doing business index (1=most business-friendly regulations). Ease of doing business ranks economies from 1 to 189, with first place being the best. A high ranking (a low numerical rank) means that the regulatory environment is conducive to business operation. The index averages the country's percentile rankings on 10 topics covered in the World Bank's Doing Business. The ranking on each topic is the simple average of the percentile rankings on its component indicators.
Ease of doing business index > 1=most business-friendly regulations per million: Ease of doing business index (1=most business-friendly regulations). Ease of doing business ranks economies from 1 to 189, with first place being the best. A high ranking (a low numerical rank) means that the regulatory environment is conducive to business operation. The index averages the country's percentile rankings on 10 topics covered in the World Bank's Doing Business. The ranking on each topic is the simple average of the percentile rankings on its component indicators. Figures expressed per million population for the same year.
Listed domestic companies, total: Listed domestic companies, total. Listed domestic companies are the domestically incorporated companies listed on the country's stock exchanges at the end of the year. This indicator does not include investment companies, mutual funds, or other collective investment vehicles.
Listed domestic companies, total per million: Listed domestic companies, total. Listed domestic companies are the domestically incorporated companies listed on the country's stock exchanges at the end of the year. This indicator does not include investment companies, mutual funds, or other collective investment vehicles. Figures expressed per million population for the same year.
Market capitalization of listed companies > % of GDP: Market capitalization of listed companies (% of GDP). Market capitalization (also known as market value) is the share price times the number of shares outstanding. Listed domestic companies are the domestically incorporated companies listed on the country's stock exchanges at the end of the year. Listed companies does not include investment companies, mutual funds, or other collective investment vehicles.
Market capitalization of listed companies > Current US$: Market capitalization of listed companies (current US$). Market capitalization (also known as market value) is the share price times the number of shares outstanding. Listed domestic companies are the domestically incorporated companies listed on the country's stock exchanges at the end of the year. Listed companies does not include investment companies, mutual funds, or other collective investment vehicles. Data are in current U.S. dollars.
Market capitalization of listed companies > Current US$ per capita: Market capitalization of listed companies (current US$). Market capitalization (also known as market value) is the share price times the number of shares outstanding. Listed domestic companies are the domestically incorporated companies listed on the country's stock exchanges at the end of the year. Listed companies does not include investment companies, mutual funds, or other collective investment vehicles. Data are in current U.S. dollars. Figures expressed per capita for the same year.
Stock market > Business extent of disclosure index > 0=less disclosure to 10=more disclosure: Business extent of disclosure index (0=less disclosure to 10=more disclosure). Disclosure index measures the extent to which investors are protected through disclosure of ownership and financial information. The index ranges from 0 to 10, with higher values indicating more disclosure.
Stock market > Business extent of disclosure index > 0=less disclosure to 10=more disclosure per million: Business extent of disclosure index (0=less disclosure to 10=more disclosure). Disclosure index measures the extent to which investors are protected through disclosure of ownership and financial information. The index ranges from 0 to 10, with higher values indicating more disclosure. Figures expressed per million population for the same year.
Stock market > Stocks traded, total value > % of GDP: Stocks traded, total value (% of GDP). Stocks traded refers to the total value of shares traded during the period. This indicator complements the market capitalization ratio by showing whether market size is matched by trading.
Stock market > Stocks traded, total value > Current US$: Stocks traded, total value (current US$). Stocks traded refers to the total value of shares traded during the period.
Stock market > Stocks traded, total value > Current US$ per capita: Stocks traded, total value (current US$). Stocks traded refers to the total value of shares traded during the period. Figures expressed per capita for the same year.
Stock market > Stocks traded, turnover ratio > %: Stocks traded, turnover ratio (%). Turnover ratio is the total value of shares traded during the period divided by the average market capitalization for the period. Average market capitalization is calculated as the average of the end-of-period values for the current period and the previous period.
Trademark applications, total per 1000: Trademark applications, total. Trademark applications filed are applications to register a trademark with a national or regional Intellectual Property (IP) office. A trademark is a distinctive sign which identifies certain goods or services as those produced or provided by a specific person or enterprise. A trademark provides protection to the owner of the mark by ensuring the exclusive right to use it to identify goods or services, or to authorize another to use it in return for payment. The period of protection varies, but a trademark can be renewed indefinitely beyond the time limit on payment of additional fees. Figures expressed per thousand population for the same year.
Select year 1973 1977 1979 1980 1981 1984 1985 1990 1991 1992 1993 1994 1995 1996 1997 1998 1999 2000 2001 2002 2003 2004 2005 2006 2007 2008 2009 2010 2011 2012 2013
Cost of business start-up procedures > % of GNI per capita 7.2% 2013 119th out of 188
Ease of doing business index > 1=most business-friendly regulations 91 2013 98th out of 188
Ease of doing business index > 1=most business-friendly regulations per million 296.59 2012 18th out of 188
Listed domestic companies, total 24 2012 91st out of 110
Listed domestic companies, total per million 84.74 2012 10th out of 110
Market capitalization of listed companies > % of GDP 106.39% 2012 13th out of 102
Market capitalization of listed companies > Current US$ $4.49 billion 2012 84th out of 109
Market capitalization of listed companies > Current US$ per capita $15,870.21 2012 29th out of 109
Stock market > Business extent of disclosure index > 0=less disclosure to 10=more disclosure 2 2013 173th out of 188
Stock market > Business extent of disclosure index > 0=less disclosure to 10=more disclosure per million 7.06 2012 24th out of 188
Stock market > Stocks traded, total value > % of GDP 0.43% 2012 76th out of 101
Stock market > Stocks traded, total value > Current US$ $18.18 million 2012 100th out of 108
Stock market > Stocks traded, total value > Current US$ per capita $64.18 2012 75th out of 108
Stock market > Stocks traded, turnover ratio > % 0.401% 2012 103th out of 107
Trademark applications, total per 1000 4.87 2011 12th out of 116
SOURCES: World Bank, Doing Business project (http://www.doingbusiness.org/).; World Bank, Doing Business project (http://www.doingbusiness.org/). Population figures from World Bank: (1) United Nations Population Division. World Population Prospects, (2) United Nations Statistical Division. Population and Vital Statistics Report (various years), (3) Census reports and other statistical publications from national statistical offices, (4) Eurostat: Demographic Statistics, (5) Secretariat of the Pacific Community: Statistics and Demography Programme, and (6) U.S. Census Bureau: International Database.; Global Stock Markets Factbook; Global Stock Markets Factbook. Population figures from World Bank: (1) United Nations Population Division. World Population Prospects, (2) United Nations Statistical Division. Population and Vital Statistics Report (various years), (3) Census reports and other statistical publications from national statistical offices, (4) Eurostat: Demographic Statistics, (5) Secretariat of the Pacific Community: Statistics and Demography Programme, and (6) U.S. Census Bureau: International Database.; World Intellectual Property Organization (WIPO), World Intellectual Property Indicators and www.wipo.int/econ_stat. The International Bureau of WIPO assumes no responsibility with respect to the transformation of these data. Population figures from World Bank: (1) United Nations Population Division. World Population Prospects, (2) United Nations Statistical Division. Population and Vital Statistics Report (various years), (3) Census reports and other statistical publications from national statistical offices, (4) Eurostat: Demographic Statistics, (5) Secretariat of the Pacific Community: Statistics and Demography Programme, and (6) U.S. Census Bureau: International Database.
Barbados Economy > Companies Profiles (Subcategories)
Gender equality 4 Stock market 7
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US and Japanese citizens own half the world's financial assets.
Everything you need to know about Online Shopping Trends 2019


Marybeth Rua-Larsen lives on the south coast of Massachusetts and teaches at Bristol Community College. Her poems, essays, flash fiction and reviews have appeared or are forthcoming in The Raintown Review, Angle, Cleaver, The Poetry Bus, Crannog, Measure and Unsplendid. She won in the Poetry category for the 2011 Over the Edge New Writer of the Year Competition in Galway, Ireland.
Release date: April 16th, 2014.


What a gorgeous card! I love it so much!
Beautiful card! I'd love to case the idea of using Share What You Love suit.
Thank you and of course, case away!
Love this beautiful card!!! I will definitely have to case this one!
Such a happy card.. and look all the tiny details: so beautiful.


Mark has been involved in kayak fishing for over 25 years so he has seen a lot of changes in the sport. Eleven years ago he founded the NCKFA (North Carolina Kayak Fishing Association) to promote kayak fishing both by having "meet and greets" as well as on the water events. The Oak Island Classic is the largest of these events with over 175 anglers coming to the little coastal town of Oak Island NC to fishing in both the Ocean and Inshore Division.
As much as Mark enjoys educating kayak anglers on the in's and out's of the sport through seminars throughout the year he still loves to 'compete against the young guy' when he can.
Mark believes kayak fishing is the best and most challenging way to purse his passion whether it is a small lake or a mountain river or the Ocean and does all he can to stay in shape so he can continue doing what he loves.


Class series are held Monday-Saturday afternoons and evenings. Unless otherwise noted the cost for each series of six 75-minute classes is $130, with $10 early-bird discount for registering before April 29.
No class on Monday May 26th, make-up classes on June 16th.


text:
Lesley Selander  est un réalisateur américain né le  à Los Angeles en Californie, et mort le  à Los Alamitos.

Lesley Selander (parfois crédité Les Selander) fut l'un des réalisateurs les plus prolifiques de westerns de série B. Beaucoup de ses films sont restés inédits en France. , réalisé en 1954.

Filmographie

Comme réalisateur (filmographie complète)

Années 1930

 1936 :
 1936 :
 1936 :
 1937 :
 1937 :
 1937 :
 1937 :
 1937 :
 1938 :
 1938 :
 1938 :
 1938 :
 1938 : Au cœur de l'Arizona ()
 1938 :
 1938 :
 1939 : Bataille rangée ()
 1939 :
 1939 :
 1939 :

Années 1940

 1940 : Trois hommes du Texas ()
 1940 : Cherokee Strip
 1940 :
 1940 :
 1940 :
 1940 :
 1941 :
 1941 :
 1941 : Terreur sur la ville ()
 1941 : Pirates à cheval ()
 1941 :
 1941 : L'Aventure en Eldorado ()
 1942 : Le Canyon perdu ()
 1942 :
 1942 : L'Homme caché (Undercover Man)
 1942 :
 1942 :
 1943 : Zone mortelle (Riders of the Deadline)
 1943 :
 1943 :
 1943 : La Vallée infernale ()
 1943 :  ou Le Cercle infernal (Border Patrol)
 1944 :
 1944 :
 1944 :
 1944 :
 1944 :
 1944 :
 1944 :
 1944 : Les Pillards de l'Arizona ()
 1944 : Les Maîtres de la forêt (Lumberjack)
 1945 :
 1945 :
 1945 :
 1945 :
 1945 : Three's a Crowd
 1945 :
 1946 :
 1946 :
 1946 :
 1946 :
 1947 : L'Étalon rouge (The Red Stallion)
 1947 :
 1947 :
 1947 :
 1947 :
 1947 :
 1948 :
 1948 : La Ruée vers l'or noir ()
 1948 :
 1948 :
 1948 : Le Justicier de la Sierra ()
 1949 :
 1949 :
 1949 :  ()
 1949 : Charlie Chan et le Dragon volant ()
 1949 :

Années 1950

 1950 :
 1950 :
 1950 :
 1950 :
 1950 :
 1950 :
 1951 :
 1951 : Destination Mars (Flight to Mars)
 1951 :
 1951 : Le Chevalier au masque de dentelle (The Highwayman)
 1951 :
 1951 :
 1951 : J'étais une espionne américaine ()
 1951 :
 1952 : L'Heure de la vengeance ()
 1952 : L'Escadrille de l'enfer ()
 1952 :
 1952 :
 1952 :
 1952 :
 1953 :
 1953 : Complot dans la jungle ()
 1953 : La Loi du scalp ()
 1953 : Fort Alger (Fort Algiers)
 1953 : Les Cow-boys ()
 1953 : Les Tuniques rouges ()
 1954 :
 1954 : La Hache sanglante ()
 1954 : Le Défi des flèches (Arrow in the Dust)
 1955 : Les Rats du Bled ()
 1955 : Fort Yuma
 1955 : La Furieuse Chevauchée ()
 1955 : Amour, fleur sauvage ()
 1956 :
 1956 :
 1957 :
 1957 :
 1957 :
 1957 : Le Fort de la révolte ()
 1957 : Le Sentier de la guerre ()
 1958 : Le Justicier masqué ()

Années 1960

 1965 :
 1965 : Quand parle la poudre ()
 1965 :
 1965 :
 1966 :
 1967 :
 1968 : Les Rebelles de l'Arizona ()

Comme assistant-réalisateur

 1928 : Soft Living de James Tinling
 1928 : Don't Marry de James Tinling
 1929 : Sa vie m'appartient () de James Tinling

Notes et références

Liens externes

 La Biographie de Lesley Selander sur Western Movies
  http://www.culturalianet.com/art/ver_e.php?nombre=22712
  http://www.rottentomatoes.com/p/lesley_selander/photos.php
  http://www.tv.com/lesley-selander/person/172926/appearances.html

Réalisateur américain
Réalisateur de western
Personnalité inhumée au Forest Lawn Memorial Park (Glendale)
Naissance en mai 1900
Naissance à Los Angeles
Décès à Los Alamitos
Décès en décembre 1979
Décès à 79 ans

redpajama_set_name: RedPajamaWikipedia


Chenab Nagar is a railway station in Pakistan.
The arrival and departure timings of major trains at Chenab Nagar, halting time and train details that stop in this railway station in Pakistan are displayed here Chenab Nagar.
You can view the entire train time schedule like stoppings, arrivals, departures and halting times by clicking on the train name link at Chenab Nagar.
The Pakistan station information is for reference only.
You can refer Pakistan train schedule for other stations and trains and plan your travel in Pakistan by train.


text:
Q: Store data received as answer from jQuery.POST I need to save all the data received as answer from POST function.
jQuery.post( url [, data] [, success(data, textStatus, jqXHR)] [, dataType] )

If I understand it right, function calls url (something.php) and it respondes with data. Is there any way how can I store received data on my HDD ?
Or maybe send received data elsewhere on my server where I can store them in DBS, or anyhow else.

A: jQuery.post('/someurl.php',
    {one:'value1',two:'value2'},
    function( response ) { alert(response); } );

On someurl.php, you would get these values with:
$oneValue = $_POST['one'];
$twoValue = $_POST['two'];

echo '{success:1}';

How you save them is then up to the PHP code.
EDIT
JavaScript has specific restrictions from being able to access a local computer.  Otherwise any hacker's script would be able to save files to your computer, which we wouldn't want.
You mentioned localhost in your comment above and that sounds like the best approach most likely.  Post to the site, get the response, and then post the response to your localhost server where you do have access to the server side code to be able to save it to your computer. Something like:
jQuery.post('/someurl.php', {}, function( data ) {
    jQuery.post('http://localhost/save.php', data, function() { alert('saved'); ]);
} );

redpajama_set_name: RedPajamaStackExchange


In what represents an unprecedented shareholder action by a national trade union federation in the industrialized West, the Federation of Dutch Trade Unions (FNV) has announced plans to divest from companies doing business in South Africa and Chile.
FNV, whose one million members account for 80 percent of The Netherlands' organized labor force, in July committed itself to a gradual divestment of approximately $13 million in strike funds, representing about one-third of the federation's investment portfolio. FNV chairman Wim Kok Characterized Chile and South Africa as countries where "trade union rights are trampled under foot."
Recognizing that FNV's new policy might make investing in large corporations difficult, Kok said, "if it emerges that only a few multinationals do not trade with South Africa we will have to ask ourselves whether there is any sense linking up with multinationals at all."
FNV has not officially disclosed the details of the affected investments. According to Dutch press reports, the federation has major stock and bond holdings in Phillips, Shell and Unilever.
The federation's action reflects growing popular Dutch criticism of corporate support for apartheid. In a June confidence vote, Labor party members and Christian Democratic "dissidents" came within two votes of pushing through a Dutch oil embargo against South Africa and bringing down the center-right government of Andreas van Agt.
Jan Scholten, member of Parliament and author of the embargo resolution, expects the proposal to become law by October. "If the Dutch government refuses to accept the oil embargo, then they will not have enough members to stay in power," he said in an interview. "It's a very hot issue. Churches, unions and many pressure groups are behind it," scholten added.


text:
Q: Using geometry effect results in "Multiple inserted views in matched geometry group Pair" warnings When I use matched geometry view modifier I sometimes get the following warning multiple times with different values for 'first':
Multiple inserted views in matched geometry group Pair<Int, ID>(first: 42, second: SwiftUI.Namespace.ID(id: 84)) have `isSource: true`, results are undefined.

The error appears after I click the 'newGame' button (for exactly three times in a row) or tap on the 'cardDeck' (after I have clicked on 'newGame' for exactly two times). While the animation stills works (see GIF below), I'd like to understand why I get this warning and how can I fix the problem.

Please find the corresponding code below.
Thank you very much for your help!
ContentView:
import SwiftUI

struct ContentView: View {
   @ObservedObject var viewModel = ShapeSetGame()

   @Namespace private var dealingNamespace

   var body: some View {
       VStack {
           gameBody
           Spacer()
           HStack {
               cardDeck
               Spacer()
               newGame
               Spacer()
               discardPile
           }
           .padding(3)
       }
   }

   var gameBody: some View {
       AspectVGrid(items: viewModel.cardsInGame, aspectRatio: CardConstants.aspectRatio) { card in
           CardView(
               amount: card.content.amount.rawValue,
               type: card.content.type.rawValue,
               color: card.content.color.rawValue,
               shading: card.content.shading.rawValue,
               selected: viewModel.selectedCards.contains(card),
               mismatch: viewModel.mismatchCards.contains(card),
               matched: card.isMatched,
               faceUp: true
           )
           .matchedGeometryEffect(id: card.id, in: dealingNamespace)
           .zIndex(zIndex(of: card))
           .padding(3)
           .onTapGesture {
               withAnimation {
                   viewModel.choose(card)
               }
           }
       }
   }

   var cardDeck: some View {
       ZStack {
           ForEach(viewModel.cardDeck) { card in
               CardView(
                   amount: card.content.amount.rawValue,
                   type: card.content.type.rawValue,
                   color: card.content.color.rawValue,
                   shading: card.content.shading.rawValue,
                   selected: viewModel.selectedCards.contains(card),
                   mismatch: viewModel.mismatchCards.contains(card),
                   matched: card.isMatched,
                   faceUp: false
               )
               .matchedGeometryEffect(id: card.id, in: dealingNamespace)
               .zIndex(zIndex(of: card))
           }
       }
       .frame(width: CardConstants.undealtWidth, height: CardConstants.undealtHeight)
       .onTapGesture {
           withAnimation {
               viewModel.deal()
           }
       }
       .disabled(viewModel.cardDeckComplete)
   }

   var discardPile: some View {
       ZStack {
           ForEach(viewModel.discardedCards) { card in
               CardView(
                   amount: card.content.amount.rawValue,
                   type: card.content.type.rawValue,
                   color: card.content.color.rawValue,
                   shading: card.content.shading.rawValue,
                   selected: viewModel.selectedCards.contains(card),
                   mismatch: viewModel.mismatchCards.contains(card),
                   matched: card.isMatched,
                   faceUp: true
               )
               .matchedGeometryEffect(id: card.id, in: dealingNamespace)
           }
       }
       .frame(width: CardConstants.undealtWidth, height: CardConstants.undealtHeight)
   }

   var newGame: some View {
       Button(action: {
           withAnimation {
               viewModel.new()
           }

       }, label: {
           Text("New Game")
       })
       .padding()
       .foregroundColor(.white)
       .background(.gray)
   }

   private func zIndex(of card: ShapeSetGame.ShapeSetCard) -> Double {
       -Double(viewModel.cardDeck.firstIndex(where: { $0.id == card.id }) ?? 0)
   }

   private struct CardConstants {
       static let aspectRatio: CGFloat = 2/3
       static let undealtHeight: CGFloat = 90
       static let undealtWidth: CGFloat = undealtHeight * aspectRatio
       static let dealDuration: Double = 0.5
       static let totalDealDuration: Double = 2
   }

}
ViewModel:
import SwiftUI

class ShapeSetGame: ObservableObject {
    @Published var model = SetGame<ShapeAmount, ShapeType, ShapeColor, ShapeShading>()

    typealias ShapeSetCard = Card<ShapeAmount, ShapeType, ShapeColor, ShapeShading>

    var cardsInGame: Array<ShapeSetCard> {
        return model.cardsInGame
    }

    var discardedCards: Array<ShapeSetCard> {
        return model.discardedCards
    }

    var cardDeck: Array<ShapeSetCard> {
        return model.cardDeck
    }

    var selectedCards: Array<ShapeSetCard> {
        return model.selectedCards
    }

    var mismatchCards: Array<ShapeSetCard> {
        return model.mismatchCards
    }

    var cardDeckComplete: Bool {
        return model.cardsInGame.count == 0 && model.discardedCards.count == 0
    }

    var cardDeckIsEmpty: Bool {
        return model.cardDeck.count == 0
    }

    enum ShapeAmount: Int {
        case one = 1, two = 2, three = 3
    }

    enum ShapeType: String {
        case oval, diamond, squiggle
    }

    enum ShapeColor: String {
        case red, blue, green
    }

    enum ShapeShading: String {
        case solid, striped, outlined
    }

    // MARK: - Intent(s)
    func deal() {
        model.dealThreeCards()
    }

    func new() {
        model.newGame()
    }

    func choose(_ card: ShapeSetCard) {
        model.choose(card)
    }
}

extension ShapeSetGame.ShapeAmount: CaseIterable {

}

extension ShapeSetGame.ShapeType: CaseIterable {

}

extension ShapeSetGame.ShapeColor: CaseIterable {

}

extension ShapeSetGame.ShapeShading: CaseIterable {

}

Model:
import Foundation

struct SetGame<Feature1, Feature2, Feature3, Feature4> where Feature1: CaseIterable, Feature1: Equatable, Feature2: CaseIterable, Feature2: Equatable, Feature3: CaseIterable, Feature3: Equatable, Feature4: CaseIterable, Feature4: Equatable {

   typealias SetCard = Card<Feature1, Feature2, Feature3, Feature4>
   private(set) var cardDeck: Array<SetCard> = []
   var cardsInGame: Array<SetCard> = []
   private let startNumberOfCardsInGame = 12
   var selectedCards: Array<SetCard> = []
   var mismatchCards: Array<SetCard> = []
   var discardedCards: Array<SetCard> = []

   mutating func newGame() {
       cardDeck = []
       cardsInGame = []
       selectedCards = []
       mismatchCards = []
       discardedCards = []
       startGame()
       for _ in 0..<startNumberOfCardsInGame {
           cardsInGame.append(cardDeck[0])
           cardDeck.remove(at: 0)
       }
   }

   mutating func dealThreeCards() {
       let matchedCardsInGame = cardsInGame.filter { $0.isMatched }
       if matchedCardsInGame.count == 3 {
           exchangeCards()
       } else {
           if cardDeck.count > 0 {
               for _ in 0..<3 {
                   cardsInGame.append(cardDeck[0])
                   cardDeck.remove(at: 0)
               }
           }
       }
       for card in cardDeck {
           print (card.id)
       }
   }

   mutating func choose(_ card: SetCard) {
       mismatchCards = []
       removeCards()
       let cardsInGame = cardsInGame.filter { $0.isMatched == false }
       if let chosenIndex = cardsInGame.firstIndex(where: { $0.id == card.id }) {
           if selectedCards.contains(card) {
               if let selectedIndex = selectedCards.firstIndex(where: { $0.id == card.id }) {
                   selectedCards.remove(at: selectedIndex)
               }
          } else {
               if selectedCards.count == 2 {
                   checkForMatch(card1: selectedCards[0], card2: selectedCards[1], card3: card)
               } else {
                   selectedCards.append(cardsInGame[chosenIndex])
               }
           }
       }
   }

   init() {
       startGame()
   }

   //MARK: - Helper functions
   private mutating func startGame() {
       var identifier = 0
       for f1 in Feature1.allCases {
           for f2 in Feature2.allCases {
               for f3 in Feature3.allCases {
                   for f4 in Feature4.allCases {
                       let card = SetCard(content: SetCard.Content(amount: f1, type: f2, color: f3, shading: f4), id: identifier)
                       cardDeck.append(card)
                       identifier += 1
                   }
               }
           }
       }
       cardDeck.shuffle()
   }

   private mutating func checkForMatch(card1: SetCard, card2: SetCard, card3: SetCard) {
       if ((card1.content.amount != card2.content.amount) && (card1.content.amount != card3.content.amount) && (card2.content.amount != card3.content.amount)) || ((card1.content.amount == card2.content.amount) && (card1.content.amount == card3.content.amount) && (card2.content.amount == card3.content.amount)) {
               if ((card1.content.type != card2.content.type) && (card1.content.type != card3.content.type) && (card2.content.type != card3.content.type)) || ((card1.content.type == card2.content.type) && (card1.content.type == card3.content.type) && (card2.content.type == card3.content.type)) {
                       if ((card1.content.color != card2.content.color) && (card1.content.color != card3.content.color) && (card2.content.color != card3.content.color)) || ((card1.content.color == card2.content.color) && (card1.content.color == card3.content.color) && (card2.content.color == card3.content.color)) {
                               if (card1.content.shading != card2.content.shading) && (card1.content.shading != card3.content.shading) && (card2.content.shading != card3.content.shading) || ((card1.content.shading == card2.content.shading) && (card1.content.shading == card3.content.shading) && (card2.content.shading == card3.content.shading)) {
                                       if let chosenIndex1 = cardsInGame.firstIndex(where: { $0.id == card1.id }), let chosenIndex2 = cardsInGame.firstIndex(where: { $0.id == card2.id }), let chosenIndex3 = cardsInGame.firstIndex(where: { $0.id == card3.id }) {
                                           cardsInGame[chosenIndex1].isMatched = true
                                           cardsInGame[chosenIndex2].isMatched = true
                                           cardsInGame[chosenIndex3].isMatched = true
                                           selectedCards = []
                                       }
                               } else {
                                   addMismatchCards(card1: card1, card2: card2, card3: card3)
                               }
                        } else {
                          addMismatchCards(card1: card1, card2: card2, card3: card3)
                       }
               } else {
                   addMismatchCards(card1: card1, card2: card2, card3: card3)
               }
       } else {
           addMismatchCards(card1: card1, card2: card2, card3: card3)
       }
   }

   private mutating func addMismatchCards(card1: SetCard, card2: SetCard, card3: SetCard) {
       mismatchCards.append(card1)
       mismatchCards.append(card2)
       mismatchCards.append(card3)
       selectedCards = []
   }

   private mutating func exchangeCards() {
       for card in cardsInGame {
           if card.isMatched == true {
               if let selectedIndex = cardsInGame.firstIndex(where: { $0.id == card.id }) {
                   if cardDeck.count > 0 {
                       discardedCards.append(card)
                       cardsInGame[selectedIndex] = cardDeck[0]
                       cardDeck.remove(at: 0)
                   } else {
                       discardedCards.append(card)
                       cardsInGame.remove(at: selectedIndex)
                   }
               }
           }
       }
   }

   private mutating func removeCards() {
       for card in cardsInGame {
           if card.isMatched == true {
               if let selectedIndex = cardsInGame.firstIndex(where: { $0.id == card.id }) {
                   discardedCards.append(card)
                   cardsInGame.remove(at: selectedIndex)
               }
           }
       }
   }

}


text:
Margiána (staropersky Marguš, avestánsky Móuru, středopersky Marv, starořecky Μαργιανή Margiané) je historické území v dnešním Turkmenistánu, Uzbekistánu a Afghánistánu. Margiána ležela v deltě řeky Murgháb, starořecky zvané Margos, která pramení v afghánských horách, a teče na sever skrze poušť Karakum, v které vytváří vnitrozemskou deltu a nakonec mizí. Na jihozápadě sousedila s Parthií, na jihu s Ariané, na východě s Baktrií a na severu se Sogdianou.

Od 2. století př. n. l. Margiána představovala významnou obchodní křižovatku mezi západem a východem a později přes ní vedla Hedvábná stezka. Taktéž byla významným střediskem zarathuštrismu, buddhismu, judaismu a křesťanství, především nestoriánského.

V Margiáně existovala přibližně mezi lety 2 200 až 1 700 př. n. l. kultura nazývaná Baktrijsko-margiánský archeologický komplex, která pravděpodobně měla výraznou úlohu v migraci indoíránských kmenů na jih. Již v dobách Kýra I. (8.-7. století př. n. l.) byla pravděpodobně součástí Achaimenovské říše, protože tento král bojoval proti Massagetům. Po nástupu Dareia I. roku 522/521 př. n. l. patřila Margiána, stejně jako mnoho jiných perských provincií, povstala vedená mužem zvaným Fráda, který však byl roce 521 př. n. l. poražen a stejně jako mnoho jeho následovníků popraven. Další zprávy o Margiáně pochází až z doby Alexandra Makedonského, ta se společně s Baktrií a Sogdiánou vzbouřila proti Alexandrově vládě vedeny Spitamenem. Po potlačení povstání byla v oáze založena Alexandrie, později přejmenovaná na Antiochii a poté na Merv. Po Alexandrově smrti byla oblast součástí Seleukovské říše, poté Parthské a následně Sasánovské. V 7. století byla Margiána dobyta muslimy.

Reference

Střední Asie
Dějiny Uzbekistánu
Dějiny Turkmenistánu
Dějiny Afghánistánu
Historická území Íránu
Parthové
Íránské státy a území


What causes mothers and adult children to part ways? Iowa Stae University researchers wanted to find out.
Results of their study suggest violations of societal norms, such as substance abuse, don't cause the rift, but rather differences in core values.
Researchers defined estrangement as mothers who had no contact with their child (38.2 percent) and mothers who had very little contact with their child and described their relationship as very emotionally distant (61.8 percent).
The data used were collected as part of the Within-Family Differences Study, a project funded by the National Institute on Aging and based at Purdue University. A total of 566 families met the research criteria (mothers 65 to 75 years old, with at least two living adult children) and 64 were estranged.
In their paper, researchers included anecdotes from interviews with mothers talking about how their son or daughter violated their trust or expectations, related to their values.
The woman's other two children both had been arrested for drunk driving and had a history of substance abuse. But she was not bothered by these problems. In fact, she considered her son with the arrest record to be her success story because he is married.
In a majority of the cases, there was only one estranged child. However, in one case the mother's only two children were both estranged. In addition to core values, the mother's marital status is also a predictor.
Mothers who are divorced or widowed are more likely to have an estranged child than mothers who are married.
"An explanation for this might be that fathers are maintaining contact with the child. Even if the relationship between the mother and adult child is strained, it's less likely to become estranged because of the father's pull," Gilligan says.
Children's gender does not appear to be a factor, but birth order is. Last-born children are less likely to be estranged.
The study is based on the maternal perspective. But researchers were often able to verify the nature of the estranged relationship through interviews with other siblings and in some cases the estranged child.
Gilligan is interested in exploring how children would describe what led to their estrangement in future research.
Estrangement Between Mothers and Adult Children: The Role of Norms and Values.


Filter Forge, Inc. today released the third beta test stage of Filter Forge 2.0, a high-end plugin for Adobe Photoshop allowing computer artists to build their own filters. Additionally, Filter Forge 1.0 is currently available at a 50% spring discount.
The key feature introduced in Beta Stage 3 is the support for non-seamless filters -- previously, all filters in Filter Forge were restricted to seamless tiling.
This beta marks the beginning of a new era for Filter Forge. We're starting the transition from a niche plugin for texture artists to a powerful toolbox for everyone who deals with digital images.
The key feature introduced in Beta Stage 3 is the support for non-seamless filters -- previously, all filters in Filter Forge were restricted to seamless tiling, which severely limited creative possibilities. Other important additions include five unrestricted transform components (Scale, Rotate, Flip, updated Offset and Lookup), 24 new components for performing mathematical operations on high dynamic range RGB colors, 3 new shape components, a versatile Free Gradient component, and the long-requested eyedropper tool that helps users fine-tune and debug complex filters.
"This beta marks the beginning of a new era for Filter Forge" - says Vladimir Golovin, the CEO of Filter Forge, Inc. "We're starting the transition from a niche plugin for texture artists to a powerful toolbox for everyone who deals with digital images."
The beta version is available at http://www.filterforge.com/download/beta2/index.html. The beta is a fully functional 30-day trial version of the Filter Forge 2.0 Professional edition. All registered users of Filter Forge 1.0 can get a free beta key that allows them to use the beta version until the end of the beta period. The last beta stage and the commercial release are planned for Q2 2010.
Filter Forge is a versatile Photoshop plugin which lets both novice and expert users create a wide variety of realistic and abstract textures and effects. Users can take instant advantage of over 7000 free community-created filters in the online filter library at http://www.filterforge.com/filters/, or create their own filters in the visual filter editor by assembling them from components such as blurs, gradients, color adjustments, noises, distortions, or blends -- without writing a single line of code. Most of the filters are seamlessly tiled and all of them are adjustable, resolution independent, support real-world HDRI lighting, and can automatically generate diffuse, specular, bump, and normal maps.


Egon Zweimüller's family-run business in Ennsdorf, Austria has become known as one of the world's best car restoration houses. Click through the gallery to see some of his most impressive restorations. (Pictured: a rare 1954 AstonMartin DB2-4 Drophead restored by Egon Zweimüller).
Austro Daimler Bergmeister Sports Cabriolet – In 2007, Porsche turned to Egon Zweimüller for the restoration of one of Wolfgang Porsche's classic cars -- the rare 1932 Austro Daimler Bergmeister sports cabriolet -- with the intention of giving it to the prestigious Porsche Museum in Stuttgart, Germany.
1954 Lancia D24 – Zweimüller's approach is straightforward: "I want to restore a car to factory delivery status -- to be exactly the same as the day it left the factory," he says.
Alfa Romeo 33/2 Stradale – For each restoration, Zweimüller will draw on his vast collection of archived material -- books, photographs, production notes, technical drawings and specification sheets for a range of classic car names.
1933 Maserati 8CM – At one million pieces, his is the largest archive of its kind in Europe, and priceless because it's not digitized. It includes, for example, 20 of the notebooks that Ferdinand Porsche used to jot down ideas about various car projects.
(CNN) When Wolfgang Porsche decided to give one of the classic cars from his private collection to the prestigious Porsche Museum in Stuttgart, Germany, he wanted the best possible restoration for the rare 1932 Austro Daimler Bergmeister sports cabriolet.
This, after all, was an illustrious vehicle, considered one of the most beautiful cars of its era, with a body by royal coach builder Armbruster and a provenance to match.
With money and time no object, Porsche turned to classic car specialist Egon Zweimüller In 2007, whose family-run business in Ennsdorf, Austria has become known as one of the world's best restoration houses.
Ten thousand hours later, Zweimüller delivered a car sure to turn heads anywhere, from its first outing at the 2011 Pebble Beach Concours d'Elegance in California to its current home in the Porsche Museum.
Egon Zweimüller grew up around cars and motorbikes, driving from the age of six, and riding bikes through the forests around Ennsdorf.
In the 1960s, his father opened a wrecking yard (where the workshop now stands), and began collecting old cars and automotive bits and pieces that, over time, would morph into a fully fledged restoration business.
Their restorations include a streamlined 1954 Mercedes-Benz Grand Prix racer, a Concours class-winning 1948 Talbot-Lago Grand Sport Franay cabriolet, a Bugatti Type 35C racer, and a rare 1900-01 Lohner Porsche hybrid electric car for Ernst Piëch, a grandson of another of Porsche's founder's, Ferdinand Porsche.
Zweimüller has something a little more modern on hand too. At his workshop, the 42-year-old Austrian shows me a gold 1964 McLaren M1-A open prototype which, at last year's Concorso d'Eleganza Villa d'Este, picked up a mention of honor.
This was the McLaren raced by two-time F1 champion Graham Hill, and briefly driven by Elvis Presley in the 1996 film "Spinout." Presley enjoyed the car so much he bought it from the movie's supplier. Now it's in Zweimüller's hands, along with another Presley car, a BMW 507.
Restoring a classic car can be incredibly expensive, running into hundreds of thousands of dollars. But when the best and rarest examples from the likes of Ferrari, Bugatti, Mercedes-Benz and Porsche regularly bring millions of dollars at auction, it can make financial sense.
"I want to restore a car to factory-delivery status -- to be exactly the same as the day it left the factory," he says. That means almost obsessive attention to detail.
For each restoration, Zweimüller will draw on his vast collection of archived material -- books, photographs, production notes, technical drawings and specification sheets for a range of classic cars.
At one million pieces, his is the largest archive of its type in Europe, and priceless because it's not digitized. It includes, for example, 20 of the notebooks that Ferdinand Porsche used to jot down ideas about various car projects.
"You can't Google this information," Zweimüller points out.
His eye for what's right in a restoration means that he'll even track down the old-fashioned nitrocellulose paint used on prewar cars.
To illustrate his point, he pulls out an old Bugatti paint palette box to show the various shades of blue that founder Ettore Bugatti used on his vehicles. It was his guide for the recent restoration of a 1928 blue Type 35C racer.
His approach to restoration is tempered by the realities of doing business.
"Of course it depends on the client's wishes," he explains, referencing a job where the right factory color for a certain Bugatti was blue, but the client wanted it black. "So there is a degree of artificial license that can be taken."
Sometimes, preservation is simply the best choice. Zweimüller won best preserved postwar car at this year's Villa d'Este Concorso for his 1957 Fantuzzi-bodied Maserati 200Si.
As he pulls back the covers to show the Maserati, he points out that its red paintwork is untouched since its creation almost 60 years ago.
More covers are lifted to reveal projects in progress for various clients: a Bugatti Type 57, a Dino Ferrari, an Alfa Romeo 8C, and various Porsches, including a Le Mans 917 racer.
The beautiful gray and white Austro Daimler Bergmeister is also on hand, back briefly from the Porsche Museum for its annual checkup.
Zweimüller muses that if there were ever a Noah's Ark for cars, he would want the Bergmeister to be on it, along with a Volkswagen Beetle, and another of his favorite cars, the Alfa Romeo 8C 2300 Mille Miglia Corto that his father owns.
Zweimüller says that while he loves prewar Alfa Romeos, it was a "great honor" and labor of love to restore the Bergmeister.
"That vehicle was a concentration of the ideas and talents of Porsche and the engineers who followed him."
"Everything was unique for the Bergmeister," Zweimüller explains. "Ferdinand Porsche was like Ettore Bugatti in that respect. It was haute couture for cars. Everything was tailor-made from the chassis up, even down to the screws."
As he locks up the treasure trove of classic cars in his workshop and storage area, Zweimüller says he has the perfect job.
"I don't have to own these beautiful cars, but they are with me for thousands of hours."


We present a population balance model for enzyme deactivation and aggregation kinetics with a limited number of physically relevant parameters and use this model to analyse the experimental data for thermal inactivation of jack bean urease. The time dependence of the relative enzymatic activity was found to follow the second order kinetics, which was consistent with pre-equilibrated folding/unfolding of the native enzyme, followed by irreversible cluster–cluster aggregation of the non-native enzyme resulting in gradual and permanent loss of enzymatic activity. Monomer–cluster aggregation scenario was considered but was not consistent with the observed kinetic order of monomer disappearance at longer times. We analysed time evolution of the average hydrodynamic radius obtained from dynamic light scattering measurements and by fitting these data with our model, we were able to estimate the value of the unfolding equilibrium constant with a reasonable accuracy (Kc around 0.05 at 80 degrees C). We were also able to make order of magnitude estimates of the maximum number of enzyme molecules in the aggregated clusters (hundreds)as well as the aggregation rate constant of the non-native enzyme.


The United Nations on Tuesday warned of growing concern over alleged intimidation and threats of violence in the run-up to Zimbabwe's historic July 30 election, the first since the fall of Robert Mugabe.
Elections during Mugabe's 37-year reign were regularly marred by violence, but Zimbabwe's new leader, President Emmerson Mnangagwa, has vowed to hold a peaceful and fair vote.
The UN High Commission for Human Rights said in a statement it was "concerned... at the increasing number of reports, particularly in some rural areas, of voter intimidation, threats of violence, harassment and coercion."
"We call on the authorities - and political parties and their supporters - to ensure that the elections are not marred by such acts," it said.
The election campaign has been largely peaceful, and the UN welcomed the fact that authorities had allowed open political rallies and demonstrations in Harare, the capital.
Mnangagwa, a ZANU-PF ruling party loyalist who took over from the ousted Mugabe in November, has invited international observers - including previously-banned European Union and Commonwealth teams - to the polls.
The opposition Movement for Democratic Change (MDC) party and civil action groups have expressed fears of violence if the election result is close or fraud is suspected.
In 2008, then opposition leader Morgan Tsvangirai pulled out of the presidential run-off after attacks orchestrated by the state and ZANU-PF claimed the lives of at least 200 of his supporters.


The company has spent£300,000 on the move and will offer six Final Cut Pro edit suites, a Smoke and Combustion software for graphics.
It has also taken on two full-time senior editors, Danny Brown from 422 and Claire Richardson from Flix Facilities, and will use a number of freelancers including Pete Kidd, formerly employed by Cosgrove Hall.
The company plans to develop a shooting stage with make-up, showers and changing facilities over the next few months.
Hullabaloo was set up 12 years ago by Darren Cox and Simon Hall. Recent work includes Roary the Racing Car for Chapman Entertainment, Bob the Builder for Hit, Postman Pat for Cosgrove Hall, this season's radio advertising campaign for Manchester City and the new multilingual interactive web site for Astra Zenecca.
The Smoke was sold and installed by reseller XTFX.
Hullabaloo Studios' new head of 2D design, Ian Bate, has made his first appointment at the Altrincham-based post-production facility.


Richard Foltz is a cultural historian specializing in the broader Iranian world. His most recent book is Iran in World History (Oxford University Press, 2016), which has also been published in a Persian edition (Entesharat-e Dibayeh, 2016). He has recently completed a book entitled A History of the Tajiks: Iranians of the East, which will be published by I.B. Tauris in 2019.
Iran in World History, Oxford University Press, 2016.
Religions of Iran: From Prehistory to the Present, Oneworld Publications, 2013.
Religions of the Silk Road: Premodern Patterns of Globalization, Palgrave Macmillan, 2010.


A journey through fact and fantasy, putting viewers face to face with deadly spiders, scorpions, and ferocious crocodiles. Meet terrifying monsters and discover the real creatures who may have inspired these mythical beasts.
Dangerous animals -- Juvenile films.
Andrew Sachs; Karen Walsh; Anne MacLeod; BBC Scienceworld (Firm); Dorling Kindersley Vision.; BBC Worldwide Americas, Inc.; Oregon Public Broadcasting.; Schlessinger Media.
Director, Karen Walsh ; writer, Anne MacLeod ; music, Guy Dagul.
Add tags for "Monster". Be the first.
Predatory animals -- Juvenile films.
Poisonous animals -- Juvenile films.
schema:isPartOf <http://experiment.worldcat.org/entity/work/data/4772184845#Series/eyewitness_dvd_series> ; # Eyewitness DVD series.
<http://experiment.worldcat.org/entity/work/data/4772184845#Series/eyewitness_dvd_series> # Eyewitness DVD series.


text:
Walnut Hills History >>Oral History: Stories from our neighbors >>Barbara Haven
Barbara Haven
Barbara moved to Walnut Hills in her early 20's (1957). She and her husband have lived in Cincinnati ever since, raising 3 daughters. They have been active in Church of the Advent in Walnut Hills, as well as in other WH organizations. These audio files are from an interview with Barbara conducted on July 17, 2017.
When Barbara first moved to Cincinnati, she worked at a sales office for Dow Chemical, located on Victory Parkway near McMillan. Barbara also lived in that area at first. Here Barbara describes how she found a place in the new city. Notice the role of the church in providing community. The church she mentions is the CELC Building, which now houses Echo Church worship on Sundays.
http://www.walnuthillsstories.org/wp-content/uploads/2017/09/BHaven-Coming-to-Walnut-Hills.wav
"I loved it!"
Barbara has been a long-time member of Church of The Advent. During that time, the church has gone thru significant changes in both membership and focus. Barbara describes the church as it was when she and her husband joined in the late 1950's.
http://www.walnuthillsstories.org/wp-content/uploads/2017/09/BHaven-Description-of-Advent.wav
"… 300 members …"
Church of the Advent has a long history of outreach to the Walnut Hills community. Barbara describes some of the activities at the church during the 1950's and '60's, especially to the "Mountain People" – immigrants from Appalachia who had a large presence in Walnut Hills at that time.
http://www.walnuthillsstories.org/wp-content/uploads/2017/09/BHaven-Outreach-and-Couples-Club.wav
"They did a lot of things for the kids."
Alms Family Ante Bellum Arnett Law Art Museum Beecher family Big Business Black Brigade Black Business District Black History Black Laws Brown Chapel Buildings Business Charles P. Taft Children's Hospital Churches Church of the Advent Civil War College of Music Colleges Colored Public Schools CPS Culture Dangerfield Earley Demographics Dillard Donald Spencer Eden Park Edgecliff Education Elizabeth Blackwell Federation of Colored Women's Clubs First Baptist Frederick Douglass School Gaines High School Gilbert Avenue Grace Slade Grand Army of the Republic Great Migration Hannaford Harriet Beecher Stowe Hawkins Horace Sudduth Hotel Alms Housing Hubbard Ida Mae Rhodes Industries Integration Jacob Schmidlapp James Robinson Jazz Jennie Porter Jones the Florist Joseph Foraker Kerper Kindergarten Lane Seminary Libraries Mary Emery McMillan Street Medicine Mt. Auburn NAACP Negro Civic Welfare Committee Parks Peebles Corner Peter Clark Philanthropy Private Schools Public Schools Race Relations Radio Reconstruction Recreation Robert Gordon Robinson Sarah Gibson Jones Self-emancipation Sociology Socoology Spencer Sports Thatcher Transportation Tunnel Tuskegee Airmen UC Uncle Tom's Cabin Underground Railroad Victory Parkway Washington Terrace Water Works WEB DuBois Wilberforce University William Lovelace Women's History Xavier YMCA Zoo
Hospitals and Medicine (4)
Transportation and Infrastructure (20)
Ante-bellum (8)
Civil War and Reconstruction (5)
Email: info@walnuthillsstories.org
Walnut Hills Historical Society

redpajama_set_name: RedPajamaCommonCrawl


Robiin - Authentic Valencian oranges. Totally guaranteed quality products.
Authentic Valencian oranges: Robiin certifies that all the distributed oranges are picked from fields in the Valencian province, located in the regions of La Safor and la Vall d'Albaida by the Valencian coastline.
Totally guaranteed quality products: The products we offer have got through all the authorities' established controls. The cooperative's technicians certify that the citruses we distribute have been grown with materials which are completely authorized and that no phytosanitary treatment has taken place after the picking.
Openness of the management: We announce a breakdown of to whom the client's product money goes.
A fair trade: The farmer is the one who sets the product's price. Robiin offers the distribution and the needed technological infrastructure to offer an efficient and sustainable trade for the Spanish fields.
The orange in optimum condition: We market around 25 different orange varieties, and we offer you the best at all times. Naturally, the oranges ripen on the tree, and when they are just ripe we pick them and send them, so in less than 24 hours they will arrive at your address.
Certificate of origin: All the products we offer belong to farmers who are associated in cooperatives, these being associations where the farmers democratically manage their properties. We guarantee that the product isn't stolen and is absolutely legal.
The union of the most traditional growing with the new technologies: Robiin combines the most traditional growing carried out by the farmers, and the latest technologies developed by a group of professionals with many years of experience in the Internet world.


text:
Q: Problema al compilar VueJs 2 con Bootstrap 4 (Solo CSS) Sucede que solo quiero usar Bootstrap para darle estilo a mi aplicación, pero al momento de correrla me sale el siguiente error
 ERROR  Failed to compile with 2 errors                                                                                13:10:24
These dependencies were not found:

* jquery in ./node_modules/bootstrap/dist/js/bootstrap.js
* popper.js in ./node_modules/bootstrap/dist/js/bootstrap.js

Quiero saber como puedo hacer que deje de necesitar esas dos dependencias y solo ocupe el CSS
mi Main.js esta asi
import Vue from 'vue'
import App from './App.vue'
import router from './router'
import store from './store'
import 'bootstrap'
import 'bootstrap/dist/css/bootstrap.min.css'
Vue.config.productionTip = false

new Vue({
  router,
  store,
  render: h => h(App)
}).$mount('#app')

A: Acabo de resolverlo, resulta que estaba haciendo la importación mal, lo unico que habia que cambiar era en el main.js
import Vue from 'vue'
import App from './App.vue'
import router from './router'
import store from './store'
import 'bootstrap/dist/css/bootstrap.min.css //De esta forma solo se carga la parte del CSS
Vue.config.productionTip = false

new Vue({
  router,
  store,
  render: h => h(App)
}).$mount('#app')

Solo tenia que dejar el paquete de css


text:
Ostrich Runner
Alert me on price drops
DRM Steam activation guide
PlatformPC
Activates in United States
Åland Islands, Albania, Algeria, Andorra, Angola, Anguilla, Antarctica, Antigua and Barbuda, Argentina, Armenia, Aruba, Australia, Austria, Azerbaijan, Bahrain, Bangladesh, Barbados, Belarus, Belgium, Belize, Benin, Bermuda, Bhutan, Bolivia, plurinational state of, Bosnia and Herzegovina, Bouvet Island, Brazil, British Indian Ocean Territory, Brunei Darussalam, Bulgaria, Burkina Faso, Burma, Burundi, Cambodia, Cameroon, Canada, Cape Verde, Cayman Islands, Central African Republic, Chad, Chile, China, Christmas Island, Cocos (Keeling) Islands, Colombia, Comoros, Congo, Congo, Democratic Republic of the, Cook Islands, Costa Rica, Cote d'Ivoire, Croatia, Cuba, Curaçao, Cyprus, Czech Republic, Denmark, Djibouti, Dominica, Dominican Republic, Ecuador, Egypt, El Salvador, Equatorial Guinea, Eritrea, Estonia, Falkland Islands (Malvinas), Faroe Islands, Fiji, Finland, France, French Guiana, French Polynesia, French Southern Territories, Gabon, Gambia, Georgia, Germany, Gibraltar, Greece, Greenland, Grenada, Guadeloupe, Guatemala, Guernsey, Guinea, Guinea-Bissau, Guyana, Haiti, Heard Island and McDonald Islands, Holy See (Vatican City State), Honduras, Hong Kong, Hungary, Iceland, India, Ireland, Isle of Man, Israel, Italy, Jamaica, Japan, Jersey, Jordan, Kazakhstan, Kenya, Kiribati, Korea, Republic of, Kuwait, Kyrgyzstan, Lao People's Democratic Republic, Latvia, Lebanon, Lesotho, Liberia, Liechtenstein, Lithuania, Luxembourg, Macao, Madagascar, Malawi, Malaysia, Maldives, Mali, Malta, Marshall Islands, Martinique, Mauritania, Mauritius, Mayotte, Mexico, Micronesia, Federated States of, Moldova, Monaco, Mongolia, Montenegro, Montserrat, Morocco, Mozambique, Namibia, Nauru, Nepal, Netherlands, New Caledonia, New Zealand, Nicaragua, Niger, Niue, Norfolk Island, Northern Mariana Islands, Norway, Oman, Palau, Palestinian Territory, Occupied, Papua New Guinea, Paraguay, Peru, Philippines, Pitcairn, Poland, Portugal, Qatar, Republic of North Macedonia, Reunion, Romania, Russian Federation, Rwanda, Saint Barthélemy, Saint Helena, Ascension And Tristan Da Cunha, Saint Kitts and Nevis, Saint Lucia, Saint Martin (French Part), Saint Pierre and Miquelon, Saint Vincent and the Grenadines, San Marino, Sao Tome and Principe, Senegal, Serbia, Seychelles, Sierra Leone, Singapore, Sint Maarten, Slovakia, Slovenia, Solomon Islands, Somalia, South Africa, South Georgia and the South Sandwich Islands, South Sudan, Spain, Sudan, Suriname, Svalbard and Jan Mayen, Swaziland, Sweden, Switzerland, Taiwan, Province of China, Tajikistan, Tanzania, United Republic Of, Thailand, Timor-Leste, Togo, Tokelau, Tonga, Turkey, Turkmenistan, Turks and Caicos Islands, Tuvalu, Uganda, Ukraine, United Arab Emirates, United Kingdom, United States, United States Minor Outlying Islands, Uruguay, Uzbekistan, Vanuatu, Venezuela, Vietnam, Virgin Islands, British, Wallis and Futuna, Western Sahara, Zambia, Zimbabwe
Casual, Racing
Discus Games
Geleos
GamersGate score
Ostrich Runner – is the fascinating animated arcade racing where the main heroes are funny and a little bit crazy ostriches.
Among millions of stars in our universe there is a small planet of Ostriches. They leaded a steady life, they spent a lot of time with their neighbors, different animals and birds; they settled down to a married life and raised the families. Ostriches tried to save calm and peace in their world…
But there is nothing perfect in our universe. The cruel and crazy Professor decided to enslave this beautiful planet with the help of ostriches themselves. Under cloud of night the Professor's assistant wriggled way into the children's rooms and kidnapped all of the chickens in the shell. The crazy Professor conceived to steal all of eggs in order to raise the army of warriors… The thief was hurrying up and he did not notice that the bag with the eggs was holed. And on the winding paths appeared an obvious trace…
The poor parents went mad and did not know what to do. The War Council it was decided to start hunting the thief.
Only the strongest, the fastest and the most dexterous ostriches were involved in the pursuit. Their aim was to collect as many eggs as possible and come to the Professor's lair for the final fight…
On the way to the sacred goal our heroes will meet a lot of enemies and obstacles; but every one will try to be the first and become the Hero who will save the Planet!
8 different worlds with many obstacles and rivals
4 secret bonus levels
Up to 7 rivals in the single player challenge
Up to 6 power-ups per challenge
Split-screen fun available for 2 on one PC
Multiplayer challenges via LAN and Internet
Cell shading technology for fantastic toon-style graphics
Windows Xp or later
Сomments
Games we think you'll like
WATCH_DOGS® 2


The title of the first issue is "The Way of the Weird" and it certainly lives up to that description. After an opening page that brings us up to speed on Doctor Strange's history against a backdrop of classic Doctor Strange panels, we're thrown headlong into the crazy, organized chaos that is Bachalo's pencils (along with equally crazy words from Aaron) of a battle taking place on the ectoplasmic plane in a young boy's soulscape while Strange levitates in meditation nearby. After those introductory heroics, Strange observes odd activity all over the city as he makes his way back to his Sanctum Sanctorum. Odd activity taking place on another plane, unseen by the common man, but seen by one such as the Sorcerer Supreme. After consulting with the likes of Doctor Voodoo, Scarlet Witch, and Shaman, Strange comes to the conclusion that something is killing the world's magic, which caused the disruptions he had observed. The story unfolds as Stephen learns that the war on magic is being led by the Empirikul, a science-based cult that believes magic is an abomination and must be cleansed from the multiverse. In order to save magic and the world as we know it, Doctor Strange must somehow battle the Empirikul while scouring the Earth for mystical artifacts and the last bits of magic that inhabit them.
Aaron introduces and expands upon a few things in Doctor Strange's world. The largest of which is the concept that all magic comes at a cost to those using it (the greater the spell, the greater the cost - generally some sort of physical pain). This idea actually carries through the story in this collection and into the second half of Aaron and Bachalo's run (if this has been explored in the pages of Doctor Strange previously, I haven't come across it). He also shows Stephen wearing his Cloak of Levitation as a scarf while out in public in order to be less conspicuous. A small detail for sure, but one that I really liked. Long time Doctor Strange sidekick Wong experiences some development as well: no longer just a man-servant/butler, but also a co-conspirator in Strange's fight against harmful mystical sources, even going so far as to take certain matters into his own hands and making decisions that Stephen would not approve of. Then there's Zelda Stanton, and Aaron/Bachalo creation who is a librarian by trade and who seeks out Doctor Strange's help only to be swept up in the middle of the Empirikul's impending war on magic.
Aaron and Bachalo's run on Doctor Strange spanned twenty issues, an annual, and The Last Days of Magic one shot. This oversize hardcover edition includes exactly half of the run and the rest (#11-20, Annual #1) should be collected in an as-of-yet-unsolicited second volume. I personally hope that Marvel releases an omnibus for this run one day. If that should happen, I'll gladly trade up. If not though, this is a beautiful collection with a nice full color, wrap-around cover, a variant cover gallery, a Chris Bachalo sketchbook, and pencils and inks from Kevin Nowlan's pages from the end of the first issue.
This tale is a lot of fun and doubles as a great starting point for anyone with little to no familiarity with Doctor Strange as well as a great modern story for long time fans. It certainly kick-started my interest in the character and opened my eyes to classic Strange runs that came before it (specifially Lee/Ditko, Stern). And for that I am thankful.


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Dead Moon & The Organ break up
BrooklynVegan Staff Published: December 13, 2006
Dead Moon's GEOCITIES! website has "temporarily exceeded its data transfer limit", but according to Sub Pop, Dead Moon's Fred Cole posted this message:
After 20 yrs, Dead Moon is retiring. It has been a journey we will always treasure and feel that a worldwide family has emerged in its place. Dead Moon became much bigger than the band itself, it became a DYI underground hopeful for a lot of people. The candle is still burning! --Fred Cole
Their other official website is still up though, and that lists the following tour dates:
DEAD MOON | 2006 TOUR DATES?
12/06/06 -Portland, OR Dante´s
12/29/06 - Portland, OR S abala´s
12/30/06 - Seattle, WA Funhouse
12/31/06 - Olympia, WA 4th Ave Tavern
By now you probably also heard that Canada's The Organ broke up too.
We are sad to announce that we're breaking up. We want to thank our friends, fans, and family for all the support you gave to us. Thank you. - Shelby, Jenny, Katie, Debora, and Shmoo.
The Organ announcement came right about the time we heard about Supersystem, not to mention Pamela Anderson and Kid Rock. Who's next?
Filed Under: Adam Sandler, Barclays Center, benefit, Billy Crystal, Bobby Moynihan, Brian Williams, Chelsea Clinton, Chris Rock, Hurricane Sandy, hurricanes, Jake Gyllenhaal, Jessica Chastain, Jimmy Fallon, Jon Stewart, Karlie Kloss, Kristen Stewart, Leo DiCaprio, Madison Square Garden, Mick Jagger, MSG, Quentin Tarantino, Rolling Stones, Sean Combs, Seth Meyers, Steve Buscemi, Susan Sarandon
Barclays Center reportedly dropped SeatGeek as ticket seller due to "recurring tech issues"
What's Going on Wednesday?
What's Going on Tuesday?
Saetia announce West Coast reunion shows
60+ new holiday songs from 2022
SZA adds second NYC & LA shows to arena tour


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Home Tag Second Nagorno Karabakh War
Tag: Second Nagorno Karabakh War
This is not a story about war. This is the story of what happens after the bullets, missiles, bombs and drones no longer fly through the autumn air. Maria Titizian recounts her journey to Artsakh last year, two days after the signing of the trilateral statement ending the war.
Maria Titizian
Who Is Responsible For the 2020 Defeat?
Gaidz Minassian delves into the turbulent spaces of history, memory and identity and deconstructs why the mother of all battles—the construction of a State on its sovereign pillars—was undermined.
Gaïdz Minassian
On the Current Role of the Armed Forces and Civil Society in the Political Situation in Armenia
Armenia's Constitution states that the Armed Forces must ensure the security, defense and territorial integrity of Armenia, as well as the inviolability of its borders. Intervention by the army in political processes is a violation of the principle of political neutrality and civilian control over them.
Sossi Tatikyan
EVN Report's mission is to empower Armenia, inspire the diaspora and inform the world through sound, credible and fact-based reporting and commentary. Our goal is to increase public trust in the media. EVN Report is the media arm of EVN News Foundation registered in the Republic of Armenia in 2017.
Spotlight Artsakh
Raw & Unfiltered
Creative Tech
Understanding the Region
Editorial Policy & Guidelines
@ 2021 EVN Report. All Rights Reserved
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Some available resources referenced in training by Eric Law, Kaleidoscope Institute.
Eric Law: What assumptions do we make?
Eric's Author Page on Amazon.
Inspired by Desmond Tutu's Book of Forgiving (Amazon), a song by Eric Law.
Curated by Dr. Anita Coleman, Principle Investigator, The Anti-racism Digital Library, Glossary, and Thesaurus - publications for dialogue. Suggest reading About Page.
R = take RESPONSIBILITY for what you say and feel without blaming others.
E = use EMPATHETIC listening.
S = be SENSITIVE to differences in communication styles.
P = PONDER what you hear and feel before you speak.
E = EXAMINE your own assumptions and perceptions.
T = TRUST ambiguity because we are not here to debate who is right or wrong.


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Product Approvals and Launches
Clinical Spotlight
Enduring Webinars
OnLocation
Payer Perspectives
Post Conference Perspectives
Stakeholder Summit
The American Journal of Managed Care
The American Journal of Accountable Care
Evidence-Based Oncology
Compendia
Rare Blood
Formulary Central
Center on Health Equity and Access
Institute for Value-Based Medicine
About AJMC
AJMC Journals
Nominate a Rising Leader
AcademiaEmployersHealth SystemPayersProviders
Center on Health Equity and AccessClinicalHealth Care CostHealth Care DeliveryInsurancePolicyTechnologyValue-Based Care
All CoverageEvent CoverageInterviewsNews
AJMC JournalsAnniversaryAuthor FormsAuthorsNominate a Rising Leader
When Less Is More: Halving Chemo Keeps Testicular Cancer at Bay, Study Finds
By Mary Caffrey
Testicular cancer is the most common cancer to be diagnosed in men as younger men—those younger than age 40—and it can be particularly aggressive. Advances in therapy have improved survival rates, but if young men have chemotherapy after surgery, they may live with side effects for decades.
Toxic side effects of chemotherapy have been a concern across cancer care, as researchers look for ways to minimize the doses needed to kill cancer cells—and keep them at bay—to limit both both short- and long-term effects, such as hair loss or cardiovascular events. In 2018, for example, the practice-changing TAILORx study showed how the use of a 21-gene assay could help some women with breast cancer avoid chemotherapy with endocrine therapy.
Now, a new study from the United Kingdom finds that chemotherapy given after surgery for an aggressive form testicular cancer could be reduced by half, without putting men at risk of recurrence.
The 111 trial, led by the Institute of Cancer Research (ICR), London, and the University Hospital's Birmingham National Health Service Foundation Trust, studied 250 men with early-stage testicular cancer who faced a high risk of recurrence following surgery. Results appeared in the journal European Urology.
Testicular cancer is the most common cancer to be diagnosed in men as younger men—those younger than age 40—and it can be particularly aggressive. Advances in therapy have improved survival rates, but if young men have chemotherapy after surgery, they may live with side effects for decades.
As the authors state, the standard post-surgical treatment for these patients is 2 cycles of bleomycin, etoposide, and cisplatin, or BEP, or to watch and wait and treat with 3 cycles of BEP chemotherapy if cancer returns. Investigators wanted to examine recurrence rates for men treated with 1 cycle of BEP chemotherapy, compared with rates for those given 2 cycles in earlier studies.
The researchers found that only 3 men had their cancer return within 2 years after finishing treatment. The rate was 1.3% (95% CI, 0.3%-3.7%). In this new study, 41% of the patients had 1 or more serious side effect, such as an infection, sepsis or vomiting, but just 2.6% had long-term damage such as hearing loss. Grade 3-4 febrile neutropenia occurred in 6.8% of the patients.
The rate of cancer recurrence was nearly the same as that seen in earlier studies of men who had 2 cycles of chemotherapy, the researchers said.
"Men with testicular cancer who are at high risk of recurrence have generally been treated with 2 cycles of chemotherapy, but our new study found that 1 cycle was enough to stop the tumor from coming back," Robert Huddart, PhD, professor of urological cancer at ICR, said in a statement.
"Reducing the overall dose of chemotherapy could spare young men who have their whole lives ahead of them from the long-term side effects, and also means they will need fewer hospital visits for their treatment," he said. "This trial is already changing clinical practice on a global scale, and is set to improve patients' quality of life as well as reducing the cost of testicular cancer treatment."
Trials that examine cutting doses of cancer therapies are taking place across cancer care. The 2018 meeting of the American Society of Clinical Oncology, where TAILORx was presented, also saw results for a study of 4000 women with HER2-positive early breast cancer involving trastuzumab; women who received the drug for 6 months had a similar rate of disease-free survival as those who took the drug for a full year. The addition of trastuzumab to chemotherapy, while practice-changing in terms of survival, was known to increase cardiotoxic effects.
Developing short-term cancer regimens can also reduce "financial toxicity," in which patients' mental health, medication adherence, or personal finances are affected if they cannot afford their portion of the cost of treatment.
Cullen M, Huddart R, Joffe J, et al. The 111 study: a single-arm, phase 3 trial evaluating one cycle of bleomycin, etoposide, and cisplatin as adjuvant chemotherapy in high-risk, stage 1 nonseminomatous or combined germ cell tumours of the testis [published online January 1, 2019]. Euro Urology. doi: 10.1016/j.eururo.2019.11.022.
Examining Safety, Efficacy of Pirtobrutinib in CLL/SLL, MCL, and WM; Results Seen for Patients With Intolerance to Covalent BTK Inhibitors
Examining Telehealth Uptake to Increase Equitable Care Access
Vagal Nerve Stimulation May Benefit Patients With Medically Intractable Epilepsy
High-Deductible Health Plans and Their Potential Impact on the US Drug Epidemic
Guidance for AD Management Refreshed With New Recommendations
Chronic Respiratory Conditions Like Asthma, COPD Are Most Costly to Treat
In abstracts presented at the 64th American Society of Hematology Annual Meeting and Exposition, the investigational BTK inhibitor pirtobrutinib showed promising efficacy and safety in several types of B-cell lymphoma.
To mark the publication of The American Journal of Managed Care®'s 12th annual health IT issue, on this episode of Managed Care Cast, we speak with Christopher M. Whaley, PhD, health care economist at the RAND Corporation, who focuses on health economics issues, including the influence of the COVID-19 pandemic on health care delivery.
A review of randomized controlled trials suggests patients with epilepsy refractory to medical management may benefit from vagal nerve stimulation.
On this episode of Managed Care Cast, we speak with Matthew D. Eisenberg, PhD, lead author of a study published in the October issue of The American Journal of Managed Care® that investigated the use of high-deductible health plans and their impact on substance use disorder care and spending.
A team of experts from the United States and Canada performed this systematic review, considering for the first time patient values and preferences for their atopic dermatitis (AD) care.
Health care costs in the United States for respiratory conditions have increased from 1996 to 2016, particularly for chronic conditions like chronic obstructive pulmonary disease (COPD) and asthma.
AJMC®


text:
<?php

namespace App\Http\Middleware;

use App\JWTAuth;
use Illuminate\Events\Dispatcher;
use Illuminate\Routing\ResponseFactory;
use Tymon\JWTAuth\Middleware\BaseMiddleware as JWTBaseMiddleware;

abstract class BaseMiddleware extends JWTBaseMiddleware
{
    /**
     * {@inheritdoc}
     */
    public function __construct(ResponseFactory $response, Dispatcher $events, JWTAuth $auth)
    {
        parent::__construct($response, $events, $auth);
    }
}

redpajama_set_name: RedPajamaGithub


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Q: UISlider's track images don't stretch right on iOS 3.2+ I have a UISlider subclass that is supposed to implement a custom look. I'm doing this with stretchable images:
UIImage*    sliderBar = [UIImage imageNamed: @"SliderLeft.png"];
UIImage*    sliderLeft = [sliderBar stretchableImageWithLeftCapWidth: 7 topCapHeight: 0];
sliderBar = [UIImage imageNamed: @"SliderRight.png"];
UIImage*    sliderRight = [sliderBar stretchableImageWithLeftCapWidth: 1 topCapHeight: 0];
UIImage*    sliderRing = [UIImage imageNamed: @"SliderRing.png"];
UIImage*    sliderRingH = [UIImage imageNamed: @"SliderRing-Highlighted.png"];

[self setMinimumTrackImage: sliderLeft forState: UIControlStateNormal];
[self setMaximumTrackImage: sliderRight forState: UIControlStateNormal];
[self setThumbImage: sliderRing forState: UIControlStateNormal];
[self setThumbImage: sliderRingH forState: UIControlStateHighlighted];

This works fine on a device running 3.1.3. However, on an iPad (3.2.x) or iOS 4.x device, it looks like it's stretching the rightmost pixels, and never drawing the endcap.
SliderLeft.png is 8 pixels wide (there is no right endcap), SliderRight.png is 11 px.
I'm not seeing that anything here changed in UIImage or UISlider.
Are there any known gotchas here? Like I said, it was all working when I wrote it, but newer OSes seem to break it.


Celebrating their 100th location opening in Boston Seaport, Shake Shack is giving away 100 burgers at each location. The first 100 guests at Shake Shacks worldwide (with the exception of stadiums and ballparks) will receive a free single ShackBurger (or a burger of equal or lesser value).
Visit a Shake Shack near you you starting at 10:30AM on Tuesday, August 16. The giveaway ends at 12PM.
* While supplies last. The lines are obscenely long to begin with at Shake Shakes, get ready to a long wait that might not end in a free burger.


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You are here: Home / Daily News / Report: Browns Schedule Workout With LB Reuben Foster
Report: Browns Schedule Workout With LB Reuben Foster
By Wendi Oliveros September 16, 2021 @WendiOliveros1
(Photo by Robert Reiners/Getty Images)
The Cleveland Browns are reportedly interested in linebacker help.
According to Kimberley Martin of ESPN, the Browns will work out Reuben Foster on Friday.
The #Browns are working out Reuben Foster tomorrow, I'm told
— Kimberley A. Martin (@ByKimberleyA) September 16, 2021
Foster Is A Former First Round Draft Pick
This is a theme for Andrew Berry this season.
He is trying to catch lightning in a bottle with former first-round draft picks.
Berry signed Jadeveon Clowney and Takk McKinley.
He also took a chance on a former second-round pick in Malik McDowell which appears to be paying dividends.
Foster, 27, was the 49ers' first-round draft pick (31st overall) in 2017 out of Alabama.
At Alabama, Foster was an All-American, winner of the Butkus Award, and named to the All-SEC team in 2016.
Foster had a decent 2017 rookie season starting in 10 games and recording 59 solo tackles.
He played in 6 games during the 2018 season recording 25 solo tackles.
After that, off-the-field and injury issues took over, and he has not played in a regular season game since.
Foster was a member of the Washington Football Team from 2018 through 2020.
Most of his time with the WFT was spent on injured reserve after tearing his ACL and LCL in May 2019 and dealing with setbacks in his recovery.
Multiple Teams Have Looked At Foster In September
Berry is not alone in taking a long look at Foster.
He has also worked out with the Jacksonville Jaguars and New York Jets this month.
Ironically, Browns linebackers Mack Wilson and Malcolm Smith commented on a social media video of Foster working out.
Here's a video from a Reuben Foster workout just 6 days ago. He looks JACKED. Ironically #Browns LBs Mack Wilson and Malcolm Smith commented below it. pic.twitter.com/XBhBs7z1s7
— MoreForYouCleveland (@MoreForYou_CLE) September 16, 2021
A workout is nothing more than that.
The Browns are doing due diligence on a player of interest.
It does not mean his signing is imminent.
If all goes well, he could fill a practice squad position.
Stay tuned for follow up information after Foster's workout tomorrow.
How To Watch Browns Vs. Texans Live Stream (Radio, TV)


Dozens of men and women formally dressed, blindfolded and covered in mud, walk slowly, poetically interfering in the flow of the city. "BLIND" is a work open to different readings: the reducing of our existence to the productive function and consumption, overwork, imprisonment and petrification of life, the automation of everyday life, and the ethical degeneration that spreads in the current state of society. The interaction of the performers with spaces that symbolizes the political and financial axis causes critical estrangement in the urban landscape. The shock visual of petrification of bodies, alienated behavior and extreme slowness of movement, instigate a reflection about the various forms of blindness, as well as the impoverishment of human experience due to the increasing of commercialization of art and bodies. First held in 2012, attended the Program Palco Giratório, circled by 29 cities from all regions of Brazil, as well as Europe and USA. In 2017, "BLIND" embarks for Europe presenting on the Imaginarius - International Street Theater Festival of Santa Maria da Feira, Portugal, in Zurich, Switzerland and Berlin, Germany.
Desvio Coletivo is a network of creators in contemporary theater scene that acts in the border zone between theater, performance and urban intervention. By creating projects and interventions in urban spaces, the collective aims to generate ephemeral disorder islands of poetic and critical position. Coordinated by the directors Marcos Bulhões and Priscilla Toscano, Desvio Coletivo is composed of Leandro Brasilio, Marie Auip, Rodrigo Severo and Viny Psoa.


To win at Scrabble I could make a fantastic high point word from my tiles, but if they can't be played anywhere on the board then I lose. Likewise with cooking, I could make something that doesn't keep me in the kitchen long and fits my budget, but if it isn't nutritionally nourishing, then we all lose.
This week I had a lot of fun making some great tasting, very nutritious sweet bread that can be eaten on the run, which is something I seem to need at least once a day. Simultaneous to these requirements I was looking for a way to use the fiberous leftovers from juicing so that they would not be wasted to the garbage. Eureka! And the best part is that it had to be made chocolate in order to mask the green color of the vegetable pulp. If you don't juice vegetables yet, I hope you will check this out for some inspiration, and then read ahead to see how healthy cooking requires creativity and effort. Let me tell you how the bread happened.
First I googled "baking with juicing pulp", and then I started making some really yucky recipes. I waited a month or so for the pain to subside before starting over this week. This time I stuck to one thing, sweet bread, because I'm tired of buying expensive and sugary protein bars for meals on the run and I figured that a chunk of dense bread could do the same things for me, only better.
I juiced carrots, green apples, celery and kale, used the orangish pulp and told the kids it was "carrot bread". They really liked it, especially since I threw in a handful of chocolate chips. The next day I juiced a bunch of those enourmous collard green leaves, some kale, a few green apples, celery, and just a few carrots. This pulp was GREEN, and you know that mixing other ingredients in would make something rather gray…yuck. So it had to be chocolate. In went 1/2 c. of cocoa and that took care of the color problem. It actually came out an exceptionally dark, almost black looking chocolate color! I changed the shortening both times to olive oil, and half of the applesauce I replaced with a super ripe banana to get more potassium in the mix.
Honestly I hope my narrative will also inspire you to make healthy foods and connect with your inner creative side as I do in the kitchen. I need to make it again to get a good picture so you'll have to tune in next week for the recipe, but you can start stretching yourself creatively with another changeover I made to some breakfast crepes. (See pretty picture above.) Berries of all kinds are extremely high in antioxidants so this was a great way to get the family eating them in great proportions at breakfast rather than a lot of syrup.


Christmas is celebrated in so many ways....there are elaborate and elegantly formal Christmases....there are relaxed country style Christmases....Christmases in the snow, and Christmases in the sun. All can be beautiful and full of cheer.
This house from the Sacred Heart Holiday Home Tour had a modern twist to its holiday decor. It had a bit of a Scandinavian flavor to it....simple, yet cozy....and there were lots of yummy looking treats!
In the Living Room, there was a felted wool Christmas tree on a Saarinen side table, and the main Christmas tree was simply decorated with little wool ball garlands, pine cones and strands of lighted globes. I really liked this tree...unique and so cheery!
The front hall had a red bench designed by Mark Goetz of blank blank, a Sacramento company. I noticed another blank blank piece in the Living Room behind the cowhide chair. (For a better picture of the Burnt Credenza, click on over HERE).
This home is ready for the celebration to begin!


text:
Happy New Years! We want to wish everyone all the best in 2022!
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text:
Posts Tagged 'Top 10 List'
2012 IN REVIEW: HUBO'S TOP 10
HARVEST OF HONORS: The National Commission for Culture and the Arts (NCCA) and the Office of the Philippine President handed out 6 of the 13 ANI NG DANGAL (HARVEST OF HONORS) recognitions for cinema to artists involved in HUBO Productions films. The awardees were film directors RICA AREVALO, ELLEN RAMOS, and SARAH ROXAS (GANAP NA BABAE), cinematographers GYM LUMBRERA and MICHAEL MANALASTAS (GANAP NA BABAE), and actress LIZA DIÑO (COMPOUND). ANI NG DANGAL is an annual affair celebrated to give recognition to artists who won top international honors from the previous year in the seven art disciplines of music, dance, cinema, literary arts, visual arts, dramatic arts, and architecture and allied arts with the inclusion of multi-disciplinary arts.
UNO, DOS, TRES: UNO Magazine, a men's lifestyle magazine, collaborated with HUBO on three undertakings this year. A fitness flashmob in April in partnership with the Department of Health dubbed "Dance for Life" with a surprising close to 250 participants, a video production showcased during UNO's 9th Anniversary Party and Issue in August with the theme "UNOversity — Back to Basics", and IN NOMINE MATRIS partnership with the movie poster launch in the magazine's September issue and the world premiere after-party in December.
Maan Perez Ilustre (L), UNO Magazine Managing Director and Ida Ceniza-Tiongson, HUBO Board Member
IN NOMINE MATRIS After Party at the exclusive posh PRIVE club
100 HONOREES: HUBO Productions founders WILL FREDO and GREG MACARAEG honored among the 100 Outstanding Filipinos in the USA by the Press Photographers Philippines-USA and Philippine Children's Charities, Inc. Both received the award during a black-tie charity event in July at the Universal Hilton in Los Angeles, California.
HUBO Productions' Mad Men Greg Macaraeg (L) and Will Fredo
Photography by Kim Guanzon, Make-up by Laa Hernando-Guanzon, Stylist/Creative Direction by Roldan Din
Greg Macaraeg and Will Fredo, Outstanding Filipinos in the USA
THUMBS UP FROM THE NEW YORK TIMES: HUBO co-produced Outside Inside's entry to the Annual New York International Fringe Festival, NIGHT OF THE AUK, the first major New York revival after more than 50 years of this Arch Oboler's play. Positive reviews received and The New York Times agreed.
NIGHT OF THE AUK – Official Poster
Adam Levi in action with the ensemble cast of the revival of NIGHT OF THE AUK
GANAP NA BABAE STRIKES BACK: The film about women and written and directed by women became a box office hit during the Active Vista Human Rights Film Festival, screening to an SRO crowd and breaking the record for an independent film single screening in Cagayan de Oro. GANAP NA BABAE was also screened in San Francisco during the Filipino Arts and Cinema International (FACINE) Festival.
ACTIVE VISTA FILM FESTIVAL 2012 – Official Poster
GANAP NA BABAE in SM CINEMA Cagayan De Oro, Director Rica Arevalo in Photo
FACINE19 Film Festival – Official Poster
Program Director Mauro Tumbocon Jr (left) with Guests
INTERNATIONAL ACCLAIM: Resident Director WILL FREDO was the recipient of the Best Director award during the year's International Film Festival Manhattan NYC. Fredo was recognized for the HUBO-produced film THE CAREGIVER.
THE CAREGIVER – Official International Poster
IFFM Best Director Awardee, Will Fredo (THE CAREGIVER)
SOCIAL CONSCIOUSNESS: GANAP NA BABAE named the first recipient of the Mount Hope Project Award which recognizes films that present social issues in the hope that it will be a catalyst for change. Mount Hope Project is a non-profit organization that uses film and the arts to make a direct impact on lives of the underprivileged residents of Payatas in Quezon City, Philippines. The award was given during the International Film Festival Manhattan NYC.
GANAP NA BABAE (Garden of Eve) – Official International Poster
GANAP NA BABAE: Mount Hope Project Awardee
CO-INDIE-PENDENCE: HUBO Productions was a partner to two independent outfits in the realization of Cinema One Originals entries — Solito Arts' BAYBAYIN (directed by Auraeus Solito) and Origin8 Media's SLUMBER PARTY (directed by Emmanuel Dela Cruz).
BAYBAYIN – Official Poster
HUBO's Ida Tiongson (5th from L) with the cast and crew of BAYBAYIN
SLUMBER PARTY – Official Poster
Ida Tiongson (HUBO Exec), Venus Raj (Beauty Queen), Ining Dalmacio (HUBO Associate), and Emmanuel Dela Cruz (Director)
BRAVO, INDIE! : WILL FREDO recognized by the Philippine Daily Inquirer as one of this year's Indie Bravo awards honorees. Fredo joined an influential list that included Brillante Mendoza, Auraeus Solito, Jaclyn Jose, Eugene Domingo, Eddie Garcia and Nora Aunor. Eugene Domingo, Eddie Garcia and Nora Aunor.The Inquirer Indie Tribute honors movie icons—filmmakers and actors who have made waves in the international and local scenes.
INDIE BRAVO Award of Distinction, Will Fredo
INDIE BRAVO Awardees – Directors and Filmmakers
Will Fredo and Nora Aunor, INDIE BRAVO! Awardees
IN NOMINE MATRIS SHINES: The original and first Flamenco-Filipiniana film, written and directed by WILL FREDO, bagged two trophies during the 38th Metro Manila Film Festival Awards Night — New Wave Category Most Gender Sensitive Film and Best Actress for LIZA DIÑO.
Metro Manila Film Festival New Wave Winners Liza Diño and Will Fredo
Best Actress Winner Liza Diño
Most Gender-Sensitive Film Winner IN NOMINE MATRIS
In addition IN NOMINE MATRIS is the New Wave Category box office topnotcher of the 38th Metro Manila Film Festival. The movie stars Liza Diño, Biboy Ramirez, Al Gatmaitan introducing Tami Monsod and Clara Ramona with Maradee De Guzman, Jam Pérez, Bong Cabrera, Joan Palisoc, and Leo Rialp.
Metro Manila Film Festival New Wave 2012
IN NOMINE MATRIS cast and crew at the 38th Metro Manila Film Festival Awards Night
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Monday, December 31st, 2012 at 11:12 AM
NEWS, SNAPSHOTS | 2012, HUBO, hubo production, New Year, Top 10 List


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This year will mark the start of a new generation of consoles for Sony and Microsoft, but not for Nintendo. However, another potential clue was recently spotted pointing at the possibly imminent launch of the Nintendo Switch Pro.
Major EU retailer mentions 'Nintendo Switch Pro' on its online store
Nintendo has yet to confirm or deny the reports about the next-generation Nintendo Switch, but the rumor mill keeps turning. Just last week, the European tech and electronics retailer Media Markt reportedly added the words "Switch Pro" in product search results.
Fans should not expect to see an actual Nintendo Switch Pro console for sale on the website. However, according to a screenshot shared by Nintendo Life, Media Markt's Polish website showed search results for "Nintendo Switch and Switch Pro consoles." This is not much of a leak or a solid clue to prove the existence of Nintendo Switch Pro, but it should keep fans' hopes up for the release of a more powerful Switch console in the near future.
Nintendo Switch Pro release date, specs rumors: What to expect
There were predictions that Nintendo would join Microsoft and Sony in launching its next-level gaming hardware this year, but that was dismissed by Nintendo early on in 2020. Several months later, however, reports emerged suggesting that a console dubbed as Nintendo Switch Pro could be released next year.
Taiwan-based publication Economic Daily News reported in August that the planning for the production of a "next-generation" Nintendo Switch has started. Similar information was reported by Bloomberg around the same time adding that Nintendo's next console would be released in 2021 with new video games. At the time, specs of the supposed Nintendo Switch Pro console were not set in stone yet. However, it is highly expected to feature a higher display resolution to support 4K gaming.
The titles that would be launched with the supposed Nintendo Switch Pro were not identified in both reports. But it is worth noting that the sequel to "The Legend of Zelda: Breath of the Wild" has been one of the most anticipated games from Nintendo since its announcement during E3 2019. Given that the first game was also the official launch title for the first-ever Nintendo Switch console, it would make sense for both products to be launched as a pair once more.
Featured Photo by Enrique Vidal Flores on Unsplash