That pesky hair seems like it can be a headache to manage, especially on your back and nether region. The good news is, there are a lot of products and procedures to remove and maintain the hair. I personally prefer a more natural look and like to use my body groomer to just keep the hair I do have nice and trimmed. If you have your body grooming under control then I would recommend reading our guide on our best electric men's shavers to keep that stubble down.
If you are tired of shaving your body hair down all together then I recommend laser hair removal and you will find many places in your area that can accommodate you. The only drawback is, it can be expensive and you have to go back for many visits. The second thing you could try is waxing….and I am sure the first movie that came into your head was the 40-year-old virgin. Waxing will remove the hair temporarily and will give your body that youthful appearance. My favorite though out of all the options is using my body groomer. It is easy to use and doesn't take much time to have the look your want. Let's look at the features of a good body groomer.
The good news is, there are plenty of body grooming electric shavers and trimmers on the market to choose from. What's great is that some even include an extendible handle like the Mangroomer Ultimate Pro back shaver that is perfect for reaching all the hard to reach places on your back area. The handle itself locks into position and can extend with ease. The Mangroomer comes with two different heads including a trimmer and foil shaver for easy cleanup. Depending on genetics and how bad you want to clean up the forest growth, this might be a viable solution.
If you want to trim up the front end of your body, then for that manscaping I recommend the Philips Norelco BG2040/34 BodyGroom 7100. What's great is this body groomer includes a 3-D pivoting head that will contour your body so you aren't in the bathroom all day trying to get that perfect look. If you have thicker hair that needs to be trimmed down then all you have to do is switch the BodyGroom around and use the trimmer. This device is perfect for you abs, armpits, back, chest, and everything else below the neck.
If you are looking for an all-in-one solution for your entire body, then the Remington Pg520 body grooming kit is for you. The Pg520 includes 5 different heads for everything from a rotary nose hair trimmer to a mini foil shaver. This cordless solution is for men that don't want to buy multiple electric shavers to get the job done. I personally have not tried the Pg520, but it looks like a quality product to help men groom that pesky hair.
The first thing that pops into my mind when I hear body grooming is hair, but there are other details to attend to. Like myself, for example, I love trimming my fingernails with some basic nail clippers and call it a day. The only problem I have is that my cuticles are a nightmare and sometimes my fingers are irritated because they haven't been maintained. I hate looking down at my feet as well because I wear socks most of the time and I feel that if it is out of site, it is out of mind. Writing this article has made a bit more proactive about getting this part of my life under control.
I ordered the Body Toolz Deluxe manicure and pedicure grooming kit and am fairly impressed with the quality of these tools. The case is very attractive and holds all your tools in place for easy travel. If you afraid of starting this daunting task by yourself then I recommend you go and get a manicure or pedicure and see how it is done. After the manicure, you can maintain from there to have that well-kept look.
There are many ways to maintain your body and I have only skimmed the surface. I reviewed some of the easiest options on the market and that doesn't mean that you can't just use a manual shaver to get rid of that chest hair. If you are a hairy guy then taking certain precautions will help you feel more confident with or without your clothes on. Please share in the comment section below what has been working for you to empower men.


Decatur Public School District 61 has been on the forefront of a national movement toward providing meaningful, experiential summer learning in "camp" style programs. DPS61 partners with leading local organizations like the Decatur Park District, the Decatur Family YMCA, Millikin University, and Richland Community College to provide summer programs for youth and adults alike.
Summer is an important, transformational time in everyone's life. We play, learn, grow and succeed unconstrained by traditional structures. We want our entire community – regardless of age – to continue to grow and be the best citizens they can be. Please help us continue this "new" tradition of making the most of summer by donating to summer programs through the Decatur Public Schools Foundation. Contact Zach Shields at (217) 362.3042 to donate today!


@ Best 44+ Shooting Bench Plans And Dimensions Download Your Projects Now?
Shooting Bench Plans And Dimensions : This free downloadable workbench plan includes a materials list, cut list, diagrams, color photos, and lots of tips along the way.Learn to wrap the grain around a miter joint. You don't need special clamps, just some packing tape. By using a couple of furniture-making tricks you can build floating shelves that look worlds better than off-the-rack racks.If you're short on time and money then this simple workbench plan may be just what you're looking for. This workbench takes no time to build but has plenty of room for all your tools and ample space for your woodworking projects.Here's a set of storage cabinet plans that will help you organize all those tools that are always lying on your saw's out feed table. This isn't just a tool cabinet, it's also a table saw stand and a router table! It's got built-in dust collection, too! Check out these plans and build a cabinet you'll use every time you work in the shop.Better and best. There are plenty of good bookcase plans out there – and most of them are free. But our free bookcase plans are better, and that's important when you are building something that will last a long time. In fact, we think you'll find these 6 plans to be the best available.
Shooting Bench Plans And Dimensions : Start with an idea in mind of what you want to build and then get a really good woodworking project plan that is geared toward beginners. There are several small woodworking projects for beginners available for purchase from online woodworking retailers. A few woodworking plan suggestions to get you thinking are: a jewelry box, a music box, a clock, a bird house, a chessboard or checkerboard, a rocking horse for a child just to name a few. Of course you can start out with as grand a woodworking plan as you choose. However, the chances are if you start out with a small woodworking project at first, you will have a better chance of completing the project.
Shooting Bench Plans And Dimensions Free Shooting Bench Plans | MyOutdoorPlans | Free Free Shooting Bench Plans Ovidiu 11 Add to favorites YOUR FAVORITES RANDOM PLAN. Cut the components from 2×6 lumber at the right dimensions. Drill pilot holes and insert 2 1/2″ screws to lock them together. Add glue to the joints and align the edges with attention. Use a speed square to make sure the corners are right-angled.. Shooting Bench Plans and Inspiration | Sierra BulletsMore Shooting Bench Inspiration: Michael Shymchyk built this shooting bench without plans and says it doubles as a party deck. Bruce McCraw added 4×4 skids for moving with 4 wheeler etc. And here is Bruce McCraw's bench finished with a top and bench seat attached. Brad Peterson built this shooting bench to compliment his deck.. FREE Shooting Bench Plans — Fourteen Do-It-Yourself FREE Shooting Bench Plans — Fourteen Do-It-Yourself Designs. Building your own portable shooting bench is a great do-it-yourself project. You can build a sturdy bench for well under $100 in materials. Compare that to some deluxe factory-built benches which may cost $500.00 or more. FREE Bench Plans on the Web. Free Shooting Bench Plans | HowToSpecialist - How to Build Free Shooting Bench Plans. Building the top frame. The first step of the project is to build the frame for the tabletop. Cut the components from 2×6 lumber. Align the edges and make sure the corners are square. Drill pilot holes and insert 2 1/2″ screws to lock the components together. Add glue to the joints.. Free Shooting Bench Plans For Download - AmmoLand.comThe material list and plans on listed on the page by linking to "Download Free Shooting Bench Plans Here" in the original article. Reply. 5WarVeteran says: April 29, 2016 at 9:24 PM. How To Build A Shooting Bench - 14 Shooting Bench PlansSome of the plans are excellent, giving a great deal of instruction in text, pictures and drawings while other plans are only drawings and still others are only sketches. As well, some of the shooting bench plans require a woodworking shop that is outfitted with a good selection of stationary power tools such as a table saw, jointer and . Free Shooting Bench Design Plans - realitysurvival.comFree Shooting Bench Design Plans Portable Shooting Bench – Fully Assembled. Who says nothing in life is FREE? Well the plans for this practical and highly functional and cost effective shooting bench are totally free to www.RealitySurvival.Com readers! This cool shooting bench was made from one single 4'x8'x3/4″ piece of plywood.. Woodworking Plans Online: Shooting Bench PlansIf you are looking for wooden shooting bench plans, you have come to the right place.But first, I need to tell you, I cannot sell you one. I have been looking all over the net for shooting bench plans to buy but it seems like I always get redirected to a site that sells already made shooting bench.. Shooting Bench Dimensions - Shooters ForumShooting Bench Dimensions. Registered Users do not see the above ad. Hello all, this is my first post here. I want to build a shooting table behind my house but I don't have any idea what the dimension are for one. Does anyone know what the distance is for a common table from the ground to the table top and from the ground to the top of the . Build Your Own Bench — Free Plans - accurateshooter.comBuilding your own portable shooting bench is a great do-it-yourself project. You can build a sturdy bench for well under $100 in materials. Compare that to some deluxe factory-built benches which may cost $500.00 or more. FREE Bench Plans on the Web You'll find a wide assortment of home-built .
Shooting Bench Plans And Dimensions : My Shed Plans Elite is another product with great woodworking plans. Ryan Henderson created this product and he has over 20 years of woodworking experience in building wooden sheds. Throughout his career, he faced many of the same dilemmas that the creator of Teds Woodworking encountered, mainly, poorly written and understandable wooden plans. The My Shed Plans Elite product contains over 12,000 different wooden plans and blueprints. There are a lot of shed plans in this product in addition to hundreds of other plans in various categories.
Shooting Bench Plans And Dimensions : For the past six months, I've been hammering and banging on a flimsy folding plastic table. That's right. I'm a full-time DIY and how-to blogger, a hobbyist woodworker, and everyday tinkerer, and my garage workbench (if you could call it that) was a thin piece of flexible plastic sitting on flimsy legs, previously only employed as extra seating when we host Thanksgiving dinner.Here's the latest edition in our FREE woodworking projects series – how to build shelves! Building shelves is always a great project. Over the years, the need for large, built-in bookcases and entertainment centers has declined, but the need for compact, stylish storage like floating shelves has increased! The same thing goes for building garage shelves.Cut the 2x4s that make up the top and bottom frames (F and G). Assemble them with two 3-in. screws into each end. The studs I used were made from Douglas fir, which is strong but brittle, so to prevent splitting, I predrilled the screw holes with a 1/8-in. bit. Fasten the plywood top and bottom (A and C) to the frames with 1-5/8-in. screws. I countersunk the screws on the top so I could fill them with wood filler. I used wood glue in addition to screws throughout this project.These plans walk you through every step of building a face frame cabinet. You'll learn to how make a beaded frame, how to build a cabinet box with solid wood and lots of other professional cabinet making tips.What's important here is to take note of the stock's grain orientation. Look at the end grain, here you should find the annual rings running into the planing edge at 90 degrees, this is the radial face. Planing the radial face is often times far more consistent than tangential.


text:
Turanogryllus cephalomaculatus är en insektsart som beskrevs av Pajni och Madhu 1988. Turanogryllus cephalomaculatus ingår i släktet Turanogryllus och familjen syrsor. Inga underarter finns listade i Catalogue of Life.

Källor

Syrsor
cephalomaculatus

redpajama_set_name: RedPajamaWikipedia


39 is hard. For six months now, I've been saying "I'm turning 40 next year", which is still true. I will turn 40, at exactly this time next year. I'm not feeling happy about this 39th birthday and I'd rather ignore it. Maybe I'm unhappy because it's an odd number? No, really it must be the lead up to 40. Most days I feel tired and every one of those 39 years.
I'm not sure why or exactly when I became so anti-birthday. I had fun birthdays as a kid, I spent my 19th birthday in London at a huge gig (featureing The Cure!), a surprise party in my 20s. I went on a cruise with my mum, aunt and cousin for my 30th birthday. I'm pretty sure I enjoyed those. Where did it go wrong? Why can't I allow myself to enjoy my own birthday?
I do feel uncomfortable being the centre of attention and I guess this is where it stems from. Within my tiny family, sing happy birthday and chocolate cake feels OK. Outside that circle? All wrong. Not good.
I've always felt uncomfortable at parties, and now as an "mature woman" I push myself hard to participate, speak up and at least look like I'm enjoying myself. If it is just my close friends, I'm OK. Otherwise I'm freaking out on the inside and mentally exhausted afterwards. I need to work on this, right?!
So, 40 next year. Mum and I share our birthday (my poor and we always said we'd go to Vietnam for our 100th. Wouldn't that be lovely?
You shouldn't feel a need to apologize for not being an extrovert party person. The birthday celebrations I care about are just the close family kind. Our society sends signals that favors extroverts, but what is wrong with being a more private person? What I love is that so many of us in that camp are attracted to blogging, which is certainly public but is a sharing that we can control at our own pace.
I turned 35 this year and found that super hard to get through. So I can relate to how you are feeling.
I also dislike being center of attention and find celebrating my birthday difficult, specially when I get gifts.
Try to do something that you will enjoy even if its a small gathering or maybe a night out with hubby.


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SSI Energy's MERTs provide critical emergency care both offshore and to onshore remote sites from the point of injury until the arrival of the national emergency care service.
SSI Energy's medics are all experienced operators on wind farms and are able to carry out a multitude of technical tasks whilst on site, as well as medical and scenario training, improving the overall standards of HSEQ.
Round 3 wind farms are being constructed further offshore than ever before as well as Operation and Maintenance (O&M) being carried out now on the existing Round 2 wind farms. SSI Energy's MERTs are designed to enhance the current medical and rescue provision provided by the Search and Rescue (SAR), RNLI and NHS Ambulance to minimise the risk to offshore personnel.
SSI Energy's management with a long and established track record of managing emergency response teams to rescue, stabilise, and then transport trauma and medical casualties have designed the MERT for the offshore renewable industry to bring the Point of Care (PoC) much further forward (replicating the military system seen as best practice). This will see treatment being provided well within the 'Golden Hour'.
SSI Energy knows that experience is key and that is why all of SSI Energy's medics have at least 2 years' experience of frontline emergency care, from the military, fire or ambulance service.
All our medics carry a paramedic kit, satellite phone, defib and rescue stretcher.
SSI Energy's MERTs operate under a strict Clinical Governance scheme. All our medics are regularly audited, inspected and trained, overseen by the country's leading emergency care consultants.
SSI Energy's Clinical Governance provider is the most rigorous in the business – responsible for the clinical governance of national fire and ambulance services. This ensures our service is delivered to the highest standards and in line with best practice.


text:
package com.github.mpkorstanje.unicode.tr39confusables;

import static java.lang.System.arraycopy;
import static java.text.Normalizer.normalize;
import static java.text.Normalizer.Form.NFD;

/**
 * Implementation of the Skeleton transform described in Unicode TR39.
 *

 *
 * The skeleton transform makes it possible to determine if two strings X and Y
 * are confusable (abbreviated as X ≅ Y) according to a given
 * {@link Confusables} table.
 *

 * The transform consist of:
 *

 *
 *

 *
Converting X to NFD format.
 *
Successively mapping each source character in X to the target string
 * according to the specified data table.
 *
Reapplying NFD.
 *

 *
 * The resulting strings skeleton(X) and skeleton(Y) can be compared. If they
 * are identical (codepoint-for-codepoint), then X ≅ Y according to the table.
 *

 * The transform imposes transitivity on the data, so if X ≅ Y and Y ≅ Z, then X
 * ≅ Z.
 *

 * Note: The strings skeleton(X) and skeleton(Y) are not intended for display,
 * storage or transmission. They should be thought of as an intermediate
 * processing form, similar to a hashcode. The characters in skeleton(X) and
 * skeleton(Y) are not guaranteed to be identifier characters.
 *
 * @author mpkorstanje
 *
 */
public final class Skeleton {

	private static final Confusables table = new ConfusablesSwitchCase();

	/**
	 * Applies a skeleton transform to {@code s}. Uses the the Mixed Script Any
	 * Case table.
	 *
	 * @param s
	 *            a string
	 * @return a string transformed by skeleton(X)
	 * @throws NullPointerException
	 *             when {@code s } is null
	 */
	public static String skeleton(String s) {
		if (s == null)
			throw new NullPointerException("s may not be null");

		// 1. Converting X to NFD format
		s = normalize(s, NFD);

		// 2. Successively mapping each source character in X to the target
		// string according to the specified data table.
		int i = 0;
		final int[][] codePoints = new int[s.length()][];
		for (int offset = 0; offset < s.length(); offset = s.offsetByCodePoints(offset, 1)) {
			codePoints[i++] = table.get(s.codePointAt(offset));
		}

		// 3. Reapplying NFD.
		s = normalize(toString(codePoints), NFD);
		return s;
	}

	private static String toString(final int[][] codePoints) {
		int length = 0;
		for (int[] array : codePoints) {
			if (array == null) {
				break;
			}
			length += array.length;
		}
		int[] result = new int[length];
		int pos = 0;
		for (int[] array : codePoints) {
			if (array == null) {
				break;
			}
			arraycopy(array, 0, result, pos, array.length);
			pos += array.length;
		}

		return new String(result, 0, result.length);
	}

	private final String skeleton;

	/**
	 * Creates a skeleton transform of {@code s}. Uses the the Mixed Script Any
	 * Case table.
	 *
	 * @param s
	 *            a string
	 * @throws NullPointerException
	 *             when {@code s } is null
	 */
	public Skeleton(String s) {
		this.skeleton = skeleton(s);
	}

	@Override
	public boolean equals(Object obj) {
		if (this == obj)
			return true;
		if (obj == null)
			return false;
		if (getClass() != obj.getClass())
			return false;
		Skeleton other = (Skeleton) obj;

		return skeleton.equals(other.skeleton);
	}

	@Override
	public int hashCode() {
		return skeleton.hashCode();
	}

	/**
	 * Returns the skeleton transformed string.
	 *
	 * @return the skeleton transformed string
	 */
	@Override
	public String toString() {
		return skeleton;
	}

}

redpajama_set_name: RedPajamaGithub


Everything is political. You can't run from it and you can't hide. You shouldn't want to though, because it's not something to be feared, but embraced. People like to say they're neutral or aren't very into politics, but it's political institutions that determine who has clean drinking water, if transgender servicemen and women can continue to operate an Apache Helicopter, and whether the hard-working educators teaching our children earn a livable wage.
It turns out Cards Against Humanity isn't so against humanity after all. They've got a bone to pick with crummy policies, and they wanted to raise awareness on the causes they care about. During their six-day "Cards Against Humanity Saves America" campaign in 2017, they targeted issues to raise awareness around and fight the power the best way they know how: biting sarcasm and vulgar wit.
Wealth inequality is a big issue to tackle, so they took a stance by taking the money 150,000 customers gave them for the Saves America campaign, and redistributed a total of $100,000 to the poorest 100 customers. They then shared the stories of the people impacted as well as links to organizations that are working toward a solution.
Cards Against Humanity just doesn't have the time for divisive walls. They bought a large amount of land along the border and lawyered up to make it as difficult as humanly possible for Trump to build his wall through it. They also built this sweet 30-foot trebuchet, which is totally less ridiculous than the wall.
The news is pretty rough these days and there's not much we can do to escape it. However, Cards Against Humanity figured the least they could do was remind people of the good in the world, so the Good News Podcast was born. This wasn't overtly political, but it speaks to the change we can make to alleviate any problem, big or small.
In an interview with Fortune, CEO of Delta Airlines, Ed Bastian, discusses his experience of ending the NRA's Delta discount after 17 students and staff members were killed in the Parkland shooting. He didn't feel that their rhetoric aligned with the heartbeat of the company and their values. Delta doesn't have much of a record of entering the fray and typically remained neutral and out of sight when it came to social issues. However, enough was enough, and they decided to draw a clear line in the sand.
Casey Cagle is the Lt. Governor of Georgia. So the consequences for Delta were very real, but they also understood that the consequences of staying silent are just as damaging to our society.
Delta took it one step further and reviewed its other discounted partnerships. When evaluating them, they asked: "Does this group reflect the values we support or is it directly counter to what we try to do in society?" With that, they ended more partnerships.
Delta's unwavering stance on this issue set an example for the rest of the travel industry and soon other major companies like Hertz and Avis were ending their NRA member discounts, too.
Nearly every business has a sign identifying itself, but that's often not the only sign we see anymore. Businesses increasingly have more signage indicating what they value, even if they don't think it's necessarily political.
You've passed by businesses that display a rainbow flag. It may not seem like much, but it signals a political stance, particularly if you're an organization in a state that is actively seeking to restrict LGBTQ rights. It means you don't stand with discriminatory policies and everyone is welcome. It demonstrates solidarity and a willingness to tell the greater community what you're for and against.
When Red 4 Ed was sweeping Arizona in 2018, it wasn't uncommon to see a bold red sign in business windows indicating that they stood with teachers and their cause. Rather than take the neutral position, they recognized that their businesses are a part of the communities impacted, not separate.
Everyone has a role in changing the world. As businesses, being a part of the discourse on policy and where we want our country to head means we're keeping an eye on the issues, and holding politicians accountable for the decisions they make that affect us. You don't have to redistribute thousands of your own dollars back to your customers to show you get wealth inequality, but no one ever complains when that happens.


text:
The R Word
Photo by lifeandstylemag.com
Lets take a minute to think back to one of your first favorite songs. Literally, take a minute. (1 minute later) I would have to say one my first favorite songs was either "Larger Than Life" by Backstreet Boys or "Bye Bye Bye" by 'N Sync. Yes I was one of those kids that likes, I mean "liked", the boy band scene. 'N Sync and Backstreet Boys were huge around the year of 2000 and were known to set trends in the pop music scene. Now we all most likely have heard of the term "boy band" and how it's used to describe a type of a group that is young, makes pop music, and who tries to create a certain type of persona. So after the N' Sync and the Backstreet Boys scene, any music group that seemed to copy them was known as a boy band. When I start to think if there any groups in today's music scene that can relate to this comparison and I can't seem to think of one…but more like a lot.
Even though today's music groups don't necessarily copy 100% of earlier music groups, subconsciously copying others music is a real and natrual thing. When we talk about the phrase "everything is a remix", I not only agree with it but I also try to realize why this is. Lukasz Sebastian Gottwald, more known as Dr. Luke, is a type of person that we can examine for a topic like this. The way Wikipedia puts it, Dr. Luke is a songwriter, record producer, multi-instrumentalist, and a REMIXER. Yes we said the R word, REMIX. Dr. Luke has had a big impact on a lot of big name albums and even hit singles. He has been a part of the production of Kelly Clarkson, Backstreet Boys, Pink, Daughtry, Avril Lavigne, Katy Perry, Britney Spears, Flo Rida, Miley Cyrus, Weezer, Adam Lambert, Ke$ha, Lil Jon, B.O.B, TI, Rihanna, T-Pain, Nicki Minaj, One Direction, Shakira, Juicy J, Maroon 5, and Wiz Khalifa songs. Yes that's a lot, and those big names are only half one of the artists he has done all the work for, I mean "help produce". This is just one guy in the music industry who makes it possible for so many big named people to be a somebody. So I ask myself, if this is just one guy is co-writing and producing songs for all these big named people, is this a big reason of why so many top hits sound so similar now a days? We criticize on the fact that everything is a remix especially when it comes to music, but is there really a true reason?
According to Wikipedia, a Remix is a song (or other piece of media) that has been edited or completely recreated to sound/look different from the original version. When I started making videos and music back in high school, I started off with making remixes and parody's because it was a fun thing to do. Today I still do that same thing because it just has always seem like something I enjoyed doing.
Below our just a few examples of the remixes/covers that I have produced that can be viewed at seanmacmedia.com
I can take my personal examples of why remixes are a big thing to do. Remixes are FUN, EASY, and POPULAR. When I first started making music and videos, all I saw were remixes and parody's of videos that had thousands of videos on YouTube. Just even having the same material a part of your remix can easily attract viewers over something that's unfamiliar. Remixed videos and songs are so popular because the viewer already can relate to the materiel before even viewing/listening to it. So since making media is partially about entertaining the audience, relating to them is a big thing.
I liked how we discussed in class about how some remixes aren't totally noticeable to the average listener. Just because the title of the material doesn't include the "(Remix)" phrase doesn't mean that it's in no way, shape, or form related to another piece of work. Many producers and writers now a days re-use, sample, or base their material off of other people's work even if they know it or not. So believe it or not, I am guilty for this one! When Frank Ocean's "Thinking About You" was released in 2012, I fell in love with the simplicity of the beat of the song. With that said, I am guilty of not being "fully" original because I based one of my "original" produced songs straight from "Thinking About You" back in 2012. Below are both Frank Ocean's song along with my own song where my beat I produced can clearly be compared to Frank Ocean's when listened to carefully:
[soundcloud url="https://api.soundcloud.com/tracks/39981864″ params="color=00cc11&auto_play=false&hide_related=false&show_artwork=true" width="100%" height="166″ iframe="true" /]
"Everything is a remix" is such a true statement. Whether it be people like famous producer Dr. Luke or even myself, people of different levels are remixing their media in some way. I think it's becoming such a natural thing since it's FUN, EASY, and POPULAR. I could have talked about many different choices of topics for this one, but since I can personally relate fully with remixing I felt that I needed to share some of my personal experiences. If it wasn't for the idea of remixes, I don't think I would have dove deeper into making media when I was younger.
Adam Lambert and Wiz Khalifa Avril Lavigne B.O.B Backstreet Boys Britney Spears Daughtry Flo Rida greenville college Juicy J Katy Perry Ke$ha Kelly Clarkson Lil Jon Maroon 5 Miley Cyrus Nicki Minaj Nsync One Direction Pink Remix Rihanna sean mac seanmacmedia Shakira T-Pain TI Weezer
Sean McFarland Subscriber
Newer Post Fake It Until You Make It: Creating Better Art by Copying the Mess Out of Artists	Older Post Second-Hand Thoughts

redpajama_set_name: RedPajamaCommonCrawl


The process of starting an American Rangers Patrol is designed to be simple and non-labor intensive.
American Rangers Patrols may be sponsored and chartered by a Parish of the Catholic Church, a core group of private Catholic individuals, or even a single family. It should be noted that Parish sponsorship is typically associated with additional resources, existing insurance coverage, ease-of-access to facilities, etc.
The Charter to operate the Patrol is only granted to Catholic applicants who are in good standing with the Church, agree to abide by the Guiding Principles of the American Rangers and are recommended by a Catholic priest.
Each Parish, private group or family seeking charter will designate a Patrol Chartering Representative (PCR). The PCR begins the process by contacting the American Rangers National Office.
The American Rangers National Office will send the PCR a Charter Request package. Upon receipt of the Charter Request package, the PCR – in concert with the Pastor and/or other interested members (known as the Patrol Leadership Team) – must, at a minimum, select a Patrol Guide and Youth Protection Agent (YPA). Typically, the PCR transitions into the position of Patrol Guide (at least initially).
The Patrol Leadership Team continues the process of selecting additional Patrol Adult Leaders (Guides) based on perceived needs, and individual skills and talents. In small Patrols, the same member may hold multiple positions simultaneously. Other recommended positions include a Chaplain and Assistant Patrol Guide. The Patrol Leadership Team also assists in standing up the Patrol and managing its initial activities.
Upon receipt of the completed Charter Request package, the American Rangers Director will contact the PCR (and the Patrol Leadership Team) for an interview. Based on location, the interview may be conducted by phone or in-person. Formal approval will be sent to the PCR along with the Patrol Charter, Patrol Guidon and additional start-up resources.
Upon receipt of the Patrol approval and Charter, the Patrol Guide invites interested youth and their families to an American Rangers informational meeting. At this meeting, the Patrol Guide and Patrol Leadership Team introduce themselves and discuss the program. Ideally, interested participants sign registration forms and waivers, submit participation fees and become members at the meeting.
The Patrol commences operations with a combined Patrol Commissioning Ceremony and Ranger Initiation Program (RIP) for all Ranger Candidates.
Annually, the Patrol Guide and Patrol Leadership Team must see to the renewal of the Patrol's Charter and payment of fees to the National Office of the American Rangers. The Youth Protection Agent must submit annually (included with the request for Charter Renewal) an updated list of adults over the age of 18 who work with the Patrol's youth, and provide verification that all adults have received Protecting God's Children™ training (or the equivalent) and are in compliance with (arch) diocesan youth protection requirements.
Send us an email and let us know you're interested in starting a Ranger Patrol! Include your Name, City, State and Contact information.


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Stassi Schroeder Confirms Boyfriend Beau Clark Will Appear on 'Vanderpump Rules'
By Sarah Hearon
Stassi Schroeder with Beau Clark. Lester Cohen/WireImage/Getty Images
Move over Patrick! Stassi Schroeder's boyfriend, Beau Clark, is officially set to appear on season 7 of Vanderpump Rules.
Celebrities Obsessed With 'Vanderpump Rules'
The 30-year-old Bravo star shared a photo of herself and Clark filming the opening credits at SUR for the upcoming season.
"Baby's first credits #pumprules," Schroeder's wrote on Instagram on Wednesday, October 3.
Us Weekly broke the news in February that Schroeder had started dating Clark. She told Andy Cohen during an appearance on Watch What Happens Live earlier that month that her BFFs and costars Kristen Doute and Katie Maloney set her up with the advertising associate.
Couples Who Survived the Reality TV Curse (So Far)
The reality TV personality opened about their relationship in June, telling Us exclusively that her favorite moments are when she's with her boyfriend, dogs and friends. "Everyone is just, you know, loving each other," she gushed at her OOTD Day event in West Hollywood. "I feel blessed to have a lot of really great people around me."
"I feel really lucky right now," she continued. "I haven't had a relationship like this. I didn't know that I could find someone that we'd just be best friends and love each other and he'd be so nice to me and supportive and the fact that this was his idea."
'Vanderpump Rules' Cast at the Opening of Tom Tom: Pics
Schroeder previously dated radio host Patrick Meagher on and off for four years. After refusing to film Vanderpump Rules during the first three years of their relationship, Meagher appeared on season 6. During the sixth season finale, he got into a confrontation with Lisa Vanderpump, which left Schroeder in tears. Meagher then dumped the "Straight Up With Stassi" host on the day of their four-year anniversary in August 2017.
"Well, we've had an up and down relationship from the beginning, and it was kind of our pattern obviously, to break up and make up," Schroeder told Us in December 2017 about their split. "But this time was, to me, a shock. Like the real, full breakup."
Vanderpump Rules is expected to return to Bravo later this year.
For the latest TV news and interviews, subscribe to our new podcast "Watch With Us" below!


For the dog, see Newfoundland dog.
Newfie (also Newf or sometimes Newfy) is a colloquial term used in Canada for someone who is from Newfoundland. While some Newfoundlanders still consider "Newfie" a slur from its past used by American and Canadian military personnel present on the island, and its use in Newfie jokes that depicted "Newfies" as foolish.   The word was first recorded in a 1942 dictionary of slang.
During the Second World War, sailors on convoy duty nicknamed St. John's (the capital of Newfoundland) Newfiejohn.
The first edition of the Gage Canadian Dictionary, published in 1983, and the second edition of the Random House Unabridged Dictionary, published in 1987, both include usage notes describing the term 'Newfie' as offensive. However, neither the second edition of the Canadian Oxford Dictionary, published in 2004, or the current edition of the Dictionary of Newfoundland English, published in 1998, make such a mention.
In March 2006, an Edmonton police officer was disciplined for using the word Newphie [sic] to describe the apprehension of an individual under the Mental Health Act.
Newfie Bullet, an ironic nickname created by U.S. military personnel serving at bases in Newfoundland during the Second World War for a notoriously slow passenger train operated on the island.
Newfie Screech, a type of rum bottled in Newfoundland.
^ Dunlop, Daniel T. "The Sinking of U90". Retrieved 2008-06-25.
^ "Newfie". Dictionary of Newfoundland English, 2nd ed. 1998. Story, G. M.; Kirwin, W. J.; & Widdowson, J. D. A., eds. ISBN 978-0-8020-6819-4. Toronto: University of Toronto Press.
This page was last edited on 8 April 2019, at 21:09 (UTC).


In the UK and EU, there are a lot of statutes and rules about climate change, and relatively little strategic litigation. Hop over the Pond, and we see exactly the reverse, a reflection of different political dynamics with the hostility of the US Congress to climate change legislation.
It is interesting to look at some of the US cases, not only because they lock horns with one of the big issues of our time, but also because they reflect a common problem the courts face in deciding their role when confronted with science which is, or is said to be, controversial.
We should start with the groundbreaking decision in Massachusetts v. EPA (549 U.S. 497 (2007)). The US Supreme Court held that the US Environmental Protection Agency had a duty to use its existing powers under the Clean Air Act and assess whether greenhouse gas (GHG) emissions from vehicles were a danger to the environment and, if that was the case, to regulate them. In the litigation, and contrary to the opinion of two of its previous general counsels, it had denied that it was under a duty to do so. This judgment was a highly important ruling, as it meant that no new legislation was necessary to get the climate change ball rolling. Thereafter the EPA turned to how it should regulate GHG emissions, as we shall see.
Before Massachusetts reached the Supreme Court, other plaintiffs concerned about the lack of action by the EPA had, perforce, taken the private law route, starting proceedings in 2004. In American Electric Power Co., Inc. v. Connecticut, several States, the city of New York and three private land trusts sued five utilities (American Electric Power and others) as the top carbon-dioxide emitters in the US (650 million tonnes or 2.5% of global emissions), under the federal tort of public nuisance. Judgment was handed down by the Supreme Court on 20 June 2011. It decided that there was no cause of action in public nuisance in respect of such emissions. Any such right (if there had been one) was displaced by the Clean Air Act and the actions taken by the US EPA, because the statute addressed precisely those gas emissions which were the subject of the litigation. The decision reversed that of the Court of Appeals, who thought that common law rights and freedoms had their part to play in addition to statutory controls.
A similar principle about how tort fits with some bits of statute can be seen in English law. The courts have decided that no claim in nuisance lies against a sewerage undertaker for lack of capacity in its sewers (Marcic v. Thames Water), because a claimant has an administrative remedy under the statute. In an another case, it was held that compliance with a statutory environmental permit may amount to a defence to the tort of nuisance (the controversial decision of Barr v. Biffa going to the Court of Appeal later this year). So tort is ousted, expressly or impliedly, in specific areas by statute.
individual district judges issuing ad hoc case-by-case injunctions. Federal judges lack the scientific, economic and technological resources an agency can utilise in coping with issues of this order…Judges may not commission scientific studies or convene groups of experts for advice, or issue rules under notice-and-comment procedures inviting input by any interested person, or seek the counsel of the regulators in the States where the defendants are located.
However, individual States may retain a right to sue at State level under the common law for pollution from another State and this may be a source of future climate change litigation. The Court declined an invitation by the defendants to overrule this line of authority.
The second case, Coalition for Responsible Regulation v. EPA, is due to be argued before the federal Court of Appeals in Washington. It will be a huge showdown, so it is worth having a look at the battlelines before it gets to court. Post-Massachusetts, the EPA set greenhouse gas rules for certain vehicles. These include a Endangerment Finding, which says that carbon emission from moving vehicles are "reasonably likely" to threaten public health and welfare, and the Tailpipe Rule, which, based on the Endangerment Finding, sets GHG emission standards for Light Duty Vehicles.
Industry sought to challenge these Findings. Led by the Coalition for Responsible Regulation, whose conception of responsible regulation may be inferred from the identity of its co-petitioners, the Industrial Minerals Association, the National Cattlemen's Beef Association, Rosebud (sic) Mining Company, and Massey Energy, they sought to persuade the EPA to reconsider these rules (see their petition) and then sought, in effect by way of judicial review, to have the rules struck down. They have now been joined by a mass of supportive additional parties, including a number of those in the running for the Republican presidential candidacy.
The arguments to and fro are well worth looking at, even if you are a doyen of climate change and climate change sceptic science.
For all the foregoing reasons, EPA properly found that air pollution in the form of atmospheric concentrations of six greenhouse gases may reasonably be anticipated to endanger public health or welfare and that emissions from motor vehicles cause or contribute to this air pollution.
Precautionary regulation based on scientific findings is even more important in the climate context: since the Earth's climate systems are non-linear, we must address human impacts as soon as possible.
Petitioners also allege that current climate models are inaccurate, and that natural variability (such as variability in solar activity, volcanic activity, and global ocean current cycles such as El Nino) can account for the observed planetary warming. Tbis is simply not the case. During the last 50 years, the solar and volcanic activity (to which the Petitioners attribute observed warming) the climate would likely (>66% probability) have produced, all else being equal, a net cooling effect.
ClientEarth's contribution is a polite reminder to the US Court of Appeals of three main things, the first that in the EU, an economy of comparable size to the US, the heavens have not fallen in since GHGs started being regulated (contra the Petitioners' claims that any regulation is "burdensome" and "onerous"), the second, unlike many pollutants, the impact of GHGs is global, and the third, that Europe's leading scientific authorities have reached similar conclusions to those underlying the EPA's Endangerment Finding.
I shall keep you posted on the further twists and turns of this litigation which in all probability will end up in the Supreme Court.


what are the usual delivery periods?
Sometimes the preferred leather or fabric is in stock and things can go fast – but not every time, so delivery times can vary between 2 and 5 weeks for the UK Mainland & Northern Ireland. A notification email will be sent to you when your product is ready for shipping. For the rest of the countries these estimated periods may vary.
We have different delivery prices for each country. We offer free delivery for UK Mainland & Northern Ireland. The price of international delivery is based on your delivery address and the size and weight of your order.
You can pay with a Credit or Debit Card. We accept Visa, MasterCard, American Express and Discover.
Yes, you will receive a package with the plywood elements and another package for the cushions (if applied).
can my product be customised?
Yes, we are flexible and open to offer you different finishes and treatments. We will be happy to discuss different possibilities with you, please find our contact details here. Please note that this is likely to effect delivery time and price. We are keen to expand the Nomad range, but keep in mind that new versions are in effect proto-types.
Do i need any tools to assemble my furniture?
No, all our furniture pieces have been designed to be easily assembled. No glue, no screws, no tools!
You can find the assembling steps drawing on each product's page.
If you wish to cancel an order please contact us on +44 (0) 2087490794 or send us an email to mail@henningstummelarchitects.com.
If you wish to return an item please contact us on +44 (0) 2087490794 or send us an email to mail@henningstummelarchitects.com.


Beautiful and spacious 3 bedroom, 2. 5 bath townhome, one of the most popular largest floor plans in rivermark, quiet end unit with a lot of natural light, the formal living room with high ceiling, gas fireplace and glass sliding door connecting lovely front patio. Large open kitchen/family room/breakfast area, separate dining room overlooks living room, hardwood floor throughout family room, dining room and kitchen area. Comfort carpeting throughout living room and bedrooms. The spacious master bedroom suite features a walk-in closet and extra large bathroom with dual sinks, separated bathtub and shower stall, 2 car garage with crawl space for extra storage, community pool, spa & playground and beautiful landscaping with plenty guest parking space. Walk to rivermark don callejon schools, rivermark plaza, park and library, easy access to highways and high-tech companies.
Gorgeous 3/2. 5 t/home in rivermark dev. Close to guadalupe river walking path, rivermark plaza, don callejon school (k-8 grade), high tech companies & google pick up bus. This architecturally designed home has attractive elevations, & finishes including softened-edge wall corners, high ceilings, recessed lights and an abundance of natural light from energy efficient milgard windows. The 8ft front door leads to the formal entry and living room with gas fireplace with pre-cast surround. The upstairs room can be used as a dining or family room at buyers choice. Large kitchen has oak cabinets, and top-of the line stainless steel appliances, granite counter tops, tile floors and kitchen nook. Upstairs luxurious master bedroom w/ large walk-in closet w/ plenty of storage space & a spa-like bathroom. 2 additional upstairs bedrooms 2 car attached garage with crawl space; handy for additional storage. Beautiful community with pool, close to thamien park/playground. Future cityplace dev.


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Q: Pandas groupby applying np.maximum.reduce in a column of arrays I need to group the dataframe, applying np.maximum.reduce (create a new array with the maximum value of each position) to a column containing numpy arrays
For example:
import pandas as pd
import numpy as np

df = pd.DataFrame([{'name': 'John', 'points' : [1,1,3,5]},{'name': 'John', 'points' : [2,0,1,5]},{'name': 'John', 'points' : [4,1,2,2]}])
df['points'] = df['points'].apply(lambda x : np.array(x)) # converting the list column to pd.array()

df
   name        points
0  John  [1, 1, 3, 5]
1  John  [2, 0, 1, 5]
2  John  [4, 1, 2, 2]

If I try using apply(np.maximum) I get the following error:
result = df.groupby(['name'])['points'].apply(np.maximum.reduce).reset_index()

ValueError: The truth value of an array with more than one element is ambiguous. Use a.any() or a.all()

Expected result after the groupby:
   name         points
0  John  [4, 1, 3, 5]

If I try using np.sum(), the groupby works fine:
result = df.groupby(['name'])['points'].apply(np.sum).reset_index()

result
   name         points
0  John  [7, 2, 6, 12]

But I need the np.maximum.reduce function apllied:
a = np.array([1,1,3,5])
b = np.array([2,0,1,5])
c = np.array([4,1,2,2])
test = np.maximum.reduce([a,b,c])

test
array([4, 1, 3, 5])

What is the workaround to achieve this groupby (similar to maximum.reduce), using the numpy efficiency with arrays ?

A: If you want to use np.maximum.reduce then apply list on the grouped values first.
df.groupby('name')['points'].apply(lambda x: np.maximum.reduce(list(x)))

name
John    [4, 1, 3, 5]
Name: points, dtype: object

ALTERNATE METHOD: Lets try apply function with np.stack and np.max
df.groupby('name')['points'].apply(lambda x: np.stack(x).max(0))

name
John    [4, 1, 3, 5]
Name: points, dtype: object

redpajama_set_name: RedPajamaStackExchange


C how!Bella, a small and elegant restaurant in St. Albans, recently celebrated its second birthday.
She returned to Vermont and, after a stint at Carbur's restaurant in Burlington — 'It seems like everybody worked there at some time!' — Warden ventured into the world of professional decorating with a 12-week course at the U.S. School of Professional Paperhanging in Rutland, and set out for a spell as a sub-contractor doing commercial wallpapering in Vermont and Boston.
She was, after all, from a world that appreciated fine food. Despite their horror at the idea of their daughter training to be a chef, the Jacobs family had many connections with the business. Her aunt and uncle had run the McCann food show on a New York radio station. 'They were totally food- oriented,' Warden says. 'They partied a lot and were friendly with James Beard, Craig Claiborne and Julia Child.
At Piaf's, Warden quickly moved onto 'the line' as a chef. Cooking soon displaced wallpapering to become her full-time occupation. Her ambition to attend the Culinary Institute of America was realized as, during the theater break every August when the restaurant, too, closed down, the owner sent her to CIA to take cooking classes.
'During this time I studied frantically,' Warden recalls. 'A colleague at Piaf's had graduated from the cookery school run by Madeline Cayman who now lives in Williston. She lent me Madeline's books and I read them cover to cover, upside down and inside out. That was a large part of my technical training.
'I also had a real sense of cooking,' she continues. 'There's a type of person that makes a good chef, and it's not necessarily a straightforward 'type A' personality, as many people think.
Such qualities were also important in finding financing for her new venture. Becky Tarte, vice president and market manager at the Swanton branch of the Chittenden Bank, remembers it well: 'We were excited about Chow!Bella because Connie had planned her business very well, and success hinges on the amount of planning. Personally, I was tickled to be able to help a fellow woman who had a wonderful business plan.
Connie Jacobs-Warden believes St. Albans offers lower overhead and less competition for restaurants than Burlington. She says, 'Running a business here is more relaxing.' Pictured: head waiter Bob Pickener.
Warden came to the Railroad City in the late '80s when she met and married Peter Warden, then running his woodworking and restoration business, now employed by Asyst Technologies of Essex Junction. They have one daughter, 9-year-old Emily. 'There wasn't much chance of working as a chef, and I didn't want to do wallpapering,' Warden explains. Instead she set up a home-based catering business, coining the name Chow!Bella.
In the early '90s St. Albans wasn't big enough to support a restaurant that served dinner Monday through Saturday. When Jeff's Maine Seafood expanded, with Warden on the staff as chef, from a seafood market into an eat-in restaurant, it was on weekends only. Over the decade, demand built up and Warden turned her thoughts to starting her own restaurant.
St. Albans has certainly warmed to Chow!Bella: 'We have a lot of regulars,' Warden says. 'I was definitely shooting for the local crowd; it's good to see them in here for lunch every day.
The restaurant employs 10 people, most of them part-time, in addition to Warden. 'This is a unique community,' she says. 'We have no college students and we're not exactly a culinary capital. This means that my waitstaff are more mature than the average; it makes for less of a turnover and more responsibility. I'm in the kitchen much of the time so the waitstaff have to act as hosts and they are all knowledgeable enough to respond to positive or negative feedback.
Word is beginning to spread outside the area and Chow!Bella is attracting patrons from Burlington and farther south. 'I even had repeat customers on vacation from England — they'd eaten here last year just after we opened and they were delighted to find us still here this year!' Warden recalls with glee.
The kitchen at Chow!Bella is open to the restaurant, which is an important factor in staff morale, according to Connie Jacobs-Warden (left): 'With a closed kitchen the cooking staff really feels very little connection with the customers.' Also pictured: chef Laura Fribley.
The menu includes light meals, salads, snacks and desserts with all the elements popular in the late '90s: wilted spinach, portabella mushrooms, steamed mussels, home-made flatbread, and, of course, cappuccino. Daily specialties tempt the palate and local Vermont suppliers are well represented: Ben and Jerry's Homemade Inc., The Vermont Tea Co. and The Perfect Drop rate a mention on Chow!Bella's menu.
Warden has wide experience in the world of high-class restaurants — all with little formal training as a chef. In 1983 she was cooking at a French restaurant in Florida when she was enticed back to Vermont to cook at Pearl's, just opening as a restaurant and night club on Pearl Street, Burlington. Nancy Burnett, one of Pearl's four founding partners says, 'Connie did extraordinary stuff — it was the best food in Burlington. Even now, 16 years later, people still stop me in the street to say how great it was.' Economic pressures caused the restaurant to close after little more than a year, although the club, under different ownership, remains.
Bessett, who now runs As the Crow Flies, a kitchen and houseware store in downtown St. Albans, adds, 'We were interested in innovative cooking and we brought a lot of ethnic food to St. Albans that the town hadn't seen before. Finding Connie was a real stroke of luck.
Julia Lynam is a free-lance writer living in Burlington, Vt. Her work has appeared in business publications in the United States and England since 1982.


In the far Northern Hemisphere, the small town of Barrow, Alaska, experiences a solid month of darkness every year. Though most of the residents head south for the winter, some townspeople remain behind. However, those that stay regret their decision when, one year, hungry vampires descend on Barrow to feed. Sheriff Eben (Josh Hartnett), his wife (Melissa George) and a dwindling band of survivors must try to last until dawn breaks over Barrow's monthlong twilight.
Download 30 Days of Night in Digital HD from the iTunes store.
30 Days of Night images are © Fox Atomic. All Rights Reserved.
30 Days of Night images © Fox Atomic. All Rights Reserved.


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OPERATION INFO.
CANAL SAFETY
PRESSURE SYSTEMS
Local Improvement District Info
List of Current Urban Systems
Urban Systems and NMID's Role
LEGACY PAGE
Pressurized Urban Irrigation Systems
In 1993 several new laws were enacted that allow the Irrigation District to enter into a contract with a developer to construct a pressure urban irrigation system in new subdivisions. The system then becomes the property of the Irrigation District, and the Irrigation District will operate and maintain the system and all the water lines to the delivery valve in the individual lots. (The District does not operate and maintain private sprinkler systems in lawns and gardens). Nampa, Meridian and Boise have ordinances that require these systems in new subdivisions. When you purchase a new home be certain to ask about the availability of irrigation water.


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Home > Paris architecture designs > The Cultural Block in Paris: Cinema
Published by Isabelle Lomholt updated on September 1, 2020
The Cultural Block, Parisian Cinema, Community Center, Concert Space, Dance Studios, Apartments, Shops, Images
The Cultural Block in Paris
Large Mixed-Use Development in Paris, France design by Tolila+Gilliland and TVK
The Cultural Block
Architects: Tolila+Gilliland and TVK
Location: Rue Mstislav Rostropovitch and Allée Colette Heilbronner, 75017 Paris, France
Three residential buildings offering exceptional views of the great Parisian landscape anchor three corners of a mixed-use block. At the heart of the project is a cultural center for the new ZAC ClichyBatignolles district in Paris' 17th arrondissement: a seven-theatre cinema and a community center.
These public volumes, anchored to the ground, give way to the public realm and are crowned with hanging gardens. Three residential blocks emerge from this base, climbing up to 50 meters. This simple distribution of masses effectively resolves the inscription of a complex program on a high-density site. Thickened facades permit a band of generous loggias around the residential blocks.
Architectural precast concrete on the buildings' facades situate the project within the material tradition of Parisian stone and concrete and gives each of the three buildings a singular expression from the ground to the sky: the twisted form with its torqued effect (sand colored), the chiseled bar with continuous balconies (in white) and the pleated tower with its progressive fold.
The new Clichy-Batignolles neighborhood occupies a unique place in the Parisian urban landscape; it both belongs to the large open space of the city's green belt and links the neighborhoods of the 17th arrondissement to the town of Clichy. The cultural block is emblematic of the primary axes that first shaped this territory: Rue Mstislav Rostropovitch, Boulevard Berthier, the railway tracks and the park. Despite the difficulties of being trapped between infrastructures the site has extraordinary potential to centralize uses and strengthen social connections.
The parcel also benefits from its visibility at great distances, given the overall low density of the green belt and elevated position generated by the railway topography. These corner conditions, combined with the potential for both close and distant visibility motivated the decision to concentrate the density at the corners of the site, up to a maximum height of 50 meters.
The site's topography allowed a large part of the public program and all of the parking to be located in a partially underground podium, from which the three collective housing forms ascend. This distribution of volumes makes a clear distinction between the cultural spaces, anchored to the ground, and residential programs that expand upward, opening up to the greater landscape.
A Cultural Center
The cultural center of Batignolles occupies a strategic position at the edge of the 17th arrondissement and Martin Luther King Park, facing Boulevard Berthier and visible from the Porte de Clichy. It fronts the Paris Opera's Ateliers Berthier, which today host the Théâtre de l'Odéon.
The block completes this cultural offering with "Les 7 Batignolles" a seven theater cinema and community center, which includes a concert space and dance studios. These public programs make the block a natural destination for the whole neighborhood.
The cultural aim of the project confers a special status at the corner of two streets, giving the public space a recognizable identity and creating a destination. In order to open the block to the public, both the community center and cinema feature transparent façades looking onto the park and a footpath at the center of the block.
This path encourages relaxing interactions between the public and residents throughout the day. It also gives access to a flexible space at the front of the cinema, a fully glazed multi-use cultural space facing the park. From this space, the public can descend into the theatres or cross through the lobby, connecting to Boulevard Berthier.
An interior street that resolves the lower level change and connects the neighborhood through the center of the site. The community center completes the gesture with a large lower-level auditorium and a dance studio that overlooks the street. An educational garden on the roof of the community center supports its programs and the cinema rooftop operates as a shared garden for residents.
The positioning of the three residential blocks at the corners of the triangular site permits views and light at every floor. The building volumes are carved to privilege diagonal views, daylight, and to maximize the number of corner units. The area of each unit is extended by an average of 14 m² of exterior space per unit with a generous balcony occupying the thickened façade (instead of the typical 9 sqm).
These spaces, effectively an additional room, provide uninterrupted views of the land scape while maintaining privacy with opaque balustrades. Here, outdoor living is possible; with a minimum depth of 1.6 m these spaces can comfortably accommodate a table and four chairs.
These external extensions of the living spaces resulted in several unique conditions, such as the double height loggias at the fifteenth floor, internal patios on the tenth, and private terraces on the eleventh. Collective terraces are also accessible to residents at the second and eleventh floors. At the second floor, for example, a large garden hangs above the cinema featuring a path meandering between the trees as if it were a vert
Geometry and Material
Designing 50 meter residential buildings (15 floors) meant that the expression of height was specifically considered in order to avoid the traditionally repetitive and static effect of stacked floors. Thus, all three buildings use the façade to create an overall sense of movement and a dynamic effect from bottom to top; from the ground to the sky.
The sand colored, or "twisted" building is conceived in an upward movement wrapping the building. This effect is produced by a regular shift in the structural span from one floor to the next. Thus, the form seems to curl upon itself, in the manner of an atmospheric movement. The pink, or "pleated" building is characterized by the gradual transition from a flat facade in the lower floors to a pleated facade on the upper floors. This articulation
gives the form a dynamic profile that changes depending on the viewing angle. The white, or "chiselled" building is best perceived from pedestrian height. The balcony soffits are carved into faceted profiles that gradually change throughout each floor. Each building also treats the last floor differently to establish a "crown."
The desire for unity resulted in the use of prefabricated concrete on the façade of each building. This material, having great solidity and exceptional durability, allowed for a greater variety of finishes and colors.
Beyond the technical approach that justified this choice the material also places the project within the continuity of Parisian masonry. Factory fabrication has a low environmental impact because it reduces waste and simplifies on-site logistics (traffic and sound pollution).
It also allows for a greater precision over the colors of the building elements, an especially important aspect for projects of this size that have a long life span and a range of climatic conditions across the site. The buildings' colors are inherent to their materiality, especially here, where the concrete is naturally colored by the sand and aggregates. No artificial colorants or additives tint the precast loadbearing façade system.
The structure of the building makes it possible to imagine a geology, to invent a geography, a topography, a hydrography, an ecology, uses—a landscape. This micro-landscape invites us to explore, despite a limited site, the impression of a larger landscape (miniaturization), to travel in space and time (heterotopy), and to feel the vibration of a present multiplied in time.
An atmospheric nature is created overlooking Martin Luther King Park, an outlook onto the city and its layers of urban horizons. The creation of this nature requires great precision. The emotional construction of this landscape is a collage of images, memories, and sensations. This is translated via the forming of a wooded hill, a winding pathway, as well as views and textures that makes it possible for this living nature to climb hills or tumble down its slopes.
These gardens become supports for the history and memories of residents by staging a theater of nature and time: plants growing more luxurious and sensual with variations throughout seasons and years. The sophisticated composition of the garden creates a rich variety of uses both individual and collective.
For example, an active use like crossing the garden or a more contemplative one as when viewed from a dwelling. This physical contact with nature allows you to either garden privately on your own balcony or collectively in the communal garden, to either admire nature or engage with it, and to meet neighbors. These pockets of gardens on the rooftops are a form of nature that enriches the city which makes the city seem more hospitable.
Marbre d'ici (Marble from Here), a work of art at the heart of the project
Marbre d'ici (Marble from Here) is an artistic protocol based on transforming construction waste conceived by the artist Stefan Shankland. This collaborative effort was piloted by the artist and assisted by the construction team on site.
Secondary raw material came from prefabricated elements deemed defective and that would otherwise be discarded. The material was reduced to a powder and mixed with cement before being poured in layers. Thus, inert waste of different kinds is transformed into a new local resource: a noble material.
By focusing on the production processes over the finished product, Marble from Here gives visibility to what usually remains hidden in the city: material and human resources for the construction transformed into a precious architectural object. Marble from Here is literally the remains of crushed concrete from the project, broken down from the precast concrete and used to create a pedestrian path crossing the communal garden: a striated horizontal sculpture reminiscent of glacial formations made of rubble and crushed rock.
These monstrosities of ice that once sculpted our landscape throughout the successive ice ages recall other equally powerful contemporary phenomena—urban, industrial, economic, demographic, and social monstrosities. Phenomena, which in the Anthropocene Age, consume raw material, are influencing the climate and shaping the world.
The Cultural Block, Paris – Building Information
Mixed Program: Seven-theatre cinema with cultural space – Community center with separate concert space and dance studios – 342 residential units (153 social, 80 controlled rent and 109 market rate) – Retail space – Communal garden – Artwork
Context: Lot O8, ZAC Clichy-Batignolles
Location: Rue Mstislav Rostropovitch and Allée Colette Heilbronner 75017 Paris, France
Area: 29,240 sqm net
Budget: 54,300,000€ pretax
Performance & Certifications: RT 2012 – Paris Climate Action Plan Housing: – Label Effinergie + Profil A – European Project Laureate CoRDEES (Feder)
Schedule: Delivered end of 2018
Design Team TVK: Lead architect Tolila+Gilliland: Associate architect Praxys: Landscape architect Elithis: MEP and Environmental engineer
Developer: Paris Métropole & Aménagement (ex Paris Batignolles Aménagement)
Owner: Linkcity, Nexity, SNES/Pathé, Ville de Paris
End Users: Perl, Batigere, Elogie, Vilogia, SNES/Pathé/Miroir Magique, Ville de Paris
Artwork: Marbre d'ici (Marble from Here) / Stefan Shankland
Cinema Consultant: Olivier Mouton, Marc Rouquier, Ana Moussinet
Community Center Consultant: G+
About TVK:
TVK is an international office of architecture and urban design, created by Pierre Alain Trévelo and Antoine Viger-Kohler in Paris in 2003. Trained in Paris and at Harvard, involved in teaching from the outset, they pursue an approach where theory and practice mutually respond to and enrich each other.
Through projects, research and writing they have steadily produced a singular œuvre, at once theoretical and built. Their aim is to capture the complexity and the paradoxical character of the contemporary earthly situation, in order to contribute to making it habitable.
Since its creation, TVK has acquired a strong reputation, ranking among the most recognised French agencies, and as having a singular approach among international agencies. Effectively, TVK owes its specificity to the combination of two approaches. On the one hand, TVK produces an essential architecture, in which space, geometry and building are the key elements.
The projects are both direct and rooted in the theory and history of architecture. On the other hand, TVK conducts strategic research on the major themes conditioning the design of the planet. This research is open, collective and allows the inclusion of the complexity and instability of the most urgent issues.
TVK represents the synthesis of this double approach, both essentialist and open, thereby engaging in works at all levels, from furniture to land, from the edifice to the planet. Employing about 50 people, TVK has achieved French recognition from its beginning, notably with the Palmarès des Jeunes Urbanistes in 2005 and the Nouveaux Albums des Jeunes Architectes in 2006, then international with the redevelopment of Place de la République in Paris in 2013, the transformation of E40 highway in Brussels or the redevelopment of Lausanne train station square in Switzerland.
TVK took part in the Scientific council of the Atelier International du Grand Paris (Greater Paris) until 2016, leads large scale urban projects and builds architecture throughout France. The office currently leads L'Atelier des Places du Grand Paris (Greater Paris public squares atelier).
About Tolila+Gilliland:
Tolila+Gilliland Atelier d'Architecture was founded in 2011 by architects Gaston Tolila and Nicholas Gilliland around the shared desire to design sensitive projects to serve users, through an exploration of geometry and materials. The architectural practice of Tolila+Gilliland is characterized by a great versatility of programs: housing (from the single family home to the eco-district), public buildings (shops, museums, libraries), offices, town planning and design. These projects have allowed the studio to gain experience in project management, multidisciplinary teamwork and sustainable design.
The atelier aims to propose projects which are always adapted to the specific context and conditions of each site through a careful revelation of history and geography. Tolila+Gilliland was awarded the Architecture Prize for "Prix du Moniteur pour La Première Oeuvre" in 2012 for their first work, and in 2014 by the European Center for Architecture and the Chicago Athenaeum among the 40 architects under 40 years old in Europe (EUROPE 40 UNDER 40) who "will influence the near future of European architecture, both in theory and in practice".
Photographer © Julien Hourcade
The Cultural Block in Paris images / information received 061019
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photograph © Adrian Welch
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photograph : Vincent Fillon
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photograph © Colin Eaton
Magasin La Samaritaine Paris Store
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October 7, 2019 in Paris architecture designs. Tags: Community building, Dance Studio buildings, Housing designs, Interior designs architects, Landscape designs news, Leisure centre buildings, Mixed-Use development
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When I moved to Spain, some 13 years ago, glimpsing the black metal toros on the horizon caused huge excitement – and still does. The Osbourne Bulls – named after the sherry family – are dotted across Andalucía, and the whole of Spain. They started life as fancy billboards to promote the bodega's brandy, but have now become iconic, cultural symbols. Designed by the Cadíz-born artist Manolo Prieto, the former advertising hoardings have now been declared part of Andalucían Heritage and 21 bulls still stand proud in the region, complete with their impressive cojones.
When I first moved to Spain, one of my favourite interiors stores (now, sadly, long gone) had a black and white photograph for sale of a young kid dressed up in a Native American headdress, standing underneath one of the Osbourne Bulls, arms aloft, fists clenched, yelling into the sky. It was such a powerful image and is one of those pieces that I regret, still to this day, not buying. I have no idea who the photographer was, whether they were important or not, or even how much it cost. But I think of it often.
So, for years – literally, for years – I have been trying to find a bull accessible by foot, in order to recreate that image. Last summer, near Bolonia, we pulled the car onto a dusty track and walked up a steep hill to reach a bull. However a field full of sharp thistles on one side and cattle on the other stopped us from reaching it. Legs scratched, and slightly terrified by the approaching herd, we retreated, defeated.
But the story ends well, dear reader. On our way to the Sierra Nevada this year, for late-season skiing and a stay at the wonderful El Lodge (review coming soon), we spotted a possibly-accessible bull. Could it be? Despite my excitement, the pull of five-star luxury was too much, so we promised to explore on the way back down from the mountains. There's an old Costa del Sol legend: that you can ski in the morning in the Sierra Nevada and waterski in the afternoon down on the Med, and we were about to test that theory out. But first, the bull.
With the top down on the hire car, we descended slowly along the winding mountain roads, on a bull hunt. Every now and again we could see its horns come into view, so we slowed, carefully, looking for a turn-off. On a terrifying dog-leg bend, we saw our chance: a dirt track heading directly to the bull. GOLD! We pulled in, expecting hordes of tourists – because, well, it's an accessible bull. Not a soul. Not a sound. Just the snow-topped mountains in the background, and the city of Granada below us.
It's even more magnificent up-close. I'd never really noticed the framework that holds it up before. And the size of it, when you're stood at its hooves, is quite remarkable. Over 13 metres in height, it's majestic and powerful. We clambered up onto its two-metre high concrete base and looked up in awe and wonder. It really is not just a piece of beautiful public art, but also an incredible feat of engineering. A wonder. Now 50 years old, I wonder how long these beautiful icons can last.
So we posed and pranced and took more photographs than we needed to. It's beautiful. It's proud. It's Spain.
Check out this amazing Google map of Spain showing the location of all of the Osbourne Bulls. Some fool needs to visit every single one. It might be me.


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What weird habits did you have as a kid?
I loved peanut butter & jelly sandwiches, but would only eat them if the peanut butter was spread on the bottom slice of bread and the jelly right on top of it. I wouldn't eat them if the pb was put on the bottom slice and the jelly on the top slice. Also, the sandwich had to be cut vertically -- if it was cut diagonally i wouldn't eat it. This habit still persists, and I'm 26 years old. Now, I won't refuse to eat a PB&J that wasn't "properly" made, but I feel weird eating it.
I would also not mix the eating order of my food. If we had steak, potatoes, and green beans for a meal, I would eat the steak first, then the potatoes, and finally the grean beans. I would never eat a bite of steak then a bit of potatoes. I no longer have this habit.
-- JasonM (bulldog2@bigfoot.com), March 25, 2000.
Library paste, I loved it. Probably because it was forbidden.
-- Denver doug (ionoi@webtv.net), March 25, 2000.
Weird habbits? I think this falls more under compulsions. We had this dog and for some reason, I got it in my head at some point in my young life that she was dirty (probably my grandmother constantly saying "filthy dog"), so everytime she as much as walked by I would go wash my hands. I must admit that I still wash my hands quite frequently.
-- Glenna B. Yarnot (Glenna@Yarnot.cncfamily.com), March 25, 2000.
To this day I still have my weird habit, I just don't do it much. I shake my head from left to right, as if I was saying "no". I do it when im sad, happy, sleepy, bored, hungry, and anxious. I can watch TV doing it, only a skill a person like me can gain, i've had 18 years of practice. :) I just keep my eyes on the screen while my head moves. I use to do it in the car ( don't worry, not while driving) but I dont do it anymore.
-- Jennifer Gonzales (Rubia00_01@yahoo.com), February 15, 2002.


text:
Who is known as the father of nuclear science in modern India?
Who is the father of nuclear science in India?
Who is known as best nuclear scientist in India?
Who is the father of atomic nuclear?
Who is the founder of nuclear program in India?
Who is the head of BARC?
Is the parent of the Indian nuclear science?
Who is called the father of modern physics?
Who founded BARC?
Who invented nuclear?
Who discovered nuclear fission?
Where is AQ Khan now?
Who invented Parmanu bomb in India?
Which is India's first nuclear reactor?
Homi Jehangir Bhabha (1909–66), one of the key architects of India's nuclear-science program, founded and directed two of the institutions that would bring India into the nuclear age: the Tata Institute of Fundamental Research (TIFR) and the Atomic Energy Establishment, Trombay, later renamed the Bhabha Atomic Research …
Homi Jenhagir Bhabha (1909-1966) was an Indian physicist who is often considered the father of the Indian nuclear program. Bhabha was born to a wealthy family in Mumbai. In 1927, he went to England at Cambridge University.
Raja Ramanna (28 January 1925 – 24 September 2004) was an Indian physicist who is best known for his role in India's nuclear program during its early stages.
Raja Ramanna
Known for India's nuclear program Operation Smiling Buddha Operation Shakti
Awards Padma Shri (1968) Padma Bhushan (1973) Padma Vibhushan (1975)
Homi Jehangir Bhabha was the founding director of Tata Institute of Fundamental Research (TIFR) and Bhabha Atomic Research Centre (BARC). Homi Jehangir Bhabha, popularly known as the Father of Atomic Energy in India, is celebrated today.
THIS IS FUN: How much does it cost to send a laptop to India?
India's nuclear programme can trace its origins to March 1944 and its three-stage efforts in technology were established by Homi Jehangir Bhabha when he founded the nuclear research centre, the Tata Institute of Fundamental Research.
Dr. Ajit Kumar Mohanty , Director, Bhabha Atomic Research Centre.
Homi. J . Bhabha is known as father of Indian Nuclear Science. Homi jahangir Bhabha.
Galileo Galilei pioneered the experimental scientific method and was the first to use a refracting telescope to make important astronomical discoveries. He is often referred to as the "father of modern astronomy" and the "father of modern physics". Albert Einstein called Galileo the "father of modern science."
Currently there are 14 units operational at various locations in India.
J. Robert Oppenheimer is often called the "father of the atomic bomb" for leading the Manhattan Project, the program that developed the first nuclear weapon during World War II.
It was December 1938 when the radiochemists Otto Hahn (above, with Lise Meitner) and Fritz Strassmann, while bombarding elements with neutrons in their Berlin laboratory, made their unexpected discovery.
Khan died on 10 October 2021, at the age of 85 after being transferred to a hospital in Islamabad with lung problems. He was given a state funeral at the Faisal Mosque before being buried at the H-8 graveyard in Islamabad.
THIS IS FUN: You asked: Which Indian state is Switzerland?
In 1954, Homi Jehangir Bhabha steered the nuclear programme in the direction of weapons design and production. Two important infrastructure projects were commissioned. The first project established Trombay Atomic Energy Establishment at Mumbai.
As a result, Apsara, Asia's first research reactor, became operational at the Bhabha Atomic Research Center in Trombay in August 1956. Apsara is a light water swimming pool style reactor with a nominal power output of one megawatt thermal (MWt).


'Ideal-Passage' EP will arrive on July 13.
Youandewan will release a new EP next month, titled Ideal-Passage.
The three-track release follows 2017's The Brane EP for his own The Brane label, and we're told that it precedes a sophomore album.
Youandewan is Ewan Smith, a Berlin-based deep house DJ-producer.
Ideal-Passage EP will arrive on July 13, with "Thewizzwasfordillysmissus" streaming in full via the player below.


text:
Story Ideas & Tips
The Backdoor
The PioPod
Illustration by Raya Deussen
Monica Lewinsky '95 is overdue for an apology
by Adelaide Kaiser
Monica Lewinsky '95 is a Lewis & Clark alum and a social activist. When you hear her name, however, there is an indisputable connotation that immediately comes to mind: one of a woman publicly disgraced and humiliated.
In a new documentary titled "15 Minutes of Shame," Lewinsky, alongside Max Joseph of the TV show "Catfish," aims to look at the culture of public shaming. Lewinsky, who was the center of a media frenzy for years, is no stranger to what it is like to be publicly humiliated. Lewinsky had an affair with President Bill Clinton during his time in office. When the affair was made public, she received a tremendous amount of public backlash. While Lewinsky has said that while she does think she was taken advantage of by her boss, the real "abuse" came in the aftermath, when she was forced to take the fall to protect his position. Recently, she has begun drawing from those experiences to become an anti-bullying advocate.
Lewinsky has given us an opportunity to re-examine her legacy. Did she deserve the public shaming that she received?
In the context of the #MeToo movement and Donald Trump's presidency, it is important to look at the double standard that exists in this situation. Lewinsky was 22 years old at the time of the scandal, while Clinton was 49. That age difference alone is concerning. It gets worse when you consider that Clinton was in the highest position of power this country has to offer, while Lewinsky was merely an intern.
The backlash that Lewinsky faced was misogynistic and unnecessary. A much younger woman in a subordinate position to the most powerful man in the U.S. did not deserve to be ridiculed and have her personal life torn apart. In an essay for Vanity Fair in 2014, she detailed job interviews that were derailed by the connotation attached to her name. She says that with every date she goes on she experiences "1998 whiplash," a testament to how this scandal has deeply impacted her professional and personal life. She never should have been put in this position because she was involved with a man who should have known better.
The double standard that exists during this era of Donald Trump, who has been called out and investigated for paying off porn stars and having inappropriate contact with many women, is ironic. The fact that our male presidents have gotten away with inappropriate conduct time after time is wrong in itself. But the fact that the women involved (Stormy Daniels in particular) have had to face the barrage of hateful comments and media attention is indicative of the misogyny that plagues not just our political system, but our society as a whole.
It is commendable that Lewinsky is taking all of this negative media attention and using it to create a positive change. However, it was not easy to get there. After years of trying to figure out what to do next, moving across the country and out of the country, and going a decade without speaking to the media, she has found a way to use her story for good. "15 Minutes of Shame" is one huge step towards that, among her other anti-bullying efforts, including a "Goodness Bot" on Twitter, which aims to spread positivity on social media, and other anti-bullying PSAs.
We owe Lewinsky an apology for how our culture of name-calling and bullying has treated her. The best way to right this wrong is to reverse her legacy. Next time you hear Lewinsky's name, try not to think of a scandal or a disgraced woman. Instead, try to reframe your image into that of a woman standing up against an oppressive system and trying to make the world a more positive place. We at least owe her that.
Ayomi Wolff says:
Go off Adelaide!
Student who knows the least talks the most
"The Christians" explores doctrinal disputes
Election results bring relief but the work is far from over
First-year reflects on challenges, newfound strength from hybrid academic term
No shame in online learning: a fully remote perspective
Knowledge of plastics critical to recycling, personal health
Election reveals deep political divisions among people of faith
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text:
Der Belize River () ist ein 290 km langer Fluss in Belize, der mehr als ein Viertel des Landes entwässert.

Lage
Der Belize fließt entlang der Nordseite der Maya Mountains durch die Mitte des Landes Belize und mündet nahe Belize City in das Karibische Meer. Im Einzugsgebiet der Flüsse Belize River und Mopan River leben etwa 45 Prozent der Bevölkerung Belizes. Der auch "Old River" genannte Belize ist bis hinauf zur Grenze mit Guatemala schiffbar und diente weit bis ins 20. Jahrhundert als Hauptverkehrsader für Handel und Kommunikation zwischen der Küste und dem Landesinneren.

Der Belize River beginnt beim Zusammenfluss von Mopan River und Macal River östlich von San Ignacio und durchfließt das weitgehend von tropischem Regenwald bedeckte Belize River Valley.

Nutzung
Der Belize River ist eine wichtige Trinkwasserquelle für die an seinen Ufern lebenden Menschen. Die Wasserqualität ist jedoch durch Sedimente, Pestizide und andere Schadstoffe eingeschränkt. Hauptgrund für die Verschlechterung ist die massive Abholzung der Wälder in den oberen Bereichen des Mopan River und die nicht-nachhaltige Landwirtschaft.  Die von Anwohnern betriebene Brandrodung, um Flächen zum Anbau zu gewinnen, trägt zur Wasserverschlechterung bei.

Der Fluss diente lange der Forstwirtschaft, insbesondere dem Abbau von Mahagoni.

Einzelnachweisliste

0Belize River


In addition to using the supplied components and integrating C libraries, you can create LISA+ components. This section describes how to create one and integrate it into the ARM dual processor system.
6.1.1 About the custom component.
6.1.2 Create a new LISA file.
6.1.3 Adding a resources section to a LISA file.