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ON MY WAY OUT / ALMOST LIAM Presented by WeHo and LAJFF as part of One City One Pride Arts Festival
West Hollywood City Council Chambers
ON MY WAY OUT: The Secret Life of Nani and Popi
WINNER OF THE AUDIENCE AWARD FOR BEST SHORT DOCUMENTARY!
Directed by Brandon Gross, Skyler Gross
Documentary/USA/2017/40 minutes
All families have secrets. Having survived the Holocaust and tragically lost family members, Roman and Ruth Blank, affectionately known as Nani and Popi have been married for 60 years. They raised a family in America and built a successful business. Now at age 95, a deeply-held secret is revealed: Popi is gay, and finally free to explore his identity and seek the companionship he craves. But the revelation is not without repercussions as the news deeply impacts Nani, and their daughters scramble to understand their parents in a new light. The film, created by the grandsons is awkwardly humorous at moments, and filled with tenderness, but one thing is clear; love is complicated.
Q&A with filmmaker Brandon Gross
ALMOST LIAM
US Premiere!
Directed by Sapir Rokach
Documentary short/Israel/2018/28 minutes
Raised in an Orthodox Jewish family, Liam came out as transgender while he was serving as a woman soldier in the IDF. In this film, which includes his private videos documenting some of the most profound changes that he undergoes in body and mind, Liam reflects on his journey and takes leave of his family before emigrating to Germany, where he will undergo irreversible surgery.
This program is presented with the support of the City of West Hollywood's Arts Division as part of the City's One City One Pride LGBTQ Arts Festival (May 22 - June 30).
625 San Vicente Blvd.
Free parking onsite with validation
Ticket sales and registration ends earlier than the show. Tickets will still be available at the theater at the show.
West Hollywood City Council Chambers (View)
Film > Festivals
Film > Movies
Film > Premiers


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AdventHealth Central Florida Media Resources
Media Releases and News
Location Bar
Florida Hospital creates art and music therapy program to treat cancer patients' physical, emotional needs
Central Florida Division External Communications
Fla., March 15, 2018 — ORLANDO, Fla., March 15, 2018 — Fatigue, anxiety, depression and the loss of self-confidence are just a few of the effects cancer patients experience during treatment.
For the first time, Florida Hospital is offering a comprehensive music and art therapy program devoted to cancer patients and their caregivers to meet these physical and emotional needs.
Credentialed therapists with the Integrative and Creative Arts Therapy program incorporate a variety of techniques that address different needs and symptoms. Songwriting and art compositions help express emotional pain, while playing musical instruments helps patients focus and serve as a distraction from their physical pain.
Julie Cressler remembers being so physically tired while receiving radiation it would be hard for her to even take a deep breath. After finishing her treatment, she joined a "survivorship choir," which rehearses weekly and performs for patients at the hospital.
"You won't hear this from a lot of people, but cancer has given me some gifts, and one of them is the friends I've made in the survivorship choir," said Cressler. "There's something about singing in harmony with my group; I feel there are some endorphins that get me to the next day."
The program offers complimentary individual and group therapy to people receiving in- and out-patient treatment, as well as cancer survivors.
"This program is a great example of the whole-person care we offer at the hospital," said Rich Moats, manager of the Integrative and Creative Arts Therapy Program. "From pain symptoms to emotional support, our therapies serve to put the patient back in the center of their care so they can get the best possible outcomes and quality of life."
The Integrative and Creative Arts Therapy Program is funded, in part, by generous community support.
For media inquiries only, call Florida Hospital Corporate Communications at Call407-303-5950.
Contact: CFD External Communications
Tel: Call CFD External Communications at407-303-5950
Email: Email CFD External Communications at[email protected]
Global Homepage
View All Our Doctors
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redpajama_set_name: RedPajamaCommonCrawl


You may cancel your order any time up to the end of the fourteenth day from the date you receive the ordered goods (see 'Returns' below). To cancel, please notify us in writing.
You may return goods which have been delivered. The goods must be returned to us, at your own cost and risk as soon as possible. The product must be unused, free from damage, in saleable condition and in its original packaging.
Prior to return, it is your resposiblity to take reasonable care of the product. Failure to do so will incur charges for reduction in value.
Please ensure that the colour, size and quantity of the product ordered is suitable for your requirements. Photos are for illustrative purpose only, so please order a sample from our website if in doubt.
Whilst we accept returns, the costs involved in returning bulky delivered items are high and therefore may exceed the value of the product itself.
Bespoke products made to your specification (non-standard size, colour etc.) cannot be returned.
In the event that your order arrives damaged or faulty, we will offer an exchange or refund. Please notify us within 48 hours of delivery.
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Damaged goods may not be collected and we advise the customer to dispose of the items once replacements have been delivered.
Our liability is limited to the cost of the goods and save as precluded by law, we will not be liable for any indirect or consequential loss, (damage or expence including loss of profits, business or goodwill) howeverso arrising. This policy does not affect your legal rights.


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Q: Properly delete and then restore everything in iCloud Photos Due to what seems to be a very unusual bug, the storage counter for my iCloud account is stuck thinking that I have occupied more Photos storage than I really have. I was briefly in contact with Apple support, and I want to empty iCloud of photos and videos completely (basically down to 0 bytes). I want to do this to make sure that the storage usage is properly calculated.
After deleting all Photo/Video content in iCloud, I then want to restore the photos, videos, and preferably also all meta data (dates, folders, locations…) in its entirety.
Question: What would be the suggestible way to accomplish this?
I have Photos on my iMac set to "Download and keep all originals". Can I simply make a backup of Photos Library.photoslibrary, then go to iCloud.com and delete everything in the "Photos app", and somehow restore everything from the photoslibrary file?
I want to be absolutely sure that everything on iCloud is properly saved and restored. Even if that means that I have to download everything from iCloud.com – in case that the photoslibrary file for some discrepant reason may be incomplete relative to what's actually in iCloud.

A: "Download and keep all originals" is the correct setting to get all your photos onto your Mac. These originals are stored in Photos Library.photoslibrary, you can check the exact location of your library by launching the photos app while pressing option.
You can also check for syncing problems by creating a smart album, looking for files failed to sync.
After you have double-checked all of the above and saved your library on a secure place you go to System Preferences -> iCloud and choose Manage in the lower right corner (I don't know the exact translation, I'm using my Mac in another language). In the popup menu, choose photos and then delete from iCloud Drive.
The photos will be stored online for the next 30 days, so you are able to download them again, in case you made a mistake. After that period (make yourself a calendar entry) you can activate iCloud Photo Library again, and all your files will be uploaded again.

redpajama_set_name: RedPajamaStackExchange


December 30 2009 John Martyn third in who got most messages on Lasting Tribute celebrity tribute site in 2009.
December 29 2009 Captcha 2.1.
December 19 2009 Engine upgraded to 6.15.
December 28 2007: Security update for photo gallery.
December 24 2007: Found a July 2007 charity gig on YouTube.
December 20 2007: 1969 giglist also got boosted.
December 29 2006: Got rid of "Click to activate and use this control" message on the media player.
December 12 2006: New clip, Scott Matthews with a live version of Dream Song.
November 28 2006: First Israel tour date (1986).
December 28 2005: New muffclip, Book Faded Brown by Jim Tullio.
December 18 2005: Broke the year record of 30.713 visitors.
December 15 2005: Uncut story (January 2006 issue) kindly brought to my attention by Martin Cowan.
December 28 2004: Small stuff on giglist.
December 20 2004: Later repeated on December 23rd on BBC2.
December 15 2004: Tim Harrison cleared up baked tape mystery (Homepage).
December 28 2003: 1986 Rolling Stone review reference. Same for 1977 Record Mirror.
December 27 2003: 1998 Q review reference thanx to Gary Tutin.
December 24 2003: 1974 Dutch newsclip kindly mailed by Marc Mertens (Print).
December 31 2002: Cooltide interview from International Musician 1991 added.
December 25 2002: Best wishes after a bad year.
December 24 2002: Small stuff on the guestbook.
December 24 2001: New muffclip (Fly High by Bridget St. John).
December 15 2001: Neil Young link added to Links page.
December 13 2001: Clarified James Macpherson's entry in the guestbook.


text:
Crusader books & models
For over 30 years, the F-8 Crusader served, as "Mig Killer" and, in the photo version - F8U-1P in the early days, RF-8G years later - as the "eyes of the fleet". It was the Crusader which went in low and fast to photograph the Cuban missle sites in 1962, and "unarmed and unafraid", brought back the before and after pictures of bombing targets in Vietnam.
Major John Glenn flew across the country in a 1P and set a coast-to-coast speed record. 30 years prior to its retirement, the Collier Trophy was awarded to Vought and the Navy for its design and achievements.
On March 29th, at the Naval Air Facility at Andrews Air Force Base, Light Photographic Squadron Two Zero Six was disestablished. This marked the end of the "no guns, just guts" dedicated reconnaissnace squadrons. Its kind having flown some 2,360,000 hours and more than 385,000 carrier landings, the last F-8 Crusader was presented to the National Air and Space Museum.
(the French Navy continued to fly F8E's though these may be retired by now, and there were one or two others being flown by NASA and other agencies)
Sister squadron VFP-306, also based at Andrews, was disestablished in 1984.
Lt.Cdr (now Rear Admiral) John Cotton (l) and Cdr John Peck prepare for the last dual Crusader flight. Squadron C.O. Cdr David Strong did the final flight.
More F8's
Crusader books & models see also the Gunfighters Web page


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Q: Rolling indices in Elasticsearch I see a lot of topics on how to create rolling indices in Elasticsearch using logstash.
But is there a way to achieve the same i.e create indices on daily basis in elasticsearch without logstash?
I came a cross a post which says to run cron job to create the indices as date rolls, but that is a manual job I have to do, I was looking for out of the box options if available in elasticsearch

A: Yes, use index templates (which is what Logstash uses internally to achieve the creation of rolling indices)
Simply create a template with a name pattern like this and then everytime you index a document in an index whose name matches that pattern, ES will create the index for you:
curl -XPUT localhost:9200/_template/my_template -d '{
    "template" : "logstash-*",
    "settings" : {
        "number_of_shards" : 1
    },
    "mappings" : {
        "my_type" : {
            "properties": {
                ...
            }
        }
    }
}'


text:
const { Markup } = require('telegraf');
const CallbackStore = require('../storage/callback-store');

class Keyboard {
  constructor() {

  }

  static albums(albums) {
    return Keyboard.list(albums, 'album')
  }

  static tracks(tracks) {
    return Keyboard.list(tracks, 'track')
  }

  static albumsNav(albums, page = 1) {
    return Keyboard.nav(albums, 'album', page);
  }

  static tracksNav(tracks, page = 1) {
    return Keyboard.nav(tracks, 'track', page);
  }

  static list(items, itemType, columns = 2) {
    return Markup.inlineKeyboard(
      Keyboard.listButtons(items, itemType),
      {columns: columns}
    );
  }

  static nav(items, itemType, page) {
    return Markup.inlineKeyboard(
      Keyboard.listButtons(items, itemType)
        .concat(Keyboard.navButtons(items[0].artist.name, itemType, page)),
      {columns: 2}
    );
  }

  static similarTracks(items) {
    return Markup.inlineKeyboard(items.map(item => {
      return Markup.callbackButton(
        `${item.artist.name} - ${item.name}`,
        `track:${CallbackStore.add(item.artist.name)}:` +
          `${CallbackStore.add(item.name)}`
      )
    }), {columns: 2});
  }

  static similarArtits(artists) {
    return Markup.inlineKeyboard(artists.map(artist => {
      return Markup.callbackButton(
        artist.name,
        `artist:${CallbackStore.add(artist.name)}`
      );
    }), {columns: 2});
  }

  static navButtons(artist, itemType, page) {
    return [
      Markup.callbackButton('⬅',
        `${itemType}PrevPage:${page}:${CallbackStore.add(artist)}`),
      Markup.callbackButton('➡',
        `${itemType}NextPage:${page}:${CallbackStore.add(artist)}`)
    ];
  }

  static listButtons(items, itemType) {
    return items.map(item => {
      return Markup.callbackButton(
        item.name,
        `${itemType}:${CallbackStore.add(item.artist.name)}:` +
          `${CallbackStore.add(item.name)}`
      )
    });
  }
}

module.exports = Keyboard;

redpajama_set_name: RedPajamaGithub


A HomeLight concierge will reach out on Christopher Brian Adams's behalf within 3 mins during business hours.
We'll do our best to connect you with Christopher Brian Adams and if you'd like, introduce you to other top performing agents in the area.
Is Christopher Brian the right agent for you?


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text:
Features › Music › Year End 2019 › Scene Point Blank's Favorites: Year End (2019)
Year End 2019
Music: Scene Point Blank's Favorites: Year End (2019)
The end of a year and the end of a decade – 2019 is done and it's over to SPB to tell you about the best albums you heard (or didn't) over the past twelve months. Read on to discover the 25 records our staff collectively voted on as the best albums released in 2019, as well as their individual lists used to assemble the main one here. Let us know what we missed, and go and catch up on the ones you didn't catch last year. Happy listening!
Overall list
Eisenwald
The metal scene is one that moves in cycles, with sub-genres becoming the flavour of the month before the hot new thing moves in to take over the masses for a short time. Goth rock, however, always seems to stay the course. There's something about the sounds, the feelings, the time period it evokes, and for those reasons the style never seems to go out of fashion. For Idle Hands, those older days are the inspiration for one of the most impressive debuts of the year. Mana is only their first record but they already seem so assured and confident that it's hard to believe the band have been together for only the best part of two years. Mana plays in an extremely cinematic way with songs that create a distinct narrative from beginning to end. It reads like a thrilling journey of finding love to losing hope and the tribulations that must be handled along with those exciting - and depressing - exploits of youth. (Cheryl)
Positive Disintegration
Positive Disintegration is an ideal name for this album, the follow-up to Positive Energy, which DIÄT released in 2015. The record is dreary post-punk with a lot of repetition and monotone vocals that carry a beaten-down-by-the-world-but-the-show-must-go-on vibe. "We," starts things on this path, but as the record progresses that exasperation turns to a call for action at times. DIÄT embrace monotonous tones while managing to make a diverse record, with strong, subtle, tight, and dense songwriting. (Loren)
Lingua Ignota
Profound Lore
A second album merging metal, folk and noise rock, Rhode Island's Kristin Hayter unleashes a furious burst against domestic abuse and violence. Angry, powerful, operatic and sated on revenge, this is an experimental triumph. (Matt)
Animated Violence Mild
After the hiatus of Fuck Buttons, producer Benjamin John Power has been busy making this, his fourth Blanck Mass album. Crushing, distorted beats meet a manifesto on loss and capitalism, and powered seemingly by raw fury. (Matt)
Vånna Inget
Utopi
Gaphals Records
Vånna Inget is a band I almost forgot about. That's what six years of absence can do. Things have not been completely quiet during those years to be honest: there's been a single and a live album, but those releases flew under my radar. Vånna Inget relies on catchy melodies and vocal lines that you will be able to reproduce for days. Their punk influences were already pretty minimal on Allvar. On Ingen Botten a bit of the punk edge was replaced by Joy Division influences. Reduce that punk edge even more and I am not sure if I can still enjoy it. Utopi puts this to the test. The sense of melody and Karolina's voice are the two ingredients that tie these songs together, that prevent it from being a random collection of songs, which is something not be neglected. (Dennis)
Sonic Citadel
Album number seven from the duo renowned for the sheer loudness and distortion of their crumpled riffery and thrashing, and this time we can almost make out the words. Pushing the boundary but still riffing and gnarly, this is proof that 25 years doesn't always dull a band's sound. (Matt)
Polydor / Interscope
Consensus seems to be that Norman Fucking Rockwell! speaks volumes about the nature of the American dream in contemporary times. Which is true. Moreover, Lana Del Rey's latest struck me as the druggy and depressive pop album we deserved in a year that was a kind of a mess from any number of perspectives. (Andy)
ESC Life
Born To Be Mild
PDV Records/Last Exit Music/Ill In The Head Records/Bartolini Records
What I really enjoy about this album (and their previous output) is how these guys have mastered the art of sounding completely relaxed and energetic at the same time. That combination for me makes it the ideal music for good weather. It allows me to relax without lulling me to sleep. A difficult combination to create, but ESC Life makes it happen on each and every song. The production is crystal clear and allows every instrument to shine; just what this type of music needs. (Dennis)
The artist known for covering the full spectrum—visual arts, dance, cinematography and multimedia—is back with an almost-concept album about Mary Magdalene, written by a Catholic school graduate. (Matt)
Pandemix
In Condemnation
Dirt Cult
Pandemix are new to me, and they're difficult to sum up in just a few words. That's a compliment. It's punk by genre, but a few subgenre adjectives aren't going to capture the band. In Condemnation isn't exactly complex (we're talking punk rock here), but it's diverse in subtle ways that keep the energy level high and fresh as it shreds through 10 tracks in 28 minutes. There is so much variety, yet it's cohesive and subtle without losing its tone or its own voice. I'm already excited to hear more from the band. (Loren)
Mizmor
The acceptance or rejection of religion is a process that is personal and can often be fraught with turmoil and fear. For Portland's מזמור (written as Mizmor) the process of rejection of religion began late in life and for founder and sole recording member A.L.N. that process was one wracked with pain, guilt and the knowledge that God does not have the answers. The struggle between this and what was promised via religion is one that A.L.N. has documented through the blackened doom lens of Mizmor's music since its inception seven years ago and the process has never felt more real and intimate than it does on Cairn. (Cheryl)
In the Spirit World Now
It's fun to introduce old Ceremony to their new fans and hear comments like, "Wow, that guy must've worked out his anger issues". It's true that Ross Farrar's lyrics have recently favored elegant introspection over spiteful threats to fight society with hate-packed fists, or to strangle it, or to curb stomp it, or to watch it burn to the fucking ground. Ceremony haven't been making angry hardcore for the past three albums, and the dance tracks on In the Spirit World Now are the furthest cry from their powerviolence days. And that's ok, because they still play plenty of old stuff at their live shows, giving everyone a chance to mosh and stage dive in between swaying and bopping. In the Spirit World Now is a great foray into pop while still paying homage to their roots and their influences. (Stephanie)
U.F.O.F.
It's rather amazing that, while many artists struggle to get one decent album together in a given year, this quartet released two full-lengths in 2019, both of which are fantastic. I'm giving the slight edge to U.F.O.F. over Two Hands for the fact that it contained a song that, upon listening to for the first time, I immediately had to go back and listen to again. I haven't been similarly wowed by an "indie" project in quite a while. (Andy)
We Never Learned To Live
The Sleepwalk Transmissions
Holy Roar Records
This is a concept album comprised of short stories that are translated to songs. Every short story inspired by Philip K. Dick. The overarching theme of these stories is isolation. In these songs it is explored what it means to live in a world governed by technology and the isolation that can bring with it. Just think of the isolation we impose upon ourselves by the use of technology today. A pretty hot topic, isn't it? With some albums I would recommend a couple of tracks to listen to. I refuse to do so with The Sleepwalk Transmissions. This is an album to be devoured in one sitting. And when you are done with that, you will probably go back to the A-side and repeat the process. Yeah, it is just that good. (Dennis)
Gold & Grey
Abraxan Hymns
The Philadelphia four piece are back with this, their fifth record, and an extremely personal one at that. Tight, slick, filled with soundscapes and melodies, this is uplifting and profound all at once. (Matt)
Dead Bars are one of those bands that's somehow both fun and super depressing. The lyricism is what you'll normally read about with this band – and for good reason – but it's all around fun-yet-meaningful punk that fits different moods and brings out different emotions depending on when you listen to it. Much like "I'm a Regular," it took me a couple listens to fully get this record. I liked it, but the production seemed a little to crisp for a band I'd first heard on scruffy 7"s. Jack Endino's production, best known for his work with Seattle bands like Nirvana and Soundgarden, just didn't feel right. Repeated listening has appeased that first impression, though. (Loren)
Spirituality is one of the more personal topics that an artist can speak about within their music and it's something that is coloured by experiences and by life as it happens around them. Where many find comfort, some find fear and where some find fear, many find comfort. For Alcest's Neige (Stéphane Paut), that comfort comes from childhood experiences that he wholly believes happened and that he had no real outlet for until the discovery of music in his teens. For Alcest, the music is surely a catharsis and for listeners there is a similar effect on the psyche. Hope may not be offered but the allusion is that it is possible, that deep within the darkness it lives, like the transience of twilight. (Cheryl)
Glitterer
Looking Through the Shades
Is this an art project? Stream of conscious? Are they even songs? Ned Russin, of Title Fight fame, uses this solo project to explore synths, soundscapes and drum machines. It's experimental, it's weird, it's powerful. You might even enjoy it. (Matt)
Five years after the last release by the Grand Rapids post-hardcore heroes, they've signed to Epitaph and released this collection of strong grooves, clever guitar, introspective lyrics half-buried and powerful melody and melancholia. (Matt)
Laurie Anderson, Tenzin Choegyal, Jesse Paris Smith
Songs from the Bardo
Smithsonian Folkways
A combination of readings from the Tibetan Book of the Dead fused with sound collages, traditional instruments, piano and spoken word, this is one of the most original and intriguing releases this year. Not so much a collection of songs as an experience to sit down and be immersed in. (Matt)
Coathangers
Suicide Squeeze
Much of what I listen to on the regular is of the three-chord punk variety. While I want the bands in that field to switch up their sound, to develop and grow, the differences are usually pretty subtle in that world. The Coathangers, though, are something else and for some reason I'm always surprised when I put on each new record and hear the evolution first hand. So where does this record stand? It's consistent all the way through and it meets every expectation. I won't say it's a gamechanger for the band, but it's damn good. There's clever alt-pop, rage, balladry and pretty much everything in between. (Loren)
Hearts Of No Light
Hearts Of No Light is the sound of a band coming to terms with their future by exploring the darkened pathways of the past. After the monumental triple album Triangle of 2016, the expectations placed on the Swiss group from both outside the band and within it led to a deconstructing of their sound and the rebuilding of what drove them to create music in the beginning. Schammasch have long brought a more avant-garde tone to their take on black metal and where Hearts Of No Light succeeds, is in its ability to wrap those structures around the more traditional base elements of the genre. The band create cinematic, weighty soundscapes with the essence of black metal at its core yet it is moving defiantly into the future. (Cheryl)
Devil's Dance
Blackest Ever Black
A debut album by this British dub/techno guru and it's unhinged: finishing with a 23 minute closing track and featuring appropriate levels of dread for something so titled, this is an exciting and essential listen for dub heads everywhere. (Matt)
BlackDots
Everything Has Gotta Change
Snappy Little Numbers / La Escalera Records
Some albums just hit you right away. I was vaguely aware of BlackDots – some friends saw them at The Fest last year and said nice things, so I figured I should check it out myself when a lovely one-sided 12" showed up at my door. Life is complex and so are the emotions conveyed within Everything Has Gotta Change. Like the title, it's cynical and somewhat depressing. But it's simultaneously uplifting and unifying – with the vocal tradeoffs and penchant for harmonies highlighting that metaphor. It's not about the struggle; it's about getting through the struggle.
Centry Media Records
Is it really possible that the best pop song of the year is actually on a black metal record? With lead single "Up North," Norway's Borknagar have created a song full of delicous melody, a chorus with hooks for days and a message that is supremely important - we must look after this Earth. While Borknagar may have left behind the more obvious blackened elements of their sound, True North manages to retain that metallic sheen that we have come to love and still progress the genre into the future. ICS Vortex's clean vocal lines on the aforementioned "Up North" is potentially the voice performance of the year and for that alone, True North is a wonderful entry in their huge catalogue. (Cheryl)
--Opening page-- Individual staff lists
Words by the SPB team on Jan. 1, 2020, 3:16 p.m.
Main 19 photo by TLV and More
Posted on Jan. 1, 2020, 3:16 p.m.
Pages in this feature:
Individual staff lists
Series: Year End 2019
Our wrap-up of the best music and more from 2019
Music 2019: A Year In Review
Posted Jan. 7, 2020, 1:58 p.m.
It's the end of a decade, and what a final year it's been. In this last piece of our 2019 feature series, we ...
Music Pass The Mic: Artists and labels on 2019
Posted Dec. 17, 2019, 4:53 a.m.
As the year ends, it's time once more for us to hand over to the artists and record labels that made some of our ...
Music Bloodshot Records: History 101
Posted Dec. 2, 2019, 2:29 p.m.
As 2019 comes to a close, we caught up with Bloodshot Records, a Chicago-based label that was founded in 1994. The label is celebrating 25 ...


text:
Big Cats Come Out Of Their Shell For Easter
Redditch Editorial	18th Apr, 2019
Staff at West Midland Safari Park have been treating their big cats to some seasonal gifts – their very own Easter eggs.
To coincide with the Park's Easter Eggstravaganza, whilst guests can enjoy the spectacle of 50 giant eggs, dotted around the Park, keepers created some large papier-mâché eggs for the animals, complete with colourful animal print patterns.
The Easter treats were then used as enrichment for the Park's cheetahs and Sumatran tigers. Keepers filled the eggs with bits of meat and placed them in the big cats' enclosures, ready for their very own Easter egg hunt!
Carnivore Keeper, Kasha Carter, said, "Enrichment is really important for all of our carnivores and we have a varied enrichment programme, which we implement daily. This includes things like boomer balls, puzzle boxes, scent trails, hide and seek (with meat) and novelty items such as these papier-mâché eggs. Enrichment simulates natural behaviours and keeps them active, so it's an important part of a keeper's job and we enjoy coming up with new ideas."
She continued, "We loved watching the big cats with their Easter treats and it was really interesting to see how the different species reacted to them. The cheetahs are quite naturally cautious, so Cody and Epezi approached the eggs warily, before nudging them aside to find the meat.
"By contrast, our female tiger, Hujan, ran excitedly straight to them and started playing with them, tossing them in the air and rolling them around, using her paws. She then carried them away to protect them from her companion Nakal and started tearing them apart to get to the meat hidden inside. We hope all of our guests have just as good a time eating their chocolate eggs, as our big cats!"
The Park is home to five different species of carnivore and there is an enrichment programme tailor made for each group's different behaviours and interests. For example, the African wild dogs love anything they can destroy as a team, whereas just like a domestic cat, the lions cannot resist a cardboard box (albeit a very large one!).
Eagle-eyed visitors may be able to spot different forms of enrichment as they explore the Park this Easter. They will also be able to take part in an interactive Eggsplorer's Trail, where they will have to find the missing eggs hidden around the Park, to be rewarded with a chocolate treat.
There will also be an exclusive competition, which involves guests taking a picture with the final egg on the trail and posting it to the Safari Park's Facebook page, to be in with the chance of winning a Family Annual Pass.
The cheetahs and tigers can be seen on the four-mile safari which is included as part of the standard admission charge of £24.00 for adults, £19.00 for children aged 3-15 and £22.00 for concessions. Children under the age of three are free of charge. Admission includes a Free Return Ticket. Adventure Theme Park rides are charged extra.
Further information and tickets are available from the Park's website or by telephone 01299 402114. Find out more on the Safari Park's official Facebook page.
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Anglim's Western Metal Works is a full-service welding and fabrication shop. We are happy to work with any sort of business throughout the state, including restaurants! Whether you're looking for custom-designed metal signage or need a prototype design for a new piece of restaurant equipment, we can help.
We offer both on-site and in-shop welding and fabrication service, depending on your needs. Our welding team is experienced, to work on a variety of materials and techniques.
From building pre-fabricated parts for restaurant and micro-breweries to helping you outfit your new restaurant with personalized touches, we have the tools and experience.
When you work with a welding company, you want to know that the work you're getting is of the highest quality. We take pride in the quality of our products ensuring smooth edges, clean seams, and superior structural integrity.
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Call 505.822.9170 to receive a quote for welding service today.


New U.S. WNT Head Coach Tom Sermanni Earns First Win Against His Native Scotland in Front of 18,656 at EverBank Field in Jacksonville, Fla.
JACKSONVILLE, Fla. (Feb. 9, 2013) – The U.S. Women's National Team opened its 2013 campaign with a 4-1 win against Scotland in front of 18,656 fans at EverBank Field in Jacksonville, Fla. It was the largest crowd ever to watch the U.S. Women in a stand-alone friendly match in Florida and the entire southeast.
Christen Press made an immediate impact in her U.S. WNT debut by becoming just the third player to score two goals in her first game. Cindy Parlow (Jan. 14, 1996; 8-1 win against Russia) and Sherrill Kester (Jan. 7, 2000; 8-1 win against the Czech Republic) also scored a brace in their debuts. Press is the 17th player overall to score a goal in her first WNT match.
Shannon Boxx added her 26th career goal and Sydney Leroux her 15th career tally in the second half as the U.S. extended its unbeaten streak to 24 games (21-0-3). The USA also improved to 22-4-3 in its calendar year openers since the team debuted in 1985.
The match marked the first game and first victory for new U.S. head coach Tom Sermanni. The Scotland native also gave three players their first caps on Saturday: Press, midfielder Kristie Mewis and defender Julie Johnston.
The U.S. and Scotland face each other again on Wednesday, Feb. 13, at LP Field in Nashville, Tenn. The match will be broadcast live via a ussoccer.com stream and the game kicks off at 7 p.m. CT. Fans can also follow the game through ussoccer.com's MatchTracker and on Twitter @ussoccer_wnt.
Press, who was named the Budweiser Woman of the Match, gave the U.S. an early lead in the 13th minute. Right back Ali Krieger, who returned to the lineup for the first time since suffering a severe knee injury in Olympic qualifying in January of 2012, drove a long free kick into the penalty box and Scotland's defense failed to clear it. It bounced only to the edge of the box and Press struck a first-time left footed half-volley that sailed past Scotland goalkeeper Gemma Fay for the 1-0 lead.
She then got her second goal in the 32nd minute when Tobin Heath served up a precision left-footed cross from the left flank. Press made a perfectly timed run to slip behind her defender at the far past and headed the ball back across the goal into the lower left corner.
Forward Alex Morgan, who was third in the voting for 2012 FIFA Women's Player of the Year and won the 2012 U.S. Soccer Female Athlete of the Year, had to depart in the first half when she injured her ankle on a Joanne Love foul that drew a yellow card in the 39th minute. The injury is not serious, but Morgan was replaced by Leroux in the 41st minute.
Boxx gave the USA a 3-0 lead in the 52nd minute when Press lifted a pass to her from the left corner of the penalty area. Boxx took a deft left-footed touch, brought the ball to her right and smashed her shot into the upper left corner of the goal from 25 yards out for one of the best finishes of her career.
Scotland responded with a brilliant strike of its own just two minutes later when midfielder Kim Little, who played for Great Britain at the 2012 Olympics, ran onto a poor clearance at the edge of the box and drilled a shot past second-half goalkeeper Nicole Barnhart into the right side of the net to cut the lead to 3-1.
Leroux capped off the scoring in the 89th minute with a typical powerful run into the attacking third. She sprinted under a long service from Yael Averbuch into the left side of the penalty area before lifting the ball past the onrushing Fay and into the net from 10 yards out. Averbuch came close to scoring a goal of her own, striking a wicked 35-yard free kick off the crossbar in the 76th minute. All of Leroux's 15 career goals have come as a substitute.
Forward Abby Wambach, who had several chances to get her 153rd career goal, played in her 199th career game and was replaced by Lauren Cheney in the 55th minute. She could potentially play in her milestone 200th match on Wednesday against Scotland and become the eighth WNT player to reach that mark.
Kristie Mewis, the third pick in the 2013 NWSL College Draft out of Boston College, who played in two youth World Cups for the USA at the U-17 and U-20 levels, came into the match for Christen press in the 73rd minute to earn her first cap.
Julie Johnston, the captain of the U.S. U-20 WNT that won the 2012 FIFA U-20 Women's World Cup in Japan, made her senior team debut by replacing Becky Sauerbrunn in the 83rd minute.
Sydney Leroux, who made her 29th career appearance, played in the first half of a game for the first time in her WNT career. She came off the bench in all 27 games she played in 2012.
Midfielder Yael Averbuch played in her first WNT game since she played the second half of a 2-0 victory against China PR during the Four Nations Tournament. Averbuch earned her 17th career cap when she replaced Shannon Boxx in the 66th minute.
In an odd twist of circumstances, Tom Sermanni's first match was against the country of his birth, which was coached by a Swede, the country of birth of the USA's previous coach, Pia Sundhage.
In the 24-game unbeaten streak since the USA lost to Japan on March 5 at the Algarve Cup in Portugal, the U.S. has scored 77 goals while allowing 19 in 21 wins and three ties.
Press's first-half scoring effort was a rarity as the last player to score just one goal in the first half of her debut was Nikki Serlenga in 2000.
Longtime starting goalkeeper Hope Solo has a minor calf strain and did not suit up for the match. She had started in 22 straight games to end the 2012 campaign and started in 31 of the 32 matches overall, setting a new record for goalkeeper wins with 26.
Goalkeeper Jill Loyden made her fifth career appearance and second start. Her first cap and start for the U.S. WNT was a 2-1 victory against China PR on Oct. 2, 2010.
Nicole Barnhart played in goal for the second half, making her 47th career appearance.
Midfielder Megan Rapinoe and defender Rachel Buehler, who both arrived late into training camp and trained in just one practice session, did not suit up.


text:
Barastre ist eine Gemeinde im französischen Département Pas-de-Calais in der Region Hauts-de-France. Sie gehört zum Kanton Bapaume (bis 2015 Kanton Bertincourt) im Arrondissement Arras. Sie grenzt im Nordwesten an Villers-au-Flos, im Norden an Haplincourt, im Nordosten an Bertincourt, im Osten an Bus, im Süden an Mesnil-en-Arrouaise und im Südwesten an Rocquigny.

Die Autoroute A2, die ein Teil der Europastraße 19 ist, passiert den Süden der Gemeindegemarkung.

Bevölkerungsentwicklung

Weblinks

Ort in Hauts-de-France
Träger des Croix de guerre 1914–1918 (Ort in Frankreich)

redpajama_set_name: RedPajamaWikipedia


The next financial period is set to be an exciting one at Edmo, with a new RALC CNC machining centre paving the way for significant business growth that will benefit both Edmo and our customers.
At Edmo, we design, source and supply bespoke extruded aluminium components, products and profiles for our customers. We work with a global network of trusted supply partners to deliver great results on end-to-end projects.
Considering how versatile and cost-effective aluminium alloys are, the demand for extruded aluminium products is basically limitless. That's why we're going to be using the next financial period to expand our capabilities to accommodate additional work for new and existing customers.
We've identified a potential bottleneck in our long-bed CNC machining capacity that, if left unaddressed, will limit our ability to produce fabricated aluminium components and goods.
To enable our business to grow to its maximum potential, and to continue to satisfy the needs of all our customers, we need to increase our aluminium extrusion fabrication capacity.
The RALC machining centre will increase our capacity for the type of fabrication work it handles by at least 50%. It will also enable us to fabricate larger pieces of work than our existing equipment can accommodate.
We expect our increased aluminium extrusion fabrication capacity and capabilities to result in higher production outputs and new business from current and potential customers. The new machining centre costs around £125,000 and follows investment of roughly £500,000 over the last 24 months.
In line with our environmental responsibility policies, we've taken the time to consider how the new investment at Edmo can reduce our impact on the environment.
Software and technology: improved control software and energy-efficient motors will mean a 20% reduction in power consumption, equal to 4,000kWh per year – around 1.5% of our factory electricity consumption.
Handling efficiency: increased handling efficiency will result in reduced materials movements and shorter machining times, resulting in a machine power saving of 1,000kWh per annum. The new machine will also accommodate larger items without needing to be reset or handle products twice.
Transport and movement: the new machine will enable us to address new customer products that our existing equipment is too small to handle, reducing the number of items we need to transport to alternative facilities.
In addition to increased capacity and reduced environmental impact, the new CNC machining centre and fork-lift truck will provide up to seven new employment opportunities at our Ross-on-Wye facility.
If you would be interested in finding out more about any of these positions, please call our office on 01989 768 307 for full details.
Our new 6.7m 3 axis, dual station CNC machining centre is due to be installed within the next month (December 2017) and will be fully operational by January 2018, increasing our capacity for aluminium extrusion fabrication of that type by 50%.
We also have a number of additional investments planned for the next business period, and look forward to updating you on those in due course.
Edmo's main activity is the specification, sourcing and supply of customer specific aluminium extrusion components and products. We are able to supply our customers with a range of types of goods, from fabricated components through to sub-assemblies and finished goods complete in final packaging. For more information on any of our aluminium extrusion fabrication services, please contact us.


Commercial arbitration is a process by which a dispute between the parties to a contract is determined by an independent individual (an "Arbitrator"), whose decision is agreed by the parties to be binding on them.
Commercial arbitration is increasingly a means by which parties to building and/or construction contracts attempt to minimise the costs and delays of resolving disputes and to maintain confidentiality with respect to disputes.
The process of arbitration and scope of the arbitrator's authority is generally governed by the arbitration clauses in the relevant contract and generally relevant legislation in each state, which includes the Commercial Arbitration Act 2012 (WA).
appealing an award made by an Arbitrator.
If you require legal advice in relation to a commercial arbitration, please contact us to arrange a meeting so that we may consider your specific circumstances.
The above information in relation to commercial arbitrations is provided as general information only and should not be relied upon as legal advice. The accuracy of this information may have changed from the date whenit was published.


text:
The Sun: Malina
The Moon: Anningan
The Sea: Sedna
Inuit Culture
Warming Arctic
Inuit Mythology
Visit the links to learn about Inuit myths related to objects in the sky, and aspects of their world.
Back to the World Map
Explore Inuit Mythology
Malina is the Sun goddess of the Inuit people who live in Greenland. The word "Inuit" means ...Read more
Anningan is the name of the Moon god of some of the Inuit people that live in Greenland. The ...Read more
Sedna is the sea spirit according to the people of northern Canada and Greenland, known as ...Read more
Inuit Culture, Traditions, and History
Traditional Inuit way of life was influenced by the cold climate of the Arctic tundra. Inuit ...Read more
Photo Album of Inuit Experience at the Turn of the Last Century
A truly unique photo album of Inuit life at the turn of the last century ...Read more
Inuit Culture in a Warming Arctic
Global warming is changing our planet in many ways. The place that is changing the most right ...Read more
Video: Exploring the Arctic by Dog Sled
For four months a team of explorers and educators led by Will Steger explored Baffin Island ...Read more
Full Earth and Space Science History Calendar (Members only)
Teacher Opportunities
Full Teacher Events Calendar (Educator Members only)
Did you know that the temperature in the Earth's core is hotter than the Sun's surface?
Did you know that Giovanni Schiaparelli's observations of channels on the surface of Mars was mistranslated, causing people to think there was life on Mars?
Earth and Space Science Concept of the Day
Do you know what this word or phrase means?
xGraben : A graben is a down-dropped block of the earth's crust resulting from extension, or pulling, of the crust.
Click on the word to find out!
Scientists Study "Glaciovolcanoes," Mountains of Fire and Ice
In the spring of 2010, the eruption of a volcano called Eyjafjallajökull in Iceland cancelled many flights in Europe. Eyjafjallajökull is a glaciovolcano, which means it's a volcano that is covered by...Read more


New Patented Centrifugal concentrators with flexible cone has superior micron gold, silver and platinum recovery . Cone makes centrifugal force 150G-200G in upper part .
Low prices on mini BMX's online direct from rocker BMX. Buy Rocker 3+ and Irok+ mini BMX's as well as BMX parts on-line at the cheapest prices available.
Mar 30, 2018· Introduction: Placer/ Gold Ore Dressing Technology and EquipmentSerena Fu Nov 18, 2016 Because of the action principle is different, the gravity separation process can be sorting equipment including washing tank and chute, spiral concentrator etc.
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80% – 200 mesh, mixing the ore/water grinding slurry with about 2 pounds per ton of sodium cyanide and enough quick lime to keep the pH of the solution at about 11.0.
We recognize that price is an important factor in purchasing an oxygen concentrator; so we pass on our savings from buying in bulk to our customers. We also believe, however, that making sure our customers have the best unit for their lifestyle is more important than price.
Gold Pan - The gold pan is a gravity concentrator, which utilizes the hindered settling and acts like a flowing film concentrator. Gravity concentrating tables, like Deister and tables work like a giant gold pan, only much more efficiently. A experienced gold panner can pan one pan of gold in 10 minutes, and in a 10 hour day it is possible to pan up to 1,000 pounds of ore.
Feb 04, 2015· Homemade Rocker box redoing tailings from previous trips. Water supplied via bilge pump.
Apr 20, 2017· Jameson cell. The Jameson Cell is a high-intensity froth flotation cell that was invented by Laureate Professor .. He led a further plant trial with a small cell in the lead-zinc concentrator at Mt Isa Mines Ltd in ..
2 DIVISION OF MINES AND GEOLOGY SP 87 CONCENTRATION OF PLACER GOLD ORE The recovery of placer gold involves processing similar to the processing of most ores.


Your Master Password is the key to all of the information in your Password Boss account. It is important that you never forget your Master Password and that you never share it with anyone.
Before you change your Master Password we recommend that you make sure each of your devices is up to date with all of your recent changes. When changing your Master Password if you have any changes that are not synchronized across all of your devices, those changes may be lost after you change your Master Password.
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text:
Porbandar State Railway was a  metre gauge  in the Porbandar State in Gujarat during the 19th century.

History
The Porbandar State Railway was owned by the State of Porbandar, which was then ruled by Vikramatji Khimojiraj. Later railways were further developed by Bhavsinhji Madhavsinhji and Natwarsinhji Bhavsinhji under their rules. It worked initially with Bhavnagar–Gondal–Junagad–Porbandar Railway until 1911. It was opened to traffic in 1888. Later, from 1919, it worked with Gondal Railway. The Porbandar rail line was extended to Jamjodhpur in 1922, at which time the line was 42 miles long. After that it merged with Saurashtra Railway in April 1948.

Classification
It was labeled as a Class III railway according to Indian Railway Classification System of 1926.

Conversion to broad gauge
The railway lines were converted to  broad gauge in 2011.

References

Transport in Porbandar
Metre gauge railways in India
Defunct railway companies of India
History of rail transport in Gujarat


UNA community recreation facilities are moving rapidly ahead with a new online registration system that will see many improvements in terms of reduced staff time, UNA cost saving, and more access by residents. The new online system is being rushed into implementation in advance of the new Westbrook Place Community Centre completion so that residents will be familiar with the new system and that any bugs will be ironed out.
Over an eight month period the UNA did about $160,000 of registration and programming sales. About 130,000 by credit card; about 30,000 by debit and cash. With the new system, however, the only option will be to use your credit card. For close to 3/4's of residents using a credit card is not so big a deal. But, if you want to use cash or a debit card you will no longer have a choice in the matter. Also, the expectation is that most of the business will shift online and thus the need to do cash or other sales at UNA community centre receptions will also be diminished.
For most people hooked into the consumer debt cycle and the easy cash that credit cards promise this will not be a problem. So much online commerce goes via credit cards that most people won't notice. Does it matter? Hard to say. One thing is clear, if there is no choice or alternative payment system and people want the services they use a credit card.


Close-up of the Bisbee Ghost Girl.
A photograph taken right before the Bisbee Ghost Girl photo shows no evidence of children being present.
"My family and I were on a ghost tour in Bisbee, AZ when this picture was taken. The image was captured when the tour group stopped by a park that used to be a cemetary. The photo is blurred because I was taking a lot of pictures on my digital camera using different settings. Since I am not a proficient photographer, I was doing this to see what kind of setting would look best. I understand that some people might discredit this photo because of its blurriness. I do want to point out that although this image is blurry, you can clearly see what appears to be an apparition of a little girl in the bottom center of the picture. I did not notice this little girl until we came back from our trip. I was going through each picture on my computer when I noticed her. It looks like she is wearing pajamas and holding a book. It also looks like she might be carrying a teddy bear. She looks curious as to what is going on with our group. I have included the before and after photo of the same shot. The pictures were taken right after each other. I have also included a close-up of the ghost girl. I can assure you that there were absolutely no kids on this ghost tour. "
She appears to be dressed in an older nightgown or dress. Even though this picture was taken using a night time setting which lengthened the exposure, there is no explanation for how the girl appeared in the image. We are seeing a pattern with this. Learn more at: Slow Shutter Speed Apparitions. You may share kind thoughts with Angela by e-mail: perarduaadastra1@yahoo.com.


text:
U-commerce é a convergência total de todos os modelos de comércio virtual existentes, na tentativa de tornar as transações comerciais em operações independentes de dipositivo, posição física ou meio de transmissão de dados. O termo commerce significa "comércio"; e a letra U é utilizada para representar, simultaneamente, os conceitos principais desse novo modelo: Ubiquidade, Unicidade, Universalidade e Unissonância.

A idéia central proposta pelo modelo é de que, no futuro, não importará quantos ou quais dispositivos digitais o usuário carrega em seu bolso (ou mantém em casa): todos eles estarão sempre sincronizados; e acessarão os mesmos serviços de compra e venda eletrônica, sem nenhum tipo de restrição tecnológica.

Nova geração de comércio eletrônico
A publicação mais antiga sobre U-commerce encontrada é datada de 2000, em uma coluna escrita por Richard T. Watson, e descreve de forma simples as diretrizes deste novo conceito. Em 2002, o mesmo autor publicou, juntamente com Leyland F. Pitt, Pierre Berthon e George M. Zinkhan, um artigo no Jornal da Academia de Marketing e Ciência com mais detalhes conceituais sobre o U-commerce; e adicionalmente apresenta um framework conceitual chamado U-Space, que pode ser utilizado como diretriz de implementação de novas relações de comércio eletrônico.

Em 2004, um outro artigo discute sobre a formação estrutural do U-commerce, apontando sobre os modelos anteriores de comércio eletrônico, que agrupados que formam o novo modelo. A publicação deste artigo e de alguns outros indica que o conceito de U-commerce está, de certo modo, em desenvolvimento.

Watson aponta quatro conceitos (ou traduções para a letra U) na identificação do novo modelo, que nesse artigo são traduzidas como Ubiquidade, Unicidade, Universalidade e Unissonância, para manter o aspecto cognitivo da letra U no nome U-commerce.

Ubiquidade
Termo traduzido diretamente do inglês Ubiquity é utilizado para descrever o fenômeno de propagação da tecnologia digital e o acesso indistindo de diversos dispositivos a Internet. Eletrodomésticos, carros, celulares, PDAs, televisores e uma infinidade de outros dispositivos digitais podem atualmente manter uma conexão com a rede mundial de computadores. Esse fato da margem para um novo tipo de comércio baseado na rede que indestingue tipo de hardware, mas que deve considerar outros diversos requisitos de segurança e portabilidade.

Unicidade
Traduzido do inglês Uniqueness representa o segundo pilar de atuação do U-commerce, a unicidade ou individualidade de cada usuário, aspectos regionais, gostos, configurações e outras peculiaridades do usuário podem ser analisadas para aplicação de publicidade e serviços que atendam os desejos dele. O 'marketing' direcinado talvez seja a mais importante ferramenta de venda no varejo e no comércio eletrônico e é importante fazer parte das novas implementações do U-commerce.

Universalidade
Este termo foi traduzido diretamente do Inglês Universality e representa a necessidade de padrões de utilização de redes e dispositivos. Por exemplo, um usuário comum possui diversos meios de acesso a Internet (ubiquidade) como computador, celular e televisor, mas destes 3 apenas seu computador funcionará sem modificações caso ele tenha de se mudar de país ou continente porque redes de celular e de sinal de televisão ainda não possuem um padrão único de funcionamento e talvez nunca terão. Para que o usuário possa utilizar qualquer dispositivo onde quer que esteja novas tecnologias universalizadas devem ser desenvolvidas, tanto no sentido de criação de novos padrões como no esforço conjunto de trabalho colaborativo ou interoperabilidade da infra-estrutura.

Unissonância
Do termo em inglês Unison, a unissonância é basicamente a unificação e interoperabilidade entre os diversos dispositivos inter-conectados. Todos os aparelhos eletrônicos que compartilham tipos iguais de informação devem estar sempre atualizados, modificações em um dispositivo deve ser propagada a todos os outros aparelhos de forma completamente transparente ao usuário, que assim poderá fazer uso de suas informações em qualquer lugar e com qualquer um de seus dispositívos digitais.

Ver também
e-commerce

Computação ubíqua
Comércio eletrónico
Governança em TI
Marketing


text:
Predicting VIX with Adaptive Machine Learning
71 Pages Posted: 16 Jun 2021 Last revised: 13 Jan 2023
See all articles by Yunfei Bai
Yunfei Bai
Charlie X. Cai
University of Liverpool Management School
Date Written: January 09, 2023
We study economic predictors of the CBOE implied volatility index (VIX). Designing an automated machine learning framework enables us to study a comprehensive list of 278 variables for the first time. Adaptive Boosting emerges as the best classification model chosen at the validation stage which also has good performance during the 11-year out-of-sample period. Our tests on the source of predictability show both the nonlinear methods and the comprehensive economic variables are important. Although VIX spikes are not predictable, the algorithms can adapt quickly by abstracting new information from the data to recover from the losses in trading strategy tests. Besides the modelling techniques, the weekly US jobless report is the most important source of predictability along with some S&P 500 members' technical indicators.
Video abstract: https://youtu.be/L_FQ6dFuYr0
Keywords: Machine Learning, AutoML, Explainable AI, VIX, Predictability, Forecasting, Quantitative Trading, Big Data, S&P 500, Futures, US markets
JEL Classification: G0, G17, C52, C55, C58
Bai, Yunfei and Cai, Charlie Xiaowu, Predicting VIX with Adaptive Machine Learning (January 09, 2023). Available at SSRN: https://ssrn.com/abstract=3866415 or http://dx.doi.org/10.2139/ssrn.3866415
IEEE ( email )
Charlie Xiaowu Cai (Contact Author)
University of Liverpool Management School ( email )
Liverpool, L69 7ZA


text:
The RIBBE Attends Newport Gulls "American Heroes Night" At Cardines Field
Every summer, I tried to catch the Newport Gulls in action at their historic home park, Cardines Field. Having played at Cardines as a high school baseball player here in Rhode Island, it is one of the most special baseball fields I visit every year. There are so many great memories of not only games that I played and players I played against, but now as a father bringing my sons to games. It is such a unique place to visit, walk around the stands, catch a game, read up on the history (there are plaques throughout the ballpark area), and have a great night in beautiful downtown Newport, RI.
Last night, I had an opportunity to attend the Newport Gulls vs the Vermont Mountaineers game. It was a very special night at Cardines, as the Gulls and crowd paid tribute to local police, fire, and first responders during "American Heroes Night." Color guards from local and state Rhode Island Police and Fire Departments proudly walked onto the field and took their place around the infield perimeter. Several local law enforcement families threw out the ceremonial "first" pitches to Gulls players. Commemorative cups and tiny, replica baseball bats were handed out. Representatives from the Providence Firefighters Burn Foundation were on hand greeting visitors and handing out brochures. A beautiful rendition of the national anthem was sung, followed by an extended moment(s) of silence and reflection as the proud, Rhode Island men and women of our local and state law enforcement, fire departments, and first responders walked off the field carrying their flags of honor. That was a really memorable few moments and a gentle reminder that these American Heroes are so important to recognize – any chance we can!
Last year when I attended a Gulls home game, I was thoroughly entertained and intrigued by the ballpark's announcer. His old time baseball voice, his exquisite pronunciation and enunciation of player's names and their respective hometowns and schools, his subtle enthusiasm. I just had to meet him this year. So, at last night's game, with my wife at my side, I took a seat right below announcer Don O'Hanley. All 85 years old and full of energy and with that clever wit I just love. O'Hanley has been the Gulls' announcer since 2002. I told him he had a great radio voice and he admitted to me that in fact he used to have a radio show. Don and I spoke about Cardines, its history, the history of baseball in Newport, the Babe, and so much more. What a treat to meet Don and learn more about what makes Newport baseball so historic. I look forward to meeting up with him again this summer. And, I even got his autograph – the first one he has signed, according to Don, in all the years he has been a Gulls announcer.
Sitting a few rows down from our spot behind home plate was President and GM Chuck Paiva. I got a chance to shake his hand and sit with him for a few moments while I snapped some game photos. Great guy and as soon as I left, person after person came by to shake Chuck's hand, give him a hug, converse with him, sit with him. That hands on approach to running a baseball club was really great to witness. Chuck and his volunteer staff of field reporters, ticket salespeople, concession stand workers, grounds crew, and ball park attendants do a fantastic job of smiling, engaging fans, and being a great representative of Newport Gulls organization. You feel welcome at Cardines, the staff want you to have a great experience, and their goal is to give the fans a memorable game and Newport experience.
The game itself was very exciting. A few early runs by Vermont put the Gulls behind by a few runs. Then, a towering 3-run home run put the Gulls ahead, which really delighted the crowd. Pitching on both sides settled down for a few innings as the game was tied going into the 9th inning. And on American Heroes Night, the Gulls delighted the crowd with a 9th inning walk-off base hit to win the game. Final score was 4-3, Newport Gulls over the Vermont Mountaineers.
Whether you are from Rhode Island or vacationing here in the Ocean State, Newport is always a lot of fun to visit, especially in the summer months. The streets are filled with tourists and locals soaking up all the great atmosphere that is Newport – the shops, the bars, the restaurants, the celebrities, the fancy cars, the bands playing on rooftops and on boats. Newport in the summer is almost like being on a reality show or in a movie, that's how you feel being in that downtown area during this time of year. And the Newport Gulls play in a historic ballpark with tons of character against some of the top collegiate baseball players in the country. You can listen to Don O'Hanley announce the players in that iconic, old-time baseball voice, sit in a rocking chair in the left field bleachers, grab a seat behind home plate and meet Chuck Paiva, or just park yourself in the right field stands behind the two dugouts (both team dugouts are right next to each other). There is no bad seat at Cardines Field. This is one of my favorite Rhode Island Baseball Experiences to share and I hope you will visit Cardines and the Newport Gulls this summer.
Baseball Parks, Fields, and Complexes, New England Collegiate Baseball League News
Rhode Island Baseball Players and Families Should Be Prepared For High Heat This Weekend
RI Little League State Tournament Opening Weekend Was Hot, Hot, Hot
Just downloaded the @newportgulls and @oceanstatewaves 2022 NECBL Schedule to my calendar and shared it on www.theribbe.com. You can do the same by going to the NECBL website and downloading it to your calendar.


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Volunteers at the Grand Theatre are assigned to various roles within the Regina Rosen Auditorium and the Baby Grand including taking tickets, acting as ushers, staffing the coat check, selling CDs and other artist merchandise and assisting those patrons wishing additional assistance within the limits of the theatre. They may occasionally be called upon to perform other duties such as stuffing envelopes for mailing, dropping off brochures to various Kingston businesses, or co-hosting receptions and special events. Volunteers are a valuable resource and asset to the Grand Theatre and The City of Kingston. Volunteers should have an interest and enthusiasm for the performing arts, a willingness to serve all patrons of the theatre with care and respect, and a friendly and professional attitude.
Volunteers act as hosts for events at the Grand Theatre. As such, their primary responsibility is to ensure that audience members feel welcomed and that they have an enjoyable, comfortable experience in a safe environment.
Qualifications of a Volunteer Usher
Must complete a successful CPIC
Must successfully go through an interview
Understanding of the role of usher and of the emergency procedures of the Grand Theatre (training provided).
Ability to think clearly and follow designated procedures in an emergency and/or stressful situation.
Ability to quickly identify and resolve problems.
Ability to stand for long periods of time and to climb stairs.
Ability to present yourself in a friendly, outgoing manner.
Ability to adapt to a variety of circumstances as no two shows or audiences are the same.
Enjoyment of working with other volunteers and the public.
Experience in, or an appreciation of, the arts and entertainment business.
Available at least 2 shifts per month from September to May
If you'd like to join the team, please fill out the form below, and we'll be in touch!
Have you volunteered with the Grand before?
Your daytime phone
Show times are mostly evenings and weekends but some events happen during the weekday as well. What's your general availability?
How many shifts in a week would you generally like to work?
3 - 6 hours per week
6 - 10 hours per week
11 or more hours per week
Do you enjoy working with and talking to the public?
Are you comfortable leading people down a fire escape or taking charge in the event of an emergency?
Are there months of the year that you are normally away on vacation?
Do you have Smart Serve training?
Do you have Safe Food Handling training?
Do you have First Aid and/or defibrillator training?
Do you speak other languages?
Grand OnStage subscriptions go on sale June 12. Choose four or more shows every season to experience the benefits.
The Grand is your place for entertainment with hundreds of performances and events over the years. Let's make it a Grand evening.
Through performances, we offer the chance to explore different cultures, reflect on social issues and experience the joy of imagination through story, dance and music. Don't let learning stop at the performance.


Dr. Jeroen P. van der Sluijs (1965) is Associate Professor theory of science at the University of Bergen and (part time) teacher of new risks at the department of environmental sciences, Copernicus Institute for sustainable development, Universiteit Utrecht.
My research seeks to increase our understanding of the phenomenon and dynamics of scientific controversy on contemporary old, new and emerging environmental and health risks.
I work or have worked on contested science in the fields of climate change, pollinator decline, fish stock assessments, endocrine disruptors, elcetromagnetic fields, nanoparticles, underground storage of CO2, risk migration in sustainable technologies.


Our client had lived in this house for some years but had not got round to redecorating their bedroom. With children approaching their teens they wanted a sleeping and relaxing space which they could retreat to. The existing wardrobes were in poor condition and did not make the most of the eaves space. The new design increased useable storage space and by painting them the same colour as the walls they disappeared rather than encroach on the room. An ottoman (offering more storage) and a love seat created a space for relaxing. The headboard was upholstered in a crushed velvet with contrast cushions and bolsters. Wall lights provide soft mood lighting as well as additional LED reading lights. The previous curtains had been on a pole and let in a great deal of early morning light. An upholstered pelmet was fitted with black out lined silk curtains to enable our client to avoid waking early in the summer.


You Are Here: Bettina Rollersbroich: German Champion for the 6th Time!
You Are Here:Bettina Rollersbroich: German Champion for the 6th Time!
From September 8 to 9, the German Beach Volleyball Championships for Women Seniors were held in Berlin. Bettina Rollersbroich participated again this year together with partner Ute Frantzen.
The School would like to congratulate the duo on their impressive wins!


You know you're a born entrepreneur when you're willing to do anything to build your company, including moving across the globe, getting married in three weeks, and talking your employees into moving and getting married, too.
Welcome to the life of 28-year-old Australian-born Mike Sharkey, CEO of a tiny but fast-growing startup Autopilot.
Autopilot is a marketing automation startup taking on MailChimp. It launched a month ago and immediately signed up about 1,000 businesses, and is on track to have 100 paid customers by mid-April, it tells Business Insider.
Its claim to fame is that it offers email, texting and snail-mail marketing at a very low price. A 500 contact list will cost a business $4/month; 5,000 costs $80/month.
This is Sharkey's third company, all co-founded with his older brother Chris.
It says something about Sharkey's charisma that the little brother gets to be CEO.
Chris is the tech brains, and the oldest brother, Peter, also joined the company to "do project management. He was a big corporate lawyer in the city, the straight-and-narrow one. We needed someone to keep Chris and me on track," Sharkey describes.
The brothers also have a little sister, who doesn't work for the company, "not yet. Our mum would kill us. We all moved to America," laughs Sharkey.
The brothers' first project, built in their teens, was a company called Stayz, a home-rental sharing company known as the Airbnb of Australia, which Sharkey founded to pay for his dream of becoming a pilot.
The brothers sold it to a company called Fairfax for AUD$17.5 million in 2006, Sharkey told us, when he was 19, and, yes, he got his pilot's license.
"It was quite a bit of money for our ages at the time. In America that number is pathetic," he laughs. Most American teens would disagree but Fairfax did turn around and sell it to HomeAway three years later for about $220 million.
The brothers then fired up "Driven by Limo" an Uber-like call-a-limo service, he says. That company still exists and "is a very good business for us," he says.
These projects gained them so much attention as tech entrepreneurs that other tech companies started calling asking for help. So they fired up Sharkey Media and became consultants specializing in digital marketing.
And from the frustration of that company, came Autopilot.
"Technology from 90's, email, is still really ruling the digital marketing world," Sharkey tells us. He wanted to do creative things, like sending customers hand-written thank you cards triggered when they accepted an email deals.
So the brothers built a platform that could do such things, at an affordable price, the precursor to Autopilot, a company called Bisir.
Although they were bootstrapping Bisir, there came a time when they wanted some outside investment.
Mike Sharkey had a crazy idea to apply for an Australian grant program that only funded startups turned down by venture capitalists.
"So I wrote arrogant emails to the two major investment companies in Australia, saying 'I'm going to build the biggest company ever," he tells us. He peppered the email with f-bombs "hoping they would reject us so we could get the grant."
But to "our disappointment" they asked to see the product. "They became really interested and said we'd like to put in some money."
One catch: They thought the company would do better in the US.
"We agreed," he said. "So after building the company for a year in Sydney, we moved the company to San Francisco."
The Sharkey's didn't have any trouble getting immigration approval to move all seven of the company's Australian engineers to the US.
"I had to march them into my office one-by-one and ask them if they were willing to move. We literally gave them three weeks notice. You can imagine what that was like," he said. "It was a big risk and crazy leap of faith."
There was one problem: A couple of them, including Sharkey himself, were in love.
He needed to convince his girlfriend to move with him.
"I had to go to her, randomly, and say, 'Do you want to get married and move to America in three weeks? That was one of the hard parts," he laughs.
"And I had to convince another one of our developers to marry his girlfriend, which was an awkward conversation as well," he jokes.
Mike Sharkey gave up his pilot's license to move from Australia. He's working on a US one.
He was the first to move and arrived in San Francisco alone, with one suitcase.
"I got on my plane and left my new wife in Australia for a year, she had to finish her studies. It was this surreal experience. You're on the plane and you're like 'Holy --t' I just left this really amazing, great life. I've left a girl. I've lost the beach. I've lost my pilot's license. I've just given away everything I have to pursue this thing I'm passionate about. Am I just crazy?"
It took months for his coworkers to arrive and for his company to start thriving again after the product relaunched in the US with its new name.
"The moment you know it all works is that we just launched this product and it's blowing up. People are tweeting, 'this will change my life," he says. "In every company I've worked at there's a point of momentum. You hit momentum and you are unstoppable from that point."
He thinks he's hit it. The product launched and has been well received.
The company has raised $10 million, including backing from an Australian fund called Blackbird (backed largely by the founders of another hit Aussie company, Atlassian).
And the Sharkey clan is having fun.
"Moving to America, coming from Australia, was maybe an easier transition for us. But this country does a really good job of welcoming you and making you understand this idea of the American Dream.
"At first, I used to think that was a silly idea, coming from Australia, but now I truly understand it," he says, then jokes, "The Australian dream is really about alcohol and having a big backyard."


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British Columbia CA Manitoba New Brunswick Newfoundland Northwest Territories Nova Scotia Nunavut Ontario Quebec
Atkinson Point Franklin Bay Garry Island Holman Krubluyak Point Mercy Bay, Banks Island, NWT Mould Bay Natkusiak Peninsula Paulatuk Pearce Point Peel Point Princess Royal Islands, NWT Sachs Harbour Tuktoyaktuk Tuktoyaktuk Winter Harbour Wood Bay
Tide Times for Tuktoyaktuk
Tuktoyaktuk Lat Long: 69.45° N 133.00° W
Wind Speed-
Swell -
High tide in:
Todays tide times for Tuktoyaktuk, Nunavut/NWT
Next HIGH TIDE in Tuktoyaktuk is at
which is in from now.
Next LOW TIDE in Tuktoyaktuk is at
The tide is.
The local time is:
Today's tide times for Tuktoyaktuk: Saturday 18 January 2020
Time (MST)& Date
High Tide 8:49am(Sat 18 January) 1.12ft(0.34 m)
Low Tide 3:18pm(Sat 18 January) 0.46ft(0.14 m)
High Tide 10:30pm(Sat 18 January) 1.28ft(0.39 m)
The predicted tide times today on Saturday 18 January 2020 for Tuktoyaktuk are:
first high tide at 8:49am, first low tide at 3:18pm, second high tide at 10:30pm. Sunrise is at 12:52pm and sunset is at 3:12pm.
Tide chart for Tuktoyaktuk Showing low and high tide times for the next 7 days. Tide Times are MST (UTC -7.0hrs).
Tide Datum: Mean Lower Low Water
Tuktoyaktuk tide chart key:
The tide chart above shows the height and times of high tide and low tide for Tuktoyaktuk, Nunavut/NWT The red flashing dot shows the tide time right now. The yellow shading corresponds to daylight hours between sunrise and sunset at Tuktoyaktuk
The largest known tidal range at Tuktoyaktuk is:
2.46ft
Tuktoyaktuk Spring Tides:
Spring High Tide:
Date: Sun 12 Jan Date: Sat 25 Jan
Height: 1.74ft
Tuktoyaktuk tide times for January and February
January and February Tide charts for Tuktoyaktuk: The tide charts below show the height, time and date of high and low tides for the next 30 days.
Tide Times are MST (UTC -7.0hrs). Last Spring High Tide at Tuktoyaktuk was on Sun 12 Jan (height:0.53m 1.7ft). Next high Spring Tide at Tuktoyaktuk will be on Sat 25 Jan (height:0.49m 1.6ft).
Tide Times for Tuktoyaktuk (tomorrow): Sunday 19 January 2020
Low Tide 4:56 AM (Sunday 19 January) 0.72 ft (0.22 m)
High Tide 10:05 AM (Sunday 19 January) 0.98 ft (0.30 m)
Low Tide 4:40 PM (Sunday 19 January) 0.46 ft (0.14 m)
Sunrise:12:45PM Sunset: 3:20PM Moonrise: 6:45AM Moonset:12:14PM
Powered by Tide-Forecast.com
Tide Times for Tuktoyaktuk: Monday 20 January 2020
High Tide 12:00 AM (Monday 20 January) 1.28 ft (0.39 m)
Low Tide 6:40 AM (Monday 20 January) 0.72 ft (0.22 m)
Low Tide 6:06 PM (Monday 20 January) 0.46 ft (0.14 m)
Sunrise:12:38PM Sunset: 3:28PM Moonrise: 9:13AM Moonset:11:35AM
Tide Times for Tuktoyaktuk: Tuesday 21 January 2020
High Tide 1:12 AM (Tuesday 21 January) 1.35 ft (0.41 m)
Low Tide 7:57 AM (Tuesday 21 January) 0.62 ft (0.19 m)
High Tide 1:14 PM (Tuesday 21 January) 0.95 ft (0.29 m)
Low Tide 7:14 PM (Tuesday 21 January) 0.43 ft (0.13 m)
Sunrise:12:31PM Sunset: 3:35PM
Tide Times for Tuktoyaktuk: Wednesday 22 January 2020
High Tide 2:09 AM (Wednesday 22 January) 1.41 ft (0.43 m)
Low Tide 8:48 AM (Wednesday 22 January) 0.56 ft (0.17 m)
High Tide 2:18 PM (Wednesday 22 January) 1.02 ft (0.31 m)
Low Tide 8:10 PM (Wednesday 22 January) 0.39 ft (0.12 m)
Tide Times for Tuktoyaktuk: Thursday 23 January 2020
High Tide 2:57 AM (Thursday 23 January) 1.48 ft (0.45 m)
Low Tide 9:28 AM (Thursday 23 January) 0.46 ft (0.14 m)
High Tide 3:09 PM (Thursday 23 January) 1.12 ft (0.34 m)
Low Tide 8:59 PM (Thursday 23 January) 0.36 ft (0.11 m)
Tide Times for Tuktoyaktuk: Friday 24 January 2020
High Tide 3:38 AM (Friday 24 January) 1.54 ft (0.47 m)
Low Tide 10:05 AM (Friday 24 January) 0.36 ft (0.11 m)
High Tide 3:53 PM (Friday 24 January) 1.21 ft (0.37 m)
Low Tide 9:44 PM (Friday 24 January) 0.33 ft (0.10 m)
Tide Times for Tuktoyaktuk: Saturday 25 January 2020
High Tide 4:17 AM (Saturday 25 January) 1.57 ft (0.48 m)
Low Tide 10:40 AM (Saturday 25 January) 0.33 ft (0.10 m)
High Tide 4:32 PM (Saturday 25 January) 1.28 ft (0.39 m)
Low Tide 10:27 PM (Saturday 25 January) 0.33 ft (0.10 m)
Sunrise:12:06PM Sunset: 4:02PM Moonrise: 1:23PM Moonset: 4:38PM
Tide Times for Tuktoyaktuk: Sunday 26 January 2020
High Tide 4:54 AM (Sunday 26 January) 1.61 ft (0.49 m)
Low Tide 11:15 AM (Sunday 26 January) 0.30 ft (0.09 m)
High Tide 5:08 PM (Sunday 26 January) 1.35 ft (0.41 m)
Low Tide 11:07 PM (Sunday 26 January) 0.36 ft (0.11 m)
Sunrise:12:01PM Sunset: 4:08PM Moonrise:12:55PM Moonset: 6:43PM
High Tide 5:29 AM (Monday 27 January) 1.57 ft (0.48 m)
Low Tide 11:49 AM (Monday 27 January) 0.30 ft (0.09 m)
High Tide 5:43 PM (Monday 27 January) 1.38 ft (0.42 m)
Low Tide 11:45 PM (Monday 27 January) 0.43 ft (0.13 m)
Sunrise:11:55AM Sunset: 4:14PM Moonrise:12:39PM Moonset: 8:30PM
Low Tide 12:21 PM (Tuesday 28 January) 0.36 ft (0.11 m)
Sunrise:11:50AM Sunset: 4:20PM Moonrise:12:26PM Moonset:10:10PM
Low Tide 12:19 AM (Wednesday 29 January) 0.49 ft (0.15 m)
Low Tide 12:51 PM (Wednesday 29 January) 0.39 ft (0.12 m)
Low Tide 12:49 AM (Thursday 30 January) 0.59 ft (0.18 m)
Sunrise:11:39AM Sunset: 4:31PM Moonrise:12:05PM
Low Tide 1:17 AM (Friday 31 January) 0.69 ft (0.21 m)
Sunrise:11:34AM Sunset: 4:37PM Moonset: 1:21AM Moonrise:11:54AM
Tide Times for Tuktoyaktuk: Saturday 01 February 2020
Low Tide 1:48 AM (Saturday 01 February) 0.75 ft (0.23 m)
High Tide 7:41 AM (Saturday 01 February) 1.18 ft (0.36 m)
Low Tide 2:20 PM (Saturday 01 February) 0.56 ft (0.17 m)
High Tide 8:57 PM (Saturday 01 February) 1.18 ft (0.36 m)
Tide Times for Tuktoyaktuk: Sunday 02 February 2020
Low Tide 2:32 AM (Sunday 02 February) 0.85 ft (0.26 m)
High Tide 8:14 AM (Sunday 02 February) 1.08 ft (0.33 m)
Low Tide 3:05 PM (Sunday 02 February) 0.59 ft (0.18 m)
High Tide 10:16 PM (Sunday 02 February) 1.18 ft (0.36 m)
Tide Times for Tuktoyaktuk: Monday 03 February 2020
Low Tide 4:06 AM (Monday 03 February) 0.89 ft (0.27 m)
High Tide 9:19 AM (Monday 03 February) 1.02 ft (0.31 m)
Low Tide 4:10 PM (Monday 03 February) 0.62 ft (0.19 m)
High Tide 11:32 PM (Monday 03 February) 1.25 ft (0.38 m)
Tide Times for Tuktoyaktuk: Tuesday 04 February 2020
Low Tide 6:44 AM (Tuesday 04 February) 0.85 ft (0.26 m)
High Tide 11:20 AM (Tuesday 04 February) 0.98 ft (0.30 m)
Low Tide 5:28 PM (Tuesday 04 February) 0.62 ft (0.19 m)
Sunrise:11:14AM Sunset: 4:58PM
Tide Times for Tuktoyaktuk: Wednesday 05 February 2020
High Tide 12:36 AM (Wednesday 05 February) 1.35 ft (0.41 m)
Low Tide 7:56 AM (Wednesday 05 February) 0.72 ft (0.22 m)
High Tide 12:54 PM (Wednesday 05 February) 0.98 ft (0.30 m)
Low Tide 6:38 PM (Wednesday 05 February) 0.59 ft (0.18 m)
Tide Times for Tuktoyaktuk: Thursday 06 February 2020
High Tide 1:33 AM (Thursday 06 February) 1.44 ft (0.44 m)
Low Tide 8:40 AM (Thursday 06 February) 0.62 ft (0.19 m)
High Tide 1:58 PM (Thursday 06 February) 1.05 ft (0.32 m)
Low Tide 7:38 PM (Thursday 06 February) 0.49 ft (0.15 m)
Tide Times for Tuktoyaktuk: Friday 07 February 2020
High Tide 2:23 AM (Friday 07 February) 1.57 ft (0.48 m)
Low Tide 9:18 AM (Friday 07 February) 0.49 ft (0.15 m)
High Tide 2:47 PM (Friday 07 February) 1.15 ft (0.35 m)
Low Tide 8:31 PM (Friday 07 February) 0.43 ft (0.13 m)
Sunrise:10:54AM Sunset: 5:18PM Moonset:12:32PM Moonrise: 3:11PM
Low Tide 10:24 AM (Sunday 09 February) 0.33 ft (0.10 m)
High Tide 4:06 PM (Sunday 09 February) 1.35 ft (0.41 m)
Low Tide 10:07 PM (Sunday 09 February) 0.23 ft (0.07 m)
Sunrise:10:50AM Sunset: 5:23PM Moonset:11:56AM Moonrise: 5:50PM
Low Tide 10:56 AM (Monday 10 February) 0.26 ft (0.08 m)
High Tide 4:43 PM (Monday 10 February) 1.44 ft (0.44 m)
Low Tide 10:52 PM (Monday 10 February) 0.16 ft (0.05 m)
High Tide 5:07 AM (Tuesday 11 February) 1.64 ft (0.50 m)
Low Tide 11:27 AM (Tuesday 11 February) 0.23 ft (0.07 m)
High Tide 5:20 PM (Tuesday 11 February) 1.51 ft (0.46 m)
Low Tide 11:34 PM (Tuesday 11 February) 0.13 ft (0.04 m)
Sunrise:10:40AM Sunset: 5:33PM Moonset:11:25AM Moonrise:10:12PM
High Tide 5:42 AM (Wednesday 12 February) 1.54 ft (0.47 m)
Low Tide 11:58 AM (Wednesday 12 February) 0.16 ft (0.05 m)
High Tide 6:00 PM (Wednesday 12 February) 1.51 ft (0.46 m)
Sunrise:10:35AM Sunset: 5:37PM Moonset:11:13AM
Low Tide 12:16 AM (Thursday 13 February) 0.20 ft (0.06 m)
Low Tide 12:30 PM (Thursday 13 February) 0.16 ft (0.05 m)
Sunrise:10:30AM Sunset: 5:42PM Moonrise:12:14AM Moonset:11:00AM
Low Tide 12:59 AM (Friday 14 February) 0.30 ft (0.09 m)
Sunrise:10:26AM Sunset: 5:47PM Moonrise: 2:15AM Moonset:10:47AM
NOTE: Use of this site for Tuktoyaktuk, Nunavut/NWT tide times is subject to our terms.
NOTE: We do not accept responsibility for any amendments or changes to the data whilst it is displayed / printed from our website.


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Andrew Lloyd Webber has created some of the most recognizable Broadway music of all time—from Cats to Evita to The Phantom of the Opera—along the way collecting a variety of honors, including knighthood, seven Tony Awards, three Grammy Awards, an Academy Award and the Kennedy Center Honors Award. Songs from his musicals have gone on to wide popularity offstage as well, and his theater production company, the Really Useful Group, is one of the largest operating in London.
La biografia completa di Andrew
When Sunset Boulevard joined School Of Rock, Cats and The Phantom Of The Opera on Broadway earlier this year, Andrew Lloyd Webber became the only person to equal the record set in 1953 by Rodgers and Hammerstein with four Broadway shows running concurrently. Other musicals he has composed include Aspects Of Love, Joseph and the Amazing Technicolor Dreamcoat, Jesus Christ Superstar, Evita and Love Never Dies.His production of School Of Rock is the first British musical to have world premiered on Broadway. He has co-produced his own shows including Cats and The Phantom Of The Opera and as a solo producer he presented the groundbreaking Bombay Dreams which introduced the double Oscar winning Bollywood composer AR Rahman to the Western stage.Other productions include the Olivier Award Winning Daisy Pulls It Off and La Bete, the record breaking Palladium production of The Sound Of Music and The Wizard of Oz.He owns seven West End Theatres including the Theatre Royal Drury Lane, the Palladium and most recently the St James which reopened this year as The Other Palace and provides a unique London home for new musicals in development.He is passionate about the importance of music in education and the Andrew Lloyd Webber Foundation has become one of Britain's leading charities supporting the arts and music.His awards, both as composer and producer, include seven Tonys, seven Oliviers, a Golden Globe, an Oscar, the Praemium Imperiale, the Richard Rodgers Award for Excellence in Musical Theatre, a BASCA Fellowship, the Kennedy Center Honor and a Grammy for Best Contemporary Classical Composition for Requiem, his setting of the Latin Requiem mass which contains one of his best known compositions, Pie Jesu.
He was knighted by Her Majesty The Queen in 1992 and created an honorary life peer in 1997.
Tim Rice has worked in music, theatre and films since 1965 when he met Andrew Lloyd Webber, a fellow struggling songwriter. Rather than pursue Tim's ambitions to write rock or pop songs they turned their attention to Andrew's obsession – musical theatre.
La biografia completa di Tim
Their first collaboration (lyrics by Tim, music by Andrew) was an unsuccessful show based on the life of Dr.Barnardo, the Victorian philanthropist, The Likes Of Us. Their next three works together were much more successful – Joseph and the Amazing Technicolor Dreamcoat, Jesus Christ Superstar and Evita.
Tim has since worked with other distinguished popular composers such as Elton John (The Lion King, Aida), Alan Menken (Aladdin, King David, Beauty and the Beast), Bjorn Ulvaeus and Benny Andersson (Chess) and most recently, Stuart Brayson (From Here To Eternity).
A new production of From Here To Eternity made its début at the Finger Lakes Musical Theatre, New York, in June 2016, and further American productions are in the works. In December 2016 selections from the score were performed at three official events to commemorate the 75th anniversary of the attack on Pearl Harbor.
With Alan Menken, Tim has written three songs for the new Disney film of Beauty and the Beast, released in March 2017, directed by Bill Condon, and one new song, with Pete Hobbs, for the new Roger Goldby film, Time of Their Lives, starring Joan Collins and Pauline Collins, also released in March 2017. He is also an executive producer of the latter movie.
He formed his own cricket team in 1973 and was President of MCC in 2002. He is a regular broadcaster/presenter on BBC Radio 2, drawing on his extensive knowledge of the history of popular music since Elvis was a lad. He has won several awards, mainly for the wrong thing or for simply turning up: 3 Oscars, 3 Tonys, 3 Golden Globes, 5 Grammys, 13 Ivor Novello Awards, Hollywood Walk of Fame etc.
Adaptation and Direction
MASSIMO ROMEO PIPARO, besides several editions of "Jesus Christ Superstar" starring Carl Anderson, Matteo Becucci, Max Gazzè, Mario Venuti, Ivan Cattaneo, Ted Neeley, Yvonne Elliman, Barry Dennen, Pau and his Italian rockband "I Negrita", Simona Molinari and Shel Shapiro.
La biografia completa di Massimo
Also directed in theatre musical such as "Evita", "Tommy", numerous editions of "My Fair Lady" with Gaia De Laurentis, Vittoria Belvedere and Luca Ward, "Saturday nght fever" with Simone di Pasquale, "Lady Day" with Amii Stewart, "High Society" with Vanessa Incontrada, "Hairspray", "Cinderella" with Roberta Lanfranchi and Antonio Cupo, two editions of "La Cage aux Folles" featuring before Massimo Ghini and Cesare Bocci and then Enzo Iacchetti and Marco Columbro, "Rinaldo in campo" starring Serena Autieri and Fabio Troiano, "The full monty" with Paolo Calabresi, Gianni Fantoni, Sergio Muniz, Paolo Ruffini, Jacopo Sarno and Pietro Sermonti, "Seven brides for seven brothers" with Flavio Montrucchio and Roberta Lanfranchi, "The sound of Music" with Luca Ward and Vittoria Belvedere, "Billy Elliot", "Evita" with Italian singer Malika Ayane, the musical comedy "Il Marchese del Grillo" interpred by Enrico Montesano, and in 2017 he staged the first Italian version of the musical "Mamma Mia!".
He also directed the Italian comedy "Non smettere di piangere Penelope" and, as a tv writer, he signed many very fortunate TV programs' scripts.
From 2001 to 2004 he was appointed Artistic director of the Teatro Nazionale in Milan and from 2005 to 2007 of the Teatro Stabile in Messina; since 2013 he is the artistic director of Teatro Sistina in Rome, the most important Italian venue for musical show.
In 2016 he founded the Accademia Sistina, an outstanding artistic multidisciplinary school of performing arts for children aged 8 to 16.
Emanuele Friello
Musical direction
After attending University (Physics, Italian Literature) and Conservatory of Music (Composition, Orchestration, Jazz Music and Conducting) he studied Afroamerican Musicology in Siena and eventually specialized in Stage Musical repertory. A former jazz arranger and piano/keyboards player, started working as Assistent MD and then Musical Director, Composer, Orchestrator and Computer Programmer for major stage productions, in Italy, UK and France.
Stage Musicals as Pianist, Composer, Orchestrtor, MD and Computer Programmer include: A Chorus Line, Some Like It Hot, Hello Dolly, Dance!, The Nights of Cabiria, Cats (UK production & Italian production), Saturday Night Fever, Lady Day, My Fair Lady, High Society, Hairspray, Cinderella, 7 Brides for 7 Brothers, Fame (UK production & Italian production), Hair (French production), Peter Pan, Jesus Christ Superstar, La Cage aux Folles, Rinaldo in Campo, The Full Monty, The Sound of Music, Billy Elliot, Il Marchese Del Grillo, Evita, Mamma Mia. Currently MD of the European Tour company of Jesus Christ Superstar featuring Ted Neeley.
Other stage credits: Houdini, M'Accompagno da me, Nights on Broadway, Saturday Night at the Movies. TV credits as MD, Composer, Orchestrator: Sabato Italiano, Garda che Musical!, Skating with the Celebrities, Reality Circus, The Ultimate Mind Quiz, The One and Only, Le Rêve d'un Jour, The Opera Contest, Miss Italy in the World.
Emanuele has been teaching Piano, Pop and Jazz Arranging, Theory, Harmony at the University of Music and Saint Louis College of Music. He is Music Director of the Sistina Academy for young talents and Professor at the Tor Vergata University of Rome teaching Arranging, Sequencing and Virtual Instruments.
Giancarlo Muselli
Teresa Caruso
Set Rielaboration
Roberto Croce
Coreographer
La biografia completa di Roberto
Daniele Ceprani
Alfonso Barbiero
La biografia completa di Alfonso