Home News Universal Credit: time to treat property as the investment our society sees it?
Ashley is Chief Executive at Commonweal Housing.
There has been much Twitter-chat in recent days about the costs and impact of Universal Credit. Many calls have been made to the Chancellor to provide additional funding in the forthcoming budget, in order to reduce the impacts on those likely to see substantial falls in their total income. The latest indications are that the full roll-out will again be delayed as the Government continues its slow and steady implementation. Department for Work & Pensions Secretary Esther McVey talked about how the Government had had to make tough and brave decisions to balance the books in their austerity drive; and tough decisions are what we want and need our governments to make.
That last sentiment is probably true – but in response to this, much of my Twitter feed has been overflowing with people reminding Ms McVey that tough decisions should also be fair decisions and that it is not so tough to take decisions that you know will have most impact on the poorest members of society, those that have little voice or influence in your day to day. It could be said that that is not tough decisions and fair Government but is rather tough luck on those affected!
However, I am pleased to say that beyond the usual trolls and disdain on Twitter, there have also been one or two positive ideas that this (or any other Government) might wish to consider. Yet, these actually are very BRAVE decisions and ones that are unlikely to be taken into account by current politicians.
The issue being if property ownership is seen primarily as a financial investment – which it is in this country – we should treat it as such and tax the unearned income and equity growth accordingly. There should be capital gains tax payable on the increased value at the point of sale of all homes not just second or buy-to-let property. Why do we place a barrier in terms of Stamp Duty on entry to home-ownership when those already on the ladder reap all the benefits?
Declaration of interest – I am fortunate enough to own my house in the south east of England (indeed neighbouring the Chancellor's own constituency), I have lived in it for more than 10 years and its 'value' is significantly greater than the price I paid (and the outstanding mortgage). Yes, I was lucky enough to be able to stick a small extension on the side and we put in a new boiler a few years ago which hopefully added some value. However, the obscene increase in value is nothing to do with me – it is a function of simple supply and demand economics – not enough homes are being built in my area to meet demand. It is also a function of the millions of pounds spent on rebuilding the local secondary and primary schools; the investment in the rail service to my station and the publicly funded new sports centre, athletics and football stadium making the area even more attractive. I have done nothing (other than pay my taxes) yet I will reap the huge benefits if and when I sell.
Taxation of such unearned income (suitably off-set appropriately where individuals have invested in their house within say the last 5 -10 years) at say a basic income tax rate of 20% seems fair to me. Let's not forget that any trading up of houses will not be adversely affected as the seller too would also face a similar tax bill. There then becomes an inbuilt desire therefore perhaps to not talk up our house values to quite the same degree. No doubt the chattering classes of Islington or Tunbridge Wells can find some other topic for dinner party conversation.
Recent Government initiatives to help access home-ownership, such as Help to Buy, without significantly ramping up new supply only fuels greater house price inflation putting the dream further out of reach.
This and many other Governments have for many years relied upon massive equity growth for homeowners to enable reductions in spending on things such as pensions, retirement or long-term social care; day time telly is full of adverts for equity release services.
Really treating housing as the investment vehicle that the British psyche sees it as would truly be a tough and brave decision but one perhaps fairer than decisions to cut benefits and income for the poorest in society. Such a suggestion is not about punitive taxation but is surely progressive taxation and takes homes, and especially home-ownership, to where it should be: a great option if right for you but an option that does have costs. It is not of itself forcing those that are asset rich and cash poor to pay taxation now – the capital gains are only payable as part of the sale – i.e. when there is cash in the system. Once a truer cost of home-ownership at a societal level becomes clearer, perhaps more people might then perceive renting as an appropriate economic alternative which in turn might start to shift the dial on the stigma of those that rent whether privately or in the social sector.
Colleagues tell me this will never happen – turkeys voting for Christmas is the standard response. I would love to think politicians are not turkeys but are genuinely willing to take brave and imaginative decisions. Here's hoping.


Michael's friend Chris has been posting photography blogs; he takes a great picture - I look at the non-Michael ones too! His latest blog is about Michael's annual Thanksgiving potluck dinner, Chris: It's a potluck occasion filled with grub, drinks and karaoke. I have to hand it to him... he's made everyone's home away from home wholesome with this yearly event.
Great pictures, thanks for the heads up.
I KNOW - where was his cute ruffly apron?!
I know his place looks amazing.
You're welcome! He's pretty and a good host as well!
Great pics. Michael's home looks so warm and welcoming. :) Looks like everyone was having a good time too.
Michael's home looks so warm and welcoming. :) Looks like everyone was having a good time too.
I love that in the background of some of the pics, you can see Michael busily working away in the kitchen! Bet he's a great cook.
Looks like a fun and eclectic group of people. Michael makes me think of one of my cousins. His house is filled with all those wonderful little touches, too.
Michael looks like he keeps a warm & inviting house! It's nice this is an annual tradition.
Aww, that's lovely! I'm sad that there's no apron picture too. He has a great house though!
You can see his guitar in the background of one shot! I don't see Irv though - perhaps he was out in the yard?
Aw, and now Odette has retweeted the Fade into You link!


HAMILTON, ON: The Humber Hawks women's curling checked off two significant boxes at the 2019 OCAA Curling Championships on Saturday at the Glendale Curling Club in Hamilton, but there is a final box they would like to put a big "X" in, and that is capturing OCAA gold.
The first was a semi-final win that brings a gold medal game on Sunday, and the second is a trip to the 2019 CCAA National Championships out East in a few short weeks.
Humber, who entered the playoffs as the second seed, had an identical 3-1 round robin record as the first place Fanshawe Falcons. Fanshawe got the nod, as they defeated Humber in the head to head match-up.
The Hawks advanced to the gold game by scoring in the eighth and final end of a heart-stopping match, to win 5-4 over the host Mohawk Mountaineers.
Fanshawe needed an extra end to oust the pesky Fleming Knights squad.
The gold medal game is slated for 9:00 am.


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Top Whisky Event Searches for
Aspirant actors and actresses from across the Central Belt are being invited to act in a 'whodunnit' murder mystery, as part of an exciting new event set to stir the whisky industry.
Organisers of the Whisky Stramash, which takes place for the first time at Edinburgh's Surgeons' Hall on 26th & 27th May, are on the search for an amateur dramatics group to act out the gruesome game, which is being sponsored by Jura Single Malt Scotch Whisky.
Colleges, universities and drama clubs from the Central Belt are invited to audition and compete against other groups across the country for the chance to take part and win £1,000 cash prize. The winning group will be invited to the event to act out dramatic death scenes, plotting along the way and leaving clues to grip the unsuspecting audience, before helping to uncover the cunning culprit.
Darroch Ramsay, founding partner of the Whisky Stramash, said:
"This is an exciting time to be part of the event, particularly as this is the first. The atmosphere is set to be extraordinary, with the combination of the historical location at the Surgeons' Hall and the weird and wonderful experiences we are offering, including the murder mystery.
"We are looking for a group of five keen drama enthusiasts to take part in our murder mystery. We are encouraging as many amateur dramatic groups across the Central Belt as possible to enter. It's a fantastic opportunity to be involved in something that is truly unique!"
Auditionees are asked to send a three-minute video clip of their best performance to sarah@threebrandpr.com or by post, to Whisky Stramash Am Dram Auditions, threebrand, Boat 1502U, The Shore, Leith, Edinburgh, EH6 6QW.
Willie Cochrane, Jura Distillery Manager; "Jura's history is steeped in storytelling, intrigue and mystery. We are supporting the 'am dram' campaign because it is the perfect tie in with our brand and the island's unique heritage. We are looking forward to seeing what unfolds at the event. Watch this space as we are hoping to bring something special to this unique experience."
Videos will be uploaded onto a dedicated YouTube site, before the Whisky Stramash organisers narrow the entrants down to their favourite three. These three will be invited to audition in front of the judging panel at a location in Edinburgh, before the winner is announced and invited to perform at the event in May 2012.
Whisky Stramash will encounter many elements and experiences and will feature a huge array of whiskies from Scotland and abroad. As well as the murder mystery,
visitors can expect to be entertained by a realistic barber surgeon, Heston Blumenthal style molecular experiments and bespoke whisky cocktails.
The Stramash will be held on three sessions over the 26th and 27th of May 2012:
Saturday 26th of May 2012: 12pm – 4pm and 5pm – 9pm and Sunday 27th of May 2012: 1pm – 5pm.
Please note all participants must be over the age of 18 and proof of age is needed to apply.
For further information, visit the website: http://thewhiskystramash.com or follow on Facebook https://www.facebook.com/pages/The-Whisky-Stramash/222766267748849 and Twitter http://twitter.com/WhiskyStramash
Notes to Editor:
Sarah Dedecker, at threebrand PR, on 0131 454 2030/07545 989565 or email sarah@threebrandpr.com OR Gillian Hamilton at threebrand PR on 0131 454 2030 or email gillian@threebrandpr.com.
Tickets for the event cost £25 and are available from several outlets including TicketSoup.com (online and via telephone 0844 395 4000) and at the SECC and The Hub box offices.
As well as Jura, Dewar's, Bunnahabhain, Finnieston, Isle of Mull and Arran Single Malt: Dalmore, Whyte & Mackay, Aberfeldy, Drambuie, Black Bottle, Tobermory, Ledaig, Deanston and Springbank whiskies have also signed up for stands at the event.
Whisky Stramash is the brainchild of Scott Martin and Darroch Ramsay who have both been to whisky events all over the world and wanted to create a whisky event with a distinct point of difference.
Scott and Darroch have a combined experience of 22 years in the drinks industry and both have a keen interest in whisky since working as bartenders. Scott currently works as a global Scotch ambassador and Darroch's background in Scotch is in brand management.
Whisky Stramash will give brands the opportunity to present their whiskies to a desirable group of consumers.
To take part, applicants need to send off a three-minute video clip. For videos under 5mb these can be emailed to sarah@threebrandpr.com. For anything larger than this please send a disc to: Whisky Stramash Am Dram Auditions, threebrand, Boat 1502U, The Shore, Leith, Edinburgh, EH6 6QW. Please remember to include the group's name and contact details. Those who are chosen to take part in the next stage will be contacted directly.
Issued on behalf of Whisky Stramash by threebrand PR.
Contact: Sarah Dedecker
Email: sarah@threebrandpr.com
Website: http://www.threebrand.com
By threebrandPR · December 21, 2011 at 09:32 · Comments Off
threebrand · Food · Scotland-wide

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Beaterator — музична гра, розроблена студією Rockstar Leeds у співпраці з Тімбелендом та видана компанією Rockstar Games для портативної ігрової системи PlayStation Portable та цифрового сервісу PlayStation Network восени 2009 року. 7 грудня того ж року вийшла версія для iOS.

Ігровий процес передбачає створення своїх музичних композицій шляхом використання більше тисячі різних звуків та семплів, записаних Timbaland та співробітниками Rockstar. Є кілька режимів — «Live Play», «Studio» і «Song Crafter», різноманітні звукові та візуальні ефекти, а також передбачена інтеграція з сервісом Rockstar Games Social Club, завдяки чому, гравці можуть викласти в мережі свої треки.

Beaterator була заснована на інструменті мікшування музики 2005 року, який створено Rockstar Games за допомогою Adobe Flash, і зазнала удосконалень. Гра була в основному позитивно оцінена журналістами: похвал відзначилася версія для PSP, в якій відзначалося різноманітність функцій, але при цьому високий поріг входження та незручний інтерфейс, тоді як версія для iOS зазнала критики через свою спрощеність.

Ігровий процес

Beaterator заснована на інструменті мікшування музики, створеному за допомогою Adobe Flash та випущеному Rockstar Games у 2005 році в Інтернеті.

Геймплей базується на створенні власних музичних композицій, для чого передбачено понад тисячу звуків та семплів, які записав Timbaland спеціально для Beaterator. Є можливість використовувати різні спецефекти (наприклад, луна та хор), додавати вокал за допомогою мікрофона та багато іншого. Звуки з гри можна витягнути та записати на Memory Stick Duo як MIDI-файли, таким же чином можна і перенести зовнішні MIDI-файли у гру. Закінчений музичний твір можна перенести на Mac або ПК як WAV-файл або експортувати до Rockstar Games Social Club. 31 травня 2014 через відключення серверів GameSpy можливості Rockstar Social Club у грі стали недоступними.

Beaterator містить три режими — «Live Play» (найпростіший варіант створення музики шляхом суміщення та програвання заздалегідь заготовлених звуків та ефектів), «Studio» (використання наявних семплів, ефектів та інші функції для більш детального створення своєї композиції) та «Song Crafter» (найбільш детальне редагування та створення власних звуків та семплів).

Розробка та вихід гри
Ще у 2005 році Rockstar Games запустила сайт із музичною грою Beaterator, яка була зроблена за допомогою технології Adobe Flash. 14 березня 2007 року анонсувала вдосконалену версію Beaterator для портативної гральної системи PlayStation Portable. Проєкт створювався зусиллями студії Rockstar Leeds та музичного продюсера Тімбеленда, який спеціально для гри записав понад тисячу звуків та семплів. За його словами, він є великим фанатом Rockstar та схвильований тим, що співпрацює з ними. Своєю чергою, засновник та виконавчий продюсер компанії, Сем Хаузер, зазначив, що музика завжди була надзвичайно важливою частиною їхньої роботи, а також він заявив, що для них велика честь працювати разом із Тімбелендом. 13 серпня стало відомо, що Beaterator буде доступна як на UMD, так і в цифровому сервісі PSN. 31 серпня було анонсовано версію гри для iOS; за словами Сема Хаузера, «проста і зрозуміла природа Beaterator відмінно підходить для платформ Apple».

Спочатку Beterator повинна була вийти влітку 2009, однак випуск гри був відкладений до 29 вересня і 2 жовтня того ж року в Північній Америці та Європі відповідно. Щоб відсвяткувати випуск гри, Rockstar Games провела подію в PlayStation Home на станції Listen@Home у північноамериканському Central Plaza 16 жовтня 2009 року. Учасники могли відтворити вибрані треки Beaterator, завантажені користувачами. Версія для iOS була випущена 7 грудня.

Оцінки та думки

Beaterator отримала переважно позитивні відгуки від критиків. На сайті Metacritic середня оцінка становить 80 балів зі 100 можливих, а на GameRankings — 79,86 %. Оглядачі позитивно поставилися до можливостей створення своїх музичних композицій, але мінусом називали незручний інтерфейс.

Критик 1UP.com, Джастін Хейуолд, зауважив, що Beaterator хоч і не ідеальна, але «біса добре» за свою ціну, а також істотно відрізняється від інших ігор Rockstar Games, що стало великою несподіванкою: «це зовсім не гра, а повноцінний інструмент для створення музики на PSP». Журналіст Eurogamer, Саймон Паркін, заявив, що хоча можливості гри дещо обмежені для амбітних ідей професійних композиторів, обмеження більше стосуються апаратного, ніж програмного характеру, і загалом Beaterator добре підійде новачкам та аматорам як інструмент для створення музики. Подібну думку залишив Деймон Хетфілд, рецензент IGN, який хоч і покритикував «незграбний» інтерфейс, а також помітив, що не всі представлені семпли хороші, але похвалив можливість створення власних звуків і досить затяжний, хоч і не дуже простий процес використання Beaterator. «Напрочуд багатофункціональний пакет створення музики для вашої PSP» — написав Джон Манді на сайті Pocket Gamer, звернувши увагу, що на створення композицій знадобиться час і зусилля. Неон Келлі (VideoGamer.com) відніс до плюсів наявність Тімбеленду, можливість створення дивовижних треків та докладні посібники, проте зазначив, що Beaterator — це «не зовсім гра». «Якщо ви фанат хіп-хопу або електронної музики і зацікавлені у створенні власних треків, то на Beaterator безперечно варто подивитися» — підсумував jkdmedia, представник GameZone. Неоднозначний відгук залишив Аарон Коен (GamePro): хоча критик похвалив велику кількість семплів та інструментів для створення справді оригінальної музики, можливість ділитися нею з іншими людьми, а також високу якість звуку, але попередив потенційних покупців про заплутаний інтерфейс та високий поріг входження, чого недосвідченим гравцям, незнайомим із процесом створення музики, Beaterator може не підійти. Крістофер Браун (AllGame) оцінив Beaterator у три з половиною зірки з п'яти можливих. Тімбеленд в інтерв'ю Invasion Radio сказав, що для створення кількох треків свого альбому Shock Value II він використав Beaterator, але, за його словами, без особливого задоволення: «О так, я зробив пару штук … Я повинен був».

Версія для iOS була оцінена стриманіше, її середній рейтинг на GameRankings становить 60 %. Хетфілд назвав Beaterator забавною невеликою розвагою, яка дозволяє користувачам змішувати та поєднувати вражаючу колекцію раніше записаних певних циклів, але це, однак, не дає «можливості створення музики для iPhone та iPod Touch», як стверджується видавцем. Подібним чином гру для iOS розкритикував Трейсі Еріксон, оглядач Pocket Gamer: «Без структури та зручного дизайну Beaterator — не стільки гра, скільки музична іграшка, причому не дуже цікава». Негативно Beaterator для iOS оцінив Браун, поставивши їй лише півтори зірки з п'яти.

Примітки

Посилання
 Офіційний сайт.
 Beaterator на офіційному сайті Rockstar Games.
 Beaterator на фан-сайті Rockstar Games.

Відеоігри 2009
Ігри для iOS
Ігри для PlayStation Portable
Ігри Take-Two Interactive
Ігри Rockstar Games
Відеоігри, розроблені у Великій Британії
Timbaland

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Q: what server commands should I use to get a solar eclipse to happen? I know the eclipse is about 1 in 30 per day but what server commands can I use to cycle days? Should it be midnight then dawn, or dusk then dawn etc? Is it even possible to trigger via server commands?

A: Every time the time turns to day, the world is in hardmode and a mechanical boss has been killed, there is a 1 in 25 chance of a solar eclipse taking place. For minimum time spent to get each solar eclipse, you would want to use midnight, wait for it to turn to daytime and see if you got one. While dawn sets the time to right when the day starts, it also skips the code that checks for solar eclipse and invasions.
Alternatively you could download Tshock server mod and use the command they provide to instantly start the solar eclipse event.

redpajama_set_name: RedPajamaStackExchange


Nov 30, 2016 Business& Management Dissertation Topics Writing a business dissertation, here we have collected hundreds of topics. 3. 0. How to structure a business dissertation. Title Page. Dedication. Acknowledgements. Abstract: Hello, i am in my final year and i am trying to write my dissertation proposal, i want to go for a Mar 06, 2014 Thesis Proposal: Example of Outline and Structure March 6, 2014 by April Klazema A thesis proposal is a short document that explains what the thesis you want to write will be about, what type of research you would do to write it, and what sort of problem you are attempting to solve by writing it.
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I am really waiting for this amazing animated movie in the theatres of India. The Greatest Warrior of India and its Cultural Superhero- ARJUN. Watch the Splendid Creativity by Walt Disney and UTV Motion Pictures, which will force you to wait and watch it on Theatres soon. The Sountracks and playback by Sukhwinder Singh touches you with war! HEy Watch It !


In the end I always have to explain that, for most of us who left our faith, it boils down to the same basic reason: We don't see enough credible evidence to believe that gods are real things at all. In the end it comes down to a lack of evidence. We see evidence for the natural world, and the natural explanations we have for what happens in this world keep outperforming the supernatural ones because the latter never seem to withstand serious scrutiny.
To believe in supernatural things, we would have to see credible evidence that something supernatural is happening. Notice I didn't say that something supernatural happened once before, a long time ago, in a galaxy far, far away. Because stories are not evidence. That's why most of us reject stories about other things, like alien abductions for example. It doesn't matter how convinced the storytellers are that their stories are true. Anyone who's been around long enough knows that we are far too good at deceiving ourselves, which is why we should demand more than stories before we entertain extraordinary claims.
Incidentally, can you imagine how much would change if Christians began reading the stories in the Bible with the same level of skepticism that they use toward alien abduction stories? Or toward stories put forth by other religions like Islam, or Hinduism, or Mormonism, or Scientology? If they didn't privilege their own stories the way they do, their own religion would all but vanish inside of a year.
But a funny thing happens when you ask most Christians for evidence. Once you rule out stories, including the ones you find between the onionskin pages of their favorite leatherbound book, the conversation shifts and instead of presenting evidence, the discussion comes to center around you and your own demands for evidence.
They question your motives. They question how you would interpret any evidence they could present. They question your authority to judge for yourself whether or not credible evidence has been presented.
They will do anything and everything except present any actual evidence for their supernatural claims. For a perfect illustration of this predictable routine, one need look no further than to Chapter 6 of Tim Keller's The Reason for God.
In the midst of discussing whether or not science has disproved Christianity (see my treatment of the rest of this chapter here), Keller comes to the matter of miracles. Except he doesn't tell us where to go to see them for ourselves. Like everyone else before him (except for maybe the charismatics), he immediately starts arguing about whether or not anyone can legitimately say that miracles don't happen. He spends most of his time debating the epistemology of miracle denial without ever stopping to notice that the central challenge got completely sidestepped. We asked for miracles, and instead we got a debate.
Current evangelicalism has (to change the figure) laid the altar and divided the sacrifice into parts, but now seems satisfied to count the stones and rearrange the pieces with never a care that there is not a sign of fire upon the top of lofty Carmel.
We could of course debate whether or not the supernatural miracle in the story Tozer is referencing ever really occurred, but we aren't really getting anywhere debating whether or not things happened thousands of years ago. If the claims of the Christian faith were true, we wouldn't even be having this discussion because there would be evidence now—right in front of us—not just in a book.
If the supernatural claims of the Christian faith were true, there would be no need for apologetics books at all. We wouldn't be reading books that attempt to explain why we aren't seeing miracles, or how they're actually happening everywhere but we're somehow just missing them, or why we're not in the right frame of mind or heart to get to witness them. We would simply be able to go out and see them for ourselves. As much as people like Keller would like to deny it, that would change everything for us.
Why Are We Even Having This Discussion?
To see what I mean, observe what happens if we take an illustration Keller offers, in this case borrowed from Alvin Plantinga, and let it play out in a more realistic scenario. Plantinga challenges the notion that since scientific inquiry never authenticates any miracles, there cannot be miracles.
I love this analogy for how perfectly it sets up the very point I am trying to make: How easy would it be to show the guy in this analogy that he is wrong? If the keys are there in the dark, all it would take is a friend who isn't drunk (or stupid) picking them up and showing him that in fact, they were right there all along.
Drunk: Dude, I can't find my keys. I've been looking under this light forever and they're just not there.
Friend: That's because they're over there, in the dark. I found them myself.
Drunk: You found them? Awesome! Can I have them? Or better yet, would you drive me home? Because clearly I'm wasted.
Friend: I can't do that. You have to find them yourself.
Drunk: What are you talking about? If you found them, why won't you just show them to me? You did say you found them, right?
Friend: Yeah, I did. I'm just not going to pick them up because reasons.
Drunk: What reasons? I need to get home so I can sleep off the Wild Turkey, man. Are you just jerkin' my chain or what?
Friend: No, I found them, I promise. Take my word for it. They're there. You're just too drunk to find them.
Drunk: Which is why I need your help, bro. Why are you doing this? If you found them, just go pick them up.
Friend: Nope. Not gonna do it. But I promise they're there. Trust me.
You see what I mean? After a while it becomes significant that the person who claims to have found something seems unable or unwilling to demonstrate the validity of his claim. At this point the subject of our story has every good reason to quit believing his friend. Unless this is some kind of twisted game, it would be super easy to end this discussion. All the guy would have to do is show him the keys, or just drive the guy home. It would have spared the both of them this entire waste of oxygen.
But that scenario parallels every apologetics debate I've ever heard. Instead of presenting observable evidence—proof that the claims of religion are true–most of the time is spent arguing about philosophy, ancient history, and whether or not a person has a right to say what is and isn't possible. Always the movement is away from actual evidence and toward an endless word salad meant to be a substitute for the real thing, which doesn't seem to ever show up.
If you don't like us saying miracles don't happen, instead of arguing that they really do, just show us one instead.
Yeah, I know. It's not that simple, right? Because reasons. Let's turn and talk about those reasons for a second before we leave this subject.
At the end of Chapter 6, Keller does what most apologists do by intimating that God isn't in the business of performing party tricks to earn our trust (Translation: "Shame on you for needing that!").
It seems natural to conclude from this language that—at least according to the text itself—these miracles were in fact provided for precisely the reason Keller wishes to discount: They were, at least in part, a sign provided to elicit faith from the people he wished to win over to himself. I see no reason why anyone requesting the same today should be dismissed on the grounds that their motivations don't qualify for a response.
"'...providing water, food, schooling etc...' I spent decades supporting fundy missionaries who were doing just ..."
"This is me. A lifetime of self-hatred because I thought it was the prerequisite for ..."
So Long Self: How Christianity Teaches ..."
""According to evolutionary thought, the goal is survival of the species."No, that is not evolutionary ..."
"My mother was born in 1924 and is now 95. When I got my period, ..."


St. Thomas' College obtained affiliation in Hindi for the Intermediate and B.A. course in 1939. Eminent teachers like Sri N. Parameswara Menon, Sri. M.A. Augustine, Sri. P. Narayana Menon, Sri. M. Divakaran Nair, Sri. P.J. Varghese, Sri. P. Vijayakurup Sri. K.V. Chandrasekaran and Sri. Jose Dominic served the Deptartment.
Dr. Rani Jasmine Thomas, M.A., Ph.D.


Kick off the summer in 1920s style at the Barker Mansion Midsummer Ball. Join us for food, drink, and music in our Jens-Jensen-designed garden. Costumes are strongly encouraged. The cost is $40 per person which includes food, drink, and a mansion tour.
Tickets can be reserved online on Eventbrite or by calling the Barker Mansion at 219-873-1520.


text:
Q: string(49) "select * from php mysql error I'm in the process of making a web page that's meant to display data that's within a database. The database is stored in MySQL and I'm making the web page in PHP. The PHP code that I have is
<form action="list_projects.php" method="post">

Choose Search Type:

    <select name="searchtype">
        <option value="partNo">Part Number</option>
        <option value="pname">Part Name</option>
        <option value="color">Part Colour</option>
        <option value="weight">Part Weight</option>
        <option value="city">City</option>
    </select>

Enter Search Term:

    <input name="searchterm" type="text" size="20"/>

    <input type="submit" name="submit" value="Search"/>
</form>

<?php
    $searchtype=$_POST['searchtype'];
    $searchterm=trim($_POST['searchterm']);
    if (!$searchtype || !$searchterm) {
        echo 'No search details. Go back and try again.';
        exit;
    }

    $query = "select * from project where ".$searchtype." like '%".$searchterm."%'";
    var_dump($query);

    $result = mysqli_query($link,$query);
    $num_results = mysqli_num_rows($result);

    echo "
Number of projects found: ".$num_results."
";
    for ($i=0; $i <$num_results; $i++) {
        $row = mysqli_fetch_assoc($result);
        echo "
".($i+1).". Part Number: ";
        echo htmlspecialchars(stripslashes($row['partNo']));
        echo "
Part Name: ";
        echo stripslashes($row['pname']);
        echo "
Part Colour: ";
        echo stripslashes($row['color']);
        echo "
Part Weight: ";
        echo stripslashes($row['weight']);
        echo "
City";
        echo stripcslashes($row['city']);
        echo "
";
    }
    mysqli_free_result($result);
    mysqli_close($link);
?>

but when I run it, I get string(49) "select * from project where projectNo like '%J1%'" Number of projects found: This PHP script is meant to load different projects that's within the database and in a welcome.php script that calls this script connects to the database and it does connect to it correctly.

A: Looks like you've var dumped the wrong variable. You could try this instead:
$query = "SELECT * FROM project WHERE ".$searchtype." LIKE '%".$searchterm."%'";

$result = mysqli_query($link,$query) or die("Line ".__LINE__." Error found: ".mysqli_error($link)); // If there's an error, it should show here.

A: Because it's painful, I want to rewrite your code and show you how you should be doing this:
Please note that at the top of your page is a reference to an include file in which you would set your database variable ($link).
<?php
//include "../../reference/to/mysql/login.php";
/***
 * The below code block should be in your include file referenced above
 ***/
$link = mysqli_connect("localhost", "my_user", "my_password", "my_db");
if (!$link) {
    echo "Error: Unable to connect to MySQL." . PHP_EOL;
    echo "Debugging errno: " . mysqli_connect_errno() . PHP_EOL;
    echo "Debugging error: " . mysqli_connect_error() . PHP_EOL;
    exit;
}
/***
 * End connection block
 ***/

/***
 * Your data is POSTed so it can not be trusted and must at the
 * very least be escaped using the below functions.
 ***/
$searchtype=mysqli_real_escape_String($link,$_POST['searchtype']);
$searchterm=mysqli_real_escape_String($link,$_POST['searchterm']);
$searchterm=trim($searchterm);
/***
 * Because your $searchtype is a column reference you need to ensure
 * it fits the allowed characters criteria for MySQL columns
 ***/
$searchtype = preg_replace("/[a-z0-9_]/i","",$searchtype);

Please read the MySQL manual about the allowed characters to use in column names. $ is also allowed but I'm removing that from here because you really should not be using that symbol as a column name character.
if (!$searchtype || !$searchterm) {
    echo 'No search details. Go back and try again.';
    exit;
}

$query = "select * FROM project WHERE ".$searchtype." LIKE '%".$searchterm."%'";
$result = mysqli_query($link,$query)  or die("Line ".__LINE__." Error: ".mysqli_error($link));
$num_results = mysqli_num_rows($result);

echo "
Number of projects found: ".$num_results."
";
$i = 0;
while ($row = mysqli_fetch_array($result)) {
    $i++;
    echo "
".$i.". Part Number: ";
    echo htmlspecialchars($row['partNo']);
    echo "
Part Name: ";
    echo htmlspecialchars($row['pname']);
    echo "
Part Colour: ";
    echo htmlspecialchars($row['color']);
    echo "
Part Weight: ";
    echo htmlspecialchars($row['weight']);
    echo "
City ";
    echo htmlspecialchars($row['city']);
    echo "
";
}
?>

Hopefully you can see here that I have replaced your for loop with a while loop that does the same thing, taking each row from the database one at a time and outputting it as an array with identifier $row .
I have also used mysqli_fetch_array instead of your fetch_assoc.
I have corrected the spelling mistake in your stripslashes function, but also replaced stripslashes with htmlspecialchars because stripslashes is an old and almost useless renegade function that should not be used with even remotely modern Database interfacing
Your issue is also that this page coded here has not had $link declared for it, the $link idenitifier needs to be set at the top of every page that wants to connect to the database. You need to remember that PHP does not remember standard variables across pages so just because you setup $link in welcome.php does NOT mean that it is known in this page here.

*

*Use or die (mysqli_error($link)); appended to the end of your queries to feedback to you what errors occur.

*You must also get into the habit of using PHP Error Reporting to make any headway in solving your own issues.

*$link is usually set up in a PHP include file that you simply call at the top of every PHP page that requires it.

*IF needed, details about how to connect to MySQLi.


text: == Jacob & Co. Epic X Chrono Summer Edition Watch Replica EC313.20.PE.LL.G Jacob and Co Watch Price == == Jacob & Co. Epic X Chrono Messi Titanium Watch Replica EC313.20.PE.LL.K Jacob and Co Watch Price == [https://www.chronosale.co/jacob-co-grand-complication-masterpieces-watches-c-413_414.html Jacob & Co. Astronomia Tourbillon Baguette watch] In 2014, Jacob & Co. launched a very interesting watch with a luxurious movement called Astronomia Tourbillon (it debuted here). When they debuted, I didn't have the opportunity to see this piece in person, and I'm not sure whether the original astronomy tourbillon case style (please check the link above) was actually delivered, because according to these new 2015 Jacob & Co. The argument. The picture of the astronomical tourbillon has a brand new case design. The absolute complexity of a watch movement requires a lot of adjustments to make it work and years of hard work. However, for 2015, Jacob & Co. looks like an astronomical tourbillon watch. The version called Jacob and Co. Astronomia Tourbillon Baguette, with many diamonds. Below, you can watch a video from the Jacob & Co. Astronomy Tourbillon last year. Most of the movement is placed on a series of four arms, which revolves around the entire dial every 20 minutes. These robotic arms also move to produce other actions, such as keeping the dial in the correct orientation to indicate time and operating the tourbillon. In summary, the entire gear working process of Jacob & Co. Astronomy Tourbillon is almost unbelievable. More importantly, although you may like or contradict the products produced by Jacob & Co., you must let them know that their craftsmanship is an important part of the [http://www.moon-watch.co luxury replica watch] industry. Compared with the large sapphire crystal bubble dome of the original astronomical design, this 2015 new case is more meaningful. We are still working on computer rendering, but I am confident that the smaller sapphire crystal (now divided into a series of windows with a large window on top), coupled with other metals, can make the design more reasonable and more wear-resistant. According to the brand, Jacob & Co. Astronomy Tourbillon has a width of 50 mm and a thickness of 25 mm. The case is 18k rose gold, and there are versions with and without diamonds. Notice that there is no crown or thimble on the case? The movement is actually fixed and can be achieved by two "bow-shaped" folding crowns on the back of the case. The movement is of course the most interesting element in the Jacob & Co. astronomy tourbillon, which is unique to the Jacob & Co. movement JCEM01, with a 48-hour power reserve and a tourbillon working at 2.5 Hz. Unexpectedly, the movement is made of only 235 parts-considering the complexity of the concept, this seems very effective. [http://www.chronosale.co buy replica watch] Technically, since the tourbillon moves around the entire dial every 20 minutes, it is a three-axis tourbillon. The other axis is the normal rotation you see from the tourbillon cage, and it rotates in its connecting arm. It is located opposite the dial and tells you the time to balance the weight. On the other two arms, there is a small hand-painted titanium metal representing the earth, and on the other arm there is a spinning disco ball that rotates once every 60 seconds. Really, disco party? Well, this is what I said. Jacob&Co. claims that the spherical cut diamond uses the exclusive cutting process first adopted by Jacob&Co to cut a diamond with 288 facets. This round diamond should represent the moon-which makes me wonder what the "night life" on your planet would be like if our moon was actually a large disco party. The look and feel of the Jacob's astronomical tourbillon movement is astronomically complex, but it is only conceptually true. This is indeed a sport for viewing pleasure rather than strict function, and it succeeded. If the "standard" Jacob & Co. Astronomy Tourbillon watch is not enough, you can choose Jacob & Co. Astronomy Tourbillon French Baguette, which replaces the night sky on the dial with baguette-cut diamonds. Diamonds are invisibly set on the dial and lugs, a total of 342 diamonds weighing 16 carats. Although I personally do not consider myself a purchase customer of Jacob & Co. Astronomia, there may be some people who can enjoy this wrist-worn mechanical entertainment function, which makes me very happy. Jacob & Co. once again started to shock, entertain and please... This is what I think the whole purpose of Jacob & Co. Astronomy Tourbillon.[https://www.moon-watch.co/jacob-and-co-c-8.html replica Jacob and Co. Watches]


Minca and surroundings: what to do and where to stay?
Another guy who stayed in Finca Carpe Diem wrote a helpful blog of things to do in Minca. Therefore I keep it with the accomodation options and must-done hostels.
View from Finca Carpe Diem, Paso del Mango. Must-see hostel near Minca.
As tourism has grown rapidly, hostels have spread out as mushrooms, mainly in and around Minca township. We decided to overnight in several guesthouses in Minca, and definitely enjoyed the hostels Casa Loma and Oscar's place the most….
Casa Loma is a hostel and offers accomodation beautifully located on a hill towering over Minca and Santa Marta. You need a 10 minute tough hike from Minca center to reach Casa Loma. Casa Loma offers great views over the entire region. There are always plenty of other travelers – mainly backpackers – who are keen to have nice conversations. If it gets boring you just sit down and enjoy the views with a nice drink :). The food is delicious, basically vegetarian dishes. Casa Loma would be our first choice for young travelers – like ourselves – looking for a great stay in short walking distance from Minca town. The staff is extremely helpful to get you on the right track. Here you can find their website.
Oscar's place is another nice hostel in Minca runned by an older and friendly Colombian guy. It is a bit out of the way of the center – you have to walk for 15 minutes following a dunkey trail – reaching his secluded land with a majestic view over Santa Marta. In Oscar's place you feel very welcomed by the local owner and you get the sense of being in the middle of nature. Oscar's place is one of the more basic hostel options in Minca, and it is not as big as Casa Loma. If you decide to go to Oscar's place bear in mind that it can be loud at nighttime with other young foreigners drinking and smoking. We would recommend it for any traveller looking for a space to hang out, and enjoy great evenings with other young folks.
It takes a small effort to reach Casa Elemento. Located 30 minutes up a bumpy road from Minca with a motorbike – pretty expensive though we paid 30,000 pesos – reaching Casa Elemnto was quite an adventure. The place towers over the surrounding mountains and is truly one of the most fabulous settings for a hostel you can image. Food is great but rather expensive for what you get. Though understandable if you see the effort it takes to bring all food up the mountain. For us, the only real downside of the story was that it seemed to attract basically or only party people looking for festivities all night long. Though, we can image that it must be one of the most incredible places on the continent to hang out if you are in a partymood. At least it is different to the bars and nightlife you find in Santa Marta and Taganga. Watching the stars in the middle of the night with a beer in your hands and Santa Marta below you….a must-do! We did some nice hikes in the neighborhood, heard howler monkeys and kept on being fascinated by the views. So even if you do not like the partystuff we would still recommend you to check out Casa elemento in case you are in Minca.
Minca is well travelled and there are many accommodation options. However, I recommend all travelers to not only stay in Minca but also discover accommodation options and activities around Minca. For this, Paso del Mango is an excellent option and Finca Carpe Diem is a great place to be.
Nice brand new dorm (2018) for 4 people, perfect for the budget traveller. The dorm is also great for backpackers who like to meet other people and are looking to do hikes and activities around the finca during the day and sleep peacefully and comfortably during the night.
A spacious brand new tent with two compartiments (one for luggage 1 x 1 mts; one for sleeping 2,3 x 2,3 mts) next to the river under the mango trees. Spacious, nice and calm atmosphere. Not far from the swimming pools and main facilities.


3 Oct Netflix presents: human sacrifice with hot people. The Babysitter, now streaming on Netflix. Watch The Babysitter. This 6 piece clip art set includes: babies with signs / notes, notepad paper, word art of: BABYSITTER NOTES. All images are high quality dpi in transparent. 19 Apr After reading this, you'll never want leave your kids with a babysitter again. Who raises these people to think this kind of behavior is right?!?.
Babysitter clip The plot babysitter clip on seventeen-year-old Sue Ellen Crandell, whose mother leaves for a two-month summer vacation in Australia french bizarre, putting all five siblings in the care of an evil tyrannical elderly babysitter. There is an air of innocence to the whole thing, before these more conscious and overtly cynical days that we know and hate now - maybe a reason why s retro is all the rage now Several reviewers compared the movie unfavorably to the recent hit Home Alonewith Peter Chudai step stating: When her body is discovered by Sue Ellen, the children agree to stuff the babysitter in a trunk and drop her off at a babysitter clip funeral home and keep her car. Crandell comes home early and catches Sue Ellen in the act, forcing babysitter clip to confess her lie in front of .
My older brother and I told my mom, and we stopped going. Error Please try again!


Map of Alcolea Almeria, Andalucia: View our road map of Alcolea in the Almeria region of Andalucia in Spain. Make use of this nifty road map to view places to visit and amenities near Alcolea, see villages and towns surrounding Alcolea, and find even more Almeria places.
Alcolea Map - Almeria Province Andalucia Spain: Take a look at our map of Alcolea and surrounding areas, the map presented here may be a zoomed in version giving you a city, village or town centre map, if it is not you're able to use the zoom in button bottom right of map (plus sign), alternatively to get a more distant perspective of Alcolea's surrounding locations, use the (minus sign) zoom out control button. To find a pictorial and attractive satellite map of Alcolea, Almeria, click on the Satellite or Earth square on the bottom left of this Alcolea road map. When you need to make use of Google "Street View" option, you need to firstly click the "View Larger Map" link on the top left of the map of Alcolea and drag the little orange coloured man (bottom right) to the particular street or road you want to check out. This is an effective method of preparing for a visit to Alcolea in Almeria Andalusia, search for particular facilities or sightseeing attractions and find your way around the Alcolea area.
On this website you can view detailed maps of these Almeria towns and villages: Toparas, Las Salinas, Tabernas, Puerto Rey, Berja, Los Alamos, Guardias Viejas, El Barranco de Los Lobos, Roquetas de Mar, La Herradura, Los Martinez, Las Norias, Garcia, Atochares, Nacimiento, Cuevas de Almanzora, Uleila Del Campo, Palomares, Darrical, Jauro, La Isleta, Viator, La Hoya, Lijar, La Portilla, Los Perales, Senes, Fernan Perez, La Alcazaba, San Isidro de Nijar, El Marchal, Los Cerricos, Las Menas, La Fuente de la Higuera, Finana, Aldeire, Fondon, Bentarique, Pilacon, Venta Gaspar and lots more.
Map of Alcolea Spain (Andalucia): I trust you will find this map to your liking, we've supplied a substantial variant of the map therefore you will easily be able to print it out and have a copy with you on your travels. In these times of satellite navigation, maps seem to have taken a back seat, even so I personally (and maybe you as well), enjoy having a printed map that I can refer to as I walk around, therefore a printable Alcolea map is a must. Below find cheap Almeria hotels, cheap Almeria holiday rentals and cheap Almeria airport transfers.


text:
South Side man, 66, dies after being shot on front porch
Jim Woods The Columbus Dispatch @Woodsnight
Jun 2, 2019 at 3:31 PM Jun 2, 2019 at 3:31 PM
Columbus police have identified a man who died when he was shot while sitting on the front porch of his South Side duplex Saturday night.
Wiley L. Ross, 66, died at 8:08 p.m. after being taken to a local hospital for treatment of multiple gunshots.
Columbus police were alerted around 7:30 p.m. to go to the 300 block of Stanaford Place by Shotspotter sensors.
There they found Ross.
A resident, who wouldn't give his name, said that the man was sitting on his porch when he was hit by the gunshots.
There was a graduation party being held in the South Side Settlement Heritage Park, which is across the street from the Stanaford Place residence where Ross lived. A neighbor told The Dispatch that Ross had just recently moved in.
jwoods@dispatch.com
@Woodsnight


text:
Q: How do you map members and their responsibilities to an organization? I'm working on a Django project that tracks arts-related activities, and I'm stuck on the human-resources part of things.
(code below) I have a class Ensemble that subclasses Organization. Organization only has one important field, name. Ensemble has another field, players (a many to many relationship). A player is a Performer which has two foreign key fields, individual and instrument. The idea is that a performer is any individual on a particular instrument--so, e.g., I can be one individual that can be two performers: one on guitar, the other on bass.
The problem is that not all organizations are as clean as this. Some Organizations will have dancers, for instance (a dance troup), plus any number of generic Individuals who do any number of specific tasks not tracked as a specific class (like Performer). So at first I was thinking it would be best to just map Individuals to the Organization through a many to many relationship, create a Job class mapping Individuals to a JobCode class (which might include a row with something like 'performer'), but that doesn't work well if for instance you want to keep track of which instrument a performer plays for that particular ensemble, or if they play multiple instruments, I would like to be able to make that explicit. That's why the Ensemble::players relationship made sense to me.
So it seems I have an Organization class that will never truly be more than abstract, but I still need to be able to track what type of job an individual does for an Organization. Ensemble only makes sense for mapping Performers to an Organization, but what about Teachers in a School? Again, I would like to be able to make it explicit that a bassoon player is teaching bassoon at the school, and not clarinet (even though they might play both). So I can't just map the Individual to the School organization, right?
Also, this seems like it would be a common problem. Is there a conventional way of dealing with these kinds of relationships? What is the most effective?
Code:
class Individual(models.Model):
    surname = models.CharField(max_length=255)
    name = models.CharField(max_length=255)
    prefix = models.ForeignKey(Prefix, blank=True, null=True)
    suffix = models.ManyToManyField(Suffix, blank=True)
    date_of_birth = models.DateField(null=True, blank=True)
    phone_numbers = models.ManyToManyField(PhoneNumber, blank=True)
    addresses = models.ManyToManyField(Address, blank=True)
    user = models.OneToOneField(User, blank=True, null=True)

class Performer(models.Model):
    individual = models.ForeignKey(Individual)
    instrument = models.ForeignKey(Instrument)

class Organization(models.Model):
    name = models.CharField(max_length=255)
    founded = models.DateField()
    tags = TaggableManager(blank=True)
    media = models.ManyToManyField(Upload, blank=True)

class Ensemble(Organization):
    players = models.ManyToManyField(Performer)

A: As always with business analysis patterns: check out Martin Fowler: http://martinfowler.com/ , more specifically his catalog of Patterns of Enterprise Application Architecture: http://martinfowler.com/eaaCatalog/ and his further development of those: http://martinfowler.com/eaaDev/
For dealing with roles he has a dedicated pdf around (probably taken from his book Analysis Design Patterns). IIRC in the book his examples were centered around hospitals, physicians and contracts (or rights to practice in a hospital), but you can get a lot of inspiration from his writings. PDF: http://martinfowler.com/apsupp/roles.pdf (It may take some time to load, the site seems very slow at the moment I write this).


We have a well-managed team to handle the payrolls for the big organization. We are one of the oldest organization of Payroll service providers in India. For more information contact us at 9718800033 or drop your mail [email blocked].


Eggs — always with butter.
Do you love this photo? I love how it came out so much! I just go the film back and this is my favorite photo from the whole roll. At work we use those organic free range eggs so they always look different. They sometimes have spots, different hues and sometimes even have feathers still attached! So I got my lovely co-worker to hold them even though it throughly freaked her out, it kinda did for me too. It just makes the whole 'this was supposed to be a chicken' thing a bit too real.


MAGENTO: IMPORT PRODUCTS FROM XML ; XLS FEED LONG TERM JOB " BID AFTER READ JOBDESCRIPTION"
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after u import this file and all is done good u get the job .
to many times we was kidding by peoples ! as u see the peoples who wor for us , still work with us .


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text:
Posted inOpinion
Death, plunder and bullying shame Turkish museums
Record-keeping shambles, thefts and a culture of blaming whistleblowers put national heritage in danger
by Alexandra de Cramer December 6, 2020 December 4, 2020
One of the Zeugma Museum mosaics. Photo: Wikipedia
In January, an archeologist at the Zeugma Museum, home to the world's largest collection of ancient mosaics, committed suicide by throwing herself off an eight-story building. In her suicide note, 33-year-old Merve Kacmis said she could no longer endure the bullying from her superiors at the museum in Gaziantep in southeast Anatolia.
They had accused her – falsely – of stealing 150 artifacts that had gone missing. "I didn't do it, I'm innocent," Kacmis protested in her note.
The death of the young archeologist has shone a light on what appears to be rampant corruption at cultural institutions responsible for safeguarding Turkey's physical heritage.
Six or seven months earlier, Kacmis had been ordered by a superior to take responsibility for about 9,000 artifacts, consisting mainly of mosaics. In Turkey, a museum employee, by law, must act as official custodian of specific artifacts at his or her institution. But when Kacmis noticed that 150 items were missing from the inventory, she declined, even though she knew she risked getting into trouble for refusing to do so.
Kacmis filed an official statement outlining her concerns with her head of department, who dismissed it. So did the museum director.
In her suicide note, Kacmis accused both – along with another employee in the museum's storehouse – of bullying and harassing her for more than six months, first by trying to force her to take responsibility for the collection, and then by accusing her of lying about the missing items.
After her death, an investigation by the Ministry of Culture and Tourism confirmed Kacmis' account. Artifacts were missing, and bullying was an institutional problem at the museum.
In fact, there had been problems at Zeugma Museum ever since it opened in 2011, and Kacmis was not the first to report them. A ticket-office staffer who reported alleged corrupt activity to the municipality had been fired for being a whistleblower. Rumors of a robbery at Zeugma Museum have circulated since 2017. Several employees who asked the Culture Ministry to investigate instead found themselves demoted.
The ministry's own report last February into the Kacmis case stated that only 10 items were missing, not 150 as she had claimed. Still, Izzet Guven, the lead investigator into the archeologist's death, found a large number of discrepancies in the museum's records. More than 2,000 items stored in the museum did not even appear on its inventory.
In October, the Court of Accords, the body that audits public spending, revised that number down to 100. Either way, their whereabouts still are a mystery and the allegations of theft remain uninvestigated.
Zeugma Museum is not the only institution to have "lost" items supposedly under its care. More than 2,000 artifacts have gone missing from Turkey's museums in the last decade.
They include 302 paintings from the State Art and Sculpture Museum in Ankara and an even more astounding 404 pieces of artwork from Istanbul's Mimar Sinan Museum – dedicated to the 16th-century Ottoman architect credited as one of the world's first earthquake engineers and who designed the Suleiman Mosque in Istanbul, among others.
Some pieces turn up occasionally. In 2019, an oil painting by the 20th-century modernist Feyhaman Duran that had once hung in the State Art and Sculpture Museum was found in a vault at a local auction house in Istanbul. The auction house claimed the Culture Ministry had known the painting was there all along.
One hopes that the tragic suicide of a blameless young woman will focus attention on the criminality that lurks behind those entrusted with guarding Turkey's patrimony. (There is suspicion that many of the "lost" paintings and other artifacts are discreetly displayed in the homes of private collectors.)
Sadly, it is a vain hope. As long as the corruption is not even acknowledged, let alone punished, the list of "lost" artifacts will keep on growing.
This article was provided by Syndication Bureau, which holds copyright.
Tagged: Museum, Opinion, Syndication Bureau, Turkey
Alexandra de Cramer
Alexandra de Cramer is a journalist based in Istanbul. She reported on the Arab Spring from Beirut as a Middle East correspondent for Milliyet newspaper. Her work ranges from current affairs to culture, and has been featured in Monocle, Courier Magazine, Maison Francaise and Istanbul Art News.	More by Alexandra de Cramer


text:
lsof (abreviació de list of open files, en català, llista de fitxers oberts) és una coneguda eina de monitoratge de sistemes operatius tipus Unix que s'utilitza per mostrar tots els arxius de disc que mantenen oberts els processos, incloent els sockets de xarxa oberts,  canonades, entre altres tipus.

La comanda lsof ofereix a l'usuari informació detallada sobre el context on s'utilitza l'arxiu. Entre la informació es troba:
 Nom i ID del procés,
 Nom o id de l'usuari que va llançar aquest procés,
 El descriptor d'arxiu juntament amb la manera d'obertura (lectura, escriptura, etc ..),
 El tipus de node associat a la imatge: Canonada (FIFO), Socket IPv4, Socket IPv6, Directori, bloc de dispositius, etc ..
 La ruta absoluta de l'arxiu o bé informació relativa segons el tipus,
 El context de seguretat SELinux

lsof és programari lliure i el seu autor original és Victor A. Abell

Mode d'ús
 lsof [PARÀMETRES] [ARXIU ..]

A la invocació de la comanda lsof, es permet identificar quins processos estan utilitzant el o els arxius indicats.

Algun dels paràmetres que té lsof són:
-a Permet que les opcions (paràmetres) siguin requisits per llistar. Útil quan es "filtra" usant -c, -g, -o o -p.
-c CADENA Llista els arxius dels processos que comencin amb CADENA
-d FDs Determina que s'han d'excloure el o els Descriptors d'Arxius (FD) de la llista. Els valors se separen per comes.
 +d DIRECTORI Llista els processos que utilitzin el directori o bé algun dels arxius que contingui.
 +D DIRECTORI ídem a l'anterior però recursiu: inclou els subdirectoris i arxius que aquests continguin
-I Llista els sockets oberts.
-g GID Llista els arxius llançats pel GID (ID de Grup) indicat.
-n No resol els noms de domini.
-p PID Llista els arxius oberts pel procés amb el PID (identificador de procés) indicat.
-P No resol els noms dels ports (connexions).
[+|-]r [N [mCADENA]] Imprimeix en pantalla el resultat cada N segons, si no s'especifica s'executa cada 15. Si s'utilitza el prefix '-' es repeteix aquesta operació fins que l'usuari el cancel · (), en canvi si s'utilitza el prefix '+', el procés acaba quan no hi hagi fitxers llistats. Addicionalment entre cada actualització és possible indicar quina és la cadena de text que separa cada resultat, mitjançant m CADENA. En cas de no indicar cap cadena, per defecte s'utilitza '======='.
-u [ usuari | UID] Llista els arxius oberts per l'usuari o bé UID (identificador d'usuari).
-U Llista els sockets UNIX (IPC sockets).

Si no s'indica cap paràmetre lsof enumera tots els arxius oberts en aquest moment, que normalment solen ser bastants.

Exemples
Llistar els fitxers oberts pel procés firefox. Es van utilitzar expressions regulars per garantir que sigui aquest procés:

 lsof -c "/\bfirefox\b/"

Llistar els processos que fan ús de l'arxiu /home /usuari/fitxer.txt:

 lsof /home/usuari/fitxer.txt

Llistar els fitxers oberts pertanyents al home de l'usuari actual. L'accent (~) és l'àlies de l'home de l'usuari:

 lsof +D ~

Llistar els sockets oberts pel procés el nom contingui "java" (filtrat per grep):

 lsof -i -n -P | grep java

Resultat:
    java 11819 lyonn 34u IPv6 52669 TCP *: 1095 (LISTEN)
    java 11819 lyonn 37u IPv6 52671 TCP *: 53.872 (LISTEN)
    java 11819 lyonn 39u IPv6 52732 TCP 10.225.183.218:41525 -> 10.225.183.218:35812 (ESTABLISHED)
    java 11880 lyonn 34u IPv6 52743 TCP *: 1096 (LISTEN)
    java 11880 lyonn 37u IPv6 52745 TCP *: 33.029 (LISTEN)
    java 11880 lyonn 39u IPv6 52757 TCP 10.225.183.218:41530 -> 10.225.18

Vegeu també
 ps

Enllaços externs
 Pàgina man línia de lsof
 Plana web del creador de lsof
 Lloc (mirall) que conté el codi font i binaris, entre altres recursos.

Referències

Ordres Unix


text:
Mindebrønden (Memorial Fountain) is a fountain in stone and bronze, located in the small Greenlandic town of Qaqortoq, formerly Julianehåb, in southern Greenland. It is the older one of the only two public fountains in Greenland.

Construction
Mindebrønden is located in the middle of the small town square of Qaqortoq, and is one of the most well-known tourist sights in the city.

Construction of the fountain began in 1929 by architect Pavia Høegh (1886-1956), the grandfather of artist Aka Høegh. The fountain was finally completed in 1932, and it is the first and by far the oldest fountain in Greenland. The only other public fountain in Greenland can be found in Sisimiut.

The base of the fountain is carved from Igaliku sandstone, which is visually characteristic and easily recognizable. The distinctive stones were transported to Qaqortoq from the nearby Igaliku settlement.

The hexagonal structure in the center of the fountain has its origin in the "Anders Olsens minde" hexagonal gazebo, which stood beside Lake Storsøen, which lies just behind the town.

The fountain was protected in 1998 by the Greenlandic home rule. The fountain is turned off during the winter months.

Theme
The theme of the fountain is referencing the whaling tradition, and three bronze whale sculptures are spouting water from their blowholes at the top of the structure. The round stone basin has a circle of spouts directed towards the fountain's center pillar, showering the center with small water jets.

References

External links
 Normander, Bo
 Qaqortoq - Atlas Obscura

Qaqortoq
Whales_in_art


text:
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Take a break from the crazy but wonderful everyday life. Slow down, unwind and get carried away by a beautiful, distinctive sound presented by the talented DJ; Christian d'Or. Each year we invite DJ's to express their sound in a creative Sofa Sessions universe, where our sofa is the comfortable and inviting backdrop. A perfect occasion for slowing down, and let bygones be bygones. Read more about the rising Danish star below.
Somewhere in between legend and rising star is where you'll find Copenhagen DJ & producer/vocalist Christian d'Or. With his Disco Dick parties at the now infamous Bakken, d'Or played a big part in the reshaping of the old Meat Packing District into a serious party mecca for Copenhagen trend-setting youths.
While the Disco Dick project culminated in 2013 with the cheeky lo-fi disco-pop single "Hot Pants", this proved to be only the beginning of his career as a recording artist. As d'Or teamed up with Danish pop artist Vinnie Who for the self-released 12" "Bijoux" the following year: the epic dark disco duet would soon lead the partnership onwards to the release of the "Tough Soul" EP, which found a home with the label Sound Of Copenhagen started by the late Kjeld Tolstrup.
This fall, d'Or and Toby Ernest made the Alessi Brothers' 70es classic 'Seabird' fly again in a heartfelt duet on Kasper Bjørke EP, and 2020 sees the release of a new Christian d'Or EP on King of Kong.
Always aiming a bit below the belt, Christians public image has always hinted at the humorous decadence and sexual energy of the original disco scene of the 1970's. But far from simple gimmicks, the musical depth of d'Ors selections behind the decks speak of an eclectic vision way beyond the confines of simple genres. Without compromising, d'Or has made a mark on Copenhagen as a DJ who can both entertain and innovate.
The experienced sound
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About Bolia
Welcome to Bolia
The Bolia Newsletter
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© 2021 Bolia International


Journalist Jamal Khashoggi was strangled as soon as he entered the Saudi consulate in Istanbul as part of a premeditated killing, a Turkish prosecutor has said.
Istanbul's chief prosecutor Irfan Fidan said in a statement that the 59-year-old Washington Post journalist's body was then "cut into pieces and disposed of".
The statement is the first public confirmation by an official that Khashoggi was strangled and dismembered after he entered the consulate on October 2 to collect paperwork needed to marry his Turkish fiancee.
The case has brought near unprecedented international scrutiny on Saudi Arabia and its powerful Crown Prince Mohammad bin Salman, whom Khashoggi had criticised in his writing.
After initially insisting Khashoggi left the consulate unharmed, then saying he died in a brawl, the Saudi government has admitted he was killed by a 'rogue operation' and arrested 18 people.
Earlier today, Turkey cast doubt on whether Saudi Arabia was willing to 'genuinely cooperate' in the investigation into the murder of Khashoggi.
Riyadh sent the head of its own Khashoggi investigation, Attorney General Sheikh Saud al-Mojeb, to Istanbul this week to meet with his Turkish counterparts.
However, a senior Turkish official said Wednesday that Saudi officials seemed 'primarily interested in finding out what evidence Turkey had against the perpetrators'.
"We did not get the impression that they were keen on genuinely cooperating with the investigation," the official told AFP on condition of anonymity.
In the statement released on Wednesday afternoon, Fidan's office said discussions with Mojeb have yielded no "concrete results" despite "good-willed efforts" by Turkey to uncover the truth.
Gruesome reports in the Turkish media have alleged the journalist was murdered and dismembered by a team sent from Riyadh to silence him.
Turkish President Recep Tayyip Erdogan has urged the Saudi regime to reveal the location of Khashoggi's body and who ordered the hit.
He has also repeatedly called for the suspects to be extradited for trial in Turkey, but Riyadh has rejected the request.
The case has sorely strained relations between the ultra-conservative kingdom and the West.
France said Wednesday that 'not enough' was being done to find those responsible for the murder of Khashoggi, who was an insider in Saudi royal circles before going into self-imposed exile in the United States last year.
"This crime has to be punished and the perpetrators identified. The truth needs to come out," Foreign Minister Jean-Yves Le Drian said.
Mojeb, who was the first Saudi official to acknowledge that the killing was 'premeditated' based on the results of Turkey's investigation, arrived in Istanbul on Sunday.
He met with Istanbul's chief prosecutor twice, visited the consulate and spoke with Turkey's MIT intelligence agency.
Mojeb, who has not made a public statement in Istanbul, was headed for Ataturk airport on Wednesday afternoon to leave the city, Turkish broadcaster TRT reported.
Abdulkadir Selvi, a well-connected pro-government columnist for Turkey's Hurriyet newspaper, accused the Saudi prosecutor of "working to save the crown prince by covering up the investigation rather than shed light on the murder".
He also wrote that Mojeb was in pursuit of Khashoggi's phone, which the journalist handed to his Turkish fiancee before entering the consulate.
In an editorial published Tuesday, the Washington Post accused Riyadh of 'deflecting questions by pretending to investigate' the murder.
It said the administration of US President Donald Trump was "playing along" and "pretending to believe that the Saudis can conduct a credible probe – even though a chief suspect is the kingdom's own autocratic ruler".
The editorial also urged the US Congress to impose sanctions on those responsible – "including, if the available evidence points to him, Mohammed bin Salman – and reshape US relations with Saudi Arabia".
The affair has tarnished the image of the crown prince, who has positioned himself as a Saudi reformer. He has denounced the murder as "repulsive" and strongly denied any involvement.
Trump meanwhile has called the case "one of the worst cover-ups in history", but warned against halting a Saudi arms deal, saying it would harm US jobs.
However, relations between the long-time allies have cooled after the murder and on Tuesday, Washington called for a ceasefire and peace talks in Yemen, where the US has faced fierce international criticism for supporting a Saudi-led coalition.


text:
Home » Uncle Sam's Surprise: Tax Reform to Impact Crypto Investors
Uncle Sam's Surprise: Tax Reform to Impact Crypto Investors
AltcoinPosted on December 13, 2017 coineradmin
The U.S. tax code is on the brink of its largest overhaul in three decades.
And while neither the House of Representatives or Senate version of the tax bill (both have passed in their respective chambers and are in the process of being reconciled into a final bill) specifically addresses cryptocurrency, several rule changes could potentially catch bitcoin holders who realized eye-popping gains in 2017 by surprise.
So far, both versions scrap the "like-kind" exchange mechanism that many cryptocurrency holders have used in the past and the Senate version proposes a "first-in, first-out" (FIFO) accounting framework, which could complicate cryptocurrency token reporting.
Yet, the proponents of the reform, including President Donald Trump and the majority of Republicans on Capitol Hill, argue the goal is to make paying Uncle Sam far less torturous of a process for everyone.
Representative David Schweikert, the Arizona Republican who serves as the co-chair of the Congressional Blockchain Caucus and the Ways and Means Committee, which oversees taxation, told CoinDesk:
"With a more simplified tax code, individuals will be able to navigate the challenges that bitcoin and cryptocurrencies face with more ease."
Unfortunately for crypto-holders, the Cryptocurrency Tax Fairness Act – of which Rep. Schweikert is a co-sponsor – was left out of both versions. Neither version modifies existing capital gains tax rates, which cryptocurrency is subject to pursuant to the IRS' 2014 guidance.
Swapping crypto
Yet, the final bill will almost certainly do away with a crypto-friendly maneuver – deferring capital gains taxes on property by swapping one asset for a similar asset via a so-called 1031 like-kind exchange.
Employing such exchanges has been a common tactic in crypto trading circles in years past, but both the House and Senate bills limit this provision solely to real estate transactions.
"A lot of people have been taking the position that when they swap tokens from one type of token to another type of token or one cryptocurrency to another cryptocurrency, that's a like-kind exchange," said Lisa Zarlenga, partner at Steptoe & Johnson in Washington, D.C. and co-chair of the firm's tax group.
By swapping between cryptos, asset owners forego the short-term capital gains tax – the same as ordinary income tax rates – and then pay a lower long-term capital gains tax rate of 20 percent when the asset is sold.
According to Kelsey Lemaster, partner at Goodwin Procter in San Francisco, while current law is unclear whether this like-kind mechanism can be applied to cryptocurrencies, a good argument could be made for it in the case of swaps of assets that originate from the same blockchain, such as bitcoin to bitcoin cash.
"But then if the proposals go through, they would eliminate the ability to take this position on any exchange of crypto," Lemaster said.
First in, first out
What is more of a wild card, though, the FIFO accounting mechanism for "specified securities" could have the biggest potential impact on cryptocurrency holders.
The requirement, only a provision within the Senate version, means that, as it relates to determining the cost basis of an asset sold, the oldest goods in one's inventory would be the first to be sold.
"Normally, what you would do is tell your broker to sell the highest-cost ones first. What [the Senate] is proposing is that you can't use that anymore, that you have to use first-in, first-out," said Jim Calvin, tax partner at Deloitte, explaining:
"So, the first stuff that you bought would have to be the first stuff that you were treated as selling."
As an example, if a person bought one bitcoin at $1,000 in 2013 and another at $10,000 last month, and then decides to sell one at $15,000, that individual must sell the one bought first – the $1,000 one – and realize $14,000 worth of taxable gains (what they'd likely rather do is sell the $10,000 one first, and realize only $5,000 of taxable gains).
While the Commodities Futures Trading Commission (CFTC) has categorized bitcoin a commodity, many wonder whether this provision, since it only applies to securities, would affect bitcoin. According to Calvin, bitcoin will likely get caught up in this, because bitcoin futures started trading this week.
And even if bitcoin gets a pass, Zarlenga contends several initial coin offering (ICO) issuers, who have designed their tokens as securities, plus the issuers the SEC continues to go after, will fall under the FIFO umbrella.
"You can have tokens that have enough qualities of a security to be treated as a security for tax purposes," she said.
As daunting as FIFO may be, though, it's not certain that the provision will be in the final bill signed into law.
Since the House and Senate are currently reconciling their respective drafts, and FIFO was only in the Senate's version, it could very well be axed. Especially since many powerful interests, such as the Investment Company Institute – which represents firms in the regulated funds business – are calling for its removal.
Yet, even if it does stay on the bill, there's some good news on the FIFO front, according to Deloitte's Calvin.
For one, the provision only applies account-by-account, meaning that if the oldest bitcoins an individual owns are stored in a separate account from the bitcoins they want to sell or better yet, outside of an exchange account altogether, the rule does not apply.
"If you sell bitcoin (in 2018), you're going to be treated as selling the first one that you bought," Calvin said. "So, take it off the exchange, hold it directly and when you want to sell one, you can deliver the one you want to sell."
Practicing what he preaches, Calvin added, that he personally is taking all his crypto off of exchanges before the end of the year.
Going a step further, Lemaster said traders may want to consider selling off a significant chunk of their crypto holdings before the end of the year to minimize the capital gains realized.
He concluded:
"If people are planning to sell bitcoins in the near future, it might be worthwhile for them to sell before the beginning of the year."
Uncle Sam pig image via Shutterstock
The leader in blockchain news, CoinDesk is an independent media outlet that strives for the highest journalistic standards and abides by a strict set of editorial policies. Interested in offering your expertise or insights to our reporting? Contact us at [email protected].
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Moto E5 Play now has a new variant that runs Android Go, launched as the company's first Android Go smartphone. Lenovo brand Moto was earlier reported to be working on a new smartphone that will run the slimmed down version of Android Oreo. However, the company has introduced a new variant of the Moto E5 Play instead of launching another smartphone to offer Android Oreo (Go edition) inside.
The Moto E5 Play was launched alongside Moto E5 and Moto E5 Plus earlier this year but it was only available in the US. The new variant of Moto E5 Play will be available in European and Latin American markets. The smartphone is priced at 109 euros, which is approximately Rs 8,800. However, Moto has not said anything about the availability in India.
The new version of the Moto E5 Play supports Android Oreo (Go edition) that is suitable for the smartphones with 1GB of RAM and other toned-down specifications. Moto has been in rumours that its Android Go smartphone is in works, however, some previous reports have suggested that it could be called Moto One Power. The Moto E5 Play Android Go model comes with the stripped down versions of all the Google apps such as Gmail Go, Google Go, YouTube Go, Maps Go, and Files Go among others.
The Android Go variant of the Moto E5 Play has a 5.3-inch Max Vision display with an aspect ratio of 18:9. The company hasn't mentioned what processor it has used in this variant, however, considering the price point, there could be the same Qualcomm Snapdragon 425 processor as the regular Moto E5 Play variant. It is likely to pack 1GB of RAM under the hood along with 16GB of onboard storage and support for expandability up to 128GB via microSD card.
The Moto E5 Play Android Go edition is confirmed to bear an 8-megapixel camera on the rear with autofocus lens. There will be a 5-megapixel camera on the front accompanied by an LED flash. A fingerprint sensor at the back will also be present on the smartphone.


text:
package com.google.tsunami.plugins.portscan.nmap.option;

import com.beust.jcommander.Parameter;
import com.beust.jcommander.Parameters;
import com.google.tsunami.common.cli.CliOption;
import com.google.tsunami.plugins.portscan.nmap.option.validator.PortRangeValidator;
import java.util.List;

/** Command line arguments for the Nmap port scanner plugin. */
@Parameters(separators = "=")
public final class NmapPortScannerCliOptions implements CliOption {
  @Parameter(
      names = "--root-paths-target",
      description = "A list of application root paths to scan on the scanning target.")
  public List<String> rootPathsTarget;

  @Parameter(
      names = "--port-ranges-target",
      description =
          "A list of port ranges to scan on the scanning target. Specify the protocol to use by"
              + " prepending 'T:' (TCP), 'U:' (UDP) or 'S:' (SCTP).",
      validateWith = PortRangeValidator.class)
  // Splitting and conversion is done by the NmapPortScanner itself.
  public String portRangesTarget;

  @Override
  public void validate() {}
}

redpajama_set_name: RedPajamaGithub


VAC Men's Ministry exists to provide an environment where men have the opportunity to grow in vital relationships with Jesus Christ and other men.
Our mission is to empower men to follow Jesus Christ and fulfill their God-intended roles in the home, in the workplace, in the fellowship of believers and in the larger community.
We invite all men interested in connecting with other men to check out our weekly men's groups. We are currently running two men's groups at different times throughout the week. For more information about any of the men's groups email mensministry@vernonalliance.org or check out the Weekly Groups link.


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With a manual lymphatic drainage training uk schedule that includes six months each year on the road, Alice Cooper brings his own brand of rock psycho-drama to acer h5360 user guide fans both old and new, enjoying it as much as the audience does.
The 90s also saw the release of the albums Hey Stoopid, The Last Temptation, and Fistful of Alice, a live album.
By that time, Furnier.The original band also made an appearance in the movie Diary of a Mad Housewife in 1979, filmed the full-length feature film Good To See You Again Alice Cooper, and Alice appeared in a 1972 episode of The Snoop Sisters.Alice Cooper pioneered a grandly theatrical brand of hard rock that was designed to shock. .Drawing equally from horror movies, vaudeville, heavy metal, and garage rock, the group created a stage show that featured electric chairs, guillotines, fake blood, and huge boa constrictors, all coordinated by the heavily made-up Furnier.New Alice Cooper Date Added in Knoxville August 3rd.Other film and television appearances include The Muppet Show, Mae Wests last film Sextette, Roadie, Sgt.The Alice Cooper band formed while they were all in high school in Phoenix, and was discovered in 1969 by Frank Zappa in Los Angeles, where he signed them to his record label. .Their collaboration with young record producer Bob Ezrin led to the break-through third album Love It to Death which hit the charts in 1971, followed by Killer, Schools Out, Billion Dollar Babies, and Muscle of Love. .Drawing equally from horror movies, vaudeville, and garage rock, the group created a stage show that featured electric chairs, guillotines, fake blood and boa constrictors.Associated with that album and tour was the ground-breaking network TV special Alice Cooper: The Nightmare. .Cooper was born in Detroit Michigan, and moved to Phoenix with his family. .New Date Added in Knoxville TN with Halestorm.During this period Alice also appeared in the horror films Monster Dog and John Carpenters Prince of Darkness, and recorded songs for the soundtracks to Roadie, Class of 1984, Friday the 13 Part VI: Jason Lives and Wes Cravens Shocker.Under his direction, Alice Cooper pioneered a grandly theatrical and violent brand of heavy metal that was designed to shock.In the 80s Cooper explored different sounds, highlighted by the new wavish album Flush The Fashion, the heavy metal Constrictor and Raise Your Fist And Yell, and then 1989s melodic hard rock album Trash, which featured the massive hit single Poison and became his biggest.Each new album release was accompanied by a bigger and more elaborate touring stage show. .He continues to tour regularly, performing shows worldwide with the dark and horror-themed theatrics that hes best known for.Peppers Lonely Hearst Club Band and appearances on The Tonight Show starring Johnny Carson and Tom Snyders Tomorrow Show. .He also played (fittingly) Freddy Kruegers wicked step-father in Freddys Dead: The Final Nightmare, and appeared on Gene Wilders TV series Something Wilder as well as on That 70s Show. .Known as the architect of shock-rock, Cooper (in both the original Alice Cooper band and as a solo artist) has rattled the cages and undermined the authority of generations of guardians of the status quo, continuing to surprise fans and exude danger at every turn.
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It's a long fashion week.
We're talking about the clothes. There's an overwhelming amount of long, slim skirts and dresses, the trousers have been dragging on the floor, and shirts have been stretched into tunics.
Tory Burch, who built her business on the superflattering tunic, has elongated hers for spring. With high slits up the side, they walk that fine line between needing pants underneath or being worn without, as a supersexy dress.
Otherwise, Burch's collection was a study in what happens when things are left in nature. Think copper turning green after being exposed to air, or jewelry that oxidizes, and how that affects the colors.
The combos in this collection were very contrasty, like hot red with cool cornflower blue, or airy natural cottons paired with shiny metallics. The most striking pieces were in a patina print, combining metallic gold, green and a simple copper color.
Angel Sanchez experimented with shapes for spring. His dresses and gowns — high on the glamour quotient — each had something that gave them shape. There was what looked to be a peplum, but it was oversized and swept down the body. Jeweled necklines were slightly hidden by a standup collar. And hips were shaped for a slightly exaggerated but superflattering look.
Alice & Olivia's Stacey Bendet was looking for daytime glam this season. Her presentation at Skylight Clarkson midday on Tuesday offered a bit of that for crowds that vied for cocktails and a glimpse of the designer, who is due to have her third child next week. The collection was colorful — poppy red, aqua and blue chambray that jumped to attention against the camel and sand base fabrics. And in typical Alice & Olivia fashion, it was all ornate enough to make a statement.
Milly's spring 2016 collection was a back-to-basics take on streetwear. The designer took the raw beauty of midsummer romance and mixed it with dramatic sculptural shapes and minimalist styling. Cascading skirts and plunging necklines gave a flirtatious twist to the otherwise soft and refined ensembles seemingly appreciated by the audience, which included front-row filler Solange Knowles.