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Universal Classic Monsters: Complete 30-Film Collection First Time Ever on Blu-ray!
FOR THE FIRST TIME EVER, A LANDMARK COLLECTION SHOWCASING THE LEGENDARY MONSTERS IN MOTION PICTURE HISTORY
UNIVERSAL CLASSIC MONSTERS: COMPLETE 30-FILM COLLECTION AVAILABLE ON BLU-RAY™ ON AUGUST 28, 2018 FROM UNIVERSAL PICTURES HOME ENTERTAINMENT
Universal City, California, August 22, 2018 – Thirty of the most iconic cinematic masterpieces starring the most famous monsters of horror movie history come together on Blu-ray™ for the first time ever in the Universal Classic Monsters: Complete 30-Film Collection on August 28, 2018, from Universal Pictures Home Entertainment. Featuring unforgettable make-up, ground-breaking special effects and outstanding performances, the Universal Classic Monsters: Complete 30-Film Collection includes all Universal Pictures' legendary monsters from the studio that pioneered the horror genre with imaginative and technically groundbreaking tales of terror in unforgettable films from the 1930s to late-1950s.
From the era of silent movies through present day, Universal Pictures has been regarded as the home of the monsters. The Universal Classic Monsters: Complete 30-Film Collection showcases all the original films featuring the most iconic monsters in motion picture history including Dracula, Frankenstein, The Mummy, The Invisible Man, The Bride of Frankenstein, The Wolf Man, Phantom of the Opera and Creature from the Black Lagoon. Starring some of the most legendary actors including Bela Lugosi, Boris Karloff, Lon Chaney Jr., Claude Rains and Elsa Lanchester in the roles that they made famous, these films set the standard for a new horror genre and showcase why these landmark movies that defined the horror genre are regarded as some of the most unforgettable ever to be filmed.
Universal Classic Monsters: Complete 30-Film Collection includes a 48-page collectible book filled with behind-the-scenes stories and rare production photographs and is accompanied by an array of bonus features including behind-the-scenes documentaries, the 1931 Spanish version of Dracula, Featurettes on Bela Lugosi, Boris Karloff, Lon Chaney Jr., and Jack Pierce, 13 expert feature commentaries, archival footage, production photographs, theatrical trailers and more. The perfect gift for any scary movie fan, the collection offers an opportunity to experience some of the most memorable horror films of our time.
The Universal Classic Monsters: Complete 30-Film Collection includes Dracula(1931), Frankenstein (1931), The Mummy (1932), The Invisible Man (1933), The Bride of Frankenstein (1935), Werewolf of London (1935), Dracula's Daughter (1936), Son of Frankenstein (1939), The Invisible Man Returns (1940), The Invisible Woman (1940), The Mummy's Hand (1940), The Wolf Man (1941), The Ghost of Frankenstein (1942), The Mummy's Ghost (1942), The Mummy's Tomb (1942),Invisible Agent (1942), Phantom of the Opera (1943), Frankenstein Meets the Wolf Man (1943), Son of Dracula (1943), House of Frankenstein (1944), The Mummy's Curse (1944), The Invisible Man's Revenge (1944), House of Dracula (1945), She-Wolf of London (1946), Abbott and Costello Meet Frankenstein (1948), Abbott and Costello Meet the Invisible Man (1951), Creature from the Black Lagoon (1954, and includes a 3D version), Abbott and Costello Meet the Mummy (1955), Revenge of the Creature (1955 and includes a 3D version) and The Creature Walks Among Us (1956).
BONUS FEATURES:
Behind-the-Scenes Documentaries
3D Versions of Creature from the Black Lagoon and Revenge of the Creature
1931 Spanish Version of Dracula
Featurettes on Bela Lugosi, Boris Karloff, Lon Chaney Jr., and Jack Pierce
13 Expert Feature Commentaries
Archival Footage
Production Photographs
Theatrical Trailers
Filed Under: Film Headlines Tagged With: 13, 1930s, 1931, 1932, 1933, 1935, ...
Terry Dale Parks talks about roles in "Terminator Genisys" and "Maze Runner: The Scorch"
Terry Dale Parks has appeared in numerous television series and films. Some of his work includes appearances on "Homeland" and "Prison Break" to "Thor" and "Olympus Has Fallen". Terry recently just finished work on "Terminator Genisys" and "Maze Runner: The Scorch". Media Mikes had the chance to speak with Terry recently about his work on the two films as well as some of his other upcoming work.
Adam Lawton: What can you tell us about your work on "Terminator Genisys"?
Terry Dale Parks: That started off kind of funny. I had started out thinking I was going to New Orleans to work as that's where a lot of the film was shot however at the last minute I ended up going to San Francisco. I do some stunts in the film as well as playing a character. The role I play is actually that of a guy who is in charge of one of the cybernetic research facilities. This was such a great film to work on. The thing Director Alan Taylor wanted to do was to make this film feel like the original James Cameron "Terminator" films. The film is sort of picking up where the originals left off. Having Arnold back in the film and getting to work around him was really a treat for me.
AL: What was your take on the "Terminator" series prior to working on it and how do you feel it fits in with the previous films?
TDP: I grew up with "Terminator" and the first 3 movies are really what I consider to be it for me in the series. Growing up in the 80's and with that classic "I'll Be Back" phrase that's really where I see this new film fitting in. It really goes back to the originals. There's a lot of heart in this film and it's not just constant CGI effects. That's the thing I loved about the original films was that all the characters had these dynamic relationships. Genisys has some great surprises and I think people are really going to like the film.
AL: You also are going to be appearing in "Maze Runner: The Scorch". What can you tell us about that project?
TDP: I had never really heard about the first film. I ended up going to see the film one day not knowing what to expect and ultimately I found the film to be really interesting. What I loved about it is was how the relationship between the kids in the film developed. As the film went on it felt like they were this little family. So literally the next day after seeing the first film I got a call from my agent asking if I would be interested in reading for the film. I actually read for several different roles when I went in. I ended up landing a role where I am in charge of a facility where the kids are taken. I can't really say much more than that. "The Scorch" literally picks up where the first film ended and it's almost like watching your favorite Sci-Fi series and this is the next episode. What I found with working on this project is that the kids in the film have such a great relationship off screen that it seems to carry over to on screen. They are all great kids and it was a real pleasure working with everyone.
AL: You have a pretty extensive television resume as well. Do you find it difficult to transition between television and film roles?
TDP: There are long hours and hard work that go into both. Sometimes when you are working on a television show you might be working on 4 different scripts which are being shot on a couple different sets all in one day. With a film you're working on one thing so you are only focusing on certain scenes each day. With the television stuff I have to spend a little bit more time making sure I have everything set and am on the right page so to speak for each shot as like I said before a lot of times were working on multiple episodes at one time.
AL: Since were on the topic of television can you tell us about working on "Astronaut Wives Club"?
TDP: That was such a great and fun cast to be around. The show is going to be a 10 part mini-series on ABC. I think people are going to find this show very appealing as I think it has something that appeals to all demographics. For the guys the astronaut angle I think will be very interesting. At times the show also has a "Desperate Housewives" feel to it as it showcases a lot of the drama that these guys went through. When the ten episodes are up I wouldn't be surprised if they don't order more. It's based off of a series of books so there are more options if they choose to continue on with it.
AL: Are there any other projects you have in the works that you would like to mention?
TDP: I did a project with Kyra Sedgwick titled "Big Sky". That's should be an interesting film that I think people will like. It's definitely a thriller and also stars Bella Thorne and Frank Grillo. I am very excited for that to come out.
Filed Under: Film Interviews, Interviews Tagged With: dale, genisys, maze, parks, roles, runner, ...
Al Sapienza talks about roles in "Taken 3" and "Godzilla"
You may not know Al Sapienza by name but you surely know his face. Probably best known as Mikey Palmice on "The Sopranos," Sapienza has appeared in over 200 films and television programs. On the big screen he's been seen in films like "Pretty Woman," "Free Willy 2" and "Lethal Weapon 4" while on television he's co-starred on such programs as "Law and Order," "NYPD Blue" and "Blue Bloods." He has also appeared in both the 1998 and 2014 versions of "Godzilla" This week Mr. Sapienza can be seen alongside Liam Neeson in "Taken 3." To help promote this appearance Mr. Sapienza took time out to talk to me about what he does and why he does it.
Al Sapienza: Where are you calling from?
Mike Smith: Kansas City.
AS: Kansas City? I love Kansas City. I played the Uptown Theater there. I had some great times in Kansas City.
MS: You wouldn't want to be here today…it's three below zero! So what attracted you to do "Taken 3?"
AS: I'm one of those actors who loves to work. I love to work. And I don't look at work as "work." I honestly don't. When I'm working I'm not working. I'm working when I'm not working! It's fun being creative…being around creative people. Even though I've been an actor for 30 years I'm also a fan. I love it. I love movies…I love TV…I love the theater. Before I went on the audition I watched the original "Taken." To be honest I hadn't seen it but since I had the audition for "Taken 3" I watched it and I really liked it. Then I watched "Taken 2." I'm a tremendous fan of Liam Neeson. I think he's incredible in everything he does. He throws himself into every part he does. And now I finally have the chance to work with him. And it turns out that he's just a real regular and good guy. Plus it's a big movie…it's a big franchise with a big following.
MS: You've appeared in other sequels. Is it difficult going into a project like that…one that might have an already established cast and crew?
AS: It's funny. It's all the same. If you're acting correctly…if your just totally in the moment…if you've created this fake reality in your imagination and in your mind and just be real yourself…on the acting standpoint it doesn't matter if it's a sequel or a one shot deal. You shoot to do a great job all the time. And to me, that's what is cool about acting!
MS: You've done a lot of both film and television. Do you have a preference?
AS: Good question. The only difference to me is that it's a longer process on a film. You have more time to be creative…they have more time to shoot. Sometimes for a movie that's an hour and a half you shoot for seven weeks where on a television show that's an hour long you shoot for eight days. TV really gets your adrenaline going…it really makes you feel good about yourself. When you get to the set and six in the morning you better know your lines…and everybody else's lines. TV is really more demanding, because you have to be ready to just knock it out where on a film you have more time. What I'm really excited about is cable television. I think that the movies are moving towards being corporate franchises…Batman, Spider-man, Transformers. They keep trying to do this multi-million dollar franchises with all of the marketing and promotions. I think cable television is going to continue to be cutting edge.
MS: Speaking of multi-million dollar movies, you have the rare distinction of having appeared in both 1998's "Godzilla" as well as this past year's version. Do you have a favorite?
AS: That's a tough one. The director of this past "Godzilla" (Gareth Edwards) had done a great film called "Monsters." He did it on an incredibly small budget, doing all of the special effects himself on his laptop. I really enjoyed working with him, he was such a special guy. I also enjoyed the earlier one, working with Roland Emerich and Dean Devlin. But I think I enjoy Gareth's film better because I think he tried to be more like the old, classic films…more about science and science fiction.
MS: Normally I'd ask what your next project would be, but if the Internet Movie Data Base is to be believed you have no less than 22 projects between now and next year. So I guess I'll ask what you do in your spare time?
AS: (laughs) Spare time? I'm an actor, I don't need spare time. I like to play football on Saturday mornings. There is a long running game played in New York that has been going on since 1964. They play every week, be it snow or rain. As for what is next, I'm very excited about a mini-series running now called "Ascension," which will be shown on the SyFy Channel. It's a very, very interesting show with a very, very interesting concept. That's what I'm really excited about at the moment.
Filed Under: Film Interviews, Interviews Tagged With: 3, al, godzilla, roles, sapienza, talks, ...
Gerrit Graham talks about roles in "Phantom of the Paradise" and "Used Cars"
New York born, Gerrit Graham grew up in the Midwest and began his acting career at the age of eight in a stage production of "Winnie the Pooh." He was the manager of the Columbia Players at Columbia University and it was while he attended school that he began his association with filmmaker Brian De Palma.
Among his best known roles are Beef in "Phantom of the Paradise" (recently released on Blu-ray), the overly superstitious Jeff in the classic comedy "Used Cars" and Franklin on the animated hit "The Critic."
As he prepared for his recent appearance at this years Chiller Theater Expo Mr. Graham took some time out to answer some questions about his long and continuing career.
Mike Smith: You began your film career by appearing in three early Brian De Palma films. How did that relationship come about?
Gerrit Graham: I was a sophomore at Columbia University in NY, and was the head of the Columbia players, the college theatre company. One day I got a phone call from a guy who said that he had been the former head when he was there, and he was trying to make a film and he was hoping that the players could give him some help for rehearsal space, wardrobe, etc. He also mentioned that he was looking for two or three experienced actors, preferably in comedy. He had hoped to find someone in the Fine Arts Department. He gave me an address and said to send any interested actors to see him. I asked his name and he said "Mr. Brian De Palma". Instead of sharing the address, I went down myself to see him. I spent the next three or four afternoons in the producer's apartment, his name was Chuck Hirsch. I met with a variety of actors and eventually got the role, which was for the film "Greetings," De Palma's first feature film. It got a real release and ended up being a hit. A year later I got a call from Brian saying that he was making a sequel to "Greetings," which was "Home Movies." He offered me a role, which I of course accepted. We continued working together for many years because we trusted each other.
MS: How did you come to be cast as Beef in "Phantom of the Paradise?" My understanding is that you were originally slated to play Winslow?
GG: No, I was originally hired to play Swan. Then Paul Williams, who would become an Oscar winner and at the time was a very popular songwriter in LA had a agreed to play the Phantom in exchange for doing the music score. Paul then decided that he didn't want to play the Phantom and instead wanted to play the villain. This meant that William Finley, a good friend of Brian De Palma's, could play the Phantom, which was written by Brian for Finley. This meant I couldn't play Swan anymore and Brian said he had another role; a character called "Capt. Beef". I asked Brian what this character was like, and he said "a rock and roll star". So that sounded like a lot of fun to me. A Sha-Na-Na type character was something that sounded like fun to me. It turned out that was not what he wanted. He flew me out from NY to meet with Paul Williams and the two of them kept making this Beef character seem more like Little Richard. "What do you want," I said? They said "flamboyant", which at the time in Hollywood meant "gay". So I did a few lines in the Beef accent and lisp, and they loved it, burst into laughter and said, "that's it!" That's how the character was born.
MS: Are you as superstitious as Jeff, your character in "Used Cars?"
GG: No. I have a few superstitions that I do, like not walking under ladders, but that's just common sense because you don't want anything to fall on your head from the ladder.
MS: I've read that you actually did shoot the cars during the television commercial. Is that true? What kind of precautions did you have to take? (NOTE: In the film, Mr. Graham's character films a car dealer commercial in which he takes a shotgun to the high prices posted on the windshields. The scene ends when he exclaims "Is this a 1974 Mercedes 450SL for $24,000? That's too fucking high!" He then pushes a plunger and blows the car to pieces.)
GG: I did the shooting with blanks in the shot gun, then they brought in a stunt double who was a trained guns man. He did the scene shooting real shells at the car. I was standing there watching him, and all the other scenes were me.
MS: When's the last time you were in a red car?
GG: I actually had a red car when I was about 22 years old. I had a red Saab Station Wagon. It was a good car! Since then I may have rented a red car or two, but nothing bad has ever happened.
MS: You've done both comedy and drama. Do you have a preference?
GG: No, not really. They are two different arrows in my quiver. Each are enjoyable in their own ways and have their own rewards. It just happens that I've done more comedy, but that wasn't by choice. It just happened!
MS: Same question, film versus television. Preference?
GG: TV is just another arrow in my quiver as well. It depends on what kind of TV show it is. A half hour comedy or an hour long drama are a bit different. An hour long TV show is more like a film, because you shoot out of sequence. A half hour TV show is nice because you shoot in sequence from beginning to end. Other than the fact that they spend a lot more money making a film than a TV show, the work is pretty much the same. The end result is just a question of how good it turned out.
MS: You have a couple of Disney writing credits. How did that come about?
GG: I had a writing partner, and we just decided to try to write stuff to see if we could sell anything. I had made films with a producer named Phil DeGuere. He had done a number of shows, including the new "Twilight Zone" series. My partner and I pitched Phil stuff that we wrote, and we ended up writing three episodes of "The Twilight Zone." At that point, my brother had joined as a third writer, and we continued to write. I honestly can't remember how we got connected to Disney. We contributed extra material to "The Little Mermaid" and some other Disney films. We also wrote "Prince and the Pauper," which was Mickey Mouse's first feature in a great number of years.
MS: You've done a lot of animated voice work. Is that type of performing easier or harder than actually being on screen?
GG: It's easier, because you don't have to shave! There's no make up, and you can do endless takes if necessary, without cutting, stopping, or changing scenery or wardrobe. My best known animated work is played Franklin on "The Critic." That was a lot of fun! I got to work with a lot of really funny people and some microphones. We struggled with trying to keep each other from cracking up during recordings.
MS: What are you working on next?
GG: I'm working on finding work! Preferably, voice over work.
Filed Under: Film Interviews, Interviews Tagged With: cars, gerrit, graham, paradise, phantom, roles, ...
William Shockley reflects on roles in "Dr. Quinn: Medicine Woman" and "Showgirls"
William Shockley (born September 17, 1963) is an actor and musician. Shockley was born in Lawrence, Kansas. He graduated from Texas Tech University with a degree in political science. Shockley has appeared in many movies and TV shows including Welcome to Paradise, In Justice, Showgirls, The Joyriders, and most notably Dr. Quinn, Medicine Woman in which he played Hank Lawson. He also appeared in the 2007 film Treasure Raiders.
Mike Smith: You led a rather nomadic lifestyle as a young man. Did that experience help prepare you for the different roles you've played as an actor?
William Shockley: Moving around all the time during my childhood actually proved to be a huge plus. I can pretty much travel anywhere and feel comfortable with my surroundings. I was forced to learn how to acclimate and get along with strangers. I'm sure that living in different parts of America and living abroad in Europe gave me insight and perspectives that I have woven into various characters.
MS: You've done a lot of episodic television, most notably "Dr. Quinn: Medicine Woman." Is there a comfort as an actor when you're adding to the same character each week as opposed to a one-shot film character?
WS: Being a series regular on a television show like "Dr. Quinn, Medicine Woman" was a true gift. I loved the privilege of developing a character over a 6-year run. I became very attached to the role of "Hank Lawson". He was a complex character… lots of layers, which is wonderful. He was one guy on the surface, and a totally different person in his heart. The great writing on "Dr. Quinn" was a huge bonus. I've done many films as well, and I seem to always want to do a sequel to a film when I have a character that I connect with and enjoy portraying. I feel this way about "Born Wild", a film coming out this summer, where I co-star with Barry Corbin, Kix Brooks (of "Brooks & Dunn"), Tanya Clarke, Joe Lando and Justin Deeley. The role in "Born Wild" is "CJ Jennings"… a guy with a wayward, troubled past, who goes back home to reconcile his future. "CJ" has so many issues and so much baggage, yet at the end of the day, he finds redemption. I also got to reunite with Joe Lando, from "Dr. Quinn", on this film. Joe is a dear friend and it was great to be back on a set with him.
MS: You're upcoming film, "Reaper," teams you up with "Starship Troopers'" Jake Busey. Did the two of you get to trade any Paul Verhoeven stories?
WS: I actually didn't have any scenes with Jake. I worked with Danny Trejo and Vinnie Jones, both great actors and a lot of fun to be around.
MS: In the almost 20 years since it's release, "Showgirls" has blossomed into a cult hit, with midnight showings ala "The Rocky Horror Picture Show." Did you have any idea when you were making the film that it would still resonate all of these years later?
WS: I don't ever have a preconceived idea of how a film will resonate with the audience. As an actor, all I can do is prepare to the best of my ability, show up on the set, and deliver the goods. The rest is up to the director and producers and other actors in the film. You can only control yourself in this type of setting, and then, anticipate the best.
MS: What do you have coming up next?
WS: I actually have several films coming out in 2014. "Ambush at Dark Canyon", a western that Team Two Entertainment produced (my production company) starring Kix Brooks and Ernie Hudson, was released January 14 and is available on DVD at Walmart. This summer I'm in two films, "Born Wild" and "Dug Up", a redneck-stoner-zombie-comedy. Later in the year "Reaper" will come out, followed by "Finding Harmony" with Billy Zane and Allison Eastwood, and a western, "Hot Bath 'An A Stiff Drink", with Ronnie Blevins and Grainger Hines. My partners in Team Two Entertainment are Kix Brooks, Dustin Rikert and Eric Brooks. We have a big announcement being made this Spring. There's a really awesome deal being set up that I'm very excited about. Stay tuned for those details.
Filed Under: Film Interviews, Interviews Tagged With: dr, medicine, quinn, reflects, roles, shockley, ...
Faran Tahir talks about roles in "Elysium" and "Escape Plan"
When both you're mother and father are well known in the theater it's almost guaranteed that you will follow in their footsteps. Faran Tahir was born in Los Angeles while both of his parents studied acting and directing at UCLA. After completing their studies the family returned to their native Pakistan where they both established prominent careers. His father, Naeem, currently serves as the Director General of the Pakistan National Council of the Arts. Returning the America at age 17, Tahir attended the University of California at Berkley, where he graduated with a BA in Theater. He later earned his Graduate Degree at Harvard.
He made his feature film debut in Disney's live action telling of "The Jungle Book" and is best known for his roles in "Iron Man" and J.J. Abrams re-boot of "Star Trek." He also has a recurring role on TNT's new incarnation of the popular television drama "Dallas." Later this year he will be seen opposite Sylvester Stallone and Arnold Schwarzenegger film "Escape Plan." This week he stars as the President alongside Matt Damon and Jodie Foster in Neill Blomkamp's "Elysium." I recently spoke with Mr. Tahir, touching on his new films, his love of science-fiction and working with his parents.
Mike Smith: You've done a lot of sci-fi/fantasy genre' projects: "Lost," "Star Trek," "Warehouse 13" and now "Elysium." Is that something you enjoy? Do you intentionally seek out those projects?
Faran Tahir: I do enjoy it. It's a lot of fun. I think it's thought provoking. I think it tickles the imagination. And I like the fact that those kind of stories have very high stakes. Part of it is because I come from a theater background. If you've done any theater…any Shakespeare or Greek tragedy…the stakes are as high. I like the theatricality of science fiction. Do I seek it out? Yes, I do seek it out but not at the expense of other genre's or other kinds of stories. I try not to get too complacent. If I do too many bad guys I try to play a good guy. If I do too much science fiction I try to do something else. I try to keep as much of a balance as I possibly can. I have "Elysium," which is science fiction. I have "Escape Plan," which is an action movie. I have two independent features coming out. One is an emotional drama about two families losing their children in a mall explosion ("Torn"). I play the father of one of the families. The other is a supernatural thriller ("Sara's Cell"). So yes, I do like science fiction but I also need to make sure that I don't get pigeon holed in just that genre.
MS: Can you talk a little bit about your role in "Elysium?"
FT: Sure! Elysium is a space station. A Utopian space station where all good things happen. Cancer is cured. The temperature never goes above 75. All of that good stuff. All of the grunt work to support Elysium happens on Earth. So the people on Earth desire to get up to Elysium while the people on Elysium don't want the people from Earth coming over. I play the newly elected President of Elysium. My character is a politician. He's nuanced. He's very careful about how he deals with issues. He doesn't want to hurt his base supporters both on Elysium and on Earth. The counter to him is the secretary of defense, played by Jodie Foster. She has a totally different idea on how to deal with these issues. There's a nice, dynamic tension between these two characters of how they're going to deal with the issue of the Earth people trying to come in and what are the resolutions to the situation.
MS: Where you a fan of Neill Blomkamp's previous film, "District 9?"
FT: I'm actually a fan of Neill! You can sense that he's a very bright guy. What I love about his work, and it's true for both "District 9" and "Elysium," is that he takes a hot-button issue and then he just slightly bases it in the fictional zone. But not so far in the fictional zone where you lose connection to it. "District 9" was a statement on apartheid. "Elysium" deals with other hot-button issues, like elitism and immigration. You can swap the words "Elysium" and "Earth" for "Developed Country" and "Under-developed Country." You can say "the US" and "Mexico" and have the same dynamics. He works with some really great premises and presents them in a really fun way. I feel blessed that I got to work with him because he is really and truly a genius. He doesn't push…you know exactly what he wants…but he never pushes his vision. He lets the actors get there organically. He trusts that you will get there with his guidance.
MS: A real change of pace role is Frank Ashkani on "Dallas." Any chance of you coming back next season?
FT: (laughs) Here's what I have to say about that. The story goes that anything is possible in science-fiction and on soap operas. So we'll see what happens. (laughs) I could come back as the twin brother of the character…we'll see. I really don't know yet.
MS: Both of your parents are well regarded actors and directors in the theater. Have you ever performed with them?
FT: I have, actually. Back home the first television show I did was with my mom, which was kind of interesting. I've been directed by my father. And what I loved about it was that, although they were my parents, they were also consummate professionals. They would completely turn that side off and deal with me just as an actor when you were in a scene with them or being directed by them. All of the domestic issues could just wait. And it was a great thing to learn how to leave all of that behind when you're working on something.
MS: You mentioned "Escape Plan." Can you give us a quick preview?
FT: "Escape Plan" comes out in October. It's a prison escape picture. The three of us…Stallone, Schwarzenegger and I…break out of a prison together. It was a lot of fun.
MS: Anything after that and the two independent projects?
FT: No. Right now I'm concentrating on those projects. After that we'll see.
Filed Under: Film Interviews, Interviews Tagged With: elysium, escape, faran, plan, roles, tahir, ...
Brian Tee talks about his roles in "Mortal Kombat: Legacy 2" and "The Wolverine"
Brian Tee worked on projects like "The Fast and the Furious: Tokyo Drift" and TV like "Grimm" and has a busy year a head of him. He is playing the role of Liu Kang "Mortal Kombat: Legacy 2" and Noburo Mori in "The Wolverine". Media Mikes had a chance to chat with Brian about his roles and what we can expect.
Mike Gencarelli: Tell us about how you ended up taking on the role of Liu Kang "Mortal Kombat: Legacy 2"?
Brian Tee: I heard about "Mortal Kombat: Legacy 2," while I was shooting "The Wolverine" in Australia. I knew of the Series through one of my best bro's Ian Anthony Dale. He plays Scorpion in the "Mortal Kombat: Rebirth" Trailer and in Season 1 & 2… he's a brilliant actor and crushes it as the Scorpion. He's perfect for the role. So I called him and asked about his experience on the shoot and working with Kevin Tancharoen. He had such high praise and I was already a huge fan of Kev's work, so I had to be a part of it. BUT, I have to admit, at first I was like "hell no, I won't play Liu Kang!" to be honest, as a kid popping quarters in the MK video game, I hated playing Liu. He just seemed to me to be a caricature of the stereotypical kung-fu guy. So when the role was brought up, I was the first person to think I wasn't right for the role… I love playing characters with depth and complexities that at first glance, Liu never had… UNTIL, I read the script and talked to Kevin about it. The script blew me away and completely transformed Liu into something I'd love to sink my teeth into. And as we spoke, Kevin and I were on the same page, with what we wanted and didn't want Kang to be. So with Kev's genius vision we created this now anti-Hero character and took Liu to a completely new image and darker place, with the grounded visceral justice that this version of Liu Kang deserves.
MG: How did you prepare to play such an epic and important character?
BT: Pleasantly surprised, this character really pushed me as an actor in so many ways, both emotionally and physically. Because you're right, Liu Kang is an already iconic figure, so it's harder for fans to relate to him. And that was my focus… I worked on connecting to the being, not the figure. I really wanted to delve deep within the soul of the man, not the image of character… Not to get too "actor-e," I wanted to bring a grounded reality and create the person, not the persona… so that fan's can connect to him as I did. Physically, I knew there were huge shoes to fill playing this epic character. I know I had to step up my game in order to successfully pull off what I wanted to withLiu, in the series. I was pretty adamant that I wanted to try to do the majority of the stunts the character demanded… but that respect is earned, not given. So I knew I had to prove myself. You don't just go up to the greatest stunt coordinator in the game, Garrett Warren, and say "yeah, I can do that"… you have to work for it. So with the help of Garrett, the amazing stunt choreography Larnell Stovall created, my stunt double Kim Do training me personally, and along with some of the best stunt guys in the business… I had the good fortune to work my way into the fights, and be worthy enough to do the majority of them… which inevitably helped me embody Liu even more. I'm really proud of the Liu we created… and hope the fans enjoy him as much as I do!
MG: What can we expect from your episode in the web series?
BT: I am actually in quite a few episodes throughout the series, but I'm really looking forward to episode 1. It's the first of this season and sets the series off… so there is a lot riding on it. I know there are a lot of expectations from the fans out there considering how awesome Season 1 was. But I got gotta tell ya, I can't wait for the fans to see whats in store this season. Episode 1 establishes Liu Kang like you have never seen him. I think it will go beyond the expectations they might be used to with Kang… because we completely turn this character upside down. And not to mention, the fight scene is just jaw dropping! This episode moves you in ways fan's won't soon forget and I hope will keep them wanting to come back for more!… because that's just the beginning!
MG: What is your favorite move or fatality for the character?
BT: My favorite Liu Kang fatality has to be the "double flip kick into the uppercut"… I'm old school.
MG: You've done films like "The Fast and the Furious: Tokyo Drift" and TV like "Grimm"; how does a web-series compare?
BT: This Web-Series was pretty much shot like a feature film, so in comparison there is no difference. Though it was a much smaller budget compared to other mediums, what Kevin, the cast and crew did with the limitations, is unbelievable. It looks and feels like a major studio feature separated into episodes for the web.
MG: Do you think we will be seeing more of you as Liu Kang, perhaps in the upcoming feature film?
BT: I hope so. Though nothing is set in stone, I think if the fan's come out to watch the Series, they'll be the judge.
MG: Tell us about your role Noburo Mori in "The Wolverine"?
BT: Noburo Mori is the character I play in "The Wolverine." He is a politician that I feel, rides the line between good and evil, and will do whatever it take for political gain… But I guess that's most politicians. 😉 Without giving too much away, he is arranged to be married to Logan's love interest, so you can imagine it won't end pretty. But also… this installment of "The Wolverine" is epic! Fan's are really going to enjoy James Mangold's mastery in bringing a side of "The Wolverine" fans have never seen. Along with the unbelievable action at the biggest scale, James has brought new layers and a depth fans will appreciate and relate to. Logan is vulnerable both physically and emotionally, its a war against his own nature and he must finally embrace who he is. It's actually not to dissimilar to our take on LiuKang… both have demons inside of them that they have to overcome in order to find their true self.
MG: What else do you have in the cards for 2013 and beyond?
BT: Well, I just finished a new TV pilot called "Anatomy of Violence," starring Skeet Ulrich, Amber Tamblyn and David Harewood, directed by Mark Pellington. Its from the creators of "Homeland,"… which I love, so it was great to work with the creatives and to be a part of this amazing cast and show. I'm also wrapping this incredible art house indie, called "The Beautiful Ones," starring my good buddy Ross McCall and directed by Jesse V. Johnson. Ross is awesome in it and Jesse's vision is remarkable. I'm also up for this dark suspense thriller with some legendary actors… fingers crossed. And of course, I'm looking forward to reprising the role of Liu Kang in the feature… but we'll have to wait and see. In the mean, I'm pumped for the "Mortal Kombat: Legacy 2" Web-Series to come out and see the response of the fans!… maybe they'll decide.
William Forsythe talks about roles in "Happy in the Valley" and "Boardwalk Empire"
New York Film Fest "Birdman" Press Conference
"Intramural" Takes the Field at Tribeca Film Festival
Director of "Tourist Trap" and "Puppet Master", David Schmoeller talks about his new film "Little Monsters"
Snap Creative's Bill Howard chats about "Transformers: Age of Extinction"
Filed Under: Film Interviews, Interviews Tagged With: 2, brian, kombat, legacy, mortal, roles, ...
Luke Evans talks about his roles in "No One Lives" and "Fast & Furious 6"
Luke Evans is a name that might sound familiar but you may not be able to put a face to the name…yet. This guy was the star of last years "Immortals", which he played the role of Zeus. Since then he has taken on the lead villain role in "Fast & Furious 6", worked with Peter Jackson on "The Hobbit: The Desolation of Smaug" and "The Hobbit: There and Back Again" and recently become attached to the remake of "The Crow". But before all those films, he did a gritty horror film called "No One Lives from WWE Studios. Media Mikes had a chance to chat with Luke about his role in that film and comparing it to his upcoming larger scale projects.
Mike Gencarelli: What was the drawing factor for you to play "Driver" in "No One Lives"?
Luke Evans: When I read the script, I couldn't help but really get behind this character. He had such a great switch from being the typical guy to this crazy psycho. I thought it would be fun to be able to tackle both of those aspects of him. He really does some sick things in the film but was real blast to play.
MG: How did you prepare for the role to get into mind of the crazy son-bitch?
LE: Well to be honest, I tried more not to stay in the mind of this "crazy son-bitch", as you say. I am an actor, so I would get into the character and do my scenes and then flipped the switch back. Some of the things he does in this film are pretty crazy like hiding inside of a body. So I didn't want to spent too much time inside Driver's head [laughs].
MG: What was you biggest challenge working on the film?
LE: I would have to say it would have to be some of physical things that Driver has to do in the film. I was literally covered in blood throughout. I even remember that my fingernails had a permanent red coating for the entire shoot. So that took some getting used to.
MG: I'm a big fan of "Versus".. How was it working with the director Ryuhei Kitamura on his only second U.S. film?
LE: It was great actually. When we met we really hit it off and we really understood each other. I liked his ideas for the character and he liked the way I was planned to execute it. We had a very symbotic relationship and it made things easier during the shoot.
MG: Sticking with playing the bad guy, we go to your role of Owen Shaw in "Fast & Furious 6". What do you enjoy most about taking on these villanious roles?
LE: It is great to play the bad guy. Owen Shaw in this film is just such a great villain. This guy never wants to go down and fights really hard. Also there is a lot that you can do with roles like this that gives you as an actor a lot of room to grow and develop.
MG: How was it going from going from a low budget film like "No One Lives" to two gigantic epic films like "Fast & Furious 6" and the two upcoming "The Hobbit" films?
LE: It is quite different. But I really enjoyed doing both kinds of film. When we were shooting "No One Lives", it was in the middle of the blistering Summer in Louisiana and it was extremely hot. Literally when I finished that shoot I went straight to New Zealand to start working on "The Hobbit" films, so it was a real transition. I do not mind if I do not have a large trailer with catering service while working on a film. I just enjoyed though the change and being able to switch between the two very different types of production.
MG: You have been on every news page I've seen this week about you becoming attached to the remake of "The Crow"; are you excited about taking on this role?
LE: Yes, I am very excited for this film. It is going to be great and I can't wait to start shooting. I hope the fans of the original are going to enjoy it as well.
Filed Under: Film Interviews, Interviews Tagged With: 6, evans, fast, furious, lives, luke, ...
Diane Franklin reflects on her film roles of the 80's and talks about her book
If you grew up in the 80's, and was a guy (or maybe even a girl) then you probably had a crush on Diane Franklin. She started her film career with "The Last American Virgin" and from there took over the 80's in film. She was in films like "Amityville II: The Possession", "Better Off Dead", "Bill and Ted's Excellent Adventure" and "TerrorVision". Media Mikes had a chance travel back to the 80's with Diane, chat about her films and most importantly her new memoir, "Diane Franklin: The Excellent Adventures of the Last American, French-Exchange Babe of the 80s".
Mike Gencarelli: What made you want to write your memoir, "Diane Franklin: The Excellent Adventures of the Last American, French-Exchange Babe of the 80s"?
Diane Franklin: When I decided I wanted to write a book about my career. I looked back and I realized that I have done so much. I also look back and I think how 80's it was. The films that I did were popular but more on a cult popular aspect. My kids are teenagers now, but when they were young they were my top priority. You always think about passing things on to them when they get older. They won't know me as Diane Franklin. I am mom to them. Even though I did so much work in films. My role in the business was also very unusual. I started so young and I worked in various aspects of the business. I thought to myself that I need to write all this down. Firstly, since I wanted it on paper before I forgot it all [laughs]. I was in what movie? The other thing was that I wanted my kids to know my life before I was mom. Nobody can tell that story. My husband can't tell it. My friends can't tell it.
MG: How did you end up self-publishing the book?
DF: At the time when I wrote it, it wasn't like I was on a show and someone approached me to write it and sell it. Most of the time know when people write a book today it is because they are on a show and it works with their current popularity. People will buy it just based on their name. For me, if you know me or my films, I thought people are really going to love to go back and finding out what my career was like from my perspective. I was the girl that you feel in love with [laughs]. There was a lot of things that came into writing this book that I think are incredibly interesting, even just from a historic point-of-view.
MG: Tell us about what we can expect from the book?
DF: I took just not factual events but also my personal experiences. I also tried to put a lot personal pictures in there as well. When I am 90, I want to look back and go "Oh yeah, I know that girl". So this is a memento for my kids and myself but also a great way for fans to look back. It was also very important for me to make the book very accessible. If you love "Last American Virgin", you wouldn't have to read the whole book to find out what happened for that movie. I wanted to make specific chapters for each film. There is a "Last American Virgin" chapter, "Bill & Ted" chapter, "Better off Dead" chapter and so on. So people can go directly to that movie and totally get into it. I wanted it to be a book that they could flip through the chapters and make it easy and fun. I am an upbeat person in general and I wanted it to reflect my personality in the book.
MG: What do you feel makes this book unique?
DF: As a parent, a few of the roles I did were rather risqué. So I didn't want to talk about this…but not that. You would never get to know me as a person or as an actress unless I talked about everything. So I do in fact talk about everything, but what I did is that I rated the chapters [laughs]. So some are rated PG-13 or rated R. So if you are a parent you can still buy the book and have your kids read it and have them skip over the mature sections. But even if they did read it, is it not too bad. It just has to do with subject matter that is more mature. There is nothing like this anywhere. There is no book like this out right now. I did the film "Amityville II: The Possession" and that deals with some risqué subject matter, I go very in depth for that chapter. I have gotten such great feedback from people that love the horror genre because it is coming directly from me and they are getting an inside scoop on it. I am also not holding back with what I talk about.
MG: So where can people pick this book up?
DF: You can only get it right now on Amazon.com (click here to purchase the book) and it is also available to download on your Kindle device. If you buy the book on Amazon and then add me as a friend on Facebook and look for the black and white photo of me from "Better Off Dead", you can send the book to me and I will sign it! So there are advantages to being a friend with me on Facebook [laughs].
MG: Being from Long Island, I have to ask about your role in "Amityville II: The Possession"; anything strange occur during shooting?
DF: I actually talk about that in the book. The thing is that because we didn't shoot it in the house itself, I am sure if we shot at the house it would have had a more eerie feeling. When you are shooting a movie, each one has its own tone or feeling. But when we shot this movie, the tone was definitely somber, even though we all got along. We all worked really well together though. The director, Damiano Damiani, was very calming and as an actor you follow the director. For me as an actress I totally got what he wanted to do on the film. Here is a great "Amityville" story actually. When I saw the film for the first time in Long Island, I was with my friends and I actually got carded going into the movie. I was like "Hello? I am the reason why it is rated R" [laughs]. How ironic was that!
MG: "Better Off Dead" is a film that I always loved growing up with as a kid; how does it feel to have influenced numerous people's lives?
DF: Oh my God! That is amazing. You never know how you will be remembered. As an actress you just do your work. So many people have seen this film and it is one of those films that has really resonated with people. They will watch it and then pass it on to their kids as they grow up. It actually started as this underground college film in the beginning and developed this word of mouth. I was just so happy that people got to know me through that character. It was a good role and also a good role model. It was also totally 80's and hilarious. I just feel so blessed and grateful for this film and everyone's love for it.
MG: Why do you feel that 80's films are just as popular today if not more then their original release like "TerrorVision" and they have this continued cult following today?
DF: What is that all about? Seriously? [laughs]. You never know how a film is going to do. I never expected these films to have another life down the line on Blu-ray etc. "TerrorVision" was hilarious. When we did it we thought it was a hip movie that was very funny and also campy. We thought it was going to do well. It was like a live-action cartoon. But I think since it was rated R when it came out and I don't think it found its audience. But today people still watch it and love it. So it's great!
MG: Recently you have been working with your daughter Olivia DeLaurentis, who has been directing films; how was this been for you?
DF: My daughter makes films and has been since she was little. She won her first film award when she was 12. She was at the Los Angeles Film Festival last year. She writes, directs, acts and edits her own films. This is not one of those "well her mom is an actress and probably helps her". No, no, no, I wouldn't do this to a child. She works very hard and for Olivia this is her passion and she loves it. If I had any influence it was that when they were young, I used to do comedy improv and used to involve my kids. We also just came back from the Soho Film Festival with her film "My Better Half", which I was in. She is 16 now and her film was selected and is competing with adult films…not 'adult' films but against other adult filmmakers [laughs]. It is just amazing. She already has a feature script and she is ready to go! So keep an eye out!
Filed Under: Film Interviews, Interviews Tagged With: 80s, book, diane, film, franklin, reflect, ...
Richard Harmon talks about roles in "Bates Motel" & The CW's "The Hundred"
Richard Harmon is known best for his roles in television shows like "The Killing" and "Continuum". He also starred in the horror movie "Grave Encounters 2" last year. This year Richard is co-starring in shows like "Bates Motel", "DirecTV's "Rogue" and recently shot a pilot for The CW's "The Hundred". Media Mikes had a chance to chat with Richard about his role on "Bates Motel" and his upcoming roles.
Mike Gencarelli: Tell us about your role of Richard Slymore in "Bates Motel"?
Richard Harmon: Playing Richard is a nice change of pace for me. He is pretty much just a normal guy, which is one of the coolest things for me. It is rare that I get a chance to play someone who is just a regular human being. He is a nice person, even though he can come off as a bit aggressive with Norman. But I feel that is due to his protection over his girlfriend. But he is just a normal high school guy.
MG: What drew you to the role?
RH: This was just one of those special projects that you walk on the set and you know how good the show is going to be. I felt very lucky to be apart of it in just any way shape or form.
MG: How was it working with Freddie Highmore & Vera Farmiga?
RH: I unfortunately never got to work with Vera. I really wanted too because I am a big fan and she is just terrific. Even now watching the show, I am an even better fan than I used to be. Freddie though, if he was any representation of both of our leads…oh my God! He is such a pro and just such a nice human being. He works the correct way that I feel that actors should work. He is so focused yet at the same time he is incredibly nice and poliet. I cannot say enough good things.
MG: You are no stranger to TV, how does this show differ than your other television work?
RH: I think they are all different. I don't just mean because they are different stories. Each set offers its unique vibe. On "Bates Motel" everyone is so experienced and they know what they are doing. They each have a job to do and do it incredibly well. I have been very lucky in that sense since it also applies to the other shows I have worked on. I think with "Bates", it really has this very unique vibe.
MG: After this show and "The Killing", what do you enjoy the most about playing the bad guy?
RH: [laughs] I don't know. It's what they seem to like casting me for. I do not think I am quite that mean in real life. I would like to think I am a relatively nice person. For a while, I was wondering why I only got bad guy roles. Now I am just I relish in it. They are just so much fun to play. There is so much you can do with them and change all the time.
MG: Tell us about the other TV show you are involved with "Rogue"?
RH:It was a great show to work on. I only got to do two episodes on it in the beginning of the series. It premieres on Wednesday, April 3. The two scripts I got to read were terrific. Plus how could you not love Thandie Newton. I actually didn't get to work with her either, so there is another one after Vera Farmiga. I really wanted to work with her too. A ton of my friends from Vancouver are also regulars on it like Jarod Joseph. He is just someone that I really respect. I think they hired the actors very well on that show.
MG: What else do you have in the cards for this year?
RH: I just finished filming a pilot. It is called "The Hundred" and it is for The CW. The scripts are insanely good. The summary of the show is set 97 years after a nuclear war has destroyed civilization. A spaceship housing the lone human survivors sends 100 juvenile delinquents back to Earth to investigate the possibility of re-colonizing the planet. So it about us trying to survive down there. It is a really fun show.
Filed Under: Interviews, TV Interviews Tagged With: bates, cws, harmon, motel, richard, roles, ...
John de Lancie talks about his roles in "Star Trek: The Next Generation" and "My Little Pony: Friendship Is Magic"
John de Lancie is known for his role of Q in "Star Trek: The Next Generation". Recently John was introduced to the world of "My Little Pony: Friendship Is Magic" voicing character Discord. Since then he teamed up with Michael Brockhof in order to make "Bronies: The Extremely Unexpected Adult Fans of My Little Pony" to showcase this unbelievable fan base behind this show. Media Mikes had a chance to chat with John to look back on "Star Trek: The Next Generation" and also his work with "My Little Pony".
Mike Gencarelli: Looking back on "Star Trek: The Next Generation", what was your favorite part of playing such a great character like "Q"?
John de Lancie: I guess mostly the reaction. Everybody liked him a lot. It has been a long time but he wasn't iconic when I started but he was iconic when I left. The reaction was more intense than the actual doing of it.
MG: Are you surprised that it is still so well-received and respected all these years later?
JDL: Yes it is phenomenal. "Star Trek" is a phenomenon. I don't know of any other shows that keeps on giving like this one has over the years. A lot of people feel that I sort of came on full blown and that other characters slowly developed over the years. Maybe that is the case to the extend that I was used to playing characters that were like that. You didn't have a very long time to establish who you were, so you had to come on strong.
MG: Do you have any experiences that stand-out from working on the show?
JDL: I don't have one favorite moment…I have many favorite moments. But what was fun about this show was that you knew that you were on the set making cultural history or if nothing else TV history. It was a show that was really culturally important. People referred to it and it became a way to talk about anything futuristic – it would be "Star Trek-like". So it was great.
MG: "Q" was always one of my favorites. He was bad but also threw you for a loop occasionally.
JDL: Well that is what I intended. He is very naughty and somewhat dangerous. You were left never quite knowing what would happen. But it was a lot of fun. He is the one person you would invite to the dinner party but really make sure that the guests can handle him [laughs].
MG: You are hitting the convention scene this year, what do you enjoy most about meeting fans?
JDL: I love meeting fans. I find myself talking to kids, who see me at the age of their fathers…if not older. Some of them are even third generation fans. Which is actually is pretty amazing and honestly really unheard of.
MG: I am a second generation, my father got me into it and now I have a daughter that is 9-months old and she already has a "Star Trek" jumper.
JDL: That is what I am talking about and it is really amazing.
MG: On the complete other side of the spectrum, tell us about voicing Discord on "My Little Pony: Friendship Is Magic"?
JDL: It started with me being asked to do a voice over for "My Little Pony: Friendship Is Magic" and I said sure. So I read the script and have never heard of it before. But I thought it was well-written and fun. I have done characters like this before but I didn't know that they wanted a Q-like character. I didn't think of it as that at first and I just did it as it was written. Then about three months later, I was on the computer and I thought I got spammed. I had about 300-400 emails and they all had the subject of "My Little Pony". So, I reach a bunch of them and then asked my wife what she knew about "My Little Pony". She reminded me I did a voice for it about three months ago, which I totally forgot about. She told me it was a cartoon for little girls. But let me tell you these emails were not from little girls [laughs]. So that was the beginning of it.
MG: How did you get involved with "Bronies: The Extremely Unexpected Adult Fans of My Little Pony"?
JDL: It just so happened that Michael Brockhoff came over my house the night I got those emails and I told him about the story. He laughed and I agreed I didn't get it either. Why would 20 year old guys be interested in "My Little Pony"? He asked me if I would want to do a documentary about it and I say "Oh my God, no way". So that weekend, I had to go up to Vancouver on a job and some kids came up to me and asked me to sign pictures of Discord. I say kids, I mean 20 year olds. They are the typical geeky fans that I recognize from "Star Trek". So, I asked them all a lot of questions and still I didn't quite get it. But as they explained me to more and more what the show was about, it started to click. The show has the elements of harmony, being kind, generous, loyal and tolerant. I thought what is the problem with that? So now I had a face to put to what a Brony was. Mike sent me a link the following week for a Fox News, whom I am not a fan of, piece of this trend. It trashed the idea of Bronies calling them "a bunch of homosexuals, living at home on food stamps and disability watching cartoons in their parents at day in their parents basement". That made me upset because it is not true. This is typical of Fox News. Have we really gotten to the place in our society that we are so threatened by everyone, that if we have 20 year old guys watching cartoons intended for girls, which is about being kind, loyal, generous and tolerant that we are going to demonize them and turn them into something that they are not. So that is when I called Mike back and said "I'm on board with the documentary, let's do it".
MG: Tell us about how you ended up with the Kickstarter campaign?
JDL: I asked Mike how was he going to fund this projects and he said through Kickstarter. I asked him how much he needed and he said about $60,000. He asked me if I could get myself into one of the conventions for BronyCon and I said "Yes". The deal was that we were going to shoot for two days with two cameras, edit for about six weeks and that would be it. So yeah, instead of $60K, we got $322K. At that point, I was blown away. We've shown this film to people in the business and they just go "Wow, you've put a lot into this" and that was out intent. So when you see this film, I think you will be impressed.
Filed Under: Interviews, TV Interviews Tagged With: de, friendship, generation, john, lancie, magic, ...
William Forsythe talks about roles in "Happy in the Valley" and "Boardwalk Empire"
After several successful years appearing in various television ("Fame," "Hill Street Blues") and film ("King of the Mountain," "The Lightship") William Forsythe made an impact on filmgoers everywhere as escaped convict Evelle Snoats in the Coen Brothers comedy "Raising Arizona." This led to featured roles in films like "Weeds," "Dick Tracy," "Out for Justice" and "American Me," in which he gives one of my favorite performances – that of JD, a Caucasian gang member who acts Chicano. He continued to find success with roles in films like "The Waterdance," "The Rock," "Blue Streak" and "The Librarians," which he also wrote. He also had a memorable turn as Al Capone in the television series "The Untouchables." He recently completed a stint on the acclaimed HBO series "Boardwalk Empire" and will soon be seen as former boxer Jake LaMotta in the "Raging Bull" follow-up entitled "The Bronx Bull." While promoting his current film, "Happy in the Valley," Mr. Forsythe took some time to answer some questions. We traded blizzard stories (I was in the middle of one when we spoke and he had just dug himself out of one the week before) for a few moments before he talked about his new film, "Boardwalk Empire" and what could be next for him behind the camera.
Mike Smith: Introduce us to your character in "Happy in the Valley," photographer Stewart Fox.
William Forsythe: What kind of introduction would you like? He's pretty "balls to the wall!" What I think is amazing about Stewart as a character is that he's a guy that has basically lived on the very bottom of the Hollywood scene. He worked his way up and rose to the top of his profession. He's now fallen back down.
MS: What about the character drew you to the project?
WF: What drew me to the project is that this guy has seen it all in the course of his life and he's been at the top of his game. And now, at this point of his life, he's back at the very bottom. He's become bitter. He has a drinking problem. He has a drug problem. And what really drew me to this picture is that you have this world that is really seedy and ugly as the backdrop. It's really a story about his epiphany. One of the main things is that this guy, who has been everywhere, really learns that he needs to go back to the beginning…to where it all began. It's such an uplifting story, especially for a film that's set in the porn business.
MS: Stewart is described as "The World's Greatest Erotic Photographer." What exactly does that entail?
WF: I think it entails different things that occur during his life and career. In the beginning he was touted as one of the great photographers. He did very classy shoots…very classy and erotic shoots. But at this point in the game…as the porn world goes from film to digital….it's like boxing is being replaced by crazy cage fighting…this world that he once knew has changed. In order to support himself he has to take himself to the bottom of the industry. He makes money but the amount of dignity he can take home with him is literally none.
MS: You've had such great success in both film and television projects. Do you have a preferred medium to work in?
WF: I love to make movies. Movies are my favorite. I love to take a story and tell the whole story from beginning to end. I enjoy television too but basically every week you get handed new pages and you don't have a lot of control about where the story is going. And there are so many types of films. I've done my share of big studio pictures. But when you take on a beautiful independent film like "Happy in the Valley" you can see the magic happen…it's the closest thing to the old feeling I used to get on stage. It reminded me of going off and doing summer stock.
MS: Speaking of getting pages and finding out you're no longer on the show, do you miss the experience of working on "Boardwalk Empire?"
WF: I had a great time working on that show and I miss all of the people involved. The one thing about "Boardwalk Empire" – to the man and woman – is that people were dedicated to putting out something special. And that is not as common as it used to be. And that aspect of it I miss. But I knew….when I entered "Boardwalk Empire" everything was rolling along fine…but I knew the minute that I killed those two girls that I had a thunderbolt hanging over my head. And it's true. You do find out on the day. They hand you your pages and you're dead!
MS: You wrote the film "The Librarians" and you've produced several projects. Do you ever see yourself sitting in the director's chair? WF: I do. I've had a couple offers and I certainly have a lot of scripts that I've written. So yes, I do.
MS: Any word on when "The Bronx Bull" will be released?
WF: I'm not sure on the exact date. The last time I spoke to the producers they were shooting for late spring. They're hoping for an initial theatrical release of 20-25 cities but they haven't set a release date yet.
MS: Thank you again for your time this morning.
WF: Thank you. And stay strong in that blizzard, buddy!
Filed Under: Film Interviews, Interviews Tagged With: boardwalk, empire, forsythe, happy, roles, talks, ...
Ashley Bell talks about roles in "The Last Exorcism Part 2" and "The Marine 3: Homefront"
We last spoke with Ashley Bell for her first starring role in "The Last Exorcism", read it here. Since then Ashley has been taking over the action genre with strong female roles in films like "The Day" and recently in "The Marine 3: Homefront". Ashley is also returning to her role of Nell Sweetzer in "The Last Exorcism Part 2" this month. Media Mikes had a chance to chat with Ashley again about her passion for these roles and how she enjoys performing her own stunts.
Mike Gencarelli: Did you get involved with "The Marine 3: Homefront" due to your connection with WWE Studios from "The Day"?
Ashley Bell: Yes very much so. Because WWE Studios acquired "The Day" from Toronto Film Festival, it put me on their radar. In talking with them after the release, they wanted to see if I would be interested in working on "The Marine 3: Homefront". I read the script for the character of Lilly and the role really spoke to me.
MG: What was it about Lilly that drew you to the role?
AB: What I love about Lilly is that even though she is a hostage character she doesn't give up…she fights. She is more of a wild card. Even if she is retrained with handcuffs, she is searching for the air holes looking to get out and trying to fight back. I really like that determined spirit that she has. Also in reading Scott Wiper's script, a lot my scenes are opposite Neal McDonough as well as Mike ('The Miz' Mizanin). But Neal is such an incredible actor. There is no one that plays a villain like Neal McDonough. Here is a terrorist but when you first hear him speak he almost makes sense…until he takes it over the top and then you know you are in trouble. I like the arguments that were being fought for – insurance and saving your home and family. So, yes I like the script for sure.
MG: You seem like an actor that isn't afraid to get out there and get her hands dirty, am I right?
AB: Absolutely! That is when it gets fun for me! If I am not bruised or have some kind of a war wound…then I have not done my job [laughs].
MG: What do you enjoy about performing your own stunts in the action scenes?
AB: Coming from the first "The Last Exorcism", which I did all my own physicality. Luckily, the roles I am doing now allow me to do my own stunts and going into action. That is really excited for me because I really love action movies! Like I mentioned with these strong female characters. I actually learned Muay Thai for "The Day" and I loved that training. It is just a wonderful form of exercise and I keep it up. Thank God, I did because it takes a lot of stamina in order to be on an action set, which for me is fun. n "The Marine 3", you see this abandoned cruise ship which has been there for years and that is how it actually looked. It was all rust over and we were doing take after take running down the corridors, up and down the stairs, gun fire going off, explosions, cars are blowing up…and this was what I daydreamed off when I was a kid with my Nerf gun in my tree house.
MG: I got to tell you the the passion is literally coming right out of your mouth. It sounds like you had a blast.
AB: Well, I really did. I really hope I get to continue action since it is a lot of fun for me.
MG: Going from action packed to horror, tell us what we can expect from "The Last Exorcism Part 2"?
AB: This is the continuation of Nell's story. Here is a girl that is completely shell-shocked from what happened to her. She doesn't remember what happened at all, she is very vulnerable and shut out from the world. She is drawn out into New Orleans during Mardi Gras and she has to choose between good and evil. I agree do all my own physicality for this one as well. If you have seen the trailer, I do a levitating back bend and I have the stress fracture to prove it [laughs].
MG: After this film are you going to but a "no back-bend clause in your contract [laughs]?
AB: [laughs] I know right. It is a stress fracture not trauma fracture. I was funny since I panicked when I heard this since I love working out. I love my Muay Thai lessons and taking ballet. So I was afraid I was going to have to stop working out. My doctor actually told me that the cure for something like this is to really build up your core muscles and to actually continue work out. So it hasn't affected me at all.
MG: How was it for you returning to the character Nell this time around?
AB: It was very different actually. The character of Nell is completely broken. For this script, I was putting her back together and in doing so there was a lot of pieces missing and that is where the devil comes in! And that is where there are scares! Also there is also a different director on board, so it has a very, to be be redundant, different feel than the first one. It was a very new Nell.
MG: You've got action, horror – what do you have in the cards next?
AB: Well I am really happy to announce, I have also have a romantic comedy coming out. It is called "The Bounceback" and it is going to be premiering at SXSW 2013.
Filed Under: Film Interviews, Interviews Tagged With: 2, 3, ashley, bell, exorcism, homefront, ...
Adewale Akinnuoye-Agbaje talks about roles in "Bullet to the Head" and "Thor: The Dark World"
Adewale Akinnuoye-Agbaje is best known for his roles in TV series like Mr. Eko on "Lost" and Simon Adebisi on "Oz". He has one hell of a busy year planned for 2013 with "Bullet to the Head" with Sylvester Stallone, Marvel's "Thor: The Dark World" and a coming-of-age film "The Inevitable Defeat of Mister and Pete". Media Mikes had a chance to chat with Adewale about how he gets into characters and his busy year.
Mike Gencarelli: How was it going head-to-head with Sylvester Stallone in "Bullet to the Head"?
Adewale Akinnuoye-Agbaje: Well as you can imagine there was a lot of testosterone, but also a lot of fun. You are working with a legend of that genre, also Walter Hill, who is a legendary director. It was a lot of fun but it was also strictly business. It was bullets to the head…get in there and deliver. Just had a great time overall man!
MG: Give us some background on your character Morel?
AAA: He is an African businessman, who is somewhat corrupt. He has escaped from Africa with huge amount of funds, moved to the United States and landed in New Orleans. He is very smart and also ruthless and his goal is to own most of New Orleans…by any means necessary. He has his stable of henchmen and is also very sophisticated. It is all camouflage for what lies below, which is a ruthless and cold-hearted businessman. He is also conflicted with a crippling disability but he does not allow that to impede him as a formidable force. In fact he uses that to propel him and try harder.
MG: Is there anything in particular you do to prepare for a role like that?
AAA: It is just a matter of having dialogue with the director. A lot of it was on the page but then we added texture and dimension. I chatted with the director and saw what he would like to explore. Also I was given the choice if I wanted to make him crippled or not. I thought it would be an interesting challenge to do so and add more texture to the character. So we went for that. I think as we started to see him on screen we started to see him unravel with different layers. I did have to hobble around on sticks for a good 2-3 weeks before we shot it though in order to get the disability right. Other than that it was really get in there and feel the character. We shot it in very opulent locations in New Orleans and that always adds to your performance.
MG: How did you prepare for such an iconic comic villains playing both Algrim the Strong and Kurse in "Thor: The Dark World"?
AAA: It was a huge opportunity to pull double duty. In order to prepare you obviously go through and read the comics and research the characters history. You also look at the imagery and have discussions with Marvel and the directors to see their vision for the characters. Then the rest is left for the designers who create the costumes, which really then assists in your performance. Specifically for Kurse, it was very much looking at the costume and what I thought it would embody. For instance it had a certain look, so I used that look for his interpretive actions. I found that very useful. So with the horns and everything, I just went with that flow and tried to define a way of moving and fighting that was in the rhythm and the way that he looked. With Algrim, again the aesthetic look and the outfit really factored in as does the location and the set. From the moment you step into that world, you immediately become that character. You make them real. So in a way you have to ground the character in reality that makes it normal for them to be in that world. I believe and hope that we have done that well in this and that the audiences are going to enjoy it.
MG: You were called "The Biggest Badass in Hollywood" (by Huff Post); what keeps you coming back and playing the villain in roles like this?
AAA: What makes me or what makes them keep hiring me? I think it is one in the same thing. I think we both enjoy it. I think the industry knows that I can deliver when playing the villain. I certainly enjoy playing the villain because you have this created likeness to really go anywhere. When you play the hero, there are parameters that you cannot cross. But with the bad guy, there is no such thing and you can do basically what you like. That is a creative freedom and luxury that I love. They also always make the most interesting character for me. The funny thing is though; I never really look at these as bad. I look at them as guys who have agendas and they will do what they need to do in acquire, obtain or accomplish them. So to make the most interesting villain is that you need to see him as an ordinary guy who have a mission.
MG: From action to superheroes we go to the coming-of-age "The Inevitable Defeat of Mister and Pete", tell us about this project?
AAA: This is a very different type of movie. As you can see we have done all genres across the board from huge Marvel tentpole to iron-packed action. This film really comes down to what I really love, a small independent film. It premiered at Sundance and was shot by George Tillman Jr. It has got Jeffrey Wright, Jennifer Hudson, Anthony Mackie and an absolutely spectacular group of children actors. It is based on the survival of these two children in a hot and tough summer in Brooklyn. I play a cop, on the other side of the law this time, who is trying to keep these straight kids off the streets. It is just one of those endearing stories of survival and friendship. It is very real. I also love shooting in New York during the summer. This one is not about the costumes or effects or anything. It is about heart-to-heart relationships.
Be sure to follow @Adewale on his official twitter page.
Filed Under: Film Interviews, Interviews Tagged With: adewale, akinnuoyeagbaje, bullet, dark, roles, talks, ...
Scoot McNairy chats about roles in "Argo", "Killing Them Softly" & "Promised Land"
2012 has been a busy year Scoot McNairy co-starring in three major films including "Argo", "Killing Them Softly" and "Promised Land". Scoot broke out last in 2010 with his role in Gareth Edwards' "Monsters" (brilliant film BTW). Media Mikes took out some time to chat with Scoot to chat about 2012 and what he has planned for 2013.
Mike Gencarelli: You got to work with Brad Pitt in "Killing Them Softly" and Ben Affleck in "Argo" and Matt Damon in "Promised Land", how was it going up against these actors?
Scoot McNairy: Not sure what it means to go up against these actors. I feel more like its an opportunity to work WITH these actors. I have watched ALOT of films over the last 20 years and some I watch over and over again. Most of these films in the past that I really loved have had Matt or Ben or Brad in them. So I was just really excited to be working with these guys based on the films that I had seen them in over the years. It was a great experience on all three of the films. I'm just really looking forward to working with them all again in the future.
MG: Your role in "Argo" as Joe Stafford was quite intenseand emotional; tell us about working on this film?
SMN: "Argo" was such a great experience. Working with everyone on that film down to the crew and the cast because you really felt like everyone really wanted to be there and were very happy to be on that job. Ben is an incredible filmmaker not just with "Argo" but his other two films as well. As far as the emotional aspects or the intensity, I think it was an emotional and intense time so we were all just trying to capture that and i think Ben did a great job at doing that.
MG: Out of the three roles, what was your most challenging and how did you prepare?
SMN: Well "Promised Land" was a role that felt very close to home for me being that I spent a lot of my childhood on a farm in Paris Texas. So that was really drawing from what I knew.
"Killing them Softly" was most challenging just based on I felt as though I had a lot riding on that film. I was a big fan of Andrew's (Dominik) last two films, so I just wanted to focus on the work and be on point for Andrew. It was a lot of preparation during that film that I have blocked out of my head. As well we filmed that almost two and a half years ago now.
MG: After a high-profile 2012 year, what do you have planned for 2013?
SMN: I really looking forward to seeing Steve McQueen's film "Twelve Years a Slave". I had a wonderful time working with him. I'm also got a few others shooting this year called called "The Rover" and another film called "Frank". They should be out end of 2013 or beginning of 2014.
Filed Under: Film Interviews, Interviews Tagged With: 2012, argo, killing, land, mcnairy, promised, ...


The Atlanta BeltLine is sparking a fun culture of health, activity, and community in Atlanta. Now in its 8th year, the Atlanta BeltLine Run.Walk.Go! Race Series is the perfect chance to explore various trail segments and stay active. This event takes participants through Tanyard Creek Park and on new BetlLine connector trail on the Northside. Volunteer tasks include greeting participants, helping with set up, directing parking, registration, cheering & directing runners.
We are looking for volunteers who enjoy being outdoors and getting a little dirty. Our spring plant sale is a wonderful way to meet experienced gardeners who understand and love native plants of Georgia. We need volunteers to help sort, pack and load plants at Stone Mountain, then travel to McFarlane Park in Marietta to help unload the plants at our sale site. It is a great opportunity to see plants not usually available at nurseries and learn ways that native plants attract wildlife, reduce the need to water and fertilize, and promote a balanced ecosystem.
Open Hand helps people prevent or better manage chronic disease through Comprehensive Nutrition Care, which combines home-delivered meals and nutrition education as a means to reinforce the connection between informed food choices and improved quality of life. Packing involves portioning food into individual containers and snack bags on our packing assembly line. With over 5,000 meals to package every day, your help is essential. This is a great project for individuals and families, and a great team-building exercise for school, business and church groups!
Our mission is to provide services to those in need and programs that will lead to the enhancement and development of communities around Atlanta. It is our intent to carry out this mission in line with the philosophy of Matthew 25:34-40 Join us as we serve the community by serving approximately 400 families a week. Tasks for the drive through mobile food pantry will include; while working outside: set up tables, breakdown of deliveries into food groups, packaging of individual items, loading groceries as clients drive through, breaking down of boxes and assisting with clean-up.
Through respecting the dignity of each person, St. Vincent de Paul Georgia brings hope and help to those in need so they may achieve stability and move toward self-sufficiency. The thrift store associate assists in the retail operation of the thrift store. Thrift store associates help process donations and assist customers. Primary Responsibilities: assist customers by accepting donations and issuing receipts, sorting and pricing/tagging donations to be placed on the sales floor, maintain the cleanliness and organization of the sales floor, create merchandise displays that attract customers and entice them to purchase items from the store, answer customers questions in regard to purchasing merchandise and donating merchandise Placed approved donations on the sales floor, work closely with clients who have vouchers to ensure they receive the correct amount of items stated on the voucher and stocking book shelves.


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LISTEN: Anthony Bourdain On Food, Art, And His Favorite Place To Eat In Houston
Back in 2015, the renowned chef visited the Bayou City and then Houston Public Media's Arts and Culture reporter Amy Bishop had a chance to sit down and chat with him.
Find the conversation in the story.
HPM Digital Team / Amy Bishop
| Posted on June 8, 2018, 11:39 AM (Last Updated: June 8, 2018, 2:30 PM )
Bourdain visited Silver Street Studios in Houston in 2015 for an event to promote his new partnership with Balvenie Whisky.
When Anthony Bourdain thinks of Houston's food scene, it's not barbecue or burgers.
"The first great meal and most memorable great meal I had in Houston was Vietnamese," he says, referring to Mai's Restaurant in Midtown. "And so for me, that will always be the taste of Houston. The first really authentic, 'just-like-Saigon' Vietnamese I'd had in America."
You may know Bourdain as the outspoken, outgoing chef and culinary adventurist on the Travel Channel and CNN. He's traveled the globe, experiencing food in different cultures, from third world to world class. So, does he think there's a symbiotic relationship between a vibrant arts and culture community — think Houston — and a thriving restaurant scene?
"I think they can exist without one another, but it is more likely that they go together," he says.
Bourdain explains that there are plenty of cultures that can't afford to have a rich art scene. But many of them are still passionate about food.
He also has opinions pertaining to perceptions of food as an art form. He doesn't call chefs artists; he sees them more as proud craftspeople and artisans.
Bourdain was in town as part of a tour to promote his new curatorial role for Balvenie Whisky before heading off to the Caribbean.
Amy Bishop | Houston Public Media
Tags Anthony Bourdain Balvenie Whisky houston Houston food Mai's Restaurant Midtown Vietnamese food
HPM Local Newscast for 6 pm, Wednesday, January 22, 2020
HPM Local Newscast for 12 pm, Wednesday, January 22, 2020

redpajama_set_name: RedPajamaCommonCrawl


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FARGO, N.D. November 6, 2017 – Last week, Jeremiah Christenson, Dave Vig, and Ned Rector, three partners of MEP engineering firm Obermiller Nelson Engineering (ONE), met with two recipients of engineering scholarships to North Dakota State University. The partners offered insight into the every day life of an engineer and career advice the recipients could apply both in school and post-graduation.
Kristin Nelson (Senior) is earning a degree in Mechanical Engineering; Rachel Airhart (Junior) is earning a degree in Civil Engineering; Evan Gjesvold (Electrical) also received a scholarship but was unable to be present for the meet and greet.
Since 1992, ONE has delivered success to their clients by providing professional, detailed mechanical and electrical building design and coordination. It is a Subchapter S Corporation with locations in Fargo, N.D.; Bismarck, N.D.; Grand Forks, N.D., Alexandria, M.N. and Minneapolis, M.N, Sioux Falls, S.D. and Media, P.A. With licensed mechanical engineers, electrical engineers, civil engineers, fire protection engineers (FPE), LEED accredited professionals and their commissioning services professionals on staff, ONE provides its clients with the highest quality of engineering services.


We benefit most from the data preparation taking place independently from the printing process. This allows us to prepare the next job while the first job is being rendered in the background and sent to the machine.
Hamburg-based LSD Günter Neumann GmbH started out as a traditional screen printer and over the course of time has grown into a state-of-the-art, innovative digital printing company. Apart from press proofing, which is partly done with offset printing, the company has been part of the digital future for more than 15 years. Two things that have remained from the screen printing days are Neumann's material diversity as well as its comprehensive expertise.
The pressroom features a Jeti 3020 Titan with UVcurable inks from Agfa Graphics, as well as rollto-roll printers, which are either latex-based or solvent-ink-based. With its flat-bed design, the Jeti 3020 Titan uses a machine concept that is both trusted and accepted by screen printers. The 3.20 x 2.00 metre print bed is perfectly suited for processing board materials. Company owner Günter Neumann had this to say approximately two months after the printer was placed into operation: "With the Jeti Titan we can produce an average of 100 square metres per hour. It is especially with large, national campaigns that we benefit enormously from the Titan's additional output."
Much that we see around us every day is produced at the Hamburg company. The production portfolio ranges from self-adhesive films to banners, displays, signs, car advertising and backlit, and Günter Neumann sees almost limitless possibilities: "The market in Western Europe, and especially in Germany, requires two things nowadays: On the one hand the trend towards short print runs is continuing, but on the other hand all print jobs have to be completed in the shortest possible time."
Asanti was installed together with the Jeti Titan in Hamburg and aims to improve and speed up preparation of incoming print files so as to embrace the higher printing speeds of the new generation on the one hand, and to accommodate the fact that the number of jobs increases with shorter print runs. Based on the Apogee workflow, which is used at commercial printing companies, Agfa Graphics decided to develop its own workflow for sign and display printing. Thanks to an efficient workflow, jobs that were previously performed manually can be automated. Integrated solutions such as Asanti employ a client-server architecture where all of the necessary functions, such as nesting, rendering and color management, are combined and managed via a user interface. This eliminates the time-consuming back and forth between individual workstations and enables work group models, where several users can simultaneously process the print data for several printers via Asanti. Günter Neumann: "The user will quickly notice that there is a lot of knowledge and expertise behind Asanti. However, we benefit most from the data preparation taking place independently from the printing process. This allows us to prepare the next job while the first job is being rendered in the background and sent to the machine."
The need for increased performance is especially quick to arise for systems that have several output devices connected to them. Additional satellite devices can be connected to the Asanti server, where we can outsource one or more processes for performance reasons. In addition, computing-intensive processes such as rendering can be operated in parallel multiple times, which increases performance. The system automatically distributes upcoming jobs. In a multiplecomputer setup, heightened security requirements can also be complied with by means of failover scenarios (automatic mirroring of resources and the job database) or through virtualization.
For user Jens Bohlmann, Asanti's strength lies in the simplicity of its user interface: "After the print data have been imported using drag & drop, the user is guided through the job creation process by the system in a step by step fashion. The user interface is highly visual and very easy to use. We started producing jobs immediately after the training."
The incoming files are checked during import. Any shortcomings or notes, such as regarding insufficient image resolution or RGB color spaces, are clearly listed in a test report. After the printing stock and format have been entered, the user can pull individual or several files onto the print bed and place them there either numerically or visually, with elements easily being distributed, aligned with each other and grouped.
"Compared to other RIP solutions, Asanti's user interface is easy to use and clear," says Günther Neumann, and adds: "Even as a user who does not work with the system on a daily basis, I can find my way just fine every time."
Print marks such as crop marks, job or type identification, barcodes or registration marks for finishing can be automatically added with mark sets. In addition to the graphical element, the mark sets also contain positioning and size information that can be defined independent of the use or the stock material. This means that the same sets can be used for all media dimensions and page sizes.
"I have noticed one thing," Neumann continues: "Asanti is a super-fast rip." It is based on Adobe PDF Print Engine (APPE) version 3.0, which is also being used in Apogee. As an Adobe Gold Solution Partner, implementing the newest version of APPE is always the highest priority for Agfa Graphics. Users benefit from reliable results and increased compatibility with new data formats. "As a printing services provider we receive files from various sources," explains Neumann and adds: "It is enormously important to us to be able to feed the files through the workflow as seamlessly as possible."
The APPE natively processes PDF files with prior reduction of transparent objects. Agfa Graphics developed the employed rastering especially for use in inkjet printers, and the process was also optimised for the conditions of the various Anapurna and Jeti models.
Colors are not simply colors. People tend to associate special emotions with various colors, hence sayings such as "green with envy" or "seeing red". It is therefore eminently important for designers and marketing experts in particular for the desired color shade to be perfectly reproduced.
One of the focal points during Asanti's development process was therefore on color production, which was additionally supposed to be easy to operate by users. It was an ambitious goal which was nevertheless within the company's grasp because Agfa Graphics not only develops software but inks and devices as well - hence everything is produced under one roof. "The Calibrated Print Mode (CPM) provided by Agfa Graphics yields fantastic results," user Bohlmann explains and adds: "We use the supplied profiles without adapting them to polyester, PVC, Dibond or twin-wall sheets." Nevertheless, if a new profile does need to be created due to a special material, then the user can easily make this himself based on an existing CPM. To this end, the user only needs to print out a three-line linearization chart and a profile chart and measure it with the spectral photometer. The newly created profile is placed in the media hub and is immediately available to all users and for all jobs. The time needed to create a new profile is less than 10 minutes.
"For manufacturers of brand-name goods, color-true reproduction of the corporate colors is always very important. "Asanti's comprehensive spot color libraries are a big help in this respect," continues Bohlmann. "Exact reproduction of pantone or HKS colors on various materials is no problem thanks to the reliable ICC profiles. And if something does need to be adjusted a bit, correction of the library is fast and easy." However, he also sees potential for improvement in this area: "It would be great if this same correction option existed for CMYK-based colors as well, not just the special colors.
Another important component of Asanti's color production is the patented SISR (Smart Input Space Recognition) technology, which corrects missing ICC profiles in customer-supplied files. To this end, SISR analyses the color separations and adds the most likely profile to the image - or the entire file. The user is informed about the missing profile and the intended correction in a test report generated by Asanti Preflight - in accordance with the motto 'Automation is nothing without control'. Thanks to the correction, all data can be securely sent to the color space, no matter how cleanly the data supplier did his job. "The color quality of the printing on the Titan convinced us from the very first print job," summarises Günther Neumann. "Everything is inherently perfectly coordinated."
"Asanti is set for the future," stresses Neumann. "Today we are primarily using the solution as a RIP, but we are already benefitting enormously from the client-server architecture, which is the basis for being able to prepare jobs while the previous job is being rendered in the background and sent to the printer. In the final production stage Asanti operates as a central workflow server through which the various users prepare the data for all of our printers as well as for finishing devices. This will help us maintain efficiency in a market environment that is characterized by increasingly smaller print runs, a higher degree of personalization and shorter lead times."


Signage Seattle signage companies strive to create large scale works of art as signs that companies, businesses, and individuals can use to attract potential clients and customers. The right sign conveys not only the name of the company, but the feel with which it likes to associate itself, which further entices those who don t know the company and its services well. Signage companies offer such services as sign design, fabrication, installation, and maintenance.


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ArtRage Events
Visit ArtRage
PosterWorks Gift Shop
Film: Other People's Pictures
March 3, 2012 - 7:00 PM to 9:00 PM
MEET FILMMAKER, LORCA SHEPPERD at ArtRage!
When Syracuse native Lorca Shepperd and her husband/collaborator Cabot Philbrick set out to make Other People's Pictures, they expected their documentary would focus on the trade in vernacular snapshots and albums that goes on at flea markets, auctions, antique and second-hand shops. "We thought it would be about the economics and mechanics of that market," she said by phone recently from New York City, where the couple both work in television documentary. "But the emotions that collectors had about these photographs were really the whole point."
Other People's Pictures comprises overlapping interviews with snapshot collectors and dealers, along with interludes of stills drawn from particular sub-categories of images that people collect. One of the film's many charms is that Shepperd and Philbrick seem to be equally fond of these quirky, compelling, largely anonymous images and the people who seek and cherish them. Largely filmed at the Chelsea Flea Market, Other People's Pictures also takes us inside a few of these collectors' homes.
We might call such collectors vernacular curators and each has evolved a specialty. Lisa, who says she can't afford "real photographs" but second-hand snaps are within her price range, favors early 20th century images of "women with attitude," often the proud early drivers behind the wheels of cars. The gallery drawn from her collection alone is worth seeing this film. Japanese-American Dan, transplanted to New York, collects images from his native Hawaii. Dan frames and hangs what he calls "banality of evil" photos – snaps of Nazis at weddings, in family groups and relaxing. Leslie collects what he calls the hidden history of male affection. And there's Fern and Peter and Ken and Leonie, plus several dealers who expound on the virtues of their chosen display method– single images loose in bins, offered by category in boxes or albums, not counting the fierce debate over whether to break up intact family albums. Other People's Pictures ranks as a Genuine Find.~ Selections from a review By Nancy Keefe Rhodes
Free to the Public This film screening and filmmaker presentation is made possible by funding through The ARTS Council of the Southern Finger Lakes/New York State Grants for Electronic Media and Film and the New York State Council on the Arts.
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