When a business plans to create an app, their motivation behind it is to attract more users. Most people prefer shopping, ordering food, booking a ticket and much more on mobiles these days. It is convenient for them, and if you want your business to thrive, you need to have an app.
Business owners want an app that has low development cost but provides high ROI. Now, developing an app like that requires a team, technology, designing and so on. The hours taken by all these features plus the rate of mobile app developers are the final price of your app.
Now, when building your app, the first question you will ask what is the app development cost? In this blog, we will find the answer to this question.
When you have an app idea, you need to validate it before you can start your development process. App development companies have different methods for the same. The methods include analyzing the competitors, monitoring the user-persona and market capitalization.
Researching the market: In this stage, you research what the app users like. The device they use the feature they want and love on the apps that are similar to the client's app. Market research about the competitors also takes place at this stage.
User Personas: Development cost of the app depends on size, app design, features and so on. And all this depends on user demographics. That is why it is crucial to have knowledge about the same.
The agenda behind discovering an app is to validate the idea and create a rough plan to make it unique.
The approximate time needed for this is between 40 – 80 hours.
Now it's time to prepare the document having details about the app technology, design and so on.
Deployment Architecture Model – It deals with a backend that takes user information and uses it to solve the user's problem. For this, you have two options- Custom or BaaS. In Custom, clients have the architecture of their own while in BaaS, clients get readymade backend architecture.
Admin Panel Development – Admin panel is the part of the app monitors and manages the whole app. For this, they don't need the help of mobile app developers.
Third Party Integration – For when your app needs to access features of some other app. For instance, using PayPal or Social media log-in, in your app.
In-App Purchase – As most apps let the user pay online, this is a great feature to have.
Device's Hardware – Smartphones and tablets come with a lot of features like Bluetooth, GPS and so on. It also increases the complexity of the app development process.
Simple Apps –Simple apps have basic features, standard UI components, and the simplest backend. Time- The development time is around 600 – 900 hours.
Mid Level Apps –Advance features like API Integration, custom UI, messaging in real time with the simple backend is a mid-level app.
Time– The development time is somewhere between 900 – 1600 hours.
Complex Apps –Apps with high functionalities like – animation, media processing, real-time data sync and so on. They have complex backend and a different database type. Time- The development time is more than 1600 hours.
How much does it cost to build a mobile App also depends on app category. Different app category defines the users, features, functionalities that they will have. All this adds to the cost of app development.
Stand Alone Apps – don't require a network to run. Also, they are not dependent on any device features. Standalone apps have low data and development cost. Example- Clock and calendar.
Social Networking Apps –A social networking app like Facebook is quite popular these days. They have a number of features like third-party app integration, using device's media files and camera, messaging, geo-location integration and so on.
It serves millions of users and needs to develop in a secure ecosystem. It means that the cost of such an app will be high.
As you can see m-commerce apps are getting popular day by day. It is a good idea to have an app for your clothing store.
mCommerce Apps –Online retail market continues to grow as a user prefer to shop on mobile apps. They prefer it both websites and physical store.
Such apps perform in real time and cater to millions of users. They need strong security against hackers and require powerful backend. The backend should be strong enough to handle constant page update and maintenance. They have more features than a social networking site and their cost is even higher.
mCommerce Apps like Alibaba or eBay will cost around 2000 hours and above.
On-Demand Apps –An on-demand app means developing there apps. It caters to three people- user, delivery service and the business. The UI and app design is different for all three adding to the cost.
It has a number of features and functionalities like in-app payment, GPS tracking and so on. All this and the fact that it's three apps makes it a huge investment.
On-Demand Apps cost around 2000 hours and above.
Enterprise Mobile Apps – Enterprise Mobile Apps are more precise to ease the work of the employee. It aids them to make their work smooth and help the business to grow. It means that the efforts will be more meaning the development cost of the app will definitely be high.
Developing Enterprise Mobile Apps will cost you around $50,000 to $1,75,000.
Depending on the hardware an app use, the cost of the app increases. For an IoT app, the cost will be high as they require collaboration with the hardware to let the user pull data and send commands.
App design is the next factor that influences the app development cost. If you want to attract and engage more users on your app, focusing on its design is imperative. The most important decision regarding this is custom or standard UI. Custom UI is more expensive than standard one.
The user experience map and features are integrated into the app using Wireframing. If the app development company develops it, you will pay for it. If the client has a ready wireframing, there will be no cost.
Depending on your OS, you can choose the UI platform. For Android, Material Design is best and for iOS apps, you can use Flat Design. Make sure that the UI is simple to use and navigate.
An animation is essential in apps like gaming and SnapChat (Social media app). Integrating animation makes the app more attractive, but it also complicates the development process. Thus, the price of the app will be on the high side.
The cost of app design varies depending on the factors that we read above. For a simple design, the cost will be around 150 hours while, for complex app design, the cost will be around 400 hours.
The platform of the app and the number of OS, the app will launch to also influence the cost of the app.
Native apps For Android and iOS– The difference between the cost of developing a native app for Android and iOS is not much. With Android, the price can get a bit high when you develop an app for multiple devices with different OS versions. Apple uses swift for coding while Android uses Java.
Web App– Web apps like progressive web apps and others are cost effective. Their cost is somewhere around $15,000 to $ 30,000.
Cross-Platform App Development– Many businesses hire app development companies that can develop a cross-platform app. The reason- developing app for Android and iOS simultaneously is much cheaper. Using cross-platform app development, you have various benefits like-reusing code, less time and effort. For this, you can either user Flutter or React Native platforms.
Hybrid apps are a mixture of both web and native apps. You install them like a native app, but it works like a web app.
With PhoneGap, Ionic, and Sencha Touch, you can develop Hybrid apps, but they are not so popular anymore. The cost of development of Hybrid app is exactly half of the Native apps. It makes it a desirable option for low-budget companies.
The latest trend is of developing an app that uses the blockchain technology.
The lack of knowledge of blockchain technology and developers are the reason the cost is high for this.
There are two types of blockchain development platforms – Permissioned and Public.
Permission Blockchain development cost is higher because it provides advanced security than Public.
The cost of Blockchain app development is around $30,000 to $1, 80,000.
Your app development process was a long one with lots of efforts involved. That is why, before deploying the app makes sure that it adheres to guidelines which are specific to both the App Store and Play Store.
App store and play store rejects a number of apps because they don't fulfill some criteria. It is the responsibility of the app development companies to check whether the app fulfills every criterion.
Deploying the app on store needs a small one-time fee. For Google, it is $25 while Apple charges $99/ year.
The expenses for an app development don't end with its launch. Through the app's life, it changes. The changes are due to bug fix or due to modifying the app due to OS updating or launch of the new device. The maintenance support of the app cost a lot too.
Updating the app: The app needs to upgrade to fit the new device or OS. Also, developers keep adding new features and all in the app. For updating, you require wireframe which the clients approve.
Fixing the bugs in the app: Every app has a bug, and some apps show bugs only after publishing. So, keep a look out for them.
Changes in app designs: App designs get boring and old, and ultimately it stops appealing to the users. So, you need to keep changing the look of your app. It should be not too often, but minute changes are welcomed.
Maintenance support cost of the app is calculated yearly. The valuation is 20% on the cost of app development.
The biggest cost reducing factor is code reuse. When a mobile app developer reuses the code of an existing app in your app, the price decreases a lot. But if you are not careful about reusing code of only common features like contact us, your app will not have a unique brand.
The cost of the app that uses existing codes is 20-30% lesser than the apps that don't reuse codes.
Whether you hire a freelancer to develop your app or contact the top mobile app development companies will influence the cost.
A freelancer, startup (max 50 people) or a small team of 4-5 developers would charge you less. Some parts of the app development are outsourced too. The Apps Developed by them will cost you around $2000 to $25,000.
A big app development company with thousands of employee will charge you more. They have experts too. Also, such companies work with clients who have a good idea and can pay for that. They charge around cost $450,000 to $1,500,000 for developing your apps.
An app development company that has 500-1000 employees with experts will charge a moderate sum. The cost of hiring them will be around $25,000 to $2,00,000.
Note: The above estimation of cost is done keeping in mind mid-complex app. If you go for highly complex apps with enhanced features, the cost will increase. It is because sometimes the companies have to hire experts for the same.
Location of the developer and the app development companies also influence the price. If you compare the hours from east to west, there is a huge difference which in turns, affects the cost of app development.
As we read above app development cost depends on various factors. From design to types of apps, maintenance cost and developers rate everything influences the cost of your app.
Also, the location of the developer plays a huge role in deciding the cost. If you hire an Indian based company, the cost will be $25-$80 per hour. While in the western region, the cost will be about $100-$350 per hour.
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Home Comics SDCC '20: GRAPHIX panel previews upcoming Scholastic graphic novels
SDCC '20: GRAPHIX panel previews upcoming Scholastic graphic novels
The panel covered Twins, Animorphs, and Geronimo Stilton.
Avery Kaplan
The Graphix: Get Drawn In prerecorded panel at San Diego Comic-Con at Home was released on Thursday, July 23rd, 2020 at 10:00 AM Pacific Time.
The panel featured the creative team of the upcoming graphic novel Twins: illustrator Shannon Wright and author Varian Johnson. Also appearing on the panel were the authors behind the Animorphs series of novels, Katherine Applegate and Michael Grant, along with the illustrator adapting the Animorphs series to comics, Chris Grine. The illustrator of the Geronimo Stilton graphic novel, Tom Angleberger, was the final panelist, and middle grade graphic novel superstar Raina Telgemeier (Smile) moderated the conversation.
Raina Telgemeier moderated the Graphix panel.
Twins by Wright and Johnson follows twin sisters Maureen and Francine. While the pair of sisters have always been inseparable, but when middle school begins, things begin to change – and when Maureen and Fran are placed into different classes, Maureen thinks there must be some kind of mistake. But soon, she learns that Fran actually requested they be separated!
"I've written a bunch of prose novels, but I don't think I've ever written anything quite as autobiographical as Twins," said Johnson. "You see, just like Maureen and Francine, I'm a twin: five minutes younger than my identical twin brother. And like the girls, my brother and I shared all the same classes – that is, until middle school."
However, it wasn't just his own experiences that inspired Johnson: he was also inspired by his daughters, especially his oldest, who "inhales" graphic novels.
"It actually irks me a little bit just how quickly she reads them," joked Johnson. "I'm like, 'kid, do you know how long it took to make that book? Slow down!'"
Johnson says graphic novels helped his daughter transform from a reluctant reader to a voracious reader, but they struggled to find graphic novels where she was able to see herself represented on the comics page. This led to some crucial creative developments for Twins.
"Black kids deserve to see themselves as the stars of the story," said Johnson. "And it's just as important for other readers to see Black kids as the main characters, as the stars of the story, as well."
Johnson also described how he had to develop new skills for writing a graphic novel in spite of his experience writing prose.
"For any of you guys out there who are thinking about writing a graphic novel, let me warn you now, it is an entirely new and different way of thinking," Johnson said. "As a novelist, when I'm thinking about pacing, I'm often weighing the length of each chapter, paragraph, or sentence. But with graphic novels, I've found that I also had to think about pacing in terms of panels per page, and in some cases, even the size of those panels."
Johnson said that part of the unique experience of writing a graphic novel came from the collaborative creative process.
"I also discovered that working on a graphic novel was more of a partnership," said Johnson. "Certainly more so than any of my previous novels. Sure, it was my job to come up with the script, but I didn't write it in a vacuum. In addition to my editors, Shannon reviewed the script at each stage, and her comments weren't just limited the art. Shannon and I talked through the dialogue and the characterization – really, all parts of the book."
Johnson said that the creative team was important for the goals they had for Twins.
"My editors and I felt it was not only important to create a book with Black characters, but to also have a co-creator who was Black," said Johnson. "If we are really committed to diversity and inclusion, we need to make sure all aspects of our work are diverse – not just the characters on the page, but the people behind the book. Plus, I needed a partner who got what it meant to be a Black girl. Someone who understood that Black kids come in all shades and shapes and sizes. Someone who understood all the wonderful ways in which you can style our hair. Someone who understood Black families and Black love."
Johnson found that partner in Wright.
Shannon Wright
"Varian and I partnered up for Twins to try and create something special, something genuine," said Wright. "And it was important that that diversity not only took place on the page but behind the scenes, too. So when it came to creating Maureen and Francine, it felt so natural, because in them, I saw myself – and not only myself, I saw my cousins and my family members, I saw some of my classmates. It felt like I was looking in that mirror and actually seeing my younger self for the first time in comics."
Wright explained that this experience was invaluable in developing the characters.
"When initially designing the girls, I wanted to make sure that their individual personalities really shined through despite them being identical twins," Wright said, "because at the end of the day they are very much their own person and they're not interchangeable.
I took reference from my own life, and all the Black kids who I had ever interacted with, But I also took reference from real life, from Black siblings who are identical but very much still their own person."
Wright said she and Johnson worked hard to create a world filled with characters who are important to the story.
"Varian and I worked very closely together to create a world for our characters to exist in, and that included families and friends – their community," Wright explained. "They're all equally important to the story and reflect so many children and individuals who oftentimes get left out of the narrative. So many kids and students who don't get to be the stars or protagonists of these stories."
Wright said that the process of creating a graphic novel was complicated and involved that required you to rely on your partner.
"If you're working with someone, it's a partnership, a true collaboration, and graphic novels should be acknowledged as such," Wright said. "They are a marathon, not a sprint – believe me. And as partners, we trusted one another to put in the time and do the research to make this world very much alive and lived in."
"Twins is a love letter to Black families, much like my own," said Wright. "And to the communities that raise, shape, and change us."
Wright said that she had another motivation while working on Twins.
"But for me, Twins is ultimately also a love letter to this little girl, who hadn't been able to put down her pencil since she was four years old," said Wright. "A little girl who also devoured books but could see she wasn't the star in hardly any of them. And in creating Twins, I thought of a little girl who had a tool and wanted to change that."
Animorphs from Graphix
Animorphs was a series of over 50 children's science fiction/fantasy books by K.A. Applegate (the collaborative pen name of co-authors Applegate and Grant, although several ghost writers also contributed to the series). The original series was published in the mid-to-late 90s, and between the upcoming graphic novel adaption, new audiobook recordings of the series on Audible, and an impending movie, the team of Yeerk-fighting teenagers is enjoying something of a renaissance.
Michael Grant and Katherine Applegate; collectively, the entity known as K.A. Applegate.
"We wrote Animorphs a very, very, very long time ago," said Applegate. "So we were significantly younger and very excited because it was our first big series."
Applegate and Grant shared the creative genesis of the series.
"I have always had this thing about animals," said Applegate. "When I was growing up, I wanted to be a vet. So right away I was like, 'I would love to be able to put kids into the heads of animals, but in a very real, visceral way.'"
"And I immediately thought, 'well, that's obviously a Sci-Fi concept, and we're going to need some aliens," said Grant. "So we brought the aliens and then pretty soon we had an idea. Basically, we put it together as a series bible and sent a couple of sample chapters off, and boom! Scholastic bought it."
"This was during the time when a book a month was coming out," said Applegate, citing Goosebumps by R.L. Stine and The Baby-Sitters Club by Ann M. Martin. "And they were coming out every single month. This meant we had to write a book every single month. This meant a lot of coffee was consumed, especially after we had our first child."
Grant recalled writing on a laptop outside the Neo-Natal Unit while Applegate was inside.
"So we struggled a lot. We wrote most of them, eventually we used some ghostwriters, who were amazing too," said Applegate. "One of the things that really struck a chord with young readers were Dave Mattingly's amazing covers. And they just hopped off the shelves. And they had these flip pages, which I understand librarians hated because they destroyed the books, but that was a really cool feature."
As far as the graphic novel goes, Applegate and Grant emphasized that Grine had been responsible for the adaption.
"We didn't do that work, that's Chris," said Grant. "He gets all the credit, he's done a great job. We contributed nothing but the original idea and one hundred percent of whatever credit there is goes to him for that."
Grine has been making comics professionally since 2005. He says the series was originally released when he was in college, and he didn't get a chance to read it until after he had graduated.
"When I had the opportunity to adapt these books into graphic novels, I jumped at it right away, and it's just been so amazing," said Grine.
Chris Grine
Grine said when the project was announced many Animorphs fans sought him out on social media with questions about the adaption's fidelity to the source material.
"I wanted to stay as true to the books as possible," said Grine. "So after I had done the initial sketches for the whole book, it was like 230 pages, and I was a little concerned that Scholastic may be concerned about the page count, the length of the book, at which case I maybe would have had to try to cut some scenes out or cut something out. Luckily, they were completely okay with it and it was great. So the answer to that is that I was almost at a straight adaptation of the book, and it's been really fun to do."
Grine did say that he cut out some dated pop culture references from the dialogue.
"I mean, it's been a long time since those books came out," said Grine. "So I didn't really remove the reference so much as I made it a little bit more generic."
Grine said that he tried to make sure the jokes would play well with members of the younger generation who might not grasp certain specific 1990s references, using his 12-year-old daughter as a guideline.
A glimpse of a Hork-Bajir soldier?
"I didn't really change anything fundamentally about the story or the characters or anything that's happening because there was no reason to," said Grine. "It's a very strong story and I wasn't getting any notes to keep it under a certain page number or anything, so it was really good. I was very happy with all the collaboration with Scholastic and Graphix… I think you guys are going to be really happy with it."
The panel also included Angleberger, the creator behind Geronimo Stilton: The Sewer Rat Stink, a graphic novel adaption based on the Geronimo Stilton children's books by Elisabetta Dami. Angleberger's previous work includes many books, such as The Strange Case of Origami Yoda and Rocket and Groot: Stranded on Planet Strip Mall.
Tom Angelberger
"I've had such a great time finally getting to write a graphic novel," said Angelberger. "It's been my dream since before the term graphic novel was popular. Back then I just wanted to write comic books. It's been my dream for decades!"
Angelberger said he was already a fan of Geronimo Stilton, but he had to find his own way to draw the character. Eventually, he developed his own process, which he demonstrated for the panel, emphasizing Stilton's very nice green suit.
Drawing Geronimo
Angelberger said that the fact that Geronimo is so full of life and emotion is what makes the character so much fun to draw.
"It's amazing the wide range of expressions this mouse has," said Angelberger. "I've had so much fun drawing him."
Angelberger said that Dami let him have a blast with the character.
"Thank you very much to Scholastic Graphix for letting me have this much fun," concluded Angelberger.
Graphix Questions & Answers
The Q&A section included plenty of interesting insights, like the fact that Wright was influenced by and manga (watch for the anime references in Twins) and Johnson became a lifelong comics enthusiast because his friend Kevin Cooper turned him on to the Dark Phoenix saga. Applegate said that she didn't get into reading until she was bit older, while Grant was introduced to Spider-Man when he was living in France at around age 8. Angelberger was a huge fan of the Fantastic 4, especially the Thing. And Cline said that it wasn't until high school, when he was introduced to Jeff Smith's Bone and The Tick, that comics really captured his imagination.
The Graphix panel.
At the conclusion of the panel, Telgemeier asked if any of the panelists had any message of encouragement they'd like to share during the current period of history.
"I'm so glad to live in a timeline right now where people are being their genuine selves," said Wright. "I have met so many people who have made my life better, and I hope I've made their lives better, and I couldn't imagine not having them around and I want them to stay around and I hope you guys stay around."
In spite of the reality of our collective situation, Applegate ultimately saw hope for the future.
"I would like to offer a blanket apology for my entire generation," said Applegate. "Because we've obviously screwed a lot up. But every time I do an event, I meet young people, and I am always wildly optimistic by the time I'm done. I feel so encouraged, and I know they're going to fix it all."
Miss any of our other SDCC 2020 coverage? Click here for much more!
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Avery Kaplan is the author of several books and a whole bunch of comic book articles. She was honored to serve as a judge for the 2021 Cartoonist Studio Prize Award. She lives in Southern California with her partner and a pile of cats, and her favorite place to visit is the cemetery. You can also find her writing on Comics Bookcase, NeoText, Shelfdust, the Mary Sue, StarTrek.com, in many issues of PanelxPanel, and in the margins of the books in her personal library.
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Song-Collection My Country 'Tis of Thee
America (Civil War Song Sheet). Samuel F. Smith, words, No date. Rare Book and Special Collections Division, Library of Congress
My country 'tis of thee,
Sweet land of liberty...
Although we know that Reverend Samuel Francis Smith wrote the words to "My Country 'Tis of Thee" (also known as "America"), the origin of the song's melody remains a mystery. And the history of its verses is even more complex.
The son of Henry Carey, a British singer-composer, claimed his father was the first to compose both the words and the music of this tune as "God Save Great George the King" in London in 1740. However, Carey's son had financial reasons for making such a claim, and music historians argued it was more likely any such tune would have been based on a pre-existing melody.
Such an earlier melody, if it did exist, has been attributed to various seventeenth-century sources including the English composer John Bull, the French court composer Jean-Baptiste Lully, and even a military hymn from Switzerland. Although the tune's exact origin is not confirmed, it was printed in England in 1744 in the tune book Thesaurus Musicus.
The performance that led to an explosion in the popularity of "God Save the King" took place in London in September 1745. Dr. Thomas Arne arranged the tune for a September 28, 1745, performance at the Drury Lane Theater. It was also performed concurrently at the Covent Garden Theater for several nights running. The song was intended to show support for the Hanoverian King George II, following the defeat of his General John Cope at Prestonpans, a battle that was the opening salvo in the war against "Bonnie Prince Charlie," his Stuart rival for the throne.
My Country 'Tis of Thee. ca 1861. Music Division, Library of Congress
Before the music of "My Country 'Tis of Thee" made its way to the United States it was played in many countries. By the 1790s the melody had become that of the Danish national anthem "A Song to be Sung by the Danish Subjects at the Fete of their King, to the Melody of the English Hymn." Eventually it also became the national anthem of at least six other places, including Prussia ("Heil dir im Siegerkranz" or "Hail to Thee in the Victor's Wreath"), Britain ("God Save the Queen") and Liechtenstein.
The first documented version of this melody printed in the American British colonies dates from 1761. The tune of "God Save the King" was used, in a slightly modified form, as the melody for the hymn known as "Whitefield's Tune," published in Urania, a collection of sacred songs compiled by James Lyon and printed by William Bradford.
After the colonies became independent from England the words were further adapted for use in the United States. For example, George Washington was greeted as he arrived in New York City for his first inauguration in April 1789, with the following homegrown words sung to the familiar air of "God Save the King."
Hail, thou auspicious day!
For let America
Thy praise resound.
Joy to our native land!
Let every heart expand,
For Washington's at hand,
With glory crowned.
Thrice beloved Columbia, hail!
Behold before the gale
Your chief advance.
The matchless Hero's neigh;
Applaud him to the sky,
Who gave you liberty,
With gen'rous France.
A number of popular versions of the song may have evolved in America, with no known documentation as to their source. It would have been known, for example, to many members of the Lewis and Clark expedition (1803-1806) under the title "God Keep America."
God keep America
Free from tyrannic sway
Till time shall cease
Hush'd be the din of arms
And all proud war's alarm;
Follow in all her charms
Heaven-borne peace.
Lancaster County, Pennsylvania. Children singing in Martha Royer's school house. Dick, Sheldon, photographer, 1938? Prints and Photographs Division, Library of Congress
The words that eventually became a tradition, particularly among U.S. school children, were written by Samuel Francis Smith while he was studying at Andover Theological Seminary in 1831. Smith was approached by the famed organist and composer Lowell Mason who had with him some German school music books. Mason wanted Smith to either translate the German, or write new text for the tunes. Smith was particularly struck by one tune (most likely unaware that it was the same melody as "God Save the King") and wrote his lyrics to it. The song was debuted by Mason on July 4, 1831, at a children's service at the Park Street Church in Boston, Massachusetts.
Smith initially wrote another verse, which he cut because it seemed too strident and not in keeping with what he wanted to be a peaceful homage to the nation. Beethoven and Haydn have incorporated the music of this song into their own work and, on August 28, 1963, Rev. Martin Luther King quoted Smith's lyrics when he stated from the steps of the Lincoln Memorial "I have a dream" and called on the nation to "let freedom ring."
Learn More About It
Letter from Helen Keller to John Hitz, August 29, 1893 mentioning hearing "My Country 'Tis of Thee" (Alexander Graham Bell Family Papers)
Letter from Mabel Hubbard Bell to Alexander Graham Bell, February 8, 1901 mentioning a performance of "My Country 'Tis of Thee" (Alexander Graham Bell Family Papers)
Letter from Augustus C. Thompson to Abraham Lincoln discussing the song being sung abroad by missionaries (Abraham Lincoln Papers)
Samuel Francis Smith Homestead Society Papers 1956-1996 External
Samuel Francis Smith External (Cyberhymnal)
Samuel Francis Smith External (Songwriters Hall of Fame)
"God Save the King" External (The Monarchy Today)
Print Bibliography
Browne, C. A. The story of our national ballads. Revised by Willard A. Heaps. New York: Thomas Y. Crowell Company, 1960. Call number: ML3551 .B88 1960.
Clark, Kenneth S. Stories of America's greatest songs, 4th ed. New York: National Bureau for the Advancement of Music, 1941. Call number: ML3551 .C5 1941.
Chase, Gilbert. America's music: from the pilgrims to the present, 3rd ed., revised. With a foreword by Richard Crawford and a discographical essay by William Brooks. Urbana and Chicago, Illinois: University of Illinois Press, 1987. Call number: ML200 .C5 1987.
Eskew, Harry and Carol A. Pemberton. ' Lowell Mason,' The New Grove Dictionary of Music Online, ed. L. Macy. Accessed 15 April 2003, http://www.grovemusic.com External.
Ewen, David, ed. American popular songs from the Revolutionary War to the present. New York: Random House, 1966. Call number: ML128 .N3 E9.
"God save the Queen [King]." The new Oxford companion to music, Denis Arnold, ed. Volume I, A-J: 773. Oxford and New York: Oxford University Press, 1983. ML100 .N5 1983.
Hitchcock, H. Wiley. Music in the United States: a historical introduction, 4th ed. With Kyle Gann. Upper Saddle River, New Jersey: Prentice-Hall, Inc., 2000. Call number: ML200 .H58 2000.
Howard, John Tasker. Our American Music: A comprehensive history from 1620 to the present, 4th ed. New York: Thomas Y. Cromwell Company, 1965. Call number: ML200 .H8 1965.
Langley, Hubert. Doctor Arne. London: Cambridge University Press, 1938. Call number: ML410 .A78 L28.
Scholes, Percy A. "God save the Queen." The Oxford companion to music, 9th ed. London and New York: Oxford University Press, 1955. Call number: ML100 .S37 1955.
Scholes, Percy A. God save the Queen!: the history and romance of the world's first national anthem. London: Oxford University Press (Geoffrey Cumberlege, publisher to the University), 1954. Call number: ML3658 .S3 1954
My Country 'Tis of Thee
Library of Congress, Washington, DC, 2002.
- Popular Songs of the Day
- Songs and Music
- Songs Collections
online text
Article. My country 'tis of thee, Sweet land of liberty...
Additional Metadata Formats
METSXML Record
Patriotic Melodies (175)
The Library of Congress Celebrates the Songs of America (98,253)
Performing Arts Encyclopedia (134,395)
Popular Songs of the Day
Songs and Music
Songs Collections
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1832?] edition
ca. 1861 edition
A.W. Auner (pub.)
J.H. Johnson (pub.)
Diamond Four
George J. Gaskin
Metropolitan Quartet
Unidentified band
U.S. Air Force Concert Band
U.S. Coast Guard Band
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Because of copyright laws, songs from the twentieth century may not be represented by very many items on the Web site. While every effort has been made to obtain permission to use these songs or portions of these songs, in some cases this has not been possible. Therefore there may be no recordings or paper items to illustrate those songs. In some instances, the rights' owner may have only granted permission to use a portion of the material online. In those cases, only 30-second excerpts of sound recordings are used, and only one or two pages of print or manuscript materials are used.
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My Country 'Tis of Thee . Library of Congress, Washington, DC, 2002. Online Text. https://www.loc.gov/item/ihas.200000012/.
(2002) My Country 'Tis of Thee . Library of Congress, Washington, DC. [Online Text] Retrieved from the Library of Congress, https://www.loc.gov/item/ihas.200000012/.
My Country 'Tis of Thee . Library of Congress, Washington, DC, 2002. Online Text. Retrieved from the Library of Congress, <www.loc.gov/item/ihas.200000012/>.
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text:
Economy turning around soon? Not likely
The biggest factor in the GDP's second-quarter rebound was robust sales of U.S. exports.Mark Lennihan / AP
The economy pulled out of a dangerous rough patch in the spring, thanks largely to strong exports, but the rebound isn't expected to last. Economic slowdowns overseas could make exports tail off just as Americans are hunkering down after the bracing impact of rebate checks wanes, plunging the country into another rut later this year.
"There will be heavy sledding for the U.S. economy during the next couple of quarters," predicted Lynn Reaser, chief economist at Bank of America's Investment Strategies Group.
Gross domestic product, or GDP, grew at a 3.3 percent annual rate in the April-June quarter, its fastest pace in nearly a year, the Commerce Department reported Thursday. The revised reading was much better than the government's initial estimate of a 1.9 percent pace and exceeded economists' expectations for a 2.7 percent growth rate.
The rebound followed two dismal quarters. The economy actually shrank in the final three months of 2007 and barely budged in the first quarter at a minuscule 0.9 percent pace. The 3.3 percent growth in the spring was the best performance since the third quarter of last year, when the economy was chugging along at a brisk 4.8 percent pace.
White House press secretary Dana Perino said the numbers demonstrated the economy's resilience in the face of many challenges. But she added: "No one is doing a victory dance."
Others agreed that the growth pickup wasn't a sign of better days ahead. Analysts predict the second quarter will represent the high point for economic activity this year.
It's "the last hurrah for this economic cycle," said Martin Regalia, chief economist for the U.S. Chamber of Commerce.
Federal Reserve Chairman Ben Bernanke has warned the economy will be weak through the rest of 2008. Economists believe growth will slow in the July-September quarter to a pace of around 1.5 percent, and will turn even weaker in the fourth quarter. Some, including Regalia, think the economy might jolt into reverse yet again.
GDP measures the value of all goods and services produced within the U.S. and is the best barometer of the country's economic health.
The economy is the top concern for Americans. Democratic presidential contender Barack Obama favors a second government stimulus package, while Republican rival John McCain supports free trade and other business measures to buttress the economy.
On Wall Street, the GDP report lifted stocks. The Dow Jones industrials were up more than 180 points at one time.
For months, housing, credit and financial troubles have hammered the economy.
In turn, employers have clamped down on hiring, driving the nation's unemployment rate up to 5.7 percent in July, a four-year high. The Labor Department said Thursday the number of people signing up for jobless benefits declined last week for the third straight period, but remained above 400,000 — an indicator of a slowing economy.
Health care products maker Abbott Laboratories, telecommunications provider Embarq Corp., and aluminum maker Alcoa Inc. are among the companies recently announcing layoffs.
Employers have cut jobs every month this year and wage growth is trailing inflation. That combination raises concerns about the future of consumer spending, one of the pillars underpinning the economy.
The biggest factor in the GDP's second-quarter rebound was robust sales of U.S. exports. The weaker value of the U.S. dollar has bolstered those sales, which accounted for half of the gain in GDP. Exports grew at a 13.2 percent pace in the spring, more than double the 5.1 percent growth rate logged in the first quarter.
Imports, meanwhile, fell at a 7.6 percent annualized pace in the spring, as economic troubles in the U.S. crimped demand for foreign-made goods. The improved trade picture added 3.1 percentage points to second-quarter GDP, the most since 1980.
Against that backdrop, Japan's Toyota Motor Corp. on Thursday lowered its global sales target for next year, proof that even one of the world's most durable automakers is being hurt by a slowing U.S. market.
"With the rest of the world now slowing and the dollar off its lows, the U.S. will be more reliant on domestic demand in coming quarters," said Nigel Gault, an economist at Global Insight. "Since consumer spending is slowing down and the credit crunch is tightening its grip, it is hard to foresee another quarter with such a robust GDP headline for some time."
U.S. consumers did boost their spending at a 1.7 percent pace in the second quarter, the best showing in nearly a year. Government stimulus checks of up to $600 a person helped energize shoppers. But many expect consumers to pull back in the months ahead as unemployment rises, paychecks shrink and their biggest asset — their homes — continue to sink in value.
The effects of the housing market's collapse were evident in the GDP report.
Builders cut back at an annual rate of 15.7 percent in the second quarter_ although that was a better showing than early this year and late last year.
Businesses trimmed spending on equipment and software in the spring. And, they reduced investment in inventories, but not as much as initially estimated by the government. That also contributed to the improved GDP reading.
One measure of corporate profits showed companies losing ground in the second quarter. After-tax profits fell 3.8 percent in the spring, compared with a 1.1 percent increase in the first quarter.
With the economy still coping with fallout from housing and credit problems, the Fed is expected to hold interest rates steady at its next meeting on Sept. 16, and probably through the rest of this year.


text:
Appeal lodged with ECtHR by lawyers of the amnestied "Bolotnaya" defendants
posted 22 Jun 2014, 09:46 by Rights in Russia [ updated 22 Jun 2014, 09:53 ]
Moscow city & Moscow region Access to justice European Court of Human Rights Right of assembly
An appeal has been lodged with the European Court of Human Rights (ECtHR) by the defence team for the Bolotnaya protesters granted an amnesty on the grounds that their clients' rights were violated. According to Zaks.ru, the news was announced on Monday 16 June by the lawyer Dmitry Arganovsky, who represents one of those sentenced.
ITAR-TASS reports Argnovsky as saying, "We have submitted an appeal in connection with the violation of the rights of those involved in the Bolotnaya case who were later granted an amnesty. We believe that Articles 10 and 11 of the European Convention for the Protection of Human Rights and Fundamental Freedoms have been violated – the right to freedom of speech and the right to freedom of assembly."
The court proceedings in connection with the mass disturbances on Moscow's Bolotnaya Square were initiated in response to the events on 6 May 2012, when an officially sanctioned opposition rally deteriorated into clashes with the police. Over 400 people were detained. A criminal case was opened under Article 212 of the Criminal Code of the Russian Federation ("Mass disturbances") and Article 318 of the Criminal Code of the Russian Federation ("Violence against representatives of the authorities"). A total of around 30 people were charged in connection with the main so-called "Bolotnaya" investigation.
Criminal proceedings against eight of the defendants were dropped following the amnesty declared in honour of the 20th anniversary of the Constitution of the Russian Federation. On 24 February 2014, eight of the protesters were found guilty by a court and received penalties ranging from suspended sentences to four years in prison.
Translated by Joanne Reynolds


text:
Edward Sackville, 4:e earl av Dorset, född 1591, död den 17 juli 1652, var en engelsk politiker. Han var sonson till Thomas Sackville, 1:e earl av Dorset och farfar till Charles Sackville, 6:e earl av Dorset.

Sackville stred 1620 i striden för Fredrik V:s böhmiska krona på Vita berget, ärvde 1624 earlvärdigheten efter sin äldre bror och blev 1628 drottning Henrietta Marias överkammarherre. Han sökte under inbördeskriget förgäves verka för en fredlig uppgörelse mellan kungen och parlamentet.

Källor

Noter

Alumner från Universitetet i Cambridge
Alumner från Christ Church, Oxford
Engelska politiker under 1600-talet
Engelsk adel
Brittiska överhusledamöter
Engelska hovmän
Födda 1591
Avlidna 1652
Män
Ugglan

redpajama_set_name: RedPajamaWikipedia


The CCC is the Catechism of the Catholic Church, and it is one of the handiest reference tools available to the catechist, clergy, and laity for reviewing the tenets of the Faith.
Why read the Catechism? The Catechism of the Catholic Church is one of the greatest gifts to the Church from John Paul II's pontificate. It is the definitive reference resource on faith and morals for Catholic Christians; a comprehensive summary of all the Church believes, celebrates, lives, and prays. This explains the Deposit of Faith—what has been handed down since the time of the Apostles—and it is part of our divine inheritance as believers!
Let's face it, the Catechism is a textbook in size and scope. But I prefer to think of it as a deep treasure chest of gems and nuggets that that will enrich our faith and our love of God and the Church.
The first question I'm usually asked is: Can I read the Catechism on my own? The short answer is yes. The longer answer is, at times you may feel daunted by the dense language of the Catechism, depending on the depth of your religious education regarding terms and doctrines. While the Catechism is suited for those who formally teach the Faith in the Church and in the classroom, John Paul II declared it is for all who wish to deepen their knowledge of salvation.
This space is designed to be a friendly introduction to topics within the Catechism in an easy-reader style. We'll define terms as needed, and apply real life examples to what we read.
It is important to note that many books cover the Catechism in greater depth and with more excellent scholarship than a short article can provide. Again, the column will introduce and explore topics that I hope will draw you into deeper study.
This column stands on three principles: first, that God, in the three Persons of the Holy Trinity, is the source of all Truth and communicates by Divine Revelation in the form of Tradition and the Scriptures. Second, our task as believers is to respond to God in faith in the fullest way we can. Third, the Magisterium (the teaching authority) of the Church, under the inspiration of the Holy Spirit, is to be trusted as a worthy guide as to how we make that response in faith.
Therefore, as we better embrace the Catechism, Church teaching becomes an avenue for our Christian growth. And all of us are called to on-going conversion.
It is my hope that as you open the CCC more and more, you'll begin to embrace its teachings in an ever-deeper way. As Catholics, we all need to "get our arms around" what the Church teaches, so that we can live it more faithfully. This is essential for every Christian, and vital for catechists. But, we must acknowledge that such growth is a process for each person. Some of us are ready to devour chapters of the Catechism at a time, or may have already. Some may have heard of it, but have never had a reason to open the book. All are welcomed here!
Now, human persons, we all know about the power of an embrace. When you love someone, it leads to a loving embrace. The love between spouses, or parents and children, or family members and friends, all find validation in a loving, warm, embrace.
An embrace presumes knowledge of one another. And there are degrees of that knowledge. The marital embrace, for example, represents the deepest of unions and the most complete knowledge of the other person. Such an embrace in a marriage presupposes a longer process preceding the embrace.
There was the first look and notice of each other. Becoming acquainted led to the first conversation, the first mutual understanding, and eventually, the first kiss. Slowly, as love builds, more is revealed… what the person believes, how they live, what they celebrate, and yes, perhaps even what they pray about.
When love leads to marriage, two people join as one. Yet they also join families. When I married, as I embraced the one I loved, I also embraced by extension his entire family.
A similar process took place in my relationship with Jesus Christ. I was baptized as an infant into the family of God, but it took me many years to grow up and get acquainted with Christ. As I teenager, I experienced a deep conversion to Christ. From there, a friendship grew—a meeting of minds and hearts—until finally, my life with Christ became an ongoing committed love relationship.
What I discovered was that, over time, I embraced not only Jesus Christ as Lord, but I also embraced his family—the Holy Trinity, his mother Mary, his foster father Joseph and all the saints in heaven, and his Church here on earth. My embrace of Christ and his family—and especially the Church and what she teaches—grew slowly by degrees.
It is in the Church that Christ fulfills and reveals his own mystery as the purpose of God's plan: "to unite all things in him." St. Paul calls the nuptial union of Christ and the Church "a great mystery." Because she is united to Christ as to her bridegroom, she becomes a mystery in her turn.
Christ's actions of loving the Bride (the Church) are worthy of our imitation. We are called to love all the Church believes, celebrates, lives, and prays. We are to embrace the Bride as we embrace the Bridegroom, Jesus. As we progress in our union with Christ, we will naturally desire to more perfectly align ourselves with His Bride (the Church) and what she teaches. And what she teaches is found most succinctly in the Catechism.
This article was adapted from a previous released article at Catholic Exchange.
The truth about you, my dear Christian friend, is that by virtue of your baptism a remarkable thing occurred. The Lord of Life, the King of Heaven, the Almighty God has taken up residence where you might least expect. In you.
Indeed Christ came to earth for our redemption, but at the same time, Christ came to restore to us the hope of glory. That is, one day we will live with him, in the glory of the Trinity forever.
Remarkably, that reality started for you on earth the day you were baptized. You became "a new creation" in Christ (2 Cor 5:17).
Baptism is both your identity and your destiny. It tells you who you are, where you came from, and where you are going. It defines where "home" is and where you belong. It sets the course for the rest of your life – and eternity – if you embrace it.
But you don't have to take my word for it. I make that claim standing on 2000 years of Christian Tradition found in the Catholic Church, and spelled out in no uncertain terms in the Scriptures and in the Catechism of the Catholic Church (CCC).
and a temple of the Holy Spirit [Cf. 1 Cor 6:19].
– allowing them to grow in goodness through the moral virtues. Thus the whole organism of the Christian's supernatural life has its roots in Baptism.
Try to take this in: our sonship and daughtership in God is our truest identity – it means that we participate in the divine life of the Trinity, thanks to grace.
Many of us were baptized as infants. Naturally, in that case, we probably have no recollection of our baptism. Therefore some of the power of this truth may elude our consciousness. Not only that, in growing up, many of us missed out on strong faith formation. So for the sake of those who may not have fully embraced their own baptism, let's pause and talk about what our baptism looks like from this perspective of Christ being "in" us.
It all began with God's love for us (See Jn 3:16). Maybe you've heard that before, and while its still very true, perhaps it just sounds like a nice platitude you may have heard as a child. If so, listen up: it's time to understand the depth of our baptism, and all it implies, as an adult.
God's attachment to us in baptism is intentional, deep, and permanent, indeed, like a lover who brands his or her beloved's name on their arm as a tattoo. So, too, our God has branded us. God placed his loving yet indelible mark on our souls, like a soul tattoo.
The Holy Spirit has marked us with the seal of the Lord ("Dominicus character") "for the day of redemption." [Eph 4:30; cf. 1:13-14; 2 Cor 1:21-22]. Baptism indeed is the seal of eternal life. The faithful Christian who has "kept the seal" until the end, remaining faithful to the demands of his Baptism, will be able to depart this life "marked with the sign of faith,"[see Roman Missal, Eucharistic Prayer I] with his baptismal faith, in expectation of the blessed vision of God – the consummation of faith – and in the hope of resurrection.
Baptism is the sacrament of faith. It is not something to be received passively since it brings changes with it. Its grace conforms us to Christ. That means there is an added dimension – a supernatural one! – to the soul and body and personality and DNA that makes us unique persons.
We have the potential to take the shape of Christ, or to imitate him more perfectly than if we did not have such a grace. Why? Because Christ's very life is in us. The glory of God has taken up residence in us. Not only that, we strengthen and grow that living supernatural "Christ-in-us" whenever we receive the Eucharist: the Body and Blood, Soul and Divinity of Jesus Christ. When we receive Jesus in the Eucharist, he recognizes and greets the Christ in us!
Are you getting the big picture? We. Were. Made. For. This.
We were made to be in this intimate, loving, and profound relationship with a God who sees Himself in us.
It's somewhat like the joy a parent feels when they see a son or daughter who resembles them in eye color or has their freckles, or shares their love of music, or their taste for cheesecake. While the parent see themselves in their child, the child remains their own unique person. It's a love thing.
So, we in turn, must live for this love. The Christ-in-us is an invitation to glory, both now, and in the future. This is our hope and our destiny. But we must choose to live the glory of our baptism, our true identity.
It is possible to waste our life by ignoring who we really are in Christ.
We must become, in full adult measure and stature, our truest selves. Our baptism invites us to become a saint, in the sense that a saint is someone who truly resembles Christ while maintaining his or her unique personhood and distinctive qualities.
The living out of our baptism, or some could call it "the task" of conversion, becomes not just a one-time "coming to" Christ, but a life-long on-going transformation of "becoming" Christ. Baptism gave us the grace of a head start. It sets us on the path of sanctity – which is another way of saying – this is a journey of a lifetime. That is why we have the Church, and the life of grace that we find there in the sacraments and in the Christian community.
[Baptism] conforms us to the righteousness of God, who makes us inwardly just by the power of his mercy. Its purpose is the glory of God and of Christ, and the gift of eternal life.
May we have the eyes to see in each of us: Christ.


text:
package org.apache.jackrabbit.oak.segment.spi.persistence;

import java.io.IOException;
import java.util.List;

/**
 * This type abstracts the {@code gc.log} file, used to save information about
 * the segment garbage collection. Each record is represented by a single string.
 *

 * The implementation doesn't need to be thread-safe.
 */
public interface GCJournalFile {

    /**
     * Write the new line to the GC journal file.
     *
     * @param line the line to write. It should contain neither special characters
     *             nor the newline {@code \n}.
     * @throws IOException
     */
    void writeLine(String line) throws IOException;

    /**
     * Return the list of all written records in the same order as they were
     * written.
     *
     * @return the list of all written lines
     * @throws IOException
     */
    List<String> readLines() throws IOException;

    /**
     * Removes the content of the gc.log
     */
    void truncate() throws IOException;
}

redpajama_set_name: RedPajamaGithub


text:
Q: My exported .ipa file of push notification app didn't send notification on device when installing via iTunes instead of Xcode build [Development] I used OneSignal for push notification service.
(Development) I set Provision Profile of push notification service for my app
When I run from Xcode,everything works fine on every device.
But,when I create archive(.ipa) with Debug Scheme and install via iTunes,the device seem to connect to OneSignal Push Notification service.But,can't receive notification from our backend service that was connected to OneSignal.
So,I think there is a problem with APNS
Any help with that?Did I do something wrong.
If there was,please guide me?how to test push notification of iOS Development profile with archive (.ipa)?

A: The reason why notification didn't come in when I install with my custom .ipa that was create by Xcode archive manager was,it did set default provision profile generated by Xcode for testing on Devices which wasn't include for APNS.
So,in order to make it work when testing development APNS using .ipa files installation via iTunes instead of Xcode build,you need to use your custom provision profile that was created by yours for testing APNS for iOS Development(Not Distribution APNS).
1.Go to Product>Scheme>Edit Scheme and set the Archive Tab to Debug
2.Then connect to your device and tap Product>Archive
3.Then your Xcode will create Archive for your file that you can upload or export as .ipa.Do like these picture

Choose

Then it will ask you which provision profile that you gonna use,choose like me at below if u set custom provision profile at your build setting

Then export as .ipa for all compatible devices.And then you can receive notifications like you run from Xcode by installing that .ipa via iTunes
Happy Testing!!!

A: As you have able to recieve the push notification on every device when you run from the Xcode so it did not problem in APNS or Provision Profile. I thought it might be a problem at OneSignal service.
For checking the push notication please look into the Mac application which created by noodlewerk.
Please download and open it. After that It will ask for provide the .p12 file(which you will get from the keychain) and device token. After that click on the "Push" button which will send you the sample push notification message on respective device.
Hope it will help you.

redpajama_set_name: RedPajamaStackExchange


text:
The world's 10 best chief executives: How they made the cut
What separates good chief executives from the rest of the pack?
According to the Harvard Business Review, the best chief executives are those who deliver long-term value to their shareholders, and that's the criteria the publication has used to pull together this year's list of the 100 best-performing chief executives in the world.
While the HBR acknowledges effective leadership is also about less tangible skills – strategic vision, authenticity, planning, connecting with employees and the wider community – the publication has chosen to rank chief executives based on hard data.
So who is on the list and how did they get there? Here's the HBR's 10 best-performing chief executives.
1. Jeff Bezos, Amazon
The founder of one of the world's largest retailers tops the list of best-performing chief executives for delivering incredible value to shareholders since 1996.
HBR calculates Bezos has grown returns to Amazon shareholders by a whopping 15,189% adjusted by country and 14,917%, adjusted by industry.
Overall, Bezos has grown the market capitalisation of Amazon by $US140 billion ($160 billion).
2. John Martin, Gilead Sciences
John Martin has led US healthcare provider Gilead Sciences for the same amount of time as Bezos has led Amazon, growing the company by $US128 billion.
He has been responsible for growing shareholders' returns by 7206%, country adjusted, and 6919%, industry adjusted.
3. John Chambers, Cisco Systems
Next on the list is John Chambers, chief executive of US-based IT provider Cisco Systems.
HBR calculates Chambers has been responsible for growing the company by $US168 billion, increasing shareholder returns by 668%, adjusted by country, and 1102%, adjusted by industry.
4. David Pyott, Allergan
David Pyott has grown US healthcare provider Allergan by $US50 billion, landing him fourth place on HBR's list.
Shareholder returns have grown by 1948%, country adjusted under Pyott's leadership, while industry adjusted returns have grown by 1929%.
5. David Simon, Simon Property Group
Like most of the men ahead of him, David Simons has been the chief executive of his company, Simon Property Group, for more than 20 years.
According to HBR, Simon has grown the US financial services group by $US63 billion, delivering growth in country adjusted shareholder returns of 1246% and industry adjusted returns of 1605%.
6. Lars Rebien Sorensen, Novo Nordisk
Also in the healthcare sector is Lars Rebien Sorensen, chief executive of Danish healthcare provider Novo Nordisk.
The market capitalisation of Novo Nordisk has grown by $US101 billion since Sorensen took control in 2000, with country adjusted shareholder returns growing by 621% and industry adjusted returns growing by 1214%.
7. Hugh Grant, Monsanto
Hugh Grant has led US-based agricultural company Monsanto since 2003 and in that time the company's market capitalisation has grown by $US59 billion.
Monsanto shareholders' returns have grown by 1006%, country adjusted, during that time, while industry adjusted returns have grown by 827%.
8. J Michael Pearson, Valeant Pharmaceuticals
Canadian-based Valeant Pharmaceuticals has grown by $US44 billion since J Michael Pearson took the reins in 2008.
According to HBR, Pearson's leadership has led to country-adjusted shareholder returns to increase by 1144%, with industry-adjusted returns growing by 1100%.
9. Mark Donegan, Precision Castparts
In 12 years, Mark Donegan has increased the market value of US industrial manufacturer Precision Castparts by $US34 billion.
He has also delivered growth in country-adjusted shareholder returns of 1720% and industry-adjusted returns of 1622%.
10. William Doyle, PotashCorp
Rounding out the top 10 is William Doyle, chief executive of Canadian agricultural provider PotashCorp.
Doyle has grown the company by $US37 billion, with country-adjusted shareholder returns growing by 1327% and industry-adjusted returns by 1163% since 1999.


text:
Why The Wardrobe Door?
Door Jam: February 9, 2018
Door Jam is a collection of odd, funny and nerdy news and videos from around the web. If you see a post that should be in Door Jam, tweet it to me @WardrobeDoor.
Let's look at a ton of interesting trailers that dropped this week, including some from the Super Bowl, Marvel's class photo, and one bonus story because it is amazing.
Is this enough to make up for all the chaos behind the scenes and the up-and-down reception of new Star Wars films?
Jurrasic World: Fallen Kingdom
This draws from horror elements, which is an interesting play for the sequel of a blockbuster franchise with a trailer during the Super Bowl
There's not a lot new here, but Marvel knows they've already done enough. We'll all line up to go see this one.
Marvel Cinematic Universe class photo
Speaking of having already done enough … here's a behind-the-scenes look at a photo of everyone from the past 10 years of MCU movies.
Marvel Studios kicks off its yearlong 10th anniversary celebration with a behind-the-scenes look at the class photo featuring 79 actors and filmmakers from across the Marvel Cinematic Universe! pic.twitter.com/ZeUsdDNKkH
— Marvel Entertainment (@Marvel) February 8, 2018
This is where the MCU will pick up after Infinity War. I really love the fun, retro comic book feel to this trailer.
Here's what happens next to one of The Defenders after their big Netflix team up. There's some strong hints at some kind of return for Kilgrave, the villain from the first season.
A very teasing teaser trailer that never gives us a glimpse of Venom. We only see Eddie Brock, which may indicate the first Venom movie takes place before Brock joins with the symbiote.
Teenage Mutant Ninja Vegans?
I'll give PETA this, they know how to get attention—even if it is absolutely stupid.
They now want the Ninja Turtles, who are synonomous with pizza, to eat vegan alternatives like dairy free pizza in the latest iteration of the show.
Just when I thought Michael Bay had ruined my childhood as much as possible, this comes along to remind me it could always be worse.
Aaron Earls
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Black Enterprise's SVP Talks Don Thompson's Legacy
by Courtney Connley January 29, 2015 February 1, 2015 495
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Earlier this week, news broke that McDonald's CEO Don Thompson was retiring from his position as head of the world's largest fast-food chain effective March 1.
Thompson, who stepped into his role as CEO of McDonald's in July 2012, joined an exclusive group of black executives, including Kenneth Chenault of American Express and Ursula Burns of Xerox Corp, who lead major publicly-traded corporations.
On Thursday, Jan. 29, SVP/Editor-in-Chief of Black Enterprise magazine, Derek Dingle, appeared on Roland Martin to discuss Thompson's retirement and the legacy that he leaves behind.
"Don Thompson leaves a legacy of the value of diversity at the top in fueling innovation and inclusion. He has created a pipeline of African American and minority managers — 50 percent of McDonald's managers are minorities and women — that will ascend to the top of corporate America," said Dingle. "That's the primary reason McDonald's has consistently made our 40 Best Companies for Diversity."
While there's no word on what Thompson's next career move will be, Dingle says there's no question that the business executive holds a bright future.
"This is definitely not the last we will hear from Don Thompson. He is rare air — one of the few executives who can run a mammoth global organization," said Dingle. "At 51, he is young but experienced with great vision and prowess. He will either be tapped to operate a major corporation, business venture or a high-powered role in government."
Be sure to catch Thompson at this year's Black Enterprise Women of Power Summit held March 2-5, 2015 in Fort Lauderdale, Fl.
Courtney Connley


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The indriid genus Propithecus comprises the sifakas, medium-sized lemurs endemic to the forests of Madagascar. Traditionally, scientists divided the genus into only 2 or 3 species —Propithecus diadema, P. verreauxi, and, since 1988, P. tattersalli— with 4 or 5 subspecies in each of the first 2 taxa, but recent authors have suggested that many more distinct species should be recognized. We draw from quantitative and qualitative studies of craniodental traits to evaluate further the phenetic distinctiveness and taxonomic status of each named form of Propithecus. We recognize 9–10 species in the genus. The 4 or 5 species of the Propithecus diadema group —P. diadema, P. candidus, P. perrieri, P. edwardsi, and perhaps P. holomelas, if distinct— share several derived features, including large average body size and a mandible specialized for rotational chewing, and clearly comprise a closely related complex. The 5 species of the Propithecus verreauxi group —P. verreauxi, P. coquereli, P. deckenii, P. coronatus, P. tattersalli— are each highly distinctive morphologically and likely do not comprise a monophyletic group. In particular, we point out the highly distinctive cranial features of Propithecus coronatus, which researchers have traditionally largely overlooked.
We thank Chris Smeenk (RMNH), Paula Jenkins, Richard Harbord, and Daphne Hills (BMNH), Judy Chupasko (MCZ), Darrin Lunde (AMNH), Peter Giere and Irene Thomas (ZMB), and Bill Stanley (FMNH) for access to museum specimens and other assistance. Judy Chupasko and Darrin Lunde took some extra measurements for us. Grants from the South Australian Museum and the Smithsonian Institution supported C. M. Helgen's museum research abroad.
Not all of the skulls are complete and offer the full set of measurements.


Thank you, Holy Father, for all you have done for the Catholic Church during your 26 years of papacy. We miss you deeply and will always remember you in our prayers. May God bless your soul and may you enjoy eternal happiness with the Lord in heaven.


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A character has a secret, and if anyone found out, it would destroy his or her life. Next came The Slime Beast (1975), a predictable gruesome monster story followed by a novelization of the minor horror film The Ghoul (1976). Send query with outline or sample chapter, and self-addressed stamped envelope. One pair consists of a guide and a brash young man, the former of whom begins to act very strangely after an unusual odor wafts through their camp one evening. The assumption underlying this denigrating image of young women is the idea that their entire goal in life is marriage for the sake of financial security.
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He Fell in Love with His Wife: The Works of E. P. Roe
To persuade readers that the story could really have happened (and perhaps some of it did), authors should portray the time period as accurately as possible and avoid obvious anachronisms. The fiction and the history should be well balanced, with neither one overwhelming the other YOU MUST REMEMBER THIS http://pl.xmfireline.com/freebooks/you-must-remember-this. Obey me and save yourselves! (Note: I only meant about half of what I just said. Unless you wish to be excessively avant-garde, you'll need a family for your family saga. It can be any kind of family—Australian, Jewish, Southern, ranching, incestuous—as long as its members have passions and experience shifting fortunes. Nobody wants to read about a comfortably middle-class clan of placid Wisconsinite cheese-eaters Illusion http://clashofclansfree.com/library/illusion. See agents' bios for further information. Submission guidelines: Accepts queries via regular mail or email via central submissions address. Notes: Small literary agency in New York, NY. Submission guidelines: Accepts queries via regular mail only. Query with summary, author bio, marketing strategy, and SASE. Genres: See individual agents' bios for specific needs. Submission guidelines: Accepts regular mail and email submissions Terre des Hommes read here http://winthewest.thesativasolution.com/?library/terre-des-hommes. ACCOUNT IS NON-TRANSFERABLE ONCE USED , cited: The Visitors' Book download epub The Visitors' Book. Because the stories and settings of the various books and films diverge, Clarke stated that the continuity of the series represents occurrences in a set of parallel universes epub. Castle War! (1990) was a decided improvement. The residents of the castle are menaced by the structure's evil twin, an alternate version of the castle inhabited by a host of villains drawn from multiple realities. (1765) Horace Walpole virtually invented the genre of Gothic fantasy and supernatural fiction with this very early novel, which, although poorly constructed and archaically written by modern standards, remains of interest because the author originated many conventions imitators would embrace and develop in subsequent years pdf. The book won the Carnegie Medal for children's literature. Other fantasies for young readers include Smoky House (1940), which involves fairies, and Linnets and Valerians (1964), an underrated story in which a group of children discover yet another gateway to other realities, one through which some quite nasty entities are planning to infest our world , cited: The Hill Barons Kitchen (Montecito Trilogy Book 1) winthewest.thesativasolution.com.
Finney and SOMETHING WICKED THIS WAY COMES (1962) by Ray BRADBURY. Sarrantonio's carnival springs up overnight, and everyone in town is fascinated by it except for one young boy who can see the truth behind the illusion. That same year saw the publication of Worms, which borrows its monstrous worms from science fiction, setting them free to prey on humans. Campbell Wood (1986) displays far more originality CHIKARA! A Sweeping Novel of download pdf CHIKARA! A Sweeping Novel of Japan and. In The Carnelian Cube (1948) a magic artifact allows the protagonist to visit alternate realities, but he gets into trouble every time and mildly amusing consequences ensue , cited: Concerto for Maggie Mae Concerto for Maggie Mae. I was too busy struggling to get you and Irina out of Romania," her husband responded with an affectionate smile. After all these years, his spunky, pragmatic wife hadn't changed one bit. "You mean you're blaming us for your failures again?" Eva wanted to know. "My biggest success is reuniting with my family," Andrei replied with an uncharacteristic sentimentality which, his wife surmised, would wear off in a couple of days , e.g. Lost and Found (The Keller Family Series Book 5) winthewest.thesativasolution.com.
Wenderholme: A Story of Lancashire and Yorkshire
The smoke ghost invades the mind of his secretary, effectively possessing her and threatening his life, which he saves only by promising to worship the creature. Satisfied, it lets him live and restores the secretary to her right mind. Just as Leiber's modern ghost has taken on a different form, it also has a different nature. Rather than the spirit of a dead individual, it is an amalgamation of mass emotions, despair, ambition, fear, and anxiety The Fenton Saga: Never Say Goodbye / There Was No Body. http://winthewest.thesativasolution.com/?library/the-fenton-saga-never-say-goodbye-there-was-no-body. Henry, however, is badly affected by his partners success, but will he stoop low enough to bring about the downfall of Jimmy and Tommy? Overview: A computer hacker learns from mysterious rebels about the true nature of his reality and his role in the war against its controllers , e.g. Westward the Gods: "The read here Westward the Gods: "The Answer" (The. Meticulously researched from primary sources, Katherine served as the inspiration for many authors who write medieval fiction. It's an epic romance told on a suitably grand scale. Also try: Sharon Kay Penman's Here Be Dragons (1987), about the turbulent romance between Joanna, illegitimate daughter of King John, and Llewelyn, Prince of North Wales Dissident Gardens: A Novel download online winthewest.thesativasolution.com. Or use it to create really cool photo slideshows - with 2D and 3D transitions, animation, and your choice of music - that you can share with your Facebook friends or Google+ circles Searching For Tilly (Ulverscroft Large Print Series) Searching For Tilly (Ulverscroft Large. At last he arrives in the land of Hlo-hlo's adherents, where he drugs the local priests long enough to make off with the diamond , cited: Lost and Found (The Keller Family Series Book 5) read online. Smith is often identified as an author of weird fiction rather than fantasy or horror, because a large number of his short stories straddle both fields, as is the case with this, one of his finest works, which mixes a common horror theme, vampirism, into a medieval landscape in a story that is, despite its subject matter, light and witty rather than morbid and suspenseful. when he decided to develop his own take on Lovecraft starting with The Time of Feasting (1996) What Men Live By atwatergirlscouts.org. With his debut volume, Children of the New World, Alexander Weinstein is the latest creator to venture down such a path, and a fine job he does , e.g. Tarzan at the Earth's Core (Paperback) - Common http://hospicjum-szczecin.pl/?freebooks/tarzan-at-the-earths-core-paperback-common.
Waverley Novels, Volume 41
The Writer: "Off Script": Season Two Episode 9
In His Stead; A Father's War
Between the White Lines
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Harlequin Desire September 2016 - Box Set 2 of 2: The Boss's Baby Arrangement\Billionaire Boss, M.D.\Second Chance with the CEO (Billionaires and Babies)
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It becomes even more complicated if you're also resisting the idea that you have to put a classification or label on your novel at all. You need to be able to tell someone what genre your novel is for a variety of reasons that all relate to the fact that you're trying to make your art into a business epub. The popularity of the series overshadows the fact that Norton wrote a considerable body of fantasy not set in that world. Although most of her work prior to the 1960s had been ostensibly for a young adult audience, her emphasis began to change as she largely abandoned science fiction in favor of fantasy Awakened by the Wolf read pdf read pdf. My parents were hippies, and the story is that they went through a dictionary looking for a beautiful word to name me. They nearly called me Banyan, but flipped a few pages on and reached "China," thankfully. The other reason they liked it is that "china" is Cockney rhyming slang for "mate." People say "my old china," meaning "my old mate," because "china plate" rhymes with "mate." We used to go to a lot of museums and art galleries, and we used to watch an awful lot of TV His Darling Bride (Echoes of download for free His Darling Bride (Echoes of the Heart). She does so, but once inside she realizes that the cab driver is her long-lost lover A Twist Of Fate read pdf A Twist Of Fate. Sandy is seeking mainly upmarket commercial and literary fiction for the adult market. She enjoys women�s fiction for book clubs, smart page-turning thrillers, works of suspense with complex protagonists, mysteries of all sorts (cozies, historical, traditional), and romance The Inn On The Marsh read online The Inn On The Marsh. August 31, 2012 All Around Great, Great, Fun and no HOS! :) You read right - no HOS , source: The Girl at the Farmhouse Gate read pdf read pdf. Additionally, the guests are encouraged to make public confessions, and even resolve their issues via on-camera "group therapy." [17] Television documentary: A genre of television programming that broadcasts documentaries The Magnificent Ambersons read epub http://winthewest.thesativasolution.com/?library/the-magnificent-ambersons-library-of-indiana-c. There are two sides to every story as the saying goes. For Alex Haley, one side was Roots, the towering chronicle tracing seven generations of his mother's family. The other side comes to the screen in Alex Haley's Queen, the remarkable history of a paternal side of the author's family. Wolper (Roots, The Thorn Birds) is the executive producer of this acclaimed adaption of the story Alex Haley was working on at the time of his death in 1992 Who? http://jgcgroupllc.com/books/who. Simply a video game that plays as a Pinball machine. Obvious example include Pokémon Pinball, Devil's Crush, Metroid Prime Pinball, and Alien Crush Earthwork of England: Prehistoric, Roman, Saxon, Danish, Norman and Mediæval http://winthewest.thesativasolution.com/?library/earthwork-of-england-prehistoric-roman-saxon-danish-norman-and-mediaeval. The Warhammer series has a particularly wide range of settings because it is split into two distinct branches. The first takes place on a primitive, barbaric Earth where magic works and good and evil are usually differentiated without difficulty Who Health all thy Diseases Who Health all thy Diseases. Praise for Wait Until I'm Dead!: "Wait Until I'm Dead! weaves a deeply personal issue with politics, complex family dynamics, and pushes the boundaries of our notions of right and wrong, good and bad epub. See Hawke, Simon Yolen, Jane 396–397 You Come When I Call You (Clegg) 61 Young Blood (Stableford) 336 Young Merlin trilogy (Yolen) 397 "Yours Truly, Jack the Ripper" (Bloch) 27, 397–398 Zarkon series (Carter) 48–49 Zelazny, Roger 399 The Amber Series 5, 83, 399 Zettel, Sarah 400 Zimiamvia trilogy (Eddison) 104
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Because of this, football teams, for example, operating in the settlements, are available to Israelis only, and West Bank Palestinians may not participate, play on the teams or even attend games as spectators." The report noted that in the case of sports club Givat Ze'ev, "the IFA, and therefore FIFA as well, are holding matches on a playing field that was rendered off-limits to its Palestinian owners, two families from neighbouring Beitunia who were unable to access their land after Israel built the settlement in 1977 and prevented Palestinians from entering it.
LEICHTY, Erle (1970) The Omen Series Summa Izbu. Our challenge is to work together on a shared vision for the future. It is thought that John broke his father's heart when he secretly joined with his older brothers in a plan to take the throne away from Henry II. The Normans built wooden forts called motte and bailey castles. Scurlock suggests that a valid and functional Mesopotamian medicine has been dismissed or seriously undervalued in recent scholarship, because of its association with magic, sorcery and supernatural practices repugnant to the modern scientific mentality. [These points are quite possibly true; they are not necessarily well argued by assertions such as that, "when a person became ill in ancient Mesopotamia, he had many of the same options we {sic} have today...", that the medical services were "not financially out of reach of the average ancient Mesopotamian" ( p. 306), or reference to "our blind attachment to a humoral philosophy" ( p. 315).] SCURLOCK J (2006) Magico-Medical Means of Treating Ghost-Induced Illnesses in Ancient Mesopotamia.
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