text:
Most of us aren't sure how to pronounce "Eruditorum" either.
(26 comments)
Hello all. I've finally gotten around to those tax things, so the general "here's where things were in 2013 for Eruditorum Press" post should be up this week.
But for now, gossip! Discussion! Games!
The following eight posts will have other stories subbed in for them in the manner of Silence in the Library/Forest of the Dead and Time of Angels/Flesh and Stone.
The Pandorica Opens/The Big Bang
The Impossible Astronaut/Day of the Moon
A Good Man Goes to War
Let's Kill Hitler
The Wedding of River Song
Angels in Manhattan
The Name of the Doctor
The Time of the Doctor
The stories available to go into those slots are the first six as well as Silence in the Library/Forest of the Dead and Time of Angels/Flesh and Stone.
I have already selected which ones are going to go where, and have in my head some sort of spurious justification and plan for why I picked the order I did.
What order do you think I'm going to tackle them in?
Give cool justifications for your picks and you might even change my order from the one I'm planning.
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Let's see if I can figure this out.
You've stated that Pandorica Opens/ The Big Bang is your favorite story in your "An act of madness" post. I'm going to assume it gets the ultimate spot in that case.
Even if you're not going exactly in reverse order, I suspect you'll want River's debut fairly late in the game. So let's give Silence in the Library/ Forest of the Dead to the Name of the Doctor spot. Since you've already said that will be a big post, that gives you time to get it written, as well.
For whatever reason, having River & Amy's first meeting from Amy's perspective take the spot of their last meeting from Amy's perspective (as well as keeping a Weeping Angels story there) means Time of Angels/ Flesh and Stone goes in the Angels in Manhattan spot.
I think flipping Good Man Goes to War/ Let's Kill Hitler so they're collectively in the right place would amuse you for structural reasons.
I'm going to directly swap Impossible Astronaut/ Day of the Moon with Wedding of River Song as well; not for the amusement value this time but to show how the season arc works.
Which leaves us with Angels in Manhattan taking the Pandorica Opens/ Big Bang slot by process of elimination; but that also seems to fit well in terms of the Rory & Amy dynamic.
The Pandorica Opens/The Big Bang Angels in Manhattan
The Impossible Astronaut/Day of the Moon Wedding of River Song
A Good Man Goes to War Let's Kill Hitler
Let's Kill Hitler Good Man Goes to War
The Wedding of River Song Impossible Astronaut/ Day of the Moon
Angels in Manhattan Time of Angels/ Flesh and Stone
The Name of the Doctor Silence in the Library/ Forest of the Dead
The Time of the Doctor Pandorica Opens/ Big Bang
Grr, my spacing on the final list went away. And I seem to have skipped half a thought in the paragraph starting "For whatever reason", but it's 3:30 in the morning and I have no idea what else I was thinking.
Alex Antonijevic 5 years, 9 months ago
I'm more interested in the massive mind**** infinite recursion that will happen when you do a Pop Between Realities covering the Eruditorum.
Chrshea 5 years, 9 months ago
Unfortunately for all of us who have to wait for it that long, but the only way i see is to do Silence in the Library for Time of the Doctor. Moffat began with the death of River, so the Eruditorum ends with the birth of the Moffat era.
David Anderson 5 years, 9 months ago
OK -
Last ( replacing TotD): Silence in the Library, for obvious reasons.
Penultimate (replacing NotD): Angels Take Manhattan as the era closer and summary.
Replacing AtM: Pandorica Opens/Big Bang (as the era summary).
In any truly random reshuffle there is an approx. 65% chance that at least one item will end up in its original place. Therefore,
Replacing TWofRS: The Wedding of River Song. Being I think a shaggy dog story about things that replace themselves.
Replacing LKH: The Impossible Astronaut /Day of the Moon (LKH being the remake as farce)
Replacing AGMGtW: Time of Angels / Flesh and Stone (largely by elimination)
Replacing: TIA/DotM: Let's Kill Hitler.
Replacing: TPO/TBB: A Good Man Goes to War.
Lewis Christian 5 years, 9 months ago
I'd rather we just replace them with tumbleweed ;)
Sorry; that should be tumbley-wumbley weed.
Chris 5 years, 9 months ago
Which will have The Last War In Albion as a footnote.
xen trilus 5 years, 9 months ago
You've hyped up The Library like Moffat hypes up his season finales.
However, The Pandorica Opens/The Big Bang, a story in which the Doctor actually...well, does THAT, and then Amy does that other thing... it's like it was written for Eruditorum. I'm unsurprised it's your number 1 episode, and I'll be quite surprised if it doesn't take the final spot. It'd certainly be the most uplifting conclusion possible.
jane 5 years, 9 months ago
So, basically, you're just running the rest of them in reverse order, but saving the Pandorica for the end.
Marionette 5 years, 9 months ago
Thinking about these episodes, it occurs to me that the episodes I like least are the ones with two dimensional villains. And the Moffat era has a lot of villains with either the depth of a monofilament, or some mysterious motivation that gets dragged out for a season or more and never really properly explained.
So the Angels are great in their first appearance, because they are a puzzle, but once the puzzle is solved we are left with villains that have no depth, no personality, and even the rules that define them are randomly changed. Similarly, the Silence are faceless bad guys who are a puzzle to overcome. Once the puzzle is solved they are nothing but flat antagonists. By the time they are actually explained even Moffat seems bored with them, such that the big reveal comes as little more than a footnote in an infodump.
See also the Library bugs, at one point held at bay with Moffat cliche #17 "look me up", the Ice Warrior, and now I think about it, so many other episodes. I'm not saying that the Moffat era hasn't had any fully realised, three dimensional antagonists, but I'm struggling to think of any at this moment.
Okay, I'm sure this is not what Phil has got planned, but I think it's kind of cool so I'm going to lay it all out. I propose a sequence that resembles an astrological trip through the solar system, the better to highlight some of the alchemical currents running through the era.
We began at Neptune, which rules the 12th House, when we covered The Name of the Doctor. The 12th House is Piscean, a place of death, and the trip to Trenzalore was a visitation with Death, and included the (presumably) final passing of River's ghost. But Neptune is also a planet of illusion, as this vision was ultimately rendered. Because...
The 11th House is ruled by Uranus, the planet of awakening and rebellion. The Time of the Doctor broke all the rules, or at least overturned them, awakening a brand new Doctor and a whole new set of regenerations. Very Uranian.
Following in this vein, we come to Saturn. Saturn is the Ringed Planet, and represents Restriction and Limitation. I propose The Angels Take Manhattan in this place -- it's where the Doctor's relationship to Amy finally comes to an end, an end that's "fixed" by his returning to her childhood to let her know what's to come, making a "ring" in the process. It aligns with the Series Five finale in that both are concerned with Amy's acceptance of adulthood.
Jupiter, by contrast, is a planet of expansion, of the great and lofty, lording over religion and philosophy. Here we get The Crash of the Byzantium, which is Amy's first trip to an alien planet. We get an ancient Maze of the Dead, which is surely a religious metaphor, but also a futuristic Spaceship, with its own Forest of the Dead, with trees that make life out of starlight. It corresponds with the Series Six opener in that it's a story that lays out much of what's to come, and it even features a literal cliffhanger.
Next we come to the Asteroid Belt. In Series Six it's the point where the great two-parters finally break down; in this slot I propose First Night / Last Night, a pair of DVD extras that have multiple Rivers and Doctors running about, all to reveal the eventual growth of their relationship. It fits with the "duplicate" themes brought in by the presence of the Flesh, and one of River's jokes; it also confirms that future knowledge "fixes" the present.
(continued...)
In place of Hitler there's A Good Man Goes To War, which is ruled by Mars, the Roman God of War. We've got Rory here, of course, and also the parallels drawn to Hitler himself. (So much of the two stories are mirrored, one is good for explaining the role of the other.)
In Astrology, the ordering of the planets isn't determined by how we move through the solar system, so we jump now to Venus, the Goddess of Love. Naturally this brings to mind The Wedding of River Song, which is quite possibly the most romantic of the Doctor's stories. This story falls where it belongs -- the Wedding isn't replaced by another story -- because terrible things happen when you try to change fixed points in the universe.
Because we've pulled in some DVD extras for Season Six's midpoint, one of those stories ends up here, in the midst of Outside the Governments and Pops between Realities. Let's Kill Hitler is a natural choice to represent Mercury here, for Hitler is the most Mercurial of River stories. There's all kinds of mirroring going on here, all kinds of trickery, even a proper regeneration.
The Impossible Astronaut, which is all about the Moon landing, is the perfect episode to be ruled by the astrological Moon. It even works to replace Angels Take Manhattan, because both stories are concerned with confronting Death. Except here we have Amy standing over the Doctor's "dead" body rather than the Doctor standing over her grave. And, of course, both stories take place in America.
That leaves the ordering of The Library and The Big Bang to fill the slots of Name of the Doctor and Time of the Doctor. And they will, respectively. But at this point I'd like to point out that we have only "planet" left, which is the Sun. Naturally that would correspond with The Big Bang, and the position of the Exploding TARDIS. There's another planet, though, which is missing in astrology, which is "hidden" by its ever-presence, and that planet is Earth, to which we marry The Library.
Given the nature of Name of the Doctor, The Library gets inserted here, a flash to the past, which is also a flash of Death. Name of the Doctor features the "library" of Doctors, of course, and also the final vision of River from the Library. This is a natural fit. Which leaves The Big Bang and the Sun to end the Eleventh Era, with its promise of Rebirth, and a final revisitation with a little girl from Leadworth.
Name of the Doctor (Neptune)
Time of the Doctor (Uranus)
Angels Take Manhattan (Saturn) to replace The Big Bang
Crash of the Byzantium (Jupiter) to replace The Astronaut
First Night / Last Night (Asteroids) to replace A Good Man
A Good Man Goes to War (Mars) to replace Hitler
The Wedding of River Song (Venus) to make the Wedding a fixed point
* Let's Kill Hitler (Mercury) to replace DVD Extras *
The Impossible Astronaut (Moon) to replace Manhattan
The Library (Earth) to replace NotD
The Big Bang (Sun) to replace TotD
That is where I wound up; but that wasn't the logic I used to get there. Now that I've had some sleep I'm a bit torn, Part of me thinks it will be mixed up more on general principles and part of me figures that the original idea may have been a simple reversal so only minor changes are right.
I find it interesting that, on the batch of lists we have so far, everybody seems to agree that one story will replace itself. I went with A Good Man Goes to War/ Let's Kill Hitler as the only one that could both swap and stay in place. But Wedding of River Song is definitely the obvious one if "The following eight posts will have other stories subbed in for them" isn't an absolute rule.
I'll try to guess based on different criteria.
Currency:For key supporting characters you have stressed the need to understand their first episodes in terms of how the audience at the time would have engaged with the character as presented rather than how we might now engage with them knowing the future role they will play. Most notably this applies to the Brigadier. So one order is chronological order of the selected episodes but out of step with the rest of the series to mark both the timey-wimey aspects of River but also the development of Moffat's structure for the Doctor.
Alchemy: to hard to guess what alchemical spin each episode will take but surely The Wedding of River Song is the most alchemical. Therefore it is is either last or penultimate.
Rosicrucian: The Time of the Doctor is not a River Song story (speculation about Tasha Lem aside) but it is a Silence story. The Silence are both invisible and in plain sight. The Doctor starts in opposition to them (and they to him) and end fighting for a mutual cause.As it is River who initiates the Doctor into the word which the Silence occupy then these stories can be sequenced as a Rosicrucian fable. The order is therefore in terms of the appearance of the Silence. The exact order of the start of the sequence is mutable but later episodes should therefore be:
Wedding of River Song
Jerry Cornelius: The story telling needs to be even more non-linear. An octahedral dice is used to determine which episode appears at a given time. If the same number is rolled again then you right a wholly new entry on the same story.
Mystery/Wisdom Cult: Song's journey is one of a series of trials by which she ascends both to heaven and to wisdom. In doing so she becomes a guide to enlightenment for the character of the doctor. Her journey is the Whovian Book of the Dead that instruct the faithful on how to journey successfully to afterlife.The Time of the Doctor is therefore a coda to this in which the now old and wise Doctor attains immortality. The order then is in terms of Song's life stages with a final coda about her grieving husband:
A Good Man Goes to War (Birth)
The Impossible Astronaut/Day of the Moon (Childhood)
Let's Kill Hitler (Coming of age)
The Wedding of River Song (Marriage/Fall from Grace)
Time of Angels/Flesh and Stone (Imprisonment)
The Pandorica Opens/The Big Bang (Wedding of her child)
Angels in Manhattan (Loss of her child)
Silence in the Library/Forest of the Dead (Death)
The Name of the Doctor (Afterlife)
The Time of the Doctor (Coda)
Alphabetical: A Good Man Goes to War
Silence in the Library/Forest of the Dead
Time of Angels/Flesh and Stone
Aesthetically distributed titles:
OK I give up.
As a general rule it is wise to read Jane's posts first. I'd forgotten that Time of Angels/Flesh and Stone features a passage through an underworld of the dead chased by Angels. Consequently it could also move between Silence in the Library and The NotD.
Adam Riggio 5 years, 9 months ago
A minor, if interesting, addendum. You put The Name of the Doctor in the place of Neptune, the 12th house. This story is also where Matt Smith's Doctor is revealed as being, technically speaking, the 12th Doctor. However, it does so by revealing the existence of John Hurt's Doctor, who (while in the more fannish purely in-universe chronological order of Doctors is the 9th, 8.5th, or War) is himself the 12th Doctor to have been revealed to us, the viewing audience. So in the global cultural experience of Doctor Who, John Hurt is the 12th Doctor.
But Hurt's Doctor, because of his nature as the Doctor who denied himself the right to use the name through committing mass murder, is himself, in The Name of the Doctor, a harbinger or echo of death and violence. Another dimension to Jane's interpretation.
Bennett 5 years, 9 months ago
Hmm...I'm not quite ready to give up on the idea of Silence in the Library being the last entry (and by extension "Sweet dreams, everyone." being the last line). But this proposition is so interesting and thoughtful I'm convinced that even if this wasn't the order before, it will be after Phil reads your comment.
But, for interest's sake, I'd like to see if my own preference would fit into your scheme without bending it too far. All I need to do is find a way to swap the last two stories...
The TARDIS Sun may be a key image in The Big Bang, but it is also a story where the Earth sits alone in a starless sky. Astrology is dead. There is no external space. We stand in silence, clinging to our memories of the Universe as the last light goes out. (Yes with the Alliance, the destiny trap, and the Doctor's death/rebirth there's many more parallels with Time than Name - but I'm choosing to tactically ignore this.)
Though it is the Moon whose name in invoked in Silence in the Library (and named as a Doctor), the theme of the story seems to be in line with the astrology of the Sun. (At least I think it is - my knowledge of astrological meaning extends only to what I've just read on Wikipedia.) The Sun is seen to represent the conscious ego, the self, creativity and vitality. And Library ends with the conscious ego surviving the physical form by becoming a story. A book on a shelf in a forest in a library. For a blog concerned with telling the story of Doctor Who, that's practically the equivalent of a happy ending. Doctor Who will survive because Doctor Who is a story. And we're all stories in the end.
I also like the "in my beginning is my end" strand of counter-pointing Library with Time. Even putting River to one side, Library is definitely the beginning of the new era - the first story we saw with knowledge of what was to come. And Time also frames the death of the Doctor with stories - in the folklore recited by Tasha Lem, and in the drawings of the children of Christmas.
Of course, either story would make a fitting end to the Eruditorum in my book. In fact, it was the combination of these two that made me give up on ranking my favourite Doctor Who stories. Suffice to say, I kind of like them.
@Bennett: "Hmm...I'm not quite ready to give up on the idea of Silence in the Library being the last entry (and by extension "Sweet dreams, everyone." being the last line)... But, for interest's sake, I'd like to see if my own preference would fit into your scheme without bending it too far. All I need to do is find a way to swap the last two stories..."
I think it'd be easy to swap the last two. As you say, the Sun is the end of astrology, and it's supposed to come right after the Moon -- or rather before, except we're going in reverse. The Earth being the hidden planet, and the end to which we're all fated, would then fall to the final position. (Indeed, anyone who's read The Luminaries this logic and positioning.)
My real concern with having The Library come last, though, is that it's still very much a Davies-era story. And, I dunno, to have Davies and Ten reappear at the end of the blog to cap off Eleven's run, it doesn't sit right with me. To do so would almost be to say that the show is still RTD's baby, that Ten is really informing Eleven's work. It's kind of cutting Moffat off at the knees -- and it's not like he's yet to step down as showrunner!
There's one other reason I'd hesitate to put the Library at the end. I'm not sure its message is truly representative of the era. There's a finality to River's death, a recognition that she's now in the afterlife. It's sweetly coated, but that's still where the story stands. But this isn't really the ethos of Eleven's run. Eleven's run is truly about breaking that rule, over and over again. His run doesn't end in death, it ends in rebirth. If there's a story that truly encapsulates the era, it's got to be The Big Bang, because the show itself is one that constantly renews itself. Even though I'm more inclined to prefer the maturity of The Library's message, I just don't think it's as apt for describing this... arc of infinity.
Stories go on for ever. People die. The Moffat era is committed to the first, but contrary to the consensus, it never forgets the second. It's rather the way that everybody always quotes 'everybody lives', and forgets the 'just this once'.
ferret 5 years, 9 months ago
I'm unsure as to most of the swaps, but if it were me I'd place "Name of the Doctor" last - it has an air of finality to it, how could it fail to? We have the graves of River, the Doctor and the TARDIS itself. River speaks from beyond the grave and the Doctor puts the final word on their relationship with a final kiss.
Every Doctor appears in some fashion or another, and Clara ends up having her own Psychochronography throughout the life of Doctor Who: man, show and tale.
Just caught up with the blog - a week ago I hadn't started the Moffat era - and am really enjoying the current Eruditorum run. Thought I'd weigh in with the undoubtedly correct order. It's obvious that the sequence is based on the first letter of each title, excluding articles. These rearrange to make the observation that "N-T twigs pal", clearly an indication that John Nathan-Turner worked something out about a major figure of this era. This makes the order for the remaining episodes
I can't wait to find out what Phil has discovered!
"wig's pal" seems appropriate for the Time of the Doctor...
Author 5 years, 9 months ago
P.S. jane, I love your ideas and I wouldn't be surprised if they came true. I wasn't expecting Time of the Doctor to be here, I thought it might have been Silence in the Library, but with everything you've stated and the thematic order...yes, it does absolutely fit, in my opinion.


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Fashion Climbing: A Memoir with Photographs
by Bill CunninghamBill Cunningham
LEND ME® See Details
"[An] obscenely enjoyable romp." —The New York Times Book Review
The untold story of a New York City legend's education in creativity and style
For Bill Cunningham, New York City was the land of freedom, glamour, and, above all, style. Growing up in a lace-curtain Irish suburb of Boston, secretly trying on his sister's dresses and spending his evenings after school in the city's chicest boutiques, Bill dreamed of a life dedicated to fashion. But his desires were a source of shame for his family, and after dropping out of Harvard, he had to fight them tooth-and-nail to pursue his love.
When he arrived in New York, he reveled in people-watching. He spent his nights at opera openings and gate-crashing extravagant balls, where he would take note of the styles, new and old, watching how the gowns moved, how the jewels hung, how the hair laid on each head. This was his education, and the birth of the democratic and exuberant taste that he came to be famous for as a photographer for The New York Times. After two style mavens took Bill under their wing, his creativity thrived and he made a name for himself as a designer. Taking on the alias William J.--because designing under his family's name would have been a disgrace to his parents--Bill became one of the era's most outlandish and celebrated hat designers, catering to movie stars, heiresses, and artists alike. Bill's mission was to bring happiness to the world by making women an inspiration to themselves and everyone who saw them. These were halcyon days when fashion was all he ate and drank. When he was broke and hungry he'd stroll past the store windows on Fifth Avenue and feed himself on beautiful things.
Fashion Climbing is the story of a young man striving to be the person he was born to be: a true original. But although he was one of the city's most recognized and treasured figures, Bill was also one of its most guarded. Written with his infectious joy and one-of-a-kind voice, this memoir was polished, neatly typewritten, and safely stored away in his lifetime. He held off on sharing it--and himself--until his passing. Between these covers, is an education in style, an effervescent tale of a bohemian world as it once was, and a final gift to the readers of one of New York's great characters.
Mann, Ivanov and Ferber
Bookwire
Bill Cunningham, the iconic New York Times photographer, was the creative force behind the columns On the Street and Evening Hours. Cunningham dropped out of Harvard and moved to New York City at 19, eventually starting his own hat design business under the name "William J." His designs were featured in Vogue, The New Yorker, Harper's Bazaar, and Jet. While covering fashion for publications including Women's Wear Daily and The Chicago Tribune, he took up photography, which led to him becoming a regular contributor to the New York Times in the late 1970s. Cunningham is the subject of the documentaries "The Times of Bill Cunningham" and "Bill Cunningham, New York." His contributions to New York City were recognized in 2009 when he was designated a "living landmark."
Like a pair of pearl earrings from Tiffany's, Bill Cunningham's posthumous memoir arrives as if in a small blue box. It's an unexpected gift…At times Fashion Climbing can seem like the most guileless thing ever written and its author slightly touched in the head, in a kind and upbeat Forrest Gump sort of way. As you move forward in this time capsule of a book, though, you begin to realize that there was also a drop of Andy Warhol in the young Cunningham. Behind the boyish enthusiasm and well-scrubbed good looks, he could be a cool observer of the passing scene…There is much to learn in this memoir about hat making. On that topic, and on the topic of style in general, it is a shy little primer, a Strunk and White of chic. It will decorate many spindly-legged and well-dusted coffee tables, I suspect. What this book is really about, though, is purposeful looking.
The New York Times - Dwight Garner
Set against a backdrop of postwar retail, high society and fashion, this obscenely enjoyable romp fills in part of the Cunningham back story and provides tantalizing peeks into the psyche of the guarded and mysterious Bill…Bill's quirky, unpretentious voice guides the reader through the postwar period of Manhattan glamour…Fashion Climbing, with its truncated timeline, leaves the reader gasping for more…I can only hope there's another installment lurking in his archives to give us further insights into the much-missed Bill and the devilish fire that raged hotter as the years went by.
The New York Times Book Review - Simon Doonan
★ 05/21/2018
The legendary New York Times photographer whose extraordinary eye captured high fashion and high society in his columns "On the Street" and "Evening Hours" turns his focus to his early years and early career in this surprising and sprightly posthumous memoir. Cunningham (1929–2016), who grew up in an Irish Catholic suburb of Depression-era Boston, recalls his first brush with fashion at age four when he donned his sister's pink organza party dress. Though reprimanded by his Boston-proper mother, the incident didn't deter him from a lifelong obsession with clothes and couture. After dropping out of Harvard at 19, Cunningham moved to New York, where he worked in carriage-trade retail and then struck out on his own as a high-end hat designer whose often outrageous millinery was inspired by fruit, fish, and fowl. His antics and adventures—hiding behind plants at a Chanel show or under a table at a debutante ball, sneaking into the Waldorf Astoria to glimpse Queen Elizabeth—give readers a front-row seat on the mid-century fashion world, and the black and white photos, many featuring a dapper, young Cunningham beaming ear to ear, document a fantastical bygone era. For all the book's frivolity, Cunningham is a truth teller in an artifice-draped world: he calls some of the customers who bought his hats "star-spangled bitches... full of conniving tricks to get the price as low as possible" and singles out Women's Wear Daily publisher John Fairchild as a fake who played favorites. The glamorous world of 20th-century fashion comes alive in Cunningham's masterful memoir both because of his exuberant appreciation for stylish clothes and his sharp assessment of those who wore them. (Sept.)
This obscenely enjoyable romp fills in part of the Cunningham back story and provides tantalizing peeks in the psyche of the guarded and mysterious Bill. . . . [Fashion Climbing] leaves the readers gasping for more." —The New York Times Book Review
"Bill Cunningham left behind a memoir. It is, to use one of his favorite words, marvelous." —The Washington Post
"Cunningham's memoir is a charming ode to being true to oneself." —NPR
"Fashion Climbing is smart and pure, revealing of a person's sense of truth, self, business, confidence and wonderment at the world. . . It is tremendously important in fraught times that we remember we can devote ourselves to finding inspiration, pursuing dreams and chasing joy." —Los Angeles Times
"Legendary New York Times street-style photographer Bill Cunningham left us one final treat: A memoir as sweet, modest and compelled by beauty as Cunningham . . . The midcentury world of salon fashion shows and great society dowagers Cunningham evokes offers a fabulous escape." —San Francisco Chronicle
"An unexpected gift . . . a Strunk and White of chic." —The New York Times
"A fun, enthralling look into the unconventional world of a true original." —Boston Globe
"Bill Cunningham's Is The Fashion Memoir Everyone Will Be Reading This Autumn." —Elle
"Legendary fashion photographer Bill Cunningham died in 2016, but he's brilliantly alive in Fashion Climbing, a posthumously published memoir chronicling his early days as a young man in Boston, a soldier in Europe during the Korean War, and a hat designer in glamorous midcentury New York. In addition to having a wild imagination for millinery and an unmatched eye for genuine style, Cunningham writes of his near-psychic ability for knowing where fashion was headed next." —Entertainment Weekly
"The phenomenal joie de vivre of the legendary New York Times photographer, who died at 87 in 2016, bursts off the pages of this chronicle of the early days of his career. His escapades as a renegade hat designer in New York, an Army private in Europe, a gate –crasher and people watcher in high society are enchanting, his passion for fashion irresistible." —People
"Delightful." —Minneapolis Star Tribune
"The photographer's posthumously published memoir is a thoughtful, accessible glimpse inside the fashion world he chronicled for decades. . . . The true treasure of Fashion Climbing is that the man who spent his life holding up a mirror to the world's most self-important industry, in the world's most self-important city, turns the mirror around to make a subject of himself." —Vanity Fair
"[Cunningham's] genuine, undying appetite for beauty radiates from the book's pages, making it a delight to consume." —The Cut
"Bill Cunningham's memoir traces a righteous pursuit of beauty. Fashion Climbing, the fashion photographer's posthumous autobiography, is just as fun as you'd expect." —The Outline
"As you read about his journey to the top you'll definitely laugh and, most importantly, learn why it's crucial to always be yourself." —InStyle, 10 Fashion Books That Deserve a Spot On Your Bookshelf
"As a record of a life fuelled by flair and dedication, a highly original vocation which pitches the author somewhere between Cecil Beaton, Anna Pavlova and a Benedictine monk, Fashion Climbing is a joy to read." —Financial Times
"The glamorous world of 20th-century fashion comes alive in Cunningham's masterful memoir both because of his exuberant appreciation for stylish clothes and his sharp assessment of those who wore them." —Publishers Weekly, Boxed, Starred Review
"Cunningham's writing is authentic, irreverent, and quintessentially New York . . . A lively tale of a life in style and a delightful homage to the days before women stopped wearing hats." —Kirkus Reviews
"Cunningham's almost unbearably charming memoir—unearthed by relatives after his death, in 2016, and covering his life through the 1960s—sends readers winging through the twentieth century in style….[It]documents his unparalleled eye and appreciation for fashion's magic, mystery, and illusions; style's potential to invent and transform. As both the very personal autobiography of an icon and a valuable social history, this wins." — Booklist, starred review
"Bill Cunningham's enchanting memoir of his love affair with fashion and the people who created, shaped, analysed, and wore it in the combustible years after the Second World War is a delight and a revelation, proving that his pen was as astute as his lens. This lively, compelling, and invaluable social history tells us as much about the mores of the age as it does about the era's seismic fashion revolutions and reflects the wonder that Bill saw in creation throughout his life." —Hamish Bowles
"We missed Bill Cunningham terribly. So thank goodness for this book. Here comes a snap, crackle and pop of a memoir. Humble, sparse and vivacious. Funny! Forthright and elegant. Bill is back and we are grateful." —Maira Kalman
"As Mr. Cunningham might have said, 'a real dilly' of a book—the story of a man who turned a love of beauty into an exquisite life." —Lauren Collins
"Fashion Climbing has everything you'd want in a fashion memoir (industry politics, elaborate window displays, hijinks at galas), but it's also a manifesto for living authentically. Just like Bill Cunningham's photography, this book is anti-snobbery, pro-having-fun-at-all-costs, and awake to the pleasures of being oneself." —Tavi Gevinson
Before Cunningham (1929–2016) was a photographer and a "living landmark," he wanted nothing more than to create fanciful hats and observe what chic New York ladies were wearing. In the days of outlandish headwear, his milliner's antennae reached further than most, to octopus shapes and floor-length fringe. Crashing elegant parties and designer shows in the 1950s and 1960s served as his self-education in fashion. In this posthumous memoir (affectionately prefaced by Hilton Als), Cunningham recounts formative years as a style obsessive misunderstood by his conservative family. After dropping out of Harvard and moving to New York City, he sells eccentric hats as "William J." and sees Europe in the army. In a distinctive voice that rasps off the page, he tells delightful stories of impoverished creative types decorating before a party, improvising a dress from a shower curtain, or hiding under a table to glimpse a fashion show: "These were wonderful wild days, when fashion was all we ate and drank." As the title suggests, Cunningham cattily observes how for some, fashion is social climbing, for others the pure love of beautiful things. VERDICT This madcap insider account of the mid-20th-century fashion world is a gift for fans of Cunningham's photography.—Lindsay King, Yale Univ. Libs, New Haven, CT
A posthumous memoir encapsulates the momentous life of an eccentric fashion icon.Though he was known as the man who walked the streets of New York with a camera in hand, capturing the idiosyncratic fashion of the city's citizens, Cunningham (1929-2016) grew up in a "middle-class Catholic home in a lace-curtain Irish suburb of Boston." To the horror of his parents, fashion fascinated Cunningham—he would secretly put on his sister's dresses—and he refused to give in to the expectations his family had with regard to what he should pursue, both personally and professionally. "I never go down the street or enter a room without automatically deciding what the woman should wear," he writes. "It's probably the reason for the heavy development of my eye toward fashion." As a late teen, Cunningham left for New York, officially anchoring himself in the city that would become his life fuel. He started working as a hat maker, serving some of the city's elite, and eventually opened up his own store. This was 1950s New York, when the love of haute couture and excess was praised above the opposing rising bohemian values. "Designing a fashion collection," writes the author, "is like growing antennas that reach high into the unknown and hopefully higher than any other designer's. It's a long time growing them till inspiration begins to tickle and outrates that of your competitors. With each new collection my antennas grew longer, starting in 1948, and reaching their highest by 1960." In addition to the charming narrative, the book features photographs of some of the author's designs and social sphere, and he offers readers a reminder that characters like him still might roam NYC streets. Cunningham's writing is authentic, irreverent, and quintessentially New York—even though he made numerous jaunts to foreign countries to visit the fashion capitals of the world.A lively tale of a life in style and a delightful homage to the days before women stopped wearing hats.
adr book beyond fashion
dover publications fashion book
book by xenia e zilli
book by valerie steiker
book by georgine de courtais
AdR Book: Beyond Fashion
A cabinet of curiosities that captures the essence of Anna dello Russo - stylist, editor, ...
A cabinet of curiosities that captures the essence of Anna dello Russo - stylist, editor, and fashion icon like no otherAnna dello Russo is one of the fashion world's most fascinating characters, with a truly global profile and a career ...
Be Your Own Fashion Artist Coloring Book
Beth Briggs's personal art style is evident in the illustrations of Be Your Own Fashion ...
Beth Briggs's personal art style is evident in the illustrations of Be Your Own Fashion Artist Coloring Book. Her trademark flowers adorn every page, and her elegant drawings show a sophisticated design aesthetic. But this book isn't here to show ...
Colour Me Perfect: Fashion Coloring Book
Do you love modern fashion and design? Do you enjoy playing with color, and exploring ...
Do you love modern fashion and design? Do you enjoy playing with color, and exploring what different colors say about your personal style? Then you'll love Color Me Perfect. Sara Eshak is a designer and illustrator who has brought her ...
Cool Refashioned Hardware: Fun & Easy Fashion Projects
Crafters will craft fashion items with Cool Refashioned Hardware. Make a sparkly hinge bracelet, a ...
Crafters will craft fashion items with Cool Refashioned Hardware. Make a sparkly hinge bracelet, a hardware handbag, metal hex nuts shoes, duct taped headphones and more. This book is full of easy-to-follow steps and bright photography for every activity. Aligned ...
Fashion Forward Adult Coloring Book: Adult Coloring Book
Adult coloring books have become very popular for good reason. Coloring helps you unwind and ...
Adult coloring books have become very popular for good reason. Coloring helps you unwind and express your creative side. Fashion Forward goes beyond the basics. It not only gives opportunity to develop artistic skill, but peaks interest in the latest ...
Finding My Fashion: Coloring Book for Tweens
Fashion is a personal statement of color and pattern choices. This coloring book will reveal ...
Fashion is a personal statement of color and pattern choices. This coloring book will reveal your personal preferences. Feel free to experiment with fashion. If you want to redo your completed image, then simply take out the eraser and start ...
Hats: A History of Fashion in Headwear
"One must always wear a hat when lunching with people whom one does not know ...
"One must always wear a hat when lunching with people whom one does not know well," observed Coco Chanel, "because one appears to one's best advantage." The couturier's regard for the power of hats to confer dignity and attractiveness upon ...
Illustrating Fashion: Bundle Book + Studio Access Card
This beautifully illustrated book filled with original art provides a step-by-step approach to drawing the ...
This beautifully illustrated book filled with original art provides a step-by-step approach to drawing the fashion figure, garment details, and the various techniques used to render fashion illustration. For the more advanced student or working designer, Illustrating Fashion explores concepts ...

redpajama_set_name: RedPajamaCommonCrawl


Memorial Day is a time to honor those who serve our country and remember those who have died in war. But sadly, it has also become a key opportunity for scammers to target those who are serving or have served their nation, especially elderly veterans.
As Memorial Day approaches, the Better Business Bureau urges consumers and donors to be aware of scammers that feed off the military.
BBB Military Line (www.bbb.org/military), the military arm of the Better Business Bureau, provides free resources, such as financial literacy information, access to BBB services and scam alerts, and complaint and dispute resolution for all branches of the U.S. military.
High-priced military loans: Advertisements for loans that promise a guarantee, instant approval or no credit check will often come with hidden fees and extremely high interest rates. Remember that legitimate lenders will never guarantee a loan before you apply and loans that require an upfront fee are likely a scam.
Veterans' benefits buyout plans: This buyout plan will offer a cash payment in exchange for a disabled veteran's future benefits or pension payments. The cash amount is only about 30 percent to 40 percent of what the veteran is entitled to. These buyout plans can be structured in several different ways, so research thoroughly before signing anything over.
Fake rental properties: Stolen photos of legitimate rental properties are used in advertisements that promise military discounts and other incentives. Service members will have to pay a fee via wire transfer for security payments or a key to the property - in the end they will receive nothing.
Phony jury duty summons: A caller claims to work for the local court system and states that the service member did not show up for jury duty and now has a warrant out for his arrest. When the victim says he never got a summons, the caller will ask for a credit card number or Social Security number to clear up the matter.
Misleading car sales: Web sites posting classified ads will offer false discounts for military personnel or claim to be from soldiers who need to sell their vehicle fast because they have been deployed. Upfront fees will be required via wire transfer, or the vehicle will have problems after purchase.
Expensive life insurance policies: Members of the military are often the targets of high-pressure sales pitches that offer unnecessary, expensive life insurance policies. Solicitors may make false statements regarding the benefits that these policies offer.
Do your research. Get as much information as you can about a business or charity before you pay. Check out a business' BBB Business Review at bbb.org or a charity's Charity Report at give.org.
Don't wire transfer money to anyone you don't know. Money sent via wire transfer is practically impossible to track. Pay by credit card whenever possible, since you can dispute charges easily.
Protect your computer. Don't click on links within unsolicited e-mails. Don't enter personal information on unfamiliar Web sites. Make sure that you have updated anti-virus software installed and use a firewall at all times.
Put an Active Duty alert on your credit reports when deployed. Doing so will minimize the risk of identity theft because creditors and businesses cannot issue or grant credit until verifying identity.


Reliable Electric can work as your project's licensed general contractor to get the job done. We have efficiently completed projects ranging from large-scale commercial jobs to smaller jobs requiring only an industrial electrician. Our in-house licensed electricians guarantee the success of all required site events and adhere to completion schedules. Please call us for more information on Reliable Electric, duties performed as commercial contractors, and our range of services.


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WHY CHOOSE PWT
Driver Training School
Mobile Training Unit
CCOE
R.B. Colborne Award of Excellence
Bowie Sustainable Leadership Award
Communications Centre of Excellence
The Communications Centre of Excellence (CCoE) fosters audience awareness and involvement through internal and external communications leadership, best practices, and support that aligns with the Pacific Western Group of Companies Brand Identities, Safety Vision, Mission, Core Values, and Strategic Priorities.
The mission of the CCoE is to power communications strategies that support the Pacific Western Group of Companies' business objectives. It is responsible for the standardization, governance, and benchmarking of corporate-wide communications, as well as the production of content and messaging that is clear, consistent, timely, and relevant to a diverse set of audiences.
CCoE services include:
Award-Winning Communications
Within the first year of operation, the CCoE and its internal communications app, PWT InTouch, garnered the attention of the transit industry. We were awarded the 2018 Canadian Urban Transit Association (CUTA) Corporate Leadership Award in the category of Marketing and Communications.
As the City of Leduc Expands, On Demand Transit Has Seen Exponential Growth
Dec 13, 2022 | On Demand, Uncategorized
The City of Leduc, Alberta, has seen some pretty big changes in the last decade. The community located 33 kilometres south of Edmonton has seen a major boom in population – from 24,279 in 2011 to over 34,500 in 2021. The influx of new residents caused a strain on city...
Diversified Transportation Partners with Diesel Tech Industries (DTI) to Implement Innovative Hydrogen-Conversion System
Sep 13, 2022 | News
David Richards, General Manager, Employee Transportation with Darren Rivet, CEO of Diesel Tech Industries (DTI)Access to safe and reliable transportation is an essential service in our modern society, and providing that resource to customers in a responsible and...
COLT Driver Touts the Benefits of On Demand Transit in Cochrane
Sep 12, 2022 | News, On Demand
Fred Poppe knows a thing or two about On Demand transit. When the town of Cochrane, Alberta, first launched its COLT transit service in October 2019, Fred was the very first hire. And, almost three years later, he's the last remaining driver from the inaugural crew....
PWT Brought a Massive Presence to Service Papal Visit's Transportation Needs
Aug 2, 2022 | News
Pope Francis arrived in Edmonton on July 23rd for an important and historic visit to Canada. A large contingent of SOUTHLAND Transportation, Cold Lake Bus Lines, Prairie Bus Lines, and Diversified Transportation Ltd. drivers were dispatched to serve the transportation...
Spruce Grove's Switch to On Demand Transit a Major Success Story
Jul 13, 2022 | News, On Demand
It's no secret that bedroom communities of large urban centres face multiple challenges in providing citizens with reliable and convenient public transportation. Spruce Grove, Alberta is a rapidly growing community of 38,000 located just 11 kilometres west of...
Student Transportation Expands Canadian Operations Through Major Acquisition
Jun 17, 2022 | News, PWT/STA
Wall, N.J./Calgary, AB (June 16, 2022) — Student Transportation of America/Student Transportation of Canada (STA/STC), North America's third-largest provider of school bus transportation services, is pleased to announce it has completed its acquisition of Pacific...
LINES OF BUSINESS
Student Transportation
Employee Transportation
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The Déja-vu experience, writes Margit Brehm in her essay on the most recent works by Volker Hueller (b. 1976) deceives the senses. That might have something to do with the artist's own aims, for example how one should approach the differentiation of the basic questions in painting since the beginning of the twentieth century, leading directly to the dynamic relationship between abstraction and figuration, but also to questions pertaining to the specific treatment of the painting's surface. Volker Hueller had introduced extraneous materials into the ground of the painting from an early stage and worked them into the surface forms: foils, PVC, fake fur or imitation reptile skin are deployed conditionally as elements of the collage, but actually have veritably become one with the pictures. In this way Volker Hueller also successfully negotiates the game with the fundamental affinity between ornament and abstraction all the way to integration of the human figure into an overall composition.


6 square inches of crinkly baby fun. This crinkle toy gives babies the satisfaction of crinkling a piece of paper, but without the mess! Organic cotton means that you'll feel safe when your baby goes savage on the toy and slobbers up a storm. And when the toy is complete ick with baby enthusiasm, you can pop it in the washer and dryer. Baby teething crinkle toys have never looked so cute. Pink and blue birds on the front and coral stars on the back.


Contract Crew began as a concept. An entrepreneur approached us with an idea to help private aircraft owners find qualified pilots and flight attendants for upcoming trips. To our surprise, there wasn't anything like it in the market that did the matchmaking for the aircraft owners, so we jumped on the opportunity to help convert Contract Crew from notes on napkins to a full fledged web application.
Before designing or developing anything, we spent countless hours strategizing and wireframing. We knew this site would be complex so we needed to ensure we had our planning done from the outset. This meant not only wireframing internal pages, but planning out a detailed sign up process with different forms and fields for pilots, flight attendants, and aircraft owners.
With our wireframes in place, we designed and developed a beautiful, but robust, site full of complex rules. For instance, emails are sent out to pilots/flight attendants whenever a new job is posted for which they are qualified. Additionally, when looking at the dashboard of available jobs, pilots/flight attendants can only see those jobs for which they are qualified.
We are incredibly proud of the work we've done for Contract Crew and thrilled to see the completed project in action with pilots, flight attendants, and aircraft owners connecting both digitally and in the air.


Product prices and availability are accurate as of 2019-04-14 05:24:10 EDT and are subject to change. Any price and availability information displayed on http://www.amazon.com/ at the time of purchase will apply to the purchase of this product.
VERTICAL & HORIZONTAL & CROSS: projects cross line laser and dot laser with an accuracy of ±1/9 of an inch at 30 feet and a maximum working range of 65 feet (20m), which gives you plenty of room to work around SELF-LEVELING SYSTEM: pendulum locks when switched off; pendulum unlocks to activate self-leveling so it can auto-level when placed within 4 degrees of horizontal/vertical; If out of range, the laser will flash to indicate out-of-level condition PLUMB DOT TOOL: no need to wait for a standard plumb bob to stop moving around, you can use the two-point laser for immediate and accurate floor-to-ceiling alignment FLEXIBILITY AND STABILITY: 1/4 inch tripod mount allows you use it with a tripod (not included) to adjust its height freely; integrated magnetic pivoting base enables you fixate the laser level on any steel or iron surface HEAVY DUTY: robust over-molded construction - IP54 ensures splash water/dust protection for years of dependable operation.


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Okręg wyborczy Midlothian zwany też Edinburghshire, powstał w 1708 r. i wysyłał do brytyjskiej Izby Gmin jednego deputowanego. Okręg obejmował hrabstwo Edinburghshire w Szkocji (obecne hrabstwo Midlothian). Został zlikwidowany w 1918 r.

Deputowani do brytyjskiej Izby Gmin z okręgu Midlothian (Edinburghshire)
 1708–1715: George Lockhart
 1715–1722: John Baird
 1722–1737: Robert Dundas, lord Arniston
 1737–1751: Charles Gilmour
 1751–1754: Robert Balfour-Ramsay
 1754–1761: Robert Dundas, lord Arniston
 1761–1774: Alexander Gilmour
 1774–1790: Henry Dundas
 1790–1801: Robert Dundas of Arniston
 1801–1811: Robert Dundas, torysi
 1811–1832: George Clerk
 1832–1835: John Dalrymple
 1835–1837: George Clerk
 1837–1841: William Gibson-Craig
 1841–1845: William Ramsay Ramsay
 1845–1853: John Hope
 1853–1868: William Montagu-Douglas-Scott, hrabia Dalkeith, Partia Konserwatywna
 1868–1874: Alexander Ramsay-Gibson-Maitland
 1874–1880: William Montagu-Douglas-Scott, hrabia Dalkeith, Partia Konserwatywna
 1880–1895: William Ewart Gladstone, Partia Liberalna
 1895–1900: Thomas Gisbon-Carmichael, Partia Liberalna
 1900–1906: Alexander Murray, Partia Liberalna
 1906–1910: Harry Primrose, lord Dalmeny, Partia Liberalna
 1910–1912: Alexander Murray, Partia Liberalna
 1912–1918: John Augustus Hope, Partia Konserwatywna

Linki zewnętrzne
 leighryament.com

Midlothian

redpajama_set_name: RedPajamaWikipedia


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Deputy PM Bělobrádek emphasises friendly relations during Sudeten congress visit
Dominik Jůn
On Sunday, Deputy Prime Minister Pavel Bělobrádek became the highest Czech official ever to attend the annual Sudeten German congress in Bavaria. It was the 68th such meeting of the Sudeten German Landsmannschaft, an organisation of German Czechoslovaks expelled after the Second World War.
Pavel Bělobrádek, Bernd Posselt, photo: CTK The fate of the roughly three million Germans expelled from Czechoslovakia following the defeat of Nazi Germany has been a sore spot in Czech-German relations for decades.
Over the weekend, Czech Deputy Prime Minister Pavel Bělobrádek attended a congress of the Sudeten German Landsmannschaft in the Bavarian city of Augsburg. Also in attendance was his fellow Christian Democrat, Culture Minister Daniel Herman, who made the same trip last year.
The Landsmannschaft has existed since the 1950s, and seeks a Czech repudiation of the Beneš Decrees – an order by then President Edvard Beneš which led to the expulsion of ethnic Germans from Czechoslovakia.
During his visit, Pavel Bělobrádek stated that he had neither come to apologise nor to foster reconciliation. Rather, he said, he was simply there to accept an invite. However, he did add that never again in history should people be expelled from their homes because of their nationality, religion or ethnic origins. And that meant, Bělobrádek continued, both the 1946 expulsion and the 1938 one, when Czechs had to flee the Sudeten areas after the Munich Agreement ceded Czechoslovak territory to Nazi Germany.
Expulsion of Sudeten Germans, photo: Bundesarchiv, Bild 146-1985-021-09 / CC-BY-SA But former Civic Democrat MEP Ivo Strejček expressed opposition to the Czech participation:
"This association of Sudeten compatriots is not a partner of the Czech government. The federal government of Angela Merkel is the partner of the Czech government. The Sudeten Germans and the Sudeten German Landsmannschaft have an interest in having the Czech government take part, and thus rise to the level of formal relations between the Czech government and the Landsmannschaft – and with that to lay the groundwork for who knows what..."
Meanwhile Culture Minister Herman emphasised a less-known aspect of the former German community in Czechoslovakia:
"There was a far from insignificant number of Czechoslovak Germans – from Bohemia, Moravia and Silesia – who actively fought against Hitler. And after the war they met the same fate as those who had collaborated. Of course it is true that the collaborators represented the majority. But there were also those who were brave enough to resist [the Nazis] and I admire them for doing so."
Daniel Herman, photo: Martin Svozílek During his visit Bělobrádek also met with Bernd Posselt, chairman of the Sudeten German Landsmannschaft, who saluted the two Czech officials for their "enormous bravery" in attending. In recent years, the Sudeten organisation has softened its line regarding compensation for the expulsion. The Czech side, too, has been working towards the process of reconciliation, beginning in 1989 with future Czechoslovak president Václav Havel talking of the need to "apologise" for an "evil" act of revenge, but also stating that this did not mean that expelled Germans should be permitted to return.
The history of the "German Czechs"
Czechia used to have a large German-speaking population. The "Bohemian-Germans", as they were called, inhabited especially the border…
Czechs and Germans in 1930s Czechoslovakia: a complex picture
The Czech Radio archives give us a rich and nuanced picture of the months leading up to the Munich Agreement of September 1938 that…
Guess who's coming to dinner? LGBTQ couple could win Christian Democrats' marriage contest
In celebration of "National Marriage Week", the Christian Democrats have organised a contest inviting married couples to post captioned…


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Saturday's Broadcast Ratings: NBC Tops Low Key Night
Here are the highlights of the seven ad-sustained programs that aired in primetime on the broadcast networks last night (11/28/20):
NBC (1.895 million viewers, #1; adults 18-49: 0.3, #T1) was the top draw on a low key Saturday with its duo of "The Voice" (1.837 million viewers, #3; adults 18-49: 0.3, #T2) and "SNL Vintage" (2.012 million viewers, #2; adults 18-49: 0.3, #T2).
A close second was CBS (1.797 million viewers, #2; adults 18-49: 0.3, #T1) with its lineup of "Robbie the Reindeer: Hooves of Fire" (1.594 million viewers, #4; adults 18-49: 0.3, #T2), "Robbie the Reindeer: Legend of the Lost Tribe" (1.182 million viewers, #7; adults 18-49: 0.2, #T6), "The Story of Santa Claus" (1.331 million viewers, #6; adults 18-49: 0.2, #T6) and "48 Hours" (2.670 million viewers, #1; adults 18-49: 0.4, #1).
Next up was ABC (1.438 million viewers, #3; adults 18-49: 0.3, #T1) and its presentation of "Saturday Night Football" (1.438 million viewers, #5; adults 18-49: 0.3, #T2).
And finally, FOX (1.055 million viewers, #4; adults 18-49: 0.2, #4) closed out the night with its own "CFB on FOX" (1.055 million viewers, #8; adults 18-49: 0.2, #T6).
In late-night metered market ratings (via NBC's press release):
Here are the highlights of the seven ad-sustained programs that aired in primetime on the broadcast networks one year ago (11/30/19):
FOX (5.359 million viewers, #1; adults 18-49: 1.4, #1) scored top honors on Saturday with its presentation of "CFB on FOX" (5.359 million viewers, #1; adults 18-49: 1.4, #1).
CBS (2.450 million viewers, #3; adults 18-49: 0.5, #2) then was a distant second with its mix of "Robbie the Reindeer: Hooves of Fire" (2.671 million viewers, #4; adults 18-49: 0.7, #2), "Robbie the Reindeer: Lost Tribe" (1.932 million viewers, #6; adults 18-49: 0.4, #T4), "The Story of Santa Claus" (1.776 million viewers, #7; adults 18-49: 0.4, #T4) and "48 Hours" (3.273 million viewers, #2; adults 18-49: 0.5, #3).
Next up was ABC (1.978 million viewers, #4; adults 18-49: 0.4, #3) and its presentation of "Saturday Night College Football" (1.978 million viewers, #5; adults 18-49: 0.4, #T4).
And finally, NBC (2.838 million viewers, #2; adults 18-49: 0.3, #4) closed out the night with its annual telecast of "It's a Wonderful Life" (2.838 million viewers, #3; adults 18-49: 0.3, #7).
· A Nov. 30 encore edition of "Saturday Night Live," hosted by David Harbour and featuring musical guest Camila Cabello, has averaged a 2.7 rating in "live plus same day" household results from 44 local markets metered by Nielsen Media Research and a 1.0 rating in adults 18-49 in the 25 markets with local people meters.
· Versus primetime programming on the Big 4 networks Saturday night, the "SNL" rebroadcast is the #2 show of the night in metered-market households and in 18-49 in the local people meters, behind only Fox's Oklahoma-Oklahoma State college football.
· Note that current metered-market results are not compatible with data issued before Oct. 5 due to changes in Nielsen methodology.
· The Nov. 30 rebroadcast matches the highest 18-49 rating among three 11:30 encores to have aired since Oct. 5.


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One of my biggest challenges as a mom is what to get when it come time for gift giving. I feel like my children are blessed with so much, it's hard for me to justify bringing in truckloads more toys to the house when we already seem to be loaded down. When it is time for presents, I really like to do my research and find gifts that aren't just another toy to add to the pile, but things that have educational value too. I researched diligently and with the help and input of a lot of great moms, teachers, and friends I put together a list of items especially for preschoolers to keep them busy and their minds active! Here are our ideas for a variety of preschool ages and in a variety of price ranges.
We love these gift ideas and think they would be a hit under the Christmas tree or as a birthday gift for any preschool aged kid, but our list is by no means exhaustive.
You can see more of our preschool gift ideas on The Pinning Mama.
What have been some of your children's favorite gifts though the years?


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The Value of Silence
Posted on | May 27, 2018 | Comments Off on The Value of Silence
So, this happened, and this happened, and this happened.
In 2011, there was a party at the Right Online conference in Minneapolis. Glad-handing my way around the party — I'm the King of Schmooze — I encountered a handsome young man who wrote for a conservative site and, as is my habit with young people, inquired how soon he would be getting married. Some conservatives seem to believe "traditional family values" is a matter of electing Republicans and passing legislation, but I consider active personal encouragement to be more effective.
Whenever I'm at a social gathering and meet young couples, I ask them, "When's the wedding?" Or I'll say something like, "You two look so good together, y'all need to get married and have a dozen babies! There's not enough beauty in the world, you know." Sometimes I'll go into a little riff about my Victory Through Breeding™ agenda — liberals are aborting themselves into extinction, you see, so all conservatives have to do is have lots of babies and we'll control the future. This is expressed humorously, as a sort of conversational ice-breaker, although the subject of demographics is something that I can also discuss seriously.
The future belongs to those who show up for it, as Mark Steyn has remarked, and young conservatives ought to think about this subject. You can ask such of my young friends as Vinnie Vernuccio and his wife Katie how consistently I pursue my program of active personal encouragement. It is good to vote pro-life, or to protest against abortion, but what's the point of activism if pro-life people aren't actually having babies?
So there I was at the Right Online party in 2011, doing my usual thing, cheerfully complimenting this handsome young man on his good looks, and telling him he ought to get himself a wife and make a bunch of good-looking conservative babies. He didn't seem to find this amusing.
It's OK — not everybody appreciates my Schmooze King routine. My extreme extroversion and my style of breaking the ice by deliberate breaches of decorum is often misunderstood, and I've learned to live with the fact that some people get offended by the glad-handing stranger with the habit of saying crazy things to people he's just met.
Am I thoughtless? Rude? Inconsiderate? Well, you can tiptoe your way through life trying to avoid being "controversial" or "offensive," and that's fine, but it's just not the way I am. All my life, I've been a joker and a clown and, while I can put on a façade of seriousness when the occasion calls for it, my natural tendency is to be humorous. So when my opening joke fell flat with the handsome young writer at that party in Minneapolis in 2011, I played it off with another joke which also fell flat.
Seeing that he was not amused and that my ice-breaking efforts were futile, I cheerfully bid him adieu and circulated around to meet and greet other party-goers. (Like the shark who constantly swims to keep water flowing through his gills, the Schmooze King must always circulate.) Because it's not unusual for my extroverted style to rub people the wrong way, I considered that encounter just another clumsy social blunder on my part, and did not at that time realize how clumsy it was.
"Oh, that explains it," I said, four years later, when he came out.
But my public reaction to his coming out? Nothing. Silence.
Which is the best policy, in such cases.
Being a conservative in the post-Obergefell era requires greater discretion on this subject than was hitherto necessary. A concern for the preservation of liberty means that we must be prepared to defend unpopular opinions against the tyranny of those who would demand that everyone approve of homosexuality, and who would silence all voices of disapproval as "hate speech." In the face of a #Resistance that includes all the major social-media operations, which can suppress or demonetize conservative content, we must be careful how we express ourselves online. Furthermore, to maintain coalition solidarity, we ought not to pick fights with our friends whose labor on behalf of the conservative cause is valuable even though (a) we don't agree with them on everything, and/or (b) we personally dislike them.
Success in politics requires about teamwork and, in a two-party system, we must build coalitions on the broadest possible basis. Richard Viguerie has often spoken of the "three-legged stool" — economic issues, foreign policy issues and social issues — around which the Reagan-era conservative movement was organized. More generally, I would argue, conservatism is not an ideology. While the history of conservatism as a movement and philosophy has been traced by Russell Kirk and others, the real unifying theme of that history is opposition to liberalism. Because American liberalism is a mutant creature, constantly evolving and shifting its beliefs, its opponents cannot succeed by a static defense.
A dynamic conservative movement is not unprincipled. "We the People" are defending constitutional liberty against its enemies, and this requires constant vigilance against new threats. Conservatives did not invent the fictitious claims by which a Supreme Court majority turned the Fourteenth Amendment into a pretext for same-sex marriage, and therefore we are not responsible for the consequences of Obergefell. However, we must deal with these consequences as they occur.
What I've called The Compulsory Approval Doctrine is one of these consequences. It would appear that, in the wake of the Lawrence (2003), Windsor (2013) and Obergefell (2015) decisions, many "social justice" types believe that Americans are required to approve of homosexuality. By this logic, disagreement over public policy becomes "harassment" and disapproval is considered synonymous with "hate."
Well, I am an American, and you can't tell me what I'm allowed to think. The monsters who have attacked Christian florists and bakers for refusing to provide services for same-sex ceremonies — seeking to use the force of law to compel such participation — are enemies of liberty.
If you are not a baker or a florist, you may imagine that the monsters will never come for you. Yet the use of "gay rights" as a litmus test is, I suspect, likely to be expanded in the future under the aegis of "inclusion" and "diversity," so that personnel policy will be used to compel at least tacit approval of homosexuality as a condition of employment.
What are we to do? How should we conduct ourselves, now that Pandora's Box has been opened? Rod Dreher (whom I have criticized quite sharply in the past) has outlined The Benedict Option — a sort of neo-monastic enclave strategy to preserve Christian culture in the new Dark Ages that seem to be approaching us. Dreher's pessimistic assessment is looking increasingly like pragmatic realism, but as a great man once advised, "Never take counsel of your fears." Amid chaos and uncertainty, we must remain calm and plan for victory, no matter how dim the prospects may seem, or how long the war may endure.
Americans love our First Amendment right to free speech, but in the present climate, we ought to also cherish our Fifth Amendment rights. You cannot be compelled to testify against yourself, and if you have the right to your own opinion, this doesn't mean that others have a right to interrogate you, or to demand that you take sides in a controversy.
Because I'm an old man who has a long history of expressing outrageous opinions, I am somewhat inoculated against such pressures, but I have occasionally advised young people to be more cautious: No need to burn any bridges for yourself by loudly voicing unpopular truths.
Politics in the age of online social media offers many opportunities, but we also incur many risks in an environment where we are constantly being invited to take sides, to join a mob, to endorse some kind of hashtag crusade and express solidarity with one or another "cause." Young people should be judicious in such matters, and carefully consider the potential ramifications of their online activity.
Here we have an excellent example: When others rush to congratulate someone on an occasion that you do not consider cause for congratulations, you are under no obligation to express your objections. While you are free to state your disapproval of homosexuality, and to offer arguments in defense of your opinion, there are occasions when silence is the more effective response — and certainly the most courteous.
We need not discuss, here and now. how disappointed I am when conservatives decline to participate in my Victory Through Breeding™ program. Nor do I wish to argue whether the handsome young man could have feasibly been expected to be a successful participant in this program. However, it should be obvious that I do not consider his homosexuality a cause for congratulations, but rather a misfortune.
You don't have to agree with me. Lots of people disagree with me.
Nearly 66 million Americans voted for Hillary Clinton. I don't have time to argue with all of them, nor am I prone to argue with #NeverTrump Republicans or "alt-right" Jew-haters. As one of my college professors liked to say: "The dogs may bark, but the caravan rolls on."
Category: Gays


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A terceira sonata de Beethoven também é dedicada a Haydn, e também tem quatro movimentos. Essa sonata - a última do Opus 2 é em dó maior.

O primeiro movimento começa com o motivo principal e já de cara assusta o pianista. O primeiro motivo da obra (as terças em semicolcheias) dá muito trabalho para sair direito. Muitos tocam com as duas mãos, mas esse motivo deve ser tocado com a direita. Enfim, depois dele, Beethoven cria uma atmosfera bem energética, com oitavas quebradas em fortíssimo. Os [temas] são bem separados, e têm características bem diferentes. O primeiro, enérgico, rítmico e vibrante. O segundo, lírico e expressivo. As oitavas quebradas são uma constante nesse movimento, o que requer uma boa resistência por parte do pianista.

No desenvolvimento, os trinados e acordes quebrados aparecem a toda hora, criando uma progressão harmônica interessante. Depois da recapitulação, Beethoven coloca uma mini-cadência antes de acabar o movimento. Nessa cadência, o carater é improvisatório. A cadência termina no motivo inicial mais uma vez - como se fosse uma segunda recapitulação, já saindo um pouco da forma tradicional, mesmo que só por um tempinho. O movimento acaba decisivamente em oitavas quebradas em fortíssimo e dois acordes decisivos. Os acentos estão presentes em todas as partes do movimento (assim como nas sonatas anteriores).

Beethoven compôs o segundo movimento em uma tonalidade fora dos padrões esperados - Numa sonata em Dó maior, o segundo movimento é em Mi maior! - atingindo um contraste interessante.

Nesse segundo movimento, Beethoven coloca em prática seu talento pela melodia e progressão harmônica. A técnica de "três mãos" aparece aqui nesse movimento. O pianista deve cruzar as mãos para obter o efeito de baixo, melodia e acompanhamento ao mesmo tempo. E tudo isso numa atmosfera bem delicada e calma. A expressividade desse movimento traduz uma das mais belas páginas da primeira fase de Beethoven.

O terceiro movimento é, de novo, um Scherzo. Uma polifonia alegre cria um scherzo energético. O motivo de três colcheias aparece ao longo do movimento, que termina com um salto de oitava  O trio passa rápido como um trem. Os acordes quebrados em forma de arpejo subindo e descendo criam uma atmosfera instável e sempre em movimento. A dificuldade aparece no final, com um arpejo descendente que não dá margem a rubatos ou "perdas de tempo." O interprete pode escolher tocá-lo bem fluido (com pedal) ou bem claro, (sem pedal). Qualquer que seja a escolha, o caráter deve ser mantido. A CODA desse terceiro movimento desfaz a energia acumulada no Scherzo e prepara de certo modo a entrada do Rondo final.

O quarto movimento vem em forma de um rondó. Com a característica principal sendo a leveza e flexibilidade de pulso para tocar os acordes ascendentes do tema. O movimento apresenta saltos, oitavas, arpejos, escalas rapidissimas, etc - enfim tudo o que for possível para desafiar a técnica do pianista. No final, Beethoven apresenta um de seus longos trinados (o que seria uma marca registrada das últimas sonatas).O movimento tem vários "finais" em hesitação, que se perdem em pausas com fermatas antes do final verdadeiro - energético em fortíssimo.

Fechando o ciclo de três sonatas Op.2, Beethoven parte da zona de conforto e tradicionalismo de Haydn e Mozart e embarca numa jornada que o levaria a reinventar a forma-sonata.

BERBER, (apelido). Sonata Op. 2 número 3. Extraído do sítio do Fórum musical Presto, <http://presto.s4.bizhat.com/viewtopic.php?t=55&postdays=0&postorder=asc&start=0&mforum=presto>, publicado com permissão do autor. Acesso em: 10 de junho de 2007.

Ligações externas

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I'm a recent college graduate where I worked as a writing tutor for undergraduate and graduate students. I've always had a passion for writing but never really considered myself a writer; this tutoring gig helped me work with writing in a way that I loved in a way that trying to be a writer never could. I also study multiple foreign languages and am familiar in how to tutor them through practice in language classes in college as well as taught English as a volunteer in rural Romania. I speak French, Dutch, some Spanish and German and am constantly trying to learn more.
Fill out the form below to send Dakota R a message!


Once, when my girls were littler, a well meaning relative bought them a box of those really inexpensive molded plastic playfood items that sort of, kind of, resemble food shapes but leave you wondering if they are beets or potatoes. My girls tried to muster up a little enthusiam for the strange little plastic beetatos but barely a week passed before someone decided to use the plastic play food in the tub (soup?). Shortly thereafter, beetatos went bye bye. Since then I've been super picky about playfood. I don't need any more rejected toys gathering mold in the bath. I've got a no plastic play food rule. It's all wood, crocheted or felt. For felt food I have a new obsession. The play food from One & Only is not just play food. It's art!
Every set is exquisite looking and makes me long to be a little girl again, just so I can dish up some of these tasty slices of felt strawberry shortcake.
If breakfast is more your thing though, you might want to look at this set.
But then again, why not cut right to the chase? I can see many an afternoon spent constructing the perfect ice cream sundae with the sundae play set. No calories, no plastic, what are we waiting for? Check out One & Only's shop for the latest on the felt plaything menu.
Ciaran is a crafter, writer and shopper. Her children's clothing line Francie Pants was born in her garage on an old serger. She prescribes retail therapy for the masses on a daily basis on her shopping blog Popshopology.
So wonderfully sweet. I'm going to go look at more!


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Donald Trump Weeding Out "Disloyal" Members From The GOP
(PatrioticPost.com)- Former President Donald Trump is reportedly on a mission to remove disloyal and "weak" Republicans over the next three years as he works towards a fresh run for the White House and helps Republican candidates take back control of the House and the Senate in the 2022 midterm elections.
The former president has reportedly endorsed some 66 candidates at both state and local levels for the 2022 elections so far, with more expected.
A report from Axios also suggests that Trump is working on ensuring that all "weak" or "disloyal" lawmakers are removed from office and replaced with primary challengers who support his Make America Great Again agenda.
Axios reports that the former president is now demanding that Republicans "get smart" on the issue of election integrity, and push for audits that would ensure that no illegal vote is ever counted in a national election again.
An advisor told the outlet that they have tried to get the former president to talk about other issues but that they "always get dragged back" onto the topic of election integrity.
Is that meant to be a bad thing?
Dozens more endorsements are expected over the next year – if not more – as the Democrats' chances of maintaining control of Congress wane by the month.
Unless President Joe Biden can dramatically and miraculously turn this mess around – which would involve getting tough on China, fixing the border crisis, deporting illegal aliens, and reversing inflation – it looks like MAGA Republicans are set for big victories next fall.


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UKF is een merk van AEI Media en Luke Hood gericht op het promoten van elektronische muziek. Het voornaamste verspreidingsmedium is YouTube waarop elektronische muziek wordt geüpload in samenwerking met platenmaatschappijen en artiesten.

Geschiedenis
Op 29 april 2009 maakte Luke Hood de kanalen UKFDubstep en UKFDrumandBass op YouTube aan waarop hij respectievelijk dubstep en drum and bass uploadde. Daarna kwamen er ook nog de kanalen UKFLive, UKFMixes en UKFMusic bij. In juni 2012 waren alle video's van UKF, verspreid over de verschillende kanalen, bij elkaar een miljard keer bekeken.

Kanalen

Externe links
Officiële website van UKF

YouTube


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Homepage > Author Interviews > Q&A with Heather Parry
In Author Interviews
Q&A with Heather Parry
Heather Parry is a Glasgow-based writer, editor, event chair and podcast host. Her short stories have appeared internationally in numerous magazines and books, including The Stinging Fly, F(r)iction and Gutter, and have been performed at festivals across the UK. Her fiction explores self-deception, transformation, the grotesque and the body.
We often feel that some of the best gothic literature happens outside of the gothic genre. If you strip away the tropes and the familiar imagery, what do you feel is at the heart of gothic literature?
For me it's the death of old powers. It's where you get the traditional big decaying houses and castles from, because (in the classic gothic stories) the families that would usually fill them are losing their wealth and cannot look after them, and it's also why you so often have things like ancestral curses and lingering secrets; with certain systems dying, the tide of their power recedes and all these things are uncovered. It's also how you get the big emotions and the maniacal behaviour; when people's power and status are threatened, they are more likely to behave like cornered cats, screeching and lashing out at anything they can get their claws into. For me it's the combination of the gothic's obsession with death/rebirth (for the aforementioned reasons) and its interest in differences in power that make it an enduring (and endlessly fascinating) genre. In fact I think it's becoming even more relevant again, as we come to what seems to be the violent end of another economic period, and as power will shift from those who've long held it.
How do you feel This is My Body, Given for You fits into that conception of gothic literature?
That's a great question! I think there are certain elements of the traditional gothic there—the big, imposing 'house', the religion aspect, the violence of the (largely off-page) behaviour—but I think at its heart it's about the ingenuity of those given so little power. The girls in the story are systematically dehumanised but yet they find a strength within them and they exploit the small freedoms they're given. They claw the power back from those who've become complacent with it and ultimately use the greed of their oppressors to gain their own freedom—but not without enacting a satisfying revenge in the meantime.
Can you speak to any inspirations or influences for the piece?
I take most of my story inspiration from things in the real world; I'm very into the science side of cooking and find things like fermentation and the changing nature of substances really fascinating, so the structure of this story undoubtedly came from reading The Art of Fermentation from Sandor Katz. However the theme of female revenge is one that is enduring as an interest of mine, and more broadly how the relatively powerless struggle against seemingly insurmountable oppression is another. There's undoubtedly some Shirley Jackson in there too, as I love the way she writes about food and abandoned women. Having finished the piece and with a distance from the process of writing I have also realised there's a good dose of Matthew Lewis' The Monk, which I haven't read since university. Clearly it struck a (weird and dark) chord.
Place and setting are integral aspects of gothic stories. How do place and region play a role in your fiction?
I don't think of myself as a writer that explores place in a huge way, but most of my stories are set in a particular setting for a particular reason. They're either set in the undefined space (intentionally) or given a very specific location. I've written a novel that's partially set in Cuba and partially in Florida, and these are essential to the plot and characters, but I don't think I tend to do this with my short fiction. Take my story in NGR; the plot of it implies the location and the reader is expected to bring place and region to it. We aren't really given any description of the building its set in but your mind fills in the blanks, and I think that's a very powerful way to have the reader bring themselves and their own life to what can be very distant stories. An Irish reader and an Italian reader will build very different worlds around this story and that's something I like to make space for.
What is your writing process generally like? Where are you most productive? Any interesting quirks?
I am not one of those writers who can sit down at the same time every day of the year and just work; through a combination of a freelance work schedule and my personality I just can't do it. I tend to do a lot of thinking around a short story or a novel, letting it sit in the back of my head and reading around it. It's the equivalent of not looking directly at a constellation, I suppose; if I look around the sky the picture will slowly come into focus but if I direct my attention to it before it's ready, it dissipates. Finally when I've grabbed hold of the general picture I write in a hurry; I try to remove everything else from my field of vision (not easy when you juggle so many work projects and responsibilities) and write. I will generally first-draft a novel in 4-6 weeks, sitting down in the mornings and writing with no internet to distract me, but I'll then put it in a drawer for at least 3 months before I come back to it for what always turns out to be an enormous rewrite. Short stories are similar. I also can't function without my workshop group, who I am endlessly grateful for. I've no idea whether a story is working or not until they've read it, and I trust them to tell me if a story isn't up to my usual standard. Every writer needs a group like this, in my opinion!
What authors are you reading that you're particularly excited about?
I'm just catching up on Ottessa Moshfegh's last few books so I can get to her new one; I love the way that her output is beyond easy categorisation and she's not afraid of genre or plot. I'm also currently reading Lote by Shola von Reinhold and I am so enamoured with the way they've brought together the elements of the book to both challenge a Euro-centric orthoxody and also create a new Black modernist history, one that's queer and revolutionary, all while maintaining the sort of eccentic manner that I can get lost in for days at a time. I like writers that aren't afraid to do new things and throw themselves into it without reservation; Hanya Yanagihara does this, and it would make my 2020 to hear she's got a new book coming out too.
What's your favorite horror movie monster?
I'm not sure if he really counts as a horror monster but I'm afraid it's Godzilla. As a manifestation of US imperialism he is just perfect and he's more than a little gothic; he's a throwback to past times, reawakened; he's an unstoppable force clinging on for life; he arrives always at the crux of a shifting society. I also am in love with the way he's been rejuvenated by Hideaki Anno; it's so difficult to take an iconic character and keep its core and history intact whilst also using it to explore modern tropes and fears and that movie did that so well. The combination of the endless bureaucracy of the situation with the almost comical appearance of Godzilla and then his transformation into something that reflects the current technological and nuclear arms race is just genius. I would honestly watch that film five nights a week, with the originals on the weekend.
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Hot Iron Awards brand best buys
By FCW Staff
AIM Technology last week presented its Summer '99 AIM Hot Iron Awards during the GovTechNet International trade show in Washington, D.C. The AIM Hot Iron Awards, presented twice a year, are based on an array of system-level performance tests that are designed to closely model real-life computing environments.
AIM Technology, based in Santa Clara, Calif., is a benchmarking company that aims to provide third-party performance and price/performance information to industry and government end users seeking to obtain value when selecting and evaluating Unix and Windows NT computer systems.
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Connect with the FCW staff on Twitter @FCWnow.


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Als Proteinbindung, auch Plasmaproteinbindung (PPB) oder Plasmaeiweißbindung (PEB) genannt, wird die reversible Bindung von Stoffen an Eiweißbestandteile des Blutes (Plasmaproteine, Erythrozytenproteine) oder der Körpergewebe  bezeichnet. An dieser Proteinbindung können verschiedene Formen chemischer Bindungen beteiligt sein, namentlich ionische Bindungen, Wasserstoffbrückenbindungen, Dipol-Dipol-Wechselwirkungen sowie hydrophobe Wechselwirkungen. Die Proteinbindung hat zur Folge, dass die gebundenen Stoffe, unter anderem Arzneimittel und verschiedene körpereigene Substanzen, ihre normale Wirkung nicht oder nur vermindert ausüben, da sie nicht wie sonst mit der Umgebung reagieren können. Der durch Proteine gebundene Anteil eines Stoffes ist somit pharmakologisch inaktiv. Kleine Moleküle erlangen durch die Bindung eine stark verlängerte Halbwertszeit, werden also nur sehr verlangsamt über die Niere ausgeschieden.

Zu den Substanzen, die zu einem großen Teil im Plasma an Proteine gebunden sind, gehören beispielsweise die Arzneistoffe Sulfonamide, Sulfonylharnstoffe, Acetylsalicylsäure, Phenylbutazon, Cumarine sowie die körpereigenen Stoffe Bilirubin und Calcium.

Die Gesamtmenge eines Stoffes, die gebunden werden kann, ist durch die Kapazität der Proteine begrenzt. Durch gegenseitige Verdrängung aus der Plasmaproteinbindung können Substanzen wechselseitig ihre effektiv wirksame (da nicht gebundene) Konzentration im Blut steigern (Synergismus). Aus diesem Grund verstärken zum Beispiel Sulfonamide den Neugeborenenikterus durch Verdrängung des Bilirubins vom Albumin und sind daher bei Neugeborenen kontraindiziert. Bei Gabe verschiedener Arzneistoffe können auf diesem Prinzip basierende Arzneimittelwechselwirkungen zum Auftreten von unerwünschten Arzneimittelwirkungen (Nebenwirkungen) führen.

Pharmakologie