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text:
Is There Life On Mars?
Researchers are using perennial Arctic springs to study how organisms could grow on other planets.
By Beth Brown
If you look at Axel Heiberg Island from Google Earth you'll see about 50 white deposits that look like bullseyes—and they aren't snow. They're salt diapirs, or salt balloons, that have risen from beneath rock surfaces and formed large white domes that don't evaporate because of the cold.
In the south, salt diapirs are known as natural markers for oil and gas—but in the North, researchers like Gordon "Dr. Oz" Osinski, director of the Centre for Planetary Science and Exploration, are studying those diapirs to help figure out how life could grow and survive on planets like Mars and Jupiter's moon Europa (which could harbour the largest volume of habitable water in the solar system).
The six perennial springs that formed on Axel Heiberg thanks to the salt diapirs are the highest known in the world. And because they have such high salt content, they don't freeze, even in winter when the rest of the high Arctic is a solid ice block. It's the polar desert environment that makes the high Arctic regions around Baffin and Victoria Islands good analogues for Mars, Osinski says.
By studying diapirs, scientists can work to identify other mineral deposits on planets that may have hosted springs as long as millions of years ago, but have since dried up. By studying the perennial springs, researchers can better understand how microorganisms grow in sub-zero temperatures without the sun.
"There's a lot of gas bubbling out of these things. It's that gas methane that many of these organisms are using as their energy source" Osinski says. Micro-life on Mars could use the same kind of source found on that planet's gaseous surface. "We hope that studying how there is life in these springs will help us understand if there is potentially life on Mars."
Osinski is also studying glacial and ground water identifiers in the Arctic, so that those same identifiers could be used to locate sub-surface ice water that could be used for drinking water or rocket fuel for human travel on Mars.

redpajama_set_name: RedPajamaCommonCrawl


Xiaomi Redmi 6 Pro Unboxing & First Look + Giveaway 🔥🔥🔥Desi Mi A2 Lite???
Namaskaar Dosto, is video clip mein maine aapse Xiaomi Redmi 6 Pro Smartphone ke baare mein baat ki hai aur share ki hai iski Unboxing aur Overview. Xiaomi Redmi 6 Pro mein 5.84″ ka Full HD+ Screen hai 19:9 aspect proportion ke saath mein Snapdragon 625 cpu saath mein hai 3GB/4GB aur 32GB/64GB ki Internal Storage jaha pe aap ek committed memory card laga sakte hai.
Xiaomi Redmi 6 Pro ki price hai 10,999 INR 3GB/32GB Variant ke liye aur 12,999 INR 4GB/64GB option ke liye.
Concerning: Technical Guruji is a YouTube Channel, where you will certainly locate technical video clips in Hindi, New Video is Posted Everyday:-RRB-.
Next article🔴 En Vivo, Sesión de la Cámara de Senadores.


UNIT MANAGER - Kandice Fowler / Duties include managing the SU Team Members, acting as liason between Council, members, and public, as well as seeking council for conflict resolution.
TREASURER / FINANCIAL OFFICER - Liz Dickinson / Duties include managing SU financial resources and providing quarterly reports of income and expenses.
CABIN MANAGER - Stuart & Lisa S.Kopple / Duties include organizing cabin use, and acting as liason to Council and public for maintenance needs and rentals.
COOKIE PROGRAM MANAGER - Stuart & Lisa S.Kopple / Duties include training, maintaining, and acting as liason between SU and Council for the GS annual Cookie Program.
WEBSITE MANAGER - Lisa S.Kopple / Duties include developing and maintaining website for the SU.
NEW LEADER & TRANSITIONAL SUPPORT TRAINING OFFICER - (Open) / After receiving Council and SU training, your duties will be to act as a new leader training and support facilitator until the leader or transitional member understands and can carry out their duties.
CRAFT & IDEA RESEARCHER - Lorell L. (temp / pro tem / secondary) /Duties include exploring Pinterest, Google, publications and various relevant sites for craft, cooking, and traveling / outdoor camping ideas; publishing a monthly newsletter with ideas and tips.
ACTIVITIES DIRECTOR - (Open) / Duties include developing age appropriate & / or ALL AGES activities to offer to girls and troops throughout the year, such as Dances, outdoor Ball Games, Movie Nights at the cabin, Skate Nights, camp song or dance routine training, Flag Ceremony procedures, etc..
EVENTS COORDINATOR - Liz Dickinson / Duties include both small and large, age specific and ALL AGES events for the Girl Scout Community serviced by the SU.
RECRUITMENT MARKETING MANAGER - (Open) / Duties include making flyers, connecting with local entities and coordinating with SU & / or Council to distribute materials for recruitment and community event notification.
COOKIE PROGRAM CUPBOARD FACILITATOR - Tom DeLacey / Duties include establishing and maintaining the seasonal Cookie Program Cupboard; coordinating distribution and transfers to troops, reporting to SU and Council.
FALL PRODUCT PROGRAM & FUNDRAISING MANAGER - (OPEN) / Duties include establishing and maintaining the Fall Product Program, coordinating distribution and resporting to Council. Also to establish and manage SU TEAM approved fundraising for troops and the SU.
Open to all GS Community Members if you'd like to take a more active role in the SU, but do not want the responsibility of taking on a SU Team Member role. You can come to SU Team Meetings, learn more about what's going on, and /or offer support and input about the GS Community to the SU Team.


Hi! I am Mary Hunter, the facilitator for the Virtual Classroom at Larned High School. I have been in this position since the Virtual Classroom was started for the 2010-2011 school year. My previous work experience includes work as a music therapist at Larned State Hospital for 32 years. When I retired from the State Hospital, I came to work as a paraprofessional at Larned High School for two years before being asked to coordinate the newly formed Virtual Classroom. I also serve in the after school tutoring program here at the high school, and am available to assist students in my classroom (Room 7) from 3:20 - 4:30 pm daily after school. I look forward to assisting students with their plans for further education in college, and also with their current needs for homework help in the classroom. I can be contacted via e-mail at mary.hunter@usd495.net or through Larned High School at (620) 285-2151.


Fantasy is really for everyone accept for the children. It makes up a huge part of their imaginary world. This section talks about those movies that are found to be full of fantasy and the children are absolutely amazed by. That doesn't mean that the older generations don't get a lot of pleasure out of them.
This is a fantasy movie that is absolutely delightful. It is, many fantasy movies are, based on a novel. One young lad happens to stumble upon Miss Peregrine's Home for Peculiar Children and this now becomes the beginning of a delightful adventure.
Children find this fantasy movie to be simple yet fascinating. Kubo must go on a dangerous journey to find a suit of armour that is very magical indeed. He must find this so he can defeat the evil character that is so menacing.
What child doesn't love a storyline that includes a prince, just as the little girls love who stories that make princess the highlight of the story. The Little Prince pleases the little ones no matter what their gender.
Not exactly made for the little ones like the classic Sleeping Beauty is. But this advanced version does appeal to the teens and young adults who like to see a new twist put on what they once knew perhaps as a bedtime story.
For the young people who have outgrown the cartoon type fantasy movies, the League of Gods is a step up for them. This is a movie full of action between the Gods and the vixen spirits.
One of the great things about fantasy movies for young people is that they escalate in their fantasy offerings and fit into the different age groups.


Arthur Janov, psychotherapist who developed "Primal Scream" therapy, died Oct. 1, 2017, at his home in Malibu, Calif., according to The Associated Press. He was 93. For full obituary and coverage from Legacy.com, click here.


A beautiful color of ruby with a wide reddish rim.
Pretty nose of blueberries, currants, oak, light vanilla, wood, black licorice, light vegetables, pencil lead, dust, alcohol, black pepper, leather, earth and spices.
Medium plus in body with medium plus acidity. Elegant with long legs.
Dry on the palate with plums, blueberries, currants, vanilla, wood, spices, peppercorn, chocolates, tobacco, herbs, light vegetables and red candy.
This Zinfandel from Sonoma County, is drinking very nicely now, as a 4 year old. Showing great elegance with nice complexity and a beautiful nose. Great complexity on the nose.
Not a typical California Zinfandel at all. Much lighter than I expected from one.
Needs 3 hours to open up properly, and I would really recommend doing that, as it is a completely different wine, once open. I had this vintage a year ago and it was not there at all. So nice to see that it came back so nicely.
Will be better with age, and would be nice to revisit it in the next 3 to 5 years.
Aged for 18 months in French Oak barrels. Only 55 cases produced. (this is bottle number 600).
Good by itself or with food. I paired it with meats, cheeses, nuts and olives.
A very enjoyable Zinfandel from Dry Creek Valley, Sonoma County.
Well balanced and fruit forward with black fruits, chocolates, earth, wood, light vanilla, spices, figs, peppercorn, light vegetables, dark coffee, herbs and tobacco leaf.
Dry on the palate and easy drinking.This one has high alcohol so watch out.
Good right out of the bottle and better as it opens up. Good by itself or with food like a nice burger.
I paired it with skirt steak with chimichurri sauce, potatoes and asparagus.
Will drink nicely in the next 5 years and already delicious.
A blend of 95% Zinfandel and 5% Petite Sirah. Aged for 14 months in 100% French oak barrels.
Light ruby in color with a wide reddish/ brick/ orange rim.
On the nose cherries, blueberries, barnyard, earth, wood, light vanilla, licorice, spices, vegetables, leather and black pepper.
Dry on the palate with cherries, strawberries, red currants, oak, smoke, tobacco leaf, spices, graphites, herbs, bell pepper, dark coffee and peppercorn.
Medium finish with fine grained tannins and tangy cranberries.
This Old Vine Zinfandel from over 100 year old vines is nicely balanced with nice complexity and a very elegant mouthfeel.
Needs a couple of hours to open up properly and remove some of the acidity.
This 6 year old, is a gentle wine to drink by itself with good friends, or with food.
Not a typical California Zinfandel.
I paired it with light appetizers.
Dark purple in color with a wide reddish rim.
Fruity nose of blueberries, sweet cherries, strawberries, raspberries, light vanilla, milk chocolates, tobacco and black pepper.
Dry on the palate with raspberries, strawberries, black plums, wood, spices, peppercorn, chocolates, tobacco, herbs, light vegetables and pencil lead.
Short finish with round tannins and tangy cranberries.
This is a simple California Zinfandel. Spicy and tangy and not as sweet as I thought it would be, which is good. Not fully balanced, but still enjoyable even by itself.
Good right out of the bottle and better as it opens up. Tannins show up after 45 minutes of airtime.
A good mid week red for a good price. I had it all by itself by the lake, with a nice view. Relaxing.
To celebrate my 2000th post on Instagram here is a nicely aged Zinfandel from Sonoma.
Very soft nose of blueberries, sweet strawberries, cherries, vanilla, oak, vinaigrette, spices, chocolates and black pepper.
Medium plus in body and elegant, with medium plus acidity and long legs.
Dry and fruity on the palate with blueberries, black plums, red currants, wood, sweet raspberries, earth, light vegetables, leather, pencil lead, orange peel, spices and peppercorn.
Medium plus on the finish with very soft tannins and tangy cranberries.
This Is a very nice Zinfandel from Sonoma County. Showing nice complexity with an elegant mouthfeel.
This 9 year old is drinking completely differently than the three-year-old that I had not too long ago.
More red fruits than black fruits, with some earth notes, vinaigrette and vegetables which were not there when fresh.
Not as tasty until fully open (90 minutes), so be patient and you will not regret it.
Good by itself as a sipping wine or with food. I paired it with T-bone steak and baked potatoes.
Fruity nose of cherries, strawberry jam, blueberries, tobacco, spices, light barnyard, wood, cloves, cola and black pepper.
Dry and fruity on the palate with cherries, sweet raspberries, blueberries, wood, light vanilla, tobacco, light earth and peppercorn.
Nice length on the finish with very soft tannins and tangy raspberries.
This 4 year old Zinfandel is still very fruity. Well balanced with a smooth mouthfeel, but not very complex.
Good right out of the bottle and doesn't change much with air time.
Good by itself or with food. I paired it with a charcuterie board of meats, cheeses, dried fruits and crackers.
A beautiful color of ruby with a wide brick/ orange rim.
Still very fruity on the nose with blackberries, blueberries, sweet cherries, figs, spices, cedar, vanilla, earth, leather, licorice, eucalyptus, pencil lead, black olives, dark chocolates, coffee, coke, spices and black pepper. What a great nose.
Medium plus in body, and elegant, with medium acidity.
Dry on the palate with blackberries, black currants, plums, cooked cherries, oak, vanilla, earth, licorice, cloves, herbs, wet leaves, vinaigrette, vegetables, dark chocolates, graphites, dark coffee, Indian spices and black pepper.
Medium plus on the finish with very little tannins and tangy strawberries.
This is a great experience. A very interesting Zinfandel from an iconic Winery in Napa Valley. Well balanced and enjoyable by itself or with food.
This 41 year old is still showing lots of fruits with great complexity. Very gentle and soft on the palate. Great mouthfeel.
Good right out of the bottle and died after 2.5 hours of airtime, so drink up. Soft tannins came out after 2 hours of airtime.
13% (unbelievable) alcohol by volume.


What Does The Name Nihart Mean?
What Niharts Have Visited This Page?
How difficult is it to pronounce Nihart?
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What does the name Nihart mean? Find out below.
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The map shows the absolute popularity of the name Nihart as a last name in each of the states. See other popular names in Ohio, Pennsylvania, or Minnesota.
How Popular is the name Nihart? As a last name Nihart was the 37,691st most popular name in 2010.
How unique is the name Nihart? Out of 5,933,561 records in the U.S. Social Security Administration public data, the first name Nihart was not present. It is possible the name you are searching has less than five occurrences per year.
Weird things about the name Nihart: Your name in reverse order is Trahin. A random rearrangement of the letters in your name (anagram) will give Hatnir. How do you pronounce that?
How many people have the last name Nihart? In 2010, the U.S. Census Bureau surveyed 590 people with the last name Nihart.
How likely are you to meet someone with the last name of Nihart? Chances are, most people haven't met someone with Nihart as their last name since less than 1 person in 500k people have that last name. If you know one, consider yourself lucky!


Famous son, who was born on 25th January 1759, 260 years ago.
celebrate in slightly more muted manner.
relevance in our modern times, and the changing face of Freemasonry.
words of one of the Welsh contributors from another Lodge "Legendary".
Dunblane, shortly after the installation meeting.
Scottish Burns night for ye".
Dunblane with some 80 or so present.
the Scottish Traditions to suit the local cultural requirements, accordingly.
The Brethren of Stanlow Lodge attended and supported the first, and indeed second Burns Night, and when it became apparent that the regular venue wouldn't be available a few years ago, they stepped in and working with the three Lodges the event moved to Whitby for a few years and continues to attract similar numbers with some 78 attending on the 18th of January 2019, with, as usual the proceeds being split equally between the three Lodges for their Charitable causes.
Frodsham, and Tarporley, most of whom were regular visitors.
shortly after the dinner was started.
be heard properly delivered to be appreciatted fully, which of course it was.
WBro Archie, and his part in the Celebrations, which was warmly received and applauded.
Oh, how little do they know!
Doon," which was also written by Burns.
Poem / story of Tam O'Shanter.
barely escaping, but with his faithful horse losing his tail in the process.
his father, WBro Roberts face.
charitable causes, but more on that a bit later.
great return for one of our favourite charities.
walking stick and singing along.
step down, which was safely accomplished!
awhile longer, whilst carriages arrived.
But what was the evening really all about?
sustaining friendships outside the confines of own immediate circle.
And finally, Charity. The evening raised just over £1000.00 for charity (including £320 for the TLC Appeal), which will shortly be passed on accordingly, and will benefit causes held dear to the three Lodges.
attract members and grow in Strength.
In many ways the evening might be deemed a great success, and our thanks must go to the organisers, and participants and especially the Artistes, without whom the introduction of potentially 8 new members (at the last count), to our Lodges, and whilst enjoying themselves, and raising both the profile of Freemasonry, but also money for Charity.
outlook at the heart of what we do.
A Legendary Event as quoted? ~perhaps not.
A pattern for imitation and improvement?
~ see you next year!


text:
Home»Category: "General News"
Browsing: General News
By NewsDesk February 1, 2023 0
ASHENEWS reports that some yet-to-be-identified gunmen on Wednesday razed down the Independent National Electoral Commission (INEC) office in Ojoto Community, in Idemili South Local Government Area of Anambra State.
ASHENEWS reports that the Cross River Commissioner for Women Affairs, Prof. Gertrude Njah, has been kidnapped.
The Executive Chairman of the Federal Inland Revenue Service (FIRS), Muhammad Nami, has stated that his recognition by the LEADERSHIP Awards as the Newspaper's Public Service Person of the Year 2022 is a morale booster for the Service to do more.
The Nigerian Government on Tuesday unveiled school Sexual Gender Based Violence (SGBV) app to protect female students from sexual, cultists and other forms of attacks in their educational settings.
By NewsDesk January 31, 2023 0
An human rights and social justice activist, Adeyinka Joshua Owolabi has told President Muhammadu Buhari to purge the ministries, departments, and agencies (MDAs) non performing board members before he hands over power to the incoming government.
BREAKING: Emir of Dutse is dead
By Abdallah el-Kurebe January 31, 2023 0
ASHENEWS reports that the Emir of Dutse, Dr. Nuhu Muhammad Sunusi is dead. This online platform further reports that the…
Insecurity: Buhari reveals identity of those behind Boko Haram
ASHENEWS reports that President Muhammadu Buhari has revealed identity of those behind Boko Haram activities in the country.
Breakdown of Nigeria's NASS 2023 approved budget
This online platform further reports that a breakdown by #StatiSense shows that the monthly pay for each of the 109 Senators is ₦25.43 million while that for each of the 360 House of Representatives members is ₦12.04 million.
CISLAC identifies reason for Africa's rising debt profile
ASHENEWS reports that the Civil Society Legislative Advocacy Centre (CISLAC) has identified the unprecedented influx of private lenders flooding developing economies and looking for higher returns outside advanced economies as a major contributor to Africa's rising public debt profile.
PVCs: INEC investigates viral video of alleged extortion in Enugu
The Independent National Electoral Commission (INEC) has disclosed that it is currently investigating the viral video of the alleged extortion, during the collection of Permanent Voter Cards (PVCs) in Enugu East Local Government Area of Enugu State.
1 2 3 … 1,126 Next


The Earth, Wind & Fire singer & songwriter was the mind behind some of the band's biggest hits.
The music world is reeling with the news that Earth, Wind & Firefounder Maurice White has died at the age of 74. White, who served as both a singer and songwriter for the legendary band, leaves behind one of the richest musical legacies of all time.


In addition to the existing Day and Week views, all matrices can now be viewed with a Month view where each column represents a single calendar month. Values that are entered into the month view will be dispersed across all work days in that month.
You can now customize which Resource Assignment fields are displayed in the matrix. To learn more about how to add fields to the Resource Hero matrix (like Created Date in the example below), see the Customize which columns display in the matrix support doc.
You can now sort any column by clicking its header text (which can be seen on the Resource column below) Clicking again will sort in the opposite direction. In addition to sorting, you can also filter each column by clicking on the column's filter icon.
In many cases you might not want to archive an entire project's worth of resource assignments, but might only want to archive a single assignment. A good example of this would be a resource who has completed a short engagement on a long term project.
Resource Assignment records can now be archived independent from their parent related record.
Default Sort Order – Allows you to set the default sort order for your matrices to either ascending (ASC) or descending (DESC) and works together with the Default Sort Type setting.
Refresh page on save – By default, if you click Save on any Resource Hero matrix from a record detail page the page is automatically refreshed after the save completes. This is to ensure that all Resource Hero calculation fields are updated with the latest data. That said, some customers would prefer that the page not refresh after a save and you can now.
For more details, see the Change org-wide Resource hero configuration settings support page.


He also said that if they hated Him they will also hate you for the same reason, you cannot and do not conform to the things of this world. Galatians 2:20 says it very plainly, we are not of this world, we do not conform to the dictates of an evil dark generation. We actually belong to another dimension and are not for sale. We really are "aliens" whether one wants to admit it or not and this is not our home. Again, the Christian faith is the most hated of all the religions because we are not able to be bought. We know what 'real' love is and 'real' mercy is and 'real' compassion is and will not settle down for the false or watered down versions.
OK, I am a non-conformist and intend to stay that way. God has called me to be a witness to this world and I do the best I know how.


"Evaluation of seismic hazard parameters for Bangalore region in South " by P Anbazhagan, Jayan S. Vinod et al.
Vinod, J., Anbazhagan, P. and Sitharam, T. (2010). Evaluation of seismic hazard parameters for Bangalore region in South India. Disaster Advances, 3 (3), 5-13.
In this paper, seismic hazard parameters are evaluated and presented for Bangalore region following the different methods such as Gutenberg-Richter (G-R) recurrence relation and maximum likelihood procedure and data sets. The seismic data have been collected from various sources for area covering a radius of 350 km around Bangalore. A complete analysis has been carried out using the method as proposed by Stepp. From the analysis it was found that the seismic data is homogenous for the last four decades irrespective of magnitude. The value of seismic hazard parameter 'b' was estimated for complete data by using G-R relation. Completed data do not include the maximum reported magnitudes of 5 and above in this region. Hence b value has been evaluated by considering mixed data magnitude range of 3.5 to 6.2 and 4 to 6.2 using Gutenberg-Richter recurrence relation. In addition seismic hazard parameters such as, 'b' of the magnitude- frequency relationship, R the mean return period and Mmax maximum regional magnitude is evaluated based onmaximum likelihood procedure. It has been observed that the comparative analysis using complete and mixed data, gives comparable values. The 'b' values presented in this paper are higher than the earlier reported values.


text:
Q: Swift Extension: same extension function in two Modules Say I have a Framework called SwiftKit, which has a UIView's extension class method named someClassMethod and a property named someProperty within it:
// SwiftKit
public extension UIView {
    class func someClassMethod() {
        print("someClassMethod from Swift Kit")
    }

    var someProperty: Double {
        print("someProperty from Swift Kit")
        return 0
    }
}

And I also have a Framework called SwiftFoundation, which also has a UIView's extension class method named someClassMethod and a property named someProperty within it:
// SwiftFoundation
public extension UIView {
    class func someClassMethod() {
        print("someClassMethod from Swift Foundation")
    }

    var someProperty: Double {
        print("someProperty from Swift Foundation")
        return 0
    }
}

Then I created a project introduced these Frameworks, things is, if I import both of them in the same swift file and access those extensions, I got a "Ambiguous use of someProperty/someClassMethod()" error, even if I specified the call in the form of SwiftKit.UIView.someClassMethod() :
import UIKit
import SwiftKit
import SwiftFoundation

class ViewController: UIViewController {
    override func viewDidLoad() {
        super.viewDidLoad()
        // Do any additional setup after loading the view, typically from a nib.

        self.view.someProperty              // error: Ambiguous use of 'somProperty'
        SwiftKit.UIView.someClassMethod()   // error: Ambiguous use of 'someClassMethod()'
    }
}

If I only import one of them, the ambiguous error goes away, but a stranger thing happens:
import UIKit
import SwiftKit
//import SwiftFoundation

class ViewController: UIViewController {
    override func viewDidLoad() {
        super.viewDidLoad()
        // Do any additional setup after loading the view, typically from a nib.

        self.view.someProperty
        SwiftKit.UIView.someClassMethod()
    }
}

The console prints out:

someProperty from Swift Foundation
someClassMethod from Swift Foundation

My question is: How can I call these extensions(both class/instance method, properties) without ambiguous? If I cannot, does it mean we should add prefix to extension names as we usually do with Objective-C?

A: Details

*

*Swift 3, Xcode 8.1

*Swift 4, Xcode 9.1

*Swift 5.1, Xcode 11.2.1

Problem
frameworks SwiftFoundation and SwiftKit has the same names of the properties and functions
decision
Way1
Use different names of the properties and functions
// SwiftFoundation
public extension UIView {
    public class func swiftFoundationSomeClassMethod() {
        print("someClassMethod from Swift Foundation")
    }

    public var swiftFoundationSomeProperty: Double {
        print("someProperty from Swift Foundation")
        return 0
    }
}

Way2
Group the properties and functions
// SwiftKit
public extension UIView {
    public class SwiftKit {
        public class func someClassMethod() {
            print("someClassMethod from Swift Kit")
        }

        public var someProperty: Double {
            print("someProperty from Swift Kit")
            return 0
        }
    }

    var SwiftKit: SwiftKit { return SwiftKit() }
}

Result
import UIKit
import SwiftKit
import SwiftFoundation

class ViewController: UIViewController {

    override func viewDidLoad() {
        super.viewDidLoad()

        _ = view.SwiftKit.someProperty
        UIView.SwiftKit.someClassMethod()

        _ = view.swiftFoundationSomeProperty
        UIView.swiftFoundationSomeClassMethod()
    }
}

Project

Your method
SwiftFoundation.UIView.swiftFoundationSomeClassMethod()

Your variant of using the namespaces is not correct because all UIView extensions from both frameworks are included in you UIView class. Look at image bellow, you can see SwiftKit class and swiftFoundationSomeClassMethod() inside SwiftFoundation. This can confuse other developers.

A: If it's an extension of an ObjC NSObject object e.g. UIView, then yes the extension method requires a prefix.
However, those who find the underscores unsightly can try this alternative that uses Swift protocols to replace the UIColor.red.my_toImage() with UIColor.red.my.toImage() here: Better way to manage swift extensions in your project

A: You can use two different files that import the two different dependencies each. You can then use the public extension from Framework A in File A and the extension from Framework B in File B.

redpajama_set_name: RedPajamaStackExchange


text:
Tony Winner LuPone to Join '30 Rock'
Tony Award winner Patti LuPone will join the cast of NBC's "30 Rock," playing the mother of Frank, played by Judah Friedlander, Entertainment Weekly reports, citing people familiar with the process that it didn't identify. Ms. LuPone recently appeared on ABC's "Ugly Betty," playing the mother of Michael Urie's character Marc, the magazine says.
Warners to Bring Tom, Jerry to Theater
'House' to Get Cuddly With Cuddy


text:
Tous aux cèpes est le premier album du groupe Empalot.

Morceaux

  "chez evelyne" (2:58)
  "la trappe de Especial" (5:38)
  "jeannot" (5:03)
  "mañassé" (5:12)
  "le bol" (1:02)
  "ua 2" (5:00)
  "faisez la bagarre" (1:47)
  "π kk" (4:06)
  "mister inconvenient" (3:05)
  "caravan man" (1:43)
  "dru" (4:10)

Album musical sorti en 2001

redpajama_set_name: RedPajamaWikipedia


Located in the Kandyan Hills, at the heart of Sri Lanka, Clingendael offers guests the chance to step back in time to the colonial era.
Individually designed rooms and spacious verandahs, decorated with paintings and antique furnishings create a comfortable atmosphere, whilst showing off stunning vistas of the lush tropical gardens and the surrounding area.
The resident chef will discuss your preferences before serving a delicious selection of local and international cuisine, wherever and whenever you choose, be it on a cool verandah, beside the pool, or in the lush gardens. For more formal occasions, the grand dining table can sit up to 14 guests and provides a perfect private space for a celebration.
Perfect for golf lovers, the hotel is perched majestically on a hill within the grounds of Victoria Golf Course, one of the world's most scenic courses. Meanwhile, nature lovers can enjoy bird watching and jungle trails through the local area, whilst the Victoria stables offers opportunities for horse riding.


text:
Q: Custom capability for a single user I have this complex scenario:
1) I'll have multiple admin users.
2) Only one admin can 'see_encrypted_pass'
Now, I want to assign custom 'see_encrypted_pass' capability to only one admin (say, John). I have a restricted page containing encrypted password. I want to use this on that page-
if(current_user_can('see_encrypted_pass')){
    //show encrypted password
}

How do I do that?

A: I solved it myself :)
I just added custom capability to the user-
$user = new WP_User(1); //1 is the admin ID
$user->add_cap( 'see_encrypted_pass' );

Then checked-
if(current_user_can('see_encrypted_pass')){
    //encrypted password
}

It works!!


text:
La Trompa de Ribagorça (en aragonès: Trompa de Ribagorza) és un instrument de vent, de doble llengüeta, recuperat per Mariano Pascual basant-se en instruments conservats a Graus, similars als utilitzats en el  pels gaiters de Caserres del Castell i altres llocs de la Baixa Ribagorça Oriental.

Vegeu també
 Ribagorça

Enllaços externs
 Trompa de Ribagorza

Instruments musicals aragonesos
Ribagorça


text:
Home Brief Beijing launches national survey of rare earths as stocks soar
Beijing launches national survey of rare earths as stocks soar
on: June 12, 2019 In: Brief, Economics & Trade, Energy & Environment, Manufacturing, UncategorizedTags: No Comments
Beijing has launched a survey of domestic rare-earth production, as industry stocks rise amid speculation that China could restrict exports of the materials as part of the ongoing trade conflict with the US, reported Caixin.
The National Development and Reform Commission (NDRC) has begun visits and meetings across the country to assess the "general upstream, midstream and downstream situation of rare earths and other strategic mineral resources," the China Securities Journal, a publication under the official Xinhua News Agency reported.
The NDRC, working together with China's Ministry of Information and Information Technology and the Ministry of Natural Resources, will use the investigation to prepare recommendations for the rare earths industry in areas ranging from "resource protection and green production" to "international trade and domestic and international cooperation," according to the China Securities Journal.
China is the world's largest producer of rare earths, which are used in everything from oil refining and consumer electronics to military equipment. Recent fears that China could cut off supplies of the minerals to the US, a major buyer, have sent the stock prices of Chinese rare earth companies soaring.
Trump says remaining China tariffs will kick in if Xi is no-show at G20
Huawei ships 1 million devices with its HongMeng OS
PBoC targets commercial banks with $1.7 billion MLF loans


What I would like to see is you attempting the same file at Opus with ~128 kbit/s. I'm curious at what bitrate your ABX results become more definitive.
Yep, that's certainly more definitive, lol.
I'm quite impressed, I don't think I can do that unless someone points out a certain thing that I have to listen for. There's even a slight indication that you can sometimes discern lossy from lossless at much higher bitrates. Not too shabby overall.
Yeah, I simply got no words. So... what are the implications of this? Is Opus technically worse than AAC at higher bitrates? Is it just that he's gifted? Is it that AAC's artifacts are less difficult to detect?
I guess we should stick with what works better for each of us, and for me Opus @ 96kbps is absolutely perfect, but this really has left me with many doubts.
Yeah, that's why when I do an occasional ABX test I generally don't proceed to the next guess unless I am pretty confident I am hearing a difference as that helps get you in the ball park of when your straining and starting to guess vs know your hearing a difference etc.
but after seeing your other post it seems you can do Opus @ 128kbps since you got everything correct with 16 tries to. but I am curious... can you do that (like ABX Opus @ 128kbps) on any random song, or just certain songs? ; but lets just say you can consistently ABX Opus @ 128kbps... I am wondering at which point you start to strain and are more or less guessing or semi-guessing? ; like say 160kbps or 192kbps?
but one thing I noticed, at least for myself, is usually when your pushing the limits of your hearing or thereabouts, it almost seems like fatigue sets in when you start really focusing for any length of time and stuff you might have been able to detect initially, you start questioning whether your hearing a difference or not etc.
p.s. for me, given my general testing here and there on my speakers/headphones (mainly my Klipsch Pro-Media speakers on the PC (which I would say are above average speakers for sure))... I would say once I hit 96kbps I doubt I can notice the difference (at least not reliably for sure) as I think I can hear a difference at 80kbps here and there but even here is not easy for me. hell, I still consider 64kbps pretty good overall as while it's worse than 96kbps, as 96kbps is safe for me, I would say 64kbps ain't that much worse and is 1/3rd less bit rate. like when just listening to a song straight up, the overall core sound is intact at 64kbps on my Klipsch Pro-Media speakers as I use 64kbps here and there but generally stick with 96kbps to be safe.
NOTE: I know I should generally use headphones but I would guesstimate I won't be much either way given I would say my headphones (Sony MDR-NC7) are average-ish and I would not expect my preferred 96kbps Opus bit rate change much, if any, especially given the general Opus Wiki page says 'Very close to transparency' for 128kbps and I assume these kinds of claims are probably with people who are above average hearing (or no worse than the typical person) and the like which probably covers easily most people and I doubt my hearing is anything special. like decent(as I doubt my hearing is bad for my age bracket(I am 39 years old)), but nothing special. plus, I imagine some people who do testing for people to improve Opus etc probably have better than average headphones to.
Yeah, please, try another song and let us know.
<= 30s, per TOS#9, or do I have to remove the link?
I have found another flac for the song. This time, there's no upsampling.
I was afraid of that, files removed.
can you do that (like ABX Opus @ 128kbps) on any random song, or just certain songs? ; but lets just say you can consistently ABX Opus @ 128kbps... I am wondering at which point you start to strain and are more or less guessing or semi-guessing? ; like say 160kbps or 192kbps?
Yeah sometimes the instrument sound you're listening to remains in your head, I usually keep playing the song and focus on another instrument and section. Also sometimes, like yesterday I started listening artifact in all the songs, even in the flac, when that happens I cannot continue.
Opus has never prioritized complete transparency at higher bitrates. We have AAC and MP3 that do a great job. Opus sounds very good as well.
Like all codecs, I'm sure they will wring out as much performance as possible over time. But high bitrate is the land of diminishing returns and there is so much room for improvement/much to be gained at lower bitrates.
Didn't know about that. Bear in mind Opus is extremely new when compared to AAC. Maybe they improve at higher bitrates. I don't know. It sounds transparent to me at 96kbps.
"It's true. I can explain in which exactly way the last two 96 kbps tests were pushing it.
Most of average listeners hear artifacts at 48-64 kbps for HE-AAC and Opus encoders.
The listeners who have participated in 64 kbps have commented that they couldn't submit a high number of results if any for 96k tests (because they hardly could ABX it).
During 96k tests a number of submitted results per each week drop to less than 50% than during 64 kbps test!
48-64 kbps tests- average listeners prevail.
128 kbps test - highly experienced and trained listeners mainly (hence not representative as a real-life scenario)"
I think that's pretty good info when it comes to the general public at large and pretty much sums me up to as 64kbps (based largely on my Klipsch Pro-Media speakers) is about the max I would probably do okay-ish at ABX tests. but once I hit 80kbps (assuming we stick to 16kbps each change of bit rate standard(i.e. 48kbps/64kbps/80kbps/96kbps etc)) it's really pushing it (I would expect to largely fail ABXing on random songs on my speakers at 80kbps, outside of certain parts in some songs etc) and 96kbps seems to be transparent for me, and given the above info in the quotes, it seems many people find it difficult to ABX at 96kbps and once a person hits 128kbps your already comfortably out of the range of most people (if not vast majority?).
so that info is pretty much inline with my signature on Opus bit rates... 64kbps minimum, 96kbps (default), 128kbps maximum. I would say that's a pretty good default system for most people because your not going to far either way from that general center point (i.e. sweet spot) of 96kbps. so with those three choices your always having a decent balance of sound quality/storage space combo without things going too far either way. like with 64kbps your leaning towards storage space with sacrificing sound quality a little and 128kbps your sacrificing storage space a little for sound quality a bit but your not going too far either way of that general point (i.e. 96kbps) many (if not most? ; if not vast majority?) people start to really blur the line on detecting differences between Opus and lossless source on music. so in other words... most people should probably avoid bit rates lower than 64kbps or higher than 128kbps for music as a general guideline.
p.s. but like I have said before... 64kbps is solid enough overall especially when you don't compare it to the lossless source in ABXing back and fourth between samples (like when you click A and B) and just sit back and enjoy. like 64kbps is noticeably safer on sound quality than 48kbps for a minimum increase to file size. I know one could say there is a 25% storage space savings between 48kbps vs 64kbps, which sounds like a quite a bit of storage space savings, but when your already at pretty low bit rates like that, it's not that much storage space savings in the real world (although going from 48kbps to 64kbps does give you a decent bump in sound quality over a wider range of music) unless you got a boatload of music as I would say choosing something like 64kbps over 96kbps might be worth considering though if your tight on space or don't mind sacrificing sound quality a little bit for the extra storage space savings. but going from 64kbps to 32kbps is not worth it as while it halves the storage space needed, the sound quality hit is a bit too much to where unless one is heavily favoring storage space over sound quality they would not choose 32kbps over 64kbps for music in general unless they had to if they wanted to get plenty of music onto a really limited amount of storage space etc.
Even with very neutral, accurate gear and an experienced ear, would one be able to consistently discern at 160-192?
And at VBR wouldn't 192 have the potential to reach 224?
VBR, if done 100% properly, doesn't relate to any particular bitrate and instead uses whatever amount of bits to reach some specific quality level. Opus authors chose to rank quality in "average bitrate if used on some collection of average music", but that doesn't change the general idea of VBR.


Andrew Collins was announced as a full time Senior Coach of the club in 2014 and has had an outstanding playing career at both Sandringham VFA (1985 Premiership Player) and with Hawthorn (AFL) where he played 212 games. Andrew played in 3 day AFL premierships – 1988, 1989 and 1991 and also 3 night premierships 1988, 1991 and 1992. As Coach of Williamstown, he guided the Club to its first premiership as a standalone club since 1990 in 2015, a victorious Foxtel Cup campaign in 2014 and has also coached the VFL State Representative side in 2016.
Andy was also High Performance Development Manager at Cricket Victoria in 2006 – 2007 where he had a huge impact in changing the philosophy and approach of coaches and players to professional cricket.


Allard-Europe produces steel and iron castings for partners all around the world. It specializes in creating unique parts and small series, with the constant aim of improving and making technical developments. Allard-Europe has recently made significant investments and expanded its capacity to meet growing demand. In order to supply niche markets the company continues to invest in the latest technologies and provide its customers with high-tech personalized solutions. Allard has enjoyed a number of key milestones throughout its history, however one of the most significant in recent years has been its acquisition by Royal IHC and Dihag Holding GmbH that took an equity stake of 40% and 60% respectively. This has helped support the company across its entire range of products and provide the backing for Allard to excel even further in the coming years.
Allard offers its services to a variety of sectors. These include dredging, offshore, cement and mining, shipbuilding, energy and metal. Within all of these it tailors its services to meet the particular challenges and demands of Allard's customers. What unites these areas is a focus on finding the best materials, the ability of Allard to achieve this through its many years of experience, and the importance it places upon working so closely with its customers to understand their needs and applications. It has also been made possible through the large investments that the company has made into its facilities and machinery, such as its CNC machines, CAM software, 3D design systems, and many more. We sincerely hope that Allard-Europe will become your future partner!


text:
Shop Home / Family & Relationships / Abuse / Domestic Partner Abuse / No Visible Bruises: What We Don't Know about Domestic Violence Can Kill Us
No Visible Bruises: What We Don't Know about Domestic Violence Can Kill Us
No Visible Bruises: What We Don't Know about Domestic Violence Can Kill Us quantity
SKU: 9781635570977 Categories: Abuse, Child & Adolescent, Criminal Procedure, Domestic Partner Abuse, Family & Relationships, Law, Marriage & Family, Political Science, Psychology, Psychotherapy, Public Policy, Social Policy, Social Science, Sociology, Violence in Society, Women's Studies
Author: Snyder, Rachel Louise
"A seminal and breathtaking account of why home is the most dangerous place to be a woman . . . A tour de force." –Eve Ensler
"Terrifying, courageous reportage from our internal war zone." —Andrew Solomon
"Extraordinary." —New York Times, "Editor's Choice"
"Gut-wrenching, required reading." —Esquire
"Compulsively readable . . . It will save lives." —Washington Post
An award-winning journalist's intimate investigation of the true scope of domestic violence, revealing how the roots of America's most pressing social crises are buried in abuse that happens behind closed doors.
We call it domestic violence. We call it private violence. Sometimes we call it intimate terrorism. But whatever we call it, we generally do not believe it has anything at all to do with us, despite the World Health Organization deeming it a "global epidemic." In America, domestic violence accounts for 15 percent of all violent crime, and yet it remains locked in silence, even as its tendrils reach unseen into so many of our most pressing national issues, from our economy to our education system, from mass shootings to mass incarceration to #MeToo. We still have not taken the true measure of this problem.
In No Visible Bruises, journalist Rachel Louise Snyder gives context for what we don't know we're seeing. She frames this urgent and immersive account of the scale of domestic violence in our country around key stories that explode the common myths–that if things were bad enough, victims would just leave; that a violent person cannot become nonviolent; that shelter is an adequate response; and most insidiously that violence inside the home is a private matter, sealed from the public sphere and disconnected from other forms of violence. Through the stories of victims, perpetrators, law enforcement, and reform movements from across the country, Snyder explores the real roots of private violence, its far-reaching consequences for society, and what it will take to truly address it.
FTM: Female-To-Male Transsexuals in Society
Outspoken: A Decade of Transgender Activism and Trans Feminism
Beautiful Thing: Inside the Secret World of Bombay's Dance Bars
Hal Fischer: Gay Semiotics: A Photographic Study of Visual Coding Among Homosexual Men


text:
Q: Looking for a GUI application to enter linux commands I am looking for a GUI console where I can enter linux commands in an entry widget and the result will be output in a text area widget. Is there is such software available?
A console programs like gnome-terminal or xterm, the screen keeps scrolling with every new command, and I find this annoying specially when the result has a few dozen lines.
I would like to visualize the command and the result at the same time, alike a browser entering a web address in the address bar and obtaining the website as a result.
Thank you.

A: Terminal emulators like gnome-terminal and xfce4-terminal both offer options to disable "Scroll on output" in their preferences.
Whenever a command is run with this disabled, you can scroll back up and any new lines will not cause the terminal emulator to go to the last output line.
Also, if you are running a command which isn't interactive, you can run command | less to read the output with less.

A: It shouldn't be too hard to roll your own web interface to the unix command line: http://www.cyberciti.biz/tips/executing-linuxunix-commands-from-web-page-part-i.html
Or you could try something like tmux: http://tmux.sourceforge.net/ which I think allows you to send the output of command in one pane to another pane: http://ricochen.wordpress.com/2011/11/14/tmux-techniques-by-example/

A: It's not perfect but I made an interface to your specifications using gtkdialog (not to be confused with GtkDialog).
It's just a script (depends on gtkdialog), chmod +x and run. Download here.


text:
First Slice Media LLC
Global Media & Entertainment Fund
FirstSlice Media is a viral content site that focuses on using celebrity influencers (e.g. Steve Aoki, Dan Bilzerian) to drive traffic to the website's content, resulting in viral sharing by the influencer's social media following. The early stats are impressive, in the four months since launching, FirstSlice generated over 100 million page views and monthly revenues greater than $40K. Gerard Adams (from EliteDaily) invested in the company and will fill a Board seat as an on-going advisor based on his in-depth experience in the space. We expect CPMs to increase in the future as the company introduces brand sponsor revenue. The team plans to integrate e-commerce/merchandise to the platform in 12-18 months. Potential buyers would likely be media companies that want the additional traffic/revenue, or publicity via celebrities.
https://www.chideo.com/chideo/first-slice-pizza-party
Branden Hampton
Trendy Butler Inc.


If there's anything as exciting a the Super Bowl, it's definitely the commercials that air during the big game. Every year, companies spend insane amounts of money for their chance to shine in front of TV's largest audience, attempting to capture the attention of America with creative new commercials.
Sometimes things go really well, whether it's the Budweiser frogs or a new trailer for whatever massive film released are on the horizon. Other times, though, commercials miss the mark. It's hard to forget the General Motors commercial in which a robot commits suicide after losing its job. Someone, somewhere thought that was a great idea and spent a bunch of money to bring it to life.
With over 50 years of Super Bowl games to look back on, there are plenty of advertisements to revisit and GameSpot has done just that. We've gone through a long list of Super Bowls to find the absolute best and worst big game commercials of all time. Take a look at them and sound off in the comments with your favorite--or least favorite-- ad. Also make sure to check out our guide to alternative programming options if you don't feel like watching the big game this year or just want to skip Maroon 5's halftime show.
Peter Dinklage can do it all, including perfectly lip synching a Busta Rhymes song to profess his love of Doritos. This particular commercial also included a Mountain Dew verse from Morgan Freeman--to Missy Elliott's Get Ur Freak On--to create the weirdest and best rap battle of all time.
Suicide isn't a funny joke, regardless of who's committing it. That's a lesson General Motors learned the hard way after its 2007 Super Bowl commercial featured a car-assembling robot hurling himself off a bridge after accidentally dropping a screw on the factory floor. Why did they think this was a good idea? Who knows, but the fact that it was all a dream the robot was having--again, this is a robot--didn't help matters.
Who doesn't remember the Budweiser frogs? They were the heart of what might be the most successful alcohol advertising campaign of all time. They were a meme before memes were a thing and they'll absolutely make a comeback one day.
Dirt Devil repurposing footage of Fred Astaire--who died in 1987--to sell vacuums is a truly strange move. Editing in actual Dirt Devil vacuums that weren't on the market when he filmed said footage is even more bizarre.
Two all-beef patties, special sauce, lettuce, cheese, pickles, onions on a sesame seed bun. The Big Mac jingle took the world by storm in the '70s and McDonald's put people to the test to see if they remembered it. Most couldn't figure it out, but that didn't stop them from wanting one.
SalesGenie doing an adorable animated commercial featuring pandas could have been great. Saddling them with stereotypical Chinese accents, though, was a truly bad choice made by the sales company. They quickly pulled the ads.
The King of Beers sure knows how to Super Bowl. From the infamous frogs the the massive game of Pac Man, Budweiser and Bud Light almost always deliver the goods with their big game commercials. The Bud Bowl, however, is the company's crowning achievement. The idea is simple enough, an animated segment that shows bottles of beer racing each other for supremacy. Cheering on your personal favorite Bud brew, though, is sometimes as exciting as the game gets.
While there's nothing wrong with this Honda commercial that spoofs Ferris Bueller's Day Off on the surface, Broderick's history makes it an odd choice. In 1987, a year after Ferris Bueller hit theaters, the actor was involved in a car accident in Ireland that killed two people. He was eventually convicted of careless driving and paid a fine. Maybe he shouldn't be selling cars on TV.
This is the commercial that most of us wish we lived in. In 2015, Bud Light brought Pac Man to life with a massive game board that some unsuspecting beer drinker found himself running around in. It's a true marvel and we're still sad we didn't get our turn.
GoDaddy has always tried to be risque with their Super Bowl commercials, but 2013's ad that saw supermodel Bar Refaeli making out with some random geek was truly unsettling. We don't need to see any two people kissing that closely.
Apple's commercial to introduce the Macintosh computer was weird, experimental, and, honestly, kind of creepy. But it made the exact kind of splash the company needed. After all, you are very possibly reading this on an Apple device.
Nationwide really wants you to buy life insurance, but this ad featuring a child telling you all of the things he'll never get to do because he died "in an accident" does not make you want to do anything of the sort. If there's anything that's going to bum you out in the middle of an exciting Super Bowl game, it's the story of a dead kid.
This kid has embraced the dark side of the Force and we love it. This commercial is the perfect mashup of two worlds, with the Imperial March playing while a young Darth Vader fan puts his powers to the test on his parents' car.


A short check lists of Do's and Don'ts for Parents who students are beginning piano lessons. Make clear to your child at the outset of lessons, in an enthusiastic manner, that music training is a long term process, just like school, but with many high points of pleasure along the way. Your child has his own unique pace, so avoid comparing him to siblings or neighbors' children who may appear to be playing better than he. Anticipate "ups and downs" in his attitude and progress, along with a number of "growing pain" periods. Seriously contemplate how to help your child. Knowing when to help, when to be supportive, and when to withdraw to encourage him to help himself, is a parental art in itself.
What is it that a beginner at the piano wants to do? They want to make music! It might be classical, jazz, or something else, but one thing's for sure; they don't want to spend months studying boring theory.
What if instead of studying note reading, beginners piano lessons were focused on the student actually learning how to create music? Just imagine the excitement when the notes and chords played are all original and express what is actually being felt.
There is no better time than the New Year to begin piano lessons. If you have been thinking of enrolling your child in piano lessons, don`t wait because piano lessons are so valuable for children. Parents know this, but a common excuse given is "We are so busy, how will we find the time?" The truth is that all human activity is goal driven, but we don`t all focus on goals that will bring us the most benefit over the long term. To do this we need to manage our time, but the catch is that managing our time is really a function of goals and perspective. This is not a chicken or the egg question, however, because achievement has a history - a definite beginning and a process of follow-through.


text:
Diljit Singh Dosanjh (Jalandhar, 6 de enero de 1984), es un cantante y actor de cine Indio de etnia panyabí.
Pertenece a la religión Sij.

Carrera

Música
Dosanjh debutó con su primer álbum titulado Ishq Da Uda Ada. En total ha editado seis álbumes de estudio, entre ellos The Next Level, su registro más exitoso.

El 3 de febrero de 2020, Dosanjh ha reconocido su aprecio por la estrella del pop mundial Rihanna al lanzar una nueva canción titulada RiRi en su honor. La canción 'RiRi (Rihanna)' llega menos de 24 horas después de que Rihanna prestara su apoyo a la actual protesta de los agricultores en India.

En el cine
Diljit hizo su debut como actor para una película de Panyab titulada The Lion of Punjab (El León de Panyab),dónde también canta la canción de apertura de la película. Este rodaje  le abrió las puertas a las observaciones de los críticos, y logró arrasar con éxito en la taquilla. En 2011 protagonizó la aclamada película titulada ET Jihne Mera Dil Luteya, que resultó ser un film de éxito de taquilla, obteniendo una gran venta y crítica. Los críticos elogiaron el desempeño Diljit, esto para una película cómica. En febrero de 2012, participó en una película hindi titulada Tere Naal Love Ho Gaya, un film que trata sobre un romance de amor. También participó para un video musical, con una canción titulada "Pee Pee Pa Pa". Su primera publicación oficial de 2012, se anunció que participará para una película basada en una historia de amor titulada Jatt & Juliet frente a Neeru Bajwa.

Discografía

Sencillos

Filmografía

Referencias

Enlaces externos
 Lion of Punjab Film/Music Release Date
 Página oficial de Facebook

Actores de cine de India
Cantantes masculinos de India
Personas de Panyab (India)
Cantantes de pop folk


text:
Cristobal And The Sea
Cristobal and the Sea are:
Joao Seixas- Vocals, Guitar
Leila Seguin- Vocals, Flute
Alejandro Romero- Vocals, Bass
Elliott Arndt- Vocals, Percussion, Keyboard
Youssef Ibrahim - Drums
'Exitoca' is a trip into an alternative reality where humans care for each other and the environment, value sensual experiences and dance their troubles away.
The title is a reference to the genre known as Exotica, which represented the escapist dreams of a generation of American salary-men and housewives in the 50s and 60s. Their desire was to move to an uncomplicated Pacific paradise; something that captured their own creative needs rather than the actual physical environment they found themselves in. Cristobal and the Sea's 'Exitoca' is the attempt to free that dreamer movement from the grips of it's privileged background and reclaim it for those who need it most now.
For Cristobal and the Sea, expatriates from Portugal, Spain, France, Egypt & USA, now based in London, the idea of Exotica is more than just an escapist plot to avoid workaday drollery; it is a proposed evacuation from the toxic mires of Brexit; the very notion that threatens the place they now call home. Their current political situation endangers access to their very art and lifestyle, which is commonly the pressure required for musicians to produce great work.
'Exitoca' espouses Cristobal and the Sea's principle tenet: they call everyone to embrace mystical otherness and accept the virtues of foreignness.
This philosophy is narrated no greater than between the words and music of 'Goat Flokk' where longing, searching lyrics are mixed with both Brazilian Tropicalia-like speed and rhythm with a healthy Syrian-pop breakdown. The fusion of sounds and styles proves that harmony is very much possible when cultures are mixed.
Recorded in a self-made studio in the outskirts of Paris, the band enlisted the help of Yehan Jehan to produce the album for them. Born in North London to musical Bosnian parents, Jehan began recording and producing in his bedroom from the age of 14, combining ten years of musical development through classic funk, hip-hop, psych rock, rock'n'roll and 60s/70s film music into an intoxicating ultramodern stew. "I've been composing since I was really little," Jehan says. "Production for me is just as important as the song, it can go so many ways."
The lush surroundings of France, combined with Jehan's creative impetus, offered Cristobal a greater richness to their recording process, which can be heard on the flotsamming and jetsamming exotic interludes between tracks, but none more distinctly than on 'Steal My Phone'.
The ecstatic quality of the band, whose personal manifesto calls for warmth, nakedness and polygamy (as opposed to the cold and sexless Brexit reality), is on display in 'The Seed.' This track brings images of lolling natural bodies, flesh and excitement, again with the production and arrangements in full force. Play it loud during your next late night foray with your best friends and you'll see what they mean.
Cristobal and the Sea's Balearic roots are inseparable from their essence. The bossa anthem 'Uma Voz' is a reach out to everyone in their situation, a passionate and all-encompassing hand to everyone facing the same nationless situation. If only Theresa May's quote "If you think you are a citizen of the world, you are a citizen of nowhere" were sifted through a Buddhist filter, it would be the kernel of wisdom. Oh well, Socrates said, "I am not an Athenian or a Greek, but a citizen of the world" and the band invites you to decide whom you would trust more.
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Cristobal And The Sea "Goat Flokk"
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Cristobal and the Sea drop new video for 'Steal My Phone'
Moscoman Remixes "Goat Flokk"!


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Original URL: https://www.theregister.com/2006/03/22/card_fraud_increasing/
Debit card fraud underscores legal loopholes
Three secret data leaks to blame
By Robert Lemos, SecurityFocus
Posted in Channel, 22nd March 2006 07:02 GMT
Consumers have noted a large increase in the amount of debit card fraud since the beginning of 2006, as well as a wide recall of cards by banks and financial institutions. Three major incidents are likely fueling the fraud, according to financial and security experts.
A breach associated with bulk goods retailer Sam's Club last autumn likely resulted in millions of debit cards potentially being put at risk, according to financial-industry insiders. A second, smaller breach affecting hundreds of thousands of debit cards has been connected to office-supply retailer OfficeMax, although that company has denied any breach of its systems. And, the most recent data leak occurred in an ATM network and likely affected millions of debit cards as well, banking executives told SecurityFocus.
Despite security-breach notification laws on the books in 23 states, credit card companies and financial institutions have not named the sources of the breaches.
"There are few details of these leaks because credit card companies do not want people to lose confidence in debit cards," said Beth Givens, executive director of the consumer advocacy group Privacy Rights Clearinghouse.
The mystery surrounding the data breaches underscores loopholes within the state laws which aim to mandate the disclosure of security breaches. Moreover, the silence over responsibility for the breaches contrasts consumer advocates' warnings that a federal law currently being considered by Congress will ironically roll back protections even further.
There are three cases in which a company suffering a breach can bypass current notification laws, all of which have some basis in the legislation first drafted in California, security and legal experts told SecurityFocus.
A company suffering a data breach can delay notification during a criminal investigation by law enforcement. If the stolen data includes identifiable information - such as debit card account numbers and PINs - but not the names of consumers, then a loophole in the law allows the company who failed to protect the data to also forego notification. Finally, if the database holding the personal information was encrypted but the encryption key was also stolen, then the company responsible for the data can again withhold its warning.
In those cases, "they have no obligation to notify," said Avivah Litan, vice president of security and privacy research for business analysis firm Gartner. "The bottom line is that they escaped the disclosure law - at least for now."
Moreover, it's unlikely that credit card companies will risk harming their clients by disclosing the identity of companies that fail to take responsibility for breaches, Litan said. While major credit card companies and banks have warned partners and consumers of recent breaches in general terms, business pressures leave the companies unlikely to out partners, even if the companies are violating the spirit of disclosure laws.
Last June, Mastercard International published a statement warning that online attackers had breached the network of CardSystems Solutions and collected as many as 40m credit card accounts of various brands. Following the breach, CardSystems foundered and was eventually bought by biometric payment processor Pay By Touch.
"It is a lot easier to expose a company like CardSystems Solutions, than to expose a retailer," she said. "The credit card companies are not out there to put any retail company out of business."
The lesson that credit card companies have apparently taken away from the experience of CardSystems Solutions is to withhold details of breaches, putting the onus for taking responsibility on the shoulders of the company that suffered the breach, she added. Many firms point out that while large numbers of accounts might be put at risk by data leaks, only a small fraction of cardholders typically experience fraud.
However, without disclosure, companies are still not taking security as seriously as they should. Already, the majority of merchants do not protect customer information in accordance with industry standards. Both Visa and Mastercard International have security regulations in place that require merchants to abide by strict rules about handling customer data. Only about 17 per cent of the 231 large merchants abide by the requirements, despite the fact that consumers' No 1 fear is loss or theft of personal and financial information, beating out terrorism, job loss and epidemics, according to survey data from Visa.
Law enforcement authorities and financial firms have launched a broad investigation to track down the sources of the current crop of fraud.
A breach at a California office supply chain last year resulted in the leak of an estimated 200,000 ATM and debit account numbers along with the associated personal identification numbers, or PINs. A rash of fraud that started in February was blamed on the leak, and media reports pointed at OfficeMax as the source. The company did not respond to requests for comments, but in its annual report published last week, OfficeMax warned investors that the situation could hurt its results.
"There is an ongoing federal investigation relating to ATM fraud involving legitimate debit card use at various retailers that was later tied to fraudulent transactions outside the US," the company stated in the filing to the Securities and Exchange Commission. "While we have no knowledge of a security breach at OfficeMax, it is possible that information security compromises involving OfficeMax customer data, including breaches that occur at third party processors, may damage our reputation."
In the past month, law enforcement authorities in New Jersey and New York arrested more than a dozen people in connection with an organised identity theft operation, said Edward DeFazio, the prosecutor for Hudson County, New Jersey. Many of the victims of the ring, which allegedly had connections to other identity thieves in Europe and South East Asia, had shopped at OfficeMax.
"Certainly, a disproportionate number of victims have dealt with OfficeMax," DeFazio said.
Some security experts theorized that OfficeMax's payment processor could be to blame for the breach, but OfficeMax could not be reached for comment on the possibility. In any event, the breach associated with the retailer is the smallest of three data leaks affecting credit and debit cards in the last six months.
Last December, Sam's Club acknowledged that it was cooperating with an investigation into 600 cases of fraudulent transactions using credit cards and debit cards at its gas stations. A representative of Sam's Club, a subsidiary of retail giant Wal-Mart, would not comment on the issue but pointed to a recent public statement released by bulk retailer.
"I want to assure our members that these reports of fraud did not involve transactions inside Sam's Club locations, on Samsclub.com or at Wal-Mart stores or on walmart.com, and no personal identification numbers (PINs) were used in any of the fraudulent transactions," Mark Goodman, executive vice president for Sam's Club, said in a statement released on 3 March. "If any compromise occurred, it appears to be limited to the Sam's Club fuel station point-of-sale system."
While the retailer has only acknowledged that some 600 cases of fraud are linked to the data leak, the incident has led to credit-card companies issuing warnings to banks for, what is likely, millions of cards, according to banking executives.
"It was every institution in America," said Steve Swofford, president of the Alabama Credit Union. "And I would say there were millions of people affected."
While the ACU only replaced 500 cards, and had no incidence of fraud, other banks had to deal with far greater numbers. Regions Financial replaced 100,000 credit and debit cards on 23 January, but a representative stated that the majority of the cards were reissued in response to, and seven months after, the CardSystems Solutions incident.
Such replacements are not inexpensive. Each new card costs a bank anywhere from $15 to $30 - a high cost for the failure of companies to abide by data-security standards.
Two weeks ago, Visa and Mastercard warned banks of the most recent incident - a breach of an ATM network, according to financial industry insiders. The incident has led to warnings on a similar number of accounts as the Sam's Club incident, said ACU's Swofford, suggesting that the total number of accounts involved in the breach could number in the millions.
Representatives at Visa and Mastercard International refused to comment on the issue. However, Citibank released a statement confirming the ATM network breach, but not naming the company responsible for the network.
In the most recent incident, Visa has said that payment software manufactured by Fujitsi Transaction Solutions has flaws that could put customers information at risk, according to a Friday article in the Wall Street Journal .
Despite the recent epidemic of debit and credit card fraud and last year's titanic breach at CardSystems Solutions, Congress is considering a bill that will let more companies escape taking responsibility for fraud, consumer advocates charge.
The bill, known as H.R. 3997 or the "Financial Data Protection Act of 2005", would let companies decide when a data breach is significant enough to merit warning their customers. The House Financial Services Committee approved the legislation on Friday.
"It is ironic that after a year in which over 55m Americans' identities were put at risk through preventable data breaches, the House Financial Services Committee would repeal state laws that have protected consumers from identity theft," Susanna Montezemolo, policy analyst with Consumers Union, the nonprofit publisher of Consumer Reports magazine, said in a statement following the vote.
The federal legislation would supersede the laws passed by states with significantly weaker protection against identity theft. At least 11 states have stronger notification language than the H.R. 3997 and another eight have stronger rules allowing consumers to freeze their credit accounts to prevent fraudulent use, Montezemolo said.
The key flaws in the bill highlighted by consumer advocates include a requirement of a police report verifying an incident of identity fraud before the victim can place a security freeze on their account and so-called trigger language, which allows the company that suffered a breach to make the decision over whether the incident merits disclosure.
"Having trigger language is ridiculous," said the Privacy Rights Clearinghouse's Givens. "If this bill passes and the trigger language remains intact, there will be few, if any, disclosures about data breaches."
H.R. 3997 will next be considered by the full House of Representatives.
This article originally appeared in Security Focus.
Copyright © 2006, SecurityFocus


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Immoral Government? Submit Anyway
When Jesus and the apostles told us to submit to the government, they never said it had to adhere to Judeo-Christian values.
On September 10th, 2014, Congressman Frank Wolf said at the American Enterprise Institute's Evangelical Leadership Summit, "I think evangelicals and people of faith are really going to have to adopt what Martin Luther King did and maybe go to jail and do some things like that."
He was speaking about religious freedom. And in a world where some are fighting to not bake cakes for gay weddings and others are literally fighting to prevent abortions, many Christians will agree with him. So, being a producer of a Chicago morning show, we decided to throw this question out to our listeners: Do you think Christians should be willing to go to jail for the sake of religious freedom?
Conservative evangelicals make up the majority of our audience, so the answers didn't surprise me. Almost everyone calling in said "Of course!!!" with three, aural exclamation points. But what surprised me was their reasons why. There was no defense of Christian America or even a slippery slope argument warning us of godless socialism. Most of the callers were saying that we have to be willing to go to jail for preaching Jesus. And what's scary about that is it means many Americans don't know the difference between religious freedom and the gospel.
We don't need religious freedom to preach the gospel. Yes, many first-century Christians laid down their lives for Jesus, but going to jail for religious freedom is like going to jail so you don't have to go to jail. Bold as they were, those early church martyrs didn't go running headlong into swords. Because they recognized that though government is ordained to exercise justice, there is no guarantee that it will.
That's an uncomfortable reality because we're told in Romans 13:4 that rulers are, "God's servants, agents of wrath to bring punishment on the wrongdoer." Doesn't this mean that all governments serve God's will? Or that those that don't need to be forced to?
Many wise men of the Bible grappled with similar questions to no avail. On the one hand, Proverbs says, "Trouble pursues the sinner, but the righteous are rewarded with good things." And on the other, Ecclesiastes notes that, "the righteous get what the wicked deserve, and the wicked get what the righteous deserve." The book of Job makes it even more complicated by pulling back the spiritual curtains and observing how conflicts beyond our reality affect what we experience.
Behind all of these questions is the palpable tension between a fallen world and a holy God. And it manifests itself through biblical principles that express an idealism not possible until Christ's return.
Governments may have been intended to be just because God is just, but most are not because the world is not. And trying to make a government just is like trying to make the wicked perish. Furthermore, conforming a government to God's law assumes he hasn't already conformed it to his will.
We may not find any biblical injunction to effect change in government, but we do find Peter telling slaves to submit to their masters, "not only to those who are good and considerate, but also to those who are harsh." So if submission isn't dependent on morality, then we have very little ground to rebel.
Please Violate Your Conscience
Don't Vote Your Values
Don't Pray for the Country
We Don't Need Religious Freedom
Quiet Living
photo credit: vgm8383 via photopin cc


Usually, an alcohol detox takes place in a supervised centre. A team of medical professionals is on hand to resolve any complications. Generally, detox in a rehabilitation or recovery centre is a safe way for an alcoholic to become sober.
After an alcohol detox comes rehabilitation. Understanding the difference between the two things is very important. There is so much more to recovering from alcoholism than simply stopping drinking. Learning to live without alcohol is incredibly difficult – but as sobriety grows longer and stronger, you can support your loved one in beating demons and looking forward to a life without alcohol.
Many recovering alcoholics find new direction in AA's tried and trusted 12 steps. Lots of recovery programmes (in London, throughout the country and beyond) incorporate the 12 steps to help people gain insight and understand why their drinking is unmanageable. They will also provide on-going support when a person leaves the rehabilitation centre. We're committed to this kind of long-term help at Step One Recovery as we believe it helps prevent relapses and build happier, more fulfilling lives.
Al-Anon runs support group for friends and families affected by someone else's drinking both in London and throughout the UK. It's important to care of yourself and many people find that getting together with others in the same situation makes a real difference. Remember that it is possible for a loved one to get sober and stay sober – and that you are not alone.
Contacting the team at Step One Recovery can be the first step you need to take with your alcohol detox. Don't struggle on your own anymore, contact us.


text:
GOVERNOR OF NEW HAMPSHIRE WON THE RAYNER GODDARD ACT OF COURAGE AWARD [JUNE 21, 2018]
The Governor of New Hampshire, Chris Sununu received the Rayner Goddard Act of Courage Award from the comrades of Unit 1012. He favors the use of the death penalty and is working to retain it in his state.
We have watched him fight for justice and the death penalty in New Hampshire and want him to know that he has encouraged victims' families and leaders worldwide. We honor and respect him. We hope that more judges and government officials will follow their courageous character.
Today I vetoed SB 593. Abolishing the death penalty in New Hampshire would send the wrong message to those who commit the most heinous offenses within our State's borders. We are not, nor will we ever be a safe haven for those who commit the most unthinkable crimes.
[PHOTO SOURCE: https://www.facebook.com/GovernorChrisSununu/photos/a.388729064808869.1073741828.381270828888026/668912956790477/?type=3&theater]
N.H. Gov. Sununu vetoes repeal of death penalty
The state has one person on death row: Michael Addison, who killed a Manchester police officer in 2006.
By HOLLY RAMER
CONCORD, N.H. – Republican Gov. Chris Sununu vetoed a bill Thursday that would have abolished New Hampshire's death penalty, and said the state has an obligation to support law enforcement and deliver justice for victims.
Police officers crowded into his office to watch him veto the bill, as did family members of several murder victims. After he was done, he gave his red veto pen to Laura Briggs, whose husband, Manchester Officer Michael Briggs, was shot to death in 2006.
"If a person chooses to commit such an unspeakable act in our state, that person should know that a jury of their peers may elect to impose the ultimate justice," Sununu said. "While I very much respect the arguments made by the proponents of this bill, I stand with crime victims, member of the law enforcement community and advocates of justice. New Hampshire does not take the death penalty lightly, we only use it sparingly … In the most heinous cases where the death penalty may be imposed, New Hampshire is second to none when it comes to protecting defendants' rights and ensuring a fair process."
New Hampshire's death penalty applies in seven scenarios: the killing of an on-duty law enforcement officer or judge, murder for hire, murder during a rape, certain drug offenses or home invasion and murder by a someone already serving a life sentence without parole. The state hasn't executed anyone since 1939, and the repeal bill would not have applied retroactively to Michael Addison, who killed Briggs and is the state's only inmate on death row.
Death penalty opponents argued that courts might have interpreted it differently, however. Others argued that imposing the death penalty doesn't give victims the closure that repeal advocates assume it would. Laura Bonk, of Concord, was 23 when her mother was killed and her sister was shot in 1989 in Massachusetts. The killer died of natural causes after spending 18 years in prison.
"When he died there was no sense of closure or relief. The closure and relief came from the conviction," she said. "New Hampshire has 100 unsolved murders. I would like my tax money spent on solving those murders for those victims' family members."
But Jane Sylvestre, of Franklin, said she supported Sununu's decision. She attended the veto ceremony holding a photo of a nephew who was beaten to death in 2015, just before his first birthday.
"The guy that murdered him, all he got was life, he should be dead. I believe in the death penalty," she said. "These officers that protect us should have a right to go out in the streets and be safe. That's why crime is so high, no one gets punished."
Former Gov. Jeanne Shaheen, a Democrat, vetoed a similar bill in 2000. Another Democrat, former Gov. John Lynch, signed a bill in 2011 expanding the death penalty to cover home invasions in response to a machete and knife attack that killed a woman and maimed her daughter in Mont Vernon.
INTERNET SOURCE: https://www.pressherald.com/2018/06/21/n-h-gov-sununu-vetoes-repeal-of-death-penalty/
Christopher T. Sununu (/səˈnuːnuː/; born November 5, 1974) is an American Republican politician and businessman serving as the 82nd and current Governor of New Hampshire since January 2017. Sununu was previously a member of the New Hampshire Executive Council, an office he held from 2011 to 2017. At age 43, he is currently the youngest state governor in the United States.
Sununu was born in Salem, New Hampshire. He also serves as chief executive officer of the Waterville Valley Ski Resort in Waterville Valley, New Hampshire. He earned a bachelor's degree from the Massachusetts Institute of Technology. Sununu is a son of former New Hampshire Governor and White House Chief of Staff John H. Sununu and younger brother of former U.S. Representative and Senator John E. Sununu.
https://en.wikipedia.org/wiki/Chris_Sununu
PRAYER FOR THE GOVERNOR
God shields the Governor and his family/allies with His wings and He shelters all of them with His feathers. His faithful promises are Governor Christopher Sununu armor and protection. No evil shall befall him. No weapons brandished against him shall succeed. A thousand may fall at his side and ten thousand around him, but evil cannot come near him nor touch him. Every scheme and plan is being brought into the light swiftly. What is being done in the darkness is being shouted from the rooftops. No stone will go unturned. Governor Christopher Sununu will live a long life and all will be well with him. He will prosper in his governing role over New Hampshire and New Hampshire is prospering as a result. The blood of Jesus covers him while he remains hidden in Christ.
We bind every assassination & death spirit and we command the life and power of Jesus Christ. We strike the plans of the enemy with confusion and we strike them with blindness. We decree VICTORY over Governor Christopher Sununu. VICTORY VICTORY VICTORY in the mighty name of Jesus. We command the heavenly hosts and most powerful warrior angels to go forth now and seize those enemies. Amen.
…… http://www.oann.com/n-h-governor-upholds-capital-punishment/
Labels: Blue Lives Matter, Death Penalty For Cop Killers, Fallen Police, Leaders, Quotes (Pro Death Penalty), RGAOC Award, Strongman, V.F.F.D.P
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BOLLYWOOD megastar Amitabh Bachchan is the latest talent to join the cast of Baz Luhrmann's The Great Gatsby.
The name may not immediately set bells ringing because this will be the first time that Bachchan will star in a Hollywood film.
That's despite being voted the greatest star of the millennium in a 1999 BBC poll and having acted in 180 films spanning a forty-year career.
Amitabh will play Meyer Wolfstein in Luhrmann's adaptation on F Scott Fitzgerald's tale of 1920's high society in the US.
From Bollywood to Hollywood Bachchan will join Leo DiCaprio, Tobey Maguire and Isla Fisher. Are you excited? Tell us below!