text:
Fury vs Joshua News Fury is the guy, Dubois the future – Gerry Cooney
Fury is the guy, Dubois the future – Gerry Cooney
Tyson Fury is "the guy" in a booming heavyweight division but Daniel Dubois could be the future, according to former world title contender Gerry Cooney.
Cooney was the biggest thing in boxing back in late 1981 when he blasted out Ken Norton at Madison Square Garden to improve his perfect professional record to 25-0. That led to a blockbusting showdown with heavyweight champion Larry Holmes in June 1982, but Cooney would suffer his first defeat at the hands of 'The Easton Assassin', via a 13th-round TKO at Caesars Palace in Las Vegas.
Cooney had his problems outside the ring after that big night, notably his battle with alcohol. But he has been sober for 32 years now and is loving the fact the heavyweight division appears to be in rude health once again.
He joined WBC president Mauricio Sulaiman to talk about his past, present and future – and to give his verdict on the top big men around today.
He said: It's unbelievable for me to think about Tyson Fury, how you cannot get inside to his body. He's got seven-foot arms – you get inside you bang the body, like we did in the old days and then his hands drop and you turn it over. But I gotta say, he's the guy, he figured out Wilder, walked Wilder down, knocked him out.
"(Anthony) Joshua's got clipped on the chin, he's been struggling a bit. He's coming back, I don't think he's ready yet. I think (Daniel) Dubois is one of the guys to be reckoned with. Who else we got out there? We got Dillian Whyte, another top guy who has been waiting in the wings.
"I feel a little frustrated for him (Whyte) because he's kinda got screwed around in some ways not getting those fights he had. There are a lot of great fights out there. A year ago, two years ago, you couldn't name these guys. Now they're becoming household names."
Andy Ruiz Jr appeared to be a bright new hope for American heavyweight boxing when he stunned Joshua in Madison Square Garden last June to take the IBF, WBA and WBO belts. But the Californian looked horribly out of condition in the rematch in Saudi Arabia in December, and lost the titles via unanimous decision.
"Andy Ruiz has gotta come back and he's gotta prove himself again," said Cooney. "I feel bad he put on all that weight and slopped himself around the ring, such a great talent. He should be another guy that should get the title again at some point."


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In a state agency this class is accountable for independently performing a full range of tasks in the examination of financial records of state agencies, businesses, municipalities or other entities.
This is a professional working level distinguished from lower-level examining classes by the requirement to independently apply knowledge and analysis of professional accounting and auditing principles in the conduct of examinations.
Works under the general supervision of a Supervising Accounts Examiner or other employee of higher grade.
May lead/supervise paraprofessional or clerical employees.
Conducts or participates in examinations of financial records and documents of state agencies, businesses, municipalities or other organizations which are monitored by the state; prepares for examinations by reviewing prior audit reports, financial statements, budgets or other available data; for an on-site audit meets with officials of organization being examined to discuss audit procedures, answers questions and obtains necessary information and records; utilizes EDP systems for financial records, reports and analysis; examines various financial records including revenue, expenditure, payroll and grant accounting; examines and reconciles accounting records with supporting data, such as vouchers, invoices and cash receipts; determines compliance of various complex financial documents with applicable regulations; examines accounting methods and procedures to ensure compliance with accepted accounting principles, laws and regulations and state or federal requirements; for an on-site audit reviews and discusses audit findings with officials of organization audited; prepares unit reports explaining results and making recommendations; may participate in hearings or conferences; may prepare remittance schedules for collection or delinquent accounts and arrange for attachments as required; performs related duties as required.
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Six (6) years of experience in accounting or auditing.
Two (2) years of the General Experience must have been at the paraprofessional level. Work at the paraprofessional level requires the exercise of some independent judgment in applying basic accounting principles and may be compared to the level of a full charge bookkeeper. For state employees this is the level of Assistant Accountant.
College training in Accounting or a closely related field may be substituted for the General Experience on the basis of fifteen (15) semester hours equalling one-half (1/2) year of experience to a maximum of four (4) years for a Bachelor's degree.
A Master's degree in Accounting may be substituted for one (1) additional year of the General Experience.
Certification in any of the following may be substituted for one (1) year of the General and Special Experience: Certified Public Accountant, Certified Internal Auditor.
Two (2) years of experience as an Assistant Accountant may be substituted for the General and Special Experience.


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Every economic development association that wishes to recruit high-tech businesses and set up high-tech business parks must make sure that it has the public support necessary to recruit such businesses. With more and more regions in our nation trying to recruit companies there seems to be more and more deals being made by state agencies, county commissioners and local city councils. The high-tech companies know this and often take advantage of these programs to fund their business expansion and save millions of dollars on taxes.
Often a high-tech company will have offers from many different counties in regions in many different states. Of course it behooves the company in their shareholders to seek the very best deal possible, but if these economic development association's compete, more often than not the end up giving away millions of dollars in tax incentives. This can cause animosity, political unrest and even turnover in the next election if it is not handled properly. A strong public support campaign with proper publicity will be necessary in advance to sitting down at the negotiating table.
An economic development association may be competing against another state, county or city, which is able to give away better incentives and economic favors. This is why high-tech companies often shop around for the best possible deal, which helps them with funding business expansion and insures them seamless cooperation with local government entities. All too often the business community feels burned by over regulation, excessive oversight and belligerent code enforcement.
It is for this reason that with proper public support in advance and in the media with a proper public relations campaign that an economic development association can secure a large high-tech company with high-paying jobs to its region. If public support is not there, then another region will most likely be able to out compete and therefore ultimately end up securing the companies of their choice. Consider this in 2006.


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Bobby Solo, seudónimo artístico de Roberto Satti (Roma, 18 de marzo de 1945), es un cantante italiano que cultiva el género de la música romántica, pop. Bobby es considerado por muchos el "Elvis Presley" italiano, y esto es debido al parecido de su voz, al estilo de su peinado, y finalmente a la admiración que siempre tuvo por el Rey del rock and roll. Fue ganador del Festival de San Remo en dos oportunidades (1965 con «Se piangi, se ridi» y 1969 con «Zingara»).

Historia

Debuta como cantante en el Festival de la canción de San Remo, en 1964, interpretando a la par, con Frankie Laine, el tema Una lacrima sul viso. Un año después resultará ganador de dicho festival con el tema Se piangi, se ridi (Si lloras, si ríes), que lo interpretará con el acompañamiento del célebre grupo juglar New Christy Minstrels.

En 1964 gana el Festivalbar (Italia), con la canción Credi a me.

En 1965 participa en el Festival de Eurovisión celebrado en Nápoles, Italia, casificándose en el quinto puesto, con el tema Se piangi, se ridi.

En 1969, vuelve a ganar en San Remo al interpretar a dúo el tema Zíngara (Gitana) con la cantante Iva Zanicchi.

Son múltiples sus participaciones en el Festival de San Remo (que se realiza anualmente en Italia desde 1951), a saber:

 1964 Una lacrima sul viso - junto a Frankie Laine.
 1965 Se piangi se ridi - con a New Christy Minstrels.
 1966 Questa volta - junto a The Yardbirds.
 1967 Canta ragazzina - junto a Connie Francis.
 1969 Zíngara - junto a Iva Zanicchi.
 1970 Romantico blues - junto a Gigliola Cinquetti.
 1972 Rimpianto
 1980 Gelosia
 1981 Non posso perderti
 1982 Tu stai
 1984 Ancora ti vorrei
 2003 Non si cresce mai a dúo con Little Tony.

Entre otros tantos de sus éxitos, se recuerdan: San Francisco (1967), versión italiana del homónimo tema, interpretado por Scott McKenzie; Non c'è più niente da fare (1966); Siesta (1967); Doménica d'agosto (1969); Una granita di limone (1968).

En los años '80, junto a Rosanna Fratello y Little Tony, forma el grupo I Robot, con el cual logran un respetable éxito, presentándose, así también, en San Remo.

Bobby Solo ha tenido una notable repercusión dentro de los mercados alemán, francés, y español, habiendo grabado sus canciones de mayor éxito, en los idiomas mencionados, con muy importante número de copias vendidas.

En 1989 surge vencedor con Una lacrima sul viso en la transmisión musical denominada C'era una volta il festival.

Filmografía

Descripción en italiano

 Una lacrima sul viso (1964).
 Viale della canzone (1965).
 La più bella coppia del mondo (1967).
 Donne, botte e bersaglieri (1968).
 Zíngara (1969).
 F.F.S.S. cioè che mi hai portato a fare sopra Posillipo se non mi vuoi più bene (1983).

Curiosidades
Durante la edición 1964 del Festival de San Remo, Bobby Solo tiene, de improviso, un impedimento en su voz por causa de un ataque de pánico escénico, lo que no le permitió cantar el tema Una lacrima sul viso en forma directa. Fue entonces donde se debió realizar, tal vez, uno de los primeros playback de la historia, situación que no estaba bien vista por el público. A causa de ello, en la actualidad, esta práctica está prohibida durante la realización del mencionado festival.
Este contratiempo le impidió a Bobby la victoria en el festival, pero sirvió como una especie de indemnización para los años siguientes, en donde el desempeño del cantante llegó a grandes niveles de atracción. Respecto a este episodio, mucha gente, pensó que podría haberse tratado de una maniobra publicitaria para promover la venta del disco, cuya grabación era de una calidad superlativa.

Roberto Satti, alias Bobby Solo, es llamado por los italianos el "Elvis Presley di casa nostra".

En las elecciones políticas del año 2006 se presentó como candidato, por el partido UDEUR, a cubrir un cargo en la Cámara de Diputados, pero no terminó electo. No obstante ello, el día de la toma de posesión del cargo de Faustus Bertinotti como presidente de la cámara, se presenta dicho acto -por requerimiento del representante de su partido Clemente Mastella- y lo hace no pudiendo ocultar "Una lacrima sul viso", que se presenta como una casual paradoja del destino.

Enlaces externos

 Sitio oficial de Bobby Solo
 Biografía del Sitio RAI
 Biografía de Biografieonline
 Videoclip Tema "Zíngara"
 Videoclip Tema "Una lacrima sul viso"

Cantantes masculinos de Italia
Cantantes en italiano
Actores de Italia
Políticos de Italia del siglo XX
Representantes de Italia en Eurovisión
Participantes en Eurovisión 1965
Ganadores del Festival de San Remo
Nacidos en Roma

redpajama_set_name: RedPajamaWikipedia


The location is privileged to discover the historic center of Porto, on foot, but if you use the metro is just 5 minutes walk from Trindade station. Also It is ideal if you want to visit other Portuguese cities, the Guimaraes, Braga, the proximity to the train station Sao Bento.
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Academic Freedom Upheld: Case Dismissed involving Phares' Book, 'Future Jihad'
American Mideast Coalition for Democracy's advisor, Dr. Walid Phares, was gratified by the decision to dismiss the case brought by Mohamed Sabra and the Council on American Islamic Relations of Arizona against Maricopa County Community College and Professor Nicholas Damask in federal court. CAIR's attorneys argued that Sabra "was punished for refusing to agree with an anti-Muslim professor's unconstitutional condemnations of Islam during a Political Science class" and that he was forced to disavow his religion.
The ruling held that merely being exposed to ideas which are contrary to a student's own, and being asked to demonstrate an understanding of those ideas, does not in any way constitute harm. It is, in fact, a central object of education. The ruling states:
Examining the course as a whole, a reasonable, objective observer would conclude that the teaching's primary purpose was not the inhibition of religion. The offending component was only a part of one-sixth of the course and taught in the context of explaining terrorism. One aspect of terrorism is "Islamic terrorism." Only in picking select quotes from the course can one describe the module as anti-Islam. Dr. Damask also quotes Peter Bergen for the view that the terrorist threat comes from radical terror groups that represent a "twisted" variant of Islam as a whole. Further, as Plaintiff's counsel misstated in oral argument, Question 19 of Dr. Damask's quiz on terrorism states: "Walid Phares notes that although 'gullible' Westerners are taught that jihad can have two meanings, people in the Arabic world understand that its overwhelmingly obvious meaning is______." (Doc. 1, Ex. 3). This question merely asks students to identify the opinion of Walid Phares regarding Islam, not to adopt his position on Islam.
Thus, the Court finds that the primary effect of Dr. Damask's course is not the inhibition of the practice of Islam. Therefore, the Plaintiffs' Establishment Clause claims must be dismissed pursuant to Rule 12(b)(6).
"Besides," said Imam Mohammed Hajj Hassan of Detroit, "Dr Walid Phares has no position regarding any religion, including Islam. He doesn't write on theology. His books and articles address a political and ideological movement, a very specific one, the Islamists, otherwise known as Jihadists." He added, "But CAIR, a political movement, wants to politicize academia and claim the issue is about the core of a religion, which it is not. It is about history in the Middle East, which they want to be interpreted based on their ideological agenda. Phares said that most people in the region know exactly what Jihad is, it is embedded in history and argued that the way that concept is taught in the West is different. CAIR wants to impose its own interpretation on the classroom. The professor wanted to present multiple views. The court understood it was about freedom of thought not religion."
The court also ruled that the Council on American Islamic Relations had no standing to sue. It is well known that CAIR was formed as a front group for the Muslim Brotherhood and Hamas in the U.S., although they pose as a human rights organization. They are listed as a terrorist organization by the United Arab Emirates.
"If somehow CAIR had won this lawsuit," said AMCD co-chair, John Hajjar, "one part of the Constitution (guaranteeing freedom of religion) would be used to suppress another freedom – freedom of speech. This is clearly not what the Founders envisioned."
"Freedom of thought is essential for the full flowering of human potential," added AMCD co-chair, Tom Harb. "All ideas, including religious ideas, must be subject to examination and debate. Without this essential freedom, human progress is impossible."
"I am very pleased by this ruling, even if it did involve a slight misunderstanding of my work," remarked Dr. Phares. "I am very gratified that academic freedom was protected by the court."

redpajama_set_name: RedPajamaCommonCrawl


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Alumni Spotlight- August 2022
Mara Feagin News August 17, 2022 | 0
We live in a technological age. Everything from our cars to our kitchens are full of screens, wires, inputs, outputs, and more. Our school is progressing alongside society, and with that progression comes new software, interconnected operating systems, wireless connectivity, and so much more. It's crazy to think that one man could keep it all straight. For Williamsburg Academy, that's where our man behind the screens, Mr. Gaydon Brown, comes in. Mr. Gaydon works tirelessly to assist our school and teachers with every aspect of technology, from simple bug fixes to overhauling unruly operating systems and everything in between. From the summer months to day-to-day operation, Mr. Gaydon is critical in ensuring Williamsburg Academy runs smoothly. We don't know what we would do without him!
Gaydon Brown, son of Karen and Hardy Brown, graduated from Williamsburg Academy with the Class of 1990. He then went on to attend Francis Marion University, where he graduated in 1995 with a degree in Biology, coupled with concentrations in Chemistry and Computer Science. Shortly after graduating college, Gaydon married Shannon Tyler, Williamsburg Academy Class of 1988. In 1996, Gaydon got his Real Estate Broker license and began operating Williamsburg Realty. He ran this business until 2010, when he opened up his computer repair business, SC Computer Fix. Gaydon began partnering with Williamsburg Academy around 2012 to help update the school's computer and operating setups and begin instituting technological practices within the school. He has since become a staple around Williamsburg Academy and can be often seen here after hours, surrounded by cables, computers, and wires galore. You would think there is no method to the madness, but rest assured there is no better man for the job. Williamsburg Academy is also proud to be the alma mater of each of Gaydon's two children, Tyler Louise, Class of 2019, and Hardy, Class of 2022.
We are so thankful for Mr. Gaydon's tireless efforts to maintain and evolve the technological systems here at Williamsburg Academy, and it makes it so much sweeter that he is part of our alumni family!
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Le Château de Pymont est situé sur la commune française de Boyer en Saône-et-Loire, au pied du Mouron, au bord de la Natouse.

Description
Le château est constitué de deux bâtiments en retour d'équerre.

Le corps de logis du  est formé d'un corps central couvert d'un toit à croupes percé de lucarnes à frontons triangulaires et cintrés, entre deux pavillons d'inégale hauteur. Les deux étages du pavillon sud sont séparés par un bandeau, disposition qui, de même que les baies à linteau en arc segmentaire, semble résulter de remaniements effectués au  ou au .

L'aile sud, construite dans l'alignement de la façade de ce pavillon, est de même élévation que lui. Elle est comprise entre deux tours plus hautes d'un demi-étage, l'une ronde, l'autre polygonale. Percée de baies à linteau en accolade, elle est précédée d'un perron de pierre qui dessert le premier étage.

Le château, propriété privée, ne se visite pas.

Historique

Famille de Vienne
  : Hugues IV de Vienne (cf. l'article Ste-Croix), seigneur de Pymont (et de Pymont !), tient le château primitif
 1270 : Philippe de Vienne, fils du précédent, lui succède
 1303 : Hugues V de Vienne, fils du précédent, lui succède
 1315 : Philippe (II) de Vienne, fils du précédent, lui succède
 1370 : Gui de Vienne de Ruffey, fils du précédent, lui succède
 1404 : Jacques de Vienne, fils du précédent, lui succède
 1445 : Jean de Vienne, fils du précédent, lui succède
 1445 : Louis de Vienne, fils du précédent, lui succède
 1486 : Gérard de Vienne, fils du précédent, lui succède
Époque Renaissance
 1515 : Humbert Lapyrat en est le propriétaire
 1530 : Jeanne de Verjus porte le fief par mariage à Philibert Quarré, puis à l'avocat mâconnais Jean Pelez
Famille de Grenelle
 fin : la famille de Grenelle acquiert le château
 : le château est rebâti
Famille Aubel de la Genète
 1741 : Jeanne de Grenelle reçoit le domaine en dot lors de son union avec Antoine Aubel de la Genète
 vers 1870 : le petit-fils des précédents, ami de Lamartine, ajoute une aile de style néo-gothique et aménage le parc dans lequel coule la Natouse
Famille de Rivérieulx
 fin  : Marie-Suzanne Aubel épouse Marie-Jules de Rivérieulx de Varax
 première moitié du  : Henri de Rivérieulx de Varax, fils des précédents, leur succède
Époque contemporaine
  : propriété de M. de Goussencourt

Armoiries

 Vienne : De gueules à l'aigle d'or, membrée d'azur
 Quarré : Échiqueté d'argent et d'azur; au chef d'or chargé d'un lion de sable, armé, lampassé et couronné de gueules
 Rivérieulx de Varax : D'azur, à une rivière d'argent surmontée d'un croissant du même

Notes et références

Bibliographie

 M. Rebouillat, Le canton de Sennecey-le-Grand, 1972,
 J. Martin et J. Meurgey, Armorial du pays de Tournus, 1920,

Voir aussi
 Liste des châteaux de Saône-et-Loire

Pymont


So Jesus came to save the believing sinners who are no longer sinners anymore?
Come on! Let's be reasonable. Did Jesus also mean he came to make believers out of the lost?
Or is it that he came to seek and SAVE the lost?
Those who are found are not lost anymore!
1 John 2:2 tells us Christ not only atoned for our sins but for the sins of the whole world. Jesus is the savior of the world, the savior of all people. You might have faith that that only means some people, I have faith it means all people.
I think if you read it in the light of Daniel chapter 3 you will see that it's a decree for all and not neccesarily all submitting to the decree.
There's also the fact that God accomplishes his will , where has man and the devil cannot.
So what is the difference between the salvation of jews and gentiles ? .
This is what the Paul said the purpose of the Cross was in Ephesians 2 verse 15 .
Who are the 2 ?
So God making one new man out of the jew and gentile was always His plan , bit it had to be in His way and order which meant Him making a covenant firstly with the House of Israel (Old Testament) and then a New Covenant with the whole world (New Testament).
So this supercedes what you believe about the house of Israel.
Last edited by pcamps; 06-25-2010 at 04:26 PM..
He was sent first to the people He was in covenant with , He was not sent solely to them who He was in covenant with .
It's actually short sighted not to see the bigger picture,purpose and plan of God which is to reconcile the whole world unto Himself , i will go as far to say that to reject this wonderful plan of God's to reconcile all to Himself is down to hardness of the heart.
It's almost as if orthodox christianity uses everything it possibly can(mainly its carnal short sideness of the scriptures) to oppose the thought that not only God wills and desires all to be saved but Him being God that He is able to accomplish it . Only He can and only He will.
Last edited by pcamps; 06-25-2010 at 04:50 PM..
Paul explains that in great detail. Start with Romans 1.


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The fashion industry is not as glamorous as it seems. In fact it can be extremely harmful on the environment.
But we don't have to sit back and watch the negative effects of fashion happen, we can all do our little bit to make the industry much better for Mother Earth. You want to look great, but you don't want to leave a giant carbon footprint on the world or contribute to ill treatment of workers or animal cruelty that many brands unfortunately take part in.
Revamp your jeans by ripping, embroidering and distressing them. Don't toss your old shoes and bags, fix them. DIY your way into giving your old clothes a whole new life.
If a piece of fashion you've bought is no longer on trend, grab a pair of scissors and see what you can do to make it trendy. Turn jeans into shorts, oversize tops into crop tops and maxi dresses into minis.
Don't throw away your old clothes, if you feel you can't repair them – maybe someone else can! Hold a swap meet with your friends or take them to secondhand shops and charitable organizations.
Make sure to also buy clothes from those secondhand stores. Vintage will never go out of style and will always be good for the environment.
Invest in a great bag, pair of shoes or coat that'll last you for years to come instead of a bunch of cheap ones you'll only wear a few times. Supplement these quality pieces with cheaper, trendy items.
Support the local economy by buying local. Buying locally also reduces environmental impact because local businesses can make local purchases, thereby decreasing transportation pollution.
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The production of fur harms millions of animals every year. It also contributes to land devastation, air pollution and water contamination. Plus it's treated with dangerous chemicals. Rather wear synthetic fibers – they're cheaper and guilt free.
Click here to check out EcoGemGem's range of handmade vegan 'leather' bags. They're super stylish and budget friendly.
Buy eco-friendly fabrics made from sustainable sources. Bamboo, silk, organic cotton, soy, hemp and lyocell are all plant-based and all good for the earth. Some companies have even found ways to turn recycled plastic into clothes!


text:
using System;
using System.Collections.Generic;
using System.Linq;
using System.Windows.Forms;
using System.Xml;
using System.Xml.Linq;

using WeifenLuo.WinFormsUI.Docking;

using AdamsLair.WinForms.ItemModels;

using Duality;
using Duality.IO;
using Duality.Resources;
using Duality.Plugins.Tilemaps;

using Duality.Editor;
using Duality.Editor.Forms;
using Duality.Editor.Properties;
using Duality.Editor.Plugins.Tilemaps.Properties;

namespace Duality.Editor.Plugins.Tilemaps
{
	public class TilemapsEditorPlugin : EditorPlugin
	{
		private static readonly string          ElementNameTilePalette   = "TilePalette";
		private static readonly string          ElementNameTilesetEditor = "TilesetEditor";
		public  static readonly ITileDrawSource EmptyTileDrawingSource   = new DummyTileDrawSource();
		public  static readonly string          ActionTilemapEditor      = "TilemapEditor";

		private static TilemapsEditorPlugin instance = null;
		public static TilemapsEditorPlugin Instance
		{
			get { return instance; }
		}

		private bool                     isLoading                = false;
		private TilesetEditor            tilesetEditor            = null;
		private TilemapToolSourcePalette tilePalette              = null;
		private int                      pendingLocalTilePalettes = 0;
		private XElement                 tilePaletteSettings      = null;
		private XElement                 tilesetEditorSettings    = null;
		private ITileDrawSource          tileDrawingSource        = EmptyTileDrawingSource;
		private HashSet<ContentRef<Tileset>> recompileOnChange    = new HashSet<ContentRef<Tileset>>();

		/// <summary>
		/// An event that is fired when the <see cref="TileDrawingSource"/> is assigned a new value.
		/// </summary>
		public event EventHandler TileDrawingSourceChanged = null;

		public override string Id
		{
			get { return "Tilemaps"; }
		}
		/// <summary>
		/// [GET / SET] The data source that is used for retrieving tile patterns while using a tile drawing tool.
		/// Can be thought of as the "tile brush" that is currently used in user editing operations.
		/// </summary>
		public ITileDrawSource TileDrawingSource
		{
			get { return this.tileDrawingSource; }
			set
			{
				this.tileDrawingSource = value ?? EmptyTileDrawingSource;
				if (this.TileDrawingSourceChanged != null)
					this.TileDrawingSourceChanged(this, EventArgs.Empty);
			}
		}

		public TilemapsEditorPlugin()
		{
			instance = this;
		}

		protected override IDockContent DeserializeDockContent(Type dockContentType)
		{
			this.isLoading = true;
			IDockContent result;
			if (dockContentType == typeof(TilemapToolSourcePalette))
				result = this.RequestTilePalette();
			else if (dockContentType == typeof(TilesetEditor))
				result = this.RequestTilesetEditor();
			else
				result = base.DeserializeDockContent(dockContentType);
			this.isLoading = false;
			return result;
		}
		protected override void InitPlugin(MainForm main)
		{
			base.InitPlugin(main);

			// Request menus
			MenuModelItem viewItem = main.MainMenu.RequestItem(GeneralRes.MenuName_View);
			viewItem.AddItem(new MenuModelItem
			{
				Name = TilemapsRes.MenuItemName_TilePalette,
				Icon = TilemapsResCache.IconTilePalette,
				ActionHandler = this.menuItemTilePalette_Click
			});
			viewItem.AddItem(new MenuModelItem
			{
				Name = TilemapsRes.MenuItemName_TilesetEditor,
				Icon = TilemapsResCache.IconTilesetEditor,
				ActionHandler = this.menuItemTilesetEditor_Click
			});

			// Register events
			FileEventManager.BeginGlobalRename += this.FileEventManager_BeginGlobalRename;
			DualityEditorApp.ObjectPropertyChanged += this.DualityEditorApp_ObjectPropertyChanged;
		}
		protected override void SaveUserData(XElement node)
		{
			// Save editor settings to local cache node
			if (this.tilePalette != null)
			{
				this.tilePaletteSettings = new XElement(ElementNameTilePalette);
				this.tilePalette.SaveUserData(this.tilePaletteSettings);
			}
			if (this.tilesetEditor != null)
			{
				this.tilesetEditorSettings = new XElement(ElementNameTilesetEditor);
				this.tilesetEditor.SaveUserData(this.tilesetEditorSettings);
			}

			// Save settings from the local cache node persistently.
			if (this.tilePaletteSettings != null && !this.tilePaletteSettings.IsEmpty)
				node.Add(new XElement(this.tilePaletteSettings));
			if (this.tilesetEditorSettings != null && !this.tilesetEditorSettings.IsEmpty)
				node.Add(new XElement(this.tilesetEditorSettings));
		}
		protected override void LoadUserData(XElement node)
		{
			this.isLoading = true;

			// Retrieve settings from persistent editor data and put them into the local cache node
			foreach (XElement tilePaletteElem in node.Elements(ElementNameTilePalette))
			{
				int i = tilePaletteElem.GetAttributeValue("id", 0);
				if (i < 0 || i >= 1) continue;

				this.tilePaletteSettings = new XElement(tilePaletteElem);
				break;
			}
			foreach (XElement tilesetEditorElem in node.Elements(ElementNameTilesetEditor))
			{
				int i = tilesetEditorElem.GetAttributeValue("id", 0);
				if (i < 0 || i >= 1) continue;

				this.tilesetEditorSettings = new XElement(tilesetEditorElem);
				break;
			}

			// If we have an active matching editors, apply the settings directly
			if (this.tilePalette != null && this.tilePaletteSettings != null)
				this.tilePalette.LoadUserData(this.tilePaletteSettings);
			if (this.tilesetEditor != null && this.tilesetEditorSettings != null)
				this.tilesetEditor.LoadUserData(this.tilesetEditorSettings);

			this.isLoading = false;
		}

		/// <summary>
		/// Informs the system that a <see cref="TilemapToolSourcePalette"/> is required and creates one, if none is present yet.
		/// </summary>
		/// <returns></returns>
		public TilemapToolSourcePalette PushTilePalette()
		{
			this.pendingLocalTilePalettes++;
			if (this.pendingLocalTilePalettes == 1)
			{
				this.RequestTilePalette();
			}
			return this.tilePalette;
		}
		/// <summary>
		/// Informs the system that a <see cref="TilemapToolSourcePalette"/> is no longer required and closes it, if no
		/// other claims are pending.
		/// </summary>
		public void PopTilePalette()
		{
			if (this.pendingLocalTilePalettes == 0)
				return;
			else if (this.pendingLocalTilePalettes == 1 && this.tilePalette != null)
				this.tilePalette.Hide();
			else
				this.pendingLocalTilePalettes--;
		}

		public TilesetEditor RequestTilesetEditor()
		{
			// Create a new tileset editor, if no is available right now
			if (this.tilesetEditor == null || this.tilesetEditor.IsDisposed)
			{
				this.tilesetEditor = new TilesetEditor();
				this.tilesetEditor.FormClosed += this.tilesetEditor_FormClosed;

				// If there are cached settings available, apply them to the new editor
				if (this.tilePaletteSettings != null)
					this.tilesetEditor.LoadUserData(this.tilePaletteSettings);
			}

			// If we're not creating it as part of the loading procedure, add it to the main docking layout directly
			if (!this.isLoading)
			{
				this.tilesetEditor.Show(DualityEditorApp.MainForm.MainDockPanel);
			}

			return this.tilesetEditor;
		}
		private TilemapToolSourcePalette RequestTilePalette()
		{
			// Create a new tile palette, if none is available right now
			if (this.tilePalette == null || this.tilePalette.IsDisposed)
			{
				this.tilePalette = new TilemapToolSourcePalette();
				this.tilePalette.DockStateChanged += this.tilePalette_DockStateChanged;
				this.tilePalette.HideOnClose = true;

				// If there are cached settings available, apply them to the new palette
				if (this.tilePaletteSettings != null)
					this.tilePalette.LoadUserData(this.tilePaletteSettings);
			}

			// If we're not creating it as part of the loading procedure, add it to the main docking layout directly
			if (!this.isLoading)
			{
				this.tilePalette.Show(DualityEditorApp.MainForm.MainDockPanel);
			}

			return this.tilePalette;
		}

		/// <summary>
		/// Given the specified <see cref="Pixmap"/> reference, this method enumerates all
		/// loaded <see cref="Tileset"/> instances that are candidates for a runtime recompile
		/// to account for potential changes.
		/// </summary>
		/// <param name="pixmapRef"></param>
		/// <returns></returns>
		private List<Tileset> GetRecompileTilesets(ContentRef<Pixmap> pixmapRef)
		{
			List<Tileset> recompileTilesets = new List<Tileset>();

			foreach (ContentRef<Tileset> tilesetRef in ContentProvider.GetLoadedContent<Tileset>())
			{
				Tileset tileset = tilesetRef.Res;

				// Early-out, if the tileset is unavailable, or we didn't compile it yet anyway
				if (tileset == null) continue;
				if (!tileset.Compiled) continue;

				// Determine whether this tileset uses the modified pixmap
				bool usesModifiedPixmap = false;
				foreach (TilesetRenderInput input in tileset.RenderConfig)
				{
					if (input.SourceData == pixmapRef)
					{
						usesModifiedPixmap = true;
						break;
					}
				}
				if (!usesModifiedPixmap) continue;

				// This tileset is a candidate for recompiling due to pixmap changes
				recompileTilesets.Add(tileset);
			}

			return recompileTilesets;
		}

		private void tilesetEditor_FormClosed(object sender, FormClosedEventArgs e)
		{
			this.tilesetEditorSettings = new XElement(ElementNameTilesetEditor);
			this.tilesetEditor.SaveUserData(this.tilesetEditorSettings);

			this.tilesetEditor.FormClosed -= this.tilesetEditor_FormClosed;
			this.tilesetEditor.Dispose();
			this.tilesetEditor = null;
		}
		private void tilePalette_DockStateChanged(object sender, EventArgs e)
		{
			if (this.tilePalette.IsHidden)
			{
				this.pendingLocalTilePalettes--;
			}
		}
		private void menuItemTilesetEditor_Click(object sender, EventArgs e)
		{
			TilesetEditor editor = this.RequestTilesetEditor();
			if (editor.Pane != null)
			{
				editor.Pane.Activate();
				editor.Focus();
			}
		}
		private void menuItemTilePalette_Click(object sender, EventArgs e)
		{
			TilemapToolSourcePalette palette = this.PushTilePalette();
			if (palette.Pane != null)
			{
				palette.Pane.Activate();
				palette.Focus();
			}
		}

		private void FileEventManager_BeginGlobalRename(object sender, BeginGlobalRenameEventArgs e)
		{
			// If we're doing a global rename on a Pixmap, schedule affected Tilemaps
			// for an automatic recompile as soon as we're done with the rename.
			// This will deal with cases where renaming an unrelated Pixmap into one
			// that is referenced by a Tileset, but missing, so the Tileset updates.
			if (!e.IsDirectory && e.Content.Is<Pixmap>())
			{
				List<Tileset> affectedTilesets = new List<Tileset>();
				affectedTilesets.AddRange(this.GetRecompileTilesets(e.OldContent.As<Pixmap>()));
				affectedTilesets.AddRange(this.GetRecompileTilesets(e.Content.As<Pixmap>()));
				foreach (Tileset tileset in affectedTilesets)
				{
					this.recompileOnChange.Add(tileset);
				}
			}
		}
		private void DualityEditorApp_ObjectPropertyChanged(object sender, ObjectPropertyChangedEventArgs e)
		{
			if (e.Objects.ResourceCount > 0)
			{
				List<object> modifiedObjects = new List<object>();
				foreach (Resource resource in e.Objects.Resources)
				{
					this.PropagateDependentResourceChanges(resource, modifiedObjects);
				}

				// Notify about propagated changes, but flag them as non-persistent
				if (modifiedObjects.Count > 0)
				{
					DualityEditorApp.NotifyObjPropChanged(
						this,
						new ObjectSelection(modifiedObjects),
						false);
				}
			}
		}
		private void PropagateDependentResourceChanges(ContentRef<Resource> resRef, List<object> modifiedObjects)
		{
			// If a pixmap has been modified, rebuild the tilesets that are based on it.
			if (resRef.Is<Pixmap>())
			{
				ContentRef<Pixmap> pixRef = resRef.As<Pixmap>();
				List<Tileset> recompileTilesets = this.GetRecompileTilesets(pixRef);
				foreach (Tileset tileset in recompileTilesets)
				{
					// Recompile the tileset
					tileset.Compile();
					modifiedObjects.Add(tileset);
				}
			}
			// If a Tileset has been modified, we'll need to give local Components a chance to update.
			else if (resRef.Is<Tileset>())
			{
				ContentRef<Tileset> tilesetRef = resRef.As<Tileset>();
				Tileset tileset = tilesetRef.Res;

				if (tileset != null)
				{
					// A Tileset was modified for which we scheduled an auto-apply / recompile
					if (tileset.HasChangedSinceCompile && this.recompileOnChange.Remove(tilesetRef))
					{
						tileset.Compile();
					}

					// Since we're able to edit tilesets without applying changes yet,
					// we'll check whether there are new compiled changes. Don't update
					// stuff unnecessarily if the changes aren't compiled yet anyway.
					bool appliedTilesetChanges = tileset.Compiled && !tileset.HasChangedSinceCompile;
					if (appliedTilesetChanges)
					{
						foreach (Tilemap tilemap in Scene.Current.FindComponents<Tilemap>())
						{
							// Early-out for unaffected tilemaps
							if (tilemap.Tileset != tilesetRef) continue;

							// Notify every Component that is interested about changes using
							// a trick: Since they will almost certainly be subscribed to
							// tilemap changes anyway, pretend to change the entire tilemap.
							tilemap.BeginUpdateTiles();
							tilemap.EndUpdateTiles();
						}
					}
				}
			}
		}
	}
}

redpajama_set_name: RedPajamaGithub


I just SOLD this property at 5290 1ST AVE in Tsawwassen.
Updated 3 bedroom Rancher in upper Pebble Hill. Large southern exposed backyard complete with new Trex deck, fencing and workshop with 110 volt. New roof in Dec.2014 as well as newer furnace & hot water tank. Home is freshly painted.


Ryo Montgomery is known for his amazing Blues and Finger Style Playing. If you've ever wanted to learn more about adding bass lines and melodies to your playing, this is perfect for you. He will show you tricks used by guitarists like Chet Atkins and Tommy Emmanuel. And, if time allows, he will show you some of his cool tricks with the Blues as well!


MADRID — Spain's Prado art museum, home to masterpieces by Francisco Goya and Diego Velazquez, on Wednesday appointed Italian Renaissance specialist Miguel Falomir as its director as the world-renowned gallery nears its bicentenary.
Falomir, the museum's deputy director and long-serving curator, will replace outgoing director Miguel Zugaza who is stepping down after 15 years at the helm of the Madrid museum.
Last month, the Prado's selection committee unanimously chose the 51-year-old former art history professor to be its new director and the museum's trustees approved the decision on Wednesday, a statement from the Prado said.
Falomir joined the museum 20 years ago as head of its department of Italian and French paintings and since 2015, he has served as the Prado's deputy director of conservation and research.
He has been responsible for organising major exhibitions at the museum on Titian, Tintoretto, Jacopo Bassano, and Raphael.
Zugaza announced in November that he would leave his post to return to his previous job as the head of Bilbao's Fine Arts Museum, which he held between 1995 and 2001.
He took charge of the Prado in 2002, vowing to double the number of visitors, with the figures jumped from 1.7 million in his first year to more than three million in 2016.
Zugaza oversaw a transformation of the Prado, opening in 2007 a modernist new annex which offers visitors plenty of natural light and blends in with the original gallery which was built in the early 19th century.
The extension and renovation of the museum -- the biggest in its history -- allowed it to show some 400 additional paintings alongside the 1,000 that were already on display in the permanent collection.


text:
Games Are Artners: Make Paintings In 99 seconds
Definitely Art
News by Matt Cox Contributor
Published on Oct. 5, 2015
I'm terrible at art. Give me all the time in the world, an actual canvass, and a set of proper tools and I will utterly fail to create anything of artistic value. Artners [Official Site] gave me 99 seconds and a deliberately awkward set of keyboard controlled brushes: as you can see from above, I've outdone myself.
Artners basically sells itself, so I'll just let it do that here.
ARTNERS is a game for one or two players, racing against the clock to create a work of art. At the start of the game, you're given:
the title of your masterwork!
a palette of colours!
a set of slightly awkward tools!
...and ninety-nine seconds.
Brilliantly, everything apart from the time is randomized, making it impossible for any two paintings to look the same. Even more brilliantly, the only way to work out what a tool does is to just throw it on the canvas and see what happens. I've settled into spending the first 20 seconds of every painting trying everything out, then the rest of the time trying to salvage something out of the mess I've created. Feast your eyes, folks.
I haven't tried it in two-player mode yet, though I definitely mean to this evening. The site claims there are secret tools to unlock, as well as 'a win condition' which may or may not be a joke. Go and art to find out.
Disclaimer: one of the games creators, Holly Gramazio, occasionally does words for us. You can find those words here. WAIT! WE OVER-DISCLAIMED! Holly doesn't write for us but she WAS the subject of one of Hannah Nicklin's great Psychogeography of Games pieces. We'll leave the link to it here still because it's a great series and you should definitely check it out :D.
are games art?
Free PC Games
Matt Cox


text:
Flexible Vulnerabilities: Feldenkrais & Somatic Theatre Practice
Kene Igweonu
& Thomas Kampe
This workshop explores playful applications of the Feldenkrais Method® in the context of theatre practice. How can a journey from embodied awareness and nuanced function into expressivity, play and affective interaction extends traditional applications of the Feldenkrais Method into a sustainable practice of vulnerability and creative relational becoming? Using systemic movement processes and concepts such as 'acture', 'flexibility', 'reversibility', 'dignity' or a 'fundamental unity of body, mind and environment' we develop somatic toolkits that allow participants to gently activate psycho-physical responsiveness, soma-expressive characterisation, embodied vocalisation and playful interaction with others. The workshop is open to participants of all abilities.
Dr Kene Igweonu is Deputy Dean (Research and Knowledge Exchange) for the Faculty of Arts and Creative Industries at Middlesex University London. His research and publication interests are in actor and performance training, directing, black British theatre, theatre and performance in Africa and its Diasporas, as well as the Feldenkrais Method in health, wellbeing and performance training. As a theatre practitioner he is interested in how the Feldenkrais Method can be used to underpin technique development, enabling actors, dancers and musicians to realise their full potential.
Thomas Kampe has worked with somatic processes for actors, for over 35 years. He works as Professor of Somatic Performance and Education at Bath Spa University. Thomas is a teacher of the Feldenkrais Method ®, which forms a foundation for his teaching and research which focuses on legacies of critical somatic practices. Thomas co-edited JDSP Vol. 9 (2017): 'Bodily undoing: Somatics as practices of critique', and was guest editor of the IFF Journal Vol. 6 (2019): 'Practices of Freedom: The Feldenkrais Method and Creativity'. His latest book-chapter on 'Feldenkrais and the Theatre' was published in 2021. He was co-director of Body IQ Festival 2019.


As you will see my approach is extremely straightforward.
and what comes in bold is D#min pentatonic scale which absolutely confronts Cmaj both in that these tonalities go all clashed together and that it's major plus minor combination (I deliberately put stress on d# as a root for the pentatonics for this reason).
and repeating wave-shaped D#min pent riff and enjoy the biggest cacophony on earth.
A saw a interesting thing here.
In the articles, why not give a link to the powertab file for the examples?


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MARQUESE CARTER
Florence Price Research
"Percussing Up a Storm"
A rare combination of scholar, performer, and pedagogue, Marquese Carter (tenor) is quickly distinguishing himself as talented young teaching-artist. Having premiered five new solo vocal and chamber works in the last three years, he is a specialist in the music of living composers. As a choral musician, Marquese has sung with such conductors as Barenboim and Salonen at venues ranging from the Kimmel Center in Philadelphia to Carnegie Hall in NYC. Carter recently premiered Nathan Stang's Tres sonetos de amor at the Midwest Composers' Symposium, and is working on several collaborative projects with living composers.
Marquese Carter has passion for teaching, and completed coursework in voice pedagogy under the tutelage of Christopher Arneson and Kathy Kessler Price. At Westminster Choir College, he served as a volunteer lab assistant at the Presser Voice Lab and earned a Master of Music in voice performance and pedagogy with distinction. Mr. Carter has combined his love for outreach and new music by singing with Re-Imagining Opera for Kids (Bloomington, IN)—a company that presents live opera at primary and secondary schools throughout Monroe and Brown Counties. He looks forward to participating in the premiere of the new opera for high-schoolers Spirits by Anthony Plog this year.
As a scholar, Carter has presented peer-reviewed voice science research at the 2014 National Association of Teachers of Singing Convention in Boston, and was selected by the American Musicological Society as a 2013 Eileen Southern Travel Grant recipient. As a specialist in African American musical traditions, Carter was recently invited to present on the history of African American Art Song at the University of Maryland, College Park by the voice department. His forthcoming dissertation "The Black Madonna": Exploring the Art Songs of Florence B. Price will feature previously unpublished manuscripts of Price's art songs and will contain musical analyses of many of the published art songs.
Mr. Carter is a member of numerous learned organizations including NATS, AMS and the Society for American Music. Marquese is the president of Student NATS at IU and chaired the New Voice Educators Symposium voice research conference in February of this year. In addition to pursuing a Doctor of Music in voice at Indiana, he served as the instructor of undergraduate voice pedagogy (E-494), and taught secondary voice lessons. Marquese continues to study voice with Brian Horne.


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Crime & Noir
53rd Street Publishing
Annulus Publishing
Bonafide Media
Deslisle Publications
Guardbridge Books
Mike DeClemente
Rebellion Publishing Ltd
Untreed Reads Publishing
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Bulldog Drummond
Hugh "Bulldog" Drummond is a World War I veteran, brutalised by his experiences in the trenches and bored with his post-war lifestyle. He publishes an advertisement looking for adventure, and soon finds himself embroiled in a series of exploits, many of which involve Carl Peterson—who becomes his nemesis—and Peterson's mistress, the femme fatale, Irma. "Sapper" —the pseudonym of... [click here for more] Wildside Press $0.99
Death on the Mississippi: The Mark Twain Mysteries #1
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I, Chameleon ("The Mysterious Mr. I" and "The Chameleon")
In 1936 Harry Stephen Keeler wrote a huge novel featuring the most unreliable narrator in literary history. His publishers forced him to split the books into two volumes, The Mysterious Mr. I and The Chameleon. Now, Ramble House has put the two novels together in one volume so you can read the whole story without changing books. Together, they are one of the most unusual books ever written. Note:... [click here for more] Wildside Press $2.99
The Hanging Artist
"Trust me," the insect repeated. Franz did not. What if Franz Kafka did not succumb to tuberculosis at the age of 40? What if he awoke the day after his supposed death to find himself attended by the giant insect he once imagined in his own story The Metamorphosis? And what if he were recruited by a mysterious agency to investigate a rash of bizarre, mysterious murders plaguing 1924 Vienna? Murders... [click here for more] Rebellion Publishing Ltd $5.99
Make Mine Vengeance
Vengeance! His name is Gil Ballard. At 31 he is six feet two inches tall and weighs 203 pounds, much of it muscle, but he is easygoing and has not been mad enough to bruise anyone for years. Until now. Because a few weeks ago a handful the mobsters put him in the hospital. Over nothing! A stupid dispute in a bar over a song on the juke box, and they beat Gil to within an inch of his life. ... [click here for more] Wildside Press $2.99
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The Eater of Souls
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The Greenhouse Mystery: Ted Wilford #15
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The Gallows in the Greenwood
Ann Karr has found a historical precedent to create a female Sheriff of Nottingham for this retelling of the Robin Hood legend … A remarkable work which recasts the traditional roles and sheds new light on the relationship between the famous characters. Note: This digital edition includes the PDF, EPUB and MOBI (Kindle) versions of the book. ... [click here for more] Wildside Press $2.99
Pinocchio Island
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Y. Cheung, Business Detective
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Diplomatic Corpse
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Sherlock Holmes: Strange Events
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The Butcher of Souls
When the most powerful mage in North America hires me to solve a case, I accept it, because I need the money and know I'll get paid well if I solve it. Turns out that one of the most dangerous magical criminals ever--whose power equals that of the Master Mages themselves--has escaped from prison. His goal: Kill my grandfather, who helped put him behind bars decades ago and who is also currently too... [click here for more] Annulus Publishing $3.99
Kiss and Kill
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Can a Mermaid Kill?
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The Case of the Lavender Gripsack (The Skull in the Box, Book 4)
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The Man with the Magic Eardrums (The Skull in the Box, Book 1)
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Murder Among Friends
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Day of Secrets
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Sherlock Holmes: Poisonous People
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The Complete Amelia Butterworth Mystery Series
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She was elegant, beautiful, and a cold-blooded killer...or so it appeared. She had the perfect motive. She even admitted to being at the scene of the crime. Scotland Yard was prepared to charge Louise Colton with her husband's brutal murder. Only shy, retiring Mr. Pinkerton believed her innocent. He wandered into the case by accident, but he stayed to plumb its murky depths, to stir the waters of... [click here for more] Wildside Press $5.99
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Limbo: A Crime Novel
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Frost Fair
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Bones Don't Lie: A Classic Mystery Novel
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The Venus Death: A Ralph Lindsay Mystery
Two attractive women…one personable man…a gun…a shot…and then black headlines asking red blood for…THE VENUS DEATH BY BEN BENSON Ben Benson's superb descriptions of the state police at work…and at play…have given all of his mystery novels a unique and buoyant quality of authenticity. The Venus Death is no exception…but here Mr. Benson... [click here for more] Wildside Press $3.99
The Philadelphia Murder Story: A Colonel Primrose Mystery
To millions of loyal readers, Myron Kane was a great man, a genius, a truth-teller. But to everyone who knew him personally, Myron Kane was a man with the touch of death, whose razor-edged pen could destroy a reputation, a life, a soul -- and never hesitated to do so. It was no surprise, then, that somebody decided to prove once and for all that a knife, if buried in human flesh, could be far deadlier... [click here for more] Wildside Press $5.99
Reno Rendezvous
A frightened girl keeps a fatal appointment in a deadly desert hideaway. Judy was very beautiful, very much in love and very much married to the wrong man. A speedy divorce seemed the only solution to everybody's problems, but little did she imagine that a flying visit to Reno would turn into a terrifying case of murder -- with the shadow of a noose dangerously close to her own lovely neck. "Leslie... [click here for more] Wildside Press $5.99
Murder Comes to Eden
The Idyllic life in Eden, Devon County, home of Spig and Molly O'Leary, is suddenly menaced by the spectre of a long-forgotten death and the grim reality of imminent murder. Meanwhile, the march of 'progress' in the form of a new bridge, a super highway, and a real estate boom -- complete with rumors that their neighbors are planning to sell part of their land to a gambling syndicate -- hangs over... [click here for more] Wildside Press $5.99
Death at Dingo Creek (A Vets2U Mystery, #2)
A cozy for all horse-mad mystery readers. In Death at Dingo Creek, there's a baffling mystery, laugh-out-loud humor, a couple of quirky veterinarians turned amateur sleuth, and amazingly talented horses soaring over Olympic-style fences bigger than a truck. Enough to keep you turning the pages until late into the night… When Emily and Maggie are hired to... [click here for more] Untreed Reads Publishing $2.99
Marked For Death
Nurse Anne Davis needs a new start at life,so she packs up and leaves her past behind in Boston. She intends to have nothing to do with men while she heals from the horrors inflicted by her deceased husband. Dr. Nicholas Anderson isn't looking for a long term relationship, but despite his best effort, he's wildly attracted to Anne. How could he know that when her past catches up with her, his plans... [click here for more] Deslisle Publications $2.99
The Corpse Next Door: A Detective Sergeant Randall Mystery
Like the hot seat fits a killer, that's how the frame fitted the kid. Then they found him hanged and knew it for murder. Which made a desperate assignment for Detective Sergeant Randall -- who had to find out if he himself were the murderer! He backtracked down his own trail with vengeful Stella -- with lovely Karis of the hot eyes -- with Roxy, the hood, who lived by lust. But what waited Randall... [click here for more] Wildside Press $2.99
The Town Cried Murder
Lovely Faith Yardley's betrothal to a man from the north is abruptly followed by murder -- and more murder. Transformed by terror, quaint and beautiful Williamsburg, Virginia waits for the killer to strike again, and wonders: This time, will it be Faith Yardley herself? "Another of Leslie Ford's ace items in murder and love, full of suspenseful moments and first-rate: sleuthing." --New York World... [click here for more] Wildside Press $5.99
Chasing Can Be Murder (A Kat McKinley Mystery, #1)
Professional greyhound trainer Kat McKinley is a soft touch. When she's talked into having sex with a guy who's just not her type, a romp so pathetic it registers minus ten on a sex-to-die-for scale, she decides to end the relationship. When Kat wakes the next morning to find Mr Wham-Bam sprawled beside her, a knife embedded in his left nipple, she wishes she'd ended the relationship sooner.After that... [click here for more] Untreed Reads Publishing $0.99
Muzzled (A Kat McKinley Mystery, #2)
Kat McKinley, professional greyhound trainer and sometimes sleuth, is determined to find out who's behind the slow dog scam plaguing country tracks. But with a missing sister to find, races to win, a dead guy in the fridge, a night spent in the slammer, a suspicious police inspector, and a killer on the loose, will she survive to enjoy her new romance with Ben? Of course, Ben, 'the guy... [click here for more] Untreed Reads Publishing $2.99
Date with Death
A beautiful blonde with something to hide... A youthful and puzzled doctor... A pretty -- and frightened -- teenager... A very rich, very angry young man... Each set out that night, unaware that at least one of them had a bizarre date with death. Once you start, you won't be able to stop reading this irresistible mystery by "that consummate artist LESLIE FORD." (Philadephia Bulletin). "High... [click here for more] Wildside Press $5.99
Vol.1 Flashback (Shadow Ops: The Secret Exploits of Priscilla Roletti)
Priscilla Roletti is a top Government agent for a covert organization known as "Shadow Ops". Her life is a juggling act; professionally she is a ruthless death-defying secret agent, while personally, she tries to live up to the responsibility of a single mom raising two kids alone. Her two hands could snap a human neck, and yet, gently care for a wound on her child's forehead. She... [click here for more] Mike DeClemente $3.00
Mind Me, Milady (A Jane Larson Mystery)
Jane Larson is an attorney on the Upper East Side of New York City, and the Gentleman Rapist has chosen her to receive his calls announcing each conquest. He also reminds her in chilling terms that he will one day twist his wire around her throat and bend her to his will. Jane has professional and personal problems of her own, but she is forced to try to catch this monster when he stalks her newest... [click here for more] Untreed Reads Publishing $4.99
A Can of Worms (A Sam Jenkins Mystery, #6)
Against his better judgment, Police Chief Sam Jenkins hires Dallas Finchum, nephew of local corrupt politicians. Now, Finchum is accused of a rape that occurred when he attended college three years earlier. The young man claims his innocence, but while investigating, Jenkins uncovers corruption in the local sheriff's department, evidence that detectives mishandled the investigation and the... [click here for more] Untreed Reads Publishing $4.99
Honor Among Thieves (A Sam Jenkins Mystery, #1)
What does a good cop do when his name and phone number is found in the pocket of a dead mobster from his past? Does he cooperate with the Internal Affairs investigator who wants to charge him with murder, but appears to have an ulterior motive? Does he launch his own investigation into this murder from another jurisdiction to clear his name and find the real killer? Does learning that two former enemies... [click here for more] Untreed Reads Publishing $4.99
Murder at Kangaroo Downs (A Vets2U Mystery, #1)
If you enjoyed watching Rosemary and Thyme – the TV show where two gardeners dig up a dead body in every episode – you'll love reading about Emily and Maggie, two quirky veterinarians, who travel around Australia treating animals and stumbling over unwelcome corpses. When Emily and Maggie arrive at Kangaroo Downs to officiate at the opening of its new race-track, they expect... [click here for more] Untreed Reads Publishing $2.99
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Being in the studio is getting easier. Up until recently there had been a substantial day to day emotional turning. Daily, as I walked into the studio, I did not know what to expect from myself: pleasure, despair, confusion. These range of emotions have not disappeared, but the degree of the swinging is far less. My optimism is rising as my ability increases. Since I began this blog in July 2010 my way of living in the studio has changed. Now there is a day to day enthusiasm, which has replaced uncertainty. My uncertainty was driven by feelings of ignorance and inadequacy. The day by day work I have sustained in recent months has induced replacement of uncertainty and ignorance with confidence and trust. I feel competent. Vincent van Gogh wrote, "What I want and aim at is confoundedly difficult, and yet I do not think I aim too high." He wrote this in July 1882, at the beginning of his artistic career. In 1882 van Gogh's great paintings were yet to be made. I have similar feelings. I am on the verge of making the art I know I was born to make. I do not believe I aim too high.
The two drawings I made yesterday have robustness in approach, engendered by my feeling confident enough to challenge my manner of attack. A shift is occurring, instead of studies spawned by questioning my ignorance, these are searches for emotional reality.
Looking at the painting "Pond": The head of the central figure is not quite correct. Otherwise the work to complete "Pond" seems apparent. There are no guarantees in making art, but "Pond" appears close to completion, with few surprises remaining.


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Dorcadion accola is een keversoort uit de familie van de boktorren (Cerambycidae). De wetenschappelijke naam van de soort werd voor het eerst geldig gepubliceerd in 1894 door Heyden.

accola


In this video, Entrepreneur Network partner Mars Discovery District talks with Daniela Roeper, the founder of Borealis Wind. Borealis Wind is a company that aims to reduce the damage of ice on wind turbine blades in order to improve cold-climate wind energy.
Roeper's original concept, devised in school, snowballed into a totally different result later on. The founder speaks about how her team was able to have her technology installed on a real turbine, only to later realize the system did not work as intended when put to use. From this experience, Roeper learned that you cannot wait until you know every single detail because at that point, it may be too late.
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A psychologist whose research has helped to overhaul the way vulnerable witnesses are interviewed has received an award from the ESRC. We spoke to Professor Amina Memon (Royal Holloway, University of London) about her career path and plans to have an impact on evidence-gathering and interviewing among those seeking asylum.
Memon's award for Outstanding Impact in Public Policy marks the fifth year of the ESRC's Celebrating Impact Prize. Memon, who also received £10,000 prize money, began her research career looking into eyewitness memory in adults, and both the increasing study of cognitive interviewing techniques and high-profile cases of alleged child abuse led her to tackling a tricky dilemma.
She explained: 'There were conflicting views about whether children would make things up as innocent witnesses, or whether they could be competent witnesses if they couldn't understand the difference between the truth and a lie.' If the latter was the case, and children couldn't be seen as competent witnesses, Memon said this raised serious questions on how best to investigate crimes where a child was the only witness.
Memon and colleagues adapted the cognitive interviewing technique, which involves a detailed narrative style of reporting, open-ended questions and instructions to reinstate context, and they tested it on six- to seven-year-olds and eight- to nine-year-olds following either an eye test scenario or a magic show. While the younger children struggled to provide much detail, the slightly older, and more verbal eight- and nine-year-olds, gave comprehensive, detailed and accurate testimonies.
The interview alone wasn't the only important part of getting such detailed accounts, Memon said, but the process of building trust and rapport before an interview helped children remember and recount what had happened. Later work showed the cognitive interview technique can also be used for children with learning disabilities and, with some modifications, adults on the autistic spectrum.
Further research also showed older witnesses were not more susceptible to confusing their recollection of events with the recollection of another witness. Indeed, Memon's research review has shown older people to benefit from cognitive interviews perhaps even more than younger people.