text:
Clomipramin ist eine chemische Verbindung aus der Gruppe der Dibenzazepine. Pharmakologisch ist es der Gruppe der trizyklischen Antidepressiva zuzurechnen. Es wird fast ausschließlich in Form des besser wasserlöslichen Hydrochlorids eingesetzt. Clomipramin ist ein Derivat von Imipramin, einem anderen trizyklischen Antidepressivum. Es unterscheidet sich von diesem nur durch einen zusätzlichen Chlor-Substituenten.

Clomipramin dient bis heute als Vergleichsstandard bei der Entwicklung von neuen Psychopharmaka zur Behandlung der Zwangsstörung. Wegen seiner hohen Wirksamkeit wurde Clomipramin als einziges Medikament in die WHO-Liste der unentbehrlichen Arzneimittel in der Kategorie obsessive compulsive disorders ("Zwangsstörungen") aufgenommen.

Geschichte
Clomipramin wurde in den 1960er Jahren vom Schweizer Pharmaunternehmen Geigy (heute Novartis) entwickelt. In Deutschland wird es bis heute unverändert unter dem Handelsnamen Anafranil® von Dolorgiet Arzneimittel vertrieben; inzwischen ist es als Generikum von zahlreichen Herstellern verfügbar.

Wirkweise
Clomipramin wirkt vorwiegend antriebssteigernd und stimmungsaufhellend. Die stimmungsaufhellende Wirkung des Clomipramin setzt in ca. 1–2 Wochen, die antiobsessive (Wirkung gegen Zwangssymptome) etwas später ein.

Es zeichnet sich durch ein duales Wirkprinzip aus – nämlich Serotonin- und Noradrenalin-Wiederaufnahme-Hemmung, begleitet von α1-Adrenorezeptoren-Blockade. Die Down-Regulation der β-Adrenorezeptoren gehört zu den therapeutischen Effekten. Im lysosomalen Lipidstoffwechsel hemmt Clomipramin außerdem die saure Sphingomyelinase und gehört somit zur pharmakologischen Gruppe der FIASMAs.

Anwendung
Clomipramin ist bei der Behandlung von Zwangsstörungen deutlich wirksamer als die SSRI. Es besitzt ein breites therapeutisches Spektrum: So wird es in der Therapie von schweren, behandlungsresistenten und chronischen Depressionen sowie Angstzuständen (z. B. Agoraphobie) häufig verwendet und zwar mit einem gut dokumentierten Erfolg.

Der Wirkstoff wird außerdem zur Behandlung der Kataplexie eingesetzt, einem der vier Leitsymptome der Schlafstörung Narkolepsie.

Gewinnung und Darstellung
Eine zweistufige Synthese geht vom 3-Chlor-10,11-dihydro-5H-dibenzo[b,f]azepin aus, welches zunächst mit Natriumamid deprotoniert und dann mit 3-Dimethylaminopropylchlorid umgesetzt wird.

Bei einer weiteren dreistufigen Synthese wird die Dibenzazepinausgangverbindung zunächst mittels Phosgen in eine Carbamoylchloridzwischenverbindung überführt. Im zweiten Schritt entsteht mit 3-Dimethylamino-1-propanol ein Carbamatzwischenprodukt, welches dann bei Temperaturen zwischen 160 °C und 210 °C decarboxyliert wird.

Physikalische Eigenschaften
Clomipraminhydrochlorid tritt in drei polymorphen Formen auf. Die Schmelzpunkte betragen für das Polymorph I 194 °C, für das Polymorph II 189 °C und für das Polymorph III 179 °C. Bei Polymorph I handelt es sich um die thermodynamisch stabile Form. Die beiden anderen Polymorphe sind metastabil und stehen monotrop zu Polymorph I.

Unerwünschte Wirkungen
Die Nebenwirkungen entsprechen denen der Substanzgruppe der trizyklischen Antidepressiva, insbesondere anticholinerge Wirkungen.

Unklar ist die Mutagenität, in Tierversuchen bei der Fruchtfliege Drosophila zeigte sich eine mutagene Wirkung, d. h., es kam zu Veränderungen des Erbguts. Es ist unklar, was das für den Menschen bedeutet.

Schwangerschaft
Es gibt klare Hinweise für Risiken des menschlichen Fötus bei Einnahme während der Schwangerschaft, aber der therapeutische Nutzen für die Mutter kann überwiegen. Die Anwendung von Clomipramin während der Schwangerschaft ist nur bei zwingender Indikation in Betracht zu ziehen, wenn keine Alternative mit geringerem Risiko existiert.

In Tierstudien wurden keine teratogenen Wirkungen beobachtet. Jedoch kann Clomipramin bei pränataler Verabreichung und bei Gabe während der Stillphase Verhaltensstörungen bei den Nachkommen der Muttertiere auslösen.

Fahrtüchtigkeit
Es können verschwommenes Sehen, Benommenheit und andere Symptome des Zentralnervensystems auftreten, die das Autofahren und das Bedienen von Maschinen beeinflussen können.

Wechselwirkungen
Grapefruitsaft kann durch Enzymhemmung den Abbau von Clomipramin in der Leber reduzieren und so die Bioverfügbarkeit des Psychopharmakons um etwa das Vierfache steigern.

Neonatal Clomipramin
Seit 1982 haben Wissenschaftler die Technik Neonatal Clomipramine verwendet, um Tiere aufzuziehen, die in der Depressionsforschung benutzt werden. Wenn 8–21 Tage alte Ratten Clomipramin erhalten, entwickeln sie als Erwachsene einen Zustand, welcher der Depression bei Menschen ähnelt.

Handelsnamen
Monopräparate
Anafranil (D, A, CH), verschiedene Generika

Literatur
 Markus Gastpar (Hrsg.): Clomipramin. Bilanz und Perspektive. 13 Tabellen. Thieme, Stuttgart / New York 1996, ISBN 3-13-104261-3.

Weblinks

Einzelnachweise

Dihydroazepin
Diphenylamin
Diphenylethan
Chlorbenzol
Diamin
Dimethylamin
Arzneistoff
Antidepressivum
Synthetische psychotrope Substanz
Psychotroper Wirkstoff


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steve jobs vs bill gates philanthropy
What would you do with 100 billion dollars? War: Steve Jobs vs Bill Gates. Steve Jobs and Bill Gates have had many business dealings dating back to the 1977 release of the AppleSoft BASIC programming language. By Eric Alterman November 16, 2011 / 10:53 AM / The Nation We live in a media world simultaneously obsessed with … Find out by spending all of Bill Gates' money! More information Don't get me wrong, I like macs but I'll always be more loyal to windows-- does bill gates really do all of this stuff? Mr. Zuckerberg is to Bill Gates as Mr. Spiegel is to Steve Jobs. Added by divanteltd. By Michelle Fitzsimmons 12 February 2013. It's included with Amazon Prime Video here . The philosophy of one of the characters in "A Bug's Life" mirrors Jobs' own motivation to "make a difference". We really don't know how or even what they think of each other. 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redpajama_set_name: RedPajamaCommonCrawl


text:
Un microlanceur ou micro-lanceur est un lanceur spatial capable de placer une charge utile de masse inférieure à cinq cents kilogrammes. Généralement, il est préférable de désigner ce type de lanceur par lanceur léger, capable de placer jusqu'à deux tonnes.

Principales caractéristiques  des lanceurs opérationnels, en développement et retirés du service

Notes et références

Voir aussi

Liens externes
 .

Lanceur spatial

redpajama_set_name: RedPajamaWikipedia


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Four Star Revue/All Star Revue Home
All Star Revue
Season 3 - 1952-1953
Tallulah Bankhead confers with guests
Groucho Marx and Ethel Barrymore
prior to her premiere telecast.
When Revue premiered in 1950, critics familiar with Danny Thomas from his nightclub successes foresaw a lot of potential for him on television. But after two seasons, that potential went largely unfulfilled. "Alas, Four Star Revue was just not right for me," the entertainer wrote in his autobiography. "It was a mishmash of singers, dancers, jugglers, and sketches. I introduced the acts and worked with the fine comedian Julie Oshins, in the sketches, which I enjoyed. But as far as using my own material was concerned, it just wasn't good. In their segments of Four Star Revue, Ed Wynn and Jimmy Durante could use quick little bits of comedy - which was their style. My style was slow-development storytelling, for which there just wasn't time. I had to get on and off and introduce the jugglers."
With NBC bringing in more hosts for the 1952-53 season, Thomas decided it was time to quit. "When I realized I'd only be on the show two or three times a year, I opted out and went back full-time to the saloons, as I called the nightclubs...The saloons were my safe haven." (A year later, he was coaxed back to TV for the sitcom Make Room for Daddy, which finally tranformed him into a true star.)
Meanwhile, Ed Wynn was having trouble staying afloat. "Just as it drained his successors like Gleason and Caesar, so television killed Dad as a clown," related Keenan Wynn. "His audience began to dwindle, but he was tied hand and foot to his format, doomed like a dinosaur because he couldn't think of changing it...Dad's option was dropped by NBC, and at sixty-seven he was out of a job." (Wynn's career would be revitalized a few years later when he reemerged as a dramatic actor in the Playhouse 90 presentation of Requiem For a Heavyweight.)
With the further loss of Jack Carson (to Broadway) and the unsuccessful Olsen and Johnson, that left Revue with only Jimmy Durante and Martha Raye. To fill the open slots, NBC talked to a number of show biz veterans, including Maurice Chevalier and Harold Lloyd, before settling on George Jessel and Tallulah Bankhead. At the time there was a feeling in the industry that the vaudeville hokum that had sustained television in its early days was on the way out and that something new was needed. Both Jessel and Bankhead were considered to have the requisite wit and sophistication, but the viewing audience didn't agree - at least not in large enough numbers. A talk show might have been better suited to the new hosts' talents, but All Star Revue was not that.
Bankhead's show was patterned after her recently-defunct radio series The Big Show, even to the extent of bringing over that program's producer-director Dee Englebach, writers Mort Green and George Foster, and musical director Meredith Willson. The latter doubled as Bankhead's straight man, whose catch phrase - always good for a laugh - was "Thank you, Miss Bankhead, sir" (perhaps a veiled reference to her sexual orientation). (Willson went on to write the fabulously popular The Music Man.) Early in her career, Bankhead (known as "Tallu" to her friends) had some success as a stage actress but was less of a hit in the movies. Known for her wit, strong opinions, and uninhibited nature, she was one of the more notorious celebrities of her era. In the early 1950s, to everyone's surprise, Bankhead added comedienne to her resume. With good writing, her radio and TV work was instrumental in establishing the exaggerated witty-bitchy-catty persona for which she was known the rest of her career (and which was copied by many a drag queen).
George Jessel, a contemporary of Al Jolson and Eddie Cantor, was known as the "Toastmaster General of the United States," for his talent as a master of ceremonies. A comedian, as well as an actor, singer, and producer, he had done it all in just about every medium. While his roots were in vaudeville, his humor was far from the slapstick variety. "Mr. Jessel essentially is more the wit than the performer, per se," noted Jack Gould of The New York Times. "Possessed of one of the most active and brilliant minds in the show business, Mr. Jessel enlivens his humor with a point of view and depth that set it apart from the norm." Unlike many Jewish entertainers of the time, Jessel didn't try to hide his ethnicity. In fact, he embraced it, incorporating many Yiddishisms into his comedy. Jessel worked out a reciprocal deal with Bob Hope and Eddie Cantor, whereby they would guest star on his All Star Revue shows, and he would appear on their Colgate Comedy Hours.
The third season also saw some fine tuning for one of the show's established hosts. Now director as well as head writer on Martha Raye's segments, Nat Hiken was in a position to exercise more control over the show's direction. One of his first moves was to hire Rocky Graziano to play Martha's boyfriend. A master of comic invention, Hiken knew how to compensate for the ex-boxer's inexperience as an actor, casting him in the role of straight man to counter Raye's irrepressible mugging. It was a remarkable pairing that was such a hit that Graziano became a regular on the show.
Other hosts that season were Dennis Day, Rosalind Russell, the Ritz Brothers, Walter O'Keefe, Perry Como, and Ben Blue. There was also a special ice skating show starring Sonja Henie with guest Harpo Marx. (Harpo was signed by NBC to make guest appearances, many of them surprise cameos, on its various programs.)
Revue began its third season in Hollywood but moved to NBC's new Burbank studios in early October. Martha Raye (and probably Jessel and Bankhead) originated her show from New York.
Due to sponsor skittishness, there almost wasn't a third season. When Snow Crop pulled out at the end of the previous year, NBC considered cancelling the show. But Kellogg's and Pet Milk remained, and eventually, the network managed to lure Del Monte to sign on as well. Nonetheless, sponsorship was still unstable. Both Kellogg's and Del Monte dropped out at the end of 1952, leaving only Pet. Beacon Wax came on board briefly for the first show in January before being quickly replaced by Johnson & Johnson (makers of Band-Aid plastic strips). With only two sponsors remaining (Pet and J&J), NBC was forced to pick up the tab for one-third of the expenses - which didn't bode well for the show's future.
Even with no increase in budget (it remained at $60,000 an episode), All Star Revue was still one of the most expensive programs on on the air, and the ratings were under par. Averaged out across the entire season, Revue managed to beat its competition, newcomer The Jackie Gleason Show on CBS. But over the course of the year, Gleason had gradually gained in popularity and ended up turning the tables. At that point, with sponsors proving hard to come by, NBC's executives decided to cancel All Star Revue, even ending the season early to cut its losses.
When NBC dickered about re-signing him, George Jessel negotiated a deal with ABC for his own show the following season. Tallulah Bankhead never again hosted a TV series but continued to appear frequently on the medium as a guest star. Jimmy Durante would move over to The Colgate Comedy Hour the following season, and Martha Raye was expected to follow suit. But proving that things don't always turn out as anticipated, NBC soon found reason to reconsider All Star Revue's cancellation. The final chapter of the show's history hadn't yet been written.
Host & Guests
Host: Dennis Day
Guests: Corrine Calvet, Paul Douglas, Irene Ryan, The Billy Daniel Dancers (Billy Daniel, Lynn Bernay, Nancy Kilgas, Julie Landon, Ruthanne Welsh), The Romanos, Hal March, Jimmy Cross, Chester Clute, Harry Zimmerman and his Orchestra; cameos by Harpo Marx and George Jessel
Note: In his first stint as a TV revue host, Dennis spoofs Johnnie Ray, a Nazi submarine commander, a French chef, a gigolo, a bratty kid, and a stand-up comedian. Closing the show is a Yiddish bit with Dennis and George. This show originated from the El Capitan Theatre in Hollywood.
Host: George Jessel
Guests: Tony Martin, Dorothy Kirsten, Carmen Cavallero, Joe DiMaggio, dancers Peggy Ryan and Ray McDonald, The Skylarks; cameo by Jimmy Durante
Note: Proclaiming, "Old bits never die - they merely relive for television," Georgie, in his debut as TV host, is right at home using a toastmaster format to perform his emcee duties. His offerings include some singing, some comedy, a duet with Dorothy, his "mama on the telephone" and "Professor Ganzermacher" routines, and impersonations of Al Jolson and Eddie Cantor. Jimmy Durante shows up to welcome Georgie to the show, and Joe DiMaggio presents him with a lifetime baseball pass.
Host: Jimmy Durante
Guests: Margaret Truman, Phil Harris, Eddie Jackson, Jack Roth, Jules Buffano
Note: Jimmy starts off his season by bringing back the President's daughter, who Variety noted, "has developed into an extremely able performer...She's charming enough even for GOP viewers." And bandleader and comic foil Phil Harris "has a dominant personality, an item which caused Durante to ask, 'Who's show is this?'"
Host: Martha Raye
Guests: Risë Stevens, Cesar Romero, Rocky Graziano
Host: Rosalind Russell
Guests: Milton Berle, Phil Harris, George Jessel, Harpo Marx, Dinah Shore, Jimmy Durante, Red Skelton (on film), dancers Nelle Fisher and Jerry Ross
Note: The all-star cast was on hand to celebrate the opening of NBC's new Burbank studios in southern California. Variety deemed the affair disappointing. "It was a question of teaming too many names without the right elements of programming or production to project them."
Host: Tallulah Bankhead
Guests: Ethel Barrymore, Groucho Marx, Ben Grauer, Meredith Willson and his Orchestra
Note: Sketches include a spoof of the popular radio and TV show Author Meets the Critics called Writer Versus Critic, with Meredith as the emcee, Groucho as the critic, Tallu as the writer (of her recently published autobiography), and Ethel taking Tallu's side. Another bit has Tallu on her first New York subway ride, complaining that there's no sleeper, drawing room, or dining room. (For a particularly clever touch, she sees a picture of her nemesis Bette Davis posted there.) In what was supposedly his "live" television debut (his previous appearances had all been on film), Groucho sings "Go West," from his movie of the same name. If Bankhead was worried about how she'd come off on television, she needn't have worried. "Tallu is terrific!" declared Jack Gould of The New York Times. He went on to add, "Tallu is eminently videogenic. Her expressive face, the nervous toss of her hair and her appreciation of the subtle and meaningful gesture are made to order for the home screen. Add to these the sex-shaped tones of her distinctive voice, the intelligence of her wit and her unflagging zest for life. The sum of the parts is a real and vivid person - as unique on TV as off." Variety was more muted in its praise, and complained that the pacing was too slow. Newsweek felt, "Except when Groucho managed a couple of ad libs and Miss Barrymore raised her regal eyebrows, everybody on the show looked just plain bored." In a tradition established on The Big Show, the cast sings Meredith Willson's "May the Good Lord Bless and Keep You" to close the show.
Guests: Frank Sinatra, Fifi D'Orsay, Candy Candido, Eddie Jackson, Jack Roth, Jules Buffano, Roy Bargy and his Orchestra; cameo by gossip columnist Sheilah Graham
Note: Sketches include Jimmy going to Washington, Jimmy and Frank in a barber shop, and Fifi trying to distract Jimmy from his music. This show "scored solidly," according to Variety.
Guests: Phil Harris, Kay Starr, Laraine Day, Leo Durocher, swimmer Florence Chadwick
Note: Georgie reprises his "Professor Ganzermacher" bit and does a drunk act. Kay sings "Worry, Worry, Worry" and "Three Letters," while Leo and Laraine (married in real life) portray an embattled couple. Variety considered it "a good workable show in its entirety despite the lack of any imaginative material."
Guest: Ezio Pinza, Sara Seegar, The Kirby Stone Quartet, The Herb Ross Dancers, George Bassman and his Orchestra; cameo by Milton Berle
Note: Ezio has amnesia and Martha tries to help him regain his memory. Martha opens the show singing "Just One of Those Things," and joins Ezio for "St. Louis Blues." Kirby Stone's group was ordinarily a quintet, but one of its members was ill.
Guest: David Niven, Vaughn Monroe, Paul Hartman, Patsy Kelly, Phil Foster, dancer Ron Fletcher, Meredith Willson and his Orchestra; cameo by George Jessel
Note: Variety thought the funniest part of this show was a satire of Gone With the Wind called Real Gone avec le Breeze. "Unlike the first show," the review explained, "which was suited more for radio than for video this session had everything plotted along lines designed for maximum impact. Tallu put on a show that could as easily appeal to mass as well as class audiences." David Niven and Paul Hartman were also credited with enlivening the proceedings. Patsy and Phil play a bickering couple, and Vaughn Monroe sings "Yours."
Guests: Lily Pons, Candy Candido, Eddie Jackson, Jack Roth, Jules Buffano, Roy Bargy and his Orchestra
Note: At the Club Durant Opera Company, Jimmy plays a fawn, while Lily is a wood nymph. They team up for "Obbligato Song," the Kurt Weill-Ira Gershwin song "Jenny," and "You and Your Beautiful Eyes." On her own, Lily sings "Caro Nome" from Verdi's Rigoletto. Jimmy does the Del Monte catsup commercial.
Hosts: The Ritz Brothers
Guests: Mimi Benzell, John Ireland, dancer Bill Skipper, Lou Bring and his Orchestra
Note: In their second well-received All Star Revue, the three brothers offer up bedtime story spoofs of the Mayflower (for Thanksgiving), Snow White and the Seven Dwarfs, and Ivanhoe. "All in all, a very funny show," said Variety.
Guests: Denise Darcel, Ben Blue, Rocky Marciano, dancers Nelle Fisher and Jerry Ross, Esther Klegerman, Jack Norworth, Irish tenor Barry O'Hara
Note: Variety felt let down by the guest cast, singling out Denise Darcel and Rocky Marciano as particular disappointments. But it thought Ben Blue, in an art museum pantomime, was "the top laugh effort on this display." Esther Klegerman, winner of the Chicago Harvest Moon Ball, sings "Shine On Harvest Moon."
Guests: Dorothy Lamour, Sara Seegar, George Bassman and his Orchestra
Note: Martha finds it difficult to compete with beautiful Dorothy Lamour for the men aboard a Caribbean cruise ship. Variety called Martha "the most consistent winner this season on NBC-TV's All Star Revue," noting how she "whammed across another solid hour of clowning, buffoonery, song and dance" and "demonstrated the socko payoff of her versatile talents."
Guests: Sophie Tucker, Korla Pandit; cameo by Danny Thomas
Note: Jimmy and Sophie "cavorted together in a heartwarming and entertaining manner," according to Variety. "The two represent an era and a style of show biz comprising equal proportions of heart and talent." In the Club Durant sequence, they pull out all the stops, proving that in the right hands, vaudeville never goes out of style. Danny Thomas makes a brief appearance to congratulate Jimmy on winning B'nai B'rith's Humanitarian Award.
Guests: Jack Carson, Louis Armstrong, Patsy Kelly, Phil Foster, Bil and Cora Baird's Marionettes, The Ron Fletcher Dancers, Meredith Willson and his Orchestra
Note: For this Christmas show, Tallu recites "Touch Hands," a poem about brotherly love by William Harrison Murray. Sketches include a spoof of Antony and Cleopatra, Tallu making a visit to Macy's, a discussion of gossip columns, and Patsy and Phil's bickering couple (reprised from Tallu's previous outing). Louis sings and plays a new song by Meredith Willson called "Who Needs What Moonlight?"
Host: Walter O'Keefe
Guests: Frankie Laine, Buster Keaton, Eleanor Keaton, Margaret Whiting, Dorothy Shay, Johnny Carson
Note: Walter fills in for an ailing George Jessel. Employing the usual toastmaster format, he gives, according to Variety, "an excellent account of himself." Sketches center around football spies, insurance policies, and a bit in which Buster and his wife Eleanor demonstrate how to put an enebriated spouse to bed. Variety referred to future Tonight Show host Johnny Carson as "a likeable newcomer, who was the central character in a sketch in which an operation is televised. Although an old idea, Carson made it pay off laughwise."
Guests: Linda Darnell, Vic Damone
Guests: Milton Berle, Dennis King, Billy Daniels, Benny Payne, Patsy Kelly, Phil Foster, The Ron Fletcher Dancers, Meredith Willson and his Orchestra
Note: Tallu performs a dramatic scene as World War I nurse Edith Cavell. Other highlights include a British drawing room sketch with Tallu, Uncle Miltie, and Dennis; Tallu in a Broadway automat; Billy Daniels singing "Yiddishe Momma" accompanied by Benny Payne on piano; and Patsy and Phil as the bickering couple.
Guests: Peter Lorre, Boris Karloff, Charyl Sue Fong
Note: In a change of pace, the show does a story about Martha's adoption of a little Chinese girl. To provide a better environment for the youngster, she takes a job in a tea room run by the sardonic Lorre and Karloff. The theme is milked for all the sentimentality it's worth, and at one point, when the girl's relatives come to take her back, Martha gets so emotional she has to leave the stage.
Guests: Sophie Tucker, Dorothy Kirsten, Nat King Cole, composer Shelton Brooks, Ben Wrigley; filmed introduction by H. V. Kaltenborn.
Note: Georgie returns, following surgery, and resumes his place as toastmaster in the banquet setting. He does a "Professor Ganzermacher" bit, as well as impressions of Eddie Foy, Raymond Hitchcock, Sam Bernard, and George M. Cohan. Sophie belts out "Nobody Loves a Fat Girl" and a medley of her oldies. Dorothy does "Un bel dì vedremo" from Madame Butterfly and "Libiamo ne' lieti calici" (The Drinking Song) from La Traviata. Nat sings "Mona Lisa," "That's My Girl," and "Pretend," while Shelton Brooks plays his "At the Darktown Strutter's Ball" on the piano.
Guests: Ezio Pinza, Fifi D'Orsay, Ben Wrigley, Candy Candido, Eddie Jackson, Jules Buffano, Jack Roth
Note: In an early example of product placement, Jimmy opens the show with his arm in a sling and Band-Aids on his head. (Johnson & Johnson, maker of Band-Aids, was a sponsor.) He also does a commercial where he immerses both a Band-Aid and his cigar in water. (Guess which one disintegrates?) Jimmy jokes that he discovered Ezio - when his name was "Lauritz Melchior." At the Club Durant, Ezio sings "I Want to Be Eddie Jackson" and does a bit of cakewalking.
Guests: Bert Lahr, Renzo Cesana (The Continental), Patsy Kelly, Phil Foster, Dolores Martin, Bob Carroll, The Ron Fletcher Dancers, Meredith Willson and his Orchestra
Note: Tallu reads O. O. McIntyre's column about the death of his dog. (She had recited it before on radio, but Variety felt is was less effective on TV.) Bert does a satire on artists, and the debonair Continental appears as a traffic cop. Singer Dolores Martin performs "I'm Through With Love" and "Necessity," while Bob Carroll sings "Rachel."
Host: Perry Como
Guests: Ben Blue, Joan Blondell, Patti Page, Hoctor and Byrd, Stanley Prager, Siri, Snag Werris, Fred Irving Lewis, Joey Walsh, Anita West, Belle Flower, The Ray Charles Choir, Mitchell Ayres and his Orchestra
Announcer: Don Pardo
Note: Perry sings "Don't Let the Stars Get In Your Eyes," "Wild Horses," "You'll Never Walk Alone," and "When Day Is Done." Patti performs her hit "The Doggie in the Window" and joins Perry on "Side By Side." Joan teams up with Perry and Ben for a humorous dance number. For this substitute stint, Perry borrowed Tallulah Bankhead's writers Mort Green and George Foster and Jimmy Durante's producer-director Joseph Santley. Variety called the show "heavy on song and weak on comedy." Martha Raye was to have been this week's host, with Frank Sinatra as her guest star, but when Sinatra cancelled claiming fatigue, Martha postponed her show by a week.
Guests: Ezio Pinza, Rocky Graziano, violinist Emery Deutsch, The Herb Ross Dancers
Note: The hour's entertainment is centered around a simple premise: Rocky, as Martha's boyfriend, isn't happy when Ezio shows up claiming to have married Martha when the two knew each other years ago in Vienna. In a cute bit, Martha and Rocky watch a film on TV of real-life Rocky's 1948 middleweight title bout with Tony Zale. (Rocky lost.) Martha sings "Blues in the Night."
Guests: Bob Hope, Fred Allen, Toots Shor, Sara Berner, opera singer Hilda Gueden, Al Goodman and his Orchestra
Note: New York Times critic Jack Gould called the pairing of Jessel and Allen "an hour of amiable diversion that had the distinction of an underlying intelligence not found too often in variety programming." He singled out Allen, who, he said, "for almost the first time on TV seemed at ease and was the funniest he'd been in a very long time." Variety asserted that it proved conclusively that "there's a TV for Allen when the producers and writers do right by him." This show originated from New York, with a simulated Toots Shor's Restaurant as the backdrop. All three principals - Jessel, Hope, and Allen - had participated in a Friar's Club banquet on NBC-TV the night before. The next night, March 1, Bob Hope hosted The Colgate Comedy Hour, with Jessel as his guest.
Guests: Carmen Miranda, Cesar Romero, Eddie Jackson
Note: The cast does a spoof of cowboy movies, as presented on South American television.
Guests: Fred MacMurray, Wally Cox, Cab Calloway, Patsy Kelly, Phil Foster, The Ron Fletcher Dancers, Meredith Willson and his Orchestra
Note: Tallu, Fred, and Wally do a sketch about daredevil bicycle test pilots. Cab was currently appearing on Broadway in Porgy and Bess and sings "There's a Boat That's Leaving Soon For New York" from that show.
"All Star Ice Revue"
Host: Sonja Henie
Guests: Harpo Marx, speed and trick skater Buddy La Londe, adagio team Narena and Norris, comedy team Hamm and Riggs, "The Flying Saucer" Don Watson, speed skater and baton twirler Marshall Chapple
Note: Sonja does a hula-hula to "Song of the Islands." Comedians Willie West and McGinty were a regular part of Henie's troupe but were replaced by the better-known Harpo Marx for this TV performance. The show originated from the Shrine Auditorium in Los Angeles.
Host: Ben Blue
Guests: Mickey Rooney, Dorothy Lamour, Connie Haines
Note: Martha Raye was originally slated to host on this date, with Paulette Goddard as her guest. But Goddard didn't like the script and begged off, while Raye fell ill. Instead, Blue and Lamour were hastily inserted. Ben and Dorothy do a sketch in which she complains about his behavior at a party, and Ben gets a chance to do some pantomime. Mickey offers impressions of various film stars.
Guests: Eddie Cantor, Fred Allen, Gloria DeHaven, Portland Hoffa, Kenny Delmar
Note: During the banquet portion of the show, in honor of Georgie's 55th birthday (April 3), Eddie reviews the highlights of the host's career, but manages to turn the focus around to his own accomplishments. Fred brings along a couple of regulars from his old radio show, wife Portland Hoffa and Kenny Delmar (in character as Senator Claghorn). Gloria sings "The Old Soft Shoe" and "Ain't Got No Man." By this time, Jessel had already signed to do a show for ABC starting in the fall, but he graciously thanked NBC for "having put me closer in one season with the American audience than in all my 40 years in show business."
Guests: Helen Traubel, Rose Marie, Gene Fowler, Ben Wrigley, Eddie Jackson, Jules Buffano, Jack Roth, Jackie Barnett, Alan Henderson, Marilyn Borden, Rosalyn Borden, Wanda Smith's Cover Girls, Roy Bargy and his Orchestra
Announcer: Hal Sawyer
Note: The cast pays tribute to Jimmy's illustrious career, with both Helen and Rose doing their best Durante impressions. For her part, Helen, the dignified opera star, "heaved parts of the piano, scattered the music and strutted in a manner that would have done credit to Eddie Jackson." Author Gene Fowler was on hand to plug his biography of "The Schnoz."
Guest: Tallulah Bankhead, Jimmy Durante, Ben Blue, Connie Russell, dancer Betty Bruce, Eddie Jackson, Wanda Smith's Cover Girls
Note: This, the final episode of All Star Revue as a weekly series, features a parade of old favorites: Georgie as Professor Ganzermacher, Ben in a Chaplinesque pantomime, Tallu doing her New York subway sketch, and Jimmy and Eddie providing their usual vaudeville hijinks. Also included is Connie Russell singing "I'm Gonna Live Till I Die." This show originated from the Center Theatre in New York (demolished in 1954 and replaced by a skyscraper) and scored a 21.8 Trendex rating against its competitor The Jackie Gleason Show's 25.1.
Replaced for the summer by My Hero and Original Amateur Hour with Ted Mack
Copyright 2007 by Jim Davidson. All Rights Reserved.


text:
About GCE
Praise for Good Comma Editing
research, writing, editing, and instruction for professional teams
Michael Hamilton is the founder and editor of Good Comma Editing, LLC. The Good Comma idea was born of Michael's desire to see passionate, hard-working people represent their organizations in a manner worthy of their causes. At first, he intended Good Comma to serve only not-for-profit organizations—churches, charities, educational institutions, et al. Too often these entities lack the resources to perfect and protect their professional face as they communicate online and in print. Consequently, they are hamstrung—often without knowing it—before earning a chance to compete on the merits of their products, services, or messages. It was the business sector, however, that immediately recognized the unique value of Good Comma's airtight editing.
When editing, Michael strives to assess each sentence through multiple lenses: author, colleague, consumer, critic, stylist, and stranger. He loves finding the optimum nexus of intention, occasion, audience, and diction.
Michael regularly writes and edits policy publications influencing lawmakers in 50 states and the District of Columbia.
He has written for The Wall Street Journal, National Review, The Hill, Washington Times, Washington Examiner, American Spectator, The Federalist, Townhall, Redstate, WORLD, Inside Sources, Dentistry Today, Health Care News, the Philos Project ("promoting positive Christian engagement in the Middle East"), the Washington Free Beacon, Canon & Culture, LifeSiteNews.com, the Victims of Communism Memorial Foundation's blog Dissident, PJ Media, the Union Leader (New Hampshire), News-Sentinel (Knoxville), Orlando Sentinel, and other online and print publications.
Michael's career has unfolded at the intersection of language and liberty. He serves on the Board of Advisors for the Forge Leadership Network and formerly served as executive editor for an online platform for Ohio political news and analysis, which he co-founded in 2013. His contributions as an editor led to his hire in 2014 as the Executive Director of an Ohio-based social welfare organization. He has previously served as the English Department Chair at Dayton Christian High School, where he taught AP U.S. Government & Politics and Honors American Literature. Before that, Michael taught International Baccalaureate (IB) English at the Newsweek- and U.S. News & World Report-acclaimed Mystic Valley Regional Charter School near Boston, Massachusetts. Michael graduated cum laude from Hillsdale College in 2008 with a B.A. in English and emphases on American literature, history, and government. While there Michael was employed as Editor-in-Chief of the Tower Light, the college literary publication, and as a research assistant to President Larry P. Arnn. Over summers, Michael served as Acting Communications Manager for the Buckeye Institute for Public Policy Solutions in Columbus.
Michael's own most trusted editor is his wife, whose gift of common sense daily inspires him to "omit needless words" (as Strunk commands)—his own as well as others'.
Subscribe for new article notifications (1-2/week) by demanding Michael add you to his private distribution list. (Email: michael@goodcommaediting.com)
Good Comma Editing, LLC
Michael Hamilton
E editor@goodcommaediting.com
L Dayton, Ohio
# Client Words Edited:
© 2013 - 2018 Good Comma Editing, LLC — Built with Virb


text:
import * as vscode from 'vscode';

import { cljConnection } from './cljConnection';
import { cljParser } from './cljParser';
import { nreplClient } from './nreplClient';

export function clojureEval(outputChannel: vscode.OutputChannel): void {
    evaluate(outputChannel, false);
}

export function clojureEvalAndShowResult(outputChannel: vscode.OutputChannel): void {
    evaluate(outputChannel, true);
}

function evaluate(outputChannel: vscode.OutputChannel, showResults: boolean): void {
    if (!cljConnection.isConnected()) {
        vscode.window.showWarningMessage('You should connect to nREPL first to evaluate code.');
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    const editor = vscode.window.activeTextEditor;
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    cljConnection.sessionForFilename(editor.document.fileName).then(session => {
        let response;
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            // Piggieback's evalFile() ignores the text sent as part of the request
            // and just loads the whole file content from disk. So we use eval()
            // here, which as a drawback will give us a random temporary filename in
            // the stacktrace should an exception occur.
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            response = nreplClient.evaluateFile(text, editor.document.fileName, session.id);
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function handleError(outputChannel: vscode.OutputChannel, selection: vscode.Selection, showResults: boolean, session: string): Promise<void> {
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function handleSuccess(outputChannel: vscode.OutputChannel, showResults: boolean, respObjs: any[]): void {
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redpajama_set_name: RedPajamaGithub


When families are thinking about providing a college education for their child, they need to have a plan.
If you were driving from New York City to Los Angeles you would need an interstate map or a turn by turn navigation system. With out some sort of navigation guide, you may encounter unexpected roadwork, detours and pay additional costs for gas, food & lodging. Planning for college is similar to a cross country adventure. A college planning system can greatly reduce costs and increase the likelihood of graduating in 4 years with employment opportunities after graduation.
The dilemma for parents of college bound students is how to provide for a good education without wiping out their savings or retirement OR putting debt on their home or business. This is where the college roadmap or "Game Plan" is so critical and often overlooked. How can you maximize your college Investment? How do you find the "Best Fit" for your student? How will you pay for it?
According to the National Center for Education Statistics (nces.ed.gov) 59% of First Time, Full Time students seeking a Bachelor's degree complete the degree within 6 years! This means that it may take 1 to 2 years longer to complete the four year degree and may increase your total college costs by 25% -50% because you are paying for an extra 1 or 2 years! Finding the "Right College" reduces the chances of students transferring or dropping out and increases the chances of graduating in 4 years.
So, how do families pay for college? First there is your money which includes your savings, 529 plans, your current income and loans. Then there is other people's money which includes gifts from grandparents, financial aid from the government and the universities, and Tax and Cash Flow strategies. Realistically it is combination of your money and other people's money.
The bulk of financial aid comes from the Government (Federal & State) and from the Universities themselves. The aid may be Gift Aid which includes Grants & Scholarships and does not have to be repaid or, Self Help Aid which includes Education Loans(which have to be repaid) or work/study which is part time campus work which pays the student..
There are 2 types of Financial Aid.
Merit Aid is based on the Merit of the student - For example, strong academics, talent such as athletics, artistic ability or strong leadership. Merit aid is awarded solely on the merit of the student – it does NOT matter how much money the family makes. Merit Aid is considered Gift Aid and does not need to be repaid.
Need Based Aid is based on the student and family's income and assets. Need Based Aid is only awarded to families with need. Need Based Aid may be in the form of Scholarships and Grants which do not have to be repaid or it may also be in the form Self-Help Aid such as Education Loans (which need to be repaid) or work/study.
FAFSA Form (Free Application for Federal Student Aid) – this form is required by all public and private college to disburse financial aid and Federal student loans. The FAFSA is based on the family's income and assets. Much of the data on the form is generated from the parent's and student's income tax return.
CSS Profile form-some Private Colleges and Universities require this form. In addition to Federal money, the private universities have their own endowment funds to award Scholarships and Grants to students and they ask additional questions which are not on the FAFSA.
Private Colleges generally meet a higher percentage of need and award a higher percentage of gift aid. Many students can attend a private college for the same cost or less than a public university!
What can High School Students do to maximize their college investment?
Do career and college research to find a college which is a good fit.
Be involved in HS activities – You don't need to be a member of every club, but find an activity that interests you and participate.
Visit colleges and universities in your area to get a feel for what campus life is all about.
Proper planning during High School can save your family money and maximize your college investment!


text:
Gunfire erupts after dad finds daughter's boyfriend in closet
A Fort Myers man is facing a child neglect charge after police said he fired a gun near his teen daughter after he found her older boyfriend hiding in her bedroom closet.
Wednesday, July 13th 2016, 6:57 PM EDT
It all happened at a Winkler Avenue apartment and police said the bullet fired by 40-year-old Clayton Matthews missed his daughter by a mere two inches -- leaving neighbors in the complex stunned and angry.
"There were a lot of cops riding around," said Irene Domena. "I was thinking there's a lot of cops here. Something's gotta be going on. That's very, very dangerous. And these walls are not too thick."
Police said Matthews found the boyfriend, whom he claimed was older and with a criminal record, in her bedroom without his permission. The boyfriend jumped out a window and Matthews confronted his daughter.
"I don't think he should have shown the gun," said James Carter. "If he had a problem with that instance, he should have waited for the police."
Matthews' daughter told officers he began waving the gun and pointed it at her, and moments later it went off.
Carter wondered why Matthews wasn't facing a different charge.
"All fathers are very protective of their children," he said. "Firing a firearm anywhere in the city or any place is a criminal act."
Matthews bonded out of jail and is scheduled for an August court date.
He was unavailable for comment Wednesday.
A spokesperson for the Department of Children and Families said the agency is investigating, and at least one local attorney is also wondering why the charge isn't more serious.
"It certainly does seem that it also meets the criteria for firing a missile into a dwelling," Lance Dunford said. "You're in a home, you have a firearm, it gets discharged."


Nespresso* Compatible Caspule MIX package for 100 capsules.
10 capsules : Cafecaps Ristretto is typical Italian-style coffee: Blend of Robusta and Arabica, it is strong, intense and with full body.
10 capsules : Cafecaps Forza is using a 100% Pure Arabica blend of 6 different Arabica beans from high altitude Mountains in the North of Thailand.


text:
Q: Alacritty loses focus upon launch So, I've encountered a problem where Alacritty loses its focus upon being spawned. Say I have my browser open, I open Kate on top of that, it gains focus, but when I open Alacritty, it gains focus upon spawning, but then goes back to the last focused window (in this case Kate). This is really hard to notice, but if you use a brighter color of focused window or one that stands out, you can notice it. So far only noticed that with Alacritty, and with my limited knowledge about Awesome and Lua, I did something like this:
 client.connect_signal("request::manage", function(c)
 c:emit_signal("request::activate", {raise = false})
 end)

but it also doesn't help it. I also have disabled "sloppy focus" (commented out), because I don't like it, but when I use it, it gives the focus to Alacritty normally, with no issues. Say my Alacritty spawns at x=500 y=250, and my cursor is at x=20 y=15 (out of focus even when it spawns), Alacritty does gain the focus, but again, when I remove sloppy focus, it no longer gets the focus.
Is there something I'm missing or is it just bugged? Sloppy focus literally fixes that issue, but I don't want to use sloppy focus because my mouse often flies on my desk for various reasons (typically because I'm stupid and hit it while grabbing something etc) and hence my focus swaps constantly.

redpajama_set_name: RedPajamaStackExchange


text:
Wake and Bake: Hazelnut Chocolate Scones
Wake and Bake
Breakfast snacks for those who get peckish first thing in the morning.
Published: January 31, 2012 Last Updated: August 9, 2018
[Photograph: Carrie Vasios]
Hazelnut Chocolate Scones
In 1995, a group of British historians found a 9,000 year old nut processing pit on the island of Colonsay in Scotland. The nut of choice? Hazelnuts. Just a few years ago an even older house was found near Northumberland in England. What was scattered all over the floor? Roasted hazelnuts.
Now I'm not saying that we should go all Paleo-diet and start copying our Mesolithic ancestors by stuffing our faces 24/7 with hazelnuts, but they did make some cool pottery and could make tools out of flint. I can't even twist my towel into a swan.
In fact, according to the BBC, we wouldn't know half of what we do about this particular era if it weren't for the fact that our newly farming friends were eating hazelnuts all the time. From the nuts, archeologists were able to learn about Mesolithic eating, building, and living habits, in addition to using the shells for carbon-dating.
In short, hazelnuts have really been flying under the radar in terms of being recognized for their historical significance. I'm personally doing my part to remedy this situation by making chocolate hazelnut scones and then forcing everyone to listen to my hazelnut history in return for breakfast.
I think it's a fair trade, because I'm imparting knowledge and scones filled with chunks of dark chocolate and chopped toasted hazelnuts. To show the versatility of hazelnuts, I also used hazelnut flour, which has a warm, nutty flavor and slightly coarse texture. I like making these scones with dark, almost bitter chocolate, but milk chocolate wouldn't be a bad idea (especially if you love Nutella.) Finally, a sprinkling of sugar before baking gives the scones a sweet, crackly crunch.
Hazelnut Chocolate Scones »
breakfast sweets
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Q: Update data using firestore cloud function I need help, i'm trying to update my comments collections using cloud function, but my code doesn't seem to work. My function succesfully run but doesn't update my avatarUrl when my userPhotoUrl is update
Here the whole path of the collection that i want to update : "/comments/{postId}/comments/{commentId}"
my firestore collection
 exports.onUpdateUser2 = functions.firestore
    .document("/users/{userId}")
    .onUpdate(async (change, context) => {
      const userUpdate = change.after.data();
      const userId = context.params.userId;
      const newPhotoUrl = userUpdate.photoUrl;
      console.log("userId",userId);
      console.log("newPhotoUrl",newPhotoUrl);

    const querySnapshot = await admin.firestore().collection("comments").get();
    querySnapshot.forEach(doc => {
      console.log("doc",doc.data());
      const postId = doc.id;
      const comments = admin.firestore().collection("comments").doc(postId).collection("comments").where("userId","==",userId).get();
      comments.forEach(doc2 => {
        return doc2.ref.update({avatarUrl: newPhotoUrl});
      });
    });
 });

Thank you,
UPDATE
I try to change the code, by using then to deal with these various promises but i don't really know why commentsRef.get() seem to return me empty querySnapshots, because the comments collections in my firestore database have multiple documents where in each documents there is a another comments collections where in this seconds comments collections there is a bunch of documents containing data. With this whole path i don't know how to iterate until being in the documents containing the data that i need to update. Can someone help me please ?
exports.onUpdateUserUpdateComments = functions.firestore
        .document("/users/{userId}")
        .onUpdate(async (change, context) => {
          const userUpdate = change.after.data();
          const userId = context.params.userId;
          const newPhotoUrl = userUpdate.photoUrl;
          console.log("userId",userId);
          console.log("newPhotoUrl",newPhotoUrl);
          const commentsRef= admin.firestore().collection("comments");
          return commentsRef.get().then(querySnapshot => {
            return querySnapshot.forEach(doc => {
              return admin
                 .firestore()
                 .collection("comments")
                 .doc(postId)
                 .collection("comments")
                 .where("userId", "==", userId)
                 .get()
                 .then(doc => {
                   if (doc.exists) {
                     doc.ref.update({avatarUrl: newPhotoUrl});
                   }
                   return console.log("The function has been run.");
                 });
            });
          });
     });

A: Without trying it, it should be something like this:
return admin.firestore().collection("comments")
    .doc(postId)
    .where("userId", "==", userId)
    .get()
    .then(doc => {
        if (doc.exists) {
            doc.ref.update({avatarUrl: newPhotoUrl});
        }
        return console.log("The function has been run.");
    });

Regardless, following Doug Stevenson's advice, you shouldn't start learning JS in Cloud Functions, as those nested loops are a bit strange and you may lack a good starting point for learning.


Here we will go over concerning some quick hair-styles. But before dealing with with that you have to know how the structure is possible. Which are the procedures and also decorating equipment which might be employed or maybe meant for finding the described appearance? Present-day hair styling solutions and instruments possess sensational contact and you could reprogram your glimpse in line with the impulse and want. Regarding illustration you can check out your workplace using texas holdem right head of hair. Subsequently at dusk you may apply a look of your hair that's firm, glossy with the curls outlined. Clean long bobs could be became massy base brain look. only select the great one that can provide your head of hair a new style and look that you choose to need.
Hair styling instruments can certainly produce a seem that may be like the 'fresh-from-the-saloon' look and you may receive tresses expert about the good using of the choices just to possess a destruction cost-free head of hair.Just one. Small spiky hair: Making use of decorating gelatinized in addition to soy wax you are able to give your locks a cool cheeky type. Implement doing you hair gel totally the hair being a way that all of the locks obtain identical quantity regarding serum. After sometime use a blow dryer using a directional misting nozzle with that. Any time you the job lift every single areas of the hair that will create height on the root base. Right now if your hair is dried backside hair brush that to provide added height. To make the spiky appearance acquire tiny feel between arms and put it on a curly hair to provide the increase in unemployment your ravishing look.
Only two. Airwaves: Media is actually a appearance that produces tough curls. Great hint associated with wetness as well as heat get this to trim occurring. The particular waves are just like stereo. At first shampoo or conditioner hair after which it implement refresher. Dry your hair. Although dehydrating hair makes use of the clean bond within the styler as well as dry your hair. In abbreviation hair utilizing a high quality solution you can obtain many spiky and chicky appear. Clothes dryer with kinds of misting nozzles and also divisions supply you with a few instant style. Sometime gentle temperature, as sometime wetness is very important to get a appearance, which is distinctive from the other person. If you want to currently have backyard garden look of your hair for several weather your locks will probably confront quite a few tough therapies, because repeated change in model isn't healthy adequate for great curly hair. So try to apply a method, which can be very simple. For any special occasion you and also give your hair style the latest glimpse but an excessive amount hair styling is essential.
As per the actual face treatment attributes of women, there are actually unique variations of styles which can be experimented with suit these individuals. Ebony girls could try out a number of cool and trendy hairstyles to fit these folks. In this posting, we offer with many essential methods to start using a hair straightner pertaining to Black locks.
Because compound tresses treatment options can frequently generate many threats around the curly hair, stay away from these kinds of solutions. The harmless alternative regarding chemical substance treatment solutions are the usage of hair straightner. Your hair health care field nowadays is stuffed with a never-ending assortment and brands of flat irons as well as other hair care items that assistance in attaining beautiful appears any time used on your hair. Since Ebony females have a greater head of hair, their hair can easily make it through your extremity of warmth drastically. Thus, a temperatures need for like tresses varies from the requirement of some others. They will likely have to have a heat above budget friendly heat and so, you need to bear this in mind when selecting a hair straightner fitted to hair.
Specialized straighteners, particularly newest products have an state-of-the-art adjustable high temperature placing characteristic that has to be appeared outside when selecting a hair straightener. This amazing function permits an individual to discover the liable heat important for their hair and set it in line with their head of hair sort. Everyday ceramic straightening irons possess a repaired temperature setting that can't be modified as well as will not often provides you with the estimated outcome whether or not this works on cold or perhaps might burn off the hair whether or not this works on the best temperatures which will extreme heat your hair. Consequently, varied high temperature establishing aspect is among the ideal attribute to see although buying a hair straightener. Almost all ultimately, an apartment straightener that could get hot to maximum of Four hundred and fifty degree F is outfitted for an individual along with Black hair.
The length of home plate is also heavily weighed when scouting for a set flat iron that's suited to Dark wild hair. Given that these people include sturdy, heavy wild hair, they will call for a hair straightener which has a half-inch as well as one-inch golf club. Ceramic straightening irons using the teeth on the china also are suitable for eliminating the troubles. Make whichever end up being the hair type; always start which has a choice temp that is amongst 300 as well as Three hundred certifications P oker. After that that will in that case possibly be slowly and gradually collection amongst 420 to be able to 450 diplomas Farrenheit for greatest effectiveness. Working with moisturizer in it just before hair styling can help inside lessening the hair along with holding moisture inside the hair.
You may be shocked about the sheer numbers of solutions coming from tresses curlers so that you can hair straighteners as well as locks crimpers available to you, because nothing you've seen prior to achieve special appears along with results via particular date clubbing with the close friends so that you can marriage hair styles. Even though it is basically confusing in terms of choice seeing that nearly all hair-styling ideas discuss using one or two decorating supports or perhaps hairdressing methods. In addition, merchandise words provides excess volume of dilemma. To really make it apparent take the example of every hair-styling methods which builds heat to alter the contour of the hair is mentioned as hair setter however when you are considering promoting, the definition of is most frequently applied to numerous hot rollers.
Consequently, here are some of the prime locks decorating resources that happen to be called for his or her exclusive sort of operates. Starting with ceramic straightening irons be the largest phenomenon one of many people today of this age appears any clamp, that yields temperature to help quickly straighten up hair. A very simple product is useful in slim areas of nice hair from the shut lips of the flat iron. Perform by close to the root base towards conclusion of your respective tresses in addition to combs your own hair soon after each cross. Complete the particular straightener bit by bit but gradually through flowing hair and don't temporary halt as well as get away from your iron spot. Hair will continue direct along with smooth as long as it really is dry. All these straighteners will also be called hair straightners are available in a variety of layouts and the padded which has a pottery fabric have the most effective and a lot reasonably priced good quality. Consider for example hair straighteners from GHD plus Qi. These are certainly outstanding. There is also varied warm controls, a great feature to assist guard your hair out of harm.
Much like the hair straightener there exists an additional hair-styling equipment identified as hair crimpers which have been very similar in look and therefore are included in similarly with the exception that the hair is short on a short time to set dunes with in lieu of having these outside. Contrary to the traditional desk chair hair dryers within a hair and facial salon, a new blow dryer of present day is needed in consultation with any remember to brush and also brush that enables you to dried out in order to shape your hair in different instructions. There are actually huge amounts involving hairdryers in the marketplace yet it is advisable to purchase your hair dryer that's diverse temperatures, to be able to manage this temperatures that's required for ones curly hair. Being different golf irons is another hairstyling tools that doesn't only bring fit around the hair but additionally bring size. Sizzling wheels are the personal choice of many who want their particular design to remain "set" for more periods.
There are not many things that are found to be common with every one of the hair-styling equipment is the fact that avoid these kind of cold weather styling tools with wet tresses as this can harm flowing hair. Also, it is recommended to always acquire this hairdressing device containing adjustable temperature settings. Don't use the top setting as far as possible. Proper hair care items that prevent winter harm should be made use of in case you knock back dry every day. And finally under no circumstances bargain while using the company's item.


70-year-old before and two months after upper and lower eyelid surgery.
68-year-old before and four months after lower eyelid and "slide" forehead lift surgery. Notice that the forehead lift not only improves the forehead, but also rejuvenates the upper eyelids.
63-year-old before and seven months after forehead lift, upper and lower eyelid rejuvenation.
71-year-old man 6 years after upper and lower eyelid surgery.
54-year-old woman two years after upper and lower eyelid surgery with shortening of the upper eyelid elevator muscles to lift the position of the upper eyelids.
71-year-old one month after upper and lower eyelid surgery.
47-year-old one year after upper eyelid surgery.
58-year-old before and 6 months after upper and lower eyelid surgery (notice quality of upper eyelid scars).
60-year-old before and three months after "slide" forehead lift, upper and lower eyelid and facelift surgery.


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Previous: End of the CSF/NQS Service (See printing version)
Next: Using a Single logonid for Multiple Groups or Experiments
Invitation to Perform Y2K Testing
Sverre Jarp (CERN Y2K co-ordinator) IT/DI
Testing under UNIX
A special AFS cell 'y2k.cern.ch' has been established to allow service managers and users to test Y2K compliance.
In addition to AFS, the cluster consists of machines representing all the UNIX flavours in use at CERN (AIX, DUNIX, HP-UX, IRIX, LINUX, and SOLARIS).
More information can be obtained from the page: http://wwwinfo.cern.ch/pdp/bis/y2k/y2kplus.html
The cluster will be set to 25 December 1999 on fixed days and then left running for three weeks. This gives people one week to prepare test programs in 1999 and two weeks to check the consequences of passing into year 2000. These fixed dates have been set as follows:
19 May 1999, date set to 25/12/99 (year 2000 starts on 26 May)
9 June 1999, date set to 25/12/99 (year 2000 starts on 16 June)
30 June 1999, date set to 25/12/99 (year 2000 starts on 7 July)
If more than these three sessions are needed an announcement will be made later.
The following Web page should be used for registration:
http://wwwinfo.cern.ch/support/survey-info/y2kreg
By registering your name and mail address on this page, you will be given a user-id on the first day of each test period. The userid will be valid for the corresponding period and will then be taken away for new usage. If you don't complete your tests in one cycle and wish to retain your account and the files in it, you must reissue the request via the registration web page.
The machines all run Y2K-compliant versions of the operating system. There is a reasonable amount of disk space in the y2k cell for home directories. Users can only access what is world-accessible in their real AFS directories in the CERN cell. File copying is therefore recommended (also to avoid that the Y2K-testing alters real production files or products).
Note that LSF will only be available as of the second session (starting 9 June). Tape access must be requested explicitly (on the Web page) as of this session.
The latest news, related to the test environment, will be posted on the Web pages mentioned above.
For PCs and Macs
Please refer to the IT Y2K page for further information: http://nicewww.cern.ch/~sverre/Y2K_IT_Division.html
For ORACLE
For Oracle database users who would like to test their applications under a Year 2000 system, please contact Oracle.Support@cern.ch.
Last Updated on June 24th, 1999 at 16:54:04