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What do you want out of life? Do you think you will ever achieve your personal goals? Or do find there is always something standing in the way of your success? How do you get personal mastery over your own life?
The only thing standing in the way of your accomplishing your goals and fulfilling your dreams is YOU. We live in a stressful world and it is far too easy to allow those daily stresses to wear us down and make us feel negative – about ourselves and our lives in general. You are your own worst enemy, allowing such negative emotions as depression, frustration and anger to infiltrate your life to your own detriment.
It's difficult when you are feeling so down to convince yourself that you can make it better. In fact, you are the ONLY one that can truly make it better. How? By getting personal mastery over your own attitude and convictions. Negative emotions and energy can affect every aspect of our lives: our success in our career, our personal relationships and our own self-confidence and joy in living. But we do not have to allow this to happen. The only limitations to our success are placed there by our own thinking and attitude. If we don't believe in ourselves, how can we possibly achieve our goals?
So think about what you want out of this life. Is it financial success or, at least, financial security? Or is it something of a more personal nature – A happy family life? A healthy, fit body and mind? Whatever it is, personal mastery of your thinking and being is the way to achieve it.
This particular site suggests techniques that will help you get mastery over these negative feelings. You will be the master and creator of your own success story. What could be better than that?
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Filed under Personal Development Tips, Personal Mastery Programs by Flash on Jul 24th, 2013 .


Often, writers, musicians, artists, and innovators hit roadblocks in their creative lives. Even if they are still able to create, they feel uninspired. Brainsparker's Kickstart Course on Thinking Creatively was challenging to me. For some of these posts, I gave my thoughts and experience on the topic. In others, I added more information, and yet others, I felt like I failed to grasp the concept properly. For all of them, I hope to hear your thoughts. I encourage you to do some of the exercises with me.
A to Z in 2 Places!
Once again I will be doing the A to Z Blogging Challenge on both of my blogs. Here at Heather Erickson Author/Writer/Speaker, I will share ways of thinking creatively. At Facing Cancer with Grace, I will be sharing ways to avoid burnout. I hope you'll visit me at both places.
Good luck. Sounds like a cool topic.
Thanks, Liz. I noticed you had the 2019 A to Z Badge up, but I haven't seen a theme reveal yet. I look forward to seeing what you write about this year.
I'm impressed you're doing both again. That is a huge commitment. I'll be checking on on you, Heather.
Thanks, Jacqui! Are you going to be participating in A to Z this year?
Great theme. Good luck with the challenge.


text:
Noname manuscript No. (will be inserted by the editor) FOREPOST: Finding Performance Problems Automatically with Feedback-Directed Learning Software Testing
by Qi Luo, Aswathy Nair, Mark Grechanik, Denys Poshyvanyk, Q. Luo, D. Poshyvanyk, M. Grechanik, Qi Luo Et Al
"... Abstract A goal of performance testing is to find situations when applications un-expectedly exhibit worsened characteristics for certain combinations of input values. A fundamental question of performance testing is how to select a manageable sub-set of the input data faster in order to automatical ..."
to automatically find performance bottlenecks in applications. We propose FOREPOST, a novel solution, for automatically finding performance bottlenecks in applications using black-box software testing. Our solution is an adap-tive, feedback-directed learning testing system that learns rules from execution traces
Feedback-directed random test generation
by Carlos Pacheco, Shuvendu K. Lahiri, Michael D. Ernst, Thomas Ball - In ICSE , 2007
"... We present a technique that improves random test generation by incorporating feedback obtained from executing test inputs as they are created. Our technique builds inputs incrementally by randomly selecting a method call to apply and finding arguments from among previously-constructed inputs. As soo ..."
) and undirected random generation. On 14 large, widely-used libraries (comprising 780KLOC), feedback-directed random test generation finds many previously-unknown errors, not found by either model checking or undirected random generation. 1
positives for any of the many different programs that we tested. Further, we show how we can use a two-tiered approach to build a hybrid exploit detector that enjoys the same accuracy as TaintCheck but have extremely low performance overhead. Finally, we propose a new type of automatic signature generation
Toward an instance theory of automatization
by Gordon D. Logan - Psychological Review , 1988
"... This article presents a theory in which automatization is construed as the acquisition of a domain-specific knowledge base, formed of separate representations, instances, of each exposure to the task. Processing is considered automatic if it relies on retrieval of stored instances, which will occur ..."
an alternative to the modal view of automaticity, arguing that novice performance is limited by a lack of knowledge rather than a scarcity of resources. The focus on learning avoids many problems with the modal view that stem from its focus on resource limitations. Automaticity is an important phenomenon
The unbearable automaticity of being
by John A. Bargh, Tanya L. Chartrand - AMERICAN PSYCHOLOGIST , 1999
"... What was noted by E. J. hanger (1978) remains true today: that much of contemporary psychological research is based on the assumption that people are consciously and systematically processing incoming information in order to construe and interpret their world and to plan and engage in courses of act ..."
. The authors then describe the different possible mechanisms that produce automatic, environmental control over these various phenomena and review evidence establishing both the existence of these mechanisms as well as their consequences for judgments, emotions, and
Controlled and automatic human information processing: II. Perceptual learning, automatic attending and a general theory
by Richard M. Shiffrin, Walter Schneider - Psychological Review , 1977
"... The two-process theory of detection, search, and attention presented by Schneider and Shiffrin is tested and extended in a series of experiments. The studies demonstrate the qualitative difference between two modes of information processing: automatic detection and controlled search. They trace the ..."
The two-process theory of detection, search, and attention presented by Schneider and Shiffrin is tested and extended in a series of experiments. The studies demonstrate the qualitative difference between two modes of information processing: automatic detection and controlled search. They trace
Controlled and automatic human information processing
by Walter Schneider, Richard M. Shiffrin - I. Detection, search, and attention. Psychological Review , 1977
"... A two-process theory of human information processing is proposed and applied to detection, search, and attention phenomena. Automatic processing is activa-tion of a learned sequence of elements in long-term memory that is initiated by appropriate inputs and then proceeds automatically—without subjec ..."
A two-process theory of human information processing is proposed and applied to detection, search, and attention phenomena. Automatic processing is activa-tion of a learned sequence of elements in long-term memory that is initiated by appropriate inputs and then proceeds automatically
DART: Directed automated random testing
by Patrice Godefroid, Nils Klarlund, Koushik Sen - In Programming Language Design and Implementation (PLDI , 2005
"... We present a new tool, named DART, for automatically testing software that combines three main techniques: (1) automated extraction of the interface of a program with its external environment using static source-code parsing; (2) automatic generation of a test driver for this interface that performs ..."
that performs random testing to simulate the most general environment the program can operate in; and (3) dynamic analysis of how the program behaves under random testing and automatic generation of new test inputs to direct systematically the execution along alternative program paths. Together, these three
KLEE: Unassisted and Automatic Generation of High-Coverage Tests for Complex Systems Programs
by Cristian Cadar, Daniel Dunbar, Dawson Engler
"... We present a new symbolic execution tool, KLEE, capable of automatically generating tests that achieve high coverage on a diverse set of complex and environmentally-intensive programs. We used KLEE to thoroughly check all 89 stand-alone programs in the GNU COREUTILS utility suite, which form the cor ..."
We present a new symbolic execution tool, KLEE, capable of automatically generating tests that achieve high coverage on a diverse set of complex and environmentally-intensive programs. We used KLEE to thoroughly check all 89 stand-alone programs in the GNU COREUTILS utility suite, which form
Automatic Word Sense Discrimination
by Hinrich Schütze - Journal of Computational Linguistics , 1998
"... This paper presents context-group discrimination, a disambiguation algorithm based on clustering. Senses are interpreted as groups (or clusters) of similar contexts of the ambiguous word. Words, contexts, and senses are represented in Word Space, a high-dimensional, real-valued space in which closen ..."
is automatic and unsupervised in both training and application: senses are induced from a corpus without labeled training insta,nces or other external knowledge sources. The paper demonstrates good performance of context-group discrimination for a sample of natural and artificial ambiguous words

redpajama_set_name: RedPajamaCommonCrawl


As Jesus and his disciples and a large crowd were leaving Jericho, Bartimaeus son of Timaeus, a blind beggar, was sitting by the roadside. When he heard that it was Jesus of Nazareth, he began to shout out and say, "Jesus, Son of David, have mercy on me!" Many sternly ordered him to be quiet, but he cried out even more loudly, "Son of David, have mercy on me!" Jesus stood still and said, "Call him here." And they called the blind man, saying to him, "Take heart; get up, he is calling you." So throwing off his cloak, he sprang up and came to Jesus. Then Jesus said to him, "What do you want me to do for you?" The blind man said to him, "My teacher, let me see again." Jesus said to him, "Go; your faith has made you well." Immediately he regained his sight and followed him on the way.
Today I say to you, unless you turn and become like children, you will never enter the Kingdom of Heaven.
Cure the sick, raise the dead, cleanse the lepers, cast out demons.
Mary stood weeping outside the tomb. As she wept, she bent over to look into the tomb; and she saw two angels in white, sitting where the body of Jesus had been lying, one at the head and the other at the feet. They said to her, "Woman, why are you weeping?" She said to them, "They have taken away my Lord, and I do not know where they have laid him." When she had said this, she turned around and saw Jesus standing there, but she did not know that it was Jesus. Jesus said to her, "Woman, why are you weeping? Whom are you looking for?" Supposing him to be the gardener, she said to him, "Sir, if you have carried him away, tell me where you have laid him, and I will take him away." Jesus said to her, "Mary!" She turned and said to him in Hebrew, "Rabbouni!" (which means Teacher). Jesus said to her, "Do not hold on to me, because I have not yet ascended to the Father. But go to my brothers and say to them, `I am ascending to my Father and your Father, to my God and your God.'" Mary Magdalene went and announced to the disciples, "I have seen the Lord"; and she told them that he had said these things to her.
Now the parents of Jesus went to Jerusalem every year for the festival of the Passover. And when he was twelve years old, they went up as usual for the festival. When the festival was ended and they started to return, the boy Jesus stayed behind in Jerusalem, but his parents did not know it. Assuming that he was in the group of travelers, they went a day's journey. Then they started to look for him among their relatives and friends. When they did not find him, they returned to Jerusalem to search for him. After three days they found him in the temple, sitting among the teachers, listening to them and asking them questions. And all who heard him were amazed at his understanding and his answers. When his parents saw him they were astonished; and his mother said to him, "Child, why have you treated us like this? Look, your father and I have been searching for you in great anxiety." He said to them, "Why were you searching for me? Did you not know that I must be in my Father's house?" But they did not understand what he said to them. Then he went down with them and came to Nazareth, and was obedient to them. His mother treasured all these things in her heart.
Jesus called the twelve and began to send them out two by two, and gave them authority over the unclean spirits. He ordered them to take nothing for their journey except a staff; no bread, no bag, no money in their belts; but to wear sandals and not to put on two tunics. He said to them, "Wherever you enter a house, stay there until you leave the place. If any place will not welcome you and they refuse to hear you, as you leave, shake off the dust that is on your feet as a testimony against them." So they went out and proclaimed that all should repent. They cast out many demons, and anointed with oil many who were sick and cured them.


text:
<?php
namespace Altair\Tests\Structure\Queue;

trait _isset
{
    public function testArrayAccessIsset()
    {
        $set = $this->getInstance();
        $this->expectArrayAccessUnsupportedException();
        isset($set['a']);
    }
}

redpajama_set_name: RedPajamaGithub


text:
Home New Releases Nature Ellis Drops Brand New Single "Love Me" Produced by Drew Stewart
Posted By: Rick JammPosted date: June 25, 2019 in: New ReleasesNo Comments
Reggae artiste Nature Ellis was once touted as the next big thing in reggae music. The singer got off to a blazing start in the industry, but eventually fell off the grid and has been relatively quiet for some time. Determined to make a comeback on the music scene, the singer recently released a new Single "Love Me" produced by Drew Stewart on the Then Now and Forever Label.
Nature believes this project has what it takes to jump-start his musical revival. The "Love Me" single is the first release off upcoming EP Drew Stewart presents Reggae from East Kingston. The single is now available on all digital platforms.
MORE ABOUT Nature Ellis: Andre Ellis, more popularly known as Nature, is a free-spirited individual and positive songwriter who delivers his music with great passion. He hails from the beautiful parish of St. James in Jamaica and is known for singles such as "Wasting Time", "World Peace" and 'Love You'. Nature has been involved in music since he was nine years old.
The singer has received various accolades for his music including the best singer award at the Eastern Awards in 2008 and a trophy for his singing and songwriting in a competition put on in St James by Danger Zone in 2002.
With a name that signifies his love for the environment, Nature started getting serious about his career in 2002. Since then, he has recorded with Big Ship, King Jammy's, Truckback Records and Ricardo Gardener's Heart of Love Music label.
Nature also has a number of other songs out such as "Cry Out", "Most High God' and "Dirty Closet', which was featured in the popular roots play, Talk Done, Time For Action. Nature's move from St James to St Andrew has helped to propel his career over the last few years, racking up gigs at Sting, GT Extravaganza, Reggae Sumfest, Champions In Action and island Explosion to name a few.
On the strength of these singles, Nature has been touring extensively; he did three month stints in Europe where he did shows in France, Italy, Germany, Belgium and Switzerland. His most recent tour took him to Australia where he did a number of shows.
Representing a new generation of reggae that keeps in the tradition of crooners who came before and inspire him, including Bob Marley, Dennis Brown, Beres Hammond and Toots Hibbert, Nature continues to bring a fresh voice to the genre.
IG: @thennowforevermusic – @officialnatureellismusic – @lilalockdcity
Stream Music on DEEZER and SPOTIFY
Tags: Drew StewartLove MeNature EllisReggaeThen Now and Forever
Interview with Midwest musician Austin Findley
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text:
When Two Heads Really Are Better Than One
Applying the lessons of team teaching to collaborative writing
By Rebecca Olson and
Tara Williams
Hazel Owen / Creative Commons
In evaluating academic work, faculty members are routinely slotted into distinct, potentially oppositional roles: author and peer reviewer, teacher and observer, mentee and mentor. But what if, instead, we were able to see those roles as truly collaborative? What if we responded to each other as partners in those ventures?
A few years ago, the two of us experimented with team-teaching and collaborative-writing projects. They have fundamentally reshaped how we view collaboration in academe.
We began by team-teaching a survey course on early British literature, attempting an intensely collaborative model that was new to our academic program as well as to us. We crafted the course (from the syllabus to the writing assignments) and taught all class meetings together. Tara, a medievalist, took the lead on the readings from the Middle Ages in the first half of the course, and Rebecca, an early modernist, did the same for the early-modern readings in the second half. We found that having two teachers in the classroom allowed for more flexibility in our activities, more energy in our discussions, and more meaningful ways of introducing students to literary studies.
Buoyed by that classroom success, we decided to write the guide to team teaching that we wished had existed when we started: an article that not only theorized the advantages but also provided a behind-the-scenes look at how two instructors actually designed such a course. The result was our article, "Reimagining the Literature Survey Through Team Teaching."
While teaching is always a communal activity to some degree, writing (in literary studies and many other disciplines) is an intensely solitary affair. Never having jointly written an academic essay before, we wondered how to even start.
We found we were able to adapt some of the same best practices from team-teaching to team-writing: We discussed our ideas to create a unified foundation and divided the work — in this case, dividing the sections of the paper to be drafted.
Next we worked to integrate our contributions, this time on the page rather than in the classroom. We responded to each other's drafts and pieced them together. From that point on, revisions went back and forth via email. One of us would make changes (tracked in Microsoft Word) or insert comments with questions, praise, or concerns, to which the other would respond before adding her own new content.
After several rounds of this intellectual volley, we realized that it was becoming harder and harder to remember who had originally written what. That turned out to be one of the great surprises of our collaboration: We had imagined our scholarly voices to be more distinctive than our teaching styles, but the former actually merged more seamlessly than the latter.
No doubt the harmony of our writing styles was, in part, the result of our team-teaching experience. In two courses, led discussions together, communicated daily, often via email, and became accustomed to each other's tone and expressive habits. We also tried to maintain a "united front" before students, and to respond to their queries as consistently as possible.
Through our collaborative teaching, we had built a relationship characterized by trust and mutual encouragement. While we did not anticipate that our classroom relationship would lend itself so readily to a writing partnership, we found the shared voice that emerged to be liberating.
Writing together was also refreshingly angst-free: Being able to consult with another writer minimized the anxiety we had always assumed was inherent to the writing-and-publication process. Sharing a byline encouraged some emotional distance from the manuscript — especially helpful when the reader reports came back — yet didn't negate our personal stakes in the argument.
In general, co-writing required us to practice writing habits that we know are good for us, but that we tend to shun in favor of the excitement of binge-writing and obsessive editing: We divided the project into smaller tasks, stayed on schedule, and resisted judging what we had written until we'd heard the other's perspective.
Perhaps because of those good habits, our collaborative writing felt both easy and dynamic, especially compared with our independent writing projects. It was dialogue as opposed to soliloquy. Some of the most effective lines in our article started as hastily scribbled notes in the margin from one of us to the other.
In team-teaching, we found that it was crucial for both of us to be in the classroom at the same time. In co-writing, on the other hand, what worked well was for us to take turns having "custody" of the draft. That way we could write and reflect independently while also taking into account the other's insights and feedback.
Our experience validates an observation included in Susan Cain's best seller Quiet: The Power of Introverts in a World That Can't Stop Talking. Cain wrote that "professors who work together electronically, from different physical locations, tend to produce research that is more influential than those either working alone or collaborating face-to-face." She cited a 2005 article, published in Creativity Research Journal, that found that articles appearing in social-psychology journals were more likely to be cited when they had multiple authors from multiple institutions. Although it's too early to be counting citations of our article, we both feel that it represents stronger work than either of us would have produced alone.
In writing as in teaching, collaboration involves different types of work rather than less work. But collaborative work also feels different. You feel that you are engaged in a shared enterprise; that you are putting forth your best effort, knowing that the collaborative process will turn it into something even better; that you can remain open to possibilities and opportunities as they come along. You feel a little gentler, a little more thoughtful, when approaching the shared work than you might be with your individual work. The focus — and the pressure — is less on your ego and more on the impact of the work.
In fact, our experience writing together has helped us appreciate the ways in which peer review, in its best form, produces many of the same benefits as co-writing. That is not only because peer reviewers often provide insights and suggestions that lead to stronger articles, but also because, like a co-author, reviewers have something at stake. As members of a wider community interested in similar questions, they, like co-authors, want the research to reach its audience.
The benefits of collaboration continued once we returned to our separate courses and writing projects. We each had a renewed energy and commitment to our students, discipline, and institution. This experience has made us more attuned to the inherent collaboration at the heart of academe and has given us a rich appreciation for its benefits.


text:
Q: How to avoid user navigate to ajax url in laravel 5.8? I have created simple web application with laravel 5.8.
this is my project url http://localhost/test/public/home
web.php
Route::group(['middleware' => ['auth', 'preventBackHistory']], function() {
   Route::get('home', 'HomeController@index')->name('home');
   Route::post('generate_table.data', 'HomeController@generate_table')->name('generate_table.data');
});

I am calling this ajax into home.blade
"ajax": {
   "url":"{!! route("generate_table.data") !!}",
   "type": "POST",
    "jsonpCallback": 'jsonCallback',
    "dataType": "jsonp"
 }

I haven't any issue with this ajax.it is loading data. If i navigate to http://localhost/test/public/generate_table.data?callback=jsonCallback , i am getting black screen with

Symfony \ Component \ HttpKernel \ Exception \ MethodNotAllowedHttpException
No message

If user navigate http://localhost/test/public/generate_table.data?callback=jsonCallback How to navigate back to /home?
.env
APP_DEBUG=false
Thank you.

A: You can redirect the user when the GET method is used.
// GET method will be redirected to home.
Route::get('generate_table.data', function () {
    return redirect()->to('/');
});

// The POST method will be passed to the controller.
Route::post('generate_table.data', 'HomeController@generate_table')->name('generate_table.data');

A: Add this to your routes:
Route::get('generate_table.data', 'HomeController@index');

redpajama_set_name: RedPajamaStackExchange


REGINA, Sask. – The University of Regina's women's basketball team went on a huge 18-4 run in the second half to pull away from Laval for a 76-56 win on Thursday night in a U SPORTS Championship quarterfinal matchup at the Centre for Kinesiology, Health & Sport.
The win sends the No. 2-seeded Cougars to the semifinals on Saturday night.
The Cougars led nearly from wire to wire, though it was a one-possession game as late as with two minutes left in the first half. But Regina set the tone for what was to follow, as Michaela Kleisinger drilled a triple and Carolina Goncalves and Charlotte Kot had buckets on back-to-back possessions to give the Cougars seven points in under a minute and a 36-27 lead at the break.
Carolina Goncalves came off the bench to lead the Cougars in scoring, ending up with 15 points while also chipping in with seven rebounds. Kyanna Giles and Charlotte Kot both had 14 points, with Kot's nine rebounds leaving her just short of a double-double. Kleisinger added 10 points, giving the Cougars four players in double figures in scoring.
Jane Gagné had a game-high 19 points for Laval, while Claudia Émond added 13 points for the Rouge et Or.
Laval will now move to the consolation side of the bracket. They'll play in 7:00 game on Friday night.
NOTES: The Cougars advance to the semifinals for the 12th time in 19 appearances at the national tournament ... Regina improves its championship record to 4-2 over Laval and have now defeated the Rouge et Or in three consecutive U SPORTS Championships.
Oops the border stops at Davidson. The Huskies might as well be from St Mary's.


We have custom placeholders that are custom images used for different event topics in Open Event Front-end. The custom placeholder are set in the system-images route under admin. The system-images is a dynamic route which changes according the selected topic which brings a challenge to handle dynamic requests to the Orga-server. Lets see how we did it?
Each custom-placeholder is related to an event-sub-topic, which is related to an event-topic. We fetch a list of all the event-topics available on the system-images route. We also include event-sub-topics in the request & sort the topics by name.
We override the afterModel() method of the route and redirect to the system-images/list route. We pass the ID of the topic to the dynamic list route, where we use this ID to get all the subtopics of the selected topic.
On the system-images/list route we set the params passed by the system-images route. In the model function we return all the subtopics of the selected topic. On clicking any topic we pass the ID of the topic to the list route where we retrieve all the sub-topics.
We dynamically render all the subtopics and the related custom-placeholders by looping through the array of the subtopics. We render an image along with a button to change the placeholder for each of the sub-topic. We use a custom modal for changing the placeholder image and for entering details related to the placeholder.
We use a modal which gets triggered by clicking the change button of the subtopic. The modal allows us to change the image related to the subtopic and other related details like the copyright information and origin information.
The `updatePlaceholder` method gets triggered when the update button is clicked, which sends a PATCH request to the server and updates all the changes made to the custom-placeholder. If the request is successful we close the model and show a success message to the user using the notify service.


text:
<ion-header>
  <ion-navbar>
    <ion-title>
      DEMO
    </ion-title>
  </ion-navbar>
</ion-header>

<ion-content padding>

modal mode

  <demo-modal-basic></demo-modal-basic>
  <demo-modal-multi></demo-modal-multi>
  <demo-modal-range></demo-modal-range>
  <demo-modal-disable-week></demo-modal-disable-week>
  <demo-modal-locale></demo-modal-locale>
  <demo-modal-custom-style></demo-modal-custom-style>
  <demo-modal-default-scroll></demo-modal-default-scroll>
  <demo-modal-config-days></demo-modal-config-days>

component mode

  <demo-basic></demo-basic>
  <demo-multi></demo-multi>
  <demo-range></demo-range>
  <demo-options></demo-options>
  <demo-events></demo-events>
  <demo-methods></demo-methods>
</ion-content>


OMG! Vaporeon Gold Star 💫 from 2007! Now the rarest card in my collection! eBay FTW!
For Trade/Sale. All Cards Shown Are In Mint/Near Mint Condition And Worldwide Shipping Is Not A Problem. DM Me If Interested.
Join my Electrifying Pokémon group called The Very Best all about electric ⚡ type Pokémon.
From The Guardians Rising Packs. Total Of 5 Elite Trainer Boxes.


text:
Instasham
Booking: Blues Show
Booking: Rock/Indie
The Shambles
Nominated for 2015 Cincinnati Entertainment Award
We're excited to announce that Whiskey Shambles have been nominated for another Cincinnati Entertainment Award this year. If you don't mind, please drop a vote our way… we'll scratch your back later — we promise.
After getting waaay too crazy at last year's awards show, being asked to put our clothes back on multiple times, cut off by every bartender in the joint, and a few other things we actually aren't legally allowed to talk about, the fools have rolled out the red carpet for another night of Shambles debauchery.
Thanks to the nominating committee, to our fans, and to everyone who wants to see us dancing on the tables again this year. We're proud be in the same company as all the other nominees, and apologize in advance for whatever might come of this. We'll bring bail money.
And thanks to CityBeat for putting on this shindig and doing so much to support local music. We're lucky to live in a city with a music scene so great, and you're a big reason why. Kudos!
PermalinkNews
RELEASE: Shambles & Rivertown Collaborate on Beer
Mary Beth Weaver
Brave New Voice
press@bravenewvoice.com
Brother James
Whiskey Shambles
james@whiskeyshambles.com
Rivertown Brewing and The Whiskey Shambles
Release Limited Edition Beer
Shambling Southward celebrates the band's pilgrimage to Memphis
and their unique blend of "Dubbel Barrel Blues"
CINCINNATI, OH – November 18, 2014: In honor of The Whiskey Shambles' win at the Northeast Ohio Blues Association (NEOBA) Challenge, which qualifies them to compete at the International Blues Challenge in Memphis in January 2015, the band has worked with Cincinnati's Rivertown Brewing Company to create "Shambling Southward – Dubbel Barrel Blues," a Belgian Dubbel aged with brandy-infused wood chips.
"We started talking with Rivertown this summer about brewing a special beer to celebrate our trip to Memphis, working with them to develop an interesting brew that our fans — and craft beer fans — will love," said Shambles bassist Brother James. "After much discussion, we all agreed that this recipe captures the band's unique sound and spirit in liquid form."
Rivertown Brewing Company, which has recently begun a transition to focusing on wilder varieties of beer (with an emphasis on Belgian and sour styles), has been experimenting with small batch recipes — exploring ideas from the brewery's staff, not just the brewers. "Their DIY attitude and spirit of exploration really spoke to us," explains Shambles frontman Nathan Singer. "Rivertown was the perfect brewery for The Shambles to partner with."
The beer will be tapped at a special event on January 16, 2015, at the Rivertown Brewery Taproom, with a performance by The Whiskey Shambles starting at 7:00pm.
NAME: The Whiskey Shambles Beer Tapping
BEER: Shambling Southward – Dubbel Barrel Blues
ADMISSION: FREE SHOW, OPEN TO PUBLIC (21 & Over)
LIVE MUSIC BY:
The Whiskey Shambles – http://192.138.189.151/~h2d3c6y2z6w9g3j5
DATE: Friday, January 16, 2014
TIME: Doors 5:00pm, Tapping 6:00pm, Music 7:00pm
VENUE: Rivertown Brewing Company – http://rivertownbrewery.com
ADDRESS: 607 Shepherd Drive, Lockland, OH 45215
Rivertown Beer Evangelist (and co-developer of the recipe) Roxanne Westendorf, explained this unique beer: "The Belgian Trappist Monks know how to brew very special beers. We took their genius of the Belgian Dubbel and added brandy-soaked wood chips to the secondary fermentation stage, to blend with this style and make a beer that is as spicy as The Whiskey Shambles."
"We've always described The Shambles sound as a loud, belligerent style of demonic hill-stomp blues that almost . . . but not quite . . . betrays an air of subtle sophistication lingering just around the edges," Brother James clarifies. "This brew combines an exciting wallop from the brandy with the gentler refinement of the Belgian style, making it a perfect pairing with the band: a blast of what we're calling, 'Dubbel Barrel Blues'."
About THE WHISKEY SHAMBLES:
The Whiskey Shambles are an original garage rock/basement blues band from Cincinnati, OH, formed in 2012 by Nathan Singer, of Starshaker and Absinthium fame, and Brother James, founder of the Cincinnati Entertainment Award-winning blues band Voodoo Puppet. Their sound has been compared to Screaming Jay Hawkins, The Black Keys, Ten Foot Polecats, The Heavy, Gary Clark Jr., Black Diamond Heavies, and The White Stripes. They have been described as, "R.L. Burnside and Black Sabbath jamming with Nina Simone in a burned-out rum shack, using opium for incense."
The Shambles are currently working their way through the dive bars and juke joints of the Midwest and Rustbelt, with occasional trips to more exotic locales, like Nashville or Buffalo, New Orleans or Asheville, Atlanta or NYC. They won the 2014 Northeast Ohio Blues Challenge, and have been chosen to represent Northeast Ohio Blues Association at the 2015 International Blues Challenge in Memphis, TN. They have also been invited to showcase at the 2015 Millennium Music Conference. The Shambles have been nominated for a 2014 and a 2015 Cincinnati Entertainment Award for best Blues act, and several of their songs have earned critical acclaim.
In 2012 The Whiskey Shambles released the EP, "ONE LAST BLAST: Live at Mad Frog." September 2014 saw the release of a second live EP, "Stumbling Toward Beale Street." Their first LP "Loose Change for a Broken Man" was released in November 2014, and several songs from it receive regular airplay on many college and AAA radio stations. The Shambles are already working on their second full-length album, with plans to head into the studio in spring of 2015.
Learn more about The Whiskey Shambles at http://192.138.189.151/~h2d3c6y2z6w9g3j5, including their Press Kit, Music, and Photos.
About RIVERTOWN BREWING COMPANY:
Rivertown Brewing Co. specializes in brewing handcrafted, flavorful ales and lagers, using only the finest and freshest ingredients available. Opened in 2009, the brewery produces a variety of brews, and recently changed its focus to wilder varieties of beer with a emphasis on Belgian and sour styles.
Rivertown is located in the Cincinnati suburb of Lockland, and has been growing steady for several years, most recently with its newly expanded tap room and new bottling line. More information: http://RivertownBrewery.com
PermalinkPress Releases
Vote for Loose Change in WNKU's Top 89 Albums
There's only a few days left to write in The Whiskey Shambles and our album "Loose Change for a Broken Man" on WNKU's annual Top 89 albums list. If you could do us a solid and scribble The Shambles in before voting ends on Friday, Dec. 19, we'd really appreciate it.
Thanks WNKU, and to everyone who plays, supports, and loves local music!
Love us on
InstaSham!
Happy Halloween! October 31, 2016
The Family Grows: Tim Seiwert joins The Shambles February 4, 2016
RELEASE: The Whiskey Shambles present: "The Lords of Reverb Blues Revival" February 3, 2016
The Shambles present: The Lords of Reverb Blues Revival February 1, 2016
Shambles Win 2016 Cincinnati Entertainment Award for Blues February 1, 2016
Upcoming Debauchery
Shambles Schwag
Mens Shambles Stamp Black T-Shirt $10.00–$12.00
Shambles Horror Poster - Signed & Numbered $12.00
Ladies Shambles Stamp Black T-Shirt $10.00–$12.00
Ladies Shambles Stamp Charcoal T-Shirt $10.00–$12.00
Mens Shambles Stamp Charcoal T-Shirt $10.00–$12.00
Copyright 2014 Brave New Voice. All rights reserved.


text:
Molecular Structure and Large-Amplitude Motion of p-Diethynylbenzene from Gas-Phase Electron Diffraction and Theoretical Calculations
The molecular structure of p-diethynylbenzene has been determined by gas-phase electron diffraction and ab initio MO calculations at the HF/6-31G* and MP2/6-31G*(fc) levels. The two ethynyl groups undergo large-amplitude bending motions, making the equilibrium D2h model inadequate to describe the average structure from electron diffraction. Based on spectroscopic information on low-frequency modes, the electron diffraction data were approximated by a model consisting of a mixture of rigid conformers, differing only in the extent of the symmetric out-of-plane bending of the substituents. This gave the following geometrical parameters: Cortho−Cipso−Cortho = 119.2 ± 0.2°, rg(C−C) = 1.402 ± 0.003 Å, rg(Cring−Csp) = 1.431 ± 0.003 Å, and rg(CC) = 1.211 ± 0.003 Å. The computed re values (MP2) are 119.2°, 1.401 Å, 1.430 Å, and 1.223 Å, respectively, with the Cipso−Cortho bond 0.016 Å longer than the central C−C bond. The HF/6-31G* geometries of ethynylbenzene and p-diethynylbenzene indicate that the interaction of the ethynyl group with the ring is not affected by the presence of another ethynyl group in the para position. Comparison with solid-state results shows no appreciable effect of crystal environment on the ring deformation in these molecules.
Titolo: Molecular Structure and Large-Amplitude Motion of p-Diethynylbenzene from Gas-Phase Electron Diffraction and Theoretical Calculations
Domenicano A
ARCADI, Antonio
Ramondo F
Campanelli A. R
Portalone G
Schultz G
Hargittai I.
THE JOURNAL OF PHYSICAL CHEMISTRY
Abstract: The molecular structure of p-diethynylbenzene has been determined by gas-phase electron diffraction and ab initio MO calculations at the HF/6-31G* and MP2/6-31G*(fc) levels. The two ethynyl groups undergo large-amplitude bending motions, making the equilibrium D2h model inadequate to describe the average structure from electron diffraction. Based on spectroscopic information on low-frequency modes, the electron diffraction data were approximated by a model consisting of a mixture of rigid conformers, differing only in the extent of the symmetric out-of-plane bending of the substituents. This gave the following geometrical parameters: Cortho−Cipso−Cortho = 119.2 ± 0.2°, rg(C−C) = 1.402 ± 0.003 Å, rg(Cring−Csp) = 1.431 ± 0.003 Å, and rg(CC) = 1.211 ± 0.003 Å. The computed re values (MP2) are 119.2°, 1.401 Å, 1.430 Å, and 1.223 Å, respectively, with the Cipso−Cortho bond 0.016 Å longer than the central C−C bond. The HF/6-31G* geometries of ethynylbenzene and p-diethynylbenzene indicate that the interaction of the ethynyl group with the ring is not affected by the presence of another ethynyl group in the para position. Comparison with solid-state results shows no appreciable effect of crystal environment on the ring deformation in these molecules.


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I was searching for a Property and found this listing (MLS® #20184598). Please send me more information regarding 319 4th St. Nw, Oelwein, IA, 50662. Thank you!
I'd like to request a showing of 319 4th St. Nw, Oelwein, IA, 50662 (MLS® #20184598). Thank you!


text:
Q: Radial CAGradientLayer not rendering properly at runtime I'm trying to create a radial CAGradientLayer in swift. Normal CAGradientLayers (with default type axial) are no problem. They are rendering fine on the snapshot and on runtime in the simulator.
When I take a snapshot of the UIView that I created (solely for the CAGradientLayer), it shows a beautiful radial CAGradientLayer. However, when I use this view and look at it at runtime in the simulator, it looks awful. I don't know what I'm doing wrong.
This is the code for the CAGradientLayer:
import Foundation

class ChannelGradientView: UIView {

  // MARK: - Init

  override init(frame: CGRect) {
    super.init(frame: frame)
    setup()
  }

  required init?(coder aDecoder: NSCoder) {
    super.init(coder: aDecoder)
    setup()
  }

  // MARK: - Setup

  private func setup() {
    backgroundColor = .clear
    setupGradient()
  }

  private func setupGradient() {
    let gradient = layer as? CAGradientLayer
    gradient?.type = .radial

    gradient?.colors = [
      UIColor.black.withAlphaComponent(0.8),
      UIColor.black.withAlphaComponent(0)
    ].map { $0.cgColor }

    let blackPoint = CGPoint(x: 1, y: 0)
    let clearPoint = CGPoint(x: 1, y: 1)

    // startpoint is center (for example black here)
    gradient?.startPoint = blackPoint
    gradient?.endPoint = clearPoint
  }

  // MARK: - Layer

  override public class var layerClass: Swift.AnyClass {
    return CAGradientLayer.self
  }
}

This is what it looks like when I take a snapshot unit test (with Nimble Snapshot library):

And this is what it looks like at runtime on a simulator:

Anyone that has an idea of what I'm doing wrong?
EDIT: Running at an actual device, it doesn't even show any gradient layer, not even the crappy one. It's a clear box.

A: Not sure what else might be going on between what you see on Simulator vs Device, but...
If I use your code as-is, I get this (red border to show the frame):

If I change your clearPoint:
//let clearPoint = CGPoint(x: 1, y: 1)
let clearPoint = CGPoint(x: 0, y: 1)    // bottom-left-corner

I get this:

Appearance is the same on Simulator and Device

EDIT
Some additional clarification...
The Radial Gradient doesn't use .startPoint and .endPoint in the same way that an .axial (linear) gradient does.
With .radial, a gradient *ellipse is drawn, using .startPoint as its center, and the difference between startPoint.x and endPoint.x times 2 as its width and the difference between startPoint.y and endPoint.y times 2 as its height.
So, to get the top-right to bottom-left radial gradient you want, you need to set .startPoint to 1,0 and the .endPoint to values which result in a gradient oval of size 2 x 2:
startPoint = 1,0

endPoint = 0,1

    width:  abs(1 - 0) * 2 = 2
    height: abs(0 - 1) * 2 = 2

note that you can achieve the same result with:
startPoint = 1,0

endPoint = 2,-1

    width:  abs(1 - 2) * 2 = 2
    height: abs(0 - (-1)) * 2 = 2

What the .radial gradient doesn't like is to have its width or height set to Zero, which is what we got with:
startPoint = 1,0

endPoint = 1,1

    width:  abs(1 - 1) * 2 = 0   // problem!!!!
    height: abs(0 - 1) * 2 = 2

The result, as we've seen, is the weird line pattern.
Here are some practical examples to demonstrate.
Axial / Linear top-right to bottom-left:

Radial centered and width = view width / height = view height:

Radial centered and width = one-half view width / height = view height:

Radial centered and width = one-half view width / height = view height... Exact same result, but note that the .endPoint.x value is 0.75 instead of 0.25:

Now we change .startPoint.x = 0.75, but we leave .endPoint.x = 0.25, so the center of the ellipse moves to 3/4ths of the width of the view, but the width of the ellipse becomes equal to the width of the view... abs(0.75 - 0.25) * 2 == 1.0:

Change .endPoint.x = 0.5 and the width returns to 1/2 the width of the view... abs(0.75 - 0.5) * 2 = 0.5:

And finally radial gradient from top-right to bottom-left:

Here is the code I used to generate these images. It has a data-block of "Gradient Definitions"... You can add / change those definitions to experiment with the differences.
//
//  GradTestViewController.swift
//
//  Created by Don Mag on 9/12/19.
//

import UIKit

class TestGradientView: UIView {

    // MARK: - Init
    override init(frame: CGRect) {
        super.init(frame: frame)
        setup()
    }

    required init?(coder aDecoder: NSCoder) {
        super.init(coder: aDecoder)
        setup()
    }

    // MARK: - Setup
    private func setup() {

        // just set the background to clear and the
        //  gradient colors to blue -> green
        backgroundColor = .clear

        if let gradient = layer as? CAGradientLayer {
            gradient.colors = [
                UIColor.blue,
                UIColor.green,
                ].map { $0.cgColor }
        }

    }

    // MARK: - Layer
    override public class var layerClass: Swift.AnyClass {
        return CAGradientLayer.self
    }

}

struct GradDef {
    var gradType: CAGradientLayerType = .axial
    var startPoint: CGPoint = CGPoint(x: 1.0, y: 0.0)
    var endPoint: CGPoint = CGPoint(x: 0.0, y: 1.0)
}

class GradTestViewController: UIViewController {

    var theButton: UIButton = {
        let v = UIButton()
        v.setTitle("Tap", for: .normal)
        v.setTitleColor(.white, for: .normal)
        v.setTitleColor(.lightGray, for: .highlighted)
        v.backgroundColor = .red
        return v
    }()

    var counterLabel: UILabel = {
        let v = UILabel()
        return v
    }()

    var descLabel: UILabel = {
        let v = UILabel()
        v.numberOfLines = 0
        return v
    }()

    var gradContainerView: UIView = {
        let v = UIView()
        return v
    }()

    var gradView: TestGradientView = {
        let v = TestGradientView()
        return v
    }()

    var tlLabel: UILabel = {
        let v = UILabel()
        v.text = "0,0"
        return v
    }()

    var trLabel: UILabel = {
        let v = UILabel()
        v.text = "1,0"
        return v
    }()

    var blLabel: UILabel = {
        let v = UILabel()
        v.text = "0,1"
        return v
    }()

    var brLabel: UILabel = {
        let v = UILabel()
        v.text = "1,1"
        return v
    }()

    var theStackView: UIStackView = {
        let v = UIStackView()
        v.axis = .vertical
        v.alignment = .center
        v.distribution = .fill
        v.spacing = 20.0
        return v
    }()

    var gradDefs: [GradDef] = [
        GradDef(gradType: .axial,  startPoint: CGPoint(x: 1.0,  y: 0.0), endPoint: CGPoint(x: 0.0,  y: 1.0)),
        GradDef(gradType: .radial, startPoint: CGPoint(x: 0.5,  y: 0.5), endPoint: CGPoint(x: 0.0,  y: 0.0)),
        GradDef(gradType: .radial, startPoint: CGPoint(x: 0.5,  y: 0.5), endPoint: CGPoint(x: 0.25, y: 0.0)),
        GradDef(gradType: .radial, startPoint: CGPoint(x: 0.5,  y: 0.5), endPoint: CGPoint(x: 0.75, y: 0.0)),
        GradDef(gradType: .radial, startPoint: CGPoint(x: 0.75, y: 0.5), endPoint: CGPoint(x: 0.25, y: 0.0)),
        GradDef(gradType: .radial, startPoint: CGPoint(x: 0.75, y: 0.5), endPoint: CGPoint(x: 1.0,  y: 0.0)),
        GradDef(gradType: .radial, startPoint: CGPoint(x: 1.0,  y: 0.0), endPoint: CGPoint(x: 0.0,  y: 1.0)),
    ]

    var idx: Int = 0

    override func viewDidLoad() {
        super.viewDidLoad()

        [theButton, counterLabel, gradContainerView, gradView, tlLabel, trLabel, blLabel, brLabel, descLabel, theStackView].forEach {
            $0.translatesAutoresizingMaskIntoConstraints = false
        }

        [theButton, counterLabel, gradContainerView, descLabel].forEach {
            theStackView.addArrangedSubview($0)
        }

        [gradView, tlLabel, trLabel, blLabel, brLabel].forEach {
            gradContainerView.addSubview($0)
        }

        [counterLabel, tlLabel, trLabel, blLabel, brLabel, descLabel].forEach {
            $0.font = UIFont.monospacedDigitSystemFont(ofSize: 14.0, weight: .regular)
        }

        NSLayoutConstraint.activate([

            gradView.widthAnchor.constraint(equalToConstant: 120),
            gradView.heightAnchor.constraint(equalTo: gradView.widthAnchor),
            gradView.centerXAnchor.constraint(equalTo: gradContainerView.centerXAnchor),
            gradView.centerYAnchor.constraint(equalTo: gradContainerView.centerYAnchor),

            tlLabel.centerXAnchor.constraint(equalTo: gradView.leadingAnchor, constant: 0.0),
            blLabel.centerXAnchor.constraint(equalTo: gradView.leadingAnchor, constant: 0.0),
            trLabel.centerXAnchor.constraint(equalTo: gradView.trailingAnchor, constant: 0.0),
            brLabel.centerXAnchor.constraint(equalTo: gradView.trailingAnchor, constant: 0.0),

            tlLabel.bottomAnchor.constraint(equalTo: gradView.topAnchor, constant: -2.0),
            trLabel.bottomAnchor.constraint(equalTo: gradView.topAnchor, constant: -2.0),

            blLabel.topAnchor.constraint(equalTo: gradView.bottomAnchor, constant: 2.0),
            brLabel.topAnchor.constraint(equalTo: gradView.bottomAnchor, constant: 2.0),

            tlLabel.topAnchor.constraint(equalTo: gradContainerView.topAnchor, constant: 4.0),
            tlLabel.leadingAnchor.constraint(equalTo: gradContainerView.leadingAnchor, constant: 4.0),

            brLabel.trailingAnchor.constraint(equalTo: gradContainerView.trailingAnchor, constant: -4.0),
            brLabel.bottomAnchor.constraint(equalTo: gradContainerView.bottomAnchor, constant: -4.0),

            ])

        view.addSubview(theStackView)

        NSLayoutConstraint.activate([

            theStackView.topAnchor.constraint(equalTo: view.safeAreaLayoutGuide.topAnchor, constant: 40.0),
            theStackView.centerXAnchor.constraint(equalTo: view.centerXAnchor),

            theButton.widthAnchor.constraint(equalToConstant: 160.0),
            descLabel.widthAnchor.constraint(equalToConstant: 240.0),

            ])

        theButton.addTarget(self, action: #selector(didTap(_:)), for: .touchUpInside)

        idx = -1
        didTap(nil)
    }

    @IBAction func didTap(_ sender: Any?) {

        guard let gLayer = gradView.layer as? CAGradientLayer else {
            fatalError("Could not get the gradient layer!")
        }

        idx += 1

        if idx >= gradDefs.count {
            idx = 0
        }

        let gDef = gradDefs[idx]

        gLayer.type = gDef.gradType
        gLayer.startPoint = gDef.startPoint
        gLayer.endPoint = gDef.endPoint

        var s = ""
        s += "Gradient Type: " + (gDef.gradType == CAGradientLayerType.axial ? "Axial" : "Radial")
        s += "\n\n"
        s += "Start Point: \(gDef.startPoint)"
        s += "\n"
        s += "End Point:   \(gDef.endPoint)"

        if gDef.gradType == CAGradientLayerType.radial {
            let w = abs(gDef.startPoint.x - gDef.endPoint.x) * 2
            let h = abs(gDef.startPoint.y - gDef.endPoint.y) * 2
            s += "\n\n"
            s += "\t" + "Radial Width:"
            s += "\n"
            s += "\t\t" + "abs(\(gDef.startPoint.x) - \(gDef.endPoint.x)) * 2 == \(w)"
            s += "\n\n"
            s += "\t" + "Radial Height:"
            s += "\n"
            s += "\t\t" + "abs(\(gDef.startPoint.y) - \(gDef.endPoint.y)) * 2 == \(h)"
        }

        s += "\n"

        descLabel.text = s

        counterLabel.text = "Variation \(idx + 1) of \(gradDefs.count)"

    }

}

Everything's done in code - no @IBOutlets or @IBActions, so just create a new view controller and assign its Custom Class to GradTestViewController.

A: here is the fix, set your point as follows:
    let blackPoint = CGPoint(x: 1.0, y: 0.0)
    let clearPoint = CGPoint(x: 0.0, y: 1.0)

Tell me if its ok in your environment.
--
I put your whole code in a playground as follows, where I made some adjustments (I stuck the gradient in the right top corner):
//: A UIKit based Playground for presenting user interface

import UIKit
import PlaygroundSupport

class ChannelGradientView: UIView {

  // MARK: - Init

  override init(frame: CGRect) {
    super.init(frame: frame)
    setup()
  }

  required init?(coder aDecoder: NSCoder) {
    super.init(coder: aDecoder)
    setup()
  }

  // MARK: - Setup

  private func setup() {
    backgroundColor = .clear
    setupGradient()
  }

  private func setupGradient() {
    guard let gradient = layer as? CAGradientLayer else { return }
    //let gradient = CAGradientLayer()
    gradient.type = .radial
    gradient.frame = frame
    gradient.colors = [
        UIColor.black.cgColor,
        UIColor.clear.cgColor
    ]

    let blackPoint = CGPoint(x: 1.0, y: 0.0)
    let clearPoint = CGPoint(x: 0.0, y: 1.0)

    // startpoint is center (for example black here)
    gradient.startPoint = blackPoint
    gradient.endPoint = clearPoint
  }

  // MARK: - Layer

  override public class var layerClass: Swift.AnyClass {
    return CAGradientLayer.self
  }
}

class MyViewController : UIViewController {
    override func loadView() {
        let view = UIView()
        self.view = view

        view.backgroundColor = .white

        let frame = CGRect(x: 150, y: 200, width: 200, height: 200)

        let iv = UIImageView()
        iv.frame = frame
        iv.alpha = 0.8
        iv.contentMode = .scaleAspectFill
        if let url = URL(string: "https://images-na.ssl-images-amazon.com/images/I/61VpNkHPRoL._SX679_.jpg"),
            let img = try? Data(contentsOf: url) {
            iv.image = UIImage(data: img)
        }
        view.addSubview(iv)
        iv.translatesAutoresizingMaskIntoConstraints = false
        NSLayoutConstraint.activate([
            iv.leadingAnchor.constraint(equalTo: view.leadingAnchor),
        iv.trailingAnchor.constraint(equalTo: view.trailingAnchor),
        iv.topAnchor.constraint(equalTo: view.topAnchor),
        iv.bottomAnchor.constraint(equalTo: view.bottomAnchor),

        ])

        let gd = ChannelGradientView()
        view.addSubview(gd)
        gd.translatesAutoresizingMaskIntoConstraints = false
        NSLayoutConstraint.activate([
        gd.trailingAnchor.constraint(equalTo: view.trailingAnchor),
        gd.topAnchor.constraint(equalTo: view.topAnchor),
        gd.widthAnchor.constraint(equalTo: view.widthAnchor),
        gd.heightAnchor.constraint(equalTo: gd.widthAnchor),

        ])
    }
}
// Present the view controller in the Live View window
PlaygroundPage.current.liveView = MyViewController()

And it does display properly:


Customer feedback has always underpinned everything we do at Cavendish – whether it's from a buyer or a seller, their opinion is really invaluable. We want to do the best job we can and that means it's not a one size fits all approach. Getting feedback from the initial outset is equally as important to us as the testimonial on completion of a sale.
For us, it's personal. We take the time to get to know all our customers – both buyers and sellers alike – and likewise they get to know us. It's this customer relationship that really makes for a great service with great results. Nothing highlights this more than a recent property sale in Ledsham Park, Little Sutton which sold on the first day of marketing due to our knowledge of the requirements of potential purchasers on our database. Taking the time to get to know potential buyers and what they are looking for means that we are way ahead of the game when a property comes to the market.
On behalf of the family of the late Mrs. Nesta Lowe, I wish to send a huge thank you for your professional advice over the past eleven months culminating in the sale of 14 Berwick Grove.
While all could be considered "part of the service", you really did go above and beyond the norm to support those of us who couldn't be close by.
All the long distance phone calls, 'in' and 'out' of hours emails, heating adjustments and responses to last minute calls for help have been very much appreciated.
I, for one, am glad we chose Manley's Little Sutton as our Agent and I'm convinced my late Aunt and Uncle (as previous owners) would have been too.
For all your assistance with the sale of my house, you've all been fantastic. I'm so glad I chose you!
Just wanted to thank you for all your help with the sale of my property.
Your professionalism throughout the process has been outstanding & I am especially grateful for your help in liaising with all other parties up and down the chain to enable us to reach exchange.
You all make a fantastic team.
Used this agent to sell our relatives house. None of our family lived locally and we were pleased with how they dealt with all viewings with quick feedback, right down to getting a sussessful sale. All the staff were very friendly and professional and really went the extra mile and nothing was too much trouble.
Would definitely highly recommend as they were the right agents for us and trusted them fully in our absence.
I am so grateful to you all for the marvellous attention you all gave to selling my property. You truly deserve to be the no. 1 estate agents.
When we decided to sell the house we had three agents call to give us an idea on price. Given our experience of the valuations, and on the recommendations of a good friend, we chose Cavendish Manley. The property was put on the market on the Monday and we had our first viewing on the Wednesday. By Friday we had sold the property at a price in excess of what we were hoping to achieve. Richard, Sue and Barbara were a pleasure to deal with from start to finish and we would recommend them for selling in the Little Sutton/Ellesmere Port area.


Within zvdd you can search within the metadata of a digitised item. The detailedness of the metadata may vary depending on the project or digitisation programme that produced it. Typically you will find not only the basic bibliographic data like title, author, imprint etc. but also title and author of component parts like journal articles, chapters etc. If it exists, the full text of the digitised items is searchable (currently only SUB Göttingen: Mathematica).
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Packaging & Label World is a special focus of Print World, North America's largest printing trade show for shorter-run printing.
PDS (Pressdown Services Inc.) is making the Canadian debut of the world's fastest digital tabletop label press, the Rapid X1, at its show booth this year.
LasX industries, founded in 1998 to deliver laser digital converting systems to the converting industry, is bringing its LasX Modular digital finishing system to Print World. Check it out in Booth 432.
Registration for Print World is now open. The show will welcome thousands of industry representatives to the Direct Energy Centre in downtown Toronto on November 22-24.
A full line-up of seminars and keynotes is planned (details to come soon) with industry experts and leading printers. Leading vendors are lining up to show their equipment, software and to answer your questions.
Go to printworldshow.com to register online today.
And don't forget about hotel specials.
Print World has designated the Hyatt on King St, Toronto, as the official hotel for the show. Register today using the code PRINTWORLD to take advantage of the great rates.
The ever-popular Thermo-O-Type makes a repeat appearance at Print World and its 400 sq. ft. booth will showcase the latest from its portfolio of digital finishing equipment, including digital die cutters, slitters, perforating and foiling presses.
Florida-based Therm-O-Type manufactures thermography machines, business card slitters, foil presses, laminators, foil fusers, foil cutters, watermark system and a complete line of continuous forms equipment.
Primera Technology is the world's leading developer and manufacturer of specialty printing equipment. At Print World 2014, Primera will be featuring its most popular printers and label applicators. Primera's production capable CX1200 digital colour label press delivers full-colour digital label printing, utilizing one of the fastest and highest-resolution colour laser engines available. Add the FX1200 digital finishing system, an "all-in-one" off-line solution to cut any size or shape label, rewind and laminate. Together, the CX1200/FX1200 provide professional-grade short-run label printing to manufacturers who need complete flexibility with the size, shape and quantity of their labels.
Exhibitors at the recent Print World trade show and conference in Toronto reported strong sales, with at least one reporting it was its "best show ever."
That comment was from PDS Pressdown, while Sydney Stone also placed several "sold" signs on its equipment. Therm-O-Type, Deposit Photos, Docuplex Printing, Technifold, International Binding & Laminating Systems, EFI Proofing Solutions and TAS Films were just some of the many others reporting success at the show.
All Graphic Supplies, one of the leading suppliers of sign-making equipment and supplies, comes back to Print World to showcase its extensive portfolio.
Come to the 900 sq. ft. booth to see a selection of equipment options that includes the Roland VersaUV LEC inkjet printer series. Offered in 30 and 54-inch models, the Roland VersaUV LEC line uses low-heat LED lamps. VersaUV prints CMYK + White + Clear on a wide range of substrates, including foils, metallic and synthetic papers, BOPP, PE and PET film for high-quality colour, texture and dimension.
All Graphic Supplies, one of the leading suppliers of sign-making equipment and supplies, comes back to Print World to showcase its extensive portfolio, including solutions that address the need for printing prototype packaging.
Come to the 900 sq. ft. booth to see a selection of equipment options that includes Roland, Mimaki, EFI Rastek, RiteLam, Rollsroller, Techwin, and Royal Sovereign, among others.
All Graphic was started in 1992 by Chris, Cled and Charles DeSouza. Today the company has offices throughout Canada, and it services clients across North America and the Caribbean.
Press manufacturer KBA is exhibiting at Packaging & Label World to highlight its advanced line of offset presses. The company offers a complete range of sheetfed offset presses from small (360 x 520 mm) to super-large format (1510 x 2050 mm) for packaging, books, and commercial printing and finishing. Its leading sheetfed brands include the Genius and Rapida lines.
Among the many innovations visitors will see at Packaging & Label World is Kodak's new award-winning Nexpress Red Fluorescing Dry Ink Solution, which helps printers provide increased security and fraud protection on packaging, direct mail, documents and promotional materials.
This innovative ink is clear when printed on top of images and graphics, and is virtually invisible. When it is illuminated with an ultraviolet light source, however, it fluoresces a red colour. The intensity of the red can be controlled by the amount of Red Fluorescing Dry Ink that is printed on the page.
Short-run packaging and labeling is exploding thanks to new markets and technologies. See the latest at Packaging & Label World, a special focus of Print World.


text:
Letter: A well-earned endorsement from Vladimir Putin
Jan. 1 � To the Editor:
Just one day after being impeached by the U.S. House of Representatives, President Trump (Aka �the IMPOTUS�) received a coveted endorsement for his reelection bid from Russian President Vladimir Putin. Putin told the Russian people, in a national address that Trump deserves reelection for the job he is doing and even insisted, �I don�t think Trump will be voted out of power on made-up charges. Democrats lost the last election, and now they want to win by other means.�
Putin�s endorsement was certainly well-earned by the IMPOTUS as I honestly can�t think of anyone else, with the exception of the 1% of Americans who reaped 83% of the benefits from the Republican tax cuts, who has benefited more from Trump�s presidency than Putin.
Trump has consistently opposed sanctioning Russia for its attacks on Ukraine and interfering in the 2016 election and despite Democratic-led House attempts to protect our elections, both he and �Moscow Mitch� McConnell, have inexplicably blocked all attempts to prevent Russia from continuing to interfere, shaking Americans� faith in our elections and democracy. Trump�s recent attempt to extort Ukraine by holding up a package of military aid and diplomatic support to the country (to ward off Russian aggression) surely has Russian fingerprints all over it. Also, no doubt at the behest of Putin, Trump has alienated us from and weakened the longstanding NATO alliance. He has furthermore been an outspoken advocate at G7 summits for readmitting Russia into the international economic organization, despite Russia�s naked aggression in Ukraine and Crimea and interfering in our election.
If you don�t think Trump has already earned Putin�s praise and recognition based solely on what I described above, then I encourage you to take a look at how our President has placed the interests of Russia over those of the US in locations where the US and Russia have involvement with competing interests including Syria, Turkey, Afghanistan, Venezuela, China and North Korea.
The Mueller Report concluded that Russia wanted Trump to win in 2016 and now it is easy to see why that was the case and why Putin will help Trump get a second term.
Wayne H. Merritt


text:
Competition Spat Erupts on Jersey as JT Replace Old Broadband Packages
Friday, May 23rd, 2014 (9:01 am) - Score 1,683
The on-going roll-out of an ultrafast Fibre-to-the-Home (FTTH) broadband ISP network on Jersey (Channel Islands) by JT Global (Jersey Telecom) will have many benefits but it also means lots of changes, such as the eventual removal of "all copper services", and some aspects of this transition have now triggered a competition row.
The latest situation began last week after JT announced a series of changes, which promised a "considerable increase in speeds following a major change in the way broadband is provided in Jersey", that would be introduced from 1st July 2014 (note: existing customers have been given until 14th June to decide what they want to do).
Under the plan all customers on the new fibre broadband network would receive "guaranteed speeds" of at least 50Mbps, with prices starting from £22.99, which will be frozen until 2017. Meanwhile users of JT's old copper-based broadband network would have the option of receiving the maximum speed their line can deliver (up to 20Mbps) for £22.99 (replacing the current 4,8,16Mbps services).
In addition, JT said they would continue to provide a basic 2Mbps "mobile broadband" product for simple e-mail use and web browsing at the current price of £17.99 until 2016. Alternatively, customers currently on a 2Mbps service can sign up to an 18-month contract on the new broadband service (up to 20Mbps on copper or 50Mbps via fibre) and continue to pay £17.99 per month for the duration of that contract (keeping their current usage allowance); although this price would eventually rise to £22.99.
The announcement prompted local ISPs Sure and Newtel to raise concerns of anti-competitive behaviour with the Channel Islands Competition and Regulatory Authorities (CICRA), which in turn agreed that the most urgent issue was with JT's "new" 2Mbps product. One of the reasons for this is apparently because JT has also increased the wholesale charge (the amount it charges other ISPs) by £3 per month per subscriber.
As a result the rivals complained that the margins were unsustainable and that JT's retail arm was thus benefitting from favourable treatment (prohibited under JT's licence from CICRA).
Michael Byrne, CICRA Interim CEO, said:
"After the 18 month period the 2Mb/s service will no longer be available and customers will automatically be moved to a much faster broadband product of up to 20MB/s but at an increased cost of £22.99 per month.
CICRA recognises that customers will receive a faster service but has received complaints from customers aggrieved with not having a choice and being required to upgrade to a product they do not require and that will result in a significant increase in monthly bills at the end of the 18 month period.
If operators are unable to offer a product to rival JT in the short term they could exit the market leaving consumers with less choice and higher priced options in 18 months time. CICRA has also identified a series of actions by JT in the course of rolling out its fibre network which appear to disadvantage its competitors, be at the expense of fair competition and, ultimately, to the disadvantage of Jersey broadband customers."
Byrne pledged that CICRA will now proceed with its investigation of these actions through a formal process in the interest of protecting consumers and the competitive process, although no timescale is given for this work.
Meanwhile JT said, given the radical shake-up of their broadband network, that it was "no surprise at all that the regulator wants to take a close look" at their changes. But their words soon became less polite when discussing Sure and Newtel.
JT Statement
Effectively, JT is now being criticised for being too competitive. On that basis, it should come as no surprise at all that our competitors have complained – but it's a little rich for Sure to be upset about our wholesale pricing to them in Jersey, when they actually charge us a higher wholesale price, as the network owner, in Guernsey!
We sincerely hope that the regulator will allow us to provide these better broadband services to our customers. We always said that they were subject to regulatory approval, and we hope that once we have clarified for the regulator exactly what we are offering, they will have no further issues with us reacting to our customers' requirements in this way.
Meanwhile more than 30% of JT customers have now been switched to the new fibre network, with the rest due to be swapped before the end of 2016 when the service will have become available to around 42,000 local premises.
Tags: channel islands , Fibre Optic , FTTH
« UK ISP Zen Internet Launches Unlimited FTTC Fibre Office Package
EE Fastest for Mobile Broadband in Birmingham, Coventry and Leicester »
"One of the reasons for this is apparently because JT has also increased the wholesale charge (the amount it charges other ISPs) by £3 per month per subscriber."
You cannot have genuine or meaningful competition in a vertical monopoly most especially if the owner of the infra is also one of the retail players.
We know this well in the UK.
And your evidence that there is not effective retail competition in the UK is exactly what? It's certainly not supported by international comparisons on things such as the market share held by the incumbent (about 31% in the UK) or general pricing levels.
JT should ask Sure to reduce their price in Guernsey for wholesale access. What is sauce for the goose?


Airbrush Asylum: Check out our video showcasing the Sagola XTECH 200 gravity feed airbrush.
Check out our video showcasing the Sagola XTECH 200 gravity feed airbrush.
In this video we take a look at the Sagola XTECH 200 double action gravity feed airbrush with a 0.2mm needle and nozzle set-up.


Windows 10 is our PC's working framework which is created and discharged by Microsoft as a feature of the Windows NT group of working frameworks. This window contain awesome new elements that wake up on capable, present day gadgets. Windows 10 was authoritatively disclosed in September 2014 after a brief demo at Build 2014. The primary form of the working framework entered an open beta testing process in October 2014, paving the way to its customer discharge on July 29, 2015.
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Windows 10 incorporates hostile to infection, firewall, Defender and against phishing advances – for the upheld lifetime of your gadget.
It got generally positive audits upon its unique discharge in July 2015. You can twofold your profitability with more inventive instruments that help you stay composed, catch thoughts, investigate online rapidly.
It likewise give Microsoft Edge that is an advanced program, worked for Windows 10. Compose specifically on website pages and utilize augmentations thus considerably more. It's more individual, responsive and about completing things on the web. It likewise give Ink that can rapidly transform considerations vigorously.
We at HawksCode give you the most recent application to window by using the most recent innovation accessible for windows. Our advancement group for windows is finished with incomprehensible experience and presents to you the most recent answer for the windows issues. Their answer for of all shapes and sizes issues and comprehension of OS makes them special for arrangements.
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text:
Severe NSW weather blows roofs from buildings, brings unseasonal snow and 'giant hail'
Updated November 07, 2017 00:22:49
Video: Snow, heavy rain and hail hits New South Wales (ABC News)
Map: NSW
A roof collapse has sent two people to hospital as rain and hail caused widespread damage across NSW, with the bureau predicting more "giant hail" and destructive winds into the evening.
The Bureau of Meteorology (BOM) warned "giant hail and destructive winds" were possible with thunderstorms on Monday over the North West Slopes and Plains, parts of the Upper Hunter and inland parts of the Mid-North Coast.
Areas the BOM warned could be affected on Monday night were Port Macquarie, Taree, Armidale, Tamworth, Gunnedah, Moree, Narrabri, Walgett and Lightning Ridge.
The dangerous weather caused the roof of a community centre to collapse in the Hunter Valley town of Kurri Kurri, near Cessnock, just after 2:00pm on Monday.
Two people were taken to Maitland Hospital with non-life-threatening injuries while everyone else inside the centre was accounted for.
Photo: A tree uprooted at Kurri Kurri in the New South Wales Hunter Valley. (Supplied: Kerensa Mitchell)
The storm also produced has a massive hailstorm which hit suburbs north of Wollongong.
The weather bureau said golf-ball-sized hail fell at Narrabri about 3:20pm.
Photo: Kurri Kurri buildings lost their roofs in the storm. (Supplied: Kerensa Mitchell)
Across the state, the BOM has issued severe thunderstorm warnings, a marine wind warning and hazardous surf warning, with the greatest impact likely to be on the South Coast and Illawarra.
The State Emergency Service responded to more than 400 calls for assistance by Monday afternoon across the state as trees fell, cars were damaged and powerlines went down.
In the Central Coast suburb of Toukley, strong winds and heavy rain damaged buildings and uprooted trees and homes, and businesses in the area lost power.
External Link: Facebook video: Hail in Thirroul
Photo: Sydney woke to rain and wild winds today. (ABC News: Riley Stuart)
'Massive' damage reported in some parts of northern NSW
Stephen Butcher, from Tregeagle, near Lismore, said the damage from Sunday night's storm was "massive".
"I fear for some of my stock, I have thousands of dollars worth of yearlings, two-year-old thoroughbreds in the paddocks," he said.
Photo: Huge hail stones pelted Tregeagle, near Lismore on Sunday. (Supplied: Stephen Butcher)
"I'm hoping they stood up. I saw some of them venturing out when the ferocity of the storms hit.
"I've got massive fig trees that are just shredded.
"I could hear the roof tiles breaking with the force of the wind and the size of the hail. I've never seen anything like it."
Otto Saeck is the owner of Blueberry Fields at Brooklet near Byron Bay and said it was the most severe hailstorm he had seen in 30 years of growing berries in the area.
"It was very very scary. We were sitting in the middle of the house hoping the windows wouldn't break," he said.
"The purpose-built hail nets, we spent over three quarters of a million dollars on them upgrading them three years ago, hasn't stood up to the load and the winds.
"It was like a tornado. We've lost most of the summer crop. We've got to spend hundreds of thousands in repair work.
"We'll prune these hard, that have been damaged, hopefully they'll come back, but if not we'll have to pull them out and start again. It's pretty expensive."
Photo: The storm caused hundreds of thousand of dollars damage to Blueberry Fields at Brooklet near Byron Bay. (ABC News: Bruce Mackenzie)
Topics: weather, rainfall, storm-event, nsw, woonona-2517, campbelltown-2560, walgett-2832, narrabri-2390, moree-2400, gunnedah-2380, tamworth-2340, armidale-2350, taree-2430, port-macquarie-2444, sutherland-2232, wollongong-2500, lismore-2480
First posted November 06, 2017 09:19:20


It has never been so affordable to own your own luxury Holiday Home in the stunning setting of North Wales.
Simply fill in the form below and we will send you our 2016 Brochure.
Fill in your details below and we'll keep you updated!
Tan Rallt is a luxury Holiday Park set in the picturesque landscape of Abergele.
Imagine owning your own piece of tranquility. At Tan Rallt we offer 5* luxury at an affordable price.
We have a large selection of new and used Holiday Homes here at Tan Rallt Holiday Park North Wales. So whether you are looking for a 5* lodge with views over North Wales or a cosy Holiday Home to cuddle up on them summer nights in, we are sure to have the right Holiday Home for you.
Tan Rallt Holiday Park is an authorised seller of New Holiday homes in North Wales for some of the Uk's leading brands.
At Tan Rallt we have a large selection of both New and Used Holiday Homes including some brand new 2016 models. We have loads to choose from, and a view that will take your breath away. Start living your dream lifestyle today.
Becoming an owner has lots of great perks & advantages.
Wondering where to go on holiday? If you would like to enjoy a holiday in Wales then there isn't a better place than Tan Rallt Holiday Park. Tan Rallt is no.1 for breathtaking views of the Welsh landscape. Tan Rallt is conveniently positioned within easy reach of the local beach and the many attractions in North Wales. We offer the ultimate in peace, tranquillity and relaxation, a real 'hidden gem' in the Welsh valley.


We stayed at the Palazzo during our Vegas weekend getaway and was lucky to be on the upper floors with a lot of natural sunlight.
I bought this dress during the Friends and Family 40% off Ann Taylor sale and it fits very nicely. It has extra clasps inside for a more secure fit. I was afraid that the tube top would fall but it stayed on quite nicely and I didn't worry about pulling it up all the time. I usually don't wear accessories but lately I decided to not be lazy and change it up a bit with my J.CREW necklace. It's not too bold and definitely adds a polished and sophisticated look to any outfit. My all time favorite cross body bag is my vintage Marc Jacobs. It has that classic modern look that will never go out of style.
Bauble Bar adjustable Bracelet. It fits perfectly and it's adjustable for those with small wrists! Simple and elegant.


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Order now a car or a taxi in Ploiești or Timișoara. XTaxiTransfer (XTT) offers the following services: passenger transportation, chauffeur services, transportation for groups, airport pick-up, airport transfer, transfer from hotel to airport, transfer from hotel to company, transport from company to airport or personal driver, at the best prices, with licensed cars and professional drivers. You can pay online** with your card, when you book, and have access from your XTT account to all financial information (invoices, transaction history, top-up history), trip history and access to special offers. For more details regarding our transportation services for individuals and companies please visit the Services page.
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