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Home » About the Center » Publications
Articles by G. Alan Tarr
"Explaining State Constitutional Change," WAYNE LAW REVIEW 60 (2015).
"Political Identity and Federalism: The American Experience," L'EUROPE EN FORMATION (2014).
"A Problem without End? The Financial Crisis in State Courts," KENTUCKY LAW JOURNAL 100 (2012).
"Contesting the Judicial Power in the States," HARVARD JOURNAL OF LAW AND PUBLIC POLICY 35 (2012).
"Commission-Based Judicial Appointment: The American Experience," REVUE GENERALE DE DROIT 41 (2011).
"Federalism and Health Care in the United States," REVISTA CATALANA DE DRET PUBLIC (2011).
"Federalism and Subnational Constitutional Space," PENN STATE LAW REVIEW 115 (2011).
"State Constitutional Design and State Constitutional Interpretation," MONTANA LAW REVIEW 72 (2011).
"Subnational Constitutions and Minority Rights: A Perspective on Canadian Provincial Constitutionalism," RUTGERS LAW JOURNAL 40 (2009).
"New Directions in State Court Research," JUSTICE SYSTEM JOURNAL 30 (2009).
"Do Retention Elections Work?" MISSOURI LAW REVIEW 74 (2009).
"Federalismo e Espaco Constitucional Sunactional," REVISTA BARILEIRA DE ESTUDOS CONSTITUCIONAIS 10 (2009).
"NAFTA and Federalism: Are They Compatible?" NORTEAMERICA 3 (2008).
"Designing an Appointment System: The Key Questions," FORDHAM URBAN LAW REVIEW 34 (2007).
"Getting from Here to There: Twenty-First Century Mechanisms and Opportunities in State Constitutional Reform," RUTGERS LAW JOURNAL 36 (2005). Co-author.
"American Constitutionalism and the Indian Tribes," INDIAN JOURNAL OF FEDERALISM 8 (2005).
"State Constitutional Interpretation," TEXAS REVIEW OF LAW & POLITICS 8 (2004), reprinted in John Baker, ed., STATE AND LOCAL GOVERNMENT. Baltimore: Lanahan Publishers, 2009.
"Rethinking the Selection of State Supreme Court Justices," WILLAMETTE LAW JOURNAL 39 (2003).
"Cyprus and the Clash of Rights," INDIAN JOURNAL OF FEDERAL STUDIES 6 (2003).
"Interpreting the Separation of Powers in State Constitutions," NEW YORK UNIVERSITY ANNUAL SURVEY OF AMERICAN LAW 59 (2003)
"The State of State Constitutions," LOUISIANA LAW REVIEW 62 (2002).
"Laboratories of Democracy?" PUBLIUS: THE JOURNAL OF FEDERALISM 31(2001).
"Models and Fashions in State Constitutionalism," WISCONSIN LAW REVIEW (1998).
"The New Judicial Federalism in Perspective," NOTRE DAME LAW REVIEW 72 (1997).
"The Past and Future of the New Judicial Federalism," PUBLIUS: THE JOURNAL OF FEDERALISM 24 (1994).
"Understanding State Constitutions," TEMPLE LAW REVIEW 65 (1992).
"Constitutional Theories and Constitutional Rights," PUBLIUS: THE JOURNAL OF FEDERALISM 22 (1992).
"State Constitutional Law and Constitutional Theory," RUTGERS LAW JOURNAL 22 (1991).
"Church and State in the States," WASHINGTON LAW REVIEW 63 (1989).
"Religion Under State Constitutions," ANNALS OF THE AMERICAN ACADEMY OF POLITICAL AND SOCIAL SCIENCES 496 (1988).
Articles by Robert F. Williams
Squeezing Out Provinces' Legislative Competence, 129 S. African L.J. 621 (2012) (with Steytler).
Response: Why State Constitutions Matter, 45 New England L. Rev. 901 (2011).
Teaching and Researching Comparative Subnational Constitutional Law, 115 Penn St. L. Rev. 1109 (2011).
Should The Oregon Constitution Be Revised, And If So, How Should It Be Accomplished? 87 Oregon L. Rev. 867 (2009).
Is the Wisconsin State Constitution Obsolete? Toward a Twenty-First Century, Functionalist Assessment, 90 Marquette L. Rev. 425 (2007).
State Constitutional Methodology in Search and Seizure Cases, 77 Miss. L.J. 225 (2007).
The New Judicial Federalism Takes Root in Arkansas, 58 Arkansas L. Rev. 883 (2006).
Juristocracy in the American States? 65 Maryland L. Rev. 68 (2006).
Foreword: Getting From Here to There: Twenty-First Century Mechanisms and Opportunities in State Constitutional Reform, 36 Rutgers L.J. 1075 (2005) (coauthored with Alan Tarr).
State Courts Adopting Federal Constitutional Doctrine: Case-by-Case Adoptionism or Prospective Lockstepping? 46 Wm. & Mary L. Rev. 1499 (2005).
Foreword: Continued Commitment to State Constitutional Law, 38 Valparaiso U.L. Rev. 317 (2004).
The New Judicial Federalism in Ohio: The First Decade, 51 Cleve. St. L. Rev. 415 (2004).
New Hampshire and the Methodology of the New Judicial Federalism, 45 N.H. B.J. 6 (Summer 2004).
Introduction: Celebrating Judge Michael Patrick King's Career, 35 Rutgers L.J. 1247 (2004) (also solicited and edited the articles).
Introduction: The Third Stage of the New Judicial Federalism, 59 NYU Ann. Surv. Am.L. 211 (2003).
Shedding Tiers "Above and Beyond" the Federal Floor: Loving State Constitutional Equality Rights to Death in Louisiana, 63 La. Rev. 917 (2003).
The Brennan Lecture: Interpreting State Constitutions As Unique Legal Documents, 27 Okla. City U.L. Rev. 189 (2002).
Traces of its Labors": The Constitutional Commission, the Legislature, and Their Influence on the New Jersey State Constitution, 1873-1875, 33 Rutgers L.J. 929 (2002) (Coauthored).
Foreword: Continuing Developments in State Constitutional Law, 74 Temple L. Rev. 573 (2001).
Old Constitutions and New Issues: National Lessons from Vermont's State Constitutional Case on Marriage of Same-Sex Couples, 43 Boston Coll. L. Rev. 73 (2001).
Foreword: Tort Reform and State Constitutional Law, 32 Rutgers L.J. 897 (2001).
Foreword: Is Constitutional Revision Success Worth Its Popular Sovereignty Price? 52 Fla. L. Rev. 249 (2000).
Comparative Subnational Constitutional Law: South Africa's Provincial Constitutional Experiments, 40 S.Tex. L. Rev.625 (1999), reprinted at 63 J. Contemp. Roman-Dutch Law 367 (2000) (South Africa).
The New Judicial Federalism in the United States: Expansive State Constitutional Rights Decisions, in Subnational Constitutional Governance: Seminar Report, p.67 (Johannesburg, South Africa: Konrad-Adenauer Foundation, 1999).
Justice Brennen, The New Jersey Supreme Court, and State Constitutions: The Evolution of a State Constitutional Consciousness, 29 Rutgers L.J. 763 (1998).
Afterword: The New Jersey State Constitution Comes From Ridicule To Respect, 29 Rutgers L.J. 1037 (1998).
Rhode Island's Distribution of Powers Question of the Century: Reverse Delegation and Implied Limits on Legislative Powers, 4 Roger Williams U.L.Rev. 159 (1998).
Foreword: Western State Constitutions in the American Constitutional Tradition, 28 New Mex. L. Rev. 191 (1998) (co-authored).
New Mexico State Constitutional Law Comes of Age, 28 New Mex. L. Rev. 379 (1998).
New York's State Constitution in National Context, 14 Touro L. Rev. 611 (1998).
State Constitution's Role—A Symposium, 1 Delaware L. Rev. 193 (1998) (moderator).
The Florida Constitution Revision Commission in Historic and National Context, 50 Fla. L. Rev. 215 (1998).
Comparative State Constitutional Law: A Research Agenda on Subnational Constitutions in Federal Systems, in Law In Motion (Roger Blanpain, ed. 1997), p. 339. (June1997).
New Jersey's State Constitutions: From Ridicule to Respect, 185 New Jersey Lawyer 8 (June 1997).
In The Glare of The Supreme Court: Continuing Methodology and Legitimacy Problems in Independent State Constitutional Rights Adjudication, 72 Notre Dame L. Rev. 1015 (1997).
Two Visions of State Constitutional Rights Protections, 7 Seton Hall Const. L.J. 833 (1997).
Are State Constitutional Conventions Things of the Past? The Increasing Role of the Constitutional Commission in State Constitutional Change, 1 Hofstra Law & Policy Symposium 1 (1996).
Comment: On the Importance of a Theory of Legislative Power Under State Constitutions, 15 Quinnipiac L. Rev. 57 (1995).
The New Jersey Equal Rights Amendment: A Documentary Sourcebook 16 Rutgers Women's Rights L. Reporter 69 (Winter 1994).
The New Judicial Federalism: The States' Lead in Rights Protection, 65 Journal of State Government 50 (April-June 1992) (Coauthored).
The Claus von Bulow Case, Chutzpah and State Constitutional Law? 26 Connecticut L. Rev. 711 (1994).
New York's State Constitution in Comparative Context and The Role of The Constitutional Commission in State Constitutional Change in The New York State Constitution: A Briefing Book (Gerald Benjamin, ed., 1994) p. 17, 73; and in Decision 1997: Constitutional Change In New York (Gerald Benjamin and Henrik N. Dullea, eds., 1997), p. 29, 45.
State Constitutionalism: Completing the Interdisciplinary Study of Constitutional Law and Political Theory, 22 Perspectives in Pol. Sci. 110 (Summer 1993).
A "Row of Shadows": Pennsylvania's Misguided Lockstep Approach to State Constitutional Equality Doctrine, 3 Widener J. Pub. L. 343 (1993).
Class Actions in New Jersey State Courts, 24 Rutgers L. J. 737 (1993) (coauthored).
Foreword, A Research Agenda in State Constitutional Law, 66 Temple L. Rev. 1145 (1993).
Introduction: The Stories of State Constitutional Law, 18 Nova L. Rev. 715 (1994).
Review Essay: A Generation of Change in Florida State Constitutional Law, 5 St. Thomas L. Rev. 133 (1992).
Foreword: The Importance of an Independent State Constitutional Equality Doctrine in School
Finance Cases and Beyond, 24 Connecticut L. Rev. 675 (1992).
Foreword: New York Constitutional Law—The State and Nation Watch, 8 Touro L. Rev. I (1992).
State Constitutional Law: Teaching and Scholarship, 41 J. Legal Ed. 243 (1991).
Marking The End of Pennsylvania's Revolutionary Constitutional Experiment, 139 Pittsburgh Legal J. 45 (January, 1991).
Selected Bibliography on State Constitutional Law, 1980-1989, 20 Rutgers L. J. 1093 (1989) (coauthored).
"Government Structure Under State Constitutions," in State Constitutions in the Federal System (Advisory Commission on Intergovernmental Relations, 1989), p. 37.
The State Constitutions of the Founding Decade: Pennsylvania's Radical 1776 Constitution and Its Influences on American Constitutionalism, 62 Temple L. Rev. 541 (1989).
Evolving State Legislative and Executive Power in the Founding Decade, 496 Annals of the
American Academy of Political and Social Science 43 (1988).
"Experience Must be Our Only Guide": The State Constitutional Experience of the Framers of the Federal Constitution, 15 Hast. Const. L. Q. 403 (1988).
The Influences of Pennsylvania's 1776 Constitution on American Constitutionalism During the Founding Decade, 112 Pa. Mag. of Hist. & Biog. 25 (1988).
New Jersey's Constitution of 1776: "We Shall have a Republic established by the end of the week," New Jersey Lawyer 21 (Summer, 1987).
Methodology Problems in Enforcing State Constitutional Rights, 3 Ga. St. U. L. Rev. 143 (1986-1987).
Farmworkers' Organizational and Collective Bargaining Rights in New Jersey: Implementing Self-Executing State Constitutional Rights, 18 Rutgers L. J. 729 (1987) (coauthored).
State Constitutional Limits on Legislative Procedure: Problems of Judicial Enforcement and Legislative Compliance, 17 Publius: The Journal of Federalism 91 (1987), reprinted in 48 U. Pitt. L. Rev. 797 (1987).
The State Constitutional Roots of the "Separate But Equal" Doctrine: Roberts v. City of Boston, 17 Rutgers L. J. 537 (1986) (coauthored).
Equality Guarantees in State Constitutional Law, 63 Texas L. Rev. 1195 (1985).
Equality and State Constitutional Law, Chapter 3 in Developments in State Constitutional Law: The Williamsburg Conference (B. McGraw ed. 1985), and Chapter 2 in
Practicing Law Institute, Recent Developments in State Constitutional Law (P. Bamberger ed. 1985).
Introduction: State Constitutional Law in Ohio and the Nation, 16 U. Toledo L. Rev. 391 (1985).
Special Project: The Constitutionality of the Death Penalty in New Jersey, 15 Rutgers L. J. 261 (1984) (coauthored with a professor and three students).
In the Supreme Court's Shadow: Legitimacy of State Rejection of Supreme Court Reasoning and Result, 35 South Carolina L. Rev. 353 (1984).
Statutory Law in Legal Education: Still Second Class After All These Years, 35 Mercer L. Rev. 803 (1984).
State Constitutional Law Processes, 24 William and Mary L. Rev. 169 (1983).
The Anatomy of Law Reform: Dissecting a Decade of Change in Florida in Forma Pauperis Law, 12 Stetson L. Rev. 363 (1983).
Statutes as Sources of Law Beyond Their Terms in Common-Law Cases, 50 George Washington L. Rev. 554 (1982).
Legal Education in Afghanistan Prior to the Soviet Occupation, 6 Suffolk Transnational L. Rev. 247 (1982).
The Tax Injunction Act and Judicial Restraint: Property Tax Litigation in Federal Courts, 12 Rutgers L. J. 653 (1981).
Interpretation of Statutes: A Comparative View for Afghanistan (1975) (Translated and published in Persian by the Afghan Judicial Training Center).
The Florida Residential Landlord and Tenant Act, 1 Florida State University L. Rev. 555 (1973) (coauthored).


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Business Weekly: No Bullsh*t Leadership with Kwame Kwei-Armah
Chris Hirst, Global CEO of advertising group Havas Creative, cuts through the bullshit and gets to the heart of modern leadership in this straight-talking podcast brought to you by Intelligence Squared. In this episode Chris speaks to Kwame Kwei-Armah, the Artistic Director of the Young Vic theatre in London. He is also an actor, playwright, singer and broadcaster. From 2011 to 2018 he was the Artistic Director of Baltimore Center Stage, and he was Artistic Director for the Festival of Black arts and Culture, Senegal, in 2010. His series of eight short films, Soon Gone: A Windrush Chronicle, was shown on BBC4 in 2019. He is a patron of Ballet Black and a visiting fellow of Lady Margaret Hall, Oxford University. If you enjoyed this podcast please let us know what you think by rating and reviewing No Bullsh*t Leadership on Apple Podcasts. Support this show http://supporter.acast.com/intelligencesquared. See acast.com/privacy for privacy and opt-out information. Learn more about your ad choices. Visit megaphone.fm/adchoices

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Just stopping by to give you a shout out. Long day at work and it's going to be crazy T showers tomorrow.
As often as it happens, well not here, you'd think more people could drive in it. Take care man. And it was good to see you drop by the forum and post up!
Crazy NYC drivers are going to be the reason I go back on the make me happy pills.
VV show texred the avatar picture that I was asking you to change, see if he likes that.
I just wanna know how old is the pic?
Hey, I see NOTHING wrong with shirtless men. I remember when I was 5 asking my mom why my brother didn't have to wear a shirt, but I did. She said "Because". So when I was 6 I burned all my bras.
54 is the answer to your question. Looking to do North East regional at the moment with one of the larger trucking companies. BTW, DMV failed the truck, so no one was able to test out today, they rescheduled us all for next Thursday. Freezing up my way today with high winds made it a tad bit of polar weather here today. Damn it, change that freaking nasty avatar ASAP, Please!
Man you be careful, it's tricky enough winter driving in the NE. At least in a truck, you have better visibility!
What are you doing to me??? That is one sorry looking avatar picture.... I am tossing my cookies as we speak. Anyway, just popped in to tell you I test out of school tomorrow, if I pass I will get my commercial truck driving license. a CDL- A driver with hazmat, tanker, and double/triple indorsements. Ready to join a company and hit the road traveling!
Sorry about the pukage...but if you go OTR, you'll need to purge every now and then.
I'd like to do that, but my mom lives with me and she has a tendency to fall. I thought about trying maybe day runs...Tucson to El Paso or something. I love driving.
If you don't mind me asking, how old are you? I don't know that they would care, but...I'll be 60 next May.
You will be so glad you got all those endorsements. Keep 'em. Now all you gotta do is move south. I dispatched for a few places. Texas. But I don't know the $ situation here now. I know it's always scary and stay out of oilfields.
Hi abnormaltoy, how are things with you this day? Getting close to that holiday season here in a few weeks.
I'd venture we've got a nicer forecast than what you guys have back there. All next week...in the 70s. Personally, I'm ahead of the game...in fine fettle. How are things in your sphere of influence?
Still have not gone after another amp. Maybe I should just hold out till fall, then I might be about to swing either a Louis Electric or a RedPlate amp.
Hey, those Red Plate amps are killer. Take a look at the astrodustduo, I like the KT 66 -88 tubes...tones of clean headroom so, the dirt and everything else goes on a blank canvas.
They're up the road in PHX, the guy took quite a while to chat with me.
Thanks, I couldn't find the response button so I write here instead. What you are saying is true and her health both physical and mentally is important. I don't think there is a simple direction as to what to do in case something like this happens, it wouldn't work.
Must of been an older picture of me when I was in my 30's. I can't remember sharing to many around here. I don't much care for the way the sick freeking people of the world use the internet to scam people. Either via the internet or first hand unwelcomed visits.
I saw your responses in the" American Made Strats are too expensive" thread and liked the way your mind worked. Take care.


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2. I'm reading The Book of Illusions by Paul Auster. I've previously read his novel Timbuktu and was so very impressed with his storytelling and look forward to seeing his take on different characters and situations.
3. I woke up today and thought I would accomplish a great deal today.
4. Why does there never seem to be enough time?
5. The last thing I ate was yoghurt with Kashi cereal mixed in.
6. January has not met my expectations and that's a good thing.
7. And as for the weekend, tonight I'm looking forward to relaxing, tomorrow my plans include sanding, staining and applying layers of poly and Sunday, I want to fill up the new pantry my husband and I have been building!
Welcome to the Friday Fill-Ins :-) Thanks for playing, glad you had a great weekend and btw, I love your blog design!


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I have never been hugely into the aesthetics of Silberstein's colors Speedmaster Racing and shapes, but I can admit that this is still a very cool clock. Note that as Replica Omega Watches of this review, Zodiac has released two versions of gold the limited-edition SSW Super Sea Wolf Pro watches, including this titanium version and one steel model — the reference ZO3552 that has a black dial and bezel. including enhanced camera flashes.
The watch can be pre-ordered as of now, with the first deliveries planned for August 2022. So what you get here is De Ville Trésor the same standard field case that Momentum uses for the rest of their Atlas lineup, which come in multiple case sizes, including larger and smaller than this 38mm. Chunky, Lumpy sweaters are in and it seems that the chunkier and lumpier the sweater is the more fashionable it is. 6 mm, stainless steel Movement: automatic Caliber 01 with 70-hour power reserve, 28, 800 vph/4 Hz frequency; official C. This was good timing as the auction world experienced an extreme uptick during the pandemic. The case-back is open with a sapphire crystal to reveal the modern movement architecture and its oscillating weight adorned with "Cotes de Geneve" motif. Water-resistance is 100 metres / 330 feet. There are many techniques a microbrand can manage; generally grand feu enamelling is not one of them. It takes a very, very hot oven, an incredible amount of skill and the patience to go through more than a few cast-off dials in search of a viable one. It's also at the centre of anOrdain's entire watchmaking process. The six-person team has created a beautiful array of vibrant enamel dials in colours ranging from Post Office Red to Moss Green to bright Orange Fume. The watches take time – currently three to four weeks – but the results are well worth the wait, especially with prices starting at just £950.
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I now know that those watches would be worth much more today. We're sure Super Bowl Monday will be no different. Buy it here Summer is calling and adventure awaits. With 43mm in diameter and 12.
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Arthroscopic capsulotomy – Sudihir RaoIf the shoulder stiffness does not resolve with time and physiotherapy/local injections of steroid etc then surgery may be necessary to improve the movement. This procedure is done for shoulder stiffness secondary to a frozen shoulder, osteoarthritis or after fractures/shoulder injuries.
The shoulder capsule is divided in between the rotator cuff tendons (interval release), anterior and inferior capsule and posterior capsule, if tight. I generally do a gentle manipulation at the end of the procedure to ensure I have achieved the desired result. Post surgery physiotherapy is essential to restore the range of movement, which recovers gradually, over months.
The procedure is done very carefully to avoid nerve damage. To date I have not personally had this complication.
If the problem is picked up early enough inflating the shoulder capsule with fluid and dilating (Barbotage) it can dramatically stop the stiffness and result in a rapid resolution.


text:
Minus the Bear
by Michaelangelo Matos
Monday, October 9, 2006 12:00am
Seattle Weekly: Your new album, Menos el Oso [Suicide Squeeze], sounds pretty emotional, but some of the song titles are fairly goofy—"The Game Needed Me," "Hooray," "This Ain't a Surfin' Movie." So which comes first for you guys, the song or the title?
Jake Snider (singer/guitarist): Usually the title. It definitely depends. "Hooray" is a song about playing in the snow, so it's like, "Hooray for snow days."
The album is immaculately produced. How long did it take to get it to sound so pristine?
We took about three months to record it, from the beginning of recording to the end of mixing. The songs were, for the most part, written beforehand, aside from lyrics—I spent a couple weeks of that time doing those. We recorded basic tracks at a real studio and then we just did all the overdubs at my house. After we got most of the guitar playing done, I started writing lyrics in my home studio. Most [of the music] is collaborative; the beginning of the songs come up from Dave [Knudson, guitarist] and Erin [Tate, drummer].
You guys are on the road right now. Are you a sleeping-on-floors or sleeping-in-motels band?
Sleeping in motels, for the most part. [We've done] four years' touring, basically. We've got the whole thing totally dialed. We just ate.
What did you just eat?
Delicious—well, actually, horrible—Taco Bell in The Dalles, Ore. We're right by a strange dam I've never seen before. We're going east to Spokane. It's not that bad, about seven hours from Portland.
Have you picked up any vices on the road?
Nothing that I didn't have already. The biggest thing I've picked up is just enjoying it, so when I'm home I get bored—whoa, that's a crazy drawbridge!
Describe the drawbridge.
It's a bridge where a section of it goes up this five-story-tall thing. It's like a train bridge, and it doesn't, like, split in the middle and go up on either side. It goes vertically straight up into the air like a platform.
Are you a drawbridge aficionado?
I don't think so, no. I just didn't expect to see something that magnificent.
mmatos@seattleweekly.com
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Simply search for timber flooring Melbourne suppliers online and you will notice there are so many companies out there providing you with good quality timber flooring services. You need to however opt for a company that is reliable and provides good quality to your house. When it comes to selecting a long lasting and enduring flooring choice for your home and kitchen, nothing could work better than timber flooring. They are easily available in a flotilla of shades and colors which will help in enhancing your home's interiors. Alongside, the natural ambiance of timber together with its golden glow does fit in with various style of décor.
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Probably you have a two bedroom house and a little den. The only reason why you cannot consider it as a bedroom is because it does not have a closet, right? Hence go ahead and add a closet and make it a three bedroom house. You will later notice how it enriches the space available and boosts the value ofthe house.
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text:
BY ACTOR: R
Charlotte Rampling was born in 1946 in Essex, UK. She is best known for her sexually provocative roles including her portrayal of a concentration camp survivor who engages in a sadomasochistic relationship with her Nazi torturer in the 'The Night Porter' (1974). Rampling has appeared in several English language, French and Italian films. In 2001 she was made an OBE and received France's Legion of Honour in 2002.
John C. Reilly was born in Chicago, Illinois in 1965. He made his debut in 'Casualties of War' (1989), and has since appeared in over 50 films. He is celebrated for his versatility, appearing in dramas such as 'We Need To Talk About Kevin' (2011) to musicals (he was nominated for an Oscar for his role in 'Chicago' (2002)) and comedies. He has worked alongside directors such as Paul Thomas Anderson, Brian De Palma, and Roman Polanski.
Jérémie Renier
Jérémie Renier was born in 1981 in Brussels, Belgium. He made his film debut with the critically acclaimed 'La Promesse' (1996), directed by Luc and Jean-Pierre Dardenne. He has subsequently collaborated on many of the Dardenne brothers films such as 'The Child' (2005) and 'The Kid with a Bike' (2011). He became better known to international audiences for his roles in 'Atonement' (2007) and 'In Bruges' (2008).
Sam Riley was born in 1980 in Leeds. He is best known for the role of Ian Curtis in 'Control' (2007), in which he plays the lead signer of the 1970s band Joy Division, and for which he won a selection of awards including the British Independent Film Award for Most Promising Newcomer and a BAFTA nomination. In 2012, he starred in Walter Salles' adaptation of 'On the Road', opposite Kristen Stewart.
Grant Rosenmeyer
Rosenmeyer got his start on Broadway in William Shakespeare's MACBETH opposite Kelsey Grammer and Ty Burrell and in long- running phenom LES MISERABLES before departing for the big screen as one of Ben Stiller's tracksuit- clad sons in Wes Anderson's THE ROYAL TENENBAUMS. He also led the cast of Fox's 2003-2004 series "Oliver Beene." He appeared with George Clooney and Julia Roberts in Jodie Foster's MONEY MONSTER, and starred in indies TEMPS with Lindsey Shaw, and CHASING THE BLUES alongside Jon Lovitz. Rosenmeyer also appears on the CW's "Crazy Ex- Girlfriend", and the horror thriller IRL for director Jen Harrington.


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The Ada Presbyterian Church is affiliated with the Evangelical Presbyterian Church (EPC). The EPC has over 600 congregations in its membership and is growing rapidly, focusing on evangelism and mission. The EPC's roots are in the classic Protestant tradition tracing back to John Calvin and the Reformation of the 1600s. The connection to the past is made fresh with an evangelical spirit, a heart of devotion and love directed to God and neighbor.
We invite you to stop by for worship at 10:30 on Sunday mornings or look at our website or the EPC's website for more information about our church and denominational home.


text:
Rick Warren is an innovative pastor, renowned author, and global influencer. The various ministries Pastor Rick has created are a multi-faceted expression of his heart to bring the whole gospel to the whole world. Since founding Saddleback Church in 1980, Pastor Warren continues to be at the
forefront of the evangelical movement, encouraging churches everywhere to be a sanctuary for hope and healing.
Saddleback has grown to over 30,000 weekly attendees across sixteen locations, including four international campuses, and an online campus hosting listeners from around the world. Saddleback Church continues to be one of America's most influential churches.
Saddleback Church has built an outreach of more than 300 community ministries, including the nationally recognized Celebrate Recovery, a Christ-centered recovery program now implemented in over 25,000 churches.
Topping the New York Times Best Seller list for the last 3 decades, Rick Warren's books, including The Purpose Drive Life, are known for taking complex theological principles and translating them for the common man. PastorRick.com
JASON LEITH
Jason is the director of arts at Saddleback Church's arts initiative, SVA–Saddleback Visual Arts, and an accomplished artist. His Sacred Streets project gained international acclaim. Sacred Streets features twelve portraits of homeless people whom he met and drew right on Los Angeles' "skid row". The portraits were exhibited in temporary gallery made of found materials that was erected on a vacant lot on "skid row".
His desire was to render beauty in ways that marry artistic excellence with social responsibility. "I had a relevation that . . . I did not have to choose between the two or practice them separately." Jason is a graduate of Biola University's fine arts program, and a Masters in Global Leadership candidate at Fuller Theological Seminary.
THERESA DEDMON
Theresa is on pastoral staff at Bethel Church in Redding, California, where she oversees the Creative Arts department for the Church. She instructs on creative worship expressions and creative arts events within the church, as well as strategy and coordination for city transformation and outreach.
Theresa speaks at national and international conferences, equipping and activating people to step into their supernatural destiny. She focuses on helping them walk in creative power to transform the world through creative expressions of God's presence.
Theresa earned her B.A. in Psychology, minoring in Biblical studies from Vanguard University, and a certification in Arts and Healing from Chapman University. She has been in pastoral ministry for over 25 years.
Theresa has written Born to Create , Cultivating Kingdom Creativity , and a Create Supernaturally DVD/Workbook (three-part series).
J. SCOTT McELROY
J. Scott McElroy is the author of The Creative Church Handbook: Releasing the Power of the Arts in Your Congregation (InterVarsity Press 2015), Finding Divine Inspiration: Working with the Holy Spirit in Your Creativity, and founder of The Ne w Renaissance Arts Movement, dedicated to connecting, equipping and inspiring churches and artists for the New Renaissance. Scott is also the Director of Arts at the Indianapolis Vineyard Church. He speaks nationally about spiritual formation for artists, the arts in the local church, and more. Scott is an award winning audio producer, a voiceover artist, and visual artist. He served as Emmis Communications Indianapolis Production Director for 20 years, and hosted the Animal Planet TV series, "Wildlife Journal" from 2004-2007.
Scott talks about Creative Church Handbook HERE.
See more at JScottMcElroy.com.
MARIA FEE
Maria Fee is an artist with an M.F.A. in Painting, and an M.A. in Theology. As an adjunct professor of theology and culture at Fuller Theological Seminary, she helps seminarians negotiate their theological observations through a creative medium. She is currently a Ph.D. Candidate of Theology and Culture at Fuller. Conversely, past ministry includes encouraging New York City artists to consider their work within a theological scope. Maria's own art practice explores ideas of fragmentation, metizaje (cultural mixing), alienation, and rootedness.
Visit her personal website to see many of her paintings, and listen to her on the Christians in the VIsual Arts (CIVA) podcast. Maria has been published by a variety of visual arts journals. Most recently, she was featured in the journal of the Society for the Arts in Religious and Theological Studies writing about the work of Russian artist Natalia Goncharova.
KUTTER CALLAWAY
Kutter Callaway is assistant professor of theology and culture at Fuller Theological Seminary and co-director of Reel Spirituality. He is the author of Breaking the Marriage Idol: Reconstructing our Cultural and Spiritual Norms, Watching TV Religiously: Television and Theology in Dialogue, and Scoring Transcendence: Contemporary Film Music as Religious Experience. Prior to teaching at Fuller, Callaway served in pastoral ministry for nearly a decade, focusing primarily on developing creative worship spaces for young and emerging adults. He tweets @kuttercallaway
KATHRYN ERVIN
Kathryn is an artist, art educator, and arts advocate. She'll present the unique "Treasurish Hunt" at the conference, part scavenger hunt, community art making experience, dinner, and a musical performance. Recognizing the dire need for arts education and integration in all sectors of rural, Southern America, she co-founding TOSS, art studio in Morganton, NC, with the goal of harnessing the power of creativity as a means for health and well being. Currently she has accepted a fellowship through the Brehm Center at Fuller Seminary in order to study the integration the theology and the arts while continuing her work of creative place-making in the South. She has a BFA in painting and drawing from East Carolina University in 2014. Her portfolio encompassed a number of interdisciplinary projects that focused on site-specific installation, social action, and collaboration. In her free time, Kathryn enjoys running, biking, and jumping on trampolines. KathrynErvin.com
MEL MCGOWAN
Mel combined his background in film and design during a decade long stint at the Walt Disney Company. Post-Disney, he has led teams which have won multiple Solomon Awards for "Best Church Architect," and "Best Builder" and is the author of Design Intervention. Mel was named one of the top 25 influencers by OC Metro Magazine, is a contributing editor to Outreach Magazine as well as an Adjunct Professor at CBU's College of Architecture, Visual Arts & Design.
At PlainJoe Studios, where he is co-founder and chief creative officer, Mel creatively leads the uniquemulti-disciplinary SPATIAL STORYTELLING℠ studio, which integrates the multiple disciplines of master planning, architecture, interior design, show set design, environmental graphics, and themed attraction design in the creation of compelling experiences and environments around the world.
SAARA TAINA
Saara Taina was born in Finland and has been teaching worship dance for more than 20 years on five continents. She was a student in the School of Worship in Jerusalem, Israel, and studied dance in Sydney,
Australia. She has an Advanced Diploma of Creative Arts in Christian Ministry, specializing in Contemporary Dance. Saara is a commissioned and licensed Dance Pastor by the Bethel Church of Redding and she is currently pastoring the dance ministry teams at Bethel Healing Rooms and Bethel School of Supernatural Ministry. Saara is the author of "Encountering God Through Dance" and "Dance Pastor". Her passion is to equip the global Bride of Christ to worship Jesus with everything she is, without fear or shame, and to release the Kingdom of Heaven through dance and creativity.
JEROME GASTALDI
Jerome Gastaldi is a contemporary American artist of Italian ancestry, whose work combines first hand impressions, perceptions and observations that explore and comment upon our society. Jerome will facilitate a large scale community art making project for attendees of the conference. Gastaldi's powerful works stand astride the borderline between Expressionism and Surrealism, and have been compared by art critics to that of Robert Rauschenberg, Edward Kienholz, and Francis Bacon. His creative process is both emotional and intuitive, as evidenced by Gastaldi's rapid handling of paint, his distortion of the human figure, the rich use of symbols, and the inclusion of found objects. There is a complexity and depth to his multi-layered imagery that reflects what the modern world offers the individual; not fixed, solitary images that can be grasped and reflected upon, but instead a seemingly unceasing flow that blurs the sense of reality and threatens to overwhelm the ability to comprehend.
He lives and works in Southern California. His studio is on his four acre ranch called Rancho Capriata, named after the town of Capriata de Orba in Northern Italy, where his family is originally from. He works in a number of media, including painting, sculpture, print making, and performance.
Gastaldi's work has been exhibited internationally in museums, universities and other public institutions, as well as held in public, private and corporate collections.
To see other works by the artist, as well as his exhibition Bridges to Freedom, which focuses on the positive and important aspects of the diversity of American culture, please visit http://jeromegastaldi.com or /www.peopleoftheboats.com
BRIANNA KINSMAN
Brianna Kinsman is a liturgist, actress, writer. She earned her B.S. in Professional Writing and a minor in Music from Taylor University. In 2017, she graduated from Fuller Theological Seminary with an M.A. in Theology and an emphasis in Theology and the Arts. Brianna has worked as a worship assistant on the Fuller Chapel team, where she created worship experiences that blend multicultural faith with narrative expression and spiritual formation. She is also a member of Mako Fujimura's Fujimura Fellowship—a group committed to providing support and friendship to the surrounding arts community. Her training in theatre, music, writing, and theology inspires Brianna to craft stories, spaces, and projects that foster the collective imagination of a community. One such project is Illumine Playback Theatre, which was birthed out of her master thesis project on the connectivity between the liturgical and the theatrical.
In the future, she hopes to continue bringing art and theology into conversation through theatre and writing for the stage.
Brianna currently resides in Pasadena, California with her husband, Michael. You can find her journey on Instagram under @brianna_kinsman.
LUKE McELROY
Luke McElroy is the founder of Orange Thread Media, the parent company to SALT Conferences, TripleWide Media and Orange Thread Live Events. Through his leadership at Orange Thread, their work has been seen around the world through American Idol, Blake Shelton, Orange Conference and countless churches who have been impacted by the platforms
Luke and his team have designed. Luke was recognized as a leader in his field by being named one of the top innovators in the church by Worship Leader Magazine and being included on Im
pact 100 s list of Entrepreneurs to Watch Under 30. Luke has written two other books, The Wide Guide: Blueprint for the Multiscreen Movement and Environmental Projection: The Collisi
on of Modern Technology and Sacred Spaces. He is proud to call Nashville, Tennessee home.
For the past few years, Luke McElroy has been investing the majority of his time into helping others find their creative calling in life and equipping them with the tools to reach their maximum potential. Through the release of his new book, Creative Potential: Principals for Unleashing Your God Given Calling Luke helps equip readers with timeless principles you'll be glad you knew about as you embark on your own creative endeavors.
Life is all about relationships with Luke, and he believes an entrepreneur who puts more focus on investing in people than investing in products, has the better
chance of long term success. He and his team are based out of Nashville, TN. LukeMcelroy.com
MARLITA HILL
Marlita is an author, choreographer, and educator. She is the creator of the Kingdom Artist Initiative (KAI), which mentors professional artists of faith in building a healthy, undivided relationship between their faith and art career. She also forms instructional partnerships with colleges, artist organizations, and churches, providing curriculum to help disciple their marketplace artists. She has authored three books, including her latest, Defying Discord: Ending the divide between your faith and "secular" art career (Jan 2018). Her books have been used for college ministry courses, small groups, and dance ministries.
Marlita is currently teaching and receiving her MFA in Dance from Belhaven University (MS). She is the Associate Director with Edge Project, produces a weekly podcast, The Kingdom Art Life, and is the Artistic Director/Choreographer for Speak Hill Dance Project, through which she showcases her own work and provides master classes, guest choreography, and residencies. For over twenty years, she has served God as a dance artist in the church and marketplace; and, through that experience, now mentors artists around the world. marlitahill.com
CJ CASCIOTTA
CJ Casciotta is a writer and serial media maker passionate about helping people discover and own their unique identity, in other words, what makes them weird. As a writer and communicator, he's traveled all over the world inspiring communities like Lululemon, The Salvation Army, TEDx, and Charity:Water. As a media director and producer he's collaborated on projects with MGM Studios, The United Nations Foundation, and more. In addition, CJ's work has been featured by MTV, RELEVANT, Catalyst, and Q. A native New Yorker, he now lives in Nashville with his wife, Kelly, and his two kids, Selah and Mack.
JESSIE NILO
Jessie Nilo is an artist in love with the local church. In 2004 she had a clear revelation of starting an arts ministry called VineArts at Vineyard Boise Church, and she helps others begin their own art ministries at artfam.com. She loves artists, and she says you can boil down arts ministry to "2 or 3 creatives sitting at a fireplace, talking about art, life, and Jesus." She collaborates with her own church's artists in prayer, mutual support, and a stunning variety of creative endeavors to bless their church and city. Jessie is an accomplished visual artist and teaches drawing, painting, photography, and graphic design at Hall International Academy in Eagle, Idaho. She contributed to The Creative Church Handbook by J. Scott McElroy which releases on IVP (InterVarsity Press) in 2015.
STEVEN HOMESTEAD
Composer, Visual Artist, and Thinker—Steven Homestead brings diverse genre-spanning creativity to life with empathy, synthesis, symbolism, and deep thought. You might find him conceptualizing and leading large-scale interactive art projects, composing new music, or writing essays on creativity, culture, and faith.
He received his MM from CSUF and BA from UCLA in Music Composition, and now serves as the President of the American Composers Forum of Los Angeles, which connects composers in community. His music soars with melody, plays with repetition, and invokes nostalgia.
As well as being a Story Architect for Morpace Market Research, he consults on institutional research and grants for Coastline Community College.
Steven is a key leader for Saddleback Visual Art as he advises, guides, and develops collaborations.
Steven's creative work reflects the incarnational and restorative nature of God and speaks messages that "you belong and you have value." Visit stevenhomestead.com to explore, see, and listen to his diverse and expansive creative work. You can also follow him on Instagram: @scubahomie
MARIANNE LETTIERI
Marianne Lettieri is a visual artist, curator and art instructor. She creates art constructions and installations that explore cultural values associated with everyday objects. Her recent solo exhibitions include San Francisco Museum of Craft and Design, Peninsula Museum of Art, Monterey Peninsula College, Azusa Pacific University, and Badè Museum of Biblical Archaeology. She is the 2017 recipient of the SVLaureate award for achievement in the arts and contribution to the cultural life of Silicon Valley. Marianne has produced and/or curated more than 125 art exhibitions for sacred and secular venues and co-wrote the book, Seeing the Unseen: Launching and Managing a Church Art Gallery. She serves on the governing board of CIVA | Christians in the Visual Arts. Marianne has an M.F.A. in spatial arts from San Jose State University and B.F.A. in drawing and printmaking from University of Florida. Visit www.mariannelettieri.com to see her artwork.
JIM DOBBS
JIm is Outreach Pastor and visionary behind Saddleback's Visual Arts Ministry.
Throughout my advertising and design career, God has given me the unique opportunity of being a liaison between creatives and executive leadership, agency clients, corporate executives, and pastoral leadership.
God called me out of the Marketplace to full-time Ministry 16 years ago. I brought my previous experience to Saddleback Church to develop a world-class Communications Team. A few years ago, my role expanded into Campus Environments and Experiences, and now Outreach in our local communities. I thrive in the development of the new, rather than maintain what already exists.
Visual Arts has always been a key passion of mine. Years ago, I envisioned a place where Art & Faith intersected, but always felt it would be from outside of the Church. God had different plans… and worked to create what is now SVA, Saddleback Visual Arts. He did what he does… grow dreams into what he desires. Making a pathway for A&F to be within his church, allowing creatives to explore that power of the arts in the Bride of Christ. God is working globally within his artists! I can't wait to see what God has in store for his collected creatives!
ARIANNA CALIGIURI
Arianna is founder & president of Edge Project, a non-profit organization dedicated to investing in art, culture & faith. She is passionate about building global respect for God, culture, community, and artistic expressions of Faith. She is the Executive Director of Edge Project in Europe, an annual summer project in Altea, Spain, focused around engaging the community through art, discussion and service. Arianna is passionate about relationships and connecting people with their own unique skills and creative ideas. She enjoys sharing the journey of life with people of diverse cultures. Arianna has lived in Europe for over 25 years, raising her daughters in Greece, Germany, and Spain with her husband Steven. When she's not in Europe, she spends her time in Southern California.
RAY BASILE
Ray Basile is an American singer-songwriter from Huntington Beach, California. His original folk-rock songs are a mix of sunny optimism that comes from living in a beach town — contrasted by deeper themes of love and sadness expressed though beautiful melodies and heartrending lyrics. Ray works as a Creative Director, curating in-store music for some of the world's top retail brands. He's currently recording an EP expected to launch next year. https://www.hereforamoment.com
SARAH CRUZ
Sarah Cruz is the Creative Director & Chief Storyteller at Saddleback Church. She draws on her experience as a writer, musician, daydreamer, and former roller derby skater to lead teams toward creative solutions in branding, volunteer artist development, and storytelling.
MELISSA BAYES
Melissa Bayes is a facilitator for Art and Creativity for Healing, serves on the Saddleback Visual Arts leadership team, co-leader of the Expression ministry, cellist, painter, and works full time at an oncology laboratory in south Orange County.
She finds great value in offering pain a voice, guiding people to freedom through the creative process, and strives to make all she encounters feel accepted and cared for.
When asked about her own work, Melissa says "My process is quiet, internal, and hidden… until I share what I blasted onto a canvas. God IS hope, He IS light. But to really truly experience it, you have to hit those hard places and trust Him to prove it to you. Art4Healing completely changed my approach to painting. It showed me how to express what I could never vocally articulate and increased my sensitivity to what God is saying to me. I hear him loudest when I am painting."


Food editor Kristen Eppich dishes on mezcal, a hot new spirit that's similar to tequila.
Tequila fans everywhere, be on the lookout for the next big thing — mezcal. Mezcal is the smoky, artisanal relative of tequila. Where Tequila is produced from only Blue Agave, Mezcal is produced from various species of the agave plant, through different regions of Mexico, offering it a broad range of flavor profiles.
Making mezcal remains a very artisanal, small-batch process. In producing it, the piñas (the heart of the agave plants) are harvested and then brought to a smolder in earthen pits. Once roasted, they are then crushed, extracting the agave juices. The juices are then fermented and distilled. This process imparts the distinct smoky flavor that mezcal is known for. Try mezcal in our Smoky Bloody Mary recipe.
Buying Tip: Chef Manny Ferreira of the restaurant Mezcal in Hamilton says to always check the label when buying mezcal or tequila to ensure it is 100% agave. Many brands are labeled as tequila 'blends' which can include food coloring, fructose, and other spirits.


Once these irritants pass through the skin's weakened barrier, they trigger our immune system to respond by swelling the affected area with blood. This inflamed state can be further irritated by certain foods (diary, coffee, soybean, eggs, nuts, wheat, maize, etc.); temperature and humidity; stress levels; and even intense exercise.
Unfortunately, the triggers of this downward spiral of skin irritants are often a normal part of everyday life and hard to avoid. So what are your options?
Topical Steroid Creams: Corticosteroids: Again they do not cure eczema, but are effective in controlling or suppressing symptoms. However, over time the results tend to diminish. So people apply the cream more frequently or look for more powerful creams to achieve the same results. Continued use can result in thinning already fragile skin, which further deteriorates the skin barrier; and if you stop using the steroids the results can be devastating. This process is known as: Topical Steroid Addiction and Withdrawal.
Antihistamines: Stop the triggering of inflammation and itching but medical research is still cautious to claim this as an effective therapy on its own because it doesn't treat the skin only the symptoms. Furthermore, antihistamines cause drowsiness and leave you sluggish all day.
Antibiotics: Open skin is an invitation to secondary infections. When this happens doctors may prescribe antibiotics. This is not a long term option, in fact, it can make matters worse. Antibiotics kill our GOOD and BAD bacteria, which weakens our immune system, leaving you nearly defenseless against other sensitivities.
Moisturizing: Eczema is exacerbated by dryness of the skin. Moisturizing is one of the most important self-care treatments for sufferers of eczema. Keeping the affected area moistened can promote skin healing and relief of symptoms. However, petroleum based lotions with mineral oil tend to leave skin feeling even dryer, and chemical additives, preservatives and fragrances further aggravate the problem. Very few moisturizers actually include bio-nutrients that bolster the skin's ability to restore its own health – but Emu Oil does!
Emu Oil for Eczema: Topically, Emu Oil not only moisturizes through many layers of skin but it also delivers bio-nutrients to promote new cell generation, increase blood flow and drain away redness and inflammation. It is full of essential fatty acids, high levels of anti-oxidants, collagen, elastins, vitamins and minerals which promote natural healing and rejuvenate dry, damaged skin tissue. Studies have shown it can thicken the skin barrier an average of 14% (up to 30% in some participants) thereby stopping the entire eczema process in its tracks.
Ingesting Emu Oil as a dietary supplement not only brings you a wealth of Omega Fatty Acids but also the catalyst - ATP (Adenosine Triphosphate) your body needs to convert these fatty acids into the specific compounds needed to keep your skin plump, firm and healthy.
Sea Salts, Dead Sea Salts, Epsom Salts and Magnesium: Have you ever noticed how a beach vacation can improve many skin conditions? Sea salt contains minerals that our current diets are deficient in such as potassium and magnesium. Magnesium effects general skin lipid health, reduces the body's response to stress and regulates histamine production. Dead Sea Salts offer a much higher concentration of the minerals magnesium, potassium, calcium chlorides and bromides then regular Sea Salt. Epsom Salts are pure magnesium. So try a Dead Sea Salt or Epsom Salt bath and consider taking Magnesium supplements. I also suggest you try the Wellness Mama's recipe for Sea Spray.
Apple Cider Vinegar: Apple Cider Vinegar soothes inflammation and relieves itch. It's a great source of potassium and many other minerals, enzymes and bio nutrients important for addressing eczema and it balances the PH level of the skin. It is very important that you get Apple Cider Vinegar with the "mother" a cloudy area full of the bacteria and acids that helped to ferment the vinegar, and equally important that you use it correctly.
My suggestions: start a regime that includes both Pure Emu Oil as a topical application and ingesting it with DuoFlex Multi-Omega Gel Caps. Reduce stress; research and experiment with other natural remedies; review your diet and surroundings for allergen triggers and work to improve your gut health and immune system and as always - never give up - the solution is out there for you.


The Syria Justice and Accountability Centre (SJAC) is a multi-laterally supported organisation that will collect, collate, receive, process, analyse, and securely store information, evidence, documentation and other materials relating to violations of human rights and humanitarian law in Syria. The SJAC will serve as a coordinating mechanism for organisations and individuals that are already engaged in the documentation of human rights abuses, providing an electronic repository for information as well as identifying and addressing crucial gaps. The purpose of the SJAC's analyses is to identify patterns of events, crimes, and capture a historical record of victims' experiences in view of a broad range of future accountability and transitional justice processes.


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A local species, rather hard to find on the Greek mainland and neighbouring FYROM and Bulgaria. It is an attractive very bright greenish off-yellow, the colour isn't really caught on these photos.
Identification & Similar species: Unmistakable. Similar species do not share the same range.
Distribution & Flight: Greek mainland and neighbouring FYROM and Bulgaria. It flies in two broods from late April to early July. It is reportedly present in the Pelopennesos, but is seemingly very rare there.
Habitat & Behaviour: It flies fast over dry rocky places with sparse grasses. It settles only occasionally to feed or lay eggs unless the clouds come obscure the sun. In such dull conditions they rest on the ground allowing approach for photography, sometimes.
In dull weather it rests on the ground with wings half open.
Foodplant, Matthiola tessela(?), growing commonly at the roadside.


Trimite Global Coatings has purchased all intellectual property, including trademarks and brand names, relating to the former Trimite business that went into administration in March 2009.
Stretford Group, which owns Trimite Global Coatings, secured the rights despite intense competition.
Jonathan Irwin, group managing director of Trimite Global Coatings, said the acquisition would help protect the heritage and goodwill associated with the Trimite name in the coatings industry.


As part of UNESCO's Global Media and Information Literacy Week 2018, CILIP ILG is coordinating three events with Library and Information departments at three UK universities.
With events taking place in London, Manchester and Aberdeen, join us for networking, lively discussions of the new CILIP Information Literacy definition and a range of talks, highlighting emerging directions for IL research and practice in a range of contexts. Click on the links below for event booking and further information.
A range of talks from recent UCL Library and Information Studies Masters' graduates, highlighting emerging directions for IL research and practice in a range of contexts.
Dina Martzoukou will talk on Digital competencies for digital citizenship, Jacqueline Geekie will share the New Definition of Information Literacy and the work of the Information Literacy Group and there will be some time for networking with your fellow professionals before heading home and going out Trick or Treating!
This session will also be streamed live, so if you can't make it in person you can still attend virtually!