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At 9:30am, the temperature was a cold -8, feeling like -14 with the wind chill when our group convened in the parking lot at our hike end point in Niagara-on-the-Lake. There were eight of us in the group.
As usual, we left our van at the 7km end point of our hike. We then left Louise and Lance's car at the Old Firehall Restaurant in St David's where we planned to stop for lunch and Barry made two trips to get us all to the beginning of the Bruce Trail, Point 0km in Queenston. Organizing the car situation is like planning a small invasion.
The Bruce Trail starts near the Brock monument. We were delighted to see that there were heated washrooms.
After taking pictures at the Southern Cairn, we began our day's hike.
Once again we started walking off in the opposite direction, but quickly figured it out and turned around.
Being so cold out, I really layered on the clothing. Soon into our hike I began feeling hot and sweaty.
The trail was well marked with white blazes leading the way. Starting at the top of a bluff, we followed along the old shore of Lake Iroquois (which was the predecessor of Lake Ontario). We walked through woods and passed a quarry. It was icy in parts and quite steep when we had to descend to the old railway bed. Some of us decided to slide down on our butts...graceless but effective.
We left the trail at the 5.3km point to go to the Old Firehall in St David's for lunch.
We had reserved in advance, so our table was waiting. By the time we finished lunch it was much later than planned and we were forced to make a difficult choice; finish the last 1.7km of our hike or go for tastings at some nearby wineries.
Lance (whose car was parked at the restaurant) took Barry to pick up his car from the beginning point and we drove to the first winery, Ravine.
This small winery was delightful. Because we were a larger group, they gave us our own table in the tasting room. It was $10 for a flight of four wines. You got a discount of $4 if you bought one bottle of wine and the whole $10 back if you bought two bottles.
Our wine hostess was very knowledgeable and attentive to our needs and questions. We also checked out their gourmet grocery boutique.
With bottles and food in hand, we piled back into the two cars and headed to Chateau des Charmes. This is the second oldest winery in Niagara. We enjoyed more tastings, a cheese tray and hot chocolate with ice wine infused marshmallows.
Our last stop was to Louise and Lance's for a delicious chilli dinner paired with Niagara wines.
When we reached home, John relaxed in front of the tv while I pulled out my mat and began to stretch...waking up on the mat a half hour later, I dragged myself up to bed.
It was unanimous, we all slept like babies that night.


text:
Mrs Mary Iyambo
Laboratory Technologist, Head of the Walvis Bay Laboratory, State Hospital
Joined Swapo and left for Angola and military training at Lubango at the age of 19 in 1977. Continued to Nyango in Zambia and worked in the camps until she continued to nurse training in Tanzania. Came back to Zambia and then again Angola and Kwanza Sul in 1980. Worked there together with the Swedish Medical Team from the Africa Groups . Studied in Nigeria between 1985-1989 and was then repatriated to Namibia.
Bertil Högberg: It is now 15 June 2005 and I'm sitting here in the living room of Mrs Mary Iyambo in Walvis Bay, on the coast of Namibia, in the Namibian desert. So what are you doing here in Walvis Bay?
Mary Iyambo: Actually I'm a laboratory technologist. I'm heading the Walvis Bay laboratory at the moment.Bertil Högberg: At the hospital here?
Mary Iyambo: Yes, the state hospital.
Bertil Högberg: How many are working in that laboratory?
Mary Iyambo: I have two technicians and a lab. aid and I'm waiting for a laboratory assistant to complete the set and me alone as a technologist.
Bertil Högberg: How long have you been working here for the state?
Mary Iyambo: More or less 4 years, more than 4 years because I started working here January 2001.
Bertil Högberg: But you have a history before that, how did you become involved in the struggle for the liberation of Namibia?
Mary Iyambo: Well as other young Namibians we had some elders who were ahead of us, who tried to make some rallies where we all attended and then we became aware of the need to liberate the country. So I left the country in 1977.
Bertil Högberg: And how old were you then?
Mary Iyambo: I was 19.
Bertil Högberg: And where did you live at that time?
Mary Iyambo: Oh, I was born in the north of the country so I was there in the deep rural areas, in one village called Okashana about 38km northeast of Ondangwa. It was formerly Oshigambo but now they call it Ononkulo.
Bertil Högberg: Oshigambo, there was a high school there?
Mary Iyambo: Yes. In that area.
Bertil Högberg: So you left for Angola and what happened then?
Mary Iyambo: I left for Angola with other students and then we joined SWAPO in Angola.
Bertil Högberg: Had you completed your high school education?
Mary Iyambo: In Namibia? No. I didn't complete my education. When I went into exile I first went for military training in Lubango, in 1977 that same month I left home, I finished my military training. Actually when you are in military training you are also divided into different departments. I was also trained as a first aider. So the day we graduated from the military training I was one of those who were selected to go and further my education, nursing then.
Bertil Högberg: You never actually went into combat or into the Liberation Army?
Mary Iyambo: No, that same day – after the military training I didn't go for combat. I went to get further training. Actually we were supposed to go to Britain, I don't know what happened in the process, I just found myself again in Zambia. We went, there was a camp called education centre, where kids, women and elders stayed.
Bertil Högberg: Nyango?
Mary Iyambo: Yes, Nyango. So I went to Nyango and stayed for about 7 to 8 months before I went to Tanzania then, in 1978, August '78 we went to Tanzania. So I did my medical auxiliary and after completion I was again one of those who were selected for further studies, to do the laboratory auxiliary. And then when we finished, we came back to Angola in January 1980 and I started to work in Kwansa Sul for 2 months, January to February, and then early in March I went to Luanda again. Then the kids were being shifted from Zambia to Angola so I was the nurse for those kids in transit. You remember there was a transit camp where people were staying. It was people who were coming from abroad into Angola and those who were going off to schools. I was one of the nurses in that centre, but I was specifically for those kids who were coming from Zambia to Angola. And from there I went back to Kabuta in Kwansa Sul. That is where I met Gittan. I started to work in the lab.
Bertil Högberg: And Gittan she was a Swedish lab technician there?
Mary Iyambo: Yes, she was a lab. technician and then I was a laboratory auxiliary so I worked with her there in Kabuta from August that year up to the following year.
Bertil Högberg: She didn't stay that long?
Mary Iyambo: I don't know how long she was there but I worked with her until she went back to Sweden.
Bertil Högberg: But you also met the other Swedes that were there?
Mary Iyambo: Yes, I met the other Swedish doctors, there was also a Finnish doctor, Dr Birgitta, and there was a registered nurse, a Swedish registered nurse.
Bertil Högberg: Lotta?
Mary Iyambo: Lotta, yes.
Bertil Högberg: Yes, there were quite a few people that worked in those days. What was your impression of them then when you met these Swedish people?
Mary Iyambo: I was actually very impressed by the Swedes. As I saw it weapons to South Africa were from the Western side, of which we thought Sweden was part, but there were these people who were still determined to go and help us even if they knew we were maybe to be bombed or shot by these same weapons. That didn't discourage them. They were still ready to come and help us. I was really impressed because as young Namibians we didn't know there were some whites that were on our side. Actually we had combat names, we even named them. I can remember Gittan, we gave her Meduletu as her combat name. Meduletu means in our language…[machine switched off ]
They were prepared to sacrifice their personal convenience also. I remember once when it was raining and they went out in the rain to feel the water coming on their hair and body. They could only shower in Luanda since we had so little water. We were used to wash with little water but they were longing for a shower.
Bertil Högberg: How was it to work with Gittan, the Swedish lab. technician ?
Mary Iyambo: It was the best days I had. It was also the first real work experience. She was leading the way and always ready to help when we needed.
Bertil Högberg: Was she also giving formal training?
Mary Iyambo: Not really, I gained a lot of experience from them. I was only trained as a lab. auxiliary which was adequate for the level our lab was but you needed some experience. There was one man that was a driver and used to collect samples from various clinics for us to test. He was very interested in the lab work and spent a lot of time with us after he had done his duties. Gittan gave him some basic training and I had to assist as translator. Gittan recommended him for further training and he was sent to Tanzania. He had however a limited formal schooling so he was transferred from the lab training to X-ray and now works in the X-ray department in Oshakati hospital. He is still grateful for the chance he got. "Otherwise I would still have been a driver."
Bertil Högberg: What was the most important thing you learnt from the Swedish medical team?
Mary Iyambo: That you also need to sacrifice. They did sacrifice for us though they had nothing to gain from it. To do this under such circumstances. It was not only the tough living conditions it was also the war situation.
Bertil Högberg: Were you living close together?
Mary Iyambo: Yes, we lived in houses next to each other that time in Kabuta. We became close friends especially with Gittan. I also remember Lotta, Magdalena and Claes and Kina.
Bertil Högberg: Were there other lab technicians coming after Gittan?
Mary Iyambo: No she had told Dr Indongo, the SWAPO Secretary for Health that she thought that I would be able to do the job myself.
Bertil Högberg: How did you feel then?
Mary Iyambo: I was very proud.
Bertil Högberg: But nurses and doctors continued to be sent?
Mary Iyambo: Yes, they continued.
Bertil Högberg: Did you receive any further training?
Mary Iyambo: Yes, I was in Nigeria between 1985 and 1989. I studied first to become a lab. technician and then two more years to become a lab. technologist. We did also take evening classes to complete and take high school exams. I have continued training on a part time basis with the Cape Technicon.
Bertil Högberg: Did you come back to Kwanza Sul and Kabuta?
Mary Iyambo: No, when I came back from Nigeria it was time for repatriation in 1989 and I went home. In 1990 I got a job at the Windhoek state hospital. Later I moved to Oshakati and the hospital there. I reunited with the father of my firstborn daughter in 1989. We had not seen each other for 9 years. He was on the front all the time. We got married and then had another daughter. He was in the military after independence so I have moved around depending on his postings. Now he is Chief of Police in the Erongo region.
Bertil Högberg: Did you ever see the hospitals that were built in Kwanza Sul?
Mary Iyambo: No, I heard about these new structures.
Bertil Högberg: Did you have any disagreements or controversies?
Mary Iyambo: No, not that I can remember.
Bertil Högberg: There was a lot of material support in the form of second-hand hospital material and clothes that was provided from Sweden. Did you not think that it would have been better with new things?
Mary Iyambo: No, that they were second-hand meant that someone might have given away something which was a sacrifice and that was appreciated.

redpajama_set_name: RedPajamaCommonCrawl


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Disclaimer: I'm not an accountant or (tax) attorney. You should seek one if you need tax advice.
If you're going to get credit for those last charitable donations for the 2017 tax year, today's the day–and that includes donating those bags of clothes or no-longer-needed items in your vehicle's trunk or your garage. Get those items out of your house today just in time to begin afresh in 2018 . . . and use my free charitable donation log to keep track of what you've donated for tax purposes.
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Did You Get All Your Donations Out Today?
I'll be honest. I'm not getting all of my charitable donations to the thrift store today. But I did donate a trunkload of items recently when I started packing my house to move (again).
But what about you? Are you donating anything today? Let me hear from you in the comments!


How do I physically swap the OS drive on SIRIS 3 Professional, SIRIS 3 Enterprise, and SIRIS 3 XP devices?
Do not perform an OS drive swap if there is a Disaster Recovery in progress. Before performing an OS drive swap, contact Datto Technical Support. A Datto Technician must complete the back-end steps of this process.
1. Remove the back panel by pushing down the buttons within the blue stickers and sliding the lid back.The OS drive is located on top of the drive bays, toward the front.
2.Remove the screw on each side to detach the front panel.
3. You will see the Kingston OS Drive to the right. To remove, push the blue tab inward and upward, then remove the connectors from the back.
4. Once the drive is swapped and inserted back into the slot, replace the top panels on the device. You can now power the device on; the Datto technician will complete the swap process.
1. There are two vertical bays on the back on the device. The OS drive is in the bay closest to the power supplies. Pull out the bay and swap the drive.
2. Once the drive is swapped and the bay is reinserted, power the device on. The technician will complete the swap process.
Open the chassis by following the same procedure as for the SIRIS 3 Professional, above. The OS drive is the SSD located near the center of the motherboard.
2. The OS drive is held to the motherboard by a single Phillips-head screw.
3. Once the drive is swapped and fastened into place, power the device on. The technician will complete the swap process.


text:
Putin still sees no one who could replace him as president
Russia » Politics
During the televised Q&A session with Russian citizens on June 30, Russian President Vladimir Putin answered a question about the transfer of power and the choice of his successor.
Putin stressed that it is the people of Russia who elect the president of the country.
"My responsibility is to give recommendations to those people who will run for presidency. The time will come, and I hope that I will be able to say that this person deserves to lead such a wonderful country as our Motherland - Russia," Putin said.
At the same time, the head of state did not agree with the formulation of how he received the reins of power from late President Boris Yeltsin.
"Yeltsin did not transfer power to me. (...) In the event that the president leaves elected office, the chairman of the government takes office as interim president. I was the chairman of the government," Putin recalled.
Putin has repeatedly answered questions about choosing his successor before. When answering such questions, the president usually says that the final choice rests with the voters. A year ago, he replied: "One needs to work, rather than look for a successor."
Putin was elected president of the Russian Federation for the first time in 2000 at the age of 48.
TV presenter jokes at Putin during live broadcast
Journalist Naila Asker-zad, who hosted Putin's Q&A session in the studio, asked the president a question about his favorite literary works.
"You have quoted "The Jungle Book", "The Twelve Chairs" many times. What are the three works that have impressed and influenced you most?" the presenter said.
Putin thought for a second about an answer. The presenter took advantage of the pause and joked: "Maybe something about the Pechenegs?"
The President chuckled at the joke and replied that he loved Leo Tolstoy's "War and Peace" most of all, Pyotr Tchaikovsky's "Piano Concerto No. 1", and the Russian folktale "Kolobok".
Last April, during an online meeting with government officials and governors, Putin compared the coronavirus epidemic to invasions of Pechenegs and Cumans. "Our country has been through serious tests more than once: when tormented by the Pechenegs and the Cumans, Russia coped with everything," he said. His phrase about the Pechenegs subsequently became a meme on the net.


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As you may know, the term "Bijinga" was coined in the Edo period to refer to the paintings of beautiful woman in the ukiyo-e genre. Kitagawa Utamaro is one of the most well-known Bijinga artists. Yumeji Takehisa is also known and described as Bijinga artists in Taisho period. And today, OHGUSHI, Japanese contemporary artist, has achieved bringing "Bijinga" back to life with Sumi ink and Japanese brushes. Please enjoy his stunning work from series called "Bijinga".
Copyright © OHGUSHI All Rights Reserved.


text:
The Hidden Glasgow Forums
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Board index ‹ GLASGOW DISCUSSIONS ‹ Hidden Glasgow Projects
Glasgow's Rock and Roll Hall of Fame.
Moderators: John, Sharon, Fossil, Lucky Poet, crusty_bint, Jazza, dazza
Re: Postcard Record Values
by Josef » Sun Jul 06, 2014 4:36 pm
KonstantinL wrote:
robertpool wrote:
Cyclo2000 wrote: In case any HGers have a few they wanna sell...here's wot their worth today...as far as i can find out anyway
1 Orange Juice - Falling And Laughing (7") Picture Cover with Flexi, Mint, one sold in 2006 for £352.00 and earlier this year for over £400
2 Orange Juice - Blue Boy (7") Sept. 1980 (First 2083 with hand-coloured sleeve). Brown Cover, £40-£50. The hand tinted one hasn't been found yet, should be as much as falling and Laughing though,
7 Aztec Camera - Just Like Gold (7") Mar 1981 Mint with the postcard inside the black cover, one sold this year for £76 and again for over £90. Postcard is a photo.
9 Aztec Camera - A Mattress Of Wire (7") Jul 1981 With picture ciover, mint, £50-£75
10 Orange Juice - Poor Old Soul (7") 1981 with the postcard in the black cover, postcard is of cats with the lyrics in the back. £30-£60
I have all the Postcard vinyl except Falling And Laughing. Doubt I ever will at those prices!
I've no contents insurance. At least partly because a lot of the books and records I have are not replaceable. And even if they were, I wouldn't buy them again now. They're of the moment.
But if that's the kind of money we're talking about, maybe I should just sell the contents of my shelves and buy a palace in the West End.
Except I wouldn't sell them. It's just money.
Third Stripe
Re: Glasgow's Rock and Roll Hall of Fame.
by Sandy Robertson » Sun Jul 06, 2014 6:06 pm
Admirable. I still feel angst about treasures I sold when desperate (the book England's Hidden Reverse signed by Coil et al; Radio City original vinyl signed by Alex Chilton; Bosie Douglas sonnets inscribed by vicar who bailed Wilde - originally found for 4 quid; etc etc). Nowadays I subscribe to the adage that if I have money I buy books, and if there's any left I get some food too. It used to be drugs not books, but let's not bring up all that...
Sandy Robertson
Busy bunny
by John » Mon Jul 07, 2014 7:18 pm
I had a lot of these but passed them on to a friend who will care from them better than I can when I was clearing out the last of my vinyl recently. No regrets.
'It's a sad day for capitalism when a man can't fly a midget on a kite over Central Park'
by dimairt » Thu Oct 16, 2014 5:11 pm
My brother, over from Australia at the moment, told me while passing the City Halls the other day that he had gone there to see Bowie in 1972(?) only to find that the gig had been cancelled by the then Corporation on the grounds that he wasn't a suitable act to play there.
Is he right or has he started wandering too? According to the Apollo website, Bowie played there in July 1972, having released 'Ziggy Stardust' a month earlier.
Durachdan,
dimairt
by Sandy Robertson » Thu Oct 16, 2014 8:38 pm
I saw Bowie at the Apollo, but it's absolutely true he was scheduled to play an earlier gig at City Hall. I was gutted when it was cancelled, but I've never heard it was because he was thought unsuitable (though the council were always a prissy, parochial bunch!). I can't swear to it but think that show was between Hunky Dory and Ziggy Stardust being released, or at least right after Ziggy, so doubt he was a mega enough name then to attract council ire - the City Hall was a relatively modest size venue favoured by acts not yet big enough to headline the Apollo.
by dimairt » Fri Oct 17, 2014 7:39 am
Thanks for that Sandy. According to 'Bowiewonderworld', the 28th February 1972 gig was cancelled because the management wouldn't allow him to use their full amplification.Bowie met fans outside to speak to them and explain. My brother says that he didn't get to the venue, having been told by others on the way that it had been cancelled.
The management must have relented though as AC/DC played there twice in 1976.
http://www.bowiewonderworld.com/tours/tour72.htm
http://www.ac-dc.net/archives/subcatego ... ity_id=191
by Sandy Robertson » Fri Oct 17, 2014 7:48 am
Yes, I heard before I got there too - wish I'd gone and met DB as he's one interviewee that eluded me in my time as a rock hack. I also regret that a gig by Eno and the Winkies at the Apollo was cancelled due to the man having a collapsed lung!
by neilmc » Fri Oct 17, 2014 11:21 am
The acoustics in the City Halls didn't lend itself to heavily amplified music. I saw Gong, PFM and Supertramp at that venue in the mid-1970s, and PFM in particular sounded pretty bad, thanks to the sound reverberating off the walls.
I saw Ravi Shankar at the Kelvin Hall during the same era, where he was using the most basic of sound systems, and I remember thinking the City Halls would have been the ideal venue for him.
neilmc
Second Stripe
Location: Glasgow, SW3
by Sandy Robertson » Fri Oct 17, 2014 12:23 pm
Gong show I remember as impressive, also John Cale did a great gig there with Chris Spedding on guitar. I saw Captain Beefheart at the Kelvin Hall which was a crappy place for gigs but he was impressive, with a ballet dancer and a belly dancer (visual word pun?) onstage.I know this is going to make me look monumentally dumb, but who are PFM?
Prematia Forneria Marconi, says google. I had never 'eard of 'em! Apologies. And he calls himself a rock journo, that old bum Robertson...
by rabmania » Fri Oct 17, 2014 2:03 pm
Sandy Robertson wrote: Prematia Forneria Marconi, says google. I had never 'eard of 'em! Apologies. And he calls himself a rock journo, that old bum Robertson...
ELP's Manitcore label. Prog'n'roll!
rabmania
by Sandy Robertson » Fri Oct 17, 2014 2:16 pm
Hmmm. My ex told me to cut my hair, saying "Prog rock, not a good look for an OLD MAN"! Ouch.
by neilmc » Fri Oct 17, 2014 3:19 pm
I hate the term 'Prog Rock'; but then, I hate most of the bands that come under that banner.
Truly progressive bands, like early Pink Floyd, Soft Machine, King Crimson and Egg, would never have labelled themselves as 'Prog', and I don't actually remember the term being used until much later.
As for PFM, they were very much in the Yes mould, without the wizard's capes and pointy hats.
by RDR » Fri Oct 17, 2014 7:49 pm
Thin Lizzy played the City Halls in '75. I was at it and I have to say for the size of the venue, they were loud. They weren't big at that stage, so probably the right size of venue for them. The year before I saw Free and the then Green's Playhouse and thought the size of that venue dwarfed them, despite the power of Paul Rodger's vocals.
I thought I went to see Black Sabbath at what then had become the Apollo in '76 but I'm not sure if my memory is correct. Can anyone confirm?
He advocated for the weak against the strong, the poor against the rich and labour against capital.
Location: Lanarkshire
by rabmania » Sat Oct 18, 2014 1:23 am
[quote="RDR"]Thin Lizzy played the City Halls in '75. I was at it and I have to say for the size of the venue, they were loud. They weren't big at that stage, so probably the right size of venue for them. The year before I saw Free and the then Green's Playhouse and thought the size of that venue dwarfed them, despite the power of Paul Rodger's vocals.
I thought I went to see Black Sabbath at what then had become the Apollo in '76 but I'm not sure if my memory is correct. Can anyone confirm?[/quote]
yes, I can confirm you thought that!
btw I saw them at Green's in 73. Or 74. LOUD!
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text:
Beyonce Performs "Run The World, Girls" & Accepts Millennium Award
Atlanta's Hottest Hip Hop
Beyonce had a show-stopping performance last night at the 2011 Billboard Awards! With amazing visual effects, Bey performed "Run The World, Girls" for the first time on television.Bey accepted the Millennium Award shortly after. Jay-Z nodded in acceptance of her performance from the crowd! Mother, Tina knowles presented her with the first ever Billboard Millenium Award. Bey speech went something like this:
"She thanked her mother and father for "teaching me about the music industry [and] about work ethic and drive". She also thanked her former group members Kelly Rowland and Michelle Williams as well as the original members of Destiny's Child. "I'd like to thank the original members of Destiny's Child, LeToya Luckett and LaTavia Roberson"
Her speech ended with a special thanks to her husband Jay-z who was smiling in the audience. "I'd like to thank my best friend. I don't want to put you on the spot because I know they probably putting the camera in your face right now but I love me some Jay-Z."
Spotted @NecoleBitchie.com
Nicki Minaj's 2011 Billboard Award Performance [VIDEO]
Rihanna & Britney Spears Perform S&M Remix At Billboard Awards[VIDEO]
2011 Billboard Awards	, Beyonce	, Run the World Girls
More By Atlanta's Hottest Hip Hop
Happy Birthday Mac Miller: A Look Back At The Star's Happiest Moments
DJ Gemini Lists His Top 5 Songs This Week [Video]
Snow Days As A Kid Vs. Snow Days As An Adult (As Told By Gifs)


This is a belt driven unit, meaning the table is driven by a belt attached to the motor. In certain lower-end tables these belts can make noise as they spin your records. Luckily, the belt drive here is very quiet and won't impact your listening experience in the slightest.
While the plinth is plastic, at least it's sturdy plastic.
The RPM of the table can be easily adjusted via a knob at the top, which makes dialing in the perfect speed really quick and easy.
This table has a built in preamp ready to go, so you can plug and play without needing any other equipment. If you run your own preamp though, the built in one is switchable so you can always turn it off.
While listening, you might notice the pitch shift up or down slightly. Occasionally it has troubles holding its speed, which can definitely impact the listening experience.
The needle cartridge the unit comes with leaves a bit to be desired. The tone is slightly muddier and darker than you would expect, and can be slightly muted tonally. For an entry player though, it works just fine.
There is little dampening material here, and the plinth is somewhat resonant, so if you're playing something at high volume you might experience feedback.


Dr. Natalia Vallejos (Florida Licensed Psychologist #9782) joined The Center for Psychology in 2016. She received her doctorate from an American Psychological Association (APA) accredited program in Clinical Psychology at Nova Southeastern University, and completed her pre-doctoral internship training at the Florida International University Counseling and Psychological Services Center. Dr. Vallejos specializes in the treatment of adolescents and adults in individual, group, and family therapy. Dr. Vallejos' approach to treatment is founded in Interpersonal Therapy and focuses on resolving interpersonal conflict and developing healthy relationships. Cognitive-Behavioral, Dialectical-Behavioral, and Mindfulness interventions are also incorporated into Dr. Vallejos' treatment approach.


text:
October је други албум ирске рок групе U2, издат у октобру 1981. године.

-{"October"}- је најслабији албум ове групе. Имао је најнижу продају од свих албума -{U2}--а, најниже оцјене критике и једини је са којег ни једна пјесма није узета за -{"The Best Of"}- компилације.

Списак пјесама
Музика: -{U2}-, текстови: Боно

 Gloria – 4:14
 I Fall Down – 3:39
 I Threw a Brick Through a Window – 4:54
 Rejoice – 3:37
 Fire – 3:51
 Tomorrow – 4:39
 October – 2:21
 With a Shout (Jerusalem) – 4:02
 Stranger in a Strange Land – 3:56
 Scarlet – 2:53
 Is That All? – 2:59

-{"Fire"}- и -{"Gloria"}- су издати као синглови. -{"Is That All?"}- користи риф из пјесме -{"Cry"}-, старије пјесме коју су на концертима користили као увод у -{"The Electric Co."}-.

Чланови
 Боно – пјевач
 Ди Еџ – гитара, клавијатуре, пјевач
 Адам Клејтон – бас
 Лари Молен Јуниор – бубњеви

Спољашње везе

 Discography entry at U2 Wanderer – -{Comprehensive details on various editions, cover scans, lyrics, and more.}-
 Album lyrics – -{Searchable album lyrics.}-
 U2 tours overview at U2-Vertigo-Tour.com – -{Includes setlists for every date on the October Tour.}-
 Quotes and information – -{Detailed background on each song.}-
 U2MoL  – -{Contains fan interpretations and interview excerpts for each song.}-

Албуми групе U2
Албуми 1981.

redpajama_set_name: RedPajamaWikipedia


text:
Glory Bishop
Deborah L. King
Publication date: June 4th 2019
Genres: Women's Fiction
"Deborah King has written a compelling, thought-provoking novel that engages readers and made me wish the story would never end." -Chicago Writer's Association Windy City Reviews
Glory Bishop lives her life in pieces. At work and with her friends, she reads novels, speaks her mind, and enjoys slow dances and stolen kisses with her boyfriend, JT. But at home, Glory follows strict rules and second-guesses every step. Though she dreams of going to college and living like a normal teenage girl, her abusive mother has other ideas.
When JT leaves to join the navy, Glory is left alone and heartsick. The preacher's son, Malcolm Porter, begins to shower her with lavish gifts, and her mother pushes Glory to accept his advances. Glory is torn between waiting for true love with JT or giving in to the overzealous Malcolm.
When a stranger attacks Glory on the street, Malcolm steps in to rescue her, and her interest in him deepens. But the closer she gets to him, the more controlling he becomes. Glory must eventually decide whether to rely on others or to be her own savior.
Goodreads / Amazon / Barnes & Noble / iBooks / Kobo / Google Play
She was standing at a softly rumbling dryer, folding "mountain fresh" scented towels, when she heard the door opening behind her.
"Hello, Miss Glory."
She continued folding, pretending not to hear.
"I said, hello, Miss Glory."
She would not give that devil's son the satisfaction of responding.
The door closed, and she hoped he'd gone, but then he was behind her… his arms around her waist… his lips touching her shoulder. "Remember the first time you let me kiss you? You said you'd be my wife."
Glory shrugged off the kiss and tried to ignore him—tried not to notice his scent or relax in his arms. She tried not to respond to his voice… tried not to care.
His lips touched the back of her neck. "Remember the second time you let me kiss you? You said you'd be my girl."
Glory deliberately brushed his kiss from her neck and moved to the washing machine, careful to keep her back to him.
"Oh… so it's like that now, huh? No problem. I'll just sit down and watch you work. I've got all night. And you know, I always did appreciate you from behind, too."
Glory growled under her breath, taking her annoyance out on the wet towels she pulled from the washer. She heard him sigh loudly as he settled down on the old couch. She whispered a prayer for patience and strength.
"Know what?" he asked. "I feel like singing."
Glory continued her work and tried to ignore him as he flubbed his way through "Ribbon in the Sky" and "Isn't She Lovely," but when he started singing "Brick House," she threw down the towel she was folding and gripped the edge of the table.
"Josiah Jackson, you leave me alone. Right now!"
"Oh… so you're talking to me now, huh? I win big. I get to hear your pretty voice and look at your fine a—"
"No!" Glory turned to face him, arms folded, seething, channeling every bit of hurt and anger into a glare that she wished would burn him to cinders. "No. I'm not talking to you. I'm asking the devil to leave me alone! I'm asking Satan himself to leave me alone and never speak to me again."
"Well," he said, standing and moving toward her. "Your prayer is gonna be answered. I'm leaving for the navy tomorrow."
He smiled. He actually smiled. That no-good lying two-timing devil smiled his smug smile—that I'm the finest boy in the world, and I know you agree smile. That I win smile.
Glory hated that smile. And she loved that smile. And all she could do was squeeze her eyes shut to keep the tears from spilling out.
"How could you do that to me, JT?" she whispered. "How?"
"I'm sorry, Miss Glory." He tried to take her hand, but she pushed him away. "I'm leaving in the morning and I need to make things right with you. Please, just listen to me. You don't hafta talk to me. You don't hafta forgive me. Just listen. Then if you still hate me, I swear I'll never bother you again."
Glory opened her eyes. The smug smile was gone—no mocking, no joking, only the slightest hint of a plea in his voice and in his eyes—the force of will that always made her trust him… or used to make her trust him.
Glory sat away from him on the couch, arms still folded, not looking at him. She listened to his tale of a weekend with his cousins and wine and reefa and the twenty-two-year-old next door and his not really remembering it until his aunt called his mother about a baby that looked like him. She tried to stay angry and to push him away when he knelt in front of her, begging forgiveness. She tried not to see the tears in his eyes.
Deborah King has been a writer and storyteller her whole life. She published her first short story when she was seven years old. When she's not writing, Deborah enjoys cartoons, cooking, photography, and Star Trek. Born and raised in Chicago, Deborah has managed to achieve all of her childhood dreams and still lives in the area with her husband and two youngest children. According to her daughter, she has "literally aced her life!"
Website / Facebook / Twitter / Instagram / Bookbub


Like serious car, truck and other types of auto accidents, wrecks involving city buses, school buses, shuttles, and multi-passenger vans can inflict severe injuries on those involved. At Abrams & Abrams, P.A., we regularly handle complex motor vehicle accident claims and understand the importance of taking action to hold negligent parties accountable.
Our attorneys have years of experience, provide investigative and accident reconstruction resources, and have an unwavering commitment to helping victims secure treatment and full compensation.
Perhaps your children were injured when their school bus crashed into another vehicle, or you were hurt when the driver of a local transit vehicle lost control. At Abrams & Abrams, P.A., we have stood with the victims of serious bus and passenger vehicle wrecks as they pursue treatments and compensation for their injuries. We invest ourselves in each case, taking the time to get to know our clients, their concerns and their long-term goals for recovery.
After a serious auto accident, it's important to work with lawyers who not only have a passion for helping people, but a team with the knowledge and resources to handle a potentially difficult case. We can help identify the long-term effects of an injury, reconstruct an accident scene to glean evidence and illustrate our case, all while keeping you informed so you can focus on your recovery. We know how to resolve bus accident cases involving the local school systems, GoRaleigh and Capital Area Transit, private shuttle companies, private busing companies or crashes involving large passenger vans.
If you or a member of your family has been injured in a bus accident, there's little time to waste. Reach out to us at Abrams & Abrams, P.A., by calling 919-755-9166 or by completing our online contact form. Located in Raleigh, North Carolina, we represent plaintiffs in serious personal injury cases throughout the South.


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text:
Q&A: Drive Stunt Coordinator Darrin Prescott
Richard Foreman/FilmDistrict
by Chris Ryan
Nicolas Wending Refn's Drive is about a stunt driver by day, getaway driver by night played by Ryan Gosling. Among its many recommendable qualities (the performances, Refn's visual virtuosity, bringing back toothpicks and satin jackets) are the film's fully analog car chases and stunts. So who was responsible for Drive's action? Meet stunt coordinator Darrin Prescott. We spoke with him this week about his career, Ryan Gosling, and a funny thing that happened one day on the set of the Jet Li/DMX classic, Cradle 2 the Grave.
How does one go about becoming a stunt coordinator?
More Grantland Q&As
Click here for all of our interviews with fascinating people from the worlds of sports and pop culture.
I grew up on the East Coast, in Massachusetts. When I was a kid my parents took me to a drive-in to see Hooper, that Burt Reynolds movie about being a stunt man. That was it, man. I thought that was the greatest lifestyle anyone could have. When I graduated high school, I moved straight to California. Once you're out here, you just hustle; go on movie sets and bother the stunt coordinator and eventually, hopefully, someone gives you a break. By good fortune I hooked up with Dan Bradley, who was a second unit director, and the opportunity came up where he asked me if I'd help him coordinate Bourne Supremacy. That was huge. I wasn't ready to coordinate yet; I still wanted to do a lot of stunt work. But the chance to coordinate presented itself and I didn't know when the opportunity would come again.
The main chase in Drive and the one in Bourne Supremacy both feel somewhat real, physics-wise. Do you feel like you have a "style" of stunt?
That's important to me. I do better with something that's more of a reality-based movie, rather than something that's really over-the-top or just stunts for stunts' sake. Fortunately I get called more for things like Bourne than Fast and the Furious.
Was there any CGI used for the driving sequences in Drive?
I don't think so, man. It was all live action. The crash you see over Christina Hendricks' shoulder is all live action. She was in that car and that was a camera looking over her shoulder at the crash as it happened.
She certainly seems legitimately terrified.
She killed it. We had eight or nine cameras going. That's the part of Nicolas' style that I love: We didn't focus on the stunt. We didn't pull away from the story.
Where did you shoot the film's main car chase?
We shot part of it in Soledad Canyon, out by Newhall [California]. Then we shot some out in Castaic. You don't really see it in the film, but [Ryan Gosling's stunt double] Jeremy Fry was in the Mustang and [stunt driver] Rich Rutherford was in the 300, and they were putting it out there. It was a situation where, at certain points, if they went off the road, it would have been game over. That was it. It was a 1,000-foot drop. It was a gnarly couple of days. But it was cool!
Was that a one-take deal?
That was one take, buddy. It's kind of cool because Drive didn't have a huge budget. Everybody wants something they've never seen before, and it's a bit easier to get there when you have $150 million. But I like the challenge and I like trying to do things almost to prove that you don't need $150 million to make a good movie.
Tell me about the opening chase, set in downtown L.A.
That was a sequence that Nicolas was really adamant about. It was basically a slow-speed car chase. I can't say that everyone in the production was on board with the idea. There was a lot of talk about whether it would work or not. But it's a credit to Nicolas and his vision, and his vision is just incredible. He had this whole idea of building tension from inside the car. He kept referencing sharks in the water; these guys trying to get out and sharks are circling.
How was that scene shot?
We shot in L.A. over the course of a few nights. And we choreographed the whole move, so it actually flowed. One of my right hand guys, Wade Allen, was former LAPD. And they brought Wade in and had him question the dialogue and the script. Wade — I don't want to say he rewrote it — he had a lot of suggestions on how it should all work and what would happen. Also, we put Ryan Gosling's car on this [camera-rig] thing called the Biscuit. It's not dissimilar from something we used years ago called the Go Mobile. We used that on The Bourne Supremacy, in the tunnel, in the final chase scene. It worked so well the first time Matt Damon drove it, he was giggling like a child. He called it the "No acting required mobile."
You did some stunt double work on The Matrix films, doubling for Hugo Weaving. Did you and Ryan talk much about his character of a stunt driver and double?
Nicolas wanted Ryan to start training and hanging out with the stunt guys — basically going to stunt driving school. It was partly so that we could use Ryan driving as much as possible, but it was also so that he could feel what it was like to be a stunt guy. He would come out and Location would find us in an old church parking lot and Transpo would drop off a new Camaro or Mustang and Ryan would slide it. He'd basically cook the thing. We had one where I think the brakes caught on fire. Then they'd load the thing back on the tow truck and take it away.
I think Ryan really enjoyed it. His double, Jeremy Fry — who I think is one of the best drivers in the business — was there the whole time. I think Ryan got the feeling that he was a stuntman. He was doing all the slides, he was doing reverse 180's, all kinds of stuff. He is probably the best actor I've ever had the pleasure of training.
When you watch his performance, do you recognize any stuntman characteristics there?
Somewhat. I think it would have been a different movie to play it more realistically. Stunt guys are inherently camera-shy — until they're not. They're almost like kindergarteners; they will screw off as much as possible.
This is such an L.A. movie. Were there any L.A. moments that took place during filming?
Nothing really on Drive. Random homeless person walks into your shot, that kind of thing. But when I was working on Cradle 2 The Grave, I was dressed up as a S.W.A.T. guy in downtown L.A. We were outside of a building, taking a break, when we heard helicopters and sirens screaming. All of a sudden, over the hill comes this car, being chased by a by a bunch of cop cars. It was a real car chase. This guy comes over the hill and sees 20 guys decked out in S.W.A.T. gear, holding weapons, just looking at him! So he slows down to 5 miles per hour and you could see everyone trying to process what was happening. The guy was like, 'Why aren't they shooting at me!? What is going on!?" It was classic.
Filed Under: Interviews, Drive, Movies, Nicolas Winding Refn, Ryan Gosling, Grantland Q&A
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redpajama_set_name: RedPajamaGithub


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text:
Phimai (thaï พิมาย) est une petite ville de la province de Nakhon Ratchasima, dans le nord-est de la Thaïlande. En 2005, elle comptait  habitants.

Située juste au sud de la Mun, un affluent du Mékong, elle est surtout connue grâce au Prasat Hin Phimai, un des temples khmers les plus importants de l'actuelle Thaïlande ; il était jadis directement en relation avec Angkor.

Ville en Thaïlande
Site archéologique khmer
Province de Nakhon Ratchasima


Betrayed and double-crossed, Arithon s'Ffalenn is held captive by the Order of the Koriathain. The desperate Fellowship Sorcerers have gambled the weal of Athera and forced through the perilous bargain that spared him, as the last Prince of Rathain, and their sole hope of unity. To suspend the Prime Matriarch's decree of execution, Arithon lives only to battle Marak's horde of free wraiths, unleashed one by one from the shielding grip of the star wards.
Against a backdrop in which the Religion of Light has undergone schism, the fanatical True Sect's high priesthood stands consumed by its thwarted ambition: to conquer Havish, the backbone of order that secures the terms of Paravian survival. Now Lord Mayor of Etarra, Lysaer s'Ilessid must fight the pull of the Mistwraith's curse, and battle for sanity to uphold his just ethic. Another young defender will stand at his side, newly sworn by the Sorcerer's auspices.


Friday at 4:30 and I'm finishing up a late lunch. I've had a productive and restful spring break. This week I have: submitted my first novel to another agent, submitted my sci fi short story to a magazine, edited 50% of my second novel, read a great book on writing YA novels, revised some query letters, downloaded guidelines to Christian magazines I hope to sell articles (6), I've already written, applied for a writing grant, went to the park and wrote some poetry, and brainstormed some ideas for the next series of novels I want to write.
A busy, productive week. It did get off to a slow start and I let it. I still needed to process losing my job next school year and where in the world will I work in three month. That's where immersing myself in God and His word helps. He said don't worry just write.
And so I have. Through fits and starts this week I got alot done.
Next week is open transfer period and I have to start competing with other teachers, who lost their position like me, or just want to switch, for the few slots that are out there. It's gonna be stressful but I have determined in my heart to write through it. To not let my homelike or my writing suffer due to circumstances I have no control over. Jesus says in John 14:27 "let not your heart be troubled, nor afraid." I gotta go with what He says cause it's my lifeline.
I found a house for sale. Only $8,000.00. To say it's a fixer upper would be a gross understatement. It would be a fun project, but it would take way too much of my time.
Now the house I am truly interested in was built in 1920, has 5 bedrooms and two baths. It is two stories and sells for $35,000. An investor bought it, was seeing dollar signs after restoring it- in the $350,000 range, and then the housing market collapsed.
It is a beautiful house, original hardwood floors, fireplace(probably decorative only at this point), original windows. It would give me just the right amount of challenge to restore it. Am I going to buy it? Well, I have to check it out first. Termite damage-yes or no, New roof-yes or no, Rotting floors-yes or no. Original electrical wiring-yes or no.
Because that $35,000 price tag could easily jump to $150,000, or be unrepairable.
I love the idea of restoring an older home. Taking something that still has value and bringing it back to its glory.
Like God does with us. He sees us as we are-downtrodden, broken, defeated and restores us through His son Jesus.
He takes us as He formed us, strips away what the world has piled on us, and makes us shiny and whole again.
Being a lover of all things antique (historical) I am intrigued by this house. I have always loved "old" things and time periods.
In regards to my writing, upon the completion of my third novel, I will be dipping my fountain pen into the well of historical fiction-specifically young adult historical fiction. By that time I hope to have raised the funds I need for a trip to Scotland. That trip will allow me to work on several novel ideas, historical and present based.
I took the weekend to unwind as my uncle suggested. But also to spend time at the park seeking God's direction.
Change happens; many times without our permission. That's what happened to me Friday. I know good will come out of it, and I know I'm not the only single parent that has found themselves having to dust off their resume, dig out their interview suit (where is it anyway), and hit the pavement looking for work.
Natasha Bedingfield's "Unwritten" is playing in my ear as I write this. I sometimes wonder if God uses the shuffle feature on my phone's iPod to get my attention-to remind me.
Oddly enough it has lent more passion to my writing. I'm not in a panic of "If I don't get published we'll starve", I trust in the Lord with all my heart (Proverbs 3:5-6).
I enjoyed my time of relaxation this weekend.
I also found some dig opportunities for this summer (my anthropology degree) in various places. I figured it would be cool to spend a week or two lying in the dirt digging up fossils, or shell middens, or an abbey in Ireland (okay that one's gonna cost me airfare), but still like the song says "The rest is still unwritten".
Have you had the hiccups? A severe case that went on for minutes?
It causes you to stop what you're doing and focus on getting rid of them.
I've been focusing on my hiccups for the past couple of weeks and haven't written or blogged ( 1 entry).
Much prayer, solitude (at the park), bible reading, and a great book by Kevin Leman "Have a new you by Friday", helped me address my hiccups.
You see, I had some life hiccups that I'd been ignoring. And the thing about hiccups is they must be addressed.
What were my hiccups? Well, you'll have to read my 4th novel (I'm still at the research stage because it's a fantasy/historical novel), to find out. I'm taking some of those hiccups and creating a fictitious character.
It feels good to be hiccup free. That is not to say that an occasional hiccup won't come my way, but I am being proactive and not reactive.
It also means my life is dramatically changing. Which is good. As Gandalf told King Theoden in LORD OF THE RINGS THE TWO TOWERS: "Breathe the free air."
Oh I'm drinking deep of this air and loving it.
This week I am paying homage to my love of science fiction by writing a series of short stories based on sci-fi.
The purpose is two or three fold if you will.
I miss writing short stories. I want to work on my setting, and characterization. And I want to have a collection of sci fi short stories to self publish (possibly).
The one I am working on today came from a dream I had. It's cool. Aliens and a surprise ending.


text:
package janala.interpreters;

/**
 * Author: Koushik Sen (ksen@cs.berkeley.edu)
 * Date: 7/8/12
 * Time: 12:38 PM
 */
public class OrValue {
  boolean val;

  public OrValue(boolean val) {
    this.val = val;
  }

  public boolean boolValue() {
    return val;
  }
}


1. Sensory-based evidence: Find a way to get a first-hand experience of the training before you commit to spending a lot of money. Rely on your own experience of the training. A live experience, such as a free preview, is best. A videotape is next best. If that's not available, an audiotape will give you at least an auditory experience of the trainer. If you can't get any of these, at the very least ask for the names and phone numbers of several people who have completed the training you are considering. If they liked the training, ask "What specifically did you like?" and "What specifically can you do now as a result of the training that you couldn't do before?" Some trainers act like an expert or make you feel good in the seminar, but do not teach you skills or abilities that you can apply immediately and automatically in your life. 2. Trainers: When you consider a program, check, who the trainers are, and for how many days. Some trainings are advertised without any names, or with the name of a well-known trainer. It may turn out that the "big name" will only teach a small portion of the training, and less-skilled trainers or apprentices will teach the rest. 3. Recommendations: Trust your own impressions of a trainer first, and recommendations from people you know who have experience with the trainer next. Be cautious about brochure quotes, even from famous people. Some sponsors and trainers make up quotes from other people and/or use quotes without permission or quotes that are outdated. Occasionally "big names" give endorsements based on a monetary relationship, rather than on the trainer's skill. 4. Degrees and Certificates: Trust your own experience of the trainer over a certificate or degree. The meaning of a certification or degree varies as widely as the grantor. A degree may be a good measure of academic record (the ability to take tests and do homework), but usually has little to do with training ability.
B. What to check for when you're in a training: We've emphasized the importance of getting an experience of the trainer. When you attend a free preview or short seminar, how can you determine whether this seminar trainer is delivering maximum value for you?
5. Demonstrations versus Information: Do you get live demonstrations of the methods being taught, or do you only get a long string of words, a "core-dump" of information that would be much cheaper to read in a book? Research repeatedly demonstrates that over 80% of the impact of communication is nonverbal. This means you'll get a much more complete understanding of any method if you observe a demonstration than if the trainer only tells you what to do. We once went to an expensive training taught by a well-known author who essentially read his book aloud to the audience (for a fee of $6,000 per day!). There are many ways in which the trainer can demonstrate methods to you. The trainer can ask for a volunteer from the audience with whom to demonstrate or role-play. The trainer can bring in a "naive client" or can invite the entire group to participate in an experiential process that provides a demonstration of what she is teaching.
6. Exercises: After demonstrating, does the trainer provide ways for you to make the new skills a part of your behavior? It's usually easiest to learn skills when the trainer sets up a series of carefully-designed supervised exercises or tasks that allow you to practice new skills in a comfortable and safe manner. A good training begins by training you in smaller component skills, and then assists you in easily putting these skills together to work for maximum impact in a real context. Understanding alone won't get you results in your life. You should leave a good seminar able to do more than when you walked in.
7. Evidence: After attending the seminar and learning new communication (or other) skills, do you know what specific evidence you can use to verify whether what you have learned is working? Is it getting you better results than you would have gotten anyway? In a good training, you'll know what kind of evidence to check for. Make sure you experience the kinds of results you want. Some trainers are flashy and charismatic, but don't train you in a way that gives you results.
8. Nonverbal presuppositions: What beliefs or attitudes are presupposed in the trainer's nonverbal behavior; and are they the ones you want? Does the trainer talk about the importance of flexibility, but respond rigidly? Does he communicate that he wants you to learn, or that he just wants to razzle-dazzle you? Does the trainer treat you as a peer who can learn the same skills the trainer has, or does the trainer act like a superior "guru" whom you can admire but can't hope to emulate? A good trainer will presuppose that anyone can learn--it's a matter of finding a way for each person to learn most easily.
9. Questions: A good trainer will welcome questions, and will respond to questions and challenges by demonstrating a greater depth of understanding of the material. Does the trainer respond respectfully, or nonverbally discourage or eliminate questions, provide weak answers or a "smokescreen," or promise to "get to it later" and then fail to do so?
11. Self-accolades: Does the trainer spend lots of time (which you are paying for) telling you about the miraculous things he has done? When a trainer is effective, he doesn't need to tell you how wonderful he is, he can demonstrate it. If he gives you examples of his previous successes, does he tell you how he got the results, so that you can learn to get the same results, or does he just say, "I achieved X, Y and Z" in order to impress you?
14. Excuses: Since every training can be improved, a good trainer can easily admit a mistake, and will welcome suggestions to improve the training. Does the trainer try to cover up his lack of ability or a poorly-organized training, or does he blame participants when things don't go well?
15. Humor: The best single aid to learning is humor--the kind that is infectious, laughing with others, or at the human condition, but not at anyone's expense. If you find a trainer who has this, along with the other qualities we've listed, you've found someone you're likely to be pleased with.
You may have additional criteria for trainings that meet your professional needs and personal desires. With so much to be gained from a good training or seminar, we think you'll find it worthwhile to sift carefully through the available trainers to find the ones who provide what you need and want. You can learn skills that help you to be more successful in your professional life; you can also learn how to get more of what you want in your personal relationships while making those around you happy. By attending high quality trainings, you can also expose yourself to wonderful models, an important next step to getting where you want to go in your life.


text:
Blackflix.com: Movie: Focus
Studio: Warner Bros. Pictures (1 hr. 45 min.)
Plot: A con man takes on an inexperienced apprentice.
Cast: Will Smith, Margot Robbie, Rodrigo Santoro, Adrian Martinez
Bottom Line: **
Hollywood's favorite movie star is far too affable and charming to be a con artist, but in his latest role Will Smith plays just that. In 'Focus" the new Warner Bros. film, Smith stars as a seasoned con artist who becomes romantically involved with another grifter.
A romantic heist thriller, which jets from New York to New Orleans to one of South America's most exquisite cities, Buenos Aires, it's written and directed by Glenn Ficarra & John Requa ("Crazy, Stupid, Love").
In this predictable but pleasant film, Smith plays Nicky (aka Mellow), a suave, stylishly clad gentleman who is clearly one of the best in his business. A third-generation hustler, he runs a tight team of talented thieves — a motley crew of characters who can pick pocket just about anything from anyone without their knowledge. A well-oiled machine, they steal watches, jewels, electronics and anything they can off unsuspecting individuals. One day he meets a fellow con artist called Jess (Margot Robbie). As he's teaching her the tricks of the trade, she gets too close for comfort and he abruptly breaks it off. Three years later, the former flame—now an accomplished femme fatale—shows up in Buenos Aires in the middle of his million dollar con deal and throws his plans for a loop as he realizes that, not only has he never really gotten over her, but that she has clearly moved on. She is now romantically involved with the very man that he is getting into business with – the millionaire Spanish racecar team owner Rafael Garríga (Rodrigo Santoro).
Smith sizzles as the leading man in his stylish suits and coiffed look. Margot Robbie ("The Wolf of Wall Street") is also a delight to watch as the inexperienced, sort of a diamond-in-the-rough robber who is introduced to new things and there's great chemistry between the two. But alas, pretty people, jet-setting locales and a lively dialogue isn't enough to keep ones focus on this thinly veiled heist caper. It's just simply too predictable and implausible with certain inconsistent scenes and events which lack credibility. There's enough to entertain but little to engage in this one.
This was printed in the March 22, 2015 - April 4, 2015 edition.


text:
In Brazil, US VP Sends ...
When Importing Sperm, Brazilians Insist ...
In Brazil, US VP Sends Message: Build Your Lives in Your Homeland
by Newsroom June 28, 2018
US Vice President, Mike Pence, said that Latin American migrants who "cannot come legally" should not go to the US at all. Pence made the comments during a visit to Brazil, where he pledged US aid to Venezuelan migrants.
US Vice President Mike Pence met with Brazilian President Michel Temer on Tuesday to discuss bilateral relations and the region's Venezuelan migrant crisis.
During a joint press conference in Brasilia, Pence spoke directly to Central American migrants seeking to reach the US: "To the people of Central America, I have a message for you," Pence said.
"Don't risk your lives or the lives of your children by trying to come to the United States on a road run by drug smugglers and human traffickers. If you can't come legally, don't come at all."
"Hold on to your children, build your lives in your homeland," Pence said.
Pence told reporters that his message to Central Americans came "straight from his heart."
The vice president made the comments after President Donald Trump seemingly backtracked on family separations at the US-Mexican border in response to wide consternation at home and abroad. He did not clarify how families would be kept together or provide details about their housing and legal situation.
Brazilian President Michel Temer said that he had spoken to Pence about Brazilian children who were separated from their parents while crossing the US-Mexico border.
Temer said he asked for Pence's "special attention to secure the rapid reunification of families" and offered his country's help to repatriate Brazilian minors.
US Aid
In the joint press conference in Brasília, Pence and Temer said they spoke extensively about the situation in Venezuela.
Brazil's northern neighbor has been consumed by political and economic crises that have prompted millions of its citizens to flee.
Vice President Pence thanked Brazil for welcoming Venezuelans fleeing their country's collapse.
"Venezuela's collapse is creating a humanitarian crisis leading to widespread deprivation, the denial of basic services and starvation," Pence said, adding that it has "spurred the largest cross-border mass exodus in the history of our hemisphere."
He pledged US$ 8.5 million in US aid to Venezuelan migrants in the region, including US$ 1.2 million that would go directly to Brazil.
Pence visited the northern city of Manaus in the Amazon rainforest, where he met migrants from Venezuela.
After his trip to Brazil, the US vice president went to Ecuador and Guatemala to meet the presidents of Guatemala and Honduras, along with the vice president of El Salvador to discuss the migration situation on the US' southern border.
The seemingly contradictory messages underscored the delicate dance the United States is trying to perform: It wants to punish and isolate Venezuelan President Nicolas Maduro's populist government while mitigating the effects on the Venezuelan people. At the same time, it wants to stem the flow of migrants illegally crossing its own borders.
Venezuela, which is experiencing an economic collapse worse than the Great Depression, was supposed to be the focus of Pence's trip to the region this week before controversy over American immigration policies in recent weeks forced the vice president to shift gears.
The Trump administration wants to ramp up the pressure on Maduro, who recently won a second term in an election condemned as illegitimate by the U.S. and other countries.
The vice president praised Brazil's support of economic sanctions against its neighbor and for taking the lead in efforts to isolate Maduro, even as he said Brazil and other nations in the region should do more.
Other than the discussion of migrants, Pence's visit appeared light on substance, as was expected given that Temer is deeply unpopular and a lame duck ahead of October elections.
Brazil announced that it officially signed the "Open Skies" agreement, which will allow an unlimited number of flights between the countries, though the pact had long been agreed to. The two countries also agreed to increase space cooperation, though they gave few details. Both leaders said they would work to lower trade barriers after the U.S. imposed restrictions recently on imports of Brazilian steel and aluminum.
Pence's visit comes at a time when soccer-mad Brazilians have their focus on the World Cup in Russia.
During initial comments to the press, Temer joked that he hoped Pence would support Brazil's team if it goes all the way. Pence said he would root for Brazil — while he is on Brazilian soil.
DW/MP
US vice president
When Importing Sperm, Brazilians Insist on White Donors, Preferably with Blue Eyes
World Cup 2018: The Beautiful Game in an Ugly World
Brazilian Women Find Their Voice Against Repression and the Government
A Ballerina's Tale: From Brazil's City of Steel to the Spotlights of the World
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After Years of Rejection US Gets Green Light to Use Brazil's Rocket Launch Center
The United States and Brazil have agreed to a preliminary agreement to for the ...
Newsroom June 11, 2018
On Brazilian Indian Matters the Fox Now Is Running the Henhouse
The Tapajós River Basin lies at the heart of the Amazon, and at the ...
Sue Branford and Maurício Torres April 6, 2017
Despite Economic Crisis, Demand for Designer Vaginas in Brazil Grows by 80%
In Brazil, a country famed for its obsession with the beautiful body, women are ...
Newsroom February 3, 2018
The Strange Story of the Disappearance of a Brazilian Obsessed with Aliens
The unexplained disappearance of a Brazilian youngster has sparked a rush of conspiracy theories ...
Newsroom April 6, 2017
When Brazil Was the Best Route for Americans Searching for California's Gold
"This small island has many attractions: its fruits have no rivals, its landscape is ...
Marli Cristina Scomazzon August 13, 2017


Ubisoft's newest Canadian studio is officially open in the heart of downtown Winnipeg.
The team at Ubisoft Winnipeg is honoured to be part of such an innovative and creative community where we have already started to see strong success in the few months since announcing our studio in April 2018.
We've already hired more than 25 passionate, talented and creative individuals to join our team. And we are looking for more!