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Photo Essay: Garden Grove's Time Capsule Town at the Stanley-Ware Ranch (Where You Can Find the 'Disney Garage')
The more that our historical town centers get gobbled up by high-rise hotels and other new developments, the more I really appreciate when historical societies save and relocate old buildings to create their own historical villages.
Case in point: Garden Grove Historical Society's time capsule town, located on 2 acres of the former Stanley Ranch, where local pioneer Edward G. Ware settled in 1876 after relocating from Massachusetts.
His Queen Anne-style ranch house, completed in 1892, was moved from elsewhere on the property to its current location—just past the "village" entrance, windmill, and General Store (located in the former Tank House, circa 1910, where you can buy a ticket to a docent-led tour of the property).
Before his arrival, the area was merely grain fields—but Ware helped bring the Eureka walnut and the Valencia orange to Garden Grove and also grew apricots and grapes. In fact, the "mother" walnut tree still stands on the property (now positioned in the ranch house's backyard).
Ware's daughter (Lillian) Agnes Ware, a schoolteacher, married Arthur C. Stanley and inherited the house from her father when he died in 1917—hence the name, Stanley-Ware.
Many of the architectural details are preserved—like the dark wood finishes and fancy hardware that gives the interior a Victorian touch.
Most of the furnishings aren't original to the Stanley or Ware families, but they're appropriate to the period. One original treasure is a circa 1890 pump organ, returned to the house many years later after being sold to another family.
Many of the rooms serve as recreations of what they might've been like when Agnes was the lady of the house.
It's a nice way to keep her memory alive, after her passing at age 95 in 1973. (There's a local Garden Grove elementary school named after her, too.)
Garden Grove Historical Society, established in 1966, has now got its offices and archives in the formerly Ware-owned big red barn...
...right next to the old shoe shop/barber shop/dentist's office (circa 1900), which moved to Garden Grove from Huntington Beach in 1921.
The historical society hopes to install a police museum in one of the vacant relocated buildings...
...adjacent to the first Garden Grove post office, which dates back to 1877-1885, originally on Ocean Boulevard (now Garden Grove Boulevard).
It was moved to the historical society's property 100 years later, in 1977...
...but before that, it had been relocated and repurposed as a residence and then DeElena's Beauty Shop!
Today, the board and batten structure serves as a museum devoted to the 19th-century-era postal service...
...when you could buy sundries where you picked up your parcels...
...and some pieces of mail were delivered by bicycle.
There's also the little red schoolhouse...
...where students once wrote on chalkboard tablets...
...and wore sweetly patterned bonnets, just like in Little House on the Prairie.
The village also contains a smaller-scale replica of Garden Grove's (demolished) first fire station, constructed in 1973.
The showstopper there is the restored American La France fire engine, circa 1926. It was the Garden Grove Fire Protection District's first fire truck, with a capacity to hold 400 gallons of water and operated by a team of 25 volunteer firefighters.
Although the antique engine is owned by the City of Garden Grove, the historical society has had an agreement since 1985 to house it and provide public access to it. The Firefighters Association occasionally drives it in parades and to other special events.
As of 2019, the city of Garden Grove is serviced by Orange County Fire Authority, instead of having its own municipal service.
So this fire station exhibit—with its antique equipment, office, and even sleeping quarters—is really a relic of days gone by.
In addition to the Stanley-Ware ranch house, there are other residences that have relocated to the historical society's property—including the circa 1916 Schnitger House.
It was originally located on the 20-acre avocado/Valencia orange ranch (hence, "Avolencia") near the intersection of Euclid and Chapman, less than 0.3 miles north of its present-day location.
While Arthur and Helen Schnitger might not be as prominent Garden Grove historical figures as the Wares or the Stanleys, this craftsman-style bungalow acts as a kind of living history of the area...
...including artifacts from the (extant) GEM Theater, the (demolished) Greenbrier Inn and Restaurant, and more.
Next door to the old Schnitger place is the Henry A. and Emma Blaeholder House—a symmetrical Queen Anne-style cottage built in 1885, originally at Chapman and Nelson.
And then rounding out the residential "neighborhood" is the circa 1877 Reeder House, one of Garden Grove's longest-standing homes...
...originally located on Stanford Avenue (now the Methodist church complex).
For some visitors, the pièce de résistance is the so-called "Disney Garage," donated to the site in 1984 by The Friends of Walt Disney (a.k.a. Friends of the Mouse).
Technically, it was the garage of Uncle Robert Disney, at his home on Kingswell Avenue in the Los Angeles neighborhood of Los Feliz. In 1923, his nephews—brothers Roy and Walt Disney—moved in with him and set up shop in his garage to try to launch an animation business in Hollywood.
Walt constructed his first animation device here—right on top of a workbench made out milk crates and other pieces of scrap lumber. The wooden bench still lives inside the garage, which was sold at a 1982 auction.
The rest of the garage's contents consists mostly of Disney memorabilia and ephemera—but it's still a necessary pilgrimage for any Disney fan in the area to make. (And Disneyland is just about 4 miles to the northeast.)
It's got to be hard for Garden Grove to have stood in the shadow of Anaheim—home of Disneyland—for the last 65 years. So, it's nice that the city has its own slice of Disney history.
But that's actually the most underwhelming part of the Stanley-Ware Ranch complex and the Garden Grove Historical Society's architectural holdings.
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She collapses on my sofa, and I hear myself thinking Looks like shit. Carelessly dressed, hair disheveled, circles under her eyes. Pale.
But you don't tell clients they look like shit.
"How are you?" I ask.
"Shitty," she says.
"I can't do it anymore," she says.
"Any of it. All of it."
I know what she's talking about. We've been over this ground many times. She lives with a self-absorbed, unpleasable husband. Her three adult kids are needy and crisis-prone. Her aging parents call her at all hours with requests, demands and emergencies. And she belongs to a volunteer organization, a peace group apparently unable to function without her.
"I just can't manage it all."
I'm quiet.
She looks at me. "Can you help me?" she asks.
"Manage it all?"
She sags into the cushions. "Why not?"
I think a minute. Again, not new territory. I've explained over and over why what she's attempting is impossible.
But this woman is a control addict. And like any addict, she can't see the obvious. No matter how often life spells it out for her.
She's no dummy, though. Now she looks at me and reads my mind.
"I know," she says. "I know. I'm not getting it. I'm sorry."
"It's nothing to apologize for," I say. "It's part of the problem. A symptom. Like throwing up when you have food poisoning."
"But I need to get this, Steve. Please. Explain it again. Why can't I manage it all? What's wrong with me?"
That control can be a problem is hard for many clients to accept. It can take months for them to get past seeing control as the solution to just about everything. At our last session I'd suggested we speed up this process by relating every problem she brings up to her addiction.
Now I say, "Know anything about the Twelve Steps?"
"Sort of. I went to Al-Anon when my first husband was drinking."
"I'm thinking of the First Step now. Remember how it goes?"
"Admitted we were something or other," she frowns.
"Admitted we were powerless over X – fill in the blank — and that our lives had become unmanageable.
"For the alcoholic that means powerless over alcohol. For the overeater, it's powerless over food. For the control addict, it's powerless over people, places and things."
"I remember now," she says. "I always hated the idea of being powerless."
"Me too," I say. "But I think powerless is the wrong word. I think what Step One really means is beyond our control."
"Aren't power and control the same thing?"
"No. Powerful means able to take care of yourself, get your needs met, do what's necessary. Controlling means trying to make people, places and things the way you want them to be. Most of the time, they're opposites. The more controlling you are, the less powerful you become. That's why you feel like shit now."
"Because I'm always trying to control things."
I nod. "So hard, and so constantly, that you lose all your power. Sleep at all last night?"
"A few hours. I kept waking up."
"To worry about stuff?"
"In other words, trying to control stuff in your head."
"Yes," she says sadly. "I just can't stop." Tears come to her eyes.
I pass her a box of tissues and wait. Good, I think. She never cries. Control addicts rarely do. Like sleeping, crying means giving up control, letting the body have its say. So these tears signify a small victory.
After a moment she wipes her nose and blinks. Now she looks angry.
"Help me stop," she says.
"Okay," I say.
"Well, our Step One will be: Redefine the problem."
2 Comments | posted in control
The God part
So now I'm a grandpa. Which is odd, considering how inside I continue to feel like an adolescent. But it does make for some interesting experiences.
Here's one:
I'm babysitting Wyatt, who's five months old. He's in his ExerSaucer, wobbling back, forth and sideways, drooling and gurgling at the brightly colored plastic sea creatures hanging around him.
I'm only half paying attention. As usual, I'm lost in my own thoughts.
Then I notice he's silent.
I look over and find him staring at me.
Just staring.
I stare back. The moment lengthens. He holds eye contact. Doesn't move. Doesn't blink. Doesn't get bored or embarrassed or nervous, as an adult would. Just stares. Smiling at me.
I smile too, but he's making me nervous. This moment of raw contact feels uncanny, like something beyond normal human experience. I feel an urge to end it, to look away, or joke, or take a picture with my cell phone, or create some other distraction.
Instead I stare back.
And the thought comes, It's like looking at God.
Years ago a client surprised me by abruptly asking "What's a therapist's job?" A simple question, the sort that catches you flatfooted. I felt really stupid. I had to think.
Eventually I told her that I saw my job as similar to Michelangelo's. Michelangelo is supposed to have said, "Every block of stone has a statue inside of it, and it is the task of the sculptor to discover it."
"By the time we're adults," I said, "we're all crusted over with fears and defenses. The therapist's job is to scrape away the fears and defenses and free the person trapped inside."
The person inside. The natural, unafraid, undefended part. The God part.
Sunday school taught me to think of God as resembling Charlton Heston in a bathrobe. That was a long time ago. Lately I've come to think of God as something more like The Force in Star Wars — a sort of energy which animates and organizes things, makes spring grass sprout and wounds heal and babies grow, holds things together and makes sense of life's pain, loss and chaos.
And when it comes to people, I think of God as the part of them that gets buried in the course of getting educated and socialized. The part therapy tries to unearth. The spontaneous, curious, fearless, loving part we all carry around inside us. The God part.
The part that's staring at me now.
16 Comments | posted in control

redpajama_set_name: RedPajamaCommonCrawl


text:
<?php

namespace Task\Command;

use Symfony\Component\Console\Command\Command;
use Symfony\Component\Console\Helper\DialogHelper;
use Symfony\Component\Console\Input\InputInterface;
use Symfony\Component\Console\Output\OutputInterface;
use Task\Action\InitAction;
use Task\Bootstrap;

class TaskInitCommand extends Command
{
    protected function configure()
    {
        $this->setName('init');
    }

    protected function execute(InputInterface $input, OutputInterface $output)
    {
        $bootstrap = new Bootstrap();
        $initAction = new InitAction($bootstrap);
        /** @var DialogHelper $dialog */
        $dialog = $this->getHelperSet()->get('dialog');

        $initAction->setDialog($dialog);
        $initAction->setOutput($output);

        $initAction->run();
    }
}

redpajama_set_name: RedPajamaGithub


text:
The Formal and Substantive Aspects of Law
September 18, 2022 adminss Gambling News
Law is the body of norms promulgated in a society that governs behavior. Its purpose is to guide the conduct of people, to enable them to study, internalize and apply it. It should be accessible to ordinary people and act as a framework to settle disputes and protect them from abuses of power. To do this, it is important for the judiciary to be independent and for government officials to be accountable. It is also essential for legal procedures to be fair and transparent.
The rule of law is an important foundation of a constitutional democracy. It ensures that laws apply equally and fairly to everyone. The rule of law divides powers between the legislature, the executive, and the judiciary. It also ensures that people are able to know what their rights and responsibilities are, and that the laws are made by representatives of the people. The rule of law also protects the right of individuals to remain silent and to be presumed innocent until proven guilty.
According to the Principles of the Rule of Law, laws must be fair and protect the fundamental human rights of everyone in a society. This principle is also the substantive guarantee of the rule of law. It is important to note that the rule of law distinguishes between governments that do not follow it and governments that do. For example, while Nazi Germany had elements of rule of law, it was not a rule of law society.
Legal norms
Legal norms are rules or principles that a sovereign power enforces in a society. These norms regulate social relations and determine the rights of individuals within a governing jurisdiction. They are essential to society and should be respected. If they are not respected, there are consequences. But how do we ensure that we comply with these rules?
Legal norms are the basic building blocks of the legal system. They are the basis for law and other forms of legislation. They also help us model and retrieve legislation.
Formal aspects
The formal aspects of law are the laws and rules that are independent of the substantive content. These features of law are often referred to as procedural. Nevertheless, they are sometimes interrelated with substantive content and have important implications. One prominent example is the United States Constitution. The Constitution is designed to protect the rights of citizens and limit the power of government, and its language and rules should reflect those values.
While formal law is composed of written rules and institutional processes, informal law is the unwritten or customary aspects of the legal system. In the absence of these elements, the process of justice may be illegitimate and popular justice may be ineffective.
Procedural aspects
This chapter examines the role of procedural aspects of law in social policy. The elaboration of legal rules and institutional change affecting legal process are examined. The author also notes the conditions necessary for a legal process that is responsive to social needs. While procedural aspects of law are important, they are not the only aspect of law.
Substantive values
Substantive values in law are the rules by which we judge and apply law. They are not only the rules of the law, but also the values that society places on them. A good jurist does not forget these values, but uses them to make decisions. He or she will analyze the precedents and the statutory law to apply these values in concrete cases. The primary goal of a judge is to apply these rules and make them valuable for society.
In the U.S., substantive values in law are those that govern the behavior of citizens in the society. Laws may be created by statutes or common law, but their purpose is to protect individual rights. For example, a statute enacted by the state or federal government could give an employee the right to sue his or her employer for employment discrimination.
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Conwy Council
'We may force you to sell eyesores'
OWNERS of run-down buildings could be forced to fix them – or sell up.
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Conwy Council wants to call time on eyesores blighting the centres of towns.
Councillors will meet on Tuesday to discuss banishing the dilapidated buildings – at risk of vandalism and arson attacks – amid fears they could be left footing the bill for improvements.
Instead they're considering bringing in a new "enforced sales" policy. Officers say in a report to the authority's cabinet it would boost chances of fixing the "more difficult and protracted cases of building dilapidation".
An officer's report says owners are struggling to get loans or grants for repairs. But under current powers, it can take years for a local authority to force an owner to fix an "eyesore" historic building – listed or unlisted.
The policy could be based on an 87-year-old law used recently by Manchester City Council. The 1925 Law and Property Act secures the enforced sale of buildings either by auction or to a preferred purchaser.
If a council has paid for repairs, it can claim the debt back by forcing the owner to sell up, and then taking a slice of the proceeds.
Cllr Philip Evans, of Llandudno, said yesterday: "This would be a useful tool in our armoury. In an area that welcomes visitors we need to take care with how people see us and ensure that our environment is not marred unduly by dilapidated properties."
Peter Jones-Hughes, Conwy's principal conservation officer, says Conwy can only insist on minimal repairs and sometimes has to directly fund works.
Denbighshire County Council has also recently introduced a little known measure to enforce the sale of properties where the council paid for repairs.
Mr Jones-Hughes: "Prolonged vacancy, poor external appearance or condition and the dangers posed by unauthorised entry represent a real risk to buildings, particularly in isolated locations where the threat of vandalism and fire damage is increased. If a comprehensive proactive initiative is not carried out there would be a risk that as existing buildings are repaired, others would be deteriorating in condition and would fall into the 'at risk eyesore' category.
"As depressed market conditions continue to exert pressure on vulnerable buildings, and borrowing from financial institutions remains constrained, it is anticipated the need for the council to intervene to carry out urgent repairs and enhancements will increase.
"There are risks attached to the current approach to dilapidated buildings as the Council may need to finance repairs in default in some cases and these may involve significant levels of unplanned expenditure.
"Structures such as Colwyn Bay Pier and the Tudno Castle Hotel in Llandudno are examples of these potential risks."
Conwy county has 1,638 individual listed buildings and over 7,000 unlisted buildings. Some need work now.
One building at risk is the Grade II* listed Cockpit in Conwy, which is empty and deteriorating. In the late 1990s, the council gave a grant to protect the roof but the current owners are probably finding the cost of restoring it "a concern", says the council report. Mr Jones-Hughes said: "The key to successful rescues of dilapidated buildings often lies in finding a viable alternative use that will provide an on-going income to keep the building well maintained."
Denbighshire Council
Manchester Council


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Sinetron: Indonesia's Popular 'Telenovellas'
Watching TV | © JESHOOTScom / Pixabay
Edira Putri
A soap opera genre both loved and hated by Indonesians, sinetron is a heady mix of class struggles, Islamic teachings and deus ex machina resolutions – all with a distinct flavour of the archipelago.
Indonesian sinetron TV shows are worlds filled with brutal clichés and absurd occurrences. Most plots seem to involve evil stepmothers, characters being hit by cars in slow motion, or babies who were accidentally swapped at birth. Some sinetrons verge on the fantastical, where Batman randomly shows up wearing a shiny costume, or the protagonist keeps a poorly animated dragon as a mode of transport.
Nowadays, Indonesian prime time TV is an empire ruled almost single-handedly by sinetron. The word is abbreviated from sinema elektronik (Bahasa for 'electronic cinema'), a form of Indonesian soap opera. In Indonesia, sinetron has been a television fixture for almost as long as the screen's existence as a household staple. Nonsensical as they are now, sinetrons have not always been this way. The first sinetron serials shown in the country date back to the 1980s, while the nation's first TV station, TVRI, was established in 1962.
A brief history of sinetron
Aku Cinta Indonesia (I Love Indonesia) and Losmen (Inn) are among the pioneers of early sinetrons in 1980s TVRI. At that time, sinetrons were aired weekly, or even monthly. During this time, the station also imported soap series, mostly from other Asian countries like the widely popular Oshin from NHK Japan. Despite fierce international competition, sinetron had a loyal Indonesian following, even though it wasn't quite the craze it is now.
It wasn't until the 1990s that Indonesia's privately owned stations ushered in a sinetron renaissance. Talented local producers were hired en masse, creating a wave of fresh new titles that went on to define a generation. Raam Punjabi, an Indian Indonesian businessman, built an entertainment empire with its foothold in sinetron, earning him the title "Indonesian soap king".
Fast forward to the modern day and sinetron continues its dominant reign over Indonesia's TV screens. It has become common practice for stations to air sinetron starting as early as 5pm until at least 9pm, a sensible move considering the genre's soaring ratings. In October 2018, at least 13 of TV's 20 top-rated programmes can be categorised as sinetron. As many as 35 titles have been released in 2018 so far, and this number does not include the long-standing series from the years before. The longest-running sinetron, Tukang Bubur Naik Haji, has more than 2,100 episodes under its belt since premiering in 2012.
The speedy sinetron filming process
Sinetron uses a live-shoot system known in the Indonesian film industry as 'striping'. No one really knows how the name came to be, but some say it was inspired from the tight-packed stripes on busy airtime schedule tables. Some call it 'stripping', which seems to fit the reality of depriving the shooting process of proper time and preparation.
Sinetron is often made with hasty shooting process | © PhotoMIX-Company / Pixabay
Unlike pre-produced series, the hasty shooting process allows producers to create and air new episodes every single day, (or at least every weekday). Writers have very little time to brainstorm plot development and end up throwing conflicts around, often without a sense of continuity. Young, new actors barely have time to develop characters, resulting in rigid evil versus good in a black-and-white world. Crews are encouraged to get things done fast, because it's only 24 hours before the next episode has to air.
Naturally, this has an impact on the quality of the final product. Writers rush to come up with a new storyline every day, actors and crews work overtime, and there isn't much time to finalise pre-production steps. Hence why sinetron plots flow faster than human logic can follow, as the audience can see through the absurdity of drama often portrayed by sinetron.
In the sinetron world, a wealthy heiress falling in love with a humble worker from the lower classes looks like an everyday occurrence. Not to mention the prevalence of amnesia as the aftermath of any illness or accident. Sometimes random beasts and mythical figures make their way into the story. One time, a sinetron brought a poorly crafted rendition of Marvel's Thanos onto the screen – just because people were buzzing about the newest Avengers movie. At one point, the popularity of the Twilight series even inspired a werewolf-themed sinetron, Ganteng-Ganteng Serigala (Handsome Wolves).
The Broadcasting Commission of Indonesia (KPI) has repeatedly reproved sinetron for presenting unrealistic stories, joined by critics and audiences who are concerned about the substandard quality. Regardless of this, the sinetron industry shows no sign of slowing down. Ratings are as high as ever, with popular titles being continued for the 1,000th episode, plots stretched as long as people are still watching.
Escapism for the working class
The struggles of the working class have been a long-running theme for many popular sinetrons. From the humble life of a rice porridge vendor trying to save money for umrah in Tukang Bubur Naik Haji, to a comical everyday drama of a bajaj driver in Bajaj Bajuri, many sinetrons have succeeded in recreating the real lives of their audience on screen.
Tukang Ojek Pengkolan | © MNC Pictures
"Sinetron is a pleasant form of entertainment for me because I can totally relate to the stories," says Wiwi, a minivan bus driver in Jakarta who spoke with Culture Trip. "Life is hard, but as long as we keep our faith and be forbearing, everything will turn out fine."
For years, Wiwi has tried his best to catch every episode of Tukang Ojek Pengkolan, the country's longest-running sinetron, which revolves around the household drama in the life of a motorbike taxi driver.
Morals of the story
Despite the excessive dramatisation and sometimes utter disregard of realism, sinetrons usually have an underlying moral message for the audience. Yovantra Arief, researcher and deputy director with Indonesian media study center Remotivi, identified 'family' as the gist of most sinetrons. Family has always been an important and treasured concept in Indonesia. Devotion to parents, manners towards the elderly and relationships with siblings are among themes found in most sinetrons.
"There's always this elder or revered figure who has some kind of wisdom, and there's this ideal image of a family or parental role model," Arief explains. "After all, these series were first designed to be family entertainment."
In its own universe of morals and ideals, sinetron rewards the act of respect or subjugation towards elders (even in the form of evil stepmothers), forbearance and solidarity. The promotion of these values is not unique to sinetron. Instead, the genre may be adhering to the format of local folklore and bedtime stories, which seem to operate within the same world of wisdom – teaching youngsters that it's always better to be kind, obedient and loyal to your family.
Islamic sinetron
In 2003, Rahasia Ilahi (Divine Secret) became the first Islamic drama to gain commercial success, a feat that ushered in the era of religious sinetron. By 2010, Indonesian audiences had already been offered as many as 335 Islamic sinetron titles.
Many popular Islamic sinetron nowadays revolve around the logic of azab, or divine punishment. An episode of azab sinetron calls for a kind of 'sinner', usually the most dishonourable of misbehaving husband, greedy boss, gamblers, drunkards and such. This character will enjoy a sinful but gratifying life oppressing other people, until azab comes in the form of the most painful death. We're talking face burnt in a frying pan, eaten by worms, and, the newest sensation, struck by a meteor.
Tukang Bubur Naik Haji The Series | © SinemArt
This kind of sinetron becomes more than just a form of entertainment – it's how Islamic teachings become mainstream. In some cases, this is how children learn the tenets of the religion.
Some appreciate how Islamic teachings enter pop culture via the religious content of sinetron, while others argue against the oversimplified (but at the same time overly dramatised) portrayal of religious tenets, the commercialisation of religion, or inappropriate representations of Islamic teachings in gory divine punishments.
Presenting relatable cliches but at the same time bending realities, offering substandard quality that has proved to be enjoyable, the nation is torn between loving and hating sinetron. But sinetron will continue to reign on Indonesian television for many years to come.


Tag Archive | "Law & Legal Issues"
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Summer Scene Front Range Concert Calendar 2018
Boulder Weekly Staff
counting crows brings their 25th-anniversary tour to the pepsi center on july 18.
Wikimedia Commons/Shannon McGee
The Steel Wheels. 8 p.m. Fox Theatre, 1135 13th St., Boulder, 303-447-0095.
Barbara Jo & The Hippie Buckaroos. 7:30 p.m. Nissi's, 2675 Northpark Drive, Lafayette,
Louis the Child & Big Wild. 6:30 p.m. Red Rocks Park and Amphitheatre, 18300 W. Alameda Parkway, Morrison, 720-865-2494.
A Meazy and Midas. 9 p.m. The Bluebird Theater, 3317 E. Colfax Ave., Denver, 303-377-1666.
Todd Rundgren's Utopia. 8 p.m. Paramount Theatre, 1621 Glenarm Ave., Denver, 303-623-0106.
Cuco. 9 p.m. Fox Theatre, 1135 13th St., Boulder, 303-447-0095.
Wash Park. 7:30 p.m. Nissi's, 2675 Northpark Drive, Lafayette, 303-665-2757.
Mary Russel, Rob Candler and Friends. 7 p.m. Caffè Sole, 637R S. Broadway, Boulder, 303-499-2985.
The Devil Makes Three. 7 p.m. Red Rocks Park and Amphitheatre, 18300 W. Alameda Parkway, Morrison, 720-865-2494.
6 Million Dollar Band. 8 p.m. Dickens Tavern & Opera House, 300 Main St., Longmont, 303-834-9384.
Ragged Union with Benny Galloway. 9 p.m. Gold Hill Inn, 401 Main St., Gold Hill, 303-443-6461.
The Goonies Feat. Boulder Burlesque. 9 p.m. Boulder Theater, 2032 14th St., Boulder, 303-786-7030.
Amber Mark. 8 p.m. Marquis Theater, 2009 Larimer St., Denver, 303-487-0111.
Dave Fulker Quartet. 7 p.m. Caffè Sole, 637R S. Broadway, Boulder, 303-499-2985.
Emancipator Ensemble. 6 p.m. Red Rocks Park and Amphitheatre, 18300 W. Alameda Parkway, Morrison, 720-865-2494.
John McKay Band & The Symbols. 8 p.m. Dickens Tavern & Opera House, 300 Main St., Longmont, 303-834-9384.
Horse Feathers. 9 p.m. The Bluebird Theater, 3317 E. Colfax Ave., Denver, 303-377-1666.
The Disco Biscuits. 5 p.m. Red Rocks Park and Amphitheatre, 18300 W. Alameda Parkway, Morrison, 720-865-2494.
New Family Dog Duo. 5 p.m. Gold Hill Inn, 401 Main St., Gold Hill, 303-443-6461.
James Taylor & His All Star Band. 7:30 p.m. Fiddler's Green Amphitheatre, 6350 Greenwood Plaza Blvd., Greenwood Village, 303-220-7000.
HAIM. 7 p.m. Red Rocks Park and Amphitheatre, 18300 W. Alameda Parkway, Morrison, 720-865-2494.
Memorial Day Mountain Music Fest and Barbeque featuring The Gasoline Lollipops, The River Arkansas, Benyaro, Russ Chapman. Noon. Gold Hill Inn, 401 Main St., Gold Hill, 303-443-6461.
Face. 7:30 p.m. Nissi's, 2675 Northpark Drive, Lafayette, 303-665-2757.
Five Finger Death Punch. 7 p.m. Red Rocks Park and Amphitheatre, 18300 W. Alameda Parkway, Morrison, 720-865-2494.
Nelson Rangell. 7:30 p.m. Nissi's, 2675 Northpark Drive, Lafayette, 303-665-2757.
The Wonder Years. 7 p.m. Ogden Theatre, 935 E. Colfax Ave., Denver, 303-832-1874.
Vance Joy. 7:30 p.m. Red Rocks Park and Amphitheatre, 18300 W. Alameda Parkway, Morrison, 720-865-2494.
Soundscape: The Elixir of Love. 2 p.m. The Dairy Arts Center, 2590 Walnut St., Boulder 303-440-7826.
Paul Simon. 8 p.m. Fiddler's Green Amphitheatre, 6350 Greenwood Plaza Blvd., Greenwood Village, 303-220-7000.
Loose Canon. 7:30 p.m. Nissi's, 2675 Northpark Drive, Lafayette, 303-665-2757.
Colorado Symphony: Rachmaninoff Piano Concerto No. 2. 7:30 p.m. Red Rocks Park and Amphitheatre, 18300 W. Alameda Parkway, Morrison, 720-865-2494.
Nicki Bluhm. 8 p.m. The Bluebird Theater, 3317 E. Colfax Ave., Denver, 303-377-1666.
Flex. 7 p.m. Caffè Sole, 637R S. Broadway, Boulder, 303-499-2985.
Michael Franti & Spearhead. 7 p.m. Red Rocks Park and Amphitheatre, 18300 W. Alameda Parkway, Morrison, 720-865-2494.
Citizen Dan. 8 p.m. Dickens Tavern & Opera House, 300 Main St., Longmont, 303-834-9384.
Bonnie and the Clydes. 9 p.m. Gold Hill Inn, 401 Main St., Gold Hill, 303-443-6461.
Old-fashioned Hootenanny. 7 p.m. Swallow Hill Music at Tuft Theatre, 71 E. Yale Ave., Denver, 303-777-1003.
FACE. 6 p.m. Downtown Summer Concert Series, Fourth Avenue and Kimbark Street, Longmont, 303-651-8484.
Bassnectar. 7:30 p.m. 1stBank Center, 11450 Broomfield Lane, Broomfield, 303-410-0700. Through June 3.
Days N Daze. 7 p.m. Summit Music Hall, 1902 Blake St., Denver, 303-487-0111.
Chris Daniels & The Kings. 7:30 p.m. Nissi's, 2675 Northpark Drive, Lafayette, 303-665-2757.
Annie Booth Trio. 7 p.m. Caffè Sole, 637R S. Broadway, Boulder, 303-499-2985.
The Motet/Boombox. 7 p.m. Red Rocks Park and Amphitheatre, 18300 W. Alameda Parkway, Morrison, 720-865-2494.
B-Normous Summer Showcase. 7:45 p.m. Dickens Tavern & Opera House, 300 Main St., Longmont, 303-834-9384.
Tea Leaf Green. 9 p.m. The Caribou Room, 55 Indian Peaks Drive, Nederland, 303-258-3637.
Chris Lane with Dylan Scott. 7 p.m. Elitch Gardens Theme & Water Park, 2000 Elitch Circle, Denver, 303-595-4386.
Mike Masse. 7:30 p.m. Nissi's, 2675 Northpark Drive, Lafayette, 303-665-2757.
Laurie Dameron. 5 p.m. Gold Hill Inn, 401 Main St., Gold Hill, 303-443-6461.
Reckless Kelly. 8 p.m. Boulder Theater, 2032 14th St., Boulder, 303-786-7030.
Los Tres Tristes Tigres. 7 p.m. Summit Music Hall, 1902 Blake St., Denver, 303-487-0111.
Ween. 8 p.m. Red Rocks Park and Amphitheatre, 18300 W. Alameda Parkway, Morrison,
720-865-2494. Through June 6.
Styx, Joan Jett and the Blackhearts. 7 p.m. Fiddler's Green Amphitheatre, 6350 Greenwood Plaza Blvd., Greenwood Village, 303-220-7000.
Bourbon & Blues. 7:30 p.m. Nissi's, 2675 Northpark Drive, Lafayette, 303-665-2757. Most Wednesdays through summer.
Superfruit. 8:30 p.m. The Bluebird Theater, 3317 E. Colfax Ave., Denver, 303-377-1666.
A Hawk and A Hacksaw. 6:30 p.m. Four Mile Historic Park, 715 S. Forest St., Denver,
The Long Run Colorado's Tribute to the Eagles. 7 p.m. Pearl Street Mall, 1942 Broadway, Boulder, 303-449-3774.
Brit Floyd. 8 p.m. Red Rocks Park and Amphitheatre, 18300 W. Alameda Parkway, Morrison, 720-865-2494.
Playing for Change. 9 p.m. The Bluebird Theater, 3317 E. Colfax Ave., Denver, 303-377-1666.
Squirrel Nut Zippers. 7:30 p.m. Arvada Center for the Arts and Humanities, 6901 Wadsworth Blvd., Arvada, 720-898-7200.
New Found Glory. 7:30 p.m. Ogden Theatre, 935 E. Colfax Ave., Denver, 303-832-1874.
Lettuce and The Floozies. 6 p.m. Red Rocks Park and Amphitheatre, 18300 W. Alameda Parkway, Morrison, 720-865-2494.
Wood & Wire. 9 p.m. The Caribou Room, 55 Indian Peaks Drive, Nederland, 303-258-3637.
Okkervil River. 9 p.m. The Bluebird Theater, 3317 E. Colfax Ave., Denver, 303-377-1666.
Descendents. 8 p.m. Boulder Theater, 2032 14th St., Boulder, 303-786-7030.
Clint Black. 8 p.m. Paramount Theatre, 1621 Glenarm Ave., Denver, 303-623-0106.
Last Men on Earth. 6 p.m. Downtown Summer Concert Series, Fourth Avenue and Kimbark Street, Longmont, 303-651-8484.
Kyle Hollingsworth. 6:30 p.m. Louisville Street Faire at the Steinbaugh Pavilion, Louisville, 303-449-3137.
John Matranga. 8 p.m. Marquis Theater, 2009 Larimer St., Denver, 303-487-0111.
After Midnight. 7 p.m. Caffè Sole, 637R S. Broadway, Boulder, 303-499-2985.
Big Head Todd and the Monsters. 7:30 p.m. Red Rocks Park and Amphitheatre, 18300 W. Alameda Parkway, Morrison, 720-865-2494.
Aqueous. 9 p.m. The Bluebird Theater, 3317 E. Colfax Ave., Denver, 303-377-1666.
John Butler Trio. 8 p.m. Boulder Theater, 2032 14th St., Boulder, 303-786-7030.
Murmation. 7:30 p.m. Chautauqua Auditorium, 900 Baseline Road, Boulder, 303-442-3282.
Dakota Blonde. 7:30 p.m. Nissi's, 2675 Northpark Drive,
Lafayette, 303-665-2757.
John Butler Trio+. 7 p.m. Red Rocks Park and Amphitheatre, 18300 W. Alameda Parkway, Morrison, 720-865-2494.
Danny Shafer. 5 p.m. Gold Hill Inn, 401 Main St., Gold Hill, 303-443-6461.
Ben Hunter & Joe Seamons. 7:30 p.m. Gold Hill Inn, 401 Main St., Gold Hill, 303-443-6461.
Greg Laswell. 7:30 p.m. Swallow Hill Music at Daniels Hall, 71 E. Yale Ave., Denver, 303-777-1003.
Brian Setzer's Rockabilly Riot. 7 p.m. Hudson Gardens & Events Center, 6115 S. Santa Fe Drive, Littleton, 303-797-8565.
Sleep. 8 p.m. Ogden Theatre, 935 E. Colfax Ave., Denver, 303-832-1874.
Violent Femmes. 6:30 p.m. Denver Botanic Gardens, 1007 York St., Denver, 303-865-3500.
#YES50: Celebrating 50 Years of YES. 8 p.m. Paramount Theatre, 1621 Glenarm Ave., Denver, 303-623-0106.
Little Dragon. 8 p.m. Ogden Theatre, 935 E. Colfax Ave., Denver, 303-832-1874.
Bryan Adams. 8 p.m. Red Rocks Park and Amphitheatre, 18300 W. Alameda Parkway, Morrison, 720-865-2494.
Calexico. 8 p.m. Boulder Theater, 2032 14th St., Boulder, 303-786-7030.
Steely Dan & Doobie Brothers. 7:30 p.m. Pepsi Center, 1000 Chopper Circle, Denver, 303-405-1100.
The Monkees present The Mike & Micky Show. 8 p.m. Paramount Theatre, 1621 Glenarm Ave., Denver, 303-623-0106.
Dita Von Teese. 7:30 p.m. Fillmore Auditorium, 1510 Clarkson St., Denver, 303-837-1482.
Dr. Dog. 8 p.m. Ogden Theatre, 935 E. Colfax Ave., Denver, 303-832-1874. Through June 14.
Bill Frisell Trio Featuring Thomas Morgan & Rudy Royston. 8 p.m. Boulder Theater, 2032 14th St., Boulder, 303-786-7030.
Clay Kirkland and Al Chesis & The Delta Sonics. 6:30 p.m. Four Mile Historic Park, 715 S. Forest St., Denver, 303-777-1003.
Lady and the Gentlemen. 7 p.m. Pearl Street Mall, 1942 Broadway, Boulder, 303-449-3774.
Ryan Adams plays Red Rocks on June 14. Wikimedia Commons/6tee-zeven
Ryan Adams. 8 p.m. Red Rocks Park and Amphitheatre, 18300 W. Alameda Parkway, Morrison, 720-865-2494.
Leo Kottke + James McMurtry. 7:30 p.m. Chautauqua Auditorium, 900 Baseline Road, Boulder, 303-442-3282.
YBN Nahmir. 9 p.m. Boulder Theater, 2032 14th St., Boulder, 303-786-7030.
Pink Talking Fish + Dead Floyd. 9 p.m. Fox Theatre, 1135 13th St., Boulder, 303-447-0095.
Cass Clayton Band. 7:30 p.m. Nissi's, 2675 Northpark Drive, Lafayette, 303-665-2757.
Dru Helelr. 7 p.m. Caffè Sole, 637R S. Broadway, Boulder, 303-499-2985.
YBN Nahmir. 8 p.m. Ogden Theatre, 935 E. Colfax Ave., Denver, 303-832-1874.
Locos por Juana. 6:30 p.m. Red Rocks Park and Amphitheatre, 18300 W. Alameda Parkway, Morrison, 720-865-2494. Through June 16.
Shower Me Blue & Brandon Howard and the Red Iron Push. 8 p.m. Dickens Tavern & Opera House, 300 Main St., Longmont, 303-834-9384.
The Slackers with The Alcapones. 9 p.m. The Caribou Room, 55 Indian Peaks Drive, Nederland, 303-258-3637.
The Sweet Lillies. 9 p.m. The Bluebird Theater, 3317 E. Colfax Ave., Denver, 303-377-1666.
The Blue Canyon Boys. 9 p.m. Gold Hill Inn, 401 Main St., Gold Hill, 303-443-6461.
Collie Buddz. 9 p.m. Boulder Theater, 2032 14th St., Boulder, 303-786-7030.
Bonnie & the Clydes. 6 p.m. Downtown Summer Concert Series, Fourth Avenue and Kimbark Street, Longmont, 303-651-8484.
Bearracuda Denver. 8 p.m. Summit Music Hall, 1902 Blake St., Denver, 303-487-0111.
Gin Wigmore. 8 p.m. Fox Theatre, 1135 13th St., Boulder, 303-447-0095.
Sonic Arcade. 7:30 p.m. Nissi's, 2675 Northpark Drive,Lafayette, 303-665-2757.
Ron LeGault Sextet. 7 p.m. Caffè Sole, 637R S. Broadway, Boulder, 303-499-2985.
Cornell & Cobain: SloFunkFump and Weinercat. 7:45 p.m. Dickens Tavern & Opera House, 300 Main St., Longmont, 303-834-9384.
Gogo Penguin. 9 p.m. The Bluebird Theater, 3317 E. Colfax Ave., Denver, 303-377-1666.
Steam Powered Giraffe. 6 p.m. Paramount Theatre, 1621 Glenarm Ave., Denver, 303-623-0106.
Dispatch. 6:30 p.m. Red Rocks Park and Amphitheatre, 18300 W. Alameda Parkway, Morrison, 720-865-2494.
Iceage. 8 p.m. The Bluebird Theater, 3317 E. Colfax Ave.,
Denver, 303-377-1666.
Signal Ridge. 5 p.m. Gold Hill Inn, 401 Main St., Gold Hill,
The Music of Grateful Dead for Kids. 11:30 a.m. and 2:30 p.m. Boulder Theater, 2032 14th St., Boulder, 303-786-7030.
Kesha and Macklemore. 7 p.m. Pepsi Center, 1000 Chopper Circle, Denver, 303-405-1100.
38 Special. 7 p.m. Hudson Gardens & Events Center, 6115 S. Santa Fe Drive, Littleton, 303-797-8565.
Banda El Recodo. 7 p.m. Elitch Gardens Theme & Water Park, 2000 Elitch Circle, Denver, 303-595-4386.
Sheck Wes + Valee. 7 p.m. The Bluebird Theater, 3317 E. Colfax Ave., Denver, 303-377-1666.
Tory Lanez. 7 p.m. Summit Music Hall, 1902 Blake St., Denver, 303-487-0111.
Belle & Sebastian. 8 p.m. Ogden Theatre, 935 E. Colfax Ave., Denver, 303-832-1874.
Barenaked Ladies. 6:30 p.m. Red Rocks Park and Amphitheatre, 18300 W. Alameda Parkway, Morrison, 720-865-2494.
Brick + Mortar. 8 p.m. The Bluebird Theater, 3317 E. Colfax Ave., Denver, 303-377-1666.
Gomez. 8 p.m. Ogden Theatre, 935 E. Colfax Ave., Denver, 303-832-1874.
Kaleo. 7 p.m. Red Rocks Park and Amphitheatre, 18300 W. Alameda Parkway, Morrison, 720-865-2494.
Chicago/REO Speedwagon. 7:30 p.m. Pepsi Center, 1000 Chopper Circle, Denver,
Trixie Mattel. 8 p.m. Fillmore Auditorium, 1510 Clarkson St., Denver, 303-837-1482.
Jyemo Club. 7 p.m. Pearl Street Mall, 1942 Broadway, Boulder, 303-449-3774.
Famous Dex. 7 p.m. Summit Music Hall, 1902 Blake St., Denver, 303-487-0111.
Clusterfunk. 7:30 p.m. Nissi's, 2675 Northpark Drive, Lafayette, 303-665-2757.
Modern Suspects. 8 p.m. The Bluebird Theater, 3317 E. Colfax Ave., Denver, 303-377-1666.
Wonderbound. 7:30 p.m. Arvada Center for the Arts and Humanities, 6901 Wadsworth Blvd., Arvada, 720-898-7200. Through June 22.
Sugarland. 7 p.m. Fiddler's Green Amphitheatre, 6350 Greenwood Plaza Blvd., Greenwood Village, 303-220-7000.
Heartbyrne. 8 p.m. Fox Theatre, 1135 13th St., Boulder, 303-447-0095.
Acoustic Eidolon. 7:30 p.m. Nissi's, 2675 Northpark Drive, Lafayette, 303-665-2757.
Bonnie Lowdermilk, Art Gonzalo, Paul Romaine and Tom Gershwin. 7 p.m. Caffè Sole, 637R S. Broadway, Boulder, 303-499-2985.
Widespread Panic will jam Red Rocks for three days June 22 to 24. Wikimedia Commons/Mattd523
Widespread Panic. 7 p.m. Red Rocks Park and Amphitheatre, 18300 W. Alameda Parkway, Morrison, 720-865-2494. Through June 24.
Morgan Evans. 8 p.m. The Bluebird Theater, 3317 E. Colfax Ave., Denver, 303-377-1666.
Josh Hoyer & Soul Colossal 9 p.m. Gold Hill Inn, 401 Main St., Gold Hill, 303-443-6461.
Greg Brown. 8 p.m. Boulder Theater, 2032 14th St., Boulder, 303-786-7030.
Mary Chapin Carpenter. 6:30 p.m. Denver Botanic Gardens, 1007 York St., Denver, 303-865-3500.
Patty Larkin. 8 p.m. Swallow Hill Music at Tuft Theatre, 71 E. Yale Ave., Denver, 303-777-1003.
Policulture. 6 p.m. Downtown Summer Concert Series, Fourth Avenue and Kimbark Street, Longmont, 303-651-8484.
Blitzen Trapper. 6:30 p.m. Louisville Street Faire at the Steinbaugh Pavilion, Louisville, 303-449-3137.
Los Chicos Malos Quintet. 7 p.m. Caffè Sole, 637R S. Broadway, Boulder, 303-499-2985.
Stars. 9 p.m. The Bluebird Theater, 3317 E. Colfax Ave., Denver, 303-377-1666.
Mary Chapin Carpenter. 7:30 p.m. Chautauqua Auditorium, 900 Baseline Road, Boulder, 303-442-3282.
Greg Brown. 8 p.m. Swallow Hill Music at Daniels Hall, 71 E. Yale Ave., Denver, 303-777-1003.
Halo-Halo. 8 p.m. Swallow Hill Music at Tuft Theatre, 71 E. Yale Ave., Denver, 303-777-1003.
I Love the 90s with Vanilla Ice, Salt-N-Pepa, Montell Jordan, Biz Markie, Rob Base, DJ Kool. 7:30 p.m. Fiddler's Green Amphitheatre, 6350 Greenwood Plaza Blvd., Greenwood Village, 303-220-7000.
Peter Kater. 7 p.m. Nissi's, 2675 Northpark Drive, Lafayette, 303-665-2757.
Dan McCorrison. 7:30 p.m. Gold Hill Inn, 401 Main St., Gold Hill, 303-443-6461.
Joshua Redman Quartet. 8 p.m. Boulder Theater, 2032 14th St., Boulder, 303-786-7030.
Sensory Friendly Concert Featuring Wolf van Elfmand. 1 p.m. Swallow Hill Music at Daniels Hall, 71 E. Yale Ave., Denver, 303-777-1003.
The O'Jays. 7 p.m. Hudson Gardens & Events Center, 6115 S. Santa Fe Drive, Littleton, 303-797-8565.
The Horrors. 8 p.m. The Bluebird Theater, 3317 E. Colfax Ave., Denver, 303-377-1666.
The Milk Carton Kids. 6:30 p.m. Denver Botanic Gardens, 1007 York St., Denver, 303-865-3500.
Flatirons Chamber Music Festival: Beau Soir. 7 p.m. The Dairy Arts Center, 2590 Walnut St., Boulder 303-440-7826.
Homesafe. 6 p.m. Marquis Theater, 2009 Larimer St., Denver, 303-487-0111.
Dirty Heads. 6:30 p.m. Red Rocks Park and Amphitheatre, 18300 W. Alameda Parkway, Morrison, 720-865-2494.
Dua Lipa. 7 p.m. Fillmore Auditorium, 1510 Clarkson St., Denver, 303-837-1482.
Chris Botti. 6:30 p.m. Denver Botanic Gardens, 1007 York St., Denver, 303-865-3500.
Dexter Payne Quintet. 6:30 p.m. Four Mile Historic Park, 715 S. Forest St., Denver, 303-777-1003.
Tenth Mountain Division. 7 p.m. Pearl Street Mall, 1942 Broadway, Boulder, 303-449-3774.
The Movers & The Shakers. 7:30 p.m. Nissi's, 2675 Northpark Drive, Lafayette, 303-665-2757.
Chromeo/The Glitch Mob. 6:30 p.m. Red Rocks Park and Amphitheatre, 18300 W. Alameda Parkway, Morrison, 720-865-2494.
Colorado Music Festival: Opening Night with Violinist Vadim Gluzman. 7:30 p.m. Chautauqua Auditorium, 900 Baseline Road, Boulder, 303-442-3282.
Kessel Run; Legato; Wabakinoset. 8 p.m. Fox Theatre, 1135 13th St., Boulder,
Spinphony. 7:30 p.m. Nissi's, 2675 Northpark Drive, Lafayette, 303-665-2757.
Miguel Espinoza. 7 p.m. Caffè Sole, 637R S. Broadway, Boulder, 303-499-2985.
Ghastly. 9 p.m. Ogden Theatre, 935 E. Colfax Ave., Denver, 303-832-1874.
The Avett Brothers. 7:30 p.m. Red Rocks Park and Amphitheatre, 18300 W. Alameda Parkway, Morrison, 720-865-2494. Through July 1.
New Orleans Suspects. 9 p.m. The Caribou Room, 55 Indian Peaks Drive, Nederland, 303-258-3637.
Janiva Magness. 8 p.m. Swallow Hill Music at Daniels Hall, 71 E. Yale Ave., Denver, 303-777-1003.
Dan Navarro. 8 p.m. Swallow Hill Music at Tuft Theatre, 71 E. Yale Ave., Denver, 303-777-1003.
Quemando. 6 p.m. Downtown Summer Concert Series, Fourth Avenue and Kimbark Street, Longmont, 303-651-8484.
Shinyribs. 6:30 p.m. Louisville Street Faire at the Steinbaugh Pavilion, Louisville, 303-449-3137.
Chimney Choir. 5:30 p.m. Clyfford Still Museum, 1250 Bannok St., Denver, 303-777-1003.
Funkiphinho. 7:30 p.m. Nissi's, 2675 Northpark Drive, Lafayette, 303-665-2757.
Funk Knuf. 7 p.m. Caffè Sole, 637R S. Broadway, Boulder, 303-499-2985.
Blue October. 9 p.m. Ogden Theatre, 935 E. Colfax Ave., Denver, 303-832-1874. Through July 1.
Colorado Music Festival: Family Fun Concert — Meet the Strings. 2 p.m. Chautauqua Auditorium, 900 Baseline Road, Boulder, 303-442-3282.
Lloyd Cole. 8 p.m. Swallow Hill Music at Daniels Hall, 71 E. Yale Ave., Denver, 303-777-1003.
Cary Morin. 8 p.m. Swallow Hill Music at Tuft Theatre, 71 E. Yale Ave., Denver, 303-777-1003.
Why Don't We. 8 p.m. Elitch Gardens Theme & Water Park, 2000 Elitch Circle, Denver, 303-595-4386.
Colorado Music Festival: Pianist Orion Weiss & Mozart. 7:30 p.m. Chautauqua Auditorium, 900 Baseline Road, Boulder, 303-442-3282.
Warped Tour! 2018. 11 a.m. Pepsi Center, 1000 Chopper Circle, Denver, 303-405-1100.
Janelle Monae. 7:30 p.m. Paramount Theatre, 1621 Glenarm Ave., Denver, 303-623-0106.
Zeds Dead. 5 p.m. Red Rocks Park and Amphitheatre, 18300 W. Alameda Parkway, Morrison, 720-865-2494. Through July 3.
Harry Styles. 8 p.m. Pepsi Center, 1000 Chopper Circle, Denver, 303-405-1100.
Blues Traveler. 6:30 p.m. Red Rocks Park and Amphitheatre, 18300 W. Alameda Parkway, Morrison, 720-865-2494.
Big Sam's Funky Nation. 9 p.m. The Caribou Room, 55 Indian Peaks Drive, Nederland, 303-258-3637.
Boulder Concert Band on the Green. 7:30 p.m. Chautauqua Auditorium, 900 Baseline Road, Boulder, 303-442-3282.
Firefall. 7 p.m. Hudson Gardens & Events Center, 6115 S. Santa Fe Drive, Littleton, 303-797-8565.
4th on Pearl. 1 p.m. Pearl Street Mall, 1942 Broadway, Boulder, 303-449-3774.
Colorado Symphony's Family Friendly Fourth of July. 7:30 p.m. Fiddler's Green Amphitheatre, 6350 Greenwood Plaza Blvd., Greenwood Village, 303-220-7000.
Umphrey's McGee. 6 p.m. Red Rocks Park and Amphitheatre, 18300 W. Alameda Parkway, Morrison, 720-865-2494. Through July 7.
Colorado Music Festival: Mozart & Mahler. 7:30 p.m. Chautauqua Auditorium, 900 Baseline Road, Boulder, 303-442-3282.
The Hunts. 8 p.m. Swallow Hill Music at Daniels Hall, 71 E. Yale Ave., Denver, 303-777-1003.
Colorado Symphony Mozart Under Moonlight. 7:30 p.m. Arvada Center for the Arts and Humanities, 6901 Wadsworth Blvd., Arvada, 720-898-7200.
Joe Anderies. 7 p.m. Caffè Sole, 637R S. Broadway, Boulder, 303-499-2985.
Colorado Music Festival: Young People's Concert. 2 p.m. Chautauqua Auditorium, 900 Baseline Road, Boulder, 303-442-3282.
Jack & Jack. 8 p.m. Elitch Gardens Theme & Water Park, 2000 Elitch Circle, Denver, 303-595-4386.
Dark Star Orchestra with special guest Grateful Dead member Donna Jean Godchaux. 5 p.m. Red Rocks Park and Amphitheatre, 18300 W. Alameda Parkway, Morrison,
Cowboy Junkies. 8 p.m. Boulder Theater, 2032 14th St., Boulder, 303-786-7030.
Colorado Music Festival: Four Seasons of Buenos Aires. 7:30 p.m. Chautauqua Auditorium, 900 Baseline Road, Boulder, 303-442-3282.
Tommy James & The Shondells, Herman's Hermits Starring Peter Noone. 7 p.m. Hudson Gardens & Events Center, 6115 S. Santa Fe Drive, Littleton, 303-797-8565.
Hot Club of Cowtown and The Western Flyers featuring Katie Glassman. 7:30 p.m. Arvada Center for the Arts and Humanities, 6901 Wadsworth Blvd., Arvada, 720-898-7200.
Jeff Rosenstock. 8 p.m. The Bluebird Theater, 3317 E. Colfax Ave., Denver, 303-377-1666.
The Mavericks. 6:30 p.m. Denver Botanic Gardens, 1007 York St., Denver, 303-865-3500.
Jason Isbell and the 400 Unit wrap up the
summer on
September 3. Wikimedia Commons/Abby Gillardi
Anthony Green. 7:30 p.m. Fox Theatre, 1135 13th St., Boulder, 303-447-0095.
Whitechapel/The Black Dahlia. 6:15 p.m. Ogden Theatre, 935 E. Colfax Ave., Denver, 303-832-1874.
Ray LaMontagne. 7:30 p.m. Red Rocks Park and Amphitheatre, 18300 W. Alameda Parkway, Morrison, 720-865-2494.
Bela Flek & the Flecktones. 7:30 p.m. Chautauqua Auditorium, 900 Baseline Road, Boulder, 303-442-3282.
David Ramirez. 8:30 p.m. The Bluebird Theater, 3317 E. Colfax Ave., Denver, 303-377-1666.
Color. 6:30 p.m. Four Mile Historic Park, 715 S. Forest St., Denver, 303-777-1003.
Oakhurst. 7 p.m. Pearl Street Mall, 1942 Broadway, Boulder, 303-449-3774.
Eben G. Fine Band. 7:30 p.m. Nissi's, 2675 Northpark Drive, Lafayette, 303-665-2757.
Quicksand/Glassjaw. 7:30 p.m. Ogden Theatre, 935 E. Colfax Ave., Denver, 303-832-1874.
moe. 6 p.m. Red Rocks Park and Amphitheatre, 18300 W. Alameda Parkway, Morrison, 720-865-2494.
YOB/Bell Witch. 7 p.m. The Bluebird Theater, 3317 E. Colfax Ave., Denver, 303-377-1666.
Colorado Music Festival: Pianist Yefim Bronfman. 7:30 p.m. Chautauqua Auditorium, 900 Baseline Road, Boulder, 303-442-3282. Through July 13.
Henry Kapono. 8 p.m. Swallow Hill Music at Daniels Hall, 71 E. Yale Ave., Denver, 303-777-1003.
Forever in Blue Jeans. 7:30 p.m. Nissi's, 2675 Northpark Drive, Lafayette, 303-665-2757.
Brazilian Jazz with Bill Kopper and Friends. 7 p.m. Caffè Sole, 637R S. Broadway, Boulder, 303-499-2985.
GRiZ. 7 p.m. Red Rocks Park and Amphitheatre, 18300 W. Alameda Parkway, Morrison, 720-865-2494. Through July 14.
The Mulligan Brothers and Will Kimbrough. 8 p.m. Swallow Hill Music at Daniels Hall, 71 E. Yale Ave., Denver, 303-777-1003.
Michael Martin Murphey with Jon Chandler. 7:30 p.m. Arvada Center for the Arts and Humanities, 6901 Wadsworth Blvd., Arvada, 720-898-7200.
Samantha Fish. 6:30 p.m. Louisville Street Faire at the Steinbaugh Pavilion, Louisville, 303-449-3137.
Tom Weiser Jazz Quartet. 7 p.m. Caffè Sole, 637R S. Broadway, Boulder, 303-499-2985.
Flow Tribe. 9 p.m. The Caribou Room, 55 Indian Peaks Drive, Nederland, 303-258-3637.
Colorado Music Festival: Octets at Altitude. 7:30 p.m. Chautauqua Auditorium, 900 Baseline Road, Boulder, 303-442-3282.
Keith Urban. 7:30 p.m. Fiddler's Green Amphitheatre, 6350 Greenwood Plaza Blvd., Greenwood Village, 303-220-7000.
Colton Dixon & Sidewalk Prophets. 7 p.m. Elitch Gardens Theme & Water Park, 2000 Elitch Circle, Denver, 303-595-4386.
Seal with the Colorado Symphony. 7:30 p.m. Red Rocks Park and Amphitheatre, 18300 W. Alameda Parkway, Morrison, 720-865-2494.
Colorado Music Festival: All-American with Violinist Robert McDuffie 7:30 p.m. Chautauqua Auditorium, 900 Baseline Road, Boulder, 303-442-3282.
Sheryl Crow. 7 p.m. Hudson Gardens & Events Center, 6115 S. Santa Fe Drive, Littleton, 303-797-8565.
Denver Brass. 7:30 p.m. Arvada Center for the Arts and Humanities, 6901 Wadsworth Blvd., Arvada, 720-898-7200.
Thirty Seconds to Mars, Walk the Moon. 1:30 p.m. Fiddler's Green Amphitheatre, 6350 Greenwood Plaza Blvd., Greenwood Village, 303-220-7000.
Imagine Dragons. 7 p.m. Red Rocks Park and Amphitheatre, 18300 W. Alameda Parkway,
Morrison, 720-865-2494.
Jackson Browne. 7:30 p.m. Red Rocks Park and Amphitheatre, 18300 W. Alameda Parkway, Morrison, 720-865-2494.
Neurosis. 8 p.m. Ogden Theatre, 935 E. Colfax Ave., Denver, 303-832-1874.
Sylvan Esso. 8 p.m. Red Rocks Park and Amphitheatre, 18300 W. Alameda Parkway, Morrison, 720-865-2494.
Bryan Bowers with Martin Gilmore. 6:30 p.m. Four Mile Historic Park, 715 S. Forest St., Denver, 303-777-1003.
Counting Crows with 25 Years and Counting. 6:30 p.m. Pepsi Center, 1000 Chopper Circle, Denver, 303-405-1100.
The Heartstring Hunters. 7 p.m. Pearl Street Mall, 1942 Broadway, Boulder, 303-449-3774.
Trampled by Turtles. 6:30 p.m. Red Rocks Park and Amphitheatre, 18300 W. Alameda Parkway, Morrison, 720-865-2494.
Colorado Music Festival: Scheherazade. 7:30 p.m. Chautauqua Auditorium, 900 Baseline Road, Boulder, 303-442-3282. Through July 20.
Black Water. 7:30 p.m. Nissi's, 2675 Northpark Drive, Lafayette, 303-665-2757.
Nice Work Jazz. 7 p.m. Caffè Sole, 637R S. Broadway, Boulder, 303-499-2985.
The String Cheese Incident. 7 p.m. Red Rocks Park and Amphitheatre, 18300 W. Alameda Parkway, Morrison, 720-865-2494. Through July 22.
The Roots. 8 p.m. Fillmore Auditorium, 1510 Clarkson St., Denver, 303-837-1482.
Gasoline Lollipops. 6:30 p.m. Louisville Street Faire at the Steinbaugh Pavilion, Louisville, 303-449-3137.
Colorado Music Festival: American Strings. 7:30 p.m. Chautauqua Auditorium, 900 Baseline Road, Boulder, 303-442-3282.
Colorado Jazz Repertory Orchestra featuring Steve Lippia. 7:30 p.m. Arvada Center for the Arts and Humanities, 6901 Wadsworth Blvd., Arvada, 720-898-7200.
Jacob Sartorius. 8 p.m. Elitch Gardens Theme & Water Park, 2000 Elitch Circle, Denver, 303-595-4386.
Colorado Music Festival: Beethoven's "Eroica" Symphony. 7:30 p.m. Chautauqua Auditorium, 900 Baseline Road, Boulder, 303-442-3282.
Third Eye Blind. 7 p.m. Hudson Gardens & Events Center, 6115 S. Santa Fe Drive, Littleton, 303-797-8565.
The Wailin' Jennys. 7:30 p.m. Arvada Center for the Arts and Humanities, 6901 Wadsworth Blvd., Arvada, 720-898-7200.
Taj Mo': The Taj Mahal and Keb' Mo' Band. 6:30 p.m. Denver Botanic Gardens, 1007 York St., Denver, 303-865-3500. Through July 24.
Paramore. 7 p.m. Red Rocks Park and Amphitheatre, 18300 W. Alameda Parkway, Morrison, 720-865-2494.
Bombino. 8 p.m. Boulder Theater, 2032 14th St., Boulder, 303-786-7030.
Foreigner. 7 p.m. Pepsi Center, 1000 Chopper Circle, Denver, 303-405-1100.
Animal Collective. 8 p.m. Ogden Theatre, 935 E. Colfax Ave., Denver, 303-832-1874.
Harry Tuft. 6:30 p.m. Four Mile Historic Park, 715 S. Forest St., Denver, 303-777-1003.
Groove a Licious. 7 p.m. Pearl Street Mall, 1942 Broadway, Boulder, 303-449-3774.
Jackson Cloud Band. 7:30 p.m. Nissi's, 2675 Northpark Drive, Lafayette, 303-665-2757.
Seether. 7:15 p.m. Ogden Theatre, 935 E. Colfax Ave., Denver, 303-832-1874.
Sarah McLachlan with Colorado Symphony. 7:30 p.m. Red Rocks Park and Amphitheatre, 18300 W. Alameda Parkway, Morrison, 720-865-2494.
Har Mar Superstar Sings Sam Cooke. 8 p.m. The Bluebird Theater, 3317 E. Colfax Ave., Denver, 303-377-1666.
Colorado Music Festival: Barber's Violin Concerto. 7:30 p.m. Chautauqua Auditorium, 900 Baseline Road, Boulder, 303-442-3282.
Car Seat Headrest. 8 p.m. Fox Theatre, 1135 13th St., Boulder, 303-447-0095.
Meniskus. 7:30 p.m. Nissi's, 2675 Northpark Drive, Lafayette, 303-665-2757.
Espresso! Gypsy Jazz. 7 p.m. Caffè Sole, 637R S. Broadway, Boulder, 303-499-2985.
Beats Antique/The Polish Abassader. 7 p.m. Red Rocks Park and Amphitheatre, 18300 W. Alameda Parkway, Morrison, 720-865-2494.
Car Seat Headrest. 9 p.m. Boulder Theater, 2032 14th St., Boulder, 303-786-7030.
Colorado Music Festival: West Side Story. 6:30 p.m. Chautauqua Auditorium, 900 Baseline Road, Boulder, 303-442-3282.
Shania Twain. 7 p.m. Pepsi Center, 1000 Chopper Circle, Denver, 303-405-1100.
The Young Dubliners. 6:30 p.m. Louisville Street Faire at the Steinbaugh Pavilion, Louisville, 303-449-3137.
Red Baraat. 5:30 p.m. Clyfford Still Museum, 1250 Bannok St., Denver, 303-777-1003.
One on One. 7:30 p.m. Nissi's, 2675 Northpark Drive, Lafayette, 303-665-2757.
Alex Heffron Quartet. 7 p.m. Caffè Sole, 637R S. Broadway, Boulder, 303-499-2985.
Tedeschi Trucks Band. 7 p.m. Red Rocks Park and Amphitheatre, 18300 W. Alameda Parkway, Morrison,720-865-2494. Through July 29.
Colorado Music Festival: A Poetic Evening. 7:30 p.m. Chautauqua Auditorium, 900 Baseline Road, Boulder, 303-442-3282.
Robbie Fulks. 8 p.m. Swallow Hill Music at Daniels Hall, 71 E. Yale Ave., Denver,
Wicked Divas with the Colorado Symphony. 7:30 p.m. Arvada Center for the Arts and Humanities, 6901 Wadsworth Blvd., Arvada, 720-898-7200.
Colorado Music Festival: Made in America. 7:30 p.m. Chautauqua Auditorium, 900 Baseline Road, Boulder, 303-442-3282.
Guster. 6:30 p.m. Denver Botanic Gardens, 1007 York St., Denver, 303-865-3500.
Chris Isaak. 7 p.m. Hudson Gardens & Events Center, 6115 S. Santa Fe Drive, Littleton,
Los Lonely Boys, Lisa Morales. 7:30 p.m. Arvada Center for the Arts and Humanities, 6901 Wadsworth Blvd., Arvada, 720-898-7200.
La Septima Banda. 7 p.m. Elitch Gardens Theme & Water Park, 2000 Elitch Circle, Denver, 303-595-4386.
Hasley. 8 p.m. Red Rocks Park and Amphitheatre, 18300 W. Alameda Parkway, Morrison, 720-865-2494.
Nas x Black Star. 5:30 p.m. Red Rocks Park and Amphitheatre, 18300 W. Alameda Parkway, Morrison, 720-865-2494.
Amos Lee. 7:30 p.m. Chautauqua Auditorium, 900 Baseline Road, Boulder, 303-442-3282.
Godsmack, Shinedown. 7 p.m. Pepsi Center, 1000 Chopper Circle, Denver, 303-405-1100.
Pat Benatar & Neil Giraldo. 7:30 p.m. Arvada Center for the Arts and Humanities, 6901 Wadsworth Blvd., Arvada, 720-898-7200.
Weezer, Pixies. 6 p.m. Fiddler's Green Amphitheatre, 6350 Greenwood Plaza Blvd., Greenwood Village, 303-220-7000.
The River Arkansas. 6:30 p.m. Four Mile Historic Park, 715 S. Forest St., Denver,
The Country Music Project. 7 p.m. Pearl Street Mall, 1942 Broadway, Boulder,
The Psychedelic Furs. 8 p.m. Ogden Theatre, 935 E. Colfax Ave., Denver, 303-832-1874.
American Aquarium. 8 p.m. The Bluebird Theater, 3317 E. Colfax Ave., Denver, 303-377-1666.
Colorado Music Festival: Bernstein — Dvoák — Bartók. 7:30 p.m. Chautauqua Auditorium, 900 Baseline Road, Boulder, 303-442-3282.
Asleep at the Wheel. 7:30 p.m. Arvada Center for the Arts and Humanities, 6901 Wadsworth Blvd., Arvada, 720-898-7200.
The Infamous Stringdusters. 8 p.m. Fox Theatre, 1135 13th St., Boulder, 303-447-0095.
Tim Wendel Quintet. 7 p.m. Caffè Sole, 637R S. Broadway, Boulder, 303-499-2985.
Lucero + Frank Turner & the Sleeping Souls. 6 p.m. Red Rocks Park and Amphitheatre, 18300 W. Alameda Parkway, Morrison, 720-865-2494.
Colorado Music Festival: Family Fun Concert – Meet the Brass. 2 p.m. Chautauqua Auditorium, 900 Baseline Road, Boulder, 303-442-3282.
Toad and the Wet Sprocket. 7:30 p.m. Arvada Center for the Arts and Humanities, 6901 Wadsworth Blvd., Arvada, 720-898-7200.
Deborah Stafford. 7 p.m. Caffè Sole, 637R S. Broadway, Boulder, 303-499-2985.
Yonder Mountain String Band & The Infamous Stringdusters. 6 p.m. Red Rocks Park and Amphitheatre, 18300 W. Alameda Parkway, Morrison, 720-865-2494.
Cory Henry & The Funk Apostles. 9 p.m. The Bluebird Theater, 3317 E. Colfax Ave., Denver, 303-377-1666.
Colorado Music Festival: Olga Kern Plays Gershwin. 7:30 p.m. Chautauqua Auditorium, 900 Baseline Road, Boulder, 303-442-3282.
Selwyn Birchwood. 8 p.m. Swallow Hill Music at Daniels Hall, 71 E. Yale Ave., Denver,
Little River Band. 7 p.m. Hudson Gardens & Events Center, 6115 S. Santa Fe Drive, Littleton, 303-797-8565.
Steve Miller Band. 7:30 p.m. Fiddler's Green Amphitheatre, 6350 Greenwood Plaza Blvd., Greenwood Village, 303-220-7000.
Switchfoot. 8 p.m. Elitch Gardens Theme & Water Park, 2000 Elitch Circle, Denver,
Joe Bonamassa. 8 p.m. Red Rocks Park and Amphitheatre, 18300 W. Alameda Parkway,
UB40 Featuring Ali Campbell, Astro & Mickey. 7 p.m. Hudson Gardens & Events Center, 6115 S. Santa Fe Drive, Littleton, 303-797-8565.
Air Supply. 7:30 p.m. Arvada Center for the Arts and Humanities, 6901 Wadsworth Blvd., Arvada, 720-898-7200.
Steve martin and Martin Short with The Steep Canyon Rangers and Jeff Babko. 8 p.m. Red Rocks Park and Amphitheatre, 18300 W. Alameda Parkway, Morrison, 720-865-2494.
The Weepies. 7:30 p.m. Chautauqua Auditorium, 900 Baseline Road, Boulder, 303-442-3282.
Bruce Hornsby & the Noisemakers. 7:30 p.m. Chautauqua Auditorium, 900 Baseline Road, Boulder, 303-442-3282.
Portugal. The Man. 8 p.m. Red Rocks Park and Amphitheatre, 18300 W. Alameda Parkway, Morrison, 720-865-2494.
Bruce Hornsby & The Noisemakers. 6:30 p.m. Denver Botanic Gardens, 1007 York St., Denver, 303-865-3500.
The Eighties Band. 7 p.m. Pearl Street Mall, 1942 Broadway, Boulder, 303-449-3774.
Leon Bridges. 7 p.m. Red Rocks Park and Amphitheatre, 18300 W. Alameda Parkway, Morrison, 720-865-2494.
Rayland Baxter. 8 p.m. The Bluebird Theater, 3317 E. Colfax Ave., Denver, 303-377-1666.
Angélique Kidjo's Remain In Light and Femi Kuti & The Positive Force. 6:30 p.m. Denver Botanic Gardens, 1007 York St., Denver, 303-865-3500.
Highly Suspect. 9 p.m. Ogden Theatre, 935 E. Colfax Ave., Denver, 303-832-1874.
Pretty Lights. 7 p.m. Red Rocks Park and Amphitheatre, 18300 W. Alameda Parkway, Morrison, 720-865-2494. Through August 11.
Parker Millsap. 9 p.m. The Bluebird Theater, 3317 E. Colfax Ave., Denver, 303-377-1666.
Andrew Bird. 7:30 p.m. Chautauqua Auditorium, 900 Baseline Road, Boulder, 303-442-3282. Through August 11.
Lee Fields & The Expressions. 6:30 p.m. Louisville Street Faire at the Steinbaugh Pavilion, Louisville, 303-449-3137.
Kenny Loggins. 7 p.m. Hudson Gardens & Events Center, 6115 S. Santa Fe Drive, Littleton, 303-797-8565.
FACE. 7:30 p.m. Arvada Center for the Arts and Humanities, 6901 Wadsworth Blvd., Arvada, 720-898-7200.
Brandi Carlile. 6 p.m. Red Rocks Park and Amphitheatre, 18300 W. Alameda Parkway, Morrison, 720-865-2494.
Toto. 7 p.m. Hudson Gardens & Events Center, 6115 S. Santa Fe Drive, Littleton, 303-797-8565.
Lost 80s Live with A Flock of Seagulls, Men Without Hats, Wang Chung. 7:30 p.m. Fiddler's Green Amphitheatre, 6350 Greenwood Plaza Blvd., Greenwood Village, 303-220-7000.
LSD Tour: Lucinda Williams, Steve Earle, Dwight Yoakam. 7 p.m. Red Rocks Park and Amphitheatre, 18300 W. Alameda Parkway, Morrison, 720-865-2494.
The Gipsy Kings featuring Nicolas Reyes and Tonino Baliardo. 7:30 p.m. Chautauqua Auditorium, 900 Baseline Road, Boulder, 303-442-3282.
Ry Cooder. 8 p.m. Paramount Theatre, 1621 Glenarm Ave., Denver, 303-623-0106.
Beach House. 8 p.m. Ogden Theatre, 935 E. Colfax Ave., Denver, 303-832-1874.
Father John Misty. 7:30 p.m. Red Rocks Park and Amphitheatre, 18300 W. Alameda Parkway, Morrison, 720-865-2494.
Rocky Mountain Jewgrass. 6:30 p.m. Four Mile Historic Park, 715 S. Forest St., Denver, 303-777-1003.
Dustbowl Revival. 8 p.m. Fox Theatre, 1135 13th St., Boulder, 303-447-0095.
Joe Russo's Almost Dead. 7:30 p.m. Red Rocks Park and Amphitheatre, 18300 W. Alameda Parkway, Morrison, 720-865-2494.
Railroad Earth. 7:30 p.m. Boulder Theater, 2032 14th St., Boulder, 303-786-7030.
Old Crow Medicine. 8 p.m. Red Rocks Park and Amphitheatre, 18300 W. Alameda Parkway, Morrison, 720-865-2494.
Kerry Pastine & the Crime Scene, Davina & the Vagabonds. 7:30 p.m. Arvada Center for the Arts and Humanities, 6901 Wadsworth Blvd., Arvada, 720-898-7200.
Dustbowl Revival. 5:30 p.m. Clyfford Still Museum, 1250 Bannok St., Denver, 303-777-1003.
Sherefe. 7 p.m. Caffè Sole, 637R S. Broadway, Boulder, 303-499-2985.
Railroad Earth. 7 p.m. Red Rocks Park and Amphitheatre, 18300 W. Alameda Parkway, Morrison, 720-865-2494.
Josh Turner. 7 p.m. Hudson Gardens & Events Center, 6115 S. Santa Fe Drive, Littleton, 303-797-8565.
Slayer. 4:30 p.m. Fiddler's Green Amphitheatre, 6350 Greenwood Plaza Blvd., Greenwood Village, 303-220-7000.
The Chick Corea Akoustic Band with John Patitucci and Dave Weckl. 8 p.m. Paramount Theatre, 1621 Glenarm Ave., Denver, 303-623-0106.
Wiz Khalifa, Rae Sremmurd. 5:30 p.m. Fiddler's Green Amphitheatre, 6350 Greenwood Plaza Blvd., Greenwood Village, 303-220-7000.
Niall Horan. 7 p.m. Red Rocks Park and Amphitheatre, 18300 W. Alameda Parkway, Morrison, 720-865-2494.
Rodrigo y Gabriella. 7:30 p.m. Red Rocks Park and Amphitheatre, 18300 W. Alameda Parkway, Morrison, 720-865-2494.
Nathaniel Rateliff & The Night Sweats. 8 p.m. Red Rocks Park and Amphitheatre, 18300 W. Alameda Parkway, Morrison, 720-865-2494. Through August 23.
Ziggy Marley. 7:30 p.m. Chautauqua Auditorium, 900 Baseline Road, Boulder, 303-442-3282.
Felonius Smith Trio. 6:30 p.m. Four Mile Historic Park, 715 S. Forest St., Denver, 303-777-1003.
Yuridia. 8 p.m. Paramount Theatre, 1621 Glenarm Ave., Denver, 303-623-0106.
Poco, Orleans and Pure Prarie League. 7:30 p.m. Arvada Center for the Arts and Humanities, 6901 Wadsworth Blvd., Arvada, 720-898-7200.
Green Room Artists. 7 p.m. Caffè Sole, 637R S. Broadway, Boulder, 303-499-2985.
Dave Matthews Band. 8 p.m. Fiddler's Green Amphitheatre, 6350 Greenwood Plaza Blvd., Greenwood Village, 303-220-7000. Through August 25.
30 Years of Reggae on the Rocks. 2:30 p.m. Red Rocks Park and Amphitheatre, 18300 W. Alameda Parkway, Morrison, 720-865-2494. Through August 26.
After Grass Featuring Gasoline Lollipops. 10 p.m. Boulder Theater, 2032 14th St., Boulder, 303-786-7030.
Mandolin Orange. 7:30 p.m. Chautauqua Auditorium, 900 Baseline Road, Boulder, 303-442-3282.
Big & Rich. 7 p.m. Hudson Gardens & Events Center, 6115 S. Santa Fe Drive, Littleton, 303-797-8565.
David Byrne. 7:30 p.m. Red Rocks Park and Amphitheatre, 18300 W. Alameda Parkway, Morrison, 720-865-2494. Through August 28.
Illenium. 7 p.m. Red Rocks Park and Amphitheatre, 18300 W. Alameda Parkway, Morrison, 720-865-2494.
Shakey Graves. 7 p.m. Red Rocks Park and Amphitheatre, 18300 W. Alameda Parkway, Morrison, 720-865-2494.
Sales. 9 p.m. The Bluebird Theater, 3317 E. Colfax Ave., Denver, 303-377-1666.
Atmosphere. 6 p.m. Red Rocks Park and Amphitheatre, 18300 W. Alameda Parkway, Morrison, 720-865-2494.
Gramatik. 6 p.m. Red Rocks Park and Amphitheatre, 18300 W. Alameda Parkway, Morrison, 720-865-2494.
Boz Scaggs. 7:30 p.m. Chautauqua Auditorium, 900 Baseline Road, Boulder, 303-442-3282.
Jason Mraz. 7:30 p.m. Red Rocks Park and Amphitheatre, 18300 W. Alameda Parkway, Morrison, 720-865-2494.
Boz Scaggs. 7 p.m. Hudson Gardens & Events Center, 6115 S. Santa Fe Drive, Littleton, 303-797-8565.
Jason Isbell and the 400 Unit. 7 p.m. Red Rocks Park and Amphitheatre, 18300 W. Alameda Parkway, Morrison, 720-865-2494.
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text:
Q: Unknown column 'c1' in 'field list' mysql> create database calificaciones;

Query OK, 1 row affected (0.00 sec)

mysql> use calificaciones;
Database changed

mysql>  create table prom(materia varchar(20),c1 float(3),c2 float(3),c3 float(3),c4 float(3),promedio float(3) not null);

Query OK, 0 rows affected (0.05 sec)

mysql>  delimiter //

mysql>  CREATE TRIGGER pumped BEFORE INSERT ON prom

    ->    FOR EACH ROW

    ->      IF NEW.c1 > 0 THEN

    ->      SET NEW.promedio = (c1+ c2+ c3+ c4)/4;

    ->      END IF;//

Query OK, 0 rows affected (0.10 sec)

mysql> DELIMITER ;

mysql>  INSERT INTO prom(materia,c1,c2,c3,c4,promedio) values("ingles",6,5,7,9,2);

ERROR 1054 (42S22): Unknown column 'c1' in 'field list'
      mysql>

A: Me parece que esta incorrecta la forma en la que tratas de resolver le problema.

*

*Primero: Si deseas Insertar el promedio de cada materia, es un valor nuevo entonces debes usar el prefijo NEW para cada una de las columnas involucradas en la operación

*Segundo: No veo sentido al usar un condicional IF en tu trigger pues se supone que si vas a calcular el promedio por cada renglón antes de que se inserte entonces la columna c1 no posee valor entonces la condición de mayor a 0 no se cumpliría

*Tercero: Dentro de la sentencia de INSERT al menos por lo que entiendo de tu ejercicio no deberías indicar de forma explícita ni la columna promedio y tampoco un valor numérico para dicha columna, pues se supone que eso lo hará el trigger que estas programando

*Además debes declarar la columna peomedio como null de este modo no será requerida en el proceso del Insert y lo podrá generar el disparador

Entonces basándome en lo que entendí de tu ejercicio, el código debería ser el siguiente:
Creación de la tabla:
create table prom(
    materia varchar(20),
    c1 float(3),
    c2 float(3),
    c3 float(3),
    c4 float(3),
    promedio float(3) null
);

Creación del trigger
DELIMITER //
CREATE TRIGGER pumped BEFORE INSERT ON prom
FOR EACH ROW BEGIN
    SET NEW.promedio = (NEW.c1 + NEW.c2 + NEW.c3 + NEW.c4) / 4;
END;
//

Inserción del registro en la tabla:
INSERT INTO prom(materia,c1,c2,c3,c4)
values("ingles",9,5,7,9);

Haciendo un SELECT para comprobar los valores ingresados:
MariaDB [calificaciones]> SELECT * FROM prom;
+---------+------+------+------+------+----------+
| materia | c1   | c2   | c3   | c4   | promedio |
+---------+------+------+------+------+----------+
| ingles  |    9 |    5 |    7 |    9 |      7.5 |
+---------+------+------+------+------+----------+

redpajama_set_name: RedPajamaStackExchange


text:
Q: React - How to update a prop from a function I would like to pass the planet.id from the planetCard to the PlanetPanelCard when I click on the planet Card.
Code Picture
Thank You!

A: You can use useState hook for that
[selectedPlanetId, setSelectedPlanetId] = useState(null)

then in Planet card pass the function
onClick={() => { setSelectedPlanetId(planet.id) }}

and in the PlanetPanelCard
planetId={selectedPlanetId}


text:
using System;
using Server;

namespace Server.Items
{
	public enum WaterState
	{
		Dead,
		Dying,
		Unhealthy,
		Healthy,
		Strong
	}

	public enum FoodState
	{
		Dead,
		Starving,
		Hungry,
		Full,
		Overfed
	}

	[PropertyObject]
	public class AquariumState
	{
		private int m_State;
		private int m_Maintain;
		private int m_Improve;
		private int m_Added;

		[CommandProperty( AccessLevel.GameMaster )]
		public int State
		{
			get{ return m_State; }
			set
			{
				m_State = value;

				if ( m_State < 0 )
					m_State = 0;

				if ( m_State > 4 )
					m_State = 4;
			}
		}

		[CommandProperty( AccessLevel.GameMaster )]
		public int Maintain
		{
			get{ return m_Maintain; }
			set{ m_Maintain = value; }
		}

		[CommandProperty( AccessLevel.GameMaster )]
		public int Improve
		{
			get{ return m_Improve; }
			set{ m_Improve = value; }
		}

		[CommandProperty( AccessLevel.GameMaster )]
		public int Added
		{
			get{ return m_Added; }
			set{ m_Added = value; }
		}

		public AquariumState()
		{
		}

		public override string ToString()
		{
			return "...";
		}

		public virtual void Serialize( GenericWriter writer )
		{
			writer.Write( 0 ); // version

			writer.Write( m_State );
			writer.Write( m_Maintain );
			writer.Write( m_Improve );
			writer.Write( m_Added );
		}

		public virtual void Deserialize( GenericReader reader )
		{
			int version = reader.ReadInt();

			m_State = reader.ReadInt();
			m_Maintain = reader.ReadInt();
			m_Improve = reader.ReadInt();
			m_Added = reader.ReadInt();
		}
	}
}


Composed of white zanfirico and green canes vintage Murano glass bud vase. Zanfirico, also known as caneworking, is a glassblowing technique that adds intricate patterns and stripes to blown glass. This beautiful Murano bud vase is a classic footed form composed of vertical green and white caneworking on clear foot. Paper label.
Condition: very good condition with no chips, cracks or repairs.
Thank you for considering this vintage Murano glass bud vase on Vogue Finds aka Jewelry Bubble.


The Canadian Mountain Network (CMN) is an alliance of partners from universities, governments, Indigenous and non-Indigenous communities, not-for-profits, and businesses dedicated to the sustainability of mountain environments and communities across the country and around the world.
CMN was established in January 2016 to collaboratively address the diverse challenges facing mountain regions by harnessing existing capacities and seeking new research relationships between Indigenous and non-Indigenous researchers and communities. Our aim is for CMN to become a national and global leader in inclusive, co-designed, interdisciplinary mountain-research that recognizes the interconnectedness in mountain systems between the environment, economy, and society, and encourages an integrated approach for long-term sustainability that serves the needs of mountain communities.
In 2018, CMN submitted a successful proposal to the Networks of Centres of Excellence (NCE) program to support its ambitious research, training and knowledge mobilization agenda. The program funds interdisciplinary and intersectoral applied research networks that address pressing economic, social and environmental challenges facing Canadians. Supported by the Government of Canada's research granting agencies, networks support the growth of Canada's multi-disciplinary research capacity, generate new knowledge and innovative applications, provide training opportunities to develop a diverse and qualified workforce, and encourage national and international collaboration between academia, government, non-government organizations, industry, and communities.
Learn more about CMN's governance and management here.
Canada is a country of mountains. They watch over a quarter of our land mass and—whether described in terms of plate tectonics, watersheds, ecosystem services, or sacred places—are essential to the environmental, economic, spiritual, socio-cultural identity, and well-being of Canada's diverse peoples.
Canada's efforts to build new governance models that recognize Indigenous ways of knowing and doing in an age of reconciliation. Canada has considerable expertise in mountain research and has endorsed international agreements that require mountain ecosystem conservation and sustainability. However, Canadian mountain research today is not coordinated or interdisciplinary, and non-academics are rarely involved in its prioritization, design, and implementation. This creates barriers to informed decision-making and action through policies or practices.
It is urgent that Canada coordinate its mountain research agenda and programs to improve research outcomes and better enable their effective and comprehensive application and use.


text:
How To File an Appeal Request
To Appeal Your Case – What is an appeal?
Guidelines are listed below:
An appeal is a review by a higher court (Pima County Superior Court) for cases originally heard in a lower court (City Court, Justice Court, etc.). This review is to determine whether something improper occurred during the trial or hearing. No new evidence may be introduced. After higher court reviews , the case is remanded (returned) to the sentencing court either affirming (confirming) or dismissing the original decision.
Basis for filing an appeal
Your appeal will have to be based upon legal grounds, not just because you did not agree with the results of the case. Copies of the Arizona Revised Statutes and Tucson City Code are available at the Pima County Public Library and the University of Arizona Law Library for you to research.
Appeal filing deadline
Your appeal must be filed within 14 calendar days of your sentencing date. If the 14th day falls on a day that the court is closed, you will have until the next business day to file your appeal. An appellant memorandum (explanation based on legal grounds) must be filed within 60 days from the last day that the appeal could be filed.
Trials and civil hearings at City Court are digitally recorded. If the hearing was less than 90 minutes in duration, one CD is forwarded to Superior Court per ARS 22-404. There is a fee of $17.00 for reproducing the digital recording that is sent to Superior Court. Additional copies are available for $17.00 per CD. Hearings that are more than 90 minutes in duration require a written transcript. City Court charges $4.00 per page (average cost for 90 minutes of transcription is approximately $480.00). Transcript will be ordered when one-half of the estimated cost is paid. You may request a waiver of these fees from the judge that sentenced you.
Notification of filing
Once all the legal steps have been completed, your case will be sent to Superior Court. Superior Court will notify you that they have received your appeal and that the appeal fee (payable to Superior Court) must be paid by the date noted on your paperwork.
Completion of appeal process
You will be notified of the decision and the court documents will be returned to the originating court. If a court date is scheduled you will be notified, by mail, of the scheduled date, time, and location.
Tucson City Court
I want to . . . .
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Request to record in the Tucson City Court and, or courtrooms
Your Day in Court
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Court Administrative Orders & Directives


text:
Wolf Hall Live
18 June, 7pm
Hilary Mantel's award-winning novel Wolf Hall was transformed into a riveting six-part drama by the BBC to huge acclaim in 2015.
Accompanying Thomas Cromwell's machinations and hushed conversations in shadowy palace corners was original music by Debbie Wiseman, performed by members of The Locrian Ensemble of London; the soundtrack CD reached no.1 in the classical charts. Debbie and the Ensemble perform selections from her acclaimed score, alongside extracts from Wolf Hall and its first sequel Bring Up The Bodies read by Anton Lesser - who played Thomas More in the BBC series.
Wiseman has over 200 film and television soundtracks to her name including Wilde, Wolf Hall and, more recently, Dickensian. Consisting of some of the country's finest musicians, the Locrian Ensemble is at the very top of its game, delivering stunning performances which range from the blisteringly dramatic to the heart-rendingly mournful. The concert roughly follows the narrative of the television series with Lesser's intense readings setting the scene for a musical commentary. The most intense part of the concert must surely be the depiction of Anne Boleyn's execution, as the impassioned readings leave the audience hanging on every word, with music that is gripping and moving in equal parts.
*Dinner & Show packages available: Includes a ticket, A glass of Crémant, a three course menu formule* meal, a glass of wine, coffee and water in Brasserie Zédel pre or post show. Your dinner reservation must be made separately by calling 020 7734 4888 and quoting 'Live At Zédel offer'.


snatched out from under you when you least expect it.
locksmith than it is to have your vehicle stolen out from under you.
the windows down when you arent inside of the vehicle.
make sure it is safe and secure.
regardless of how safe you think the area might be.
out of sight and break into any number of cars without being detected.
to make sure your vehicle is protected.
Protecting Yourself from Fraud including Identity Theft Advanced Level.
Protecting Yourself from Fraud including Identity Theft Personal Finance.
Protecting your Car Prevent Car Theft Presented by Green Lake College Police.


text:
Betty White accepts the Life Achievement Award at the 16th Annual Screen Actors Guild Awards on Saturday, Jan. 23, 2010, in Los Angeles. (AP Photo/Mark J. Terrill)
Jan 25, 2001 Updated Nov 9, 2018
His grandparents are James and PatriciaDavis of East Fallowfield and John and Teresa Riley of Downingtown. Hisgreat-grandparents are Floyd and Ramona Stump of Coatesville and Clement and Myrtis Riley of Columbia, S.C.
Eric and Valeriie Voge of Chino Hills, Calif. announce the birth of their son, Matthew Jackson Voge on Nov. 22, 2000.
His grandparents are Dana and Jean Pyle of Wilmington, Del. and John and Mary Lou Voge and Frank and Jane Dulin, all of West Chester.
Beth and John S. Lemberger of Bear, Del. announce the birth of their son, Alexander Callan on Jan. 8, 2001 at Christiana Hospital in Delware.
His grandparents are Steve and Rose Emberger of Glenmoore and Harry and Ginny Goodling of Bainbridge. His great-grandparents are Catherine Emberger of Ephrata and Anne McHale of Downingtown.
Crozer Chester
Virginia C. and Michael J. Lynch of Boothwyn, a boy, Nov. 28, 2000.
Linda Ann and Thomas Paul Robinson of Boothwyn, a boy, Nov. 29, 2000.
Tina Brant and Kenneth Johnson of Glen Mills, a boy, Dec. 2, 2000.
Pamela Zigleszewski and Robert Ortman Jr. of Boothwyn, a girl, Dec. 7, 2000.
Kristen A. and J. Dillon Taylor of Chadds Ford, twin girls, Dec. 7, 2000.
Meredith Pool and Robert Walter Burnett Jr. of Oxford, a girl, Dec. 8, 2000.
Brandy Leigh and Troy Dennis Johnson of Boothwyn, a boy, Dec. 11, 2000.
Esther Ryan and Bruce Allen Eppler of Boothwyn, a girl, Dec. 19, 2000.
Sheena Berk and Vince Carter of Boothwyn, a girl, Dec. 20, 2000.
Helen and David Taylor of Chadds Ford, a boy, Dec. 20, 2000.
Lynne and Tom Gormley of Boothwyn, a girl, Dec. 23,2000.
Allison Garber of Boothwyn, a girl, Dec. 27, 2000.
June Denise and Joseph Peter Dunn of Oxford, a boy, Jan. 5, 2001.
Suzanne and Daniel Croce of Glen Mills, a girl, Jan. 6, 2001.
Laura Jane and Paul Michael Bozentka of Wilmington, Del., a girl, Jan. 7, 2001.
Denise and John Westenberger of Landenberg, a girl, Jan. 7, 2001.
Glenda and Harold Hellmig of West Chester, twins, a boy and girl, Jan. 5, 2001.
Heather and Sean Barron of Chadds Ford, a boy, Jan. 7, 2001.
'Cheryl and William Cruse of Avondale, a girl, Jan. 8, 2001.
Martha and Philip Garrett of Coatesville, a boy, Jan. 8, 2001.
Judith and Steven Houdeshel of Downingtown, a boy, Jan. 8, 2001.
Jewell and Craig Parkinson of West Chester, a girl, Jan. 8, 2001.
Kimberly and Robert Switzer of Coatesville, a boy, Jan. 8, 2001.
Marcella and Gregory Bove-Huttie of West Chester, a girl, Jan. 9, 2001.
Allyson and Michael McCullough of West Chester, a boy, Jan. 9, 2001.
Kelly Anne Lewis-Psiuk and Joseph Psiuk of Coatesville, a boy, Jan. 9, 2001.
Elizabeth and Paul Bode of West Chester, a girl, Jan. 10, 2001.
Maria and Angelo Brucchieri of Christiani, a girl, Jan. 10, 2001.
Valerie and Joshua Lee of Cochranville, a girl, Jan. 10, 2001.
Marisol Machorro and Guillermo Albino of Nottingham, a boy, Jan. 10, 2001.
AmeriServ Financial, Inc. To Acquire A Branch And Deposits Of Riverview Financial Corporation
Betting-Super-Bowl.com Offers Latest Odds for Highly Anticipated Super Bowl 55 - The First Cashless, Socially Distant Super Bowl Event in NFL History
Centric Bank Announces Opening of Paycheck Protection Program Portal for Second Round of Stimulus Funding
West Chester man arrested after pointing toy gun at people
Crews from four counties battle fire near Honey Brook for 8 hours


text:
This Sustainable Gender-Neutral Clothing Brand is the Kind of Cool You Wish You Were in High School
For decades, gender-neutral, gender-free, or androgynous clothing has been mainstream in high fashion. But it's now considered the future of fashion and it's becoming easier to find in major retailers and clothing boutiques. As Gen Z-ers, who now account for 40% of U.S. spending power embrace the entire concept of gender neutrality and fluidity not only in general but in fashion, retailers are taking notice.
On top of the gender-neutral trend, a massive trend in the fashion industry is sustainable and eco-friendly fashion. The fashion industry is the world's second largest contributor to pollution, and more clothing brands are dedicated to changing this statistic, ending the fast fashion trend, and conserving the environment.
That's where sustainable, gender neutral clothing brand Bobblehaus comes in. Bobblehaus, Created by two incredible women with backgrounds in fashion, design, and business, is a New York-designed, Shanghai-made, genderless brand, dedicated to expressing our inner absurdities.
Despite launching in the midst of a pandemic, Bobblehaus has beat the odds and just launched their second collection! Read on to learn more about founders Abi Lierheimer and Ophelia Chen, and how they built Bobbleahaus.
Erin Coles: Tell us about yourselves, your background, and what you were doing prior to starting BOBBLEHAUS?
Ophelia Chen: Abi Lierheimer is the co-founder and creative director of Bobblehaus. She studied womenswear apparel design at the Savannah College of Art and Design, before logging hours at Coach and Champion. Most recently, she worked in womenswear design at Kith and left her position there in January 2020 to work on Bobblehaus full time.
Abi Lierheimer: Ophelia Chen is the co-founder and CEO of Bobblehaus. She studied Economics and Marketing at Olin Business School at Washington University in St. Louis. Before Bobblehaus, she was an Assistant Planner at Bloomingdales.
EC: How did the two of you become business partners?
OC: At that time, I told my friend that I have this amazing idea, and I'm looking for someone with a similar background who is interested in doing something very different and very out there. We instantly clicked. We met over drinks at a speakeasy and then two hours later, I was like, "So, do you want to be my co-founder?"
EC: What inspired you to start BOBBLEHAUS?
AL & OC: We hope to create a multi-cultural community-led digital and retail space that is fun, sustainable, genderless and youthful.
EC: Where does the name BOBBLEHAUS come from?
OC: Originally, it was "Double Bobble" actually. I love the motion of "BOBBLE", going up and down, it's so fun and also fun to pronounce. Bobble bobble – try it! On top of that, we want to make a community and collective, hence, HAUS. It's like bobblehead and Bauhaus put together.
EC: Where is BOBBLEHAUS manufactured?
AL: In our partner manufacturing studio in Shanghai, China, where Ophelia is born and raised.
EC: Tell us more about how BOBBLEHAUS is sustainable, and why creating a sustainable clothing line was important to you.
AL & OC: We do not create any custom fabric nor custom color. With everything we create, we use what we can currently find available in the market and we order the exact yardage that we need. On top of that, we prioritize sourcing certified Tencel™* and certified Recycled Cotton mix fabrics. We also want to teach our community that we give what we take, so with every item purchased, we plant 10 trees around the world with One Tree Planted.
*TENCEL™ branded lyocell and modal fibers are produced by environmentally responsible processes from the sustainably sourced natural raw material wood. TENCEL™ fibers are found in the collections of many leading designers and renowned retailers.
EC: That's amazing! I love how you give back what you take. I know your clothing is genderless. What does that mean, and why was it important for BOBBLEHAUS to create a genderless line of clothing?
AL & OC: For us, genderless means that it can be worn by everyone, as simple as that.
EC: Identity, and the exploration of identity is a huge part of your brand. We'd love to learn a little more about why that is, and hear about your BOBBLEBLOG!
AL & OC: BobbleBlogs is a community-led digital space with 15+ global contributors from Amsterdam to London, from Taipei and Jarkata, from New York City and San Francisco, sharing their multi-cultural experiences and perspectives through art, fashion, music, culture and people.
EC: Your brand messaging, brand voice, and brand image are all so strong (and so cool)! What was the process like honing in on your brand image, and who manages most of the outward-facing design and copy elements?
OC: All outward-facing design and copy elements including Bobblehaus messaging, voice, and image is managed by Abi. The process is defined by using the images and content we have surrounding a release or blog, and adding our branding in a meaningful way for each platform.
EC: What has the customer feedback been like? Give us an example of what your customers are saying!
AL & OC: A lot of customers really enjoy our use of bold color with a fun print or pattern. I think that they are drawn towards the fun aspect of nice looking, tailored clothing.
EC: Where do you sell BOBBLEHAUS? What is your plan of where to sell moving forward?
AL & OC: We are only selling Bobblehaus on our website at the moment at www.bobblehaus.com. We're looking to explore specific retailers in the future.
EC: What has been your biggest challenge in building your business thus far?
AL: Launching during quarantine, and continuing to produce the second collection during that time, was probably the biggest challenge for me. Learning to work remote from your design team definitely had a learning curve!
EC: When you're not working on BOBBLEHAUS, what are you doing?
AL: I love cycling, skiing, skydiving, and riding my motorcycle! Outdoor activities and spending as much time as I can being active, helps me balance everything I'm trying to accomplish workwise.
EC: What is the best piece of business advice you ever received?
OC: "Don't look at your competitors, focus on your customers."
In case you need a refresher on all of the awesomeness you just read, Bobblehuas was founded by two truly impressive women in the middle of the pandemic, and they've already launched their second collection. Their sustainable and genderless clothing line, their community-led BobbleBlog platform, and their overall branding and messaging is probably the coolest thing you'll see in 2020.
You can view and purchase their latest collection on the Bobblehaus website. And you can give Bobblehaus a follow over on Instagram to keep up with their brand, events, and future launches!
Spread the word about WAWO and the amazing women we support.
Erin Coles
Erin Coles is the CEO of Pro Arts Management & Consulting LLC and co-founder and manager of NYC-based wedding band collective, The Metropolitan Players. She is super passionate about supporting Female Founders and takes as many opportunities as possible to help support women in their entrepreneurial journeys - like working with WAWO! She loves live music, soft vanilla ice cream (vegan) with rainbow sprinkles, beautiful sunsets, and her family!
Say hello to Erin:


Bahco Half Round Cut File with a tapered half-round cross section to allow use on convex and concave surfaces. The edges and surfaces are tapered towards the point. It has a double cut surface, and it suitable for deburring work.