text:
The Best 50 Bands I've Seen Live
To the left is an actual pile of tickets I found in my drawer.
Click it for the fuckoff big grainy version.
My birth in the country of South Africa was quite a curse when you love music as much as I do. Granted, things have got drastically better for those living in that nation during my five year London absence (thanks a lot guys), but it still has a long way to go, the area feeling lucky if a mere two decent acts play there a year.
With that in mind (and as you can imagine), moving to the UK came with some serious musical perks. I immersed myself in the gig culture, and recently calculated that I have been to over 130 shows since my time here. Which isn't as much as some of the cooler kids I know, but still enough to pick apart my favourite 50 and write this little bloggy for you lot. Half because I hope people find it as interesting as I do, and half because I am boasting, obviously.
But as anyone will tell you, sometimes it's the most unlikely acts which will stick out in your mind the most. I've seen some big names but the experience was dampened by a bad mood or a hangover, and I've seen some fairly unknown dudes who really got me hard. It isn't always necessarily about the band, is what I'm saying, but more about the overall experience. And that's what this list was compiled on: the shows which stood out most highly in my ever-failing memory. The gigs which, unlikely or not, meant more to me in the long run, not necessarily who was blessing the stage at the time. Even though that does help.
And so here is that very list. Please keep in mind that all venues are London/UK based, unless otherwise stated. Also keep in mind that a few of these artists aren't exactly "bands", but words are hard. And finally, I hope you get jealous and are fooled into thinking my life is better than yours, because it probably is.
50. Pete Doherty (with Where's Strutter)
Venue: The Social
Partners in Crime: Ash; Kris; The Freewheelin' Troubadour; Loose
What I Remember:
It's debatable whether one could consider this a real show or not, but the story is so good, I granted it the honourary opening position. After all, we were only going to watch our friend The Freewheelin' Troubadour bust some poetry and then announce the band Where's Strutter, which he did by informing the audience that said group had just come off a tour supporting Pete Doherty, "or PeDo, as we like to call him". Seconds later, Ash tapped me on the shoulder and excitedly informed me "dude, no jokes, Pete Doherty is behind me". I turn around, and sure enough he was, and he's really tall. I shook his hand and that was quite a moment, and then he jumped on stage to join Where's Strutter perform a cover of Babyshambles' Fuck Forever (which you can watch here). You have to understand, this is in front of less than 50 people, no security, our own little Doherty show where he walked around freely afterwards. You can't buy this kind of experience.
49. Marilyn Manson
Venue: Brixton O2 Academy
Partners in Crime: Chris; David; Eleanor
As anyone will tell you (especially in recent times), a Manson show sucks. I'd seen him before at Download 2009, and he was so drunk/coked up that he practically played the whole show lying down, drooling on himself and forgetting lyrics. It was so terrible, in fact, that this show could only be an improvement - and it was. Marginally. But what you need to understand is that growing up, Marilyn was my superhero, and despite the lackluster performance, I still felt a nostalgic pang in my groin every time he spoke about God or drugs, no matter how old or chubby he has become. In my life, he has meant the world to me, and I wasn't alone. Point proven by how many androgynous freaks in the audience looked just like him, and that the queue to get into the venue was by far the longest I've ever been a part of.
48. MGMT
Partners in Crime: Lauren; Mark; Monique
As much as I don't want to offend anyone, this was one of those rare and unfortunate shows which got ruined by the company I held. It's not their fault really, as the whole crowd was pathetic, waiting for nothing more than Kids or Electric Feel, instead receiving the majority of the more progressive Congratulations album. Now, Congratulations just so happens to be my favourite MGMT album, but when the entire audience bewilderedly asks each other "why is it so mellow?" it does damage the vibe. I tried my best to ignore them, succeeded somewhat, but couldn't escape the tragic feeling that it would have been a better experience if I'd done it alone. Which is why I squeezed them onto this list, but also why they are so low. Sorry guys, you deserve better.
47. Fantômas
Venue: London Astoria
Partners in Crime: Lonnie
Seven reasons why I would have not been comfortable excluding this performance: (1) I arrived without a ticket, but managed to hook one up, cost price. (2) I met a girl named Lonnie in the queue, and now we are super good friends, having since gone to various other shows together. (3) The Locust were opening, and that was hilariously intense. (4) The singer of Fantômas is Mike Patton, arguably my favourite singer of all history, and this was the first time I saw him with my very own eyes. (5) The rest of the band consists of members from Mr Bungle, The Melvins and Slayer, which is a fucking supergroup line-up if I ever saw one. (6) Fantômas played their album The Director's Cut in its entirety. This concept album is a collection of cover songs, each one a theme from a horror movie = so rad. (7) Finally, the gig was at the legendary Astoria venue. It wasn't the first outfit I'd seen there (having witnessed In Flames and Rancid on that same stage only months previous), but they were the best. And less than a year later, the Astoria had been sold and demolished, making it all that more special for those who were a part of it. I will never forget this.
46. Little Dragon
Venue: O2 Shepherds Bush Empire
Partners in Crime: Adam; Andy; Lizzie
This show was riddled with problems from the get-go. Somehow between the four of us, we had two tickets for the main area, and two tickets for the upstairs seating. Furthermore, I had a killer hangover, which is why I surrendered and ended sitting at the back, resulting in a much more relaxed gig rather than the spastic dance area I am used to (and Little Dragon deserved). Beyond that, nothing the band did was particularly memorable if I'm honest, the only thing I can really recall is singer Yukimi Nagano randomly hitting some synth pad out of time and kind of fucking up the songs. So why did I put them here? Well, it's because Yukimi is extremely sexually attractive, all quirky and barefoot, total stage presence and then some. Immediately after the show, I put her on my future sex list, and that's important. They also released my second favourite album of 2011, so my bias fandom may or may not have played a role.
45. Yeasayer
Venue: Victoria Park, Lovebox Festival 2010
Partners in Crime: Ammr; Ash; Darren; Little Ash; Katt; Kris; Maryke; Reiko; Ronnie
The whole hook of this entry could be summed up by the word friends. If the above list of Partners in Crime wasn't enough of an indication, you must realise that I was never meant to go to this festival as I couldn't afford a ticket. However, on the day, my mates put their money together and bought me one, truly putting the Love into Lovebox. Still so grateful for this, and it made the show all that more special, especially because Yeasayer are one of the few rare acts we all agree on. And they delivered, every member singing and nobody outshining eachother while I got more and more fucked up, to the point that I remember very little except for having some conversation with a guy at a urinal. Regardless, Yeasayer opened for Empire of the Sun, but we all knew that they would be an impossible act to follow. Pure talent.
44. AlunaGeorge
Venue: Little John's Farm, Reading Festival 2013
Partners in Crime: All By Myself
I don't want to sound pervy, but Aluna turns me on. Her sexy dance moves and cute little voice is a big reason as to why Body Music is one of my favourite dancepop records of the year, and also one of the reasons why I felt no shame at abandoning my friends to watch this group all by myself. It was worth it, because even if their setlist wasn't necessarily my main choices, I was dancing so hard that people were taking photos of me. And then a few hours later, I went to the Signing Tent and met them, resulting in a highly memorable show all in all.
43. Infected Mushroom
Venue: Earthdance 2005, Cape Town
Partners in Crime: Fuck Knows
Make no mistake, I am not a psytrance nor an Infected Mushroom junkie by any means. But I cannot deny that the level of fuckness I was experiencing whilst dancing in the baking sun was hitting biblical levels of spirituality. At points I'd sit on the stage and look down upon the thousands and thousands of people spanning as far as my eyes could see, and I developed a god complex right there and then. Even when the one guy made a mistake and the other guy shouted at him, it didn't bother me, because misguided and artificial or not, I will never forget this day. Which is to say, I don't actually remember any of it at all, but the small snippets like a cut up reel-to-reel in my brain looks pretty cool. It is fairly impossible for a trance outfit to make any list I write, so that's gotta count for something.
42. The Big Pink
Venue: The Diesel:U:Music World Tour, University of Westminster
Partners in Crime: Kris; Loose; Mark
The Big Pink mean fuckall to me, but after you read this entry, you will understand why they are here. Somehow, Kris hooked up VIP tickets, which meant we all got to sit in the very exclusive upstairs area, where mojitos were given to us for free by sexy waitresses and even Lily Allen was there. I got so drunk yet hyper on sugar that I kept playing this game where I would leave the VIP area and then try to sneak back in. Each time a bouncer aggressively stopped me, I'd flash my VIP wristband as if to say "don't you know who I am?" and his expression would quickly change to apologetic and embarrassed. Which was funny. I remember The Big Pink playing Dominos, and I went straight to the front and screamed the lyrics louder than the singer could, to which I distinctly recall him looking a little bit scared. It was a school night, so I felt like death the next day, but it was the kind of service I could get used to.
41. Korn
Venue: My Coke Fest, Kenilworth Racecourse, Cape Town
Partners in Crime: Holly
The only thing you need to understand about this entry, is that between the ages of 13 and 17, I was obsessed with this band. I devoted so much of my time researching and listening to Korn that the concept of ever seeing them live was far too overwhelming for me to even contemplate. So it's probably a good thing that a few years later, I had completely lost interest in the dudes, rendering this show more as an ode to my younger self rather than something to masturbate to. I got right to the front, was completely trashed, shouted along to every lyric, and left the show remembering all the reasons I had loved them in the first place. I have seen them since at Download Festival 2009, and they owned it once again, which is kind of what everyone says about each show they play anyway. But you never forget your first time, and fuck you if you don't like Korn. Because I don't really like Korn either. But they know how to put on a great show, and nothing can take that away from them.
40. Limp Bizkit
Venue: Donington Park, Download Festival 2009
Partners in Crime: Adam; Fran; Frank; Mark; Paul; Tiana
There are three reasons why I am embarrassed of this entry: (1) I find it a bit tasteless, placing two of the main "pioneers" of Nu Metal right next to each other. (2) Even with that said, Korn are a much superior band, in my opinion. (3) I don't actually like Limp Bizkit. However, that third point is the point, as upon attending Download 2009, I laughed at the festival's mistake for booking them. Inevitably (as is tradition) the band would get bottled off the stage, and I looked forward to that by collecting up my own plastic bottles and racing towards the stage to give this group a piece of my mind. I was under the impression everyone felt this way, ready to annihilate them with our trash. But I was wrong. So very wrong. Instead, the tables turned, and they annihilated us. High energy blasted out the speakers, instant party just add water, mosh pits breaking out all the way to the back, fans climbing on the stage, the kitchen sink. And to enter a show with the weird mindset of wanting to hate every minute, yet coming away with the shared adrenaline of the crowd, is a feat very few bands could achieve. Hence why I reluctantly had to surrender and be honest with myself: Limp Bizkit, at least live, fucking rock.
39. Lily Allen
This bittersweet gig is a tough one for me to talk about, with plenty of factors to enjoy, and plenty to be embarrassed about. Lily organised cupcakes to be handed out to the people queuing, which was nice. I was wearing a Help Jared Woods Meet Lily Allen shirt, and people laughed at me. I pushed to the front, knocking over little girls as I did so, and I felt terrible about that, I really did. When Lily played Fuck You, she told a young kid in the audience to block his ears, which was funny. I threw a piece of paper onto the stage which said Help Jared Woods Meet Lily Allen on it. Shortly after, a million little glittery bits of paper fell from the sky and covered everything, including my message. It ended soon afterwards, and I swear to God whether you believe me or not, my contact lenses were playing up and my eyes started watering. I can only imagine how it looked: this super fan wearing shirts and throwing messages onto her stage, crying after the show was done. Make no mistake, it was a wonderful gig, but I did leave feeling pathetic, and decided I needed to change my approach in order to meet her. Which I did and I did.
38. The National
Venue: Roundhouse
Partners in Crime: Corrado; Sara
I went to this gig completely broke and alone, so it was really nice to bump into my friends Sara and Corrado, who bought me loads of Old Speckled Hen English ale, which may be the foulest (foalest?) drink on the planet, but at least it got me pissed, thanks guys! The National's set was very mellow and chilled out, but what did you expect? It was quite emotional, my only complaint being how far away from the front we were. Which turned out not to be much of a problem when singer Matt Berninger decided to walk through the whole crowd right to the back, and I patted him on the shoulder. Near the end I got a bit bored until their second encore, where they played Vanderlyle Crybaby Geeks completely acoustic and unplugged, the entire crowd singing every word. I could have cried, was the best closer I've ever seen to any show, ever. And The National are one of the greatest bands in the world right now, so a huge tick on my list regardless.
37. Empire Of The Sun
Do you recall earlier on when I told you how Yeasayer opened up for Empire of the Sun, but the former were so good that there was no way the latter could even follow? Evidently not so, because here we are. To tell the truth I remember very little about this show except elaborate costumes and dancers and exaggerated theatrics, but man, were we entertained! Second member Nick Littlemore wasn't there, so a fan held up a sign which read "where is Littlemore?", to which other member Luke Steele grabbed it and angrily tore it in two. Which was weird, because Littlemore is still in the band. Then, he pretended to die, but when the crew ran over to make sure he was ok, he tried to discreetly shoo them away without losing the illusion of his death. Was hilarious. The entire performance, all of our mouths were fixed open into a smile, and by the end we all agreed they were the band of the day.
See Yeasayer entry #45 for more information as to why this show was so special.
36. FIDLAR
As the first band I saw at Reading 2013, I walked into the area and found myself in the middle of a moshpit and got pummelled for it. I had bought a festival program 10 seconds earlier, and it got torn off my neck, scattered everywhere. I frantically attempted to pick up the pieces of my £10 purchase, only to get knocked the fuck down over and over again. All the while FIDLAR were screaming about how much they loved cocaine and skating, proving to me that they are one of the last true remaining I-Don't-Give-A-Fuck-Punk bands on the planet. After the show I tried to put my program back together, only to find I had at least three separate torn up programs in my hands. Seems like I wasn't the only one to get beaten up in that audience. Rad.
35. Grimes
Venue: Heaven
Partners in Crime: Lizzie
Before the show at the merch store, they were selling rings that looked like vaginas, which Grimes designed herself. I told the guy I would buy one of it was modeled on Grimes' vagina. He said he wasn't sure if they were. The show itself was plagued with problems, as the band had their equipment stolen the night before and were playing on unfamiliar technology which only brings difficulties. She couldn't sing all that well and missed some notes. But none of this detracted from the pure stage presence and fun we all had, the crowd instantly forgiving any misstep by dancing and smiling our troubles away. Balloons shot everywhere. A pole dancer pole danced in the background. Grimes is the cutest elf ever. Near the end another dancer came on, and it was the same guy who I'd asked about Grimes' vagina. Oops! I hope he didn't tell her that some fan was talking about her pussy. Actually, no wait, I hope he did. Grimes also released my second favourite album of 2012, so my bias fandom may or may not have played a role.
34. Nico Tribute
Venue: Royal Festival Hall
To celebrate the life and death of the legendary Nico, a bunch of musicians got together to pay homage to the lady herself, including such prestigious acts as John Cale from The Velvet Underground, Fyfe Dangerfield from The Guillemots, Mark Linkous from Sparklehorse (RIP), Peter Murphy from Bauhaus, Lisa Gerrard from Dead Can Dance, and Mark Lanegan from Queens of the Stone Age. As a seated affair with very minimal attendance, it was quite relaxing as musicians walked on and off the stage, performing different Nico songs. The crowd became rude at one point, shouting at performers "who are you?" to which I think Mark Lanegan responded "I'm Boo Radley". All the acts came on stage together at the end, with Peter Murphy reminding us that it was "all for Nico, fuck everyone else". And I love Nico, so much, which I why I had to include this very different but memorable show here. It has a special home in my heart tubes.
33. Janelle Monáe
Venue: Alexandra Palace
Partners in Crime: Ammr; Ash; Kris; Reiko
It was snowing that night, so the walk to the venue was incredibly beautiful, me and my mates throwing snowballs at each other in this otherwise untouched part of London. Alexandra Palace is one jacked up venue itself, complete with festival-like food stalls and dudes walking about with beer taps on their backs. Janelle performed between Ratatat and Vampire Weekend (both of which were really good), but they had nothing on her. We pushed to the front, and the crowd were weird, complete with a guy trying to punch me in the face while a girl screamed, and another lady telling us to "shhh!" when we were talking about how amazing Janelle is. But she is amazing, her voice and dance moves are smooth like no other. But what really made this show a success was during Vampire Weekend's performance, when we were chilling next to the elevated VIP area and noticed Janelle was STANDING RIGHT THERE. I reached up and shook her hand, and she smiled, symbolically looking down on me as if to say "I am the Queen, who are you?" Didn't care though, I touched her, the cherry on top of an already delicious gig.
32. TV on the Radio
Venue: The O2 Shepherd's Bush Empire
After arriving without a ticket and literally scraping every bit of change I had to buy one from a tout, I was disappointed to find my overpriced purchase only granted me the undesirable upstairs access. Still, it was worth it when TV on the Radio EXPLODED (there is no better term) onto stage, members swapping instruments and sharing vocal duties, talent unlike most I've ever seen. I may have been sitting upstairs with a bunch of grannies, but I was busting so many moves that people were watching me instead of the band. During the encore, main singer Tunde Adebimpe announced that his voice was fucked and things would have to get a little more "punk rock". And they did. After the show, I realised I had no money for the train, and stuck in this dodgy area of London with no means of getting home was a bad position to be in. It was then that I noticed a smoker and offered her my full pack of cigarettes for a mere £2, which she gladly paid, and I got back to my house in one piece. So fuck anyone who says smoking is bad for you, that shit saved my life.
31. Biffy Clyro
Partners in Crime: Anne; Dale; Fyl; Sam
As not the biggest Biffy fan, I wasn't really looking forward to this show until huge flames of fire shot into the sky with so much heat that everyone could feel it. That kinda set the pace. And the band didn't miss a note, hitting such levels of emotion that all the little girls in the crowd dropped their yogurt for the very first time that night. Nothing about Clyro's performance felt "rockstar" or egotistical, rather coming across as genuine and appreciative, which was refreshing. The accompanying lights and fireworks were huge, and they even shot long streams of paper all over the place, essentially connecting everyone in the crowd to one another, which was at least the symbolism I read into it. I even kept a piece. They were the closing act of the whole festival and did a perfect job of it, I like them a lot more now because of it, and yet if I even liked them whatsoever, I would have happily put them higher on this list.
30. Live
Venue: Bellville Velodrome, Cape Town
Partners in Crime: Adam
This was my first proper show ever! Furthermore, this was on Live's The Distance to Here tour, which was before they started to suck. But despite the fact that I really loved them at the time and it was such a momentous occasion in my life, I don't really remember all that much of it. This is either because it took place over a decade ago, or because I smoked two chronic spliffs before they came on and was so stoned I couldn't remember which direction the stage was in. Oh well, sure it was a laugh. I do recall the encore though, because Ed Kowalczyk stripped down to his underwear, and that was pretty cool. And anyway, it was a landmark moment in my future of music appreciation, as well as the first show me and Adam did as a team, paving the way for so many years to come.
29. Beardyman
Venue: Electric Ballroom
Partners in Crime: Emile; Kris
Before the show, some hot girl interviewed me and then made me beatbox (badly) for her, which made me feel cool. The show itself was improv heaven, Beardyman taking requests as people shouted out ridiculous suggestions such as "Phil Collins Dubstep!" or "Superhero theme music about a dog!", and he'd totally nail it on the spot, just by using his voice. Incredible. The loose nature of the show extended to the visuals too, whoever was in charge obviously quick to find relative Google images per request and then mixing them together in a psychedelic way. At some point they took footage they'd filmed from the queue outside, and scratched the film like a DJ, making a song out of people's faces from the audience. Impossible to properly describe, but it was insane. I left feeling like it may have gone on for a bit too long, but still, some of the most talent I've ever witnessed from one man. Best beatboxer ever?
28. Braids
Venue: The Lexington
Partners in Crime: Kris
Props to The Lexington: we somehow lost our tickets hours before the show, so we called them up, and they told us not to worry about it, we'd get in. We arrived only to find one of the smallest but most intimate venues in London; no security, the stage hardly elevated, and barely a crowd—which surprised me because Braids are so fucking good, but still, all the better for us. The band themselves were arguably the most flawless outfit I've ever heard live, sounding almost note for note like their album, layers upon layers of instrumentation while Taylor Smith's vocals smothered us all like angel syrup. It felt almost religious and the time flew by, after which we went and shook each of their hands and told them how their album was the best of the year (which at the time, was true), and they seemed stoked. I left feeling lighter, it was a special magical kind of show, above most others on this list, and no one can really explain that shit.
27. Sleigh Bells
As far as attending a gig all by myself on Valentine's Day goes, this was one helluva success. Supported by Teeth (who were crap) and MEN, I was happy to bump into the latter's singer JD Samson at the merch section. I shook her hand, completely convinced she was a man and completely unaware that she was actually quite famous as the singer for Le Tigre. Sleigh Bells themselves nailed the sound they invented, and Alexis Krauss is so fucking hot that I got all excited when I managed to high-five her. They threw their setlist into the crowd, and I caught it. When it was all over, NME approached me with a camera and interviewed me, asking if I thought Sleigh Bells and Beyoncé would make a good collaborative pair. I said they would. Never found out if that made it to print, but very few nights have had so many good stories associated with them.
26. Nine Inch Nails
Partners in Crime: Anne; Dale; Fyl; Sam (initially)/All By Myself (remainder)
Apparently Trent had some argument with the Reading organisers before this gig because he didn't want to open for Biffy Clyro (fair enough), and for this reason, his performance was a little lazy. He didn't say a word to the audience and played quite a mellow set to a tragically unresponsive crowd. But nothing can beat the fact that Reznor is a Jesus-figure to me, and as he occasionally emerged from the excessive smoke and lasers only to disappear out of view seconds later, he lived up to this prophetic image completely. And slowly but surely, the songs did get louder and heavier, but I was still one of the few people jumping around like a mad man. In fact, I could only see one other guy dancing far in the distance, and I connected to the dude without him ever knowing. But regardless of these small downfalls, Nine Inch Nails had literally only announced their reformation a few months previous, and I had been worried I would never see them live, so it was a relief and important in that regard. Plus, their new album leaked a few days later, and it was lovely.
25. At the Drive-In
Partners in Crime: Adam; Lizzie; Lonnie
In our blind excitement, somehow all of us had purchased the wrong upstairs tickets. Adam did some scam with £20 and managed to get into the main space, but the rest of us had to reluctantly surrender to the seated area. Except we never sat down once. Aggressively blasting through a majority Relationship of Command setlist, At the Drive-In stuffed the entire venue with so much ape-shit energy I can't even explain it, granting us all an experience we had long since given up on. And witnessing the chemistry of a band who obviously missed playing together gave me hope: maybe this would turn into a proper reunion? Maybe a new At the Drive-In album would be coming? Quite the opposite actually, as four months later, they announced that the 20 year key relationship between Omar and Cedric had reached boiling point, not only meaning the end of any ATDI possibilities, but also those of Mars Volta. Which, in a depressing sorta way, made this show all that more special.
24. Green Day
Partners in Crime: Fyl; Sam
Green Day don't mean that much to me anymore, and as they came on playing five new songs I'd never heard of, I felt sick and turned around to leave. Just as I did that, the backdrop behind them fell away to reveal the Dookie album cover, announcing that the album would be 20 years old in 2014, and to celebrate, they would play the whole thing, start to finish. And they did just that. The younger kids were upset, but the older kids lost their minds, because this album changed our lives back in the day, man. And besides a sneaky Highway To Hell cover shoved into the middle of it all, their performance was true to the album and so much fucking fun. Everyone enjoyed themselves, even the band looked entertained. They ended by shooting t-shirts miles into the crowd with a fuck-off big gun for good measure but we left shortly after. We got what we'd come for. We had been part of something. And then we went and watched Skrillex.
Venue: Brisbane Convention Center, Australia
Partners in Crime: Canny
The thing about a Slipknot show is that it can get fucking intimidating. Surrounded by little kids with goth make-up and cut-up arms, only to be faced with nine full grown men with masks on, was fairly intense and I am all about that shit. Hatebreed opened, but the insanity of Slipknot themselves created such a surge forward from the crowd that the security barrier physically broke! I've never seen that happen before or since. Slipknot had to stop the show, while Corey told the crowd to "calm down", which I thought was rude after he'd been telling me I needed to kill everything my whole life. He then told jokes until they fixed the barrier, and then the pain continued. They did that thing where everyone sat down during Spit it Out and then jumped up at the same time, such a great touch. Afterwards, I met some guy in the bathroom who had caught one of Joey's drumsticks and he let me touch it. This is only a summary of how mad this show was, and having seen them on two other separate occasions, I can only recommend them highly.
22. Eminem
Even if my days of Eminem worship were at least 10 years dead at this point, I knew this was my chance to witness a motherfucking legend who is generally impossible to witness. Everyone had the same idea though, as the area was packed out more than any other point of the festival. Needless to say, Eminem came out swinging with a full band, mixing a great dose of his new shit with his old shit, each song interrupted halfway by another song, ensuring optimal coverage of his entire catalogue. Everyone was desperately trying to rap along, tripping up on our own tongues, but all of us bouncing. Dido came on stage to sing Stan. Royce da 5'9" came on stage to rap some tracks from Bad Meets Evil. And it all ended with Lose Yourself, resulting in one of the best performances from the whole weekend. Miming accusations aside, it was huge, and a big deal for all of us who were there. I still can't believe it happened, and people ask me about it all the time.
21. The Smashing Pumpkins
Venue: Big Arena, Cape Town
Partners in Crime: Adam; Canny; Jaclyn; Nic
A HUGE event in Cape Town, complete with underage drinking in the queue and screaming at Billy when we noticed him standing in the distance before the show. Got right to the front, and as the Machina incarnation of the band (i.e: before the group was Billy's sex toy) it was really special. And while we were disappointed that D'arcy wasn't playing, Melissa Auf der Maur nailed her role perfectly. Nobody believes me, but I waved at her and she waved back, I swear to God this happened. Then she threw her plectrum into the crowd and my sister caught it, which pissed me off. After the show, a security man was handing plectrums out. I begged him for one, he asked what it meant to me, I told him Billy was my God, he told me I obviously didn't go to church and refused to give me one. I went home sulking, and phoned every hotel in Cape Town trying to find them in retaliation, and failed. A bit pathetic, I know, but I've calmed down now, and remember this as an important show, as only the second international band I'd ever seen live, setting the bar nice and high.
20. The Streets
Partners in Crime: Mark
My first experience at my now favourite London venue nearly didn't happen, as we literally found out The Streets were playing down our road that very day, and decided to go on a whim. Santigold opened, only caught her last song, biggest regret of my whole life. Mike Skinner played all the classics, mate, none of the bad songs (and he has a lot of them, make no mistake). He kept asking us "Can you hear me? Can you see me?" and it's like, yes Mike, that's why we are here. At some point he made everyone sit on the ground to jump up at the right moment, and I used this opportunity to run over everyone's heads and got to the front. Then Mike jumped into the crowd and I grabbed onto his arm for an uncomfortable length of time, turned me on. Afterwards (and despite it being a school night) me and Mark went to our local pub and got drunk, coming up with a brilliant plan to start a company to take photos of girls' boobs. Then Mark tried to eat his Streets ticket whole, and nearly succeeded too. Woke up so hungover with an email from Mark telling me he had bought the domain for our boob project. It never happened. Good night, goodnight
19. Tame Impala
As the second time I was seeing these modern-day Australian heroes, I was expecting a good show, but not one of the best show of the festival—which it was. What makes this even more unlikely, is that main member Kevin Parker was very sick, coming onto the stage late and leaving early. However, this may have made it even better, a quick performance, much more direct and potent. The music was so cd quality and accurate, you could almost accuse them of using a backtrack except for the extended jams which broke out in the middle of each song. Kevin's voice was heavenly, betraying no signs of illness. The visuals consisted of, like, a heart monitor attached to the guitar, reacting each time a string was plucked. And when it was all over, I walked away elevated and in awe. How these young dudes own the scene like they do is incomprehensible.
18. Crystal Castles
Partners in Crime: Ammr; Isabel; Kris; Sophie
It was the night before my birthday and God knows how I got a ticket, because it was sold out and I didn't have one that morning. Thanks to whoever. I guess because of this, I was in a great mood, and so while my mates weren't really feeling the vibe, complaining about the sound and hanging back and whatnot, I loved it and marched onwards until I was right at the front. There, I fell deeper and deeper in love with Alice Glass. The sound was album quality from where I was standing. She jumped into the crowd and people were grabbing her ass and she was loving it, so I grabbed her ass too, whatever. Near the end she took a bottle of Jack Daniels and poured it into people's mouths, so I opened my mouth like a hungry infant bird, and she filled it to the brim. Was a special moment, don't remember much after that, happy fucking birthday to me.
17. PJ Harvey
Venue: Royal Albert Hall
As my first and (as of yet) only show at the Royal Albert Hall, anyone will tell you it's a different sort of experience. The entire venue sits with glasses of wine. Nobody moves. PJ Harvey comes on. Everyone claps politely. Everything falls dead silent and we wait. Nobody moves. She plays an amazing song. Nobody dances. Nobody even stands up. She finishes. Everyone claps politely. Everything falls dead silent and we wait. Repeat. I yearned to shout "I LOVE YOU POLLY" between songs because it would have been the only sound at time, but I felt that would've been embarrassingly unsophisticated of me. Regardless, she pretty much only played songs from Let England Shake, which was fine by me. After the show, I had to pee so badly but due to the crowded bathrooms and my fear of urinals, I couldn't do it and had to walk around the streets bursting for half an hour until I found a secluded spot. Was a nightmare, but as soon as the distracting urine had left me, the memory of the show flooded back and I knew that PJ Harvey was one of the best female artists in the world, by fucking far. God, I love her.
16. System of a Down
Having seen SOAD before, I was pretty amped, so I pushed to the front and waited. And they did not fail, playing all their classics with all their quirks, never once doing anything I didn't like. Except I was getting pummelled! People kept diving over me and their sneakers were smashing into my face. Every time a security guard handed out water, some douche would throw it into the air, getting everyone around them wet. So after a while of being smashed up and soaking to my boxers, I figured it would probably be much more enjoyable to back up a bit. I took a few steps and BAM, into the middle of a moshpit. I got knocked around like OMFG WHAT'S HAPPENING, so I tried to back up some more and BAM, straight into another moshpit. Repeat this about four times until I finally found safety, miles away from where I started. Still, the feeling like I had been in a washing machine coupled with such a quality performance was so brilliantly exhausting that I doubted I could even enjoy the rest of the festival. That's when you know you've seen a good band. When you get beaten up.
15. Glassjaw
Venue: HMV Forum
As historically one of the most influential artists on my own musical journey, I was distraught when we arrived late, the band jumping onto the stage while we were still at the cloakroom. So I developed a plan. A moshpit had broken out near the front, and I tapped people on the shoulder to ask them nicely "sorry, do you mind if I push passed you? I need to join the madness over there." Surprisingly, everyone was super friendly, letting me all the way through, reaching the pit in two minutes. Then I casually strolled across the middle of the chaos unharmed, and I was at the very front in record time. Glassjaw themselves were indescribable, playing all my favourite songs, but it was their encore which was the most special. Instead of performing anything recognisable, they played their Coloring Book EP in its entirety, and when they finished, they announced that every single one of us would be receiving a copy of that very EP for free, and we did. I had been waiting just under a decade to see these guys live, and it was better than I could have ever hoped.
14. Dillinger Escape Plan
Partners in Crime: Adam; Diego; Sam
I managed to get right to the front, and my whole life turned upside down. The standard was set when Ben Weinman smashed his guitar into his forehead within the first few seconds of the gig, blood pouring down his face, each song looking closer and closer to passing out without ever lifting his foot off the acceleration. Absolute chaos everywhere as we tried to dance to math beats and failed miserably. Singer Greg jumped into the crowd right next to me and I grabbed his arm. He retaliated by shoving the mic deep into my face and I scream as loud as I could, chuffed to know that for a second, I performed at the O2, stoked. I can't really describe the whirlwind of this show, except that Mastodon played next but I was so tired I couldn't even enjoy them. Dillinger ruined Mastodon. That says a lot. Mad respect to this band for destroying me in that way.
13. Odd Future Wolf Gang Kill Them All
Partners in Crime: Adam; Trish
Despite being surrounded by various gangster-looking-types, me and Adam pushed right to the front of the barrier, because we're the true gangsters. Although this may have been a mistake, as the pressure from the crowd behind us was unlike anything I've ever felt before or since. Shit got crazy, so many songs, so many rappers, so much jealousy that these little kids command a crowd like they do. Tyler had a broken ankle, but that didn't stop him from stage diving right on top of my head, and I enjoyed it, no homo. The group kept playing and playing and playing until the venue was forced to cut the power to the stage. After the show, both me and Adam had huge bruises all down our sides, I couldn't sit up properly for a week, and for a while we were both convinced we had broken a rib. Somehow, the skin from all my knuckles had been torn off and they bled profusely. One of the most injured I've ever left a show, and for that reason, I hold onto the memory dearly.
12. Deftones
Less than a year after former bassist Chi's tragic car accident, it was interesting for me to see that Deftones seemed so incredibly happy. Chino danced around, jumping on and off this table thing he had set up, whilst calling British people miserable and laughing at us. It was nice to see, but despite the fun in amongst the roaring riffs and screams, the crowd had not forgotten, as we chanted CHI CHI CHI on a regular basis. I felt sorry for Sergio (Chi's replacement), but even this vibe came from the right place. At the end Chino jumped near the front of the crowd and started high-fiving people, one of which was me, and I promptly licked my hand, never to wash it again. I have seen them twice since then, but I feel this was the best show I have witnessed of theirs, and as they are pretty much the most consistent band in modern times (remaining one of my favourites since 2000), it meant a lot.
11. Die Antwoord
Partners in Crime: Adam; Di-Di; Jenny; Lizzie; Mark; Paul
A tough one for me, as it was the third time I'd seen this outfit, and each occasion was crazy special. For example, the first time at LED Festival 2010 is where I met my girlfriend. Or the second time, at Scala the same year is when Ninja jumped onto my head and smashed my glasses. But while each performance was memorable for its own reasons, I remember leaving this particular show thinking it was the best. Why? I have no fucking idea! I was so drunk! I hardly remember anything at all! So, yeah, cool story, bro. They played a new song called Pitbul though, so that was nice, I think. Anyways, I adore this band more than anyone, and Yolandi does something deep inside of me that alone deserves them this spot. Fuck you, it's my list.
10. Noisia
Venue: mau5trap Warehouse Party, The Sidings
Partners in Crime: Cleo; Lizzie; Loose; Mark; Narinda; Paul
Not much! Loose was on a love mission, hugging everyone and everything, including a dude taking a pee in the urinal. He didn't like that. The venue was incredible, a proper warehouse, sweat dripping off the ceiling, everyone taking more and more clothes off, looking more and more wet and sexy—a total music video scene. Two stages, Noisia on the one side, Foreign Beggars on the other, the whole thing lasting until after sunrise. Pretty fucking rad if you ask me. But despite the holes in my memory, and despite the guy overdosing near the end surrounded by medics, it was probably the most fun I have ever had in London. I was sick for weeks afterwards, which should be some sort of an indication as to what I'm talking about.
09. Bob Dylan
Venue: O2 Arena
I accidentally ate a potent weed brownie ten minutes before I left the house, and so by the time we reached the building, I was all kinds of stoned. We were right at the back of the biggest venue in London, and I was so messed up I could hardly see my hands in front of me let alone the stage, which definitely put an interesting twist on the whole experience. The funniest thing about modern day Dylan is that his voice is so worn out and he has changed each of his songs so drastically, that you don't recognise a single tune until he mumbles the line "like a rolling stone..." or whatever, and you go "oh yeah, I know this one." But more than anything, it was that we were in the same room as Bob Fucking Dylan, one of the greatest songwriters in history, and thankfully some friendly people lent me their binoculars for a while so I could get a good look at the man himself. I remember very little other than that, except getting home only to find everyone else who had ingested the magic brownies passed out on the floor, claiming they fell asleep the moment I left, in awe that I managed to go to a show while they couldn't even move. They didn't understand. I had seen a god that night.
08. Muse
After what can only be described as a wet-dream line-up for South Africa (including Good Charlotte, Kaiser Chiefs, 30 Seconds to Mars, and Chris Cornell), I bumped into an ex-girlfriend who I'd broken up with a week previous. Luckily, we were both super drunk, so that little fact didn't bother us. Instead, she stood in front of me while I put my arms around her, and then for some reason, another girl I didn't know put her arms around me, and we stayed that way for the whole performance. Sandwiched between two pretty girls was a great way to start the show, but wasn't even the main reason as to why it was such a good experience. What really mattered was Muse themselves, and as a band who have been named the Best British Live Act twice by the Brit Awards, they fully lived up to the hype with huge lights, impeccable musicianship, and such epic emotions in my gut that I sang using the loudest falsetto I could muster until my throat took a shit and died. I remember very little, except for at least a year following, I told everyone it was the greatest show I'd ever seen. And I'd kill to see them again.
07. Jay-Z
Venue: Hyde Park, Wireless Festival 2010
Having already seen Slash, Friendly Fires and Lily Allen, as well as eating random food I found on the ground, it goes without saying that I was super drunk by this point. So drunk, in fact, that I pissed in a bottle and shamefully threw it backwards into the crowd, because I'm an asshole when I'm trashed. So it was already an amazing day, but Jay-Z was the definite highlight. He kept doing this thing where the music would stop and he'd rap a capella faster and faster until he'd fuck it up, as if sabotaging himself. Incredible. But the best aspect for me was how many white boys felt completely comfortable with shouting the n-word along with the music as loud as possible, one of the very few situations you could get away with such behaviour. Even if my memory is hazy, I do recall thinking "Jay-Z is the best rapper alive". I mean, maybe he's not, but I really did think that anyway.
06. Pixies
Venue: Troxy
Partners in Crime: Ammr; The Freewheelin' Troubadour; Mike
Some shows are more about the band over the experience, and as I only discovered the Pixies after their original dissolution (fast becoming one of my all time favourites), the concept of seeing these legends live seemed unattainable. And yet there I was, drinking an unhealthy concoction of beer and the (then) legal plant food drug. Because of this, I don't have much memory except that they played all the hits (lol, as if they have anything else) managing to cover an epic 29 song setlist in front of my melting face. Especially now that Kim Deal has left, it meant the world that I saw them as the group they were always meant to be, and I was quick to tell my friends that Pixies were "the best band I've ever seen live". Perhaps this list may suggest otherwise, but I also went to the Bizarre Ball the very next day, resulting in one of the best weekends of my life, really.
05. Amanda Palmer
I could write an essay (and nearly did) about why this show was so fucking incredible, but for your sake, here are 10 quick reasons why Amanda is the greatest: (1) I tweeted Palmer letting her know that I was coming without a ticket or any friends. She answered with "it'll happen", so I made it happen. (2) She played Theatre is Evil songs with her band, but also some solo stuff, even sometimes alone on a ukelele. (3) She shared the stage with other artists, including a circus act and a girl named Kate Miller-Heidke, who played her hilarious song Are You Fucking Kidding Me?, check it out. (4) They covered Common People. (5) Every lyric she ever sings feels genuine and clever. (6) Amanda is a force as a woman artist without being a preachy feminist. She leads as a joyful example and is what I consider the epitome of a strong female, free with her body and sexual expression. (7) Despite being the star of the show, she shares the spotlight with her band generously. (8) She uses her music as a weapon, either to get out of her contract with Roadrunner, or to attack the Daily Mail, which was the highlight of the whole fucking show by far. Watch it. She gets naked. (9) She has a huge connection with her fans, managing to raise over a $million on Kickstarter for a reason, and communicating with hundreds of us via Twitter on a daily basis. (10) Never before have I been to a show where I was the only person in the room, and I know everyone else felt the same way. She had us all in the palm(er) of her hand, I actually felt depressed when I left the venue, and yet I reckon the best from this artist is still to come.
04. Red Hot Chili Peppers
Partners in Crime: Adam; Alan; Carike; Mark; Paul
Paul got the wrong ticket, so he was forced into the seated area, while I couldn't find the cloakroom, and had to wear my backpack the whole show. Regardless, we managed to push to the front, which in the Arena, is no easy task. If this doesn't seem impossible enough, Paul broke into the VIP area and then casually strolled onto the main floor to join us, which was so ninja. If you know the Arena, you'll understand how insane this is. At some point I realised I had been pick-pocketed and my iPhone was gone, but none of this could detract from the point: Chili Peppers were on fire. They played all the hits, and trust me, I know every single one (as does everyone, I suppose). Flea was doing handstands and there were extended jams, while Anthony busted moves way past his age should allow. Even when Josh fucked up and Flea got angry, the whole thing left me so far beyond satisfied, especially coming from a band who doesn't exactly have the best live reputation. I am a super fan, and they even played They're Red Hot in the encore which made me pee a little with excitement. I can barely even think about it now.
03. Faith No More
Partners in Crime: All By Myself (mostly)
When my friends opted to watch Mötley Crüe instead, I couldn't believe how fucking stupid they were. This is because Faith No More had been broken up for over 10 years, so the chance to see them live seemed like one of those "I'll never get to do that" type deals. Whatever. Armed with my excitement, I pushed to the front and awaited to see one of my favourite bands ever, alone. The moment Mike Patton hobbled out wearing a red suit and leaning on a walking-stick, mocking themselves as an old band, I knew this was going to be a different sort of show. And it was, as they blasted through an energetic set including their own rendition of Lady Gaga's Poker Face. Mid-gig, my friends somehow pushed through the huge crowd right up behind me, which I still don't completely understand. Even when it was over, everyone kept singing their tunes throughout the night with smiles on their faces, because we all knew we'd just witnessed legends; one of the main pioneers of alternative metal, who inspired more bands than people realise. That is to say (and as I've already said in entry #47) I am in love with Mike Patton, and this was all way too much for my poor little heart and kidneys.
02. Rage Against The Machine
Partners in Crime: Paul
As one of my first weekends in London, this story extends further than just this legendary band. My mate got us into Reading for free, which is a rad but long story. Caught the end of Queens of the Stone Age, and then Rage came out in prisoner uniforms with bags over the heads. The crowd lost their fucking shit. Every song was like a bomb, complete with political preachiness thrown in for good measure. Their aggression leaked into the crowd, and people moshed into each other, pressure from all sides, some guy pushed me around and Paul even got into a fist-fight. It was by no means a friendly show, which matched the mood perfectly. And despite drummer Brad fucking up a few times (much to Zack's dismay), nothing could ruin the experience of a band who had only recently got back together after a seven year hiatus. The rest of the weekend was filled with trance parties, Notting Hill carnival, and other such things I don't care to mention here, but the whole time all I could think was "is this what London is like? I don't think I can handle it..."
01. Radiohead
Venue: Bramham Park, Leeds Festival 2009
I was so broke that Adam paid for everything, which should give you some idea as to why he is my number 1 gig buddy ever (just look how many times his name appears on this list). We left in a panic, nearly missing our bus, cutting time very fine as it's a long trip. As soon as we arrived we ran around until we found the main stage, literally seconds to spare as Radiohead started. Yet we still got the front, which is one of my proudest gig achievements to date. At the time, Radiohead were my favourite band, so it was orgasmic, the crowd sang Every Single Word so loud that there were songs when you couldn't even hear Thom. The vibe of crowd-unity for this band was so thick you could keep warm with it. During You And Whose Army?, Thom had a camera zoomed in on his eye. He then simply raised one eyebrow, and the crowd went mental. Only Thom Yorke could make 50,000 people shit their pants with his eyebrow. It ended with a girl telling me I stank, but I didn't care—how could I? Because me and Adam both agreed that this was the best thing we'd ever seen, and still is, to this day, unchallenged. I get choked up when I watch videos from the show, despite the fact that I have since lost a lot of interest in this band, but such is life.
People in London love to complain, because they don't get enough vitamin D in their lives, and that makes humans miserable. Yeah, sure, the weather sucks, the tube is overcrowded, and nobody ever says hello ... but these are small prices to pay in exchange for the events and opportunities we are granted here on a yearly basis. Pretty much every band in the world stops here on tour, there is at least one good show every week, and that makes us spoilt for choice. There have been times where a band I adore will come and play in this city, but I'll miss it because I'm tired and I'd rather stay in bed. Which is as sad as it is awesome. I guess my point is: stop your bitching, London. Go to more gigs and then write blogs about them because the internet is really fast here and it doesn't take very long to upload.
Next 50, here I come!
Hidden Track (20 near misses)
Beastie Boys (not full set) (Big Day Out; 23/01/05)
The Hives (Big Day Out; 23/01/05)
Hatebreed (Brisbane Convention Center; 24/01/05)
30 Seconds To Mars (My Coke Fest, Kenilworth Racecourse; 24/03/08)
Chris Cornell (My Coke Fest, Kenilworth Racecourse; 24/03/08)
In Flames (Astoria; 01/10/08)
Rancid (Astoria; 16/11/08)
Neon Indian (Camp Basement; 20/05/10)
Bloody Beetroots (LED Festival, Victoria Park; 27/08/10)
Aphex Twin (LED Festival, Victoria Park; 28/08/10)
Vampire Weekend (Alexandra Palace; 03/12/10)
The Chemical Brothers (Hyde Park, Wireless Festival; 02/07/11)
James Blake (Field Day; 06/08/11)
Jamie Woon (Field Day; 06/08/11)
Mastodon (Brixton O2; 11/02/12)
Robag Wruhme (Electwickskirt Studio Space; 30/03/13)
Modeselektor (Roundhouse; 17/05/13)
Frank Turner (Reading; 23/08/13)
Earlwolf (Reading; 24/08/13)
Charli XCX (Reading; 25/08/13)
Labels: Jared Woods , Juice Nothing Article , Music
An Ode To Divorce


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Home GCC Kuwait Energy firms gain room to breathe in Kuwait
Energy firms gain room to breathe in Kuwait
17 February 2010 12:00 AM By Meed
The Shell deal shows that Kuwait's Supreme Petroleum Council is proceeding with real purpose
The news this week that the UK/Dutch Shell Group has signed an enhanced technical services agreement (ETSA) with state oil and gas developer Kuwait Oil Company is a sign that the emirate's energy sector is at last being given room to breathe.
The contract, the first of its kind in Kuwait, will see Shell work on the development of oil and gas fields. It is the first international oil company to sign up for work in the country since technical service agreements, the predecessors to the ETSAs, were allowed to lapse in 2008 and 2009.
The deal came after Emir Sheikh Sabah al-Ahmed al-Jaber al-Sabah issued a decree for the formation of a new Supreme Petroleum Council on 3 February. The emirate's highest decision-masking body for the oil and gas sector had to approve the Shell deal, and the fact that it did this so quickly shows it is proceeding with a real sense of purpose.
The council will meet with executives from state refiner Kuwait National Petroleum Corp-oration (KNPC) before the end of March to discuss the fate of a planned $15bn refinery at Al-Zour. Insiders are hopeful the scheme will also be given the go-ahead.
The development of the new refinery has become mired in controversy in recent years as opposition politicians questioned every move that Kuwait Petroleum Corporation, KNPC's parent company, made.
But the decision by Prime Minister Sheikhs Nasser Mohamed al-Ahmed al-Sabah to accede to parliamentary questioning in December emboldened the government and the recent passing of a five-year economic development plan will also have boosted confidence within government that its plans will be achieved.
It is difficult for observers to share that confidence, given the history of missed deadlines in the state, but things are now at least moving in the right direction.
SNC Lavalin to assist with Kuwait refinery commissioning
05 January 2020 7:44 AM By Wil Crisp
The Al-Zour refinery is due to become partially operational in the second half of 2020
Jurassic production facilities tender expected in January
02 January 2020 10:51 AM By Wil Crisp
Kuwait Oil Company packages are estimated to be worth a total of $900m
Al-Zour refinery commissioning to start in second quarter
30 December 2019 10:56 AM By Wil Crisp
Kuwait's $16bn megaproject is due to begin operations in the second half of 2020
Local contractor bids low on Kuwait refinery contract
29 December 2019 1:28 PM By Wil Crisp
Contract includes maintaining liquid gas projection facilities

redpajama_set_name: RedPajamaCommonCrawl


Indonesia is an immense country, and each of its islands is unique. I've only been to two — Bali and Gili Trawanagan (affectionately known as Gili T).
Bali is getting spoilt … while you can still find the "real Bali" in a few places, the main sites are very crowded and very touristy, and I don't just mean Kuta. I found the touts on the streets to be particularly relentless; the only place I've seen worse is in northern Viet Nam. In Ubud it is a little nicer, as most of the taxi touts will just hold up a sign asking you if you want a ride, rather than follow you down the street as they do in Seminyak, for example.
I was also a little disappointed in the beaches in Bali. It depends on the time of year that you go, but in March there was a lot of runoff from the heavy rains, and that meant the sea was a little dirty with floating garbage (not with worse, I hope). The current is strong at Seminyak, so not the best for kids. Families tend to prefer Sanur, but keep in mind the tide goes waaaaay out here, so wading is fine, but swimming less so.
Ubud is a can't miss on a visit to Bali, but everyone else knows this too.
My advice for Bali is to stay outside the main touristy spots, and take day trips to see the highlights. Here's an overview on where. Spend as much of your time as you can near the rice fields — they are spectacularly green — and talk to villagers. The Balinese culture is lovely.
Need to know — Balinese culture (for LuxuryAndBoutiqueHotels.com).
Review of Villa Sungai for LuxuryAndBoutiqueHotels.com: in a real Balinese village in the south of Bali, Villa Sungai is one of the finest hotels in the world and is one of LuxuryAndBoutiqueHotels.com's Top 8 Worldwide Hotels.
Villa Sungai feature for Luxury Travelers Guide.
Review of Chapung SeBali for LuxuryAndBoutiqueHotels.com: just outside of Ubud near the village of SeBali, this luxe eight-suite villa hotel features immense villas with private pools.
Review of Mahagiri Villas for LuxuryAndBoutiqueHotels.com: in Sanur, a villa hotel designed for privacy — have breakfast delivered to eat beside your private pool!
Review of Pondok Ayu for LuxuryAndBoutiqueHotels.com: also in Sanur, a five-room boutique hotel very popular with families and returning guests.
Review of Villa Kresna for LuxuryAndBoutiqueHotels.com: near the beach in Seminyak, Villa Kresna has a hotel and a villa location, and both are surprisingly quiet for such a busy town.
Gili T is the largest and most popular of the three main Gili islands ("gili" means island). The other two are Gili Meno and Gili Air.
While Gili T has a reputation as a party island, this is changing and there are several places to stay on the northwestern part of the island that are quiet. I've written It's Time for Upscale Travellers to Discover Gili T for LuxuryAndBoutiqueHotels.com which gives restaurant advice too.
These islands have some great scuba diving and it is some of the least expensive in the world. If you want to learn how to dive, or take specialization courses, Gili T is the place to do it. The dive shops all work together to protect the reefs and have set prices, so there is no price cutting (and therefore safety risks).
If swimming or snorkelling off the beach is important to you, you need to pick your spot carefully. While the sunsets are absolutely spectacular, the water on the western side of Gili T is generally too shallow for swimming.
On the northwest and northern sides, you can't swim well at low tide, and at other times of the day you'll need to walk out about 30 meters before water approaches swimming depth. Do make the effort though, as there is some fantastic snorkelling off this part of the island, including big turtles.
The water on the southern part of the island is deeper (the boats are all anchored here) and the sand softer. This is also "downtown Gili T" and the road along the beach is packed with shops, restaurants and accommodations in a range of quality.
You might want to bring reef shoes — Gili fisherman used to use dynamite for fishing, destroying a lot of the corals off the island. They are in much better shape now, but much of the dead coral is is small pieces along the water's edge. It will gradually break down, but until then bathers walk gingerly over it in many spots on the island.
My overview of Gili Trawanagan should help you decide if this is the right Indonesian island for you.
Review of Wilson's Retreat: A top notch boutique hotel on the quietest part of Gili T, with fantastic food.
Review of Hotel Ombak Sunset: Best sunsets on the island at a wide beach; while the water is too shallow for swimming, the hotel makes up for it with the biggest pool on the island.
Review of Villa Grasia: A small boutique hotel great for families. Great snorkelling offshore.
I was trying to decide on a trip to Thailand or Indonesia for my honeymoon, and thanks to you I'm choosing Indonesia! Villa Sungai looks awesome too.
You will very much enjoy Villa Sungai — it is the perfect place for a honeymoon, Allison! Thailand is lovely too, but Indonesia is really unique from island to island. I've only seen a small portion of the country, but hope to explore more soon.
I'm afraid I didn't try surfing while I was there, so I'm not the one to trust for that information. I did see a large number of surfing schools advertised though. Have fun!


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The 2009 GP Miguel Induráin was the 56th edition of the GP Miguel Induráin cycle race and was held on 4 April 2009. The race started and finished in Estella. The race was won by David de la Fuente.

General classification

References

2009
2009 in Spanish road cycling

redpajama_set_name: RedPajamaWikipedia


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Category Archives: Hednesford
News – Hednesford Signal Box & Harper's Buses
Hednesford's No.1 signal box will be transformed into a classroom by college students.
The box was moved to Hednesford Park earlier this year and will be restored by construction students from South Staffordshire College before being put to use as a community hub.
The group, aged 16 to 19, will be painting, decorating, repairing and guttering the box as well as removing its windows and replacing them with wooden frames.
The work will be undertaken in partnership with Cannock Chase Council, the Friends of Hednesford Park and local residents.
The work is due to start in September and teacher David Dew will oversee the restoration.
http://www.friendsofhednesfordpark.org.uk/
Aston Manor Road Transport Museum (AMRTM)
For years they had been left to rot in an old barn hundreds of miles away, but now a pair of vintage buses manufactured in the Black Country have returned home to be restored to their former glory.
The coaches came off the production line at Guy Motors Ltd. factory in Fallings Park, Wolverhampton in 1959 and were bought by the Heath Hayes firm Harper Brothers to carry passengers on day trips to the coast. After eleven years of service they were sold to a scout group in Northern Ireland in 1971 and re-deployed to ship youngsters from their headquarters in Limerick to scout camps across the country.
Three years ago it emerged that the 52-seat coaches were stranded in a barn on the outskirts of Dublin in a dreadful condition, their once gleaming distinctive green and yellow paintwork peeled away and tarnished by rust, polished interiors now sullied and engines dead to the world.
But thanks to the generosity of their former owner and an un-named benefactor the buses are back on home soil, having arrived at the Aston Manor Road Transport Museum in Aldridge, after being loaded onto large flat-bed lorries and transported across the Irish Sea.
Three AMRTM Guy Arab LUF vehicles together at last. L to R, the former 1292RE, former 1291RE (ex-Harper's 58/57, both Willowbrook Viking bodies), LJW336, the ex-Guy demonstrator with SARO body. Having got both the Harpers home, we'll be appealing again for funds to allow the museum to start restoration of one, at least – and calling in past promises. Let's see how popular our formal local operator really is!
http://www.amrtm.org
From the Cannock Chronicle: http://yourchronicle.com/
Posted in Hednesford, News
Tagged Aldridge, AMRTM, Aston Manor Road Transport Museum, Cannock Chase Council, Friends of Hednesford Park, Guy Motors Ltd., Harper Bros, Hednesford, Hednesford No.1 Signal Box, Hednesford Park, Northern Ireland, Staffordshire
Hednesford News – The Dedication of the third phase of the miners' memorial
Hednesford News
Hope the weather's better than today!
The Dedication of the third phase of the miners' memorial in Hednesford takes place this Saturday, 26th April, at 2.00pm. The Service will be led by the Rt. Rev. Nigel McCulloch, KCVO.
A further 913 named bricks, remembering those who worked in the Cannock Chase coalfields, have been laid around the grass areas by the clock tower in the town centre and adjacent to the iconic Davy Lamp.
All those who have bought a brick have been invited to Saturday's dedication, which is open to the general public. It is hoped that hundreds will turn up.
Rugeley Power Station Band will perform, while Cannock Chase Orpheus Male Choir will sing, among other things, the miners' hymn 'Take me Home'. Local man, lay preacher and past miner Jim Bullock will be taking part, as will Deputy Lieutenant of Staffordshire, Mr. Anthony Winterton.
Market Street will be closed to traffic from noon. Members of the Chase Arts in Public Spaces (Chaps) committee and Hednesford Lions Club will be acting as stewards and handing out Order of Service sheets, which families will be able to keep as a memento.
After the service, copies of the book 'A Lasting Tribute' will be on sale at £5.00 per copy, with inserts containing the names of all included in this latest phase. These will be sold from the large room at the rear of the Light Works arcade. Refreshments will also be available within the Light Works.
Posted in Hednesford
Tagged Aldridge, Bloxwich, Brownhills, Burntwood, Cannock, Cannock Chase Mining Historical Society, Chasetown, Cheslyn Hay, Great Wyrley, Hazel Slade, Heath Hayes, Hednesford, Lichfield, Norton Canes, Pelsall, Staffordshire, The Dedication of the third phase of the miners' memorial, Walsall, Walsall Wood, Wolverhampton
Hednesford Park News – Easter Treasure Hunt Tuesday 22nd April 2014
Hednesford Park News
Easter Treasure Hunt Tuesday 22nd April 2014
Please accept our SINCERE apologies for not updating the Easter Treasure Hunt Details for over the Easter Holidays.
Our bunnies and chicks are all bouncing about in anticipation for next weeks Easter Treasure Hunt.
TUESDAY 22nd at 11am – 1pm, which gives everyone chance to get round. Easter activities in the pavilion. See the bunny at the gates pictured for your treasure map and clues.
Posted in Events, Hednesford
Tagged Cannock, Easter Holidays, Easter Treasure Hunt, Hazel Slade, Hednesford, Hednesford Park, Hednesford Park News
Hednesford News – Museum of Cannock Chase – Transformed gallery opens doors to visitors
Hednesford News – Museum of Cannock Chase
Transformed gallery opens doors to visitors
Published on Thursday 3rd April 2014
A GALLERY celebrating the mining heritage of Cannock Chase has opened its doors following a £150,000 transformation.
Mining Memories, at The Museum of Cannock Chase, provides a new, permanent coal mining gallery for the local community, allowing people to experience a 'day in the life' of a miner and explore features of the mines. Visitors can try out interactive displays including a crawl-through tunnel.
The project, which received a £97,600 grant from the Heritage Lottery Fund, has also created an education package to make sure people of all ages get the maximum benefit from their experience at the museum.
Stuart Murray, Chief Executive of leisure and culture provider WLCT which manages the museum, said: "Mining Memories is a spectacular exhibition which brings the history of the Cannock Chase coalfield to life, providing a place for local people to go to reminisce and for young people in particular to learn about this important part of the district's heritage. I'm delighted that we have been able to bring this project to fruition."
Councillors were invited to visit the gallery earlier this week for a sneak preview of the gallery.
Councillor Christine Mitchell, Leader of Culture and Sport said: "The newly transformed gallery is a wonderful exhibition which captures the mining history of our District and brings it to life. I would encourage everyone to visit the Museum and find out about the District's heritage."
Reyahn King, Head of Heritage Lottery Fund West Midlands, said: "Coal mining was the backbone of the local economy and now the stories of the miners and the communities it supported can be told, in an imaginative and engaging way, especially to the younger generation."
A special event celebrating the opening of the new gallery is being planned for June 28.
The museum is open from Monday-Friday, 11am-4pm (last admission 3.30pm) until Good Friday. From Easter Saturday until the end of September it is open daily, 11am-5pm (last admission 4.30pm).
For full details of opening hours, visit http://www.wlct.org/museumofcannockchase
Tagged Aldridge, Bloxwich, Brownhills, Burntwood, Cannock, CCMHS, Chasetown, Cheslyn Hay, Coal Mining, Great Wyrley, Hazel Slade, Heath Hayes, Hednesford, Heritage Lottery Fund, Lichfield, Mining Memories, Norton Canes, Pelsall, Staffordshire, The Museum of Cannock Chase, Walsall, Walsall Wood, WLCT, Wolverhampton
The Friends of Hednesford Park – Maypole Throne Making Course
The Friends of Hednesford Park
Maypole Throne Making Course
Maypole practise Hednesford – 1945-1955
The Friends of Hednesford Park are reviving the Hednesford Maypole Event on Saturday 10th May. If you would like to take part in the Throne Making Course provided by 'The Forest of Mercia' in Hednesford Park at 10am THIS Saturday, 5th April, please ring 07896 239717 to book a place. All welcome, no restrictions.
We request you wear SENSIBLE clothes and bring a packed lunch. Refreshments will be provided.
Course at Hednesford Park Pavilion 10am – 3pm
We will be making the May King and Queen thrones for the event and also making Old Fashioned Games.
Greenwood Craft
The Forest of Mercia are coming to Hednesford Park to show us to how to make the Maypole Thrones for our Maypole Event.
Saturday 5th April 10am – 3pm at Hednesford Park Pavilion.
ALL WELCOME, NO restrictions, please wear sensible clothes and bring a packed lunch. Refreshments supplied!
Tagged Bridgtown, Burntwood, Cannock, Cannock Chase, Hazel Slade, Heath Hayes, Hednesford, Maypole Throne Making Course, Norton Canes, The Friends of Hednesford Park
Cannock Chase Mining Historical Society News
The first talk of this year will take place Wednesday 26th March 2014 at 3.00 p.m at our usual venue the Museum of Cannock Chase.
The talk will be by Alan Hill and is entitled the "Panama Canal"
The second talk will be on Wednesday 21st May 2014 at 3.00pm. Again at our usual venue the Museum of Cannock Chase.
The talk will be on "South Staffs Water" and will be given by David Moore.
All our talks are open to the general public so make an effort to attend and bring a friend.
Please see and note, the following has now been confirmed:
Hednesford Mining Memorial Phase III
Dedication Service
Saturday 26th April 2014 – 2pm
Tagged Aldridge, Bloxwich, Brownhills, Burntwood, Cannock, Cannock Chase Mining Historical Society, CCMHS, Chasetown, Cheslyn Hay, Coal Mining, Great Wyrley, Heath Hayes, Hednesford, Hednesford Mining Memorial Phase III, Lichfield, Museum of Cannock Chase, Norton Canes, Pelsall, Staffordshire, Walsall, Wolverhampton
Hednesford Signal Box News Progress Updates LATEST NEWS – 12 February 2014
Hednesford Signal Box News
LATEST NEWS – 12 February 2014
Hednesford No.1 Signal Box in busy days with West Cannock Colliery Sidings behind it. – Pic Chasewater Railway Museum Collection.
SIGNAL BOX – Network Rail have advised that the relocation of the signal box will take place this coming Sunday 16th Feb. (Strong winds permitting)
The lifting operation will take place from approximateley 7am when the box will be lifted from its brick base and over the railway lines onto a trailer located at the rear of the new supermarket development. After securing the signal box to the trailer and derigging the crane both vehicles will then drive along Victoria Street and Rugeley Road to enter the car park adjacent to the tennis courts.
The crane will reverse down to the pavilion followed by the trailer and after setting up the crane the signal box will be lifted over the pavilion into its new location. The offloading should start around midday dependant on progress of the first part of the operation.
The Rugeley Road car park will be closed most of the Sunday until the relocation has been completed and the crane and lorry have left site.
Any further changes will be advised
Tagged Aldridge, Bloxwich, Brownhills, Burntwood, Cannock, Chasetown, Cheslyn Hay, Great Wyrley, Hazel Slade, Heath Hayes, Hednesford, Hednesford No.1 Signal Box, Hednesford Park, Lichfield, Norton Canes, Pelsall, Signal Box, Staffordshire, Walsall, Walsall Wood, Wolverhampton
Walsall-Rugeley Chase Line Electrification
The Council have been pushing for this important transport scheme for many years, which will transform CannockChaseDistrict. As well as making the District more attractive for inward investment and job creation it will lead to more frequent, faster, quieter rail services from Cannock, Hednesford and Rugeley to Walsall and Birmingham. It will also help make the case to restore direct services to Stafford and potentially beyond to the North West and south to London.
Construction works are due to commence in November, with major bridge rebuilding at Station Road, Hednesford and on the access to the Chase Enterprise Centre.
Network Rail will produce information material for the project which will include fact sheets covering the following:
General Electrification
Walsall to RugeleyTrentValley
Individual sheets about the initial bridge reconstruction works (Station Road, Hednesford and Chase Enterprise Centre, Hednesford)
Network Rail will also produce posters for display at Stations along the route; they also intend to distribute invitation letters to residents etc. in the vicinity of the initial bridge re-constructions.
Councillor Gordon Alcott, Economic Development and Planning Portfolio Leader said, "Electrification of the Chase Line will see the biggest improvement to passenger services since the line was reopened in 1989. The rail service attracted an additional 100,000 passengers within the District in 2011/2 alone, with a total number of 700,000 per annum. This is the first electrification scheme in the West Midlands since the Cross City line to Lichfield was electrified 20 years ago and as well as benefiting passengers with faster, quieter, more frequent services, is set to make the District more attractive for investment. Whenever a railway line is electrified, the 'sparks effect' that follows always leads to a substantial increase in passenger numbers as well as economic benefits to an area.
Note: The Chase Line electrification project was announced by the Government in July 2012. Work will start in November 2013 and completion is planned for December 2017. The £30m project will involve electrifying the 15 mile, strategic missing link in the West Midlands electrified network between Walsall and Rugeley.
Tagged Birmingham, Bloxwich, Cannock, Cannock Chase, Chase Line, Chase Line electrification project, Cheslyn Hay, Electrification, Great Wyrley, Hednesford, Railways, Rugeley, Rugeley Trent Valley, Trent Valley, Walsall
Hednesford News – Hednesford tennis courts are a smash hit
Hednesford tennis courts are a smash hit
Published on Thursday 26th September 2013
Cannock Chase District Council unveiled the new tennis courts at HednesfordPark as part of a £3.1M Heritage Lottery Fund project yesterday.
Representatives from Cannock Chase District Council, Staffordshire Environmental Fund and Friends of Hednesford Park officially opened the brand new tennis courts at HednesfordPark, with a ribbon cutting ceremony on Wednesday 25th September.
This is the first phase of the project part funded by Staffordshire Environmental Fund and the Heritage Lottery Fund which has seen the five adult tennis courts being replaced with four adult tennis court and four junior courts all on one level with a new drainage system and new fencing with gates to allow access for all.
Cannock Chase District Council recently obtained £3.1M of Heritage Lottery Fund grant as part of the improvements to HednesfordPark and War Memorial. The full project will take several years to complete.
Councillor Christine Mitchell, Culture and Sport Portfolio Leader said "I am really pleased with the work that has taken place on the new tennis courts, they look fantastic. This is a great start to a really exciting project for HednesfordPark.
I hope this investment will help inspire the next generation of tennis stars and give this District the next Andy Murray."
Councillor Alan Dudson said "I am delighted to officially open the new tennis courts at HednesfordPark; this is a great facility for residents and just the start of a bigger project."
John Dutton, Chief Executive of Staffordshire Environment Fund said "We are happy to be involved in the project and hope this new facility will encourage young people and the community to take up tennis."
Hednesford Town FC continued their table-topping form today (5th October) with a 4-1 victory over Gloucester City at Keys Park.
www.hednesfordtownfc.com
Tagged Cannock, Cannock Chase, Chasetown, Cheslyn Hay, Heath Hayes, Hednesford, Hednesford Park, Hednesford Town FC, Heritage Lottery Fund, Norton Canes, Staffordshire, Tennis, Tennis Courts
Hednesford – New Tesco
Hednesford – New Tesco, a set on Flickr.
A series of photographs following the building of Tesco's new store in Hednesford.
The first 3 photos show part of the site before building work started, The bus station photo was by 'walsall1955'. The next 2 show the site after it was cleared, taken from Hednesford Hills.
The remaining photos show various stages in the construction, some taken from Hednesford Hills and some from across Hednesford Park.
The final pictures show the completed Tesco store and the new Aquarius building
Tagged Aquarius, Hednesford, Hednesford redevelopment, Staffordshire, Supermarket, Tesco


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Home Meet Our Team
Joanne Hayes
Publisher and CEO
Joanne Hayes is a more than 20 year veteran of the publishing industry, having worked as an Account Executive for an award-winning Journal Register Company newspaper group, Southern Rhode Island Newspapers, and as the Marketing Director of SO Rhode Island, a publication of the award-winning magazine company Providence Media.
Simply Buckhead Magazine was conceived by her company, ValueStream Media Group, and began publication in 2010, with Joanne at the helm as Publisher and Founder. A sister publication, 17th South Magazine, was launched in June 2016, the online news website BuckheadView was acquired in October 2016, and in May 2018 Atlanta Pet Life was added to the ValueStream Media Group family.
Joanne also currently serves as the Director at Large on the Board of Directors of the Buckhead Business Association.
Lisa Schoolcraft, Editor
Lisa Schoolcraft is a seasoned journalist and editor who now owns her own freelance business, Schoolcraft Ink LLC. Over her career, she has covered education, health care, real estate, government, economic development, retail development, transportation, police/crime, hospitality and more for such publications as the Atlanta Business Chronicle, the Jacksonville Business Journal, and The Brunswick News. She's interviewed the likes of Janet Reno, Hank Aaron, Ted Turner, Grace Hopper, Celestine Sibley, William Diehl, John Berendt, Julie Gerberding and Billy Joe Royal.
When she's not writing or editing stories, she's pursuing her bucket list of running a race in all 50 states. Some recent favorite ones include the Anchorage Half Marathon in Alaska, the Rock 'n' Roll Half Marathon in Denver, and the Run Crazy Horse half marathon in South Dakota.
Andi Counts, Creative Director
Andi Counts not only brings a depth of creativity to the table, but staying power and wisdom from a breadth of experience across numerous creative roles. A Florida State alum, who graduated magna cum laude with a bachelor of fine arts, her first job was as an art director with CCI, a trade and consumer magazine publisher whose brands at he time included Atlanta Magazine and Business Atlanta, next as the creative services manager at a high-tech firm and then as senior designer at a small design agency before starting her boutique agency, Veridian Design Group.
Publication design has always been her first love and recent titles include NW Georgia Living, Coastal Homes & Lifestyles, World Book Publishing, Atlanta House & Home and Atlanta Social Season magazines.
Andi can be found walking her Alaskan Malamute Sakari around downtown Kennesaw and up Kennesaw Mountain. She lives with her husband and son in a Victorian home under perpetual renovation.
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Inspiring Links
The Boehm Room
Visiting Group Accommodation
Morag Crespel
Musicianship Team, Reception/Key Stage One Classes
Born in Scotland, Morag studied at Aberdeen University and College of Education where she gained the Diploma in Teaching Music at both Primary and Secondary levels. Following a move to England, she then went on to complete the joint Post Graduate Diplomas in Educational Studies and Educational Management at Anglia Ruskin University. Having taught Music extensively in Scotland and England, latterly as Director of Music at Chelmsford County High School for Girls, Morag moved to Jersey in 2008 having been appointed to set up the Faculty of Performing Arts at Le Rocquier School. Her experience as a pianist, accompanist and conductor has seen her perform with various ensembles at The Royal Tournament, Earls Court, London, The Julliard School of Music, New York City, Capitol Hill Buildings, Washington and with the Royal Philharmonic Concert Orchestra at The Proms in the Park. Morag currently enjoys singing with The Holmchase Choir and The Jersey Island Singers.
Emmanuelle Dumas
Cello, Musicianship Team
Born in Montauban, France, Emmanuelle studied at the Guildhall School of Music and Drama at undergraduate and postgraduate level. Since moving to Jersey with Chris George in 2004, following completion of the Masters course, they have together initiated various musical activities on the island including three tours from the young professional London-based Emfeb orchestra, the establishment of the summer music course Musique et Aventure, the formation of the Jersey Chamber Orchestra and Music In Action, and together they manage the Jersey Academy of Music. Recent alumni successes include two cellists awarded entry into Chetham's School of Music, the UK's leading specialist music school for under 18s.
Grace Garnier
Grace was born and raised in Jersey, originally learning the piano from the age of six with Timothy De Quetteville. When she was thirteen she gained a place at the prestigious Chetham's School of Music, Manchester, where she had the opportunity to further her musical education as a pianist under the tutelage of John Gough. Whilst studying at Chetham's, Grace had the opportunity to perform at national venues as The Royal Northern College of Music, The Bridgewater Hall, The Royal Festival Hall and, most memorably, The Royal Albert Hall as part of the 2011 BBC Proms. Now based in Jersey, Grace is also an active participant in the musical community on the island. She is a busy accompanist, musical director of a choir and enthusiastic member of local band, Inside Job. Grace has been teaching piano on the island for six years, and would say that although her specialty is classical music, she also enjoys and teaches jazz and contemporary styles too.
Chris George
Piano, Grade 6-8 Theory
Born in Jersey, Chris George studied piano at the Guildhall School of Music and Drama at both undergraduate and postgraduate level. Since returning to the island following completion of the Masters course in 2004 he has been teaching and performing regularly on the island and overseas, including various performances locally with the Jersey Symphony Orchestra and the Jersey Chamber Orchestra. Through teaching he has taken several students through to conservatoire level entry, with former local students now studying piano at the Guildhall School of Music and Drama, the Royal College of Music, and Trinity School of Music.
Saxophone, Flute, Clarinet, Chamber Music
Andrew joined the Royal Marines Band Service in 1998 playing Flute/Piccolo and Saxophone. After completing three years training he was awarded the Prince's Badge for the best all round musician passing for duty. Andrew has since been the principal flute at the band of the Britannia Royal Naval College in Dartmouth, Portsmouth, Plymouth and Scotland. September 2011 saw Andrew being appointed the Flute and Saxophone instructor at the Royal Marines School of Music in Portsmouth. He also studied for a BMus(Hons) degree, performance Diplomas and a Teaching Diploma. He has been the assistant conductor at Emsworth Concert Band and has also conducted extensively at the Royal Marines School of Music. He has a keen interest in developing ensemble players and encouraging them to perform music together.
Claire Harvey
Flute, Piano, Theory, Recorder, Chamber Music, Designated Safeguarding Lead
Born in Jersey, Claire has been teaching flute on the Island for over twenty years. In 1994, Claire was the youngest winner of the Jersey Young Musician of the Year Competition and since then has performed regularly with the Jersey Symphony Orchestra, Jersey Chamber Orchestra, Jersey Festival Orchestra as well as with smaller ensembles. Alumni successes including several flautists being awarded places in the National Children's Wind Sinfonia and National Children's Orchestra of Great Britain. Many students have received musical scholarships to leading UK schools and achieved places on music courses at undergraduate level. To date, two of her students have won the Woodwind Heats of the PwC Jersey Young Musician of the Year Competition, with one taking the overall prize in 2016. The 2019 Junior Young Musician Woodwind Award also went to one of her students. Claire currently tutors Flutasia, a local flute choir which has performed on tour in Coutances, France, in Sark and at many venues and functions on the Island. In 2020 they will be performing at Wembley Arena ! https://flutasia.webs.com/. Claire is a keen supporter of the Jersey Eisteddfod, which provides an annual musical platform for local students as soloists and in ensembles. In addition, she has built links with many world-renowned flautists who have brought their expertise over to the Island in various masterclasses and workshops. Claire holds a BA (Hons) degree, two teaching diplomas through the Associated Board of the Royal Schools of Music, and a performance diploma. Recently, Claire qualified as a Level 3 Designated Safeguarding Lead.
Eva Hsieh
Percussion, Piano
Yin-Shan (Eva) Hsieh completed her Postgraduate diploma in advanced performance with distinction at the Royal College of Music in 2010. Highlights of her time at the RCM included giving a concerto performance with the RCM Sinfonietta and being selected to perform a solo recital as part of the Exhibition Road Music Day celebrations. Previously, Eva achieved a first class degree for her BMus(Hons) at Birmingham Conservatoire in 2008. In her time at the Conservatoire she made a considerable impact as a soloist; winning the Percussion Prize in 2004, the Winfred Micklam Prize in 2005, the Ludlow Concerto Prize in 2006, and the prestigious Symphony Hall Recital Prize in 2008. Further competition success includes winning the Chandos Young Musician competition in 2006 and being awarded third prize in the prestigious Bromsgrove International Young Musicians platform in 2010.
Nicki Kennedy
Nicki Kennedy read Spanish at Bristol University, where she was awarded a First Class Honours Degree. She studied singing as a post graduate at the Royal Scottish Academy of Music and Drama (Now the Conservatoire) and at the Royal College of Music, where she was awarded numerous prizes. In a solo career specialising primarily in Baroque and Classical music, solo highlights of the most recent years include concerts singing roles in Vivaldi's Il Catone, Dixit Dominus, In furore iustissimae irae and Giudita Triumphans with Modo Antiquo in Krakow, Mexico City, Rome, Florence, Beaune and Vienna, and concerts with Brook Street Band at the Wigmore Hall, St John's Smith Square and other festivals including appearances on BBC Radio 3's In Tune programme. Nicki has worked with a number of chamber ensembles including appearances with The Brook Street Band, The Dante Quartet and the Divertimenti Ensemble. She is an annual visitor to Guernsey where she has performed with the Guernsey Bach Choir for a number of years. Nicki has a varied discography to her name, not only as a soloist but also joining London's top session choirs to record pop and film soundtracks including many of the major Hollywood films, games and animations of the past 15 years, from Pirates of the Caribbean to the Harry Potter films. She is now a dedicated teacher, and was until recently Head of Singing at Gresham's School, teaching also on Rodolfus Choral Courses and National Youth Choir courses, as well as having taught undergraduate choral scholars at Cambridge University. She has also taught in France, Spain and the Czech Republic.
Young-Pyo Lee
Young Pyo Lee was born in Bordeaux, France. He studied at the Bordeaux Conservatory with Professors Jean-Luc Fort and Vladimir Nemtanu. Young Pyo moved to London in 2002 to study with Professors Yfrah Neaman and Jacqueline Ross at the Guildhall School of Music and Drama, where he completed Bachelor of Music, PostGraduate Diploma, Advanced Instrumental Studies, and Master of Music. During his studies he benefited from the advice of, among others, Professor Lewis Kaplan. Throughout this time, Young Pyo played in the Orchestre National Bordeaux-Aquitaine, the London Symphony Orchestra (as part of the LSO Strings Scheme) and the BBC Symphony Orchestra. He has taken part in Festivals such as Prussia Cove, the Holland Music Sessions, the Salzburg Mozarteum and Bowdoin (USA). As a chamber musician, he has performed in France, Spain, the USA, Switzerland, the UK, Cyprus, and the Czech Republic with the London Bela Trio, the Heath String Quartet and the Ensemble Z. Young-Pyo is a familiar face on Jersey, having taught on the summer music course Musique et Aventure since 2008. He combines teaching on the violin faculty of 'London Music Masters' with attending the Jersey Academy of Music on a weekly basis.
Benjamin Lewis
Cello, Chamber Music
Benjamin Orlando Lewis is a classically trained cellist who aims to produce music that speaks deeply to his audience. At a young age, he was inspired by the sound of a cello in a public place and has remained deeply connected with the instrument since. His musical studies began at the age of 8 in his hometown in Wales. Living in a very musical family, he was exposed to a broad range of musical genres. One defining moment which greatly shaped his hunger for the cello was at age twelve on holiday in Shropshire, he discovered 'The Bach Cello Suites' recorded by 'Pierre Fournier', he admired the artistry, depth and maturity in Fournier's playing and found fresh inspiration towards his future. After completing his studies with his teachers in Cardif, where he studied under Arthur Davies in cello and Simon Blake in drum kit, he enrolled at Trinity Laban Conservatoire of Music & Dance to study under Richard Markson, completing his studies this last semester. Further to these completed studies at institutions he is spending a year in post grad cello studies under the tutorship of Gerard Le Feuvre. Benjamin is an active advocate of the arts within his community, he has taught for 3 years in Canary Wharf at one of the Saturday schools, as well as being involved in various music groups performing in his locality. He hopes to continue to serve musically within a community and further his skills through education and various courses. Musically he follows many genres: Classical Music, Funk, Rock, Prog Rock, 20th Century among others.
Pippa Lumbard
Brass, Chamber Music
Born in Jersey, Pippa studied the French Horn initially at Middlesex University before transferring her studies to Trinity College of Music, gaining both an undergraduate & postgraduate diplomas in performance, plus a Licentiate in Brass Teaching. During her time in London she taught Brass and coached ensembles in many UK schools as well as working for Hertfordshire & Brent music services. She also worked for a period of time in event management at the Royal Albert Hall. Since returning to Jersey 12 years ago Pippa performs locally as well as teaching Brass and coaching ensembles at many of the private schools on the island.
Anthony Noel
Piano and Violin
Born in Jersey, Anthony graduated with BA Music and MA Musicology from Bristol University in 2007. Having spent a decade working in Bristol as performer and tutor, Anthony moved to Wells, Somerset to spend five further years working with primary schools and also with students from the world-renowned Wells Cathedral School, teaching piano, violin, guitar, mandolin and ukulele. As a recording artist of original material, Anthony has released four solo albums since 2010, critically acclaimed by the BBC, local media and the Musician's Union, and worked with many of Somerset's top recording musicians and studios, alongside playing as a session musician for other artists. As well as being classically trained, Anthony is also a specialist in folk music and popular styles and has lead folk sessions and instructional courses whilst living in the South West. Anthony moved back to Jersey in September 2019 to continue his teaching and recording career.
Piano, Wunderkeys, KiddyKeys, Stringbabies, Toddler/Pre-School Groups
Locally born, and winner of the Jersey Young Musician competition in 2001, Julie graduated with a Bachelor of Music from King's College, London, in 2005. After a foray into secondary music teaching she returned to Jersey in 2001, teaching piano and violin privately before joining the JAM faculty. Since then Julie has developed a specialism teaching preschool music and young beginners. Julie is a registered teacher of the Wunderkeys, KiddyKeys and Stringbabies programmes. She is currently an active member of the European String Teachers' Association and an associate member of the European Piano Teachers' Association.
Project & Events
Alongside the weekly instrumental tuition, the academy runs a regular programme of inspirational Projects and Events, some directed specifically at students having tuition at the academy, others are open island-wide. We frequently work in partnership with other local organisations, and are proud to have developed some very exciting links with music schools in the UK and further abroad.
Diary Dates 2019-20 Academic Year
Term Dates Spring 2020
Cello and Alexander Technique Course with Gillian Thoday and Margaret Edis
Term Dates Autumn 2019
Jersey Summer Music 2019
Jersey Academy of Music
Chateau Vermont
Le Mont Sohier, St. Saviour
Jersey CI, JE2 7HA UK
info@jerseyacademyofmusic.co.uk
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