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A Curious Tale About Solar Panels
Exploring the future of energy beyond the carbon era.
Why does it take so long for some energy technologies to get from the lab and industrial applications to the service of consumers? Take photovoltaic panels, for example.
A high-street electronics chain in London now offers educational solar-power kits for around the ₤ 20 mark. Serious, roof-dwelling photovoltaic panels that will power devices in your house sell in DIY superstores at around ₤ 2,500. That's a price tag for the rich or extremely committed, however, a minimum of consumers can press their trolleys past the innovation.
SOLAR PANELS HAVE ONLY RECENTLY APPEARED on the racks of retail outlets, so you'd forgive them for posing as brand-new technology. They're not. While England was priming itself for what was to become its most popular World Cup, a contributor to the July 1966 edition of Wireless World dealt with a copy deadline for the magazine. His name was D. Bollen, and he supplied a circuit for a solar-powered battery charger.
As he put it: 'The capability of solar cells to transform sunshine directly into helpful electrical energy has been well shown in satellite applications. A benefit of the solar battery is that it allows real, ignored operation in areas remote from a power supply and … guarantees an exceptional degree of dependability.' (Wireless World: 343).
Over 4 meticulously-illustrated pages, Bollen goes on to provide a plan for a circuit that will trickle-charge a battery from a solar cell. Bollen shows that you can run something that utilizes one milliamp of existing for '2.74 hours in a 24-hour duration. He leaves us guessing what application he had in mind for this tiny existing, but the rig could also have actually powered the bulb of a toy torch for a couple of seconds a day.
Still, the circuit exists and the date is mid-1966. Don't be sidetracked by Bollen's talk of 'satellite applications. His circuit is a million miles from rocket science in truth it's the simplest of the bunch in this edition of a publication that was pitched at everybody between newbie fabricators and electronic devices experts.
Somebody with hardly any experience could have thrown a presentation variation of this circuit together in fifteen minutes flat. And all the parts were offered from professional suppliers in London and south-east England.
The listed provider for 'assorted selenium and silicon cells' is International Rectifier. I called the company to discover how much a similar solar-cell expense at the time Bollen composed his feature.
A single cell determining about a centimeter by two centimeters cost four dollars, right approximately 1966. In his feature, Bollen describes various mixes in between one cell and 4, so the most expensive part of his circuit expense is between 4 and 16 dollars or about $25-100 dollars in today's money.
World's very first solar-powered vehicle: 1912.
However, what returned from International Rectifier (IR) proved much more interesting than price info. It ends up that the company had actually shown the world's first solar-powered car – a 1912 design of the Baker Electric – as early as 1958. They attained the stunt by making a high-output photovoltaic panel – less than two meters long and just over a meter large – from an entire bank of little solar cells.
Commercial, industrial and military consumers went on to purchase photovoltaic panels from International Rectifier.
WHY HAS IT TAKEN ALMOST FIFTY YEARS for solar panels to reach our stores?
Southface, a non-profit, sustainable-living organization based in the USA, mentions that solar-cell technology has actually been uselessly competing against the relative fall in cost that happened in the fossil-fuel market in the nineties.
But Southface believes that major orders of customer solar cell units in countries such as Japan may finally indicate the start of a period when solar battery production will gain from economies of scale.
I hope so. In the meantime, it's anyone's guess how long will it take for the consumer-led innovation revolution to whack our energy problems.
© Alistair Siddons, 2006.
Serious, roof-dwelling solar panels that will power devices in your house sell in DIY superstores at around ₤ 2,500. SOLAR PANELS HAVE ONLY RECENTLY APPEARED on the racks of retail outlets, so you'd forgive them for positioning as new innovation. As he put it: 'The ability of solar cells to convert sunlight directly into useful electrical energy has actually been well demonstrated in satellite applications. Over 4 meticulously-illustrated pages, Bollen goes on to supply a blueprint for a circuit that will trickle-charge a battery from a solar cell. They attained the stunt by making a high-output solar panel – less than 2 meters long and simply over a meter large – from an entire bank of little solar cells.


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lgd into ostarine
SARMS, or selective androgen receptor modulators, are a class of drugs that have same effects to anabolic steroids, but bearing in mind fewer side effects. They are becoming increasingly popular in the course of bodybuilders and athletes, as well as those looking to combine their instinctive declare or battle the effects of aging. In this article, we will lid all you obsession to know nearly SARMS, including what they are, how they work, and their potential sustain and risks.
SARMS are a class of drugs that bind to androgen receptors in the body, same to how anabolic steroids do. However, unlike anabolic steroids, SARMS are selective in their actions, meaning they without help try specific receptors in certain tissues. This allows them to have thesame effects to anabolic steroids, such as increased muscle growth and strength, without the thesame level of side effects.
How do SARMS work?
SARMS bind to androgen receptors in the body, which are found in various tissues, including muscle, bone, and fat. like they bind to these receptors, they mimic the effects of testosterone, the primary male sex hormone. This leads to an addition in muscle lump and strength, as without difficulty as a subside in body fat. Additionally, SARMS can in addition to back intensify bone density, which can be beneficial for people at risk of osteoporosis.
Potential assist of SARMS
Increased muscle layer and strength: SARMS can encourage you construct muscle and addition your strength, which can be beneficial for bodybuilders and athletes.
Decreased body fat: SARMS can with put up to you lose body fat, which can be beneficial for those looking to adjoin their inborn appearance.
Improved bone density: SARMS can support augment bone density, which can be beneficial for people at risk of osteoporosis.
Despite their potential benefits, SARMS then arrive considering some risks. The most significant risk is that they are not endorsed for human use by FDA. Long-term use of SARMS can plus lead to side effects, such as:
Furthermore, SARMS are not well-studied, and the long-term effects of these drugs are not known yet. It is important to recall that SARMS are still considered experimental drugs and that more research is needed to thoroughly understand their effects.
A lead to the alternating Types of SARMS
We will guide you through the vary types of SARMS simple and what you infatuation to know virtually each one.
Ostarine, as well as known as MK-2866, is one of the most well-liked SARMS on the market. It is known for its skill to enlargement muscle accrual and strength, as without difficulty as decrease body fat. It is as a consequence used to treat muscle wasting and osteoporosis. Ostarine is considered to be one of the mildest SARMS and is well-tolerated by most people.
Ligandrol, with known as LGD-4033, is substitute well-liked SARM that is known for its feat to increase muscle growth and strength. It is in addition to used to treat muscle wasting and osteoporosis. Ligandrol is considered to be slightly stronger than Ostarine and may have slightly more side effects.
Andarine, afterward known as S4, is a SARM that is known for its execution to layer muscle addition and strength, as well as terminate body fat. It is in addition to used to treat muscle wasting and osteoporosis. Andarine is considered to be one of the stronger SARMS and may have more side effects than Ostarine or Ligandrol.
Testolone, furthermore known as RAD-140, is a SARM that is known for its ability to growth muscle bump and strength. It is in addition to used to treat muscle wasting and osteoporosis. Testolone is considered to be one of the strongest SARMS and may have more side effects than further SARMS.
YK-11 is considered to be a extra type of SARM, and it is known for its success to mass muscle deposit and strength. It is then used to treat muscle wasting and osteoporosis. YK-11 is considered to be one of the strongest SARMS and may have more side effects than further SARMS.
It's important to note that SARMS are nevertheless considered experimental drugs and that more research is needed to sufficiently understand their effects. Additionally, SARMS are not approved for human use by FDA and the long-term effects of these drugs are not known yet. If you're later using SARMS, it's important to consult later your doctor first and weigh the potential risks and benefits.
The Science of SARMS Dosage: How Much to take for Maximum Results
it's important to recall that SARMS are yet considered experimental drugs and that more research is needed to adequately understand their effects. One of the most important aspects of using SARMS is harmony the proper dosage. In this article, we will question the science of SARMS dosage and how much to believe for maximum results.
The optimal dosage for SARMS can modify depending on the specific type of SARM, as with ease as the individual's goals and tolerance. In general, most SARMS are taken at a dosage of 10-30 milligrams (mg) per day. However, some SARMS, such as Testolone (RAD-140) may require innovative doses of occurring to 20-30 mg per day. It's important to follow the recommended dosage of the specific SARM you're using and not to exceed it.
It's in addition to important to note that SARMS are not certified for human use by FDA. Therefore, there's limited research on the long-term effects of SARMS, including the effects of tall dosages. Additionally, taking too much of a SARM can lead to side effects such as suppression of natural testosterone production, buildup in cholesterol levels, and liver toxicity. Therefore, it's important to consult in the manner of your doctor previously starting any SARM cycle and to monitor your body's wave to the supplement.
Furthermore, it's important to note that taking SARMS for a long period of mature can lead to suppression of natural testosterone production. Therefore, it's important to cycle SARMS, meaning taking them for a grow old of era and then taking a break. Additionally, it's important to declare the timing of your dosage. For example, taking your dosage in the daylight or before your workout can be more working than taking it at night.
In conclusion, SARMS can be an working tool for increasing muscle accrual and strength, as well as decreasing body fat. However, it's important to understand the proper dosage for maximum results and to avoid taking too much, which can lead to side effects. It's as a consequence important to recall that SARMS are yet considered experimental drugs and that more research is needed to abundantly comprehend their effects. It's indispensable to consult gone your doctor since starting any SARM cycle and to monitor your body's appreciation to the supplement. Additionally, it's vital to cycle and time your dosage to minimize the suppression of natural testosterone production.
One mannerism to maximize the results of SARMS is by stacking them, which means combining substitute types of SARMS to achieve specific goals. In this article, we will evaluate the ultimate guide to SARMS stacks and how to maximize your results.
A SARM stack is a interest of every other SARMS taken together to reach specific goals. The most common want of a SARM stack is to accrual muscle mass and strength, as without difficulty as decline body fat. The most well-liked SARMS stacks include:
Ostarine (MK-2866) and Ligandrol (LGD-4033): This stack is commonly used for bulking and increasing muscle growth and strength.
Ostarine (MK-2866) and Andarine (S4): This stack is commonly used for biting and decreasing body fat.
Ligandrol (LGD-4033) and Testolone (RAD-140): This stack is commonly used for bulking and increasing muscle accrual and strength.
It's important to note that SARMS are yet considered experimental drugs and that more research is needed to fully understand their effects. Additionally, SARMS are not qualified for human use by FDA and the long-term effects of these drugs are not known yet. Therefore, it's important to consult similar to your doctor since starting any SARM stack and to monitor your body's nod to the supplement.
When creating a SARM stack, it's critical to comprehend the properties and potential effects of each SARM you're using. For example, Ostarine (MK-2866) is known for its realization to growth muscle lump and strength, though Andarine (S4) is known for its exploit to decline body fat. Combining these two SARMS can pay for a balanced effect of both muscle get and fat loss.
Additionally, it's critical to comprehend the proper dosage for each SARM in the stack, as skillfully as the timing of the dosage. For example, taking Ligandrol (LGD-4033) in the daylight or past your workout can be more operational than taking it at night.
SARMS for Bodybuilding: The Ultimate guide to getting hold of Muscle
Bodybuilding is a sport that requires dedication, discipline, and a proper training and nutrition plan. However, some bodybuilders and athletes are looking for an extra edge to urge on them get muscle and swell their performance. SARMS, or selective androgen receptor modulators, are a class of drugs that have thesame effects to anabolic steroids, but later fewer side effects. They are becoming increasingly popular in the course of bodybuilders and athletes as a showing off to gain muscle and include performance. In this article, we will probe the ultimate lead to using SARMS for bodybuilding and how to get muscle.
SARMS act out by binding to androgen receptors in the body, which are found in various tissues, including muscle, bone, and fat. taking into consideration they bind to these receptors, they mimic the effects of testosterone, the primary male sex hormone. This leads to an buildup in muscle addition and strength, as capably as a end in body fat. However, it's important to recall that SARMS are nevertheless considered experimental drugs and that more research is needed to adequately understand their effects. Additionally, SARMS are not credited for human use by FDA and the long-term effects of these drugs are not known yet.
The most well-liked SARMS for bodybuilding include:
Ostarine (MK-2866): Ostarine is known for its success to enlargement muscle growth and strength, as without difficulty as fall body fat. It's considered to be one of the mildest SARMS and is well-tolerated by most people.
Ligandrol (LGD-4033): Ligandrol is option popular SARM that is known for its deed to lump muscle addition and strength. It is considered to be slightly stronger than Ostarine and may have slightly more side effects.
Testolone (RAD-140): Testolone is a SARM that is known for its skill to buildup muscle increase and strength. It is considered to be one of the strongest SARMS and may have more side effects than supplementary SARMS.
When using SARMS for bodybuilding, it's necessary to follow a proper training and nutrition plan. A proper training scheme should append a combination of weightlifting, cardio, and rest. Additionally, it's vital to consume tolerable protein to retain muscle growth, as with ease as to acquire sufficient carbohydrates and healthy fats to fuel your workouts.
Additionally, it's vital to understand the proper dosage for the specific SARM you're using and not to exceed it. For example, the recommended dosage for Ostarine is usually amongst 10-30 milligrams (mg) per day, even if the recommended dosage for Ligandrol is usually between 5-10 mg per day.
It's furthermore important to cycle SARMS, meaning taking them for a grow old of times and next taking a break. This is to minimize the suppression of natural testosterone production and to avoid any potential side effects.
In conclusion, SARMS can be an enthusiastic tool for increasing muscle layer and strength, as with ease as decreasing body fat. However, it's important to remember that SARMS are not certified for human use by FDA and that more research is needed to fully understand their effects. It's essential to consult like your doctor previously starting any SARM cycle, and to monitor your body's wave to the supplement. Additionally, it's critical to follow a proper training and nutrition plan, understand the proper dosage, and cycle SARMS for bodybuilding.

redpajama_set_name: RedPajamaCommonCrawl


We are thrilled to announce our partnership with the Southern Districts Soccer Football Association (SDSFA).
Through a sponsorship from 10 of our stores located in the south west Sydney region, we have an opportunity to give back to an association that thoroughly supports the future growth of their kids and the communities that they represent.
The SDSFA was established in 1947 to administer the sport of football in all the Liverpool and Fairfield local government regions, part of the Camden Council area and a small section of the Holroyd Council area. The Southern Districts Raiders Football Club is the representative club of the SDSFA. There are currently 38-member clubs within the association.
We thank Andy Favaloro, President of the SDSFA, for his continued support. We look forward to supporting a talented and diverse team coached by Catherine Cannuli, former Matilda and Head Women's Coach, and Nick Carle, former Socceroo and Head Men's Coach.


Get a more direct steering feel by changing to an aluminum steering horn today! Features two mounting holes so that it will fit almost every car and every application. Laser etched spline count on the servo horn so that you will not mix up servo horns again! Secured with two screws for easy installation and secure fit.


Inspired by the solar eclipse of August 21, 2017, the Totality Chandelier is made of blackened steel and polished brass and casts rotating shadows.
A coffee table or night stand constructed of sheet brass and mirror polished to reflect its surroundings.
A concept design for a entryway console table.
A book/ display shelf designed and made in collaboration with Reed Hansuld. Modular wooden shelves can shift and slide to allow for many different orientations of display.
A commissioned copper patinated steel door for a luxury manhattan apartment.


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package com.tubitv.media.fsm.callback;

/**
 * Created by allensun on 8/17/17.
 * on Tubitv.com, allengotstuff@gmail.com
 */
public interface CuePointCallBack {

    void onCuePointReceived(long[] quePoints);

    void onCuePointError();
}

redpajama_set_name: RedPajamaGithub


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Biowarfare Detection
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Blog posts tagged with 'mold remediation'
Hurricane recovery and the added dangers of black mold -Friday, February 15, 2013
In the short time that Hurricane Sandy flooded out many of the homes along the east coast. Sandy survivors were confronted with a multitude of serious issues such as low temperatures, damage to their homes and many other obstacles that is making recovery efforts a major uphill battle. One major issue many of them are being forced to contend with is rapid mold growth in their homes.
The health department states that they are closely monitoring emergency room visits and the hospitalization of those who are suffering respiratory illnesses as a key to determine if the threat of mold infestation is serious enough to warrant aggressive recovery action but is willing to admit there are no set guidelines to follow in the case of evacuating a region hard hit by mold infestation.
It's important to understand mold reproduction starts when mature mold growth releases spores into the atmosphere. These spores are suspended in the air and are a part of the natural are we breathe on a daily basis and are the common cause of many of the allergies. Local weather stations will often include a mold count on their daily broadcast. The higher the number, the more likely there will be allergy sufferers.
Removing mold spores from any structure is almost impossible to control since the air outside will always find a way to get inside. Air conditioning filters and air purifiers can dramatically reduce the mold count in the environment; however it is almost impossible to completely be mold free.
The big problems with mold inside a building begin with water. Any area inside a structure that is always damp or has standing water is a prime setting for mold spores to collect and proliferate. Once mold spores locate a water source they will settle in and begin to grow. Mold growth can be very rapid in prime conditions therefore it is important at this stage to remove the mold infestation and dry out the infected area and most importantly, remove or bring under control the source of water that allowed the mold to grow. Without removing the source of water, mold will most certainly return.
Since last year, there are about 75,000 scientifically identifiable species of mold with a projection that there may be as many as 1 million fungal species that have yet to be identified. Not all mold species are harmful. Some are even beneficial such as those varieties that produce truffles and the various types that produce edible mushrooms. There is even a species of mold that has been proven capable of devouring toxic petroleum products and leaving behind a completely safe, environmentally friendly growth in its place. It use is currently being considered as a go to answer for cleaning oil spills. Some companies are even looking at mold to produce products such as toilet paper. Go figure.
Identification of a mold species is mostly dependent on costly DNA testing. AdVnt Biotechnologies as developed a black mold test that uses the genetic identifiers of black mold species to help identify toxic black mold from most common mold infestations. The INFORMANT 15-minute black mold test uses licensed antibodies to positively tag black mold spores for positive identification, therefore making sure that it does not show a positive result for more common mold varieties.
Toxic black mold is a species of mold, that if allowed to proliferate can produce a toxic substance known as mycotoxin. It is this substance derived from black mold growth that has been shown to be fatal to humans, especially those who suffer with compromised immune systems. There are to date, 3 known species that are known to produce this toxicity and can become a serious health hazard if left unchecked. Stachybotrys, Aspergillius and its close cousin Penicillium are the three species known to produce mycotoxins. The second requirement for mold growth is oxygen. Where conditions for mold growth are ripe, mycotoxins are produced as the mold expands and spreads into colonies releasing the toxic byproduct into the air. It is import to understand that mycotoxins as a result of growth of black mold is viewed differently than those cases of mycotoxins exposure that causes harm through the ingestion of misidentified mushrooms. In the case of toxicity to humans through mold growth, the victim is often not aware of the hazard until it causes some harm.
AdVnt Biotechnologies INFORMANT 15-Minute black mold detection test was specifically designed to test mold growth found in homes for this highly dangerous species. Each test kit with the items required to run two complete tests. The easy to follow step by step instruction sheet allows users to quickly identify if the mold growth in their homes is of the toxic variety. Waiting days for lab results is now a thing of the past. The INFORMANT 15-Minute black mold detection test can be purchased from our website at www.advnt.org. The INFORMANT Black Mold Detection Test is not available in stores.
The serious issues of black mold growth in the regions hit by hurricane Sandy are not ones to be taken with a grain of salt. Identifying and removing mold infestations are often tied in with a homeowners struggle to obtain the necessary funding in order to properly eradicate the infestation. The longer it takes for relief funding the more serious the situation can become. Complicated paperwork to get federal relief and slow moving insurers and politicians on the take is just a few of the many hurdles the victims of this tragic event will have to face in order to win back their homes and their peace of mind.
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New Study Shows Proof How Mold Targets Asthma Sufferers -Thursday, October 14, 2010
According to an article in Indoor Environment Connections, vol. 11, issue 10 dated August 2010, a new scientific study shows a greater link between black mold and asthma. The study, which was conducted by Harvard researchers, says "There is a more definitive link then previously thought between mold in homes and the risk of severe asthma". The study, which was originally published in the American Journal of Respiratory and Critical Care examined homes that contained high amounts of black mold and found children living in these environments, had "severe exacerbations of asthma that often included emergency room visits and hospitalization…" When studies such as these use words like "exacerbations" you can be sure the findings are not going to be good. The EPA places in-home mold threats on the same level as second hand smoke. The new study out of Harvard is now able to show that there is a more precise connection to mold and asthma then had been previously known. It is precisely for this reason that researchers at AdVnt Biotechnologies have worked to develop an in-home black mold detection test called 'The Informant". Inexpensive and easy to use, this remarkable test can determine the presence of black mold in 15-minutes or less with out the hassle of sending the results to a lab for further analysis. With this information, occupants of suspected mold infested homes will be armed with positive proof that action in mold remediation needs to be taken to prevent future long-term damage to their health and well-being.
Ann Wu of Harvard Medical School and Harvard Pilgrim Health Care Institute in Boston who conducted this new mold study explains that enzymes called chitinases that breakdown chitin found in cell walls of mold, causes asthma inflammation. "Our results support increasing evidence that CHIT1, which is primarily released in the lung, plays an important role in the patho-physiology of asthma in the proper environmental context of exposure to chitin, which was approximated by mold levels." say Wu.
Homes that were used for this study were measured as having greater or less then 25,000 mold colonies per gram of household dust. Though this level is high for most homes, buildings that have problems with dampness, or water saturation in construction materials could have levels that easily reach these numbers. Often times homes that had sustained water damage in the past but had failed to completely remove all damaged materials, such as drywall, carpeting, vinyl floor coverings or wood could give rise to colonies that go undetected years before health problems occur. Click on the following link to see an article and video about one families horrific ordeal near Denver Colorado. http://www.9news.com/seenon9news/article.aspx?storyid=156994&catid=509. Testing for black mold in these environments becomes crucial and could mean the difference between better living or constant high cost visits to a hospital or emergency room. The 'Informant 15-Minute Black-Mold Detection Test is highly accurate and can detect below 105 or 100,000 spores per ml of three of the most dangerous species of black mold listed by the Center for Disease Control.
As a result of this new study, people who have been pushing for tougher laws and regulations control and clean up of unsafe indoor environments now have documented, scientific evidence to back them up. One citizen, also in Denver CO. decided not to wait for the law to come a knocking chose to do the right thing. His heroic story can be found here… http://www.denverpost.com/entertainment/ci_16281174.
Low-income neighborhoods are at a greater risk for mold problems and asthma is a huge public health concern in these disadvantaged areas that are the hardest hit. Since many buildings at these locations are usually older and have long-standing repair issues in terms of wear and drainage damage, the probability of long-standing plumbing and moisture problems is much greater. Add to that the easily controlled, but seldom dealt with issues of slumlords who are able to slip through the cracks of a legal system that is often to overwhelm to adequately pursue such matters until the problem of black mold demands that they take action, the issues challenging low-income neighborhoods increase. Now with the help of the 'Informant' 15-Minute Black Mold Detection Test, occupants have a simple and easy to use instrument ready to help them make their case and take the steps that will be needed to reclaim their homes. See the article in the Phoenx Business Journal on AdVnt's new "Infomant 15-Minute Black Mold Detection Test.
To opt in for AdVnt Biotechnologies product updates & notifications follow this link… http://eepurl.com/gYvBv
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Psychedelically precise: Jen Stark for Smashbox
(image from laguestlist.com)
Welcome to the first of what will be many holiday 2018 artist collabs. I figured I'd start with Smashbox since last year I didn't get around to writing about their fabulous collection with Ana Strumpf, so I was determined not to miss another artist collab from them this year. For their holiday 2018 collection, Smashbox teamed up with L.A.-based, Miami-born (and MICA educated!*) artist Jen Stark. For once, I had actually heard of this artist prior to the Smashbox collection, as her incredibly colorful and almost hypnotizing work had caught my eye at many of the art blogs I follow. (The more pop-culture attuned among you might also recognize the crazy backdrops she created for Miley Cyrus at the 2015 VMAs.) Naturally I was pleased to see it in makeup form.
I picked up the face palette, primer set and a festive red lip gloss. I'm kind of kicking myself for not getting the lipstick set, which had some of the designs etched onto the lipstick bullets.
Let's take a look at Stark's background and work. I'll be doing my usual summary of artist/critics' quotes instead of trying to come up with my own analysis. I fully admit my laziness, but I maintain the artist's own words serve as the best description. Finding tons of information online about an artist is a double-edged sword: one the one hand I love being able to learn about their work and process, but on the other hand it can be overwhelming to try to condense it all into one blog post. There are dozens of interviews and articles about Stark's work so this fell into the overwhelming category, but I'll try to keep it coherent.
Stark was born and raised in Miami, Florida. While she was always interested in painting and sculpture, rising early in the morning before the rest of her family to draw, paint and make collages, there was one family member in particular who recognized her talent and encouraged her to continue following her passion for art. In an interview with Curator, Stark notes, "When I was very young my grandfather (who was a hobby artist) would invite me over to teach me how to paint with watercolors. He would paint things like waterbirds, landscapes and boats on water. One day during our painting session we decided to paint my [favorite] Cabbage Patch Kid doll. We each painted a portrait our own version, and when we were finished he said, 'Yours looks better than mine!' And I thought to myself 'Wow, maybe I can really be an artist'. Haha, I was probably 5 or 6 years old (and looking back now the painting was not very good, it was just such a thrill to get a compliment from my grandfather, who I looked up to)...He was just probably trying to make me feel good but he was really encouraging. Our styles are completely different but he helped nurture me. He passed away a few years ago. I'll always remember him. I tell people how he's the one that made it happen." I have to say, her childhood drawings are way better than anything I could do at those ages!
Stark's technique with paper cutouts has its roots in a tale as old as time: the story of a young, broke art student. During her junior year at MICA she enrolled in a study abroad program in Aix-en-Provence in France, and it was there she began finding her artistic footing due in part to her lack of funds. She explains, "Since we were only allowed to bring 2 suitcases for 5 months I decided I'll just get my art supplies when I got there. Well, the Euro was way above the dollar and things were expensive so I decided to get one of the cheapest things--a stack of construction paper--and see what I could do with it...When I arrived I had no exact artistic direction. I knew I loved colors and labor intensive work, but hadn't pin pointed my style yet...Having little money to buy expensive art materials helped me become more creative with the supplies I had, and turn lemons into lemonade! It made me realize I could create artwork out of anything, as long as it was a unique idea and I worked hard at it. That was definitely a big turning point in my evolution as an artist. So, in this case, necessity allowed me to discover a new way of art-making."
Stark kept at it, and in 2007 she quit her job designing retail store spaces and took the leap to being an artist full-time. Around 2008 is when the first "drip pattern" surfaced, which surprisingly had its origins in a t-shirt. She notes in this video: "I just created this t-shirt design of this one rainbow drip going down the front. I wanted to make it look sort of blooming, very psychedelic...I started honing that in and kind of creating a pattern out of it. To me it references psychedelia, altered states, different dimensions. I just love how it's so dynamic, it looks like it's oozing and moving down." These sorts of patterns became Stark's signature, and over time expanded from two-dimensional to 3D mediums due to an increasing interest in Op Art effects: "The viewer's interaction with my work is becoming more and more important to me...lately I've been experimenting with Op Art ideas, like trying to get the static lines and colors in the work to sway and make the viewer's eyes vibrate. I'm also getting interested in colors and angles, having colors change as viewers walk around the piece. I have a love for all kinds of optical illusions and things that seem to distort reality in a subtle way."
(images from jenstark.com)
While it seems a bit haphazard at first glance due to the undulating lines and vibrant colors, Stark's work is actually quite precise and is based on forms found in nature as well as mathematical concepts such as fractals. She named her 2012 exhibition "To the Power Of", referencing the exponential multiplication of numbers and how her process is informed by growing patterns in a particular ratio. "I've always loved the idea of math in nature. There are so many natural forms that have complex mathematical equations that we don't even know how to calculate, yet is seems like this equation flows through so many living things from fractals to snowflakes, and from the shape of a hurricane to the similar-looking milky way galaxy," she says. In fact, every once in a while she'll get a email from a mathematician who recognizes a specific equation in the patterns she's created. (While Stark says she wasn't good at math in school, she excels at representing high-level mathematical concepts visually.) Growing up in Miami, with its abundance of lush year-round plant life, also influenced her work. She elaborates, "I've always had a deep fascination for nature and how it relates to science and spirituality. I feel there is a parallel between different shapes within our universe: like how the Fibonacci spiral equation relates to so many things in nature – from the shape of shell to how a fern unfurls. Sacred geometry is a big inspiration in my work. I love thinking about how enormous shapes out in the universe can have the same patterns as tiny microorganisms under a microscope. How geometric shapes and certain spiraling patterns apply to designs in nature big and small. Also, it is interesting to me how much we still don't know about science and the way things work. I hope to maybe reveal, on a visual level, some truth or insight about these ideas." A healthy dose of psychedelia gives Stark's work a more mystical, spiritual feel that beautifully complements the exactness of the patterns. "Lately I've been delving into the world of meditation and consciousness and what is considered reality. I've been reading a book by Terence McKenna called Food of the Gods, which talks about how early humans may have evolved thanks to the help of psychedelic mushrooms and altered states from medicine plants. I'm so fascinated by all these ideas and the link between the psychedelic world, the afterlife, and how this all relates. For thousands of years our ancestors cultivated this amazing culture. My work relates to the psychedelic movement because of ideas of perception, and a sense of altered consciousness. I'm also drawn to the radiant colors associated with psychedelics and the fascination with optical patterns and mind alterations. I think in certain ways, psychedelia is a quest to discover unknowns about ourselves and the universe, and I'm striving to answer these type of questions through my artwork," Stark explains. In layman's terms, her work is pretty trippy but also oddly meditative. I feel like I could stare at it all day and feel energized due to the vibrant color palette (like I did with Smashbox's 2015 artist collaborator Yago Hortal), but also contemplative, as I felt with the work of Hilma af Klint (who also was fascinated by merging natural, organic-looking forms with the spiritual realm.) The repetition of shapes and the gentle, almost melting movement of the lines is calming and hypnotic, but the bright colors keep the viewer's eyes stimulated. The controlled orderliness mixed with vivid hues led one interviewer to coin the phrase "psychedelically precise", which I think perfectly describes Stark's style.
This meditative quality is not accidental; Stark perceives the painstaking process to create her paper sculptures as a form of meditation. "I wouldn't say [making my art is] emotional because once I make it I'm not really attached to it like a lot of other artists. I just get it out in the world and I want other people to see it. I would say it's more spiritual and meditative. It's more about the process of brainstorming and coming up with the ideas...For me, the act and process of creating art is just as important as the final product. My art practice is very meditative and brings me to a trance-like state when I'm creating – especially with very repetitive tasks. I'm not a really OCD person in my life but with my art work it's the satisfaction of doing intricate kind of work all day. There's a joy I get from it which is weird but it happens. I don't know, I've always liked repetitive motion; things like that make me happy...Repetition and movement play a huge role in my creative process. The repetition is similar to how the layers of a plant unfurl and reveal the future layers inside, waiting to grow out. I also love having a tedious process attached to my work, and feeling like I'm piecing it all together to create something amazing."
In looking at her work, I can absolutely see how someone would be as mesmerized actually creating the piece as a viewer would be just looking at it. Of course, if there's a deadline I imagine it might be less fun, given how labor-intensive the process is. Speaking of which, I wanted to highlight how much work goes into each of these paper sculptures. Depending on the size and complexity of the piece, it can take anywhere from a week to a month to complete, and consist of 50 to 150 layers of carefully cut and glued paper. The paper is cut entirely by hand using an X-acto knife, then adhered with archival glue to wooden backing for sturdiness. Stark explains: "Typically, I sit down at my studio desk and begin sketching ideas in my sketchbook. I write down lots of words in addition to images. Then, once I pin down a favorite idea, I'll begin to create it. If it is a paper sculpture, I'll cut each layer out by hand with an exacto knife and sequentially put it together." While assistants help with the gluing of the layers, Stark eschews their assistance as well as technological advances when it comes to the actual cutting of the paper because the technique is so integral to her style - and it's individual to her. "The whole handmade thing is a part of my work. Using a laser cutter would cause the work to lose a lot...I'll do the cutting myself because it's kind of impossible for someone else to do that part—it would look like their hand." I think the photo below gives a good idea of the work involved to create these sculptures.
(image from contemporist.com)
So why go through all this? Stark points out that paper is a universally recognized material, and again, she finds joy in doing repetitive work that also transforms a flat, 2d surface like paper into something three-dimensional. Plus, Stark's training in fibers helped her explore the possibilities of paper and fostered her passion for handmade pieces. In a 2012 interview, she notes: "In college, I majored in Fibers. This usually throws people off because I mainly work in paper and wood, but Fibers at my college was more of a technique and concept-based major. They taught us the basics of things like sewing, screen-printing and weaving, but there was also a big emphasis on ideas, process and accumulation...I've always been drawn to intricate work and labor-intensive, handmade things, so discovering the paper sculptures was a gradual journey from age two to 28! I love how common and versatile paper is. It is in everyone's daily lives and people tend to overlook the amazing things it can do and be transformed into. I also love the idea of taking something that's two-dimensional and flat and making it three-dimensional and intricate."
(image from jenstark.com)
The drawings and paintings are less labor-intensive, and for Stark these provide relief from the repetitive nature of the sculptures. It makes sense; I think we need a break from even things we enjoy. "I make drawings too, and see these as more of a spontaneous, organic process. They allow both my mind and hands to take a break from the monotony of the sculptures. [Drawings are] a way for my mind to just breathe. The sculptures are structured and I have to go through this strict process to create them. The drawings are spontaneous, I literally put paper down in front of me and start making a little mark here and a little there and it just grows." This organic process also reflects Stark's fascination with nature and how natural shapes evolve as they grow. "I kind of want [my works on paper] to seem like some sort of cosmic, chaotic eruption but at the same time still beautiful. I try to make them an organized type of chaos, like what happens in nature...[they're] kind of an escape from doing sculptures. They're a breath of fresh air because they're very spontaneous. I usually don't have an idea of what they'll look like in the end. I don't do any sketches, I just start making marks on the paper and it grows from there. I really like the idea of an object, through slow, gradual, layered changes, completely changing over time...I feel like a lot of my work comes from that, taking one shape and tracing it, changing it a little bit through the layers of evolution."
Since my love of makeup stems mostly from my love of color, I wanted to briefly discuss Stark's use of color. As with the patterns she creates, her sense of what shades to use are also inspired by nature. "My process with color comes from the interest of color in nature and how color is such an attention-grabber…to caution poison in mushrooms, or to reveal a delicious fruit that will spread it's seed. I love how certain colors look next to each other and attract the viewer's attention. The exact color schemes are not typically planned out. I usually spontaneously pick colors that I think will look great next to each other and build from there." Stark also relies on her own artistic instincts. "I took color theory in college, so I absorbed all of that, but in my own way of choosing colors, it's very instinctual. I'll just know what colors to put next to each other. Usually it deals with contrasting, light and dark hues, stuff like that, but it's pretty much just my brain deciding. I normally don't have to think about it too hard." While there's not a creative bone in my body, I feel like this approach is similar to mine when it comes to makeup. I never really have to think about which colors go together, I just sort of know. (I also wake up "feeling" certain colors or textures - not synesthesia, per se, but similar.)
Since her move from Miami to L.A. in 2012, Stark has continued expanding the materials and techniques she uses (though the dry weather there is a great boon to working with paper, since it doesn't "wrinkle or do weird things" as is the case with Florida humidity.) "Living in LA has helped to expand my ideas on fabrication and thinking about what artwork can be. There are so many possibilities to be able to create work using particular materials, with so many fabrication houses. The possibilities seem endless. Also living in LA has made me more open to the definition of what an artist can be. I'm diving into all different avenues of artwork like creating clothing, digital animations, public art, working with great brands, etc. It has made me realize I don't have to have one set path, I can create my own world. I use many different materials in my work, like wood, plastic, paint, metals, etc."
Finally, while I admire Stark's smaller works, it's the large-scale ones that capture my imagination the most. Seeing these mind-bending designs on a building feels even more tremendous than viewing a painting or even a sculpture in a gallery. Once again, Stark's interest in natural forms drives her desire to create public installations that have "visual and environmental benefits": My dream commission would definitely be a public sculpture in nature. I'd love to create a large scale sculpture that incorporates renewable energy and gives back energy to us, yet at the same time is an intriguing and beautiful object. It would be amazing to do this in a park or at a school (and that same energy would go directly into the school). It would be great to make big installation type work where the viewer can be immersed and actually walk through the piece out in nature...I would absolutely love to someday make a monumental artwork that transcends a gallery. Maybe something dealing with outer space or in the ocean would be great." Stark also recognizes the importance of making art accessible. "I would love to keep doing more public art because I think that's the most powerful, and people don't have to go into a gallery or a museum to view it," she says.
I particularly enjoy this mural she did for the Fashion Outlets of Chicago in 2013. Can you imagine going underneath the escalator and being greeted with that?! Makes one's shopping experience far more interesting, that's for sure.
Getting back to the Smashbox collab, despite the numerous articles and interviews, I was unable to find anything specific about their partnership (and obviously was too intimidated to reach out to the artist directly, especially since I had been burned before.) Stark is no stranger to collaborations, having previously teamed up with Vans and Google, but there was nothing about her experience working with Smashbox or how it came to be. I'm assuming Smashbox contacted Stark since they prefer championing L.A.-based artists, and her work looks as good on a palette as it does on a building. I'm wondering if the company got the idea to team up with Stark based on a December 2015 Vogue article in which she mentions her admiration for the brand, among others (MAC and Urban Decay also had shout-outs). "Lately, I've been wearing a lot of Smashbox, and love their lipsticks and glosses for nighttime." The article also provided some insight into Stark's approach to makeup, which, as you probably guessed, is as boldly colored as her sculptures. "I try to dress as colorfully as my work, and wear amazing vibrant makeup to connect everything," she says. "Your face becomes its own blank canvas—it's fun! I usually keep my face au naturel—no powder, or even foundation—and focus on the eyes and lips, using vibrant colors to add brightness to my face." I have to say, in nearly every photo I've seen of her, it seems she wears minimal makeup with muted colors (or at least they're not visible in the photos.) Anyway, Stark also got the attention of nail art company Vanity Projects, who recreated the artist's patterns in gel nail form for Art Basel Miami.
(image from observer.com)
As for the collection packaging, I honestly couldn't tell which exact paintings of hers made it on to the palette and other items. Did she create something entirely new for Smashbox or did they recycle one of her earlier pieces? This print from 2015, originally created with nothing but paper and markers, seems very similar but it's not identical.
I couldn't even begin to try to guess the designs on the other products. In any case, I thought it was a great collection despite my preference for seeing Stark's work on a larger scale. As for the artist herself, she doesn't seem like she's interested in cashing in; as one article notes, "[Stark] is especially mindful about how much commercial work to accept and for which companies. It's more than just a desire to avoid overextending: she wants what she does to fit." In everything I've seen, Stark remains humble and simply wants people to enjoy her art. As I always say, artist collabs are a wonderful way for people to access art if they can't purchase it or even see it in person, which can be difficult if you're not part of the art world. Stark's take: "Good art should be inclusive rather than exclusive. I enjoy that my artwork attracts all different types of people from students, to teachers, artists, designers, middle-aged housewives and even mathematicians. My audience isn't just limited to people in the art scene. Many different types of people are able to enjoy it and take something away from it." Coupled with her passion for public art, it follows that she would be enthusiastic about a makeup collaboration with a brand as well-known as Smashbox.
What do you think of this collection and Jen Stark's work?
*As someone trying to move out of Baltimore City, I can't help but be amused at Stark's comments regarding her brief time living here while attending MICA. "I guess the cold weather and fear of crime rate sort of forced me to become creative in the studio," she states (silver lining?) and also: "I don't recommend Baltimore." That makes two of us, Jen!
Posted at 03:22 PM in Artist collaboration, Smashbox | Permalink | 0 comments
Fall/holiday 2018 color trend
We're used to seeing red lips for the fall and holiday seasons - everything from deep crimson to bright, borderline-orange is fair game - but this year it seems the fiery hue has gained significant traction as an eye shadow trend. Some makeup aficionados consider red eye shadow to be difficult to pull off, especially for pale pasty folks such as myself, as it can go from "cutting-edge runway" to "severe eye infection" very quickly. However, if anyone can get me to try this seemingly difficult shade, it's Mother (a.k.a. the legendary Pat McGrath.) I tested out the aptly named Blitz Flame shade from her Mothership V palette and found it was shockingly wearable. While I suspect it's the prettiest and best quality out of the palettes below, there is no shortage of reds to try this year as seemingly every fall and holiday palette contains a red shade. Honorable mentions include Charlotte Tilbury Palette of Pops, Viseart Libertine palette and Morphe Your True Selfie palette - I simply couldn't fit them all in one image!
Bobbi Brown Infra-Red palette
Pat McGrath Labs Mothership V Bronze Seduction palette
NARS Provacateur palette
Violet Voss Berry Burst mini palette
Karity Picante palette
Maybelline Soda Pop palette
Huda Beauty Obsessions palette in Ruby
Zoeva Spice of Life palette
Natasha Denona Cranberry palette
Ace Beaute Blossom Passion palette
I can't say I was seeing any red eye shadow on the fall 2018 runways, so I'm not sure what the reason is for the trend. Perhaps it's the influence of the larger cherry/burgundy beauty craze (see Urban Decay's Naked Cherry collection, Maybelline's Burgundy Bar, and my post on burgundy makeup from last fall), or maybe given the success of other reddish-toned colors released previously - again, with Urban Decay leading the way with their Naked Heat palette this summer - it's an expansion on colors that were once viewed as odd choices for eye shadows. It's similar to how nearly every brand now has non-traditional lip colors. (Speaking of which, who else wants to see a Black Satin lipstick from Chanel? I'm wearing the nail polish right now...)
Have you tried or will you be trying red shadow? It's still not my favorite shade for eyes, but I must say that Pat McGrath, once again, has made a look that I previously thought was off-limits for me totally doable.
Posted at 01:48 PM in Trends | Permalink | 0 comments
Lunar luxury: Chikuhodo Moon Rabbit brush
This was one of the few acquisitions I actually researched before buying. Not because I didn't love it at first sight but because I wasn't spending $134 on a single item unless I could get a blog post out of it. Fortunately Chikuhodo's Moon Rabbit (Tsuki No Usagi) brush gave me something awesome to write about. The notion of a rabbit on the moon sounds pretty crazy, but as I discovered, the moon rabbit is a fairly big part of culture and history throughout East Asia. I will be focusing on the Japanese version of the story since Chikuhodo is a Japanese brand.
Let's admire the stunning gold and silver design on the handle.
I absolutely adore the iridescence of the moon!
Here's the brush head. If you plan on buying it I can assure you it's just as soft as a bunny itself (although it's actually made from squirrel and goat hair.)
The concept of the moon rabbit has its roots in variety of cultures, most notably Chinese, Aztec and other indigenous American ones. The folklore comes from particular markings that can be seen when the moon is full, which resemble a rabbit using a pestle. More specifically, "The rabbit's head is formed by the Mare Serenitatis (Sea of Serenity); its ears by the Mare Tranquillitatis, the Mare Fecunditatis and the Mare Nectaris (the seas of Tranquility, Fecundity and Nectar); and the body and legs by the Mare Imbrium (the Sea of Showers) and the Oceanus Procellarum (the Ocean of Storms). A small, puffy bunny tail is formed by the Mare Nubium (the Sea of Clouds)."
(image from tvtropes.org)
In East Asia, the tale originated in China and spread to other Asian cultures. While in China the rabbit represents a moon goddess pounding the "elixir of life", in Japan the rabbit is making mochi (sweet rice cakes). Here's the Japanese version of the story. "Many years ago, the Old Man of the Moon decided to visit the Earth. He disguised himself as a beggar and asked Fox (Kitsune), Monkey (Saru), and Rabbit (Usagi) for some food. Monkey climbed a tree and brought him some fruit. Fox went to a stream, caught a fish, and brought it back to him. But Rabbit had nothing to offer him but some grass. So he asked the beggar to build a fire. After the beggar started the fire, Rabbit jumped into it and offered himself as a meal for the beggar to eat. Quickly the beggar changed back into the Old Man of the Moon and pulled Rabbit from the fire. He said 'You are most kind, Rabbit, but don't do anything to harm yourself. Since you were the kindest of all to me, I'll take you back to the moon to live with me.' The Old Man carried Rabbit in his arms back to the moon and he is still there to this very day exactly where the Old Man left him. Just look at the moon in the night sky and the rabbit is there!" While no one knows the exact origins of the story, it may be based on a Buddhist fable, or could be a bit of wordplay: "The rabbit pounding mochi is also a play on words…the word mochitsuki describes the act of pounding mochi, while the word mochizuki refers to the full moon."
In any case, it's a charming tale, and one that's heavily ingrained in Japanese culture. Images of rabbits frolicking in the light of the full moon are quite common in Japanese art.
(image from metmuseum.org)
(image from mfa.org)
(image from ukiyo-e.org)
Rabbits and the moon are also a common scene for home goods - it seems to be particularly popular for noren (Japanese doorway curtains.)
(image from global.rakuten.com)
(image from nipponcraft.com)
(image from 1stdibs.com)
You can find nearly any household product depicting the moon rabbit, from washi tape and towels to kitchen items.
(images from yozocraft and amazon)
(images from global.rakuten.com and amazon)
Additionally, each fall there are entire festivals throughout Japan to view and celebrate the harvest moon. The moon-viewing, or tsukimi ("tsuki" means moon and "mi" is watch) is held on the 15th day in the evening of the eighth lunar month. These gatherings date all the way to the 9th century and, like the moon rabbit story itself, were introduced by the Chinese. "The O-tsukimi festival began in the Heian era (794 to 1185). During this period, Japanese aristocrats gather themselves and recite poetry under the light of the full moon. In the Japanese lunisolar calendar, this gathering usually falls on the 8th month. They believed that the 8th month is the best month to look at the moon because the positions of the Earth, sun, and moon further illuminate the night sky. Later on, the event is not only centered on poetry reading. Decorations were made. Japanese pampas grass (susuki) was put into place. Tsukimi ryore, sake, and other food were shared by everyone viewing the moon. People who attend the gathering also begin to thank their moon god and pray for another bountiful harvest. Hence, the O-tsukimi festival tradition as we know it today. Even when the moon is not visible or there is rain, O-tsukimi festival is still being held. The Japanese call it Mugetsu (no moon), or Ugetsu (rain moon)."
Little moon-shaped dumplings called dango are made especially for the season. And the pampas grass is so pretty...I'm wondering if the curved lines on the Chikuhodo brush are meant to represent it. I think they could, given the prominence of stylized grass in the art I included above. The grass also symbolizes a bountiful harvest and is believed to ward off evil.
(image from facebook)
I couldn't resist sharing these fairly elaborate bunny-themed treats. Needless to say, if I ever make it to Japan, I will have a tough choice whether to go during spring or fall - the former has fantastic cherry blossom festivals but, as I'm learning, the autumn moon-viewing festivals are amazing too!
(images from soranews24.com)
In addition to festivals, the moon rabbit story figures prominently in Japanese culture in other ways, most notably in the popular anime Sailor Moon (whose human name is Usagi Tsukino - literally "rabbit of the moon" ) and a rover designed to explore the moon named Hakuto ("white rabbit"). Given all of this I feel fairly embarrassed that I was completely unfamiliar with the moon rabbit story and the festivals and other cultural touchstones associated with it. But at least Chikuhodo provided a beautiful way for me to become aware.
What do you think of this brush? Had you heard of the moon rabbit story before?
Posted at 02:02 PM in Other makeup brands | Permalink | 0 comments
Curator's Corner, October 2018
As you've probably already guessed, there won't be a fall exhibition this year. However, I'm working away on the Museum's 10-year anniversary exhibition and as well as the holiday one. ;) More on those later but in the meantime, here's what was in store around the interwebz in October.
- I was so pleased to be interviewed for and quoted in not one but two beauty-related articles during the month. *pats self on back*
- Talk about inclusive: Herbal Essences's new shampoo and conditioner packaging features "tactile indentations" for the blind so they can tell the bottles apart. I think all companies should start including these - and on shower gels too!
- On the not-so inclusive side, I'm glad someone is finally mentioning that the over-30 crowd is being left out. For all the talk of inclusivity, I'm kind of taken aback (and annoyed) at how many brands continue ignoring us. With my 40th birthday quickly approaching, I'm more aware of it than ever.
- I wish I could have gone to Sephora's very first beauty festival, Sephoria - it sounded pretty fun!
- The Cut had an interesting series of essays on lipstick.
- I'd like to hear your thoughts on this Bustle article. As an owner of one of the original Revlon Fire and Ice ads, I must say I have a completely different take on the campaign.
- We know glitter is bad for the environment, but I had no idea child labor was involved too. It's very disappointing that something so sparkly and fun is actually quite sad, so we need a solution ASAP.
- As a sort of follow-up to my post about beauty packaging waste, here's the latest development in the fight for more environmentally-friendly products. Maybe blue beauty can save the mermaids?
- Allure simply loves to name hair color trends after beverages, which apparently doesn't sit well with In Style. Personally I'm siding with the latter on this.
- Happy Halloween!
The random:
- In '90s nostalgia, TV show Charmed and Britney Spears' hit "Baby One More Time" turn 20, along with New Radicals' "You Get What You Give". However, nostalgia is all well and good until you start messing with classics like 1995's Clueless - seriously, a remake? As if!
- On the art front, Banksy pulls off what is possibly one of the greatest stunts in art history, only for it to be immediately monetized. Then again, it's a good alternative if you can't afford a shredded $1.4 million painting. Also of note: doctors can now prescribe museum visits - I always knew art was good for your health! - and a statue in Georgia gets a very silly modification. Normally I shudder upon seeing vandalized art, and I'd be super pissed if someone ever messed with the Museum's collection should it ever be available to the public, but for the life of me I cannot stop laughing at it. Finally, unlike the Museum of Pizza and Cheat Day Land (will this ridiculous fake "museum" trend never end?!), the Disgusting Food Museum actually seems to have some educational and historical merit, albeit on an unappealing topic.
- Is it bad I'm looking at holiday things the day after Halloween? Me and the plushies are still in a candy coma, but we're already excited for many more holiday/winter treats.
How was your October? Are you gearing up for the holiday season?
Posted at 03:23 PM in Curator's corner | Permalink | 0 comments


text:
package sbt.aop.patch

import sbt.GlobalLogging
import sbt.State

/**
 * SBT 0.13 specific code
 */
object Patch {
  def getGlobalLogging(state: State): GlobalLogging = state.globalLogging
}


Ultralight plastic head with 4 inches of reversing pearlescent and holographic soft mylar material. These are awesome for live bait skirts or anytime no weight is best. They are available in a 2 pack. We also offer the most popular colors professionally rigged using #5 wire with double 4X strong #4 treble hooks. Rigged skirts are available individually and in Tournament 5 packs.


text:
Thieves target home and steal Land Rover Discovery in Weston area of Bath
Avon and Somerset police have appealed to anyone who might have seen it
Sam Petherick-bathNews editor
A Land Rover was stolen from Linden Gardens, off Weston Road, in Bath (Image: Google)
A Land Rover Discovery was stolen by thieves who burgled a home in Bath last week.
The house in the Weston area of the city was targeted on Thursday, August 31.
The grey car was stolen and Avon and Somerset police have appealed to anyone who might have seen it.
"Have you seen a grey Land Rover Discovery, reg LG16 UWA, with a white leather interior in the Bath area?" the police said.
"It was stolen following a burglary at a property in the Linden Garden area of Bath on Thursday night.
"If you see the car, or have any information which could help us, please call 101 and give the call handler the reference number 5217200009."


IE layout issues with tables and border.
Its looks alright with borders enabled. However with the borders enabled it just falls apart. And frankly I don't have that much money to consult our local http://www.webdesigningcompany.net regarding it .. so I make some corrections myself by consulting some friends of mine.
Here is a link to the page with the borders disabled.
As you can see I like the way site is layouted out in the first link obviously. however I can't keep the borders on. any ideas?
Your site appears to be down just now mate. Are you still looking for help on this one? Got a working URL?


text:
MANHATTANHAMPTONSOUTSIDE NEW YORK
NEIGHBORHOODSHOME VALUATIONCONTACT USEMAIL(212) 937-6677LOG IN
Property DescriptionFeatures & AmenitiesOther Property Details
50 CENTRAL Park S Unit: 30/31
New York City, NY, 10019
$8,275 per ft²
10,875 ft²
This glamorous duplex residence is defined by its stunning and commanding views over Central Park and the glittering and dramatic Manhattan skyline. Comprising the 30th and 31st floors of 50 Central Park South, this exceptional condominium offers spectacular scale, soaringly high ceilings, mesmerizing outlooks, and an abundance of space and style. Sited perfectly, Central Park is seen from a superior position along its southern edge with a marvelous, bird's-eye perspective. 50 Central Park South was designed by master architect Emery Roth. Originally opened as the Hotel St. Moritz in 1930, the current residence grandly comprises two full floors as offered in the building's 2002 reimagining as the Ritz Carlton Residences. The Hotel St. Moritz's erstwhile ballroom is now the apartment's extremely spectacular Living Room. Accessed by a private elevator landing, the grandly-scaled Gallery opens into the magnificent Living Room, which is a breathtaking 44 feet in length and boasts dramatically tall 15-foot ceilings. This majestic room is lined with ten colossally-scaled arched windows, five of which overlook Central Park and the residence's largest Terrace, which stretches almost 45 feet along the length of the facade. Throughout the apartment, from every Park-facing window, and especially from the wide and wonderful Terrace, there are inspiring skyliner views of Central Park. Adjacent, there is a wonderful square Media room wrapping the northeast corner of the building and boasting an abundance of morning light and endless views of the Park. There is also a generously-proportioned Library, wrapping the southwest corner of the building. Nearby there is a large separate Wet Bar with room enough for comfortable seating, a Powder Room, and ample closets. The very grand and impressive Dining Room is baronial in proportion, with arched windows on three sides and access to a 28-foot-long western-facing Terrace. Beyond, there is a perfectly-appointed stainless steel chef's Kitchen supported by an additional Powder Room and the terraced Breakfast Room, with its own access to the large northern Terrace and its spectacular vistas over Central Park. The downstairs private quarters are accessed via a sweeping marble staircase. The tranquil and very impressive Primary Bedroom imparts a true sense of serenity and luxe and also has divine outlooks over Central Park. It is supported by a capacious Dressing Room/Bathroom, a further vast and spa-like marble Bathroom, an extremely generously-sized Gym with a separate Massage Room, and a luxuriously ample Dressing Room. There are two further Bedrooms, one of which wraps the northwest corner of the building and offers spectacular views and magical evening light; the other has three exposures and magnificent city skyline outlooks. Both Bedrooms are supported by ensuite baths. Nearby, there is a Staff Room with an ensuite bath and a well-sized Laundry Room. The residence is currently configured as an extremely spacious three Bedroom residence, although the very flexible floor plan and the generosity of the apartment's almost 11,000 square footage allow for myriad possibilities. 50 Central Park South, 36-stories in height, is comprised of the Ritz-Carlton Hotel and the Ritz-Carlton Residences, of which eleven private condominium residences occupy the top twelve floors. With a dedicated private entrance and top-tier staff, this white-glove condominium offers assured privacy and exceptional services. Residence residents also benefit from the world-class luxury services and amenities of the Ritz-Carlton Hotel, which include the La Prairie spa and health club, the business center, the Contour Bar and Lounge, in-room dining services, and housekeeping. With its superior location, majestic vistas, extraordinary luxury of space and proportion, this splendid residence is truly a trophy and is rare and remarkable in every way.
PRCH-4293472
Mobile: (212) 937-6677Email: lcc@corcoran.com
I would like to receive more information about 50 CENTRAL Park S Unit: 30/31.
Dryer, Washer Dryer Allowed, Washer
Den, Entrance Foyer, Eat-in Kitchen
Balcony, Building Terrace, Terrace, Balcony
Tax Frequency
Courtesy of Sotheby's International Realty, Inc., Serena Boardman
All information deemed reliable but not guaranteed and should be independently verified. All properties are subject to prior sale, change or withdrawal. Neither listing broker(s) nor Leighton Candler Team shall be responsible for any typographical errors, misinformation, misprints and shall be held totally harmless.
©2023 Real Estate Board of New York. All rights reserved.
Data last updated 12:21 AM UTC, 1/28/23


Where Can I Watch Bumblebee Online?
Leave your thoughts about Bumblebee.
Deseret News (Salt Lake City) - 9/10 by Josh TerryIt's actually too bad "Bumblebee" is meant to be a prequel to the other movies. It would be great if they just used this one to reboot the whole series and start over from here.
New Yorker - 9/10 by Richard BrodyWhere the Bay "Transformers" movies alternated between ecstasy and dullness, "Bumblebee" is consistently middling.
The Maine Edge - 9/10 by Allen AdamsThis movie has more genuine heart and humor in its first 20 minutes than the rest of the [Transformers] series has in its collective 12.5-hour runtime.
Cinema Axis - 9/10 by Courtney SmallAs he proved in his brilliant directorial debut Kubo and the Two Strings, Knight has an ability to capture the way young people process grief in an engaging way.
Splash Report - 9/10 by J. Don BirnamBumblebee is a welcome reboot for a troubled franchise. Hailee Steinfeld is charming and the story entertaining enough, even if conventional.
JoBlo's Movie Emporium - 9/10 by Chris BumbrayEven if you despise the franchise, BUMBLEBEE is worth seeing.
Alternative Lens - 9/10 by Jennifer HeatonIt does everything the Bay movies wouldn't, embracing what's made Transformers endure for three decades, and infusing it with a much-needed dose of heart.
San Antonio Current - 9/10 by Kiko MartinezAs the first spinoff to come out of the Transformers movie franchise, Oscar-nominated director Travis Knight has managed to distinguish Bumblebee from the cinematic trash heap of spare parts that director Michael Bay has produced for the past decade.
What I Watched Tonight - 9/10 by Matt HudsonIt's happened, sound the sirens - "Autobots, roll out"...because Bumblebee is the best Transformers movie of them all.
ComicBook Debate - 9/10 by Sheraz FarooqiBumblebee is one of the strongest films in the franchise and a rebirth for the series going forward.


Guitar legend Johnny Marr is the subject of a new short film by Microsoft titled Creativity In The Digital Age. Marr narrates the film and shares his thoughts on creativity, inspiration, teamwork, technology, and art. He discusses learning the craft of producing and recording and gives a nod to Picasso's theory of "inspiration does exist, but it has to find you working."


The Social media forum Febuary 11th- 12th, Hamburg, Germany.
Semantic Camp 2008 Febuary 16th- 17th, Imperial College, London.
The Guardian's Changing Media Summit March 12th, Victoria, London.
Abilitynet's Web2.0 Accessibility conference April 25th, at City University, London.
Futuresonic 2008 May 1st- 4th, at the Manchester.
Xtech 2008 May 6th- 9th, Dublin, Ireland.
Thinking Digital May 21st- 23rd, at the Sage, Gateshead.
BarCampNewcastle May 24th- 25th, Newcastle or Gateshead.
This entry was posted on Friday, February 1st, 2008 at 5:40 am and is filed under event, mobile, social networks.	You can follow any responses to this entry through the RSS 2.0 feed. Both comments and pings are currently closed.
We have decided to call our BarCamp BarCampNorthEast and not just BarCampNewcastle because we are proud to be from the North East. Everyone is welcome so please come along.