text:
Q: Transitivity of convergence of sequence in $L^1$ and $BV$ Let $(f_n)_n\in BV([0,T])$ a sequence of functions of bounded variation converging to some $f\in BV([0,T])$, that is to say
$$\lim_{n\rightarrow+\infty}\parallel f_n-f\parallel_{BV([0,T])} = 0.$$
and such that
$$\forall n, f_n(0)=f(0)$$
Let $(g_n)_n\in BV([0,T])$ a sequence of function of bounded variations such that the following holds
$$\lim_{n\rightarrow +\infty}\parallel g_n-f_n\parallel_{L^1([0,T])} = 0$$
Does the following holds ?
$$\lim_{n\rightarrow +\infty}\parallel g_n-f\parallel_{L^1([0,T])}=0$$
If not, is there a topology where some convergence result holds ?

A: Counter-example:  $f_n(x)=g_n(x)=n$ and $f(x)=0$.
Answer for the edited version: Convefence in BV norm together with $f_n(0)=f(0)=0$ impiies uniform convergence, hence also convergence in $L^{1}$. [$|h(x)-h(0)| \leq \|h\|_{BV}$ if $h(0)=0$].   Hence, the answer is YES.


Email requests are answered promptly throughout normal business hours. All other times, Email are monitored and are generally answered within 30 minutes.
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Saturday 13th July – Wednesday 17th July (inclusive) – 10am – 4pm.
Saturday 20th and Sunday 21st July – 10am -4pm.
I have had the pleasure of being part of the Isle of Wight Arts Open Studio for the past 13 years.


text:
WXPN 88.5 Home
The XPN Concert Calendar
The dreamy chaos and nervous energy of Philadelphia's The Ire
From Punk Shows to a Pressing Factory: Federico Casanova's journey to Soft Wax, Philly's new vinyl plant
Sun Ra documentary A Joyful Noise returns to The International House this fall
"Big Changes": Janet Weiss announces departure from Sleater-Kinney
Brittany Howard steps away from Alabama Shakes to share her truth on solo album
Watch a trailer for Meek Mill's Jay-Z-produced docuseries Free Meek
Work is under way at the former North Star Bar
Sheena, Anika, and Augusta team up for simple pleasures
Soul Glo is releasing their new album on SRA Records in June
The International House building is being sold; future of its arts programming is unclear
Watch Brandi Carlile and Dave Grohl busk on the streets of Seattle
Indie Rock Hit Parade Live Session: Diane Coffee
The dreamy chaos and nervous energy of Philadelphia's The Ire
Exploring Sound: Mike Lorenz and the Witherbees on the elegant blend of jazz, folk, pop and rock on their debut album
How Brielle became Philly's flute bae
Mir Fontane got a story to tell
Kristin Hersh comes in colors
The National's Scott Devendorf talks stepping back to let new creative voices emerge on I Am Easy To Find
Listen to Sadie Dupuis of Speedy Ortiz guest host the Indie Rock Hit Parade
Tierra Whack
Da Baby
From Punk Shows to a Pressing Factory: Federico Casanova's journey to Soft Wax, Philly's new vinyl plant
Scenes from the first Khyber show in almost a decade
The Skeleton Key: From the first show back at The Khyber to one of the last shows at 1026, we've got you coming and going for the rest of this packed July
A Witty, Warm, Caring Soul: Remembering Spenser Spirit Hogans with the Philly DIY community
My Wave: Watch Soundgarden perform at Bethlehem's Stabler Arena in June of 1994
Listen to West Philly Porchfest performances via the 25 O'Clock podcast
Two to Tango: Mark Volman of The Turtles and Susan Cowsill of The Cowsills discuss the 10th Anniversary of the weird Happy Together tour
Bruce Springsteen tells a tale of reacquainted love on "Tuscon Train"
The Khyber
The Week Ahead: Aimee Mann, Robyn, The Mountain Goats, Mal Blum and more
Signals Midwest announce new album Pin and tour dates, including Everybody Hits gig
Solange Knowles' When I Get Home will be screened at BlackStar Film Festival
Free at Noon Flashback: Los Coast debuts Samsara on the World Cafe Live stage
Watch Kurt Vile join Purling Hiss onstage at PhillaMOCA for "Walkin' With Jesus"
House Cat announces Yellowhammer Fund Dance Party
Philly Dogs: Watch David Bowie serenade the Tower with "Rock and Roll Suicide" from the David Live recording
Tedeschi Trucks Band lights up The Mann with thought, soul, and skill
Purling Hiss
Just Announced: The Menzingers will bring new album Hello Exile to Franklin Music Hall this fall
David Wax Museum announce tour and new LP produced by Carl Broemel, release single "Uncover The Gold"
Just Announced: The 1975's fall tour will bring them to the BB&T Pavilion
Booze Radly's debut album Haunted Mind shows what they're made of
Eve returns with "Reload", her first new track in six years
Let the haze of Pouring Silver's "Time Is Right" wash over you
Chastity Belt are living their best life in the video for "Ann's Jam"
Jay Som reflects on love in the digital age on funky new single "Tenderness"
Booze Radly
The Key Studio Sessions
The High Key Portrait Series
Gotta Hear Song
XPN MusicNotes
#XPN5050
Car Seat Headrest, indie rock's complex, post-teenage messiahs, bring anthems and anxiety to Underground Arts
May 18th, 2016 | 12:45PM | By K. Ross Hoffman
Car Seat Headrest | photo by Anna Webber | courtesy of the artist
Car Seat Headrest – who headline Underground Arts this Sunday following an appearance at WXPN's Non-COMM convention – is the rapidly exploding brainchild of 23-year-old indie rock whiz kid Will Toledo.
With this week's Teens of Denial – the outfit's first studio album of new material, following a dozen or so Bandcamp releases, plus last year's Matador-abetted re-recording of select tracks from the back-catalog – Toledo and company have fully arrived, anointed, it seems, as the inheritors of a considerable array of rock'n'roll mythologies.
Like Guided By Voices, The Mountain Goats, Frankie Cosmos and late-period Prince, they are hermetic, hyper-prolific DIY cult heroes. Like Morrissey, Bright Eyes and prime Weezer, they are earnest, wryly self-aware chroniclers of miserablism, outsiderdom and the general angst-ridden teenage condition. Like the Hold Steady, Destroyer and Titus Andronicus, they're loquacious, ambitiously literate repurposers of classicist rock tropes. Like Pavement and Courtney Barnett, they're smirking but ultimately gold-hearted ramshackle slacker punks. Like the Replacements and the Strokes – and perhaps even the Cars, with whom they've recently landed in an unfortunate legal/logistical situation – they're raucous, bleeding-ear populists with bashing pop anthems by the bucketload.
If that fistful of reference points and intersecting lineages sounds like a convoluted mess, not to mention a heavy stack of mantles to bear, that feels about right for a record like Teens, a gloriously tangled heap of musical and lyrical strands that doesn't shy away from grandiosity (or far-flung cultural references.) But it also just means there are many ways to approach and enjoy it.
It's a choose-your-own-adventure sort of affair. You can pore over the lyric sheet for every nuance, allusion and inter-song reference. You can listen more haphazardly and still catch a dozen or so indelible one-liners ("if you really wanna know yourself/it will come at the price of knowing no one else") and improbably affecting chorus hooks ("I didn't want you to hear that shake in my voice/my pain is my own"), without much effort. You can even ignore the words (albeit, at your peril) and just bang along to hits like the furious, Television-channeling "Vincent" or the crunch-pop anthem-for-the-ages that is "Destroyed By Hippie Powers." Just try not to fall asleep in the backseat.
Car Seat Headrest performs at NonCOMM on Thursday, May 19th, at 8:25 p.m. before headlining Underground Arts on Sunday, May 22nd. The sold-out NonCOMM set can be streamed live at XPN.org via VuHaus; tickets and information on the Underground Arts show can be found at the XPN Concert Calendar.
Support for WXPN is provided by:
About The Key
Philadelphia: Home to a rich musical history, a unique musical identity, and one of the nation's most thriving musical communities. In a scene filled with so many local bands worth listening to, there will always be new music to discover—and The Key is your source for finding it. Brought to you by WXPN—the non-commercial public radio station that World Cafe, XPN2, and XPoNential Music Festival call home—The Key covers all local music in Greater Philly and beyond.GET IN TOUCH
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redpajama_set_name: RedPajamaCommonCrawl


Anthem key presents an action-adventure RPG developed by BioWare and published by Electronic Arts. Play as a Freelancer, a fighter equipped with a legendary battle-suit, and enter a world long-forgotten by the gods that have created it.
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SHABBONA – With a thundering smash, Indian Creek sophomore Trysta Foster put the finishing touch on the set and match in an upset win over Marquette Academy 25-15, 25-21.
Foster ended the match with six kills, seven aces and 14 digs.
The Timberwolves (4-4-2) went back and forth with the Crusaders (6-2) for the first half of the set with Marquette leading 15-13, but Indian Creek broke the game open late with a five-point rally that included two aces from Foster.
The Timberwolves traded single points as the Crusaders tried to claw back into the game, but Foster's slam put an end to any comeback attempt.
The Timberwolves came in undersized compared to the Crusaders and doubted whether they had a chance to win.
"I'll be honest, when (Marquette) first walked in and I saw their height when they first started hitting (in warm ups), I told my team 'we better play great defense because I have a feeling they can hit over our block,'" Crutcher said.
But when the game started, Indian Creek put up a tough defense and attacking offense to take the match.
"We all thought 'oh gosh, this was going to be a tough team to beat' and it turns out we did so we were all like 'Yes!'" senior setter Riley Oros said.
In Game 1, the Timberwolves and Crusaders traded points to a score of 13-11 until Indian Creek put together seven straight points to open up a put Marquette Academy on their heels. The Crusaders only scored four more points as the Timberwolves won 25-15.
Beyond the stats: This is the first year of the Indian Creek and Paw Paw high school sports co-op, so both coaches and players are getting to know each other.
Up next: The Timberwolves host Rockford Christian on Tuesday at 6:30 p.m. The Crusaders play at Somonauk on Tuesday at 6:30 p.m.


Can you please send me your database as well? I need it for a website I am trying to develop.
Can I get this inventory database. You can drop me the link @visheshsubhanker@gmail.com.
greatly appreciate a copy. Ideally in CSV format.
I am looking forward for your database.
Can you please mail Link to download database to (e-mail address removed).
Are you still sharing your grocery inventory database ? If yes, could you please send one copy to (e-mail address removed) ? I need a sample for school project and I would be greatly appreciate it!
I'm building a grocery shopping app for a course, can I have the link to your database please?
If the database is still available, could you please send the excel file to (e-mail address removed).
Thanks a ton! This will be a huge help for me.
Can you please send me the link to download project.
Can you please send me the Database!
I could use this database for some testing. Can I have a link?
I came across your thread and wanting to know if you are still giving out the link to the inventory. I have a start up and looking for some mock data. If you could help I would appreciate it greatly.
Can you please share with me? This will save me a great amount of time.
I would appreciate it much if you could email me the link to the DB.
I am looking for database of all kirana / department stores / supermarket in mumbai.


Lucas LOVED this chicken, and really enjoyed the sauce (especially the dipping part! Dip makes everything better!). I served it with cheesy mashed potatoes and green beans from our local Farmer's Market.
Mix a tablespoon of brown sugar with a tablespoon of cider vinegar in a measuring cup and whisk into BBQ Sauce.
Add the Chicken Breasts (or whatever cut of chicken you happen to have on hand), with bone-side down in the sauce.
Wash, core, and dice apples (I used one peeled Gala apple per breast).
Uncover, baste chicken with BBQ sauce from the pot. Add apples.
Cover and cook for 3 more hours (or until chicken is cooked through), basting every hour.
Before serving, reduce sauce by removing one cup, and simmering on the stovetop for 10 minutes or until desired consistency.
Remove Chicken and apples from Crock Pot, place in individual serving dishes.
Pour reduced sauce over chicken, and serve with extra sauce for dipping!


text:
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    <corners android:radius="8dp"/>
    <solid android:color="@color/skyblue"/>

    <stroke
            android:width="1px"
            android:color="@color/skyblue"/>
</shape>

redpajama_set_name: RedPajamaGithub


Poly Wall® WindowSeal® Window Flashing Tapes are used to strip in or flash straight window frames, door frames, and other construction seams. WindowSeal® is a self-adhering, self-sealing tape consisting of rubberized asphalt waterproofing coating, laminated to polyethylene film. The finished product is supplied in rolls, with an easy to remove film release liner. WindowSeal® is available in 20 mil thickness and a variety of roll sizes.
WindowSeal® products are used to strip in or flash straight window frames, and other construction seams. If material is to be applied to round-top or custom shaped areas, ArcFlash™ should be used.
1. Install horizontal strips on sill.
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5. Roll all tape surfaces with a hand roller.
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When looking for a gift for your special someone this Christmas, DMR's Sales Ambassadors are always on hand to help. As designers of our own jewellery, we are also proud to sell just one other brand, Georg Jensen.
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Released by Georg Jensen this Autumn Winter, 'Halo' is an elegant collection of gold and diamond jewellery. This yellow gold collection combines a contemporary style with a classic Scandinavian twist. Why not consider this stylish pair of large diamond hoops from the collection? Inspired by Moonphases and the transcendence of light, the yellow gold circular shapes are positioned to create a unique view when seen from the front or side profile.
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text:
The real West Ham way - if you can remember
Filed: Tuesday, 22nd April 2014
It's becoming something of a cliché now - the West Ham way - as if it doesn't, or didn't exist. As if it is some dream from our past.
We have had big Sam being patronising and claiming he's asked around, and nobody knows what it is. Now we have Alan Shearer slagging us off. And the search and the polls continue. Just what is the West Ham way?
Well, I have tried to keep out of all this nonsense, as if we have set ourselves up as something special, something that others cannot and have not been.
Ok, so I can keep quite for only so long. Those of us, admittedly a dwindling band of 50-somethings who were around at the time it all started to evolve, know the score. And it's not rocket science.
It's the sort of passing , attacking football that Southampton use. It's the way Arsenal play (when they feel like it). It's how Liverpool at their best in the '60s and '80s played. Even Spurs managed it.
The key is defending well, attacking well and producing pace, understanding and passing that opens up opponents. Like Liverpool are using and are about to win the Premier League.
We didn't invent it. Ron Greenwood didn't conjure it up out of thin air like Moses returning from the mountains with tablets of stone. Hungary played that way in the '50s. They inspired the great Wolves teams, Spurs double winners, Chelsea's great attacking sides with Peter Osgood and Charlie Cooke.
The key is to pass the ball to a colleague on the ground, to attack and to entertain. I will pause there for a second so big Sam can catch-up.
We were saddled with the 'West Ham way' tag way back in Ted Fenton's day when journalists came up with the name to describe the way we were introducing European-style tactics and a general approach that involved an Academy-based production line of young talent.
Greenwood continued the inventive theme and John Lyall took it a stage further, trying to add some steel while not losing the flair. It sometimes worked. It worked also under Harry Redknapp, but not as effectively.
Now we have a manager who cannot even spell the word flair. Who has no interest in entertainment, just an industrial approach to acquiring points by not conceding goals. He is a deliberate anti-Christ to what West Ham fans want.
But if you go back to the '60s when I started watching West Ham on a weekly basis, the style and flair of the Bobby Moore side was the closest to what we are now all craving for. It had it's drawbacks, I used to beg to see a Hammers side who could attack, but also defend with the spitefulness of Leeds and the power and resolve of Liverpool.
If Sam wants to have an idea of what we are talking about, I suggest he takes a look back and find some archive stuff around the seasons between 62-63 and 66-67. That's the best years of our club's life, and the football has left a indelible mark on my brain ever since.
I give you Johnny Byrne and Geoff Hurst. Eat your hearts out Kevin Nolan and Andy Carroll. Budgie and Hurst were the best double act I have ever seen. West Ham's best-ever striking partnership.
They were the ones who benefited from an attacking philosophy. In the five seasons I have mentioned, between them they scored 227 goals. I will again pause for big Sam to catch up and wonder just what Nolan and Carroll are doing wrong.
Hurst twice topped 40 goals in all competitions for a season. Byrne, a deep-lying forward we would not call, playing in the hole, once managed 33 goals from that role, likened by Greenwood to an English version of Alfredo Di Stefano. Now, what you do now Sam is Google that name so you have some idea what I am talking about.
Johnny 'Budgie' Byrne (seen here in his Crystal Palace kit shortly before his move to West Ham) is still the only player from the fourth division to have represented England
Byrne scored 86 goal in those five seasons for West Ham and Hurst - no shrinking violet who could mix it with the thugs in the game around that time - scored 141 goals in that same spell. Yes, I mean you Norman Hunter, Ron Harris and Tommy Smith.
Big Sam is now going to trot out all the stuff about the game being different now, played by super-fit athletes who have to play his way to survive in the top flight, because survival is all that matters in this cash-crazy football world. And yes, I do understand the need to stay in the to flight, relegation now is a financial disaster that has no comparison in the days of the 60s.
But it doesn't mean you don't try. Swansea have tried this style and they have been in danger of going down, which no doubt Sam would use as ammunition for his argument.
But what I want now is not to hear my son and his mates, who work hard during the week and want some excitement, entertainment and enjoyment from their football, saying how little they are enjoying what they are watching.
That sort of attitude eventually leads to people not renewing their season tickets. I am told that this is the earliest anyone can recall season tickets being on sale for next season. As if they are desperate for the money or want to test the water to see what the uptake is.
If people do stop renewing their season tickets, our owners will have a problem. And that problem is an inflexible Sam. I am not looking for the moon, I just want to see something I enjoy watching, something that stirs the spirit.
In the research into the '60s that provides the core of this piece, I happened upon a spell of matches in the 66-67 season that sums it up perfectly. And I saw most of these matches.
In a couple of months, November and December of that season, West Ham scored 32 goals in nine league games, including an amazing 5-5 draw at Chelsea (yes, we were leading 5-3 with ten minutes left, some things never change).
There was also a run of four matches in eight days that saw us beat Fulham 6-1, Spurs - away - 4-3, Leeds in the League Cup 7-0 and Newcastle 3-0.
The Leeds game was the pinnacle, one of the best games I ever saw. John Sissons scored a hat-trick in the first half hour and Hurst got a treble later. I can still recall Billy Bremner in front of the Chicken Run with a couple of minutes left, still screaming and berating his colleagues to get a grip.
Good for him, I thought, this really is hurting. Don Revie is supposed to have told his team that such a result against us would never happen again. I recall them kicking us to bits every time we played them after that.
And no, I am not expecting our players to run up such goal tallies. But I want them to try, to look positive and interested and to show they care.
That team of the mid-'60s had its faults, bad ones, but that five-season spell saw only one relegation fight and we always finished mid-table. So it can be done. Pass the DVD, Sam. You know it makes sense.


text:
Q: Change my Qdialog to QMainWindow Building off of some random example I hacked out this beautiful window. I regret using a QDialog example rather than a QMainWindow. I like the look of the QMainWindow and its features.  Now I cannot make the conversion (sheer ignorance). The code is getting rather long so I thought I'd call this code from a QMainWindow, but when i do there is some catastrophe that shuts all python down. Can I convert this to a QMainWindow or call this from a QMainWindow?
import sys
from PyQt4 import QtCore, QtGui
import numpy as np
from matplotlib.backends.backend_qt4agg import FigureCanvasQTAgg as FigureCanvas
from matplotlib.backends.backend_qt4agg import NavigationToolbar2QTAgg as    NavigationToolbar
import matplotlib.pyplot as plt
import matplotlib.image as mpimg

class Window(QtGui.QDialog):

    def __init__(self, parent=None):
        super(Window, self).__init__(parent)
        self.resize(900,600)

        layout = QtGui.QHBoxLayout(self)
        Right = QtGui.QVBoxLayout(self)
        Left = QtGui.QVBoxLayout(self)
        spacer = QtGui.QSpacerItem(20,40)
        spacer2 = QtGui.QSpacerItem(10,40)

        font = QtGui.QFont()
        font.setFamily("Rod")
        font.setPointSize(23)
        font2 = QtGui.QFont()
        font2.setFamily("Rod")
        font2.setPointSize(18)
        font3 = QtGui.QFont()
        font3.setFamily("Rod")
        font3.setPointSize(13)

        #Plotting Methods from Matplotlib
        self.figure = plt.figure()
        self.canvas = FigureCanvas(self.figure)
        self.canvas.setMaximumHeight(525)
        self.canvas.setMaximumHeight(725)
        self.toolbar = NavigationToolbar(self.canvas, self)

       #Labels
        self.label = QtGui.QLabel(self)
        self.label.setFont(font)
        self.label.setText("  Welcome to PPMS Data Analyser")
        self.label.setMaximumSize(625,30)

        label2 = QtGui.QLabel(self)
        label2.setFont(font2)
        label2.setText("Select Plot:")

        x_label = QtGui.QLabel(self)
        x_label.setFont(font3)
        x_label.setText("x axis:")

        y_label = QtGui.QLabel(self)
        y_label.setFont(font3)
        y_label.setText("y axis:")

        #Push Buttons
        fileSelect = QtGui.QPushButton('Select File')
        fileSelect.setMaximumSize(70,25)
        fileSelect.clicked.connect(self.plot)
        goPlot = QtGui.QPushButton('Plot')
        goPlot.setMaximumSize(60,20)
        goPlot.clicked.connect(self.plot)

        # x axis radio buttons
        groupBox = QtGui.QGroupBox()
        radio1 = QtGui.QRadioButton("Time")
        radio2 = QtGui.QRadioButton("Delta T")
        radio3 = QtGui.QRadioButton("Delta V")
        radioa = QtGui.QRadioButton("Hot Side Temp")
        radiob = QtGui.QRadioButton("Cold Side Temp")
        radioc = QtGui.QRadioButton("System Temp")
        radio2.setChecked(True)

        # Vertically aligns these buttons
        vbox = QtGui.QVBoxLayout()
        vbox.addWidget(x_label)
        vbox.addWidget(radio1)
        vbox.addWidget(radio2)
        vbox.addWidget(radio3)
        vbox.addWidget(radioa)
        vbox.addWidget(radiob)
        vbox.addWidget(radioc)
        vbox.addStretch(1)
        groupBox.setLayout(vbox)

        # y axis radio buttons
        groupBox2 = QtGui.QGroupBox()
        radio12 = QtGui.QRadioButton("Time")
        radio22 = QtGui.QRadioButton("Delta T")
        radio32 = QtGui.QRadioButton("Delta V")
        radioa2 = QtGui.QRadioButton("Hot Side Temp")
        radiob2 = QtGui.QRadioButton("Cold Side Temp")
        radioc2 = QtGui.QRadioButton("System Temp")
        radio32.setChecked(True)

        # Vertically aligns these buttons
        vbox2 = QtGui.QVBoxLayout()
        vbox2.addWidget(y_label)
        vbox2.addWidget(radio12)
        vbox2.addWidget(radio22)
        vbox2.addWidget(radio32)
        vbox2.addWidget(radioa2)
        vbox2.addWidget(radiob2)
        vbox2.addWidget(radioc2)
        vbox2.addStretch(1)
        groupBox2.setLayout(vbox2)

        #Box for 2 radio boxes
        hbox0 = QtGui.QHBoxLayout()
        hbox0.addWidget(groupBox)
        hbox0.addWidget(groupBox2)
        hbox0.addStretch(0)

        Left.addWidget(self.label)
        Left.addWidget(self.canvas)
        Left.addWidget(self.toolbar)
        Right.addItem(spacer)
        Right.addWidget(fileSelect)
        Right.addItem(spacer)
        Right.addWidget(label2)
        Right.addLayout(hbox0)
        Right.addWidget(goPlot)
        Right.addLayout(hbox0)

        layout.addLayout(Left)
        layout.addLayout(Right)

    def plot(self):
        ax = self.figure.add_subplot(111)
        ax.hold(False)
        ax.plot([1,2],[3,4])
        plt.grid()
        plt.title('Test Plot')
        self.canvas.draw()

if __name__ == '__main__':
    app = QtGui.QApplication(sys.argv)

    main = Window()
    main.setWindowTitle('PPMS Seebeck Calculator')
    main.show()

    sys.exit(app.exec_())

A: QMainWindow has a pre-set layout [docs]. First of all, you need to create a "central widget" for the QMainWindow, and add the your own layouts to that widget. This is the working code:
import sys
from PyQt4 import QtCore, QtGui
import numpy as np
from matplotlib.backends.backend_qt4agg import FigureCanvasQTAgg as FigureCanvas
from matplotlib.backends.backend_qt4agg import NavigationToolbar2QTAgg as    NavigationToolbar
import matplotlib.pyplot as plt
import matplotlib.image as mpimg

class Window(QtGui.QMainWindow):

    def __init__(self, parent=None):
        super(Window, self).__init__(parent)
        self.resize(900,600)

        self.central_widget = QtGui.QWidget()
        self.setCentralWidget(self.central_widget)

        layout = QtGui.QHBoxLayout()
        Right = QtGui.QVBoxLayout()
        Left = QtGui.QVBoxLayout()
        spacer = QtGui.QSpacerItem(20,40)
        spacer2 = QtGui.QSpacerItem(10,40)

        font = QtGui.QFont()
        font.setFamily("Rod")
        font.setPointSize(23)
        font2 = QtGui.QFont()
        font2.setFamily("Rod")
        font2.setPointSize(18)
        font3 = QtGui.QFont()
        font3.setFamily("Rod")
        font3.setPointSize(13)

        #Plotting Methods from Matplotlib
        self.figure = plt.figure()
        self.canvas = FigureCanvas(self.figure)
        self.canvas.setMaximumHeight(525)
        self.canvas.setMaximumHeight(725)
        self.toolbar = NavigationToolbar(self.canvas, self)

        #Labels
        self.label = QtGui.QLabel(self)
        self.label.setFont(font)
        self.label.setText("  Welcome to PPMS Data Analyser")
        self.label.setMaximumSize(625,30)

        label2 = QtGui.QLabel(self)
        label2.setFont(font2)
        label2.setText("Select Plot:")

        x_label = QtGui.QLabel(self)
        x_label.setFont(font3)
        x_label.setText("x axis:")

        y_label = QtGui.QLabel(self)
        y_label.setFont(font3)
        y_label.setText("y axis:")

        #Push Buttons
        fileSelect = QtGui.QPushButton('Select File')
        fileSelect.setMaximumSize(70,25)
        fileSelect.clicked.connect(self.plot)
        goPlot = QtGui.QPushButton('Plot')
        goPlot.setMaximumSize(60,20)
        goPlot.clicked.connect(self.plot)

        # x axis radio buttons
        groupBox = QtGui.QGroupBox()
        radio1 = QtGui.QRadioButton("Time")
        radio2 = QtGui.QRadioButton("Delta T")
        radio3 = QtGui.QRadioButton("Delta V")
        radioa = QtGui.QRadioButton("Hot Side Temp")
        radiob = QtGui.QRadioButton("Cold Side Temp")
        radioc = QtGui.QRadioButton("System Temp")
        radio2.setChecked(True)

        # Vertically aligns these buttons
        vbox = QtGui.QVBoxLayout()
        vbox.addWidget(x_label)
        vbox.addWidget(radio1)
        vbox.addWidget(radio2)
        vbox.addWidget(radio3)
        vbox.addWidget(radioa)
        vbox.addWidget(radiob)
        vbox.addWidget(radioc)
        vbox.addStretch(1)
        groupBox.setLayout(vbox)

        # y axis radio buttons
        groupBox2 = QtGui.QGroupBox()
        radio12 = QtGui.QRadioButton("Time")
        radio22 = QtGui.QRadioButton("Delta T")
        radio32 = QtGui.QRadioButton("Delta V")
        radioa2 = QtGui.QRadioButton("Hot Side Temp")
        radiob2 = QtGui.QRadioButton("Cold Side Temp")
        radioc2 = QtGui.QRadioButton("System Temp")
        radio32.setChecked(True)

        # Vertically aligns these buttons
        vbox2 = QtGui.QVBoxLayout()
        vbox2.addWidget(y_label)
        vbox2.addWidget(radio12)
        vbox2.addWidget(radio22)
        vbox2.addWidget(radio32)
        vbox2.addWidget(radioa2)
        vbox2.addWidget(radiob2)
        vbox2.addWidget(radioc2)
        vbox2.addStretch(1)
        groupBox2.setLayout(vbox2)

        #Box for 2 radio boxes
        hbox0 = QtGui.QHBoxLayout()
        hbox0.addWidget(groupBox)
        hbox0.addWidget(groupBox2)
        hbox0.addStretch(0)

        Left.addWidget(self.label)
        Left.addWidget(self.canvas)
        Left.addWidget(self.toolbar)
        Right.addItem(spacer)
        Right.addWidget(fileSelect)
        Right.addItem(spacer)
        Right.addWidget(label2)
        Right.addLayout(hbox0)
        Right.addWidget(goPlot)
        #Right.addLayout(hbox0)

        layout.addLayout(Left)
        layout.addLayout(Right)

        self.central_widget.setLayout(layout)

    def plot(self):
        ax = self.figure.add_subplot(111)
        ax.hold(False)
        ax.plot([1,2],[3,4])
        plt.grid()
        plt.title('Test Plot')
        self.canvas.draw()

if __name__ == '__main__':
    app = QtGui.QApplication(sys.argv)

    main = Window()
    main.setWindowTitle('PPMS Seebeck Calculator')
    main.show()

    sys.exit(app.exec_())

That's what I did:
1) Created central_widget:
self.central_widget = QtGui.QWidget()
self.setCentralWidget(self.central_widget)

2) To avoid this warning: QLayout: Attempting to add QLayout "" to Window "", which already has a layout I changed
layout = QtGui.QHBoxLayout(self)
Right = QtGui.QVBoxLayout(self)
Left = QtGui.QVBoxLayout(self)

to
layout = QtGui.QHBoxLayout()
Right = QtGui.QVBoxLayout()
Left = QtGui.QVBoxLayout()

and commented second Right.addLayout(hbox0)
 3) Setted layout for central_widget : self.central_widget.setLayout(layout)

redpajama_set_name: RedPajamaStackExchange


Arsenal hero Lauren believes Alexis Sanchez is the only current player who would make it in to the famous 'Invincibles' team.
The Chilean has been hit by injuries this season, but still managed 13 goals and five assists in 30 Premier League appearances.
'Straight away I would say Alexis Sanchez [would get into the 'Invincibles' team],' Lauren told Goal.
'He's the kind of player who gives 110 per cent in every single game.
'I think to achieve targets and success you need players like that. I like this type of player.
Despite the performances of Sanchez this season, the Gunners still finished ten points behind top flight champions Leicester City this season.
If the north Londoners are to match their illustrious past again they may need to bring in a few more players like the 27-year-old this summer.


text:
Marcel Jean Espiau, né le   à Paris dans le  et mort le  également à Paris dans le , est un journaliste et écrivain français, cofondateur du prix Théophraste Renaudot.

Biographie
Marcel Espiau s'engage volontairement à 17 ans pendant la guerre de 1914-1918. Il est affecté au  R.A, puis versé au  R.A.(secteur 20) où il atteignit le grade de Maréchal des logis.

Après sa démobilisation, il entame une carrière longue et double d'auteur dramatique et de journaliste. À partir de 1920 et durant huit années, il publie plus de 2500 articles   pour les grands titres de cette époque : Candide, Comœdia, L'Auto, L'Éclair, L'Avenir,  Le Figaro, L'Intransigeant,  Les Nouvelles Littéraires,  La Liberté, Paris-Soir, Ciné-France, Vu....

En 1923, avec Pol Rab, il fonde le « Groupe des moins de trente ans », dont l'influence fut importante parmi la jeunesse intellectuelle de l'après-guerre.

En 1926, alors journaliste à L'Éclair, Marcel Espiau est l'un des fondateurs du prix littéraire Théophraste Renaudot, aux côtés de Gaston Picard (qui en a l'idée), Georges Charensol (qui lui donne son nom), Pierre Demartres, Georges Martin, Odette Pannetier, Noël Sabord, Georges Lefevre, Raymond de Nys et Henri Guilac. Ce prix est créé par ces jeunes critiques littéraires dans l'attente de la nomination du lauréat du prix Goncourt. Le premier récipiendaire est Armand Lunel pour son ouvrage Nicolo Peccavi.

En 1928, Espiau entre à L'Ami du peuple de François Coty) : directeur du grand reportage, il y écrit plus de 300 articles. Deux de ces reportages ont fait l'objet d'une publication séparée : « Puits aux hommes » (sur les mineurs), en 1934, et « En Méditerranée sous pavillon français » (sur la marine marchande), en 1935. Il suit plus de neuf fois le Tour de France cycliste auquel il imprime le premier une orientation à  la fois touristique et gastronomique. Entre 1928 et 1930, il donne plus de 200 conférences radiophoniques (à Radio LL, notamment). Il écrit aussi diverses études économiques et politiques sur l'Europe et le Moyen-Orient.

Également chroniqueur judiciaire, Marcel Espiau rend compte de plus de 500 procès tant à Paris qu'en province pour le compte de différents journaux.

En tant qu'auteur dramatique, Marcel Espiau compose une première pièce, Le miroir qui fait rire, jouée le  au théâtre des Capucines ; les rôles sont tenus par les acteurs renommés de l'époque, Harry Baur et Renée Falconetti. La pièce est traduite en huit langues et représentée dans 14 pays. En 1929,  Espiau écrit une deuxième pièce en un acte « Septième étage », puis compose, en collaboration avec Paul Gordeaux, une pièce en trois actes intitulée « Prisonnier de mon cœur »,  jouée le  au théâtre des Mathurins à Paris. Elle est portée au cinéma en 1932, dans un film réalisé par Jean Tarride sur une adaptation cinématographique de R. Sti.

Critique littéraire aux Nouveaux Temps de Jean Luchaire, Espiau est inscrit sur la liste noire du Comité national des écrivains, mais obtient un non-lieu et poursuit sa carrière de 1948 à 1971 dans divers journaux. Il rédige plusieurs monographies de peintres.

En 1953, il crée le « Grand prix de littérature enfantine du Salon de l'enfance » dont il est l'un des fondateurs et administrateurs.

À sa disparition le , de nombreux hommages lui sont rendus  dans la presse nationale  et de nombreux confrères assistent à l'enterrement de celui que Georges Charensol décrit comme « l'un des plus brillants journalistes de l'entre-deux guerres ». Il est inhumé dans le Cimetière Sud de Saint-Mandé (division 13) dépendant de la commune mais situé dans le  de Paris.

Hommage
Une plaque commémorative est posée sur la façade de l'immeuble où il a habité, au n°31 rue Saint-Placide (6 arrondissement de Paris).

Notes et références

Liens externes

Écrivain français du XXe siècle
Dramaturge français du XXe siècle
Critique d'art français
Critique littéraire français
Journaliste français du XXe siècle
Collaborateur du Figaro
Collaborateur de Comœdia
Membre du jury du prix Renaudot
Naissance en octobre 1899
Naissance dans le 7e arrondissement de Paris
Décès en novembre 1971
Décès dans le 15e arrondissement de Paris
Décès à 72 ans
Personnalité inhumée au cimetière Sud de Saint-Mandé

redpajama_set_name: RedPajamaWikipedia


Chronic pain affects an estimated 86 million Americans, but you don't have to suffer from it. Learn about how acupuncture can help you and let us help relieve you from your pain today by calling 201-431-5066.
Pain can be caused by overuse, traumatic injury, repetitive injuries, chronic inflammation, arthritic diseases, even a poor diet can lead to pain in the body. Biomedical approaches to pain include surgery and anti-inflammatory pharmaceutical drugs. Many studies have shown that surgery does not always improve painful conditions and can often exacerbate a problem; if you are considering surgery for your pain condition, have a serious and thorough discussion with your Medical Doctor on the benefits and risks, along with possible side effects.
Nonsteroidal Anti-inflammatory drugs (NSAID), such as Advil (ibuprofen), can be helpful for short term pain management but have many adverse side effects if taken regularly or in large doses. Some side-effects of NSAID may include:nausea, gastrointestinal ulceration/bleeding, raised liver enzymes, heart failure, worsening of asthma, correlated with increased risk of hypertension, heart attack, and may other adverse problems. Another common pharmaceutical drug for pain management is acetaminophen (Tylenol). Acetaminophen is metabolized by the liver and is hepatotoxic, other side effects of use may include: stomach bleeding, kidney damage, increased risk of blood cancer, and a study in 2010 show that use of acetaminophen during pregnancy has been linked to infertility in the subsequent adult life of the fetus. Acupuncture is a natural alternative to harsh biomedical treatments.
Acupuncture for management of chronic pain conditions is one of the most clinically studied uses of this 3000 year old medicine. The World Health Organization states that acupuncture has been proved-through controlled trials to be an effective treatment for many different types of pain, including knee pain, lower back pain, neck pain and sciatic (for more information click here).
The modern scientific explanation is that needling acupuncture points stimulates the nervous system to release chemicals in the brain, spinal cord, and muscles. Acupuncture reduces pain biochemically by instigating our bodies create these chemicals that can change and reduce our perception of pain. Some of the natural chemicals released from acupuncture include endorphins and dynorphins, which are natural powerful painkillers. Endorphins are 18-50x stronger than morphine and dynorphins are 500x stronger than morphine. Acupuncture also increases the release of nitric oxide throughout the body, which causes blood vessels to relax and widen. If your pain is muscular, when muscles are injured and strained it can tighten and pull your joints out of alignment, causing a lot of pain. Acupuncture can be used to relax and trigger muscles to fasciculate and restore balance. There are more and more studies coming out on the effectiveness of acupuncture for pain management.
Pain can stem from many factors and have many causes according to Traditional Chinese Medicine. Our body is meant to have uninhibited flow of energy in order to be in harmony and balance. However, many factors can lead to the body not flowing properly, such as overuse or trauma. When there is a blockage in flow, this causes pain. The blockage leads to lack of nutrients (qi, blood, oxygen) in our cells, tissues, organs, and glands. One of the most common diagnoses given for chronic pain is "Qi and Blood Stagnation. Qi stagnation is a dull aching pain that can travel to different places in the body, it is improved with movement of the body. This type of pain is commonly caused by lack of proper physical activity, such as continuous computer usage at a desk job. Blood stagnation is a stronger and sharper pain, which can be caused by trauma or continuous qi stagnation. The goal of acupuncture for people with this diagnosis would be to invigorate and move qi and blood to reduce pain. The insertion of hair-fine sterile needles into targeted points can help achieve this goal. Acupuncture can break up blockages that have hindered the flow and harmony of your body, resulting in lasting pain-relief and a more balanced body.
There are also many other diagnoses for people who suffer from pain, such as Kidney Deficiency, Wind Cold Damp Bi, etcetera. When you are in pain, acupuncture is the best possible way to get pain relief without putting toxic drugs into your body or getting traumatic surgery. Acupuncture also increases well being and relaxation to help improve sleep, which is the most important time to allow your body to heal itself. You can learn more about your condition from the your acupuncturist at our wellness center.
No one should have to live with pain, and It is important to manage pain before it becomes a serious chronic condition. Pema Chen Acupuncture has 3 locations in New York City and 1 location in Englewood, New Jersey. We are dedicated to helping you reduce your pain and optimize health. Whether you are a commuter from the tri-state area, a Manhattan resident, or a visitor, we strive to improve your health and reduce your pain as efficiently as we can. Give us a call and schedule an appointment to find out how we can help you: 201-431-5066.
 Kristensen, D. M.; Hass, U.; Lesne, L.; Lottrup, G.; Jacobsen, P. R.; Desdoits-Lethimonier, C.; Boberg, J.; Petersen, J. H. et al. (2010). "Intrauterine exposure to mild analgesics is a risk factor for development of male reproductive disorders in human and rat". Human Reproduction 26 (1): 235–244.
Disclaimer: All Content provided on or through the site is provided for informational purposes only and is not a substitute for professional medical advice, care, diagnosis or treatment, and is not designed to promote or endorse any medical practice, program or agenda. Please speak with your doctor before making any changes to your lifestyle.Copyright © 2013 Pema Chen Acupuncture. , All rights reserved.


text:
Season of Renewal is the third album by saxophonist Greg Osby recorded in 1989 and released on the JMT label.

Reception

The album received a mixed reception. The AllMusic review by Scott Yanow states, "The originals, none of which contain much of a melody, never get beyond setting mysterious moods, most of them not assisted by the inappropriate rhythms from the notable supporting cast... If Osby's solos could have been isolated from the "backing," or if the drumming were a lot freer, this music would be quite intriguing. But as it came out, the results are consistently annoying and difficult to sit through". Los Angeles Times critic Don Snowden wrote "the rhythm section leaves enough holes for the sound to veer clear of mechanical funk and the arrangements are spacious enough to effectively showcase Osby's darting alto bursts and tone color-conscious approach to soprano".

Track listing
All compositions by Greg Osby except as indicated
 "Sapphire" - 5:20
 "Enchantment" - 3:43
 "For the Cause" - 2:24
 "Life's Truth" - 5:07
 "Dialogue X" - 5:10
 "Season of Renewal" - 4:58
 "Mischief Makers" - 5:46
 "Word" - 4:43
 "Constant Structure" - 5:18
 "Eye Witness" (Paul Samuels) - 5:34
 "Spirit Hour" - 5:20

Personnel
Greg Osby - alto saxophone, soprano saxophone
Edward Simon, Renee Rosnes - keyboards
Kevin Eubanks, Kevin McNeal - guitar, guitar synthesizer
Lonnie Plaxico - bass
Paul Samuels - drums
Steve Thornton - percussion
Amina Claudine Myers (tracks 2 & 4) Cassandra Wilson (tracks 6, 8 & 11) - vocals

References

1990 albums
Greg Osby albums
JMT Records albums
Winter & Winter Records albums


text:
Garth Brooks Surprises Ashley McBryde With Grand Ole Opry Member Invitation: Watch
In a surprise moment that left them both holding back tears of joy, Garth Brook invited Ashley McBryde to join the ranks of country music's best by becoming a member of the Grand Ole Opry.
Jason Brow
"We have a special surprise for you," Gayle King told Ashley McBryde when the country music legend appeared on CBS Mornings on Thursday (Oct. 6) to promote her new album, Ashley McBryde Presents: Lindeville. "Oh no. What's happening?" said Ashley, 39, whose eyes widened as she was preparing for the worst. What she got was the best, as Garth Brooks appeared on a video call. "I'm here for a proposal," said Garth, 60, and though Gayle pointed out that Garth was already married, he pointed out that he was there to add Ashely to a family that "keeps on growing" – an invitation to the Grand Ole Opry.
"Well, you know where I am standing here in the circle of wood. On behalf of the Opry, and myself as an Opry member," said Garth, who started to choke up with joy. "We would love for you to consider becoming the newest member of the Grand Ole Opry." Ashley, who fought hard to hold back her tears at this, said it would be "the great joy and the great honor of my life. Thank you." Garth added that the Grand Ole Opry "is the longest-living family in music history. You belong in it; we need you and you will make it stronger for decades to come."
"Beginning with her triumphant first night on our stage, Ashley has already been a part of some incredible Opry moments in her young career," said Dan Rogers, Opry Executive Producer, in a statement accompanying her induction into the Grand Ole Opry. "We're thrilled that her seemingly limitless talent will be on display and that she'll be a part of this very special show for years to come."
(AFF-USA/John D Shearer/Shutterstock)
Regular performers at the Grand Ole Opry can be inducted into the organization as a member. "Opry membership requires a passion for country music's fans, a connection to the music's history, and it requires commitment – even a willingness to make significant sacrifices to uphold that commitment," reads the Opry's website. "The decision to bring a new act into the Opry fold is a two-pronged one, based on a combination of career accomplishment and commitment. But, really, it comes down to just one word: relationships. The relationships between performers and fans. The relationships Opry members have with each other, relationships that may last for decades. And, perhaps most importantly, the relationship between each artist and the ideal of the Grand Ole Opry."
A post shared by Grand Ole Opry (@opry)
As of October 2022, members include Travis Tritt, Randy Travis, Rascall Flatts, Reba McEntire, Blake Shelton, The Oak Ridge Boys, Alan Jackson, Alison Krauss, Little Big Down, Garth Brooks, Brad Paisley Dolly Parton, and more.
The Grand Ole Opry began in November 1925, when George D. Hay launched the WSM Barn Dance, a broadcast on radio station WSM. In 1927, WSM Barn Dance got christened The Grand Ole Opry. In 1943, the show moved to the Ryman Auditorium, and from there, some of country music's biggest moments took place on the Grand Ole Opry broadcast. The Opry moved to the much larger Grand Ole Opry house in 1974, but as of 2022, the Opry holds events at both venues.
Related: Garth Brooks & Trisha Yearwood's Kids: Meet Their 3 Daughters
Ashley McBryde -- PICS
Ashley McBryde Tortuga Music Festival, Fort Lauderdale, Florida, USA - 08 Apr 2017
Ashley McBryde performs as the opener for Chris Stapleton at Mercedes Benz Stadium, in Atlanta Chris Stapleton In Concert - , Atlanta, USA - 30 Mar 2019


Prairie Underground Air Time, is a fleece jersey top with an asymmetric hemline that falls long to the right with an angled functional zipper. Wide crew neckline and roomy long sleeves make the Air Time a warm and comfy top with moden edge. Wear zipped or unzipped for peek-a-boo detail.
Small (S): Bust 36", Waist 38", Hips 40", Length (Front/Back) 29"/30"
Medium (M): Bust 38" Waist 40", Hips 42", Length (Front/Back) 29.5"/30.5"
Large (L): Bust 40", Waist 42", Hips 44", Length (Front/Back) 30"/31"
Extra Large (XL): Bust 42", Waist 44", Hips 46", Length (Front/Back) 30.5"/31.5"
Plus (XXL): Bust 44", Waist 46", Hips 48", Length (Front/Back) 31"/32"
Prairie Underground's Air Time top fits true to size. Items pictured are a size Small on a size 6 dress form.


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text:
Ray Cline
Dr. Ray S. Cline, "the key CIA analyst on Korea from 1949 to 1952, passed away on 15 March, 1996 in Arlington, Virginia. He was responsible for clanking out monthly 'Estimate of the World Situation' on sensitive areas. Korea was covered now and then. Referring to his failure to spot Kim Ilsung's invasion of S Korea, Cline admitted that 'Mostly I simply wrote down analytical comments based on my reading of newspapers and periodical literature, adding items from the research analysts wherever possible.' Dr. Ray Cline is assumed to be the author of the infamous CIA report on Korea, issued only a few days prior to the invasion."
Cline, according to the Ashbrook Center for Public Affairs at Ashland University, "served as Deputy Director for Intelligence for the Central Intelligence Agency from 1962-1966 and played a major role in the Cuba missile crisis of 1962.
"From 1969 until his retirement in 1973, he was Director of the Bureau of Intelligence and Research (INR) at the Department of State. He was awarded CIA's Distinguished Intelligence Medal and the Career Intelligence Medal. Cline's tenure at INR coincided with the "War of Attrition" that Egypt had declared on Israel. As part of this war, the Soviets supplied Egypt with their latest SAMs (the SAM-3), their latest MIG fighters (the MIG-21), and Russian Missile crews, and pilots and ground crews for the aircraft. After their initial hesitance, the Israelis started to knock the Russians out of the sky just as they had the Egyptians and Syrians before them. This worried President Nixon that a strategic confrontation might develop. He therefore engineered an agreement to freeze Israeli and Egyptian deployments in place as of August 7, 1970. The Egyptians broke this agreement the very day after it was signed and these violations continued into the summer. When the Israelis finally complained to the U.S. about these violations, it was good old Ray Cline, at INR, who told the President that the Israeli claims of Egyptian violations were "baseless." When this got back to the Israeli Ambassador to the United States, Yitzhak Rabin, the future Prime Minister called Tel Aviv and asked the government to send immediately to him the overhead imagery that proved the violations (including the movement of the Soviet SAMs right up to the Suez Canal; a movement that would, three years later, help Anwar Sadat decide to attack Israel in what would come to be called, in America, the Yom Kippur War and, in Israel, the War of Atonement; a war that would cost Israel more heavily in lives, widows and orphans than any preceeding Arab-Israeli war had done), and an imagery analyst to explain the photos. Once they arrived, Ambassador Rabin paid a call on President Nixon. Once Ambassador Rabin had shown President Nixon the evidence that proved conclusively that Dr. Cline was either a liar or an ignoramus, it is reported that President Nixon became "angry" with Cline and "ordered the Pentagon to remove its veto on several categories of weapons the Israelis had asked for during the preceeding months." (see Doron Geller, "Israeli Intelligence and the Yom Kippur War of 1973." Jewish Virtual Library, www.us-israel.org)
"Dr. Cline now serves as senior adviser for the Center for Strategic and International Studies at Georgetown University, as well as professor of international relations. He teaches, directs research and writes on strategic intelligence, geopolitics, strategy and foreign affairs.
"He was a Henry Prize Fellow at Balliol College, Oxford University, and a member of the Society of Fellows at Harvard University, where he earned his B.A., M.A. and Ph. D. degrees.
"Dr. Cline is the author of numerous books, including Washington Command Post, (Department of Army, 1951) a reference work on military planning in World War II, and Secrets, Spies and Scholars: The CIA from Roosevelt to Reagan (1986), which describes the American intelligence system from World War II through 1976. In addition, Dr. Cline has written a series of studies on geopolitics and the relative strength of nations.
"A number of his many published works have dealt with the timely topic of terrorism, including Terrorism: Seedbed for Soviet Influence and two books that he co-authored, Terrorism as State-Sponsored Covert Welfare and Terrorism: The Soviet Connection.
"He [was] Vice President of the Veterans of the Office of Strategic Services, the World War II precursor of the CIA, and is founder and president of the National Intelligence Study Center, created to improve understanding of the role of intelligence in the American political process. He [was] a member of the board of visitors of the United States Defense Intelligence College and president of the Committee for a Free China."[1]
"In a lengthy and distinguished career in U.S intelligence, Cline served, among other assignments, as CIA Deputy Director for Intelligence (DDI) and head of the State Department's Bureau of Intelligence and Research (INR)."[2]
U.S. Global Strategy Council is a Washington-based organization, which [was] under the chairmanship of founder Ray Cline, former Deputy Director of the CIA, who maintain[ed] very close ties with the U.S. Intelligence community. "Taiwan became a laboratory for total and unconventional warfare." It established a Political Warfare Cadres Academy--D'Aubuisson is a graduate--with the assistance of WACL associate Ray Cline, who was CIA station chief in Taiwan form 1958-1962, then CIA deputy director for intelligence, State Department director of intelligence and founder of the U.S. Global Strategy Council. U.S. military personnel taught at the Academy....Moonie connections with the U.S. right...are extensive...[late] Major General Daniel Graham [CNP], a member of CAUSA USA's advisory board, heads the Star Wars lobby group, High Frontier. F. Lynn Bouchey [CNP], president of the Council for Inter-American Security and member of the Committee of Santa Fe, helped organize two CAUSA conferences. Washington Times editor Arnaud de Borchgrave [CNP] serves on Ray Cline's U.S. Global Strategy Council, a Ronald Reagan advisory group. The Strategy Council's executive director is retired General E. David Woellner, president of CAUSA World Services. Washington Times columnists include Ray Cline's son-in-law Roger Fontaine, a Committee of Santa Fe member and former Reagan Latin America adviser, and Jeremiah O'Leary, formerly special assistant to National Security Adviser William Clark. [Sklar, p. 78, 80][3]
Related SourceWatch resources
Committee on the Present Danger
Eurasia Center [1]
See Ray Cline for Cline's publication citations.
↑ Eurasia Center About, organizational web page, accessed July 27, 2018.
Retrieved from "https://www.sourcewatch.org/index.php?title=Ray_Cline&oldid=738774"
Nuclear PR


text:
Video on Demand Report: Now With 100 Percent More Arctic Wolves!
VOD OCD
by Molly Lambert
"Wild wolves are generally timid around humans."
Perhaps, but Liam Neeson is no ordinary human, and this Alaska-set battle between man and nature is no ordinary B-movie. I love everything about The Grey; the solemnity and silliness, the characters' lack of first names, the beard icicles. Forget the fact that there are no wolves in the part of Alaska where the movie takes place. Focus on how Neeson elevates what could have been camp into his own King Lear.
Woody Harrelson gets his Bad Lieutenant: Port of Call New Orleans on in this gritty drama co-written by James Ellroy (!) about a crooked LAPD cop. Featuring a brilliant supporting cast that boasts Ice Cube, Cynthia Nixon, Anne Heche, Ned Beatty, Robin Wright, Steve Buscemi, and Sigourney Weaver.
Do you think if Glenn Close just keeps dressing in drag like she does in Albert Nobbs she could land lead roles as vigilantes in movies like Rampart and The Grey? Women like to come face-to-face with their own mortality in the wilderness/urban jungle, too, you know.
Why are sociopaths always so sexy in movies? And why is Tilda Swinton always such an unimpeachable goblin queen?
Splinters
Documentary about the 20-year history of surfing in Papua New Guinea and the wrenching human drama surrounding a big surfing competition.
Afghan Luke
War movie involving a journalist breaking a story about Canadian soldiers mutilating corpses in Afghanistan. Stars Nick Stahl, who recently made headlines when his wife filed a missing-persons report about him, saying that he may have gone to L.A.'s Skid Row for a drug binge. Stahl was famously edited out of Terrence Malick's The Thin Red Line and is best known for his performances in In the Bedroom, HBO's short-lived Carnivàle, and as the replacement John Connor in Terminator 3: Rise of the Machines. We hope he returns safely home.
Fever Night
Three Satanists have a ritual romp in the woods reminiscent of The Blair Witch Project, resulting in exploding birds and "unusual tree behavior." Soundtracked by Thee Oh Sees, Fever Night is a mostly straight-faced throwback to '70s exploitation films.
A Buddy Story
We see Elisabeth Moss as frumpy Peggy Olson so much it's shocking to see her look like herself, and remember that she's adorable. This is a shoestring indie romance co-starring … Matisyahu? What???
About Fifty
A rom-com about two dudes trying to escape being middle-aged by heading to Palm Springs. The love interest is played by Wendie Malick (Dream On, Just Shoot Me), who is still a total babe at a refreshingly appropriate 61 years old.
Fake It So Real
Documentary following a group of independent would-be professional wrestlers as they prepare for a big show in Lincolnton, North Carolina. Sweaty sequined madness replete with plenty of blood, tears, and two-by-fours to the face.
"In Theaters" VOD Pick
The Philly Kid
RAP-ROCK! MMA CAGE FIGHTING! DEVON SAWA!
Weird Indie of the Week
I guess it must be vigilante week on the VOD Report. Here's Willem Dafoe as a mercenary "sent from Europe by a mysterious biotech company to the Tasmanian wilderness on a hunt for the last Tasmanian tiger." With Sam Neill and Frances O'Connor. Who would win in a fight between Liam Neeson, Willem Dafoe, a wolf, and a tiger?
Early VOD Premiere of the Week
Vietnamese world-class martial artist Cung Le gets mentored by Jean-Claude Van Damme in order to take on crime lord Peter Weller (Robocop). Part of a spate of films produced by Joel Silver for action-film festival ActionFest: "The Film Festival With a Body Count."
Masochist's Choice
I mean, how bad could it be? (Famous last words.)
Filed Under: VOD OCD, TV, Glenn Close, Ice Cube, Jean-Claude Van Damme, Liam Neeson, Tilda Swinton, Video On Demand, Woody Harrelson, elisabeth moss
Molly Lambert is a staff writer for Grantland.
Archive @ mollylambert
More From Molly Lambert
More VOD OCD
Corporate Synergy: The Focus-Grouped, Mundane Sci-Fi Mess of 'Jem and the Holograms' October 23, 2015
Songs of the Week: Selena Gomez, Nosaj Thing, and Courtney Barnett October 9, 2015
Lifetime's 'Unauthorized Beverly Hills 90210 Story' Is Not Nearly As Fun As the Real Thing October 5, 2015
Janet Jackson Returns With the Wistful, Experimental New Album 'Unbreakable' October 2, 2015
See all from Molly Lambert
Video on Demand Report: Liam Neeson Can't Stop, 'Non-Stop' June 13, 2014
Video on Demand Report: C'mon, Which 'RoboCop' Do You REALLY Want to Watch This Weekend? June 6, 2014
Video on Demand Report: VOD Oscar Party Weekend! May 16, 2014
Video on Demand Report: Eisenberg x Two With 'The Double' May 9, 2014
Video on Demand Report: Breaking News — 'Anchorman 2' Is on VOD April 4, 2014
See all VOD OCD
Report: Van Halen Still Hate Each Other
Grantland Reality Fantasy League: Basketball Wives, Bachlorette Bros, and Survivor's Kim


400 Denier 14″ x 20″(35.6 cm x 50.8 cm) Nylon Golf Flag is durable and ready to stand up to all conditions on your golf course.
Solid color nylon golf flag comes with tube lock system to make it easy for you to change the flags on the fly.
Enjoy the many colors to your liking.
These are solid color nylon golf flags sold individually.


Summer is almost here! The first official day of summer is Thursday, June 21st. The start of this season gets us excited about so many things, from family vacation to pool parties to baseball games. Also at the top of our list of favorites is styling our home interior with summer-inspired décor. Here's how you can freshen up your space with warm weather charm.
Incorporate pops of color. You can easily do this by setting fresh flowers on your tabletops, hanging colorful pictures, or displaying a vibrant serving tray or dish.
Lighten up. Give your home a glow by opening up your curtains to let natural light in. You'll be amazed at how much this will lift your mood and enhance your appreciation for the beauty in your own backyard.
Add greenery. You can have a bowl of greenery on a side table or coffee table for a color boost or a tree in the corner to add even more greenery to your room.
Freshen up with new pillows. Nothing says summer like fun, brightly hued pillows. Instead of having just one pair of throw pillows, try two. Go bold by mixing and matching your accent pillows—neutrals with colorful pillows and patterns with solids. Pile on the pillows for a wow factor!
Declutter. A tidy space is a happy space, so put away the clutter. Think of your home as a vacation getaway, somewhere you go to escape the piles of paperwork and bills. Once you put these items away in their proper places, perhaps in a desk drawer, you'll be able to breathe easier and relax.
We hope that these decorating ideas help you revamp your home décor with summer cheer! Whether you're spending this summer basking in the comfort of your own home or you're jetting off to an exotic location, we wish you fond memories that last a lifetime.
We're so glad that our tips got you into the summer spirit. Happy decorating, Natasha!
These are some pretty simple, yet helpful tips. I can feel the zen taking over already.


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Flageolettflöjt eller bara flageolett är en sorts snabelflöjt. De första flageolettflöjterna byggdes på 1500-talet. Efter 1800-talet är instrumentet ovanligt. Flageoletten gick igenom flera utvecklingsstadier under den tid den användes. En variant som kallas fransk flageolett har fyra hål på framsidan och två på baksidan, och spelades av bland andra Samuel Pepys. Både Händel och Purcell har skrivit musik för denna typ av flageolett.

Den engelska flageoletten, med sex stycken fingerhål på framsidan, började småningom tillverkas i metall och utvecklades till vad som idag brukar kallas tin whistle.

Bildgalleri

Se även
 Serpent
 Piccolaflöjt
 Fiol, avsnitt Spelsätt och speltekniker

Externa länkar
Om flageoletter (på engelska)

Träblåsinstrument


Today Jess has a sweet little tribute to the father of the stage, mister Billy Shakespeare. She also found a charming video about a few of Shakespeare's words that failed to catch on… You'll never guess what a kickie-wickie is!
His 37 plays hath been performed for a mere four hundred years. Many a man hath laughed his stitches out and watched with bated breath as Ophelia sang chants of old lauds, as one incapable of her own distress. Countless fair maidens have swooned as Romeo didst compare Juliette to a bright angel. My dear cousins, zany as it may seem, on restless midsummer nights when I've not slept one wink, I doth relish reading Shakespeare's works. Methinks it is such stuff of which dreams be made on! And all the more to gaze upon a stage alive. But what the dickens didst I learn when I perchanced to read of my dears't Sirrah from the pages in mine own library? Tis true, our beloved English playwright turned 450 years of age on April 23, 2014. Methinks 'twas strange that on that very same day of his birth, after he liveth a mere 52 years, his life had come full circle, and he was foundeth dead as a doornail! I was rather bedazzled by this fact. That is the long and short of it. Happy 450th, dear Shakespeare!
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Join us for an upcoming Live Video Masterclass!


text:
SilverFast 8.8 supports macOS Mojave 10.14 - available now
SilverFast 8.8 runs on 64-bit Intel Mac OS X systems from version 10.7 (including macOS Mojave). Older versions of SilverFast (5.0 - 6.6) will not run on the latest Mac operating systems! With the ongoing development and optimization of SilverFast, the PC hardware and software environment requirements increase. With the release of SilverFast 8.8 we discontinue supporting some older operating systems: all 32-bit systems, Windows XP and Mac OS X 10.5/ 10.6. More information on the SilverFast System Requirements
Note: Caution when updating to MacOS Mojave (10.14)
SilverFast 8.8 is macOS Mojave compatible for the following scanners:
macOS Mojave and other SilverFast products
In addition to the scanner software, SilverFast HDR 8 and HDR Studio 8 have now been tested extensively and are fully compatible with macOS Mojave 10.14.
Caution when updating to macOS Mojave (10.14) and later
Apple has ceased to support 32-bit systems. Scanners lacking 64-bit drivers are not compatible with macOS 10.14 - 11.0.
For the last several years, Apple has been preparing to transition to a purely 64-bit system. In macOS 10.14 - 11.0, this step has been taken: 32-bit apps and drivers are no longer supported. In this new version, affected scanners will no longer function with SilverFast until their drivers are updated to support 64-bit.
At this point in time, some scanner manufacturers only provide 32-bit drivers, which are currently not supported by macOS 10.14 - 11.0. We thus urgently recommend that you contact your scanner manufacturer prior to updating to macOS 10.14 - 11.0 in order to determine the compatibility of your device.
You can find further information concerning this issue here:
https://support.apple.com/en-us/HT208436
Affected devices:
Canon:
Epson:
Expression 1680 Pro, ES-2200
Perfection 2480
The SilverFast update to version 8.8.0r14 is the last 32-bit SilverFast update for the affected devices under macOS. In the future, SilverFast will be developed solely in 64-bit.


text:
The Commons at The Harley SchoolNoticestry-DEV2021-01-06T13:20:08-05:00
The Commons at The Harley School
The Commons at Harley is the first PreK-12 education space in the country to offer students multiple dimensions of education around creating a sustainable future. Including the frame of a 15,000-square-foot recycled Western-NY barn, the structure earns its status as a "living building" because it will generate its own energy, heat and cool with renewable nontoxic resources, capture and utilize water and carbon in its greenhouse, and operate efficiently.The Harley School is an outstanding educational organization and we are proud to have been a part of this unique project.
75 Highpower Rd.,
Copyright 2021 Nichols Construction Team | All Rights Reserved | Crafted by Noticestry LLC


hygienists can easily access an array of continuing education courses, read peer reviewed features, and keep up with latest news surrounding the oral health care field.
mentoring program, "The Six Dental Hygienists You Want to Know." Exclusive web-only content, quizzes, and slideshows are also new additions to the site.
the Midlevel Practitioner, which highlights issues surrounding an emerging profession—the midlevel practitioner. Belmont Publications, Inc. is an ADA CERP recognized continuing education provider.


text:
William B. Bailey (December 11, 1892 – October 25, 1977) was an American politician who served as Registrar of Deeds for the Southern Middlesex District and was a member of the Massachusetts House of Representatives.

Early life
Bailey was born on December 11, 1892 in Somerville, Massachusetts. He attended public schools in Somerville, Benjamin Franklin Institute of Technology, and Wentworth Institute of Technology.  Bailey served in the United States Army during World War I and mustered out with the rank of sergeant.

Political career
From 1942 to 1945, Bailey was a member of the Somerville school committee. From 1947 to 1949 he was represented the 24th Middlesex District in the Massachusetts House of Representatives. In 1947 he was an unsuccessful candidate for mayor of Somerville. In 1950 he was a candidate for Secretary of the Commonwealth. He finished fourth in the Republican primary with 15% of the vote. In 1952 Bailey defeated Democratic incumbent James F. Fitzgerald  to become Registrar of Deeds for the Southern Middlesex District. In 1958, he was defeated for reelection by Edmund C. Buckley. In 1962, Bailey was an unsuccessful candidate for Middlesex County commissioner. Bailey was also a member of the Somerville board of assessors for 16 years.

Bailey died on October 25, 1977 at his home in Somerville.

See also
 1947–1948 Massachusetts legislature

References

1892 births
1977 deaths
Benjamin Franklin Institute of Technology alumni
Wentworth Institute of Technology alumni
Republican Party members of the Massachusetts House of Representatives
People from Somerville, Massachusetts
Registers of deeds in Massachusetts
20th-century American politicians


I made recordings of myself playing on the guitar and other instruments before, but I always found excuses why I didn't want to upload them to somewhere where a larger audience can see and listen to it. Being the person who played, you always know that the lick here and the chord there wasn't as perfect as you wished it would be.
But no excuses this time (even though either recording isn't perfect as well).
I am more or less randomly playing around. Sure with some plan in mind, but not with every note defined in advanced. When playing with guitar and the harp (a Hohner Marine Band Deluxe in D), there isn't so much room for fancy spontaneous ideas anyway. Because playing 2 instruments at the same time is pretty hard.
Comparably easy is to play the guitar alone. This one is really almost only what came to my mind the seconds as I played it. When I pressed the record button, I had no idea what I was going to play.
So now that a start is made to finally publishing recordings, there is a good chance that there is more to come!


For some college students, the luxury of returning home and enjoying a home-cooked meal occurs every weekend. For others, that home cooked meal would be a six-hour long journey and they have to compromise for cafeteria food. College can be overwhelming at times for every student. However, for students who choose to attend school out of state there are sometimes more stresses than a local student: the expenses of traveling home, being away from your support system, and starting over in a completely foreign area. When these hardships become overwhelming, there may be times where you want to pack up all of your belongings and attend a school closer to home. But, if you can get through the rough patches, the experience of attending school out of state can be truly eye-opening. Here are some ways to help make your transition as an out-of-state student less stressful, more affordable, and a lot more fun!
-Local restaurants, popular landmarks, and activities: This will give you a fun list of things to do during the school-year and can be a conversation starter to make new friends by inviting them to join you on these adventures!
-The average weather conditions: This will give you an idea of what type of clothes to pack and help you mentally prepare for the major snow storms or heat waves throughout the school-year.
-Avoid overpacking: Most students think that they have to bring every single item from their childhood bedroom into their college dorm, especially if they fear getting homesick. Make sure you only bring a few trinkets that remind you of home in order to cure your homesickness and avoid unnecessary clutter in your dorm room.
-Use box shipping services: For students who live incredibly far away from campus, consider using shipping services to deliver your items to your dorm. These companies make your moving day easier and cheaper by delivering items from your hometown directly to your dorm. Additionally, they will pick up your items from your dorm once the school year is over and either ship it back to your home or store it over the summer!
-An opportunity to find new hobbies and friendships: Colleges typically have hundreds of organizations that can allow you to pick up a new hobby you have always wanted to try or continue to pursue one that you have always had! Plus, being exposed to individuals who are interested in the same activities as you is an easy way to form new friendships.
-An opportunity for networking: Engaging in on-campus clubs and organizations can establish networking opportunities with other students in different or similar career fields as you. Likewise, being involved looks great on your resume and can even lead to a future job.
-Making regular calls home: Your new busy schedule can cause you to lose touch with loved ones back at home. Regular text messages to your friends and family is a great way to keep in touch. However, designate time once a week to make phone calls home. Verbally talking is more personable and will allow for more in-depth conversations that can help relieve stress and homesickness.
-Other Students: Odds are you aren't the only person at your school who is an out-of-state student. Ask your friends or look in social media groups to find other out-of-state students. Finding individuals who are going through the same struggles of being far away from home can be comforting and make you feel less alone. Plus, you may even find someone who lives near your hometown and can become a travel buddy. This way when you return home for breaks you don't have to travel alone.
Being an out-of-state student definitely has its ups and downs. However, the experience can teach you a lot about different communities, cultures, and even yourself. Push yourself out of your comfort zone and your out-of-state college experience will definitely be one to remember!


Our roller pillow block provides key performance benefits such as high load capacities, high speeds, and design compatibility. This provides size interchangeability with industry standard blocks. In contaminated environments, the roller bearings push particulates out of the way or roll seamlessly over them. Large rollers in the Roller Pillow Block system are well suited for long travel applications, minimizing vibration and providing smooth and quiet travel over joined shafts.


The annual Sacred Harp singing at Cross Roads Baptist Church was held on the first Sunday in July, and was called to order at 10:00 a.m. by Louis Hughes, Sr. leading song on page 52 (t? b?). The morning prayer was led by B.J. Harris. Miranel Swafford led song on page 137; Mary Florence Smith 224; Margie Smith 501b.
The class was organized with the following officers elected or appointed: Chairman—Louis Hughes, Sr.; Vice Chairman—Miranel Swafford; Secretary—Hester Edwards; Memorial Committee—Mary Florence Smith; Arranging Committee—Margie Smith.
Leaders: Louis Hughes, Sr. 138b; Josephine Denney 100; B.J. Harris 503; Julie Lee 82t; Everette Denney 335; Fran Adams 159; Ted Johnson 348b; Rachel Lee 32t; Henry Schuman 145t; Melanie Hauff 430; Phillip Langley 436; Pauline Childers 318; Paul Gauthier 565; Kathy Lee 515; Roy Nelson 274t; Jenny Willard 349; Nancy Allen 146.
Louis Hughes, Jr. and Louis Hughes, Sr. called the class together leading song on page 569b. Leaders: David Lee 101b; Katharine Manning 50t; Keith Willard 278b; Judy Hauff 187; Terry Hogg 340; Katherine Benefield 373; John Redmon 358; Shelbie Sheppard 28b (for Lula Smith); Johnny Lee 37b; Charlene Wallace 84 (for I.V. McWhorter); Don Bowen 475.
Mary Florence Smith gave the memorial, reading scripture from Ecclesiastes third chapter and reading the names of the deceased: Velma Denney, Kim Cagle, Alvin Stanson, Jerry Sheppard, Ruth Reid, Shirley Roberts, Myreeta Hardin, Susan Wantland, Clyde Atkinson, Opal Johnston, Audre Floyd, Hadyn Creel, Mamie Creel, Vernice Calvert, Johnnie Williams, Hoyt Pope, Curtis Alred, Dwayne Alred, and Herman Smith.
Lonnie Rogers led song on page 45t (by special request) for Johnny Williams. Felton Denney led songs on pages 50b and 31t for all the other deceased. Louis Hughes, Sr., Florence Williams, Ceford Wood, and Theo Waddel led song on page 457 in memory of Monroe Wood and other members of the Wood and Williams famalies.
Marcia Johnson led songs on pages 179 and 434 for the sick and shut-ins: Evelyn Newman, Mozelle Sheppard, Carrie Garner, I.V. McWhorter, Revy Williamson, and Ethel Klein (Marcia Johnson's mother). Mary Florence Smith led song on page 426t and closed the memorial with prayer.
The afternoon of singing began with Louis Hughes, Sr. leading song on page 72b. Leaders: B.M. Smith 284; Mary Elizabeth Lee 198; Jimmie Denney 143; Karen Hojnacki 208; Clarke Lee 32b; Carlene Griffin 306; Jeff Sheppard 367; Teenie Moody 148 (for Mozelle Sheppard); Bobby Jackson 480; Liz Bryant 368; Louis Hughes, Jr. 147t, 77b; Mildred Patterson 378t; Lee Rogers 513; Louis Hughes, Sr., Lynn Dodson, Elaine Newman, and Allison Dodson 282; Evelyn Harris 47t; Judy Mincey 474; Louise Nelson 87; Bonnie Flowers 448t; Estelle Flowers 213 (t? b?); Marcia Johnson 260; David Lee 454; Melanie Hauff and Judy Hauff 312b; Keith Willard and Jenny Willard 29t; Julie Lee and Clarke Lee 28t; Louis Hughes, Sr. 63.
Announcements were made. Louis Hughes, Sr. and Miranel Swafford led song on page 46 for the closing song. The class was dismissed with prayer led by Lonnie Rogers.
Chairman—Louis Hughes, Sr.; Vice Chairman—Miranel Swafford; Secretary—Hester Edwards.


text:
YouTube to launch music charts in Egypt, UAE and Saudi Arabia
By Butchie Seroto
YouTube will on 29 September launch music charts, which include a collection of the top songs and artists in Egypt, Saudi Arabia and the United Arab Emirates.
The Arab world-facing charts will be available from 29 September.
The weekly charts will offer the Arabic music industry a more streamlined and transparent approach by measuring the popularity of its songs. They will be updated on Sundays and will be available on YouTube Music and on www.charts.youtube.com.
The top songs chart will rank up to 100 tunes based on a number of factors including streams on YouTube Music, views on a song's video on YouTube, and the frequency of a song used in user-generated content on YouTube. Three of the charts will consist of the top 100 songs, artists, and music videos played on the platform over a seven-day period, while the fourth chart will track the top 20 newest and most popular music trends.
"I have seen firsthand the impact YouTube has had on the Arabic music industry," YouTube's head of music for the Middle East and North Africa region Liliana Abudalo said. "There has been a great shift in how artists release their work in terms of production and promotion on YouTube.
"YouTube Charts will help emerging and established artists highlight their success, and with more than 2 billion monthly logged-in users it will offer a more holistic representation of a song's performance."
Warner Music managing director of Middle East Moe Hamzeh said: "YouTube Music charts is a great platform for our artists here in the Middle East. It's a way for fans to see at a glance which songs are popping across the region, and we hope that leads to them discovering more about the artists behind the songs and the rest of their music, and that's another tool to help us build our artists' careers."
YouTube first launched its music charts across 44 countries in May 2018, and has been expanding them geographically since then.
The move adds to the platform's efforts to improve the music business in the Middle East and North Africa region. Over the years, the company has partnered with several key music labels to provide tools and knowledge to help users in the region grow their businesses on the platform. The region now boasts more than 170 music channels with over 1 million subscribers, compared to 18 channels about four years ago.
Music streaming business
www.tunecore.com/
Spotify to lay off 6% of global workforce
Spotify is laying off about 600 of its workers, representing 6% of its workforce globally.
By Gabriel Myers Hansen
MENA: TikTok inks licensing deal with Saudi label Rotana
Saudi Arabia's Rotana Music Group and short-form video hosting service TikTok have announced a...
Black Sherif, Wegz to play Wireless Fest Middle East in...
African artists Black Sherif (Ghana) and Wegz (Egypt) have been confirmed to play at the first...
YouTube partners with AFRIMAs
YouTube has inked a strategic partnership with the All Africa Music Awards (AFRIMAs) ahead of the...
Feature.fm adds YouTube conversion and attribution data
Music industry marketing and advertising platform Feature.fm has partnered with YouTube on...
Burna Boy hit named in UK's top music videos of 2022
Burna Boy 's 'Last Last' has made YouTube's Top 10 official music videos that received the most...
Spotify paying users grow by 7 million in Q3
Global music streaming service Spotify added seven million paying subscribers to its total number...
Burna Boy's Last Last surpasses 100 million YouTube views
The music video for Burna Boy 's runaway hit 'Last Last' has surpassed 100 million views on YouTube.
YouTube unveils new handles feature
Video sharing platform YouTube has introduced a new handles feature for creators to identify their...


Read the description of Collaboration and the Power of Learning Groups.
Gain valuable insight from action research conducted by colleagues when you download their final reports below. Congratulations to each member of the 2016-17 IBSC Action Research cohort. We applaud your hard work, persistence, and dedication to your project. Your research enhances best practice in educating boys.
Select from the following researchers, published here as exemplars.
The above reports fulfilled demanding criteria.
The report was well written, pitched at appropriate level, and followed the structure provided.
The project itself served as an example of genuine and rigorous action research.
The "action" proved appropriate and relevant in the school environment.
The project provided valuable findings on the overarching topic Collaboration and the Power of Group Learning.
The literature review included synthesized, not just described, relevant literature.
The literature referenced directly boys' education.
Data analysis was sound and conclusions were appropriately drawn.
How can building trust during a collaborative dramatic study of Shakespeare enhance engagement for Year 9 English students?
How might changing the language of collaboration from group to team, foster collaborative skills in High School boys?
Will the joint drafting of an accountability agreement develop the key competencies required for effective collaboration within the environmental club?
How can developing a culture of empathy foster interdependence within year 9 Technology learning groups?
"How can Communication Skills in Grade 9 boys be enhanced to improve collaboration in a Design Challenge ?
What are the effects of collaborative 2-stage testing on Grade 11 and 12 boys' performance in Environmental Studies ?
What effect will collaborative goal setting have on the self-efficacy of 10th Grade boys?
How might the explicit teaching of collaborative skills in a study of Macbeth enhance powerful group learning and understanding for Year 7 boys?
How might a focus on active listening strategies enhance collaborative skills for 9 year-old boys?


text:
Q: C++ template print object name template <class T>
class mytemp {
    public:
    mytemp ();
    print_name()
    {
     cout << "Name is: " << //?
    }
};

mytemp<int> myobject ();
myobject.print_name()

I want print_name() function to print this class's name, in this example, print Name is: myobject.
How can I do this?

A: You'd need to add a member variable that held the objects name.
I'm going to assume that you'd want to make that a const member variable. If so you'd do something like this:
#define CREATE_MYTEMP(x) mytemp<void> (x){#x}

template <class T>
class mytemp {
    private:
    string _name;
    public:
    mytemp(){}
    mytemp(string name) : _name(name){}
    void print_name() const
    {
        cout << "Name is: " << _name << endl;
    }
};

To use this you'd have to pass in a name on construction of the object or use CREATE_MYTEMP:
mytemp<void> foo("foo");
CREATE_MYTEMP(bar);

foo.print_name(); //prints: "Name is: foo"
bar.print_name(); //prints: "Name is: bar"

If you use the default ctor you'll have an empty name:
mytemp<void> empty;
empty.print_name(); //prints: "Name is:"