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Pierce, Marjorie. San Jose and Its Cathedral. Inscribed by the author. Photo available. Santa Cruz. Western Tanager Press. 1990. 204 pps. 4to. Hardcover. First edition. Illustrated in black, white and color. Important reference work. Inscribed by the author "To Don Carothers Memories of a pleasant breakfast with the Sertoma(?) Club. Best wishes. Marjorie Pierce February 10, 1999". Fine copy in fine dust jacket (in mylar).
Pieri, Michael (ed). Voyage Across the Years. The Toronto Star. 1894-1960. Photo available. Toronto. Toronto Star Newspapers. 1994. 136 pps. 4to. Soft cover. First edition. Illustrated. Important reference work. Fine copy.
Piggott, Stuart. Ancient Europe from the Beginnings of Agriculture to Classical Antiquity. Chicago. Aldine. 1970. Octavo. Hardcover. Reprint. Illustrated. Near fine copy (very light shelf wear).
Pignata, Brenda Sue. Lessons from the Lions. Camping on the Serengeti. Photo available. np. Blurb Inc. 2009. Octavo. Hardcover. First edition. Illustrated in black, white and color. Very scarce in this condition. Fine copy in fine dust jacket (in mylar).
Pike, Albert. Morals and Dogma of the Ancient and Accepted Scottish Rite of Freemasonry. Photo available. Washington. House of the Temple. 1965. Octavo. Gilt decorated hard cover. New and revised edition. Important reference work. Very scarce in this condition. Fine copy (owner inscription on end paper).
Pike, Albert. Morals and Dogma of the Ancient and Accepted Scottish Rite of Freemasonry. Photo available. Charleston. A.M. 5680. 1921. Octavo. Gilt decorated hard cover. Reprint. Important reference work. Very scarce in this condition. Near fine copy (spine faded, very light shelf wear).
Pike, Albert. Morals and Dogma of the Ancient and Accepted Scottish Rite of Freemasonry. Photo available. Washington. House of the Temple. 1950. Octavo. Gilt decorated hard cover. New and revised edition. Important reference work. Very scarce in this condition. Fine copy, very bright.
Pike, Albert. Morals and Dogma of the Ancient and Accepted Scottish Rite of Freemasonry. Photo available. Washington. House of the Temple. 1947. Octavo. Gilt decorated hard cover. Reprint. Important reference work. Very scarce in this condition. Fine copy.
Pike, Albert. Morals and Dogma of the Ancient and Accepted Scottish Rite of Freemasonry. Photo available. Washington. House of the Temple. 1958 Octavo. Gilt decorated hard cover. Reprint. Important reference work. Very scarce in this condition. Fine copy.
Pillai, N. Kathiraiver. N. Kathiraiver Pillai's Tamil Moli Akarathi. Tamil-Tamil Dictionary. Photo available. New Delhi. Asian Educational Services. 1994. 4to. Gilt decorated hard cover. Sixth revised & enlarged edition. Important reference work. Very scarce in this condition. Fine copy. Inside hinges tape reinforced.
Pinsky, Robert. The Figured Wheel. Inscribed by the author. New and Collected Poems. 1966-1996. Photo available. New York. Farrar, Straus & Giroux. 1996. 304 pps. Octavo. Gilt decorated hard cover. Stated first edition. Important reference work. Very scarce in this condition. Inscribed by the author "T Nina, with very warm regards Robert Pinsky". Fine copy in fine dust jacket (in mylar).
Pipes, Daniel. Militant Islam Reaches America. Photo available. New York. W.W. Norton. 2002. Octavo. Hard cover. First edition. Illustrated. Important reference work. Very scarce in this condition. Fine copy in fine dust jacket (in mylar).
Pitirim of Volokolamsk, Archbishop et al. The Orthodox Church in Russia. A Millennial Celebration. Photo available. New York. The Vendome Press. 1982. 203 pps. 4to. Hardcover. First American edition. Illustrated in black, white and color. Important reference work. Very scarce in this condition. Fine copy in fine dust jacket (in mylar).
Pitzer, Sara. How to Write a Cook Book & Get It Published. Cincinnati. Writer's Digest. 1984. 253 pps. Octavo. Hardcover. First edition. Illustrated. Important reference work. Very scarce in this condition. Fine copy in fine dust jacket (in mylar).
Plato (translated by Robin Waterfield). Republic. New York. Barnes & Noble. 1996. Octavo. Hard cover. Reprint. Very scarce in this condition. Fine copy in fine dust jacket (in mylar).
Plato. Wlizabeth Scharffenberger. George Stade. Republic. Photo available. New York. Barnes & Noble. 2004. Octavo. Hard cover. First edition thus. Important reference work. Very scarce in this condition. Fine copy in fine dust jacket (in mylar).
Platt, Colin. The Abbeys & Priories of Medieval England. New York. Barnes & Noble. 1984. Octavo. Hard cover. Reprint. Illustrated. Important reference work. Very scarce in this condition. Fine copy in fine dust jacket (in mylar).
Plattner, F.A. & Father Trevor Huddleston. Christian India. Photo available. London. Thames and Hudson. nd. 147 pps. 4to. Gilt decorated hard cover. First edition. Illustrated with photographs by B. Mossbrugger. Important reference work. Very scarce in this condition. Fine copy.
Plimmer, Martin. Beyond Coincidence. Amazing Stories of Coincidence and the Mystery Behind Them. Photo available. New York. Thomas Dunne Books. 2007. Octavo. Soft cover. First edition thus. Important reference work. Very scarce in this condition. Fine copy.
Plimpton, George. Fireworks. A History and Celebration. Photo available. New York. Anchor. 1989. 286 pps. Octavo. Soft cover. Reprint. Illustrated in color and black & white. Important reference work. Very scarce in this condition. Fine copy.
Plisson, Philip. The Sea. Day by Day. Photo available. New York. Harry N. Abrams. 2003. 4to. Hard cover. First edition. Illustrated in black, white and color. Important reference work. Very scarce in this condition. Fine copy in fine dust jacket (in mylar).
Ploss, Herman Heinrich. Woman in the Sexual Revolution. An Anthropological and Historical Survey. Photo available. New York. Medical Press. 1964. 4to. Hard cover. First edition. Illustrated. Important reference work. Very scarce in this condition. Fine copy in near fine (very light shelf wear) dust jacket (in mylar).
Plowden, Alison. The House of Tudor. New York. Stein and Day. 1976. Octavo. Hard cover. First edition. Illustrated in black, white and color. Important reference work. Very scarce in this condition. Fine copy in fine dust jacket (in mylar).
Plumlee, Dawn Anita. One More Last Chance. Photo available. np. Xlibris. 2010. 331 pps. Octavo. Hardcover. First edition. Illustrated. Important reference work. Very scarce in this condition. Fine copy in fine dust jacket (in mylar).
Podmore, Frank. From Mesmer to Christian Science. A Short History of Mental Healing. New Hyde Park. University Books. 1963. 310 pps. Octavo. Hardcover. First edition. Very scarce in this condition. Important reference work. Fine copy in fine dust jacket (in mylar).


Basel, Baden-Baden group on schedule, first stop lovely hotel near Gosnay in northern France, ready for early start for the drive to Basel tomorrow.
Made it as far as the Port Solent Premier Inn. For those that are meeting at OPC Portsmouth, I'll see you in the morning.
.....and so allow us the joy of dashing across France, on dual carriage way and flowing old Roman Roads, in order to traverse the legendary D430.
And be in Basel for an early evening beer and meal in a traditional Swiss restaraunt.
And that was just the warm up before the main Black Forest run tomorrow.
Just rolled in from driving back from Dinslaken.
Had a superb few days hooning round France and Germany with the S.H.i.T.S. crew - just bloody marvelous.
All of the panels on this car (except the doors) are carbon fiber; the quality of the paint was excellent and the attention to detail was immense.
I take it you all had a great time Osh? Well peeved I couldn't go......maybe one day.
I'm itching for a decent drive in mine and currently on the verge of clicking a eurotunnel crossing for July with my mate and son.
Alex, the north west TIPEC group are going to Germany in July.Do you not fancy that?
I'll keep the Germany trip in mind though.
Our first stop worthy of a picture was at Cochem (329 miles from Calais) and well justified the 60 extra miles it added onto our journey to Nurburg - not least because those extra miles were 'cross-country' and great fun.
If you thought that todorfm had pulled up and parked a bit close to my back end ............. you'd be right.
After his initial "I knew the length of my car" declaration he later admitted that he hadn't fully taken into account the amount that a 997 number plate plinth actually extends beyond the PU.
There were no worries on that score. The place was packed with Sunday afternoon local tourists so we parked 'naughtily' across the top of a boat launch ramp for as long as it took to get pictures with the castle as a back-drop. We never actually went more than 20 yards away from our cars.
Some of the pictures from the Spa trip. Video of us going round Spa is being prepared, taking the audio off!
Control room at Spa, you can't see the noise controller but he's Phil's new best mate, not!
Our Spa guide who was excellent.
Do you remember that picture that there was all the fuss about when the monkey took a selfie!
The streets of Oberhausen are safe!
Other pictures from Classic Remise and Dinslaken.
Heading back on the tunnel train.
A happy Turkish man, it's loud mate take our word for it!
9ff that can be hear half a mile away, nice one!
Batman waiting to find out if he's the loudest car at the show, didn't wait for the result but I'm betting he won.
Thanks to everyone for a great trip and great company. It was good to get some time in the car as well, made even more fun by a few stints with other 911's in view.


A live performance of "Saw Red" ft. Gwen Steffani of No Doubt. I know I posted this song yesterday, but it wasn't with Gwen! Thank you Youtube for letting all the people who never got to see Sublime perform live, get a chance to see over 1000 different clips!


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BTSE 2020
Against Abortion
Against Child Marriage
Against Dowry system
Child marriage means the marriage of a child under the age of 18 — most frequently the wedding of a girl child to an older boy or man.
Many girls who are married off before they turn adults are forced into early marriages and are made to leave schooling. This deprives them of their right to education and future independence. Child brides also are more likely to experience violence.
Because young girls who are married off are more likely to give birth to children while still physically immature, they're at higher risk of dying from pregnancy and childbirth complications. Not only their life is at stake but their babies also have a reduced chance of survival. Child brides who have children can also be psychologically unprepared and ill-equipped to become mothers at such an immature age.
Especially when a girl child is married off, she is separated from her family and friends, and she is transferred to her husband sort of a piece of property. In some places, in India, guardianship rights over her will even be transferred to her husband. In a moment, she is be expected to become a woman who keeps house and raises a family, instead of play and study just like the child she is.
Through child marriage, the opportunity to find out, grow and fully realize their full potential is robbed from the girl, and systematically disempowers them. It ensures that they continue to be hooked into others all their lives, strips them of their agency, makes them susceptible to abuse, and may trap them in a cycle of poverty.
This is a curse of society which needs to be stopped as soon as possible. We along with the law are making our best efforts to stop this and ensure that each child gets married at least 18 years of age.
Once they achieve 18 years of age and primary education, we may help her to get married in a good family and secure a good future.
We promote Group marriages (saamuhik vivah ) that will be free of cost.
Guardians will be given a sum of Rs 25,000 from us for marriage expenses if their daughter gets married after the age of 18.
At present, according to the rules of our organization, poor girls who are getting married will be provided a sum between Rs 5,000 to Rs 25,000.
We also help your child if he/she faces some problems after the marriage.
Connect with on Social Media
If you have any suggestions, tips, and questions, feel free to touch with us.
Copyright © 2022 Manav Kartavya Welfare and Education Trust | Made with ❤ by Techax Labs

redpajama_set_name: RedPajamaCommonCrawl


The Puget Sound Business Journal Book of Lists provides listings of hundreds of the leading area companies in their fields.
Coughlin Porter Lundeen ranked seventeenth among Puget Sound engineering firms, appeared in the top fifteen "Small Corporate Philanthropists" for the fourth consecutive year, contributed to nine of the top 25 Eastside Construction Projects, and claimed ten of the Puget Sound's largest projects. Purchase the full Book of Lists.


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The rivers of Galicia form part of a dense hydrographical network in the Spanish autonomous community of Galicia and has been described by Otero Pedrayo as "the land of a thousand rivers". Most rivers are not deep enough to be navigable, although small boats are sailed in the lower courses of the River Minho and several others, as well as at many of the dams.

The rivers flowing into the Bay of Biscay (Cantabrian Sea) tend to be very short, and those flowing into the Atlantic Ocean are only a little longer, except for the Minho (340 km) and the Sil (225 km), whose lengths are several hundred kilometres.  There are numerous rapids, due to the steep gradients of many river courses.

In addition to river fishing, rivers have been used to power mills, and dams have been constructed both to provide hydroelectric power and for storage of water.

Alphabetical list of Galician rivers

A

B

C

D

E

F

G

H

I

L

M

N

O

P

Q

R

S

T

U

V

X

See also
Galicia, Spain#Hydrography
Gallery (1)
Gallery (2)
Maps of river basins of Galicia

References

Further reading
Otero Pedrayo, R. Os ríos galegos. Ed. Castrelos. Vigo, 1977. .

Lists of rivers

redpajama_set_name: RedPajamaWikipedia


Vatican City, Oct 6, 2012 / 10:54 am (CNA/EWTN News).- Paolo Gabriele, the Pope's former butler, has been sentenced to 18 months in prison after being found guilty of stealing confidential Vatican papers — but it is likely that the 46-year-old Italian will receive a pardon from Pope Benedict XVI.
Eyewitnesses said that Gabriele sat impassively as Judge Giuseppe Dalla Torre handed down the sentence. The three-year prison sentence was reduced to 18 months due to "mitigating circumstances," including Gabriele's lack of previous convictions, years of service and admission of wrongdoing.
In his final address to the court Gabriele told the panel of three judges "I do not feel like I'm a thief," adding that he "acted only out of visceral love for the Church of Christ and for its visible head on earth." He said that he had acted alone and without accomplices.
During the week-long trial, the judges had heard how Gabriele stole copies of confidential documents from the Papal Apartments. These included personal correspondence between Pope Benedict and various cardinals along with encrypted communications from papal ambassadors across the world. Some of the papers were marked in German "to be destroyed" and were written in the Pope's handwriting.
The butler's Vatican apartment was searched by police officers on May 23, following the publication of several confidential letters in Italian journalist Gianluigi Nuzzi's book "Your Holiness." In total, officers removed 82 crates of material from the Gabriele family home, including approximately 1,000 incriminating documents.
Paolo Gabriele worked in the Papal Household under both Pope John Paul II and Pope Benedict XVI. He was one of very few individuals who had daily access to the Pope. Within the close-knit family atmosphere of the Papal Apartment, Gabriele was affectionately nicknamed "Paoletto" or "little Paul." He is married and has three children.
His defense lawyer, Cristiana Arru, described today's verdict as a "good sentence" but did not rule out an appeal against the decision.


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Submitted by witness on Wednesday, June 27, 2007.
LOCATION DETAILS: It was long ago so I don't remember what the area was called. It was an area near Ashland where the Fish and Game stock trout in scattered ponds. They also have camping areas set up here.
NEAREST ROAD: It was in a remote park area where there is hunting and many small lakes they stock with trout.
OBSERVED: I had the ecnounter while in college in Ashland Wisconson in 1978. While bowhunting with a friend deep in the woods I took to sitting high in a tree overlooking thick briars. Out of the still and silence of the woods an animal came barreling through the thickest vegetation imaginable. It was thrashing about and shrieking at the highest pitch possible. I was frithened to death and could only stand to try to see it. I could not see it but did see the brush being shaken. Again the shrill sound of its voice filled the air. It was awesome to hear, scary but awesome. My friend who was hunting down from me did see it and it was on two legs and appeared apelike to him. We were too afraid to stick around and never went back. We went to an environmental college and I shared this with one of the professors Dr. V. He never heard of a local animal making that sound. That is my story and I tell it a dozen times a year. Good luck in your research!
After speaking to the witness on the phone, he told me that he had long since lost contact with his hunting friend. This would have been useful as a corroborating witness. He also couldn't recall the location of the incident and his description could be any number of areas. That being said, his recounting of the incident is still very vivid in his mind. After all this time, the witness cannot explain the sounds he heard that October.
Paul Schnabel is a letter carrier for the U.S. Postal Service and an EMT for the area search and rescue.


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Tag Archives: mockumentary
Between Two Ferns: The Movie
Posted on January 5, 2020 by carlosdev
Given a choice between watching Between Two Ferns and two actual ferns…
(2019) Mockumentary (Netflix) Zach Galifianakis, Lauren Lapkus, Ryan Gaul, Jiavani Linayao, Will Ferrell, Matthew McConaughey, Bruce Willis, Keanu Reeves, David Letterman, Chrissy Teigen, John Legend, Rashida Jones, John Cho, Brie Larson, Paul Rudd, Adam Scott, Jon Hamm, Benedict Cumberbatch, Tiffany Haddish, Peter Dinklage, Tessa Thompson, Awkwafina. Directed by Scott Aukerman
I will admit that the kind of humor found on podcasts, YouTube videos and generally anything on the Internet leaves me pretty cool. I suppose I'm too old, not hip enough or just plain too curmudgeonly for the kind of wry humor that seems to dominate those forms these days, with the almost obsessive pop culture references. In any case, while I generally like Galifianakis and his short interview sequences on the Funny or Die website, I was hesitant about watching a full-length feature film about it.
Anyone who has seen the interview segments that Galifianakis conducts in the web series knows that they are deadpan and viciously funny, and that continues here. Asking McConaughey "Of all the things you could win an Oscar for, how surprised are you that you won one for acting?" or Keanu Reeves following up on his assertion that he researches for his film roles, "Have you ever thought of researching a character who has taken acting lessons."
The thing is, these zingers are better on paper than they are live where they just come off as kind of dickish. Also, the surrounding storyline – Zach has to film ten Between Two Ferns episodes in two weeks if he is going to get the late-night talk show host position he so dearly covets. The road trip aspect of the movie is decidedly unfunny. Lapkus does commendable work as Zach's long-suffering assistant while Gaul and Linayao are solid as his sound and camera operators. The parade of A-list celebrities turn out to be good sports about the often really nasty questions Galifianakis asks them. A closing credits blooper reel shows, however, that they are definitely in on the joke – most of the time.
Some will find this deliciously funny; others will find it needlessly cruel. Like I said, maybe I'm not exactly the target audience but I would trend more towards the latter group although there are some really hilarious moments. Just not enough of them to make me recommend this one.
REASONS TO SEE: Lapkus does a solid job.
REASONS TO AVOID: The droll humor is really hit or miss – mostly miss.
FAMILY VALUES: There is some profanity and sexual situations.
TRIVIAL PURSUIT: This marks the second time Hamm has been an interview subject on Between Two Ferns.
BEYOND THE THEATERS: Netflix
CRITICAL MASS: As of 1/5/20: Rotten Tomatoes: 75% positive reviews: Metacritic: 59/100.
COMPARISON SHOPPING: Borat
NEXT: Kin
Posted in VOD Review	| Tagged Adam Scott, Awkwafina, Benedict Cumberbatch, Between Two Ferns: The Movie, Brie Larson, Bruce Willis, cable access show, celebrity interviews, Chrissy Teigen, cinema, Cinema365, comedy, David Letterman, ferns, Films, Funny or Die, John Cho, John Legend, Jon Hamm, Keanu Reeves, late night talk show, Matthew McConaughey, mockumentary, movies, Netflix, Paul Rudd, Peter Dinklage, Rashida Jones, road trip, Tessa Thompson, Tiffany Haddish, VOD Reviews, VW van, Will Ferrell, Zach Galifianakis	| Leave a reply
Bikini Moon
Posted on October 17, 2018 by carlosdev
The frank stare of madness is unblinking.
(2017) Mockumentary (Flix Premiere) Condola Rashad, Sarah Goldberg, Will Janowitz, Sathya Sridharan, Mykal-Michelle Harris, Chukwudi Iwuji, Scott Martin, Irungu Mutu, Lauren Lim Jackson, Alyssa Cheatham, Irma Estella La Guerre, Jeremy Rafal, Brian Sills, Roland Sands Cliff Moylan, Lisa Lakatos, Gemma Forbes, Jeannine Kaspar, Danielle Kelsey. Directed by Milcho Manchevski
Mockumetaries – fake documentaries which are actually scripted films – are one of those genres that are truly hit or miss. Sometimes they're played for comedy, as in This is Spinal Tap while other times they're played straight as in…well, most found footage films like the Paranormal Activity series. This movie is one of the latter.
A documentary crew led by ambitious but obsessive Trevor (Janowitz) and his mousy girlfriend Kate (Goldberg) are filming at a New York City housing office when they are struck by Bikini (Rashad), an Iraqi war veteran who clearly has some emotional and mental problems and decide to focus on her instead. Unable to secure government housing, the couple spends the night trying to find her an apartment that will get her off the streets. The landlord who agrees over the phone to take her in suddenly changes his mind when he sees the film crew but Bikini gives him oral sex and that seems to satisfy things…but as will become her modus operandi she will mess things up for herself when she stops taking her medication. You can usually tell shes having issues when she starts blathering on about the wonderful creatures that are the praying mantis. That figures into things fairly heavily late in the game.
With their subject back on the street, the couple brings Bikini into their own home that Kate inherited from her mom. It doesn't take a genius to figure out that things will end in tears and they literally do. In fact, pretty much everything does, from Bikini's attempts to regain custody of her daughter Ashley (Harris) to her friendship with Kate and Trevor. And when the rest of the crew tries to finish the film in order to at least recoup some sort of payment for all their time and effort, things take a turn that nobody will see coming.
The first half of the film is enthralling, largely due to the efforts of Rashad who is absolutely brilliant. She has been seen in such things as the Showtime series Billions but she is clearly ready to take on major roles in important films. She never overplays the crazy until she needs to but her performance is raw and believable. The first half of the film is riveting and unforgettable.
Then comes the second half which not only goes off the rails, it proposes that there were never any rails to begin with. The more Bikini does to sabotage her situation, the more unbelievable everyone around her acts. Kate is the poster child for white guilt and Trevor is an absolute douchebag as we eventually discover but at some point someone would say "I'm not dealing with this crap anymore" and walk away.
One of the things the movie does successfully is look at the artificiality of some documentaries where scenes are staged and rehearsed rather than capturing the reality of the situation. We also see how the presence of a film crew can change the situation. It's a bit of a Catch 22 – damned if you do, damned if you don't – and while it's not directly addressed Manchevski gives you the situation and lets you go from there. That shows a great deal of respect for his audience and had he continued down this route this could have been an absolutely amazing film.
Sadly, he chooses to go down the path of weirdness and as things spiral into an ending that the rest of the movie doesn't hint at and to be frank doesn't earn, the viewer will not only be taken straight out of the film which appeared to have something to say at first and likely, as I did, get incredibly angry at the filmmaker who went to the trouble of sending a message and then spoiling whatever good will he had developed with an absolute train wreck of an ending.
Basically there are two films here; one very good, the other a waste of time. I would recommend that you watch the first half and after Trevor and Kate go their separate ways just turn off the movie or walk out of the theater. Of course, the curious will want to see this all the way to the end but I'm here to tell you it's not worth it. See the first half, skip the second. You've been warned.
REASONS TO GO: Rashad is a real talent with a bright future.
REASONS TO STAY: The movie drags a little at the end with an out-of-left-field ending that it hasn't earned.
FAMILY VALUES: There is a bunch of profanity, some violence, nudity, sexual content and disturbing content.
TRIVIAL PURSUIT: Condola Rashad is the daughter of Phylicia and Ahmad Rashad.
CRITICAL MASS: As of 10/17/18: Rotten Tomatoes: 50% positive reviews. Metacritic: 57/100
COMPARISON SHOPPING: The Lobster
NEXT: The Oath
Posted in New Releases	| Tagged Bikini Moon, child custody, cinema, Cinema365, Condola Rashad, documentary crew, Films, Flix Premiere, homeless, Iraqi War veteran, low-cost housing, mental instability, Milcho Manchevski, mockumentary, movies, New York City, oral sex, praying mantis, reviews, Sarah Goldberg	| Leave a reply
Posted on March 11, 2015 by carlosdev
A flat portrait.
(2014) Horror Comedy (Unison/Paladin) Jemaine Clement, Taika Waititi, Jonathan Brugh, Cori Gonzalez-Macuer, Stuart Rutherford, Ben Fransham, Rhys Darby, Jackie van Beek, Elena Stejko, Jason Hoyle, Karen O'Leary, Mike Minogue, Chelsie Preston Crayford, Ian Harcourt, Ethel Robinson, Brad Harding, Isaac Heron, Yvette Parsons, Madeleine Sami, Kura Forrester. Directed by Taika Waititi and Jemaine Clement
When you get a bunch of people together to live in a single flat, usually it's for economic reasons – after all, shared costs are less. When you do though, it is imperative that you try to find people with shared interests and common backgrounds. Without something to hold the group together, harmony disappears and you get chaos and anarchy.
In an unassuming suburban flat near Wellington, New Zealand live four gents who tried to head off conflict by gathering because of one common characteristic – all four of them are vampires. When a documentary crew arranges to follow them about and try to get an idea of their daily routines (all of them wearing a crucifix for safety), we are given an insight to just how ordinary the undead truly are.
That's the premise for this hilarious comedy from the guys behind the cult HBO comedy Flight of the Conchords. Jemaine Clement plays Vladislav, a 16th century despot with a penchant for torture whose confidence was shattered after the humiliating defeat at the hands of his arch-nemesis known only as The Beast. Taika Waititi (both of whom co-wrote and co-directed) plays Viago, an 18th century dandy who pines for the human woman who got away and conducts flat meetings on the chores chart.
Brugh is Deacon, a 19th century aristocrat who finds that doing dishes is beneath his status as a vampire and has let them pile up over five years. Finally, Fransham is Peter, who is 8,000 years old and really doesn't say much of anything. The four of them are doing their best to remain inconspicuous and blend in, particularly when they go out looking for victims to feed on.
One of them, Nick (Gonzalez-Macuer) is accidentally changed into a vampire. He's pretty delighted by it, telling all and sundry that he's a vampire, much to the consternation of Deacon, Vladimir and Viago (Peter doesn't really say much of anything). However, he does bring into the group Stu (Rutherford), a computer programmer who is a cool guy who gets accepted into the group more than Nick himself. Also hanging around is Jackie (van Beek), a familiar who runs most of their errands during daylight (they have quite a spectacular reaction to it) and does their bloody laundry in the hopes of someday getting eternal life for herself, although she feels her biological clock ticking – as in she's in her mid-30s and doesn't want to spend eternity as a middle aged woman. All of this is leading up to the biggest social event of the year for vampires witches and zombies – the Unholy Masquerade but this year's event has put the house into a quandary. This year, the Guest of Honor at the ball is none other than The Beast.
This mockumentary is absolutely laugh-out-loud funny in a lot of places and you don't necessarily have to be a vampire movie fan to get the jokes, like when the dim-witted police officers come to the home to investigate neighborhood complaints of smoke coming out of the windows and shrieking, and end up lecturing them on the lack of smoke alarms in the house.
Of course, it DOES help if you know at least a little bit about vampire lore but most of it you can figure out. Some of the funniest sequences involve a run in with the flatmates of a pack of werewolves whose canine scent is offensive to the bloodsuckers. When Viago sneers "Why don't you sniff your own crotches" to the pack, one of them shamefacedly says "We don't smell our own crotches; we smell each other's. It's a form of greeting."
The tropes here are classic vampire, which is a good thing because I think most horror fans appreciate it more – the Twilight series is pretty much left out of it as are most of the Young Adult vampire mythologies, as well as modern stuff like the Buffyverse and the kind of Gothic vampire works of Anne Rice. No, this is more or less Bram Stoker and Hammer horror on display which to me anyway is a very good thing.
Most horror spoofs are godawful at best but this doesn't fall into that category and Clement and Waititi both carefully avoid falling into that trap. Most of the humor comes from the ridiculousness of the everyday situations the flatmates find themselves in. While some of the sequences work better than others and the humor can be a bit dry, overall it works extremely well. The effects are nifty enough for a micro-budgeted indie which means not a lot of CGI and more practical effects, which also makes a case for those who prefer their horror more of the throwback variety. While it must be cautioned that those with weak stomachs for gore might find some of the scenes here pretty bloody, this is definitely tonic for a time of year when most of the cinematic offerings are particularly cringeworthy.
REASONS TO GO: Really funny in places and never descends into spoof. Classic vampire stuff.
REASONS TO STAY: Drags in places and a bit droll throughout.
FAMILY VALUES: A bit of foul language, plenty of blood, some unsettling images and some sexuality.
TRIVIAL PURSUIT: The hill where the vampires have a run-in with the werewolves was also used in the filming of The Lord of the Rings: The Fellowship of the Ring.
COMPARISON SHOPPING: Vampires
NEXT: The Lazarus Effect
Posted in New Releases	| Tagged cinema, clubbing, daylight, exsanguination, familiar, Films, flat meeting, flatmates, horror comedy, immolation, Jemaine Clement, mockumentary, movies, New Zealand cinema, nightclubs, Nosferatu, Paladin, reviews, suburbs, Taika Waititi, Unholy Masquerade, Unison, vampire hunters, vampires, Wellington, What We Do in the Shadows	| Leave a reply
Brother's Justice
Posted on June 2, 2013 by carlosdev
Dax Shepard can't believe himself as an action star either.
(2010) Mockumentary (Tribeca) Dax Shepard, Nate Tuck, Tom Arnold, Ashton Kutcher, Jon Favreau, Bradley Cooper, David Koechner, Seth Green, Michael Rosenbaum, Ryan Hansen, Jess Rowland, Steve Tisch, Andrew Panay, Greg Siegel, Josh Temple, James Feldman, Laura Labo, Jordan Morris, Chevonne Moore, Rome Shadanloo. Directed by David Palmer & Dax Shepard
I have to admit that there are times I'm not sure what a filmmaker is up to. Dax Shepard is a case in point here. This appears to be a satire on the moviemaking process, the culture of enabling star egos and of vanity projects in general. I mean, that seems to be the case. But I'm not 100% certain after seeing this.
Basically, it's a mockumentary starring Shepard, who has appeared in dozens of movies as a comic actor in supporting roles (like the oafish boyfriend in Baby Mama) as well as on the acclaimed TV show Parenthood. Here, he's made the decision that it would be more lucrative for him to be an action movie star rather than a comic actor mainly because the competition is less fierce. He writes a Chuck Norris-style movie complete with drug dealers, bikers, sibling warriors and a climactic fight going down a mountain.
His aim is to star in it himself, even though he has no action skills whatsoever. He goes into training in a dojo whose sensei is less sure of Shepard's prospects (and abilities) than Shepard is himself. Shepard's pal Nate Tuck is there as a producer and inevitably gets stuck with the tab for expenses Shepard is racking up.
Trying to see this turkey to the studios proves to be formidable but Shepard is undaunted. He approaches A-listers like Favreau and Cooper as well as Tom Arnold to help lend credibility to his movie. At last he realizes that he is going to have to do it himself.
There's plenty of room for laughs here, but unfortunately there aren't a lot of them. Part of the problem is that Shepard makes himself so unlikable, so egotistical and so out of touch with reality that you're rooting for him to get his ass kicked. That can work in certain situations but not here and not now.
The cameos are basically the best part of the movie which is kind of a damning fact in and of itself. The bottom line here is that if you like Dax Shepard's work, you're going to love this. If you don't – and I'm one of those who finds him more obnoxious than funny – than you're not. And I didn't.
WHY RENT THIS: Nifty cameos. Some nice satire on the Hollywood system.
WHY RENT SOMETHING ELSE: If Shepard isn't your cup of tea you're really going to hate this one. Sometimes makes you feel more uncomfortable than amused.
FAMILY VALUES: Plenty of bad language and a few violent scenes.
TRIVIAL PURSUIT: Was an Audience Award winner at the 2010 Austin (TX) Film Festival.
NOTABLE DVD EXTRAS: None listed.
BOX OFFICE PERFORMANCE: Not available.
COMPARISON SHOPPING: Waiting for Guffman
NEXT: Fast & Furious 6
Posted in DVD Review	| Tagged action star, Ashton Kutcher, Bradley Cooper, Brother's Justice, cinema, comic actor, David Koechner, Dax Shepard, DVD Reviews, Films, Jon Favreau, marketing, martial arts training, Michael Rosenbaum, mockumentary, movies, producer, reinvention, script, Seth Green, studios, Tom Arnold, Tribeca Films	| 1 Reply
Posted on September 20, 2012 by carlosdev
Joaquin Phoenix prepares for his next role in the remake of Grizzly Adams.
(2010) Mockumentary (Magnolia) Joaquin Phoenix, Antony Langdon, Casey Affleck, Jack Nicholson, Billy Crystal, Danny Glover, Bruce Willis, Robin Wright, Ben Stiller, Mos Def, Sean Combs, Jamie Foxx, Edward James Olmos, David Letterman, Conan O'Brien, Natalie Portman. Directed by Casey Affleck
We have an image of stars in our heads as self-absorbed divas who throw tantrums if they don't get things EXACTLY the way they want it ("I told you, no BROWN M&M's…why is that so hard?") they throw legendary tantrums. We are fascinated by their behavior.
Which is what the makers of I'm Still Here are banking on. This is a chronicle of actor Joaquin Phoenix, who famously retired from acting after the 2008 indie romance Two Lovers to embark upon a rap career. He had a meltdown on the David Letterman show, one in which the host quipped "I'm sorry you couldn't be here tonight Joaquin" which is shown here.
He also has an assistant named Anton (Langdon) that he humiliates and abuses mercilessly, so much so that Anton takes a dump into the actor's face while he's sleeping. Such is the abuse that you will not think the act unjustified, although be assured that he's not really doing what he appears to be doing. In fact, Phoenix is abusive to nearly everybody here to the point where it's amazing that anyone would be willingly employed by him. Which is ironic because in reality, there were sexual harrassment charges brought against the filmmakers which were settled out of court.
There was some debate as to whether this whole thing was an elaborate hoax. At the time people were unsure and many of the reviews of the film from its 2010 release reflect that the critics were unsure and confused.
Let me set the record straight – it's a hoax. Of course it was. Would Joaquin Phoenix allow a movie that portrayed him as an tyrannical egomaniac that is borderline psychotic ever see the light of day? Think about the logic; if someone is as egotistical as Phoenix is made out to be here, he would never allow his image to be tarnished.
I mean, Phoenix' rap music is borderline unlistenable – and everybody but Phoenix knows it. Affleck's camera captures the reactions to the music; from polite disbelief to outright hostility. Nobody but Affleck and Phoenix are in on the joke (and maybe some of the actors, such as Langdon) so you get their genuine reactions to situations that are awkward.
Which is fine, but the audience ends up being caught in the awkwardness, much like watching a friend who's had too much to drink soil themselves. You want to get up, make your excuses and get as far away from the train wreck as possible which is not how you want your audience to feel. The truth is, this is really an exercise in ego – you're not let in on the joke (which is a cardinal sin) and expected not to feel the fool when you figure it out – because if you don't you wind up completely repulsed. Part of my distaste is the portrayal of Phoenix as a borderline drug addict – which considering the way his brother River passed away really stretches the line as far as I'm concerned.
There are a lot of celebrity cameos (as you can see from the credits above) and I believe none of them are in on the joke either. So you get the sense that the hoaxers did their jobs too well – they've really put one over on all of us to the point that there are plenty of people who think that it wasn't a hoax. For me, seeing is believing.
WHY RENT THIS: Occasionally amusing.
WHY RENT SOMETHING ELSE: A crude exercise in ego. Not nearly as funny or engrossing as they think it is.
FAMILY VALUES: There is some graphic nudity and drug use, a plethora of swear words, plenty of anti-social behavior and crude content.
TRIVIAL PURSUIT: The person in the film that is playing Joaquin Phoenix' father is actually Casey Affleck's dad.
NOTABLE HOME VIDEO EXTRAS: There are some conversations in which Affleck, Phoenix and various critics and academics discuss the film, the hoax and the aftermath.
BOX OFFICE PERFORMANCE: $568,963 on an unreported production budget; this might have just made some money
COMPARISON SHOPPING: This Is Spinal Tap
NEXT: The Matrix
Posted in DVD Review	| Tagged abuse, actor, Ben Stiller, Billy Crystal, Bruce Willis, Casey Affleck, cinema, Conan O'Brien, Danny Glover, David Letterman, diva, drug use, DVD Reviews, Edward James Olmos, Films, hoax, I'm Still Here, Jack Nicholson, Jamie Foxx, Joaquin Phoenix, Los Angeles, Magnolia Pictures, meltdown, mockumentary, Mos Def, movies, Natalie Portman, personal assistant, rap music, retirement, Robin Wright, scandal, Sean Combs	| Leave a reply
Posted on March 6, 2012 by carlosdev
Don't you just hate getting lipstick smeared all over your face when you kiss? Wait a minute that's not lipstick...
(2010) Mockumentary (IFC Midnight) Carlo Ferrante, Vera Van Dooren, Pierre Lognay, Fleur Lise Heuet, Paul Ahmarani, Alexandra Kamp-Groeneveld, Julien Dore, Batiste Sornin, Thomas Coumans. Directed by Vincent Lannoo
If vampires are to survive in the world they must by necessity keep well-hidden. For one thing, people would panic if they knew there were superior predators living amongst us, indistinguishable from our neighbors. For another, the panic would lead to genocide as humans have a vast numerical superiority; no, vampires benefit from secrecy.
Which makes a documentary about their society all the more puzzling. After several aborted attempts (when camera crews got invited into vampire enclaves and ended up being the main course), a film crew finally got placed with a vampire family in Brussels.
Vampire families are a bit different than humans. For one thing, they can't procreate sexually (although they have plenty of sex). Children are brought into a vampire family by turning young people into vampires. However, vampires don't age once they are turned so turning children is frowned upon – instead it is usually teens and youngsters who are turned.
This particular family's patriarch is Georges (Ferrante), an old school bloodsucker who is a bit spineless in a lot of ways. He adheres strictly to the code of conduct set for vampires going back centuries from the first vampires. His wife Bertha (Van Dooren) is a bit more bloodthirsty but she's a bit of a hausfrau as well. She and Georges make a good match.
Their kids are a bit of a problem. Grace (Heuet) is tired of her immortality and wants to be a normal human, going so far as attempting to kill herself on a regular basis. Since vampires can't be killed by ordinary beings, the attempts are pretty laughable but still she perseveres – you have to admire her tenacity. Samson (Lognay) is, like many men his age, the libido of a 16-year-old. Of course, he's considerably older – he's 55 but he looks like he's in his mid-20s. That leads him to a transgression that threatens the family's stability.
Of course, vampires don't really exist but that doesn't mean they don't make for an entertaining mockumentary. Belgian cinema hasn't exactly set the world on fire, but good films in a similar vein have come from that country before – see Man Bites Dog – and this one works very nicely. There is a very tongue-in-cheek sense of humor here that is occasionally unexpected, hitting you like a ton of bricks. For example, the vampires have human secretaries who take care of their daylight needs and occasionally serve as an alternate food source in case of an emergency – these are normally vampire fetishists who long to be immortal and hope to be rewarded eventually.
Their food supply are mostly immigrants and runaways – people who won't be missed and who are kept in a pen out in the backyard. In all other respects however this is a normal suburban family with all the problems and issues that beset most modern families. Making that modern family vampiric adds an extra dimension and adds to the humor but it also allows the filmmakers to comment on those very issues without pointing the finger at society in general or suburbanites in particular.
I was rather surprised by this movie in that it I hadn't heard virtually anything about it. So far as I know it got no US theatrical release and has mostly played the festival circuit in Europe. I caught it on the Sundance Channel here and so this might be rather hard to hunt down but it is definitely worth it, particularly those who love vampires and don't mind poking gentle fun of themselves and vampires in general – and suburbanites. Definitely them.
WHY RENT THIS: Tongue-in-cheek funny. Nice idea and well-executed.
WHY RENT SOMETHING ELSE: Drags on a bit.
FAMILY VALUES: There are some bad words and some depictions of bloodletting and sexuality.
TRIVIAL PURSUIT: Honestly? Couldn't find any.
TOMORROW: Animal Kingdom
Posted in DVD Review	| Tagged backyard pens, Belgian Cinema, boarders, Brussels, cinema, code of conduct, DVD Reviews, film crew, Films, food supply, horror comedy, IFC Midnight, interviews, mockumentary, Montreal, mortality envy, movies, old school, oversexed, secretary, suburban family, suicide attempts, vampires	| Leave a reply
Posted on June 26, 2010 by carlosdev
Love means never having to say you're too freaking twee.
(Overture) Charlyne Yi, Michael Cera, Jake M. Johnson, Seth Rogen, Demetri Martin, Martin Starr, Bill Hase, Gill Summers. Directed by Nicholas Jasenovec
Love is elusive and difficult to pin down; it's often difficult to tell if we are truly in it or just feeling surface infatuation and many times we don't realize we've had it until we've lost it. It's a confusing emotion that turns us upside down and inside out, and there are those who simply don't want to deal with it at all.
Actress/Comedian/Performance Artist/Musician Charlyne Yi isn't one of those. She is very skeptical about love; she's never felt it and is fairly certain she never will. Still, she's curious about it and wonders what all the fuss is about. She takes a camera crew out and interviews a variety of people both known and unknown on the subject.
That's the movie in a nutshell but there are some things you need to know about the movie otherwise you'll be hopelessly lost. First, while the interviews themselves are real, the film crew you see on-camera is not. While the director of Paper Heart is in fact Nicholas Jasenovec, the man you see onscreen is not – he's actor Jake M. Johnson playing Nicholas Jasenovec.
Also, the romance between Yi and actor Michael Cera is also for the most part staged. The two were actually already a couple by the time filming commenced, although the relationship ended while the two were doing a publicity tour (seems kind of cold time to dump your girlfriend but there you have it).
The movie is punctuated by paper and pipe cleaner "animations" put together by Yi and her dad after the shooting had been completed. This is supposed to look artistic and trendy and cute and is in all honesty rather pointless; while something like pathos or warm fuzzies are supposed to be enticed from the audience all I felt was irritated.
The best part about the movie is the actual interviews. While they run the gamut from sincere to silly, they are at least authentic and some of them are quite insightful. There was no pretense in any of the responses and that was quite refreshing after the staged portions which got so twee and so self-consciously cute that I thought the studio should have handed out free insulin to everyone who bought a ticket to see this.
Now, I'm usually not one to pass judgment on the life choices of others, but I have to tell you that I found all the people in the "non-fiction" portions to be a little too condescendingly hip; I felt like I was being laughed at more than anything. Still, the interviews more than make up for the flaws of the rest of the film; if they had stuck to that documentary instead, they might have had a really good movie instead of just a mediocre one.
WHY RENT THIS: The "serious" documentary interviews with ordinary people are actually pretty good.
WHY RENT SOMETHING ELSE: OHMYGAWD by the end of the movie you want to kill these pretentious, overbearing, obnoxiously cute people.
FAMILY VALUES: There are a few bad words but otherwise this is fine for every audience.
TRIVIAL PURSUIT: Bobcat Goldthwait and Bill Hader were also interviewed for the movie, but their sequences were left on the cutting room floor.
TOMORROW: Jonah Hex
Posted in DVD Review	| Tagged Charlyne Yi, cinema, Demitri Martin, DVD Reviews, Films, interviews, love, Michael Cera, mockumentary, movies, Overture Films, Paper Heart, precious, romance, Seth Rogen, sex, skepticism, twee	| Leave a reply


text:
Алекса́ндр Габи́бович Габи́бов (р. 1955) — советский и российский биохимик, академик РАН.

Биография
Родился 31 августа 1955 года. В 1977 году окончил химический факультет МГУ имени М. В. Ломоносова, кафедру химической энзимологии. В 1977—1997 годах работал в ИМБАН имени В. А. Энгельгардта под руководством Е. С. Северина и А. Е. Браунштейна, (стажер-исследователь, младший научный сотрудник, старший научный сотрудник, заведующий лабораторией химических основ биокатализа). С 1997 года по настоящее время А. Г. Габибов работает в ИБХ РАН — заведующий лабораторией биокатализа, заместитель директора по научной работе. Ведущий научный сотрудник лаборатории молекулярной иммуногенетики рака ИБГ РАН.

Область научных интересов: биокатализ, ферменты метаболизма аминокислот, нуклеиновых кислот, иммунохимия, каталитические антитела, аутоиммунные нейродегенеративные заболевания, биотехнология, получение фармацевтически значимых рекомбинантных белков.

В 1982 году защитил кандидатскую и в 1992 году докторскую диссертацию по химическим наукам (специальность 03.00.03 «Молекулярная биология»). Автор более 170 научных статей и глав в книгах. Научный руководитель 6 кандидатских и одной докторской диссертации. Профессор (1996). Член-корреспондент РАН (2003). Академик РАН (2016)

Награды и премии
 премия Ленинского комсомола (1986) — за работу «Физико-химические и биологические механизмы аденозин — 3',5' циклофосфат зависимого фосфорилирования белков»;
 Научная премия Сбера (2022).

Научная деятельность
Президент Российского общества биохимиков и молекулярных биологов (с 2008), председатель Национального комитета российских биохимиков.

Главный редактор журнала «Доклады Российской академии наук. Науки о Земле» (с 2019), член редколлегии журналов «Биоорганическая химия (журнал)» (с 2005) и Acta Naturae (с 2009).

Входит в состав диссертационных советов ИБХ РАН и химического факультета МГУ, а также учёного совета ИБХ РАН.

Член комиссии РАН по работе с соотечественниками за рубежом, комиссии РАН по генно-инженерной деятельности и экспертной комиссии по присуждению золотой медали за выдающиеся достижения в области пропаганды научных знаний и премии РАН за лучшие работы по популяризации науки.

Автор и соавтор четырёх учебных курсов («Иммунология и основы вирусологии», «Молекулярные механизмы регуляции иммунной системы», «Клеточная биология и иммунология», «Основы молекулярной и клеточной биологии и иммунологии»).

Индекс Хирша 28, более 2760 цитирований (Scopus).

Некоторые публикации

Примечания

Ссылки

 Страница на сайте Европейской академии
 Историческая справка на сайте Архива РАН

Биохимики СССР
Биохимики России
Сотрудники ИБХ РАН
Преподаватели химического факультета МГУ
Преподаватели факультета фундаментальной медицины МГУ
Члены Европейской академии
Лауреаты Научной премии Сбера


South London rap duo, Krept and Konan, give us a painful insight into the reality of their past, as they open-up and present us with 'My Story' – the first release from their brand new mixtape 'Young Kingz'. A seriously heartfelt track and visuals – 'My Story' narrates the pairs unfortunate and dreadful experiences, behind the music and mask of fame.
This entry was posted in Krept and Konan, Mixtapes, New Releases, Videos and tagged 2013, Krept and Konan, Lost In The Sound, My Story, UK, Young Kingz. Bookmark the permalink.


text:
EconomicPoint
Definition of Economics
» Micro and Macro Economics
» Microeconomics Definition
» Types of Elasticity
NPV Calculator
Elasticity of Production
The elasticity of production, also called the output elasticity, is the percentage change in production divided the percentage change in the quantity of an input used for that production. For example, if a firm increases the number of workers by 10%, and the number of products produced per month increases by 20%, the elasticity of production will be:
Elasticity of Production = 20% / 10% = 2
It is also called the partial output elasticity, because it refers to the change in the output when only one output change (that is, it's the partial derivate of the production function, as opposed to the total derivative). If the production function has only one input, the elasticity of production measures the degree of returns to scale, but usually, production function has more than one input.
The elasticity of production is a measure of the responsiveness of the production function to the change in one input.
The quantity supplied depends on several factors. Some of the more important factors are the price of the good or service, the cost of the input and the technology of production.
Movement along the supply: when the price increases, the quantity supplied decreases
‹ Demand Elasticity up Supply Elasticity ›
Similarity score: 53%
Linear Production Function
Production Function
Cobb Douglas Output Elasticity
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SOLE MANDATE. House in spectacular position with stunning mountain and sea views over Walker Bay.
This beautiful high-quality home is situated on the slope of the mountain next to the nature reserve. Superbly furnished to be run as an upmarket guest house of holiday home.
Large living areas (with fireplace) flow on to an under covered braai patio and swimming pool. Fold-up doors harmonizes the natural flow from indoor to outdoor living. Open plan kitchen with a separate scullery. Four spacious bedrooms each with its own en-suite bathroom. Ample wardrobes and cupboards in bedrooms.
First floor offers a lounge with stunning sea and mountain views and a covered balcony.


text:
Q: How to open the exact same page of my Pdf file in my history fragment? I am developing a Pdf reader android app in Android studio but I dont know how do I open the exact same page of my Pdf file in History Fragment.
I have used Viewpager2 which contains three separate tabs(Document,History,Favourites) for my Fragments.Whenever I click on Pdf file in my Documents Fragment it gets added into History Fragment pdf list but the problem is when I open the pdf in History fragment it opens the first page of my pdf file.I want that whenever I click on pdf file in my history fragment it should open that same page that I left reading in my Documents Fragment and if I scroll to other page in my History Fragment Pdf file then in my Documents Fragment if I open the same file it should open the last viewed page of History fragment Pdf file.
Here is code of my ViewPdf.java:
public class ViewPdf extends AppCompatActivity {
    public static PDFView pdfView;

    static int pagenumber;
    TextView textView;
    BottomNavigationView bottomNavigationView;
    SharedPreferences mprefs;
    SharedPreferences mprefsk;
    SharedPreferences sharedPreference;
    SharedPreferences.Editor editor;

 @Override
    protected void onCreate(Bundle savedInstanceState) {
        super.onCreate(savedInstanceState);
        setContentView(R.layout.activity_view_pdf);
        pdfView = findViewById(R.id.pdfView);
        pdfView.setVisibility(View.VISIBLE);
        loadData();
        textView = (TextView) findViewById(R.id.pagenumber);

pdfView.fromFile(DocumentsFragment.pdf.get(getIntent().getIntExtra("Position", -1)))
                        .enableAnnotationRendering(true)
                        .defaultPage(pagenumber)
                        .swipeHorizontal(true)
                        // .scrollHandle(new DefaultScrollHandle(ViewPdf.this))
                        .nightMode(true)
                        .fitEachPage(true)
                        .onPageChange(new OnPageChangeListener() {
                            @Override
                            public void onPageChanged(int page, int pageCount) {
                                pagenumber = page;
                                textView.setText(String.valueOf(pdfView.getCurrentPage() + 1) + "/" + pdfView.getPageCount());
                            }
                        })
                        .pageSnap(true) // snap pages to screen boundaries
                        .pageFling(true)
                        .autoSpacing(false)
                        .spacing(12)
                        .enableAntialiasing(true)
                        .pageFitPolicy(FitPolicy.BOTH)
                        .load();

 public void saveData() {

        pagenumber = pdfView.getCurrentPage();
        sharedPreference = getPreferences(MODE_PRIVATE);
        editor = sharedPreference.edit();
        editor.putInt("page", pagenumber);
        editor.apply();

    }

public void loadData() {
        SharedPreferences sharedPreferences = getPreferences(MODE_PRIVATE);
        pagenumber = sharedPreferences.getInt("page", MODE_PRIVATE);

    }

Here is my ViewHistoryPdf.java:
     public class ViewHistoryPdf extends AppCompatActivity {
    PDFView pdfView;
   int pagenumber;
    TextView textView;
    BottomNavigationView bottomNavigationView;
    SharedPreferences mprefs;
    SharedPreferences mprefsk;
    SharedPreferences sharedPreference;
    SharedPreferences.Editor editor;
     @Override
 protected void onCreate(Bundle savedInstanceState) {
        super.onCreate(savedInstanceState);
        setContentView(R.layout.activity_view_pdf);
        pdfView = findViewById(R.id.pdfView);
        //recyclerView.setVisibility(View.GONE);

        pdfView.setVisibility(View.VISIBLE);

        loadData();
     textView = (TextView) findViewById(R.id.pagenumber);

 pdfView.fromFile(HistoryFragment.pdfHistory.get(getIntent().getIntExtra("History", -1)))
                    .enableAnnotationRendering(true)
                    .defaultPage(pagenumber)
                    .swipeHorizontal(true)
                    // .scrollHandle(new DefaultScrollHandle(ViewPdf.this))
                    .nightMode(true)
                    .fitEachPage(true)
                    .onPageChange(new OnPageChangeListener() {
                        @Override
                        public void onPageChanged(int page, int pageCount) {
                           pagenumber = page;
                            textView.setText(String.valueOf(pdfView.getCurrentPage() + 1) + "/" + pdfView.getPageCount());
                        }
                    })
                    .pageSnap(true) // snap pages to screen boundaries
                    .pageFling(true)
                    .autoSpacing(false)
                    .spacing(12)
                    .enableAntialiasing(true)
                    .pageFitPolicy(FitPolicy.BOTH)
                    .load();

  public void saveData() {
pagenumber=pdfView.getCurrentPage();
sharedPreference = getPreferences(MODE_PRIVATE);
editor = sharedPreference.edit();
editor.putInt("page", pagenumber);
editor.apply();

}
  public void loadData() {
    SharedPreferences sharedPreferences = getPreferences(MODE_PRIVATE);
    pagenumber = sharedPreferences.getInt("page", MODE_PRIVATE);
}

A: Assumuing your saveData() and loadData() works, (I don't see where those methods are called). You can call:
pdfView.jumpTo(pagenumber)

Keep in mind pagenumber should have the right page number

redpajama_set_name: RedPajamaStackExchange


» Tragedy » Tragic! Beautiful Nigerian Young Woman Dies 11 Days After Her Wedding.
It was love and joy overflow when Zalman and Salim Sodangi got married in Abuja on the 19th of August but tragedy put an end to that beautiful love story, when Zainab passed away on Tuesday, August 29th.
Family and friends took to social media including Instagram page of their official wedding photographer EyesOfInsanity, to mourn her.
Title : Tragic! Beautiful Nigerian Young Woman Dies 11 Days After Her Wedding.
0 Response to "Tragic! Beautiful Nigerian Young Woman Dies 11 Days After Her Wedding."


This course is about how to design and implement effective math interventions. We will look at various assessments, intervention implementation plans, and differentiated activities to provide scaffolded access to grade level standards. We explore various teaching formats and ongoing formative assessments that provide struggling students with the assistance they need. So often, educators are left to figure out what to do on their own. This course will give you a path to follow. The price includes full access to the course and materials for 10 months.


The SRM Wireless Training System - Specialized Compact (8 strain gauges) has an accuracy of ±1.0%. This PowerMeter has a 110mm BCD for Specialized compact chainrings 50/34.
Please note: This PowerMeter does not come with cranks and chainrings! These must be provided by the customer.


text:
Smith Drug, PerceptiMed announce distributorship agreement
SPARTANBURG, S.C. — Smith Drug Co. has entered into a non-exclusive agreement to distribute the PerceptiMed, scripClip will-call system to pharmacies.
The agreement provides for Smith Drug to train their field sales and customer support personnel to help pharmacies take advantage of the customer service and patient safety features of the scripClip will-call management system.
Saul Factor
"We pride ourselves on listening to our customers, offering them products and services that will positively impact their pharmacies," said Saul Factor, president, Smith Drug Co. "The Perceptimed scripClip is a great addition to our portfolio of products that help our customers thrive."
Bob Curry, chief executive officer of PerceptiMed said "We are thrilled to work with Smith Drug. Their culture and reputation for customer service excellence is in perfect alignment with our goals and corporate culture." Curry says he is eager for Smith Drug sales and marketing people to complete the training process, and he looks forward to supporting the annual Smith Drug Trade Show in Baltimore this summer.
PerceptiMed says this new initiative is possible because of the work the company has done since the launch of scripClip in 2016 to ensure pharmacies that install scripClip find the system is easy to implement, simple to operate and does an exceptional job of ensuring the right medication is given to the right patient, every time. The system utilizes wireless technology (Radio Frequency based) and offers both a fixed handle system and a clip option for use with existing bags.


Kihon Waza includes the basic techniques which provide the foundation for Karate Do. Kihon Waza are practiced regularly by students of all ranks, and are considered the cornerstone of training.
Kata are sequences of karate techniques developed as a method of training when alone, and as a vehicle for preserving and teaching the essence of a particular style of martial art.
Tanshiki Kumite describes the practice of single-attack, single-defense and counter-attack with two opponents. Tori attacks with a pre-determined technique, and Uke defends and counter-attacks using any combination of escape, block, hand, foot or throwing technique.
Fukushiki Kumite refers to a number of pre-arranged fighting forms regularly practiced. The number and complexity of movements increase with more advanced kumite. Practice begins slowly and deliberately, striving for proper technique. Once the basic movements are learned, the students focus on proper distance, target and timing. Eventually full speed and force are applied, allowing students to simulate a full contact contest with minimal risk of injury.
Shiai means contest, and refers to the practice of free-fighting in Shorinjiryu Karate.
Shiai allows each contestant to experience the thrill, apprehension, pain, and uncertainty of a full contact fight, utilizing the bogu to prevent serious injury. The student is able to see which techniques are effective and which are not. Each participant learns to face the fear of conflict; and develops their stamina, skill and courage. Good sportsmanship, respect, and camaraderie among the contestants is strongly emphasized.
The primary traditional weapons used in Shorinjiryu Karate are the Bo and Sai. Traditional weapons originated with the use of farm tools and other items commonly available to the working class in Okinawa for self defense purposes against the sword and spear. Okinawan farmers were not allowed to bear weapons, and were, by nature, a peaceful people. They survived aggression by using their bodies and tools as weapons.
Shinan Kori Hisataka was initially trained in his family's style of kobudo (weapons training). When his father died prematurely, Kanagushiku Ufuchiku was asked to continue his kobudo training. Shinan Histaka later refined his style of kobudo by incorporating elements of Okinawan kobudo techniques with elements of Chinese martial arts he learned while studying Shorinji and Hakkyoku kempo in China.


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Shaky scientists and engineers
The definition of a scientist is a person who studies or practises any of the sciences. Scientists find out about the unknown and the known. They try to find out why things work and why they don't work. There are hundreds of different types of scientists. For example, astronomers study space, botanists study plants and entomologists study insects.
Seismologists study earthquakes
Scientists who study earthquakes are called seismologists. Seismologists know quite a bit about the inside of the Earth. They can't know everything because it's 6,300 km to the centre of the Earth and the longest drill we have has only drilled to 12.6 km. Because scientists cannot visit or see what is happening far under the ground, they use special instruments called seismographs to help them work out what is happening inside the Earth.
Seismographs measure waves that travel under the ground. We cannot see these waves, but they are sometimes felt as earthquakes. (We can see waves in the water, but there are many types of waves we cannot see – light waves, sound waves and seismic waves.) These underground waves help scientists figure out what makes up the Earth and how it works.
Dr Laura Wallace works at GNS Science. She studies Earth movements and thinks New Zealand is one of the best places in the world to study earthquakes.
Volcanologists study volcanoes
Some scientists know a lot about volcanoes. They are called volcanologists. Volcanologists study volcanoes that erupted thousands of years ago as well as volcanoes that are active right now. New Zealand scientists study both kinds of volcanoes.
Dr Phil Shane of the University of Auckland looks at rocks for clues about when old volcanoes erupted. He uses a special drill to dig up rocks from several metres underground. The colours and textures of the rocks show him how often volcanoes around New Zealand have erupted.
Scientists who study earthquakes and volcanoes know quite a bit about why they happen, but there is still a lot they do not know. Scientific knowledge is said to be tentative – theories and laws may change with new evidence.
Keeping our buildings safe
Another group of scientists work to protect us from damage caused by earthquakes and volcanic eruptions. Seismic engineers work on new ways to keep buildings like hospitals and structures like bridges safe when the ground shakes. Many of these buildings were shaken in Wellington and Christchurch earthquakes but were not damaged.
Published 18 August 2014 Referencing Hub articles


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Iran Stands With Khoy
Dastardly Drone Attack Ends in Failure
FM: Iran Warned EU of 'Very Harsh Response'
Iran Freestyle Wrestler Gets Bronze at Ivan Yarygin Cup
Zionists Step Up Violence Against Palestinians
After Yemen's Warnings
Satellite Images Reveal Deployment of Zionist Missile System in UAE
ABU DHABI (Dispatches) –
Satellite images have emerged showing that the United Arab Emirates (UAE) has deployed Zionist Barak aerial systems.
The images show the missile battery has been stationed near Al-Dhafra air base, south of the capital Abu Dhabi.
Earlier this year, the occupying regime agreed to sell its advanced air system to the UAE following months of negotiations.
The deal is largely thought to have come about after several attacks against the UAE by Yemen's Ansarullah fighters in January this year, using drones and ballistic missiles launched from Yemen.
One of the attacks left three people dead, while several attempted attacks were intercepted.
The attacks were in retaliation against several strikes by a Saudi-led coalition, which includes the UAE, that is fighting in Yemen.
Following the attacks by Yemenis, which called into question the UAE's image as a safe haven in the region, authorities in Abu Dhabi quietly approached the Zionist regime for help.
Yemen's Sana'a-based government has issued a new warning after targeting a cargo ship off an oil terminal in the war-wrecked Arab country's south to prevent Saudi-backed forces from using it for oil exports.
In a statement, its foreign ministry denounced the UN Security Council's reaction to the "warning strike" at the al-Dubba terminal, where a Greek oil tanker was docked to load oil. The UN council had denounced the strike as a serious threat to the peace process and stability of Yemen.
"We ask the Security Council to understand the nature of the warning of the Yemeni armed forces without any interpretation. The al-Dubba operation was not a hostile or offensive message, but a warning in the regional waters to prevent the plundering of its resources," the ministry said.
"Sana'a has taken official steps and announced measures to clarify its position to the world earlier and has communicated with all countries, oil companies, and that oil tanker, that it will not allow the wealth of the Yemeni people to be looted within the framework of its internationally recognized borders," it added.
The ministry stressed that Yemen will spare no effort to defend national sovereignty, and safeguard public interests and wealth against any act of looting or abuse.
Sana'a, it said, remains committed to just and honorable peace, and supports the endeavors of Hans Grundberg, Special Envoy of the United Nations Secretary-General for Yemen.
"The UN envoy's endeavors, however, must be accompanied by serious steps to end the Saudi-led aggression and lift the all-out blockade through the implementation of urgent measures that will address the ongoing humanitarian disaster in Yemen," it said.
It added that the envoy must "facilitate the unrestricted entry of energy vessels into the port of Hudaydah, remove obstacles for commercial airlines companies to operate at Sana'a International Airport, take practical steps regarding payment of civil servants salaries, and allow the Yemeni nation to use proceeds and financial gains produced as a result of exported Yemeni crude oil and natural gas."
Meanwhile, the Zionist regime, in cooperation with the United Arab Emirates (UAE), is going to build a new military base on a Yemeni island in a strategic area overlooking the Bab al-Mandab Strait, as Abu Dhabi is helping the occupying regime carry out military and maritime reconnaissance missions off the coast of Yemen.
Citing informed sources, Yemen Press Agency reported that Mahmoud Fateh Ali al-Khajeh, an influential figure in establishing diplomatic relations between the Persian Gulf country and the Zionist regime, has purchased vast scopes of land in the mountainous Hajhar area of the strategic island of Socotra.
The sources noted that Khajeh's main goal is to construct a new military base for the Zionist regime, which would overlook Hadibu coastal town in northern Socotra.
The Zionist regime and the UAE are currently making all logistical preparations to establish espionage bases to collect information from across the Gulf of Aden, including Bab el-Mandeb and south of Yemen, which is under the control of forces backed by the UAE, the report said


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