2010 has gone and we are looking forward to see what 2011 will bring! With any luck the New Year will usher in a decade of economic recovery where Brides and Grooms can plan a wedding without all the stress of worrying about whether they can afford this or that or have to pick and choose what they can spend the money on. If 2010 has taught us anything it would have to be how to live with luxury Champaign taste on a beer income without having to forgo any of the amenities. Nevertheless there are ways to shave some wedding expenses and still have the wedding day of your dreams.
One way future brides can make her bridal accessories more affordable without having to give up that element of elegance is using hair combs, barrettes and hair pins instead of the long veil or the elaborate headpiece. You can find hair combs, barrettes and hair pins that are elegantly designed and can be worn again after the romantic wedding for other special occasions.
You can cut some wedding costs by having a smaller wedding abroad. For a traditional wedding in the UK most brides and Grooms invites 100 or more weddings guests of which they don´t have daily, weekly or monthly contact with most of the wedding guests – but it is a wedding tradition that more or less everybody has to be invited. Just imagine how much you will save on your wedding by informing your family and friends that you want to get married abroad and you can´t afford to invite everybody. They will understand – and you will save a small fortune and on the other hand, you will only have the wedding attendance you really care about! In addition you may have a destination wedding in a French Castle as Château Hattonchâtel, an idyllic wedding in a Danish Manor House as Skrøbelev Gods or a sunny beach wedding, gazebo wedding at Ritz Resorts in Tenerife, Spain.
Another way brides can save some money on their dream wedding is silk flowers – it does not have to be French red roses. The cost of real flowers for unique wedding bouquets and wedding decorations can be astronomical. Silk flower arrangements are beautifully arranged and will last a lifetime. Not only will silk flowers look like real flowers but they can be used again afterwards for home décor as well as make a wonderful keepsake for the Mothers of the Bride and Groom and all the bridal attendants.
Wedding Reception costs for your stunning wedding can really mount up when it is all said and done. There is the food, the decorations, the wedding cake, the alcohol (if you decide to have any) and the music. Now one way to save some money on the wedding music is to have a DJ instead of a live band. With a DJ you get to play the music you want and not just what the band knows how to play. With a DJ you can play music all night long vs. a band who takes breaks after each set and will usually only play for a couple of hours unless you want to pay them more. With regard to alcohol (if you decide to have any) you may want to consider a cash bar. Or you can also decide to serve alcohol for just a couple of hours say at meal time. Either way is acceptable and can really save on the expenses.
There is no doubt about it that destination weddings can be costly if you chose the wrong wedding place in UK – however the wedding location is very important. But by incorporating some of these wedding tips in your wedding planning will help to eliminate some of the wedding expenses. In today's economy saving just a little bit helps.
If the hotel, inn or castle you have chosen for your wedding have a wedding planner – use the wedding organizer as much as possible, because they have the experience and the local knowledge. The above mentioned hotels all have free wedding planners for the bride to be.
To find beautiful wedding locations at affordable prices visit Ritz-resorts, they offer you unique wedding locations in France, Denmark and Tenerife, Spain.
This variety of rose creates a dramatic atmosphere bringing contrasts of light colors. If you require a particular flower for your fairy tale wedding, whether its for your own bridal bouquet or just simply as a decorative feature, the choice of the Red France Rose will delight you with its aroma and sense of delicate romance. The Red France variety of roses is the true red rose. In comparison, the Red France Rose has a higher petal count. The head of the rose is much larger than others and it is for this reason that this rose is often the choice to be given singularly as a solitary stemmed extension of ones affection, although it forms perfection when used in lavish bouquets.
From where does the red French roses originate?
This is a rare rose that you simply will not find blossoming in just any garden. This is the rose of roses and was originally cultivated by the Philippine rose growers and they alone were able to uniquely achieve this rose with its rich blood red color. The rose is now cultivated on farms in many corners of the World such as Vietnam, Ecuador, Columbia, Israel, and incidentally many African nations now farm this variety commercially. Later it is distributed to all over the world – in Europe you will find the French Red Roses and Berlin roses in Spain, Italy, Scotland, Norway, Germany, England, France, Sweden, Portugal, Denmark, Belgian, UK, Yugoslavia, The Canary Islands, Switzerland, Austria, Holland, Tenerife or Finland. Where ever your romantic destination wedding or wedding location is – you will be able to get these beautiful flowers. Red roses would look brilliant at elegant castle weddings in France or an idyllic Manor House in Denmark.
This rose has for many years, become the standard for florists internationally, so it does not matter if you want to get married in UK or you want to get married abroad – you will always be able to buy them, but rarely get a discount. The choice of this unique flower for a breathtaking bridal bouquet introduces a statement all of its own with its pronounced maturity of rich colour, nothing else is needed as the vibrant shade of its large petals against a stark white bridal gown are nothing less than dramatic and stunning. The use of this flower and its theme can be used for bridesmaids as a singularly stemmed hand held feature, a wrist fixture and perhaps the Grooms buttonhole.
This heaven-scented rose can be used in creating a gorgeous, romantic atmosphere for your wedding reception or wedding venue in Denmark by scattering its velvety rich red petals on starched pure white linen tablecloths. Perhaps a simple centerpiece is required, this is easily obtained by using a shallow glass bowl, filled with water and then placing petals and tea lights inside which will float and will then create an aromatic and romantic feature.
These French flowers simply look gorgeous mixed with other colors such as white roses or pink roses for a very attractive Valentine's Day red and pink color combination or all three colors, because you can naturally mix them with white roses to create a strong contrast between the three colors. The strongest contrast you will get between the red and the white roses.
There are countless things you can do with these roses and their petals in relation to a beach wedding or romantic gazebo weddings in Tenerife. Why not consider including some of the rose petals inside your wedding invitations, place a single petal in your wedding guests champagne glass, place the petals in a tulle bag as wedding favors for you female guests, or if you're holding your glamour's wedding reception in a garden, why not consider creating a rose petal carpet. The more thought one has of this delightful flower, the more ideas and imagination of what is obtainable is boundless.
When you are getting married why not brighten up your wedding day and simply treat yourself, visit your local florist and purchase some Red France Roses, make yourself feel as special and unique as these beautiful flowers.
I think, it´s an unknown fact that a wedding in paradise can exist without travelling for days on end and without incurring a huge hole in ones pocket!
Ever been invited to a wedding knowing that you could only dream about attending? Sadly you decline because of cost, distance and time. Recently I received a wedding invitation to attend a wedding blessing in Tenerife.
The initial wedding ceremony took place at the local registry office. Sound plain and simple? The best was yet to come! Bags packed and ready, the mini bus waiting, off to the airport and on our way to sunny Tenerife. Leaving behind the freezing cold, drizzling drab weather.
We checked into the most quaint resort, part of the The Ritz Resorts group, situated in Amarilla Golf in the South of Tenerife. People say you can´t change a first impression, here, you really wouldn´t want to. We were greeted with a warm and friendly welcome and an efficiency second to none by the Tenerife hosts and the wedding planner at this charming Canarian resort.
All the wedding party had been accommodated on site, 50 in total. The wedding accommodation in Tenerife was surprisingly cheap and yet consisted of self catering apartments, the standard of which was incredible. The resort staff in Tenerife can´t do enough for you and cater for your every need. Totally uninterrupted paradise.
The Ritz Resort hosts with their invaluable advice and experience had arranged and carried out every wish, instruction and minor wedding detail as instructed by the bride and groom.
The local Priest in Tenerife, is of Irish origin, so no language barriers. He carried out the wedding ceremony by the pool and the whole ambiance was that of a fairytale wedding. The bridesmaids with their fresh flower bouquets. Soft music that floated on the Atlantic breeze, tall palm trees swaying gently and in the not too far distance, the Atlantic Ocean. There is something so special about this wedding abroad.
What a sight for sore eyes! Canarian potatoes, platters filled with mixtures of roast meats and poultry, whole suckling pigs, poached salmons and a huge king prawn fountain. All being washed down with fine Spanish wines and champagne. The wedding cake seemed to stand in its own kingdom almost as though you were expected to pay homage to it! 8 tiers in all, it swirled around like steps leading up to a turret in a castle, sheer decadence. Made at the local Tenerife bakery, another small detail taken care of by the Tenerife wedding planner with a huge, "knock on effect".
When someone or something touches you, and it has an everlasting effect on you, you have to let people know, spread the word. My advise is, if you ever get the chance to attend a wedding at this Ritz Resort in Tenerife, or certainly, if you are thinking of getting married abroad, having a ceremony of a wedding blessing, or renewal of your wedding vows abroad, don´t hesitate to get in contact with these proffessional wedding advisors who truelly are helpful and friendly people who make your wedding dreams a reality, cater for all your wedding needs and will ensure that you will have that truelly unforgetable once in a lifetime experience.


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Trekking offers many fun and beautiful memories, but only if you know how to prepare and what to avoid. As for first-time trekkers, things can sound little more complicated. But don't worry, I'm here to help.
Below you will find 3 life-saving trekking tips for beginners I have accumulated throughout my years of experience.
I know lots of people trek with a motto of "Let's just go and see." They don't know the area. But this is not my advice for you. As a beginner, you need to know where you are about to go.
It is essential to know the general info of the location. Do not risk your enjoyment by choosing a hard trail. Instead, you should start your trip with a popular, easy one so you can get used to trekking first.
After you know more about the fitness level and gain some experiences, now you can handle adventurous trails.
Amateurs often underestimate clothing. It is true that trekking requires a lot of walking, but it is not equivalent to less clothing. My advice is to bring enough clothes. If the weather is scorching hot, you can always take off a few layers.
If you get wet for some reason, clothes are always available. If you embark on a trip in spring or autumn, when the temperature can drop low, it is wise to bring extra socks and warm clothes.
Say no to cotton clothing since it is hard to dry and fails to keep you warm. I always choose wool or fleece.
Remember to bring a cap or hat when trekking in summer. It will shield your head from the sun.
Choose a proper pair of trekking shoes. This is probably the essential element of a good trekking trip. Try to find a comfortable and reliable pair.
People bring different things when they go camping. Some want to pack as many as possible to ensure safety and utmost comfort. As for me, I prefer light trekking.
Trekking involves constant use of muscles and energy. As a result, you need food that can bring you lots of vitality and dynamism, so that you can continue your trail later.
For a one-day trip, I would recommend any energy fruits such as apples and bananas. They are a great source of nutrients & glucose. Nutrient bars are also an excellent idea for campers. As for long trekking trips, you should avoid perishable food.
I often bring dry fruits, biscuits, and snacks, and I think they provide with enough energy for the upcoming trial.
While some people think a hat is adequate for fighting UV rays, I strongly urge you to apply suncream. Even some trials offer shades; you should protect your skin from sunburn, and any permanent damages such as skin cancer.
Suncream is especially crucial for those who trek to reach the top.
Insects and bugs are abundant in the wild. Once you decide to trek, you have to agree to share the trail with them. For those who can't stand bugs and mosquitos, you can bring insect repellants.
Make sure that you are not allergic to any chemical elements in the spray.
You never know what can happen on the trail. A first aid kit is a must-have item because it can be useful in the most unexpected situation. You can find all sorts of things inside a bag, from band-aids, gauze, scissors, antihistamines, and pain relievers.
I always bring a small pocket knife in my trekking trips. It is better to bring a bit more than less. A knife can be handy, especially during lunch break. You can use it to cut fruits.
Last but not least, bring some water. Depending on how long you plan to go, you should bring enough water to keep you hydrated. It is not hard to find a source of water in the wild, but whether or not it is drinkable is a mystery.
I would recommend drinking from natural spring water. You can also bring a portable water filter if you don't want to risk drinking infected water.
I hope that the top 3 life-saving trekking tips for beginners would give you sufficient information for your upcoming trials. Trekking for beginners is all about enjoyment, so don't worry too much and remember to stop from time to time to appreciate the surrounding.


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Awesome Android Games!
Breakout: The Dark Prison Review
Say one thing about Breakout: The Dark Prison by LaterSoft, say it has some serious ambitions as an action RPG game. Being ambitious is one thing I can't get enough when it comes to gaming in general. If the developers are taking on a huge challenge, I'd be ready to wager that I'm going to be happy with the final product, even if it's not perfect. This in part comes from the fact that I'm also a game developer, but it stems more from my desire to be surprised by some work of art. In the case of this game that is soon heading to Android, the thing that surprised me is the level of content depth you can find in this game.
The Storyline
I'll start by saying that this action RPG has a very defined storyline behind it. The game features the main character who arrives at a prison island in a dystopian future determined to save his daughter, who was kidnapped by unknown but very determined assailants. In the prison, he arrives into a world of its own, full of dangers and also very capable allies. All of this is showcased with action-packed cinematic sequences, branching dialogues with dedicated voice-overs and many other narrative offerings uncommon in mobile games.
Game Mechanics Complexity
In essence, the game is an action title where the players control their character using a third-person camera setup. The desperate father can move in full 3D space, dodge attacks and lash out using several of its own. The entire movement and combat system is reminiscent of the Assassin Creed series, where every encounter has a tactical side related to the spatial positioning and right timing. Yet, the mechanics can be picked up quickly, especially thanks to a great tutorial. Outside of combat, the players have their hub where they will be able to upgrade their character in an XP system worth of PC RPG games, as well as craft items, buy and sell gear and so much more between the missions. As a free-to-play title, most of the monetization will also take place in this segment, but right now it does not seem as anything resembling pay-to-win titles.
The Dark Prison Graphics
When it comes to environmental design, the game is stunning. It offers a combo of closed spaces and enclosed parts of the prison, all along providing a very defined overall space - here, you can think of the places in the Escape from New York/Los Angeles films or The Chronicles of Riddick: Escape from Butcher Bay game. There's a bit less consistent with the character design but they too working in the sense of everything being in a dystopian hellhole. Naturally, the level of visuals and animations will require a somewhat more up-to-date Android device to play smoothly, but nothing spectacular.
Takeaway:
A really ambitious game that is determined to bring the complexity and scope of AAA action RPG games to Android. You should definitely try this game out when it hits the market in the coming months so follow its development right here!
Action Android Post-Apocalypse Review RPG
Android Gaming News Flash: Cultist Simulator is coming to Android
Can't say I saw this coming, but yes, Cultist Simulator is coming to the mobile platform. Playdigious stated that the game will launch on Android on April 2, so the wait time won't be very long. After that, you'll be able to play this exceedingly popular indie game and try to build your cult using cards and a bucket load of Eldritch weirdness. Cultist Simulator UI Modifications The original game for PC is basically an insanely (to me, at least) complex card game in the tradition of tabletop releases. This is why the developers, Weather Factory, modified the UI to accommodate for the small screens of Android devices. Of course, these people worked on Fallen London and Sunless Sea (the wonderful, wonderful Sunless Sea) so a bit of UI modification clearly wasn't a big deal. Pre-Registration The Google Play page for the game is live and you can pre-register for the game right now. There's a financial perk to this as well - the pre-registered crowd will play 30 percent less for the game.…
Twitch Stream Showcase: KizoVR
In my book, versatility is always a good thing and the more you have it the better. KizoVR is a Twitch streamer and content creator that does not lack versatility by any means but he still made a big decision for 2019. From the start of this year, he is taking on a singular focus: VR gaming. You don't have to be deep in the gaming industry to know that VR game publishing is undergoing a small and silent golden age - more and more titles for virtual reality devices are coming out and KizoVR is here to give out a guiding hand.
Of course, he is not alone in the VR streaming arena, but the thing that marks him out is his strong previous gaming background. His first streams are three years old, which shows that the man can recognize a winner even before the rest of the crowd. Back then, he enjoyed sharing predominantly FPS titles like Call of Duty Black Ops 3, Tom Clancy's The Division (back then in Beta Mode), Homefront: The Revolution, Doom, Overwatch, and one of my favorites, PUBG…
First Look: Breakout: The Dark Prison
On paper and in many ways, Breakout: The Dark Prison by Latersoft has many hallmarks of a sleeper mobile hit. This title is still in the final phases of its development but at this point, things are looking solid. Like many great games on the mobile platform, it works inside of its genre, which is an action survival RPG. However, it also applies some unique twists and turns that currently seem like something that could really fall into place with spectacular results.
The Setup The main setup of the game includes a future where a virus created zombies out of the big chunk of the human population. Those who did survive with their homo sapiens DNA have to fight to stay alive. Now, this might not be the most inventive setting, but the game covers all aspects of it - it will offer single-player missions, co-op play, and PvP. The single-player tasks and missions will include bosses as well as waves of enemies, so combat shouldn't get boring very fast.
Genre-Bending Approach The thing I…

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Items where Subject is "19 STUDIES IN CREATIVE ARTS AND WRITING > 1905 Visual Arts and Crafts > 190502 Fine Arts (incl Sculpture and Painting)"
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190502 Fine Arts (incl Sculpture and Painting) (316)
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Brown, James (2012) From Model to Image (a solo exhibition).
Brown, G. James (2012) Apollo Belvedere—3 Faces, 2012.
Brown, G. James (2012) Door Lock Plate (a drawing of an architectural feature from the old East Flinders Street printery found in the excavation site by the JCU Archaeological Department). (Unpublished)
Brown, G. James (2012) Finial Base (drawing of an architectural feature from the old East Flinders Street printery and excavated from the site by the JCU archaeological team, 2010–12).
Brown, G. James (2012) Finial Crown (a drawing of the capping element that was found broken and separated from the lower portion of a finial excavated by the JCU Architectural Department at East Flinders Street, Townsville, 2010–12).
Brown, G. James (2012) Reconstructed Landscape—B.
Brown, G. James (2012) Reconstructed Landscape—Ross River, 2012.
Brown, G. James (2012) Referencing Jacque, 2012.
Brown, G. James (2012) Referencing Le Clerc, 2012.
Brown, G. James (2012) Referencing Millet, 2012.
Brown, G. James (2012) Referencing Piranesi, 2012.
Brown, G. James (2012) Referencing Rodin's 'Pierre Wiessant'.
Brown, Gordon (2011) "Clover" a painting referencing Lemaire. (Unpublished)
Brown, Gordon (2011) "Fiery Triffids" a painting referencing Lemaire. (Unpublished)
Brown, Gordon (2011) "Fireworks" a painting referencing Lemaire. (Unpublished)
Brown, Gordon (2011) "Flower Bomb" a painting referencing Lemaire. (Unpublished)
Brown, Gordon (2011) "Milky Way" a painting referencing Lemaire. (Unpublished)
Brown, Gordon (2011) "Rain and the Vanity of Flowers" a painting referencing Lemaire. (Unpublished)
Brown, Gordon (2011) "Referencing Brunet Debaines". (Unpublished)
Brown, Gordon (2011) "Referencing Constable (after Cole)". (Unpublished)
Brown, Gordon (2011) "Referencing Constable (after Cousen)". (Unpublished)
Brown, Gordon (2011) "Referencing Delasalle". (Unpublished)
Brown, Gordon (2011) "Referencing Piranesi (Lighting from the Top-Front-Left)". (Unpublished)
Brown, Gordon (2011) "Referencing Piranesi (Lighting from the Top-Front-Right)". (Unpublished)
Brown, Gordon (2011) "Referencing Piranesi (Panels 1 to 5)". (Unpublished)
Brown, G. James (2011) Referencing Piranesi (Sculpture).
Brown, Gordon (2011) "Referencing Strang". (Unpublished)
Brown, Gordon (2011) "Referencing Troyon (after Pierdon)". (Unpublished)
Brown, Gordon (2011) "Referencing Weirotter's 'In the falls of Tivoli'". (Unpublished)
Brown, Gordon (2011) "Referencing Weirotter's 'Inhabited Ruins'". (Unpublished)
Brown, Gordon (2011) "Small Lanterns" referencing Louis Marie Lemaire. (Unpublished)
Brown, Gordon (2011) "Tails in the Garden" a painting referencing Lemaire. (Unpublished)
Brown, Gordon (2011) "Violet Edging" a painting referencing Lemaire. (Unpublished)
Brown, Gordon (2011) "Yellow Trumpets" a painting referencing Lemaire. (Unpublished)
Brown, James (2011) REFERENCING THE OLD WITH THE NEW: a solo art exhibition at Milton House Gallery, 88 Milton St., Mackay, from 25th June–7th July 2011.
Brown, (Gordon) James (2011) Referencing Piranesi.
Brown, G. James (2011) Apollo Belvedere—Front, 2011.
Brown, G. James (2011) David's Ear, 2011.
Brown, G. James (2011) David's Eye, 2011.
Brown, G. James (2011) David's Nose, 2011.
Brown, Gordon James Brown, and McCulloch, Ros (2009) Reconstituting fragments: a dialogue between a contemporary North Queensland landscape artist and some early European etchings. TRACEY. pp. 1-11.
Barnard, Trish (2009) The appropriation of Indigenous motifs and its influence on contemporary arts and crafts. In: Proceedings of Cairns Indigenous Art Fair Symposium 2009 . pp. 33-36. From: Cairns Indigenous Art Fair Symposium 2009 , 21 August 2009, Cairns, QLD, Australia.
Brown, Gordon (2009) Referencing Le Clerc.
Brown, Gordon (2008) "Referencing Cotman". (Unpublished)
Brown, Gordon (2008) "Referencing F Jacque". (Unpublished)
Brown, G. James (2008) Referencing Martial.
Brown, Gordon (2008) "Referencing Perelle (tondo)". (Unpublished)
Brown, Gordon (2008) "Referencing Perelle". (Unpublished)
Brown, Gordon (2008) "Referencing Sadeler". (Unpublished)
Brown, Gordon (2008) Referencing Swanevelt.
Brown, Gordon (2008) "Referencing Troyon #2". (Unpublished)
Brown, Gordon (2008) "Referencing Weirotter's 'Vue prise à Rome'". (Unpublished)
Brown, Gordon James (2005) The Strand. [Creative Work] (Unpublished)
Cheshire, Barbara, and Daniel, Ryan (2016) Spirituality in place: capturing the essence of North Queensland through painting. Etropic: electronic journal of studies in the tropics, 15 (1). pp. 1-14.
Cheshire, Barbara (2013) Landscape as experience: an integration of senses and soul. PhD thesis, James Cook University.
Cheshire, Barbara M. (2013) Landscape as experience: an integration of senses and soul. Etropic: electronic journal of studies in the tropics, 12 (2). pp. 41-57.
Chalmers, Linda Louise (1993) Ikat sequences and social-cultural patterns: the impact of industrialization on the lives of Iban artisans in Sarawak. PhD thesis, James Cook University of North Queensland.
Dover, Barbara, and Glade-Wright, Robyn (2020) Disquiet: Ecological Anxieties and Transformations [Touring Exhibition]. [Creative Work]
Deger, Jennifer (2012) Art + emergence. In: Gilchrist, Stephen, (ed.) Crossing Cultures: the Owen and Wagner collection of contemporary Aboriginal Australian art at the Hood Museum of Art. Hood Museum of Art, Hanover, NH, USA, pp. 74-81.
Drinkall, Jacquelene (2009) Traumaculture and telepathetic cyber fiction. In: Proceedings of Second Joint International Conference on Interactive Digital Storytelling, ICIDS 2009 (5915) pp. 163-173. From: Second International Conference on Interactive Storytelling, 09 - 11 December 2009, Guimarães, Portugal.
Dover, Barbara Ann (2008) Interrogating reciprocal gaze: the animal and human in contemporary art. PhD thesis, James Cook University.
Dover, Barbara (2007) Face to Face.
Fleischmann, Katja (2013) Inside Out: Sense of Place in the Tropics.
Fleischmann, Katja (2013) Roads: Sense of Place in the Tropics.
Fleischmann, Katja (2012) I Thought He Loves Me.
Fleischmann, Katja (2012) Please stay.
Fillmer, Carel (2010) The shaping of women's bodies: in pursuit of the fashion silhouette. Masters (Research) thesis, James Cook University.
Foley, Donna (2008) Drawn and Quartered.
Foley, Donna (2008) The social semiotics of Australian writing. In: Proceedings of the 2nd Global Conference: visual literacies exploring critical issues. pp. 1-23. From: 2nd Global Conference: visual literacies exploring critical issues, 30 June - 03 July 2008, Oxford, UK.
Field, Laurine (2006) Gardens of the mind: an exploration of the integral role of gardens in the lives of contemporary Australians by probing the construction of a public garden space and exploring visually an idiosyncratic artistic experience of the Flecker Botanic Gardens. Masters (Research) thesis, James Cook University.
Glade-Wright, Robyn E., and Scotcher, Jacqueline (2020) Wandering through paint in the wet tropics. Creative Industries Journal. (In Press)
Glade-Wright, Robyn (2019) Over-Consumption. [Creative Work]
Glade-Wright, Robyn (2019) Catches of the Day. [Creative Work]
Glade-Wright, Robyn, and Dover, Barbara (2019) Fact or Fiction? Priya and Zander investigate links between plastic at the Art Gallery and in the Great Barrier Reef. [Creative Work]
Glade-Wright, Robyn (2019) Lampton's Soup. [Creative Work]
Glade-Wright, Robyn, and Dover, Barbara (2019) Plastic Gothic: Frankenstein, Art and the Microplastic Monster. [Creative Work]
Glade-Wright, Robyn (2019) Plastic Gothic: Frankenstein, art and the microplastic monster. Etropic: electronic journal of studies in the tropics, 18 (2). pp. 68-80.
Glade-Wright, Robyn, and Dover, Barbara (2019) Sam's Visit to the Great Barrier Reef and the Art Gallery. [Creative Work]
Glade-Wright, Robyn, and Dover, Barbara (2019) Shelly's Visit to Double Island and The Art Gallery. [Creative Work]
Glade-Wright, Robyn (2018) Plastic Time. [Creative Work]
Glade-Wright, Robyn (2018) Choke Series. [Creative Work]
Glade-Wright, Robyn (2018) Dump. [Creative Work]
Glade-Wright, Robyn (2018) Microplastics Found in Human Embryo. [Creative Work]
Glade-Wright, Robyn (2018) Plasticine Marine. [Creative Work]
Glade-Wright, Robyn (2017) Catch of the Day.
Glade-Wright, Robyn (2017) Climate Change. [Creative Work]
Glade-Wright, Robyn (2016) Red tide. [Creative Work]
Glade-Wright, Robyn (2016) Crown-of-Thorns Crown.
Glade-Wright, Robyn (2016) Going.
Glade-Wright, Robyn (2016) New insights effectively shared: originality and new knowledge in Creative Arts postgraduate degrees. Qualitative Research Journal, 17 (2). pp. 89-98.
Glade-Wright, Robyn (2016) Coast.
Glade-Wright, Robyn (2016) Crown of Thorns.
Glade-Wright, Robyn (2016) Tidelines: creative vision, ecology and the tropics. Etropic: electronic journal of studies in the tropics, 15 (1). pp. 15-25.
Glade-Wright, Robyn (2016) Uncertain futures: coral bleaching and the loss of innocence, beauty and the sublime. Etropic: electronic journal of studies in the tropics, 15 (1). pp. 39-49.
Glade-Wright, Robyn (2016) Washed Up.
Glade-Wright, Robyn (2015) Ten Green Bottles.
Glade-Wright, Robyn, and Dover, Barbara (2015) An unbearable beauty: the call of beauty and the sublime. Studio Research Journal, 3. 5. pp. 52-61.
Glade-Wright, Robyn, and Sorin, Reesa (2015) Memorial: the silence of extinction. The International Journal of Social, Political, and Community Agendas in the Arts, 10 (4). pp. 13-24.
Glade-Wright, Robyn (2014) Bleached coral in plane view. [Creative Work]
Glade-Wright, Robyn (2014) Body coral. [Creative Work]
Glade-Wright, Robyn (2014) Cook's gaze. [Creative Work]
Glade-Wright, Robyn (2014) Coral coloured glasses. [Creative Work]
Glade-Wright, Robyn (2014) Exodus: coral bleaching [sculpture]. [Creative Work]
Glade-Wright, Robyn (2014) Watch out. [Creative Work]
Glade-Wright, Robyn (2014) A hand in coral bleaching. [Creative Work]
Glade-Wright, Robyn (2014) Exodus: coral bleaching and heat stress [exhibition catalogue]. KickArts Contemporary Arts, Cairns, QLD, Australia.
Glade-Wright, Robyn. (2014) Exodus: coral bleaching and heat stress [portfolio]. [NTRO Portfolio]
Glade-Wright, Robyn (2014) Overload. [Creative Work]
Glade-Wright, Robyn (2013) Deeper Down: an exhibition of Doctor of Philosophy candidate work.
Glade-Wright, Robyn (2013) Paradise lost. [Creative Work]
Glade-Wright, Robyn (2012) RED LISTED. [Creative Work]
Glade-Wright, Robyn (2011) Animals, people - a shared environment: an exhibition. [Creative Work]
Glade-Wright, Robyn (2011) A Fragile Life: Vulnerable Species in the Torrid Zone. Etropic: electronic journal of studies in the tropics, 10. pp. 115-118.
Gough, Julie (2010) Tresspass.
Gough, Julie, and Naylor, Stephen (2009) Circuit breaking? Indigenous Australian art and critical discourse. In: Anderson, Jaynie, (ed.) Crossing Cultures: conflict, migration and convergence: the proceedings of the 32nd international congress of the history of art. Miegunyah Press, Melbourne, Australia, pp. 820-825.
Gough, Julie (2009) Driving Black Home 2.
Gough, Julie (2009) Rivers run.
Gough, Julie (2008) Aftermath (The Installation).
Gough, Julie (2008) Bind.
Gough, Julie (2008) Dark Valley, Van Diemen's Land.
Gough, Julie (2008) Kidnap Co-ordinates.
Gough, Julie (2008) Ransom.
Gough, Julie (2008) Recount.
Gough, Julie (2008) The Ranger, version 2.
Gough, Julie (2008) Fugitive History.
Gough, Julie (2008) Black-line properties I.
Gough, Julie (2008) From an Island South. [Creative Work]
Gough, Julie (2008) Head count.
Gough, Julie (2008) Incident reports.
Gough, Julie (2008) Malahide.
Gough, Julie (2008) Name sakes.
Gough, Julie (2008) Some words for change.
Gough, Julie (2008) Spear/oar.
Gough, Julie (2008) The chase.
Gough, Julie (2008) The haunted and the bad. In: Gough, J., (ed.) The Haunted and the Bad. Linden Centre for Contemporary Arts, Melbourne, VIC, Australia, pp. 2-6.
Gough, Julie (2008) The missing.
Gough, Julie (2008) The simultaneous effort.
Gough, Julie (2008) The wait.
Gough, Julie (2007) The Ranger. [Creative Work]
Gough, Julie (2007) Escape II.
Gough, Julie (2007) An Other Place. [Creative Work]
Gough, Julie (2007) She was sold for one guinea.
Gough, Julie (2007) Thresholds of Tolerance. [Creative Work]
Gough, Julie (2007) We ran/I am.
Gough, Julie (2007) Witness.
Glade-Wright, Robyn (2006) Funeral urn for Arachnorchis cardiochila.
Glade-Wright, Robyn (2006) Funeral urn for Ballantinia antipoda.
Glade-Wright, Robyn (2006) Funeral urn for Banksia integrifolia.
Glade-Wright, Robyn (2006) Funeral urn for Botrychium australe.
Glade-Wright, Robyn (2006) Funeral urn for Corunastylis nudiscapa.
Glade-Wright, Robyn (2006) Funeral urn for Hibbertia rufa.
Glade-Wright, Robyn (2006) Funeral urn for Hutchinsia tasmanica.
Glade-Wright, Robyn (2006) Funeral urn for Lepilaena australis.
Glade-Wright, Robyn (2006) Funeral urn for Ozothamnus selaginoides.
Glade-Wright, Robyn (2006) Funeral urn for Prostanthera cuneata.
Glade-Wright, Robyn (2006) Funeral urn for Senecio macrocarpus.
Glade-Wright, Robyn (2006) Funeral urn for Thesium australe.
Glade-Wright, Robyn (2006) Making nature: extinct Tasmanian plants.
Glade-Wright, Robyn (2006) Memorial Board.
Glade-Wright, Robyn (2006) Wreath for Coopernookia barbata.
Glade-Wright, Robyn (2006) Wreath for Deyeuxia lawrencei.
Glade-Wright, Robyn (2006) Wreath for Levenhookia dubia.
Glade-Wright, Robyn (2006) Wreath for Myosurus minimus.
Glade-Wright, Robyn (2006) Wreath for Podotheca angustifolia.
Glade-Wright, Robyn (2006) Wreath for Veronica notabilis.
Gough, Julie A. (2006) Locus, 2006. [Creative Work]
Gough, Julie A. (2006) Being collected and keeping it real. In: Reynolds, Amanda Jane, (ed.) Keeping Culture: Aboriginal Tasmania. National Museum of Australia, Canberra, ACT, Australia, pp. 9-20.
Gough, Julie (2006) Being there, then and now: aspects of South-East Aboriginal art. In: Ryan, Judith, (ed.) LandMarks. National Gallery of Victoria, Melbourne, VIC, Australia, pp. 125-131.
Glade-Wright, Robyn (2006) Memorial: the silence of extinction.
Gough, Julie (2005) Intertidal. [Creative Work]
Glade-Wright, Robyn (2005) Wreath for Asperula charophyton.
Glade-Wright, Robyn (2005) Wreath for Chenopodium erosum.
Glade-Wright, Robyn (2005) Wreath for Myriophyllum glomeratum.
Glade-Wright, Robyn (2005) Wreath for Vittadinia megacephala.
Glade-Wright, Robyn (2005) Wreath for extinct Tasmanian plant Deyeuxia lawrencei.
Gough, Julie (2003) Transmutation. [Creative Work]
Gough, Julie (2001) Transforming histories: the visual disclosure of contentious pasts. PhD thesis, University of Tasmania.
Hook, Sandra Jane (2020) Exploring place in North Queensland: a contemporary visual artist responds to colonial journeys. PhD thesis, James Cook University.
Hook, Sandi, and Nash, Eric (2015) Imagining place: cultural memories of North Queensland [exhibition]. [Creative Work]
Knight-Mudie, Karen (1999) Moonlighting in Moffatt: restructuring art as personal experience. PhD thesis, James Cook University.
Lane, Richard (2015) The intuitive landscape.
Lord, Anne (2012) Shards and earth – Surveyor: difference between ochre and card [small version].
Lord, Anne (2012) Shards – For a Fire Ravenswood: difference between glass and resin [small version].
Lord, Anne (2012) Shards – Walking on the Beach: difference between sand and wood [small version].
Lord, Anne (2012) Qualitative research in the creative arts. Creative Approach to Research, 5 (1). 6. pp. 58-76.
Lord, Anne (2011) Dancing with the dog: dangerous liaisons.
Lord, Anne (2011) Harvest in digital.
Lord, Anne (2011) Icarus 2.
Lord, Anne (2011) Peasant dance.
Lord, Anne (2011) Wedding feast.
Lord, Anne (2011) 'Similarity and Difference' exhibited in 'Glimpse of China'.
Lord, Anne (2011) Similarity and Difference: Raddish.
Lord, Anne (2011) Similarity and Difference: Shell.
Lord, Anne (2011) Similarity and Difference: Sweet Potato.
Lord, Anne (2011) Similarity and difference: bamboo grove.
Lord, Anne (2011) Similarity and difference: dragon fruit.
Lord, Anne (2011) Similarity and difference: frangipanni.
Lord, Anne (2011) Similarity and difference: peach.
Lord, Anne (2011) Similarity and difference: snake skin fruit.
Lord, Anne (2010) Creative visual art storytelling and concept development. Journal of Writing in Creative Practice, 3 (3). pp. 227-256.
Lord, Anne (2010) 'Black Dog'.
Lord, Anne (2010) 'Dance,' a lithograph.
Lord, Anne (2010) Fruit [from the] Strand: dark.
Lord, Anne (2010) Hug.
Lord, Anne (2010) Split, a lithograph.
Lord, Anne (2010) Three shrivelled seeds: pods.
Lord, Anne (2009) Now and Then: 150 years of art making in north Queensland, a group exhibition.
Lord, Anne (2009) Chalk lines around horizontal survey pegs: a site specific installation.
Lord, Anne, and Ashton, Linda (2009) Reflecting on methodology and the PhD supervision partnership. Australian Art Education, 32 (2). pp. 105-122.
Lord, Anne Mary (2008) Art and ephemera post-structuralist perspective: visual art, ephemera and environment. PhD thesis, James Cook University.
Lord, Anne M. (2007) Ephemeral characters: ice sculptures. [Creative Work]
Lord, Anne (2007) Ephemera art and detritus. In: Proceedings of the Environmental Research Event 2007 . pp. 160-168. From: Environmental Research Event 2007, 2-5 December 2007, Cairns, Queensland, Australia.
Lord, Anne (2006) Watersheds and Basins.
Lord, Anne (2006) Robe.
Lord, Anne (2006) Watersheds and Basins. [Creative Work]
Lord, Anne (2004) Corresponding Latitudes. [Creative Work]
Lord, Anne (2004) Ephemeral Being 2, installation.
Lord, Anne (2004) Ephemeral Beings 1.
Lord, Anne Mary (AM) (2004) Absence - an installation and catalogue of work.
Lord, Anne M. (2003) Contemplating the future. [Creative Work]
Lord, Anne (2003) Exchange - An exhibition and catalogue. [Creative Work]
Lord, Anne M. (2003) Youth. [Creative Work]
Lord, Anne (2002) Child in Known Environment.
Lord, Anne (2002) Girl in dream environment.
Lord, Anne (2002) Lady and Known Environment.
Lord, Anne (2002) Lady in Chosen Environment.
Lord, Anne (2002) Woman in Desired Environment.
Lord, Anne (2001) Gentleman and known environment.
Lord, Anne (2000) Palmetum Print.
McKenzie, Laurel (2017) Venus rising, Furies raging: bodies redressed in contemporary visual art. PhD thesis, James Cook University.
Meyer, Angela Mary (2015) Painting in the tropics. PhD thesis, James Cook University.
Milledge, Russell (2011) ProppaNOW Artists Panel Seminar 2011 - The Black See. (Unpublished)
Milledge, Russell (2011) Pulling Alick Tipot's Girelal.
Milledge, Russell, and Holdsworth, Jason (2011) Imagine Cairns.
McBurnie, Ron (2010) A Journey Through Summer.
Milledge, Russell (2009) Originality and representation: contemporary aesthetics and traditional continuity in the work of Billy Missi and Arone Meeks. In: Proceedings of Cairns Indigenous Art Fair Symposium 2009. pp. 57-62. From: Cairns Indigenous Art Fair Symposium 2009 , 21 August 2009, Cairns, QLD, Australia.
McBurnie, Ronald (2009) Metal as anything.
McBurnie, Ronald (2009) Tobias and the Angel.
McBurnie, Ronald (2009) The story teller.
Milledge, Russell (2008) Blak Roots. KickArts Contemporary Arts, Cairns, QLD, Australia, pp. 6-10.
Milledge, Russell (2008) Shared embrace. In: Milledge, Russell, (ed.) Blak Roots. KickArts Contemporary Arts, Cairns, QLD, Australia, pp. 6-10.
Milledge, Russell J (2008) Danalgaw Gidhal (stories about life). In: O'Connell, Rae, (ed.) Billy Missi: Urapun Kai Buai: Contemporary lino prints from the Torres Strait. KickArts Contemporary Arts, Cairns, QLD, Australia, pp. 8-10.
McBurnie, Ronald (2008) Romantic etchings.
Mulcahy, Jennifer (2008) Sensing the silence: Mary Kathleen. PhD thesis, James Cook University.
McBurnie, Ronald (2008) The piper at the gates of dawn.
McBurnie, Ronald J. (2007) In search of the miraculous: 300 years of British prints. [Creative Work]
Mulcahy, Jennifer (2007) Art at the forefront of societal change. In: Environmental Research Event (ERE) 2007 - Global Problems, Local Solutions. pp. 178-188. From: Global Problems - Local Solutions, 2-5 Dec 2007, Cairns, QLD, Australia.
McBurnie, Ronald (2006) Chasing Palmer.
McBurnie, Ronald (2006) The lines are drawn.
Markwick, Laura (2004) Circles of healing around the world: an exploration of the association between spiritual healing and circles in art. PhD thesis, James Cook University.
Michaelis, Nancy (1997) Innovation and interpretation of spiritual imagery: children's art in the Wabag Diocese of the Catholic Church, Enga Province, Papua New Guinea. Masters (Research) thesis, James Cook University.
Naylor, Stephen (2020) The Venice Biennale and the Asia-Pacific in the global art world. Routledge Research in Art Museums and Exhibitions . Routledge, New York, USA.
Naylor, Stephen (2015) Artist travel: twilight and the amputee. In: Fox, Belinda, (ed.) Back to the Start. Goff Books, New York, NY, USA, pp. 94-121.
Neave, Coral (2013) Framing culture: Indigenous fine art in Far North Queensland. PhD thesis, James Cook University.
Naylor, Stephen (2012) Umbrella Studio and the Neoteric printmakers. Imprint, 47 (1). p. 10.
Nowell, Wesley Gregg (2011) Imaging the sacred word. PhD thesis, James Cook University.
Naylor, Stephen (2010) Australian space from the outside in: Australia's representation at the Venice Biennale 1954–2005. In: Holloway, Barbara, and Rutherford, Jennifer , (eds.) Halfway Houses: the poetics of Australian spaces. UWA Press, Crawley, WA, Australia, pp. 320-332.
Naylor, Stephen (2009) Regional art schools: a model for survival and success. Scope: contemporary research topics (art & design), 4. pp. 50-58.
Naylor, Stephen (2007) Australian space from the outside in. In: Proceedings of the ARCRNSISS Methodology, Tools and Techniques and Spatial Theory Paradigm Forums Workshop. pp. 200-206. From: ARCRNSISS Methodology, Tools and Techniques and Spatial Theory Paradigm Forums Workshop, 15-17 June 2005, Newcastle, NSW. Australia.
Naylor, Stephen (2007) Jenny Mulcahy: sensing the silence. Ceramics: Art and Perception, 67. pp. 34-38.
Naylor, Stephen (2006) Moving the mind. In: Proceedings of the Australian Council of University Art and Designs Schools. From: ACUADS 2006 Conference, 27-29 September 2006, Melbourne, VIC, Australia.
Naylor, Stephen (2006) The role of visual culture and literacy: reconciling the dialectic. Australian Art Education, 29 (2). pp. 70-79.
Nixon-Smith, Patricia Joan (2005) The Townsville Common : codifying a private view of natural energies. Masters (Research) thesis, James Cook University.
Naylor, Stephen (2003) Getting into the Giardini di Castello: Australia's representation at the Venice Biennale. Art and Australia, 40 (4). pp. 594-601.
Naylor, Steven (2002) Australia in gondola land. In: Proceedings of Art Association of Australia and New Zealand, Art Association Conference 2002. pp. 1-6. From: Art Association of Australia and New Zealand, Art Association Conference 2002, 6-7 December 2002, Art Gallery of New South Wales, Sydney.
O'Sullivan, Jill (2004) Visions of rural identity: a study of the rural figurative image in Australian art since 1880. Masters (Research) thesis, James Cook University.
Preston, Robert Forrest (2005) Kala: journeyings through colour and time. PhD thesis, James Cook University.
Rees, Vaughan Dai (2005) Head, heart and hand - a visual autobiography. PhD thesis, James Cook University.
Scotcher, Jacqueline (2018) Wayfaring: place and painting in the tropical far north. PhD thesis, James Cook University.
Scotcher, Jacqueline (2016) Wayfaring and creative practice in Tropical Far North Queensland landscapes. Etropic: electronic journal of studies in the tropics, 15 (2). pp. 42-58.
Sorin, Reesa (2011) Fantasy Forest.
Sorin, Reesa (2010) Forest for the Trees.
Salisbury, David, Hutchison, Clive, and Naylor, Stephen (2009) Documenting tropical cultural diversity and exploring the teaching research nexus through the Venice Biennale. Recent research projects at James Cook University. In: Papers from ACUADS 2009 Conference. pp. 16-19. From: ACUADS 2009 Conference, 30 September - 2 October 2009, Brisbane, QLD, Australia.
Sorin, Reesa (2009) Exposed.
Silver, Anneke (2009) At the entrance.
Silver, Anneke (2009) Back veranda.
Silver, Anneke (2009) Bathroom.
Silver, Anneke (2009) Drawings of Ilford House.
Silver, Anneke (2009) Entrance.
Silver, Anneke (2009) Front room.
Silver, Anneke (2009) Hallway.
Silver, Anneke (2009) Hammock.
Silver, Anneke (2009) Jug and basin.
Silver, Anneke (2009) Kitchen still life.
Silver, Anneke (2009) Lived in room.
Silver, Anneke (2009) Pots and kettles.
Silver, Anneke (2009) Stove top.
Silver, Anneke (2009) Upstairs.
Silver, Anneke (2009) Veranda with spinning wheel.
Silver, Anneke (2009) Whiteley room.
Silver, Anneke (2009) The office.
Silver, Anneke (2008) Billabong.
Silver, Anneke (2008) Connection.
Silver, Anneke (2008) Floating 1.
Silver, Anneke (2008) Fly dive.
Silver, Anneke (2008) Golden dawn, Hinchinbrook.
Silver, Anneke (2008) Gorge country.
Silver, Anneke (2008) Langue d'oc doorway.
Silver, Anneke (2008) Lavender fields France.
Silver, Anneke (2008) Midday reflection.
Silver, Anneke (2008) Midnight swim.
Silver, Anneke (2008) Moonlit billabong.
Silver, Anneke (2008) Mudslide.
Silver, Anneke (2008) Picture 019.
Silver, Anneke (2008) Playful.
Silver, Anneke (2008) Under sunset sea.
Silver, Anneke (2008) Weightless.
Silver, Anneke (2005) Pole A.
Tanner, Heather Anne (2018) Migrancy: a journey of yearning and a quest for home in the context of contemporary art. PhD thesis, James Cook University.
Taylor, Cheryl (2010) Book reviews: Rod Fisher, Boosting Brisbane and John R. Laverty, The making of a metropolis: Brisbane 1823-1925. Queensland Review, 17 (1). pp. 75-78.
Van Luyn, Ariella, and Glade-Wright, Robyn (2018) Changing tertiary landscapes for the artist-academic: towards a framework for nurturing creative arts research beyond the PhD. Text, 51 (Special Issue).
Wolff, Mark (2019) In search of a Tropical Gothic in Australian visual arts. Etropic: electronic journal of studies in the tropics, 18 (1). pp. 192-212.
Williams, Crystal (2018) Entrepreneurial mindsets and innovation: an empirical study on behaviours, skills and opinions of Australian visual artists. PhD thesis, James Cook University.
Waters, Melissa (2009) Transitions: not the destination but the journey. Masters (Research) thesis, James Cook University.


The tripartite relationship that exists between the Supply Chain Manager, the TMC and the Supplier of product to the Government traveller is complex. It is critical that it is underpinned by a sound policy, unwavering compliance and fair commercials. Join us at the GBTA conference to hear what promises to be a robust discussion from this specialist panel.
Bookings are open for our GBTA Southern Africa annual conference will be held on the 24th and 25th October at Kievits Kroon Country Estate. A beautiful, tranquil country estate, just 10 minutes from central Pretoria and 45 minutes from Sandton, Gauteng.
Don't miss out on the unparalleled education and networking opportunities that will be available at our annual conference. The GBTA conference is the ideal networking opportunity to collaborate, communicate and connect with your travel professional peers.
Click here to find out more about this not to be missed event.


These days the disadvantages of fossil fuels are clearly evident. The supply of oil we have been relying on for transport for the last 100 or so years is running out. And even if we could find enough oil to supply our growing demands, we would then have to suffer the consequences of all the carbon pollution it would produce.
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Recently Patent authorities have accepted the invention of Mr Chawla in the field of Wind Mills. The new wind mills will change once for all the entire perspective of generation of energy from wind. At present maximum of 5 MW of power can be generated from a single wind mill but normal wind mills generate ½ to 1 MW requiring lot of distance between each wind mill. This will be a news of past. The New wind mills will be able to utilize maximum wind energy available on this planet. A single wind mill will be able to generate from 30 to 50 MW requiring less distance between each wind mill.
Proto type was tested before filing of Patent. As the technology's Patent has been established recently, a working model will be presented shortly to completely change the generation of energy from wind. The new technology will enhance generation of energy to unbelievable heights.
A new kind of SEA ENERGY GENERATOR has been created, the patent for which has already been granted to me and amendment patent has been filed, trials already conducted by me. The SEA ENERGY GENERATOR will generate far more power than the present systems generating power from sea. Sea raiser recently invented can operate in minimum of 30 ft of water where as this invention can generate energy from zero feet of Seawater or at the beaches it self. The new SEA ENERGY GENERATOR will revolutionize energy generation and can meet the present and future energy needs of this planet.


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text:
La SMS Novara è stata una fregata a propulsione mista vela-vapore della k.u.k. Kriegsmarine, nota per aver compiuto la "Spedizione Novara" attorno al mondo tra il 1857 e il 1859 e successivamente per aver trasportato l'arciduca Massimiliano e la moglie Carlotta a Veracruz, nel maggio 1864, per essere incoronati imperatore e imperatrice del Messico.

Storia

Servizio
La SMS Novara fu la prima delle due navi della marina austriaca a portare questo nome e fu utilizzata per la spedizione scientifica imperiale del 1857-1859, sotto il regno di Francesco Giuseppe I.
Era una fregata a vela con tre alberi di vele e sei ponti, dotata di 42 cannoni e aveva un dislocamento di quasi 2 107 tonnellate.

La SMS Novara tra il 1843 e il 1899 ebbe diversi nomi e configurazioni: originariamente chiamata Minerva all'inizio della costruzione presso i cantieri dell'Arsenale di Venezia nel 1843, venne quindi parzialmente completata e poi ribattezzata Italia dagli insorti veneziani del 1848, per essere finalmente varata come veliero con il nome Novara nel 1850 e quindi convertita in incrociatore a propulsione mista vela-vapore tra il 1861 e il 1865.

Il nome definitivo fu assegnato in memoria della Battaglia di Novara, in seguito alla quale gli austriaci riconquistarono Venezia; al feldmaresciallo Radetzky in visita al cantiere, gli ufficiali austriaci consegnarono una petizione per ribattezzare l'ormai quasi completata Italia con il nome della città italiana dove era stata ottenuta la definitiva vittoria su re Carlo Alberto. Nel 1849 la costruzione riprese sotto il controllo austriaco e lo scafo fu varato l'anno successivo, nel novembre 1850.

Fu concepita come nave di rappresentanza dell'intera marina imperiale e pertanto dotata di arredi raffinati in previsione di ospitare importanti figure della nobiltà e dell'esercito.

La spedizione Novara

La Spedizione Novara (1857–1859) fu la prima spedizione scientifica su scala planetaria della marina imperiale austro-ungarica. Autorizzato dall'arciduca Massimiliano, il viaggio durò 2 anni e 3 mesi, dal 30 aprile 1857 sino al 26 agosto 1859.
Salutata da 21 salve di cannone, la nave partì da Trieste il 30 aprile e toccò i porti di Gibilterra, Madera, Rio de Janeiro, Città del Capo (compiendo una nuova traversata atlantica di due mesi durante la quale dovette affrontare onde di 10 metri), St. Paul e Amsterdam (tappa suggerita da Alexander von Humboldt), Ceylon, Madras, Isole Nicobare, Singapore, Giava, Hong Kong, Shanghai (appena lasciata la quale incontrò una forte tempesta rischiando l'affondamento), Puynipet, Sikaiana, Sydney, Auckland, Tahiti, Valparaiso, Gibilterra (dopo 82 giorni di mare) e, infine, Trieste la mattina del 26 agosto, salutata trionfalmente.

La spedizione fu compiuta sotto il comando del commodoro Bernhard von Wüllerstorf-Urbair (1816–1883), con 345 uomini tra ufficiali ed equipaggio, più sette scienziati a bordo. La preparazione per il viaggio di ricerca fu affidata all'"Imperiale Accademia delle Scienze di Vienna" e a studiosi specialisti, sotto la direzione del geologo Ferdinand von Hochstetter e dello zoologo Georg von Frauenfeld. Numerose novità in materia di sanità e igiene dell'equipaggio furono introdotte tra cui l'installazione di docce, l'utilizzo di piatti smaltati e di verdure disidratate per prevenire le malattie tropicali indotte dalle forniture occasionali. Vennero inoltre testate nuove apparecchiature tra cui l'antesignano dei sonar.

Poiché nel 1859 Austria e Francia erano in stato di guerra, l'imperatore francese Napoleone III emise un ordine che vietava alle navi francesi di attaccare la Novara se incontrata in mare "perché la spedizione aveva un valore universale per tutta l'umanità".

La circumnavigazione della Terra, da aprile 1857 ad agosto 1859, del Novara fu, secondo il Naturhistorisches Museum di Vienna, uno dei viaggi più importanti mai compiuti dall'uomo.
Diversi eminenti scienziati, biologi e naturalisti parteciparono alla spedizione, tra essi vi era Georg Ritter von Frauenfeld, curatore del dipartimento di studi sugli organismi invertebrati dei musei imperiali. Il materiale raccolto durante la spedizione era voluminoso e oltre a essere esaminato dagli studiosi di tutto il mondo per decenni, fu pubblicato in un'edizione enciclopedica di ventuno volumi la cui prima edizione di cinquemila copie andò immediatamente esaurita. Oltre duecento nuove specie di piante e animali furono classificate e catalogate.

Al termine del viaggio, la Novara aveva percorso 51.686 miglia, passato 551 giorni in navigazione e 298 all'ancora. Un totale di 23.700 reperti erano stati raccolti compresi 440 minerali, 300 rettili, 1.500 uccelli, 1.400 anfibi, 1.330 pesci, 9.000 insetti, 8.900 molluschi e crostacei, 300 uova e nidi di uccello, numerosi scheletri (tra cui 100 teschi umani) e 550 oggetti etnici.

Servizio successivo
Nel 1862 la nave fu modificata presso il Cantiere navale "San Rocco" di Muggia con l'allungamento di 15 metri per inserire una macchina a vapore da 294 kW per la propulsione a elica.

Nominato Imperatore del Messico nel 1864, Massimiliano fu trasportato dalla Novara nel paese dove fu fucilato dai rivoluzionari nel 1867. La Novara ritornò per raccoglierne le spoglie, nel frattempo imbalsamate ed esposte, e trasportarle a Trieste da dove raggiunsero in treno Vienna per la sepoltura definitiva nella Cripta dei Cappuccini.

Battaglia di Lissa
La SMS Novara intraprese il servizio attivo durante la battaglia di Lissa il 20 luglio 1866 nel mar Adriatico vicino all'isola di Lissa. La Novara apparteneva alla 2ª Divisione marina dell'ammiraglio Wilhelm von Tegetthoff, che constava principalmente di navi da guerra a vapore in legno. La battaglia fu una vittoria decisiva per una flotta dell'Impero austriaco, inferiore in numero, su una forza superiore italiana indebolita dalle divisioni tra comandanti provenienti dalle marine pre-unitarie. Fu il primo scontro marittimo tra corazzate e uno degli ultimi a registrare manovre di speronamento intenzionale. Durante lo scontro, fu colpita 47 volte dal tiro nemico provocando la morte del comandante Erich (talvolta scritto Errik) Von Klint (1816–1866). Questo non impedì all'unità di continuare a combattere e contribuì infatti in maniera decisiva alla distruzione della cannoniera corazzata Palestro.

Ultimi anni in servizio
Nel 1871 la Novara ricevette un ulteriore ammodernamento con aumento dell'armamento e dell'equipaggio che salì a 447 membri. Partì quindi per il suo ultimo viaggio importante, la visita della costa est degli Stati Uniti. Fu l'unica volta in cui una nave della marina imperiale austriaca stazionò in un porto americano. Le cronache del tempo registrarono divertite l'estrema eterogeneità dell'equipaggio, figlia delle molte nazionalità presenti nell'impero, e i numerosi eventi mondani a bordo complice la buona padronanza della lingua inglese da parte del corpo ufficiali. Nondimeno, mentre era alla fonda nel porto di New York fu celebrata una funzione in memoria dell'ammiraglio Tegetthof deceduto in quei giorni.

Divenuta obsoleta, nel 1881 fu privata dei motori, riconvertita in pontone e adibita a nave scuola d'artiglieria a Pola. Dopo essere stata pesantemente danneggiata, fu radiata nel 1898 e demolita l'anno successivo.

Eredità
La SMS Novara è stata scelta come figura principale per una moneta commemorativa in argento da 20 euro coniata il 16 giugno 2004. Il dritto mostra la fregata durante la sua circumnavigazione del globo a vela nel 1857-1859. La Novara è stata la prima nave austriaca a circumnavigare il mondo. Sullo sfondo, è rappresentata la costa cinese.

Nel 2009 le Poste Austriache hanno celebrato il 150º anniversario della spedizione con l'emissione di un francobollo dedicato.

All'interno del Castello di Miramare è presente la Saletta Novara, perfetta riproduzione del quadrato di poppa nonché studio dell'Arciduca, a cui era stata assegnata in ricordo dei suoi anni imbarcato come cadetto.

La nave è citata nella famosa poesia di Giosue Carducci Miramar (da Odi Barbare), vv. 49-50: "― Ahi! mal tu sali sopra il mare nostro, / figlio d'Absburgo, la fatal Novara".

Note

Bibliografia

 Carl Kraus, L'orizzonte libero e sconfinato. La circumnavigazione della Novara e il sogno messicano di Massimiliano, una mostra del Museo Storico di Castel Tirolo 10 luglio - 14 novembre 2004, Castel Tirolo, 2004.

Voci correlate
 SMS Novara (1912)
 Naturhistorisches Museum

Altri progetti

Collegamenti esterni

Unità della k.u.k. Kriegsmarine
Fregate a vela
Navi costruite dall'Arsenale di Venezia

redpajama_set_name: RedPajamaWikipedia


text:
Mamadou Fall ist der Name folgender Personen:

* Mamadou Fall (Fußballspieler) (* 1991), senegalesischer Fußballspieler
 Mamadou Fall (Boxer), senegalesischer Boxer
 Mamadou Fall (Diplomat), senegalesischer Diplomat


text:
Q: problem minus in mysql in subtratcting group data i have three table
member (memberid,m_name,statusid,address,DOB,phone)
booking (bookingid, memberid ,sessionid, cost)
session(sessionid, activity,location)
(fk memberid, fk sessionid )BOOKING IS link with ( member pk )and (session pk)
session activity  is like football,swimming,badminton,tennis
i want to run the following query
find the name of all member who have booked any session for 'football', but not any session for 'swimming' during december 2009
sql

 select DISTINCT  Event1.m_name ,Event1.activity
       FROM
       (
            select mm.m_name,ss.activity,ss.sessionid,ss.s_date
                 from member mm
                 inner join booking bb on bb.memberid = mm.memberid
                 inner join session ss   on ss.sessionid = bb.sessionid
                where activity = 'football'
       )as Event1

INNER JOIN
    (
         select mm.m_name ,ss.activity,ss.sessionid,ss.s_date
               from member mm
               inner join booking bb on bb.memberid = mm.memberid
               inner join session ss  on ss.sessionid = bb.sessionid
               where mm.memberid not in
                   (
                    select mm.memberid
                    from member mm
                     inner join booking bb
                     on bb.bookingid = mm.memberid
                     inner join session ss
                     on bb.sessionid = ss.sessionid
                     where ss.activity in ( 'swimming')
             )

     ) as Event2

on Event1.sessionid = Event2.sessionid

what im doing wrong it return me memeber who have book football and swmming.

A: SELECT
m_name,
(
    SELECT COUNT(bookingid)
    FROM booking
    WHERE memberid = ROOT.memberid
    AND sessionid = [session.sessionid for football]
) AS FootballSessions,
(
    SELECT COUNT(bookingid)
    FROM booking
    WHERE memberid = ROOT.memberid
    AND sessionid = [session.sessionid for swimming]
) AS SwimmingSessions
FROM member ROOT
HAVING FootballSessions > 0
AND SwimmingSessions = 0

You may need to say WHERE instead of HAVING near the end there, but that should work.

A: SELECT m_name
FROM members
WHERE memberid IN
  ( SELECT b.memberid
    FROM booking b
      JOIN session s
        ON s.sessionid = b.sessionid
    WHERE s.activity = "football"
  )
AND memberid NOT IN
  ( SELECT b.memberid
    FROM booking b
      JOIN session s
        ON s.sessionid = b.sessionid
    WHERE s.activity = "swimming"
  )

or
SELECT m.m_name
FROM members m
WHERE EXISTS
  ( SELECT 0
    FROM booking b
      JOIN session s
        ON s.sessionid = b.sessionid
    WHERE s.activity = "football"
      AND b.memberid = m.memberid
  )
AND NOT EXISTS
  ( SELECT 0
    FROM booking b
      JOIN session s
        ON s.sessionid = b.sessionid
    WHERE s.activity = "swimming"
      AND b.memberid = m.memberid
  )

or
SELECT m.m_name
FROM booking b
  JOIN members m
    ON m.memberid = b.memberid
  JOIN session s
    ON s.sessionid = b.sessionid
WHERE s.activity IN ("football", "swimming")
GROUP BY b.memberid
HAVING COUNT(s.activity = "swimming") = 0

A: This looks suspect :
inner join booking bb on bb.bookingid = mm.memberid

redpajama_set_name: RedPajamaStackExchange


text:
C100 Statement on Troubling Rhetoric in the 2020 Election Cycle
Contact: Zhengyu Huang, C100 President
media@committee100.org or 212-371-6565
New York, NY (April 10, 2020) – The Committee of 100 (C100) is disappointed by a new 2020 presidential campaign ad that falsely suggests an association between C100 member and former U.S. Ambassador Gary Locke and the Chinese government, solely based on his identity as a Chinese American. As we enter another election cycle, we welcome a full, robust debate on U.S.-China relations, but urge all candidates to engage in a discussion based on policy and facts. Inflammatory language and false imagery impugning the loyalty of Chinese Americans should be consciously avoided by all candidates and campaigns.
False insinuations, such as the ones using Ambassador Locke, only further engender unprovoked hostile attacks against Chinese Americans and other Asian American communities. This is especially important to address given the increased violence and discrimination the Asian American community has faced in recent weeks due to xenophobic-based fears in relation to COVID-19.
The Committee of 100 is confident that by grounding our national discourse in facts and focusing discussions on specific policy positions, we can create a productive dialogue and path forward in U.S.-China relations, while avoiding discrimination against millions of Chinese Americans. C100 will continue to monitor all campaigns this year, and will not hesitate to identify any that raise similar concerns.
About Committee of 100
The Committee of 100 (C100) is a non-profit U.S. leadership organization of prominent and extraordinary Chinese Americans in business, government, academia, healthcare, and the arts. Founded by the late world-renowned architect I.M. Pei and internationally acclaimed cellist Yo-Yo Ma, among others, it is an institution of U.S. citizens of Chinese heritage. For over 30 years, C100 has served as a preeminent organization committed to the dual missions of promoting the full participation of Chinese Americans in all aspects of American life and constructive relations between the United States and Greater China. www.committee100.org. Please follow us on Twitter and LinkedIn for updates.
«Committee of 100 Welcomes New President Z. Huang | 百人会欢迎新任总裁黄征宇的加入
C100 Statement on the Death of George Floyd»
2019 Greater China Conference and Gala
C100 NextGen Leaders Enjoy Lunch with Wellington Chen and Henry Tang in New York
C100 Statements


The property address for this home is 9175 Campina Dr #1, La Mesa CA 91942. It is listed in the San Diego MLS under MLS # 190002555.
This home features one bedrooms, one baths, is 692 square feet and has a list price of $224,900.00. This home is located in the city of La Mesa in the 91942 code. It is located in the community of La Mesa.
This home was listed for sale on Jan 9, 2019. If you would like to set up a private viewing of 9175 Campina Dr #1, La Mesa CA 91942 please contact us.
If you want to only view homes for sale in the 91942 zip code you can view all of those homes for sale here. If you would like to view more information about what it is like to live in the La Mesa please visit our La Mesa page for additional information.
This property's price per square foot is $325.00.
The details below will provide you photos of 9175 Campina Dr #1, La Mesa CA 91942, you can also view the google map location and street view location for this home located in La Mesa.
We are able to assist you with buying or selling real estate in La Mesa or the 91942 zip code. Please contact us if you would like professional advice about buying or selling real estate. If you're thinking of selling your home take advantage of our discounted 2% listing service. It will save you thousands of dollars while also providing you amazing full service.


Class F flyash sample is subjected to roasting both by conventional process as well as microwave technique. The phase change during roasting with microwave heating has been investigated by XRD method and the chemical composition has been monitored continually by quantitative as well as AAS method. The results show that the flyash samples couple well with microwave and the temperature can reach approximately 10000 C in 7 minutes. The phase change in iron has been observed along with SiO2 and Al2O3. By proper control of the roasting temperature flyash can be sintered into a reasonably strong and relatively porous glassy ceramic material in a short period of time using microwave technique.
Flyash, microwave roasting, phase changes, porous material.
Flyash, generated power plants has become a great challenge for researchers and scientists for its disposal utilization and treatment. Fly ash is a fire, light, glassy substance, consisting mostly of silica, alumina, iron oxide, calcium oxide etc. Flyash consists of tiny spherical particles. During conventional heating, as the heating rate increases, the outer surface get heated immediately and the inner material get heated after long time. Due to this reason, non uniform heat distribution takes place due to which the aggregations of flyash particles don't take place properly(1-8). In composition, microwave roasting has been studied for flyash sample. As microwave generates volumetric heating thus, has better aggregation capacity.
Microwave roasting was carried out using WD 800B Philips microwave over at a frequency of 2.5 GHz at 750 W power level .The experiments were carried out with x-ray diffraction to analyses the material composition of flyash samples before and after microwave roasting. The fly ash from power plant used in the study is dried at 90 C FOR 6 hrs to microwave the absorbed moisture. The chemical composition of fly ash is represented in Table 1.
Microwave roasting was carried out using class F flyash. There is various phase changes in iron oxide which can be represented in the following sequence as Fe2O3 , Fe3O4-FeO . SiO2 during microwave roasting leads to the formation of FeSiO3 and CaSiO3 partially. In order to study the role of particle size during microwave roasting and phase changes in fly ash , experiments were carried out using different size of flyash i.e. 250mm , 500 mm and fine and pellets with different diameters .
The results of microwave roasting of fly ash has along with increase in roasting temperature has been represented in Figure-1 . The first heating behavior of the sample may be attributing to the presence of silica, which absorbs microwave adequately and mixed in the other dielectricmaterial, which facilitate the coupling withmicrowave. In addition to it , presence of iron as Fe2O3 changes its phase to Magnetite (Fe3O4) which further act as an hyperactive material in microwave . The presence of magnetite phases enhances the heating behavior of the fly ash sample.
The effect of particle size an microwave roasting has been studied during the investigation fire particle along with pellet of various diameter in are taken into consideration .It has been observed that phase changes are maximum upto the pellets having 8mm diameter after which the uniformity in temperature and phase transformation. During the preparation of pellets, 10wt% water is added to the fly ash fire and pellets have been prepared with diameter. These pellets are subjected to compressor for studying their green strength. The average density of different pellets is being represented in Table-2.
The addition of water favors during the absorptum of microwaves of the fly ash sample at low temperature.
Microwave roasting was carried out in a microwave at 245 GHz, which has been converted from a commercial microwave with a turn table of 1200 W. In order to carry out roasting, a zirconium cylinder is placed at the centre of the Table. The details are represented in figure-1. During each experiment 10 pellets were placed inside the cylinder (of each diameter). Zirconium Cylinder in used for such studies as, Zirconium is a good absorber of microwave radiations which accelerates the preheating process of the pellets. Secondly as a thermal insulator it will not radiate the heat outside the cylinder and will maintain a good roasting environment. During the experiment, sufficient care was taken to assure that temperature is well controlled, radiation is continuous and uniformity is maintained to provide heat to each pellet under consideration. Temperature was measured using a (Pt-Pt-Rh) Thermocouple, inserted from the top of the microwave and touches exactly the heating surface of the cylinder. In order to study the comparative phase changes between microwave roasting and conventional sintering, the pellets were sintered in a carbolated furnace and the heating rate was maintained similar to that at the microwave roasting. In this study, the samples were kept in graphite credible. The assembly is shown in figure-2 .The sintered samples densities were measured by weighting methods. The Tensile Strength [R] were tested using an universal testing machine with a loading rate of 0.4 mm /min and calculated using the mathematical relation .
δ= diametric tensile strength, 􀈇 = load applied at failure, T = Thickness of the sample, D=diameter of the sample. The structural changes and phase transformation has better studied using SEM and X-Ray diffractometry respectively.
The densities of the sintered samples are listed in Table-3 (A&B) both for conventional as well as microwave sintering. It has been observed that the density of microwave processed sample when heated from 700-10000C the density changes ranges from 1.72 to 2.38 within 2 minutes where as in case of conventional sintering the sample density was obtained when pellets were heated up to 90 minutes, within the same temperature range.
The density increases with the increase in time and temperature. It has been observed the density which is obtained within 25mins in case of microwave sintering, in conventional sintering it is obtained at around 150 mins time. The result revealed that, higher density is resulted due to microwave sintering which increases the phase changes in fly ash. The samples processed at 8000C after microwave sintering was found to be Greyish Yellow and easily stretchable indicating that the phase transformed is in process. The sample treated at 10000C changed to brownish grey, which are very hard and acute green strength, which may be attributed to phase transformation that leads to the formation of a hard pellet. The X-ray diffractometric study of the sample revealed that formation of a glass-ceramic material at higher temperature of 10000C sintered up to 25mins in microwave. The data obtained at various temperatures is reported in Fig. (2). It has been observed that the Crystalline phase observed in the starting phase has varied significantly with rise in temperature.
Formation of new peaks at 10000C indicates the function of silicate phases in the fly ash pellets. It has been observed, both in case of microwave as well as conventional sintering that the raw fly ash sample provides prominent crystalline phases. When there is increasein temperature gradually the peak height gradually decreases and around 9500C-10000C a new peak appeared prominently. There is formation of mullite phase at lower temperature and Anorthite appeared at high temperature. Thus, we conclude that microwave sintering leads to the formation of glass-ceramic mass.
The microwave sintering of fly ash revealed the following conclusions i.e, Microwave sintering of fly ash leads to the function of some more phases at higher temperature, it is quite efficient enough to produce strong material which is highly porous with glass-ceramic structures. The fly ash samples obtained after microwave sintering have high growth, strength and density. Finally it revealed that microwave sintering is efficient over conventional processes.
 Cheeseman CR, Virdi GS. Properties and microstructure of light weight aggregate produced from sintered sewage sludge ash. ResourConservRecycling 2005;45:18–30.
 Cheeseman CR, Makinde A, Bethanis S. Properties of lightweight aggregate produced by rapid sintering of incinerator bottom ash. ResourConservRecycling 2005;43:147–62.
 Mangialardi T. Sintering of msw fly ash for reuse as a concrete aggregate. J Hazard Mater 2001;B87:225–39.
 Wang KS, Sun CJ, Yeh CC. The thermo-treatment of msw incinerator fly ash for use as an aggregate: a study of the characteristics of size fractioning. ResourConserv Recycling 2002;35:177–90.
 Ramachandran VS. Waste and by-products as concrete aggregates.Canadian Building Digest CBD-215, National Research Council Canada; 1981.
 Ramamurthy K, Harikrishnan KI. Influence of binders on properties of sintered fly ash aggregate. CemConcr Compos 2006;28:33–8.
 Wasserman R, Bentur A. Effect of lightweight fly ash aggregate microstructure on the strength of concretes. CemConcr Res 1997;27:525–37.
 Verma CL, Handa SK, Jain SK, Yadav RK. Techno-commercial perspective study for sintered fly ash light-weight aggregates in India.Constr Build Mater 1998;12:341–6.


text:
module Api
  class DashboardsController < ApplicationController
    respond_to :json, :html
    def show
      #dashboard = Dashboard.find(params[:id])
      dashboard = App.find(params[:id])
      respond_with dashboard
    end

    def index
      @user_id = current_user["email"]
      #dashboards = current_user.apps
      respond_with @user_id
    end

    def dash_show
   #   @user_id = current_user.id
   #   dashboards = current_user.apps
    #  respond_with dashboards
    end

    def create
      input = JSON.parse(request.body.read.to_s)
      dashboard = Dashboard.new(input.slice(*Dashboard.accessible_attributes))
      if dashboard.save
        render :json => dashboard, :status => :created, :location => api_dashboards_url(dashboard)
      else
        render :json => dashboard.errors, :status => :unprocessable_entity
      end
    end

    def update
      dashboard = App.find(params[:id])
      input = JSON.parse(request.body.read.to_s)
      if dashboard.update_attributes(input.slice(*Dashboard.accessible_attributes))
        render :json => dashboard
      else
        render :json => dashboard.errors, :status => :unprocessable_entity
      end
    end

    def destroy
      Dashboard.destroy(params[:id])
      head :no_content
    end

  end
end

redpajama_set_name: RedPajamaGithub


text:
Q: How many even numbers can you form greater than $5000$ from the digits $1$ to $7$ inclusive, if no repetition is allowed?
How many even numbers can you form greater than $5000$ from the digits $1$ to $7$ inclusive, if no repetition is allowed?

My Attempted Solution
$n = 3 \times 6 \times 5 \times 3 = 270$
My reasoning, for the first digit, only $5, 6, 7$ can be chosen, thus leading to $3$ possible choice, and since no repitition is allowed it follows that there can only be $6$ subsequent choices for the second digits and $5$ for the third. Finally only $2, 4, 6$ can be chosen for the fourth digits, leading to $3$ possible choice for the fourth digit.

Is my solution correct? If not, where is the flaw in my logic?

A: I believe you have a flaw in your logic.  There's no way of knowing how many even digits you have for the last digit.
I would probably break this problem into two cases.  The first is that the first digit is a $6$.  I'd then consider what the last digit could be since it's the only other digit that has restrictions.  Then the remaining digits can be chosen from whatever's left over.
Upon seeing Chas Brown's comment bringing up that the problem has apparently not forbidden numbers with five or more digits, I decided I should address those cases as well.  The simplest method adds another three cases: one for five-digit, six-digit, and seven-digit numbers.  These three cases should be simpler since the thousands digit no longer matters.  There are three ways to choose the final digit while each remaining digit can be anything that hasn't already been chosen.

A: PLEASE IGNORE - I misread question as 4 digit numbers
I agree with Mike, this should be broken up into two case: starting with 6 and starting with 5/7.
Then, I believe the key is to next select the last digit (needs to be even) to avoid having to break into more cases.  Then the 2nd and 3rd digits.
starting with 6:    1 * 2 * 5 * 4 = 40
starting with 5/7:  2 * 3 * 5 * 4 = 120
For a total of 160.

A: This would be the number of $7$-digit even numbers, plus the number of $6$-digit even numbers, plus the number of $5$-digit even numbers, plus the number of $4$-digit even numbers that start with $7$, $6$, or $5$; all of which obey the 'digits in 1-7 with no repetition' constraint.
The easier ones are the first cases; let $(x)_n$ be the falling factorial, i.e:
$$(x)_n = x(x-1)(x-2)...(x-n+1)$$
Then, if we let $f(n)$ be the number of even numbers with digits in 1-7 without repetition, then
$$f(n) = 3 \cdot (6)_{n-1}$$
because we choose the rightmost digit to be one of $2, 4,$ or $6$; and then starting from the left, choose from the remaining $6$ digits, then $5$ digits, etc.
So
$$f(7) = 3 \cdot (6)_6 = 3 \cdot 6! = 3 \cdot 720 = 2160$$
$$f(6) = 3 \cdot (6)_5 = 3 \cdot (6 \cdot 5 \cdot 4 \cdot 3 \cdot 2) = 3 \cdot 720 = 2160$$
$$f(5) = 3 \cdot (6)_4 = 3 \cdot (6 \cdot 5 \cdot 4 \cdot 3) = 3 \cdot 360 = 1080$$
For the $4$ digit numbers, when they start with $7$, we choose the rightmost digit to be one of $2, 4,$ or $6$, and then choose the third digit from the $5$ remaining digits and then the second digit from the $4$ remaining digits; giving us $3 \cdot (5)_2 = 3 \cdot 5 \cdot 4 = 60$. And the same is true for the $4$ digit numbers that start with $5$.
For the $4$ digit numbers, when they start with $6$, the logic is the same, but now we only have two even numbers to choose from for the rightmost digit: $2$ or $4$. So we get $2 \cdot (5)_2 = 2 \cdot 5 \cdot 4 = 40$
So finally (!), we get
$$f(7) + f(6) + f(5) + 3 \cdot (5)_2 + 2 \cdot (5)_2 + 3 \cdot (5)_2$$
$$ = 720 + 720 + 1080 + 60 + 40+ 60$$
$$ = 2680$$

A: Such numbers can have $n=4$, $5$, $6$, or $7$ decimal places. If $n\geq5$ start writing the number with the last decimal place, which is one of $\{2,4,6\}$. Proceeding to the left, we first have $6$ possibilities, then $5$, etc., to choose from for the nextleft digit. It follows that there are
$$3\cdot6\cdot 5\cdot4\cdot 3\cdot(1+2+2\cdot 1)=5400$$
such numbers with $n\geq5$.
If $n=4$ then we can have one of $\{5,7\}$ at first place and one of $\{2,4,6\}$ at last place, or $6$ at first place and one of $\{2,4\}$ at last place. In both cases there are  $5\cdot 4=20$ choices left for the digits in between. It follows that there are $(2\cdot 3+1\cdot 2)\cdot 20=160$ four digit numbers fulfilling the conditions.
The total count of admissible numbers therefore is $5560$.


Edition: Second Canadian edition, variant binding A.
Edition: Second Canadian edition, variant binding B.
Edition: Second Canadian edition, variant binding B2.
Edition: Second Canadian edition, variant binding C.
Edition: Second Canadian edition, variant binding and construction D.
Edition: Second Canadian edition, variant binding and construction E.


text:
The Navy Comes Through is a 1942 American World War II film directed by A. Edward Sutherland. It stars Pat O'Brien, George Murphy and Jane Wyatt. Vernon L. Walker and James G. Stewart were nominated for an Oscar for Best Special Effects. The film was based on Borden Chase's 1939 short story "Pay to Learn". The working titles of the film were
Pay to Learn and Battle Stations. The film was the first RKO Pictures use of a new radio signal trademark that spelled out the word "victory." Prior to this, the studio's radio signal trademark spelled out "RKO."

Plot
In 1940, the testimony of Chief Gunner's Mate Mike Mallory at a United States Navy Board of Inquiry regarding a fatal gun turret accident helps end the career of Lieutenant Tom Sands. The situation is complicated by the fact that Sands and Mallory's sister Myra are in love. Afterward, Sands resigns his commission and breaks up with Myra, telling her there is no future for them.

When the United States enters World War II, however, Sands rejoins the Navy as an enlisted man. By chance, he is assigned to Mallory, to their mutual displeasure. They and the rest of Mallory's men are disappointed to be assigned to man the guns of the freighter Sybil Gray. When Myra comes to see her brother off (though she is assigned to the same convoy as a Navy nurse), she encounters Sands, whom she had not seen since the inquiry.

On board, Coxswain G. Berringer recognizes Sands, making him a pariah among the navy sailors. On the voyage to England, they are attacked by a German U-boat on the surface. They exchange fire, before the submarine is driven off by escorting warships. Doctor Lieutenant Commander Murray and Myra are brought aboard to perform surgery on Bayless, seriously injured in the fighting. They remain on the ship to avoid delaying the convoy further. A near encounter with a German pocket battleship in the fog causes Sands to admit to Myra that he still loves her.

Later, two German airplanes strafe and bomb the Sybil Gray. When Myra is knocked out by falling debris, Sands abandons his machine gun to carry her to safety. While he is gone, Berringer, the other sailor manning the gun, is fatally wounded. The two aircraft are shot down, but the sailors now believe that Sands is a coward.

When "Babe" Duttson's radio intercepts a German message, Austrian-born "Dutch" Croner is able to interpret it. He informs Mallory that a German U-boat supply ship is nearby. Mallory persuades the freighter's captain to change course and capture the vessel. Unbeknownst to the Americans, once the German captain realizes he cannot get away, he has one of the torpedoes rigged to explode after a delay, but the suspicious Sands foils that scheme.

Then, he disobeys Mallory's order to guide the German ship to Belfast. He has decided they can load unsuspecting U-boats with booby-trapped torpedoes. As Sands is the only qualified navigator available, Mallory has no choice but to agree. The plan goes without a hitch the first three times, but an officer on the fourth submarine recognizes Dutch as a famous anti-Nazi violinist. The two ships exchange fire. Then another U-boat surfaces and joins the battle. The Americans sink both submarines, but the hold of the supply ship is set on fire. When Mallory goes to deal with it, he is overcome by the fumes. Sands rescues him.  After the action, Sands questions Mallory about his actions during the battle that endangered their ship. Mallory admits the situation was similar to that in which he testified against Sands—except that no one survived to prove that Sands was not negligent. Returning to the United States, the Board of Inquiry is reconvened and Sands is reinstated as an officer.

Cast
Pat O'Brien as Chief Michael "Mike" Mallory
George Murphy as Lieutenant/Seaman 2c Thomas L. "Tom" Sands
Jane Wyatt as Myra Mallory
Jackie Cooper as Joe "Babe" Duttson
Carl Esmond as Richard "Dutch" Croner
Max Baer as Coxswain G. Berringer
Desi Arnaz as Pat Tarriba, a Cuban who enlists to repay American help in freeing Cuba
Ray Collins as Captain McCall
Lee Bonnell as Kovac
Frank Jenks as Sampier
John Maguire as James Bayless
Frank Fenton as Hodum
Joey Ray as James Dennis
Marten Lamont as Lieutenant Commander Murray
Helmut Dantine as a Frightened German Seaman
Bud Geary as Quartermaster McPhail

Reception
Thomas M. Pryor of The New York Times called the plot "hackneyed" but wrote that it was directed "with a good sense of melodramatic pace" and that the two lead actors played their roles well. Variety wrote: "This is an actionful, exciting naval adventure with strong romantic interest ... The battle sequences are especially effective." Harrison's Reports called it a "pretty good war melodrama ... Although the story is, at times, on the fanciful side, it has been presented in so thrilling a fashion that the interest never lags." Film Daily reported: "Excellent masculine entertainment is offered by this thunderbolt of excitement."

Box office
The film was a surprise hit and earned a profit of $542,000.

References

External links

1942 films
1942 war films
1940s American films
1940s English-language films
American black-and-white films
American World War II films
Films about the United States Navy in World War II
Films based on American short stories
Films directed by A. Edward Sutherland
Films scored by Roy Webb
RKO Pictures films
World War II films made in wartime


This Chocolate Avocado Cake is an insanely delicious, moist, rich, decadent cake that you would never know had avocado in it!
I was strolling through the grocery store the other day with Olivia. I had only a few things on my list… milk, beef, avocados, and cereal. Those are the staples in our house because we have taco's at least twice a week. And drink lots of milk! But there was such a great price on avocados I bought a bunch.
After a relaxing shopping trip (which is quite honestly a reward in itself) I got home and realized that I may have added a few things to my list.
Chocolate. Lots of chocolate. And fruit. Lovely organic fruit. And maybe some more chocolate.
So what would I do with all these organic avocados, chocolate, and raspberries?
Bake a cake of course. I mean, I am baker. But then I had to go about finding a recipe that would accommodate such unique ingredients. After testing quite a few, I settled upon a recipe that yielded the most moist, dense, rich chocolate cake I have ever had.
It was exactly like a cake I had in a high-end artisan bakery that was charging $12 a slice!
Make sure the avocado is mashed fine. If you can, use a food processor.
Coffee is recommended in this recipe, but if you would prefer to not use it, feel free to substitute water.
I highly recommend using GOOP (Homemade Baking Spray) to prepare your pans for this recipe. Because the cake is SO moist and dense I found that it stuck a bit when using a baking spray.
This is an insanely delicious, moist, rich, decadent piece of chocolate cake that just happens to include avocado!
Preheat oven to 350F. Prepare two 8" round baking pans with baker's spray or GOOP.
In a large mixing bowl, combine flour, cinnamon, salt, baking soda and baking powder.
In another bowl, whisk together the vegetable oil, remaining coffee, avocado,and both sugars. Stir in the slightly cooled chocolate.
Divide batter between both baking pans. Bake in preheated oven for 45 minutes, until a toothpick inserted into center of cake comes out clean.
In a the bowl of an electric stand mixer, fitted with whisk attachment whisk butter and sugar on medium high speed until very pale and fluffy or about five minutes.
Hi Amanda, I just LOVE following your recipes! You are AMAZING! I did see a recipe for icing icing using melted chocolate & cream but not sure what else! Trying to use up the left over Easter chocolate 😀.
To make the 4 layers, did you just divide recipe between 4 pans??
Hi,I'm Arlyn from philippine s,I love baking and my knowlede is not like yours,and I want to improve my baking style that's why I watchin'every time you naked and I like it so much and thank you for sharing your recipe's and procedures its a big help to me.
HAPPY MOTHER'S DAY TO US!!
Hello, the cake looks amazing! Do you know what changes would be needed for altitude baking over 6,000ft?
What can you substitute for the coffee I can't be substituted thanks in advance.
You post the best recipes!!!!
I made this for my family of 6. It was delicious! I couldn't get a picture because they ate most of it immediately! Your recipes are fantastic , thank you for sharing.
do you make two separate recipes for the four layer as shown in the picture.
Woiuld it work if I substitute Pepsi for the coffee? I cannot stand the smell or the taste of coffee!


A sampling of projects at The Future of Storytelling demo day at NYU ITP.
Posted by Mez Breeze. Categories : Stories, Storytelling, Storyworld, Transmedia. Tags : Cross-platform Storytelling, Interactive, Interactive Narratives, Micro Stories, Stories, Transmedia.


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