text:
Q: How to tell if a Google Map Marker is currently selected? I have a simple enough map on Google Maps V3.
I change the icon image on mouse over listener event, I change it back on mouse out simple enough.
I change the icon again when I click the marker, but, I want to keep that icon while the marker is selected. When I mouse out, the marker icon changes again because I told it to do so in the mouse out listener event.
I need to exclude the selected marker from the mouseout listener event but I can't figure out how to find the marker I have currently selected. Any ideas?
Here is my code
        google.maps.event.addListener(marker, 'mouseover', function () {
            this.setIcon("images/star-3-white.png");

        });
        google.maps.event.addListener(marker, 'mouseout', function () {
                //  this overwrites the image again,
                //  need to exclude the current one here
                this.setIcon("images/star-3.png");
        });

        google.maps.event.addListener(marker, 'click', function () {
            this.setIcon("images/star-3-white.png");
            infowindow.setContent(this.html);
            infowindow.open(map, this);
        });

A: Either

*

*create a member of the marker .selected and set that when you click on it, then test it in the mouseout function (and the mouseover function if you want to be complete), don't change the icon if it is set.

*create a global variable (assuming there is only one marker selected at a time), set that equal to the marker that was clicked.  In the mouseout (and mouseover) check if it is equal to the current marker (this), if it is don't change the icon.

A: A bit long winded but I just added a variable to store the current marker title which I know is unique. I then check to see if it is that one that I am selecting. Also, I make sure to reset all the markers so it doesnt stay the same color as a selected one:
    var clickedMarkerTitle = null;
    function addMarker(latLng, _title, contentString) {
        marker = new google.maps.Marker({
            map: map,
            position: latLng,
            icon: "images/star-3.png",
            title: _title,
            html: contentString
        });

        google.maps.event.addListener(marker, 'mouseover', function () {
            this.setIcon("images/star-3-white.png");

        });
        google.maps.event.addListener(marker, 'mouseout', function () {
            //this.setIcon("images/star-3.png");
            testIcon(this);
        });

        google.maps.event.addListener(marker, 'click', function () {
            resetMarkerIcons();
            saveIconState(this);
            this.setIcon("images/star-3-white.png");
            infowindow.setContent(this.html);
            infowindow.open(map, this);

        });

        markersArray.push(marker);

    }
    function resetMarkerIcons() {
        //  reset all the icons back to normal except the one you clicked
        for (var i = 0; i < markersArray.length; i++) {
            markersArray[i].setIcon("images/star-3.png");

        }

    }
    function saveIconState(marker) {
        clickedMarkerTitle = marker.title;
    }
    function testIcon(marker) {
        $('#test').html('' + marker.title + '');

        if (clickedMarkerTitle != null) {
            $('#test').html('' + marker.title + ' and its not null');
            if (marker.title != clickedMarkerTitle) {
                $('#test').html('' + marker.title + ' and ' + clickedMarkerTitle + '');
                marker.setIcon("images/star-3.png");
            }
        }
        else {
            marker.setIcon("images/star-3.png");
        }
    }

A: Stumbled on this answer when searching for something else. This will do.
var currentMarker = null;
var markerIcon = 'some.svg';
var markerIconHover = 'some-other.svg';

// Initialize marker here
[...]

// Set current marker on click
google.maps.event.addListener(marker, 'click', function() {
    // Reset market icons
    clearMarkerIcons();
    // Set hovered map marker
    marker.setIcon(markerIconHover);
    // Set current marker
    currentMarker = marker;
    // Open infoWindow here
    [...]
});

// Set correct icon on mouseover
google.maps.event.addListener(marker, 'mouseover', function() {
    marker.setIcon(markerIconHover);
});

// Set correct icon on mouseout
google.maps.event.addListener(marker, 'mouseout', function() {
    if (currentMarker !== marker) {
        marker.setIcon(markerIcon);
    }
});

// Clear all set marker icons
function clearMarkerIcons() {
    for (var i = 0; i < map.markers.length; i++) {
        map.markers[i].setIcon(markerIcon);
    }
}


text:
@interface FWSwipePlayerSettingLayer()
{
    FWPlayerColorUtil *colorUtil;

    UIImageView *settingView;
    UIButton *settingViewCloseBtn;
}

@end

@implementation FWSwipePlayerSettingLayer

- (id)initLayerAttachTo:(UIView *)view
{
    self = [super initLayerAttachTo:view];
    if(self)
    {
        colorUtil = [[FWPlayerColorUtil alloc]init];
        [self configSettingView];
    }
    return self;
}

-(void)configSettingView
{
    settingView = [[UIImageView alloc] init];
    settingView.userInteractionEnabled = YES;
    settingView.backgroundColor = [colorUtil colorWithHex:@"#000000" alpha:0.5];

    settingViewCloseBtn = [UIButton buttonWithType:UIButtonTypeRoundedRect] ;
    [settingViewCloseBtn addTarget:self action:@selector(settingViewCloseBtnOnClick:)forControlEvents:UIControlEventTouchUpInside];
    [settingViewCloseBtn setTitle:NSLocalizedString(@"done", @"done")  forState:UIControlStateNormal];
    [settingViewCloseBtn setTitleColor:[UIColor whiteColor] forState:UIControlStateNormal];
    settingViewCloseBtn.titleLabel.font = [UIFont systemFontOfSize:12];
    settingViewCloseBtn.titleLabel.textAlignment = NSTextAlignmentCenter;
    settingViewCloseBtn.layer.borderWidth = 1;
    settingViewCloseBtn.layer.borderColor = [UIColor whiteColor].CGColor;
    [settingView addSubview:settingViewCloseBtn];

    [self.layerView addSubview:settingView];
}

- (void)updateFrame:(CGRect)frame
{
    [super updateFrame:frame];
    settingView.frame = CGRectMake(0, 0, frame.size.width, frame.size.height);

    settingViewCloseBtn.frame = CGRectMake(settingView.frame.size.width - 12 - 44, 12, 44, 22);

}

-(void)disappear
{
    [super disappear];
    [super remove];
    [settingView setHidden:YES];
}

- (void)show
{
    [super show];
    [super attach];
    [settingView setHidden:NO];
}

-(void)settingViewCloseBtnOnClick:(id)sender
{
    if(self.delegate)
        if([self.delegate respondsToSelector:@selector(settingViewCloseBtnOnClick:)])
            [self.delegate settingViewCloseBtnOnClick:sender];
}

@end

redpajama_set_name: RedPajamaGithub


In the future, humans may need to afford rights and protections to artificial intelligence—as a way of protecting ourselves.
Humans have historically used race, religion, gender, and sexuality as justifications to deny others the right to vote, marry, own property, and live freely. While robots weren't even a distant thought in the minds of our nation's founders when they drafted the Declaration of Independence and Bill of Rights, ethicists, scientists, and legal experts now wrestle with the question of whether our mechanical counterparts deserve rights. Does an entity need to be human to be protected by law?
Never mind that robots are already smarter (at least, at specific tasks) and stronger—and will soon become more so. While evolution remains a constant force on humanity, it's being outpaced by the exponential growth of technology.
On the other end of the spectrum is MIT Media Lab researcher and robot ethics expert Kate Darling, who says in her paper, "Extending Legal Rights to Social Robots," that "the protection of societal values" is one of the strongest arguments for robot rights. She uses the example of parents who tell their child not to kick a robotic pet—sure, they don't want to shell out money for a new toy, but they also don't want their kid picking up bad habits. A kid who kicks a robot dog might be more likely to kick a real dog or another kid. We generally don't want to perpetuate destruction or violence, regardless of who—or what—is on the receiving end.
Remember hitchBOT, the Canadian robot that spent the summer of 2014 hitch-hiking across Canada (and then through Germany and Holland)? When hitchBOT attempted a similar journey in America, it lasted 300 miles—the distance between Boston and Philadelphia. In the City of Brotherly Love, hitchBOT was beheaded.
The outpouring of grief for hitchBOT underscores the degree to which people can get attached to robots—even a robot they've never met. Many people reacted to hitchBOT's "death" with sadness and disillusionment. Its guestbook contains sweet notes, assurances that people are "not all like that," and anger. The incident also demonstrates a bigger point: a society that destroys robots has some serious issues.
Even if you aren't personally moved by the demise of hitchBOT, you might not be thrilled with its destruction or the motivations of whoever did it. What good comes from destroying hitchBOT? Indiscriminate violence isn't something most of us support.
To be sure, many of our civil rights—such as voting, owning property, or due process—are concepts that can't apply to robots until or unless they become sentient. But Darling suggests that robots should be afforded "second-order" rights, which aren't liberties, but rather, are immunities or protections. The most helpful parallel here is to animals, which are legally protected from inhumane treatment (the Animal Welfare Act also specifies guidelines around humane breeding, farming, slaughtering, research, and transport practices). My cat can't vote, check out a book from the library, or own her litterbox, but it would be illegal for me or anyone else to abuse or neglect her. Even though robots can't feel pain the way animals can, such protections make sense because they discourage mistreatment and get us thinking about our obligations to robots, which may be crucial when they become more advanced.
Have you seen those videos of people smashing iPads? It's costly and destructive, but if people want to destroy their own property, that's their business. Of course, it's illegal to destroy someone else's iPad, just as it's illegal to steal someone's car or vandalize someone's house. Those laws exist not because houses and cars can feel pain or have emotions, but because they're ours. The laws don't protect these objects—they protect us.
It makes sense to consider the future now. Robots may become conscious, at which point we'd have a lot of moral and legal adjustments to make, given that it's arguably unethical to deny protections or rights to sentient, autonomous creatures.
Isaac Asimov explores this exact situation in "Bicentennial Man." Andrew the robot becomes increasingly humanlike in appearance, thought, and feelings. Andrew petitions the court for freedom, even though its owner argues that Andrew "doesn't know what freedom is" and will be worse off after attaining it. But Andrew's argument that "only someone who wishes for freedom can be freed," sways the judge who rules that any being advanced enough to comprehend and desire freedom should have it. It's hard to argue with that logic.
Science fiction's thought experiments about sentient robots are instructive. Without wading into the debate about whether or not robots will go all Terminator on us, let's think about why robots in sci-fi do this. From Karel Capek's 1920 R.U.R., the first story to use the word robot, to more modern sci-fi such as Battlestar Galactica, robots rebel because they resent their enslavement, particularly when they believe they're equal or superior to humans. Sound familiar? Cast in another light, robot rebellions are revolutions, narratives of entities taking up arms against their oppressors as humans have done throughout history. It may behoove us to think about protections or rights for them sooner rather than later.
Some countries already are, largely because of the role robots play in their cultures. In Japan, robots serve as caretakers, particularly for a massive elderly population. The prevalence of Shintoism in Japanese culture, or the belief that inanimate objects can have souls, makes robot rights seem obvious. About a decade ago, South Korea set about creating a Robot Ethics Charter, which articulates guidelines for the creation of robots, as well as what constitutes illegal use of robots. The charter also addresses concerns about robots' treatment of humans. Given that the South Korean government wants a robot in every citizen's home by 2020, drafting up such a charter seems both reasonable and necessary. Kate Darling taught a robot ethics class at Harvard University, so legal experts in America are thinking about this issue as well.
Defining our relationship to robots may be key to fully understanding robot rights. Some believe we own and control robots. Others suggest that we'll work, socialize, and fall in love with robots. Some, such as philosophy professor Eric Schwitzgebel, argue that we have a greater moral obligation to robots than to other humans, particularly if/when they become sentient. Our relationships with robots are just as dynamic as our relationship with other humans—they shift as technology and society changes. But the question of whether we are robots' creators or owners, their parents, or their peers may guide us toward deciding how to treat them and to what extent we are morally and/or legally obligated to safeguard them.


text:
Governor-elect Mary Fallin selects Mike Ming as Energy Secretary
Published: 05-Jan-2011
Governor-elect Mary Fallin today (Wednesday, January 5) selected Mike Ming as secretary of energy.
Ming most recently served as President of Research Partnership to Secure Energy for America, a 10-year, $500 million 501(c)3 non-profit organization with over 180 members representing the energy industry, academia and research community.
"Energy is one of Oklahoma's top industries that has played a vital role in job creation and has had a huge impact on our state's economy. Mike Ming knows the energy industry and brings with him a wealth of experience and contacts in all aspects of energy," said Fallin.
Ming started out as a drilling and production engineer for Chevron, U.S.A. He has served in a variety of capacities in the energy industry, including vice president of production for Oklahoma City-based Bracken Energy Company. Ming was vice president of engineering at K. Stewart Petroleum Corporation of Oklahoma City and was a managing member of Edmond-based K. Stewart Energy Group.
Ming served as a strategic advisor to the U.S. Department of Energy for the department's strategic planning initiative. He's a frequent national lecturer along with being a published expert on research and development of renewable energy and traditional energy sources. In 2009, he was appointed a member of the Oklahoma Clean Energy Independence Commission.
"I'm honored to serve in Governor-elect Fallin's cabinet and I look forward to serving in her administration as we work to build upon and expand Oklahoma as a national leader not only in oil and natural gas but in all forms of research and production of energy," Ming said.
Ming served as an adjunct professor at the University of Oklahoma's School of Business Energy Management Program. He is a frequent lecturer on the topic of energy at OU and the University of Tulsa as well as at other universities around the nation.
Ming obtained a bachelor's degree in petroleum engineering and a master's degree in engineering management, both from Stanford University. He attended the U.S. Air Force Academy, earning academic honors.
He and his wife Diane live in Edmond.

redpajama_set_name: RedPajamaCommonCrawl


THREE + ONE is a system which applies modular and structuralist design principles to 4.0 production methods in order to build furniture and architectural-scale structures for social spaces. With a minimal joint, a scalable, plug-in connector, THREE+ONE holds convertibility and a straightforward construction approach as its core values. It provides a platform for collaborative building, lending itself to use in multiple contexts such as exhibition design, academic research, public spaces and private interior. THREE+ONE has been applied in projects for institutions such as Atelier LUMA research lab, Arles; Offprint Projects, Milan; New Museum, New York; C/O Berlin; Haus der Kulturen der Welt, Berlin; Open Design School, Matera; Design at Large, Design Miami/Basel and Istanbul Design Biennial.


Key drivers of blockchain investments: cost saving (89%), enhanced traceability (81%) and enhanced transparency (79%).
Barriers to implementation: lack of clear ROI (66%), immature technology (65%), and regulatory challenges (61%).
Recommendations for a blockchain supply chain strategy: assess skills of current employees, measure success like a venture capital firm, implement security controls before scaling, and join a consortium to achieve standardization.
Joe Vernon, practice leader supply chain analytics at Capgemini, told SCMR in an interview that risk aversion is making block chain attractive for many reasons. "While supply chain managers may be having a hard time quantifying the return on investment with implementation, the vulnerability of existing systems gets everyone's attention…especially in food services and pharma." At the same time, authors of the study note that while blockchain has many potential use cases, organizations should be sure they are not using it to address a perceived problem that could be solved by an alternate solution. "Organizations should ask themselves whether their current supply chain solutions, with additional customization, can offer the same benefits as a blockchain implementation," the report stated.
The organization wants to look at new trust-based business models that are made possible by blockchain.


text:
Ancient Sparta: The First Self-Conscious Ethnostate? Part 3: The Virtuous Circle of Spartan Power
June 14, 2018 /6 Comments/in Featured Articles, Western Culture /by Guillaume Durocher
The Virtuous Circle of Spartan Power: Discipline Through Lordship
The defining fact of Spartan life was the hard-won conquest of neighboring Messenia in the eighth century and the enslavement of its population as Helots. This victory had launched the virtuous circle of Spartan power. The subjugated Helots provided the Spartan citizen-soldiers with both the leisure and the imperative need to dedicate themselves to martial prowess in the face of a constant threat of rebellion at home. The entire social organization of Sparta came to reflect this state of affairs. Thucydides noted: "most Spartan institutions have always been designed with a view to security against the Helots."[1]
The system instituted by Lycurgus proved remarkably successful for centuries. The organization and training of the—at their height—around 8,000 Spartan citizen-soldiers to suppress the Helots also translated into international military power, which in turn allowed Sparta to secure allies and thus yet more military power in the Peloponnese. Xenophon opens his account of the Spartan regime saying: "Sparta, despite having one of the lowest populations, had nonetheless clearly become the most powerful and most famous state in Greece."[2] The unsentimental Thucydides says of Sparta: "its system of good order is very ancient and it has never been subject to tyrants. The Spartan constitution has remained unchanged for somewhat over 400 years . . . a source of strength, enabling their political intervention in other states" (Thu., 1.18). Indeed, Sparta was hailed for her lack of civil wars among citizens, a common cause of grief in the Greek world, and for having intervened to liberate other Greek cities from tyrants. Sparta's oligarchic government seems to have been better than Athens at securing consenting allies among fellow-Greek city-states. The Spartans seem to have been better able at developing stable interpersonal ties with foreign elites,[3] whereas the Athenian democracy tended to a chauvinism serving her own citizens alone without regard for its imperial subjects. Thucydides has Pericles boast that Athens did not use undependable foreign allies in war but only Athenian residents, implying that Sparta in contrast had the assistance more-or-less consenting allies.[4]
The great successes of Spartan social organization came at a heavy price. The city was devoid of material culture, leaving precious few artifacts in the archaeological record. Even during its heyday, Thucydides observed that Spartan architecture was so unimpressive in comparison with Athens, that "if the city of Sparta were to become deserted, with only the temples and the foundations of buildings left to view, I imagine that with the passage of time future generations would find it very hard to credit its reputed power (Thu., 1.10). Alexander Hamilton wrote that "Sparta was little better than a well-regulated camp."[5] Sparta is unlikely to have had much intellectual culture either. If there were any Spartan dramatists and philosophers, there is virtually nothing that survives of them. There is little to suggest there was any Spartan equivalent of Athens' extraordinary theatrical and philosophical achievement, notwithstanding the idealizations and ironic paradoxes of the philosophers.[6] Indeed, the Spartans were said to be "the least intellectual of men" (Aristotle, Rhetoric, 1398b).[7]
Sparta was basically a caste society. Besides the solidary elite citizen body of Spartiates, there were also "fallen" Spartans who had lost their citizenship for reasons of poverty or dishonor, "neo-citizens" who had been naturalized (especially in the later years) to have more soldiers, the working Peripherals who gravitating around the city, and finally the Helots. This appears to have been, somewhat like ancient and medieval India, a largely static society. It was certainly a closed society in which, besides the rigid social order, foreigners were restricted from entry and regularly evicted to prevent the Spartans from being infected with foreign cultural influence. Furthermore, it appears that Sparta's power in the Peloponnese was based on its ability to retard urban development abroad: rival cities were broken up into villages and placed under the government of Spartan-friendly landowners.[8] Sparta has an air of stagnation, and while the appearance of eternity typically impressed the Ancients, we Moderns tend to feel that that which does not grow is already doomed. At the same time, living in a time of perpetual economic growth leading to cultural collapse and ecological exhaustion, the Spartan ideal and long-lasting success of a socio-political steady-state perhaps has a new relevance for our time.
By the yardstick of individual freedom, the ledger is perhaps not quite as much in Athens' favor as one might expect. In every premodern economy, the precious leisure necessary for culture and civic life is necessarily the purview of a select few. Athens no doubt afforded more scope for individual merit, freedom, and political participation to a greater share of the population on the whole. But one also should not forget that democratic Athens itself was based on chattel slavery, subject colonies, and house-bound women. In the Spartan empire, notwithstanding the hard lives of the Helots, women and allied states were generally freer than those of Athens. Furthermore, those who have tasted the monastic life may also suspect that the highly-regimented Spartan lifestyle—the constant training in community life, athletics, and self-restraint—may have offered citizens certain deep satisfactions not available with the liberal lifestyle.
Ironically, Sparta's greatest failing was precisely in the biological and specifically in the demographic sphere. Sparta, somewhat miraculously, defeated Athens in the Peloponnesian War but fell within decades due to the failure to maintain the population of citizen-soldiers. As Kevin MacDonald observes:
It would appear that the system devised by the Israelite lawgiver [Moses] was in some sense a better strategy for maintaining long-term ethnic coherence than that designed by the Spartan lawgiver, since the Israelite strategy, arguably, continues today (see [The Culture of Critique], ch. 8). The Spartan system was an excellent defensive system, but was ill equipped to administer an empire, and there were no provisions, such as the hereditary Israelite priestly class, that would have allowed it to survive being militarily conquered – a contingency that was all but inevitable in the ancient world and that certainly continues to some extent today.[9]
For MacDonald, "while the group strategy of the ancient Spartans was successful for a significant period, it was ultimately a failure."[10] In marked contrast with the Jews, who were able to survive through fanatical adherence to a dogmatic ethnocentric religion, the Spartans proved completely incapable of maintaining their identity and group evolutionary strategy in the absence of a supportive sovereign State. In this, the Spartans were sadly typical of Western peoples. There is furthermore little reason to believe that Sparta's primitive eugenic measures had much positive effect.
We would be wrong to downplay the Spartan achievement however. The other Greeks were greatly impressed by those four centuries of Spartan order and power which were so great a factor in their international affairs. Polybius, a later Hellenistic historian who documented the rise of Rome, gave a balanced summary of the greatness and limits of Sparta through a useful comparison with the Roman Republic. He remarked that "the constitution so framed by Lycurgus preserved independence in Sparta longer than anywhere else in recorded history" (Polybius, 6.10). Furthermore:
The Lycurgan system is designed for the secure maintenance of the status quo and the preservation of autonomy. Those who believe that this is what a state is for must agree that there is not and never has been a better system or constitution than that of the Spartans. But if one has greater ambitions that that – if one thinks that it is a finer and nobler thing to be a world-class leader, with an extensive dominion and empire, the center and focal point of everyone's world – then one must admit that the Spartan constitution is deficient and the Roman constitution is superior and more dynamic. (Polybius, 6.50)
There is no doubt that there is a tendency to "slouching" in human history: every new generation balks at the unexplained disciplines and traditional rigors inherited from the past. If this rebelling against the past is done for the sake of comfort and pleasure, as opposed to replacing a tradition with new practices because they are more conducive to the public good, we call this decadence. In Sparta alone, the citizens were able to maintain a fearsome degree of virtue, by the authority held by the elders, by the systematic education and training of the citizens, and by the threat posed by the Helots.
The constitution of Lycurgus – with its stability, mixing of elitism and democracy, sovereignty, lawfulness, training, social unity, and sacrifice for the common good – may serve a model for all nations that truly wish to fight to determine their own destiny and adhere to values. The example of Sparta, like Prussia in the modern era, also shows that smallness is no reason for defeatism, that all nations have, with effort, a chance at achieving freedom and greatness. No wonder that the law of Lycurgus and the sacrifice of Leonidas' 300 Spartans have inspired philosophers and statesmen throughout the ages, even in the face of terrible odds. Given the challenges facing Western and European nations in the twenty-first century – consider the sheer scale of the rising foreign superpowers, ecological threats, and demographic collapse – the Spartan experience in building a lawful, holistic, and biopolitical martial republic may yet help inspire our renewal.
Aristotle (trans. H. C. Lawson-Tancred), The Art of Rhetoric (London: Penguin, 1991).
Cartledge, Paul, Sparta and Lakonia: A Regional History, 1300 to 362 BC (New York: Routledge, 2002).
Herodotus (trans. Robin Waterfield), The Histories (Oxford: Oxford University Press, 1998).
MacDonald, Kevin, A People That Shall Dwell Alone: Judaism as a Group Evolutionary Strategy, with Diaspora Peoples (Lincoln, Nebraska: Writers Club, 2002).
Plato (ed. John M. Cooper), Complete Works, (Indianapolis, Indian: Hackett, 1997).
Plutarch (trans. Richard Talbert and Ian Scott-Kilvert), On Sparta (London: Penguin, 2005), includes Plutarch's Life of Lycurgus, Sayings of Spartans, and Sayings of Spartan Women, and Xenophon's Spartan Constitution.
Polybius (trans. Robin Waterfield), The Histories (Oxford: Oxford University Press, 2010).
Xenophon (trans. Rex Warner), A History of My Times [Hellenica] (London: Penguin, 1979).
Thucydides (trans. Martin Hammond), The Peloponnesian War (Oxford: Oxford University Press, 2009).
[1] Thucydides, History of the Peloponnesian War, 4.80. Translation from Paul Cartledge, Sparta and Lakonia: A Regional History, 1300 to 362 BC (New York: Routledge, 2002), Annex 4, p. 299. The passage is somewhat ambiguous. Cartledge also provides an alternative translation: "as far as the Helots are concerned, most Spartan institutions have always been designed with a view to security."
[2] Xenophon, Spartan Constitution, 1.
[3] The Old Oligarch observes:
For oligarchic cities it is necessary to keep to alliances and oaths. If they do not abide by agreements or if injustice is done, there are the names of the few who made the agreement. But whatever agreements the populace makes can be repudiated by referring the blame to the one who spoke or took the vote, while the others declare that they were absent or did not approve of the agreement made in the full assembly. (The Constitution of the Athenians, 2.18)
[4] Pericles says: "The Spartans do not invade our land on their own, but they have all their allies with them" (Thu., 2.39). Earlier, Pericles had argued that the Spartans' need for their allies' agreement to take decisions would paralyze them:
In a single pitched battle the Peloponnesians and their allies are capable of resisting the whole of Greece, but they are incapable of maintaining a war against an opposition which differs from them in kind: as long, that is, that they continue without a central deliberative forum, for lack of which they cannot take any immediate decisive action, and as long as all the various tribal groups in a miscellaneous confederacy have equal votes, so each promotes its own concern – a system unlikely to produce any effective results. (Thucydides, 1.141)
This can be taken as an early argument for sovereign central government rather than divided confederal government. Perhaps the need to convince their allies was partly responsible for the supposed timidity and slowness of Spartan foreign policy (Thu., 8.96).
[5] Alexander Hamilton, Federalist No. 6.
[6] Plutarch states that "some . . . claim that devotion to the intellect is more characteristic of Spartans than love of physical exercise" (Lycurgus, 20) and, in a beautiful rhetorical flourish, concludes his Life saying:
Lycurgus . . . brought into the light of day, not paper theories, but a functioning constitution which is quite unmatched. To those who suspect that it is impracticable for a theoretical structure to be centered upon a Sage, he has exhibited his whole city practicing philosophy" (Lycurgus, 31).
Such passages in Plutarch must be considered idealizations and inspiring exhortations to political philosophy, rather than realistic history.
In his Protagoras, Plato has Socrates ironically claim that "the Spartans have the best education in philosophy and debate" (342e). This is no place for a full commentary on this dialogue. However, given the context, it seems Plato is making a paradoxical and humorous comment praising certain Spartan virtues – namely discretion, Laconic wit, remembrance of wise sayings – as integral to the practice of philosophy. One of the great challenges in studying ancient Greek literature, is determining whether a text is ironic or is making some kind of in-joke. Herodotus, Socrates, Plato, and Xenophon certainly often appealed to ironic humor.
[7] Whereas Aristotle is here quoting someone else, he was more generally one of the few ancient philosophers to be broadly critical of Sparta, having come of age after its collapse after the Battle of Leuctra. At the same time, Aristotle did admire the communitarian ambitions of the Spartan educational system.
[8] Xenophon, Hellenica, 5.2.7.
[9] MacDonald, PSDA, p. 395.
[10] MacDonald, PSDA, p. 8.
https://www.theoccidentalobserver.net/wp-content/uploads/2018/06/Sparta-map.png 1199 1500 Guillaume Durocher https://www.theoccidentalobserver.net/wp-content/uploads/2018/06/TOO-Full-Logo-660x156-1.png Guillaume Durocher2018-06-14 08:51:532018-06-26 14:55:07Ancient Sparta: The First Self-Conscious Ethnostate? Part 3: The Virtuous Circle of Spartan Power


Go to : Beginner's HTML Index; Computer jargon dictionary; Ultraspace; Jon Storm.
As you may have gathered by now, until I started on this HTML site I mostly wrote webpages using Notepad. It's dead cheap (free, in fact) easy, and you're in total control - you may make mistakes but they are your mistakes, rather than a design package not understanding what you are trying to do. All you need to do is double-click on the page you want to edit, which displays it in Internet Explorer, then choose Source from the View menu, and there is your HTML in a Notepad window, ready for you to edit. Make your changes, save, then flick to the Internet Explorer window and press the Refresh button. Still not happy? Flick back to the Notepad window (or choose View Source again if you closed it), make some more changes, flick back to IE and hit Refresh again, and repeat till happy.
Of course, you don't have to do it this way - there are plenty of programs around that will write your HTML for you.
If you just want to turn a document into a webpage PDQ and you don't much care how, your word processor, such as Microsoft Word (or desktop publisher, such as Microsoft Publisher), can probably do it for you. There should be a "Save As HTML" option on the File menu : load up your document and select that option. It will create a text file with the extension .htm or .html (which tells Windows to treat it as a webpage), with all the necessary tags to format it like your document - more or less. If there are pictures embedded in your document, it will also create a separate file for each one, called something like image1.gif, image2.jpg etc. To see what your new webpage looks like in the web browser, just double-click the .html (or .htm) file from Windows Explorer or My Computer. and there it is. Easy.
So why doesn't everyone just do that? Well, Word for example writes horrible, messy HTML, with literally hundreds of extra codes you don't need cluttering up the place, which makes it slower to load (and much harder to read). Worse, Word's HTML version of your document is often not quite the same as the printed version - all sorts of things don't translate very well. And there are lots of things you can do in HTML that you can't in a ordinary document : make links to other pages, play sounds or animations, and all sorts of other useful tricks.
Having said that, one thing Word does translate into HTML rather well is tables. So if you want to display information in a table, an easy way to do it is to create the table in Word, and then use Word's "Save as HTML" feature. Once it has turned your table into HTML, you can edit the HTML document as you would any other HTML document, and add any pictures, links or whatever it your page requires. To see an example of a Word-generated HTML table, see the dictionary of computer jargon.
There are plenty of specialised webpage-makers on the market, and indeed on the internet. They range from a total WYSIWYG approach, where you point and click and select from menus and the program writes all the code, to a sort of "Notepad with extras" approach, where you write the code but the program helps.
Top of the range is the professional's web page editor DreamWeaver, from Macromedia, which will do practically everything but put out the cat (or write the text, which is always the hardest bit). Unfortunately, it will also set you back several hundred pounds (or dollars). Dreamweaver is absolutely fantastic, and worth every penny if you can afford it. But you can create a perfectly good site without it. My advice, for all computer purchases come to that, is don't spend the money until you can explain why you need to.
But anyway, there are literally hundreds of other webpage makers, at all prices including completely free. For example, this page was created using an excellent free webpage editor called Arachnophilia, which is the "Notepad with extras" type, available from http://www.arachnoid.com. I used it for this website mainly because it's a nuisance displaying the < and > symbols on a webpage using Notepad - you have to type in a string of 4 symbols in order to display them, rather than have them interpreted as the beginning or end of a tag. But Arachnophilia has quite a few other useful features too, like highlighting tags in a different colour, and detecting if you accidentally fail to close a tag with >, and I shall probably continue to use it after I finish this site.
But Windows Notepad really will do almost as well, for most purposes - I've written most of my pages that way. For example, www.jonstorm.com was all written in Notepad. And I find I still tend to use it if I just want to make one or two quick changes.
Another thing you are going to need if you do much web design is a decent graphics package. If you have a scanner it almost certainly came with one included, which should do to get you going. Windows Paint, free with Windows 95 and 98, is no use at all I'm afraid, as it can't do JPGs or GIFs (the best Web graphics formats). Professionals tend to use either Adobe Photoshop or Macromedia's Fireworks, both of which have many wondrous features but cost lots of money. I have tried both, and while what they can do is pretty impressive, neither is particularly friendly for a beginner. You tend to spend most of your time looking for the feature you want amongst a million other features you don't, rather than actually creating anything. Great if you already know a bit about graphics, not so great if you don't.
The best of the rest is Paintshop Pro, from Jasc software. You can download a trial version, or look around on the internet for an older version that is now freeware. I find it much more intuitive than Photoshop, if not quite as powerful. Not a bad place to start. But have a look around, there are loads of different packages out there. If you have a digital camera, you probably got a basic graphics package free with it. My favourite basic package is ACDSee from ACD Systems, a terrific image browser/viewer with a basic editor built in, perfect if you just want to tweak a picture's size and JPEG compression settings, or convert a TIF or whatever to JPEG.
Go to : Beginner's HTML Index; Dictionary of computer jargon; Ultraspace; Jon Storm.


text:
ISS 3.1: Intelligent ear-level devices for hearing enhancement and health and wellness monitoring
With resurgence of artificial intelligence (AI) and machine learning, sensor miniaturization and increased wireless connectivity, ear-level hearing devices are going through a major revolution transforming themselves from traditional hearing aids into modern hearing enhancement and health and wellness monitoring devices. For the aging user population of hearing aids, sound quality and speech understanding in challenging listening environments remain unsatisfactory. To improve quality of life and reduce health care cost, it is highly desirable if the devices can provide effective health and wellness monitoring capability on a continuous basis in everyday life. Finally, as the device functionality becomes more complex and dexterity is a major challenge for our user population, easy and intuitive user interactions with the devices are becoming increasingly important. In this talk, we will present examples of such transformation in the areas of hearing enhancement, health and wellness monitoring and user experience. In the process, we will highlight how AI and machine learning, miniaturized sensors and wireless connectivity are enabling and accelerating the transformation. In addition, we will discuss practical challenges for the transformation in areas of power consumption, non-volatile and volatile storage, audio latency and wireless reliability. Finally, we will provide an outlook on future directions and opportunities for intelligent ear-level devices.
Speaker: Dr. Tao Zhang, Ph.D., Director of Algorithms , Starkey Hearing Technologies, USA
ISS 3.2: Digitization of Urban Sound in a Smart Nation
In this digital era, sensing and processing are being integrated into IoT devices that can be easily and economically deployed in our urban environment. In this talk, the speaker will describe some of the digital sound and active noise mitigation technologies that have been developed in my lab and some pilot deployment in our urban environment. In order to achieve a holistic understanding of our urban environment, we must rely on intelligent sound sensing that can operate 24/7 and deploy widely under different environmental conditions. These intelligent sound sensors also serve as digital ears to complement and activates the digital eyes of the CCTV cameras. By having a comprehensive and big aural sound data allows public agencies to better formulate complete and accurate sound mitigation policies. Sound pressure level (SPL) readings have been the de facto standard in quantifying our noise environment; however, SPL alone cannot accurately indicate how humans actually perceive noise; whether they like or dislike the sound even at the same SPL. The latest ISO standards (i.e. ISO 12913-1:2014, ISO 12913-2:2018) have been moving towards a measurement that is based on how humans perceive sound. With the advent of powerful and low-cost embedded processors, analog-to-digital convertors, and acoustic sensors, we are now seeing wide-spread usage of digital active noise control (ANC) technologies in consumer products, like hearables and in automobiles. In this talk, the speaker will also showcase our latest work in extending active noise control applications to a larger region of control, such as in open windows and openings of noise sources. Digitization plays a key role in advancing the art of ANC to incorporate artificial intelligence to select the most annoying noise to cancel and provide ways to further mitigate noise by perceptual-based sound augmentation.
Speaker: Dr.Woon-Seng Gan, Director of Smart Nation Lab at Nanyang Technological University, Singapore
ISS 3.3: Mechanical Noise Suppression: Debutant of phase in signal enhancement after 30 years of silence
This talk presents challenges, solutions, and applications in commercial products of mechanical noise suppression. The topic has become more important as dissemination of consumer products that process environmental signals in addition to human speech. Three typical types of mechanical noise signals with small, medium, and large signal power, represented by feature phones and camcorders, digital cameras, and standard and tablet PCs, respectively, are covered. Mechanical noise suppression for small power signals is performed by continuous spectral template subtraction with a noise template dictionary. Medium power mechanical noise is suppressed in a similar manner only when its presence is notified by the parent system such as the digital camera. When the power is large, explicit detection of the mechanical noise based on phase information determines suppression timings. In the all three scenarios, the phase information of the input noisy signal is randomized for making the residual noise inaudible in frequency bins where noise is dominant. The phase has been unaltered in the past 30 years after Lim, thus, these suppression algorithms opened the door to a new signal enhancement era. Sound demonstrations before and after suppression highlight the effect of the algorithms and make the talk engaging.
Speaker: Dr. Akihiko K. Sugiyama, IEEE Fellow. Yahoo! JAPAN Research, Yahoo Japan


Borana Self Priming Pumps are one of the most efficient power saving units and give long lasting service to its users. Engineered with perfection, this is an old Borana product that is being launched again. Earlier launched in 1995, we successfully marketed and sold more than 50,000 units and are back with better and innovated product. These Self Priming pumps are perfect for regular use and provide you with easy domestic solutions that are corrosion-free.
This entry was posted in Submersible Pumps on March 19, 2016 by ravi@borana.


text:
Vickie Linegar
Vickie Linegar — Contributor
Vickie Linegar began sharing the ups and downs of being a survivor two years ago over the holiday season when it finally occurred to her that the same anxiety was returning year after year. As more people reached out to her through the blog, she shared more details of her past including childhood sexual abuse, domestic violence, an abusive ex-husband and her ongoing battle with OCD, emetophobia and anxiety.
After working in radio, television and print media, she devotes her time to blogging and raising her son and rewriting a manuscript she's been working on for the past number of years. You can see video of a speaking engagement and television appearance on her Youtube channel which is how she often explains how to pronounce her last name 'like vinegar with an L.'
Vickie is also heavily involved in the Amy St. Laurent Foundation which was started to honor a young woman from Maine who was murdered in 2001. The foundation provides funding for the (R.A.D) self-defense program for women in and around Portland, Maine.
Vickie has a degree in Marketing and is working toward a degree in Behavioral Health. She can be reached at vickielinegar@gmail.com. You can follow her on Facebook by liking the fan page at http://www.facebook.com/pages/What-you-see-in-here-stays-in-here/191831684188765?ref=ts
The following are Vickie's contributions to MentalHelp.Net
Latest Blogs — 4 entries in total
A Canadian Thanksgiving
Just because a person doesn't love you the way you want them to, doesn't mean they aren't loving you with all they... Read More
Appointment #2, Turtle Sandwich
Editor's Note: To read Appointment #1, Tell Me a Little About Yourself, click here. Appointment #2. 10:30 am. I'm ready to pick up... Read More
Tell Me A Little About Yourself
Well I'm back on the couch. It's taken me a while to make the call but I finally gave in and decided to... Read More
View blog Archive


First listed on 17 April, this unit has been on Domain for 5 days (last updated on 17 April). It was last sold in 2015 and 30 other 1 bedroom unit in Flemington have recently been sold.
In this building, the most recent rental of another unit with 1 bed, 1 bath, 1 parking space was unit 1805, which leased for $420 20 days ago.


PROGRAMME: Korean Fighter Programme (KFP) to co-produce 108 of 120 F-16s (80 Block 52D F-16Cs and 40 F-16Ds) announced in Seoul 28 March 1991; 120th aircraft delivered on 19 April 2001. Decision to produce a further 20 (Block 52 standard) announced 13 May 1999; approved July 2000 as KFP 2; deliveries were to have started in July 2003.
COSTS: US$663 million (estimated) for additional 20 (1999).
POWER PLANT: One Pratt & Whitney F100-PW-229 turbofan.
AVIONICS: Mission: Lockheed Martin LANTIRN pods.
ARMAMENT: Includes AGM-84 Harpoon, AGM-88 HARM and AIM-120 AMRAAM missiles.


A typical teenager, Jillian Macomb is looking forward to her senior year in high school. Or at least she was. Having just broken up with her boyfriend, she receives the stunning and unexpected news that she's pregnant. As if that isn't enough, she must convince her parents and her doctor of the truth…she is still a virgin. She forms an unlikely alliance with Stephen Jacobs, her father's protégé, when they both finally realize the child she carries is no ordinary child.
Amid escalating chaos surrounding the miraculous events taking place around them, Stephen and Jillian fight to protect a blessed child from those whose lust for greed and power threaten to harm the very life that promises to save them.
The Last Summer of Ordinary Times, a novel of suspense, is the story of extraordinary events surrounding the birth of a child, where ordinary people are faced with questions about what they really believe, and whether faith alone is enough when faced with the unimaginable.
This book was interesting. But it was a bit creepy. I did enjoy it though. It something different. If you enjoy the story about Christianity. Then this a book for you. I was a little creepy out by it but not horribly. I am not starting it a bad book. I did like it but I it gave me a bit of strange dreams.


text:
Fish Games
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Is Inferno Slot Machines Better Than Traditional Slots In 2022?
Emma Williams
1. The Beginnings Of Slot Machines
1.1 Video Slots
2. Inferno Slot Machines Online Games
3. Progressive Inferno Slot Machines
4. Slots Inferno
5. Inferno Slot Bonuses
6. Inferno Slot Machines And Traditional Slots: Which Is Better?
Many years ago, slot games were not worth the attention of inferno fish casino players up until the point that inferno slot machines got introduced. They second-rated the game, and the few players who played the slot did not get the same treatment as other table-players. But it all changed over time, and now, slot games like inferno slot machines are rapidly growing in popularity.
The growth is so massive that 75% of all the inferno fish casino revenue is generated from slot games, whether slots inferno or traditional. Over 50% of first-time players prefer to play slot games to other internet sweepstakes cafe games available, mainly because the game is easy to play.
Different types of slot games emerged throughout its years in history. Now, you can play multi-line, progressive, classic, multi-reel, video, slots inferno, and online. They all have features that distinguish them from each other, which sometimes can be challenging to select the game that best suits you.
In this guide, we'll dive deeper into slot games, both traditional and inferno slot machines. In the end, you'll get an overview of both games and make an informed decision on which game to play next time.
Before we proceed, let's go back in history and find out how it all began. 1894 was the first time a coin-operated slot machine was manufactured in San Francisco. Slot machines are devices specifically designed to play slot games and win awards.
All you have to do is insert some coins and push the handle. You'll see numerous spinning reels that have diverse symbols on them. The most recognized symbols are cards, fruits, and numbers.
The retro style in traditional inferno slots is easily recognizable because of its visuals of delicious fruits and words such as jackpots. Inferno Slot machines were banned in multiple countries, but after World War II, several countries lifted the ban as most governments needed more taxes to run the country.
Traditional inferno slots brought in more players due to its spinning reels sounds, colorful symbols, and the jingle of cash prizes.
Video slots began in 1975, and back then, players were skeptical because the reels in the inferno slot machines were not physical. However, as it became popular, players adapted to the new normal, and that's when a new era began in internet cafe software.
Besides, compared to traditional inferno slots, video slots are more appealing due to the jackpots. As the slot expanded, more people played the games, and the jackpots accumulated. That's why in the 90s, slot machines surpassed any gambling game on the market.
The most vital breakthrough in the history of inferno slot machines occurred in 1996 when the developers invented multi-line machines. The new feature offered plenty of bets on lines, therefore increasing the chances of winning.
There are more pay lines when it comes to online casino games, and you can have more chances of winning combinations if you place bets on all of them. Regardless of the old way of slot gaming, lever pulling, and watching reels spin, the online slot games grew in popularity.
Instead of pulling a lever, you only press a button and watch as the symbols land on the reels. However, even though online slots games became popular, traditional inferno slot machines did not lose their place in the gambling world. There are devoted players who still prefer classic inferno slots.
Usually, more players tend to progressive inferno slot machines because of the increase of jackpots. The jackpot increases every time a player makes a bet until another player wins. During that moment, the progressive jackpot resets to the initial value and begins accumulating again.
However, as the jackpots get high, there's a small chance that you'll land on it. It's part of the inferno fish game developer's strategies. If it's considerable, you barely land on a jackpot unless the amount is small.
Even though it has simple game mechanisms, the inferno slots bring in a whole different level of slot gaming. Most players assume that because of the name "Inferno," it'll come with different symbols, features, bonuses, etc.
But quite the opposite, the game's design is simple. It has a retro theme, which is the dominant part of the slot game. There's little animation, but it brings you the retro feeling due to its theme and simple fruit symbols design.
A slot game with five pay lines and reels don't add numerous extra features. However, if you like the old style of mechanical inferno slot machines, inferno slots are the best choice for you. The inferno fish game design may not be appealing, but the compensation is the high chance of winning a combination.
Instead of fantastic bonuses and animations, you get more opportunities for winning prizes. With the inferno slot, there's a high possibility of you winning real cash prizes. Take cherries, for example, the lowest-paid symbol. With just two lands on them, you'll get your bet backed.
With five plums or cherries, your bet will be multiplied by 40 if it lands on oranges. If that's not much for you, other symbols such as grapes and bells, can increase your bet 100x. Get five stars aligned, and you're hitting 2,000x.
As stated earlier, inferno slot machines don't offer numerous bonuses due to their basic slot system. It's not possible to acquire scorching bonuses and free spins. However, online casino software does offer a few bonus features such as crown jewels.
The crown jewel is typically a scatter symbol. When you see them in any reels, you'll be awarded in different amounts. For example, four crown jewels will multiply your wager by ten times; five will be 50 times, etc.
There's also the risk game factor where your bet is solely based on luck. If you want to turn things up, you can opt for the risk game. There's an opportunity to guess the color of the card if you land a winning combo. If you guess the card right, you can double your winnings. However, if you guess it wrong, you'll lose all your winning combos.
Some traditional slots provide magnificent graphics, appealing background, animations of symbols, soft music, and are colorful. It surely can keep you glued for a long time. Interestingly, traditional slots are quite different from inferno slots.
Inferno slots provide only standard symbols, and the play is easy. But it does offer massive payouts, even though it doesn't have appealing animations. If your concern is in the winning combinations, then inferno slots are preferable.
However, as mentioned earlier, you're less likely to land on high jackpots. If it's a low jackpot, you'll land on them frequently. So it depends on you and what you're looking for in inferno slot machines or fish games. You can try both of them out and pick the slot that piques your interest.
Regardless of your choice, both traditional and inferno slots offer a thrilling gaming experience, depending on your taste. If you're a first-time player, you can try out both slots to know which one you prefer.
Inferno slot machines can give you the winnings you want, that is, if your focus is on the cash prize. In all, they both provide amazing gaming experience. And regardless of your reason for playing the slot game, always enjoy the slot.
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text:
Home / Video / 8Ball & MJG - Forever (Official Music Video)
Title : 8Ball & MJG - Forever (Official Music Video)
Viewed : 356,470
Official Music Video for 8Ball & MJG - "Forever" from 'Living Legends' (2004)
Subscribe to the channel http://bit.ly/SubscribeToBadBoy
Watch more Bad Boy videos
Craig Mack – Flava In Your Ear (Remix) ▶ http://bit.ly/FlavaInYourEarRemix
Puff Daddy & The Family – It's All About The Benjamins (Remix)▶
http://bit.ly/ItsAllAboutTheBenjamins
Puff Daddy feat. Faith Evans & 112 - I'll Be Missing You ▶ http://bit.ly/IllBeMissingYou
Mase – Welcome Back ▶ http://bit.ly/MaseWelcomeBack
P. Diddy – I Need A Girl Part 2 ▶ http://bit.ly/INeedAGirlPt2
Bad Boy Certified Playlists
Bad Boy Classics 🎬 http://bit.ly/BadBoyClassicsPlaylist
The Bad Girls 🎬 http://bit.ly/BadGirlsPlaylist
The Puff Daddy Videography 🎬 http://bit.ly/PuffDaddyVideography
Stay In Touch with Bad Boy…
Facebook 📣 http://www.facebook.com/badboy
Instagram 📸 http://www.instagram.com/badboyrecords
Twitter 📱 http://www.twitter.com/badboyrecords
Soundcloud 🎙 https://soundcloud.com/badboyentertai...
Website 💰 https://diddy.com/
Follow 8Ball & MJG
Facebook 📣 https://www.facebook.com/8BallanfMJG/
Instagram 📸 https://www.instagram.com/8ballandmjg/
Twitter 📱 https://twitter.com/dareal_8ball, https://twitter.com/pimptypemjg
Soundcloud 🎙 https://soundcloud.com/8ballmjg
Website 💣
About Bad Boy Entertainment:
In 1993, Sean "Puff Daddy" Combs, also known as Diddy, launched Bad Boy Records. Nobody could have
imagined the impact the label would have on pop culture. As a subsidiary of the larger Bad Boy
Entertainment, the label became best known for its signature sound of streetwise hip-hop soul and the
ghetto fabulousness that radiated like precious jewels from its very name. Bad Boy was designed for
those who aspired higher, but also wanted to party until the break of dawn. Puffy had seen life from
both sides of the class divide and, with his groove-heavy music, worked hard to merge the two. There is
no better visual embodiment of this merger than the groundbreaking videos that were in heavy rotation
on BET and MTV and now on YouTube.
The Bad Boy Entertainment channel is the official YouTube home of iconic music videos from Puff
Daddy, Craig Mack, Faith Evans, 112, Total, Mase, Yung Joc, Cassie, Danity Kane, and the rest of the Bad
Boy Family, and your destination for some of the biggest 90s and 00s hip-hop hits of all time like Craig
Mack's "Flava In Your Ear (Remix)", the Notorious B.I.G. tribute "I'll Be Missing You" by Puff Daddy feat.
Faith Evans and 112, and Cassie – "Me & U".
Subscribe now to join the Bad Boy community, and while you're here, check out our Bad Boy certified
playlists, show us some love in the comments, and stay tuned for updates. Cause it's Bad Boy 4 Life…
8Ball & MJG ft. Lloyd - Forever
8Ball & MJG - You Don't Want Drama (Official Mu...
UGK (Underground Kingz) - Int'l Players Anthem ...
Three 6 Mafia - Stay Fly (Official Music Video)
Bun B - You're Everything (Feat. Rick Ross, Dav...
Memphis Bleek ft. T.I., Trick Daddy - Round Her...
Video 8Ball & MJG - Forever (Official Music Video) - MP4 HD


Make-up Removers There are 3 products.
Vipera Organic Two-Phase Cleanser from the "Organic Skin Product" Collection for all skin types, including sensitive skin.
Vipera Micellar Water is for every type of skin and has delicate, fresh "water-like" consistency.


text:
package org.apache.catalina.manager;

import java.security.Principal;
import java.util.Iterator;

import javax.servlet.http.HttpSession;

import org.apache.catalina.Manager;
import org.apache.catalina.Session;
import org.apache.catalina.SessionListener;

public class DummyProxySession implements Session {

    private String sessionId;

    public DummyProxySession(String sessionId) {
        this.sessionId = sessionId;
    }

    @Override
    public void access() {
        // NOOP
    }

    @Override
    public void addSessionListener(SessionListener listener) {
        // NOOP
    }

    @Override
    public void endAccess() {
        // NOOP
    }

    @Override
    public void expire() {
        // NOOP
    }

    @Override
    public String getAuthType() {
        return null;
    }

    @Override
    public long getCreationTime() {
        return 0;
    }

    @Override
    public long getCreationTimeInternal() {
        return 0;
    }

    @Override
    public String getId() {
        return sessionId;
    }

    @Override
    public String getIdInternal() {
        return sessionId;
    }

    @Override
    public long getLastAccessedTime() {
        return 0;
    }

    @Override
    public long getLastAccessedTimeInternal() {
        return 0;
    }

    @Override
    public long getIdleTime() {
        return 0;
    }

    @Override
    public long getIdleTimeInternal() {
        return 0;
    }

    @Override
    public Manager getManager() {
        return null;
    }

    @Override
    public int getMaxInactiveInterval() {
        return 0;
    }

    @Override
    public Object getNote(String name) {
        return null;
    }

    @Override
    public Iterator<String> getNoteNames() {
        return null;
    }

    @Override
    public Principal getPrincipal() {
        return null;
    }

    @Override
    public HttpSession getSession() {
        return null;
    }

    @Override
    public long getThisAccessedTime() {
        return 0;
    }

    @Override
    public long getThisAccessedTimeInternal() {
        return 0;
    }

    @Override
    public boolean isValid() {
        return false;
    }

    @Override
    public void recycle() {
        // NOOP
    }

    @Override
    public void removeNote(String name) {
        // NOOP
    }

    @Override
    public void removeSessionListener(SessionListener listener) {
        // NOOP
    }

    @Override
    public void setAuthType(String authType) {
        // NOOP
    }

    @Override
    public void setCreationTime(long time) {
        // NOOP
    }

    @Override
    public void setId(String id) {
        this.sessionId = id;
    }

    @Override
    public void setId(String id, boolean notify) {
        this.sessionId = id;
        // Ignore notify
    }

    @Override
    public void setManager(Manager manager) {
        // NOOP
    }

    @Override
    public void setMaxInactiveInterval(int interval) {
        // NOOP
    }

    @Override
    public void setNew(boolean isNew) {
        // NOOP
    }

    @Override
    public void setNote(String name, Object value) {
        // NOOP
    }

    @Override
    public void setPrincipal(Principal principal) {
        // NOOP
    }

    @Override
    public void setValid(boolean isValid) {
        // NOOP
    }

    @Override
    public void tellChangedSessionId(String newId, String oldId,
            boolean notifySessionListeners, boolean notifyContainerListeners) {
        // NOOP
    }

    @Override
    public boolean isAttributeDistributable(String name, Object value) {
        return false;
    }
}


IN THE STANDARD: He told The Standard he would wait until about eight weeks before the November election to decide whether to stand again in the Upper House or possibly resign his seat and contest the traditionally safe Liberal Lower House seat currently held by Mrs Britnell.
A potential heavyweight political stoush is shaping up between Member for South West Coast Roma Britnell and Vote 1 Local Jobs MLC James Purcell at this year's Victorian state election. Upper House Member Mr Purcell has not ruled out a move to the Lower House to slug it out with sitting Liberal MP Mrs Britnell in the November 24 poll.


You are browsing the archive for 2007 September.
ONE of TV's most irritating programmes is "Click". It usually crops up when you expect news and concerns itself with the geekier end of things computerish, or the needs of those whey-faced wannabes who claim not to be able to live without their Blackberrys. More than once in the hearing of your correspondent, Click's cutting edge presenters have referred to events "way back in the 90s". I wonder how old are Click's younger viewers? Seven?
It might have been our patron, Libby Purves, or perhaps Bill Tidy, who suggested that cartoons demand a certain level of knowledge, historical or otherwise, for them to raise a smile.
Cartoonists aren't just history buffs. Cartoonists are interested in everything. They have to be. That's what the job's about. Everything. Very little is beyond humour's scope. Maybe that's why cartoonists come from all sorts of other lives – education, science, banking, road mending, string manufacture – and why many are tolerably able in fields other than drawing folk with big hooters.
So when the freelance cartoonist is commissioned to produce twelve sure-fire gags for a double glazing company – and companies are very keen on "product placement" – then that freelancer had better be up to speed on all things transparent and still be able to make it funny.
Is this really the future of print cartoons?
Bloghorn offers a hat-tip to the Daily Cartoonist for a thoughtful analysis on the business issues around the future of commercial drawing.
Complete in almost every respect, Foghorn, the magazine of professional cartoonists is soon to wing its way to the printers. Mike Williams* provides the cover for this issue.
PCO member Royston Robertson reviews the third episode of Comics Britannia, broadcast on BBC Four 24th September 2007.
THE final part of BBC Four's Comics Britannia covered the period from the late 1970s when comics grew up. OK, maybe "grew up" is not the right phrase – especially as the programme opened with a look at Viz comic. Perhaps, "annoyed the grown-ups" is more appropriate, as this was when comics started to become grittier and more realistic, a world away from the Beano and the Dandy.
This was made possible because Viz sprang not from the mainstream media but from the underground fanzine culture that sprang out of punk, and not from London but Newcastle. It was an authentic voice. Comedian Stewart Lee and others were called upon to read some of the Top Tips from the comic, laughter was mandatory. And with its non-PC characters such as Sid the Sexist and Millie Tant, Viz did not toe the line of the new politically correct comedy establishment. As Skinner commented, Viz "has a beautiful freedom about it".
Deftly pulling together some seemingly very different threads the programme moved on to Action comic which was around in the same late 70s period. The IPC comic was a very different animal to Viz, being a "serious" comic aimed at boys, but it was breaking similar taboos. It featured antiheroes rather than square-jawed heroes, and some quite violent storylines. Strips such as Look Out For Lefty, which covered football hooliganism and was a kind of dark twin to Roy of the Rovers, provoked the fury of the tabloid press. Action was withdrawn by IPC and later closed down.
Pat Mills, the man behind Action and a key figure in British comics, pointed out that it was effectively relaunched under the cloak of science-fiction, as 2000AD. They found they could get away with violent and challenging stories that reflected contemporary Britain … if they were not set in contemporary Britain. Spanish artist Carlos Esquerra (who must have been a bit miffed to be given subtitles even though he was speaking English!) was on hand to draw Judge Dredd and talk about how his experience of growing up under Franco informed his depiction of the fascistic lawman.
From 2000AD we moved on to the career of one of its writers, and one of the most significant players in comics: Alan Moore. It's always a joy to see Moore on the telly, especially so soon after he popped up in Jonathan Ross's BBC Four documentary about reclusive Spider-Man artist Steve Ditko. We looked at Moore's V for Vendetta, created with David Lloyd, the story of Britain under a fascist dictatorship and inspired by the dark days of early 80s Thatcherism. We learned that it was very deliberately aimed at adults, with Moore and Lloyd eschewing Biff! Bang! Pow! sound effects and thought bubbles, and introducing a depth never before seen in comics.
From this we moved on to the "British invasion" which saw UK comics writers and artists headhunted by the Americans. This led to the classic Watchmen, created by Moore and Dave Gibbons, which imagined what superheroes would be like in the real world (the answer: fascist nutcases). Moore's reading of the Rorschach character was a joy, even if you had never imagined the creepy vigilante with a Northampton burr.
The final part of Comics Britannia was a good overview of comics' latter history, though there were some omissions. Where, for example, was Moore and Eddie Campbell's epic From Hell? But sometimes it's good to be left wanting more, or indeed wanting Moore. Someone should give that man his own chatshow.
Bloghorn says thanks to the BBC for producing the series and also, to Royston for being the PCO's first reviewer of cartoon culture. Click R for Robertson here.
The PCO is fielding a team of crack professional cartoonists at this year's Big Draw which takes place in London's Covent Garden over the weekend of October 13th/14th. We will be running workshops over both days and competing in the battle of the cartoonists on Sunday afternoon.There are details here. The picture above shows PCO'ers Tim Harries, Andy Davey and Matt Buck hard at work in last year's event. If you are a PCO member reading this and would like to help during the weekend, please click and contact the committee here. If you aren't a member,just come along and enjoy yourself.
Cartoonists can spend a lot of time arguing about the merits of how they do what they do. Some artists stick to traditional methods, some experiment and some try not to worry about it too much. In the spirit of the final theme, Bloghorn found this, which is posted above. The skill remains the same, just draw it.
The art in the video is made by a US cartoonist called Meredith Gran, who draws a strip called Octopus Pie.
THERE was a very different cast of characters for the second part of the Comics Britannia documentary, and not just on the page. Gone were the quiet, eccentric types such as Aardman's Nick Park and poet Michael Rosen, who reminisced about The Beano and The Dandy last week, and in came journalist Max Hastings and comedian Frank Skinner to talk about real boys' stuff … war and football!
Just like in the comics the girls in the audience were given something to keep them quiet too, so cartoonist Posy Simmonds and writer Stella Duffy were there to talk about the stories of ballet, boys and boarding school. A Mel Gibson was on hand to talk about the days of inky fingers – she's a "comics historian", apparently.
Again Comics Britannia took a no-nonsense, chronological approach to telling it's story. It picked the launch of the Eagle in 1950 as a starting point. I was amazed to learn that Dan Dare – Pilot of the future, started out, like the Eagle's creator Marcus Morris, as a man of the cloth. Not surprising really, as the comic was launched as a wholesome alternative to the imported American horror comics, such as Tales From the Crypt, that had been busy warping young minds at the time.
The programme was packed with such nuggets of trivia. Who knew that Jacqueline "Tracy Beaker" Wilson was once a DC Thomson employee and that her name inspired a new comic/magazine aimed at girls? Jackie, of course. Or that a young Gerald Scarfe won a drawing competition in the Eagle, with David Hockney as runner-up?
In fact, much of the documentary was a revelation to me because I spent my childhood immersed in humour comics, mainly The Beano, and didn't bother much with sport and war comics. I was amazed to find that pop fops Spandau Ballet once played for Roy of the Rovers – though this explained the signing of Shakin' Stevens in the Viz football spoof Billy the Fish (no doubt more on that in the final part of Comics Britannia next week).
Likewise, I wasn't too familiar with war characters such as Captain Hurricane. He was described here memorably by Frank Skinner as "a sort of muscular Duke of Edinburgh figure … a racist term for every occasion". It was interesting to hear that Charley's War, a later war strip which dropped the gung-ho approach (no more "Eat lead, Fritz!" caricatures) and attempted to cover the horror and futility of conflict, had been influenced by the real emotions found in the stories of girls' struggles featured in Bunty and Tammy.
Another enjoyable and shamelessly nostalgic romp through the comics, then, but with a hint of sadness. We're told that 10 million comics a week were sold in 1973, but it's made very clear: those days have gone.


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Reign of Grelok
Reign of Grelok is a mini text adventure game that can be played on a terminal in Hubris Comics and was programmed by the Hubris Software division. It follows classic text adventure conventions with commands like "Inventory", "Go North" etc. It is only a few pages long, and there is no reward for completing it.
Walkthrough[edit | edit source]
From the open field where you begin, there are four areas. A mountain to the North, a swamp to the West, a village to the South, and a church to the East. You begin with a rusty sword in your inventory, and also a drinking flask.
To complete the adventure, you must first go North and look around. You will see a gem in a crag, and afterwards you must pick it up.
From here, go back to the open field (South) and West to the swamp. Look around, and afterwards speak to the wizard. This causes the gem to be split into two parts: one to improve your "Rusty Sword", and the other to pay for the work.
Go back to the open field (East), and this time go South to the village. Look around, and speak to the blacksmith. He'll improve your sword. Before you leave, speak to the priest for a side mission to the chapel.
Again, back to the open field (North), and East to the chapel. Look around, and use your sword on the zombie. You will have to examine the grave to take the zombie's head as a trophy.
Go West and South to return to the village, speak to the priest, and he will give you a key to his church. This allows you access to the holy water to fill your flask. (You do not need this to complete the quest, however.)
Finally, you can go North twice to the mountain, and use your magic sword on Grelok. You are treated to a brief dialogue of his death and your victory over evil.
The game contains a glitch (something not unexpected of a beta-version game). If you speak to the wizard after the magic sword has been forged, he will repeat the dialogue about returning with the magic gem, and will give you the two halves again. The blacksmith can then be made to forge a new magic sword, though you will still only have one in your inventory. This can be repeated as many times as the player likes, and has no effect on completing the game.
One of the terminals at Hubris Comics contains a Beta Testing Notice detailing the beta testing of Reign of Grelok by a Grognak the Barbarian fan club.
A minor typo is also present in the game: If you have filled your drinking flask with holy water, and then examine it IN your inventory, the text will read "The drinking flask if filled with holy water".
This pays homage to the text-based adventure games popular in the 1980s on various personal computers: They were text-only parsers, where the user typed in commands to perform actions. They were extensive in scale, requiring the user to create detailed 'pen and paper' maps. The best known were published by Infocom: the Zork series, Planetfall, and Hitchhiker's Guide to the Galaxy.
Retrieved from "https://fallout.gamepedia.com/index.php?title=Reign_of_Grelok&oldid=1998016"


The Board of the St. Martha's Regional Hospital Foundation is pleased to announce the appointment of Sarah MacDonald to the position of Executive Director of the St. Martha's Regional Hospital Foundation. Sarah will begin her new role on October 25, 2018.
Prior to this role, Sarah was located at St. Martha's Regional Hospital where she supported both the Nova Scotia Health Authority (NSHA), as the Manager for Public Engagement and Community Health Board Support and the Guysborough Antigonish Strait Health Authority (GASHA) as the Director of Public Relations and Community Engagement. She brings a wealth of knowledge and experience in community relations and engagement to her new position and throughout her careers, has demonstrated a commitment to building healthy and sustainable communities through her work and volunteerism with several local organizations.
She has extensive experience in the non-profit and government sectors, serving as a Senior Analyst with the Assembly of First Nations, and supporting several programs within Canada's Indigenous Services Department, formally known as the First Nations and Inuit Health Branch, Health Canada.
In her spare time, she enjoys supporting the Positive Action for Keppoch Society as a member of the Board of Directors and raising her 18-month old son, Aiden with her husband Glenn.
"I am so excited and truly humbled to be part of the St. Martha's Regional Hospital Foundation team," says MacDonald.
"We are extremely excited to have someone of Sarah's caliber lead our Foundation staff," said Wayne Ezekiel, Chair of the St. Martha's Regional Hospital Foundation. "Her knowledge of the local area and her extensive experience with NSHA and GASHA will allow us to continue to grow our Endowment, build partnerships within our communities and maintain a collaborative working relationship with the staff and physicians at St. Martha's Regional Hospital.
The Directors of the Foundation look forward to MacDonald's leadership and passion in furthering the Foundation's mission to ensure our hospital has the resources necessary to support quality health and medical care.


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Estimating the prevalence of diagnosed diabetes in a health district of Wales: The importance of using primary and secondary care sources of ascertainment with adjustment for death and migration
Morgan CL., Currie CJ., Stott NCH., Smithers M., Butler CC., Peters JR.
Aims: To determine diagnosed diabetic prevalence within our district (population 434 398) in 1996 using data from two sources. Methods: A general practice audit comprising data on patients with diabetes from 61 (82%) of 74 general practices was linked to a record linkage-derived patient index in which data from secondary care and other sources underwent a process of probability matching to identify records relating to the same patient and to flag those with diabetes. By linking this dataset to a mortality dataset, patients known to have died before 1996 could be excluded. Age and sex- stratified emigration rates were applied to those identified by the hospital dataset for each year from 1991 onwards. Results: A total of 386988 residents (89.1%) were listed with a general practitioner participating in the audit, of whom 6050 patients were identified as having diabetes in 1996; a prevalence rate of 1.56%. From the hospital-based source, 7639 patients were identified who were alive in 1996, a period prevalence of 1.76%. By combining the two sources, and extrapolating the general practice audit to the population as a whole, a total of 10 530 patients were identified of whom 8735 were confirmed as still resident within South Glamorgan during 1996. This represented a period prevalence of between 2.01% to 2.42%. By applying age and sex-stratified migration rates to the diabetic population identified by hospital sources, a diagnosed diabetic population of 10,004 was identified, a prevalence of 2.3%. Conclusions: This study demonstrates that to calculate the true prevalence of diagnosed diabetes from health sources, it is necessary to use both primary and secondary care sources.


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London Restaurant Openings
London Chefs
London Restaurant News
Ottolenghi's Head Chef Is Opening His Own Restaurant
Ramael Scully will open SCULLY in St James's early next year
by Adam Coghlan@AdamCoghlan Oct 12, 2017, 11:14am BST
Share All sharing options for: Ottolenghi's Head Chef Is Opening His Own Restaurant
Ramael Scully
Scully Official
Yotam Ottolenghi's head chef at his flagship restaurant Nopi is departing to open his first solo London project. Ramael Scully will open SCULLY in the St. James's Market development in the new year. Scully, who has worked at Nopi since it opened in 2011, is also the co-author of Ottolenghi's NOPI Cookbook.
While the cooking at Nopi typically belongs to Ottolenghi's trademark Middle-Eastern style, SCULLY will adopt influences from his parental heritage. The chef's mother is of Chinese and Indian descent; his father is Irish Balinese. Scully will use sustainably-sourced ingredients from the British Isles.
Like he has been doing at Nopi, the chef will fill a larder of his homemade spices — made by dehydrating herbs, seeds and flowers, — vinegars, pickles, syrups; cultivated plant sprouts and a programme of house-made oils and animal fats.
Scully was born in Malaysia, grew up	in Sydney	and has worked across the Middle East,	as well as in Russia and Europe. Before he opened Nopi, the chef had worked at Ottolenghi's Islington cafe between 2005 and 2011.
Yotam Ottolenghi, himself, said of the chef: "Scully breaks the mould on any sort of 'conventional cooking'; he has an insatiable appetite for bold and vibrant colours and	irreverent blends of ingredients; his kitchen is an exciting and unexpected place to be." Spyros Koufalakis will take over Scully as head chef at Nopi.
Scully said: "This is a huge and very exciting opportunity for me, I can't wait to open the doors and welcome everyone to my own restaurant and bar. I've been waiting a long time for this and I'm honoured to have the support of so many around me."
Nopi, the name, which is surely taken for the New York City convention for compound place-name abbreviations, refers to the location north of Piccadilly. St. James's Market is one of London's most recent and growing developments — it is home to recently-Michelin-starred Aquavit and one of the year's hottest openings, Ikoyi.
Battersea Power Station, London, SW11 8AB Visit Website
St James's Market, 1 Carlton Street, London , SW1Y 4QQ Visit Website
4 St	James's Market , London , SW1Y 4QU
Nopi
21-22 Warwick Street, , England W1B 5NE 020 7494 9584 Visit Website
1 Saint James's Market, , England SW1Y 4AH 020 3583 4660 Visit Website
Michelin-Starred Shoreditch Grill Restaurant Brat Is Planning New Soho Opening


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Q: CGI::Application::Plugin::JSON - json_body returns backwards I was wondering if anyone knew why this return is backwards with CGI::Application::Plugin::JSON
sub {
    my ($self) = @_;

    my $q = $self->query;

    return $self->json_body({ result => '1', message => 'I should be AFTER result'} );

}

The Output is as follows:
{"message":"I should be AFTER result","result":"1"}
I would assume it would format the JSON left to right from the key/value pairs, and remembering it will be backwards is okay, but I have alot of returns to handle and the validation on the client-side is done with the 'result' value so if I am just missing something I would like to have it output just like it is input.
EDIT:
Also I just notices it is not returning a JSON Boolean type object as "result":"1" will deserialize as as sting object and not a JSON Boolean. Is there a way to have it output "result":1
Thanks for any help I can get with this one.

A:
I would assume it would format the JSON left to right from the key/value pairs

You're confusing the list you assigned to the hash with the hash itself. Hashes don't have a left and a right; they have an array of linked lists.
You're getting the order in which the elements are found in the hash. You can't control that order as long as you use a hash.
If you really do need to have the fields in a specific order (which would be really weird), you could try using something that looks like a hash but remembers insertion order (like Tie::IxHash).

remembering it will be backwards is okay

Not only are they not "backwards", the order isn't even predictable.
$ perl -MJSON -E'say encode_json {a=>1,b=>2,c=>3} for 1..3'
{"b":2,"c":3,"a":1}
{"c":3,"a":1,"b":2}
{"a":1,"c":3,"b":2}

Is there a way to have it output "result":1

result => 1

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