text:
// Copyright 2015 The Chromium Authors. All rights reserved.
// Use of this source code is governed by a BSD-style license that can be
// found in the LICENSE file.

#include "content/browser/mojo/mojo_shell_context.h"

#include <unordered_map>
#include <utility>

#include "base/bind.h"
#include "base/command_line.h"
#include "base/lazy_instance.h"
#include "base/macros.h"
#include "base/memory/ptr_util.h"
#include "base/path_service.h"
#include "base/single_thread_task_runner.h"
#include "base/threading/thread_task_runner_handle.h"
#include "content/browser/gpu/gpu_process_host.h"
#include "content/browser/mojo/browser_shell_connection.h"
#include "content/browser/mojo/constants.h"
#include "content/common/gpu_process_launch_causes.h"
#include "content/common/mojo/mojo_shell_connection_impl.h"
#include "content/common/process_control.mojom.h"
#include "content/grit/content_resources.h"
#include "content/public/browser/browser_thread.h"
#include "content/public/browser/content_browser_client.h"
#include "content/public/browser/utility_process_host.h"
#include "content/public/browser/utility_process_host_client.h"
#include "content/public/common/content_client.h"
#include "content/public/common/content_switches.h"
#include "content/public/common/service_registry.h"
#include "mojo/public/cpp/bindings/interface_request.h"
#include "mojo/public/cpp/bindings/string.h"
#include "services/catalog/catalog.h"
#include "services/catalog/manifest_provider.h"
#include "services/catalog/store.h"
#include "services/shell/connect_params.h"
#include "services/shell/native_runner.h"
#include "services/shell/public/cpp/identity.h"
#include "services/shell/public/cpp/shell_client.h"
#include "services/shell/public/interfaces/connector.mojom.h"
#include "services/shell/public/interfaces/shell_client.mojom.h"
#include "services/shell/public/interfaces/shell_client_factory.mojom.h"
#include "services/shell/runner/host/in_process_native_runner.h"
#include "services/user/public/cpp/constants.h"

namespace content {

namespace {

void StartUtilityProcessOnIOThread(
    mojo::InterfaceRequest<mojom::ProcessControl> request,
    const base::string16& process_name,
    bool use_sandbox) {
  UtilityProcessHost* process_host =
      UtilityProcessHost::Create(nullptr, nullptr);
  process_host->SetName(process_name);
  if (!use_sandbox)
    process_host->DisableSandbox();
  process_host->Start();

  ServiceRegistry* services = process_host->GetServiceRegistry();
  services->ConnectToRemoteService(std::move(request));
}

void OnApplicationLoaded(const std::string& name, bool success) {
  if (!success)
    LOG(ERROR) << "Failed to launch Mojo application for " << name;
}

void LaunchAppInUtilityProcess(const std::string& app_name,
                               const base::string16& process_name,
                               bool use_sandbox,
                               shell::mojom::ShellClientRequest request) {
  mojom::ProcessControlPtr process_control;
  mojom::ProcessControlRequest process_request =
      mojo::GetProxy(&process_control);
  BrowserThread::PostTask(BrowserThread::IO, FROM_HERE,
                          base::Bind(&StartUtilityProcessOnIOThread,
                                     base::Passed(&process_request),
                                     process_name, use_sandbox));
  process_control->LoadApplication(app_name, std::move(request),
                                   base::Bind(&OnApplicationLoaded, app_name));
}

#if (ENABLE_MOJO_MEDIA_IN_GPU_PROCESS)

// Request mojom::ProcessControl from GPU process host. Must be called on IO
// thread.
void RequestGpuProcessControl(
    mojo::InterfaceRequest<mojom::ProcessControl> request) {
  BrowserChildProcessHostDelegate* process_host =
      GpuProcessHost::Get(GpuProcessHost::GPU_PROCESS_KIND_SANDBOXED,
                          CAUSE_FOR_GPU_LAUNCH_MOJO_SETUP);
  if (!process_host) {
    DLOG(ERROR) << "GPU process host not available.";
    return;
  }

  // TODO(xhwang): It's possible that |process_host| is non-null, but the actual
  // process is dead. In that case, |request| will be dropped and application
  // load requests through mojom::ProcessControl will also fail. Make sure we
  // handle
  // these cases correctly.
  process_host->GetServiceRegistry()->ConnectToRemoteService(
      std::move(request));
}

void LaunchAppInGpuProcess(const std::string& app_name,
                           shell::mojom::ShellClientRequest request) {
  mojom::ProcessControlPtr process_control;
  mojom::ProcessControlRequest process_request =
      mojo::GetProxy(&process_control);
  BrowserThread::PostTask(
      BrowserThread::IO, FROM_HERE,
      base::Bind(&RequestGpuProcessControl, base::Passed(&process_request)));
  process_control->LoadApplication(app_name, std::move(request),
                                   base::Bind(&OnApplicationLoaded, app_name));
}

#endif  // ENABLE_MOJO_MEDIA_IN_GPU_PROCESS

}  // namespace

// A ManifestProvider which resolves application names to builtin manifest
// resources for the catalog service to consume.
class MojoShellContext::BuiltinManifestProvider
    : public catalog::ManifestProvider {
 public:
  BuiltinManifestProvider() {}
  ~BuiltinManifestProvider() override {}

  void AddManifestResource(const std::string& name, int resource_id) {
    auto result = manifest_resources_.insert(
        std::make_pair(name, resource_id));
    DCHECK(result.second);
  }

  void AddManifests(std::unique_ptr<
      ContentBrowserClient::MojoApplicationManifestMap> manifests) {
    manifests_ = std::move(manifests);
  }

 private:
  // catalog::ManifestProvider:
  bool GetApplicationManifest(const base::StringPiece& name,
                              std::string* manifest_contents) override {
    auto it = manifest_resources_.find(name.as_string());
    if (it != manifest_resources_.end()) {
      *manifest_contents =
          GetContentClient()
              ->GetDataResource(it->second, ui::ScaleFactor::SCALE_FACTOR_NONE)
              .as_string();
      DCHECK(!manifest_contents->empty());
      return true;
    }
    auto manifest_it = manifests_->find(name.as_string());
    if (manifest_it != manifests_->end()) {
      *manifest_contents = manifest_it->second;
      DCHECK(!manifest_contents->empty());
      return true;
    }
    return false;
  }

  std::unordered_map<std::string, int> manifest_resources_;
  std::unique_ptr<ContentBrowserClient::MojoApplicationManifestMap> manifests_;

  DISALLOW_COPY_AND_ASSIGN(BuiltinManifestProvider);
};

// Thread-safe proxy providing access to the shell context from any thread.
class MojoShellContext::Proxy {
 public:
  Proxy(MojoShellContext* shell_context)
      : shell_context_(shell_context),
        task_runner_(base::ThreadTaskRunnerHandle::Get()) {}

  ~Proxy() {}

  void ConnectToApplication(
      const std::string& user_id,
      const std::string& name,
      const std::string& requestor_name,
      shell::mojom::InterfaceProviderRequest request,
      shell::mojom::InterfaceProviderPtr exposed_services,
      const shell::mojom::Connector::ConnectCallback& callback) {
    if (task_runner_ == base::ThreadTaskRunnerHandle::Get()) {
      if (shell_context_) {
        shell_context_->ConnectToApplicationOnOwnThread(
            user_id, name, requestor_name, std::move(request),
            std::move(exposed_services), callback);
      }
    } else {
      // |shell_context_| outlives the main MessageLoop, so it's safe for it to
      // be unretained here.
      task_runner_->PostTask(
          FROM_HERE,
          base::Bind(&MojoShellContext::ConnectToApplicationOnOwnThread,
                     base::Unretained(shell_context_), user_id, name,
                     requestor_name, base::Passed(&request),
                     base::Passed(&exposed_services), callback));
    }
  }

 private:
  MojoShellContext* shell_context_;
  scoped_refptr<base::SingleThreadTaskRunner> task_runner_;

  DISALLOW_COPY_AND_ASSIGN(Proxy);
};

// Used to attach an existing ShellClient instance as a listener on the global
// MojoShellConnection.
// TODO(rockot): Find a way to get rid of this.
class ShellConnectionListener : public MojoShellConnection::Listener {
 public:
  ShellConnectionListener(std::unique_ptr<shell::ShellClient> client)
      : client_(std::move(client)) {}
  ~ShellConnectionListener() override {}

 private:
  // MojoShellConnection::Listener:
  bool AcceptConnection(shell::Connection* connection) override {
    return client_->AcceptConnection(connection);
  }

  std::unique_ptr<shell::ShellClient> client_;

  DISALLOW_COPY_AND_ASSIGN(ShellConnectionListener);
};

// static
base::LazyInstance<std::unique_ptr<MojoShellContext::Proxy>>
    MojoShellContext::proxy_ = LAZY_INSTANCE_INITIALIZER;

MojoShellContext::MojoShellContext() {
  proxy_.Get().reset(new Proxy(this));

  scoped_refptr<base::SingleThreadTaskRunner> file_task_runner =
      BrowserThread::GetMessageLoopProxyForThread(BrowserThread::FILE);
  std::unique_ptr<shell::NativeRunnerFactory> native_runner_factory(
      new shell::InProcessNativeRunnerFactory(
          BrowserThread::GetBlockingPool()));

  // Allow the embedder to register additional Mojo application manifests
  // beyond the default ones below.
  std::unique_ptr<ContentBrowserClient::MojoApplicationManifestMap> manifests(
      new ContentBrowserClient::MojoApplicationManifestMap);
  GetContentClient()->browser()->RegisterMojoApplicationManifests(
      manifests.get());

  manifest_provider_.reset(new BuiltinManifestProvider);
  manifest_provider_->AddManifests(std::move(manifests));
  manifest_provider_->AddManifestResource(kBrowserMojoApplicationName,
                                          IDR_MOJO_CONTENT_BROWSER_MANIFEST);
  manifest_provider_->AddManifestResource(kRendererMojoApplicationName,
                                          IDR_MOJO_CONTENT_RENDERER_MANIFEST);
  manifest_provider_->AddManifestResource("mojo:catalog",
                                          IDR_MOJO_CATALOG_MANIFEST);
  manifest_provider_->AddManifestResource(user_service::kUserServiceName,
                                          IDR_MOJO_PROFILE_MANIFEST);

  catalog_.reset(new catalog::Catalog(file_task_runner.get(), nullptr,
                                      manifest_provider_.get()));

  if (!IsRunningInMojoShell()) {
    shell_.reset(new shell::Shell(std::move(native_runner_factory),
                                  catalog_->TakeShellClient()));
    MojoShellConnection::Create(
        shell_->InitInstanceForEmbedder(kBrowserMojoApplicationName),
        false /* is_external */);
  }
  GetContentClient()->browser()->AddMojoShellConnectionListeners();

  std::unique_ptr<BrowserShellConnection> browser_shell_connection(
      new BrowserShellConnection);

  ContentBrowserClient::StaticMojoApplicationMap apps;
  GetContentClient()->browser()->RegisterInProcessMojoApplications(&apps);
  for (const auto& entry : apps)
    browser_shell_connection->AddEmbeddedApplication(entry.first, entry.second);

  ContentBrowserClient::OutOfProcessMojoApplicationMap sandboxed_apps;
  GetContentClient()
      ->browser()
      ->RegisterOutOfProcessMojoApplications(&sandboxed_apps);
  for (const auto& app : sandboxed_apps) {
    browser_shell_connection->AddShellClientRequestHandler(
        app.first,
        base::Bind(&LaunchAppInUtilityProcess, app.first, app.second,
                   true /* use_sandbox */));
  }

  ContentBrowserClient::OutOfProcessMojoApplicationMap unsandboxed_apps;
  GetContentClient()
      ->browser()
      ->RegisterUnsandboxedOutOfProcessMojoApplications(&unsandboxed_apps);
  for (const auto& app : unsandboxed_apps) {
    browser_shell_connection->AddShellClientRequestHandler(
        app.first,
        base::Bind(&LaunchAppInUtilityProcess, app.first, app.second,
                   false /* use_sandbox */));
  }

#if (ENABLE_MOJO_MEDIA_IN_GPU_PROCESS)
  browser_shell_connection->AddShellClientRequestHandler(
      "mojo:media", base::Bind(&LaunchAppInGpuProcess, "mojo:media"));
#endif

  // Attach our ShellClientFactory implementation to the global connection.
  MojoShellConnection* shell_connection = MojoShellConnection::Get();
  CHECK(shell_connection);
  shell_connection->AddListener(base::WrapUnique(
      new ShellConnectionListener(std::move(browser_shell_connection))));
}

MojoShellContext::~MojoShellContext() {
  if (!IsRunningInMojoShell())
    MojoShellConnectionImpl::Destroy();
  catalog_.reset();
}

// static
void MojoShellContext::ConnectToApplication(
    const std::string& user_id,
    const std::string& name,
    const std::string& requestor_name,
    shell::mojom::InterfaceProviderRequest request,
    shell::mojom::InterfaceProviderPtr exposed_services,
    const shell::mojom::Connector::ConnectCallback& callback) {
  proxy_.Get()->ConnectToApplication(user_id, name, requestor_name,
                                     std::move(request),
                                     std::move(exposed_services), callback);
}

void MojoShellContext::ConnectToApplicationOnOwnThread(
    const std::string& user_id,
    const std::string& name,
    const std::string& requestor_name,
    shell::mojom::InterfaceProviderRequest request,
    shell::mojom::InterfaceProviderPtr exposed_services,
    const shell::mojom::Connector::ConnectCallback& callback) {
  std::unique_ptr<shell::ConnectParams> params(new shell::ConnectParams);
  shell::Identity source_id(requestor_name, user_id);
  params->set_source(source_id);
  params->set_target(shell::Identity(name, user_id));
  params->set_remote_interfaces(std::move(request));
  params->set_local_interfaces(std::move(exposed_services));
  params->set_connect_callback(callback);
  shell_->Connect(std::move(params));
}

}  // namespace content

redpajama_set_name: RedPajamaGithub


text:
Dangerous weather: The Danish Meteorological Institute forewarns about snowstorm
Written January 3, 2023 kl 3:35 pm by Nathalia Hentze Nielsen
Foto: Stine Kjølby Christensen
Yesterday, the Danish Meteorological Institute (DMI) shared a prognosis about a snowstorm that is expected to hit Denmark by the end of the week.
"However, it is still very unclear what will happen on Friday. A new low pressure is being formed over Ireland and England on Thursday, which can develop powerfully.
It will pass Denmark, and the latest prognosis says that it will bring powerful winds and a lot of snow to North Jutland," Martin Lindberg, the on duty meteorologist, said to MyAalborg yesterday.
He explained that they might make a forewarning about the snowstorm within the coming 24 hours, and that they will make an actual warning on Wednesday if the prognosis holds.
Now the first part of his statement has become a reality as DMI today sent out a forewarning about potentially dangerous weather in the form of a snowstorm.
This also includes Aalborg.
When DMI classifies the weather as a 'category two' forewarning, also called "dangerous weather", it's because the weather can "influence your surroundings and disturb traffic and supply. Follow the authorities advice and be extra aware when you are outside."
The snowstorm is expected to start in Jutland around 3 o'clock in the morning on Thursday night.
The forewarning will at the latest be updated on Wednesday at 12:00.
Stay updated here.

redpajama_set_name: RedPajamaCommonCrawl


text:
Q: Multiple date picker in Jquery I am trying to modify the following code to show multiple calendars on click of a textbox. The first textbox works with the calendar, the second one doesnt show anything.

  <link rel="stylesheet" href="//code.jquery.com/ui/1.12.1/themes/base/jquery-ui.css">
  <link rel="stylesheet" href="///code.jquery.com/resources/demos/style.css">

Date: <input type="text" id="datepicker">

 fsdfsdfsd

 sdf
 sdf
 sdf

Date: <input type="text" id="datepicker">

  fsdfsdfsd

 sdf
 sdf
 sdf

Date: <input type="text" id="datepicker">

A: id must be unique. You can use class as the selector

<link rel="stylesheet" href="//code.jquery.com/ui/1.12.1/themes/base/jquery-ui.css">
  <link rel="stylesheet" href="///code.jquery.com/resources/demos/style.css">

Date: <input type="text" id="datepicker1" class="myDatepicker">

 fsdfsdfsd

 sdf
 sdf
 sdf

Date: <input type="text" id="datepicker2" class="myDatepicker">

  fsdfsdfsd

 sdf
 sdf
 sdf

Date: <input type="text" id="datepicker3" class="myDatepicker">

A: you select your datepicker id element with an ID, so only the first ID will be selected (IDs have to be unique ! )
change it for a class and it should work

redpajama_set_name: RedPajamaStackExchange


text:
Home > News > News stories > Jail sentence for man found with tens of thousands of indecent images
Jail sentence for man found with tens of thousands of indecent images
Posted on 11 June 2019 at 13:33pm in News stories
A man has been sentenced for making and possessing tens of thousands of indecent images of children.
John William Marshall, 63, of Fairfax Avenue, Harrogate, was jailed for 15 months at York Crown Court.
During an unrelated investigation in January 2018, North Yorkshire Police officers seized hard disks and other electronic devices from Marshall, which were forensically examined. More than 24,000 indecent images children were found, including 76 images and videos of category A – the most serious kind.
Marshall, who lives in Harrogate and has links to the Northallerton area, was charged with making more than 24,000 indecent photographs of a child, possessing more than 1,000 prohibited images of a child and possessing 13 extreme pornographic images.
He pleaded guilty at York Crown Court earlier this year, and was sentenced there today (11 June 2019) to 15 months' imprisonment. He was also placed on the Sex Offenders Register for ten years, and made subject to a Sexual Harm Prevention Order for ten years, which includes the requirement that he should have no contact with children except with the consent of a parent and Social Services.
Adam Harland, of North Yorkshire Police, said: "Every indecent photograph is a result of a child suffering from abuse. Through these offences, Marshall has been fuelling that abuse, wherever it has taken place.
"If you have been the victim of sexual abuse, whether it is happening now or in the past, please contact the police. Even if it is not possible to put an offender before the courts, it's important that you are offered the support and advice that is available. Your information could also help to protect other victims and help the police form a wider picture of offending.
"We appreciate that telling the police what has happened takes courage. It is not easy reliving such distressing situations. We understand this and have specially trained officers who will guide you through the process as well as directing you to other agencies who can help you.
"Child sexual abuse and exploitation is a foremost priority for all police forces and all reports will be fully investigated. Please do not suffer alone – if you have been abused, please report it."
• To report a sexual crime to North Yorkshire Police, call 101
• If you are in immediate danger, always call 999
• If you prefer not to go direct to the police and you are not in immediate danger, you can contact a sexual assault referral centre (SARC) in your area. Bridge House, North Yorkshire's SARC can be contacted on 01904 669339.
• Childline 24-hour helpline 0800 1111
• NSPCC's online safety helpline on 0800 800 5002
• If you are worried about a child, call the NSPCC's helpline: 0800 800 5000


One of Greg Shaw's last signings on BOMP records, and the the latest project from Mark Sultan (from the KING KAHN & BBQ Show, and Les Sexareenos), a man who has slept in the garage all his life.
BBQ is not a group, it's the best one-man band since Wilbert Harrison (and no, we're not forgetting the Legendary Stardust Cowboy), doing a raw, soul-shaking style of pre-frat '50s/ early '60s party music--pre-frat frat rock.
Take our word for it: with this crazy sound he's puttin' down, you can't sit down! A superb album.


Plastic Fish Records is an independent UK record label which provides the voice and the support for underground bands. They have already signed a variety of indie acts who represent the sound of youth and vigorous energy from all over the world.
Plastic Fish Records have just released a compilation EP called American Sole, which includes the best upcoming new indie acts from The UK, The States and Europe.


In automotive inspection processes, headlamps in different shapes need to be plugged in and inspected. This task must be completed manually, because there are several hundreds of different models, which are in complex shapes and placed randomly on the production line.
Basler's customer Alsontech designs and develops a 3D robot vision positioning systems for precise positioning, and helps their customers achieve substantial savings.
Two Basler ace U area scan cameras were integrated in the customer's 3D vision system to obtain detailed point cloud data for the headlamps. Then Alsontech's intelligent algorithm analyzes the data and generates 3Dcoordinates of the headlamps, so that the robot knows where the plugs are.
In our Success Story "Give Robots Human-like Eyes with Alsontech 3D Vision System and Basler ace U Cameras", you learn exactly how this system works and why the Basler ace U camera is so well-suited for this application.


text:
Centro Internacional de Ferias y Convenciones (kurz: CIFCO) ist ein internationales Zentrum für Messen, Kongresse und ein Mehrzweck-Veranstaltungsort in der Hauptstadt von El Salvador.

Beschreibung
Die Einrichtungen des Zentrums befinden sich in der Colonia San Benito, rund fünf Kilometer vom Zentrum der Hauptstadt San Salvador. Mit einer Fläche von 141.372 m² und 15 Pavillon wird CIFCO auch als das größte und modernste Mehrzweckzentrum in Zentralamerika angesehen. Die maximale Besucherkapazität beträgt rund 200.000 Personen bei Messen. Darüber hinaus beherbergt das CIFCO auch ein Amphitheater mit 9.500 Sitzplätzen. Bei Kongressveranstaltungen bietet es bis zu 15.000 Teilnehmer Platz. CIFCO wurde 1975 eingeweiht.

Erweiterungen
Von 2003 bis 2010 wurde das Convention Center einer vollständigen Renovierung und Erweiterung unterzogen. Die zentrale Halle wurde um 10.000 m² erweitert, die Pavillons wurden mit Klimaanlage ausgerüstet und es wurde auch eine Drei-Ebenen-Tiefgarage für 3.500 Fahrzeuge errichtet.

Im Laufe seiner Geschichte wurde das Internationale Zentrum Veranstaltungsort für zahlreiche Messen, Kongresse und große Musik- und Sportveranstaltungen landesweit bekannt.

Weblinks
 Website CIFCO

Bauwerk in San Salvador

redpajama_set_name: RedPajamaWikipedia


text:
Jean Fillon de Venette (ca. 1307-ca. 1370) was een Franse kroniekschrijver.

Leven
Hij werd geboren in Venette, nabij Compiègne. Hij werd in 1339 prior van het karmelietenklooster aan de Place Maubert in Parijs, en was van 1341 tot 1366 provinciaal van Frankrijk. Hij reisde  regelmatig naar de Auvergne, de Provence en de Champagne (vooral Châlons,Troyes en Reims). Het is in Reims dat hij de komeet van 1368 heeft gezien en beschreven.

Hij was licentiaat in de theologie aan de universiteit van Parijs en besteedde veel van zijn tijd aan het bevorderen van studie onder de jongere leden van de Karmelieten. Hij verzamelde informatie over de vroegere geschiedenis van de Karmelietenorde die helemaal terugging tot hun stichter Elia. Hij beschouwde onwetendheid als de oorzaak van vele problemen van zijn tijd, waaronder de Zwarte Dood, en moedigde veel van de Karmelieten aan om te leren lezen en schrijven.

Jean de Venette was een volksmens, en zijn sympathieën lagen dan ook bij de boeren. Zijn mening is dus  tegengesteld aan die van Jean Froissart. Zijn democratische sympathieën brachten hem ertoe Étienne Marcel te steunen, en hoewel hij terugkeerde naar zijn trouw aan de koningen van Frankrijk bleef hij een streng criticus.

In 1368 was hij nog in leven, maar stierf waarschijnlijk een jaar of twee erna.

Schrijfstijl
Zijn schrijfstijl - hij schrijft zijn kroniek in het Latijn - kan bestempeld worden als ruw, onjuist, vol venijnige uitdrukkingen en eindeloze perioden, maar onder dit ruwe omhulsel komt het verhaal voor het eerst tot leven, krijgt het een dramatische allure die tot dan toe onbekend was.

Werken

Kronieken
Het feit dat zijn kroniek, in de twee manuscripten die ons zijn overgeleverd, is overgeschreven in navolging van de voortzettingen van Guillaume de Nangis geschreven in Saint-Denis, is de reden geweest waarom Jean de Venette gewoonlijk wordt beschreven als de voortzetter van Nangis.

Zijn Latijnse Kroniek (Chronica), over de jaren 1340 tot 1368, werd door Luc d'Achery (Spicilegium III.) samen met de voortzettingen van de kroniek van Willem van Nangis uitgegeven, hoewel het elke recht heeft om als een zelfstandig werk te worden beschouwd.

De vermeldingen voor de jaren 1358 en 1359 werden in die jaren zelf door hem opgetekend, terwijl het oudere gedeelte van het werk later werd herzien.

Zijn kroniek is een belangrijke bron voor de pest die in 1348 in Frankrijk woedde. Hij omschrijft de ziekte (en de maatschappelijke gevolgen ervan) op een heel precieze manier. Het onderwijs had zeer te lijden van de menselijke verliezen (van de Zwarte Dood) onder de geestelijken in Frankrijk:

Frans gedicht: De geschiedenis van de drie Maria's
Jean de Venette is de (vermoedelijke) auteur van een Frans gedicht in 35.000 (octosyllabische) verzen, L'Histoire des trois Maries, samengesteld in 1357.

Hierin vertelt de auteur - in het frans uit een latijns verhaal vertaalt - de legende van de heilige Maria (moeder van Jezus), van Maria van Salomé en Maria van Klopas , de zgn. "drie dochters van de heilige Anna", beter bekend als de Drie Maria's.

Hij behandelt hierin de geschiedenis van de Hebreeën sinds Abraham, die van de heilige maagd, uittreksels uit de handelingen van de apostelen, enz.

Er bestaat geen moderne editie van dit gedicht. Vijf manuscripten bevinden zich in de Bibliothèque nationale de France in Parijs, en één in de British Library. Eén manuscript (BnF MS, Fr. 24311) op perkament uit het midden van de vijftiende eeuw, telt 232 pagina's, met titels in rood, en enkele initialen in goud en kleur. Het is versierd met zeven miniaturen in grisaille.

Een proza-versie werd in 1505 gemaakt door Jean Drouyn, waarvan verschillende edities verschenen.

Frans schrijver
14e-eeuws kroniekschrijver


Anton Yelchin, a rising actor best known for playing Chekov in the new "Star Trek " was found dead in her Redondo Beach apartment on April 20, Actor Paul Walker, known for his roles in the "Fast & Furious" movie. Chris Cornell (July 20, -- May 17, ): The rock musician, best known as 20, ): The actress died after collapsing at her home in the Hollywood Hills 19, ): Young, who started his career as a teenager on the TV series "The. Here is our list of 14 hollywood actors who died too young The year-old Jackass star died at the wheel of his Porsche on 20 June John Belushi, best known for his roles in Blues Brother and Animal House.
Actors and actresses that were dead before they were When hunky, twenty- year-old heart-throb Heath Ledger first came to the Brandis died at Cedars- Sinai Medical Center in West Hollywood from Lewis had a history of drug abuse, leading to speculation by his attorney that the actor may have. When a celebrity dies young, we're sad to see a life end too soon – and often haunted by the life and career that could've been. Popular in life, young Hollywood. Ken Berry, the amiable and musically-talented TV actor of the s and '70s who starred in "F Troop," "Mama's Family" and "Mayberry R.F.D.," died on Dec.
3 days ago Hollywood lost some of its greats this year — see which stars sadly passed away in Scroll down to see Us Weekly's tribute to the celebrities who died in Credit: Courtesy of Young Busco/Instagram themselves from each other sometimes to do what's best for their own mental state. I have done my best to include everyone I can think of who has had a major impact on our Deaths That Shocked Celebrity Death Pool: Edition Entertainers Who Died While Celebrities Famous People Who Died Young in the history of popular music, and one of the most celebrated musicians of the 20th century. From old Hollywood stars like Clark Gable and Marilyn Monroe to more recent to more recent actors who died young, we'd welcome back any of these great talents . Christopher Lee is listed (or ranked) 20 on the list Which Actor Would You. These 19 beloved young actors passed away far too soon. Film Institute included it on their list of top movie quotes from the last years. Sadly . The year-old was along for the ride when her car got rear-ended by a.
This entry was posted in Capital on 26.08.2018 by JoJozuru.


Somebody wants Alexa O'Brien dead.
A dangerous werewolf, she's got a shady reputation due to the immense power and unbreakable bond she shares with vampire, Arys Knight. It's a union that joins light to darkness and life to death. A bond that threatens to consume them both. As Alexa evades attempts on her life, she discovers the source of her power and the torment that lies ahead.
The bombshells keep dropping when she learns someone she believed to be long dead is very much alive. Hidden truths come to light and it's more than some people can take. As one person walks back into her life, another walks out.
After an especially traumatic close call, Alexa is determined to make it known that she is a hunter that refuses to become the hunted. Unfortunately, the problem with enemies is that sometimes they wear the face of allies.


Possesses one of the activities of EC 3.2.1.80, fructan beta-fructosidase. While the best substrates are the inulin-type fructans, such as 1-kestose [beta-D-fructofuranosyl-(2->1)-beta-D-fructofuranosyl alpha-D-glucopyranoside] and 1,1-nystose [beta-D-fructofuranosyl-(2->1)-beta-D-fructofuranosyl-(2->1)-beta-D-fructofuranosyl alpha-D-glucopyranoside], some (but not all) levan-type fructans can also be hydrolysed, but more slowly [see EC 3.2.1.154, fructan beta-(2,6)-fructosidase]. Sucrose, while being a very poor substrate, can substantially inhibit enzyme activity in some cases.
De Roover, J.; Van Laere, A.; De Winter, M.; Timmermanns, J.W.; Van den Ende, W.
Verhaest, M.; Van den Ende, W.; Yoshida, M.; Le Roy, K.; Peeraer, Y.; Sansen, S.; De Ranter, C.J.; Van Laere, A.; Rabijns, A.
Van den Ende, W.; Michiels, A.; Van Wonterghem, D.; Clerens, S.P.; De Roover, J.; Van Laere, A.J.
Van Den Ende, W.; Clerens, S.; Vergauwen, R.; Van Riet, L.; Van Laere, A.; Yoshida, M.; Kawakami, A.
Verhaest, M.; Ende, W.V.; Roy, K.L.; De Ranter, C.J.; Laere, A.V.; Rabijns, A.
Benkeblia, N.; Ueno, K.; Onodera, S.; Shiomi, N.
Lothier, J.; Lasseur, B.; Le Roy, K.; Van Laere, A.; Prudhomme, M.P.; Barre, P.; Van den Ende, W.; Morvan-Bertrand, A.
Portes, M.T.; Figueiredo-Ribeiro, R.d.e..C.; de Carvalho, M.A.
Kusch, U.; Harms, K.; Rausch, T.; Greiner, S.
Asega, A.F.; do Nascimento, J.R.; Schroeven, L.; Van den Ende, W.; Carvalho, M.A.
Zhang, J.; Dell, B.; Conocono, E.; Waters, I.; Setter, T.; Appels, R.
Kusch, U.; Greiner, S.; Steininger, H.; Meyer, A.D.; Corbiere-Divialle, H.; Harms, K.; Rausch, T.
Del Viso, F.; Puebla, A.; Hopp, H.; Heinz, R.
Asega, A.F.; do Nascimento, J.R.; Carvalho, M.A.
Maroufi, A.; Van Bockstaele, E.; De Loose, M.


text:
Home » Federal Government to reopen educational institutions in three phases from January 18
Federal Government to reopen educational institutions in three phases from January 18
January 4, 2021	| | Share:
Islamabad, January 04, 2021 (PPI-OT): The federal government has decided to reopen educational institutions, closed due to COVID-19, in three phases from 18th of this month. This was announced by Minster for Federal Education and Professional Training Shafqat Mahmood after inter-provincial education ministers' conference in Islamabad on Monday.
The Minister said in the first phase, students of Grade 9, 10, 11, and 12 will go to schools and colleges on 18th of this month. He said the students from Grade 1 to 8 will resume their classes at schools on 25th of this month. In the final phase, he said, higher education institutions will be reopened on the first of the next month.
Shafqat Mahmood said the teachers and administration staff, who have been on winter vacations till 10th of this month, can re-join their duties on 11th of this month, and home-based online learning can be resumed. He said the board examinations, scheduled for March and April are being postponed to May and June this year.
Earlier, explaining the situation amidst COVID-19, Special Assistant on Health Dr. Faisal Sultan said the closure of the educational institutions and the other Standard Operating Procedures have contributed to contain spread of the pandemic. He, however, said a further pause in the situation will help further improve the situation in respect of controlling COVID-19.
« India's proposals on UNSC reforms undemocratic, self-serving: Munir
India buried concept of secularism owing to its Hindutva policy: Foreign Minister »


What can be recycled? Paper of course – most of us are guilty of occasional excessive use of the office printer. Then there is food waste. But did you know that used toner cartridges, batteries and even light bulbs can be recycled – although they are classified as hazardous waste and should be dealt with accordingly?
In most workplaces there is a fundamental lack of understanding about what actually can be recycled. We're here to put that right.
The first step to learning what can be recycled involves identifying what materials are being thrown away. Where waste is arising and what currently happens to it. This can be achieved by simply looking in bins at different locations around your premises, but for a more accurate picture, look at your bills and call upon the expertise of your waste management provider to guide you.
Once you've identified your waste streams, recycling at work can be easy to set up and run, could save you money and helps to protect the environment.
If all the items found in the office were recycled instead of disposed of into a single general waste bin, it could cut office waste by more than half. Simply by replacing desk-side general waste bins with centralised containers you could achieve a 60% recycling rate.
Hazardous waste: Toner cartridges, batteries, light bulbs, computer cleaning wipes, electrical equipment, glue.
Washrooms and toilet facilities can provide an opportunity to separate clinical waste from other waste streams. Clinical waste isn't only found in doctor's surgeries, hospitals and pharmacies. While sharp needles and syringes won't be commonplace in many work environments, other personal items such as feminine hygiene products and first aid items are. In fact, any medical equipment or products that come into contact with bodily fluids are classed as clinical waste and we can help to dispose of them safely and appropriately.
Most workshops or warehouses contain a multitude of 'difficult' or hazardous waste, many of which are subject to regulatory compliance at the point of disposal.
Kitchens and canteens are prime area for recycling.


The 187 Killer Pads Knee Gasket provides addition padding and protection. With a curved ergonomic design for comfort, ventilated mesh is sewn in for breathability at the back of the knee. A layer of super absorbent EVA foam surrounds the patella and is covered with two layers of neoprene. Non-irratating side seams add comfort with top and bottom stitching for increaseed durability. These can be worn under knee pads or alone during activities where extra support is needed.
I loved the pads, they aren't expensive at all, but they work great! I'm a noob to long boarding so I need knee pads, and these work spectacular! I probably fell about 100 times and they still haven't worn out!


text:
Opening hours and access MG Bookstore Moderna Coffee Shop GUIDED TOURS
Opening hours and access +MSUM Bookstore + Kantina MSUM GUIDED TOURS
EXHIBITION Up close | Setting up - photo
Setting up the exhibition before the opening
There is no routine in the conservation-restoration of artworks, especially modern and contemporary works. In the case of modern artworks, we can still, at least partially, follow the rules of treatment that apply to older artworks, since artists like Marij Pregelj and Gabrijel Stupica still observed the rules of technique, but this is no longer the case with certain other works from the middle of the last century, and especially with contemporary works.
EXHIBITION | Marijan Tršar's Abstract Art and Visual Art Theory | Opening
On 15 December 2022 the Marijan Tršar's Abstract Art and Visual Art Theory exhibition was opened
EXHIBITION | PHOTO | Marijan Tršar's Abstract Art and Visual Art Theory
14 December 2022 — 02 April 2023
This exhibition, opening at the Museum of Modern Art in Ljubljana in the year of the centennial of Marijan Tršar's birth, brings together two domains of his activities: his artistic practice and his theory of the visual arts.
International Conference | Collection as a Verb | Museum of Contemporary Art, Zagreb
Zagreb, 8 December 2022 at 10 a.m.
The international conference Collection as a Verb addresses the question of how to present works from (museum) collections in a way that would create a narrative connecting social experiences from the past with the needs of society today.
Lecture | Marko Pogačnik
1 December 2022 at 6 p.m.
The Ivana Kobilca Lifetime Achievement Award went to Ivo Prančič
The award for current production to Damijan Kracin, and the award for fellow travelers and supporters of fine and visual arts went to Marija Mojca Pungerčar.
WORKSHOP | How to make cultural production more sustainable
18 November 2022 — 18 November 2022
On Friday, November 18, at 10 a.m., the Museum of Architecture and Design (MAO) will host a workshop for museum workers entitled How to make cultural production more sustainable?
IN MEMORIAM | GORAZD ŠEFRAN (1942 – 2022)
Printmaker Gorazd Šefran has passed away.
Catalogue | An Arsenal of Memories or an Intimate Landscape? Franc Ferjan and Stereo Photography
On the occasion of An Arsenal of Memories or an Intimate Landscape? Franc Ferjan and Stereo Photography exhibition, Moderna galerija published a publication with 24 pages. It was edited by Lara Štrumej, who is also author of the text together with Eszter Polonyi. It includes 17 reproductions of black-and-white and color stereo slides.
EXHIBITION PHOTOS | An Arsenal of Memories or an Intimate Landscape? Franc Ferjan and Stereo Photography
3. november 2022 – 22. January 2023
3 November 2022 – 22 January 2023 Moderna galerija MG+
Publication: CLIMATE: OUR RIGHT TO BREATHE
Climate: Our Right to Breathe is a book published by the L'Internationale Online in response to vast, mutually exacerbating planetary conditions: the accelerated collapse of the biosphere under climate change and the increasingly crushing dynamics of toxic politics.
The Igor Zabel Award for Culture and Theory 2022 to Bojana Pejić
Bojana Pejić, art historian, art writer, and curator is named this year's Igor Zabel Award Laureate. Igor Zabel Award 2022 Grants go to Oksana Briukhovetska, Alina Șerban, and Antonina Stebur.
PHOTO | Exhibition | Vuk Ćosić: Nacija – Kultura
3-D VIEW | VUK ĆOSIĆ: NATION – CULTURE
13 October 2022 — 15 January 2023
New Media Lab
The New Media Lab revives early new-media art, especially early digital works that are now difficult to access as the software and hardware necessary to run them are no longer in use.
The Igor Zabel Award for Culture and Theory 2022
18 November 2022 at 8 p.m.
Award Ceremony of the Igor Zabel Award for Culture and Theory 2022 will be held on 18. November at 8 p.m. at the Cukrarna Gallery
Publication | Art at work
On the occasion of Art at Work exhibition, Moderna galerija published a publication.
The statement of Finding Committee
19 September 2022 | 10:00
Sharing the statement of the Finding Committee
NEW ARRIVALS AT BOOKSTORES | The Changing Constitutions of The Present
Essays on the Work of Art in Times of Contemporaneity
You are invited to view the permanent collection in the Modern Gallery despite the renovation
Open even when renovating
The permanent collection is open to visitors
NEW ARRIVALS AT BOOKSTORES
Sternberg Press. Editors: Brad Haylock & Megan Patty
IN MEMORIAM | NATALIA LL (Natalia Lach-Lachowicz) (1937–2022)
On 12 August 2022, Natalia Lach-Lachowicz, better known as Natalia LL died at the age of eighty-five.
IN MEMORIAM | KOSTJA GATNIK (1945–2022)
05 August 2022 | 16:05
The painter Kostja Gatnik passed away. What remains are his numerous illustrations in books and magazines, comic strips, posters, album and CD covers, corporate images, logos – all familiar without most people realizing he was their author.
IN MEMORIAM | ALEKSANDRA KOSTIČ (1966–2022)
11 July 2022 | 00:00
MG+MSUM
Summer in MG+MSUM
June - September 2022
What to do in MG+MSUM between June and September 2022
Špela Petrič Wins ArtScience Residency
Nominees for the OHO Group Award 2022
On Thursday, 17 March 2022, the nominees for the OHO Group Award 2022 were selected
RECOMMENDED FROM THE BOOKSTORES | JUNE 2022
An extensive and comprehensive polyphonic exploration of the work of The Otolith Group.
RECOMMENDED FROM THE BOOKSTORE +MSUM | December 2021
ePub: Class and Redistribution and Architectural Dissonances
New e-publication issue
New electronic publications Class and Redistribution and Architectural Dissonances have been published on the L'Internationale Online.
In memoriam | LAWRENCE WEINER (1942–2021)
RECOMMENDED FROM THE BOOKSTORES | November 2021
Robert Simonišek, PhD, receives the Rožanc Award
Robert Simonišek, PhD, receives the Rožanc Award for his book of essays Pejsaži – sanjati na soncu (Landscapes – Dreaming in the Sun)
September Sale at the MG+MSUM bookstores
September Sale at the MG+MSUM bookstores!
IN MEMORIAM | Oleksandr Rojtburd (Alexander Roitburd) (1961–2021)
Summer Sale at the MG+MSUM bookstores
14 July 2021 — 31 August 2021
Summer Sale at the MG+MSUM bookstores! Some older catalogues of international artists: Karel Appel, John Baldessari, Max Beckmann, Joseph Beuys, Enzo Cucchi, Jan Fabre, Josef Kern, Hans Zimmer, etc. are available for a reduced price by as much as -70%. Get your new old catalogue at the MG+MSUM bookstores!
INTERNATIONAL CONFERENCE | Art and the State in Modern Central Europe (18th – 21st Century)
30 June – 3 July 2021 | Faculty of Humanities and Social Sciences, University of Zagreb
L'INTERNATIONALE TALKS | The Constituent Museum in Dialogue
24 June 2021 | 16:16
This series of conversations discusses the emancipatory possibilities and limits of museums within the fortress of Europe: from the so-called refugee crisis to the paradigm of representation in art and its institutions; from 'queering' the museum to antifascist struggles; from radical pedagogies to processes of normalisation.
SCREENING | Nika Autor, Newsreel 80 – Metka, Meki
Tuesday, 15 June 2021 | 21:30 | Kinodvor
In Autumn, we will present a solo show by Nika Autor, Meine Chance, Eine Chance, Keine Chance at the Museum of Contemporary Art Metelkova. The film will be a part of the Autumn exhibition at the +MSUM.
ePUB | what about support and what about struggle
Saturday, 22 May 2021 | 13:00
L'Internationale Online launches its newest e-publication, what about support what about struggle, a collection of poetic responses on the most essential topic of today; how to survive un/natural catastrophes? Join the online launch via zoom https://us02web.zoom.us/j/86254645197 or on L'Internationale Online Facebook page
OPEN CALL | 13th Mercosul Biennial
22 April 2021 | Deadline: 20 July 2021
13th Mercosul Biennial launches Open Call for innovative artists to stimulate the production and diffusion of visual arts linked to new technologies, in addition to the reinvention of traditional techniques.
IZIDOR CANKAR AWARD for the On the Brink: The Visual Arts in the Kingdom of Yugoslavia (1929–1941) monograph
22 April 2021 | 13:00
We are happy to announce that the monograph On the Brink, published in conjunction with the eponymous international exhibition at the Moderna galerija in 2019, is the winner of the Izidor Cankar Award, given biannually by the Slovene Art History Society.
Museum of Modern Art & Museum of Contemporary Art Metelkova OPENED FOR PUBLIC
13 April 2021 — 6 June 2021
The Museum of Modern Art and the Museum of Contemporary Art Metelkova will once again open their doors to all art-loving visitors on Tuesday, 13 April 2021. We kindly requested our visitors to follow all guidelines for the prevention of the spread of infections. The two museums will be open until at least 30 May 2021.
MG+MSUM again closed for public
The Museum of Modern Art and the Museum of Contemporary Art Metelkova will once again be closed for the public at least until Friday, 22 January 2021. Until opening, you may view our video guided tours and lectures from our previous events.
EPUB | Degrowth and Progress
Degrowth and Progress is creating a polyphonic approach to some of the challenges and threats of our present times. This collection draws upon the complexity of ethical, ecological and political frameworks and reveals other perspectives on the current crisis through critical essays, storytelling, science fiction, biomorphic design, audiovisual traces of artistic practices and allegorical maps.
Announcing a new e-publication on 17 February 2021
The Internationale Online platform has published a new e-pub entitled Degrowth and Progress. It was planned a long time before the pandemic but now shows that elements were pointing to a possible crisis of this nature long before its emergence. At the present time, one can no longer think in terms of abundance, in terms of the desire of accumulation and the capitalist utopia, which only creates inequality and exhaustion.
LETTER OF SUPPORT for the Users of the Autonomous Factory Rog on the Occasion of Their Forced Eviction from Rog on 19 January 2021
20 January 2021 | 16:00
Curators and staff of Moderna galerija, Ljubljana, strongly condemn yesterday's violent forcible eviction of the users of the Autonomous Factory Rog from the premises of the former factory Rog. Despite the years-long conflict between the users of the Autonomous Factory Rog and the City of Ljubljana, which has unfortunately not resolved in a consensus regarding the use of the premises, we believe that use of such excessive force as we witnessed yesterday during the forced evacuation of the premises is utterly inadmissible.
OPEN CALL | Maritime Portal Residency
DEADLINE | 5 February 2021
An open call by the As you go… roads under your feet, towards the new future platform reflects a common struggle against colonialism, patriarchy, capitalism, and the on-going process of southernization driven by a transnational chain of capital, infrastructure and technology.
RECOMMENDED FROM THE BOOKSTORES | December 2020
The Moderna galerija plus Museum of Contemporary Art Metelkova are currently closed, you may order publications by post. Please send your request to info@mg-lj.si and specify the publication. You may pay on delivery or on our bank account. Some recommendations:
SEASON GREETINGS 2021!
22 December 2020 | 18:00
EXHIBITION | Solidarity Spores
19 December 2020 — 08 January 2021
The Museum of Modern Art and the Museum of Contemporary Art Metelkova will once again open their doors to all art-loving visitors on Saturday, 19 December 2020, after almost two months of lockdown. We kindly requested our visitors to follow all guidelines for the prevention of the spread of infections. The two museums will be open until at least 12 January 2021.
SEMINAR | Solidarity of Art
Wednesday, 9 December 2020 | 9.00—16:30 CET
Solidarity of Art explores and features projects of solidarity with Palestine through art.
IGOR ZABEL AWARD 2020 to Zdenka Badovinac
Award ceremony: 4 December 2020 | 8 p.m. streamed live
Zdenka Badovinac, curator, art writer, and director of Ljubljana's Moderna galerija is named this year's Igor Zabel Award laureate. The award ceremony will be streamed live to an online audience in English language (YouTube Channel and Facebook Live).
Temporary closing of the Museum of Modern Art and the Museum of Contemporary Art Metelkova
From 24 October 2020
In accordance with the new government measures to prevent the spread of Covid-19, the Museum of Modern Art (MG+) and the Museum of Contemporary Art Metelkova (+MSUM) are temporarily closed.
LETTER OF SUPPORT to All Working at Metelkova 6
23 October 2020 | 12:00
We at Moderna galerija (MG+MSUM) are shocked and appalled by the demand of the Ministry of Culture of the Republic of Slovenia that the cultural, research, and civil-society organizations that have their offices at Metelkova 6 vacate the premises by the end of January 2021. This demand fails to show any trace of concern for the continued cultural, artistic, and civil-society work of organizations and collectives that have a thirty-year-long tradition and exceptional symbolic significance.
B3 BEN AWARD 2020 to Jasmina Cibic
Best Immersive and Time Based Art Award 2020 to Jasmina Cibic for The Pleasure of Expense that forms part of her FLAMIN Productions commission The Gift, a long-form research, exhibition and film project which Cibic is presenting across a variety of platforms during 2019-2021. The Gift currently features in Cibic's major solo exhibition The Foundation of Endeavour, at the Museum of Contemporary Art Metelkova, +MSUM.
ONLINE SOURCE | Institute of the Cosmos
A website by The Institute of the Cosmos containing numerous research materials about Russian Cosmism was launched on 1 September 2020. It also contains a lecture by Anton Vidokle, Immortality for All: A Film Trilogy on Russian Cosmism from The Summer School. The Big Shift: the 1990s. Avant-gardes in Eastern Europe and Their Legacy organised by Moderna galerija in 2019.
LETTER of cultural workers of Belarus
In solidarity with the fight of cultural workers of Belarus we are publishing their letter with demand to stop the acts of violence against civilians, release all political prisoners, hold new transparent elections and provide Belarusian citizens with free access to information and the right to peaceful assembly.
The International Arteast 2000+ Collection Celebrates 20 Years!
In 2000, Moderna galerija in Ljubljana founded the Arteast 2000+ Collection and staged its first public presentation in an unrenovated building of a former army barracks in the city's Metelkova complex – in the building that now houses the Museum of Contemporary Art Metelkova. Arteast 2000+ is the first ever museum collection conceived and assembled with a view to giving prominence to East European postwar avant-gardes.
EPUB | Austerity and Utopia
The Internationale Online platform has published a new e-pub entitled Austerity and Utopia. It was planned a long time before the pandemic but now shows that elements were pointing to a possible crisis of this nature long before its emergence. At the present time, one can no longer think in terms of abundance, in terms of the desire of accumulation and the capitalist utopia, which only creates inequality and exhaustion.
CATALOGUE | U3, Dead & Alive
The bilingual catalog of the 9th Triennial of Contemporary Art U3, Alive & Dead has been published. The editor of the catalog is the guest curator of the triennial Vít Havránek with his contribution of the introductory text and the text of the artist Nika Autor. On 255 pages there are also contributions from other participating artists, photos from the exhibition, comments on the exhibited works and responses to the comments made during the exhibition.
L'INTERNATIONALE STATEMENT | Towards a healthy society
In the midst of the coronavirus lockdown, the L'Internationale museums have firstly been concerned to offer an efficient solidarity to our freelance colleagues who have lost their income or access to healthcare. We have decided to follow a path of care, support and reflection for the immediate future and to focus on health in the broad sense of social and individual well-being.
Welcome Back! MG+MSUM opened for public
5 May 2020 | 10.00
The Museum of Modern Art and the Museum of Contemporary Art Metelova will be opened for public on Thursday, 5 May 2020, at 10 a.m..
IMPORTANT NOTICE | Announcing the opening of the museums for public
FUNDRAISER | Artists for Moria
From 21 Aprila 2020
Sixteen international artists are donating their works for the refugees in Moria. All proceeds go to assist the efforts of Doctors Without Borders/Médecins Sans Frontières (MSF) on the island of Lesvos, Greece to expand the provision of water and sanitation infrastructures to the refugee camps and scaling up the recruitment of extra medical, paramedical, support staff and the acquisition of necessary equipment.
As You Go Journal
At the current time, Biljana Ciric initiated a series of commentaries on the pandemic from Belgrade, Ljubljana, Addis Ababa, Bishkek, Shanghai, and Guangzhou to reflect challenges in a new reality. The As You Go Journal is published on the What Could Should Curating Do? (WCSCD) platform.
Fill Two Needs with One Deed
From 17 March 2020 —
Moderna galerija is setting up a network of solidarity called "Fill Two Needs with One Deed", aimed at two groups: artists and others in the field of culture who are ill or in the high-risk group and need help as they find themselves isolated in their homes, and the students and others who work as museum attendants and have remained without income virtually overnight as the museums closed.
IMPORTANT NOTICE | Help stop the spread of coronavirus
13 March 2020 | 10:00
From 13 March 2020, Moderna galerija and Museum of Contemporary Art Metelkova is closed for public until further notice.
OPEN CALL | 3 research residencies at Museo Reina Sofía Madri, Spain
DEADLINE | 31 March 2020
The common goal of such Residencies is to foster research and participation in a process of reflection by making available MNCARS' bibliographical and documentary resources, in addition to participation in research hubs linked to the project "Our Many Europes" and in research communities organised around the MNCARS Study Centre.
OPEN CALL | Spring Curatorial Program in Vienna
DEADLINE | 5 March 2020
Spring Curatorial Program 2020: Art Geographies focuses on issues of art, theory and politics dealing with borders, maps, myths, landscapes, territories, sound and other planetary phenomena of today's geographies.
OPEN CALL | Geographic Focus Residency
DEADLINE | 16 January 2020 | 23.59
The European Investment Bank (EIB) Institute is looking for emerging Slovenian artists to join the 2020 edition of its Artists Development Programme (ADP), a 6 to 8 weeks long residency programme in Luxembourg, under the mentorship of renowned Finnish photographer Jorma Puranen.
The ICOM Slovenia 2019 Award goes to Southern Constellations: The Poetics of the Non-Aligned
Th annual award for the promotion of this year's ICOM theme (Museums as cultural centers – the future of tradition) went to the Southern Constellations: The Poetics of the Non-Aligned exhibition curated by Bojana Piškur and staged at the Museum of Contemporary Art Metelkova between 7 March and 10 September 2019.
INVITATION TO PARTICIPATE IN A PERFORMANCE | Ištvan Išt Huzjan: The Last Kolo
Thursday, 10 October 2019 | 5 p.m. — 6.10 p.m.
On behalf of the artist Ištvan Išt Huzjan and the 9th Triennial of Contemporary Art U3, Dead and Alive, you are invited to take part in the dance performance The Last Kolo.
CALL FOR APPLICATIONS | Field Kitchen Academy | Educational Residency at Wüsten Buchholz.
APPLICATION DEADLINE: 23 June 2019
The FIELD KITCHEN ACADEMY is an interdisciplinary educational residency programme that gathers artists/creative minds, a resident chef and prominent experts from different fields together around a kitchen table through mind-opening acts and actions.
ANNOUNCEMENT | The Styria Artist in Residence Scholarship (St.A.i.R.)
DEADLINE | 30 August 2019
On behalf of the Regional Minister of Culture Mr. Christopher Drexler the Regional Government of Styria allocates scholarships for young people (maximum 40 years old) for the year 2020. These scholarships will be for international artists of all kinds as well as for art theorists. The scholarship requires the presence of the artists/theorists.
OPEN CALL | BIO 26: Designathon
DEADLINE | Sunday 21 April 2019
The Museum of Architecture and Design is launching an open call for participation in the 26th Biennial of Design, BIO 26 – Common Knowledge, curated by Austrian design curator and cultural producer Thomas Geisler together with assistant curator Aline Lara Rezende.
OPEN CALL | WHW Akademija, 2019 – 2020
Application Deadline: 29 April 2019
Curatorial collective What, How and for Whom / WHW announces an open call for applications to participate in the second year of WHW Akademija, an international art study program based in Zagreb, Croatia. The program runs from 4 November 2019 to 31 May 2020.
CATALOGUE | Southern Constellations: The Poetics of the Non-Aligned
Catalogue of the Southern Constellations: The Poetics of the Non-Aligned exhibition published by Moderna galerija with research texts by Bojana Piškur, Chương-Đài Võ, Samia Zennadi, Teja Merhar and Anej Korsika.
NEW ARRIVALS at MG+MSUM Bookstores
The reader If Forests Could Talk They Would Dry up with Sadness, Miha Maleš, Faces of Dream and Maks Kavčič monograph.
Draught is a series of solo exhibitions on the ground floor of Museum of Contemporary Art Metelkova, +MSUM presenting younger artists and fresh new ideas in the field of contemporary art.
OPEN CALL | Curatorial Intensive in New Orleans
Deadline: 11 January 2019
Independent Curators International (ICI), in collaboration with Contemporary Arts Center New Orleans (CAC), produces the Curatorial Intensive in New Orleans, Louisiana. From 22 to 28 March 2019, a one-week professional development program offers curators the opportunity to explore art production and international connections currently developing in New Orleans and the greater Gulf of Mexico region.
70+7 | On this day ...
This year, Moderna galerija is celebrating its 70th anniversary and the Museum of Contemporary Art Metelkova, a part of Moderna galerija, its 7th anniversary. On this day 16 September 1996 Moderna galerija presented an exhibition of New acquisitions of Moderna galerija of Zdenko Huzjan.
ONLINE EXHIBITION | Transfer | Circuits
08 October 2018 — 31 December 2018
For a number of years, City of Women festival and Web Museum by Moderna galerija, Ljubljana collaborates in inventory and archiving of the rich contents from the festival's history. The exhibition Transfer | Circuits curated by Lenka Đorojević and Alja Lobnik have selected 35 archival video materials of artists from the field of performing arts who have played a crucial role in the formation of the performative scene and practices.
BOOK OF THE MONTH | Monument – Drago Tršar & Hello World. Revising a Collection
In October we highlight two publications that were published with the exhibitions. Catalogue on the Monument – Drago Tršar exhibition & catalogue of Hello World. Revising a Collection exhibition, held this year at Hamburger Bahnhof – Museum für Gegenwart.
IN MEMORIAM | Geta Brătescu (1926–2018)
Geta Brătescu, one of central figures of the Romanian avant-garde has died at 92.
L'INTERNATIONALE | Our Many Europs
Last week, between 17 and 19 September, a meeting of L'Internationale, a confederation of seven museums – MACBA (Barcelona), Moderna Galerija (Ljubljana), Museum of Modern Art (Warsaw), Museum van Hedendaagse Kunst Antwerpen (Antwerp), SALT (Istanbul and Ankara), Van Abbemuseum (Eindhoven), and the Museo Reina Sofía (Madrid) – was held in Madrid.
CATALOGUE | Monument – Drago Tršar
At MG+MSUM bookstores from 4 September 2018
On the occasion of Monument – Drago Tršar exhibition, Moderna galerija published an extensive publication, with 256 pages and 215 reproductions. Monograph was edited by Marko Jenko, who is also author of the text; biobibliography was prepared by Bojana Rogina, and designed by Darko Pokorn.
OPEN CALL: Managing Editor L'Internationale online platform "Our Many Europes" (2018–2022)
Application deadline: 5 October 2018
Valand Academy and L'Internationale confederation of European museums wish to appoint a Managing Editor for L'Internationale online platform. The position is linked to the four year programme "Our Many Europes" (EACEA 32/2017), and appointed as an Adjunct at Valand Academy for the duration.
OPEN CALL | 21st Contemporary Art Biennial Sesc_Videobrasil: Imagined Communities
Deadline: 10 August 2018, by 6:00 p.m.
Associação Cultural Videobrasil and Sesc São Paulo, make public the opening of Artist applications for selection to participate in the 21st Contemporary Art Biennial Sesc_Videobrasil.
EXHIBITION at MIMA | New Mappings of Europe: This Is Water
16 June 2018 — 07 October 2018
The exhibition at MIMA – Middlesbrough Institute of Modern Art in the context of New Mappings of Europe project looks at the long histories of migration that have forged the current shape of the UK. It is about the rich languages, cultures and identities that are formed by many ethnicities and nationalities coming together. It highlights the dominance that some groups of people hold over others and the damage that racism continues to have.
THREE PUBLICATIONS | Glossary of Common Knowledge | The Constituent Museum | The Long 80s
L'Internationale Confederation | 30 April 2018
2019 VENICE BIENNALE | Marko Peljhan
Marko Peljhan is an artist and researcher working in and between art, technology and science. His projects, initiatives, and collaborations span a vast area ranging from ecology and social reflection to tactical media, technology, space explorations and geopolitics.
The Lives of Monuments: World War II and Public Monuments in Slovenia 1945-1980
02 February 2018 | 12:00
The student documentary exhibition The Lives of Monuments, on view at the Museum of Contemporary Art Metelkova, is accompanied by a bilingual catalogue Življenja spomenikov: Druga svetovna vojna in javni spomeniki v Sloveniji 1945-1980/ The Lives of Monuments: World War II and Public Monuments in Slovenia 1945-1980, which will be available in the bookstores of Moderna galerija and the Museum of Contemporary Art Metelkova from 8 February on.
SYMPOSIUM AND EXHIBITION | Dedicated to Zoran Mušič in Trieste
26 January 2018 | 10:00 | Revoltella Museum, Trieste
After the extraordinary discovery of Zoran Mušič's Dachau drawings, the Revoltella Museum in Trieste is preparing a symposium dedicated to Zoran Mušič and followed by the opening of the exhibition, where the found drawings will be on display for the first time.
Café and snack bar + Kantina
From 21 December 2017 | 10 a.m.—6 p.m.
+ Kantina is a space that provides alternative economies for affirmations of the knowledge of migrants and it aims to build social networks and exchange ideas in the wider area of Metelkova.
CALL FOR PAPERS | International Symposium: Social Choreography
Date: 10 November 2017 | Deadline for submissions: 15 October 2017
Please send an abstract of no more than 300 words, as well as a title and a brief bio-bibliography, in either Word or PDF format to info@sde.si. The deadline for submission is 10 October 2017.
SPECIAL OFFER | Adam Harvey: Privacy Gift Shop
20 June 2017 — 21 July 2017
From 20 June to 21 July 2017 the Depository Bookstore at Museum od Contemporary Art Metelkova, +MSUM will host Privacy Gift Shop, a project by Berlin-based American Adam Harvey produced for Aksioma Project Space.
NIKA AUTOR | The News Belongs to Us! | Among Top Five Pavilions
CATALOGUE | Andraž Šalamun
The catalogue of a retrospective exhibition Andraž Šalamun presents essays of four authors in Slovenian and English, who interpret the opus of the painter and place them historically in the context of Slovenian and wider pictorial art.


Spent a few hours at the Metropolitan Museum of Art yesterday feasting our eyes on some of the works by master painters and sculptors. Breathtaking. then to the Trustee's Dining Room where hubby and I could fill our tummies with fantastic food. Most of the year, the dining room is only open to trustees and folks who can contribute large sume of money to keep the exhibitions in tip-top shape for the rest of us, but during the summer the room is open on Friday and Saturday evenings to the average subscriber. Lucky us.
From our table we could see two fortress-like towers. Towers that could set the imagination soaring. Streaks of white clouds traveled through the sky and trees swayed as if the wind were a choreographer newly hired by the city ballet.
A basket of rolls with butter that cannot be found in your average supermarket and an olive tapinade were set on the table along with our glasses of Pinot Grigio. A corn chowder with peeky crab followed. Peeky crab conjures up an image of a feminine crab with long eyelashes and a tendancy to flirt. Wish I had the recipe. Second course-mussels au gratin. Sweet and crunchy…how many recipes are there for mussels? Then the lobster-no bib needed. The lobster has been shelled, centered on the plate and surrounded with snow peas, Harticote Verte and warn radish. A bit different from the Maine I remember. Dessert? Peach crisp with vanilla ice cream. A wonderful dinner to savor on a special occasiond or when you need a pick-me-up. Here's to next summer and another delighful dinner.
This entry was posted on August 7, 2010 at 6:31 pm and is filed under authors, New Yorkers, Uncategorized, writers.	You can follow any responses to this entry through the RSS 2.0 feed. You can leave a response, or trackback from your own site.


text:
12 Ways to Make Dating After Divorce Easier and More Fun, According to Experts
It may feel like the dating rules have all changed, but it really comes down to these tried-and-true tips.
By Marisa Cohen
Franziska & Tom Werner
Whether the last time you went on a first date was during the Jimmy Carter era or just a couple of years ago, dating again after a divorce can make you feel like you're playing a game where all the rules and roadmaps have been flipped inside out. Not only is social meeting constantly changing the way singles meet and communicate, but you've changed, too: Your heart may be bruised, but you're also less willing to settle for someone who doesn't treat you right. Here, relationship experts give you the game plan for joining the dating world post-divorce. (And if you're curious about sex after divorce, we have tips for that too!)
1 Only you will know when you're ready
PeopleImagesGetty Images
There's no perfect way to measure when your heart will be healed enough to date again after your divorce, says marriage and family therapist Paul L. Hokemeyer, PhD, the author of Fragile Power. "It's important to give your central nervous system time to process the pain and to recalibrate to a new reality before jumping back into the dating pool," he says. For some people this can take a few months, for some it can be a year or more. To figure out if you're ready, pay attention to the vulnerability you feel when you imagine opening up emotionally to a new person, he suggests. "If it feels painful, back off. If it feels energizing and hopeful, you're ready."
2 Reframe your divorce in a positive way
RakicNGetty Images
It's perfectly normal to feel a sense of failure or grief after your marriage ends, but before you can find happiness with a new love, it helps to forgive yourself and appreciate the opportunities ahead of you, says Hokemeyer. "I work with my clients to help them realize that their action was not one of destruction, but one of creation of a better, more authentic life for themselves and their loved ones."
3 Ditch your checklist of yore
Anfisa Kameneva / EyeEmGetty Images
The last time you were dating, you may have had several deal-breakers (he must be taller than me, have a graduate degree, and love the Mets!). Now that you're older and wiser, consider looking outside the box. "We often get focused on the external stuff, like looks and money, but in order to have a healthy relationship you need to look for the internal values, like does he have good ethics, is he a good parent, is he patient," says psychotherapist Tina B. Tessina, PhD, author of Dr. Romance's Guide to Finding Love Today. "A lot of these things we don't learn to appreciate until we're older."
4 Go as slow as you need to go
Alexander SpatariGetty Images
No, the whole world is not sending naked selfies and jumping into bed every time they swipe right. (Though if that's what you want, go for it!). If you're not quite ready to get physical, empower yourself with a plan, says Hokemeyer. "Decide that in the first month or two of your new dating life, you will meet for coffee only, in the daylight and not have any sexual encounters," he suggests. "Once you feel secure with this plan and execute it successfully, you can add on other timelines and romantic and sexual goals."
5 Make being a single parent your superpower
MaskotGetty Images
Sure, dating is a little more complicated when you have to be home by 11 to relieve the sitter, or you have to schedule weekend dates around the soccer schedule, but being a parent can also give you an immediate bond. "Other single parents can understand your issues and you automatically have something in common to talk about," says Tessina, who points out that there are probably a lot more single moms and dads out there than you think. "Look for single-parent meet-ups and connect with other divorced parents at your kids' school," she suggests. "It's important to expand your social network after a divorce, and this is a great way to start."
6 Warm up with "friend" dates
Erik Witsoe / EyeEmGetty Images
Toss aside the idea that every date has to be a potential life partner. In fact, Tessina suggests you start out by asking an acquaintance out for coffee or lunch—no pressure. "You'll be so much more comfortable when you know the person from a social setting: a single dad from the Little League team or an old work friend. You already have things in common to talk about, and you can see who you're dealing with before you decide if you're interested in dating them," she says.
7 Grab a buddy to explore the dating apps
RossHelenGetty Images
Creating a dating profile and learning how to navigate the apps is not for the faint of heart, so Hokemeyer suggests you start slowly, and collaborate with a trusted friend. "This creates an atmosphere of safety and playfulness," he says. Even if your friend is happily partnered up, he or she can help you sort through the options and put your best self forward.
8 Try some offline dating strategies, too
Believe it or not, people do still meet face to face—at parties, events, and classes, so make sure to get out into the real world, rather than relying 100 percent on dating apps. "I like educational, exercise and other self-improvement arenas," says Hokemeyer. "The world is full of opportunities to learn and grow. Check out book clubs or lectures at your local library. Take the free yoga class at the park, or volunteer at a local charity."
9 Avoid the temptation to Google every detail of your date
Of course, you may be tempted to look up your date on Facebook or Instagram, but don't go any deeper than a cursory check to see if you have friends in common. First of all, you can't trust everything you see (is that a picture with his sister or his ex?), and also, it's stalking, and that's weird. "It's okay to take a few minutes to check out your date's profile, but don't get worried if he doesn't have an online profile at all—not everyone is social-media savvy," points out Tessina.
10 Have a brief recap of you romantic past ready to go
"On the first date, the goal is to see if there is chemistry between the two of you," says Hokemeyer. "This is a felt experience rather than an informational one." So before you meet, come up with a one-sentence recap of your past, which does not include any messy details about court battles, cheating, or restraining orders: "I was married for 20 years and we have three beautiful kids, but we split up about a year ago and I'm really excited for my next chapter" And leave it at that, at least for now.
11 But feel free to talk about your kids
"Talking about your kids is entirely appropriate on a first date and actually recommended," says Hokemeyer. "They are a central part of your life, so share your love for them freely." Of course, there are limits: Don't spend the entire date texting them or insist your romantic prospect watch a 30-minute video of your daughter's dance recital.
12 And introduce them when the time is right
After a little time exploring the dating world, you may find someone you're excited about and want to introduce to your children. "Always introduce the person first as a friend, and behave appropriately in front of the kids," advises Tessina. That way, the child will get to know your date on a casual level, and doesn't have to wonder, "Is this person going to be my new step-parent?" If the relationship fizzles out, it will be easier, and if moves forward, you can explain how your friendship blossomed into romance.
Just 10 Steamy Photos of Kevin Costner
J Law Says Working With Jonah Was 'Really Hard'
'Yellowstone' Fans Are Calling Out a Plot Hole
Salma Hayek Flaunts Abs and Arms in a Blue Bikini
Did Kate Chat With the Sussexes on Her B-Day?
8 Things You Need To Know About Dating After Divorce
The Dos and Don'ts of Dating an Introvert
How to Restart Your Sex Life After a Divorce
11 Things You Need To Memorize Before Dating Again After Divorce
5 Ways To Love Your Life After Divorce
Dating After A Loss


Over half of UAE-based expats (54%) believe economic stagnation in the world economy will be the biggest risk to their investments in the next 12 months, up from 39% in 2017, according to a survey.
Old Mutual International and Quilter Cheviot released their investment and retirement survey, which questioned 130 global expats with $50,000 (£39,000, €44,000) to invest who are living in the UAE (mainly Dubai and Abu Dhabi) and use the services of a professional to invest in the stock market.
The report also showed 66% of respondents believe the UAE economy will be strong or perform better than in 2018.
Paul Evans, head of region, Middle East & Africa, Old Mutual International, said: "The importance of long-term financial planning shouldn't be underestimated.
The survey revealed that 43% of investors are concerned about interest rate hikes, versus 26% in 2017. Meanwhile, 41% are wary over falling oil prices, up from 39% in 2017.
Also, nearly a third (32%) of respondents feel Donald Trump's presidency in the US could pose a risk to their investments.
Some 30% feel geopolitical events, such as terrorism, may be a threat; while over a quarter (26%) of respondents believe the UK exiting the EU in 2019 could also have a negative impact on investments.


Hunter Douglas shades are available in several styles with diverse features and appearances. You can portray any type of look with the variety of window treatments we offer. Let our friendly professionals at Elite Shutters & Shadings help you explore your options and decide what would be right for your home.
Pleated Shades offer a distinct style that can add some flavor to any space with striking patterns and eye-popping colors. This bold window fashion is available in a multitude of operating systems to fit whatever your needs are. These shades are sure to be the focal point of your rooms.
Woven woods are ideal for those who enjoy a natural look. These window treatments are crafted from organic materials such as bamboo, grasses, reeds, and natural woods. The use of natural fibers will add some texture and depth to your home. You can customize the shades with edge bandings and decorative valances, which will create a stunning window fashion.
Roller and solar shades are perfect to give rooms a contemporary appearance. The sleek shades are available in countless fabrics and materials. Sonnette™ cellular roller shades filter light while also making your home more energy-efficient. Airflow is restricted, so the amount of heating and cooling energy waste is reduced. Designer roller shades combine simplicity with glamor. The wide variety of fabrics allows you to create custom shades that complement your décor. Designer screen shades offer UV protection to shield your belongings from sun damage.
Roman shades are ideal to soften a room with the signature fabric folds. Vignette® modern roman shades are available in both vertical and horizontal orientation. These shades have no exposed rear cords which has the benefits of an uncluttered appearance and increased safety. Solera® soft shades offer a chiseled look that can darken a room or simply filter the light. The Design Studio™ roman shades have a wide assortment of fabrics and lots of design options to individualize the shades.
Hunter Douglas honeycomb shades are the original cellular shades that pioneered energy-efficient window treatments. The unique appearance is due to structure of cells that supply the important function of the shades. The insulation provided is able to reduce your home's energy consumption. Not only will the honeycomb shades add beauty to any area and keep your home more comfortable, but they will save you money, as well.
Sheers and shadings are perfect for those who enjoy natural light. Silhouette® shadings offer fabric vanes that you adjust and appear to be hovering between two sheer panels. You tilt the vanes until your desired level of privacy and light is attained. The groundbreaking Pirouette® shadings utilize a single sheer backing that has fabric vanes attached. This provides unobstructed views of outside while still giving you privacy. Luminette® sheers are great for expansive doors and windows. You can choose from fabrics that are sheer or similar to drapery.
If you are interested in Hunter Douglas shades, Elite Shutters and Shadings can help. We are experts in window treatments and will assist you in finding the perfect shades for your home. Elite Shutters and Shadings has showrooms in Livermore, Manteca, and Elk Grove, CA, and we provide service to the surrounding areas, including Modesto, Stockton, Tracy, Sacramento, Pleasanton, Alameda County, Sacramento County, and San Joaquin County, CA.


text:
Tenenbaum, labels file supplemental appellate briefs on webcast issue; grapple with 1996 resolution hostile to cameras in courtrooms
The parties in the Joel Tenenbaum copyright case both filed supplemental briefs in the First Circuit today on the courtroom webcast issue, addressing a previously obscure 1996 First Circuit Judicial counsel resolution that appears to ban cameras in the courtroom. The existence of the 1996 resolution apparently eluded all the parties, their amici, and the District Court until the First Circuit itself dug it up and asked the parties to address it.
The record label plaintiffs' brief explains the history that led up to the 1996 resolution, which provides that the First Circuit Judicial Council "resolved...to continue to bar the taking of photographs and radio and television coverage of proceedings in the United States district courts within the circuit, except as otherwise provided for ceremonial occasions." The labels argue that this seemingly unambiguous language leaves District Court judges no discretion to permit such coverage (including webcasts). (In her order permitting the webcast, Judge Gertner seems to acknowledge that a resolution by the First Circuit Judicial Council -- which she mistakenly believed did not exist -- would bind her: "To date, no circuit judicial council -- including the First Circuit judicial council which binds this Court -- has done so." (emphasis added; footnote omitted).)
Tenenbaum's supplemental brief in the First Circuit takes the quite remarkable position that the 1996 resolution does not apply because "The resolution predated, and did not contemplate the advent of, the open Internet as a viable communications medium. By its terms, the resolution extends only to still photographs, radio and television." In other words, Tenenbaum appears to acknowledge that the resolution does ban traditional media, but permits a webcast because the word "webcast" is not mentioned. I find this argument both unpersuasive and potentially dangerous to the greater cause of press freedom. Various laws (e.g., reporter shield statutes) were enacted in the pre-Internet age and arguably don't, by their terms, apply to blogs and other web publications. But courts have nonetheless extended the laws' protection to Internet journalists -- which is a good thing. See O'Grady v. Superior Court (Cal. Ct. App. 2006) at 40-49. Tenenbaum's argument could, if adopted, create some very bad law.
One last thing: the labels declined to file a motion for consideration of Judge Gertner's order permitting the webcast -- despite her explicit invitation to do so. Instead, they filed a short "Notice" in the District Court stating simply:
In response to the District Court's March 4, 2009, Order, Plaintiffs note that the District Court's January 14, 2009, Order has been stayed by the First Circuit Court of Appeals and that any issues surrounding that Order are currently pending in the First Circuit. The First Circuit can resolve the broadcasting issue expeditiously without additional briefing or further appeals.
While anti-label litigator Ray Beckerman calls this filing "astonishing" and evidence of "the overwhelming incompetence of the RIAA's lawyers," there are actually several legitimate reasons for the labels to have taken this tactical path. For one, given the pendency of the appeal/writ petition, and the fact that the First Circuit has stayed the District Court's webcast order, there is genuine doubt whether Judge Gertner currently even has jurisdiction over the webcast issue. And by declining to move for reconsideration in the District Court, where Judge Gertner could possibly reaffirm her commitment to the webcast, they keep the focus in the First Circuit, which they evidently believe is a more receptive audience for their arguments, and could issue a definitive opinion that fully resolves the webcast issue in their favor, for all future proceedings in the case. (Keep in mind that Judge Gertner is a strong advocate for cameras in the coutroom and in fact so testified to a Congressional committee in 2007.)
What a mess. Keep in mind that this is a copyright case -- not an academic exercise. And whether the webcast is ultimately allowed or not, the proceedings will be open to the press and public (as they should be). Hopefully soon the First Circuit will rule definitively, and we can all focus on what this case is really all about.
(Full disclosure: I signed on to the EFF's amicus brief in the First Circuit in support of the webcast.)
Labels: First Amendment, tenenbaum
"(Full disclosure: I signed on to the EFF's amicus brief in the First Circuit in support of the webcast."
So, how is it that everybody, including you, missed the 1996 resolution but the first Circuit found it immediately?
-Todd
Ben Sheffner March 13, 2009 at 10:09 AM
To Anonymous:
From what I've been able to determine, I think the answer is pretty simple: the 1996 resolution wasn't online -- not on Westlaw or Lexis, not on the First Circuit web site, nowhere else on the Internet. And apparently no one -- none of the parties, the amici, or Judge Gertner or her clerks -- thought to look in the actual paper files of the First Circuit Judicial Council.
My best guess as to what happened is that once this case landed in the First Circuit's lap, one of the judges (perhaps a member of the Judicial Council) remembered the resolution and pulled it from his or her paper files. Take a look at the resolution (linked to above) -- it appears to be a scan of a document written on an old-fashioned typewriter.
Does this excuse everyone missing it? Probably not, but it's understandable, given the common assumption that all citable, court-issued documents are online today. I guess we all learned that there remain exceptions.
"From what I've been able to determine, I think the answer is pretty simple: the 1996 resolution wasn't online -- not on Westlaw or Lexis, not on the First Circuit web site, nowhere else on the Internet. And apparently no one -- none of the parties, the amici, or Judge Gertner or her clerks -- thought to look in the actual paper files of the First Circuit Judicial Council."
That makes me wonder how much that resolution has been relied upon, seeing as how almost nobody knew of it. I realize that may have no bearing on the issue at hand, though.
Also, I suppose you can call Beckerman "anti-label" since "label" and "RIAA member label" are considered synonymous by some in common industry shorthand, but I think it would be more accurate to call Beckerman "anti-RIAA label" or "anti-RIAA." Beckerman supports non-RIAA labels, so I don't think the question is moot.
I think the point is that Beckerman is so biased that he is unable to consider any possible legitimate reasons for taking this path. Thanks for pointing them out, Ben. Makes for a better understanding of what is going on in this funky case.
John (third year law student)
"I think the point is that Beckerman is so biased that he is unable to consider any possible legitimate reasons for taking this path. Thanks for pointing them out, Ben. Makes for a better understanding of what is going on in this funky case.
John (third year law student"
Well, you can certainly make that claim, but no more so for Beckman than you can for the host of this blog. Both are outspoken advocates. Beckerman has shown a vigorous opposition to the claims of the RIAA and Mr. Sheffner has shown vigorous support, with the exception of the RIAA's stance on the internet dissemination of the upcoming hearing. However, Mr. Shefner's ardor for webcasting the the hearing seems to be rather lessened by the existence of the 1996 Judicial Council Resolution and doesn't seem to have re-iterated his support for the same. However, the 1996 Resolution was never disseminated to the public, hence the reason why nobody has heard of it, so it may be null and void as a matter of law.
Ben Sheffner March 13, 2009 at 3:56 PM
My position on the webcast hasn't changed at all: I still support it, as I support televising (virtually) all court proceedings.
There are (at least 2) separate questions here. First: is the webcast good as a matter of policy? I think (for reasons I've explained on this blog, and are expressed in the EFF brief I signed onto) the answer is clearly yes. Second: is the webcast permitted under court rules? Admittedly, I've focused much less on this second question, and my answer is less definitive. I do read Local Rule 83.3 as permitting the webcast. What I'm less sure about is the effect of the 1996 Judicial Council resolution. Is it binding on district courts? Or is it merely a kind of precatory "sense of the Judicial Council" statement? I haven't seen any authority that definitively settles that question.
I think it's entirely possible for someone to come out: "I support the webcast as a matter of policy, but, unfortunately, it's not permitted under current rules." (Again, I'm not certain about the second part of that statement, but the 1996 resolution may mandate it.)
"However, the 1996 Resolution was never disseminated to the public, hence the reason why nobody has heard of it, so it may be null and void as a matter of law." -- I simply don't know whether that's true. It may have been "disseminated to the public" at some point, or at least been made available to the public, but then forgotten (at least by those who don't sit on the First Circuit).
""However, the 1996 Resolution was never disseminated to the public, hence the reason why nobody has heard of it, so it may be null and void as a matter of law." -- I simply don't know whether that's true. It may have been "disseminated to the public" at some point, or at least been made available to the public, but then forgotten (at least by those who don't sit on the First Circuit)."
That isn't merely an assumption on my part, it is an averment by Tenenbaum. CVN took the trouble to ask if the 1996 resolution had been disseminated and were told by the Circuit Executive's Office of Information,"No." As an amici, I'd assume that would be of interest to you.
I think you're referring to this declaration:
http://beckermanlegal.com/pdf/?file=/Lawyer_Copyright_Internet_Law/sony_tenenbaum_090313DeftsMemoLawExC.pdf
But the declaration does *not* say that the CE's office said that the resolution was *not* disseminated. Rather, it says that the CVN attorney spoke with someone in the CE's office, who said she "could not find any record of the Resolution having been distributed to the public...." "I couldn't find a record of dissemination" isn't the same as "It was never disseminated." (And I'm sure we could have fascinating discussion of what "disseminated" or "distributed" actually means in this context.)
Indeed, you are correct. I mis-parsed the claim.
Now I wonder where the burden of proof for dissemination / public comment period lies?
Ars Technica: 'Billion Dollar Charlie takes on the...
House Foreign Affairs takes junket to glamorous......
Copyleft academics to Nesson: fair use defense is ...
ISPs, RIAA, the DMCA, 'graduated response,' and 't...
Now that's punk rock
The limits of the IP Czar's power
Ex-BSA GC Neil MacBride considered for US Attorney...
If you're going to infringe President Obama's righ...
Worst headline of the year award goes to...
DOJ again intervenes to defend statutory damages f...
Nesson posts audio recording of judge ordering him...
BNA debunks 'RIAA infiltration' theory of DOJ's Te...
What took them so long?
Gertner denies motion to reconsider webcast order ...
Labels again defend right to seek statutory damage...
Real Networks says it didn't anticipate litigation...
Solons urge Obama to appoint IP Czar; Susan Crawfo...
BREAKING: Obama DOJ intervenes in Tenenbaum case i...
Free Software Foundation files amicus brief on sta...
'Google''s numbers on 'bogus' DMCA notices: a clos...
Lessons on civility and the legal profession, from...
Fox wins fair use fight over 'Family Guy' song
Nesson mea culpa: not so 'maxima'
Nesson: 'mea maxima culpa'
Angwin: Murdoch passes the test!
SXSW Interactive Panel: New Threats to New Media: ...
The Licensing Plate: The downside of posting TV co...
Tenenbaum seeks reconsideration of webcast order t...
Obama White House enforces right of publicity agai...
Tenenbaum, labels file supplemental appellate brie...
Popehat on Charlie Nesson: chalk-chucker, disdaine...
On Techdirt and 'derogatory' language
AP answers and counterclaims in Shepard Fairey cas...
Lawyer for 'Skanks in NYC' blogger invokes 'douche...
Bob Barr takes on RealDVD case; ignores the real i...
Tenenbaum moves to dismiss claim for statutory dam...
Nesson reacts to judicial smackdown
Gertner denies motion to compel Oppenheim depositi...
Record labels continuing to fight existing cases a...
Craigslist and Section 230 shortsightedness
Studios allege RealNetworks execs and attorneys 's...
How to evaluate the evidence in Capitol v. Thomas ...
Louisiana lawyer retracts threat of ethics charges...
BREAKING: Tenenbaum counsel reacts to Gertner orde...
Legal Blog Watch: Kelly, not Frey, is the one who ...
Gertner having second thoughts on Tenenbaum webcas...
Podcast explores heart of Tenenbaum case: are stat...
The real relationship between 'business models' an...
Louisiana criminal defense lawyer: ethical violati...
Judge in Capitol Records v. Thomas sets strict rul...
A question from Harvard Law School's tenured Twitt...
The return of Tasini to the Supreme Court: this ti...
C&C gets results: Gertner admits Nesson DID repres...
Six degrees of Judge Nancy Gertner