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Q: Moving docker image from 1.7 to 17.06 I tried to move an image that was created with docker 1.7 on Red Hat 6 to a system running docker 17.06.0-ce on Ubuntu 14.04.5. The image appeared to load but after it was loaded I got the message:
open /var/lib/docker/tmp/docker-import-748740002/repositories: no such file or directory

docker images shows it, but with no repo ot tag:
REPOSITORY          TAG                 IMAGE ID            CREATED             SIZE
<none>            <none>              12e143c9efb2        4 weeks ago         6.04GB

What is that error and should I expect to be able to move that image over?

A: You moved the image by copying the /var/lib/docker directories, I am guessing? This is not the right way to do it; you should docker push your images to a image repo, and then docker pull back out from the repo.
You might be able to recover by manually re-tagging the image, e.g. docker tag 12e143c9efb2 mycompany/myimage:version. But you'll be better off letting Docker manage its own data, and using docker push from the Red Hat system and docker pull from the Ubuntu system.


To serve your customers well, it is critical to hire the right individuals and train your staff well enough to serve them. This extends from knowing and understanding the products and services your company offers down to identifying how to communicate with certain customers. If you train your employees well, they will have the right skill set to be able to serve the customers efficiently.
First off, identify what form of technology your customers will be more inclined to use to contact you for customer service inquiries. Will they call your landline? Will they contact you via email? Are they reporting issues on your social media channels? Will they use a chat bot on your website? Providing multiple options for customer service will help solve customer service issues faster and help with customer retention.
Customer service is about problem solving. To be able to identify and resolve your customers' issues, you will need to listen or read and respond well. This means hearing what your customer is saying as much as what they are communicating nonverbally. Solving their issues will help boost or tarnish the brand you are building.
If your customers are reaching out to your representative, there is nothing worse than be unresponsive. It is crucial for your customer service representatives to help resolve issues and provide information about your company. Respond quickly, even if you have to delve deeper into the issue and contact them back.
Did your customer receive the best service possible? The only way to guarantee they were satisfied with their service is to ask. You may be shocked to learn what you did well and what you need to improve upon. When you receive feedback, you will be able to identify the areas of improvement and implement the necessary changes.


The University of Virginia Masters in Commerce program is an established and popular specialized graduate business degree. Below is information on the program as well as placements from past classes. Very impressive.


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Q: What does "Missing Recommends" in Synaptic package manager mean? In the Synaptic Package Manager, under 'Custom Filters,' what is the "Missing Recommends' entry?

A: That filter lists packages that should (but aren't required to) be installed. Those packages are packages recommended by others. For example, OpenOffice.org would appear in that filter if you uninstall OO.org. Your system should work correctly if have packages in that list.

redpajama_set_name: RedPajamaStackExchange


The turn of the twenty-first century witnessed a spectacular rise in gross consumption. With the super-rich setting the pace, everyone spent furiously in a desperate attempt to keep up. As cars and houses grew larger and more expensive, the costs were enormous--not only monetarily but also socially. Consumers spent more time at work and less time with their family and friends; they saved less money and borrowed more.
In this book, Robert Frank presents the first comprehensive and accessible account of these financial choices. Frank uses scientific evidence to demonstrate how these spending patterns have not made us happier or healthier. Luxury Fever offers an exit from the rat race, suggesting ways to curb the culture of excess and restore true value to our lives.


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Unanswered Questions on Chris Hemsworth That You Need To Learn About
Additionally, Chris also launched a fitness app called Centr for residence workouts and fitness videos. He handpicked his trainers into post-exercise videos on the application to keep in shape and improve their lifestyles. A accurate philanthropist at heart, Hemsworth is also recognized for his million-dollar charitable donations to several global platforms, which earned a position in Queen's Birthday Honor List. Hemsworth shares his three young children with wife Elsa Pataky, who he married in 2010.
The middle Hemsworth brother had to compete against his brother Liam for the part of Thor in the Marvel Cinematic Universe. In addition to the "trailer", Tourism Australia built up its social media presence, with teasers featuring the likes of renowned Australians Margot Robbie, Hugh Jackman, Russell Crowe and Isla Fisher. Australia has turned to a single of its most beloved film franchises, along with two of Hollywood's biggest stars, as element of a multi-million-dollar advertising and marketing push to draw guests from across the globe Down Below. Has Starred in films filmed in Australia but but to film an Australian film.
"No matter whether or not any of this information aids you reside longer, it is about living much better ideal now," he mentioned.
Thor requires to have enormous shoulders and arms, so Chris gave each muscle group its own instruction day in order to build muscle.
Patrick Stewart is undoubtedly obtaining tons far more playing Captain Picard once more than he was receiving being in Blunt Talk.
When I was 15 or 16, I was cast as Reese Witherspoon's son in the film Vanity Fair.
But her interest in entertainment and pop culture compelled her to uncover a way towards Entertainment Journalism.
Everybody loves Chris Hemsworth, and we cannot blame them. Jay and Silent Bob lose the rights to their names immediately after getting defeated in a court case by Saban Films. Determined to take revenge against the firm, they set off to Los Angeles to quit the original source the shooting of the film that they are generating. Right after losing his daughter, Gorr becomes Gorr the God Butcher and sets out to get rid of all gods. Meanwhile, Thor is hunting for inner peace, but he is forced to return to action against Gorr.
Chris Hemsworth Recommendations & Guide
The same scale from users of Metacritic has given12 Stronggenerally favorable reviews with a User Score of "6.3" amongst 129 user ratings. Hemsworth has played the character for 11 years, matching Robert Downey Jr.'s tenure as Iron Man, but even the "Iron Man" stand-alone films span a mere five years ( ). When all is said and completed with the present cycle of the Marvel Cinematic Universe, the character of Thor, and the man who plays him, Chris Hemsworth, may possibly click here for info end up the most beloved among fans. Before this, the actor had only carried out a cameo in the 2009 film Star Trek. He went on to seem in two solo Thor films as properly as the Avengers films over the years, generating him a single of the most well known actors in the world.
There aren't a lot of complicated emotions involved to play him. Just a manipulative and prodigal stretch to produce an illusion – self and otherwise. Description above from the Wikipedia article Chris Hemsworth, licensed beneath CC-BY-SA, full list of contributors on Wikipedia. Bolstered by a Joss Whedon script that's each and every bit as witty, cheeky, and sarcastic as his greatest work, "Cabin in the Woods" is each an exceptional satire of horror films and an exceptional horror film itself.
Chirs Hemsworth, Chris Evans, Chris Pratt, and a lot of a lot more have been there to wish him an effortless and fast recovery, praising him for sticking out via all the pain and suffering as a correct superhero would. On social media, Renner has posted a couple of updates, assuring followers that he is progressively recovering properly. When Renner very first shared a photo of his battered face on social media, he said that he was "too messed up to type". Liam Hemsworth was photographed with girlfriend Gabriella Brooks for the initially time right after the release of Miley Cyrus' new single 'Flowers,' in which she referenced her complex relationship with the actor. Miley released the song on Liam's birthday, and fans of the singer have pointed out a lot of details about their failed romance on the track. Other buddies took to their personal accounts to voice their support.
Use Chris Hemsworth like a 'occupation'
Varun Dhawan Varun Dhawan is the most well known actor in the Bollywood industry. Varun Dhawan Biography, Wiki, Age, personal life, career, Education, relation status, Affair, Wealth and more. Vishnupriya Nayar @Vishnupriya_14 Vishnu Priya is 1 of the viral stars on Tiktok. She is identified for her dance, acting, and facial expressio… Kriti Sanon Insta @kritisanon Kriti Sanon is a pretty popular and well known Bollywood actress. Kriti Sanon Biography, Wiki, Age, personal life, profession, Education, relation status, Affair, Wealth and much more.
A supply told Entertainment Tonight in April 2020 that Hemsworth's partnership with Brooks really helped him get more than the pain from his breakup and divorce from his last partner of 10 years, Miley Cyrus. "Wishing you croctails and giggles for life! #hbd #gg," Merkin wrote on the slideshow in honor of Brooks's birthday. Page Six reported that Hemsworth and Brooks could have ended their romance following three years of dating primarily based on a report InTouch ran. His rep did not respond to Web page Six's request for comment. Hemsworth and Brooks took a large step in their relationship—and place August 2022's breakup rumors to bed—when they made their red carpet debut at the premiere of Poker Face in Sydney on November 15.
This Is What I Use My Chris Hemsworth For
Aliyah Ortega is a sibling of 1 of the famous Hollywood actresses. Even though Aliyah hasn't ventured into the entertainment business, she has an outgoing character. "Properly, that is a wrap on one hell of a week!!! Magic Millions race day didn't go as planned with the rain spoiling the race card but nevertheless the party continued," Mike wrote on Instagram. The father, having said that, was nonetheless stunning nicely into his late 60s as observed by the Hemsworth brothers' final Father's Day photos. Chris Hemsworth and Luke Hemsworth, the two elder sons of his parents and both properly-known actors, are younger siblings to Liam. His parents are English instructor Leonie Hemsworth and social solutions counsellor Craig Hemsworth.
It was the very same trouble with the Star Wars sequels but in a distinct way. Since everyone said the prequels had been as well 'political' Abrams decided not to try to bother to explain how the new Republic became so weak in 30 years to the point a new Empire just abruptly showed up out of nowhere. Once more, it's explained in comics and novels, but nowhere in the actual movie that the comics and novels are based on. He just wanted to focus on Jedis, the Death Star and l Darth Vader once more.
Elsewhere, stars like Lady Gaga and John Legend took to social media to give some comforting words following their disappointment with the U.S. presidential outcome. Mark Ruffalo took to his Instagram account earlier this week to want his buddy and co-star Robert Downey Jr on his birthday. The latter celebrated his 55th birthday and Ruffalo posted a picture of the two, where he is seen hugging Downey. He also added a caption saying, "Sending you all the virtual hugs for your birthday, @RobertDowneyJr ❤ I appreciate you to life, 3000. It is an honor knowing such a generous and complicated man". The Hunger Games star, who not too long ago featured on the Men's Health cover, had to be the butt of his elder brother's humour as Chris's photoshopped picture went viral on social media. On the other hand, to much better understand how a distinct account performs or, in this case, @chrishemsworth instagram performs, it is essential to be focusing on the level of engagement, not just Chris Hemsworth most liked Instagram post.

redpajama_set_name: RedPajamaCommonCrawl


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Description of key information
Key value for chemical safety assessment
Justification for classification or non-classification
Oral (OECD 423), rat: LD50 cut-off value: unclassified
Dermal (OECD 402), rat: LD50: > 2000 mg/kg bw (limit test)
Acute toxicity: via inhalation route
Endpoint conclusion
Endpoint conclusion:
no study available
Acute toxicity: via dermal route
no adverse effect observed
Quality of whole database:
The available information comprises an adequate and reliable study (Klimisch score 1), and is thus sufficient to fulfil the standard information requirements set out in Annex VIII, 8.5, of Regulation (EC) No 1907/2006.
The acute toxicity of the test substance was determined in a recent GLP-Guideline study according to the acute toxic class method (OECD 423) in which two groups of 3 female Wistar rats were exposed to 2000 mg/kg bw in a single oral application of 10 mL/kg bw via gavage (Lütkenhaus, 2011a). According to OECD 423, morbidity and mortality, clinical signs, alterations in body weight and cageside observations were performed in addition to examination of the respiratory, circulatory, autonomic and central nervous system. At the end of the study, all animals were necropsied and examined macroscopically. The test substance did not show any sign of acute toxicity after a single application of 2000 mg/kg bw. In detail, no alterations in clinical signs or on body weight gain were determined until the end of the study period. Further, pathological examinations did not reveal any specific gross pathological findings with the exception of acute injection of blood vessels in the abdominal region which is due to the euthanasia injection. Thus, a LD50 > 2000 mg/kg bw was derived. Taken these data into consideration, the test substance is not classified according to GHS.
Acute dermal toxicity was evaluated in a GLP-guideline study according to OECD guideline 402 (Lütkenhaus, 2012). In detail, 2000 mg test substance/kg bw with a purity of 74.9% (main constituent: 54.3%) were topically applied to the clipped dorsal area of the trunk of 5 Wistar Crl:WI (Han) rats per sex for 24 hours. Animals were observed for clinical signs, mortality and skin reactions over a time period of 14 days. At the end of the observation period, no signs of acute toxicity were observed. Body weight development of the test animals was within the expected range. In contrast to males, all 5 females showed slight dermal irritation on day 6 lasting for up to 48 hours visible as erythema with a score of 1. 2 females revealed scratches on the skin resulting in eschar formation in one female. Moreover, one female test animal showed a slight nasal discharge on day 2 which was explained by the administration procedure and the related stress induction. Pathological examinations revealed dark spots in one female which are not considered as treatment-related but incidental as the other test animals did not show similar effects with the exception of acute injection of blood vessels in the abdominal region due to euthanasia injection. Thus, a LD50 > 2000 mg/kg bw was derived. Therefore, the test substance is not considered to induce acute toxic effects after dermal application.
This information is not available.
In conclusion, the test substance does not meet the criteria for classification according to GHS in regard to acute toxicity after oral or dermal exposure.
Justification for selection of acute toxicity – inhalation endpoint
Study not required according to Annex VIII, 8.5, of Regulation (EC) No. 1907/2006.
Justification for selection of acute toxicity – dermal endpoint
There is only one study available.
The available data on oral and dermal acute toxicity of the test substance do not meet the criteria for classification according to Regulation (EC) 1272/2008 or Directive 67/548/EEC, and are therefore conclusive but not sufficient for classification.


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Q: Create new list from list created from api response I have some api request, I get response and parse some data in new list. List which I print is:
[u'2.40', u'2.35', u'2.67']

I need clear list as value:
[2.40, 2.35, 2.67]

How to do that ?

A: In order to cast it into float, you can use list comprehension and create an new list with same items only now consist with float instead of strings.
l_str = [u'2.40', u'2.35', u'2.67']
l_float = [float(item) for item in l_str]
print (l_float)

You can do this with map as well:
l_str = [u'2.40', u'2.35', u'2.67']
l_float = list(map(float, l_str))
print (l_float)

A: Try this,
item = [u'2.40', u'2.35', u'2.67']
new = [float(i) for i in item]

A: I found resolution for this. If someone need:
lista_a = {u'total': 33455710208, u'free': 2834251776, u'used': 30621458432}

list = [list_a[key] for key in list_a]


text:
namespace MidnightBot.DataModels
{
    internal class CurrencyState : IDataModel
    {
        public long Value { get; set; }
        [SQLite.Unique]
        public long UserId { get; set; }
    }
}

redpajama_set_name: RedPajamaGithub


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Home > Arts & Entertainment > New Hard Rock Cafe opens at Seminole Hard Rock Hotel & Casino Hollywood
New Hard Rock Cafe opens at Seminole Hard Rock Hotel & Casino Hollywood
by Derrick Tiger - January 3, 2019 January 3, 2019
HOLLYWOOD — The new Hard Rock Cafe at Seminole Hard Rock Hotel & Casino Hollywood is the first model of the company's strategy to revamp its restaurants design. A grand opening, featuring Seminole Tribe leaders, was held Nov. 27. The restaurant debuted along with a finished area of the new casino floor, all part of the massive expansion project on the property.
The new 10,000-square foot cafe seats more than 250. The open floor plan puts the kitchen and its 7-foot artisanal brick oven in full view from almost anywhere in the restaurant. The walls are adorned with rock and roll memorabilia, a defining theme of Hard Rock that has been a tradition since 1979.
Hard Rock Cafe's menu includes some new additions including steak burgers made fresh daily in a new meat grinding room. The triangle bar is the center of attention as guests enter the restaurant. A redesigned Rock Shop where customers can purchase Hard Rock souvenirs and apparel is adjacent to the cafe.
The grand opening marked another step closer to the completion of Hard Rock Hotel & Casino Hollywood's $1.5 billion expansion.
"We're probably about 45 to 50 percent of the way up in the tower with the glass going on. We are on schedule. We will be opening the guitar tower in the fall of 2019, but because this is a commitment to a long-term business philosophy we're going to simultaneously renovate the existing structure from top to bottom," said Jim Allen, chairman of Hard Rock International and CEO of Seminole Gaming.
Due to the renovation some of the amenities in the original hotel building will be closed.
The grand opening, which featured the traditional guitar smash, was attended by Chairman Marcellus W. Osceola Jr., President Mitchell Cypress, Big Cypress Councilman Mondo Tiger, Hollywood Councilman Chris Osceola and other Tribal members.
Seminole Tribe leaders and Hard Rock executives celebrate the grand opening of a new Hard Rock Cafe on Nov. 27 at Seminole Hard Rock Hotel & Casino Hollywood. From left, Big Cypress Councilman Mondo Tiger, Chairman Marcellus W. Osceola, Jr., Stephen K. Judge, president of Hard Rock Cafe operations; President Mitchell Cypress, Hollywood Councilman Chris Osceola; Back row, from left: Jim Allen, chairman, Hard Rock International and CEO, Seminole Gaming, and Jon Lucas, COO Hard Rock International.
(Photo Hard Rock)
Hard Rock Cafe's new triangle-shaped bar. (Photo Derrick Tiger)
A drum set from the Goo Goo Dolls' Craig Macintyre is among the rock 'n roll memorabilia on display at the new Hard Rock Cafe in Hollywood. (Photo Derrick Tiger)
Derrick Tiger
https://seminoletribune.org
Documentary: Human hands shaped Everglades, and thus Florida
Ahfachkee girls, boys open basketball season


Mustard crewneck sweater featuring panels in different style knit. Finished with lavish crystal embellishment at the neckline. Ribbing at cuffs, neckline and hem.
Designed for an easy fit. Fits true to size.


It's that time of year when many of us look to making a New Year's Resolution. A key element to a New Year's resolution that sets it apart from other resolutions is that it is made in anticipation of the New Year and new beginnings. Those choosing to make a New Year's resolution commit themselves to the resolution generally for the entire upcoming year.
Some popular New Year's resolutions include getting a better education or learning something new, getting a better job, taking a trip, and volunteering to help others. If any of these sound good to you, as you consider your own New Year's resolution, you might consider learning a new language. Acquiring a new language could assist in accomplishing any one of the previously mentioned New Year's resolutions. Learning a new language is obviously learning something new, while bettering oneself through education. Acquiring a new language could also assist in getting a better job, making a trip more pleasurable, and/ or aid while volunteering with those who may speak a different language.
Learning a new language is easy to do at the Beverly Hills Lingual Institute in Beverly Hills, California. We have 25 different languages to choose from during our New Year 2013 term which begins on Monday, January 7th, 2013. Languages include: Arabic, Chinese (Mandarin), English (ESL), Filipino, French, German, Greek (Modern), Hebrew, Italian, Japanese, Korean, Persian/ Farsi, Portuguese, Russian, and Spanish.
Resolve yourself to a New Year's resolution that is easy to accomplish, worthwhile, and interesting... vow to join us at the Beverly Hills Lingual Institute!


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Anthony Mackie Will Officially Suit Up As Cap In 'Captain America 4'
CELEBRITY MOVIES NEWS
Anthony Mackie Will Officially Suit Up As Cap In 'Captain America 4'
Anthony Mackie will officially play Captain America in Marvel Studios' upcoming "Captain America 4."
According to Deadline Mackie has closed a deal to carry the shield in his first superhero picture as Captain America.
Mackie officially took over the role during the course of the Disney Plus series "The Falcon and the Winter Soldier."
Back in April he told HipHollywood he still couldn't believe he was assuming the role from Chris Evans, but shared a few things he planned to do first.
"My friends were like yo, there's a shortage of chicken wings in Atlanta so I can't find lemon pepper anywhere, so Imma need you to fly yo black ass to help us with this wing situation."
"The second thing is to straighten out Kanye," he added. "So I'm putting my list together."
Meanwhile Marvel Studios is keeping details about CA4 under wraps and it isn't clear whether the movie will involve Sebastian Stan, who starred with Mackie in "The Falcon and the Winter Soldier."
Per Variety no director is yet attached.
Mackie first joined the MCU appearing as Sam Wilson (aka the Falcon) in 2014's "Captain America: The Winter Soldier," and reprised the role in five subsequent movies in the Marvel Cinematic Universe. After Chris Evans' Steve Rogers passed on Captain America's shield at the end of "Avengers: Endgame," Wilson officially assumed the mantle over the course of the Disney Plus series "The Falcon and the Winter Soldier."
Needless to say it's an exceptional career moment for the Juilliard-educated actor who has showed his diverse range in a variety of films from The Hurt Locker to 8 Mile to most recently The Banker.
Related Topics:Anthony MackieCaptain America
Kandi Burruss Wants Celebs To Be Honest About Their Plastic Surgery
Michael B. Jordan Responds To Those Denzel Washington Comparisons


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ULA, Bigelow Aerospace set sights on lunar orbit outpost
Bart Leahy
A Bigelow B330 with a United Launch Alliance ACES upper stage in lunar orbit. Image Credit: Nathan Koga / SpaceFlight Insider
United Launch Alliance (ULA) and Bigelow Aerospace are teaming up to send an inflatable space station to low-lunar orbit by 2022. The effort will feature a series of launches aboard ULA's new Vulcan rocket using its Advanced Cryogenic Evolved Stage (ACES) to make Bigelow's B330 habitat a depot to facilitate future exploration and development of the Moon.
Showing their stuff
The B330 is Bigelow's latest, largest expandable space habitat. Compressed into a cylindrical package one-third of its full size, when deployed in space, the B330 will employ an onboard atmospheric system to slowly expand into a bulbous cylinder with a volume of 330 cubic meters, or 11,654 cubic feet. That's about the same space as a 1,300-square-foot (120-square-meter) home with 9-foot (2.7-meter) ceilings. In zero gravity, that's enough space for a crew of six to work comfortably.
An artist's rendition of a B330 habitat in Earth orbit. Image Credit: Bigelow Aerospace
Bigelow's B330 lunar mission would further demonstrate the feasibility of using inflatable structures in space.
Based on NASA's TransHab inflatable habitat designs, two Bigelow "Genesis" habitats, each 410 cubic feet (11.5 cubic meters), were launched and expanded successfully in the 2000s. Additionally, the company's Bigelow Expandable Activity Module (BEAM), a small inflatable room attached to the International Space Station, is more than halfway through its two-year mission with NASA indicating BEAM could extend its time there.
The B330 habitat will be much larger and feature docking ports forward and aft along its axis, solar arrays, a thermal rejection system for radiating heat, and an airlock hatch aft to facilitate extravehicular activities.
Getting a B330 to the Moon's neighborhood, however, will be a multi-phase process. The habitat will launch to low-Earth orbit (LEO) aboard ULA's currently-in-development Vulcan rocket, which Bigelow states is the only commercial vehicle with launch performance and payload fairing space capable enough to encapsulate B330 in its uninflated state.
Once the habitat is in orbit, Bigelow will ensure it is functioning correctly and outfit its interior. When the B330 is fully operational, ULA would launch two more Vulcan ACES stages, each carrying 35 tons (32 metric tons) of cryogenic propellant to LEO. Using onboard transfer capabilities, one of the stages would be filled with propellant, dock with the B330, and then accelerate toward the Moon to place it in a low-Lunar orbit.
ULA has been touting its ACES capabilities for other purposes as well. At the Tennessee Valley Interstellar Workshop, a company representative talked up Xeus, a joint venture with Masten Space Systems that would turn an ACES stage into a horizontally oriented lunar lander. Leveraging its Vulcan launcher, ACES in-space capabilities, the XEUS lander, and new its partnership with Bigelow, ULA appears eager to expand the "cislunar space economy".
Making the Moon cool again
The ULA-Bigelow announcement comes in the wake of the Trump administration refocusing NASA's mission priorities on the Moon. President Trump reinstated the National Space Council this year and Vice President Mike Pence, as the council's chairman, stated in an October address: "The National Space Council acknowledged the strategic importance of cislunar space – the region around the Moon – which will serve as a proving ground for missions to Mars and beyond and advance our stepping stone approach to going farther into the Solar System."
Additionally, on Sept. 18, NASA and the Russian space agency signed a joined statement promising cooperation on the Deep Space Gateway, a space station that would be placed at the Earth-Moon L1 Lagrange point.
The ULA-Bigelow initiative – together with NASA's Exploration Missions featuring the Space Launch System and Orion, and the Deep Space Gateway – could lay the groundwork for what could become a very busy Moon in the coming decade.
Video courtesy of Bigelow Aerospace
Tagged: B330 Bigelow Aerospace Deep Space Gateway Lead Stories Moon United Launch Alliance Vulcan
Bart Leahy is a freelance technical writer living in Orlando, Florida. Leahy's diverse career has included work for The Walt Disney Company, NASA, the Department of Defense, Nissan, a number of commercial space companies, small businesses, nonprofits, as well as the Science Cheerleaders.
So have they figured out how their installing equipment inside the B330? Beam a hollow if I'm correct with no racks or equipment that it came with.
Does equipment and furniture (of sort) get delivered separately after the first astronauts arrive?


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Ohio sports betting / Predictions / NFL / Pittsburgh Steelers VS Las Vegas Raiders NFL Week 16 Predictions with odds, betting lines, picks and promos
Pittsburgh Steelers VS Las Vegas Raiders NFL Week 16 Predictions with odds, betting lines, picks and promos
By Mike Allen / NFL / December 22, 2022 December 22, 2022
The Pittsburgh Steelers (6-8) play the Las Vegas Raiders (6-8) at Acrisure Stadium on 24th December in Week 16 of the NFL – The two sides enter this Week 16 matchup with identical records, having collected six wins in 14 games.
This run of form has left the Pittsburgh Steelers in fourth place in the AFC North, and the Las Vegas Raiders third in the AFC West.
Expect the gloves to come off in the latest matchup between these two squads. The clock is ticking fast now, with each side still without a playoff berth going into the final rounds of the regular season.
Pittsburgh Steelers VS Las Vegas Raiders Betting lines
Pittsburgh Steelers VS Las Vegas Raiders Betting expert picks
Pittsburgh Steelers VS Las Vegas Raiders Moneyline
While you could argue the Pittsburgh Steelers have home-field advantage on their side, their record in this series is a bit of a letdown, which is why we're favoring the Las Vegas Raiders to win on Saturday.
The visitors are on a two-match winning streak against the Steelers and we're backing them to make it three straight wins.
Pittsburgh Steelers VS Las Vegas Raiders Spread
The Week 16 spread indicates that the Pittsburgh Steelers are likely to beat the Las Vegas Raiders, but by no more than three points.
It's been a close call between the Pittsburgh Steelers and the Las Vegas Raiders in their last five games, with the average winning margin being just 4.2 points.
The Pittsburgh Steelers tend to play well at home against the Las Vegas Raiders. Over the past five games between the two teams at the Acrisure Stadium, the home side has won three times by an average margin of 12.7 points. The hosts are also 4-3-1 ATS in the past eight games at home and 6-4 ATS overall from their previous ten games.
The Las Vegas Raiders, on the other hand, have covered the spread in four of their last five games. In their past 10 matches, the Las Vegas Raiders went 6-4 ATS and also ended up 3-6 ATS from their nine most recent road trips.
Pittsburgh Steelers VS Las Vegas Raiders Total
The total may have passed the 45-point mark, but it didn't quite go above 50 points, as the last nine games between the Pittsburgh Steelers and the Las Vegas Raiders produced an average of 48 points.
The average total from the last five encounters between the Steelers and Raiders was 53 points, which is more than the 40.5-point total the oddsmakers have set for Saturday's matchup at the Acrisure Stadium.
The total has averaged 39.6 points in the Pittsburgh Steelers' ten most recent games, as well as 41.8 points in their last five at home. Looking back on the last five games on home soil for the Pittsburgh Steelers, the total went over two times. They are 4-6 against the total overall from their previous ten matches.
On average, the Las Vegas Raiders have seen 47.9 points go on board during their past ten matches and 43.2 points in their last five contests on the road.
Going on the road doesn't always seem to produce the expected number of points for the Las Vegas Raiders, as the total has gone under in seven of the past ten matchups away from home.
Pittsburgh Steelers VS Las Vegas Raiders Betting trends
Las Vegas Raiders have covered the spread in four of their last five games.
NFL Power Rankings Week 16 2022, Pittsburgh Steelers VS Las Vegas Raiders
Pittsburgh Steelers Form
The Pittsburgh Steelers upset the odds last week to beat the Carolina Panthers, winning 24-16 to improve their record over their last 10 games to 5-5. They are also 2-3 in their last five at home.
The home offense is on song at the moment, having averaged 22.2 points in the last five matches, which is more than the 17.9 points that the Pittsburgh Steelers have posted as their season average so far.
On the other side of the ball, the defense has been nothing special. In its last five outings, opponents have scored 20.4 points against them per contest—a number that is squarely in line with the unit's 22.1 points season average.
Having reached the wild card round of the playoffs last January, the Pittsburgh Steelers were tipped for a repeat this year. However, unless the home side can overturn a 6-8 record before 2022 wraps up, a spot in the NFL postseason seems unlikely at this stage.
Las Vegas Raiders Form
The Las Vegas Raiders have grabbed an impressive four wins from their five most recent matchups. The away side's most recent game ended in a 30-24 triumph over the New England Patriots.
The offense is on an excellent run of form, having put 27.0 points on board in the last five matches, which is more than the 24.1 points that the Las Vegas Raiders have managed for the season.
A below-average defense isn't what any traveling team wants to hear, but that's how it is for the Las Vegas Raiders. The visitors have allowed 24.1 points per game this year.
Unsurprisingly, the Raiders are unlikely to make the NFL postseason as things stand. Few people expected the away side to go far, and given their 6-8 regular season record, it seems they had good reason.
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Pittsburgh Steelers VS Las Vegas Raiders H2H history
The Raiders ran out winners in their previous two matchups with the Steelers. They won the most recent meeting 17-26 on September 2021, while the game before that finished with a 24-21 score on December 2018.
Prices for a third straight win for the Las Vegas Raiders (+115) is at 47%. The Pittsburgh Steelers came away with one win from their past five matchups against the Las Vegas Raiders, leaving them with an overall record of 1-4.
While the Pittsburgh Steelers averaged 24.56 points, the Las Vegas Raiders performed an average of 23.44 points in their nine most recent head-to-head games.
Pittsburgh Steelers VS Las Vegas Raiders Standings
Kansas City Chiefs VS Cincinnati Bengals AFC Championship Game Predictions with odds, betting lines, picks and promos
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Buffalo Bills VS Cincinnati Bengals NFL Playoff Predictions with odds, betting lines, picks and promos
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Mike Allen
Mike has several years of experience writing about sports and as a football enthusiast. Mike has fallen in love with sports gambling again as the US began to move toward legalized sports betting. Twitter at @mrallenmike


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251: The Indoor Soccer Travails of Keith Tozer
We traverse a fascinating litany of top-tier North American professional indoor soccer leagues with pioneering player, record-setting coach and now, current Major Arena Soccer League (MASL) commissioner Keith Tozer.
In a pro career spanning more than 40 years, Tozer has literally done it all in the indoor game:
Playing on original Major Indoor Soccer League (MISL) sides like the Cincinnati Kids, Hartford Hellions and Pittsburgh Spirit;
Dually playing/coaching for the American Indoor Soccer Association's (AISA) Louisville Thunder and Atlanta Attack; and
Coaching both the last two seasons of the MISL's Los Angeles Lazers and, legendarily, winning six titles in 22 seasons across four leagues with the Milwaukee Wave
Tozer is not only the winningest coach in indoor pro soccer history (amassing over 700 wins), but one of the most successful overall US soccer coaches of all time.
Buckle up for a wild ride across the rocky terrain of professional indoor soccer - including an outdoor detour with the American Soccer League Pennsylvania Stoners, coaching US teams for international futsal tournaments, and whatever happened to Mark Cuban's much-hyped Professional Futsal League.
And, of course, an analysis of the present state of the pro indoor game - and where Tozer hopes the MASL can take it in the years ahead.


New Location - Now Open!
Catch the game, grab the crew and enjoy a brew!
Good for what "Ales" ya!
Save time and order while you're on the go!
Click the button to display participating locations.
Gift the gift of Tanner's Bar & Grill!
Select your favorite location for details.
benefits and instructions to get started!
Visit our online store to purchase your Tanner's apparel.
The history of Tanner's starts in the 1980s in the town of Atchison, Kan., a little college town in the Northeast corner of the Sunflower State. Grandpa Tanner had spent years quenching the thirsts of his friends and neighbors in the town where he grew up. However, he had his eye on the big city and decided to settle in Johnson County, Kan.
Multiple locations to serve you in the mid-west. Stop by and say, hello!


Love Bullet – Fly Shooter is an upbeat, dynamic and wildly fun arcade fly shooter in which you need to show great shooting precision and flying skills if you want the humanity to be restored from the horrible bosses. In a vibrant and totally attractive environment you will be put to a really challenging test of unpredictable movements, obstacles and shooting battles. Can you handle the pressure?!


text:
Q: How to display Vim "bang" output below editor window instead of popping out to terminal? Numerous sources indicate that running a "bang" command such as :! wc % will display the results in Vim below the editor window. (For instance, this tip sheet states that as the expected behavior.)
Specifically, I'm following along with this Vimcast tutorial on Tim Pope's Fugitive plugin, and in that Drew Neil states that running the :Git command will allow the user to run any arbitrary git command from inside Vim--and the output of the command will be displayed within Vim at the bottom of the screen.
This is not the behavior I am experiencing. Instead my Vim session is in essence sent to the background, and I'm popped back to my terminal to see the output. It's all very disorienting--specifically because I lose the useful visual context provided by my Vim session including the "bang" command that generated the output.
I'd love it if Vim actually did display the externally generated output in Vim below the editor window. I found some similar types of questions, but in all of them the user wanted to output the content to a new buffer rather than just see it momentarily printed at the bottom of the editor window. In other words, I've not found anyone else describing the behavior I'm seeing.
I was able to get the desired behavior in gVim, but gVim isn't always a viable option, so I'd like to know whether there is a broader solution that will allow the expected behavior in terminal-based Vim.
I'm using Vim 8.0 on Ubuntu 16.04. My terminal is gnome-terminal with the zsh shell. I tried some other terminals on my machine and the bash shell, and I'm experiencing this behavior regardless of which combination I use.
Here are two screenshots that demonstrate the behavior I'm seeing. On the left is a terminal-based Vim, and on the right is gVim. Notice how running :! wc % has the expected/desired behavior in gVim on the right, but not in regualar Vim on the left.
Screenshot before running command:

Screenshot after running command:

Is anyone else experiencing this? Does anyone else get the desired behavior from their terminal-based Vim? (Perhaps this is all some kind of documentation oversight and terminal-based Vim was never expected to behave in the desired way?)
Thanks!

A: It's GVim (or MacVim) that shows the output of external command at the bottom of the window because it comes with a very minimal terminal emulator. Plain Vim is incapable of doing that.
You could emulate that behavior with tmux via any of the many Vim plugins that provide tmux integration or, since you are using Vim 8.0, the new built-in :help :terminal emulator.
For your example:
:term wc %

A: An alternative that I stumbled across is to use AsyncRun from this plugin. It acts as alternative to the shebang command, runs the command in the background, and sends the output to the quickfix window.
While I still think the accepted answer is the right one (i.e. that a TUI Vim always outputs to the terminal shell instead of the internal shell), someone else coming across this thread might find AsyncRun to be a better alternative to "that's just how it works".


text:
(Journey to Ixtlan)
"I've told you that the secret of a strong body is not in what you do to it but in what you don't do," he finally said. "Now it is time for you not to do what you always do. Sit here until we leave and not-do."
"I don't follow you, don Juan."
He put his hands over my notes and took them away from me. He carefully closed the pages of my notebook, secured it with its rubber band, and then threw it like a disc far into the chaparral. I was shocked and began to protest but he put his hand over my mouth. He pointed to a large bush and told me to fix my attention not on the leaves but on the shadows of the leaves. He said that running in the darkness did not have to be spurred by fear but could be a very natural reaction of a jubilant body that knew how "to not do". He repeated over and over in a whisper in my right ear that "to not do what I knew how to do' was the key to power. In the case of looking at a tree, what I knew how to do was to focus immediately on the foliage. The shadows of the leaves or the spaces in between the leaves were never my concern. His last admonitions were to start focusing on the shadows of the leaves on one single branch and then eventually work my way to the whole tree, and not to let my eyes go back to the leaves, because the first deliberate step to storing personal power was to allow the body to not-do.
Perhaps it was because of my fatigue or my nervous excitation, but I became so immersed in the shadows of the leaves that by the time don Juan stood up I could almost group the dark masses of shadows as effectively as I normally grouped the foliage. The total effect was startling.
I told don Juan that I would like to stay longer. He laughed and patted me on my hat.
"I've told you," he said." The body likes things like this."
He then said that I should let my stored power guide me through the bushes to my notebook. He gently pushed me into the chaparral. I walked aimlessly for a moment and then I came upon it. I thought that I must have unconsciously memorized the direction in which don Juan had thrown it. He explained the event, saying that I went directly to the notebook because my body had been soaked for hours in not-doing.
"Shadows are peculiar affairs," he said all of a sudden. "You must have noticed that there is one following us."
"I haven't noticed anything of the sort," I protested in a loud voice.
Don Juan said that my body had noticed our pursuer, in spite of my stubborn opposition, and assured me in a confident tone that there was nothing unusual about being followed by a shadow.
"It is just a power," he said. "These mountains are filled with them. It is just like one of those entities that scared you the other night."
I wanted to know if I could actually perceive it myself. He asserted that in the daytime I could only feel its presence.
I wanted an explanation of why he called it a shadow when obviously it was not like the shadow of a boulder. He replied that both had the same lines, therefore both were shadows.
He pointed to a long boulder standing directly in front of us.
"Look at the shadow of that boulder," he said. "The shadow is the boulder, and yet it isn't. To observe the boulder in order to know what the boulder is, is doing, but to observe its shadow is not-doing.
"Shadows are like doors, the doors of not-doing. A man of knowledge, for example, can tell the innermost feelings of men by watching their shadows."
"Is there movement in them?" I asked.
"You may say that there is movement in them, or you may say that the lines of the world are shown in them, or you may say that feelings come from them."
"But how could feelings come out of shadows, don Juan?"
"To believe that shadows are just shadows is doing," he explained. "That belief is somehow stupid. Think about it this way: There is so much more to everything in the world that obviously there must be more to shadows too. After all, what makes them shadows is merely our doing."
There was a long silence. I did not know what else to say.
"The end of the day is approaching," don Juan said, looking at the sky. "You have to use this brilliant sunlight to perform one last exercise."
He led me to a place where there were two peaks the size of a man standing parallel to each other, about four or five feet apart. Don Juan stopped ten yards away from them, facing the west. He marked a spot for me to stand on and told me to look at the shadows of the peaks. He said that I should watch them and cross my eyes in the same manner I ordinarily crossed them when scanning the ground for a place to rest. He clarified his directions by saying that when searching for a resting place one had to look without focusing but in observing shadows one had to cross the eyes and yet keep a sharp image in focus. The idea was to let one shadow be superimposed on the other by crossing the eyes. He explained that through that process one could ascertain a certain feeling which emanated from shadows. I commented on his vagueness, but he maintained that there was really no way of describing what he meant.
My attempt to carry out the exercise was futile. I struggled until I got a headache. Don Juan was not at all concerned with my failure. He climbed to a dome-like peak and yelled from the top, telling me to look for two small long and narrow pieces of rock. He showed with his hands the size rock he wanted.
I found two pieces and handed them to him. Don Juan placed each rock about a foot apart in two crevices, made me stand above them facing the west, and told me to do the same exercise with their shadows.
This time it was an altogether different affair. Almost immediately I was capable of crossing my eyes and perceiving their individual shadows as if they had merged into one. I noticed that the act of looking without converging the images gave the single shadow I had formed an unbelievable depth and a sort of transparency. I stared at it, bewildered. Every hole in the rock, on the area where my eyes were focused, was neatly discernible; and the composite shadow, which was superimposed on them, was like a film of indescribable transparency.
I did not want to blink, for fear of losing the image I was so precariously holding. Finally my sore eyes forced me to blink, but I did not lose the view of the detail at all. In fact, by re-moistening my cornea the image became even clearer. I noticed at that point that it was as if I were looking from an immeasurable height at a world I had never seen before. I also noticed that I could scan the surroundings of the shadow without losing the focus of my visual perception.
Then, for an instant, I lost the notion that I was looking at a rock. I felt that I was landing in a world, vast beyond anything I had ever conceived. This extraordinary perception lasted for a second and then everything was turned off. I automatically looked up and saw don Juan standing directly above the rocks, facing me. He had blocked the sunlight with his body.
I described the unusual sensation I had had, and he explained that he had been forced to interrupt it because he saw that I was about to get lost in it. He added that it was a natural tendency for all of us to indulge ourselves when feelings of that nature occur, and that by indulging myself in it I had almost turned not-doing into my old familiar doing. He said that what I should have done was to maintain the view without succumbing to it, because in a way doing was a manner of succumbing.
I complained that he should have told me beforehand what to expect and what to do, but he pointed out that he had no way of knowing whether or not I would succeed in merging the shadows.
I had to confess I was more mystified than ever about not-doing. Don Juan's comments were that I should be satisfied with what I had done, because for once I had proceeded correctly, that by reducing the world I had enlarged it, and that, although I had been far from feeling the lines of the world, I had correctly used the shadow of the rocks as a door into not-doing.
The statement that I had enlarged the world by reducing it intrigued me no end. The detail of the porous rock, in the small area where my eyes were focused, was so vivid and so precisely defined that the top of the round peak became a vast world for me; and yet it was really a reduced vision of the rock. When don Juan blocked the light and I found myself looking as I normally would do, the precise detail became dull, the tiny holes in the porous rock became bigger, the brown colour of the dried lava became opaque, and everything lost the shiny transparency that made the rock into a real world.
Don Juan then took the two rocks, laid them gently into a deep crevice, and sat down cross-legged facing the west, on the spot where the rocks had been. He patted a spot next to him to his left and told me to sit down.
We did not speak for a long time. Then we ate, also in silence. It was only after the sun had set that he suddenly turned and asked me about my progress in dreaming.
I told him that it had been easy in the beginning, but that at the moment I had ceased altogether to find my hands in my dreams.
"When you first started dreaming you were using my personal power, that's why it was easier," he said. "Now you are empty. But you must keep on trying until you have enough power of your own. You see, dreaming is the not-doing of dreams, and as you progress in your not-doing you will also progress in dreaming. The trick is not to stop looking for your hands, even if you don't believe that what you are doing has any meaning. In fact, as I have told you before, a warrior doesn't need to believe, because as long as he keeps on acting without believing he is not-doing."
We looked at each other for a moment.
"There is nothing else I can tell you about dreaming" he continued. "Everything I may say would only be not-doing. But if you tackle not-doing directly, you yourself would know what to do in dreaming. To find your hands is essential, though, at this time, and I am sure you will."
"I don't know, don Juan. I don't trust myself."
"This is not a matter of trusting anybody. This whole affair is a matter of a warrior's struggle; and you will keep on struggling, if not under your own power, then perhaps under the impact of a worthy opponent, or with the help of some allies, like the one which is already following you."
I made a jerky involuntary movement with my right arm. Don Juan said that my body knew much more than I suspected, because the force that had been pursuing us was to my right. He confided in a low tone of voice that twice that day the ally had come so close to me that he had had to step in and stop it.
"During the day shadows are the doors of not-doing," he said. "But at night, since very little doing prevails in the dark, everything is a shadow, including the allies. I've already told you about this when I taught you the gait of power."
I laughed out loud and my own laughter scared me.
"Everything I have taught you so far has been an aspect of not-doing," he went on. "A warrior applies not-doing to everything in the world, and yet I can't tell you more about it than what I have said today. You must let your own body discover the power and the feeling of not-doing."
I had another fit of nervous cackling.
"It is stupid for you to scorn the mysteries of the world simply because you know the doing of scorn," he said with a serious face.
I assured him that I was not scorning anything or anyone, but that I was more nervous and incompetent than he thought.
"I've always been that way," I said. "And yet I want to change, but I don't know how. I am so inadequate."
"I already know that you think you are rotten," he said. "That's your doing. Now in order to affect that doing I am going to recommend that you learn another doing. From now on, and for a period of eight days, I want you to lie to yourself. Instead of telling yourself the truth, that you are ugly and rotten and inadequate, you will tell yourself that you are the complete opposite, knowing that you are lying and that you are absolutely beyond hope."
"But what would be the point of lying like that, don Juan?"
"It may hook you to another doing and then you may realize that both doings are lies, unreal, and that to hinge yourself to either one is a waste of time, because the only thing that is real is the being in you that is going to die. To arrive at that being is the not-doing of the self."
(The Second Ring of Power)
La Gorda and the little sisters stood up after perhaps thirty minutes of gazing. La Gorda signaled me with her head to follow them. They went to the kitchen. La Gorda pointed to a bench for me to sit on. She said that she was going up the road to meet the Genaros and bring them over. She left through the front door.
The little sisters sat around me. Lidia volunteered to answer anything I wanted to ask her. I asked her to tell me about her gazing into don Juan's power spot, but she did not understand me.
"I'm a distance and shadow gazer," she said. "After I became a gazer the Nagual made me start all over again and had me gaze this time at the shadows of leaves and plants and trees and rocks. Now I never look at anything anymore; I just look at their shadows. Even if there is no light at all, there are shadows; even at night there are shadows. Because I'm a shadow gazer I'm also a distance gazer. I can gaze at shadows even in the distance."
"The shadows in the early morning don't tell much. The shadows rest at that time. So it's useless to gaze very early in the day. Around six in the morning the shadows wake up, and they are best around five in the afternoon. Then they are fully awake."
"What do the shadows tell you?"
"Everything I want to know. They tell me things because they have heat, or cold, or because they move, or because they have colors. I don't know yet all the things that colors and heat and cold mean. The Nagual left it up to me to learn."
"In my dreaming. Dreamers must gaze in order to do dreaming and then they must look for their dreams in their gazing. For example, the Nagual made me gaze at the shadows of rocks, and then in my dreaming I found out that those shadows had light, so I looked for the light in the shadows from then on until I found it. Gazing and dreaming go together. It took me a lot of gazing at shadows to get my dreaming of shadows going. And then it took me a lot of dreaming and gazing to get the two together and really see in the shadows what I was seeing in my dreaming. See what I mean? Every one of us does the same. Rosa's dreaming is about trees because she's a tree gazer and Josefina's is about clouds because she's a cloud gazer. They gaze at trees and clouds until they match their dreaming"
She stood up and asked me to observe her shadow carefully.
I noticed that it was perfectly still.
Then she told me to stand and look at my own shadow.
I couldn't help detecting a slight quiver, like the shadow of the trees when the leaves were touched by a breeze.
"Why is my shadow shaking?" I asked. "I thought I was standing perfectly still."
"Your shadow quivers because the winds of emotion are blowing through you," Clara replied.
"You're more quiet than when you first began to recapitulate, but. there is still a great deal of agitation left inside you."
She told me to stand on my left leg with my right leg raised and bent at the knee.
I wobbled as I tried to keep my balance.
I marveled that she stood on one leg as easily as she had stood on two, and her shadow was absolutely motionless.
"You seem to have a hard time keeping your balance," Clara noted, setting down her leg and raising the other one."
"That means that your thoughts and feelings are not at ease, and neither is your breathing."
I raised my other leg to try the exercise again.
This time my balance was better, but when I saw how still Clara's shadow was, I experienced a sudden pang of envy and I had to lower my leg to keep from falling.
"Whenever we have a thought," Clara explained, setting down her leg again, "our energy moves in the direction of that thought."
"Thoughts are like scouts; they cause the body to move along a certain path."
"Now, look at my shadow again," she ordered. "But try not to regard it as merely my shadow. Try to see into the essence of Clara as shown in her shadow-picture."
Immediately I tensed. I was on trial and my performance was going to be evaluated. My childhood competitive feelings of having to outdo my brothers surfaced.
"Don't tense up," Clara said sternly. "This is not a contest. This is merely a delight. Do you understand? A delight!"
I had been thoroughly conditioned to react to words. The word 'delight' threw me into total confusion, and finally into panic.
She's not using the word correctly, was all I could think. She must mean something else.
But Clara repeated the word over and over, as if she wanted it to sink in. I kept my eyes on her shadow. I had the impression that it was beautiful, serene, full of power. It wasn't merely a dark area, it seemed to have depth, intelligence and vitality.
Then suddenly I thought I saw Clara's shadow move independent of any movement of Clara's body. The movement was so incredibly fast that it almost went unnoticed.
I waited, holding my breath, peering at it, pouring on it all my attention.
Then it happened again, and this time I was certainly prepared for it.
It quivered and then stretched, as if its shoulders and chest had suddenly been inflated. The shadow seemed to have come alive.
I let out a shriek and jumped up. I shouted to Clara that her shadow was alive.
I was ready to run away, terrified that the shadow would run after me, but Clara restrained me by holding my shoulder.
When I had calmed down enough to talk again, I told her what I had seen, all the while keeping my eyes averted from the ground for fear of catching another glimpse of Clara's sinister shadow.
"To see the movement of shadows means that you have obviously freed a huge portion of energy with your recapitulation," Clara remarked.
"Are you sure I didn't just imagine this, Clara?" I said, hoping she would say I had.
"It was your intent that made it move," she said authoritatively.
"But don't you think that recapitulating also disturbs the mind?" I asked. "I must be very disturbed in order to see shadows moving by themselves."
"No. The purpose of the recapitulation is to break basic assumptions we have accepted throughout our lives," Clara explained patiently:
"Unless they are broken, we can't prevent the power of remembering from clouding our awareness."
"What exactly do you mean by the power of remembering, Clara?"
"The world is a huge screen of memories. If certain assumptions are broken," she said, "the power of remembering is not only held in check, but even canceled out."
I didn't understand what she was saying and I resented her being so obscure.
"It probably was the wind that stirred the dirt on which your shadow was projected," I said, offering a reasonable explanation.
Clara shook her head. "Try looking at it again and find out for sure," she suggested.
I felt goose bumps on my arms. Nothing was going to make me stare at her shadow again.
"You insist that shadows of people don't move by themselves," Clara said, "because that's what your ability to remember tells you."
"Do you remember ever seeing them move?"
I replied, "No. I certainly do not."
"There you are. What happened to you just now is that your normal ability to remember was held in check for an instant and you saw my shadow move."
Clara shook a finger at me and chuckled. "And it wasn't the wind stirring the dirt, either," she said.
Then she hid her head with her arm, as if she were a timid child.
It struck me as odd that even though she was a grown woman, she never looked ridiculous performing childish gestures.
"I have news for you," Clara continued. "You've seen shadows move before as a child, but then you were not yet rational so it was all right to see them move."
"As you grew up, your energy was harnessed by social constraints, and so you forgot you had seen them moving, and only remember what you think is permissible to remember."
I was trying to appreciate the scope of what Clara was saying when I suddenly remembered that as a child I used to see shadows wiggle and twist on the sidewalks; especially on hot, clear days. I always thought they were trying to pull themselves free from people they belonged to. It terrified me to see the shadows curl sideways to peek behind them. It always seemed odd that adults would be so totally oblivious of their shadows' antics. I mentioned this to her.
Clara concluded that my being terrified was a product of the conflict between what I really saw, and what I had already been told was possible and permissible to see.
"I don't think I follow you, Clara," I said.
"Try to imagine yourself as a giant memory warehouse," she suggested:
"In that warehouse, someone other than yourself has stored feelings, ideas, mental dialogues and behavior patterns."
"Since it is your warehouse, you can go in there and rummage around any time you want and use whatever you find there."
"The problem is that you have absolutely no say over the inventory, for it was already established
before you came into possession of the warehouse."
"Thus you are drastically limited in your selection of items."
She added that our lives seem to be an uninterrupted time line because in our warehouses the inventory never changes.
She stressed that unless this storehouse is cleared out, there is no way for us to be what we really are.
Overwhelmed by my memories and by what Clara was explaining, I sat down on a large rock. From the corner of my eye, I saw my shadow and experienced a jolt of panic as I asked myself, What if my shadow wouldn't quite sit the way I do?
"I can't take this, Clara," I said, jumping up. "Let's go back to the house."
Clara ordered me to stay put. "Calm the mind," she said, staring at me, "and the body too will become tranquil; otherwise you're going to burst."
Clara held her left hand in front of her body with the wrist resting just above her navel and her palm faced sideways. The fingers were pressed together, pointed downward to the ground. She told me to adopt this hand position and gaze at the tip of my middle finger.
I looked over the bridge of my nose, which forced me to look downward while slightly crossing my eyes.
She explained that to gaze fixedly in that manner places our awareness outside of us onto the ground, thus diminishing our inner agitation.
Then she said I was to inhale deeply while pointing at the ground; intending to get from it a sparkle of energy, like a drop of glue, on my middle finger.
Next, I was to rotate my hand up at the wrist until the base of my thumb touched my breastbone. I was to gaze at the tip of my middle finger for a count of seven and then shift my awareness immediately to my forehead, to a spot in between the eyes and just above the bridge of the nose.
This shift, she said, must be accompanied by the intent of transferring the sparkle of energy from the middle finger to that spot between the eyes.
If the transfer is accomplished, a light appears on the dark screen behind the closed eyes.
She said that we can send this luminous spot of energy to any part of our body to counteract pain, disease, apprehension or fear.
She then moved her hand and gently pressed my solar plexus. "If you need a quick surge of energy, as you do now, do the power breath I am about to show you and I guarantee that you will feel recharged."
I watched Clara do a series of short inhalations and exhalations through her nose in rapid succession, vibrating her diaphragm. I imitated her and after twenty or so breaths, contracting and relaxing my diaphragm, I felt warmth spreading throughout my midsection.
"We're going to sit here doing the power breath and gazing at the light behind the eyes," she said, "until you're no longer frightened."
"I wasn't really that scared," I lied.
"You didn't see yourself," Clara retorted. "From where I'm sitting, I saw someone who was just about to faint."
She was absolutely right. Never had I experienced such total fright as when I saw Clara's shadow stretching itself out.
Lost memories had surfaced from such forgotten depths that, for a second or two, I had felt I was actually a child again.
The human body can be turned into an instrument capable of gathering, storing and directing energy.
"We can regard the body either as a biological organism or as a source of power," Clara explained: "It all depends on the state of the inventory in our warehouse. The body can be hard and rigid, or soft and pliant."
"If our warehouse is empty, the body itself is empty, and energy from infinity can flow through it."
Clara reiterated that in order to empty ourselves, we have to sink into a state of profound recapitulation and let energy flow through us unimpeded.
Only in quiescence, she stressed, can we give the seer in us full reign; or can the impersonal energy of the universe turn into the very personal force of intent.
"When we have emptied ourselves sufficiently of our obsolete and encumbering inventory," she went on, "energy comes to us and gathers itself naturally. When enough of it coalesces, it turns into power. Anything can announce intent's presence: a loud noise, a soft voice, a thought that isn't yours, an unexpected surge of vigor or well-being."
Clara emphasized that in the final analysis, it made no difference whether power descends on us in a state of wakefulness or in dreams.
It is equally valid in both cases; dreaming being, however, more elusive and potent.
"What we experience in wakefulness in terms of power should be put into practice in dreams," she continued.
"And whatever power we experience in dreams should be used while we are awake."
"What really counts is being aware regardless of whether we are awake or asleep."
She peered at me and repeated, "What counts is being aware."
Clara was silent for a moment.
Then she told me something I considered to be completely irrational. She said, "Being aware of time, for example, can make a man's life span several hundred years."
"That's absurd," I said. "How can a man live that long?"
"Being aware of time is a special state of awareness that prevents us from aging quickly and dying in a few decades," Clara explained:
"There is a belief handed down from the ancient sorcerers, that if we would be able to use our bodies as weapons- or, put in modern terms, if we would empty our warehouses- we would be able to slip out of the world to roam elsewhere."
"Where would we go?" I asked.
Clara looked at me in surprise, as if I ought to know the answer. "To the realm of not-being; to the shadows' world," she replied:
"It is believed that once our warehouse is empty, we would become so light that we could soar through the void and nothing would hinder our flight."
"Then we could return to this world youthful and renewed."
I shifted on the uncomfortable rock numbing my tailbone. "But this is just a belief, isn't it, Clara?" I asked. "A legend handed down from ancient time."
"At this moment, it is just a belief," she acknowledged.
"But moments, like all things, are known to change."
"Nowadays, more than ever, man needs to renew himself and experience emptiness and freedom."
For a moment I wondered what it would be like to be as vaporous as a cloud and float up into the air, with nothing to bar my coming and going.
It was almost dark then and everything was absolutely still to the point of being eerie. The birds were silent. Everything had quieted down. Even the wind, which had been so annoying earlier while I was trying to rake the leaves, had settled.
"It's the time of no shadows," Clara whispered. "Let's sit under this tree in the dark and find out if you can summon the shadows' world."
"Wait a moment, Clara," I said in a loud whisper that bordered on a screech. "What are you going to do to me?"
Waves of nervousness were cramping my stomach, and in spite of the cold, my forehead was perspiring.
Clara asked me then outright if I had been practicing the breaths and the sorcery passes she had taught me.
I wanted more than anything to tell her that I had, yet that would have been a lie. In truth, I had practiced them minimally, just so I wouldn't forget them; because recapitulating took all of my available energy and left me no time for anything else. At night I was too tired to do anything, so I just went to bed.
"You haven't been doing them regularly or you wouldn't be in this sorry state now," Clara said, leaning closer. "You're trembling like a leaf.
"There's one secret to the breathing and the passes I've taught you that makes them invaluable."
"What is that?" I stammered.
Clara tapped me on the head. "They have to be practiced every day or else they're worthless."
"You wouldn't think of going without eating or drinking water, would you? The exercises I've taught you are even more important than food and water."
She had made her point. I silently vowed that every night before going to bed I would do them, and again upon awakening in the morning before going to the cave.
"The human body has an extra energy system that comes into play when we are under stress," Clara explained. "And stress happens any time we do anything to excess; like being overly concerned with yourself and your performance, as you are now."
"That's why one of the fundamental precepts of the art of freedom is to avoid excesses."
She said that the movements she was teaching me, whether she called them breaths or sorcery passes, were important because they operate directly on the reserve system; and that the reason they can be called indispensable passes is because they allow added energy to pass into and through our reserve pathways.
Then when we are summoned to action, instead of becoming depleted from stress, we become stronger, and have surplus energy for extraordinary tasks.
"Now, before we summon the shadows' world, I'll show you two more indispensable sorcery passes which combine breathing and movements," she went on.
"Do them every day and you not only won't get tired or sick, but you'll have plenty of surplus energy for your intending."
"For my what?"
"Your intending," Clara repeated. "For intending the result of anything you do. Remember?"
She held my shoulders and twisted me around so that I was facing north.
"This movement is particularly important for you, Taisha, because your lungs are weakened from excessive weeping," she said:
"A lifetime of feeling sorry for yourself certainly has taken its toll on your lungs."
Her statement jolted me to attention.
I watched her bend her knees and ankles and assume a martial art posture called the 'straight horse,' because it simulates the sitting position of a rider mounted on a horse, with his legs a shoulders' width apart and slightly bowed.
The index finger of her left hand was pointed down, while her other fingers were curled at the second joint.
As she began to inhale, she gently but forcefully turned her head to the right as far as she could, and rotated her left arm at the shoulder joint over her head in a full circle all the way to the back, ending up with the heel of her left palm resting on her tailbone.
Simultaneously she brought her right arm around her waist to her back and placed her right fist over the back of her left hand, wedging it against her bent left wrist.
Using her right fist, she pushed up her left arm along her spinal column, her left elbow bent akimbo, and finished her inhalation.
She held her breath for a count of seven, then released the tension on her left arm, lowered it to her tailbone again and rotated it at the shoulder joint straight overhead to the front, ending up with the heel of her left palm resting on her pubis.
Simultaneously she brought her right arm around her waist to the front and placed that fist on the back of her left hand, and pushed the left arm up her abdomen as she finished exhaling.
"Do this movement once with your left arm, and again with your right one," she said. "That way you will balance your two sides."
To demonstrate, she repeated the same movements, alternating arms, and this time turning her head to the left.
"Now you try it, Taisha," she said, stepping aside to give me room to circle my arm backward. I replicated her movements.
As I swung my left arm back, I felt a painful tension along the underside of my extended arm, running all the way from my finger to my armpit.
"Relax and let the breath's energy flow through your arm and out of the tip of your index finger," she said. "Keep it extended and the other fingers curved. That way you'll release any blockage of energy along the pathways in your arm."
The pain grew even more acute as I pushed my bent arm upward along my back.
Clara noticed my pinched expression. "Don't push too hard," she warned, "or you'll strain your tendons. And round your shoulders a bit more as you push."
After performing the movement with my right arm, I felt a burning in my thigh muscles from standing with my knees and ankles bent.
Even though I stood in the same position every day while practicing kung fu, my legs seemed to vibrate as if an electric current were running through them.
Clara suggested I stand up and shake my legs a few times to release the tension.
Clara emphasized that in this sorcery pass, rotating and pushing the arms up in conjunction with breathing moves energy to the organs in the chest and vitalizes them.
It massages deep, underlying centers that rarely are activated.
Turning the head massages the glands in the neck and also opens energy passageways to the back of the head.
She explained that if awakened and nourished by the energy from breathing, these centers could unravel mysteries beyond anything we can imagine.
"For the next sorcery pass," Clara said, "stand with your feet together and look straight ahead as if you were facing a door that you are going to open."
Clara told me to raise my hands to eye level and to curl my fingers as if I were placing them inside the recessed handles of sliding doors that open in the middle.
"What you are going to open is a crack in the energy lines of the world," she explained.
"Imagine those lines as rigid vertical cords that make a screen in front of you."
"Now grab a bunch of the fibers and pull them apart with all your might.
"Pull them apart until the opening is big enough for you to step through."
She told me that once I had made that hole, I should step forward with my left leg and then quickly, using my left foot as a pivot, rotate one hundred and eighty degrees counterclockwise to face the direction from which I had come.
By my turning in this manner, the energy lines I had pushed apart would wrap around me.
To return, she said, I had to open the lines again by pulling them apart the same way I had done before, then step out with the right foot and quickly turn one hundred and eighty degrees clockwise as soon as I had taken the step. In this fashion, I would have unwrapped myself and would again be facing the direction in which I had begun the sorcery pass.
"This is one of the most powerful and mysterious of all the sorcery passes," Clara cautioned. "With it we can open doors to different worlds, provided of course that we have stored a surplus of internal energy and are able to realize the intent of the pass."
Her serious tone and expression made me ill at ease.
I didn't know what to expect if I succeeded in opening that invisible door.
In a brusque tone, she then gave me some final instructions.
"When you step in," she said, "your body has to feel rooted, heavy, full of tension."
"But once you are inside and have turned around, you should feel light and airy, as if you were floating upward.
"Exhale sharply as you first lunge forward through the opening, then inhale slowly and deeply, filling your lungs completely with the energy from behind that screen."
I practiced the pass several times as Clara looked on, but it was as if I were only going through the outward motions.
I couldn't feel the energy fibers forming the screen that Clara was talking about.
"You're not pulling the door open hard enough," Clara corrected me. "Use your internal energy, not just your arm muscles. Expel the stale air and pull in your stomach as you lunge forward. Once inside, breathe as many times as you can, but be on the alert. Don't stay longer than you need to."
I mustered up all my strength and grabbed the air. Clara stood behind me, held my forearms and gave them a tremendous pull sideways.
Instantly I felt as if some sliding doors had opened.
Exhaling sharply, I lunged through it, or rather Clara had given me a shove from behind, pushing me forward.
I remembered to turn around and breathe deeply, but for a moment I worried that I wouldn't know when to come out. Clara sensed this and told me when to stop breathing and when to step out.
"As you practice this sorcery pass by yourself," Clara said, "you'll learn to do it perfectly, but be careful."
"All sorts of things can happen once you go through that opening."
"Remember, you have to be cautious and at the same time bold."
"How will I know which is which?" I asked.
Clara shrugged. "For a while, you won't. Unfortunately, prudence comes to us only after we've gotten blasted."
She added that cautiousness without cowardice is hinged on our ability to control our internal energy; and to divert it into the reserve channels so that it is available to us when we need it for extraordinary actions.
"With enough internal energy, anything can be accomplished," Clara said, "but we need to store and refine it.
"So let's both practice some of the sorcery passes you've learned and see if you can be cautious without being cowardly and summon up the shadows' world."
I experienced a surge of energy that began as small circles in my stomach. At first I thought it was fear, but my body didn't feel frightened.
It was as if an impersonal force, void of desires or sentiment, was stirring inside me; moving from the inside out. As it ascended, my upper back jerked involuntarily.
Clara moved to the center of the patio, and I followed her.
I shut my eyes and started to move in unison with Clara.
I had no trouble following her cues for changing positions, yet I had difficulty in keeping my balance.
I knew it was because I was trying too hard to do the movements correctly. It was like the time I had tried walking with my eyes shut, and kept stumbling because I desperately wanted to succeed. But gradually my desire to excel diminished and my body became more limber and subtle. As we kept on moving, I became so relaxed that I felt I had no bones or joints.
If I raised my arms overhead, it seemed I could stretch them all the way to the tops of the trees. If I bent my knees and lowered my weight, a surge of energy rushed downward through my feet. I felt I had grown roots. Lines were extending from the soles of my feet deep into the earth, giving me an unprecedented stability.
Gradually the boundary between my body and its surroundings dissolved. With every pass I did, my body seemed to melt and merge with the darkness until it began to move and breathe all by itself.
I could hear Clara breathing beside me, performing the same passes.
With my eyes closed, I sensed her shape and postures.
At one point, the strangest thing yet happened.
I felt a light turning on inside my forehead.
But as I looked up, I became aware that the light wasn't really inside me at all. It came from the top of the trees, as if a huge panel of electric lights had been turned on at night, illuminating an outdoor stadium.
I had no trouble seeing Clara and everything on the patio, and what was around it.
The light had the strangest hue, and I couldn't decide if it was rose-tinted, pinkish or peach, or like pale terra-cotta.
In places, it seemed to change its glare depending on where I looked.
Clara, peering at me curiously, said, "Don't move your head, and continue keeping your eyes closed. Just concentrate on your breathing."
I didn't know why she had said to continue keeping my eyes closed since she saw that my eyes were wide open: I was trying to determine the coloration of the light, for it seemed to change with every movement of my head, and its intensity fluctuated depending on how hard I stared at it.
I became so involved with the glow around me that I lost the rhythm of the breaths.
Then as suddenly as the light had turned on, it switched off again and I was left in total darkness.
"Let's go into the kitchen and heat up some stew," Clara said, nudging me. '
I hesitated. I felt disoriented; out of place. My body was so heavy I thought I must be sitting down.
"You can open your eyes now," Clara said.
I never remembered having had such a difficult time opening my eyes as I did at that moment. It seemed to take me forever to do it, for just as I got them open, they would droop shut again. This opening and closing seemed to go on for a long time, until I felt Clara shaking my shoulders.
"Taisha, open your eyes!" she commanded. "Don't you dare pass out on me. Do you hear?"
I shook my head to clear it and my eyes popped open.
They had been closed all the time.
It was pitch black, but there was enough moonlight coming through the foliage to see Clara's silhouette. We were sitting under the tree on the two rattan armchairs in the patio.
"How did I get here?" I asked dazed.
"You walked over here and sat down," Clara said matter-of-factly.
"But what happened? A moment ago it was light. I could see everything clearly."
"What happened is that you entered into the shadows' world," Clara said with a congratulatory tone.
"I could tell by the rhythm of your breathing that you had gone there, but I didn't want to frighten you then by asking you to look at your shadow."
"If you had looked, you would have known that…"
I instantly understood what Clara was intimating.
I gasped, "There were no shadows. There was light but nothing had a shadow."
Clara nodded. "Tonight you've found out something of real value, Taisha. In the worlds outside this one, there are no shadows!"


text:
[Next]: Probabilistic Cellular Automata
[Previous]: Gibbs measures of highly disordered systems
Interacting catalytic branching processes
Collaborator: K. Fleischmann , A. Sturm
Cooperation with: N.H. Barton (University of Edinburgh, UK), D.A. Dawson (Carleton University Ottawa, Canada), A.M. Etheridge (University of Oxford, UK), A. Klenke (Universität Köln), P. Mörters (University of Bath, UK), C. Mueller (University of Rochester, USA), L. Mytnik (Technion, Haifa, Israel), E.A. Perkins (University of British Columbia, Vancouver, Canada), J. Swart (Friedrich-Alexander-Universität Erlangen-Nürnberg), V.A. Vatutin (Steklov Mathematical Institute, Moscow, Russia), A. Wakolbinger (Johann Wolfgang Goethe-Universität Frankfurt), J. Xiong (University of Tennessee, Knoxville, USA)
Supported by: DFG Priority Program ``Interagierende Stochastische Systeme von hoher Komplexität'' (Interacting stochastic systems of high complexity)
Description: Pairs of interacting catalytic branching models describe the evolution of two materials which randomly move, split, and possibly disappear in space. The system is interactive in that the branching behavior of each material is dependent on the other one. This interaction destroys the usual independence assumption in branching theory, and requires new, different methods.
A major result this year is the construction of a competing species model with infinite variance [8]. This is a breakthrough since up to date exclusively interacting branching models with finite variance branching have been constructed. In this case a competing species model has been treated in dimensions d<4 by Evans and Perkins [5], based on Barlow et al. [2]. Besides others, their key tools had been a Girsanov-type theorem of Dawson [4], and a Tanaka-type formula for collision local times of some interacting critical continuous super-Brownian motions in d<6, from [2]. But both tools are not available anymore if the finite variance assumption is dropped. In fact, Girsanov's theorem requires continuity in time of the martingale component; this is true only under finite variance. Moreover, Barlow et al.'s proof of the Tanaka formula relies on some uniform bound of continuous super-Brownian motion's mass in small balls ([2]). This bound does not hold in our case, and validity of the Tanaka formula in the more general setup remains open. To prove convergence of approximating collision local times, we heavily apply a log-Laplace technique, originally used for collision local times in Mytnik [13]. In our interacting model, an application of log-Laplace tools is still possible since we can represent the collision local time for the pair of interacting superprocesses with killing as a linear combination of collision local times for independent and conditionally independent measure-valued processes. This representation (which also holds for approximating collision local times) is based on the domination of interacting pairs by a pair of independent superprocesses. The domination property is an extension of an analogous result proved in [2] for finite variance super-Brownian motions.
A related line of research has been concerned with convergence of population systems to the heat equation with colored noise . In [14] rescaled branching particle systems in a random environment and associated lattice systems (infinite systems of stochastic differential equations) are shown to converge to solutions of the aforementioned stochastic partial differential equation (SPDE). Due to the correlation in the random environment, the resulting SPDEs are driven by a colored noise term. The latter can be investigated in higher dimensions. This is in contrast to white noise SPDEs which are restricted to dimension one. Apart from establishing an SPDE description of a class of particle systems, the particle picture itself and the approximation by systems of related SDEs provide a representation of a general class of SPDEs that also arise in other areas of application, for example in filtering theory. In our case, the approximation by a system of SDEs leads to a new existence result for the stochastic heat equation with colored noise and non-Lipschitz noise coefficients.
Motivated by investigations of Greven et al. [11] on linearly interacting Wright-Fisher diffusions on catalyzed by a voter model, in [9] we study the extinction/explosion behavior in a supercritical super-Wright-Fisher diffusion on [0,1]. In [11], the long-term behavior in their two-dimensional model was expressed in terms of a binary splitting Wright-Fisher diffusion with rate (see Figure 1).
Fig. 1: Binary splitting Wright-Fisher diffusions with splitting rate
We relate the latter model in a slightly more general case with the corresponding superprocess. Then the long-term behavior can be described completely: For rates mass in the interior (0,1) dies out after a finite random time, while for the mass in (0,1) explodes with positive probability. In the case of explosion, the mass in (0,1) grows exponentially with rate and is approximately uniformly distributed over (0,1). These results are applied to show that the related semi-linear Cauchy problem on has precisely four fixed points when and five when and we determine their domain of attraction. In a supercritical branching particle system, the trimmed tree consists of those particles which have descendants at all times. We develop this concept in the superprocess setting. For a class of continuous superprocesses, we identify the trimmed tree, which turns out to be a binary splitting particle system with a new underlying motion that is a compensated h-transform of the old one. We show how trimmed trees may be estimated from above by embedded binary branching particle systems [10].
By studying a coalescent process in a random environment , progress has been made in [3] towards understanding one of the key issues in population genetics: the influence of selection, mutation and linkage (probable joint inheritance) on the genealogy of several genes. In this work, the distribution of the diffusion limit of the ancestry of a sample of fixed size is derived when the overall population size tends to infinity. The simplest case of such a diffusion limit--generally referred to as a coalescent because of its inverted tree structure--has been treated by Kingman [12]. His coalescent and versions thereof have been used extensively in the analysis of population genetic data. Earlier work mostly considers a random sample from a population. This has made it difficult to model selection since the branching behavior of individuals depends on their genetic make-up, which hence has to be known. In order to incorporate general forms of selection we follow the genealogy of a sample conditioned on its genetic composition. For sample size two the limit is analyzed numerically. The analysis confirms the intuition that selection and linkage have a significant influence on the distribution of biologically relevant quantities that more simplistic models failed to capture.
A super-Brownian motion in two and three dimensions is constructed where ``particles'' give birth at a higher rate, if they approach the origin [7]. This contradicts the intuition suggested by the fact that in more than one dimension Brownian particles do not hit a given point. Via a log-Laplace approach, the construction is based on Albeverio et al. [1] who calculated the fundamental solutions of the heat equation with one-point potential in dimensions less than four.
For a super-Brownian catalyst reactant pair in , a difficult tightness problem has been resolved this year ([6]) leading to a universal mass-time-space functional scaling limit theorem on path space.
S. ALBEVERIO, Z. BRZEZNIAK, L. DABROWSKI, Fundamental solution of the heat and Schrödinger equations with point interaction, J. Funct. Anal., 130 (1995), pp. 220-254.
M.T. BARLOW, S.N. EVANS, E.A. PERKINS, Collision local times and measure-valued processes, Canad. J. Math., 43 (1991), pp. 897-938.
N.H. BARTON, A.M. ETHERIDGE, A.K. STURM, Coalescence in a random background, WIAS Preprint no. 756, 2002.
D.A. DAWSON, Geostochastic calculus, Canad. J. Statist., 6 (1978), pp. 143-168.
S.N. EVANS, E.A. PERKINS, Measure-valued branching diffusions with singular interactions, Canad. J. Math., 46 (1994), pp. 120-168.
K. FLEISCHMANN, A. KLENKE, J. XIONG, Pathwise convergence of a rescaled super-Brownian catalyst reactant process, Preprint, Universität zu Köln, Mathematisches Institut, 2002.
K. FLEISCHMANN, C. MUELLER, Super-Brownian motion with extra birth at one point, WIAS Preprint no. 790, 2002.
K. FLEISCHMANN, L. MYTNIK, Competing species superprocesses with infinite variance, WIAS Preprint no. 772, 2002.
K. FLEISCHMANN, J. SWART, Extinction versus explosion in a supercritical super-Wright-Fischer diffusion, WIAS Preprint no. 752, 2002, to appear in: Stochastic Process. Appl.
,Trimmed trees and embedded particle systems, WIAS Preprint no. 793, 2002.
A. GREVEN, A. KLENKE, A. WAKOLBINGER, Interacting Fisher-Wright diffusions in a catalytic medium, Probab. Theory Related Fields, 120 (2001), pp. 85-117.
J.F.C. KINGMAN, The coalescent, Stochastic Process. Appl., 13 (1982), pp. 235-248.
L. MYTNIK, Collision measure and collision local time for superprocesses, J. Theoret. Probab., 11 (1989), pp. 733-763.
A.K. STURM, On convergence of population processes in random environments to the stochastic heat equation with coloured noise, WIAS Preprint no. 770, 2002, to appear in: Electr. J. Prob.


text:
Futasujinoidella nobilis är en insektsart som beskrevs av Kae Kyoung Kwon och Lee 1979. Futasujinoidella nobilis ingår i släktet Futasujinoidella och familjen dvärgstritar. Inga underarter finns listade i Catalogue of Life.

Källor

Dvärgstritar
nobilis

redpajama_set_name: RedPajamaWikipedia


St. Francis Heights by Pontefino Estates holds open house today featured in Mindanao Daily News.
Aside from the completely furbished model unit, guests can take a glimpse of the fully-constructed interiors of some of the 305 units, each with its own unique color and design.
Conveniently situated along Masterson Avenue, St. Francis Heights' prime and strategic location at an elevation of 100 meters above sea level is close to the financial and commercial district uptown, including proximity to Xavier University High School and SM City Cagayan de Oro.
"It is also envisioned to add sophistication and character to the lifestyle of the Cagayanons," said Fino Land Inc. general manager Voltaire Antonio Flores. Fino Land is the developer of Pontefino Estates.


text:
<?php

namespace Application\Migrations;

use Doctrine\DBAL\Migrations\AbstractMigration;
use Doctrine\DBAL\Schema\Schema;

/**
 * Auto-generated Migration: Please modify to your needs!
 */
class Version20170106205925 extends AbstractMigration
{
    /**
     * @param Schema $schema
     */
    public function up(Schema $schema)
    {
        // this up() migration is auto-generated, please modify it to your needs
        $this->abortIf($this->connection->getDatabasePlatform()->getName() !== 'mysql', 'Migration can only be executed safely on \'mysql\'.');

        $this->addSql('ALTER TABLE admin ADD firstname VARCHAR(255) DEFAULT NULL, ADD lastname VARCHAR(255) DEFAULT NULL, ADD street VARCHAR(255) DEFAULT NULL, ADD house_number VARCHAR(255) DEFAULT NULL, ADD zip_code VARCHAR(255) DEFAULT NULL, ADD city VARCHAR(255) DEFAULT NULL, ADD iban VARCHAR(255) DEFAULT NULL, ADD bic VARCHAR(255) DEFAULT NULL, ADD bank_name VARCHAR(255) DEFAULT NULL, ADD tax_number VARCHAR(255) DEFAULT NULL, ADD telephone VARCHAR(255) DEFAULT NULL');
    }

    /**
     * @param Schema $schema
     */
    public function down(Schema $schema)
    {
        // this down() migration is auto-generated, please modify it to your needs
        $this->abortIf($this->connection->getDatabasePlatform()->getName() !== 'mysql', 'Migration can only be executed safely on \'mysql\'.');

        $this->addSql('ALTER TABLE admin DROP firstname, DROP lastname, DROP street, DROP house_number, DROP zip_code, DROP city, DROP iban, DROP bic, DROP bank_name, DROP tax_number, DROP telephone');
    }
}


text:
Urs Leuthold is a Swiss bobsledder who competed in the early 1980s. He won a gold medal in the two-man event at the 1983 FIBT World Championships in Lake Placid, New York.

References
Bobsleigh two-man world championship medalists since 1931

Living people
Swiss male bobsledders
Year of birth missing (living people)


The College of Education, Kinesiology & Social Work is dedicated to preparing professionals who are "Life-Long Learners" equipped with the skills, knowledge, and abilities needed to address the challenges facing schools, social service agencies, and communities. Our talented staff and faculty are devoted to the highest quality programs that meet state and national accreditation standards.
The College of Education, Kinesiology & Social Work is dedicated to preparing professionals who are "Life-Long Learners" equipped with the skills, knowledge, and abilities needed to address the challenges facing schools, social service agencies, and communities.


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