Cantonese fine-dining veteran Tam Kwok-fung reinvents nostalgic Guangdong dishes.
Opened in October, Studio City's Chinese fine-dining venue Pearl Dragon is making its mark with nostalgic Guangdong dishes rarely found in other modern Cantonese restaurants. At the helm is 30-year veteran Tam Kwok-fung, director of culinary operations, food and beverage at City of Dreams Macau, where he also manages two-Michelin-starred Jade Dragon and one-Michelin-starred Ying.
A deep admirer of traditional culinary art forms, Tam doesn't stray far from the original methods when it comes to reinventing the dishes.
"Think of it as traditional nostalgic dishes with an elevated twist. We intend to bring rarely found Guangdong provincial delicacies to diners who covet traditional flavours," he says.
The signature oven-smoked foie gras and roasted honey pork "burger" is reminiscent of "coin chicken", a popular snack in Guangzhou's barbecued meat shops in the 1920s. Instead of duck liver and roasted pork, Tam's version layers foie gras, French horn mushrooms and Spanish pork. Following tradition, the pork is grilled over lychee wood, which imparts a fragrant smokiness to the meat.
Tam also reverts to a rarely seen traditional recipe for ma lai go – steamed sponge cake. He tops his with Chinese olive nuts and uses the time-consuming natural yeast as a raising agent as he nds baking powder leaves a slightly bitter aftertaste.
Another reinvention is roasted crispy chicken with scallion oil, stuffing a de-boned bird with seasonal Yunnan or European mushrooms and roasting over lychee wood for about an hour.
We tucked into these vivid green dumplings the moment they arrived and were rewarded by a hot, juicy and savoury meaty interior with extra chewiness from the abalone, which we liked. Little pieces of shiitake mushrooms, dried flat fish and shrimps balance the salty Spanish pork. However, while we liked the colour – from spinach and garlic chive juice – we found the flavours didn't exactly jump off the plate.
Take all the components of Tam's signature layered "burger" in each bite for a deeply gratifying explosion of flavours. The creamy foie gras melted in the mouth in nice contrast to the French horn mushroom, and the spongy bun effectively balanced the initial heaviness and saltiness of the savoury Spanish pork. The sweet coat of honey added a further element of complexity. It was delicious.
Simmered for three hours, the soup was rich in savoury flavour with generous portions of fresh Yunnan matsutake mushrooms and thinly sliced conch. Goji berries added delightful notes of sweetness to this soothing Cantonese soup that warmed the stomach. The small pieces of lean pork added a hint of sweetness while retaining the overall flavours of the soup. We finished every last drop.
The stir-fried Brittany lobster was cut into small pieces so we didn't have to use our hands – a considerate touch. Even before tasting the lobster, we were enticed by its lingering aroma and appetising appeal. The lobster is tasty and well cooked, and the caviar added brininess and juiciness. The use of okra enlivened the dish aesthetically and added extra texture.
Stir-fried beef cubes arrived piping hot with wok hei. The beef was juicy and tender and the black garlic was a special element. Sourced from Yunnan, it had an unexpected soft interior like a plum and didn't leave us with lingering garlic breath. The yam bean, leek and onion pieces added multiple layers of crunchy texture. Beetroot sauce on the side offered a slight sweet contrast to the savoury beef cubes that matched well.


text:
Golden Knights preparing for first road trip of season, and their fans are coming
Vegas will play a game in front of fans for the first time since March, and there will be hometown support in Glendale.
By Danny Webster@DannyWebster21 Jan 21, 2021, 7:20pm EST
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For the first time in over 10 months, the Vegas Golden Knights will play a hockey game with fans in attendance on Friday.
Only not at T-Mobile Arena. The Golden Knights will make their first road trip of this condensed 2021 season to Glendale to complete a four-game series with the Arizona Coyotes.
The Coyotes are one of three NHL teams — along with the Florida Panthers, as will the Dallas Stars when they open their season Friday — that are allowing fans into their home buildings based on COVID-19 restrictions. Gila River Arena is operating at a max capacity of 3,450 fans.
None of what's happening in the world is normal by any means, but for a Golden Knights team that just played four games inside an empty T-Mobile Arena where 18,000-plus fans would normally lose their voices the next day, it'll be somewhat of a return to originality for albeit a brief time.
"Any sense of normalcy in the world right now is welcomed by anybody," said Golden Knights coach Pete DeBoer. "By no means is that a reflection on Nevada's decision not to allow fans, because I agree with it where everything's at. It will be nice to have a little bit of normalcy in that area."
DeBoer said there was an organization-wide meeting Thursday morning to discuss COVID protocols as the Golden Knights travel to what is deemed a COVID hotspot. It was the longest meeting they've had to this point and was crucial to have, given what's transpired since the season began.
Vegas is off to a 4-0-0 start for the first time in franchise history after defeating Arizona 5-2 on Wednesday.
"The team's done a good job explaining to us the protocols and the measures to keep us safe and keep everyone in the organization safe," said Vegas defenseman Zach Whitecloud. "We're excited to go on the road and play in someone else's building, go down to Arizona and get the job done."
The NHL postponed Dallas' first three games due to a large coronavirus outbreak within the organization, and the Carolina Hurricanes just recently had two games postponed with five players on the COVID absence list. The Washington Capitals were fined $100,000 Wednesday for violating COVID protocols that saw stars Alex Ovechkin and Evgeny Kuznetsov go on the COVID absence list, as well as starting goalie Ilya Samsonov testing positive.
"It's not going to be a typical road trip. It's going to be a moving version of the bubble we had in Edmonton," DeBoer said. "Our group's got to be diligent and hope we can be lucky and avoid this."
Nevada Gov. Steve Sisolak recently extended an order that public gatherings be capped at 50 people. The state of Nevada announced 1,171 new coronavirus cases on Wednesday, bringing the total to 203,292 state-wide since the beginning of the pandemic. Until the numbers come down and the COVID-19 vaccine is distributed efficiently, it could be months before Golden Knights fans will be able to attend home games.
Attending Coyotes games, however, is a different story. Golden Knights fans have been known to turn out for Arizona games, whether making the 268-mile drive or the one-hour-plus flight from Las Vegas to Glendale, and this pandemic will not be an exception.
"I think it'll be a lot of fun," said Golden Knights forward Alex Tuch. "It's been almost a year it feels like since we've had fans and crowds. I've heard there's going to be a good amount of Vegas Golden Knights fans, so we're excited to see that. I think it'll be a lot of fun for them to come watch a game."
Cassandra Tutson was at the last pre-pandemic Golden Knights game at T-Mobile Arena on March 3, a 3-0 victory against the New Jersey Devils. It was Robin Lehner's first shutout with Vegas and, per tradition, all fans in attendance got a free dozen donuts from Krispy Kreme the following day.
But it was the days that followed that were the toughest. On March 8, her mother, JoAnn Tutson, was taken to the hospital. She wouldn't eat, sleeping became constant, and lethargy took over.
"She went into the hospital and never came out," she said.
JoAnn died on March 24 at 75 years old.
Tackling on her day-to-day job at a grocery store in Long Beach, California, the past 10 months have been a toll on Cassandra. She's longed for an escape, even for a moment, to see her Golden Knights live in action for the first time since that Devils game. She'll get the chance Friday when she makes the trek to Glendale.
Cassandra remembers meeting a Devils fan seated next to her that night. He told Cassandra that he had pneumonia, but felt like he had to be there anyway.
"That was when I guess COVID became 'real' to me," she said. "Other than that, the game just felt like being gone and everyone was excited for free donuts."
How excited is she to go? She did this interview while getting her COVID-19 vaccine.
"It will be full circle for me simply because my life was work, school and hockey, I guess," she said. "But this will start to what will be normalcy."
David Silvey and his wife Taylor had not been to a live game since Feb. 17, which was a Golden Knights win against the Washington Capitals. There was a palpable buzz in the building that night; Ovechkin was still on a quest for his 700th goal and Vegas was in the midst of a daunting "murderer's row" homestand. The Golden Knights won 3-2, the third win of a franchise-record eight-game winning streak.
The moment tickets were on sale, the Centennial-area residents jumped at the immediate chance to get a suite.
"Everything about the last nine months has been mentally and emotionally draining for almost everyone I think and for us having these games to look forward to is a small escape from reality, even if just for a few hours, and such a relief and joy to have," he said.
For these fans, and even more that reached out to say they're going this weekend, the Golden Knights have become a beacon of escape since 1 October. The fanbase has rallied behind them ever since. Now, in these crazy times, the fans have another reason to get behind their team in hopes of building off their hot start.
"Even just that sliver of normalcy in such uncertain times means more than a lot of people may ever realize to some," Silvey said. "For us looking forward to a VGK game in the middle of a long work week in the middle of a pandemic is that small sense of normalcy and relief we look forward to and helps us through all this craziness."

redpajama_set_name: RedPajamaCommonCrawl


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Just to mention, you can only see this ability yourself. Everybody around you can't see it.
OK. I just got this.
However, is there some way to turn off the effect or at least tone it down some. I find it rather annoying.
Every 5 sec, an orb of energy forms, and rotates around you until it impacts an enemy, dealing (24.57% of Attack power) damage to all nearby enemies. Maximum 4 orbs.


text:
using System;
using System.Collections.Generic;
using System.Linq;
using System.Text;
using System.Threading.Tasks;

namespace JsonMessages.Authentication
{
	public class LoginUserRequest : JsonMessage
	{
		public string Email;
		public string Password;
	}
}

redpajama_set_name: RedPajamaGithub


Vols au-dessus de l'univers des montagnes tyrolien ou parcours de vol individuels dans les pays frontaliers.
Why don't you, your friends, relations and employees, enjoy the memorable experience of a flight round the Alps? Find out about our glorious mountain world from the air. Fly with us into the valleys, over the glaciers, lakes and rivers - gaining fascinating impressions that you will surely never forget. Top pilots guarantee your safety, the strictest safety conditions are applied, and the planes are perfectly maintained.


text:
View this article in Spanish | bilingual
The Mystery of the Parakeet, the Rooster, and the Nanny Goat
Nonfiction by Fabrizio Mejía Madrid
Translated from Spanish by Rosalind Harvey
Teach This Text
The Tate Drugs Gallery
Inside the Ministry of Defense in Mexico City is a museum that's not open to the public. It displays all the jewels, weapons, clothing, and reliquaries that have been seized from drug traffickers since 1985. The collection is an example of the symbols the Mexican drug trafficker draws strength from: a gold Colt .38 studded with emeralds that belonged to Amado Carillo, leader of the cartel from the northern state of Chihuahua, and which was a present from the leader of the Jalisco cartel, Joaquín "El Chapo' Guzmán, who escaped from prison in 2000; an AK-47 rifle with a gold palm tree on the handle, which belonged to Héctor "Blondie" Palma; a double-sided bullet-proof shirt which belonged to Osiel Cárdenas, leader of the Gulf of Mexico cartel. But as well as weapons, the collection houses cowboy hats, boots and belts, and the altars to the virgin of Guadalupe and Jesús Malverde, a saint from Sinaloa, where, in the 1950s—during America's wars with Korea and Vietnam—the planting of poppy and marijuana plants and large-scale trafficking to the United States began.
The cult of Malverde lays down what for the drug trafficker is his moral justification: law and justice are not the same thing. The myth of Malverde is that he was a nineteenth-century thief who disguised himself in banana leaves so as to go unnoticed—hence mal-verde (evil-green)—and was imprisoned by the police because his comrade squealed on him. He is hanged and the priest doesn't want to bury him. So the people bury him by the side of the road and put a stone on top of his grave. Now, with a chapel and a cult not recognized by the Catholic Church, people come to ask favors of Malverde, that he might resolve an injustice, and they bring him something, anything, so long as it is stolen. This saint of illegality was adopted by Mexican drug traffickers who tattooed his image—a mustached man—onto their bodies, built altars to him and paid for chapels. They associated the verde (green) of the mal (evil or bad) with a marijuana leaf. The banned cult became so associated with the trafficking of drugs that in the 1990s, the American Drug Enforcement Administration (DEA) interrogated anyone with a tattoo of the saint.
But now, in the museum, all this imagery of the powerful drug trafficker born in untamed lands and armed because he is brave has been abandoned. The images gradually filtered down into Mexican popular culture—cinema, music—but the drug traffickers don't use these symbols any more, they avoid them. The second generation consists of university students with degrees in business management; they don't flaunt their money, and they hire chemists to make designer drugs for them.
The Drug Trafficker Sings, and Acts, Too.
Songs and films about drug traffickers are prohibited on radio stations and in cinemas. Like trafficking itself, they survive thanks to a parallel market: the pirate CDs, the straight-to-DVD movies. In the case of films, they've been making them since 1976, when Antonio Martínez made Contraband and Treachery and They Killed Camelia the Texan, based on two narcocorridos (traditional folk songs about drug traffickers) written by Los Tigres del Norte, who are the Beatles of the genre, if you like. The narco film always tell the same story: an honest family goes through financial problems—a bad investment, their sweet corn crop blighted—and ends up helping to traffic drugs. These low-budget films made use of actual plantations of marijuana and poppies as locations and also of the drug traffickers' girlfriends—the feminine ideal must be curvy in a miniskirt—as actresses. Indeed, it's said that Los Tigres del Norte were hired by Caro Quintero, one of the first drug traffickers to go to jail (for assassinating the delegate of the DEA in Mexico, Enrique Camarena), to sing their corridos next to the marijuana plants "to make them grow tall."
Narcocorridos are part of a banned culture—drugs—that has to justify itself morally. Through their verses the motive becomes clear: I was very poor and now I have everything and endless amounts of it and, even if they kill me, it was worth living by illegal means. They are songs about those for whom trafficking implied a metamorphosis, not only in terms of material wealth—they never boast about being rich without listing their possessions: houses, cars, weapons, money in cash, women, and alcohol—but rather in terms of power. They were poor nobodies, and now they have power, while it lasts. They use the discourse of the prevailing power: the free market and the legitimacy of making money. Indeed, in some songs such as "La cruz de amapola," they refer to drug lords as managers and to dealers as distributors. Like the market economy, drug traffickers see themselves as unquestionable:
This is nothing new, gentlemen,
And nor is it going to end;
This is a lifelong business,
The Mafia of global origin.
But they always speak a language that, if you don't know about drugs, you won't understand, because it parodies the Mexican ranchero songs written by peasant sweet corn farmers, not poppy planters:
I live off three animals whom I love as my life;
They earn me money and I don't even buy them food.
They are very fine animals: my parakeet, my rooster, and my nanny goat.
The parakeet (el perico) is cocaine, the rooster (el gallo) is marijuana, and the nanny goat (la chiva) is an AK-47 assault rifle, known as goat's horns because of the shape of the magazine. Indeed, this song ended up on the radio without the controllers understanding what it was really about.
The ideal drug trafficker depicted in the narcocorridos is somebody who justifies everything by way of an individual cult to personal autonomy: he doesn't let himself be ordered around, doesn't give in; he knows that he lives only once and that he doesn't want to be poor. Nor does he want to go to the United States as an illegal immigrant, which would mean a loss of power: emigrating. He prefers to "export" drugs there from his "local branch."
Mexican drug culture is simultaneously popular and prohibited. It is everywhere: songs, T-shirts, the movies, tattoos. Indeed, the upper- and middle-class fashion of buying Hummers with blacked-out windows comes from trying to feel safe—that is, immune—like them. The fact that the middle classes listen to these kinds of songs or watch films of this genre also helps to create a certain identity in a country where people have more empathy for each other because they watch the same television show than because they live in the same city. And it's a culture that puts itself forward as useful to the global economy: it's an export market that, if it didn't exist, would make many people unhappy. It has media, music, and movies, and an aesthetic that, while not used by the top drug bosses any more, continues to recruit the new generation in the form of an identity: boots, belts, shirts encrusted with precious stones, an iPhone. In a country like Mexico where the opportunities are never, not even remotely, the same for everyone, the drug trafficker says the same thing as a global market: everything, right here and now.
This is how it was explained to me a few years ago by a recent young recruit, fourteen years old, in Culiacán, Sinaloa, where it all began: "They've already given me a nickname." For him, it was the start of a dizzying managerial career, so much so that perhaps it would end very soon in a shower of bullets. And perhaps his gold pistol would end up on display in a museum.
Memoirs of a Dealer*
In April 2008, El Valde got out of jail and began to cry. It was one o'clock in the morning and he was alone outside the South Penitentiary. The city scared him; he had forgotten that there were such things as cars, light, open spaces, the sound of his own footsteps in the night. "When I got out I didn't know where to go, or what to do. All I did was cry—I just turned around and the tears started falling." El Valde went to prison when he was twenty-one years old and came out ten years later. He'd left behind his twenties in prison and was rarely in front of a mirror, which, inside, is considered a weapon. During the five-hour examination the guards perform before you can leave—they check you're the right person and not someone else who's kidnapped you and left you tied up in an air duct so as to make an easy getaway—he looked at the photograph taken when he arrived: "I was face to face with the little kid who'd gone to jail. My hair long, without so many tattoos." El Valde didn't miss that little kid, he simply didn't recognize him.
He went back to his mother's house—he knew no other—on the outskirts of University City in Copilco, where his stepbrother was by then studying in the faculty of science and humanities and on Saturdays helping to install hydroponic gardens on the city's roof terraces. He made the journey in a taxi and with the money he had earned inside, doing the only thing he knew how to: selling drugs. The kingpin of the South Penitentiary, Don Lalo, gave him a hundred pesos to give him a good start on the outside and asked him to do a few "favors" for him now that he was free. "No," El Valde replied. "In here I'll do anything you want. Outside it's different."
His mother, who at the end of the seventies was working for Levi's of Mexico and had met El Valde's father, Ricardo Valderrama Elizalde, when he was manager of Sani-Rent portosans, was now selling cut-price clothes on the street. His mother, who had taken him to the United States to live, now worked her fingers to the bone in the street markets selling sweatshirts. He hadn't seen his father since he was twelve. El Valde had his father's name and that of his godfather, Eduardo, he of the Edoardo's jeans and the Kurián suits. But El Valde didn't see him any more either. He thought his godfather had also ended up in jail for fraud but was out on bail. He wasn't sure about any of this. Perhaps they were things he invented so as not to feel so bad about his passage through the North and South penitentiaries over the last ten years. Trying to get used to freedom again, El Valde looked up his father on the Internet but found only a cousin, at a construction company. They didn't exchange a word because the secretary insisted on knowing the reason for the call. El Valde hung up.
El Valde has a memory from childhood. He was studying at La Salle primary school and it was nearly Father's Day. Everyone was making their cards when suddenly, Iván, one of his classmates, came over to ask him if Valderrama was spelled with a "b" or a "v."
"What do you want to know for?" he replied.
They ended up fighting and being sent to the principal's office. "I told them, 'This boy is stealing my daddy.' And I cried and cried, and I remember this really clearly."
*Based on the statements made by Ricardo "El Valde" Valderrama for the symposium "Trafficking," held at 17, Instituto de Estudias Críticos for Critical Studies, Mexico City, March–June, 2008.
"El misterio del perico, el gallo, y la chiva" © Fabrizio Mejía Madrid. By arrangement with the author. Translation © 2012 by Rosalind Harvey. All rights reserved.
Read more from the March 2012 issue
Fiction by Ana María Shua
The Head of Household Manifesto
Fiction by Catalina Mena
Poetry by Aurora Arias
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Fabrizio Mejía Madrid
Fabrizio Mejía Madrid was born in Mexico City in 1968. He is the author of the novels Hombre al agua (Joaquín Mortiz, 2004), which was awarded the Premio Antonin Artaud; El rencor (Planeta, 2006); Tequila, DF (Random House-Mondadori, 2009); Disparos en la oscuridad (2011); and Arde la calle. La novela de los 80s (2014). His essay collections include Pequeños actos de desobediencia civil (1996), Entre las sábanas (1995), Salida de Emergencia (2007), and La edad del polvo: Historia Natural de la Ciudad de México desde mi ventana (2009), as well as a comic entitled Septiembre. Zona de desastres (2013). His work has appeared in the anthologies The Mexico City Reader and Ustedes les consta , among others. He writes for the magazines Proceso , Letras Libres , and Gatopardo .
» More about Fabrizio Mejía Madrid
Rosalind Harvey's translation of Juan Pablo Villalobos's debut novel Down the Rabbit Hole was shortlisted for the Guardian First Book Award and the Oxford-Weidenfeld prize. Her co-translation of Dublinesque was shortlisted for the Independent Foreign Fiction prize and has been longlisted for the Dublin IMPAC award. Her latest translation is Villalobos's Quesadillas, with And Other Stories and FSG.
» More about Rosalind Harvey


Mary Gardner is one of the dynamic forces behind the exciting new avenue of career development known as "personal coaching". As President and CEO of the Coaching Certification Institute, an authorized training center under the wing of The Learning Center (Langhorne, PA), Mary has helped numerous business executives, entrepreneurs, celebrities, attorneys and other professionals achieve the success they covet in their personal and professional lives.
Services provided by Mary fall under the broad titles of career coaching, speech creation, sales coaching, professional imaging and corporate training. There are myriad variations under each of these areas that are always customized to exactly fit the needs of the client. References and comment letters are available upon request.


2017 marks the year of Maya Deren's 100th anniversary. Born in 1917, the Avant-Garde filmmaker, dancer, poet, writer, anthropologist and catalyst for what is called Choreo-Cinéma, has influenced artists and thinkers from different fields, in particular those interested in experimental film and in the intersection of film and dance. In 2017 her work is still relevant in terms of the images it offers, the stories it tells and the questions it asks about individual experience, communal traditions and our narratives. The interdisciplinarity of her work marks her as a pioneer of hybrid visual languages and has much to offer to contemporary artists whose work increasingly negotiates between different practices, languages and traditions. Whilst being highly refined and specific Deren's work claims a "touche-à-tout". This event will reflect on Deren's work from several perspectives, to re-examine not only her films, but also her writing and her anthropological research into Haitian rituals and voudoun. Maya Deren 100 will run over three days and in three parts, with a symposium, a series of screenings, and interventions by contemporary artists.
Maya Deren – REpositioned aims to historically review and contextualise her work, her principles, aesthetics and methods from diverse contemporary perspectives. Engaging with Deren's artistic, theoretical and pedagogical discourse, the symposium aims to foster discussions on choreographic, visual and performative languages, on the role and potentiality of narratives, on collaborations and on the idea of metamorphosis or change as suggested by Deren's notion of Unstable Equilibrium. Furthermore, proposals are invited that examine Deren's writings on ritual, her concern with time, space and matter, as well as those engaging with dialogues between (digital) screen bodies and live bodies, screen space and narrative time. Finally, Deren's output as both female artist/auteur and as the main performer in her work is to be re-examined from today's point of view.
Maya Deren 100/Unstable Equilibrium is a project produced by Tanzrauschen e.V. (Sigurd-Christian Evers and Kerstin Hamburg) and Neuer Kunstverein Wuppertal e.V., organized in collaboration with initiator/artistic director Florence Freitag, as well as curators Claudia Kappenberg (University of Brighton, UK, International Journal of Screendance) and Dr. Elinor Cleghorn.
After Deren is the 3rd issue of the International Journal of Screendance.
It is published by Parallel Press and available online.
If one has 24hrs it doesn't matter if technology fails at some point, as there is plenty of time to fix it. With 24hrs there is little pressure to 'perform', because there enough time for ideas to emerge and things to happen. There is also a chance to get to know the people who have come together, and one can begin a conversation, continue a few hrs later and resumer the next morning over a cup of coffee. There is even enough time to take a nap, and to come back and see where things are at.
It is not surprising that the the digital community has taken a linking to this sort of working; it is communal, fun, enterprising, supportive, and low pressure.
We started at 7pm on Saturday eve and by Sunday morning there were new hacks to explore, responsive systems that could be interacted with and tested through movement, to find the strange edges where it would kick in, or drop out. It was interesting to see that the hacks would initially encourage movement and lots of it, while over time the same hacks could also be explored as to their potential to slow down and to minimise activity. The different possibilities lead to specific and precise dialogues between technology and body(ies).
This encounter between technologists and movers seems very timely, as otherwise how will we comprehend, explore and advance was has already become an ubiquitous feature of the everyday, the interactive screens on which we are represented. Highly recommended.
I would like to draw your attention to this 24hour Dance Hack on the 21st/22nd September. The event is a collaboration between the University of Brighton and South East Dance, and part of BRIGHTON DIGITAL. We will have a large theatre space for 24hrs to hang out, think, collaborate and explore . The event will be streamed live via youtube, so you can make and stream work, stand on your head or sit back and observe. We will provide food and drink and a few bits of technology. You can of course bring your own laptops, cameras and other such gadgets.
Go to BRIGHTON DIGITAL for more info and to book a place.
On the occasion of a conference by the Society of Dance History Scholars (SDHS) in Philadelphia's Centre for the Arts the Screendance Network met to do some blue-sky thinking for future projects and finding bids, exploring possible activities, residencies, partnerships, symposia and conference interventions, as well as other publications that might complement the journal. The network was hosted by Ann Cooper Albright at a beautiful old farm, which offered plenty of room for debates, ambling and diversions.


text:
tom bernthal wikipedia
Hollywood Life says Tom Bernthal, 46, worked in the Clinton White house for a year before moving into journalism to become a producer at NBC News. Some people felt that I did not spend enough time writing about the difficulties women face when they have an unsupportive partner or no partner at all. [10], In 2000, Bernthal moved to Los Angeles, where he continued to work for NBC before founding his own marketing and consulting agency in 2002, Kelton Global.
[44], In 2016, Bernthal co-starred in the Ben Affleck thriller The Accountant as Brax.
The 50 years old, Sheryl Sandberg announced her engagement with the CEO of Kelton Global, Tom Bernthal via her Facebook account. So far, he has not talked anything about his previous affairs and married life. [52][53] Bernthal stated that he "lost all respect" for Spacey and that "[Spacey] was a bit of a bully.
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On the advice of his acting teacher, Alma Becker, he joined the Moscow Art Theatre in Russia.
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It is … So, to know about the engagement and her fiance, keep reading guys! He attended the University of Wisconsin-Madison. Nick Bernthal is an orthopedic surgeon at UCLA Medical Center. Tom Bernthal has a famous brother, Jon Bernthal who is nearly three years younger than him. When his sister's husband also passed away, Luke and his wife, Caroline, adopted his sister's three children. During this time, Bernthal portrayed NAACP attorney Michael H. Sussman in the HBO miniseries Show Me a Hero.
His hair color and eye color both is brown.
I was unable to cherish you more.". He also, alongside actor Viggo Mortensen, executive produced the play The Time of Our Lies – The Life and Times of Howard Zinn, directed by frequent theater collaborator Josh Chambers. In Summer 2019, Bernthal filmed Those Who Wish Me Dead, a western film directed by Taylor Sheridan who previously wrote Sicario, which featured Bernthal.
How Old/Tall is Charlie Demilio? And, let me just tell you, there are many internet sources that seem to differ about his net worth. [11], Bernthal grew up in Cabin John, Maryland.
[29] He played southerner Grady "Coon-Ass" Travis in the 2014 World War II film Fury, with critics praising the cast of the film. May you find comfort in memories and joy in the present. [37] While initially hesitant in joining a superhero franchise, Bernthal decided to take the role after admiring the performances of actors Charlie Cox (Matt Murdock / Daredevil) and Vincent D'Onofrio (Wilson Fisk) in the previous season of Daredevil. Tom Bernthal has called his engagement with the billionaire, Sheryl Sandberg!
After the death of Dave, she had written a book, Lean In addressing the difficulties when you have no partner to support your personal and professional development. Bernthal has a more youthful sibling entertainer Jon Bernthal.
Bernthal next appeared in Denis Villeneuve's 2015 action drama film Sicario, which won numerous awards and received positive reviews from critics. Who is Adrian Bonar? After all, it is one of the famous social media sites that we have out there.
According to a source by People Bernthal is described as "this really nice, down to earth guy.
Jokes collection you won't find on the internet!
The cause of Dave's death was Arrhythmia, a group of conditions in which the heartbeat is irregular, too fast, or too slow. Bernthal has three children.
[27], In 2013, Bernthal had supporting roles in the crime drama film Snitch, and the sports comedy film Grudge Match[28] Bernthal played Brad in the Martin Scorsese film The Wolf of Wall Street.
Great, you signed up!! He won three Emmy Awards as a maker at NBC News and opened a West Coast office for an Omnicom-held office. Sandberg and Bernthal were purportedly presented in 2019 by the sibling of Goldberg's late spouse, Dave Goldberg. She expressed, "Locked in!!! Jon's wife, Erin is a trauma nurse and the niece of Kurt Angle, a professional wrestler. Likewise, it is a strategic consulting agency based in Los Angeles. A post shared by Sheryl Sandberg (@sherylsandberg) on Feb 3, 2020 at 10:00am PST.
I could not love you more. The company has its branches in Chicago and New York too.
Congrats! In the case of Sheryl, she ended up meeting her fiance, Tom Bernthal through her former brother-in-law.
Wikye believes these diverse set of voices will boost people's inner level of understanding and positivity.
Tom Bernthal (born in 1973) is an American Television Producer, Founder, and Chief Executive Officer from California. However, filming commitments made Bernthal withdraw from the play and he was replaced by James Badge Dale. They began dating in 2016 and purportedly split up in 2019. He also starred on his own titular series, The Punisher (2017-19). Besides, John also runs a non-profile organization titled Drops Fill Buckets with his brother, Nicholas Bernthal who is an orthopedic surgeon at UCLA. Luke tragically lost his brother and then his sister.
However, now, things seem to fall in place together for Sheryl.
Sheryl Sanberg, who has been serving the Facebook Company as a Chief Operating Officer (COO) is also the best friend of Facebook founder, Mark Zukerberg. His biceps size is 16 and his body measurement is 44-32-35 in. @tom_bernthal, you are my everything.
Critics commended Bernthal's performance as The Punisher, with IGN calling it "an absolutely stellar, gutting performance". They're both devoted parents. In 2009, Bernthal was a series regular on the ABC television series Eastwick, and starred alongside actress Jaime Ray Newman (his future co-star in The Punisher); Eastwick was canceled after one season. Abby Hornacek Glass Eye, What Happened To Fox News Abby Hornacek Eyes? Personal Hygiene on Global Handwashing Day, Vittorio Gassman: Legacy, life of Italian cinema's cherished actor, Zendaya: Story of youngest Emmy lead actress winner, Gossip Girl actor Penn Badgley bio: relationships, marital status & net worth, Supermodel Elle Macpherson bio, net worth, life. [47] Bernthal was praised for his acting, with The Hollywood Reporter remarking that Bernthal "steals the film with his intense, nearly wordless performance... with his buff physicality and commanding presence filling the screen". [20] He booked his first regular role on a television series with the CBS sitcom The Class; the show was canceled after one season. Her caption goes like this.
Bernthal relocated to Los Angeles in 2006. Tom Bernthal is a CEO and a founder of Kelton Global. Sheryl Sandberg, I love you so much and couldn't be more excited about spending the rest of our lives together. Additionally, Bernthal starred in Irish action thriller film Pilgrimage. Tom Bernthal is a 46-year-old co-founder of a brand strategy consulting firm. The Jewish News of Northern California, "Board of Directors and National Council : The Humane Society of the United States", "New York, County Naturalization Records, 1791-1980", "Nicholas M. Bernthal, MD : Pediatric Orthopaedic Surgery | Surgery, Complex General Surgical Oncology – Santa Monica, California", "Sheryl Sandberg Is Engaged to Tom Bernthal", "Adam Schlesinger Dies of Coronavirus Complications at 52", "Jon Bernthal: DC Roots Help Acting Success", "Nerdist Podcast: Jon Bernthal | Nerdist", "BWW EXCLUSIVE: Jon Bernthal Talks WALKING DEAD Season Premiere, Theatre Background & More!
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Marine Dupas listed in the 2018 IFC Powerwomen Top 200!
Michaël Khayat selected as Lawyer of the Year!
Arkwood is ranked Band 1 by Chambers and Partners!
Stéphanie Auféril wins Silver Award at Citywealth event!
Marine Dupas wins Silver Award at Citywealth event!
Stéphanie Auféril wins prestigious STEP Private Client Award!
Arkwood shortlisted in several categories at CITYWEALTH 2017 Awards!


For his first family-oriented film, director Robert Rodriguez decided to make a spy film. But not just your average "save-the-world" film - Spy Kids features a pair of spies that aren't even old enough to drive, and set out to rescue their spy parents from the evil Floop. Sufficed to say, the end result was a highly entertaining and high-energy film that appeals to people of all ages.
For the music, the Rodriquez had Danny Elfman write a song that is featured in the film. This song was then taken by composer Chris Boardman and used to write new music for the film. Then Harry Gregson-Williams, Gavin Greenaway and Heitor Pereira (all from Media Ventures) were penned to score the film. But it doesn't end there. The musically talented Rodriguez and old-time collaborators Los Lobos hammered out a killer track (more on this later). Then Elfman came back and worked on the Spy Kids theme - which was then orchestrated and arranged by John Debney. Debney also wrote a few cues for the film. But that's not all - other people contributed to various aspects of the score, and all told, there were nine composers on this film. Potentially, this could have been a disaster. Instead, the result is a mesh of styles that works surprisingly well and never seems to feel awkward or forced. Think a "Latin James Bond".
Gregson-Williams, Greenaway and Pereira came up with the "Cortez Family" theme, a nice cue with (of course) plenty of Spanish guitar. It's tender and gentle, and represents the core of the family. Hinting at bits of Men in Black, "My Parents Are Spies" is vintage Elfman. Debney joins the gang with "Parents On Mission", a rousing action cue that's builds to full-on excitement while mixing Elfman's and Gregson-Williams / Greenaway / Pereira's themes. "Kids Escape House" reminds me a bit of Antz (no doubt due to Gregson-Williams' style). There's more action in "Pod Chase" and "Buddy Pack Escape". Los Lobos and Rodriguez do a great Bond-styled action cue based on Tito Puente's "Oye Como Va" - appropriately titled "Oye Como Spy". It has all of the big brass and percussion you expect, with a bunch of electric guitar thrown in to boot.
"Floop's Song (Cruel World)" is the most traditionally "Elfman" song you will hear this year. It's a combination of something from The Nightmare Before Christmas and Elfman's demo work, Little Demons. It's disturbingly short, but that's all that's in the film. "Spy Go Round" sounds like Elfman - especially with the choral - but it's actually a Greenaway / Pereira / Rodriguez composition (Robert's brother Marcel joins in here as well). The finale of the film comes quickly, in the form of "The Spy Plane", "Floop's Castle" (Chris Boardman's big cue), and "Final Family Theme". The last track song, "Spy Kids (Save The World)" feels tacked on, and more for the kids than the score-listeners. But it's at least a song about Spy Kids, so it's not completely out of place.
Now the track I wanted to save for last. "Spy Wedding" was written by Rodriguez and Los Lobos, and anyone who has been reading my reviews long enough knows that I am a complete sucker for choral music. In this case, Los Lobos did a great acoustic guitar set, and Rodriguez - continually impressing me with his variety of skills - orchestrated the chorus and orchestra over it. It's moving and dramatic, and worked exceptionally well in the film. The repeat button got hit a few times on this one - I only wish it ran longer than the 2:12 it actually runs.
The entire album is only 31-minutes long, no doubt due to horribly complex licensing and royalty issues stemming from the variety of composers involved. Nonetheless, this is a highly enjoyable album that worked in spite of having what would seem to be too many people working on it. If you haven't seen the film, do go see it. Now. If you don't have the album yet, go buy it. Now. You won't be disappointed.


Checkout AKA Ft. Yanga Chief – Jika brand new song.
Jika was performed by 2 Beam Group artists; AKA & Yanga Chief, one of the collaborative endeavors on the follow up to Levels, Touch My Blood.
The 2 run toe to toe with crisp bars you can relate with.


For specialized trailer tires, lug nut wrenches, inflation equipment and more, visit Zoro. Here are some important details for Hi-Run High Speed Trailer Tire Wheel Assembly. Size: #HK17 1.7mm, Material: Steel Wheels/Rubber Tires, Weight: 17.4.
For specialized trailer tires, lug nut wrenches, inflation equipment and more, visit Zoro. Take a look at the features for Hi-Run Trailer Tire. Size: 20.5x8.0-10, Material: Rubber, Weight: 15.1.
For specialized trailer tires, lug nut wrenches, inflation equipment and more, visit Zoro. Here is some additional information about Hi-Run High Speed Trailer Tire. Size: 4.80-8, Material: Rubber, Weight: 6.2.
For specialized trailer tires, lug nut wrenches, inflation equipment and more, visit Zoro. Hi-Run Trailer Tire include characteristics like: Size: ST175/80D13, Material: Rubber, Weight: 14.4.
Always use properly inflated trailer tires specified for your boat, camper or utility trailer. Here is some additional information about Hi-Run Trailer Tire. Size: 5.30-12, Material: Rubber, Weight: 10.8.


Home » About Us » Board of Trustees » E. Greer Richardson, M.D.
Dr. Greer Richardson completed his Fellowship at Campbell Foundation and joined the Campbell Clinic staff in 1977. He completed a residency with the Brooke Army Medical Center in Texas, the Shriner's Hospital for Crippled Children in Louisiana and UT-Campbell Clinic Department of Orthopaedics. He is founder of the Foot and Ankle Fellowship program at Campbell Clinic and served as Fellowship Director for more than 25 years. Dr. Richardson was a member of the American Orthopaedic Foot and Ankle Society and served in leadership positions, including President in 2002. He contributed chapters to Campbell's Operative Orthopaedics, published numerous journal articles, and was Editor-in-Chief of Foot and Ankle International. In 2010, he retired after 33 years on the Campbell Clinic staff.


Peppermint Puff's Blog: Movember Necklaces for Sale!
So I'm a little late posting this but better late then never!
This year I really wanted to find a way to raise money for Movember but as I can't grow a moustache I decided to do it in a way I know best! Craftily!
When I was 18 my dad died of secondary cancer. He was my hero and I was always his little princess. It was such a challenging time for me but knowing that I had 18 years with a dad who really loved and cared for me made it easier to cope with. I think it's so important to get involved in anything that can help improve care, treatment and the survival rate of serious illnesses.
Remember to wear your necklace with pride and not just in November!
These are Limited Edition and there are only 9 available.
You can purchase the necklaces here! At £6.50 they're a steal and £3.25 off the profit will go straight to charity! When your necklace is shipped I will let you know and send you confirmation of the donation!
I ask you to please like and share this with your friends and family!


Light up your life with Spirit: In the middle of the night....get writing.
In the middle of the night....get writing.
I see I am not the only one to be writing in the middle of the night. I am in very good company it seems, Neal Donald Walsch (who wrote Conversations with God) and Dr. Wayne Dyer to name just two.
It's been this way for me since before Christmas. First I just couldn't sleep and decided to get up and put something down in the journal. Now its the other way round, I know I am being woken up to do some writing and that writing's guiding me forward.
To begin with, my daytime thoughts kept racing around my head in the middle of the night, so I used my journal to get it all down on paper, feelings and all. I began to realise my cup was usually half empty, rather than full. Getting it all out on paper was bliss, and suddenly I started to sleep better....and then my writing took another turn!
Warts did have to come out first though.. Thoughts I hadn't quite dared to think, let alone say in the broad light of day were suddenly paraded across the paper, and it felt really good. And I felt much more alive. I began to realise that everything I needed to say was precious, and indeed vital to my well being. I needed to give myself permission to be me.
Stage Two brought the knowing that I was being woken up in order to write. Now my writing took another turn, and words of wisdom began tumbling out onto the page...words that I found really inspiring....words that actually were a healing in themselves....The tone of my writing had changed completely from an resentful undertone, to one in which each word seemed to be crafted in Love.
I believe we all have a wisdom to share, and now is the time to share it. My Guides tell me I have spent too much time trying to be a quart in a pint pot. That goes for all of us. We are all trying to hide away...to conform and to fit in, when actually we all need to break out of the mould that's been suffocating us all for so long. How can we be passionate about life and living when we are trying desperately hide to conform to everyone else's expectations? How can we be passionate about life when we pussyfoot around what we need to say? Football just isn't my favourite game, but it could be yours. So enjoy it. Yell from the terraces, make yourself seen, make yourself heard, because that is what we are all born to do.
Writing in the night therefore is a night safe place to start, and as you gain confidence maybe you will want to share a bit more of your passion and your wisdom with the world....it is waiting you know.


While climbing, however, you may grab above that hand. Matching both hands onto one tool allows you to traverse more efficiently, or it may allow you to shake out if you're pumped.
You may also walk your hands further up the ice tool, even pushing down on the head, as you transition to lower angled terrain.


text:
Marin Šparada (born 6 September 1996) is a Croatian professional water polo player. He is currently playing for VK Solaris. He is 6 ft 6 in (1.98 m) tall and weighs 225 lb (102 kg). His brother, Toni Šparada, is also water polo player.

References

External links
VELIKO POJAČANJE Marin Šparada, 22-godišnji vratar reprezentativnog kalibra, vratio se iz 'Mornara' u Crnicu: Nesuđeni košarkaš na braniku 'Solarisa'
Glavni akter velike tučnjave na Poljudu: 'Nisam lud, pa bio sam okružen s trojicom suparničkih igrača!'
Žestoka tučnjava na Poljudu: vratar gostiju otišao u napad u posljednjim trenucima susreta i izazvao opću makljažu
Mornar i Solaris izdali zajedničko priopćenje: 'Šparada nije udario protivničkog igrača, sve je bilo u žaru borbe'
Glavni akter vatrene završnice susjedskog derbija na Poljudu ispričao je svoju priču, priznaje da mu je ovo prvi incident u kojem je sudjelovao

Living people
1996 births
Croatian male water polo players

redpajama_set_name: RedPajamaWikipedia


Charms measure 7/8" (2.2cm) high and 1.2" (1.27cm) wide.
Our "friendly" version of a medical alert charm can be added and/or removed by an adult.
Worn with AllerMates allergy bracelets for food allergies and other health concerns designed to carry charms.
Meets and exceed U.S. and European safety standards for children's products.
Multi-Charm Bracelets are sold separately.
Deluxe Medicine Case: "Never Basic Black"


Opening: Once, long ago, there was a village by the shores of Lake Ontario.
Summary: (from my library catalog) In this Algonquin Indian version of the Cinderella story, the Rough-Face Girl and her two beautiful but heartless sisters compete for the affections of the Invisible Being.
Why I like this book: After reading a collection of tales illustrated by Edmund Dulac, and being interested in the Cinderella illustration (see below), I sought out other versions, and wanted to share two of the most stunning I found.
Summary: (from my library catalog) This version of the Cinderella story, in which a young girl overcomes the wickedness of her stepsister and stepmother to become the bride of a prince, is based on ancient Chinese manuscripts written 1000 years before the earliest European version.
Resources/Activities: Find more versions, of this tale and others. Compare and contrast what you like, or don't like, about each one.


Welcome to another colourful month with Shimmerz.
I just love the bright, colourful and shimmery look of the Shimmerz Products.
To start the background, I used some Dreamsicle Dazzlerz paint to mask the chevron pattern down the page. Once dry, I sprayed some Chikadee yellow over some of the background.
I used some Mandarin Mai Tai and Bamboo Leaf to make paint splatters in the background. I simply removed the nozzle from the top and just randomly splattered ink directly from the bottle. The more ink fell, the larger the splatters became.
The chipboard circles wer painted in both Peas Be Mine and Green with Envy after being primed with gesso.
Remember to join in the Shimmerz Facebook Challenge during April for your chance to win even more Shimmerz!!!
and..... if you want to order from the Shimmerz Store, you should mention my name. You will then get a free Shimmerz product.


text:
Business Students prove Excellence
Published: July 29, 2013 | Category: Academics
Students in Southern Utah University's Phi Beta Lambda organization are making their mark in the world of business, standing out among their peers with accolades from the nation's foremost business organization.
For their keen business acumen and steadfast commitment to service, students Ashley Hardy, Kelsey Haddox and David Tyler each received an Award for Excellence from the Future Business Leaders of America-Phi Beta Lambda (FBLA-PBL) at its National Leadership Conference this summer. SUU's PBL chapter joined 1,800 other students from across the U.S. and around the world at the annual FBLA event in Anaheim, CA. There, they worked to sharpen their core business skills, expand their networks and were given a chance to participate in more than 55 business-related competitions.
For their highly successful Teddy Bear Den project, a prenatal health promotion program for low-income pregnant women, Hardy and Haddox brought home a fourth place award in the Community Service Project competition.
In the Integrated Marketing Campaign competition, which asks students to develop a comprehensive marketing plan utilizing print, radio, television and web advertising, Tyler and Hardy were awarded ninth place overall after making the first cut in the competition's preliminary round.
"I am so proud of these students," said Dean Carl Templin of SUU's School of Business. "They worked very hard to apply their business skills to real world situations and polished their writing and presentation skills to impress a tough panel of judges who are experts in their field."
Since opening in March of 2012, the Cedar City Teddy Bear Den has yielded great opportunities for students in the School of Business, arguably benefiting them as much or more than the Den's benefactors. The community-based program offers prenatal health care services to help expectant mothers stay healthy during pregnancy and also provides much-needed baby supplies to help mothers prepare for their new little ones. In a showing of compassionate service but also intricate partnership building, the Teddy Bear Den brings together efforts of the Utah chapter of the March of Dimes, Valley View Medical Center and the Cedar High School FBLA club who, in concert with SUU's PBL Club, coordinate donations, prenatal education and volunteers to operate the Den.
The FBLA-PBL awards were granted as part of a comprehensive competitive events program developed and sponsored by the organization. Individuals, state teams and local PBL chapters were encouraged to compete in the more than 50 events encompassing a wide range of business and leadership development issues.
Winners of the highly prestigious awards are selected from FBLA-PBL's membership of 250,000 students and advisers, representing some of today's best and brightest youth.
Given the multitude of challengers that made for steep competition, Templin considers his students' performance a great success. "Earning fourth and ninth place finishes in these highly competitive events just shows what great students they are," said Templin, who also serves as SUU's PBL Club advisor.
Future Business Leaders of America-Phi Beta Lambda is the nation's largest and oldest student business organization with a quarter million members and advisers in 12,000 chartered schools and colleges worldwide. Its mission is to bring business and education together in a positive working relationship through innovative leadership and career development programs.


text:
Suze Orman's financial survival tips until the vaccines take hold
Why all small businesses need to think like a startup right now
Will Arielle Charnas' Something Navy Be a 'Catalyst for Change?'
Car insurance for 19 year olds
'It's Fall! Here We Are!' A Beloved Chocolate Shop Returns
Future of Controllership: Data-Driven Strategy Partner – CFO Journal.
Millions paying over the odds in tax, as reliefs deemed too complex to claim
Tucker Carlson writer Blake Neff resigns over racist messages
This is the best way to lower your car insurance costs
Ghana's Designers Speak About Impact of COVID-19 on Business, Exports
British golfers learning on the course rather than going to college
California cities, counties split on enforcing health orders
Coronavirus forces Sacramento Ballet to cancel season, artistic director laid off
The Sacramento Ballet has canceled its performances for the 2020-21 season and announced its artistic director will be leaving her job, as the coronavirus pandemic continues to impact the local arts community. The Ballet canceled its upcoming season because of "public health concerns and the widespread economic impact" of COVID-19 […]
The Sacramento Ballet has canceled its performances for the 2020-21 season and announced its artistic director will be leaving her job, as the coronavirus pandemic continues to impact the local arts community.
The Ballet canceled its upcoming season because of "public health concerns and the widespread economic impact" of COVID-19 on the Sacramento region, according to a news release issued Friday afternoon.
Sacramento Ballet Board Co-President Suzanne Rogers said they had to make difficult decisions to ensure the Ballet's sustainability.
She said they were deeply saddened to cancel the upcoming season, as arts organizations both in the Sacramento region and nations face "unprecedented pressures and detrimental economic challenges."
"Because of public-health concerns, we were unable to perform in March and May, and with COVID(-19) continuing to compromise opportunity and close down theaters, we do not have the ability to perform this upcoming fall or winter," Rogers said in the release.
Canceling the Ballet's holiday performance of "The Nutcracker" created a huge financial challenge, since it's the organization's single-largest source of revenue.
Without it, the Ballet doesn't have the money to support its artistic and production staff and its facility costs, according to the release. So, the ballet cannot perform from January to June 2021.
Amy Seiwert, who first joined the Sacramento Ballet as a dancer in 1991, will be departing from her role as artistic director. Without ticket revenue, the Ballet could not continue to employ Seiwert despite its best efforts, according to the release.
"The last two years in Sacramento have been a tremendous gift, and I thank the dancers, collaborators and designers with whom I have had the opportunity to create," Seiwert said in the release. "Also, gratitude to the children and parents involved in my new The Nutcracker. It was a tremendous undertaking and could not have happened without the support of such a strong community."
Seiwert began working as artistic director in 2018, when she was just the seventh woman to lead a professional ballet company in the United States, according to the Sacramento Ballet. Officials said the Sacramento Ballet grew under Seiwert's leadership, gaining national status for presenting works from some of the most sought-after choreographers in the country.
The Sacramento Ballet expects to resume performances in its 2021-22 season, including "The Nutcracker" and "Beer & Ballet." The ballet will maintain its School of Sacramento Ballet, which serves more than 500 youths and adults online and its studios, when possible.
The ballet's subscription, called the SacBallet Fansters Pass, will continue. It includes access to virtual performances and discounts on online dance classes. The online service also offers streamed archived performances.
Seiwert oversaw the Ballet's switch to virtual programming after the coronvirus pandemic started in March. The Ballet maintained a performance presence with the virtual programming, and it provided safe and socially-distanced dance classes to children, adults and seniors.
The Sacramento Ballet's Board Co-President Alyssa Paoletti said she's confident the organization will "emerge stronger than ever" in the following performance season.
"We feel for our beautiful dancers, whose finely tuned careers have hit this pandemic roadblock," Paoletti said in the news release. "And we are extremely sorry to see Amy Seiwert move on. She has had such an extraordinary impact on the company, our artists and the art form."
Why 'cyberloafing' isn't so bad in the workplace
Cyberloafing: 60% of workers can't get through their work day without checking social media, according to a study. Photo: Getty It's mid-afternoon and you're in a post-lunch slump. You've got dozens of emails to reply to, a Google document containing a dull project in front of you and a meeting […]
Work on commission? What if you work in two states, how are the extra $600 applied? Your COVID-19 money questions, answered
Here's the biggest news you missed this weekend
Red Dead Redemption 2 New Update Addresses Crashing Issues and More
Virtual gift exchange ideas for the holidays
COVID-19 Has Been A Blessing To QAnon. It's A Warning Of What's To Come.
Virginia Chadwyck-Healey on the website you need to know for hidden fashion gems


text:
Q: In VB 2008, why does manipulation of shorts take longer than integers? In this example:
Sub Button1_Click(sender As Object, ByVal e As EventArgs) Handles Button1.Click
    Dim stopwatch1, stopwatch2 As New Stopwatch : Dim EndLoop As ULong = 10000

    stopwatch1.Start()
    For cnt As ULong = 1 To EndLoop
        Dim Number1 As UInt32
        For Number1 = 1 To 20000
            Dim Number2 As UInt32 = 0
            Number2 += 1
        Next
    Next
    stopwatch1.Stop()

    stopwatch2.Start()
    For cnt As ULong = 1 To EndLoop
        Dim Number1 As UShort
        For Number1 = 1 To 20000
            Dim Number2 As UShort = 0
            Number2 += 1
        Next
    Next
    stopwatch2.Stop()

    Label1.Text = "UInt32: " & stopwatch1.ElapsedMilliseconds
    Label2.Text = "UShort: " & stopwatch2.ElapsedMilliseconds
End Sub

I consistently get about 950 ms for the UInt32 loop, and about 1900 ms for the UShort loop. I get about 1900 ms as well if I changed the UShort to a Short.
Additionally, I can change the second loop to:
stopwatch2.Start()
For cnt As ULong = 1 To EndLoop
    Dim Number1 As Integer
    For Number1 = 1 To 20000
        Dim Number2 As Integer = 0
        Number2 += 1
    Next
Next
stopwatch2.Stop()

And the integer loop will be consistently 660 ms, compared to 950 ms for the UInt32 loop.
Are Integers the faster data type to use compared to Short, UShort and UInt32? If so, why?

A: I would bet it's because the natural word size on your machine is 32 bit, and doing 16 bit operations actually puts more strain on the system to cut and mask the bits.
If you'd test on a 64 bit processor, you might get better results for Int64 than for Int32...
Also, in .NET all integer (up to 32bit) arithmetics is automatically upcasted to int, so when you're assigning the result back to a short variable, you're causing an extra casting step. Same goes for uint.

redpajama_set_name: RedPajamaStackExchange


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text:
Confidential AG opinion told Lok Sabha speaker in 2014: LoP can't be appointed on the basis of 1977 law
Sumitra Mahajan, Mukul Rohatgi
Information obtained under the Right to Information (RTI) Act has revealed that Lok Sabha speaker Sumitra Mahajan banked on what has been described as "truncated" opinion of the Attorney General of India (AGI) while rejecting the claim of the Indian National Congress (INC) for Leader of Opposition (LoP) in the lower house in 2014.
Marked "confidential", the AGI, Mukul Rohatgi, in his "opinion" to the Lok Sabha speaker on July 23, 2014, seeks to bank on the ruling of the first Lok Sabha speaker, GV Mavlankar, in order to point out how, till 1969, which included the "entire tenure of Pandit Jawaharlal Nehru, and thereafter", there was no LoP.
Rohatgi quotes Mavlankar's "directions" to say that the LoP should have the strength "equal to the quorum required in for constituting a sitting of the House, which is one-tenth of the total number of the members in the Lok Sabha."
Based on this, says Rohatgi, in the sixteenth Lok Sabha, constituted in May 2014, the largest opposition party, the INC, with just 44 members of Parliament MPs), did not have the "quorum" – 10 per cent of the Lok Sabha strength, 55 MPs.
Rohatgi argues, based on this "historical perspective", the speaker is "not obliged to recognize any members of the largest opposition party in the Lok Sabha as LoP in case the said party doesn't the strength equal to one-tenth of the quorum required for a sitting in the House."
At the same time, the RTI reply reveals, Rohatgi sets aside the Salary and Allowances of Leaders of Opposition Act, 1977, which defines LoP.
The Act calls LoP as "member of the Council of States (Rajya Sabha) or the House of the People (Lok Sabha), as the case may be, who is, for the time being the Leader of the House of the party in opposition to the government having the greatest numerical strength, and recognized as such by the chairman of the Council of States or the Speaker of the House of the People, as the case may be."
Rejecting the 1977 Act's definition, Rohatgi argues, "It is obvious from the definition of LoP… that the recognition of a member as such is not governed by this Act, but such a member has to be recognized by the speaker."
He adds, "In other words, the issue of recognition of a member of the House as LoP is outside the purview of the Salary and Allowances of the Leader of Opposition in Parliament Act, 1977."
Based on this, Rohatgi says, the "speaker need not recognize a member of the largest opposition party in Lok Sabha as the LoP if the largest opposition party does not have strength equal to the quorum required for a sitting of the House."
Senior RTI activist Venkatesh Nayak, who obtained the "confidential" information from the Lok Sabha secretariat, says, what Rohatgi does not take into account is, "Parliament rejected the idea of fixing a quota for claiming the LOP's chair decisively" in 1977.
Says Nayak in an email alert to Counterview, after the the Salaries and Allowances of LoPs Bill was tabled in the Lok Sabha on August 6, 1977, "HV Kamath, an MP of the Janata Party and belonging to one of its constituents -- the Jan Sangh -- a previous avatar of the BJP moved amendment 15 to fix one-sixth as quota of seats in the House required for any MPs to claim the LoP's chair."
"In support of his amendment proposal, Kamath quoted Mavalankar, where a reference was made to the 10 per cent seat requirement. This amendment was decisively rejected by Janata Party MPs who were in the majority in the then Lok Sabha", Nayak says.
"So the numerical strength argument was weighed, measured and discarded by the Lok Sabha. To insist that 10% seat quota is essential to claim the LoP's chair amounts to blatant disregard for the express intention of Parliament", Nayak, who is with the Commonwealth Human Rights Initiative, argues.
Culture Governance Law Politics
Labels Culture Governance Law Politics


text:
Q: Catch event status on dynamic Checkbox on change I have a list item generated dynamically. Within that, there is also a checkbox.
When one of the checkboxes is checked, I want bind its siblings into a table and remove if unchecked.
Here is my function that generates the Items:
function ItemsByCategory(CatId) {
            // alert('Function Scripts');
            $("#ItemsByCategory").empty();
            var html = "";

            $.ajax({
                type: "POST",
                url: "../WebService.asmx/ItemsByCategory",
                data: "{'CatId':'" + CatId + "'}",
                contentType: "application/json",
                dataType: "json",
                success: function (data) {

                    try {
                        for (var i = 0; i < data.d.length; i++) {

                            if (data.d[i].CatId != "") {

                                html += "
 ";
                                html += "  ";
                                html += " <input type='checkbox' class='form-check mr-2' id='Item" + (i + 1) + "' /> ";
                                html += " <input type='hidden' class='ItemCatId' value='" + data.d[i].CatId + "' /> ";
                                html += " <input type='hidden' class='price' value='2' /> ";
                                html += " " + data.d[i].ItemName + " ";
                                html += "   ";
                                html += "
 ";

                                // html += "
" + data.d[i].LandingTime + "
";
                            }
                            else {
                                html += "
No active Items
";
                            }
                        }

                        $("#ItemsByCategory").append(html)
                    } catch (e) {
                        error(e);
                    }
                },
                error: function (xhr, status, e) { alert(xhr.responseText); }
            });
        }

I call this function in on click event of Categories function and pass  Category Id(CatId) to it. that populates the Item of that clicked Category.
And Here is is the Html Table I want to bind.

 Order List

                S.No
                Item
                Qty
                Unit Price($)
                Total

                1
                item 1
                <input type="text" class="form-control Qty" value="4" />
                $1
                $4

                2
                item 2
                <input type="text" class="form-control Qty" value="6" />
                $2
                $12

                 Total Amount :
                $16

I tried this to first identify which item is chcked /unchecked but it always alerts "itemx is checked" wheather its checked or unchecked.
So what is the best way to achieve this without ASPnet conrolls or events.
$(document).on('change', 'input[type="checkbox"]', function() {
  var item = $(this).attr('id')
  alert("Cliked on : " + item);
  if ($('#item').ischecked = true) {
    alert(item + ' is checked');
  } else {
    alert(item + ' is unchecked');
  }
});

NB:  I asked a somewhat similar question here before, I received advise to use repeater, but the thing is I am not writing any code in the form's code behind and I am using any aspnet controls, just pure html and server side code in a webservice class.

A: Use :checked selector to check if check box is check or not with using jQuery object $(this) inside your change event.
$(this).is(":checked")

Example based upon your code:

var html = "";
html += "
 ";
html += "  ";
html += " <input type='checkbox' class='form-check mr-2' id='Item1" + "' /> ";
html += " <input type='hidden' class='ItemCatId' value='" + "CatId" + "' /> ";
html += " <input type='hidden' class='price' value='2' /> ";
html += " " + "ItemName" + " ";
html += "   ";
html += "
 ";
html += "
 ";
html += "  ";
html += " <input type='checkbox' class='form-check mr-2' id='Item2" + "' /> ";
html += " <input type='hidden' class='ItemCatId' value='" + "CatId" + "' /> ";
html += " <input type='hidden' class='price' value='2' /> ";
html += " " + "ItemName" + " ";
html += "   ";
html += "
 ";
$("#ItemsByCategory").append(html); // Append your dynamic input

$(document).on('change', 'input[type="checkbox"]', function() {
  var item = $(this).attr('id');
  //alert("Cliked on : " + item);

  if ($(this).is(":checked")) {
    alert(item + ' is checked');
  } else {
    alert(item + ' is unchecked');
  }
});

 Order List

                S.No
                Item
                Qty
                Unit Price($)
                Total

                1
                item 1
                <input type="text" class="form-control Qty" value="4" />
                $1
                $4

                2
                item 2
                <input type="text" class="form-control Qty" value="6" />
                $2
                $12

                 Total Amount :
                $16


text:
Dr. Antonios Kireopoulos
Associate General Secretary, Faith and Order and Interfaith Relations
Dr. Antonios Kireopoulos is Associate General Secretary at the National Council of Churches USA, where, as director of both Faith & Order and Interreligious Relations & Collaboration, he is responsible for theological dialogue among both ecumenical and interfaith partners. This includes intra-Christian dialogue, as well as Jewish-Christian, Muslim-Christian, Buddhist-Christian, Hindu-Christian, and Sikh-Christian dialogue. An Orthodox Christian theologian, he previously directed, and continues to contribute to, the Council's work in international affairs and its advocacy on US foreign policy issues.
Formerly, Dr. Kireopoulos was the Executive Director of Religions for Peace – USA, where he promoted interfaith collaboration to address common domestic social concerns. Before that he was Special Assistant to the Archbishop of the Greek Orthodox Archdiocese of America, in the area of external affairs, and Assistant to the Chancellor of the Orthodox Church in America, in communications.
Among his affiliations, Dr. Kireopoulos is on the executive committee of Shoulder-to-Shoulder, an organization dedicated to fighting Islamophobia in the US, and Churches for Middle East Peace, and he has served as chair of United to End Genocide and as a founding board member of the National Religious Campaign Against Torture. He is also a member of the Council on Foreign Relations and its Religious Advisory Committee, as well as a member of the American Academy of Religion and the Orthodox Theological Society in America. He formerly served as a member of both the US State Department's Advisory Committee on Religious Freedom Abroad and its Religion and Foreign Policy Working Group, and as president of the United Nations NGO Committee on Freedom of Religion or Belief.
Dr. Kireopoulos holds degrees from Georgetown University's School of Foreign Service, Thunderbird School of Global Management, St. Vladimir's Orthodox Theological Seminary, and Fordham University. He is a published author, guest lecturer, and media spokesperson on issues in theology, social justice, and religion and the public square. He has particular expertise in the areas of religious freedom and genocide.


text:
Feds: Man distributed drugs through Middletown Post Office
Heather Yakin Times Herald-Record @HeatherYakin845
Federal agents have charged a Middletown-area man with conspiring to distribute a variation of the narcotic drug fentanyl through the mail.
On Monday, the U.S. Attorney's Office announced the arrest of Chukwuemeka "Emeka" Okparaeke, 27, following an investigation by the U.S. Postal Inspector and the New York Field Office of Homeland Security Investigations.
Prosecutors say Okparaeke received shipments of the drug from Hong Kong, repackaged it locally and mailed out orders from post offices in the New York-New Jersey area. Many of those mailings took place at the Middletown Post Office and other Middletown-area post offices, prosecutors said.
According to the criminal complaint unsealed Monday, Okparaeke bought and peddled his fentanyl on what's known as the "dark net," accessible via special identity-masking software and router programs. Officials say he operated on the AlphaBay Marketplace as "Fentmaster."
Fentanyl, a synthetic opiate that's significantly stronger than morphine or heroin, is often added by drug dealers to heroin to boost the street drug's potency, and has led to a surge in overdoses.
In November, the complaint says, workers at the Middletown Post Office notified the U.S. Postal Inspection Service of a customer, wearing latex-dipped gloves, mailing "a large volume of envelopes" at the outdoor collection bins. Other local post offices had noticed similar behavior. He also bought bulk quantities of Priority Mail stamps. Postal workers took note of Okparaeke's name on his driver's license and the description and plate number of his white Honda Accord.
Inspector Emily Tarrats of the U.S. Postal Inspection Service said postal workers are made aware of scams or other illicit activities.
Meanwhile, police in Fairfax County, Va., said they were making undercover fentanyl buys from Fentmaster. Everything - the drugs, packaging, postage and return addresses - matched with the Middletown investigation of Okparaeke. In January, U.S. Customs and Border Protection intercepted two kilo-weight packages of fentanyl, both addressed to Okparaeke, at John F. Kennedy Airport in New York City. Officials replaced the drug with a filler and set up for Okparaeke to retrieve his packages at the Middletown Post Office. They questioned him at the Middletown police station, the complaint says, and he claimed to be a middleman, unaware of the packages' contents.
Okparaeke was arrested Monday in Kearny, N.J., after surveillance tracked a 100-gram fentanyl sale to an undercover Fairfax County detective. He was expected to appear late Monday in White Plains federal court. If convicted, Okparaeke would face a mandatory minimum 10 years in prison.
The complaint says that Okparaeke also posted on the Reddit website as bmoreproduct1, including a story about a former doctor turned "darknet" fentanyl dealer, and that he appeared to have been a student doctor at a Middletown-based "medical service provider."
hyakin@th-record.com


text:
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The New European > News
Woven wonders: blurring the lines between art and craft
Claudia Pritchard
Published: 2:52 PM November 26, 2018 Updated: 8:43 AM September 18, 2020
anni albers in her weaving studio at black mountain college, 1937. Photo: The Josef and Anni Albers Foundation - Credit: Archant
A new exhibition shows why the works of Anni Albers rank alongside the output of the greatest abstract expressionists. Claudia Pritchard reports
Under 'W' in the Encyclopedia Britannica of 1963 the long entry on weaving was written by an expert in that craft who made a point of attributing the greatest skill to people who had worked many centuries before and far away from her German birthplace.
'Practically all known methods of weaving had been employed in ancient Peru,' wrote the German-born artist Anni Albers, 'and also some types now discontinued.'
In the course of many visits to Peru and Mexico, Albers collected fragments of textiles dating back to as early as 500 AD. Some of these miracles of preservation are included in a show dedicated to the artist at Tate Modern, alongside scores of examples of her own work that are both influenced by ancient practitioners and strikingly modern.
From her formative years training at the Bauhaus in Weimar until into her 60s, Albers took the timeless elements of warp and weft and constructed with them not only functional textiles but also works of art intended to be hung as pictures. These powerful abstracts rank, in impact if not scale, with the abstract expressionists at work in her adopted home of America.
To traditional silk, wool and cotton she introduced unconventional materials – cellophane, Lurex metallic thread and man-made fibres such as rayon and acrylic.
Experimentation started early, maybe because she was a slightly reluctant arrival on the weaving course at the Bauhaus. This broad-minded institution expected students to study both an art and a practical craft, but even in this progressive institution there was a hierarchy that put fine art above craft. Among the teaching staff and of special influence on Albers was Paul Klee, whose intricate blocks of colour she echoed in yarn.
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But the loom became the medium for her aesthetic ideas. An example of a loom such as she would have used stands sentry in the exhibition's first room, a great church organ of a beast, with its bench, pedals and uprights. And footage of the contemporary weaver Ismini Samanidou at the end of exhibition demonstrates the effort that goes into this laborious craft – and the clattering din that comes from it, so far removed from its often softly-spoken end product.
Albers was born Annelise Elsa Frieda Fleischmann to a wealthy family on June 12, 1899. At the Bauhaus she met art teacher Josef Albers, an artist 11 years her senior. They married in 1925, but their happy domestic and professional lives were interrupted by the reactionary clampdown of the Nazis. The Bauhaus was closed down in 1933, and husband and wife fled to America.
For her diploma piece, Anni Albers devised in 1929 an acoustically effective wall covering for the ADGB Trade Union School at Bernau, near Berlin. A length of this, re-made in 1999, reveals that the cotton and raffia on its visible side are shot through with cellophane that glistens, while on the reverse tufted yellow chenille soaks up the sound. The American architect Philip Johnson said this innovation alone was Anni Albers' passport to the United States.
At this time Albers was mastering and outwitting the structural rigour of the vertical and horizontal and enforced by the warp and weft of the loom. With ingenious use of colour she created illusions of depth, texture and colour changes, turning the limitation of perhaps only three colours to her advantage. So in Black White and Yellow it is lime green, formed by the black and yellow, that sings out. Josef Albers too was working on the influential colour theories that informed his Homage to the Square series in which shades advance or recede before the eye.
Anni and Josef settled in the liberal and forward-looking Black Mountain College in North Carolina, where both taught. Their new home made possible the 15 visits to travels to Peru and Mexico between 1935 and 1967, driving for days in search of imposing architecture with its distinctive geometry and buying locally-made crafts. Ancient forms of script were also absorbed into Albers designs that seem to write across the work. The word 'text' has its roots in the Latin textus, meaning 'woven', observes co-curator of the exhibition Maria Müller-Schareck.
The couple left Black Mountain College in 1950 when Josef went to head the department of design in New Haven, Connecticut. By now Anni Albers was producing pictorial weavings, her colour palette changing with the years from the early black white and red through earthier hues to vibrant green, peacock and lemon.
Dressing the loom – applying the vertical warp yarns – is time-consuming and exacting. If the same warp is used for more than one piece, variation can be introduced with the horizontal weft. A pair of weavings from 1952, Development in Rose, are thought to have been made on the same warp threads, but, subjected to different light levels over the years, the second remains rosier by far than the first. Finally Albers broke free of the grid altogether by introducing a second weft, free flowing motifs over the basic structure.
At the same time she was receiving commissions for essentially practical work. At Harvard Graduate Center she created a fabric room divider and chequered bedspread. For the Rockefeller Guest House in Manhattan, she devised hangings that were unobtrusive in daylight and which gleamed extravagantly at nighttime under artificial light. Perhaps the most flamboyant piece of all was in 1957 for the Jewish Temple Emanu-El in Dallas – eight 28ft-high panels in lustrous blue, green and gold.
Deeply affected by the plight of her fellow Jews – her fellow Bauhaus weaver Otti Berger had died in Auschwitz – in 1966-67 she created the dignified Six Prayers, long panels in which the solemn underlying black is slowly outdone by radiant gold.
In 1968 she made what she know to be he last weaving, naming it Epitaph. A congenital muscular disease that affected her hands and feet had made the intensely physical process so arduous that in 1970 she gave away her looms. From then on she designed for others, and this introduced her work to a wider audience through furniture company Knoll. Her 1974 design of parallelograms, Eclat, seen at the Tate in its six colourways, is still in production today.
She took to printing and after Josef's death in 1976 worked on for many years until her own death in 1994. She brought to this discipline her characteristic eye and meticulousness – and found the whole process less arduous by far than wrangling with the great looms.
'I find that, when the work is made with threads, it's considered a craft,' she said in an interview in 1985. 'When it's on paper, it's considered art...'
Anni Albers runs at Tate Modern until January 27
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Comforters and duvets should be cleaned in the beginning and the end of each winter season and come in two general filled types.
These types of comforters are generally less expensive and more colourful. They will usually have an elaborate coloured pattern or patchwork. The fill used is of a synthetic or polyfill composite that is loosely stitched into position.
Sold by many large and well established bedding companies, these are the most comfortable and well loved type of comforters. Typically loosely filled with goose down feathers.
It is important to note, that overall cleaning costs are higher because of the increased processing required to ensure the down is properly cleaned and thoroughly dried.
Whether they are synthetic or down, the labeling indicates and determines the method of cleaning.
Featherbeds and down filled pillows are not cleaned on site. Rather they are outsourced to a 3rd party for professional cleaning.


text:
Hooded man seen on CCTV sought by Krowka murder detectives
CCTV images of hooded man wanted for questioning about the murder of Polish national Piotr Krowka in Maghera
Mark Rainey
Chilling CCTV footage showing a murder victim's last movements has been released in the hope of identifying a hooded man on the same Maghera street.
The body of Polish national Piotr Krowka, 36, was discovered at a derelict property on the Glen Road, Maghera on April 3, some four days after he was killed.
Mr Krowka had lived in the area on and off since 2005 and had recently fallen on hard times – sleeping rough in a number of vacant buildings.
Renewing their appeal for information, the PSNI has released the CCTV images in the hope of jogging people's memories of the night of the murder.
Detective Superintendent Jason Murphy from Serious Crime Branch said: "From our enquiries we believe the vicious, sustained and unjustifiable attack on Piotr occurred on our around Easter Saturday, March 31.
"Piotr had made his way along the Coleraine Road at 8.50pm. As can be seen from the footage he then makes his way up Main Street at 8.58pm where he crosses the road and turns left onto Main Street and makes his way onto the Glen Road."
D/supt Murphy added: "Chillingly during his journey up Main Street he is being followed by a hooded man. We need to establish who this man is, I believe that someone within the community knows him. I would appeal to two groups of people within the Maghera community, the first are the local people in the town many of who had helped Piotr through their charity and kindness.
"The bars and shops in the town were busy on Easter Saturday and I'm sure that someone saw something that could help with the investigation. Cast your mind back to that night, did you see Piotr in the town centre or on the Glen Road? Did you see him being followed or assaulted at any time?
"The second set of witnesses that I am appealing to are those who have direct knowledge of Piotr's murder, I believe that someone has information about who killed him. I would ask those people to examine their conscience and ask themselves whether they can carry that burden of guilt forever?"
Anyone with information is asked to contact police on 101, quoting reference number 919 of 03/04/18. Alternatively, information can also be provided to the independent charity Crimestoppers on 0800 555 111 which is 100% anonymous.
Two 16-year-olds arrested as part of the investigation have been released on bail pending further enquiries.