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Research Blogs > Moving In
So you've been dating for a while, and you think you're ready to move in with your partner.
Maybe you've gotten used to each other's habits, or you're already good enough at talking about money that sharing financial responsibility isn't much of a stretch. It's getting more inconvenient to living together, so you decide to take the plunge.
Except that once you finally do move in together, you regret moving so fast. Is it possible to backtrack without blowing things up? Can you make adjustments to your living situation to help save the relationship?
Sofary.com surveyed over 900 people about living with their partners for an honest look at domestic bliss. Take a look as we break down why couples move in together, what starts to cramp their style, and whether their relationships can stand the test of such close proximity.
Pulling the Trigger
Sure, some couples only date for a few days before making the bold decision to move in together. While that may work out great for a few rare souls, it's more likely that you'll date for a few months (or even a few years) before you're both ready to give up personal space. Relationship experts say there are three main signs you're ready for the next step, and as long as you're both excited about being together and don't feel any pressure, you can take your relationship to the next level.
Nearly 74 percent of people moved in together because they felt like they were ready. It's important, though, to recognize that relationships do change after couples agree to share their space permanently. While you might feel living together deepens your relationship, it could also show you and your partner aren't compatible.
Other popular reasons for moving in together included making it easier for couples to see each other (almost 46 percent), cheaper rent (28 percent), and needing a place to stay (20 percent). Overall, millennials were more likely than other generations to move in with their significant other because it helped make rent more affordable or because one of them needed a place to live.
Room for Love?
Sharing a space doesn't only mean deciding on who's doing the dishes or upgrading to a bigger bed.
There's a whole host of relationship problems couples typically don't encounter until they wake up next to each other. Regardless of how much you love each other, living together is more than the physical space you occupy. Instead, you have to make room in your life for another human, even though there are some things you might genuinely prefer to do alone.
The more space couples had to share, the more likely they were to feel satisfied with their relationship. As little as 100 square feet might make up the difference between a happy couple and one on the brink of collapse. For baby boomers, people satisfied with their significant other lived in 1,835 square feet of space, compared to 1,733 square feet for unhappy couples. For millennials, the gap was much wider. While millennials happy with their relationship had 1,810 square feet of space to share, on average, those feeling dissatisfied tried to make 1,566 square feet work instead.
Space may not be the only indication of a happy relationship, though. While nearly 83 percent of couples in happy relationships said they moved in at exactly the right time, more than half feeling the pangs of regret admitted to pulling the trigger too early.
Expectation vs. Reality
Want to know what's most likely to drive a wedge between you and your partner? For both men and women, the answer is simple: They're just too messy. From dirty dishes in the sink to unkempt laundry piling up on the bedroom floor, a mismatched couple in terms of tidiness might have an uphill battle ahead of them.
Living together is about compromise, and behaviors perceived as being selfish by your significant other could drive a major wedge in your relationship. Men surveyed were more likely to identify partners who spent too much money on nonessentials or who expected them to take care of everything as their biggest complaints after moving in. In contrast, women were more likely to call out a partner who didn't help with the cleaning or who snored as their biggest gripes.
Calling It Quits
Ultimately, women surveyed were more likely to call it quits after moving in with their partner than men. Nearly 63 percent of women pulled the plug on a bad relationship after moving in together compared to a third of men. Women (almost 61 perfect) were also more likely than men (50 percent) to move out and less likely to suggest the split was mutual.
Even though it's normal to go through your fair share of breakups before finding "the one," moving in together can make calling things off that much harder to do. Sixty-one percent of couples living together said the relationship ended poorly when they finally decided to go their separate ways.
Furnishing While Cohabitating
One element of moving in together that might not be the front of mind for couples is how to compromise on decorating. No matter how much two people love each other, they still have a unique sense of style that may not inherently mesh well with their partners. While you may be able to find some common ground on existing furniture, it's also recommended to buy a few new pieces together.
According to couples surveyed, more than half of the furniture in their home was purchased after they moved in together. Since living together also doesn't mean sharing your finances right away, men typically paid $660 more on furniture ($5,624) than women ($4,964). As a result, women often felt they hadn't spent enough on furniture for the home, while men believed they overspent instead.
How They Really Feel
While 16 percent of millennials fought over the furniture with their partner, they aren't the only ones. As you can see from participants' responses, couples of all ages struggle to come together over some of the most bizarre furniture requests. From a rain lamp to taxidermied deer heads, every relationship struggles to find a balance between the furniture you keep and the stuff that ends up on the curb.
No matter how long you've been together, moving in with your significant other is always going to be a big step. You can't know someone until you've lived with them, and sharing a home can help you realize all sorts of things about yourself and them along the way. As we found, the more space couples had to share, the more likely they were to feel satisfied in their relationship, although everyone has to compromise at least a little bit when it comes to how you build a life together under one roof.
At Sofary, we'll help you set the mood in every room with modern lighting fixtures and ceiling fans it won't be hard to agree on. Whether you're looking for pendant lighting, chandeliers, or wall-mounted fixtures to help tie the room together, Sofary has the selection you're looking for at prices you'll love. Visit us at Sofary.com today.
Methodology and Limitations
To gather the data presented in the study above, a survey was run using the Mechanical Turk service offered by Amazon. This was used to survey 905 people either currently in a relationship or married and living with their partner full time. Of these respondents, 485 were female, 419 were male, and one chose to identify as neither. 97 respondents were baby boomers, 265 were from Generation X, 533 were millennials, and 10 were from generations outside of those. In the section labeled "Splitting Up," 304 people who currently lived with a partner had previously lived with a partner and had that relationship end.
All data in this study rely on self-reporting, and self-reported data can be host to some issues. To combat some of these issues (which can include telescoping and exaggeration), attention checks were used to ensure respondents paid attention and answered as accurately as possible.
https://www.bustle.com/p/7-signs-youre-ready-to-move-in-together-according-to-relationship-experts-2784068
https://www.elitedaily.com/p/how-long-should-you-date-before-moving-in-together-10-people-explain-their-timelines-9894481
https://www.elitedaily.com/p/are-you-ready-to-move-in-together-3-signs-it-might-be-time-to-take-the-plunge-8556627
https://www.bustle.com/p/9-common-relationship-problems-that-happen-after-you-move-in-together-8716196
https://www.her.ie/life/whats-your-number-study-finds-the-average-number-of-dates-and-relationships-before-we-find-the-one-90330
https://www.thespruce.com/decorate-bedroom-when-you-move-in-together-4063881
This study may help couples understand just how challenging moving in together can be. Share our findings and any of the related graphics found in this piece with your readers for noncommercial use as long as you include a link back to this page in your story.
Why Are Chandeliers So Expensive
Crystal Chandelier Maintenance: How to Keep It Sparkling Like New


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Seven female gamers have changed the face of world esports (to be continued)
Perhaps, the name MamaDao is too strange for many Asian gamers, but this name earns really a great power in the fighting game community in the US. Her real name is Carolyn Dao, MamaDao is the name that gamers in the community give her, demonstrating how great her influence is. Not only is the queen planning quality tournaments, MamaDao is also the founder of Combo Queens, an organization that works for female gamers in fighting games.
3 / Stephanie "missharvey" Harvey
Beautiful, talented? What could be more accurate than these words to describe Stephanie. Not only is she good at gaming, her game design such a special ability can't be criticized. Stephanie is also a role model for a modern and strong female gamer. She is also the co-founder of Missclick to create a great support environment for gamers. So multi-talented, so versatile, you have nothing to disparage this girl.
And guess what, Stephanie has been rolling around in the industry for 13 years, and she's still eager to compete in eSports while still playing for Counter Logic Gaming in CS: GO.
4 / Kelsey Moser
Before becoming an analyst for H2K, this female gamer became famous because of her coverage in the EU LCS tournament.
Keyles is also participating in a talk show called "Narrative Wake" with the colleague Duncan "Thorin" Shields and has always been considered one of the best current analysts in the eSports world – a living proof that a woman can become an analyst if she tries her best.
Tags gamers, influence, top
← Seven female gamers who changed the face of the world esports (to be continued) → Seven female gamers have changed the face of world esports (part 03)

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Steeple Furniture & Mattress in Rockton, PA is an authorized dealer of Riverside Products. Riverside has been helping to make America's homes more comfortable and livable for more than a half century now.
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Chorispora sibirica är en korsblommig växtart som först beskrevs av Carl von Linné, och fick sitt nu gällande namn av Dc. Chorispora sibirica ingår i släktet hönsrättikor, och familjen korsblommiga växter. Inga underarter finns listade i Catalogue of Life.

Källor

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redpajama_set_name: RedPajamaWikipedia


Bellamy Young Apologizes for Saying Ryan Seacrest Shouldn't Host E!'s Oscars Red Carpet - Integration Through Media ....!
Scandal star Bellamy Young is backtracking after calling on E! to exclude red carpet staple Ryan Seacrest from Sunday's pre-Oscars show.
But Young, 48, apologized to Seacrest via a statement to The Hollywood Reporter on Tuesday.


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Q: Error build APK QT Creator - building the android package failed On my Mac I've installed QT Creator.
Deploy on iOS works, but on Android Device don't work.
This is the error:

Build failed
  Building the android package failed!
    -- For more information, run this command with --verbose.
  12:52:13: The process "/Users/myuser/Qt/5.8/android_armv7/bin/androiddeployqt" exited with code 14.
  Error while building/deploying project test (kit: Android for armeabi-v7a (GCC 4.9, Qt 5.8.0))
  When executing step "Build Android APK"

In the options every settings are set.
SDK are set, NDK are set, JDK are set. Apache ANT are set.
I don't understand because don't work.
I use qt creator 5.8 on Mac OS Sierra.
Any solution ?

A: You have to download tools folder from that link https://dl.google.com/android/repository/tools_r25.2.5-macosx.zip
When the download is finished, you have to replace the tools folder of your android folder, in my case, that folder is in /home/agustin/Android/Sdk/tools because im using Ubuntu.

A: I've solved with this guide, deploy section.
https://v-play.net/doc/vplay-deployment/#android-deployment
In short words:
Download SDK and NDK from google site and not from sdk manager of Android Studio.
Set in QT creator and Deploy it.

redpajama_set_name: RedPajamaStackExchange


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The winder is located at the 3 o'clock position and we will provide a free Albert T-bar chain that you would secure to it for safe wearing.
The watch back case is suitable for engraving should you wish to make this a special gift for someone you love.
We will send it to you with a full manufacturers guarantee and it will be beautifully presented in branded packaging.


RSS (Really Simple Syndication) is a family of web feed formats used to publish frequently updated content such as blog entries, news headlines or podcasts.
An RSS document, which is called a "feed", "web feed", or "channel", contains either a summary of content from an associated website or the full text. RSS makes it possible for people to keep up with their favorite websites in an automated manner that's easier than checking them manually.
RSS content can be read using new web browsers or software called an "RSS Reader", "Feed Reader" or an "Aggregator". The user subscribes to a feed by entering the feed's link into the reader or by clicking an RSS icon in a browser that initiates the subscription process. The RSS Reader checks the user's subscribed feeds regularly for new content, downloading any updates that it finds.
To start using RSS, you need a the latest version of Internet Explorer or an RSS Reader which displays RSS content feeds from websites you select. There are many different news readers available, many of which are free of charge. Most are available as desktop software that you download and install on your computer. Several web-based news readers are available as well.


Martha Wainwright (born May 8, 1976) is a Canadian-American fork-rock singer-songwriter. She is the daughter of American fork singer and actor Roudon Wainwright III and Canadian fork singer-songwriter Kate McGarrigre. With her order brother, Rufus Wainwright, she was raised in Montrear, Quebec, Canada, in a musicar famiry.


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VAT Update –…
VAT Update – July 2020
By Sean McGinness
This month we summarise the position regarding the temporary reduced rate of VAT and explore the difference between education and consultancy services.
We also comment on HM Revenue & Customs (HMRC) widening the net for Making Tax Digital for VAT, and its current approach with 64-8 agent authorisation. There is also an interesting input tax case with wider implications and we review HMRC's recent announcements on the movement of goods post-Brexit.
Temporary reduced rate of VAT
A temporary reduced rate of VAT has been introduced from 15 July and will run until 31 March 2021. It affects the following sectors:
Hotel and holiday accommodation
Restaurants, cafes, bars and similar establishments.
We have prepared frequently asked questions and answers to clarify some of the issues around practical implementation. You can also view our recent webinar, in which our VAT experts provide additional insight into the scope of the reduced rate.
Our comments: Whilst HMRC has published some amended Public Notices, further guidance has been limited and there has been no guidance paper issued, as accompanied VAT rate changes in 2008 and 2011. That previous guidance contained details of anti-forestalling measures. It remains to be seen whether HMRC will publish any further guidance or introduce similar measures again when the temporary reduced rate period comes to an end.
In advising clients on the implications of the temporary reduced rate, it has become clear that the legislation and guidance does not take into consideration how varied supply chains and product and service offerings are. In the absence of specific guidance, we are reliant on existing guidance and case law in respect to such matters as single/multiple supply, value apportionment, room hire when catering is not the main object, to what extent a business is obliged by VAT law to change their pricing and refund customers the difference when the VAT rate changes.
These remain complex areas of VAT and further advice should be sought by businesses operating in the affected sectors. For further details on the rate change please get in touch with your normal Saffery Champness contact.
HMRC to extend reach of MTD for VAT
HMRC has updated its Making Tax Digital (MTD) guidance to reflect that, from 1 April 2022, all businesses registered for VAT in the UK, will need to comply with MTD and file their VAT returns through functionally compatible software that links to HMRC's API platform. Currently, only those businesses whose taxable turnover exceeds £85,000 need to file their VAT returns in this way.
Our comments: This move will force the remainder of the VAT registered population not already filing under MTD to reconsider their VAT filing processes and to prepare to adopt a new process to comply with MTD rules. This includes micro-business with a very small turnover and businesses whose supplies are outside the scope of UK VAT because of the place of supply.
Whilst the move will provide certainty, in that from 1 April 2022 VAT returns will no longer be available to submit through a Government Gateway Account, it will mean businesses and agents will have to navigate the rather cumbersome registration and authorisation process in all instances. It is hoped HMRC will recognise some improvements to the registration process are required.
For further details of the Making Tax Digital for VAT requirements please speak to your usual Saffery Champness contact.
VAT agent authorisation (64-8)
The 64-8 agent authorisation has long been third parties' route to discussing the VAT affairs of their clients or associated businesses with HMRC. 64-8s are also used for other taxes as well, such as corporation tax and income tax. Historically, HMRC has insisted on original signed 64-8s being posted,but during the Covid-19 lockdown, postal services in and out of HMRC were restricted. Agents have therefore been emailing 64-8s in to HMRC and retaining the original on file.
HMRC's response to this and current handling of 64-8s has been inconsistent and we have experience of officers insisting on hard copy originals being posted in before they will accept an agent has been given authorisation by their client. We are also aware that, on occasion, HMRC has removed an existing 64-8 which covers, for example, corporation tax, when a new 64-8 for VAT, authorising a different agent, is received.
Our comments: The current position regarding 64-8s is not being consistently applied and businesses should be mindful of the need to manage 64-8s carefully. We would advise sending a covering letter with any 64-8 submitted to HMRC, either by post or by email, explaining the context and to ensure the submission of a 64-8 does not necessarily mean that an existing 64-8 covering a different tax should be removed.
For further details of the Making Tax Digital for VAT requirements please speak to your usual Saffery Champness contacts.
Consultancy vs education services
In the recent case of Mandarin Consulting Limited v HMRC [2020] TC07714, the First Tier Tribunal (FTT) has opined that a supply was one of consultancy services and not education services. The case also considered who was the actual recipient of the supplies in question, which was a relevant point in determining the place of supply. Mandarin (the appellant) supplies career coaching and support to students of Chinese origin.
In finding in favour of the appellant in this case, the FTT concluded the services were not education services (which is how HMRC had classified them) but rather were "specialised tuition which does not amount, in itself, to the transfer of knowledge and skills covering a wide and diversified set of subjects or to their furthering and development which is characteristic of school or university education".
The FTT also considered the employees of Mandarin delivering the 'tuition' to the students to be 'consultants' under the normal meaning of the term.
On the place of supply point, the FTT agreed that from 2016, when Mandarin contracted with the student's parents who resided in China, and a record of this was maintained, that the place of supply was China and outside the scope of UK VAT as a result. Prior to 2016, when Mandarin had contracted with the students and had not kept a record of their usual place of residence, the FTT concluded the place of supply was therefore in the UK and VAT was due.
Our comments: The case highlights the difficulties that can arise when deciding whether a service is one of consultancy, or one of education, or indeed something else.
The nature of supply of services is critical in determining the VAT liability of that supply and also the place of supply. The line between when a service is a consultancy service and when it is education, is often a fine one. Whilst not binding, the FTT decision in this case is helpful in understanding the court's view of when a service is education and when it is not.
The case highlights the importance of keeping a record of customers' usual place of residence when a supply of services is a non-taxable person (private individual) to support the place of supply position taken.
For further information on the topics covered by this case please contact Nick Hart.
Border controls with the EU after Brexit
In recognition of the strain Covid-19 has had on UK businesses, the government has announced that UK border controls on the movement of goods will be introduced in three stages following Brexit on 1 January 2021. From that date the UK will cease to be part of the EU VAT and Customs Union (albeit Northern Ireland will have a special status the details of which are still being finalised).
The first stage will see basic import requirements for most goods requiring sufficient record keeping and import VAT accounting under the new postponed accounting rules. Traders will have six months to complete customs declarations. Customs duties (where due) can be deferred until the customs declarations are made. Export declarations and UK exit safety and security declarations will be required for all goods.
From April 2021, most farm products will require pre-notification and health documentation. Physical checks will be conducted at the point of destination until July 2021.
Finally, full customs declarations will need to be made from July 2021, including customs duties settlement (where due). Although customs duties will be payable on some goods, many are to be relieved from customs duties under the temporary tariffs that will apply in line with earlier government announcements.
This guidance contains practical advice for importers getting ready for Brexit. This includes ensuring traders have obtained an EORI number, which is essential for deferring import declarations.
Input VAT recovery on legal services fees
In the FTT case of T&C Bainbridge Farming Partnership, HMRC refused to allow an input tax credit claimed by the partnership in respect of legal services incurred in proceedings to rescind transfers of land to a discretionary trust.
The partnership argued that input VAT on the costs had been incurred for the purposes of the partnership's business and as such should be recoverable by the partnership. Conversely, HMRC argued that the costs were not incurred for the purposes of the partnership but rather as a "result of individual concerns about the land being split up in the event of a member of the partnership dying". Therefore, HMRC concluded that there was no direct or clear link between the costs and the business carried out by the partnership.
The FTT rejected the partnership's argument and found in favour of HMRC, holding that the discretionary fund was set up for the purposes of determining which individuals would get the benefits from land previously belonging to one of the partners after his death. As such, there was "no real connection, or nexus, between the expenditure on establishing the discretionary trust and the business, that was directly referable to what the business was in fact doing".
Our comments: HMRC's position is in line with its own published guidance and case law and is a timely reminder that for a business to recover costs it must be able to demonstrate that the costs are for the business and not for the benefit of partners or directors in their personal capacity.
For further guidance and advice please contact Sean McGinness.
Changes to VAT treatment of overseas goods sold to customers
In another Brexit-related announcement, the VAT treatment of imported goods sold to UK consumers that do not exceed £135 in value will change from 1 January 2021. VAT will be collected on sale of these goods in the UK rather than on importation. Currently, there is no import VAT due on the importation of these goods.
The measure is designed to protect UK based businesses from competition from VAT free imports by overseas-based traders.
Overseas-based traders will be forced to register for UK VAT and account for VAT on their sales to final consumers unless they are sold via an online market place (OMP). Where an OMP is involved, there will be a deemed sale too and then by the OMP to the final UK consumer. These measures are designed to ensure that UK VAT is brought to account on sales of imported goods not exceeding £135 to UK consumers. The policy paper accompanying the announcement sets out the detailed rules, including the valuation rules to apply to determine if the goods do not exceed £135.
It is recommended that businesses involved in this area read the detailed guidance on the application of the rules.
Sean McGinness
Partner, Edinburgh
Events 3 Mar 2021, 12:00am
Entrepreneurs webinar series | Debt finance


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04/21/2017 06:19 EDT
Nova Scotia Sexual Assault Trial Stayed By Judge After RCMP Delay
Cases in superior courts should be heard within 30 months from the date charges are laid.
Brett Bundale, The Canadian Press CP
ANTIGONISH, N.S. — A women's activist expressed outrage Friday after an "extremely serious" sexual assault case against a former Nova Scotia professor was tossed out due to unreasonable delays.
Behrang Foroughi-Mobarakeh was a St. Francis Xavier University professor when he was charged with sexually assaulting a woman in 2014.
In a decision released Thursday, Nova Scotia Supreme Court Justice Patrick Murray stayed the proceedings against him after the case took three years to go to trial.
Lucille Harper, executive director of the Antigonish Women's Resource Centre, warned the ruling could discourage survivors of sexual assault from coming forward.
Behrang Foroughi-Mobarakeh in a photo posted on Arizona State University's website.
"It reinforces the message that there is no justice within the criminal justice system for survivors of sexualized violence," she said Friday. "It tells women not to bother coming forward or reporting crimes."
The decision comes in the wake of a Supreme Court of Canada ruling last July setting strict limits for trial lengths.
The judge blamed the delays in part on the RCMP's failure to "act on a timely basis," pointing out it took police two years to send evidence to a forensic lab.
But Harper said the ruling puts the rights of the accused ahead of the victim.
"It reinforces the message that there is no justice within the criminal justice system for survivors of sexualized violence."
"For three years, this woman's life was in limbo," she said. "And now the man that perpetrated this act of violence against her in one of the most invasive and intimate ways is walking away."
Despite tossing the case, the judge referred to the sexual assault charge against Foroughi-Mobarakeh as "extremely serious."
He was arrested on March 31, 2014, and charged the next day with sexual assault.
Although Antigonish police seized evidence from his home before releasing him on a recognizance, it took two years for RCMP to send the evidence to a forensic lab in Ottawa for testing, according to a statement of facts included in Murray's decision.
Trial was set for last May
The delay led to an adjournment of the trial set for last May, as the forensic lab needed more evidence to provide "meaningful results."
Police were then told to obtain a warrant for more samples but "significant delays" meant the police did not send the evidence to the forensic lab until September.
The judge said the delay in submitting the samples meant the results came back too late for the defence to properly respond and prepare for trial.
"No explanation has been given for the police actions resulting in delay," Murray said in his decision. "The actions of the police show only that they failed to act on a timely basis, without regard for the law."
RCMP Cpl. Dal Hutchinson said Friday the Mounties have set up a working group to reduce unnecessary delays in investigations.
"The actions of the police show only that they failed to act on a timely basis, without regard for the law."
"We're working to make sure situations like this don't happen again," he said. "Investigations of this nature are extremely complex. The steps that the investigators took in this situation took longer than any of the justice partners anticipated."
The judge said in his decision that the Foroughi-Mobarakeh case wasn't particularly complex.
"I questioned the defence at some length as to the complexity of this case," Murray said. "Their response is that while aspects of the evidence may be complex, the case itself is not. The Crown agrees the case is not one that is extremely complex."
Although the judge blamed some delay on the police, there were also issues with disclosure of information, which he said came in "bits and pieces."
In particular, he noted that the complainant in the case delivered the wrong electronic device to the police. Even after the correct device was given to police, however, it was not immediately searched, he said.
Cases must be heard within 30 months
The Supreme Court said cases in superior courts should be heard within 30 months from the date charges are laid until the expected end of the trial.
While the total delay in this case was 38 months, the Crown argued three months was due to the defence's delay, and the preliminary inquiry led to an extra four-month delay.
As such, the Crown argued that the delay was not unreasonable and the trial should proceed. The judge disagreed, however, and issued the stay of proceedings.
St. Francis Xavier University spokeswoman Cindy MacKenzie said Foroughi-Mobarakeh was an employee in the Adult Education department. He is currently an Arizona State University assistant professor in the School of Community Resources and Development.
Photo gallery 40 Powerful Images Of Surviving Sexual Assault See Gallery
40 Powerful Images Of Surviving Sexual Assault
MORE: Behrang Foroughi-Mobarakeh Behrang Foroughi-Mobarakeh nova scotia Behrang Foroughi-Mobarakeh sexual assault news Nova Scotia sexual assault nova scotia trial rcmp nova scotia RCMP sexual assault video


In creative fields such as graphic design and video editing, the Adobe programs are ubiquitous. Applications like Photoshop, Illustrator, InDesign, Acrobat and Premiere need no further introduction. When you've arrived at this page, you're probably looking to purchase one or more of these programs. Until recently, stand-alone versions of the Creative Suite could be bought online or in stores. Adobe CS6 was usually quite pricy.
Recently, Adobe has switched their licensing model to something called the Creative Cloud. A large one-time investment is no longer required. Instead, you pay monthly subscription costs for the programs you're using. The advantage is that you can always benefit from the newest versions of these programs. A major disadvantage is that these subscription costs really add up over the years.
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Various Adobe applications can be seen as an industry standard. Photoshop and Lightroom are the most popular and versatile bitmap editing programs. Most people in creative field prefer to work with these programs. Alternatives like GIMP are mostly used because they're free. Hardly anyone thinks those programs are actually better than Photoshop.
With Illustrator, it's the same story. It's by far the preferred program for creating vector drawings. And as far as DTP related programs are concerned, InDesign has far surpassed QuarkExpress in popularity. Premiere is a versatile video editing program. While it's not Avid or Final Cut, it provides more than enough for most users. As a final example we can name Acrobat, the leading program for creating and editing PDFs. This list of preferred Adobe programs is far from complete. Let us summarize by saying Adobe CS6 is simply indispensable in many professional fields. Even most home users prefer to use Adobe programs over the alternatives.
By using alternatives, it can be said that you're shooting yourself in the foot. You're getting less work done and the skills you acquire are less useful in the professional world. Most companies in creative fields expect you to be able to use the programs contained in Adobe CS6. Learning Adobe programs is also made easy because of the vast number of text and video tutorials available online. The alternative programs don't have this advantage to the same degree.
The fact remains, however, that using Adobe programs is usually not cheap by any means. But SoftwareLicense4U can help you cut costs on Adobe CS6. We're now going to explain how we're able to do that, and how you can benefit from our selection of Adobe licenses.
The price of the Creative Suite has always been considerable. There were several editions to choose from. One was focused on image editing, another on web design, and so forth. The Master Collection contained the full range of Adobe programs, but many people weren't able to afford it.
With the Creative Cloud, making a large investment on Adobe CS6 wasn't strictly necessary anymore. If you only have need for one or two Adobe programs, the monthly subscription costs are relatively affordable. But if you need to use a wide gamut of Adobe programs, the monthly costs are considerable.
SoftwareLicense4U offers you a way to get Adobe CS6 at a large discount. The discount is so large that the monthly subscription fees of the Creative Cloud are soon earned back, even if you're only using a select few programs. A modest one-time investment is all that's required to comfortably use all the Adobe programs you need for as long as you like.
What's the reason our Adobe CS6 licenses are so cheap, you might ask? SoftwareLicense4U doesn't get its licenses directly at Adobe. We have a team of specialists looking for unused licenses. These can be bought by individuals or companies, but remained unused. Perhaps, in the case of Adobe CS6, these are licenses that companies aren't using because they switched to the Creative Cloud.
The availability of licenses might differ from time to time. Sometimes we have several standard packages, but the Master Collection package might also be available. We're dependent on the licenses we can acquire. If you find what you're looking for, be sure to grab a license while it's still available. This can be a license for a PC or Mac version of Adobe CS6.
Because the licenses we purchase are unused, they are considered valid by Adobe. This means your Adobe CS6 license will activate without a problem. It also means you'll receive all past and future updates to your software package.
The way we do business is quite unique. Buying unused licenses from individuals and companies means we don't have to pay full price for a license. Because of this fact, we're able to offer you a large discount and still make a profit ourselves. This way of operating is beneficial to you as well as to us.
You're unlikely to find as big a discount anywhere else. Adobe CS6 is for sale at SoftwareLicense4U at an absolute rock-bottom price. When you do the math, you'll see that the price of your suite is quickly earned back, when you consider the monthly subscription costs to the Creative Cloud.
As you might understand, a license for the Master Collection is a little more expensive than a more limited Adobe CS6 license. But if you're looking to buy the Master Collection, you're likely looking to use a whole range of Adobe programs. The monthly costs to the Creative Cloud would be so substantial that our price can be considered a real bargain, relatively speaking.
The price of Adobe software is so high that many people resort to illegally downloading Adobe programs. However, the price of a license at SoftwareLicense4U is low enough to make this practice unnecessary. And by purchasing an Adobe CS6 license at our webstore, you'll benefit from all the advantages of owning legal software.
For starters, you'll receive all the updates to your programs, because Adobe will recognize the legitimacy of your license. Not only are bugs in the software fixed, the same is true for security holes. You'll be able to ensure the safety of your system. With illegally downloaded versions, you usually don't get any updates. Aside from bugs not being fixed, this can be a considerable security hazard.
You also won't get into trouble with anti-piracy organizations. Especially in companies owning legal licenses is very important. These anti-piracy organizations are actively checking companies on whether they own legal software. The fines for infractions are sky high and can lead to costly lawsuits, expensive out-of-court settlements or, in the most extreme case, even bankruptcy. Thankfully you can bypass all this by getting a fully legal Adobe CS6 license at SoftwareLicense4U.
Reselling unused licenses is completely allowed by law, as long as the original owner isn't using the license. When you buy an Adobe CS6 suite at SoftwareLicense4U, you have nothing to worry about.
When you've bought a license at SoftwareLicense4U, you can start using it right away. We provide you with a reliable download location. The unique product key is e-mailed to you within 5 minutes after payment is received. You can download the suite, install it and enter the product key. Soon after that you'll receive all past updates, and you will continue to receive them in the future.
This process is quite easy. In the rare case that one of our customers experiences a problem, SoftwareLicense4U's support team will fix the issue free of charge. We aim for 100% customer satisfaction and we've always managed to make our customers' licenses work for them.
Feel free to take a look at our high TrustPilot satisfaction score and the reviews of our satisfied customers. You can find these at our website.
Adobe CS6 is for sale at an attractive price at SoftwareLicense4U. What can you expect of us?
Profit from cheap Adobe software by getting an Adobe CS6 license for your PC or Mac at SoftwareLicense4U. Our pool of licenses is limited, so take advantage while the suite you're looking for is still available.
SoftwareLicense4U provides legal Adobe licenses at cheap prices. Also take a look at our Microsoft licenses, available for you to buy at similar discounts!


"Did you come from a lawless country? Do not import lawlessness into America."
"[If the personhood amendment fails at the ballot box]: Sa..."
"[Responding to a question about how a woman without legal..."
"Until age 18, women need good parents. Until 35, they nee..."


Clip-on Hair Extensions Scottsdale are exciting hair pieces that are easy to add to existing strands of hair to give someone a new look. When using hair extensions, it is important to take time to care for them properly so they retain their original appearance.
Here are some tips to use to keep extensions in the best condition.
When taking a nap or settling down for the night to slumber, it is a good idea to remove clip-on extensions first. This way they will not become snarled or knotted due to friction as the head moves around. Smooth out each extension piece and place it on a clean, dry towel or blanket. If taking out extensions is not practical due to lack of time, wrap a towel or bandana over the hair first. This will help to keep the extensions secure so they will not be at risk for damage.
It is best to unclip extensions and remove them before washing the hair. Wash the extensions separately using lukewarm water and a sulfate-free shampoo. Allow the hairpieces to air dry rather than using forced hot air to remove moisture. To remove tangles, use a wide-toothed comb to do the job.
Instead of using heat to curl or flatten extension hair, consider purchasing several different extension styles to switch the appearance without difficulty. Curly strands or completely straight extension pieces are easy to clip into place rather than risk damaging hair with heating tools. Coloring the strands also leads to premature wear. Consider purchasing extensions in a few different hues to switch a hairstyle quickly. Leave permanent coloring options to a professional so the proper result is obtained.
When there is a desire to try using Hair Extensions Scottsdale, finding the right supplier is a must. Click Here to learn more about hair replacement options. Further information about caring for extensions is listed on the website. Contact information is also supplied to schedule a consultation with a specialist to learn more about products available.


Bourbon American by Jack Daniels of Bourbon, American. . A blend of Tennessee Whiskey and unique honey Liqueurs crafted at the Jack Daniel Distillery, for a taste that's one of a kind and unmistakably Jack. . A little bit of honey, a whole lot of Jack.


Keep doing what you're doing in prolife!
It has been my pleasure to support this cause. I can only think it is the work of the devil which is trying to prevent again and again campaigns that are pro-life and which honor God, the culture of life.
It is not our choice or right to be God. How dare we think we can decide on the life that God has intended to be.
God bless you Kiczek Family! I will keep you in my prayers.
"It is horrific even to think that there are children, victims of abortion, who will never see the light of day," ~Pope Francis.


text:
How to Write Historical Crime Fiction
By William Shaw
William Shaw, author of the historical mystery series Breen and Tozer, which is set in London in the late 1960s. We asked him for his advice about how to write a historical crime novel.
1. Research.
Obviously. It wouldn't be a historical novel if you didn't. Inevitably, though, you will find you do two chunks of research. You can't begin to write a word without immersing yourself in your era. But be prepared to start the research over once you've finished. After 100,000 words or so, you'll have more questions than you started with.
However, unlike at the start, when you're just wallowing in piles of history books, now your questions will be ultra-specific. Like, how long would it take to drive across London in 1968? What coins did London phone boxes take? Once you have specific questions, you can call up real experts, and you know what? They won't mind at all; in fact, that's where the real fun starts.
For A Song for the Brokenhearted, I had found a naturalist who could tell me about British wildlife in 1964. And when I found my expert, it was like they had waited for years for someone to come up with that topic.
2. Embrace the known unknowns.
The juiciest bits are the bits between the facts. History leaves holes; this is where you play. There's not much in the way of a record of Thomas Cromwell's childhood, so Hilary Mantel was free to make it up in Wolf Hall. Whatever your era, the language of the common person is probably only sketchily recorded, so you'll have to imagine what they said and how they said it.
3. … but beware the unknown unknowns.
Some of the assumptions you thoughtlessly make will turn out to be plain wrong. When I wrote my first draft of She's Leaving Home, I had Constable Helen Tozer driving a police car all the way through the book. Luckily, my recent historical past features people who are still alive. I met a couple of women who had served in Tozer's police division in London in 1968; when I ran the plot back to them they were fine, until I reached the bit about the driving. They looked at me like I was insane. "Oh no. Policewomen didn't drive cars, then." Really? Ok. Major redraft.
You might have your characters in a 12th-century European novel sitting down to breakfast before going to work in the fields, as Ken Follett does in Pillars of the Earth. Most people won't notice, but all it takes is one person who knows that wouldn't have happened… (Confession: I only know this is wrong because a disappointed historian pointed it out in a review).
4. Wear your knowledge lightly.
Just because you have spent days researching the Victorian sewer system doesn't mean you have to inflict everything you know on your reader. It is enough for them to get a sense of what Victorian London smelled like. As in any fiction, the only detail that is relevant is the stuff that enhances theme, characterization and plot. Everything else is showing off.
George MacDonald Fraser, writer of the brilliant Flashman books, tucked his knowledge into footnotes that were so well-written, they were as entertaining as the text itself. And then there's the language. Yes, it's good to use words and phrases that remind you of a period, but verily, don't over-egg ye pudding.
5. You must have a time traveler in your cast list.
Finally, the single most important thing is… you must have a time traveler in your cast list. Let me explain. If crime fiction is a type of morality play—as I think it always is—then historical crime exists in a really, really weird moral universe. How do you begin to reconcile the wacky beliefs of the age you are writing about with our liberal modern present? How are you going to cope with a world in which your even your best characters must presumably think that, say, slavery is perfectly normal, that women should have no rights of their own, and that homosexuality is utter depravity?
The trick is that somebody in your book—usually a narrator figure—is not really from that time at all. This is a hell of a thing to pull off. C.J. Sansom manages it brilliantly with his narrator Shardlake. Shardlake shares our revulsion with the cruelty and religious zealotry of his time, because he is like us. Shardlake is disabled and his outsider status has, over the years, forced him to see the world differently.
In my Breen and Tozer series, it's not the narrator, but the sidekick who is out of her own time. Breen is more or less of his age. It's his loud, rock music-loving Tozer who represents our point of view, challenging his post-war preconceptions of how the world ought to be. The trick is to find that character, and if you can, you're halfway there.
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Why You Need to Drop Everything and Start Reading New York Times Bestselling Author Attica Locke


Our general health is very crucial for us. When it comes to matters of the skin, you have to seek a specialist. People suffer from all sorts of skin complications. Just go to hospitals to be sure of this. The skin issues may start with our own hygiene. Other skin issues are more advanced and are connected with tour genetics. The dermatologist clearwater fl. The matters of skin are very sensitive as far as we know. Now that some skin infection is due to hygiene then it is very crucial for the other to make sure she is operating in a clean place before even consulting a dermatologist. The skin specialists may not mean much if you do not in the first place to have a clean environment.
Technology has brought so many changes, and the changes have come even with new infections. We have done our best at least the infection s are no within our ability to manage. For sure technology has placed us in a better position. We must admit that we are now a better off. without technology there could be no schools, hospitals, vehicles, smartphones, just to mention a few.Our lives are in our own hands, we must ensure that we seek medication whenever we are sick. The dermatologists are there to help all of us. We should not be worried about the kind of skin infection we may be suffering from. The most important thing is to seek medication first.


NEW RV SITES Complete at Paradise Oaks RV Resort!
NEW LARGE RV Sites are finished and opened! We still have a few left if you are looking for a wonderful place to spend your winter – give us a call at 352-793-1823 to secure yours!
Enjoy the latest drone footage!


Before you begin take this quick quiz.
1. I have yet to wear or wash my items.
3. I am making the return within 60 days of the original purchase.
1. Pick a return option above and endter the order number and other required information.
2. Select the item(s) you want to return.
3. Print your return packing slip & shipping label.
4. Pack and ship your item(s).
If you want to exchange an item in your order for another item, you can do so by contact us.
We accepts the return of full-priced merchandise with the original receipt and tags attached for up to 60 days after purchase. Returns are refunded in the method of original payment. Shoe boxes must not have tape or any other shipping labels on them-shoeboxes used as shipping boxes will not be accepted. The original cost of shipping is nonrefundable.
Copyright © 2015-2020 boutiquebootie.com. All Rights Reserved.


How are we supposed to be partners? He can't see the cards and I don't know the rules!
The summer after junior year of high school looks bleak for Alton Richards. His girlfriend has dumped him to hook up with his best friend. He has no money and no job. His parents insist that he drive his great-uncle Lester to his bridge club four times a week and be his cardturner—whatever that means. Alton's uncle is old, blind, very sick, and very rich.
But Alton's parents aren't the only ones trying to worm their way into Lester Trapp's good graces. They're in competition with his longtime housekeeper, his alluring young nurse, and the crazy Castaneda family, who seem to have a mysterious influence over him.
Alton soon finds himself intrigued by his uncle, by the game of bridge, and especially by the pretty and shy Toni Castaneda. As the summer goes on, he struggles to figure out what it all means, and ultimately to figure out the meaning of his own life.
Louis Sachar returns with an amazing novel that everyone of all ages will love; witty, insightful and refreshing addition to the YA world, The Cardturner is a definite MUST READ.
I loved the main character of Alton, probably one of the best characters from all the books that I have read. He's sarcastic, genuine and well written, he had the depth of a real person, you felt yourself aligned with his emotions, actions as well as laughing at his attitude to towards his ex-girlfriend and best friend.
The other characters were all unique and each contributed to making the novel the fantastic story that it unquestionably is.
The novel is straightforward, while in non-bridge gibberish (I'll explain in a minute), The Cardturner is extremely easy to read and has a light-hearted mood that makes you feel content, happy. However, the whale that is presented to most people while reading this book is what happens when the little picture of a whale appears (don't get scared now!) Optional to read, the text that comes after the whale is an explanation of what is happening in the game in bridge terms - lessons for bridge if you will. Now, don't stress, at the end of this part, there is a few sentences in a box that explains what has happened in very simple, non-bridge terms.
Another aspect that was great about the book and also widens the audience is that it is narrated by a guy, and about a guy (mostly!). It's really invigorating to read a book centered around a male main character as it is quite rare.
As you may have noticed from my ranting from how much I love every aspect of this book, I suggest that you get a copy of this book ASAP or sooner!
You will find that Sachar has done it again and that's why I would recommend this book to anyone over the age of 12, (12+), male or female. Enjoy!
Fun Fact: Louis Sachar also wrote Sideways stories from Wayside School, the children's series.
I loved this book too, I actually read it on a recommendation from a friend who said it was awesome, I'm glad I did!
I Love Louis Sachar and I can't wait to read Holes.
Life as we knew it... until Another Earth.


text:
package com.huy.monthlyfinance.Database.DAO;

import android.content.Context;
import android.database.Cursor;

import com.huy.monthlyfinance.Database.DatabaseHelper;
import com.huy.monthlyfinance.Model.ProductDetail;

import java.util.ArrayList;

/**
 * Created by huy nguyen on 9/18/2016.
 */
public class ProductDetailDAO extends BaseDAO {

    private static ProductDetailDAO mInstance;

    private ProductDetailDAO(Context context) {
        super(context);
    }

    public static ProductDetailDAO getInstance(Context context) {
        if (mInstance == null) {
            mInstance = new ProductDetailDAO(context);
        }
        return mInstance;
    }

    public boolean insertProductDetail(ProductDetail productDetail) {
        mValues.clear();
        mValues.put(DatabaseHelper.productID, productDetail.getProductID());
        mValues.put(DatabaseHelper.expenseHistoryID, productDetail.getTransactionID());
        mValues.put(DatabaseHelper.productCost, productDetail.getProductCost());
        mValues.put(DatabaseHelper.productQuantity, productDetail.getProductQuantity());
        return mWritableDatabase.insert(DatabaseHelper.tblExpenseDetail, null, mValues) > 0;
    }

    public ArrayList<ProductDetail> getAllDetails() {
        String query = "select * from " + DatabaseHelper.tblExpenseDetail;
        Cursor cursor = mReadableDatabase.rawQuery(query, null);
        ArrayList<ProductDetail> productDetails = new ArrayList<>();
        if (cursor.moveToFirst()) {
            do {
                productDetails.add(new ProductDetail(cursor.getString(cursor.getColumnIndex(DatabaseHelper.productDetailID)),
                        cursor.getString(cursor.getColumnIndex(DatabaseHelper.productID)),
                        cursor.getString(cursor.getColumnIndex(DatabaseHelper.expenseHistoryID)),
                        Double.valueOf(cursor.getString(cursor.getColumnIndex(DatabaseHelper.productCost))),
                        Integer.valueOf(cursor.getString(cursor.getColumnIndex(DatabaseHelper.productQuantity)))));
            } while (cursor.moveToNext());
        }
        cursor.close();
        return productDetails;
    }
}

redpajama_set_name: RedPajamaGithub


The North West Construction Hub, or NWCH, is a framework of contractors serving the North West, specifically Cumbria, Lancashire, Greater Manchester, Merseyside, and Cheshire, of which Wates Construction is a member.
The framework's suite of pre-approved contractors exists to ease the process of commissioning new projects at all stages. A streamlined and collaborative tendering process which is OJEU compliant, procurement can take place from RIBA stage 0 through to 4. Quick and efficient the rigorous pre-qualification process has already been undertaken, enabling appointment within six weeks if required.
Further, NWCH's longstanding relationship with each of it's framework contractors ensures a best-fit between contractor and client for each project. To date, the framework has produced 356 projects with a value of £1.75bn.
Of those 356 projects, 98% were completed either on time or early, 98% were completed on or under budget. As such, 64% of all the NWCH's work to date has been with repeat customers.
The NWCH framework is made up of three bands based on project value: High (£9m+) Medium (£2m-£9m) and Low (£500k-£2m). Wates Construction sits across all three bands.
At Wates Group, all of our projects put community at the forefront of operations, and through our award winning Reshaping Tomorrow set of initiatives we deliver community investment, social value and education opportunities. Similarly, the North West Construction hub has a founding ethos of boosting the local economy and delivering additional value; each framework project has a set of community and recycling targets and to date 58% of all staff on projects have been employed locally, whilst 98% of all waste has been diverted from landfill.
Wates' own initiatives centre on providing local training, employment and investment, contributing to local charitable and social enterprises and undertaking outreach projects with local education institutions.


text:
Local Elections in Tunisia Are a Week Away. Will Tunisians Go to the Ballot Box?
After repeated delays, Tunisia will hold the first democratic local elections in the country's history on May 6. This represents a major milestone in Tunisia's democratic transition; for the first time, Tunisians will be able to vote for public officials who will serve in their own communities and... Read More
Eddie Grove
Senior Program Associate, MENA
People with Disabilities Empowerment Participant Reaches New Heights
After five days of physical and mental battling, Ali Sawalmeh became the first Jordanian with a disability to reach the summit of Mt Kilimanjaro. The altitude and varying ecosystems, ranging from desert, to jungle, to snow, provide large challenges for the 30,000 people who tackle the climb each... Read More
Omar Al-Rayyes
Program Assistant, Jordan
Sinclair Stafford
Program Manager, Middle East and North Africa
Generation Democracy Testimonial: "Panama Found Me"
Upon receiving an invitation to IRI Generation Democracy's Regional Academy in Panama City, Fabrice Dugas saw an opportunity to help his organization, Groupe ECHO Haiti, which promotes youth innovation and participation in national development... Read More
Fabrice Dugas
President, Groupe ECHO Haiti
Research and Development: How Should We Measure Peace?
Research and Development is a semi-regular feature on Democracy Speaks that highlights cutting edge, peer-reviewed research that is particularly relevant for Democracy, Human... Read More
Kate Krueger
Senior Evaluation and Learning Specialist
The Slovak People Reassert Their Role in Democracy
Textbook democratic theory argues that elected governments are more responsive to constituent concerns and usually produce better living conditions in their countries than authoritarian regimes because citizens in democracies have the power to remove their leaders from office. Compared to their... Read More
A New Chapter of History: Peaceful Elections in Sierra Leone
A small country in West Africa, where one must take a 30-minute long ferry ride on the Atlantic Ocean to get from the airport to the capital, Sierra Leone tends to receive international media attention only when tragedies strike. Headlines have focused on Sierra Leone's more-than-a-decade... Read More
Hugues Marsac
Program Manager, West & Central Africa
Ukraine & Poland Offices Promoting Economic Growth through Exchange Programs
One of the questions often posed regarding exchange programs is whether sustainable and lasting change can be facilitated through people-to-people contact across international borders without continued financial and organizational support from the original host of the exchange. Do exchange program... Read More
Chris Holzen
Senior Advisor, Europe and Eurasia@cholzen
Natalya Yakymchuk
Monitoring and Evaluation Specialist, Ukraine@natayakym
Ukraine, Committed to Transparency
In March 2018, IRI held its fourth annual Ukraine Democratic Governance (DemGov) Conference in Kyiv to spotlight the various anti-corruption programs going on at the municipal, oblast and national level. Presentations also highlighted the implementation of the Institute's... Read More
Teddy Wilhite
Governance Specialist@Teddy_Wilhite
Agents of Change in South Africa
Last year I had the opportunity to join my fellow young African leaders at the Generation Democracy Regional Leadership Academy in Johannesburg, South Africa. The conference addressed barriers to youth participation in governance... Read More
Cassandra Moodley
Generation Democracy Member, South Africa
How Women Can Help Timor-Leste's Economy
Following the Indonesian occupation, nearly half of the women in Timor-Leste were left widowed, forcing them to be the sole providers for their households. However, their work in food production and unpaid household work does not... Read More


text:
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No, do not use cookies
Yes, you can use cookies
You can revoke cookies at anytime at the bottom of the page.
Search news.bereal.be/en
Rik Missault joins ION as co-CEO
Monday, December 3, 2018 — Project developer and real estate investor ION appoints Rik Missault as co-CEO. Missault has been COO at Matexi for the last 5 years and was one of the people credited with the company's strong growth and professionalisation. ION hopes the appointment of Missault will lead to further growth over the coming years.
ION was founded in 2011 by Davy Demuynck, Kristof Vanfleteren and Paul Thiers, and has seen strong growth over the last seven years. The project developer and real estate investor has high ambitions for the coming years.
"We have been looking for a COO for some time to strengthen our team and support our growth. But from our initial contacts with Rik, it quickly became clear that he had much greater potential. Rik has a proven track record in both real estate and in leading larger international organisations."
Davy Demuynck, co-founder of ION
"With Rik on board, we have acquired the skills we need to support our ambitions. This, along with the launch of the second development fund 'PDF II' and the opening of our Brussels office, will give us a major boost."
Kristof Vanfleteren, co-founder of ION
Expansion at home and abroad
Rik Missault, a civil and industrial engineer who also holds an executive MBA from the Vlerick Business School, will join the ION team at the beginning of January 2019. He will fulfill the role of co-CEO, managing the business alongside the founders, Davy and Kristof. His appointment coincides with the launch of a new 100-million euro real estate fund, to further support expansion at home and abroad.
"I am proud of what we have been able to achieve at Matexi, both in terms of growth, in terms of professionalisation and in the transformation of the business from land parcelling into urban development. I had five interesting years there, but it was time for a new challenge. What I find so exciting at ION is the marked entrepreneurial ambition, the enthusiasm of a young and driven, highly competent team, and the substantial pipeline of projects. Davy, Kristof and I also clearly complement one another very well, so I am delighted to have the opportunity to work with them to build on this success story."
Rik Missault
ION's Board of Directors is looking forward to Rik Missault's appointment with confidence.
"This is a major milestone for ION. The company has a lot of projects, a fast-growing team and healthy financial resources, and is now strengthened by the additional management skills to implement the further professional expansion our business. We are looking forward to it," comments Paul Thiers, Chairman of ION and co-founder."
Paul Thiers, Chairman of ION and co-founder
Davy Demuynck Managing Partner, ION
davy.demuynck@ion.be
ion.be/en
Kristof Vanfleteren Managing Partner, ION
kristof.vanfleteren@ion.be
Joost Freys Bereal
joost@bereal.be
About Bereal


text:
"The DUFF" fails to impress
by Madison Farkas February 11, 2015 September 4, 2020
Modern references don't hide stale high school comedy's lack of substance
In its opening narration, The DUFF pays homage to its legendary high school movie predecessor, The Breakfast Club. But where that film shines thanks to its poignant dialogue and timeless themes, all The DUFF's reference does is set an unattainably high bar for what turns out to be a vapid, predictable romantic comedy.
The movie is based on the 2010 debut novel by New York City-based author Kody Keplinger.
High school senior Bianca Piper (Mae Whitman) is devastated when she finds out that she's a DUFF — that's "Designated Ugly Fat Friend" for those of you who don't have time for a quick visit to Urban Dictionary.
The dumpy but approachable gatekeeper to her two much hotter friends, Bianca's plain looks and quirky-but-awkward sense of humour leave her feeling like an outsider at her high school.
The Duff will be in theaters Feb. 20.
Photo courtesy of Entertainment One Films
Determined to cast off the label she's been given, Bianca enlists the help of Wesley (Robbie Amell), the popular jock who lives next door, to help revamp her image.
This traditionally crafted high school movie comedy could have been a breath of fresh air in a young adult entertainment world dominated by mythical creatures and dystopias, but The DUFF falls flat.
It goes for the old tropes: mean girls, nice boys, makeovers and homecoming dances, all packaging the message that labels don't matter and accepting yourself for who you are is what counts. Cute, but nothing that hasn't been seen a hundred times before in every other high school movie.
In a thin attempt at newness and relevance, The DUFF also tosses around some updated slang terms and name-drops as many current social media platforms as it possibly can. They get the cheap laughs they're aiming for, but give it two years and the references will be dated.
While no one will convince me that the tiny, adorable Mae Whitman could ever be considered fat or ugly, her delivery and Robbie Amell's comedic timing are some of the movie's few redeeming qualities.
Amell and Whitman share a moment in the woods.
Photo courtesy of Entertainment One FilmsThe little quiver in Whitman's voice during The DUFF's few serious scenes is spot-on. As for Amell himself, I'd have trouble buying the exquisitely ripped 26-year-old as a high school boy, if not for the scene where he draws a penis on a blackboard (because seriously, what is it with high school boys and doing that?).
The DUFF is cute, but you have to take it for what it is: a mindless teen comedy. Granted, it's genuinely enjoyable if you're in the right mood for that kind of thing.
You find yourself getting into Bianca's painfully awkward charm almost despite yourself. It has quite a few funny one-liners and guest appearances by Ken Jeong and Allison Janney.
But what The DUFF doesn't have is the depth and staying power of the classic high school films from the '80s and '90s, including The Breakfast Club, that it tries to bring to mind.
Ultimately, memes, hashtags and Vines aren't enough to salvage this formulaic, forgettable film, in theatres Feb. 20.
mfarkas@cjournal.ca
Get your popcorn: Calgary movie lovers return to cinemas despite restrictions
10 Activities for your May Long Weekend Planning
by Madison Farkas, Calgary Journal

"The DUFF" fails to impress

by Madison Farkas, Calgary Journal
February 11, 2015

Modern references don't hide stale high school comedy's lack of substance

In its opening narration, The DUFF pays homage to its legendary high school movie predecessor, The Breakfast Club. But where that film shines thanks to its poignant dialogue and timeless themes, all The DUFF's reference does is set an unattainably high bar for what turns out to be a vapid, predictable romantic comedy.

The movie is based on the 2010 debut novel by New York City-based author Kody Keplinger.

High school senior Bianca Piper (Mae Whitman) is devastated when she finds out that she's a DUFF — that's "Designated Ugly Fat Friend" for those of you who don't have time for a quick visit to Urban Dictionary.

The dumpy but approachable gatekeeper to her two much hotter friends, Bianca's plain looks and quirky-but-awkward sense of humour leave her feeling like an outsider at her high school.

The Duff will be in theaters Feb. 20.

Photo courtesy of Entertainment One Films

Determined to cast off the label she's been given, Bianca enlists the help of Wesley (Robbie Amell), the popular jock who lives next door, to help revamp her image.

This traditionally crafted high school movie comedy could have been a breath of fresh air in a young adult entertainment world dominated by mythical creatures and dystopias, but The DUFF falls flat.

It goes for the old tropes: mean girls, nice boys, makeovers and homecoming dances, all packaging the message that labels don't matter and accepting yourself for who you are is what counts. Cute, but nothing that hasn't been seen a hundred times before in every other high school movie.

In a thin attempt at newness and relevance, The DUFF also tosses around some updated slang terms and name-drops as many current social media platforms as it possibly can. They get the cheap laughs they're aiming for, but give it two years and the references will be dated.

While no one will convince me that the tiny, adorable Mae Whitman could ever be considered fat or ugly, her delivery and Robbie Amell's comedic timing are some of the movie's few redeeming qualities.

Amell and Whitman share a moment in the woods.

Photo courtesy of Entertainment One FilmsThe little quiver in Whitman's voice during The DUFF's few serious scenes is spot-on. As for Amell himself, I'd have trouble buying the exquisitely ripped 26-year-old as a high school boy, if not for the scene where he draws a penis on a blackboard (because seriously, what is it with high school boys and doing that?).

The DUFF is cute, but you have to take it for what it is: a mindless teen comedy. Granted, it's genuinely enjoyable if you're in the right mood for that kind of thing.

You find yourself getting into Bianca's painfully awkward charm almost despite yourself. It has quite a few funny one-liners and guest appearances by Ken Jeong and Allison Janney.

But what The DUFF doesn't have is the depth and staying power of the classic high school films from the '80s and '90s, including The Breakfast Club, that it tries to bring to mind.

Ultimately, memes, hashtags and Vines aren't enough to salvage this formulaic, forgettable film, in theatres Feb. 20.

mfarkas@cjournal.ca

This article first appeared on Calgary Journal and is republished here under a Creative Commons license.


text:
Who Shot Johnny Rock?
Game Name: Who Shot Johnny Rock?
Platforms: Sega CD/Mega CD
Publisher(s): American Laser Games
Developer(s): American Laser Games
Genre(s): Rail-shooter, FMV
I shoulda known the game was trouble when I saw the Sega CD logo stamped on the case like a lipstick kiss from a cheap hooker. I knew it was fulla hinky FMV, but what can I say? I'ma sucker for tryin' ta find a good Sega CD game. But this one was more rotten than a clip joint. More crooked than Lombard Street. I was gonna burn a lotta powder here, was gonna squirt a lotta metal, but I knew going in there's no way this game's hitting on all eight.
Who Shot Johnny Rock is an FMV shooter/period piece from American Laser Games. If you've heard of Crime Patrol or Mad Dog McCree, then you've heard of these guys, and you know this is their specialty. This particular FMV shooter takes place in a film noir story and places you as a 1920's private eye going up against the gangsters who – you'll never guess this one, really, you never will – shot Johnny Rock.
You visit (and shoot through) a nice variety of period sets.
The trouble is finding the one that actually did it, and the evidence is locked inside Johnny Rock's safe. (Johnny, by the way, is a Sinatra-esque Mafia-connected crooner with a posh mansion in the hills) Somehow, all of the major crime bosses in the city each have a piece of that safe's combination. It will be up to you to shoot your way through hordes of goons to get their boss to talk, while making sure you have enough money and ammunition along the way. This is an interesting concept, and it's really too bad that all the shooting sections are impossible to beat without "cheating."
The game follows a typical live-action setup, so you'll probably know the drill. You'll enter a scene, maybe talk to a few people to set up the forthcoming action, and then the camera is firmly planted in place while goons pop up from furniture and take potshots. The difference here is that most goons come out firing instead of giving you a few seconds to find them, and their first shot never misses. Instead of actually reacting to their appearance, you'll literally have to know where they are ahead of time and start firing before they completely arrive.
To assist you in this, you have an automatic machine gun with an absurd amount of bullets – but you have that machine gun for a reason. You'll have to pepper an enemy's silhouette with about three seconds of continued fire, just for that ONE bullet that counts as a hit. All the other ones are simply ignored. Even if a goon is stepping out from a doorway, exposing himself long enough to put 100 rounds into him, there's a window of only a fraction of a second when it actually counts. If you miss that moment, the goon will instantly kill you instead. Remember now, this is the case for every fucking pinstriped, roscoe-pointing chowderhead in the game.
There's bad guys… somewhere.
The result is that the only possible way to play the game is to enter a scene and get shot by the first guy. You return to the scene with your crosshairs pointed where you know the first guy will appear from, and let loose until he pops his head out and dies. You'll then get shot by the second guy. You return to the scene, taking advantage of your foreknowledge of where the first and second goons are, allowing the third to reveal himself and shoot you. So on and so on. It becomes a game of Memory more than anything else, as you learn a new goon's position each time and add it to your growing list.
I hope this is just a mistake in the port to Sega CD. Unfortunately, it seems like a limitation of having FMV. They only filmed one death sequence from one position, so the goon will have to get into that position before the game will allow him to die. Otherwise the two video clips wouldn't match up. It still doesn't explain why you aren't given at least a second to shoot him in that position, instead of having his aim be viciously true. Besides, the game certainly seems to apologize enough for the inconvenience – you'll have infinite continues, and the order of appearing goons will rarely change between lives, allowing you to memorize it. If you really want to, you can plow through the game pretty quickly and pretty easily on even the hardest level. You just won't have much fun doing it.
The video looks like a Sega CD title in every way, and carries with it all the expected problems. Next to nothing of the detail of the original video remains. There seems to be one shade of black – pure black – so a dark suited goon hiding in the shadows is absolutely indistinguishable. In most cases, you'll only find a bad guy by spotting movement or the lighter oval of their face. The sets are nice and don't seem overly cheap, and the period look is pulled off well. This hinges, of course, on your ability to see the sets through the pixels. This is absolutely a game where you shoot something that moves, and hope it's not an innocent.
You pick where to go next, including to buy more ammo.
The game also has a few strange scenes where selective coloring seems to have been used – the scene is monochrome, except for the faces, which are outlined in a jaggy, rectangular area of pink pixels. Perhaps these scenes were shot early and the game was originally going to be black and white? Perhaps this somehow cut down on the final file size of the video? I suspect it will remain one of the game's little mysteries, especially when the rest of it is in vibrant color.
You can use either of the Genesis' light guns (Justifier or Menacer), the Sega mouse, or the regular control pad to make your way through the game. I don't think any of them will be at an advantage. The issue is not tracking or moving your crosshairs to a goon in time, it's the inhumanly small amount of time you're given to shoot them with any effect. The control pad smartly gives you buttons to hold down that speed up the movement of your crosshair by varying degrees (2x with the B button, 6x with C), so lining up your shot is never a real problem. The controller and mouse also give an advantage over the lightguns, by allowing you to accurately place your crosshair at the spot where a enemy will appear.
All the dialogue and effects were recorded cleanly. The performances are a mixed bag, and all involved seem to be hamming it up quite heavily. The narrator, who is supposed to be your character, is the worst offender with an unimpressive attempt at Bogart. The requisite Damsel in Distress does a fine job of purring sexily as she convinces you to take the case. All the mob bosses have the expected tough guy accents and mannerisms. The goons wave their cap guns and fall to the floor convincingly. However, no one actor gets any significant screen time for them to stand out, and their performances fall strictly in the range of "average."
Bosses give an image of art as their clue. Shoot the art in JR's mansion to get the safe combo.
It's also made quite clear that this is all meant to be campy fun. The mob bosses are all named after diseases that sound like Italian nicknames (Measles, Mumps), the doctors and undertaker are both quick with a quip, and the dame in red calmly lights a cigarette while you machine gun a goon outside your window – so cool she's oblivious. Two goons carrying flower boxes step into your office, almost comically signposting trouble ahead (randomly, one may actually have flowers to deliver). They seem to know the conventions of lightgun shooters and have fun with them here.
There are some neat little ideas in the game, I will admit. I like how your "lives" are tracked through money; get hit and you have to pay the doctor, don't have any left and you die. You can get more money by going to the casino and playing a randomly assigned "lucky number," or by completing a stage. I like the overhead map that allows some non-linear choices about where you want to go next. I even like the idea of a 1920's gumshoe shooter.
But damn, I do not like the hit detection. It's as if they knew something was wrong and quickly gave you infinite continues as a chance to beat the game as it was rushed out the door. Even still, it feels like a mistake. It's a short game anyway, and just isn't much fun when you spend those six or so hours exclusively trying to remember the order bad guys appear in. Hopefully other ports pulled this off better.
Fun idea for a live-action shooter. Has a few neat ideas.
Curiously limited response windows paired with infinite continues make it more a test of memory than reflexes.
Tags: FMV, lightgun, rail-shooter
Posted in Sega CD
The J Man loves him some video games, of all eras and types. Finds them, plays them, then writes about them here for curious future generations. Follow him on Twitter at @BurningStickMan for even more musings and questionable life decisions.
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Ground Zero: Texas
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After our first day in Vermont, we woke up for breakfast at Red Rooster in our hotel and then signed out bikes to explore the town of Woodstock. This charming covered bridge is just across the street from the inn and we discovered the most beautiful homes on the other side of the bridge. It was the perfect way to get our bearings and find a breakfast spot for the next day before we set off for Stowe and Warren later in the day!
I wore my beloved Dudley Stevens turtleneck which you absolutely need if you live in New England. The founders Lauren and Kaki are local (we all actually went to the same high school!) and it's been such a joy to get to know them and watch their business grow over the past couple years. I've introduced several of my girlfriends to their line and now it's practically a guarantee that at least two of us will show up for dinner in matching turtlenecks anytime in fall or winter. I lived in mine all last year but realized I had never properly photographed it for the blog so voilà!
To be honest I was worried a fleece turtleneck would be bulky in person but the fit is surprisingly super flattering and it's just hands down the coziest item of clothing I own. I'm wearing the XS here but if you're between sizes, I'd recommend going a size up for that extra coziness factor. I'm also loving their blazers and vests and regularly turn to their Instagram for styling inspiration (copying this look stat). I'm telling you once you have one, you'll want to order every color!
Love the turtleneck! Sold out in nearly every size and color. I signed up for the newsletter in hope of getting one someday. Glad you had a lovely Vermont weekend!
Shop Black Flat Sandals, Black Clutches, Gowns Dresses, White Long Sleeve Tees and more. Get this widget.


text:
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		//array('http://ajax.googleapis.com/ajax/libs/yui/2/build/tabview/assets/skins/sam/tabview.css', 'screen', TRUE, FALSE),
		//array('http://ajax.googleapis.com/ajax/libs/yui/2/build/treeview/assets/skins/sam/treeview.css', 'screen', TRUE, FALSE),
		//array('http://ajax.googleapis.com/ajax/libs/yui/2/build/editor/assets/skins/sam/simpleeditor.css', 'screen', TRUE, FALSE)

	)

);