text:
Charts: The Billboard USA Top 100 Albums / Europe Albums Top 10
The Billboard USA Top 100 Albums
1. Paramore - Paramore
2. Brad Paisley - Wheelhouse
3. Justin Timberlake - The 20/20 Experience
4. Blake Shelton - Based On A True Story ...
5. Eric Church - Caught In The Act: Live
6. The Band Perry - Pioneer
7. Tyga - Hotel California
8. Lil Wayne - I Am Not A Human Being II
9. Volbeat - Outlaw Gentlemen & Shady Ladies
10. Stone Sour - House Of Gold & Bones Part 2
Europe Albums Top 10
1. Pink - Just Give Me A Reason
2. Duke Dumont - Need U 100%
3. Justin Timberlake - Mirrors
4. Macklemore And Ryan Lewis Featuring Wanz - Thrift Shop
5. Pitbull Featuring Christina Aguilera - Feel This Moment
6. Bruno Mars - When I Was Your Man
7. Bastille - Pompeii
8. The Saturdays - What About Us
9. Nelly - Hey Porsche
10. Lumineers - Ho Hey
World | Russia | USA | UK | Europe | Canada | Ireland | Germany | Austria | Spain | France | Italy | Switzerland | Sweden | Finland | Norway | Netherlands | Czechia | Australia | New Zealand | Argentina
Now Active Albums
20.10.2016 Bruno Mars to Open 2016 American Music Awards
Bruno Mars will open the 2016 American Music Awards show, marking his first performance on the AMA stage. Mars, who won the Favorite Pop/Rock Male Artist award in 2011, has scored seven AMA nominations in the past. The singer/songwriter/producer has just scored his latest hit with "24K Magic," which debuted at NO. 5 on the Billboard Hot 100 this week, earning Mars his highest debut to date.
The 2015 American Music Awards will be broadcast live from the Microsoft Theater in Los Angeles on Sunday, Nov. 20 at 8 p.m. ET on ABC. Drake broke a 32-year record for the most AMA nominations with 13 nods, beating Michael Jackson's previous high mark of 11 from 1984. The "Hotline Bling" rapper leads all 2016 American Music Awards nominees with nods in categories including Artist of the Year, Favorite Male Artist, Favorite Album, Favorite Rap Artist, Favorite Rap Song and Favorite R&B song, among others. If he wins in any of the categories it will make his first AMA win.
Rihanna is just behind Drizzy with seven nominations, with Adele and Justin Bieber picking up five nominations each, followed by four nods each for Beyonce and The Chainsmokers and three forBryson Tiller, Twenty One Pilots, Carrie Underwood, Fetty Wap and The Weeknd.
Drake will go up against Adele, Beyoncé, Bieber, Selena Gomez, Ariana Grande, Rihanna, Twenty One Pilots, Underwood and The Weeknd for Artist of the Year; the 10 nominees will be narrowed to five based on the votes received through Monday, November 14 at 8:59 a.m. PT. Voting for Artist of the Year will close on Thursday, November 17 at 8:59 p.m. PT.
The winner will be determined by the total votes received throughout the entire voting period. If Bieber wins the award he will tie current record hold Taylor Swift for the most wins (3). With eight past wins and this year's five nominations, Bieber needs just one win to become one of the top 10 AMA winners of all time.
Fans can vote for all category once per day, per platform in one or both of the below ways. For New Artist of the Year Un-leashed by T-Mobile, fans can vote 100 times per day, per platform at AMAvote.com or by posting a tweet that includes the nominee's Twitter handle, the category name and #AMAs within the post(s). The 2016 American Music Awards is produced by dick clark productions. Allen Shapiro and Mike Mahan are executive producers. Larry Klein, Barry Adelman and Mark Bracco are producers.
HISTORY OF ADDITIONS
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Mn Tu We Th Fr Sa Su
Status: Guest


text:
Suliman Tekalli
Violinist Suliman Tekalli has established his unique voice as an exciting and versatile soloist and chamber musician through his visceral yet elegant and mature performance style, captivating audiences with the depth of his interpretations an assured technique. As the top prize winner of the 2015 Seoul International Music Competition and prize winner in the Sendai, Lipizer, and Szeryng International Violin Competition, Suliman Tekalli's performing career has taken him throughout the U.S., Canada, Central America, Europe, and Asia, gracing the stages of numerous halls including Stern Hall at Carnegie Hall, the Seoul Arts Center, Wigmore Hall, and the Millennial Hall at the Kennedy Center among others. His performances have been broadcasted on live TV and radio from KBS TV in Korea, Montreal Canada's CBC Radio 3, WQXR, and NPR. An exponent of chamber music, Mr. Tekalli has made appearances at numerous festivals including Music@Menlo, Yellow Barn, and the Banff Centre. He has collaborated and performed with eminent musicians such as Gil Shaham, Cho-Liang Lin, Donald Weilerstein, Paul Watkins, Wu Han, and David Shifrin. He also extensively concertizes as part of the Tekalli Duo, formed with his sibling, pianist Jamila Tekalli with whom he had recorded an album entitled "Duality", which includes works of Messiaen, Ravel, and Michael Brown. As an arranger, Suliman Tekalli has transcribed and orchestrated classical and contemporary repertoire, from works of Chopin, Schubert and Ravel to Fazil Say and Dai Fujikura. His arrangements have been performed by ensembles such as the International Sejong Soloists and Carnegie Hall's Ensemble Connect. He gave the world premiere of his composition "Mephistoccata" from his solo violin suite Fables at the Montreal International Music Competition in 2013, receiving the Maurice and Judith Kaplow Prize for Uncommon Creativity from the Cleveland Institute of Music in the same year. Mr. Tekalli commitment towards spreading a love and appreciation for music and the arts have made him a passionate educator, performing for classrooms at schools and various community centers throughout the New York/New Jersey area. He has also worked with talented youths giving master classes at the University of Tampa, University of Delaware, as well as in South America at the Departamento de Artes Musicales in Buenos Aires, Argentina and La Universidad de Los Andes in Bogotá, Colombia. A native of Daytona Beach Florida, Suliman Tekalli was admitted to the Juilliard School in Bachelor's Degree program studying with Hyo Kang, and received a Masters Degree from the Cleveland Institute of Music studying with conductor and former violinist of the Juilliard String Quartet Joel Smirnoff. His early teachers include Lev Gurevich and Sergiu Schwartz.

redpajama_set_name: RedPajamaCommonCrawl


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text:
Emma Lazarus's "The New Colossus"
Maeera Shreiber
Emma Lazarus's "The New Colossus"—otherwise known as "The Statue of Liberty Sonnet"—is this nineteenth-century Jewish American poet's most famous achievement. Most of us are familiar with the lines, "Give me your tired, your poor, / Your huddled masses yearning to breathe free..." However, there is much more to this well-crafted poem which offers a powerful vision of America as a diasporic refuge—a timely image in light of current conversations about immigration, refugees, and global migration.
1: Poem, "The New Colossus" by Emma Lazarus, 1883.
2: "The Colossus of Rhodes," engraving by Maarten van Heemskerck, 16th century.
3: "Deborah," engraving by Gustave Doré, 1866, and biblical source sheet.
4: Political cartoons depicting the Statue of Liberty
5: Song excerpt, Lou Reed, "Dirty Blvd.," 1989.
A short biography of Emma Lazarus can be found on the website of the Jewish Women's Archive. Those interested in learning more about Lazarus and her contribution to Jewish American history can read Esther Schor's wonderful portrait, Emma Lazarus (2006).
A selection of Lazarus's poetry and essays is available in Emma Lazarus: Selected Poems and Writings edited by Gregory Eiselein (2002).
The Statue of Liberty, upon which Lazarus's sonnet is inscribed, has a fascinating history well worth considering. To start, look at David Glassberg's 2003 article, "Rethinking the Statue of Liberty: Old Meanings, New Contexts". Rachel Gross's 2017 article "Is the Statue of Liberty a Jewish Woman?" reflects on how Jews have celebrated the statue as their own.
It is important for students to appreciate Lazarus's poem not only for what it says, but for how it says it. "The New Colossus" is a Petrarchean sonnet, and much of its strength comes from this structure. Shira Wolosky's chapter on the sonnet in her book, The Art of Poetry: How to Read a Poem (2008) is a wonderful resource.
Teachers may also want to check out PBS's Destination America and the Statue of Liberty – Ellis Island Foundation's immigration timeline which are great sources for images and information about immigration.
There is an interactive version of "The New Colossus" on Nextbook Press, annotated by Esther Schor.
This is a classic Petrarchan sonnet; it is comprised of fourteen lines of iambic pentameter verse, with a clear rhyme scheme: abba abba cdcdcd. Working within this tight and tidy frame, Lazarus powerfully sets America, as a country fiercely committed to welcoming immigrants, apart from Europe, represented here as an imperial force.
Suggested Activities: Ask students to consider how Lazarus's poem adds to or changes their understanding of the Statue of Liberty as an American symbol. Ask those who had previously heard only an excerpt of the poem to consider how the rest of the poem affects their understanding of that famous line. For a more in-depth project, have students go out into their communities (or online) and find another public monument with an inscription. Ask them to research both the monument and the inscription and to consider how the two work together to create a meaningful symbol.
Or, ask students to write a poem or short prose piece that might be posted today at JFK airport or some other prominent port of entry for immigrants and refugees. Ask students to consider: What should be said about America in such a location? How should it be said?
The_New_Colossus_by_Emma_Lazarus_smaller.jpg
Source: Lazarus, Emma, and Josephine Lazarus. The Poems of Emma Lazarus. (Boston: Houghton, Mifflin and Company, 1888), 202-203.
The Colossus of Rhodes was a giant statue of the Greek sun god Helios. Constructed to celebrate a military victory, the statue was probably over 100 feet high—the approximate height of the Statue of Liberty. An earthquake in 226 BC destroyed the statue 54 years after it was completed.
Suggested Activity: Ask students to look at this image of the Colossus of Rhodes. How is it similar to the Statue of Liberty? How is it different? Think about what work the title of Lazarus's poem is doing. What does it add to students' interpretation of the poem? How does it connect Lazarus's present (and ours) with the ancient past? Have students brainstorm a list of other possible titles for the poem and "try them on" to see how they change its meaning and tone.
Colossus of Rhodes.jpg
Source: Galle, Phillips, after Maarten van Heemskerck. Colossus of Rhodes. 1572. Engraving.
One of the dominant images in "The New Colossus" is "A mighty woman with a torch." This image reaches back to Deborah, the biblical hero whose story can be found in the book of Judges. Nineteenth-century American Jewry often turned to the biblical figure of Deborah as an ideal image of maternal power. But Lazarus offers a different interpretation by representing Deborah not so much as a domestic goddess, but as a powerful public figure.
Suggested Activity: Read the source sheet and examine the image with students and ask: How do these excerpts about and this image of Deborah influence your understanding of the Statue of Liberty and your interpretation of Lazarus's poem?
Deborah.jpg
Sources: Doré, Gustave. 1886. The Holy Bible: with illustrations by Gustave Doré. London: Cassell, Petter, and Galpin.
Judges 4:4, trans. Jewish Publication Society, 1917. Rashi on Judges 4:4, Metzudat David on Judges 4:4. Source sheet compiled by Alexis Aaeng using sefaria.org, 2017.
"The New Colossus" has been quoted and misquoted countless times in American popular culture, often to make a political statement. These cartoons highlight some of the many ways in which the poem's most famous line has been reinterpreted.
Suggested Activities: Study these cartoons with students. Ask them which they think is strongest in making its point and why. Reveal the title of each cartoon, and ask if the title changes or adds to their interpretation of the image. Discuss: Why is this excerpt of Lazarus's poem quoted and reinterpreted so frequently? What makes it work so well?
Have students draw their own cartoon using an image of the Statue of Liberty and their own version of the excerpt from Lazarus. Their cartoons can comment on a wide variety of contemporary American issues, not only on the issue of immigration.
The_Fanatical_Boston_Bombers.jpg
Give_them_not_me_your.jpg
Give me your tired...
Sources: Zanetti, Paul. "The Fanatical Boston Bombers." April 21, 2013.; Blackwell, Douglas. "Give them (not me) your tired, your poor, your huddled masses yearning to be free," December 13, 2015.; Greenberg, Steven. "Give me your tired..." in Seattle Post Intelligencer, May 8, 1989.
The influential singer-songwriter Lou Reed, front man for The Velvet Underground, riffs on "The New Colossus" in his 1989 critique of wealth and poverty.
Suggested Activity: Play the clip for students. Discuss: In this clip, does Lou Reed change the meaning of the poem's message? How is it similar or different to the way that the political cartoonists interpreted the poem?
Have students write their own poem or song that is inspired by "The New Colossus." It can comment on a wide range of contemporary issues, or it can be a parody of the original message.
Lou_Reed_-_Dirty_Boulevard_Excerpt.mp3
Source: Reed, Lou. New York. Sire Records, 1989.
Grace Paley's "The Loudest Voice"
Liana Finck's "A Bintel Brief: Love and...


I came across a recent article in Entertainment Weekly discussing if To Kill A Mockingbird or The Catcher in the Rye were to be released in today's world, they would have likely been marketed as YA titles. They raise an interesting point as to what that would have meant to their longevity and if there is a bias in terms of critical success for YA titles. The thing I took from this article: for all the dire predictions on the future of publishing, the venerable 'old media' that publishing is deemed to be, it has the enviable postion of a growing and young fan base. From Twilight to Lemony Snicket to Harry Potter to the Wimpy Kid to the Hunger Game books - there legions of kids and teens that are already reading books and the vast majority in the tradtional format, not via a device. It is not a zero sum game between video games, the internet, television or music - a good product will find its market and a good story will find its audience.
I am optimistic that as long as there are good books to read, the legions of fans from all the series and books I already listed will want that experience again and again and again.


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Festival Focus: Passover: Why is this Night Different?


text:
Q: Gradle sync failed in Android studio 3.6.1 after upgrading my android studio to version 3.6.1 I cant sync Gradle with the android studio I try a lot of ways,
like change Gradle version and sync or download directly Gradle from gradle blog
but still, I see this error
   Gradle sync failed: Could not find transform-api.jar (com.android.tools.build:transform-api:2.0.0-
   deprecated-use-gradle-api).
   Searched in the following locations:
   https://dl.google.com/dl/android/maven2/com/android/tools/build/transform-api/2.0.0-deprecated-
   use-
   gradle-api/transform-api-2.0.0-deprecated-use-gradle-api.jar
   Consult IDE log for more details (Help | Show Log)

even I download transform-api from above link and put it in the folder of Gradle
and this is my screenshot

A: First clearly declare google maven repo like this
If it didn't work, Try these answers

A: Open project structure enter image description here
then, open Gradle version drop down and select latest gradle version
and click on Apply. it did work

redpajama_set_name: RedPajamaStackExchange


text:
.class public Lcom/android/settings/applications/AppOpsSummary;
.super Lcom/android/settings/core/InstrumentedPreferenceFragment;
.source "AppOpsSummary.java"

# annotations
.annotation system Ldalvik/annotation/MemberClasses;
    value = {
        Lcom/android/settings/applications/AppOpsSummary$MyPagerAdapter;
    }
.end annotation

# static fields
.field static sPageTemplates:[Lcom/android/settings/applications/AppOpsState$OpsTemplate;

# instance fields
.field private mContentContainer:Landroid/view/ViewGroup;

.field mCurPos:I

.field private mInflater:Landroid/view/LayoutInflater;

.field mPageNames:[Ljava/lang/CharSequence;

.field private mRootView:Landroid/view/View;

.field private mViewPager:Landroid/support/v4/view/ViewPager;

# direct methods
.method static constructor <clinit>()V
    .locals 3

    const/4 v0, 0x5

    new-array v0, v0, [Lcom/android/settings/applications/AppOpsState$OpsTemplate;

    sget-object v1, Lcom/android/settings/applications/AppOpsState;->LOCATION_TEMPLATE:Lcom/android/settings/applications/AppOpsState$OpsTemplate;

    const/4 v2, 0x0

    aput-object v1, v0, v2

    sget-object v1, Lcom/android/settings/applications/AppOpsState;->PERSONAL_TEMPLATE:Lcom/android/settings/applications/AppOpsState$OpsTemplate;

    const/4 v2, 0x1

    aput-object v1, v0, v2

    sget-object v1, Lcom/android/settings/applications/AppOpsState;->MESSAGING_TEMPLATE:Lcom/android/settings/applications/AppOpsState$OpsTemplate;

    const/4 v2, 0x2

    aput-object v1, v0, v2

    sget-object v1, Lcom/android/settings/applications/AppOpsState;->MEDIA_TEMPLATE:Lcom/android/settings/applications/AppOpsState$OpsTemplate;

    const/4 v2, 0x3

    aput-object v1, v0, v2

    sget-object v1, Lcom/android/settings/applications/AppOpsState;->DEVICE_TEMPLATE:Lcom/android/settings/applications/AppOpsState$OpsTemplate;

    const/4 v2, 0x4

    aput-object v1, v0, v2

    sput-object v0, Lcom/android/settings/applications/AppOpsSummary;->sPageTemplates:[Lcom/android/settings/applications/AppOpsState$OpsTemplate;

    return-void
.end method

.method public constructor <init>()V
    .locals 0

    invoke-direct {p0}, Lcom/android/settings/core/InstrumentedPreferenceFragment;-><init>()V

    return-void
.end method

# virtual methods
.method public getMetricsCategory()I
    .locals 1

    const/16 v0, 0xf

    return v0
.end method

.method public onCreateView(Landroid/view/LayoutInflater;Landroid/view/ViewGroup;Landroid/os/Bundle;)Landroid/view/View;
    .locals 10

    const/4 v9, 0x1

    const/4 v8, 0x0

    iput-object p1, p0, Lcom/android/settings/applications/AppOpsSummary;->mInflater:Landroid/view/LayoutInflater;

    iget-object v5, p0, Lcom/android/settings/applications/AppOpsSummary;->mInflater:Landroid/view/LayoutInflater;

    const v6, 0x7f0d0040

    invoke-virtual {v5, v6, p2, v8}, Landroid/view/LayoutInflater;->inflate(ILandroid/view/ViewGroup;Z)Landroid/view/View;

    move-result-object v2

    iput-object p2, p0, Lcom/android/settings/applications/AppOpsSummary;->mContentContainer:Landroid/view/ViewGroup;

    iput-object v2, p0, Lcom/android/settings/applications/AppOpsSummary;->mRootView:Landroid/view/View;

    invoke-virtual {p0}, Lcom/android/settings/applications/AppOpsSummary;->getResources()Landroid/content/res/Resources;

    move-result-object v5

    const v6, 0x7f030015

    invoke-virtual {v5, v6}, Landroid/content/res/Resources;->getTextArray(I)[Ljava/lang/CharSequence;

    move-result-object v5

    iput-object v5, p0, Lcom/android/settings/applications/AppOpsSummary;->mPageNames:[Ljava/lang/CharSequence;

    const v5, 0x7f0a0614

    invoke-virtual {v2, v5}, Landroid/view/View;->findViewById(I)Landroid/view/View;

    move-result-object v5

    check-cast v5, Landroid/support/v4/view/ViewPager;

    iput-object v5, p0, Lcom/android/settings/applications/AppOpsSummary;->mViewPager:Landroid/support/v4/view/ViewPager;

    new-instance v0, Lcom/android/settings/applications/AppOpsSummary$MyPagerAdapter;

    invoke-virtual {p0}, Lcom/android/settings/applications/AppOpsSummary;->getChildFragmentManager()Landroid/app/FragmentManager;

    move-result-object v5

    invoke-direct {v0, p0, v5}, Lcom/android/settings/applications/AppOpsSummary$MyPagerAdapter;-><init>(Lcom/android/settings/applications/AppOpsSummary;Landroid/app/FragmentManager;)V

    iget-object v5, p0, Lcom/android/settings/applications/AppOpsSummary;->mViewPager:Landroid/support/v4/view/ViewPager;

    invoke-virtual {v5, v0}, Landroid/support/v4/view/ViewPager;->setAdapter(Landroid/support/v4/view/PagerAdapter;)V

    iget-object v5, p0, Lcom/android/settings/applications/AppOpsSummary;->mViewPager:Landroid/support/v4/view/ViewPager;

    invoke-virtual {v5, v0}, Landroid/support/v4/view/ViewPager;->setOnPageChangeListener(Landroid/support/v4/view/ViewPager$OnPageChangeListener;)V

    const v5, 0x7f0a0893

    invoke-virtual {v2, v5}, Landroid/view/View;->findViewById(I)Landroid/view/View;

    move-result-object v4

    check-cast v4, Landroid/support/v4/view/PagerTabStrip;

    invoke-virtual {v4}, Landroid/support/v4/view/PagerTabStrip;->getContext()Landroid/content/Context;

    move-result-object v5

    new-array v6, v9, [I

    const v7, 0x1010435

    aput v7, v6, v8

    invoke-virtual {v5, v6}, Landroid/content/Context;->obtainStyledAttributes([I)Landroid/content/res/TypedArray;

    move-result-object v3

    invoke-virtual {v3, v8, v8}, Landroid/content/res/TypedArray;->getColor(II)I

    move-result v1

    invoke-virtual {v3}, Landroid/content/res/TypedArray;->recycle()V

    invoke-virtual {v4, v1}, Landroid/support/v4/view/PagerTabStrip;->setTabIndicatorColorResource(I)V

    instance-of v5, p2, Landroid/preference/PreferenceFrameLayout;

    if-eqz v5, :cond_0

    invoke-virtual {v2}, Landroid/view/View;->getLayoutParams()Landroid/view/ViewGroup$LayoutParams;

    move-result-object v5

    check-cast v5, Landroid/preference/PreferenceFrameLayout$LayoutParams;

    iput-boolean v9, v5, Landroid/preference/PreferenceFrameLayout$LayoutParams;->removeBorders:Z

    :cond_0
    return-object v2
.end method

redpajama_set_name: RedPajamaGithub


text:
Kodal starts gold exploration drilling in Côte d'Ivoire
By: Marleny Arnoldi
Creamer Media Online Writer
Having entered into two financing agreements with Riverfort Global Opportunities and a hedge fund operated by Yorkville Advisors Global, Aim-listed Kodal Minerals says it is well-funded to start gold exploration this month in Côte d'Ivoire.
The company will explore for gold mineralisation at the Dabakala project, while awaiting a mining licence grant for its flagship Bougouni lithium project, in Mali.
Previous work completed by Kodal highlighted an extensive surface geochemical anomaly and field geological mapping indicated the association of sheared and altered geology associated with the anomaly.
The company's exploration activity in Côte d'Ivoire will initially focus on the Dabakala project, while Kodal also has concessions consisting of the Korhogo and Boundiali projects. The Boundiali project's exploration licence is currently being applied for.
Kodal has three projects in application stage in Côte d'Ivoire, in joint venture with fellow-listed Resolute Mining.
Kodal concluded an equity sharing agreement in September with Riverfort, which afforded Kodal with £654 000. The company also secured a convertible loan note facility for $1.5-million, drawing down $750 000 respectively in July and October.
Meanwhile, at its flagship Bougouni, Kodal is continuing with the review of engineering and processing requirements for the project.
The company has a memorandum of understanding in place with Chinese specialist engineering firm Sinohydro to work together in developing the project, with Sinohydro reviewing the development proposed for the project, as well as reviewing financing requirements and assisting in sourcing finance for the project.
Sinohydro will also eventually help to negotiate a mutually acceptable engineering, procurement and construction contract for the development of Bougouni.
Edited by: Mariaan Webb
Creamer Media Deputy Editor Online


Finding the best Dubai food photographer is the first job for you if you were going to start your restaurant, hotel, café, or any food shop in Dubai city! After all studies of the market you are targeting, you will know immediately what you have to do for advertising! And that the photo you are going to use is the first introducing of you and your work!
Dubai food photographer is the person who is going to help you to show what you have for your clients; he is the person who has to understand your work in order to explain it in your ads in an easy and simple way.
In order to choose a Dubai food photographer, you need to find someone who can understand you and understand the nature of your work. This can be found in an experimental Dubai food photographer. Those who worked before for food markets or hotel menus can give you the best results for your ads.
Photo is the old-new tool of communication! Man could improve all languages through the time but he got back to the old way at last! Our age is the age of photos, and the photographers are the heroes of advertising! We can notice that through the huge number of ads on the various media tools!
Food photography is not something new to us! Since we start to know the importance of advertising we could know how important to shoot the best photo of your work in food! Although it became a hobby for most of us to shoot our best plates and cooking, but for profession Dubai food photographer there are special principles he always follows for the best work and best results.
If you are going to start your work in Dubai, you must know that the advertising and finding the best Dubai food photographer is as important as opening your shop itself.


The Cibola Logger Steel Toe 8 is an 8-inch tall men's boot is built for comfort and protection. The chocolate brown leather exterior is slightly distressed giving this boot a lived-in feel and features antique brass non-tarnishable hooks and eyelets for the durable waxed laces. The steel safety toe cap meets or exceeds ASTM F2413-11 standards for impact and compression and guarantees non-electrical conduction of electrical potential or magnetic charges. It has 5 Iron Texon® insoles that allow for a comfortable and flexible fit and the Vibram® outsole provides maximum traction on wet or dry surfaces and various terrain. Made in the USA with global parts.
Both pairs have been great.
My first pair of 20091s is almost three years old, and they're now my "Lead work only" boots. My newer pair is about 2 months old (pictured). I weld in a ship yard and boots get burned, cut on bevels, and chewed up when crawling, but these hold up just as great as any Chippewas that I've ever owned. I see the reviews about sole separation so there must be some lemons out there, but mine are rock solid. My favorite aspect of the 20091s is that they don't have any insulation. If you're working, your feet aren't too cold anyway. Not having that stuff in the boot makes for a more comfortable fit that breaks in better and doesn't hold such a smell. The one gripe is that one boot has a stitching screw up (pictured) that slipped past quality control. This isn't going to be an issue down the road, but this should have been noticed by at least two people in the manufacturing process. On the off chance I ever get one of these haunted sole separating pairs, I'm confident Chippewa's customer service will make it right.
Probably my 20th pair of chippewaboots, I have usually had good luck with them in the past. This pair however, has some flaws most notably the arch. It feels as if I am standing on a roll of quarters. It is unlikely I will purchase another pair of Tywin loggers, but I may go back to the Super loggers.
I bought a pair of Chippewa boots online despite the reviews. I wanted to support American made products. However they came defective returned for credit. Then couple weeks later went to local army navy store and bought same pair again had for about 3 weeks for work. Notice leather is wrinkled like they are a year old. Treated with boot silicone sealer. I like the thought of American made product but question materials being used says foreign materials I feel they may be not as good for the price you pay.
Great boot, I been wearing them for over a month now. Solidly constructed like every other Chippewa I've purchased, but these took considerably less time to break in compared to the other Chippewas I've owned. I work long hours in a quarry repairing heavy equipment and these boots have been great. No insulation so they're perfect for summer weather, only issue I've had is I should have bought the next half size down (they run large), but I was too busy to send them back so it's on me. Now this review is only after wearing these a little over a month, I hope they'll stand the test of time but we'll see.
I bought this style boot about a month ago... the toe was too pointy for me... they didn't look as pointy in the picture. I sold them to my 15yr old nephew instead of returning them. He likes them. My last pair, of a different model, was the most comfortable and warm pair of boots I've owned.
Bought a black pair of Chippewa,s 4 years ago and they have held up reasonably well. The leather over the toes wore off so the steel shows through , but this is due to the fact I do a lot of kneeling down ..tile work, nailing of plywood , etc. I bought a second pair that only lasted about 2 years of rough wear...toe leather gone plus various seam stitching came apart...I love the style , Paid approx. 230.00 for each pair..do I stay with these or find another brand ?
I bought this boot for work, was eyeing them for awhile and when the price dropped, I grabbed them. First bit of field work with them; the days were cold and the laces stiffen up really easy, but they don't slip. The boot itself isn't as heavy as I thought they'd be and once you get used to the high lacing and break them on they're great! P.s. no clue what to do with the extra leather pieces that come with the boot. Lace bite padding?
I just got my new Apache steel toe loggers. Definitely need some break in time. But if someone from the website could find an easier place to explain chips boot width. I wasn't sure what D meant. So I went with it. Definitely should have ordered a wide. But I'll survive.
No break in! Just put them on and go. I have worn these every day, all day and am actually disappointed when I take them off. I wear a D width engineer's boot and went two widths up to give my toes a little room with the steel toe. Good job Chippewa!
I replaced a 7 year old set of boots with the the 20091 steel toed loggers because my normal boot shop no longer carried my go to brand. My brother always praised his Chippewas, I just could't justify that much money for a pair of work boots. I took the plunge and got the Chippewas even though they weren't black. In less than a year the back of the right boot had blown out just above the heel cap. The retailer told me about the 1 year manufacturer warranty and gave me all the needed info. I bought a new pair of the same boots, contacted the manufacturer, got an RMA # , Packed the old boots in the box the new boots came in and sent them in for evaluation. A month later I had a new replacement pair on my door step. Great customer service & return time. Here I am 10 1/2 months later the boots I bought to wear during the warranty process have a hole on the at the ankle bone. The soles of the boots are hardly worn, yet the leather is coming apart. These boots have been worn on a daily basis. They have been treated heavily with Kiwi leather conditioner on a minimum of twice a month. I have never in 40 years had a pair of boots that have had leather issues in a year, not to mention before the first pair of laces have worn out. I'll go ahead and warranty these( since I have a brand new pair). I guess if your willing to buy 2 pair and warranty them every 10 months or so.... not a bad deal.
I've had the boots for a month or so and let me tell you, If your toe touches the ground you will destroy the leather on these boots. I've had boots half of the price with leather 100 times more resilient.Because the leather is so soft, where the steel toe ends, the hull of the boot pancakes out leaving your toes bashing against the steel.****I bought these at the local shop less than a month ago, and they are the correct size. Before they were broken in I didn't have a problem.
Bought these boots two and a half months ago and after use of just 14 workdays the heel is separating from the sole. My coworkers all comment that, that is a lot of money to spend and not a lot of days of use for the heel to be blowing out like that already. The boots have seen simple use and I purchased them because of being one of the only companies that sell American made boots. I have contacted Chippewa boots and am going to give them a fair shot at fixing this.
love the boots but here is an honest review!!
These boots are an excellent investment that are sure to last a lifetime if properly maintained. They offer excellent protective qualities while being comfortable enough to wear throughout the day. The leathers used in this product are tough yet surprisingly supple and will hold a protective oiling well. Combining classic looks with pure, American craftsmanship, these boots are some of the best on the pre-sized market.
Best Boot Money Can Buy!
If you never want to have to buy another pair of all-around work boots, buy a pair of Chippewas. They are simply the best. The design, quality, workmanship, and materials are second to none. They are comfortable, rugged, and practical. I'm convinced mine will last a lifetime and am thrilled to own them. I use them for snow boots, working in the woods, cutting trees, and any other type of outdoor activities.
Non electrical conduction of electrical potential or magnetic charges. Safety toe cap meets or exceeds ASTM F2413-11 standards for impact and compression.


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EDITORIAL: Police are solving fewer murders. Why?
Postmedia NewsMore from Postmedia News
Updated: December 16, 2017 6:31 PM EDT
Buried in decades of statistics showing a steady decline in the crime and violent crime rates in Toronto is the alarming fact that fewer and fewer homicides are being solved.
Decades ago, this figure typically approached 100% and since 1921, the homicide clearance rate for Toronto police has averaged a respectable 80%.
But that distorts what is happening on our streets today.
This year, the clearance rate for homicides is about 40%, compared to 55% in 2016, 64% in 2015 and 58% in 2014.
Toronto Police cars remain outside of a Malvern townhouse, near Morningside and McLevin Aves., Tuesday afternoon. Officers were initially called there for a medical distress call, but found a woman dead. Homicide is now investigating. Chris Doucette/Toronto Sun
And the clearance rate for murders involving guns is far lower than that, according to police sources, who told the Toronto Sun's Brad Hunter it now hovers under 10%.
Given that the technology to help police solve crimes has improved exponentially over the years, homicide clearance rates this low are deeply alarming.
One major reason is that the nature of homicide has changed over the years.
The growing number of gang and gun-related murders have made it far more difficult for police to solve homicides, particularly because of the constant problem of reluctant witnesses, who either distrust the police or fear for their lives if they co-operate.
This poses a major problem for police compared to decades ago, when it was far easier for homicide detectives to determine motives and establish direct connections between the victim and murderer.
For example, in cases involving domestic homicides.
Tess Richey, 22, vanished Saturday, Nov. 25, 2017, after a night out at a bar in the Village with a friend and was found dead at an abandoned building near Church and Wellesley Sts. four days later. Her homicide has not been solved. Facebook photo
It's not that these types of murders are less significant than street shootings and executions, often involving drugs or gang turf wars.
But it's simply a reality that the nature of homicides has been changing over the decades, making it increasingly difficult for the police to lay charges and register convictions.
Some point to the banning of "carding", in which police stopped people on the street not suspected of criminal activity in order to question them, gather information and document the exchange, as one reason clearance rates for homicides are declining.
Detective Sergeant Graham Gibson of Homicide, updates the media on the murder of Tess Richey, during a press conference at Toronto Police headquarters in Toronto, Ont. on Friday December 8, 2017. (Ernest Doroszuk/Toronto Sun) Ernest Doroszuk / Ernest Doroszuk/Toronto Sun
But these rates have been declining for years, well before carding was banned, so logically there are other factors causing it.
Toronto Police Association President Mike McCormack says the major reason is that policing has become increasingly reactive rather than proactive due to lower staffing levels, with less focus on intelligence gathering and more on responding to crimes after they have occurred.
Mike McCormack, president of the Toronto Police Association, talks to media at Toronto Police Service headquarters in Toronto, Ont. on Friday February 10, 2017. Ernest Doroszuk/Toronto Sun) Ernest Doroszuk/Toronto Sun
To be sure, it's hardly surprising for the president of the TPA to attribute the problem of declining murder clearance rates to too few police officers.
But the fact is the public has been assured by both City Hall and the Toronto Police Services Board that recent initiatives to modernize and streamline the force will lead to more effective policing, not less.
The declining clearance rates for homicides in general and particularly for gun-related homicides is a clear indication of an ongoing, serious problem, one the city needs to address.
Mike McCormack
Murder and Homicide
Police Carding
Toronto City Hall
Toronto Police Association
Toronto Police Services Board


The government is set to invest a handsome amount on about 200 start-ups under its iDEA (innovation, design and entrepreneurship academy) project with a view to encouraging innovative ventures in Bangladesh.
A start-up is an entrepreneurial venture that is typically a newly-emerged, fast-growing business that aims to meet a marketplace need by developing a viable business model around an innovative product, service, process or a platform.
The company is designed to scale very quickly, and it is this focus on growth unconstrained by geography that differentiates start-ups from small businesses. For instance, a restaurant in one town is not a start-up, nor is a franchise a start-up.
The government has already shortlisted four start-ups in which it wants to take a portion of equity in exchange for Tk 5-10 crore. The start-ups are: Maya Apa, Sheba.xyz, HungryNaki and Augmedix.
An evaluation team is now assessing the fledgling companies' potential impact, execution strategy and public benefit.
The government is very hopeful that by June it can finalise the process of acquiring the companies' shares, according to Zunaid Ahmed Palak, state minister for ICT.
Last year, the government created a fund of about Tk 800 crore ($100 million) to nurture innovative ideas on education, agriculture, health, financial services, e-commerce, e-Governance and some other service sectors under the iDEA project.
Other than the four chosen start-ups, iDEA has received about 300 applications for government investment and mentorship.
In most cases, banks are not comfortable with investing in digital service companies as they have no fixed assets and carry higher chances of not turning out to be economically viable ventures.
"Venture capital can make these bold ideas successful and that is why we are investing in them," Palak said.
The government's target is to invest in about 200 start-ups and if even five to ten of them turn out to be success stories it will be considered a satisfactory outcome, said officials of the iDEA project.
"Even if we can produce only one world-leading start-up, that will be sufficient," Palak added.
For instance, the government is interested in investing in Augmedix Bangladesh, which is serving hundreds of doctors in the US by providing a real-time technology-enabled documentation service from Dhaka.
Before entering the exam room, a doctor dons Google Glass and then proceeds to talk with patients, rather than burying their head in a computer screen. Forms, health history, lab orders, prescriptions and more are completed effortlessly using a remote scribe, verbal notes and commands.
Over the last few years, Augmedix Bangladesh has saved millions of working hours through the process.
Last week, Gerard van Hamel Platerink, managing director of Redmile Group, a San Francisco based healthcare investment fund that has invested in Augmedix, called in to the Dhaka office and Palak discussed the government's intent to come on board as an investor.
Sheba.xyz is a platform that connects the households and services to verified tradesmen as and when needed, already got investment of about $1 million, according to Adnan Imtiaz Halim, its chief executive officer. Its operations are now in Dhaka only but it plans to expand it countrywide.
"We need another $2 million from both home and abroad. That's why we want the government as our co-investor, and so far, we got a positive response," Halim added.
HungryNaki delivers meals from restaurants to doorsteps, while Maya Apa is an anonymous messaging platform that connects users to expert advice.
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01. Artículos Científicos
Facing unprecedented drying of the Central Andes? Precipitation variability over the period AD 1000-2100
Neukom, R.
Rohrer, M.
Calanca, P.
Salzmann, N.
Huggel, C.
Acuña, Delia
Christie, D.A.
Morales, M.S.
http://repositorio.senamhi.gob.pe/handle/20.500.12542/95
Artículo científico [143]
Projected future trends in water availability are associated with large uncertainties in many regions of the globe. In mountain areas with complex topography, climate models have often limited capabilities to adequately simulate the precipitation variability on small spatial scales. Also, their validation is hampered by typically very low station density. In the Central Andes of South America, a semi-arid high-mountain region with strong seasonality, zonal wind in the upper troposphere is a good proxy for interannual precipitation variability. Here, we combine instrumental measurements, reanalysis and paleoclimate data, and a 57-member ensemble of CMIP5 model simulations to assess changes in Central Andes precipitation over the period AD 1000-2100. This new database allows us to put future projections of precipitation into a previously missing multi-centennial and pre-industrial context. Our results confirm the relationship between regional summer precipitation and 200 hPa zonal wind in the Central Andes, with stronger Westerly winds leading to decreased precipitation. The period of instrumental coverage (1965-2010) is slightly dryer compared to pre-industrial times as represented by control simulations, simulations from the past Millennium, ice core data from Quelccaya ice cap and a tree-ring based precipitation reconstruction. The model ensemble identifies a clear reduction in precipitation already in the early 21st century: the 10 year running mean model uncertainty range (ensemble 16-84% spread) is continuously above the pre-industrial mean after AD 2023 (AD 2028) until the end of the 21st century in the RCP2.6 (RCP8.5) emission scenario. Average precipitation over AD 2071-2100 is outside the range of natural pre-industrial variability in 47 of the 57 model simulations for both emission scenarios. The ensemble median fraction of dry years (defined by the 5th percentile in pre-industrial conditions) is projected to increase by a factor of 4 until 2071-2100 in the RCP8.5 scenario. Even under the strong reduction of greenhouse gas emissions projected by the RCP2.6 scenario, the Central Andes will experience a reduction in precipitation outside pre-industrial natural variability. This is of concern for the Central Andes, because society and economy are highly vulnerable to changes in the hydrological cycle and already have to face decreases in fresh water availability caused by glacier retreat.


We all have our favorite things we like about dolls. Certain characteristics put a glimmer in our eyes and always catch our attention, what are your favorites? :3 For example blue eyes, wings, white eyelashes, long necks, short wigs and so on.
Mine are horns, elegant hands, big animal ears, horror elements, realistic and detailed eyes, eyes with small sparkly diamond-looking things in them, nicely sculpted shoulder blades and knees, YOSD dolls with plump cheeks, smiling dolls and other expressive dolls. :3 I also love dolls that have an almost completely white style to them, as in they have white skin, a white wig, white eyelashes, white clothes and colorful eyes and pink body blushing. Love it.
Do share your own favorites!
Full lips, lips slightly parted to show teeth, sad looking boy sculpts, foxes, cats, and deer are all definitely my weak points.
I love sweet faces, those cupid bow lips, chubby cheeks like on a toddler, and under eyes that are a tiny bit puffy (like Mia's Babylamb) Visible top teeth like a bunny is my absolute heartbreaker. I love young-looking dolls and don't see why people like super mature dolls, but to each their own!
Elf ears and tan or colored resin are my two biggest. I also like fantasy dolls in general. At least half my dolls have at least one of those characteristics. I generally prefer dolls in the more realistic or stylized realistic range.
Cute ears (like elf ears), having both awake and sleeping heads, and versatile expressions! Especially if they have one expression from one angle, but a different framing gives them a different one. I find that my current grail, IslandDoll Veranoen, looks proud and haughty but also very sad, depending on the angle. My in-transit DollLove EnEn is a smirky little jerk but he can look amused or menacing (... for a YoSD). And it's more aesthetic and changeable, but horns and antlers, gorgeous tattoo work, and historical outfits...! I'm specifically planning a doll to have historical clothing, antlers, tattoos, elf ears and two faces! It'll be great.
SDs and off the wall or fantasy tinies are what I look at. I really like androgyny and my dolls being different colors and from different companies. I also like softer, slightly realistic faces and big noses. I am fond of faceups that are sickly or have bags under the eyes for whatever reason. And freckles, especially freckles all over the body. Realistic faceups with amazing texture always make me wishing for those skills, or at least those faceups.
Give me a strong masculine face on a doll and I'll be head over heels! Dollshe, Granado, and Impldoll all have dolls that could keep a girl up at night, I swear. Strong cheekbones and noses are two things that really stand out to me! I love both fierce intense looking boys and gentle soulful looking boys, but they have to have dynamic features!
Elegant hands, first and foremost, followed by posing (if you'd call that a characteristic).
.Out of the box faceups.
I love big innocent looking eyes, sweet expressions. I love anthros, mostly fox, but saw a giraffe once I wish I had gotten.
I wasn't expecting to grow so fond of elf ears, but three of my current dolls have them, as will at least one of my future dolls.
Elf ears, more mature and realistic sculpts, a sneaky smirk, soft smile or furrow to the brow...I guess those are some of the things I'm drawn towards. I also prefer narrower, more realistic eyes over those anime-wide eyes, and I love a good, angular face instead of those chubby cherub ones. Decent lips, as long as they don't look too puckery or duck-like, and did I mention elf ears?
Also...SDs. I like the solidity of the size, and the maturity in that range. The faces are also larger, which makes it a bit easier to lay down faceup details. I'm also a sucker for decent working jointed hands. Especially if they can hold nice poses for long periods.
-Breasts that look natural. Doesn't matter if they're big or small, I just like the ones that look like they have some weight to them and curve like human breasts, rather than a ball with a bump on it.
I guess really to sum it all up, you could say I like natural, realistic looking dolls. They don't have to pass for a real human in photos, but I prefer natural faceups and wigs over anime or the "flawless doll" look. The doll itself doesn't need to look abnormally thin either, but I like seeing all the bones that are visible on real people (I'm not thin, but I can see the curve of the bones in my wrists, ankles, hands, feet, collarbones, etc). Not all of my dolls have all of these things, but I'm always drawn to dolls who do.
Otherwise, I'd say it's fantasy skin tones and well incorporated non human features. As in not just having a pair of fantasy legs or ears on a doll, but everything has been worked together. I picked up my Cyna*mon because she wasn't a human doll with cat ears or full on anthro, but a fascinating in between. She has paw pads, just, gah!
Fantasy dolls, unusual sculpts, coloured resin and probably my biggest weakness, grey or black resin. I've also apparently got a thing about making my dolls monochrome although I don't consciously start out doing that.
I have quite a few fantasy dolls and several unusual sculpts. I also have... 6? 7? grey dolls and 2 black dolls (1 dyed, 1 black resin) as well as green, red, blue, turquoise, dark tan (chocolate would be a good word) and gold resin.


Dear Twitpic Community - thank you for all the wonderful photos you have taken over the years. Težina lanaca ( The Wight of the Chains ) June 4 3: 45 pm Broj pregleda Predator Dark Ages July 14 12: 32 pm Broj pregleda The Mummy Resurrected Stream ad- free purchase CD' s MP3s now on out Sleepwalk by Renee Olstead on Amazon Music.
Sleepwalk song mp3 download. Released in early- February, our second single of spoofs two bands with x' s in their name like us - -. We have now placed Twitpic in an archived state. For a donation: New Downloads Available for a Donation.
Check out Sleepwalk by Santo & Johnny on Amazon Music. Stream ad- free purchase CD' s MP3s now on the Download.
Check out Sleepwalk by Santo & Johnny on Amazon Music. Stream ad- free or purchase CD' s and MP3s now on out Sleepwalk by Renee Olstead on Amazon Music. Stream ad- free or purchase CD' s and MP3s now on the Download.


There was a couple of tedious sections but otherwise a great second book in the series. Looking forward to reading Dust.
There are some good tips and some good stories.
Quite a good book with some good ideas. Not great as an audio book though as you don't get all the worksheets to go through the exercises.
There are a few good points in this book but some of the methods of reducing the hours you work are largely dependent on the company you work for and how much you want to deceive the people you work with.


Becoming a dad all three times brought a tear to my eye.
This will mean I have more freedom and can go more places without relying on others. Thank you!
Excellent driving instructor, clear on explanations.
Excellent value for money. I would highly recommend Nick as he is an amazing and very patient driving instructor.
I enjoyed my lessons and learnt very quickly with Nicks great teaching skills. I would strongly recommend Nick as a driving instructor.
Brilliant! Wouldn't of gone anywhere else.
Can't believe I did it with only two minors and on the first attempt thank you so much Nick.
Go with Nick he was brilliant.
Nick was as helpful as expected. No issues with anything.
Can't believe I passed FIRST TIME. I can now drive my car ? Massive thank you to Nick Organ wouldn't of been able to do it without him.
I would highly recommend Let's Instruct. Nick is a great driving instructor, felt safe and calm at all times.
Highly recommended. Nick was very reassuring making driving very easy and less nerve racking.
No more waiting for my dad or in bus stops to take my daughter out for the day.
To never give up on you and to get you to test standards as quickly as possible without compromising on safety.
Pay as you go – £29.00 per hour.


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IEET Link: https://ieet.org/index.php/IEET/more/Sorgner20190502
Call for Manuscripts: Critical Post- and/or Transhumanism, Posthuman Studies
If you have an article which deals with some aspect of the posthuman or falls into the wide-scope of posthuman studies, please consider submitting it to the world's first double-blind peer-reviewed journal explicitly dedicated to the posthuman, the Journal of Posthuman Studies. It was realized in cooperation with Penn State University Press first issue was launched in 2017.
Journal of Posthuman Studies: Philosophy, Technology, Media (Penn State University Press)
Stefan Lorenz Sorgner, John Cabot University, Italy
Ex Officio Editor
Sangkyu Shin, Ewha Womans University, South Korea
Karen Barad, University of California, Santa Cruz, United States
Russell Blackford, University of Newcastle, Australia
Rosi Braidotti, Utrecht University, Netherlands
Pierre Cassou-Noguès, Universite Paris-8, France
Mark Coeckelbergh, University of Vienna, Austria
Francesca Ferrando, New York University, United States
Luciano Floridi, University of Oxford, United Kingdom
Steve Fuller, University of Warwick, United Kingdom
Katherine Hayles, Duke University, United States
James Hughes, University of Massachusetts, Boston, United States
Hye-Sook Jeon, Ewha Womans University, South Korea
Eduardo Kac, School of the Art Institute of Chicago, United States
Hideto Nakajima, Tokyo Institute of Technology, Japan
Julian Savulescu, University of Oxford, United Kingdom
Susan Schneider, University of Connecticut, United States
Stelarc, Curtin University, Australia
Iain Thomson, University of New Mexico, United States
Gianni Vattimo, University of Turin, Italy
Kevin Warwick, Coventry University, United Kingdom
Wolfgang Welsch, University of Jena, Germany
Cary Wolfe, Rice University, United States
If you have a book-length long manuscript which deals with Critical Post- and/or Transhumanism, or Posthuman Studies, which you consider publishing, please get in contact with me, as I am responsible for the following two book series.
1. A high-class book series which will get launched later this year with the world's oldest publishing house.
2.A book series dedicated to the vast amount of topics which deal with the vast amount of beyond humanism movements with its first publication going back to the year 2011.
News on Academic issues concerning the posthuman can be accessed on the following website.


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Country, Pop/Rock
Alternative Country, Alternative/Indie Rock, Contemporary Country
Alt-Country, Americana, Contemporary Country, New Traditionalist
Alt-country, Country, Hellbilly, Outlaw Country, Psychobilly, Punk
Shelton Hank Williams (born December 12, 1972 in Nashville Tennesee) is an American musician. He is sometimes credited as Hank III or Hank 3. The grandson of Hank Williams and the son of Hank Williams Jr., he spent much of his early years playing drums in punk rock bands. In 1996, child support payments led Hank III to sign a contract with Music City giant Curb. Three Hanks: Men With Broken Hearts was issued shortly thereafter, which brought the voices of all three generations of Williams men together.
The grandson of Hank Williams and the son of Hank Williams Jr., he spent much of his early years playing drums in punk rock bands. In 1996, child support payments led Hank III to sign a contract with Music City giant Curb. Three Hanks: Men With Broken Hearts was issued shortly thereafter, which brought the voices of all three generations of Williams men together. While this may seem to be a nice beginning, it was quite different from what Hank III himself desired musically. Despite having been born in Nashville, Tennessee, Hank III has never had a preference for mainstream country.
While his name (and his uncanny vocal and physical resemblances to his grandfather) could have guaranteed him a thriving country audience, he had no patience for the often predictable Nashville sound, nor for even the minimal constraints on behavior his promoters required. His opinions on this subject are well summed up in the songs "Trashville" and "Dick in Dixie".
His first album on his own, titled Risin' Outlaw, was released in September 1999. Lovesick, Broke & Driftin' was released in 2002. He had a great deal of trouble with his label Curb Records, with incidents as extreme as their unwillingness to either release his appropriately named This Ain't Country LP, nor allow him to issue it alone, and his selling of "F*** Curb" T-shirts. Battles with Walmart had delayed the release of his third studio album, titled Straight To Hell, which will be released on Feburary 28th as a two-disc in two formats: a clean version (for Wal-Mart), and an uncensored version, which will be the first country album to bear a parental advisory sticker on the cover.
He plays country with his "damn band" and produces a rather different sound with Assjack, which is a metalcore/psychobilly band. He is also the Bass guitarist in Superjoint Ritual, with former Pantera frontman Phil Anselmo. Superjoint Ritual has since disbanded but III is still working with Anselmo on one of his many side-projects (like Arson Anthem, mentioned below).
A number of "sub-sub-genres" have been coined describing his original sound, such as hard-twang, slacker swing, hellbilly, and honky punk.
Hank III has recorded the tracks "87 Southbound", "Thunderstorms and Neon Signs", as well as "Why Don't You Leave Me Alone", which were penned by Wayne Hancock, a musician who is often compared to him.
Hank III enjoys an extremely loyal grassroots fan base and much of his success can be attributed to his taper friendly stance regarding the audio/videotaping of his frenetic live shows which has been his main promotional vehicle considering the lack of attention paid to his promotion by the Curb Record label.
The Damn Band/Assjack also featured fiddle player extraordinaire Michael "Fiddleboy" McCanless who would play both sets, the traditional country set of the concert and then come back and plug his fiddle into a distortion box and saw away during the metal set. Sadly his talent left this world on February 3, 2003 after losing a battle with cancer, of which the cry of "Fuck Cancer" came out of Hank III's "Fuck Curb" campaign.
In late 2004 Thrown Out of the Bar was slated for release, but Curb opted not to issue it. Williams and label executive Mike Curb would be in and out of court for the next year before a judge ruled in favor of Williams in the spring of 2005, demanding that Curb release the album. Shortly thereafter Williams and Curb came to terms, and Williams dropped his "Fuck Curb" campaign. Bar was reworked into Straight to Hell, released on Curb's rock imprint, Bruc. Battles with Wal-Mart delayed the appearance of this album, which was released on February 28, 2006 as a two-disc set in two formats: a censored version (for Wal-Mart), and an uncensored version that was the first major-label country album ever to bear a parental advisory warning. One of the songs, "Louisiana Stripes" was written by a little-known Alabama teenager named Jeremy Cummings, who originally released the song on his 2004 debut CD Country Bullshit.
Williams recently played drums for Arson Anthem, formed with Phil Anselmo and Mike Williams of the sludge band Eyehategod.
Williams released his long awaited punk-metal album Assjack on August 4, 2009.
His next album, Rebel Within, was released in May 2010. It charted at number 20 in Billboard magazine.
Williams' former label Curb Records released Hillbilly Joker on May 17, 2011; this is his last release with the label. Williams had been involved in a long contract dispute with his Curb Records after the company refused to release his punk inspired CD This Ain't Country. Several of the songs on Hillbilly Joker had been available as bootlegs, some of them for nearly ten years.
On May 18th 2011, it was posted on III's web site that he is busy making new material / album which could be released very soon.
On June 23, 2011, it was posted on III's personal Facebook that he would be releasing four new CDs on September 6, 2011. It said to expect Country, Doom-Rock, Speed Metal with Cattle Callin on the releases. It also said that they would be released on III's own record label Hank III Records.
Take As Needed For Pain
Ramblin' Man
Brothers Of The 4x4 CD2
A Fiendish Threat
Long Gone Daddy
Gutter Town
Ghost To A Ghost
Attention Deficit Domination
Rebel Within
Eddie Spaghetti 4
Shooter Jennings 9
Marty Stuart 30
Sturgill Simpson 8
Banditos 3
David Frizzell 2
Gary Allan 15
Lukas Nelson 2
Two Tons Of Steel 11
Wayne Hancock 10
Alan Jackson 42
Kid Rock 25
Uncle Kracker 8
Wheeler Walker Jr 1
Colt Ford 13
Eric Church 23
Old Crow Medicine Show 16


text:
You are here: Parliament home page > Parliamentary business > Publications and Records > Hansard > Commons Debates > Daily Hansard - Debate
26 Jan 2009 : Column 106
I want to focus on two aspects of the Bill. The first—the question of military inquests—was expertly covered by the hon. Member for Blackpool, North and Fleetwood (Mrs. Humble). I entirely agree with her that the excellent coroner for Oxford and in particular the retiring coroner for Wiltshire, David Masters, have developed huge expertise due to the geographical accident that multiple inquests, when the bodies of a number of soldiers are repatriated to the United Kingdom, are carried out by the coroner in the place where the plane happens to land. At the moment, that place happens to be RAF Lyneham in my constituency.
The two coroners have built up extraordinary expertise about military activities of one sort or another. The Bill makes no reference to military inquests, but it seems to me that it could go two ways. On the one hand, it would be possible, I suppose, to dissipate that expertise by saying that the inquest should be carried out in the places where the soldiers originally came from. That would be a legitimate line to take, and to some degree it is happening already: when a single body is repatriated to this country, the inquest is indeed carried out by the local coroner.
My inclination, however, is to say that we should seek to maintain the expertise built up by those two coroners over the years and, in doing that, make sure that the council tax payers in Wiltshire and Oxfordshire are not disadvantaged by it. I welcome the extra resources that the Government have pumped into the Wiltshire coroner service in the past year or so. That must be continued if operations in Iraq and Afghanistan are to continue in years to come. If that huge burden is to be placed on the coroner in Wiltshire, resources have to follow it, and some formal structure has to be put in place to make sure that that occurs. Equally, it would be wrong if civilian inquests in Wiltshire were delayed in any way because of the large number of military inquests.
I also very much agree with the hon. Member for Blackpool, North and Fleetwood that on occasion it is important for there to be legal representation. In the case of the crash of Hercules XV179, it was strange that originally the only person who was to have legal representation on the state at the inquest was the Australian soldier killed in the flight; the Australian Government chose to pay for a barrister to represent him. Initially, the British Government refused to pay for such representation, although under pressure the Secretary of State made special provision and there was lead representation. If the Ministry of Defence is to have legal representation defending its position in the inquest, surely it is only right that the families of the soldiers involved should have equal representation, and that that should be paid for by legal aid. I hope that the Bill will be able to address that imbalance in respect of legal representation at military inquests.
The right hon. Member for Berwick-upon-Tweed argued that I had got the third aspect of military inquests slightly wrong. I am concerned about the possible secrecy of inquests. It appears that the provisions of the Bill are intended to make sure that grave, secret cases affecting the national interest could be heard in secret. There will, of course, be occasions when that is worth doing. However, we are concerned that when there was implicit criticism of the state—as in two or three of the Oxfordshire coroner's recent inquests, for example—the state would somehow or other seek to keep it quiet. It
would not want criticism of military defence or the military in general and would seek to use the national interest as an excuse for making the inquest secret. Such inquests, and others—those into prison deaths, for example—involve exactly the kind of cases in which the public have a right to know what went wrong.
The state should overcome its natural inclination to keep that kind of inquest secret, and ensure that it does not do so. The Secretary of State might like to think about ways of narrowing the definition of secret inquests. The right hon. Member for Berwick-upon-Tweed reckons that these fears are misplaced; if so, let us see a narrowing of the parameters so that the secrecy aspect of inquests can apply only to a very few. The whole question of military inquests is worthy of further development in the Bill.
The second subject that concerns me greatly is suicide. I am pleased to serve on the all-party group on suicide prevention and to have a close relationship with the organisation Papyrus, which represents the parents of the 38 people so far who have committed suicide using the disgraceful sites on the web, which really are extraordinarily bad. This afternoon, I googled "How to kill yourself", and the sort of stuff that came tumbling out was simply appalling, describing how to tie the piano wire around one's neck and how it is better to shoot or poison oneself in a river because one stands a better chance of success. Some of these sites not only describe how to do it but encourage people to do it, saying, "Oh, you're a bit depressed, well here's how to end it all." They are absolutely disgraceful.
In a civilised society such as ours we cannot allow that to continue, and there was a debate about how to set about the task in a meeting of the all-party group the other day. The hon. Member for Bolton, South-East correctly said that the Samaritans, among others, have reservations, because banning anything with the word "suicide" in it would by definition ban the Samaritans site, which we cannot do. However, it should not be all that difficult to analyse the dozen or 20 really wicked, vicious, nasty sites and find ways of banning them and having them taken down. The excellent report recently commissioned by the Government agreed that that was a worthwhile thing to try to do. Australia and Japan have, with greater or lesser degrees of success, found ways of achieving exactly that.
One of the problems with the clauses regarding internet-assisted suicide is that most of the sites come from overseas. It is fine to outlaw people who write these sites and threaten them with a 14-year prison sentence when they are based in the UK, but most of them are from elsewhere. The Government should consider whether extradition might be possible for some of these people. I put that forward as an idea; I am by no means recommending it. When people around the world are sending material into the UK designed to encourage our teenagers to kill themselves, surely there is an argument to say that we could enter into discussions with other nation states about possible extradition treaties so that these wicked people could be brought to justice here, even if writing such sites is not a crime in their countries. I hope that the example of the Bill may be followed by some other countries around the world, including America and in the European Union, so that this might be increasingly an international crime.
The other matter that the Bill needs to address is what we can do to allow and encourage the internet service providers to take these sites down, because at the moment it is extremely difficult for them to do that. The Bill makes no reference to ISPs. We should find a way of saying to them, "These things are wicked; we as a nation and as a Parliament deplore them. If they were written in this country they would be outlawed and the people involved would go to prison for 14 years. We require you, as ISPs, to take them down, get them stopped, block them and finish them." I do not know how to do that because I do not know enough about computers, but they are a blot on our society and they must be dealt with.
Alun Michael: Will the hon. Gentleman give way?
Mr. Gray: I hope that the right hon. Gentleman will forgive me if I do not, as two or three other people want to speak and he spoke for quite a long time earlier.
The sites I am referring to are disgraceful. The Bill is our opportunity to get them stopped, and I hope that the Government will exercise themselves in finding a way to do just that.
This is a bit of a curate's egg of a Bill, but I support most of it. A great deal of strengthening should be done in the two areas of military inquests and suicide websites, and I hope that the Government will do that in Committee.
Mr. Andrew Dismore (Hendon) (Lab): I will confine my remarks to issues that the Joint Committee on Human Rights has already reported on. We will be carrying out a detailed scrutiny of the Bill, and many aspects are of interest, but I could not possibly do them all justice today.
I should like to start with the question of coroners and inquests. There is much to be welcomed in that respect. I know from my own work when I was in practice, when I sat through far too many inquests representing bereaved families, how overdue some of these reforms are. My hon. Friend the Member for Stafford (Mr. Kidney) outlined a lot of the positive developments in that respect.
On jury trials, the list of cases requiring a jury in clause 7 is a little short. It ought to include deaths resulting from acts or omissions of other public bodies, such as mental health institutions when a voluntary patient dies. Military inquests have already been dealt with in the debate. My main concern is secret inquests, and the House will know that I tabled a series of amendments when the issue arose regarding the Counter-Terrorism Bill, ultimately leading to the Government withdrawing their proposals. Now, those proposals have returned with relatively little modification.
The starting point must be article 2 of the European convention on human rights as tested in Jordan v. United Kingdom, which set out the positive obligation of a state to provide adequate, effective investigation when an individual is killed as a result of the use of force, particularly when the force was used by state agents. The investigation should be instituted on the initiative of the state, the person conducting it must be independent from those implicated and there should be sufficient public scrutiny to secure accountability in
practice as well as in theory. The next of kin must be involved to the extent necessary to protect their legitimate interests, and the investigation must be prompt and proceed with reasonable expedition. My concern is that the new proposal will not achieve that.
A certification could be allowed in the interests of national security or of relations between the UK and another country. A new provision is that it could be allowed in the interests of preventing or detecting crime or of protecting witnesses or other persons. As a catch-all, it could be allowed for reasons otherwise in the public interest. The effect, of course, will be having no jury. I am pleased that the Government have accepted one of the amendments that I tabled to the Counter-Terrorism Bill, suggesting that the Lord Chief Justice should appoint a High Court judge as the coroner, but that is about as far as it goes.
The problem is that the proposals will apply to exactly the sort of cases that, above all others, should have the breath of fresh air from the open window of transparency blowing through them. The most serious and contentious arise when the state or a foreign Government are implicated. We have heard about the de Menezes case and the deaths of service personnel, and the Royal British Legion has mentioned friendly fire incidents. There are cases involving soldiers in training, such as at Deepcut, which my hon. Friend the Member for Blackpool, North and Fleetwood (Mrs. Humble) mentioned, and deaths at the hands of foreign Governments' torturers or security services. In the Mubarek case, when a young man died in Feltham, an inquiry was resisted tooth and nail until the Government were ordered to hold one. Exactly the sort of cases that should be held in the open run the risk of being held in secret. We do not have criminal trials without juries in terrorism, national security or espionage cases, so why do we need such inquests without them?
I believe that the Government have misinterpreted the requirements of article 2 and its case law. They are arguing for a counsel of perfection. Article 2 does not require an absolute finding of fact using every last scrap of evidence. Inquests do not operate to the criminal standard of proof beyond all reasonable doubt. What is required is an adequate and effective inquiry that is independent, constitutes public scrutiny and involves the next of kin. The system will not give the public confidence that lessons have been learned. Equally importantly, if not more so, it will not give closure to relatives if they and their lawyers of choice are excluded. It is sometimes difficult for relatives to get closure even under the existing arrangements, and it may well be difficult under the reformed arrangements. Are relatives seriously expected to take the specially appointed coroner's word for what happened to their loved one? A jury is an essential part of the closure process.
Mr. Straw: Aside from the fact that the coroner will be not just any old coroner but a High Court judge, does my hon. Friend accept that a consequence of what he suggests is that some relevant evidence could not be put before a jury?
Mr. Dismore: That may be necessary. The question is whether there can still be an adequate and effective investigation without that last piece of evidence. That evidence may not be necessary, but we have the system of public interest immunity certificates and the Government
can persuade the coroner to withhold sensitive material. Both those provisions were upheld in two cases against the UK, those of Jordan and McCann. It has been stated that those restrictions are compatible in principle.
Another concern is that under clause 29, the new inspection arrangements will be excluded from investigating inquests such as I have mentioned, as inspectors cannot be present when people are excluded under subsections (3) or (4) of clause 34, which specify the direct exclusion of persons. That is a serious matter.
I want briefly to consider data protection, about which the Joint Committee on Human Rights has made many recommendations over the years. I welcome the provisions for spot checks of public bodies, the tougher powers for the Information Commissioner and the proposed code of practice. Our approach, which is set out in numerous reports, is that, when there is a demonstrable need to permit data sharing, the Government's intentions should be clearly set out in primary legislation, including the necessary safeguards, to enable proper scrutiny. Secondary legislation cannot be amended and cannot improve or question the safeguards.
Article 8 of the European convention on human rights contains the right to private life provisions, and I am concerned about clause 152 on information sharing. It is difficult to imagine a provision that would contradict more the basic views of the JCHR and—more important —the requirements of the Human Rights Act 1998 and the European convention on human rights. It is too broad and unspecific; no safeguards are specified.
The Bill contains a power to amend by secondary legislation any Act of Parliament—the Data Protection Act 1998, the Human Rights Act and, presumably, the new safeguards in the Bill. We should at least have provisions such as those in the Civil Contingencies Act 2004 to exempt from amendment by such a process those Acts and the Bill's additional safeguards.
The data-sharing provisions allow the Secretary of State to permit any person, department or company to share information, including personal information, about anyone if that serves a Government policy objective. They are not restricted to Departments, to the original reason for obtaining the data, or to a statutory duty or power. The provisions would cover all personal data, including ethnicity, credit history, medical records, DNA, tenancy records and tax and benefit records. A general, blanket discretionary power is not proportionate or necessary and does not justify departure from article 8. No legitimate purpose is specified—it remains an open question.
To depart from article 8, there must be a legitimate purpose. Departure must be proportionate and necessary. I am interested to learn the Government's justification in anticipation of the very long letter that I expect to write on behalf of the JCHR, which will pose those questions in more detail than I have time to set out today.
My last point is about witness anonymity. We debated it at length previously and I do not want to go over the old points that were made during the discussions on the emergency legislation, save for one. The Government promised to come back on the recommendations about independent counsel that my Committee made for the 50 or so so-called civilian cases in which credibility is an issue. One suggestion was for a voir dire process. Why
have the Government decided not to proceed further with that? My Committee may wish to return to the matter, and it would be helpful to have an explanation now, if there is one, of the reason for not addressing that. The recommendations would provide a basic safeguard in the 50 or so cases involved, allow trials to proceed with greater confidence and enable the interests of justice to be more adequately served.
I have flagged up a few items on behalf of the JCHR, to which I suspect we will come back: secret inquests in particular; data protection, which is fundamental, and witness anonymity.
James Brokenshire (Hornchurch) (Con): I want to confine my comments to the provisions on coroners, and to refer to the Data Protection Act 1998. I agree with many points that the hon. Member for Hendon (Mr. Dismore) made about the ambit and other aspects of that measure.
Clearly, there is much in the Bill that we can welcome about the reform of the coroners' courts system. I believe that this is the first reform since 1285, so those who have said that it is long overdue are probably correct. We all welcome the establishment of the chief coroner, the modernisation of the coroner's powers of inquiry and investigation, and the creation of rights for interested parties, including bereaved families. Those provisions will improve the service.
I hope that we will reflect on one aspect of the charter for the bereaved: most of the focus is on the coroner's service. From my experience of dealing with cases of bereaved families, who are trying to get through a difficult time, some of the issues often involve the relationship between the coroner service and, for example, the police service. If the release of a body is requested or required from the police, getting them to respond appropriately in relation to the coroner's activities is important.
I wholeheartedly endorse and welcome the charter for the bereaved, but it needs to take account of the relationship with other agencies, so that the bereaved do not have to chase the police for the release of the body—as happened in a case that was recently brought to me—and almost have to go through the funeral to the cremation without it. As a separate issue, the charter also needs to take into account inquests that might take place in several weeks' or months' time.
There still seems to be a distinction relating to the requirements for allowing a cremation to take place. Death certification is required, but in the case of a cremation, additional requirements and certificates are needed. That matter does not appear to be touched on in the Bill, but the recommendations that came out of the Shipman and Luce inquiries suggested that those questions would be dealt with. If that has not been reflected on to date, I hope that it will now be considered and addressed.


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More than 270,000 patients recovered from COVID-19: Health Min. Spox.
Monday, 03 August 2020 14:43 [ Last Update: Thursday, 06 August 2020 18:59 ]
Tehran (IP)- The spokeswoman for the Iranian Ministry of Health, Sima Sadat Lari said that fortunately, 270,228 patients have recovered and discharged so far.
Iran Press/ Iran News: Sima Sadat Lari also said, 2,598 people in the country have definitely been infected with the coronavirus during the 24 hours.
The spokeswoman for the Ministry of Health, said on Monday about the latest data on the coronavirus in the country and the deaths caused by the virus, "According to the definitive laboratory findings and from yesterday to August 3nd in the country, 2,598 new patients with COVID-19 were diagnosed. Also, the number of patients with this disease reached 312,035.
1,304 of the new patients were hospitalized."
The Spokeswoman said, "Unfortunately, in the past 24 hours, 215 COVID-19 patients have lost their lives, and 17,405 people have lost their lives in the country to date."The official stated, "4104 patients are in intensive care units."
Around 2,534,658 COVID-19 diagnosis tests have been conducted in the country," the Health Ministry spokeswoman said.
According to the spokeswoman, Tehran, Mazandaran, Golestan, Fars, East Azerbaijan, Ardabil, Isfahan, Alborz, Ilam, Khorasan Razavi, Kerman, North Khorasan, Semnan, Lorestan, and Hormozgan provinces are in the Red zone.
Also, she added West Azerbaijan, Khuzestan, Bushehr, Chaharmahal and Bakhtiari, Zanjan, Hamedan, Kohgiluyeh, and Boyer Ahmad, Markazi, Yazd, Gilan and Qom provinces is on alert.
Spox. responds to false corona deaths reports in Iran by UK media
Category: IranVideo
Tags: iran newsIran Pressايران پرسCoronavirusCOVID-19National Task Force for Fighting CoronavirusSima Sadat Lari