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Battlefield V é um jogo eletrônico de tiro em primeira pessoa, desenvolvido pela DICE e publicado pela Electronic Arts. É o décimo sexto jogo da série Battlefield. Foi lançado mundialmente para Microsoft Windows, PlayStation 4 e Xbox One em 20 de novembro de 2018. O jogo continua a partir de seu precursor Battlefield 1, concentrando-se na Segunda Guerra Mundial.

Sistema de jogo

Battlefield V se enfocará de forma abrangente nas características e mecanismos das partidas, na escassez de recursos e no realismo. Há um grande enfoque ampliado na personalização de jogadores através do novo sistema de campanha, onde os jogadores podem criar múltiplos personagens com diversas opções de acessórios e armas. Os acessórios e a máquina de compra usados para adquirir itens são os melhores e mais objetivos da série.

O jogo contará com vários novos modos multiplayer, incluindo o "contínuo" modo de campanha "Tides of War", "Royale" e "Grand Operations". O modo Grand Operations é uma expansão do modo "Operações" introduzido no Battlefield 1, que se concentra em partidas que ocorrem em vários estágios para simular uma campanha da guerra. Em Grandes Operações, cada rodada terá objetivos específicos, e o desempenho em cada estágio influenciará o próximo. Os jogos culminarão com um "Final Stand", com os jogadores usando apenas uma arma primária com munição limitada e sem respawns. Similarmente ao Battlefield 1, o jogo contará com uma coleção de "histórias de guerra" para um jogador, baseadas em aspectos da Segunda Guerra Mundial. O modo battle royale será construído em torno dos "pilares centrais da destruição, do jogo em equipe e dos veículos" da franquia.

Desenvolvimento

A DICE divulgou os primeiros detalhes sobre o Battlefield V em 23 de maio de 2018, com mais informações a serem reveladas durante a conferência de imprensa da EA Play, perto da E3 2018, em junho. A DICE afirmou que, ao contrário do Battlefield 1, não planeja usar conteúdo pago ou "loot boxes" que afetam a jogabilidade dentro do Battlefield V; novo conteúdo será adicionado ao jogo para todos os jogadores ao longo do tempo (que, por sua vez, irá progredir através dos diferentes estágios da Segunda Guerra Mundial), sem custo adicional. A decisão de excluir esses recursos foi tomada após a indignação com relação ao sistema de saque em Star Wars Battlefront II, outro título da DICE.

De acordo com os desenvolvedores, a letra V do nome do jogo faz uma referência ao V de Vitória popularizado por Winston Churchill.

Recepção

Pré-lançamento
O trailer do anúncio foi recebido com uma reação de alguns fãs da série que criticaram o jogo por falta de precisão histórica e autenticidade. Particularmente destacado foi o foco do trailer em soldados da linha de frente feminina, que eles consideravam uma forma de Politicamente correto. Outras queixas foram dadas ao uso de certas armas, Prótese e arte corporal como sendo muito incomum nesse período de tempo. No entanto, outros mencionaram as mulheres na Segunda Guerra Mundial, destacando exemplos da vida real, e que os jogos anteriores da série Battlefield não são vistos como tendo um retrato completamente realista da guerra. Alguns sugeriram que parte da reação era devida à misoginia, em vez de verdadeiras preocupações com a exatidão histórica. Em resposta ao clamor, o produtor executivo do jogo, Aleksander Grøndal, escreveu no Twitter que a equipe "sempre colocaria diversão acima da autenticidade". O diretor geral da DICE, Oskar Gabrielson, também respondeu no Twitter, dizendo: "Primeiro, vamos esclarecer uma coisa. A opção de escolha e as personagens femininas estão aqui para ficar... Nosso compromisso como estúdio é fazer tudo o que pudermos para criar jogos que sejam inclusivos e diversificados. Nós sempre nos propusemos a empurrar limites e entregar experiências inesperadas ".

No dia 28 de Junho a DICE divulgou o lançamento do beta fechado junto com os requisitos do jogo para computador

Resposta crítica
De acordo com a revista Metacritic, Battlefield V recebeu críticas "geralmente favoráveis" para as versões PC e Xbox One e críticas "misturadas ou médias" para a versão PlayStation 4.

Na análise de 8/10 da Game Informer, eles escreveram: "Em última análise, Battlefield V será definido pelo sucesso ou fracasso do modo cooperativo Pendined Arms, Firestorm e battle royale  e se a DICE pode ou não fornecer continuamente conteúdo novo e envolvente. "GamesRadar+ deu ao jogo 3.5 / 5 estrelas, elogiando o gameplay mas criticando o multiplayer online, escrevendo:" Não é tão drástica como seu antecessor na WW1, nem tão selvagem ou maravilhoso, o design deliberativo de Battlefield 5 marginaliza seus pontos fortes como uma caixa de areia simulativa. "

Vendas
Analistas da indústria de jogos, relataram que as vendas de pré-venda de Battlefield V estavam "fracas", sendo 85% atrás das de Call of Duty: Black Ops 4.

Em novembro, foi relatado que o Battlefield V vendeu menos da metade das cópias físicas que o Battlefield 1 fez no lançamento durante o mesmo período de tempo. O jogo vendeu 7,3 milhões de cópias até o final de 2018. Em 5 de fevereiro de 2019, Andrew Wilson, CEO da EA, anunciou que o jogo não satisfazia as expectativas de vendas, culpando o marketing do jogo e seu foco no desenvolvimento de uma campanha single-player e o modo battle royale, um gênero que ganhou popularidade recente. Wilson também destacou o longo ciclo de desenvolvimento do Battlefield V e lançou em um mês de forte competição. Os preços das ações da EA também enfrentaram sua pior queda em mais de uma década durante o terceiro trimestre do ano fiscal, caindo cerca de 18%, o que a EA atribuiu em parte às fracas vendas do jogo.

Ligações externas

5
Jogos eletrônicos de 2018
Jogos eletrônicos da Electronic Arts
Jogos para Windows
Jogos para PlayStation 4
Jogos para Xbox One
Jogos de tiro em primeira pessoa
Jogos eletrônicos battle royale
Jogos eletrônicos com protagonistas femininas
Jogos eletrônicos ambientados na década de 1940
Jogos eletrônicos ambientados nos Países Baixos
Jogos eletrônicos com Frostbite
Jogos eletrônicos com gráficos ray tracing

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Los Contemporáneos es el nombre de un grupo de jóvenes intelectuales mexicanos, agrupados en torno a la revista Contemporáneos, que se encargaron de difundir muchas de las innovaciones del arte y la cultura en la sociedad mexicana de la primera mitad del siglo XX.

El grupo tomó el nombre de la revista, cuya publicación comenzó en 1928. Realmente no existió un programa definido o un manifiesto generacional, aunque sí era evidente que todos aquellos que publicaron en la revista compartían un afán por modernizar no sólo la literatura, sino una buena parte de los aspectos más significativos de la cultura.

Tuvieron muchas influencias extranjeras que se proyectaban en sus obras, sobre todo de la literatura europea y estadounidense. Se dedicaron también al teatro y a la promoción cultural. Uno de los miembros destacados fue Antonieta Rivas Mercado, quien además fue su mecenas. En cierto modo eran opositores del estridentismo.

El grupo sin grupo

Reconocido casi siempre como generación de los Contemporáneos, este grupo recibió numerosos nombres: desde Grupo Ulises, por la revista y el grupo teatral homónimos; hasta Grupo sin grupo, denominado así por Xavier Villaurrutia en un intento por negar su condición de grupo, o bien para subrayar su carácter no generacional. Posteriormente, en una reelaboración de la expresión de Villaurrutia, fueron denominados como Archipiélago de soledades, por Jaime Torres Bodet, y Agrupación de forajidos, por Jorge Cuesta, en 1928 y 1933 respectivamente. Torres Bodet dice a propósito de este asunto:Nos sabíamos diferentes. Nos sentíamos desiguales. Leíamos los mismos libros; pero las notas que inscribíamos en sus márgenes rara vez señalaban los mismos párrafos. Éramos, como Villaurrutia lo declaró, un grupo sin grupo. O, según dije no sé ya dónde, un grupo de soledades".Miguel Capistrán —escritor, investigador y académico mexicano que se especializó en el estudio y edición de la obra de Los Contemporáneos— prefería llamarlos Generación de Ulises, en atención al grupo patrocinado por Antonieta Rivas Mercado, pues fue con ese nombre con el que se agruparon inicialmente de forma definitiva y con el cual salieron al mundo la revista y las ediciones del mismo nombre. Salvador Novo llamaba El breve fuego de Ulises a los años del primer tercio del siglo XX.

La polémica nacionalista
En la segunda década del siglo XX se inició una polémica entre Los Contemporáneos y el Estridentismo. Guillermo Sheridan ubica el origen de la polémica en los inicios del movimiento estridentista, con la publicación de la hoja Actual. En el primer número de este texto, de diciembre de 1921, Manuel Maples Arce escribió: "que se ha sentido más emoción ante un recorte de periódico arbitrario y sugerente, que en todos esos organillerismos seudo-líricos y bombones melódicos, para recitarles de changarro gratis a las señoritas [...]". Dicho comentario insinúa lo que posteriormente se convirtió en el centro de la discusión: la existencia de una literatura "afeminada" contra una "viril"; esta última representada por los estridentistas y otros grupos afines.

Otro antecedente de la polémica está en el Congreso de Escritores y Artistas convocado por José Vasconcelos, desde la Secretaría de Educación Pública. En este congreso, llevado a cabo en 1923, se expresó un conflicto entre los "nacionalistas" que sostenían que la literatura mexicana debía atenerse a lo mexicano, y los "cosmopolitas" interesados en el diálogo con el exterior.

Para Luis Mario Schneider, la Revolución mexicana, la llegada del vanguardismo con los estridentistas y la subversión de algunos escritores ante las instituciones, sentaron las bases para la batalla periodística entre unos y otros.  En noviembre de 1924 se publicó en El Universal Ilustrado un artículo titulado "La influencia de la Revolución en nuestra literatura", en el que se designa como artistas de la Revolución a Diego Rivera, Maples Arce y Mariano Azuela. Un mes después, Julio Jiménez Rueda publicó en El Universal un artículo llamado "El afeminamiento en la literatura mexicana", artículo que formalmente inició la polémica.

Jiménez Rueda dice:Extraño verdaderamente me parece que en catorce años de lucha revolucionaria no haya aparecido la obra poética, narrativa o trágica que sea compendio y cifra de las agitaciones del pueblo en todo ese periodo de cruenta guerra civil o apasionada pugna de intereses. [...] En la mitad del tiempo Rusia ha creado ya una obra de combate o de simple expresión estética, considerable.Afirma que en México...hoy [...] hasta el tipo del hombre que piensa ha degenerado. Ya no somos gallardos, altivos, toscos... es que ahora suele encontrarse el éxito, más que en los puntos de la pluma, en las complicadas artes del tocador.Días después, el 25 de diciembre de 1924, Francisco Monterde publica en El Universal un artículo llamado "Existe una literatura mexicana viril". Monterde sostiene que más que faltar literatura viril...hay escasez de una crítica certera, falta de ejercicio constante de análisis que oriente al público sobre los nuevos valores y deficiencias en el sistema de ediciones. Estos factores impiden la difusión de las obras mexicanas entre el público nacional.El 12 de enero de 1925, en Excélsior, Victoriano Salado Álvarez publica un artículo titulado "¿Existe una literatura mexicana moderna?" en el que defiende a Jiménez Rueda y afirma que "no hay literatura nueva y [...] la que hay no es mexicana [...] y a veces ni siquiera literatura".

Francisco Monterde publica "Críticos en receso y escritores desesperanzados" el 13 de enero de 1925 en El Universal, donde replica a Salado y a Jiménez Rueda:Mi artículo trataba de probar, con hechos, que 'hay una literatura mexicana viril'; no precisamente una literatura novísima, ni menos una literatura revolucionaria —aunque exista una Liga de Escritores Revolucionarios y ande por allí una antología de poetas revolucionarios formada por un académico— sino únicamente una literatura mexicana actual, no degenerada ni afeminada.El 17 de enero de 1925, Jiménez Rueda publicó "El decaimiento de la literatura mexicana", en el que aclara que al hablar de afeminamiento se refiere a "el reblandecimiento medular que padecen nuestras letras", el cual se debe a "modas nuevas, cansancio espiritual, desgaste nervioso producido por años de tormentosa existencia, desorientación moral, carencia de espíritu analítico [...]".

El 29 de enero de 1925 aparecieron en El Universal las respuestas a la pregunta planteada por Salado Álvarez: ¿Existe una literatura mexicana moderna?. A tal encuesta respondieron Federico Gamboa, Salvador Novo, Mariano Azuela, Saltiel Rosales, Enrique González Martínez, Rafael Calleja, José Vasconcelos, Agustín Basave, Luis Quintanilla, Victoriano Salado Álvarez, entre otros. Las respuestas oscilan entre que no existe una literatura mexicana hasta que ésta está en proceso de consolidación.

Los enfrentamientos periodísticos disminuyeron hacia mediados de 1925; sin embargo, los desacuerdos entre Estridentistas y Contemporáneos se extendieron hasta la extinción de ambos grupos.

Revistas
Tanto Carlos Pellicer, Jaime Torres Bodet, Bernardo Ortiz de Montellano, José Gorostiza, Salvador Novo, Xavier Villaurrutia, Enrique González Rojo y Gilberto Owen, quienes estaban en contacto desde la Escuela Nacional Preparatoria, fueron colaboradores en las dos más sobresalientes revistas preparatorianas: San-Ev-Ank y Policromías.

La última revista de este grupo fue Examen, fundada y dirigida por Jorge Cuesta en 1932. Duró solamente tres números debido a que varios periodistas del diario Excélsior reprobaron la publicación de dos capítulos de una novela de Rubén Salazar Mallén en la que figuraban "expresiones obscenas". Esto en un contexto en que varios de Los Contemporáneos eran funcionarios de la Secretaría de Educación Pública; de tal forma que el ataque contra la revista resultó en un ataque contra el ministro de Educación, Narciso Bassols, quien decidió no defender a sus colaboradores. Examen fue consignado ante los tribunales y Cuesta y Salazar Mallén enfrentaron un largo proceso del cual fueron absueltos. "Por primera vez —observa Luis Mario Schneider— se procesaba a un grupo de escritores y a una revista literaria". José Gorostiza, Ramos, Pellicer y Villaurrutia se quedaron sin sus empleos en la Secretaría de Educación Pública.

Antología de la poesía mexicana moderna
Aparecida a principios de mayo de 1928 y firmada por Jorge Cuesta, la Antología de la poesía mexicana moderna fue la primera obra en llevar el nombre de Contemporáneos, pues fue publicada un mes antes del primer número de la revista homónima. Fue un libro que suscitó polémicas y hasta calumnias, por su sistema selectivo y su perspectiva en cuanto a valores.

Surgió en un contexto de hostilidad hacia los Contemporáneos: un par de meses antes, los periódicos habían lanzado fuertes críticas contra los miembros del grupo que habían llevado el Teatro Ulises al teatro Virginia Fábregas; por esos mismos días, Novo y Villaurrutia habían perdido su revista Ulises; asimismo, un año antes habían publicado una serie de novelas vanguardistas que ofendieron a los narradores de la Revolución y a sus seguidores. La polémica aparición de la Antología —vilipendiada por unos y glorificada por otros— no sorprendió, pues, ni a la prensa antagónica ni a los escritores que no concordaban con las ideas de los Contemporáneos.

Según Xavier Villaurrutia, la elaboración de una antología fue resultado directo de una idea de Alfonso Reyes. En 1927, Villaurrutia escribe:¿Cuándo tendremos —me decía no hace mucho Alfonso Reyes— una selección estricta de la obra de nuestros líricos? No las obras completas, sino las poesías mejores. Pienso que bastarían unas cuantas páginas. Othón ocuparía el mayor número. Díaz Mirón, Nervo, González Martínez, Tablada, López Velarde tendrían derecho a figurar con algunas cuantas poesías. Gutiérrez Nájera, ¿por qué no decirlo?, a unos cuantos versos apenas.Ante un cúmulo de antologías previas de gran prestigio, como las publicadas por Castro Leal, Toussaint o Vázquez del Mercado, la tarea consistió en crear un trabajo que dejara en claro la actitud de las nuevas generaciones frente a su tradición poética reciente; tarea regida por una postura que confrontaba su interés por una poesía libre contra el carácter nacionalista que abogaba por una literatura al servicio de una identidad mexicana. Sobre Los poetas nuevos de México, de Genaro Estrada —la antología más célebre en ese tiempo—, Torres Bodet declara: Gozaba de una autoridad que, en ocasiones, nos parecía proceder mucho más de una prescripción del gusto que del mérito intrínseco de los textos recopilados. Pretendíamos revisarla, modernizarla y, con palabras de Reyes, apuntalar nuestras simpatías merced a la ostentación de nuestras diferencias.Aunque fue firmada y prologada por Jorge Cuesta, existen numerosas dudas y teorías en torno a la autoría intelectual de la Antología—Jaime Torres Bodet se acredita como el autor, acompañado por Villaurrutia, Cuesta, Ortiz de Montellano y González Rojo; por su parte, Salvador Novo recuerda que la hicieron Owen, Cuesta y Villaurrutia—. No obstante, sin importar quién fue el iniciador, se puede afirmar con base en numerosos testimonios que la Antología fue producto de un trabajo colectivo abanderado y defendido vigorosamente por Cuesta. Este último afirma en el prólogo a la Antología:La selección y las notas de los poetas agrupados en las dos primeras secciones son fruto de una labor colectiva que casi quisiéramos llamar impersonal, y, en su mayoría, los poetas que constituyen la última sección del libro a invitación nuestra, seleccionaron algunas de las poesías que los representan.La Antología reunió en tres secciones a poetas pertenecientes a tres generaciones: los modernistas representados por Othón, Díaz Mirón, De Icaza, Urbina, Nervo y Rafael López; los posmodernistas, con Rebolledo, Tablada, González Martínez, De la Parra, Arenales, López Velarde y Reyes, y, por último, los llamados "poetas del Ateneo de la Juventud", es decir, Torres Bodet, Ortiz de Montellano, González Rojo y Gorostiza, más Novo y Villaurrutia —poetas de Ulises—, Owen —contemporáneo—, Maples Arce —estridentista— y Carlos Pellicer.

La presencia de varios poetas miembros del grupo de los Contemporáneos, así como la ausencia de varios poetas considerados de gran relevancia en ese tiempo —se omitieron poetas como Juan de Dios Peza, Fernández Granados o Gutiérrez Nájera—, despertó la sospecha de numerosos lectores que vieron en esta antología una actitud arrogante y prepotente por parte del grupo. Un redactor de Excelsior, Jorge D'Aubisson, comentó: Es una insolencia a la historia de México que estos sensitivos decidan quiénes son nuestros poetas y, peor aún, que ellos mismos pretendan serlo.Se llegó a designar irónicamente a esta publicación, en un juego de palabras alusivo a su antologista, como "La Antología que vale lo que Cuesta".

Integrantes
Algunos de los integrantes más destacados de Los Contemporáneos fueron:

 Jorge Cuesta
 José Gorostiza
 Roberto Montenegro
 Salvador Novo
 Bernardo Ortiz de Montellano
 Gilberto Owen
 Carlos Pellicer Cámara
 Antonieta Rivas Mercado
 Manuel Rodríguez Lozano
 Jaime Torres Bodet
 Xavier Villaurrutia
 Celestino Gorostiza
 Enrique González Rojo

Referencias

Bibliografía
Sheridan, Guillermo. Los Contemporáneos ayer, México: Fondo de Cultura Económica, 1985. ISBN 968-16-2073-9
Capistrán, Miguel (Comp.). Los Contemporáneos por sí mismos, México: Conaculta, 1994.
Gordon, Samuel. De calli y tlan. Escritos mexicanos, México: UNAM - Ediciones del Equilibrista, 1995. ISBN 968-36-3993-3
Palou, Pedro Ángel. La casa del silencio. Aproximación en tres tiempos a Contemporáneos, Zamora (Michoacán, México): El Colegio de Michoacán, 1997. ISBN 868-6959-74-2
Madrigal Hernández, Érika. "Tamayo y los Contemporáneos: El discurso de lo clásico y lo universal", en Anales del Instituto de Investigaciones Estéticas, México: Universidad Nacional Autónoma de México Instituto de Investigaciones Estéticas, vol. XXX, núm. 92, primavera de 2008, pp. 155-189.
Hadatty Mora, Yanna. La ciudad paroxista. Prosa mexicana de vanguardia (1921-1932), México: UNAM, 2009. ISBN 978-607-2-00360-6

Véase también
Miguel Capistrán

Revistas literarias de México
Publicaciones fundadas en 1928
Revistas desaparecidas de México
Revistas de arte


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News You Should Know
ICYMI: Man Flew Into MIA With Loaded Handgun in His Pocket, 10-Year-Old Artist Featured in Art Basel Miami
Here are some of the top stories from the past week from NBC 6 News:
By NBC 6	• Published December 4, 2021 • Updated on December 4, 2021 at 10:30 am
Man Flew Into MIA With Loaded Handgun in His Pocket: Police
A man carrying a fully loaded gun boarded a commercial flight in Barbados and flew to Miami with the firearm in the plane's cabin, the NBC 6 Investigators exclusively learned — a hair-raising incident that triggered an immediate investigation by the Transportation Security Administration into the security lapse that aviation experts say could have caused a disaster.
In security video footage exclusively obtained by NBC 6 Investigators, airline passenger Cameron Hinds is seen being stopped at a Miami International Airport checkpoint after TSA officers found a loaded handgun in his belongings.
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According to a Miami-Dade Police report, Hind's revolver had five 32-caliber rounds in the gun's chamber. He told told police that when he boarded the plane in Barbados he had the revolver in his pants pocket. That failure in screening abroad has put federal security experts into high alert.
The U.S. Department of Homeland Security relies on foreign governments to maintain aviation security standards at last-point-of-departure airports with direct commercial flights to the U.S.
Hinds made his journey from Bridgetown, Barbados, to Miami on American Airlines flight 1089. During the flight, police say his Ruger revolver was with him in the cabin for the four-hour trip.
"It's shocking," said retired American Airlines Capt. Jay Rollins.
Global travel and a changing climate are the leading reasons why viruses may be able to spread faster around the world. NBC 6's Phil Prazan has the story.
Climate Change and Global Travel Likely to Bring More Virus Outbreaks
A viral outbreak in China became the defining issue for the past two years. The coronavirus is the latest example of a trend the scientific community says could get worse. NBC 6 went behind the scenes at a Florida Research lab looking for treatments and developing vaccines to find out why more outbreaks are expected in the future.
It comes down to two main reasons: global commercial travel and climate change.
Scientists at Cleveland Clinic's Florida Research and Innovation Center try to get ahead of "emerging viruses."
Dr. Michaela Gack, PhD, leads a team of around forty at the Port St. Lucie location, hoping to ramp up to one hundred next year. One of their specialties is looking at how zoological viruses - viruses from animals to humans - spill over and impact human cells.
The lab goes up to Biosafety Hazard three, a level needed to house specimens of COVID-19. Researchers are trying to find out why different people have such different reactions to the virus, from loss of taste to visits to the emergency room. Here PhD scientists use imaging microscopes to see how viruses move around and inside human cells.
Their work centers on developing vaccines and treatments after studying what the virus does to the body.
The attacker who stabbed an Argentine woman in Miami Beach turned the weapon on himself, according to witnesses. NBC 6's Cristian Benavides has the story.
Miami Beach Man Fatally Stabbed Co-Worker Who Refused to Date Him
A Miami Beach man who fatally stabbed his co-worker after she repeatedly refused to start a relationship with him is facing a murder charge, authorities said.
Agustin Lucas Mariani, 20, is facing a second-degree murder charge in the killing of 28-year-old Delfina Pan.
Mariani, who also stabbed himself in the incident, was expected to be booked into jail after his release from Jackson Memorial Hospital, Miami Beach Police officials said Thursday.
According to an arrest report, Mariani and Pan worked at a local restaurant together, and Mariani had made several attempts to start a relationship with Pan, who declined his attempts.
Friends said Pan, who was from Argentina and was an aspiring fashion designer and photographer, had been living with a childhood friend at an apartment near 73rd Street and Harding Avenue.
On Monday night, Pan left the restaurant and Mariani left a short time after her, in the middle of his shift, the report said.
According to the arrest report, Mariani, who worked as a bartender, showed up at Pan's apartment and waited for her, and when she refused to talk with him, he pulled out a knife and stabbed her.
10-year-old Andres Valencia is not like most kids his age. He has his own exhibit during Art Basel in Miami and has a secret piece he will unveil this week. NBC 6's Willard Shepard has the story.
10-Year-Old's Works Striking a Pose Along With Pros at Art Miami
There's art everywhere this week in South Florida, but heads are turning when they see an artist who you'd think is way too young to be on the big stage. Some of his works are taller than him.
Andres Valencia can't say enough about the fun he's having during his time at Art Miami. Andres told NBC 6 that while standing in his Art Miami exhibit that he was initially drawn to the artworks in his San Diego home.
"There was painting in our living room, and I tried to copy it and I finally got it," Valencia said.
His parents brought him all the way from California, so the world's art lovers could see his creations. He started painting six years ago.
"It was like when I was like four," he said.
Art Miami Director Nick Korniloff told NBC 6 that some patrons are really surprised when they see the artist whose works they're admiring.
"They are just in shock. I brought over so many great gallerists that represent artists. I mean, artists like even even Picasso, some of the great cubist artists and they come to the stand and say there is no way this is a 10-year-old boy, and believe it or not there is some work in there when he's 8," Korniloff said.
Andres' mom and dad say they detected early on that he just had a knack for it.
Former Broward County Mayor Dale Holness has filed a lawsuit over the Democratic nomination in a South Florida congressional race he lost by just five votes. NBC 6's Steve Litz reports.on for giving and this Giving Tuesday is dedicated to giving back to the charities that are close to our hearts. NBC 6's Claudia DoCampo reports.
Holness Files Lawsuit Over District 20 Race Lost by 5 Votes
Former Broward County Mayor Dale Holness has filed a lawsuit over the Democratic nomination in a South Florida congressional race he lost by just five votes.
In the lawsuit, filed Monday, Holness claims Sheila Cherfilus-McCormick, who won the U.S. House District 20 primary, is ineligible to hold office.
The suit claims Cherfilus-McCormick failed to file required financial disclosure reports, and alleges that Cherfilus-McCormick offered money to secure votes through her proposed "People's Prosperity Plan" which promised to give adults making less than $75,000 per year a $1,000 monthly payment.
"Cherfilus-McCormick knew this promise was a gimmick designed only to motivate people to vote for her," Holness' lawsuit said.
Holness also claims there were issues with overseas military ballots that were rejected.
In addition to Cherfilus-McCormick, the suit names Broward Supervisor of Elections Joe Scott, the Broward Canvassing Board, and the Elections Canvassing Commission as defendants.
Cherfilus-McCormick received 11,662 votes compared with 11,657 for Holness, according to the certification, which came two weeks after the Nov. 2 special election primary.
Overgrown grass, a debris-filled yard, and a fading façade at a home on 20th Street are among the issues Vivian Guzman says she has reported to the City of Miami code compliance
Neighborhood Eyesore in Miami Racks Up Over $500K in Fines
Vivian Guzman says living in the Shenandoah neighborhood of Miami is a dream.
"It's beautiful old homes," Vivian Guzman said.
But there's one nightmare she says has haunted her for more than a decade.
"This is what they have to look at, and it is unacceptable," Guzman said.
Overgrown grass, a debris-filled yard, and a fading façade at a home on 20th Street are among the issues Guzman says she has reported to the City of Miami code compliance.
"I have contacted the city on numerous occasions at the start of hurricane season looking for some relief," Guzman said.
Georg Ketelhohn also lives in the Shenandoah neighborhood. He says he has offered to help the home's owner clear out the mess.
"We can't go into her property without her permission, we have offered to help but she doesn't want help," Ketelhohn said.
With little help from the city, the neighbors called NBC 6 Responds for help.
NBC 6 Responds found out the city has issued 13 code violations against the home since 2005. The home's owner has also racked up $558,250 in fines.
News You Should KnowMiami-DadeBroward

redpajama_set_name: RedPajamaCommonCrawl


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NewsTop Stories Author: Supriya R - August 20, 2018
Kerala Floods: The Technology Behind Predicting Severity of Weather Conditions
IMD predictions must be taken seriously as they do have several sophisticated instruments and technology to predict weather conditions
Kerala, one of the most popular and picturesque states in the country, is facing one of its worst times in over a century. Instead of the usual pictures of beautiful lakes and greenery that are circulated in regard with Kerala, now heartbreaking pictures of flooded streets, broken homes and people crying is what one gets to see on the internet. Hundreds of people have lost their lives, and thousands are stranded in relief sites after losing their homes. Nevertheless, people in flood hit areas can now breathe a sigh of relief as the worst may be over for Kerala. India Meteorological Department (IMD) predicts a decrease in rainfall, and some areas are already showing receding water levels.
IMD had previously predicted' excess' rainfall for certain areas in Kerala like Thiruvananthapuram, Palakkad , Kozhikode, and Kottayam. Although the centre and state governments, citizens, telecom and e-retail sectors are now contributing significantly to help Kerala overcome the flood situation, the reason for the lack of preparedness to face the floods even though IMD had predicted strong rainfall this season is unknown. IMD predictions must be taken seriously as they do have several sophisticated instruments and technology to predict weather conditions.
Also Read: Kerala Floods: IT, Telecom, E-retail Sectors Come Together to Lend a Helping Hand
Some Methodologies IMD Uses to Predict Weather
Basically, in simple terms, how weather is forecasted is that meteorologists collect all the data they possibly can in regard to the current state of atmosphere like humidity, temperature and wind. They then use this data to determine how the atmosphere evolves in the future with the help of meteorology. To collect the data related to current atmospheric conditions and to predict future weather conditions, meteorologists use a range of sophisticated instruments from satellites to supercomputers. The super computers then use numerical forecast equations to create forecast models of the atmosphere. Recently, the Government of India added two supercomputers by the name 'Pratyush' to predict weather accurately.
Weather forecasting models in place are Numerical weather Prediction (NWP), which focuses on taking current observations of weather and processing these data with computer models to forecast the future state of weather and Global Ensemble Forecast system (GEFS), which is a comparative weather forecast model to quantify the amount of uncertainty in a forecast. Some simple tools used by meteorologists to gather data on current weather conditions are thermometer (for temperature), anemometers (for wind speeds), and barometers (for air pressure). Meteorologists also use satellites to observe cloud patterns, and radar is used to measure precipitation. Such data centres are setup across the country to record atmospheric conditions.
The satellite used by IMD is INSAT-3D, which was developed and launched by Indian Space Research Organisation in July 2013.The satellite has several advanced technology elements like star sensor, micro stepping Solar Array Drive Assembly and Bus Management Unit for control and telecom and telemetry function. The satellite has four payloads namely he satellite has 4 payloads namely 6 channel multi-spectral imager, 19 channel sounder, data relay transponder and satellite aided search and rescue. The satellite was launched mainly to provide a 'storm warning system'. Satellite data help forecast the weather in two ways wherein expert forecasters interpret the images and numerical weather-prediction models assimilate observations.
Apart from satellites, IMD uses upper air and surface instruments manufactured in-house to predict weather. IMD's upper air observational network has 39 radiosonde and 62 pilot balloon observatories spread across the country, according to its website. Radiosonde is a battery-powered telemetry instrument carried into the atmosphere usually by a weather balloon that measures various atmospheric parameters and transmits them by radio to a ground receiver.
Radiosondes are capable of measuring altitude, pressure, temperature, relative humidity, wind speeds and direction, cosmic ray readings at high altitude and geographical position. Radars are used to predict thunderstorms, hailstorms and tracking of cyclonic storms as well. Along with estimating storm intensity and location, radars can also provide future storm predictions. Doppler Weather Radars are being used by IMD and play a significant role in forecasting weather conditions.
The IMD also monitors environmental conditions using instruments like ion chromatograph, UV-VIS spectrophotometer, atomic absorption spectrophotometer, semi-micro Balance, pH and conductivity meter. These instruments can effectively gauge the particulate matter in the atmosphere and tell us how polluted the air is. IMD also has networks across the country for measuring aerosols, black carbon concentration and bio-mass burning component. In a recent media announcement, IMD reiterated its commitment to enhance weather prediction system for more accurate forecasts and probability assessment for severe weather conditions.
Posted by: Supriya R
Tags:Keral Floods, Technology behind wetather prediction
Kerala Floods: The Technology Behind Predicting Severity of Weather Conditions 0 out of 5 based on 0 ratings. 0 user reviews.
Kerala Floods: IT, Telecom, E-retail Sectors Come Together to Lend a Helping Hand
Manchester United Shoots for Success with a 'Digital Experience Platform' Powered by HCL
five × seven =


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UNM Newsroom / News Topics / Research
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UNM archaeologist Patricia Crown named 2022 AAAS Fellow
The American Association for the Advancement of Science (AAAS) announced today that Patricia Crown, the Leslie Spier Distinguished Professor of Anthropology Emerita at The University of New Mexico, has been elected as a 2022 AAAS Fellow. Election as a...
95 is the new 30: UNM researcher embarks on new study
By Savannah Peat January 31, 2023
UNM Professor Dr. Emeritus Bruce Porch is 95 years young. With decades of experience as a speech-language pathologist under his belt, Porch's extensive array of research, publications, founding new speech pathology programs and patient care continues...
NSF project to explore new solutions for longer-lasting, affordable batteries
By Kim Delker January 30, 2023
Our rapidly-expanding technology needs are fueling a robust demand for battery and electrical energy storage technologies in industries ranging from portable devices to transportation. Although rechargeable lithium-sulfur (Li-S) batteries offer a great...
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Waking up on the wrong side of the bed is a fact of life most people have experienced. While a mild case of the grumpies may be the case for some, the results of a short, restless night of sleep could be much more serious. UNM College of Education &...
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New Mexico's fronteristxs collective has been awarded $30,000 for The House of An-Aesthesia, an experimental runway performance with ungendered looks designed to disrupt surveillance...
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Amplifying Latina Voices book recognized with Outstanding Book Award
By Geneva Sandoval-Dinallo, UNM College of Arts and Sciences January 23, 2023
A new book outlining the experiences of Latinas in education is already receiving recognition for its contribution to the field. Michelle Hall Kells, Ph.D., an associate professor of Rhetoric and Writing and director of graduate studies in the...
No drought of solutions: UNM Utton Center aids State Water Task Force Report
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UNM to lead Department of Energy bioenergy research project for sustainable aviation fuel
A project from The University of New Mexico has been selected for funding under a U.S. Department of Energy Bioenergy Technologies Office interagency agreement with the Minority Serving Institution STEM Research & Development Consortium. Abhaya Datye,...
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Overall art and literature became much more advanced and creative over time from the middle ages to the renaissance.
What was once seen as an angry God hell-bent on punishment was now an opportunity for a chance into the heavens, and often Renaissance Art was even entirely secular, such as masterpieces like the Mona Lisa. Second, Renaissance Art ended this period with the new opportunities and advances made during the Renaissance, reflected in art from the period.
Afterward, art from the Renaissance period art will be analyzed next to it for its departures on from Middle Age techniques and thinking, before the two are finally systematically compared and contrasted.
Much of this art filled churches and monasteries, and took the form of sculptures, paintings and drawings, stained-glass windows, metalwork and mosaics, among other forms. They used techniques like writing in the vernacular, or their native language.
People also believed Renaissance vs middle ages essay the absolute authority of the church.
Man strongly agreed with the Greek view, "Man is the measure of all things," and was viewed as the center of the world. First, Renaissance Art, while not entirely secular to be sure, had certain overtones of the humanism sweeping Europe.
What was once seen as an angry God hell-bent on punishment was now an opportunity for a chance into the heavens, and often Renaissance Art was even entirely secular, such as masterpieces like the Mona Lisa. The characters shown rarely appear upbeat. While Jesus is still at the top and the Madonna next to him seems to cower in fear at his wrath, many nonetheless are lifted upward.
The feudal system depended on the control of land and was based on rights and obligations. Art was more focused on the beauty of nature, and less on religion. People believed that only church officials could interpret the scriptures.
There was more emphasis on individuals, showing their importance. While a beautiful work of art no doubt, the painting has little passion or movement and does not inspire anything more than fear from a fiery God. The purpose of education in the Middle Ages was to pass the Moral Test and be rewarded with eternal joy in the afterlife.
During the Renaissance, the Protestant Reformation led to the development of many churches. The depictions within the art reflected its purpose — worship. The art periods correspondingly reflected their equivalent time frame as either bleak and dowdy or upbeat and energetic.
Renaissance writers produced works that reflected their time. The renaissance began after the wars and plagues when people wanted to celebrate life and the human spirit. His 95 theses spread throughout Germany and sparked the reformation, which split Protestantism spread across Europe.
Humanists were strong believers in ethics, and they believed that eloquence was a representation of ethics. These new ideas and opinions spread fast because of the printing press. In the renaissance people began thinking that the authority and wealth of the church was corrupt.
Multitalented Renaissance men of the period such as Michelangelo contributed simultaneously to multiple artistic fields at once.
This painting in the Santa Cecilia in Rome uses drab colors to show what appears to be an angry Jesus overlooked by six angels, three on each side.
Pluralism, the system of governing and landholding, began in the middle ages.
Therefore, the Renaissance period of art departed from the Middle Ages period of Medieval Art not simply in technique or media, but also in subject matter, philosophy, and use. This painting in the Santa Cecilia in Rome uses drab colours to show what appears to be an angry Jesus overlooked by six angels, three on each side.
People believed that each individual could interpret the Bible for himself. While no doubt heavily influenced by the preceding art of the Middle Ages and often building off of some of its topic such as Christianity, Renaissance Art has a strong into of humanism which afflicted its artists.
Art and literature was very different in these time periods. The iconographic nature of the art is substantial, as it above all revered the purpose of perpetuating the Catholicism of the early church.
Religious icons such as saints, the Virgin Mary, Jesus and his disciples, and other depictions provided clarity and images for believers. This Medieval Art from the Middle Ages contrasts sharply with the Renaissance- era works in many key ways.Get help on "MIDDLE AGES vs RENAISSANCE ART PERIODS" from best experts of Artcolumbia Also get essay you want for only $/page!
Find what you need here! The Middle Ages is an extensive time period in European history which is seen as taking place between the years and A.D.
As the 15th and 16th centuries began, they brought with them many unique advances and many people developed new mindsets. The Humanists believed that the Middle Ages /5(9).
When seeking two art periods to compare and contrast, fewer artistic examples provide a starker depiction of radically changing ideas and mentality than the art of the Middle Ages against that of art from the Renaissance. The middle ages and the renaissance were two time periods which were very different, yet similar in some ways.
The middle ages was an era of European history caused by a gradual decline in the Roman Empire. Free Essay: Middle ages vs Renaissance The middle ages and the renaissance were two time periods which were very different, yet similar in some ways.
 Middle ages vs Renaissance The middle ages and the renaissance were two time periods which were very different, yet similar in some ways. The middle ages was an era of European history caused by a gradual decline in the Roman Empire.


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Category tech modern
January 27, 2023 tech modern alexandria
A single router can cover up to 2,000 sq. feet of house with up-to-date Wi-Fi 6 connectivity. You can broaden the coverage by including more satellites. The all-new Bose SoundLink Flex waterproof Bluetooth speaker is a solid contender for the product category's best offering. Available in black, white, and blue, it has an elegant design and an IP67 waterproof housing that can even float in water. This impulse-buy automotive charger has a 65-watt USB-C port, which may energy up most laptops. A USB-A charging connector with a maximum power output of 18 watts is also on board, permitting users to cost other gadgets quickly.
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3 Methods State And Native Businesses Can Take Benefit Of Information Analytics
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Intended for school kids who have had some study-abroad expertise in China. Professional expertise with a business/organization in which students improve their language abilities and cultural data in Arabic in relation to the practical goals/objectives of the entity...


How to set device's platform_data field for OF-described I2C	devices ?
Previous message: How to set device's platform_data field for OF-described I2C devices ?
> requires platform data (to set the GPIO base number among other information).
> find a way to add platform data in the process.
platform data to enable the chip to be used without platform data.
manually from platform code with the platform data filled in.
> What's the best way to specify platform data for OF-described I2C devices ?


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package org.openxava.web.editors;

import java.lang.reflect.Field;
import java.lang.reflect.InvocationTargetException;
import java.lang.reflect.Method;
import java.util.ArrayList;
import java.util.HashMap;
import java.util.List;
import java.util.Map;

import javax.persistence.Id;
import javax.persistence.OrderBy;

import org.apache.commons.beanutils.PropertyUtils;
import org.apache.commons.logging.Log;
import org.apache.commons.logging.LogFactory;
import org.openxava.annotations.Tree;
import org.openxava.util.Is;
import org.openxava.util.Strings;
import org.openxava.util.XavaException;
import org.openxava.util.XavaResources;

/**
 *
 * @author Federico Alcántara
 */
public class TreeView {

	private Log log = LogFactory.getLog(TreeView.class);

	private String pathProperty;
	private String idProperties;
	private String orderProperty;
	private boolean initialExpandedState;
	private int keyIncrement;
	private String pathSeparator;
	private List<String>idPropertiesList;
	private boolean entityObject;
	private boolean orderDefined;
	private String idSeparator;
	@SuppressWarnings("unused")
	@Tree
	private String defaultPathAnnotation;
	private Tree treeAnnotation;

	@SuppressWarnings("rawtypes")
	private Class nodeClass;

	@SuppressWarnings("rawtypes")
	private Class parentClass;
	private String collectionName;
	private Map<String, Boolean> expandedStates;

	private String treeViewReaderName;
	private ITreeViewReader treeViewReader;

	public TreeView(){
	}

	@SuppressWarnings("rawtypes")
	public TreeView(Tree path, Class nodeClass, Class parent, String collectionName, String treeViewReaderName) throws Exception {
		this.treeViewReaderName = treeViewReaderName;
		parseTreeView(path, nodeClass, parent, collectionName);
	}

	/**
	 * Parse the @TreeView annotation.
	 * @param nodeClass Object to be parsed.
	 * @throws Exception
	 */
	@SuppressWarnings("rawtypes")
	protected void parseTreeView(Tree path, Class nodeClass, Class parentClass, String collectionName) throws Exception {
		this.treeAnnotation = path;
		this.nodeClass = nodeClass;
		this.parentClass = parentClass;
		this.collectionName = collectionName;
		if (treeAnnotation == null) {
			treeAnnotation = this.getClass().getDeclaredField("defaultPathAnnotation").getAnnotation(Tree.class);
		}
		if (Is.empty(treeAnnotation.pathProperty())) {
			throw new XavaException("error.collectionDoesNotRepresentATreeView");
		}
		this.pathProperty = treeAnnotation.pathProperty();
		this.idSeparator = treeAnnotation.idSeparator();
		parseNodeProperty();
		this.orderProperty = null;
		this.initialExpandedState = treeAnnotation.initialExpandedState();
		this.keyIncrement = treeAnnotation.orderIncrement();
		if (this.keyIncrement < 2) {
			this.keyIncrement = 2;
		}
		setPathSeparator(treeAnnotation.pathSeparator());
		if (nodeClass.getClass().isAnnotationPresent(Id.class)) {
			entityObject = true;
		} else {
			entityObject = false;
		}
		parseOrderDefined();
		parseEntityObject();

	}

	/**
	 * Takes care of the id properties, either identifying the Ids or getting them from idProperties
	 * of @Path
	 * @throws Exception
	 */
	private void parseNodeProperty() throws Exception {
		if (treeAnnotation == null || Is.empty(treeAnnotation.idProperties())) {
			StringBuffer idPropertiesBuffer = new StringBuffer("");
			addIdProperties(nodeClass, idPropertiesBuffer);
			idProperties = idPropertiesBuffer.toString();
		} else {
			idProperties = treeAnnotation.idProperties();
		}
		if (Is.empty(idProperties)) {
			throw new Exception(XavaResources.getString("error.nodePropertiesUndefined"));
		}
		// Clean the properties.
		String[] properties = idProperties.split(",");
		idPropertiesList = new ArrayList<String>();
		for (String property : properties) {
			if (!Is.empty(property.trim())) {
				idPropertiesList.add(property.trim());
			}
		}
	}

	/**
	 * Gather all field/properties annotated with id.
	 * @param nodeItemClass Class of the node item.
	 * @param idPropertiesBuffer stores the list of properties.
	 */
	@SuppressWarnings("rawtypes")
	private void addIdProperties(Class nodeItemClass, StringBuffer idPropertiesBuffer){
		addFieldProperties(nodeItemClass, idPropertiesBuffer);
		addMethodProperties(nodeItemClass, idPropertiesBuffer);
		if (nodeItemClass.getSuperclass() != null) {
			addIdProperties(nodeItemClass.getSuperclass(), idPropertiesBuffer);
		}
	}

	/**
	 * Finds the fields annotated with @Id.
	 * @param nodeItemClass Class of the node item.
	 * @param idPropertiesBuffer stores the list of properties.
	 */
	@SuppressWarnings("rawtypes")
	private void addFieldProperties(Class nodeItemClass, StringBuffer idPropertiesBuffer) {
		for (Field field : nodeItemClass.getDeclaredFields()) {
			if (field.isAnnotationPresent(Id.class)) {
				if (idPropertiesBuffer.length() > 0) {
					idPropertiesBuffer.append(",");
				}
				idPropertiesBuffer.append(field.getName());
			}
		}
	}

	/**
	 * Finds the methods annotated with @Id.
	 * @param nodeItemClass Class of the node item.
	 * @param idPropertiesBuffer stores the list of properties.
	 */
	@SuppressWarnings("rawtypes")
	private void addMethodProperties(Class nodeItemClass, StringBuffer idPropertiesBuffer) {
		for (Method method : nodeItemClass.getDeclaredMethods()) {
			if (method.isAnnotationPresent(Id.class)) {
				if (idPropertiesBuffer.length() > 0) {
					idPropertiesBuffer.append(",");
				}
				String fieldName = method.getName();
				if (fieldName.startsWith("get") && fieldName.length() > 3) {
					fieldName = fieldName.substring(3, 4).toLowerCase()
							+ fieldName.substring(4);
					idPropertiesBuffer.append(fieldName);
				}
			}
		}
	}

	/**
	 * Determines if the property orderProperty was defined for the object.
	 */
	@SuppressWarnings({ "unchecked", "rawtypes" })
	private void parseOrderDefined() {
		orderDefined = false;
		OrderBy orderBy = null;
		if (Is.empty(orderProperty)) {
			try {
				Field collectionField = parentClass.getDeclaredField(collectionName);
				if (collectionField.isAnnotationPresent(OrderBy.class)) {
					orderBy = collectionField.getAnnotation(OrderBy.class);
				}
			} catch (SecurityException e) {
				log.error(e);
			} catch (NoSuchFieldException e) {
				log.debug(e.getMessage());
			}

			if (orderBy == null){
				Method collectionMethod = null;
				try {
					collectionMethod = parentClass.getDeclaredMethod("get" + Strings.firstUpper(collectionName), new Class[]{});
				} catch (Exception e) {
					log.debug(e);
				}
				if (collectionMethod == null){
					try {
						collectionMethod = parentClass.getDeclaredMethod("is" + Strings.firstUpper(collectionName), new Class[]{});
					} catch (Exception e) {
						log.debug(e);
					}
				}
				if (collectionMethod != null && collectionMethod.isAnnotationPresent(OrderBy.class)) {
					orderBy = collectionMethod.getAnnotation(OrderBy.class);
				}
			}
			if (orderBy != null){
				String [] fieldNames = orderBy.value().split(",");
				if (fieldNames.length > 0) {
					orderProperty = fieldNames[fieldNames.length - 1].trim();
				}
			}
		}
		if (!Is.empty(orderProperty)) {
			try {
				Object itemObject = nodeClass.newInstance();
				Class propertyType = PropertyUtils.getPropertyType(itemObject, orderProperty);
				if (propertyType.isAssignableFrom(Integer.class)) {
					orderDefined = true;
				}
			} catch (IllegalAccessException e) {
				log.error(e);
			} catch (InvocationTargetException e) {
				log.error(e);
			} catch (NoSuchMethodException e) {
				log.error(e);
			} catch (Exception e) {
				log.error(e);
			}
		}
	}

	/**
	 * Determines if the object is an entity.
	 */
	@SuppressWarnings("unchecked")
	private void parseEntityObject() {
		entityObject = nodeClass.isAnnotationPresent(javax.persistence.Entity.class);
	}

	/**
	 * Returns the node name as it is used in the path
	 * @param object Object to be inspected.
	 * @return The node name. It can be compound with multiple values
	 * (when you have multiple id, for example).
	 */
	public String getNodeName(Object object) {
		String returnValue = "";
		Object value;
			for (String propertyName : idPropertiesList) {
				value = propertyName;
				try {
					value = PropertyUtils.getProperty(object, propertyName);
				} catch (IllegalAccessException e) {
					log.debug(e);
				} catch (InvocationTargetException e) {
					log.debug(e);
				} catch (NoSuchMethodException e) {
					log.debug(e);
				}
				if (!Is.empty(returnValue)) {
					returnValue = returnValue + getIdSeparator();
				}
				if (value != null) {
					returnValue = returnValue + value.toString();
				}
			}
			if (idPropertiesList.size() > 1) {
				returnValue = "<" + returnValue + ">";
			}
		return returnValue;
	}

	/**
	 * Returns the parent path of the node.
	 * @param object Object to be inspected.
	 * @return The path excluding the node name.
	 * @throws Exception
	 */
	public String getNodePath(Object object) throws Exception {
		String returnValue = "";
		try {
			Object value = PropertyUtils.getProperty(object, pathProperty);
			if (value != null) {
				returnValue = value.toString();
			}
		} catch (IllegalAccessException e) {
			log.error(e);
			throw new Exception(e.getMessage());
		} catch (InvocationTargetException e) {
			log.error(e);
			throw new Exception(e.getMessage());
		} catch (NoSuchMethodException e) {
			log.error(e);
			throw new Exception(e.getMessage());
		}
		return returnValue;
	}
	/**
	 * Sets the node path.
	 * @param object Object to be updated.
	 * @param value New path to be used.
	 * @throws Exception
	 */
	public void setNodePath(Object object, String value) throws Exception {
		PropertyUtils.setProperty(object, getPathProperty(), value);
	}

	/**
	 * Returns the expanded state of the object. If the expanded state is not
	 * persisted, then it returns the appropriate value according to the
	 * definition of the expandedState property of @TreeView annotation.
	 * @param object Object to be inspected.
	 * @return State of the object.
	 */
	public boolean getNodeExpandedState(Object object) {
		Boolean returnValue = null;
		if (object != null) {
			returnValue =
				getExpandedStates().get(getNodeName(object));
		}
		if (returnValue == null) {
			returnValue = getInitialExpandedState();
			getExpandedStates().put(getNodeName(object), returnValue);
		}
		return returnValue;
	}

	/**
	 * Returns the complete path of the node including the node name.
	 * @param object Object to be inspected.
	 * @return Complete path.
	 * @throws Exception
	 */
	public String getNodeFullPath(Object object) throws Exception {
		String returnValue = "";
		String nodePath = getNodePath(object);
		String nodeName = getNodeName(object);
		if (nodePath.endsWith(getPathSeparator())) {
			returnValue = nodePath + nodeName;
		} else {
			returnValue = nodePath + getPathSeparator() + nodeName;
		}
		return returnValue;
	}

	/**
	 * If the property orderProperty of @TreeView annotation is defined,
	 *  returns the order of the object within its parent; otherwise returns 0.
	 * @param object Object to be inspected.
	 * @return Current order or zero.
	 */
	public int getNodeOrder(Object object) {
		Integer returnValue = 0;
		if (isOrderDefined()) {
			try {
				returnValue = (Integer)PropertyUtils.getProperty(object, getOrderProperty());
				if (returnValue == null) {
					returnValue = 0;
				}
			} catch (IllegalAccessException e) {
				log.error(e);
			} catch (InvocationTargetException e) {
				log.error(e);
			} catch (NoSuchMethodException e) {
				log.error(e);
			}
		}
		return returnValue;
	}

	/**
	 * Changes the order of the node within its parent. Ignored if orderProperty is not defined.
	 * @param object Object to be updated.
 	 * @param value New order to be applied.
	 */
	public void setNodeOrder(Object object, int value) {
		if (isOrderDefined()) {
			try {
				PropertyUtils.setProperty(object, getOrderProperty(), value);
			} catch (IllegalAccessException e) {
				log.error(e);
			} catch (InvocationTargetException e) {
				log.error(e);
			} catch (NoSuchMethodException e) {
				log.error(e);
			}
		}
	}

	/**
	 * Sets a new expanded state for the object. If expandedProperty is not defined it is ignored.
	 * @param object Object to be modified.
	 * @param value New state.
	 */
	public void setNodeExpandedState(Object object, boolean value) {
		Boolean currentState = null;
		if (object !=null) {
			getExpandedStates().get(getNodeName(object));
			if (currentState == null) {
				getExpandedStates().put(getNodeName(object), value);
			}
		}
	}

	/**
	 * @return the pathProperty
	 */
	public String getPathProperty() {
		return pathProperty;
	}
	/**
	 * @param pathProperty the pathProperty to set
	 */
	protected void setPathProperty(String pathProperty) {
		this.pathProperty = pathProperty;
	}
	/**
	 * @param idProperties the idProperties to set
	 */
	protected void setIdProperties(String idProperties) {
		this.idProperties = idProperties;
	}

	/**
	 * @return the idProperties
	 */
	public String getIdProperties() {
		return idProperties;
	}

	/**
	 * @return the orderProperty
	 */
	public String getOrderProperty() {
		return orderProperty;
	}
	/**
	 * @param orderProperty the orderProperty to set
	 */
	protected void setOrderProperty(String orderProperty) {
		this.orderProperty = orderProperty;
	}

	/**
	 * @return the initialExpandedState
	 */
	public boolean getInitialExpandedState() {
		return initialExpandedState;
	}

	/**
	 * @param initialExpandedState the initialExpandedState to set
	 */
	protected void setInitialExpandedState(boolean initialExpandedState) {
		this.initialExpandedState = initialExpandedState;
	}

	/**
	 * @return the keyIncrement
	 */
	public int getKeyIncrement() {
		return keyIncrement;
	}
	/**
	 * @param keyIncrement the keyIncrement to set
	 */
	protected void setKeyIncrement(int keyIncrement) {
		this.keyIncrement = keyIncrement;
	}

	/**
	 * @param pathSeparator the pathSeparator to set
	 */
	protected void setPathSeparator(String pathSeparator) {
		this.pathSeparator = pathSeparator;
	}

	/**
	 * @return the pathSeparator
	 */
	public String getPathSeparator() {
		return pathSeparator;
	}

	/**
	 * @param entityObject the entityObject to set
	 */
	protected void setEntityObject(boolean entityObject) {
		this.entityObject = entityObject;
	}

	/**
	 * @return the entityObject
	 */
	public boolean isEntityObject() {
		return entityObject;
	}

	public boolean isOrderDefined() {
		return orderDefined;
	}

	/**
	 * @param idSeparator the idSeparator to set
	 */
	protected void setIdSeparator(String idSeparator) {
		this.idSeparator = idSeparator;
	}

	/**
	 * @return the idSeparator
	 */
	public String getIdSeparator() {
		return idSeparator;
	}

	/**
	 * @param expandedStates the expandedStates to set
	 */
	public void setExpandedStates(Map<String, Boolean> expandedStates) {
		this.expandedStates = expandedStates;
	}

	/**
	 * @return the expandedStates
	 */
	public Map<String, Boolean> getExpandedStates() {
		if (expandedStates == null) {
			expandedStates = new HashMap<String, Boolean>();
		}
		return expandedStates;
	}

	/**
	 * Creates the implementation of TreeView reader
	 * @return Object implementing the ITreeViewReader
	 * @throws Exception
	 */
	@SuppressWarnings("rawtypes")
	public ITreeViewReader getTreeViewReaderImpl() {
		if (treeViewReader == null && !Is.emptyString(treeViewReaderName)) {
			try {
				Class clazz = Class.forName(treeViewReaderName);
				if (ITreeViewReader.class.isAssignableFrom(clazz)) {
					treeViewReader = (ITreeViewReader)clazz.newInstance();
				}
			} catch (ClassNotFoundException e) {
				log.error(e);
			} catch (InstantiationException e) {
				log.error(e);
			} catch (IllegalAccessException e) {
				log.error(e);
			}
			if (treeViewReader == null) {
				treeViewReader = new TreeViewReaderImpl();
			}
		}
		return treeViewReader;
	}

}

redpajama_set_name: RedPajamaGithub


text:
Antibiotics: Timing is Key to Evade Baterias
Antibiotics: Timing is Key to…
For bacteria facing a dose of antibiotics, timing might be the key to evading destruction. In a series of experiments, Princeton researchers found that cells that repaired DNA damaged by antibiotics before resuming growth had a much better chance of surviving treatment.
In a new study, Princeton researchers examined a class of antibiotics that target bacterial DNA. In bacterial populations, some cells repair damaged DNA before resuming growth, and others resume growth before making repairs. The researchers found that those that make repairs before resuming growth generally are the ones that survive as persisters. The research advances a long-term goal to make antibiotic treatment more effective.
In results published in the Proceedings of the National Academy of Sciences, Wendy Mok analyzed the responses of E. coli bacteria to treatment with ofloxacin, an antibiotic that causes DNA damage by blocking enzymes needed for DNA replication and RNA transcription. Their work built on previous results from Brynildsen's lab, which revealed that persisters to ofloxacin required DNA repair machinery to survive.
"But that doesn't guarantee that they're necessarily going to survive," said Mok. "We hypothesized that the timing of DNA repair and the resumption of growth-related activities like DNA synthesis could impact the survival of persisters after treatment."
To test this hypothesis, Mok and Brynildsen used a strain of E. coli bacteria that had been genetically engineered to allow researchers to control the cells' growth. The researchers used the bacteria to create a uniform population of cells with stalled growth that could tolerate the ofloxacin antibiotic.
By controlling the activity of a key DNA repair protein, RecA, the researchers tested the effect of further delaying DNA repair until after the resumption of DNA synthesis. This led to a sevenfold decrease in survival compared to cells that continuously produced RecA, demonstrating that persistence to ofloxacin depends on repairing DNA damage before synthesizing the new DNA necessary for growth.
Mok and Brynildsen then examined persistence in normal cells placed in a low-nutrient environment to stall their growth, simulating a condition that bacteria frequently encounter within an infected host. Indeed, following ofloxacin treatment, if cells were starved of carbon sources for at least three hours, they observed nearly complete tolerance to the antibiotic.
Jan Michiels said the study used "an elegant model system" to probe the underlying mechanisms of persistence. Michiels, who was not involved in the research, said it represents "a landmark discovery providing new fundamental insights into how persister cells avoid death."
"Nutrient starvation is a stress that bacteria can routinely encounter at an infection site," said Mok. "Our results suggest that in the period after antibiotic treatment we can consider looking at targeting some of these DNA repair processes, and see whether that can improve treatment outcome."
One counterintuitive approach might be to speed up bacterial growth following antibiotic treatment, thereby dooming the cells to outpace their repair mechanisms and die. However, the researchers added that other approaches would likely be better than fostering the growth of a pathogen in a patient.
Brynildsen's group and others are interested in finding potential drug compounds that may interfere with bacterial DNA repair, as well as examining the relationship between antibiotic tolerance and genetic resistance.
PreviousPrevious post:Canakinumab Reduced Rates of Gout in Atherosclerosis by More Than Half, Study FindsNextNext post:Racial Differences Among Older Survivors of In-Hospital Cardiac Arrest


Flower essences have been gaining popularity recently in holistic veterinary health care as an alternative, natural remedy mainly to support and maintain the mental health of pets.
Many dog parents have reported good results upon using flower essences on their dogs. In particular, flower essences seem to be effective in helping pets with emotional issues that may lead to behavioral problems.
Do Flower Essences Work on Dogs?
How do I Administer Flower Essences to My Dog?
Where Can I Get Flower Essences?
Flower essences are "extracts" made from flowers and plants and are considered as a type of alternative remedy for both animals (e.g. dogs, cats, horses, rabbits, etc.) and humans. They mainly work on an energetic level and have positive effects on our mental and emotional levels.
Flower essences use parts of different kinds of flowers, plants, trees, and bushes to make extracts which are then diluted and potentized to become effective.
It sounds a bit like homeopathy, you may think. Yes, but homeopathic remedies use more than flowers and plants as their ingredients. Also homeopathic remedies are more for treating physical ailments whereas flower essences mainly take care of the mental and emotional parts.
The first flower essences were developed by Dr. Edward Bach (1886-1936).
He identified a total of 38 healing plants that he believed could be used to remedy all negative states of mind that afflict people and animals. To this day, 38 Bach flower essences are available, each for tackling a specific range of emotional and behavioral problems.
Over the years, other types of flower essences have been developed by other people and companies in various countries. There are now also special blends of flower essences for dogs specifically concocted to treat common dog emotional and behavioral problems.
Flower essences have been growing in popularity in the field of animal health and are being widely used by holistic veterinarians, pet training centers etc. They use flower essences to help treat such emotional problems as stress, separation anxiety, hyperactivity, etc. that are commonly found in pets.
Flower essences gently restore the balance between mind and body by getting rid of negative emotions (such as, fear, worry, anxiety) which interfere with the equilibrium of the being as a whole.
As the mind is balanced and relaxed, the body usually becomes stronger and has greater ability to heal itself.
Flower essences are made from various flowers and plants naturally and organically grown, and not contaminated with pesticides and other chemicals.
There are two ways to prepare the remedies.
One way is called the "sun method".
In this method, the flowers to be used are put in a clean, glass bowl full of spring water and are left floating in the water under direct morning sunlight for 3-4 hours.
The flowers are then removed and the resulting water is stored in dark bottles half filled with alcohol such as brandy for preservation. This preparation is called "mother essence or tincture". To prepare a remedy, spring water is used to dilute drops of the mother essence.
Another way of preparing the essences is called the "boiling method". The flowers are boiled in spring water before being treated in the same way as the sun method.
You may wonder how several drops of "flower water" can help your dog.
As mysterious as it sounds, dogs generally do respond positively to flower essences, and it has been shown and proven that flower essences are successful in treating a wide range of emotional, sometimes physical, imbalances.
Dogs have emotions just like we do and there are times when dogs have negative emotions. Flower essences are very useful in helping dogs overcome these negative feelings.
For example, flower essences can bring relief and healing to your dogs when they are depressed, nervous, anxious, lonely, grieving (for a lost companion), etc.
In other words, flower essences help fine-tune our dogs mentally and emotionally, allowing them to experience a higher standard of health and well-being not only physically but also on a higher emotional level.
Essences can also be used to adjust different temperaments, such as aggression, hyperactivity, over-dominance, etc.
As well, flower essences for dogs can help owners get rid of bad dog behaviors such as excessive barking, chewing, hole digging, etc.
Flower essences for dogs can also be used, in conjunction with other medications, to aid treatment of some physical ailments, such as seizures, skin problems, dog arthritis, etc.
Perhaps the best known remedy is Bach's "Rescue Remedy", which is a combination of five original essences for synergistic effects and is used for emergencies and first aid situations, stress, trauma, etc.
Rescue Remedy can be given to a dog by simply adding about 4 drops of the remedy to the drinking water during any time of stress.
Flower essences have no side-effects, and even if a wrong essence has been chosen, it will do no harm to the dog. Flower essences for dogs can also be used in conjunction with other healing modalities, conventional or holistic, to promote your dog's overall well being.
Administering essences to your dog can be done in several ways.
You can simply drip the essence directly into the dog's mouth or put it on his nose to lick off. Make sure, however, that the dropper does not touch his skin or mouth. Otherwise, the bottle of essence will be contaminated.
Alternatively, put a few drops of the essence in the drinking water of your dog.
Another way is to rub the essence on some exposed (unbroken and non-irritated) skin (for example, inner ear flap, pads, belly).
Finally, you can also put a few drops of the essence in a spritzer, mix it with a little distilled water, and spray the remedy in the vicinity of the dog.
The discussion goes beyond the disease name, to the actual signs and symptoms experienced by the dog, as well as the possible causative and aggravating factors, and so on. This whole process of understanding the individual dog who is ill can take quite a while (especially in chronic ailments).
Flower essences usually work pretty quickly. Generally speaking, when an appropriate essence is used, your dog should start feeling better in a few days.
However, having said that, how well and how quickly a dog responds to essences is unique to each individual doggie. Many dogs respond quickly and only require the remedy for a short period. Other dogs may require a longer period to see significant emotional or behavioral changes.
If you give a flower essence remedy to your dog, therefore, it is a very good idea to monitor his response to the essence in order to gauge how effectively and quickly the remedy works so that follow-up action can be taken accordingly.
Flower essences should not replace vital or important medical diagnosis and attention - Acute or serious health problems need to be attended to immediately and should be taken to a vet for medical treatment.
Just because your dog is using essences does not mean that you can abandon other practices or approaches. For example, an aggressive dog should still be trained and monitored even when or after he is being treated with flower essence.
Remember also that, very often, emotional imbalances (such as depression or aggression) can be due to an underlying physical problem. Before using an essence to treat the secondary symptom (the emotional problem), therefore, always make sure that your dog does not have a physical illness which may be the root cause.
Where Can I Get Flower Essences for Dogs?
You can buy essences from health food stores, and pet stores with a holistic focus also carry a variety of blends of flower essences for dogs. These blends are specifically made for pets with problems, such as separation anxiety, depression, etc.
Visit this page for our recommendation of some effective blends of flower essences for dogs!


When we built the original Monsters and Sprites demo, we only had 9 days to get it working before the Playcrafting expo we had signed up for, so we had to cut a lot of corners. Since then I've been doing bug fixes and working on a lot of miscellaneous engine/language features that I either couldn't get done in time for the demo, or didn't realize were important until I started building it.
We've made a few game updates since then (we now have sound!), but this post is specifically going to explore some language updates I've made.
And some slightly bigger ones I'll write about more in depth.
Artists Ally is a bi-monthly segment which provides a behind the scenes glance into the artistic process for Monsters and Sprites (M&S).
This segment is essentially a journal that helps me keep organized and focused. Additionally, I hope these updates will provide insight to other newbie gaming artists, game developers who are working with artists, and curious individuals.
So far, I am happy about the existing color palette for M&S. I have been exploring how this palette can be manipulated to create different environments and moods. This can be done by changing weight on different colors within the palette.
For instance, when pale pink is the most prominent color, the world becomes a bit bubble-gummy and light.
While oranges, and deep purple dominating the scene brings to mind more mysterious deep feelings.


Chronicle Books « Stitch Design Co.
We were delighted to work with Chronicle Books on the design of The Everyday Rice Cooker by Diane Phillips. The book is full of simple yet delicious rice-cooker dishes. We created a range of rice inspired patterns that pair nicely with the books beautiful photography by Jennifer Causey.


We want to get actively involved in our locations' local neighborhoods. We are convinced that it is not only the community that benefits from our involvement, but also Zalando as a company. All our employees can spend two days per year volunteering at local projects of their choice.
In volunteering projects, our employees can try their hand in a new environment and make a difference together.
This commitment is only beneficial if it brings value to the supported projects. To ensure the quality and efficacy of our engagement, we have teamed up with the social business, Vostel. This social start-up specializes in organizing and supporting meaningful voluntary activities. Vostel acts as an advocate for the projects we support, performs needs analyses and provides project partners with regular feedback loops. Only in this way can all sides really benefit from volunteering support.
In 2018, 1,158 employees provided support for 91 initiatives in 1,302 shifts.
We accompagnied our employee Nicole Senger with camera on her volunteering day at the German Association of Blind and Visually Impaired People.


If you've been following the occasional series in The New York Times about the efficacy of technology in the classroom, "Grading the Digital School; Unfulfilled Promises," you were probably not surprised by Sunday's article, "A Silicon Valley School that Doesn't Compute.
As I said, this makes perfect sense if you've been following the Times' series, which has found that neither classroom software solutions nor the addition of technology-based teaching methods has had significant impact on students' academic success.
Sure, that's way too simplistic — but only as simplistic as the current belief that technology will be the magic bullet that gets America's educational system on the path to greatness. Education Secretary Arne Duncan recently reinforced this notion by announcing an initiative called Digital Promise, designed to make it easier for public schools to get more technology into their classrooms.
Worse than the promise that presenting engaging multimedia content is all that's needed to overcome the life challenges that students bring to school with them each day is the view that since technology underlies so many aspects of both adults' and children's worlds, it's irresponsible to not use technology at school.
But alas, the Waldorf School of the Peninsula, a private school where children learn — much like the engineers who put the first man on the moon did — from information chalked on blackboards, from thick books, and with hefty doses of intrinsic motivation, is also pricey.
That's the irony: Families with little or no choice but to send their children to struggling neighborhood public schools are asked to put their faith in new classroom computers while the affluent can afford to travel back to a schooling era when content, and not the delivery method, was king.
Education policymakers could stand to learn a little from the parenting philosophies of the technology elite: Old-school methods such as high-quality instruction and hands-on experimentation must take precedence over the theory that today's children aren't capable of learning without the aid of fancy electronic devices.
— Contact Esther Cepeda at estherjcepeda@washpost.com.