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Behind the Scenes, Show Reviews
Grazing The Sky: Film Review
This year's Raindance Film Festival is now underway, and I've had a much appreciated sneak preview of the circus documentary Grazing The Sky that's showing next weekend…
Cie Le Meute, still from Grazing The Sky
Directed and produced by Mexican film-maker Horacio Alcalá, Grazing The Sky intercepts the lives of circus artists from around the world, at various stages of their career and relationships with their circus work. There is some tremendous artistry involved, from the beautiful cinematography of David Palacios and in the wide-ranging disciplines of the performers.
The initial idea for the film came from Patrick Flynn, Company Manager for Cirque Du Soleil, and the documentary shines a light on the many ways into today's circus industry – a far cry from the seemingly inaccessible routes of the past, that usually stemmed from familial vocation.
What the light reveals is an expanding family, bonded through shared passion and drive, rather than by blood. The film is crowded with voices – 15 artists, voiceover, subtitles and onscreen text – from 11 countries, and spanning a time-frame of five years' filming. Yet, separately, they all talk of connection, and of a whole heart-and-bodied investment.
Underwater Cyr wheel. Still from 'Grazing The Sky'
We see evocatively shot auditions, chats, and home lives, but its the rehearsal and performance sequences that get given the most intense cinematic treatment and weight. The work is the important thing, and the identities of employers or institutions are avoided most of the time. There's no advertorial here and, as a circus performer's life is likely to take them through a course of multiple unconnected gigs, this seems apt. From the social circus projects of Fadi Zmorrod in Palestine, to Australian gold-medal gymnast, Damian Istria, about to retire from Cirque Du Soleil, Grazing The Sky is about building; building careers, an act, an art; building lives.
Most of the performers work in relatively new areas of circus history; vertical dance and experimental equipment from Saar Rombout, the theatrically touring Le Meute, an all-male aerial cradle duo in Maxime La Sala and Antonio Segura, and Jonathan Moss with his innovative uses for the Cyr wheel (itself only popularised within the 21st Century). I would have enjoyed seeing some juggling and clowning included from the gamut of modern circus but, without excuse, Grazing The Sky has chosen to focus on varieties of acrobatic act only.
Nevertheless, this documentary must feel like home for anyone who has touched the circus life. The moving images of physical shapes and landscapes – architectural visions of bodies, and the world, and how we fit together – offer the familiar comfort of quiet and steady perseverance, and an unrefuted sense of rightness, even in moments of fear and turmoil. The love story of Grazing The Sky is a poetic, open hearted invitation into the circus family.
Film maker Horacio Alcalá
The team behind the film will be in London for the Festival, including British star Moss, who trained at Circomedia before attending the Belgian École Superieure des Artes du Cirque. You'll also be able to catch hand-to-hand duo Philippe Bélanger and Marie-Lee Guilbert in London at the start of next year when Cirque Du Soleil's Kooza comes to town. You'll already feel like you know them.
Grazing The Sky. A film by Horacio Alcalá, presented at Raindance Film Festival. Vue Cinema Piccadilly, 19 Lower Regent Street, SW1Y 4LR. £9-12. Fri 3 Oct, 18:40 and Sat 4 Oct, 13:40. http://raindancefestival.org/features-2014/grazing-the-sky/
**Also published on ThisIsCabaret.com **
grazing the sky
horacio alcala
jonathan moss
le meute
saar rombout
Zippos Circus Unchained
'Blood Wedding', by RoguePlay
05 comments on "Grazing The Sky: Film Review"
Jade	, 26th September 2014 at 10:04 am	 Direct link to comment
Great review. Definitely going to try to see Grazing the Sky now! Jx
Katharine Kavanagh	, 26th September 2014 at 10:05 am	 Direct link to comment
It is a beautiful film! Let me know what you think! 🙂
Jen	, 26th September 2014 at 8:05 pm	 Direct link to comment
Ooh, I've booked tickets to see this in London on Friday 3 October, can't wait now! 🙂
Horacio Alcala	, 29th September 2014 at 8:29 am	 Direct link to comment
Thank you for the great review, I will be ther efor Q&A after the screenins, weelcom to share your questions,best regards.
Digital Circus | The Circus Diaries	, 18th January 2016 at 7:09 pm	 Direct link to comment
[…] projects are now created specifically for film, like scenes in Horacio Alcala's documentary Grazing The Sky, Cirque Du Soleil's Worlds Away, or the viral YouTube hit of the Circulus video featuring almost […]


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NYC weather: Heat, humidity and rain on target for this week
"There will be two days in a row without any rain," National Weather Service meteorologist Jay Engle said.
New York City will get a break from the rain on Wednesday and Thursday, the National Weather Service said. Photo Credit: Craig Ruttle
By Lisa L. Colangelo lisa.colangelo@amny.com Updated August 14, 2018 7:40 PM
After days of rain and stifling humidity, New Yorkers will get a chance to dry out on Wednesday and Thursday.
"We're going to get a reprieve," said Jay Engle, meteorologist with the National Weather Service. "There will be two days in a row without any rain."
Quick moving thunderstorms brought a flash flood warning and close to an inch of rain to some parts of the city on Tuesday afternoon, Engle said.
Good Morning Currently broken clouds today
NEW YORK/CENTRAL PARK, NY
79° Broken Clouds 91°/80°
That comes after days of on-and-off storms that caused heavy flooding and costly damage in parts of New Jersey.
Temperatures are expected to reach a dry 90 degrees on Wednesday, but the humidity will start to creep up again on Thursday.
Enjoy the dry weather while you can. Rain is expected to return on Friday and some of it could be heavy, Engle said.
The National Weather Service said 5.77 inches of rain fell in Central Park between August 1 and August 13 — 3.79 inches more than what usually falls in the first two weeks of August. Over 16 inches has fallen in the park since June 1.
By Lisa L. Colangelo lisa.colangelo@amny.com

redpajama_set_name: RedPajamaCommonCrawl


How does the New Tax laws effect Charitable Giving?
Based on my research, here's what I found. There some major changes in the tax rates. There are some people that may be negatively impacted, but there are planning strategies that people may use to alleviate some of the adverse effects. But, the good news is that the majority of taxpayers should see a reduction in their tax bill for 2018.
More income is going to be taxed at lower rates.
The standard deduction has been significantly increased.
Itemized deductions have been limited or eliminated.
Due to changes in the itemized deductions, there is growing interest in charitable deductions. This is especially of interest to those high income earners who do not wish to have the IRS as their primary beneficiary, which has the potential to be half of their earnings.
Typically people view tax savings as a secondary incentive to give. The primary motive being a personal belief or passion for their philanthropic mission. Some people feel it is important to give back to society, and others who want to leave a legacy. Whatever the motive driving the giving, it's important to have a plan in place for high income years.
Even with new limits placed on deductions, there are still going to be people who will benefit by itemizing their deductions and also positive changes that many people may take advantage of. There used to be a 3% overall limitation on itemized deductions, the limitation is now removed. Another advantage is that donors are now allowed to deduct cash contributions of up to 60% of their adjusted gross income (AGI), which is an increase from the past AGI of 50%.
An example: Joe was itemizing and giving $10,000 per year to his favorite charity and then made a change.
This strategy, in combination of other itemized deductions (like property or state taxes) may lower the overall tax bill for that 2 year period. Where suitabile, we believe one of the easiest and effective ways to do this is by utilizing a Donor Advised Fund (DAF). Individuals can contribute a large amount into a donor-advised fund in one year and then they can grant it out to a charity or several charities over time.
Using a DAF is also a good way to donate appreciated investments and assets. Donors do not have to pay capital gains tax when a public charity sells them. If the individual donor sells an appreciated asset themselves, they will have to pay capital gains tax. When after tax dollars are used, more goes to the IRS, while decreasing the amount given to the charity.
Today, with the new tax law now in place, a charity is one of the more valuable deductions because it's unlimited, and no longer being capped. Combine this with the ease of setting up and utilizing a Donor advised fund and you have a winning combination!
Evaluate with your tax advisor if it is the most beneficial for you to itemize or take the standard deduction.
Consider the skip a year giving strategy mentioned above.
Consider donating appreciated assets (over 12 months old) stock, mutual funds, real estate, prior to the sale, for maximum tax savings, and then passing it on to your charity.
Set up a Donor Advised Fund with a lump sum contribution and grant it out over time.
Before making any tax related decisions, you should consult your Tax professional. Your financial professional can guide you in formulating a giving plan that meets your financial objectives.


Beacon Hill doorway, with icicles.
Gorgeous shot! Love the icicles.
I can see a Poster of your doorways in my mind's eye, lol.
i love great doorways. Nicely done. Your other photos of Boston are excellent also. I really enjoy Boston and will look forward to more great photos.
Better wear an helmet if you need to ring that doorbell!!!


On January 4, 2001, our planet made its annual closest approach to the Sun.
January 4, 2001 -- This morning at 5 o'clock Eastern Standard time (0900 UT) Earth made its annual closest approach to the Sun -- an event astronomers call perihelion. Northerners shouldn't expect any relief from the cold, however. Although sunlight falling on Earth will be slightly more intense today than it is in July, winter will continue unabated.
"Seasonal weather patterns are shaped primarily by the 23.5-degree tilt of our planet's spin axis, not by Earth's elliptical orbit," explains George Lebo, a professor of astronomy at the University of Florida. "During northern winter the north pole is tilted away from the Sun. Days are short and that makes it cold. The fact that we're a little closer to the Sun in January doesn't make much difference. It's still chilly -- even here in Florida!"
Right: Duane Hilton created this view of the perihelion Sun shining down on a snowy scene in central California. Don't stare at the Sun at perihelion -- it can blind you just as it might at any other time of the year!
Seasons are reversed in the southern hemisphere. When the north pole is tilted away from the Sun, as it is now, the south pole is tilted toward it. As a result, summer is in full swing south of the equator even as northerners are bracing for a long winter.
This morning at perihelion both hemispheres were 147.5 million km from the Sun. That barely differs from the greatest distance, 152.6 million km in July, which astronomers call aphelion. Perihelion always occurs near January 4th, while aphelion lands near the 4th of July.
Earth's distance from the Sun doesn't change much throughout the year, but there are measurable differences in solar heating that result from our planet's slightly elliptical orbit.
"Averaged over the globe, sunlight falling on Earth in January [at perihelion] is about 7% more intense than it is in July [at aphelion]," says Roy Spencer of the Global Hydrology and Climate Center in Huntsville, AL. "The fact that the northern hemisphere of Earth has more land, while the southern hemisphere has more water, tends to moderate the impact of differences in sunlight between perihelion and aphelion."
Sunlight raises the temperature of continents more than it does oceans. (In other words, land has a lower heat capacity than water does.) In July (aphelion) the land-crowded northern half of our planet is tilted toward the Sun. Aphelion sunlight is a little weaker than sunlight at other times of the year, but it nevertheless does a good job warming the continents. In fact, say climate scientists, northern summer in July when the Sun is more distant than usual is a bit warmer than its southern counterpart in January.
Most planets follow orbits that are more elliptical than Earth's. Pluto's orbit, the most eccentric of all the planets, is so lopsided that Pluto is sometimes closer to the Sun than Neptune is. Pluto's latest 20-year stint as the eighth planet --rather than the ninth-- ended in February 1999 when the diminutive world crossed Neptune's orbit on its way back to the outer solar system. NASA scientists hope to send a probe to the retreating planet before Pluto's thin atmosphere freezes and falls to the ground.
Right: The orbits of Mercury (red), Earth (blue) and Mars (black). The solid lines indicate each planet's elliptical path around the Sun. The dotted lines show circular paths with the same mean separation from the center. Earth is almost exactly the same distance from the Sun at aphelion and perihelion, but the orbits of Mars and Mercury depart significantly from a circle. For more information, please visit Bridgewater College's Interactive Planetary Orbits web site.
After Pluto, Mercury and Mars have the most elliptical planetary orbits. The eccentricity of Mars's orbit has a big impact on the Red Planet's seasons. Northern summer on Mars lasts 24 days longer than northern winter because the planet is close to aphelion during the summer. Planets move more slowly at aphelion than they do at perihelion (see Kepler's 2nd Law of planetary motion) and, so, seasons occurring near aphelion last longer. Northern summer on Earth is ~5 days longer than northern winter for the same reason. It's a difference that goes largely unnoticed on our planet, but it's unmistakable on Mars.
During the long northern Martian summer, so much carbon dioxide frost at the planet's north pole sublimes into gaseous form that the northern summertime air pressure increases by ~30%. The Martian atmosphere literally waxes and wanes with the seasons -- all because of the planet's elliptical orbit.
Back on Earth, aphelion and perihelion are just two ordinary days on the calendar. There's no danger that our atmosphere will freeze and fall to the ground at aphelion, or that perihelion will herald a smothering blast of carbon dioxide. Sometimes there's just no substitute for a circular orbit!
Notes: 1 AU, the average distance from the Earth to the Sun, equals 93 million miles or 150 million kilometers. The eccentricity of a planet's orbit measures how much it departs from a perfect circle. Orbits with zero eccentricity (e = 0) are circular; orbits with eccentricities close to 1 (e ~ 1) are long and skinny. Planetary orbits tend to be almost circular while comets and many asteroids follow more eccentric paths.


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The Charge Of The Light Brigade Stock Photos and Images
the charge of the light brigade film |
the charge of the light brigade 1968 |
the charge of the light brigade (1968) |
the charge of the light brigade, 1968
THE CHARGE OF THE LIGHT BRIGADE in the Crimea in 1854 shown in a contemporary engraving
THE CHARGE OF THE LIGHT BRIGADE in the Crimea in 1854 shown in a contemporary engravinghttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-the-charge-of-the-light-brigade-in-the-crimea-in-1854-shown-in-a-contemporary-22901219.html
Battlefield scene after charge of the light brigade, Battle of Balaclava, Crimean War, 1854.
Battlefield scene after charge of the light brigade, Battle of Balaclava, Crimean War, 1854.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-battlefield-scene-after-charge-of-the-light-brigade-battle-of-balaclava-17972318.html
Crimean (Russo-Turkish) War 1853-1856. Charge of the Light Brigade at Balaclava, 15 October, 1854. Lord Raglan gave order for the disastrous British charge. Immortalised in Tennyson's poem. Early 20th century colour-printed lithograph.
Crimean (Russo-Turkish) War 1853-1856. Charge of the Light Brigade at Balaclava, 15 October, 1854. Lord Raglan gave order for the disastrous British charge. Immortalised in Tennyson's poem. Early 20th century colour-printed lithograph.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-crimean-russo-turkish-war-1853-1856-charge-of-the-light-brigade-at-57288721.html
Charge of the Light Brigade at the Battle of Balaclava during the Crimean War
Charge of the Light Brigade at the Battle of Balaclava during the Crimean Warhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-charge-of-the-light-brigade-at-the-battle-of-balaclava-during-the-36774468.html
The Charge of the Light Brigade
The Charge of the Light Brigadehttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-the-charge-of-the-light-brigade-29398739.html
Crimean War. The Relief of the Light Brigade by Richard Caton Woodville, Jr., oil on canvas, 1896. The painting depicts the Charge of the Light Brigade during the Battle of Balaclava in 1854
Crimean War. The Relief of the Light Brigade by Richard Caton Woodville, Jr., oil on canvas, 1896. The painting depicts the Charge of the Light Brigade during the Battle of Balaclava in 1854https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/crimean-war-the-relief-of-the-light-brigade-by-richard-caton-woodville-jr-oil-on-canvas-1896-the-painting-depicts-the-charge-of-the-light-brigade-during-the-battle-of-balaclava-in-1854-image425395161.html
THE CHARGE OF THE LIGHT BRIGADE (1968) CLBG 002
THE CHARGE OF THE LIGHT BRIGADE (1968) CLBG 002https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-the-charge-of-the-light-brigade-1968-clbg-002-29244089.html
ERROL FLYNN THE CHARGE OF THE LIGHT BRIGADE (1936)
ERROL FLYNN THE CHARGE OF THE LIGHT BRIGADE (1936)https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-errol-flynn-the-charge-of-the-light-brigade-1936-32757923.html
The Charge of the Light Brigade by Richard Caton Woodville Junior, Battle of Balaclava painting
The Charge of the Light Brigade by Richard Caton Woodville Junior, Battle of Balaclava paintinghttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-charge-of-the-light-brigade-by-richard-caton-woodville-junior-battle-of-balaclava-painting-image239481265.html
Charge of the Light Brigade Survivors circa 1912
Charge of the Light Brigade Survivors circa 1912https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-charge-of-the-light-brigade-survivors-circa-1912-58704423.html
The Charge of the Light Brigade at the Battle of Balaclava, 25th October 1854, print after Richard Caton Woodville Junior, 1895
The Charge of the Light Brigade at the Battle of Balaclava, 25th October 1854, print after Richard Caton Woodville Junior, 1895https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-charge-of-the-light-brigade-at-the-battle-of-balaclava-25th-october-1854-print-after-richard-caton-woodville-junior-1895-image366614923.html
The Charge of the Light Brigade (1936) - Movie Poster -
The Charge of the Light Brigade (1936) - Movie Poster -https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-the-charge-of-the-light-brigade-1936-movie-poster-124417192.html
The Charge of the Light Brigade in 1854
The Charge of the Light Brigade in 1854https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-the-charge-of-the-light-brigade-in-1854-97161724.html
Vintage print circa 1855 depicting the famous Charge of the Light Brigade on October 25 1854 during the Crimean War.
Vintage print circa 1855 depicting the famous Charge of the Light Brigade on October 25 1854 during the Crimean War.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-vintage-print-circa-1855-depicting-the-famous-charge-of-the-light-29326522.html
The Charge of the Light Brigade, Battle of Balaclava, Crimean War, 1854
The Charge of the Light Brigade, Battle of Balaclava, Crimean War, 1854https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-the-charge-of-the-light-brigade-battle-of-balaclava-crimean-war-1854-136334511.html
Charge of the Light Cavalry Brigade, 25th October, 1854. After a painting by William Simpson. The failed Charge of the Light Brigade during the Battle of Balaclava in the Crimean War.
Charge of the Light Cavalry Brigade, 25th October, 1854. After a painting by William Simpson. The failed Charge of the Light Brigade during the Battle of Balaclava in the Crimean War.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/charge-of-the-light-cavalry-brigade-25th-october-1854-after-a-painting-by-william-simpson-the-failed-charge-of-the-light-brigade-during-the-battle-of-balaclava-in-the-crimean-war-image379314615.html
Alfred, Lord Tennyson, Victorian Poet Laureate, Best known for The Charge of the Light Brigade
Alfred, Lord Tennyson, Victorian Poet Laureate, Best known for The Charge of the Light Brigadehttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-alfred-lord-tennyson-victorian-poet-laureate-best-known-for-the-charge-175524783.html
Lord Cardigan leading the charge of the light brigade toward Russian artillery.
Lord Cardigan leading the charge of the light brigade toward Russian artillery.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/lord-cardigan-leading-the-charge-of-the-light-brigade-toward-russian-artillery-image442995691.html
Vintage archive illustration Charge of the light cavalry brigade, 25th Oct. 1854, under Major General the Earl of Cardigan / W. Simpson delt. ; E. Walker lith Lord Cardigan leading the charge of the light brigade toward Russian artillery on the left, in the foreground, Russian artillery fire on the left flank of the charging light brigade, as artillery on the hills in the background fire on the right flank; Russian cavalry wait in readiness to engage the British or to counterattack. Day & Son. Simpson, William, 1823-1899, artist
Vintage archive illustration Charge of the light cavalry brigade, 25th Oct. 1854, under Major General the Earl of Cardigan / W. Simpson delt. ; E. Walker lith Lord Cardigan leading the charge of the light brigade toward Russian artillery on the left, in the foreground, Russian artillery fire on the left flank of the charging light brigade, as artillery on the hills in the background fire on the right flank; Russian cavalry wait in readiness to engage the British or to counterattack. Day & Son. Simpson, William, 1823-1899, artisthttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/vintage-archive-illustration-charge-of-the-light-cavalry-brigade-25th-oct-1854-under-major-general-the-earl-of-cardigan-w-simpson-delt-e-walker-lith-lord-cardigan-leading-the-charge-of-the-light-brigade-toward-russian-artillery-on-the-left-in-the-foreground-russian-artillery-fire-on-the-left-flank-of-the-charging-light-brigade-as-artillery-on-the-hills-in-the-background-fire-on-the-right-flank-russian-cavalry-wait-in-readiness-to-engage-the-british-or-to-counterattack-day-son-simpson-william-1823-1899-artist-image454029114.html
THE CHARGE OF THE LIGHT BRIGADE 1936 Warner film with Errol Flynn
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The Charge of the Light Brigade during the Battle of Balaclava. Painting by John Charlton
The Charge of the Light Brigade during the Battle of Balaclava. Painting by John Charltonhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-charge-of-the-light-brigade-during-the-battle-of-balaclava-painting-by-john-charlton-image442995690.html
Charge of the Light Brigade, private John Brewington, 4th Light Dragoons Regiment, British soldier, memorial plaque, Feltwell, Norfolk, England, UK
Charge of the Light Brigade, private John Brewington, 4th Light Dragoons Regiment, British soldier, memorial plaque, Feltwell, Norfolk, England, UKhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-charge-of-the-light-brigade-private-john-brewington-4th-light-dragoons-143121690.html
The Valley of Death, cannonballs all over the road after the Charge of the Light Brigade. Photo by Roger Fenton
The Valley of Death, cannonballs all over the road after the Charge of the Light Brigade. Photo by Roger Fentonhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-valley-of-death-cannonballs-all-over-the-road-after-the-charge-of-the-light-brigade-photo-by-roger-fenton-image442995670.html
The Charge of the Light Brigade (4th Hussars) - Balaclava, Crimean War, 25th October 1854. Date: 1854
The Charge of the Light Brigade (4th Hussars) - Balaclava, Crimean War, 25th October 1854. Date: 1854https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-the-charge-of-the-light-brigade-4th-hussars-balaclava-crimean-war-105369200.html
The Charge of the Light Brigade during the Battle of Balaclava. The paintingshows the destruction of a Russian battery by the Chasseurs d'Afrique.
The Charge of the Light Brigade during the Battle of Balaclava. The paintingshows the destruction of a Russian battery by the Chasseurs d'Afrique.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-charge-of-the-light-brigade-during-the-battle-of-balaclava-the-paintingshows-the-destruction-of-a-russian-battery-by-the-chasseurs-dafrique-image442995686.html
THE CHARGE OF THE LIGHT BRIGADE (1936) ERROL FLYNN CLB 006P
THE CHARGE OF THE LIGHT BRIGADE (1936) ERROL FLYNN CLB 006Phttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-the-charge-of-the-light-brigade-1936-errol-flynn-clb-006p-29120377.html
SCENE WITH ERROL FLYNN THE CHARGE OF THE LIGHT BRIGADE (1936)
SCENE WITH ERROL FLYNN THE CHARGE OF THE LIGHT BRIGADE (1936)https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-scene-with-errol-flynn-the-charge-of-the-light-brigade-1936-32757932.html
The charge of the light brigade at Balaclava led by Lord Cardigan during the Battle of Balaclava on 25 October 1854 in the
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HARRY ANDREWS THE CHARGE OF THE LIGHT BRIGADE (1968)
HARRY ANDREWS THE CHARGE OF THE LIGHT BRIGADE (1968)https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-harry-andrews-the-charge-of-the-light-brigade-1968-30925885.html
The Charge of the Light Brigade led by Lord Cardigan at the Battle of Balaclava, 25th October 1854, lithograph by Harry Payne, 1884
The Charge of the Light Brigade led by Lord Cardigan at the Battle of Balaclava, 25th October 1854, lithograph by Harry Payne, 1884https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-charge-of-the-light-brigade-led-by-lord-cardigan-at-the-battle-of-balaclava-25th-october-1854-lithograph-by-harry-payne-1884-image366615015.html
Earl of Cardigan leading The Charge of The Light Brigade at the Battle of Balaclava during the Crimean War 25th October 1854. Victorian engraving by William Measom.
Earl of Cardigan leading The Charge of The Light Brigade at the Battle of Balaclava during the Crimean War 25th October 1854. Victorian engraving by William Measom.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/earl-of-cardigan-leading-the-charge-of-the-light-brigade-at-the-battle-image67657980.html
Balaklava is a former city on the Crimean Peninsula and part of the city of Sevastopol The town became famous for the Battle of Balaklava during the Crimean War mostly thanks to the suicidal Charge of the Light Brigade.
Balaklava is a former city on the Crimean Peninsula and part of the city of Sevastopol The town became famous for the Battle of Balaklava during the Crimean War mostly thanks to the suicidal Charge of the Light Brigade.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-balaklava-is-a-former-city-on-the-crimean-peninsula-and-part-of-the-117562362.html
Illustration showing Reaction at home to learning of the gallantry of the Charge of the Light Brigade at the Battle of Balaclava, Crimean War, 25 October 1854. Russian army defeated by the allies at this battle. Father and younger members of family delighted. Mother and older daughters have tears at the thought of possibly dead or wounded loved ones. John Leech cartoon from Punch,1854
Illustration showing Reaction at home to learning of the gallantry of the Charge of the Light Brigade at the Battle of Balaclava, Crimean War, 25 October 1854. Russian army defeated by the allies at this battle. Father and younger members of family delighted. Mother and older daughters have tears at the thought of possibly dead or wounded loved ones. John Leech cartoon from Punch,1854https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/illustration-showing-reaction-at-home-to-learning-of-the-gallantry-of-the-charge-of-the-light-brigade-at-the-battle-of-balaclava-crimean-war-25-october-1854-russian-army-defeated-by-the-allies-at-this-battle-father-and-younger-members-of-family-delighted-mother-and-older-daughters-have-tears-at-the-thought-of-possibly-dead-or-wounded-loved-ones-john-leech-cartoon-from-punch1854-image235263841.html
Charge of Light Brigade at Balaklava by R Caton Woodville. Charge of the Light Brigade (October 1854) was a disastrous British cavalry charge against heavily defended Russian troops at the Battle of Balaklava during the Crimean War (1853-56). The suicidal attack was made famous by Alfred, Lord Tennyson in his 1855 poem of the same name. Richard Caton Woodville Jr.(1825-1855) was an English artist and illustrator, who is best known for being one of the most prolific and effective painters of battle scenes in the late 19th and early 20th centuries.
Charge of Light Brigade at Balaklava by R Caton Woodville. Charge of the Light Brigade (October 1854) was a disastrous British cavalry charge against heavily defended Russian troops at the Battle of Balaklava during the Crimean War (1853-56). The suicidal attack was made famous by Alfred, Lord Tennyson in his 1855 poem of the same name. Richard Caton Woodville Jr.(1825-1855) was an English artist and illustrator, who is best known for being one of the most prolific and effective painters of battle scenes in the late 19th and early 20th centuries.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/charge-of-light-brigade-at-balaklava-by-r-caton-woodville-chargeof-thelight-brigade-october-1854-was-a-disastrous-britishcavalry-chargeagainst-heavily-defended-russian-troops-at-the-battle-ofbalaklavaduring-the-crimean-war-1853-56-the-suicidal-attack-was-made-famous-by-alfred-lord-tennyson-in-his-1855-poem-of-the-same-name-richard-caton-woodville-jr1825-1855-was-an-english-artist-and-illustrator-who-is-best-known-for-being-one-of-the-most-prolific-and-effective-painters-of-battle-scenes-in-the-late-19th-and-early-20th-centuries-image431870441.html
The 'Charge of the Light Brigade' at Balaklava led by Major General Earl of Cardigan October 1854
The 'Charge of the Light Brigade' at Balaklava led by Major General Earl of Cardigan October 1854https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-charge-of-the-light-brigade-at-balaklava-led-by-major-general-image61418782.html
THE CHARGE OF THE LIGHT BRIGADE 1936 Warner Bros film with Errol Flyyn
THE CHARGE OF THE LIGHT BRIGADE 1936 Warner Bros film with Errol Flyynhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-the-charge-of-the-light-brigade-1936-warner-bros-film-with-errol-flyyn-79227021.html
The Charge of the Light Brigade Date: 25 October 1854
The Charge of the Light Brigade Date: 25 October 1854https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-the-charge-of-the-light-brigade-date-25-october-1854-105284756.html
The Charge of the Light Brigade at Balaclava, 25 October 1854. From engraving after painting by Richard Canton Woodville
The Charge of the Light Brigade at Balaclava, 25 October 1854. From engraving after painting by Richard Canton Woodvillehttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-the-charge-of-the-light-brigade-at-balaclava-25-october-1854-from-83341309.html
The charge of the Light Brigade Cardigan in action Date: 1854
The charge of the Light Brigade Cardigan in action Date: 1854https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-the-charge-of-the-light-brigade-cardigan-in-action-date-1854-105278346.html
Mar. 27, 2012 - The Charge of the light Brigade brings world Acclaim! There's still some pride left, British battle scenes, depicted on bone china and costing ?1000 each, are best sellers at a new London gallery which has opened in Ryder Street, Michael Sutty is the man behind the whole operation. The pieces are made at his studios i Knockholt in Kent, and it makes two months to make one piece. Mr
Mar. 27, 2012 - The Charge of the light Brigade brings world Acclaim! There's still some pride left, British battle scenes, depicted on bone china and costing ?1000 each, are best sellers at a new London gallery which has opened in Ryder Street, Michael Sutty is the man behind the whole operation. The pieces are made at his studios i Knockholt in Kent, and it makes two months to make one piece. Mrhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/mar-27-2012-the-charge-of-the-light-brigade-brings-world-acclaim!-image69540247.html
The Battle of Balaclava Haro Prii, Crimea, 25 October 1854. Charge of the Light Brigade.
The Battle of Balaclava Haro Prii, Crimea, 25 October 1854. Charge of the Light Brigade.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-the-battle-of-balaclava-haro-prii-crimea-25-october-1854-charge-of-31561074.html
The Charge of the Light Brigade 1854 map of the action at the Balaclava in the Crimea 673 cavalrymen to the fore
The Charge of the Light Brigade 1854 map of the action at the Balaclava in the Crimea 673 cavalrymen to the forehttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-the-charge-of-the-light-brigade-1854-map-of-the-action-at-the-balaclava-17733723.html
ERROL FLYNN, THE CHARGE OF THE LIGHT BRIGADE, 1936
ERROL FLYNN, THE CHARGE OF THE LIGHT BRIGADE, 1936https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/errol-flynn-the-charge-of-the-light-brigade-1936-image236811179.html
BATTLE SCENE THE CHARGE OF THE LIGHT BRIGADE (1968)
BATTLE SCENE THE CHARGE OF THE LIGHT BRIGADE (1968)https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-battle-scene-the-charge-of-the-light-brigade-1968-30911183.html
BATTLE SCENE, THE CHARGE OF THE LIGHT BRIGADE, 1968
BATTLE SCENE, THE CHARGE OF THE LIGHT BRIGADE, 1968https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/battle-scene-the-charge-of-the-light-brigade-1968-image240761306.html
The Charge of the Light Brigade, a British cavalry charge during the Battle of Balaklava. Due to a misunderstanding, they were sent up a valley held on three sides by the Russians. Some 250 men were killed or wounded effectively reducing the size of the mounted brigade by two thirds and destroying some of the finest light cavalry in the world to no military purpose.
The Charge of the Light Brigade, a British cavalry charge during the Battle of Balaklava. Due to a misunderstanding, they were sent up a valley held on three sides by the Russians. Some 250 men were killed or wounded effectively reducing the size of the mounted brigade by two thirds and destroying some of the finest light cavalry in the world to no military purpose.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-the-charge-of-the-light-brigade-a-british-cavalry-charge-during-the-117562432.html
DAVID HEMMINGS THE CHARGE OF THE LIGHT BRIGADE (1968)
DAVID HEMMINGS THE CHARGE OF THE LIGHT BRIGADE (1968)https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-david-hemmings-the-charge-of-the-light-brigade-1968-30936770.html
THE CHARGE OF THE LIGHT BRIGADE 1936 Warner Bros film with Errol Flynn
THE CHARGE OF THE LIGHT BRIGADE 1936 Warner Bros film with Errol Flynnhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-the-charge-of-the-light-brigade-1936-warner-bros-film-with-errol-flynn-123960831.html
OLIVIA DE HAVILLAND, ERROL FLYNN, THE CHARGE OF THE LIGHT BRIGADE, 1936
OLIVIA DE HAVILLAND, ERROL FLYNN, THE CHARGE OF THE LIGHT BRIGADE, 1936https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-olivia-de-havilland-errol-flynn-the-charge-of-the-light-brigade-1936-30950725.html
DAVID HEMMINGS, THE CHARGE OF THE LIGHT BRIGADE, 1968
DAVID HEMMINGS, THE CHARGE OF THE LIGHT BRIGADE, 1968https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/david-hemmings-the-charge-of-the-light-brigade-1968-image239407217.html
The Charge of the Light Brigade - the thick of the fighting Date: 25 October 1854
The Charge of the Light Brigade - the thick of the fighting Date: 25 October 1854https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-the-charge-of-the-light-brigade-the-thick-of-the-fighting-date-25-105284754.html
Mar. 27, 2012 - The charge of the light Brigade brings world acclaim! There's still some pride left. British battle scenes, depicted on bone china and costing ?1000 each, are best sellers at a new London gallery which has opened in Ryder Street, Michael Sutty is the man behind the whole operation. The pieces are made at his studios in Knockholt in Kent. and it takes two months to make one piece . Mr
Mar. 27, 2012 - The charge of the light Brigade brings world acclaim! There's still some pride left. British battle scenes, depicted on bone china and costing ?1000 each, are best sellers at a new London gallery which has opened in Ryder Street, Michael Sutty is the man behind the whole operation. The pieces are made at his studios in Knockholt in Kent. and it takes two months to make one piece . Mrhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/mar-27-2012-the-charge-of-the-light-brigade-brings-world-acclaim!-image69540246.html
Crimean War. The Relief of the Light Brigade by Richard Caton Woodville, Jr., oil on canvas, 1896. The painting depicts the Charge of the Light Brigade during the Battle of Balaclava on 25 October 1854
Crimean War. The Relief of the Light Brigade by Richard Caton Woodville, Jr., oil on canvas, 1896. The painting depicts the Charge of the Light Brigade during the Battle of Balaclava on 25 October 1854https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/crimean-war-the-relief-of-the-light-brigade-by-richard-caton-woodville-jr-oil-on-canvas-1896-the-painting-depicts-the-charge-of-the-light-brigade-during-the-battle-of-balaclava-on-25-october-1854-image451469671.html
THE CHARGE OF THE LIGHT BRIGADEhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-charge-of-the-light-brigade-image68013513.html
Charge of the light cavalry brigade, 25th Oct. 1854, under Major General the Earl of Cardigan. The Charge of the Light Brigade at Balaklava by William Simpson (1855), illustrating the Light Brigade's charge into the 'Valley of Death' from the Russian perspective
Charge of the light cavalry brigade, 25th Oct. 1854, under Major General the Earl of Cardigan. The Charge of the Light Brigade at Balaklava by William Simpson (1855), illustrating the Light Brigade's charge into the 'Valley of Death' from the Russian perspectivehttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/charge-of-the-light-cavalry-brigade-25th-oct-1854-under-major-general-the-earl-of-cardigan-the-charge-of-the-light-brigade-at-balaklava-by-william-simpson-1855-illustrating-the-light-brigades-charge-into-the-valley-of-death-from-the-russian-perspective-image451462361.html
Charge of the Light Cavalry Brigade, print, 25th October 1854, by William Simpson, 1855 - Battle of Balaclava
Charge of the Light Cavalry Brigade, print, 25th October 1854, by William Simpson, 1855 - Battle of Balaclavahttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/charge-of-the-light-cavalry-brigade-print-25th-october-1854-by-william-simpson-1855-battle-of-balaclava-image239481247.html
Charge of the Light Brigade, The (1936) - French Movie Poster -
Charge of the Light Brigade, The (1936) - French Movie Poster -https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-charge-of-the-light-brigade-the-1936-french-movie-poster-124439972.html
The Charge ofThe Light Brigade
The Charge ofThe Light Brigadehttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-charge-ofthe-light-brigade-image442995692.html
the charge of the light brigade at balaclava 25 October 1854 Crimean War Anglo-French-Turkish campaign
the charge of the light brigade at balaclava 25 October 1854 Crimean War Anglo-French-Turkish campaignhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-the-charge-of-the-light-brigade-at-balaclava-25-october-1854-crimean-21504715.html
Prince Albert 11th Hussars in the uniform of his own regiment which took part in the Charge of the Light Brigade
Prince Albert 11th Hussars in the uniform of his own regiment which took part in the Charge of the Light Brigadehttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-prince-albert-11th-hussars-in-the-uniform-of-his-own-regiment-which-17733653.html
CHARGE OF THE LIGHT BRIGADE: Earl Of Cardigan. Battle of Balaklava 1854, 1860
CHARGE OF THE LIGHT BRIGADE: Earl Of Cardigan. Battle of Balaklava 1854, 1860https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-charge-of-the-light-brigade-earl-of-cardigan-battle-of-balaklava-1854-106941318.html
The Charge of the Light brigade by Richard Caton Woodville
The Charge of the Light brigade by Richard Caton Woodvillehttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-charge-of-the-light-brigade-by-richard-caton-woodville-image402299563.html
A DETAILED DEPICTION OF THE CHARGE OF THE LIGHT BRIGADE by William Simpson from the sketch books at Tatton Park
A DETAILED DEPICTION OF THE CHARGE OF THE LIGHT BRIGADE by William Simpson from the sketch books at Tatton Parkhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-a-detailed-depiction-of-the-charge-of-the-light-brigade-by-william-22741207.html
FILM The Charge of the Light Brigade (1968, Tony Richardson) John Gielgud (Lord Raglan), Unknown, David Hemmings (Captain Nolan)
FILM The Charge of the Light Brigade (1968, Tony Richardson) John Gielgud (Lord Raglan), Unknown, David Hemmings (Captain Nolan)https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-film-the-charge-of-the-light-brigade-1968-tony-richardson-john-gielgud-111506303.html
The Charge of the Light Brigade - 'into the Valley of Death !' Date: 25 October 1854
The Charge of the Light Brigade - 'into the Valley of Death !' Date: 25 October 1854https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-the-charge-of-the-light-brigade-into-the-valley-of-death-!-date-25-105284752.html
HARRY ANDREWS, THE CHARGE OF THE LIGHT BRIGADE, 1968
HARRY ANDREWS, THE CHARGE OF THE LIGHT BRIGADE, 1968https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/harry-andrews-the-charge-of-the-light-brigade-1968-image356142693.html
Mar. 27, 2012 - The charge of the light Brigade brings world acclain! There's still some pride left. British battle scenes, depicted on bone china and costing 100 each, are best sellers at a new London gallery which has opened in Ryder Street. Michael Sutty is the man behind the whole operation. The pieces are made at his studios in Knockholt in kent, and it takes two months to make one piece
Mar. 27, 2012 - The charge of the light Brigade brings world acclain! There's still some pride left. British battle scenes, depicted on bone china and costing 100 each, are best sellers at a new London gallery which has opened in Ryder Street. Michael Sutty is the man behind the whole operation. The pieces are made at his studios in Knockholt in kent, and it takes two months to make one piecehttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/mar-27-2012-the-charge-of-the-light-brigade-brings-world-acclain!-image69540245.html
Maidstone, Kent, England. Memorial to Capt. Louis Edward Nolan (1818-1854) of the 15th King's Hussars. Died in the Charge of the Light Brigade. Autho
Maidstone, Kent, England. Memorial to Capt. Louis Edward Nolan (1818-1854) of the 15th King's Hussars. Died in the Charge of the Light Brigade. Authohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-maidstone-kent-england-memorial-to-capt-louis-edward-nolan-1818-1854-173913229.html
Cardiff, Wales, UK, August 31, 2016 : Godfrey Charles Morgan 1st Viscount Tredgar in Gorsedd Gardens took part in the Charge of the Light Brigade
Cardiff, Wales, UK, August 31, 2016 : Godfrey Charles Morgan 1st Viscount Tredgar in Gorsedd Gardens took part in the Charge of the Light Brigadehttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-cardiff-wales-uk-august-31-2016-godfrey-charles-morgan-1st-viscount-136936196.html
Artist Impression of the Charge of the Light Brigade, copied in 1996. THE PRINCE OF WALES LOOKED OVER THE VALLEY OF DEATH ON HIS VISIT TO UKRAINE AND CENTRAL ASIA. BALACLAVA - BALAKLAVA.
Artist Impression of the Charge of the Light Brigade, copied in 1996. THE PRINCE OF WALES LOOKED OVER THE VALLEY OF DEATH ON HIS VISIT TO UKRAINE AND CENTRAL ASIA. BALACLAVA - BALAKLAVA.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-artist-impression-of-the-charge-of-the-light-brigade-copied-in-1996-110761336.html
Charge of the Light Brigade, The (1936) - Spanish Movie Poster -
Charge of the Light Brigade, The (1936) - Spanish Movie Poster -https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-charge-of-the-light-brigade-the-1936-spanish-movie-poster-124439938.html
Officers and men of the 13th Light Dragoons, survivors of the charge, photographed by Roger Fenton
Officers and men of the 13th Light Dragoons, survivors of the charge, photographed by Roger Fentonhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/officers-and-men-of-the-13th-light-dragoons-survivors-of-the-charge-photographed-by-roger-fenton-image442995688.html
Ukrainian Naval officers hold British and Ukranian flags at a memorial service at a British monument for those who lost their lives in The Battle of Balaclava, on the 150th anniversary of The Charge of The Light Brigade, Crimea, Ukraine.
Ukrainian Naval officers hold British and Ukranian flags at a memorial service at a British monument for those who lost their lives in The Battle of Balaclava, on the 150th anniversary of The Charge of The Light Brigade, Crimea, Ukraine.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-ukrainian-naval-officers-hold-british-and-ukranian-flags-at-a-memorial-107871486.html
Lieut-General James Brudenell, 7th Earl of Cardigan (1797-1868), British Army cavalry officer. Led the Charge of the Light Brigade at the Battle of Balaclava, 25 October 1854. Engraving c1860.
Lieut-General James Brudenell, 7th Earl of Cardigan (1797-1868), British Army cavalry officer. Led the Charge of the Light Brigade at the Battle of Balaclava, 25 October 1854. Engraving c1860.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-lieut-general-james-brudenell-7th-earl-of-cardigan-1797-1868-british-57449241.html
CHARGE OF THE LIGHT BRIGADE. Cavalry attacking Russians. 1854 Balaklava 1860
CHARGE OF THE LIGHT BRIGADE. Cavalry attacking Russians. 1854 Balaklava 1860https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/charge-of-the-light-brigade-cavalry-attacking-russians-1854-balaklava-1860-image242553159.html
The Duke of Edinburgh during a tour of battlefields in the Crimea, Ukraine. As Colonel in Chief of the Queen's Royal Hussars, the Duke is commemorating the 150th anniversary of the Charge of the Light Brigade. The 83-year-old royal will join a coach party of regimental top brass touring the battlefields of the Crimean War with Russia. He will visit the battlefield at Balaclava where, in 1854, courageous British cavalrymen rode to their deaths in the infamous Light Brigade charge.
The Duke of Edinburgh during a tour of battlefields in the Crimea, Ukraine. As Colonel in Chief of the Queen's Royal Hussars, the Duke is commemorating the 150th anniversary of the Charge of the Light Brigade. The 83-year-old royal will join a coach party of regimental top brass touring the battlefields of the Crimean War with Russia. He will visit the battlefield at Balaclava where, in 1854, courageous British cavalrymen rode to their deaths in the infamous Light Brigade charge.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-the-duke-of-edinburgh-during-a-tour-of-battlefields-in-the-crimea-107853846.html
Olivia de Havilland and Errol Flynn, On-Set of the Film, 'The Charge of the Light Brigade', 1936
Olivia de Havilland and Errol Flynn, On-Set of the Film, 'The Charge of the Light Brigade', 1936https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/olivia-de-havilland-and-errol-flynn-on-set-of-the-film-the-charge-image60943344.html
CHARGE OF THE LIGHT BRIGADE at Balaklava 25 October 1854 led by Lord Cardigan
CHARGE OF THE LIGHT BRIGADE at Balaklava 25 October 1854 led by Lord Cardiganhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/charge-of-the-light-brigade-at-balaklava-25-october-1854-led-by-lord-cardigan-image269595945.html
The Charge of the Light Brigade - the first line reaches the Russian guns Date: 25 October 1854
The Charge of the Light Brigade - the first line reaches the Russian guns Date: 25 October 1854https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-the-charge-of-the-light-brigade-the-first-line-reaches-the-russian-105284755.html
THE CHARGE OF THE LIGHT BRIGADE on the set of the 1936 Warner film with Errol Flynn
THE CHARGE OF THE LIGHT BRIGADE on the set of the 1936 Warner film with Errol Flynnhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-the-charge-of-the-light-brigade-on-the-set-of-the-1936-warner-film-23660571.html
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text:
19/07/2016 6:21 AM AEST | Updated 20/07/2016 3:00 AM AEST
It's Time To Recognize What Many Mass Murderers Share In Common
Yet again, a deranged mass killer abused the women in his life before striking the public.
By Melissa Jeltsen
VALERY HACHE via Getty Images
People throw garbage at the site where Mohamed Lahouaiej Bouhlel was killed by the police.
In the years before Mohamed Lahouaiej Bouhlel made the reprehensible decision to commit mass murder by ramming his truck into a crowd gathered for a Bastille Day fireworks display in Nice, France, he terrorized his own family.
He beat his wife, Hajer Khalfallah, and his mother-in-law, his wife's lawyer told the French newspaper Le Parisien. He was prone to verbal tirades and violent outbursts. His father described him as periodically erupting and breaking everything in sight. One neighbor who visited his apartment said it was "very tense," with clothes tossed around and overturned chairs. Another neighbor recalled having to physically restrain Lahouaiej Bouhlel from hitting his wife.
In one particularly disturbing incident, he allegedly defecated on his daughter's bed. He had also thrust a knife into one of his children's stuffed animals, neighbors said, twisting out its insides.
Four days after Lahouaiej Bouhlel killed 84 people, a portrait has begun to emerge of the mass murderer ― not as a religious extremist but as an angry, volatile man who physically and verbally abused those closest to him on a regular basis.
As The Huffington Post has previouslyreported, this story is tragically familiar. In the past few years, many of the men who have committed heinous, unthinkable acts of violence against the public have had a history of abusing the women in their lives. Prior to unleashing their deranged violence onto the world, it appears they practiced it against the most vulnerable and accessible targets ― those living inside their homes.
Before Micah Johnson gunned down five Dallas police officers, in the deadliest attack against law enforcement officers in the U.S. since Sept. 11, 2001, he was accused of sexually harassing a female soldier, who asked that Johnson receive mental help and for a protective order against him.
Before Omar Mateen opened fire in a gay nightclub in Orlando, Florida, and committed the deadliest mass shooting in modern U.S. history, he beat his wife.
Before Robert Dear shot to death three strangers at a Planned Parenthood facility in Colorado Springs last fall, he allegedly abused his wives, was charged with rape and arrested under a "Peeping Tom" law.
Before Tamerlan Tsarnaev planted bombs at the Boston Marathon with his brother in 2013, killing three people and injuring more than 260 others, he was arrested for assaulting his girlfriend.
Before Cedric Ford went on a shooting rampage in Kansas, killing three and injuring 14, he was served with a restraining order stemming from a domestic violence complaint filed by his ex-girlfriend. In her request for the order, his ex-girlfriend wrote that it was her belief that he was "in desperate need of medical and psychological help."
Before gunman Man Haron Monis seized hostages in a cafe in Sydney, he was released on bail after being charged as an accessory to the murder of his ex-wife.
Tragically, there are scores of other examples like these. To be sure, not all abusive men turn into killers; they are a minuscule percentage of the whole. But domestic violence is far too common, with 1 in 4 women expected to be a victim of severe physical violence by an intimate partner in her lifetime.
Patrick Aventurier via Getty Images
People gather and lay tributes on the Promenade des Anglais on July 17 in Nice, France.
We know that some men who abuse will go on to commit more serious crimes. Men who strangle their partners, for example, are seven times more likely to eventually kill them. In the U.S., around three women a day are killed by intimate partners. In many of those cases, the women were abused by their partners before they were murdered.
Among researchers who work on predicting violence, domestic abuse is recognized as an important clue that a person may be a future risk to society.
"When you are trying to predict violent recidivism, you tend to find that domestic violence is one of the strongest predictors," said Zachary Hamilton, who studies risk assessment as director of the Washington State Institute for Criminal Justice.
He cited an analysis of criminal offenders in Washington state, which found that a felony domestic violence conviction was the single greatest predictor of future violent crime.
"That's not to say that every instance of domestic violence ends up predicting future violent acts, but it is one correlate that says that if someone engages in domestic violence, they're less likely to frown upon any acts of violence," he said. "It is an indicator of that person's makeup."
Melanie-Angela Neuilly, a professor in the Department of Criminal Justice and Criminology at Washington State University, offered one theory that may help explain the connection between domestic violence and general violence: the idea of toxic masculinity.
"We raise our boys with an acceptance that violence will be part of their behaviors ('boys will be boys'), while teaching them to repress all feelings except for anger ('boys don't cry'), in a society which objectifies girls and women," she explained. "While problematic in and of itself ('patriarchy hurts men too'), we see that abusers overwhelming come from abusive background, and thus only replicate patterns they have learned during their childhoods, patterns which, while criminal, are ultimately reinforced in a number of ways in a masculine culture of violence."
In the U.S., most mass shootings are related to domestic violence. Last year, Everytown for Gun Safety examined five years' worth of data on shootings in which at least four people were killed with a gun (a common definition of mass shootings) and found that in 57 percent of the attacks, the perpetrator targeted either a family member or an intimate partner.
These acts of carnage, in general, do not make front-page news. They might not seem as scary to the public, because they don't involve random targets or typically occur in public places. But it's important to recognize that in these shootings, the victims are predominantly women and children.
David Ramos via Getty Images
A man looks at a tribute laying on a bench near where a person was killed on the Promenade des Anglais on July 17, 2016.
In Lahouaiej Bouhlel's case, it doesn't appear that he was ever convicted of domestic violence, though police were called to his apartment on multiple occasions. His wife's lawyer told Le Parisien that "complaints had been filed," and one neighbor said that photos, taken after he defecated on his daughter's bed, were given to police as evidence of his abuse.
The question, then, is were his wife's reports taken seriously, and if not, why? Was he punished for his abuses? His wife was intimately familiar with his rage and his capacity for future violence. If she told authorities about his violent outbursts, did the authorities simply not listen?
"We know that domestic abusers don't always limit their abuse to intimate partners, and that their violence at home doesn't always stop at the front door," said Kim Gandy, CEO of the National Network to End Domestic Violence.
"If everyone took domestic violence more seriously, if we listened to victims when they report that someone is dangerous, the nation and the world would be a safer place," she said.
Marsha Robertson, director of communications at Futures Without Violence, said the history of domestic violence among mass shooters is now so prevalent that her organization has started to refer to the pattern as "Day 3."
"On Day 1, the shooting occurs and the press has only the bare bones of the incident. On Day 2, the media has access to much more biographical information. On Day 3, further inquiry has confirmed that the shooter had a history of domestic violence, and often had a traumatic childhood," she said.
"In other words, recent mass shootings, as well as the incident in Nice, continue to confirm that domestic violence is not a behavior that we can dismiss or ignore," she continued. "It's a warning sign of toxic behavior that can grow into something catastrophic."
Willa Frej contributed reporting.
This story has been updated with comment from professor Melanie-Angela Neuilly of Washington State University.
Melissa Jeltsen covers domestic violence and other issues related to women's health, safety and security. Tips? Feedback? Send an email or follow her on Twitter.
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The Primal Blueprint - full instructions for life?
You've heard it before - life comes without an instruction manual. You get cast out there, expected to fend for yourself, and no one really knows how best to stay healthy and happy.
At Uncommon Knowledge, we started working with a list of basic needs for emotional health way back in 1994. The idea is that, once met, this set of human needs ensures you can live an effective life avoiding emotional problems and with the spare capacity to excel, love, and thrive.
We have made these basic needs a central pillar of our approach to psychology and personal development ever since. So when I came across another, similar approach - this time looking more at the physical aspects of life - I was intrigued.
The 'paleo' diet has been around for many years now. The principle is that if you eat as your ancestors ate before the agricultural revolution, you will be much less at risk for diseases such as diabetes, heart disease, and cancer.
The author of The Primal Blueprint, Mark Sisson, has adapted this diet a little and paired it with a primal approach to exercise, resulting in what I think is a powerful guide to living well.
As you'll see in my review, I've given the primal lifestyle a good tryout and I'm impressed with the results.


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Fantasia 2000, and Fantasia
***1/2 / ***1/2
DVD review by Andrea Birgers
See also review by Marty Mapes
Fantasia and Fantasia 2000 dazzle in high-definition video. The version of Fantasia available on a new Blu-ray/DVD combo pack is as close to the original theatrical version as you're likely to see. Fantasia 2000 pays tribute to its predecessor and gives Disney's animators a chance do something different. This set includes the long-awaited video release of Destino, a Salvador Dalí-inspired short film that was begun in 1946 and completed in 2003. The bonus features for both movies provide glimpses into the artists' creative processes.
Fantasia was a big leap in artistic sensibilities for commercial films
Hunt, Butoy, Goldberg, Algar, Glebas, Brizzi, and
DVD scorecard
Picture: ****
Sound: ****
Extras: ***
Overall: ***1/2
Sound: ***
A curtain opens; musicians in silhouette walk onto a stage and begin warming up. In their midst is a middle-aged man in white tie and tails who tells the viewers what they are about to see. If you haven't seen Fantasia for awhile, you may not have realized this guy was in the movie.
His name is Deems Taylor, and his part was largely cut from the film six decades. (For more information about the numerous versions of Fantasia, check out the the Blu-ray commentary tracks.) Taylor was a composer, but was best known in 1940 as a radio commentator for classical music programs.
Various cuts to the Fantasia were restored for a DVD release in 2000, which is same version on the 2010 Blu-ray edition. Unfortunately, the original track with Taylor's narration was unrestorable. The voice on the video is that of a sound-alike actor.
Sprites and Demons
Disney's Silly Symphonies series has surreal and even artful moments, but Fantasia represented a big leap in artistic sensibilities for commercial films. Bach's Tocatta and Fugue and Meet the Soundtrack flirt with abstract imagery, though purists might disagree. Other segments are fanciful, but grounded in the familiar — forest sprites work their magic in Tchaikovsky's The Nutcracker Suite; Stravnisky's Rite of Spring traces the natural history of Earth, from volcanoes through the death of the dinosaurs.
Beethoven's Pastoral Symphony, with its frolicking satyrs, cherubs and centaurs is a little too Disney-cute, while Mickey Mouse takes on a more serious role in The Sorcerer's Apprentice. The last sequence, Mussorgsky's Night on Bald Mountain followed by Schubert's Ave Maria gives the movie an emotional climax that will cleanse your mental palette.
Walt Disney had envisioned Fantasia as a film that could be updated over the years. New sequences could be added, and others cut. This plan was abandoned in light of Fantasia 's initial box-office failure. But the idea of doing a new Fantasia never completely died.
Fantasia 2000 has a segment inspired by Al Hirschfeld
Fantasia 2000 follows the same format as its predecessor. The interstitial segments acknowledge the collaboration between musicians and visual artists by having the orchestra seated on the right side of the stage, while animators work at their drafting tables on the left.
Many of the segments refer back to the original Fantasia. The abstract butterflies and bats in Beethoven's Fifth Symphony are reminiscent of musical imagery that accompanies Tocatta and Fugue. Stravinsky's Firebird Suite follows a similar emotional arc as Night on Bald Mountain/Ave Maria.
The other intent of tweaking Fantasia over the years was to give animators the chance to try new things. The energetic Rhapsody in Blue uses line drawings and caricatures inspired by artist Al Hirschfeld. Firebird has images and a storyline reminiscent of Miyazaki.
Computer-generated imagery is also very much in evidence. It's used on the toys in The Steadfast Tin Soldier, to give them a manufactured look. It's clear in this segment, that Disney hadn't caught up with Pixar in the use of CGI. The technology is used more effectively to create the soaring whales in Pines of Rome.
In 2003, the studio released the 6 ½-minute Destino, a film based on Salvador Dalí's art. It played at some festivals, and earned an Oscar nomination. It's on the Fantasia 2000Blu-ray disc (but not the DVD) along with its back story.
In 1946, Dalí began working on Destino with Disney story artist John Hench. After several months, the project was scuttled, and the drawings and 17 seconds of test footage lay forgotten in the studio archives. In 1999, the project was revived by Roy Disney (Walt's nephew). Dominique Monféry, an animator at Disney's Paris studio, was chosen to direct. Hench, in his 90s and still working for the studio, helped piece together the sequence of storyboard drawings and offered insights on what Dalí was trying to convey.
The long-winded Dalí & Disney: A Date with Destino (82 minutes long — 12 times longer than the film and 7 minutes longer than Fantasia 2000!) tells the story of Destino and more. It begins with the childhoods of Dalí and Disney, follows their careers, then traces Destino 's back story. It could have been about 20 minutes shorter.
The completed film, which includes the original 17 seconds, takes place in a familiar Dalí desert landscape. There is a story of sorts, of romance, loss and struggle. The original recording by Mexican singer Dora Luz plays on the soundtrack. And yes, there are melting clocks.
Fantasia Blu-ray Extras
Fantasia and Fantasia 2000 dazzle in high-definition video
There are three commentary tracks; two are from the 2000 DVD release, and one is new. In addition to filling in the movie's back story, the best thing about these tracks is the commenters recognize the uncredited artists who worked on the movie.
One commentary track brings in Walt Disney himself in the form of recorded interviews. Extensive notes were taken at story meetings, and a sound-alike actor reads Disney's comments. At times, "Walt" seems to be narrating what we are seeing on the screen, and that's not particularly interesting. Animation historian John Canemaker fills in the gaps more informatively.
The other track from the 2000 DVD has Canemaker; Roy Disney; James Levine, conductor of the Chicago Symphony Orchestra for Fantasia 2000; and Scott MacQueen, manager of the 2000 restoration of Fantasia. Canemaker does the most talking and his observations are the most interesting. Roy, who would have been about 10 years old when Fantasia was released, shares some memories of the time, but his and Levine's comments often tend to be along the lines of "isn't this scene great?" or "wow, how did they do that?" MacQueen mostly discusses the purpose of Deems Taylor's segments.
The new commentary for the Blu-ray release is by Disney Historian Brian Sibley. His informative and concise comments cover the history of the film, the development of ideas, and animation techniques. Inevitably, some information is repeated by different commenters on different tracks. I heard the story of composer Igor Stravinsky's reaction to the use of his music in the film (he liked it at first, then bad-mouthed it later) three times.
The Interactive Art gallery has the usual gallery of concept art from both Fantasia and Fantasia 2000. Select the "intelligent index" option and up comes a list of categories of images from which to select (Abstract, Animals, Ark, etc.).
The Schultheis Notebook: A Disney Treasure (14 minutes) looks inside a detailed notebook kept by special effects animator Herman Schultheis. He and others were responsible for things like dewy spiderwebs, erupting volcanoes, and spirits rising from the grave. Many of the techniques were long forgotten until the notebook was found decades later among his widow's personal effects.
Fantasia 2000 Blu-ray Extras
This Blu-ray has two commentary tracks from the 2000 DVD release. The first has Roy Disney, conductor James Levine and producer Don Ernst. The commentary is lively and has a conversational tone. The best parts talk about their choices for music and story, while too much time is spent praising the movie.
The second commentary track has the director and art director of each segment. If one segment isn't interesting, you can skip to the next. The first and last animated segments had the most interesting commentaries. Just for fun, Mickey Mouse joins Roy Disney for The Sorcerer's Apprentice commentary.
Musicana (9:20) was an idea by Disney development artist Mel Shaw to make a new version of Fantasia, but with modern music. He made concept art, but the project was abandoned.
Destino (see above).
DVD Extras
All of the DVD extras can also be found on the Blu-ray discs.
Fantasia has Sibley's commentary and a four-minute promotional piece about the Disney Family Museum in San Francisco.
Fantasia 2000has Musicana. Both DVDs have promotions for other Disney properties.
Both DVDs have the "Fastplay" option, which bypasses the main menu to play the movie and a selection of bonus features.
Picture and Sound
Fantasia 's picture is excellent on both discs. The movie is presented in the original 4:3 aspect ratio, which means there are black bars on either side of the image on widescreen televisions. The Blu-ray offers the Disney View option, which fills the gaps with artwork that is meant to extend the image. These are unnecessary. Choices made by the animators were based on the screen dimensions. Adding more art off to the side does not enhance the viewing experience. Don't choose this option.
Fantasia 's sound has been restored from an older soundtrack (the original sound negatives had deteriorated and were unusable). On both the Blu-ray and DVD, it sounds rough in spots, as if the tape stretched and then was restored.
Fantasia 2000 is presented in the original 1.78:1 aspect ratio. It looks better than the IMAX theatrical version, where pixilation was visible. The picture and sound are excellent on both the DVD and Blu-ray discs.
How to Use These Discs
Watch the movies. This is best spread out over a couple of nights.
After watching Fantasia, watch The Schultheis Notebook to get an idea of the challenges involved in making special effects in 1939. Want to know more? Listen to Sibley's commentary track, but save it for another time.
After watching Fantasia 2000, check out Destino. Save the rest of the bonus features for another time. Give the second commentary track a try (the one with the directors and art directors), if you start getting bored, just skip to the next section. Check out A Date with Destino to learn the extensive back story of this short film, but skip the first 15 minutes.