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Megyn Kelly: the journalist who dinged Trump's ego – and got under his skin
The Fox News anchor has been just about the only thing causing consternation for the Republican frontrunner, with her unforgiving approach to interviews
Donald Trump calls Fox News presenter Megyn Kelly a 'lightweight' Guardian
Paul Lewis in San Francisco
@PaulLewis
Wed 27 Jan 2016 07.54 EST
Last modified on Fri 9 Feb 2018 14.18 EST
Fox News anchor Megyn Kelly is not the first journalist to incur the wrath of Donald Trump. But she may be the first to have forced the combative Republican presidential frontrunner into submission.
Certainly, she must be the first TV anchor who dedicated an entire live broadcast to a news event that was, as she put it on Tuesday, about "yours truly".
That was how she reported that Trump was pulling out of the final Republican TV debate before the Iowa caucuses, essentially because he didn't like the idea of being questioned by Kelly.
Trump on decision to snub Thursday's Republican debate. Guardian
"He doesn't get to control the media," Kelly told viewers of her evening show, The Kelly File, hours after the billionaire real estate mogul's dramatic declaration that he was withdrawing from the debate.
"While he has made his position clear about me after that first debate, Roger Ailes made his position clear too," she said, referring to the Fox News TV executive who has stood by Kelly. She added that Trump had been bringing up the issue of her moderation of the forthcoming debate "again and again and again and again".
Declaring his intention to withdraw from the debate on Tuesday, a flustered-looking Trump said simply that he believed his nemesis was "a total lightweight".
The next morning, Trump went further, tweeting: "I refuse to call Megyn Kelly a bimbo, because that would not be politically correct. Instead I will only call her a lightweight reporter!"
It is unprecedented for a presidential frontrunner to pull out of a TV debate on the eve of the Iowa polls. And it is an especially remarkable move for Trump, who has long cultivated the image of a brash candidate who fears no one, relishes confrontation and, as he puts it, is always "a winner".
The Fox News debate, which will be held in Des Moines on Thursday, is crucial for the candidates to make their case to Iowa voters before the first-in-the-nation caucuses next week. Boycotting the event is a huge gamble for Trump, who is running roughly neck-and-neck with Texas senator Ted Cruz in the polls.
It was all the more notable for the fact the billionaire real estate mogul's rare surrender took place out of concern over a head-to-head with a journalist – a profession he holds in great disdain – and one who, no less, works for the arch-conservative Fox News.
The fact Kelly, 45, works for Fox News, which has so often been a cheerleader for Trump, goes part of the way to explaining why Trump may find her especially irksome.
Her brash, unforgiving and often cutting approach to political interviews, which earned her an evening Fox News slot as host of The Kelly File and a role co-hosting the network's presidential debates, have made her a formidable opponent for politicians of every stripe.
Her tough questioning of Trump during the first Republican TV debate, in Cleveland, Ohio, in August, came at a point when the GOP establishment was coming to terms with the fact that its party's race for the White House was being dominated by the former host of a reality TV show, The Apprentice.
"Mr Trump, one of the things people love about you is you speak your mind and you don't use a politician's filter," Kelly said during the debate. "However, that is not without its downsides, in particular when it comes to women. You've called women you don't like fat pigs, dogs, slobs, and disgusting animals."
Megyn Kelly challenges Trump in the first Republican TV debate. Guardian
It was the first of several tussles between the two, and a shock to the system for Trump, who had grown used to softball questions from TV journalists, at Fox News and other networks – all of which have given the billionaire almost unfettered access to their airwaves in the knowledge that he immediately boosts their ratings.
Kelly's attempt to challenge Trump over his perceived misogyny was the toughest questioning the Republican presidential contender had faced since announcing his bid for the White House two months earlier.
As if to confirm he does, indeed, have a problem with women, Trump reacted furiously after the debate, stating on CNN that Kelly "had blood coming out of her eyes, blood coming out of her wherever".
The comment was widely seen as a reference to menstruation, although Trump was unapologetic, denying that was his implication.
Since then, Trump has had a series of run-ins with other journalists, including Univision anchor Jorge Ramos, whom he ejected from a press conference, and New York Times reporter Serge Kovaleski, whose physical disability he appeared to mock during a rally.
But no reporter has gotten under Trump's skin quite like Kelly.
"With me, they're dealing with somebody that's a little bit different. They can't toy with me like they toy with everybody else," Trump said on Tuesday when announcing his withdrawal from the debate. "Let them have their debate and let's see how they do with the ratings."


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Q: Liferay and export LDAP account I have this problem:
I have enabled Liferay to import and export users from/to OpenLDAP server.
When I create a user in Liferay I obtain this page:

So, I have create a new user and Liferay has assigned to it a password (3zbPk6KA).
But.. if I try to login with new user (and generated password) I obtain  the error message of incorrect credentials.
In LDAP server I can see the new account but, the corresponding password seems to be different from that generated by Liferay..
In Java console i read this waring:
14:20:15,882 WARN  [http-bio-8080-exec-6][LDAPAuth:208] Passwords do not match for userDN cn=myUser,ou=users,dc=myProject,dc=com
Some suggestions?

A: This is a bug of Liferay:

*

*See following issue: https://issues.liferay.com/browse/LPS-43045

A: The Encryption must match between Liferay and your LDAP server.
You need to set ldap.auth.password.encryption.algorithm in portal-ext.properties

redpajama_set_name: RedPajamaStackExchange


24 oz. Sports Bottle with Coast Guard Design.
This Drinkware is Dependably MADE IN AMERICA!
No More Turning And Turning… The unique flip-top design of our sport cap allows for easy one-handed drinking.
It's winged design makes it easier to drink on the go.


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Below you will find an example of a cover letter for an export manager detailing similar qualifications and experience.
With the enclosed resume, I would like to express my strong interest in the export manager position you are seeking to fill. As a highly skilled and successful logistics and transportation professional with extensive experience coordinating shipments, materials, and operations for export deliveries around the world while ensuring compliance with international regulations and guidelines, I possess expertise and experience that will allow me to immediately contribute toward the success of your company.
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My proven ability to optimize export deliveries and logistical operations, along with my solid skills in communication and problem-solving, will contribute immensely to the success of your company. Thank you for your consideration; I look forward to speaking with you soon.


"It's all very nice being a digital leader, but do you make more money?" According to a recent study from Capgemini Consulting and MIT's Center For Digital Business, the answer is yes, to the tune of a 26 percent increase in profitability.
According to Didier Bonnet, Capgemini's Global Practice manager, what distinguishes these companies is an intense focus on transforming in one area that they're best at, getting it right, and then applying those lessons and data throughout the rest of the business.
These companies see digital technology as the thing that sets them apart, not just another tool. It's not an experiment, but an intensely focused program based on getting business results.
Caesars' business encompasses shopping, restaurants, casinos, and more. Starting with data from their customers allowed them to take every other tool digital technology has to offer and use it to boost performance across all parts of the company.
Though the paths were very different, the lessons are the same.


text:
Home > Press/Journalists > Press Releases > Press Release
Press Release · Monday, November 19, 2001
NHPRC Recommends 38 Grants Totaling Up to $3,359,140
Ann C. Newhall, Executive Director
National Historical Publications and Records Commission
700 Pennsylvania Ave., NW, Room 111
At its meeting on November 13 and 14, held at the United States Supreme Court, the National Historical Publications and Records Commission recommended that the Archivist of the United States make grants totaling $3,359,140 for 38 projects.
The Commission recommended 8 grants for Founding-Era documentary editing projects totaling $1,330,636; 2 Founding-Era subvention grants totaling $20,000; 9 State Board administrative support grants totaling $129,111; 4 State Board planning, implementation, and regrant proposals and collaborative projects totaling $324,639; 6 grants for electronic records and technologies projects totaling $1,366,415; 5 non-Founding-Era subvention grants totaling $40,167; and 4 grants for education projects totaling $148,172. The complete list of funded projects appears below.
The Commission reinstated its annual fellowships in historical documentary editing and archival administration and, in light of the particular value of these programs at the present time, the hope was expressed that funding shortfalls would never again force their suspension.
In the absence of the NHPRC Chairman, Archivist of the United States John W. Carlin, the meeting was convened by Dr. Alfred Goldberg, the Commission's longest-serving member, who presides if the Archivist is absent. Dr. Goldberg thanked Associate Supreme Court Justice David Souter for arranging for the meeting to be held at the Supreme Court, and announced that a bill appropriating $6.436 million to the Commission for competitive grants in Fiscal Year 2002 had been signed by the President on November 12. He also welcomed Senator Christopher Dodd of Connecticut as the United States Senate's new representative on the Commission, and announced that Congressman Roy D. Blunt of Missouri had been reappointed to represent the U.S. House of Representatives on the Commission. NHPRC Chair John W. Carlin chaired the consideration of grant proposals on November 14.
Commission members received a brief report, prepared by Richard A. Cameron, Director for State Programs, outlining how NHPRC funding had facilitated disaster response in the aftermath of the events of September 11 in New York City by the New York State Archives in cooperation with the Metropolitan Archivists Group of New York City. The report also noted earlier NHPRC-supported disaster recovery efforts in North Carolina (Hurricane Floyd, 1999), Florida, and Virginia.
The Commission approved a funding strategy for Fiscal Year 2002 that aims for a 50-50 split of available funds for competitive grants between documentary editing projects (including the Founding Era Editions, Second-Tier Editions, Subventions, the Editing Institute, and the Historical Documentary Editing Fellowship) and records projects (including State Board grants for planning, implementation, administrative support, and regrants; Electronic Records; Records Access projects endorsed last year and urged to resubmit this year; new Records Access projects; and the Archival Administration Fellowship.). Over the year, this would provide a total of $3.218 million for documentary editing and documentary editing-related projects and $3.218 million for records access and records access-related projects. Such an equal division of available grant funds is aimed at reducing the conflicts inherent in the continuing struggle by the Commission to come to grips with the inevitable budgetary shortfall created by flat funding in the face of increasing need by the NHPRC's constituent groups.
The Commission passed a resolution adopting the following criteria for evaluating second-tier documentary editing projects:
The NHPRC is proud of its long history of support for the creation and publication of documentary editions of the papers of people and events of significance in American history - indeed, it was for this reason that the Commission was created - and renews its dedication to this purpose.
Since the implementation of its current Strategic Plan in October 1998, the Commission has experienced an extraordinary surge in the number and quality of the proposals submitted to the NHPRC and in the dollars requested. Throughout this same period, however, NHPRC's appropriations have not been sufficient to meet the needs of those who turn to the NHPRC for help: the non-Federal communities dedicated to preserving and making accessible the American documentary record.
As a consequence, at the May 2001 meeting of the NHPRC, members passed the following resolution: "That the Commission directs the Commission staff , working with a committee of Commission members and others, as appropriate, to develop a set of criteria to be used for the evaluation of the second-tier documentary editions for review and approval at the next meeting of the Commission."
In complying with the resolution, staff sought the informed views of some members of each of the following groups: the Commission, editors of current documentary editing projects, and historians who have used NHPRC editions.
The resulting statement, presented below, is basically a codification of the criteria already employed by staff when evaluating new and ongoing projects and are addressed in the staff reports submitted to the Commission regarding each documentary editing proposal to be acted upon at Commission meetings. These criteria are outlined within the NHPRC publication, Grant Guidelines: How to Apply for NHPRC Grants; How to Administer NHPRC Grants, which is available free of charge in hard copy to all who request a copy and online on the NHPRC's website, www.archives.gov/nhprc_and_other_grants/. Each criterion listed below is followed, within parentheses, by the evidence utilized by staff.
General Criteria for Evaluating New Second-Tier Documentary Editing Projects
All four of the following criteria must be met by a proposed new documentary editing project in order to receive a positive recommendation from staff:
1. National significance of the subject material to the research public and the potential range of audiences and uses of the planned products. (Proposal narrative, peer review by historians.)
2. The project proposes to make accessible in published form documents never before available, or available in one place, to the research public. (Proposal narrative, peer review by historians.)
3. The project demonstrates a solid financial foundation from its sponsoring institution and others, a base of support that promises to complement NHPRC funding over the life of the project. (Budget section of the proposal, project narrative.)
4. The project promises a reliable return on the investment of NHPRC funds. (Proposal narrative: efficient and effective plan of work.)
General Criteria for Evaluating Ongoing Second-Tier Documentary Editing Projects
The following criteria are utilized by staff in evaluating ongoing documentary editing projects:
1. Positive results in return for the investment of NHPRC funds. (Completion of the work promised in previous grants as described in grant narrative and financial reports, volumes produced on a regular basis, a positive result in grant performance measures; the information provided in the narrative and budget sections of the proposal for the latest grant.)
2. Demonstration of effective project management, i.e., the project meets all or most of the goals of previous grants, makes steady and measurable progress, is adhering to its work plan, demonstrates dedication and ingenuity in overcoming problems, and in recent years has indicated little slippage in its projected completion date. (Completion of work promised in previous grants as described in grant narrative and financial reports, volumes produced on a regular basis, positive result in grant performance measures.)
3. Demonstration of a solid financial foundation from the sponsoring institution and other funders; a base of support that complements NHPRC funding. (Grant financial and narrative reports, budget section of the proposal, past funding history.)
4. Projects within two years of completion or projects threatened with extinction absent Commission funding may be given special consideration.
Recommendations for Second-Tier Editions in Times of Budgetary Shortfall
It has long been the practice of the Commission to maintain steady support of documentary editing projects. The Commission has responded to appropriations increases or decreases with across-the-board actions for ongoing editing projects. However, in times of budgetary shortfall, which the Commission defines as 'times when appropriations are insufficient to allow the NHPRC to fund all projects judged to be worthy of funding,' the Commission may implement the following in order to make the best and most productive use of scarce resources: Staff recommendations for funding ongoing editions are to be presented to the Commission in two or, if conditions warrant, three tiers:
1) Projects recommended to receive flat funding,
2) Projects recommended for some reduction in funding,
3) Projects for whom it is difficult to justify continued funding.
These recommendations are to be arrived at by: careful oversight of the projects, review of reports from previous grants, and review of the level of achievement of agreed-upon performance measures from previous grants.
The Commission agreed to award its Distinguished Service Award at its May 2002 meeting to Dr. John Brademas, President Emeritus of New York University. Dr. Brademas served as President of New York University from 1981 to 1992, and earlier represented Indiana's Third District in the United States House of Representatives for 22 years (1959-1981), the last four as Majority Whip. From 1971 to 1976, he represented the House of Representatives on the NHPRC, providing much guidance and direction.
The following Commission Members were present at the November 13-14 meeting: Chairperson John W. Carlin, Archivist of the United States; Congressman Roy D. Blunt, representing the U.S. House of Representatives; Nicholas C. Burckel, Presidential appointee; Charles T. Cullen, representing the Association for Documentary Editing; Senator Christopher Dodd, representing the U.S. Senate; Mary Maples Dunn, representing the American Historical Association; Fynnette Eaton, representing the Society of American Archivists; Barbara J. Fields, representing the Organization of American Historians; Brent Glass, representing the American Association for State and Local History; Alfred Goldberg, representing the Department of Defense; Margaret P. Grafeld, representing the Department of State; Marvin F. "Bud" Moss, Presidential appointee; Justice David H. Souter, representing the United States Supreme Court; Winston Tabb, representing the Librarian of Congress; and Roy C. Turnbaugh, representing the National Association of Government Archives and Records Administrators.
Information on NHPRC objectives and activities is available at our Web site. Application materials for all Commission grants, including fellowships, may be requested by telephone, fax, mail, or e-mail:
700 Pennsylvania Avenue NW, Room 111
e-mail: nhprc@nara.gov
Web site: http://www.archives.gov/nhprc_and_other_grants/
Founding-Era Documentary Editing Projects
Massachusetts Historical Society, Boston, MA: A conditional grant of $140,832 to support the preparation of a comprehensive book edition of The Adams Papers.
Yale University, New Haven, CT: A conditional grant of up to $154,000 to assist its work on a comprehensive book edition of The Papers of Benjamin Franklin.
Princeton University, Princeton, NJ: A conditional grant of up to $154,731 to support its work on a comprehensive book edition of The Papers of Thomas Jefferson.
University of Virginia, Charlottesville, VA: A conditional grant of up to $139,200 to continue work on a comprehensive book edition of The Papers of James Madison.
University of Virginia, Charlottesville, VA: A conditional grant of up to $143,583 to edit a comprehensive book edition of The Papers of George Washington.
The George Washington University, Washington, DC: A conditional grant of up to $187,140 to continue editing The Documentary History of the First Federal Congress, 1789-1791, and an additional conditional grant of up to $35,000, conditional upon the availability of additional Fiscal Year 2002 funds.
Board of Regents, University of Wisconsin, Madison, WI: A conditional grant of up to $160,000 to continue editing a selective book edition of The Documentary History of the Ratification of the Constitution.
Supreme Court Historical Society, Washington, DC: A conditional grant of up to $216,150 to edit a selective book edition of The Documentary History of the Supreme Court, 1789-1800.
Founding-Era Subventions
University Press of Virginia, Charlottesville, VA: A subvention grant of $10,000 for The Papers of George Washington, Presidential Series, Vol. 10.
State Historical Society of Wisconsin, Madison, WI: A subvention grant of $10,000 for The Documentary History of the Ratification of the Constitution, Vol. 19.
State Board Administrative Support Projects
Alaska Division of Libraries, Archives, and Museums, Juneau, AK: A conditional grant of $19,997 in partial support of the Alaska Board's administrative expenses for two years.
American Samoa Government, Pago Pago, AS: A grant of $4,950 in partial support of the American Samoa Board's administrative expenses for one year.
Colorado State Historical Records Advisory Board, Denver, CO: A grant of $14,584 in partial support of the board's administrative expenses for two years.
Florida Department of State, Division of Library and Information Services, Tallahassee, FL: A grant of $15,400 in partial support of the Florida Board's administrative expenses for two years.
Massachusetts State Historical Records Advisory Board, Boston, MA: A grant of $20,000 in partial support of the board's administrative expenses for two years.
North Carolina Department of Cultural Resources, Raleigh, NC: A grant of $9,185 in partial support of the North Carolina Board's administrative expenses for two years.
South Carolina State Historical Records Advisory Board, Columbia, SC: A grant of $19,995 in partial support of the board's administrative expenses for two years.
Washington State Historical Records Advisory Board, Olympia, WA: A conditional grant of up to $5,000 in partial support of the board's administrative expenses for one year.
Wyoming Department of State Parks and Cultural Resources, Cheyenne, WY: A grant of $20,000 in partial support of the board's administrative expenses for two years.
State Board Planning, Implementation, and Regrant Projects; Collaborative Projects
Minnesota Historical Records Advisory Board, St. Paul, MN: A conditional two-year grant of $48,314 to develop a new strategic plan to guide the board over the next five years.
New Jersey Historical Records Advisory Board, Trenton, NJ: A conditional two-year grant of $16,999 to establish a statewide program for basic MARC cataloging of the archival collections of small repositories.
New Mexico Commission of Public Records, Santa Fe, NM: A two-year grant of $80,290 ($20,000 matching) and an additional conditional grant of up to $79,036 ($52,300 matching) for a Phase II project to implement the board's strategic plan.
Massachusetts Historical Records Advisory Board, Boston, MA: A 25-month conditional grant of up to $100,000 ($100,000 matching) for a regrant project to continue to assist local repositories, to increase the accessibility of historical records, to improve the documentation of Massachusetts, to develop networks that can have a long-term impact on records and the historical records community, and to implement the board's strategic plan.
Electronic Records and Technologies Projects
The Regents of the University of California: A two-year grant of $160,590 on behalf of the San Diego Supercomputer Center for a project to test the ability of a Records Management Application (RMA) to classify, store, and manage the disposition of electronic records.
Minnesota Historical Society, St. Paul, MN: A conditional 14-month grant of $105,400 to examine the NHPRC's Electronic Records Research Agenda and to recommend a revised and newly validated agenda.
The University of North Carolina at Chapel Hill: A conditional one-year grant of up to $78,605 to study current end user practices in managing e-mail and electronically transmitted documents in selected offices throughout the UNC system.
Nevada State Library and Archives, Carson City, NV: A conditional one-year grant of up to $39,487 to assess the need for state laws that address the management and preservation of government electronic records, to draft necessary legislation, to draft a plan for funding a state electronic records program, and to educate stakeholders about the need for such legislation.
The Research Foundation of the State University of New York, Albany, NY: A conditional three-year grant of up to $796,951 to build upon the work of the original InterPARES (International Research on Permanent Authentic Records in Electronic Systems) Project through InterPARES 2, which will study new types of non-textual and interactive records produced by digital government, electronic commerce, and the digital arts.
The University of South Carolina, Columbia, SC: A conditional 18-month grant of up to $185,382 on behalf of the Model Editions Partnership to create new versions of the current MEP Guidelines, Reference Manual, and document type definitions based upon a new, simplified version of the Standard Generalized Markup Language (SGML) known as the eXtensible Markup Language (XML).
Non-Founding-Era Subventions
University of Oklahoma Press, Norman, OK: A subvention grant of $7,167 for Louis D. Brandeis: The Family Letters.
Southern Illinois University Press, Carbondale, IL: A subvention grant of $3,000 for reprinting The Papers of Ulysses S. Grant, Vol. 7.
Southern Illinois University Press, Carbondale, IL: A subvention grant of $10,000 for The Papers of Ulysses S. Grant, Vol. 25.
The University of North Carolina Press, Chapel Hill, NC: A subvention grant of $10,000 for The Papers of John Marshall, Vol. 11.
Education Proposals
Wisconsin History Foundation, Inc., Madison, WI: A one-year grant of $31,059 to support the 31st Institute for the Editing of Historical Documents.
Arizona State Library, Archives, and Public Records, Phoenix, AZ: A one-year grant of $26,613 on behalf of the First Archivists Circle to help fund organizational meetings.
Host/Fellow for Fellowship in Archival Administration: A one-year grant of $45,250.
Host/Fellow for Fellowship in Historical Documentary Editing: A one-year grant of $45,250.
For additional PRESS information, please contact the National Archives Public Affairs staff at (301) 837-1700 or by e-mail.
This page was last reviewed on January 30, 2013.

redpajama_set_name: RedPajamaCommonCrawl


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text:
Anjeonsojo
According to Yun Dae-il, who once belonged to the North Korean secret police "National Security Service", North Korea has an organization called Anjeonsojo(meaning small group for safety) to monitor residents.
The Ministry of People's Security has created an organization called "Anjeonsojo" among its residents, through which many spies collect information as well as materials about personal life. (Yun Dae-il, "North Korea National Security Agency")
"The Ministry of People's Security" is a government agency that controls police in North Korea, and has a network of organizations from the center to the terminal administrative divisions such as "do", "city", "gun", and "ri". Has been around.
Regarding the activities at Anjeonsojo, North Korean defector Yoo Yong testified as follows.
My father kept secret that the maternal aunt and his wife had fled to Korea from January to April 1951 during the Korean War. If their relatives are Vietnamese, their loyalty to Kim Il Sung is considered to be low, and their ingredients will deteriorate.
However, in 1984, the National Security Service conducted a resident survey, which caused the family to be banished to Mt. Cherry blossm in Hamgyongpuk-do. (…) In high school, when the ingredients were still good, I was the one who monitors and informs those exiles. At that time, there was a secret organization called Anjeonsojo in each region, and I was a core member of it.
Ten to fifteen students per school will be selected, surveyed by residents and reported at weekly meetings. His main job is to monitor political prisoners who have been expelled from executives.
A pair of people stood all night at the window and watched for Korean broadcasts on the radio. Since the child was not suspicious, it would have been convenient to monitor the residents. ("Exiles from North Korea")
Train Safety Staff / Managing Security Staff / Train Security Staff
Samdaehyongmyeongsojo
Military food situation
By northkorearesearch | 2017年11月25日 | Snitch society / Mutual monitoring society |
← Labor wages and monthly wages
Samdaehyongmyeongsojo →


A "new" and important vulnerability has been discovered that affects HTTPS and other services that rely on SSL/TLS implementations. This flaw is in the SSLv2 protocol, and affects all implementations. Researchers refer to this attack as DROWN – short for "Decrypting RSA using Obsolete and Weakened eNcryption". This attack allows attackers to read or steal information sent via the "secure" connection. No attacks in the wild are currently known.


text:
Clinical codelist - hypertension ICD9 codes
Tunnicliffe, L and Warren-Gash, C. 2022. Clinical codelist - hypertension ICD9 codes. [Online]. London School of Hygiene & Tropical Medicine, London, United Kingdom. Available from: https://doi.org/10.17037/DATA.00002874.
Tunnicliffe, L and Warren-Gash, C. Clinical codelist - hypertension ICD9 codes [Internet]. London School of Hygiene & Tropical Medicine; 2022. Available from: https://doi.org/10.17037/DATA.00002874.
Tunnicliffe, L and Warren-Gash, C (2022). Clinical codelist - hypertension ICD9 codes. [Data Collection]. London School of Hygiene & Tropical Medicine, London, United Kingdom. https://doi.org/10.17037/DATA.00002874.
ICD9 codes for hypertension.
Hypertension, Codelist, Clinical codelist, ICD9 codes
Data Collection Period
March 2022 March 2022
Date (Completed)
Tunnicliffe, L and Warren-Gash, C
Faculty of Epidemiology and Population Health > Dept of Non-Communicable Disease Epidemiology
Funder URI
HZ_Parkinson's_2022 Wellcome Trust UNSPECIFIED http://dx.doi.org/10.13039/100010269
London School of Hygiene & Tropical Medicine
Data / Code
hypertension_icd9 Download
Filename: hypertension_icd9.txt
Description: ICD9 codes for hypertension
Content type: Dataset
File size: 3kB
Mime-Type: text/plain
Parent project(s)
Codelists for: "Is herpes zoster associated with increased risk of Parkinson's disease diagnosis"


text:
Covid Cases Rising As Families Prepare To Gather For Thanksgiving
November 25, 2021 by News Desk
NBC News published this video item, entitled "Covid Cases Rising As Families Prepare To Gather For Thanksgiving" – below is their description.
As we approach the holidays, health care workers on the front lines are seeing a staggering number of patients still arriving at hospitals. Cases have spiked nearly 70 percent in Michigan, and other states in the Midwest and Northeast continue to see cases climb.
NBC News YouTube Channel
About This Source - NBC News
NBC News is the news division of the American broadcast television network NBC.
NBC News aired the first, regularly scheduled news program in American broadcast television history on February 21, 1940.
Recent from NBC News:
New Covid isolation rules mean some household contacts forced to isolate up to 24 days
In This Story: Thanksgiving
Thanksgiving is best known as a holiday celebrated in the United States on the fourth Thursday of November every year, usually through feasting, parades and travel to see family and friends, though celebrations were scaled back during the 2020 coronavirus pandemic.
The roots of the modern celebration lie in settlers celebrating their arrival in the Americas in the early 1600's. It has been a public holiday since 1941 due to federal legislation, an annual tradition in the United States by presidential proclamation since 1863 and by state legislation since the Founding Fathers of the United States.
Traditionally, Thanksgiving has been a celebration of the blessings of the year, including the harvest. What Americans call the "Holiday Season" generally begins with Thanksgiving. The first day after Thanksgiving Day—Black Friday—marks the start of the Christmas shopping season.
4 Recent Items: Thanksgiving
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Categories News Tags COVID-19, Michigan, Midwest, NBC, Thanksgiving Post navigation
PMQs Live | Wednesday 24th November
Simon Bridges on the 'offensive joke' and National Party leadership


On Wednesday night, I was delighted to get approached by a visitor to my website. Roland had taken an interest in the print by P. Lightfoot entitled "Autumn Ash" and featured in my gallery. It turns out that his parents own the original painting.
…and I am afraid I drew something of a blank. I know there was a least one other print from the "Ash" collection (image below) but I don't know what it was called.
What is the original painting worth? I really don't know. My guess is not a significant value given the difficulty in finding anything out about Lightfoot – but I am just a bloke that likes seventies stuff and that makes my point of view worth even less.
Value aside, it's a great picture, I love my copy and am pleased to have it on display in my home. I am chuffed for your parents owning the original, and more than a little envious, if I am honest. I hope that they love it too and that it has pride of place on a wall somewhere.
I am delighted that you managed to find me and engage in some dialogue. This is the kind of interaction that makes running my own website worthwhile – you have made my day.
If you are able to send me a picture of your parent's painting, I'd love to see what its colours are like.
Good luck with your investigations. If you find anything else about the artist or his/her portfolio, I'd love to know what you discover.
For me it's slightly surreal that my old copy of this print (and small-space website article) has resulted in me discussing the original with the owners' son - the internet really can make the world feel like a much smaller, more interesting place.
The exchange though didn't end at this point, Roland and I have traded a few more emails since.
…because it turns out that Roland's folks own the original of that print too. That's even cooler!
And Siobhan, if I find out the name of it, I'll be getting back in touch.
I have been advised that Autumn Ash was painted, and the picture presented to the Rogers family, when Roland's sister was a baby. That dates the original painting to 1976, a fact that I am pleased to know bearing in mind that I had only guessed that my print had its roots in my favourite decade.
Though there are no guarantees, if I get any more insight about Lightfoot, or am sent photos of the original painting/s, I'll share the details in due course.
As I state in my gallery post, Autumn Ash has a bleak feel about it. It is a real shame to report that Roland's approach has an equally bleak aspect to it too. His mum recently passed away so, as thrilled as I was to be contacted, I am equally saddened that it is under such circumstances.
Desperately trying not to be crass; I once heard an Aston Martin owner make the statement that "one didn't so much own an Aston as look after it for the next generation". Art is like that too, all of us move on eventually - but art endures.
My thoughts are with the Rogers family as the members deal with their grief.
March 2016 update - the title of the print above is "Stepping Stones"
A pleasurable exchange of notes with Kieran today who has been in touch about the Peter Lightfoot blog post. Kieran has another print from the same series as "Autumn Ash" and "Stepping Stones".
His, entitled "Evening Lake" and shared across, is different from the other Lightfoot prints I have seen because, instead of being monochromatic, it's more colourful. Though the shot is grainy, the blues are obvious and the green evident.
To be frank, I would have expected Peter Lightfoot to use more colour rather than less, maybe the version of Autumn Ash that I have was a monochromatic/sepia type treatment applied to the print in a later production run.
I wonder if the original painting was more colourful too?
In the article above, my liaison with Roland Rogers didn't result in me seeing any photos of his original paintings, so I don't know … but I suspect.
Kieran advises that his print, on board and framed much like mine, was originally purchased from Roy Edwards Fine Arts in Portadown in Northern Ireland. His print, again like mine, having been enjoyed by other members of his family before him, is in effect a family heirloom too.
I hope this latest post update interests you. My thanks to Kieran for getting in touch.
I also have this painting. My family has had this for quite some time on display. So much so that the colour in the painting has worn out and left us with the magnificent display.
I have a print from ash collection,very similar to this,my aunt bought it,its very similar to the above painting.
I came across this conversation while on my search to replace a Peter Lightfoot print that got lost in a house move.
"Sunlight on Saturn" was on the wall of my parents front room when I was growing up. I loved it and was thrilled when they gave it to me....then I lost it because I trusted movers.
I keep looking for it and have frustratingly missed an auction where it sold for £5! The original painting sold at the same auction house for £700.
They have sold a few of his original paintings but nothing like the print you have.
The same as your's but it looks faded to a monochrome like @Hughes print.
Anyway, thought you might find it interesting!
hi was reading your post and my mum who lived in England has the copy of the painting your looking for . when you email me I can send you a photo kind regards Sharon.
I have another P Lightfoot print entitled Evening Lake. It looks like it is from the collection you have featured. Indeed the lake and trees all seem to be very similar in style.
Mine came to me from my uncle who had it for many years and my Dad was given the picture when this uncle, his brother passed away.
Thanks a lot for getting in touch. I'd be intrigued to see your print. Please can you send me a photo and I'll post it/an update to my blog article.
It's great how the art endures. My print went uncle-nan-me in terms of the family cycle.
I was watching an Irish film shot in Northern Ireland called "Bad Day for the Cut" a 2017 film by Chris Baugh on netflix. About 48 minutes in there is a Lightfoot print hanging on the wall in a scene.It is another one in the series and had the same mounting and frame as my picture. Figured I'd pass that on to you.
Now you have set me a challenge, I don't know the film and I don't have Netflix! Will have to get investigating and come back to you when I have caught up.
Lovely to hear from you, thanks for taking the time to comment.
Bearing in mind that 42 years later you still have the print, I'd say your £32 was money well spent. It sounds like your marriage has stood the test of time as well.
Married persons tax allowances, now they are as much part of the past as the Lightfoot artworks, a shame they didn't pass the time test too.
Thanks for getting in touch. A search of companies house reveals that Roy Edwards Fine Art Limited went into liquidation in 2010 and the company was finally dissolved in 2015.
I also have an"Autumn Ash" picture. It's in great condition and has stickers on the back which look really old... one says another picture framed by Boots Autumn Ash by P Lightfoot LWEA and another saying "This picture has a Matglo surface varnish to reduce reflection.clean with a soft damp cloth".
I love the picture but it doesn't really go well in my house so I'm looking to sell it.are you able to give me any tips on best place to sell?
Well, get it out of the loft and hang it on the wall instead!
"Hi Adrian I am currently trying to find a home for a print of Peter Lightfoot Autumn Ash, which was bought by my dear departed mum in 1976. I'm an artist and my walls are already overflowing so I don't have room for it. It is the same as the image in your blog. Do you know anyone who might be interested?
It would be free plus postage (unless it can be collected) to a new home.
So, if you'd like a copy of Autumn Ash, drop me a line via the contact form and I'll forward them to Loraine. I have a photo of Loraine's print too so let me know if you'd like to see it.


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text:
title: I.t lesson 13-06-16
layout: post
author: horatio.holloway
permalink: /i.t-lesson-13-06-16/
source-id: 1ClwMrn3QwE8769XsUAc528Z1PPYr2d4CPrQW6ds_Pxg
published: true
---
Today I began to create my own game. It was a difficult task as I wasn't sure that the plan I had set out was plausible. However, it turned out it was, but it would have to take some independent and innovative thinking. I felt quite unsure that I was capable, but I managed to begin and also try to help out my friend who was also struggling. I had to try and use some code that I hadn't practised much if at all in the tutorials. For example, I was not sure how I would set up the player to be able to jump over the rock (the game I was creating was called 'mountain climber' where you have to jump over a rock 20 times but each time the amount of time you have to run across flat ground decreases). So I decided I would create a 'player' variable.

By the end of the lesson I hadn't got much code down that i was almost certain worked, and then I tried to copy and paste it and it deleted.

Thank you, raish-04.

redpajama_set_name: RedPajamaGithub


If you are looking for free guidance in the selection and use of PPE for safety and to comply with the OSHA requirements, you've come to the right place. The following chart may be helpful in selecting ppe!
Source: Survey of Personal Protective Clothing and Respiratory Apparatus. DOT, USCG, Office of Research and Development (September 1974).


Utah Symphony celebrating 79 years of entertainment. Featuring music spanning 250 years of history- Beethoven, Tchaikovsky, Rachmaninoff, Brahms, Mozart, Bach and more!
Special Event Performances by Salute to Youth, Celtic Woman, with additional enjoyment performances.
The Entertainment Series includes Bernstein on Broadway, Bernstein's Candide in Concert, Pink Martini, My Fair Lady, Cirque Dances with Vertigo.
Advertisers will be exposed to this unique demographic and partake in the vital presence that the Utah Symphony has in the surrounding community. Advertisers will also gain lasting exposure, as the majority of patrons take their playbills home and refer to the contents for a long time thereafter.
Take advantage of this opportunity to have your business be part of one of Utah's most beloved art organizations and contact us today to reserve your advertising space.
Please note, Utah Symphony | Utah Opera programs are published as separate issues, but can be purchased as a package. Please refer to the Utah Opera rate card for individual Opera rates.
If you are interested in advertising in a program presented at a particular Utah Symphony | Utah Opera event, please check the current schedule to determine the issue date.


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text:
Wes Brisco
Get Wes Brisco essential facts below. View Videos or join the Wes Brisco discussion. Add Wes Brisco to your PopFlock.com topic list for future reference or share this resource on social media.
American professional wrestler
Wes Brisco in August 2014
Wesley Brisco
(1983-02-21) February 21, 1983 (age 37)[1]
Tampa, Florida, U.S.[1]
Tampa, Florida, U.S.
Gerald Brisco (father)
Jack Brisco (uncle)
Professional wrestling career
Wes Brisco[2]
Billed height
5 ft 10 in (1.78 m)[2]
Billed weight
225 lb (102 kg)[2]
Billed from
Tampa, Florida[2]
Steve Keirn[1]
June 2009[1]
Wesley "Wes" Brisco[1] (born February 21, 1983) is an American professional wrestler known for his time in Total Nonstop Action (TNA), where he is a former member of Aces & Eights. He is a member of the Brisco wrestling family; the son of former Championship Wrestling from Florida mainstay Gerald Brisco and the nephew of former NWA World Heavyweight Champion Jack Brisco.[2]He currently performs for Atomic Revolutionary Wrestling (ARW), where he is the former ARW Heavyweight Champion and current Atomic Next Level Champion in his first reign.
World Wrestling Entertainment / WWE
Florida Championship Wrestling (2009-2011)
Brisco signed a developmental contract with World Wrestling Entertainment in 2009 and was sent to Florida Championship Wrestling for further training. He debuted on March 3, 2009, winning a Battle Royal. The next year, he formed a tag team with Xavier Woods, winning the Florida Tag Team Championship on November 4, 2010 when they defeated the previous champions, Johnny Curtis and Derrick Bateman.[3] On December 1 Woods and Brisco vacated the Tag Team Championship, after Brisco was sidelined with an injury.[4][5] After this, Brisco was released from his contract.
Independent circuit (2011-present)
After being released from WWE, Brisco started wrestling in the independent circuit, primarily in Florida. Brisco debuted on independent circuit at Florida Underground Wrestling, on October 14, 2011, when he teamed up with Dakota Darsow and defeated JD Maverick and Kennedy Kendrick.[6] The two teams began feuding and took each other on in one on one and tag team competition with both sides achieving wins and losses.[6] On March 6, 2012, the feud culminated in a no holds barred street fight to become the number one contenders for the FUW Tag Team Championship which Maverick and Kendrick won.[6] Brisco and Darsow split up looking for greener pastures in singles competitions. Brisco defeated Bruce Santee only days after the team's loss and went on to lose to Santee for the FUW Heavyweight Championship.[6] Their feud ended in a dark match at Ring of Honor with Santee once again coming out on top.[6] on April 24, Brisco defeated Fidel Sierra for the FUW Cuban Heavyweight Championship. He would hold the title for several months, fending off opponents such as Sam Shaw, Nick Fame and Darsow. On July 7, Brisco lost the Cuban Heavyweight Championship to JD Maverick and that also turned out to be his farewell match.[6]
Brisco went on a monthlong tour of Puerto Rican promoting World Wrestling Council which started on July 14 when he defeated Mr. X.[7] He also defeated Donny Fuggedaboudit and Johnny Fuggedaboudit with JD Maverick to crown them as the first CWF Tag Team Champions at CWF SuperClash on August 4, 2012 in Orlando, Florida. He also won another tournament with Cassidy Riley, defeating The Headbangers, to be the first NWA Ring Warriors Global Tag Team Champions.[8] On October 26, 2012, at a World Wrestling Council he competed against the WWC Universal Heavyweight Champion Rey Fénix and Andy Leavine in a losing effort in a non-title match. He wrestled a Loser Leaves WWC Match vs Andy Leavine in a no-contest after Rey Fenix interfered, and attacked both of them at the same time with 2 steel bars. The following week, he competed with the same stipulation, except this time it was anything goes, and he defeated Andy Leavine, to (kayfabe) fire him. On February 23, 2013, Brisco & Riley lost the Ring Warriors Global Tag Team Championships.[9]
On March 7, 2014, at NWA FUW Idus of March, Brisco defeated Michael Tarver to win the NWA FUW Heavyweight Championship.[10] He lost the title on November 28, 2014 against JD Maverick.[11]
Total Nonstop Action Wrestling
Debut (2012-2013)
Brisco made his Total Nonstop Action Wrestling (TNA) debut on the October 11, 2012, episode Impact Wrestling, in a backstage segment with Kurt Angle.[12] Three days later at the Bound for Glory pay-per-view, Brisco appeared during Angle's entrance.[13] Brisco would then begin to feud with the villainous Aces & Eights stable, alongside Kurt Angle, after fending off the stable with a metal pipe, during a tag team match between Aces & Eights and Angle and Garett Bischoff on the November 15 episode of Impact Wrestling. Angle then recommended Brisco to for TNA's Gut Check program.[14] The following week, Brisco defeated Garett Bischoff in his Gut Check match, becoming the first contestant to win their tryout match.[15] On the next episode of Impact Wrestling, the storyline Gut Check judges agreed to give Brisco a TNA contract.[16] Brisco wrestled his first match on a TNA pay-per-view on December 9 at Final Resolution, teaming with Garett Bischoff, Kurt Angle, and Samoa Joe to defeat Aces & Eights (Devon, D.O.C., and two masked members) in an eight-man tag team match.[17] On the following episode of Impact Wrestling, Brisco and Bischoff teamed up to defeat Robbie E and Robbie T in a tag team match.[18]
Aces & Eights (2013-2014)
Wes Brisco (standing by the turnbuckles) as member of Aces & 8s.
On the January 31 episode of Impact Wrestling, Brisco and Bischoff revealed themselves as members of Aces & Eights and attacked Kurt Angle, turning heel in the process.[19] Brisco explained his turn the following week, claiming he should not have had to start at the bottom due to his Brisco family status.[20] On March 10 at Lockdown, Brisco defeated Kurt Angle in a steel cage match, following interference from Aces & Eights Vice President D'Lo Brown.[21] On the September 5 episode of Impact Wrestling, Brisco and Garett Bischoff defeated the TNA World Tag Team Champions James Storm and Gunner in a non-title match.[22] On the September 26th episode Magnus, Samoa Joe and Sting defeated Garrett Bischoff, Knux and Brisco in a six-man tag team match after Joe made Brisco tap out to the Coquina Clutch. After the match, Bully Ray came to the ring and told Brisco that he was out of Aces and Eights, but Brisco refused to hand his kutte over to Ray. Ray then hit Brisco with a Clothesline and a Piledriver, after which Knux and Bischoff eventually took the kutte off Brisco and gave it to Ray officially removing him from the group. After a four-month hiatus, TNA announced that Brisco was released from his TNA contract on January 13, 2014.[23]
New Japan Pro-Wrestling (2014)
On April 14, 2014, New Japan Pro-Wrestling (NJPW) announced that Brisco would be making his debut for the promotion representing the National Wrestling Alliance (NWA) on May 3 at Wrestling Dontaku 2014.[24][25] At the event, Brisco unsuccessfully challenged Satoshi Kojima for the NWA World Heavyweight Championship.[26][27] Brisco returned to the promotion on May 25 at Back to the Yokohama Arena, where he and Rob Conway unsuccessfully challenged Tencozy (Hiroyoshi Tenzan and Satoshi Kojima) for the NWA World Tag Team Championship in a three-way match, which also included K.E.S. (Davey Boy Smith, Jr. and Lance Archer).[28][29]
Brisco was born in Tampa, Florida and has a brother named Joseph who is a grad student at the University of South Florida. He is the son of Gerald Brisco and nephew of Jack Brisco. On December 18, 2020, it was announced the Brisco was engaged to AEW star Red Velvet.[30]
Championships and accomplishments
Atomic Revolutionary Wrestling
ARW Heavyweight Championship (1 time)[31]
ARW Tag Team Championship (1 time) - with Garrett Bischoff[32]
Cauliflower Alley Club
Future Legend (2015)
Continental Wrestling Federation
CWF Tag Team Championship (1 time) - with JD Maverick
Florida Championship Wrestling
FCW Florida Tag Team Championship (1 time) - with Xavier Woods[3]
French Lake Wrestling Association
FLWA Heavyweight Championship (1 time)
Funking Conservatory
FC! BANG Hardcore Championship (1 time)[33]
Great North Wrestling
GNW Canadian Championship (2 times)[34]
GNW World Television Championship (1 time)[35]
Impact Pro Wrestling
IPW Tag Team Championship (1 time) - with Malice[36]
NWA Florida Underground Wrestling/Signature Pro Wrestling
NWA Florida Heavyweight Championship (1 time)
FUW Cuban Heavyweight Championship (1 time)
Ring Warriors Global Tag Team Championship (1 time) - with Cassidy Riley
Paragon Pro Wrestling
PPW World Championship (1 time)[37]
PPW Tag Team Championship (1 time) - with Jesse Sorensen[38]
PWI ranked him #101 of the 500 best singles wrestlers of the year in the PWI 500 in 2013[39]
TNA Gut Check winner[40]
Universal Championship Wrestling
UCW United States Championship (1 time)
Wrestling Observer Newsletter awards
Worst Gimmick (2013) Aces & Eights[41]
^ a b c d e "Wes Brisco Profile". Cagematch. Retrieved .
^ a b c d e "Wes Brisco". Total Nonstop Action Wrestling. Archived from the original on 2015-06-10. Retrieved .
^ a b "FCW roster". Florida Championship Wrestling. Archived from the original on 2010-11-06. Retrieved .
^ "Media Alert: December 1, 2010". Florida Championship Wrestling. 2010-12-01. Retrieved .
^ Caldwell, James (2010-12-03). "FCW/Other News: Big wrestling weekend in Florida - WWE developmental to determine new tag champions, Jeff Peterson Cup, Scott Hall appearance". Pro Wrestling Torch. Retrieved .
^ a b c d e f http://www.cagematch.net/?id=2&nr=7826&view=&page=4&gimmick=&year=&promotion=768&region=&location=&arena=&showtype=&worker=&text=
^ http://www.cagematch.net/?id=2&nr=7826&view=&page=4&gimmick=&year=&promotion=52&region=&location=&arena=&showtype=&worker=&text=
^ http://www.cagematch.net/?id=2&nr=7826&view=&page=4&gimmick=&year=&promotion=817&region=&location=&arena=&showtype=&worker=&text=
^ http://www.cagematch.de/?id=1&nr=91763
^ http://www.cagematch.de/?id=1&nr=108283
^ http://www.cagematch.net/?id=1&nr=120810
^ "CALDWELL'S TNA IMPACT RESULTS 10/11/12: Complete "virtual-time" coverage of live Impact - final PPV hype, triple main event".
^ Meltzer, Dave (October 14, 2012). "TNA Bound for Glory PPV coverage from Phoenix". Wrestling Observer. Retrieved .
^ "CALDWELL'S TNA IMPACT RESULTS 11/15: Complete "virtual-time" coverage of post-PPV episode - Storm vs. Roode".
^ "CALDWELL'S TNA IMPACT RESULTS 11/22: Thanksgiving Edition features Gut Checks, Turkeys, more".
^ "CALDWELL'S TNA IMPACT RESULTS 11/29: Complete "virtual-time" coverage of Championship Thursday - X Title in main event, Hogan Knows Best?".
^ "CALDWELL'S TNA FINAL RESOLUTION PPV RESULTS 12/9: Complete "virtual-time" coverage of Hardy vs. Roode in the main event, Aries vs. Bully".
^ "CALDWELL'S TNA IMPACT RESULTS 12/13: Complete "virtual-time" coverage of PPV fall-out episode".
^ "CALDWELL'S TNA IMPACT RESULTS 1/31: Complete "virtual-time" coverage of Impact in the U.K. - Angle-Anderson, Wes & Garett turn heel, Wes's hair tells the story".
^ "CALDWELL'S TNA IMPACT RESULTS 2/7: Complete "virtual-time" coverage of Impact in the U.K. - Tag Title change, Sting & Bully main event, Aces & Eights lose again, Nash weighs in".
^ "CALDWELL'S TNA LOCKDOWN PPV RESULTS 3/10: Live, in-person coverage from San Antonio - Hardy vs. Ray TNA Title match, Lethal Lockdown, more".
^ http://www.pwinsider.com/ViewArticle.php?id=82831
^ "5?3vsBullet ?!! vsW! IWGP Jr.!!". New Japan Pro-Wrestling (in Japanese). 2014-04-14. Retrieved .
^ Caldwell, James (2014-04-14). "NJPW news: Big card announced for May iPPV - Styles challenging for top title, former TNA star challenging for NWA World Title, Young Bucks title defense, more". Pro Wrestling Torch. Retrieved .
^ 2014. New Japan Pro-Wrestling (in Japanese). Retrieved .
^ Namako, Jason (2014-05-03). "5/3 NJPW iPPV Results: Fukoka, Japan (Okada/Styles)". Wrestleview. Retrieved .
^ "Back to the Yokohama Arena". New Japan Pro-Wrestling (in Japanese). Retrieved .
^ Caldwell, James (2014-05-25). "Caldwell's NJPW iPPV results 5/25: Complete "virtual-time" coverage of live show featuring Styles vs. Okada for IWGP World Title, MOTY Contender, NWA Tag Titles, more". Pro Wrestling Torch. Retrieved .
^ Lessman, James. "AEW Star Red Velvet Engaged To Be Married To Wes Brisco". Rajah.com. Retrieved 2020.
^ https://www.cagematch.net//?id=5&nr=3342
^ https://www.cagematch.net/?id=2&nr=7826&page=11
^ https://www.cagematch.net//?id=1&nr=226670
^ "Pro Wrestling Illustrated (PWI) 500 for 2013". The Internet Wrestling Database. Retrieved .
^ Caldwell, James (November 29, 2012). "Caldwell's TNA Impact results 11/29: Complete "virtual-time" coverage of Championship Thursday - X Title in main event, Hogan Knows Best?". PWTorch.com. Retrieved 2012.
^ Meltzer, Dave (January 27, 2014). "Jan 27 2014 Wrestling Observer Newsletter: 2013 Annual awards issue, best in the world in numerous categories, plus all the news in pro-wrestling and MMA over the past week and more". Wrestling Observer Newsletter. Campbell, California: 35. ISSN 1083-9593.
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impact wrestling results for 10-25-2012 wes brisco update with indy fed news
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Cecilia's memorial service will be held in San Francisco on 19th January. Joyce will visit the sisters there from 14th – 24th, and will represent this province at the service.
Clark Berge has been told that his visa is granted, and we hope to see him on British soil by the middle of January.
Bishop Steven Cottrell elected protector general.
European Province: Martin John elected to life profession; changes in Canterbury; Christopher Martin in charge of "South-East" cluster; Juliana recevied into life profession in CSF; Clark Berge elected guardian of Hilfield Friary.


Every year, John Hilker, of food manufacturer The C.F. Sauer Company, has a plan for the engineers and packaging experts he sends to the PACK EXPO shows in Chicago and Las Vegas.
Two years ago, the company, which makes wet and dry condiments, extracts, sauces and spices, was in need of a specific machine for its liquid factories. Hilker sent a team of 15 people to the show with a mission to find this type of machine. Everyone was told to scour the show floor, take notes on what they saw, regroup and then, the next day, go back to the show with a "hit list" of the most interesting machines. They were to get more details from those OEMs about what the machine does and how it is built in order to do a high level evaluation and determine if it would work for the company. In that process the team was able to identify 17 different machine manufacturers, which was narrowed down to seven during the show and, after the show, whittled down to three OEMs. Ultimately, the decision came down to one OEM's machine—which is being purchased.
Last year, the group performed a similar exercise. But this year, despite the fact that there is a need for more equipment—from cappers to case packers—there's a new plan.
"We are changing up who's going," says Hilker, who is C.F. Sauer's senior vice president of plants and manufacturing. "I'm sending continuous improvement people and some maintenance people." Because this year, it's not about finding new equipment, but finding new ways to make existing machines more productive and extend their lifecycles, he says.
PACK EXPO International, which brings 2,500 exhibitors together with 50,000 attendees with over 100 free educational presentations, is a valuable venue for finding solutions to packaging problems. But, because there is so much going on at the show, it's important to enter the halls with a mission in mind, Hilker reiterates.
While Hilker is always looking for the latest and greatest technology to keep his production lines humming, he says the majority of machine maintenance is performed by the C.F. Sauer staff, not the OEM. So, when it comes to data collection, Hilker is looking at the entire production line, which may include 12 pieces of equipment. That means, it doesn't make much sense for the machine builder to integrate sophisticated analytics and OEE resources into their one machine.
What's more important, Hilker says, is that the OEM invests the time upfront to understand the end user requirements. And for that to happen, there needs to be clear, concise communication.
For example, C.F. Sauer has had trouble in the past during the site acceptance test (SAT) phase. Specifically, there has been miscommunication around the need for training as part of the process. In previous experiences, Hilker has had conversations about training, and thought it was understood, but it didn't happen easily and caused more financial headaches. Now, the expectations are defined upfront in the purchase order. SAT's are a separate event from training.
Hilker uses the OpX Leadership Network's factory acceptance test (FAT) protocols, which is a standard way to define criteria and expectations around equipment operability prior to leaving the suppliers factory. Now, he's extended those protocols to the SAT. To that end, the SAT version includes a timeline of deployment and equipment instruction.
For example, OEMs have to learn many different methods of how manufacturers buy machines, which can be stressful when trying to understand how each organization works. By using guidelines like the OpX's recently released RFP template for the CPG industry, which offers a systematic thought process, both the OEM and the end user can have greater clarity and understanding of capital project requirements.
Hilker says the OpX group is proud of the guidelines, which is why those who are influential in making them are also committing their organization to using them. "Since my involvement with OpX, I've been using the work products and threading them through my organization." This approach gets his internal team on the same page, too.
As pointed out earlier, Hilker approaches every operation in an organized manner—be it getting his team to focus on the PACK EXPO show floor or getting the team to focus on the factory floor. It's all about having a mission and a plan.


text:
package org.apache.ambari.server.topology;

import com.google.common.base.Enums;
import com.google.common.base.Strings;
import com.google.gson.Gson;
import com.google.inject.Inject;
import org.apache.ambari.server.orm.dao.KerberosDescriptorDAO;
import org.apache.ambari.server.orm.entities.KerberosDescriptorEntity;
import org.apache.ambari.server.state.SecurityType;
import org.slf4j.Logger;
import org.slf4j.LoggerFactory;

import java.util.Map;
import java.util.UUID;

public class SecurityConfigurationFactory {

  private static final Logger LOGGER = LoggerFactory.getLogger(SecurityConfigurationFactory.class);

  public static final String SECURITY_PROPERTY_ID = "security";
  public static final String TYPE_PROPERTY_ID = "type";
  public static final String KERBEROS_DESCRIPTOR_PROPERTY_ID = "kerberos_descriptor";
  public static final String KERBEROS_DESCRIPTOR_REFERENCE_PROPERTY_ID = "kerberos_descriptor_reference";

  @Inject
  protected Gson jsonSerializer;

  @Inject
  private KerberosDescriptorDAO kerberosDescriptorDAO;

  @Inject
  private KerberosDescriptorFactory kerberosDescriptorFactory;

  public SecurityConfigurationFactory() {
  }

  protected SecurityConfigurationFactory(Gson jsonSerializer, KerberosDescriptorDAO kerberosDescriptorDAO, KerberosDescriptorFactory kerberosDescriptorFactory) {
    this.jsonSerializer = jsonSerializer;
    this.kerberosDescriptorDAO = kerberosDescriptorDAO;
    this.kerberosDescriptorFactory = kerberosDescriptorFactory;
  }

  /**
   * Creates and also validates SecurityConfiguration based on properties parsed from request Json.
   *
   * @param properties Security properties from Json parsed into a Map
   * @param persistEmbeddedDescriptor whether to save embedded descriptor or not
   * @return
   */
  public SecurityConfiguration createSecurityConfigurationFromRequest(Map<String, Object> properties, boolean
    persistEmbeddedDescriptor) {

    SecurityConfiguration securityConfiguration = null;

    LOGGER.debug("Creating security configuration from properties: {}", properties);
    Map<String, Object> securityProperties = (Map<String, Object>) properties.get(SECURITY_PROPERTY_ID);

    if (securityProperties == null) {
      LOGGER.debug("No security information properties provided, returning null");
      return securityConfiguration;
    }

    String securityTypeString = Strings.emptyToNull((String) securityProperties.get(TYPE_PROPERTY_ID));
    if (securityTypeString == null) {
      LOGGER.error("Type is missing from security block.");
      throw new IllegalArgumentException("Type missing from security block.");
    }

    SecurityType securityType = Enums.getIfPresent(SecurityType.class, securityTypeString).orNull();
    if (securityType == null) {
      LOGGER.error("Unsupported security type specified: {}", securityType);
      throw new IllegalArgumentException("Invalid security type specified: " + securityTypeString);
    }

    if (securityType == SecurityType.KERBEROS) {

      // get security information from the request propertie if any
      String descriptorReference = Strings.emptyToNull((String)
          securityProperties.get(KERBEROS_DESCRIPTOR_REFERENCE_PROPERTY_ID));

      Object descriptorJsonMap = securityProperties.get(KERBEROS_DESCRIPTOR_PROPERTY_ID);

      if (descriptorReference != null && descriptorJsonMap != null) {
        LOGGER.error("Both kerberos descriptor and kerberos descriptor reference are set in the security configuration!");
        throw new IllegalArgumentException("Usage of properties : " + KERBEROS_DESCRIPTOR_PROPERTY_ID + " and "
            + KERBEROS_DESCRIPTOR_REFERENCE_PROPERTY_ID + " at the same time, is not allowed.");
      }

      String descriptorText = null;

      if (descriptorJsonMap != null) { // this means the reference is null
        LOGGER.debug("Found embedded descriptor: {}", descriptorJsonMap);
        descriptorText = jsonSerializer.<Map<String, Object>>toJson(descriptorJsonMap, Map.class);
        if (persistEmbeddedDescriptor) {
          descriptorReference = persistKerberosDescriptor(descriptorText);
        }
        securityConfiguration = new SecurityConfiguration(SecurityType.KERBEROS, descriptorReference, descriptorText);
      } else if (descriptorReference != null) { // this means the reference is not null
        LOGGER.debug("Found descriptor reference: {}", descriptorReference);
        securityConfiguration = loadSecurityConfigurationByReference(descriptorReference);
      } else {
        LOGGER.debug("There is no security descriptor found in the request");
        securityConfiguration = new SecurityConfiguration(SecurityType.KERBEROS);
      }
    } else {
      LOGGER.debug("There is no security configuration found in the request");
      securityConfiguration = new SecurityConfiguration(SecurityType.NONE);
    }
    return securityConfiguration;
  }

  public SecurityConfiguration loadSecurityConfigurationByReference(String reference) {
    SecurityConfiguration securityConfiguration = null;
    LOGGER.debug("Loading security configuration by reference: {}", reference);

    if (reference == null) {
      LOGGER.error("No security configuration reference provided!");
      throw new IllegalArgumentException("No security configuration reference provided!");
    }

    KerberosDescriptorEntity descriptorEntity = kerberosDescriptorDAO.findByName(reference);

    if (descriptorEntity == null) {
      LOGGER.error("No security configuration found for the reference: {}", reference);
      throw new IllegalArgumentException("No security configuration found for the reference: " + reference);
    }

    securityConfiguration = new SecurityConfiguration(SecurityType.KERBEROS, reference, descriptorEntity.getKerberosDescriptorText());

    return securityConfiguration;

  }

  private String persistKerberosDescriptor(String descriptor) {
    LOGGER.debug("Generating new kerberos descriptor reference ...");
    String kdReference = generateKerberosDescriptorReference();

    KerberosDescriptor kerberosDescriptor = kerberosDescriptorFactory.createKerberosDescriptor(kdReference, descriptor);

    LOGGER.debug("Persisting kerberos descriptor ...");
    kerberosDescriptorDAO.create(kerberosDescriptor.toEntity());
    return kdReference;
  }

  // generates a unique name for the kerberos descriptor for further reference
  private String generateKerberosDescriptorReference() {
    String kdReference = UUID.randomUUID().toString();
    LOGGER.debug("Generated new kerberos descriptor reference: {}", kdReference);
    return kdReference;
  }

}


What Size Dumpster Should I Get for a Residential Clean Out in Emerson?
When selecting a dumpster, though, it's frequently wise to ask for a size bigger than what you believe you'll need. Unless you are a professional, it's tough to gauge the exact size required for your project. By getting a somewhat bigger size, you spend a little more cash, however you also prevent the possibility that you will run out of room. Renting a bigger dumpster is nearly always cheaper than renting two little ones.
The quantity of time that you have to rent a dumpster in Emerson generally depends on the type of project you are working on. A little endeavor, including a basement clean out, will likely take a number of days to finish while bigger projects, like building a new house, could take several months.
Most dumpster rental firms in Emerson are happy to adjust their programs to suit your needs. Keep in your mind, however, that the more time you keep the dumpster, the more you'll need to pay for it.
When you contact dumpster rental firms in Emerson, ask them how long their durations are. Many will allow you alternatives such as several days or one week, but there are typically longer terms accessible, too.
5. Discover what services you get with your dumpster rental in Emerson.
When you rent a dumpster in Emerson, you're dealing with professionals who use terms connected with the construction industry and dumpsters each day. Because you probably don't use these terms daily, here's a bit of the lingo to get you acclimated. This will actually allow you to deal with company workers who may get impatient if you don't realize what they are explaining about their products.
"Container" and "roll-off" are both satisfactory terms for the big metal box you want to rent. Professionals do not use the term "dumpster" as much as the other terms. Containers are usually leased in cubic yard sizes, but you do not have to comprise the "cubic" part. Merely say "yard" or "yarder." If, for example, you need to rent a 30-yard dumpster, you may say, "I'm interested in a 30-yard roll-off" or "I Had like to rent a 30-yarder." Take advantage of these terms, and you'll seem like a professional when you call.
Most cities or municipalities do not have many regulations regarding dumpster rental in Emerson as long as you keep the dumpster entirely on your own property during the rental period. If you have to put your container on the road at all, you'll probably need to obtain a permit from the right building permit office in your town.
Most dumpster rental companies in Emerson will take care of securing this permit for you if you rent from them. Make sure that should you're planning to put the dumpster on the road, the organization has made the appropriate arrangements. You need to also make certain you get the permit in a timely manner and at the right price. If you believed the dumpster business was getting a permit and they didn't, you'll be the one who will need to pay the fine that's issued by the authorities.
Most people do not need to rent dumpsters unless they absolutely have to. Sometimes, though, it becomes clear that you have to rent a dumpster in Emerson for commercial and residential projects.
Most cities will not haul away building debris for you. It's your responsibility to be sure you have a suitable container to collect discarded material from remodeling endeavors. Even though you just have a small job, municipal waste management is not likely to haul the debris away.
A leading clean out can amass more garbage when compared to a normal receptacle can hold. Renting a little dumpster is a more convenient option that will prevent making multiple trips to the neighborhood dump.
When you have one of these endeavors in mind, then you understand it is time to look for a dependable dumpster rental service in Emerson.
The smallest size roll-off dumpster typically accessible is 10 yards. This container will carry about 10 cubic yards of waste and debris, which is approximately equivalent to 3 to 5 pickup truck loads of waste. This dumpster is an excellent choice for small projects, such as small dwelling cleanouts.
Other examples of projects that a 10 yard container would function well for include: A garage, shed or attic cleanout A 250 square foot deck removal 2,000 to 2,500 square feet of single layer roofing shingles A modest kitchen or bathroom remodeling job Concrete or dirt removal Getting rid of garbage Take note that weight restrictions for the containers are enforced, so exceeding the weight limit will incur additional charges. The normal weight limit for a 10 yard bin is 1 to 3 tons (2,000 to 6,000 pounds).
A 10 yard bin will help you take care of small projects around the home. If you have a bigger job coming up, take a look at some bigger containers too.
Construction Dumpster Rental in Emerson - Do You Want One?
The most frequent exception to this rule is when you have a truck that is big enough to transport all construction debris to a landfill or landfill drop off point. In the event you're working on a little bathroom remodeling job, for instance, you may find you could fit all of the debris in a truck bed.
Other than very little projects, it is suggested that you rent a dumpster in Emerson for construction projects.
If you're not sure whether your municipality accepts construction debris, contact the city for more advice. You'll likely find that you will need to rent a dumpster in Emerson. Setting debris out for garbage removal could possibly result in fines.
While roll off dumpsters are generally left on location, front load dumpsters will come pick up debris on a set program. That makes it feasible for sterilization professionals to eliminate garbage and trash for multiple residences and businesses in the area at affordable costs.


Sumario; Agradecimientos ix; Nota sobre el texto xi; Prólogo para estetas. Por Diego Romero de Solís xv; Introducción. Ramón Gaya, escritor 1; Primera parte: Los orígenes: Ramón Gaya y los angeles generación del 27 (1920-1939) 17; Capítulo I: Entre el veintisiete y Juan Ramón: l. a. poesía pura y l. a. definición de los angeles belleza 19; Capítulo II: Las vanguardias y los angeles "energía soterrada" de los angeles otra modernidad 37; Capítulo III: l. a. poesía de los angeles revolución fifty five; Capítulo IV: El Siglo de Oro y el giro generacional a los angeles tradición artística española sixty seven. Capítulo V: El exilio mexicano y l. a. nostalgia de l. a. patria pictórica 85Segunda parte: A l. a. búsqueda de los angeles esencia de l. a. creación (1951-2005) ninety five; Capítulo VI: El "alma húmeda" de los angeles pintura ninety seven; Capítulo VII: Arte artístico y arte creador 123; Capítulo VIII: Más allá del arte o el numen de los angeles creación 149; Capítulo IX: Velázquez, el desertor 159; Epílogo 181; Bibliografía 185; Índice 191.
The Occupy Wall highway move named the middle factor of our time: the overpowering strength of Wall highway and big corporations— anything the political institution and so much media have lengthy ignored.
But the move is going some distance past this critique. This adjustments every thing indicates how the circulate is transferring the way in which humans view themselves and the realm, the type of society they suspect is feasible, and their very own involvement in making a society that works for the ninety nine% instead of simply the 1%.
Attempts to pigeonhole this decentralized, fast-evolving stream have ended in confusion and misperception. during this quantity, the editors of convinced! journal assemble voices from inside and out the protests to exhibit the problems, percentages, and personalities linked to the Occupy Wall highway movement.
This e-book positive aspects contributions from Naomi Klein, David Korten, Rebecca Solnit, Ralph Nader, and others, in addition to Occupy activists who have been there from the start, corresponding to David Graeber, Marina Sitrin and Hena Ashraf. It deals insights for these actively protesting or expressing help for the movement—and for the hundreds of thousands extra who sympathize with the objective of a extra equitable and democratic destiny.
This e-book will discover the childbirth approach via globally different views with a view to provide a broader context with which to consider beginning. we are going to deal with a number of rituals and administration versions surrounding the hard work and start procedure from groups around the globe.
Labor and beginning are biocultural occasions which are controlled in numerous methods. we're relatively attracted to the inspiration of strength. Who controls the being pregnant and the start? Is it the health center, the physician, or the in-laws, and within which cultures does the mum have the keep watch over? those judgements, relating to place of origin, place, who gets the child or even how the mummy may possibly or would possibly not behave in the course of the genuine supply, are all a part of the several ways in which delivery is conducted.
One bankruptcy of the e-book may be dedicated to midwives and different start attendants. there'll even be chapters at the Evolution of beginning, on Women's start Narratives, and on baby Spacing and Breastfeeding.
This e-book will collect international examine performed through expert anthropologists, midwives and medical professionals who paintings heavily with the participants from the cultures they're writing approximately, supplying a different viewpoint direct from the cultural group.
Dazai Osamu (1909-1948) is certainly one of Japan''s most famed literary suicides, referred to as the earliest postwar manifestation of the really alienated author in Japan. during this first deconstructive studying of a latest eastern novelist, Alan Wolfe attracts on modern Western literary and cultural theories and on a data of Dazai''s paintings within the context of eastern literary historical past to supply a clean view of significant texts by means of this significant literary determine.
In the method, Wolfe revises jap in addition to Western scholarship on Dazai and discovers new connections between suicide, autobiography, alienation, and modernization. As proven the following, Dazai''s writings face up to narrative and old closure; whereas he will be acknowledged to serve the japanese literary institution as either romantic decadent and consultant scapegoat, his texts display a deconstructive side by which his posthumous prestige as a monument of negativity is already perceived and undone. Wolfe continues that cultural modernization pits a Western idea of the person as discovered self and coherent topic opposed to an jap absent self--and felt have to conquer this pressure conjures up the autobiographical fiction so general in eastern novels.
Suicidal Narrative in glossy Japan exhibits that Dazai''s texts additionally withstand readings that might unravel the gaps (East/West, self/other, modern/premodern) nonetheless commonplace in jap highbrow life.
9. C. t. 21. Introducción. 16 No ha de extrañar que al pintor le molestaran tanto los escritos sobre arte de Ortega, en la mayoría de los cuales quiso ver no más que muestras fehacientes de una crítica empeñada en desencantar el misterio del arte. En cuarto lugar, Gaya cree que la característica anterior provoca de forma casi instantánea que los críticos de arte se planten ante la obra, no como hombres, sino como "peritos", dejando de ser alguien, para convertirse en algo. 17 Por eso, para el escritor, no es que los críticos tengan una relación equivocada con la obra de arte, sino que no la tienen en absoluto.
Apareció en Roma en 1975, y se reeditó después, en 1996, en una editorial madrileña. 11 En el ensayo, el pintor renuncia indirectamente a practicarla y expone diferentes argumentos para amparar su decisión. En primer lugar, Gaya piensa que, mientras que la pintura nace con el hombre y forma parte de la vida, la crítica no existe desde un principio. 12 Para Gaya, la crítica tiene un origen artificial, que data del Renacimiento, y es por eso algo forzado y, sobre todo, superf luo o innecesario. A decir verdad, la figura del crítico de arte se afirmó y estableció de forma definitiva, no en el Renacimiento, sino después del Barroco.
Una estética sin filosofía Para ir adentrándonos en la manera como Gaya se enfrenta al arte y escribe sobre él, todavía nos falta por analizar el papel que atribuye a la estética. De la lectura de sus textos se deduce que esta disciplina resulta insuficiente para entender el arte, aunque hay que decir que el escritor posee demasiados prejuicios y una forma de entenderla reduccionista y deficiente. 12. Introducción. Ramón Gaya, escritor 11 el problema radica en hacerla depender de la filosofía, lo que provoca que recaigan sobre ella todas las prevenciones que el pintor tiene de ésta.