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Community Calendar for the week of July 7, 2017
By Caresa Alexander Randall Jul 6, 2017, 3:55pm MDT
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The Utah Festival Opera and Musical Theatre in Logan presents "The Music Man" at the Ellen Eccles Theatre through Aug. 9. Paul Waldron
The Weber State University outdoor program will host a stand-up paddleboard class on July 9. Weber State University
Singer Patti Austin will pull from jazz legend Ella Fitzerald's catalog for "Ella At 100: Patti Austin Sings Ella Fitzgerald" with the Utah Symphony at Deer Valley's Snow Park Amphitheater on July 7. Provided by Utah Symphony and Utah Opera
Iron Maiden, July 7, 6 p.m., USANA Amphitheater, 5150 Upper Ridge Road, West Valley City, $34.50-$99.50 (801-355-5522 or usana-amp.com)
Utah Voices and the 23rd Army Band, July 7, 7 p.m., Bountiful City Park, 200 W. 400 North, Bountiful, free (co.davis.ut.us)
Patti Austin sings Ella Fitzgerald, Utah Symphony, July 7, 7:30 p.m., Deer Valley Snow Park Lodge Outdoor Amphitheater, 2250 Deer Valley Drive South, Park City, $36-$93 for adults, $15 for youths with ID (801-533-6683 or deervalleymusicfestival.org)
"They Reminisce," July 7-8, 7:30 p.m.; July 8, 4:30 p.m., Rose Wagner Performing Arts Center, 138 W. 300 South, $15 (801-355-2787 or artsaltlake.org)
Homeward, July 7-8, 7:30 p.m., Rose Wagner Performing Arts Center, 138 W. 300 South, $10 (801-355-2787 or artsaltlake.org)
Arrival, the Music of ABBA, July 7, 8 p.m., Sandy Amphitheater, 9400 S. 1300 East, Sandy, $17-$27 (801-568-2787 or sandyamp.com)
Great Dames, July 8, 6 p.m., Nordic Valley Resort, 3567 Nordic Valley Way, Eden, free (801-745-3511 or nordicvalley.com/summer-events)
Halau Hula 'O Kahealani and Blue Sage Band, July 10, 7 p.m., Liberty Park, 600 E. 900 South (artsandmuseums.utah.gov)
The Beach Boys, Utah Symphony, July 8, 7:30 p.m., Deer Valley Snow Park Lodge Outdoor Amphitheater, 2250 Deer Valley Drive South, Park City, sold out, call for details (801-533-6683 or deervalleymusicfestival.org)
The National Parks, July 8, 7:30 p.m., O.C. Tanner Amphitheater, 350 W. Lion Blvd., Springdale, $15 (435-652-7800 or dsutix.com)
Ambrosia, July 8, 8 p.m., Ed Kenley Amphitheater, 403 N. Wasatch Drive, Layton, $19-$39 (801-546-8575 or davisarts.org)
Jason Lyle Black, The Backwards Piano Man, July 8, 8 p.m., Sandy Amphitheater, 9400 S. 1300 East, Sandy, $10-$15 (801-568-2787 or sandyamp.com)
Joe McQueen Quartet, July 8, 8 p.m., Holladay City Park, 4580 S. 2300 East, Holladay, free (801-718-3862 or excellenceconcerts.org)
Murray Concert Band, July 8, 8 p.m., Murray Park Amphitheater, 495 E. 5300 South, $5 for adults, $3 for children and seniors (801-264-2614 or murray.utah.gov)
Night Star Jazz Orchestra, July 8, 8:30 p.m., Viridian Event Center, 8030 S. 1825 West, West Jordan, free (801-718-3862 or excellenceconcerts.org)
"Broadway Today," July 9, 7 p.m., Ed Kenley Amphitheater, 403 N. Wasatch Drive, Layton, free (801-546-8575 or davisarts.org)
Hired Guns, July 10, 7 p.m., Murray Park, Pavilion #5, 296 E. Murray Ave., Murray, free (801-264-2614 or murray.utah.gov)
West Valley Symphony, July 10, 7:30 p.m., Utah Cultural Celebration Center, 1355 W. 3100 South, West Valley City, free (culturalcelebration.org)
Trumpet Dave, July 11, noon, Murray Park, Pavilion #5, 296 E. Murray Ave., Murray, free (801-264-2614 or murray.utah.gov)
International Opera Competition, July 11 and 25, 1 p.m., Utah Theatre, 18 W. Center, Logan, $9-$14 (800-262-0074 or utahfestival.org)
Tad Calcara and New Deal Swing, July 11, 7:30 p.m., Gallivan Center, 239 S. Main, free (801-718-3862 or excellenceconcerts.org)
Donny and Marie, July 11-12, 8 p.m., Sandy Amphitheater, 9400 S. 1300 East, Sandy, $55-$95 (801-568-2787 or sandyamp.com)
Kathy Mattea, July 11, 8 p.m., Ed Kenley Amphitheater, 403 N. Wasatch Drive, Layton, $19-$39 (801-546-8575 or davisarts.org)
The Pianists, July 12, 1 p.m., Ellen Eccles Theatre, 43 S. Main, Logan, $10-$40 (800-262-0074 or utahfestival.org)
Lark and Spur, July 12, 7:30 p.m., Gallivan Center, 239 S. Main, free (801-718-3862 or excellenceconcerts.org)
"A Night at Bach's Coffeehouse," Utah Symphony, July 12, 8 p.m., St. Mary's Church, 1505 White Pine Canyon Road, Park City, $36 for general, $15 for youths with ID (801-533-6683 or utahsymphony.org
Mama's Wranglers, July 13, 2 p.m., Murray Park, Pavilion #5, 296 E. Murray Ave., Murray, free (801-264-2614 or murray.utah.gov)
"Tube the Ogden," July 7-8, noon-6 p.m., Lorin Farr Park, 769 Canyon Road, Ogden, $5-$10 (801-626-7232 or gearthirty.com)
"Mutant Worms," July 7, 2-4 p.m., Natural History Museum of Utah, 301 Wakara Way, $14.95 for adults, $12.95 for seniors and youths ages 13-24, $9.95 for children ages 3-12, free for museum members, U. students and staff with ID (801-581-6927 or nhmu.utah.edu)
"Traditional Diets in a Changing World," July 7, 2-4 p.m., Natural History Museum of Utah, 301 Wakara Way, $14.95 for adults, $12.95 for seniors and youths ages 13-24, $9.95 for children ages 3-12, free for museum members, U. students and staff with ID (801-581-6927 or nhmu.utah.edu)
Food and Wine Fest, July 7-13, times and locations vary, $35-$75 (saltlakefood andwinefest.com)
Hike to Ben Lomond Peak, July 8, 7 a.m.-4 p.m., Outdoor Program, Annex 9, WSU, free for adults, registration required (801-626-6373 or weber.edu/outdoor)
Wanderlust 108, triathlon, July 8, 7:30 a.m.-3:30 p.m., Liberty Park, 600 E. 900 South, $21-$39.08 (wanderlust.com/108s)
Eid al-Fitr Celebration, July 8, noon-5:30 p.m., Marmalade Library, 280 W. 500 North, free (slcpl.org/supersummer)
Stand-up Paddleboard, July 9, 9 a.m., Outdoor Program, Annex 9, WSU, $30 for WSU students, $45 for non WSU students, adults only, registration required (801-626-6373 or weber.edu/outdoor)
The Utah 1033 Ride: Honoring Utah's Fallen Officers, July 9, 1 p.m., Harley-Davidson of Salt Lake, 2928 S. State, $25 (facebook.com/Utah1033)
"All You Need to Know About Buying a Franchise" workshop, July 13, 6:30-8:30 p.m., West Jordan Library, 8030 S. 1825 West, free (slcolibrary.org)
"Historic Adventures," through Aug. 19, Tuesdays-Saturdays, 11 a.m.-5 p.m., American West Heritage Center, 4025 S. U.S. Highway 89-91, Wellsville, $7 for adults, $6 for seniors, military and students, $6 for children ages 3-11 (435-245-6050 or awhc.org)
Yoga on the Plaza, Saturdays through Aug. 28, 9 a.m., The Gateway, 400 W. 100 South, free (801-456-0000 or shopthegateway.com)
"Discover Earth: Our Changing Planet," through Sept. 22, dates and times vary, Viridian Event Center, 8030 S. 1825 West, West Jordan, free (slcolibrary.org)
David DaVinci "Thrillusionist," through Oct. 4, dates and times vary, Canyonlands By Night, 1861 N. Highway 191, Moab $20-$35 (435-259-5261 or daviddavincitheater.com)
"Vikings: Beyond the Legend," through Jan. 1, 2018, Thursdays-Tuesdays, 10 a.m.-5 p.m.; Wednesdays, 10 a.m.-9 p.m., Natural History Museum of Utah, 301 Wakara Way, $14.95 for adults, $12.95 for seniors and youths ages 13-24, $9.95 for children ages 3-12, free for museum members, U. students and staff with ID (801-581-6927 or nhmu.utah.edu)
OPENING PRODUCTIONS
"Seussical: The Musical," July 7-22, dates and times vary, SCERA Shelll Outdoor Theatre, 699 S. State, Orem, $10-$16 (801-255-2787 or scera.org)
"Madama Butterfly," Utah Festival Opera, July 7-Aug. 8, dates and times vary, Ellen Eccles Theatre, 43 S. Main, Logan, $12-$76 (800-262-0074 or utahfestival.org)
"The Music Man," Utah Festival Opera, July 7-Aug. 9, dates and times vary, Ellen Eccles Theatre, 43 S. Main, Logan, $12-$76 (800-262-0074 or utahfestival.org)
"The Hunchback of Notre Dame," Utah Festival Opera, July 8-Aug. 8, dates and times vary, Ellen Eccles Theatre, 43 S. Main, Logan, $12-$76 (800-262-0074 or utahfestival.org)
"The Pirates of Penzance," Utah Festival Opera, July 8-Aug. 9, dates and times vary, Ellen Eccles Theatre, 43 S. Main, Logan, $12-$76 (800-262-0074 or utahfestival.org)
CONTINUING PRODUCTIONS
"Peter and the Starcatcher," July 7-8, 7:30 p.m.; July 8, 2 p.m., Empress Theatre, 9104 W. 2700 South, Magna, $10 (801-347-7373 or empresstheatre.com)
"1776," through July 15, dates and times vary, CenterPoint Legacy Theatre, 525 N. 400 West, Centerville, $19.50-$25.50 for adults, $17.50-$23.50 for seniors and students (801-298-1302 or centerpointtheatre.org)
"You're a Good Man Charlie Brown," through July 15, dates and times vary, Brigham's Playhouse, 25 N. 300 West, Washington, $23 for adults, $21 for seniors, $17 for children and students ages 5-17, children under age 5 not permitted (435-251-8000 or brighamsplayhouse.com)
"Annie," through July 22, dates and times vary, Terrace Plaza Playhouse, 99 E. 4700 South, Ogden, $12-$14 for adults, $11-$13 for students and seniors, $9-$11 for children ages 12 and younger (801-393-0070 or terraceplayhouse.com)
"Cabaret," June 30-July 23, dates and times vary, Egyptian Theatre, 328 Main, Park City, $35-$65, recommended for ages 14 and older for mature themes and risque costumes and dancing, according to the organization (435-649-9371 or egyptiantheatrecompany.org)
"A Night at the Imperial," through July 29, dates and times vary, The Off Broadway Theatre, 272 S. Main, $16 for adults, $12 for students, seniors, military, $10 for children 2-12 (801-355-4628 or theobt.org)
"Tarzan," through Aug. 5, dates and times vary, Hale Center Theater Orem, 225 W. 400 North, $18-$24 for adults, $20-$14 for children ages 4-11 (801-226-8600 or haletheater.org)
"Rex," Utah Festival Opera & Musical Theatre, July 6-Aug. 7, dates and times vary, Utah Theatre, 18 W. Center, Logan, $12-$76 (800-262-0074 or utahfestival.org)
"Seussical," Utah Festival Opera & Musical Theatre, through Aug. 7, dates and times vary, Utah Theatre, 18 W. Center, Logan, $12-$76 (800-262-0074 or utahfestival.org)
"Joseph and the Amazing Technicolor Dreamcoat," through Aug. 12, dates and times vary, Hale Centre Theatre, 3333 S. Decker Lake Drive, West Valley City, $34 for adults, $18 for children in grades K-12 (801-984-9000 or hct.org)
"The 3 Amigos: Showdown at the Del Taco Ranch," through Aug. 19, dates and times vary, Desert Star, 4861 S. State, Murray, $24.95 for adults, $14.95 for children under age 12 (801-266-2600 or desertstar.biz)
"Guys and Dolls," Utah Shakespeare Festival, July 3-Sept. 1, dates and times vary, Randall L. Jones Theatre, SUU, Cedar City, $32-$60 (435-586-7878 or bard.org)
"Shrek The Musical," through Sept. 1, dates and times vary, Pickleville Playhouse, 2049 S. Bear Lake Blvd., Garden City, $20-$26 for adults, $15-21 for children ages 3-11 (435-946-2918 or picklevilleplayhouse.com)
"Treasure Island," Utah Shakespeare Festival, through Sept. 2, dates and times vary, Randall L. Jones Theatre, SUU, Cedar City, $32-$60 (435-586-7878 or bard.org)
"As You Like It," Utah Shakespeare Festival, through Sept. 7, dates and times vary, Engelstad Theatre, SUU, Cedar City, $20-$75, contains mild sexual innuendo, according to Utah Shakespeare Festival (435-586-7878 or bard.org)
"Shakespeare in Love," Utah Shakespeare Festival, through Sept. 8, dates and times vary, Engelstad Theatre, SUU, Cedar City, $20-$75, contains implied sexuality and adult language, according to Utah Shakespeare Festival (435-586-7878 or bard.org)
"Love and Death vs. El Bandito," through Sept. 9, dates and times vary, Pickleville Playhouse, 2049 S. Bear Lake Blvd., Garden City, $20-$26 for adults, $15-21 for children ages 3-11 (435-946-2918 or picklevilleplayhouse.com)
"Romeo and Juliet," Utah Shakespeare Festival, July 1-Sept. 9, dates and times vary, Engelstad Theatre, SUU, Cedar City, $20-$75, contains moderate adult language and sexual innuendo, according to Utah Shakespeare Festival (435-586-7878 or bard.org)
"Newsies," through Oct. 18, dates and times vary, Tuacahn Amphitheatre, 1100 Tuacahn Drive, Ivins, $29-$89 (800-746-9882 or tuacahn.org)
"Shrek the Musical," through Oct. 20, dates and times vary, Tuacahn Amphitheatre, 1100 Tuacahn Drive, Ivins, $29-$89 (800-746-9882 or tuacahn.org)
"A Midsummer Night's Dream," Utah Shakespeare Festival, through Oct. 21, dates and times vary, Randall L. Jones Theatre, SUU, Cedar City, $32-$60 (435-586-7878 or bard.org)
IMPROV/COMEDY
"Modern Myths," July 8, 9:30 p.m., Ogden Comedy Loft, 3934 Washington Blvd., Ogden, $5, contains mature content, according to organization (ogdencomedyloft.com)
SPECIAL MOVIE SCREENINGS
THE ABSENT MINDED PROFESSOR — 1961 movie (July 7, 7 p.m.: Layton Kenley Ampitheater)
BARBARELLA — 1968 movie (July 7-8, 11 p.m.; June 9, noon: Tower)
BECOMING JANE — 2008 movie (July 11, 6 p.m.: Marmalade Library)
EARTH TO ECHO — 2014 movie (July 13, 2 p.m.: Sandy Library)
FERRIS BUELLER'S DAY OFF — 1986 movie (July 7, 9:15 p.m.: Fairmont Park)
FINDING DORY — 2016 movie (July 10, dusk: Springville Spring Acres Art Park)
FLASH GORDON — 1980 movie (July 11, 1 p.m.: Taylorsville Library)
THE GOONIES — 1985 movie (July 11, 9 p.m.: Sprague Library)
HELL IS FOR HEROES — 1962 movie (July 7, 10 a.m.: SCERA)
THE INCREDIBLES — 2004 movie (July 12, 2 p.m.: Murray Library)
JAWS — 1975 movie (July 10, dusk: Gallivan Center)
THE JUNGLE BOOK — 2016 movie (July 7, dusk: Magna Pleasant Green Park, Riverton City Park)
JURRASIC PARK — 1993 movie (July 7, dusk: Millcreek Sunnyvale Park)
LITTLE GREY FERGIE: COUNTRY FUN — 2016 movie (July 8, 2 p.m.: Orem Library)
THE LITTLE RASCALS — 1994 movie (July 14, dusk: St. George Town Square Park)
MOANA — 2016 movie (July 12, dusk: Orem SCERA; July 13, 9:15 p.m.: Draper Amphitheater)
THE MUPPET MOVIE — 1979 movie (July 10, 6:30 p.m.: Orem Library)
NACHO LIBRE — 2006 movie (July 7, dusk: Thanksgiving Point)
THE NATURAL — 1984 movie (July 12, 2 p.m.: Salt Lake City Main Library)
NINNU KORI — Telugu with English subtitles (July 7-9, times vary: Jordan Landing)
NUTS — 2016 documentary with discussion (July 12, 7 p.m.: Rose Wagner)
ROGUE ONE — 2016 movie (July 7, 9 p.m.: Murray Ken Price Ball Field)
RV — 2006 movie (July 7, 6:30 p.m.: Orem Library)
SING — 2016 movie (July 7, 2 p.m.: Gingham Creek Library)
SOME KIND OF WONDERFUL — 1987 movie (July 13, 7 p.m.: Park City Library)
STORKS — 2016 movie (July 7, 10 a.m.; 10:30 a.m., sensory friendly: St. George Main Street Megaplex)
TROLLS — 2016 movie (July 7, dusk: Hatch Family Chocolates)
VIKINGS UNEARTHED — Nova documentary with discussion (July 11, 7 p.m.: Salt Lake City Main Library)
THE WILD LIFE — 2016 movie (July 10-14, 10 a.m.; 10:30 a.m., sensory friendly: select Megaplex Theatres)
THE WIZARD OF OZ — 1939 movie (July 10, dusk: Ogden City Amphitheater)
ZOOTOPIA — 2016 movie (July 7, dusk: Snowbird Plaza Deck)
Barnes and Noble, 7157 Plaza Center Drive, West Jordan, C.R. Langille, author of "Terrence and the Magical Sword of Courage," July 8, 1 p.m. (801-282-1324 or barnesandnoble.com)
Benchmark Books, 3269 S. Main, Terryl Givens, author of "Feeding the Flock: Foundations of Mormon Thought: Church and Praxis," July 12, 5:30 p.m. (801-486-3111 or benchmarkbooks.com)
The King's English Bookshop, 1511 S. 1500 East, David Mealing, author of "Soul of the World," July 7, 7 p.m.; Michael Wallis, author of "The Best Land Under Heaven: The Donner Party in the Age of Manifest Destiny," July 8, 2 p.m.; Local Author Showcase, July 11, 7 p.m.; and Dr. John D. Day and Jane Anne Day, authors of "The Longevity Plan," July 13, 7 p.m. (801-484-9100 or kingsenglish.com)
Provo City Library at Academy Square, 550 N. University Ave., Provo, Ann Dee Ellis, author of "You May Already Be a Winner," July 11, 7 p.m. (provolibrary.com/authorlink)
FOOD CLASSES
USU Extension Food Sense class, July 12, 1 p.m., Chapman Library, 577 S. 900 West, free (385-468-4820 or extension.usu.edu/saltlake)
Salt Lake Food and Wine Fest, July 7-13, times and locations vary, $85 (slfoodandwinefest.com)
ART GALLERIES AND CLASSES
OPENING EXHIBITIONS
Chapman Library, 577 S. 900 West, "Anthropocene," by Luke Watson, opening reception July 8, 2 p.m., on display July 5-Aug. 24 (801-594-8623)
Corinne and Jack Sweet Library, 455 E. F St., Avenues Open Studios, by local artists; opening reception July 8, 3 p.m.; on display July 3-Aug. 19 (801-594-8651)
Salt Lake City Main Library, 210 E. 400 South, "Summit, Sand, City, Sky," by Griffin Taylor, on display July 12-Aug. 6 (801-524-8200)
Springville Museum of Art, 126 E. 400 South, Springville, "Round Up: Icons of the American West," by various artists, on display July 12-June 19, 2021 (801-489-2727)
Utah Cultural Celebration Center, 1355 W. 3100 South, West Valley City, "Face of Utah Sculpture," by various artists; opening reception July 13, 6 p.m.; on display July 13-Aug. 30 (801-965-5100)
CONTINUING EXHIBITIONS IN SALT LAKE COUNTY
Alice Gallery, 17 E. South Temple, "All of Us Beasts," by Claire Taylor, through July 7 (801-245-7270)
Alpine Art, 430 E. South Temple, "Best in Show: Animal Inspired Art," by various artists, through July 8 (801-355-1155)
Anderson-Foothill Library, 1135 S. 211 East, "Reflections of My Soul," paintings by JoAnna Johannesen through July 20 (801-594-8611)
Anthony's Fine Art and Antiques, 401 E. 200 South, "Beasts of the Field: A Celebration of Animals in Art," by various artists, through July 12; and "Christ Blessing the Children" and "Christ in the House of Mary and Martha," by Cornelis Kruseman, through July 29 (801-328-2231)
Art Access Gallery, 230 S. 500 West No. 125, Art by Anthony Siciliano, Desarae Lee and Blake Palmer, through July 14 (801-328-0703)
Art at the Main, 210 E. 400 South, "Palette of Colors," by Sandra Williams, through July 15 (801-363-4088)
Chapman Library, 577 S. 900 West, "Anthropocene," by Luke Watson, through Aug. 24 (801-594-8623)
Day-Riverside Library, 1575 W. 1000 North, "Shadows and Reflections," photography by Julie van der Wekken, through July 15 (801-594-8632)
Finch Lane and Park Galleries at the Art Barn, 1340 E. 100 South, "Maps of Insufficient Clarity," by Linnie Brown, mixed media Kristin McDermaid and "Fears Realized," paintings by Scott Filipiak, through Aug. 4 (801-596-5000)
Horne Fine Art, 142 E. 800 South, "Delights of Summer," by Karen Horne, Phyllis Horne, Jamie Wayman and Ryan Cannon, through Sept. 2 (801-910-2088)
Marmalade Library, 280 W. 500 North, "Traveling Out West: Going Places, Seeing Things," by Alex Kravtsov and Nadia Dolzhenki, through July 7 (801-594-8680)
Mestizo Institute of Culture and Arts Gallery, 631 W. North Temple No. 700, — "I Am I," by various artists, through July 7 (801-596-0500
Millcreek Library, 2266 E. 3435 South, Watercolors by Kathy Hodgman's art students, through July 31 (801-943-4636)
Modern West Fine Art, 177 E. 200 South, "Submerged Reflection," by John Vehar-Evanoff and "Wild America: Process and Preservation," by Eric Overton, through July 15 (801-355-3383)
Phillips Gallery, 444 E. 200 South, Art by Hadley Rampton, Cordell Taylor and Trish Empey, through July 14 (801-364-8284)
Salt Lake City Main Library, 210 E. 400 South, "Misplaced Wall," by Christopher Lee, through July 19; "Shadow and Light," photography by the Salt Lake Photographic Print Society, through July 28; the All-State Utah High School Art Show, by high school artists, through July 29; "Utah Gundam," models by local artists, through Aug. 5; and "Tao of Rudy: Essential Dog-ma for Everyday Joy," paintings by Corinne Humphrey, through Aug. 7 (801-524-8200)
Sprague Library, 2131 S. 1100 East, "Sleepwalking," by Naomi Marin, through Aug. 26 (801-594-8640)
Red Butte Garden, 300 Wakara Way, Paintings by Linda Marion, through July 16 (801-585-0556)
Utah Museum of Contemporary Art, 20 S. West Temple, "Out Loud: Identities, Symbolism, and the Self," by after-school workshop attendees, through July 8; "I Learned it From Watching You," by Scott Horsley and "Heads, Hands, Feet; Sleeping, Holding, Dreaming, Dying," by Rona Pondick and Robert Feintuch, through July 15; "Panopticon," by various artists, through July 25; "Beehive Works," by Celine Downen, through Aug. 5; "Tastes Like Mandy," by Willow Skye-Biggs, through July 22; "Sublimation," by Michael Ryan Handley, through Sept. 9; and "Safe and Sound," by Spy Hop, through Sept. 23 (801-328-4201)
CONTINUING EXHIBITIONS OUTSIDE SALT LAKE COUNTY
Brigham City Museum of Art and History, 24 N. 300 West, Brigham City, International Art Quilt Invitational Exhibition, through Aug. 31 (435-226-1439)
Brigham Young University Museum of Art, 500 Campus Drive, Provo, "Playground," photographs by James Mollison, through July 8; "Work in Progress," by Jann Haworth, through Sept. 9; and "No Dull Days," photography by J. Alfred Myer, through Sept. 23 (801-422-8287)
Eccles Community Art Center, 2850 Jefferson Ave., Ogden, "Traces of the West," by John Steele, through July 31 (801-392-6935)
Gallery MAR, 436 Main, Park City, "Past/Present," by Pamela Murphy and Sarah Winkler, through July 17 (435-649-3001)
Granary Art Center, 86 N. Main, Ephraim, Washed Up," by Alejandro Duran; "Sustenance and Time," by Jane Lindsay and inmates at the Pinal County Sheriff's Office Adult Detention Center; and "Blue Desert: Toward Antarctica," by Geoff Pingree, through Sept. 29 (435-283-3456)
Julie Nester Gallery, 1280 Iron Horse Drive, Park City, "Quiet," paintings by Chris Gwaltney, through July 25 (435-649-7855)
Kimball Art Center, 1401 Kearns Blvd., Park City, "Ink For Alaska," curated by Barbara Mason and Alex Prentiss, through Aug. 13; and prints by Richard Serra, through Aug. 20 435-649-8882)
Logan Fine Art Gallery, 60 W. 100 North, Logan, The Society of Mormon Artists inaugural exhibition, through Aug. 31 (435-753-0333)
Mountain Place Gallery, 123 N. Main, Logan, "Pioneers and Poppies," through July 31 (435-752-0211)
Museum of the San Rafael, 70 N. 100 East, Castle Dale, "The Way We Worked," Smithsonian traveling exhibition, through July 8 (435-381-3560)
Provo Library, 550 N. University Ave, Provo, "Little Builders," by library patrons ages 2-7, through Sept. 2 (801-852-6650)
Red Cliff Gallery, 220 N. 200 East, St. George, "Only Abstraction," by local artists, through Aug. 31 (southernutahartguild.com)
Red Finch Gallery, 533 N. 1200 West, Orem, Art by David Habben and Shelley Ward, through July 22 (801-360-3855)
Sears Art Museum Gallery, 155 S. University Ave., Dixie State University, St. George, "Sight Site," photographs curated by Kathy Cieslewicz, through Aug. 18 (435-652-7909)
Snow College Art Gallery, 150 College Ave, Ephraim, "Dark Territory," by Lenka Konopasek, through Aug. 15 (435-283-7000)
Springville Museum of Art, 126 E. 400 South, Springville, "The Classical Tradition: Serenity, Simplicity and Harmony," by various artists, through Aug. 5 (801-489-2727)
Woodbury Art Museum, 575 E. University Parkway No. 250, Orem, "Art of Our Century" and "He Knows He Knows," by Marcus Vincent,SEPT 5 through Sept. 9 (801-863-4200)
Anthony's Fine Art and Antiques, Artist's Studio, 3070 Rasmussen Road, Park City, "Lecture Series: The Enlightenment," July 17, 4:30-6 p.m., free reservations required (801-328-2231 or anthonysfineart.com)
Kimball Art Center, 1401 Kearns Blvd., Park City, a figure drawing class, July 8, 10 a.m.-1 p.m.; a welding workshop, July 8, 9 a.m.-4 p.m.; and an introductory class to Adobe Illustrator, July 9, 10 a.m.; cost varies (435-649-8882 kimballartcenter.org)
South Jordan Towne Center, 10600 W. Towne Center Dr., Arts Express, July 8, 10:30 a.m.-1:30 p.m., free (sjc.utah.gov)
Keeper Camp," July 8, 7:30 a.m.-2:30 p.m., Utah's Hogle Zoo, 2600 Sunnyside Ave., $100 for youths ages 12-17 (801-584-1763 or hoglezoo.org)
RAMP Day, July 8, 10 a.m.-5 p.m., Treehouse Museum, 347 22nd St., Ogden, free admission (801-394-9663 or treehousemuseum.org)
"Art Express," July 8, 15 and 22, 10:30 a.m.-1:30 p.m., Gale Center, 10300 S. Beckstead Lane, South Jordan, free (801-446-4357 or sjc.utah.gov)
Hawkwatch International, July 8, noon-2 p.m., Loveland Living Planet Aquarium, 12033 S. Lone Peak Parkway, Draper, $19.95 for adults, $16.95 for students and seniors, $14.95 for children 3-12 (801-355-3474 or thelivingplanet.com)
"Lights, Camera, Action" summer camp, July 10-13, 9 a.m.-2 p.m., Brigham City Fine Arts Center, 58 S. 100 West, Brigham City, $60, for children ages 5-15 (435-723-0740 or bcfineartscenter.org)
Young Dancer Workshop, July 10-14, 9 a.m.-12:30 p.m., Rose Wagner, 138 W. 300 South, $130, register by July 9, for youths ages 12-17 (801-534-1000 or rdtutah.org)
"Successful Sitter Day Camp," July 17-19, 9 am.-2 p.m., Salt Lake County Government Center, 2001 S. State, $55, register by July 10 (385-468-4820 or extension.usu.edu/saltlake)
Sundance Kids Camp, through Aug. 4, Mondays-Fridays 9 a.m.-4 p.m., Sunday Mountain Resort, $29-$245, for children ages 5-12 (801-223-4129 or sundanceresort.com)
Elias "Lefty" Caress, Mondays, 7-10 p.m., Hatch Family Chocolates, 376 E. 8th Ave., free (801-532-4912 or facebook.com/eliasleftycaress)
"Children of Hangzhou: Connecting With China," through Sept. 10, dates and times vary, Discovery Gateway Children's Museum, 444 W. 100 South, $9.50 for general, $7 for seniors, free for members and children under 2 (801-456-5437 or discoverygateway.org)
"Bugzillas," through Sept. 11, Utah's Hogle Zoo, 2600 Sunnyside Ave., $16.95 for adults, $14.95 for seniors, $12.95 for children ages 3-12 (801-584-1763 or hoglezoo.org)
SkyCycle, through October, Mondays-Thursdays, 10 a.m.-6 p.m.; Friday-Saturday, 10 a.m.-7 p.m.; Sunday, noon-6 p.m., Discovery Gateway Children's Museum, 444 W. 100 South, $5 for general or $3 with museum admission (801-456-5437 or discoverygateway.org)
Day-Riverside Library, 1575 W. 1000 North, will host Scales and Tails Utah, July 8, 11 a.m.; and "Teen Writing Workshop: Fanfiction, Wattpad and Using the Internet as a Writer," July 8, 2 p.m. (801-594-8632)
Millcreek Library, 2266 E. Evergreen Ave., East Millcreek, will host reading with a dog, July 8, 2 p.m. (801-943-4636)
Orem Library, 58 N. State, Orem, will host a free screening of "Little Grey Fergie: Country Fun," July 8, 2 p.m. (801-229-7050)
Murray Public Library, 166 E. 5300 South, will host reading with a dog, July 8, 11 a.m. (801-264-2580)
Salt Lake City Main Library, 210 E. 400 South, will host a free screening of "Men in Black" and anniversary party for teens, July 7, 3 p.m.; and Discovery Gateway, July 7, 1 p.m. (81-524-8200)
Bingham Creek Library, 4834 W. 9000 South, West Jordan, will host a free screening of "Sing," July 7, 2 p.m. (801-943-4636)
Ruth Vine Tyler Library, 8041 S. Wood Street, Midvale, will host reading with a dog, July 8, 11 a.m. (801-943-4636)
Corinne and Jack Sweet Library, 455 F Street, will host a read-athon for teens, July 7, 2 p.m. (801-594-8651)
Kearns Library, 5350 S. 4220 West, Kearns, will host "STEM Camp: Motors," July 7, 10 a.m.; and a cardboard car build, July 8, 11 a.m. (801-943-4636)
Herriman Library, 5380 Herriman Rose Blvd., will host Mad Science, July 8, 10:30 a.m. (801-943-4636)
South Jordan Library, 10673 Redwood Road, South Jordan, will host "Dog Days of Summer," July 7, 1 p.m.; laser tag for teens, July 7, 6:30 p.m., registration required; and "Ollivanders Wand Making Extravaganza," July 8, 10:30 a.m. (801-944-7634)
West Valley Library, 2880 W. 3650 South, West Valley City, will host a salt painting class for teens, July 7, 4 p.m. (801-943-4636)
Provo Library, 550 N. University Ave., Provo will host a free screening "The Lego Batman Movie," July 7, 6:30 p.m. (801-852-6650)
Calvin S. Smith Library, 810 E. 3300 South, will host reading with a dog," July 8, 1 p.m. (801-943-4636)
West Jordan Library, 8030 S. 1825 West, West Jordan, will host reading with a dog, July 8, 2 p.m. (801-943-4636)
Sprague Library, 2131 S. 1100 East, will host an outdoor Minecraft game for teens, July 8, 3 p.m. (801-594-8640)
Brigham City Fine Arts Center, 58 S. 100 West, Brigham City, will host auditions for "Dastardly Deeds at Fortune's Landing" or "The Long Arm of the Claw," July 10-11, 7 p.m. The cast will comprise of 10 men and eight women ages 14 and older. Auditioners should come prepared to sing. The original melodrama was written by Dee Ann Nichols and will be performed at Peach Days, Sept. 7-9. Visit bcfineartscenter.org or call 435-723-0740 for more information
The Utah Division of Arts and Museums' Design Art Program will host the DesignArts Utah 2017 Exhibit, Sept. 8-Oct. 20. Utah designers in any field are encouraged to apply. The application deadline is July 10. Designers may upload an application at utahartsmuseums.submittable.com/submit. Find more information at heritage.utah.gov.
Utah Community Action will offer free or discounted meals to families to address summer food loss and nutrition needs, according to a news release. The summer foods program will be Monday-Friday, June 5-Aug. 18, from 4-6:30 p.m. at the following Head Start locations: Cathy Caputo Hoskins Head Start, 6447 W. 4100 South; James R. Russel Head Start, 1240 American Beauty Drive; South Salt Lake Head Start, 22825, S. 200 East; and Magna Head Start, 8275 W. 3500 South. The program offers free dinners to children ages 0-18. Adults can purchase a meal for $3. The Head Start locations will be closed July 24-25. For more information, call 801-977-1122 or visit utahca.org.
CoreLife Eatery raised more than $5,200 for the Huntsman Cancer Institute during the restaurant's pre-opening event on June 22, which was a "pay what you want" day, according to a news release. CoreLife Eatery opened June 23 at 197 N. West State St., American Fork. Visit www.eatatcore.com for more information.
Email: features@deseretnews.com


I informally examine how the idea of public sociology has been affected by the rise of social media. New social media platforms disintermediate communication, make people more visible, and encourage public life to be measured. They tend to move the discipline from a situation where some people self-consciously do "public sociology" to one where more sociologists unselfconsciously do sociology in public. I discuss the character of such "latently public" work, the opportunities and difficulties it creates for individuals, and its tendency to be associated with academic fields that believe in what they are doing.
In the summer of 2004, in his Presidential Address to the American Sociological Association, Michael Burawoy made an argument for what he called "Public Sociology." 1 At around the same time, the modern era of social media was just beginning to come into being. Facebook was founded that February. A year or so later, when "For Public Sociology" was arriving as a printed journal article in people's mailboxes, Mark Zuckerberg began expanding Facebook membership to universities other than Harvard. A year after that it was available to more or less everyone. Twitter was founded in July of 2006. The iPhone launched in 2008, helping precipitate a revolution in computing that is still going on. Just as Burawoy was calling for sociologists to engage with the public, the infrastructure of publicity, the dominant ways of engaging with an audience, and some of the basic assumptions about being a scholar in public were all about to change substantially.


text:
ChildLawHelpCenter.com
How Does Genealogy Work? | Child Custody Lawyers Near You in L.A.
What is Family?
Family is a group of people joined by consanguinity (birth), affinity (marriage), or co-residence (based on the etymology of the English word "family"), and/or shared consumption (nurtured kinship).
In many societies around the world, family is the primary framework for the production and reproduction of people biologically and/or socially. As such, families are many times classified as matrifocal (mother and her children), conjugal (husband, wife, and children), avuncular (e.g. a grandparent, a brother, his sister, and her children), or extended (parents and children co-reside with other members of a parent's family). In other contexts, the term "family" can also be used in reference to a community, nation, or global village.
Key components of building the family unit include sharing resources (for example, food and water), the providing of care and nurture, and fostering moral and emotional connections. Although for many centuries around the world, marriages were arranged for economic, social, or political reasons.
However, there is much historical data that points to the idea that the human family is more of an institution rather than just biological relationships. Even though the concept of "blood" relationships is at the center of many families, anthropologists also assert that the concept of "blood" can be metaphoric and many civilizations view family through other constructs besides biological connection.
Many early academics asserted that Darwin's biological theory of evolution was a key component in the evolution of families. Further, Friedrich Engels posited that economic factors led humans to the creation of families (and societies in general) from the primitive communities that previously existed. This theory was prevalent until about the 1980s when other theories such as "structural functionalism" took hold. Structural functionalism is a theory that views society as a complex system composed of parts that work together in the promotion of solidarity and stability.
The modern Western definition of family has been greatly influenced by cultural and religious values as promulgated by religions such as Catholicism, Judaism, and Protestantism. Further, with the modern acceptance of divorce, there are many more so-called "blended families" which consist of families with mixed parents: one or both parents re-marry and bring their children into the new marriage.
The issue of whether or not the concept of family is "declining" in modern times relies heavily on one's definition of "family." For example, less half of American households center on a married family, and one-fifth of households are following the traditional method of a married couple raising a family together. However, it must be noted that there has been a modern societal shift toward emotional fulfillment and love being the driving factor behind marriage and family. That is, people primarily seek to get married and start a family because of love. That being the case, it could be argued that the overall concept of family is necessarily weakened since it is now considered more socially acceptable for parents to divorce and form new families based on emotional needs.
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text:
How to Hide the Emperor's Child
How to Hide the Emperor's Child Manga Online
How to Hide the Emperor's Child Manga Online Read manhwa How to Hide the Emperor's Child / 황제의 아이를 숨기는 방법 "You never loved me anyway, right?" Astelle's long-awaited marriage life ended in a day. She worked hard to become Kaizen's wife since she was ten, but the only thing that was left for her was the stigma of an empress. She was abandoned by the royalty; the man she loved, Kaizen, wanted her to leave. "Yes. You're right. I didn't love you." Astelle lied for the last time. The man was the reason for her life, but it was also for the sake of the man who was her husband for a day. She thought there would be no contact with him again, but- "I think… I might be pregnant?" *** Six years later, Astelle, who reunited with Kaizen, lied again. "You… who is that child?" "He's my nephew." To protect the child. Read Manga Free, Read Manga Online, Manga Free, Read Anime"
N/A, it has 2K views
Adaptation Drama Fantasy Josei Romance Royal family
Fantasy MangaDora Romance MangaDora
Read manhwa How to Hide the Emperor's Child / 황제의 아이를 숨기는 방법 "You never loved me anyway, right?" Astelle's long-awaited marriage life ended in a day. She worked hard to become Kaizen's wife since she was ten, but the only thing that was left for her was the stigma of an empress. She was abandoned by the royalty; the man she loved, Kaizen, wanted her to leave. "Yes. You're right. I didn't love you." Astelle lied for the last time. The man was the reason for her life, but it was also for the sake of the man who was her husband for a day. She thought there would be no contact with him again, but- "I think… I might be pregnant?" *** Six years later, Astelle, who reunited with Kaizen, lied again. "You… who is that child?" "He's my nephew." To protect the child.
Tag: Fantasy MangaDora Romance MangaDora
"How to Hide the Emperor's Child"
Did the Goddess Survive Today?
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Mairimashita! Iruma-kun Kalego Gaiden
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The development of the Bulgarian language may be divided into several periods.
Prehistoric period – occurred between the Slavonic migration to eastern Balkans and the mission of Saints Cyril and Methodius to Great Moravia in the 860s.
Old Bulgarian (9th to 11th century, also referred to as Old Church Slavonic) – a literary norm of the early southern dialect of the Common Slavic language from which Bulgarian evolved. It was used by Saints Cyril and Methodius and their disciples to translate the Bible and other liturgical literature from Greek into Slavic.
Middle Bulgarian (12th to 15th century) – a literary norm that evolved from the earlier Old Bulgarian, after major innovations were accepted. It was a language of rich literary activity and the official administration language of the Second Bulgarian Empire.
Modern Bulgarian – dates from the 16th century onwards, undergoing general grammar and syntax changes in the 18th and 19th centuries. Present-day written Bulgarian language was standardized on the basis of the 19th-century Bulgarian vernacular. The historical development of the Bulgarian language can be described as a transition from a highly synthetic language (Old Bulgarian) to a typical analytic language (Modern Bulgarian) with Middle Bulgarian as a midpoint in this transition.
Bulgarian was the first "Slavic" language attested in writing. As Slavic linguistic unity lasted into late antiquity, in the oldest manuscripts this language was initially referred to as языкъ словяньскъ, "the Slavic language". In the Middle Bulgarian period this name was gradually replaced by the name языкъ блъгарьскъ, the "Bulgarian language". In some cases, the name языкъ блъгарьскъ was used not only with regard to the contemporary Middle Bulgarian language of the copyist but also to the period of Old Bulgarian. A most notable example of anachronism is the Service of St. Cyril from Skopje (Скопски миней), a 13th-century Middle Bulgarian manuscript from northern Macedonia according to which St. Cyril preached with "Bulgarian" books among the Moravian Slavs. The first mention of the language as the "Bulgarian language" instead of the "Slavonic language" comes in the work of the Greek clergy of the Bulgarian Archbishopric of Ohrid in the 11th century, for example in the Greek hagiography of Saint Clement of Ohrid by Theophylact of Ohrid (late 11th century).
During the Middle Bulgarian period, the language underwent dramatic changes, losing the Slavonic case system, but preserving the rich verb system (while the development was exactly the opposite in other Slavic languages) and developing a definite article. Consequently, modern Bulgarian is about as far from Russian as Swedish is from German. It was influenced by its non-Slavic neighbors in the Balkan language area (mostly grammatically) and later also by Turkish, which was the official language of the Ottoman Empire, in the form of the Ottoman Turkish language, mostly lexically. As a national revival occurred towards the end of the period of Ottoman rule (mostly during the 19th century), a modern Bulgarian literary language gradually emerged which drew heavily on Church Slavonic/Old Bulgarian (and to some extent on literary Russian, which had preserved many lexical items from Church Slavonic) and later reduced the number of Turkish and other Balkanic loans. Today one difference between Bulgarian dialects in the country and literary spoken Bulgarian is the significant presence of Old Bulgarian words and even word forms in the latter. Russian loans are distinguished from Old Bulgarian ones on the basis of the presence of specifically Russian phonetic changes, as in оборот (turnover, rev), непонятен (incomprehensible), ядро (nucleus) and others. As usual in such cases, many other loans from French, English and the classical languages have subsequently entered the language as well.
Modern Bulgarian was based essentially on the Eastern dialects of the language, but its pronunciation is in many respects a compromise between East and West Bulgarian (see especially the phonetic sections below). Following the efforts of some figures of the National awakening of Bulgaria (the most notable among them being Neofit Rilski and Ivan Bogorov), there had been many attempts to codify a standard Bulgarian language; however, there was much argument surrounding the choice of norms. Between 1835–1878 more than 25 proposals were put forward and "linguistic chaos" ensued. Eventually the Eastern dialects prevailed and in 1899 the Ministry of Education officially codified a standard Bulgarian language based on the Drinov-Ivanchev orthography.


text:
Q: how to return a json response based on database relationship I'm quite new to Laravel,
Let's say I have 2 tables: main_sport and sub_sport. These two tables have a one-to-many relationship. 1 sport can have many sub sports.
I want the following json format
{
    "success": "1",
    "sports": [
            "id": 1,
            "name_of_categories": "Popular Sports",
       "sub_sports:[
          {
            "id": 1,
            "name_sub_sport_category": "Badminton"
          },
          {
            "id": 2,
            "name_sub_sport_category": "Football"
         },
         {
            "id": 3,
            "name_sub_sport_category": "Cricket"
         },
          ]
      ]

  "sports":[
            "id": 2,
            "name_of_categories": "Team Sports",
       "sub_sports:[
          {
            "id": 4,
            "name_sub_sport_category": "Badminton"
          },
          {
            "id": 5,
            "name_sub_sport_category": "Football"
         },
          ]

]
}

I try for this function and i am getting following result
 public function fetch()
    {

    $query= DB::table('details')
             ->join('table_sub_sport_category','table_sub_sport_category.id','=','details.sub_id')
             ->join('table_main_sport_category','table_main_sport_category.id','=','details.main_id')
             ->select(DB::raw('table_main_sport_category.id as id'),'table_main_sport_category.name_of_categories','table_sub_sport_category.name_sub_sport_category')
             ->get()

    return response()->json(['success' =>'1','data'=>$query]);

    }

{
    "success": "1",
    "data": [
        {
            "id": 1,
            "name_of_categories": "Popular Sports",
            "name_sub_sport_category": "Badminton"
        },
        {
            "id": 1,
            "name_of_categories": "Popular Sports",
            "name_sub_sport_category": "Football"
        },
        {
            "id": 1,
            "name_of_categories": "Popular Sports",
            "name_sub_sport_category": "Cricket"
        },
]
}

Could you help me to get the desired result?

A: You should define sub_sport in the main sport Model like this:
class Sport extends Model{
    public function sub_sport(){
        return $this->hasMany(SubSport::class);
    }
}

And in your controller you should write this:
$data = Sport::with('sub_sport')->get();

A: Use below code
$query= DB::table('details')
         ->join('table_sub_sport_category','table_sub_sport_category.id','=','details.sub_id')
         ->join('table_main_sport_category','table_main_sport_category.id','=','details.main_id')
         ->select(DB::raw('table_main_sport_category.id as id'),'table_main_sport_category.name_of_categories','table_sub_sport_category.name_sub_sport_category')
         ->get()

return Response::json([
            'status' => 'error',
            'sports' => $query
        ], 200);

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text:
overnights Apr. 17, 2017
Girls Series-Finale Recap: I Got It
By Kathryn VanArendonk
Season 6 Episode 10
Editor's Rating 4 stars ****
Lena Dunham in the series finale of Girls. Photo: HBO
The problem of how to end Girls has always rested on the problem of what we want from Hannah. Do we ultimately want her to succeed? Or do we want her to continue to cycle through failures, moving forward but not really changing? And if she does succeed, what does that look like? Does it look like career success, or some other measure of maturity? Whose measure of maturity?
The answer, it turns out, seems to be exactly the thing Hannah struggled against for so long. She is measured against the maturity, and the success, of her mother.
The episode begins with Marnie, at loose ends and living in her mother's home gym. She offers to come live with Hannah in her magical upstate country home and help raise her son. Hannah, pregnant and alone, accepts. ("I'm here," says Marnie. "I win." Hannah's "… yeah, okay?" response is the definition of underenthused.) And then we leap forward five months to Hannah at a pediatrician's office, fretting about Grover's inability to breastfeed and whether he's gaining enough weight. Grover, by the way, is the one thing his father mentioned to Hannah in their one disappointing post-Hamptons phone conversation: Paul-Louis told Hannah he kind of liked the name.
To no one's surprise — perhaps least of all hers — Hannah's falling apart. Marnie keeps bugging her about breastfeeding, and the correct way to position her nipples, and Hannah both pushes her aside and leans on her like a crutch, alternating between snapping at Marnie and being truly astonished that Marnie could imagine actually leaving Hannah alone with the baby for a night. And so Marnie calls Hannah's mother, who arrives bearing the hammer of truth. "No one understands!" Hannah yells to Loreen. She's decided to do this brave, courageous thing alone, but now her son hates her, she can't feed him the way she'd like, Marnie keeps judging her, and she's freaking out that she'll raise Grover to be a quitter. Loreen, in what's probably Becky Ann Baker's best performance of the series, is having none of it. "Your son is not a temp job!" she yells after Hannah. "Do you know who else is in emotional pain? Fucking everyone."
Watch the most painfully self-centered things Hannah has ever said.
Hannah goes charging off into the rural New York not-even-suburbs, furious and desperate and uncertain, and Marnie and Loreen wait for her at home, talking out their own issues and hoping Hannah will come back sometime soon. They've run out of breast milk.
The breastfeeding idea — its literal implications, its thematic resonances — weigh heavily on this finale episode, which has the not-too-subtle title "Latching." Hannah can't get Grover to latch, which becomes both literally and symbolically emblematic of her abilities as a mother. She can't bond with him. She hates pumping, and is worried she won't be able to give him the very best food; it's nutrition that Marnie helpfully points out is "liquid gold" that will ensure Grover's long-lasting health, his mental and emotional development, and even his ability to get a job with a good salary some day. Hannah's onboard. She's committed to the idea that breastfeeding him is best, but her inability to do so snowballs into an existential crisis about her more global failures as a mother.
And it's more than that. From the very first episode, Girls has been a series about whether Hannah could detach. We usually put that idea into different, more positive terms: She needs to launch, she needs to stand on her own, she needs to be self-sufficient. But really, it's been a question of whether she can separate, can unfasten herself, from her parents, from boyfriends, and from former friends. Doing so is maturity, Girls has seemed to suggest. Maturity is independence and autonomy, and reliance on no one. And so now, at the end, irony of ironies, the thing Hannah needs most is to help her son latch. As it turns out, acting "like a fucking grown-up" for Hannah doesn't look like the disconnection and separation the series has depicted her wrestling with from the start. It's accepting her mother's help, it's letting Marnie live her own life, and it's figuring out how to bond with her child.
While Hannah's out trekking around the very quiet streets, Loreen and Marnie have a heart-to-heart. Marnie cannot stay there, of course, even though she's figured out how to have something like a sex life with the magic of video chatting, and has also got the whole flannel-PJs, hair-braid look down pat. It's a nice conclusion for Marnie, whose rampant self-centeredness is somehow transformed into an equally destructive, and yet totally plausible, urge for self-abnegation. Loreen, bringer of wisdom, shuts that down quickly. It's the fastest way to destroy her friendship with Hannah forever, she tells Marnie.
So that leaves us with Hannah, wandering around in the darkness, trying to come to terms with her life. She runs into a teenager, fleeing desperately from her home, and the panic Hannah initially assumes is a disaster scenario is actually just classic teen angst. This, with Hannah furious and stern, is probably the moment the finale tells us that Hannah grows up, morphing into Loreen in front of our very eyes. This teen's mother, Hannah yells, is gonna tell her to do her homework "because it's what's fucking GOOD for you," and even though parenting is "endless, endless pain," that mother is going to take care of that teen "FOREVER." Hannah, inevitably, trudges back to her house, accompanied by a gently funny, slow-moving cop car just trying to make sure she's safe. (This relationship, by the way, has one of my favorite lines of the episode. Why is Hannah wandering in the dark with no pants? Well, she just had a baby. "Sounds about right," says the cop.) Hannah sits on the porch between her mother and Marnie, and when Grover starts crying upstairs, Hannah is the one to go get him. "I got it," she tells them.
Season five ended with Hannah charging across a bridge in New York City, newly hopeful about herself as a writer and newly confident in her ability to cope with all the interpersonal drama she struggled with throughout the series. It ended with a freeze frame, turning triumphant forward movement into something still. It made a static ending out of motion. It was one way of capturing a sense of continuing forward progress while also creating a sense of conclusion.
"Latching" ends with some of that same forward-looking projection — after glimpsing a vision of future parenting, Hannah goes upstairs to her son and finally succeeds in getting him to latch. She sings to him softly; he feeds happily. We can imagine the future stretching out before them both, with Hannah balancing teaching and being a parent, with Loreen helping as much as she can, with Tad coming up from the city and bringing wine and cheese, with Grover (his name is Grover!) hopefully finding some school where he's not the only non-white kid in the class. But where season five ended with Hannah pushing herself forward into the unknown, the series finale feels much more cyclical.
As envisioned by Girls, maturity and growth and grown-up-hood does not look like Hannah running helter-skelter into the night, careening wildly into a future unknown. Nor does it look like Adam running into her apartment like the end of a romantic comedy, scooping her up and rescuing her. It looks like Hannah, by herself, choosing to go back home and be a parent. (Let's give her the benefit of the doubt and assume she was going back that way even before the police escort showed up.)
I'm not yet sure how I feel about the trajectory this finale sketches for Hannah as a complete character. I'm not particularly enamored of the way it jettisoned every mention of her as a person separate from her role as a mother. I also wish Hannah had been able to come to an appreciation of her mother as a person without needing to undergo the trial by fire of having her own child. But there's no arguing that the idea of parenting, and of latching more specifically, forms an almost uncannily coherent symmetry for the series.
Hannah needing to grapple with the undeniable, all-encompassing identity shift that comes with parenting is a nicely dramatic ending gesture for the series, but it also fits neatly with what Girls has been about from the start. It's almost puzzlelike in how nicely it ties up the dominant preoccupations of the series, all the way down to how it threads the breastfeeding needle at the end. Thanks to Hannah's absence, Loreen has had to give Grover formula, which was not the end of the world. Everything turned out fine. And that distance, that acceptance that latching was not the end-all-be-all of parenting accomplishment, was the same thing that then let Hannah and Grover do it successfully.
If the questions all along have been Can Hannah grow up? Can she detach?, it turns out that the answer is, Yes, but growing up looks different than she imagined it would. So Hannah rocks her son and feeds him, singing "Fast Car" to him gently and settling into her new life. It's an odd song choice. But it underscores the closing image, which is not of Hannah standing on her own, but of the two of them, heading into the future together.
Girls Should Be Remembered for How Funny It Was


Can 1st Source Specialty Finance simplify banking matters by also handling deposits?
The 1st Source SFG Deposit team can open checking accounts, set up Electronic Banking, Remote Deposit, ACH, and wire services to make banking easy. We also offer capabilities to protect your business from fraud.


text:
Q: Fatal Exception error Android I am trying to connect to an open fire server through XMPPClient from my android device. i am running the Network thread separately on Async-Task .
The issue Is
1- My code is not allowing me to connect to an openfire server, but it connects with gmail server easily. is i am missing some thing in my code?
2- the moment when my system get connects with any server, say gmail, it crashes and i get following error in my LogCat
Error
03-07 12:29:57.085: W/dalvikvm(26662): threadid=11: thread exiting with uncaught exception (group=0x40a95210)
03-07 12:29:57.115: E/AndroidRuntime(26662): FATAL EXCEPTION: AsyncTask #1
03-07 12:29:57.115: E/AndroidRuntime(26662): java.lang.RuntimeException: An error occured while executing doInBackground()
03-07 12:29:57.115: E/AndroidRuntime(26662):    at android.os.AsyncTask$3.done(AsyncTask.java:278)
03-07 12:29:57.115: E/AndroidRuntime(26662):    at java.util.concurrent.FutureTask$Sync.innerSetException(FutureTask.java:273)
03-07 12:29:57.115: E/AndroidRuntime(26662):    at java.util.concurrent.FutureTask.setException(FutureTask.java:124)
03-07 12:29:57.115: E/AndroidRuntime(26662):    at java.util.concurrent.FutureTask$Sync.innerRun(FutureTask.java:307)
03-07 12:29:57.115: E/AndroidRuntime(26662):    at java.util.concurrent.FutureTask.run(FutureTask.java:137)
03-07 12:29:57.115: E/AndroidRuntime(26662):    at android.os.AsyncTask$SerialExecutor$1.run(AsyncTask.java:208)
03-07 12:29:57.115: E/AndroidRuntime(26662):    at java.util.concurrent.ThreadPoolExecutor.runWorker(ThreadPoolExecutor.java:1076)
03-07 12:29:57.115: E/AndroidRuntime(26662):    at java.util.concurrent.ThreadPoolExecutor$Worker.run(ThreadPoolExecutor.java:569)
03-07 12:29:57.115: E/AndroidRuntime(26662):    at java.lang.Thread.run(Thread.java:856)
03-07 12:29:57.115: E/AndroidRuntime(26662): Caused by: java.lang.NullPointerException
03-07 12:29:57.115: E/AndroidRuntime(26662):    at com.example.test.NetworkOperation.doInBackground(NetworkOperation.java:42)
03-07 12:29:57.115: E/AndroidRuntime(26662):    at com.example.test.NetworkOperation.doInBackground(NetworkOperation.java:1)
03-07 12:29:57.115: E/AndroidRuntime(26662):    at android.os.AsyncTask$2.call(AsyncTask.java:264)
03-07 12:29:57.115: E/AndroidRuntime(26662):    at java.util.concurrent.FutureTask$Sync.innerRun(FutureTask.java:305)

Here is the code that is running in Async Task
import org.jivesoftware.smack.ConnectionConfiguration;
import org.jivesoftware.smack.XMPPConnection;
import org.jivesoftware.smack.XMPPException;
import org.jivesoftware.smack.packet.Presence;

import android.os.AsyncTask;
import android.util.Log;

public class NetworkOperation extends AsyncTask<String, Void, String> {

    private XMPPClient xmppClient;
    @Override
    protected String doInBackground(String... urls) {

        String host = "talk.google.com"; //getText(R.id.host);
        String port = "5222";  //getText(R.id.port);
        String service = "gmail.com"; //getText(R.id.service);
        String username = "hassaan.rabbani@gmail.com"; //getText(R.id.userid);
        String password = "**********"; //getText(R.id.password);

        // Create a connection
        ConnectionConfiguration connConfig =
                new ConnectionConfiguration(host, Integer.parseInt(port),service);
        XMPPConnection connection = new XMPPConnection(connConfig);

        try {
            connection.connect();
            Log.i("XMPPClient", "[SettingsDialog] Connected to " + connection.getHost());
        } catch (XMPPException ex) {
            Log.e("XMPPClient", "[SettingsDialog] Failed to connect to " + connection.getHost());
            xmppClient.setConnection(null);
        }
        try {
            connection.login(username, password);
            Log.i("XMPPClient", "Logged in as " + connection.getUser());

            // Set the status to available
            Presence presence = new Presence(Presence.Type.available);
            connection.sendPacket(presence);
            xmppClient.setConnection(connection);
        } catch (XMPPException ex) {
            Log.e("XMPPClient", "[SettingsDialog] Failed to log in as " + username);
            xmppClient.setConnection(null);
        }

      return null;
    }

    @Override
    protected void onPostExecute(String result) {

    }
  }

Am i missing something? n?

A: It looks like you are never assigning anything to your xmppClient variable, therefore it is null.
You aren't hitting it in the first try as that one is succeeding.

A: Try with below code.
@Override
protected String doInBackground(String... urls) {

    String host = "talk.google.com"; //getText(R.id.host);
    String port = "5222";  //getText(R.id.port);
    String service = "gmail.com"; //getText(R.id.service);
    String username = "hassaan.rabbani@gmail.com"; //getText(R.id.userid);
    String password = "**********"; //getText(R.id.password);

    // Create a connection
    ConnectionConfiguration connConfig =
            new ConnectionConfiguration(host, Integer.parseInt(port),service);
    XMPPConnection connection = new XMPPConnection(connConfig);
    if(xmppClient != null){
    try {
        connection.connect();
        Log.i("XMPPClient", "[SettingsDialog] Connected to " + connection.getHost());
        connection.login(username, password);
        Log.i("XMPPClient", "Logged in as " + connection.getUser());

        // Set the status to available
        Presence presence = new Presence(Presence.Type.available);
        connection.sendPacket(presence);
        xmppClient.setConnection(connection);
    } catch (XMPPException ex) {
        Log.e("XMPPClient", "[SettingsDialog] Failed to connect to " + connection.getHost());
        xmppClient.setConnection(null);
    }
    }else{
        Log.d("Connection", "check your xmppClient");
    }

  return null;
}


Understanding Living Trusts - Part I | Bauer Law Office, P.A.
Additionally, because a will can only go into effect after you die, it provides no protection if you become physically or mentally incapacitated. So the court could easily take control of your assets before you die — a concern of millions of older Americans and their families.
It can be expensive.Legal fees, executor fees and other costs must be paid before your assets can be fully distributed to your heirs. If you own property in other states, your family could face multiple probates, each one according to the laws in that state. These costs can vary widely; it would be a good idea to find out what they are now.
Your family has no privacy.Probate is a public process, so any "interested party" can see what you owned, whom you owed, who will receive your assets and when they will receive them. The process "invites" disgruntled heirs to contest your will and can expose your family to unscrupulous solicitors.
Your family has no control.The probate process determines how much it will cost, how long it will take, and what information is made public.
Not really. Using joint ownership usually just postponesprobate. With most jointly owned assets, when one owner dies, full ownership does transfer to the surviving owner without probate. But if that owner dies without adding a new joint owner, or if both owners die at the same time, the asset must be probated before it can go to the heirs.
Absolutely not. You keep full control. As trustee of your trust, you can do anything you could do before — buy and sell assets, change or even cancel your trust. That's why it's called a revocableliving trust. You even file the same tax returns. Nothing changes but the names on the titles.


Ezt a terméket eddig 399 alkalommal vásárolták meg!
Kava (Piper methysticum) is originated in the South Pacific. Believed to originate from Melanesia, kava grows abundantly in the sun-drenched islands of Polynesia. Kava has a key role in social ceremonies. It is usually the only way to welcome honored visitors. Sometimes, presenting others with a kava root is a sign of welcome and peace.
A member of the black pepper family, kava's active properties stems from the kavalactones found in its roots.
The super size Malekula Magic packahes are only available in our webshop!


U.S. #1162 was issued to coincide with the opening of the 1960 National Automobile Show in Detroit, Michigan. The stamp pictures a steering wheel with a car, truck, and tractor in each section. On either side of the wheel are the Western and Eastern Hemispheres of Earth.
This stamp was issued to honor the contributions of the automobile industry to American life, in conjunction with the National Automobile Show. Its design symbolizes the worldwide importance of motor vehicles for transportation, commerce, and food production.
Detroit, Michigan, is one of the world's great industrial centers. As the leading automotive production center in the United States, Detroit has earned the nicknames Automobile Capital of the World and Motor City. More than 10% of the workers in metropolitan Detroit are employed in automotive manufacturing.
As the center of automobile production, Detroit was the first city to have a paved concrete road (1909), the first to install a traffic light (1915), and the United States' first urban freeway (1942).


text:
How to Get It: Customer service is the biggest work-at-home field, with companies including Spiegel, Hilton, Best Western, HSN, 1-800-FLOWERS and many others using at-home reps. Fill out an application with staffing companies such as Arise, Alpine Access, VIPdesk, LiveOps, and Convergys, all of which vet the companies who are hiring through them. If you need benefits, search through a staffing company that will hire you as an employee (Alpine Access, VIPdesk and Convergys do this) rather than an independent contractor. If you're a contractor, you may be asked to pay a small fee (between $15 and $35) for a background check. While a fee can be a sign of a scam, independent contractors are responsible for their own expenses.
If you work remotely, it is easy to be forgotten. This is both true if you are one of the few employees who does not go into the office, and if you are one of many. If you miss meetings, be sure to pitch ideas via email or other correspondence, or attend virtually if possible. If you, say, work in a different city from the main branch of your office, suggest a company-sponsored meetup with other employees in your area, or plan a trip to visit headquarters when you can. Weigh in on group conversations on Slack. Tell jokes. Make yourself known (but not annoying.) This will make you more visible (and potentially important) to your boss, and it will make you feel less isolated.
You can earn quick money by registering to InboxDollars. You'll get a free $5 bonus when you sign up! You may have to wait a bit longer to get to $100, but it's still easy money by doing things you do online anyway, like listening to music (yes seriously), watching ads and a variety of other things. Plus, you get $5 just for signing up (just name and email address).
With so many apps out there, it's impossible to try them all. That's where AppTrailers comes in — it allows you to watch "trailers" of apps that provide a walkthrough of how an app functions. Each is 30 seconds or less, and a viewing scores you points toward gift cards. Grab extra points by taking quizzes and playing games in the app and you'll get more money, faster.
What It Pays: Payment depends on how many people click on your video and how many subscribers. Views on popular YouTube tutorials range from 20,000 to 300,000 and higher. You can also earn money from sponsorships, ranging from $500 to hundred of thousands, according to Slate. In 2017, Daily Star reported that UK vlogger Zoella made £50,000 a month from her videos showing her shopping hauls, though, with over 16 million subscribers, her estimated net worth is £4m net worth.
In this increasingly digital world, there has never been a better time to work from home. At-home jobs are the perfect opportunities for those struggling to secure a local gig, need to stay home for health reasons, have to care for a loved one, or simply don't relish the thought of dealing with a hectic commute every day. FlexJobs reported in their The State of Remote Jobs survey that, as of 2017, 43% of U.S. workers now work remotely — even if it's just a part-time side hustle to supplement their income. For remote jobs, you'll need a computer, some basic skills, and a can-do attitude. Click through this list of remote employment areas that are booming right now, plus find even more ways to make money from home.
More and more companies and startups especially are embracing remote work—where you use online collaboration and communication tools to do your work from wherever you want. And you don't have to be a 20-something hotshot designer or coder to reap the benefits of working remotely. Many remote positions are for customer support positions or other customer-facing positions that don't require specialized skill sets.
While some might think that starting a blog is an arduous effort, when you understand the precise steps you need to take, it becomes far easier. It all starts in the decision of choosing a profitable niche and picking the right domain name. From there, you need to build your offers. You can easily sell things like mini-email courses, full-blown trainings, ebooks, and so on.
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According with J.C Pan from The Fader, "Work from Home" uses work as a euphemism for sexual seduction, "rolling out one job-related double entendre after another".[25] In review of the album 7/27, Peter Meister from Sputnikmusic describing the song, wrote, "In the sparkling, sexy "Work from Home", R&B crooner Ty Dolla Sign harmonizes perfectly with the girls amongst brimming, elegant synths that explode and rattle with booming, gritty bass over the demanding of their lover to not go to work but instead, put the "work" at home with her.[26] Its instrumentation is complete with electro claps, strong bassline and backed-synth.[8][26]
Distributed work entails the conduct of organizational tasks in places that extend beyond the confines of traditional offices or workspaces. It can refer to organizational arrangements that permit or require workers to perform work more effectively at any appropriate location—such as their homes or customers' sites—through the application of information and communication technology. An example is financial planners who meet clients during the client's lunchtime at the client's workplace; even though this is an out-of-the-office, meeting, the Internet enables the planner to present financial planning tools and presentations on their mobile computers. Another example is a publishing executives who recommends books and places orders for the latest book offerings to libraries and university professors from the executive's home using e-mail or an online system. If this type of distributed work replaces the worker's commute, it would be considered telecommuting. If not, it would be telework (see §1. Definition).
Of course, FlexJobs is not the only site for finding remote work and jobs you can do from home. Upwork is the largest marketplace for freelancers in the world, with demand for nearly any remote-friendly skill set. Then there are the niche sites, like We Work Remotely, where the majority of job posters are early stage startups looking for talented engineers. Still, FlexJobs may be the winner: its robust, easy-to-navigate system offers tens of thousands of jobs from thousands of employers at any one time. If you're serious about finding remote work you can do from home or on the road, there's no better place to look.
Buy and sell domain names. If you're good at finding popular yet undiscovered domain names, you can make some cash on the side by buying and reselling websites. Think of it as digital real estate speculation. Domains are available on GoDaddy.com for as little as $2.99 per year, but are sometimes resold at far higher prices: According to Business Insider, the site MM.com sold for $1.2 million dollars in 2014. Once you find the perfect domain name to resell, you can market it on Flippa.com for a flat fee.
The track was covered by British singer-songwriter Ed Sheeran in a radio appearance in the United Kingdom.[92] Other artists who covered the song include classical crossover group Clean Bandit with Louisa Johnson at the BBC Radio 1 Live Lounge,[93] where Fifth Harmony also performed the track along with a cover of Elle King's "Ex's & Oh's".[94] Clean Bandit also recorded a mash-up version of the track at the Spotify Studios in New York City.[95] Bebe Rexha gave an acoustic performance at the SiriusXM studios. When asked to comment on the reason for covering the song, Rexha said she loves the song and called it "sexy".[96]
Tenants sometimes damage properties, and depending on local laws, they may be hard to get rid of. You'll be the one they call in the middle of the night if the roof is leaking, and you'll have to clean and perhaps freshen up the property between tenants. You can outsource much of this to a property management company, but it will take a cut of your income, often about 10%.
With drop shipping, you're effectively partnering with a manufacturer or wholesaler to sell their products. This way, you don't pay upfront costs to buy inventory, aren't sitting on unsold items taking up expensive warehouse space, and don't have to deal with shipping the products yourself. You simply create your site, fill it with drop shippable products, and drive in customers, with almost everything else done for you.
Join a startup accelerator: Another great option is to apply to a startup accelerator like Y Combinator, 500 startups, or TechStars, where a group of investors will help coach you, connect you with potential partners, and provide startup cash in return for a small stake in your company. The competition is tough to get into these, so don't rely on them as your only path forward.
To use the software, you will need an internet connection and a microphone and to be able to download their testing software. If you want to take mobile tests, you'll need an iPhone, an iPad, an Android phone or an Android tablet. You're paid via PayPal, which means you can live and use the service to make money as long as you live in a country where PayPal works.
Although the concepts of "telecommuting" and "telework" are closely related, there is a difference between the two. All types of technology-assisted work conducted outside a centrally located work space (including work undertaken in the home, outside calls, etc.) are regarded as telework. Telecommuters often maintain a traditional office and usually work from an alternative work site from 1 to 3 days a week.[7] Telecommuting refers more specifically to work undertaken at a location that reduces commuting time. These locations can be inside the home or at some other remote workplace, which is facilitated through a broadband connection, computer or phone lines,[8] or any other electronic media used to interact and communicate.[9] As a broader concept than telecommuting, telework has four dimensions in its definitional framework: work location, that can be anywhere outside a centralized organizational work place; usage of ICTs (information and communication technologies) as technical support for telework; time distribution, referring to the amount of time replaced in the traditional workplace; and the diversity of employment relationships between employer and employee, ranging from contract work to traditional full-time employment.[10]


text:
DMG, Hasbro plot live Transformers show for China
By Liz Shackleton2016-01-27T02:25:00+00:00
China's DMG Entertainment has reached an agreement with Hasbro to create a live action show, Transformers Live, based on the Transformers franchise.
The Beijing-based company has established a live entertainment department, DMG Live, as a partnership with Michael Cohl's S2BN Entertainment, which produced the Spider-Man: Turn Off The Dark and Rock Of Ages theatre shows.
The show will bring the Transformers robots, including Optimus Prime and Bumblebee, into a real world arena – a custom-built, semi-permanent 4,500-capacity venue – with the first show expected in 2017.
The Transformers films have been huge hits in China, with the latest film in the franchise, Transformers: Age of Extinction, grossing $320m for third place in the all-time box office chart.
"Transformers Live will be a cross between an action-adventure spectacle, a theme park attraction and a theatrical show. Fans will experience intense action, beautiful visual moments, an emotionally engaging story, lots of humor and rousing music," said S2BN Entertainment chairman Michael Cohl.
Location based entertainment is big business in China for both local players, such as Dalian Wanda Group, and international theme park operators including Disney and Universal.
Disney's long-gestating Shanghai Disney Resort is scheduled to open this June; DreamWorks Animation's China joint venture Oriental DreamWorks is planning a $2.4bn entertainment, culture and retail development called Shanghai DreamCenter; and Universal is working on a $3.3bn resort to open in Beijing in 2019.
'A Guilty Conscience' leads Hong Kong box office over Chinese New Year
Local film 'Everything Under Control' also performed strongly.


text:
Q: How can I tell whether this set is closed or open? the question I'm having trouble with is this:
$$A:=\bigcup_{n=1}^{\infty}\left({\left[\frac{1}{n+1},\frac{1}{n}\right) \times \left(0,n\right)}\right).$$
In the Euclidean space $\mathbb{R}^2$, is the subset $A$ either closed or open?
I drew a picture in $\mathbb{R}^2$ and I really think it's open, but I can't come up with an elaborate way to describe why. Any help would be appreciated.
Thanks.

A: It's open. To see this, note that the only problematic points are $(\frac1{n+1}, y)$ for $y \in ]0,n[$. But $]\frac1{n+2}, \frac1{n}[ \times ]y-\epsilon, y+\epsilon[ \subset$ of the original set, where $\epsilon = \min\left\{ \frac{n-y}{2}, \frac{y}{2} \right\}$.

A: Pick a point in the set. It must belong to one of the products in the union.
Say, it belongs to $\left[\frac{1}{k+1},\frac{1}{k}\right[ \times \left]0,k\right[$.
Let the point be $(x,y)$. We have $\frac1{k+1} \le x < \frac1k$ and $0 < y < k$.
Now, we consider $\left]\frac1{k+2},\frac{x+1/k}2\right[ \times \left]\frac y2,\frac{y+k}2\right[$ and prove that it is contained in $A$.
The set is also open
Since there is an open set around every point in $A$, we can conclude that $A$ is open.


text:
Jaroslav Vožniak (* 26. April 1933 in Suchodol ; † 12. Mai 2005 in Prag-Zbraslav) war ein tschechischer Maler, Bildhauer und Grafiker. Er galt als einer der wichtigsten Vertreter der tschechischen Pop-Art.

Leben

Vožniak, ein gelernter Lithograf, studierte von 1951 bis 1959 an der Akademie für Kunst, Architektur und Design (VŠUP) in Prag bei Karel Svolinský und von 1954 bis 1959 an der Prager Akademie der bildenden Künste (AVU) bei Vladimír Silovský. Gemeinsam mit Bedřich Dlouhý, Jan Koblasa und Karel Nepraš gründete er die Künstlergruppe "Šmidrové".

Im Tschechischen Museum der bildenden Künste in Prag (ČMVU) sind mehrere seiner Werke ausgestellt.

Literatur
 J. Tomeš, A. Léblová (Hrsg.): Československý biografický slovník. Inst. ČSAV Academia, Prag 1992, ISBN 80-200-0443-2

Weblinks
Kurzbiographie von Jaroslav Vožniak mit Literaturhinweisen im Tschechischen Museum für darstellende Kunst (ČMVU) (englisch)

Nachruf: Zemřel malíř Vožniak (tschechisch)

Maler (Tschechien)
Geboren 1933
Gestorben 2005
Mann

redpajama_set_name: RedPajamaWikipedia


Becoming a volunteer is a great way to learn new skills, meet new people and do something positive for your community.
Volunteering will increase your own confidence and get a sense of satisfaction and achievement whilst helping others. It's a great way to make new friends and meet like-minded people, try something different and gain new skills. It could even improve your job prospects or help you get new qualifications.
There are many ways to volunteer depending on how much time you can spare. There are groups and organisations that help with things like gardening, young people's activities, and helping vulnerable groups.
If you want to find out more, you can contact the local Volunteer Centre. They have links with most of the voluntary organisations in the borough and can talk to you about what you might be interested in most. You could also contact the group that you are interested in volunteering for directly.


In Whatever Direction You Turn, There He Is!
Every time Trump is mentioned on the news, Martine either hits the mute button or turns the channel. The problem is: Donald J. Trump is everywhere. Whether one is watching ABC, CBS, NBC, CNN, Fox, BBC, RT, or France 24, the news seems always to feature our lunatic president and his stumbling failures.
It's not my problem, because I never watch the news—except on the Internet. And there I am in complete control of my news feed. I know that could be a problem, but no way am I going to watch Breitbart or Sean Hannity or Bill O'Reilly without shooting my cookies. I can generally tell right from wrong, and I know that everything our Trumpery president represents is very, very wrong.
So don't worry. I won't push Trump at you unless he really gets to me and makes my temperature rise. I really prefer to write about books, films, places, history—anything but the Cheeto Monster with his orange leer.


Early in the Hillary Clinton email case, the Department of Justice reached a decision that would have far-reaching implications in the FBI's investigation into Clinton's use of a private email server.
The Justice Department (DOJ), under then-Attorney General Loretta Lynch, decided to set an unusually high threshold for prosecution of Clinton, effectively ensuring from the outset that she would not be charged.
Hillary Clinton could of been charged, except the DOJ under Attorney General Loretta Lynch blocked it.
Was that before or after the Billy Jeff met up with her on the tarmac to talk about their grandkids?


text:
Regional Holcim Awards 2011 North America winners announced!
City: USA,
TAGS: Holcim Awards, Award,
The 2011 Regional Holcim Awards for North America were recently announced at an awards ceremony in Washington, D.C.! The Holcim Awards recognize excellence in sustainable design for buildings, infrastructure, renewable energy and master plans.
This year's gold prize went to Lateral Office/ InfraNet Lab, based in Toronto, Canada and Princeton, New Jersey, with its plans for a regional food-gathering nodes and logistics network for Iqaluit, in the Canadian territory of Nunavut. The project consists of fostering mobility between the different Inuit communities for an improved distribution of local foods and encourage local hunting by constructing a series of small, temporary enclosures along existing snowmobile trails. These buildings will serve as shelters, data transmission centers, ecological management stations, and cultural centers.
The zero net energy school building for Los Angeles, California in the United States by the Swift Lee Office was awarded the Silver Award. This public school prototype relies on prefabrication and renewable energy for a flexible, economical design that meets LEED Platinum standards. The architects have carefully examined each phase in the building's lifecycle to ensure maximum sustainability.
Bronze went to the energy and water efficient border control station for Van Buren, Maine by Julie Snow Architects, based in Minneapolis, Minnesota. The project aims for net zero energy and water conservation through the use of state-of-the-art sustainable technologies, including a ground source heating and cooling, a solar wall to temper outside ventilation air, a ground-coupled heat pump, peaking bio-diesel boilers, LED lights, and lighting control systems to reduce fossil fuel consumption.
Four acknowledgement prizes were also awarded for the following projects: an energy efficient university building in Lawrence, Kansas, USA; an energy neutral portable classroom in Honolulu, Hawaii, USA; an energy, water and waste efficient military installation in Fort Leonard Wood, Mississippi, USA; and an environmental center and bird-watching facility using recycled materials in Chicago, Illinois, USA.
"Next Generation" prizes for excellence in sustainable student design went to a reinforced mangrove protective infrastructure project in Miami, Florida, USA; a temporary festival structure using recyclable building components in Providence, Rhode Island, USA; and a project for foam concrete utilization research in Toronto, Ontario in Canada, which earned first, second and third prize respectively.
Spark BILBAO, organic fireworks by Studio Roosegaarde
Hacker Architects studio renovates the Bailey Residence in Black Butte Ranch, in Oregon
House of Wisdom designed by Foster+Partners seen through Shoayb Khattab's lens
Distributed Design Awards, 2021 edition
Related Articles: Holcim Awards
LafargeHolcim Awards 2017, Latin America, 2017 gold award to Mexico
Eco-friendly food distribution network for Canada's Inuit community
Related Articles: USA
Exhibition Faraway Focus, photographers go travelling
Redesigning existing building: Manson Barn by SkB Architects


The New Lo-An called in with 106 Yellowfin Tuna, 6 Yellowtail, 2 Dorado and 50 Skipjack for their 1 Day trip.
The El Capitan called in with Limits(70) of Yellowfin Tuna and 42 Skipjack for the first day of their 2 Day trip due back Sunday evening.
The Josie Lynn called in Limits(20) of Skipjack and 1 Dorado for their 1 Day trip.
The Sauerfish called in with 23 Yellowfin Tuna, 1 Dorado and 30 Skipjack for their 1 Day trip.
The Point Loma called in with 77 Bonito, 4 Sand Bass and 4 Rockfish for their Local 3/4 Day trip.
The Daily Double called in with 85 Bonito and 1 Sand Bass for their Local 3/4 Day trip.
The Dominator has room for an overnight trip. Ticket price is $260.00 and includes your bunk and Mexican fishing permit.


Our readers have asked that we create and share more community content so we're ramping up our website and need your help. We've put together a general editorial calendar below, though don't get mad if we don't always follow it.
We'll also continue to introduce more featured bloggers and contributors, could you be next?
Do you know any people, businesses, or stories that we should highlight? Learn more about what we're looking for below.
Again, we want to hear from you and if there are topics you'd like us to cover that we haven't included above just let us know.
Do you run, volunteer, support or benefit from a local non-profit and want us to highlight it to our readers?
Are you involved with a meetup group or other semi-formal group and you'd like us to help you spread the word about your activities, purpose, or direction?
Do you have an upcoming event you'd like to share with the community or perhaps have a number of events?
Are you a local business owner/manager or is there a business or community member that you thinks deserves recognition here?
Are you interested in blogging at NewarkLifeMagazine.com? We're looking for community contributors to share their passions whether health & wellness, parenting or family, civic, sports and recreation, dining and travel - you name it. We want to hear from you if this sounds like fun or you already blog and want to reach a larger audience.
If you answered yes to any of the above questions please complete the form below we'd love to hear from you.
Firefighters, police or other community service professionals who are either new to the job (under 3 years), approaching retirement (under 3 years from retirement), or who moonlight with other activities i.e. construction or contractors etc?
Restaurant owners or managers particularly those who run restaurants with a unique specialty (food, ambience, music etc) or with an interesting backstory that led to the restaurant.
Your favorite DIY projects, recipes, household tips and the like.
Again, please fill out the form below if you or someone you know fits the description above. We'd love to spotlight them for our community.
* Who is the subject?
If not you, how can we get in touch with them?


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Speaking as a life long Pearl Jam fan, I have to say, this is a disappointing single, and even more, a generic punk rock song for them. At this stage in their career, it just doesn't come off sincere to release something that sounds like an indie Sub Pop band from 1989. Stylistically, this may go over well with the fans at shows, but as a teaser for a new record, a major disappointment. Pearl Jam once were a band who could pull off an homage to old school punk, being that they're officially pioneers of a genre: Grunge. But it's decades later, they've moved closer to a progressive rock band over the years and going backwards doesn't make sense to me. As much as I'd like to convince myself to love this song and get fired up for a new record, I feel it will be similar to the past few albums, albums with a few great songs and the rest are filler. In my opinion, they lost their way after Binaural. As good a drummer as Matt Cameron is, something about their songwriting ambitions changed for the worse when he joined the band. Perhaps they need a new incentive creatively, as this happens to all bands that stick together over twenty years. A band that was once innovative and unpredictable is now stale and unexciting, much like the new Rolling Stones records. If their goal is to parallel their career to The Stones, then Pearl Jam is directly on point. Unfortunately for me, I didn't see them that way, and hoped they'd continue to surprise. Eddie Vedder is one of the most prolific songwriters in history. I wonder if he sees it this way, or does he actually think this song is relative or substantial in the band catalogue in any significant way.
Labels: 2013, mind your manners, pearl jam, single review
mediocre pearl jam song


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Сеня Петрова Терзиева-Желязкова е български учен, химик, инженер, професор, доктор по химически науки.

Биография
Родена е на 27 декември 1961 г. в София. Средното си образование завършва в местния Техникум по индустриална химия. През 1986 г. завършва Висшия химикотехнологичен институт в София със специалност "Технология на неорганичните вещества". От 1987 до 1989 г. учи следидипломна квалификация в Софийския университет по професионална педагогика. През 1990 г. става асистент в Химикотехнологичния и металургичен университет (ХТМУ) в София. През 2002 г. защитава докторска дисертация на тема "Декларативният компонент на знанията при обучението по химични технологии". От 17 декември 2003 г. е доцент, а от 2016 г. и професор. В ХТМУ ръководи секция "Хуманитаристика и осигуряване на качеството на обучение", директор на Технологичния колеж към университета и е била заместник-декан на Деканата за продължаващо и паралелно обучение. В периода 2011 – 2019 г. е заместник-ректор по акредитацията и качеството на обучение. От 2019 г. е ректор на ХТМУ

Източници

Български химици
Възпитаници на ХТМУ
Родени в София


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Building a Community to Change Biology for the Better
Industry Insight Oct 21, 2019
Laura Elizabeth Lansdowne
Biological complexity is not getting any easier to unravel but utilizing the power of computers could make us better at it.
With the well-documented reproducibility crisis, elevated costs of drug and therapy manufacture and the costs of goods sold crisis, Life Sciences R&D is facing mounting challenges. These challenges are felt across all sectors, from academia to biotech, to industry.
Forward-thinking companies like Synthace are trying to help biologists overcome these challenges by giving them a software solution that can empower them to do more sophisticated science, faster.
Another way they are doing this is by championing a community that aims to foster discussion, ideas and thought-leadership around computer-aided biology, which they feel can bring forth a new era in the Life Sciences.
We caught up with Fane Mensah, Synthace's Head of Community, to learn more about computer-aided biology and how he hopes to help drive biology forward and overcome its most pressing challenges by building a community of like-minded scientists and thinkers.
Q: Can you tell us more about yourself and how you came to launch the "computer-aided biology" community?
A: I have a passion for biology and also for networking and community building. I spent a lot of time in the lab during my undergraduate and postgraduate days, but I also spent a lot of time talking to scientists from different disciplines at networking events and conferences. I realized that a lot of the pain points in biology R&D are shared across sectors. Such as the need to do more complex experiments, but not having the time or resources to do them.
I also realized that if I could connect people, the field might be able to do something about overcoming these challenges. I feel strongly that, by enabling scientists to do more sophisticated experiments faster, we can advance biology quicker.
Computer-aided biology overcomes a lot of the pain points I was hearing about such as complexity and resource costs. But it is not well known, and people don't understand the level to which it can help them with their experiments, and this is why I am launching the computer-aided biology community.
Q: What does "computer-aided biology" actually mean?
A: Well, in the plainest sense computer-aided biology is "using computers to help biology". In more detail, we describe computer-aided biology as biological research, development and manufacturing using new digital techniques and next-generation hardware tools. These advances in technology are empowering scientists and engineers to work more effectively with complex biological systems.
If we look at the process of drug development, we have never before seen such complexities in biology. Whereas most new drugs at the turn of the century were chemistry-based, we have since seen a shift to larger molecules, and now we are in the new era of cell and gene therapies.
With the increased complexity in designing and producing these therapies comes physical and digital problems to solve. For example, how can we generate larger more robust datasets in the lab (physical)? And, how can we best structure or use these datasets and how can we use technologies to help address complex biological questions (digital)? This digital-to-physical transition in biology is at the center of computer-aided biology.
As we are faced with challenges to work more effectively with biology, now and in the future, it is absolutely vital to openly discuss these aspects at the intersection of biology and technology.
Q: Who is this community for and what do you hope to achieve by launching it?
A: The community brings together biologists, engineers, computer and data scientists, from industry, policy, start-ups, academia, vendors and the investment community. With them, we want to encourage discussion, collaboration, and best practices to drive biological research and development forward. When should we implement technology? What technology is already out there? And in what areas can we still innovate?
Most importantly, how are these technologies going to improve biological sciences?
These are all questions that we hope to address and share insights from thought leaders and experts in the field.
By building this new community we are aiming to fill a gap that exists at the intersection of biology and technology. We want to help the industry to overcome this disconnect because we think this would be of huge benefit to everyone.
Q: Do computers have the potential to replace biologists – and should they?
A: My answer to this is no, and I also think they never will.
The power of a good biologist is in postulating scientific questions and testing hypotheses. They should be spending time thinking about complex experiments, not performing the physical execution of laborious experiments. This is where computers can complement biologists.
In many cases, biologists are limited in their level of complexity as it is impossible to execute 100's of experiments manually. This is something that unconsciously affects the way we design our experiments. Who would design experiments knowing they won't be able to execute them in a desired period of time?
Well, this is where computers can help.
Computer-aided biology is not just cutting-edge robots and smart software, it is also a cultural change in the way we do biology. As soon as we are able to do more with less manual effort, we can help advance biology more quickly.
I think computers will have the potential to replace some of our manual work and assist the way we design experiments, but the biologist will always stay central to the science! Nevertheless, it is also important to discuss how biologists can stay in control of computers as this will become very important in the future.
"Computer-aided biology" describes the emerging ecosystem of tools that augment human capabilities in biological research.
Q: Where is computer-aided biology currently being implemented?
A: Because in many cases it involves expensive robots or software, it is mainly implemented in Biotech and Pharma companies where high throughput is important. But that is changing and fields such as synthetic biology, biological engineering and agricultural sciences are utilizing computer-aided approaches to investigate their biology.
Q: Where can people find out more about the community?
A: You can sign up and join the community here. We welcome anyone interested in this emerging field, whether you are an experienced user or just want to learn more about how technology is advancing the way we do biology.
We would like to build this focused community with people, not just for them. I have always been interested in learning from other people and I think this will be an important value of the community.
Fane Mensah, Synthace's Head of Community (center).
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