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text:
Levy County's first known H1N1 swine flu-related death was reported earlier this month when a 13-year-old girl died.
In a news release about the teen's death, Levy County Health Department Administrator Barbara Locke said she could not release details about the case but said "pre-existing health conditions often play a role in how individuals react to the flu."
Locke also said: "Our deepest sympathies are extended to the family and friends. We continue to receive and investigate reports of flu transmission in the county and urge citizens to exercise precautions against infection."
Residents who feel ill with flu-like symptoms are asked to stay home from work or school.
Signs of the flu include a fever over 100 degrees, coughing or sneezing, sore throat, runny or stuffy nose, body aches, chills and fatigue.
When someone who suspects he or she may have the flu decides to get medical attention, they are encouraged to call ahead to the office or clinic. In several places people suspected of having the flu are being isolated from other patients to reduce the risk of spreading the disease to those most vulnerable to it. State health officials have said pre-existing health conditions often play a role in how individuals react to the flu. Those who have pre-existing health conditions have been getting sicker than others who were relatively healthy when they caught the flu.
Alachua County has recorded three deaths as a result of H1N1 infections -- a 41-year-old woman, a 61-year-old man, an 82-year-old man -- and all three victims have had underlying medical conditions, according to the county Health Department.
The woman was the most recent victim. Public health officials said she was treated at a local physician's office in late August and battled illness until her death in late September.
Paul Myers, the assistant director of the Alachua County Health Department, told The Sun earlier this week that cause of death is listed as swine flu if the patient tests positive, even in the case where other medical conditions are present.
"The way the state is reporting swine flu deaths is that it may not be the main cause of death," Myers said.
Myers and other health officials have said that 60 percent to 80 percent of people who are sick with influenza-like illnesses are testing positive for the flu. Of those, 99 percent are testing positive for swine flu, Myers said.
State and county health departments have established flu information hot lines. Throughout Florida, the toll-free number is 877-352-3581. In Alachua County, call 334-7981. Online information is available at www.flu.gov.

redpajama_set_name: RedPajamaCommonCrawl


text:
The Tenth Man, the Tony-nominated play by Paddy Chayefsky (the three-time Academy Award-winning author of Network, Marty, and The Hospital) presented in a newly commissioned Yiddish translation, directed by Tony Award-nominated director Eleanor Reissa.
The Tenth Man, which debuted on Broadway in 1959, is an American retelling of the dybbuk story as a touching human comedy in which we must question—who is really possessed: the young passionate religious granddaughter of one of the elderly congregants, or the successful yet cynical Manhattan lawyer? This play captures the struggle between Jewish generations, youth and old age, cynics and believers, scientists and mystics with a moving and surprising outcome.
"This play addresses the topic of spiritual crisis with astonishing warmth, humor, and depth, "said Zalmen Mlotek, Artistic Director at the National Yiddish Theatre Folksbiene, "such a work is truly fitting for inclusion in our Season of Spiritual Resistance, as we explore spiritual struggle on the stage, in all its complexity and variety." "NYTF is proud to bring Paddy Chayefsky's stimulating and touching work of art back to New York City, and for the first time anywhere, in Yiddish," added Dominick Balletta, Executive Director at the National Yiddish Theatre Folksbiene. "This production promises to leave audiences rethinking the ways they look at faith, no matter where their beliefs lie."
Director and translator Eleanor Reissa's directing credits include: Those Were The Days (Broadway), God of Vengeance (New Yiddish Rep; Off-Broadway) and Desperate Measures (Off-Broadway). Her acting credits include: Indecent (Broadway), God of Vengeance (New Yiddish Rep; Off-Broadway), and Those Were the Days (Broadway).
Chayefsky's play challenges us to answer the question, 'What is this evil spirit that inhabits us? Is it cynicism, hatred, or bitterness?" ... "This play, although set in a world gone by, poses questions that are as relevant today as ever".
Eleanor Reissa
The Tenth Man is presented by special arrangement with Samuel French Inc. a Concord Theatricals Company.
Paddy Chayefsky
Translation by
Eleanor Reissa and Harvey Varga
Scenic design by
James Noone
Costume design by
Tracy Christensen
Lighting design by
Betsy Adams
Sound design by
Dan Moses Schreier
Prop Design and Fabrication
Kathy Fabian/Propstar LLC
In Yiddish
English and Russian supertitles
Join the Tradition!
"Our stories are kept alive thanks to the National Yiddish Theatre Folksbiene – Join me in keeping our stories alive."
–Joel Grey


Many interesting creatures live in the fantasy forest. Faeries, Goblins, Gnomes, many a friend have explored these themes in art. My take on the forest creature has far more tentacles. Constructed primarily using scatter, I made a single tentacle, copied it around a zillion times, then hand modified their positions into more interesting clumps. Then a LOT of photoshop work, mixing real photos and straight ahead painting to make a super textural result. I wanted to let the viewer smell the dirt. Modeled in max, rendered in Brazil, everything else photoshop.


This images are from a shoot I did a few years ago. This first image is now my twitter background & several people have requested a tutorial for this look so I've finally done it.
I took inspiration from these 'African Queen' illustrations I remember seeing as a child. I have no idea who the artist is, but I was always drawn to these images.
I love the regal gentleness of these women. Their expressions & poses embody both beauty, strength & vulnerability.
Oh, I like the inspiration! You look like a doll.
wow!!!!love your eyes!!!!i follow you!!!kisses from spain.


Kim Giandalia has been a professional California Realtor and Oregon Real Estate Broker for over thirteen years and her knowledge is unparalleled. A native of Southern California who admits to a passion for the desert provides outstanding real estate experience and exclusive representation to buyers and homeowners. Kim prides herself for listening carefully to her clients and achieving a reputation as an amazing negotiator, while at the same time maintaining a devotion to professionalism and ethics. Her clients are always her top priority and they know with confidence that they are "Number One". Kim has mastered the ability to find exactly what her clients desire in a home. As a top producing team member she knows how important the little things mean in every transaction and all circumstances are unique and this is why she pays close attention to every detail. Kim's dedication and high-level first class service is second to none. You are guaranteed as a first time homebuyer, purchasing luxury estate or a savvy real estate investor that your experience will be smooth sailing from beginning to end.
I specialize in representing Buyers exclusively. What does this mean? It means I bring over thirteen years of experience in real estate to my clients for the purpose of representing only my client's best interest. It means I commit to my clients and they in turn commit to me as their agent.
PEACE OF MIND- Perhaps most importantly I provide "Peace of Mind" by making sure my clients receive the information and expertise they need to make an informed decision.
EFFICIENCY – Find you a home in the shortest period of time, with the least amount of hassle for the greatest value.
EXPERTISE- When you hire me you are hiring a team of experts with in depth experience in all aspects of residential real estate. It is my job to know the market for my clients and to provide the information they need to make an informed decision.
RESOURCES – I focus my clients search by setting up their own custom portal direct to Multiple Listing Service (MLS) tailored to their needs or "Must Haves". This portal provides timely information on each listing that meets their criteria directly to their email.
DILIGENCE – I search the MLS daily for new listings so my clients have the opportunity to see them as quickly as possible. I also preview homes weekly and in most case prior to showing my clients to make sure I do not waste their time looking at homes that do not meet their standards.
FINANCING – In most cases buying a home today requires the buyer be pre-approved for a loan. I connect my clients to the experts that can help them figure out the financing price. Unless my clients are paying cash for the home it is vital that they obtain pre-approval from a lender prior to making offers.


text:
First Star I See Tonight - Hardcover
Read a Sample
First Star I See Tonight
by Susan Elizabeth Phillips
Hardcover Audiobook CD Unabridged Mass Market Paperback Audiobook CD Unabridged E-book Digital Audiobook Unabridged Large Print
A no-nonsense sports hero and a feisty female detective go head-to-head in this funny, fresh, seductive novel from the award winning NYT bestselling author known for her unforgettable characters, heartfelt emotion, and laugh out loud humor.
He's the former quarterback of the Chicago Stars football team.
She's trying to make a success of her very own detective agency.
Her first job? Follow him.
Let's just say it's not going well.
Not well at all….
Piper Dove is a woman with a dream—to become the best detective in the city of Chicago. First job? Trail former Chicago Stars quarterback, Cooper Graham. The problem? Graham's spotted her, and he's not happy.
Which is why a great detective needs a first rate imagination. "The fact is . . . I'm your stalker. Not full-out barmy. Just . . . mildly unhinged."
Piper soon finds herself working for Graham himself, although not as the bodyguard he refuses to admit he so desperately needs. Instead, he's hired her to keep an eye on the employees at his exclusive new nightclub. But Coop's life might be in danger, and Piper's determined to protect him, whether he wants it or not. (Hint: Not!) If only she weren't also dealing with a bevy of Middle Eastern princesses, a Pakistani servant girl yearning for freedom, a teenager who just wants to fit in, and an elderly neighbor demanding that Piper find her very dead husband.
And then there's Cooper Graham,, a legendary sports hero who always gets what he wants—even if what he wants just might be an intrepid detective hell bent on proving she's as tough as he is.
From the bustling streets of Chicago to a windswept lighthouse on Lake Superior to the glistening waters of Biscayne Bay, two people who can't stand to lose will test themselves and each other to discover what matters most.
Reading Guide
Imprint: William Morrow
BISAC1: FICTION / Romance / Contemporary
BISAC2: FICTION / Romance / Sports
BISAC3: FICTION / Romance / Romantic Comedy
"First Star I See Tonight is Susan Elizabeth Phillips at her best--funny, charming and un-put-downable. Oh, and I call dibs on Cooper!" - #1 New York Times bestselling author Susan Mallery
"FIRST STAR I SEE TONIGHT by Susan Elizabeth Phillips is so hot that when I read it I had to take a cold shower. Whew! I loved it!" - Dorothea Benton Frank, New York Times bestselling author of All Summer Long
"In FIRST STAR I SEE TONIGHT, Susan Elizabeth Phillips writes about the kind of strong, self-assured women I love! I found myself cheering for this heroine with her unwavering ethics from the first page to the last!" - Julie Garwood, author of The Bride
"I always laugh my head off when I read Susan Elizabeth Phillips' novels. She never fails to leave a smile on my face." - Catherine Coulter, author of Insidious
"Fall into the addictive voice of Susan Elizabeth Phillips -- compulsively readable and deeply satisfying! Re-entering the world of the Chicago Stars is like a beloved friend come to call." - Robyn Carr, author of Virgin River
"First Star I See Tonight is a perfect example of why Susan Elizabeth Phillips is so popular. The characterization is spot on...The ending made me smile even though I was going into mourning because—you know—it ended." - Linda Howard New York Times bestselling author
"I love Susan Elizabeth Phillips' books. Her writing is infused with intense emotion, sharp characterization, subtle wit and a rare energy that is absolutely irresistible. When I open one of her books I know I'm in for an exhilarating ride. This is women's fiction at its best." - Jayne Ann Krentz, New York Times bestselling author of River Road
"First Star I See Tonight is Susan Elizabeth Phillips at her very best, and there's no one better at writing romantic fiction. Susan is the absolute queen of contemporary romance." - Kristin Hannah, #1 New York Times bestselling author of The Nightingale
"This thoroughly enjoyable novel delivers a swift kick to the heart—an essential summer read" - Kirkus Reviews (starred review)
"...Phillips' literary star shines bright in her latest dazzling (and long-awaited) installment...Writing with a deceptively easy sense of grace, equally enhanced by her distinctively dry sense of wit, Phillips fashions an irresistibly sexy love story that is guaranteed to hit every romance reader's sweet spot." - Booklist (starred review)
Laugh-out-loud funny, insightful, and touching, this latest gem from one of the genre's best is a must-buy for all library collections. - Library Journal (starred review)
Susan Elizabeth Phillips on Twitter
Tweets By #!/SEPauthor
https://b0f646cfbd7462424f7a-f9758a43fb7c33cc8adda0fd36101899.ssl.cf2.rackcdn.com/hc-audio/9780062560353.mp3
Heroes Are My Weakness
Ain't She Sweet?
This Heart of Mine
Call Me Irresistible
Natural Born Charmer
Match Me If You Can


text:
Q: Git adding file to specific branch only How to stop some file from some other branch to get merged in master branch? I have a file that I have added in a particular branch. I would like to merge this branch to master but I want master branch to ignore the new file getting merged with it.
How to inform Git that this file related with this branch only?

A: There's no such thing in Git.
Branches are not permanent, and are rather unimportant in a lot of ways.  I'm afraid this answer is going to be kind of long, because there is a lot of background you need to know here, and lots of Git introductions are not good at conveying it.
Background: Commits and branch names
Commits are important: commits are permanent and unchangeable.1  Each commit holds a snapshot of some set of files; the set of files in that commit, along with their contents, are as permanent and unchangeable as the commit itself.
The "true name" of any one commit is its big ugly hash ID.  Git makes up a new, unique, big ugly hash ID for each new, unique commit you add to a repository.  Once added, that commit is permanent and unchangeable (though see footnote 1 again).  The commit holds all the files that you had Git tracking at the time you said git commit, in exactly the form they had at that time (we'll get back to this in a moment).

1Commits can be removed, under various conditions that essentially boil down to no one can find them any more.  This is trickier than it looks and it's best to just start out as thinking of them as the thing that Git saves permanently, that holds your file-snapshots.  While a commit can fade away once you can't find it, it literally can't change, because its true name—its hash ID—is a cryptographic checksum of the commit itself.

Commits also remember their parent commit.  That is, each commit stores the big ugly hash ID of the commit you had extracted earlier with git checkout.  It also stores your name, as the author and committer of that commit, along with your email address and a date/time stamp; and it stores your log message, telling everyone why you thought it was good to make that particular commit.
Suppose we start with a repository that has just three commits.  Instead of big ugly hash IDs, let's give them single uppercase letters.  The first commit is A, the second is B, and so on.  We'll stop being able to make new commits once we have 26 commits, but that will be enough for us here.
Since commit A is the first commit, it has no parent.  If we made B from A, though, B remembers A as being B's parent, and if we made C from B, C remembers B.  Since commits can't change once made, A cannot remember B, and B cannot remember C: this "I remember" thing, this arrow pointing from a later commit back to an earlier one, must go backwards:
A  <-B  <-C

What if we made C using A instead of using B?  Then C will point back, not to B, but to A:
A--B
 \
  C

but for the moment let's stick with a straight line of commits:
A--B--C

(where we get too lazy to bother drawing the arrow-heads, but really that's partly because we will have problems with the angled ones).  Now, remembering that these handy uppercase letters stand in for actual big ugly hash IDs, ask yourself: how will we—or Git—remember the actual hash ID of commit C?  C remembers the ID of B, which remembers the ID of A, so we don't need to remember those two.  But we do need to remember the last commit in the chain.
This is where branch names enter the picture.  A branch name like master simply serves to hold one commit hash ID: the end, or tip commit, of a chain.  From there, Git will work out all the earlier commits.  So let's draw this:
A--B--C   <-- master

Now, let's make a new commit.  We'll call it D but really it has some unique big ugly hash ID.  We make it by running:
git checkout master
... edit some files ...
git add ... some files ...
git commit

When we make D, we have commit C checked out.  So C will be the parent of  new commit D.  Git will collect your log message, make a snapshot of all the files—not just the git add-ed ones; we'll get back to this in a bit—using your name and the current time for the author and committer data, and make new, permanent, unchangeable commit D that remembers C as its parent:
A--B--C--D

But now the name master has to change.  It was remembering C; now it must remember D instead.  So the last step for git commit is to write D's actual hash ID into the name master, giving us this:
A--B--C--D   <-- master

Let's say we now use git checkout to go back to commit B, and make—or, easier, already have—a branch name that points to commit B, so that we can draw our graph like this:
     C--D   <-- master
    /
A--B   <-- branch

Now we make another new commit E.  Git will write out the new commit as usual, making the snapshot and setting E's parent to B—because that's the one we have checked out.  When it's done, branch will point to new commit E:
     C--D   <-- master
    /
A--B
    \
     E   <-- branch

How did Git know to move the name branch and not the name master?  This is where HEAD comes in.  When you ran:
git checkout branch

Git attached your / its HEAD to that branch name, so we should really be writing this down as:
     C--D   <-- master
    /
A--B
    \
     E   <-- branch (HEAD)

You might wonder, now, which branch commits A and B are on.  We can see from the drawing that C and D are on master—and that Git knows this because Git starts from the end of master, commit D, and works backwards to reach C.  We can see that E is the tip of branch.  But which branch is B on?
Git's answer is that these two commits are on both branches.  The set of branches that contain or reach any given commit is determined by starting at all the branch names (way over on the right, or whichever end of the graph is the "latest" end) and working backwards.  If we can reach a commit by traveling backwards like this, that commit is on that branch.
Generally speaking, branches tend to grow new commits.  As we saw above, adding a commit to branch had no effect on master.  We can make more new commits:
     C--D   <-- master
    /
A--B
    \
     E--F--G--H   <-- branch (HEAD)

and master still points to D.  But if we git checkout master (to attach HEAD to master), and then use git merge to merge commit H into master, we get this:
     C--D---------I   <-- master (HEAD)
    /            /
A--B            /
    \          /
     E--F--G--H   <-- branch

and now branch master reaches back from I through both D and H, so that all the commits are on master again.
I went pretty fast here, so at this point, you might take some time to work through the web site Think Like (a) Git, which has a lot more on how this graph stuff works.
This is why there's no such thing as a branch-specific file
Saved files—snapshots—inside Git are stored inside commits.  The commit is a snapshot of all the files that go with that commit.  Any commit that does not have the file, does not have the file permanently.  Any commit that does have the file, does have the file permanently.  But the set of branches that contain that commit depends on what you do with branch names.
You can have files that are specific to particular commits, but those commits may suddenly be on many branches, especially after someone uses git merge.
The index and work-tree, or, where do the files in the snapshot come from?
Once you have used Git for a little while, you will have a feel for how commits store frozen versions of files, and using git checkout <some old commit>, you can get those versions back.  We also mentioned above that Git saves a snapshot of every file—or more precisely, all the tracked files.
Since each commit (snapshot) saves every file, Git needs a way to make these not take up too much space.  Git does this in part by compressing the files.  Without going into a lot of technical detail, Git can compress the heck out of some files.  These super-compressed files are in a special, Git-only format, as permanent and unchangeable as the commits themselves.  But this means no other program can deal with these files.  You need to have the files out—via git checkout—in a form where you can see them, edit them, and use them with other programs.
So, Git provides you with an area it calls the work-tree or working tree.  Files here are in their ordinary form, rather than some special Git-only format.  That's pretty straightforward too.
Other version control systems stop here: they have the frozen committed files, and the work-tree files.  When you run hg commit or svn commit or whatever, they spend hours analyzing what's in your work-tree to figure out how to commit this.  OK, it's not actually hours, it just feels like hours.  Anyway, it's slow.  But when you run git commit, it's lightning-quick.  Git gets its tremendous speed here from what Git calls, variously, the index, the staging area, or the cache, depending on which bit of Git documentation or command is doing the calling.
The trick here is that when you git checkout a commit, Git does not just expand all the frozen files into a normal de-compressed form in your work-tree.  Git first copies the frozen, Git-formatted files into this index, keeping them in the special Git-only format but un-freezing them.  Only then does it bother with de-compressing them into the work-tree.  This index therefore tracks—there's that word again—the set of files in your work-tree.
When you run git add file, what Git does is compress the work-tree copy of file into the special Git-only format, then write that into the index.  If there was some other version of the file in the index, well, now it's updated to the new one from the work-tree.  If the file wasn't in the index before, well, now it is.  Either way, the file is now ready to go.
Hence, when you run git commit, all Git has to do is freeze the pre-compressed files that are already in the index.  That's how it is that Git is so fast: it's just re-using all those already-compressed files.  If you have not run git add, you get the same version of the file that was in the commit you had checked-out earlier.
Note that when Git does this, it's all set up for the next commit too.  Suppose, for instance, that you are in this state:
...--F--G   <-- somebranch (HEAD)

because you ran git checkout somebranch.  The index and work-tree are now full of all the files from commit G.  You modify some work-tree file, run git add to copy the modified file back into the index, then run git commit.  Git makes new commit H from the index, changes the name somebranch to point to new commit H, and you have:
...--F--G--H   <-- somebranch (HEAD)

with commit H matching the index!
This also explains why if you forget to git add a file, and commit, the commit gets the old version of the file.  The commit gets whatever is in the index, which is the old version from the previous commit.
This is also how Git defines a tracked vs an untracked file: a file in the work-tree is tracked if and only if it is in the index right now.  Using git add will copy it into the index, after which it will be tracked, because it is in the index and will be in the next commit you will make.  Using git rm will remove a file from the index and the work-tree: now it's just gone, so it's neither tracked nor untracked.  Using git rm --cached will remove it from the index, but leave it in the work-tree: now it's untracked, because it's in the work-tree, but not in the index.
A good short description for the index, then, is this: The index is the set of files that will go into the next commit you make.  Using git commit simply freezes the ready-to-go index.  Using git add, you update or insert files into the index, making them ready-to-go.  You do your work in your work-tree, but you commit from your index.
About git status and .gitignore
The git status command prints out a few interesting facts, like "on branch master", first—it knows which branch you're on by where the name HEAD is attached.  Then it tells you about files staged for commit and/or files not staged for commit.
This is really telling you what's in your index.  Your index starts out matching your commit—because you made it from your last commit, for instance, or because of git checkout.  But if you ran git add, you wrote new files, or new versions of existing files, into the index.  Git can do a very fast comparison of the HEAD commit—from the hash ID that the branch name is remembering—to the index, to tell you if any of the files in the index are different from their HEAD version.  These are the files that are staged for commit.
Let's look at that again, because it's important:

*

*If the index file matches the HEAD file, Git says nothing.

*If the index file is different from the HEAD file, Git says it's staged for commit.
That way, if you have a big project with thousands of files, Git can just call your attention to the ones that are going to be different if you make a commit right now.
The second half of this is about what you could still git add.  If you've changed (or created or removed) some files in your work-tree, but have not made the index match, you could run git add to update the index to match the work-tree.  So the second comparison is index-vs-work-tree, and:

*

*If the index file matches the work-tree file, Git says nothing.

*If the index file is different from the work-tree file, Git says that the file is not staged for commit.
But there's one case that occurs here that does not occur for the first comparison, and that's when there's a work-tree file that is not in the index at all.  Such a file is untracked, and Git will whine about it.
Well, that is, Git will whine about it unless you tell Git: Don't whine about this particular untracked file.  That's a lot of what .gitignore is about: shutting up Git.  Listing a file in .gitignore won't make Git not have the file in the index, because if you check out a commit where the file is in the commit, that file goes into the index.
Listing a file in .gitignore will tell Git that a mass "add", such as git add . or git add *, should not add the file if it's not already in the index.  But once it's in the index for some reason, the file is then tracked, and .gitignore entries no longer apply.  They only apply to untracked (not-in-index) files.
Conclusion
You can't get what you want.  It's a good idea to avoid committing host- or site-specific files such as configurations, at least in the repository for general software.  Instead, commit an example, or a set of configuration defaults, and then have the VCS ignore the actual configuration if it goes in the same directory.  Keep the actual configuration in a separate repository if you want to version the configuration.

redpajama_set_name: RedPajamaStackExchange


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Here are some steps in order to fix bugs on legacy code in a safe way by taking baby steps. We need to focus on the problem and not be distracted by messy code that is around the area where we would need to fix the bug. If the code is messy, but it does not contain bugs we need to let it be. The most we can do is take a note about the problems and add this item into a technical improvement backlog that you can discuss later with your colleagues.
Why would you want to commit so often? Well you are working with a system that could be very hard to change and very hard to understand. Mistakes can come out from any small change. You want to have a very easy to use undo button with all the changes. You would not like to be in the situation where some tests stop passing and you do not know what you did. Always when something is wrong, you can undo and continue from a clear state. This is a kind of backtracking in a maze of possible decisions.
We always need to wonder: is this a bug? And we need to figure the real behaviour of the system. The way I am proposing now is to start writing a system test that would be a safety net. But often this is not enough to reach that certain bug. So we often need to go deeper with smaller characterization tests that might require us to refactor the SUT. So make sure you have a safety net before starting step 2.
We need to start refactoring like we would want to dig out for a precious stone. We need to carefully find the area of the code where the buggy code is and isolate it. In this case we need to use legacy code techniques to break the dependencies. When the code is ready we start writing one or more characterization tests in isolation.
We need to write as many smaller, isolated characterization tests as we need until we understand if the alleged bug is in fact a bug. When we have found the real behaviour of the system we have mainly two options: it really is a bug or it is in fact an ill-reported bug. In the latter case nothing more can be done than to report the status. But in the former case we need to fix the bug.
We need to write a test that will show what the correct behaviour is. This test will be red, and it is normal to be red.
During this step we need to make room for the change. Sometimes this step is not needed, but sometimes we need to take some baby steps in order to make sure the implementation step will not be very long and in consequence defect-creator prone. The previous test had helped us understand what are the needed changes to the system. Of course we need to have covered by tests all the code that needs to be refactored.
After the prior refactoring step this step should be straight forward. We should make some small changes and the new test expressing the correct behaviour should pass from red to green. The old test however should pass from green to red. In this moment we can say that we fixed the bug.
This is the last step of the process. We need to delete the old test which is now red, delete the unused code and of course we need to leave the camp clean by refactoring the production and the test code.
After this session we will have an idea on how to fix bugs on legacy code. If you apply the steps rigorously you will spend less time fiddling with the code, and you will have more certainty that you had not introduced a new bug and that you actually fixed the bug.
You need to have a lot of imagination when applying this technique. During the parts when you need to find the good characterization tests and refactor in order to dig inside the code base so you would have room for making the changes you will need to be very creative. I do recommend a lot of practice with smaller code bases or projects before starting this on a big ball of mud project.
I came up with this technique in the struggles to improve existing code without breaking it. Taking smaller and smaller refactoring steps helped me a lot to diminish the risks to almost zero. Also during some of my struggles to solve problems on existing code I thought about minimizing my commit time and invented the Taking Baby Steps game. Then I realized that taking very small steps where the options are clear and the risks are manageable is essential when working with existing code.
Check here a code cast in Java about this session.
Feel free to contact me to find more about how to fix bugs on legacy code.


text:
Q: BigQuery command line load error The BQ command line load command fails occasionally with the error trace mentioned below:
In the log I get the details:
If this problem persists, you may have encountered a bug in the bigquery client.
Google engineers monitor and answer questions on Stack Overflow, with the tag
google-bigquery:
https://stackoverflow.com/questions/ask?tags=google-bigquery
Please include a brief description of the steps that led to this issue, as well
as the information attached to the file at http://goo.gl/7YJHmH

A: Try removing --replace and make sure the <destination_table> does not exist. You can later delete the previous table. Or similarly, flip the operations; delete the table first before loading the new table.


These are PowerPoints of the original Seed 2 Table lecture series presented over six Tuesday nights during the spring of 2011 at the Bavarian Inn of Shepherdstown, WV.
The basics of good (organic) gardening.
How to build a kitchen garden from scratch.
Seeds & Seedling…sowing, growing and managing.
Dealing with problems: pest, diseases, weeds…the weather.
Tasty tips: how to grow (and use) the best tasting vegetables ever.


The guests of the SPA-center of the complex can enjoy mini aqua park (total area is 500 square meters), with artificial waterfalls, hydro massage facilities and jacuzzi.
You can also relax both in the Finnish sauna (we have three), which air is saturated with herbal extracts and in a Roman bath. There are also pools with warm and cold water, a spacious seating area and eastern hammam.
A part of the indoor pool is located outdoors.
Our guests are offered cocktails, fresh juices and vitamin drinks in phyto-bar «Aquarius», which is located by the pool.
Guests of our complex can attend free classes of water aerobics every day from 11:30 and 14:30.
Opening hours: from 07:00 to 22:00.


text:
Ana de Armas Age, Bio, Wiki, Height, Boyfriend, Net Worth, Facts
Ana de Armas is a Cuban-born Spanish actress probably best known for appearances in movies such as Blade Runner 2049 (2017) and Knives Out (2019), the latter earned her a nomination for Golden Globe Award for Best Actress. Having started her career at the age of 16 with a starring role in the movie Virgin Rose, Ana made her mark in the Spanish television industry, playing Carolina Leal Solís in the drama-thriller series, El Internado.
Her first English-speaking role came in 2015 in Eli Roth's erotic horror thriller Knock Knock, in which she was cast opposite Keanu Reeves. Ana's acting credits include Sergio, The Night Clerk, Wasp Network, The Informer, Exposed, and War Dogs.
Ana de Armas Biography
Ana de Armas was born on the 30th of April 1988, in Havana, Cuba. She is currently 33 years old.
Birth Name Ana Celia de Armas Caso
Nickname Ana
Date of Birth April 30, 1988
Place of Birth Havana, Cuba
Sun Sign Taurus
Nationality Spanish, Cuban
Ethnicity Spanish
Ana de Armas is the daughter of Ramón and Ana. Her father worked in different positions including as a bank manager, a teacher, a school principal, and the deputy mayor of a town while her mother worked in the human resources section of the Ministry of Education. She has an older brother named Javier, a New York-based photographer.
She studied acting at the National Theater School of Cuba in Havana.
Ana de Armas Love Life
Ana de Armas started dating actor Ben Affleck, her co-star from Deep Water in 2020. The pair broke up in January 2021.
She was previously married to Spanish actor Marc Clotet from 2011 to 2013. She then dated Cuban visual artist Alejandro Pineiro Bello before dating talent agent Franklin Latt. Ana was also in a relationship with her Hands of Stone co-star Edgar Ramirez from 2014 to 2016.
Body Measurements 34-24-35
Body Shape Hourlgass
Eye Color Green
Shoe Size 8 (US)
Distinctive Features Hazel-green eyes
Plump lips
Film Debut
Ana de Armas made her feature film debut as Marie in the 2006 Spanish film, Una rosa de Francia (English: Virgin Rose).
Television Debut
In 2007, she appeared in a television film titled El edén perdido, where she played the role of Gloria.
That same year, she was cast as Carolina Leal Solís in the Spanish drama-thriller series, El Internado (English: The Boarding School). She played her role for six seasons from 2007 to 2010.
Ana de Armas Net Worth
The Spanish star has an estimated net worth of $4 million as of 2022, thanks to her successful career as an actress. Her wealth will keep on increasing as long as she is a part of high-profile Hollywood movies.
Ana de Armas is very popular in her home country and became even more popular after starring in Hollywood movies. She can be found on Instagram @ana_d_armas, which is followed by over 4.2 million people. She is also on Twitter, where she has over 230 thousand followers.
Ana de Armas Facts
She was raised in Santa Cruz del Norte, a seaside town in the Mayabeque Province of Cuba.
She developed an interest in acting at a very young age and decided to become an actress at age 12.
At age 14, she joined join the National Theater School of Cuba and left the institute in her final year and moved to Madrid, Spain to pursue an acting career.
She graced the cover of FHM Magazine Spanish edition in 2008.
In 2014, Ana moved to Los Angeles for better opportunities but she had to struggle a lot as she was not fluent in English. She took great efforts to learn the language and landed her first major role in Eli Roth's erotic horror thriller Knock Knock in 2015, starring opposite Keanu Reeves.
She has a pet dog named Elvis.
Ana de Armas has central heterochromia, which means she has green eyes with brown centers.
Francesca Farago Age, Bio, Wiki, Height, Boyfriend, Career, Facts


text:
Title SCOPE: SCUBA-2 Continuum Observations of Pre-protostellar Evolution – survey description and compact source catalogue
DJ Eden (Astrophysics Research Institute), T Liu (Korea Astronomy and Space Science Institute), K Kim (Korea Astronomy and Space Science Institute), M Juvela (Department of Physics), S Liu (Institute of Astronomy and Astrophysics), K Tatematsu (Nobeyama Radio Observatory), JD Francesco (NRC Herzberg Astronomy and Astrophysics), K Wang (Kavli Institute for Astronomy and Astrophysics), Y Wu (Department of Astronomy), MA Thompson (Centre for Astrophysics Research), GA Fuller (Jodrell Bank Centre for Astrophysics), D Li (National Astronomical Observatories), I Ristorcelli (IRAP), S Kang (Korea Astronomy and Space Science Institute), N Hirano (Institute of Astronomy and Astrophysics), D Johnstone (NRC Herzberg Astronomy and Astrophysics), Y Lin (Max-Planck-Institut für Radioastronomie), JH He (Yunnan Observatories), PM Koch (Institute of Astronomy and Astrophysics), P Sanhueza (Nobeyama Radio Observatory), S Qin (Department of Astronomy), Q Zhang (Harvard-Smithsonian Center for Astrophysics), PF Goldsmith (Jet Propulsion Laboratory), NJ Evans (Korea Astronomy and Space Science Institute), J Yuan (National Astronomical Observatories), C Zhang (National Astronomical Observatories), GJ White (STFC Rutherford Appleton Lab., and Open Univ.), M Choi (Korea Astronomy and Space Science Institute), CW Lee (Korea Astronomy and Space Science Institute), LV Toth (Department of Astronomy), S Mairs (East Asian Observatory), H Yi (School of Space Research), M Tang (Department of Astronomy), A Soam (Korea Astronomy and Space Science Institute), N Peretto (School of Physics & Astronomy), MR Samal (Institute of Astronomy), M Fich (Department of Physics and Astronomy), H Parsons (East Asian Observatory), J Malinen (Institute of Physics I), GJ Bendo (Jodrell Bank Centre for Astrophysics), A Rivera-Ingraham (Department of Operations), H Liu (Department of Physics), J Wouterloot (East Asian Observatory), PS Li (Department of Astronomy), L Qian (National Astronomical Observatories), J Rawlings (Department of Physics and Astronomy), MG Rawlings (East Asian Observatory), S Feng (Max-Planck-Institut für Extraterrestrische Physik), B Wang (National Astronomical Observatories), D Li (Xinjiang Astronomical Observatory), M Liu (National Astronomical Observatories), G Luo (National Astronomical Observatories), AP Marston (ESA/STScI), KM Pattle (Department of Physics), V Pelkonen (Department of Physics), AJ Rigby (School of Physics & Astronomy), S Zahorecz (Department of Physical Science), G Zhang (National Astronomical Observatories), R Bőgner (Department of Astronomy), Y Aikawa (Center for Computational Sciences), S Akhter (School of Physics), D Alina (Department of Physics), G Bell (East Asian Observatory), J Bernard (IRAP), A Blain (Department of Physics & Astronomy), L Bronfman (Departamento de Astronomía), D Byun (Korea Astronomy and Space Science Institute), S Chapman (Department of Physics and Atmospheric Science), H Chen (Institute of Astronomy and Department of Physics), M Chen (NRC Herzberg Astronomy and Astrophysics), W Chen (Institute of Astronomy), X Chen (Key Laboratory for Research in Galaxies), X Chen (Purple Mountain Observatory), A Chrysostomou (Square Kilometre Array Organisation), Y Chu (Institute of Astronomy and Astrophysics), EJ Chung (Korea Astronomy and Space Science Institute), D Cornu (Institut UTINAM), G Cosentino (Department of Physics and Astronomy), MR Cunningham (School of Physics), K Demyk (IRAP), E Drabek-Maunder (School of Physics & Astronomy), Y Doi (Department of Earth Science and Astronomy), C Eswaraiah (Institute of Astronomy and Department of Physics), E Falgarone (LERMA), O Fehér (Department of Astronomy), H Fraser (Department of Physics and Astronomy), P Friberg (East Asian Observatory), G Garay (Departamento de Astronomía), JX Ge (Departamento de Astronomía), WK Gear (School of Physics & Astronomy), J Greaves (School of Physics & Astronomy), X Guan (Physikalisches Institut), L Harvey-Smith (School of Physics), T Hasegawa (Nobeyama Radio Observatory), Y He, C Henkel (Max-Planck-Institut für Radioastronomie), T Hirota (Nobeyama Radio Observatory), W Holland (UK Astronomy Technology Center), A Hughes (IRAP), E Jarken, T Ji (School of Space Research), I Jimenez-Serra (School of Physics and Astronomy), M Kang (Korea Astronomy and Space Science Institute), KS Kawabata (Hiroshima Astrophysical Science Center), G Kim (Nobeyama Radio Observatory), J Kim (School of Space Research), J Kim (Korea Astronomy and Space Science Institute), S Kim (Korea Astronomy and Space Science Institute), B Koo (Department of Physics and Astronomy), W Kwon (Korea Astronomy and Space Science Institute), Y Kuan (Department of Earth Sciences), KM Lacaille (Department of Physics and Atmospheric Science), S Lai (Institute of Astronomy and Astrophysics), CF Lee (Institute of Astronomy and Astrophysics), J Lee (School of Space Research), Y Lee (Korea Astronomy and Space Science Institute), H Li, N Lo (Departamento de Astronomía), JAP Lopez (School of Physics), X Lu (Nobeyama Radio Observatory), A Lyo (Korea Astronomy and Space Science Institute), D Mardones (Departamento de Astronomía), P McGehee (Infrared Processing Analysis Center), F Meng (Physikalisches Institut), L Montier (IRAP), J Montillaud (Institut UTINAM), TJT Moore (Astrophysics Research Institute), O Morata (Institute of Astronomy and Astrophysics), GH Moriarty-Schieven (NRC Herzberg Astronomy and Astrophysics), S Ohashi (Nobeyama Radio Observatory), S Pak (School of Space Research), G Park (Korea Astronomy and Space Science Institute), R Paladini (Infrared Processing Analysis Center), G Pech (Institute of Astronomy and Astrophysics), K Qiu (School of Astronomy and Space Science), Z Ren (National Astronomical Observatories), J Richer (Astrophysics Group), T Sakai (Graduate School of Informatics and Engineering), H Shang (Institute of Astronomy and Astrophysics), H Shinnaga (Department of Physics and Astronomy), D Stamatellos (Jeremiah Horrocks Institute for Mathematics), Y Tang (Institute of Astronomy and Astrophysics), A Traficante (IAPS-INAF), C Vastel (IRAP), S Viti (Department of Physics and Astronomy), A Walsh (International Centre for Radio Astronomy Research), H Wang (Purple Mountain Observatory), J Wang (Key Laboratory for Research in Galaxies), D Ward-Thompson (Jeremiah Horrocks Institute for Mathematics), A Whitworth (School of Physics & Astronomy), CD Wilson (Department of Physics and Astronomy), Y Xu (Purple Mountain Observatory), J Yang (Purple Mountain Observatory), Y Yuan (Department of Astronomy), L Yuan (National Astronomical Observatories), A Zavagno (Aix Marseille Université), C Zhang (Department of Astronomy), G Zhang (National Astronomical Observatories), H Zhang (Department of Astronomy), C Zhou (Purple Mountain Observatory), J Zhou, L Zhu (National Astronomical Observatories), P Zuo (National Astronomical Observatories)
Organisation STFC , RALSP
Funding Information STFC (ST/M000966/1); Academy of Finland (285769); CNES (0102541); NRF; MSIP (NRF-2015R1C1A1A01052160); MEST (NRF-2016R1A2B4012593); NNSFC (11873086); NNSFC (U1631237); Natural Science Foundation of Yunnan Province (2017HC018); CAS; South America Center for Astronomy; National Key Research and Development Program of China (2017YFA0402702); NNSFC (11721303); PKU (7101502016); NAOJ; Academia Sinica Institute of Astronomy and Astrophysics; KASI; MOF; CAS; National Key R&D Program of China (2017YFA0402700)
Journal Article Mon Notic Roy Astron Soc 485, no. 2 (2019): 2895-2908. doi:10.1093/mnras/stz574 2019


Success and there is a place on the podium, a precious medal; defeat and the scenario is one of what might have been, such is the situation on day three, Friday 2nd December, at the Sun International 2016 World Junior Championships in Cape Town, South Africa.
In both the Boys' Team and the Girls' Team events, play commences with the quarter-finals; later in the evening the semi-finals will be played.
Notably in both events Japan and China occupy the respective top two seeded positions. In the Boys' Team competition Japan faces DPR Korea, whilst China opposes Belgium, the one team to reach the last eight that was required to compete on the first day of action in the initial phase of the tournament.
A quite prodigious task for Belgium and should they cause the mother of all upsets, they will face the winners of the contest between Korea Republic and Romania in the semi-finals. In the adjacent half of the draw France opposes Chinese Taipei.
Meanwhile in the Girls' Team event, in the round of the last eight China confronts Chinese Taipei, Japan opposes Romania, the winners of the Junior Girls' Team event at the European Youth Championships staged earlier this year in Zagreb.
It is the best of Asia versus the best of Europe but with the likes of Miu Hirano, the winner of the Seamaster 2016 Women's World Cup and Mima Ito, bronze medallist in the Women's Team event at the recent Rio 2016 Olympic Games, it is a tough test for the likes of Adina Diaconu and Andreea Dragoman, who lead the Romanian challenge.
Furthermore, the fourth seeds, the Romanians suffered a surprise defeat at the hands of France, the fifth seeds, in the second stage; likewise, Hong Kong, the sixth seeds, caused an upset by beating Korea Republic, the third seeds.
The question posed is as to whether France and Hong Kong can repeat that form at the quarter-final stage and reserve a podium finish. In the same half of the draw as Japan and Romania, Hong Kong meets Russia; in the opposite half France confronts Korea Republic.
Play commences at 9.30am with the quarter-final fixtures in the Girls' Team event, followed by the last eight of the Boys' Team competition at 11.30am; the semi-finals will be played later in the day at 6.00pm and 8.00pm respectively. All times are local; Cape Town is two hours ahead of Greenwich Mean Time.


This entry was posted on Saturday, March 8th, 2008 at 11:30 am	and posted in Poetry.	You can follow any responses to this entry through the RSS 2.0 feed.
Yes, H. You are right and your words are as perfect as you are. Don't ever forget that.
Thank you for all you have been and are.
Susan, thank you. You are a great friend to me.
Walter, and to you as well. I wish you everything.


Taylor was raised on a beef cattle farm in Buffalo, MN and grew up showing horses and beef cattle in 4-H. After graduating from Buffalo High School in 2012 her passion for animals (both large and small) led her to obtain her Associates degree in Veterinary Technology in 2016. Taylor earned her certified status in March 2018. When not at work Taylor enjoys riding her horse, Bam Bam, spending time outside on the farm and having fun with her friends and family.


text:
Air Europa's customers can now travel to more than 1,000 destinations with suma miles
Madrid. 14 June 2018. Indra has developed a website for Air Europa SUMA, the airline's loyalty program, which will allow the airline's customers to redeem their miles in exchange for any flight of the Sky Team airline alliance, made up of more than 20 global airlines
With this new development, the customers of Air Europa SUMA will now have access to a huge catalog of benefits and discounts, which will be easier to access and browse on-line
Indra is a leader in the development and implementation of e-commerce portals, design of websites and tailored applications for the airline industry, with unique solutions in the market, such as its revenue accounting system, which manages more than 130 million passengers per year
Indra has implemented its e-commerce technology in Air Europa, one of the main Spanish airlines, with the purpose of helping its customers get acquainted with the new features of Air Europa SUMA, the airline's loyalty program. This program offers the airline's travelers the possibility to earn miles with their trips, which they can then redeem in exchange for flights or other services. Indra has created a new website that allows the SUMA miles to be exchanged for the flights of any company of the Sky Team airline alliance (its members including Alitalia, Air France, Saudia, KLM, etc.), expanding the flight options for travelers with an additional 19 airlines and 1,074 destinations around the world.
The technology and consulting company has installed several modules of its e-commerce solution, SuitAir IBE (Internet Booking Engine), for Air Europa, which grants airlines with full control over the ticket sale and purchase process, among other functions, with complementary services and customized offers for travelers, regardless of the global distribution system used by the airline at origin. Therefore, Air Europa's new website, which is integrated in the official website of Air Europa, now offers the user a transparent, user-friendly and accessible transaction between both portals, while expanding the catalog of benefits and discounts for the customers of this airline.
The goal is to improve user experience with user-friendly and accessible navigation services, with an independent page that offers all functions available in the previous purchasing process, while providing more discounts and an expanded catalog of privileges and value-added services for the travelers and customers of Air Europa.
Indra is at the very forefront of e-commerce portal and website design and development, serving some of the largest airlines in both Europe and Latin America. The technology company boasts a wide range of solutions to improve the management and profitability of business processes in this sector. Given the escalation of Internet mobility and penetration and the change brought about by users in their digital searches, Indra aims to stimulate its clients' web presence and transform their online channels into a competitive, differentiating and sustainable lever through an innovative proposal that focuses on improving their online positioning and elevating their customers' experience. To achieve this, it has committed to the implementation of an effective cost-reduction strategy designed to upgrade technology and converge channels, while providing users with the tools they need to make their searches easier, more cost-effective and more gratifying.
As a provider of numerous systems and solutions for the aviation industry, Indra is a strategic partner of IATA and it develops successful projects for airlines around the world, from traditional airlines to low-cost airlines, including hybrid models. Its customers are members of the three most important alliances, Oneworld and Star Alliance, in addition to the aforementioned Sky Team airline alliance, where it develops specific projects associated with the airline industry in European and Middle Eastern companies. Currently, more than 360 million passengers travel by plane thanks to the systems developed and managed by the company in this sector.
Its main products include SuitAir RAS, the most comprehensive revenue accounting solution in the market, which fully simplifies accounting operations and enables airlines to reach the highest possible level of automation in their transactions, analyzing their revenues in real time, to guarantee full accuracy of the data, increases the traceability of revenues and cash flow, and facilitates their management using a faster and more secure system. Indra's revenue accounting solutions are used by more than 30 customers on five continents and manage more than 130 million passengers per year. In Latin America alone, the solution manages over 100 million passengers, representing more than 75%.
Published in Airlines
Air Europa customers
Air Europa SUMA
airline alliance
global airlines
Internet Booking Engine
SuitAir IBE
suma miles
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Sets additional text for an answer (an "other specify" answer), without resetting settings of other answers (if were set).
Works for an "other specify" answer even if not already selected (But does not select it).
Relevant for Multiple Selection questions with multiple "other (specify)" answers.
Answer index 5 in question index 10 is an "other specify" answer.
When question 10 was asked, answer 5 was (selected).
SetSelectedAnswerAdditionalTextOverride(QRef(10), 5, "My New Text") will set the text "My New Text" as the additional text of answer 5.


Unlike most travel Websites, which either blow off the fine art of hosteling in a paragraph or two or else devote pages and pages to glowing coverage in an effort to get you to book a hostel via their partner sites, EuropeHostels.ORG is devoted to giving you all the intel you need—the good and the bad—to help you decide if hostels are the right sort of budget lodging for you and, if so, how to find them.
Yes, yes, we, too, have partnered with the booking engine HostelWorld.com (one of the most reputable). Partly this is to make things easier for you readers so you can research real-time rates and avaiability, and partly to earn the money to help this site stay afloat. However, we don't stop there. Unlike most other travel sites, we link not only to our partner but to its competitors, to the official HI site, to other private hosteling sites—plus we're the only one we have been able to find that also actually lists direct links to 35 individual hosteling sites for various European countries.
NoFrillsAir.com - Everything you need to know about Europe's wonderful low-cost airlines like RyanAir and easyJet that make European travel faster, cheaper, and easier than ever before.
BeyondHotels.net - Hotels aren't the only places where you can lay your head for the night, and this site has advice and resources on two dozen other alternatives to hotels.
EuropeTrains.org - A site chock full of hints, tips, and insider's advice on railpasses and the European train system.
This article was last updated in March 2008. All information was accurate at the time.


text:
set -x
#name=ubuntu_14_lts_docker_aufs_ppc64le_cuda7_caffe_v1.7.1
#name=ubuntu_14_lts_docker_aufs_ppc64le_cuda7_v1.4.1
#name=ubuntu_14_lts_docker_aufs_ppc64le_opencv_v1.0.1
#name=ubuntu_14_lts_docker_aufs_ppc64le_xfce_v0.0.3
#name=ubuntu_14_lts_docker_aufs_ppc64le_capiinformix_v0.0.2
#name=ubuntu_14_lts_docker_aufs_ppc64le_fftapp_v0.0.1

#name=ubuntu_ppc64le_1604_v0.1
name=centos7.3_ppc64le_v1
imagedir=/tmp

function dockerbuild(){
	docker build -t  ${name} ./
}

function saveimage(){
docker save -o ${imagedir}/${name} ${name}
}

function glanceimage(){
glance image-create \
	       --visibility public \
	       --container-format=docker \
	       --disk-format=raw \
	       --name ${name} \
	       --file ${imagedir}/${name} \
	       --property hypervisor_type=docker \
	       --property image_type=image \
	       --property webshell=True \
	       --property sys_type=ubuntu \
	       --property os_type="Ubuntu-16-LTS-ppc64le" \
	       --property architecture=ppc64le \
	       --property accelerator_type=capi_fpga \

}

function glanceupload(){
docker save ${name} | glance image-create \
               --visibility public \
               --container-format=docker \
               --disk-format=raw \
               --name ${name} \
               --property hypervisor_type=docker \
               --property image_type=image \
               --property webshell=True \
               --property sys_type=ubuntu \
               --property os_type="Ubuntu-16-LTS-ppc64le" \
               --property architecture=ppc64le \
               --property accelerator_type=capi_fpga \

}

function glanceupdate(){
imgid=`glance image-list | grep ${name} | awk '{print $2}'`
glance image-update \
	       --visibility public \
	       --property hypervisor_type=docker \
	       --property image_type=image \
	       --property webshell=True \
	       --property sys_type=centos \
	       --property os_type="Linux" \
	       --property architecture=ppc64le \
	       --property accelerator_type=none \
	       --property base_type=base \
	       --property hw_disk_bus=virtio \
	       --property hw_video_model=vga \
	       --property imageUuid=CentOS_7.3 \
	       --property diskSize=20 \
	       ${imgid}

}

##main##
#dockerbuild
#saveimage
##glanceupload
glanceimage
glanceupdate

redpajama_set_name: RedPajamaGithub


This is a must have book 'cause it's the only one out there which deals with all the groovy 'Latin' style songs which feature a lot in Gypsy Jazz. Bossa Dorado is a favorite of players and fans all over the world and really is a 'must' to learn. And the way I lay it out makes it easy to do just that. I also took each of the 4 Latin feels (Bolero-Bossa-Tango-Samba) and demonstrate how the Gypsies play them. There are 2 cd's with this one as there was too much info for just 1, so alot to learn from this book.


text:
Demagogue for President
Op-Ed piece by Charles Blow
Read by Alan Winson CLICK HERE
See below for text:
Charles Blow – March 3, 2016
Sometimes you have to simply step back from the hubbub and take stock, with cleareyed sobriety, at a moment in history to fully appreciate its epochal import. Now is such a time.
A nativist, sexist, arguably fascist and racist demagogue who twists the truth is the front-runner in the race to become the Republican Party's presidential nominee, over the protestations of the party's establishment, who rightly view his ascendance as an existential threat to an already tattered brand.
He is odd and entertaining, vacuous and vain, disarming and terrifyingly dangerous.
And, according to The New York Times, he "could lock up the nomination in May" if he "keeps winning by the same margins." Furthermore, the Republican Party is seeing record turnout on its way to this end. There is a political revolution in this country but, so far at least, it appears to be one driven in large part by the Republicans.
Let this sink in, America.
Stop thinking that it's all a joke, a hoax, a game. It's not. Maybe he began this quest as a branding exercise, but it has morphed into something quite real: a challenge to the collective moral character of the republic. The success of his candidacy so far calls into question the very definition and direction of America.
Later we can condemn the media for its complicity in his rise, the way we and the candidate operated in a symbiotic relationship, exchanging cheap ratings for free publicity, but it can't be undone now. The candidate has now risen.
This is a guy who began his presidential bid by branding Mexican immigrants as drug mules, criminals and rapists.
This is a guy at whose rallies minorities have been shouted down and even manhandled — like the University of Louisville student Shiya Nwanguma — with little or no condemnation from the candidate.
This is a man who refused to immediately and unequivocally denounce and disavow the former Ku Klux Klan grand wizard David Duke, who said on his radio program that voting against the turgid real estate developer was tantamount to "treason to your heritage." I'm going to go out on a limb here and say that we can safely assume that Mr. Grand Wizard emeritus meant white heritage.
Again, America, let that sink in: America's white heritage candidate, according to the illustrious David Duke, is the person so far winning a plurality of votes in the Republican contests and collecting a large share of that party's delegates.
Indeed, his candidacy is providing a refuge for, and giving voice to, white fear and anger over the inevitable changing demography of the country, the erosion of the center and the rewarding of whiteness as a commodity.
Anger, not policy, is in fact the cornerstone of his candidacy. His policies are carpaccio-thin. He feeds his followers vague, morning-mirror affirmations like "make America great again" and endless "winning," while largely avoiding particulars and parrying fact-checkers and his own history of inconsistencies.
And yet, the people who support him, angry at the establishment, their own party, America itself, don't really care. He has touched their frustration and they feel reflected in his brutishness.
But even beyond the troubling racial realities of his candidacy is the misogyny of it.
This is a man who has called various women "disgusting," "a slob," "grotesque," "a dog." And he says that he cherishes women.
Ah, the hand wringing, shrill panicky statements, and the usual race cards being played against Mr. Trump by the press, pundits and party…
"The success of his candidacy so far calls into question the very definition and direction of America." No, it's just the direction of the…
Of course, an important fact that is rarely pointed out openly in the media – because doing so would be detrimental to ratings and…
His candidacy also promotes what would surely be characterized as war crimes — interrogation tactics "a hell of a lot worse than waterboarding," and killing the families of terrorism suspects.
Not only does he want to build a wall on the border, he wants to round up and deport those undocumented in this country, stop Muslims from entering and send back Syrian refugees.
One last time, America: Pause and let all that sink in.
I don't want anyone to say, when we look back at this moment, that they didn't see the signs. I don't want anyone to feign surprise. I don't want people to say that they didn't take it all seriously because they had faith that their fellow citizens would somehow see the light and not allow this candidate to rise.
Every weekday, get thought-provoking commentary from Op-Ed columnists, The Times editorial board and contributing writers from around the world.
No. You don't get that option. He has risen and continues to rise. Most smart money is on him becoming the Republican nominee, unless party leaders can devise some last-minute plan to blunt him.
And, it is not at all clear to me that, whoever the Democratic nominee is, she or he would have a cakewalk to an easy victory in the general election.
Say this out loud: The leading candidate for president on the Republican side is a demagogue. He is on track to be that party's nominee. He is attracting record numbers of voters to the polls. If he wins the nomination, he could also win the presidency.
Scared yet? Good! Stop laughing this off. It's not a joke. It's quite real. And you need to remember the moment that you woke up and realized just how real it was.
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Next: Life Out Loud on RADio568


text:
(image courtesy of Ron Barnett)
New Year's blessings and heartfelt greetings to each and every one of you!
Contemplative Outreach is celebrating our 30th Anniversary this year … and we have much to celebrate – thirty years of grace and gratitude for the many gifts that we've been given.
Our CO community expanded beyond our imagination, encircling the globe with the love of silence and the commitment to Centering Prayer and contemplative living. This silent thread connects us one to the other, and fuels the Spirit of love, blessing, forgiveness, gratitude, joy, gentle expectation.
It is the intention of Contemplative Outreach to foster transformation in Christ in one another. We acknowledge that any good coming from Contemplative Outreach over the years is the work of the Holy Spirit and we give thanks for how this co-creation continues to manifest.
May you be blessed abundantly during this year of Grace and Gratitude. We encourage you to continue your commitment to practice, thereby joining the silent chorus of voices witnessing joy, compassion and Light to a world in need.
With a grateful spirit,
Gail Fitzpatrick-Hopler
Five special invitations to silence & solitude during 2014 ...
Lean into Lent with Mary Dwyer and Pamela Begeman
St. Mary's Sewanee, Sewanee, TN
Go here for more info and to register.
Registration deadline February 7
Deepening the Contemplative Dimension of Servant Leadership
with Susan Komis, Shawn Kafader and Susan Rush
July 27 - August 2, 2014
Marianist Center, St. Louis, MO
The Gift of Life: Death & Dying, Life & Living
with Mary Anne Best, Gail Fitzpatrick-Hopler and Hadley Morris
Siena Center, Racine, WI
Embodying the Presence of God: A Centering Prayer Retreat for Women
with Gail Fitzpatrick-Hopler and Hadley Morris
Go here for more information and to register.
with Mary Anne Best & Susan Rush
Weekend & Immersion options
Garrison Institute, Garrison, NY
A full list of retreats can be found on our online calendar, including Lectio Divina, Welcoming Prayer and special events. The calendar is updated weekly. You can also find events listed on these various local Contemplative Outreach websites.
Q&A with Fr. Carl Arico
Q: Please advise on the difference between Centering Prayer, contemplative prayer and meditation.
A: Read Fr. Carl's response.
Q: I have found great satisfaction in applying Centering Prayer in my daily prayer practice. However: I have been suffering from OCD and generalized anxiety for a long time, and so the repetition of the sacred word sometimes proves very difficult. ... What do you recommend for people who suffer from OCD?
See the archive of previous Q&A's. Please submit your questions about contemplative practices, the spiritual journey and the contemplative life to Fr. Carl by emailing Pamela Begeman.
New: Voices of Grace and Gratitude
Contemplative Outreach has a new video feature on our website homepage for 2014. It's called "Voices of Grace & Gratitude." These short video clips of a minute or so are joyful expressions of grace and gratitude from the worldwide community of Contemplative Outreach for the gift of Centering Prayer in their lives and its meaning for all creation. During this year of celebration of the 30th anniversary of Contemplative Outreach, a new video will be presented every Monday. Spanish translations of the transcripts are available
The Contemplative Outreach News is now available
The latest issue of The Contemplative Outreach News is now available online. Find it on the website> Resources>Newsletters, where you'll also find a complete archive of past newsletters. Support the newsletter by donating here.
Thomas Keating, On Mission and Fulfillment
Enjoy this 15 minute video from the Legacy of Wisdom featuring Fr. Thomas Keating.
Daily Readers for 2014
Centering Prayers, by Peter Traben Haas. A year-long daily reader with prayers intended for use before or after your Centering Prayer time. $18.99 USD.
The Daily Reader for Contemplative Living, compiled by Stephanie Iachetta. A year-long daily reader of excerpts of the teachings of Fr. Thomas Keating. $16.95 USD.
Voices of the Community
image courtesy of Ron Barnett
What a Difference a Word Makes, by Reva Freeman. "... Sometimes I hear something so often that I cease to actually hear what it says. Consent, surrender, and accept have all become familiar words during years of following a path to contemplation. ..." Read more.
Contemplative Outreach South Africa: On Our Regional Retreat and the Passing of Nelson Mandela, by Hilary Tyghe. "... In the morning we gathered for Centering Prayer and then proceeded to breakfast. It was at breakfast that Fr. Mike (who now runs Sediba ) told us quietly that President Nelson Mandela had passed away in the evening. ..." Read more.
Please email reflections about your spiritual journey, contemplative life, or daily practice to Pamela Begeman for consideration; 700 words or less. See the archive of previous articles.
Find a Local Contact and/or Prayer Group
You can search our worldwide Community section of the website for local contacts and local websites. These people are also a source for event and prayer group information.
For more information on events, retreats, local Centering Prayer contacts, an online store and teachings from Contemplative Outreach, go to our website.
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Copyright © 2014 Contemplative Outreach. All rights reserved.
You are receiving emails either because you opted in to receive our monthly e-bulletin or because you opted in through our website, online programs or while on retreat.
10 Park Place
Second Floor Suite B


text:
Cultural dance, music and stories: Indigenous youth share their recoveries from traumatic experiences
by Floyd Black Horse December 8, 2019 September 21, 2020
Indigenous youth shared their experiences growing up at a storytelling showcase Saturday, Nov. 23. The youth explored their identity through songs, multimedia creations and dance.
The event, called A Youth Explosion (AYE) 2019, celebrated Indigenous culture through overcoming traumatic personal experiences. Throughout the evening, several stage performances presented their talents to a sold-out crowd at Telus Spark.
Michelle Robinson, whose daughter played a role in one of the short films, says she was brought to tears.
"Those are healing, happy tears," says Robinson. "Our youth are 100 per cent inspiring, and healing and moving forward beyond any of those traumas that we've unfortunately had to deal with."
Taylor Crow Spreads His Wings, 26, and her younger sister, Tate Wesley, 16, performed a dance set in beaded and jingling regalia.
"We just started working on our routine yesterday," says Crow Spreads His Wings.
The sisters performed their dance for the first time in front of everybody the night of the showcase.
Wesley's dance style is called "Traditional" and her sister dances a style called "Old Style Jingle." The duo incorporated their two different dance styles into something called "Old Style Fancy."
"For our dance, we put one-part Jingle and another part where it's Traditional. At the end where we put our hands up, it's like we're reaching for 'Waka' or God, the Creator, as in a 'thank you from my sister,'"says Wesley.
Music was also one of the live sets.
Playing piano, Tyrese Bearspaw, 16, from the Morley Nation west of Calgary, learned his skillset watching YouTube videos.
"All I did was spend hours sitting down in my room watching this YouTube video coming from my iPhone," says Bearspaw.
In three years, he's learned to play piano notes to the sounds of Mozart. He says, "I just sat there and practiced and practiced — just tried to get it on point on both sides."
Many of the evening's stories focused on overcoming individual adversity, resilience, dealing with depression and anxiety and the loss of family members — the stories were about how they have gone through them with triumph.
Marley Owlchild, from the Siksika Nation, says, "I mostly talked about my mental health."
"I mostly talked about my mental health."
She did an animation featuring two characters, Napi, a trickster figure in Native American folklore, and a Bison, telling the importance of the figure in their culture.
"Doing an animation is a big passion of mine," Owlchild explains. "It took two weeks and 400 drawings."
The youth group, which included 14 participants and a planning committee of eight members, worked on the project since June.
The annual event's executive director, Alyssa Lindsay, wants to create a space for youth voices where they can show their greatness.
"I love hearing their great ideas," says Lindsay, who aims to make them happen.
Danii Kehler, from a Saskatchewan Nation called Kawacatoose, introduced her murdered and missing Indigenous women painting of a figure in a glittery gown walking in the woods.
The piece, titled Lady in Red, was sold in June. Kehler's artwork was created as a way to help with the healing process for a book launch by Colleen Cardinal.
Danii Kehler, presents an art exhibit both on stage and in the main gallery, showing her renowned work titled, the Red Dress. Photo by Randy Turning Robe
"What we hoped is that this event lets other people say 'How can I push my comfort zone? How can I be a changemaker?'" says Lindsay. "Look at these amazing youth who are doing all [of] these courageous things."
For Crow Spreads His Wings, losing her mother at the age of 12 was a grieving process she hopes helps others experiencing hardships they are facing.
"Even though there's hardships in your life and you can't control what Creator has in store for you. You can lose your mother or you can mourn but that shouldn't take away your happiness it pushes you to go further and I use that as strength and I'm so happy how far I've come," she says.
Dancing has helped her heal, and get back to her traditions.
"You can do anything you put your mind to. Keep going and keep praying and keep your faith."
Editor: Kemi Omorogbe | oomorogbe@cjournal.ca
Calgary Wellness Walk spreads a message of hope
Decolonizing mental health: The importance of an oppression-focused mental health system


These cookies are chewy and soft plus have much less sugar than traditional cookies and still taste great. Sandwich them with some cream cheese frosting for an extra special treat- Homemade Oatmeal Cream Pies.
Mix together: Sourdough Starter, Melted Butter or Coconut Oil, Rolled Oats, and Whole Wheat Flour. Make sure everything is moistened. You may need to add a little bit more starter or butter. The oats should not clump together and should still look dry, but when you touch them they should feel wet and when you grab a small handful you should be able to press them together and they will stick.
Let this mixture sit 8- 24 hours, the longer the better when it comes to oats.
When ready to bake: Turn oven on to 375 degrees and add to the soaked mixture: Cinnamon, Vanilla, Salt, Nutmeg, Eggs, and Honey. Mix well.
Add: Raisins and Baking Soda.
Spoon onto baking stones or cookies sheets, and bake for about 15 - 20 minutes. If you are using a cookie sheet you may want to check after 10 minutes. I use a stone which means a longer baking time but more evenly baked cookies.
When done let sit for a couple minutes then move to a cooling rack to cool. Store in airtight container.
To make Oatmeal Chocolate Chip Cookies just omit the cinnamon, nutmeg and raisins and add 1 cup (or more) chocolate chips.
I just baked a batch of these cookies. Oh my! They are delicious! I ended up with 2 1/2 dozen. There is only 0.17 teaspoon of honey in each one, and they are nicely sweet. Thank you so much for sharing this great recipe!
If mine is too hard, I sometimes let the jar float in a bigger jar full of hot water. 🙂 Glad you enjoyed it!


text:
2012 Supernova est un film catastrophe américain d'Anthony Fankhauser produit par The Asylum en 2009. Il est sorti directement en vidéo. C'est un mockbuster du film 2012 de Roland Emmerich.

Synopsis
Une onde d'énergie incroyable menace la Terre à la suite de l'explosion d'une supernova. Cette dernière provoque de nombreux dérèglements climatiques, catastrophes naturelles et pluies de météorites qui s'abattent sur toute la planète. Calvin Rayan (Brian Krause), scientifique mondialement reconnu travaillant à la NASA, tente de trouver une solution avec son équipe de chercheurs pour empêcher la destruction totale de la Terre et sauver sa famille.

Fiche technique
 Réalisateur : Anthony Frankhauser
 Scénario :  et John Willis III
 Effets spéciaux : Megan Nicoll
 Costumes : Nicole Hewitt
 Décors : Brent Turner
 Date de sortie :

Distribution
 Brian Krause : Kelvin
 Heather McComb : Laura
 Najarra Townsend : Tina
 Allura Lee : Docteur Kwang Ye
 Alan Poe : Dzerzhinsky
 Londale Theus : Capitaine Henreaux
 Stephen Schneider : Capitaine James Moto
 Rob Ullett : Responsable à la NASA
 Dana Tomasko, Rick Dean, Pete Angelikus, William Joseph Hutchins, Doug Newman, Jeff Crabtree, Mays Jackson et Jerry Earr : Techniciens à la NASA
 J. Dedman et Henrik Ej Hermiz : Agents de l'USAF
 Malcom Scott : Président
 Britt Soderberg, Andrew Fetty et Brian Dodds : Soldats de la NASA
 Dorothy Drury : Agent Dunne
 Stafford Mills : Fermier Brown
 Kevin Ashworth : Carter
 Stephen Blackehart : Agent Greene
 Matthew Farhat : Lieutenant Shalah
 Melissa Leigh : Eden

Notes et références

Liens externes

Film américain sorti en 2009
Film catastrophe américain
Film de science-fiction américain
Film de The Asylum
Film de catastrophe climatique
Film sorti directement en vidéo
Impact terrestre dans la fiction
2009 en science-fiction

redpajama_set_name: RedPajamaWikipedia


text:
Home Category Entertainment
Lionel Messi of Argentina and Luka Modric of Croatia are probably the two players who will make or break Tuesday's...
Candice Warner calls the people who picked on her in front of kids at cricket weak and gutless. Candice Warner,...
Susie Burrell, Chris Smith's second wife, moves out 13 years after his first wife did. Chris Smith, who was fired...
It has been revealed that Peter Helliar will be leaving The Project. After the departures of Carrie Bickmore and Lisa...
Lisa Wilkinson had decided to leave because of the "relentless targeted toxicity" she had experienced in the last six months....
Karim Benzema's injury Karim Benzema's chances of playing for France at the World Cup in Qatar were dashed when he...
A woman who had to leave Iran uses her trauma to make a movie. Zar Amir Ebrahimi had to leave...
Commanders find a way to beat Packers when Taylor Heinicke is in charge. At the two-minute mark of the first...
Miami Dolphins Jaylen Waddle injury report update news, is playing today
Jaylen Waddle of the Miami Dolphins runs onto the field before the game against the Minnesota Vikings at Hard Rock...
What is bill c 10 canada petition, pierre poilievre and michelle rempel
Stephen Colbert employees arrested : Allison Martinez, Nicoletta Green and Josh Comers
Marla Maples e jean carroll 1990 younger photo, president trump mistakes rape


text:
Associations to the word «Infinity»
Plurality
Subspace
Topological
Gaussian
Homogeneous
Recede
Infinitely
INFINITY, noun. (uncountable) Endlessness, unlimitedness, absence of a beginning, end or limits to size.
INFINITY, noun. (countable) (mathematics) A number that has an infinite numerical value that cannot be counted.
INFINITY, noun. (countable) (topology) (analysis) An idealised point which is said to be approached by sequences of values whose magnitudes increase without bound.
INFINITY, noun. (uncountable) A number which is very large compared to some characteristic number. For example, in optics, an object which is much further away than the focal length of a lens is said to be "at infinity", as the distance of the image from the lens varies very little as the distance increases further.
INFINITY, noun. (uncountable) The symbol ∞.
INFINITY POOL, noun. Alternative form of infinity-edge pool
INFINITY POOLS, noun. Plural of infinity pool
INFINITY SCARF, noun. A neckwarmer resembling a scarf, but forming a loop with no ends.
INFINITY SCARVES, noun. Plural of infinity scarf
INFINITY SYMBOL, noun. A lemniscate; a figure that resembles a horizontal number 8 and represents infinity (∞).
INFINITY SYMBOLS, noun. Plural of infinity symbol
INFINITY, noun. Time without end.
Too often we underestimate the power of a touch, a smile, a kind word, a listening ear, an honest compliment, or the smallest act of caring, all of which have the potential to turn a life around.