text:
"""Executable script to pass to git filter-branch --msgfilter to rewrite trailers.

This treats everything (stdin, stdout, env) at the level of raw bytes which are
assumed to be utf-8, or more specifically some ASCII superset, regardless of
(possibly broken) LOCALE settings.

"""
import collections
import os
import re
import sys

STDIN = sys.stdin.buffer
STDOUT = sys.stdout.buffer
STDERR = sys.stderr.buffer

def die(msg):
    STDERR.write(b'ERROR: ')
    STDERR.write(msg)
    sys.exit(1)

def drop_trailing_newlines(lines):
    while lines and not lines[-1]:
        del lines[-1]

def remove_duplicates(trailers):
    return list(collections.OrderedDict((t, None) for t in trailers).keys())

def rework_commit_message(commit_message, trailers):
    if not commit_message:
        die(b'Expected a non-empty commit message')

    trailer_names = [trailer.split(b':', 1)[0].lower() for trailer in trailers]

    filtered_lines = [
        line.rstrip() for line in commit_message.split(b'\n')
        if line.split(b':', 1)[0].lower() not in trailer_names
    ]

    reworked_lines = filtered_lines[:]

    drop_trailing_newlines(reworked_lines)
    while len(reworked_lines) > 1 and re.match(br'^[A-Z][\w-]+: ', reworked_lines[-1]):
        trailers.insert(0, reworked_lines.pop())
    if not reworked_lines:
        die(b"Your commit message seems to consist only of Trailers: " + commit_message)

    drop_trailing_newlines(reworked_lines)

    non_empty_trailers = remove_duplicates([t for t in trailers if t.split(b': ', 1)[1].strip()])
    if non_empty_trailers:
        reworked_lines += [b''] + non_empty_trailers
    reworked_lines += [b'']
    return b'\n'.join(reworked_lines)

def main():
    trailers = os.environb[b'TRAILERS'].split(b'\n') if os.environb[b'TRAILERS'] else []
    assert all(b':' in trailer for trailer in trailers), trailers
    original_commit_message = STDIN.read().strip()
    new_commit_message = rework_commit_message(original_commit_message, trailers)
    STDOUT.write(new_commit_message)

if __name__ == '__main__':
    main()


Faster than I can finish them!
Shogun: Total War 2 just announced by Creative Assembly. Sadly I haven't been able to get through a full campaign of Empire Total War (though I've already fulfilled the victory conditions, you have to wait until 1799 to actually win). With Rome Total War and Empire Total war being some of the high points of modern strategy PC games for the rest of us who find Civ a whole lot of zzzzzz…. Shogun 2 is awesome news and it shows that the developers are doing something right as with games and expansions popping out right and left the series must be maintaining sales. With Napoleon Total War it was only a matter of time before Creative Assembly veered away from the looming late 1800's where the game would have to change drastically due to rifled barrels and especially artillery.


text:
package com.ebay.rtran.maven

import java.io.File

import org.apache.commons.io.FileUtils
import com.ebay.rtran.maven.util.MavenModelUtil
import com.ebay.rtran.maven.util.MavenModelUtil.SimpleDependency
import org.scalatest.{BeforeAndAfterEach, FlatSpecLike, Matchers}

import scala.collection.JavaConversions._

class MavenDependenciesMappingRuleTest extends FlatSpecLike with Matchers with BeforeAndAfterEach {
  val projectRoot = new File(getClass.getClassLoader.getResource("mvnproject").getFile)
  val destProjectRoot = new File(projectRoot.getParentFile, projectRoot.getName + "-bak")

  override def beforeEach = {
    FileUtils.deleteQuietly(destProjectRoot)
    FileUtils.copyDirectory(projectRoot, destProjectRoot)
  }

  "MavenDependenciesMappingRule" should "be able to alter dependencies according to mapping" in {
    val ruleConfig = MavenDependenciesMappingRuleConfig(
      Set(SimpleDependency("junit", "junit")),
      Set(SimpleDependency("org.slf4j", "slf4j-api"), SimpleDependency("org.slf4j", "slf4j-log4j12"))
    )
    val projectCtx = new MavenProjectCtx(destProjectRoot)
    val provider = new MultiModuleMavenModelProvider
    val model = provider create projectCtx
    val rule = new MavenDependenciesMappingRule(ruleConfig)
    provider save rule.transform(model)

    val transformed = provider create projectCtx
    transformed.modules foreach { module =>
      module.pomModel.getDependencies.exists(_.getArtifactId == "junit") should be (false)
      module.pomModel.getDependencies.exists(_.getArtifactId == "slf4j-api") should be (true)
      module.pomModel.getDependencies.exists(_.getArtifactId == "slf4j-log4j12") should be (true)
    }
  }

  "MavenDependenciesMappingRule" should "not alter dependencies that don't exist" in {
    val ruleConfig = MavenDependenciesMappingRuleConfig(
      Set(SimpleDependency("org.slf4j", "slf4j-api")),
      Set(SimpleDependency("org.slf4j", "slf4j-log4j12"))
    )
    val projectCtx = new MavenProjectCtx(destProjectRoot)
    val provider = new MultiModuleMavenModelProvider
    val model = provider create projectCtx
    val rule = new MavenDependenciesMappingRule(ruleConfig)
    provider save rule.transform(model)

    val transformed = provider create projectCtx
    transformed.modules foreach { module =>
      module.pomModel.getDependencies.exists(_.getArtifactId == "slf4j-api") should be (false)
      module.pomModel.getDependencies.exists(_.getArtifactId == "slf4j-log4j12") should be (false)
    }
  }

  "MavenDependenciesMappingRule" should "alter dependencies matches that match other condition" in {
    val ruleConfig = MavenDependenciesMappingRuleConfig(
      Set(SimpleDependency("junit", "junit", Some("4.9"))),
      Set(SimpleDependency("org.slf4j", "slf4j-api"), SimpleDependency("org.slf4j", "slf4j-log4j12"))
    )
    val projectCtx = new MavenProjectCtx(destProjectRoot)
    val provider = new MultiModuleMavenModelProvider
    val model = provider create projectCtx
    val rule = new MavenDependenciesMappingRule(ruleConfig)
    provider save rule.transform(model)

    val transformed = provider create projectCtx
    transformed.modules foreach { module =>
      if (module.pomModel.getPackaging == "pom") {
        module.pomModel.getDependencies.exists(_.getArtifactId == "junit") should be (true)
      } else {
        module.pomModel.getDependencies.exists(_.getArtifactId == "junit") should be (false)
        module.pomModel.getDependencies.exists(_.getArtifactId == "slf4j-api") should be (true)
        module.pomModel.getDependencies.exists(_.getArtifactId == "slf4j-log4j12") should be (true)
      }
    }
  }

  "MavenDependenciesMappingRule" should "not alter dependencies if other condition doesn't match" in {
    val ruleConfig = MavenDependenciesMappingRuleConfig(
      Set(SimpleDependency("junit", "junit", scope = Some("compile"))),
      Set(SimpleDependency("org.slf4j", "slf4j-api"), SimpleDependency("org.slf4j", "slf4j-log4j12"))
    )
    val projectCtx = new MavenProjectCtx(destProjectRoot)
    val provider = new MultiModuleMavenModelProvider
    val model = provider create projectCtx
    val rule = new MavenDependenciesMappingRule(ruleConfig)
    provider save rule.transform(model)

    val transformed = provider create projectCtx
    transformed.modules foreach { module =>
      module.pomModel.getDependencies.exists(_.getArtifactId == "junit") should be (true)
      module.pomModel.getDependencies.exists(_.getArtifactId == "slf4j-api") should be (false)
      module.pomModel.getDependencies.exists(_.getArtifactId == "slf4j-log4j12") should be (false)
    }
  }
}

redpajama_set_name: RedPajamaGithub


Saroj's a Guest member whose profile is of a Female aged 39 years (Pisces) looking for Marriage Only. She is from Coventry, England - West Midlands (United Kingdom) and is of Hindu (Arora) faith. She is 5'05" (165 cm) tall, weighs 7.1 - 9 stones (44 - 57 kg), Slim build, Fair complexion and Single - Never Married. Saroj has Graduate (Bachelors) education, is qualified with B.Sc. Hons and works as Accounts/Finance - Banker. She Occasionally eats meat, doesn't drink alcohol and Occasionally smokes.
I am keen on Indian movies, tv, sports, socialising, etc.


Well, the varnish on VP candidate Sarah Palin didn't last very long. In one of her first public remarks as a candidate she told supporters that she blocked the building of the infamous "bridge to nowhere" that reeked of pork barrel spending and helped expose the largess of such projects to the country.
This sort of commentary was designed to present Palin as an outsider to Washington politics and an opponent of these types of projects and spending. If only it were so.
Turns out she also hired a Washington lobbying firm to secure $8 million federal earmarks for Alaska. That certainly sounds like a typical Washington politician to me.
That pretty much says it all to me. It wasn't that she didn't want Federal money or that she saw pork barrel spending as wrong. It was only a problem when the public relations behind it became negative. In other words, politics as usual.
There's just no way her actions and those words go together. Sorry.


Nordic collaboration on entrepreneurship and innovation is especially aimed at green growth and welfare. Focus is also brought to bear on removing border obstacles and promoting trade and market development in the areas of green growth and welfare.
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The Nordic Council of Ministers is the framework for collaboration involving the Nordic countries' governments, i.e. the governments' departmental ministers with associated administrative systems. The secretariat of the Council of Ministers is located in Copenhagen. The council's work is divided into a number of sectors (task areas) and departmental minister councils (ministerial remits). The Ministry of Business' remit is covered by the Nordic Council of Ministers for Business, Energy and Regional Policy. Each sector has a committee of senior officials and the Danish Business Authority sits on in the Committee of Senior Officials for Business Policy.
Nordic Innovation, in cooperation with national partners, has launched a Call for Proposals for new or improved Nordic services – strengthening the capabilities of Nordic growth entrepreneurs and improving their access to resources and markets outside their home country.
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The deadline for expression of interest is on 10 September 2013.
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text:
Q: Why does the 'Import Key File' button in Lubuntu 20.04 Software Sources | Authentication dialog not do anything? Why does the 'Import Key File' button in Lubuntu 20.04 Software Sources | Authentication dialog not do anything?
I downloaded a key file for Geogebra's repository.  I believe that when I click Preferences | Software Sources | Authentication | Add Key File, I should get a file dialog which lets me choose the key file.  However nothing happens when I press the button.
I have never used this functionality before, so maybe I am doing something wrong.  The manual glosses over the issue, which makes me very suspicious though.
I am using Lubuntu 20.04.

redpajama_set_name: RedPajamaStackExchange


Younkers stores closed on Wednesday across Iowa and the United States, and their website quite definitively says "styles are sold out online". So that's it, right? It's over.
Not so fast. Also on their website is the following message: "We've got great news. Younkers is coming back!" Followed by another message: "Stay tuned for updates over the coming weeks! We appreciate your loyalty and look forward to being able to serve you again".
"All of Bon-Ton Stores' physical store locations will be closed as of today. The company's intellectual property is in the process of being sold. We cannot speak to the purchaser's future plans with the company. All inquiries should be referred to the buyer which will be disclosed once the transaction is closed."
So stay tuned, Younkers shoppers! Your favorite store might NOT be out of business for good, or even for long!
We will keep you updated on this story and its developments.


text:
Lim Jae-hyeok (; born 6 February 1999) is a South Korean football forward who plays for Thai League 1 club Police Tero.

Club career statistics

References

1999 births
Living people
Association football forwards
South Korean footballers
Daegu FC players
K League 1 players
Lim Jae-hyeok
Lim Jae-hyeok

redpajama_set_name: RedPajamaWikipedia


text:
package com.alibaba.rocketmq.client.stat;

import java.util.concurrent.atomic.AtomicLong;

/**
 * Consumer内部运行时统计信息
 *
 * @author shijia.wxr<vintage.wang@gmail.com>
 * @since 2013-7-7
 */
public class ConsumerStat {
    // 打点时间戳
    private long createTimestamp = System.currentTimeMillis();

    // 一次消费消息的最大RT
    private final AtomicLong consumeMsgRTMax = new AtomicLong(0);
    // 每次消费消息RT叠加总和
    private final AtomicLong consumeMsgRTTotal = new AtomicLong(0);
    // 消费消息成功次数总和
    private final AtomicLong consumeMsgOKTotal = new AtomicLong(0);
    // 消费消息失败次数总和
    private final AtomicLong consumeMsgFailedTotal = new AtomicLong(0);

    // 拉消息RT叠加总和(只包含成功拉到的)
    private final AtomicLong pullRTTotal = new AtomicLong(0);
    // 拉消息次数(只包含成功拉到的)
    private final AtomicLong pullTimesTotal = new AtomicLong(0);

    public ConsumerStat createSnapshot() {
        ConsumerStat consumerStat = new ConsumerStat();
        consumerStat.getConsumeMsgRTMax().set(this.consumeMsgRTMax.get());
        consumerStat.getConsumeMsgRTTotal().set(this.consumeMsgRTTotal.get());
        consumerStat.getConsumeMsgOKTotal().set(this.consumeMsgOKTotal.get());
        consumerStat.getConsumeMsgFailedTotal().set(this.consumeMsgFailedTotal.get());
        consumerStat.getPullRTTotal().set(this.pullRTTotal.get());
        consumerStat.getPullTimesTotal().set(this.pullTimesTotal.get());

        return consumerStat;
    }

    public AtomicLong getConsumeMsgRTMax() {
        return consumeMsgRTMax;
    }

    public AtomicLong getConsumeMsgRTTotal() {
        return consumeMsgRTTotal;
    }

    public AtomicLong getConsumeMsgOKTotal() {
        return consumeMsgOKTotal;
    }

    public AtomicLong getConsumeMsgFailedTotal() {
        return consumeMsgFailedTotal;
    }

    public long getCreateTimestamp() {
        return createTimestamp;
    }

    public void setCreateTimestamp(long createTimestamp) {
        this.createTimestamp = createTimestamp;
    }

    public AtomicLong getPullTimesTotal() {
        return pullTimesTotal;
    }

    public AtomicLong getPullRTTotal() {
        return pullRTTotal;
    }
}


text:
The last 2 years programming has gone downhill..I love Eddie's stuff and Ben is always trying God help him, but CHANGING THE SET IS NOT THIS ISSUE! you guys are playing WEIRD STUFF FROM THE 60'S AND 70'S ...couldn't get to content part to type.
By Meg,
😠👹
I enjoy the way you packed a lot into your post, MEG!
slaytonf
Well, at least you are in competition for longest thread title.
But, if you will cast your eye back over the history of threads, you will see people have recorded the same lament for going on twenty years now. If TCM has been in a continual slide all that time, it must have started at Empyrean heights indeed not to have hit bottom by now.
Mr. Gorman
Locationstate of GA
In celebration of the Heading of this thread may I suggest TCM air these 2 movies?
I COULD NEVER HAVE SEX WITH ANY MAN WHO HAS SO LITTLE REGARD FOR MY HUSBAND (1973) Color/86m. Rated [R].
and then . . .
YOU'VE GOT TO WALK IT LIKE YOU TALK IT OR YOU'LL LOSE THAT BEAT (1971) [Only problem: Both of these movies seem to have the current status of 'Lost Films'. Sheesh!].
txfilmfan
LocationDallas suburbs
1 hour ago, Mr. Gorman said:
There's also OH DAD, POOR DAD, MAMMA'S HUNG YOU IN THE CLOSET AND I'M FEELIN' SO SAD. The play it's based on has an even longer title:
OH DAD, POOR DAD, MAMMA'S HUNG YOU IN THE CLOSET AND I'M FEELIN' SO SAD: A PSEUDOCLASSICAL TRAGIFARCE IN A BASTARD FRENCH TRADITION
LsDoorMat
Might I suggest "Night of the Day of the Dawn of the Son of the Bride of the Return of the Revenge of the Terror of the Attack of the Evil, Mutant, Hellbound, Flesh-Eating Subhumanoid Zombified Living Dead, Part 3" (2005) - a true 21st century classic.
PhillyCinephile
And let us not forget Can Heironymus Merkin Ever Forget Mercy Humppe and Find True Happiness? and The Persecution and Assassination of Jean-Paul Marat as Performed by the Inmates of the Asylum of Charenton Under the Direction of the Marquis de Sade.
I made a grievous error one time: I tried to watch a copy of Heironymous Merkin once. ONCE. A ~bad~ mistake. I could not get past an hour of this tripe. I found it to be an incomprehensible mish-mash that wastes an enormous amount of talent. Someone, many moons ago, had given me a tape of this flick. Not like a legal VHS release from a studio; just a copy of the movie on the tape. I thought: How bad could it be? My verdict: DIRE.
I should have remembered the '66 movie OH DAD, POOR DAD with its long title . . . heck, I bought a Paramount tape of it over 20 years ago. But I forgot about it until I read Dargo's post. Shame On Me. Grr!
Tikisoo
LocationSyracuse, NY
Why bother having a thread with a title that says it all?
LornaHansonForbes
LocationDark City, USA
BEST THREAD TITLE EVER.
👍❤💥💋
brianNH
Meg, any follow-up thoughts?
I think 'Meg' has disappeared into the abyss!
One of those 'COMPLAIN 'N' VANISH' posters!
5 hours ago, TikiSoo said:
Based on the end of the title and reading between the lines, Meg apparently was having technical difficulties posting content in the actual thread text box when the topic was created, for some reason, but felt so strongly about it, Meg put it all in the title
Perhaps Meg is a fan of Fiona Apple?
NewYorkGuy
Meg. "Newbie - 3 posts."
Now I'm wondering where the third one is.
alleybj
The end of the world in our usual bed in a night full of rain, and
swept away by an unusual destiny in the blue sea of august
thank you, Lina Wertmuller
LocationSedona, Arizona
On 10/20/2021 at 5:07 PM, slaytonf said:
Gotta admit it MIGHT even be longer than that one I started a while back that began that whole "Don Ameche/George Brent Controversy"!
(...btw, I STILL say that it was supposed to be Brent in that cartoon)
laffite
LocationSoCal
This was the OP's third post and I'm conjecturing that she may not have known what she was doing. Maybe she though that was the way to do it. Anyway I think it's funny. Not ridiculing, it was amusing.

redpajama_set_name: RedPajamaCommonCrawl


Country singer Hank Williams Jr. surrendered to the Shelby County Sheriff in April 2006 on a warrant issued by a Tennessee court charging him with assault to commit bodily harm. According to cops, the 56-year-old musician (given name: Randall Hank Williams Jr.) allegedly choked and verbally abused a 19-year-old Memphis hotel waitress in a bizarre incident. Best known for singing the 'Monday Night Football' theme 'All My Rowdy Friends Are Coming Over Tonight,' the performer was released without bond after posing for the above photo.
Submitted by GeorgeDubyaBush on Mon, 2011-05-09 22:35.
He was later found guilty of looking like a trainwreck.
Submitted by AFVetgrrl84 on Sat, 2011-05-21 21:06.


text:
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Featured Video Close
Ernst & Young LLP to Open Client Service Delivery in Jacksonville, Adding 450 New Jobs
Mayor Lenny Curry and EY announced this morning Ernst & Young LLP will open a client service delivery center in Jacksonville that will create 450 highly-skilled jobs over the next four years. The center will further enhance EY's ability to help clients streamline and improve business operations and manage risk in order to achieve cost savings and maintain their competitive advantage. The project was approved unanimously last month by City Council.
Macquarie Expansion to Create 120 Jobs in Jacksonville
Governor Rick Scott and Mayor Lenny Curry joined Macquarie Group to celebrate the opening of their global financial services center in Jacksonville that will create more than 120 new jobs over the next two years. The company chose Florida to locate their global financial services center over nearly 20 other locations in the US and around the world. Macquarie first announced its expansion in Florida in July 2015 and has already added 65 employees.
Kaman Aircraft Corporation Created 165 Jobs for Jacksonville Families
Mayor Lenny Curry joined Governor Rick Scott at Kaman Aircraft Corporation in Jacksonville to highlight the company's recent expansion. Kaman has created 165 new jobs since 2011, with plans to ultimately create 200 new jobs for local families. Kaman is a global aerospace and industrial manufacturer and distributor, with 430 employees in Jacksonville and more than 700 employees across Florida. The expansion of their operation also created a capital investment of more than $30 million in Duval County.
300 New Jobs Expected Based on Fidelity Investments Expansion
In a joint news conference today, Mayor Lenny Curry, City Council President Greg Anderson, and JAXUSA Partnership and Fidelity Investments® officials announced that the company plans to add 300 jobs over the coming three years as part of an expansion of its Customer Contact Center in Jacksonville, pending approval of state and local incentives.
Macquarie Group Chooses Jacksonville for Expansion Into Southeast
Move Will Create 123 Local Financial Services Jobs
International financial services company Macquarie Group will open an office in Downtown Jacksonville, creating 123 highly skilled jobs over the next two years.
The Jacksonville City Council unanimously approved the project on Tuesday as Project Post, and Macquarie officials announced today they selected Jacksonville as the home for these jobs, which have an average annual wage of more than $64,000.
Locally-Headquartered Company Considering $300 Million Expansion
Proposed Project Would Create 100 New Jobs
Legislation being filed today by Mayor Alvin Brown could lead to a facility expansion for Johnson & Johnson Vision Care, Inc. (JJVC) at its worldwide headquarters in Jacksonville. This extremely competitive opportunity would continue Jacksonville's momentum as the go-to city for advanced manufacturing.
If the legislation is approved by City Council, Johnson & Johnson Vision Care, also known locally as VISTAKON®, would add an additional 100 high-wage employees to its local workforce and invest $300 million into its Jacksonville contact lens manufacturing facility.
New Metro Jacksonville/Northeast Florida Export Market Assessment
Report Finds Regional Companies That Export Grow Dramatically Faster
Today, the Jacksonville/Northeast Florida Metropolitan Region released an export market assessment, a critical step in the development of a regional export strategy. This strategy is part of JAX/Northeast Florida's participation in the Global Cities Initiative, a joint project of the Brookings Institution and JPMorgan Chase. Mayor Alvin Brown formed the Metro Jacksonville Global Cities team in 2013 after Jacksonville was selected as one of eight metro areas to join the new export exchange network. The market assessment evaluates the region's current export economy and its potential for growth.
Jacksonville's Film and Television Industry Celebrates Achievements
Local industry professionals to be honored with awards
Mayor Alvin Brown will join members of the Mayor's Advisory Board on Motion Pictures, Television and Commercial Production, the Jacksonville City Council, the Jacksonville Film & Television Office and industry leaders to celebrate 2014's highlights in local film and digital media production at the 14th Annual Jacksonville Film Industry Reception.
Fortune 500 Company Finalizing Plans for Jacksonville Expansion
Sunshine Health, a subsidiary of Fortune 500 health care company Centene Corporation, is considering expanding its presence in Jacksonville.
Sunshine Health, located on Jacksonville's Southside, currently employs 107 people in Jacksonville and is working with city leaders on growing its local offices. A proposal to be filed with the Jacksonville City Council would add 125 new employees and invest $900,000 into the local economy. The expansion is contingent on City Council approval.
Multi-Billion Dollar Company Relocating North American Headquarters to Jacksonville
Adecco, S.A., the world's largest staffing company and provider of human resources solutions, announced today that it plans to relocate its North American headquarters for Adecco Group North America from Melville, N.Y., to Jacksonville.


When Stevie is present at an attempted store-robbery, he decides to witness against the robber. But the robber is a psychiatric patient, who soon escapes and starts terrorizing Stevie.
Rinty goes undercover with a listening device in his collar and pretends to find a new home with the young son of a dangerous drugdealer.
Stevie´s grandparents aren´t so sure that Hank is able to take proper care of their grandson, and they want Stevie to come and live with them instead. In the meantime, Hank is using himself as bait for two notorious cop-molestors.
K-9 is the logical choice to capture a maniac who molests women walking their dog. But when the first attempt ends in disaster for their colleague, there is only one person left for the job: Renée Daumier, the lackadaisical new recruit from Paris.
Stevie accidentally overhears that the gun used in a robbery that day was the same gun that was used to kill his Dad. He is determined to finally avenge his father´s death, and "borrows" Hank´s gun to accomplish his quest.
Hank accidentally killed a young guy in a gunfight. But after he called in to report, it appears the guy´s gun is missing, and Hank turns into the accused – unless he can find that gun, and find it fast.
Hank invites a beautiful lady – victim of an attempted robbery – to the barbecue on Saturday night with his friends from K-9. The next day finds the lady in prison for having robbed a jewelry store the evening before. But surely she has a perfect alibi: she was with Hank, Renée, Lou and Stevie at the time, wasn´t she?
Hank, Lou and Rinty run into an ambush, and Rinty gets seriously hurt. Lou tries to help the daughter of a killed criminal – a beautiful songstress – and walks right into the next ambush.
Hank is mistaken for someone else and is kidnapped on his way to a fishing trip. Will Stevie, Lou and Renée find him in time once they´ve realized he´s gone missing?
Stevie and his friend witness the dumping of toxic acid in the river. According to their description, the barrels belonged to the Kirk Waste Company, of which the senior president is the town´s major fighter for the environment.
Hank accidentally bumps into a dangerous terrorist with a trunk full of ready-to-use explosives. The guy gets away, but will K-9 be able to track down in time where he was headed with those explosives?
Renée is kidnapped on a bicycle-tour to discourage her father from witnessing in an important trial. When Hank goes after her to find out what happened, he only ends up joining her in her precarious situation. So now it´s up to Stevie and Rinty to save the two!
Paris. When Renée´s father is shot, Hank and Rinty follow the culprits – until they take refuge in an embassy.
The luxurious Grand Hotel has had a few unfortunate jewelry robberies from the rooms lately. Hank, Lou and Renée are asked to infiltrate, and Renée will serve as an irresistable victim for the robbers.
Paris. The perfume industry is shocked by the robbery of the top secret list of ingredients for the latest perfume. And nothing but Rinty´s excellent sense of smell can solve the mystery.
Paris. Hank and Rinty are witnesses to a store-robbery. Rinty sets out after the robber, but Hank can´t keep up with him and loses sight of him. When Stevie hears that Rinty is lost, he sets out on his own to find him in the huge city of Paris.
Sgt. Callahan and Renée are taken hostage by a couple of criminals who want to reclaim a few incriminating articles from the storage room at K-9. It´s Hank´s job to convince the criminals to at least let his colleagues go free – and preferably unharmed.
Things get dangerous at the filmset, when the guy organizing the technical parts of the stunts has a hidden agenda. But who exactly is the victim he is after?


text:
El déspota (título original: Hobson's Choice) es una película británica de David Lean de 1954. Su protagonista es Charles Laughton. Se basa en [[Hobson's Choice (obra de teatro)|la comedia teatral del mismo título]], de Harold Brighouse, de 1915.

Es la tercera adaptación cinematográfica de una popular obra teatral de Harold Brighouse, ya filmada por Percy Nash (1920) y Thomas Bentley (1931), que en 1983 tendría una versión televisiva dirigida por Gilbert Cates.

 Argumento
La historia se sitúa en Inglaterra, en el final de la era victoriana. El protagonista de la película es el exitoso zapatero Henry Horacio Hobson, viudo y padre de tres hijas que vive en Salford. Las tres hijas dirigen la zapatería y se ocupan de la casa del padre, que prefiere estar en la taberna. Sin embargo, él es el Señor de la Casa. Así que decide que las dos últimas hijas, Alicia y Vicky, que son las más bonitas, deben casarse con un hombre de su elección, mientras que su hija mayor de más de 30 años de edad, Maggie, debe organizar la casa y el negocio. Maggie, sin embargo prefiere estar con Willie Mossop, un empleado de la zapatería, que ha contribuido en mucho con su trabajo de calidad al éxito de la zapatería.

Willie es un simple muchacho. Él no tiene nada excepto su trabajo. Maggie dice a Willie, que quiere casarse con él y abrir juntos una zapatería, ya que la zapatería se mantiene por las dotes de Willie como zapatero y sus dotes como vendedora de zapatos y organizadora del negocio. Willie está perplejo, pero le informa a ella, que él tiene al respecto el problema, que ya está prometido. Por ello Maggie se encarga de acabar esa relación, que era tiránica para el.

Hay pelea por ello con su padre y Maggie decide entonces abrir el nuevo negocio junto con Willie. Consigue el dinero prestado de la Señora Hepworth, una rica cliente, que es consciente de lo bien que trabaja Willie. En la noche antes de la boda Hobson cae en un sótano borracho y se muestra preocupado por su reputación después de lo ocurrido. Maggie resuelve el asunto, de manera que sus hermanas puedan contraer matrimonio con sus amigos con una dote. A cambio, a través de su influencia, ella se encarga que la acusación no prospere.

Sin embargo, Henry Hobson está más tarde asustado sobre el nuevo desarrollo y molesto. Él sufre y comienza a beber aún más. Willie recibe de Maggie la educación y se convierte en un Señor mientras que el negocio de Maggie y de Willie con el tiempo se convierte en un gran éxito. En sólo seis meses, son capaces de pagar sus deudas sin problemas a pesar de que tenían tiempo de pagarlo seis meses después. Henry Hobson, por el contrario, se vuelve alcohólico hasta que el médico le prescribe la abstinencia total para evitar que muera por ello.

Maggie consulta con sus hermanas, pero dado que las dos jóvenes están casadas, no quieren saber nada de cuidar de su padre. Willie ofrece ahora a Hobson mantener la mitad de su zapatería, ser Willie el hombre que lo dirija, que Maggie y él ahora vivan en su casa y que Maggie le ayude en casa para así salvar su negocio y tener su casa otra vez en orden, ya que todos sus clientes importantes ahora van hacia él, mientras que ellos tendrán así una estancia mejor. Incluso Maggie está sorprendida de su capacidad de hacer negocios y Hobson, después de deliberarlo, y dándose cuenta de la nueva situación suya y de las ventajas que tiene la oferta para él en su nueva situación, finalmente consiente.

 Reparto
 Charles Laughton - Henry Horatio Hobson John Mills - Willie Mossop Brenda de Banzie - Maggie Hobson Daphne Anderson - Alice Hobson Prunella Scales - Vicky Hobson Richard Wattis - Albert Prosser Derek Blomfield - Freddy Beenstock Helen Haye - Sra. Hepworth Raymond Huntley - Nathaniel Beenstock Jack Howarth - Tubby Wadlow Producción
Cuando vio la obra teatral, David Lean se apasionó en hacer una película de ella y se convirtió en el hombre detrás de su producción. Para hacerla posible Lean reclutó a actores del norte de Inglaterra. Al principio Lean quiso reclutar a Roger Livesey para interpretar el papel del protagonista, pero al final se decidió por Charles Laughton por ser él famoso en Hollywood.

Se rodó durante 10 semanas en el estudio en Londres y solo otros 8 días en Salford. Eso fue posible, ya que el estudio London Films tiene un decorado, que es una minuciosa recreación del Mánchester de la revolución industrial.

 Recepción
La obra cinematográfica fue una de las películas más populares de 1954 en Gran Bretaña.Decine21 escribe, que David Lean logró una de sus numerosas obras maestras en lo que hoy en día es considerado uno de los clásicos del cine británico., mientras que el ABC'' opina, que la película es una divertida comedia ambientada en la era Victoriana.

Premios
 Premios BAFTA (1954): Premio al mejor film británico y 5 Nominaciones
 Festival de Berlín (1954): Oso de Oro

Referencias

Enlaces externos

Películas de Reino Unido
Películas cómicas
Películas de 1954
Películas ambientadas en Manchester


text:
Lüz Studio Lights Børns With GLP X4 Series
As part of their commitment to providing highly inventive lighting solutions from their base in Montreal, Lüz Studio is currently providing lighting for American singer-songwriter, Børns, on his world Blue Madonna tour. This opened in Oakland, CA, at the start of the year and will travel the globe during 2018.
Set up in 2005 by versatile lighting/video designer Matthieu Larivée, Lüz Studio has frequently turned to GLP's X4 platform for its requirements, and this latest tour has been no exception. For the LD has made versatile use of 16x X4 Bar 20 battens and 14x impression X4, supplied by Upstaging of Chicago.
Børns' 2016 Dopamine tour had been non-production tour, with no lighting whatsoever, so instead Lüz Studio designed a backdrop that would be fun to be lit by local LD's. "There were three separate layers of Red, Blue and Green, so depending on the lighting used, a different backdrop would be created." Lüz themselves were involved in lighting some of a few bigger shows.
When they started working on what would be Børns' first full production tour a few months ago, Matthieu Larivée wanted to do something special with the lighting that reflected the artist's world. "He is always super chic, has a super strong artistic vision and his music is poetic," he said.
"Designing a club tour usually means a lighting floor package.I wanted to keep that in mind but I wanted to have a visual reference that would differentiate a Børns concert from the other acts that play in a club."
His idea was for a unique canvas that would work well with the lights. "The Blue Madonna album has a very summery vibe but Børns wanted to have a classic rock look too. So we came up with the idea of having a wall of tropical leaves as a nice scenic backdrop onto which we could front project and create dramatic rear projection effects."
The hand-crafted canvas is made of 1000 different leaves, hung on a camo net. They are painted grey to catch all colours of light and yet disappear when not lit. "When lit from bottom, side, front or back, it creates different shapes and looks," explains the LD, who deployed four X4 Bar 20 on either side of the backdrop and eight concealed in the backdrop itself. impression X4's were also located at the bottom of the backdrop to create a dramatic lighting angle, while the pixel mapping effect projected on the leaves was also very effective. "Pixel animation can be very modern but on this one, because the source was hidden, it created a mystic look. It's just so versatile."
"The X4 Bar was a key element in the design," he went on. "We were able to create nice theatrical side lights … to highlight the music punches with the fast zoom and create some nice moments with the tilt effect. The hidden fixtures behind the backdrop were stunning, and this is one of my favorite looks. With the zoom and tilt possibility we could achieve so much — and I could be very precise while providing dynamic support for the rock show."
Explaining further, Larivée added, "The speed of each parameter of the X4 was super important. The fact that you can go very narrow and very wide was also important. So, I could side light the leaves and on a snare hit, I could punch the zoom to create another dimension."
Matthieu Larivée himself programmed the lighting with assistance from Jean Sebastien Guilmette from Luz Studio, with the whole show time-coded.
The LD says he first fell in love with the X4 platform after seeing the original X4 at the Midnite Hour Productions in Toronto, noting its unique design — and that has since become his 'go to' wash unit.
Above all, he says, a lighting fixture needs to be versatile. "And the LED GLP fixture line is certainly that, and they are well designed, easy to program, precise and offer endless colour possibilities. I can use the X4 on a whole range of events, from musicals to rock shows."
Info: www.glp.de/en
German Light Products
impression X4
Luz Studio
Upstaging
X4 Bar 20
X4 Series
ISE announces three-month postponement
Analog Way's Aquilon RS4 Drives Video at Genesis Vehicle Launch in Shanghai


Tempeh is mostly known as a Indonesian dish grown in a rectangular block. But enough with the boxes! The Mediamatic LabTeam decided use tempeh's ability to grow in pretty much any shape - when being put in a mold - to expand the abilities and usage of it.
With the intention to not only create a more pleasant visual experience, but also a sustainable, bio compostable (you eat it!), healthy and tasty alternative to plastic dishes as well as washing dishes, the team started to research techniques to grow dishes out of tempeh.
During the last weeks we continued the research of the previous LabTeam. We, that is Karenina and Nic.
Karenina is a 20 year old illustrator and student of the University of the Arts in Utrecht and Nic an 23 years old designer who currently studies at the DesignLab department of the Gerrit Rietveld Academy. We both share a great enthusiasm for biology, natural processes, sustainability and new production and material approaches.
The main goal was experimenting and developing methods to modify not only the structure and taste, but also the aesthetics of the Tempeh bowls. By adding and subtracting different nutrients and ingredients we run tests on the change of the materials characteristics.
The first ingredient we discovered to support the growth was vinegar. When used to adjust the materials PH to the perfect value. That creates optimal growing conditions for the organism.
Next in line were our tests with growing edible materials such as seaweed, seeds, dried fruit, spices, flowers, lemons, limes, etc.. It turned out that the mycelium preferred some ingredients over others depending on the PH Value of the fruits, their moistness and the nutrients they provide. We also witnessed that some ingredients completely disturbed the growing process or refused to hold into the mycelium. We concluded that those ingredients had natural repellants within them to protect themselves from fungal infections.
After evaluating our results, the kitchen team prepared the tempeh bowls and researched which flavours fit the menu the best.
We concluded two ingredients fit our cause best: seaweed and limes.
We have now started the production of flavoured tempeh bowls in the lab. This time on a bigger scale in order to cover the demand of the Kitchen. You can taste it now at Mediamatic ETEN since it's put on the new menu!


Handmade with love the Flossy Guadix arrives to see your little one through the summer season. Downsized for kids this perfect plimsoll arrives in white fabric with elasticated side gussets for easy on/off wear. A scented rubber sole unit completes.


text:
Op-Ed: Silicon Valley Health, Labor, Environmental Groups Call on Samsung to Protect Workers
By Ted Smith
Global day of action to support Samsung workers links with May Day actions in San Jose and around the world.
By the Numbers: Workplace Fatalities in Santa Clara County
A new report titled Dying to Work was released in time for May Day, a celebration of labor rights by nonprofit think tank Worksafe Inc.
Photo Gallery: May Day Crowds Take to the Streets of San Jose
Groups supporting the rights of workers, immigrants and other marginalized people joined the May Day march in San Jose.
Updated: Thousands Turn Out for May Day March in San Jose
Walkouts, rallies, work closures and protests are underway for May Day, the international celebration of workers' rights.


text:
Q: codeigniter - use custom config value inside CI config file I got custom.php (inside config folder) with code like below
$config['myurl'] = 'somesite.com';

I got config.php ( standard CI ), I want to set the base_url using the value from custom.php, like this
$config['base_url'] = $this->config->item('myurl');

Doing that I got the error
Using $this when not in object context in /Volumes/HD 2/work/vnl/app/config/config.php on line 18

Whats the right code for this purpose?

A: This is not going to work there. The $this that you would want to use there is a controller instance and that is not created yet when the standard application/config/config.php loads.
You can try to add a pre_system hook (that's loaded right before the config object) and include in some helper function that can be called and return the desired value in the application/config/config.php. The usual constants like APPPATH will be available then.
If you can make this config variable a constant that can work too (just put the define() inside application/config/constants.php). Since the config file is just a regular php source file, you can have conditionals here too if you must.

A: You can just work with the arrays.
In your custom  config file
$config['myurl'] = 'myurl.com';

$config['base_url'] = &$config['myurl'];

This will change the default base_url once the custom config file is loaded, you can also just reset the base_url element in your custom config, however in my opinion it is not recommended to reset the base url in another config file as later in the project you could lose track of where it is  set, why not set it (and maybe use conditions) in the main config file?


The year was 2012 and a young man that grew up in the Cleveland area and graduated from Oberlin made a mark after only being in the world of stand-up comedy for a short time. Curtis Cook placed 3rd in the Cleveland Comedy Festival contest finals that year and he's been carrying that momentum ever since. We caught up with Curtis and we're happy to report, he's doing well (quite well) for himself in the world of comedy. Here's a bit of our conversation!
In 2012, you were young into your stand-up comedy career, how did it feel to be named a finalist, especially in the town you started?
It felt great. When you first start doing comedy, there's a constant sense of dread and self-doubt. Over the years, I've learned that never goes away. But to feel a sense of acceptance as a new comic in my home city really gave me the oomph I needed to keep going.
What are you doing comedically currently?
I'm currently a writer for The Jim Jefferies Show on Comedy Central.
Your career seems to have taken many strides thanks to your writing. Do you see this as being more of your future or is stand-up still a major passion?
Writing has been great. It's given me health care and a sense of stability that standup could never offer. Unfortunately, standup is still my major passion. It may well be the death of me, but it's the only thing I've ever wanted to do.
How and where can people catch your work?
The Jim Jefferies Show airs Tuesday nights at 10:30/9:30c. You can check out a desk piece I did for the show on YouTube. For live performance information, visit my website and shoot me an email.
Any plans of Cleveland in the future? And what's next for Curtis Cook overall?
I'll be swinging through Cleveland for a few shows this fall. As for my overall plans, who knows? My main goal is to avoid real work while still being able to affording mid-shelf whiskey.
If you want to follow Curtis Cook on social media you can find him on Twitter and Instagram!


text:
Q: A* Algorithm does not find shortest path I am trying to implement the A* algorithm in python but have hit a problem when trying to find the path of this map:
X X X X X X X     S = Start
0 0 0 X 0 0 0     E = End
0 S 0 X 0 E 0     X = Wall
0 0 0 X 0 0 0
0 0 0 0 0 0 0

I am using the Manhattan method. My implementation does find a path, but not the shortest one. The error starts on it's second move -- after moving right. At this point it can move up and the heuristic cost would be four (three right, one down) or down (three right, one up). Is there a way so it chooses down to get the shortest path?
Code:
class Node:
    def __init__(self, (x, y), g, h, parent):
        self.x = x
        self.y = y
        self.g = g
        self.h = h
        self.f = g+h
        self.parent = parent

    def __eq__(self, other):
        if other != None:
            return self.x == other.x and self.y == other.y
        return False

    def __lt__(self, other):
        if other != None:
            return self.f < other.f
        return False

    def __gt__(self, other):
        if other != None:
            return self.f > other.f
        return True

    def __str__(self):
        return "(" + str(self.x) + "," + str(self.y) + ") " + str(self.f)

def find_path(start, end, open_list, closed_list, map, no_diag=True, i=1):
    closed_list.append(start)
    if start == end or start == None:
         return closed_list
     new_open_list = []
     for x, y in [(-1,1),(-1,-1),(1,-1),(1,1),(0,-1),(0,1),(-1,0),(1,0)]:
        full_x = start.x + x
        full_y = start.y + y
        g = 0
        if x != 0 and y != 0:
            if no_diag:
                continue
            g = 14
        else:
            g = 10
        h = 10 * (abs(full_x - end.x) + abs(full_y - end.y))
        n = Node((full_x,full_y),g,h,start)
        if 0 <= full_y < len(map) and 0 <= full_x < len(map[0]) and map[full_y][full_x] != 1 and n not in closed_list:
            if n in open_list:
                if open_list[open_list.index(n)].g > n.g:
                    new_open_list.append(n)
                else:
                    new_open_list.append(open_list[open_list.index(n)])
            else:
                new_open_list.append(n)
    if new_open_list == None or len(new_open_list) == 0:
        return find_path(start.parent, end, open_list, closed_list, map, no_diag, i-1)
    new_open_list.sort()
    return find_path(new_open_list[0], end, new_open_list, closed_list, map, no_diag)

A: You seem to be constructing a new open list for each node, which contains only that node's neighbors. This essentially makes your search a form of a depth-first search, while A* should be a best-first search.
You need to use one open list which will be updated with each node's neighbors as you visit that node. The old nodes in the open list must remain there until they are traversed and moved to the closed list.
Regarding what you said in your question, It's OK for the search to try moving up before down (since according to the heuristic, they are the same distance from the goal). What matters is that in the end, the path chosen will be the shortest.


text:
"Pelts" is the sixth episode of the second season of Masters of Horror, first aired 1 December 2006. The director is Dario Argento, and it based on a short story by F. Paul Wilson. The film is a story about supernaturally beautiful raccoon pelts (called "pine lights") that cause anyone who seeks to profit by them to commit horrendous acts.  Meat Loaf stars as fur trader Jake Feldman, who finds these beautiful raccoon pelts and makes a coat out of them as a gift for the beautiful dancer Shanna (Ellen Ewusie), in order to fulfill his fantasy of sex with her. As a result, people end up committing brutal murders and suicides appropriate to their positions in relation to the pelts whenever around them.

Plot
Jake Feldman is a fur trader who desperately wants to have sex with a stripper named Shanna, who has no interest in him. One of his suppliers, Jeb Jameson and his son, go onto private land owned by an old woman known as "Mother Mater," to trap animals. They find each trap containing a raccoon, and Jameson schools his son on the proper way to kill them: crush their windpipes with a boot, and if they survive, crush their skulls with a baseball bat.

After processing, all of the raccoon pelts are perfect, and Jameson calls Feldman to arrange a sale. However, after Jameson goes to bed, his son Larry becomes mesmerized by the hanging furs, then pulls out the baseball bat and beats his father to death. Larry then opens a trap and sticks his face in, ripping it off. Feldman and his assistant arrive the next day to discover the beautiful pelts and both Jameson and his son dead. They steal the pelts and proceed to make a coat, which Feldman asks Shanna to model at the furriers expo. Inspired by his assistant, Feldman figures out where the Jamesons got the pelts by finding Jeb's map to Mother Mater's land, and visits Mother Mater to ask for a few raccoons to breed for fur.

Mother Mater states the reason she warns people off her land is because the raccoons have taken up guardianship of the lost city's ruins on them. She rages and chases him off, screaming that they have not yet had their say. The fur trimmer, Sergio, disembowels himself with his scissors after cutting the pelts.  The seamstress, Sue Chin Yao, sews her nose, eyes and mouth shut after finishing the coat, then suffocates. Feldman is only concerned that the coat is finished, and takes it to Shanna's apartment. She is entranced by the coat and eager to model it, but Feldman says he is still considering other models. Shanna sees this as a request for sex, and agrees.

After they have sex, during which Shanna is wearing the fur coat, Feldman says he needs the bathroom and something sharp.  Taking a knife with him, Feldman skins his own torso and creates a vest, bringing it out to Shanna. She panics and runs to the elevator, managing to take it down one floor before Feldman falls down the elevator shaft after her. She tries to escape, but Feldman grabs her leg and her hand is caught and crushed in the doors. Police find their bodies, and the film ends on one of the cops making a bloody footprint.

Themes

The story can be seen as a dark satire on the fur industry; the means of the victims' deaths all being based on what the furriers do to the racoons. This is unusual for a film by Dario Argento, since he normally avoids political overtones in his films.

DVD

The film was released on DVD on 13 February 2007. It was the nineteenth episode to air and the fourteenth to be released on DVD.

References

 Sources

External links

Masters of Horror episodes
2006 American television episodes
Films based on short fiction
Films directed by Dario Argento
Italian supernatural horror films

fr:J'aurai leur peau (Les Maîtres de l'horreur)
it:Episodi di Masters of Horror (seconda stagione)#Pelts - Istinto animale


Brian Carrick breathed deeply of the crisp morning air as he slowly walked across the dew-kissed field. He smiled at a woman dressed in dark red sweats as she jogged past him, the music blaring into her ears just barely audible as she passed. She either hadn't noticed him or refused to acknowledge him. Likely more the latter, Brian decided. She was in her own world...the world of towering skyscrapers, angry motorists blaring their horns, concrete pathways and the pervasive stench of the modern age. It was a world Carrick spent as little time in as possible.
To his ancestors, autumn was a time of aging, as the Mother becomes the Crone. They called the time Mea'n Fo'mhair, where they would pay homage to the Green Man by pouring libations at the foot of his tree. In his mind's eye he could see them dancing, calling out to unseen, but closely felt gods, reveling in the mysteries of existence. Brian felt he could feel those self-same gods nearby… as if even in this place, tucked away amidst highways and homes, cars and crime, the Green Man still roamed, preparing for his long winter's sleep… his own death… and his subsequent rebirth.
Rounding a corner in the path, Brian was struck silent when he first saw it… one tree, rising majestically in the center of the park. He knew something had called him here… something that wanted to tell him a story. He did not know if the Green Man himself was beckoning urgently or if the Crone was calling him gently to her side or… or if the scents of autumn just struck him the right way as he laid eyes on it.
It was regal with age, a fiery head of leaves proudly displayed, like a wild animal trying to attract its last mate. Beneath it lay a bed of its own hair, like sparks that had fallen from a roaring conflagration. Proudly it rocked gently in the breeze, its voice whispering to Brian… urging him to come to it, to sit a spell, to listen. Brian obeyed… here this proud tree reigned supreme and demanded respect from men and beasts alike.
Two young lovers sat in the green shade of the great tree, the woman's pale hand gently brushing his dark, rugged jaw. Her multicolored dress was splayed about their entwined bodies, its design mottled further by the sunlight that had snuck through the leaves above. She smiled gently at him as he rested calmly against the massive trunk, one hand draped carelessly across the guitar at his side. Sensing her gaze, his eyes flittered open and looked down at her, matching her smile with his own. He leaned down and gently kissed her forehead, some flecks of blue paint from the peace symbol she had painted there the night before coming off on his lips.
"Good morning, lover," she whispered softly to him.
"Good morning," he replied tenderly, wrapping his arms around her and pulling her tight.
He nodded and began to play, singing of love, of the times, of the age. He sang with the happiness in his heart, with the moment's peace he had shared with her the night before… he sang with his very soul.
And as he sang, a squirrel shivered a branch of that great tree far above them. An acorn fell unnoticed to the girl's tresses as she closed her eyes and relished the voice of her lover's soul.
"Pow! Pow!" one boy shouted, his finger pointed and thumb upraised in the universal symbol of a gun. "You're dead!" He was leaning against the rough bark of the tree, using it as cover against his brother.
"Boys," a man bellowed from behind a newspaper. "Knock it off or I'm taking you home!" He too was leaning against the tree, his suit jacket draped across his lap under his fedora, the newspaper held high in his hands to catch the sunlight that filtered through the leaves of the tree. On a checked blanket nearby, a woman sat, her long hair swirled high about her head and plastered into place with an overabundance of hairspray. She glanced up through thick, horn-rimmed glasses at the children and the man as she deftly wove yarn into cloth.
The two boys sulked for a moment before looking askance at one another and rushing out into the field beyond the tree, their finger-guns blazing.
The man grunted to himself, his brow furrowing at the newspaper.
"What is it Henry?" she asked delicately, her gaze returning to the thick needles in her hands.
Martha turned her face back down to her sewing as the echoes of her children's laughter flitted through the branches of the tree.
An old woman walked gingerly beneath the tree, a folded piece of paper gripped in her hand. She placed a gnarled hand against the trunk as she slowly lowered herself to the ground, her knees popping loudly in protest. Once settled against the tree… his tree, she liked to think of it, she leaned back to let the knots in her stomach untie themselves. She looked about her for a moment, memories of decades past reflected in her eyes. The joy, the pain, the life she had lived here rushed across her mind. And through most of it… at least for the last thirty years, she could see him there with her, looking up at her as only a boy looks at his mother.
She sighed, apparently remembering the paper in her hand. She carefully opened it, twisting her broken hand to one side to lay it flat in her lap. Her eyes squinted as she began to read.
"Western… Union…" she read aloud, obviously not particularly good with her letters. She narrowed her eyes again as she struggled to read the print.
She hummed to herself in satisfaction and pulled the paper closer to her face.
"I deeply reject… no… regret to inform you that your son Private Mark Stephens…" she paused a moment, tears blurring her vision. "…died… died in the Err… the Ooro… the European Theater at Normandy beach…" She paused, her tears now flowing freely. The letter fell from her hand, resting softly against the roots of the tree.
"Oh, Mark…" she whispered beneath her tears as she leaned heavily on the tree.
A man stumbled in the snow, driving his shoulder into the trunk of the tree. He clutched his blue coat, a dark stain growing beneath his hand as bright red blood seeped from between his fingers, leaving a spattered pool in the snow over the roots. His knees buckled and he slid slowly down the tree, his small cap tipping off his head and rolling into the snow next to him. He gazed upward, through the naked branches to the pale white sky above.
Two figures dressed in gray rags strolled across the field, their muskets at the ready. They noticed the man beneath the tree almost immediately and trained their weapons on him as they approached.
"Looks like we gots us a live one, Jim," the older of the two figures chuckled to the boy at his side. The boy nodded, gripping his gun as if by holding it he was safer.
"Well, now," the older one chuckled, resting his musket in the crook of his arm as he approached the man beneath the tree. "Guess you'd wish'd you'd stayed north of the line, eh boy?" he called out. The man did not answer, but turned his head away to gaze at the horizon.
"Jeb!" the boy squealed just as the elder man heard the sound of a horse's call behind him. He whipped around, gun at the ready. A gray bearded man wearing a crisp gray uniform was astride the horse, a stern look on his face as he regarded the man beneath the tree.
"Gen'ral!" the older man shouted as he straightened his back and lifted his musket to his side. His salute was sloppy, but sincere.
"Yessir!" the older man replied, properly cowed.
"Then see to it that man there gets to a doctor," the general commanded, pointing a gloved hand at the man beneath the tree.
"That's no matter now," the general replied sternly. "He's dying. And how a man treats his enemies is even more important than how he treats his friends. Remember that." Both Jeb and Jim nodded eagerly as they turned to the man beneath the tree.
But he did not see them. His eyes were still fixed on the horizon, his red-stained hand limp at his side. He had breathed his last against that barren tree.
"Yessir," two young men replied as they tied a thick rope around the trunk of a fallen tree. At the other end of the rope, a horse neighed anxiously.
The man looked past the two boys, across the stumps of trees that they had cut down the last few weeks. A woman was approaching, her plain gray dress catching on the brush. She ignored the brush catching on her dress, intent not to spill the contents of a wooden mug in her hand.
"Millicent," the man called out. "Is that cider there?" She nodded, smiling at him. He leaned the handle of his long wooden axe against the trunk of the tree and smiled broadly at her. "You are as blessed as the angels themselves, Milly," he said impassively. Though his face remained stoic, his eyes glistened with tenderness. He drank deeply of the cut.
The man nodded, wiping his mouth across the sleeve of his dark coat. "That'd be fine, Milly. I'll be back about sundown, there's work left to be done." He turned and picked up his axe, hefting it in his hand and eyeing the young tree with a trained eye.
"Jacob?" she said behind him, her eyes gazing up at the branches above them. He nodded to himself, having decided where to cut and turned to look at her over his shoulder.
He knew better than to cross her when she had an idea in her head. He looked back up at the tree and frowned. It was young, but would've still made for good lumber.
Two young lovers sat in the green shade of the forest, the woman's pale hand gently brushing his dark, rugged jaw. Her multicolored dress was splayed about their entwined bodies, its design mottled further by the sunlight that had snuck through the leaves above. She smiled gently at him as he rested calmly against the massive trunk, one hand draped carelessly across the deerskin drum at his side. Sensing her gaze, his eyes flittered open and looked down at her, matching her smile with his own. He leaned down and gently kissed her forehead, some flecks of blueberry juice she had smeared on there the night before coming off on his lips.
"Maka, tala shinae," she whispered softly to him.
"Tala shino," he replied tenderly, wrapping his arms around her and pulling her tight.
And as he sang, the acorn bound to her hair came loose, falling to the ground as she closed her eyes and relished the voice of her lover's soul.
Brian lifted his hand from the trunk of the tree. The cool autumn air still whisked about him as he opened his eyes. Only moments had passed… but he had seen so much. Birth… life… age… death… the tree had seen all these things in its time. It had given him the knowledge it held within its twisted roots, its scarred trunk and its gnarled branches. Brian glanced upward at the riotous flaming leaves that still clung to its branches. Soon it would be winter. Soon, the tree would again be dead, as it had so many hundred times before.
Brian reached inside his jacket and pulled out a small metal flask. He opened the lid as his eyes traced the contours of the tree. He took a quick sip of the brown liquid inside, his face grimacing against the power within it. As his eyes finally settled on the base of the tree, he emptied the contents of the flask over the roots.


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The Zimbabwe Chapter of The Institute of Waste Management of Southern Africa is a fast growing institution bringing together the Zimbabwean family to solve waste. Zimbabwe's waste management challenges will contribute effectively to the regional waste management agenda. The vision of the chapter is to be a vibrant, permanent and relevant member of the local, regional and international waste management community.
The Chapter calls all Zimbabweans to respond to the waste management challenges our country faces by joining local Branches of the Institute in their respective areas or to spearhead the formation of cells or branches in their cities, towns and local areas. The Chapter also calls experts in all disciplines become professional members. In addition, all organisations and individuals who feel in a way moved to be part of the solution to come forward with all forms of support and contributions. To get more information about existing Branches in Zimbabwe please get in touch.
The Zimbabwe Chapter would be interested to hear from all individuals and institutions who are involved in waste management activities in Zimbabwe including waste recycling, composting, waste management campaigns, waste management research. If you have any issues of interest or concern that are related to waste management and pollution please get in touch.


hill top homestead: Vegetarian, can it be done by me?
Vegetarian, can it be done by me?
Lots of reasons why I don't want to eat meat for a year.
I don't think that it will make me thinner but if it does then great.
I do want to be able to make a range of dishes from the green stuff as easily as I can from a hunk of beef.
I've always thought making interesting green dishes will involve many more ingredients which will result in confusion in the supermarket.
It all seems just too complicated and I know that it probably isn't but still I've never really made a salad dressing from scratch.
Meat is inflammatory and I think my system could do with a break.
While we were away at the family 2nd Christmas, I had warned our host that I wasn't going to eat meat for 2013, he was pleased, as he is the only veg in the family. So on the quiet without drawing attention to the subject he made the biggest fish platter for the first evening and for breakfast a veggie option. All very very lovely.
We both had a vegetarian 2nd Christmas dinner and on the last morning he said, 'I don't have veggie sausages so it's croissants for you and me', no worries in fact I had tea, juice and mashed bananas on homemade bread.
Not far from me on the table was a plate of sausages.
Not even fancy sausages, just plain old pork.
Now I know that I have a real problem when it comes to the sweet stuff, cake, chocolate, fat but I didn't think that I would have to sit on my hands not to eat one of those greasy sticks of death.
I don't feel addicted to meat so I can only think that it was greed which horrified me more and I didn't cave but it really made me think about how much of my life is controlled by food, I knew it was but not to what extent.
I've yet to come up with some kind of answer about myself but yesterday I really started to concentrate on removing the meat from my diet.
What I have found in the past week, if you cook for a family and try to change something for yourself, you tend to complete one task and then when it comes to you, you put a pie in the oven and veggie or not, it feels second rate and that is not good.
I thought do I have to go out and buy a cook book? didn't I read somewhere that all those Jamie and Nigella recipes were full of fats so won't that be the same for their veggie dishes also?
Then I remembered a cook book that G's dad gave me one year because I bought a juicer, it was about eating for health and I think I might have been secretly grumpy about it but not today, today it is my new favourite read ever!
Who are you Michael Van Straten, my new BF for 2013?
I happened to turn to the Chapter about circulation and since my ankle op, I think I could do with a little help in this department, I sometimes see purple fingers and toes and it REALLY worries me, not to mention my cholesterol and that stitch I sometimes get when I am thinking about exercise.
I am also convinced I get pins and needles when I shouldn't.
Last night I made beetroot and orange salad with a salad dressing! From scratch. I also had some fish and some corn.
And no reason to be scared.
Today I took a walk into town with P and bought new phones for the house and some slippers that T had asked for.
On the way we went passed the tree recycling which never ceases to amaze me.
I can't help thinking, will they not last until next year? such a waste! Except that one front left.
I made lunch, omelet with left over beetroot, potatoes and spinach and more salad dressing.
I won't be posting what veg I ate through 2013 but I might do a little bit.
Something with peppers this eve and curried parsnip soup tomorrow maybe?


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text:
UBDI cofounder Dana Budzyn '18 shifting data economy culture
BioE grad is CEO of Universal Basic Data Income, which allows people to profit by sharing anonymized, aggregated insights from their data
Bioengineering/biomedical engineering alum Dana Budzyn '18 is the cofounder and CEO of Universal Basic Data Income (UBDI), a platform that enables the secure and ethical exchange and monetization of data within the sphere of market research.
UBDI has sparked media buzz with its novel approach to data sharing, a two-app system that lets users safely connect their data from various online accounts, and then, with the user's permission, pays them to share some of that data with companies or researchers interested in that information. To do this securely, UBDI has partnered with digi.me, an app that consolidates online user data into one encrypted location, giving the user maximum control of where their information goes.
Budzyn recently sat down with Molly Wood for Marketplace Tech, an NPR podcast meant to demystify the digital economy through conversations with key players in the tech industry.
"Part of privacy, which some people seem to forget, is about choice" Budzyn told Wood. "You should have ownership over your data, and you should be able to choose for yourself." For Budzyn, UBDI has provided that solution, and is ultimately seen as a step in the right direction toward revolutionizing the data economy.
Budzyn shared this same idea with Chaya Weiner from Authority Magazine while talking about her journey to build her company.
"If someone or something is going to own your data," Budzyn said in the interview, "it should be the person producing it, and you should be able to choose where and with whom it's shared and to enjoy the economic value generated from such a transaction. And thus, UBDI was born."
UBDI, in collaboration with digi.me, has received national attention from outlets like CNN and USA Today for its impact in the world of data sharing and privacy. Budzyn has also been featured in Women to Watch Media with Susan Rocco and has spoken at TEDxPasadena on owning your digital self and monetizing your personal data.
Explore more UBDI press coverage, here.
—Isabela Madrigal '20 is a student writer for the P.C. Rossin College of Engineering and Applied Science.
More about Dana Budzyn
Dana Budzyn graduated from Lehigh in 2018 with a degree in bioengineering and biomedical engineering and has since built a company focused on creating positive change in the field of safe and secure data sharing. She has been called a thought leader in data privacy and empowerment, and has become an example for other young millennial females in male-dominated fields. During her time at Lehigh, Budzyn interned for NASA's Jet Propulsion Laboratory and won first place for her work at the University of Sydney's MedTech Innovation Competition. Budzyn has also been published by the International Society for Optics and Photonics for her work using delta-doped silicon arrays to measure fluorescence and reflectance in ultraviolet, visible, and near infrared lights.
Website: UBDI
Marketplace Tech: "An app that pays you for your data? Yes, actually."
Authority Magazine: "Finding the balance between accountability and freedom...with Dana Budzyn and Chaya Weiner"
Dana Budzyn '18 is cofounder and CEO of UBDI, which announced the launch of the first ethically-sourced data monetization program for individuals in the $50 billion market research industry in early 2019, according to a press release.
Karen LaRochelle '88 takes SVP role at WindMIL Therapeutics
Wed, Jan 8, 2020
Livadariu '93 joins tech investment banking team at Oppenheimer
MechE alum earns first place in NSF poster competition at IMECE 2019
ISE alum's $5M gift to enhance on-campus living community
Tue, Dec 10, 2019


Score & Parts. Tower's Rain Waves, which musically explores the motion of a wave form, was written in 1997 as a commission by Michigan State University for the Verdehr Trio. A recording is available on compact disc: Verdehr Trio, The Making of a Medium, Vol. 13 Crystal Records CD 943.


text:
Parkview Financial Backs Inland Empire Mixed-Use Project
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SITE Centers Trades 2nd Georgia Retail Property
South Carolina Distribution Center Sells for $98M
Industrial 17 January 2020 13:52
Radisson Opens 3rd New York City Hotel
Rich Development Sells Washington Retail Property
Navigating NYC's Landmark Energy Law
Property Management 16 January 2020 20:48
Gearing Up for an Electric Decade
Sustainability 16 January 2020 20:28
5 Ways to Make Your Property More Energy Efficient in 2020
Where Energy Performance Meets Policy
Solar Surge Brightens 2020 Outlook
Distinguished Achievement
Värde Partners' Value-Add Play Reels In $641M
Hyatt's New Milestone
Macklowe's Bid to Avoid Default Goes Down to Wire
With only hours to go before the deadline for a deal on Macklowe Properties' $7 billion debt on a portfolio of Manhattan trophy towers, key details apparently still remain unsettled. As reported by CPN last Friday, the firm's founder, Harry Macklowe, had tentatively agreed to turn over
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With only hours to go before the deadline for a deal on Macklowe Properties' $7 billion debt on a portfolio of Manhattan trophy towers, key details apparently still remain unsettled. As reported by CPN last Friday, the firm's founder, Harry Macklowe, had tentatively agreed to turn over control of the buildings to Deutsche Bank AG. The investment bank provided $5.8 million in short-term debt toward Macklowe's acquisition of the towers from Equity Office Properties Trust a tear ago. Macklowe also faces a deadline today to repay the other major piece of the debt financing package, a $1.2 billion loan from Fortress Investment Group. It is still unclear what form the final deal will take, but the complexity of the financing of Macklowe's acquisition last year is reportedly creating challenges for the parties. For example, General Electric Capital Corp., which holds the subordinate debt on several of the buildings, has not yet okayed the deal, according to an account by Jennifer Forsyth in the Wall Street Journal. According to a report by Zachery Kouwe and Lois Weiss in today's NewYork Post, the former Equity Office buildings are now on the block. To repay the $1.2 billion debt to Fortress Investment, Macklowe is shopping the General Motors Building, one of Manhattan's premiere office towers. Local sources say the building, which Macklowe bought in 2003, could fetch well in excess of $3 billion. Bids are reportedly due next Friday, and a report by Zachery Kouwe and Lois Weiss in today's New York Post suggested that World Trade Center developer Larry Silverstein may have an inside track. Lew Cowan, an executive managing director in Grubb & Ellis' Manhattan office, said he has no inside knowledge of a possible sale but added that the GM Building would be a perfect fit for Silverstein. He has recently teamed with CalSTRS, the giant California state teachers' pension fund, on several high-profile Manhattan acquisitions. "These guys have deep pockets," he said of CalSTRS. "They have certainly bonded with Larry as the guy to get it done–their go-to guy in New York." Cowan, who has known Silverstein for years, also cited his reputation for first-class handling of tenants at premiere Manhattan office buildings. This morning, however, other Manhattan real estate insiders privately expressed skepticism about the rumor, saying that the $3 billion-plus price tag for the GM building might be too steep even for a deep-pocketed institution like CalSTRS.
5 Sustainable Principles Leading to CRE Profitability
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Last year, I attended the ScreenPeace Film Festival put on by the Kroc Institute for the first time and wrote a blog post about the film I saw. These films are all critically acclaimed and deal with a wide range of global concerns from all regions of the world. This year, I had a chance to go to 3/6 of the showings for SPFF 2016, which were all free at the DeBartolo Performing Arts Center here on campus.
The Look of Silence is a companion piece to Joshua Oppenheimer's The Act of Killing, which was nominated for an Oscar in 2014. The Look of Silence, which wasn't officially released until after the ScreenPeace Film Festival, has also been nominated for an Oscar this year. This film shows current day footage of the perpetrators of the 1965 Indonesian Genocide while a family of survivors finds out who killed their son and brother.
An interview with the director reveals how he was surprised by the pride and boastfulness of the perpetrators as they talk, in detail, about their killings. He says, "My God, it's like I've wandered into Germany 40 years after the Holocaust only to find the Nazis still in power." Admittedly, I was never aware of the Indonesian Genocide before watching this film, let alone that the perpetrators are still in power. It became apparent throughout the film, that since they still hold power, they see themselves as heroes - that's why they are so willing to talk about their participation in mass killings.
Oppenheimer says, "There are areas of human experience that I feel are so profoundly out of joint that we must go there and tell the truth." And he does through this film.
"The ocean contains the history of all humanity. The sea holds the voices of the Earth and those that come from outer space. Water receives impetus from the stars and transmits it to living creatures. Water, the longest border in Chile, also holds the secret of a mysterious button that was discovered in its seabed. Chile, with its 2,670 miles of coastline, the largest archipelago in the world, presents a supernatural landscape. In it are volcanoes, mountains and glaciers. In it are the voices of the Patagonian indigenous people, of the first English sailors and also those of its political prisoners. Some say that water has memory. This film shows that it also has a voice."
The Pearl Button interested me because it centered around the memory and water of Chile, which I visited last summer. I ended up going with a friend who had studied abroad in Chile, and both of us had spent time there learning about the political prisoners of the 1960s. The film not only told the story of Chile's past, but also had great cinetomography of the Chilean landscape.
Mediterranea was a film about an immigrant finding his way in Italy. The movie itself was rather disorienting which, we were told, was on purpose so that we'd feel the disorientation felt by immigrants in a new country - especially when they aren't necessarily wanted by the local people. I wanted to see this film and learn more about how migrants travel and cross the Mediterrean into Europe.
In short, I appreciated these films even if they made me feel uncomfortable. At times, I felt pretty down about humanity and the reality that I don't often know about and definitely never experience. Still, I would recommend checking out these films to anyone who will be on campus for ScreenPeace Film Festival 2017.


text:
Q: how make objects counter via prototype? I wrote a script, which creates 3 objects. The constructor has a local variable mushroomsCount:
Mushroom = function(num) {
  var mushroomsCount = 0;

  this.id = num;
  this.Create();
}

Mushroom.prototype.Create = function() {
  this.mushroomsCount++;
}

Mushroom.prototype.Display = function() {
  console.log('mushromms count total is: ' + Mushroom.mushroomsCount);
}

$(document).ready(function() {
  var mushroom = [];
  mushroom[0] = new Mushroom(0);
  mushroom[1] = new Mushroom(1);
  mushroom[2] = new Mushroom(2);

  mushroom[2].Display();  // first way
  Mushroom.Display();     // second way

});

after creating the objects, I try to display the number of the objects at Mushroom.prototype.Display(), but I'm getting undefined.
codepen

A: You can use a property on Mushroom itselft (like you already had, but not had accessed).

function Mushroom(num) {
    this.id = num;
    this.create();
}
Mushroom.mushroomCount = 0; // this is public!
Mushroom.prototype.create = function () {
    Mushroom.mushroomCount++;
}

Mushroom.prototype.display = function () {
    document.write('mushromms count total is: ' + Mushroom.mushroomCount + '
');
}

var mushroom = [];
mushroom[0] = new Mushroom(0);
mushroom[1] = new Mushroom(1);
mushroom[2] = new Mushroom(2);
mushroom[0].display();
mushroom[1].display();
mushroom[2].display();

Or use a closure with an IIFE:

var Mushroom = function () {
    var mushroomCount = 0;
    var f = function (num) {
        this.id = num;
        this.create();
    };
    f.prototype.create = function () { mushroomCount++; }
    f.prototype.display = function () { document.write('mushromms count total is: ' + mushroomCount + '
'); }
    return f;
}();

var mushroom = [new Mushroom(0), new Mushroom(1), new Mushroom(2)];
mushroom[0].display();
mushroom[1].display();
mushroom[2].display();

A: Simple count instances of Mushroom 'class':
function Mushroom(num) {
    this.id = num;
    Mushroom.count++;
}
Mushroom.count = 0;
Mushroom.prototype.Display = function () {
    document.write('mushromms count total is: ' + Mushroom.count + '
');
}

var mushroom = [];
mushroom[0] = new Mushroom(0);
mushroom[1] = new Mushroom(1);
mushroom[2] = new Mushroom(2);
mushroom[2].Display();