Heat a large saucepan with oil and cook the onion.
Add the mince with McCormick Garlic, Rosemary, Salt, vinegar, currants and passata. Stir and bring to the boil. Simmer and then reduce to low heat and cook for 30 minutes.
Meanwhile, cook the pasta in a large saucepan of boiling water until al dente. Drain and toss pasta into the sauce.
To serve divide the ragu among bowls and sprinkle with Parmesan.


text:
Q: Openbr-1.1.0 example script files
*

*I am working on face recognition project.For that i am using Openbr-v1.1.0 library.

*I want test it by executable files given in openbr-1.1/app/examples/.But exactly don't know how to test them.i am getting SDK path error.

*Any help is appreciated. Thank you.

redpajama_set_name: RedPajamaStackExchange


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BALBAN THEORY OF KINGSHIP PDF
Balban through his theory of kingship endeavored to prove that he had not taken the throne by the poisoned cup or by the dagger of the murderer. K. A. Nizami. The Maliks in grief at Balban's death, remarks Barni, threw dust on th heads He based his claim to kingship not on a human compromise but on Divi. Right. An Assignment on Theories of Kingship in Delhi Sultanate Submitted by- of the forty minsters, Gias-al-Din balban seized the throne in grim splendor and amid.
Author: Mazuramar Voodookus
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Idea of Kingship and State Organization in Delhi Sultanate
kingdhip And not only that, Muslim jurists were equally uncertain about the foundations of Islamic political power in a post- caliphal world. He punished severely the members of the forty for minor offences with a view to destroy their mage.
To make these reports accurate and honest, he greatly restricted the field of individual observation and when the report was made, he showed no indulgence on the score of the rank or birth.
Later on, in order to punish them and lessen their significance in the eyes of the public, he awarded them severe punishments for small crimes. After finishing his duties when he returned to his bedroom, he wept bitterly for the death of his beloved son.
Tags indo pak notes Thread Tools. And if people did not obey his orders and ignored laws, he took stern action against them because his main concern was to maintain peace and order for the welfare of people. He adopted a slow but steady policy to undermine their political status and reduced the military power of these nobles. He saved the country from the invasions of the Mongols. Every spy had direct access to the Kingsihp though none met him in the court.
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Balban brought about the destruction of the forty who have grasped the power of the state from the weak hands of the successors of Iltutmish. Haibat Khan, the Governor of Avadh, assassinated a man under the influence of liquor.
Balban's Theory of Kingship
He declared this to make the nobles believe that he got kihgship crown or the Kingship not through their mercy but by the mercy of God. The sultans of Delhi did not have any strong and effective concept of kingship to rule over the masses.
Cambridge University Press, He made a surprise expedition over the rebel while he was taking rest along with his soldiers. Balban did not agree to meet a rich merchant of Delhi who was prepared to hand over all of his property in return of an interview with the Sultan.
SC directs interior ministry to declare Pak-Turk education foundation a terror outfit.
He brought about peace and order. They were required to report the news of day-to-day events to their master.
He considered himself the representative of God on the earth to look after the welfare of the people—people created by God. The stern, harsh and violent policy adopted by Balban to suppress the internal revolts and meeting with the challenges posed by foreign invaders of Mongols is known as the policy of blood and iron.
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The prestige of the stage had sunk low. balbban
Balban's Theory Of Kingship – CSS Forums
As he assumed the throne, most of these nobles had either ttheory or been deprived of their power and the rest were killed. Balban accordingly adopted this policy. He never laughed and gave smile. He always implemented rules which were in favour of common people in one way or the other.
But to cement his right to the throne, he had to establish himself as worthy. Balban had been a member of this gang and knew their ambitions, resources and cunningness. The masses were not loyal to their sultans and did not respect their status and intrigued against them. Except nobles, he ordered remain standing in the court. As a result, people became afraid of the punishments that he applied against the enemies of the state. Balban never expressed unusual joy or sorrow in public.
Balban was convinced that the glory of Kingship was possible only by following the Persian traditions and he very carefully followed these traditions in his personal and public life.
He assigned junior officers to high ranks so that they could be loyal to him.
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You are in: Press
Also in this section Also in this section
RSC OPENS APPLICATIONS FOR THE DELL 2020
Applications are now open for semi-professional and amateur theatre groups to perform on The Dell stage next year.
RSC ANNOUNCES CASTING FOR THE WHIP
Casting details are announced for the Royal Shakespeare Company's production of The Whip opening in the Swan Theatre this winter.
THE RSC'S NEW MUSICAL THE BOY IN THE DRESS OPENS AT THE ROYAL SHAKESPEARE THEATRE
The RSC's new musical opens at our Stratford theatre
FIRST LOOK AT THE BOY IN THE DRESS PRODUCTION IMAGES
First images for the Royal Shakespeare Company's production of The Boy in the Dress have been released.
ROBBIE WILLIAMS PAYS SURPRISE VISIT TO THE BOY IN THE DRESS REHEARSALS
Robbie Williams visits the rehearsal room for The Boy in the Dress
A Museum in Baghdad to transfer in 2020
Hannah Khalil's A Museum in Baghdad will transfer to the Kiln Theatre in Spring 2020.
ROYAL SHAKESPEARE COMPANY ANNOUNCES 2020 SUMMER SEASON
Season includes 3 Shakespeare plays in the RST, and, in the Swan, Projekt Europa - 3 plays exploring our relationship with Europe
RSC TO CONCLUDE PARTNERSHIP WITH BP
RSC announces its decision to conclude partnership with BP at the end of this year.
JOHN KANI'S KUNENE AND THE KING TO HAVE WEST END RUN AT THE AMBASSADORS THEATRE IN 2020
RSC announces West End run of Kunene and the King.
ROYAL SHAKESPEARE COMPANY RELEASES ITS 2018/19 ANNUAL REVIEW
The RSC issues its latest Annual Review and welcomes new Board members at its AGM.
FREE FAMILY FUN KICKS OFF AT THE ROYAL SHAKESPEARE COMPANY THIS AUTUMN
A host of fun free The Boy in the Dress activities come to the RSC this October.
MAJOR NEW CONFERENCE PROMOTES IMPORTANCE OF CULTURAL LEARNING
Education conference promotes the importance of cultural learning
FULL CASTING ANNOUNCED FOR THE ROYAL SHAKESPEARE COMPANY'S PRODUCTION OF THE BOY IN THE DRESS
FIRST CASTING ANNOUNCED FOR THE ROYAL SHAKESPEARE COMPANY'S PRODUCTION OF THE BOY IN THE DRESS
Casting kicks off for The Boy in the Dress
GUY CHAMBERS - LIVE AT THE RSC
Songwriter, musician and producer, Guy Chambers, best known for his work with Robbie Williams, performs in the Swan Theatre on 27 October
RSC ACHIEVES FUNDRAISING TARGET AS MAJOR VISIBLE CONSTRUCTION WORK BEGINS ON ITS COSTUME WORKSHOP
RSC achieves its Stitch In Time fundraising campaign target of £3 million to support the restoration and redevelopment of its Costume Workshop in Stratford-upon-Avon.


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Black Panel Press
In the infinite cosmos are scattered millions of galaxies. Lost among them, a world similar to ours develops in its own solar system. On Plaine, a highly developed planet-nation, the opening reveals Onys, a young and daring archer. She emerges from sleep, short of breath, alerted by a dangerous presence lingering around her. An imperceptible but undeniable entity, defying the laws of physics, manifesting itself like a cloud of smoke, almost palpable. A presence whose mysterious nature would soon rock her senses and shake her perceptions of reality.
The sudden arrival of Yulunga, the astonishing shaman, will open the doors to a universe wholly unexpected by the young Onys. A place where the interpretation of what is real is commanded by the subconscious. A place at the center of which, the laws of nature are defied by the power of the mind.
What if, since the beginning of time, there was something else? Maybe, it was the world of Ancient Astronauts.
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Manchester Concord Transgender Social Club
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Trans Guide for the General Public
We don't have a dress code and try to create a non-judgmental environment so that everyone can wear whatever makes them happiest and most comfortable. This is particularly important to trans-feminine attendees who like to experiment and explore different styles of clothing and makeup in a safe environment.
What do you do at the meetings?
The meetings are very informal. They are really just get-togethers of like minded people who have something in common that they enjoy and wish to share with others. We sometimes have themes or people showing relevant products or services and these are all advertised on this web site.
What is is like to use the changing room?
We have a changing space available and a place to safe place to store bags. It is well used so please try to keep it tidy.The space is available every Wednesday from 5 pm.
Will I stand out as a newcomer?
The organisers will know you are a newcomer and will go out of their way to try to make you feel comfortable and welcome. But, most people who come to the club don't attend every week, so the majority of the people there will have no idea that you are new. You therefore don't need to feel that you will stand out.
Can I bring a partner, friend, relative etc?
Yes of course you can, they are always welcome.
Is the area safe to walk around the "Gay Village"?
Transgender people, have been visiting the area of the "Gay village", for over 30 years. Other visitors, bar staff and door staff will be invariably respectful, polite and friendly. This is an area where you will be able to relax and enjoy and evening out without concern about being judged about how you look.
What about safety in the Village?
The vast majority of people use the village and all its facilities without having any problems. But, remember that it is in the middle of a large city and there will always be some people around who can cause trouble. Also realise that if you walk around on your own you make yourself more vulnerable, so be aware of those around you. Plan your trips
If you wish to stay in a local hotel on your own and plan to be out clubbing late at night, I would strongly suggest that you should find a friend to accompany you. Not necessarily sharing rooms, so that you can be there for each other. If you also wish to "drink a lot" then this preplanning is even more vital as "Common Sense" can so easily go out the window leaving you to do unwise things. Concord is there to enable you to find friends you feel comfortable with. Use it! we are all here to help each other.
If you do find yourself in a club on your own, late at night and you wish to return to your car then I suggest you ask another T girl to accompany you back to your car. After which you can either drive her back to the club you came from, or else to her car, so she can go home.
Try to be prepared when visiting the village by bringing enough cash with you so that you don't have to use a local cash machine while dressed.
Carry an alarm.
Use the door staff, they are there to help everyone.
Where can I park my care?
The parking bays in the Village near the club are free after 8 pm until 8 am the following morning.If you arrive earlier than 8 pm then these spaces cost £2.70 per hour but you are only allowed to stay for two hours if you park anytime before 8pm. If you have hotel accommodation in the area then it can be useful to feed the parking meter for up to 2 hours which will carry over to the following morning from 8 am allowing you to park until 10 am. You only get this max of two hours if you feed the meter after 8pm. A little bit further away in Charles street off Sackville Street there is a multi-storey car park in which you can park from 4 pm on a Wednesday evening till midnight for only £2 so this is the best value but a bit further to walk. If you wish to visit the village on either a Saturday or a Sunday then you can park in this Charles street car park all day for just £2 which is much cheaper than anywhere else. FINALLY NEVER EVER park in a disabled bay unless you have the relevant display card. It doesn't matter what time it is, or day of the week, your car will be towed away and you will have to pay about £140 to get it back.
What is the easiest way to drive to Canal street?
This is quite a hard question to answer and obviously depends on which direction you are coming from, so we will try to suggest four possible routes, from North, South, East and west. The easy way for us is to say use a SAT NAV but we don't all have them yet so we will try to answer the question.But, if you have a Sat Nav, then the useful bit of info is the Post Code of OnBar in Canal Street which is M1 3WD…………BUT……..Canal street is pedestrian only so you will need to park close by but not in Canal street itself.
From the south and west.
If you are approaching Manchester up the M56 Continue all the way up the M56 which leads on to Princess Parkway. Keep straight on up Princess Parkway through several sets of traffic lights until you get to the roundabout at the end which has the Manchester inner ring road going overhead. Go straight over this roundabout and continue to the next set of traffic lights which are just under an overhead railway bridge. Turn right at these lights and continue ahead to the traffic lights at the Palace theatre. Go straight across these lights leaving the Palace on your left, cross over the next set of lights at Princess street and turn left at the next set of lights into Sackville Street. Go up past the Rembrandt Hotel on your right, past Richmond Street and the next road is Bloom street. Here you can either turn left into Bloom Street and look for a vacant parking space or turn right and go to the end and turn left into Chorlton Street. The next left is into the bus station and immediately after that is the ramp up to the multi-storey car park.
Coming from the west.
If you are coming from the East Lancs road then continue along this going straight over the first traffic lights you come to rather than veering over to the left towards Salford. Keep going straight on through the lights until you find yourself going under a railway bridge and then through an underpass. As you leave the underpass keep over to the left and veer off onto the side road which will take you to a roundabout. Turn left here and continue to the next set of traffic lights which are just under an overhead railway bridge. Turn right at these lights and continue ahead to the traffic lights at the Palace theatre. Go straight across these lights leaving the Palace on your left, cross over the next set of lights at Princess street and turn left at the next set of light into Sackville Street. Go up past the Rembrandt Hotel on your right, past Richmond Street and the next road is Bloom street. Here you can either turn left into Bloom Street and look for a vacant parking space or turn right and go to the end and turn left into Chorlton Street. The next left is into the bus station and immediately after that is the ramp up to the multi-storey car park.
Directions from the East.
If you are travelling from the Sheffield area, you will travel either via the Woodhead Pass (A628), the Snake Pass (A57) or via the Hope Valley (which connects with the A6 through Stockport).These routes all converge at the Ardwick roundabout by the Apollo Theatre. Take the A6 exit towards the city centre (a small park on your right) and continue through the next sequence of traffic lights that take you under the Mancunian Way.You will then pass under a railway bridge which is followed fairly quickly by another set of traffic lights (Piccadilly Station is now on your right). At these lights, turn left onto Whitworth Street. Go through the next set of lights and turn right at the set after onto Sackville Street.The Rembrandt is immediately on your right after the canal bridge.Go up past the Rembrandt Hotel on your right, past Richmond Street and the next road is Bloom street.Here you can either turn left into Bloom Street and look for a vacant parking space or turn right and go to the end and turn left into Chorlton Street. The next left is into the bus station and immediately after that is the ramp up to the multi-storey car park.
Directions from the North
Traveling from Leeds and the North East, take the M62 to Junction 20. Turn left to take the A627(M) in the direction of Oldham. This leads directly onto the A663 Broadway. This continues for approx 2 miles. At the end of a short stretch of dual carriageway, turn right at the T junction onto the A62 (Oldham Road).After about 1.5 miles, you will be on the edge of the city centre at a set of traffic lights at what is effectively a T-junction. Turn left onto Great Ancoats Street (A665) keeping in the left hand lanes. After about ¾ mile (and about 6 sets of traffic lights), the road veers round to the right at a set of traffic lights near Ark Trading. Immediately after this set, turn right at the next set onto Fairfield Street.You will then be on the A57 and will shortly pass under two railway bridges, with Piccadilly Station on your right. Straight through the next sets of lights (old Fire Station on your right), then through the next set, and turn right at the set after that onto Sackville Street (small park on your right).The Rembrandt is immediately on your right after the canal bridge.Go up past the Rembrandt Hotel on your right, past Richmond Street and the next road is Bloom street.Here you can either turn left into Bloom Street and look for a vacant parking space or turn right and go to the end and turn left into Chorlton Street. The next left is into the bus station and immediately after that is the ramp up to the multi-storey car park.


The rear naked choke (so-called because you don't need to grab any cloth: the Portuguese term is the more flowery 'mata leão', which means 'lion killer') is a high percentage attack from the back, and perhaps the signature submission in jiu jitsu. One of the great things about chokes is that they are so efficient: while somebody might be able to muscle their way out of a locked in armbar, a choke will work on everybody, no matter how big.
In terms of its basic mechanics, the rear naked choke is relatively simple. Begin by bringing one arm around their neck, so that the point of your elbow is under their chin. You don't want to leave any space, as the idea is to press into both sides of their neck. This will close off their carotid arteries and prevent the flow of blood to the brain. That is an efficient and safe way of subduing an opponent.
You are then going to grip the bicep of your free arm. This is to lock the choke in place. Bring the hand of that bicep arm to the back of their head: a commonly used version is to press the palm into their skull, but there are various options, coming down to personal preference. Back of the hand against their neck is arguably better, as that may slip in more securely than palm down.
Also, palm down is easier for them to grab, if they try to peel your fingers off their skull. Either way, when you're locking in the choke, don't reach your hand forward over their shoulder. If you do, then they can armbar you using their shoulder as a fulcrum. Instead, slide it behind the head.
Despite the simplicity, it can be difficult to get the RNC choke. Everybody with more than a few lessons under their belt knows that you're going to be looking for that choke, so they will immediately be trying to create barriers with their arms and hands. Hence why I started the technical portion of the session by having everybody drill the basic mechanics, then went into further details on the RNC.
In order to clear a route to the neck, there are numerous options. First, you can adjust your hand positioning to maximise your efficiency. If you have one arm under their armpit and the other over the shoulder, then it can be helpful to grip palm to palm or grab your own wrist, with your shoulder arm on top. That means that as soon as there is any gap between the neck and chest, you can immediately slide your arm into their neck.
You can also try tricking them into giving you access to the hold you want. For example, when you try to get an arm around their neck, a common reaction on their part is to grab your arm and pull it down. If you respond by pulling up, they will pull down even harder. This means that if you time it right, you can suddenly switch direction, shoving their arms down right when they're pulling, then bringing your other arm across their suddenly undefended neck.
You can also just hold their wrist momentarily with your hand, although that does mean you are still going one arm against one arm, rather than the preferable two arms against one. Then again, if you have already trapped their arm on the neck-arm side, then you can use your hand under their armpit to hold their remaining arm. That would mean you now have one arm with which to attack, while they have no limbs left to defend themselves.
Another problem is that people will also tend to tuck their chin. Some people advocate unpleasant methods to force your way through to the neck in that situation. For example, Kesting has a list here: the results of that kind of approach (though Kesting does make a point of saying he is not fond of pain-based options either) can be seen in this video. That is not how I want my jiu jitsu to look.


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Austrian-Italian architect, designer and photographer
Ettore Sottsass is an Austrian-Italian architect, designer and photographer. He is known world-wide by his object Valentine, a red, easily portable typewriter made of plastic and as a member of the group Memphis. With his design, he opposes the modernist dictatorship of modernity for more emotion and less practicality.
In 1935 he began his studies and received his diploma at the Polytechnic of Turin. As a soldier of the Italian army, he spends most of the Second World War in a Yugoslav concentration camp. After the war, he first worked in his father's office and became artistic director of Poltronova in 1957. In 1968 he made a breakthrough with his travel-writing machine Valentine for the manufacturer Olivetti. His colorful typewriter contradicts the usual cold office accessories and acts like a toy for intellectuals.
In the 1960s he was inspired mainly by the colorful colors of India and the pop art scene.
The Micky Mouse table for BBB Bonacchina (1972) and the yellow secretary chair for Olivetti (1973), like his typewriter, are a playful departure from the classic design. In 1980 he founded his own company, the Ettore Sottsass Associati and in 1981 the Memphis Group. This was a grouping of designers and architects who combined emotional and postmodern design in their designs.
From 1985 he turned back to architecture and died at the age of 90.
Frank Landau
selected design objects & fine art
Braubachstrasse 9
60311 Frankfurt / Main
Dieselstrasse 30 - 40
info@franklandau.com


Сте́лла Па́трик Кэ́мпбелл — английская актриса, известная исполнением ролей в пьесах Уильяма Шекспира, Бернарда Шоу, Артура Пинеро, Мориса Метерлинка, Генрика Ибсена и др. Героиня пьесы «Милый лжец».
Reply to a young actress who asserted that an older actor in a production showed too much affection for the leading man (c. 1910); as reported by Alan Dent in Mrs. Patrick Campbell, p. 78 (1961). Variants: "My dear, I don't care what they do, so long as they don't do it in the street and frighten the horses." "I don't mind where people make love, so long as they don't do it in the street and frighten the horses." "It doesn't make any difference what you do in the bedroom as long as you don't do it in the street and frighten the horses." "Does it really matter what these affectionate people do, so long as they don't do it on the street and frighten the horses?" On the internet, a similar comment regarding politicians has been widely attributed to Victor Hugo, but without any definite sources. It appears to be a modern satirical invention, derived from Mrs. Campbell's statements.


1 MASAR RD - "TO THE VICTOR BELONG THE SPOILS" Located 820 ft. above sea level & standing over 15,000 sq. ft., this is your moment. Built in 09 on the best grounds in Morris County. The homeowner worked w/ Volker Architects to create an estate w/out compromise. Through the front gate & down the serpentine drive reveals view of Lk. Valhalla at your feet & iconic NYC skyline view on the horizon.Dramatic Porte-cochere is meant to welcome & set expectations. 4 story curved stairway w/ massive stone chimney set inside & capped by "crows nest" observatory.Massive 4 story great rm, huge gourmet kitch,1st flr MB w/ lavish bath,mirrored above by 2nd MB suite.Glass elevator w/ views of NYC. Lower level w/ indoor pool spa,sauna, gaming & music area, 2nd lower level kitch. Estate proves you can truly have everything.


Since I don't get to the cinema to see new releases that often anymore, this is my new weekly feature reviewing the latest releases on Sky Cinema Premiere (and in turn, Now TV). I will write a short review and rating for each of the films that I have watched and then give you the details for the ones that I didn't get a chance to see.
Sky Cinema Premiere add a new film onto their channel every single day. This week's feature sees the release of Anything, L'Amant Double, Fever, Electric Love, Life of the Party, The Little Vampire, and Bad Samaritan. Let's have a look and see what's worth watching this week.
This week's feature sees the release of Mad To Be Normal, Dark River, Iceman, Frat Pack, Book Club, The Negotiator, and Shock and Awe.
This week's feature sees the release of Future World, Beast of Burden, The Elephant and the Butterfly, The Toybox, Love Simon, Lego DC Super Hero Girls: Super-Villain High, and Breaking In.
This week's feature sees the release of The Last Movie Star, Higher Power, Zama, I See You, A Quiet Place, Isle of Dogs, and The Leisure Seeker.
This week's feature sees the release of Breaking Brooklyn, The Last Witness, Jeune Femme, A Crooked Somebody, Solo: A Star Wars Story, The Wedding Guest, and Unsane.
This week's feature sees the release of An Actor Prepares, 2036 Origin Unknown, Mario, Freak Show, Red Sparrow, A Wizard's Tale, and The Senator.
This week's feature sees the release of Tully, Pacific Rim: Uprising, I Got Life!, Wildling, Life Itself, Truth or Date, and 10×10.
This week's feature sees the release of Peter Rabbit, Avengers: Infinity War, Rampage, Thoroughbreds, A Wrinkle In Time, Ferdinand, and Proud Mary.
This week's feature sees the release of How To Get Girls, Christmas On Holly Lane, Beauty And The Beast, Coming Home For Christmas, Ready Player One, Blockers, and Mary Magdalene.


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Italian radio show celebrates 50 years
The Italian radio program Melodie E Ricordi WNTY 990 am celebrated its 50th anniversary with over 400 guests at Aria Banquet Facility in Prospect. The night was a great celebration which included the town of Southington surprising WNTY with an official proclamation and citation, recognition plaques were presented to past and present radio personalities of the program, a traditional folk dance from the Sorelle D'Italia in America was performed, and there was also a performance from the singer Mauro Nardi from Italy.
Rocco Cipriano of Watertown has been the director of Melodie E Ricordi since 2000 and spent over a year planning this event. The night honored Melodie E Ricordi's commitment to the Italian heritage, the Italian-American community, and the Italian music that lives in their hearts.
SOURCE: https://community.rep-am.com
TAG : Connecticut Music Radio
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Tuesday, April 14 - 6.30 pm EDTSt. James Church Rocky Hill - 767 Elm St, Rocky Hill,...
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For the final performance of his spring solo tour, Italian classical guitarist Roberto Fab...
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Il mondo di Luciano Pavarotti e la sua grande carriera di cantante lirico rivivranno il 23...


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Reviled and Revered
The Election at the Edge of the Universe
By John Barrette
Read more about Native American spirituality or Learn more about astrophysics.
Nevada may become the center of the known electoral universe this year, or my prognosticating tools are even more atrophied than they appear at first glance.
At first glance, they look anemic. Some time back, I said state Sen. Mark Amodei of Carson City had a shot at winning the Republican nomination for U.S. Senate and unseating four-term Nevada Sen. Harry Reid. Amodei raised little money, couldn't dent the polls sufficiently and withdrew without filing.
Now it appears we have a GOP primary race mainly featuring four among the 13 who filed as Republicans for the nod to tilt against the incumbent Democrat and Senate majority leader. Atop GOP polls are Sue Lowden and Danny Tarkanian; heading the next tier are Sharron Angle and John Chachas.
Once again, I'll push a long shot by backing Chachas despite apparent handicaps.
Chachas is too articulate, like Amodei; it's not much help in an off-year primary in which few but the already and intensely committed pay attention. Despite being a Nevada native, Chachas spent adult years elsewhere as an investment banker type.
Lowden, formerly a beauty queen and TV newscaster, is in the casino business with her husband and previously was a state senator. Angle is a former state assemblywoman. Tarkanian, once a basketball star, is a real estate businessman.
Lowden, Angle and Tarkanian were born elsewhere but spent much of their adult lives in Nevada.
Reid, born a Nevadan but gone native in D.C., makes me, a transplanted conservative and Republican, yearn for the days of Tom Daschle, the South Dakotan who led Senate Democrats before losing and giving us a reading on Reid's liberal leadership style.
Ah, yes, South Dakota.
I have often climbed the Native American spiritual center of the universe named Harney Peak, also known as Okawita Paha or Opahata by indigenous tribes. Those names, which mean gathering place, designate the peak and surrounding Black Hills.
Black Elk, a Sioux medicine man, had a vision on the peak and saw that it placed him at the center of everything.
It is in this sense that I label Nevada the center of the electoral universe, the center of everything in 2010. Reid's heavy lift re-election effort—he lags in early match-up polls—will get much national media attention.
Like Black Elk, however, I view being at the center of everything more broadly that being at the center of the physical universe. A medicine man also sees it as spiritual; I see it as intellectural, psychological, political, societal, even electoral.
Nevada is central because it can help spur a resurgence of sanity in party politics. Voters can boot Reid in November and Gov. Jim Gibbons in June, jettisoning a liberal agenda pusher in Reid and boosting a future national figure for the GOP.
Gibbons, a Republican millstone, seeks another term but his main GOP challenger is Brian Sandoval, a Hispanic who formerly served as a federal judge. Sandoval's credentials are real; he would burst on the national scene by beating Gibbons and then Democrat Rory Reid, son of Harry and a Clark County politico in his own right.
If voters throw in a Nevada GOP legislative resurgence just in time for redistricting after the 2010 census, a return to checks-and-balances will be at hand in my universe.
Remember, though, this center of the universe stuff is relative.
Physicists tell us that after the Big Bang, universe(s) keep expanding, and so all that is speeds away from us. It appears we're at the center, but in reality we're just growing more distant from everything else. Far out. Much like our politics of late.
Anyway, at least I won't have to go climb Harney Peak another time to center myself.
More Opinions » Reviled and Revered
Sage advice from the past
Reformers rarely reform anything.
We're governed by conservatives (NOT)
Wouldn't it be great if people who claim to be conservatives knew what the word meant?
A gale of a tale
Everything that's born dies.
A little Kool-Aid to quench the thirst?
The Democrats' hypocrisy makes for some tasty column fodder.
The stuff of tragedy
Is it drama or melodrama?


Open new doors, increase your property value, and bring AHQ to you.
Avenue HQ transforms properties. We enhance their value by creating environments that appeal to all kinds of businesses – from startups and SMEs to international brands like Barclays. Our bars and coffeeshops also add a new vibe to whichever city they're in. By bringing us into your buildings, we would not only create new communities, but also new opportunities.
Our first site is situated on the city's historic waterfront. We opened in 2017, and we're now home to nearly two hundred businesses, as well as a cutting-edge Barclays Eagle Lab.
Our new Leeds site is in a Grade II-listed building. Since opening in October 2018, nearly eighty businesses have chosen to relocate there, and Barclays have taken a whole floor.
Our second Liverpool site – located in a Grade A office building in the heart of the commercial district – will open in early 2019. It will offer over 20 private offices, over one hundred co-working spaces, as well as a great events space.
Not only can we bring our award-winning workspaces to your building, but as part of The Avenue Group, we can open quality hospitality venues, such as those seen below.
Our trademark cafè provides great coffee and snacks to all the businesses in our Waterfront site, as well as to local residents.
Soon after opening, our Leeds bar was already making an impact on the city's already-bustling hospitality scene.
SPS will offer quality food and drink – as well as an all-round chilled atmosphere – to everyone who works in the Liverpool Commercial District.
Avenue HQ takes iconic buildings and constructs within them engines for growth.
We're careful about choosing where we go.
Key cities throughout the UK and Ireland.
Around 30,000 to 60,000 sqft.
Retail or restaurant area, with a business focus.
Get in touch with us via the contact form, to find out how you could be a part of the Avenue HQ journey.


My customer does not have a street address so what do I set as the ship to?
You can put "general delivery" where you would usually put the address. Then with the rest put in city, zip, and country as normal.
If you do not have a city on file then go to your admin console Tools> basic tax calculator. There you can put in the zip code and country as well as "General Delivery" and then validate and it will populate a city field for you.
What do the Gray lines mean on the Tax codes list?


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Hougang's Hui off to a dream start
Hougang United midfielder Justin Hui, a nominee for the 2015 and 2016 The New Paper-Dollah Kassim award, scored the winning goal against the Garena Young Lions on Tuesday. PHOTO: COURTESY OF S.LEAGUE
Sazali Abdul Aziz
Sports Correspondent
Justin Hui's year just keeps getting better.
In May, the 19-year-old scored a hat-trick in the National Schools A Division boys' football final to help Meridian Junior College seal a historic fourth consecutive title.
On Tuesday night, the Hougang United midfielder made his first start in the Great Eastern-Hyundai S.League, and scored the only goal of the match.
What made the strike even more special was that it came against his former team, the Garena Young Lions.
Hui, who is registered as a Prime League (Under-21 reserve league) player for Hougang, was over the moon with his performance.
The 2015 and 2016 The New Paper-Dollah Kassim award nominee told The New Paper yesterday: "I'm still feeling very, very happy.
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Gombak, Tanjong Pagar apply to rejoin S.League in 2019
DPMM release Kean and imports
Albirex hungry for more after defending S.League title
"As a central midfielder, I hardly score. To do so in my first start in the S.League is a great feeling.
"I had trouble falling asleep last night, and eventually only slept at 2am.
"I had a lot of messages, people congratulating me and stuff... and I've kept watching the video of my goal again and again.
"I've watched it so many times I've lost count."
Hui made his S.League debut last September, coming on as a substitute for the Young Lions against Brunei DPMM.
Before Tuesday's game, he had made three S.League appearances for Hougang as a substitute, and started an RHB Singapore Cup fixture against Cambodian side Nagaworld in August.
Hougang coach Philippe Aw was delighted for his young charge, but warned it is only the beginning.
"I'm happy for the young boy," said the 39-year-old coach.
"More than the goal, last night he worked hard for the team and was not overawed by the occasion.
"He has displayed a good attitude and worked hard the whole season, and his performance was a good signal to the other young players in Hougang that if they also do the same, they will get their chance.
"But (Hui) still has a long way to get to the top.
"Scoring a goal against the Young Lions, a team of players his age, is nothing. He needs to consistently perform against older players.
"But if he keeps his head (level) and feet firmly on the ground, I think the boy can go far."
Aw said he has not finalised his squad for 2018 because of uncertainty over S.League clubs' funding for next year, but said he was keen to keep Hui under his wing.
The youngster is also looking ahead to next year already.
"There are three more S.League games this season, and I'll respect what the coach decides to do and who he decides to play," said Hui.
"But, at the moment, my focus is already on preparing for next season. The plan is to stay (at Hougang) and continue my development." - SAZALI ABDUL AZIZ
OTHER FIXTURES
Geylang v DPMM (Jln Besar Stadium)
Warriors v Home (CCK Stadium)
Tampines Rovers v Young Lions (Our Tampines Hub)
*All games at 7.30pm
s.leagueHOUGANG UNITEDYoung Lions
msazali@sph.com.sg
@SazaliAbdulAziz
Read articles by Sazali Abdul Aziz


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HomeNewsClose encounter with Tuku slated for The Mannenberg
Close encounter with Tuku slated for The Mannenberg
Master musician Oliver Mtukudzi will return to The Mannenberg stage in Harare on February 3, for a rare acoustic performance.
According to Pamberi Trust, Oliver's acoustic performance will bring him into close proximity with his audience which is often distanced in a big stage set-up.
This is a new concept to satisfy the demands of his fans in the capital.
"This show is the people's chance to catch the finer nuances of Tuku's performance, a close-up on guitar work, a shrug of the shoulder, a laugh, a wink of the eye. It will also give them a chance to get up close and personal with him before he heads off on various international tours this year," read the statement from Pamberi Arts.
Up-and-coming young artists John Pfumojena (vocals, mbira) and Ishe Jere (keyboard) will pave the way for Tuku as curtain raisers on the night of the event.
These artists are gifted young men who are following in the footsteps of Tuku and other acclaimed artists of Zimbabwe, with a passion for their music and the ability to deliver.
"The opportunity for them to perform on the Mannenberg stage is a chance for them to be exposed to a wider audience, and another step up on the ladder to recognition and acclaim," read the statement.
Mtukudzi supports the development of young Zimbabwean artists through the Pakare Paye Arts Centre in Norton and general encouragement of all artists, by willingly sharing his space with them.
On the day of the event, doors will be opened from 8pm with limited seating areas and a cover charge of $20 will be charged.
Previous articleBasel II Accord way to go for banks
Next articleBig Nuz rips off Zim fans


Spray a pan with oil and set over a medium heat. Add spring onions, garlic and ginger and stir-fry for 1-2 minutes. Add curry powder and stir to coat.
Add broccoli and courgettes and cook, stirring, for 4-5 minutes. Add Beef Free Chunks, soy sauce and 1 cup water. Bring to a simmer and cook gently for 3-4 minutes, letting liquid reduce slightly. Add spinach and chilli.
Prepare rice according to packet instructions. Divide rice and curry between 4 serving bowls. Garnish with coriander, kaffir lime leaves and extra chilli, if desired.


Last weekend, I was fortunate enough to attend a photography workshop taught by food photographer Melissa Skorpil. I first met her at the Austin Food Blogger Association's Photography Camp last September.
While I'm pretty good at taking photos of dogs, cats, bugs, and flowers, I found food photography pretty darned complicated.
I was so impressed that I was eager to learn more. Melissa teaches a course, The Art of Food Photography, at Precision Camera & Video's Photography University. So the first chance I got, I signed up.
The class is divided into two sections. The first section is lecture-based. Melissa goes through the basics, including camera settings and equipment needed. The second part is all about hands-on shooting. Working with awesome food stylist and blogger Kristina Nichols-Wolter of Girl Gone Grits, she set up three stations. After each of us took a turn photographing the foods, they set up three more stations.
As with any equipment-heavy hobby, hands-on is so valuable, because you learn what your equipment can do and what you can do with it. Melissa was with us at every step, showing us how to get the best pictures and how to alter our camera settings and the lighting to get different kinds of shots.


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Q: Timeline, using css and bootstrap 3 I created a timeline using bootstrap and css, but on the last point I don't want the timeline to continue but the line is appearing. could someone show me how I can get rid of it please? Thanks

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.timeline:before {
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.timeline>li {
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.timeline>li:before,
.timeline>li:after {
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}

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Our journey to sucsses with your business.

Th power of social media

Imagine the ability for your business to take on a personality of its own, actually talking and engaging with people, even making them laugh. Imagine your business identifying its own opportunities, increasing sales and building relationships with 1000's of potential customers. Done correctly, that's exactly what Social Media Marketing provides. People buy off people and Social Media is the perfect way to huminise your brand, gain exposure like never before perfect way to huminise your brand, gain exposure like never before and target the right adverts, to the right people, at the right time, in a way they will literally "like". There are several components needed for your business to go from A to B and maximise its efforts when using Social Media as a marketing vessal… This document will highlight the journey and explain how Ice7Media can offer the shortest route to Social Media Marketing success.

getting ready for take off: The Set-up

Each Social Media Platform is different… they look different and the operate differently. The "7" in Ice7Media comes from the fact that we concentrate on the top seven Social Media Platforms. That's seven business profiles that need to be set up correctly, branded correctly and structured to provide a consistent brand image. Ice7Media's first port of call is to collect, claim, set up and consolidate your businesses  Social Media personas. We completely consolidate your businesses  Social Media personas. We completely brand each "profile" with custom design work and ensure that everything is correct and pointing in the right digital direction within each platform. Many business have already entered the Social Media arena but it is extremely rare for all seven profiles to be completed in full and working in tandem. Once these foundations have been laid, your business is ready to start broadcasting

Cruise Control

Good, consistent content is critical for social media success… your audience needs to connect with your brand and find your social streams entertaining. It is also crucial to not over sell your product or service, or post too many times and spam your audience. Ice7Media provide daily content for over 70  businesses and have a dedicated team working hard to ensure that your business has always got something good to say. By managing your social streams correctly your adverts and sales messages will be naturally boosted because your audience will already be  sales messages will be naturally boosted because your audience will already be engaging with your brand and liking your content. This enables your business to reach far and wide and gain exposure to 1000's of potential customers.

Firing your guns!

As soon as you join a social media site they start to build a picture of who you are… Age, sex, location, interests, hobbies, and frequently visited places… everything you do is logged to create an accurate profile of who you are. For a fee, you can access this information and use it to advertise your product or service to your perfect target audience. Ice7Media develop highly engaging adverts and then target them to a selected audience that match the brands "perfect customer profile". If your product or service is ideal for women, aged 25 - 35, who like dining out, If your product or service is ideal for women, aged 25 - 35, who like dining out, and live within 5 miles of your postcode… Ice7Media can create an advert that will only be seen by people that match this criteria, furthermore, Ice7Media will structure the advert to literally stand out in a very welcome way that the potential client will find difficult to ignore. Social Media Advertising, done correctly, is a very powerful tool that can offer your business a fantastic R.O.I

Mission control: Ice7Media

 Ice7Media operate Social Media Marketing campaigns for over 70 business and have the expertise needed to ensure that your business can simply sit back and relax, and have the expertise needed to ensure that your business can simply sit back and relax, safe in the knowledge that your social media activity is working in tandem with your business's goals.

Thanks in advance
Tom

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text:
La linea aerea di contatto o linea aerea di presa è un sistema usato per trasmettere l'energia elettrica a tram, filoveicoli e treni, anche a distanza dai punti di generazione elettrica.

Il mezzo di trasporto, spostandosi, sposta il punto di presa dalla linea, mentre l'energia è prelevata da un conduttore collocato in posizione fissa presso il percorso del mezzo, in questo caso al di sopra del mezzo stesso. La linea è alimentata, tramite le sottostazioni, da connessioni alla rete di distribuzione, connessa a sua volta ad un sistema di generazione elettrica.

Generalità
I mezzi di trasporto pubblico elettrici (per esempio tram e treni) che si alimentano tramite le linee aeree utilizzano un dispositivo tra i seguenti: archetto tranviario, trolley a stanga rigida o pantografo. La corrente viene prelevata dalla linea aerea, viene utilizzata dal mezzo e "ritorna" al sistema di generazione, chiudendo il circuito, in genere attraverso le rotaie di corsa del mezzo stesso. Nel caso di mezzo senza rotaie metalliche, cioè su gomma come nel caso del filoveicolo, il ritorno avviene invece con un secondo filo: in tal caso la doppia linea aerea è nota come bifilare.

La trasmissione con linea aerea di contatto (sopratesta) è stata la evoluzione finale del sistema di erogazione elettrica di energia ai mezzi di trasporto, con generazione fissa esterna al mezzo.

Un sistema di origine con terza rotaia poneva indubbi problemi di sicurezza; la terza rotaia, sollevata di qualche centimetro dal suolo ed appoggiata su isolatori sulla quale scorrono i pattini di presa, era relativamente economica, ma pericolosa e complessa, soprattutto nei passaggi a livello.

Le linee ferroviarie italiane adottano due tipi di elettrificazione, con poche eccezioni su alcune ferrovie:
 sulle linee tradizionali la tensione erogata è di 3 kV a corrente continua; questo standard viene utilizzato anche in altri paesi europei, ma è ormai ritenuto insufficiente per le moderne linee ad alta velocità;
 sulle linee ad alta velocità viene erogata una tensione di 25 kV a corrente alternata a frequenza di 50 Hz; questo si avvia ad essere lo standard nell'Unione Europea.

Struttura costruttiva

Per permettere un contatto continuo ottimale, anche con elevate velocità del mezzo, occorre che il filo segua il percorso del mezzo stesso ed abbia una distanza abbastanza uniforme dal livello delle rotaie; questo è tanto più importante quanto più è veloce il mezzo, dato che altrimenti le variazioni di livello del filo potrebbero far staccare il pattino di presa ed interrompere pericolosamente l'alimentazione.

Di norma quindi per i treni si adotta, sovrapposto al filo "di contatto" un altro filo, detto "catenaria" (il cui nome deriva dalla omonima curva geometrica), dal quale a brevi intervalli scendono dei fili verticali, detti "pendini", che sono accuratamente previsti in lunghezza per fare in modo che i fili di contatto si trovino sempre alla stessa altezza.

Il collegamento tra fili di contatto e catenarie permettono, tra l'altro, di avere una maggiore sezione di passaggio della corrente di alimentazione che scorre nei fili (ci sono più fili che conducono la corrente).

Il filo di contatto, tra un pendino ed un altro, tende comunque a piegarsi verso il basso a causa del proprio peso, ma per effetto del breve tratto tra un pendino ed un altro e dalla tensione meccanica del filo stesso, la curvatura è molto limitata e non compromette il contatto tra il filo ed il collettore del mezzo.

La linea aerea è suddivisa in tratti piuttosto brevi al fine di regolare la tensione del filo con pesi e carrucole, e limitare le oscillazioni (prodotte tra filo e pattino di presa in movimento, soprattutto ad alta velocità) che potrebbero interrompere il contatto elettrico tra le parti e danneggiarle.

Per ridurre le oscillazioni, che possono essere causate anche dal vento, si possono utilizzare dei mass damper opportunamente posizionati sulle linee di sostegno, non su quelle alimentate, per "assorbire" oscillazioni a specifiche frequenze.

Il filo di contatto, in caso a presa a pattino piatto del pantografo, non è mai collocato in direzione perfettamente parallela alla rotaia, ma è leggermente spostato, ad ogni attacco, un po' da un lato e un po' dall'altro, alternativamente.
Se il filo fosse perfettamente lineare, il contatto del filo con il pattino avverrebbe sempre nello stesso punto, provocando una rapida usura localizzata del pattino stesso. Con la disposizione a zig-zag si ha lo scorrimento su tutta la superficie del pattino, riducendo il riscaldamento e l'usura.

La disposizione a zig-zag nei treni non è realizzata con sistemi di aste di captazione a guscio (come nei filobus) o a rotella, in cui il punto di contatto è obbligato dalla forma stessa del sistema di captazione: d'altra parte tali sistemi di captazione sono previsti per mezzi operanti a velocità medio-basse.

Altezza della linea di contatto
L'altezza della linea di contatto è oggetto di un compromesso relativo limitazione dei costi nella costruzione dell'infrastruttura di trasporto su rotaia, in quanto la linea più alta indurrebbe costruzione di pali più alti per il sostegno dei fili, ma anche gallerie di maggiori dimensioni o ponti di sovrappasso della ferrovia più alti; d'altra parte fili più bassi limitano l'altezza dei mezzi stradali che possono transitare ai passaggi a livello. Attualmente vi è la tendenza ad eliminare i passaggi a livello, sostituendoli con sottopassaggi o sovrappassaggi, che elimina il rischio di pericolose collisioni dei mezzi stradali con la linea aerea di contatto (oltre alla necessità per i mezzi stradali di sostare per attendere il transito di quelli su rotaia).

Allo scopo evitare eccessivi dimensionamenti della linea aerea di contatto, essa è suddivisa in tratte; ogni tratta è separatamente alimentata da un sistema di alimentazione esterno, spesso realizzato da una normale linea elettrica di trasmissione ad alta tensione; i punti di alimentazione della linea aerea di contatto sono equipaggiati di stazioni di trasformazione, che provvedono a trasformare la corrente ad alta tensione in quella necessaria al sistema di trazione, modificando tensione e tipologia di corrente.

Galleria d'immagini

Bibliografia

 Enrico Bianco, Direttissima Roma-Firenze. Gli impianti di trazione elettrica. Le attrezzature di sostegno, in Ingegneria Ferroviaria, 33 (1978), n. 1, pp. 75–82.
 Mario Comolo, Direttissima Roma-Firenze. Gli impianti di trazione elettrica. Modalità costruttive, in Ingegneria Ferroviaria, 33 (1978), n. 1, pp. 83–89.
 Guido Corbellini, 1905-1955. Il Cinquantenario delle Ferrovie dello Stato, Roma, Collegio Ingegneri Ferroviari Italiani-Ponte San Nicolò, Duegi, 2005, ISBN 88-900979-0-6.
 Alfredo D'Arbela, La locomotiva elettrica, in Ingegneria Ferroviaria, 16 (1961), n. 7-8, pp. 715-729.
 Alberto De Santis, Trecentomila pali reggono la linea aerea FS, in I Treni Oggi, 3 (1982), n. 23, pp. 12-20.
 Gruppo Savona E 431, Geometrie del trifase, in Tutto treno, 24 (2011), n. 256, pp. 28–41.
 Giuseppe Guidi Buffarini, L'elettrificazione ferroviaria in Italia ha compiuto 100 anni, in Ingegneria Ferroviaria, 58 (2003), n. 9, pp. 791-818.
 Lucio Mayer, Impianti ferroviari. Tecnica ed esercizio, 3ª ed. a cura di Pier Luigi Guida ed Eugenio Milizia, Roma, Collegio Ingegneri Ferroviari Italiani, 2003.
 Luigi Prosperi, L'elettrificazione in Italia, in Ingegneria Ferroviaria, 16 (1961), n. 7-8, pp. 699-714.
 Roberto Rolle, Impianti elettrici FS: facciamo il punto, in Tutto treno, 11 (1998), n. 109, pp. 19–23.
 Roberto Rolle, Impianti elettrici FS: facciamo il punto, in Tutto treno, 11 (1998), n. 110, pp. 14–18.
 Maurizio Severino, Evoluzione della linea di contatto in corrente continua, in La tecnica professionale, n. s. 15 (2008), n. 12, pp. 5–18.

Voci correlate
Archetto tranviario
Bifilare
Pantografo (trasporti)
Trolley a stanga

Altri progetti

Infrastrutture ferroviarie

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