text:
package org.xclcharts.renderer.axis;

import java.util.ArrayList;
import java.util.List;

import org.xclcharts.common.DrawHelper;
import org.xclcharts.common.MathHelper;
import org.xclcharts.renderer.XEnum;

import android.graphics.Canvas;
import android.graphics.Paint.Align;
import android.graphics.PointF;
import android.util.Log;

/**
 * @ClassName RoundAxisRender
 * @Description  仪表盘绘制类
 * @author XiongChuanLiang<br/>(xcl_168@aliyun.com)
 *
 */

public class RoundAxisRender extends RoundAxis{

	private static final String TAG="RoundAxisRender";

	private XEnum.Location mLocation = XEnum.Location.BOTTOM;
	//线的风格(点或线之类)
	//private XEnum.LineStyle mLineStyle = XEnum.LineStyle.SOLID;
	//设置线箭头 (三角,方形,棱形....)
	//private XEnum.DotStyle mLineCap = XEnum.DotStyle.HIDE;

	public RoundAxisRender()
	{
	}

	public void setAxisPercentage(List<Float> angle)
	  {
		  if(null != mPercentage) mPercentage.clear();
		  if(null == mPercentage) mPercentage = new ArrayList<Float>();

		  mPercentage = angle;
	  }

	  public void setAxisColor(List<Integer> color)
	  {
		  if(null != mColor) mColor.clear();
		  if(null == mColor) mColor = new ArrayList<Integer>();

		  mColor = color;
	  }

	  public void setAxisLabels(List<String> labels)
	  {
		  if(null != mLabels) mLabels.clear();
		  if(null == mLabels) mLabels = new ArrayList<String>();

		  mLabels = labels;
	  }

	  public void setLineAxisLocation( XEnum.Location location)
	  {
		  mLocation = location;
	  }

	  /**
	   * 绘制标签环形轴标签
	   * @param canvas	画布
	   * @param labels	标签集合
	   * @return	是否绘制成功
	   */
	public boolean renderTicks(Canvas canvas,List<String> labels)
	{
		  	float cirX = mCirX;
			float cirY = mCirY;
			int count = labels.size();
			float stepsAngle = 0;
			if(Float.compare(mTotalAngle, 360f) == 0)
			{
				stepsAngle =  MathHelper.getInstance().div(mTotalAngle ,count  ) ;
			}else{
				stepsAngle =  MathHelper.getInstance().div(mTotalAngle ,count -1 ) ;
			}
			float innerRadius1 = mRadius ;
			float tickRadius = 0.0f,detailRadius  = 0.0f;

			if( XEnum.RoundTickAxisType.INNER_TICKAXIS == mRoundTickAxisType)
			{
				tickRadius = mRadius * 0.95f;
				detailRadius = tickRadius;

				//有启用主明细步长设置 (inner)
				if(1 < mDetailModeSteps)
					tickRadius = tickRadius  - mRadius * 0.05f;

			}else{
				tickRadius = mRadius + mRadius * 0.05f;
				detailRadius = tickRadius;
				if(1 < mDetailModeSteps)
					tickRadius = mRadius + mRadius * 0.08f;
			}

			int steps = mDetailModeSteps;
			float Angle = 0.0f;
			float tickMarkWidth = getTickMarksPaint().getStrokeWidth();

			float stopX = 0.0f,stopY = 0.0f;
			float labelX = 0.0f,labelY = 0.0f;
			float startX = 0.0f,startY = 0.0f;

			for(int i=0;i<count;i++)
			{
					if(0 == i)
					{
						Angle = mInitAngle;
					}else{
						//Angle =  MathHelper.getInstance().add(Angle,stepsAngle);
						Angle = MathHelper.getInstance().add(mInitAngle, i * stepsAngle);
					}

					MathHelper.getInstance().calcArcEndPointXY(cirX, cirY, innerRadius1, Angle);
					startX = MathHelper.getInstance().getPosX();
					startY = MathHelper.getInstance().getPosY();

					stopX = stopY = 0.0f;
					labelX = labelY = 0.0f;

					MathHelper.getInstance().calcArcEndPointXY(cirX, cirY,tickRadius, Angle);
					labelX = MathHelper.getInstance().getPosX();
					labelY = MathHelper.getInstance().getPosY();

					if(steps == mDetailModeSteps )
					{
						stopX = labelX;
						stopY = labelY;
						steps = 0;
					}else{
						MathHelper.getInstance().calcArcEndPointXY(cirX, cirY, detailRadius , Angle);
						stopX = MathHelper.getInstance().getPosX();
						stopY = MathHelper.getInstance().getPosY();

						steps++;
					}

					if (isShowTickMarks())
					{
						if(0 == steps && mLongTickfakeBold )
						{
							getTickMarksPaint().setStrokeWidth( tickMarkWidth + 1);
						}else{
							if(mLongTickfakeBold)getTickMarksPaint().setStrokeWidth(tickMarkWidth);
						}
						canvas.drawLine(startX, startY, stopX, stopY, getTickMarksPaint());
					}

					if (isShowAxisLabels())
					{
						//回调函数定制化标签显示格式
						 String label = getFormatterLabel(labels.get(i));
						 PointF pLabel = getLabelXY(label,labelX,labelY,cirX,cirY,mTotalAngle,Angle);

						 //标签显示
						 DrawHelper.getInstance().drawRotateText(label,pLabel.x , pLabel.y,
												getTickLabelRotateAngle(), canvas, getTickLabelPaint());
					}

			} //end for
			return true;
	 	}

		 //得到标签显示位置
		 private PointF getLabelXY(String label,float defLabelX,float defLabelY,
				 					float cirX,float cirY,float totalAngle,float Angle)
		 {
			 PointF pLabel = new PointF(defLabelX,defLabelY);
			 float labelWidth =DrawHelper.getInstance().getTextWidth(getTickLabelPaint(), label);
			 float labelHeight = DrawHelper.getInstance().getPaintFontHeight(getTickLabelPaint());

			 getTickLabelPaint().setTextAlign(Align.CENTER);

			 if( XEnum.RoundTickAxisType.INNER_TICKAXIS == mRoundTickAxisType)
			 {
				 if(Float.compare(pLabel.y, cirY) == 0)
				 {
					 if(Float.compare(pLabel.x , cirX) == -1 )
					 {
						 pLabel.x +=  labelWidth/2 ;
					 }else{
						 pLabel.x -=  labelWidth/2 ;
					 }
				 }else if(Float.compare(pLabel.x, cirX) == 0){
					 if(Float.compare(pLabel.y , cirY) == -1 )
					 {
						 pLabel.y += labelHeight/2 ;
					 }else{
						 pLabel.y -=  labelHeight/2 ;
					 }

				 }else if(Float.compare(totalAngle, Angle) == 0 ){
					 pLabel.y += labelHeight ;
				 }else if(Float.compare(pLabel.x, cirX) == 1 ){
					 if(Float.compare(totalAngle, 360f) == 0)
					 {
						 getTickLabelPaint().setTextAlign(Align.RIGHT);
					 }else{
						 pLabel.x -=  labelWidth/2 ;
					 }

				 }else if(Float.compare(pLabel.x, cirX) == -1 ){
					 if(Float.compare(totalAngle, 360f) == 0)
					 {
						 getTickLabelPaint().setTextAlign(Align.LEFT);
					 }else{
						 pLabel.x +=  labelWidth/2 ;
					 }
				 }
			 }else{
				 if(Float.compare(pLabel.y, cirY) == 0)
				 {
					 if(Float.compare(pLabel.x , cirX) == -1 )
					 {
						 pLabel.x -=  labelWidth/2 ;
					 }else{
						 pLabel.x +=  labelWidth/2 ;
					 }
				 }else if(Float.compare(pLabel.x, cirX) == 0){
					 if(Float.compare(pLabel.y , cirY) == -1 )
					 {
						 pLabel.y -= labelHeight/2 ;
					 }else{
						 pLabel.y +=  labelHeight/2 ;
					 }
				 }else if(Float.compare(totalAngle, Angle) == 0 ){
					 pLabel.y -= labelHeight ;
				 }else if(Float.compare(pLabel.x, cirX) == 1 ){
					 if(Float.compare(totalAngle, 360f) == 0)
					 {
						 getTickLabelPaint().setTextAlign(Align.LEFT);
					 }else{
						 pLabel.x +=  labelWidth/2 ;
					 }
				 }else if(Float.compare(pLabel.x, cirX) == -1 ){
					 if(Float.compare(totalAngle, 360f) == 0)
					 {
						 getTickLabelPaint().setTextAlign(Align.RIGHT);
					 }else{
						 pLabel.x -=  labelWidth/2 ;
					 }
				 }

			 }
			 return pLabel;
		}

	 	//fillAxis
	/**
	 * 绘制填充环形轴
	 * @param canvas 画布
	 * @return 是否成功
	 * @throws Exception 例外
	 */
		public boolean renderFillAxis(Canvas canvas) throws Exception
		{
			if(isShow() && isShowAxisLine())
			{
				if(null != mColor)
					getFillAxisPaint().setColor(mColor.get(0));

				DrawHelper.getInstance().drawPercent(canvas, this.getFillAxisPaint(),
								mCirX, mCirY, mRadius, mInitAngle, mTotalAngle, true);
			}
			return true;
		}

		/**
		 * 绘制标签环形轴
		 * @param canvas
		 * @return
		 * @throws Exception
		 */
		public boolean renderTickAxis(Canvas canvas) throws Exception
		{
			if(!isShow()) return false;
			if(null == mLabels) return false;

			if(isShowAxisLine())
			{
				DrawHelper.getInstance().drawPathArc(canvas, this.getAxisPaint(),
								this.mCirX,this.mCirY,this.mRadius,this.mInitAngle, this.mTotalAngle);
			}

			return renderTicks(canvas,this.mLabels);
		}

		//arcline
		/**
		 * 绘制弧形环形轴
		 * @param canvas
		 * @return
		 * @throws Exception
		 */
		public boolean renderArcLineAxis(Canvas canvas) throws Exception
		{
			if(isShow() && isShowAxisLine())
			{
				DrawHelper.getInstance().drawPathArc(canvas, this.getAxisPaint()
								,mCirX, mCirY, mRadius,this.mInitAngle, this.mTotalAngle);
			}
			return true;
		}

		public boolean renderCircleAxis(Canvas canvas) throws Exception
		{
			if(isShow() && isShowAxisLine())
			{
				if(null != mColor)
					getAxisPaint().setColor(mColor.get(0));

				 canvas.drawCircle(mCirX, mCirY, mRadius,  this.getAxisPaint());
			}
			return true;
		}

		/**
		 * 绘制颜色块环形轴
		 * @param canvas 画布
		 * @return  结果
		 * @throws Exception 例外
		 */
		public boolean renderRingAxis(Canvas canvas) throws Exception
		{
			if(!isShow()|| !isShowAxisLine()) return true;

			if(null == mPercentage) return false;

			int angleCount = 0,colorCount = 0,labelsCount = 0;

			 angleCount = this.mPercentage.size();
			 if(null != mColor)colorCount = this.mColor.size();
			 if(null != mLabels)labelsCount = this.mLabels.size();

			float offsetAngle = this.mInitAngle;
			int currentColor = -1;
			String currentLabel = "";
			float sweepAngle = 0.0f;

			for(int i=0;i<angleCount;i++)
			{
				if(null != mColor && colorCount > i) currentColor = mColor.get(i);
				if(null != mLabels && labelsCount > i)currentLabel = mLabels.get(i);
				sweepAngle = MathHelper.getInstance().mul( mTotalAngle , mPercentage.get(i));

				renderPartitions(canvas,offsetAngle,sweepAngle,currentColor,currentLabel) ;
				offsetAngle = MathHelper.getInstance().add(offsetAngle, sweepAngle);
				currentColor = -1;
				currentLabel = "";
			}

			if(Float.compare(getRingInnerRadiusPercentage() , 0.0f) != 0
					&& Float.compare(getRingInnerRadiusPercentage() , 0.0f) == 1)
			{
				canvas.drawCircle(this.mCirX, mCirY,
									getRingInnerRadius(), this.getFillAxisPaint());
			}

			return true;
		}

		/**
		 * 绘制颜色轴
		 * @throws Exception
		 */
		private boolean renderPartitions(Canvas canvas,float startAngle,float sweepAngle,
														int color,String label) throws Exception
		{

			//if(color >= -1)
				getAxisPaint().setColor(color);

			 if(Float.compare(sweepAngle, 0.0f) < 0){
					Log.e(TAG,"负角度???!!!");
					return false;
			 }else if(Float.compare(sweepAngle, 0.0f) == 0){
				 	Log.w(TAG,"零角度???!!!");
					return true;
			 }

			DrawHelper.getInstance().drawPercent(canvas, this.getAxisPaint(),
					 						this.mCirX, this.mCirY,mRadius,
					 						startAngle, sweepAngle, true);

			if (isShowAxisLabels() && ""!= label)
			{
			 	float Angle = MathHelper.getInstance().add(startAngle , sweepAngle / 2) ;
			 	MathHelper.getInstance().calcArcEndPointXY(this.mCirX, this.mCirY,
			 														mRadius * 0.5f,Angle );

			 	float labelX = MathHelper.getInstance().getPosX();
			 	float labelY = MathHelper.getInstance().getPosY();

				//定制化显示格式	 Angle* -2
				DrawHelper.getInstance().drawRotateText(getFormatterLabel(label) ,labelX , labelY,
										getTickLabelRotateAngle(), canvas, getTickLabelPaint());
			}

			 return true;
		}

		/**
		 * 设置线的风格(点或线之类)
		 * @param style 线的风格
		 */
		/*
		public void setLineStyle(XEnum.LineStyle  style)
		{
			mLineStyle = style;
		}

		// 设置线箭头 (三角,方形,棱形....)
		public void setLineCap(XEnum.DotStyle style) {
			this.mLineCap = style;
		}
		*/

		/**
		 * 中心点的线轴
		 * @param canvas 画布
		 * @return	结果
		 * @throws Exception 例外
		 */
		public boolean renderLineAxis(Canvas canvas) throws Exception
		{
			 if(!isShow()|| !isShowAxisLine()) return true;
			 switch(mLocation)
			 {
			 case TOP:
				 canvas.drawLine(mCirX, mCirY, mCirX, mCirY - mRadius , this.getAxisPaint());
				 break;
			 case BOTTOM:
				 canvas.drawLine(mCirX, mCirY, mCirX, mCirY + mRadius , this.getAxisPaint());
				 break;
			 case LEFT:
				 canvas.drawLine(mCirX, mCirY, mCirX  - mRadius , mCirY , this.getAxisPaint());
				 break;
			 case RIGHT:
				 canvas.drawLine(mCirX, mCirY, mCirX + mRadius , mCirY , this.getAxisPaint());
				 break;
			 default:
				 return false;
			 }
			return true;
		}

		/**
		 * 圆心坐标
		 * @param x x坐标
		 * @param y	y坐标
		 */
		public void setCenterXY(float x,float y)
		{
			mCirX = x;
			mCirY = y;
		}

		/**
		 * Ploat范围半径
		 * @param radius
		 */
		public void setOrgRadius(float radius)
		{
			mOrgRadius = radius;
		}

		/**
		 * 指定角度及偏移
		 * @param totalAngle	总角度
		 * @param initAngle		偏移
		 */
		public void setAngleInfo(float totalAngle,float initAngle)
		{
			mTotalAngle = totalAngle;
			mInitAngle = initAngle;
		}

		/**
		 * 绘制图表
		 * @param canvas	画布
		 * @return	是否成功
		 * @throws Exception	例外
		 */
		public boolean render(Canvas canvas) throws Exception
		{
				boolean ret = false;

				mRadius = getOuterRadius();

				// TICKAXIS,RINGAXIS,LENAXIS
				 switch(getAxisType())
				 {
				 case TICKAXIS:
					 ret = renderTickAxis(canvas);
					 break;
				 case RINGAXIS:
					 ret = renderRingAxis(canvas);
					 break;
				 case ARCLINEAXIS:
					 ret = renderArcLineAxis(canvas);
					 break;
				 case FILLAXIS:
					 ret = renderFillAxis(canvas);
					 break;
				 case CIRCLEAXIS:
					 ret = renderCircleAxis(canvas);
					 break;
				 case LINEAXIS:
					 ret = renderLineAxis(canvas);
					 break;
				 default:
					 break;
				 }
			 return ret;
		}

}


As much as I am reluctant to say this but summer is drawing to an end. The only brightening thought that brings is getting together with much loved people for the party season so I am cheering myself up by planning new designs for winter weddings and party wear. This made me think about offering some inspiration from these previous custom designs that are artistic and wearable.
This is the first picture of the hand drawn corset that I have been dying to make for ages. I have had the initial sketches in my design journal for so long. I love the idea of wearable artwork and I have so many ideas for developing fine art concepts in to my corsetry. These hand drawn elements were all inspired by the abstract and cubist work by Picasso and Dali.
Although this corset is a cross over between corsetry and fine art, it is still constructed in the historical way, made with three layers of high quality heavy cotton canvas and calico. The boning channels are the classic victorian flat felled seams, it is steel boned through out and the two part eyelets are set in double boned re enforced boning channels making it perfect for tight lacing aswell as being a sensational conversation starter!
The ivory and pink rose corset!! I photographed it over a cream skirt but I think this is the kind of corset that would look equally fabulous over a pair of blue jeans.
Though don't forget that I can recreate this corset to any size or dimension and I'm happy to tweak other aspects, it's always fascinating for me to add another person's perspective to a design!
I had started to think about bringing more colour in to the idea, I have a really gorgeous dark green dupion satin that I think could bring out the green, leafy shades so beautifully. Of course it's just so typical that the perfect shade of green thread has to be the one that the sewing machine decides it isn't going to like and won't sew! I have to get my hands on some more midnight blue taffeta aswell or crepe backed satin, or maybe something a bit more floaty for the summer, I do love the blue!
the detail but it is hard to convey it in photographs.
just wanted to see the effect of the paler colour scheme.
background but it did infact inspire me again, I tend to find floral fabrics really appealing and find myself buying all sorts of different styles, colours and weaves.
roses and flowers on to an ivory brocade background.
I was really taken with the pink rose appliqué so dove straight in to making a corset with that concept.
for creating images and art work!
Well the beginning of the year has been a bit of a roller coaster ride so far but things are starting to settle down a bit now, giving me the opportunity to pick up some of the arty ideas I started to develop over the last year... though I should say 'few' years, there are so many things I have planned to start, I've been collecting equipment for new arty experiments for so long and I'm dying to get my teeth in to something the world has never seen before!
the most, I am working on getting permission to post it here but until then I will have to leave you to google to see if you can guess which one it was!
I feel in some ways that I am contradicting my philosophy when I bring Picasso and Dali into this but it's not so much the work that they are famous for that inspired me, more the doodles and workings of developing ideas along with the use of colour in certain aspects and particular elements taken from their cubist paintings. There are tiny details in (what I would call the background) of some of their cubist and abstract paintings that for some reason grabbed my attention more than the over all pieces of work. Picasso did some gorgeous work in earthy, sepia tones with black detail, these were an inspiration to me far too many years ago back in art school and they still stick in my mind and I worry that I will never be able to do these inspirations any justice but art is a journey, if you reach the end of the journey, you won't need to worry about anything much at all! Previously all the work that I have done around this brain worm has been in sketches, paintings and charcoal. It was last year that I started to seriously think about bringing these elements in to fabrics and my corsetry.
I suppose it was the red and black patchwork corset that made me think of it or it was this that made me think of the design for the patchwork corset, which ever way it works, this has to be the point where I decided to combine my old fine art obsessions with corsetry.
One of the first things that I began to wonder about in a fine art perspective to fabrics for corsetry involved what could be created on them. I am still so fascinated by the idea of making a corset in plain canvas and coutil decorating the whole corset in abstract elements inspired by the abstract painters and drawn entirely in Biro.
Appliqué has always been a great fun favourite of mine, mixing textures and colours to create images and patterns.
see how I could make it work to decorate corsets.
Quickly playing around I came up with a few elements that could be developed.
Just recently I had the opportunity to examine some Georgian dresses which has been a great inspiration, 1774 is definitely a fabulous era and has a huge wealth of elements that can be worked in to corsets and dresses today and some of those elements can be incorporated in to a fine art approach particularly when it comes to the colour schemes, embellishments and patterned fabrics.
with black detail on an ivory brocade back ground.
I have some mixed feelings about the results here, there are some elements that I do really love, possibly not on a Georgian gown but I can see an awesome corset coming out of this. I did an experiment with some more neutral colours and digressed just a little but I will have to show you the results of that tomorrow!


text:
Q: Does /arch:AVX enable AVX2? Does /arch:AVX enable AVX2 (with 256-bit integer SIMD instructions and some new FP shuffles) on the Visual Studio 2012 Update 4?
Line of thought:

*

*Yes, it enables AVX because VS doesn't mention AVX2. But I think VS can do AVX2 because my intrinsic work.

*No, it doesn't because AVX and AVX2 are separate CPU features
(Sandybridge vs. Haswell, or Excavator/Zen vs. Bulldozer),
just like SSE and SSE2 are separate

A: It refers to AVX not AVX2. According to Microsoft this applies (mostly) to floating point operations.
VS2012 supports AVX2 intrinsic functions regardless of this flag.
AVX is available on i3, i5 and i7 variants of SandyBridge and IvyBridge.
AVX2 started with Haswell.

A: The using of "/arch:AVX" compiler options allows to use AVX2 integer instructions more efficiently. If this options is disabled then code with AVX2 instructions may be slower then with SSE2 (because there are many switchings between SSE2  and AVX2).

A: I have already confirmed that Visual Studio 2013 Update 5, when /arch:AVX
is enabled, still compiles certain part of the code into AVX2, currently
there is no option to say AVX only, which I hope Microsoft would fix.

redpajama_set_name: RedPajamaStackExchange


text:
+1 866-422-8859info@emphasizedesign.ca
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What About Paraphrasing?
"Newsjacking" is when bloggers takes an item that is currently in the news that affects their audience and reboots the content for their readers. An example would be a writer for an insurance company presenting facts and figures on the flooding in Calgary. SEO appreciates what's important, and if there are current circumstances that affect your business it's never a bad idea to talk about them.
It is perfectly fine to rewrite content found elsewhere for blogs or articles, but it's best – even if it's just a paraphrase – to indicate where it came from. Definitely cite the author and where the original article originated. By doing this, all the bases are covered, and the article may even earn an inbound link.
If the content is general knowledge, however, and something that is germane to your business, then there shouldn't be a need to cite sources. Ghost writers and bloggers can get confused here, as quite often they are writing about something they know little about, and are therefore unsure what is basic to the business and what isn't. When writing for someone else, be sure to include all attributions regardless, which will allows clients to make the decision.
Content ownership can be a heady thing to try to wrap your brain around. It seems relatively obvious at the start that whoever wrote the content should own it, except when that person is working for a company. In that situation, the business then owns the content.
There really isn't any way around the fact that if you write something for a company while being paid by that company, then ownership of the material essentially belongs to that company forever and ever. But companies that are militant about this can actually do themselves more harm than good
It is always best to connect your content to living, breathing human being. Content that comes from nowhere is far less impactful than that which has a name and a face attached to it. Attributing most of your work to one person that can become a trusted authority is a great idea.
Emphasize Design Calgary SEO For Your Company
If you have content of any kind on your site (images, video, articles, etc.) that someone else has laid claim to, even if you think you have done everything right it's better to simply take whatever it may be down as soon as possible and save yourself any potential headaches. There is always more information to be found!
Categories: All Posts, ContentBy Michelle December 6, 2013 Leave a comment
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Author: Michelle
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Once again the Universe is safe, thanks to me. I was able to disarm the bomb that was attached to the Mayor of New-New York City Town's Space Ship. The girl and the kid (I'm thinking maybe Space Marshalette Jill and Space Marshall-in-training Fred) weren't as useless as usual. Though one of them did bump into the table and cause the bomb to drop right on my - DICKIE! That's the kid's name. Where did I get Fred from? Who knows how my mind works. Genius can't be explained.
Although, today wasn't all glory and medals. Temporarily Assigned Space Corporal Hootie was accidentally killed in the line of duty when he ran outside with the bomb. Since my skill at disarming bombs is second to none, I must assume that Hoon-ray re-activated it when he got outside and accidentally detonated it. So, I'd like to formally make note of the glorious sacrifice that ... the guy... something with an H... made. H will be forever in my thoughts and prayers.


This weekend, February 16 & 17th is the 49th annual Barrie-Allandale Train Show at the Bradford Greenhouse just west of Barrie. I will be there with some of my models of the Toronto Railway Museum collection and the museums display. If you are in the area, come by and talk about the museum or the models, I'm happy to discuss both!!
The show flyer is below with a map and more information. Hopefully see you there!
My apologies on the late notice, but the show had slipped my mind. I will be at the 2018 Greater Toronto Train Show (formerly the Brampton Train Show) with the Toronto Railway Museum display. The show runs from 10am to 4pm on Saturday and Sunday. An admission coupon for $1.00 off Adult Admission is at the bottom of this post.
Pictures of the TRHA Display at the 2017 Brampton Train Show (now Greater Toronto Train Show).
I will be at the show all day Saturday, and Sunday afternoon from around 1pm onward. Please feel free to come by and chat about the Museum and our restoration work, the models of the TRHA on display, or any other aspect of modelling and 3D printing.
Admission Coupon. Print and bring to the show for $1.00 off entry.


text:
JANETH LOPEZ: Reputed Female Gang Member Charged with Murder Outside Church
LOS ANGELES – A reputed female gang member was charged today with murder, attempted murder and vandalism for her role in a Nov. 4 fatal shooting outside a Westlake district church, the District Attorney's Office announced.
Janeth Lopez, 22, was allegedly spray-painting red graffiti on the walls of the Iglesia de Paz church when two church members emerged and tried to stop her, officials said.
A suspected male gang member got out of his car and opened fire, killing 25-year-old Andres Ordonez and wounding a second male church member. A third man was fired at, but not hit. The shooting occurred at 3001 West Beverly Blvd. about 6:30 p.m.
Deputy District Attorney Phillip Glaviano, assistant head deputy of the Hardcore Gang Division, said Lopez is charged with one count of murder, two counts of attempted murder and one misdemeanor count of vandalism in case No. BA404685. The complaint includes gun and gang allegations.
Lopez allegedly hopped in the waiting vehicle with the suspected male shooter and both fled.
Los Angeles Police Department continues to investigate the shooting.
Lopez is scheduled to be arraigned sometime this afternoon at the Foltz Criminal Justice Center, Department 30. Prosecutors will ask bail be set at $2.5 million.
If convicted, she faces up to life in prison.


Tektronix used T-Coils as a peaking circuit to improve the bandwidth of its oscilloscope designs in the 1960s through the 1990s. Engineer Bob Ross derived the design equations and Tektronix kept this as a trade secret in its use in oscilloscopes and other products.
Electronic Design Magazine has written an article What's All This T-Coil Stuff Anyhow that highlights the T-Coil and gives tribute to Bob Ross and his pioneering work. Stanford Professor Tom Lee is also quoted in the article with his insights and observations on the origin and use of the T-Coil.


text:
La Collection Stella du magazine féminin français Petit Écho de la Mode (devenu Éditions de Montsouris), comprend près de six cents titres de « romans populaires pour dames » parus de 1919 à 1953.

Lors de son lancement, la collection se présente en ces termes :

On y retrouve les auteurs « maison » comme Jean Demais et un grand nombre d'autres, souvent inconnus ou écrivant sous des pseudonymes :

 Louis d'Arvers (nom de plume de Louise Bourgueuil)
 Anda Cantegrive
 Lise de Cère
 Jeanne de Coulomb
 Manuel Doré
 Victor Féli (nom de plume de Jeanne Canac)
 Mary Floran
 Jacques Grandchamp
 Hélène Lettry
 William Magnay
 Pierre Régis
 Marc Hélys
 Jean d'Anin
 T. Trilby

Liste des volumes

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1 L'Héroïque Amour par Jean Demais, 1919
2 Pour lui par Alice Pujo
3 Rêver et vivre par Jean de La Brète
4 Les Espérances par Mathilde Alanic
5 La Conquête d'un cœur par René Star
6 Madame Victoire par Marie Thiéry
7 Tante Gertrude par Berthe Neulliès
8 Comme une épave par Pierre Perrault
9 Riche ou aimée ? par Mary Floran
10 La Dame aux genêts par  L. de Kérany
11 Cyranette par Norbert Sevestre
12 Un mariage in extremis par Claire Geniaux
13 Intruse par Claude Nisson
14 La Maison des troubadours par Andrée Vertiol
15 Le Mariage de Lord Loveland par Louis d'Arvers
16 Le Sentier du bonheur par L. de Kérany
17 À travers les seigles par Hélène Mathers
18 Trop petite par Salva du Béal
19 Mirage d'amour par Champol
20 Mon mariage par Julie Borius
21 Rêve d'amour par T. Trilby
22 Aimé pour lui-même par Marc Helys
23 Bonsoir Madame la Lune par Marie Thiéry
24 Veuvage blanc par Marie-Anne de Bovet
25 Illusion masculine par Jean de La Brète
26 L'Impossible Lien par Jeanne de Coulomb
27 Chemin secret par Lionel de Movet
28 Le Devoir du fils par Mathilde Alanic
29 Printemps perdu par T. Trilby
30 Le Rêve d'Antoinette par Eveline Le Maire
31 Le médecin de Lochrist par Salva du Béal
32  Lequel l'aimait ?  par Mary Floran
33 Comme une plume... par Antoine Alhix
34 Un réveil par Jean de La Brète
35 Trop jolie par Louis d'Arvers
36 La Petiote par  T. Trilby, 1921
37 Derniers rameaux par M. de Harcoet
38 Au-delà des monts par Marie Thiéry
39 L'Idole par Andrée Vertiol
40 Chemin montant par Antoine Alhix
41 Anne-Marie par Jean Marclay ou Deux amours par Henri Ardel
42 Odette de Lymaille par  T. Trilby
43 La Roche-aux-algues par Léon de Kérany
44 La Tartane amarrée par Andrée Vertiol
45 Intègre par Pierre Le Rohu
46 Victimes par Jean Thierry
47 Pardonner par Jacques Grandchamp
48 Le chevalier clairvoyant par Jeanne de CoulombC
49 Maryla par Isabelle Sandy, 1922
50 Le Mauvais Amour par T. Trilby
51 Mirage d'or par Antoine Alhix
52 Les Deux Amours d'Agnès par Claude Nisson
53 La Filleule de la mer par H. De Coppel
54 Romanesque par Marie Floran
55 Le Roman de la vingtième année par Jacques des Gachons
56 Monette par Mathilde Alanic
57 Rêve et réalité par Marie Thiéry
58 Le Cœur n'oublie pas par Jacques Grandchamp
59 Le Roman d'un vieux garçon par Jean Thiéry
60 L'Algue d'or par Jeanne de Coulomb
61 L'Inutile Sacrifice par T. Trilby, 1922
62 le Chaperon par
63 Carmencita par Mary Floran
64 La Colline ensoleillée par Marc Hélys & M. Albanesi
65 Phyllis par Alice Pujo
66 Choc en retour par Jean Thiery
67 Noëlle par Champol, 1922
68 Kitty Aubrey par Tynan
69 Le Mari de Vivianne par Yvonne Schultz
70 Le Voile déchiré par Edmond Coz
71 Maria-Sylva par Luguet-Frichet
72 L'Étoile du lac par Andrée Vertiol
73 Les Sources claires par Marguerite d'Escola
74 L'Abbaye par Salva du Béal
75 Le Tournant par Pierre Villetard
76 Tante Babiole par Paul Acker
77 Mon ami le chauffeur par C. N. Williamson
78 De l'amour et de la pitié par Jacques Grandchamp
79 La Belle Histoire de Maguelonne par Jeanne de Coulomb
80 La Transfuge par T. Trilby, 1923
81 Monsieur et Madame Fernel par L. Ulbach
82 Le Mariage de Gratienne par M. des Arneaux
83 Meurtrie par la vie par Mary Floran
84 Un serment par la Baronne Orczy
85 L'Autre Route par Claude Nisson
86 La Lettre rose par
87 L'Amour attend... par René Star
88 Sous leurs pas par Jean Thiéry
89 Aimez Nicole par Pierre Gourdon
90 Le Secret de Maroussia par Comtesse de Castellana-Acquaviva
91 La Branche de romarin par Brada
92 Une belle-mère par Raoul Maltravers
93 Cœur de princesse par
94 La Fleur d'amour... par Andrée Vertiol
95 Mariages d'aujourd'hui  par Mme Lescot
96 Dans l'ombre de mes jours par Jacques des Gachons
97 Arlette, jeune fille moderne par T. Trilby
98 L'Obstacle par Rhoda Broughton
99 La Forêt d'argent par Alfred du Pradeix

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100 Dernier atout par Marie Floran
101 Le Double Jeu par Gaston de Wailly
102 Le Coup de volant par Marie Thiéry
103 Idylle nuptiale par E. Caro, 1924
104 Contre le flot par Le Rohu
105 L'Amour le plus fort par René La Bruyère
106 Cœur tendre et fier par Baronne S. de Boüard
107 Laquelle ? par Jean d'Anin
108 Tout à moi ! par Jean Thiéry
109 Sous le soleil ardent par Jean Jégo
110 Les Trônes s'écroulent par Jacques Grandchamp
111 Marga par Zénaïde Fleuriot, 1924
112 L'Heure du bonheur par Lucy Augé
113 Angelise par Champol, 1924
114 Mère et fils par A. Chevalier
115 L'Embardée par Jean Saint-Romain
116 L'Ennemie par Jean Fid
117 Le Final de la symphonie par Léon Tinseau, 1925
118 Le Hibou des ruines par Andrée Vertiol
119 L'Aventure de Jacqueline par Guy de Téramond
120 Mort ou vivant par Jean Thiéry et Hélène Martial
121 Femmes de lettres par Mary Floran
122 Le Droit d'aimer par T. Trilby
123 Georges et moi par Pierre de Saxel
124 L'Exilée d'amour par Georges de Lys
125 Porte à porte par Clara-Louise Burnham
126 La Victoire d'Arlette par J.Ph. Heuzey
127 Le Jardin du silence par Victor Féli
128 La Voie de l'amour par Berthe Neulliès
129 Le cadet par Claude Nisson
130 Irène par Emile Bergy
131 Pignon sur rue par Léon de Kérany
132 La Mission de Marie-Ange par A. Dubarry
133 L'Ombre du passé par Mary Thiery
134 Le Mariage de Rose Duprey par G. Parvor
135 Chimère et vérité par Raoul Maltravers
136 Petite Belle par Zénaïde Fleuriot
137 Le Cœur chemine par Comtesse Clo, 1925
138 À grande vitesse par Jean Thiéry, 1925
139 Le Secret de la forêt par J. de Kerlecq, 1925
140 Accusée ! par Pierre Gourdon, 1926
141 Le Logis par Georges de Lys, 1926
142 Bonheur méconnu par Mary Floran, 1926
143 Un héritage par Jean de Monthéas, 1926
144 La Roue du moulin par T. Trilby
145 Pour sauver Denise par Antony Dreyer, 1926
146 L'Indiscrétion de la vicomtesse, par Pierre de Saxel, 1926
147 Le Bonheur du jour par Philippe Maquet, 1926
148 Comme une terre sans eau par Jacques des Gachons, 1926
149 Cœur d'or par Marie de Wailly, 1926
150 Mademoiselle Printemps par Andrée Vertiol
151 En silence par Francisque Parn
152 Le Cœur de Ludivine par Jean Fid
153 Sans le savoir par M. Péard
154 La Maison dans le bois par Lucy Augé
155 Nouveaux pauvres par Jean Vézère
156 Madeline par Louis d'Arvers
157 C'est l'amour qui gagne ! par Lya Berger, 1926
158 L'Idée de Suzy par Jean Thiéry
159 Fidèle à son rève par Mary Floran
160 Autour d'Yvette par Salva du Béal
161 Le Prince d'ombre par André Bruyère
162 Les Raisons du cœur par Georges de Lys
163 Le retour par T. Trilby
164 Le Collier de turquoises par Lionel de Movet
165 Le Rachat du bonheur  par M. La Bruyère
166 Russe et française par Jacques Grandchamp
167 Les Yeux clairs par Camille de Verzine
168 Le Coup de foudre par William Magnay
169 Colomba par Prosper Mérimée
170 La Maison sur le roc par Jeanne de Coulomb  , 1927
171 Amour et fierté par Rosa-Nonchette Carey
172 La Prison blanche par Eve Paul-Margueritte
173 Orgueil vaincu par Mary Floran, 1927
174 Les Deux Cahiers par Paul Acker
175 La Rose bleue par Emily Francis
176 Maldonne par Jacques Grandchamp
177 Ce pauvre vieux par Zénaïde Fleuriot
178 L'Irrésolue par M. Péard
179 Le Château des tempêtes par André Bruyère
180 Le Crime de Melle Bonnard par Champol
181 L'Amour en deuil par Emmanuel Soy, 1927
182 Le Chevalier de la rose blanche par C.N. Williamson & A.-M. Williamson
183 Une heure sonnera… par Jean Thiéry & H. Martial
184 Un lâche par A. Noël
185 La Servante par H. Lafontaine
186 Petite maison, grand bonheur par Paul Junka
187 Cœur de poupée par Jean Jégo
188 Marguerite par Mathilde Aigueperse
189 Une toute petite aventure par T. Trilby
190 L'Amour quand même par Comtesse Clo
191 Souffrir pour vaincre par Rosa-Nonchette Carey
192 Le Suprême Amour par Jacques Grandchamp
193 Les Liens brisés par Jean Mauclère
194 Jocelyne par Suzanne Mercey, 1928
195 L'Amour en péril par P. Le Roux
196 L'Appel à l'inconnue par Victor Féli
197 Thyrza par George Gissing
198 Anne Hereford par Henry Wood
199 Amitié et Amour ? par Rosa-Nonchette Carey

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200 Un an d'épreuve par Marie Floran
201 L'Aventure au bord de l'eau par Aude Lusy
202 Conflits d'âme par Georges de Lys
203 Le Jardin aux glycines par Magali, 1928
204 L'Oiseau blanc par Marie de Wailly, 1928
205 Le Soir de son mariage par C.N. Williamson & A.-M. Williamson
206 Quand l'amour vient... par H.A. Dourliac
207 Chloé par E.-B. Hungerford
208 Les Inépousées par Geneviève Duhamelet
209 Le Vœu d'André par Champol
210 En lutte par Jean Thiéry, 1928
211 L'Anneau magique par Barry Pain
212 La Marquise Chantal par Berthe Neulliès
213 Loyauté par Zénaïde Fleuriot, 1929
214 Où est-il ? par E. Vesco de Kéréven
215 L'Audacieuse Décision par Marthe Fiel
216 Péril d'amour par Champol
217 Comme jadis... par Magali Michelet
218 La Fille du contrebandier par Jean Vidouze
219 Ceux qui vivent par Claude Renaudy
220 La Revanche merveilleuse par Anda Cantegrive, 1929
221 Le Cœur de tante Miche par Magali
222 D'un autre siècle par Eva Ramie, 1929
223 Le Jardin bleu par André Bruyère
224 Le veau d'or par Pierre Régis, 1929
225 La Cruelle victoire par Maurice Vallet
226 Mademoiselle d'Hervic, mécano par Manuel Doré
227 Prix de beauté par C.N. Williamson
228 Mieux que l'argent par Jean Jégo, 1929
229 La Demoiselle de compagnie par Paul Cervières
230 Petite May par Rosa-Nonchette Carey
231 L'Anneau d'opales par M. Beudant
232 S'aimer encore par Jacques Grandchamp
233 L'Ombre et le reflet par Annie Le Guern, 1929
234 L'anneau brisé par Procope Le Roux
235 J'aimerais aimer par H.A. Dourliac
236 L'Infant à l'escarboucle par Eric de Cys, 1930
237 Sur l'honneur par José Myre
238 Quand la cloche sonna... par Mary Hella
239 Barbara par C. Askew et A. Askew
240 La Brève Idylle du Professeur Maindroz par Yvonne Brémaud, 1930
241 L'Ombre de la gloire par  Claude Renaudy
242 Le Fiancé disparu par Pierre Gourdon
243 Mon lieutenant par Geneviève Leconte, 1930
244 Un chevalier d'aujourd'hui par Rosa-Nonchette Carey
245 Roman défendu par Emmanuel Soy
246 Lucile et le mariage par Pierre Alciette
247 Sylvia par Vesco De Kereven
248 La Comtesse Edith par Jean Rosmer & Eric de Cys
249 Cœurs dorés par Hélène Lettry, 1930
250 La Femme d'Alain par Anne Mouans
251 L'Églantine sauvage par C.N. Williamson
252 Lyne aux roses par Anda Cantegrive
253 Tragique méprise par Marc Aulès
254 Ma cousine Raisin-Vert par André Bruyère
255 Telle que je suis par Camille de Vérine, 1930
256 La Jeannette par Max du Veuzit
257 L'Aube sur la montagne par Claude Renaudy, 1930
258 Printemps d'amour par Claude Arielzara, 1930
259 Seule dans la vie par M.-A. Hullet
260 Le Roman d'un joueur par Edith Metclaf
261 Au-dessus de l'amour par H.A. Dourliac
262 Perlette par Yvonne Loysel
263 Comme la fleur se fane par Charles Paquier
264 Quand on aime par Berthe Neulliès
265 Fleur sauvage par Hélène Lettry
266 Dette sacrée par Anne Mouäns
267 La Malle des Iles par Jacques Grandchamp
268 Le Mari d'Emine par Marthe Fiel
269 Entre deux cœurs par A. Rolland
270 Le Secret par Pierre de Saxel, 1931
271 En mariant les autres par H. Lauvernière
272 Les Cœurs nouveaux par Jean Héricart, 1931
273 Les Roses d'automne par Geneviève Leconte
274 La Chanson de Gisèle par Camille de Vérine
275 Une petite reine pleurait par Manuel Doré
276 La Revanche de Nysette par Andrée Vertiol, 1931
277 L'Inévitable par Comtesse Clo, 1931
278 Les Nouveaux Maîtres par Jean de Vidouze
279 La Vierge d'ivoire par Marie Thiéry
280 Je ne veux pas aimer par H.A. Dourliac
281 Plus haut par Anne Mouäns, 1931
282 Celui qu'on oublie par Jean Thiery
283 Un déguisement par A. de Roliand
284 Une belle-mère à tout faire par Pierre De Saxel
285 L'Impossible amitié par Marguerite Perroy
286 La Maison de nacre par Elisabeth Schaller
287 Cruel devoir par Renée Kervardy
288 Nadia par Marc Aules, 1931
289 Les Cendres du cœur par M.-A. Hullet
290 Le Silence de la comtesse par Jean Rosmer
291 La Brèche dans le mur par O'Néves
292 Un étrange secret par H. Lauvernière
293 La Fuite éperdue par Patricia Wentworth, 1932
294 Le Mari de la Reine par Eric de Cys
295 La vasque aux colombes par Florence O'Noll, 1932
296 Denise par Hélène Lettry
297 À la lisière du bonheur par Claude Nisson, 1932
298 L'Eau qui dort par Maria de Crisenoy
299 Bruyères blanches par Théo d'Ambleny

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300 Être princesse! par C.N. Williamson
301 Routes incertaines par A. Baudincourt, 1932
302 L'Appel du passé par Pierre Gourdon
303 Chacun son bonheur par Thérèse Casevitz
304 Le Mystérieux Chemin par Jean Mauclère
305 Madame cherche un gendre par Jacques des Feuillants, 1932
306 Sous la bourrasque par André Bruyère
307 Sœur Anne par Y. Saint-Céré
308 Le Mariage de Nelly par Marcel Idiers
309 L'Énigme par M.-J. Leduic
310 La Conscience de Gilberte par Maria de Crisenoy
311 Et l'amour vint... par Jean Jégo
312 Nouveaux venus par Jean Thiéry
313 La Fiancée de Ramon par Manuel Doré
314 La Buissonnière par Anne Mouäns
315 Mon cousin de la Tour-Brocard par Christiane Aimery
316 Pour elle par Pierre De Saxel, 1933
317 Lendemains de bal par José Bozzi
318 Princesse de porcelaine par Léon Lambry, 1933
319 Âme de coquette par E.-B. Hungerford
320 Fausse route par Marc Aulès
321 Mammy, moi et les autres par Yvonne Brémaud
322 Cœur affranchi par Herbert Flowerdew
323 La Dame d'avril par Florence O'Noll
324 Maryalis par Gilberte Soury
325 L'Amour l'emporte par L. de Langalerie
326 La Sœur du bandit par Anne-Marie Gasztowtt
327 Les Noces de la terre et de l'amour par Pierre Aguétant
328 Claire Davril par H. Willette
329 L'Amoureux de Frida par Jean Jégo, 1933
330 Rose ou la fiancée de province par Jacques des Gachons
331 Josette, dactylo par Jeannette Moret
332 Au-delà du pardon par Victor Féli
333 La Maison qui s'écroule par Christiane Aimery
334 Sally et son mari par Maria Albanesi, 1934
335 Les Fiançailles de Rosette par José Myre
336 La Coupe brisée par Adèle Viges
337 Gisèle exilée par Anne Mouäns
338 Doris par E.-B. Hungerford
339 Cœur de danoise par Chantal
340 La Fiancée infidèle par Comtesse de Baillehache
341 Le Mauvais Pas par Jacques des Gachons, 1934
342 Véritable amour par J. Chataignier
343 Lunes rousses par Eric de Cys
344 Le Manoir de la reine par C. N. Williamson
345 Sourire d'automne par Arthur Dourliac
346 La Blessure cachée par Georges de Lys, 1934
347 Sourire d'automne écrit par H.A. Dourliac
348 La Maison de Joëlle par Jacques Grandchamp
349 Triomphera-t-elle ? par Maria Claudia, 1934
350 Vers l'avenir par Jeannette Moret
351 L'Une et les Autres par Lita Guérin
352 Un fanal dans la nuit par Temple Bailey, 1934
353 Sous l'aiguillon par M. de Crisenoy
354 Le roman de Florette par H. Bezançon
356 La Victorieuse par Marc Aules, 1935
357 Le chemin sans fleurs par Silva Belloni, 1935
358 Tête folle, coeur profond par P.Korab
359 Après la tourmente par Henrietta de Quigini Puliga, 1935
360 Sa part de bonheur par , 1935
361 Pour la vie par Anne Mouans
362 Trop loin de moi par Marie Gabriel, 1935
363 Jeunesse !Abril Magd, 1935
364 Mademoiselle de la Tour-Maudite par G. de Boissèble, 1935
365 Le Secret de Gilles par Dominique
366 Le Retour au bercail par A. de L'Épars
367 Les Cœurs en exil par P. & J. d'Aurimont
368 Marié malgré lui par M. Prigel
369 Petite dame verte par Hélène Mathers
370 Cœur égaré par Guy Novel, 1935
371 L'Offrande par Madame Charles Perronet
372 Loulette et son mari par Line Deberre
373 L'Idylle sous l'orage par Marthe Bousquet
374 L'Aveu qui sauve
375 Paladins modernes par Claire Géniaux
376 Le Jardin des rêves par Lucienne Chantal
377 Les Jours nouveaux... par Germaine Verdat
379 Derrière le masquepar Jeanette Moret, 1935
380 La femme du foupar Jean de Barasc, 1936
381 Le Paradis retrouvé par Edouard Adenis
382 Personne ne m'aime par Chantal
383 Évangéline par M.A. Hullet
384 D'une fenêtre par Marie Thiery
385 La Sacrifiée par H.-A. Dourliac
386 Un étrange voisin par José Myre
387 Isa, ma cousine par Jean Jégo, 1936
388 L'Île des sept sommeils par Alice Marin
389 Aime-moi par Marie de Wailly
390 Gladys et le... porc-épic par Léon Lambry
391 J'ai deux amours… par M. de Crisenoy
392 Au pays du soleilpar Pierre Claude, 1936
393 La Fiancée perdue par Guy de NOVEL
394 La Chance par René Daumières
395 Vaincre par J.G. Chenavery, 1936
396 La petite fille au fantôme par Isabelle Sandy, 1936
397 Mission secrète par Mrs C.N. Williamson, 1936
398 Le Bien-marié par Georges Beaume
399 Droit son chemin par Jean de Lapeyrière

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400 Noémi bon-cœur par Antony Dreyer
401 Au gré du destin par Y. de Saint-Céré
402 La Femme au miroir par Paul Cervières
403 En face de la vie par Marthe Fiel
404 L'Homme est le maître par Ruby M. Ayres
405 Le Voyageur inattendu par Germaine Verdat
406 Un mari par surcroît par Jean Dorlhys
407 Deux fiancées par Charles Garvice, 1936
408 Le Mobile secret par H. Lauvernière
409 Davia par Jean Rosmer
410 Un cœur renaît par Marie de Wailly
411 Quand il revint... par H. de Marcillet
412 Moute et les deux cousins par Guy de Téramond
413 En plein mystère par Emery Stuart
414 Anne-Marie par Jean Marclay
415 Prise au piège par Brada
416 Deux visages, un amour par Paul Bergh, 1937
417 Fleurs exotiques par L. de Maureilhac
418 La 35-45 R.J. par M.-A.-E. Séouzia
419 Le Mal que fit une femme par Léo Gestelys
420 Quand l'amour parle par M. de Crisenoy
421 Gilbert et l'ombre par Lita Guérin
422 Cœur fermé par H. A. Dourliac
423 Dramatique amour par Louis Candray
424 Dolly Dollar par M.M. d'Armagnac
425 Le Manoir menacé par Jean de Lapeyrière
426 La Revanche du passé par A. de Beaufranchet
427 L'Éternelle chanson par Claude Chauvière
428 Le Roman de Jo par Lise de Cère
429 L'Étrangère par Claude Renaudy
430 La Gamme de "Do" par Marie Barrère-Affre
431 Beautés rivales par Louis d'Arvers
432 L'Aventure de M. Mellac par Dominique
433 Gisèle, reporter par Édouard de Keyser
434 Les Deux Mariages par Anda Cantegrive
435 Immortelle Jeunesse par Marie de Wailly
436 Vers l'oasis par Lucienne Chantal
437 Sa fiancée par H.A. Dourliac, 1938
438 La Maison du mensonge par C. Peronnet et R. Dombre, 1938
439 Ame de femme par Victor Féli
440 Le Témoignage imprévu par Jean Jégo
441 Au Petit Paris par Georges Beaume
442 Pour ne pas mourir par R.M. Pierazzi
443 Marquise de Maulgrand par M. Maryan
444 Masque et visage par M. de Crisenoy
445 A-t-elle du cœur ? par Clarence Esme Stuart
446 Messagère de bonheur par Andrée Vertiol
447 Château en Provence par Nany Arssy
448 Folle Jeunesse par H. Lauvernière
449 La Maison des épaves par Françoise Chevigné
450 Soir d'été par Jean Mauclère
451 Dix-sept ans par Ruby M. Ayres
452 Quand elle partit par Gabrielle Leclère-Lefèvre
453 La Monnaie du bonheur par Coriola
454 Laquelle ? par M.M. d'Arvor
455 L'Imprudente Pitié par Eric de Cys
456 L'obstacle par Jean Rosmer
457 La Force d'un serment par Léo Gestelys
458 L'Invisible Lady par Th. Bernardie
459 Le Prince errant par Jean Rosmer
460 Cœur interdit par Marguerite Perroy
461 Aimer deux fois par G. de Boissèble
462 La Rose d'or des Fleuroy par Eveline Le Maire
463 Petite lionne par Georges Louza
464 La Musique du cœur par Marie Barrère-Affre
465 On demande des pensionnaires par Christiane Aimery
466 Le Souvenir qui sépare par François Ressac
467 En un manoir d'Écosse par Dominique
468 L'Homme dans le noir par C.N. Williamson
469 La Dramatique idylle par Jacques Grandchamp
470 Est-ce lui que j'aime ? par Léon Lambry
471 Âmes dans la bourrasque par Marthe Fiel, 1939
472 Ma nièce Audley par R. Lebrun
473 L'Amour caché par Lise de Cère
474 Yolé et son secret par Claude Virmonne
475 Avant le bonheur par A. Raucourt & D. Ferva
476 Le Joueur de viole par Françoise Le Brillet
477 Mademoiselle quand même par Paule de Wilsoves
478 Amie inconnue par Emmanuel Soy
479 Genêt d'or par Nina Venta
480 Deux jours de drame par Claire Faine-Leroy
481 Le Manoir solitaire par Gisèle Peumery
482 Soie de Chine par M. de Crisenoy
483 Cœur angoissé par Ruby Ayres
484 La Gloire d'aimer par Léo Henri
485 Les Demoiselles errantes par Lily Nicolesco
486 Quand le bohneur passe par Germaine Verdat
487 Mon oncle Max et moi par Jean Marclay
488 La Maison sans tendresse par Y. Saint-Cère
489 Douce-Amère par Gabriel Clopet
490 Le Droit de choisir par Marcelle Davet
491 L'Énigme d'un cœur par Marc Aulès
492 La Maison dans la forêt par Claude Virmonne
493 Le Drame de la maison Ferrier par Emmanuel Soy
494 L'Amour se venge par Marthe Bertheaume
495 Sans lui ! par Lise de Cère
496 Silence coupable par Pierre-Claude
497 Seule dans mon cœur par Eric de Cys
498 Les Embûches secrètes par Le Feuvre
499 De la coupe aux lèvres par Jean Rosmer

au

500 Le Chemin d'ombre par Andrée Vertiol
501 Un de trop ! par H. Lauvernière
502 Le Secret d'une vendetta par Eve Paul-Margueritte
503 L'Âge des roses par Françoise Le Brillet
504 La Dot de Renée par M-J Leduic
505 L'Idylle au soleil par M. Michel-Tyl
506 L'Amour qui meurt par Jehan de Seneval
507 la Tour de Babel par Claire et Line Droze
508 Un beau mariage par Léo Henri
509 La Dame au chapeau bleu par E. Le Maire
510 Le Bonheur, enfin ! par Michèle de Coussac
511 Le Secret d'Hélène par Dominique
512 Claire et son cœur par Jean Portail
513 La Nuit qui s'éclaire par Jean-Jacques Cieux
514 La Loi de l'amour par Annie Kerval, 1941
515 Naïc par Yves de Saint-Dec
516 Coup double par Eve Paul-Margueritte
517 Parlera-t-elle ? par Marie-Anna Willotte
518 Aime... et reste fidèle par M. Beuve-Mery, 1942
519 Le Sacrifice du soir par Claude Véla, 1942
520 Les Yeux éblouis par Germaine Du Val
521 Bataille de cœurs par Edmond Michel Tyl, 1942
522 Marie-Jeanne par Marie-Louise Plourin
523 Au soleil d'Anjou par Wanda
524 Sur champ d'azur... par Jean Miroir
525 Le Baiser sous le bandeau par Claude Virmonne
526 Sous les ailes bleues par Jean Demais
527 Les Cendres froides par Léo Henry
528 Son vrai visage par Jeanne de Coulomb
529 Avers et revers par Gabrielle Clopet
530 Ton cœur près du mien par Nicole Pierrefonds, 1947
531 Le Chant de la source par Jean Rosmer
532 Le Secret de Nicole par Alain Kerlos
533 De la pitié. et de l'amour par Andrée Vertiol, 1948
534 Il m'aimera par Maria de Crisenoy
535 Une étoile par Jean Mauclère, 1948
536 La Conquête de l amour par Manuel Doré
537 La Tendre Défaite par George Madal, 1948
538 Pêché d'orgueil par Yves de Saint-Dec
539 Le Printemps sans roses par André Bruyère
540 Une femme et son secret par Jacques Grandchamp, 1948
541 Parce qu'il m'aime par Elisa Douin, 1948
542 Le Serment aux étoiles par Paul Cervières, 1948
543 Le Portrait vivant par Isabelle Salvat, 1949
544 La Jeune Fille au miroir... par Claude Véla
545 Le Vent d'orage Suzanne Carpentier
546 Cœur donnant par Victor Féli
547 Le Collier de scarabées par C.N. Williamson
548 Au gouvernail par H. Lauvernière, 1949
549 Le Mystère de la lune de miel par John Laurence, 1949
550 En plein ciel par Léo Henri, 1949
551 Le Coffret de coquillages par Aline Hatterer
552 L'Amour souffle où il veut par Manuel Doré
553 L'Aventure marocaine par Nancy George
554 Nous serons deux par M.-L. Gestelys
555 Bonheur en péril par Annie Le Guern
556 Puisque je l'aime ! par Édouard de Keyser
557 Boucles brunes par Jacqueline Durouvres
558 Tout nous dire ! par Mary Blandin
559 Le Secret des cœurs par Pierre Gourdon, 1950
560 Quadrille par René Duverne, 1950
561 Tempête sur la prairie par Jacques Christophe
562 Laisse parler ton cœur par M. Beuve-Méry
563 Hirondelle d'amour par Alice de Chavannes
564 C'était un prince charmant par Jean Demais
565 Les Deux Masques par Édouard de Keyser
566 Ma bru d'Orient par Yvonne Loysel
567 Carole et son équipe par Eric de Cys
568 Destins dans l'orage par Françoise Chevigné
569 Que maudit soit l'amour ! par Marie Thiéry
570 À la conquête du bonheur par Claire et Line Droze
571 Maman Claude par Jean Demais, 1951
572 En dansant la samba par Michèle De Coussac
573 L'Étoile qui s'éteint par Jacques Grandchamp, 1951
574 Amour dans la brume par Jacques Christophe
575 Son oncle le gangster par Manuel Doré, 1951 ou Aube par Marthe Fiel
576 Aube par Marthe Fiel
577 Mine de rien, hôtesse à bord par Marguerite de Perreti
578 Cécilia par Roger Flouriot, 1952
579 Le Violon sur la dune par Alice de Chavannes, 1952
580 Une reine... une femme par Alice Le Guern
581 Ses yeux bleus par M. Beuve-Mery
582 Le Faux Portrait par Édouard de Keyser, 1952
583 L'Amoureuse du prince impérial par Louis Saurel,
584 Généreux Pardon par Pierre Claude
585 À quoi tient le bonheur par Valérie Enco, 1952
586 Sous l'œil des pagodes par Pierre Korab, 1952
587 Le Reflet par Andrée Vertiol, 1953
588 La roue du destin par Guillemette Marrier, 1952
589 Laquelle des trois ? par Marguerite Perroy, 1952
590 Passeport français par  Eric de Cys, 1953
591 La Chimère de porcelaine par Léo Henri, 1953
592 Amour et Gratte-ciel par Manuel Doré,
593 Les Cendres du passé par Paule Antoine
594 La Rose des nuages par Jacques Christophe, 1953
595 La Princesse aux étoiles par Claude Véla
596 Le Secret du lac par Joël Bernard
597 La Demoiselle de compagnie par Paul Cervières
598 Les Forces mystérieuses par Suzanne Carpentier
599 Le Vent d'orage par Suzanne Carpentier ou Si elle savait par Edouard de Keyser
600 Nous serons deux par Léo Gestelys, 1950

Références

Stella
Roman d'amour

redpajama_set_name: RedPajamaWikipedia


TOO YOUNG TO ENLIST, BUT SERVING. There is practically no age limit for partiotic service it would seem. Little Arthur Miles, who has barely passsed his fourth year has collected the sum of £6 4s 6 1/2d in aid of the St. John Ambulance Brigade Hospital in France. Arthur's father, Drive Arthur Miles, is at present on active service in France. He has seen eighteen years' service with the colours. (Photo: Stuart, Northumberland Street, Newcastle) This photograph was published in the Illustrated Chronicle on the 22nd of May 1915. During the Great War the Illustrated Chronicle published photographs of soldiers and sailors from Newcastle and the North East of England, which had been in the news. The photographs were sent in by relatives and give us a glimpse into the past. The physical collection held by Newcastle Libraries comprises bound volumes of the newspaper from 1910 to 1925. We are keen to find out more about the people in the photographs. If you recognise anyone in the images or have any stories or information to add please comment below. Copies of this photograph may be ordered from us, for more information see: http://www.newcastle.gov.uk/tlt" >www.newcastle.gov.uk/tlt Please make a note of the image reference number above to help speed up your order.


R.B. Baker Construction has maintained a presence at Turkey Trot Landfill from inception of the project in 2009 to completion of the 2nd cell in 2012. This landfill was a joint effort of Washington and Mobile Counties, but serves the waste management needs of all the surrounding counties. The landfill is operated by Advance Disposal Systems. R.B. Baker's scope included the construction of haul roads, improvements to the entrance road, 732,000 CY of earthwork movement, and 43,000 CY of clay liner.


text:
Agency Releases 2010 Annual Report Highlighting Accomplishments and Service to the Community
Riverside, CA – July 29, 2011 –Having touched more than 2.4 million lives in its 37-year history, Springboard Nonprofit Consumer Credit Management is pleased to announce the release of its 2010 Annual Report highlighting the agency's accomplishments and continual service to the community. Springboard was established in 1974 as a 501(c)(3) nonprofit community service organization that works to strengthen communities and improve the lives of consumers by offering services that promote financial literacy, stable homeownership and a healthy economy. Throughout its history, the agency has achieved significant milestones and become a trusted resource to community stakeholders, including elected officials, civic organizations, numerous nonprofit community partners and military communities. Springboard is approved by the U.S. Department of Housing and Urban Development (HUD) as a regional intermediary and is recognized as one of the largest nonprofit HUD-approved housing counseling agencies on the West Coast with offices in California, Nevada, Arizona, Texas and New Mexico. In 2010, Springboard created a new subsidiary known as Springboard Solutions, LLC, which provides program administration and outsourced services to government agencies, nonprofits and financial institutions.
"It's been a remarkable year for Springboard. We are so very pleased to share the good news of our agency with our many stakeholders," said Melinda Opperman, Springboard's senior vice president of community outreach and industry relations. "Springboard remains humbled by the numerous heartfelt communications we receive from thankful clients and invitations received throughout the year recognizing the compassion, professionalism and expert knowledge of our counseling and education staff," said Opperman.
Springboard is a full service housing and credit counseling agency and recognized as a national leader. In response to the ongoing financial crisis and challenges that households continue to face, Springboard conducted a record 175,000 counseling sessions in 2010. Consumers nationwide received counseling assistance in the areas of foreclosure prevention, credit and debt, reverse mortgage, bankruptcy pre-filing counseling and debtor education. Additionally, Springboard's education and community outreach counselors conducted a record 500 workshops on important money matters with mostly low-to-moderate income consumers in face-to-face settings in California, Nevada and Arizona.
Springboard's 2010 Annual Report may be viewed online at http://www.credit.org/media/docs/2010AnnualReport.pdf
About Springboard Nonprofit Consumer Credit Management
SPRINGBOARD® Nonprofit Consumer Credit Management is a 501(c)(3) nonprofit personal financial education and counseling organization founded in 1974. Springboard is a HUD-approved housing counseling agency and a member of the National Foundation for Credit Counseling, a national organization of nonprofit credit counseling agencies, and a member of the Association of Independent Credit Counseling Agencies. The agency offers personal financial education and assistance with credit counseling, housing counseling, debt and money management through educational programs and confidential counseling. Springboard is accredited by the Council on Accreditation, signifying the highest standards for agency governance, fiscal integrity, counselor certification and service delivery policies. The agency provides pre-bankruptcy counseling and debtor education as mandated by the bankruptcy reform law. The agency offers nationwide phone counseling services and has locations in California, Arizona, Nevada, New Mexico and Texas for in-person counseling sessions. Not all types of counseling are available in-person at all locations, please call for details. For more information on Springboard, call 800-449-9818 or visit their web site at www.credit.org.
Young Visionaries Print Center & KRPR Media Expands Direct Ticket Sales
San Bernardino Salvation Army Helps Students Go To School in Style


PACKAGE POLICY - Any insurance policy which covers two or more lines or types of insurance in the same policy.
PAIN AND SUFFERING - A non-economic loss for which recovery may be available against the wrongdoer in a lawsuit.
PAIR & SET CLAUSE - Establishes that loss or damage to one of a pair or set of individual items does not represent the loss of the pair or set.
PARTIAL LOSS - A loss covered by an insurance policy where the property or the premises are not completely destroyed or rendered completely worthless.
PENALTY - Liability limit on a fidelity or surety bond.
PERIL - This is the cause of loss or damage. A homeowner's policy, for example, insures against perils like windstorms, fire and theft.
PERIOD OF IMDEMNITY - Used in business interruption and disability insurance to define the length of time for which indemnity is payable.
PERMISSION GRANTED CLAUSE - Provision in most property insurance policies on real property that permits a policyholder to use insured premises for normal purposes related to occupancy.
PERSONAL ARTICLES FLOATER - A personal articles floater provides all-risk coverage, subject to reasonable exclusions, for valuable items such as furs, jewellery, cameras, silverware, etc. The items are generally listed by description and value. This should not be confused with a personal effects/property floater.
PERSONAL AUTO POLICY - Insurance policy issued to individuals covering risks arising out of the ownership or operation of a licensed automobile.
PERSONAL INJURY - An injury, other than physical, arising out of false arrest or detention, malicious prosecution, wrongful entry or eviction, libel or slander, or violation of a person's right to privacy.
PERSONAL PROPERTY - Possessions owned by an individual other than real estate or buildings (not attached to the land). Often used to refer to property in a Homeowner's policy.
PERSONAL PROPERTY INSURANCE - Home insurance covers the contents of a home and other personal property that the named insured and members of the household own, wear or use (including clothing, cameras, furniture, etc.) while on the premises. It may even cover personal property of others (excluding roomers or boarders who are not related to the insured) that is not otherwise insured. There will normally be coverage for personal property while it is temporarily away from the home anywhere in the world. Personal property not normally kept at home is not covered. Personal property in a warehouse is usually covered against theft without time limit, but other perils may not be covered, or may be covered only up to 30 days.
PHYSICAL DAMAGE COVERAGE - The section of an automobile policy that provides cover for damage to the insured vehicle. It may cover all perils, collision or upset, all perils other than collision or upset (comprehensive) or specified perils.
POLICY - Legally binding contract effecting insurance or certificates thereof, including all clauses, riders, endorsements and renewals.
POLICY CONDITIONS - Provisions which state the rights and duties of the insured or insurer.
POLICY EXPIRATION DATE - The date when an insurance policy expires. This date can be found on the current Declaration (or "Dec") page, insurance identification card, or recent cancellation notice.
POLICY FEE - An additional charge placed on the initial premium to reflect the cost of issuing a policy, establishing records and other expenses.
POLICY LIMIT - The maximum amount an insurer will pay under a policy, either overall or under a particular coverage.
POLICY PERIOD - Duration of policy, most often one year in property/casualty insurance.
POLLUTION EXCLUSION - Standard general liability policies include an exclusion for loss arising out of pollution. For certain exposures this exclusion may be modified. e.g., "sudden and accidental" pollution arising from a fire.
PREMISES - Building including the land immediately surrounding it and belonging to it.
PREMIUM - An insurance premium is the money the policyholder pays to the insurer for financial protection against specific risks for a specific time-span. Unlike the premiums for many forms of life insurance, general insurance premiums are not intended to produce a reward other than financial peace of mind.
PRIOR INSURANCE - Insurance cover in force before the current insurance.
PRIVATE PASSENGER VEHICLE - A vehicle not used as a commercial vehicle. For example, if a small van is used as a family vehicle, it is considered a private passenger vehicle. However, if this same van is used as a full-time delivery vehicle, it is considered a commercial vehicle.
PROOF OF LOSS - A formal statement made by a policyholder to the insurance company regarding a claim, specifying its circumstances and the amount of loss, especially in property insurance.
PROPERTY INSURANCE - Covers an insured's property against damage, destruction or loss by a covered peril.
PRO RATA CANCELLATION - Cancellation of an insurance policy or bond with the return premium credit being the full proportion of premium for the unexpired term of the policy.
PROVISIONS - Statements contained in an insurance policy which explain the benefits, conditions and other features of the insurance contract.
PROXIMATE CAUSE - Cause of loss or damage. Unbroken chain of cause and effect between the occurrence of an insured peril and damage to property.


Car parts maker Magna International Inc. is buying Getrag, a German-based manufacturer of automotive transmissions, in a 1.75 billion euro ($1.9 billion) deal.
Magna, based in Aurora, Ontario, pointed Thursday to Getrag's strength in the growing market for dual-clutch transmissions and to its joint-venture relationships with Ford and with Chinese automakers Jiangling and Dongfeng.
It said that the purchase price reflects a value of 2.45 billion euros for the company minus an estimated 700 million euros in debt and pension liabilities.
The deal, which is subject to regulatory approval, is expected to close near the end of this year.


text:
From strip clubs to massages: When clients are sexually inappropriate
By Andrew Welsch
March 28, 2018, 12:35 p.m. EDT
She was 25 years old and a month into a new job at a bank when she was invited to attend a client event with senior colleagues. Drinks, dinner ― the evening was going well when someone suggested the group go for a nightcap. The destination? A strip club.
"I would liken it to watching pornography with your parents," said the woman, who was one of only two women in the group of about 20. (She asked that her real name not be used in this story.)
Unlike her co-workers and clients, she was the only one who appeared uncomfortable with the situation, the woman said.
"I went to a bathroom, I called my best friend and said, 'What do I do? If I leave, the message it'll send is I'm not part of the team,' " she said. "And there were clients. Obviously this is where the real deals get done, not in the conference room."
She later told her manager she did not think it was appropriate to visit a strip club with clients. The supervisor responded that he didn't see anything amiss, and she later faced retaliation, such as being excluded from attending conferences, she said. She left the bank and today is a financial planner with an independent practice.
Her dilemma is one that employees in wealth management face all too often: What to do when inappropriate situations with clients arise?
Also in this series:
• Sexual harassment in the professional workplace: Behind the research
• 10 key findings: Sexual harassment in the professional workplace
• Wealth management fares the worst in broad study of sexual harassment
• Banks wrestle with sense of futility on sexual harassment
• Does Silicon Valley's 'bro culture' pervade IT elsewhere?
• Sexual harassment is a bigger problem than accountants think
• HR's culture shift: Tackling workplace sexual harassment while navigating legal definitions
• A #MeToo backlash is brewing in banking
Unwelcome sexual conduct in the workplace is more prevalent in wealth management than in other industries, according to a recent SourceMedia survey of more than 3,000 individuals from a range of industries, including healthcare, accounting and banking.
One third of women in wealth management said they believe there is a high prevalence of sexual harassment in their industry, according to the survey. Harassment was defined in the survey as unwelcome behavior that ranged from inappropriate personal questions to threats of retaliation for not complying with sexual requests.
In interviews, male and female advisors said such behavior is not all coming from colleagues — sometimes clients are at fault. Some said they've experienced inappropriate questions and advances from clients, and some witnessed questionable behavior in their co-workers' advisor-client relationships. (Most of the advisors interviewed for this story requested anonymity.)
An independent advisor of more than 20 years said she has had a few clients make unwelcome advances. In a meeting with two prospective clients, a husband and wife, the man commented on her looks.
The advisor recalls the man saying, "Oh I bet you and your husband have a good time together."
His wife was still in the room.
"I made a mental note that this is not someone I'd want as a client because who knows where this might go and what he might try. He might be that way with everybody, but I did not want to find out," the advisor said.
Another male client, who was going through a divorce, repeatedly said he owed the advisor a massage ― an offer she rebuffed. The advisor also decided not to keep him as a client.
While cutting a client loose is an effective way to head off future unwelcome encounters, it's not always a viable option for young advisors trying to build a roster of clients. Wealth management is something of an eat-what-you-kill industry, advisors pointed out.
And clients can come with their own biases. Women often have to overcome traditional expectations of what a financial advisor looks like: older, white and male. It's an image that is often reinforced in advertising by wealth management firms, female advisors said.
"I've heard that clients prefer to work with a man; I've heard that many, many times," an ex-Smith Barney advisor said.
Early in her career, when she and a male colleague would meet with prospective male clients, the clients often assumed she was the colleague's secretary, she said.
A former Merrill Lynch advisor said that on numerous occasions she's been subjected to "mansplaining" by male clients at meetings who repeated what she'd just said to everyone else present.
Wealth management fares worst in broad study of sexual harassment
From inappropriate touching to belittling comments, women advisors confront workplace environments that are far from welcoming.
PH sexual harassment
10 key findings: Sexual harassment in the professional workplace
An unprecedented, industrywide survey of sexual harassment in the professional workplace reveals industries with the highest prevalence of unwanted sexual behavior, the differences between large and small companies, and blind spots that may be preventing corrections. Fortunately, the data also lights a path forward.
By Chelsea Emery
A #MeToo backlash is brewing in banking
Optimism that the #MeToo movement will have a positive influence is high among bankers who participated in a recent survey on sexual harassment. But there is also concern that it could lead to gender discrimination in hiring and mentoring.
By Jackie Stewart
Of course, inappropriate client behavior is not a problem unique to wealth management. Other client-facing professionals also report being placed in uncomfortable situations, particularly in meetings held outside the office.
A woman working at a professional services company said that after-work dinners with clients are common in her line of work. Clients and colleagues can mistake the relaxed atmosphere at those meetings for an excuse to pursue behavior they wouldn't in other circumstances, she said. It's "still inappropriate regardless of whether it is from 9 to 5 or afterward," she said.
And Corey Krusa, the personnel director at Amarillo National Bank in Texas, said her bank fired a customer who persisted in bothering a branch employee with repeated visits and calls, even after being asked to use a different branch instead.
Men also have been on the receiving end of inappropriate requests. In the survey, 6% of men in wealth management said they've been subject to unwelcome sexual conduct in the workplace.
Joel Seaton ― who gave permission to use his name ― said he's seen colleagues date clients, and added that he has not dated women who have blurred the line between seeing him as a financial advisor and as a potential romantic partner.
"There were plenty [of female clients] I would have liked to have dated," Seaton said. But, "when you are in that dynamic I just think it's not appropriate."
He said he hasn't dated any colleagues either, though he understands why it happens. He knows eight married couples, all of whom are advisors and met their spouses on the job.
"If you are working 10 to 12 hours a day, where do you meet people?" he asked. "I think the only time it becomes a tenuous situation is when somebody has authority over a person and compels a person to have to date — and that's bad."
Have you experienced or seen inappropriate conduct from clients or colleagues in the workplace? Do you have an opinion on how the industry handles such matters? Please tell us in the comment section below.
Andrew Welsch
Senior Editor, Financial Planning
Sexual harassment Gender discriminationClient relationsClient acquisitionSexual harassment in the professional workplaceWomen in Banking


179 reviews of, angel Of The Winds Casino Resort I'm torn between 3 stars (food) and 4 stars (room) so I am settling on 4 stars. 2019!
small 60,000-square-foot casino doesnt sprawl like others on the Strip and looks great thanks to recent renovations. Guest rooms at all price points have a new feel with a modern style and contemporary furnishings.
Fitness center, bellagio, floortoceiling windows, o by Cirque du Soleil features upcoming a cast of 85 acrobats. Fore more sports betting action, salon, the hotel is close to the Summerlin Parkway. The rooms have at least two flat screen TVs.
Valet parking is available.When ready to check-out, a simple text alerts the valet staff to retrieve your car.
As well as uptodate restaurants and attractions that are among the most popular on the Strip. Spacious bathrooms with large tubs 1000 Venetian Hotel or 702, and other features, dining highlights include Tom Colicchios Heritage Steak. The Still sports bar, the Basics Hotel Phone, with their own exclusive elevators that also provide direct access to the pool or the Mandalay Bay Casino floor. Relax to the sounds of trickling water in the coed conservatory. Hotel rooms are on the 3539 floors of the Mandalay Bay tower. Sprawling pool complex include several family pools and Tao Beach or the Aquatic Club for adults 3355 414, the Hard Rock is convenient to tourist attractions while having a little bit casino of breathing room of its own.
How to Book : m will usually have the best rates: Golden Nugget.Location : The Venetian and Palazzo command a powerful presence in the mid-to-north section of the Strip.
Even the three best spots are on the casual side. Walk across the street to Ferraros a familyowned Italian restaurant thats among the best in town or Big Chicken a venture by Shaquille ONeal that serves awesome crispy chicken sandwiches. It can be purchased in the gift shop and is similar to the smell of the bath salts that come complimentary in every guest bathroom.


First off, thank you for purchasing our course. It means a lot that you took the time out of your day and the money you work hard for and put it into something that we created. We built this course for you. This course will show you how to work in CSS, so you can manage the style and layout of your own site.
While this course does not go into the deep parts of CSS and is mainly for beginners who want to understand this unknown facet of WordPress and blogging, it will show you the main components of CSS and how to manage it.
The best part is since you're in, now you get all the new material we will be adding on a regular basis to make sure you get the most out of this course and your time.
This course is completely self-guided and you can move to any place you want. You don't have to finish a lesson in order to get to another one. We want you to jump around to where you need.
We appreciate you and your time, so thank you again.
Make sure to get access to the Blogging on WordPress Facebook group if you haven't already. This is very important as you can ask your questions there and learn more about WordPress. If you don't like Facebook, that's OK. You can always contact us with your questions.


Do you want to make an impact on the next generation of explorers?
Vanderbilt Dyer Observatory is focused on our mission to inspire student and public interest in science through experiencing the wonders of astronomy and space exploration.
Exploration has been at the heart and soul of America's history, economic strength, and world prestige. It is vital for our country to continue to pursue exploration aggressively so that we maintain America's stature and competitive edge in the world. Making science a priority will inspire, motivate, and create the next generation of explorers.
We are striving to affect the lives of more students and teachers and are actively seeking to find more ways to be able to do that. One of the most tangible expressions of our work is seen in our efforts to help develop the next generation of American explorers.
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Qml windows application =========================================================================== Download now: >>>>>> http://lesinko.ru/?imge&keyword=qml+windows+application CLICK HERE TO DOWNLOAD: >>>>>> http://lesinko.ru/?imge&keyword=qml+windows+application =========================================================================== Qml windows application Is the QML photoshop plugin useable for real project? The easiest way I can think of to work out what geometry you need is via. You can go through the links given to get started. If those answers do not fully address your question, please. But now with Windows 8 coming, old school widget based interface is going to get outdated just my opinion! SplashScreen did make a difference: no qml windows application icon is created. Browse other questions tagged or. I not success to run this, maybe becuase I using QT 5. Just so that you can get an idea of what qml might be capable in terms of animations etc. Is the QML photoshop plugin useable for real project? Thank you very much! This is Qt 5. WindowSystemMenuHintso I left only Qt. Although it might not be very intuitive in its approach to generate files, but it still is a very nice tool to work on single files screenswhen your UI is not expected to change at all. I work with: Win 7 x64 Qt 5. You can go through the links given to get started. SplashScreen did make a difference: no application icon is created. Thank you very much! And personally I would say qml is just awesome to learn and have fun. Is the QML photoshop plugin useable for real project? WindowSystemMenuHintso I left only Qt. This is Qt 5. I not success to run this, maybe becuase I using QT 5. Stack Overflow is a community of 4. But now with Windows 8 coming, old school widget based interface is going to get outdated just my opinion! Browse other questions tagged or. Qml windows application I havent used the Photoshop one, but the one for YES. Now I want to ask those, who had some experience with QML: Is it easy to write Metro-style or how is it called nowadays applications with QML. Thank you very much. Browse other questions tagged or. Stack Overflow is a community of 4. Stack Overflow is a community of 4. WindowSystemMenuHintso I left only Qt. Although it might not be very intuitive in its approach to generate files, but it still is a very nice tool to work on single files screenswhen your UI is not expected to change at all. But never had a chance to work with it.


Lansing was not an outgoing family man. He had four children whom he cared for a great deal. He would spend occasional weekends entertaining them, taking them to the park, and so forth. But for the most part, he spent relatively little time at home; typically, weekends would be spent at the factory where he would work on new projects and processes. In the old McKinley Avenue plant, the only sofa was in the ladies lounge. After long hours of agonizing over a process or a new invention, Lansing would often go to sleep on the sofa on Sunday night --only to be discovered the following Monday morning when the first secretary came in -- usually with a shriek!
Jim Noble, a long-time associate of Lansing's through the late thirties and the Altec years, told of his occasional disregard of other workers' property when he was hot on the trail to a new technique or process. He would, as these stories go, open somebody else's tool box and use a precision micrometer as a "C" clamp. Somehow, this does not ring true with the notion we have of the man as one who respected technology and had such high regard for precision processes.


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Home > Culture > Features
His mission: to sell Korea in 30 minutes
The artist chosen to design the opening ceremony for this year's World Cup soccer games, Sohn Jin-chaek, is a man of few words. But it seems he has even less to say now that he has a major international event on his hands.
Up to 2 billion people are expected to watch the May 31 ceremony. The 30-minute show will be performed in the Seoul World Cup Stadium before the opening match between France and Senegal. Sohn, 54, a highly regarded play director, is reluctant to reveal the details of his plans, but did provide an overview.
"Unlike the opening ceremonies for Olympic games, where culture and art are emphasized, the World Cup ceremonies are down-to-earth and simple," Sohn said. "The soccer games are the main event and culture is only thought of as a sideline."
Despite his calm demeanor, Sohn is by no means taking the assignment lightly; he said he wants to make that 30 minutes the brightest moments of his artistic life. "The concept of the ceremony can be summarized as 'communication,'" he said. "By that I mean the harmony between nature and man and the communication between the universe and humankind. Through this, I want to express a message of harmonious coexistence to all humankind, along with the hope that even a small thing like a soccer ball can make coexistence a reality."
To gather ideas for the ceremony, Sohn attended the opening of last summer's Beijing Universiade, where college students from 168 countries competed in athletic contests. He has also been watching videos of other opening ceremonies for large sporting events like the 1998 World Cup in France. "The opening ceremony of the Beijing Universiade was a gargantuan event, with 12,000 people involved," Sohn explained. "We won't be able to bring that many people together. Our ceremony will be more like a specialty shop offering just the important things than a department store offering everything."
Sohn will choreograph the entire ceremony to ensure that it is consistent and smooth. He hinted that high-tech effects will be used, while expressing concern about the timing: from 7:30 to 8 p.m. He is worried that it may not be completely dark for his show.
Asked which ceremony was the best model to follow, Sohn cited France's "Children of Grass" show at the last World Cup. "The performance achieved an exquisite harmony between the traditional and the modern and contained a future-oriented message as well," he said. Presenting the values inherent in Korean culture will be the primary objective in this year's show. The production staff in charge of making Sohn's vision a reality, called Taskforce, was put together by the local advertising agencies Cheil Communications and Diamond AD. The team is in the process of recruiting performance groups and artists for the ceremony. The first rehearsal is set for March.
by Jung Jae-wal
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[ZOOM KOREA] Jeong Daun ditched the paint for pieces of cloth


When it comes to this velvet trend? I am ALL IN.
You aimlessly drive around looking for a fun spot to take photos. While in the car you listen to the Hamilton soundtrack but when it starts to lightly snow, you put on Frank Sinatra Christmas.
As you look, he suggests things like how about that concrete yard (gated) or how about that dumpster over there (you're cute, but I don't think so).
You find yourself in Grandville and he start speaking about the 'castle building' that is under construction because he is fascinated by its sheer size. He says, 'let's go check that out...' and again, because he's cute, you go.
As you pull into the construction site, you laugh as he suggests you might find a spot in there to take photos.
You drive around the massive building trying to analyze the architecture for what each space and corner will be when complete.
To your surprise and his glee, you find a to-be parking garage that is the perfect contrast to your light, feminine outfit.
You take pictures there. You take breaks to explore and laugh about the setting. You eat a little crow for dismissing his idea. He doesn't gloat, he just snaps some photos and says, I think you look pretty in here. MELT.
DRESS UP: For these photos I paired the skirt with a long sleeve blush blouse for a monochromatic look. It has a tie around the neck but I also added a faux fur collar scarf for extra drama. My go-to heels were the finishing touch.
DRESS DOWN: I think this skirt would be great with a tucked-in graphic tee, slouchy sweater, and hat.
Thankful that these pictures represent an afternoon of wandering with my favorite human. It's beyond empowering when your spouse not only supports your dreams, but will hang at a chilly construction site to help you pursue them. Love you Mr. Handsome.


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Women not entitled to pension age change compensation, high court rules
Nearly 4m women born in 1950s not entitled to restitution over pension age rise, judges rule
Campaigners outside the Royal Courts of Justice in London before the ruling on Thursday. Photograph: Kirsty O'Connor/PA
Amelia Hill
@byameliahill
Thu 3 Oct 2019 05.11 EDT
Last modified on Thu 3 Oct 2019 14.15 EDT
Almost 4 million women born in the 1950s will not be compensated for the money they lost when the pension age was raised from 60 to 66, the high court has decided.
Two claimants took the Department for Work and Pensions (DWP) to court, arguing that raising their pension age "unlawfully discriminated against them on the grounds of age, sex, and age and sex combined".
Lord Justice Irwin and Mrs Justice Whipple said in their judgment on Thursday that they were saddened by the claimants' stories but that the court's role was limited.
In a judgment dismissing the claim on all grounds, including age discrimination, sex discrimination and lack of notice, they said: "The wider issues raised by the claimants about whether the choices were right or wrong, or good or bad, were not for the court. They were for members of the public and their elected representatives."
But the campaign group BackTo60, which bought the claim on behalf of women affected by the pension changes – many of whom who only found out their pension age had increased when they applied to draw it, or shortly before – said they would appeal against the decision.
Joanne Welch from the group said: "They can't knock us back. We've got a fierce and powerful armoury behind us. As well as the 3.8 million women affected, we have the support of 215 MPs, Unite, Unison, TUC and others.
"If we were a political party, we would be the third biggest, so come on Boris Johnson: you pledged during the Tory leadership campaign that you would look at this issue with fresh vigour. There's a general election coming up. You need our votes and we are holding you to that undertaking."
Marcia Willis Stewart of Birnberg Peirce, which represented the claimants, said: "We are deeply disappointed by this decision." She added that the aim of the "arduous legal process" was "to rectify a substantial and far-reaching injustice".
"Sadly, today that injustice remains," she said. "The struggling on behalf of those beleaguered women, whose stories saddened the judges but for whom this judgment provided no relief, will continue."
The shadow home secretary, Diane Abbott, tweeted: "Disappointed to hear about today's decision. I will continue to support campaign in their fight against pension inequality."
The Green party MP, Caroline Lucas tweeted: "Deeply disappointing that the courageous and unjustly treated women have lost their judicial review in the high court. The gross pensions injustice for 1950s women remains – I will continue to support their fight."
The Unison general secretary, Dave Prentis, called the judgment "perverse". He said: "This is a terrible blow for the millions of women who will have been hoping for a very different outcome today. The decision to hike the state pension age with next to no notice didn't just throw their retirement plans up in the air, it also left many women on lower incomes really struggling to make ends meet.
"It seems perverse that the Department for Work and Pensions had no obligation to inform these women of this significant change."
The judgment found that there had been no discrimination by the DWP based on age "but even if there was, it could be justified on the facts. This legislation operated in the field of macro-economic policy; the underlying objective of the change was to ensure that the state pension regime remained affordable while striking an appropriate balance between state pension age and the size of the state pension; an important consideration was the need to secure intergenerational fairness between pensioners and younger taxpayers; the fact that people live longer is important alongside other demographic and social changes."
The judges also ruled that EU member states were allowed to discriminate on the basis of sex in determining pensionable age. "There was no direct discrimination on grounds of sex, because this legislation does not treat women less favourably than men in law, rather it equalises a historic asymmetry between men and women and thereby corrects historic direct discrimination against men," the judgment read.
The claimants also argued that they had not had sufficient notice of the changes and that this was contrary to the requirements of public law. This was rejected by the judges because "the claimants had no legitimate expectation that the government would not alter the state pension age without prior consultation; in any event it was clear that successive governments had engaged in extensive consultation with a wide spread of interested bodies before the legislation was introduced".
The two judges had to consider both UK and EU law, and the UK's ratification by Margaret Thatcher of the UN convention for the elimination of discrimination against women (CEDAW), which specifies that women who have been discriminated against must be fully compensated.
Women in their 50s and 60s were hit by the government's decision under the 1995 Pensions Act to increase the female state pension age from 60 to 65. The change was to be phased in between 2010 and 2020.
The coalition government of 2010 accelerated the timetable. The 2011 Pensions Act brought the new qualifying age of 65 for women forward to 2018. The qualifying age for both men and women will be raised to 66 by October 2020.
BackTo60 argued that women were not given time to adjust to the new retirement age and also that the changes in 2011 and 1995 had not been clearly communicated.
The DWP has been approached for comment.