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Artist Type Graphic Arts Literary Arts Media Multi Arts Performing Arts -- Actor/Actress -- Dance -- Music -- Radio/Television -- Spoken Word -- Storytelling -- Theatre -- Vocal Visual Arts -- Architectural Illustration -- Ceramics -- Conservation/Restoration -- Constructions/Collage -- Crafts -- Earthworks -- Film -- Functional and/or Decorative -- Glasswork -- Graphic Arts -- Illustration -- Jewelry -- Media and Visual Communications -- Mixed Media -- Murals -- New Media/Technology -- Painting -- Performance Art -- Performers and Writers -- Photography -- Printmaking -- Sculpture -- Textiles -- Visual Arts Instructor -- Works on paper
Artist Style Dance -- Ballet -- Ballroom -- Contemporary -- Folk -- Hip-Hop -- Modern Literary -- Action/Adventure -- Children -- Documentary -- Editor -- Fiction -- History -- Instructor -- Non-Fiction -- Playwright -- Poetry -- Prose -- Romance -- Science Fiction -- Stream of Consciousness Music -- A Cappella -- Acoustic -- Alternative Rock -- Americana -- Big Band -- Bluegrass -- Blues -- Childrens Music -- Choral -- Classic Rock -- Classical -- Country Western -- Disco -- Experimental -- Flamenco -- Folk -- Funk -- Gospel -- Hard Rock -- Heavy Metal -- Hip-Hop -- Jazz -- Multimedia -- Neo-Soul -- Opera -- Pop -- Punk -- Rap -- Reggae -- Retro -- Salsa -- Seasonal -- Techno/Electronica -- Top 40 -- Wedding -- World Theatre -- Cabaret/Variety -- Comedy -- Drama -- Musicals -- Political Visual -- Abstract -- Assemblage -- Collage -- Conceptual -- Contemporary -- Decorative/Ornamental -- Documentary -- Dream Imagery/Ethereal -- Environmental -- Ethnic -- Experimental -- Expressionistic -- Figurative -- Focus on Color/Light/Movement -- Formalism -- Functional -- Gold Leaf -- Icongraphic/Iconoclastic -- Illustrative -- Impressionistic -- Interactive -- Land/Cityscape -- Minimalism -- Murals -- Narrative/Historical -- Nature/Wildlife -- Non-Objective -- Photo Realistic -- Photo-Based Painting -- Political -- Pop -- Portraiture -- Realism -- Representational -- Sacred/Liturgical Art -- Site-Specific -- Social Commentary -- Still Life -- Surrealistic -- Symbolic -- Trompe l'oeil
Artist Medium Visual Arts -- Acrylic -- Aluminum -- Audio/Sound -- Bronze -- Clay -- Collage -- Colored Pencil -- Computer -- Concrete -- Drawing Media -- Earth -- Encaustic -- Fiber/Fabric -- Fiberglass -- Glass -- Light/Neon -- Limestone -- Mixed Media -- Oil -- Photography -- Plastic -- Steel -- Stone -- Video -- Watercolor -- Wood
Select City AdvanceAmoArcadiaAtlantaAvonBargersvilleBeech GroveBoggstownBrownsburgCarmelCiceroClaytonCoatesvilleDanvilleEdinburghFairlandFishersFlat RockFortvilleFountaintownFranklinGenevaGreenfieldGreenwoodGwynnevilleIndianapolisJamestownLebanonLiztonMaxwellMc CordsvilleMorristownNew PalestineNoblesvilleNorth SalemPittsboroPlainfieldSaint PaulShelbyvilleSheridanShirleyStilesvilleThorntownTrafalgarWaldronWestfieldWhitelandWhitestownWilkinsonZionsville
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Andrea Townsend
My focus is on the relationship of surface and form. I create geometric environments through understanding this relationship. This is important to me conceptually because I appreciate the ability to discover various ways of viewing an individual work of art.
Karen Tyler
to be entered in later….new in town
Lauren Ullrich
Visual Arts: Mixed Media, Painting, Printmaking
I have spent most of my life traveling and have come to enjoy learning about different cultures and ways of life. In my art I try to capture buildings and landmarks of some of my favorite places in an attempt to keep those memories alive. I also try to depict place I dream of visiting to either inspire me to plan a trip or simply appreciate from a distance a place I may never see. Not everyone has the time or funds to travel so through my art I want to show the beautiful variety of architecture around world.
Tony Utley
Katrina Valuyeva
Multi Arts; Visual Arts: Crafts, Functional and/or Decorative, Jewelry, Mixed Media, Sculpture
My life consists of autodidactic learning using books, online tutorials and workshops, driven by the ever-present compulsion to create. After college (2012) I moved from my parent's house in New York to Indiana– where I started learning metalsmithing, lapidary and precious metal clay through workshops, books and tutorials online. I am currently focusing on sculptural jewelry and objects using a mixed media approach.
Sandra L. Vardaman
Larry Vaughn
Visual Arts: Glasswork, Graphic Arts, Mixed Media, Sculpture
A renaissance man. Apprenticed for 7 years as a glass beveler and related crafts. Custom designed art glass windows, antique window restoration, and on site repairs for over 40 years. Art is a solo effort!
Samuel E Vázquez
Visual Arts: Constructions/Collage, Mixed Media
Samuel E Vázquez is a visual artist working primarily in found materials and mixed media. Vázquez was born in San Juan, Puerto Rico in 1970 and raised in New York City in the 1980s. His inspiration is rooted in the New York City subway style writing movement of the 1970s and 80s along with the works of Ed Clark, Jackson Pollock, and Jean-Michel Basquiat. Vázquez was appointed a Scholar In Residence at the Indiana University Purdue University Indianapolis (IUPUI) Arts and Humanities Institute (2017-2018) and awarded a Creative Renewal Arts Fellowship from the Arts Council of Indianapolis (2017-2018). His work is in private and public collections including The Joanna Nixon Collection, The Miles Family Collection, and Central Indiana Community Foundation (CICF). In 2017, Vázquez was a featured artist alongside Keith Haring, Lee Quiñones, Lady Pink, Chris "Daze" Ellis, Zephyr, Torrick "Toxic" Ablack, and Cey Adams among others in City as Canvas: New York City Graffiti from the 70s & 80s at the Indianapolis Museum of Art Galleries at Newfields. The works in City as Canvas are from The Martin Wong Collection at the Museum of the City of New York.
Starr Vélez
Starr never dreamed that her love for nature and color would develop into art. When diagnosed with Multiple Sclerosis in 2002 she was faced with new and abrupt challenges. Creativity allows her to conquer daily obstacles and express the voice that was once hidden deep within. A self-taught artist, she works with mosaics, acrylic, watercolor, encaustics, chalk, photography, altered art, resin, fiber, papers, mica, block printing, and various combinations of mediums in various styles. Her passion is life and she likes to envelop reality, whimsy, and spiritual symbolism in all of her work. Her inspiration comes from life and from the insights of her personal experiences.
Starr Velez
Kate Wagner
Visual Arts: Jewelry, Mixed Media, Photography, Visual Arts Instructor
I craete everyday.
Multi Arts; Visual Arts: Graphic Arts, Mixed Media, Painting, Visual Arts Instructor, Works on paper; Bookbinding, Calligraphy, Lettering Arts
Sandy Wagner is a calligrapher, artist and music engraver who maintains a studio in Indianapolis, IN, where she lives with her husband Doug, a professional composer. Early in her career as a high school choral director, Sandy enrolled in a local calligraphy class for fun and was instantly hooked. Now as a professional lettering artist with more than 40 years of experience, she utilizes the techniques and design philosophies gleaned from her studies with many internationally recognized calligraphers and artists. She has designed covers for major music publishers, produced and exhibited award-winning art, and taught adult continuing studies courses in calligraphy. Her work was chosen for the 2010 Letter Arts Review Annual Juried Issue. During the past several years, Sandy has expanded her artistic media to include bookbinding, drawing, pastels, watercolor, mixed media and collage. She is always seeking new ways to incorporate these into her calligraphic expressions.
Donald Walton
Visual Arts: Constructions/Collage, Mixed Media, Murals, Painting
I became interested in art early in my youth and received my training at Arsenal Technical High School where I received awards for original portraits and murals. In 1995 and 1996 I received a 2nd place award for ink drawings at the Indianapolis Black Expo. My work was on display at the Africa Fest in the year of 1995. In 2010 I created a mural for Broadway United Methodist Church for the youth. I also created a mural which is presently on display at L- Fish furniture in Indianapolis, Indiana.
Media; Visual Arts: Constructions/Collage, Crafts, Graphic Arts, Illustration, Mixed Media, Murals, Painting, Photography, Visual Arts Instructor, Works on paper
Ward is responsible for curating over seventy (70) art, music, fashion and performing arts events and exhibitions in Indianapolis.
Andrew Warren
Visual Arts: Mixed Media, Painting
Sam Welch
Visual Arts: Ceramics, Constructions/Collage, Crafts, Mixed Media, Murals, Painting, Sculpture, Visual Arts Instructor
I primarily work in ceramics and am a ceramics instructor in Indianapolis. I do however have a pretty diverse art background from mural work, drawing, painting, and sculpture. My current body of work is rooted in more of a retro futuristic feel. My goal with most pieces is to fool the viewer making them question the media being used. I try to stretch the limits of ceramics with each piece.
Kathleen Wenzel Biale
Visual Arts: Mixed Media
"I work in various media. The direction of each piece of my work expresses feeling, mood, color and subject matter.' Kathleen Wenzel Biale
Linda Westfall
I started painting in my early 50's. My mediums are encaustic and oil and cold wax. Encaustics came to my attention while visiting my daughter in Portland where we took a workshop. It is a challenging and rewarding medium. http://mingum.tumblr.com/ Facebook: Linda Westfall Artist
Tori Weyers
Media; Visual Arts: Graphic Arts, Illustration, Media and Visual Communications, Mixed Media, Painting, Photography, Printmaking, Visual Arts Instructor
Tori Weyers is a fine artist and designer specializing in mixed media, screen printing, and abstract painting. She received her BFA at the Art Academy of Cincinnati and has a passion for creating work that engages and delights the viewer with rich visual narratives, strong composition and unique subject matter. Weyers has been a featured artist in Art Journaling Magazine and she teaches mixed media, painting and printmaking at the Indianapolis Art Center as well many different workshops and classes online. Weyers creates and shows work from her downtown Indianapolis studio in The Circle City Industrial Artists Complex as well as her home studio in Broad Ripple. You can learn more about Weyers and see her latest work by visiting her web page www.drawriot.com or by following @drawriot on Instagram.
Sara Sarabellum White
Sara (SaraBellum) White is a self taught working artist. She has a distinct signature style infused with black swirls and bright colors. She is also inspired by animals and nature in general. Sara has always been busy making some sort of artwork. As a child she attended painting classes at a local art store downtown and would make crafts in her spare time at home. As she recalls her childhood Sara says, " I never really wanted just regular toys, I always had to have something interactive like a paint by numbers set or a microscope with slides and pieces for observation, and my parents always supported that. I think that had a lot to do with me staying on my course as an artist." However, It wasn't until her move to Atlanta from 2002-2010 that she began to immerse herself into painting completely. Born and raised in small town Lafayette, Indiana where being a person of color was not very popular Sara longed for culture and colorful people, Atlanta is where she found it. Surrounded by likeminded artist that were not afraid to push the extremes and be themselves helped Sara to grow comfortable with her own unique style. Sara has participated in many collaborative art shows. She has been able to successfully sell artwork and do commission jobs for well over a decade. Aspiring to be a curator of her own art shows one day, she hopes to provide a platform for other artist to display their work. Her biggest motivation for creating art is Life itself, all the pain, the joy and struggle involved in living, is what keeps her coming back to the canvas. She pulls visual inspirations from nature and visions she says that have often come to her in a dream. Sara says "My mother told me once while reading her scripture that God had told her to tell me to paint what I see, not matter what that is. I knew exactly what that meant and it's exactly what I do." With great support from peers and the artist community around her, Sara continues to grow and develop as an artist.
Vicky Shaffer White
Visual Arts: Mixed Media, Painting, Works on paper
I have been painting for over 25 years, in Indianapolis, IN. I received a Bachelors degree in Fine Arts in Painting from Herron School of Art. In the past year I served as the Executive Director of the Art Association of Henry County (AAHC) in New Castle IN. My goal was to bring more art accessibility to the community through our gallery, arts park, classes and events such as concerts and fund raisers. I held the office of President on the Herron Alumni Association from 2004 through 2006 and served on the board for 10 years. I am a member of the Stutz Artist Association, IDADA (Indianapolis Downtown Artist Association), Indianapolis Art Museum and listed on IndyArts.Org www.indyarts.org. I have participated in many local and regional juried shows and encourage the growth of the local arts. I am fortunate to have placed several of my paintings in the Mayor of Indianapolis executive offices, Keep Indianapolis Beautiful Corporate offices, Circle Theater for the ISO, and the Indianapolis Zoo. My work can be seen across the country in California, Florida, Kansas, Wisconsin & Tennessee.
Visual Arts: Mixed Media, Painting, Sculpture, Textiles
I am currently delighting myself, and aiming to delight others, through the production of multiple art forms, particularly painting, drawing, and fabric sculpture. My art is a release of energy and humor, and I use interests, observations, and experiences to inform my compositions. Color, humor, and biological themes can be discovered throughout the body of my work, and often all three are represented in a single piece. I get excited about color, the way three dierent hues of blue melt when you wear them in layers. Consider electric pink toenails and construction spray paint on public sidewalks. Since color found in such ordinary contexts can be so stimulating, I've decided to start compositions initially about color, then let them develop as I go. The most delightful aspect of this process is that the piece usually develops into a composition about more than color, but about love, life, line, or a variety of things. I've recently poured myself into a series of drawings and paintings that are inspired by intestinal shapes and forms. They are playful and abstract, and they beg you to confront the reality of your digestive system in a light hearted manner. I've always been interested in anatomy, histology, and cell biology so these interests are a constant source of creative inspiration.
I am an exuberant optimist … a quirky …. mixed media artist who adores surrealistic images, vivid colors and abstraction.I enjoy evoking emotion and mystery in each piece.
Kevin James Wilson loves to create fine art. He holds a Bachelor of Fine Arts in Illustration from the Rhode Island School of Design, where he was awarded a full scholarship. While at RISD, Kevin served on Admissions Committee, Graduation Honors Committee, President of the Third World Coalition of Artists, and Chairman of Entertainment as a member of the Student Board. It was also at RISD that Kevin was contracted to execute a portrait of Muhammad Ali for the International Year of the Child. Kevin presented the portrait to Mr. Ali at the world famous Cotton Club in Harlem, New York. While attending RISD, Kevin was also accepted to The Washington Square Outdoor Art Exhibit in New York City. In the exhibit's 97 year history, he was the youngest artist ever accepted to the exhibition. After his college graduation, Kevin worked professionally in Indianapolis from 1981 until moving to Las Vegas in 1998. While in Indianapolis, he executed murals, for the Children's Museum in Indianapolis, The Indianapolis Fire Department and J.C. Penneys, just to name a few. He also mastered airbrush, and taught it along with drawing at the Indianapolis Art Center for 12 years. He has been accepted to every major art exhibition in Indiana including The Penrod Arts Fair, The Talbot Street Art Fair, The Hoosier Salon, Indiana Black Expo, and the Indiana State Fair. His work was also accepted at the Alliance Rental Gallery in Newfields, formerly The Indianapolis Museum of Art. Kevin was also awarded one man exhibitions at the Circle theater in Indianapolis, and the Schrott Center at Butler University. He also had his artwork accepted at the Black Creativity Exhibition in the Museum of Science and Industry in Chicago, Illinois. These are just some of the exhibitions and awards he has to his name. In 1998, he moved to Las Vegas, Nevada. Kevin worked in various graphic design industries and also continued working on his fine arts. While in Las Vegas, Kevin exhibited his artwork in Caesar's Palace. He also was a finalist in a national competition with Chrysler Corporation that led him to seriously pursue his fine arts. In 2002 Kevin moved back to Indianapolis to raise his 2 daughters closer to their family in the Midwest. He was offered his previous position as the Graphic Design Program Manager at International Business College in Indiana. At the present time he has been with IBC for 22 years. Kevin continues to enter competitons and exhibitions. He was given a lifetime achievement award from The Central Library's Meet the Artists Exhibition. He was asked to be one of 10 artists to produce a painting celebrating 100 years of Indy Parks, in Indianapolis. He had 2 pieces accepted to the 50th anniversary celebration of Clowes Hall at Butler University, and was one of 33 artists who created artwork for the 100th running of the Indianapolis 500 mile race. One of his latest achievements was having his artwork circulated on a billboard throughout Indianapolis for a year. He was also awarded the Peoples' Choice Award for this accomplishment out of the other 9 artists. Kevin's services as an artist have included illustration, graphic design, art direction, murals, portraits, still life, figure drawing, body painting, fine art. computer graphics, workshops, teaching, storyboards, exhibitions and demonstrations. His real passion is fine art, including portraits, murals and especially drawings. You may contact him directly: email, kevin@kevinjwilson.net or 317-442-9325. www.kevinjwilson.net
Cass Wilson
Visual Arts: Illustration, Mixed Media, Murals, New Media/Technology, Painting
My name is Cass Wilson and it's wonderful to meet you. I was born in Phoenix, Arizona and that is where my love for art began. At the ripe age of 4, I experienced my first paint brush while coloring the carpet, the inside of a dryer, and my dads clothing with bright pink nail polish. Little did he know it sparked a mad passion and frenzy for me. Quickly my parents began to stock my childrens desk with crayons, markers, pens, pencils, and all the works. Life changes as a kid and you are packed up just as compactly as your toys and memories. Our family wandered a lot through my childhood. We lived in Texas, Michigan, and Settled in Indiana. It was in Indiana that I realized that my heart was content and my soul was rested only after creating something. I took three art classes in high school. I took 2d drawing Freshman year. That was a bit of a dud. I wasn't challenged at all. I was also not allowed to draw things I really liked. To be fair, I learned a lot about value and tone despite my relationship with the dragon lady. Sophmore year, I took painting 101. This was my lunch period. I also wasn't challenged but I had the pleasure of loving my teacher and being a huge help to my class by finishing my work quickly and going to help them with feedback or tips. My final art class was senior year and I took ceramics. INTOXICATING! I wasn't great at it, but I loved throwing on the wheel. I went to portfolio days and I remember back then a huge blow to my ego and dreams. Pratt told me I had too much of a style and while my work was great, I wouldn't be moldable. In retrospect… Pratts feedback pushed me to fight back. Growing up we didn't have money for college. So being determined, head strong, and unwilling to let go of art; I followed my own dreams. I am a professional artist who has showcased with RAW, Had first Friday's in Evansville's best Coffee shop, Showcased at Studio 6 in Frankfort, and been recognized in Lexington KY for chalkboard portraits at HopCat Craft Beer Bar. Life is a funny little tide that pulls me to different edges of the world teaching me and allowing me to follow my passion.
Becky Wilson
Visual Arts: Conservation/Restoration, Mixed Media, Murals, Painting, Visual Arts Instructor
Becky Wilson Becky exhibited in her very first group show at the Indianapolis Art Center in the early 1980s, during her years at Herron School of Art. Her skills were noted in Indianapolis Monthly magazine when she was recognized as one of the "85 People to Watch in 1985". Becky was a founding member of the 431 Gallery that has been noted among the reasons Massachusetts Avenue became a recognized as an arts district in Indianapolis. Becky was also a founding member of the Stutz Artists Association and Stutz Artist Residency. Her career spans several decades of accolades, including numerous group and solo exhibits, best of shows, awards, and juried recognitions.
Tania Wineglass-Graham
Visual Arts: Ceramics, Jewelry, Mixed Media, Murals, Painting, Textiles, Visual Arts Instructor
As a creator and facilitator of Visual Arts, I feel it is my purpose to make sure that people of all ages, all socioeconomic backgrounds and varied experiences have an opportunity to learn and experience art in some way shape or form. Art permeates every aspect of our society. It speaks for us when there are no words. It heals wounds and brings people together. No matter what your art experience, it can always be shared. No one should feel like art isn't or couldn't be a part of their lives.
Danielle Winger
Visual Arts: Crafts, Mixed Media, Painting, Textiles, Visual Arts Instructor
Danielle Winger was born in Reno, NV. She received her BS in Textiles, Merchandising and Apparel Design from Middle Tennessee State University and her MFA in Studio Art from East Tennessee State University. She is a full time artist and currently resides in Indianapolis, IN.
Nanette Winter
Multi Arts; Visual Arts: Media and Visual Communications, Mixed Media, Painting, Visual Arts Instructor; Creativity Coach
"I love art you can feel. I love color and texture. Organic shapes inspire me and nature absolutely fascinates me. I am particularly drawn towards natural elements like the patterns of leaves, the curling branches of trees and the soft shapes of clouds. When I look closely at a tree for instance… I feel as though underneath it all, everything is connected with everything else and also with the source of all life. In my art, I wish to capture these natural objects, not recreate them exactly, but to convey the essential quality of the forms as if the viewer is experiencing them in a dream. The real beauty of it is, I often don't truly know where a painting is going until it's finished… all I know is that in the end, it just has to feel right." -Nanette Winter
DIANE WISEHART
Diane has been, all her life, an artist. Her mind is cluttered with thoughts, emotions and ideas that will eventually get put to canvas (or wood, or leather, or anything else she can get to hold still – even a rock)! She sold her first painting at the age of 13. Today, there are wall murals adorning many homes throughout central Indiana and paintings hanging in homes all across the country. Diane has always had a driving force within her to create and express her emotions through art. Probably, as with any "artist", to create in any shape, form or medium is a release, a comfort, and a very necessary means to an end…that being to replace fear, anger, loneliness, sadness and pain with calm, peace, and serenity. Diane's style is eclectic, spontaneous, and ever changing! There is so much inspiration in the world, how can one possibly limit their creativity to one style or one medium and her "style" is subject to change on a day to day basis, depending upon what happens to be the inspiration at the moment. This is neither good nor bad…it is what it is. Through art, Diane is able to transform "reality" into whatever she wishes or needs it to be. To be human is to experience good times and painful times, which is reflected in Diane's art. Sometimes it is only visible to her but, sometimes, the art speaks very loudly with emotions it needs to convey. That is something for each individual to determine as they gaze upon her art.
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Discover new arts events, creative opportunities, and cultural experiences, and explore Indy's vibrant arts scene all in one place. Indy Arts Guide is the most comprehensive online resource for the arts in Indianapolis.
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Disclaimer: The Arts Council of Indianapolis provides this database and website as a service to artists, arts organizations, and consumers alike. All information contained within the database and website was provided by the artists or arts organizations. No adjudication or selection process was used to develop this site or the artists and organizations featured. While the Arts Council of Indianapolis makes every effort to present accurate and reliable information on this site, it does not endorse, approve, or certify such information, nor does it guarantee the accuracy, completeness, efficacy, timeliness, or correct sequencing of such information.


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Die folgenden Personen waren Äbte bzw. Erzäbte des Stifts St. Peter in Salzburg:

 Rupert (um 696–716/718) (Abtbischof)
 Vitalis (716/718–vor 728) (Abtbischof)
 Anzogolus
 Savolus
 Ezzius
 Flobrigis († 737) (Abtbischof)
 Johannes (739–746) (Abtbischof)
 Virgil (746–784) (Abtbischof)
 Bertricus (784–785)
 Arno (785–821) (Abterzbischof)
 Ammilonius (821)
 Adalram (821–836) (Abterzbischof)
 Liupram (836–859) (Abterzbischof)
 Adalwin (859–873) (Abterzbischof)
 Adalbert I. (873–874) (Abterzbischof)
 Theotmar (874–907) (Abterzbischof)
 Pilgrim I. (907–923) (Abterzbischof)
 Odalbert (923–935) (Abterzbischof)
 Egilolf (935–939) (Abterzbischof)
 Herold (939/940–958) (Abterzbischof)
 Friedrich I. (958–987) (letzter Abterzbischof, das Amt des Abtes und Erzbischofs wird getrennt)
 Tito (987–1025)
 Mazzelin (1025–?)
 Rupert II. (zwischen 1025 und 1060)
 Rupert III. (zwischen 1025 und 1060)
 Gerwig (1060)
 Reginward (1074)
 Irimbert (1076–1077)
 Thiemo (1077–1090) (danach Erzbischof von Salzburg)
 Albert I. (1090–1104)
 Wezelin (1104–1116)
 Reginbert von Brixen (1116–1125)
 Balderich (1125–1147)
 Heinrich I. (1147–1167) (danach Bischof von Gurk)
 Heinrich II. (1167–1188)
 Wichpoto (1188–1193)
 Pilgrim II. (1193–1195)
 Konrad I. (1196–1198)
 Pilgrim II. (1198–1199)
 Simon I. (1199–1231)
 Berthold (1231–1242)
 Richer (1242–1259)
 Albert II. (1259–1263)
 Chuno (1263–1266)
 Simon II. (1266–1269)
 Dietmar II. (1270–1288)
 Engelbert (1288–1297)
 Rupert IV. (1297–1313)
 Konrad II. (1313–1346)
 Otto I. (1346–1364)
 Johannes II. Rozzes (1364–1375)
 Otto II. Chalhochsperger (1375–1414)
 Leonhard Putzner (1414–1415)
 Ulrich Plankenfelser (1415–1420)
 Johannes III. Nottenhauser (1420–1428)
 Georg I. Waller (1428–1435)
 Erhard Lomptz (1435–1436)
 Petrus I. Klughammer (1436–1466)
 Rupert V. Keutzl (1466–1495)
 Virgil II. Pichler (1495–1502)
 Wolfgang Walcher (1502–1518)
 Simon III. Garchanetz (1518–1521)
 Johann IV. von Staupitz (1522–1524)
 Kilian Püttricher (1525–1535)
 Georg II. Oeller (1535)
 Aegidius Radlmayr (1535–1553)
 Benedikt Obergasser (1554–1577)
 Andreas Graser (1577–1584)
 Martin Hattinger (1584–1615)
 Joachim Buchauer (1615–1626)
 Albert III. Keuslin (1626–1657)
 Amand Pachler (1657–1673)
 Edmund I. Sinnhuber (1673–1702)
 Karl Schrenck von Notzing (1702–1704)
 Placidus Mayrhauser (1704–1741)
 Gottfried Kröll (1741–1753)
 Beda Seeauer (1753–1786)

 Dominikus von Hagenauer (1786–1811)
 Coelestin Spatzenegger (1811–1816) (Prior und Administrator)
 Joseph Neumayr (1816–1818)
 Albert IV. Nagnzaun (1818–1856)
 Albert V. Eder (1857–1876) (später Erzbischof von Salzburg)
 Romuald Horner (1876–1901)
 Willibald Hauthaler (1901–1922)
 Petrus II. Klotz (1922–1931; ab 1927 Erzabt)

Erzäbte
 Petrus II. Klotz (1922/1927–1931)
 Jakob Reimer (1931–1956)
 Franz Bachler (1958–1997)
 Edmund II. Wagenhofer (1997–2009)
Bruno Becker (2009–2010)
 Benedikt Röck, Administrator (2010–2013)
 Korbinian Birnbacher (seit 2013)

Weblinks
 Kleine Salzburgische Chronik

Einzelnachweise

Sankt Peter

redpajama_set_name: RedPajamaWikipedia


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Category: Features
Brick Factory Video: Brick Factory video, 1980s brick factories
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Steelers, Raiders discuss potential deal to lock up quarterback Ryan Tannehill
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Brick Factory: Brick Factory Park and Edmonton Brick Factory trivia
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U.K. mobile brick manufacturer Brick Factory uks an online brick factory to deliver mobile bricks to consumers in the U.S. and Canada.The company, based in Surrey, B.C., said Tuesday that it plans to offer its mobile bricks in stores and on online orders beginning next week.The U.k.-based company says it is looking for consumers in […]
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redpajama_set_name: RedPajamaCommonCrawl


text:
Richmond County, Virginia
Not to be confused with Richmond, Virginia.
U.S. county in Virginia
Richmond County
U.S. county
Richmond County Courthouse in Warsaw
Location within the U.S. state of Virginia
Virginia's location within the U.S.
Coordinates: 37°56′N 76°43′W / 37.94°N 76.72°W / 37.94; -76.72
Richmond, London or
Charles Lennox
Largest town
216 sq mi (560 km2)
25 sq mi (60 km2) 11.5%
• Estimate
43/sq mi (17/km2)
UTC−5 (Eastern)
UTC−4 (EDT)
www.co.richmond.va.us
Richmond County is a county located on the Northern Neck in the U.S. state of Virginia. As of the 2010 census, the population was 9,254.[2] Its county seat is Warsaw.[3] The rural county should not be confused with the large city and state capital Richmond, Virginia. It was formed in 1692 when the first Rappahannock County was divided to form Richmond County and Essex County.
1.1 Adjacent counties
1.2 National protected area
1.3 Major highways
3.1 Town
3.2 Unincorporated communities
According to the U.S. Census Bureau, the county has a total area of 216 square miles (560 km2), of which 191 square miles (490 km2) is land and 25 square miles (65 km2) (11.5%) is water.[4]
Adjacent counties[edit]
Westmoreland County, Virginia – north
Northumberland County, Virginia – east
Lancaster County, Virginia – southeast
Essex County, Virginia – southwest
National protected area[edit]
Rappahannock River Valley National Wildlife Refuge (part) Franklin, Island Farm, Laurel Grove, Peter, Tayloe, Wellford, Wilna, Wright units; Menokin, Wellford easements
Major highways[edit]
1790 6,985 —
1800 13,744 96.8%
1820 5,706 −8.2%
2018 (est.) 9,038 [1] −2.3%
1790–1960[6] 1900–1990[7]
Age pyramid for Richmond County, based on census 2000 data
As of the census[9] of 2000, there were 8809 people, 2,937 households, and 2,000 families residing in the county. The population density was 46 people per square mile (18/km2). There were 3,512 housing units at an average density of 18 per square mile (7/km2). The racial makeup of the county was 64.77% White, 33.17% Black or African American, 0.09% Native American, 0.32% Asian, 0.07% Pacific Islander, 0.85% from other races, and 0.73% from two or more races. 2.10% of the population were Hispanic or Latino of any race.
There were 2,937 households, out of which 27.20% had children under the age of 18 living with them, 52.30% were married couples living together, 11.80% had a female householder with no husband present, and 31.90% were non-families. 28.30% of all households were made up of individuals, and 14.20% had someone living alone who was 65 years of age or older. The average household size was 2.40 and the average family size was 2.93.
In the county, the population was spread out, with 18.40% under the age of 18, 8.00% from 18 to 24, 31.80% from 25 to 44, 24.10% from 45 to 64, and 17.70% who were 65 years of age or older. The median age was 40 years. For every 100 females there were 127.60 males. For every 100 females age 18 and over, there were 131.90 males.
The median income for a household in the county was $33,026, and the median income for a family was $42,143. Males had a median income of $30,722 versus $21,807 for females. The per capita income for the county was $16,675. About 11.90% of families and 15.40% of the population were below the poverty line, including 21.20% of those under age 18 and 12.50% of those age 65 or over.
In 2004 the Menokin Bluegrass Festival (later changed to Menokin Music Festival) was launched in Richmond County at the ruins of Francis Lightfoot Lee's (a signer of the Declaration of Independence) ancestral home, Menokin. The festival attracts thousands of music fans every year in a celebration of the Northern Neck's historical legacy.
Communities[edit]
Rural scene in Richmond County
Town[edit]
Unincorporated communities[edit]
Lyells
Germans Corner another locality name in the county. It is about 1.5 miles north of Naylors Beach, at the junction of Virginia State Route 636 and Virginia State Route 624. It is named from Wilber L. Jerman, who built a large dwelling at the location in 1923, and lived there until 1946. Jerman's wife Cleva May was deeded 50 acres extending from the south and west of the corner from her father in 1920. Over time the original "Jerman's Corner" has come to be misspelled and known as "German's Corner."[10]
Politics[edit]
Presidential elections results
Presidential elections results[11]
2020 62.1% 2,547 36.9% 1,513 1.1% 42
2016 60.5% 2,213 36.8% 1,347 2.8% 101
1992 52.8% 1,609 33.9% 1,034 13.3% 407
1988 66.2% 1,862 32.9% 924 0.9% 25
1968 48.9% 1,011 23.7% 490 27.5% 568
1964 58.5% 901 41.3% 636 0.2% 3
1956 67.9% 761 24.4% 274 7.7% 86
1948 48.1% 296 39.0% 240 12.8% 79
1936 32.5% 217 67.5% 451
National Register of Historic Places listings in Richmond County, Virginia
^ a b "Population and Housing Unit Estimates". Retrieved July 14, 2019.
^ a b "State & County QuickFacts". United States Census Bureau. Retrieved January 5, 2014.
^ "Find a County". National Association of Counties. Archived from the original on May 31, 2011. Retrieved 2011-06-07.
^ "U.S. Decennial Census". United States Census Bureau. Retrieved January 5, 2014.
^ "Historical Census Browser". University of Virginia Library. Retrieved January 5, 2014.
^ "Population of Counties by Decennial Census: 1900 to 1990". United States Census Bureau. Retrieved January 5, 2014.
^ "Census 2000 PHC-T-4. Ranking Tables for Counties: 1990 and 2000" (PDF). United States Census Bureau. Retrieved January 5, 2014.
^ "U.S. Census website". United States Census Bureau. Retrieved 2011-05-14.
^ Ryland, Elizabeth Lowell. Richmond County, Virginia: A Review Commemorating the Bicentennial, p. 48 )(1976)
^ Leip, David. "Dave Leip's Atlas of U.S. Presidential Elections". uselectionatlas.org. Retrieved 2020-12-09.
Menokin Bluegrass Festival
Places adjacent to Richmond County, Virginia
Essex County Lancaster County
Municipalities and communities of Richmond County, Virginia, United States
County seat: Warsaw
Brookbury
Burtons Corner‡
Cedar Farms
Cherokee Hills
Chesterfield Court
China Hill
Chippenham Village
Clopton
Cobham Park
Downings
Emmerton
Farmers Fork
Fawnbrook
Fernleigh
Forest Hill Farms
Indian Field
Ivondale
Kragmont
Lara‡
Luttrellville‡
Moon Corner‡
Moores Mill
Naylors Beach
Oak Row
Oakley Landing
Oquomock
Pinehurts
Piney Knolls
Pittaway Farms
Rainswood‡
Ramey Fork
Rich Neck
Robley
Scotts Corner
Sexton Hill
Simons Corner
Simonson
Singerly
Southhampton Hills
Tallent Town
Totuskey
Twin Valley Farms
Village‡
Walkers Corner‡
Walmsley Village
Warwick Acres
Willow Oaks
Virginia portal
Richmond (capital)
Seal of Virginia
Allegheny Mountains
Cumberland Mountains
Middle Peninsula
Northern Neck
Ridge-and-Valley Appalachians
South Hampton Roads
Southwest Virginia
Virginia Peninsula
Western Virginia
Blacksburg-Christiansburg
Staunton-Waynesboro
Norfolk-Virginia Beach
Washington-Arlington-Alexandria
MBAREA: f7a0f736-ee6d-4329-8b30-ddca8ed91746
Retrieved from "https://en.wikipedia.org/w/index.php?title=Richmond_County,_Virginia&oldid=998784474"
Virginia counties
1692 establishments in Virginia
Wikipedia articles with MusicBrainz area identifiers


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Credits adapted from Tidal. Dance Top 40 lista.
Retrieved 31 July Digital download streaming inch single. He also found it "a lot more uplifting" than Lipa's previous dance collaboration with Martin Garrix , " Scared to Be Lonely ".
Archived from the original on 9 February Hitparáda — Radio Top Oficiálna.
Archived from the original on 4 June Retrieved 24 July Arcand, Retrieved 12 June Irish Recorded Music Association. Retrieved November 1, Rob 6 April Retrieved 21 April.
Stream Top 40 slgerlista. Archived from the original on November 1, By using this site, Kat 2 May Retrieved 2 May Retrieved 10 August One Kiss" in Finnish. Bein, een nickname volstaat.
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Retrieved 9 July Retrieved 5 January The official lebanese Top Recording Industry Association of America.
Retrieved 14 May Retrieved 10 September Retrieved 7 June Retrieved 7 November .
Retrieved 3 September Australian Recording Industry Association.


text:
'use strict';

const RELEASE_CHANNEL = process.env.RELEASE_CHANNEL;

const __EXPERIMENTAL__ =
  typeof RELEASE_CHANNEL === 'string'
    ? RELEASE_CHANNEL === 'experimental'
    : true;

const bundleTypes = {
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  NODE_ESM: 'NODE_ESM',
  UMD_DEV: 'UMD_DEV',
  UMD_PROD: 'UMD_PROD',
  UMD_PROFILING: 'UMD_PROFILING',
  NODE_DEV: 'NODE_DEV',
  NODE_PROD: 'NODE_PROD',
  NODE_PROFILING: 'NODE_PROFILING',
  FB_WWW_DEV: 'FB_WWW_DEV',
  FB_WWW_PROD: 'FB_WWW_PROD',
  FB_WWW_PROFILING: 'FB_WWW_PROFILING',
  RN_OSS_DEV: 'RN_OSS_DEV',
  RN_OSS_PROD: 'RN_OSS_PROD',
  RN_OSS_PROFILING: 'RN_OSS_PROFILING',
  RN_FB_DEV: 'RN_FB_DEV',
  RN_FB_PROD: 'RN_FB_PROD',
  RN_FB_PROFILING: 'RN_FB_PROFILING',
};

const {
  NODE_ES2015,
  NODE_ESM,
  UMD_DEV,
  UMD_PROD,
  UMD_PROFILING,
  NODE_DEV,
  NODE_PROD,
  NODE_PROFILING,
  FB_WWW_DEV,
  FB_WWW_PROD,
  FB_WWW_PROFILING,
  RN_OSS_DEV,
  RN_OSS_PROD,
  RN_OSS_PROFILING,
  RN_FB_DEV,
  RN_FB_PROD,
  RN_FB_PROFILING,
} = bundleTypes;

const moduleTypes = {
  // React
  ISOMORPHIC: 'ISOMORPHIC',
  // Individual renderers. They bundle the reconciler. (e.g. ReactDOM)
  RENDERER: 'RENDERER',
  // Helper packages that access specific renderer's internals. (e.g. TestUtils)
  RENDERER_UTILS: 'RENDERER_UTILS',
  // Standalone reconciler for third-party renderers.
  RECONCILER: 'RECONCILER',
};

const {ISOMORPHIC, RENDERER, RENDERER_UTILS, RECONCILER} = moduleTypes;

const bundles = [
  /******* Isomorphic *******/
  {
    bundleTypes: [
      UMD_DEV,
      UMD_PROD,
      UMD_PROFILING,
      NODE_DEV,
      NODE_PROD,
      FB_WWW_DEV,
      FB_WWW_PROD,
      FB_WWW_PROFILING,
      RN_FB_DEV,
      RN_FB_PROD,
      RN_FB_PROFILING,
    ],
    moduleType: ISOMORPHIC,
    entry: 'react',
    global: 'React',
    externals: [],
  },

  /******* Isomorphic Shared Subset *******/
  {
    bundleTypes: [NODE_DEV, NODE_PROD],
    moduleType: ISOMORPHIC,
    entry: 'react/unstable-shared-subset',
    global: 'React',
    externals: [],
  },

  /******* React JSX Runtime *******/
  {
    bundleTypes: [
      NODE_DEV,
      NODE_PROD,
      NODE_PROFILING,
      // TODO: use on WWW.
      RN_FB_DEV,
      RN_FB_PROD,
      RN_FB_PROFILING,
    ],
    moduleType: ISOMORPHIC,
    entry: 'react/jsx-runtime',
    global: 'JSXRuntime',
    externals: ['react'],
  },

  /******* React JSX DEV Runtime *******/
  {
    bundleTypes: [
      NODE_DEV,
      NODE_PROD,
      NODE_PROFILING,
      FB_WWW_DEV,
      FB_WWW_PROD,
      FB_WWW_PROFILING,
      RN_FB_DEV,
      RN_FB_PROD,
      RN_FB_PROFILING,
    ],
    moduleType: ISOMORPHIC,
    entry: 'react/jsx-dev-runtime',
    global: 'JSXDEVRuntime',
    externals: ['react'],
  },

  /******* React Fetch Browser (experimental, new) *******/
  {
    bundleTypes: [NODE_DEV, NODE_PROD],
    moduleType: ISOMORPHIC,
    entry: 'react-fetch/index.browser',
    global: 'ReactFetch',
    externals: ['react'],
  },

  /******* React Fetch Node (experimental, new) *******/
  {
    bundleTypes: [NODE_DEV, NODE_PROD],
    moduleType: ISOMORPHIC,
    entry: 'react-fetch/index.node',
    global: 'ReactFetch',
    externals: ['react', 'http', 'https'],
  },

  /******* React FS Browser (experimental, new) *******/
  {
    bundleTypes: [NODE_DEV, NODE_PROD],
    moduleType: ISOMORPHIC,
    entry: 'react-fs/index.browser.server',
    global: 'ReactFilesystem',
    externals: [],
  },

  /******* React FS Node (experimental, new) *******/
  {
    bundleTypes: [NODE_DEV, NODE_PROD],
    moduleType: ISOMORPHIC,
    entry: 'react-fs/index.node.server',
    global: 'ReactFilesystem',
    externals: ['react', 'fs/promises', 'path'],
  },

  /******* React PG Browser (experimental, new) *******/
  {
    bundleTypes: [NODE_DEV, NODE_PROD],
    moduleType: ISOMORPHIC,
    entry: 'react-pg/index.browser.server',
    global: 'ReactPostgres',
    externals: [],
  },

  /******* React PG Node (experimental, new) *******/
  {
    bundleTypes: [NODE_DEV, NODE_PROD],
    moduleType: ISOMORPHIC,
    entry: 'react-pg/index.node.server',
    global: 'ReactPostgres',
    externals: ['react', 'pg'],
  },

  /******* React DOM *******/
  {
    bundleTypes: [
      UMD_DEV,
      UMD_PROD,
      UMD_PROFILING,
      NODE_DEV,
      NODE_PROD,
      NODE_PROFILING,
      FB_WWW_DEV,
      FB_WWW_PROD,
      FB_WWW_PROFILING,
    ],
    moduleType: RENDERER,
    entry: 'react-dom',
    global: 'ReactDOM',
    externals: ['react'],
  },

  /******* React DOM - www - Uses forked reconciler *******/
  {
    moduleType: RENDERER,
    bundleTypes: [FB_WWW_DEV, FB_WWW_PROD, FB_WWW_PROFILING],
    entry: 'react-dom',
    global: 'ReactDOMForked',
    enableNewReconciler: true,
    externals: ['react'],
  },

  /******* Test Utils *******/
  {
    moduleType: RENDERER_UTILS,
    bundleTypes: [FB_WWW_DEV, NODE_DEV, NODE_PROD, UMD_DEV, UMD_PROD],
    entry: 'react-dom/test-utils',
    global: 'ReactTestUtils',
    externals: ['react', 'react-dom'],
  },

  /******* React DOM - www - Testing *******/
  {
    moduleType: RENDERER,
    bundleTypes: [FB_WWW_DEV, FB_WWW_PROD],
    entry: 'react-dom/testing',
    global: 'ReactDOMTesting',
    externals: ['react'],
  },

  /******* React DOM Server *******/
  {
    bundleTypes: __EXPERIMENTAL__
      ? [UMD_DEV, UMD_PROD, NODE_DEV, NODE_PROD]
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    moduleType: RENDERER,
    entry: 'react-dom/src/server/ReactDOMLegacyServerBrowser',
    name: 'react-dom-server-legacy.browser',
    global: 'ReactDOMServer',
    externals: ['react'],
    babel: opts =>
      Object.assign({}, opts, {
        plugins: opts.plugins.concat([
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  {
    bundleTypes: [NODE_DEV, NODE_PROD],
    moduleType: RENDERER,
    entry: 'react-dom/src/server/ReactDOMLegacyServerNode',
    name: 'react-dom-server-legacy.node',
    externals: ['react', 'stream'],
    babel: opts =>
      Object.assign({}, opts, {
        plugins: opts.plugins.concat([
          [require.resolve('@babel/plugin-transform-classes'), {loose: true}],
        ]),
      }),
  },

  /******* React DOM Fizz Server *******/
  {
    bundleTypes: [NODE_DEV, NODE_PROD, UMD_DEV, UMD_PROD],
    moduleType: RENDERER,
    entry: 'react-dom/src/server/ReactDOMFizzServerBrowser',
    name: 'react-dom-server.browser',
    global: 'ReactDOMServer',
    externals: ['react'],
  },
  {
    bundleTypes: [NODE_DEV, NODE_PROD],
    moduleType: RENDERER,
    entry: 'react-dom/src/server/ReactDOMFizzServerNode',
    name: 'react-dom-server.node',
    global: 'ReactDOMServer',
    externals: ['react'],
  },
  {
    bundleTypes: __EXPERIMENTAL__ ? [FB_WWW_DEV, FB_WWW_PROD] : [],
    moduleType: RENDERER,
    entry: 'react-server-dom-relay/src/ReactDOMServerFB',
    global: 'ReactDOMServer',
    externals: ['react'],
  },

  /******* React Server DOM Webpack Writer *******/
  {
    bundleTypes: [NODE_DEV, NODE_PROD, UMD_DEV, UMD_PROD],
    moduleType: RENDERER,
    entry: 'react-server-dom-webpack/writer.browser.server',
    global: 'ReactServerDOMWriter',
    externals: ['react'],
  },
  {
    bundleTypes: [NODE_DEV, NODE_PROD],
    moduleType: RENDERER,
    entry: 'react-server-dom-webpack/writer.node.server',
    global: 'ReactServerDOMWriter',
    externals: ['react'],
  },

  /******* React Server DOM Webpack Reader *******/
  {
    bundleTypes: [NODE_DEV, NODE_PROD, UMD_DEV, UMD_PROD],
    moduleType: RENDERER,
    entry: 'react-server-dom-webpack',
    global: 'ReactServerDOMReader',
    externals: ['react'],
  },

  /******* React Server DOM Webpack Plugin *******/
  {
    bundleTypes: [NODE_ES2015],
    moduleType: RENDERER_UTILS,
    entry: 'react-server-dom-webpack/plugin',
    global: 'ReactServerWebpackPlugin',
    externals: ['fs', 'path', 'url', 'neo-async'],
  },

  /******* React Server DOM Webpack Node.js Loader *******/
  {
    bundleTypes: [NODE_ESM],
    moduleType: RENDERER_UTILS,
    entry: 'react-server-dom-webpack/node-loader',
    global: 'ReactServerWebpackNodeLoader',
    externals: ['acorn'],
  },

  /******* React Server DOM Webpack Node.js CommonJS Loader *******/
  {
    bundleTypes: [NODE_ES2015],
    moduleType: RENDERER_UTILS,
    entry: 'react-server-dom-webpack/node-register',
    global: 'ReactFlightWebpackNodeRegister',
    externals: ['url', 'module'],
  },

  /******* React Server DOM Relay Writer *******/
  {
    bundleTypes: [FB_WWW_DEV, FB_WWW_PROD],
    moduleType: RENDERER,
    entry: 'react-server-dom-relay/server',
    global: 'ReactFlightDOMRelayServer', // TODO: Rename to Writer
    externals: [
      'react',
      'ReactFlightDOMRelayServerIntegration',
      'JSResourceReference',
    ],
  },

  /******* React Server DOM Relay Reader *******/
  {
    bundleTypes: [FB_WWW_DEV, FB_WWW_PROD],
    moduleType: RENDERER,
    entry: 'react-server-dom-relay',
    global: 'ReactFlightDOMRelayClient', // TODO: Rename to Reader
    externals: [
      'react',
      'ReactFlightDOMRelayClientIntegration',
      'JSResourceReference',
    ],
  },

  /******* React Server Native Relay Writer *******/
  {
    bundleTypes: [RN_FB_DEV, RN_FB_PROD],
    moduleType: RENDERER,
    entry: 'react-server-native-relay/server',
    global: 'ReactFlightNativeRelayServer', // TODO: Rename to Writer
    externals: [
      'react',
      'ReactFlightNativeRelayServerIntegration',
      'JSResourceReferenceImpl',
    ],
  },

  /******* React Server Native Relay Reader *******/
  {
    bundleTypes: [RN_FB_DEV, RN_FB_PROD],
    moduleType: RENDERER,
    entry: 'react-server-native-relay',
    global: 'ReactFlightNativeRelayClient', // TODO: Rename to Reader
    externals: [
      'react',
      'ReactFlightNativeRelayClientIntegration',
      'JSResourceReferenceImpl',
    ],
  },

  /******* React Suspense Test Utils *******/
  {
    bundleTypes: [NODE_ES2015],
    moduleType: RENDERER_UTILS,
    entry: 'react-suspense-test-utils',
    global: 'ReactSuspenseTestUtils',
    externals: ['react'],
  },

  /******* React ART *******/
  {
    bundleTypes: [
      UMD_DEV,
      UMD_PROD,
      NODE_DEV,
      NODE_PROD,
      FB_WWW_DEV,
      FB_WWW_PROD,
    ],
    moduleType: RENDERER,
    entry: 'react-art',
    global: 'ReactART',
    externals: ['react'],
    babel: opts =>
      Object.assign({}, opts, {
        // Include JSX
        presets: opts.presets.concat([
          require.resolve('@babel/preset-react'),
          require.resolve('@babel/preset-flow'),
        ]),
        plugins: opts.plugins.concat([
          [require.resolve('@babel/plugin-transform-classes'), {loose: true}],
        ]),
      }),
  },

  /******* React Native *******/
  {
    bundleTypes: __EXPERIMENTAL__
      ? []
      : [RN_FB_DEV, RN_FB_PROD, RN_FB_PROFILING],
    moduleType: RENDERER,
    entry: 'react-native-renderer',
    global: 'ReactNativeRenderer',
    externals: ['react-native'],
    babel: opts =>
      Object.assign({}, opts, {
        plugins: opts.plugins.concat([
          [require.resolve('@babel/plugin-transform-classes'), {loose: true}],
        ]),
      }),
  },
  {
    bundleTypes: [RN_OSS_DEV, RN_OSS_PROD, RN_OSS_PROFILING],
    moduleType: RENDERER,
    entry: 'react-native-renderer',
    global: 'ReactNativeRenderer',
    externals: ['react-native'],
    babel: opts =>
      Object.assign({}, opts, {
        plugins: opts.plugins.concat([
          [require.resolve('@babel/plugin-transform-classes'), {loose: true}],
        ]),
      }),
  },

  /******* React Native Fabric *******/
  {
    bundleTypes: __EXPERIMENTAL__
      ? []
      : [RN_FB_DEV, RN_FB_PROD, RN_FB_PROFILING],
    moduleType: RENDERER,
    entry: 'react-native-renderer/fabric',
    global: 'ReactFabric',
    externals: ['react-native'],
    babel: opts =>
      Object.assign({}, opts, {
        plugins: opts.plugins.concat([
          [require.resolve('@babel/plugin-transform-classes'), {loose: true}],
        ]),
      }),
  },
  {
    bundleTypes: [RN_OSS_DEV, RN_OSS_PROD, RN_OSS_PROFILING],
    moduleType: RENDERER,
    entry: 'react-native-renderer/fabric',
    global: 'ReactFabric',
    externals: ['react-native'],
    babel: opts =>
      Object.assign({}, opts, {
        plugins: opts.plugins.concat([
          [require.resolve('@babel/plugin-transform-classes'), {loose: true}],
        ]),
      }),
  },

  /******* React Test Renderer *******/
  {
    bundleTypes: [
      FB_WWW_DEV,
      NODE_DEV,
      NODE_PROD,
      UMD_DEV,
      UMD_PROD,
      RN_FB_DEV,
      RN_FB_PROD,
      RN_FB_PROFILING,
    ],
    moduleType: RENDERER,
    entry: 'react-test-renderer',
    global: 'ReactTestRenderer',
    externals: ['react', 'scheduler', 'scheduler/unstable_mock'],
    babel: opts =>
      Object.assign({}, opts, {
        plugins: opts.plugins.concat([
          [require.resolve('@babel/plugin-transform-classes'), {loose: true}],
        ]),
      }),
  },

  /******* React Noop Renderer (used for tests) *******/
  {
    bundleTypes: [NODE_DEV, NODE_PROD],
    moduleType: RENDERER,
    entry: 'react-noop-renderer',
    global: 'ReactNoopRenderer',
    externals: ['react', 'scheduler', 'scheduler/unstable_mock', 'expect'],
  },

  /******* React Noop Persistent Renderer (used for tests) *******/
  {
    bundleTypes: [NODE_DEV, NODE_PROD],
    moduleType: RENDERER,
    entry: 'react-noop-renderer/persistent',
    global: 'ReactNoopRendererPersistent',
    externals: ['react', 'scheduler', 'expect'],
  },

  /******* React Noop Server Renderer (used for tests) *******/
  {
    bundleTypes: [NODE_DEV, NODE_PROD],
    moduleType: RENDERER,
    entry: 'react-noop-renderer/server',
    global: 'ReactNoopRendererServer',
    externals: ['react', 'scheduler', 'expect'],
  },

  /******* React Noop Flight Server (used for tests) *******/
  {
    bundleTypes: [NODE_DEV, NODE_PROD],
    moduleType: RENDERER,
    entry: 'react-noop-renderer/flight-server',
    global: 'ReactNoopFlightServer',
    externals: [
      'react',
      'scheduler',
      'expect',
      'react-noop-renderer/flight-modules',
    ],
  },

  /******* React Noop Flight Client (used for tests) *******/
  {
    bundleTypes: [NODE_DEV, NODE_PROD],
    moduleType: RENDERER,
    entry: 'react-noop-renderer/flight-client',
    global: 'ReactNoopFlightClient',
    externals: [
      'react',
      'scheduler',
      'expect',
      'react-noop-renderer/flight-modules',
    ],
  },

  /******* React Reconciler *******/
  {
    bundleTypes: [NODE_DEV, NODE_PROD, NODE_PROFILING],
    moduleType: RECONCILER,
    entry: 'react-reconciler',
    global: 'ReactReconciler',
    externals: ['react'],
  },

  /******* React Server *******/
  {
    bundleTypes: [NODE_DEV, NODE_PROD],
    moduleType: RECONCILER,
    entry: 'react-server',
    global: 'ReactServer',
    externals: ['react'],
  },

  /******* React Flight Server *******/
  {
    bundleTypes: [NODE_DEV, NODE_PROD],
    moduleType: RECONCILER,
    entry: 'react-server/flight',
    global: 'ReactFlightServer',
    externals: ['react'],
  },

  /******* React Flight Client *******/
  {
    bundleTypes: [NODE_DEV, NODE_PROD],
    moduleType: RECONCILER,
    entry: 'react-client/flight',
    global: 'ReactFlightClient',
    externals: ['react'],
  },

  /******* Reconciler Reflection *******/
  {
    moduleType: RENDERER_UTILS,
    bundleTypes: [NODE_DEV, NODE_PROD],
    entry: 'react-reconciler/reflection',
    global: 'ReactFiberTreeReflection',
    externals: [],
  },

  /******* Reconciler Constants *******/
  {
    moduleType: RENDERER_UTILS,
    bundleTypes: [NODE_DEV, NODE_PROD],
    entry: 'react-reconciler/constants',
    global: 'ReactReconcilerConstants',
    externals: [],
  },

  /******* React Is *******/
  {
    bundleTypes: [
      NODE_DEV,
      NODE_PROD,
      FB_WWW_DEV,
      FB_WWW_PROD,
      UMD_DEV,
      UMD_PROD,
    ],
    moduleType: ISOMORPHIC,
    entry: 'react-is',
    global: 'ReactIs',
    externals: [],
  },

  /******* React Debug Tools *******/
  {
    bundleTypes: [NODE_DEV, NODE_PROD],
    moduleType: ISOMORPHIC,
    entry: 'react-debug-tools',
    global: 'ReactDebugTools',
    externals: [],
  },

  /******* React Cache (experimental, old) *******/
  {
    // This is only used by our own tests.
    // We can delete it later.
    bundleTypes: [NODE_DEV, NODE_PROD],
    moduleType: ISOMORPHIC,
    entry: 'react-cache',
    global: 'ReactCacheOld',
    externals: ['react', 'scheduler'],
  },

  /******* createComponentWithSubscriptions *******/
  {
    bundleTypes: [NODE_DEV, NODE_PROD],
    moduleType: ISOMORPHIC,
    entry: 'create-subscription',
    global: 'createSubscription',
    externals: ['react'],
    babel: opts =>
      Object.assign({}, opts, {
        plugins: opts.plugins.concat([
          [require.resolve('@babel/plugin-transform-classes'), {loose: true}],
        ]),
      }),
  },

  /******* Hook for managing subscriptions safely *******/
  {
    bundleTypes: [NODE_DEV, NODE_PROD],
    moduleType: ISOMORPHIC,
    entry: 'use-subscription',
    global: 'useSubscription',
    externals: ['react'],
  },

  /******* React Scheduler (experimental) *******/
  {
    bundleTypes: [
      NODE_DEV,
      NODE_PROD,
      FB_WWW_DEV,
      FB_WWW_PROD,
      FB_WWW_PROFILING,
      RN_FB_DEV,
      RN_FB_PROD,
      RN_FB_PROFILING,
    ],
    moduleType: ISOMORPHIC,
    entry: 'scheduler',
    global: 'Scheduler',
    externals: [],
  },

  /******* React Scheduler Mock (experimental) *******/
  {
    bundleTypes: [
      UMD_DEV,
      UMD_PROD,
      NODE_DEV,
      NODE_PROD,
      FB_WWW_DEV,
      FB_WWW_PROD,
      RN_FB_DEV,
      RN_FB_PROD,
    ],
    moduleType: ISOMORPHIC,
    entry: 'scheduler/unstable_mock',
    global: 'SchedulerMock',
    externals: [],
  },

  /******* React Scheduler Post Task (experimental) *******/
  {
    bundleTypes: [
      NODE_DEV,
      NODE_PROD,
      FB_WWW_DEV,
      FB_WWW_PROD,
      FB_WWW_PROFILING,
    ],
    moduleType: ISOMORPHIC,
    entry: 'scheduler/unstable_post_task',
    global: 'SchedulerPostTask',
    externals: [],
  },

  /******* Jest React (experimental) *******/
  {
    bundleTypes: [NODE_DEV, NODE_PROD],
    moduleType: ISOMORPHIC,
    entry: 'jest-react',
    global: 'JestReact',
    externals: ['react', 'scheduler', 'scheduler/unstable_mock'],
  },

  /******* ESLint Plugin for Hooks *******/
  {
    // TODO: it's awkward to create a bundle for this but if we don't, the package
    // won't get copied. We also can't create just DEV bundle because it contains a
    // NODE_ENV check inside. We should probably tweak our build process to allow
    // "raw" packages that don't get bundled.
    bundleTypes: [NODE_DEV, NODE_PROD],
    moduleType: ISOMORPHIC,
    entry: 'eslint-plugin-react-hooks',
    global: 'ESLintPluginReactHooks',
    externals: [],
  },

  /******* React Fresh *******/
  {
    bundleTypes: [NODE_DEV, NODE_PROD],
    moduleType: ISOMORPHIC,
    entry: 'react-refresh/babel',
    global: 'ReactFreshBabelPlugin',
    externals: [],
  },
  {
    bundleTypes: [NODE_DEV, NODE_PROD, FB_WWW_DEV],
    moduleType: ISOMORPHIC,
    entry: 'react-refresh/runtime',
    global: 'ReactFreshRuntime',
    externals: [],
  },
];

// Based on deep-freeze by substack (public domain)
function deepFreeze(o) {
  Object.freeze(o);
  Object.getOwnPropertyNames(o).forEach(function(prop) {
    if (
      o[prop] !== null &&
      (typeof o[prop] === 'object' || typeof o[prop] === 'function') &&
      !Object.isFrozen(o[prop])
    ) {
      deepFreeze(o[prop]);
    }
  });
  return o;
}

// Don't accidentally mutate config as part of the build
deepFreeze(bundles);
deepFreeze(bundleTypes);
deepFreeze(moduleTypes);

function getOriginalFilename(bundle, bundleType) {
  let name = bundle.name || bundle.entry;
  const globalName = bundle.global;
  // we do this to replace / to -, for react-dom/server
  name = name.replace('/index.', '.').replace('/', '-');
  switch (bundleType) {
    case NODE_ES2015:
      return `${name}.js`;
    case NODE_ESM:
      return `${name}.js`;
    case UMD_DEV:
      return `${name}.development.js`;
    case UMD_PROD:
      return `${name}.production.min.js`;
    case UMD_PROFILING:
      return `${name}.profiling.min.js`;
    case NODE_DEV:
      return `${name}.development.js`;
    case NODE_PROD:
      return `${name}.production.min.js`;
    case NODE_PROFILING:
      return `${name}.profiling.min.js`;
    case FB_WWW_DEV:
    case RN_OSS_DEV:
    case RN_FB_DEV:
      return `${globalName}-dev.js`;
    case FB_WWW_PROD:
    case RN_OSS_PROD:
    case RN_FB_PROD:
      return `${globalName}-prod.js`;
    case FB_WWW_PROFILING:
    case RN_FB_PROFILING:
    case RN_OSS_PROFILING:
      return `${globalName}-profiling.js`;
  }
}

function getFilename(bundle, bundleType) {
  const originalFilename = getOriginalFilename(bundle, bundleType);
  // Ensure .server.js or .client.js is the final suffix.
  // This is important for the Server tooling convention.
  if (originalFilename.indexOf('.server.') !== -1) {
    return originalFilename
      .replace('.server.', '.')
      .replace('.js', '.server.js');
  }
  if (originalFilename.indexOf('.client.') !== -1) {
    return originalFilename
      .replace('.client.', '.')
      .replace('.js', '.client.js');
  }
  return originalFilename;
}

module.exports = {
  bundleTypes,
  moduleTypes,
  bundles,
  getFilename,
};

redpajama_set_name: RedPajamaGithub


I'm a Pixel artist and graphics designer, and gamer. I enjoy gaming which I'm limited to an extent due to the fact that I'm working on my own game project that I decided to dedicate myself too. The project is called Liberation Discharge and that's what my goal in life is.


2008 2010 Suzuki Gsx R 600 Master Repair Service Manual is good choice for you that looking for nice reading experience. We hope you glad to visit our website. Please read our description and our privacy and policy page.
Finally I get this ebook, thanks for all these 2008 2010 Suzuki Gsx R 600 Master Repair Service Manual can get now!


Unique, Functional Art...Hand Painted Glassware Created by EverMyHart is available for purchase at my Etsy.com shop and there are many more items available there. I have pictures here, but purchases are now only available from my Etsy store.
Host aWine & Glass Painting Party!!! A Wine & Glass Painting party is a great way to get friends together and have fun! And, Ladies, don't just limit it to a Girls' Get-together! We have had some amazing couples parties! So gather 8-10 (or more!) couples together for an afternoon or evening of fun! Wine & Glass Painting Party!!!
Live, Laugh, Love & Be Happy!!
This is a one of a kind find for a carafe! And pair it up with 4 matching glasses!
Any custom order will have pictures emailed for confirmation before heat-setting and shipping.
Most pieces will ship within a few days of order, as I paint each order as received. How-ever, I usually have some stock on hand, if you need an item "quick" shipped. Again, please contact me!
Glassware: All designs are painted free-hand style, which means that while a basic pattern will be carried to several pieces, no two pieces will be exactly alike. And as such, please feel free to mix and match color and styles for a unique collection!
I have an extensive (over 75 colors) rainbow of colors...if you have something specific in mind, please contact me. Specific glass styles, colors and pattern may vary.
The paint is rated dishwasher safe, top rack; however, I strongly recommend hand washing as you would any fine glassware, no harsh chemicals and do not soak, to preserve the brilliance of the colors.
Please check back often as new designs will be coming out soon.
If you have questions, please contact me. I will email pictures of any special order before it is heat set.
Created by EverMyHart. All rights reserved.


text:
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io_context::service::service

Constructor.

service(
    boost::asio::io_context & owner);

          Parameters

owner

                The io_context
                object that owns the service.

Copyright © 2003-2018 Christopher M. Kohlhoff

        Distributed under the Boost Software License, Version 1.0. (See accompanying
        file LICENSE_1_0.txt or copy at http://www.boost.org/LICENSE_1_0.txt)


:arrow: i want to do a project on STAIR CLIMBING ROBOT..
of jiit noida name vibhav jain .
You can get various online tutorials for making stair climbing robot. Instructables.com is one such site that can help you in the process.


text:
SFC Game 24 – Dual Orb Review
Story/Characters: The party characters barely exist — they have names but virtually no backstories at all, and basically no dialogue in the game. Even the ones that do have backstories that sound interesting aren't really used much.
The story is probably the best part of the game, which is saying very very little. Overall it's not very good, but the Masho generals have little storylines surrounding them which involve the Pange they are keeping (e.g. jealousy, vanity). For 1993 it's an average RPG story, which means by overall standards it's not very good.
World: The world has an overworld, which is generic fantasy, and an underworld, with more steampunk style trappings. It's OK.
Game Flow: This is what sinks the game from "below average" to "terrible." Almost every decision they made in game balance was bad. There are way too many random encounters. The grunt enemies are too difficult and give too little XP and gold. Healing magic and items are limited. The dungeons are long. Your spellcasters have too few HP. The lack of strategic options means that your strategies are very limited, and mostly involve grinding or avoiding encounters.
System: This is the usual A-M-I-D. If you've played any RPG from this era you know what to expect.
Side Quests/Optional Content: None.
Interface: There's a unified use button, but the buying interface is annoying because they separated the pay counter from the shop itself, which serves no purpose. The battle interface is interesting — you set your commands for everyone and then pick "attack"; you can just change the ones you want to change so it's a bit faster. There's also an autobattle, but getting out of the autobattle was not clear to me. Sometimes it worked, sometimes it didn't.
Graphics/Sound: As people pointed out in the threads, the graphics look like RPG Maker — that's fine for this era, but nothing special. The music is OK.
All in all, this ranks down in the worst games I've played so far, along with Cyber Knight, Fist of the North Star 5, and Light Fantasy.
Next up is Elnard, better known to English players as The 7th Saga. Because some changes were made in the English version I had once thought to play this to see the difference, but another blogger has already done this, so please go read their post — it's quite interesting. That means the next game up is Dragon Squad Danzarb, although first I'll be playing the PCE classic Tengai Makyo II, often considered one of the PCE's best games.
This entry was posted in Super Famicom RPGs on April 24, 2018 by kurisu.
← SFC Game 24 – Dual Orb Part 2 (Final) PCE Game 11 – Tengai Makyo II →
3 thoughts on "SFC Game 24 – Dual Orb Review"
Nicholas April 25, 2018 at 12:31 pm
Hey Kurisu, thanks a lot for the mention in your post!! If you do try Elnard, I think you'll be pretty surprised, especially if you already played The 7th Saga!
I've always heard about the Dual Orb series, but never really looked into it. I think you might have saved me from sinking time into this one!
Kurisu April 25, 2018 at 12:37 pm
I think I rented the 7th saga for a weekend but didn't like it even as a teenager. In theory I'd like to play all the SFC games but I'm happy to skip some of them like this to shorten the overall project.
NeaGix March 12, 2021 at 8:08 am
I cannot read Japanese and was curious about the first Dual Orb, enjoyed reading your posts, many thanks.
I am about to start playing Dual Orb II


text:
/**
 *
Package which contains all clients for public finances annual accounts data.

 */
package com.github.dannil.scbjavaclient.client.publicfinances.annualaccounts;


text:
In Search of a Substantive Republic
James E. Fleming, Boston University School of LawFollow
Linda C. McClain, Boston University School of LawFollow
Author granted license
Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International
The publication of Michael J. Sandel's Democracy's Discontent: America in Search of a Public Philosophy is a long-awaited and important event in political and constitutional theory. In 1982, through his first book, Liberalism and the Limits of Justice,1 Sandel emerged as a leading communitarian or civic republican critic of liberalism. That book became prominent, not because its criticisms of liberalism were dispositive, but because it eloquently and elegantly captured discontent with liberalism and evoked yearnings for an alternative. Since then, Sandel has occupied a position on the American intellectual landscape as a placeholder for a *510 communitarian or civic republican alternative not yet fully developed. In Democracy's Discontent, he carries forward his critique of liberalism. What is distinctive about his new book is its application of the critique to an analysis of the competing liberal and republican strands of the American political and constitutional tradition. Sandel calls for a reinvigoration of the republican strand and intimates a republican constitutional theory. Meanwhile, some prominent constitutional theorists, including Cass R. Sunstein, have sought to develop a synthesis of liberalism and republicanism, and Sunstein's recent book, Legal Reasoning and Political Conflict,2 puts forward a model of legal reasoning appropriate for a liberal republic.
This is a book review/analysis written by James Fleming and Linda McClain, regarding both Michael J. Sandel's Democracy's Discontent: America in Search of a Public Philosophy and Cass Sunstein's Legal Reasoning and Political Conflict.
James E. Fleming & Linda C. McClain, In Search of a Substantive Republic , in 76 Texas Law Review 509 (1997).
Constitutional Law Commons


Simply put, it is the difference between a bottle of sugared, flavoured, carbonated water and a bottle of Coca-Cola. It is the sum of the functional and emotional characteristics, both tangible and intangible, that a consumer attributes to a product or services, these characteristics are embodied in a name, trademark, symbol or design, or combination of these.
For many companies brands are their primary source of competitive advantage. Your brand is an important element for the success of your business. A strong brand that is integrated throughout your organization will distinguish your company from the competition. A recognizable and consistent brand that is well executed in the proper channels will ensure your business is top-of-mind among the target audience.
The foundation of your brand consists of your logo, website, packaging and promotional materials. Your company's entire branding features (name, logo, colour scheme, slogan, typeface, etc.) work together to create your brand.
Firstbase will review your brand effectiveness by analyzing four main factors: brand strategy, brand alignment, brand communication and brand execution.
Brand alignment – every customer facing element, including: the way people answer the phone, the way the organization looks and marketing communications has a line-of-sight back to the brand promise.
The in-house creative team at Firstbase will work with you for approval and input on all stages of design and execution.


Exactions — a term used to describe certain conditions that are attached to land-use permits issued at the government's discretion — ostensibly oblige property owners to internalize the costs of the expected infrastructural, environmental, and social harms resulting from development. This Article explores how proponents of progressive conceptions of property might respond to the open question of whether legislative exactions should be subject to the same level of judicial scrutiny to which administrative exactions are subject in constitutional takings cases. It identifies several first-order reasons to support the idea of immunizing legislative exactions from heightened takings scrutiny. However, it suggests that distinguishing between legislative and administrative measures in this context could produce several second-order consequences that actually undercut the goals of progressive property theory.
Timothy M. Mulvaney, Legislative Exactions and Progressive Property, 40 Harv. Envtl. L. Rev. 137 (2016).


You arrive at your hotel . Dinner and overnight stay.
Transfer from your hotel to Kilimanjaro National Park Gate at Umbwe. From here you trek along a narrow ridge between the Lonzo and Umbwe rivers to reach Bivouac No. 1 (also called Forest Caves) at 9,400ft/2800m. Camp Overnight.
Leaving the forest, the path continues to follow the ridge, passing through heather and open moorlands, to reach Barranco Hut (13,000ft/3900m). Stay/Camp overnight.
A long day and an early start to reach the crater rim at Stella Point in time for sunrise. Then to Uhuru Peakl (19,340ft/5896m), the highest point in Africa. Afterwards descend to Mweka hut.
Descend to Mweka gate, from where you are transferred back to your hotel.


text:
Bell Gardens combines the musical visions of Kenneth James Gibson (formerly of Furry Things, now recording as [a]pendics.shuffle, dubLoner and Eight Frozen Modules) and Brian McBride (one half of Stars of the Lid) and began releasing music in 2010, beginning with an EP, Hangups Need Company on Failed Better/Burger Records.
Their debut album Full Sundown Assembly (Southern/Burger Records) appeared in 2012 and, now signed to Rocket Girl in the UK, the band are set to release their second, Slow Dawns for Lost Conclusions, in October 2014.
Bell Gardens' origins began arguably as more of an experiment than the duo's current 'experimental' projects – McBride's drone- and string-laden ambient symphonies, and Gibson's ventures in dub and minimalist techno – as they sought to manifest their mutual reverence for folk, psychedelia and chamber pop in a traditional band structure without cannibalising any particular past genre. Bell Gardens' sound is less reliant on effects and studio trickery than the pairs' independent guises, laying bare as it does vocals and live instruments with emotional sincerity, and presenting songs imbued with an almost pastoral or gospel simplicity and timelessness.
Rocket Girl Releases
Take Us Away
Slow Dawns For Lost Conclusions
CD Album £10.00
12" LP £16.00


Bright, creative teachers played significant roles developing a vision, the Four C's – Collaboration, Communication, Creativity, Critical Thinking. Strategies: Ignite students' enthusiasm; Foster collaboration between students and teachers; Multiple simultaneous learning activities. Workshops produced an uncommon architecture: Multiple spaces, flooded with North light, loosely connected by large garage doors, multiple configurations from small groups to large presentations to combined classes.
"Best example I've ever seen of Instruction and Architecture evolving together." -Superintendent. The flexible spaces and wide variety of furnishings have emboldened these teachers to branch out and experiment with new teaching tactics. Large, glass, easily openable garage doors between classrooms and the main central area encourage unfettered movement among learning spaces, especially invigorating kinesthetic learners. "I am awestruck by the variety and energy in this place!" –Teacher.
Ample daylighting greatly reduces electric lighting demand. Large central space is flooded with North light, shown to increase learning, productivity, retention, mood, and sense of well-being for students and teachers. Majority of the building materials sourced locally eliminating the environmental impact of long-haul transportation. Motion detectors turn off lights automatically. High efficiency glazing and HVAC.
The Four C's vision was developed bringing teachers together with parents, people in industry, business leaders, and the community at large. People told how their workplace environments are evolving; this influenced the Programming and Design for this school. People in this close-knit small town are enthusiastic about community involvement and robust outdoor physical activities. They envisioned a school that would capture that spirit of high activity and bring it into their kids' school day.
Following a process of visioning, staff re-development, community-industry input, and brainstorming among educators, this new facility became the capstone of this school's transformation of middle school education into a method following the District's "4C's" – Collaboration, Communication, Creativity, and Critical Thinking. Driven by these and ELUs, the District worked with the architect to design a building that would best accommodate the variety of uncommon spaces called for in their vision.


Having mastered the French style Pain de Campagne I thought I'd move on to another sour dough – the Italian Ciabatta. I picked this style of bread because it is meant to be very light and airy, and ultimately I'm aiming for Maltese Bread which is also light and airy. Because you're aiming for light and airy you can't handle the dough too much. My starting point was the recipe in Treuille and Ferrigno (1998) but I found this resulted in a mixture that was runny rather than the promised wet sticky dough, so I tweaked based on the recipe in Field (1985). I also reduced the quantities so it made roughly the same quantity of bread as my Pain de Campagne recipe. Should I ever want bigger loaves I've left the original quantities in parenthesis, e.g. "185 (220) ml" means I now use 185 mls but my original recipe used 220.
Ciabatta has a very light and airy crumb. For smaller loaves use the quantities as given; for a bigger loaf use the quantities in parenthesis, e.g. "185 (220) ml" means 185 mls for a normal loaf and 220 mls for a large loaf.
Sprinkle the yeast into the water. Leave for 5 minutes. Stir to dissolve.
Add starter and oil. Mix well.
Mix flour and salt into the yeast mixture to form a wet, sticky dough.
Generously floor two baking sheets.
While still in the bowl, divide the dough in half with a dough scraper.
Run your fingers down each side of the loaf to neaten and plumb up the dough.
Leave to prove for 1.5 hours. The loaves will spread as well as rise.
Bake at 220º C for until risen, golden and hollow sounding (20-30 minutes).
Field, C. (1985). The Italian Baker. Harper Collins.
Treuille, E. and Ferrigno, U. (1998). Pain de Campagne: French country-style bread with a sourdough starter. Bread: Baking by hand or bread-machine, p. 85. London: Dorling Kindersley.