text:
Pavel Sporcl
Antal Zalai
Andrej Bielow
Hrachya Avanesyan
Vincent Larderet International Concert Pianist
Ingmar Lazar
Ishay Shaer
Genova & Dimitrov – piano duo
Marija Pavlovic
Mavroudes Troullos
Gavriel Lipkind
Daniel Boico
Vladimir Kulenovic
Pawel Przytocki
Danail Rachev
Akhtamar Quartet
Pavel Šporcl & his Gipsy Way ensemble
Duo Herzl & Lazar
Duo Avanesyan & Khachatourian – violin/piano
Arthur Rubinstein Philharmonic Orchestra
European Camerata
Described by critics as « Dynamic, vigorous, exciting and imaginative – an undisputed star who combines magnetic charisma with a skilled technique » conductor Daniel Boico is nominated new Chief Conductor and Music Director of the MAV Budapest Symphony Orchestra. He is also Associate Guest Conductor of the KZN Philharmonic Orchestra, Durban. His innate musical sensitivity paired with a keen ear and deep musicianship have produced exciting performances with orchestras in the U.S., Europe, Central and South America, Africa and Asia.
As Assistant Conductor of the New York Philharmonic, 2009-2011, Boico lead all of the Philharmonic's popular Young People's Concerts, among other concerts, covering 30 weeks in each season, including all tours. His debut with the New York Philharmonic took place in 2009, sharing the podium with Riccardo Muti, and was followed by his subscription debut in April 2011, when he replaced Kurt Masur on short notice in what the New York Times called « a smoldering performance » of Sofia Gubaidulina's Two Paths: A dedication to Mary and Martha for two violas and orchestra.
Daniel Boico served as Cover Conductor on Chicago Symphony's Asia tour to Taipei, Hong Kong, Shanghai, Beijing, Tianjin and Seoul. Boico was editor, producer and conductor in a recording project of composer Karen LeFrak's orchestral and chamber music, recorded at the old Melodiya recording studio in Saint Petersburg, Russia, with the Saint Petersburg Chamber Philharmonic Orchestra. Earlier in his career, Boico was Music Director of the Skokie Valley Symphony Orchestra, Illinois, and the Skokie Concert Choir, as well as staff conductor at the Elgin Youth Symphony Orchestra and assistant conductor to Cliff Colnot with the Civic Orchestra of Chicago. Boico was also Visiting Professor and Director of Orchestras at Grand Valley State University, Michigan, and has served as cover conductor for the Milwaukee Symphony. He was an Apprentice Conductor with the Chicago Symphony Orchestra where he worked closely with, and was assistant to then Music Director Daniel Barenboim as well as guest conductors Pierre Boulez and Zubin Mehta.
Daniel Boico also has extensive experience in music administration, planning and programming, having worked as Manager of Artistic Administration of the New York Philharmonic, as executive assistant to Daniel Barenboim at the Chicago Symphony and Chicago Symphony Presents, as well as for the West-Eastern Divan Orchestra.
Born in Israel to musician parents and raised in both Paris and the United States (Boico's father, Fima Boico, was Principal Second Violins in the Israel Philharmonic Orchestra, concertmaster of Orchestre de Paris and is the second violinist of the Fine Arts Quartet) Boico was initially trained as a singer before joining the class of legendary Russian conducting professor Ilya Musin at the Saint Petersburg Conservatory, Russia.
Since 1995, Boico has performed in world renown halls such as the Philharmonie in Berlin, Avery Fisher Hall in New York, Chicago's Symphony Center, War Memorial Opera House of San Francisco, Mann Auditorium in Tel Aviv, Meistersinger Halle in Nurnberg, Abu Dhabi's Emirates Palace Auditorium, Mexico City's Bellas Artes Palace and Nezahualcoyotl hall, the Tchaikovsky Concert Halls in Moscow, and the National Concert Hall of Taiwan, with such orchestras as the Royal Philharmonic Orchestra of London, Deutsches Symphonie-Orchester Berlin, Israel Philharmonic Orchestra, Nürnberger Symphoniker, State Academic Symphony Orchestra of Russia, Moscow Philharmonic, National Orchestras of Taiwan, Mexico and Costa Rica, Columbus Symphony, Chicago Symphony Orchestra, New York Philharmonic, and the KZN, Johannesburg and Cape Town Philharmonic Orchestras.
Daniel Boico was a finalist and prizewinner at the Prokofiev, Pedrotti, and Cadaques International Conducting Competitions and has collaborated with such fine soloists as Daniel Barenboim, Nikolai Lugansky, Yuliana Avdeeva, Hrachya Avanesyan, Shai Wosner, Aviram Reichert, Itzhak Perlman, Gil Shaham, Shlomo Mintz, James Ehnes, Pablo Sainz-Villegas, Maximilian Hornung, Leonard Elschenbroich, Andreas Ottensamer, Alissa Margulis, Alexander Buzlov, and Lukáš Vondráček.
As an educator of young musicians, Boico was a guest professor of voice performance and director of orchestras at Grand Valley State University, where he successfully produced concerts which involved all departments within the Department of Music, Theatre and Dance. Boico has worked with high school All-State ensembles in New York and California and works regularly with the DePaul University and Indiana University (Bloomington) Symphony Orchestras. Boico has taught young conductors privately, all of whom held or hold current positions.
Equally at home with contemporary music, world premieres have included works by Nino Rota, Steven Gerber, David Winkler, Karen LeFrak, Hilda Paredes, Carlos Escalante, and Eddie Mora.
Boico has recorded a premiere recording of Nino Rota's two cello concerti with cellist Dimitry Yablonsky and I Virtuosi Italiani for the Chandos label, Der Mondbach II by Andres Alcalde for cello and double string quartet with cellist Pablo Mahave-Veglia for the Eroica Classical Recordings label, as well as Statue Dance from Pavlovsk, a ballet in 3 tableaux by Karen LeFrak for the American Ballet Theatre's ABT II Company. Boico has also recorded Kalinnikov's Symphony No. 1 with the Nürnberger Symphoniker for Bayerische Rundfunk.
Recent engagements include the Taiwan Philharmonic, Chautauqua Music Festival, Cape Town Philharmonic, Nürnberger Symphoniker, and a debut with the Budapest Symphony Orchestra, as well as the Columbus Symphony. Upcoming engagements include return engagements to the KZN, Cape Town, and Johannesburg Philharmonics, Britten's The Beggar's Opera at DePaul University, and a debut with the Israel Symphony Orchestra Rishon Lezion.
non exclusif representation
Akhtamar Quartet, un concert très suivi!
Ingmar Lazar has been named Steinway Artist
Légende arménienne : retour sur un an à travers l'Europe
Ishay Shaer & Orchestre du Capitole de Toulouse
Ingmar Lazar à l'Opéra de Saint-Etienne
« Légende arménienne » obtient 4 étoiles dans le BBC Music Magazine!
Ingmar Lazar au Festival 1001 Notes!
Akhtamar Quartet à nouveau sur scène!
Ingmar Lazar – le retour du concert au Festival de Montpellier
« Fryderyk 2020 » Award in the 'Classical Music' Category
Ingmar Lazar à St Etienne
Akhtamar Quartet: sortie du premier disque!
Akhtamar Quartet au Concertgebouw de Brugges!
Pavel Sporcl on the BBC Radio live!
Pavel Sporcl and Blue Christmas in Liverpool Philharmonic
New video! Akhtamar String Quartet in Monteleon Festival in Spain
Pavel Sporcl et son Gipsy Way ensemble à Clermont-Ferrand pour quatre concerts
MUSIQ3 lance sa saison avec le Quatuor Akhtamar et Vincent Hepp
New video in the Strad!
Festival des Forêts en « Gipsy Way »
Laissez votre adresse mail pour recevoir régulièrement les nouvelles de l'agence. *
Copyright © 2021 | Thème WordPress par Alain Rossi pour Schouman Music Management


We thank you for including Opera Carolina in your life. Opera Carolina thrives because of you! You bring our operas to life and keep us connected to and serving our community. With donors like you, we can achieve the extraordinary through artistic excellence and meaningful engagement. Together, we make an incredible impact on our community.
A Vibrant History. A Meaningful Vision. A Visionary Future.
With a thoughtful blend of artistic creativity, programmatic imagination, and solid stewardship, Opera Carolina has been transformed into a dynamic and highly valued company. Our goal is to grow from great to superlative. Our vision is to elevate the company as the leading cultural force for Greater Charlotte and to join the ranks of the nation's top-tier regional opera companies, and to elevate opera as an artistic medium through accessible programming.
We invite you to PARTNER with us on this journey to transform Opera Carolina into a world-class organization that brings artistic and civic distinction to our city and our state for generations to come.
Your partnership with Opera Carolina is an investment in your community and will inspire excellence in the arts and education, engaging our diverse community in imaginative ways, and attracting and retaining the very best talent for the enrichment of our community.
40% of the Opera Carolina audience travels from outside Mecklenburg County to attend, from as far as Charleston, Raleigh, and Atlanta.
Grand Opera audience of more than 15,000 annually.
Opera Carolina is the only Charlotte arts organization featured on National Public Radio alongside Milan, Vienna and London!
75% of Opera subscribers have an annual household income of $75,000+.
50% of Opera Carolina's audience has post-graduate degrees.
You can play a vital role in achieving our vision to further elevate the company as a leading cultural force for Greater Charlotte.
Your partnership with Opera Carolina is an investment in your community. With greater resources, we can expand our mission and elevate the region's quality of life by presenting excellent Grand Opera, impactful education programs and innovative community performances. Please choose the way you would like to make a difference today. A full list of levels and benefits is available to you below. Gifts of all sizes make an impact in serving the community through operatic programs and performances. We are grateful for your generosity!
For more information please contact the Opera Development Department, ext. 104.
Why Give to Opera Carolina?
We invite you to partner with us to make Opera Carolina a more creative and robust organization with the capacity to enhance access to its world-class cultural programming and services. Together, we will make Opera Carolina stronger today, and tomorrow.
We seek to enrich the lives of the region's underserved communities. Donations make our programs more affordable and accessible to local residents and increase performance opportunities to local artists thereby providing them with a reliable source of income and furthering their professional development.
Our education programs touch the lives of more than 40,000 students, teachers and families across more than fifteen counties each year. Your support enables us to deepen our relationship with partner schools, provide our education department with more robust resources and increase inclusion by reaching new student audiences.
Help us bring cultural distinction to the company by engaging distinguished artists from across the globe, nurture the talent of both local and national singers, produce innovative productions and launch initiatives to attract new audiences.
Incorporated in 2005, the Opera Carolina Endowment is a separate corporation from Opera Carolina, governed by a five-member Board of Directors. The role and purpose of the corporation is to support the ongoing educational and cultural activities of Opera Carolina.
Gifts to the Opera Carolina Endowment provide lasting and secure investments that are professionally managed to ensure a balance between risk and performance.
As our artistic vision reaches for the stars, so too our need for a growing endowment fund increases. As you are considering organizations to support, either by outright gifts or planned gifts, please make Opera Carolina a beneficiary of your philanthropy. Your support will build on the great legacy of enlightened members of our community and secure the future of Opera Carolina for generations to come.
Creating a charitable remainder trust can provide you with an income stream, significant tax savings, and the satisfaction of providing Opera Carolina with vital long-term resources.
While cash is the simplest asset to donate to Opera Carolina, giving assets such as stocks, bonds or property can provide you with a charitable deduction, and may also offer additional tax savings.
We thank you for including Opera Carolina in your life. With donors like you, we can achieve the extraordinary through artistic excellence and meaningful engagement. Together, we make an incredible impact on our community. We welcome you into our donor family and look forward to sharing transformative opera experiences with you in the seasons ahead!
To send your donation directly to Opera Carolina, please see our mailing address below.
*Your gift to Opera Carolina is tax deductible to the extent of the law.
BRAVO! is Opera Carolina's premier group for young professionals who want to explore and enjoy Charlotte's vibrant performing arts scene. BRAVO! offers a variety of exciting social and educational activities, including co-hosted events with our fellow young professional groups in the arts community.
Getting involved with BRAVO! is easy. Fill out our online form to join. Questions? Call 704.332.7177 ext. 110 or bravo@operacarolina.org.
The Opera Guild of Charlotte, Inc. is committed to furthering musical education and appreciation freely and without profit. Our goal is to promote greater interest in the art of the Opera, and to lend assistance and financial aid to Opera Carolina and other similar organizations.
The Guild was founded in 1954 with its primary purpose to provide financial assistance for Opera productions, and to further musical appreciation and education in the area. Through more than half a century of its existence, the Guild has contributed over $1 million to Opera Carolina.
From the beginning, the Guild was interested in providing support for young music lovers. It worked to arrange free matinees for the Charlotte-Mecklenburg school children, as well as support music education programs in the schools.
In 1969 the Guild formally established their own Vocal Competition for aspiring young singers in the Mecklenburg schools. Presently, the program is open to collegiate students and young professionals in both North and South Carolina. Since the scholarship program began, more than 155 students from North and South Carolina have been awarded monetary prizes to help them continue their musical education.
Make new friends and enjoy the beauty of the Opera from a whole new angle. Join the Opera Guild and be part of the movement to ensure the integrity of Charlotte's Opera future through scholarship, education and continuation of quality performances.
Click here to apply for the 2019 Charlotte Opera Guild Auditions.
Opera Guild of Charlotte, Inc.
Artists and cultural organizations should be leaders and partners in civic engagement and social change. One of the most critical issues facing Charlotte, the Carolinas and the Southeast is lack of socio-economic mobility. Access to education and social capital are crucial catalysts for mobility. Our community engagement initiatives both inform about our art and provide access for and to diverse groups in our community. We create opportunities for relationship building and increased social capital.
Our education programs engage communities throughout the Carolinas, cultivating and reinforcing content mastery and key cognitive strategies required for college and career readiness and providing access to new experiences and new networks of instructors, mentors, and professionals. First Nights at the Opera bring students and families into the theater to experience the opera and interact with Principal artists.
First Nights at the Opera is the final dress rehearsals of each grand opera are open to regional K-12 students, community youth groups, and families. You can send a CMS teacher and 2 students or a family of 3 to First Night at the Opera for $35. Donate today and help bring new experiences to students all over the Mecklenburg county.


text:
The department often houses or coordinates special units, task forces, reviews or programmes that provide advice on a particular issue or issues over a period of time.
Units or programmes the department has housed or is housing include:
Public Inquiry into the Earthquake Commission (2018 - Present)
Canterbury Earthquake Recovery Learning and Legacy Programme (2016-2018)
Connect Smart (2014 - 2019)
Flag Consideration Project (2014 - 2016)
The Policy Project (2014 - Present)
Ministerial Committee on Poverty (2012 - 2017)
Canterbury Earthquake Recovery Policy Team (2011)
Rugby World Cup (2011)
Youth Mental Health Project (2011)
Future State of the State Sector (2010-11)
NZ Security System Review (2010-11)
Government House Conservation Project (2010-11)
Tackling methamphetamine (2009 - 2015)
Prime Minister's Employment Summit Coordination (2009)
Infrastructure Resilience Review (Prof Tom O'Rourke) (2007)
Broadband and Satellite Project (2007)
Urban Development Authorities Team (2006-07)
House Prices Unit (2006)
Education Sector Review (2005)
The Foreshore and Seabed Group (2004-05)
The Climate Change Programme (2002-03)
The Task Force on Positive Aging (1996-97)
The Employment Task Force (1993-94)
The Crime Prevention Unit (1993-2000)
Review of Electricity Shortage (1992)
Inquiry into Nuclear Propulsion (1991-92)
Health Reforms Project (1991-93)
Change Team on Targeting Social Assistance (1991).

redpajama_set_name: RedPajamaCommonCrawl


text:
Cheap flights from Alexandria to Sharm el Sheikh
from Alexandria to Sharm el Sheikh
from Monday, 6 February 2023 to Thursday, 9 February 2023
Egypt flights
Flights to Sharm el Sheikh
Flights Alexandria - Sharm el Sheikh
Alexandria to Sharm el Sheikh Flight Information
Return flight price
Mon 06 Feb - Thu 09 Feb
One-way flight price
Flights Departing from
Alexandria Borg El Arab
Flights arriving in
Airlines flying to this destination
From airport Sharm el Sheikh to city centre
346.54 miles
Information about flights from Alexandria to Sharm el Sheikh
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How far is Sharm el Sheikh from Alexandria?
The distance between Alexandria and Sharm el Sheikh is approximately 558 miles.
How many airports does Alexandria have?
There is 1 airport in Alexandria: Alexandria Borg El Arab.
How many airports does Sharm el Sheikh have?
You can find 1 airport in Sharm el Sheikh: Sharm el Sheikh.
Which airport is the closest to Sharm el Sheikh's city centre?
There is one airport in Sharm el Sheikh, called Sharm el Sheikh Airport, and located 9 miles away from the city centre.
What is the average cost of a taxi in Alexandria? and in Sharm el Sheikh?
In Sharm el Sheikh, a taxi ride costs about £0.00, in Alexandria it costs about £0.00.
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A single ticket in Sharm el Sheikh costs at least of £0.00. In Alexandria, it is at least £0.00.
Top flights from Egypt
Cairo - London
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Sharm el Sheikh - London
Alexandria - Sharjah
Flights from Alexandria to Egypt
Alexandria - Cairo
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Main flight connections from Egypt to Egypt
Cairo - Alexandria
Sharm el Sheikh - Cairo
Cairo - Hurghada
Cairo - Luxor
Hurghada - Cairo
Luxor - Cairo
Main flight connections to Sharm el Sheikh from Egypt
Hurghada - Sharm el Sheikh
Luxor - Sharm el Sheikh
Ahmedabad - Mumbai
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Hotel Hotel Kahramana
Hotel Maritim Jolie Ville Resort & Casino
Hotel Marina Sharm Hotel
Very good by TrustYou™
Hotel Marriott Sharm Mountain Resort
See all hotels in Sharm el Sheikh


text:
@interface NSHTTPURLResponse(UndocumentedInitializer)
- (id)initWithURL:(NSURL*)URL statusCode:(NSInteger)statusCode headerFields:(NSDictionary*)headerFields requestTime:(double)requestTime;
@end

@interface LSTestingNSURLProtocolClient : NSObject <NSURLProtocolClient>
@property (nonatomic, strong) NSURLResponse *response;
@property (nonatomic, strong) NSData *body;
@end

@implementation LSTestingNSURLProtocolClient
- (void)URLProtocol:(NSURLProtocol *)protocol wasRedirectedToRequest:(NSURLRequest *)request redirectResponse:(NSURLResponse *)redirectResponse {

}
- (void)URLProtocol:(NSURLProtocol *)protocol cachedResponseIsValid:(NSCachedURLResponse *)cachedResponse {

}
- (void)URLProtocol:(NSURLProtocol *)protocol didReceiveResponse:(NSURLResponse *)response cacheStoragePolicy:(NSURLCacheStoragePolicy)policy {
    self.response = response;
}
- (void)URLProtocol:(NSURLProtocol *)protocol didLoadData:(NSData *)data {
    self.body = data;

}
- (void)URLProtocolDidFinishLoading:(NSURLProtocol *)protocol {

}
- (void)URLProtocol:(NSURLProtocol *)protocol didFailWithError:(NSError *)error {

}
- (void)URLProtocol:(NSURLProtocol *)protocol didReceiveAuthenticationChallenge:(NSURLAuthenticationChallenge *)challenge {

}
- (void)URLProtocol:(NSURLProtocol *)protocol didCancelAuthenticationChallenge:(NSURLAuthenticationChallenge *)challenge {

}

@end
SPEC_BEGIN(LSHTTPStubURLProtocolSpec)

describe(@"+canInitWithRequest", ^{
    context(@"when NOT catching all request", ^{
        beforeEach(^{
            [[LSNocilla sharedInstance] stub:@selector(catchAllRequests) andReturn:@YES];
        });
        afterEach(^{
            [[LSNocilla sharedInstance] clearStubs];
        });
        context(@"when there is a stub response", ^{
            it(@"should return YES", ^{
                NSURLRequest *request = [[NSURLRequest alloc] initWithURL:[NSURL URLWithString:@"http://api.example.com/horse.json"]];

                LSStubRequest *stubRequest = [[LSStubRequest alloc] initWithMethod:@"GET" url:@"http://api.example.com/horse.json"];
                LSStubResponse *stubResponse = [[LSStubResponse alloc] initWithStatusCode:403];
                [stubResponse setHeader:@"Content-Type" value:@"application/xml"];
                NSString *bodyString = @"<error>Error</error>" ;
                stubResponse.body = [bodyString dataUsingEncoding:NSUTF8StringEncoding];
                stubRequest.response = stubResponse;
                [[LSNocilla sharedInstance] stub:@selector(stubbedRequests) andReturn:@[stubRequest]];

                BOOL result = [LSHTTPStubURLProtocol canInitWithRequest:request];

                [[theValue(result) should] beYes];
            });
        });
        context(@"when there is NO stub response", ^{
            it(@"should return NO", ^{
                NSURLRequest *request = [[NSURLRequest alloc] initWithURL:[NSURL URLWithString:@"http://api.example.com/sheep.json"]];

                BOOL result = [LSHTTPStubURLProtocol canInitWithRequest:request];

                [[theValue(result) should] beNo];
            });
        });

    });

    context(@"when it is a HTTP request", ^{
        it(@"should return YES", ^{
            NSURLRequest *request = [[NSURLRequest alloc] initWithURL:[NSURL URLWithString:@"http://api.example.com/dogs.json"]];

            BOOL result = [LSHTTPStubURLProtocol canInitWithRequest:request];

            [[theValue(result) should] beYes];
        });
    });
    context(@"when it is a HTTP request", ^{
        it(@"should return YES", ^{
            NSURLRequest *request = [[NSURLRequest alloc] initWithURL:[NSURL URLWithString:@"https://api.example.com/cats.xml"]];

            BOOL result = [LSHTTPStubURLProtocol canInitWithRequest:request];

            [[theValue(result) should] beYes];
        });
    });

    context(@"when it is an FTP request", ^{
        it(@"should return NO", ^{
            NSURLRequest *request = [[NSURLRequest alloc] initWithURL:[NSURL URLWithString:@"ftp://ftp.example.com/"]];

            BOOL result = [LSHTTPStubURLProtocol canInitWithRequest:request];

            [[theValue(result) should] beNo];
        });
    });
});

describe(@"#startLoading", ^{
    context(@"when the protocol receives a request", ^{
        __block NSString *stringUrl = nil;
        __block NSString *bodyString = nil;
        __block LSHTTPStubURLProtocol *protocol = nil;
        __block LSTestingNSURLProtocolClient *client = nil;
        beforeEach(^{
            stringUrl = @"http://api.example.com/dogs.xml";
            NSURLRequest *request = [[NSURLRequest alloc] initWithURL:[NSURL URLWithString:stringUrl]];

            client = [[LSTestingNSURLProtocolClient alloc] init];

            protocol = [[LSHTTPStubURLProtocol alloc] initWithRequest:request cachedResponse:nil client:client];
        });
        context(@"that matches an stubbed request", ^{
            context(@"and the response should succeed", ^{
                beforeEach(^{
                    LSStubRequest *stubRequest = [[LSStubRequest alloc] initWithMethod:@"GET" url:stringUrl];
                    LSStubResponse *stubResponse = [[LSStubResponse alloc] initWithStatusCode:403];
                    [stubResponse setHeader:@"Content-Type" value:@"application/xml"];
                    bodyString = @"<error>Error</error>" ;
                    stubResponse.body = [bodyString dataUsingEncoding:NSUTF8StringEncoding];
                    stubRequest.response = stubResponse;

                    [[LSNocilla sharedInstance] stub:@selector(stubbedRequests) andReturn:@[stubRequest]];
                });

                it(@"should pass to the client the correct response", ^{
                    [protocol startLoading];

                    [[client.response should] beKindOfClass:[NSHTTPURLResponse class]];
                    NSHTTPURLResponse *response = (NSHTTPURLResponse *)client.response;
                    [[response.URL should] equal:[NSURL URLWithString:stringUrl]];
                    [[theValue(response.statusCode) should] equal:theValue(403)];
                    [[response.allHeaderFields should] equal:@{ @"Content-Type": @"application/xml"}];
                });
                it(@"should pass the body to the client", ^{

                    [[client should] receive:@selector(URLProtocol:didLoadData:) withArguments:protocol, [bodyString dataUsingEncoding:NSUTF8StringEncoding]];

                    [protocol startLoading];

                });

                it(@"should notify the client that it finished loading", ^{
                    [[client should] receive:@selector(URLProtocolDidFinishLoading:)];

                    [protocol startLoading];
                });
            });

            context(@"and the response should fail", ^{
                __block NSError *error;
                beforeEach(^{
                    LSStubRequest *stubRequest = [[LSStubRequest alloc] initWithMethod:@"GET" url:stringUrl];
                    error = [NSError mock];
                    LSStubResponse *stubResponse = [[LSStubResponse alloc] initWithError:error];
                    stubRequest.response = stubResponse;

                    [[LSNocilla sharedInstance] stub:@selector(stubbedRequests) andReturn:@[stubRequest]];
                });

                it(@"should notify the client that it failed", ^{
                    [[client should] receive:@selector(URLProtocol:didFailWithError:) withArguments:protocol, error];

                    [protocol startLoading];
                });
            });
        });
        context(@"that doesn't match any stubbed request", ^{
            it(@"should raise an exception with a meaningful message", ^{
                NSString *expectedMessage = @"An unexpected HTTP request was fired.\n\nUse this snippet to stub the request:\nstubRequest(@\"GET\", @\"http://api.example.com/dogs.xml\");\n";
                [[theBlock(^{
                    [protocol startLoading];
                }) should] raiseWithName:@"NocillaUnexpectedRequest" reason:expectedMessage];
            });
        });
    });
});

SPEC_END

redpajama_set_name: RedPajamaGithub


text:
PVR to release Kamal Swaroop's cult film Om-Dar-Ba-Dar
Posted: November 25, 2013 by moifightclub in cinema, film, Indie, News
Tags: Aditya Lakhia, Anita Kanwar, Brass Band, Gopi Desai, Kamal Swroop, Lalit Tiwari, Om Dar Ba Dar, PVR, Rome Film festival
Kamal Swaroop's Om-Dar-Ba-Dar can be called a cult film in its truest sense. And that too underground one. Because most people have heard about it but have not seen it. Finally, here's the good news. The film has been digitally restored and PVR Directors Rare is going to release it on 17th January, 2014. So all of you who have so far only heard about it, here's the chance to watch it on big screen. The film stars Anita Kanwar, Aditya Lakhia, Lalit Tiwari, and Gopi Desai.
The restored print was screened recently at Rome Film Festival. An avant-garde work, this is much more than a film. It's like an installation collage art which uses various elements – from history to mythology, and politics to philosophy, to create a fascinating new world on screen. And he made brass band cool much before Anurag re-discovered it in Dev D.
Must Watch Movies Recommended By Digitians - Page 632 says:
[…] good news to movie buffs (@Anorion specially) PVR to release Kamal Swaroop's cult film Om-Dar-Ba-Dar | F.i.g.h.t C.l.u.b Have seen half of the movie thanks to Anorion's recco long back. Good but a bit boring. […]
J Hurtado says:
Sounds cool!
Shubhashish Bhutiani's Kush moves in Top 10 list for Oscar (Live Action Short category)
All the news from Film Bazaar, Goa (2013)


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AnneBullock2021
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More info on São Tomé and Príncipe escudo
São Tomé and Príncipe escudo: Wikis
São Tomé and Príncipe escudo
User(s)
1/100 Centavo
10, 20, 50 centavos, 1, 2½, 5, 10, 20 escudos
20, 50, 100, 500, 1000 escudos
Issuing authority
This infobox shows the latest status before this currency was rendered obsolete.
The escudo was the currency of São Tomé and Príncipe between 1914 and 1977. It was equivalent to the Portuguese escudo and subdivided into 100 centavos.
3 Banknotes
The escudo replaced the real at a rate of 1000 réis = 1 escudo. Initially, only banknotes were issued in the name of São Tomé and Príncipe and the colony used Portuguese coins. Only in 1929 were coins also issued for the colony. The escudo was replaced at par by the dobra following independence.
In 1929, nickel-bronze 10, 20 and 50 centavos coins were introduced. These were followed in 1939 by cupro-nickel 1 escudo and silver 2½, 5 and 10 escudos. Bronze 10, 20 and 50 centavos and 1 escudo, and cupro-nickel 2½ escudos were introduced in 1962, followed, in 1971, by aluminium 10 centavos and cupro-nickel 5, 10 and 20 escudos. This was the last year of coin production.
In 1914, the Banco National Ultramarino introduced notes for 10, 20 and 50 centavos, followed by 5 centavos notes in 1918. In 1921, larger denominations of 1, 2½, 5, 10, 20, 50 and 100 escudos were introduced. 500 escudos were introduced in 1956, followed by 1000 escudos in 1964.
Between 1974 and 1976, the Banco Nacional de São Tomé e Príncipe issued bearer cheques for circulation in denominations of 100, 500 and 1000 escudos. In 1976, the Banco Nacional also issued notes of the Banco National Ultramarino, overprinted with the new bank's name, in denominations of 20, 50, 100, 500 and 1000 escudos.
Krause, Chester L. and Clifford Mishler (1991). Standard Catalog of World Coins: 1801–1991 (18th ed. ed.). Krause Publications. ISBN 0873411501.
Pick, Albert (1994). Standard Catalog of World Paper Money: General Issues. Colin R. Bruce II and Neil Shafer (editors) (7th ed.). Krause Publications. ISBN 0-87341-207-9.
Categories: Currencies of Africa | Modern obsolete currencies | Economy of São Tomé and Príncipe | Economic history of Portugal | 1914 establishments | 1977 disestablishments | History of São Tomé and Príncipe | Currency unit stubs | São Tomé and Príncipe stubs | Portugal stubs


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