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Home » When Life Gives You Fiats, Make LeMons Racers: 1962 Fiat 1100 vs 1970 Fiat 850 Spider
When Life Gives You Fiats, Make LeMons Racers: 1962 Fiat 1100 vs 1970 Fiat 850 Spider
By Mark Tucker
Good morning! It's Wednesday, the last day of August (seriously?!), and today we're looking at two nasty old Fiats that are halfway to being cheap race cars… or scrap metal. You decide. But first, let's see which of our two pairs of trucks had the better hand:
Well, that's pretty conclusive. And as it so happens, I agree; I'd love to have a Rampage, but I think I'll hold out for one that isn't quite so derelict. And I've been a fan of Nissan trucks for many years.
Speaking of derelict, for today I found a pair of crusty Fiats that have complete drivelines and reasonably solid bodies, but no interiors to speak of. As such, they are good candidates to become LeMons race cars or Gambler cars or or maybe just headaches waiting to happen. That's for you to decide. Let's have a look at them.
1962 Fiat 1100 "Millicento" – $1,500
Engine/drivetrain: 1,089 cc inline 4, 4 speed manual, RWD
Location: Santa Fe, NM
Odometer reading: 75,000 miles
Runs/drives? Nope
Fiat was one of many carmakers vying for a piece of the small car market in the US in the 1950s and '60s, a market that Volkswagen absolutely commanded. The 1100 was in the middle of Fiat's range at the time, but just barely big enough for US roads. Fiat sold the old rear-engined 500 and 600 here, but they were about the size of the hood ornament on a Buick.
This particular 1100 was not a US model, according to the seller, but brought over by a serviceman returning from Europe in the '60s. It's a later 1100, without the signature rear-hinged "suicide" front doors of earlier 1100s. Fiat changed the style of the 1100 a few times, though it remained a four-door sedan, throughout its run from 1953 to 1969, when it was replaced by the front-wheel-drive 128. But in what would become a tradition for Fiat, a license-built version of the 1100 was produced for many more years, in this case by PAL in India, until the year 2000. The 128 was produced in Egypt and Serbia as late as 2008. Fiat's larger 124 sedan, of course, survived until 2012 as a Lada.
The interior of this Fiat is a bit, well, Spartan. As in completely missing. The dashboard is in intact, but that's it; everything else is gone. Which means, of course, there is plenty of room to weld in a cage and install a single racing seat. I mean, you'll never find restoration parts for this thing. Mechanical parts, sure, but door cards? Forget it.
Bonus points if you turn it into a race car, but keep the column-mounted shifter for the 4 speed manual:
Mechanically it looks intact, and the seller says the engine spins freely, so you can probably get it going again. It's a simple pushrod 4 cylinder with one Weber two-barrel carb, nothing exotic, apart from being a 60-year-old Fiat.
Obviously this isn't a car that's worth restoring to stock and original, but it could make a really fun toy. And you certainly won't see another one pretty much anywhere.
1970 Fiat 850 Sport Spider – $500
Engine/drivetrain: Rear-mounted 903 cc inline 4, 4 speed manual, RWD
Odometer reading: unknown
Runs/drives? Um, no
The Fiat 850 was an evolution of the old 500/600 rear-engine architecture. The Spider was one of several bodystyles available, including a sedan, a coupe, and even a minivan, known as the 850 Familiare. The Giugiaro-styled Spider is probably the best-remembered, at least in the US. It's another one of those little sports cars that used to be all over the place, but is rarely seen now.
It's a cute little car when it's in good shape, really it is. Just use your imagination. (Or Google.) And it's a ton of fun to drive, as long as you keep in mind that there's only 52 horsepower on tap. But then, it only weighs 1600 pounds, so you don't need a lot of power. It's one of those cars you can redline in every gear and barely break the speed limit, but feel like you're hauling ass down the Mulsanne Straight.
At least, once you get it going. No indication is given of the condition of this little 903cc wonder. But there is a good enthusiast's community around these cars, and parts aren't hard to come by. A competent and determined mechanic should be able to get it buzzing again, or swap it out for a running engine.
Of course, once you get it running, you'll need a place to sit in which to drive it. This little 850 has a tiny bit more of an interior to it than the 1100 above does, but not a whole lot. And what's there is only fit for the Dumpster. But all you need is a seat (or two) and a new steering wheel. Door panels? Carpet? What are you, a Rockefeller? It's a sports car; it isn't supposed to be comfortable.
It does appear to be missing some rather vital components like taillights and turn signals [Editor's Note: Great opportunity to really explore some light options here! – JT] (and, weirdly, a radiator cap). The lights should be available, but again, if you go the race-car route, you don't need to bother. There's some rust on it, but honestly, it's not bad for a '70s Fiat. Yeah, it's a project. But hey, it's five hundred bucks.
I could try to justify these picks further, but the honest truth is that I just like Fiats. If you do too, then you'll see some cool potential here. If not, well, I'll have something different for you tomorrow. For today, though, this is what you get. Which one will it be?
(Image credits: Craigslist sellers)
Pacific Northwest-based self-taught DIYer of all the things. Current fleet: 1971 MGB GT, 1989 Chevy K1500, 2013 Chrysler 300C, 2003 Infiniti QX4, and 1966 Aristocrat Land Commander trailer. Not to mention about 40 RC cars and around 100 model kits...
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Fear-O says:
Calling the interior "Spartan" is a missed opportunity. You should call it "Atlantian" – i.e. not there
JakobKsGarage says:
There it is again! The under carburetor drip tray (or heat shield), on the Fiat sedan. Love those things!
I've never been too wild about the 850 Spider. It just has that ridiculously short wheel base, sorta like the Renault Floride, so you think it will point the nose to the sky when accellerating and to the ground when stopping. But then I saw JNH on YouTube take one apart, and they seem quite simple to work on and modify, so yes, I would like one, just for fun.
And the double flap hinges on the back are just so cool! I wish they would have made those on the Figaro, also a car with two rear hatches.
eldesonbenrobot turds says:
Neither. Both are crusher fodder
JDE says:
These would be decent Tesla motor Volt battery Pack candidates if the spring perches are not rotted away on them.
well, both are terrible, I suppose the spider if I have to so I can look at that header.
Anti Autopian says:
What's going on with the Spider's cooling fan? Looks like it's wrapped in electrical tape.
MorganGT says:
It's a corrugated rubber 'duct' connecting the radiator shroud with the fan shroud, to allow for engine movement. The fan on these is mounted to the water pump, which is bolted to the engine but has a long neck to place it out to the side by the radiator, so it moves around enough to require flexible ducting.
And just to be extra weird, the water pump is driven by a belt from the alternator, which is driven by a different belt from the oil filter, which does double duty as the crankshaft pulley!
Thank you, Sir. That one had me scratching my head.
IP2_J65_QLC says:
I'm local to Monterey and it's necessary to warn all of you that while Dodi has made an interesting hobby out of going to the local (very wealthy) estate sales and buying the corpse(s) from the garage/side yard; the prices on the running stuff isn't very good and the non-runners are interesting but often very, very badly off.
Beached Wail says:
Also a local. My friends and I refer to that dealership (and the nearby familial one) as The Place Where Other Peoples' Projects Go To Die.
hugh crawford says:
Invisible rust can render an 850 body un-repairable and this has visible rust. I think this example may have been stripped of all the valuable parts when the tail lights and radiator cap were removed.


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Bone density tests crucial for menopausal women
9:18 March 4, 2010
University of Adelaide Visiting Professor Chris Nordin AO says 16,000 people are hospitalised in Australia each year with hip fractures – most of which he considers are preventable with diet and lifestyle.
Professor Nordin, who has more than 50 years' experience in his field, will be among 70 national experts on osteoporosis and nutrition at a two-day workshop at the Adelaide Festival Centre later this week.
Medical experts will discuss the importance of calcium, Vitamin D, a low-salt diet and exercise in the prevention of osteoporosis and the urgent need for a national bone density measurement test for all women at menopause.
"There is no public preventive policy at either State or Commonwealth level, despite osteoporosis costing the country at least $1 billion each year in the management of fractures," Professor Nordin says. "The indirect costs far exceed that figure."
Professor Nordin says many women are unaware that their calcium requirements rise sharply once they reach menopause and unless they take more calcium their bone density will fall.
He and his colleagues are pushing for a free bone density test for women at menopause to detect those who are at greatest risk of osteoporosis in the future.
"If the risk is high, these women will be given appropriate advice and encouraged to take responsibility for their own bone health," he says.
"The amount of calcium that people consume on a daily basis through a normal diet is generally not sufficient for post-menopausal women and as they get older they require more Vitamin D as well. Supplements may be necessary to prevent osteoporosis and reduce this scourge of old age," he says.
Professor Chris Nordin is a Visiting Professor of Medicine and Pathology at the University of Adelaide and an emeritus specialist in endocrinology at the Royal Adelaide Hospital.
Organised by the University of Adelaide's Centre of Clinical Research Excellence in Nutritional Physiology (CCRE) and the Royal Adelaide Hospital, the Osteoporosis Prevention workshop is believed to be the first of its kind in the world.
WHAT: Osteoporosis Prevention Workshop
WHERE: Adelaide Festival Centre
WHEN: Friday 5 March and Saturday 6 March
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redpajama_set_name: RedPajamaCommonCrawl


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Nifty New Website for Alexander Payne's 'The Descendants' Launches
Meet the King Family. Fox Searchlight has just unveiled a fantastic new website for their upcoming film The Descendants, directed by Alexander Payne, starring George Clooney as a father of two daughters living on Hawaii caring for a wife who's in a coma. The website was unveiled today (via THR) and is actually a virtual/literal "family tree" for Matt King (Clooney's character) and his relatives, both those very old, and his brothers/cousins still alive, to his kids and other people related to the family all over Hawaii. You can navigate around the tree and click each profile for a video on them - very cool. Great way to explore the film.
I highly suggest clicking the image below to visit the website: king-family-tree.com. Although it's still in Flash and not HTML5, it's a cool site and a great way to explore the depth of the characters in this. Enjoy!
A land baron (Clooney) tries to re-connect with his two daughters after his wife suffers a boating accident.
The Descendants is both written and directed by Oscar winning American filmmaker Alexander Payne, director of Election, About Schmidt and Sideways previously, plus a screenwriter for Jurassic Park III and I Now Pronounce You Chuck & Larry. The screenplay was actually co-written by Payne and Nat Faxon & Jim Rash, from Kaui Hart Hemmings' novel of the same name. Fox Searchlight will be bringing bringing The Descendants to limited theaters starting November 18th. You can watch the trailer here or visit the site.
Find more posts: Cool Stuff, Feat, Hype, Indies


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2006 FERRARI 612 SCAGLIETTI
A low-mileage and well-maintained example of an acclaimed flagship GT car, in a desirable colour scheme.
It is powered by the 532bhp 5.7-litre naturally aspirated V12, driving the rear wheels via a six-speed 'F1A' electro-hydraulic automated manual transmission.
Owned by the same custodian since 2010, with a regular service history at Ferrari main dealers.
EQUIPMENT AND OPTIONS
Finished in Blu Pozzi over tan leather, this 612 Scaglietti has a rare colour scheme, which suits this grand tourer very well.
Factory-fitted equipment includes air-conditioning, front and rear parking sensors, electrically adjustable front seats with driver memory settings, and the Bose sound system. The cabin also has 'Cavallino' emblems embossed on the headrests, and a leather headlining.
It also comes with an OEM Ferrari car cover, two keys, and a CTEK battery trickle charger.
All of the original tools and books are included, including an excellent service history record.
There is no known bodywork damage, and the panel fit is excellent.
The factory-applied Blu Pozzi paintwork is in very good condition. There was a minor scratch on the front bumper that was repaired and resprayed to be indistinguishable from the original work. A small number of very minor stone chips can also be seen.
The tan leather interior is original and in excellent order, with minimal signs of age or use. In 2018, the roof liner and some minor interior trims were repaired.
When turning the ignition on from cold, an alarm system failure message will display. However, the alarm error clears when the ignition is turned off and back on again and does not interfere with use. Occasionally when parking, one of the front parking sensors will beep unnecessarily.
Serviced by Zagame Ferrari Melbourne in February 2020 at 28,495 km, this included an engine oil and filter change, new pollen filter, brake fluid and the full manufacturer-specified checks carried out to the brakes and suspension.
The gearbox was rebuilt in 2020, and a new F1 accumulator and sensor were installed.
In November 2017 at 27,923 km, Zagame Ferrari Melbourne carried out another service, renewing the engine oil and pollen filters, brake and transmission fluids. During 2017, the car was also fitted with new Michelin Pilot Super Sport tyres and new TPMS sensors, as well as a new battery.
The timing belts were last replaced in June 2014 at 24,608 km.
Dates and mileage:
02/11/2007 – 12,544 km
This Ferrari 612 Scaglietti presents in excellent condition, and benefits from having received regular main dealer services throughout its life to date. It is in fine mechanical order with impressive paintwork; and while it would be a great addition to any Ferrari collection, it is now ready for many more miles.
The description of this auction lot is, to the best of the seller's knowledge, accurate and not misleading. Collecting Cars requests a range of detail about the lot from the seller, and performs a level of due diligence. However, bidders must satisfy themselves as to the accuracy of the description, and conduct any research they feel is necessary before committing to a bid. Please see our Terms and Conditions for full details.
This vehicle's VIN has been checked against the Australian Personal Property Securities Register, and there is no security interest or other registration kind logged against the serial number. This vehicle has been checked through the Austroads NEVDIS system, and there are no markers under the written-off or stolen databases.
Car Overview
Blu Pozzi
VINZFFAY54D000148930
Lot Overview
Lot #04063
Langwarrin, Victoria, Australia
FezzMan
Mechanical (9)
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Students broke records on social networks!
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We know that business is not easy, especially at the beginning. That's why there is a Benefit program. We also organize workshops and interesting meetings.
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In business, more than elsewhere, it is necessary to keep up to date and meet new people. That is why we organize a variety of workshops and informal meetings.
Busy hands are business hands.
Financial literacy is important. That is why we teach children from elementary and secondary schools the game Cash Flow. Do you know the game races and bets? It's just like that but in addition kids will learn quite a lot.
Play Cash Flow with friends or team to improve your teambulding.


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2020 – News Archive April/ May/ June
2020 – News Archive Jan/ Feb/ Mar
2019 – News Archive
You are my Oldham…
Push The Boundary
Register Your Support
Letter to Abdallah
Blitz Q & A – 09/01/2020
In 2020 - News Archive Jan/ Feb/ Mar
Push The Boundary – Q&A with Simon Blitz 06.01.2020
SB stated that he had come over to have this meeting alongside his Solicitor Jonathon Crook, a meeting that had been weeks and not days in the planning. He was aware that there had been a lot of statements between different parties and wanted to address these in person. Short of saying that these were false, SB did say that he felt "99.9% of the statements are untrue" and was open to any questions.
We want to make it clear that these minutes have been produced from our own notes taken on the evening, in the Q&A and in our meeting with SB afterwards.
Q. Explain the History of Owning the stadium?
The football club has not owned the ground since 1999. Council held control of ground and freehold which was bought off the council by Brassbank for £4.6 Million which was paid for in August 2004. Believes the Chapel Road training ground is leased to the club by council but could not confirm this.
Q. What has led to the fall out with Abdallah regarding the OEC?
The relationship was amicable and doesn't see why this can't be rebuilt, but Simon Blitz was made aware of comments from the last Fans Forum where it was mentioned that "£5.2m went missing" so SB then conducted a timeline of events as follows…
In 2008/09 BAE was put up for sale and the council suggested that they could redevelop along with some land handed over from the council. The club closed the deal on BAE and submitted plans to Oldham Council. The Charity Commission wouldn't allow a stadium to be built on the land as there as there was a war memorial or similar on the site. SB then proposed building houses on the site but this was also rebuked.
Oldham Council agreed they would buy the land back from Oldham Lancaster Club (new entity set up and owned by SB in order to complete the original purchase). The purchase price was £3,154,000. However, Oldham Council can't be seen to be doing business via a Third Party so a 'back to back' transaction took place. This is where the money forming part of the transaction are instantly sent from Oldham Council to OAFC and then to Oldham LC seamlessly. This is commonplace within commercial property deals (see link below)
https://clicktime.symantec.com/3SUL8gcmTUauxieUYEmUB116H2?u=https%3A%2F%2Fuk.practicallaw.thomsonreuters.com%2Fw-011-2662%3FtransitionType%3DDefault%26contextData%3D%28sc.Default%29%26firstPage%3Dtrue%26bhcp%3D1%29.
When asked the question, SB confirmed that Simon Corney was NOT a director of Oldham LC. £1.085m extra went to purchase the Lancaster club (for the football club), a £700k grant to help build the stand to total £1.785m in total. Brassbank put in an extra £3.8m to build the stand. Final cost was £5.7m and the rent payment was £150k per annum. On the back of this, the stand would stay in the name of Brassbank due to the money that was invested by SB and this was the only way he would get any of his money back.
In December 2016, £350k and also an outstanding loan was paid off (worth £150k). On the basis of this, it was conditional that the facilities within the stand were used for hospitality and all meals charged at cost price only with the expectation that the club kept every penny of net profit. This equated to circa 100k per year. Brassbank paid for the kiosks in the North Stand to be fitted out and this is not included in the overall building costs and has been written off by SB.
SB encouraged AL to approach him to sit around a table to discuss these issues. If he has an issue with making payments, then be honest and they can try and work it out but added that he (SB) wouldn't be bullied by accusations and statements made by the football club. He didn't name names but mentioned that there were Directors currently on the board, who were on the Board at the time the above transactions took place.
Q. What debt is there on the OEC and is this owed to OMBC?
The only debt on the stand is a mortgage which it was believed there was circa 7 years remaining + balloon payment at the end (SB confirmed this was commonplace for a commercial mortgage). It was confirmed that they (Brassbank) were overpaying this in order to reduce the balloon payment that will be due. The mortgage is currently circa £28,000 a month and any top up payments that are not being met, are being made by SB himself as and when required.
No money whatsoever is owed by the OEC to Oldham Council. Ownership of the OEC is in the name of SB & Danny Gazal (not Simon Corney).
Q. What are the FLG aiming to do, do they want to own the ground and force pressure on Abdallah? Have the FLG got funds to fulfil their plan or do they need investors?
It was stated that the FLG would look to raise a percentage of funds via a sharehold for fans to be able to invest in the ground. No one person would be allowed to have more than 10% of the shares to ensure it was fair for everyone. Brassbank wouldn't own any shares.
Q. What was sold to AL upon the sale of the club in January 2018
AL bought the football club. Not the land.
Brassbank don't own Chapel Rd and SB believed this was owned by Oldham Council. When asked what "the club" was, SB responded that the club is the membership to the football league and it's shares of which (based on the fact he is no longer a shareholder and hasn't been since 2011) the current makeup of the sharehold is believed to be 3% Trust / 22% Simon Corney & 75% AL.
Q. Do any covenants exist on the ground protecting it as a football club?
There is no covenant in place but there is an ACV (Asset of Community Value) so with any sale of the 4 stands and/or the pitch, the community have the first right of refusal to this.
Q. Are you ever contacted by any party regarding the ownership and availability of the football club?
SB confirmed he was asked last week about the availability of the club. Prior to the sale, there were numerous people interested although he admitted that as he has not owned the club for a number of years, he doesn't receive many approaches of this nature.
Q. Is there a chance that the current owner of the club could try to move us away from our home and use the disagreement over the SLA as the catalyst?
SB felt that it's not his place to comment on what the current owner may or may not do but he felt the cost of moving the club and additional costs in building a new stadium or renting elsewhere, he and the club would be no better off financially than he is now.
Q. Please could you also describe to us the exact boundary of the land that makes up the asset(s) of Brassbank Ltd?
Brassbank owns the footprint of the stadium, then up to and including the dialysis unit, around little Wembley and up to Furtherwood Rd.
Q. Would any investigation (police or otherwise) affect the sale of the ground?
No, absolutely not.
Q. Are you interested in renting out the unused space to the club or supporters? If so, at what £ per square foot?
The units are available to be rented to anyone who wants to use them. They are advertised as available retail units. There is no set price per square foot, this is negotiable, there is an advertised price for the unit downstairs.
Q. Why were you on the pitch at Fulham?
SB was on the pitch because AL made the offer to SB's son the night before. SB son had stated to AL that Oldham would win against Fulham the day after. AL stated if this happened they could come on the pitch and in the changing rooms. He stayed true to his word on this. SB stated that it was an amazing day and he misses that. The noise that he could hear from the director's box was unbelievable from the fans. Fulham directors commented about they have never heard noise like it. Always will be a Latics fans as his second team behind Chelsea. Always checks the score.
Q. All this bickering between you and the club affects one set of people, us, please outline to us what needs to happen to instigate change before days like Fulham are a distant, unachievable dream?
SB stated that it's not his position to comment on the current ownership of the club but believed that in an ideal world, the ground and the ownership of the club should be under 1 banner, but in the absence of this, that a "Fan Led Group" should have ownership of the ground via a sharehold to protect it and the fans should be able to decide where the profits from the ground should go.
In terms of on the pitch and within the club, that's not for SB to state. He can't comment but empathise/sympathise to a large extent with AL because owning a football club is difficult.
Q. The back and forth via club statements is excruciating and you hear a lot of comments saying "just sit down around a table to thrash this out". Has this happened or has any attempt to make this happen been made at any point?
Wants the club to send someone to speak with him. Wants to move forward but states he will not be bullied.
Q. What are the current Health & Safety Procedures both matchday and non-matchday
No changes to the usual H&S procedures for non-match day events and for matchday (while the SLA remains unsigned) the usual non-matchday procedures apply. All training and H&S procedures are written down and documented and the OEC is responsible for this. They have been approved by the SAG (Safety Advisory Group). States he was contacted by the club to see if they could use stand for disabled access into the ground via the lift. Blitz had no issue with this and was more than happy for them to use it but not happy with suggestion afterwards that safety isn't thought of.
Q. Abdallah has mentioned that he felt the price being asked for the stand was inflated. What are SB's comments around this?
The price it is worth is between the buyer and the seller and their valuations of the stand. AL has said that he felt it was overvalued but the offer made for the stadium was less than the cost to build the North Stand. There had been 2 offers made by AL. It was also commented why would you make an offer (or 2 offers) for something you feel you already owned?
Q. How concerned are you around the recent statement made by the club and does this complicate any plans in relation to the agreement between the FLG / BB over the ongoing negotiations?
Not concerned at all about the allegations made and they have already taken steps to engage with Oldham Council and both Oldham and Greater Manchester Police. SB believed that these accusations were made only because they wanted him to postpone the Q&A, but this made him more determined for the meeting to take place.
Q. Was Barry Owen involved in all meetings regarding the ownership of North Stand and OEC?
Can't confirm if he was at all meetings but with him being a Board member he would have known the set up of the north stand / OEC from board meetings which had taken place.
Q. Suggested Brassbank owe money to Abdallah?
Blitz states this was due to there being one gas meter as previously under Corney this wasn't an issue as the bills were shared. AL was paying gas meter whilst Blitz was paying for Electric including floodlights from North Stand and LED boards. So this money should have more than evened itself out. There are now two gas meters.
Q. It has been stated by the club that they do not owe Brassbank any money. What is the situation from the perspective of Brassbank?
The club owe 2 amounts of money which includes unpaid rent of £166k. There is also a debenture in place for the reasons laid out below.
In December 2015 the club went to the bank to borrow money and for the funds to be released, Landlord approval was needed but SB said no to this request. SB lent money to the club on exactly the same payment terms as the proposed loan. It was over the sharehold of the football club and as part of this, no more money could be borrowed by the football club without SB receiving the money he was owed.
When selling the football club, SB asked for the money loaned to be paid back. In total this was worth £520k. This was via an initial payment and 2 additional payments. £270k would be paid upfront (the sale of the club couldn't take place without this) and £250k in 2 separate payments of £125k each, one in July 2018 and the second one in January 2019. AL signed that agreement when he bought the club. To date neither of the additional payments have been made by the club.
SB still has a floating debenture on the clubs assets and this was renegotiated when AL bought the club in January 2018.
Q. Could Simon Blitz put us into Administration and if so, why hasn't he done it?
Nothing other than good nature. It's only SB saying that he doesn't want it to happen but has advised he will not be bullied. AL was aware of the terms of the agreement and what he was purchasing. Everything is on the share purchase agreement. Surrender of the old lease with the previous owner was signed by Simon Corney in the middle of 2016. AL has signed that he had seen the agreement and documentation is in place as such. Blitz' business partner Gazal was angry with the club over recent statements to the point where he rang Blitz to suggest putting the club into admin. Blitz said he wouldn't do that at this stage, but also stated whilst he didn't want to do it, this can only go on for so long and there may come a time when he may have to take action.
FLG approached SB a year ago. Their proposal was to have the fans owning the ground so they can control of their own destiny. The fans will own their own house. Blitz wants his £3.8m back as part of the deal to sell the stadium. He would offer this over 4 years with no interest in order to do this. He feels this is fair and asked fans to challenge him on whether this was a fair deal.
Simon Corney is not in any of the current plans at all. Up to 2 months ago they (SB & Simon Corney) hadn't spoken in a year and a half. Relationship with DG is strong, they are business partners and have been for a number of years. Saw Simon Corney this morning but this was with their solicitors over the recent statements that have been issued.
The business plan relates to the football and anything else is a bonus in relation to functions, meetings etc. Yes, it (the stadium) was offered to AL and more than one offer was made over time. All the back up documents, text messages and call logs are there to prove this.
Q. How much money have you put into the club?
Since taking over £15 Million, with £4.3 Million of that being spent on the North Stand. £4.3 Million includes the fitting out of the kiosks and seats.
Q. Would he be willing to sell unused land?
Unused land is not for sale as he is wanting to build houses on those along with a hotel which he has always wanted to add to the site. Club had been issued a notice on Little Wembley (club has no lease on this and are just allowed to use it) as houses are being put on that. Club asked for extension on this, which Blitz believed was reasonable and therefore granted this request but since then the notice has expired. If SB keeps the ground he would like to add new changing rooms to a corner of the ground.
Q. What's stopping SB putting houses on the footprint of the ground?
There isn't anything stopping Blitz but states he always wants football to be played at BP and is happy to put a permanent restriction in place to ensure football will always be played there and no houses in its place. He doesn't want his legacy as an owner and a person to be that he destroyed the football clubs home and won't allow that to happen
Q. Would all parties allow an independent auditor to review the shareholding, asset ownership, etc and produce a high level report for the fans so there is no more ambiguity and delivers the transparency which keeps getting talked about?
SB was happy to agree to this and followed up to say that if there were any questions outstanding that required a response or if any of the answers need further clarification then to let him know. We are happy to try and field these and try to do a follow up exercise to finalise any remaining queries.
© 2021 Push The Boundary


text:
Waning Gibbous on 22 February 2046 Thursday
Moon phase on 22 February 2046 Thursday is Waning Gibbous, 16 days old Moon is in Virgo.
Moon phase for 22 February 2046 Thursday 12:00 UTC
Lunar calendar 2046 | February 2046
Waning Gibbous phase
Waning Gibbous 97% illuminated
Waning Gibbous is the lunar phase on 22 February 2046, Thursday . Seen from Earth, illuminated fraction of the Moon surface is 97% and getting smaller. The 16 days old Moon is in ♍ Virgo.
23 February Feb
27* February Feb16:23
Quarter* ♐ Sagittarius
Crescent ♐ Sagittarius
1 March Mar
Crescent ♑ Capricorn
1 day after Full Moon
Previous main lunar phase is the Full Moon before 1 day on 20 February 2046 at 23:44.
Moon rises in the evening and sets in the morning. It is visible to the southwest and it is high in the sky after midnight.
Moon in ♍ Virgo
Moon is leaving the last ∠4° of ♍ Virgo tropical zodiac sector and will enter ♎ Libra later.
Lunar disc appears visually 1.6% wider than solar disc. Moon and Sun apparent angular diameters are ∠1970" and ∠1939".
Snow Moon before 1 day
Next Full Moon is the Worm Moon of March 2046 after 27 days on 22 March 2046 at 09:27.
Last Quarter in Sagittarius ♐ after 5 days on 27 February 2046 at 16:23
New Moon in Pisces ♓ after 13 days on 7 March 2046 at 18:15
First Quarter in Gemini ♊ after 21 days on 15 March 2046 at 17:13
Full Moon in Libra ♎ after 27 days on 22 March 2046 at 09:27
Moderate tide
There is medium ocean tide on this date. Sun and Moon gravitational forces are not aligned, but meet at very acute angle, so their combined tidal force is moderate.
The Moon is 16 days old. Earth's natural satellite is moving from the middle to the last part of current synodic month. This is lunation 570 of Meeus index or 1523 from Brown series.
Synodic month length 29.8 days
The length of the lunation is 29 days, 19 hours and 6 minutes. This is the year's longest synodic month of 2046. It is 1 hour and 30 minutes longer than the next lunation's length. The lengths of the following synodic months are going to decreasing with the true anomaly getting closer to the value it has at the point of New Moon at perigee (∠0° or ∠360°).
The length of the current synodic month is 6 hours and 22 minutes longer than the mean synodic month length. It is 41 minutes shorter compared to 21st century's longest synodic month length.
Lunar orbit position on 22 February 2046 Thursday 12:00 UTC
Moon after perigee
1 day after point of perigee on 21 February 2046 at 06:43 in ♍ Virgo. The lunar orbit is getting widen, while the Moon is moving away from the Earth. It will keep this direction over the next 12 days, until the Moon reaches the point of next apogee on 7 March 2046 at 06:49 in ♓ Pisces.
Previous perigee | Next apogee
The Moon is 363 847 km (226 084 mi) away from Earth and getting further over the next 12 days until the point apogee when Earth-Moon distance is going to be 406 576 km (252 635 mi).
Moon after descending node
2 days after descending node on 19 February 2046 at 17:48 in ♌ Leo. The Moon is located south of the ecliptic over the following 10 days, until the lunar orbit crosses from South to North in ascending node on 4 March 2046 at 21:25 in ♒ Aquarius.
16 days since the beginning of current draconic month in ♒ Aquarius, the Moon is navigating from the second to the final part of the cycle.
Moon before southern standstill
6 days since the previous standstill on 16 February 2046 at 04:45 in ♊ Gemini when the Moon has reached North declination of ∠27.295°, the lunar orbit is extending southward over the next 6 days to face maximum declination of ∠-27.260° at the point of next southern standstill on 28 February 2046 at 17:20 in ♐ Sagittarius.
Syzygy in 13 days
In 13 days on 7 March 2046 at 18:15 in ♓ Pisces the Moon is going to be in a New Moon geocentric conjunction with the Sun and thus forming the next Sun-Moon-Earth syzygy alignment.


Lily Rose Bridal is the newest brand to join the Bridal Gallery range, each dress is completely handmade in the UK. This collection offers flexibility and versatility to make pattern alterations to suit each brides individual needs and requirements. With this range you are able to to mix and match styles to create your dream dress, if you love the bodice from one dress and the skirt from another we will make this for you. Each gown is supplied with a hand signed certificate of authenticity from your gowns personal seamstress.


Sarah's son, Jimmy, just came down with a bad cold. Where does she go for help? Online. Eventually she'll call you, but first, she wants to see what the internet has to say. Patients check out healthcare information online long before they make an appointment to speak to a physician, but not all of that content shares great advice.
At On Target Digital Marketing, we understand the importance of quality, honest healthcare content, and we create content that points your patients toward healthier lifestyles.
When a child starts sniffling, the parent is faced with two options: go see a doctor or consult Google. And let's be honest, they're going to start with Google. This opens up a major opportunity for healthcare content marketing. If you're not putting out great content that answers their questions, you're missing out on the chance to connect with patients when they're not in the office. Through content marketing, you can deliver the information customers want in terms that are easy for them to understand.
Patients are convinced that Dr. Google holds all the answers. Before you know it, a stuffy nose has turned into pneumonia, and patients are rushing around and misdiagnosing themselves in a panic. The last thing any reputable healthcare provider wants is their patient absorbing false information from an unreputable source. In this ocean of bad advice, you have the chance to be the voice of reason long before they come to you for help.
Don't forget about social media; patients aren't just checking blogs for information! A strong social media presence matters. Instead of letting your patients flounder around in the dark, be the guiding light that shares tips on improving their health and coping with common ailments. Consumers crave advice from an expert source, and great healthcare content can even attract potential clients searching for health advice. On Target helps spread useful, honest content so that you can spend more time diagnosing that cough.
Doctors are busy, and it's difficult to stay in contact with patients when there are so many of them to fit within the schedule. Healthcare content marketing fills in the gap between physician visits and nurtures the doctor-patient relationship. Develop knowledgeable blogs that patients will find when they consult Google for answers, and use social media to stay engaged with patients after they leave the office. Your patients will look at you as the one who taught them how to stay healthy, rather than the one who insists that vaccines are more dangerous than smallpox.


The Searene Apartments Airlie Beach is located in Airlie Beach, Queensland. It provides convenient access to the Shute Harbour, the Whitehaven Express, the Eco Jet Safari, and the Great Barrier Reef. The Searene Apartments Airlie Beach offers 25 self-contained accommodation units. Amenities in units include satellite televisions, DVD players, ceiling fans, air conditioners, kitchens, laundry facilities, coffee and tea makers, hairdryers, ironing sets, and clock radio. The Searene Apartments Airlie Beach is a picture of a modern contemporary-style building. It features a 22-meter lap pool, a sun deck, secure parking, a tour desk, and lift service.


text:
<?php namespace Anomaly\Streams\Platform\Field\Form;

use Anomaly\Streams\Platform\Addon\Module\ModuleCollection;
use Anomaly\Streams\Platform\Routing\UrlGenerator;
use Illuminate\Routing\Route;

/**
 * Class FieldFormButtons
 *
 * @link   http://pyrocms.com/
 * @author PyroCMS, Inc. <support@pyrocms.com>
 * @author Ryan Thompson <ryan@pyrocms.com>
 */
class FieldFormButtons
{

    /**
     * Handle the buttons.
     *
     * @param FieldFormBuilder $builder
     * @param ModuleCollection $modules
     * @param Route            $route
     * @param UrlGenerator     $url
     */
    public function handle(FieldFormBuilder $builder, ModuleCollection $modules, Route $route, UrlGenerator $url)
    {
        $module = $modules->active();
        $field  = $builder->getFormEntry();
        $type   = $field->getType();

        $builder->setButtons(
            [
                'cancel',
                'change' => [
                    'data-toggle' => 'modal',
                    'data-target' => '#modal',
                    'disabled'    => $builder->getFormMode() == 'edit'
                        && !$type->getColumnType(),
                    'enabled'     => $builder->getFormMode() == 'edit'
                        && $module
                        && $url->hasRoute($module->getNamespace('fields.change')),
                    'href'        => $url->route(
                        $module->getNamespace('fields.change'),
                        ['id' => $route->parameter('id')]
                    ),
                ],
            ]
        );
    }
}

redpajama_set_name: RedPajamaGithub


text:
Here's my meager addition to the Vampire Weekend debate: If you think that South African township jive, that with which Paul Simon fucked to make Graceland, and Congolese soukous and kwassa kwassa, which is what VW plays around with (as opposed to playing it, which they assuredly don't), sound alike, you need to remove your head from your ass immediately. Thank you and drive safely.
posted by M @ 12:48 AM
This Sunday I DJ'ed at Havana, a bar/club on Capitol Hill where my friend Grant works, from 7:30 to 9:30 p.m. I wasn't able to play as well as I'd liked: we had to figure out how to plug everything in, not to mention the club only had one CD player and no needles for the dual turntables. I wanted to use my laptop but didn't have a splitter to plug into the mixer. So I made do playing a CD at a time, and had a decent time. I'll be doing it every week for the foreseeable future, so if you're in Seattle and want to stop by, please do. Here's what I played on Sunday:
1. Talking Heads, "Seen and Not Seen"
2. The Drifters, "Such a Night"
3. George Jones & Tammy Wynette, "We're Gonna Hold On"
4. R.E.M., "Sitting Still"
5. Gang Starr ft. Nice & Smooth, "DWYCK"
6. Pinch, "Qawwali"
7. Robert Wyatt, "Anachronist"
8. Johnny Osbourne with Bunny Brown, "Love Makes the World Go Round"
9. Jimmy "Handyman" Jones, "Handyman's Back in Town"
10. Father MC, "Treat 'Em Like They Want to Be Treated"
11. Shalamar, "Take That to the Bank"
12. Metro Area, "Soft Hoop"
13. Cristina, "Is That All There Is?"
14. Michel Arnaud with Serge Gainsbourg, "Les Papillons Noirs"
15. Sam Cooke, "Mean Old World"
16. Marianne Faithfull, "Why'd Ya Do It"
17. Franco & O.K. Jazz, "Limbisa Ngal"
18. Raymond Scott Quintette, "Dinner Music for a Pack of Hungry Cannibals"
19. Wynonie Harris with Todd Rhodes Orchestra, "Keep on Churnin'"
20. Big Youth, "Pride & Joy Rock"
21. James Brown, "Let Yourself Go"
22. Kanye West, "Flashing Lights"
23. The-Dream ft. Rihanna, "Livin' a Lie"
24. Junior Boys, "More Than Real"
25. Dungen, "Panda"
26. The Fall, "My Door Is Never"
27. Steriles, "You're So Glam It Hurts"
28. Fucked Up, "Year of the Pig"
Because I receive email via Yahoo, I see the front page of Yahoo Mail often, and I have been struck anew in the past few weeks at how monumentally stupid the five headlines I'm faced with invariably are. This one, though takes the cake. "Oscar-nominated films are often small, dark and unintended for mass audiences; they're about art, after all, not commerce"--the author actually believes this, or at least says it with a straight face. Where would you like to begin with that one? Just to stick to my conscious lifetime: Terms of Endearment, Amadeus, Rain Man, Driving Miss Daisy, Dances with Wolves, The Silence of the Lambs, Forrest Gump, Braveheart, Titanic, Gladiator, A Beautiful Mind, Chicago, Return of the King, Crash, The Departed. Amazing what a tiny enclave of pure aesthetes those Best Picture winners appeal to, no?
The fragmentary post preceding this one was sparked in part by something I forgot to include in it: Tom Ewing's wonderful column this month, about pop and "the test of time." It's one of the best things he's written, and the type of bold think pieces that I'm seeing (and want to write) more often, the most notable example being Carl Wilson's great 33 1/3 book (though I'm still galled that the 33 folks didn't bother asking if I was interested in participating in the recent Powell's blog roundelay, nor responding when I asked about it).
posted by M @ 9:26 AM
notes. just erased 7,000 MP3s from iTunes: yay; about fucking time; my hard drive loves me again. (transferred everything to EHD first, of course, like the bet-hedging pussy I am.) The-Dream ft. Rihanna's "Livin' a Lie": first great single of 2008, never mind its being released two weeks before 2007 ended or the fact that it isn't a single. it will be. it better be. eating less than I used to by habit plus design, a development I'm very happy about. (consciously ordering less does wonders; I've overeaten to prove I could really afford to as much as anything.) figured out on telephone today that time management is a lot easier when you're, you know, not doing lots of drugs. the fact that this hit me with any degree of force whatsoever = I have no business being this dim. mean people don't suck; transparently bitter ones do, especially when they don't have a leg to stand on in their choice of insults. this structure revealed itself to me, which I'm adding here so it too can stare me down: it used to take me 35 minutes to walk to junior high no matter how fast or slow I walked. except I wasn't supposed to walk to junior high. fill in rest later.
fragment: "it's one thing to move on from showing your ass in public, a different thing to insist that the problem wasn't your ass but the fact that people had the audacity to look at it."
OMG I CAN FINALLY THINK ABOUT SOMETHING ELSE AGAIN
Nate Patrin writes: "You forgot one: 'I can't believe you've fallen for the buzz and have joined in the chorus of the rockcrit hivemind by praising something that a lot of other people have also praised despite the fact that I, personally, do not actually like it. I have to ask what you actually see in this crap, despite the fact that you apparently spent 800 words doing so already. And considering I think this song and/or album and/or artist and/or genre is completely overrated, I can only come to the conclusion that you've been duped by an overzealous PR firm. Don't believe the hype!!!'"
I thought of some more.
• "I just attempted to read your pretentious record review--and if there's anything that shouldn't be pretentious, it's a record review. I mean, trying to communicate ideas other than what the record sounds like? Seriously, wtf? I know you've never gotten a letter like this before--or, back when you had an editing job, never received one of these phone calls--but let me be the one to tell you that no one cares about your opinions. We read about music because we want to know what a song or album sounds like, and that's it. Especially when you don't even give us a clear-cut yay-or-nay opinion about it! This one review you wrote, I didn't even know if you liked it or not. You didn't say 'yay' or 'nay'! Unacceptable."
• "I just want to know where you get off telling musicians how to do what they do. I bet you don't even play an instrument yourself! How dare a person who listens to music talks about what they're hearing. Only a person that actually makes music herself is allowed to pass any kind of judgment on a musician's work. The rest of you just need to shut up (except me: although I'm not a writer, I can tell you how you can and can't write)."
Don't be shy, now: you know you want to!
Here are some emails I hope to get in 2008.
• "Why do you call something 'the best' when all you mean is that it's your favorite? Obviously there's a total difference, because if you say 'best' you mean it for everyone and not just for yourself, unlike for example VH1, which everybody knows is not made up of opinionated individuals like yourself, it's an institution! I'd never in a hundred years allow myself to imagine that a person using 'best' just means themselves, because when I see an individual byline on a list of artworks it means that's just an opinion, but when it has the name of a corporation, that means it's real. So cut it out, because it confuses me, OK?"
• "You know, I really like it when you write about artists I know something about already. When you write about people I've never heard of before, it frightens and alienates me, and it makes me think you're playing some kind of game where you're trying to act all smart and superior. It's automatically not-as-good writing as when you write about someone everyone is already familiar with, because there's so many new things to say about those people, and who cares about those losers that only you've heard of, anyway?"
• "I see that you liked something that was very popular and doesn't have any indie cred. Why do you insist on being ironic? Don't you know that irony is dead? When you say a Nashville artist makes good country records and some depressed indie-rocker doesn't, you're really smirking underneath, aren't you? Well, you're not fooling anybody. Real art comes from people who mope, and you know it. I'm going to start a smear campaign in your honor."
• "I think we need to have a heart-to-heart talk. As long as you've been writing for us, all you've covered is stuff I'm not at all familiar with. I don't understand that. I realize my main job is to cover hard news, so forgive me for not being [snicker] up on everything that's happening right now, but where I come from music coverage is like sports coverage: everyone knows the teams and the athletes that populate them, unless they're in the minor or college leagues. Hey, maybe that's what you can do--write about musicians no one has heard of as if they're on AAA farm teams or first-round draft picks, and not like artists saying or doing things that I might not understand from half-listening to the radio. That's your shtick, isn't it? You're trying to pull one over on us, aren't you?"
Come on, people--don't disappoint me!
posted by M @ 11:24 PM
Slow Listening Movement
Singles Jukebox 2010, Q1
"We Are the World 25 for Haiti" + "Everybody Hurts"
It's a Hit: Eddie Vedder + Vampire Weekend + the Flaming Lips + Jay Reatard
Past Lives, Tapestry of Webs
Ace B-sides comps by Prince, Pet Shop Boys, Joan Jett, and more
Nosja Thing feature
It's a Hit: Ray Mang ft. Lady Miss Kier + Mosca + Peter Van Hoesen + Pangaea
Mark E, Works 2005-2009: Selected Tracks & Edits
Field Music (Measure)
Stop adapting the Bible, Hollywood
Nigeria Afrobeat Sepcial
Fela Kuti reissues
The Flaming Lips and friends, The Dark Side of the Moon
Hot Chip, One Life Stand
Massive Attack, Heligoland
Yeasayer + Strong Arm Steady
Tayannah Lee McQuillar and Fred Johnson, Tupac Shakur: The Life of an American Icon
It's a Hit: "Empire State of Mind" Pt. 1 & 2
Beat Connection Feb. 2010: Martyn + Ellen Allien + The Kings of Drum and Bass + Lindstrøm & Christabelle + Shlohmo + Pop Ambient 2010 + Anthony "Shake" Shakir + mixes from Finn Johannsen, Jackmaster, Shortstuff, Camo UFO's, LV, Simian Mobile Disco, Beyondjazz, Chrissy Murderbot, Marcus Worgull, and Shed
Four Tet, There Is Love in You
Max Décharné, Hardboiled Hollywood
The Real Sound of Chicago
M.I.A. & Diplo + 2 Many DJ's for RA's Top 50 Mixes of the '00s
Felix Da Housecat for RA's Top 100 Albums of the '00s
Julie Klausner, I Don't Care About Your Band
It's a Hit: singles by Walter Jones + Corinne Bailey Rae + Dirty Projectors + Mi Ami + Quasi
Six Degrees of Screamadelica
It's a Hit: Joy Orbison remixed by Andreas Saag + the xx remixed by Nosaj Thing + Hot Chip remixed by Carl Craig + Grateful Dead remixed by Tommie Sunshine and Figure Brooklyn Fire
Old writing
Baltimore City Paper archive
City Pages archive
Project X columns for Idolator
Seattle Weekly archive
The Stranger archive
Time Out New York archive
Richard Thompson for Slate
Singles Jukebox 2009
BBC Radio 1 charts
Jace Clayton and friends
Digital Dripped
The Heatwave Blog
Little White Earbuds
MBV
Robert Myers' Top Tens Plus
Ninja Mix Dump
No Rockstars
Pfork
17 Dots (eMusic)
The Singles Jukebox
Old music/audio
The Acid House
Cylinder Preservation and Digitization Project
Dance Before the Police Come
Friendsound
Hardcore U Know the Score
Ironman's DNB Tape Pack Sickness
Kniteforce Revolution
London Pirates
Locust St.
The Mercury Theatre on the Air
Musicophilia
My Year of Mixtapes
Nightclubber Archives
RadioLovers
Rave Archive
Renegade Radio
Roots From My Yard
Simfonik
Vitaphone Varieties
The Wonderful World of Louis Armstrong
Stuff I read
Nitsuh Abebe
Archived Music Press
Vijith Assar
Barnes & Noble Review
Andy Beta
Norman Brannon
Tobias Carroll
Mairead Case
Jeff Chang
Robert Christgau/Consumer Guide
Criterion Collection: by and about
Michael Daddino
Geeta Dayal
Kimberly Dietemann
Tom Ewing + Popular
Keith Harris
Hua Hsu
Maura Johnston
Rich Juzwiak
Last Plane to Jakarta
Erin MacLeod
The Nappy Diatribe
nOvaSlim
Alex Pareene
Nate Patrin
Amanda Petrusich
Leonard Pierce
Rock Critics
Neal Schindler
Philip Sherburne
Al Shipley
Kate Silver
Patrick Sisson
Rex Sorgatz
Alfred Soto
SoulBounce
Soviet Panda
Bret Thorn
25 Things About My Sexuality
Aidin Vaziri
Elisabeth Vincentelli
Carl Wilson
Douglas Wolk
Stuff I look at
Creative Review
Fuck Yeah! 1920s!
Grain Edit
If Charlie Parker Was a Gunslinger, There'd Be a Lot of Dead Copycats
The Impossible Cool
Into Time .com by Rafaël Rozendaal, 2010
Shorpy Historical Photo Archive
This Isn't Happiness
Typographica
Underwater Smoke
Vintage Ad Brower
Weegee's World
Singles Jukebox reviews, Q4: 10 The Bug, "Skeng (...
My Singles Jukebox reviews, third quarter: 10 Don...
My 2010 Singles Jukebox reviews, second quarter: ...
The Singles Jukebox is live and happening for 2010...
I'm spending more time over here, though I'm keepi...
I'm no "New Slang" fan myself, but Keith Harris OTM.
I'm 35 today. Here is my favorite song right now.
If you're in New York and can brave the weather, I...


There is no hint of doubt in her voice as she addresses the full house of NDP faithful gathered in Calgary.
For Notley, this is a critical moment.
She knows the Progressive Conservatives are holding a leadership race where the winner seems near certain but there's argy-bargy expected before it's all over.
She knows it will be many months before one united conservative party is up and running, if at all, and the way forward is not guaranteed to be without its dangers.
It is time for the premier to throw down the gauntlet. Notley isn't blinking. Nobody thought she would. In fact, the premier always seems to gain an extra step when battle lines are being drawn.
"We must continue to hold firm to the progressive principles on which our movement was built," she says, to applause from folks who just two years ago never thought they'd be in the driver's seat in Alberta.
The fight is on, she tells them.


text:
Music Culture
Local Releases: Utah County's Alternative Wave
New music from Oceanear, Isaac Russell, Timmy the Teeth and more.
by Gavin Sheehan
If you're looking for something interesting and new in music, this is the week to listen to new music as we've got something from electronica, hip hop, folk and a few other options you might be interested in. We'll start in Provo with the debut album from Oceanear, a cool two-man project made up of Scott Shepard on vocals and Eric Robertson composing all the music, creating a very chilled out version of dream/darkwave electronica. These guys released a couple of singles back in 2013 which showed some great promise, but we had to wait until now to get their first full-length self-titled album. I highly suggest checking out this album, you can download it for a mere $7 off their Bandcamp page.
Next up is the EP from SLC band Sink The Seas. This group has actually been around since the fall of 2008, going through several lineup changes over the years as members would fall in-and-out frequently. I actually saw these guys a few years ago at Kilby as a four-piece who killed it. Currently the band is sitting still as a six-piece, but who knows with the frequency of change how long this incarnation will continue. In any case, they stayed together long enough to put together their first EP, Way Out, which you can download for whatever you'd like to pay on Bandcamp.
Switching up to hip-hop, we have the debut album from TRE dMC, an emcee based out of SLC who has been making the rounds for a few years now. He's mainly been an opening act for bigger names who have come through town, but don't be mistaken, this guy has the chops to headline any day of the week. His debut EP, Fifty Shades Of Tre, hit Bandcamp late last week and it's yours for whatever you'd like to pay.
Sticking to hip hop, last week also saw the latest from Saner One, another SLC emcee who hones more toward "alternative rap" as his genre. So with that his beats are far more chill, they've got more of a jazz theme going to them and a laid back groove to the rhymes. You can get his debut album, Free Speech: The Untold, for whatever you'd like to pay on Bandcamp. Definitely worth your time to check out.
Getting back into Provo music, next up is the latest from Grizzly Goat. Formerly known as The Wandering Woods, this is a three-piece Americana folk band made up of transplanted musicians from California, Indiana and Nevada. The group dumped the campfire music (and their original fourth member) back in 2014 and released their debut album, Safety Second, this past June. Now they've released their follow-up EP called Boring Conversation Anyway, which you can download from their Bandcamp for $5.55.
The last of the online releases come to us from the Dirty Provo crowd, we have the debut album from Nick Ottley. A centerpiece of the alternative scene in Provo for a few years now, I've always heard musicians speak fondly of Ottley's quiet acoustic sets, but I've never had the opportunity to see one myself. Well, that beautiful sound has finally been captured on a proper recording, as a set of the singer/songwriter's tracks he recorded in late 2013 with Jordan Finnell were finally put to cassette and released this week. You can download his self-titled album for just $5 (or purchase a cassette for $6) from the Dirty Provo Bandcamp page.
We're going to stay with the Provo theme as we move into release shows, we only have one this weekend but its a dual album show. The first of the two comes to us from Ruru. For those of you familiar with the Provo scene, that isn't a typo or mistake on our part, as singer/songwriter Isaac Russell has gone back to his former moniker to release a new album. Russell has a hell of a story as he was a mainstay in the Utah acoustic/folk scene before he could even drive a car. At age 16 he was signed to Columbia Records where he released a self-titled EP and scored some major tours, but the majority of his run with the label saw him doing little to nothing. So when his contract was up, he quickly darted back into the studio to work with his friend and fellow folk musician Joshua James, both as a performer and to record a new record. The result is the fantastic full-length album Mother/Father, with a smooth sound that shows how far he's truly come since his humble beginnings.
The other album coming out that night comes to us from Timmy The Teeth, the moniker of Cedar Hills solo folk performer Timothy George who has really come into his own in the past few years. His first album White Horse was released back in the spring of 2012 and received much praise for his power themes and darker approach to the genre. This time around he's got a bigger backing band and choir to his sound, but the themes are still there which makes Just Another Day a standout album above other folk artists. You can pick up both these albums tonight at Velour as both men will be performing live with Marcus Bently opening the show. Tickets are just $10 and doors open at 8 p.m.
Head out, love music, buy local!
Music Culture Local Releases Oceanear TRE dMC Sink The Seas Timmy The Teeth Ruru Isaac Russell Saner One Grizzly Goat


8+ Pert Chart Template – Free Sample, Example, Format Download!
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This pert chart is built using MS Visio. This visually attractive pert chart is a must for presentations as it provides all the required information in a visually lucid way which is attractive as well as informative.


text:
Hundreds register to vote at Boston's March for Our Lives
By Jacob Carozza Globe Correspondent,March 24, 2018, 10:26 p.m.
Demonstrators are listening to impassioned pleas for stronger gun control on Boston Common from students who organized a massive rally in the wake of a Florida school shooting that left 17 people dead.
Amid the thousands of protesters and countless signs calling for an end to gun violence on Boston Common Saturday, a few young people with clipboards weaved through the crowd.
They were focused on long-term political change: registering people to vote.
Between 400 and 500 new Massachusetts voters were registered during the March for Our Lives, in an effort administered by state election officials at the request of march organizers, Secretary of State William Galvin said.
"I'm very pleased we did it. I think it was a great opportunity to transfer [demonstrators'] energy and concern into practical action," he said in a phone interview Saturday night.
Officials also registered voters at a booth on Spruce Street, right by an entrance to the Common, Galvin said.
At least 100 other new potential voters took registration forms to fill out at home because they did not have the required ID on them, Galvin said.
Galvin said it was the largest haul in new voters from one event that he could remember, besides the regular voting drives that his office conducts at train stations and other busy spots during election season.
"We're sometimes asked to do other kinds of events if there's some sort of a large meeting, if there's a group of students, or labor groups . . . We'll go wherever we're asked," Galvin said.
Election officials did not appear at similar marches in Springfield, Worcester, or other parts of the state because they were not asked to do so, Galvin said.
"We're not trying to intervene in any events," he said.
Some teens under the legal voting age of 18 also signed up to vote at the rally, he said. Under a state law enacted in 2015, 16- and 17-year-olds may pre-register to vote. The information is kept on file until they reach legal voting age, Galvin said.
The law allows teenagers to ensure their voting status is taken care of before their lives get increasingly busy, Galvin said.
"Oftentimes, when they're 18, they're about to go out to college, and this isn't the highest priority," he said.
Jacob Carozza can be reached at jacob.carozza@globe.com.


A new survey claims puffing on e-cigarettes is more effective for quitting smoking than nicotine patches or gum.
The latest study released this week from the Queen Mary University of London found 18 per cent of e-cigarette users were smoke-free after a year, compared to 9.9 per cent of people using nicotine-replacement products.
The government's position is that existing evidence indicates that e-cigarettes are not harmless products and an inquiry into the health impacts of nicotine e-cigarettes was launched by Federal Health Minister Greg Hunt in September.
It all contributes to a confusing picture of what is healthy and what isn't — and comes as advocates claim misinformation about vaping is widespread and harmful to public health.
A number of groups have been pushing for Australia to legalise vaping, including the Australian Tobacco Harm Reduction Association (ATHRA), Legalise Vaping Australia and tobacco brands such as Philip Morris.
"Vaping is a far less harmful alternative for smokers who are unable to quit and has helped millions of smokers quit overseas," ATHRA chairman, Conjoint Associate Professor Colin Mendelsohn, said.
ATHRA is a health promotion charity established by independent doctors to raise awareness of vaping and other tobacco harm reduction strategies.
"The scientific consensus is that it is far less harmful than smoking," he said.
He said out of the 37 OECD countries, only three had vaping bans including Mexico and Japan.
Legalise Vaping Australia campaign director Brian Marlow said more than 55 scientific studies showed vaping was less harmful than cigarettes and could help people quit smoking.
"2.6 million Australians smoke daily and according to the ABS, since 2014-15 the adult daily smoking rate is 'unchanged'," he said.
"After three years of trying and failing to help Australians quit, the facts are clear. Existing methods to reduce smoking rates are not working, and there is another way.
"Australia can catch up with Canada, New Zealand, the United States, and the United Kingdom and legalise smoke-free alternatives to help smokers quit for good.
Tammy Chan, managing director for Philip Morris, said she believed the products could, when regulated properly, help to reduce smoking rates in Australia.
Mr Hunt did not respond to news.com.au's request for comment.


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text:
<!--L
  Copyright Duke Comprehensive Cancer Center

  Distributed under the OSI-approved BSD 3-Clause License.
  See http://ncip.github.com/catrip/LICENSE.txt for details.
L-->

<!-- =============================================================== -->
<!-- Define the build artifacts (created/used by projects) here      -->
<!--                                                                 -->
<!-- NOTE:  These should be all of the files necessary to "depend" on-->
<!-- the project (not just the built files).  Make a separate        -->
<!-- artifact for groups of files that will probably be copied to    -->
<!-- separate directoris (e.g. jars and conf files)                  -->
<!-- =============================================================== -->
<project name="catrip-1.0-artifacts" basedir=".">

	<target name="defineArtifacts" depends="prepare" description="Defines artifacts that can be imported into projects.">

		<!-- =============== -->
		<!-- share artifacts -->
		<!-- =============== -->

		<artifact track="test" type="jars" id="common.test.jars">
			<fileset dir="${junit.dir}">
				<include name="jdepend*.jar" />
				<include name="junit*.jar" />
				<include name="xmlunit*.jar" />
			</fileset>
		</artifact>

		<artifact track="main" type="jars" id="xmlbeans.jars">
			<fileset dir="${xmlbeans.dir}">
				<include name="*.jar" />
			</fileset>
		</artifact>

		<artifact track="main" type="jars" id="ant-contrib.jars">
			<fileset dir="${share.dir}/ant-contrib">
				<include name="*.jar" />
			</fileset>
		</artifact>

		<artifact track="main" type="jars" id="services.config">
			<fileset dir="${share.dir}/services">
				<include name="*.jar" />
			</fileset>
		</artifact>

		<!-- ============ -->
		<!-- cagrid share -->
		<!-- ============ -->

		<artifact track="main" type="jars" id="cagrid.gridca.jars">
			<fileset dir="${cagrid.dir}/gridca">
				<include name="*.jar" />
			</fileset>
		</artifact>

		<artifact track="main" type="jars" id="cagrid.coretests.jars">
			<fileset dir="${cagrid.dir}/coretests">
				<include name="*.jar" />
			</fileset>
		</artifact>

		<artifact track="main" type="jars" id="cagrid.cadsr.jars">
			<fileset dir="${cagrid.dir}/cadsr">
				<include name="*.jar" />
			</fileset>
		</artifact>

		<artifact track="main" type="jars" id="cagrid.misc.jars">
			<fileset dir="${cagrid.dir}/misc">
				<include name="*.jar" />
			</fileset>
		</artifact>

		<artifact track="main" type="jars" id="cagrid.data.jars">
			<fileset dir="${cagrid.dir}/data">
				<include name="*.jar" />
			</fileset>
		</artifact>

		<artifact track="main" type="jars" id="cagrid.discovery.jars">
			<fileset dir="${cagrid.dir}/discovery">
				<include name="*.jar" />
			</fileset>
		</artifact>

		<artifact track="main" type="jars" id="cagrid.introduce.jars">
			<fileset dir="${cagrid.dir}/introduce">
				<include name="*.jar" />
			</fileset>
		</artifact>

		<artifact track="main" type="jars" id="cagrid.metadata.jars">
			<fileset dir="${cagrid.dir}/metadata">
				<include name="*.jar" />
			</fileset>
		</artifact>

		<artifact track="main" type="jars" id="cagrid.fqe2.jars">
			<fileset dir="${cagrid.dir}/fqe2">
				<include name="*.jar" />
			</fileset>
		</artifact>
		<artifact track="main" type="jars" id="cagrid.fqe2.test.jars">
			<fileset dir="${cagrid.dir}/fqe2/test">
				<include name="*.jar" />
			</fileset>
		</artifact>

		<!-- ================= -->
		<!-- project artifacts -->
		<!-- ================= -->

		<artifact track="main" type="jars" id="gui.jars">
			<antcall target="build-gui" />
			<fileset dir="${projects.dir}/gui/build/jars">
				<include name="*.jar" />
				<exclude name="*test*.jar" />
			</fileset>
		</artifact>

		<artifact track="main" type="jars" id="caTissueCAEDataService.jars">
			<antcall target="build-caTissueCAEDataService" />
			<fileset dir="${projects.dir}/CAEDataServiceV2/build/lib">
				<include name="*.jar" />
				<exclude name="*test*.jar" />
			</fileset>
			<fileset dir="${projects.dir}/CAEDataServiceV2/lib">
				<include name="cae_domain.jar" />
			</fileset>
		</artifact>

		<artifact track="main" type="jars" id="cae_reengineering.jars">
			<antcall target="build-cae_reengineering" />
			<fileset dir="${projects.dir}/cae_reengineering/build/jars">
				<include name="*.jar" />
				<exclude name="*test*.jar" />
			</fileset>
		</artifact>

		<artifact track="main" type="jars" id="caTissueCoreDataService.jars">
			<antcall target="build-caTissueCoreDataService" />
			<fileset dir="${projects.dir}/CaTissueCoreDataServiceV2/build/lib">
				<include name="*.jar" />
				<exclude name="*test*.jar" />
			</fileset>
			<fileset dir="${projects.dir}/CaTissueCoreDataServiceV2/lib">
				<include name="catissuecore_domain.jar" />
			</fileset>
		</artifact>

		<artifact track="main" type="jars" id="CGEMSDataService.jars">
			<antcall target="build-CGEMSDataService" />
			<fileset dir="${projects.dir}/CGEMSDataServiceV2/build/lib">
				<include name="*.jar" />
				<exclude name="*test*.jar" />
			</fileset>
			<fileset dir="${projects.dir}/CGEMSDataServiceV2/lib">
				<include name="cgems-domain.jar" />
			</fileset>
		</artifact>

		<artifact track="main" type="jars" id="TumorRegistryDataService.jars">
			<antcall target="build-TumorRegistryDataService" />
			<fileset dir="${projects.dir}/TumorRegistryDataService/build/lib">
				<include name="*.jar" />
				<exclude name="*test*.jar" />
			</fileset>
			<fileset dir="${projects.dir}/TumorRegistryDataService/lib">
				<include name="tumor_registry_domain.jar" />
			</fileset>
		</artifact>

		<artifact track="main" type="jars" id="localsqkquery.jars">
			<fileset dir="${projects.dir}/localsdkquery/build/jars">
				<include name="*.jar" />
				<exclude name="*test*.jar" />
			</fileset>
		</artifact>

		<artifact track="main" type="jars" id="data.jars">
			<fileset dir="${projects.dir}/data/build/jars">
				<include name="*.jar" />
				<exclude name="*test*.jar" />
			</fileset>
		</artifact>

		<artifact track="main" type="jars" id="queryengine.jars">
			<antcall target="build-queryengine" />
			<fileset dir="${projects.dir}/queryengine/build/jars">
				<include name="*.jar" />
				<exclude name="*test*.jar" />
			</fileset>
		</artifact>

		<artifact track="main" type="schemas" id="queryengine.schemas">
			<fileset dir="${projects.dir}/queryengine/schema">
				<include name="**/*.xsd" />
			</fileset>
		</artifact>

      <artifact track="main" type="jars" id="queryengine2.jars">
			<!-- antcall target="build-queryengine2" / -->
			<fileset dir="${projects.dir}/queryengine-2.0/build/lib">
				<include name="*.jar" />
				<exclude name="*test*.jar" />
			</fileset>
		</artifact>

		<artifact track="main" type="jars" id="security-password.jars">
			<antcall target="build-security-password" />
			<fileset dir="${projects.dir}/security-password/build/jars">
				<include name="*.jar" />
				<exclude name="*test*.jar" />
			</fileset>
		</artifact>

		<artifact track="main" type="antfiles" id="security-password.antfiles">
			<antcall target="build-security-password" />
			<fileset dir="${projects.dir}/security-password/antfiles">
				<include name="password-utils.xml" />
			</fileset>
		</artifact>

		<artifact track="main" type="jars" id="security-dukeidp.jars">
			<antcall target="build-security-dukeidp" />
			<fileset dir="${projects.dir}/security-dukeidp/build/jars">
				<include name="*.jar" />
				<exclude name="*test*.jar" />
			</fileset>
		</artifact>

		<artifact track="main" type="jars" id="test-report.jars">
			<antcall target="build-test-report" />
			<fileset dir="${projects.dir}/test-report/build/jars">
				<include name="*.jar" />
				<exclude name="*tests*.jar" />
			</fileset>
		</artifact>

		<artifact track="main" type="jars" id="test-system.jars">
			<antcall target="build-test-report" />
			<fileset dir="${projects.dir}/test-system/build/jars">
				<include name="*.jar" />
				<exclude name="*tests*.jar" />
			</fileset>
		</artifact>

		<artifact track="main" type="jars" id="xml.mapping.jars">
			<fileset dir="${projects.dir}/gui/lib">
				<include name="_xml-mapping.jar" />
			</fileset>
		</artifact>

	</target>

</project>


The reigning champion of the men's Bantamweight title and known as one of the best pound for pound fighters in the world, Dominick Cruz is looking to cruise his way to a title defense vs. Cody Garbrandt. Cruz, ranked universally as the #1 bantamweight weight fighter has elite movement. By significantly limiting his opponent's strikes, Cruz becomes very hard to knockout in the Octagon. This style compares to Garbrandt, a former amateur wrestler who is described as being akin to a headhunter due to his aggressiveness.
The matchup is vastly in favor for the more experienced Cruz with odds reflecting the same sentiment. In conclusion, while Garbrandt may have a bright future in the sport, his time has not come and Cruz should able to retain his title and secure the win at his own pace.


Activities and entertainment are often the best and most memorable experiences of traveling.
Once you have decided on a place to visit, determine what you want to do there.
Costs vary widely depending on what you want to do.
But there are ways to have awesome experiences even on a tight budget.
State, national, and local parks, beaches, and museums are often free or inexpensive to visit.
You can really stretch your budget by visiting these kinds of sites.
If you plan to sightsee in spread-out areas, make sure to budget for transportation costs.
This will affect whether you rent a car, take taxis, or buy a bus or metro pass.
Prioritize the activities you are most excited about in your budget.
You probably chose your location because there was something specific you wanted to do there.
Do you want to go to a popular amusement park?
Budget for these expenses first, to make sure you have the money to do what you really want to do.
You could even add a ratings scale to your spreadsheet using data validation.
If you aren't sure what to do, search the internet.
Or, visit the city's Convention and Visitors Bureau.
Or check out blogs and travel guides for your location.
You might want to save up for one big event on your vacation, like a baseball game, where you will really splurge.
You might want to get box seats, eat expensive ballpark food, and buy souvenirs.
But keep in mind that your experience can be just as enjoyable if you sit in cheaper seats, eat before the game, bring some water, and take lots of pictures!
Your experience does not have to be expensive to be fun and memorable!
If you plan to go shopping or buy souvenirs on your trip, make sure to add these costs to your budget as well.
You might not yet know what you will buy, but think about what kind of shopper you are.
If you love to shop, budget more in this category.
If you don't really care about souvenirs or shopping, allow less.
Giving yourself even a small allowance for souvenirs, shopping, and even extra snacks will help you stick to your budget.
Now It's Your Turn: Research activities for your vacation.
Add the costs of activities to your budget spreadsheet.


This Eames Chair is the DAW Dining Chair from Vitra which features a plastic armchair shell and wood/metal strut base. Designed by Charles and Ray Eames as part of the plastic chair series DAW means 'dining height arm chair, wood base'. This iconic dining chair has a moulded polypropylene shell in a variety of colours with a wood and metal base in three options. Every colour in this selection is carefully chosen to complement the others, so you can mix and match a variety of shades to suit your décor.


text:
Q: Terraform throwing error related to Azure AD provider I am trying to create a module for Azure AD App Registration.My workspace is configured in Terraform Cloud and the Workspace has variable sets for my client_id, client_secret, subscription_id and tenant_id.
I have four files in my modules sub-folder.

*

*main.tf

*output.tf

*resources.sp.tf (This is for creating a service principal for my app registration)

*var.tf

And then in the main folder, i have main.tf, resources.app-reg.tf and var.tf
The code in the modules subfolder are as follows :
File --> main.tf
terraform {
  required_version = "~> 1.0"
  required_providers {
    azurerm = {
      source  = "hashicorp/azurerm"
      version = "~> 2.0"
    }
    azuread = {
      source  = "hashicorp/azuread"
      version = "~> 2.0"
    }
    random = {
      source  = "hashicorp/random"
      version = ">=3.1.0"
    }
  }
}

resource "azuread_application" "app-reg" {
  # mandatory arguments
  display_name = var.display_name

  # Optional arguments
 # fallback_public_client_enabled = var.fallback_public_client_enabled
  group_membership_claims        = var.group_membership_claims
  identifier_uris                = var.identifier_uris
  oauth2_post_response_required  = var.oauth2_post_response_required
  owners                         = var.owners
  prevent_duplicate_names        = var.prevent_duplicate_names
  template_id                    = var.template_id
  sign_in_audience               = var.sign_in_audience
 # support_url                    = var.support_url
  tags                           = var.tags

  dynamic "optional_claims" {
    for_each = var.optional_claims != null ? ["true"] : []
    content {

      dynamic "access_token" {
        for_each = lookup(var.optional_claims, "access_token", [])
        content {
          additional_properties = lookup(var.optional_claims.access_token, "additional_properties", [])
          essential             = lookup(var.optional_claims.access_token, "essential", null)
          name                  = lookup(var.optional_claims.access_token, "name", [])
          source                = lookup(var.optional_claims.access_token, "source", null)
        }
      }

      dynamic "id_token" {
        for_each = lookup(var.optional_claims, "id_token", [])
        content {
          additional_properties = lookup(var.optional_claims.id_token, "additional_properties", null)
          essential             = lookup(var.optional_claims.id_token, "essential", null)
          name                  = lookup(var.optional_claims.id_token, "name", null)
          source                = lookup(var.optional_claims.id_token, "source", null)
        }
      }

    #   dynamic "saml2_token" {
    #     for_each = lookup(var.optional_claims, "saml2_token", [])
    #     content {
    #       additional_properties = lookup(var.optional_claims.saml2_token, "additional_properties", null)
    #       essential             = lookup(var.optional_claims.saml2_token, "essential", null)
    #       name                  = lookup(var.optional_claims.saml2_token, "name", null)
    #       source                = lookup(var.optional_claims.saml2_token, "source", null)
    #     }
    #   }
    }
  }

#   dynamic "public_client" {
#     for_each = var.public_client != null ? ["true"] : []
#     content {
#       redirect_uris = lookup(var.public_client, "redirect_uris", null)
#     }
#   }

  dynamic "single_page_application" {
    for_each = var.single_page_application != null ? ["true"] : []
    content {
      redirect_uris = lookup(var.single_page_application, "redirect_uris", null)
    }
  }

  dynamic "api" {
    for_each = var.api != null ? ["true"] : []
    content {
      mapped_claims_enabled          = lookup(var.api, "mapped_claims_enabled", null)
      requested_access_token_version = lookup(var.api, "requested_access_token_version", null)
      known_client_applications      = lookup(var.api, "known_client_applications", null)

      dynamic "oauth2_permission_scope" {
        for_each = lookup(var.api, "oauth2_permission_scope", [])
        content {
          admin_consent_description  = oauth2_permission_scope.value["admin_consent_description"]
          admin_consent_display_name = oauth2_permission_scope.value["admin_consent_display_name"]
          id                         = oauth2_permission_scope.value["id"]
          enabled                    = lookup(oauth2_permission_scope.value, "enabled", true)
          type                       = oauth2_permission_scope.value["type"]
          user_consent_description   = lookup(oauth2_permission_scope.value, "user_consent_description", null)
          user_consent_display_name  = lookup(oauth2_permission_scope.value, "user_consent_display_name", null)
          value                      = lookup(oauth2_permission_scope.value, "value", null)
        }
      }
    }
  }

  dynamic "web" {
    for_each = var.web != null ? ["true"] : []
    content {
      redirect_uris = lookup(var.web, "redirect_uris", null)
 #     homepage_url  = lookup(var.web, "homepage_url", null)
      logout_url    = lookup(var.web, "logout_url", null)

      dynamic "implicit_grant" {
        for_each = lookup(var.web, "implicit_grant", null) != null ? [1] : []
        content {
          access_token_issuance_enabled = lookup(var.web.implicit_grant, "access_token_issuance_enabled", null)
          id_token_issuance_enabled     = lookup(var.web.implicit_grant, "id_token_issuance_enabled", null)
        }
      }
    }
  }

  dynamic "app_role" {
    for_each = var.app_role != null ? var.app_role : []
    content {
      allowed_member_types = app_role.value.allowed_member_types
      description          = app_role.value.description
      display_name         = app_role.value.display_name
      enabled              = lookup(app_role.value, "enabled", true)
      id                   = app_role.value.id
      value                = lookup(app_role.value, "value", null)
    }
  }

  dynamic "required_resource_access" {
    for_each = var.required_resource_access != null ? var.required_resource_access : []

    content {
      resource_app_id = required_resource_access.value.resource_app_id

      dynamic "resource_access" {
        for_each = required_resource_access.value.resource_access
        iterator = access
        content {
          id   = access.value.id
          type = access.value.type
        }
      }
    }
  }
}

File --> var.tf
variable "display_name" {
  type        = string
  description = "The display name for the application."
}

variable "api" {
  description = "An optional api block, which configures API related settings for this application."
  type        = any
  default     = null
}

variable "app_role" {
  description = "A collection of app_role blocks."
  type        = any
  default     = []
}

variable "fallback_public_client_enabled" {
  description = "Specifies whether the application is a public client. Appropriate for apps using token grant flows that don't use a redirect URI."
  type        = bool
  default     = false
}

variable "group_membership_claims" {
  description = "Configures the groups claim issued in a user or OAuth 2.0 access token that the app expects. Possible values are `None`, `SecurityGroup` or `All`."
  type        = list(string)
  default     = ["SecurityGroup"]
}

variable "identifier_uris" {
  description = "A list of user-defined URI(s) that uniquely identify a Web application within it's Azure AD tenant, or within a verified custom domain if the application is multi-tenant."
  type        = list(string)
  default     = []
}

variable "oauth2_post_response_required" {
  description = "Specifies whether, as part of OAuth 2.0 token requests, Azure AD allows POST requests, as opposed to GET requests."
  type        = bool
  default     = false
}

variable "optional_claims" {
  description = "An optional claim block."
  type        = any
  default     = null
}

variable "owners" {
  description = "A set of object IDs of principals that will be granted ownership of the application. Supported object types are users or service principals."
  type        = list(string)
  default     = []
}

variable "prevent_duplicate_names" {
  description = "If true, will return an error if an existing application is found with the same name."
  type        = bool
  default     = false
}

variable "required_resource_access" {
  description = "A collection of required resource access for this application."
  type        = any
  default     = null
}

variable "sign_in_audience" {
  description = "The Microsoft account types that are supported for the current application. Must be one of `AzureADMyOrg`, `AzureADMultipleOrgs`, `AzureADandPersonalMicrosoftAccount` or `PersonalMicrosoftAccount`."
  type        = string
  default     = "AzureADMyOrg"
}

variable "single_page_application" {
  description = "A single_page_application block, which configures single-page application (SPA) related settings for this application. Must be https."
  type        = any
  default     = null
}

# variable "support_url" {
#   description = "URL of the application's support page."
#   type        = string
#   default     = null
# }

variable "template_id" {
  description = "Unique ID for a templated application in the Azure AD App Gallery, from which to create the application."
  type        = string
  default     = null
}

variable "web" {
  description = "Configures web related settings for this application."
  type        = any
  default     = null
}

variable "tags" {
  description = "A set of tags to apply to the application. Cannot be used together with the feature_tags block"
  type        = list(string)
  default     = []
}

File --> resource.sp.tf
resource "azuread_service_principal" "default" {
  application_id               = azuread_application.app-reg.application_id
  owners                       = var.owners
  app_role_assignment_required = false
}

Now my main files which are referencing the module from the Modules subfolder are shown below
File --> main.tf
terraform {
  required_version = "~> 1.0"
  required_providers {
    azurerm = {
      source  = "hashicorp/azurerm"
      version = "~> 2.0"
    }
    azuread = {
      source  = "hashicorp/azuread"
      version = "~> 2.0"
    }
    random = {
      source  = "hashicorp/random"
      version = ">=3.1.0"
    }
  }
}

provider "azurerm" {
  tenant_id       = var.tenant_id
  client_id       = var.client_id
  client_secret   = var.client_secret
  subscription_id = var.subscription_id
  features {}
}

data "azuread_client_config" "current" {}

File --> var.tf
variable "client_id" {}

variable "client_secret" {}

variable "tenant_id" {}

variable "subscription_id" {}

File --> resources-app-reg.tf
resource "random_uuid" "random_id" {
  count = 4
}

module "azurerm_app_reg" {

  source       = "../App-Registration/Modules"
  providers    = { azuread = azuread, azurerm = azurerm }
  display_name = "GL-Application"
  tags         = ["Sample App", "Terraform"]

  owners = [data.azuread_client_config.current.object_id]

  # To set application uri to api//<app_id>, you need to update via script, this is not possible in terraform
  identifier_uris = ["https://gl-application.onmicrosoft.com"]

  prevent_duplicate_names = true

  #use this code for adding scopes
  api = {
    mapped_claims_enabled          = false
    requested_access_token_version = 2
    known_client_applications      = []
    oauth2_permission_scope = [{
      admin_consent_description  = "Role use to secure the api for TestScope_01"
      admin_consent_display_name = "TestScope_01"
      id                         = element(random_uuid.random_id[*].result, 0)
      type                       = "User"
      value                      = "TestScope_01"
    }]
  }

#use this code for adding app_roles
app_role = [
    {
      allowed_member_types = ["Application"]
      description          = "Giving write permission to the apim proxy as 'Query-01.Read'"
      display_name         = "Query-01.Read"
      id                   = element(random_uuid.random_id[*].result, 1)
      value                = "Query-01.Read"
    },
    {
      allowed_member_types = ["Application"]
      description          = "Giving write permission to the apim proxy as 'Query-01.Write'"
      display_name         = "Query-01.Write"
      id                   = element(random_uuid.random_id[*].result, 2)
      value                = "Query-01.Write"
    }
  ]

  #use this code for adding api permissions
  required_resource_access = [{
    # Microsoft Graph
    resource_app_id = "00000003-0000-0000-c000-000000000000"

    resource_access = [{
      # User.Read
      id   = "e1fe6dd8-ba31-4d61-89e7-88639da4683d"
      type = "Scope"
    }]
  }]

  optional_claims = {
    access_token = {
      name = "myclaim"
    }
    access_token = {
      name = "otherclaim"
    }
    id_token = {
      name                  = "userclaim"
      source                = "user"
      essential             = true
      additional_properties = ["emit_as_roles"]
    }
  }

  web = {
    redirect_uris = [ "https://cde.com/", "https://ijk.com/"]
  }

}

But whenever i am running terraform plan in Terraform Cloud Workspace i keep getting the error attached.
Any idea why the error is coming as i already have the providers declared in the module as well as my main.tf file outside the module subfolder

A: You need to correctly configure your azuread provided by adding provider block for it. For example:

# Configure the Azure Active Directory Provider
provider "azuread" {
  tenant_id = "00000000-0000-0000-0000-000000000000"
}

redpajama_set_name: RedPajamaStackExchange


Instant Visualisation – a regular enhancement to our events is an expert lightning visualiser who creates nearly instant images to capture the current ideas within the conversation. These are displayed on a screen during the event. This provides an often humorous visual representation of the discussion, and stimulates further collective thinking. We have found them to be very useful as a way of giving coherence to the conversation and as a form of feedback. People really feel as if they have been listened to. They also a provide a history of the flow and progression of the conversation. The images can be created through photo editing software or hand drawn.
We first used a live visualiser at our performance of "Who Wants to Be…?" at the Albany Theatre in 2007. The idea was developed with Zsolt Balogh, who has since gone on to make visuals and 3D video installations for a number of productions at The National Theatre, exhibitions at the V&A museum, the opening ceremony of the London Olympics, and most recently was the lead artist for the visuals at the Opening of Hull City of Culture 2017. He still is an active member of The People Speak and enjoys the added creative spontaneity required for our projects!
These days the bulk of our instant visuals are made by Rick. He has learnt from Zsolt to the point where his Wacom pen is even sharper!
Last year we began working with the incredibly visually witty Cat Faulkner who is an illustrator from the old pen and paper school. She has proved to us that you don't always need the latest technology to respond visually to a conversation!
This entry was posted on Thursday, October 14th, 2010 at 12:06 am.	It is filed under Our projects. You can follow any responses to this entry through the RSS 2.0 feed.