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Paul Mcdevitt In 'Zeichen Und Wunder' At Kunsthaus Nuremberg, Germany
Paul McDevitt is to feature in the group exhibition 'Zeichen und Wunder' (Signs and Wonders) at the Kunsthaus Nuremberg.
The exhibition also features works by Caroline Bayer (Berlin), Matthias lame (Dusseldorf) and Anne Sterzenbach (Nuremberg).
The exhibition runs from 13 December 2012 to 10 February 2012.
The opening is on Wednesday 12 December at 8pm.
90402 Nuremberg
Tom Friedman And Paul McDevitt In 'About Stupidity' At Petach Tikva Museum Of Art, Israel
Gallery artists Tom Friedman and Paul McDevitt are both featuring in the group show 'About Stupidity' at the Petach Tikva Museum of Art, Israel.
Albert Einstein once said: "Only two things are infinite: the universe and human stupidity, and I'm not sure about the former." This exhibition might be a testimonial to his insight: stupidity has such an evasive character that to illuminate or define it with visual...
Thomas Hirschhorn's installation at 'Flugplatz Welt/ World Airport' Exhibits at Mudam, Luxembourg
Thomas Hirschhorn's installation 'Flugplatz Welt / World Airport,'which occupies a whole room of the Musée d'Art Moderne Grand-Duc Jean, Luxembourg, dates from 1999 and was originally produced for the Venice Biennale. 'Flugplatz Welt / World Airport' deals with the question, so determinant today, of globalization and its collateral, often paradoxical effects: "Macro-isolation, selfisolation, and particularities - ethnic, religious, social, linguistic, cultural... - local divisions, regional and private wars, war lords all tend to separate one entity from another.
Ged Quinn Solo Presentation for Bass Museum of Art, Miami, Florida, USA
In 2009, The Bass Museum of Art embarked on an ongoing exploration of the notion that all art was once contemporary and inversely, that all contemporary works of art are part of a continuum of art history. The six artists who will create solo presentations for the project pay homage to the Bass Museum of Art's mission statement, "we educate and inspire by exploring the connections between our historical collection and contemporary art."
YOSHITOMO NARA IN GROUP EXHIBITION 'ALONE TOGETHER' AT THE RUBELL FAMILY COLLECTION, MIAMI
Stephen Friedman gallery is pleased to announce that gallery artist Yoshitomo Nara will be part of a group show 'Alone Together' at the Rubell Family Collection in Miami. The exhibition explores a paradox: artists often work in isolation in their studios, but they are almost always seen and defined in relation to a greater whole. Whether it is called a movement, a moment, a school, a group, or an -ism, this g...
Stephan Balkenhol and Thomas Hirschhorn in 'Lost (in LA)' at Los Angeles Municipal Art Gallery, Los Angeles, USA
LOST (in LA) is an exhibition and an innovative dialogue between LA artists and French artists, featuring Stephan Balkenhol and Thomas Hirschhorn. It reproduces the quintessential Los Angeles experience of being lost in the heart of this metropolis. Layers of time and space appear to be interlaced together atop a hill hidden in the middle of the city.
Huma Bhabha Solo Exhibition 'Unnatural Histories' At MOMA PS1, New York
Huma Bhabha is known for her engagement with the human figure and for her use of found materials, working primarily in sculpture.
Yinka Shonibare MBE in 'Revealed: Government Art Collection' at Birmingham Museum, Birmingham, UK
'Revealed' brings together a diverse selection of nearly 200 works of art, ranging from the historical to the contemporary, which form part of the Government Art Collection. The exhibition will be the first time that these outstanding works, usually displayed in British Government buildings across the world, have been brought together. Birmingham Museum & Art Gallery has been chosen as the first venue outside London to display this intriguing exhibition. Yinka Shonibare, MBE's 'Nelson's Ship in a Bottle' macquette is featured.
Yinka Shonibare MBE and Kendell Geers in 'The Progress of Love' a three part Transatlantic Exhibition at the Menil Collection, the Pulitzer Foundation and CCA, Lagos, Nigeria
In an unprecedented collaboration, arts institutions in three cities and on two continents will join together to explore the changing modes and meanings of love in today's global society, as seen by more than two dozen contemporary artists from Africa and a select few of their counterparts from Europe and America.
Stephan Balkenhol in 'Art is Beautiful, but Hard Work Too', at Kunstbau, Munich, Germany
In early May 2013 the Lenbachhaus in Munich will reopen after a major renovation and expansion. The aim of this last show before the reopening is both to prepare for the presentation of their collection in the Lenbachhaus and to critically assess the work of a museum in general, particularly scholarly research and the conservation and restoration of the collection.
Tom Friedman in 'Rip It Up and Start Again' at Fonds Régional D'art Contemporain Languedoc-Roussillon, Montepellier, France
Tom Friedman's 'Demon Baby' (2009) is in the group exhibition 'Rip It Up and Start Again' at Fonds Régional D'art Contemporain Languedoc-Roussillon, Montepellier, France, part of the three-part exhibition 'L'Ane Musicien'.
Yinka Shonibare MBE, 'Addio del Passato' at SCAD Museum of Art, Georgia, USA
The SCAD Museum of Art presents "Addio del Passato," an exhibition of new works by artist Yinka Shonibare MBE. The exhibition will feature photographs from Shonibare's allegorical "Fake Death Pictures" series, sculptures, and the film "Addio Del Passato" ("So Closes My Sad Story") that collectively explore themes of desire, love, repression and power. These works weave together conceptual impressions of colonialism using a theatrical vocabulary and visual imagery that speak to history through the lens of the present.
Tom Friedman in 'Now Here is also Nowhere: Part 1' at Henry Art Gallery, Seattle, USA
This multi-generational exhibition includes works that examine the physicality of the body, both in its relation to the construction of form, and as a generator of knowledge and agent of change and exchange in diverse spheres of life. Other works in the exhibition deal with familiar but largely intangible concepts such as death, love, imagination, memory, knowledge systems, and the unknown.
David Shrigley in 'Moral Holiday' at Northern Gallery for Contemporary Art, Sunderland, UK
'Moral Holiday' presents the work of two generations of artists who have created works largely in lens-based media from still photographs to film or video. All stage what might be called 'thought experiments' that query the existing moral order, and dramatise ethical quandaries by inverting social norms or expectations.
Andreas Eriksson in 'Dehors la flore est l'orage' Centre Culturel Valery-Larbaud, Vichy, France
Gallery artist Andreas Eriksson is in the group show 'Dehors la flore est l'orage' at Centre Culturel Valery-Larbaud in Vichy, France.
David Shrigley Solo Presentation at Bradford 1 Gallery, UK
An exhibition of drawings, and a series of monoprints previously unseen in a public gallery, by the artist David Shrigley. Described by one writer as an 'artistic comedy mind at odds with the machinations of accepted convention' David Shrigley is known for his instantly recognisable crude drawing style and his often humorous, frequently satirical observations.
Rivane Neuenschwander Features in 10th Anniversary Exhibition of PAC (Projet pour l'art contemporain) at Centre Pompidou, Paris, France
Société des Amis du Musée d'Art Moderne celebrate the 10th anniversary of the PAC - Projet pour l'art contemporain - initiated in 2002 by Alfred Pacquement and François Trèves. As a unique project, the PAC gathers around sixty friends of the MNAM who generously donate to the museum, so that it can, every year, buy from 5 to 10 works by emerging artists. In order to honour this project, the Centre Pompidou will present a selection of 30 pieces, including work by gallery artist Rivane Neuenschwander, from the collection offered by the PAC.
Yinka Shonibare MBE in 'The Desire for Freedom. Art in Europe since 1945' at Deutsches Historisches Museum, Berlin, Germany
An exhibition devoted to Art in Europe since 1945 needs to identify some common roots and unifying ideas. The ideological boundaries that were erected during the Cold War now look completely anachronistic. Instead, we can see more clearly than ever before that the values and ideals of society were, and are, firmly anchored in the Enlightenment, even if they were, and are, interpreted differently all over Europe.
YOSHITOMO NARA IN 'FUTURE PASS WORLD EXHIBITION' AT TODAY ART MUSEUM, BEIJING
Gallery artist Yoshitomo Nara features in 'Future Pass World Exhibition', now open at the Today Art Museum in Beijiing.
Sponsored by J.P. Morgan, the exhibition showcases original artworks from more than 160 leading Asian artists, including Yayoi Kusama, Fang Lijun and Xu Bing in addition to Nara, and is the last stop of Future Pass World's global tour.
The selected artworks cover a wide range of material, including oil p...
David Shrigley in 'HOW ARE YOU FEELING?' At Cornerhouse, Manchester, UK
The Cornerhouse is presenting a major exhibition of new and recent work by acclaimed artist David Shrigley. HOW ARE YOU FEELING? features a range of drawings, paintings, sculpture and never-seen-before live performance. Taking you on a skewed, cathartic journey through the clever, amusing and raw world of David Shrigley, this extraordinary exhibition offers an unequalled, live and interactive experience.
CATHERINE OPIE 'TWELVE MILES TO THE HORIZON' AT THE LONG BEACH MUSEUM OF ART
Catherine Opie has long been fascinated by the natural as well as the man made environment. While she is best known for her self portraits and photographs of the gay community, images of her physical surroundings have always been an integral part of her practice. She has described her work as being "always about my surroundings and the way I wander the world."
In the summer of 2009, Opie received a commission from Hanjin Sh...
Anne Truitt in 'The Geometric Unconscious' at the Sheldon Museum of Art, Nebraska, USA
This exhibition, featuring gallery artist Anne Truitt, showcases the broad scope of geometric abstraction artwork in Sheldon's collection. The works in The Geometric Unconscious span a period of more than 100 years and prompted a rethinking of geometric abstraction with a special interest in the unconscious that feeds this kind of modern art.
Ged Quinn in 'Beyond Reality, British Painting Today', the Galerie Rudolfinum in Prague, Czech Republic
Under the title 'Beyond Reality, British Painting Today', the Galerie Rudolfinum in Prague is organising a large representative overview of contemporary British art. The exhibition will present the works of the twelve important artists of the younger and middle generations currently active in Great Britain.
Huma Bhabha In Peekskill Project V
Hudson Valley Center for Contemporary Art (HVCCA) is presenting the fifth installment of Peekskill Project: a citywide art festival devoted to bringing cutting edge contemporary art out of the museum and into the community. Using the city as a stage, Peekskill Project activates the urban environment and its inhabitants through site-specific art exhibitions, performances and screenings sited in multiple venues throughout Peekskill.
Huma Bhabha In 'Oppenheimer@20' At Nerman Museum Of Contemporary Art, Kansas City
Gallery artist Huma Bhabha's work 'Untitled' 2005, currently features in 'Oppenheimer@20', the 20th anniversary celebration of the Nerman Museum's Oppenheimer Collection, at the Nerman Museum in Kansas City.
Jim Hodges in 'The Shock of the News' at National Gallery of Art, Washington D.C., USA
In 1909 F. T. Marinetti's futurist manifesto appeared on the front page of Le Figaro, and less than four years later Pablo Picasso incorporated a fragment of real newspaper into a work of art. The modern mass-media newspaper had colonized fine art. The exhibition at the National Gallery of Art in Washington D.C. examines the many manifestations of the "newspaper phenomenon" from 1909 to 2009, a century during which major artists engaged in a vibrant and multifaceted relationship with the printed news by co-opting, mimicking, defusing, memorializing, and rewriting newspapers.
YOSHITOMO NARA SOLO EXHIBITION AT TOWADA ART CENTER, JAPAN
The Towada Art Center is currently holding a solo exhibition by gallery artist Yoshitomo Nara. In his work, Nara depicts children with defiant attitudes or anxious eyes and animals that look both lonely and humorous. This new exhibition in the artists' hometown, 'The Little Little House in the Blue Woods', contains early and recent paintings, drawings and three-dimensional works.
The exhibition continues until 14 January 2013.
Official we...
YOSHITOMO NARA IN 'SON ET LUMIERE, ET SAGESSE PROFONDE' AT 21ST CENTURY MUSEUM OF CONTEMPORARY ART, KANAZAWA, JAPAN
Gallery artist Yoshitomo Nara features in "Son et Lumière, et sagesse profonde" (Sound and light, and wisdom) at the 21st Century Museum of Contemporary Art, Kanazawa, Japan. On the face of it, it seems that modern civil society has secured freedom and material abundance through economic development, science and technology. In our information-oriented society, speed, comfort, and co...
Thomas Hirschhorn at Dia Art Foundation, New York, USA
Dia Art Foundation will present a new work by Thomas Hirschhorn, Timeline: Work in Public Space, from 15 September to 3 November 2012 at 541 West 22nd Street, New York, the site of the future Dia:Chelsea project space. 'Timeline', a large-scale collage of images, written statements, and text excerpts, chronicles the artist's interventions at urban and rural sites.
Thomas Hirschhorn in 'Thresholds' at Tate Liverpool, Part of Liverpool Biennial 2012
Gallery artist Thomas Hirschhorn is featured in 'Thresholds' at Tate Liverpool, a group show displaying work from the Tate Collection. The exhibition explores powerful themes including British identity, migration and global effects of regional conflicts.
CATHERINE OPIE IN 'SELF-PORTRAIT' AT THE LOUISIANA MUSEUM OF MODERN ART
Louisiana's big Autumn exhibition 'Self-Portrait' focuses on the self-portrait as a genre through-out the 20th and 21st century, as shown by 150 works by 64 international artists from early modernism till today, including gallery artist Catherine Opie. How does one represent oneself? And what are the connections between self-portraiture and self-representation? Can a self-portrait be an objective, neutral representation, or ...
Beatriz Milhazes Solo Exhibition At Malba, Buenos Aires
In September, Malba will present the first solo exhibition in Buenos Aires of gallery artist Beatriz Milhazes - 'Luxury, Calm, and Voluptuousness'. Curator Paulo Herkenhoff will offer a selection of 70 recent works, as well as some pieces from the 1990s that serve to anchor her more recent production.
The exhibition includes large-format paintings, silk screens, graphic works and designs on paper, vinyl, and other materials, from private co...
Yinka Shonibare MBE in Group Exhibition 'Happening to Be' at University of the Arts, London, UK
Stephen Friedman Gallery is pleased to announce that the University of the Arts London (UAL) will launch the first exhibition by black alumni. Entitled 'Happening to Be' this is the first ever exhibition showcasing the work of five distinguished artists, designers, and directors who 'happen to be' black. The exhibition aims to inspire students, staff and the general public by celebrating the artistic achievements of some of the University's black alumni.
Mamma Andersson in '150 Years of Swedish Art' at the Hillstrom Museum, Stockholm, Sweden
'150 Years of Swedish Art: Highlights from the Swedish National Collections in Stockholm (Moderna Museet and Nationalmuseum)' will be on view at the Hillstrom Museum of Art at Gustavus Adolphus College from Monday 10 September to Sunday 2 December. There will be a reception during the College's Nobel Conference, on Tuesday 2 October from 6 to 8pm. The exhibition and reception are free and open to the public.
'BROADWAY BILLBOARD: CATHERINE OPIE' AT SOCRATES SCULPTURE PARK, NEW YORK
Untitled (Stump Fire #4), an 11' x 28' image by gallery artist Catherine Opie, is the newest installment of the Socrates Sculpture Park's ongoing Broadway Billboard series.
Opie has created a mise-en-scene of epic scope, drama, and mystery. Nature and artifice, light and darkness are just some of the contradictory elements of Opie's image that create an ominous tableau for us to contemplate. Neither a warm hearth, nor regene...
Andreas Eriksson in the Thirtieth Bienal de Sao Paulo, Brazil
The Thirtieth Bienal de São Paulo will take place from 7th September to 9th December 2012 featuring gallery artist Andreas Eriksson.
Wayne Gonzales': A Solo Exhibition Presented by SCAD Exhibitions Department, Savannah, Georgia, USA
The Savannah College of Art & Design exhibitions department presents a solo exhibition by Wayne Gonzales, with several "crowd" and "light" paintings for which the artist is acclaimed. Drawing from photographic sources, Gonzales explores the languages and histories of both digital media and painting.
Kendell Geers Curates Exhibition as Part of 'Newtopia' in Mechelen, Belgium
Newtopia, curated by Katerina Gregos, builds on the long relationship between art and human rights and aims to explore the numerous aspects associated with the issue.
Newtopia will take place in various cultural institutions and the urban context of the historic Flemish city of Mechelen - a city whose roots go back to the humanistic tradition of Erasmus and Thomas Moore thus providing an apt context for the exhibition.
YInka Shonibare MBE Curates 'Deloitte Ignite 2012' at the Royal Opera House, London, UK
This year's Deloitte Ignite at Royal Opera House. is curated by critically acclaimed artist, Yinka Shonibare, MBE, celebrated for works including Nelson's Ship in a Bottle, which he made for the Fourth Plinth in Trafalgar Square, and a new commission for the Royal Opera House building. His vision for Deloitte Ignite 2012, Africa Weekend, is a celebration of traditional African and avant-garde arts and culture, expressing Africa's global contribution to the contemporary arts world.
David Shrigley Inside Ron Arad's '720 Degrees' at Israel Museum, London, UK
Films by gallery artist David Shrigley will be shown in '720 Degrees', the stunning and much-talked about installation by designer, artist, and architect Ron Arad, installed for three weeks in the Israel Museum's Art Garden, side-by-side with works by Pablo Picasso, Henry Moore, and Micha Ullman.
David Shrigley in 'Doug Fishbone and Friends: Adventureland Golf' at Grundy Art Gallery, Blackpool, UK
Grundy Art Gallery has teamed up with London-based American artist Doug Fishbone and the Nova Festival of Arts and Music to host 'Doug Fishbone and Friends Adventureland Golf' for this summer and autumn.
Tonico Lemos Auad in 'Beyond the Avant-Garde', The 11th Brazilian Naïf Art Biennial, at Sesc Piracicaba, São Paulo, Brazil
'Beyond the Avant-Garde' takes place in the ambit of the 11th Brazilian Naïf Art Biennial. Bringing together 10 contemporary artists from Latin-America whose pieces will be infiltrating the works selected by the Biennial jury, the exhibition intends to provoke the friction between these two distinct artistic categories, which are not usually shown together in the same context.
Rivane Neuenschwander in 'The Politics of Place: Latin American Photography, Past & Present' at Phoenix Art Museum, Pheonix, Arizona, USA
Throughout the 20th century and into the 21st, artists from Latin America have embraced photography as a means of capturing their surroundings, documenting episodes of social injustice and political upheaval, and constructing images of national identity. This exhibition features photographs and one video work that evoke a potent sense of place, some in a literal sense and others metaphorically. Drawn primarily from Arizona collections, the selected photographs reflect distinctly national realities, cultural idiosyncrasies, and subtle political undertones.
Yoshitomo Nara and Ged Quinn feature in 'überall und nirgends'(everywhere and nowhere)', at Villa Jauss, Obersdorf, Germany
Gallery artists Yoshitomo Nara and Ged Quinn feature in the current exhibition at Villa Jauss, Obersdorf 'überall und nirgends'(everywhere and nowhere), work from the Reydan Weiss collection.
David Shrigley in 'What Are You Like?' at The Holburne Museum, Bath, UK
Based on a Victorian parlour game, the exhibition invited 45 people in the public eye to create a self-revealing artwork by illustrating 8 of their favourite things from a list of 12: their favourite animal, book, item of clothing, comfort, food, pastime, place, possession, music, shoes, weather or pet aversion (the thing they love to hate!).
Yinka Shonibare MBE 'Imagined as the Truth' at the San Diego Museum of Art, California, USA
The San Diego Museum of Art is presently a solo exhibition of work by Yinka Shonibare, MBE 'Imagined as the Truth'.
YOSHITOMO NARA 'A BIT LIKE YOU AND ME...' AT YOKOHAMA MUSEUM OF ART, JAPAN
Yoshitomo Nara is returning to the Yokohama Museum of Art for the first time since it hosted his inaugural large-scale solo exhibition back in 2001.
Nara has earned a fervent international following for his cute-but-twisted pictures of children and animals, which are some of the most instantly recognisable images in contemporary Japanese art. They have a variety of expressions: some look defiant and aggressive while others seem ...
Yinka Shonibare MBE in Group Show at Princetown University Arts Museum
Stephen Friedman Gallery is pleased to announce that gallery artist, Yinka Shonibare, MBE, is included in the group exhibition Encounters: Conflict, Dialogue, Discovery at Princeton University Art Museum.
David Shigley: A Solo Exhibition at Mumbai Art Room, Maharashtra, India
David Shrigley is known for the sardonic humour he brings to his drawings, animations and sculptures. In the debut display of his work in India, the Mumbai Art Room presents 15 drawings on loan from Stephen Friedman Gallery
Anne Truitt in 'Raum der Linie - Line and Space' at Museum Wiesbaden, Germany
Museum Wiesbaden presents a concise selection of predominantly American artists, including gallery artist Anne Truitt, from the 1960s and 70s from a Munich private collection. The unique quality of the collection is the juxtaposition of concentrated bundles that enable most of the artistic reflections to illustrate more understandably on the way to their respective own position and statement. The exhibition in the Museum Wiesbaden opens on Thursday, 12th July and the works can be seen from then until 7th October as part of "Line and Space".
Yinka Shonibare MBE in 'Luxe: Mode d'Emploi' at Passage de Retz, Paris, France
Yinka Shonibare, MBE is showing his work 'The Crowning' in 'Luxe : mode d'emploi', an exhibition curated by Nicolas Liucci-Goutnikov with Bernard Blistène, at Passage De Retz, Paris.
Beatriz Milhazes Solo Exhibition 'Um Intinerario Grafico' At SESC Rio's Winter Festival
Beatriz Milhazes' solo exhibition 'Um Intinerario Grafico' forms part of SESC Rio de Janeiro's Winter Festival.
The exhibition features nine silkscreen prints made between 1996 and 2003. Printed by hand, they form part of the first series of large works made at Durham Press in the USA. The graphic work is structured by a diverse repertoire of motifs, arabesques, flowers, strings of beads, lace, stripes and circles....
Wayne Gonzales in 'Dark Matters' at the Hirschhorn Museum, Washington D.C., USA
Dark Matters brings together works from the Hirshhorn's collection that draw upon the associations and implications of darkness. The exhibition features Wayne Gonzales painting 'Pentagon'.
Kendell Geers in Solo Exhibition at Chateau Blandy, Les Tours, France
Kendell Geers is holding a solo exhibition at the Chateau Blandy-les-Tours, France, entitled The Marriage of Heaven and Hell. This exhibition echoes the title of the collected poems by William Blake. In addition, Geers explores the physical power and historical past of the Chateau, and how the experience of place and time has influenced his work.
Tom Friedman in 'Papper' at Modern and Contemporary Art Museum, Nice, France
Gallery artist Tom Friedman is exhibiting in the group show 'Paper' at the Modern and Contemporary Art Museum, Nice, France, which celebrates this omnipresent and diverse material which accompanies daily life.
Thomas Hirschhorn in Group Exhibition, 'Theatre of the World' at MONA, Hobart
Gallery artist Thomas Hirschhorn features in 'Theatre of the World' at MONA, Hobart. The exhibition engages, and rejects, the widely held notion that ancient and contemporary works of art are inherently different, and that we must burden the past with the weight of history.
David Shrigley 'Brain Activity' Touring to Yerba Buena Center for the Arts, San Fransisco, USA
After its very successful run at the Hayward Gallery in London, Yerba Buena Center for the Arts in San Francisco is the U.S. venue presenting 'David Shrigley: Brain Activity'.
The eclectic show opens at YBCA on Friday 22 June 2012 and runs until Saturday 23 September 2012. The Opening Night Party will also be held on 22 June 2012.
Yinka Shonibare, MBE'S New Commission For The Exterior Of The Royal Opera House, London
The Royal Opera House has commissioned artist Yinka Shonibare, MBE to create a unique artwork to be displayed on the exterior of the Royal Opera House, overlooking Russell Street in Covent Garden. This new work, part of London 2012 Festival, will be unveiled in June 2012 and will remain in place for five years.
Rivane Neuenschwander in 'Red Sky at Night' at Mercer Untion - A Centre For Contemporary Art in Toronto, Canada
'Red Sky at Night' at Mercer Untion - A Centre For Contemporary Art in Toronto fearures Absalon, Heike Baranowsky, Jack Goldstein, Cao Guimarães and gallery artist Rivane Neuenschwander, John Massey, Jonathan Monk, Bruce Nauman, Berndnaut Smilde. The exhibition is curated by Sarah Robayo Sheridan.
Tom Friedman in 'Invisible: Art about the Unseen, 1957-2012' at Hayward Gallery, London, UK
'Invisible Art' brings together works from the past half century that explore ideas related to the invisible and the hidden. The exhibition includes work by some of the most important artists of our time as well as younger artists who have expanded on their legacy, including gallery artist Tom Friedman.
Kendell Geers in 'Mexico: Expected/ Unexpected' at Katzen Arts Centre, Washington D.C., USA
This exhibition of selected works from the Isabel and Agustín Coppel Collection attempts to explore Mexican contemporary art from a point of view that simultaneously underlines the intense dialogue with its canonical history and the international landscape to which it also belongs. No artist is isolated from the global dynamics that fuel the contemporary art of our time.
Thomas Nozkowski In Royal Academy Summer Exhibition
Gallery artist Thomas Nozkowski has been invited to exhibit in this year's Royal Academy Summer Exhibition.
The world's largest open submission contemporary art show, now in its 244th year, continues the tradition of showcasing work by both emerging and established artists in all media including painting, sculpture, photography, printmaking, architecture and film. Royal Academician Tess Jaray, RA is the co-ordinator for this years exhibition.
Nozko...
Stephan Balkenhol at St Elizabeth's Church, Kassel, Germany
Alongside existing works, gallery artist Stephan Balkenhol will be presenting seven new works in the Church of St Elisabeth at the invitation of the Diocese of Fulda and the Kassel Catholic Church. These works comprise large format wooden reliefs for the nave, a female figure for the chapel tower, as well as a male figure on a Golden Sphere for high up in the bell tower.
Kendell Geers at Biennale 'Manifesta 9' in Belgium
Stephen Friedman Gallery is pleased to announce that gallery artist Kendell Geers will be taking part in the biennale, Manifesta 9, held in Genk, Limburg, Belgium. Manifesta 9 will present an international selection of contemporary artists and the exhibition will consist of an impressive collection of historical works, displaying the rich mining heritage in a surprising and innovative way to both local and international audiences.
Rivane Neuenschwander in 'Explosion! Painting as Action' at Moderna Museet, Stockholm, Sweden
'Explosion! Painting as Action' at Moderna Museet, Stockholm explores the rich and complex cross fertilisations and borderlands of painting, performance and conceptual art. It traces this expanded idea of painting as action from late 1940's until today. The exhibition will include works in different mediums by some 45 artists from many parts of the world such as gallery artist Rivane Neuenschwander alongside the important Japanese Gutai group, Allan Kaprow, Jackson Pollock, Niki de Saint Phalle, Yves Klein, Ana Mendieta, Alison Knowles, Rivane Neuenschwander, Yoko Ono and Lawrence Weiner.
Thomas Hirschhorn among Top Artists Holding Workshops at Hayward Gallery during 2012 Olympic Games, London, UK
We are pleased to announce that Thomas Hirschhorn will be taking part in the exciting 2012 summer arts program at The Hayward Gallery. The Hayward's Wide Open School, which runs next summer from 1 June - 9 September 2012 will coincide with the London Olympic and Paralympic Games and is expected to be a highlight of Southbank's Centre's Festival of the World.
Kendell Geers in 'The Rainbow Nation. Contemporary Sculpture from South Africa' at Museum Beelden Aan Zeee, The Hague
During the summer months, work by Kendell Geers and around thirty other South African artists will be on view in The Hague at Museum Beelden aan Zee, on the Lange Voorhout, in the Kloosterkerk, at the ANWB main office and in Raadhuis de Paauw in Wassenaar. 'The Rainbow Nation. Contemporary sculpture from South Africa' displays the colourfulness and variety of forms of contemporary art in South Africa.
Huma Bhabha In 'Contemporary Locus 1' At Luogo Pio Colleoni, Bergamo, Italy
'Contemporary Locus' is a series of exhibitions that want to build connections between contemporary art and urban fabric, opening secret, forgotten or abandoned places in the city of Bergamo.
Tonico Lemos Auad in Christies' Exhibition at Waddesdon Manor, Buckinghamshire, UK
Major sculptural works by the world's leading contemporary artists including Richard Serra, Anish Kapoor, Antony Gormley, Donald Judd, Damien Hirst, Jeff Koons, Urs Fischer, Tony Smith, Joana Vasconcelos and gallery artist Tonico Lemos Auad will be shown by Christie's Private Sales from 26 May to 28 October 2012
Andreas Eriksson in 'Pink Caviar' at the Louisiana Museum of Modern Art, Copenhagen, Denmark
Gallery artist Andreas Eriksson is featured in 'Pink Caviar', Louisiana's aquisitions for the collection over the past three years.
YOSHITOMO NARA IN 'NEW ACQUISITIONS' AT THE MUSEUM OF CONTEMPORARY ART TOKYO
The Museum of Contemporary Art Tokyo holds regular themed exhibitions, based on its collection of over 4,500 works, to introduce the appeal of postwar and contemporary art from a variety of angles.
The Museum is holding the exhibition 'New Acquisitions' featuring works that entered the collection during fiscal year 2011, including a body of early work by Yoshitmo Nara 'Deposit'. As is appropriate for a leading museum in Tokyo,...
Yinka Shonibare MBE in Conversation with Professor Richard Phillips at Hayward Gallery, London, UK
On 17 June 2012 at 7.00pm, Yinka Shonibare MBE will be talking with Richard Phillips, Professor of Geography at the University of Sheffield, to explore the history of British sexual behaviour in the colonies and the role of sexuality in power relations during the time of the Empire: WHO'S F**KING WHO: SEX IN THE COLONIES.
Huma Bhabha In 'FIGURES FROM THE NEW WORLD' At The Centre For Contemporary Art Ujazdowski Castle, Warsaw, Poland
Gallery artist Huma Bhabha features in the exhibition FIGURES FROM THE NEW WORLD at the Centre for Contemporary Art Ujazdowski Castle.
David Shrigley Supports Christian Aid Week with Wellies
David Shrigley, Jessie J, Tali Lennox and Alan Titchmarsh are among a host of famous names who have used their creative talents to support this year's Christian Aid Week. Over 15 stars have customised gardening tools, which will be displayed in a Soho pop-up shop from 14 - 19 May and auctioned at www.ebay.co.uk/christianaid. David Shrigley will be donating his wellies.
David Shrigley in 'Parliament of Lines' at Edinburgh City Art Centre, Scotland, UK
Gallery artist David Shrigley will be exhibiting in 'A Parliament of Lines' at Edinburgh City Arts Centre as one of fifteen contemporary Scottish artists (or those who have been through the Scottish education system), most working at an international level, and all of whom use drawing as an important element in their practice. The other artists are: Charles Avery, Paul Chiappe, Layla Curtis, Nathalie De Briey, Moyna Flannigan, Luca Frei, Euan Gray, Sam Griffin, Marie Harnett, Callum Innes, Alan Johnston, Andrew MacKenzie, Graeme Todd and Ainslie Yule. Shrigley will be showing three animations. The exhibition runs from 5 May until 8 July 2012.
Yinka Shonibare MBE in 'Rococo-Mania' at Design Museum, Copenhagen, Denmark
With this exhibition, Designmuseum Danmark invites the audience to reflect on commonalities between the past and the present. The past is illustrated with select 18th-century items from the museum's permanent collection, while the present is represented by works created by four contemporary artists: the world-famous British-Nigerian artist Yinka Shonibare, MBE and three Danish fashion designers, Nikoline Liv Andersen, Laura Baruël and Anne Damgaard.
Permanent Home Secured for Yinka Shonibare MBE's 'Nelson's Ship in a Bottle' at National Maritime Museum, Greenwich, UK
Thanks to the generosity of many individuals, a fundraising appeal launched by the Art Fund and the National Maritime Museum at the end of last year has successfully raised £362,500 to enable the National Maritime Museum to acquire and permanently display Nelson's Ship in a Bottle by Yinka Shonibare, MBE.
Ged Quinn at Modern Art Museum of Fort Worth, Texas, USA
Ged Quinn's paintings combine landscapes in the vein of Claude Lorrain with fragments of history, art history, and mythology. The works are awe-inspiring in their combination of painterly skills and provocative conceptual strains. In Quinn's work, sublime backgrounds meet broken-down foregrounds, and at all turns utopian ideals are acknowledged and critiqued. Death, deceit, and decay are also dragged into the frame.
YOSHITOMO NARA IN 'TO WANDER A GARDEN' AT VANGI SCULPTURE GARDEN MUSEUM, JAPAN
The Vangi Sculpture Garden Museum (opened April 28, 2002) celebrates its 10th anniversary. Commemorating the museum's first decade and its distinctive character, this exhibition on the theme of "the garden" will feature 19 Japanese contemporary artists, including gallery artist Yoshitomo Nara, who are extending the horizons of the present.
The garden has historically been a place close to the lives of the Japanese, where o...
HUMA BHABHA & THOMAS HIRSCHHORN IN LA TRIENNALE, PALAIS DE TOYKO, PARIS
20 April - 26 August 2012
Stephen Friedman Gallery is pleased to announce that gallery artists, Huma Bhabha and Thomas Hirschhorn, will be participating in the 3rd edition of the contemporary art triennial exhibition that will move from the nave of the Grand Palais into the open galleries of the Palais de Tokyo and greater Paris. Through the concept of 'Intense Proximity' La Triennale will investigate what it means to be active a...
YOSHITOMO NARA IN 'CONTEMPORARY ASIAN ART: TEXAS CONNECTIONS' AT ASIA SOCIETY TEXAS CENTER
'Contemporary Asian Art: Texas Connections', the inaugural exhibition in Asia Society Texas Center's Fayez Sarofim Grand Hall, showcases work by Asian and Asian American artists who have lived in Texas or whose work is held in private or public collections in the state.
Guest curated by Kimberly Davenport, Director of Rice University Art Gallery, the exhibition features an outstanding selection of work by some ...
Thomas Hirschhorn in 'Masters of Chaos' at the Musée de Quai, Branly, Paris, France
Thomas Hirschhorn will be participating in the group exhibition 'Masters of Chaos' at Musée du Quai Branly in Paris. This striking new exhibition will focus on the role and artistic representations of shaman through the ages, observing the influence and power of these tribal society members who say they can connect with the spiritual world and cure illness through magic.
PAUL MCDEVITT & CORNELIUS QUABECK IN 'COLLABORATIONS & INTERVENTIONS' AT CCA ANDRATX, MALLORCA
Collaborations & Interventions is an international group show developed especially for Kunsthalle Andratx. The show will explore different types of collaboration and intervention by about 40 international artists, including Paul McDevitt and Cornelius Quabeck, and groups from the late 60's to the present.
Since the mid-60s the work of artist groups has been marked by subversive political statements, appropri...
Beatriz Milhazes In 'Cartier, Jeweler Of The Arts' At Fondation Cartier, Paris
From April 3-22, 2012, the Fondation Cartier will host 'Cartier, Jeweler of the Arts', an exceptional presentation of four unique artworks commissioned by Cartier since 2009.
To create a work of art using precious or semi-precious stones that have been pierced, engraved, unmounted or even damaged, and can therefore no longer be used in classic jewelry; to bestow new life on these pearls, emeralds, sapphires, mandarin garne...
Jim Hodges 'Untitled' to be Installed at Walker Arts Centre, Minneapolis, USA
Jim Hodges' 'Untitled' 2011 will be installed on the Walker Art Centre's green space in April 2012. This purchase precedes Hodges' 2014 survey show at the same venue, co-organized by the Dallas Museum of Art, and upcoming anniversary of the Minneapolis Sculpture Garden in 2013.
Rivane Neuenschwander in 'Marking Time' at Museum of Contemporary Art in Syndey, Austrailia
Explore the ways in which artists visualise time and its passing in 'Marking Time'. Featuring major works by eleven Australian and international artists, you'll see the concept and representation of time - past, present and future - reinterpreted and revealed across such diverse media as drawing, watercolour, sculpture, installation, sound and light.
Yinka Shonibare MBE in Crisis Commission Exhibition at Somerset House, London, UK
The Crisis Commission sees some of the most celebrated artists of our day unite to bring major new works to a spectacular exhibition and auction in Spring 2012. The landmark event will be a highlight of London's art scene, bringing together contemporary artists of the highest calibre who have rarely, if ever, exhibited together before.
CATHERINE OPIE IN 'MORE AMERICAN PHOTOGRAPHS' AT MCA DENVER, USA
'More American Photographs' contains more than 100 works presenting some of the best-known examples from the Farm Security Administration (FSA) alongside recently commissioned work from 12 contemporary artists.
Inspired by the FSA's 1930's and 1940's program to document the Great Depression's effects on America's landscape and people, More American Photographs offers a portrait of America today in the wake of the Great Recession.
Incorpo...
Jon Snow lecture on Yinka Shonibare MBE's 'Nelson's Ship in a Bottle' at City Hall for the Art Fund
The Art Fund requests the pleasure of your company at 'London's Living Room' in support of their campaign to help the National Maritime Museum acquire 'Nelson's Ship in a Bottle' by Yinka Shonibare, MBE.
Anne Truitt in Group Exhibition at Parasol Unit, London, UK
Works Anne Truitt feature in the exhibition Lines of Thought at Parasol Unit, London. The exhibition explores the work of a total of 15 contemporary artists, whose practice has focused in particular on using line in creatively challenging ways. With works representing different generations, it is remarkable to observe how the meaning and use of line varies from one artist to another.
CATHERINE OPIE SOLO EXHIBITION 'CATHERINE OPIE PHOTOGRAPHS CLIFF MAY' AT AD&A MUSEUM, UC SANTA BARBARA, USA
In conjunction with the exhibition Carefree California: Cliff May and the Romance of the Ranch House, the Art, Design & Architecture Museum at the University of California, Santa Barbara has commissioned renowned American artist Catherine Opie to photograph two homes designed by Cliff May as they appear today. Opie's oeuvre explores the idea of identity through portraits of people situated i...
Yinka Shonibare MBE in 'Fairy Tales, Monsters, and the Genetic Imagination' at the Frist Centre for the Visual Arts, Tennessee, USA
'Fairy Tales, Monsters, and the Genetic Imagination' is an exhibition of works by contemporary artists who invent humanlike, animal, or hybrid creatures to symbolize life's mysteries, desires, and fears. Finding inspiration in sources ranging from Aesop's Fables to the products of genetic experimentation, the artists in the exhibition examine interactions between nature and humanity in the context of oral and written lore, psychology, ethics, and visions of the future in both science and science fiction.
YOSHITOMO NARA IN 'PRINT/OUT' AT MOMA, NEW YORK
Over the last two decades, geopolitical borders have shifted and new technologies have forged channels of communication around the world. Printed materials, in both innovative and traditional forms, have played a key role in this exchange of ideas and sources. This exhibition examines the evolution of artistic practices related to the print medium, from the resurgence of traditional printmaking techniques-often used alongside digital technologies-to ...
CATHERINE OPIE IN 'AN ORCHESTRATED VISION: THE THEATER OF CONTEMPORARY PHOTOGRAPHY' AT SAINT LOUIS ART MUSEUM, USA
The Theater of Contemporary Photography is a compelling survey of contemporary photographers, many presented in St. Louis for the first time. Seen together, the works reveal the remarkable potential of the photographic medium in contemporary artistic practice. On view will be over 40 works from an international group of artists which includes Catherine Thomas Struth, Carrie Mae Weems,...
Claire Barclay Chosen By The Old Operating Theatre, London And Cheltenham Art Gallery For Connect10 Museums At Night Competition.
Claire Barclay, the futuristic Scottish sculptor whose carefully balanced and beautiful installations have been exhibited in Tate Britain and Edinburgh's Fruitmarket Gallery, has been selected as a Connect10 contemporary artist to be sent to a museum or gallery of your choice.
'Material Matters': A Panel Discussion on Yinka Shonibare MBE's 'Nelson's Ship in a Bottle' at British Library for Art Fund, London, UK
The artist behind Nelson's Ship in a Bottle has said his work is not about the representation of politics, but about the politics of representation - a challenge to established notions of 'authenticity'. Join the Art Fund as a panel of experts debate the multi-layered nature of Shonibare's work, from the abstract symmetry of 'Dutch Wax' fabric to the history of empire.
Beatriz Milhazes Exhibition Four seasons At Calouste Gulbenkian Foundation, Lisbon
Beatriz Milhazes' exhibition Four seasons is the result of a partnership with the Swiss Beyeler Foundation. Together with Rosangela Rennó's exhibition it aims to highlight contemporary Brazilian art in 2012 - the year designated by both countries as Portugal-Brazil year.
Beatriz Milhazes (Rio de Janeiro, 1960) is an artist who loves nature which does not imply that Milhazes creates true-to-life representations of fl...
Huma Bhabha 'Players' At Collezione Maramotti, Reggio Emilia, Italy
In both the six sculptures from the mid-1990s, and the six new drawings created for the exhibition Players, Huma Bhabha reinvents the human head, deconstructing and reconstructing an archetype in which she gathers and transforms various art-historical typologies
Yinka Shonibare MBE in 'Cotton: Global Threads' at Whitworth Art Gallery, Manchester, UK
Late winter and spring sees all the ground floor galleries at the Whitworth combining to tell a compelling story about the production, consumption and global trade in cotton. With exhibits ranging in date from the late Middle Ages to the present day, the exhibition takes in Lancashire and South Asia, the Americas and Africa and is the region's flagship exhibition outcome of the London 2012 Cultural Olympiad programme Stories of the World.
STEPHEN FRIEDMAN GALLERY AT VIP ART FAIR 2.0
Stephen Friedman Gallery is delighted to be participating in the second edition of the VIP Art Fair. This international contemporary art fair takes place exclusively online for one week from 3-8 February 2012.
VIP Art Fair gives an unprecedented opportunity for collectors to participate in a global market place - without the travel and freight this usually entails.
Please contact James Green at the gallery for more information on + 44 (0) 20 7494 1434
Rivane Neuenschwander in 'Notations: The Cage Effect Today' at The Hunter College Art Galleries in New York, USA
'Notations: The Cage Effect Today' marks the centennial of John Cage's birth, commemorating the widespread effect of the artist's six decades of assiduous, and relentless inventive creation on subsequent generations of artists. Notations: The Cage Effect Today examines the reverberation of his diverse influence throughout North America, Asia, Europe, and Latin America.
David Shrigley in 'Brain Activity' at Hayward Gallery, London, UK
This exhibition at the Hayward Gallery, his first major survey show in London, will cover the full range of Shrigley's diverse practice. This extends far beyond drawing to include photography, books, sculpture, animation, painting and music. Spanning the upper galleries of the Hayward Gallery, the show will also include new artwork and site specific installations.
Yinka Shonibare MBE 'Six Yards: Guaranteed Dutch Design' at Museum Voor Moderne Kunst, Arnhem, Netherlands
The exhibition Six Yards is a tribute to Vlisco textiles: over a hundred years old, born in Indonesia, designed in the Netherlands, loved in Africa, and desired in the West. These colourful fabrics make their way to fashion shows in Paris, the markets in Ghana, and galleries in London and New York. The exhibition Six Yards focuses on all the relevant angles, from their presence and meaning in the work of artist Yinka Shonibare, MBE to the stories in the oral tradition that have come from the fabrics.
Daniel Guzman Solo Show 'Dark Matter' At Museo De Arte De Zapopan, Mexico
Here Guzman presents a body of work which explores the basic concepts of what makes us human: memory and forgetting, death, pain and absence. Through pictures, videos, installations and sculptures, all made with unconventional materials, Guzman articulates his unique interpretation of human mortality. This exhibition gives an account of the continuous reinvention of the language of mankind.
The exhibition opens on 26 Janua...


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MCPaulD Navigation
Interview and show on "Balkanika Music Television"
Here is an exclusive video from Balkanika Music Television, interviewing "Paul D" in Sofia, Bulgaria about his work and includes an interview then a live video from his show with "Swag on Tour" at the PM Club. The video premiered on "Balkan Stories" 2-12-2014 -19:00 and 23:00 as well as 3-12-2014 – 12:00 and 20:00 in various countries. "Balkanika Music Television" is …
Bulgaria – Swag show update!
Since 2014 and after the Swag show in W club thessaloniki, Paul D has performed multiple times in Bulgaria with "The Swag Team" by Zan Agency and Black Vanity. The Top club PM Club hosted the event every month while it was also performed in various other 5* nightclubs in Bulgaria. This is considered one of the best shows in …
Annet Artani feat Paul D New track – Revolution.
New track with Britney Spears back up vocalist and lyricist Annet Artani "Fame Story" "Eurovision Cyprus" is being worked on and will be released with a music video shoot in Greece. Annet wrote the hit track "Every time" for Britney Spears and has been starring in movies and series in the USA along with doing shows ever since. The two …
Toy Room Mykonos with Paul D!
Paul D entertained the crowd on the microphone live at "Toy Room" the notorious and creme de crop British nightclub that opened this year in Mykonos. Paul performed for 2 nights in a row (28-29 June 2015) before traveling back to Athens to finish video projects he is currently working on as a director and ready his show for Bulgaria! The busy …
Opening up with Lava for Hadzigiannis.
Paul D opening up show for Hadzigiannis at 21:00 with Lava on the 25th of July 2014 at the Ardas Festival Greece. The turn up was a remarkable, over 10.000 people showed up to this all day festival. Here is part of the show below.
Tequila Party Mix by Panik Records features Paul D.
Μια «μεθυστική» συλλογή από 15 ultra hot tracks κυκλοφορεί από την Panik Records! Aπολαύστε τους : Μηδενιστή, Kώστα Μαρτάκη, Demy, Θωμαή Απέργη, Marios Brasil, DJKAS, Paul D και part-αρετε άφοβα! Η συλλογή με τίτλο «Tequila Party» είναι διαθέσιμη στο ψηφιακό κατάστημα των iTunes στην τιμή των 6,99€. Αναλυτικά, τα τραγούδια που περιέχει η συλλογή είναι τα εξής: 1. «The Sun» (Jesus Cutino & Calles De Cube Remix) – Alex Leon feat. Demy & Epsilon 2. «Paradise» – …
MTV Now playing Paul D!
"Back in Athens Bitch" by Paul D and his group Deep Connection is sharing airplay on MTV Greece.
Top 100 Airplay 2013 Greece.
Deep Connection and Paul D's track "Back in Athens Bitch" was listed in the Top 100 Airplay for Greece in 2013 as a new track at number 98, only to climb to the top of the tracks later that year. Link here.
Mad TV Greece – Top 50.
Paul D's track with Deep Connection "Back in Athens Bitch" is on MAD TV TOP 50 and playing everyday throughout the day on MAD TV! The video was also directed and produced by Paul D himself! View the official video below.
Balkanika Music Television.
Paul D's track "Back in Athens Bitch" is playing throughout Bulgaria, Serbia and Albania on BALKANIKA MUSIC TELEVISION. BALKANIKA MUSIC TELEVISION is part of the media group of FAN TV LTD with headquarters in Sofia, Bulgaria. FAN TV LTD is also the owner of the Bulgarian channels FAN and FOLKLOR.
MANAGED BY Paul Democritou

redpajama_set_name: RedPajamaCommonCrawl


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The Last Kingdom season 5 filming to begin this year
The series is returning but has some challenges to tackle.
Monday, 26th October 2020 at 11:59 am
The cast and crew behind Netflix's historical drama The Last Kingdom are starting work on the upcoming fifth season, which plans to start filming before the end of the year.
The series stars Alexander Dreymon as warrior Uhtred of Bebbanburg, in a fictional story set against the backdrop of the early days of England, exploring how it was formed from four disparate kingdoms.
Season four was released on the service in April, to the delight of fans, and The Last Kingdom was renewed for a fifth outing just a few months later.
In a Q&A with RadioTimes.com to celebrate the release of Bernard Cornwell's final book in The Last Kingdom series, Dreymon confirmed that filming is to get underway very soon.
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"We're going to start shooting towards the end of this year under very strict COVID-19 guidelines, of course," he said. "We're very lucky to be able to work at the moment."
Previous seasons have been filmed in Hungary and the production is expected to return there for the imminent shoot, where several other movies and television shows have resumed work since July.
Aside from the obvious concern over the spread of coronavirus, Dreymon revealed to RadioTimes.com another logistical challenge the team are having to overcome.
"We're faced with that problem now, getting into season five where Uhtred is technically… I think he starts at 54 and ends up at 60 in the books," he said. "That's a problem right now because how do we make it look like Uhtred has aged without it looking comical? We're working on it."
Season five of The Last Kingdom will be based on the ninth and tenth books in Cornwell's fiction series, titled Warriors of the Storm and The Flame Bearer respectively.
The Last Kingdom is streaming now on Netflix. Looking for something else to watch? Check out our guide to the best series on Netflix and best movies on Netflix, visit our TV Guide, or find out about upcoming new TV shows 2020.
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Today I show my wilderness survival kit. Survival is all about being prepared. Thanks for watching.
Part 2 Saw used in the video: Bug Out Camp DESTROYED!
Here's a few handy tricks that may just save the day.


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Back to University Sport Menu
Taipei 2017: Build-up to the 29th Summer Universiade
Taipei 2017: Opening Ceremony of the 29th Summer Universiade
Taipei 2017: Day one of competition at the 29th Summer Universiade
Taipei 2017: Day two of competition at the 29th Summer Universiade
Taipei 2017: Day three of competition at the 29th Summer Universiade
Taipei 2017: Day four of competition at the 29th Summer Universiade
Taipei 2017: Day five of competition at the 29th Summer Universiade
Taipei 2017: Day six of competition at the 29th Summer Universiade
Taipei 2017: Day seven of competition at the 29th Summer Universiade
Taipei 2017: Day eight of competition at the 29th Summer Universiade
Taipei 2017: Day nine of competition at the 29th Summer Universiade
Taipei 2017: Day ten of competition at the 29th Summer Universiade
Taipei 2017: Final day of competition at the 29th Summer Universiade
Taipei 2017: Closing Ceremony of the 29th Summer Universiade
Taipei 2017 Medal Table
Japan 37 27 37
Korea, Republic Of 30 22 30
Chinese Taipei 26 34 30
Russian Federation 25 31 38
Taipei 2017 Results
Men's water polo Waterpolo
Taipei 2017 sets target of recruiting 18,000 volunteers for Summer Universiade
Taipei plans to recruit 18,000 volunteers for the 2017 Summer Universiade which is being staged in Taiwan's capital, it has been announced.
The volunteers will be comprised of 12,000 students and 6,000 non-students, who will be assigned to one of five types of tasks: administration, venue management, culture, reception and service, Taipei City Government said.
So far, more than 7,000 people have registered as volunteers and the Government is urging more people to sign up.
Taipei were awarded the Universiade in November 2011 by the International University Sports Federation, beating Brazilian capital Brasilia.
South Korean city Gwangju hosted last year's edition in July.
Taipei 2017 is hoping to recruit a total of 18,000 volunteers to help when it stages the Summer Universiade ©Taipei 2017
The Games are due to take place next year from August 19 to August 30.
Nearly 13,000 athletes are expected to take part in the event.
Registration to become a volunteer is available only on online.
People interested in becoming a Universiade volunteer can click here.
November 2015: Taipei city official named chief executive of 2017 Summer Universiade
May 2014: FISU International Technical Committee complete 12-day inspection visit of Tapei 2017
October 2013: Taipei 2017 Universiade criticised by local Councillors over budget
January 2013: Taipei 2017 sets up Committee to organise Universiade
September 2012: Taipei signs landmark 2017 Universiade construction deal with UKTI


Looking for a video editor to work on short welcome greeting video. Logos, background music and GFX will be provided. Final output will be 45 seconds long per vi...welcome greeting video. Logos, background music and GFX will be provided. Final output will be 45 seconds long per video clip and there will be 300 video clips. Send me your proposals.


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Архив рубрики: Reviews
Review of the picture 'Adam and Eve' –'Glorification of the Lord' from a specialist of visual arts:
Paying attention to this work we can say directly, without exaggeration: it is very significant that just at the turn of the second and third millennium from the nativity of Christ, like a holy gift, mankind at last got such picture about Adam and Eve which had to appear one day.
None of the artists all over the world, who has ever started to paint 'Adam and Eve' picture, has had such mighty, generous, comprehensive and cheerful talent, which the Author of the picture 'Adam and Eve in paradise' has.
So, he could implement the most sublime ecclesiastical ideals in present in the picture images. These images are certain synthesis of the most deserving and wonderful sides of that reality which, in the apparent extent , corresponds to the genuine intention of the Creator.
They also open to spectators the exact understanding of the position and predestination of a person in the hierarchy of the universe.
In general this picture is a work of great talent not only in an author's skill of making a composition but also that it, like no other, opens to spectators the sound understanding of their own dignity and involvement to that great glory and height which were typical for Adam and Eve.
In their heartfelt image triumphant, passionate confirmation of the beauty of the world, joy of life and grandeur of a person are shown to a spectator.
And, at once, this is a deserving example of aesthetic perfection, where the Author, besides the sublimity and significance of these images, gives them amazing accuracy, unique and life completeness. So now it's impossible to compare them with anybody or anything from the beginning of the creation of the world.
As nobody in the world, up to this day, has been able to suggest anything like this in their paintings about Adam and Eve, where in such simple and clear shapes and images the invisible and gorgeous spiritual world, where they were, was opened.
And, undoubtedly, this triumphant festivity of a specific sound of divine sphere which we can see here and also monumental grandeur of the composition amaze spectators by a huge concentration of spiritual forces and heroic will of the Author.
Because he could, without any looking at any authorities, rise above stereopathy of the world and show the greatest understanding of what is depicted in his exclusive picture in comparison with all the rest.
The Author gives an opportunity to spectators to look into open sky with the help of harmonious clarity of graphic language, obvious richness of inner world and speculative ability of seeing of what is impossible to see. It is difficult not to be amazed by this peculiarity.
At the same time, all the author's attention is concentrated on a sublime ideal image, by means of this the most perfect creation of the God is suitably and majestically glorified. – And, as we can see now in this picture, — it is a PERSON!
But, also, here the deepest philosophical awareness is shown, in which the Author of the picture 'Adam and Eve in paradise', along with the cheerful mood, also prepares spectators for some anxious expectation. He indicates that the tragic difficulty of future life contradictions, which all mankind will be going through for a long time, is going to change the grand symphony of the world.
However, in spite of everything, this picture, out of question, has an imprint of light, lyrical art, and also quiet positive mood. So a spectator, even by a transient communication with this picture, becomes much purer and more moral.
Because it has colossal life energy and contemplative calmness which appeases person's heart and raises a spirit in a blessed way. We can see that it is a kind of Author's genuine confession and he let the greatest spiritual feelings thought his heart and mind. As a result it became possible to make such a wonderful masterpiece.
Because this flaring beauty of the invisible Eden garden, shown in the picture, became a source of Author's inspiration. Undoubtedly, this picture 'Adam and Eve in paradise' is a precious part of a spiritual culture of all mankind.
Just because of images and shapes of the graphic art, which are visible here, the Author reached the main purpose — to make a great hymn of triumph of a person, which pays tribute to love and grateful respect to the Creator.
And also, in existing ideas of invisible, which became visible because of the Author, the hope of future coming back of a person to initial spiritual origings is living.
Thereby, particular sympathy of the Author for this category of life events, where wisdom, attention, sincerity, spirit and will took a place in his creation, is shown here. This creation is inspired with grandiosity of a world-view and triumphant creative impulse.
On the basis of this picture the main figurative device is a picture itself and also a color, they combine with each other in a very amazing and harmonious way, and in this realized project the poetical beauty and brilliant simplicity are shown.
So in its exceptional originality, reasoning and completeness the picture 'Adam and Eve in paradise' can be admitted as a standard.
It can be seen there that the author, undoubtedly, has a creative initiative, resource, inner intuition and wit. And that is why he successfully combined a compositional structure and a content of the painting, where the great idea was realized in a perfect shape.
It turned out so ideal and non-typical because the Author did not take the other paintings as inspiration. Because he has chosen his own way, where he could reach such height, he has eclipsed similar paintings.
And so, in this wonderful work, in the best possible way, full-scale, artistic individuality of the Author's idea was shown. He bravely realized the clearest and dearest feelings and plans in visible images in a way that he had planned and in compliance with Holy Spirit from the Holy Scripture.
Honored painter of Russia,
corresponding member of Russian Academy of arts,
Kluev A.A.
* The style of the author of the review is preserved.
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Six seasons in, the shocked look on someone's face who has just learned what I do and the demographics of my clientele never gets old.
This happened most recently last week, while lunching with the other entreverge winners (there are five of us total and no, we didn't all bring our electric guitars), a now monthly appointment. In the typical getting-to-know-you early conversation, my fellow entrepreneurs spoke of their customers who are mostly local (or regional at best). Mine? Tho I love them and feel as tho I know them like neighbors, most are married in Maine but live elsewhere. And get this, I usually don't lay eyes on them until their actual wedding day.
Thankfully my virtual studio, aka my website, includes anything and everything an inquiring bride might want to learn about me including a video that showcases my Portland studio, happy clients and me! Seeing and hearing someone is bounds more effective than just reading the usual narrative text or client quote. Add phone calls, emails and regular Twitter and Facebook interactions, and far away couples all feel comfortable booking me and greet like we're old friends with excited hugs on their wedding day.
And while I've known this to be the case- most clients marrying local who are not local- since moving my business to Maine five (gulp! That went by fast!!) years ago, I've never really known how much most is exactly. I ran some numbers and put together some graphs and pie charts to show you. Because, really, who doesn't love pie (Two Fat Cats, for the record and for those of you out-of-towners seeking Portland's best, has my vote for best blueberry this time of year).
- 83% live out of state, 17% live in Maine.
- 58% married in Maine, 21% in New Hampshire, 15% at destination locations (Mexico, St. John, Costa Rica, etc), 6% in Massachusetts. For those marrying in Maine who do not live here, most grew up vacationing here, perhaps went to college here or some have never been at all and picked it from browsing online!
June and September are typically our busiest months, but this year it was August by a mile!
Forget Goin' to the Chapel, emilie inc. brides are mostly married at one of the many inns that dot our pretty coastline or lakes.
Likewise, inns are our most popular reception venue as well. With so many guests traveling from out of town, having the reception (and/or ceremony) at the same location, with lodging, makes it easy for everyone.
The majority of our weddings have just 50-100 guests. I love the trend of smaller, more intimate celebrations.
Curious who couples booked? I'm very fortunate to have two solid associate photographers I adore and trust in the event I am already booked or to accommodate a range of budgets (we are each priced differently according to our experience).
- Emilie has 25, Whitney has 15 and J has 8. This is a big (and welcome) change for me, as in past years I have photographed as many as 32-38 weddings myself. I'm elated with Whitney's early popularity as 2009 is her first season working with emilie inc. And J, my sweet husband who also keeps a regular Monday- Friday job, took several solo weddings and accompanied me as my second photographer for nearly all of my weddings who hired two shooters. Whitney was often J's second photographer for his weddings. Confused yet? Bottom line, we are b-u-s-y!
- This year we met 49% of our couples for the first time on their wedding day, 26% before they booked with emilie inc., and 25% booked without meeting us but stopped by the studio to say hello while on a planning trip in town just before their big day.
- 92% are purchasing a disc of digital negatives both for safekeeping and sharing their images.
- 56% are electing to hire a second photographer. I love this! One photographer can certainly cover a wedding solo, but with two there is so much more of the day that is captured. More thorough coverage of the groom's preparations and cocktail hour are the biggest perks, as are the different angles during the ceremony and reception. Seeing as I just added this as an option two years ago, I'm thrilled with its growing popularity and hope it is soon the norm.
Pretty interesting, no? I'll definitely be sure to do this again next year!
Roots Workshop student testimonials 2009 from emilie sommer on Vimeo.
A huge thanks to Roots Workshop photographer Eric Laurits and emilie inc. multimedia producer Morgan Kirkham for putting together this testimonial video from a few of this year's student interviews.
And so, without further ado, please mark your calendars for September 15th at 9a, and pass the word that Roots '10 registration will be open to accept students for next summer! That's right, Roots returns to the Cape July 18-23rd for our third year!! Visit the newly redesigned workshop website for more information and please email me with any questions! Can't wait!
(The description of this wedding has been removed per request of the couple).
Together with their families, they spent the week at Saltwater Farm, appropriately situated on Mosquito Head Road.
How precious is their event map?
This was an all-hands on deck wedding, with everyone pitching in from flowers to hair.
An emotional hello before the ceremony. I cried, too.
The ceremony was held at the smallest, most adorable chapel I've seen in Maine. Their service was taken from a prayer book from the 1700s. Her mom sewed the ring pillow.
And another: I was initially attracted to emilie inc from one gorgeous photo in particular: the picture of the bride in a field at Laudholm Farm with her lace veil blowing behind her. That's how I want to feel on my wedding day.
Dinner was under a tent in the field of a friend's house on the water (which, unfortunately, we never saw because of the fog).
Sweet toast emotion. Again, I cried.
After dinner, guests mozied across the street to an old Grange Hall for bluegrass and dancing. It felt as tho we walked back in time and I loved every minute of it.
Carl found me on Facebook. Sorta. Our mutual friend Pete is a friend of mine from college and a former work colleague of Carl's. Pete befriended me, saw my work, and recommended me to his buddy when he was having trouble securing a photographer. Sweet. Social networking does have its rewards.
We met primarily through mutual friends, moving in and out of each other's lives for a couple of years before we actually started dating. Oddly enough, the beginnings of a serious relationship started when Carl was living in California and we started instant messaging at work. When he moved back east, our mutual love of music brought us together teaching a drum and bugle corps, Faith teaching dance, Carl teaching drill. The pull was inevitable, and soon enough we faced our first real test as a couple: backpacking across Europe for two and a half months. We'd only been dating about three months when we started our trip, and we knew that it would either make us or break us. Luckily it didn't break us, and the things we experienced and the challenges we faced together ultimately formed the backbone of our relationship. It also initiated a love of travel for both of us, and our passion for other cultures and new places continues to drive us today.
This wedding had more than a few "wedding firsts" for me as a photographer.
- 27 people in the bridal party!
So how did this Massachusetts couple come to host a Friday morning wedding in Maine?
Faith is from Western Mass, in the Berkshire Hills, and mountains have always held a special significance for her. Carl grew up in the Boston area, summering every year on Cape Cod, and the ocean has always inspired him. Bar Harbor and Mount Desert Island is a natural combination of these elements; a perfect balance where the mountains meet the sea. So although there is no specific historical or traditional significance here for us (yet), the stunning natural beauty drew us here and this special juxtaposition is what's bringing us back.
Faith and Carl had the most elaborate schedule ever. This was page 1, a pretty color-coded graph of where folks needed to be. It was absolutely necessary for such a large bridal party to be organized and on time.
Faith and her maids readied in the two-story bridal suite.
A friend set up near the balcony to apply Faith's make-up. The inn is perched on the water's edge but unfortunately the beautiful vista was blanked in fog this day. Thankfully, there was no rain!
As I mentioned, Carl and his men wore white tuxes.
Speaking of his men, here they *all* are, bow ties slack and with a glass of scotch (or apple juice!) pre-ceremony.
Ok. So when I said choreographed procession, I should have said production. Carl, who choreographs college marching bands, impressed their guests with moving music and timed steps for the bridal party. And Carl's entrance? He ran!
Faith and the flower girls, her nieces, await their entrance.
So the diagram on the right details where the bridal party is positioned for the ceremony on the left. The bridesmaids wore green, blue or yellow dresses, which is also noted.
I love how attentive grooms are to their bride's dress, as if she's toting around an extra, very fragile, appendage.
Another first. Gawking guests heckled Faith and Carl to take photos on historic stationary canons. They obliged.
And a sword cake cutting?! A gift from the four best men, Carl and Faith decided to put their new token to use. Their cake flavor was carrot, with Maine blueberries and cream cheese frosting. Yum!!
And they surprised their guests with an experience in lieu of favors. They continued the celebrating on board the Margaret Todd, a stunning 4-masted schooner, for a "sunset" cruise. Tho there was no sun and instead a lot of fog and mist, guests were thrilled with the opportunity. Some changed into more comfortable clothing and then all hopped aboard.
Deckhands used guests to help raise the sails.
With more than 200 weddings under my belt, I still adore watching grooms play with their new hardware.
Carl and Faith, it was wonderful to work with you and an extra-special treat to reconnect with our friend Pete after not having seen him in almost 10 years! Thank you for welcoming us so warmly at your fun wedding! And thank you, thank you for the surprise gift certificate to one of our favorite eateries, Fore Street!


I would like to announce our special issue in the California Management Review on CrowdFunding (thank you to Olav Sorenson for co-editing and the Kauffman Foundation for support). We have a broad and practical set of articles that should appeal to practitioners and academics alike (please see this linkfor the special issue introduction by Olav and myself).
The landscape of CF can be quite confusing; Peter Younkin and Keyvan Kashkooli give us a mapping of the landscape by asking a simple question, namely, what problems does CF solve? Gary Dushnitsky and his co-authors provide a rich description of CF in Europe; they identify the surprising strength of national boundaries. Ethan Mollick and Alicia Robb provide us an easily understood synopsis of their research on the importance of CF for under-served entrepreneurs. Carina Thurridl and Bernadette Kamleitner help aspiring entrepreneurs understand how to bundle the optimal set of rewards to attract backers. Ajay Agrawal and co-authors describe a recent trend in CF, namely, the emergence of lead investors and syndicates. Finally, Valentina Assenova and Olav lead a round table discussion of industry leaders, including Jason Best, Mike Cagney, Douglas Ellenoff, Kate Karas, Jay Moon, Sherwood Neiss, and Ron Suber. Happy reading!
This post is a followup from yesterday's post Protecting Your Biotech IP and Market Strategy: Notes from Life Sciences Collaborative 2015 Meeting.
This is what David feels is critical to investors, such as himself, to decide whether your idea is investable. A startup needs to show they can accomplish their goal and show at least a rudimentary example of this, whether it is putting up a website or writing up a design blueprint for a new widget. He says starting a business today (either tech or manufacturing) requires a lot less capital than years ago (unless you are starting a biotech). He gives an example of internet startups he had founded in the 90's versus today… in the 90's you needed $2 million… today you can do it for $2,000. But the ability to show that you can EXECUTE this plan is CRITICAL.
Integrity – Be humble about yourself. He says there are way too many people who claim 'our idea is the best' or 'we do it better than anyone' or 'we are the first to have this idea'. As he says Jeff Bezos of Amazon was not the first to have the idea of selling books over the internet, he just EXECUTED the plan extremely well.
Experience- David says there are TWO important types of experience in developing startups and both valid. The first is how many startups have you done and succeeded and the second is how many startups have failed. He says investors actually like if you have failed because they are learning experiences, just as valuable if not more than having startups always succeed. Investors need to know how you can deal with adversity. All three points goes back to execution.
Lucky or Smart? Secrets to an Entrepreneurial Life by Bo Peabody – He highlights this book to help people understand that a startup entrepreneur should always hire someone smarter than themselves.
Derek Sivers post Ideas Are Just a Multiplier of Execution – where a great idea is worth $20 but a great idea plus execution is worth $20 million.
Tycho Brahe, where art thou? Today's Renaissance of the Self-Funded Scientist!
The meeting, as described by meeting organizer and Steering Committee member of Mid Atlantic Bio Angels Lorraine Marchand, as a "benevolent sharktank", where presenters get open and honest feedback from experienced venture capitalists on how to improve their pitch and business. The meeting here in Philadelphia was well attended with" over 70 attendants compareable to the 130 we get in New york", according to MABA Founder Yaniv Sneor.
A few key points were discussed to improve the presenters future pitches to VC.
Define your technology/product, its purpose, how it fills an unmet need, and how you are unique.
Timelines and Milestones VERY IMPORTANT to have specific dates on when and what you will accomplish.


Budge is the coordinator of the Leadership Development Program at Boise State University in Idaho. She has led the development of this innovative, nontraditional preparation program, the purpose of which is to develop leaders who have the commitment and capabilities to lead schools where all students succeed.
Budge is also an associate professor in the Curriculum, Instruction, and Foundational Studies Department, where her research and scholarly activity focus on educational leadership, leadership development, rural education, school improvement, and poverty. She has conducted numerous presentations at national and state conferences as well as provided frequent contributions to educational journals and other publications on these topics.
Budge earned her doctorate from the University of Washington in educational leadership and policy studies in 2005. She was selected to participate in Leadership for Learning, an innovative, cohort-based program that emphasized the link between leadership and learning, as well as the development of leaders willing and able to address and redress issues of equity and social justice.
Prior to joining the faculty at Boise State, Budge was the assistant superintendent for Teaching and Learning at Educational Service District 113 in Olympia, Wash. She provided leadership to 45 predominately rural school districts serving approximately 77, 000 students. She led the development of a highly successful, regional, job-embedded professional development model and facilitated data-based improvement planning with more than 150 schools. Her leadership was recognized through the Washington Association of School Administrator's (WASA's) Regional President's Award, the WASA Award of Merit, and the Washington Association of Educational Service Districts President's Award for significant contribution to the state's educational service agencies.
Budge also served as a Washington State Distinguished Educator/School Improvement Specialist, providing training and consultation to superintendents, central office administrators, building principals, and teacher leaders in schools spanning grades preschool to 12 and varying in size, demographics, and geographical location. She also served on the Statewide School Improvement Technical Assistance Council and the Office of Superintendent of Public Instruction's Curriculum Advisory and Review Committee. Additionally, she was a contributing author to the School System Improvement Guide and the Washington State School Improvement Planning Guide, both published by the Office of Superintendent of Public Instruction in Olympia, Wash.
Budge also has worked as a district curriculum director, an elementary principal, and an elementary and special education teacher for 17 years. She continues to maintain that her most important and significant work has been teaching 1st graders to read.


text:
Michael Reed (ur. 1929) – brytyjski filmowiec
 Michael C. Reed (ur. 1942) – amerykański matematyk
 Michael Reed (ur. 1945) – australijski polityk
 Michael Reed (ur. 1987) – amerykański piłkarz
 Michael Reed (ur. 1993) – amerykański bokser

Zobacz też

redpajama_set_name: RedPajamaWikipedia


text:
Watch In Harm's Way
It's 1941 and the Japanese attack on Pearl Harbor has destroyed America's morale. The US President Franklin D. Roosevelt then decides to risk it all by bombing Tokyo and raise more hope for his citizens. After completing its mission, a unit of the US Air Force is forced to make an emergency landing in China. Its commander Jack Turner (Emilie Hirsch) barely survives but gets rescued by Ying (Crystal Liu), a local widow who will stop at nothing to hide him from the Japanese occupant.
Prime Subscribers with IMDb Freedive
Totally Free!
Shout! Factory TV Subscribers on The Roku Channel
In Harm's Way is a 2017 drama with a runtime of 1 hour and 37 minutes. It has received moderate reviews from critics and viewers, who have given it an IMDb score of 6.1.
Where to Watch In Harm's Way
In Harm's Way is available to watch free on The Roku Channel Free and Tubi TV. It's also available to stream, download and buy on demand at Amazon Prime, The Roku Channel, Apple TV, Amazon, Google Play, YouTube VOD and Vudu. Some platforms allow you to rent In Harm's Way for a limited time or purchase the movie and download it to your device.
Drama Romance History War
Emile Hirsch
Shaoqun Yu
Bille August
Stream Movies Like In Harm's Way
The Boy in the Striped Pajamas
Also directed by Bille August
The House of the Spirits
Pelle the Conqueror
A Fortunate Man
Silent Heart
Smilla's Sense of Snow
The Best Intentions
Also starring Liu Yifei
Also starring Emile Hirsch
The Darkest Hour
The Immaculate Room
Midnight in the Switchgrass
Never Grow Old
The Mudge Boy


text:
How to Take Out 1,800 Tanks in Two Years
Syrian rebels have disabled, captured or destroyed 25 percent of the government's armored vehicles—but does it matter?
Uncategorized November 17, 2013 .wombatman1 1
Boys play on a destroyed Syrian army tank in north-western Aleppo. UNICEF/Romenzi photo How to Take Out 1,800 Tanks in Two Years Syrian rebels...
Boys play on a destroyed Syrian army tank in north-western Aleppo. UNICEF/Romenzi photo
In 24 months of brutal combat, Syrian opposition fighters have eliminated a quarter of Pres. Bashar Al Assad's Russian-made tanks and infantry fighting vehicles, according to estimates.
That's no fewer than 1,800 T-55, T-62 and T-72 tanks plus BMP fighting vehicles exploded, burned, disabled or seized by rebels—with potentially thousands of crewmen also being killed, injured or captured.
The destruction of so many of the government's heavy vehicles by relatively lightly armed rebels is, for the regime, a painful reminder of the vulnerability of even the most thickly armored tanks in close urban fighting—and especially when the vehicles aren't protected by nearby infantry.
The high attrition of Al Assad's combat vehicles should give hope to the opposition that it can defeat government forces even without air support, sophisticated anti-armor weaponry or large numbers of its own tanks.
But with 75 percent of tanks and fighting vehicles remaining, Al Assad probably has sufficient heavy forces to continue fighting for years. To say nothing of light forces.
In that time frame, other factors—whether military, economic or political—are perhaps more likely than a dearth of tanks to bring the conflict to a negotiated resolution.
https://www.youtube.com/watch?v=xkpZdieKh14
Isolated armor
Before the civil war, Al Assad's Syrian Arab Army possessed 1,600 T-72s, some 1,000 T-62s, 2,250 T-55s and 2,450 BMPs, according to the U.S.-based Washington Institute for Near East Policy.
But the army's doctrine did not take advantage of all this mobile, protected firepower. "The bulk of the army … is now a garrison force best suited to static defense in depth and has limited real-world maneuver, combined-arms and joint warfare training," Anthony Cordesman wrote in his 2008 book Israel and Syria: The Military Balance and Prospects of War.
In other words, the tanks were meant to sit in one spot and fire on an attacking enemy, more or less like artillery. And they weren't combined with foot soldiers—an essential tactic in urban fighting, where the tanks need the infantry's protection and the infantry needs the tanks' firepower.
So when Al Assad sent his army to retake cities and towns controlled by rebels, it's no wonder that the lightly-armed opposition fighters were able to isolate and take out many of the tanks and BMPs. Hundreds of videos posted to the Internet or handed out by rebel media reps depict opposition infantry attacking tanks with roadside bombs, rockets and even grenades dropped into turret hatches.
To be sure, assaulting an army tank is dangerous business for the rebels. One fighter named Basel, attached to the Sham Falcons brigade in Idlib, earned the nickname "Tank Killer" for destroying just one armored vehicle in 2011.
Closely watching and cross-referencing Internet videos, one Russian observer—the LiveJournal user "iltg2009"—estimated that the rebels destroyed 862 regime armored vehicles, including 380 tanks, between October 2011 and March 2013. The losses escalated starting in March, with at least 611 more tanks and BMPs destroyed, disabled or captured by rebels over just the next 90 days, according to the Washington Institute for Near East Policy.
And the LiveJournal user provided fresh stats for the period April to October, adding 363 more vehicles to Al Assad's losses. All told, Al Assad has lost no fewer than 1,836 armored vehicles since the fighting began, if the estimates are to be believed.
The analysts counted only destroyed, damaged and captured vehicles—not dead, injured and captive crew members. One video posted online recently shows rebels hitting what a tank which then bursts into flames. One of the two men in the turret bails out and sprints away. The fate of the other turret crewman is unknown.
The driver, apparently injured, pulls himself out of his hatch and falls to the ground, where he is quickly shot dead. It's worth noting that no regime infantry are anywhere in view as the rebels finish off the tank and its crew.
Usually the crew survives a hit on a vehicle, according to one Syrian tanker. "Rarely does anyone actually die inside the crew compartment," the soldier told an interviewer. "Most of the time both the tank and crew are still combat capable."
It's not unheard of for crews to abandon perfectly functional armored vehicles, allowing them to fall into rebel hands. The opposition Free Syrian Army possesses dozens of captured tanks and enough trained crewmen to use them.
The tanks are used as a kind of mobile reserve, moved from hot spot to hot spot to reinforce opposition infantry. Rebel fighters in Areha, near Idlib, in late 2013 kept at least one tank and one BMP hidden among buildings, periodically sending the tank forward to fire a few rounds at regime positions.
https://www.youtube.com/watch?v=NHbbnr-jTMc
Endangered species?
There is scant evidence Al Assad's army is getting any better about blending tanks and infantry. Some pro-government militias have been seen working in conjunction with armor. But increasingly the regime relies on the Lebanese militant group Hezbollah for ground troops—and Hezbollah is strictly a light infantry force that has never practiced combined arms.
Whereas the rebels, for all the internal divisions that threaten their overall strategy, have become steadily more experienced and better-armed. Opposition forces have gotten their hands on a few anti-tank guided missiles—either paid for by the rebels' Middle East supporters and smuggled over the border, or seized from the regime. A missile can be seen striking a tank in the video above.
But Al Assad still has the advantage of sheer numbers. "Equipment losses, especially for the regime, have also been significant, but they do not appear to have seriously affected the regime's ability to operate," according to the Washington Institute for Near East Policy.
And besides, air power, not armor, is the regime's biggest advantage. Just as the rebels have fought for years without the advantage of heavy armor, Hezbollah likewise conceivably could continue to fight for the regime without the Syrian army's tanks backing it up.
It seems that even taking out 1,800 tanks in 24 months is not enough to win a war.


text:
Q: React / Node : How to create a form with file upload I'm trying to make a form with a file upload then send them to the database. I created the api as well as the multer configuration, but new to react I don't know how to implement it in the front. Everything was going fine until I tried to upload an image.
the multer config :

const multer = require('multer');

const MIME_TYPES = {
'image/jpg': 'jpg',
'image/jpeg': 'jpg',
'image/png': 'png'
};

const storage = multer.diskStorage({
destination: (req, file, callback) =\> {
callback(null, 'images');
},
filename: (req, file, callback) =\> {
const name = file.originalname.split(' ').join('\_');
const extension = MIME_TYPES\[file.mimetype\];
callback(null, name + Date.now() + '.' + extension);
}
});

module.exports = multer({storage}).single('image');

The controller :

const Realisation = require('../models/Realisation');
const fs = require('fs')

exports.createRealisation = (req, res, next) =\> {
const realisationObject = JSON.parse(req.body.realisation);
delete realisationObject.\_id;
delete realisationObject.\_userId;
const realisation = new Realisation({
...realisationObject,
userId: req.auth.userId,
imageUrl: `${req.protocol}://${req.get('host')}/images/${req.file.filename}`
});
realisation.save()
.then(() =\> res.status(201).json({ message: 'Objet enregistré !'}))
.catch(error =\> res.status(400).json({ error }));
};

exports.modifyRealisation = (req, res, next) =\> {
let realisationObject = {};
req.file ? (

    Realisation.findOne({
      _id: req.params.id
    }).then((realisation) => {

      const filename = realisation.picture.split('/images/')[1]
      fs.unlinkSync(`images/${filename}`)
    }),
    realisationObject = {

      ...JSON.parse(req.body.realisation),
      picture: `${req.protocol}://${req.get('host')}/images/${
        req.file.filename
      }`,
    }

) : (
realisationObject = {
...req.body
}
)

Realisation.updateOne(

      {
        _id: req.params.id
      }, {
        ...realisationObject,
        _id: req.params.id
      }
    )
    .then(() => res.status(200).json({
      message: 'Realisation modifiée !'
    }))
    .catch((error) => res.status(400).json({
      error
    }))

}

exports.deleteRealisation = (req, res, next) =\> {

Realisation.findOne({
\_id: req.params.id
})
.then(realisation =\> {

      const filename = realisation.picture.split('/images/')[1];

      fs.unlink(`images/${filename}`, () => {

        Realisation.deleteOne({
            _id: req.params.id
          })
          .then(() => res.status(200).json({
            message: 'Realisation supprimée !'
          }))
          .catch(error => res.status(400).json({
            error
          }));
      });
    })
    .catch(error => res.status(500).json({
      error
    }));

};

exports.getOneRealisation =(req, res, next) =\> {
Realisation.findOne({ \_id: req.params.id })
.then(realisation =\> res.status(200).json(realisation))
.catch(error =\> res.status(404).json({ error }));
};

exports.getAllRealisations = (req, res, next) =\> {
Realisation.find()
.then(realisations =\> res.status(200).json(realisations))
.catch(error =\> res.status(400).json({ error }));
};

The model :

const mongoose = require('mongoose');
const sanitizerPlugin = require('mongoose-sanitizer-plugin');

const realisationSchema = mongoose.Schema({
name: { type: String, required: true},
description: { type: String, required: true},
videoUrl: { type: String, required: true },
picture: {type: String, required: true },
});

realisationSchema.plugin(sanitizerPlugin);

module.exports = mongoose.model('Realisation', realisationSchema);\`

The route :

const express = require('express');
const router = express.Router();
const auth = require('../middleware/auth');
const multer = require('../middleware/multer-config');
const realisationCtrl = require('../controllers/realisation');

router.post('/', auth, multer, realisationCtrl.createRealisation);
router.put('/:id', auth, multer, realisationCtrl.modifyRealisation);
router.delete('/:id', auth, multer, realisationCtrl.deleteRealisation);
router.get('/:id', auth, multer, realisationCtrl.getOneRealisation);
router.get('/', auth, multer, realisationCtrl.getAllRealisations);

module.exports = router;

The path in the app.js :

app.use('/api/showreel', showreelRoutes);
app.use('/api/realisation', realisationRoutes);
app.use('/api/products', productRoutes);
app.use('/api/auth', userRoutes);
app.use('/images', express.static(path.join(\__dirname, 'images')));\`

The front :

import React from "react";
import "./style.css";
import { useNavigate } from "react-router-dom";

function AddRealisation() {
const \[name, setName\] = React.useState("");
const \[description, setDescription\] = React.useState("");
const \[videoUrl, setVideoUrl\] = React.useState("");
const \[picture, setPicture\] = React.useState("");
const navigate = useNavigate();

const fileOnchange = (event) =\> {
setPicture(event.target.files\[0\]);
};

const sendPicture = (event) =\> {
let formData = new FormData();

    formData.append("image", picture);

    fetch(`http://localhost:8000/images`, {
      method: "Post",
      body: formData,
    })
      .then((res) => res.json())
      .then((resBody) => {
        console.log(resBody);
      });

};

const addRealisation = async () =\> {
console.warn(name, description, videoUrl, picture);
const userId = JSON.parse(localStorage.getItem("token")).userId;
console.warn(userId);
let result = await fetch("http://localhost:8000/api/realisation", {
method: "post",
body: JSON.stringify({ name, description, videoUrl, picture }),
headers: {
"Content-type": "application/json",
},
});
result = await result.json();
console.warn(result);
if (result) {
sendPicture();
navigate("/realisation");
}
};
return (
\

Add Réalisation

\<input
type="texte"
placeholder="Enter realisation name"
className="inputBox"
onChange={(e) =\> setName(e.target.value)}
/\>
\<input
type="texte"
placeholder="Enter description"
className="inputBox"
onChange={(e) =\> setDescription(e.target.value)}
/\>
\<input
type="texte"
placeholder="Enter URL of the video"
className="inputBox"
onChange={(e) =\> setVideoUrl(e.target.value)}
/\>
\<input type="file" onChange={fileOnchange} /\>

      <button onClick={addRealisation} className="appButton">
        Add
      </button>

);
}

export default AddRealisation;\`

And I created a folder for the pictures.

I currently have this error message :

Again I think it's a rookie mistake, thanks for your answers

redpajama_set_name: RedPajamaStackExchange