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In search of Aslan
August 21, 2010 by edhird	Leave a comment
With CS Lewis' Voyage of the Dawntreader having come out, Aslan Fever again swept the globe.
Who is Aslan anyways, and why are so many children of all ages so fascinated with him? Having thoroughly enjoyed watching Disney's 'The Lion, the Witch, and the Wardrobe', I was motivated to go back and re-read the Narnia Chronicles series. My family, when they were younger, eagerly watched the cartoon version of 'The Narnia Chronicles', and gained much from it. But with the breakthrough in CGI technology, Aslan has taken on a new visual depth.
When the four Pevensie children in Narnia first hear Aslan's name, they immediately feel powerful sensations that they cannot comprehend. Peter, Susan, and Lucy experience an unfathomable joy. Edmund the double-crosser was strangely dismayed. Either way Aslan evoked a strong response.
In the Narnia Chronicles "The Horse and His Boy", Aslan reveals himself as the one who keeps us from going over the edge, the one who stays with us day and night. The young prince Shasta looked back after entering Narnia: "I must have gone through the pass in the night. What luck that I hit it! At least it wasn't luck at all really, it was Him (Aslan). And Now I'm in Narnia." "Who are you?" asked Shasta. "Myself", said the voice, very deep and low so that the earth shook; and again "Myself", loud and clear and gay; and then the third time "Myself", whispered so softly you could hardly hear it, and yet it seemed to come from all around you as if the leaves rustled with it." Aslan was Himself, no more, no less.
In Narnia Chronicle's "The Magician's Nephew", we learn that Aslan sang creation into existence at the beginning of time: "The Voice rose and rose, till the air was shaking with it. And just as it swelled into the mightiest and most glorious sound it had yet produced, the sun arose…The Lion was pacing to and fro about that empty land and singing his new song…And as he walked and sang the valley grew green with grass. It spread out from the Lion like a pool…Soon there were other things besides grass…'Trees,' Digory exclaimed."
CS Lewis 'created' a world of endless snow in the Narnia Chronicles. Only when Aslan was slain for others by the White Witch did the snow start melting. CS Lewis described his own spiritual breakthrough the same way: "I felt as if I were a man of snow at long last beginning to melt. The melting was starting in my back – drip-drip and presently trickle-trickle. I rather disliked the feeling."
Many people don't realize that CS Lewis, a confirmed old bachelor, ended up becoming married because of Aslan. Joy Davidman, a self-declared atheistic communist of Jewish heritage, loved to read the Narnia Chronicles to her sons. In the process, she came to faith in Aslan, the Lion of the Tribe of Judah (Revelation 5:5). Looking back, Joy Davidman commented: "My first published poem was called "Resurrection" — a sort of private argument with Jesus, attempting to convince him (and myself) that he had never risen. I wrote it at Easter, of all possible seasons, and never guessed why."
As Joy Davidman wrote in 'The Longest Way Round', God "had been stalking me for a very long time, waiting for his moment; he crept nearer so silently that I never knew he was there. Then, all at once, he sprang. For the first time in my life I felt helpless; for the first time my pride was forced to admit that I was not, after all, 'the master of my fate'. All my defenses — the walls of arrogance and cocksureness and self-love behind which I had hid from God — went down momentarily. And God came in. Since childhood, I had been pouring half my energy into the task of keeping him out. When it was over I found myself on my knees, praying. I think I must have been the world's most astonished atheist."
After coming to faith in Aslan the Lion of Judah, Joy escaped to England from her alcoholic, adulterous, wife-beating husband. As told in the 'Shadowlands' movie, it was there that Joy met her Narnia hero, CS Lewis. As a favour to a good friend, CS Lewis married Joy Davidman to keep her from being thrown out of the country because of her former communist background. As Joy began to battle terminal cancer, CS Lewis then fell in love with Joy for real and married her a second time in a Church wedding,. Romantically CS Lewis adopted Joy Davidman's children, one of whom, Douglas Gresham, is co-producer of the Narnia Chronicles movie blockbuster.
So who is this Aslan who transformed Joy Davidman's life? CS Lewis wrote to some Maryland fifth
graders in 1954: "I did not say to myself 'Let us represent Jesus as He really is in our world by a Lion in Narnia'; I said, 'Let us suppose that there were a land like Narnia and that the Son of God, as he became a Man in our world, became a Lion there, and then imagine what would happen.'". In the letter, sent to a child fan in 1961, Lewis writes: "The whole Narnian story is about Christ." CS Lewis commented: "Since Narnia is a world of talking beasts, I thought he would become a talking beast there as he became a man here. I pictured him becoming a lion there because a) the lion is supposed to be the king of beasts; b) Christ is called 'the lion of Judah' in the Bible."
My prayer for those reading this article is that each of us, like CS Lewis and Joy Davidman, may open our hearts to the mysterious Aslan.
Categories: Uncategorized | Tags: Anglican Mission in the Americas (Canada), Aslan Fever, Atheist, cancer, CGI Technology, Christmas 2010, communist, CS Lewis, Digory, Disney, Douglas Gresham, Easter, Edmund, England, God, Jesus, Jesus Christ, Joy Davidman, Lion of the Tribe of Judah, Narnia Chronicles, Peter, Pevensie Children, resurrection, Shadowlands, Shasta, Susan and Lucy, The Horse and the Boy, The Lion, The Longest Way Round, The Magician's Nephew, the Witch and the Wardrobe, Voyage of the Dawntreader, White Witch | Permalink.
Author: edhird
I was the Rector of St. Simon's Church North Vancouver, B.C for 31 years, from 1987 to 2018. Ordained in 1980, I have also served at St. Philip's Vancouver and St. Matthew's Abbotsford. My wife Janice and I have three sons James, Mark, and Andrew. I was the Past President and Chaplain for Alpha Canada. While serving as the National Chair for Anglican Renewal Ministries of Canada, I was one of three co-signers of the Montreal Declaration of Anglican Essentials For the past 31 years, I have been privileged to write over 400 articles as a columnist on spiritual issues for local North Vancouver newspapers. In the last number of years, I have had the opportunity to speak at conferences and retreats in Honduras, Rwanda, Uganda, Washington State, BC, Alberta, Saskatchewan, Newfoundland, and Ontario. My book For Better, For Worse: discovering the keys to a lasting relationship, coauthored with Janice Hird, can be purchased at https://www.amazon.com/Better-Worse-Discovering-lasting-relationship/dp/0978202236/ref=tmm_pap_swatch_0?_encoding=UTF8&qid=1535555614&sr=8-1 My sequel Restoring Health: body, mind and spirit, with a foreword by Dr JI Packer, is online with Amazon.com in both paperback http://www.amazon.com/gp/aw/d/097820221X/ref=redir_mdp_mobile and ebook form http://tiny.cc/tanhmx . In Canada, Amazon.ca has it available in paperback http://tiny.cc/dknhmx and ebook http://tiny.cc/wmhmmx . It is also posted on Amazon UK (paperback and ebook ), Amazon France (paperback and ebook), and Amazon Germany (paperback and ebook). Restoring Health is also available online on Barnes and Noble in both paperback and Nook/ebook form. Nook gives a sample of the book to read online: http://tiny.cc/vj3bmx . Indigo also offers the Kobo ebook version: http://tiny.cc/kreonx . You can also obtain it through ITunes as an IBook: http://tiny.cc/1ukiox The book 'Restoring Health: body, mind and spirit' focuses on strengthening a new generation of healthy leaders. Drawing on examples from Titus' healthy leadership in the pirate island of Crete, it shows how North Americans can embrace a holistically healthy life. In order to obtain a copy of the prequel book 'Battle for the Soul of Canada', please send a $18.50 cheque to 'Ed Hird', 102-15168 19th Avenue, Surrey, BC V4A 0A5. For mailing the book to the USA, please send $20.00 USD. For more info, please click on www3.telus.net/st_simons/nsnews030.html


Ukrainian artist⏩ Olga Darchuk was born in the city of Krivoy Rog, Dnepropetrovsk region.
Graduated from art school and Krivoy Rog pedagogical University, faculty of artistic graphics.
Still wrote his first five years in the garden of the Krivoy Rog artist, from which it got its first recognition, and her mother, in turn, received a recommendation to send her daughter to art school.
With six years visited the studio of Fine Arts, and in 1986 he enrolled in art school, which successfully disaccustomed 4 years the artist Chumatchenko AN.
2005-2007 year the gallery "Art Rarity" manager, artist, art.
Organized and opened on the basis of the first galleries in Kiev school of painting for adults. 2008. Together with his girlfriend opening art - club 'Planet of happiness'. Director, teacher of painting. Working with adults and children.
2014. 'Svet yaskravih kolorv' artists Maisternia Olga Darchuk.
Participated in exhibitions and auctions, the artist's works are in private collections in Ukraine, Europe and America.


Open-air earbuds and methods for making the same are disclosed. The earbud has a neck, which is open to the ambient environment in order to improve bass response. In order to prevent debris from entering the interior of the earbud, a filter is incorporated into the neck.
6880193 April 2005 Figg et al.
2008/0013774 January 2008 Hosaka et al.
2012/0087531 April 2012 Hankey et al.
This application is a continuation of U.S. patent application Ser. No. 14/163,616 filed Jan. 24, 2014 (now U.S. Pat. No. 9,628,888), which is a continuation of U.S. patent application Ser. No. 13/250,973 filed on Sep. 30, 2011 (now U.S. Pat. No. 8,638,971). These earlier applications are hereby incorporated by reference in their entirety.
1. A sound generating assembly comprising: a housing defining an interior volume; a filter; and an extension component extending from within the interior volume, through the filter, and into an ambient environment, wherein: the filter comprises at least one through-hole that acoustically couples the interior volume and the ambient environment; and at least a portion of the filter extends across an air gap between the extension component and the housing.
2. The sound generating assembly of claim 1, wherein: the extension component extends through an opening defined by an inner diameter of the filter; and the inner diameter of the filter is equal to an outer diameter of the extension component to prevent a gap between the inner diameter of the filter and the outer diameter of the extension component.
3. The sound generating assembly of claim 1, wherein: the housing comprises a first housing member and a hollow neck member; the interior volume extends from the first housing member into the hollow neck member; and the filter is secured within the hollow neck member.
4. The sound generating assembly of claim 3, wherein an outer diameter of the filter is equal to an inner diameter of the hollow neck member to prevent a gap between the outer diameter of the filter and the inner diameter of the hollow neck member.
5. The sound generating assembly of claim 3, wherein: the sound generating assembly further comprises an extension component engagement member; the extension component extends through an opening in the extension component engagement member; the opening in the extension component engagement member is defined by an inner surface of the extension component engagement member; and the filter covers an air gap between at least a part of an outer surface of the extension component engagement member and an inner surface of the hollow neck member.
6. The sound generating assembly of claim 5, wherein a center axis of the extension component engagement member is offset from a center axis of the hollow neck member.
7. The sound generating assembly of claim 5, wherein a center axis of the extension component engagement member is aligned with a center axis of the hollow neck member.
8. The sound generating assembly of claim 1, further comprising circuitry within the interior volume, wherein one end of the extension component is coupled to the circuitry.
9. The sound generating assembly of claim 1, wherein the at least one through-hole prevents debris from entering the interior volume from the ambient environment.
10. The sound generating assembly of claim 1, wherein the filter is constructed from at least one of plastic, synthetic fibers, or natural fibers.
11. The sound generating assembly of claim 1, wherein the filter comprises stainless steel.
12. The sound generating assembly of claim 1, wherein the filter comprises a frusto-conical shape.
13. The sound generating assembly of claim 1, wherein the filter is configured to prevent debris from the ambient environment from entering the interior volume.
14. The sound generating assembly of claim 1, wherein the at least one through-hole comprises a diameter of 0.75 microns.
15. The sound generating assembly of claim 1, wherein the extension component comprises a cable.
16. The sound generating assembly of claim 1, wherein the extension component comprises a microphone.
17. The sound generating assembly of claim 1, further comprising a speaker subassembly positioned at least partially within the interior volume, wherein one end of the extension component within the interior volume is coupled to the speaker subassembly.
18. The sound generating assembly of claim 1, wherein the filter comprises an acoustic mesh.
19. A sound generating assembly comprising: a housing defining an interior volume; a filter; and a component extending from within the interior volume, through the filter, and into an ambient environment, wherein: the filter comprises an acoustic mesh; and at least a portion of the filter covers an air gap between at least a part of the component and the housing.
20. The sound generating assembly of claim 19, further comprising: a neck subassembly defining a sleeve volume that is open to the ambient environment, wherein the neck subassembly is coupled to the housing; and a component stabilization region positioned within the interior volume, wherein: the component stabilization region is operative to pass the component through an opening defined by an inner diameter of the component stabilization region; the filter is secured to the housing within the interior volume; the filter acoustically couples the interior volume and the sleeve volume; and the at least a portion of the filter covers an air gap between at least a part of the component stabilization region and the housing.
21. The sound generating assembly of claim 20, wherein: the neck subassembly comprises an inner sleeve and an outer sleeve; the inner sleeve is secured to an inner surface of the housing; and the outer sleeve is coupled to the inner sleeve and a portion of the housing.
22. The sound generating assembly of claim 21, wherein the filter further comprises: the component stabilization region defined by a hollow cylinder having a height, a base, the inner diameter of the component stabilization region, and an outer diameter; an acoustic coupling region integrated with the base of the component stabilization region and extending from the base; and a sleeve engagement region integrated with the acoustic coupling region.
23. The sound generating assembly of claim 22, wherein the acoustic coupling region extends radially a predetermined distance from the base at a predetermined angle of declination with respect to a plane perpendicular to a center axis of the filter and parallel to the base.
24. The sound generating assembly of claim 23, wherein: the housing comprises a first housing member and a hollow neck member; the interior volume of the housing extends from the first housing member into the hollow neck member; the filter is secured within the hollow neck member; the inner sleeve is secured to an inner surface of the hollow neck member; and the outer sleeve is coupled to the inner sleeve and a portion of the hollow neck member.
25. The sound generating assembly of claim 24, wherein: the filter comprises a plurality of through-holes that acoustically couples the interior volume and the sleeve volume; and the acoustic coupling region comprises the plurality of through-holes.
26. The sound generating assembly of claim 20, wherein the inner diameter of the component stabilization region is equal to an outer diameter of the component to prevent a gap between the inner diameter of the component stabilization region and the outer diameter of the component.
27. A method for assembling a sound generating system, comprising: incorporating a filter into a housing; and providing a component comprising a first component portion positioned within an interior volume of the housing on a first side of the filter, a second component portion positioned within an opening through the filter, and a third component portion positioned within an ambient environment on a second side of the filter, wherein: the incorporated filter acoustically couples the interior volume and the ambient environment; and a portion of the incorporated filter prevents debris from entering the interior volume from the ambient environment by extending between at least a part of the component and the housing.
Headsets are commonly used with portable electronic devices such as portable music players and mobile phones. Headsets can include non-cable components such as a jack, headphones, and/or a microphone and one or more cables that interconnect the non-cable components. Other headsets can be wireless. The headphones--the components that generate sound--can exist in many different form factors, such as over-the-ear headphones or as in-the-ear or in-the-canal earbuds. In-the-ear earbuds are sometimes referred to as non-occluding earbuds as they generally do not form an airtight seal with the user's ear. Ear buds can also be open or closed to the ambient environment. Open-air earbuds generally have better acoustic performance than closed-air earbuds. However, debris can enter open-air earbuds and damage the earbud components. Accordingly, what is needed is an earbud that is open to the ambient environment while protecting the interior of the earbud.
Open-air earbuds and methods for making the same are disclosed. The earbud can include a housing with an internal volume and a hollow neck member, which are open to the ambient environment to improve acoustic performance. A filter may be incorporated into the hollow neck member and can include a number of through holes that are designed to prevent debris from entering the interior of the earbud while maintaining the open-air connection between the internal volume of the housing and the ambient environment. The filter may be part of a neck subassembly, which can also include inner and outer sleeve members that define an internal sleeve volume that is open to the ambient environment. In some embodiments, the filter is formed from a stainless steel disk that is chemically etched to have a number of through holes of a predetermined size. In other embodiments, an acoustic mesh filter can be incorporated into the neck of the earbud.
According to some embodiments, the filter can be incorporated into the hollow neck member by press fitting. In those embodiments, the neck subassembly can then be coupled to the neck member in any suitable fashion, including press fitting or using an adhesive. In other embodiments, the neck subassembly can be capped with the filter and then the entire filter-subassembly member can be coupled to the neck member. In embodiments in which the filter is an acoustic mesh, the filter can be insert molded into a plastic sleeve prior to being incorporated into the hollow neck member.
FIGS. 8 and 9 show illustrative processes for assembling earbuds in accordance with embodiments of the invention.
Headphones or earbuds for use in headsets are disclosed. Earbuds according to some embodiments include a neck portion that is open to the ambient environment to improve acoustic performance. A filter can be incorporated into the neck and may be designed to protect the interior of the earbuds without degrading the acoustic performance of the earbuds.
FIG. 1 shows an illustrative view of earbud 100 in accordance with some embodiments. In particular, FIG. 1 shows a side view of earbud 100, including housing 110, which can include front non-occluding member 112, back non-occluding member 114, and hollow neck member 120, cable 122, neck subassembly 130, which includes inner sleeve 132 and outer sleeve 134, and filter 140. Filter 140 and inner sleeve 132 are displayed in phantom. Earbud 100 can also include one or more speakers and a printed circuit board (none of which are shown).
Housing 110 may be designed to fit in the ear of a user in a non-occluding manner. Non-occluding earbuds are generally designed to not form an airtight seal between the ear (or ear canal) and the outer surface of the earbud. By way of contrast, occluding earbuds are generally designed to fit inside of the user's ear canal and form a substantially airtight seal. The absence of an airtight seal may require that a portion the earbud be open to the air to improve acoustic performance.
Although non-occluding earbuds are generally disclosed herein, open neck headphones according to embodiments of the invention may be adapted for use with any type of headphone.
Housing 110 can include front non-occluding member 112 and back non-occluding member 114, which may be coupled together and cosmetically finished to provide the illusion that it is a single piece construction. The two-part construction of housing 110 is useful so that a speaker subassembly (e.g., an assembly including speakers and circuitry) can be installed in earbud 100.
In some embodiments, cable 122 extends from circuitry inside housing 110, through hollow neck member 120 and neck subassembly 130. The hollow areas within housing 110 and hollow neck member 120 can define an interior volume. Similarly, the hollow area within neck subassembly 130 can define a sleeve volume. Filter 140 can be incorporated into hollow neck member 120 to prevent debris from entering the interior of housing 110, as well as to acoustically couple the interior and sleeve volumes and allow them to be open to the ambient environment. Filter 140 may be designed, as discussed in more detail below, to provide the best balance between acoustic performance and protection of the interior of the earbud.
In some embodiments, filter 140 may be incorporated into hollow neck member 120 prior to the introduction of neck subassembly 130. In these embodiments, filter 140 can be pressed into place and then neck subassembly 130 can be fit into hollow neck member 120. In other embodiments, inner sleeve 132 can be capped with filter 140 and then the entire neck subassembly 130 can be coupled to hollow neck member 120.
Inner sleeve 132 and outer sleeve 134 may be distinct sleeve members coupled together, or alternatively, the sleeves may be formed as one unitary neck subassembly, for example, using an insert or compression molding process. The outer surface of inner sleeve 132 can be coupled to the inner surface of hollow neck member 120 in any suitable manner. For example, inner sleeve 132 may be press fit securely inside hollow neck member 120 or coupled to hollow neck member 120 with an adhesive. Outer sleeve 134 may be proportioned such that its outer diameter matches the outer diameter of hollow neck member 120, giving the entire neck assembly an aesthetically pleasing and seamless appearance.
FIG. 2 shows a cross-sectional view of neck assembly 200 of the earbud shown in FIG. 1 in accordance with some embodiments. Cable 222 can extend through assembly 200 from the interior of housing 210 to an electronic device (neither of which are shown). Filter 240 is incorporated inside hollow neck member 220, which, according to some embodiments, can have a tapered inner surface that transitions from a first inner diameter to a second inner diameter to prevent filter 240 from sliding out of hollow neck member 220. The neck subassembly (i.e., inner sleeve 232 and outer sleeve 234) can be coupled to hollow neck member 220 such that the outer surface of inner sleeve 232 is secured to the inner surface of hollow neck member 220 and the top of outer sleeve 234 is coupled to inner sleeve 232 and abuts the bottom, or distal end, of hollow neck member 220. Additionally, outer sleeve 234 and hollow neck member 220 can have the same outer diameter so that neck assembly 200 has an aesthetically pleasing, seamless appearance. Neck assembly 200 may include interior volume 250, which is open to the ambient environment through filter 240 and sleeve volume 251.
Hollow neck member 220, inner sleeve 232, and outer sleeve 234 can be made of any suitable materials. In some embodiments, hollow neck member 220 and inner sleeve 232 can be made of plastic, and outer sleeve 234 can be made of rubber. A rubber outer sleeve 234 may help to prevent cable 222 from chafing against a resilient outer sleeve material. In other embodiments, all three components can be made of plastic, or other resilient material. In those embodiments, outer sleeve 234 and hollow neck member 220 can be ultrasonically welded, sanded, and polished to produce a neck assembly with a seamless, unibody appearance. Details of an ultrasonic welding process for earbuds can be found in commonly-assigned U.S. Publication No. 2012/0087531, which is incorporated by reference herein in its entirety.
FIG. 3 shows a cross-sectional view of neck assembly 300 in accordance with some embodiments. Cable 322 can extend through assembly 300 from the interior of an earbud to an electronic device (neither of which are shown). The neck subassembly (i.e., inner sleeve 332, including cable engagement member 338, and outer sleeve 334) can be coupled to hollow neck member 320 such that the outer surface of inner sleeve 332 is secured to the inner surface of hollow neck member 320 and the top of outer sleeve 334 is coupled to inner sleeve 332 and the bottom, or distal end, of hollow neck member 320. Acoustic mesh filter 340 can abut the top of inner sleeve 332 as described below with respect to FIGS. 5 and 6. Additionally, outer sleeve 334 and hollow neck member 320 can have the same outer diameter so that neck assembly 300 has an aesthetically pleasing, seamless appearance. Neck assembly 300 may include interior volume 350, which is open to the ambient environment through filter 340 and sleeve volume 351.
Hollow neck member 320, inner sleeve 332, and outer sleeve 334 can be made of any suitable materials. In some embodiments, hollow neck member 320 and inner sleeve 332 can be made of plastic and outer sleeve 334 can be made of rubber. A rubber outer sleeve 334 may help to prevent cable 322 from being damaged from chafing against the edge of a resilient outer sleeve material. In other embodiments, all three components can be made of plastic, or other resilient material. In those embodiments, outer sleeve 334 and hollow neck member 320 can be ultrasonically welded, sanded, and polished to produce a neck assembly with a seamless, unibody appearance.
FIG. 4 shows a perspective view of filter 440 for use in the neck of an earbud in accordance with some embodiments. Filter 440 may correspond to, for example, filter 140 of FIG. 1, and can include through holes 442, cable stabilization region 444, sleeve engagement region 446, and acoustic coupling region 448. The inner diameter of the cylinder-shaped cable stabilization region 444 can be equal to the outer diameter of cable 222 (see FIG. 2) to prevent debris from passing through a gap between cable stabilization region 444 and cable 222. Likewise, the outer diameter of the cylinder-shaped sleeve engagement region 446 can be equal to the inner diameter of hollow neck member 220. Acoustic coupling region 448 can extend radially from a proximal end of cable stabilization region 444 to a proximal end of sleeve engagement region 446 with a predetermined angle of declination. The angle of declination can be chosen to optimize the number and size of through holes 442 in acoustic coupling region 448.
In some embodiments, filter 440 is formed from a stainless steel disc or other suitable material (e.g., plastic). A number of through holes 442 of a predetermined diameter (e.g., 0.75 microns) can be created in the disc, for example, to acoustically couple an interior volume of an earbud to a sleeve volume of a neck subassembly. The size of through holes 442 may be chosen to provide the best balance between acoustic performance and protection of the interior of the earbud. In some embodiments, photoresist can be applied to both sides of the disc. A desired hole pattern can subsequently be imaged in the photoresist using a mask. After the photoresist is developed, a chemical etching process can then be used to etch through holes 442 into the disc.
Filter 440 can have a frusto-conical shape as depicted in the embodiment shown in FIG. 4. The disc may be stamped or molded in one or more steps to achieve a shape similar to that of filter 440. In some embodiments, filter 440 can be molded in one piece with through holes 442 created during the molding process. For example, the mold can include a number of protrusions such that through holes 442 are formed during the molding process. Any suitable shape may be chosen for filter 440; however, a design that maximizes the volume of air within neck assembly 200 and air flow through filter 440 also results in optimal acoustic performance.
FIGS. 5 and 6 show illustrative views of earbud neck subassembly sections 500 and 600 in accordance with some embodiments. Neck subassembly section 500 can be coupled to the hollow neck member of an earbud (e.g., hollow neck member 120 of FIG. 1). According to some embodiments, neck subassembly section 500 can include cable 522 and neck subassembly 530, which can include inner sleeve 532, outer sleeve 534, inner sleeve bridge 536, cable engagement member 538, and filter retaining region 541. Acoustic mesh filter 540 can be coupled to filter retaining region 541 as described below. Neck subassembly 530 may be formed as a single member, with inner sleeve 532 and outer sleeve 534 formed monolithically. Alternatively, inner sleeve 532 and outer sleeve 534 can be two distinct members. In the latter embodiments, the sleeves may be coupled together with an adhesive or by press fitting inner sleeve 532 inside outer sleeve 534. In some embodiments, inner sleeve 532 can be made of plastic and outer sleeve 534 can be made of rubber. A rubber outer sleeve 534 may help to prevent cable 522 from chafing against the edge a resilient outer sleeve material.
Inner sleeve 532 can include cable engagement member 538. In general, cable engagement member 538 couples neck subassembly 530 to cable 522 while maintaining an air gap between at least part of the outer surface of cable engagement member 538 and the inner surface of inner sleeve 532. In some embodiments, cable engagement member 538 is compressively coupled to cable 522; however, any suitable method of coupling can be used.
FIGS. 5 and 6 represent two possible embodiments for securing a cable engagement member to an inner sleeve. As shown in FIG. 5, inner sleeve bridges 536 connect cable engagement member 538 to inner sleeve 532. Although only one inner sleeve bridge is shown in FIG. 5, more than one inner sleeve bridge can be included to improve the structural integrity of neck subassembly section 500. In the embodiment depicted in FIG. 6, neck subassembly section 600 can include cable 622 and neck subassembly 630, which can include inner sleeve 632, outer sleeve 634, cable engagement member 638, and acoustic mesh filter 640 can be coupled to a filter retaining region. As shown, cable engagement member 638 is coupled to the inner surface of inner sleeve 632 along a section of its outer perimeter, such that the center axis of inner sleeve 632 and the center axis of cable engagement member 638 are offset with respect to each other. In the embodiments shown in FIGS. 5 and 6, the inner sleeve and cable engagement member can be integrally formed (e.g., by injection or compression molding).
Acoustic mesh filter 540, or another suitable filter (e.g., filter 440 of FIG. 4) can be coupled to filter retaining region 541, which is adjacent to the top end of inner sleeve 532 (i.e., the end of inner sleeve 532 that is inserted into the hollow neck member of an earbud) in any suitable manner. For example, acoustic mesh filter 540 may be coupled to the top end of inner sleeve 532 with an adhesive. Alternatively, acoustic mesh filter 540 can be insert molded into a plastic sleeve and inserted into the hollow neck member of an earbud (neither of which are shown). Acoustic mesh filter 540 can consist of any suitable mesh material, including, but not limited to, plastic, metal, nylon, or any other natural or synthetic fiber. The material and mesh pitch can be chosen to provide the best acoustic performance while maintaining the interior of the earbud free from debris.
Earbuds according to embodiments of the invention can be included as part of a headset such as a wired headset or a wireless headset. An example of a wired headset is discussed below in connection with the description accompanying FIG. 7. A wireless headset can include, for example, a Bluetooth headset.
FIG. 7 shows an illustrative headset 700 having cable structure 720 that integrates with non-cable components 740, 742, and 744. For example, non-cable components 740, 742, and 744 can be a male plug, left headphones, and right headphones, respectively. As a specific example, components 742 and 744 can be an earbud having one or more pressure sensors mounted on or in the housing. Cable structure 720 has three legs 722, 724, and 726 joined together at bifurcation region 730. Leg 722 may be referred to herein as main leg 722, and includes the portion of cable structure 720 existing between non-cable component 740 and bifurcation region 730. Leg 724 may be referred to herein as left leg 724, and includes the portion of cable structure 720 existing between non-cable component 742 and bifurcation region 730. Leg 726 may be referred to herein as right leg 726, and includes the portion of cable structure 720 existing between non-cable component 744 and bifurcation region 730.
Cable structure 720 can include a conductor bundle that extends through some or all of legs 722, 724, and 726. Cable structure 720 can include conductors for carrying signals from non-cable component 740 to non-cable components 742 and 744 and vise versa. For example, signals from non-cable component 740 to non-cable components 742 and 744 can be audio signals. Signals from non-cable components 742 and 744 to non-cable component 740 can be pressure signals. Cable structure 720 can include one or more rods constructed from a superelastic material. The rods can resist deformation to reduce or prevent tangling of the legs. The rods are different than the conductors used to convey signals from non-cable component 740 to non-cable components 742 and 744, but share the same space within cable structure 720. Several different rod arrangements may be included in cable structure 720.
FIG. 8 is a flowchart of process 800 for assembling an open-air earbud. In step 801, a housing is provided that includes a hollow neck member and an inner volume extending from within the housing through the hollow neck member. For example, the housing and hollow neck member could be housing 110 and hollow neck member 120 of FIG. 1. At step 803, a filter (e.g., filter 440) can be inserted within the hollow neck member. The hollow neck member may have a tapered inner diameter that prevents the filter from sliding beyond the end of the hollow neck member. At step 805, a neck subassembly (e.g., neck subassembly 130) can be secured to the hollow neck member, for example, using an adhesive or press fitting.
FIG. 9 is a flowchart of process 900 for assembling an open-air earbud. In step 901, a housing is provided that includes a non-occluding member and a neck member. For example, the non-occluding member could be the part of earbud 100 that includes front non-occluding member 112 and back non-occluding member 114. At step 903, a filter (e.g., filter 440 or acoustic mesh filter 540) can be incorporated into the neck member. In some embodiments, the filter can be coupled to a filter retaining region of a neck subassembly (e.g., with an adhesive or by press fitting) prior to being incorporated into the neck member. For example, the filter can be insert molded into the neck subassembly before being inserted into the neck member. In other embodiments, the filter can be incorporated into the neck member prior to step 905, in which a neck subassembly (e.g., neck subassembly 130) can be coupled to the neck member, for example, using an adhesive or press fitting.
It is understood that the steps shown in methods 800 and 900 of FIGS. 8 and 9 are merely illustrative and that existing steps may be modified or omitted, additional steps may be added, and the order of certain steps may be altered.
While there have been described pressure sensing earbuds and systems and methods for the use thereof, it is to be understood that many changes may be made therein without departing from the spirit and scope of the invention. Insubstantial changes from the claimed subject matter as viewed by a person with ordinary skill in the art, now known or later devised, are expressly contemplated as being equivalently within the scope of the claims. Therefore, obvious substitutions now or later known to one with ordinary skill in the art are defined to be within the scope of the defined elements.


November Butterfly (my first poetry collection) comes out in 30 days! I'm anxious, nervous, and excited.
Inadvertently, over the past seven years, as I wrote the poems that would become November Butterfly, I left a trail of process posts regarding writing and the iconic women igniting my imagination on the path to understanding what it means to be female, creative, and curious. Here [is one of them, from a 2009 post to my blog Feral Mom, Feral Writer] to get you started thinking about Marilyn with me.
I never met her, but there she stood, on the back of one of the bedroom doors in our house, gracing a poster taller than my parents. I remember falling asleep to that black and white image: city street, sturdy legs, skirt billowing up, one hand holding down the pleats but not really. It was either my brother's poster or a poster we pitched in on for my father — I can't remember. Maybe seventh grade.
Then she made her way into a collage I was making at a tiny round table in Joyce Renwick's basement. (Joyce pulled me up by my bootstraps after graduate school and not only rented me her basement apartment but talked some sense into my poetry loving brain..."Yes, you can write, but you have to earn a living until your writing can earn your living...so let's figure out where you can teach...."). Dutifully, I landed a few summer creative writing workshops to teach and by night, scored essays at one of the testing agencies in Iowa City.
As I made the transition from graduate student to working teacher that winter, I made collages. This particular one featured a stained glass cathedral window, the gray and white photo of a hummingbird, the fanned feathers of its extended wings mirroring the white fan of that same girl's skirt, same pose. The hummingbird and the girl were separated by a close-up of the petals of a rose, and one of those angels stepping down out of the sky in silken robes on the verge of catching fire. I hung the collage at the foot of my bed where the dark paneled walls had not yet been painted white, and the low popcorn ceiling seemed to undulate even after I closed my eyes.
In secret rebellion [against] my working life, I'd taken up astrology. I drove beside my "real astrologer" friend Bonnie through the bitterly cold night to our teacher Andrea. For homework, Andrea handed out five charts of public figures. Our job was to guess. Only one of the charts floated into focus, given my rudimentary sense of the energies of the planets. It was so long ago I can't haul up the specifics of the chart; I only know I recognized something, like when you are swimming and you sense, for example, a seal or a dolphin approaching before you spot them beside you. From this chart, I got a visceral sensation of vulnerability, charisma, and danger, all woven together. I thought it might be her.
Yes, Andrea nodded, you have Marilyn before you.
And ever since then, the reverse birth image never left me: of petals, hummingbirds, and Marilyn trying to breathe.
Under what circumstances did you first become aware of Marilyn Monroe? What haunts or irritates you about Marilyn? Address her directly: Dear Marilyn… Or, alternately, allow her to address you… Or use as a first line, "No girl sets out to die…" Write, without stopping if you can, for at least 20 minutes.
bone in my body: the breast!


text:
Free Betting Tips
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Murray closes in to his 500th Win as Nadal crashes out!
March 30, 2015 Sports News archive BetAdvisor
Andy Murray won easily against Colombia's Santiago Giraldo in the third round of the Miami Open 6-3, 6-4 in less than an hour and a half. The world No4 continued his commanding form displayed in the previous match against Donald Young on Friday. What is impressive of this victory is that Murray, had lost to Giraldo at last year's Madrid Open. The British No1 took full advantage of the Colombian's weak second serve but serving for the match at 5-2, he wasted two match points, Giraldo managed to break the Scot for the first time. Murray regrouped to seal the win, the 499th of his career, on his next service game, to set up a meeting with Kevin Anderson in round four. "I felt like I played a good match," Murray said. "When he started really going for it at the end I lost my timing a bit but I managed to close it out at 5-4." The world No1, Novak Djokovic, survived a second-set fight back from Martin Klizan of Slovakia before winning his opening match 6-0, 5-7, 6-1. He will face the Belgian qualifier Steve Darcis in the next round and a top tennis tipster has him as the winner next Sunday. Japan's Kei Nishikori made a confident start by beating Russia's Mikhail Youzhny 6-2, 6-1 in their second-round meeting. Nishikori, the No4 seed, won 70% of his service points and converted five of his 16 break chances. In the women's draw, the seven-time champion Serena Williams needed only 41 minutes to beat the 15-year-old American CiCi Bellis 6-1, 6-1. Bellis made headlines by winning a match at last year's US Open, but she could not stay with the world's No1 player. Williams won 51 of the 65 points and lost only two points in seven service games and a top tennis pick would suggest the American as the favourite for this tournament.
The big shock of the tournament though, has to be Rafael Nadal's defeat to fellow Spaniard Fernando Verdasco.
The second seed, a four-time finalist in Florida who has never won the tournament, will have to wait at least another year after going down 6-4, 2-6, 6-3 to his countryman. Nadal fought back well after losing the first set and looked to have all the momentum but was broken to go 3-1 down in the third and Verdasco held his nerve to move into the last-16. There were, however, some other shock defeats for seventh seed Stan Wawrinka and Jo-Wilfried Tsonga, seeded 11th and playing in his first competition this year. Wawrinka was edged out by Adrian Mannarino 7-6 (7-4) 7-6 (7-5), while Tsonga was sent packing after a 6-4 7-6 (7-4) defeat to French compatriot Gael Monfils
Should Kobe Bryant Have Retired?
EPL – Week 23 Review
Champions League Semi-Final Review
Today's Betting Tips
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Soccer Results
Betadvisor Copyright © 2022.

redpajama_set_name: RedPajamaCommonCrawl


text:
Q: Twitter login api with javascript I want to login using the Twitter api's. i read the documentation of the https://dev.twitter.com/web/sign-in/implementing but not getting any fruit full solution.
Any one have the idea how can i do this thing using the javascript. not with PHP or any thing else.
Accept: */*
Authorization:
        OAuth oauth_callback="http%3A%2F%2Flocalhost%2Fsign-in-with-twitter%2F",
              oauth_consumer_key="cChZNFj6T5R0TigYB9yd1w",
              oauth_nonce="ea9ec8429b68d6b77cd5600adbbb0456",
              oauth_signature="F1Li3tvehgcraF8DMJ7OyxO4w9Y%3D",
              oauth_signature_method="HMAC-SHA1",
              oauth_timestamp="1318467427",
              oauth_version="1.0"

A: Follow this link and get the twitter library: https://dev.twitter.com/overview/api/twitter-libraries
java script example on git. https://github.com/BoyCook/TwitterJSClient

redpajama_set_name: RedPajamaStackExchange


Fabulous custom home with 3 bedrooms, 4 full bathrooms. Incredible detail & special finishes throughout. This 1 ½ story with 3 car garage boasts crown molding, limestone floors, arched doorways, & ceiling detail. Gracious foyer features study thru arched French doors & formal dining room. A bright formal living room offers wall of windows overlooking the courtyard. Island kitchen opens to den & is a great space to entertain featuring oval tray ceiling, tons of cabinets, double oven, gas stove top, and oversized pantry. The master suite with sitting area & fireplace boasts huge windows & private access to the courtyard. Home also features a game room and water filtration system. Did not flood in Harvey-per seller.


text:
Q: What does "canf" means in fscanf?
fscanf — Parses input from a file according to a format

sscanf — Parses input from a string according to a format

To keep Filesystem functions in my mind I need to understand their meanings.
I can guess the fs part means filesystem, but ...
What does the canf part mean?
fopen and fwrite also makes sense. But fscanf does not recall anything at all.


After a graduate student developing an electromagnetic weapon for the Navy is attacked, the NCIS team discovers a connection to international warfare. Also, Kensi continues grueling physical therapy for her spinal injury.
watch NCIS: Los Angeles Season 08 Episode 08 online free. NCIS: Los Angeles streaming tv show, Full Episode. tv series online.


Does Wenger need Europa League title to save his job?
Many believe that Arsene Wenger saved his job last year by winning the FA Cup final, and could history repeat itself? Could a cup final save him again?
After being convincingly pushed aside by Manchester City in the Carabao Cup final – Arsenal's only chance of silverware this season is also their only route back to the Champions League.
Arsenal missed out on the top-four for the first time under his tenure last season and as it stands they are already 10 points adrift of the top-four.
However, all is not lost for Wenger and Arsenal in terms of the Champions League – as Manchester United proved last season.
"It looks like being all or nothing for Arsenal and Wenger now, if he doesn't win the Europa League – surely it will be hard for him to continue," said OddsMonkey spokesman Peter Watton.
"As it stands he is 5/4 to leave before the start of next season, he is contracted to 2019 and he does always insist that he honour's his contract.


text:
Q: Django Ajax form submission, how to get a specific model field from a form For my project I need to be able to submit a form through ajax without refreshing the page. I have a model called Post with three fields: animal, image, and description.
here is a picture of my model
class Post(models.Model):
BISON = 'Bison'
WOLF = 'Wolf'
ELK = 'Elk'
BLACKBEAR = 'Black Bear'
GRIZZLY = 'Grizzly Bear'
MOOSE = 'Moose'
MOUNTAINLION = 'Mountain Lion'
COYOTE = 'Coyote'
PRONGHORN = 'Pronghorn'
BIGHORNSHEEP = 'Bighorn Sheep'
BALDEAGLE = 'Bald Eagle'
BOBCAT = 'Bobcat'
REDFOX = 'Red Fox'
TRUMPETERSWAN = 'Trumpeter Swan'
YELLOWBELLIEDMARMOT = 'Yellow-bellied Marmot'
RIVEROTTER = 'River Otter'
LYNX = 'Lynx'
SHREW = 'Shrew'
PIKA = 'Pika'
SQUIRREL = 'Squirrel'
MULEDEER = 'Mule Deer'
SANDHILLCRANE = 'Sandhill Crane'
FLYINGSQUIRREL = 'Flying Squirrel'
UINTAGROUNDSQUIRREL = 'Uinta Ground Squirrel'
MONTANEVOLE = 'Montane Vole'
EASTERNMEADOWVOLE = 'Eastern Meadow Vole'
BUSHYTAILEDWOODRAT = 'Bushy-tailed Woodrat'
CHIPMUNK = 'Chipmunk'
UINTACHIPMUNK = 'Uinta Chipmunk'
WHITETAILEDJACKRABBIT = 'White-tailed Jackrabbit'
BEAVER = 'Beaver'
AMERICANMARTEN = 'American Marten'
MOUNTAINCHICKADEE = 'Mountain Chickadee'
BOREALCHORUSFROG = 'Boreal Chorus Frog'
CUTTHROATTROUT = 'Cutthroat Trout'
GREATHORNEDOWL = 'Great Horned Owl'
SNOWSHOEHARE = 'Snowshoe Hare'
ROCKYMOUNTAINELK = 'Rocky Mountain Elk'
NORTHWESTERNWOLF = 'Northwestern Wolf'
BLACKFOOTEDFERRET = 'Black-footed Ferret'
WOLVERINE = 'Wolverine'
ANIMALS = [
    (BISON, ('Bison')),
    (WOLF, ('Wolf')),
    (ELK, ('Elk')),
    (BLACKBEAR, ('Black Bear')),
    (GRIZZLY, ('Grizzly Bear')),
    (MOOSE, ('Moose')),
    (MOUNTAINLION, ('Mountain Lion')),
    (COYOTE, ('Coyote')),
    (PRONGHORN, ('Pronghorn')),
    (BIGHORNSHEEP, ('Bighorn Sheep')),
    (BALDEAGLE, ('Bald Eagle')),
    (BOBCAT, ('Bobcat')),
    (REDFOX, ('Red Fox')),
    (TRUMPETERSWAN, ('Trumpeter Swan')),
    (YELLOWBELLIEDMARMOT, ('Yellow-bellied Marmot')),
    (RIVEROTTER, ('River Otter')),
    (LYNX, ('Lynx')),
    (SHREW, ('Shrew')),
    (PIKA, ('Pika')),
    (SQUIRREL, ('Squirrel')),
    (MULEDEER, ('Mule Deer')),
    (SANDHILLCRANE, ('Sandhill Crane')),
    (FLYINGSQUIRREL, ('Flying Squirrel')),
    (UINTAGROUNDSQUIRREL, ('Uinta Ground Squirrel')),
    (MONTANEVOLE, ('Montane Vole')),
    (EASTERNMEADOWVOLE, ('Eastern Meadow Vole')),
    (BUSHYTAILEDWOODRAT, ('Bushy-tailed Woodrat')),
    (CHIPMUNK, ('Chipmunk')),
    (UINTACHIPMUNK, ('Uinta Chipmunk')),
    (WHITETAILEDJACKRABBIT, ('White-tailed Jackrabbit')),
    (BEAVER, ('Beaver')),
    (AMERICANMARTEN, ('American Marten')),
    (MOUNTAINCHICKADEE, ('Mountain Chickadee')),
    (BOREALCHORUSFROG, ('Boreal Chorus Frog')),
    (CUTTHROATTROUT, ('Cutthroat Trout')),
    (GREATHORNEDOWL, ('Great Horned Owl')),
    (SNOWSHOEHARE, ('Snowshoe Hare')),
    (ROCKYMOUNTAINELK, ('Rocky Mountain Elk')),
    (NORTHWESTERNWOLF, ('Northwestern Wolf')),
    (BLACKFOOTEDFERRET, ('Black-footed Ferret')),
    (WOLVERINE, ('Wolverine'))
]

animal = models.CharField(max_length=32, choices=ANIMALS, default=BISON)
image = models.ImageField(upload_to='images', default='static/images/yellowstonelake.jpg')
description = models.TextField(null=True, blank=True)

def __str__(self):
    return self.animal

here is a picture of my form.py
class PostForm(ModelForm):
class Meta:
    model = Post
    fields = '__all__'

here is a picture of my views page
def homePage(request):
form = PostForm()
if request.method == 'POST':
    animalType=request.POST['animal']
    new_post = Post(animal=animalType)
    new_post.save()

context = {'form': form}
return render(request, 'home.html', context)

I believe the problem lies within the javascript I am using to submit my form without refreshing the page. I am able to submit by form successfully, but the data:{...} section within my

I need this value to be something other than just:
animal:$("form).val()
since whenever I submit this and go to the backend admin site of my project, I am unable to edit my posts and they are just empty objects within my data base. Ideally I would like this value to be the name of the animal the user selected. I have tried using values such as $("form.model.animal").val() or $("form").val(animal) but i am having no luck.
This is what my back end admin site looks like with a few "successful" submission. Please let me know I you can see where I am making a mistake and how to fix this annoying issue! Thanks!
Admin Posts Page
Form field Template:
const postpopup = new mapboxgl.Popup({ offset: [0, -15] })
                    .setLngLat([lt, lg])
                    .setHTML(
                    `
Yellowmap :) Post Forum

                            <form id="post-form">
                            {% csrf_token %}
                            {{form}}
                            <input type="submit"/>
                            </form>

`
                    )

A: Everything in your code is alright,
you just have to change your AJAX code a little bit. and your views.py file.

AJAX

    $(document).on('submit', '#post-form', function (e) {
        e.preventDefault();
        $.ajax({
            type: 'POST',
            url: "{% url 'insert_form' %}",
            data:
                {
                    animal: $("#id_animal").val(),
                    image: $("#id_image").val(),
                    description: $("#id_description").val(),
                    csrfmiddlewaretoken: '{{ csrf_token }}',
                },
            success: function () {
                alert("success!")
            }
        })
    });

views.py

def homePage(request):
    form = PostForm()
    if request.method == 'POST':
        form = PostForm(request.POST, request.FILES)
        if form.is_valid():
            form.save()
            return HttpResponse('')

    context = {'form': form}
    return render(request, '.html', context)


The Sportex performance exhaust system range covers Peugeot 106 1.4i,1.6i built 11/1996-08/2000 with the cat in the system not in the manifold. Sportex Performance exhaust systems comprise of a centre section with silencer (quieter) or without centre silencer (louder) and a back box, they are bolted to the cat located in the system front pipe. Replacing the standard exhaust with a high performance exhaust system unleashes more of the engines potential than the standard exhaust or standard exhausts with a performance back box. Sportex race tube systems are the same as the performance system but with fewer silencers for maximum power and are louder than standard exhausts or the Sportex performance exhaust system. Benefits of Sportex performance and race tube exhaust systems include a sharper throttle response; deeper bass sports exhaust sound, power increase and great looks from the choice of tail pipe designs. A Sportex performance exhaust system produces extra power by using high quality free flow exhaust tubing and sports straight through silencer boxes.


Your ship is always moving forward and all you have to do is tilt or tap to turn left and right to collect 15 Coins. The only thing standing between you and victory are endless clones that follow the path you've traveled. Crash into a clone and it's game over. You're not alone though, you can collect a power-up to temporarily freeze the clones and smash into them to destroy them!


text:
package im.dashen.patterns.builder;

public class Burger {
    private int size;
    private String cheese;
    private String pepperoni;
    private String lettuce;
    private String tomato;

    public Burger(BurgerBuilder builder) {
        size = builder.getSize();
        cheese = builder.getCheese();
        pepperoni = builder.getPepperoni();
        lettuce = builder.getLettuce();
        tomato = builder.getTomato();
    }

    @Override
    public String toString() {
        return "Burger{" +
                "size=" + size +
                ", cheese='" + cheese + '\'' +
                ", pepperoni='" + pepperoni + '\'' +
                ", lettuce='" + lettuce + '\'' +
                ", tomato='" + tomato + '\'' +
                '}';
    }
}

redpajama_set_name: RedPajamaGithub


A major residential scheme in the Quartier du-Parc in the Paris suburb of Serris, a new town in Seine-et-Marne.
The scheme is set to provide 127 apartments in 7 buildings and 12 houses with a number of social housing units. The community of Serris, which is part of the new town of Val d'Europe Marne-la-Vallee, is home to a number of high-profile projects by well-known architects, such as Leon Krier, Pier Carlo Bontempi and Maurice Culot.


Contact House Hunters Minnesota- Keller Williams Classic Realty NW Prompt and professional service is our guarantee.
Our goal is to be informative and helpful. Through our service we hope to earn your business with our exemplary level of service and extensive local knowledge of the The Twin Cities area.


text:
Болат Багдатов (; род. 7 ноября 1940 год, село Архат, Абайский район, Семипалатинская область, Казахская ССР, СССР) — колхозник, старший чабан колхоза «Аркатский», Герой Социалистического Труда (1981). Депутат Верховного Совета СССР 7 созыва.

Биография
Родилась 7 ноября 1940 года в селе Архат Абайского района, Семипалатинская область (сегодня — Восточно-Казахстанская область). В 1957 году вступил в колхоз «Аркатский» Абайского района Семипалатинской области. Трудился чабаном. В 1965 году вступил в КПСС. Досрочно выполнил план 11-й пятилетки. 19 февраля 1981 года удостоен звания Героя Социалистического Труда «за выдающиеся успехи, достигнутые в выполнении планов и социалистических обязательств по продаже государству в 1980 году миллиарда пудов зерна и перевыполнении планов десятой пятилетки по производству и закупкам хлеба и других сельскохозяйственных продуктов».

Избирался депутатом Верховного Совета СССР 7 созыва. В 1986 году участвовал в партийном съезде Компартии Казахстана.

Награды
 Герой Социалистического Труда (1981);
 Орден Ленина (1981).

Примечания

Литература
 Қазақ ССР. Қысқаша энциклопедия, 2-том. Алматы — 1987.
 Шығыс Қазақстан облысы [Мәтін] : энциклопедия. — Алматы : Қазақ энциклопедиясы, 2014. — Бағдатов Болат: б. 229.

Ссылки
 Богдатов Болат, Восточный Казахстан: известные имена

Депутаты Верховного Совета СССР 7-го созыва

redpajama_set_name: RedPajamaWikipedia