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Home › Casts for Drawing › David Reduction Detail - Nose - Item #774
David Reduction Detail - Nose - Item #774
Each piece is custom finished. Depending on a sculpture's texture and level of detail, the look of a patina can vary. A slight variation in color from order-to-order is to be expected.
Unless otherwise noted, our reproductions are hand-cast in plaster and reinforced with burlap, fiber strands, and/or metal rods for extra strength.
FLAT WHITE: A unified, matte white finish. This is the optimum patina for cast drawing as it allows focus on form.
WHITE PATINA: A white finish with a light ivory tone added to the top surfaces.
LIGHT ANTIQUE PLASTER: A soft mixture of whites, grays, and yellows to replicate the look of an aged plaster cast.
ANTIQUE PLASTER: A dramatic mixture of grays and yellows to replicate the look of an aged plaster cast.
BRONZE: A rich brown finish with golden highlights to replicate the look of bronze.
STONE: A mixture of lighter tones to resemble natural stone.
DARK STONE: A mixture of darker tones to resemble natural stone.
SANDSTONE: A soft base color with warm highlights to resemble the look of natural sandstone.
TERRA COTTA: A variation of warm tones to resemble terra cotta.
ASSYRIAN STONE (Applies only to item numbers 3, 4, 5, 6 and 738): A two-tone patina augmenting the shallow relief sculpture and its stone texture.
TANAGRA PATINA (Applies only to item numbers 317, 318, 319, 320, 800 and 813): A finish that replicates the colors of the Tanagra figurines as shown in the product images.
Patina Flat White White Patina Light Antique Plaster Antique Plaster Bronze Stone Dark Stone Sandstone Terra Cotta
Flat White White Patina Light Antique Plaster Antique Plaster Bronze Stone Dark Stone Sandstone Terra Cotta
4 Inches High x 3.25 Inches Wide x 2.75 Inches Deep
This is a reduction model created by sculptor Ndricim Bejko, who works for the Caproni Collection (formerly the Giust Gallery) and Skylight Studios, Inc. He created it with reference to an original full-size Caproni cast of Michelangelo's David.
David was originally placed in the Piazza della Signoria (where a marble replica is today) and is now in the Accademia Gallery. Three times the height of a man, David stands almost 17 feet tall (about 203 inches) and was carved from a single block of marble. The piece was intended as one of several sculptures to be placed on the buttresses of the dome at the Cathedral of Florence. However, after seeing it, a committee agreed that the sculpture, with its beautifully articulated human body and genius composition, deserved a more prominent location, and so it was placed in the Piazza upon completion. Michelangelo's composition, which shows the Biblical David preparing for the fight with the giant Goliath, was the first artwork to do so rather than depict David after his victory with Goliath's head. David is shown in calm, deep concentration with a rock in one hand and his slingshot over his shoulder. Since the sculpture had been designed to be viewed from far below on the ground, Michelangelo enlarged the head and the right hand so that the proportions would appear correct and would emphasize the moment before David hurls the rock. Although a religious statue, the people of Florence at the time claimed the sculpture as a symbol of their Republican liberty. David is one of the masterpieces of the world.
Artist: Michelangelo
Museum: Accademia Gallery, Florence
Time Period: Renaissance, 1501-1504
"Basic Facts About the David." Accademia.org: Guide to the Accademia Gallery in Florence, http://www.accademia.org/explore-museum/artworks/michelangelos-david/facts-about-david/.
"Michelangelo's David." Accademia.org: Guide to the Accademia Gallery in Florence, http://www.accademia.org/explore-museum/artworks/michelangelos-david/.
"Michelangelo's David." ItalianRenaissance.org: Analysis of the Art of Renaissance Italy, 2015, http://www.italianrenaissance.org/michelangelos-david/.
Van Osnabrugge, Willem. "Real Height of David." Virtual Library on The Ringling Museum, http://ringlingdocents.org/sculpture/david-height.htm.
View Patina Options
Most pieces ship within 1-3 weeks as they are made-to-order and hand-cast.
Pieces are plaster of Paris unless otherwise noted.
We offer our pieces in a variety of patinas/finishes. Click next tab for more details.
Small and large reliefs and masks come with at least one embedded hook for hanging unless otherwise noted.
Pieces must be opened and inspected within 48 hours of delivery to report any damage. Go to FAQ for more information.
Questions? Email us at contact@capronicollection.com or call us at 781-933-2455.
We create objects of timeless beauty for you to enjoy. Our aim is to allow individuals to enjoy a masterpiece in their own space, to preserve a historic collection, and to foster an appreciation of art. Read more about the collection here.
Caproni Collection
105 Salem Street
contact@capronicollection.com
Sign up for the Caproni newsletter for further reading on our history, philosophy, and news as well as special promotions!
© Caproni Collection 2020


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Mini Mercury skips across sun's vast glare in rare transit: VIDEO
By Marcia Dunn
Mini Mercury skipped across the vast, glaring face of the sun Monday in a rare celestial transit.
Stargazers used solar-filtered binoculars and telescopes to spot Mercury - a tiny black dot - as it passed directly between Earth and the sun on Monday.
The eastern U.S. and Canada got the whole 5 -hour show, weather permitting, along with Central and South America. The rest of the world, except for Asia and Australia, got just a sampling.
Mercury is the solar system's smallest, innermost planet. The next transit isn't until 2032, and North America won't get another shot until 2049.
In Maryland, clouds prevented NASA solar astrophysicist Alex Young from getting a clear peek. Live coverage was provided by observatories including NASA's orbiting Solar Dynamics Observatory.
"It's a bummer, but the whole event was still great," Young wrote in an email. "Both getting to see it from space and sharing it with people all over the country and world."
At Cape Canaveral, space buffs got a two-for-one. As Mercury's silhouette graced the morning sun, SpaceX launched 60 small satellites for global internet service, part of the company's growing Starlink constellation in orbit.
Get ready for a rare astronomical alignment coming on Nov. 11 as Mercury passes directly between Earth and the sun, an event known as a transit.
Video via AccuWeather
scienceaccuweatherspace

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You are here: Home > Now is the Best Time to be a Sports Fan
Now is the Best Time to be a Sports Fan
Ash Read
Ash is the co-founder of FundSport.com a grassroots sports community providing sports clubs and athletes from around the…
Visit Ash Read at Profile, Website
Written by Ash Read in Social Media in Sports
As some of you may know I'm a huge basketball fan and I live in the UK. A few years ago this meant following the NBA could be difficult at times. It often resulted in struggling to stay awake at work or school after staying up until 4 a.m. the previous night to watch a game.
The explosion of social media has made it so much easier to keep up with what's going on not just in the NBA but across the world of sports. It has also given fans unparalleled access to their favorite teams and athletes. Personally, I feel there has never been a better time to be a sports fan. Here are some of my best reasons why:
Behind the scenes access: At no time in the past have fans had such insight into what goes on behind the scenes. This was really highlighted at the recent NBA All-Star weekend where many players were sharing behind the scenes videos and images on their Facebook and Twitter accounts.
The NBA also did a great job of sharing content and engaging fans in the All-Star weekend, an event that for many people has lost its shine. You can check out some of the video content shared by the NBA during All-Star weekend on the leagues TwitVid account.
Interaction: Social media has opened up the opportunity to interact and engage with teams, athletes. A few years ago if you wanted to speak to your favorite athlete you could send fan mail and wait a long time for a response. Now you can speak directly to them and you might even get an instant reply.
Many athletes use social media to show us what they are like away from sports. It gives an insight into their personal lives, allowing us to feel closer to our favorite athletes when they show their true personalities.
Everyone has a voice: In the past only a select few journalists, writers and reporters were able to share their views about the world of sports. Now social media has opened up the doors for all sports fans to write about their teams and share their views.
Whether they are writing a blog and sharing views or sparking discussion on Twitter and Facebook, there is space online for everyone. It has become a lot easier for fans to make themselves heard.
Multimedia content: I'll always have to stay up until 4 a.m. to catch an NBA game live in the UK, but the fact that I can now catch highlights online any time saves a few sleepless nights.
Multimedia content and video on demand services allow fans to keep up with their team at a time which is convenient for them. Fans love multimedia content and from an organization/team viewpoint, this content generates the most responses from fans. It can add great value to their social media profiles.
Sure there may have been times when your team was doing better and winning more games, and here in the UK at the moment many of our football clubs are in deep financial trouble (which could be a counter to this argument). However, I feel it's an exciting time, and the best time EVER to be a sports fan. Thanks to new technology in the coming months and years it's only going to get better.
What are your best experiences of sports and social media? Has social media changed the way you follow sports?
Image by Chris Pederick
Image by Mr. Wright
Ash is the co-founder of FundSport.com a grassroots sports community providing sports clubs and athletes from around the world with professional, easy-to-understand advice and articles on all aspects of grassroots sport including sponsorship, fundraising, the Internet, social media, club management, PR and marketing. As well as being passionate about the development of grassroots sport Ash also has a keen involvement in the sports social media industry. You can follow Ash on Twitter at @ashread14
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Ash Read, atheltes on twitter, Basketball, basketball fan, Facebook, fan, fans, National Basketball Association, NBA, NBA All-Star Weekend, Social Media, Social Media in Sports, sport, sport fan, Sports, Sports Social Media, Twitter, TwitVid, world wide web
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Not advertence wildlife in an Africa travelogue is a way to allure some ire but hey, this isn't a advertisement anyhow .
Having been colonised by the Dutch and British in the past, South Africa today bears a quiet hangover of it. Nearly bisected its cities accept Dutch names (Johannesburg, Bloemfontein et al) while Cape Town, which has ahead served as the acting anchorage for European ships to Asia, flaunts characteristic Amsterdam-esque architecture. Acknowledgment to the bubble nation's accomplished acclimate and a celebrated area on the 'wine route', it's a appreciative ambassador of wines too. Also, its cities' palates are unmissably European, so award an Irish bar or a French-styled bistro won't booty too abundant of your time. In fact, the locals themselves arch to Montecasino of Jo'burg for an accurate Italian experience.
Arguably the best active harbour burghal in the world, Cape Town is abiding to bolt your day time absorption with its history (Robben island, area Nelson Mandela was imprisoned), its arresting acreage drives and of advance the Table mountain, SA's adversary for the New Seven Wonders. However, break up and you'll acquisition that its nightlife appetence is enormous. Dozens of pubs and lounges on Continued Artery beat with revelers from beyond the apple and the alcohol, coffee and an uber-friendly vibe accumulate abounding till sunrise. For best results, activate on a Friday night and pub-hop your way to celebrity till Sunday morning!
A burghal formed acknowledgment to a gold-rush in the 1880s, Johannesburg still considers mining as austere business and it is at one of its cogent mines — the Gold Reef Burghal that visitors can get a feel of actuality a miner. The affair park's gold abundance bout takes you several metres bottomward a shaft into a dark, boiling gold mine, and gives you a blast advance on the chancy business of extracting chicken activity out of an ore. In amid adjusting the bake on your head-gear and asthmatic for breath, you will absolutely realise how alluring the apple below us is.
South Africa claims to be home to the better Indian association alfresco the sub-continent and appropriately is additionally home to some good, bad and animal Indian eateries at abrupt corners. Such as the all-embracing 'Raj' (which serves debris gulab-jamuns) appropriate over a blatant bank in a Sun Burghal hotel, or the absorbing 'Bhandaris' (run by a South African!) en avenue a wine drive in Cape Town. That said, we're yet to balance from the busy Jain aliment advance we encountered at a arresting bank restaurant in Simon's Town. Admitting we proceeded to gorge on the baron blow (fish), this is acceptable account for Gujjus and Marvaris, who reportedly adulation advancing here.
..and accumulate some belief for your grandchildren while accomplishing so. 'Game meat', accurately bolter and cautiously prepared, is a different bounded amusement you charge try if your affection (and acclaim limit) allows. The accepted ones are 'biltong' (cured beef/ostrich meat, spiced and dried) and the bounce blade (antelope). However, if you appetite adrenaline rushes at the dining table, try the smoked crocodile meat, charcoal-grilled adjudicator or the kudu (cute in the bushes but allegedly adorable on your plate). While actuality such as ostrich membrane/knuckles is awash at malls, the wilder varieties are to be approved at restaurants such as 'Carnivore' in Jo'burg.
It may be alleged the blockhead penguin attributable to its bark but the African penguin at Boulders bank abreast Cape Town will still get the 'aww's activity amid your group. This antecedents of two-three anxiety continued black-andwhite beauties is on a amazing beach, and for those who anticipation such awning saver-like situations were accomplished alone in New Zealand, this is a sasta, sundar option.
As credible from the stands in any candid bout in Centurion or Newlands, the South Africans adulation their aureate beverage as abundant as they adulation cricket. While abounding 'shebeens' (traditional taverns with animated fat 'mamas' accepting anybody drunk) accept accustomed abroad to costly bars, the locals abide to bottomward 'Castle' and altercate on their Smiths and Steyns. In fact, beer aficionados ability accede it bent to absence the admirable audiovisual bout of the history of the alcohol and sample the world's dishiest brews at SA Breweries' 'World of Beer', the coolest building of Jo'burg.
All this said, your father/in-law ability still catch bottomward aloft your South Africa beat for 'safety' reasons. But accepting been there alert and done things such as acclamation a mini-van abounding with African-Americans from an abandoned artery column 11pm; asked a hundred strangers for admonition and partied till dawn, this biographer can vouch for the land's assurance and amiability. Yes, there are aegis apropos (GP can be Gauteng Province or Gangster Paradise!) but again actuality alert was in every trip's apprenticeship list, right? Unless you assert on actuality stupid, you will be 'sho-sho' (all well).


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Nature is one of the most enduring inspirations for art of any form. Fascination with forests, seas, wildlife and the sky doesn't seem to ebb.
In Textile Art Inspired by Nature, we celebrate the work and worlds of 10 artists speaking of this well-trodden subject matter in new and resounding voices. Each chapter delves into a different artist's take on nature and the techniques and processes they use to bring their concepts to life. The array of beautiful images of their work prove that there really is no limit to the possibilities of how nature can be harnessed to create original, breathtaking art and how textiles seem to be the perfect medium to capture the rhythms and textures of the natural world.
You'll share in the stories of long-time TextileArtist.org contributors Cas Holmes, who uses found materials as the foundation for her work, and Anne Kelly, who creates densely embroidered and multi-layered works.
You'll also be invited into the worlds of machine embroiderer Anne Honeyman, mixed media practitioner Lesley Richmond, and abstract artist Pat Bishop. And you'll take a glimpse into the processes of Dionne Swift, who uses drawing as the basis for her work, Susan Beallor-Snyder, who creates natural manila rope sculptures, and Nicola Henley, whose process is instigated by the movement of birds. Finally, you'll discover what lies behind the work of applied artist Maria Boyle and quilter Leslie Morgan.
Whilst all the artists in this book take nature as their starting point, we're sure you'll agree the results are as diverse as they are beautiful.


Monkey Jump 228.813 Points 02/22/2010 1.
Space is Key 10 Points 04/29/2011 1.
Haku Spirit Storm 95.004 Points 06/24/2009 2.
Let me Run 27.743 Points 03/26/2013 3.
Rune Towers 10.682.000 Points 09/08/2009 5.
Not Rocket Science 1.650 Points 06/30/2011 5.
Heartballs 11.869 Points 07/07/2009 8.
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Command Defend 108.900 Points 03/21/2011 17.
NeedaHero 112.466 Points 07/23/2013 18.
Anbot 169 Points 12/02/2010 18.


text:
Q: My env gets deleted whenever new release is pushed in a Laravel AWS pipeline
*

*I installed a Laravel project on AWS Elastic Beanstalk

*I created an env on the server

*I run php artisan key:generate command and filled all my env variables

This works fine and my application starts. But then I push some other work on my server through my CI pipeline, but it automatically deletes the env file.
Also note that I have already added my env in .gitignore so it's not pushing my env.
I think it's because Elastic Beanstalk automatically deletes old files and create new files whenever new build is released.
following is my script section of composer.json:
    "autoload": {
        "psr-4": {
            "App\\": "app/",
            "Database\\Factories\\": "database/factories/",
            "Database\\Seeders\\": "database/seeders/"
        }
    },
    "autoload-dev": {
        "psr-4": {
            "Tests\\": "tests/"
        }
    },
    "minimum-stability": "dev",
    "prefer-stable": true,
    "scripts": {
        "post-autoload-dump": [
            "Illuminate\\Foundation\\ComposerScripts::postAutoloadDump",
            "@php artisan package:discover --ansi"
        ],
        "post-root-package-install": [
            "@php -r \"file_exists('.env') || copy('.env.example', '.env');\""
        ],
        "post-create-project-cmd": [
            "@php artisan key:generate --ansi"
        ]
    }
}

A: I found that I need to either create the env every time I make a new release or I can set env variables in ebextension config settings given by AWS, so I ended up setting env variables to a config file inside ebextension.
So it is normal that, whenever you send a new release through a pipeline, the env is deleted since it's included in git ignore.

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Q. What is the price of a printout in the Computer Center?
Printouts are 15 cents per page. You can pay the staff member in the Computer Center or at the Reference Desk on your way out. Unfortunately, the library does not accept credit or debit cards at this time.


A recent study estimates that more than 275,000 people—or 4.6 percent of people over the age of 11 in Massachusetts- have opioid use disorder, a figure nearly four times higher than previous estimates based on national data. Led by researchers at Boston Medical Center, the study involved an analysis of several linked public health data sets, allowing for a more accurate picture of the impact of opioids in the state. Published online in the American Journal of Public Health, the results indicate that better surveillance systems need to be deployed locally and nationally to make more accurate opioid use disorder prevalence data available to better address the epidemic.
Traditional methods to estimate prevalence only count those who have interacted with the health care system, which are included in both state and national records. However, for those who don't encounter the system and perhaps overdose, they would not be included in any estimates. Individuals with substance use disorders are less likely to seek medical care or be insured. Additionally, when people are asked about sensitive topics, like drug use, by their provider or in a health survey, they typically don't self-report for many reasons, including stigma.
"There are many people with opioid use disorder who do not encounter the health care system, which we know is a barrier to understanding the true impact of the opioid epidemic," said Joshua Barocas, MD, an infectious disease physician at BMC who led the study. For this study, the researchers examined the Massachusetts Public Health Data Warehouse, a novel database that links data from 16 state agencies for a comprehensive analysis of health care system utilization and fatal and non-fatal opioid overdoses rates. Through a capture-recapture analysis, the researchers were able to identify those known to have an opioid use disorder based on their encounters with the health care system as well as estimate those who have the disorder but aren't included in the data.
According to the results, in 2011 and 2012, the prevalence of opioid use disorder in Massachusetts for those over the age of 11 was 2.72 percent and 2.87 percent, respectively. That increased to 3.87 percent in 2013, and even more, to 4.6 percent in 2015. Surprisingly, those between the ages of 11 and 25 experienced the greatest increase in prevalence of all age groups. The number of "known" persons increased throughout the study period—from 63,989 in 2011 to 75,431 in 2012, and 93,878 in 2013 to 119,160 in 2015.
The data was also sorted by county, and counties with rural populations had some of the highest prevalence estimates, including: Barnstable (5.03 percent); Berkshire (6.06 percent); Bristol (5.81 percent); Hampden (5.34 percent); and Worcester (4.38 percent). For Suffolk County, which encompasses Boston, the prevalence in 2015 was 3.36 percent.
"Our methodology coupled with the data available from the Department of Public Health provides an innovative approach to more accurately assess opioid use disorder in Massachusetts, which indicates that the issue is more widespread than previous available data was showing," added Barocas, assistant professor of medicine at Boston University School of Medicine. "The information from linked databases can and should be implemented by other states trying to better understand and change the course of the opioid epidemic, which includes deploying resources in areas with the greatest need."
The researchers note that while fentanyl is likely a cause in the surge of overdoses in Massachusetts, the increased prevalence of opioid use disorder is likely also contributing to the continuing increase in overdose deaths. They also highlight that, given the clinical complexity of opioid use disorder, better surveillance can help increase the accuracy of diagnosing and treating the disease. Unlike diseases such as HIV or hepatitis C virus, where a blood test can diagnose a patient, opioid use disorder is based on a clinical diagnosis.
There are hidden reasons for such a study, and unaddressed dimensions.
PS>> THE "STIGMA" is a necessary part of the disease -- and the choice to recover.


text:
BOC orders e-tracking of cargoes in transit
The Bureau of Customs (BOC) will implement a system that will track the inland movement of containerized cargoes during transit and transfer to other customs territories and facilities.
The web-based Electronic Tracking of Containerized Cargo (E-TRACC) System will allow BOC to track, monitor, and audit the location and condition of cargoes, as well as obtain real-time alarms on, among others, diversion and tampering of cargoes.
The establishment of the E-TRACC System is embodied in Customs Memorandum Order (CMO) 04-2020, signed by Customs Commissioner Rey Leonardo Guerrero on February 4 and effective February 10.
CMO 04-2020 implements Customs Administrative Order (CAO) No. 15-2019, which covers the movement within customs territory of foreign goods for outright exportation, warehousing, and those admitted to Free Zones, as well as the transfer of goods from customs facilities and warehouses (CFW).
Under CMO 04-2020, an electronic customs seal (ECS) will be required during the transfer of cargo to a container yard/container freight station (CY/CFS) or other CFWs; transit of cargo bound for Free Zones, inland customs office, depots, or terminals; transit to customs bonded warehouses (CBW); export of cargo from Free Zones, inland customs office, depots or terminals, and CBWs to port of loading; and transfer of shipments subject to further verification and/or monitoring.
The ECS is a GPS-enabled sealing device or lock that can physically secure a cargo and provide real-time information on its location.
All container vans covered by CMO 04-2020 will be affixed with an ECS before being cleared to depart from the starting point or point of discharge for the voyage to the end point or point of destination.
Except when circumstances warrant under CMO 04-2020, full completion of customs cargo clearance is mandatory before any shipment is sealed with an ECS.
BOC will have an E-TRACC System dashboard showing the data collected and transmitted by the system service provider. This will allow BOC to monitor the movement and location of all containers as well as get real-time alarms both on the dashboard and by email.
BOC's Piers and Inspection Division (PID), or its equivalent office at each port of entry or destination, will remotely monitor the sealing and unsealing operations, authorize the start and end trip of the vehicle loaded with transit import/export cargo, and monitor for alarms.
(For the full article, please visit https://www.portcalls.com/boc-orders-e-tracking-of-cargoes-in-transit/)
Pag-IBIG Fund considers business groups' call to defer contribution hike
MSMEs urged to protect intellectual property rights
ECOP, PHILEXPORT: 'Give new administration a chance'


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Responsible to Code, Test, Deploy and Scale SaaS-based Products using PHP, MongoDB, with Laravel MVC framework.
Build reusable code and libraries for future use & Optimize application for maximum speed and scalability.
Application Design: Model-View-Controller (MVC), Object Oriented, RESTful services / APIs.


text:
Q: Trying to Toast a single item from Database with OnItemSelected in a Spinner The spinner has items that are dynamically added with two editText's and a Button.  When the user inputs text into the first EditText it displays that text in the spinner.  I am trying to Toast KEY_CALORIES from the second EditText that is sent into the database with OnItemSelected.  I am trying to learn as a hobby so, an explanation would be great.
MainActivity.  At the bottom is the OnItemSelected.
public class MainActivity extends Activity implements OnItemSelectedListener {

Button AddBtn;
EditText et;
EditText cal;
Spinner spn;

SQLController SQLcon;
ProgressDialog PD;

@Override
protected void onCreate(Bundle savedInstanceState) {
    super.onCreate(savedInstanceState);
    setContentView(R.layout.activity_main);

    AddBtn = (Button) findViewById(R.id.addbtn_id);
    et = (EditText) findViewById(R.id.et_id);
    cal = (EditText) findViewById(R.id.et_cal);
    spn = (Spinner) findViewById(R.id.spinner_id);
    spn.setOnItemSelectedListener(this);
    SQLcon = new SQLController(this);
    // opening database
    SQLcon.open();

    loadtospinner();

    AddBtn.setOnClickListener(new OnClickListener() {

        @Override
        public void onClick(View v) {

            new MyAsync().execute();

        }
    });
}

public void loadtospinner() {

    Cursor c = SQLcon.readData();
    ArrayList<String> al = new ArrayList<String>();

    c.moveToFirst();
    while (!c.isAfterLast()) {

        String name = c.getString(c.getColumnIndex(DBhelper.MEMBER_NAME));

        al.add(name);

        c.moveToNext();
    }

    ArrayAdapter<String> aa1 = new ArrayAdapter<String>(
            getApplicationContext(), R.layout.spinner_item, R.id.textView1,
            al);

    spn.setAdapter(aa1);

    // closing database
    SQLcon.close();
    al.add("Shit");
}

private class MyAsync extends AsyncTask<Void, Void, Void> {

    @Override
    protected void onPreExecute() {

        super.onPreExecute();
        PD = new ProgressDialog(MainActivity.this);
        PD.setTitle("Please Wait..");
        PD.setMessage("Loading...");
        PD.setCancelable(false);
        PD.show();
    }

    @Override
    protected Void doInBackground(Void... params) {
        String name = et.getText().toString();
        String calories = cal.getText().toString();
        // opening database
        SQLcon.open();
        // insert data into table
        SQLcon.insertData(name, calories);

        return null;
    }

    @Override
    protected void onPostExecute(Void result) {
        super.onPostExecute(result);
        loadtospinner();
        PD.dismiss();
    }
}

@Override
public void onItemSelected(AdapterView<?> parent, View view, int pos,
        long id) {
    /* I am trying to Toast KEY_CALORIES from the database
     * Tried many solution that failed and can't seem to grasp retrieving a single item from the database.
     * Appreciate your help
     */

}

@Override
public void onNothingSelected(AdapterView<?> arg0) {
    // TODO Auto-generated method stub

}

}

DataBase
public class SQLController {
private DBhelper dbhelper;
private Context ourcontext;
private SQLiteDatabase database;

public SQLController(Context c) {
    ourcontext = c;
}

public SQLController open() throws SQLException {
    dbhelper = new DBhelper(ourcontext);
    database = dbhelper.getWritableDatabase();
    return this;

}

public void close() {
    dbhelper.close();
}

public void insertData(String name, String calories) {
    ContentValues cv = new ContentValues();
    cv.put(DBhelper.MEMBER_NAME, name);
    cv.put(DBhelper.KEY_CALORIES, calories);
    database.insert(DBhelper.TABLE_MEMBER, null, cv);
}

public Cursor readData() {
    String[] allColumns = new String[] { DBhelper.MEMBER_ID,
            DBhelper.MEMBER_NAME, DBhelper.KEY_CALORIES };
    Cursor c = database.query(DBhelper.TABLE_MEMBER, allColumns, null,
            null, null, null, null);
    if (c != null) {
        c.moveToFirst();
    }
    return c;
}

}

Helper
public class DBhelper extends SQLiteOpenHelper {

// TABLE INFORMATTION
public static final String TABLE_MEMBER = "member";
public static final String MEMBER_ID = "_id";
public static final String MEMBER_NAME = "name";
public static final String KEY_CALORIES = "calories";

// DATABASE INFORMATION
static final String DB_NAME = "MEMBER.DB";
static final int DB_VERSION = 2;

// TABLE CREATION STATEMENT
private static final String CREATE_TABLE = "create table " + TABLE_MEMBER
        + "(" + MEMBER_ID + " INTEGER PRIMARY KEY AUTOINCREMENT, "
        + MEMBER_NAME + " TEXT NOT NULL," + KEY_CALORIES
        + " INT NOT NULL);";

public DBhelper(Context context) {
    super(context, DB_NAME, null, DB_VERSION);
}

@Override
public void onCreate(SQLiteDatabase db) {
    db.execSQL(CREATE_TABLE);
}

@Override
public void onUpgrade(SQLiteDatabase db, int oldVersion, int newVersion) {
    // TODO Auto-generated method stub

    db.execSQL("DROP TABLE IF EXISTS " + TABLE_MEMBER);
    onCreate(db);
}
}

Edit It is Toasting the cal but every single cal entered into the database any suggestion to just show the cal that is clicked?
    @Override
public void onItemSelected(AdapterView<?> parent, View view, int pos,
        long id) {
    /*
     * I am trying to Toast KEY_CALORIES Tried many solution that failed and
     * can't seem to grasp retrieving a single item from the database.
     * Appreciate your help
     */
    SQLcon.open();
    Cursor c = SQLcon.readData();

    c.moveToFirst();
    while (!c.isAfterLast()) {

        String cal= c.getString(c.getColumnIndex(DBhelper.KEY_CALORIES));

        Toast.makeText(getBaseContext(), cal+ "", Toast.LENGTH_LONG)
                .show();

        c.moveToNext();
    }
    SQLcon.close();
    // closing database

}

A: First you need access to your adapter in order to get the selected string, so I  would declare the aa1 adapter as a class field.
When you do that, you can access your adapter from the onItemSelected method:
@Override
public void onItemSelected(AdapterView<?> parent, View view, int pos,
        long id) {
    String your_selected_item=(String)aa1.getItem(pos);
    Toast.makeText(getApplicationContext(),
                your_selected_item, Toast.LENGTH_SHORT).show();

}

But I think your approach is not right... If you are listing DB-stored data, you should take a look at the CursorAdapter ;)


On this week's episode we talk about Deadpool's box office success, DC's upcoming Rebirth event, Dragonlance, The Division, and more!
We haven't featured Wonder Woman with a Fan Art Friday in about 5 years! With this year's San Diego Comic-Con in full swing now, it seemed like the perfect time to show off some of the great artwork the fans have been creating over the past few years.
This week's Fan Art Friday looks to the skies of the DC Universe to show off a bunch of great artwork featuring Hawkgirl! Check out the selection below, and follow the links to see the full artwork in the artists' galleries.
We've come to the end of the road as far as cosplaying is concerned and in case you haven't picked out something to dress up for Halloween or for your next con, I've come up with a list of the best characters and genres to pick from.
I've been a huge fan of parodies since I first discovered "Weird Al" some thirty years ago. So why I haven't written about them on here before (at least in any systematic way) is beyond me. I've been saving these for some time so I could do just that.


ZAGOOD, MOHAMMED,JUMA,M. (2012) A CONTRASTIVE STUDY OF RELATIVIZATION IN ENGLISH AND ARABIC WITH REFERENCE TO TRANSLATION PEDAGOGY. Doctoral thesis, Durham University.
This thesis presents a theoretical overview of relativization in English, relativization in Arabic, and contrasts between them. It also investigates the problems encountered by fourth-year English department students of El-Mergib University in Libya in translating relative clauses from English into Arabic and vice versa. Despite the fact that some studies have been conducted that include relativization in English and Arabic, none of them could be considered comprehensive. Therefore, this thesis presents a detailed discussion of relativization in both languages and examines translation between them. It can also be considered as an attempt to suggest a link between contrastive linguistics and translation studies.
It also aims to persuade the officials of the University of El-Mergib to revise the teaching programme at the department of English and/or to establish a new programme in which translation is taught as a separate course. This is shown in the remedial solutions suggested in the conclusion chapter of this thesis.
The thesis comprises seven chapters. Chapter One is an introduction to the study. Chapter Two reviews the relevant literature on contrastive studies and relativization in the world's languages with an emphasis on English-Arabic relativization. Chapter Three presents a theoretical discussion of translation theories, pedagogy, and assessment. Chapter Four gives a theoretical background to relativization in English, relativization in Arabic, and a contrastive study between them. Chapter Five presents the research methodology and design. Chapter Six presents the quantitative and qualitative data analysis. This chapter is the empirical part of the research. It focuses on the description of students' errors. Chapter Seven (the last one) deals with the conclusion, presents some remedial solutions, gives some recommendations for the University of El-Mergib to overcome the students' difficulties in translating relative clauses from English into Arabic and vice versa, and suggests some topics for further research.


"I'm always going to come to fight," 16-1-1 super welterweight Jimmy "Quiet Storm" Williams tells me. An engaging, easy to speak to individual, Williams is moving towards top ten contention by facing 22-1 Mark DeLuca on at the House of Blues in Boston on March 16th. Eager to take his career "one step at a time," Williams says a win on Saturday will place him "number 10 in the world (in the WBA rankings)." In other words, the future will start looking extremely bright should the New Haven native emerge victorious in Boston this coming Saint Patrick's Day weekend.
In DeLuca, Williams will be facing a Massachusetts native who will essentially be the hometown fighter. Williams, however, feels he knows his opponent well, having actually commentated one of DeLuca's previous fights. "I know he dominated," Williams says of the experience, "I did the commentary." Although he's seen the man look impressive in the ring, Williams still exudes confidence, saying he's "just preparing for the big fight on March 16th." What's more, Williams has fought outside of his home state of Connecticut before, having branched out to such places as nearby Rhode Island and far away Las Vegas.
"Camp is going good," he says of training in East Haven. He will continue going strong until "about two weeks" before the fight, when his physical preparation will begin to taper down. In the meantime, Williams is staying focused on winning the NABA/WBA Super Welterweight title, which will be at stake when he faces DeLuca. "I'm just going out there to do what I do," he says, adding he's happy to "let the fight take care of itself." Being overeager to impress, after all, can lead to disastrous consequences. The important thing is to get the win and move on to bigger things.


If you have been participating in online sports betting all over the world for any length of time, chances are good you are an advanced gambler. Keep in mind, mistakes can be made by the most advanced gamblers. You may be able to improve you game and benefit from good tips regarding online sports betting. You should be aware of these tips and follow them whenever possible to increase your chances for winning. This will take your gambling to a new level, enable you to refine and improve your strategies and make you even more proficient at sports betting. The tips outlined below come from professional gamblers with a long history in the industry. You might discover something you never even thought about.
You should always ask advanced gamblers for site recommendations, e.g. sbobet. These individuals can be located in numerous online forums. It is extremely important to bet with value. Many advanced gamblers do not follow this concept. Betting with value is only placing bets on games where your potential reward is much higher than your risk factor. There are sites that can educate you on how to perform the calculations enabling you to bet with value. Once you understand the concept, you will be surprised how much easier it is to win and how often you win larger amounts.
You need to calculate the probability of winning. These calculations are critical prior to placing any online sports bet. A lot of online gamblers never give this concept a second thought. The moment the odds are available for a specific game, numerous individuals immediately place their bets. If you take the time to calculate your probability for a win prior to placing your bet, you will discover you are losing a lot less money than you did in the past. You need to know what impacts your probability for a win. One of the best tips to significantly improve your odds of winning is to look at what is impacting the chances for a team to win their game. This applies to every single team.
Some teams win much more often when they are playing at home, others during their away games. You need to consider this in addition to the other pertinent factors. Consider the goalie and their past successes. Find out if they are in top playing condition or impacted by health issues or injuries. Analyze the defense of the team. Look at their history and see how successful or unsuccessful they have been. Check to see if they have ever played the team they will be facing for their next game in the past. The outcome of any past games are important because this will establish a pattern. Find out the reasons the team won or lost during any past games. Research what impacted their wins and their losses. See if these conditions are applicable for their upcoming game. This will help you calculate the team's probability of winning and make it easier for you to win your bet.


text:
.. _obj-tesla-compute:

=========================
G80 Tesla compute objects
=========================

.. contents::

.. todo:: write me

Introduction
============

.. todo:: write me

redpajama_set_name: RedPajamaGithub


text:
Q: Ctrl+Shift+Left or Ctrl+Shift+Right doesn't select words in Ubuntu 20.04 Normally in whatever editor:
Ctrl+Shift+left is used to select the word to the left of cursor
Ctrl+Shift+right is used to select the word to the right of cursor
Suddenly (after testing many keyboard shortcuts), it stopped working, even in file manager windows, terminals, browsers address bar, etc.
Probably after setting a keyboard shortcut using the combination ctrl+shift+arrow the system shortcut to select text is deleted even after removing the shortcut tested.
For example, lets say my cursor is here:
some exampl|e text

I want to be able to highlight "exampl" when I press Ctrl+Shift+left
But when I press the combination nothing happens.
Where can I change this type of shortcut?
In system keyboard options there is no shortcut for text selection.

A: I had a similar problem:
Shift + Ctrl + left (pressed in that order) worked but Ctrl + Shift + left didn't.
I can't be sure it's the same as yours with the info you provided. But just in case...
I'm using Gnome and it turns out I enabled the "Locate Pointer" feature (highlighting the pointer's location with left Ctrl, Gnome Settings -> Accessibility -> Pointing & Clicking -> Locate Pointer). Turning it off solved my issue.

A: I had this problem and solved it by restarting my computer.
Now the Ctrl + Shift + Arrow keys are working as normal.


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The melancholy death of oyster boy in pdf format. Also available for mobile reader. Free download or read online the melancholy death of oyster boy and other stories pdf. The first edition of this novel was published in.


text:
Mausner-Fainberg K, Karni A, George J, Entin-Meer M, Afek A. Eotaxin-2 blockade ameliorates experimental autoimmune encephalomyelitis. World J Immunol 2013; 3(1): 7-14 [DOI: 10.5411/wji.v3.i1.7]
Dr. Arnon Karni, Department of Neurology, The Neuroimmunology Laboratory, Tel Aviv Sourasky Medical Center, 6 Weizman Street, 64239 Tel Aviv, Israel. arnonk@tasmc.health.gov.il
Eotaxin-2 blockade ameliorates experimental autoimmune encephalomyelitis
Figures (1-4) 97
Mar 27, 2013 (publication date) through Jan 31, 2023
Times Cited (3)
Copyright ©2013 Baishideng Publishing Group Co. , Limited. All rights reserved.
World J Immunol. Mar 27, 2013; 3(1): 7-14
Published online Mar 27, 2013. doi: 10.5411/wji.v3.i1.7
Figure 1 Anti-eo-2 neutralizing mAb treatment effect on progressive experimental autoimmune encephalomyelitis clinical course. Progressive experimental autoimmune encephalomyelitis (EAE) was induced in female C57BL/6 mice by immunization with two following subcutaneous injections of MOG35-55 peptide, emulsified in CFA, with an interval of 1 wk. EAE-induced mice were injected daily intraperitoneally with 25 μg or 100 μg D8, mouse IgG, or with vehicle control only (PBS) starting from day 0 post immunization, and monitored for EAE clinical score. A significant improvement in EAE clinical score compared to total IgG treated mice was observed only with the higher concentration of D8 on day 56, in which treatment with D8 100 μg led to a decline of 61.5% in average clinical score (n = 10 in each group, P = 0.04, one way ANOVA).
Figure 2 The effect of anti-eo-2 neutralizing mAb treatment on the level of anti-MOG35-55 autoantibodies in experimental autoimmune encephalomyelitis sera. Experimental autoimmune encephalomyelitis (EAE) mice daily treated with PBS, total mouse IgG, 25 μg or 100 μg D8, were sacrificed on day 58 and their sera were assessed for the presence of anti-myelin oligodendrocyte glycoprotein (anti-MOG) autoantibodies using ELISA. No significant effect in the level of anti-MOG IgG antibodies was accepted in both D8 treated groups compared to the IgG treated group (values presented are A450 nm, n = 9 in each group).
Figure 3 Anti-eo-2 neutralizing mAb treatment effect on pro-inflammatory cytokines profile. Experimental autoimmune encephalomyelitis (EAE) mice sera from total IgG and 100 μg D8 groups were assessed for the presence of interleukin (IL)-6, interferon (IFN)-γ, tumor necrosis factor (TNF)-α, IL-12p70 and macrophage chemoattractant protein (MCP)-1 using the BD™ Cytometric Bead Array Mouse Inflammation Kit. Treatment of EAE-induced mice with D8 100 μg led to a significant decrease of 57.3% in serum levels of MCP-1, 61.2% in serum levels of IFN-γ and 60.8% in levels of TNF-α, compared to IgG treatment (n = 6 in each group, 1P = 0.03, 2P = 0.02, 3P = 0.005, two-tailed Student's t-test).
Figure 4 The extent of cellular infiltration in anti-eo-2 mAb treated experimental autoimmune encephalomyelitis mice is low compared with PBS treated experimental autoimmune encephalomyelitis mice and their healthy littermates. A: Hematoxylin and eosin staining of representative brain sections from healthy C57BL/6 mice;B: PBS treated experimental autoimmune encephalomyelitis (EAE) mice; C: EAE mice treated with 100 μg D8. Lower extent of cellular infiltration in D8 100 μg treated group is observed compared with the IgG treated group. Arrows indicate inflammatory infiltration. Magnification × 200.
Citation: Mausner-Fainberg K, Karni A, George J, Entin-Meer M, Afek A. Eotaxin-2 blockade ameliorates experimental autoimmune encephalomyelitis. World J Immunol 2013; 3(1): 7-14
URL: https://www.wjgnet.com/2219-2824/full/v3/i1/7.htm
DOI: https://dx.doi.org/10.5411/wji.v3.i1.7


text:
Tamara Lanier is suing Harvard over photos of her enslaved ancestors
Tamara Lanier is suing Harvard University for its continued use of an image of a father and daughter who she believes are her ancestors, her great-great-great aunt Delia Taylor, who is approximately 17-18 in the photo, and her great-great-great grandfather Renty Taylor, who is approximately 60-65 in the photos.
Peter HvizdakShow MoreShow Less
The photographs of Renty and Delia were taken in Columbia, South Carolina when both individuals were enslaved in 1850. They were commissioned by Louis Agassiz, a Swiss-born zoologist and Harvard professor, who was a proponent of a discredited and racist theory that black and white people had separate origins, and black's were intellectually and physically inferior.
All her life, Tamara Lanier heard stories about an enslaved ancestor named Renty. A few years ago, the Norwich resident started researching her family history and has since unearthed genealogical evidence she believes proves she is a descendant of Renty, an African-born slave who labored on a South Carolina plantation. Now, the retired state chief probation officer is on a mission to reclaim a piece of her legacy. She's suing Harvard University for ownership of photos taken in 1850 of Renty and his daughter Delia. The daguerreotype images were commissioned by Louis Agassiz, a Swiss-born Harvard professor and pioneering zoologist. They were part of Agassiz's efforts to support the racist theory of polygenesis, which argued that black and white people descended from different origins.
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I understand your mother would tell stories about Renty.
The thing that she was most proud of was the fact that Renty was literate. And not only did he embrace literacy, but he would teach others to read if they had a desire to do so.
Did she talk about how he learned to read?
She told me about The Blue Back Speller [a popular spelling book published by Connecticut's Noah Webster], which the slaves referred to as The Blue Back Webster. One of the things she said was finishing it — it wasn't a class, but the way the slaves phrased it was "finishing" — she said finishing The Blue Back Webster was like what we would consider a Ph.D. today in terms of what the value of that meant to enslaved people. Because Papa Renty finished a Blue Back Webster, that made him kind of a respected person.
And other enslaved people also learned to read this way?
Typically we're taught that slaves were illiterate. Based on my oral history, there's a part of me that wants to embrace the fact that that's questionable. My family knew how to read, but that was something they couldn't publicly talk about.
Prior to filing a lawsuit against Harvard you reached out to them. What happened?
Throughout the piecing of this together, I would routinely reach out to Harvard and say, "Hey, I have great news. I know who this man is in the image. I know his history." Most important to me was the literacy piece, because not only was that so important to my mom, but it also became important to me because of Louis Agassiz's narrative, his propaganda. … Renty's literacy turns Agassiz's science on its head. I asked that they tell the true story as to who this man was and not leave the false narrative of Louis Agassiz's unaddressed or unchecked. I would say that often and never got any real response from Harvard.
As part of this saga you ultimately connected with some of Agassiz's descendants who have publicly supported your case against Harvard. How did that come about?
There was a part of me that was very sensitive to attacks and criticism. When these stories would run in the newspaper, I would say 95 percent of the comments and the feedback were overwhelmingly positive and supportive, but then there was this small percentage of people who were just hateful. Even though they were just a small percentage of the responses, that's what resonated with me: the hate instead of the encouragement. I remember thinking, Why am I trying to find Louis Agassiz's grandchildren? His hatred was so infectious, was so toxic, that my fear was that he would have poisoned his children. So I stopped looking.
Then a New York Times story ran about your lawsuit with Harvard, right?
When the New York Times story broke, the positive support was even greater. Ninety-eight percent of the responses were so encouraging, but at some point I considered deleting all my social media because the hatred was so ugly. I came across a message from Marian [Shaw Moore], a great-great-great-granddaughter of Louis Agassiz. I didn't know whether this was another ploy, or if this was a legitimate attempt by one of his descendants to reach out to me. Something said, "Give her a call." When she said "hello," I could tell in the patience in her voice that she was legitimate. Then as we talked I was just amazed. As she described more about who she was and who her family is, I was really floored. Her entire family, they have lived lives of giving back and just giving in general. Everything that she has done, her sisters have done, her family has done, is about uplifting others and encouraging others. We couldn't be closer than sisters at this point.
This article appeared in the May 2020 issue of Connecticut Magazine. You can subscribe here, or find the current issue on sale here. Sign up for our newsletter to get the latest and greatest content from Connecticut Magazine delivered right to your inbox. Got a question or comment? Email editor@connecticutmag.com. And follow us on Facebook and Instagram@connecticutmagazine and Twitter @connecticutmag.


text:
Select parts of the holy Bible, for the use of the negro slaves, in the ...
4 As it is written in the book of the words of Esaias the prophet, saying, The voice of one crying in the wilderness, Prepare ye the way of the Lord, make his paths straight.
5 Every valley shall be filled, and every mountain and hill shall be brought low; and the crooked shall be made straight, and the rough ways shall be made smooth;
6 And all flesh shall see the salvation of God.
7 Then said he to the multitude that came forth to be baptized of him, O generation of vipers, who hath warned you to flee from the wrath to come?
8 Bring forth therefore fruits worthy of repentance, and begin not to say within yourselves, We have Abraham to our father: for I say unto you, That God is able of these stones to raise up children unto Abraham.
9 And now also the axe is laid unto the root of the trees : every tree therefore which bringeth not forth good fruit is hewn down, and cast into the fire.
10 And the people asked him, saying, What shall we do then ?
11 He answereth and saith unto thein, He that hath two coats, let him impart to him that hath none; and he that hath meat, let him do likewise.
12 Then came also publicans to be baptized, and said unto him, Master, what shall we do?
13 And he said unto then, Exact no more than that which is appointed you.
14 And the soldiers likewise demanded of him, saying, And what shall we do? And he said unto them, Do violence to no man, neither accuse any falsely; and be content with yolir wages.
15 | And as the people were in expectation, and all men mused in their hearts of John, whether he were the Christ, or not;
16 John answered, saying unto them all, I indeed baptize you with water; but one mightier than I cometh, the latchet of whose shoes I am not worthy to unloose: he shall baptize you with the Holy Ghost and with fire : 17 Whose fan is in his hand, and he will thoroughly purge his floor, and will gather the wheat into his garner; but the chaft he will burn with fire unquenchable.
18 And many other things in his exhortation preached he unto the people.
19 But Herod the tetrarch, being reproved by him for Herodias his brother Philip's wife, and for all the evils which Herod had done,
20 Added yet this above all, that he strut up John in prison.
21 I Now when all the people were baptized, it came to pass, that Jesus also being baptized, and praying, the heaven was opened,
22 And the Holy Ghost descended in a bodily shape like a dove upon him, and a voice came from heaven, which said, Thou art my beloved Son ; in thee I am well pleased.
23 4 And Jesus himself began to be about thirty years of age, being, as was supposed, the son of Joseph, which was the son of Heli,
24 Which was the son of Matthat, which was the son of Levi, which was the son of Melchi, which was the son of Janna, which was the son of Joseph,
25 Which was the son of Mattathiàs, which was the son of Amos, which was the son of Natum, which was the son of Esli, which was the son of Nagye,
26 Which was the son of Maath, which was the son of Mattathias, which was the son of Semei, which was the son of Joseph, which was the son of Juda,
27 Which was the son of Joanna, which was the son of Rhesa, wbich was the son of Zorobabel, which was the son of Salatbiel, which was the son of Neri,
28 Which was the son of Melchi, which was the son of Addi, which was the son of Cosam, which was the son of Elmodam, which was the son of Er,
29 Which was the son of Jose, which was the son of Elie zér, which was the son of Jorim, which was ne son of Mate that, which was the son of Levi, 30 Which was the son of Simeon, which was the son of х
Juda,
Juda, which was the son of Joseph, which was the son of Jonan, which was the son of Eliakim,
31 Which was the son of Melea, which was the son of Menan, which was the son of Mattatha, which was the son of Nathan, which was the son of David,
32 Which was the son of Jesse, which was the son of Obed, which was the son of Booz, which was the son of Salmon, which was the son of Naasson,
33 Which was the son of Aminadab, which was the son of Aram, which was the son of Esrom, which was the son of Phares, which was the son of Juda,
34 Which was the son of Jacob, which was the son of Isaac, which was the son of Abraham, which was the son of Thara, which was the son of Nachor,
35 Which was the son of Saruch, which was the son of Ragau, which was the son of Phalec, which was the son of Heber, which was the son of Sala,
36 Which was the son of Cainan, which was the son of Arphaxad, which was the son of Sem, which was the son of Noe, which was the son of Lamech,
37 Which was the son of Mathusala, which was the son of Enoch, which was the son of Jared, which was the son of Maleleel, which was the son of Cainan,
38 Which was the son of Enos, which was the son of Seth, which was the son of Adam, which was the son of God.
CHAP. IV. 1 Christ's temptation und victory. 14 He beginneth to
preach. 16 They at Nazareth admire him. 33 He
cureth diver's sick. AND Jesus being full of the Holy Ghost returned from
Jordan, and was led by the Spirit into the wilderness, 2 Being forty days tempted of the devil. And in those days he did eat nothing: and when they were ended, he afterward hungered.
3 And the devil said unto him, If thou be the Son of God, command this stone that it be made bread.
4 And Jesus auswered him, saying, It is written, That
man shall not live by bread alone, but by every word of God.
5 And the devil taking him up into an high mountain, shewed unto him all the kingdoms of the world in a moment of time.
6 And the devil said unto him, All this power will I give thee, and the glory of them: for that is delivered unto me; and to whomsoever I will I give it.
7 If thou therefore wilt worship me, all shall be thine.
8 And Jesus answered and said unto him, Get thee behind me, Satan : for it is written, Thou shalt worship the Lord thy God, and hin only shalt thou serve.
9 And he brought him to Jerusalem, and set him on a pinnacle of the temple, and said unto him, If thou be the Son of God, cast thyselt down from hence :
10 For it is written, He shall give his angels charge over thee to keep thee :
11 And in their hands they shall bear the up, lest at any time thou dash thy foot against a stone.
12 And Jesus answering said unto him, It is said, Thou shalt not tempt the Lord thy God.
'13 And when the devil had ended all the temptation, he departed from him for a season.
14 And Jesus returned in the power of the Spirit into Galilee : and there went out a fame of him through all the region round about.
15 And he taught in their synagogues, being glorified of all.
16 | And he came to Nazareth, where he had been brought up: and as his custom was, he went into the synagogue on the sabbath-day, and stood up for to read.
17 And there was delivered unto him the book of the prophet Esaias, And when he had opened the book, he found the place where it was written,
18. The Spirit of the Lord is upon me, because he hath anointed nie to preach the gospel to the poor ; he hath sent me to heal the broken-hearted, to preach deliverance to the
captives,
raptives, and recovering of sight to the blind, to set at liberty them that are bruised,
19 To preach the acceptable year of the Lord.
20 And he closed the book, and he gave it again to the minister, and sat down. And the eyes of all them that were in the synagogue were fastened on him.
21 And he began to say unto them, This day is this scripture fulfilled in your ears.
50 And all bare him witness, and wondered at the gracious words which proceeded out of his mouth. And they said, Is i10t this Joseph's son?
23 And he said unto them, Ye will surely say unto me this proverb, Plıysician, heal thyself: wliatsoever we have heard done in Capernaun, do also here in thy country.
24 And he saici, Verily I say unto you, No prophet is accepted in his own country.
25 But I tell you of a truth, Many widows were in Israel in the days of Elias, when the heaven was shut up three years and six months, when great famme was throughout all the land;
26 But unto none of them was Elias sent save unto Sarepta, à city of Sidon, into a woman that was a widow.
27 And many lepers were in Israel in the time of Elisens the prophet; and none of them was cleansed, saving Naaman the Syrian.
08 And all they in the synagogue, when they heard these things, were filled with wrath,
29 And rose up, and thrust him out of the city, and led him unto the brow of the hill whereon their city was built, that they might cast him down headlong.
30 But he passing through the midst of them went his way,
si And came down to Capernaum, á city of Galilee, and tanght them on the sabbath days.
$4 And they were astonished at his doctrine : for his word was with power.
93 And in the synagogue there was a man, which had a spirit of an unclean devil,and cried out with a loud voice,
34 Saying,


text:
Metal Sucks GET INSIDE THE MIND OF PRODUCER SANFORD PARKER LOBBING JÄGER BOMBS AT BEST BUY
Music Dorkery
GET INSIDE THE MIND OF PRODUCER SANFORD PARKER
February 18th, 2011 at 3:00pm
Vince Neilstein
A producers' role in the overall sound of an album is often under-appreciated. Sure, most people know roughly what it is that producers do, but until you've been in a recording session and seen first-hand how producers work with bands you can't possibly understand the entirety of the impact they have on the final product. I've always been fascinated by producers (and mixers); when the Internet first started to be a place you could easily find a lot of organized, useful information (at some point in the late '90s / early '00s) I'd spend hours upon hours looking through album credits at AllMusic.com to see who produced and mixed my favorite albums, then I'd follow those links to look at said producer or mixer's entire discographies, then I'd follow those links to look at other albums… and so on and so forth. I totally ate it up, and it's still something I find an incredible amount of interest in.
That's why I'm excited that Crustcake posted this awesome video interview with metal producer Sanford Parker, certainly one of the "it" producers of the moment, who's worked with Nachtmystium, Pelican, Rwake, Batillus and many, many more. Check it out after the jump.
I'm not sure what context this was filmed in (there's audible audience laughter occasionally), and the interviewer comes off as a bit ignorant with regards to metal (which he at least admits), but there's some great stuff here; Parker shares his thoughts on how to approach production, the creative process, his listening preferences (country!) and also puts up with the interviewer's annoying questions about metal sub-genres. Bonus points for the zinger about Chicago being filled with "hipster indie rockers;" the audience bristles. Check it:
If you dork out on music producers like I do, don't miss the video interview with producer Colin Marston (also a member of Gorguts, Dyshrythmia, Behold… The Arctopus and Krallice) that Scion A/V released last month.
-VN
Tags: Nachtmystium, Sanford Parker
NACHTMYSTIUM'S BLAKE JUDD WAS ON FAMILY GUY
Shit That Comes Out Today 0
Shit That Comes Out Today: November 30, 2018
November 30th, 2018 at 9:30am MetalSucks
Your one-stop shop for all the week's heaviest releases including Thy Art Is Murder, Rotting Christ, Nachtmystium, Kenosis, Sarah Longfield and many more.
Worst Week Ever 0
Corey Taylor's Favorite Stories That You May Have Missed This Week
October 26th, 2018 at 5:00pm MetalSucks
Includes Corey's thoughts on Metallica, Absu, Manowar, and more.
Breaking the Law 0
Nachtmystium's Blake Judd Once Again Accused of Scamming Fans and Bailing on Shows
Sources close to the situation tell MetalSucks that Judd's actions are the result of his ongoing struggle with substance abuse.
Debunking the Myth that Guitar Hero Made Dragonforce
Exclusive Interview: Lamb Of God Drummer Chris Adler on Randy Blythe's Imprisonment, Upcoming Tour and the Future of the Band
Nothing to See Here, Just Some Photos of Cats Wearing Metal Battle Vests
That Time Shaun Got Drunk and Filmed a Music Video with His Cat
Ministry's Al Jourgensen: "I Got Paid to Humiliate Fred Durst"


Make sure to bookmark: www.islandbeachnatureprograms.org!
Over the past few months, we have been working with interpretive staff at Island Beach State Park to develop a new website. The new website showcases the rich natural resources available to visitors of the Park. Daily and guided programs are offered throughout the summer, starting in June.
Guided programs (cost between $5-25) include: Birding by Kayak, Surfing, Coastal Cooking, Kayak Eco-Tour, Beginner's Surf Fishing Clinic, Clamming, Moonlight Hike, Nature Photography Seminars, and more!
Ben Wurst is the Habitat Program Manager for Conserve Wildlife Foundation of New Jersey.


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