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Q: Angular filter issue, fails for special characters I have been using Angular Filter for a while now,
If I use "!@#" string in search box. The filter service doesnot work.
See this example on Angular Site
https://docs.angularjs.org/api/ng/filter/filter

A: Using the ! preceding a string (@#) will find all that does not match (negates) @#. https://docs.angularjs.org/api/ng/filter/filter Seems to be working correctly.

redpajama_set_name: RedPajamaStackExchange


.. Quite a few of us trying for number three this month!
AF finished today so we'll be back in action by the weekend.!
Mrs Alice that is amazing news, congratulations! What a great start to the February train.
Girls anyone know of any good apps to detect when your ov is due or what are the better sticks to get online?
I just google ovulation calculator and go with whichever one comes up usually is always.
I just use cheap ovulation strips bought on Amazon.
I did use clearblue advanced digital before because I thought it would be easier but because I test a urine sample about 6 times a day it was very expensive.
Leanabh that's the app I used to use thanks. We are fairly tight for time on our window to conceive so might have to get some good opk sticks to properly get the window just right.
Temping is the only way to confirm ovulation exactly but I haven't been temping the last few months. Just remember you are fertile for 5 days before you ovulate because sperm live that long..... So get busy in the lead up!
Solid line on cheapie Amazon and dealz ovulation stick this morning..woohoo..did wed, Thurs, Fri and this morning..Will do it once more tm evening to round off the week! I always get good CM when I'm ramping up to ovulation and my body was spot on this month. Fx we'll catch the egg!
CD12 now and can feel my body getting in the mood but I canot stop arguing with my husband!! Cannot imagine DTD in the next two years!
Cherry cola I'm cd11 and I'm willing my body to cooperate ; no signs yet had really sharp pains yesterday on right side lasted a min or two and thought oh no have I missed it- OPKs negative.
What times do you test at? Is there a good website to explain temping and how it works- Iv never done it.
Missmay I test my opks between 6-7am (depending on when I get up) I bring 2 pee cups to work and collect urine at my breaks 10.30, 12.30 (for testing later) then test again at 4pm, 6.30pm & 9-10pm. I know that might seem excessive but for me I can really see the difference in the lines getting darker/lighter that way.... If I tested less often I'd be afraid I'd miss the peak. I also started taking photos of the test strips this month for the purposes of comparison.
I'm currently on cd19 and 5dpo. I never had any early symptoms with my other 2 pregnancies so I'm not even symptom watching. One week until I'll do my first poas and 9 day until af is due.
Hi could I jump on aswel for the first time!


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NEW AMBASSADOR OF THE REPUBLIC OF AUSTRIA ACCREDITED IN TURKMENISTAN
On November 30, 2022, a meeting was held at the Ministry of Foreign Affairs of Turkmenistan between the Deputy Minister of Foreign Affairs of Turkmenistan V. Hajyiev and the Ambassador Extraordinary and Plenipotentiary of the Republic of Austria to Turkmenistan (with residence in Baku) Mr.Thomas Schuller-Gotzburg, who arrived in Ashgabat to present credentials.
In course of the meeting the diplomats expressed the interest of Turkmenistan and Austria in establishing long-term cooperation in various areas of mutual interest. They also discussed the prospects for cooperation at the multilateral level and important issues on the UN agenda of mutual interest.
Emphasizing the important role of the foreign ministries in the development of cooperation between the two countries, the visit of the Minister of Foreign Affairs of Austria to Turkmenistan in 2021 was noted, during which the Program of Cooperation between the Ministries of Foreign Affairs for 2022-2023 was signed.
In frames of the meeting, Ambassador presented copies of his credentials.
In the afternoon, on behalf of President Serdar Berdimuhamedov, the Chairman of the Mejlis of the Milli Gengesh of Turkmenistan G.Mammedova received credentials from the Ambassador Extraordinary and Plenipotentiary of the Republic of Austria to Turkmenistan (with residence in Baku) Mr.Thomas Schuller-Gotzburg.
The Chairman of the National Parliament congratulated the guest on his appointment to a responsible diplomatic post, wishing him success in strengthening the ties of friendship and cooperation between the two countries.
The parties expressed interest in promoting trade and economic ties. In this regard, the importance of the Turkmen-Austrian business forum held on November 29, as well as the 11th meeting of the Turkmen-Austrian Joint Commission on business development and trade, which is taking place today in Ashgabat, was emphasized.
Cooperation in the cultural and humanitarian field was also discussed. In this context, it was noted that the Austrian-Turkmen Society, established in 2008, promotes various cultural events between the countries.
Thanking the Turkmen side for the wishes on the appointment to a high diplomatic post, the Austrian Ambassador to Turkmenistan assured that he would make every effort to further strengthen the Turkmen-Austrian relations.
Prime Minister meets Ambassador of United Arab Emirates to Georgia
Georgian Prime Minister Irakli Garibashvili met with Ahmed Ebrahim Ahmed Taher Al Nuaimi, Ambassador of the United Arab Emirates to Georgia.
The conversation at the introductory meeting covered the relations between the two countries and prospects of future cooperation.
The Head of Government congratulated the diplomat on his appointment as Ambassador to Georgia and wished him success in his future endeavors.
It was underlined that the Georgian Prime Minister's visit to the United Arab Emirates was yet another step toward strengthening the friendship and partnership between the countries. The Prime Minister thanked the Ambassador for the UAE Government's hospitality and warm reception during his visit to the United Arab Emirates.
Emphasis was placed on the friendship and close partnership between the two countries. Commitment to furthering cooperation across a variety of areas was expressed.
Press Service of the Government Administration
MEETING OF THE MINISTER OF FOREIGN AFFAIRS OF TURKMENISTAN WITH THE DEPUTY MINISTER OF FOREIGN AFFAIRS OF IRAN
On January 9, 2023, the Minister of Foreign Affairs of Turkmenistan Rashid Meredov met with the Deputy Minister of Foreign Affairs of Iran for Economic Diplomacy Mahdi Safari in the Foreign Ministry of Turkmenistan.
A wide range of issues of bilateral cooperation in the political, diplomatic, trade, economic, cultural and humanitarian spheres was discussed at the meeting.
The parties noted the importance of meetings at the highest and high levels in expanding bilateral friendly relations.
During the negotiations, the importance of the activities of the intergovernmental Turkmen-Iranian commission for economic cooperation was emphasized. The agenda also included issues of developing cooperation in the fuel and energy sector, building up transport and transit potential.
The diplomats paid attention to the upcoming joint events and meetings scheduled for this year.
At the end of the meeting, the sides reaffirmed their mutual commitment to the further course of strengthening the Turkmen-Iranian partnership, based on the age-old principles of friendship, good neighborliness and mutual respect.
Turkmenistan and PRC agreed to intensify the development of cooperation in the gas sector
Turkmenistan and China agreed to intensify the development of bilateral cooperation in the gas sector. This is stated in the Joint Statement of Turkmenistan and the People's Republic of China, signed by President Serdar Berdimuhamedov and PRC President Xi Jinping following the talks in Beijing.
In the document, the parties noted the importance of cooperation between Turkmenistan and China in the gas field and stressed that a scheme of comprehensive cooperation in this area is being formed - production, pipeline transportation, trade, financing and technical support.
The document emphasizes that Turkmenistan and China are strategic partners in the energy sector.
«Adhering to the principles of mutual understanding, sincerity, openness and mutual benefit, the Parties will further fully implement the existing agreements, advance the process of negotiations on gas cooperation, accelerate the implementation of the second stage of the industrial development of the «Galkynysh» gas field, the construction of line D of the «Turkmenistan-China» gas pipeline and other major joint projects, to intensify cooperation in the gas industry», the Joint Statement of Turkmenistan and China says.
MEETING OF THE MINISTER OF FOREIGN AFFAIRS OF TURKMENISTAN WITH THE PRESIDENT OF THE COMPANY "KAWASAKI HEAVY INDUSTRIES LTD."
On December 21, 2022, the Minister of Foreign Affairs of Turkmenistan R.Meredov had a meeting with the President of the company "Kawasaki Heavy Industries Ltd." Tatsuya Watanabe, during which the main areas of cooperation and ways to increase the effectiveness of interaction were discussed.
The interest of the company in the further development of cooperation with Turkmenistan was noted.
In this context, the parties noted with satisfaction the results of negotiations between the State Concern "Turkmenhimiya" and "Kawasaki Heavy Industries Ltd." on the construction of a second plant for the production of gasoline from natural gas.
VISIT OF THE DELEGATION OF TURKMENISTAN TO JAPAN
The Turkmen delegation headed by the Minister of Foreign Affairs of Turkmenistan Rashid Meredov is on a working visit to Japan on December 21-24, 2022.
Within the framework of the visit, the participation of the delegation in the 14th joint meeting of the Japanese-Turkmen and Turkmen-Japanese committees on economic cooperation, the participation of the head of the Ministry of Foreign Affairs of Turkmenistan in the 9th meeting of the Ministers of Foreign Affairs of the Dialogue "Central Asia + Japan", and the meetings are planned in the Government, Parliament, relevant ministries and departments, with the management of financial and export credit agencies, leading Japanese companies.
More in this category: « ОПРЕДЕЛЕНЫ АКТУАЛЬНЫЕ НАПРАВЛЕНИЯ РАЗВИТИЯ ТУРКМЕНО-КОРЕЙСКОГО ВЗАИМОДЕЙСТВИЯ TURKMEN-AUSTRIAN BUSINESS FORUM WAS HELD IN ASHGABAT »

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Who is Damian Musk the son of Elon Musk?
Ali Raza 11 months ago 08 mins
Who is Damian Musk?
Damian Musk is the child of Elon Musk, an extremely rich person. He was brought into the world on January first, 2006. His ethnicity is American, and his dad is of blended racial foundation. He grew up with twin siblings and was taken on through IVF. He was named after his dad, and is an individual from the X-Men. Despite the fact that he is the oldest child, he has a more established sister, Justine.
Father Multi-tycoon
His dad, Elon, is a multi-tycoon who is the CEO of Tesla Inc., SpaceX, and Neuralink. His total assets is $151 billion. Damian was brought into the world on January 1, 2006, and will be fifteen years of age by 2021. He has no youngsters yet. His mom was an English educator, yet she later turned into an English instructor in Japan. Two or three's youngsters are the main thing in their life.
In spite of the fact that his folks separated in 2008, Damian Musk is as yet living in a similar house. He claims a James Bond vehicle and beverages espresso and diet coke every day. As per his dad, caffeine keeps him engaged and conscious during his 100 hour work weeks. His more seasoned sibling Nevada, who passed on from SIDS at 10 years old weeks, had a senior sibling named Nikola. Since the youthful age of three, he has turned into the most renowned man on the planet.
Where Does Damian Musk Go to School?
Where does Damian Musk go to class? The youthful designer is a solitary parent who appears to be more worried about his schooling than his own life. In spite of the fact that he is reputed to be gay, there is no proof that he has been spotted at a school. His folks met in school, and he was a year in front of his sister. Elon, a previous technical genius, fell head over heels for his sister, Justine, from the outset. He ultimately asked her out on the town, yet she dismissed him. Damian Musk went on until she returned. He then, at that point, emptied chocolate chips frozen yogurt into her palm and afterward said a final farewell to her. Nonetheless, their marriage didn't keep going long and they separated from a couple of years after the fact.
What Befell Elon Musk's Child?
What befell Elon Musk's kid Nevada? This spooky instance of baby passing has turned into an Internet sensation. It isn't yet realized what caused Nevada's passing, yet Musk and his better half took what was happening in an unexpected way. Neither needed to discuss the episode, so they didn't examine it. Nonetheless, it appears to be that not entirely set in stone to continue on and move on as fast as could be expected. All things considered, he's not one to stay in obscurity.
Six Children
Justine Wilson and Elon Musk have six youngsters. He imparts guardianship of his first kid to her, and the other five with his better half, Talulah Riley. The primary kid, Xavier, was brought into the world in the year 2000, however passed on at ten weeks old. After the introduction of Damian, the couple wedded once more. In 2013, they invited twin children, Griffin and Xavier. They named their kid X AE A-Xii.
Child Boy is Due
As of May 2019, the child kid is expected. A photograph of the kid was shared by Elon and Grimes a couple of months after his introduction to the world. In December, Musk opened up to The New York Times about his kid's turn of events, and uncovered that a large portion of the nurturing obligations tumbled to Grimes. They later changed the name to X AE A-Xii, which is like "Xavier Alexander" from the vocalist's last collection 4AEM.
What number of Brothers and Sisters of Damian Musk Are There?
Damian was brought into the world on April 17, 1999, to Elon and Justine Musk. His folks met while he was an understudy at Queen' University in Peterborough, Ontario. They were hitched in 2000 and had four youngsters together. Their first kid, Nevada Alexander, passed on upon entering the world in the 10th seven day stretch of their pregnancy. After the passing of their first kid, Elon and Justine isolated. However, the two actually share care of their kids. Thereafter, Damian's dad continued on to Talulah Riley, an English entertainer. The couple separated in 2011 and were brought together in 2013.
Marriage 2000
Damian's mom, Justine, was a dedicated ESL instructor who had worked in Japan for a couple of years. She met Elon Musk during that time, and the two wedded in the year 2000. In 2008, Nevada passed on during the tenth seven day stretch of her pregnancy. Their kids are as yet living with their folks and offer care of the youngsters. From that point forward, Elon and Justine shared guardianship of their youngsters. After the marriage, they continued on to Talulah Riley, a British entertainer. After their separation, the couple separated in 2012.
Tagged: Damian Musk Elon Musk
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Stanza Excersise – Church Ave.
I am drawn back to settle.
And start for things ahead.
And I must away from the nettle.
I know it is a poor critic who needs to draw upon background information for his analysis, but such a short snapshot of an otherwise larger poem requires a bit of background information.
The stanza describes Church Avenue, a stretch of road behind the Weiss Center and the President's House. At night and, more specifically, on the weekends students use the street to go to and from parties. My apartment is right next to the street and, from my porch, I can hear students screaming and yelling at each other through much of the night.
The poem was inspired by a Saturday evening where, having coming back from a meeting, I sat on my porch to take a nap before meeting friends. I jotted the first line out before setting off for the night.
I wanted to have the stanza's structure emulate the jarring nature of the yell on an otherwise pleasant evening. The poem is metered and has a rhyme scheme. The first three lines and the last line, intended to represent the speaker's restful actions, are intended to be a long narration of actions and re-actions.
The fourth and fifth lines are designed to disrupt the flow of the story. The rhyme scheme for the piece is A-A-B-C-C-A. The A and B sections form a base to the story, a beginning that flows naturally into a narrative. The Cs are clumped together and brief, a jarring sensation that break the flow of the story. But, in the final line, we return to the A 'base'. In later lines and stanzas, if the poem were to go on, the narrative would continue along the A and B scheme with other rhyme schemes coming in to simulate the yells and shouts.
Much of the inspiration for the story's form is drawn, rightfully so considering our recent studying, from the poetry of Robert Frost. The narrative nature and topic of "Stopping By Woods On A Snowy Evening" was the elements most used, with its narrative nature and repetition carried over into the stanza. In Frost's poem he pauses to enjoy a scenic scene before being distruped because of an inner purpose. In this stanza the speaker, who is also the writer, is attempting to find privacy for self reflection as well. However, instead of internal reasons, the speaker is drawn out of his reverie forcefully by an outward exclamation.


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Impact Models
The Environment: Innovative Solutions to Our Biggest Challenges
By Adam G. Force
In Impact Models
The Earth is beginning to heave under the strain of overpopulation, war and famine. According to The United Nations, the ever growing global human population is expected to reach 9.7 billion by 2050 and 11.2 billion by 2100. This will not only put increasing pressure on natural resources such as food and water that are essential to life, but will also increase demand for everyday necessities such as energy, housing and jobs, to name a few. As the world's population — and the cities that support and accomodate this populace — continue to expand, the natural world is coming under increased strain. Added to this is the pressure of climate change impacts, which are becoming glaringly apparent everywhere we look.
The Nature Conservancy recently released a report, The Biggest Environmental Challenges of 2017, which shares perspectives from global leaders on the most pressing issues facing people and the planet.
Some of the key challenges identified in the report include:
Climate Change — this needs to be addressed before it's too late.
Sustainable Food Production — how do we feed a growing population without clearing natural areas to expand existing agriculture or expand already overfished fisheries?
Sustainable Cities — we need to create sustainable cities that are self-sufficient, which do not overburden surrounding land and water ecosystems that serve as vital life support systems for both wildlife and human life.
While this may seem like a doom and gloom scenario, Mark Tercek, President and CEO of The Nature Conservancy, is optimistic that these challenges can be overcome with creative, nature-based solutions.
"At The Nature Conservancy, we believe nature-based solutions can play an important role in addressing these big challenges. The road ahead won't be easy," cautions Tercek, "but by investing in nature, we think we can find common-ground solutions that are good for biodiversity, good for the economy and good for people."
Population growth will certainly exacerbate these problems, yet it can be argued that our planet has sufficient resources for everyone, but these resources are poorly managed, and in many cases squandered, with little regard for the needs of others or the future. This is largely the result of a money-based rather than resource-based economy, where saving costs and making profits is the key driver behind unsustainable practices. But some enterprises are moving away from the traditional bottom line approach that focuses exclusively on financial performance, opting for the triple bottom line approach, which measures their social, environmental (or ecological) and financial performance instead, in an effort to improve their sustainability performance.
For social entrepreneurs, these challenges present fantastic opportunities to come up with creative solutions to address these problems for the benefit of humanity, while at the same time generating profits. Below are some of the measures the report proposes we take to address these challenges, as well as some examples of innovative solutions that social entrepreneurs have come up with to tackle the environmental and social issues associated with some of these challenges.
Related: Sustainability as a Model for Environmental and Social Entrepreneurship
Opt for Clean Energy
It is imperative that we tackle climate change head-on by committing to a low-carbon future and transition away from fossil fuels to clean, renewable sources of energy.
Tesla, a technology and design company with a focus on energy innovation, is on a mission to do just that. From state of the art electronic cars that do not compromise looks, power or quality for carbon-free motoring, to solar roof tiles and power banks that supply a home with energy from the sun, Tesla offers clean energy solutions for motoring and electricity supply that will save motorists and homeowners thousands of dollars in fuel and/or energy costs after the initial purchase.
Ned Tozun, together with his partner Sam Goldman, of d.light solar is another example of a social entrepreneur in the energy space who is on a mission to change lives by bringing safe, affordable lighting and clean solar power to communities that do not currently have access to energy. Look out for our podcast interview with Ned in May.
Acknowledge Nature's Role in Addressing Climate Change
The report also suggests that we maximize the use of nature for addressing climate change and for mitigating the impacts of climate change. For example, reforestation projects can play an important role in absorbing carbon emissions that contribute to climate change, while restoring natural buffer zones such as wetlands and coastal zones can protect ecosystems and people from the impacts of climate change, such as sea level rise and storm surges.
When it comes to reforestation, we can all do our bit by planting trees in our own backyard, school or community. Felix Finkbeiner is a social entrepreneur who not only did just that at the tender age of nine, but in the ten years since planting his first tree, also founded the environmental group Plant-for-the-Planet, which in partnership with the United Nation's Billion Tree campaign has planted more than 14 billion trees across 130 nations. The group has since upped the stakes, setting a new tree planting goal of one trillion trees.
Improve Global Fisheries Management
Our oceans are over-exploited, and as a result fish stocks have drastically declined. Yet for many people around the world, seafood is a staple diet and often the only source of protein. With fish stocks declining, the livelihoods and staple food source of people who depend on it is in jeopardy. It is therefore essential that we manage fisheries appropriately to ensure these stocks remain viable and this vital source of food remains sustainable.
Dr Alasdair Harris of Blue Ventures, who we interviewed in the 6th edition of Change Creator Magazine, recently won a social entrepreneur award for his conservation work with coastal communities, aimed at restoring marine biodiversity and fisheries in overfished coastal waters. Blue Ventures uses a tempory closure model that allows stocks to recover, which ultimately benefits conservation and the communities that depend on fisheries for their livelihoods and food.
Urchinomics has a truly innovative solution that addresses both issues above, as well as other environmental and social issues. The company plans to harvest invader sea urchins, feed them up so they meet the high standards demanded by this luxury seafood market, then sell them to high-end restaurants. By doing so, they hope to eradicate invasive urchins that are decimating kelp beds worldwide so that affected kelp beds can recover.
As these kelp forests provide essential ecosystem services, including absorbing carbon dioxide, protecting coastal communities from storm surges, and providing habitat for commercial fish and other marine species, removing the urchins will not only provide a sustainable source of seafood, but will also allow biodiversity to return so that the kelp beds can continue to offer these services. Furthermore, the project will offer exciting business opportunities and employment to rural coastal communities where fisheries have been devastated by urchins or environmental disasters, such as the tsunami that ravaged a fishing community in Japan.
Expand Sustainable Agricultural Practices
With population growth and climate change impacts such as drought and floods, together with war and famine being on the increase, food security is one of the greatest challenges humankind is faced with. How do we balance the need for increased food production while preventing deforestation, maintaining healthy ecosystems and limiting contamination of freshwater bodies and our oceans at the same time? Some obvious solutions include moving away from monoculture and pesticide use and opting for more organic forms of agriculture. It also requires some thinking outside the box, moving towards innovative, unconventional approaches to food production that are healthier and greener, and that simply make ecological sense.
Aquaponics is one ecologically sound solution that offers opportunities for individuals, communities and commercial farming ventures to produce healthy organic food (fruit and vegetables as well as protein in the form of fish) by following basic ecological principals. It also offers opportunities for social entrepreneurs. For example, some have developed innovative aquaponics kits to enable households to grow their own food right in their kitchen, while in South Africa, a 13-year old girl has launched a successful aquaponics business that grows food commercially while she attends school!
YouTube video of 13-year old's successful aquaponics business
Urban rooftop farms and vertical gardens are other creative ways of maximizing space for food production without clearing more natural land for agriculture. For the latter, hydroponics is both a space and water saving method of growing organic vegetables in an indoor urban environment and lends itself to vertical farming. Listen to our interview with social entrepreneur, Tinia Pina, Founder and CEO of Re-Nuble, a socially minded organics-to-energy enterprise that converts food waste into an organic fertilizer as a byproduct of energy produced during the biodigestion process.
YouTube video on Rooftop Farm in New York
YouTube video on Vertical Farming
Create Sustainable Cities
Currently 54% of the world's population live in urban areas, and according to The United Nations, this figure is expected to rise to 66% by 2050. To accommodate the needs of this growing urban population, cities need to be developed with sustainability in mind. ReGen Villages has taken up the challenge. The company recently launched a pioneer development project that will feature integrated and resilient residential areas that are self-sufficient, providing the energy and food needs for the communities that live there. The first ReGen Village pilot community will be built in Almere, Netherlands, and thereafter the company plans to expand the project across Northern Europe.
YouTube video of ReGen Village concept
When Life Gives you Lemons, Make Lemonade
Yes, the world is facing some mammoth challenges right now, but as we can see, necessity is the mother of invention. These challenges present wonderful business opportunities for social entrepreneurs with passion and drive to literally take up the challenge for the greater good of the planet.
Goodio Organic Chocolate: Good For Munchies and The World
Why Great Businesses Start with Niche Market Ideas
Adam G. Force
I was fired from my first job and after 10 years working at WebMD I had an epiphany while in Costa Rica. I started my second business, Change Creator, to help early-stage social entrepreneurs grow a profitable impact business through our signature program, Captivate, magazine and podcast. To date, I've had the privilege of talking with people such as Jay Shetty, Seth Godin, Muhammad Yunus, Richard Branson, Arianna Huffington and so many great minds.
Getting Your Foot in the Door: Skills You Need to Make an Impact in Business
Prioritizing Sustainability as the Core of Your Business
Ensuring Your Green Initiatives Make a Difference


text:
Hello! Long time no see... Two news:
1. The website has been redesigned to be mobile-friendly (please contact us if you find any bugs).
2. Presqu'île Records is now on Bandcamp, with streams, downloads (FLAC / MP3) and CDs.
Dec 1, 2012 First Donation
Jul 25, 2012 Review at TMT
Jul 22, 2012 The Wire, PT Reviews
Jul 7, 2012 On Resonance FM
Jun 23, 2012 Flags Across Borders (and more)
Jun 2, 2012 Radio & Review
May 11, 2012 Admirable Restraint
Apr 23, 2012 "VA – Fukushima!" is out today!
Apr 14, 2012 "Fukushima!" pre-orders
Mar 3, 2012 "Fukushima!" preview
Jan 29, 2012 Announcing VA – Fukushima!
Oct 30, 2011 After a long hiatus...
Sep 5, 2009 Omni: out now!
Aug 15, 2009 Forthcoming third release
Nov 28, 2008 More shops, release party
Nov 2, 2008 First releases are available now!
Oct 4, 2008 Delay...
Aug 16, 2008 Out soon
Mitsuhiro Yoshimura
Toshiya Tsunoda
Taku Sugimoto
Masahiko Okura
Kato Hideki
Tetuzi Akiyama
Toshimaru Nakamura
Fukushima!
Annette Krebs
Burkhard Beins
Choi Joonyong
Chris Abrahams
Greg Kelley
Greg Stuart
Hong Chulki
Jin Sangtae
John Tilbury
Jonathan McHugh
Magda Mayas
Mark Wastell
Michael Pisaro
Erstwhile (USA)
IMJ (Japan)
Metamkine (France)
Squidco (USA)
The Book Society (Korea)
Order CDs, stream, download FLAC/MP3 via Bandcamp
Presqu'île Records
Based in Le Mans, France
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PSQ001 – CD Digipack – Release date: 2008/11/03
Mitsuhiro Yoshimura (microphone, headphones, book).
Toshiya Tsunoda (buzzer and brass sticks).
Taku Sugimoto (papers).
Recorded live by Taku Unami at Aoyama Book Center HMV Shibuya, May 19, 2007.
Mastered by Mitsuhiro Yoshimura.
"Santa" is a free paper which Sugimoto, Tsunoda, and Yoshimura edit and is issued about 4 times a year. "Santa" always includes 30000 to 40000 characters on the both sides of the A3 format because all the essays written by ourselves and the guest writers are of considerable volume. "Santa", which is aimed specially for critiques that concern music and words, is indeed a free paper consisting of almost only characters!
We had an event, which was called "santa book fair", at a certain bookstore in Tokyo for a month. For this book fair, each of us selected some of our favorite books and commented on them. This CD is the recording of the concert that we had at the gallery in the book store while the book fair was being held.
By the way, "santa" is a technical term, which means 3, as used in the traditional Japanese gambling game "oichokabu". It is therefore nothing to do with Santa Claus!
Illustrations: Julien Pacaud
Close Project
Mitsuhiro Yoshimura (microphone, headphones).
Masahiko Okura (alto sax).
Solo(s)
"Duo" recorded live at Loop Line, Tokyo, July 28, 2006.
"Solo(s)" recorded live at Loop Line, Tokyo, September 17, 2006.
Recorded and mastered by Mitsuhiro Yoshimura.
Although this CD is the live recording of a duo concert of Masahiko Okura and myself, I feel that these recorded performances are like two solo sets. However, at the same time, the coincidence factors intruded on these performances deeply and surely influenced in some way so that we can also say this is a trio performance CD. Of course, a title (here, of the music) doesn't explain the work of art, and also vice versa. One of them is not subject to the other. The title is on a parallel with the music for me.
I don't deny the meaning of a phenomenon nor prohibit, never limit. I just want to awaken meaning. What meaning do I want to alert? It is, "what is improvised music?".
Trio by Mitsuhiro Yoshimura / Masahiko Okura
Kato Hideki (electric bass with prime number tuning, bass synthesizer).
Tetuzi Akiyama (prepared electric guitar, electronics).
Toshimaru Nakamura (mixer, headphones, electric guitar).
Recorded live by Kato Hideki at SuperDeluxe in Tokyo on November 25, 2008.
Concert organized by Noda Shigenori(Callithump).
Live sound engineering by Noribumi Uchida (SuperDeluxe).
Mixed and mastered by Kato Hideki at Shadow World Studio in Brooklyn, NY in 2009.
Time is an essential subject in music. Conventionally, musical time moves in one direction on a linear plane. OMNI was co-founded by myself, Toshimaru Nakamura & Tetuzi Akiyama in 2006, to make music that develops in the depth of time.
We visualized the three of us on separate trains going through tunnels, rather than riding together on a linear time-table. Prior to the performance, each of us came up with individual sequences, without telling the others what we would do.
The result was many layers of moments that were transfixed in the recording, like a photograph taken with a long exposure.
Omni by Kato Hideki / Tetuzi Akiyama / Toshimaru Nakamura
Photography: City of the Shadows, Alexey Titarenko
PSQ004-2 – Double CD Digipack – Release date: 2012/04/23
John Tilbury – Al Contrario (D.Smith)
Magda Mayas - Foreign Grey
Choi Joonyong / Joe Foster / Hong Chulki / Jin Sangtae – From Dotolim
Burkhard Beins – Counter
Mark Wastell / Jonathan McHugh – Eventide
Annette Krebs / Chris Abrahams – Duo
Annette Krebs – Field recording of the anti-Wall Street-demonstration in front of the Reichstag in Berlin
Mural – Fukushima for the Time Being
Michael Pisaro / Greg Stuart – The Bell-Maker, from Four Pieces for Recorded Percussion (Il faut attendre)
Greg Kelley – Cylindrical Mirror
1-01: John Tilbury (piano).
1-02: Magda Mayas (piano). Recorded, mixed and mastered by Tony Buck in July 2011 at Pappelallee 5, Berlin and Acud Studio, Berlin.
1-03: Choi Joonyong (CD players), Joe Foster (things and stuff), Hong Chulki (without turntables), Jin Sangtae (acoustic car horns). Recorded at Dotolim, 19 September 2011, by Hong Chulki.
2-01: Burkhard Beins (analogue synthesizers, E.T., bowed chimes). Recorded and produced by Burkhard Beins in Berlin, July 2011.
2-02: Mark Wastell (Paiste 32" Tam Tam), Jonathan McHugh (Eventide H3000).
2-03: Annette Krebs (mixing-board-feedbacks, radio, amplified objects, e-guitar), Chris Abrahams (DX7 FM synth and Vermona Mono Lancet analog synth). Selected, mixed and mastered by Annette Krebs
2-04: Musicians and spontaneous guests: Sabine Erklenz (tp), Chris Heenan (alto sax), Mike Majkowski (pitch pipes), Andrea Neumann (tp), Koen Nutters (bowed crotales), Morten Olsen (git), invited via word-of-mouth and Facebook by Johnny Chang and Morton Olsen, playing a composition by James Tenney. Recorded, mixed and mastered by Annette Krebs.
2-05: Jim Denley (flute), Kim Myhr (acoustic guitars, zithers and objects), Ingar Zach (gran cassa, percussion).
2-06: Greg Stuart (glockenspiel, bar chimes, wood blocks). Recorded, mixed and mastered by Greg Stuart.
2-07: Greg Kelley (trumpet).
Album Mastering and Post Production: Christoph Amann, Amann Studios Vienna.
This compilation was inspired by Otomo Yoshihide's Lecture.
100% of the funds raised through the sales of this record will go to japanese non-profit organizations.
Christoph Amann
VA - Fukushima! by presquilerecords
Artwork: Leanne Shapton
The Online Edition
Below are the "bonus tracks" of the compilation, featuring Otomo Yoshihide's Lecture, two exclusive videos from AVVA (Billy Roisz and Toshimaru Nakamura), videos from Billy Gomberg and Richard Kamerman, paintings from Amy Casey.
The Role of Culture: After the Earthquake and Man-made Disasters in Fukushima
by Otomo Yoshihide
[PDF version]
Tokyo University of the Arts
Hello, I'm Otomo. Thanks for coming. Today's lecture is entitled: "The Role of Culture: After the Earthquake and Man-made Disasters in Fukushima."
I've been lecturing in the Tokyo University of the Arts about once every year for these past 10 years, and have discussed topics like sound and noise and what ensembles mean, etc. So when I was first asked to give today's lecture, I wasn't expecting to talk about something like this. But the earthquake occurred on March 11 and I happened to grow up in Fukushima, and I'm currently going back and forth between there and Tokyo to start up a new project related to Fukushima, so I'll be speaking about that today. But it won't be about politics, or about the science of how the nuclear power plant can be cleaned up; rather, I'd like to stick to the cultural aspect, where I can be involved.
I was born in Yokohama in 1959. That's 14 years after the end of WWII. I grew up in times when American soldiers were still hanging around the city. By the time I became aware of the things around me, Japan was going through a period of rapid economic growth, and in 1968, when I was in the third grade, my father's job required our family to move to Fukushima. That was when my relationship with Fukushima first began, since we had no relatives there; before then, I had absolutely no ties at all with the area. So since then, I lived in Fukushima for about 10 years until I entered university in 1978. After I moved to Tokyo at age 18, I hardly ever returned to Fukushima except to visit my parents during the New Year's holidays, and until the earthquake on March 11, I hadn't kept in touch with most of my friends back there, either. So, truth be told, I didn't feel homesick or anything like that at all.
But after the earthquake struck on March 11, even a heartless guy like me became concerned. At first, I was anxious about my parents. But even after I found out that they were OK, I couldn't stop worrying. I'm sure you all felt the same way, and the other musicians around me were like that, too. We all probably wanted to take action for the people in the Northeast. The musicians around me usually never say stuff like "helping others." These good-for-nothing people who had no other interest but music began saying things like "helping others out." Of course, I was one of them.
Not only that, but the nuclear power plant went "Boom!" right? When you live in Fukushima for 10 years, you become well aware that there's a nuclear power plant there, and everyone knows that it could be dangerous when an earthquake strikes. But, and I'm sure it's the same for everyone, you don't live in fear of earthquakes from day to day, so most people including myself knew about it, but hadn't given it much thought.
Then that accident occurred. Thinking back on it now, I think Tokyo went into a kind of panic mode when radiation was detected from Tokyo's tap water. People didn't run away screaming, but I was panicking, too. But an incomparable amount of radiation was falling over Fukushima at that same time.
When I began thinking about such things, I became really worried. I was worried about my parents, of course, but they're around 80 years old and they've already got cancer. I actually had this black joke running through my mind about how they might actually get better with a little bit of radiation. (Laughs) But the general mood doesn't allow such jokes, does it? (Laughs) I'd planned on having someone transcribe this and putting it up on my website, but now I can't. I want to change the subject. Just a moment.
A Massacre Is Happening 200km from Tokyo
I mean, it's such a funny world, isn't it? Funny in the sense that it's like being in a Monty Python skit. It's strange. It's strange because something close to a massacre is happening. Except it's killing slowly, like DEATH itself. Taking decades to kill. Maybe people won't die. But they're gradually making a place unsuitable for living in a way that's not against the law. I think this situation is inhumane.
When I turn on the TV, though, there are people still talking about how thermal power generation emits CO2. It's true that thermal power emits CO2 and I'm sure nuclear energy has its strong points as well as its weaknesses. But I think people should clearly point out that the current situation is inhumane. I think it's something close to murder. When someone's being stabbed with a knife, it's easy to understand, but the fact that this situation isn't so easy to understand makes it very tricky. I'm going to use this analogy again in this lecture... it's easy to understand, isn't it? When someone's being stabbed with a knife, you don't think it's a good thing, do you? And the person being stabbed won't even have the time to wonder if it's good or not, they'll just think, "OW!" I think this same thing is happening right now, except over a much longer period of time.
Not only that, but people are suddenly being chased away from their homes. Some say that the same thing happens with hydroelectric power generation, but I think that a village ceasing to exist because of a dam shouldn't be used as a comparison. Hydroelectricity might also be inhumane, but at least it's built on mutual consent. But nothing has been agreed upon regarding this current situation, and something clearly inhumane is ongoing. I'd like to ask everybody to first keep that in mind. I don't care if you're pro- or anti-nuke. That's for each of you to decide for yourself, but right now, something inhumane is happening in Fukushima and I don't think that inhumane things are good. What that means in relation to the pros and cons of nuclear energy isn't something for me to say right now. Each of you can decide for yourself, but please just keep that one thing in mind. The following lecture will be based on it.
Let's talk about Fukushima. In March, I was glued to the Internet and TV day in and day out, just like most of you here probably. I became a makeshift scientist, muttering things like "What's a Sievert?" and "Becquerel?" and "Micro-?" and "So 100 times that is how much?" One's lack of education becomes apparent during times like this. So in March I was caught between a sense of justice and becquerels and felt completely overwhelmed and burnt out.
Also, circumstances prevented me from going to Fukushima. I was told that I'd just be everyone's way. A guy like me with no skills would just be a nuisance there. And since there was no gas in Fukushima, if I went by car, I might not be able to come back, so I couldn't go in March. But all the same, I was simply worried to death. Even a person who wasn't very homesick felt like that.
Then around the end of March, I got a call from Mr. Michiro Endo. Michiro is also from Fukushima and is from my same high school, though he's 9 years my senior so we never actually went to school together. He used to be in a band called Stalin and is one of the pioneers of Japanese punk, known for his radical performances onstage. Well, I got a call from him and he said that he wanted to discuss something with me. I'd been thinking of calling Michiro, too, so we met and talked about how Fukushima was seriously in trouble. Of course, the other disaster-stricken areas were suffering, too, and in complete chaos, but what made Fukushima worse than these other areas wasn't just the damage caused by the quake or tsunami, but by the nuclear power plant. The nuclear power plant just won't return to normal. Radiation levels are still extremely high even in the urban areas.
And our question was, was it OK to talk about reconstruction in Fukushima while this was still happening? Frankly, we honestly questioned whether it even possible to reconstruct under the current circumstances, and that it was more important to first do something about the situation. To do something about the radioactive material accumulated in elementary schools, for example, or about the fact that residents are being prevented from living in their own homes. While other places can begin shifting towards reconstruction, Fukushima still isn't ready for that yet.
After talking with Michiro about such things, I told him that I was heading out to Fukushima to see for myself. That we should base our next move after considering what was really needed in Fukushima. Michiro felt the same way. His younger brother works at a hospital in Nihonmatsu, and hadn't been able to go home even for a day since the quake. Things were just crazy over there. By then, I just wanted to go to Fukushima above all else. I wanted to see my parents. My younger brother had already ventured into Fukushima before me, but he climbs mountains and races in rallies so he has survival skills. So he was already helping out over there, but I have no such skills, so I went after things had settled down a bit and when it was clear that gas was available in Fukushima; when relief goods had been distributed and the infrastructure restored. That was 4 weeks after the quake. I met musicians and event producers living in Fukushima, and various other people in Fukushima City.
Shi no Tsubute (Stones of Poetry): What Conveyed the Reality of Fukushima Better than Any News Report
Before I went, when I wanted to find out about information from Fukushima on the Internet, blogs and Twitter were most convenient. I was following "tweets" from ordinary moms raising kids in Fukushima and such people, and among them, there was a poet named Ryoichi Wago that I'd been paying close attention to. At first he was tweeting about the emergency shelters and such things, but suddenly his tweets turned into poetry. He began posting poem after poem under the collective title Shi no Tsubute (Stones of Poetry), and I'd been reading them. Mr. Wago's tweets felt more like windows looking into Fukushima to me rather than the act of reading poetry, and they resonated in a real way like no other news report had.
Until then, I wasn't too interested in poetry. Honestly speaking, I'd never thought that it was very interesting. And when I read Mr. Wago's poems for the first time, I didn't suddenly discover that poetry was interesting; rather, I read them as something I needed. Today's lecture is entitled "The Role of Culture," but leaving "roles" aside for a moment, people really do need to express words to survive and there are many ways to do so. Reporting something, for example, or simply talking with your friends. But among such methods, there were words being expressed that possessed a kind of universality, and by reading Mr. Wago's tweets, I began to realize that.
So I felt I wanted to meet Mr. Wago and contacted him. And to my great delight, he already knew about me. He happened to attend the high school that I'd gone to, and although he's 7 years my junior, he had vaguely known about me as someone in the music field who was a graduate of his school. And so we met and talked about various things.
People Seemed To Be Bleeding Profusely from Their Hearts
When I went to Fukushima and met with people, they all talked a lot. They all appeared to be really cheerful. But the more we talked... This might just be my impression, but this applies to almost everybody I met in Fukushima. I'm sorry if this comes across as sounding very offensive, but it was as though everyone there had been wounded in their hearts, or bleeding profusely from their hearts. I'd never seen anyone like these people before. And I mean even the people whose homes weren't destroyed, or who haven't been chased away from their homes. Later on, I did meet people whose circumstances were like that, but even the people whose utilities were working fine and living relatively normally seemed to be hurting, too. When I listened to what they had to say, they'd tell me that their family had evacuated, or that customers had stopped coming to their stores, for example.
Around that same time, there was a news report on TV in Tokyo saying, "There are no people in Fukushima right now. All the shutters are closed." Well, I knew about that already because it wasn't something that started recently. I mean, go to any provincial city, and you'll find that there are no people and the shutters are closed. It's not because of radiation. But when it's reported like that on the news, it appears as though some place that used to be vibrant has suddenly become a ghost town. It's TV magic.
I've been living in Tokyo for 30 years now and was born in Yokohama, and only lived in Fukushima for 10 years. So I'm essentially an outsider, but what I felt when I went to Fukushima and spoke with the people there was that many were tormented by a sense of being victimized. The first thing people talked about was the damage caused by bad rumors and misinformation. These kinds of damages actually did occur, for example, produce not selling and people being turned away from hotels and such. I'm sure there were a lot of other examples, but the bad rumors going around in Fukushima were a lot worse than that, and there were some that I'd never even heard of. For example, that there's an ongoing plan at Tokyo Station to put badges on just the people from Fukushima. Hardly anybody had said anything like that in Tokyo, but in Fukushima, everyone came up to me and said, "Folks in Tokyo are saying things like that, right?" Or that women from Fukushima wouldn't be able to get married. I was asked similar questions by many people, not just by one person, in Koriyama and in Fukushima City. Such rumors had spread like wildfire over there, and the situation was so much worse than the rumors being spread in Tokyo. I think this is very symbolic. It means that people are at a loss, and that they feel isolated and forsaken. That's what's actually happening right now.
Can a Sound Mind Be Maintained in Invisible Radiation?
What I'm most worried about is actually this. They say that the problems at the Fukushima nuclear power plant will be brought under control in 9 months, but I think that they just hope that things will be back to normal in 9 months. Everyone vaguely senses that matters are much more complex than that. There are people who are angry about how the Prime Minister said that some areas might become inhabitable for 10 or 20 years, but it's actually a possibility, especially the areas close to the plant itself.
I think it's really frightening to face reality up front during times like this. You're at a loss. Your family's evacuated. Radiation levels are high. The numbers being released by the government are high, and on YouTube you see the reading of a Geiger counter measuring the radiation of the school grounds skyrocketing. How could you maintain a sound mind under circumstances like that? Everyone talks about returning to "life as usual," but you want to scream, "Stop talking about life as usual when there's nothing 'usual' about life around these parts!" In other areas, the focus is gradually shifting towards reconstruction. And that's important, too, and I know that it's important to stand together and start working towards that. But I acutely felt that Fukushima still isn't capable of doing so.
The most troublesome aspect of radiation is the fact that you can't see it. When you look up at the sky, the blue sky is clear and beautiful. At night, the moon is really so much lovelier than in Tokyo, and when you inhale, the air tastes great. Wouldn't it be nice if radiation had flavor? But in reality, it has no taste, and what's more, they say that some effect might emerge at a certain rate a number of years later. There are so many theories about radiation out there, and it's so hard to decide which is correct, isn't it? When you look on the Internet, there are even some who are claiming now that radiation is totally OK and that it's actually good for your health, which took me by surprise and I thought, "Wow, it's good for you?!" But I think if you're desperate, you'll believe stuff like that. If someone went up to a desperate old lady and said, "This filter will remove 90% of radiation from tap water. 25,000 yen, please," then she'll probably end up buying it. This is what it's like right now. What's happening in Fukushima is like living in a world of comedy, like you're being swept away from reality. I'm not conveying this very well, am I? But it's really very hard to understand.
When you go closer to the coast, it's easier to understand because everything is destroyed. But in Fukushima City and in Koriyama, it's really difficult to understand. Of course, there are places where buildings are lopsided and roofs have fallen, but that's not what I mean. Have you heard of the theory used by pro-nuke people that sidesteps the issue about how it wasn't the radiation that killed people in Chernobyl, but that they were all worn down mentally? Well, I think there's some truth to that. Right now, the direct damage caused by the radiation isn't so much the problem as the wounds in people's hearts, the emotional disorders.
Even the people in Tokyo are stressed out. I mean, just watching the flood of reports on TV and being told that radiation was detected in tap water caused a reaction like that, so imagine what it must be like in Fukushima. And the accident level was raised to 7 just when I happened to be there. Kawamatamachi and Iitatemura, located directly east of Fukushima City, were included in the planned evacuation zone, and you could sense the question, "Is Fukushima really going to be all right?" looming over everyone's heads. Nobody could say that everything was going to be fine; likewise, nobody could decide if people should be told to escape because things were seriously dangerous.
Everyone Has Lost Confidence and Is Wounded in Their Hearts
When I met with Mr. Wago and various other people in Fukushima, I told them that Michiro Endo wanted to do a festival in Fukushima. But everyone said, "What? A festival?" at first. And I also told people that Michiro would probably sing something like, "Fuck nuclear power plants!" because he has a song called "Tenbatsu nanka kusokurae (fuck divine punishment) !!!" So I asked people what they thought about Michiro wanting to sing, "Fuck nuclear power plants!" at a festival, and they said, "Please don't mention the power plant." Isn't this shocking? You'd think that the people in Fukushima are enraged about the power plant, right? Well, they're angry, of course. They're angry, but there's also a mood that prevents them from saying anything. Anyone who's grown up in Fukushima would understand, but Fukushima has its particular circumstances. And people feel inferior about the fact that they'd been promoting nuclear energy, but these aren't the only reasons why.
To explain the essence of this problem, I'm going to use that knife analogy again. Say for example there's a person who's been stabbed with a knife and fallen on the ground. He's still breathing and not dead yet, and some say that if the stabbed person is taken to a hospital, he'll be all right. Then suddenly, this really energetic guy with a strong sense of justice from Tokyo appears before them and says, "Knives are bad. Let's start an anti-knife movement!" I think the nuance is something like that. It's not a good idea. Well, at least it's still not the time. It's still more important to something about the wounded. This is the first problem.
And if it were simply a knife wound, then all you'd have to do is take the patient to a doctor and get him stitched up. But this wound isn't just about the people in Fukushima. It also includes those of us in Tokyo, and it's about "the heart." Until now, I'd been too embarrassed to use words like "the heart." People might say that it's the job of psychiatrists to heal wounded hearts and minds. But this isn't just about that kind of disorder. The wound isn't just afflicting each individual; everyone is collectively wounded. I think that the biggest reason for this is that everyone has lost confidence.
We lost confidence, too, didn't we? We didn't know what to do. I'm sure there were a lot of us who felt that we were completely useless. When you sit down and think about it, though, you realize that you were actually always useless, except you'd never had that truth thrust into your face before. Before, if I went to the bank and was told that I was ineligible to create an account, I wouldn't think that I was a useless person and become dejected. But the current situation brings me down. In short, someone who has always been useless won't become useful all of a sudden, but everyone acutely felt his and her own uselessness. Wanting to be of use to others is a noble desire, and I think even the people who weren't struck by the disaster are hurting like that as well.
Changing "FUKUSHIMA" into a Positive Name
In the disaster areas, there are many levels of damage ranging from the people who were hurt mentally, financially, and physically, to those whose hearts actually stopped because of an actual injury. In those terms, the situation in Fukushima City is really difficult to fathom, and there are those who refuse to admit the damage. Some people might see this and feel angry because they disagree. So this is just my personal opinion, but I feel that the way the people in Fukushima City and Koriyama are hurting is distinctive, and what's more, they're hurting from an extremely inhumane state of affairs. And like I said before, this pain originates from the loss of self-confidence.
Another reason has to do with the name of the place, "Fukushima." I think people need to feel a kind of pride about the place they live. Like for example, "Vegetables from Fukushima taste great." Or that it's not urban like Tokyo but the air's really good, or that one feels at home there. Or just that you like it there or you don't... it could be anything, but I think people's lives are built on such feelings. But now, the name "Fukushima" that refers to the entire area where people live has become synonymous with "Chernobyl," meaning a disgraceful place where an accident has occurred at a nuclear power plant. This name that hardly anyone had ever even pronounced outside of Japan has now become an infamous brand name. Everyone in the world has heard of Fukushima now.
When I see the demonstrations taking place overseas, like in Germany for example, I see signs with slogans like, "No More Fukushima" on them. For someone like me who was raised in Fukushima, it feels sort of miraculous, or just plain weird to see the word "Fukushima" written on signs in other countries like that. You'd understand if you replaced it with the name of your hometown. Ordinarily, unless something incredible happens, a place doesn't become that famous. But Fukushima has now become famous in a very disgraceful way, and who feels happy about becoming well-known like that? I think this is another big reason contributing to the loss of self-confidence.
While I was speaking with Mr. Wago, I realized something. If the name "Fukushima" continues to be burdened with this infamous baggage, its residents won't be able to go on, and won't be able to recover their self-confidence. And another thing that worries me greatly is something that's already beginning to happen, that Fukushima is going to become isolated. I said this before, but the other areas are beginning to shift towards reconstruction. Eventually, I think the desire to keep Fukushima, which can't start recovering yet, out of the picture will begin to permeate. When this happens, it will become like the other pollution-related diseases that has occurred in Japan in the past, and the situation in Fukushima will be labeled as something particular to the area and a lid will be put on it. The victims will be nicely compensated, but the problem will be put away as something just concerning that particular area.
But here's what I really want to say. Is this just Fukushima's problem? I don't even think it's just Japan's problem. It's the same as when Chernobyl happened. I'm not saying this to persuade people to begin opposing nuclear energy. That's not my purpose, but I don't think this is just Fukushima's problem. But how should I go about pointing out that it's not just Fukushima's problem? No matter how much I say that here, it's not very persuasive.
In that sense, and I realize this will sound offensive to the people of Chernobyl, but I feel that the name "Chernobyl" hasn't shed it's negative connotations. "Chernobyl" hasn't become symbolic of a movement to do away with nuclear power plants, for example, and we don't say, "Let's follow Chernobyl's example." I think this is because no culture has emerged from Chernobyl. Perhaps it exists, but I feel it doesn't come across. I apologize if I'm mistaken. I've been completely oblivious of such things before now.
Although this isn't the same thing as the problem of nuclear power plants, when people say, "No More Hiroshima" about Hiroshima, I don't sense the same kind of negativity there. I think that the people of Hiroshima have regained their self-confidence as the symbol of the peace movement. So I thought that "Fukushima" should also be turned into a positive name. After all, its name value is so high right now.
To make this happen, it's necessary to do something more substantive than merely working on image-building strategies. To give an example of what kind of substantive action could be taken to shift the name of "Fukushima" into something more positive, let's say that the mess at the nuclear power plant in Fukushima, currently still out of control, is contained through some kind of new technology. Then, and this is just an example, but Fukushima is designated as a special district promoting clean energy. If new, efficient technology emerges from Fukushima that makes use of wind or solar power hitherto avoided as being too inefficient, then that could give the name a positive image.
The Role of Culture Is to Depict a Positive Vision of the Future for "FUKUSHIMA"
I realize that it's extremely difficult to actually do something like that, but I feel that it's the role of culture to first start talking about such images and dreams. There are many kinds of culture. If someone wants to display a fun dream world without showing reality in front of people who are still in great pain, I think that's OK, too. Such music is OK, and so are such movies. In a way, I feel that what the people of Fukushima urgently need right now are actually things like that. For the people in so much pain.
But it's not enough to just dump a lot of fun things there. The next step should include more than just the kind of culture that helps people avoid facing reality. There's a plan to turn Fukushima into a special district allowing casinos. But building casinos won't change Fukushima into a positive name.
I think it's going to be very difficult to work in concrete terms towards making Fukushima into a positive name. But when you think about it, airplanes were put into use only several decades after the samurai in Japan discarded their swords and went through the Meiji Restoration. Seen in that light, it might be possible. Well, I'll be dead in a 100 years, so I'm just saying this irresponsibly, but... But we all have the freedom to dream, don't we? That's my first point. If we lose the freedom to dream, then I think that Fukushima will really die.
I'm not saying that people should keep living in Fukushima. I don't really think it's all right for somebody to say, "Well, I have the freedom to dream," and continue living in an area where the radiation levels are dangerously high. I think the reality is that unless some kind of technology to remove radiation is developed, some areas will be inhabitable. But not all of Fukushima is becoming inhabitable, so we should calmly keep that in mind. And if the time comes when some areas do become inhabitable... I know this sounds cruel, but it's necessary to make decisions and culture shouldn't deceive people about something like that. We have to keep our eyes open. And this isn't something that only culture should be concerned about. Science and politics should also work in conjunction with culture. But I suspect that science and politics alone aren't enough to change Fukushima's name into something positive, and in the end it's the role of culture to do so.
Transmitting Culture from "FUKUSHIMA" to the World
I think the first "culture" to emerge from Fukushima was Ryoichi Wago's poetry. I think it's necessary to lay the groundwork to transmit the culture that emerges from Fukushima post-disaster. The current reality is that the main culture found throughout Japan is the one from Tokyo. We've all been influenced by the overwhelming amount of culture transmitted from Tokyo. The Tohoku (Northeast) region, Fukushima in particular, has always been in an awkward position in this sense. Thanks to the Shinkansen bullet train, it's possible to go to Tokyo in a little under 2 hours, which places Fukushima almost completely within the sphere of Tokyo culture, but at its very edge. This was where Fukushima stood, so before the quake, information might have been sent out from Fukushima but nobody in Tokyo thought to catch it. People in Tokyo didn't feel the need to do so, and the people of Fukushima had probably given up.
But now it's necessary to open a circuit to transmit directly from Fukushima, not via Tokyo. So DOMMUNE, a Ustream TV channel broadcasting from Tokyo, will be broadcasting from Fukushima shortly. As an independent station called "DOMMUNE FUKUSHIMA!" it will broadcast information directly from there. The first broadcast will be on May 8. A community FM station called KOCO Radio in Koriyama has a studio that accommodates Ustream broadcasts, so we'll be doing a talk show during the first half, and music and DJ segment for the latter half of the program. People from Fukushima, Tokyo, Miyagi, and other places will be featured on the talk show segment. I'll be the person from Tokyo and Mr. Wago will the one from Fukushima on the first show. Also, Mr. Ogawa, the curator of Sendai Mediatheque, and an artist who works with erasers who had evacuated from the disaster-stricken area in Minamisoma will be on the show. Mr. Naohiro Ugawa of DOMMUNE will also come from Tokyo. For the latter half, I'll be performing solo as well as Tabito Nanao, and Rei Harakami is scheduled to appear, too. So the plan is to keep transmitting through this circuit from Fukushima like this about once every 2 weeks on Sundays.
I'll announce the project that we're planning on doing from now on during this program. The important thing is to transmit from Fukushima. This is to prevent Fukushima from becoming isolated. At first this will be done in Japanese, directed from Fukushima to other parts of Japan, but ultimately we want to send our message out into the world, by translating our words into as many languages as possible. So we'll be creating things to be sent out from Fukushima.
We're also planning on organizing a large-scale outdoor music festival in Fukushima around the Bon Festival season in August. This is, of course, based on the assumption that the radiation levels are OK. Aside from the outdoor festival, we're considering various indoor projects as well. About 30 people have already volunteered to assist us, regardless of their companies or whether or not they have ties in Fukushima, and are helping us out with each of their special skills. We're still a bunch of novices, though, so right now we're trying to involve some more professionals as we get started.
The purpose of this project isn't just to perform music or organize entertainment. The biggest aim is to think about how we'll continue to observe Fukushima's ongoing situation. Right now, when everyone is hurting, a kind of entertainment that allows people to forget reality is necessary, too, so we're trying to balance that as well. If we try to face this harsh reality head on, we'd die. Because the ultimate way of facing reality would be to go right in front of the power plant itself.
There's just really one thing I wanted to say today. Let's switch the meaning of the word "FUKUSHIMA" into a positive one. Not deceptively, but in a fundamental way. What is necessary to make this possible? I don't think that the change will occur if some cool culture happens to emerge from Fukushima, because there are plenty of other places around the world that have cool culture. There are heaps of cool culture in London and in Tokyo and in Osaka and in Kyoto. Not just that, but how do we face the current problem in a fundamental way? If Fukushima could create a vision of the future, then it could change from its current position as a loser. How should we continue to observe reality? I really think that it's the role of culture to first present this matter of how we should face reality. I think it would be best if politics and science followed suit after that. Because frankly, right now the science to stop what's happening in the nuclear power plant is lacking, so somebody has to do something about it. I'm embarrassed to admit my ignorance, but I just recently learned that it takes decades to stop a nuclear power plant that's not even broken.
What is Truly "Imprudent" Right Now?
We perform pretty irresponsible music onstage, saying stuff like "the beauty lies in letting the feedback do its own thing," and making high-pitched squealing noises to our heart's content. But even we can turn off the noise with a flick of a switch. The current situation is like a feedback machine that's squealing continuously without a switch to stop it. So I was thinking of making a machine like that. It'll be called "Genpatsu-kun (Nuclear Boy) No. 1," and it won't have a switch to shut it down. It just keeps leaking noise and can't be stopped. When you turn it on with a bang, this sound just keeps coming out from it for about 20 thousand years. Bang, buzz! Or it explodes when you cut the power supply. I'm sure Genpatsu-kun No. 1 will dominate the world of noise music as the most powerful noise machine ever. I'm just really disappointed that I don't possess the skill to build something like that. I shouldn't be saying things like this, should I? Am I being imprudent?
But don't you want to say imprudent stuff like that? Oh, no one agrees with me? (Laughs) When I went to Fukushima and saw what was happening, I still really wanted to say imprudent things. Because our society is far more imprudent than anything I could say. Even when faced with such an inhumane situation, nobody points out that it's inhumane. Instead, people on TV are discussing what should be done about nuclear energy in general. Stuff like "the positive aspects of nuclear power is..." Of course there are positive aspects. Like how cheap it is. If you don't take into consideration the money that'll become necessary to pay for compensation, it's mighty cheap.
And what about the compensation? Has anyone read the article contributed by the writer Hiroki Azuma that was published in the Asahi Shimbun newspaper (Tuesday, April 26, 2011, morning edition, culture section) entitled "Thoughts from the 20km Evacuation Zone"? It's a report on how he went into the evacuation zone near the nuclear power plant and saw childeren's randoseru backpacks still left behind in schools. He points out that the cost of the nuclear power plant doesn't include the compensation that should be made to these children who had to leave their bags behind. I wholeheartedly agree with what he said. The cost of paying for a house to compensate someone who has lost theirs might be included in the budget, but the cost to compensate for the scars left in children's hearts isn't. And what about us? We might be called cowards, but weren't we all scared when radiation was detected in the tap water? I thought, "Shit!" And the cost to cover that isn't included, either. A society that doesn't allow for something so reasonable is far more imprudent than I could ever be.
I'm going around in circles now, but to return to what I was saying regarding facing reality... How should we perceive the current state of affairs? I can't interpret it. The only interpretations I can come up with right now is that it's inhumane, and that it's absurd, like a comedy. But nothing can begin unless I start expressing something beyond that. So the fact that I want to say imprudent things here is also a very simple kind of expression. That I want to create Genpatsu-kun No. 1. But the effectiveness of direct parodies like that is momentary, and I know that what lies beyond is more important. I don't know what lies beyond just yet. I really don't know. But I do have a gut feeling that it's the role of culture. I'm not saying that all artists should head to Fukushima. That's not what I'm saying, but Mr. Wago's poetry was an expression that couldn't help but be born from Fukushima, and I don't think it's possible to face the current state of affairs without taking things like that into consideration.
When I met Mr. Wago, he said something very symbolic. He said, "I don't care if I break." This might be interpreted as meaning he doesn't mind dying. But by interpreting his words in a narrower sense, I think it means that he doesn't care about his career as a poet. That he doesn't care about what modern poetry should be like and such things. That was how I interpreted his words, and I understand how he feels. I also used to think that I didn't care about such things to begin with, but now I really couldn't care less. Instead, I want to think about what's really necessary right now. All I can do is to keep thinking about what I'll express through music under the current circumstances. I'm a musician, after all.
Will You Shut Up and Assist the Quiet Massacre, or Will You Dream about Creating the Future?
Right now there are just so many things I have to do and I'm overwhelmed, but I find that talking to people helps me organize my thoughts. So I'll come out and give these lectures. When I spoke with Mr. Wago or when I chatted with the middle-aged lady working at the ramen shop in a city in Fukushima, there were things that became clearer to me. So I think it's definitely better to meet with people directly and talk rather than just exchanging 140 letters back and forth on Twitter. And when people meet and talk, for example, the result won't be as simple as 2 people with different views trying to persuade the other to change their mind. Not just words, but the movement of people's eyes and body, their facial expressions, everything encompasses what they're trying to express, and culture is about how we perceive such expressions. It's the only place we can start.
So in that sense, by going to Fukushima and Mito, and I also went to Kyoto around that same time... Going to various places and meeting with various people was really good for my emotional well-being. Just talking and saying silly things. I also felt relieved when I read silly tweets. Do you know Tabata? The guitarist. He used to be in Boredoms during their early years, and is currently in Zeni Geva with Null. Well, his tweets are really great. He's full of this sense of justice and writes about the nuclear power plants, but he ultimately breaks down into these really silly tweets. When I see them, I feel relieved. People don't live just by doing noble things.
So when I meet people, the silly topics alternate with the not-so-silly topics when we talk, and I really feel the importance of doing so. And it just feels really good to see people's faces. During the month of April, I think I met and talked to more people than I've ever done in my life. I sometimes wonder if I'm in a manic state, I'm talking so much. and the people I meet with talk a lot, too. There were many people in Fukushima who'd keep talking for 30 minutes if I listened. And it's not just in Fukushima, is it? We all want to talk. We want to talk, and we really want to hear what other people have to say. I'm sure that those of you who came here today probably feel the same. You wanted to find out what Otomo is thinking about right now.
I'll repeat this one last time. What should we do about the situation that's currently unfolding in Fukushima right now? How do we carve out a future from there? Our future really depends on how these questions are answered. And the people who can accomplish this are the people of Fukushima, who are still experiencing the current state of affairs first-hand, and we who caused the accident to occur in the first place. It's no exaggeration to say that our future depends on whether the name "FUKUSHIMA" remains saddled with negative connotations or if it's remembered as being the honorable name of a place that took the initiative in creating a new future. How do we interpret this current cruel reality, and how do we create the future? The role of culture lies there. Thank you very much for today.
Translation by Mia Isozaki.
Firstly published by japanimprov.com
Other translations: [french] [spanish]
AVVA:pho
Billy Roisz & Toshimaru Nakamura
pho [11:46]
Recorded Oct 2, 2011
at sperrmueccstudios
in Vienna
AVVA:suro
suro [03:08]
Billy Gomberg
Fukushima for the Time Being [09:37]
Richard Kamerman
From Dotolim [14:29]
Amy Casey
Rolls Tohoku
Takashi Homma
Ikuru Kuwajima
Andrew Burton
Stephen Vaughan
Eric Rechsteiner
Jeremie Souteyrat
Magdalena Sole
Maps & Datas
Safecast
Memories for the Future
World Earthquakes 2011 Visualization Map
Japanese Red Cross Society
Civic Force
Project Fukushima!