text:
Q: Repeating methods with string content I have a school assignment where I've been asked to write a program
that show a figure (a boy, girl or a rocket) in a dialog window depending
on the user's choice.
While i've managed to do so, but one thing I can't solve.
In the assignment, the user is going to have the ability to choose how
the rocket's length is going to be by typing in a number.
Based on the number, two of the methods I've created is going to repeat
itself to make the rocket's length expand. But I haven't been able to come up with anything
that does this.
I've been going through various tutorials (if, while, etc.) but my limited experience with
Java has left me unsuccessful. Any ideas what to do?
    import static javax.swing.JOptionPane.* ;

    public class Figurer
    {
        public static void main (String [] arg)
        {
            String hälsning, indata ;
            char svar ;
            hälsning ="Hej!\n"
                 + "Detta program skriver ut en figur\n"
                 + "som du väljer i nästa fönster." ;
            showMessageDialog (null, hälsning) ;

    do
    {
        indata = showInputDialog ("Välj mellan följande figurer:\n"
             + "Pojke\n"
             + "Flicka\n"
             + "Raket") ;

        switch(indata) {
            case "Pojke" :
            case "pojke" :
                String showBoy = figureBoy () ;
                showMessageDialog (null, showBoy) ;
                break;
            case "Flicka" :
            case "flicka" :
                String showGirl = figureGirl () ;
                showMessageDialog (null, showGirl) ;
                break;
            case "Raket" :
            case "raket" :
                String showRocket = figureRocket () ;
                showMessageDialog (null, showRocket) ;
                break;

     }
        indata = showInputDialog ("Vill du se en till figur? (j/n) ") ;   // Repetionssats för fler beräkningar
                svar = indata.charAt(0);
            }
            while (svar == 'j' || svar == 'J') ;
            }

        //METOD: figureBoy
        //INNEHÅLL: Argument för ihopsättande av figur föreställande en pojke
        //ARGUMENT: boy, part_huvud (), part_base (), part_body () och part_cone ()
        //RETURNERAS: Sammanställningen av argumenten till variabel showBoy
        public static String figureBoy ()
        {
            String boy = part_huvud () ;
            boy = boy + "\n" + part_base () + "\n" + part_body () + "\n"
            + part_base () + "\n" + part_cone () ;
            return boy;
        }
        //METOD: figureGirl
        //INNEHÅLL: Argument för ihopsättande av figur föreställande en flicka
        //ARGUMENT: girl, part_cone () och part_base ()
        //RETURNERAS: Sammanställningen av argumenten till variabel showGirl
        public static String figureGirl ()
        {
            String girl = part_huvud () ;
            girl = girl + "\n" + part_cone () + "\n" + part_base () + "\n"
            + part_cone () ;
            return girl;
        }
        //METOD: figureRocket
        //INNEHÅLL: Argument för ihopsättande av figur föreställande en raket
        //ARGUMENT: rocket, part_base (), part_body () och part_cone
        //RETURNERAS: Sammanställningen av argumenten till variabel showRocket
        public static String figureRocket ()
        {

        }
        //METOD: part_huvud
        //INNEHÅLL: Argument med tecken som föreställer ett huvud
        //ARGUMENT: Variabeln hu och sträng med tecken som formar huvudet
        //RETURNERAS: Innehållet i variabeln hu som skickas till metoden figureBoy, figureGirl och figureRocket
        public static String part_huvud ()
        {
            String hu ;
            hu = "  /      \\ \n"
            + " |@,@| \n"
            + "  \\  v  /" ;
            return hu;
        //METOD: part_base
        //INNEHÅLL: Argument med tecken som föreställer ett tjockare streck
        //ARGUMENT: Variabeln ba och sträng med tecken som formar strecket
        //RETURNERAS: Innehållet i variabeln ba som skickas till metoden figureBoy, figureGirl och figureRocket
        }
        public static String part_base ()
        {
            String ba ;
            ba = "=====" ;
            return ba  ;
        //METOD: part_body
        //INNEHÅLL: Argument med tecken som föreställer två paralella linjer
        //ARGUMENT: Variabeln ba och sträng med tecken som formar linjerna
        //RETURNERAS: Innehållet i variabeln bo som skickas till metoden figureBoy, figureGirl och figureRocket
        }
        public static String part_body ()
        {
            String bo ;
            bo = "|         |\n"
            +"|         |\n"
            +"|         |" ;
            return bo ;
        //METOD: part_cone
        //INNEHÅLL: Argument med tecken som föreställer en kona
        //ARGUMENT: Variabeln ba och sträng med tecken som formar konan
        //RETURNERAS: Innehållet i variabeln co som skickas till metoden figureBoy, figureGirl och figureRocket
        }
        public static String part_cone ()
        {
            String co ;
            co = "     /\\\n"
            +"   /    \\      \n"
            +" /        \\       " ;
            return co ;
        }
}

A: Not going to answer and write all the code, but here is some direction.
First, when it comes to Strings you can change to lowercase to do case-insensitive comparison:
indata = indata.toLowerCase();

That way you don't need to double all your cases and you'll match even if they uppercase the second letter by accident.  And if you ever need to do equals instead of a switch do:
indata.equalsIgnoreCase("some value");

Or even better, to avoid null:
"someotherstring".equalsIgnoreCase(indata);

Second, you can build a string of any length during a loop just as you would add numbers in a loop.  But to accomplish this use a StringBuilder object:
StringBuilder rocketBody = new StringBuilder();
int howmanypieces = (user input);
while (howmanypieces > 0) {

   rocketBody.append(rocketBodyPart());
   howmanypieces--;

}
rocketBody.toString();

A: If you have an integer variable count, and you want to run some code count times, do this:
for (int i = 0; i < count; i++) {
    // code
}

What this does is first make a variable called i and initializes it to 0, then repeats the code until i >= count. It also adds 1 to i after running the code.
Inside the loop, you can use the variable i. The first time the loop runs, it will be 0. The next time it will be 1, and so on. It will never be equal to count. In the last iteration, it will be count - 1.


text:
Q: Many files jvm.pid.bkp created under tomcat directory I am having a very weird problem on my Java hosting. It seems to be reverting changes I have made. I have deleted all cache and all ROOT.war files. Exported a new ROOT.war file and uploaded it to the server and started the JVM. I usually do this late at night so no users are active.
Test and all seems to be perfect. Then the following day my users start using the system and run into all the problems I had the previous day before making the changes.
I see hundreds of these files created under the tomcat directory:
jvm.pid.bkp_2019-05-21-071002
Such a file is generated every 10 minutes. It seems like a backup or restore is done and my changes are replaced with old code. I have no idea what the cause could be. Any of you have any idea?

redpajama_set_name: RedPajamaStackExchange


text:
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Context Id: a6ef76b7-f8bb-4527-87a8-af5cb6bfb11b

redpajama_set_name: RedPajamaCommonCrawl


text:
_New Time_
WESLEYAN POETRY
Leslie Scalapino

_New Time_

Wesleyan University Press

Published by University Press of New England

Hanover and London
Wesleyan University Press

University Press of New England, Hanover, NH 03755

© 1999 by Leslie Scalapino All rights reserved

Printed in the United States of America

5 4 3 2 1

CIP data appear at the end of the book

Acknowledgments:
Poems from _New Time_ appeared in _Conjunctions_ , _Chelsea_ , and _Out of Everywhere_ (Reality Street, London).

Cover painting: Gerhard Richter, January 1989.
_New Time_
there's still on the rim of night (having been in it) which is (in night) there as his horizontal lying rest in snow — breathing in breath 'at' the light day

overwhelming the mark being 'by' his 'action' — there — only. one's — only breathing in breath — not night or day.

past cold, the man kneeling in snow — outside, one — which is horizontal waiting — in 'falling snow' overwhelming of the mark, the other being in it — only. as being the only overwhelming of rim.

that he's — 'running' — by being forward 'lying' which is waiting (outside): 'by' — on the ground in rim of snow dropping on sky and floor only.

him — having an — action — snowing falling itself as the only overwhelming the rim — flowing on it:

night's dropping — 'there:' as itself overrunning horizontal lying resting itself. his (this other person's) overrunning is at rim — only — not 'fighting' as: freezing snowing in it — only.

structure in reverse is the black sky — inside

defining (as, one) — blue destroying — not — gap — where is figures — is dawn

being the reduction of the sky by (one's) structure not seen after merely but in being after only.

interpretative — blue destroying — itself — their — structure in being after only

'it's itself interpreting' — reordering only — as it

the pressure is violent cumulation of series, in earlier youth ( _now,_ which isn't it) — isn't it, is caused by it (?) (series)

at that present

rain: falling in sheets at the time. sitting floating (not in it) (fictive there while occurring)

they think (of it, this) knowledge is of one — inner. only. woman carried can see inner. this is some don't hate everyone. this is being. people need the thought of comfort. there's no comfort.

the physical body has comfort

sometimes

(enervated)

whereas this doesn't

enervated — extended

not itself

the physical body has

comfort — this is inner

people don't hate everyone is to the physical body's inner

peace has been cumulative there, in the cubicles in light, outside of which is the river through the meadows.

they're clear. (haven't been in war for some time.)

cubicles, of only city, from high up where people live — separated by a river with a vast meadow on either side, people fishing at a far distance on it — unknown how one makes a living or anything, as there are no connections, while there are companies — people 'communicate' only to people

the physical body

is only on that

of cubicles

(the neck cut out — and being the earlier life — is the inner.)

fighting. made up. yet the sole movement is fighting from one throughout. at present.

others, one can't stand the existence — and fight to have existence.

there's no relation, of one to being and the inner —

The movement in the frame (of one's) throughout years, in youth — not imposed, so it's sole — yet accumulation as that even, and so heavily weighed — have no images

mud, the mind in heavy cumulated series — so 'mud' is a relief to have in 'the neck being taken out' to make the earlier start/ 'earlier life', while at _this_ time (later) — and to have only the relation to real as only death of one's frame — moves

pressure that's on rim of surface running over it — almost crying — as (at) have no images

the 'mud' as a 'favorable' near clear in the cumulated weight — that's not in one's frame in movement (that's) in youth, rather than now, but caused by it or is it — so that its relation to seeing real (death of frame as law) is clear pressure

clear pressure (only 'having' to — and so without images, though 'mud' as the mind _is_ one) as a law

not (at) one's frame, or at existing, while (though) pressure is in it, is it (the physical frame)

only

there's nothing outside — man kneeling horizontal lying in snowing outside — for oneself kneeling in intense action.

he's only overflowing on rim as sky not snowing

where sky's snowing overflowing

bow encrusted trees — not snowing — man's horizontal lying while waiting, cold — (for oneself kneeling) — is sky being split, as: 'not' snowing

his is overflowing rim of sky — in undercutting snowing sky

itself is overflowing — his is being 'inside'

it's enervating to 'unmake' sole connections apparently formed in one's (cubicles) by having to be in an other ground of them only — as one (only)

the physical body has nothing to do with this

interpretative is the 'fixing', and as such distortion of phenomenal activity ( _per se_ , not simply fixing the _view_ of actions)

an 'outside' outwardly-articulating 'social' interpretation which qualitatively changes the object of its consideration — as does the inner 'warp', which warps in order to see its own reverberation — is there

he's/someone's not interested in anything, a corpse

he doesn't die — he just lay on himself — while living (?)

so there's not light life

a man having me over, a woman who's there whom he considers to have higher rank (than 'mine'), which conception flatters him

as a pair substantiating his social order which is arbitrary

not abandonment

The rib cage floating in the shock occurs later, not chronologically — so that concentrating one _at first_ chooses a moon bounding floating — in sheets of pouring rain, as that occurs. A man clothed in black in the black, sneaking as feet placed side-by-side, like a big fox carrying a stick that floats out horizontal on his shoulder (dragged behind) with his wild eyeballs seen — our (my) wild eyeballs catch in the black

We're running outside tearing after him like bats on the boards a line — in bare feet by torrents of pouring snow in the sky — rather than the moon as chosen bounding. As one's sole movement's

silk black iris that's chest/thorax lifted off (set down;

weighing) it doesn't come

from them — is lifted off breathing, outside of one —

that is, one — weighed: not in the air, it is in the air

thorax black silk iris not image, breathing — in the air, yet weighed — weighed is it being lifted off

(the frame weighed), it in the air

black of night isn't dependent

they appear — there

recurring

having to be ground under, socially — for nothing — hit on, as insignificant yet not to ridicule — being so, by them, when a woman say is carried (by them) never ridiculed so it is not of one —

people don't hate everyone. some while participating never did.

the physical body didn't

ever

the place is always. what's coming is people attacking as sustaining their being in existence.

the one black oar parting the blue in fact — it is conditional on spring. I am.

bud — outside — but which is fully open — because outside of one as occurring lightly

a 'burst' that's from one being returned to oneself — after one being away (outside). the outside is one's awareness

The writing is not narrative 'telling' the story or stories of events. Rather, it is movements, a _movement_ that was a 'real' event where all is fictional as phenomena. So history is scrutinized by phenomena, observed as minute, particular — and thus 'fictive' as haphazard moving.

Biography that is not 'completed/whole' 'a life', poems, fictions, not-illustrating, are not an early form, undeveloped narrative, but as mere movements are subject to scrutiny by phenomena, are 'the life's' construction _per se._

The motions of a small poem, of a sole event, of whatever nature — social repression, yet as movement (as written) — are not events compared to each other or 'event'ually showing a whole construction — of themselves (even) — not imposed, but sole movements' 'fictive'

one thinks — (young) — living to endure poverty. starving people. because of that being the physical body, in fact.

there's no poverty of the physical frame of anyone.

so if there's any there's no basis

(dying)

Why would they dismiss it because it's not the same?

It _exists_ because it's not the same

running with bare feet, the snow falling, after the man clothed in black in the black sky — is the neck cut out

in their (other's) existence — one's neck cut out

blossoms blossomed. in time.

'Undermining' this, by seeing its appearance — places the individual doing so in the light of aberration (viewed by others, but also increasingly in the _act_ of aberration by seeing (its) appearance) which may be regarded by a 'viewer' — as merely 'personal', not theoretical (which, as interpretive, assessment, is at that moment 'authority' itself)

if there's no overriding structure, "There is no character-simulacrum for it to reside in."

economic poverty (not being special) of them, one, is that being the physical body, _per se._ throughout.

which isn't inner.

from the waist — so that, turned the bulb that's oneself (thorax) — only — then — doesn't have any existence — turned (wherever one turns)

as conception — at waist of magnolia buds that exist in the day really

sewing the black silk irises — not when one turned at waist

sewing them, they have no shape literally except being that — from one's hand (being, in the air)

the irises only had existence in the black, before dawn, in fact

a man doesn't want me to become quiet again — go into ocean not weighed of before fighting — ever

formation of that of narrowed to no form in one — of black voluptuous lip — outside — voluptuous lips that (aren't) on black dawn, or before it when it's black.

There was no intention — being done — with their existing.

not weighed before fighting which is the black, weighed, air — not the lips which have no weight — isn't following

if one's not contending... so the inner isn't contending either...?

(at black dawn, in fact) — an ocean of black irises hanging in darkness of where one sits — so was sewing them; up, at 3:00 a.m., in silence, sewing — sew silk black irises that are that, the folds

we don't have words. the silk black iris (formation, later, but then — outside) of my chest/thorax lifted off one's haunches — is not the conception of the silk black iris (though was it, in lifting off), itself

that it's formed first. I'd have to not _want_ it in writing. to give up living

if we're going to have to do this, it can't be done.

stand the existence. this functions as a joke.

in the midst of the earlier life — young — one thought (as

resisting) of dying — because of death of frame as law.

there's no time to oneself is the dawn occurring — its rim

it has no rim

pressure so that the mind comes in to the social unit

it isn't done by people, there's no time to oneself (it's done by people only) — the night, the dawn, there

the constructed unit being no time to oneself — standing being completely alone

('standing,' as 'walking')

flowering trees float the sky — packed luminous sky of ocean (a sky that is an ocean)

the group, not having time for oneself, opens that one floated sky

sleep-deprived one

pressure so that the mind comes in to the social unit — only

the flowering trees, that have nothing but swimming on sky

we can not speak as to concentrate on the constructed unit — nor sleep much and that 'causes' (?) an actual harmony, serial or it's there after a while, not based on the similarities of the people

the night is exhaustion rains

luminous night while running to the rise

that's dawn is when running to the rise, later

the rise is the floating people

their existence. ones by being in existence (first).

a pair on the corpse (later).

in spring.

war weighs heavily on society

notion that it's possible to insert this later as 'chronology later' — is in the black thorax lifted off breathing — sewing the irises, later

not while sewing them, but in the silk black thorax lifted off later (iris) — as the physical body — then — occurs only

The small jobs don't break down the night (and) without touching it — inside, we don't see dawn, where making sounds — (saying sounds as a social unit is making the floating rise) — is being awake (only)

it's not different from the dawn occurring, seen after (after it occurs — so it's past)

there's not time to oneself is the dawn occurring — its rim

it has no rim

(birds not on the land or mirrorless water)

flying not on the land or light lake — only

live as they is the exhaustion in the small jobs — which occurred

the body's so tired it doesn't make pictures of the city — the river running through it

'standing' is 'walking'

the body's flattened to be one, sensing holding it together (that is floats the sky) separating from the city

the picture-making that's sites in the mind comes from the city just making those sites then — not one

that's one dies in being young so there's just life for one as the physical body

the small jobs make the rise floating — of people — having no time to oneself

the city with the river dividing it, bridges crossing it — is outside the form (not called up) by the form of the unit people floating on rise withdrawn while in the city — it floats the packed bright sky

sleep-deprived one

fell on the mat, dreaming of being in a typhoon spray walking up a hill to school, not wanting to go back to being in school, as young when not, in a few moments of sleep — then struggling up

(awake)

in a few moments of sleep, one time, dreaming struggling to rise from sleep which one did pinned in delusions, one's sister describes these delusions she's had — as one's — being ordinary from 'drugs' submerged that's in the dream

is the mind collapsing into the sky? — evening (voluminous) on the city with the river running through it (the river can't be seen) — later

man is in fact 'scented' to have smoked cigarettes, others saying not to mention it, dreamed immediately next to it that it is then known and one other had corroborated it (she apologetically to him, who's revealed to have smoked)

one didn't know if the dream was real, or there'd been a dream — later — noticing

dream is later remembered, of man beginning to read a 'story' he says is written by myself (which isn't, implying making fun of me as it is intricate social fabric?) unfolding then 'as if' about another known man who has, outside the dream, betrayed and abandoned his wife — when, as the man is reading, known woman of same 'social which is physical appearance' as the wife, erupts from watchers, unfolding as powdery dusk muscle one fork of which has a penis, the thick forks float open with two heads so that it's seen in her violent 'heckling' that the man reading and the 'stand-in' of the wife are doing this together as public acknowledgment of cruelty being kindness to this wife's suffering — it is the social unit

in the setting where revelation of one's suffering is not healed as social

people don't hate everyone

sleep is to compress also rather than to release

there's no release

is the mind (whether in sleep or out) collapsing into the sky (within) — there's no within

not struggling is not doing the small jobs

one was swept in exhaustion — wave is the physical body

('transformed' by the exhaustion) — not them — people

the back holding the thorax is injured

the ocean of the irises 'was' simply that, the ocean of irises

if it 'was' it's conception, yet lifted-off thorax that's free

(I'm 'speaking' really)

there is no work — relation to one or to the brown night — as 'this is wild'

dim brown night of city in which are embroiled clusters dependent on taxis that won't take one — in vast spaces based there on black marketing, no goods or place, no resting

so that exhaustion in the small jobs the reverse that is flattening of one

is not inner — city on dim brown

being in 'tradition' is not being a corpse

(here), Kyoto with the river running through it

viewing is (in) the present — brown night that's dawn (it has no rim) — running to the rise of people (they are the rise —

who're running then viewing later)

— from birth — opposes — interiorily? no

swimming in heavy flood (wave) away —

their going into houses killing

is the fact —

the fact is delicate — in existence even

one sees 'this is wild' Moscow the social unit coming as the line of disintegration as an exact seeing

the small person (there is no effort, which had been voluptuous — is — where it exists)

if the nature of this is struggling wall of birds flying that (aren't) on their own. if we're not going to do this with people there isn't any existence.

I'm relieved by the wall of birds. one is (in fact) struggling and not with one's/their existence — it is a fact. this is a light relief.

floating rib cage on the bare feet — in the pouring snow — is inner (prior — or young — when not)

'social' — being — can then be in the two countries where one is

the struggle has to not redo itself — as it is the same minute shape (as itself) — has to do itself

at the time of struggle yet not at the time of resting in snow

distraction and violence occur as events brought within (beside one)

somewhere interior that's the outer world (it actually)

— not inner — represented — without comfort anywhere

and do not warp one, which is the place, as not interpreted — not changed by or within (one's) exhaustion

so it's before fighting — ever —at present —

to make a boundless space, in the sense of bounding in it — so: everyone saw it

events occur beside one — halcyon, as they can be

and do not warp one

fouling up the small person as oneself (this is young) (was) to undercut relying on being who is sustaining. one. making the small is joking.

don't even foul up — the small person

effort of the small jobs there is not: swimming away while being here that's exhaustion — not even rebellion

wave opposed (the physical body itself) to swimming one swims against a heavy wall (away)

(they're sustaining their existence, can't stand the existence), in it — as one's making — theirs — being only

voluptuous weight itself is resting — (of one's resistance, is a wave, opposed to one)

which one is in

that's only — (the body) —just the floating sky

if the sky and it are compressed one's life changed in exhaustion

could one change without

physical exhaustion

it(')s form

yet inner isn't there — effort is sole (as voluptuous wave doesn't come from oneself.)

effort is voluptuous.

people don't respond, ever. it's not one's.

everyone saw 'this is wild' coming

the huge brown night — taxis in the disintegrating — separates them

it wasn't produced by exhaustion then, it was itself (?)

there —and —

the small jobs — enervating —

as they are delicate — in existence even

people don't listen

a pair

(the corpse on the pair)

(to one)

*

Distraction on the horizontal plain

but he doesn't want to listen

but not listening to it.

the adamant social being

is inner

reestablishing its separation

don't reestablish its separation, to listen

*

Distraction on the horizontal plain

in order not to be inner listening — as the viewer merely reestablishes (listening)

(as inner)

they barely see as dependent in walking which is empty —

the 'group', unrelated, is dependent in the present (in order for it, unrelated, to be in the present) —

'merely the fact that he didn't die' then (Celan), when

don't have to destroy anything

yet they're trailing on tray of water, as: in present

dim brown night only a few clusters strive for taxis

but the breakdown of the social unit isn't the space

setting off into night there (to find a taxi — must) appears to be extinguishing — is — as it is the line (it is one) of disintegration

work isn't related to not starving (there) — so it's night on one, the taxis and one facing the vast line of disintegration coming

that the line of the city comes

the rim of brown night separates them — then being loved is dependent as trailing on tray of water which occurs or it's not being loved

seeing the line of disintegration — where the city was wild — everyone saw it

skeletal (visual) etching of events (as 'bled onto') — as of black irises on blackness (in air) — is neither a present or past. or movement.

so not even the agitation is the relation. — nor is one's love either though which produces.

not being a past. blackness.

facing the line of disintegration — dependent on taxis — everyone — that won't take one — the line is dependent in the brown night

isn't it — not in the physical body — outside: as in the brown night as inner, there is no inner.

to see there what you had, chronologically, otherwise one was transgressing it — now it is 'transgressing' it

stand the existence. there's no forgetting.

exhaustion is dependent in the small jobs

the illusion that one in the line of disintegration, of the social unit, sees one — that is the social unit

if there's no forgetting that's brought to it

the small person, only,

has to be brought to the brown night

the line of disintegration, of the social unit, dependent in it

there's no remorse in one. — that causes it.

though sense is coming from them. sense is streaming from them.

which is what one is — there. joking.

'the small person' is in the night — only

getting out of the car in the black in the desert

not recreating listening so that it's inner

to see the starry sky

dreamed an insult from someone that was so vehement I was shaking in the day

— it's dependent in the day?

— dreamed again the same person insulting me inarticulate in waking but still there.

taking black night into one as the detail before it, the night.

fighting is transgressing even — resting itself.

seeking a taxi on the brown night — that won't take oneself — to melt oneself in regard to remorse at people having hurt one

to not be inner, on the brown night

the adamant social being — oneself.

will never be (was never) in the dark night or the dawn

while running to the rise

remorse from others having hurt one — is in the physical body. having it — only — on the brown night.

inner is reestablishing even. the physical body. the exhaustion of places

people love patricians — form is exhausting

one 'has to' exist there. the physical body has no brown night.

while not in that violence — while being on the brown night flagging taxis where the social unit is disintegrating, edge of black petal of iris (that's sewn) —

side by side — in one's youth and other's youth, so that one feared then having to live, and feared that one would not do so —

it doesn't exist now — is the mind collapsing into the sky?

rain through huge red leaves sea — above and below — sea floor

(and) sky — (freezing night) — though leaves sea is at day, rain — man's lying breathing beside one is enhanced from (and: it being in) night, (night itself: not from 'freezing night')? — night can 'not' 'be' enhanced 'from' the man's soft breathing (which is beside one) —

as: rain in it (day, which is the vast red leaves sea)

isn't by the one's horizontal lying breathing. rain lying pouring, sheets — one is 'by' someone (as not enhancing rain — only)

breathing — running together on the rise. his horizontal lying — 'at' night.

— struggle is voluptuous later — (in it) — (nothing's after) — (voluptuous enjoyment is after —) (as is nothing)

raw neck is in fact on vertical streaming clouds in vast blue horizon

'walking' or 'sitting'

it is by the same blue horizon

but having enough sleep, sleeping in which there's a circuit or round so that the black night is in it (doesn't even appear — in it) — one could still freely perceive outside?

it — not one — has no form?

on the night — waking, on its edge — seeing image — is the mind collapsing into the sky

there's penetrating gaze in one but can't be used — there's no form therefore, as that the black night is in sleep — or in observation

penetrating gaze and same not being useful — is not related to being loved — not being loved is dependent in its origin continually?

penetrating gaze can be in sleep or outside — has to be dropped as if horizon

this isn't being 'on the brown night' or 'penetrating gaze' either can't be a form

or wanting to be liked which is infused into events and this — people can't be in groups

can't be a form, which would be as: wanting to be liked

there are only people

as: on the brown night

physical strength in leaping, hanging, falling which is sometimes on each other — so that hanging they are floating as swaying by each other in the air. reflected as if they were walking on the ground, whereas they're physically beating their own bodies on a wall — that is there the social unit only, as it's in one's frame and flesh.

people sprawled leaning on wall (of subway underground in passing it) — they can't rest

can in subway underground, but not at all, they aren't resting

they have to run as was to the rise, that is their motions.

people sprawled leaning on walls resting are finding or have to find a way to do it.

resting, breathing, are its (movements') being constant too.

not seeking ceasing of thick rain? — when it was sought — I did seek the rain

there is voluptuous rim — as: there can't be groups. there aren't groups. at thick night rain.

the mind had collapsed into the night sky hovering above outside yet because it rains —

the neck

to drop it deeper, hanging as a ball — the center in utter relaxing

dark night is illumined by faint stars but the night is so black it weighs, one stumbling — at the base

people make social power as the sole form with the black night weighing, one stumbling in the black

freeing the neck — yet physical can't be in memory

the jagged body not remembering, people aren't illumined

in one stumbling the night is resting — weighed without an axis

nowhere illumined, the black night doesn't even rest

running on the rise, don't speak yet speak afterward as there isn't inner even, which occurs.

when mind's exhausted it's in competition as social existence — only as one breathing.

that subsumes the outside within

it isn't in exhausted body (which isn't now at all)

it isn't hating one. or imagining either. one — who has said she's unable (from being) as she's a woman, calls herself a groupie 'side' there ('that it is ego to act or know — of anyone') as she's snickering at one who's 'outside': as they snicker (because she does, or she does because they do?) at the quality (the characteristic) of that — (outside)

which is there can be no faculties of one. there's no real except this. no sustaining is playing. that'll be the only life.

why doesn't that one come out to play ever? teacher's-pet is the gutted illumined rodent. in one. I have to play — sometime —, not be 'sustained' in emptiness with running crying ghouls. — as anyone.

'outside' is the least disturbed — the exhausted body is illumined back in itself, but exists only there (out in the) outside.

I'm using disturbed _to be_ that which is outside, but then really that being everyone.

groups ridiculing for playing, their being outside playing. but ridiculing the characteristic which is that, their not doing it. it's the only real here. the exhausted mind makes only the social existence

(for then —? but really going to be destroyed) — the outside itself is playing, not sustained.

one who's turning to check to see what 'they' think — only to align to that, without what 'is' — these actions are there

this illumines the ghouls. who are the people there only.

_for Dante_

'there's no entity but there's action' — so have to give up living while we're here.

we do: women in robes with no eyeholes seen

one can take (as writing — as: only 'one's' motions — as: motions occurring in the world) the private action into its motion and change 'that' occurrence in fact.

motion's not (in or representing) an event

being in motions (in writing) (as 'their' motions) isn't in structure

*

'what's the anxiety?': as not being in the state of constant change — in which there's no fear — the neck cut out.

split structure — at night — but splitting structure at day too a half-cracked black bud — not as — one's as: weighing, only — it's not redoing struggle, as itself which occurs itself

have to approach people — what's it existing with people only?

_for Aaron Shurin_

is Dante — in structure ?

the physical body rests — while up — seemingly only

as black night — ? — is resting

the black night in which the body staggered at its base (in action) (on the road not illumined by the stars in the black base — only memory. ever. yet memory is exhausting) — voluptuous not seeing — not exhausting

memory is only people?

they're going to try to put veils on us. on the brown night — while the physical body is resting when walking

the physical body rests while it is running / walking

it's not movement as writing — to find the inside of action

can't base society on the inside of action. it is not sustained. it doesn't exist — the neck hanging deeper. remove the night from the small person, one.

running on the base of the road in black

the mind has to be allowed inside. it is this. base no-government on one's mind — ? — yet it would not be done in the mind

an action (it reinterpreting, opposed to its condition) taken to its past occurrence as motion is in the social existence, at all — can it _be_ as not fighting? — by events only — ?

one's body's only curiously outside — then at day.

stumbling at the base of night —

young — (wanting) death is to resist law of frame

economic poverty is in one's frame.

black iris and night floats

outside bounds. at night. the action as its past actual occurrence

the man on the street is being not sustained — at all.

_for Alice Notley_

early morning where there's nothing there — fighting (which isn't beginning) has only to do with the edge of not existing in it —

waking in early morning so where there's nothing there

light voluptuousness isn't even beginning

fighting is irrelevant to it and is its edge

to be before fighting — yet at day even. only that. night can't not be existing — as 'before'

voluptuous is 'before' fighting — which is only not being continued

is Moscow the woods? where the woods is simply that at present. but in day.

black thorax in it. in night. the physical body rests. And: occurring only at day.

Kyoto is where there is no fear ever. one returns — there's no inner.

yet voluptuousness occurred in one. it was a base beginning outside one?

memory isn't only people? memory is at day — only.

can't return to running to the rise in the blackness — at all.

is Moscow the early morning — at all — which is it being?

I want to go back to being on the rise. but there isn't anything.

I'm only in day: in the woods. the physical body stumbled at night the base, this was voluptuous.

but Moscow is voluptuous and the woods are at day, as observing only, in the present.

(where there's not the possibility, the fact, of being at night:)

as impermanent there's day — only.

only doing the small jobs — oar of woods

it isn't voluptuous Moscow even

exhausting illumining is the same as the small jobs, observing?

running to the rise —

is back in the dawn

weary of ridicule everyone floats weighed.

'the sentiment of my existence'

that out of nowhere — 'her' leading, other, or one, which is as irony that really 'allows' unillumined the 'real' as 'the confirmed' leadership, base of one's mind is weary then.

it's only 'as'. why doesn't she lead herself? only.

the 'small person' — every one — adventures, _as such._ only.

where it was better to die than not to return to oneself, whatever that is. one's either in the early morning or not ever existing — and is running to the rise in blackness (voluptuous later — or then); can't return to that — at all.

yet isn't before (before running to the rise) — is in the early morning only later.

man cradles a shotgun on his back. silver air does not reflect illumining the silver trays of waves

a huge ocean log has rubbery flowered udders that are of its side

log's side for sucking projected outward in the thin air the udders hang — there's no blue only the silver dark in the day

man cradling shotgun moves off in the light — the silver waves run sideways — dark silver in day.

noses on backs float on the thin silver light-invisible trays — walk is outside before the light-invisible trays — exhaustion from one — the udders hanging are not in blue — even

when not resting and not observing — enervating gradually illumining one.

it's 'the very' opposite of the small jobs — exhaustion illumining, observing, as the 'inner's' enervated warp

and therefore observing

assuming ridicule is exhaustion illumining gradually, to enable observation

but without any — in the assumption

the woods

— as sustaining corpses —

isn't

is imitating the interior of events — what occurs — ?

if we're going to say even 'once' that this is a joke why not — ? — if we're doing it, 'weighed' that's in events — that's one — 'others' 'weighed' stream and not even to say it 'once'?

'wait' 'freight' as if it were 'one's' light wood. not weighed — light wood is only on the surface. only be in it, there's no rim.

voluptuous as not even on the surface. this is at day.

the mind is action literally, not departing from that — being events or movement outside, which is inside, so the mind is collapsing into and as action. — I can't rest, at all now.

this is despair _. for Dante._ if action of events (my mind) were the same as resting, brought to that, in the way the physical body rests outside

one is not having a rim — 'understanding' rather than 'just get rid of one's mind and body — in traveling' — at all —

the physical body, inner, must continue to move only

the day — only — no

— night (which is delicate)

is

walking in the street (once) with someone shopping, for a dinner with others — the sole event of that is, for nothing, pressed up to the thin day ahead of one being (in this present) at the same time —

the events: a rim collapsing (in one) — differing times on the same present — (and one's) — no — bud — one fears that's too fast

the 'two' events are only 'spring' — 'obstructions' — as one won't be in (be) them at the present at the same time — being — no — bud

writing is the only way to relieve action — which is — at day only — to have to not want to live even, that's day, isn't in (is) action

the mind collapsing not on the surface — traveling is to be in day, to be at day only

flying in the black or (grey-red-bars) sky everywhere that is above and below — one — except for the cloud light in the middle, in it:

is travelling continually in it only

not as anywhere else as one.

the day — is the mind collapsing on its surface, its own place — ? — by reading and writing at the same time — by reading only — alone — as solely, it doesn't come from the woods, not sustaining, the physical body, either.

to make my mind be actions outside only. which they are. that collapses in grey-red bars. actions are life _per se_ only without it.

(so) events are minute — even (voluptuous).

black half circle that isn't dawn

even, that's there — only, no night

waking. town-specks in a blackness, that's barely at the rim as one is flying of sky (which is above — dawn's above)

— flying in a base which is none of the black.

the black half circle rose

— flying as where it's —

smeared dawn sky above

one's own mind and people's is only the actions of events, frenetic — and — is the small jobs. except is suffering — at all — in it

one's fiction is the 'opposite' — writing — as the same — outside, ahead in it.

yield to a 'thought' — woods

not sustaining — (which is — woods) — to

the physical body

(singular events have no reflection)

concentration has made them reflections of each other, but as visible? — the visibility of suffering or whatever being the same — is at day continually with no resting

there's only the content of an occurrence — that comes up close.

soundless wood not being —

sustaining — is in the same

space — as being, in it 'before' — one

the body is a new form.

(thought, at waking. where the body is all there is.)

the only being — having to travel, in two countries, grinding on that there

inner — is in existence even

landscape, delicate — as sensory deprivation — military boys — wearing 'training' spurs of bottle caps — gas stations, differentiated — cattle being

whose flesh is dead — before they are — as flying in there at evening as one

not having life in them — themselves — they do — not as the land even — not in existence there — as flying at evening as some one

cattle eaten — the flesh dead before — there — the differing gas stations at evening only

half-cracked black bud is everywhere — even in 'their' — here, utter sensory deprivation, in 'dawn' flat land

running forward in pearly night sky while lying down — is the rose half circle dawn, which isn't there yet.

not having formed, while lying down, is the (neck-dawn) — (the neck cut out, and the dawn isn't there yet)

— as resting, only (with nothing else) (the fact — is that) (not) dawn

I dreamed that fiery old ('30's or early) plane was flying by — sideways burning in the landscape — skidding on its side, a house-trailer attached to 'its' plane burning in either evening or dawn — dreamed "I was going through and it was going by."

frame burning that's crate flying sideways (no one in it) a fiery house-trailer attached to it — disintegrating travelling and staying also.

this dreamed after waking and falling asleep again, between morning and morning.

all building is pressed to sky (before rising) and traffic on it — the vacant lot amidst the earlier constructions in the early air.

traveling — isn't — it's not occurring — either — (while somewhere — as not itself). one not travelling, either, anywhere (being away)

didn't see dawn even as the same as not travelling, (while away)

indentation of one others in the bus at evening

if the mind was action collapsing as the sky, 'here' it isn't even in dreams — isn't staying. cool city dusk indentation in the bus. the bus stops here and there. nosing in evening only.

empty frame of plane flying sideways _b_ urning — that's travelling — an interior — being either in evening or dawn

when between morning and same morning, dreaming then

grey rose city dusk in indentation of the bus — after, only (or — then it is either)

it not enhancing — observing — or being — one's not translated back — (to the observation)

occurrence as struggle — one's not 'translated back' to that struggle even — the — green

the neck dropping deeper in rose circle 'neck-dawn,' one's coming forward in it.

the actual run-way on which planes drop yet it's dark dawn — in fact — that's outside yet not of military boys here and there in day.

being in the night isn't a corollary to not deflecting land, as coming forward in it — the not deflecting pearly sky blasting in it

one (is inner, which isn't) insufficient is irrelevant — the (quiet) sky is blasting

day doesn't contain the cattle whose flesh is dead before they are

to come forward, quiet one there isn't any, and be within it is outside these — it is outside the dark dawn and acting within it?

that's pearly sky blasting

it's theirs

breath night

another time — what it's observing floats on the moon

other creatures — they don't cause us.

sobbing frame leapt up of some one's recurring image, their pattern in their life (it did) — calm — is _not_ — in order — I will never be anything —

where one is raised

day-moon in early sky isn't there. I made that up, which (as:) occurred.

the rain forest is so closed in — calls dropping — the trees the same — one being depressed it doesn't sustain it.

it doesn't enhance — being — (or) depressed.

one would be taken away from oneself in not being (seeing) continual change — dawn — land isn't one — is land — living?

to redo the break, that's dawn _per se_

the conflict can't be articulated again — redoing dawn — by people.

it isn't itself then.

scrutiny moves it off balance — when in balance — inaccurate — always — displaces it — in existence even

'fighting' — is (redoing) dawn — logic is in reverse, aside — a man's view that dawn is convention itself as 'harmony:' taking it back, into one — harmony has to be in reverse here; drives one outside of oneself

'rebelling' is only there — as — being — minute struggle itself

waking — at all — is bowing — on the light green

wanting stranded (it is bowing — so it's the small person — while lying down — to night)

bounding is bowing — one is not on the green — on it

'translating' — is inner 'they' 'say' — their suffering, 'only' — fighting them is not their suffering.

— land — stranded even — _per se_

the place is impossible.

red huge leaves' sea so that amidst it the rim of air is only the bride's white billowed dress in the red shooting trees — they're putting a coat on a huge dog by the bride — rebelling in one is the rim

in air only — itself — the dog in it

being depressed is enhanced — by the rim — ? — walking — clear dusk air — only — in the shooting trees — red leaves' sea was rim at bride's white billow only

rebellion of one — not being in — black dawn — itself has that

rebelling in one — itself — is — bud — destroying — ?

huge leaves — the sea of flaming — red ground — _I_ can't hold a clear space in me, at dawn, in a depression though the red leaves sea's a rim

in the clear dusk — depression is of the rim — itself — that is only in seeing: the red leaves' rim is at a bride's white billowing dress — only — when walking.

floating — at the end of life — described coming to it — in the depression (of one) the cattle are being killed — yet the clear

dusk itself floats — it's dawn — where in the red leaves' sea 'one' is unable to hold a clear space — as _per se_ , that of the dawn's clear space.

it was already dawn — and the clear space was there, outside of one — but in a not blackness

of the red huge leaves sea — _per se_ — only that — giving up — rebelling — itself — as the (air's) clear space only.

I — can't — not — only — so having to give that up — that isn't rebelling even — is dawn itself

— bud — ? — that's accumulated in exhaustion, ordinary rebelling — dog in it at dawn red leaves' sea, only.

depression touches on the bright wind — that's — dawn — red leaves' sea

only — it has no other aspect of one.

even 'exhaustion' is 'naming' it before — so that it isn't itself — occurs — cataclysm between dawn, and rebelling that's in one physical only — therefore wild gap — break, in redoing prior negatives _per se_ (events 'that' torment one),

as it — filled events, life occurring (inside, break of order occurring — going on haywire — that's gap — of dawn, not it.

reduction of travelling — where one has nothing — is nothing — a nomad(ism) — is a bright wind in (bird-life of) people only

this is the same as reduction to convention — where it doesn't exist even — as being — travelling — only, not existing

it blows apart

cold — freezing red sky dusk — slice, reduction not existing — walking only as clear — one — outside, dark roses are in it, as freezing red's slice

a half of the night seen, which isn't there yet — sky only is there — at all

bright dark roses — not bud, ever — in the slice only

wild gap — of dawn, not it — not so much the particular interpretation (of events) — but as (that) it happens at all

filled events (catalyzed in one as physical gap tormenting — is itself the break that's the dawn, in fact) — break — expanded — that are going on — red flamed trees, leaves sea is the occurrence outside.

freezing sky — red slice — one, outside, travelling not existing even — is _not_ not rebelling — gap itself — as choosing the harshest conditions — is the dawn

that is dusk freezing sky — is gap

grinding negative, as going down that's dusk sky _—per se_ — one's pushing wildly occurring (in one) events — as gap, (that's dawn)

"seeing Venus in the morning sky" — (he's speaking)

(aggressive waves coming from someone one day — then from another person — to hit on oneself — who's, then, rebelling) — "I saw a white azelea — yesterday (morning too) — blooming in the whole space" (on rim?) — "I imagined yesterday — the next — the next — the next — is blooming" —

rim floating, wave that's someone's — _not_ — (isn't) rebelling

white azelea blooming — 'I saw' — is — (someone's hitting, one day) again, it

rebelling as — not — (and) making — that thought form — that is the sky's dawn

coming in (impinging) on the line, (that's dawn) — figures, when kept out — admitted 'in to' it, diaphanous are the line/frame in one

are — _not_ — rebelling — or not being outside even — as: freezing sky — itself — (people for whom one cares — their own — suffering which is time — dawn) — moving — no weight, and is admitted in one.

tumult of people's weight (their life), figure impinging on one, in one — dawn — allowed (is)

touching of flow — not even in one — isn't 'on' — or at present — at all —. land is flowing on sky

walking person who has sky flowing — by one who beside is as if being backward by walking in life of people? but of one being 'defenseless' by the huge — is elating which is time.

'I was by a bigger bird — inside' — walking

walking by (someone with the sky flowing) disturbed by being — by it —

(compared by being — to past event: man seeing red tail hawk sitting in the city beside smaller bird disturbed calling) — (one walking by someone) — beside is 'embarrassing as being action' in one — (from) (its) (in the) present.

'embarrassed' is being elated simply here (as:) with one.

the neck cut out — which has no being in it — is the same — one — dawn — (but trying) to crush rim to dusk sky

it floats off, one, moon in day — (not: — suffering, physically — which is (not) — their being time at present — blue:)

black thorax's hurt breathing weighing that's thin: whereas the minute struggling ahead of hurt one is not split structure there while being it.

the half-cracked black bud that's one 'hurts' — it's joking: struggle as its minute self before — is split structure in one — neck-dawn on the freezing (air, 'a' thin sky — struggling to overwhelm it as: present).

*

gap — _per se_ isn't redoing dawn

man dawn in front of whose house recycled bottles are to be picked up by truck — comes out to say to destitute man not to take them — coming before truck

destitute men in freezing rose to collect the bottles with shopping carts running ahead of the truck — preceding, being preceded — being in the loop is not reactivity — nothing is merely.

the freezing thin (dawn) as not even blue — as (not) only death (of anyone) — the blossoming trees aren't — there — burst, as thin without past.

'not' red line-sky or 'one' redoing minute struggle itself — rebelling, there too.

crashing of bottles of the truck's picking them after in air

suffering isn't too great — because suffering was too great and would be greater were there authority.

action is only memory. I have to move only.

running behind wallowing ('a' saw). coupled, an action.

running which is in the air before is not weighing. (not at dawn), (yet is).

to reverse occurs even in dreams in the social unit: that's the dream (that it's not, occurring there) — that its reverse making contact is thoughts an action — it is —

cello — 'a' saw that was weighing: (not hurt bud) split structure night with people only.

as it's not in its structure, as it's occurring: 'this is wild' — because weighing in the air —

with people only?—

(man waiting in past as kneeling in freezing snow — for one — blossoms of trees (that weren't, yet), at the same time: that are present

— (as kneeling in snow: 'one' as him bursts thin

_for Joanne de Phillips, playing Frank Martin's_ _Irish Trio_

all — actions in the time in — being one — to give that up?

heavy rain (dawn) — (not dawn itself)

actions can only be in the (inner) foreground — single — brought in. a muscle wallowing on — weighed — foreground only.

— I could go inward and be completely free without anything.

_for Jessica Grim_

as if not grieving (for one in the family who's died) is the same — as apprehension of it (as if _not_ is) — to breathing in the thorax

rather than, as one breathing only — in the upper chest — so as if one is always running — even when resting —

until unable to breathe (the chest in thin blue not even) — got to weeping and laughing at one — is an inner breathing — out on the span of bridge

other time — sleeping so that one is disoriented then as to who one or anyone is or where —

set out in the car — the magnolia buds opened in the blue — can't pick up or resume the structure in

as if back in the thorax, where it wasn't breathing, even sleeping deeply — there. — it would have to be lost so thoroughly as to breathe

weeping and laughing after/ in not being able to breathe — backward, experience not visible — at perceiving the death of a relative, in present of the woman motorcyclist curled as black bumble bee in the blue

— ahead another motorcyclist waiting, in one's sleep yet moving awake then with no found orientation not breathing in the thorax then either. is there social experience a separation occurring — ? at all

back in breathing in the black thorax one time — is the other's day, its emerging? only appearing, or occurring, with people

one 'pushes' the events one's in so there are no distinctions. — base it on itself — 'only'

— 'joking.' — one makes the obstructions, the events (but which occur), inside. — perceiving the 'sole' (two or many) events flickering on each other — faint day, moon in hole, in sky collapses (there?) — 'I have to give this up' even

that there is only death, extinction — how can one as that pair be completely free with no such, while living, as occurred?

death being not even the base — as one being nothing.

'night' 'night' being a base — on one

black night — filling gas — freezing black flow — coming in, man destitute says he'll pump the gas waiting at gas pit-stop in night

bowing is sky flow only — _not_ — as: — it is

'standing' 'walking' as present — huge crows loaded a tree (past) by me — at night sleeping — yet the half-cracked black bud (night: only) and thin blue sky, but as being oneself only, aren't existing either

single thin wall, waves thousands in the freezing sky and empty fields — and loaded on tree by me — night is half-cracked black bud in one: as, thin blue sky

the two single events at the present (only)

past — has to be only — 'an' 'act' — that's only in present 'standing' 'walking' — waves of the thousands huge crows in freezing sky: — 'at' dawn — from loaded (their jostling in) tree by me night, only

but only as single arbitrary 'event' in present now — walking — thin blue sky

to be pressure on — present — one

the 'pressure' of the 'choked' thick night, in one, single past event, and thin present sky

the voluptuous choked thick, 'on' night, can't breathe (the hundreds of huge slightly moving choked: only 'at' night / — 'only' is fear, single crows loading tree by thin wall) of one, at night — 'their' dawn — as realigning present dawn, only — ?

one could give up — ?

(as:) 'their' 'dawn' is thin blue of one — ?
UNIVERSITY PRESS OF NEW ENGLAND publishes books under its own imprint and is the publisher for Brandeis University Press, Dartmouth College, Middlebury College Press, University of New Hampshire, Tufts University, and Wesleyan University Press.

ABOUT THE AUTHOR
Leslie Scalapino is the author of numerous books of poetry, essays, and plays, as well as the novel _Defoe_ (Sun & Moon, 1994). Among her books of poetry are _way_ (1988), _that they were at the beach—aeolotropic series_ (1985), and _Considering how exaggerated music is_ (1982), all published with North Point Press, and _The Front Matter, Dead Souls_ (1996) published with Wesleyan. Her book of essays, _The Public World/Syntactically Impermanence_ , is forthcoming from Wesleyan/U.P.N.E. in 1999.

LIBRARY OF CONGRESS CATALOGING - IN - PUBLICATION DATA

Scalapino, Leslie.

New time / Leslie Scalapino.

p. cm. — (Wesleyan poetry)

ISBN 0-8195-6355-2 (alk. paper). — ISBN 0-8195-6356-0 (pbk. : alk. paper)

I. Tide. II. Series.

PS3569.C25N49 1999

811′.54—dc21 98-47528

redpajama_set_name: RedPajamaBook


Little Wander in association with PBJ Management present: James Acaster Cold Lasagne Hate Myself 1999.
a stand up mini series with an overarching narrative, and James is the first UK comedian to shoot more than one Netflix Original special.
at the 2014 New Zealand International Comedy Festival.
for the BBC in 2016 starring Diane Morgan, Ed Easton and Sophie Thompson.
James's debut book, Classic Scrapes, made the Sunday Times bestseller list.
He also makes things independently including a YouTube comedy series called Sweet Home Ketteringa and a music album with his band 'Luna Dott Raids The Bee Pigeon' which is available on bandcamp.


Should I get the Black/Basketweave MAB or should I wait?
Get the Black/Basketweave or wait for new fall colors?
Take the plunge and just buy the darn bag!
NO! Save your dollars for the new fall bags!
So I've been desiring the Black/Basketweave MAB. But I've been thinking - this isn't exactly the most summer-appropriate bag, and a slew of new bags are coming out in June, so maybe I should wait? But on the other hand, the Black/Basketweave is pretty limited and I can always sell it later if I don't love love love it (although I'd probably lose money on the deal).
What do you girls think? Should I take the plunge and risk it, or should I hold off for a few months and see the new fall colors?
I guess it depends on if you are a person who keeps bags for a long time, or wear one for a while and move on...I personally don't care what time of the year it is to buy bags, as long as the bag fulfills a role in my wardrobe...I've had a white bag I bought 6 months ago, that I am waiting to use. Although I do feel that bag is gonna be gone and hard to find soon, so maybe ask yourself, if you dont get it, and you don't like any of the new bags coming up, would you kick yourself or look forward to something else?
The black/basketweave is really hard to find..some members have waited for it for a long time. When it is sold out, you might have regret.
But if you do not really like this black/basketweave bag ..i should not buy it.
Buy it. There are so many RM bags that can no longer be found now ... I can't imagine being in that place where the RM bag I coulda had and didn't get was no longer available.
yes, i am definitely the latter type of person. I've only been into handbags for a year or so, but in the past year I've sold, like, 8 or 9 of the 20 or so handbags I've bought.
I do like the basketweave, and it's just very stressful because usually I let a bag roll around in my head for a few weeks, and then if I still want it, I go for it. But I feel that I have to make such a short decision here! Plus, it's final sale. But I am trying to reassure myself that if I used it a few times and then did sell it, I would probably recoup at least 75% of what I paid for it, which isn't awful, right?
Come on guys I need more enabling! Help me out!
The basketweave is a classic bag! If you are worried about the black not being so summery, than wait for the red basketweave!
The basketweave style regardless is a classic, and TRUST if you buy it and decide you want to let go of it, there will always be one of us to take it off your hands!
you all would not believe this, but in the past 3 hours, the three remaining basketweave MAB have SOLD OUT on the funkylala site! GAHHHHH! So I called and they said there *may* be one left and they'll let me know tomorrow. I am dying on the inside - I can't believe I waited 6 hours to purchase a bag and now they are all sold out!
the basketweave is a classic and defintely a keeper!
i was lucky to get one a couple of months ago before they became so limited! and trust me~ you'll love it!
If you want the basketweave, I hope you will get one!!
ooh and the red basketweave will be available sooner than the black... the red comes out on 4/25!!!
The red basketweave does not interest me as much because i have a red bottega bag, so i feel that i have the red basketweave category covered. i hope i get a call from funkylala today telling me that the last black basketweave will be mine!
That's great!! Be sure to post pics when you get your new bag so we can all drool over, I mean look at it.


Kazakhstan / 2018 / Russian / 110 min.
Two workers are having a leisurely conversation. More and more often people see in the sky red tails of comets, wonder creatures appear from nowhere and a roar is said to be coming from the underground. What is the meaning of it all? – asks one of them. The other replies that he has never seen anything like that in his life and even if all of the above mentioned exists, is it worthwhile paying attention to it? The important thing is to do one's job because life goes its own way.
Adilkhan Yerzhanov (1982, Kazakhstan) was born in the Jezkazgan region of Kazakhstan. He was educated as a filmmaker at the Kazakhstan National Academy of Arts. After this, he continued studying in New York. He has made several short films and features, among which The Owners (2014), which premiered at Cannes and was subsequently screened and awarded at many film festivals all over the world. His new film The Plague at the Karatas Village (2016) has its world premiere in Rotterdam. His latest feature is Night God (2018).


text:
Q: "Cannot send message without a sender address" in password reset in Laravel 7 I'm following episode 37 of Laravel from scratch on Laracast.com. I'm running Laravel 7 on a Xampp stack.
I am testing a password reset with the standard workflow included in laravel.

When I push the button I get an error message:

Swift_TransportException
  Cannot send message without a sender address
  http://localhost/L6/public/password/email

I am using a clean Laravel/ui project.
My .env looks like:
> MAIL_MAILER=log
MAIL_HOST=smtp.mailtrap.io
MAIL_PORT=2525
MAIL_USERNAME=null
MAIL_PASSWORD=null
MAIL_ENCRYPTION=tls
MAIL_FROM_ADDRESS=info@example.com
MAIL_FROM_NAME="${APP_NAME}"

I followed all possible suggestions I could find:

*

*cleaning the config cache

*change mail_mailer

*add tls as mail_encription method

*add a mail_from address

but nothing worked.
Any suggestions?
Kind regards,
Hubert

A: You need to clear cache in order to prevent this error in Laravel 7 . use the following commands one by one and your error will be solved .
- php artisan cache:clear
- php artisan route:cache
- php artisan view:clear
- php artisan config:cache

Hope it helped you .


text:
Massa ima više značenja:
 Massa
 Massa, Arezzo
 Massa, Benevento
 Massa, Lucca
 Massa, Macerata
 Massa, Pesaro-Urbino
 Massa, Pistoia
 Massa, Potenza
 Massa, Ravenna
 Massa, Reggio Emilia
 Massa, Terni
 Massa, Torino

redpajama_set_name: RedPajamaWikipedia


FC Barcelona opened the 2013-14 Turkish Airlines Euroleague Top 16 in style by downing Anadolu Efes Istanbul 84-65 in Group E at Palau Blaugrana on Thursday. Barcelona recorded its eighth home win against Efes in as many games. Juan Carlos Navarro paced the winners with 21 points. Brad Oleson added 13, Kostas Papanikolaou scored 12 while Joey Dorsey tallied 10 points and 11 rebounds for Barcelona. Semih Erden led Efes with 15 points. Dusko Savanovic added 12 while Kerem Gonlum had 10 for the guests. A 12-2 run that Bostjan Nachbar capped with a dunk gave Barcelona an early 12-4 lead. Gonlum kept Efes within 23-16 late in the first quarter but Erazem Lorbek, Navarro and Oleson fueled a 25-2 run that broke the game open, 48-18. Efes got within 53-29 at halftime, but Nothing changed after the break, as Barcelona kept a safe double-digit margin all the way until the final buzzer.
Savanovic got Efes going with a layup which Navarro bettered with a three-pointer that gave Barcelona its first lead, 3-2. A chase-down block by Kostas Papanikolaou ignited the crowd and a turnaround jumper by Boki Nachbar boosted the hosts' lead to 5-2. Semih Erden and Ante Tomic traded baskets and a free throw by Marcelinho Huertas gave his team an 8-4 edge. Papanikolaou kept pacing Barcelona with a layup and a dunk by Nachbar caused Efes to stop the game at 12-4. Dogus Balbay scored off a steal, but Huertas scored in transition and a driving layup by Navarro made it a double-digit game, 16-6. Gonlum tried to change things with a slam that Papanikolaou improved on with a three-pointer. Gonlum dunked again and added a layup in transition to give Efes hope at 19-12. After Oleson hit foul shots, Zoran Planinic and Erazem Lorbek traded jumpers before another basket by Gonlum kept Efes within 23-16. A driving layup by Oleson fixed the score at 25-16 after 10 minutes.
Oleson struck from downtown early in the second quarter, as Efes tried to get Savanovic involved. Dorsey provided a highlight with a huge put-back slam, good for a 30-16 Barcelona lead. Lorbek banked in a mid-range jumper and a layup by Victor Sada capped an 11-0 run. Erden and Dorsey traded close baskets and Nachbar sank his trademark five-jumper jumper to make it a 20-point game. Efes called timeout, but Papanikolaou followed with a driving layup and a three-pointer by Navarro broke the game open, 43-18. Sada ignited the crowd with a fast break slam and Navarro nailed another corner triple that boosted Barcelona's lead to 30 after a mammoth 25-2 run. Vasileiadis swished a mid-range jumper and added a corner triple to bring Efes a bit closer, 48-23 After. Navarro hit free throws, Cedi Osman struck from downtown and Erden brought Efes within 50-27. Osman scored again, but a buzzer-beating jumper by Oleson gave Barcelona a 53-29 margin at halftime.
Balbay scored in penetration right after the break, as Barcelona was held scoreless for more than four minutes due to Efes's improved man-to-man defense. The guests could not find the way to the basket, however, picking up three consecutive turnovers. Savanovic struck from downtown to get Efes a bit closer, 52-34, causing head coach Xavi Pascual to call timeout. Erden scored down low, but Navarro rescued Barcelona with a three-pointer, good for 55-36. Gonlum and Dorsey traded baskets before a wild off-balance shot by Navarro restored a 59-38 Barcelona lead. Vasileiadis buried a corner triple. Papanikolaou shined with a driving basket and a free throw by Sada gave the hosts a 62-41 edge. Milko Bjelica and Lorbek exchanged jumpers, but the hosts kept dominating the boards, outrebounding Efes by 15 late in the third quarter. Savanovic nailed another three-pointer and Planinic copied him right after that to get Efes within 65-49 late in the third quarter.
Savanovic buried a catch-and-shoot, four-meter jumper early in the fourth quarter. Efes tried a triple-post lineup with Savanovic, Bjelica and Gonlum together on court. Oleson hit a jumper and Dorsey followed that with a layup that kept Barcelona way ahead, 69-51. Efes kept struggling to score while a power layup by Oleson and a free throw by Nachbar boosted the hosts' lead to 73-52. Erden made 3 of 4 free throws before a big, two-handed dunk by Dorsey gave Barcelona a 74-55 lead. Papanikolaou took over with a huge fast break dunk. Erden hit a baseline jumper and Tomic sent a no-look assist to Sada for an easy layup. Planinic buried a turnaround jumper, but by the time Navarro nailed a step-back triple from way downtown, everything was said and done and Barcelona had registered its first win in Group E.
"I am happy with this win. It is always important to start the Top 16 with a win. We managed to decide the game in the first half. We played really well, rebounded well and ran the break. We played really well throughout the entire first half other than turnovers, which was the only negative thing before halftime. From that moment, we managed to keep leads around 20 points. It was tough for us in the third quarter, but we managed to get this important win. We played great defense in the first half, with good rhythm and character. Efes will grow as a team - it is second in the Turkish League. Hopson and Gordon are really important for this and Milko Bjelica will give them more balance. They are a deep team and will be a complicated opponent once they bring all their injured players back."
"First of all, congratulations to Barcelona, they played better than us tonight and beat us clearly. It was a tough week for us - we were under pressure because of so many new things - a new coach and a new player. We had injuries and some of them had problems and could not play. Gordon had back spasms the day before the game and Batuk had fever today. Hopson has personal problems and is in the United States. At the same time, we put Vasileiadis in the game after being injured for three weeks and just two practices with the team. One of our goals tonight was to protect our basket, but we had problems with defensive rebounds. We didn't manage to rebound well. I want to wish Barcelona good luck. We have to continue, starting with our next game in the Turkish League this weekend."
"We played really well, especially in the first half, in which we played really fast, with good defense. Things slowed down after that, especially in the third quarter. That has happened to us in many games before this. We allowed our opponent to rally a bit, but I am happy. We start from scratch again and winning at home by a big margin is good for us - a quiet game. The best part of the season just started and we hope that we can stay injury-free. Brad Oleson is a reliable player, I am feeling better and Alex Abrines's injury doesn't seem to be very serious. We will try to keep everyone in the best physical condition."
"Nothing is easy. You have to fight for it; you have to play hard for it. We went into the game and played hard. They had two or three players missing. They were without Gordon, who for me is their best player. With Hopson, that's two key players that were missing. It was a great win. We have to be happy about that, but it's only a win; nothing more. "
"It's a good start to the Top 16. I think our energy in the first quarter decided the game. We jumped on them early and were able to keep the 20-point lead – more or less – throughout the whole game. It's important to win home games and this was the first step. Even though I think we showed focus early on, it was maybe not the best second half for us, but it was enough to win. "
" It is the beginning of the Top 16. Every game is important, but it is not a shame we lost like this. We missed three crucial, very important players. You could see we played the game with only eight players. It was a little struggle covering all the positions, trying to find a rhythm. But in the end, being in the game, down 16, 17, 18 points, against Barcelona, I think it is a pretty good job. If we played in the beginning like we played in the last 20 minutes, it would be an even better game, an interesting game. But Barca crushed us in the beginning. Barca played really fast, especially in open court with Navarro, Lorbek, everybody can spread the court. In the end, we found the rhythm, but it was late."
" There a lot of changes in the team. We were missing couple of players, we have a new player on the team and a new coach. It is always difficult, especially playing against Barcelona on its home court. Barcelona played very well, punished our weak sides, and deserved this win. We are looking forward to using any chance to improve our game. "


PIERRE, S.D. (AP) — South Dakota is joining a movement that gives adults and communities the information and skills to prevent child sexual abuse.
South Dakota on Tuesday is becoming the eighth state to join the national Enough Abuse Campaign. The announcement comes as part of Children's Day at the Capitol.
South Dakota groups are accepting applications for trainers to go through the campaign's curricula to teach people in their communities about the issue.


Tyranena provides live, local entertainment to patrons every Saturday night, year-round, and from Memorial Day to Labor Day, every Friday evening as well. As we do not charge our customers a cover to view performances, our pay-scale may be different from that which many musicians are accustomed. However, in addition to pay, what we provide performers is an attentive viewing audience that loves and appreciates the art before them, with an intimate setting and fewer distractions than at many other venues!
Entertainment will be in the Tasting Room from 7:00 to 10:00 pm during the Fall/Winter and Winter/Spring schedules; outdoors in our beautiful Beer Garden from 6:00 to 9:00 pm during the Summer (weather permitting, of course). For all performances, musicians must provide their own PA system and other equipment.
A DESPERATE PLEA FROM STACEY…. Please do not call every week or every other week… or even once every month… to see if Rob has had a chance to review electronic press kits, emails or your band's website.
Please simply submit your info and I will contact you if there is a place for your musical group in an upcoming entertainment schedule at Tyranena! THANK YOU FOR YOUR PATIENCE AND UNDERSTANDING!
Actual booking occurs approximately 1-2 months before the beginning of the next entertainment schedule (i.e. for the Summer schedule, that would start approximately sometime in mid-March). At that time, an email will be sent to all approved bands asking for their availability and preferred dates. These performers will be booked only once per entertainment schedule to maintain variety for our patrons. All booking is normally completed within a week (or two) of the initial email asking for availability. We do book quickly so those bands receiving the availability email should respond as soon as possible.
All these rules may sound very stringent… but as this is a small business, we all must wear many hats. We establish these procedures to help us keep the process efficient; our time is valuable as is yours! If you have specific questions in regards to booking, please forward them to stacey@tyranena.com.


text:
Djokovic does not know if he will be able to play in the United States: "If I can't go, I can't go"
Novak Djokovic, fifth in the world ranking, confirmed his position not to be vaccinated against the coronavirus, so if this does not allow him to enter the United States next March to play two tournaments, he said, he will accept it.
"What I can do? Nothing. They know my position so it is what it is", said the Serb at a press conference in Adelaide, where he is preparing to play the Australian Open, according to the AFP news agency.
The US authorities extended the requirement of vaccination against Covid-19 to international visitors, with which the former number 1 in the world will probably miss the tournaments Indian Wells and the Miami Open.
"When it is official we will talk about this. I hope I can play, but if I can't go, I can't go."insisted the winner of 21 Grand Slams, who a year ago was deported from Australia and could not play the australian open for not being properly vaccinated against coronavirus.
Djokovic also missed the US Open of 2022 for refusing to be vaccinated, he fell to fifth place in the ATP ranking and he risks losing up to 2,000 points in the standings if he can't play in Indian Wells and Miami.
Source: Telam.
Djokovic's 2022
Djokovic has added five titles. Among them, a Masters 1,000 (Rome), Wimbledon and the Masters Cup. Tel Aviv and Astana complete the collection.
Nole's present
The Serb advanced to the quarterfinals of the ATP Adelaide, where he will meet Denis Shapovalov (18th), next Friday, January 6. In the previous rounds, he first beat constant lesion (65°) for 6-3 years 6-2 years Quentin Halis (64°) by 7-6(3) and 7-6(5).
Tagged Djokovic, play, States, United
⟵ Gallardo returns: the coach will lead Cristiano Ronaldo against Lionel Messi
Burns Rosario Central: "This gang of thieves and their accomplices wanted to break Central" ⟶
Platense and Newell's equalized 2-2 by date 1 of the professional League 2023, at the Ciudad de Vicente López stadium,…


From Red Dot: "Is there life around the nearest stars?
Is there extra-terrestrial life just outside the solar system? The recent discovery of Proxima b , a habitable Earth-mass planet next to the nearest star, opened a unique opportunity in the search for extra-terrestrial life.
It is much easier to study nearby habitats for life, either by remote sensing of the feeble radiation signals from biologically-produced molecules (e.g. oxygen) or by sending spacecrafts that will image the planet's surface or collect samples from its atmosphere through a close encounter. The Breakthrough Starshot initiative, announced in April 2016 (and whose advisory committee I chair) aims to send lightweight (gram scale) probes to the nearest stars at a fifth of the speed of light, so as to inform us of nearby life-hosting environments within our generation. To properly select the Starshot targets, we would like to know which nearby stars host habitable planets like Proxima b. The treasure of data expected from the Red Dots campaign will be invaluable for guiding and motivating the Starshot project.
Artistic's conception showing the Starshot project concept. A laser beam propels a light sail towards a nearby exoplanet such as Proxima b. The sail carries on its center a lightweight probe with several measuring instruments. Starshot will start soon the first five-year phase of technology demonstration at a funding level of $100M, provided by the entrepreneur and physicist Yuri Milner (Credit: Breakthrough Starshot).
The chemistry of life as we know it requires liquid water, but being at the right distance from the host star for a comfortable temperature on the planet's surface, is not a sufficient condition. The planet also needs to have an atmosphere. In the absence of an external atmospheric pressure, the warming of water ice transforms it into directly into gas phase rather than liquid. The warning sign is just next door: Mars has a tenth of the Earth's mass and lost its atmosphere. Does Proxima b have an atmosphere? If so, the atmosphere and any surface ocean it sustains, will moderate the temperature contrast between its permanent day and night sides. In collaboration with Laura Kreidberg, we showed  that the James Webb Space Telescope, scheduled for launch in October 2018, will be able to distinguish between the temperature contrast expected if Proxima b is bare rock compared to the case where its climate is moderated by an atmosphere.
Proxima Centauri is a red dwarf star with 12% of the mass of the Sun. Another dwarf star, TRAPPIST-1, with 8% of the solar mass, was discovered recently , to host 3 habitable planets out of a total of 7 and if life forms in one of the three it will likely spread to the others .
Such dwarf stars have a lifetime that is up to a thousand times longer than the Sun. Hence, they provide excellent prospects for life in the distant future, a trillion years from now, long after the Sun will die and turn into an Earth-size cold remnant, known as a white dwarf. I therefore advise my wealthy friends to buy real estate on Proxima b, since its value is likely to go up dramatically in the future. But this also raises an important scientific question: is life most likely to emerge at the present cosmic time near a star like the Sun? By studying the habitability of the Universe throughout cosmic history from the birth of the first stars 30 million years after the Big Bang to the death of the last stars in ten trillion years, I concluded , that unless habitability around low mass stars is suppressed, life is most likely to exist near dwarf stars like Proxima or TRAPPIST-1 ten trillion years from now. This highlights the importance of searching for life around these nearby red dwarf stars, namely the Red Dots campaign. Finding bio-signatures in the atmospheres of transiting Earth-mass planets around such stars will determine whether present-day life is indeed premature or typical from a cosmic perspective.
Kreidberg, L. & Loeb, A. "Prospects for Characterising the Atmosphere of Proxima b", ApJ, 832, L12 (2016).
Gillon, M. et al. "Temperate Earth-Sized Planets Transiting a Nearby Ultracool Dwarf Star", Nature, 533, 221 (2016).
Lingam, M., & Loeb, A. "Enhanced Interplanetary Panspermia in the TRAPPIST-1 System", PNAS, in press (2017); arXiv: 1703.00878.
It seems to me that the author should have made mention of the Breakthrough Listen Project, a modest initiative using ground based telescopic assets.
When winter weather closed Harvard University one day in 2011, astronomer Avi Loeb used the snow day not to sled or start a new novel but to contemplate the future of the universe. In that future, cosmologists like him, who study the universe's origins and evolution, might not be able to make a living.
Nine years before, he had written a paper outlining the problem: Dark energy makes the universe expand faster and faster every femtosecond. As spacetime—the fabric of the cosmos—stretches, it carries galaxies along with it. The stretching sends each galaxy farther and farther from the others, eventually driving them so far apart that light will never be able to bridge the gap between them.
Far future cosmologists won't have the same evidence as we do to infer the Big Bang. No image credit.
In that future, our own oasis, the Milky Way, will be completely alone. When future astronomers look up, they will see only our galaxy's own stars. They won't find any evidence—even with the powerful telescopes of a trillion years hence—that other galaxies even exist beyond the horizon of their visible universe. Without a view of those other galaxies, they won't be able to tell that everything was born in a Big Bang, or that the black vacuum of space is expanding at all, let alone that that expansion is speeding up. Ironically, dark energy itself will destroy evidence of dark energy.
He set out to find a solution.
Currently, cosmic expansion clues us in to the Big Bang. Press fast-forward on the growing universe we see today, and it continues growing, with objects flying ever-farther apart. It doesn't take much creativity to then press rewind: The universe shrinks, and its ingredients squish together. If you rewind until the very beginning of the tape, everything piles into one infinitesimally small, infinitely dense spot. Press play and it bursts forth: a Big Bang.
Astronomers only discovered that expansion because they could see other galaxies, which all seem to be running away from us. In 1999, using ultra-distant supernova explosions, they figured out that faraway galaxies were retreating faster than they "should" be, and that even more distant galaxies were distancing themselves faster than that. Something—which they later termed dark energy—spurs expansion on, like a car whose pedal never reaches the metal no matter how hard you push.
The real problems won't show up for a while, until about a trillion years after the Big Bang. By that time, the Milky Way will have long ago crashed into the Andromeda Galaxy. The stars will have spent 3 billion years swirling into stable orbits, before becoming a seamless chimera: a single galaxy called "Milkomeda," a term Loeb coined in 2008 when he simulated and then forecasted the collision's specifics.
Even as that galactic collision takes place, dark energy will be dragging everything else away from us. Little by little over billions of years, everything will pop over the visible horizon, along with any physical evidence of its existence, until only our neighbor stars in Milkomeda remain. "The universe becomes lonely," says Glenn Starkman, a physicist at Case Western Reserve University. He and astronomer Lawrence Krauss of Arizona State University in Tempe wrote an article titled Life, The Universe, and Nothing: Life and Death in an Ever-Expanding Universe, which also discusses this "lonely astronomer" problem. "The longer you wait, the less you will see and the more of the universe will disappear before your very eyes," Krauss says.
"Earth's night sky will change," Loeb says. Stars that humans (or whoever is around) will get to watch in a few billion years will shift radically. Today, the Milky Way appears as a diagonal swash of fuzzy light, the combined photons of billions of stars too small for our eyes to resolve. But when people in the distant future look up at Milkomeda, they will see those stars distributed evenly across the sky.
If astronomers still live in Milkomeda at that point, they could be thrown into an astronomical dark age. To them, the universe will look like the one we thought we understood before telescopes. Back then, we thought we were the center of the cosmos, and we believed the Milky Way to be the entirety of the universe.
That universe seemed static and without beginning. Alone in Milkomeda, future astronomers may—validly, based on actual evidence—see it that way, too. "Scientists who evolve on such a world will look out and find that the three main pillars of the Big Bang will all be gone," Krauss says.
"It's a gloomy forecast," Loeb says. "We won't be able to look at anything. It's not just galaxies—it's any relic left from Big Bang." Right now, telescopes can see a glow of light left over from the Big Bang. This relic radiation, called the cosmic microwave background [CMB], comes from every direction in the sky. The Planck Telescope recently made a high-definition map of it, which is essentially a blueprint of a baby universe. It shows us the seeds that grew into groups of galaxies, tells us what the universe is made of, and tips us off about the very beginning of everything.
But as time passes, the photons that make up cosmic microwave background cool off and lose energy, increasing their wavelengths. Eventually, those waves—which today are on the order of millimeters—will be bigger than the visible universe. There's no telescope, not even one a trillion-year-old society could build, that can detect that. "They will no longer be able to learn what we know about the early universe," Starkman says.
The composition of the universe, which now tells scientists that the Big Bang occurred, won't help in the far future, either. After the Big Bang, the universe began to cool off. Soon, free-range quarks settled down into electrons, protons, and neutrons, which could then intertwine into hydrogen atoms. Those atoms then smacked into each other and stuck together, fusing into larger helium atoms. In just 30 minutes, most of the helium that exists today had formed. A comparatively small amount has been created inside stars in the few billion years since.
It seems that we live at a somewhat strange time in the universe—one in which our sky is filled with evidence of the cosmic narrative. Does that make us lucky? And does it make future observers unlucky? Astronomers generally shy away from suggestions that we are anything other than dead-average. They call it the Mediocrity Principle.
"There will really be nothing," he thought again. But then a flash swept through his brain. Nothing—except for one thing. "I realized that not everything is lost," says Loeb. The key is a type of object called a hypervelocity star.
"These stars that leave the galaxy will be carried away by the same cosmic acceleration," Loeb says. Future astronomers can monitor them as they depart. They will see stars leave, become alone in extragalactic space, and begin rushing faster and faster toward nothingness. It would look like magic. But if those future people dig into that strangeness, they will catch a glimpse of the true nature of the universe. "Just like Edwin Hubble observed galaxies—historically trying to infer expansion—they could observe those stars outside the galaxy and figure out the universe is expanding," Loeb says. Starkman says they could accomplish this synthetically, too. "They could send out probes far enough to notice that the probes accelerated away," he says.
And then, perhaps, they will imagine pressing fast-forward on this scenario. And, if their imaginations are like ours, they will then think about rewinding it—all the way back to the beginning.
Krauss doesn't necessarily buy this. Occam's Razor states that the least complicated answer is usually the correct one, and that principle will lead these future beings astray. It sounds crazy that the very fabric of the universe is growing larger faster all the time, carrying some runaway star with it. It's not the explanation that comes to the tip of the tongue. But perhaps more importantly, with just Milkomeda in the night sky, astronomers will have no reason to come up with a theory of anything beyond those stars. Just as pre-telescope scientists thought only of what they could see with their eyes, not of an invisible universe outside of that, so too could future astronomers' imaginations be constrained.


Spencer Kobren speaks with NeoGraft hair transplant surgeon, and patient Dr. Ken Williams about the concerns many in the field share about Neograft's controversial marketing of its automated FUE hair transplant machine.
The travelling technician portion of this interview was very interesting.
There is a reason every state requires a license to practice medicine and surgery. If you get caught doing so without a valid license, you get to defend yourself to your last penny for several years before getting thrown in jail. A miserable prospect I am sure.
To date, the number of technicians playing the role of unlicensed "travelling professional" have been very small and as such have not gained any notice by state licensing boards or district attorny offices. Should any organization actually be wreckless enough to actually promote a service that is not performed by a licensed physician, it won't be long until a district attorny brings criminal charges.
In my state of New York, a technician may NOT cut skin. That is considered to be surgery, and it doesn't matter if the actual doctor is in the other room, the same room, or joined at the hip.
As for the Neograft machine, it has significant limitations that I've already discussed in great detail, not to metion a huge price tag. It would be cheaper and easier just to perform proper FUE and or strip.
I am a practicing physician of FUE and strip surgery and have invented several HT instruments including those for FUE. I have sold all my FUE companies and have no current commercial interest in FUE manufacture. The opinions I express are as a knowledgabel and experienced HT doctor and patient.