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Landice interviews Anna Burke about her book Spindrift
Anna Burke is not just one of my favorite lesfic authors—she's one of my all time favorite authors, period. I love her dystopian lesbian pirate debut novel so much that I've convinced 6+ different friends to read it, essentially turning my Sapphic Bookstagram group chat into the unofficial Compass Rose fan club, and I credit Burke's 2019 Goldie Award winning book, Thorn (an F/F Beauty & the Beast re-imagining), with reigniting my long dormant love for reading.
I recently had the pleasure of interviewing Burke about her newest book, Spindrift. A contemporary romance, Spindrift is definitely a departure from her previous work, but I found it to be equally delightful!
Landice: Thank you so much for agreeing to speak with me, Anna! Would you like to introduce yourself to readers not yet familiar with you or your work?
Anna Burke: Sure! I am predominately a speculative fiction writer. My first book, Compass Rose, is a dystopian high-seas lesbian pirate novel, and my next two books, Thorn and Nottingham, are retold fairytales (Beauty and the Beast and the legend of Robin Hood, respectively). But most people know me as Artemis's dog mom.
Landice: That's certainly how I know you! [laughs] But, speaking of dogs, Spindrift is a romance between two dog moms, which I loved. I mean, there's a lot more to Emilia and Morgan than their dogs, but Nell and Kraken do play an important part in the novel! Is Kraken (a German Shepherd) based off of your own pup? These are the sort of hard-hitting questions Lesbrary readers are here for, obviously.
Anna: Kraken is absolutely based on my GSD, and another dog, who will appear in later books, is inspired by my Cocker Spaniel. I couldn't resist! I love writing animals into my work–and not just because I love animals, though that admittedly might have a lot to do with it. From a craft perspective, how characters interact with their pets can reveal a great deal about them, and they can also serve as a humanizing influence on characters who might otherwise be irredeemable. And, let's face it—us queers love our pets.
Landice: Very true! Emilia is definitely a bit of an ice queen at first—or, we can tell that's how she wants to be seen, at least, because she's still very fragile and sort of cagey post-breakdown. But her interactions with Nell and with other animals in the first part of the novel really help us glimpse past the emotional walls she puts up! And as someone who also struggles with anxiety and other mental illnesses, I really appreciated the care you took in writing Emilia's own mental health issues. What, if any, were some of the challenges you faced in writing that aspect of the novel?
Anna: This is a great question. Mental health is a topic that is close to my heart, and is something that I–as well as most of the people I know—struggle with. Not only is it a major issue in the veterinary profession, but it also is something that the queer community faces disproportionately. I'm queer and married to a veterinarian (laughs). By far the biggest challenge I faced in writing Emilia's character was figuring out how to faithfully portray her struggles while also conveying a sense of hope. She's faced some tough shit, and will continue to deal with that, but she's also learning how to live with it, and that's where I wanted to put the focus of the novel. Sometimes surviving is the bravest thing we can do. Emilia is brave, and because I write fiction, her reward is new friends, old love, lots of dogs, and, well… a few boat scenes, let's just say.
Landice: And what excellent boat scenes they are! The steamier sections of Spindrift are stellar, some of the best I've read in a long time, but honestly, the mental health aspects were what really stood out to me. You know that meme that's gone around lately, "Sure sex is great, but…"? Spindrift reminds me of that. "Sure, sex is great, but have you ever read a romance novel that also has phenomenal mental health rep?" [laughs]
Anna: Omg, that's amazing. And then there's Morgan, who is in total denial about her own issues… As a reader (and a writer and a human), I really do think that the deeper the emotional connection, the better the sex/the bigger the payoff. For these characters, an emotional connection isn't possible without navigating the emotional depths they've both sunk to, which also offers such good potential for conflict. And, you know. Some good flannel ripping.
Landice: Flannel ripper! Oh, my god. That is the best possible way to describe this novel, honestly. Why aren't flannel rippers a thing in the lesfic community, yet? Can we make them a thing? Anyway, I know you're currently working on the second Seal Cove romance, Night Tide. What are the biggest differences, you've found, between writing both speculative fiction and contemporary romance?
Anna: I feel like #flannelripper has to already be a thing, but it clearly needs to be a BIGGER thing. Let's make it happen. Honestly, I love hopping genres. It's like solving different puzzles, and it lets me explore different storylines and settings. It also keeps me from getting stuck—I work on multiple projects simultaneously, and working in different genres often gets me out of writer's block.
It's funny—I thought there would be larger differences. I did enjoy not having to create entire worlds and societies, and there was less research involved (though again, being married to a vet made the veterinary research component easy). But characterization and world-building are the same regardless of genre. [laughs] Probably the biggest difference is that I wanted the characters in these stories to be happy. Anyone who follows me on social media knows this is a big departure from the norm!
Landice: It's a nice change from your other books, I must say. I love the others, but they definitely hurt. [laughs] I'd love to have you back once Sea Wolf (Compass Rose sequel) is out in the world, that'd be a very different conversation. But to wrap up, how would you describe Spindrift to a potential reader in a couple sentences or so? Aside from #FlannelRipper, what's your elevator pitch?
Anna: [laughs] Okay. Butch bottom falls for femme top/flex, plus dogs.
Landice: Yeah, I'd say that pretty much sums things up! [laughs] Thank you so much for speaking with me!
Spindrift's official release date is August 25th, but you can snag your copy now, exclusively through the Bywater Books website!
Spindrift Description:
Can a hot summer fling mend the hearts of two broken women?
Morgan Donovan had everything she ever wanted: a dream job as a large animal veterinarian, awesome friends, and a loving and supportive fiancée. But it all comes crashing down when her fiancée dumps her after realizing that Morgan's job will always come first. And, while Morgan still has the job and friends, her heart is broken into a million tiny pieces.
Emilia Russo is a burned-out shelter vet. When the unexpected death of her father triggers a mental breakdown that hastens the end of her relationship, she retreats to his house in Seal Cove, Maine. She plans on spending the summer renovating it while she figures out how to pull the pieces of her life back together. But when she runs into Morgan at the dock where her father's sailboat is moored, her plans for a quiet summer of healing and reflection sink like a stone—the attraction is immediate and obvious, and Emilia finds herself slipping seamlessly into Morgan's world.
Each woman knows this fling will end when Emilia returns to Boston at the end of the summer, but they're unprepared for the intensity and depth of their attraction. And, as the gales of fall begin to drive leaves like spindrift upon Seal Cove, Morgan and Emilia must each come to terms with how much they're willing to give up to stay together.
Content Warnings: past suicidality, death of a parent (off page), mentions of animal euthanasia
Anna Burke was the inaugural recipient of the Sandra Moran Scholarship from the GCLS Writing Academy and is currently pursuing an MFA in Creative Writing at Emerson College. Her queer feminist novel, Thorn, was named 2019 LGBTQ+ book of the year by Foreword Reviews. When she isn't writing or reading, she can usually be found drinking tea or playing with her dogs.
You can find her as annaburkeauthor on Patreon, Instagram, Twitter, or on her website, annahburke.com.
Landice is an autistic lesbian graphic design student who lives on a tiny farm outside of a tiny town in rural Texas. Her favorite genres are sci-fi, fantasy & speculative fiction, and her favorite tropes are enemies-to-lovers, thawing the ice queen, & age gap romances. Landice drinks way too much caffeine, buys more books than she'll ever be able to read, and dreams of starting her own queer book cover design studio one day.
You can find her as manicfemme on Bookstagram & Goodreads, and as manic_femme on Twitter. Her personal book blog is Manic Femme Reviews.
Posted in Articles | Tagged alcoholism, Anna Burke, butch/femme, contemporary romance, depression, f/f romance, interview, landice, lesbian books, lesbian main character, mental illness, ownvoices, romance, seal cove romance, veterinarians
Mallory Lass interviews Heather Rose Jones
Posted on November 14, 2019 by Danika Ellis
Heather Rose Jones is the author of the Alpennia historic fantasy series: an alternate-Regency-era Ruritanian adventure revolving around women's lives woven through with magic, alchemy, and intrigue. Her short fiction has appeared in The Chronicles of the Holy Grail, Sword and Sorceress, Lace and Blade, and at Podcastle.org. Heather blogs about research into lesbian-relevant motifs in history and literature at the Lesbian Historic Motif Project and has a podcast covering the field of lesbian historical fiction which has recently expanded into publishing audio fiction. She reviews books at The Lesbian Review as well as on her blog. She works as an industrial failure investigator in biotech pharmaceuticals. When Mallory caught up with Heather, she was just about to take a trip east to visit family in Maine.
Q: What is something people would never guess about you?
Ooh, I both love and dread this sort of question because it depends on the audience. People at my day job are startled by the most ordinary of things–like, that I once turned in a homework assignment written in cuneiform on a clay tablet. Most people in SFF fandom don't know much about my day job as an industrial failure analyst. And I can usually befuddle those who see me as a stuffy amateur historian by mentioning that I once had the police called on me for participating in a dog fight…as one of the dogs. (This story is best heard in person as performance art.) Once people start getting to know me, it's hard to stump them because then they're willing to believe almost anything!
Q: You often post photos of your desk rose on twitter. How did that start? Do you have a green thumb?
I have a brown thumb. I kill houseplants. I killed an aloe vera once, and that's hard. But I live in California and have an automatic watering system, so it's hard to fail too badly at growing things. For obvious reasons, roses are a meaningful flower for me. (Heather would be too, but it's harder to grow here and not nearly as picturesque.) I have somewhere around 30-40 different roses growing in my yard but I don't get to spend as much time enjoying them as I'd like. That's why I started the habit of bringing a rose (or two) from my garden to put on my desk at work every week. That, and the insufferable smugness of being able to do so practically year round. I do a major pruning around January or February every year and take a break from the desk roses, but the rest of the year they come through. There's a third, more philosophical reason for the desk roses. I pledged to myself that I'd never wait for anyone else to bring me roses–I'd not only give them to myself, but I'd plant an entire rose garden to make sure.
Q: Who and/or what has influenced your writing the most?
Another hard question. My influences and inspirations tend to get thrown into the mulch pile of my back-brain. By the time they've composted enough to fertilize story seeds, it's hard to identify individual influences. I've read so many books from so many different–very different–authors. It's easier to identify the abstract influences. One is a sense of the fantastic possibilities around every corner in everyday life. Not that I actually believe in fantastic things, but the stories that most inspired me usually involved an ordinary world with strange things happening. I still remember reading Mary Norton's The Borrowers when I was ten years old and choosing to believe that every old house had colonies of tiny people living in the interstices. Every time I've lived in a house with a basement, my imagination has populated that space with monsters and secrets. My second most important influence was the lack of media representation I felt growing up. It was impossible to find characters I could identify with thoroughly. The closest I came were the "lost child from a different plane of reality" like Alexander Key's The Forgotten Door. I started writing stories so that I could populate them with characters who made me feel less alone.
Posted in Articles | Tagged demisexual, fantasy, fantasy light, floodtide, Heather Rose Jones, historical fiction, interview, main character of color, mallory lass, romance light, Series, sff
Mallory Lass Interviews Elle Spencer
Posted on August 9, 2018 by Danika Ellis
Elle Spencer is finally living her dream job as a romance novelist. She is the author of the best-selling, Goldie-nominated Casting Lacey. Her next release is Unforgettable (Nov 2018) – a collection of two novellas that each start with one-night stands. Elle and her wife love to travel and split their time between Utah and California. When I caught up with Elle she was enjoying some quality time with her in-laws.
I don't swear nearly as much as my characters do. According to my sister, I'm not as funny as my characters are either. But she talks with her mouth full, and we all know you can't trust someone who talks with her mouth full.
Q: You often post hilarious outtakes from your life on twitter. What is the funniest thing to happen to you recently?
When my wife puts her clothes on inside out. It happens more often than you would think, and it absolutely makes my day. One day, I'll get a picture of it and post it on twitter.
Q: What was the last thing you watched on TV/What TV shows are you into?
We're finally caught up on The 100 and Handmaid's Tale, and we just started watching The Americans.
Q: Who and/or what has influenced your writing?
My writing is influenced by every book I read and every movie I watch. Did it stir my emotions? Did it keep me spellbound? Great storytelling is what influences me. It doesn't matter if it's a movie, song, book or someone's grandma. If it's 1 a.m. and I fall asleep mid-story, is it the first thing I think of when I wake up? I love stories that stay with me, and I want to give other people that experience too.
Q: Your characters always have really cool jobs: high end art dealer, cancer researcher, actresses (who play nurses and lawyers). What kind of research goes into making these characters feel so authentic?
Sometimes I know people who have some knowledge of the world I'm writing about. I had some help on the details around Casting Lacey's TV shoots and the way actresses think about things. Mostly, though, Google is a wonderful thing. I choose something that interests me and then research it as much as I can and hope I get it right.
Q: Casting Lacey is about to be republished by Bold Stokes Books (August 2018) after you self-published it earlier this year to rave reviews. How has the experience been moving from self-publishing to one of the biggest publishing houses in lesfic?
It's been an amazing experience. I went to the 2018 GCLS conference as a BSB author and the welcome I received from other BSB authors was incredible. It's a very supportive group of people, all rooting for each other's success.
Q: What is your biggest challenge in writing your next book?
Finishing it!
Q: What is your favorite romance trope?
Well, I do love the fake girlfriend trope, which is why I wrote Casting Lacey. I'm also a sucker for second chance romances, which is what my next book is about. I can't think of a trope I don't enjoy. As long as there's a compelling story, interesting characters and a bit of happily ever after, I'm happy.
Q: Do you have any advice for other aspiring writers?
It's so important that we LGBTQ people tell our stories, because for so long, no one did. If you have a story inside of you, write it, because odds are someone out there will want to read it. Maybe it will give them a few hours of entertainment or maybe, it will change their lives forever. Don't assume your words don't have power. The only time they're powerless is when you don't use them.
Q: What is something you enjoy doing other than writing?
One thing? Ha!
I love travelling. Eating great food. Listening to music. Building things. Also, I'm learning about baseball because my wife loves it so much. In fact, I often write about beautiful women while watching baseball players do gross stuff like spit and adjust themselves. It just reinforces my gayness.
Q: What is something sweet or funny or both you have heard from your readers/fans?
I have the best fans in the world. It's such a huge compliment when a reader takes the time to write a review or send an email or a tweet expressing their appreciation. I recently got a review for Casting Lacey where the woman said she felt like "a wrung out dish rag." I loved that because to me it meant she was highly invested, and that's everything.
Q: If you could replicate one meal or dining experience from your past, what would it be?
We went to New York for my birthday a few years ago, and my wife (she wasn't my wife at the time) took me to this very fancy restaurant called Le Bernardin. The whole experience was special from start to finish. The food was incredible. The service was outstanding. And the company… well, I ended up marrying the company 16 months later, so it must have been pretty good!
Posted in Articles | Tagged casting lacey, elle spencer, interview, mallory lass, romance, unforgettable
Hannah interviews Ke Payne
Posted on July 14, 2013 by Danika Ellis
British author Ke Payne has kindly agreed to answer some questions for this blog.
Ke Payne, can you introduce yourself in a few words/lines?
I'm a British YA lesbian author with Bold Strokes Books. I was born and grew up in Bath, in South West England, but now I live in chaotic bliss in the Cotswolds with my partner, one scruffy Jack Russell terrier and two not-so-scruffy guinea pigs.
As a child and teenager what were the books that made an impression on you?
I remember reading Charles Dickens's A Christmas Carol at school, and it making quite an impression on me. While I had a sneaky feeling that I wouldn't be visited by ghosts clad in clanking chains in the night if I was mean to someone, I was certainly struck by how important it is to treat everyone equally and with kindness. A book suggesting that one person can be shown the error of his ways, make him stop and think about which way his life is heading, then have a rethink and emerge a better person is as important today as when it was written 160 years ago.
Who are your favorite authors today and do you think their writings influence your own?
I'm a fan of Kate Morton, and love both the intricacies and Englishness of her novels. I like that her stories sway from the past to the present and back again, so that you can see how everything that happened in a character's past influences everything about their present and, possibly, their future.
I wouldn't say her writing influences me though. I'd love to be able to write something as complex as she does, but I can't ever see that happening!
Who are your favorite lesbian authors?
Sarah Waters is a firm favourite. Her descriptions of London – whether Victorian or Second World War – are so evocative I can almost imagine the smog and noise. I love the way she weaves a story, with its various twists and turns too. Even though I've read Fingersmith lots of times, I still really enjoy the twist in it.
I also love a good Gerri Hill novel which, on a long summer afternoon lazing in the garden, can be hard to put down.
How many books have you written so far?
I've been lucky enough to have four novels published so far with Bold Strokes Books: 365 Days, me@you.com, Another 365 Days and The Road to Her. I've just had my fifth, Because of Her, accepted too. That's scheduled for some time in 2014, I believe.
Why do you write YA fiction?
I write YA because I can remember just how much a book written specifically for a teenager/young person affected me at that age, both positively and sometimes negatively. After I wrote 365 Days, I had lots of emails and letters from teenage readers telling me just how true to life it was, and how much it had helped them personally. I also got lots of correspondence from people in their twenties, thirties and forties telling me they wished they'd been able to read a book like it when they were a teenager and going through the same anxieties that Clemmie, the main character, was going through. As a writer, it's immensely gratifying to know that something you've written might have helped someone, in whatever small way, realise that they're not alone, and that there are others out there sharing the same worries and confusion.
What other YA authors do you enjoy reading?
Michael Morpurgo who wrote, amongst others, War Horse. I think it's important not to patronise YA readers and not to write more simply just because your target audience happens to be teenagers and young adults. Michael Morpurgo does that perfectly.
What inspired you to write your first novel?
About five years ago I found an old diary of mine on a visit home. It was one from when I was struggling to work out who I was, and every day's entry was more anxiety-ridden than the last. Even though it made me a bit sad reading it, remembering a time when I was confused about my sexuality and in love with a girl at school who didn't even know I existed, it still made me laugh as I'd peppered it with humour as, presumably, that was the only way I could cope with things back then.
After reading my diary I knew I wanted to write something that showed that, although being a teenager can be fraught with angst and unrequited love, it doesn't have to be all doom and gloom, and that it's important to find the funny in the most unfunny of situations. 365 Days was borne out of that, written as a diary, about a girl who, to all intents and purposes, is probably me…
Would you say that you write lesbian fiction or novels where lesbians are the main characters?
That's a tricky question. I classify lesbian fiction as being fiction written exclusively for lesbians, so I would say I write novels where lesbians are the main characters. The plot should be more than just the fact they are lesbians – the fact that they are is secondary (and a bonus!) The main point is that each character is just trying to go about their lives, but inevitably a girl catches their eye and confuses things.
Did you know right from the start that you wanted to write this kind of novel?
No. I started life as a short story writer for UK women's magazines but when a friend leant me some Gerri Hill books, I immediately realised that I wanted to write the kind of books that I would rather read myself.
I still write short stories (under a pseudonym) as they help pay the bills, but it's writing YA novels that I enjoy the most.
Does it make a difference to be a British and/or a European author?
Definitely. 365 Days and its sequel, Another 365 Days are as British as afternoon tea and biscuits. My humour, too, is very British, and not everyone gets it. As I'm published by a US publisher, they do sometimes ask me to write things that are more universally understood, especially when it comes to brand names which could be exclusively British. Of course, I'm always more than happy to do that. However, I do still read comments from reviewers who complain that they can't understand my English "slang", and that, for them, it ruins the book.
Whilst that's disappointing, it's still slightly better than the comments I receive complaining about my "English mistakes", when what they mean is "non-American English". I guess you can't please all the people all the time, can you?
How did you conceive the plot for The Road to Her?
My favourite British soap recently had a lesbian storyline, which was a first for that particular soap. It got me thinking: how would the two actresses playing these characters react if their on-screen chemistry spilled over into real life?
So I wrote The Road to Her, where my two main characters are well-known soap actresses who fall in love on screen, only to start to fall for each other off screen too. I wanted to know what they would do. Would they just see it as blurring fiction with real life, and ignore it, or would they act on those feelings? Maybe their careers would be more important to them? Or maybe they're both just confused. So many questions needing so many answers…
Do you draw your inspiration for your main characters from real life? Or do you totally invent them?
They're mostly figments of my imagination. However, there is a lovely character in me@you.com called Joey who might just be a little bit like my partner.
Do you have a favourite character? Which one and why?
I'll always be very fond of Clemmie Atkins from 365 Days and Another 365 Days, possibly because she was my first ever character but more probably because she's a total klutz and I love her for it.
Are you currently working on a new book? Would you mind telling us a little about it?
As I mentioned earlier, I recently found out that I've had another novel accepted for publication in 2014, so I'm really excited about that. It's calledBecause of Her and features a main character called Tabby Morton whose life is turned upside down when she has to move to London when her father is headhunted by a major finance company. She's enrolled in an exclusive school in the hope that it'll finally make a lady of her, but she hates it. It's only when the kind and lovely Eden Palmer walks into her classroom one day and catches her eye, that Tabby begins to think that life in London's not so bad after all.
I'm also currently halfway through writing a sixth novel, provisionally titled Once The Clouds Have Gone, about a girl who has to return home after many years when father dies and she inherits his business. It's another YA romance, so of course there's a stunning girl waiting in the wings to stir things up a bit…
Thank you Ke for your availability and your time!
Posted in Uncategorized | Tagged Hannah, interview, ke payne
Hannah intereviews Cari Hunter
Posted on May 12, 2013 by Danika Ellis
Cari Hunter, author of Snowbound, has kindly agreed to answer some questions for this blog.
Cari Hunter, can you introduce yourself in a few words/lines?
I live near Manchester in north-west England with my partner and two cats. I've been a paramedic for eleven years and, more recently, an author with Bold Strokes Books. I like hiking, baking, running, writing, catching up on sleep, and frogs – though not necessarily in that order and certainly not at the same time.
Growing up, I read voraciously. Sending me to my room as a punishment never worked, as that was where all my books were. Ian Serraillier's The Silver Sword shaped a lot of my summer holiday playtime, then later I developed a big crush on Nancy Drew. And if anyone knows the twist at the end of The Turbulent Term of Tyke Tyler you'll understand why that was another one of my favourites.
I'm a fan of Jacqueline Carey's Kushiel series, the first three of which are my regular comfort rereads. More recently, I've raced my way through all of Karin Slaughter's novels. Occasionally her plots are a little shaky, but her character development and story arcs just keep you coming back. She's also very funny, which is unexpected given the gruesome nature of her themes. Last year, Code Name Verity by Elizabeth Wein stopped me in my tracks and then broke my heart. It's a long time since a book has done that to me and I'll recommend it to anyone and everyone till I'm blue in the face. I'm not sure about these authors influencing me, but I'd love to be half as good as them.
I've only recently got back into reading 'LesFic' – the local lesbian book shop closed its doors a few years ago and I fell out of the habit of keeping up with new releases. Sarah Dreher was my first LesFic experience and remains one of my favourite authors. I love her snappy dialogue, her sense of humour and her supporting characters. There's a real nostalgia to picking up her books these days, which also adds to their charm.
How many books have you written so far? Have you written anything else?
I've had two novels published with BSB – Snowbound and Desolation Point – and my third, Tumbledown, is due out in 2014. I'm currently working on a new story; it's not contracted at the moment, but I live in hope.
I wrote a whole series of fan fiction for the Terminator TV show (Sarah Connor and I have a long-abiding love affair) plus some shorter pieces for Rizzoli & Isles, which is a crappy show but very fun to fic. I haven't written any fanfic for a while, but it makes for a nice change of pace so I'll almost certainly get back to it at some point.
It's more "who" than "what": my partner. She wanted a story for Christmas, so I set about writing Snowbound for her. I never imagined it would turn out to be a novel; it was certainly never conceived as such, which explains its rather unconventional structure. Unfortunately for my partner, once I got the writing bug I went off on a tangent and ended up writing a couple of novels' worth of Sarah Connor fic while she waited for her Christmas present. I did buy her something in the meantime though – I'm not a total cheapskate.
I would say I write lesbian fiction. There are tropes and conventions in the genre that I think Snowbound and Desolation Point make use of. Even though Snowbound wasn't written for publication, I knew of BSB and LesFic in general and I'd read a lot of online fic, so their influence was there in the background.
With Snowbound, I knew what kind of story I wanted to write, but I genuinely wrote it for an audience of one, hence setting it close to home (no research necessary!) and focussing on a medical scenario (not much research necessary). It was only after BSB contracted it that I thought, "Bugger, better go and check some of this stuff out."
It definitely makes a difference. Snowbound wears its Englishness on its sleeve. It's set just down the road from me and it's chockfull of northern colloquialisms, cups of tea and local foodstuffs. Its police are armed with nothing but batons and a sense of humour, and the plot revolves around that good old-fashioned British obsession: a spell of terrible weather. When I sent it to an American publisher, I was sure it would be rejected for being too damn English, but they wanted it and they kept it exactly as it was, and I love them very much for that.
Desolation Point is a different kettle of fish in that it takes place in the USA, but I knew I wanted to play with the UK/US cultural divide and I had already chosen a mixed pairing for my central characters. While Alex is from Boston, Sarah's from up here near Manchester, so I could still write a story where someone got to say "bloody hell-fire" and "bollocks", which suits me just fine.
How did you conceive the plot for Desolation Point?
To be honest, I pinched its main premise from one of my own fics. In my fic, someone runs the lead characters off the road and then spends the night hunting them down. At its most basic level, Desolation Point grew out of that. I had the initial parallel scenes – Alex's assault and Sarah's car crash – buzzing around in my head when I was finishing the edits on Snowbound, so I had a good idea of what was going to shape the characters. At first I thought about having a flood trap Sarah and Alex in the park, but I couldn't make that work, so I sent Sarah up a mountain instead, set the storm against her and then had her stumbling across the main villain, which established the chase element. I had the main beats of the plot sketched out from the beginning, but I'm useless at sticking to a plan, so things remained very fluid throughout.
Did you draw your inspiration for the main characters in Desolation Point from real life? Or did you totally invent them?
I invented them from scratch, but there are odds and sods in the dialogue or descriptions that have come from walks my partner and I have done. We play the "I love my love with an A…" game when we're knackered and trying to get back home. Sarah talks a lot like me and I too have to drink my tea while it's hot enough to burn my throat, but otherwise she's her own character.
In both Snowbound and Desolation Point the setting seems to be an integral part of the story. Could they have been set in another environment? Why did you choose the US as the setting for your second novel?
I regularly walk in the Peak District, which meant I could describe it with confidence in Snowbound. Also, I doubt there are many LesFics set there, so the story has the advantage of novelty in its location as well as in its vernacular dialogue and general Englishness. It was staunchly northern English as well – I'm a proud northerner – and setting it elsewhere would necessarily have diminished that, which would have been a shame.
I have no personal attachment to the North Cascades but, having spent a year working on Desolation Point, I couldn't envision that being relocated either. The title would have to be changed, for a start, and I'm rubbish with titles. I've never been to that particular part of the States, but I did so much research trying to get everything right that I think I could find my way up Desolation Peak blindfolded!
I agonised about Desolation Point's location before starting it. I didn't want people to assume I'd chosen America just to broaden my audience (BSB's readership is primarily American); in fact, I wondered whether I was shooting myself in the foot by not sticking to the English setting from which a lot of Snowbound's appeal stemmed. Ultimately, though, I needed a couple of things to make the plot in Desolation Point work: one of my lead characters had to be proficient with a gun, and the location had to be expansive enough to get my central pair well and truly lost. I considered the Scottish Highlands and the Peak and Lake Districts over here but they just weren't remote enough, so I decided to move things across the pond. That also solved the gun problem – as an American ex-police officer, Alex would know her way around a firearm.
Some readers might be a bit put off by the violence displayed in both books. Why did you think it was necessary to include details and descriptions?
Both stories have involved some genuinely nasty characters and I really do believe that if you're going to have violence in your plot then it should hurt and it should have consequences. I suspect a lot of that stems from my day job, where I see the effects of brutality and trauma on an all-too regular basis. I've always tried to write realistically; the women in my novels are not super-humans, just normal people who get caught up in horrific circumstances, and they do things to survive that they'd never imagined themselves doing. If they get hurt, it takes them a while to get up again; and – because I don't want to write cartoonish, toothless villains either – they do tend to get hurt. I never want to make the violence gratuitous, but nor do I want to shy away from the details or the after-effects. I hate books where a character gets assaulted in one scene and shows no sign of it in the next; anyone who writes like that has never sat opposite an assault victim and listened to them cry or tried to stop them bleeding.
I hope there's enough humour and lighter moments scattered through the books to counteract their more brutal aspects, though I appreciate that the violence may be too strong for some people's taste.
Between Snowbound and Desolation Point do you have a favourite character? Which one and why?
Oh, that's a difficult one! I do have a bit of a soft spot for Sarah. She comes into her own in the latter stages of Desolation Point and she was a real darling to write. Having said that, most of the fun came from having her bounce off Alex, so they sort of come in a pair. Can I have them both? I'm having them both.
How has Desolation Point been welcomed so far?
So far, so good. I've had a lot of positive feedback and a fair few people telling me they're looking forward to the sequel, which is a relief! It's still early days and I know it's inevitable that there are folks who won't like it, possibly for some of the reasons I've already mentioned, but the majority of people I've heard from seem to have enjoyed the heck out of it.
I finished Tumbledown, the follow-up to Desolation Point, in the year between Snowbound and Desolation Point's publication dates. It's my first shot at an all-out twisty thriller and is earmarked for release in 2014. Until the edits for that come back, I'm working on a new story set in England (in the Peak District, again) which is a sort of thriller-mystery in which the two main characters are long-time friends and occasional lovers. I thought it'd be interesting to explore an established friendship rather than the stereotypical two strangers falling rapidly in love. At the moment, its working title (courtesy of my partner) is Aye Up: It's a New Story! and I have no idea whether it'll ever reach publication. I've got about another 60,000 words before I start worrying about that!
Thank you Cari for your availability and your time!
NB: Both novels have e-book Kindle editions
Posted in Uncategorized | Tagged Cari Hunter, Hannah, interview
Isabelle interviews author Clare Ashton
Posted on April 14, 2013 by Danika Ellis
I had never heard about Clare Ashton until I read the following review of her novel After Mrs Hamilton at C-Spot Reviews. I added the book to my Amazon wishlist and downloaded it to my iPad a few weeks later. I was hooked right from the beginning and couldn't put it down. After Mrs Hamilton has also been nominated for a Goldie award!
Because I had really enjoyed it, I thought I'd contact Clare Ashton about an interview for my blog. She accepted immediately and emailed her answers back within a couple of days. She was also most patient with me when I asked further questions. I hope you will enjoy the interview and that it will encourage you to read her books.
Clare Ashton, can you introduce yourself in a few words?
I'm a UK writer who writes stories with suspense, romance, intrigue and humour and an awful lot of lesbians. I also add (not always intentionally) a dash of something darker that can make readers feel uncomfortable. I grew up in mid-Wales where sheep outnumber humans, so a significant countryside setting is never far away in my writing.
I read very widely as a kid from The Hobbit and Lord of Rings, Dune and other sci-fi to (later in my teens) Jane Austen classics and Anna Karenina. I think I had a higher standard of reading back then than I do now! Nothing better than curling up with a good trashy romance these days. I also stole books from my parents' bookshelves by Tennessee Williams (The Roman Spring of Mrs Stone) and Françoise Sagan (Bonjour Tristesse) – wonderfully different tales of love that have stayed with me over the years.
As an adult, I think the books that made their greatest impression were The Secret History (Donna Tartt), Fingersmith (Sarah Waters), The Blind Assassin (Margaret Atwood) and the Tales of the City series (Armistead Maupin) – all books with a great twisting story and that has definitely influenced the kind of story I like to write.
I always seem to add a surprise or two and sometimes have a little bit of an edge and darkness too. On the other hand I still re-read Jane Austen. A review of After Mrs Hamilton has some very un-Austen like elements), I suppose I shouldn't be surprised.
Sarah Waters must come top. I usually find books that revel in their descriptive passages a bore, but she just does it sublimely and her writing makes me drool. She also has real, vivid and compelling characters and my favourite novels of hers have a brilliant twisting tale too. It's wonderful that someone of her calibre writes lesbian novels.
I'm a sucker for a good romance too. And of the books I've read recently Chris Paynter's Survived by Her Longtime Companion definitely had that kick to the gut, choke-you-up element in the Eleanor and Daphne storyline. I also love Diana Simmonds' light romances written in her expert and witty style. She makes writing look like it's the easiest thing in the world.
Is After Mrs Hamilton your first novel?
It's the first novel for which I completed a first draft. It's a complex tale and that draft had several problems with it that I didn't know how to fix back then.
I moved on to a shorter tale (Pennance) to improve my writing skills. Pennance has a much simpler plot although still with a twist and turn. It's more dominated by the atmosphere of its wintery setting in Cornwall and it's been described as a modern gothic romance.
After I'd published Pennance I went back to rewrite After Mrs Hamilton. I was also very lucky to work with an editor (Diana Simmonds) and that was crucial for me sorting out that early draft and making it the story that I always wanted it to be.
What inspired you to write your first book?
After Mrs Hamilton was the kind of book that I wanted to read: a page-tuner, with twists and turns, fascinating lesbian characters and a great dollop of romance and sex. All tastefully done of course!
After Mrs Hamilton is unapologetically a lesbian book, just by the sheer number of lesbian characters in there. Pennance I think is more a mainstream book, set in a remote rural setting with a broad range of heterosexual as well as lesbian characters.
Did you know right from the start that you wanted to write this sort of novels?
No, I didn't. It's only been recently that someone told me that I was writing intrigue-romances. I only set out to write an interesting story.
I love the fantastic differences in regional flavour that you get between continents and indeed between regions in a country. One thing I think UK writers are particularly good at is literary works which appeal to the mainstream and have lesbian main characters (novels by Sarah Waters, Jeannette Winterson, Charlotte Mendelson, etc.).
It's a pity that there is less lesbian genre publishing in the UK though. Most lesbian writers that I know of tend to be published by US publishers, and although I love their work (Cari Hunter's excellent and gripping – Snowbound for example), I wonder if there would be more esoteric works available if there were more lesbian publishers here. It's great to see other indie writers doing well in the UK, such as Kiki Archer and Rachel Dax, and I hope that indie writers extend the range of work available.
(I edit the uklesfic blog with Cari Hunter and you can find a list of all current UK lesbian authors here)
How did you conceive the plot forAfter Mrs Hamilton?
It started with a character, Clo, who works as a highly paid and sympathetic escort for older women. She was a character who had been kicking around my head for a while, and I'm very fond of her, and I wanted to give her the greatest romance and love.
She had an interesting background, but then I weaved in her best friend Laura's background too. Laura was adopted and doesn't know who her parents are and she is also on the cusp of a life-changing relationship. Combining those really made the story very interesting. It evolved from there over several weeks of outlining and living through scenes in my imagination – my favourite part of writing (daydreaming I suppose!)
Did you draw your inspiration for the main characters (i.e.Clo, Fran, Susan) from real life? Or did you totally invent them?
Clo was initially based on a couple of people I know very well, but as with all characters, the more I outlined and wrote the more she changed into a distinct character with her own voice, mannerisms and personality, so much so that I hope the original inspirations do not recognise her.
Fran, a fantasy older love interest, was based on gorgeous French actresses like Catherine Deneuve and Fanny Ardant with a bit of Kristin Scott-Thomas thrown in. But again, to me, she is unrecognisable now and is just Fran
Do you have a favourite character in this novel? Which one?
One of Clo or Fran. They are both real, damaged, attractive and fascinating. I love those two and they have the most deeply romantic history and relationship (albeit a little unconventional).
How has the novel been welcomed so far?
People have really liked the twisting tale, and like me, have found the complex characters of Clo and Fran intriguing. Some loved Fran, as an attractive but real older (mid-fifties) heroine, others liked the damaged, quirky and loving Clo.
Readers have also found the tale of Laura very thought-provoking and made them react very emotionally to her and Susan. After Mrs Hamilton is a very charged tale. It's a collision of several people who didn't know they were previously connected and the outcome is emotionally explosive and dramatic.
Most importantly someone said it was just "a bloody good read". So I'm pretty pleased with that!
I noticed that food is mentioned in both novels and plays an important role in the bonding process between the characters. Is this how you see food?
Yes, I do see food, its preparation and eating together as important for bonding in various social situations. In the books I meant it to reflect the low emotional state of the characters when they eat poorly and then to show the support and love that is introduced into their lives by the character preparing the more nourishing food. Clo in After Mrs Hamilton is a giving and loving character and her expertise with patisserie and other cuisine reflects this. Her ability to choose perfect food for people reflects her versatility as an escort – she satisfies people's very basic needs in a rich way.
When I was writing After Mrs Hamilton, I kept having ideas for short stories, which was very distracting. There are a couple of those ideas that are still demanding to be written. No doubt I'll start having ideas for novels as soon as I try to write them!
Thank you Clare for your availability and your time.
NB: Both novels have Kindle editions
Posted in Articles | Tagged clare ashton, interview, isabelle
Hannah interviews Yolanda Wallace about her book Month of Sundays
Posted on December 9, 2012 by Danika Ellis
Being somewhat of a foodie myself, a review of Month of Sundays by Yolanda Wallace on Goodreads caught my attention as it mentioned 'the delicious dishes that Yolanda described'. I soon read the book and sure enough enjoyed the description of the numerous meals the two main characters delight in throughout the novel.
When she realises that her best friends have set her up for a blind date, Rachel is appalled. She certainly does not feel ready for another involvement after an eight-year relationship which ended in a disaster. Besides she finds that famous chef Griffin is totally out of her league.
In fact both women are attracted to each other but neither wants to get involved in a solid relationship, albeit for different reasons. Griffin suggests a Month of Sundays so that they might get to know each other better without rushing things.
'One date each Sunday for the next…' She paused while she did the math in her head. Seven and a half months. I get to know you while I peel the onion one layer at a time. I woo you not with my body but with my mind. Something, I have to say, would be a first for me.'
Yolanda Wallace's book is a yummy and feel good novel and, rather than offer spoilers, I have chosen to interview the author. Thank you Yolanda for your time and availability; it has been a pleasure to interview you.
Yolanda Wallace, can you introduce yourself in a few words?
As I say in my bio, I am not a professional writer, but I play one in my spare time. I am a banker by day and a writer by night. The night shift is much more fun!
As a child, my favorite book was Pippi Longstocking. I loved her feistiness and independent spirit. As a teenager, I borrowed my teacher's copy of Rita Mae Brown's Rubyfruit Jungle, which introduced me to a world I had only just begun to imagine.
What are your favorite authors today and do you think their writings influence your own?
I don't have any favorite authors, per se. I read anything that strikes my fancy. When I was younger, I adored Stephen King and I think his style rubbed off on me a bit, but I think (I hope) I have developed my own over the years.
I love the work of all my lesbian contemporaries, especially Radclyffe, Kim Baldwin and Xenia Alexiou! Nothing's hotter than a sexy lesbian super spy.
Is Month of Sundays your first novel?
Month of Sundays is my fourth published novel with Bold Strokes Books, following In Medias Res, Rum Spring, and Lucky Loser.
I was inspired to write my first novel In Medias Res by a news article I read while in vacation in Key West, Florida. The article detailed the travails of a man who claimed he had been mugged and had lost his memory. He said he couldn't remember anything about himself, but he knew he was gay. I wanted to explore what makes a person who they are–how they feel or what they learn.
I would say I write novels where lesbians are the main characters. I make sure my characters interact with society as a whole instead of segregating them to one insular community. My way, I suppose, of letting straight readers know our "worlds" aren't separate and frequently intersect.
I have dabbled in writing since I was eight years old and always dreamed of writing my version of the Great American Novel one day. I didn't know lesbian fiction novels existed until I was 17. When I got to college, I wrote my first short story that featured two female characters. I liked it, but I didn't think I had enough life experience at that point to tackle my first full-fledged Sapphic novel. That came many years later. Now the ideas won't stop coming!
How did you conceive the plot for Month of Sundays?
Month of Sundays actually began as a short story that featured an early version of the first chapter and ended at the chapter that takes place on New Year's Eve. When I finished, the characters wouldn't stop talking to me and I decided to expand the short story into a novel. I am a major foodie, so the premise of a culinary trip around the world came from one of my personal wish lists.
Did you draw your inspiration for the main characters (i.e. Rachel and Griffin, and to a lesser extent their friends) from real life? Or did you totally invent them?
I drew my inspiration for their surroundings from real life. Rachel's apartment, for example was owned by friends of mine named Jane and Colleen, who my secondary characters are named after. The characters themselves, however, are products of my imagination. I wanted to feature a character who was a bundle of insecurities as most of us are, so I thought of a character struggling with issues of weight and self-esteem who meets a sexy, confident chef.
My partner adores Jane because she says Jane is the quintessential best friend who pushes you to do all the things you say you don't want to do but really do.
I'm partial to Griffin because her musical tastes are my own and she's probably the most well-rounded character I've written so far.
I have received more positive feedback from this novel than any other. Its themes are universal and appear to have struck a chord with readers.
Posted in Articles | Tagged Hannah, interview, month of sundays, Yolanda Wallace
Interview with Emma Donoghue
Posted on December 19, 2011 by Danika Ellis
I just finished reading Inseparable by Emma Donoghue (review to be posted tomorrow), and I had the opportunity to interview the author herself about it!
Q: I was coming into Inseparable expecting ambiguous relationships that we could project romantic or sexual feelings on, but I was surprised at the explicit female/female desire stories in literature stretching back to Ovid! I've been searching out lesbian literature for years and hadn't heard about the vast majority of these stories. Why do you think our conception of lesbian (or female/female) literature tends to skip straight from Sappho to Radclyffe Hall?
A: I agree, it's very odd. Partly the fault, I suspect, of modern academics who actually prefer to have to dig out hints and ambiguities, rather than tackling a right-there-in-your-face same sex plot! But mostly the fault of consistent homophobia (or, more precisely, a willful blindness to the lesbian theme) on the part of pre-twentieth-century guardians of literary tradition.
You discuss how lesbians in the past have been left unnamed in literature and law. Why do you think this is?
Often those discussing desire between women (either in reality or in fiction) have not been deeply troubled by such desire as such; what bothered them was the notion that it might set such women apart, give them an identity, make them unavailable to men. So if they were left unnamed, they weren't so troubling.
You covered a huge amount of material in Inseparable, but it a slim book and organized pretty strictly. Did you find it difficult to keep it so short? Is there anything you would like to have gone into more depth with?
Oh yes, I wrestled with the material for a long time; my cross-dressing chapters, in particular, could have been a book on their own. (I had a science-fiction/fantasy chapter which I was actually quite relieved to cut, because it turned out that so much lesbian sci-fi sets my teeth on edge.) I wasn't sure whether the book would suit academic or trade publication. When INSEPARABLE finally found a publisher at Knopf, my editor Vicky Wilson was wonderfully ruthless: she made me reshape it to the general reader, cutting multiple examples, debate with other literary critics, and anything that sounded too academic. On the plus side, she encouraged me to add lots more pictures! I think she was quite right, given that lesbian literary history/criticism has got so much more specialised and theoretical in the last ten years; the way I write is much more suited to a non-academic readership. (But I was determined to give the book full notes at the back so it could be useful to scholars too.)
I have heard that this book took you a long time to write. Was it the writing, or the gathering of the material? How did you root out the more obscure texts?
It was partly the editorial process I've described – the endless cutting, boiling it down to the gist. But it was mostly the research, done a couple of months year for many years, very much as a side-project to my fictional work. There's no quick way to read so many (often vastly long) primary texts. I had to read dozens of Renaissance plays just to be able to compose a single paragraph that summarised their variations on the female-bridegroom plot. Trying to skim the seventeeenth-century epic of AMADIS DE GAULE in French, in particular, nearly killed me.
Lesbian pulp fiction gets a brief overview in Inseparable. Are there any laugh-out-loud bad ones you'd recommend?
I decided to devote more attention to pre-twentieth-century works because they get so much less attention in other books on lesbian literature (which tend to start with Radclyffe Hall). But I'm glad I at least got to mention pulp. My favourites are the Beebo Brinker ones – laugh-out-loud-bad and great, too, in their peculiar way.
What was the most surprising thing you found in your research?
Hm. Actually, I think it was the centrality of lesbian themes to the tradition of detective fiction, from its beginnings.
Do you plan on writing more lesbian nonfiction?
No specific plans, but I'm very open to it. My fiction and plays are more an expression of myself, I suppose, but I treasure the quieter, more humble-monkish contributions I can make to 'finding the lesbians' in our cultural history.
I am honored to be able to interview Emma Donoghue, one of my absolute favourite authors! I highly recommend Inseparable, and I'll post a review tomorrow.
Posted in Articles | Tagged Emma Donoghue, interview


Duralam Top Rectangular Folding Table 72"x36"
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Which famous guitarist, if any, inspired you to buy your first Strat?
Discussion in 'Stratocaster Discussion Forum' started by AfroBill, Oct 24, 2018.
My dad bought me my first Strat when I was 12, back in '94. My two guitar heroes at the time were Jimi and B.B. The Strat was cheaper than the 345! But seriously, I really wanted an Oly White Strat because of my love for Hendrix. My dad, who is a Tele player, was happy to keep the family Fender.
diogoguitar and gwjensen like this.
nigelr, Yves and duzie like this.
Ha! Ha! Ha! Nice turnaround there!
I wish I knew how to do such clever tricks. But no, it wasn't me.
Well, i have learned English not in any school, but from Monty Python. If you are really into their comedy, some of their highly educated wit will surely rub to you also!
What languages i had in my schooltime in Finland 50`s-60`s? Finnish, Swedish, German and Latin!
I don´t hate the person som made that BB parody. I knew many people who did ridicule BB in the sixties, and they were professional rock musicians and thought their stuff was cooler & tougher.
It was, but was it better? You can joke about it too, you know.
There is always room for some laugh!
Ron Asheton, Pete Townshend or Wayne Kramer.
I bought a Roadstar II because one of my roommates was getting rid of it. This was during the grunge era, although I'd been listening to strat players like Clapton, Richie Blackmore and Dave Murray (Iron Maiden) for years. My biggest strat hero was probably Jim Hendrix. My favorite strat album for years now has been Chris Anderson's Old Friend (1995). My skills are solidly stuck in the grunge era though, lol.
I actually love that Strats can do it all and do it all really well. I like that you dig this... even if I like the more soulful side of things. Strats do it all!!!
T Guitar Floyd and PeteGalaxie like this.
Hendrix's entire Morning Symphony Ideas Album. Frusciante's Maggot Brain cover In the Beginning off his Empyrean album. But it was playing my dad's almost fretless Silvertone in the basement when I realized that it doesn't matter what brand it is.
joebloggs and BlurgyWurgyWibble like this.
Alex Lifeson, back in the early 80s when he played Strats.
I took lessons from him when we were kids....he had a 54' Strat and I had a black Gretsch Duo-Jet.
It took me a long time to get a Strat mainly because I thought I didn't like the middle pup getting in the way....but...eventually I forced myself to buy a new Strat that played so good it could not be denied.
David Gilmour did it for me. I still remember hearing SOYCD and thinking yeah I need a Strat.
Rastus and Demon Dave like this.
T Guitar Floyd and stratman323 like this.
Shine on you crazy diamond?
T Guitar Floyd and Ebidis like this.


Maison du Sud Location. Book Maison du Sud Today with Hip Morocco - Holiday Accommodation in Essaouira , Morocco.
"Beautiful 18th century house for an authentic Moroccan experience by the sea"
A charming "residence", in the heart of the Medina, in a authentic Riad of the 18th century.
The large communal areas of Maison du Sud are authentically Moroccan with low benched seating areas surrounding the outside of the rooms. The central patio at Maison du Sud, with intimate tables and chairs, receives lots of natural light from the large open roof above. The patio is furnished with an abundance of green plants, central water fountain and a collection of very interesting colourful upcycled art pieces.
The rooms are neat and well presented yet basic in their furnishings. The rooms at Maison du Sud have high ceilings, larger ones have a sofa area which can be used for extra beds. There is a good-sized terrace with tables and chairs to enjoy the sun and views of the town rooftops.
Maison du Sud offers 24 rooms. These have a bedroom with a small drawing-room and a bathroom, and are arranged on one and a half floors. Through the traditional method of building, these are positioned around a large patio.
The simple roof terraces have a view over the white rooftops of the houses and businesses of Essaouira with the Atlantic ocean in the distance.
Traditional Italian atmosphere for this restaurant where you can find the best ( hand-made ) paste in Essaouira.
At the end of the pier, you can see the boats coming in and out the port during the day and guess which one caught the fish in your plate.
"This riad is quite big – it's actually two 'houses' joined together – and situated right in the heart of the medina, you step out of the front door and there are shops all around you. Staff were friendly and helpful. Decor was beautiful throughout the riad with pot plants and attractive lighting. Meals were good, small selection available for evening meals and very tasty. We took advantage of the hotel laundry service – in by 9am out by 6pm – and they did a lovely job, everything washed and ironed for a very reasonable price. We were very taken with Essaouira and would definitely recommend this riad if you're travelling to this delightful seaside town."
"This is a beautuful riad right in the center of essaouira medina. Its beautiful with loads of nooks and crannies and archways and little courtyards. we had a family room which was very spacious, twin beds one end, sofas the other end and a mezzanin floor with a double bed on."
La Maison du Sud is located in one of the main streets within the walls of Essaouira's medina. The beach, the fishing-port and the best restaurants in Essaouira are just a few minute walk.
Double room with a large bed and a Moroccan lounge with ensuite bathroom. Views of either the street or the patio.
Riad Maison du Sud has 13 individually styled en-suite double rooms with sitting rooms, of which 11 are on a mezzanine floor.
The 3 quadruple rooms at Riad Maison du Sud are set on two levels, stairs lead up to the mezzanine with double bed, and twin beds in the lower salon well suited for a family holiday in Essaouira. These room all have an ensuite bathroom and cosy seating area.
The spacious Mini Suite possesses a large bed and a Moroccan salon, with ensuite bathroom. Views of either the street or patio. Riad Maison du Sud has 3 two-person suites all of which open onto a light-filled interior patio with traditional Moroccan tiling.
This spacious suite has a traditional Moroccan decor and offers a separated living area.
There are 2 triple rooms at Riad Maison du Sud which have a double and a single bed suited perfectly for small family holidays in Morocco.
The triple rooms at Maison du Sud have good sized ensuite tadelakt bathrooms.
The base rate price at Maison du Sud is in pounds, euros, or Moroccan dirhams and exchange rates are approximate.


At FTS we have a clear view about where is our target: at the point where two vectors cross.
The horizontal one is the technology. Location-based services is one of the most promising appliances of the mobile technology and we're working on to play, seriously. That's why Barcelona, the mobile world capital, is our HQ and the starting point from where we want to show to the world how we are going to succeed "playing the world".
The vertical one is the tourism. Tourists are becoming travelers increasingly and this is changing the whole sector. Cities are becoming, progressively, scenarios where happenings play a relevant role. Barcelona, one of the largest touristic cities of the world, is a key player demonstrating it and that's why we're facilitating it with our serviceproduct TouristIQ.
Playing the world from Barcelona, see you at the #MWC13.


text:
Stan nets exclusive Sherlock streaming deal
Stan has taken the exclusive rights to the upcoming season of Sherlock, meaning the latest instalment of the BBC drama series will launch on the streaming service in Australia. Stan, which is backed by commercial broadcaster Nine Network and media company Fairfax, also has exclusive streaming rights to previous Sherlock seasons and specials, validating its […]
Fox scoops UK Wolf Creek as Outcast goes big
Fox UK has bought Wolf Creek, the Australian series based on the eponymous horror movie series. The deal hands Fox the UK rights to the six-part series, and the pay TV channel will launch it on August 30, in a 10pm slot. Wolf Creek is distributed by Zodiak Rights, which struck the deal. It follows […]
Netflix drives VOD boom in Australia
Use of VOD and SVOD in Australia will increase sharply with Netflix spurring much of the growth, according to new research. By the end of the year two thirds of Australians over 16 who have an internet connection will be accessing VOD services. Nielsen says 67% will be watching OTT video by end-2016, compared with […]
Aussie SVOD service calls in administrators
Embattled Australian subscription on-demand service Quickflix has entered into administration. The Australian Securities Exchange-listed company has appointed partners from Ferrier Hodgson as voluntary administrators, though trading continues as usual. Quickflix's New Zealand arm is not included in the administration process. Quickflix said it had taken the move as its struggled to raise new capital due […]
Foxtel 'plots own streaming device'
Australian pay TV giant Foxtel is reported to be planning to launch a streaming device that would offer free and paid-for services. Billed by the Australian Financial Review as an "Apple TV-style streaming device", the product could potentially offer Foxtel's online streaming service Foxtel Play. The device would compete with Telstra TV, a television set […]
Aussie SVOD service pulls off Showtime coup
Australian subscription on-demand service Stan has scored exclusive streaming rights to programming from premium US cable channel Showtime. The agreement began this week with the launch of Billions, and will ultimately run to hundreds of hours, and includes granting Stan the exclusive license to use the Showtime brand in Australia. A highlight will be the […]
Australian SVOD market to grow 17-fold
Australian subscriptions to streaming services like Netflix, Presto and Stan will grow by a factor of 17 between the end of 2014 and the end of 2019, according to new research. The new Ovum study claims that subscription video-on-demand services have grown rapidly in Australia since Netflix moved into the market in May, with competition […]
Australia's Nine creates MD role
The new CEO of Australian free-to-air broadcaster Nine has made his first senior executive appointment, naming Amanda Laing in the newly created managing director role. Hugh Marks replaced long-serving CEO David Gyngell in November and has now installed Laing as a key lieutenant. In her new role she will oversee the exploitation of Nine's content […]
ACMA: 14% of Australians use Netflix
An estimated 14% of adult Australians, some 2.5 million people, used Netflix to stream TV shows or movies in the six months to June2015, according to media regulator the ACMA. Research by the Australian Communications and Media Authority said that after launching in March, Netflix now accounts for "the majority of SVoD services used in […]
Study: Netflix drives down Oz piracy
New streaming services are helping to drive down illegal downloading in Australia, new research shows. An independent study found that 25% of Australian adults had pirated content, which was down 4% on the 2014 figure. This was attributed to the launch of popular new services such Narcos platform Netflix, Stan and Presto, and new government […]

redpajama_set_name: RedPajamaCommonCrawl


The Lil� Dragons program is designed for 4-7 year olds. Along with movement, our Lil� Dragons also learn Stranger Danger, Fire Safety, Drug Awareness and First Aid.
Our Youth Karate programs offers martial arts exercise and practice that stresses self-protection, body skills and health.
The training methods and martial arts of old Japan. This art was developed over 800 years ago yet its practice has always been made relevant to the present. Our Taijutsu program offers unarmed striking, grappling and locking as well as body skills and the use of historic weaponry.
Jeet Kune Do concepts are a method of discovery. Our program stresses realism including the R.A.T. (rapid assault tactics) and trapping with emphasis on focus mitt work and attribute development.
A term used for the Filipino Martial arts. Kali is a weapons based as well as empty-handed system. Kali is very practical and is great for developing coordination, timing and other attributes.


"Execution Premium via Innovative Leadership" has always been Khairul's basic principle in coaching business executives and senior leaders. Khairul observes that today's modern, fast moving and highly demanding organization require top executives and senior leaders creative and innovative leadership strategy. Khairul has more than 10 years in depth and diverse experiences in various sectors as senior leader/consultant and business manager in Asia. He also involves in start-ups, social enterprise and fintech as part of growing sector around ASEAN countries.
Khairul specialized coaching in integrating principles of innovation as part of top executives and senior leaders leadership strategy. He has trained and coached innovative leadership from senior levels to operational levels to measurably impact their leadership qualities and innovation confidence to improve organizational effectiveness. Khairul has held senior level positions and worked as business management alongside multinational companies in Europe, Asia and Middle East. He is also an active voice of start-up, social enterprise and fintech as the new economic model for modern organization. Khairul is an active listener, cultural sensitive and productivity oriented and he believes innovation acts as business problem solver for any organization in any industry.
He has been recognized for his innovative approach, which he did by integrating principles of innovation together with Marshall's methodology. His current clients are in banks, conglomerates, infrastructure and services.
His appreciation of people, cultures and diversity was born from projects experiences gained in UK, Germany, UAE Dubai, Qatar, Indonesia, Brunei, Singapore, Scotland and Ireland. His next locations are USA, Japan and China. Khairul's authentic and genuine communication skills make him a sought after by senior leaders and managers.


Windows Media Encoder 7 is an easy-to-use, powerful production tool that enables content developers to convert both live and prerecorded audio, video, and computer screen images to Windows Media format for live and on-demand delivery. This new version has several improved features, including improved ease of use and production, content source switching, new encoding capabilities, time compression during encoding, and more. In addition, Windows Media Encoder 7 supports a variety of capture cards.


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What is Indoor Air Quality and Why Does it Matter?
You are here: Home / Tips, Tricks, and HVAC Expertise Blog / What is Indoor Air Quality and Why Does it Matter?
Homeowners and office managers alike are paying more and more attention to Indoor Air Quality, or IAQ, as the risks posed by unclean air are becoming apparent. We are seeing a steady increase in the number of clients who are taking an interest in their IAQ. Because this trend is unlikely to stop or reverse, it is important to understand what indoor air quality refers to and why it matters.
How Is Indoor Air Quality Measured?
Determination of IAQ is dependent on the amount of pollutants or contaminants in the air in a defined space, typically a single continuous building. Typically, it will refer to those pollutants or contaminants that impact the health or comfort of those living or working within that building.
Indoor air quality can be measured by a special devices called a Volatile Organic Compounds sensor. However, other devices in your home or office can help detect changes in indoor air quality, the most common of these is a carbon monoxide detector. Other common influencers of indoor air quality include asbestos, formaldehyde, allergens and dust. Dust might be a surprising inclusion, but it is often a conveyance for more dangerous contaminants.
Some of these you may notice on your own. If you notice smelly or stuffy air, mold or an increase in illnesses, your indoor air quality may be compromised.
Why Is My Indoor Air Quality Important?
Compromised indoor air quality can result in short-term illnesses or discomfort, but can have many negative long-term effects as well. It is important to understand that some populations and types of buildings will be more susceptible when indoor air quality is an issue. For obvious reasons, for example, it is critical that healthcare facilities have optimal indoor air quality.
The long-term effects can include respiratory issues and diseases, certain types of cancer and several other serious illnesses. That is why it is important that you consider steps to proactively improve your indoor air quality, even if you haven't noticed issues yourself yet.
If you are concerned about your indoor air quality in Edmonton, Furnace Solutions has the expertise to provide solutions. We are also capable of providing repairs and sell the best air quality equipment in the industry. Give yourself, your colleagues and your loved ones peace of mind with improved indoor air quality!
What Should I Check before Calling for Air Conditioner Service? Is It Worth It To Repair My Hot Water Tank?


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URL shortening has been the subject of much discussion recently, and there is one big reason: Twitter. Twitter has exploded in usage in the last 6 months, and with that has come a sharp increase in both the number of and use of third-party URL redirection services. Bit.ly, TinyURL, Twitpic, and the rest, are just some of the major players in the space. All of them provide similar functions but suffer from the same problems, some of which are outlined below.
The purpose of this isn't to indict these services, all of which grew out of the need for something very much like what they are. I think that by outlining the issues and benefits, we can gain a better understanding of why we need URL shortening / redirection, and what can be done to improve the practice.
This is what they're good for.
The link is now more aesthetically pleasing, won't be as confusing to the tech-unsavvy, and won't give most URL formatting scripts headaches.
It's now shorter, and affords the writer more space on Twitter or in an SMS to comment on the link. The Amazon link in the second example, with a total of 181 characters, wouldn't even fit in an SMS, or Twitter message.
These are legitimate problems, and each pops up in different circumstances. Memorability is primarily an issue when using free webhosts that do not provide each user a unique domain name, with sensible URLs. Awkward/ugly is an issue with many online shopping services that collect tons of referral and other link data. Length becomes an issue when using a micro-blogging or SMS service, like Twitter. These problems often "stack", and co-exist.
What happens if your URL shortener of choice goes out of business, or changes their URL format some day? It is not out of the realm of possabiltiy that TinyURL, Bit.ly or any of the major players in URL reduction could go the way of 1000s of other web companies. As of today, TinyURL.com claims to have created over 200 million shortened URLs. 200 million is a lot of dead links that could be avoided. Even if the service goes down for a short time, these are visitors and readers and customers that need not be lost.
One of their prime drawbacks of URL shorteners, this is used for comedic effects by some. The spread of the Rick Roll might not have gone so well if not for the semi-anonimity created by these services. In recent years some (TinyURL, for one) have provided a "preview" mode to guard against obscene or otherwise untoward usage. This is fine, but it isn't a solution to the real problem. Without context, a URL that starts with http://tinyurl.com/ could literally go ANYWHERE on the internet. Even with a custom name (e.g. http://go.to/thispage) there simply isn't enough context to know what kind of thing you're clicking on.
This is one is a bit less of an issue right now, but it is gaining steam: The dozens of free, url redirection services are causing network congestion by adding an extra HTTP request to every URL that is processed by them. One by one these are not problems, but by the millions they can make a notable dent in networking throughput, strain on hardware, and eventually, increased costs of keeping networking hardware healthy. Compounding this problem is the recent trend of Twitter clients to "expand" shortened URLs and provide the user with the destination URL, which creates even more unnecessary networking overhead.
Obviously, I can't just say "stop using URL shorteners". Nobody would listen, and besides, sometimes URL shortening is necessary or just convenient. What I'm proposing is that you provide your own shortened URLs.
Use my WordPress plugin la petite url, or another short URL plugin. There's a Django app, too. Providing a Twitter/SMS-friendly URL format for your visitors and users gives context to your links that would otherwise be lost. The URL http://extrafuture.com/msfxe is not as context-rich as http://extrafuture.com/2009/04/08/on-url-shortening/ but it is markedly better than http://tinyurl.com/ck9df4 or even http://tinyurl.com/onurlshortening. At least the user an idea about where the link they're seeing might take them.
This is not a perfect solution, and I'm aware of that. If your web site's URL is especially long, then serving shortened URLs from it will not be useful. In most other cases, serving your own shortened URLs is an option can solve the problems of third-party reliance, length, and obfuscation quite nicely.


Whether this is your first time seeking help or you are looking to start with a new therapist it can feel uncomfortable, pointless, or overwhelming. What will I say? Will my therapist actually understand? What will my family or friends say? Will therapy work if I tend to be private, less emotional, etc.? Will it really help this time? You might wonder if going to therapy is shameful, self-indulgent, weak, or contrary to what you should do when things aren't going well. Does it mean that I am not strong enough? Shouldn't I be happy with what I have? Maybe, I should be focused on other people! If I just focus on my job, school, family, or community things will get better. These questions and others like them deserve attention and are often among the first things I discuss with clients along with their history and current concerns.
If you are feeling even a little bit of trepidation, I want you to know that your worries are valid and very common; so common that people often struggle for months or even years before getting help. You should also be aware that given the personal nature of what we discuss, our sessions are granted certain privileges under the law. Before we discuss anything of a personal nature we will review how your personal information is protected.
While therapy may not be right for everyone, and certainly every therapist or approach is not right for every person, there is strong evidence supporting its efficacy and it has helped many people.
For more info see What to Expect.


This is one of our sadder pages. Living in a redwood forest has its attractions, but also a drawback that we did not envisage when we moved here: predators. We've seen coyotes regularly, a fox or two and, increasingly, bobcats. The bobcats that we saw lounged across our garden with the look of kings, clearly conscious of being at the top of the food chain and not the least concerned about the people staring at them wide-eyed. Mountain lions have even been sighted in the area recently.
Our most recent arrival was Pucci, in May 2007 in the arms of Alban. He had been talking about bringing a kitten home from the home of one of his friends, where a litter was eager to be distributed. We had no-no'd the idea, because Snip (see below) had been the lone cat in the house for about nine months, had never had kittens, and was not particularly fond of other cats. There was another reason: we'd already lost Mittens (see below).
Needless to say, such concerns had no impact on Alban, a teenager, who did what he'd wanted to do and brought her home, so that Snip would no longer be lonely.
Pucci was one wild and crazy kitten. She played with everything and everyone, even Snip. The latter began by growling every time the kitten approached, but grew more playful herself as she accustomed herself to her new little pest.
Pucci was short for Puccinella, and congratulations if you know where her name came from! She loved to explore. On the left, she's poking her head into the breakfast nook from the buanderie.
On the right, here she is upside down on Charlie's shoulder and going pretty much crazy, which she did a lot. This kitten played her heart out!!
Then, one day before she was a year old, she disappeared, as Mittens had before her. Alban won't be bringing another kitten to our home in the woods. There are predators here.
This is Snip (we don't know the mouse), doing what cats are supposed to do. At least, it appears that she is doing what cats are supposed to do.
Unfortunately, although she is a fearless hunter, her principal prey consists of gloves, socks and shin guards. She knows where the gloves are kept, and will pull them out just to bring them to us. We are, of course, very appreciative. Although we have been obliged to acquire plastic boxes which close and lock the soccer and gardening gloves inside so that she cannot constantly find the easiest prey and bring it to us!
Mittens was our hunter. She brought in the mouse, not Snip. And here lies a problem with our cats. Cats are supposed to dispose of vermine in the house. Mittens brought the vermine in!
Mice, rats and moles inhabit the forest we live in (see our home). Until Mittens stumbled across them. She then felt compelled to bring them in to show us, although not as proudly as Snip still shows us her gloves!
Sadly, Mittens did not come back one morning in late 2006 from her nightly wanderings. Like Pucci, we don't know where she went . . . Like Pucci, we miss her.
We miss her little presents. Mitty was a loner, hunted effortlessly, and avoided looking us in the eye. We have very few pictures of Mitty looking at us. Below right is one, on the deck. Her eyes were almost never opened so wide.
Snip and Mitty came to us from Project Purr, a local SPCA-type organization, shortly after Banane, our first cat (see below), died. Sisters, they had been abandoned very young and then looked after briefly by human "foster parents affiliated with the organization until we came along.
Above, here they are in 2004 on the roof of the studio (or in-law cottage) that was Nick's room before he moved out and then Daphné's from the summer of 2006 on. They were not easy to distinguish physically, with Snip having a white spot on her nose and the end of her tail, and Mitty having white mittens on her paws. It was Charlie who christened her because of those mittens. Mitty is rolling over in the photo, and Snip behind her.
Personality-wise, Snip is social, hangs around us a lot, tended to bully her smaller sister and lacks some of the key feline skills. We have quite a few photos of Snip. Here and here are two photos of her doing what she does best, joining in.
On the left, another typical example of Snip doing her thing, in this case taking a drink of water. For some reason that we have not been able to fathom, they do not care to drink water from the bowl that we put out next to their food. Rather, they drink from vases, as Snip is doing in the photo on the left, or from other places where water can be found lying around in a house. Gross!
Charles and Alex appreciate having her around, in fact even our teenagers let their guard down for the cats. They all play with them and give them plenty of affection. On the left, Snip joins Charlie for an early morning lie in in 2005. Below, Alex scratches her chin in the sun on the dining room floor the same year.
Other extended family members include Grand-père, Grandma, Courtney and Antony, her family and his family.
Before Snip and Mittens came Banane, our little globetrotter, who moved from France to join us in Santa Cruz to in August 1999, when Nick and Tom returned to live with us again. She spent a good three years here, and loved the forest in which she is now buried. She died of old age, and came home to Alban's room to see us when she knew that she was on her way.
Banane, notre premier chaton . . .
D'origine de Malakoff, en banlieue parisienne, Banane nous a suivi dans la forêt de Rambouillet, et ensuite en Californie. Elle nous a quitté brusquement au printemps 2002.
Marie-Hélène a pris cette petite série superbe.
La voilà à gauche à la Bellanderie avec Charles avant notre départ en 1997. Voyez-vous ce qui va se passer ? Voyez-vous les petits "LU"s de Charles ?
A droite, elle s'approche de sa proie . . . .
A gauche, la victoire arrive à celle qui la mérite !!
La voilà encore veillant sur deux papillons, Alban et Thomas, au Tahu, juillet 1995.
Fourteen years together, and we have shared four cats, but only one is still with us.