2007 Cruisers Yachts 44 Sedan Bridge presented by Galati Yacht Sales, Tampa Bay.
Here is a unique opportunity to own a well-kept, ultra-sleek & luxurious 45' Cruisers Yachts Sedan Bridge at a fraction of the cost of a new one. This yacht is absolutely loaded and equipped with Upgraded Yanmar 480 hp diesel engines that offer fantastic performance. This 447 Sport Sedan is sophisticated and fresh looking, offering an alternative to other COOKIE CUTTER Sedan Bridges.
This two stateroom model offers a pull out Flexsteel sofa in the salon, two heads and a large cabin layout for extended entertaining & weekend cruising. She features unrivaled 360-degree views from the salon and galley. The multi-level windows flood the interior with natural light. Major options include, shiny Taupe Accent Gelcoat Hull Color, Bridge A/C, Bow Thruster, Stainless Steel Salon Door, Central Vacuum System, Washer & Dryer Combo Unit, Updated TV & Stereo Entertainment Systems inside & out, Anchor Washdown System, Engine Oil Change System, Extended Swim Platform, Cockpit Wetbar with Icemaker, Bridge Wetbar with Fridge, Premium Electronics Package with two Raymarine E 120's and much more. Her engines were just recently serviced and had new battery's installed. Call for your easy showing today located at Homeport Marina in Palm Harbor. You won't be disappointed!
fuel capacity: 400 G. 1514 L.
water capacity: 100 G. 378 L.
holding tank: 50 G. 189 L.
Aggressive styling defines the Cruisers 447 Sport Sedan, a luxury-class cruising yacht whose spacious interior comes as a surprise in a boat of this size. Perhaps that's because her tiered cabin windows admit so much natural lighting into the salon. The 447's cabin windows provide 360 degrees of visibility whether sitting or standing. The split-level salon is arranged with galley and dinette forward, a step above the aft salon with its facing settees and in-floor storage room. Note the sculptured salon overhead. There are two staterooms and two heads forward and below. The forward is the technically the master and includes a queen island berth, while the full-beam guest stateroom aft has twin berths (that convert to a queen), sitting area, washer/dryer combo in cabinet and six opening ports. There's a staircase to the flybridge in the cockpit, and clever aft facing seats in the transom overlook the extended swim platform. Built on a fully cored hull with more transom deadrise than most Cruisers models, the 447 rides quite proficiently in rougher water. Her deadrise measures at 45 degrees at its finest point, transitioning to 18 1/2 degrees at the stern offering a super soft ride. Her upgraded reliable Yanmar 480hp V-drive diesels cruise at 24–25 knots.
Because we have one simple philosophy: Always take care of our customers, and one company-wide mission statement: Consistently exceed our customers' expectations. It's a philosophy and mission that has been the core of who we are since the start of our company in 1970. Today, nearly 50 years, twelve locations, and three generations later, we have not wavered from our core and ethics. Each and every team member at Galati Yacht Sales is there for you every step of the way...before, during, and after the sale, to assure your time on the water in this 447 Sport Sedan is filled with great memories.


text:
Jury Awards $289 Million in Case Linking Roundup to Man's Cancer
MONDAY, Aug. 13, 2018 -- A $289 million award against Monsanto in a case linking its Roundup week killer to terminal cancer in a former school groundskeeper may lead to similar judgments against the company, according to the man's lawyers.
The ruling in favor of Dewayne Johnson, 46, was announced in San Francisco Friday. Roundup contributed to Johnson's non-Hodgkin lymphoma and Monsanto should have provided a warning label about the potential health risks, the state Superior Court jury said in its decision, the Associated Press reported.
This was the first Roundup-related case filed by a cancer patient against Monsanto, and was expedited because court filings noted that Johnson was dying. The case could set a precedent for many others, according to the AP. The company will appeal, said Monsanto spokesman Scott Partridge, who noted that scientific studies and two government agencies have concluded that Roundup does not cause cancer.
Glyphosate -- the active ingredient in Roundup -- is safe when used according to label directions, according to the U.S. Environmental Protection Agency. But in 2015, glyphosate was classified as a "probable human carcinogen," by the International Agency for Research on Cancer, which is part of the World Health Organization, the AP reported. Glyphosate is on California's list of chemicals known to cause cancer.
AP News Article
© 2019 HealthDay. All rights reserved.
Posted: August 2018
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redpajama_set_name: RedPajamaCommonCrawl


Comments Off on The "Singing Wells". Part 2. Witnessed!
The "Singing Wells". Part 2. Witnessed!
The men sing to their livestock.
Each herd of cows, camels, sheep and goats, and donkeys too of course recognise their 'Masters' Voice'. They wait patiently for their herdsman to select who is going to go first to drink. When the herdsman hears it is his turn he selects twelve or so animals and lets them go. They go straight to their 'home' well. They don't wander around and get in the way of other herds also being summoned, but follow the voice they know means 'water'. When that group is finished they will return to their herd and others will go.
The 'voice' comes from the man at the top of the well, who is taking the bucket that has come from the man or men below him, scooped and filled from way down, and carefully but speedily passed up the human chain to the surface, where in a sing-song, lilting but strong voice it is poured into the wooden trough. The cattle jostle and drink. The herdsman sings to his animals. He tells them he loves them, they are his special beasts, they will bring him great fortune, babies and perhaps another wife to share his burden, they have fine skins, beautiful colours that outshine his neighbours animals, they don't get sick and have proud horns and he will protect them from lions and hyenas! He looks at each animal, watches it drink as he pours the water into the trough, and notes how much each drinks, and more importantly any animal that is missing or taking too much water as well. They are his charges and he knows them all.
Each cohort of cows and smaller beasts are watered like this every second day, so a man will split his herds so that they all drink but not at the same time or the same day. The burden is huge on a small Samburu family, so they share to survive.
No photography is allowed at this special place, but the story from our visit is not yet over.
Sometimes when the water is not so low, a few of the old elephant bulls, the 'old' bulls who have witnessed many years of drought and plenty will come to the wells at this time as well. They just appear amidst the clouds of pale dust, their ivory giving then away amongst the melee, they move like ghostly ships, slow and ponderous, and determined. They will approach a well where the water is a few feet down, still within reach of their trunks and with a flick of their powerful trunks, remove the protective branches and drink deep from the waters. They will choose a well without a person in it, but frequently right amongst the stock and tribesmen, and each respects the other. No fuss is made or expected. Water is the currency of life. The bulls drink their fill and move off just as quietly, the tribesmen watch with solemn eyes, their beaded head dresses and arm bands bright against their dark skins, the younger ones smiling and talking quietly…even they marvel at this amazing and unique spectacle of an age long trust. The cattle and other livestock are not afraid, but jostle and push with undiminished fervour.
How much we miss out by just turning a tap. How much do our children take for granted, when they run the shower!!
← The "Singing Wells". Part 1.


text:
/* jshint loopfunc: true */
/* global $: false */
/*
 * Licensed under the Apache License, Version 2.0 (the "License");
 * you may not use this file except in compliance with the License.
 * You may obtain a copy of the License at
 *
 *     http://www.apache.org/licenses/LICENSE-2.0
 *
 * Unless required by applicable law or agreed to in writing, software
 * distributed under the License is distributed on an "AS IS" BASIS,
 * WITHOUT WARRANTIES OR CONDITIONS OF ANY KIND, either express or implied.
 * See the License for the specific language governing permissions and
 * limitations under the License.
 */
'use strict';

angular.module('zeppelinWebApp').controller('NotebookCtrl',
  function($scope, $route, $routeParams, $location, $rootScope, $http, $window,
    websocketMsgSrv, baseUrlSrv, $timeout, SaveAsService) {
  $scope.note = null;
  $scope.showEditor = false;
  $scope.editorToggled = false;
  $scope.tableToggled = false;
  $scope.viewOnly = false;
  $scope.showSetting = false;
  $scope.looknfeelOption = [ 'default', 'simple', 'report'];
  $scope.cronOption = [
    {name: 'None', value : undefined},
    {name: '1m', value: '0 0/1 * * * ?'},
    {name: '5m', value: '0 0/5 * * * ?'},
    {name: '1h', value: '0 0 0/1 * * ?'},
    {name: '3h', value: '0 0 0/3 * * ?'},
    {name: '6h', value: '0 0 0/6 * * ?'},
    {name: '12h', value: '0 0 0/12 * * ?'},
    {name: '1d', value: '0 0 0 * * ?'}
  ];

  $scope.interpreterSettings = [];
  $scope.interpreterBindings = [];
  $scope.isNoteDirty = null;
  $scope.saveTimer = null;

  var connectedOnce = false;

  // user auto complete related
  $scope.suggestions = [];
  $scope.selectIndex = -1;
  var selectedUser = '';
  var selectedUserIndex = 0;
  var previousSelectedList = [];
  var previousSelectedListOwners = [];
  var previousSelectedListReaders = [];
  var previousSelectedListWriters = [];
  var searchText = [];
  $scope.role = '';

  $scope.$on('setConnectedStatus', function(event, param) {
    if(connectedOnce && param){
      initNotebook();
    }
    connectedOnce = true;
  });

  $scope.getCronOptionNameFromValue = function(value) {
    if (!value) {
      return '';
    }

    for (var o in $scope.cronOption) {
      if ($scope.cronOption[o].value===value) {
        return $scope.cronOption[o].name;
      }
    }
    return value;
  };

  /** Init the new controller */
  var initNotebook = function() {
    websocketMsgSrv.getNotebook($routeParams.noteId);

    var currentRoute = $route.current;

    if (currentRoute) {
      setTimeout(
        function() {
          var routeParams = currentRoute.params;
          var $id = $('#' + routeParams.paragraph + '_container');

          if ($id.length > 0) {
            // adjust for navbar
            var top = $id.offset().top - 103;
            $('html, body').scrollTo({top: top, left: 0});
          }

          // force notebook reload on user change
          $scope.$on('setNoteMenu', function(event, note) {
            initNotebook();
          });
        },
        1000
      );
    }
  };

  initNotebook();

  $scope.focusParagraphOnClick = function(clickEvent) {
    if (!$scope.note) {
      return;
    }
    for (var i=0; i<$scope.note.paragraphs.length; i++) {
      var paragraphId = $scope.note.paragraphs[i].id;
      if (jQuery.contains(angular.element('#' + paragraphId + '_container')[0], clickEvent.target)) {
        $scope.$broadcast('focusParagraph', paragraphId, 0, true);
        break;
      }
    }
  };

  // register mouseevent handler for focus paragraph
  document.addEventListener('click', $scope.focusParagraphOnClick);

  $scope.keyboardShortcut = function(keyEvent) {
    // handle keyevent
    if (!$scope.viewOnly) {
      $scope.$broadcast('keyEvent', keyEvent);
    }
  };

  // register mouseevent handler for focus paragraph
  document.addEventListener('keydown', $scope.keyboardShortcut);

  /** Remove the note and go back tot he main page */
  /** TODO(anthony): In the nearly future, go back to the main page and telle to the dude that the note have been remove */
  $scope.removeNote = function(noteId) {
    BootstrapDialog.confirm({
      closable: true,
      title: '',
      message: 'Do you want to delete this notebook?',
      callback: function(result) {
        if (result) {
          websocketMsgSrv.deleteNotebook(noteId);
          $location.path('/#');
        }
      }
    });
  };

  //Export notebook
  $scope.exportNotebook = function() {
    var jsonContent = JSON.stringify($scope.note);
    SaveAsService.SaveAs(jsonContent, $scope.note.name, 'json');
  };

  //Clone note
  $scope.cloneNote = function(noteId) {
    BootstrapDialog.confirm({
      closable: true,
      title: '',
      message: 'Do you want to clone this notebook?',
      callback: function(result) {
        if (result) {
          websocketMsgSrv.cloneNotebook(noteId);
          $location.path('/#');
        }
      }
    });
  };

  // checkpoint/commit notebook
  $scope.checkpointNotebook = function(commitMessage) {
    BootstrapDialog.confirm({
      closable: true,
      title: '',
      message: 'Commit notebook to current repository?',
      callback: function(result) {
        if (result) {
          websocketMsgSrv.checkpointNotebook($routeParams.noteId, commitMessage);
        }
      }
    });
    document.getElementById('note.checkpoint.message').value='';
  };

  $scope.runNote = function() {
    BootstrapDialog.confirm({
      closable: true,
      title: '',
      message: 'Run all paragraphs?',
      callback: function(result) {
        if (result) {
          _.forEach($scope.note.paragraphs, function (n, key) {
            angular.element('#' + n.id + '_paragraphColumn_main').scope().runParagraph(n.text);
          });
        }
      }
    });
  };

  $scope.saveNote = function() {
    if ($scope.note && $scope.note.paragraphs) {
      _.forEach($scope.note.paragraphs, function(n, key) {
        angular.element('#' + n.id + '_paragraphColumn_main').scope().saveParagraph();
      });
      $scope.isNoteDirty = null;
    }
  };

  $scope.clearAllParagraphOutput = function() {
    BootstrapDialog.confirm({
      closable: true,
      title: '',
      message: 'Do you want to clear all output?',
      callback: function(result) {
        if (result) {
          _.forEach($scope.note.paragraphs, function(n, key) {
            angular.element('#' + n.id + '_paragraphColumn_main').scope().clearParagraphOutput();
          });
        }
      }
    });
  };

  $scope.toggleAllEditor = function() {
    if ($scope.editorToggled) {
      $scope.$broadcast('openEditor');
    } else {
      $scope.$broadcast('closeEditor');
    }
    $scope.editorToggled = !$scope.editorToggled;
  };

  $scope.showAllEditor = function() {
    $scope.$broadcast('openEditor');
  };

  $scope.hideAllEditor = function() {
    $scope.$broadcast('closeEditor');
  };

  $scope.toggleAllTable = function() {
    if ($scope.tableToggled) {
      $scope.$broadcast('openTable');
    } else {
      $scope.$broadcast('closeTable');
    }
    $scope.tableToggled = !$scope.tableToggled;
  };

  $scope.showAllTable = function() {
    $scope.$broadcast('openTable');
  };

  $scope.hideAllTable = function() {
    $scope.$broadcast('closeTable');
  };

  $scope.isNoteRunning = function() {
    var running = false;
    if(!$scope.note){ return false; }
    for (var i=0; i<$scope.note.paragraphs.length; i++) {
      if ( $scope.note.paragraphs[i].status === 'PENDING' || $scope.note.paragraphs[i].status === 'RUNNING') {
        running = true;
        break;
      }
    }
    return running;
  };

  $scope.killSaveTimer = function() {
    if ($scope.saveTimer) {
      $timeout.cancel($scope.saveTimer);
      $scope.saveTimer = null;
    }
  };

  $scope.startSaveTimer = function() {
    $scope.killSaveTimer();
    $scope.isNoteDirty = true;
    //console.log('startSaveTimer called ' + $scope.note.id);
    $scope.saveTimer = $timeout(function(){
      $scope.saveNote();
    }, 10000);
  };

  angular.element(window).on('beforeunload', function(e) {
    $scope.killSaveTimer();
    $scope.saveNote();
  });

  $scope.$on('$destroy', function() {
    angular.element(window).off('beforeunload');
    $scope.killSaveTimer();
    $scope.saveNote();

    document.removeEventListener('click', $scope.focusParagraphOnClick);
    document.removeEventListener('keydown', $scope.keyboardShortcut);
  });

  $scope.setLookAndFeel = function(looknfeel) {
    $scope.note.config.looknfeel = looknfeel;
    $scope.setConfig();
  };

  /** Set cron expression for this note **/
  $scope.setCronScheduler = function(cronExpr) {
    $scope.note.config.cron = cronExpr;
    $scope.setConfig();
  };

  /** Set the username of the user to be used to execute all notes in notebook **/
  $scope.setCronExecutingUser = function(cronExecutingUser) {
    $scope.note.config.cronExecutingUser = cronExecutingUser;
    $scope.setConfig();
  };

  /** Set release resource for this note **/
  $scope.setReleaseResource = function(value) {
    $scope.note.config.releaseresource = value;
    $scope.setConfig();
  };

  /** Update note config **/
  $scope.setConfig = function(config) {
    if(config) {
      $scope.note.config = config;
    }
    websocketMsgSrv.updateNotebook($scope.note.id, $scope.note.name, $scope.note.config);
  };

  /** Update the note name */
  $scope.sendNewName = function() {
    if ($scope.note.name) {
      websocketMsgSrv.updateNotebook($scope.note.id, $scope.note.name, $scope.note.config);
    }
  };

  /** update the current note */
  $scope.$on('setNoteContent', function(event, note) {
    $scope.paragraphUrl = $routeParams.paragraphId;
    $scope.asIframe = $routeParams.asIframe;
    if ($scope.paragraphUrl) {
      note = cleanParagraphExcept($scope.paragraphUrl, note);
      $rootScope.$broadcast('setIframe', $scope.asIframe);
    }

    if ($scope.note === null) {
      $scope.note = note;
    } else {
      updateNote(note);
    }
    initializeLookAndFeel();
    //open interpreter binding setting when there're none selected
    getInterpreterBindings(getInterpreterBindingsCallBack);
  });

  var initializeLookAndFeel = function() {
    if (!$scope.note.config.looknfeel) {
      $scope.note.config.looknfeel = 'default';
    } else {
      $scope.viewOnly = $scope.note.config.looknfeel === 'report' ? true : false;
    }
    $rootScope.$broadcast('setLookAndFeel', $scope.note.config.looknfeel);
  };

  var cleanParagraphExcept = function(paragraphId, note) {
    var noteCopy = {};
    noteCopy.id = note.id;
    noteCopy.name = note.name;
    noteCopy.config = note.config;
    noteCopy.info = note.info;
    noteCopy.paragraphs = [];
    for (var i=0; i<note.paragraphs.length; i++) {
      if (note.paragraphs[i].id === paragraphId) {
        noteCopy.paragraphs[0] = note.paragraphs[i];
        if (!noteCopy.paragraphs[0].config) {
          noteCopy.paragraphs[0].config = {};
        }
        noteCopy.paragraphs[0].config.editorHide = true;
        noteCopy.paragraphs[0].config.tableHide = false;
        break;
      }
    }
    return noteCopy;
  };

  // create new paragraph on current position
  $scope.$on('insertParagraph', function(event, paragraphId, position) {
    var newIndex = -1;
    for (var i=0; i<$scope.note.paragraphs.length; i++) {
      if ( $scope.note.paragraphs[i].id === paragraphId ) {
        //determine position of where to add new paragraph; default is below
        if ( position === 'above' ) {
          newIndex = i;
        } else {
          newIndex = i+1;
        }
        break;
      }
    }

    if (newIndex < 0 || newIndex > $scope.note.paragraphs.length) {
      return;
    }
    websocketMsgSrv.insertParagraph(newIndex);
  });

  $scope.$on('moveParagraphUp', function(event, paragraphId) {
    var newIndex = -1;
    for (var i=0; i<$scope.note.paragraphs.length; i++) {
      if ($scope.note.paragraphs[i].id === paragraphId) {
        newIndex = i-1;
        break;
      }
    }
    if (newIndex<0 || newIndex>=$scope.note.paragraphs.length) {
      return;
    }
    // save dirtyText of moving paragraphs.
    var prevParagraphId = $scope.note.paragraphs[newIndex].id;
    angular.element('#' + paragraphId + '_paragraphColumn_main').scope().saveParagraph();
    angular.element('#' + prevParagraphId + '_paragraphColumn_main').scope().saveParagraph();
    websocketMsgSrv.moveParagraph(paragraphId, newIndex);
  });

  $scope.$on('moveParagraphDown', function(event, paragraphId) {
    var newIndex = -1;
    for (var i=0; i<$scope.note.paragraphs.length; i++) {
      if ($scope.note.paragraphs[i].id === paragraphId) {
        newIndex = i+1;
        break;
      }
    }

    if (newIndex<0 || newIndex>=$scope.note.paragraphs.length) {
      return;
    }
    // save dirtyText of moving paragraphs.
    var nextParagraphId = $scope.note.paragraphs[newIndex].id;
    angular.element('#' + paragraphId + '_paragraphColumn_main').scope().saveParagraph();
    angular.element('#' + nextParagraphId + '_paragraphColumn_main').scope().saveParagraph();
    websocketMsgSrv.moveParagraph(paragraphId, newIndex);
  });

  $scope.$on('moveFocusToPreviousParagraph', function(event, currentParagraphId){
    var focus = false;
    for (var i=$scope.note.paragraphs.length-1; i>=0; i--) {
      if (focus === false ) {
        if ($scope.note.paragraphs[i].id === currentParagraphId) {
          focus = true;
          continue;
        }
      } else {
        $scope.$broadcast('focusParagraph', $scope.note.paragraphs[i].id, -1);
        break;
      }
    }
  });

  $scope.$on('moveFocusToNextParagraph', function(event, currentParagraphId){
    var focus = false;
    for (var i=0; i<$scope.note.paragraphs.length; i++) {
      if (focus === false ) {
        if ($scope.note.paragraphs[i].id === currentParagraphId) {
          focus = true;
          continue;
        }
      } else {
        $scope.$broadcast('focusParagraph', $scope.note.paragraphs[i].id, 0);
        break;
      }
    }
  });

  var updateNote = function(note) {
    /** update Note name */
    if (note.name !== $scope.note.name) {
      console.log('change note name: %o to %o', $scope.note.name, note.name);
      $scope.note.name = note.name;
    }

    $scope.note.config = note.config;
    $scope.note.info = note.info;

    var newParagraphIds = note.paragraphs.map(function(x) {return x.id;});
    var oldParagraphIds = $scope.note.paragraphs.map(function(x) {return x.id;});

    var numNewParagraphs = newParagraphIds.length;
    var numOldParagraphs = oldParagraphIds.length;

    var paragraphToBeFocused;
    var focusedParagraph;
    for (var i=0; i<$scope.note.paragraphs.length; i++) {
      var paragraphId = $scope.note.paragraphs[i].id;
      if (angular.element('#' + paragraphId + '_paragraphColumn_main').scope().paragraphFocused) {
        focusedParagraph = paragraphId;
        break;
      }
    }

    /** add a new paragraph */
    if (numNewParagraphs > numOldParagraphs) {
      for (var index in newParagraphIds) {
        if (oldParagraphIds[index] !== newParagraphIds[index]) {
          $scope.note.paragraphs.splice(index, 0, note.paragraphs[index]);
          paragraphToBeFocused = note.paragraphs[index].id;
          break;
        }
        $scope.$broadcast('updateParagraph', {
          note: $scope.note, // pass the note object to paragraph scope
          paragraph: note.paragraphs[index]});
      }
    }

    /** update or move paragraph */
    if (numNewParagraphs === numOldParagraphs) {
      for (var idx in newParagraphIds) {
        var newEntry = note.paragraphs[idx];
        if (oldParagraphIds[idx] === newParagraphIds[idx]) {
          $scope.$broadcast('updateParagraph', {
            note: $scope.note, // pass the note object to paragraph scope
            paragraph: newEntry});
        } else {
          // move paragraph
          var oldIdx = oldParagraphIds.indexOf(newParagraphIds[idx]);
          $scope.note.paragraphs.splice(oldIdx, 1);
          $scope.note.paragraphs.splice(idx, 0, newEntry);
          // rebuild id list since paragraph has moved.
          oldParagraphIds = $scope.note.paragraphs.map(function(x) {return x.id;});
        }

        if (focusedParagraph === newParagraphIds[idx]) {
          paragraphToBeFocused = focusedParagraph;
        }
      }
    }

    /** remove paragraph */
    if (numNewParagraphs < numOldParagraphs) {
      for (var oldidx in oldParagraphIds) {
        if(oldParagraphIds[oldidx] !== newParagraphIds[oldidx]) {
          $scope.note.paragraphs.splice(oldidx, 1);
          break;
        }
      }
    }

    // restore focus of paragraph
    for (var f=0; f<$scope.note.paragraphs.length; f++) {
      if (paragraphToBeFocused === $scope.note.paragraphs[f].id) {
        $scope.note.paragraphs[f].focus = true;
      }
    }
  };

  var getInterpreterBindings = function(callback) {
    $http.get(baseUrlSrv.getRestApiBase()+ '/notebook/interpreter/bind/' +$scope.note.id).
    success(function(data, status, headers, config) {
      $scope.interpreterBindings = data.body;
      $scope.interpreterBindingsOrig = angular.copy($scope.interpreterBindings); // to check dirty
      if (callback) {
        callback();
      }
    }).
    error(function(data, status, headers, config) {
      if (status !== 0) {
        console.log('Error %o %o', status, data.message);
      }
    });
  };

  var getInterpreterBindingsCallBack = function() {
    var selected = false;
    var key;
    var setting;

    for (key in $scope.interpreterBindings) {
      setting = $scope.interpreterBindings[key];
      if (setting.selected) {
        selected = true;
        break;
      }
    }

    if (!selected) {
      // make default selection
      var selectedIntp = {};
      for (key in $scope.interpreterBindings) {
        setting = $scope.interpreterBindings[key];
        if (!selectedIntp[setting.group]) {
          setting.selected = true;
          selectedIntp[setting.group] = true;
        }
      }
      $scope.showSetting = true;
    }
  };

  $scope.interpreterSelectionListeners = {
    accept : function(sourceItemHandleScope, destSortableScope) {return true;},
    itemMoved: function (event) {},
    orderChanged: function(event) {}
  };

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redpajama_set_name: RedPajamaGithub


When you know the holidays are coming, plan ahead with your friends, so you can make the most of the time off. Plan for sunny days and rainy days. If your friends are away, try and take up a new hobby or circulate with another group of friends; and take some time out for yourself.
What should I do to prepare for a holiday?
What can I do if things don't go to plan?


text:
Wide Horizons
The market for contemporary African design is evolving.
By Helen Chislett / 1st May 2019
IN NOVEMBER 2015, Christie's in London included examples of African contemporary design for the first time in its annual Design Auction. Working in collaboration with the Cape Town based gallery, Southern Guild, it included 12 works from the top tier of emerging African talent, including Andile Dyalvane, Astrid Dahl, Beth Diane Armstrong, David Krynauw, Dokter and Misses, Dylan Lewis, Gregor Jenkin, Ian Garrett, John Vogel, and Meyer von Wielligh. There was also a collaborative 'Topple' carpet by John Murray and Paco Pakdoust, as well as a 'Seemo' seating installation by Porky Hefer and Peter Mabeo. This was very much a dipping of the toe into new waters for Christie's, but as Simon Andrews, International Specialist Design recalls, it was an encouraging start, "Of those 12 pieces, eight sold. Bearing in mind that none of these artists had an international reputation, an auction track record or had appeared on any of the notable art market websites, that proved our instincts were correct. It was also interesting to see that those eight pieces attracted collectors from across the world, including North America and the Middle East." Pieces sold averaged £25,000 performing well within their estimates. 'Console 2' by Dylan Lewis sold for £47,500; 'Umbhaco Vase' by Andile Dyalvane for £22,500; and 'Topple' carpet by John Murray and Paco Pakdoust for £25,000.
COURTESY: Southern Guild / PHOTOGRAPH: Justin Patrick
Andile Dyalvane, 'Idladla opening', 2017
COURTESY: Southern Guild / PHOTOGRAPH: Kate McLuckie
The sale came about as a result of Andrews and colleagues visiting Design Miami/Basel in the summer of that year and being impressed by the quality and originality of the work shown by Southern Guild. "It was a show that really caught our eye," says Andrews. "Design continually reinvents itself with new dialogues, materials, techniques and spirit – and that was all present in the works shown. It was a region that had been under-explored as a whole, but the stand was so expertly curated by Southern Guild that it really opened our eyes to something interesting and refreshing. It wasn't just that the materials and techniques were new – it was also that it was all so enthusiastically and passionately crafted."
Atang Tshikare
COURTESY: Southern Guild
"In 18 months we have gone from having no contemporary art museums in Africa to having two … that in turn has raised the international profile of the Cape Town Art Fair, attracting significant interest from the rest of the art world"
Atang Tshikare, 'Le bone Lebone', 2016
Since then, Southern Guild – still the only gallery in Africa to be wholly dedicated to collectible, contemporary African design – has gone from strength to strength. Founded by husband-and-wife, Julian and Trevyn McGowan in 2008, it now operates from a 500 sqm gallery in the Silo district of Cape Town, a new and dynamic area that has built up around the Zeitz Museum of Contemporary Art Africa (MOCAA) designed by Thomas Heatherwick. Trevyn McGowan says that the opening of MOCAA in 2017 was a turning-point for African art and design, "In 18 months we have gone from having no contemporary art museums in Africa to having two [the privately owned Norval Foundation in the Steenberg area of Cape Town opened last year] – and that in turn has raised the international profile of the Cape Town Art Fair, attracting significant interest from the rest of the art world. Representatives from the Tate and from the Guggenheim now visit to see what is going on – and so too do international collectors who were always curious to visit, but now have a real reason to come. The trickle-down economy from art leads to high-end fashion, restaurants and hotels, making this a very dynamic and exciting place to be."
Chuma Maweni
Chuma Maweni, 'Imbizo' installation, 2018
COURTESY: Southern Guild / PHOTOGRAPH: Hayden Phipps
JUST AS THE art market has become more sophisticated, so too has Southern Guild. For the first ten years it embarked on a programme of development work with a huge number of young and emerging artist-designers – about 150 in total – but this year the McGowans made a conscious decision to focus on a much smaller group of artists, including Andile Dylavane, Porky Hefer, Atang Tshikare, Chuma Maweni, Conrad Hicks and David Krynauw. "When we first launched Southern Guild, we worked with dozens of artists and partnered with galleries – both locally and internationally – in order to explore, define and articulate who we were and what we wanted to say," the McGowans explain. "We took work to international fairs such as Design Miami/Basel, Design Days Dubai and the Collective Design Fair in New York because we had no home-grown market of collectors, but we were aware that African design was seen as niche. In the last couple of years that has changed. Not only do international collectors now come to South Africa, but we also have a strong and burgeoning base of African collectors. As the work by our designers becomes more elevated and globally relevant, we as a gallery have brought our focus down to far fewer artists, so we can become much more focused on growing their careers in a meaningful way."
Julian and Trevyn McGowan
COURTESY: Southern Guild / PHOTOGRAPH: Adriaan Louw
It is also notable that a third of the current stable of Southern Guild artists are black – something that has been a very conscious and continuous mandate for Julian and Trevyn. "It was always important to us to be truly representative of the country in which we live," they emphasise. "Our educational structure does not yet mean equal opportunity, but the talent and dedication does exist here. Julian has encouraged and mentored many artists in order to draw on the existing skill and talent. What matters to us is that the work we represent is credible and is of very fine quality, drawn from African heritage with real cultural resonance. Contextually, it must be different from what the rest of the world is saying and doing."
Southern Guild SGX show, 2019
Husband and wife, Adriaan Hugo and Katy Taplin of Dokter and Misses, for example, have developed an aesthetic that is fundamentally tied to the chaotic city that is Johannesburg; creating clean modern beauty out of its dysfunction and regeneration. Artist Justine Mahoney creates collages and sculptures that mirror her upbringing in the 1970s in Johannesburg, where she grew up knowing little about the harsh political landscape just over the eight-foot wall that surrounded her home. Using her own memories as a source of inspiration, she alludes to both innocence and its loss, creating figurative works that are based on stories told to her by her childhood nanny, and embellished with elements taken from the media and African sculpture. Hamed Ouattara is based in Ouagadougou, Burkina Faso from where he has built up an award-winning reputation for furniture mainly created from recycled metal oil barrels, which pay homage to Burkina Faso's artisanal metal-working heritage and the discarded oil barrels in primary colours that are a feature of his immediate environment. These disused oil barrels – hammered and shaped by hand – give his work a distinct and energetic aesthetic. Ouattara believes that design contributes to the development of his country, and uses his studio to bring artists together to collaborate and share ideas, "Art has a role to play in the development of Africa," he insists, "and my work reflects this conviction."
Dokter and Misses
COURTESY: Southern Guild / PHOTOGRAPH: Paul Samuels
Dokter and Misses, 'LALA Surma V and VI', 2015. Photographs in the background by Lakin Ogunbanwo
COURTESY: Southern Guild / PHOTOGRAPH: Anthea Pokroy
PART OF THE contextualism of Africa is that African artist-designers have such a strong seam of local craftsmanship they can harness within their work. Botswana-based, Peter Mabeo, for example (who was part of the original Christie's line-up but operates independently of Southern Guild) has built up an international reputation for furniture made in collaboration with local artisans including those working in wood, textiles and basketry. He employs 20 people in his Mabeo Furniture workshop, using sustainably sourced timbers such as Panga Panga. As well as creating his own designs, he has collaborated extensively with international architects and designers, including Patricia Urquiola, Patty Johnson, Claesson Koivisto Rune, Luca Nichetto, Garth Robert, Inès Bressand, Francesco Faccin and Scholten & Baijings. He is also a regular at Milan Design Week and ICFF. He says he has learned a lot from working with artisans in his region, saying, "There is a uniqueness about the beauty of African material culture and our rich artistic heritage."
Mabeo, 'Kona Sofa', designed by Inès Bressand, 2018
COURTESY: Mabeo
Mabeo, 'Dira Stool Series', designed by Vincent Van Duysen, 2018
Interestingly, the collaborative attitude that Africa engenders seems to work both ways. In December, 2015, the LA-based Haas Brothers unleashed a collection of enormous psychedelic mushrooms and bug-eyed fantasy 'Afreaks' at Design Miami. They were created in collaboration with not-for-profit African beadworkers, Monkeybiz. The brothers were introduced to Monkeybiz by Southern Guild who collaborated with R & Co on the project. 'Afreaks' went on to be shown at the Cooper Hewitt Museum in New York and at Miami's Bass Museum of Art. The Haases are understandably proud of this project, as Niki Haas explains, not least because the Monkeybiz outworkers proudly proclaimed themselves to be The Haas Sisters, "Afreaks was a community supportive project, but what we were able to do was provide a venue for the work, which tapped into western art markets."
In 2018, Porky Hefer – who is represented by Southern Guild – was commissioned by SFA Advisory to create a limited-edition collection to benefit the Leonardo DiCaprio Foundation (LCF), which supports eco projects around the world such as protecting vulnerable wildlife from extinction. Titled 'Endangered', these giant seating pods are based on the orangutan, polar bear, sloth, blue whale and great white shark, all made from sustainable materials. Hefer collaborated with African craft collectives, Heart Works and Mielie, to translate his ideas into beautifully tactile sculptures through crocheting, felting, stitching and embroidery. As Trevyn McGowan explains, "'Endangered' was probably the single most important project we have produced to date. It encompassed everything that we as a gallery stand for: highly original and unique work that has an emotional impact on people; elevates local skills and artisanship; finds new applications for traditional crafts; tells the local story of where the pieces come from, and sends a powerful message about sustainability and wildlife conservation. The editions [three of each creature] have almost sold out, and have thus far raised over $200,000 to protect endangered species through the Leonardo DiCaprio Foundation."
Porky Hefer, 'Endangered Sloth', 2018 and Porky
COURTESY: Southern Guild and SFA Advisory / PHOTOGRAPH: Antonia Steyn
"There is a uniqueness about the beauty of African material culture and our rich artistic heritage"
Porky Hefer, 'James Brown', 2017
COURTESY: Southern Guild / PHOTOGRAPH: Elsa Young
THIS YEAR, SOUTHERN Guild will be back in London for PAD in October, the first time they have shown at the event. Last year, they showed at Salon in New York for the first time, as well as Design Miami/Basel. Trevyn McGowan is confident that the African contemporary design market is strong – and getting stronger, "Our clients now include top collectors and collections worldwide; we collaborate with fantastic galleries, such as Friedman Benda and R & Co; and our artists have had work shown with museums and auction houses. There is no need for nervousness around this work – and it is still very well priced in terms of international collectible design." Expect to pay in the region of £25,000 – £35,000 for a top work by one of the Southern Guild artists, but £10,000 will also buy you a significant piece.
Madoda Fani, 'Isimomondiya' ('Beautiful woman in Xhosa), 2018
Stanislaw Trzebinski, 'Meza ya Mwamba', 2014
It is a view bullishly backed up by Simon Andrews, "I would say that African design conforms to all of the criteria that have been proven in the past to evolve into desirable markets of the future. It is progressive and innovative; it has personality; and it is relevant to time and context. Design is about using materials in a new and expressive way, about looking at things from a different perspective, but above all speaking with a dialect that is new and invigorating. It is for that reason that the Bauhaus movement or the Arts & Crafts movement were important – and the same applies to African contemporary design. That said, this is a developing market, collections are being built – rather than being sold – and so the works have not yet appeared on the secondary market. However, there is no reason why African design should not continue to flourish."
Southern Guild – provides a platform showcasing the very best of South African Design from the most respected designers and artists in the country.
Mabeo Furniture – a furniture and accessories brand from Botswana, Africa.
Helen Chislett
Helen Chislett is a regular contributor to the FT Weekend and is editor-at-large of the USA portal 1stdibs.com
Travel by Design
Art hotels are burgeoning - and collectible design is as much part of the furniture as fine art.
By Alyn Griffiths
Hanging, billowing or sculptural – textile and fibre artists are producing powerful works that defy categorisation.
Workshops of the world
A creative explosion is underway as contemporary ateliers play with process-based design.
By Glenn Adamson
Curating Design
MAK's bold move to hand over curatorship to contemporary artists has left a powerful legacy.


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The application development team within the Maine Office of Information Technology is seeking a highly motivated individual with experience in Java, Java Server Pages, Tomcat, Oracle, and Red Hat Linux.
The selected candidate will have an opportunity to work with our team supporting the Maine Inland Fisheries and Wildlife Agency.
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Your job as a senior developer will be to work within the team responsible for continuing to make Maine's outdoor sporting activities more available to the public. You will use your skills as a JAVA developer to help modernize the MOSES application while continuing to expand its ability to serve the public and public agents. You will work closely with your peer developers and the IF&W Agency to provide timely support and innovative solutions to a wide variety of business needs.
Applicants must be comfortable working directly with the end-user community to capture, refine and verify business requirements related to their assigned projects. They must be able to accomplish tasks in a timely manner with limited supervision.
To qualify, you must have five (5) years of computer programming experience utilizing higher level languages including two (2) years at the Programmer Analyst level or equivalent. A Masters' Degree in Computer Science may be substituted for one (1) year of programming experience.
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text:
Portal de San Pedro del Pinatar
www.portaldesanpedrodelpinatar.com
San Pedro del Pinatar News
[Ecologists in Action presents allegations to the Hotel Pinatar Arena (12/01/2021)
[Cool Kids wins the Christmas window contest (12/01/2021)
[Given the large increase in infections, the mayor appeals to maximum compliance with the rules (12/01/2021)
[The Royal Pages distribute illusion of almost a thousand children from Pinar del Río (05/01/2021)
[The Three Wise Men will reach all homes through Social Networks and television (04/01/2021)
[San Pedro del Pinatar, closed on the perimeter since Wednesday, January 6 (04/01/2021)
[The City Council allocates € 5000 euros to subsidies for the most outstanding athletes from Pinar del Río (30/12/2020)
[The City Council of San Pedro del Pinatar delivers the title of Favorite Son to Mr. Miguel P rez Fern ndez (29/12/2020)
[More than 600 children from Pinar del Río have received the video call from Santa Claus (24/12/2020)
[The historic jerseys of the Spanish Soccer Team are hung in the Barón de Benifay Museum (23/12/2020)
[More than 350 companies from Pinar del Río benefit from the last call for aid to the commercial and hospitality sector (23/12/2020)
[The Museum of the Sea continues to bet on increasing its activities (22/12/2020)
[Spectacular arrival of Santa Claus to San Pedro del Pinatar (19/12/2020)
[The San Pedro del Pinatar City Council is awarded for its administrative modernization (18/12/2020)
[Ciudadanos San Pedro conditions 1.5 million in Covid aid in exchange for supporting the Municipal Budgets of 2021 (18/12/2020)
[Juan Carlos Prieto Mart nez presents the reissue of his new book + Tontheridas (18/12/2020)
[The 2021 Budget allocates more than 1.5 million municipal resources to combat Covid-19 (17/12/2020)
["Sabores de Navidad", anecdotes and curiosities about our most traditional recipes (16/12/2020)
[Aidemar users sweeten Christmas to the elderly of San Pedro del Pinatar through video calls (15/12/2020)
[Users of the Aidemar Day Center sweeten Christmas to elderly people in situations of emotional vulnerability (15/12/2020)
["Christmas Online", a free, fun and educational proposal for the little ones in the house (15/12/2020)
[The City Council of San Pedro del Pinatar adheres to the Integral System of Tourist Quality in Destinations (SICTED) (15/12/2020)
[San Pedro del Pinatar hosted the 3rd round of the CX Race Regi n de Murcia circuit (13/12/2020)
["Christmas on the net" contests and Christmas carols in the street to enjoy some family parties (11/12/2020)
[The Pinatarenses can already manage the capital gain online (10/12/2020)
[The Employment and Business Councils participate in the DIAPE20, entrepreneurs from the Region of Murcia (09/12/2020)
Atlético Pinatarense donates the shirts of its seasons to the Campaign for the Recovery of the Sports Historical Memory of San Pedro Pinatar (04/12/2020)
"A wind of madness blows in San Pedro del Pinatar" (04/12/2020)
Christmas comes to San Pedro del Pinatar with a Christmas Market, the Nativity Scene and more than 30 online activities (04/12/2020)
The Pinatar Grassroots Soccer School, launches a new image (03/12/2020)
The Plenary of San Pedro del Pinatar approves two new economic measures worth 270 thousand euros to reactivate the business and commercial sector (03/12/2020)
The Plenary unanimously approves the appointment of Miguel Pérez Fernández Favorite Son (03/12/2020)
Social Welfare celebrates the International Day of Persons with Disabilities (02/12/2020)
VOX press release on the "Pinatar Arena" 5 Star Hotel Project (02/12/2020)
The Minister of Education and Culture visits the Museum of the Sea of ??San Pedro del Pinatar on the occasion of its 40th anniversary (30/11/2020)
The Municipal Nativity Scene and online family activities will animate the Christmas festivities (27/11/2020)
San Pedro del Pinatar City Council awarded for administrative modernization and highlighted for its commitment to CSR and the SDGs (27/11/2020)
San Pedro del Pinatar recognizes the work of the teachers of the municipality (26/11/2020)
Visitación Martínez calls for developing an active, comprehensive and coordinated policy in favor of equality (25/11/2020)
San Pedro del Pinatar launches the "You are Christmas" campaign (25/11/2020)
"Educating to love", a workshop to educate in values (25/11/2020)
The Department of Commerce is committed to responsible consumption (24/11/2020)
San Pedro del Pinatar presents the Pinatar Employment Networkig Acuipesc project (24/11/2020)
The improvements for the modernization of the Leisure Center will be completed before the end of the year (23/11/2020)
Equality starts an awareness campaign to hire women victims of gender violence (23/11/2020)
More than 10,000 people have been attended by the San Pedro del Pinatar City Council in person (20/11/2020)
The San Pedro del Pinatar Party Council proposes an "enchanted Nadidad" (20/11/2020)
The Council for Childhood and Adolescence, elaborates the Manifesto "Underwater Life" to celebrate Universal Children's Day (20/11/2020)
The City Council and the stationery stores of the municipality sign an agreement to manage 200 grants for school supplies in early childhood education (19/11/2020)
The Municipal Library of San Pedro del Pinatar, awarded in the XX María Moliner reading promotion campaign (19/11/2020)
2008 - June July August September November December
2009 - January February March April May June July August September October December
2010 - January February March April May June July August September October November December


Two Maryland biotechnology companies and about 10 others worldwide are aiming to defeat bacteria once thought conquered by antibiotics. Applying the latest genetic technology to a decades-old technique, these biotechs hope to put the first modern phage therapy on pharmacy shelves. U.S. patients could benefit as early as 2004, provided the companies can convince reluctant investors to support an experimental drug still unproven in this country.
"It's an area that has to bootstrap its way in," says Dr. Carl R. Merril, one of the National Institutes of Health's principal researchers in phage therapeutics.
Invented eight decades ago in the Soviet Union, phage therapy deploys naturally occurring organisms that feed on bacteria. About a hundred phages could lie end-to-end across the tip of a hair. A phage injects its DNA into a bacterial cell, directing the bacterium to make so many baby phages that the cell bursts. The new phages invade more bacteria and destroy them.
The most near-term phage therapies aim to attack tenacious bacteria that often infect patients in hospitals and long-term care centers. Some 14,000 Americans die annually from hospital-based infections by multidrug-resistant bacteria, and doctors are clamoring for solutions.
The first phage drug could hit the U.S. market in three years if all goes well for Exponential Biotherapies of Rockville. This past spring, it became the first company to complete a human clinical test of a phage drug in the United States, disproving the skeptics who doubted it possible.
Exponential Biotherapies, its competitors and NIH scientists use state-of-the-art gene sequencing and annotation to weed out dangerous phages that code for toxins, antibiotic resistance or other harmful qualities, eliminating problems that plagued phage therapy in the past.
Exponential's drug is designed to fight a strain of bacteria resistant to vancomycin, one of the most powerful antibiotics. Scientists selected phages that stay in the bloodstream much longer than normal, allowing for a 1000-fold smaller dose. "It's always the goal in medicine to give the lowest possible dose," says Richard M. Carlton, the company's president and founder.
His firm holds the exclusive license on this technology for long-circulating phages, which the company developed between 1995 and 1999 with Merril and another phage expert at NIH, Sankar Adhya.
The drug was found safe for healthy volunteers during the week-long test by Exponential, whose lab is in Rockville and administrative office is in Port Washington, N.Y. Now, the 15-person company is improving the quality of its manufacturing process for a bigger experiment to test the drug's efficacy in 100 to 500 patient volunteers. From the stage where Exponential's drug is now, it takes seven years, on average, for a biopharmaceutical to reach the market.
Though investors praise the idea of phage therapy, few have put their money on it. Most prefer to hang back until a precedent-setting phage drug overcomes the many regulatory hurdles to FDA approval.
"Any time you have such an innovative product, you're talking about huge risks," says venture capitalist Wei Wu He of Emerging Technology Partners in Rockville. There are so few experimental phage therapies in the United States that even the Food and Drug Administration has no specific guidance to offer companies wanting to pursue the technology.
But in theory, the lack of precedent wouldn't discourage other venture capital firms like Oxford Biosciences of Boston. "The growth of [antibiotic] resistance has been breathtaking, so we're keenly interested in new technologies " we believe there's a huge opportunity there," says Michael Lytton, a general partner at the firm.
While antibiotics sweep through the body, wiping out a range of bacteria both good and bad, phages are more finicky. Each species of bacteriophage " as it's formally known " consumes only a particular species of bacteria. Although a bacterial strain can grow resistant to a phage attacker, nature constantly invents new phages that overcome their prey.
Still, "It happens we've not looked at these companies" pursuing phage therapy, Lytton says.
If the firm did, it would want a pharmaceutical company to shoulder the capital investment of the biotech's clinical trials, according to Lytton. For that reason, it would choose a biotech that could partner well with a pharmaceutical company.
Intralytix, a young Baltimore biotech pursuing phage therapies, knows venture capitalists' reticence well. The company's biggest challenge? "Raising money," says CEO Torrey C. Brown. A few venture capitalists have committed funds, he says, but he still seeks a lead investor to close the round. His competitor, Exponential Biotherapies, hasn't succeeded at wooing any venture capitalists yet, either.
Both companies have a little money in the bank. Carlton says $3 million remains from the $15 million he's raised from individual investors since 1993, when he founded Exponential. He expects another cash infusion from individual investors in the near future.
Three-year-old Intralytix has raised $2 million to date. The six-person company expects future revenue from phage preparations it's being paid to develop by companies it declined to name for fighting bacterial contamination in agricultural and food products. The new preparations should hit the market next year, says Alexander Sulakvelidze, an Intralytix co-founder and chief scientist.
Those products' sales could partially support the company's work on phage therapies for people. Intralytix applied in September for government clearance to launch animal studies on an anti-VRE phage ? the same bacteria targeted in Exponential's human studies. The Baltimore company is developing another treatment to combat a common, multi-drug-resistant bacterium that infects as many as 80,000 people a year during hospital stays: methicillin-resistant Staphylococcus aureus, or MRSA.
Sulakvelidze says Intralytix could start marketing its first human therapeutic phage treatment as early as 2004 under the best of circumstances. But biopharmaceuticals take 12 years, on average, to progress through animal tests, human tests and the FDA approval process.
Thirty to 40 scientists work for Intralytix on contract at The Institute for Genomic Research in Rockville, the U.S. Department of Agriculture, University of Maryland and elsewhere.
The company is applying to the National Institutes of Health to fund and collaborate on clinical studies. NIH has two experts on phage therapeutics, Merril and Sankar Adhya, who collaborated with Carlton on the long-circulating phage technology he has licensed.
Both Adhya and Merril have researched therapeutic phages for decades. Currently, Merril's lab is developing phages to attack VRE bacteria. Using some of the newest tools to unveil protein structures and sequences, a scientist in the lab recently identified a phage that can kill a broader range of bacterial strains than most. Exponential accomplished a similar feat.
Intralytix hopes to set itself apart with an exclusive, worldwide license on a wound-healing treatment developed by the originators of phage therapy: the Eliava Institute in the former Soviet republic of Georgia. The product, called PhagoBioDerm, is a biodegradable polymer impregnated with a phage cocktail and placed on the skin to treat poorly healing, infected ulcers or to prevent ulcers from forming.
But the FDA wants more detail than is known now about the phages in the cocktail, Sulakvelidze says, and the cocktail must be purer.
Intralytix plans to apply for a small-business innovation research grant from NIH to genetically analyze and purify the phage mixture. PhagoBioDerm will reach the U.S. market in 2007 at the earliest, he says, although it's already sold in the Republic of Georgia.
Published research has reported that bacteria have a harder time evading phage attackers than antibiotics. Some executives, like Brown and Sulakvelidze, say they believe phage therapies will be faster and cheaper to make than antibiotics.
If the entrepreneurs can win funding and FDA approval for a pioneer phage drug, Carlton expects genetically modified versions will come next. "We can anticipate that genetically engineered enhancements will help to realize the full [and vast] potential of phages as antibacterial agents," he says.


text:
You are at:Home»Featured Stories»Best Fantasy Films in Tollywood
Best Fantasy Films in Tollywood
September 28, 2020 Featured Stories, Focus
The fantasy movie genre is one of the most fascinating genres in world cinema. Tollywood had its share of story-telling in the fantasy genre. We have been seeing this genre in Telugu Cinema from way back in the 1950s. Things that are almost impossible in the real world can be termed as fantasy. So this genre needs a lot of imagination, a lot of creativity, a lot of passion to tell stories with utmost believability. There are some of the gems in the fantasy genre in Tollywood. Let us explore some of them.
Oh! Baby is the latest addition to the fantasy genre. This film is the adaptation of the Korean drama Miss Granny. Samantha has played the lead role in the movie while Nandini Reddy has directed the film. Oh! Baby is the story of a grandmother of 70 years of age who has lost her enjoyable youth life to responsibilities. What happens when she gets a second opportunity in life and transforms into a 24-year-old woman? The movie has its share of fun throughout the movie but it also deals with the emotional angle and tells us the importance of parents in everyone's lives. This film is currently streaming on Netflix.
WATCH NOW ON NETFLIX
Yamagola
Yamagola is a fantasy comedy film that got released in the year 1977. Tatineni Rama Rao has directed this fantasy movie while NTR has starred in the lead role. Yamagola is one of the first movies that touched the concept of Yama Dharma Raju. Tollywood has a separate connection with Yama Dharma Raju films as most of the films that are made based on this concept are super hits. NTR plays the role of Satyam in the movie who gets killed by Rudrayya for loving his daughter. Satyam goes to heaven and starts revolution there. He comes back to earth for his revenge. The ending of the film has a logical connection. The movie is streaming on Youtube for free.
WATCH NOW ON YOUTUBE
Pathala Bhairavi
Pathala Bhairavi is probably one of the first films in this fantasy genre in Tollywood. It was released way back in the year 1951. Pingali has written the story for this movie and the legendary filmmaker KV Reddy has directed this film. NTR is the lead character in this movie. The Vijaya Vauhini Studios dared to attempt such a new concept in Tollywood. The film is loosely based on Kasi Majilee Kathalu, which is our treasure in stories. Marcus Bartley's cinematography work was talked a lot about. With no technology in those days, the fantasy sequences in the movie made the audience go thrilled.
Bhairava Dweepam
Bhairava Dweepam is one of the best fantasy films you can ever come across. The film has a very high imaginary story and the fantasy elements can be seen in the movie from scene to scene. Be it the lilliputians episode, the glasses monster fight, black magic in the movie, bed flying in the air, Bhairava Dweepam have probably ticked all the boxes of a fantasy film. Nandamuri Balakrishna has trusted the director Singeetam Srinivasa Rao completely and the result is an epic. Bhairava Dweepam is a big hit and a sensation in those days. Bhairava Dweepam has won 9 Nandi awards. The film is streaming on Youtube and Prime Video.
Eega is SS Rajamouli's creation. The director has challenged himself to make a film that has an insect as the lead role. The story of the film is too simple. It is a routine revenge drama. But the beauty in the story is the fantasy thing. The revenge will be taken by an Eega. How can a small living being like a fly wage war against a human? who is responsible for his death and is a danger for his girl-friend as well? SS Rajamouli has changed his path from commercial entertainers to next level cinema making with this movie. Eega has an ensemble cast of Nani, Samantha, Sudeep in the lead roles. MM Keeravani's music is one of the major highlights of the movie. It is streaming on Prime Video.
WATCH NOW ON AMAZON PRIME
Yamaleela
SV Krishna Reddy visioned a fantasy film with comedian Ali in the lead role. While making the movie, everyone thought that as a risk but SV Krishna Reddy has trusted himself and made the film with utmost conviction. The result is just phenomenal. Yamaleela is one of the highest profitable ventures in Tollywood history. The movie again deals with Yama Dharma Raju but from a different angle. When a mischievous guy who has no goal in his life comes across a book called Bhavishyavani that belongs to Yama Dharma Raja and Chitragupta then what happens is just a miracle in the guy's life. Yama Dharma Raja and Chitragupta are on a quest to find out the magical book on Earth. Were they successful in finding them? The film is available on Prime Video and Youtube.
Mayabazar
Let us end our list with the epic film ever in Tollywood history. Mayabazar is one of the epic classics and the film will be remembered forever. Again the combination of Pathala Bhairavi reunited for this movie. KV Reddy as the director and the film is produced by B. Nagi Reddy and Aluri Chakrapani under the epic banner Vijaya Vauhini Studios. Mayabazar is a bilingual that was shot both in Telugu and Tamil. There are many interesting things that happened behind the making of the film. If we start of those, it will make another article. With NTR's reluctance to play the role of Krishna to Savitri deciding to quit movies before the movie, Mayabazar is just epic. No Telugu audience should miss the film and there is no exaggeration to that. Mayabazar is the first Telugu film to be digitally remastered and colorized. The film is available on Youtube and Prime Video.
Also Read: Best Telugu Dubbed Movies On Amazon Prime
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Copyright © 2020 | Tollywood Latest News | Telugu Movie Reviews


text:
Q: Traer nombre de un campo relacionado con otro store vue-vuex Contexto
Hola
Desde mi tabla notificaciones(notification_templates), estoy intentando traer  el campo motivo(reasons), el cual está en un store diferente

Esta es la respuesta que me entrega la API
el campo que tiene relacion con el reason es: "reason_id": 65, el cual está dentro de "data".
{
  "notice_templates": [
    {
      "id": 172,
      "enabled": true,
      "name": "Notification test 3500-dev",
      "channel": "sms",
      "data": {
        "body": "cuerpo de mensaje",
        "footer": null,
        "subject": "test 3500-dev",
        "reason_id": 65,
        "status_id": 1,
        "recipients": [
          "francisco@mail.com"
        ]
      }
    }
  ]
}

Código
He hecho este getter dentro del store reasons.js, para obtener el name a traves del id
reasons.js
export const getters = {
    .......
    findName: (state) => (id) => {
        return  state.items.find((item) => item.id === id).name
    }
}

Dentro del componente donde estoy listando, hago la llamada desde las computadas a la funcion recien creada findName
computed: {
    ...mapGetters({
      items: "noticeTemplates/items",
      pagination: "noticeTemplates/pagination",
      reason: "reasons/findName"
    }),
  },

y finalmente dentro del template hago el uso de la funcion, pasando el id
<template #[`item.data.reason_id`]="{ item }">
   <v-chip :label="reason(item.data.reason_id)"></v-chip>
</template>

De esta forma, no he conseguido mostrar el nombre del motivo dentro de la tabla.
resultado esperado
Mostrar cada notificación con su motivo correspondiente en el componente de lista.

mas info
Estoy trabajando con vue2, vuetify
acá el componente notice-template.vue extendido
NoticeTemplate.vue

redpajama_set_name: RedPajamaStackExchange


text:
Home Sections Humor & Satire PGMA to Introduce Six New Rice Strains to Solve Food and Budgetary Crises
PGMA to Introduce Six New Rice Strains to Solve Food and Budgetary Crises
Sections	- Humor & Satire
The Office of the Press Secretary in Malacañang Palace will release today the following praise release, oops, press release: President Gloria Macapagal-Arroyo (PGMA) will announce in a press conference Monday that she will instruct the Department of Agriculture to make available immediately to farmers six new rice strains. The new rice breeds are geared to solve the burgeoning food and budgetary-deficit problems of the country. The new rice varieties were developed by the scientists of the newly-created President Arroyo's Laboratory for Ameliorated Yields (PALAY), in cooperation with the International Rice Research Institute (IRRI) of Los Baños, Laguna.
The first new rice strain is the so-called "Mañana Rice," which was developed with the assistance of Spanish botanists. This new rice variety requires slow, overnight cooking. This means that if you cook it in the evening, it will be ready actually for breakfast the next day. The President will answer a question that has been anticipated by the Press Secretary: What good will it bring to the starving masses? Well, the aroma of the rice being slowly cooked that wafts in the shanties or kitchens will reduce, if not eliminate, the pangs of hunger.
The second new rice strain is called the "Memorice," which is geared to serve as a palliative. It will be a new variety that will sooth hunger, as just a few cooked grains of "Memorice" will remind the person eating it of the good old days during the Marcos Administration when rice was plentiful and the country was self-sufficient in grains and other food staples.
The third new rice variety is named after Secretary of State Condoleezza Rice of the United States. The PALAY scientists, in cooperation with the U.S. Department of Agriculture, have developed the so-called "Condi Rice," which will become the status symbol of the rich Filipinos, the oligarchs, the presidential cronies and the Filipino-Chinese taipans. It will be expensive because it makes the person eating it feel as brilliant and educated as Secretary Rice. It will be marketed at about 500 times the price of the ordinary "Wag Wag" or "Milagrosa" rice and the price difference will be donated to the people who cannot afford to buy even the often-rotten rice stocks of the National Food Authority (NFA). The "Condi Rice" will also be exported to Hollywood, Wall Street, Las Vegas, Atlantic City, the District of Columbia and other similar corridors of power, fame and fortune in Europe and Asia. The Press Secretary said that the rich, the famous and the infamous can easily afford its exorbitant price.
The fourth new rice strain is named after Donna Rice, who was a figure in the 1987 sex scandal that ended the second presidential campaign of Gary Hart. According to the PALAY scientists, the "Donna Rice" strain will generate huge foreign-exchange income for the Philippines as it will carry genes that will boost the sex drives of people (of any sexual orientation or preference) who will be eating it. In fact, it might as well be marketed as the "poor man's Viagra," as one PALAY scientist will probably say.
Editor's Note: James Edward Rice is a former left fielder who played for the Boston Red Sox from 1974 to 1989. Mr. Rice continued the tradition of his predecessors, basebal greats Carl Yastrzemski and Ted Williams as a power-hitting left fielder who played his entire career for the Red Sox.
The fifth new rice strain is named after Jim Rice, an American baseball superstar. According to the PALAY scientists, the "Jim Rice" variety may be a hit among baseball players, athletes and other sportsmen as it will carry a natural enzyme that can be a legal subsitute for the banned steroids and human-growth hormone. They say that Mr. Jim Rice will be honored to have the new rice strain named after him, as he was never accused of using the banned substances in his 15-year career as a baseball superstar. The Office of the President said that the exports alone of the "Jim Rice" variety will solve the budgetary deficits of the Department of Agriculture. Filipino farmers cannot afford to purchase fertilizer and so the exports of "Jim Rice" will enable the government to subsidize the acquisition of fertilizer pursuant to the "patented" plans of former Agriculture Secretary Joc Joc Bolante.
Editor's Note: To learn more about the Coffea Liberica, please read Allan Albert's The True Story Behind that "Cup of Kapeng Barako"
The sixth new rice variety is named the "Barack-O Rice." The PALAY scientists cross-bred the "Jim Rice" with the Kapeng Barako (Coffea Liberica) of Batangas, and presto, they came up with a new strain. The "Barack-O Rice" is named after Sen. Barack Obama of Illinois. It can either be boiled or roasted. Boiled, it tastes like ordinary rice. Roasted, it can be brewed in lieu of coffee beans. After ingesting or drinking it, the consumers usually become agitated, make high-fives and exclaim, "Yes, we can. Yes, we can."
Finally the Office of the Press Secretary said that the six new rice strains developed by the PALAY scientists will probably earn the President the next Nobel Peace Prize for finally solving the hunger and budgetary-deficit problems of poor countries. # # #
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07/10/2008 01:29 - Will American Chickens Have to Cross the Road to Mexico to Lay Eggs? (As Updated)
06/26/2008 09:27 - Defending Filipino Congressmen and Politicians Who See Manny Pacquiao's Title Bouts in Vegas
06/17/2008 01:42 - Why Do Gay People Want "Gayriage"?
05/29/2008 03:53 - "Gloria Dolls" Are Selling Like Hotcakes Among Overseas Filipinos
05/03/2008 09:14 - Yes, Some Black Americans Want to Be Dual Citizens of their Ancestors' Original Countries
04/25/2008 00:34 - Filipino Fun Facts (Part II)
04/11/2008 00:42 - Koreans and Canadians Blamed for Rice Crisis? Mr. Pimentel's Comment on Direct Selling of Gov't Rice
03/30/2008 03:01 - Filipino Fun Facts
03/29/2008 03:46 - Filipinos Are Some of the World's Best in Coining Monikers (AKA 'Bansag' in the Local Tongue)
Fake Chinese Rice and Gloria Arroyo's Rice Strains
1 Sunday, 20 February 2011 09:32
Jaime G. Arejola's report on fake Chinese rice reminds me of Gloria Arroyo's 6 rice strains, as per this article, http://www.mabuhayradio.com/humor-satire/pgma-to-introduce-six-new-rice-strains-to-solve-food-and-budgetary-crises
Mr. Arejola posted in the Facebook this link about the fake Chinese rice, http://www.naturalnews.com/031344_plastic_rice.html
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Q: Spark 2.4.5 from_csv function not found in databricks runtime 6.4 I get an error for from_csv function in org.apache.spark.sql.functions package for spark version 2.4.5 in databricks runtime cluster 6.4. I see the function is added a long back anyone who can tell me if I'm importing a wrong package or am i doing something wrong?

A: It is introduced in Spark 3.0.0, you can see the repo:
https://github.com/apache/spark/blob/master/sql/core/src/main/scala/org/apache/spark/sql/functions.scala
/**
   * Parses a column containing a CSV string into a `StructType` with the specified schema.
   * Returns `null`, in the case of an unparseable string.
   *
   * @param e a string column containing CSV data.
   * @param schema the schema to use when parsing the CSV string
   * @param options options to control how the CSV is parsed. accepts the same options and the
   *                CSV data source.
   *
   * @group collection_funcs
   * @since 3.0.0
   */
  def from_csv(e: Column, schema: StructType, options: Map[String, String]): Column = withExpr {
    CsvToStructs(schema, options, e.expr)
  }

And JIRA ticket where it is included:
https://issues.apache.org/jira/browse/SPARK-25393


Imran Khan addresses supporters outside the parliament building in Islamabad on August 28.
Pakistani opposition leader Imran Khan says he will protest to "the last breath" as clashes between police and protesters left at least three people dead and hundreds injured.
Khan, populist cleric Tahir ul-Qadri, and thousands of their supporters have been camped outside of parliament and other government buildings in Islamabad since August 15 demanding the resignation of Prime Minister Nawaz Sharif.
Khan told supporters on August 31 that "this is not a constitutional government -- they are killers."
His comments came after police fired tear gas on August 31 as protesters tried to regroup after a night of violence near Sharif's residence in Islamabad.
Information Minister Pervaiz Rashid said earlier on August 31 that the government is open to restarting negotiations with protest leaders.
He said "they wanted their demands to be met at gunpoint but still, our doors are open for talks."
Medical officials says more than 400 people were wounded in the clashes.
RFE/RL's Radio Mashaal says dozen of police were among the wounded.
Islamabad police chief Khalid Khattak said the protesters were armed with big hammers, wire cutters and axes, and even had a crane to remove street blockades.
Defense Minister Khwaja Mohammad Asif said police later managed to clear most of the protesters from the parliament building's parking area and lawns.
Protests demanding Sharif's resignation were also taking place in Lahore, Karachi, and other Pakistani cities, according to TV reports.
In Islamabad, thousands of protesters on August 30 had marched from parliament to Sharif's home.
The demonstrators claim Sharif won elections in 2013 due to massive voter fraud.
On August 30, Sharif, who has the backing of parliament and many political parties, once again said he will not resign.
The antigovernment demonstrations began with a march in the eastern city of Lahore on August 14, Pakistan's Independence Day.
Khan and Qadri have called for millions of protesters to join but crowds have remained in the thousands and mostly peaceful untll August 30.
Khan, a cricket-legend-turned politician, described the police action against the crowd in Islamabad as illegal.
"Now we will show this government, we will call for countrywide agitation and we will jam the whole of Pakistan," Khan said.
Sharif's spokesman Asif Kirmani said the government had to use force after protesters tried to attack the center of state power in the capital.
It was not clear whether Sharif was at the residence on August 30.
"A state can't be left at the mercy of some thousand people," Kirmani said in an interview with Geo News TV.


Perfect peep toe sandal in leather. This is a super stylish and comfortable shoe. I own a few pairs of this style and I find they are very comfortable, being I work on my feet all day. Looks great with a dress, leggings or jeans. Runs true to size. Questions? Feel free to email us at info@latidaboutique.net or call us at 330.758.9900.


We can use the Boston Matrix as a model of strategic choice to outline some of the issues and options for Samsung. For Samsung, mobile devices became the most significant generator of profits, contributing around two-thirds of overall company profits in recent quarters.
BCG Model: Boston Cusnsulting Group (BCG) model is a technique developed by BRUCE HENDERSON of the Boston Cunsulting Group in early 1970�s. According to this technique businesses or products are classified as low or high performers depending upon their market growth rate and relative market share.


Time Stop (also known as Timestop) is a game mechanic present in all versions of SM64. There is a trick exclusive to the J 1.0 version, which allows Mario to move around when objects are frozen due to a text box that is supposed to appear.
The intended behavior of the Time Stop mechanism is to freeze everything except Mario and the talking object when Mario is in a textbox. Alternatively, during a star spawning cutscene, all objects are frozen (including Mario) excluding any stars that are spawning.
On the J 1.0 version of SM64, queueing a textbox immediately stops time for everything besides the talking object and Mario, regardless if Mario is actually in a state to see the textbox. This can be exploited to move around stages with everything besides Mario and the talking object frozen. There are two ways to activate the Time Stop trick, proximity textboxes and textboxes from holdable objects. Neither way works with all textboxes of either type.
"Proximity Textboxes" are defined as textboxes that appear when Mario is near an object. If Mario jumps right when the textbox is about to activate, then Mario will be able to move in midair until he touches ground again, after which the textbox will start. While Mario is in the air, time will be stopped.
By picking up an object that normally triggers a text box and then dropping it before it can display the textbox, time stop can be activated. Mario can safely touch the ground and move around at this point without restarting time. The only known example of this type of Time Stop is the lower Ukiki in Tall Tall Mountain.
Time is not stopped for the object that was used to stop it in either case.
Objects (in most cases) stay inanimate, and keep the exact same state they were in when time was stopped. If an object was intangible due to being far from Mario, it will stay intangible even when Mario comes near it until time is started again, because objects do not update in time stop.
The developers patched this glitch in all versions of the game besides J 1.0, by making sure that time does not stop until a textbox is in the process of being displayed. Time still stops for textboxes on other versions, but there is no known way to move around during this state.
The proximity method for Time Stop is still possible in other versions, but time does not stop and the textbox does not appear until Mario touches the ground. This allows for tricks such as getting a 0.0 time on Koopa the Quick in both of their races.