Is it Time for a Breakout in Gold?
First we have to outline what a breakout truly is. Its when the worth breaks a sample or a variety and a brand new development is subsequently established.
At the moment, individuals are all too fast to discuss with virtually each transfer larger as a breakout. Simply google "Gold Breakout" and also you'll see what I imply.
Positive, closing above $1300 was a breakout for Gold. However that's hardly vital. If and when Gold surpasses the wall (resistance at $1350-$1375), it's going to mark an actual breakout.
The excellent news is Gold is presently in a a lot better place each basically and technically than it was in 2016, 2017 and 2018.
Let me begin with the technicals.
Gold in actual phrases is stronger than at some other time prior to now few years.
Within the chart under we plot Gold towards foreign currency (FC), shares, bonds and commodities. The 4 vertical strains spotlight the factors when Gold was testing its wall of resistance.
Throughout 2017 via 2018, Gold was pushed principally by a weak greenback. In relative phrases, Gold was weak towards FC and shares.
Relative to summer time 2016, Gold is presently stronger towards bonds and commodities and is inches away from testing its 2016 excessive towards FC.
The very last thing holding Gold again is the inventory market. Word that the Gold to S&P 500 ratio has not made a better excessive in current days. Whereas its holding above shifting common help it desperately must make a better excessive to verify a brand new Gold bull market is underway.
The efficiency of Gold relative to the inventory market is related to the basics for Gold.
If the inventory rally and financial knowledge maintain agency, the Fed might reintroduce fee hikes into the equation. That's not a bullish state of affairs for Gold. (It's essential to maintain this in thoughts).
Then again, if the market is true, the Fed is completed climbing charges and can make its first fee minimize in 2020.
That state of affairs ultimately implies fairness market weak spot, a push greater within the Gold to inventory market ratio and a breakout in Gold.
So who ought to we belief: the market or the Fed, who thinks they might hike this yr?
The gold shares are offering further proof. They exploded above their 400-day shifting averages and have proven robust breadth over the previous two weeks.
Gold markets have been rocking on Tuesday, lifted by a basket of things that included poor inventory market efficiency earlier within the week, sluggish progress in China, weak earnings reviews and expectations the US Federal Reserve would strike a dovish tone at its two-day assembly beginning on Tuesday afternoon.
The Fed raised rates of interest 4 occasions in 2018 however some officers have signaled they don't seem to be anticipating to proceed elevating charges this yr, because the US financial system faces quite a lot of pressures together with the continued commerce struggle with China, the US authorities shutdown half 2 and waning shopper and enterprise confidence.
Certainly the doves have been firmly in management on Tuesday as spot gold rocketed previous $1,300 an oz to shut at $1,311.66 in New York – a 7-month excessive.
Power within the valuable metallic was buoyed by rising US-China tensions after the Justice Division charged Chinese language tech firm Huawei and its chief monetary officer (earlier arrested and held in Vancouver) with fraud, thus escalating commerce tensions which were ongoing for nearly a yr, with billions in import tariffs levied from both aspect. The US greenback index, which usually strikes in the other way of gold, was close to a two-month low, Tuesday.
At Forward of the Herd we love gold (and promising junior gold corporations) as a result of gold holds its worth by means of time. Proudly owning gold is a option to protect wealth towards paper currencies that are topic to inflationary pressures and over time, lose their worth. Within the US there was an improve in inflation for each decade besides the Melancholy when costs shrunk almost 20%. Between 1860 and 2015, the greenback skilled 2.6% inflation yearly, which means that US$1 in 1860 was equal to $27.80 in 2015. This additionally signifies that costs in 2015 have been 2,828% larger than they have been in 1860.
Gold buyers love nothing greater than a conflict, financial disaster or any sort of geopolitical instability to observe the worth of their bullion develop. Heightened international tensions akin to terrorist assaults, border skirmishes or civil wars scare buyers into placing their funds into protected havens like gold and secure, high-yield sovereign debt. Geopolitical tensions additionally drive extra authorities spending (eg. on arms), which brings inflation, main buyers to take a look at valuable metals as a spot to park their cash, brief time period.
We additionally like gold as a result of gold corporations and explore-cos are discovering much less of it. All the simplest gold to mine has been discovered, together with gold discovered close to floor and in underground veins. We at the moment are dealing with "peak gold" the place gold manufacturing from here-on will maintain falling. The specialists agree the business is seeing a big slowdown within the variety of giant deposits being found. It was that main gold miners have been taking a look at 5-million ounce tasks to purchase and develop; now they'd be proud of one million ounces within the floor.
Taking a run by way of the headlines, we discover every little thing is in place for an enormous run-up in gold. The US greenback was on the rise final yr, inflicting gold costs to fall, however this yr the greenback is struggling, weighed down partially by the US Federal Reserve's sign that it might cease elevating rates of interest and unwinding its stability sheet, put in place to maintain tightening financial coverage.
The central financial institution since October 2017 has been reducing the dimensions of its $four.5 trillion debt by permitting $50 billion to run off every month.
We're additionally taking a look at slowing international progress, a worsening US financial outlook, the dimensions of the federal debt, the Fed probably decreasing rates of interest to stimulate the financial system, and a rush to protected havens like gold as a result of escalating conflicts. Let's take every in flip.
When economies falter, gold tends to properly. The large information right here is China, whose financial system was booming at double-digits for a lot of the 2000s however is now creeping alongside at simply 6.5% in fourth quarter 2018. This can be a regular expectation from a rustic that moved very quickly to turning into an export-driven financial system, with a low-value foreign money, to a extra diversified one now. Nevertheless there are worrying indicators in China about slack shopper spending on discretionary gadgets like automobiles and telephones – Chinese language imports fell 7.6% in December after gaining 16.1% in 2017. Exports are additionally hurting, as a result of US tariffs on Chinese language items.
Following a crisis-induced plunge of 10.four% within the quantity of worldwide commerce in 2009 – a modern-day report – restoration has been muted. After a quick two-year rebound in 2010-2011, world commerce progress averaged simply three.6% from 2012 to 2018 – about half the 7.1% common annual tempo within the 20 years earlier than the disaster.
All in all, the worldwide commerce cycle is dealing with main stress in 2019, and markdowns have solely simply begun. This underscores the dangers of a serious shortfall in world GDP progress.
Rising markets higher hope that the Fed does transfer in a dovish fairly than hawkish path, by preserving charges low. In accordance with Fitch Scores, Latin America, the Center East and Africa will face extra downgrades than upgrades to their debt scores this yr, if rates of interest and the greenback rise. That's as a result of these nations' currencies have depreciated they usually have a excessive share of their debt denominated in foreign currency.
Examples are Turkey and Argentina. Because the worst-performing rising market foreign money final yr, the Argentine peso has 83% of its authorities debt in overseas foreign money, Bloomberg reported, making it particularly weak to a greenback rise. 47% of Turkey's debt is overseas; the lira fell 28% final yr.
President Donald Trump took credit score for the inventory market run that prevailed for a lot of the final two years since his inauguration in January 2017. The continuation of the longest bull market in American historical past had even Trump's opponents conceding issues have been going nicely, till the market encountered a critical correction final September.
December was the worst month for US inventory markets because the Nice Melancholy, and whereas markets are up because the begin of the New Yr, investor sentiment is weak and regardless of the financial system barreling alongside at close to full employment, and inflation at a really affordable 2%, many economists are urging warning forward.
For sure, the specific nature and type of the subsequent monetary shock might be unanticipated. Buyers, speculators, and monetary establishments are usually hedged towards the foreseeable shocks, however there'll all the time be different contingencies which were missed.
At any fee, at present's near-inverted yield curve, low nominal and actual bond yields, and fairness values all recommend that US monetary markets have begun to cost within the probability of a recession. Assuming that enterprise funding committees are considering like buyers and speculators, all it can take now to convey on a recession is an occasion that triggers a retrenchment of funding spending.
If there's a meltdown, just like the housing market collapse that pre-dated the monetary disaster, or the sudden shock of understated earnings that burst the dot-com bubble, anticipate gold, the time-honored protected haven, to rally.
Past the inventory market, there are different indicators that each one is just not properly within the land of the free. As company earnings begin to trickle in, it's not wanting good. On Monday Caterpillar, a heavy gear producer, and Nvidia, a chipmaker, each reported lower-than-expected fourth-quarter earnings as a consequence of weak spot in China. Caterpillar, the world's largest maker of development equipment, is seen as a bellwether of US financial well being.
Then there's the debt bogeyman. Based on the Congressional Finances Workplace, because the stimulative results of Trump's tax cuts wane, the growing federal deficit – projected at almost $900 billion – will weigh on progress. Reuters reviews the CBO saying that financial progress will sluggish to 2.three% from three.1% in 2018. Extra alarmingly, whereas in 2007 complete authorities debt was about $9 trillion, 62% of GDP, now it's approaching $22 trillion, 100% of GDP. Company debt is at a report 46% of GDP.
This isn't simply an American phenomenon, although, it's international. After the monetary disaster, central banks within the US, Europe, China and Japan all lowered their rates of interest in an effort to stimulate borrowing, and financial exercise. Additionally they injected large quantities of liquidity into the system (aka printing cash via quantitative easing).
Simply over a yr in the past the Fed began eradicating liquidity (Treasuries and mortgages) to attempt to scale back the multi-trillion-dollar debt it had collected by way of QE; in 2018 it raised rates of interest 4 occasions. And why not? The US financial system was operating scorching, with no indicators of problematic inflation, and a wholesome inventory market. China and Europe additionally made strikes to deleverage their debt.
The huge construct up in international debt that the central authorities sought and inspired developed with rates of interest at unprecedented lows. Meaning debtors are exceptionally delicate to will increase in rates of interest and reduces within the availability of credit score.
After a decade of ultra-loose financial insurance policies designed to encourage debt it isn't shocking that the world has gorged on it nor that, now that the central banks are beginning to reverse course, markets and their members have gotten nervous and extra danger averse.
Given its $22 trillion debt, can the USA afford to boost charges any extra, with the ache that this larger value of borrowing will entail? Lengthy-time Fed critic Peter Schiff doesn't assume so. Schiff, the CEO of Euro Pacific Capital, thinks with debt ranges so excessive, the one method to finance it's to maintain rates of interest at ridiculously low ranges. "Everyone thinks that quantitative easing is over. What they don't understand is it's barely begun. The subsequent spherical goes to be greater than the primary three, and that's going to ship gold to new highs," Schiff stated on the New Orleans Funding Convention.
On Tuesday, Ronald-Peter Stoeferle, fund supervisor at Incrementum AG and writer of the In Gold We Belief report, advised Kitco Information he isn't stunned to see the central banking getting extra dovish; he agrees with Schiff that charges are more likely to come down.
One other disturbing development within the American financial system that few individuals speak about is its rising inequality. Why is that necessary? As a result of as extra individuals develop poorer, fewer can take part within the financial system, like borrowing and spending cash. A research by the Financial Coverage Institute discovered that in 2015, 5 states, 30 metro areas and 78 counties exceeded the earlier nationwide document for share of revenue by the richest 1%, at 23.9%; the earlier report was set in 1929.
The incomes of the highest 1% grew quicker than the 99% between 2009 and 2013.
The 1% in 2015 had common family revenue of $421,926. This was exceeded by 13 states plus Washington DC.
There was sluggish wage progress in virtually each a part of the nation, over the previous 45 years.
The US has extra poor individuals than Sierra Leone and Nepal.
5.three million People live beneath the poverty line, together with a number of million youngsters who reside on lower than $2 a day.
The consequences of this rising inequality in America is particularly felt in city areas, the place lower-income residents and marginal companies are being squeezed out of neighborhoods. We see the identical factor in Vancouver – it's a sort of reverse gentrification, the place solely the highest 10% can afford to reside there.
If and when a recession hits, these 10%-ers will probably be exhausting hit. Companies extremely depending on discretionary revenue, like costly espresso outlets, will go beneath. "In impact, the highest 10% is ripe for the disruptions of globalization and automation which have already laid waste to the underside 90%," writes Charles Hugh Smith, a blogger.
Together with the battle over Huawei, Tuesday's gold rally was additionally underpinned by the return of safe-haven demand, notably with respect to US tensions with Venezuela and Russia. On Monday the US sanctioned Venezuela's state oil firm, the boldest motion taken thus far within the effort to isolate embattled President Nicolas Maduro. The measure blocks about $7 billion in belongings. The Trump Administration final week acknowledged Opposition chief Juan Guaido because the interim president, and has referred to as on the Venezuelan army to get Maduro to resign. The nation has been gripped with hyperinflation, hovering unemployment and a mass exodus of refugees, CNN reported.
It additionally seems to be more and more possible that the US will pull out of a key nuclear disarmament settlement signed within the 1980s. NATO's 29 members are urging Russia to destroy a nuclear-capable cruise missile system earlier than Feb. 2. Failure to take action will put the US authorities on monitor for a threatened pull-out of the 1987 IMF Treaty.
We now have argued the breakdown of the IMF Treaty could possibly be the catalyst that begins a brand new arms race between the USA, Russia and China as every tasks army energy in protection of spheres of affect outdoors their borders. We're seeing this within the fixed rigidity between the US and China within the South China Sea and Taiwan – which China claims as its personal – and Russian enlargement into the Ukraine and army help for Syria.
Whereas no-one need to see the return of the nuclear menace, if occasions escalate, gold's safe-haven standing will kick in and we'll see upward worth strain.
Provided that gold all the time pushes towards the prevailing financial winds, it seems possible that we might be in for an prolonged upleg within the worth. We're solely now seeing the rot that has begun to set into the US financial system. The primary clue was the inventory market correction, however others are coming ahead. As Trump's $1.5 trillion tax cuts introduced at year-end 2017 end percolating by way of the financial system, progress is predicted to stall. We're already seeing disappointing company earnings, particularly from corporations that promote into China, which can also be slowing down. The commerce conflict isn't serving to.
Unemployment is low, however that is deceptive. Many People are working dead-end jobs or are employed part-time. The hole between wealthy and poor is widening.


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Q: Local and Global variables in Swift I have a simple piece of code that I guess I'm using local and global variables in it. But, I have a hard time understanding what's going wrong in here. I am setting "var hhhh:Int = 0" at first. Then, inside the if statement, I set "hhhh = appleCount["count"] as! Int". Since appleCount["count"] is not zero and has some value, hhhh gets its' value (I tried that uisng a print statement and hhhh is not zero inside if statement), but, later when I print hhhh with print("(hhhh)") outside if, I again get zero for its' value. Does it have something to do with local and global variables? I'm trying to communicate with Parse in the code by the way.
Thanks a lot for your kind help
import UIKit
import Parse
class NewsPageViewController: UIViewController {

override func viewDidLoad() {
super.viewDidLoad(
var hhhh:Int = 0
var tttt:Int = 0
var cccc:Int = 1

    if cccc == 1 {
        var query = PFQuery(className: "Count")
        query.getObjectInBackgroundWithId("RhC25gVjZm", block: { (object: PFObject?, error: NSError?) -> Void in
            if error != nil {
                print(error)
            } else if let appleCount = object {
                appleCount["count"] = appleCount["count"] as! Int + 1
                hhhh = appleCount["count"] as! Int
                appleCount.saveInBackground()
            }
        })
    }
    print(hhhh)
}

}

A: It does not have to do with local and global variables.  It has to do with background threads. The code in brackets {} after the parameter label "block" will run in a background thread at a later time.
Your print(hhhh) is running before the block has had a chance to change hhhh.  Move the print statement back inside the block so you can see the variable being set.

A: osteven response helped me a lot understanding the problem. Thanks a lot man. In addition to osteven's response, I just waned to add that a major part of my problem was coming because I was trying to do some mathematical operations on the objects I was trying to save in Parse. So, I also figured that I could create an array, save my objects inside that array, and then access the key and update the values. Here is a sample code of what I am using right now. It does some mathematical operation on two different objects saved in Parse and updates the label's text on screen. For accessing the two objects in Parse and updating them I'm using an array.
Hope the answers here will help someone in future as the awesome people of StackOverFlow are helping me now.
Peace!
var hhhh : [Int] = []
@IBOutlet weak var jPercent: UILabel!

@IBOutlet weak var yPercent: UILabel!

override func viewDidLoad() {
    super.viewDidLoad()

    var query = PFQuery(className: "Count")
    if cccc == 1 {
        query.getObjectInBackgroundWithId("DcU9tdRdnl", block: { (object: PFObject?, error: NSError?) -> Void in
            if error != nil {
                print(error)
            } else if let jCount = object {
                jCount["count"] = jCount["count"] as! Int + 1
                jCount.saveInBackground()

            }
        })
    } else if cccc == 2 {
        query.getObjectInBackgroundWithId("5Bq4HJbFa3", block: { (object: PFObject?, error: NSError?) -> Void in
            if error != nil {
                print(error)
            } else if let yCount = object {
                yCount["count"] = yCount["count"] as! Int + 1
                yCount.saveInBackground()
            }
        })
    }

    //shouldn't use same query for findObjectsInBackgroundWithBlock and getObjectInBackgroundWithId otherwise you'll get a runtime error
    var query2 = PFQuery(className: "Count")
    query2.findObjectsInBackgroundWithBlock { (objects, error) -> Void in
        if let users = objects {
            for object in users {
                if let user = object["count"] as? Int {
                    self.hhhh.append(user)
                }

            }

        }
        var gggg = 100*Float(self.hhhh[0])/(Float(self.hhhh[0]+self.hhhh[1]))
        self.yPercent.text = String(format: "%.1f", gggg) + "%"
        self.jPercent.text = String(format: "%.1f", 100 - gggg) + "%"
        print(self.hhhh[0])
    }
}

redpajama_set_name: RedPajamaStackExchange


During the summer, tanning beds are typically filled with those who want sun-kissed skin. However, some lawmakers plan to announce legislation targeting would-be tanners about the dangers of skin cancer.
Anti-tanning activists, council member James Vacca and other groups say the legislation will discourage people from using indoor tanning beds.
The legislation would require salons to post warning signs about the dangers of skin cancer. It would also forbid salons from giving students discounts or other cost reductions that target youth.


Google is set to change its search algorithm this week and it could pose some new challenges for wine and spirit brands, as well as retailers, that do not have mobile-friendly websites.
The changes, which are reported to go into effect tomorrow April 21, are set to affect search results that are conducted on all smartphones and tablets.
The mobile search results page will affect the order in which websites are ranked and favour those that have more mobile-friendly websites with features including having larger text for easier reading, easy to click links that can be clicked on with the use of a finger and sites that resize depending on the device that is being used.
Almost 60% of online traffic is now generated through mobile devices and consumer spending through the use of mobile devices is expected to hit £53 billion by 2024.
Google initially announced it would be making changes to the algorithm in February giving companies and brands time to ensure their sites are mobile-friendly and adaptable to mobile devices.
This change is significant in that Google is no longer basing its rankings on content but it is putting an emphasis on the growing importance of user experience as well.
The wine industry which has been slower to adopt technology compared to other industries may be caught of guard. Come the end of the week, some brands which have yet to invest in mobile-friendly sites and smaller business owners who can't necessarily afford it may see traffic decrease if they don't have a mobile-friendly website available, which can hurt businesses in the long run.
According to a recent Barclays study conduct by Conlumion by the end of 2014, it was estimated that 61% of adults owned smartphones, compared to just 14% in 2009. By 2019 almost 75% of adults are forecasted to own a smartphone. With the expected increase in mobile traffic it is not surprising that Google wants to ensure positive user experiences based on the results of the rankings.
Worryingly the research also found that 70% of 221 retailers polled did not currently offer a mobile website or a mobile app for consumers.


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A Lawful Permanent Resident (LPR) can apply to become a U.S. citizen though a process called naturalization. While many permanent residents must maintain their resident status for at least five years before applying for citizenship, persons who are married to U.S. citizens, including certain applicants who obtained their residence following approval of a self-petition under the Violence Against Women Act (VAWA), may file for citizenship after only three years as a U.S. resident. Maintaining resident status for three or five years is merely one requirement for naturalization. Applicants must also meet physical presence and continuous residence requirements, demonstrate their good character during the statutory period, be able to read, write, and speak basic English as well has demonstrate knowledge of U.S. civics. While these requirements may seem straightforward at first, they can become quite complicated should an issue arise. Because denial of an application for naturalization will result in the resident being referred to an Immigration Judge for removal proceedings, applicants should proceed carefully and with the assistance of an experienced immigration attorney. Applicants with criminal convictions should always confer with an immigration attorney to determine if it is advisable to apply for U.S. Citizenship.
An immigration attorney should be able to review your case to determine if it is advisable to file. Failure to pay child support, failure to file taxes or owing back taxes, extensive foreign travel and lengthy trips abroad, and criminal convictions are some of the most common issues applicants for naturalization may have. Having one of these issues anywhere in your history doesn't necessarily mean you are ineligible to file for naturalization, but it does indicate you should have your case thoroughly reviewed before you file. Even LPRs can be found to be deportable from the U.S. and placed in removal proceedings when they file an application for citizenship. Many attorneys will not review an application you have pre-prepared and would rather work with you from the beginning to ensure that all potential issues have been addressed and thoroughly explored before filing. The Law Office of Karen Winston regularly represents applicants for naturalization at the USCIS office in Jacksonville. If you have a question regarding applying for U.S. citizenship or any other immigration matter, call our office at (904) 723-4570 or send us a comment.
Bringing Your Fiancé to the U.S.


The encoder modules provides various functions for encoding and decoding byte data.
Provides a Base64 representation of a (binary) Lua string.
Decodes a Base64 representation of a (binary) Lua string back into the original string. An error is thrown if the string is not a valid base64 encoding.
The decoded Lua (binary) string.
Provides an ASCII hex representation of a (binary) Lua string. Each byte in the input string is represented as two hex characters in the output.
Returns the Lua binary string decode of a ASCII hex string. Each byte in the output string is represented as two hex characters in the input. An error is thrown if the string is not a valid base64 encoding.
hexstr An ASCII hex string.
Decoded string of hex representation.


text:
Tutto il sitoArchivioGenealogiaApprofondimenti
Sources, Notes, Hints
Basic how-to
A | B | C | D | E | F | G | H | I | J | K | L | M | N | O | P | Q | R | S | T | U | V | W | X | Y | Z | " | … | None
Aldemira Mainardi
Father: Luigi Mainardi
Mother: Teresa Tomasetti
November 27, 1892 127 Barchi, PU, Marche, ITA 0 November 17, 2012 - 1:05:08 a.m. F YES YES
Antonio Mainardi
Father: Domenico Mainardi
Mother: Maria Tomasetti
October 8, 1908 111 Barchi, PU, Marche, ITA 0 November 17, 2012 - 1:03:11 a.m. M YES YES
3 February 27, 2017 - 7:35:28 p.m. M YES YES R
Domenico Mainardi
Father: Giuseppe Mainardi
Mother: Rosa Canestrari
March 2, 1871 148 Barchi, PU, Marche, ITA 6 November 17, 2012 - 12:54:29 a.m. M YES YES
Elisea Mainardi
May 24, 1896 123 Barchi, PU, Marche, ITA 0 November 17, 2012 - 1:05:30 a.m. F YES YES
Eugenio Mainardi
March 11, 1900 119 Barchi, PU, Marche, ITA 0 November 17, 2012 - 1:02:27 a.m. M YES YES
Filomena Mainardi
Father: Antonio Mainardi
Mother: Luigia Secchiaroli
December 6, 1863 156 Barchi, PU, Marche, ITA 0 February 27, 2017 - 7:38:15 p.m. F YES YES
Francesco Mainardi
May 29, 1867 152 Barchi, PU, Marche, ITA 1 February 26, 2014 - 10:54:26 p.m. M YES YES
Giovanni Mainardi
July 21, 1903 116 Barchi, PU, Marche, ITA 3 November 16, 2016 - 7:44:24 p.m. M YES YES
Giuseppe Mainardi
Father: Pietro Mainardi
Mother: Maria Mazzatelli
October 13, 1903 116 Barchi, PU, Marche, ITA 0 November 17, 2012 - 12:38:01 a.m. M YES YES
April 15, 1836 183 Fratte Rosa, PU, Marche, ITA 6 January 31, 2013 - 11:37:50 a.m. M YES YES R
Luigi Mainardi
February 24, 1865 154 Barchi, PU, Marche, ITA 5 November 17, 2012 - 12:44:27 a.m. M YES YES
Maddalena Mainardi
November 9, 1875 144 Barchi, PU, Marche, ITA 1 March 22, 2014 - 7:30:17 p.m. F YES YES
Maria Mainardi
March 8, 1861 158 Barchi, PU, Marche, ITA 0 February 27, 2017 - 7:37:40 p.m. F YES YES
Matilde Mainardi
August 1, 1897 122 Barchi, PU, Marche, ITA 0 November 17, 2012 - 1:04:20 a.m. F YES YES
Palma Mainardi
Palma Tontini
November 28, 1904 115 Barchi, PU, Marche, ITA 2 November 17, 2012 - 12:42:28 a.m. F YES YES
Palma Galdenzi
August 25, 1858 161 3 September 12, 1916 103 58 Poggio di San Giorgio, PU, Marche, ITA February 27, 2017 - 7:35:28 p.m. F YES YES
Pietro Mainardi
June 3, 1873 146 Barchi, PU, Marche, ITA 3 September 3, 1927 92 54 San Giorgio di Pesaro, PU, Marche, ITA November 17, 2012 - 12:57:37 a.m. M YES Y100
January 1, 1864 156 Barchi, PU, Marche, ITA 0 February 27, 2017 - 7:32:35 p.m. M YES YES
Secondo Mainardi
April 17, 1898 121 Barchi, PU, Marche, ITA 3 November 17, 2012 - 1:07:21 a.m. M YES YES
Terza Mainardi
Father: Giovanni Mainardi
Mother: Cecilia Micci
March 5, 1933 86 San Giorgio di Pesaro, PU, Marche, ITA 0 October 18, 1936 83 3 November 16, 2016 - 7:47:49 p.m. F Y100 Y100
Umberto Mainardi
September 6, 1905 114 Barchi, PU, Marche, ITA 4 November 17, 2012 - 12:32:29 a.m. M YES YES
Virginia Mainardi
August 19, 1908 111 Barchi, PU, Marche, ITA 0 November 17, 2012 - 12:38:43 a.m. F YES YES
Privacy e Diritto d'Autore
Regolamentiamo tutti i diritti sui contenuti di nostra creazione e sulla strutturazione della banca dati tramite la licenza CC BY-NC-ND:
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redpajama_set_name: RedPajamaCommonCrawl


text:
UMGram
Arts Tasting MenuGrabbing a Drink with James Lyons
Tag Archives: Phillip March Jones
Studio Visit with Robert Beatty
BY Paul Michael Brown
Floating approximately halfway between California and Hawaii, spanning more than half a million square miles, is an "island" made up of mostly microscopic plastic. "Island" is in quotes here because the mass is mostly imperceivable to the naked eye and rarely impedes marine traffic but is nevertheless deeply impactful to both human and animal life. The waste that makes up this invisible island, known as the Great Pacific Garbage Patch comes primarily from the populations of three continents (Asia, North America, and South America) and is held in place by what's known as a gyre, a relatively fixed system of ocean currents that collectively create a vortex of force that is difficult to escape. Across the globe, there are five such gyres. In each one, a similar whirlwind of trash swirls without end.
Studio Shot with Robert Beatty, photo by author
The phenomenon is relatively new. Most of the garbage patches were first observed in the '70s and '80s, about a half century after plastic was originally invented, and have continued to expand since. Although methods are being devised to clear them, little headway has been made to stymie their source: largely single-use consumer plastics and packaging materials, of which somewhere between about 1 and 3 million metric tons enter the ocean each year. The tiny bits of waste are the remnants of our water bottles, plastic bags, and other detritus worn by the sun, wind, and the waves but still permanent and active in our planet's ecosystem. The bits are found ingested by marine and avian life in increasing concentrations as you move up the food chain. The chemicals that are byproducts of their decomposition affect the makeup of the ocean and its life. The comparatively uncommon but still present large pieces can choke or otherwise constrict body parts of those same animals.
It may be an odd way to consider it, but I think of these massive, dispersed, nearly intangible islands as uniquely contemporary monuments to – and a record of – our way of life. If a population is measured and understood by what it leaves behind and seeks (consciously or not) to make permanent, then this is our Stonehenge, Great Wall, Chichén Itzá, or Great Pyramid. If those places held significance because of their function as sites of ritual or as indicators of state power, then the Great Garbage Patches reveal the altar at which we worship and the offices we are subject to. They are invisible, collectively and unconsciously made, more a stain than a mark, and more permanent than we could hope to be. They are a wonder of the world, maybe a terrible wonder, but a wonder nonetheless.
These hulking and ghostly masses came to mind after a recent conversation with artist, illustrator, and musician Robert Beatty in his apartment and studio, both located in downtown Lexington, about his work across mediums. His apartment, upstairs in a 19th century building near Gratz Park, is a kind of gyre of its own. In his office, books on esoteric practices, ancient archaeology, and electronic music are stacked high on TVs and soundboards. A large computer monitor displays a commercial project he's working on, surrounded by records, more books, a few coffee cups, and print projects published in the New York Times, the Oxford American, and elsewhere. Robert's chihuahua, Blue Velvet, rests delicately on a cushion nearby, and follows us into the kitchen for tea.
Robert's chihuahua, Blue Velvet, photo by author
Robert Beatty, 'Place Holder', 2019, a multimedia installation at 21c, Lexington, photo credit: 21c Museum Hotel
We start our conversation with a discussion of Robert's most recent exhibition, Place Holder, which remains on view at 21C Lexington through January 2020. The exhibition spans one room on the first floor of the main street hotel, and is comprised of a large central plinth with closed circuit camera footage of the same room projected on the surrounding walls. On the plinth are small cement sculptures arranged in a city-type grid. Some of them are brick-like. Others are more organic. All of them are rendered in a medium, industrial gray. Security cameras surveil the scene from above and feed the footage directly to the walls around them. Although some of the cameras are broadcasting in color, the projections read as nearly monochrome. The small sculptures are reminiscent of architectural models. If rendered to full scale, they might bring to mind the blocky, imposing Brutalist style of the mid-century. Another look and they feel a bit like gravestones. Two of them are pyramids, so perhaps this is the scale model for a mausoleum, or a place for spirits to inhabit after they leave their bodies behind. From above, they seem like the brainchild of a dystopian city planner. The scene is devoid of human life. It could be a ruin or a scene from a future of which we are not a part. When seen through the lens of the security cameras around them, the structures become somewhat uncanny, rendered inhabitable by the confusion of scale until you as a viewer intrude on the frame to provide reference.
Studio Shot with plastics and cement, photo by author
Studio Shot with plastics and cement molds, photo by author
Robert tells me his process for making the sculptures, of which I was totally unaware despite seeing a few iterations of this body of work in the last year, first at the Parachute Factory in an exhibition organized by Alex Brooks, and then at the Atlanta Biennial held at the Atlanta Contemporary curated by Daniel Fuller and Phillip March Jones. The monolithic pyramids, three-dimensional trapezoids, and somewhat colonic tube structures are not, as I thought, cast from artist-made molds, but instead are created from plastic blister packaging. Even if you don't know what blister packaging is (I didn't), you've certainly dealt with it before. It's the close-but-not-exact-fitting, often clear, interior packaging element encasing things like batteries, headphones, appliances, speaker cables, toys, and so on. The resulting shapes are remarkably abstracted and unrecognizable, a negative image of the byproducts of our culture's consumption. Robert notes that what initially drove him towards these forms is their availability. As an artist who works regularly with technology both new and old, he has a lot of gear, and all of it comes wrapped in this stuff. When we move to his studio later in the conversation, he pulls out two large containers brimming with them, big, small, and everywhere in between.
I mention to Robert that I recall seeing he had recently taken trips to the Great Serpent Mound in Adams County, Ohio, and to Stonehenge in Wiltshire, England. Both of these landmarks have potential astronomical and ritual significance and somewhat indeterminate origin stories. It's not clear how or, ultimately, why they were built. Also up in the air is who is responsible for building them in the first place. Much of Robert's work, including what's on view at 21C, is similarly enigmatic and esoteric. He mentions that both places also served as inspiration for that work, and that the forms and their arrangement are meant to mirror archaeological sites somewhat, though the forms are of course derived from contemporary objects.
Robert Beatty, Atlanta Biennial, 2019
A related body of work displayed at the Atlanta Contemporary is made up of small stone-like objects also cast in concrete. On the surface of the stones in low relief are squared, pixel-like arrangements that are reminiscent of written language but completely illegible. In the exhibition, they were arranged on a bright orange background meant to echo the way artifacts are commonly presented in museums. Similarly suggestive and inscrutable are a pair of flat plates with metallic etching. The language-like elements are replicated, along with linework making them appear as oversized computer chips or, as Robert mentions, Lakhovsky plates used in radionics (a form of alternative therapy that uses electromagnetic waves to diagnose and treat disease). Those plates are just one of a number of pseudoscientific or quasi-spiritual practices that interest Beatty, though not because he believes in them per se. In fact, at one point in the conversation he posits that perhaps he is drawn to the strange and arcane because he feels jealous of the ability that some have to commit so deeply to something so unobservable.
As I get up to leave, we discuss how we think our time might be remembered through an archaeological lens. What judgements would be made about us and what conclusions would be drawn from the things we leave behind?
"And that's the thing– most of what's going to be left when we're not here anymore is going to be plastic. That's what people are going to find, all this trash. It's weird that that's what will outlast us. And that's part of it, a kind of tongue in cheek thing of taking that stuff and filling it with concrete, giving some weight to it… I really love the way artifacts are shown in a museum. The way that they're presented. They're mounted on the wall in these plexiglass cases, this stuff that was probably just trash. But it's old trash, so it's… important for some reason?"
Kentucky Artists at the Elaine de Kooning House
BY Chris Byrne
This past summer, I had the opportunity to work with the curator Phillip March Jones, a dedicated and tireless ambassador for regional artists as well as Outsider Art, that genre of self-taught makers with limited contact with and access to commercial galleries and institutions. Over the past nine years, Jones has fostered a community of artists, writers, and musicians around Institute 193. The relationships formed have resulted in new bodies of work and collaborative projects that we were excited to exhibit at the Elaine de Kooning House.
Guy Mendes," Marble Creek Nude", 1998, gelatin silver print, 16 X 20 in.
"The Plant Portrait Series", Elaine de Kooning House, installation view with works by Lina Tharsing
He and co-curator Maia Ferrari's exhibition proposed both local and universal notions of community, demonstrating the effects that a space dedicated to the exchange of ideas can instill upon a group of individual talents. Their show entitled Summer Song: Institute 193 at the Elaine de Kooning House featured works by Robert Beatty, Jessie Dunhaoo, Mike Goodlett, Lonnie Holley, Shara Hughes, Guy Mendes, Adam O'Neal, Aaron Skolnick, Lina Tharsing, and Mare Vaccaro. A selection of Institute 193 publications was also on view.
"Summer Series", Elaine de Kooning House, installation view with works by Michael Goodlett
Our collaboration was conceived of and tailored for the Elaine de Kooning House, the artist's historic home and studio in East Hampton.
In 1975, when artist Elaine de Kooning was reconciling with her husband, Willem, she purchased a traditional saltbox house on Alewive Brook Road in East Hampton, N.Y. Elaine later added the studio where she created her final series of paintings, "Bacchus" and "Cave Walls". During this time she also made portraits of her sister, Brazilian soccer player Pelé, and art dealer Aladar Marberger. Her work had been featured in the Museum of Modern Art's "Young American Painters (1956-58)." She continued to make portraits during a formative period of American postwar art when, for the first time, the most radical new painting was happening in New York. Back then, the thought of an Abstract Expressionist concurrently adhering to a traditional genre was considered taboo by many tastemakers and the paintings themselves retrograde. Today, her studio practice seems prophetic: Many artists are able to create divergent bodies of work without the constraints of dogma or critical mandate.
"Summer Series", Elaine de Kooning House, installation view with works by Adam O'Neal, left, Aaron Skolnick, right.
After de Kooning's death in 1989, the sculptor John Chamberlain purchased the house, followed by painter Richmond Burton. Each artist made changes and modifications to its design. In order to capture the light at a specific time of day, Elaine would often work in the sunroom. Chamberlain used the ground floor studio as a darkroom and for archival purposes. The main studio has 18-foot ceilings with angled skylights, a private entrance and is connected to the house. When I bought the house and studio in 2010, it seemed animated with stories about renowned artists from previous generations. Elaine's well-documented generosity toward other painters, curators and writers was legendary.
It was inspiring to be showing in a place where some of our greatest artists lived and worked. Thanks to Institute 193—specifically Phillip Jones and Maia Ferrari– we were written up in Hyperallergenic, and our work was posted on the Art News website. I've been exhibiting and publishing for 50 years, but I've never had a photograph reproduced by Art News before. Just as it has for nine years now, the Institute gets the word out. – Guy Mendes
Since 2011, the Elaine de Kooning House has hosted events, exhibitions, and informal artist residencies with the artists Charles Andresen, Aaron Aujla, Katherine Bernhardt, Lizzi Bougatsos, Joe Bradley, Jessie Dunahoo, Chris Duncan, Jonah Freeman and Justin Lowe, Mike Goodlett, Sedrick Huckaby, Kim "Mudman" Jones, Laura and Rachel Lancaster, Sadie Laska, Jose Lerma, Liz Markus, Adam Marnie, Scott and Tyson Reeder, John Riepenhoff, Celeste Dupy-Spencer, Jerry "The Marble Faun" Torre, Michael Williams, and Anke Weyer.
The painter and photographer Katherine McMahon has made the ground level space her permanent studio. Katherine is ARTnews' Creative Director and her presence has allowed each of the visiting artists to feel at home and become acclimated to their new environment quickly. (I've also had the pleasure of seeing her own work develop and projects come to fruition.) While the residence still functions as a private home, its main purpose, both now and in the future, is to nurture artists and the groups that support them.
"Summer Series", Elaine de Kooning House, Installation View with work by Jessie Dunahoo
Our hope was to foster this spirit by making the space available to Institute 193's artists, all while preserving the original structure and its history. Summer Studio has served as a resource for many of the activities at the house. We were happy to host a benefit for the Museum of Contemporary Art Detroit as well as the launch of Art21's new streaming experience Art21.live.
In July, the Beach Painting Club (co-founded by Scott and Tyson Reeder) painted together on Sammy's Beach, located just down the road from the Elaine de Kooning House. This annual event gathers artists and friends to paint together, followed by a cocktail reception and display of the resulting work at the house. Our guests have included the art historian Gail Levin, Jess Fuller, foundation director Helen Harrison, the collectors Anne and John Mullen, and painters Laura Owens, Chuck Webster and Joe Bradley.
As Institute 193 collaborates with artists, musicians, and writers to produce exhibitions, publications, and projects that document the cultural landscape of the modern South, our goal was to create and merge with a larger network. The installation became an opportunity for these artists to gain well-deserved broader media exposure, initiating connections across the globe. We look forward to continuing and fostering these relationships.
More about Phillip March Jones: A native of Lexington, Kentucky, Jones graduated from Emory University in Atlanta but also attended Auburn in Alabama and the Sorbonne in Paris (his French translating skills helped subsidize some early aesthetic endeavors). In 2009 he started Institute 193, a small project space near the University of Kentucky with the intention of exposing contemporary artists from the interior who were unknown on the coasts. Two years later he became the inaugural director of the Souls Grown Deep Foundation. Souls Grown Deep was a labor of love for collector Bill Arnett, who had a missionary zeal to preserve, document, display and promote the expressions of living self-taught African American artists in the Southeast and elevate them to the level of the blue chip insiders. He succeeded. Works from the foundation are now in the collections of the Metropolitan Museum of Art, the Guggenheim, and the Philadelphia Museum of Art. One of Jones' most anticipated upcoming projects is his organizing of the Atlanta Biennial with Atlanta Contemporary Art Center curator Daniel Fuller.
About the author: Chris Byrne is the author of the graphic novel The Magician (Marquand Books, 2013). He is co-chair of ART21's Contemporary Council and serves on the board of directors of Institute 193, Dallas Contemporary, and the Museum of Contemporary Art Detroit.
Congratulations Phillip!
BY Christine Huskisson
UnderMain sends heartfelt congratulations to Phillip March Jones on his appointment as the new Director of the Andrew Edlin Gallery.
Edlin and Jones have a long working history with ties to Lexington, Kentucky where Jones opened the Jones Shop in 2006. "The Jones Shop, a curated exhibition space and retail store, existed only briefly on Maxwell Street in Lexington but culminated in an exhibition at Andrew Edlin's Chelsea gallery in 2007. I've worked with Andrew in different capacities since that time: as an artist, curator, consultant, and now director of his new space which opened this past week at 212 Bowery. It's a long way from Maxwell Street but feels like a very natural place to be working on new ideas and engaging a wider audience."
In all things, Jones remains dedicated to the notion that important work in the field of contemporary art happens in many places be it New York City or Lexington, Kentucky – where he remains Editor-in-Cheif of Institute 193. As Phillip March Jones continues to build connections in art markets hither and yon, UnderMain and Lexington wish him well.
The Andrew Edlin Gallery is located on 212 Bowery between Prince Street and Spring Street.
Institute 193 is located at 193 North Limestone Street in Lexington, Kentucky.
Photo Credit: Louis Zoellar Bickett
Do the Write Thing: Read Between the Lines
by Paul Michael Brown ~
October 30-December 21, 2014
Christian Berst Art Brut (Klein and Berst)
95 Rivington Street, New York, NY 10002
The desire to communicate with others, to externalize thought in some way that is cohesive or comprehensible, is deep and universally human. Language provides a vehicle by which to do so, albeit in imperfect and often frustrating one. The 19 artists on display in Do the Write Thing: Read Between the Lines, the inaugural exhibition at Christian Berst Art Brut's NYC location (helmed by Lexington's own Phillip March Jones), engage with the necessity and inadequacy of language in the form of text.
The methods and materials employed by the artists in the show are wide-ranging, reflective of the disparate challenges encountered in the attempt to make oneself heard. In her introduction to the extensive catalogue that accompanies the show, critic and poet Lilly Lampe groups the works into three broad and overlapping categories: predictive or communicative, cataloguing or mapping, and asemic or wordless writing. It is worth noting that many of the artist's work straddle multiple categories, or occasionally deal with themes outside these three most immediate groupings.
Of special interest to me were the works that fell into the last category. Asemic writing, by definition, is work that has no observable semantic consequence, at least in the way we are generally trained to ingest information from text. It is wordless, bypassing traditional methods of signifying through recognizable characters and instead uses forms reminiscent of language to communicate in novel ways. The asemic art in the show can be further divided into two modes, works that begin with legible text that is eventually obfuscated by other forms or marks, and works using marks that resemble text, but are nonsensical; in these works, meaning is either destroyed, erased, or not present in the first place.
Harald Stoffers
Brief 160, 2009
Waterproofed Feltpen on cardboard
19.67 x 27.5 inches
Courtesy of Christian Berst Art Brut
Brief 338 (2014) by Harold Stoffers is an expansive work, spanning the vertical length of a thin wall towards the rear of the gallery. It is made up of tightly packed groups of parallel horizontal lines resembling muscle fascia that obscure text written in jerky cursive script, often addressed to the artists's mother. The work is comparable to the structure of a musical staff, allowing reference to both written and musical language simultaneously, but not functional in communicating either in a traditional sense. It draws the viewer near with its intricacy. Varying densities of line, text, and free space pace the speed at which it is taken in. The accelerations, decelerations, and breaks encountered while 'reading' this work are not unlike those signaled by punctuation, paragraph, and page break found in more traditional texts.
Beverly Baker
Ballpoint pen on paper
Likewise, Beverly Baker, of Lexington, obscures her original text, but to an even greater degree. Baker's works in ballpoint pen start as legible writing, copied from a small number of source materials. These fragments are layered one upon the other until the paper is completely covered and the content of the text is rendered moot. Baker's methodology is analogous to that of Zhang Huan in his work 'Family Portrait' (2000), a series of photographs tightly cropped in on his own face, increasingly obscured by the names of his family members until his visage is entirely blacked out by ink. Baker's use of ballpoint pen, coupled with the force of the marks utilized, form divots and peaks, creating a variegated and even three dimensional abstract landscape of dense color and surprising intensity, a suggestion echoed in the horizontal presentation of her work in the show.
Yuichi Saito
Mo letter (Doraemon), circa 2005
Yuichi Saito utilizes superimposition in similar ways to Baker and Stoffers, repeating the titles of his favorite TV shows over and over until they converge into densely populated clusters of characters against a stark white background. The effect here is a bit like what occurs when one says a single word aloud repeatedly until it loses meaning and begins to dissolve into its phonetic constituents, warped and distilled by repetition .The work is also an exercise in documentation, as Saito creates the each piece the day that the show airs. They are restrained in composition, the clouds of text compliant in the chaos they make up, bearing mild visual reference to animal herds, birds in flight, and other natural phenomena (linking them to the grandiose landscapes of Xu Bing rendered in Chinese text).
Jill Galliéni
Colored ink on paper
9.45 x 6. 3 inches
Blocks of differently colored inks made up of lines of cursive like curley q's make up Jill Gallieni's work. According to a statement provided by the gallery, she began to create these works as prayers with meaning only discernible by her, addressed to Saint Rita, patron saint of lost causes. The brightly colored inks conform to blocky shapes often configured into abstract compositions that look somewhat like crochet or weave. The more heavily fragmented pieces bear unlikely but adequate resemblance to Coogi sweaters, a material used by Jayson Musson (aka Hennessy Youngman) in some of his recent work. The lines of text are continuous, interrupted only by the limits of the page. Gallieni's prayers are ceaseless, constrained, and intensely private.
Although not in the way we expect, these works communicate strongly. Within them, compulsions to express, document, copy, obliterate, and even to enact divine intervention, can be found, all without the utterance of a concrete word. Here we find language, stripped of its explicit functionality, being used as a completely experimental and untested tool. These artists operate outside of normal syntax to establish new patterns of (a)textual expression, creating enigmatic and nonsensical readings that provide openings for us to push what and how we communicate, a necessary and admirable endeavor.
UnderMain would like to thank The Great Meadows Foundation for support of our 2019 programming, which will include twelve in-depth studio visits of Kentucky artists. The Great Meadows Foundation is a grant giving foundation whose mission is to critically strengthen and support visual art in Kentucky by empowering our community's artists and other visual arts professionals to research, connect, and participate more actively in the broader contemporary art world.
We are also pleased to announce that Bobbie Newman has agreed to be our Chief Copy Editor. Bobbie has helped the all-volunteer staff of UnderMain in many tight spots and she is now coming on board in a more regular capacity. Couldn't do it without you Bobbie, thanks!
UnderMain is also excited that we have begun work with a new webdesigner, Tanya Wlodarczyk. Watch for updates and a brand new look for 2020.
UnderMain thanks you as well for the ongoing support. Remember your contribution is tax deductible.
Make A Tax Deductible Contribution
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© UnderMain, LLC 2013-Forever


text:
package com.googlecode.kanbanik.client.modules;

import java.util.List;

import com.google.gwt.core.client.GWT;
import com.google.gwt.uibinder.client.UiBinder;
import com.google.gwt.uibinder.client.UiField;
import com.google.gwt.user.client.ui.Composite;
import com.google.gwt.user.client.ui.Widget;
import com.googlecode.kanbanik.client.Modules;
import com.googlecode.kanbanik.client.api.DtoFactory;
import com.googlecode.kanbanik.client.api.Dtos;
import com.googlecode.kanbanik.client.api.ServerCallCallback;
import com.googlecode.kanbanik.client.api.ServerCaller;
import com.googlecode.kanbanik.client.components.ListBoxWithAddEditDelete;
import com.googlecode.kanbanik.client.components.security.UserAddingComponent;
import com.googlecode.kanbanik.client.components.security.UserDeletingComponent;
import com.googlecode.kanbanik.client.components.security.UserEditingComponent;
import com.googlecode.kanbanik.client.messaging.Message;
import com.googlecode.kanbanik.client.messaging.MessageBus;
import com.googlecode.kanbanik.client.messaging.MessageListener;
import com.googlecode.kanbanik.client.messaging.messages.user.UserAddedMessage;
import com.googlecode.kanbanik.client.messaging.messages.user.UserDeletedMessage;
import com.googlecode.kanbanik.client.messaging.messages.user.UserEditedMessage;
import com.googlecode.kanbanik.client.modules.lifecyclelisteners.ModulesLifecycleListener;
import com.googlecode.kanbanik.client.modules.lifecyclelisteners.ModulesLyfecycleListenerHandler;
import com.googlecode.kanbanik.client.security.CurrentUser;
import com.googlecode.kanbanik.dto.CommandNames;

public class SecurityModule extends Composite implements KanbanikModule, MessageListener<Dtos.UserDto>,ModulesLifecycleListener {

	@UiField(provided=true)
	ListBoxWithAddEditDelete<Dtos.UserDto> usersList;

    interface MyUiBinder extends UiBinder<Widget, SecurityModule> {}
	private static MyUiBinder uiBinder = GWT.create(MyUiBinder.class);

	public SecurityModule() {
        new ModulesLyfecycleListenerHandler(Modules.SECURITY_MODULE, this);

		MessageBus.registerListener(UserAddedMessage.class, this);
		MessageBus.registerListener(UserEditedMessage.class, this);
		MessageBus.registerListener(UserDeletedMessage.class, this);

		usersList = new ListBoxWithAddEditDelete<Dtos.UserDto>(
				"Users",
				new IdProvider(),
				new LabelProvider(),
				new UserAddingComponent(),
				new UserEditingComponent(),
				new UserDeletingComponent(),
				new Refresher()
				) {
            @Override
            protected boolean isDeleteEnabled(Dtos.UserDto selectedDto) {
                return super.isEnabled(selectedDto) && selectedDto.getUnlogged() != null && !selectedDto.getUnlogged();
            }
        };

		initWidget(uiBinder.createAndBindUi(this));
	}

	@Override
	public void initialize(final ModuleInitializeCallback initializedCallback) {
        Dtos.SessionDto dto = DtoFactory.sessionDto(CurrentUser.getInstance().getSessionId());
        dto.setCommandName(CommandNames.GET_ALL_USERS_COMMAND.name);
        ServerCaller.<Dtos.SessionDto, Dtos.UsersDto>sendRequest(
                dto,
                Dtos.UsersDto.class,
                new ServerCallCallback<Dtos.UsersDto>() {
					@Override
					public void success(Dtos.UsersDto response) {
						List<Dtos.UserDto> users = response.getValues();
						usersList.setContent(users);

						Dtos.UserDto currentUser = CurrentUser.getInstance().getUser();
						if (currentUser == null) {
							initializedCallback.initialized(SecurityModule.this);
						} else {
							for (Dtos.UserDto user : users) {
								if (user.getUserName().equals(currentUser.getUserName())) {
									usersList.setSelectedDto(currentUser);
									break;
								}
							}
							initializedCallback.initialized(SecurityModule.this);

						}
					}
				}
        );

		setVisible(true);
	}

	class LabelProvider implements ListBoxWithAddEditDelete.LabelProvider<Dtos.UserDto> {

		@Override
		public String getLabel(Dtos.UserDto t) {
			return t.getRealName() + " (" + t.getUserName() + ")";
		}

	}

	class IdProvider implements ListBoxWithAddEditDelete.IdProvider<Dtos.UserDto> {

		@Override
		public String getId(Dtos.UserDto t) {
			return t.getUserName();
		}
	}

	class Refresher implements ListBoxWithAddEditDelete.Refresher<Dtos.UserDto> {

		@Override
		public void refrehs(List<Dtos.UserDto> items, Dtos.UserDto newItem, int index) {
			items.set(index, newItem);
		}
	}

    @Override
    public void activated() {
        if (!MessageBus.listens(UserAddedMessage.class, this)) {
            MessageBus.registerListener(UserAddedMessage.class, this);
        }

        if (!MessageBus.listens(UserEditedMessage.class, this)) {
            MessageBus.registerListener(UserEditedMessage.class, this);
        }

        if (!MessageBus.listens(UserDeletedMessage.class, this)) {
            MessageBus.registerListener(UserDeletedMessage.class, this);
        }
    }

    @Override
    public void deactivated() {
        MessageBus.unregisterListener(UserAddedMessage.class, this);
        MessageBus.unregisterListener(UserEditedMessage.class, this);
        MessageBus.unregisterListener(UserDeletedMessage.class, this);

        new ModulesLyfecycleListenerHandler(Modules.SECURITY_MODULE, this);
    }

	@Override
	public void messageArrived(Message<Dtos.UserDto> message) {
		if (message instanceof UserAddedMessage) {
			usersList.addNewItem(message.getPayload());
		} else if (message instanceof UserDeletedMessage) {
			usersList.removeItem(message.getPayload());
		} else if (message instanceof UserEditedMessage) {
			usersList.refresh(message.getPayload());
		}
	}

}

redpajama_set_name: RedPajamaGithub


As part of Sigur Rós' Mystery Film Experiment Philip Clemo has made a new film. Shot in the summer of 2012 it explores intimate macro terrains in a dialogue with the contractions and expansions in Sigur Rós Fjögur Píanó.
You can watch it here and if you enjoy it please vote for it and spread the word!


text:
Why was Among Us 2 canceled and what are we getting instead?
Thu Sep 24, 2020 at 8:12am ET
By Jerry Brown
Among Us 1 has been such a hit with gamers that the game's developers have canceled the sequel. Pic credit: Innersloth /YouTube
Innersloth, the developers of the social deduction game Among Us, have announced that they're canceling plans to release the sequel to the game. Instead, they're deciding to give the original version an upgrade.
Among Us is a multiplayer space-themed game that requires players to separate the imposters from the real crewmates while onboard a spaceship. If you're playing as an imposter, then you have to avoid detection and kill the real crew members.
The game was released in June 2018, and frankly, made a minimal impact at the time; however, that all changed this summer when it gradually became an international hit. The reason for its newfound success? The game was popularized by Twitch and YouTube users who introduced it to a wider audience.
Then, just 37 days ago, Innersloth started a statement with the words, "Time for a big post!" They continued by stating that they were delighted with the newfound success of their game and were, therefore, determined to bring out a sequel.
But Among Us is too big for a sequel
However, as the game's meteoritic rise in popularity has continued in recent weeks, Innersloth has had a rethink about where to take the game. And it's clear that they thought why put all that effort into making a sequel when we could just tinker with the original best-selling version.
In a new statement issued yesterday, the developers said they had initially started pushing for a sequel because the codebase for Among Us 1 is so outdated that it doesn't support the addition of new data, which makes it tricky to bring in new content. However, they also said they recognize the popularity of the original game.
They added that they'd seen "how many people are enjoying Among Us 1," so have decided to cancel Among Us 2 and focus on improving the original. If you had been excited about the upcoming features forecast for the sequel, then don't worry, Innersloth claim the new features will now go into Among Us 1.
What can we expect from the new Among Us 1?
Expect to see 12-15 player games, as opposed to ten, which the developers hope will make the games with three imposters more balanced. They'll also be introducing more roles and a whole new stage.
They also promise to work on a functioning friends and accounts system. And they intend to have more support for color-blind players by putting in more identifiers.
In a year of shutdowns and cancelations, Microsoft announced in June that it was shutting down Mixer after deciding to move their gaming business in a different direction. Monsters and Critics brought you the details here.
In other gaming news, you can find out how to complete the Mario Wings to the Sky mission in Super Mario 64 by following the link to get helpful hints in this Monsters and Critics article.
Jerry specializes in writing about true crime, the Royal family, The...read more


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Sometimes, picking up after broken glass takes special methods.


text:
ByAuthor Global DeskPosted on August 17, 2022 August 15, 2022
Why The U.S. Fed Could Give Crypto Banks Access To Legacy Banking System
According to a press release, the U.S. Federal Reserve (Fed) might provide crypto banks and other entities with access to Federal Reserve accounts and payment services. Following two proposals from the Federal Reserve Board in May 2021 and March 2022, the institution has arrived at final guidelines for these purposes.
This set of rules is aimed at providing "Reserve Banks" with access to the aforementioned tools by establishing a "transparent, risk-based, and consistent set of factors" for reviewing these entities. Vice Fed Chair Lael Brainard said the following on the guidelines:
The new guidelines provide a consistent and transparent process to evaluate requests for Federal Reserve accounts and access to payment services in order to support a safe, inclusive, and innovative payment system.
As mentioned, the guidelines will facilitate access to the legacy financial system, via Federal Reserve accounts, and payment methods, such as cash, checks, wire transfer, and others, to crypto banks and other "novel" entities.
The financial institution acknowledged that companies offering "new types of financial products", such as crypto, have expanded in recent years. The companies offering these products have requested access to Federal Reserve accounts, but there was no efficient way of reviewing their requests.
According to the release, financial institutions will have a framework to provide crypto banks and novel entities with "clarity" and evaluate their request depending on "different types" of risk. Institutions with federal deposit insurance will have easier access to these tools.
Institutions that "engage in novel activities" under a "still developing appropriate supervisory and regulatory framework" will have to go through a more rigorous process. The Fed failed to provide further clarity on the institutions that will be classified as the former or the latter, but crypto banks will surely have to meet the more rigorous standard.
Crypto Entities Scored A Win With The Fed?
Fed Governor Michelle Bowman claimed that these guidelines will provide entities requesting access to the financial institution's services with clarity. Thus, crypto banks and novel entities will be able to better understand the process to gain access to the U.S. central bank system at an institutional level.
However, Bowman emphasized that the guidelines would need to undergo a reviewing process before their implementation as rules. The Fed Governor concluded:
The publication of the Non-Traditional Account Access guidelines is an important step to provide transparency and consistency across the Federal Reserve System with respect to such requests.
There seems to be more on the horizon from the Fed concerning crypto. Read More at BITCOINIST
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A handy list of five must-have factors for any good company logo.
In many ways a logo is like a piece of art - anyone looking at the logo will have some kind of emotional reaction to it. You want your target market to like your logo, and you want to like it too. While this instinctive positive reaction is important to the success of a logo, a smart buyer understands that other factors need also be considered when picking a new logo.
This article lays out five qualities of a great logo. Stick these on a post-it note somewhere, so when your initial concepts arrive you'll be ready to rationally evaluate designs for your potential new logo.
1. Is it appealing? Does the logo appeal to your target market? It's nice if you like it, but more important is that your customers will like it. Test your logo with them. See what they think.
Most common mistake: Picking a logo you like without checking in with your customers.
2. Is it effective? Does the logo carry your brand message? Does it tell potential clients "this is what I do" or "why you should choose me over the competition" or "this is what we stand for"? A logo doesn't need to carry all of these messages, but it certainly shouldn't contradict those messages.
Most common mistake: Picking a logo that looks "cool", but can't be associated by customers with what the company offers.
3. Is it distinctive? Does the logo look sufficiently different to your competition, or other well-known logos in your market? Making your logo too similar to competitors can result in legal trouble as well as punishment from annoyed customers.
Most common mistake: Asking a designer to "adapt" your new logo from someone else's.
4. Is it scaleable? Does the logo still look nice and clear at different sizes? This is especially important if you're going to be marketing yourself online. If you're going to be promoting your brand in banner campaigns, you want to be sure your logo will be legible.
Most common mistake: Using small text that is impossible to read when the logo is used on a banner.
5. Is it practical? Does the logo work in all the contexts you plan to use it? Will you be able to use the logo's color scheme in your website or office or on your products? Will the logo look just as good on a website as it does on stationery or in print or on a wall? Will the logo still work in black and white, or on black or white backgrounds? Is the aspect (ratio of height to width) going to make it easy to use the logo in other layouts (hint: business card shaped rectangular logos are usually the most versatile).
Most common mistake: Picking a logo that is too tall and skinny, or too short and long.


It was a ground-breaking advertising campaign using "real women", complete with curves and normal length legs and within a month sales of the Dove range of firming creams had doubled.
But now manufacturer Lever-Faberge has revealed that the billboard campaign featuring six ordinary women in white underwear helped sales soar even higher, with a 700% increase in the number of creams shifted from the shelves. Last year, when the range comprised only one product, just 280,000 bottles of Dove firming cream were sold, but now the range has been expanded to include shower gels and body gels sales have risen to 2.3 million in six months.
The £4m campaign, devised by advertising agency Ogilvy & Mather, increased Dove's share of the firming lotion market from 1% to 6%.
"It is so eye-catching and relates directly to real women everywhere. We were talking to women in the way that they wanted to be talked to," Abigail Storms, Dove's market brand manager, told the Daily Mail.
A musician, a TV researcher and an estate agent were recruited for the ads from newspaper advertisements asking for women not afraid to show their figures.
The Dove models included violinist Stella Page, who weighs 10.5 stone and is a size 14, and estate agent Joanna Cook, who is 5ft 11in and a size 12.
The adverts caused a major stir when they appeared six months ago with opinions divided as to whether or not they would increase sales.
Some women interviewed by the Guardian thought they were still thin and good-looking enough to be considered professional models while others thought it was a "fat campaign".
At first sight it looks as if Dove is giving women what they say they want - according to one survey, 57% of women would prefer to see larger women in adverts.
But other research in the past has shown that women will usually say they would like to see bigger models in advertising, but when shown ads with larger models they are more likely to want to buy the product advertised by the "perfect" woman.
Marks & Spencer to its cost found that using "real women" was not a panacea for its sales woes.
Its campaign showing an average-sized woman declaring, "I'm normal!" as she threw off her clothes as the light faded on a hillside failed to generate sales despite widespread media coverage.


What Does a Canadian Cabinet Minister Do?
The Cabinet, or Ministry, is the center of the Canadian federal government and the head of the executive branch. Led by the country's prime minister, the Cabinet directs the federal government by determining priorities and policies, as well as ensuring their implementation. The members of the Cabinet are called ministers, and each has specific responsibilities affecting critical areas of national policy and law.
The prime minister, or premier, recommends individuals to the Canadian governor-general, who is the head of state. The governor-general then makes the various Cabinet appointments.
Throughout Canada's history, each prime minister has considered his or her goals, as well as the country's current political climate, when deciding how many ministers to appoint. At various times, the Ministry has consisted of as few as 11 ministers and as many as 39.
A Cabinet's term begins when the prime minister takes office and ends when the prime minister resigns. The individual members of the Cabinet remain in office until they resign or successors are appointed.
Each Cabinet minister has responsibilities aligned with a particular government department. While these departments and corresponding minister positions can change over time, there will usually be departments and ministers overseeing a number of key areas, such as finance, health, agriculture, public services, employment, immigration, indigenous affairs, foreign affairs and the status of women.
Each minister might oversee an entire department or certain aspects of a particular department. Within the Health Department, for example, one minister might oversee general health-related matters, while another might concentrate only on children's health. The Transport ministers might divide the work into areas like rail safety, urban affairs, and international issues.
While the ministers work closely with the prime minister and Canada's two parliamentary bodies, the House of Commons and the Senate, there are a few other individuals who play important roles in the Cabinet.
A parliamentary secretary is appointed by the prime minister to work with each minister. The secretary assists the minister and acts as a liaison with Parliament, among other duties.
Additionally, each minister has one or more "opposition critics" appointed to her or his department. These critics are members of the party with the second-largest number of seats in the House of Commons. They are tasked with criticizing and analyzing the work of the Cabinet as a whole and individual ministers in particular. This group of critics is sometimes called the "shadow Cabinet."


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HomeJewish Groups Send $100K To Syrian Refugees in Jordan
Jewish Groups Send $100K To Syrian Refugees in Jordan
JTAJuly 25, 2013Getty Images
A coalition of Jewish groups is providing more than $100,000 in aid to Syrian refugees in Jordan.
The Jewish Coalition for Disaster Relief, which is made up of 14 organizations and coordinated by the American Jewish Joint Distribution Committee, convened Thursday in New York to allocate the money to several groups providing aid to Syrian refugees in refugee camps in Jordan, a JDC spokesman told JTA.
The money is going to the Jordanian Red Crescent, which is the kingdom's version of the Red Cross; Israel Flying Aid, for food distribution; World Jewish Relief, which is working with the Save the Children program in one of the refugee camps; and the Hebrew Immigrant Aid Society (HIAS), for resettlement work.
Approximately 1 million refugees from Syria's two-year-old civil war have fled in roughly equal numbers to Jordan, Turkey and Lebanon.


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Home/COVID-19/We're merely caged animals in a Covid zoo
We're merely caged animals in a Covid zoo
The virus is in charge and to defeat it it is we who must retreat, locked into prisons of our own making, says Jo Knowsley.
Jo Knowsley Send an email 4 weeks ago
Jo Knowsley as a guest lion tamer.
Many years ago, in a different lifetime, I decided I'd like to spend some time with lions…
Tasked with helping to raise funds for a new zoo enclosure I suggested sitting with them for a day to write about how they coped with 'uncomfortable confinement' in their tiny cage.
It was of course a fanciful notion. What could I learn (in my little purpose-built cage attached to theirs – it was clearly too perilous to be inside with them) in a few hours, compared to the lifetime these great kings of the jungle had spent in an enclosure scarcely big enough to stretch their powerful tawny limbs and pace up and down?
I think of that experiment now (my mad caper did make the TV news and indeed raised money for the lions' enclosure) because I'm getting a small insight into how I imagine they felt.
From my living room I can see outside, but for weeks and months this year I've been told I shouldn't go there. When I do venture out for my walk, I've walked past bars, shops and restaurants closed to me too. Places where I once roamed free but are now strictly out of bounds.
Is this how the great zoo cats felt, I wondered, staring with their amber eyes through the bars that imprisoned them in a cage – not of their choosing – which must at times have seemed so flimsy they dreamed of crushing it with one of their iron paws to escape?
But – and this is where I get truly fanciful – would things have been any better for them if they did? And what choice would they make if they could?
Inside their enclosures, like well-fed prisoners, they received their daily meal without having to hunt; sprawled, less like Kings of the Savannah, but of a tiny concrete-floored castle.
They may have been bored, but they were safe. In the wild they often fall victim to poachers as their habitat disappears and men make cattle farms that tempt the world's most effective predator into often fatal trespassing.
Then there are the internecine wars with other lions, often younger males, who come to steal their wives and their territory. A defeated male can have a long, slow and lonely death brought about by infected wounds or starvation.
If a lion could choose, I wonder, would he opt for a life of bounding and hunting out in the wilderness with all its implicit dangers, or choose the safety of his sanitised enclosure, much larger than those old cages, and with daily room service. (At least he can watch his potential prey march past, rather in the way we've been forced to turn to online shopping.)
In our human world, as even more successful predators, it is we for centuries who have always made the rules. But now that has changed. The virus is in charge and to defeat it it is we who must retreat, locked into prisons of our own making. Our own homes.
Of course, we can go out. But it struck me that the analogy with my beloved lions was a good one. If we could wander, as we used to, endangering only ourselves (not others – therein lies the problem), what would we choose to do?
Amongst my friends the jury would be out. One or two would choose to sit in a cardboard box if it meant they would never fall ill; others would leap into the great unknown with a kind of 'get me if you dare' bravado challenge to Covid, having decided that it was worth the risk of being clobbered by a very nasty illness rather than living out their days as a caged monkey (we're primates, remember).
Of course, lions have not always been kept solely in zoos. In the old days some of them had a worse fate – in circuses (and yes, I've been a 'guest' lion tamer too!) where they were forced to perform humiliating tricks for applause. It's hard to get even your domestic cat to do that.
What hoops would we jump through, I wondered, if it meant we could leap the queue and be rewarded with an early Covid vaccine. It'd be like some warped coronavirus Olympics.
Or perhaps we could revisit an even earlier match between humans and lions, a replica of Rome's vast and bloody Colisseum. Those who survived would get the vaccine. Those who didn't…well, it'd be a quick and hopefully merciful death.
This is all madness of course. But I reckon there'd be some people desperate – and stupid enough – to volunteer.
Fortunately we're not entirely responsible for our own fate, because they're inextricably entangled with the fate of others. We have the added blessing of understanding we have a social responsibility. The lions, leaping on their prey in the wilderness, were never cursed with that.
COVID-19 UK News
Jo Knowsley
Jo has held senior staff writing roles on some of Britain's leading newspapers including the Sunday Telegraph and The Mail on Sunday, and is now a freelance writer. She has reported on major breaking stories around the world and has written for magazines and newspapers in Britain, Australia and New Zealand in publications as diverse as Marie Claire, the Daily Mail, Metro, Saga and Grazia. In the past she focused primarily on news-lead reports and interviews. Today she writes across a number of platforms on subjects ranging from property and travel to theatre and features. She grew up in New Zealand and has made her home and career in London since 1990.
Twenty lessons learned in 2020
Happy Christmas - and thanks for all the hits!
Welcome to the New Dark Ages


Examination Committee will carry out all examinations smoothly on time as the Institution academic calender.
Collection of all the marks like sessional, internal, surprise test, quiz test and assignment will be done by the Examination committee.
The committee will take care of the Surprise/Quiz test,mid semester exams, supplying of answer sheets, evaluation, mark display and sending marks to the university.
The committee shall strictly follow the dates mentioned in the Institution academic calender unless there is any deviation of dates and prior information from the authorities.
The Examination committee will be responsible for conduction of off line examinations on Sundays.


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Angebote zu "Donald" (3 Treffer)
Antifa: The Anti-Fascist Handbook , Hörbuch, Digital, 1, 457min
In the wake of tragic events in Charlottesville, Virginia, and Donald Trump´s initial refusal to denounce the white nationalists behind it all, the ´´antifa´´ opposition movement is suddenly appearing everywhere. But what is it, precisely? And where did it come from? As long as there has been fascism, there has been anti-fascism - also known as ´´antifa.´´ Born out of resistance to Mussolini and Hitler in Europe during the 1920s and ´30s, the antifa movement has suddenly burst into the headlines amid opposition to the Trump administration and the alt-right. They could be seen in news reports, often clad all in black with balaclavas covering their faces, demonstrating at the presidential inauguration, and on California college campuses protesting far-right speakers, and most recently, on the streets of Charlottesville, Virginia, protecting, among others, a group of ministers including Cornel West from neo-Nazi violence. (West would later tell reporters, ´´The anti-fascists saved our lives.´´) Simply, antifa aims to deny fascists the opportunity to promote their oppressive politics, and to protect tolerant communities from acts of violence promulgated by fascists. Critics say shutting down political adversaries is anti-democratic; antifa adherents argue that the horrors of fascism must never be allowed the slightest chance to triumph again. In a smart and gripping investigation, historian and former Occupy Wall Street organizer Mark Bray provides a detailed survey of the full history of anti-fascism from its origins to the present day - the first transnational history of postwar anti-fascism in English. Based on interviews with anti-fascists from around the world, Antifa details the tactics of the movement and the philosophy behind it, offering insight into the growing but little-understood resistance fighting back against fascism in all its guises. 1. Language: English. Narrator: Keith Szarabajka. Audio sample: http://samples.audible.de/bk/blak/010460/bk_blak_010460_sample.mp3. Digital audiobook in aax.
Trump vs. Deep State: Barack Obama, Hillary Clinton and Robert Mueller Conspiracy to Take Down Donald Trump , Hörbuch, Digital, 1, 171min
The Deep State is on the war path to take down President Trump, from the ´´Fake News" to extremist groups known as ´´Antifa´´ and even Hillary Clinton and Obama being involved in the fiasco.The collusion between Trump and Vladimir Putin has thus far been smoke and mirrors, many are being prosecuted, and never before in the history of our nation has their ever been such a scandal.Oscar Gamboa delves deeper than most as he goes into shocking detail about how this group known as the Deep State and how they are pulling all the strings in Washington, and why the Deep State could pose a real threat to Donald Trump - plots to assassinate are already under way, if these dangerous thugs in the Deep State don't get their way to take Trump out of the Oval Office things are going to get ugly in a hurry.This audiobook has all this and more with conspiracy theories that all get to the bottom of what really happened. Don´t trust the mass media? This auidobook is purposely written to give you an eye-opening experience and compel you to change your perspective regarding current explanations of popular events that made a huge impact on mankind and our nation.Each section talks about a specific theory; when it happened; and why it happened. It also includes a ´´what to believe´´ section that provides well thought-out observations, and will help you identify loopholes in common knowledge so you can see new possibilities.Here´s why you should listen to this audiobook:Break the status quo - question your beliefs on history in a new wayRaise your critical thinking and awareness of current eventsLearn what can´t be found on mainstream news and TV outletsGo deeper now and get your own copy today! 1. Language: English. Narrator: Tony Acland. Audio sample: http://samples.audible.de/bk/acx0/147211/bk_acx0_147211_sample.mp3. Digital audiobook in aax.
Trump Aftershock: The President´s Seismic Impact on Culture and Faith in America , Hörbuch, Digital, 1, 645min
The earthquake the nation never saw coming.The election of Donald J. Trump sent shockwaves around the world. Shock troops were deployed along with the predictable rent-a-mob who stormed the streets of our nation's cities. Within hours a movement was born. The Trump agenda, promoted daily to millions of voters and adoring fans, was to ´´Make America Great Again". It was an agenda focused on strengthening the economy, restoring the federal courts, addressing the overwhelming surge of illegal immigration, rebuilding the military, and uplifting America's standing in the world. For the opposition, the objective was to impeach Donald Trump. Stephen E. Strang will explore the nature of this dramatic confrontation, covering various topics, including: The reactions of conservative and Christian voters to the Trump agendaInternational reactions to the electionThe economy, a look at the unprecedented market movementsFake news, the death of journalism, and the media's war on the president Organizations such as Antifa and Black Lives MatterGeorge Soros: villain number oneIn Trump Aftershock, Strang explores and analyzes Trump's effect on American culture from a Christian perspective, drawing upon interviews with many of the key players and offering insightful commentary on what the long-term prospects of the ongoing war of worldviews may portend. 1. Language: English. Narrator: John Pruden. Audio sample: http://samples.audible.de/bk/hove/003739/bk_hove_003739_sample.mp3. Digital audiobook in aax.


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Дуби́ звича́йні — ботанічна пам'ятка природи місцевого значення в Україні. Об'єкт розташований на території Ковельського району Волинської області, ДП «Ратнівське ЛГ», Гірницьке лісництво, квартал 16, виділ 18.

Площа — 0,01 га, статус отриманий у 1994 році.

Охороняється віковий екземпляр дерева дуба звичайного Quercus robur віком понад 400 років.

Галерея

Джерела

 Рішення обласної ради від 17.03.94 № 17/19
 Природно-заповідний фонд Волинської області

Ботанічні пам'ятки природи Волинської області
Природно-заповідний фонд Ратнівського району
Природоохоронні об'єкти, засновані 1994
Дуби

redpajama_set_name: RedPajamaWikipedia


How do you set limits on activities you and your family are involved in? I've really struggled with this and tend to overload my plate. I find that my home is in better shape when I'm not on the road. We don't go to every homeschool event or we would never get any homeschooling done.
I've recently cancelled a breastfeeding support group meeting. At first I felt guit, but the strain on my family was too much. Plus the fact that I've had to cancel numerous times due to the illlness of one of my children. There are just some things you can't plan like 2 am stomach virus on the day of a meeting. I just cleaned out the shelves we had at the meeting location and I just felt relief.
I want to have time and a desire to do the things God wants me to do.


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