has the best visual album of all time. The singer's self-titled release has sold more than one million copies worldwide, and in less than one week.
Bey surprised fans when she dropped the LP exclusively on iTunes last Thursday (Dec. 12) — literally. She announced the collection by posting a promotional video to her Instagram page with the caption, "Surprise!"
By Sunday, it moved over 800,000 units worldwide, becoming the fastest-selling iTunes release in history and rocking the No. 1 spot in 104 countries.
Beyoncé hit the million mark around 11:15 a.m. Wednesday (Dec. 19), reports the Huffington Post. And, thanks to the #NewRules that her husband helped to inspire, that means that she's already up for her Platinum plaque (a certification that previously took a month to verify).
Physical copies of the LP will be available starting Dec. 20.


I love creating adaptive books, and love getting them into the hands of kids even more.
Use old, torn apart books and a quality laminator. Instead of buying brand new copies of books, ask libraries or teachers to donate their ripped books. A laminator will fix those ripped pages right up, and will give up a strong copy you can add velcro, glue, and felt too.
Use a color copier to copy pictures from the book. Cut these pictures out, laminate them (with strong lamination – not your average school laminator), and velcro them into the book so that your child can take the Velcro'ed pictures on and off the pages.
Consider the purpose behind your interactions: Think about the purpose of the story and how you want the child to interact with the book. You don't need to make every picture in the book a touch and feel experiences. Although we often love having beautiful, detailed adaptations, this can create a distraction from the interaction with us, or the meaning of the story. What ideas are central to the story? How can you highlight that essential aspect so the child's engagement will foster his understanding of the story? If the main idea on a page is that the tractor is sad, consider making the sad tractor's face touch and feel, by tracing the face lines with glue, or adding an image of a sad face next to the trailer.
Think beyond matching: Although adapted books with velcro'ed pictures are great for working on a child's matching skills, we can use them to foster more dynamic interactions. A child can line up the characters from the story in the order they appear, re-enact the story with the velcro'ed pictures, compare the sizes of the animals, or even compare the emotional change of the characters throughout the book. Position the book in a particular manner to encourage the chi ld to cross mid-line when he is taking a picture out of a book. Practice math skills by counting the lined up laminated characters. Use them to tell number stories at the child's developmental level.
Less is more: Often we can spend a lot of time making our adaptive books look cute and engaging. If you are someone who enjoys the crafting aspect of adapting books, and has the time to commit to the project, that is great. Yet we create engaging experiences without committing hours to laminating, velcro'ing, and felting our books. Sticky notes are a teacher's best friend. Print off the pictures you'd like to use in your read aloud, tape them onto sticky notes, and place the sticky notes into the book. The child can take the sticky notes on and off the paper without ripping the actual book's pages. While the sticky notes will get crumpled, you have not put significant time into this adaption, so it is not a loss. You can also tape tactile paper onto sticky notes and insert these sticky notes onto the book so that a child can still touch and feel the book.


I know this subject has probably been beat up. I picked up a savage 840 bolt action 30-30 and I just want to go out and give her a trial run. At this point haven't cast up any boolits yet but have some 150g fps plated x-treme bullets. Thinking maybe 8 g unique first thoughts were 10g unique but have 700x bullseye 2400 R15 varget 800x and a couple more. What's your guys thoughts want a light load but still some resemblance of accuracy. Came with cheap scope and off set from barrel center side mount. I like the William's peep but getting harder to get so maybe the side mount to picatinny rail. Maybe just open sights for first trip.
Last edited by Lethemgo; 02-07-2019 at 06:13 PM.
10-13 grains of red dot is another consideration.
I think that will be too hot in a .30-30 case. If it was me, I'd try eight grains of Unique or 700X, might even want to start with seven grains.
Those are good little rifles. You have the original Weaver side mount, there is one made now, I have them on two of mine, that is all one piece of milled aluminum and has the picatinny style on top which gives you a lot better ability to adjust fore and aft with a scope. I think it was Sun Optics, I'll see if I can find a link to it.
Yeah in a 30/30 it might be sorry about that. Been running that in my 7.62x54r and 30.06. My son runs 9 grains in his 243. Tomorrow were going to chrono the loads. He runs hornady in his. Im running berrys plated.
2400 is a great powder in the 30-30, and cast bullets.
Nothing there for 2400, but in my experience, it works well for cast loads, can't recall ever using it in .30-30, but 16 grains or so is a good, light starting load in the .30-06 with normal weight range cast bullets.
Im picking up 8 buckets of wheel weights from a guy who was a mechanic in the 70s so my casting will begin after some cleaning.
You can use H4895 with reduces loads, go to Hodgon's website and they have information on downloading 4895. I am using 23gr H4895 in my 30-30, with RCBS 30-165. Works well and has low recoil. I'm using a Contender 14" barrel.
If those X-treme bullets are PB I suggest 6 gr of Bullseye with no wad or filler.
Plenty of loads here. I've tried a few in a m94 and they worked well.
I've done most of my cast shooting in .30-30 in the 4.5 to 6 grains of Red Dot under bullets from 90 to 185 gr with and without gascheck.
All were plenty accurate. The little Lee .314 90 grain truncated cone cast bullet over 4.5 grains shoots dead to sights at 25 with the rifle sighted for 100 yards and stouter loads.
Would make a great grouse and bunny buster. Low noise, virtually no recoil.
Highest I've gone is 8 grains with Red Dot and it shot the big bullets very very well.
14 or 15 grains of #2400 under a Lyman #311291 is a nice combo.


text:
Cornus canadensis is a species of flowering plant in the dogwood family Cornaceae, native to eastern Asia and North America. Common names include Canadian dwarf cornel, Canadian bunchberry, quatre-temps, crackerberry, and creeping dogwood. Unlike its relatives, which are for the most part substantial trees and shrubs, C. canadensis is a creeping, rhizomatous perennial growing to about  tall.

Description
Cornus canadensis is a slow-growing herbaceous perennial growing  tall, generally forming a carpet-like mat. The above-ground shoots rise from slender creeping rhizomes that are placed  deep in the soil, and form clonal colonies under trees. The vertically produced above-ground stems are slender and unbranched. Produced near the terminal node, the leaves are shiny dark green and arranged oppositely on the stem, clustered with six leaves that often seem to be in a whorl because the internodes are compressed. The leaves consist of two types: two larger and four smaller leaves; the smaller ones develop from the axillary buds of the larger leaves. The leaves have petioles  in length and leaf blades that are obovate. The blades have entire margins and are  long and  wide, with 2–3 veins, cuneate shaped bases and abruptly acuminate apexes. In autumn, the leaves have red-tinted veins and turn completely red.

Flowers

In late spring to midsummer, white flowers are produced that are  in diameter with reflexed petals that are ovate-lanceolate in shape and  long. The inflorescences are made up of compound terminal cymes, with large showy white bracts that resemble petals. The bracts are green when immature. The bracts are broadly ovate and  long and  wide, with 7 parallel running veins. The lower nodes on the stem have greatly reduced rudimentary leaves. The calyx tube is obovate in shape and 1 mm long, covered with densely pubescent hairs along with grayish white appressed trichomes. Stamens are very short, being 1 mm long. The anthers are yellowish white in color, narrowly ovoid in shape. The styles are 1 mm long and glabrous. Plants are for the most part self-sterile and dependent on pollinators for sexual reproduction. Pollinators include bumblebees, solitary bees, beeflies, and syrphid flies. The fruits look like berries but are drupes.

Pollen release
Each flower has highly elastic petals that flip backward, releasing springy filaments that are cocked underneath the petals. The filaments snap upward flinging pollen out of containers hinged to the filaments. The stamens accelerate at a rate of 24,000 m/s. The motion, which can be triggered by pollinators, takes place in less than half a millisecond. The bunchberry has one of the fastest plant actions found so far requiring a camera capable of shooting 10,000 frames per second to catch the action.

Fruit

The drupes are green, globose in shape, turning bright red at maturity in late summer; each fruit is 5 mm in diameter and contains typically one or two ellipsoid-ovoid shaped stones. The fruits come into season in late summer. The large seeds within are somewhat hard and crunchy.

Taxonomy
While distinctive as a species itself, the generic placement of these plants has differed in various botanical treatments. When the genus Cornus is taken broadly, as done here, this species is Cornus canadensis, and is included in the subgenus Arctocrania. However, if Cornus is treated in a narrower sense, excluding this species, it can instead be classified as Chamaepericlymenum canadense or as Cornella canadensis.

Where C. canadensis, a forest species, and Cornus suecica, a bog species, grow near each other in their overlapping ranges in Alaska, Labrador, and Greenland, they can hybridize by cross-pollination, producing plants with intermediate characteristics.

Distribution and habitat
Its native distribution includes Japan, North Korea, northeastern China (Jilin Province), the Russian Far East, the northern United States, Colorado, New Mexico, Canada and Greenland.

Cornus canadensis is a mesophytic species that needs cool, moist soils. It inhabits montane and boreal coniferous forests, where it is found growing along the margins of moist woods, on old tree stumps, in mossy areas, and among other open and moist habitats.

Ecology
Birds are the main dispersal agents of the seeds, feeding on the fruit during their fall migration. In Alaska, bunchberry is an important forage plant for mule deer, black-tailed deer and moose, which eat it throughout the growing season.

Uses
It is used as ornamental groundcover in gardens. It prefers moist acidic soil.

The fruits are edible raw but have little flavor. The pulp does not easily separate from the seeds. The berries can be cooked, strained, and combined with other fruits or used for pudding.

Culture
Claire Waight Keller included the plant to represent Canada in Meghan Markle's wedding veil, which included the distinctive flora of each Commonwealth country.

References

External links

Exploding Dogwood Flowers Williams College website describing the work of Joan Edwards and Dwight Whittaker, with videos and animations.
Cornus canadensis holotype from Louis-Marie Herbarium (Laval University).
Bunchberry, borealforest.org
Bunchberry, Ontario's Wildflowers

canadensis
Edible fruits
Flora of North America
Flora of Japan
Flora of Russia
Flora of Jilin
Flora of Korea
Plants described in 1753
Taxa named by Carl Linnaeus

redpajama_set_name: RedPajamaWikipedia


text:
Q: Change matplotlib Button color when pressed I'm running an animation using matplotlib's FuncAnimation to display data (live) from a microprocessor. I'm using buttons to send commands to the processor and would like the color of the button to change after being clicked, but I can't find anything in the matplotlib.widgets.button documentation (yet) that achieves this.
class Command:

    def motor(self, event):
    SERIAL['Serial'].write(' ')
    plt.draw()

write = Command()
bmotor = Button(axmotor, 'Motor', color = '0.85', hovercolor = 'g')
bmotor.on_clicked(write.motor)            #Change Button Color Here

A: Just set button.color.
E.g.
import matplotlib.pyplot as plt
from matplotlib.widgets import Button
import itertools

fig, ax = plt.subplots()
button = Button(ax, 'Click me!')

colors = itertools.cycle(['red', 'green', 'blue'])

def change_color(event):
    button.color = next(colors)
    # If you want the button's color to change as soon as it's clicked, you'll
    # need to set the hovercolor, as well, as the mouse is still over it
    button.hovercolor = button.color
    fig.canvas.draw()

button.on_clicked(change_color)

plt.show()

A: In current matplotlib version (1.4.2) 'color' and 'hovercolor' are took into account only when mouse '_motion' event has happened, so the button change color not when you press mouse button, but only when you move mouse afterwards.
Nevertheless, you can change button background manually:
import matplotlib.pyplot as plt
from matplotlib.widgets import Button
import itertools

button = Button(plt.axes([0.45, 0.45, 0.2, 0.08]), 'Blink!')

def button_click(event):
    button.ax.set_axis_bgcolor('teal')
    button.ax.figure.canvas.draw()

    # Also you can add timeout to restore previous background:
    plt.pause(0.2)
    button.ax.set_axis_bgcolor(button.color)
    button.ax.figure.canvas.draw()

button.on_clicked(button_click)

plt.show()

A: In case anyone do not want to make the Button as a global variable when changing the colour, here is a solution:
import matplotlib.pyplot as plt
from matplotlib.widgets import Button

def change_color(button):
    button.color = 'red'

def main():
    button = Button(plt.axes([0.5, 0.5, 0.25, 0.05]), 'Click here')
    button.on_clicked(lambda _: change_color(button))
    plt.show()

if __name__ == "__main__":
    main()

redpajama_set_name: RedPajamaStackExchange


Mukhopadhyay, Swagatam, Wigler, Michael, Levy, Dan (March 2015) Simple genetic models for autism spectrum disorder. bioRxiv. 017301.
Kamalakaran, S., Varadan, V., Giercksky Russnes, H. E., Levy, D., Kendall, J. T., Janevski, A., Riggs, M., Banerjee, N., Synnestvedt, M., Schlichting, E., Kåresen, R., Shama Prasada, K., Rotti, H., Rao, R., Rao, L., Eric Tang, M. H., Satyamoorthy, K., Lucito, R., Wigler, M. H., Dimitrova, N., Naume, B., Borresen-Dale, A. L., Hicks, J. B. (February 2011) DNA methylation patterns in luminal breast cancers differ from non-luminal subtypes and can identify relapse risk independent of other clinical variables. Molecular Oncology, 5 (1). pp. 77-92.
This list was generated on Thu Apr 25 00:05:44 2019 EDT.


He is Director of the Luso-American Foundation since September 2006.
(1993-1996), Acting Executive Director (1996), and Executive Director (1997- 2006). During his tenure as Executive Director, he also served on the Executive Committee of Fulbright Directors from Europe and Israel, a peer-elected position, for three consecutive terms (1998-2003). Prior to Fulbright, Zagalo e Melo was Senior Accountant at Ernst & Young (1991-1993).
Paulo Zagalo e Melo is co-founder, with Horst Mewes, of "Future Citizenship".
He has lectured on 'Portuguese History and Culture' at the University of Arkansas (1997 and 1998), and on 'Management of Culture' at the Catholic University of Portugal (2004). He was Editor of Fulbright Brainstorms on Bioethics: Frontiers and New Challenges, Principia, 2006, and has written book reviews for Nova Cidadania, a Portuguese journal of political studies. Since 2006, he is also a Member of the Advisory Board of the LL.M. (Master of Laws) in International Trade and Business Law of the Catholic University of Portugal.
Currently on sabbatical from the Luso-American Foundation, Paulo Zagalo e Melo is a Visiting Scholar at the Department of Political Science of the University of Colorado at Boulder, writing a dissertation on the topic of citizenship and migration in the EU. During his stay at the University of Colorado, he is a PhD grantee of the Gulbenkian Foundation.


This word made many appearances when I was reading The Zookeeper's Wife. I wasn't terribly familiar with it (maybe not at all), so I actually looked it up in an actual dictionary. I can vividly remember replacing it in my mind with "secret" anytime I came to it while reading.
I first heard this word five years ago. At that time, almost all of Mike's eight siblings were keeping blogs (not so anymore), and so we decided to play a game on our blogs (Mike's family is nothing if not creative and competitive). Each person was given their own list of words they had to use in posts over a two-week time period. If you used one of your words, and someone guessed it, they got a point. But if they either didn't notice or there wasn't really an assigned word in the post, then you got a point. (It was great fun, especially since, unless you were in on the game, you couldn't tell there was anything particularly unusual going on, except that we all suddenly had much richer vocabularies.) Anyway, neither Mike nor I knew what it was to exhibit angst (it has since become a MUCH more popular word . . . everyone is filled with angst these days), and so we decided we'd have better luck pretending it was a typo for "against." This is how we used it to describe a game of ping pong: "okay, so maybe my meager ping pong skills are pretty useless angst him, but my competitive nature can't handle defeat." Sadly, most of Mike's siblings caught it.
This word impressed itself upon me when we read this line in The Circus Ship: "Mr. Payne looked high and low, but still he couldn't see the fifteen circus animals of his menagerie." I knew the word before, but I was delighted to find it in a children's book, and I can't hear it now without seeing the page it goes with in the book.
Last year, my book club read Everneath, and we were lucky enough to have the author, Brodi Ashton, come to our meeting and talk about the book. The thing I remember most about that meeting is how often she said the word snarky. She called so many people snarky that I think she intended it as a compliment.
This word is now forever linked in my brain with a British accent (Jim Dale's British accent, to be exact). The word was dwelt on so much in Liesl and Po that you could almost call it a literary theme. The main character pronounced it in a very specific way--drawing it out and lingering on the f's. Jim Dale's interpretation was beautiful. I don't think I've had an opportunity to use it out loud since I listened to that book, but when I do, you can be certain I'll be British for the instant it takes to say it.
I have more words that maybe I'll share at a later date, but tell me: Do you have any words with specific memories attached to them? Please share!
When I saw your post I clicked on it immediately because I wanted to see if you included my all time FAVORITE word I learned while reading lauren Oliver's book Liesl and Po! YAY you did - INEFFABLE! Isn't that just the best word EVER!
Its pretty funny you say the girl in Everneath was throwing out "Snarky" as a compliment. That's not exactly what I'd think of as a complimentary word.
Some of my favorites. I adore clandestine and menagerie.
Snarky is a big fav of mine too.
Oh and I first heard about a chokecherry in the third book of the Enchanted Forest Series. Now my parents have a chokecherry tree at their house and anytime I hear its name I think of the invisible dusk blooming chokecherries in the book.


text:
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Review: Don't Cause Yourself 'Agony,' Go 'Into The Woods'
Byline info is not available
Thursday, August 10, 2017 1:39 AM
After a curse has been lifted, the Witch (Kira Lace Hawkins) isn't ugly anymore. Photo by Gary Nieter, Times-Union.
Cinderella (Sarah Ariel Brown, L) tells the Baker's Wife (Kelly Britt) all about the royal ball and prince. Photo by Gary Nieter, Times-Union.
The Big Bad Wolf (Ben Ahlers) preys on the innocence of Little Red Riding Hood (Allsun O'Malley) in "Into The Woods." Photo by Gary Nieter, Times-Union.
Having only seen the 2014 film version of "Into The Woods" before opening night of the musical Wednesday at the Wagon Wheel Center for the Arts, I wasn't prepared to leave happy.
The movie – starring Meryl Streep as the Witch among many other big names – was good, even scoring a few Oscar nominations, but it wasn't something I'd sit through again (though I did buy the soundtrack for Streep's rendition of "Last Midnight"). The film didn't make me feel joyful when it was over.
But the Wagon Wheel production of the Stephen Sondheim and James Lapine show? I'd definitely go again. I left singing about going "Into the Woods" and "Agony" and the "Last Midnight." After the show was over, everyone who sat around me and that I walked by as I left was buzzing about how glad they were that they saw it and two thumbs up and what a gem the Wagon Wheel is to have in Warsaw. If there was an unhappy person after the show, they weren't anywhere near me.
The musical had its intense moments, but it also had plenty of laughs – especially scenes involving Ben Ahlers as the Big Bad Wolf and Cinderella's Prince and Allsun O'Malley as Little Red Riding Hood – but there was plenty of hilarity to go around.
The full cast is beyond exceptional, and Artistic Director Scott Michaels has given audiences a perfect gift for the end of the regular summer season. The set is beautifully elaborate, the costumes are divine, the music dances in the ears and the cast should be extremely proud of their performance.
The plots of several well-known fairy tales are woven in the musical, including "Jack and the Beanstalk," "Little Red Riding Hood," "Rapunzel" and "Cinderella." The show is tied together through the story of the childless Baker and his wife and their journey to becoming parents. That's the simplest synopsis for the show. There's plenty of themes and metaphors buried in the show, all the more reason to go see it multiple times.
Playing the Baker is Riley McFarland, who has become one of my favorite actors to watch this season. He was Snyder in "Newsies," Clive Paget/John Jasper in "The Mystery of Edwin Drood," The Hermit in "Young Frankenstein" and amazing as John Proctor in "The Crucible." McFarland once again delivers a great performance as the Baker, bringing his trademark intensity to the role. You can hear his professionalism in his voice and see it in his gestures and body language, but it shines brightest in his face. If his performance was in a movie, you'd want to pan in on his face, especially for the number "No More" in Act II.
Playing the Baker's Wife is Kelly Britt, who audiences will remember as Rebecca Nurse in "The Crucible" or Rosa Bud in "The Mystery of Edwin Drood." Britt gives her best performance this summer though in "Into The Woods." Her strong performance gives those around her something real to play against and she doesn't let go.
While she played McFarland's wife in "The Crucible," for this show Kira Lace Hawkins is his nemesis, the Witch. Even under the makeup and prosthetics, Hawkins is flawless. If you didn't know it was her under there, Hawkins does such a great job with her performance that you would never guess it was one of Wagon Wheel's greatest actresses.
You have to wait until almost the end of the show for Hawkins to belt out "Last Midnight," but when she does, it's like opening presents on Christmas morning. I think Streep and Bernadette Peters would stand and give Hawkins a big round of applause. But even before that song, Hawkins delivers a mesmerizing performance of "Witch's Lament." Children should listen to Hawkins sing.
Another actor who has become one of my favorite to watch this season is Ahlers. He has been in every show this season, but he really broke out as Igor in "Young Frankenstein" and showed his dramatic chops as the Rev. Parris in "The Crucible." Playing two roles in "Into The Woods," Ahlers seems like he's having a ball with both of them and that means fun and laughter for the audience. Ahlers is more fun than a barrel of monkeys to watch.
Ahlers plays the Big Bad Wolf so much better than Johnny Depp did in the movie version. Ahlers' wolf is the ultimate metaphor for male swagger, and Ahlers keeps that up as Cinderella's Prince. The Prince is a Lothario who, as the character says himself, was taught to be charming but not sincere. Ahlers plays that convincingly while all the meanwhile keeping the audience laughing.
When Cinderella' Prince and Rapunzel's Prince (Michael Bradley) performed the number "Agony" together, a woman next to me said, "They're so funny!" I couldn't agree more.
Go see the Wagon Wheel's production of "Into The Woods" if for no other reason than the awesome performance by Ahlers.
It's not just the boys who are having all the fun though. As Little Red Riding Hood, O'Malley has landed another perfect part for herself. She was fierce as Mary Warren in "The Crucible," and amazing as Maria in 2015's "West Side Story," but for "Into The Woods" she brings the smart alec, blood thirsty Little Red to life. O'Malley carries the knife around in Act II like it's an extension of herself, and you believe that she's out for blood. Don't let the small little girl fool you.
Sarah Ariel Brown gloriously plays Cinderella. While I enjoyed her performance, it is Brown's singing voice that stood out for me in this musical. She's easy on the ears, especially with a song like "No One Is Alone," one of my favorite numbers from "Into The Woods."
The story of "Jack and the Beanstalk" is an integral part of the whole musical, and playing the title character is Blake Bojewski, who has nailed down playing not-so-smart characters. He was great as Crutchie in "Newsies" and perfect as Willard in "Footloose," and he just brings all his mojo to playing Jack.
Playing Jack's pet cow Milky White is Grace Robison, who continually stole the spotlight on the stage. It couldn't have been too comfortable in that costume for Robison, but she got so many laughs from myself and all the people sitting around me. Whoever decided to put Robison in that cow costume and do the show like that earned major props from me.
Rapunzel has a connection to the Baker that he never learns about, but she was raised by the Witch. Though she does have some lines, Rapunzel is mostly a singing part and Kara Ziringer has a stunning voice that is a natural fit for the role. She had a small role as Mercy Lewis in "The Crucible" and bits and pieces in other shows this summer, but after hearing her in "Into The Woods," one wonders why that voice was kept under wraps for so long. That voice needs to be unleased upon the world as often as possible.
Audiences also will enjoy Leanne Antonio as Cinderella's stepmother and the voice of the giant, Jennifer Dow as Cinderella's stepsister Lucinda and Little Red's granny, Bailee Endebrock as Florinda and the voice of Cinderella's mother, Kathy Hawkins as Jack's mother, Michael Pacholski as the steward and Mike Yocum as Cinderella's father.
Brett Frazier gets to be the narrator and the Mysterious Man. The Mysterious Man wasn't in the film version, but his presence affects the characters greatly, and Frazier is the right man for the role. He's also got a perfect voice to serve as narrator.
These actors all should return next summer to the Wagon Wheel if possible as I could see them in various roles for the shows announced. Ahlers in "Saturday Night Fever" (June 13-23), McFarland in "All Shook Up" (July 11-21) and O'Malley in Disney's "Freaky Friday" (Aug. 8-18) just to name a few. Plus, give them a year and they'll all come back stronger performers if that's possible considering how great this company has been all season long.
And when they all sing in a chorus as they did at the end of "Into The Woods"? Sublime. Absolutely sublime.
My rating of "Into The Woods" (out of four): 4.
For ticket information, visit wagonwheelcenter.org.
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text:
Screen capture of Donald Trump's Twitter slamming HBO's "The Hunt."
'The Hunt' is Off
By Grace Caswell on Saturday, September 14, 2019
Universal Pictures cancels release of HBO thriller after Trump slams movie in tweet
"Elites" killing "Deplorables" may sound like an extreme interpretation of today's politics. "Deplorables" is a recognizable term from the 2016 presidential election that Hillary Clinton used to describe Trump supporters; the word alone draws an immediate connection between the plot of the movie and real-life political strife.
"The Hunt" is a new movie created by Nick Cuse and Damon Lindelof. The movie drew inspiration from real-world politics and the short story "The Most Dangerous Game" by Richard Connell. The thriller quickly morphed into an uncomfortable and realistic take of today's world.
Advertising for the satirical thriller was stopped out of respect for the mass shootings. However, even after the cancellation, both the president and public continued to express concern and disapproval over the plot.
Ultimately, the vocalized disapproval resulted in Universal Studios pulling the plug and releasing a press statement:
"After thoughtful consideration, the studio has decided to cancel our plans to release the film. We stand by our filmmakers and will continue to distribute films in partnership with bold and visionary creators… but we understand that now is not the right time to release this film."
Donald Trump's tweet that finishes his previous message on Aug. 9.
The 'now' Universal references is modern-day society. Recent events have created a tense and polarized political atmosphere that has resulted in a hypersensitive society. The idea of hunting and killing those who have opposing views, regardless of the satirical message, is too intense for the people of today's political climate. Violence is quickly becoming a normalized aspect of society, in other words, a reaction to everything.
The president agreed with the public, tweeting the plot, "Elites" versus "Deplorables", is bad for the country and, in a classic Trump response, that the creators of the thriller are racist.
"They like to call themselves "Elite," but they are not Elite… The movie coming out is made in order to inflame and cause chaos… They are the true Racists, and are very bad for our Country!"
The following day, Universal released its statement regarding the cancellation of the thriller. While the racist accusation stands unsubstantiated, I agree with Trump in regards to the way the movie encourages chaos and violence.
Is the fantasy of killing others who oppose our morals that far-fetched from what is on the news today?
While the thriller seems to be a fully canceled ordeal, Cuse and Lindelof will continue with the release of the thriller through "bold and visionary creators." Maybe there is hope for those wanting to see the film.
Published in Opinion
Grace Caswell
Grace Caswell is a first year student at HSU from Huntington Beach, CA. She has an expensive love for traveling and has visited 9 countries so far and is hoping to visit more. Grace has been writing her whole life and developed a passion for journalism early on. She believes the world of journalism is boundless, and while she may have difficulties committing to a specific topic, she will always write with the same intention. Grace hopes her pieces inform the people to their fullest potential and simultaneously remain relevant and captivating. If Grace isn't writing, you can find her at the beach.
Give Me More Than Vague Emails on Campus Crime
Parody is Protected Speech
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text:
About KEEP
Celebrating the Course that Successfully Engaged 4000+ Learners
25 Jul 2019, Thu
Prof. Irwin King and Dr. Ramon C. Bacani
Celebrating the 2-year partnership between Knowledge & Education Exchange Platform (KEEP) and SEAMEO INNOTECH, the two parties held an official MoU Signing Ceremony in Hong Kong on the 10th of July.
During the ceremony, both parties shared their experiences in online education and reviewed the partnership that has been going for 2 years.
SEAMEO INNOTECH, which has been implementing online courses since 2006 and has covered about 17,000 school heads and teachers in the Philippines alone, shared the evaluation of their two very successful Massive Open Online Courses (MOOC) programs hosted on the KEEP platform.
These two courses interacted with a huge number of learners far beyond their expectations.
The first course, "Igniting Passion for Teaching", which aims to inspire and rekindle teachers' passion for teaching, targeted a total of 300 learners, but the team successfully enrolled a total of 1,010 learners. The second course, "Teach On: Keeping the Passion Alive", was expected to engage 1,000 learners, but 4,349 learners participated in the course.
Joan Atienza, Senior Associate for Instructional Design of SEAMEO INNOTECH
"We had very good feedback on both 'Passion for Teaching' courses that we had already run. On the scale of 1 to 5, with 5 being excellent or the highest and 1 is poor, the overall impression is 4.8, and that's very high in both courses. And 99 percent of the learners said that they would recommend the courses to others", said Joan Atienza, Senior Associate for Instructional Design of SEAMEO INNOTECH.
These MOOC programs utilized the KEEP Open edX platform, which is a one-stop platform that allows integration of online courses, as well as the creation of courses using Moodle or Open edX.
Prof. Irwin King, Principal Investigator of KEEP, explained how KEEP is trying to bring the best together inside its platform. Led by CUHK and in collaboration with 8 universities in Hong Kong, KEEP is a hub of online learning resources, connecting top platforms in Hong Kong, the Greater China region, and other parts of the world.
He also shared how KEEP empowers both educators and learners through useful features inside its platform. KEEP's easy-to-use data analysis provides instructors with students' browsing and interaction records. This analysis enables instructors to utilize learning data in reviewing and adjusting their pedagogical strategies.
After the sharing sessions, both parties discussed future partnerships and possible collaborations, hoping that the partnership will continue to create a worthwhile impact for learners all over the region.
If you would like to collaborate with KEEP, you can contact us through info@keep.edu.hk
Contact KEEP
Copyright © 2014-2020 KEEP. The Chinese University of Hong Kong. All rights reserved.


Each room within the guesthouse is themed according to the national BIG 5, and if you are familiar with the BIG 5 you'll know that these suites live up to the animals they are hosting.
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Tags: piers | morgan | Phone | Hacking
Top Journalist: Piers Morgan Told Me How to Hack
Wednesday, 23 May 2012 02:09 PM
A prominent British TV presenter said Wednesday that CNN talk show host Piers Morgan gave him a primer on phone hacking, a revelation that suggests he knew a fair amount about how the shady practice was carried out.
BBC quiz show host and television news presenter Jeremy Paxman told a media ethics inquiry that Morgan delivered his warning over lunch at the headquarters of the Mirror newspaper, which he was then editing, in 2002.
Paxman said that Morgan "turned to me and said, 'Have you got a mobile phone?'"
"I said, 'yes,' and he asked if there was a security setting on the message bit of it. I didn't know what he was talking about.
"He then explained the way to get access to people's messages was to go to the factory default setting and press either 0000 or 1234 and that if you didn't put on your own code, (in) his words, 'You're a fool.'"
Morgan's apparent familiarity with how to bypass the factory default settings of a mobile phone appears at odds with what he'd told the same inquiry late last year. Quizzed repeatedly about statements he'd made suggesting that big chunks of the newspaper business were involved in phone hacking, Morgan claimed he'd merely been repeating gossip he picked off the industry's rumor mill. The CNN star has repeatedly denied having ever hacked a phone or knowingly run material obtained by phone hacking.
A spokeswoman for Morgan didn't immediately return an email seeking comment, but Morgan took to Twitter to make light of the development.
"Right — that's the last time I'm inviting Jeremy Paxman to lunch," Morgan wrote. "Ungrateful little wretch."
Paxman and Morgan were both called to testify by Lord Justice Brian Leveson, who is sifting through the fallout of the scandal over unethical and illegal behavior at the now-shuttered News of the World tabloid, which Morgan briefly edited before moving to the Mirror.
Journalists at Rupert Murdoch's News of the World tabloid routinely hacked phones to get stories, bypassing weak security to illegally eavesdrop on private conversations of politicians, celebrities, sports stars, and other public figures.
The scandal that erupted when the full extent of such practices was exposed last year has rocked Britain's establishment, leading to the arrest of dozens of people and casting a harsh light on relations among the press, politicians, and the police.


Usually this is Wordless Wednesday…. but today it is Back-to-Words Wednesday because I took a few days off from the 59 Word Project… But I'm back now.
This is named Contentment1 because there will be a Contentment2 soon. You see, our friends at Katnip Lounge submitted contentment also, and I know that their idea of contentment is probably not mountains and trees….
Anyway, you all may find a nap under this tree will bring you contentment, but I named it for an entirely different reason. I was cleaning off my work table yesterday, and I found a pen that writes like a dream. I couldn't put it down. In fact, I found total contentment in using it for some black and white drawings yesterday. So, I decided to do a pen and ink drawing for today's word.
This entry was posted in art and tagged 59 Words, contentment. Bookmark the permalink.
Simply lovely. Have a wonderful Wednesday.
WE would be CONTENT to lay under that tree on a hot summer day.
Beautiful! It would have been a pawesome Earth Day drawing too!
I love this drawing – there's something so calming about the composition.
This drawing really does evoke feelings of contentment! As Sparkle wrote … the composition is quite calming.
That is just terrific. That sure looks like contentment to us. We like your drawing. Take care.


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Nothing says love like a £1.6 million online dating scam
David Bisson • @DMBisson
5:56 pm, December 1, 2015
Two men tricked a woman into sending separate payments of cash totalling £1.6 million as part of an online dating site scam.
The Register reports that Ife Ojo, 31, and Olusegun Agbaje, 43, have pleaded guilty to scamming a British woman out of £1.6 million (2.4 million USD) over the course of 10 months.
The scam started last February when the woman, who is in her 40s and lives in Hillingdon, met a man by the name of Christian Anderson on a dating site.
According to BBC News, Anderson presented himself as an oil engineer with a sob story. He was divorced, he claimed, and he had a daughter. Also, he said his father and sister had both died of cancer.
A few weeks after connecting, the fraudster told the woman that he loved her and wanted to be with her but that he was struggling to complete a project in Benin, Africa. The lying lover therefore asked that she send some money as a loan for some specialist equipment he could use:
"I know our relationship is still young, but I am really trying to hang on here, and after the contract, we have all the time in the universe together."
The woman ultimately gave Anderson a £30,000 loan. But things did not stop there. She also paid her supposed suitor a series of other payments, including a £25,000 police fine and several thousands of pounds to free up Anderson's mother's inheritance money.
Later on, the victim covered a non-existent £170,000 "anti-terrorist certificate" so that the inheritance money, for which she had a met the scammer's "lawyer" in Amsterdam, could be deposited in the bank. She was even looking for a house into which she and Anderson could move.
Fortunately, the woman eventually became suspicious and contacted London's Metropolitan Police, who arrested Ojo and Agbaje.
At the scammers' house, the authorities found a copy of Neil Strauss's book "The Game: Penetrating the Society of Pick Up Artists", which the duo had been using as a manual to pick up women.
The book, as noted by The Telegraph, includes chapters such as "Select a Target" and "Blast Last Minute Resistance".
Ojo and Agbaje have been charged for their crimes. But they are not the only fraudsters stalking online dating sites, and the woman from Hillingdon is certainly not the only victim of this kind of scam.
"Within the last year, FALCON has investigated the loss of £4 million in relation to 100 victims who have been ruthlessly manipulated by men and women pretending they love them," said Detective Chief Inspector Gary Miles of FALCON, the Metropolitan Police's specialist cyber crime and fraud detection unit, in a statement. "The suspects showered them with compliments and confided their seemingly innermost secrets to them. In many cases, the suspects were talking to their victims online or over the phone for hours every day."
Detective Miles goes on to note that victims of similar scams feel embarrassed and shamed that they have been tricked, a feeling which might lead them to not confide in anyone. But the reality is that some scammers are just that good at exploiting people, emotionally and financially.
Anyone who feels that they have been a victim of an online dating scam should report it to the authorities. Also, as with any online activity, users of online dating sites should be careful when connecting with strangers for romantic purposes. A sob story and a friendly photo are just meant to trick you.
Follow these tips here and keep your money, question everything you're told, and don't keep anything a secret.
It could save you £1.6 million in the process.
#fraud
#online dating
#Scam
David Bisson •	@DMBisson
David Bisson is an infosec news junkie and security journalist. He works as Contributing Editor for Graham Cluley Security News and Associate Editor for Tripwire's "The State of Security" blog.
Hacking airplane entertainment systems
So it wasn't Anderson Cooper who called Donald Trump a pathetic loser on Twitter after all…
No, the Met Police wasn't hacked. But its Twitter account and website were hijacked
2 comments on "Nothing says love like a £1.6 million online dating scam"
graphicequaliser says:
You never really "meet" anyone on a dating site. You only ever "meet" people in REAL life. When I plough through my emails in the morning, anything purporting to want to reward me with money, free this-or-that, or some unknown woman begging for attention, it gets immediately binned.
Tonsor says:
Anderson should be let go and be allowed to sue the lady for another 100K. If, after 35 years, you are still not understand what is going on than you really do not deserve any sympathy. Nigerians and other Africans are doing this since the invention of the telefax.


Senior abuse is so widespread because those affected are often voiceless. One of the consequences of this dynamic is that solving the problem usually requires the action of outsiders. While educating elderly themselves is helpful, doing that alone will not end the problem. All of us need to come together, commit to be vigilant about the safety and well being of seniors in our lives, and speak up when we have suspicions.
Fortunately, there are some great advocacy groups and public entities leading large-scale programs aimed at organizing around this problem and working to end it. For example, the U.S. Administration on Aging (AOA) recently published information on the "Year of Elder Abuse Prevention." The project includes dissemination of many different resources all seeking to educate community members about the facets of the abuse, the risk factors, prevention tips, and the best ways to report problems once they are identified.
There are many different ways to to help, and we hope you use the start of a new year to learn more about the problem and commit to ending it.
–Increase the frequency of calls or visits to senior loved ones. Obviously the longer the gap between check-ups, the higher the risk that a problem can go undetected.
–Ask group leaders (i.e. faith based communities) to share information with their organization about the dangers of elder abuse. While those of us steeped in this field talk about the problem all the time, many people never hear about it. Lack of awareness is still a problem and the more time spent spreading even basic information about the risk, the better.
–Ensure tellers at your local bank are trained in identifying possible suspicions activities with elderly customers. There has been great success stories in recent years related to bank tellers and others connected to seniors finances identifying possible exploitation and stopping it in its tracks. When these individuals ask a few more questions and try to check that withdrawals and other transactions are legitimate, much work can be done to stop some theft in its tracks.
–It is also helpful to provide support, companionship, and projects for seniors. For example, if a senior loved one has a special skill, ask him or her to share that skill with you or your children. So much abuse and exploitation is caused by isolation, and ensuring that seniors are engaged in our community is one general way to limit the problem. This sort of thing can go hand-in-hand with nursing home trips and other visits. Sharing a cup of coffee, a conversation, and some laughs can go a long way.
We hope everyone is able to do at least one thing this year–big or small–to improve the life of an elderly community members. And if at any time you suspect that a senior was harmed as a result of abuse, neglect, or exploitation, please contact our senior abuse lawyers to see how we can help.
Protecting Senior Pocketbooks – Who Is At Risk?


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Die Großsteingräber bei Spahn sind zwei zwischen 3500 und 2800 v. Chr. entstandene Megalithanlagen der jungsteinzeitlichen Trichterbecherkultur (TBK) im zur Gemeinde Spahnharrenstätte gehörenden Ortsteil Spahn im Landkreis Emsland (Niedersachsen). Ein drittes Grab wurde im frühen 19. Jahrhundert zerstört. Grab 1 ist auch unter dem Namen Hünenstein bekannt und trägt die Sprockhoff-Nummer 827. Grab 2 wird auch als Steenberg bezeichnet und trägt die Nummer 828.

Lage
Grab 1 befindet sich 1 km nordwestlich von Spahnharrenstätte an der Straße Zum Windberg. Etwas südlich davon befand sich das zerstörte dritte Grab. Grab 2 liegt 1,7 km nordöstlich von Grab 2 und 1,4 km nördlich von Spahn. 1,2 km nördlich von Grab 1 befindet sich das Hügelgräberfeld Männige Berge.

Beschreibung

Das erhaltene Grab 1
Der Hünenstein besitzt eine flache Hügelschüttung mit einer Länge von 17 m und einer Breite von 15 m. Darin liegt eine ost-westlich orientierte Grabkammer mit einer Länge von 4,5 m und einer Breite von 2,2 m. Diese besaß in ihrem ursprünglichen Zustand vier Wandsteinpaare an den Langseiten, je einen Abschlussstein an den Schmalseiten und drei Decksteine. In situ stehen nur noch die beiden Abschlusssteine. An den Langseiten haben sich jeweils zwei Wandsteine erhalten, von denen sich aber keiner mehr an seiner ursprünglichen Position befindet. Von den Decksteinen ist lediglich der östlich noch vorhanden. Dieser ist ins Innere der Kammer gestürzt.

Das erhaltene Grab 2

Der Steenberg besitzt eine ovale, westnordwest-ostsüdöstlich orientierte Hügelschüttung mit einer Länge von 30 m und einer Breite von 10 m. Von der steinernen Umfassung sind nur noch im Süden und Westen Reste erhalten. Gemäß der Rekonstruktion von Ernst Sprockhoff besaß die Grabkammer in ihrem ursprünglichen Zustand 15 Wandsteine an der nördlichen Langseite, 14 an der südlichen, je einen Abschlussstein an den Schmalseiten, 14 Decksteine und einen Gang an der Mitte der Südseite, der aus vier Wandsteinpaaren und drei Decksteinen bestand. Die Kammer ist somit als Ganggrab anzusprechen. Ihr Zerstörungsgrad ist recht hoch. Die meisten Wandsteine der Kammer fehlen und von den erhaltenen stehen die meisten nicht mehr an ihrer ursprünglichen Position. Elf Decksteine sind noch erhalten. Sie sind aber teilweise gesprengt und alle ins Innere der Kammer gestürzt. Vom Gang haben sich noch vier Wandsteine erhalten, davon die beiden äußeren in situ. Die Decksteine fehlen.

Das zerstörte Grab 3
Das dritte Grab ist nur aus einem Bericht Heinrich Bödikers bekannt, der es 1825 besuchte. Bereits wenige Jahre später scheint es restlos zerstört worden zu sein, denn schon Johann Karl Wächter erwähnte es 1841 nicht mehr. Bödiker stellte bei seiner Untersuchung noch mehrere Wandsteine und einen darauf ruhenden Deckstein fest. Mehrere weitere Decksteine waren bereits entfernt worden.

Literatur
 Heinrich Bödiker: Alterthümer im Amte Meppen. In: Wigands Archiv für Geschichte und Alterthumskunde. Band 2, 1827, S. 176, 178.
 Johannes Heinrich Müller, Jacobus Reimers: Vor- und frühgeschichtliche Alterthümer der Provinz Hannover. Schulze, Hannover 1893, 243–244 (PDF; 25,0 MB).
 Ernst Sprockhoff: Atlas der Megalithgräber Deutschlands. Teil 3: Niedersachsen – Westfalen. Rudolf-Habelt Verlag, Bonn 1975, ISBN 3-7749-1326-9, S. 93.
 Johann Karl Wächter: Statistik der im Königreiche Hannover vorhandenen heidnischen Denkmäler. Historischer Verein für Niedersachsen, Hannover 1841, S. 139 (Online).

Weblinks
 Großsteingrab "Spahn 1", Spahnharrenstätte
 Großsteingrab "Spahn 2", Spahnharrenstätte
 Hünenstein - Spahn I, westlich von Spahn
 Hünenstein, Spahn I
 Steenberg, Spahn II

Spahn
Spahnharrenstätte
Spahn
Spahn
Kultur (Landkreis Emsland)
Bodendenkmal in Niedersachsen


Was he swan of the officers involved?
Special Constables collared a swan causing traffic problems on a Cambridgeshire road this morning (September 18).
In a scene reminiscent of the movie Hot Fuzz, where police capture a swan and drive off with it in a patrol car, officers rounded up the rogue bird and bundled it into the back of a police vehicle.
Details of where the incident happened have not yet been fully revealed but the officers have tweeted about it, saying: "One in custody following road rage, RTC (road traffic collision) and obstructing the highway!"
The bird, which is understood not to have been badly hurt, was later due to be picked up by animal welfare staff.
A spokeswoman in the Cambridgeshire police press office said it had been reported the swan was hit while flying, by a lorry in Station Road, St Ives and had landed on a bridge nearby.
The exact details of the incident were not yet available, but it draws parallels with the 2007 British police comedy Hot Fuzz where there's a swan loose in Sandford.


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The Faces of Those We Serve". Photographed at our annual city wide Thanksgiving meal for the homeless. Photos by Michael Schoenfeld.
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What's that, you've never heard of the digital disconnect? The digital disconnect is the gulf in communication between those raised in an online, constantly-connected environment and those who came before them.
It's digital natives versus outsiders.
It's virtual reality versus playing outside.
It's smart phones versus flip phones.
It's the perception that the older generations' learned and – therefore, sometimes hesitant – approach to new technology and the resulting new social attitudes is not compatible with the younger generations' seemingly innate skill and fluency in everything online.
It's entirely natural. At any time in history, the younger generation is always the vanguard of what's fashionable, and consumer technology (think smart phones and social media) is nothing if not fashionable.
It's the current generation gap.
The 1950's had Elvis Presley and his hips and James Dean's rebel. The aughties (2000 – 2009) and twenty-tens (what do we call this decade?) have produced children addicted to their devices.
In many ways, it's a gaping void of our own creation. How many times have you seen parents slip their iPhone to their screaming child when standing in a checkout aisle in the supermarket? (When was the last time you did this?) Not too long ago, embarrassed parents of screaming children would buy one of the many candy bars conveniently on display at the checkout for precisely that reason.
We've all seen it – parents frequently use their smartphones as digital nannies to quiet the youngest of children whenever it's absolutely necessary convenient. And the children respond positively to the stimulus of the shiny device with bright moving pictures. And before you know it, that's the only thing that will quiet junior.
And when junior – being a quick learner, as all children are – masters the device, the parents suddenly notice that maybe he or she is doing more than just watching approved videos. And then the parents discover that junior is an iPhone power user – while they are several layers below him in the skill rankings. It's now when the reality of the digital disconnect hits home.
Join us on Twitter August 18, as we join an all-star cast of security experts to discuss the digital disconnect and how you can shrink the in your own family to everyone's mutual satisfaction – even the teenagers' in your home.
As always, the folks at StaySafeOnline and StopThinkConnect organized a great event. In case you missed it, here are some of the highlights of the fast-paced discussion about bridging the digital disconnect between digital kids and their less-than-digital parents.
Q1: What is this disconnect? What are some differences between how kids connect to the world around them & how parents did/do?
Many of the most popular #apps & services teens use involve visual components like video chat, photos & live streaming. Q3: How can parents help their teens enjoy these #apps but in a safe, responsible way?
Q4: What are the #privacy implications of not using these new platforms safely & securely? What should kids consider when using video-, photo- and live-streaming-driven apps?
Q5: How can parents teach their kids about #account & #device #security? What resources can they use?
Q6: What can parents do beyond implementing #tech rules to help their kids be #safe #online?
Q9: How can parents help their kids be prepared to handle their friends coming to them for help with #online issues?
Q10: How can parents establish safe, trusting, non-blaming environments so their teens feel comfortable discussing #online issues?
Although they may disagree on a lot, parents & teens both care about avoiding #IDtheft, protecting devices & accounts & avoiding scams. Q11: How can this be an opportunity for kids & parents to learn about #onlinesafety together? Where can they go for help?
You can also check out the entire Twitter #ChatSTC at Stop.Think.Connect.
Sticky Password recommends using a password manager and activating multi-factor authentication (two-factor authentication) where available for the sites and applications you use.


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Home » News » Fans Complain That DMR Is Making Call Of Duty: Warzone 'Unplayable'
Fans Complain That DMR Is Making Call Of Duty: Warzone 'Unplayable'
Call of Duty: Warzone is no stranger to balance issues – most live-service FPS' aren't – but integrating a new weapon from another game entirely seems to have tipped the scales once more, sparking outrage. A Reddit post has gained traction after calling Warzone 'unplayable' due to the addition of the DMR.
What is the DMR? It's a semi-auto tactical rifle that plenty of players now have horror stories about encountering. One user, by the name of FTwrath, said, "Dropped with randoms and we killed 2 squads, got loadout and pushed circle. Then ran into this DMR Trio that just held us down. 6 shots and I was dead as was my teammate in the kill cam. It's not even fun anymore."
The DMR does a hefty amount of damage, can fire off at long range, and tears through teams, as one player pointed out, "There's no more 'oh shit I'm being shot at.' It's 'downed by a DMR from xxx direction.' This is getting ridiculous."
Perhaps, given the backlash and feedback from fans, the DMR will get a bit of a tune-up from Activision to try and bring balance back to the Warzone. A patch, at this point, is inevitable. However, it's not the only weapon from Cold War to tilt the scales, and it likely wont be the last.
The akimbo Diamatti is also becoming a must that many players are using, and these new inclusions are quickly rendering older weapons useless, whether it's the bruen, grau, or kilo. If Activision manages to bring back balance, perhaps players will go back to the guns of old, but right now, there's just not much point if you want to stand a chance of a having a fair fight.
Trying to integrate Cold War with Warzone is a tricky job because it means that developers have to balance guns in one game only for a different team to have to re-work them for the other. The competitive multiplayer nature of a battle royale is vastly different to the more close-knit, faster-paced, tighter gunfights of traditional shooters, and so perhaps lugging a weapon from one to the other willy nilly without considering the key differences in the types of FPS' that both Call of Duty's play into isn't the best way to go.
Next: Cyberpunk 2077 Speedrunner Uses Cyberware To Outrun Vehicles
Black Ops: Cold War
Tagged Complain, DMR, Fans, is, Maki, That
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Healthy and safe workplaces are fundamental to achieving productive work and high quality working lives.
At Electrolux Professional safety is on everyone's agenda, being a component of every project and involving all company functions, as well as external partners and stakeholders.
The objective is to protect and improve workplace safety achieving the "zero risk target" in all plants and manufacturing sites worldwide.


Getting super jiggy with it, Tali comes correct with lyrical prose on top of the rolling drum & bass beats that the Full Cycle crew is known for. The high-energy jump-up tracks on this album will grab you by the pants and make you twerk your monkey, whether or not you are a huge fan of breakbeat. Even the slower, chill tunes transport you to a place where the sun always shines and mimosas magically pour themselves down your throat. With a hint of R&B and vocal stylings unlike any of the current crop of overly aggressive MCs, Tali's Lyric on my Lip doesn't lie. These beats got on my lip, on my brain and even in my pants.
Lyrics Born Overnite Encore: Lyrics Born Live!


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Q: How to generate Visual Studio Projects programmatically in my windows application? I'm developing some generator application and I need to generate Visual Studio Projects with some configuration (Like a MVC 3 project), is there anyway to do so? thanks

A: A Visual Studio project file is simply an XML document.  So as long as you get the syntax and structure correct, you can generate it any way you please.
You can also programmatically create project files using the Visual Studio Automation Object Model (DTE).  There is a good getting started guide here: http://msdn.microsoft.com/en-us/library/ms228767(v=vs.110).aspx

A: You might want to take a look at CMAKE to see how they are doing this - they do generate Visual Studio Projects among many others and have the source available. So yes, it should be possible.


Harvard University accused of giving poor scores to Asian American applicants on personality traits during admission process.
India leads the list of fastest growing economies to 2026, Uganda takes second spot.
Harvard institute renamed as the Lakshmi Mittal South Asia Institute after $25 million fund.


Intro: Take one robot, render it impregnable, and add one batch of unscrupulous scientists, and a large plot to blackmail the world. Season with a Time Lord and his loyal assistant. Add a bit of brigadier and a pinch of naval doctor. Stir well for two hours. The result: who knows, or I should say, Who knows?


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HomeVideos What I would tell my younger self
What I would tell my younger self
Online Marketer World Jul 06, 2022comments off
#garyvee #shorts
Gary is considered one of the leading global minds on what's next in culture, relevance and the internet. Known as "GaryVee" he is described as one of the most forward thinkers in business – he acutely recognizes trends and patterns early to help others understand how these shifts impact markets and consumer behavior. Whether its emerging artists, esports, NFT investing or digital communications, Gary understands how to bring brand relevance to the forefront. He is a prolific angel investor with early investments in companies such as Facebook, Twitter, Tumblr, Venmo, Snapchat, Coinbase and Uber.
Gary is an entrepreneur at heart — he builds businesses. Today, he helps Fortune 1000 brands leverage consumer attention through his full service advertising agency, VaynerMedia which has offices in NY, LA, London, Mexico City, LATAM and Singapore. VaynerMedia is part of the VaynerX holding company which also includes VaynerProductions, VaynerNFT, Gallery Media Group, The Sasha Group, Tracer, VaynerSpeakers, VaynerTalent, and VaynerCommerce. Gary is also the Co-Founder of VaynerSports, Resy and Empathy Wines. Gary guided both Resy and Empathy to successful exits — both were sold respectively to American Express and Constellation Brands. He's also a Board Member at Candy Digital, Co-Founder of VCR Group, Co-Founder of ArtOfficial, and Creator & CEO of VeeFriends. Gary was recently named to the Fortune list of the Top 50 Influential people in the NFT industry.
In addition to running multiple businesses, Gary documents his life daily as a CEO through his social media channels which has more than 34 million followers and garnishes over 272 million monthly impressions/views across all platforms. His podcast 'The GaryVee Audio Experience' ranks among the top podcasts globally. He is a five-time New York Times Best-Selling Author and one of the most highly sought after public speakers.
How to Use Mobile Devices to Market to Millennials
If your product or service reaches people via a mobile device, then you have to market it appropriately. Approximately 45% of all shopping is conducted on mobile devices, with the majority of Millennials (those born between 1981 and 1997) using a mobile device. But what exactly does this mean for your company? Obviously, marketing your products and services on a mobile device isn't the same thing as sending out direct mail, but it does have its advantages.
Content marketing is an ongoing strategy that builds a library of relevant and useful information. By consistently producing content for the internet, marketers can improve their search engine rankings and create brand awareness. In addition to that, their content can also be shared via social media and email. With a good content strategy, you can build trust with your customers and make many sales in the long run. Moreover, you can even produce videos or write ebooks. Regardless of your skills, you can make your content easily shareable and relevant to your target audience.
Display advertising uses videos to convey a message. In this form of marketing, companies pay publishers for clicks or views of their ads. It is an organic and low-cost way of buying attention, but the quality of the attention you get will depend on how well your ads are designed. Fortunately, there are many ways to make display ads successful. The best method is to choose a way that will get the most attention. In the case of a mobile app, a company's ads can stay with a user for months or even years, providing they can be tailored to a particular user's interests.
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Stop letting fear and insecurity stop you from doing!
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© 2022 Online Marketer World


I'm extremely disappointed the Peanut Butter and Grape Jelly Candwich didn't gross me out. I had high expectations that every bite I took of it would be a regrettable one, making me pause between bites so that my stomach could decide whether or not to allow the chewed pieces of food to go into my intestines or come back out from whence they came.
I wanted the Candwich to be a complete hermetically-sealed peanut butter and jelly sandwich in a can with a shelf life of 25 years, but instead the can contains the ingredients to build a peanut butter and jelly sandwich and it has a shelf life of one year.
Come on, America! This is the 21st century and we have preservative technology that goes way beyond the salting and pickling that our forefathers used. If Germany can create a cheeseburger in a can, then why can't we have a complete peanut butter and jelly sandwich in a can?
What comes in a Candwich can are the four basic items you need to make a peanut butter sandwich: bread, peanut butter, jelly, and a knife. There's also one basic item you need to include to make it appealing to children — a piece of Wonka's Cherry Laffy Taffy. And, the can also includes one must have item if you're going to put bread in a can and have it last for more than a year — a packet of oxygen absorbing FreshPax.
I would tell you more about FreshPax, but that would involve me reading about science, which hurts my brain. So click here if you want to learn more.
As you can see in the photo above, the bread is basically a hot dog bun, albeit a little bigger than your standard hot dog bun. However, unlike a hot dog bun, the bread is not pre-cut. So thank goodness for the included plastic knife. The packets of peanut butter and jelly contain ample amounts of spreadable condiments, so much so that if there was another piece of bread in the container there would've been enough for two sandwiches.
However, I'm glad there wasn't a second sandwich, because I had a slightly hard time getting through one.
As for the Wonka Cherry Laffy Taffy, I have to say it makes a decent Candwich chaser.
According to the packaging, Candwiches are "Great for School Lunch" and "KIDS Love Them." I'm sure they're great for school lunches and, mathematically, there have to be kids who love them, but I don't think I would give my child a Candwich, if I had children. Sure, a Candwich would give children the opportunity to build their lunch, but don't kids have enough to build nowadays, like Lego kits, iTunes playlists, dioramas, and relationships with their classmates.
Also, I don't know if I'd trust some kids with a plastic knife. If they're clever and stuck with a Candwich they don't want, they could not only use the knife to cut the bread and spread the peanut butter and jelly, they could also use it to threaten a classmate to trade lunches with them.
Pros: Tolerable. Packets contain enough PB & J for two sandwiches. Cherry Laffy Taffy makes a decent Candwich chaser. Comes with a knife to cut bread, spread condiments, and threaten others for their food.
Cons: Not a complete hermetically-sealed peanut butter and jelly sandwich in a can. Only one year shelf life. Eating bread that has a long shelf life is weird. Peanut butter and jelly are really bland. Bread is not pre-cut.
I managed to live my whole life without seeing these, last night I stumble upon them and then here you are reviewing them today!
Just wanted to say how terribly disappointed I was to discover that Candwiches were NOT candy sandwiches.
Yeh this doesnt look the most appetising of PB & J sandwiches I must admit, and the PB isnt crunchy! I love crunchy PB its the only thing for me!
I don't think crunch peanut butter would help this.
I think it's the oxygen absorbing packet that does most of the mold-repelling work. It's like magic.
What's crazy is for less calories you could eat two whole Supreme Pizza Lean Pockets. However you'd be known as "that kid who eats Lean Pockets" instead of "the awesome kid with a sandwich in a can".
I think my future kid would threaten the kid for his/her Lean Pockets if he/she had a Candwich.
You are brave. I have to try one of these. Next I propose a Monte Cristo sandwich in a can, complete with portable deep fryer and powdered sugar packet.
I'd like to see Subway sandwiches packed in small subway cars.
Something about Hot Dog bread that just. Urrggh. I can feel it curling in my stomach ready to rip it open as I type this.
PBJ+Hot Dog bread = bathroom disaster in the making.
I thought they were – OK – but I would grade it in the same general vicinity as you did. I still have a couple left from when I ordered mine so I won't be entering your drawing.
Someone's getting Candwiches for Christmas.
How is it that the Tactical Sammich lasts only a year longer, and yet sounds like it is exponentially more disgusting than the Candwich?
Don't forget, it's more expensive too.
Yeah, yeah, rub it in.


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Make Mine Music
Original theatrical release poster
Clyde Geronimi
Hamilton Luske
Joshua Meador
Robert Cormack
James Bordrero
Homer Brightman
Erwin Graham
Eric Gurney
T. Hee
Sylvia Holland
Dick Huemer
Dick Kelsey
Jesse Marsh
Tom Oreb
Cap Palmer
Erdman Penner
Harry Reeves
Dick Shaw
John Walbridge
Nelson Eddy
Jerry Colonna
Andy Russell
David Lichine
Tania Riabouchinskaya
The Pied Pipers
The King's Men
The Ken Darby Chorus
Eliot Daniel
Ken Darby
Charles Wolcott
Oliver Wallace
Edward Plumb
RKO Radio Pictures, Inc.
April 20, 1946 (1946-04-20) (Premiere-New York City)[1]
August 15, 1946 (1946-08-15) (U.S.)[1]
$1.35 million[2]
$2.25 million (US rentals)[3]
Make Mine Music is a 1946 American animated anthology film produced by Walt Disney and released to theatres on April 20, 1946. It is the 8th Disney animated feature film.
During the Second World War, much of Walt Disney's staff was drafted into the army, and those that remained were called upon by the U.S. government to make training and propaganda films. As a result, the studio was littered with unfinished story ideas. In order to keep the feature film division alive during this difficult time, the studio released six package films including this one, made up of various unrelated segments set to music. This is the third package film, following Saludos Amigos and The Three Caballeros. The film was entered into the 1946 Cannes Film Festival.[4]
Film segments
This particular film has ten such segments.
The Martins and the Coys
This segment featured popular radio vocal group, The King's Men singing the story of a Hatfield-McCoy feud in the mountains broken up when two sole surviving young people from each side fell in love. This segment was removed from the NTSC home media version due to graphic gunplay, while in the PAL home media version, it was kept.
This segment featured animation originally intended for Fantasia using the Claude Debussy musical composition Clair de Lune from Suite bergamasque. It featured two egrets flying through the Everglades on a moonlit night. However, by the time Make Mine Music was released Clair de Lune was replaced by the new song Blue Bayou, performed by the Ken Darby Singers. However, the original version of the segment still survives.
All the Cats Join In
This segment was one of two sections in which Benny Goodman and his Orchestra contributed the soundtrack to visuals drawn by a pencil as the action was happening, and in which 1940s teens were swept away by popular music.
This segment was a ballad of lost love, sung by Andy Russell.
Casey at the Bat
This segment featured Jerry Colonna, reciting the poem also titled "Casey at the Bat" by Ernest Thayer, about the arrogant ballplayer whose cockiness was his undoing. A few moments are exaggerated or altered and music is added.
Two Silhouettes
This segment featured two rotoscoped live-action ballet dancers, David Lichine and Tania Riabouchinskaya, moving in silhouette with animated backgrounds and characters. Dinah Shore sang the title song.
Peter, Ivan the cat and Sascha the bird realize that they have crossed the line upon meeting the wolf. Sonia the duck remains oblivious
This segment was an animated dramatization of the 1936 musical composition by Sergei Prokofiev, with narration by actor Sterling Holloway. A Russian boy named Peter sets off into the forest to hunt the wolf with his animal friends: a bird named Sascha, a duck named Sonia, and a cat named Ivan. Just like in Prokofiev's piece, each character is represented with a specific musical accompaniment: Peter by the String Quartet, Sascha the Bird by the Flute, Sonia the Duck by the Oboe, Ivan the Cat by the Clarinet, Grandpa by the Bassoon, the shooting of the Hunters' guns by the Kettledrums, and the evil Wolf primarily by horns and cymbals.
This segment again featured Benny Goodman and The Goodman Quartet as six anthropomorphized instruments (Piano, Bass, Snare and bass Drums, Cymbal and Clarinet) who paraded through a musical playground.
Johnnie Fedora and Alice Bluebonnet
This segment told the romantic story of two hats who fell in love in a department store window. When Alice was sold, Johnnie devoted himself to finding her again. They eventually, by pure chance, meet up again and live happily ever after together, side by side. The Andrews Sisters provided the vocals. Like the other segments, it was later released theatrically. It was released as such on May 21, 1954.[5]
The Whale Who Wanted to Sing at the Met
The bittersweet finale about a Sperm Whale (named Willie) with incredible musical talent and his dreams of singing Grand Opera. A legend is spread throughout the city that there is an operatic whale, but is seemingly disproven, therefore the short-sighted impresario Tetti-Tatti believes that the whale has swallowed an opera singer and sets out to "rescue" his non-existent quarry, the newspapers announcing that he was going to sea. Whitey, Willie's seagull friend, excitedly brings Willie the newspaper, all of his friends believing that this is his big chance, so he goes out to meet the boat and sing for Tetti-Tatti. He finds them, and upon hearing Willie sing, Tetti-Tatti comes to believe that Willie has swallowed not one, but THREE singers (due to his having three uvulae), and chases him with a harpoon on a boat with three crewmen. Upon hearing the whale sing, the crewmen try to stop Tetti-Tatti from killing the whale, as they want to continue listening to him sing, even to the point of sitting on Tetti-Tatti. A montage then follows of what would be Willie's future career in performing opera on the stage of the Met, with Tetti-Tatti shown to have been finally convinced. In the end, reality strikes when Tetti-Tatti succeeds in harpooning and killing Willie, but the narrator then explains that Willie's voice will sing on in Heaven. Nelson Eddy narrated and performed all the voices in this segment. As Willie the Whale, Eddy sang all three male voices in the first part of the Sextet from Donizetti's opera, Lucia di Lammermoor.
Nelson Eddy Narrator; characters (The Whale Who Wanted to Sing at the Met)
Dinah Shore Singer (Two Silhouettes)
Benny Goodman Musician (All the Cats Join In/After You've Gone)
The Andrews Sisters Singers (Johnnie Fedora and Alice Bluebonnet)
Jerry Colonna Narrator (Casey at the Bat)
Sterling Holloway Narrator (Peter and the Wolf)
Andy Russell Singer (Without You)
David Lichine Dancer (Two Silhouettes)
Tania Riabouchinskaya Dancer (Two Silhouettes)
The Pied Pipers Singers
The King's Men Singers (The Martins and the Coys)
The Ken Darby Chorus Singers (Blue Bayou)
Theatrical and home video releases
Make Mine Music was initially released in theaters in 1946. Like many other package features of the 1940s, it was never given a wide theatrical reissue. Instead, its distinct segments were separated and released as separate short films or used as segments in Disney television programmes.
Make Mine Music was originally released on Laserdisc in Japan on October 21, 1985. It was released on VHS and DVD in the US on June 6, 2000 under the Walt Disney Gold Classic Collection line. This release was edited to remove The Martins and the Coys, because it had graphic gunplay not suitable for children. The Japanese Laserdisc includes none of the edits made to the VHS/DVD versions. An unedited version of the film was released on DVD in the United Kingdom in 2013, having been previously unavailable until that point.
Outside of North America, Make Mine Music has been largely unavailable on DVD and VHS. This and The Adventures of Ichabod and Mr. Toad are the only two films in the Disney Animated Classics canon never to see a release on Region 4 DVD in Australia.
List of animated feature films
1 2 "Make Mine Music: Detail View". American Film Institute. Retrieved April 29, 2014.
↑ Stengel, Fred (September 12, 1945). "Variety". p. 4.
↑ "60 Top Grossers of 1946", Variety 8 January 1947 p8
↑ "Festival de Cannes: Make Mine Music". festival-cannes.com. Retrieved 2009-01-03.
↑ "Johnny Fedora and Alice Bluebonnet" (in French). Retrieved 2010-12-03.
Make Mine Music at the Internet Movie Database
Make Mine Music at The Big Cartoon DataBase
Make Mine Music at Rotten Tomatoes
Films directed by Clyde Geronimi
Victory Through Air Power (1943)
The Three Caballeros (1944)
Make Mine Music (1946)
Melody Time (1948)
The Adventures of Ichabod and Mr. Toad (1949)
Lady and the Tramp (1955)
One Hundred and One Dalmatians (1961)
Films directed by Hamilton Luske
The Reluctant Dragon (1941)
Saludos Amigos (1942)
Fun and Fancy Free (1947)
Ben and Me (1953)
Donald in Mathmagic Land (1959)
Disney theatrical animated features
Snow White and the Seven Dwarfs (1937)
The Sword in the Stone (1963)
The Jungle Book (1967)
The Aristocats (1970)
The Many Adventures of Winnie the Pooh (1977)
The Rescuers (1977)
The Fox and the Hound (1981)
The Black Cauldron (1985)
The Great Mouse Detective (1986)
Oliver & Company (1988)
The Little Mermaid (1989)
The Rescuers Down Under (1990)
Fantasia 2000 (1999)
Dinosaur (2000)
The Emperor's New Groove (2000)
Atlantis: The Lost Empire (2001)
Treasure Planet (2002)
Brother Bear (2003)
Home on the Range (2004)
Chicken Little (2005)
Meet the Robinsons (2007)
Bolt (2008)
The Princess and the Frog (2009)
Tangled (2010)
Winnie the Pooh (2011)
Wreck-It Ralph (2012)
Big Hero 6 (2014)
Zootopia (2016)
Moana (2016)
Wreck-It Ralph 2 (2018)
Frozen 2 (TBA)
Live-action films
with animation
Song of the South (1946)
Bedknobs and Broomsticks (1971)
Pete's Dragon (1977)
Who Framed Roger Rabbit (1988)
Enchanted (2007)
DisneyToon Studios
DuckTales the Movie: Treasure of the Lost Lamp (1990)
A Goofy Movie (1995)
The Tigger Movie (2000)
Return to Never Land (2002)
The Jungle Book 2 (2003)
Piglet's Big Movie (2003)
Pooh's Heffalump Movie (2005)
Bambi II (2006)
Planes (2013)
Other Disney units films
James and the Giant Peach (1996)
Doug's 1st Movie (1999)
Recess: School's Out (2001)
Teacher's Pet (2004)
Mars Needs Moms (2011)
Frankenweenie (2012)
Strange Magic (2015)
Unproduced films
List of feature films
Traditionally animated
Live-action/animated
Computer-animated
Upcoming films
Associated productions
Edwin Catmull
Roy Conli
Don Hahn
Thomas Schumacher
David Stainton
Disney's Nine Old Men
Les Clark
Marc Davis
Ollie Johnston
Milt Kahl
Ward Kimball
John Lounsbery
Wolfgang Reitherman
Disney animators' strike
Disney Renaissance
Methods and
12 basic principles of animation
Computer Animation Production System
Disney Animation: The Illusion of Life
Multiplane camera
Frank and Ollie (1995)
The Sweatbox (2001)
Dream On Silly Dreamer (2005)
Waking Sleeping Beauty (2009)
Other Disney
animation units
Disney Television Animation
DisneyToon Studios (Unit of WDAS)
Lucasfilm Animation
Marvel Animation
Circle 7 (defunct)
Alice Comedies
Laugh-O-Gram Studio
List of Disney animated shorts
List of Disney theatrical animated features
unproduced
Oswald the Lucky Rabbit
Mickey Mouse (film series)
Silly Symphonies


Wheels 36,what difference would prime parking make?had another ship next to ours I think,mind you after all those ports can't remember which port was where.
Arrived home from canaries Friday,lovely time on board,no treats for our little girl,but she made up for it with endless chocolate muffins,kids never bothered with kids club:(. My gripe is that there were too many passengers full capacity over 4000! Ventura looks a bit scruffy in places,the posters peeling of the wall in Havana bar,carpets a bit dirty,the cabin was dusty the light bulbs in bedside lamps, the little shelf where the shower/soap goes had black dirt in,loo seat brown stains on,applied to our kids cabin as well so not just a one off,the cabin stewardess was a nice lady but lacking cleaning skills,we spoke to a crew member who said there was no time to replace all the toilet seats while in port,poor excuse. We will go on another cruise next year,may try another cruise line and smaller ship.
Sorry to hear that Sinbad 10,makes you feel quite resentful towards P&O.
I can understand why the younger ones should be signed in& out,but our daughter will be almost 13 so at secondary school,P&O will not change the rules though.
Just caught up with this,e-ticket says embark at 14.00,so...what time is best to arrive at car park?
Thankyou All, I really am not an old misery,love a good atmosphere.
Thank you,will take a look.
Morning cruisers, Just wondering about the trips once we dock,they are expensive as there is 4 of us(16&12) will we miss out by just taking the shuttle bus to local places?
Don't I know it Ron mind you ours were quiet really,still are.... with heads down looking at phones. Was on another site and the family are taking a baby who is teething,hope the people in the next cabin get some sleep.
Perhaps next time book a fly/ cruise.
Hi cruisers, I am a new member and taking our first family cruise to the canaries in August,just wondering if it is noisy on board a ship,with people talking and all that?