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text:
Home » Uncategorized » Suffer the little chldren
Suffer the little chldren
On Fargo's west side–in the general vicinity of 15th or 18th streets, depending on where you are–there is a swath of unbuilt land with an open concrete trough at its bottom. A century ago that was Long Lake, a seasonal body of water that defined the city's western edge. On maps today, it's called County Drain #3 and serves the inner city as valuable open space for soccer or just walking the dog.
In the 1880s Long Lake often held enough water to be fished and attracted wildlife as a supplement to the boomtown diet. Lest you think it was an unqualified urban amenity, however, let me tell you a story–a true one–about its consequences for two Fargo families living near its edge.
Fall, 1882
Ten years or so into its urban life, Fargo had grown steadily westward along the NP right-of-way. Just west of Long Lake on Seventh Avenue, a wheel manufactory had opened and other industries were the topic of speculation in a decade that may have been our most speculative. In this boomtown mentality, speculators bought property at breakfast, sold it at lunch, and bought it back again during dinner–all at a profit. I suppose the real estate bubble burst, eventually, but with less disastrous results than our own recent meltdown. Little stood in the way of unbridled exploitation.
Between Thirteenth Street (now University Drive) and Long Lake, William Bruce Douglas developed six blocks as "Douglasville," a neighborhood with a wide range of residents, from railway trainmen and butchers to attorneys and self-identified "Capitalists." Among them were Frank and Susan Irons and their neighbors Richard and Emma Birge. In the Fargo of 1882, everyone was from somewhere else: Frank Irons was born in Illinois; Richard Birge hailed from Connecticut. Both arrived with wives and children–quite a lot of the latter, until the fall of that year, that is. In the meantime….
The city had no organized program for waste removal. So getting rid of stuff was open season on the environment, not a good thing when you consider all transport was poop-powered (horses, oxen, etc), livestock were permissible within city limits (cows, chickens, etc.), and slaughtering was a daily necessity for a rapidly expanding population without refrigeration. All that offal and shit had to go somewhere. By late summer, Long Lake was a bubbling morass of decomposing animal waste of every sort.
The Fargo Argus noted in late October and again in early December the outbreak of an unexplained fever in the vicinity of Douglasville. The Birge and Irons families lost five children; Mrs Birge nearly joined them. But it was an early winter and the cemetery was inaccessible, so Rev B. F. Cooley offered the site of Gethsemane Episcopal church at Third Avenue and South Ninth Street as a burial place for Charles and Peretic Irons and Fred, Ward and Vesta Birge. They were all under ten; Fred had sung in the Gethsemane choir. By definition, life is ironic, so it will come as little surprise that: #1) no one was fined for dumping in Long Lake; "germ theory" still being in its formative stages, no one connected the stench of Long Lake with the presence of disease along its shore; and #2) Father Cooley was fined $50, quite a penalty in 1882, for the illegal interment of five innocents on his church property.
The children's eternal rest has been intermittent. Construction of Gethsemane Cathedral in 1892 and of a social hall in the 1950s disturbed their sleep. And they moved once again in 1991 when the church sold its center-city property for a courthouse parking lot. The Irons and Birge families had long since left these parts (by about 1900), one imagines with mixed emotions about what and who they had to leave behind.
There's a story here that's real and plenty of inspiration for one that won't be.
By agincourtiowa in Uncategorized on Thursday/02/December/2010 .
← NRHP	1918 →

redpajama_set_name: RedPajamaCommonCrawl


I always thought Zara Larsson was a cute girl but hot damn!!! Who knew she had such a banging body? Seriously, girl is a serious smoke show. She even has me a little hot and bothered.
Just days after premiering "Ruin My Life," the 20-year-old Swedish singer shares the accompanying visual. And it's a sizzler. Like the song itself which is a confident, charismatic, and catchy anthem, the clip is a hypnotic high-energy affair. She serves major body as she rocks multiple outfits. Clearly, she's been hitting the gym.
Check out her "Ruin My Life" music video below. Already liked the song before, but the clip has me loving it even more.


text:
Estimating Age-Dependent Extinction: Contrasting Evidence from Fossils and Phylogenies.
Hagen O, Andermann T, Quental TB, Antonelli A, Silvestro D
Syst. Biol. 67 (3) 458-474 [2018-05-01; online 2017-10-27]
The estimation of diversification rates is one of the most vividly debated topics in modern systematics, with considerable controversy surrounding the power of phylogenetic and fossil-based approaches in estimating extinction. Van Valen's seminal work from 1973 proposed the "Law of constant extinction," which states that the probability of extinction of taxa is not dependent on their age. This assumption of age-independent extinction has prevailed for decades with its assessment based on survivorship curves, which, however, do not directly account for the incompleteness of the fossil record, and have rarely been applied at the species level. Here, we present a Bayesian framework to estimate extinction rates from the fossil record accounting for age-dependent extinction (ADE). Our approach, unlike previous implementations, explicitly models unobserved species and accounts for the effects of fossil preservation on the observed longevity of sampled lineages. We assess the performance and robustness of our method through extensive simulations and apply it to a fossil data set of terrestrial Carnivora spanning the past 40 myr. We find strong evidence of ADE, as we detect the extinction rate to be highest in young species and declining with increasing species age. For comparison, we apply a recently developed analogous ADE model to a dated phylogeny of extant Carnivora. Although the phylogeny-based analysis also infers ADE, it indicates that the extinction rate, instead, increases with increasing taxon age. The estimated mean species longevity also differs substantially, with the fossil-based analyses estimating 2.0 myr, in contrast to 9.8 myr derived from the phylogeny-based inference. Scrutinizing these discrepancies, we find that both fossil and phylogeny-based ADE models are prone to high error rates when speciation and extinction rates increase or decrease through time. However, analyses of simulated and empirical data show that fossil-based inferences are more robust. This study shows that an accurate estimation of ADE from incomplete fossil data is possible when the effects of preservation are jointly modeled, thus allowing for a reassessment of Van Valen's model as a general rule in macroevolution.
DDLS Fellow
Tobias Andermann
PubMed 29069434
DOI 10.1093/sysbio/syx082
Crossref 10.1093/sysbio/syx082
pii: 4563320
pmc: PMC5920349
Dryad: 10.5061/dryad.r5f70


What Do Editors Look For in a Freelance Writer?
When I was editing the alumnae magazine at my alma mater, I was asked the question "What do you look for in a freelance writer?" My answer, I'm sorry to say, was, "That depends." It depends on the theme of the issue. It depends on what kind of story I'm looking for. Are you better at people profiles, at straight reporting, at writing ad copy? Or, maybe you contacted me with a great story idea that I can't refuse.
I can't tell you what every editor looks for in a writer, but I can tell you what skills I appreciated in the writers whose stories I edited. I came up with these three qualifications, which help me when I'm pitching to editors. I hope they help you too!
Can you do tech writing? How about copywriting for Facebook ads? Maybe you can read about what happened in the Supreme Court last week and translate it for a reader that doesn't speak legalese. If you make it clear that you can offer expertise in a challenging area, I'm more likely to offer you freelance work. You are inserting your expertise into my gaps in expertise. And that's valuable to me.
Say you didn't contact me with a bang-up story idea I couldn't resist. Say you sent me some writing samples and asked me if I could use you for regular freelance work. I'm more likely to say yes if I can see that you've written a wide variety of stories on different topics and in different styles. Can you write a story about a staff member for a campus newsletter, then turn around and write about scientific research as it relates to the average person? You're in.
I can't say it enough: proof and proof and proof again. I was recently on a hiring committee that was reviewing resumes for a social media position. The minute someone noticed a typo, that resume was in the trash. If you are putting your best foot forward, and you type "summery" instead of "summary," that's not a good portent of things to come. Editors notice mistakes. It's their job. Proof your writing samples and your query letter. Then have someone else proof them. As your editor, I want to know I can trust you to be accurate (and, frankly, to not create more work for me).
Bonus points if you see that my publication adheres to Chicago Style and you make mention of your familiarity with Chicago style in your query.
Those are three basic qualities I looked for in a freelance writer.
Tell me: What qualities do you promote when you query an editor? I'd love to hear about any feedback you've gotten from editors too!


2. There were no declarations of interest.The minutes of the previous meeting were approved. Proposed by Richard Sanderson, Seconded by Perry Gardner. All in favour.
Sandra has provided simplified versions of the Project Plan, sub divided into our Sub Groups. Action Ref: 12/02 CompletedEach Sub group now urgently needs to work on their Project Plan and convene a meeting so that they can provide a progress report to the Steering Group meeting of 14 February.We went through the whole Project Plan and agreed items that were now complete and others which require amended due dates. Sandra will update the Main Project Plan. Marjorie will be asked if she can provide the short write up to us for insertion into the final plan.
The Statement of costs to date had been distributed to the group, the format now meets that required by Gillian. There were no issues with the budget.
Action ref: 12/10 – Perry informed us that he and Chris L are having a meeting with Purple Creative on Wednesday 25th January re Stakeholders.It was proposed that all contact with Purple Creative should be by either Chris & Perry only as too many people contacting them was confusing for them.Distribution of the survey was discussed, Leyburn distribution will be via Leyburn Life.
Karin volunteered to distribute to Harmby & Spennithorne with the help of Gillian. It was agreed that we should also distribute by hand to Middleham.We have invited Parish councillors to an informal meeting on Thursday 26 January at Thornborough Hall to start at 7pm. Sandra has sent an email and Ian will chase up by phone. Karin offered to invite Roger Harrison-Topham.The Drop In Event data had been received and was discussed, Richard and Nigel would look at it in greater detail for incorporation into the survey drafts. Gillian will chase up the formal report of the data from Rita.Karin read out the results from the completed 3 Questions from Charlie Barnett Wensleydale School, which the children had completed. Sandra to distribute a copy to all.Michael and Karin updated the group on their visit to one of the classes in Leyburn Primary School which had gone very well on Monday morning. Michael read out some of the suggestions from the children some of which were very sensible and achievable.
Nigel was thanked for preparing an article for Leyburn Life which is to advertise the survey coming in Spring. Ian had expanded the theme. A small adjustment was suggested and then everyone agreed the text. It will be published in the February issue of Leyburn Life.Chris L suggested that we Post the article onto Facebook as well and asked Sandra to do this.Karin suggested that Marjorie may help with creating a front cover quiz for a future issue of the Leyburn Life if Trixie were in agreement, it would be based on Leyburn town history. It was agreed that Marjorie was best qualified and knowledgeable having been busy gathering and collating the history of Leyburn which will form part of the final report.
Phil was asked to look into which places where we could display information about the coming survey.Ian suggested we ask Purple Creative to provide a Poster design for us, perhaps with a countdown to the date.It was also suggested we contact Joe Willis to publicise the coming survey.Ian suggested that once we have the final version of the survey we each take a survey to 5 Businesses and stay with them whilst it is completed.We have realised that our contract with Purple Creative needs an adjustment to cover the extra items we would like help with. Chris & Perry will discuss with them on Wednesday 25th January.Chris L explained how a Boost to a Facebook post works, Purple Creative would know when and how to activate this at the appropriate time, it is a minimal cost which the group agreed would be a spend that was well worthwhile.Karin confirmed that the date for the school Debate to be held in the Oak Room is Friday 3rd February. There is a strict timeframe which must be kept to, everyone is to be seated no later than 13.45 for the 2pm start. As there is a space restriction there is a limit of a 50/50 split of the invited audience between school children and adults.This event is not open to the public, only those invited by Karin, who is co-ordinating, may attend.Karin presented the details of how the debate would run. Dawn Accounts had agreed to provide some refreshments. The students must leave by 3.05pm to catch their buses home. This event is showcasing the children's debating skills, they have won prizes and are keen to do well. The Steering Group wanted to support them in this, hence the event being set in motion by Karin and Charlie. Ian and the group congratulated Karin on instigating this event with the school.Chris L informed us that our Web site now has it's first Blog, and thanked Nigel for writing it. They intend to continue the theme of mini interviews with local people perhaps using 'off the wall' subjects.Chris L will source a Pull Up Banner as soon as the branding is formalised with Purple Creative.Our Facebook page continues to attract a good audience considering how new it all is to those Posting and Sharing. Keep up the good work, original posts seem to attract more people than Sharing does but it is all good.Chris G updated the group on his recent presentation to Leyburn Town Council on Leyburn signage, he said that he had received encouraging feedback and would continue to research possible improvements to Leyburn signage.
Action Ref: 10/02 re prizes. Richard & Karin have a few good ideas for sourcing prizes which they will follow up and report back to the group.Richard and Nigel are working hard on the draft surveys. Richard read through one of the drafts which they have prepared from feedback already received and examples from other Town Plans. He will have a further draft ready for our next meeting.
12.Ian advised the group that Leyburn Councillor Borman had recently presented to Leyburn Town Council some issues that residents had made him aware of relating to Parking problems in Leyburn. He will be researching legalities and will liaise with our group for solutions as he knows that this is a topic we are also interested in.Ian reminded everyone that in the interest of keeping things moving along, when receiving emails on LTP business it is important to respond even if it is just to acknowledge receipt to the sender.Ian reminded everyone that we must have some Sub Group meetings before our next Steering Group Meeting.


text:
<!DOCTYPE html>

You shouldn't see this line or a yellow block.

    This test suceeds if you only see this line with a green background.

redpajama_set_name: RedPajamaGithub


It is easy to get confused or distracted by all the jargon used in strategic planning: goals, tactics, strategies, directions, objectives, issues, activities, etc. No matter what terms you use, the information in a nonprofit strategic plan is often organized in layers. Understanding the purpose of these layers reduces the importance of their names, clarifies their role in planning, and suggests that different processes are needed for strategic planning and implementation planning.
Here is a visual representation of the layers of a strategic plan. At the top are statements that are large in scope. We call them directions but they could be called goals, objectives or anything else. The name doesn't matter. Below each statement are sub-items that give a little more detail to the large statements. We typically call the items in this layer strategies. There might be more sub-items for each strategy and so on. As you go down the statements get smaller in scope and might be called actions, tactics, tasks or anything else. All these layers give different levels of detail to the plan.
All of these layers might be in the strategic plan document, but we find it helpful to differentiate between the strategy portion of this diagram and the implementation portion.
Regardless of your opinion, because these statements are broad, they can be shared by everyone in the organization. Everyone can see a place for their work in these big statements. Everyone should be contributing in some way to their success.
And, these statements are intended to be stable. They are big enough that we aren't expecting them to change much in 3-5 years. It is going to take that long to make progress on them.
Because these statements are specific, they are more specialized. Not everyone is going to have a place in each action in the implementation plan. People and departments are going to split them up and take responsibility for them accordingly.
And, these statements are much more flexible. The closer you get to the ground, the more willing you have to be to adapt your plan to changes in the landscape. Unlike the goals and strategies, we expect these more specific actions and tasks to change over the period of the strategic plan. At the beginning, we certainly don't know all of the specifics of what needs to be done to move the strategic plan forward. We must have a process to incorporate these additions and changes, otherwise the plan will become irrelevant and unused.
Sometimes a strategic plan document includes both strategy and implementation. We find it helpful to split them into two documents. Why?
First, staff and board tend to go into strategic planning with the idea that they are creating a 3-year plan or a 5-year plan (for example). It will not need substantial updates until the end of that period. This is fine for the strategy part of the plan because it is intended to be broad, stable, and shared. But, because implementation planning must be detailed, flexible, and specialized, it's not possible to create a useful 3-year or 5-year implementation plan. Implementation plans should be created for a shorter period (e.g. one year) and regularly revised. If the implementation plan is seen as a part of the 3- or 5-year plan, people are less likely to do the work to update it in the interim and it will become outdated.
In the same vein, a strategic plan is approved by the board, a process that is not very fast or flexible. Again, this is fine for the broad and stable top layers. But, changes to the implementation plan should not need approval by the board. Board approval adds a barrier to the work of the staff and bogs the board down in details they don't need.
Take a look at your last strategic plan. Does your plan have layers? How well did your organization understand the purposes of those layers? How did staff and board differentiate between strategy and implementation?


map of the Funk Zone? we have that.
The hottest neighborhood in Santa Barbara? The Funk Zone. period. end of story.
Do you need to navigate the hood? We have a map for that. If you don't have one, or would like to have them in your establishment, let us know. We have them for you.
Contact Crista Dix @ wall space gallery to get on the map, or have the map at your location. By phone 805.637.3898 or via email.
See you in the zone soon!


Discussion in 'Basses [BG]' started by Garrett Mireles, Mar 8, 2003.
A little heavy on the lows in that sound sample though, I'd boost the treble 4 notches or so.
However they have that thing run sounds perfect. I would mess with a thing. I really like everything about those basses...except the pickguard. I just wish I could find one to PLAY!
I have one. It's the shoreline gold. I love it. I just wish they were a bit more friendly with the string spacing.
That's it, right there, the bass I want. Enjoy!
The RB5 was my primary gig electric bass for several years. I still say it's the best passive fiver out there at any price.


We provide tax and accounting services for our clients and offer consulting services for special needs.
We understand and will provide you with assistance in meeting your management objectives. Your effective business development is enhanced by our analysis and recommendations of accounting and computer systems and controls for your business. In addition, we are experienced in budget forecasting, cost accounting studies, and analysis of any number of accounting and management issues.
To help minimize your current and future tax costs, we offer innovative assistance in tax planning for you and your business. With our skilled personnel and state-of-the-art equipment and software, we are able to offer federal and state tax planning and preparation services for individuals, corporations, partnerships, estates, trusts and retirement plans, including applicable payroll, sales and franchise or margin taxes.
We work with our clients to establish tax strategies and accounting methods early in our relationship to ensure the most advantageous reduction in taxes.
People typically spend their entire working years building up their wealth, but spend less than a few hours planning for its distribution. Each of our partners is trained and has experience in Estate and Trust planning and preparation. We coordinate with our clients, their attorneys and other professionals, to help design Estate and Trust plans that accomplish their goals.
We can assist you in arriving at an advantageous settlement of accounting and tax issues and assist in structuring property settlements and support agreements in divorce or other litigation matters.


(CelerityAccess MediaWire) — Amy Bennett has joined Writers and Artists Group International as vice president of operations. She will primarily be responsible for overseeing and coordinating daily operations for the agency. Additionally, she will use her experience in marketing and artist relations to work very closely with WAAGI president Dennis Arfa on tours for clients he is responsible for on a day to day basis, including Rod Stewart and Billy Joel among others.
"I'm excited to be working with Dennis and all of the great people here at WAAGI," says Bennett. "They are committed to developing and nurturing the careers of musicians and entertainers on a worldwide basis, and I look forward to contributing to the success of the agency."


James Stroupe and Julie Roh are proud to present Unit 112 in the Vine.
What does 2019 hold in store for Seattle's real estate market?
Redfin has recently released a report focusing on the 2019 predictions for the housing market.
Westbank, one of Canada's premier real estate developers, is entering the Seattle market with First Light.
Encore at Columbia Station is coming to the Columbia City neighborhood of Seattle in late 2020.
According to the latest Case-Shiller home index report, the home prices in Seattle are falling at the fastest rate in the nation.
As the year draws to a close, we are excited to reminisce on the top five sales of a great year!
According to Zillow's newest report, about 14 percent of listings across the nation have had a price cut in June of this year.


First of all, you have to get your own doctor. According to the description of Doctor Doge Add-on, you should reach the 16-block distance to your new companion and it will start following you.
Its behavior is similar to zombies, and it logical, because it replace the husk, but you should not worry about it, Doctor Doge will heal you all the time long. It is extremely useful partner for boss struggles in the End, since it is immune to fire and lava. By the way, it can be killed and the loot is golden apples or a diamond sword.


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First General Election For RTÉ Television 1965
back to General Election 1965 exhibition
A first for politics in Ireland and for RTÉ when Studio One in Donnybrook was converted into a special 'Election Newsroom' to cover the 1965 General Election.
The election of April 1965 was the first to be covered by television with John O'Donoghue as presenter. Cameras were present at the counts in Dublin's Bolton Street, and in Wexford, Cork and Monaghan. Four reporters read results as they came in via specially installed teleprinters which were linked directly to the General Post Office in Dublin.
Political correspondents, John Healy of the Irish Times and John O'Sullivan of The Cork Examiner, were joined by Garret Fitzgerald and Professor Basil Chubb to offer analysis of the unfolding results.
This clip shows the result of the first count for Dublin North East from the count centre at Bolton Street.
The extract shown here is taken from 'News Review Year In Year Out' broadcast on 30 December 1965. The reporter is Kevin O'Kelly.
1st Televised Election
First General Election For RTÉ Television
News Review Year In Year Out
general election, 1965, john o'donoghue, politics
Telefís Éireann
N336/00065
General Election 2002 2002
Election '87 1987
E-Canvassing 2002
Civil Rights March Strabane 1969
Army Help Commuters In Dublin Bus Strike 1979


The fourth peace symposium of this year was held in Bhubaneswar on 15th September 2017 based on SGI President Ikeda's Peace Proposal for 2017.
The symposium was held in IDCOL Auditorium, Bhubaneswar and was attended by over 250 members and guests.
In his keynote address, Dr. Sitakanta Mahapatra reminisced his visit to Japan to the Tokyo Fuji Art Museum and said "I feel happy and privileged to attend this symposium on peace since it is now the prime need of mankind. This is the objective for which SGI President Daisaku Ikeda has been doing so much over the years".
The painstaking and advance preparation by the volunteers ensured that the Symposium was a great success.


text:
Still irresistible, Uma Thurman shows you how to pair a jacket and blouse this spring - yuetu.info
Still irresistible, Uma Thurman shows you how to pair a jacket and blouse this spring. The actress was spotted on the set of a new film project
Reporters captured the Pulp Fiction and Gattaca star on the stage of The Kill Room in New Jersey.
For filming the next scene, the stylists chose the actress a bow that is ideal for a business meeting: a stylish light beige blouse with fantasy details, a fitted gray-green jacket, cropped jeans, and black leather loafers. The outfit of the star was complemented by a capacious burgundy bag and large mother-of-pearl earrings.
In Murder Room, 52-year-old Uma Thurman will reunite with Pulp Fiction co-star Samuel L. Jackson. In the center of the plot is the story of a killer who falls to resolve a complex money-laundering scheme. In a promising project, Thurman got the role of an art dealer, and Jackson played a crime boss.
Hawk was seen wearing a floral print top with a neon yellow collar, his red hair tied back in a ponytail.
She was also wearing wide-legged black jeans with inlaid earrings and a small heart-shaped ring on her left hand.
The Stranger Things star completed her day on set with white shoes.


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St John's is delighted to welcome the Fulham and Hammersmith Choral Society, when they will be giving their summer concert, making full use of the recently concluded ambitious repair and restoration of the historic grade II* listed organ.
The programme has been inspired by this restoration project and will include Haydn's Te Deum for Empress Marie Theresa, a cheerful choral drama in three parts. As a contrast, they will also be performing Andrew Wells' Te Deum, first performed in 2012 which makes great use of the organ in the opening and closing organ obbligato. They return to Haydn for his Missa Brevis Sancti Joannis de Deo, a short setting of the Mass from the 1770s with a delightful organ solo in the Benedictus which has earned the piece the nickname 'Little Organ Mass'.
The concert concludes with Vaughan Williams' Five Mystical Songs, his early 20th Century setting of George Herbert's four poems entitled 'Easter' which ends with the rousing Antiphon 'Let all the World in Every Corner Sing'.
The Fulham & Hammersmith Choral Society is an amateur choir based in West London. FHCS was formed in 1951 and has grown into an ambitious 100-strong choir. Membership is open to anyone with or without choral experience. They aim for high standards, and of course strong singers are always valued – but you don't have to be able to read music, and there are no auditions. The age range of members stem from 20 to over 70 so there is room for everyone. If you're not sure which voice part you are then Christopher Wray, the Musical Director, can help you with this.
The Choir performs three public concerts each year, at Easter, in the Summer and at Christmas. They also support the local communities by singing at various events and this includes raising funds for charities.
St John's is delighted that FHCS are singing with the restored organ, and is thrilled to be part of the vibrant west London music making and singing scene.


That is how we ought to be regarded, as Christ's servants, and stewards of God's mysteries.
And this is what we look for in choosing a steward; we must find one who is trustworthy.
Mihi autem pro minimo est ut a vobis judicer, aut ab humano die: sed neque meipsum judico.
But to me it is a very small thing to be judged by you, or by man's day; but neither do I judge my own self.
Yet for myself, I make little account of your scrutiny, or of any human audit-day; I am not even at pains to scrutinize my own conduct.
Nihil enim mihi conscius sum, sed non in hoc justificatus sum: qui autem judicat me, Dominus est.
My conscience does not, in fact, reproach me; but that is not where my justification lies; it is the Lord's scrutiny I must undergo.
Itaque nolite ante tempus judicare, quoadusque veniat Dominus: qui et illuminabit abscondita tenebrarum, et manifestabit consilia cordium: et tunc laus erit unicuique a Deo.
You do ill, therefore, to pass judgement prematurely, before the Lord's coming; he will bring to light what is hidden in darkness, and reveal the secrets of men's hearts; then each of us will receive his due award from God.
Hæc autem, fratres, transfiguravi in me et Apollo, propter vos: ut in nobis discatis, ne supra quam scriptum est, unus adversus alterum infletur pro alio.
All this, brethren, I have applied to myself and to Apollo, but it is meant for you. The lesson you must learn from our example is, not to go beyond what is laid down for you, one man slighting another out of partiality for someone else.
Quis enim te discernit? quid autem habes quod non accepisti? si autem accepisti, quid gloriaris quasi non acceperis?
After all, friend, who is it that gives thee this pre-eminence? What powers hast thou, that did not come to thee by gift? And if they came to thee by gift, why dost thou boast of them, as if there were no gift in question?
Jam saturati estis, jam divites facti estis: sine nobis regnatis: et utinam regnetis, ut et nos vobiscum regnemus.
Well, you are already fully content; already you have grown rich; already you have come into your kingdom, without waiting for help from us. Would that you had come into your kingdom indeed; then we should be sharing it with you.
Puto enim quod Deus nos Apostolos novissimos ostendit, tamquam morti destinatos: quia spectaculum facti sumus mundo, et angelis, et hominibus.
For I think that God hath set forth us apostles, the last, as it were men appointed to death: we are made a spectacle to the world, and to angels, and to men.
As it is, it seems as if God had destined us, his apostles, to be in the lowest place of all, like men under sentence of death; such a spectacle do we present to the whole creation, men and angels alike.
Nos stulti propter Christum, vos autem prudentes in Christo: nos infirmi, vos autem fortes: vos nobiles, nos autem ignobiles.
We are fools for Christ's sake, but you are wise in Christ; we are weak, but you are strong; you are honourable, but we without honour.
We are fools for Christ's sake, you are so wise; we are so helpless, you so stout of heart; you are held in honour, while we are despised.
blasphemamur, et obsecramus: tamquam purgamenta hujus mundi facti sumus, omnium peripsema usque adhuc.
speak ill of us, and we fall to entreaty. We are still the world's refuse; everybody thinks himself well rid of us.
I am not writing this to shame you; you are my dearly loved children, and I would bring you to a better mind.
Yes, you may have ten thousand schoolmasters in Christ, but not more than one father; it was I that begot you in Jesus Christ, when I preached the gospel to you.
Rogo ergo vos, imitatores mei estote, sicut et ego Christi.
Wherefore I beseech you, be ye followers of me, as I also am of Christ.
Follow my example, then, I entreat you, as I follow Christ's.
Ideo misi ad vos Timotheum, qui est filius meus carissimus, et fidelis in Domino: qui vos commonefaciet vias meas, quæ sunt in Christo Jesu, sicut ubique in omni ecclesia doceo.
For this cause have I sent to you Timothy, who is my dearest son and faithful in the Lord; who will put you in mind of my ways, which are in Christ Jesus; as I teach every where in every church.
That is why I have sent Timothy to you, a faithful and dearly loved son of mine in the Lord; he will remind you of the path I tread in Christ Jesus, the lessons I give to all churches alike.
Some of you have grown contemptuous, thinking that I would never come to visit you.
Veniam autem ad vos cito, si Dominus voluerit: et cognoscam non sermonem eorum qui inflati sunt, sed virtutem.
But I shall be coming to see you soon, if the Lord is willing, and then I will test, not the fine words of those who hold me in contempt, but the powers they can shew.
It is power that builds up the kingdom of God, not words.
Quid vultis? in virga veniam ad vos, an in caritate, et spiritu mansuetudinis?
What will you? shall I come to you with a rod; or in charity, and in the spirit of meekness?
Choose, then; am I to come to you rod in hand, or lovingly, in a spirit of forbearance?


I can't find your app on the iphone app store. Has it been taken down?
The virtual world is, in a very real sense, framed by the shape of your monitor. A real frame on the virtual world. And from a commercial standpoint, the available "real estate" — that is, monitor space — is limited. Because of this, issues have come up in cyberspace when websites have been configured to "travel" with a user's subsequent navigation to other sites so that the first site and, importantly, its brand and banner ads "frame" subsequent sites — regardless of whether there is any association between the sites and, obviously, to the detriment of any advertisers on those subsequent sites whose ads are obscured by the frame. A frame within a frame.
Instead of a real frame on the virtual world, or a virtual frame within a virtual world, augmented reality, for good or for ill, places a virtual frame on the real world. Interesting.


Las Ondas de Elliot Wave. Secretos y Estrategias.
It copies forex trades from any accounts. Copying from a demo account and from investment accounts is supported. The program can be run on multiple terminal bindings. Use it as a synchronizer of your trades on various investor accounts trading on one account, - COPYLOT will copy your trades to other terminals.
The script is intended for automatic placing of Sell Stop pending orders, Stop Losses and Take Profits on the user specified levels. This script is not that useful as "Virtual pending buy stop", since short positions are opened as Bid price crosses the levels. Thus spread widening is not dangerous. Nevertheless, you need to have this script to prevent unwanted hitting of the Stop Loss levels. The indicator draws candlesticks of a higher timeframe on any timeframe using Open, High, Low and Close.
Number of days to be drawn. The candlesticks are objects, and they may have problems with displaying in the strategy tester. Who will be interested in this product: The panel is designed to make managing a large number of orders as easy as managing one. The prices and stop levels are set. User can define the price valu.
MarketStateIndicator analyzes the depth of market and uses the obtained data to define the current market state. As practice shows, the price moves in the direction where money can be found! In Offer state, the price usually goes up. In Demand state, it usually falls. In Balance state, the price's behavior is unclear. Since MarketStateIndicator analyzes the depth of market, it can be used only on an exchange market. SizeOffer - Offer size. Trend Pro's smart algorithm detects the trend, filters out market noise and gives entry signals with exit levels.
The new features with enhanced rules for statistical calculation improved the overall performance of this indicator. Descargue la versión gratuita para un personaje. The VR Alert indicator warns the trader about the price or any other indicator reaching a specified level. The indicator has been developed as an assistant when you wait for a breakout of an important price level, which can take hours or even days.
With this indicator, you do not need to constantly monitor your terminal. The indicator alerts of a level breakdown or of the specified time using the selected method. Monitoring charts for a prolonged time causes most traders to have "Blurred eyes. It contains a smart algorithm to determine the support and resistance levels based on the latest market trend and breakouts of these levels.
This trend is calculated for a period that can be easily modified by user. This EA is fully customizable by user. For safer trading, it includes slippage protection as well as protection during high spreads on the market. It does not use mart.
The system can run with the brokers providing floating spread. Always uses SL and TP. No need to close the robot during news releases. The results obtained in the strategy tester match the results of real trading. Active Lines - a powerful professional tool for operations with lines on charts. Active Lines provides a wide range of actions for events when the price crosses lines.
Active Lines helps you easily organize various tr. Tired of plotting trendlines? It can draw up to 18 trendlines Trendlines can be optionally based on fractals Each line represents a breakout level Each trendline can be broken or rejected Configurable amount of lines Configurable colors Author Arturo López Pérez, private investor and speculator, software engineer and founder of Point Zero Trading Solutions. Have you ever wished the CrossHairs would stay on screen when you have finished measuring something?
Have you ever wanted to grab a screenshot with the CrossHairs in place? Have you ever wished the CrossHairs would "snap" to the highs and lows of the bars? Now you can do all this with Permanent CrossHairs. Its does not use any indicator for trading. The design use a custom indicator as fast routine for calculation. If you would like t. The panel consists of 5 tabs: Work with positions, Work with pending orders, Work with account information, Signal panel, Close total profit.
The Synchronized Charts script allows comparing bars of different symbols or different periods of the same symbol. Attach the script to a chart and move bars or change the scale, all opened charts will move synchronously with the current one.
The bars on different charts aligned to the border according to their open time. Please be sure the relevant history datas have been downloaded before synchronize charts. The free demo version is: Cluster analysis of volumes is now available in MetaTrader 5! The cluster graph is plotted based on tick data.
For the exchange financial instruments these are the volume, type and price of a deal. For the Forex instruments - the real or tick volume depending on the broker and Bid price. There are 6 criteria of cluster generation: Time interval, the criterion is set in seconds.
Price range, the criteri. This is an MT4 "offline" chart equivalent which is very simple to use. You can attach any MT5 compatible indicator or template to the renko chart and perform your technical analysis.
A free demo version can be downloaded from https: Advanced Scalper is the result of more than 15 years of studying the markets and programming expert advisors. It uses very advanced exit-algorithms and has a build in spread-filter and slippage-control algorithms. It is fully customisable to suit the client's needs and offers many setup possibilities. Of course there are also recommended settings which will be available in the comments-pages.
The basic logic of the EA is already running for more than 2 years on live accounts with success. CAP Prime Scalper EA is a Forex scalping EA that uses a smart system to detect key breakout signals then cuts the profit of the move as much as possible while minimizing the loss. The robot automatically analyzes the market volumes and volatility and follows strong supply and demand movements.
It smoothly sets breakeven levels and features the built-in smart mechanism for partial closure of profitable trades. It also has option to stop trading before important news releases to avoid slippage and.
Percent Crosshair is a powerful and easy percentage measure tool. Measure the chart percentage very quick! Don't waste your time anymore! The percent measure will be next to the indicative price. Customize your indicator the way you want! There are 4 entry parameters: This is a linear indicator of a currency power correlation having the ability to filter by smoothing values. It shows the current power of 8 major currencies, as well as historical values without redrawing. It is based on a custom algorithm.
A basic currency pair is used for the calculation basis; the currency pair can differ from the current chart symbol. The result depends on the selected chart timeframe the indicator is launched at and on the basic currency pair. The indicator works with an. Open history file format is used. Advantages and Features works at any open chart window called "base chart" further on in this document ;looks like a common chart after uploading see Screenshots ;ope.
From this moment on, the ar. For example, you can set the dashboard for the last 10 candles for MH1-H4… Full flexibility! Very easy to interpret It gives a great idea about which currency is weak and which is strong, so you can find the best pa. This is a revamped indicator ColorBars. Now its color depends on close prices and not volumes. Using this indicator one can increase the width of bars; this cannot be done in the terminal.
The Regression Momentum is an indicator of directional movement, built as the relative difference between the linear regression at the current moment and n bars ago. The indicator displays the calculated Momentum in a separate window as a histogram. The signal line is a simple average of the histogram. The histogram value above 0 indicates an uptrend.
The higher the value, the stronger the trend. A value below 0 indicates a downtrend. The lower the value, the stronger the downtrend. TimeFrame - used time frame. TimeCorrection - use time correction. Can be true or false see the first screenshot: SignalSMA - period for Signal line calculation. The draws trend lines with adjustable trend width, with trend breakout settings and notifications of trend breakout Alert, Sound, Email and of a new appeared arrow. Parameters MaxHistoryBars - the number of bars in the history.
Con esta herramienta, puede actuar como proveedor fuente o receptor destino. Las siguientes son las funciones destacadas: Cambie entre proveedores o función del receptor en una sola herramienta.
This Expert Advisor uses triangular arbitrage as trading system. This trading system is used by leading banks worldwide. Market inefficiency is exploited in order to make profits, as there is no speculation, but trading is based on facts. The Expert Advisor trades inside a calm price channel, and trades the rebounds in the opposite direction from the channel borders. This indicator is based on the Random Forest machine learning algorithm, and it has been created using a software package for developing artificial intelligence systems for trading - Hlaiman EA Generator.
In this version, all calculations of price patterns and generation of the indicator trade signals are performed by means of 32 Decision Trees, each of which is implemented as a separate MQL function.
The number of trees may be changed during the course of further studies. At the moment, it is d. The application is designed for use on any account togeth. It comes with 6 indicators: It comes with an alert that will sound whenever a new signal appears. It also features an email facility.
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Analyzer is perfect for alert notifications, push notifications and email alerts. Setslav Scalper S1 by Stanislau Siatsko.


text:
Seasons of Cambodia: Svay Sareth's Artist Residency in New York
By Kai Nien
Following the bloodshed of the Cambodian Civil War and Pol Pot's genocidal regime, Svay Sareth (Battambang, Cambodia, 1972) spent much of his childhood and early adulthood at Site Two Refugee Camp on the Thai-Cambodian border. It was not until his country's re-unification under the monarchy in 1993 that he was able to leave the camp, ultimately moving to Siem Reap. Cambodia's tumultuous history has long served as a source of inspiration for Svay's artistic practice. His works, which include sculpture, photography, installation and performance have long reflected on processes of survival but more recently, Svay's practice has explored the politics of power under current conditions. I met up with Svay during his recent three-month artist residency at the LMCC Art Center on New York's Governors Island, where he created new pieces as part of the Seasons of Cambodia initiative.
Svay Sareth, Mon Boulet, 2011
Metal, 200 cm sphere. Courtesy of the artist
As a mode of introducing Svay to those who may be unfamiliar with his practice, Mon Boulet (2011), perhaps his most well-known performance piece, saw the artist attaching himself to a large 80 kilo metal sphere – attempting to pull it by foot for nine days from Siem Reap to Phnom Penh. Along the 250 kilometre stretch, Svay invited spectators to write or draw on the structure and echoing refugee camp life, by night, he slept on blue tarpaulin. The heavy sphere, which carried the weight of his own and his entire nation's complicated pasts, saw Svay stopping at day six - failing to reach his final destination. Like the deceitful King Sisyphus, who had to roll a huge boulder up a hill only to watch it roll back down again and continuously repeat his actions as a mode of punishment, through failure, Mon Boulet examines human existence and the absurdity of victory.
Svay Sareth, GET OUT!!!, 2013
Courtesy of the artist
Svay's residency at LMCC, across Lower Manhattan's financial centre introduced exciting new works. A critique of the US, the performance piece GET OUT!!! (2013), featured the artist holding a bong and wearing a gas mask as well as a traditional Cambodian straw hat as he rode a toy bull. He circled and head-butted Arturo Di Modica's iconic Charging Bull (1989) and in an attempt to irritate the Wall Street bronze sculpture even further, he played wailing musical sounds. Not entirely unsurprisingly, the piece was cut short by the New York police.
The implication is that like drug addicts themselves, Wall Street is addicted to the power of money and financial rewards. Given that the US economy profiteers from the global arms trade, Svay told me "war is a business." The performance also attempts to question human desires and makes fun of "American freedom." Svay added: "If this was a free country, the police would not drive us away and the studio would not install CCTV either."
Svay Sareth, Castle Camouflage, 2013
Far from thinking like he was in a land of freedom and opportunity, Svay felt as though he was once again in a refugee camp. The surveillance cameras installed in the artist studios, the city's gun shops, Wall Street's addiction to financial rewards including those unethically made from war, and the cannons - symbols of historical military actions – on Governors Island, reminded Svay of Cambodian refugee camp life. As a means of escaping being monitored by the surveillance camera on his studio's ceiling, Svay created Castle Camouflage (2013), a humble hut resembling refugee camp accommodation.
Svay Sareth, Shade and Light, 2013
Just outside the hut's door, Shade and Light (2013), an installation comprising a yellowish tree-like structure with light bulbs, stood in the sand. The piece functions as a re-interpretation of a childhood memory whereby a reach tree - a national symbol of Cambodia - grew in the soil. In the refugee camp, the tree and dirt patch in Svay's memory were the only space where, as a child, he could write and paint - a school where he could imagine true freedom.
Svay Sareth, Inside of view, 2013
Through a window on one side of the hut, Manhattan's mighty financial district was visible - the new Freedom Tower emerging from what was once destroyed by acts of terror. Two photographs on the studio walls juxtapose the developed US with the underdeveloped Cambodia. Inside of view (2013) depicting the Freedom Tower and the financial centre functions on one hand as a symbol of resilience and hope, yet on the other hand as a symbol of unethical financial gain given America's leading role in the global arms trade.
Svay Sareth, My back of view, 2013
The other photograph, My back of view (2013) shows the Shade and Light installation. Although also alluding to war and tragedy, the message of hope and freedom seems more genuine here. This may very well be because in the Cambodian reach tree, Svay sees real freedom - a space to re-imagine his own life and that of his fellow Cambodians.
Despite the enormous gulf between the American and Cambodian economies, it just goes to show that war and terror can happen anywhere. As Svay's activist practice reflects, it is essential to strive for true freedom, not just financial and military might. Echoing Michel Foucault's views on the surveillance state, progress does not necessarily require the curtailment of personal freedoms and this is why Svay's new works for the Seasons of Cambodia initiative serve both as critique of US power but also as a message of hope.
Svay Sareth in the studio
Labels: Features


text:
The Best Way to Market with Memes
on	 March 9, 2017 Retail and Marketing
By Emma Fitzpatrick
Ever feel like it's tough to keep up with the Internet? If you tune out for even a few hours, you can return to find everyone is riffing the same phrase or sharing the same image. It's like the Internet's collective inside joke that you're just stumbling upon. Or you can call it a meme.
A meme is usually a funny image, GIF, or video paired with a formulaic caption that spreads like wildfire. They're silly and can be nonsensical. And, they make it easy for all to join in on the fun. You simply share the visual and follow the formula to write an accompanying caption (if need be).
Since memes are timely, viral, and easy to create, should your bank include memes in your marketing? The topic is likely more nuanced than you'd suspect. Get the full scoop below.
Tune into trending memes.
You probably already know some of the classic Internet memes, like the Willy Wonka meme that peaked in 2012. It's a picture of Gene Wilder from the 1971 film with a two-part caption. Part one is a question, and part two is a snarky response, just like the image below.
The meme itself is called Condescending Wonka, and here's how it grew. Someone posted the meme on Reddit, and it instantly blew up. In February 2012, people were sharing the image everywhere. For the next few months, it stuck around to a lesser degree until it slowly petered off.
Like Condescending Wonka, Y U No, Success Kid, Bad Luck Brian, and the Most Interesting Man on Earth are a few other classic memes. To get a feel for these, scroll through the most popular memes, which all follow a similar trajectory. It seems like it's the hottest image on the internet, and then, poof. It's over.
That's the thing about memes. They're incredibly fleeting. Using a meme after its prime can make your brand look out of touch.
If you're intrigued by memes and want to follow the trends, you might want to take a look at Know Your Meme. The site tracks and researches memes and breaks down all the basics of each meme–from its background and origin to examples and how it's trending.
Decide if memes fit your bank's brand.
Once you've got your eye on a meme, it's time to ask yourself whether marketing with memes is the right step for your bank. As already alluded to, meme marketing, or meme-jacking, can be tricky.
Before trying this tactic, use this two-step check.
Does your brand often embrace humor in your marketing materials? If so, your audience may be open to memes. If humor is not a cornerstone of your brand's voice or marketing, a meme will likely feel out of place.
Are millennials or Generation X your target audience? If yes, try testing out memes on your social accounts, and see how it goes. If the answer is no, there's a good chance your audience would not understand what the meme is or why it's funny. The goal of using memes is to connect, not isolate, your audience.
If you answered yes to both, keep on reading!
How to make a meme in less than 2 minutes.
If memes are a fit for your bank, here's how to create memes in a flash!
Know which meme you're going to parody before you start. You should have a solid understanding of the meme's background, origin, and message before sharing. Otherwise, you could get yourself and your bank into a sticky situation.
Go to a meme generator, like Meme Dad. Select a site that allows you to create free memes without watermarks.
Search for a meme by name or choose one from the popular or trending section.
Follow the meme's specific caption formula to write a fitting top and bottom line. Before you download and share, spellcheck and double-check that you're embracing the meme's style and structure.
Emma Fitzpatrick is a Philly-based freelance writer and marketer, whose specialties include content marketing, social media marketing and short, snappy writing. Pick her brain at emma.l.fitzpatrick@gmail.com.
How Digital Experience Platforms Are Transforming Financial Institutions
Now is the Time to Reinvent Wealth Management


text:
Q: php show data from an array in an order instead of random I am showing data from an array in random using rand()  . Is it possible to show the data in a systematic order instead of random ?
$one = data1;
$two = data2;
$three = data3;
$myarray = array($one, $two, $three)
$show = $myarray[rand(0,2)];

Note the $show variable is called dynamically in page & it outputs values of $myarray at many places on page
Ex. It outputs above array in random orders as data2,data1,data3,data3,data2,data1......
How do i code the above so that the result on page will be in a systematic order i.e.
first to be shown will be the 1st value of array i.e. data1
then data2 then data3 then again data1 then data2 then data3 & so on...

A: You may make use of a InfiniteIterator for this purpose. It iterates normally then loops back over to the beginning and so on.
It also uses static variables to retain state across subsequent calls.
This becomes:
add_action('mycustomlink', function ($link) {
  if ($link->is_external()) {
    $externalUrl = $link->get_attr('href');

    static $urls = [
      'https://example1.com?=',
      'https://example2.com?=',
      'https://example3.com?='
    ];

    /** @var Iterator $urlsIterator */
    static $urlsIterator;

    if (!isset($urlsIterator)) {
      $urlsIterator = new \InfiniteIterator(new \ArrayIterator($urls));
      $urlsIterator->rewind();
      $url = $urlsIterator->current();
    } else {
      $urlsIterator->next();
      $url = $urlsIterator->current();
    }

    $link->set_attr('href', $url . $externalUrl);
  }
}, 10, 1);

Note that I took the liberty of refactor your code to be more PHP7-friendly syntax while I was at it.
Demo (of the function): https://3v4l.org/sq2Gk

A: Use a session variable to save the array index, which you increment each time.
session_start();
$one = data1;
$two = data2;
$three = data3;
$myarray = array($one, $two, $three)
if (isset($_SESSION['myarray_index'])) {
    // increment with wraparound
    $myarray_index = ($_SESSION['myarray_index'] + 1) % count($myarray);
} else {
    $myarray_index = 0;
}
$_SESSION['myarray_index'] = $myarray_index;
$show = $myarray[$myarray_index];

redpajama_set_name: RedPajamaStackExchange


text:
Q: ReactJS error is "This component must be used inside a  component." But I'm twisting it slightly, where I don't have a layout but rather a per page component that I'd like to add to the header.
I am getting the following error:

Account.jsx looks something like this:
import { useRecoilValue } from "recoil";
import { userProfile } from "../../../recoil";

export default function Account() {
    const profile = useRecoilValue(userProfile);

    return (

                <Navbar profile={dataMe} />

                                <dataMe />

                            <DetailAccount />

    );
};

A: To use Recoil (A state management library for React) properly You have to add RecoilRoot wrap component(s). As we can read in documentation :

Components that use recoil state need RecoilRoot to appear somewhere
in the parent tree.
A good place to put this is in your root component

Example from official docs
import React from 'react';
import Account from './Account.jsx';
import {
  RecoilRoot,
  atom,
  selector,
  useRecoilState,
  useRecoilValue,
} from 'recoil';

function App() {
  return (
    <RecoilRoot>
      <ComponentsThatUseRecoilState />
      {/* in Your case <Account /> component */}
    </RecoilRoot>
  );
}

A: You have to wrap your component(s) inside the RecoilRoot if you want the component to be using the Recoil functionality. As of documentations: https://recoiljs.org/docs/api-reference/core/RecoilRoot/
So you have to wrap your code inside <RecoilRoot> before you can use the useRecoilValue hook.
Example:
import {RecoilRoot} from 'recoil';

function AppRoot() {
  return (
    <RecoilRoot>
      <ComponentThatUsesRecoil />
    </RecoilRoot>
  );
}

It's recommended to use this on root (App.tsx or what ever your root element is called) so all your other components can use the Recoil hooks as intended without having to wrap your components in a RecoilRoot every single time.


The story goes there were woods long ago by the city of Yorkshire, the folk tell different tales about the woods. They say there were little people living there. And fairies and Gods of old times. However, we are not going to talk about any of those. There are tales of a mystery of the Magic Wolf. The Wolf who never been seen by an ordinary man, the Wolf who saved the children when they got lost in the woods and who helped the weak when they got stuck in their way through the woods. There were legends about the Magic Wolf, he was like a guardian of the forest. People talked and talked about him.
And Jon never believed. He was a lecturer at the University of Yorkshire and he was lecturing about the history of York. York has had a long history and a lot of folklore and tales. But people kept telling Jon that the Magic Wolf was real.
Jon took a decision on himself to explore the thing. He took a leap of the fate and decided to get ready for the expedition in the woods. He packed his traveler's backpack and put water, maps, cans of tomato beans, compass, flashlight, ropes, two sets of clothes and a lot of batteries inside the bag.
It put his favorite Barhma hat on his head and started to head towards the door leading to the entrance of his house. It was a fine day out there were no clouds nor anything on his way that would bother him on his journey towards the woods.
To say the truth Jon was a bit scared about what will happen, however, he knew that for the sake of his people he has to go there and explore what's going on. He went slowly but with full determination towards the woods. He knew that there are plenty of animals living there and some parts of the woods are so thick that no man without a help of machete can pass.
He sincerely believed that man must be living in balance with nature. Otherwise, there would be no religion or anything like that. He moved slowly towards the borderline that separated the beginning of the woods and the plane ground.
Suddenly he saw the messenger that signaled him to enter the woods. In fact, it was just a crow, sitting on a branch and looking down at him. Then it produced the usual croaking that crows produce. This was funny but he made himself believe it was a sign. He finally stepped into the territory of the woods.
He went in, in a peaceful manner, he picked a stick that would assist him along his journey. It would be nice to have a friend along the way, but he did not want to bother anyone from the city, cause they were all busy folks and had kids, while he himself was single for most of his life. Nobody would miss him if anything happened. Besides, he reasoned that finding the truth about the Magic Wolf is far more important for the society than his service as a lecturer. The students were arrogant, the colleagues are unsupportive, he did what he did just because he truly believed in the cause as he was doing this very moment.
Breaching through the thickness of the bushes he finally spotted a fox hunting rabbits. He tried not attract any attention, he stood still and observed from behind a tiny bush. The fox was running after a rabbit and clunking its teeth. Finally reaching for a tiny bunny and taking it by the neck and escaping with its ray that would nourish it's well being and strength through the rest of the day.
The scene was terrifying for the faint hearted but Jon seen this kind of things before, it did not bother him much. He simply observed the natural flow of nature and was fascinated by the agility of the fox, it's determination. He was fascinated by the bunnies as well, they were running in a chaotic manner escaping their fatal destiny… they've struggled for their lives.
After being a witness to the fox's kill. He proceeded further through the forest till he reached a tiny stream, there had to be a river further he told himself. He stopped by the stream and refilled his flask. The water in it was so pure and sweet he never tasted such a pure thing ever before.
He took himself some time to rest a bit. Pulled out a can with the tomato beans and started to eat. After all walking and hopping over rocks and branches made him exhausted. It takes time to revitalize, he then stood up and took a note of the sun. It was about 2 past noon.
He knew he had to proceed with his hunt and buckled up his bag pack, and moved with double speed into the unknown. It wasn't long before he reached the river and spotted a group of beavers building a dam.
He observed how they worked with persistence and genuine unlike the workers at the city that would bend the time just to get paid more. The beavers were building for themselves, they were giving there should into that construction. After all their offsprings were those who would be at stack if they've done a bad job. And yes, that persistence was inspiring. Jon observed them for over an hour before he got tired and decided to move further.
Time was going towards the sunset. He knew he had to find a safe place where the predators of the woods would find it hard to make a prey out of him. He has made it slowly upon of a massive oak. Jon found a wide enough branch, not too high and too low. Just at the perfect height so he wouldn't fall prey to wolves or other predators that could come his way.
He pulled out his sleeping bag and started to prepare for sleep. The sleep did not come, even though the moon was coming out. He simply took a delight in the fresh air that the woods provided. And the stars he could see clearer than ever. It was wonderful. Jon fell asleep without noticing. He did not have any nightmares as he used to have while sleeping at his home in the city, he did not have any other dreams either. He simply slept the most peaceful sleep of his life.
The morning dew dripped upon his face from a leaf hanging on a branch above his head. He woke up in a very down to earth state of mind. And he has seen some kind of creatures crawling below the three. Their presence made waking up even more interesting than anything else. The whiskey he used to sip at the city made his brain play weird tricks on his mind. However now, he was completely sober. And woke up at an oxygen concentrated area. It has been completely inspiring to discover yourself above the ground, in a middle of the woods. Besides the creatures just fueled up the curiosity. It was certain that those things may or may not be connected, but certainly, they were very inspiring and inviting to explore further.
Getting of the three would scare the animals away. So all Jon could do is turn on his stomach really slow and observe the creatures interact between themselves. They were very curious about the surrounding, they couldn't climb the three though.
They were chewing wild berries. This was very peculiar. Out of it's kind one may say.
The portions they were consuming were abundant. Jon was observing with a severe grin on his face.
This kind of view had some sort of magic in itself.
The creatures were little and furry. They had very wide eyes and softly light palette of brown colors covering their fur. This all might be very serious. Cause such discoveries make it to the Encyclopedia. It was a shame he had no camera or couldn't sketch too well.
This was interesting enough to keep him in the sleeping bag for 20 minutes more after he has awakened.
"Oh, sure he thought to himself, this might be their mother!" looking at the creature who approached them from a distance. It has been slightly bigger one. And somewhat resembling a female kind of hamster. But thrice the size.
"Well, that's enough!" – said Jon and jumped of the three right next to their tiny pack. They spread all across in different directions. They were scared off by the stump he produced when landing upon the ground. This was it. It was the end of the observation of this weird creatures. He took a handful of wild berries laying on the grass under the tree, that they've dropped. It was nutritious in a way to consume the fresh produce of the woods. It was tastier than anything he has tried in years.
Life taught him to appreciate every moment he had ever experienced. And so he did. He smiled widely and chewed his wild berries. It took him about 20 minutes more to get his all stuff packed and set himself for the further exploration of the woods.
A number of shades he has received from the threes made it easy to avoid sunburns. It all was pleasant for the should to walk the way around the woods and explore the mysteries of nature.
No crowd, no anxiety, no pollution. Just he himself and nature.
Life has never been such a blessing before. It is certainly certain that the joys of the city are very different from the joy of nature. Nature had its own undefinable beauty.
Walking further into the woods meant he got farther from the city. It certainly had to be a very extraordinary experience even for the far more experienced travelers and scholars. But he was modest in his stead. He simply walked and observed and tried to ponder where the Magic Wolf could possibly be.
Patience and patience and patience. He kept telling himself. That's what he learned at the University of Yorkshire. Be patient to yourself and to the people. Nature is no different.
It was about the right time to consider how the Magic Wolf preyed in the Woods.
The idea of such a Legend devouring the creatures of the forest seemed to be absurd to him.
So Jon pondered how and when the Magic Wolf would hunt for food. He thought about the possibility of the wolf being fed by some kind of mystic energy. There was a possibility that Woods supported the Wolf by some sort of sacrifice. Possible is the thing that the Magic Wolf required no prey at all to exist.
Jon went through the woods puzzled and contained within himself. He wondered whether there was an option for him to simulate some sort of situation for the Wolf so that he would appear by himself and so prove his own existence.
Jon had no idea to how possibly he could solve that problem until he had stumbled upon a stone. A stone had some sort of rune on itself. This was very interesting to him cause he knew what the rune meant.
He simply couldn't believe he would find it in the wilderness of the woods.
The woods, they were very bushy and the walk became tougher and tougher with every mile.
Eventually, our hero started to climb branches in order to proceed with his walk.
It wasn't easy, but good enough to continue the search.
Finally, Jon became so tired he had to have another nap, high on a tree.
High on a top of the tree, Jon could see all the landscape of the forest.
When Jon finally climbed the tree and managed to unfold his sleeping bag, he tried to pray as folk of the old North used to, just to get the ability to soothe his spirit and possibility to attract the favor of the magic wolf.
After about an hour of gazing at the stars, Jon finally fell asleep.
In his dream Jon seen the magic wolf saving little children from the darkness of the wilderness.
Or at least that was what Jon thought he has seen.
At the morning Jon took himself into hands and packed swiftly.
When he has climbed down from the tree, he saw interesting mushrooms growing by the tree.
He did not know whether they were poisonous or eatable so he simply cut one out with his pocket knife as a sample for further examination and went further to search for a real food.
Jon continued his journey towards the north. He kept telling himself that everything gonna is fine. He kept on climbing over the bush and listen carefully to the woods in order to spot the Magic Wolf when he gonna appear. Jon has even considered burning the woods in order to summon the Magic Wolf's wrath upon himself and prove that he exists.
In the end, however, his heart took over his mind and he decided not to ruin lives of all the creatures living in the forest just to prove that their protector exists.
Jon continued his journey until he got accidentally interrupted by a boar. Boar was chasing his offspring and executed his parenting duties when he decided to attack Jon. Jon had a sharp knife and a stick and could defend himself, but he valued the life of brave parent more and decided to simply climb a tree and let the boar go away.
After about 12 minutes, the boars ate enough of truffles and decided to go further into the woods, in an opposite direction to that which Jon choose to go.
Jon carefully climbed down of the three and spotted one of the truffles left, from the boar's search. Jon took his knife and picked the truffle. It may be a good dinner or a good bargain at the market.
Jon knew he could walk the forest for days, months or years to come and find nothing. Magic wolf would only appear to those that are ready for him to appear. After a while, Jon decided that it's enough and started to head back to the civilization.
Suddenly he has heard a cracking and spotted fire coming his way. From the side of the town.
He had to think swiftly because if he wouldn't do anything the forest would get burned into ashes and all the animals would stay homeless.
Jon ran a distance of a mile back to the forest and grabbed as many branches as he could and spread across the forest in a paralleled line to the fire. He has started fire himself on this line. You may think why? Well, when fire meets fire there is nothing left to burn. Minus and minus give us a plus.
And so Jon saved the forest. He still could not any traces of the Magic Wolf. But when he headed back to town, the citizens stood close to the forest and awed. They saw the Magic wolf. Jon turned his head from side to side to see the world but the couldn't. He turned around and yet he couldn't see the magic wold. Finally, Jon pulled out a flask and saw himself shinning. He understood that he is in fact the magic wolf.


text:
Ranking The Meanest Reality TV Show Judges And Personalities
by: Lindsay Kimble October 10, 2015
While youthful talent competitions of elementary school days left pre-tween "dancers" and "singers" at the mercy of their peers, the grown-up version of these performance gatherings subject adults to the ire of – more often than not – angry, old British men in front of a worldwide audience. Reality TV competition shows have become so prevalent in the primetime lineup that they've started digging into subjects far beyond just singing and dancing — looking right at you, haircutting challenge.
While still filled with those who would not self-describe as "Mr. Nice Guy," it could be said that some of the bite of reality judging has been lost as the amount of shows has grown (I mean, how many singing shows are there?!), but there's still a crop of meanies eager to share their disdain for those who absolutely destroy their particular art-form.
Could you stand strong in the face of these television judges' harshest critiques?
10.) Michael Kors of Project Runway
Fashion designer Michael Kors makes the list for his sass. The Project Runway judge drops snarky quips so fast and with such ease that the deep-seated insults are easy to miss. Luckily, as the show is a launching ground for fashion wannabes, most of Kors' harsh commentary is reserved for fabric.
Some choice lines from throughout the show's 14 seasons: "It looks like she's going to a buffet on a cruise," "It looks like toilet paper caught in a wind storm," "You basically took a checklist of everything that could turn tacky," and "She's pooping fabric."
9.) Mia Michaels of So You Think You Can Dance
So You Think You Can Dance judge Mia Michaels is well-respected in her industry, and her (often blunt) opinion should be regarded. Well, unless it's racist, that is.
The Emmy-winning choreographer (who is no stranger to audience boos) made her distaste for one 2010 contestant so clear, the Internet was quick to point fingers. AdéChiké was subjected to Michaels' harsh criticism throughout the season – her first full year as judge – and at one point was nearly lead to tears onstage. After he was eliminated, Michaels was forced to answer to her critics: "It's just ridiculous, honestly," she said, before adding that she'd once dated a black – err – Cuban guy.
8.) Tyra Banks of America's Next Top Model
No one may be a bigger fan of Tyra Banks than Tyra Banks, which is why she has ended up on this list. The America's Next Top Model host and judge keeps it mostly light and goofy on her show, and hands out critiques like they're goodie bags. However, you disrespect Tyra, you best expect the horns.
Throughout the show's 22 cycles, Banks has been known to let her temper flare. There is no better example than her infamous (and endlessly quotable) season 4 meltdown when a girl didn't seem sad enough about her elimination.
After scolding contestant Tiffany for not crying as she said goodbye, Banks screamed at the girl to "take responsibility for yourself."
"I was rooting for you, we were all rooting for you," the former model squealed.
7.) Bruno Tonioli of Dancing with the Stars
Let's be honest: none of the Dancing with the Stars judges are nearly as harsh as they could be. I mean, Gary Busey dancing? Come on, guys. Italian choreographer and dancer Bruno Tonioli, however, shows little fear in toeing the line when it comes to the celebrity contestants' egos.
It was Tonioli's harsh comments earlier this year about swimsuit model Charlotte McKinney that truly earned the judge his stripes as resident DWTS meanie.
"You're never going to win the Nobel prize for quantum physics, but you are easy on the eyes and you produce wonderful shapes," the 59-year-old said during a panel. But Bruce, it's not about intelligence, it's about dancing!
6.) Anne Robinson of The Weakest Link
Ok, so yes, technically Anne Robinson was more of a "host" than "judge," but when it comes to television competitions, the British leader of The Weakest Link is one of the most acerbic personalities. AND boy did she judge people's characters ("Are you more interesting than you look?"). The game show, which ran from 2000 to 2012, combined Jeopardy with the elimination format of shows like Survivor and The Bachelor.
The "Queen of Mean," who delivered questions and then mocked the show's competitors when they got them wrong, reportedly once brought a contestant to tears. Her parting comment? A flat "You are the weakest link. Goodbye."
5.) Donald Trump of The Apprentice, The Celebrity Apprentice
First of all, it's crucial we acknowledge the elephant (get it?) in the room: this man may be president.
Secondly, "you're fired." One can only hope the Donald's approach to the contestants on his game show is exactly how he'll handle our country: with an odd little hand movement.
Before The Apprentice got lost in the weird world of D-list celebrities, it was one of the only competition shows on TV where the majority of contestants had graduate degrees. But that didn't mean Trump went easy on them. Although now common practice, in the early years of the business series, the mogul's free use of third grade insults like "stupid" and "idiot" actually bordered on offensive to competitors with West Point degrees.
Now Arnold is taking over as host as Trump vies for chief of state. Maybe the Governator will make his mark on judging history (if that's a thing)?
4.) Piers Morgan of America's Got Talent
One of the several (aforementioned) cranky old British men on our list, people don't like "professional troll" Piers Morgan. Before his ill-fated CNN show, Morgan served as an original judge on talent show clusterf*ck America's Got Talent from 2006-11, before returning to the panel in 2015. He also held a spot at the judge's table on Britain's iteration of the program from 2007-10.
The 50-year-old, who began his AGT homecoming this year with lines like "Just when I was thinking it was really great to be back, you come along," once inspired a tiny child to weep and then, subsequently stick her tongue out at him on BGT. Morgan laughed through the whole scenario, and SIMON COWELL, of all people, was tasked with comforting the crying little girl.
3.) Natalia Kills and Willy Moon of The X Factor New Zealand
While it remains unclear who exactly musicians Natalia Kills and Willy Moon are, one thing about the former New Zealand X Factor judges is undeniable: they're most certainly not good people, and they're two of the meanest people to ever grace reality television.
The husband and wife duo, who were judges on the Kiwi version of the talent competition, were collectively booed by the Internet (and a slew of real celebrities) after viciously attacking a contestant for allegedly appropriating Moon's style (a.k.a. wearing a suit).
"You're a laughingstock. It's cheesy, it's disgusting. I personally found it absolutely artistically atrocious," Kills told (actually delightful) contestant Joe Irvine. "I am embarrassed to be sitting here in your presence having to even dignify you with an answer of my opinion… You make me sick."
Moon continued the unwarranted tirade against Irvine's character, likening him to Norman Bates and alleging that he was someone who would "stitch someone's skin to your face and then kill everyone in the audience." All because he kinda looked and sounded like the 26-year-old singer. Needless to say, the pair was fired, forced to apologize and then crawled back into whatever hole they came from.
2.) Gordon Ramsey of Hell's Kitchen
British chef Gordon Ramsey's infamous temper precedes him. In fact, it's like the Hell's Kitchen judge regards being a dick as a sport. Rather than spoonfeeding his chef contestants encouragement, chef Ramsey instead berates them with endless curses and insults that range anywhere from "idiot" to this gem: "F*ck off, you fat useless sack of Yankee Doodle sh*t."
He throws food onto the ground, breaks plates left and right and has no problem with misogyny ("dumb blonde"). Despite reaching his 13th season as "head chef" on the Fox series (and, one season on the original U.K. version of the show), Ramsey has yet to tire of throwing a tantrum.
1.) Simon Cowell of American Idol, X Factor, Everything Ever
No surprise here, right? Cowell pretty much invented being an assh*le on reality TV. In fact, so many shows have tried to replicate his trite nature on the judging panel, it's become unusual not to see a negative nancy like the Brit on a competition program.
Cowell – who celebrated his 56th birthday on Wednesday – has literally made a career out of being a "talent judge." First there was Pop Idol, then American Idol, then The X Factor (America and Britain) and Britain's Got Talent. It seems, since becoming a father, some of Cowell's icy facade has been cracked away, which means his harshest critiques hail from his Idol days from 2002 – 2010. The star's biting takedowns were well known during the audition process, but even as stars rose in the ranks he dished out putdowns. Some gems: "I thought it was corny verging on desperate to be honest with you," "You know what, it's exactly identical to a nightmare I had last week," and "The reality is there is not a single person on planet Earth that would ever pay to hear you sing."
While the judge is rarely humble about his good calls (Carrie Underwood, Kelly Clarkson), he is mature enough to admit his misjudgments (Jordin Sparks, Adam Lambert).
Tags: AMERICAN IDOL, GORDON RAMSAY, Meanest TV Judges, REALITY TELEVISION, SIMON COWELL