In 1971, world famous Cellist Clara Plank returns to her homeland of Poland for the first time. She is the guest of honor in a gala concert to be held in her home town. But the familiar sights and faces are so powerful that her mind wonders to that one spring, 30 years earlier, when that terrible war came to destroy her world.
Spring 1941 is the story of the young Clara, her husband, and two daughters, a Jewish family seeking shelter as Nazis storm Poland. They find a safe house in the farm of Emilia, their local grocer. After her husband was taken to fight for his country and never came back, Emilia is all alone in the big house.
Under the horrors of the war and the agony of death that surrounds them, an impossible love triangle erupts.
The fragile arrangement, made only in order to live, is tested again and again.
Will love be enough to keep them alive? Is it love or is it survival?


When the French arrived in Detroit in July, 1701, the Ottawa Indians called this island Wah-na-be-zee meaning Swan Island. The early French settlers near Detroit used it as a place for their pigs to graze, thus giving it the name Île aux Cochons. Supposedly, the marshy island was once home to many rattlesnakes, but the pigs did for this island what St. Patrick did for Ireland. I do not know if any of the early French residents formally owned the island. The French settlers generally interacted with the Indians in a much less formal way than did the British.
After the English military in North America defeated French forces in 1759 in Québec City and Montréal in 1760, the British—in November of that year—replaced the French as rulers of the Upper Great Lakes. They sent a small number of troops to occupy the French fort in Detroit and a few—very few—English settlers followed. The British emphasized land ownership rights. In 1768 British Lieutenant George MacDougall purchased Belle Isle from the Crown for 194 Pounds. Apparently, the Ottawa and Ojibwa Indians asserted ownership of the island. MacDougall may have recognized the legitimacy of their claim, or the British authorities may have wished to placate the Indians. In any event, MacDougall on June 5, 1769 provided the Indians with 8 barrels of rum, 6 pounds of vermillion, 3 rolls of tobacco, and a wampum belt and they relinquished their claim. The story does not end there.
Local residents were accustomed to letting their animals graze on the island and thought that it should be common property. They protested to the local British administration who upheld MacDougall's ownership rites. In 1773, the British sought to count the number of residents in the Detroit area. Apparently five individuals or five families were enumerated as residents of today's Belle Isle.
In 1794, William Macomb, a British settler who is commemorated by the neighboring suburban county's name, purchased the island from the heirs of Lieutenant MacDougall for 813 Pounds. In 1811, William Macomb died and his son, David, became the owner of the island. Six years later, Barnabas Campau, a descendent of one of the early French families, purchased the island for $5000. Barnabus Campus died and his widow—Alexandrine M. Campau—married R. Storrs Willis in 1864. He was a Detroit real estate developer whose name is memorialized in the Willis-Selden Historic District. He was also interested in music and collected art, some of it donated to what became the Detroit Institute of Art. They are the ones who built the attractive, well-maintained Victorian Style home that is pictured above.
There is another element. By the 1840s, English was well along in replacing French as the lingua franca in Detroit. Île aux Cochons may have already been translated to Pig Island by that time. However, the name was more or less officially changed to Belle Isle. I have heard two stories about the selection of that name. Lewis Cass had served as Territorial Governor, moved on to become Secretary of War in the Jackson Administration, and then served in the US Senate representing Michigan from 1845 to 1848 and later was a Democratic Party candidate to become president, but he lost the 1848 election to Zachery Taylor. He was very active in Detroit and Michigan political circles for years. I have heard that he selected the name to honor his daughter. However, I have also read the name was chosen to the Count of Belle Isle who was the physician traveling with Antoine Cadillac's party when he settled Detroit on July 24, 1701.
In 1879, the city of Detroit purchased Belle Isle for $180,000. I do not know, however, if those funds went to the Mr. Willis and his wife. I thought that the city of Detroit had to negotiate with the state government for the right to own Belle Isle and use it as a park. It may have been that the state legislature had much more authority over cities at that time than at present. The Home Rule Law of 1911, I believe, greatly increased the prerogatives of Michigan municipalities. Perhaps the state legislature, prior to 1911, had much more control over cities. For example, it was the state legislature that, in 1870, established Grand Boulevard in Detroit to separate a densely settled urban area within the ring from a rural area outside Grand Boulevard.
At some point, the home you see pictured here was taken over by the administrators of Belle Isle for their office space.


Our product range of temperature control devices provides control for microfluidic systems and devices. Temperature control is a key in several applications including nanostructure generation and controlled micro reactions. Especially applicable for droplet microfluidics where droplets need to be kept at certain temperature to prevent a solidification reaction until the droplets have left the chip. We offer custom heating and incubation solutions too, so if you are need anything specific to suit your requirements – please contact us!


Restaurants: For fish, "Gavião Novo" (4 minutes), "Marisa" (5 minutes) and "Jango" (5 minutes). For meat, "Taberna da Esquina" (4 minutes). For rice "Riso" (8 minutes). Other well-known restaurants : "O Forte" (7 minutes), "O Armazém do Sal" (10 minutes), "Sabor a Fado" (4 minutes) and "O Tapassol (5 minutes)".
Pastries: "Penha d' Águia" (2 minutes): try delicious "queijadas" and "pastel de nata".
Bars: "Esplanada da Barreirinha" (10 minutes): for a pre-dinner drink with sunset views. "Venda Velha" and "Mercearia da Poncha" to drink the most famous Madeira drink, Poncha. Not to be missed: those with maracujá and tangerine.
"Barreirinha" beach (10 minutes): A public beach with a sea-level sun deck.
"Socorro Church" (10 minutes) also known as "Santa Maria Maior Church": One of the most attractive churches in Madeira. The building was begun in the middle of the 16th Century, with new and important work carried out a century later. Demolished in 1752, a new and bigger church was built on the site. From the original chapel remains an exotic wood and silver sacrarium. The facade of the present church is marvellous, with its entrance doors a notable feature.
Rua de Santa Maria (3 minutes) – Strolling down the narrow streets you can enjoy some of the old culture that's left in this particular part of town. A lot of the old buildings still exist, some of which have been transformed into restaurants and bars. In addition, there is a new attraction, the "Arte de Portas Abertas", which is a public art programme to transform the Old Town into a permanent outdoor art gallery, displaying over 200 works of art, by invited artists, painted on Rua de Santa Maria's doors. This colourful project has helped to revitalise this part of town and make it more culturally significant for both locals and visitors.
Mercado dos Lavradores (3 minutes) – The Farmers Market is a must see! It is one of the highlights that Madeira has to offer, where all scents, colours, flavours and tradition combine to delight those who visit it. Built in 1939, in a gracious combination of 'art deco' and the modernist style, the main entrance and interior are decorated with panels of tiles, produced in Lisbon's once-famous ceramic factory. Here you will find the very best Island produce. Fresh exotic fruits, vegetables, fish and flowers in a picturesque setting. The flower sellers are dressed in the typical, colourful Madeirense costume adding yet more vibrancy to this magical place.
Inside, there are two floors and a huge central courtyard, where vendors engage in selling day-to-day products. You will even be allowed to do a bit of tasting before you buy. (a popular exotic fruit to taste is a cross between a maracujá and a banana). In the rear, you will find the fish market. Here you will see fish freshly caught (some are brought in still alive) from all over Madeira. Well known will be the black scabbard fish with its huge eyes, razor sharp teeth and long eel-like body. Taste, smell, vivid colours, fun and tradition!
Fortaleza de São Tiago (8 minutes) and the Museum of Contemporary Art - The beautiful Forte de São Tiago that was used to protect Funchal from possible invasions is also in the old town. The fort has small watchtowers and sentinel boxes from the 17th Century. The fort is open to the public and has some amazing views. It is now a museum complex that has undergone renovation and houses several museums including the Military Museum of Madeira and the Museum of Contemporary Art. In the Museum of Contemporary Art, there is a collection of contemporary Portuguese art from the '60s to the present day, with works by some of the most significant national artists. The Museum also has a collection of works by artists who are developing their art in Madeira.
Madeira Story Centre (5 minutes) – A modern museum about the history and culture of Madeira. The Madeira Story Centre will take you on a journey through the great historical events in Madeira, from the volcanic formation to the days of Dom Henriques, Napoleon, the first landing of a seaplane and Churchill. It offers a hands-on interactive experience where you feel the environment of different periods in time.
Cable Car (6 minutes) - This is an exciting way to show Madeira's hidden beauty gliding over some wonderful landscapes. The departure station is at the park Almirante Reis. You ascend 560 m (1, 837 ft.) over 3, 718 m (12,000 ft.) in 15 minutes to Monte, located near Monte Palace Tropical Garden, amidst charming scenery.
Armazém do Mercado (2 minutes) - The New Old Market. A blend of traditional and contemporary, a place to experience flavours, urban culture and childhood memories. Includes Toy Museum with a collection of 20.000 pieces: dolls, lead toy soldiers, miniature cars, games, dating from 19th century until present date.
Find these suggestions and more on the map here.


Wisdom Teeth are our last Molars in the upper & lower jaw. They are the last to erupt & thus often lose out on space. In such circumstances they start erupting at an angle & exert pressure on adjacent teeth or other structures & cause discomfort which may range from just a mild ache to severe pain with minimal mouth opening.
The normal age for these teeth to erupt is 18-25 years.
When a Wisdom Tooth is physically trapped between adjacent structures that prevent it from erupting completely, it is referred to as an 'Impacted Wisdom Molar'.
Today a sizeable portion of the population in the age group of 20 -35 years has Impacted Wisdom Teeth.
The procedure for treating such conditions involves surgically extracting the tooth involved & is generally a minor one.


text:
namespace password_manager {

SingleLookupResponse::SingleLookupResponse() = default;

SingleLookupResponse::SingleLookupResponse(const SingleLookupResponse& other) =
    default;

SingleLookupResponse& SingleLookupResponse::operator=(
    const SingleLookupResponse& other) = default;

SingleLookupResponse::SingleLookupResponse(SingleLookupResponse&& other) =
    default;

SingleLookupResponse& SingleLookupResponse::operator=(
    SingleLookupResponse&& other) = default;

SingleLookupResponse::~SingleLookupResponse() = default;

bool operator==(const SingleLookupResponse& lhs,
                const SingleLookupResponse& rhs) {
  return lhs.encrypted_leak_match_prefixes ==
             rhs.encrypted_leak_match_prefixes &&
         lhs.reencrypted_lookup_hash == rhs.reencrypted_lookup_hash;
}

}  // namespace password_manager

redpajama_set_name: RedPajamaGithub


Sautéed in butter, garlic, fresh tomatoes, parsley, Chablis wine, lemon, topped with Parmesan cheese.
Pasta dishes served with fresh vegetable or Tony's Homemade Coleslaw. Starch is the pasta.
Gift Certificates are available by calling ahead or visiting the restaurant during regular hours in any increment needed.


You are currently browsing the category archive for the 'Natural Theology' category.
Well, apparently evolution has failed to make us invincible behind the wheel. So humans have retooled themsellves to give Darwinism a little boost. This better (?) human being is able to roll with rolls, to bob and weave with head-ons. Only, I think there's one design flaw. This better human cannot procreate because he is so repulsive.
I'll stick with Intelligent Design. God makes perfect humans – able to build vehicles, make them safer, find romance, and perpetuate the race. No accident!


This portable vaporizer is equipped with the latest and greatest vaping technology. Awarded Best Vape Pen 2016 by "The Vape Critic", the Gravity Vape Pen has a temperature controlled battery (300˚, 350˚, 390˚, 430˚). It even has an air carb quartz crystal chamber w/ dual quartz rods and titanium coils. Lucky enough, this vape pen also comes with another kind of atomizer: a coil-less chamber with ceramic dish. The Gravity Vape Pen uses an elevated air flow system, and has a 10-second auto-shutoff safety feature. A hard shell carrying case is included, as well as alcohol wipes. Not to mention, this vape has a lifetime warranty on its battery! Handmade and designed in the USA, the Gravity Vape Pen is exceptional on all ends. One of the great features of the Gravity Vaporizer is its deep chamber, which has a large capacity for concentrates. More specifically, the deep chamber has a 0.5 gram capacity for concentrates. As we mentioned above, this vape pen comes with two different types of atomizers. These atomizers are distinct from one another in function. The coil-less ceramic chamber is better for preserving the flavor of your concentrates. Ceramic is a material that heats up slowly, which allows for the production of such flavorful vapor. On the other hand, the quartz rod atomizer is better for a fast heat up time. While ceramic takes a bit longer to heat, quartz is more conductive. Additionally, the quartz rods have titanium coils wrapped around them. The titanium coils are even more conductive, and retain heat for a long time. Thanks to the inclusion of both these atomizers, you have the freedom to vape to your preferences. If you need a new vape pen for concentrates, look no further. The Gravity Vape Pen is a versatile and capable vaporizer, which is sure to provide you with the best vaping experience possible.


"We make smart contracts accessible to everybody", Steve Deng, Chief AI Scientist of MATRIX said in a BlockChain conference in HongKong on Jan 16, just one day before MATRIX announced ICO ended with a complete success of raising 13,227.5 ETHs.
Officially launched in 2016, the BlockChain startup is looking at the market value of 360 millions of USD and aims at rank among the top 100 in global cryptocurrencies. Investors are obviously attracted and gaining confidence.
When Deng won the 1st prize in the world top AI competition Pascal and COCO together with his team, the Tsinghua professor might not expect that how artificial intelligence will shape the future of BlockChain as what he is doing now. His team focuses on deep learning based Bayesian algorithm and he has been PI for numerous national-level research projects. Now he is in charge of designing machine learning algorithm for MATRIX.
With a fusion of BlockChain and AI Technology, MATRIX has built a revolutionary BlockChain 3.0 cryptocurrency solution that brings significantly boosted transaction speed, enables general users with natural language processing (NLP) technology, enhances security under intelligent contract, and utilizes mining activity with universal value.
"BitCoin mining consumes 17% of total global computing power, it is wasteful for mankind for hash calculation". However, the MATRIX team apparently keens to challenge the status quo. Besides, the team includes industry-leading experts like Bill Li (Chief Network Architect), Ethan Tian (Chief R&D Engineer), Tim Shi (Chief Chip Scientist), are inventing a new Bayesian mining system. Furthermore, these mining activities will support medical diagnoses, complex financial modeling, behavior recognition and any other non-crypto cases which need massive computing power.
MATRIX ICO ended at 3:07:02, Jan 17 (UTC).
A total of 13227.5 ETHs are sold through 212 transactions.
However, the firm is Designed to be the new generation blockchain. The firm leverages the latest AI techniques to revolutionize the landscape of cryptocurrency. MATRIX differentiates itself from previous blockchains by offering breakthrough technologies. Such technologies help to build AI-enabled autonomous and self-optimizing blockchain networks. Furthermore, the platform features multi-chain collaboration and decoupling of data and control blocks.


text:
Lee Paul Roche (born 28 October 1980) is an English former professional footballer. He played as a right sided full-back but could also play on the right of midfield.

Club career

Manchester United
Roche started his career as a trainee at Manchester United but made only one substitute appearance in the league against Newcastle United. He also started a League Cup game against Arsenal and a Champions League tie against Deportivo la Coruna. During his time with the 'Red Devils' the young full-back was loaned out to Wrexham for the 2000–01 season, and was a key member of the team for the entire season, playing in 41 of the 46 league games.

Burnley
At the end of 2003 Roche was released on a free transfer from Manchester United. Burnley were the team to take advantage of this situation with then manager Stan Ternent using his connections to the Old Trafford club to sign the promising youngster to a two-year deal.

In his first season, Roche wasn't a first team regular, despite scoring an outstanding 25-yard volley against Crystal Palace on his debut which although credited to him was a clear own goal. Towards the end of the 2003–04 season though, he began to push the previous right back, Dean West out of the side. Unfortunately for Roche, Ternent's contract wasn't renewed and Steve Cotterill was appointed as the new manager at Turf Moor. Cotterill did not rate Roche as highly as Ternent had done, and brought in Mike Duff from Cheltenham Town instead. Roche still featured in the team fairly regularly though, but out of position on the right side of midfield where he looked much less comfortable. Roche scored his only other Burnley goal in a famous 2–1 victory at Elland Road against Leeds United.

Wrexham
After his two-year contract with Burnley expired, Roche returned to play for Wrexham in the summer of 2005. He scored on his second debut for the club against Boston United. At the end of the 2006–07 season Roche was released by Wrexham after a disappointing season in which they just avoided relegation to the Football Conference.

Later career
He joined Droylsden  in 2007, staying with the club until February 2011.

International career
Roche made one appearance for the England under-21s; he started the 2−2 draw with Finland during qualifying for the 2002 UEFA European Under-21 Championship.

Retirement
Following a sequence of injuries and falling out of love with the game, Roche retired from football at age 27. He now works as a plumber and cavity wall remover and also coaches the Bury F.C. under-11 side.

References

External links

1980 births
Living people
Footballers from Bolton
English footballers
Association football defenders
Manchester United F.C. players
Wrexham A.F.C. players
Burnley F.C. players
Droylsden F.C. players
Premier League players
English Football League players
National League (English football) players

redpajama_set_name: RedPajamaWikipedia


The reason is simple, it is the same car, a few months apart.
The first video runs the 6spd Ae111 Blacktop ECU and the second one is running the 5spd Ae111 Blacktop Ecu. The wiring loom is identical and the engine is the same.
is there a technical reason why the 5 speed ecu has a lower rev limit compared to the 6 speed?
For those who are wondering at 5 seconds vvt engages and advances the timing. All 20vs regardless if black or silvertop should do this.
The induction noise is wicked.
See, mine is a 6 speed, and only revs to 8k. On a cold day it's 8200k. Cold being 25 degrees at night.
Anything to do with darwins freakish humidity?


text:
Q: Is a random subset of the real numbers non-measurable?  Is the set of measurable sets measurable? One might say, "a random subset of $\mathbb{R}$ is not Lebesgue measurable" without really thinking about it.  But if we unpack the standard definitions of all those terms (and work in ZFC), it's not so clear.
Let $\Sigma \subset 2^\mathbb{R}$ be the sigma-algebra of all Lebesgue measurable sets.  Give $2^\mathbb{R}$ the product measure.  (It's a product of continuum many copies of the two-point set.)  We want to say that $\Sigma$ is a null set in $2^\mathbb{R}$...but is $\Sigma$ even measurable?
Laci Babai posed this question casually several years ago, and no one present knew how to go about it, but it might be easy for a set theorist.
Also, a related question: Think of $2^\mathbb{R}$ as a vector space over the field with two elements and $\Sigma$ as a subspace. (Addition is xor, that is, symmetric set difference.) What is $\dim\left(2^\mathbb{R}/\Sigma\right)$?
It's not hard to see that $\dim\left(2^\mathbb{R}/\Sigma\right)$ is at least countable, so if $\Sigma$ were measurable, it would be a null set.  But that's as far as I made it.

A: The problem of choosing subsets at random has been studied in a rather different context in mathematical economics. Suppose we choose a subset of $[0,1]$ by independently throwing a fair coin for each number. Heuristically, such a set should have measure $1/2$. For what we do is randomly choose an indicator function with pointwise expectation $1/2$. By some intuitive appeal to a law of large numbers, the sample realizations should have the same expectation. This kind of reasoning is widely used in economics. A large population is modeled by a continuum and even when each person faces individual uncertainty, there should be no aggregate uncertainty.
For the reason given by Will Sawin, the naive approach doesn't work quite well. For Lebesgue measure, some intuition comes from Lusin's theorem to the effect that every measurable function is continuous on a "large" subset. Continuity is a condition to the effect that the value at a point is closely related to the value at nearby points. If you choose independently at each value, you wouldn't expect to get a function continuous on a large set.
The general tradeoff between independence and measurable sample realizations is strongly  expressed in the following result of Yeneng Sun:
Proposition: Let $(I,\mathcal{I},\mu)$ and $(X,\mathcal{X},\nu)$ be probability spaces with (complete) product probability space $(I\times X,\mathcal{I}\otimes\mathcal{X},\mu\otimes\nu)$ and $f$ be a jointly measurable function from $I\times X$ to $\mathbb{R}$ such that for $\mu\otimes\mu$-almost all $(i,j)$ the functions $f(i,\cdot)$ and $f(j,\cdot)$ are independent. Then for $\mu$-almost all $i$, the function $f(i,\cdot)$ is constant.
Note that the independence condition in this result is quite weak. Sun calls it almost sure pairwise independence. But an important discovery by Sun was that if joint measurability and almost sure pairwise independence were compatible, one could obtain an exact law of large numbers for a continuum of random variables by an application of Fubini's theorem. In particular, such a law of large numbers holds for extensions of the product spaces that allow for the conclusion of Fubini's theorem to hold and still allow for nontrivial (a.s. pairwise) independent processes. He called such extensions rich Fubini extensions and gave one example of such a product space: The Loeb product of two hyperfinite Loeb spaces. So one can get natural random sets for some spaces. The reference is: The exact law of large numbers via Fubini extension and characterization of insurable risks (2006)
A systematic study of rich Fubini extensions was done by Konrad Podczeck in the paper On existence of rich Fubini extensions (2010), in which he has essentially shown that one can choose random subsets of a probability space if and only if the probability space has the following property, which he called super-atomlessnes (and which is known by a lot of other names such as saturation):
For any subset $A$ with positive measure, the measure algebra of the trace on $A$ does not coincide with the measure algebra of a countably generated space.
Lebesgue measure on the unit interval does not satisfy this condition, but there exists extensions of Lebesgue measure that are superatomless.
Conclusion: One cannot obtain random Lebesgue measurable sets in a sensible way by choosing independently elements, but one can choose random sets in an extension of Lebesgue measure this way.

A: See this amazing paper ...
Fremlin, David H.; Talagrand, Michel
A decomposition theorem for additive set-functions, with applications to Pettis integrals and ergodic means.
Math. Z. 168 (1979), no. 2, 117–142.
DOI: 10.1007/BF01214191, eudml
https://mathscinet.ams.org/mathscinet-getitem?mr=544700

A: The answer to your second question (assuming the axiom of choice, to dodge Asaf's comment) is that $2^{\mathbb R}/\Sigma$ has dimension $2^{\mathfrak c}$, where $\mathfrak c=2^{\aleph_0}$ is the cardinality of the continuum.  The main ingredient of the proof is a partition of $[0,1]$ into $\mathfrak c$ subsets, each of which intersects every uncountable closed subset of $[0,1]$.  To get such a partition, first note that there are only $\mathfrak c$ closed subsets of $[0,1]$, so you can list them in a sequence of length (the initial ordinal of cardinality) $\mathfrak c$ in such a way that each closed set is listed $\mathfrak c$ times.  Second, recall that every uncountable closed subset of $[0,1]$ has cardinality $\mathfrak c$.  Finally, do a transfinite inductive construction of $\mathfrak c$ sets in $\mathfrak c$ steps as follows: At any step, if the closed set at that position in your list is $C$ and if this is its $\alpha$-th occurrence in the list, then put an element of $C$ into the $\alpha$-th of the sets under construction, being careful to use an element of $C$ that hasn't already been put into another of the sets under construction.  You can be this careful, because fewer than $\mathfrak c$ points have been put into any of your sets in the fewer than $\mathfrak c$ preceding stages, while $C$ has $\mathfrak c$ points to choose from.  At the end, if some points in $[0,1]$ remain unassigned to any of the sets under construction, put them into some of these sets arbitrarily, to get a partition of $[0,1]$.
Once you have this partition, notice that every piece has outer measure 1, because otherwise it would be disjoint from some closed set that has positive measure and is therefore uncountable.  This implies that, among the $2^{\mathfrak c}$ sets that you can form as unions of your partition's pieces, only $\varnothing$ and $[0,1]$ can be measurable.  In particular, no finite, nonempty, symmetric difference of these pieces is measurable.  That is, they represent linearly independent elements of $2^{\mathbb R}/\Sigma$.

A: $\Sigma$ is clearly not a measurable set in the product sigma-algebra, moreover it is so non-measurable that every measurable set containing it is the whole set (any any measurable set contained in it is trivial).
Proof: Consider the set of sets of sets of real numbers consisting of all sets of sets of real numbers $S$ where whether a set of real numbers $T$ is contained in $S$ is determined by $T \cap U$ for some countable set of real numbers $U$. That is, if $T' \cap U=T \cap U$, then $T' \in S$ if and only if $T \in S$. Less formally, this set of sets of sets of real numbers consists of all properties that can be checked by only looking at countably many points.
This is clearly a sigma-algebra. It contains the product sigma-algebra because it contains sets of the form $\{T\in 2^{\mathbb R}| x\in T\}$ for each real number $x$. And it clearly does not contain the set of measurable sets, nor any proper set containing the set of measurable sets, nor any nontrivial set contained in the set of measurable sets, because one can add or remove arbitrary countable sets from a measurable/non-measurable set and preserve its measurability/non-measurability, and both measurable and non-measurable sets exist.

redpajama_set_name: RedPajamaStackExchange


1. What kind of licence do I need to drive the minibus?
The licence category D1 (small bus-licence) is required for minibuses with a maximum of 16+1 seats.
which already includes category D1.
If you want to drive the minibuses with a trailer, you need the licence categories D1E or DE.
2. Can I use the minibuses travel abroad?
Please inform us before the rental of your travel request. With the release clause in the contract you may enter with the minibuses in almost all European countries.
3. What speed should I drive by minibus?
The minibuses belong to the category of buses (and not cars). The maximum speed limit on German motorways is 100km / h.
6. Can you get the minibuses delivered to other places in Germany?
Of course we deliver our minibuses to any desired address in Germany or Europe. Within Germany we charge for delivery and collection of minibuses each € 1.50 net per delivery- or pickup-kilometers, a maximum of € 300,00 net per delivery or collection process.
7.What are the opening hours?
All other times require individual arrangement and are normally afflicted with extra charge.
- all vehicle deliveries and returns take place by prior arrangement.(As terminated in the contract).
8. Why are all prices listed on your price list in net?
For the majority of our customers in the commercial sector, net prices are interesting. Needless to say, all prices have VAT (currently 19%) were added.
9. Do I have to pay toll charge for the minibus?
In Germany, on the normal roads (motorways and main roads) are no toll charge for minibuses provided.
10. Do I have to pay the rent in advance?
The rent is always in advance, at the latest to be paid at the minibus delivery.
11. What method of payment is accepted?
We accept prepayment (bank transfer), credit card or local cash.
12. Is a caution required?
In general, there is only a caution of minimum € 1,000.00 and a maximum € 2,000.00, if you do not order a driver. The caution can be paid local cash and if you deliver the minibus correct, accident-free and clean, it is going to be repaid. Besides the Euro we accept US-Dollar and Swiss francs, to the current market value, as a payment of the caution. The repayment will only be made in the stored currency. The payment of the caution is tax-neutral.
14. What is necessary to know about the air-conditioning systems in the minibuses?
Most air-conditioning systems in our minibuses comply with the European standard and have the ability to reduce the inside temperature 5-10 degrees lower than the outside temperature. Important to know: Most American tourists are used to a higher standard of air-conditioning systems.


text:
Q: Python : Increase a string I am not really familiar with Python yet.
I have a string like "11223300". Now I want to increase the last byte of that string ( from "00" to "FF"). I tried to convert the string into an integer ( integer=int(string,16)) and increase it, and convert it back later, but that does not work for me. Maybe one of you guys has a better idea.
string = "11223300"
counter = int(string, 16)

for i in range(255):
    counter = counter + 1
    IV = hex(counter)

Now I want to convert the IV from hex into a string
Thanks!

A: You can use format to convert int to your hex string, which will not keep the 0x prefix:
string = "11223300"
counter = int(string, 16)

for i in range(255):
    counter = counter + 1
    IV = format(counter, 'X')
print(IV)

Output:
112233FF

A: The function below takes a string and increases it by n from a given charset
For example, in the charset ['a','b','c'] :

*

*"aaa" + 1 = "aab"

*"aac" + 1 = "aba"

*"acc" + 2 = "bab"
def str_increaser(mystr, charset, n_increase):

    # Replaces a char in given string & index
    def replace_chr_in_str(mystr, index, char):
        mystr = list(mystr)
        mystr[index] = char
        return ''.join(mystr)

    # Increases the char last (n) and possibly its left neighboor (n-1).
    def local_increase(mystr, charset):
        l_cs = len(charset)
        # increasing 1 to last char if it's not the last char in charset (e.g. 'z' in lowercase ascii).
        if (charset.index(mystr[-1]) < l_cs - 1):
            mystr = replace_chr_in_str(mystr, -1, charset[charset.index(mystr[-1]) + 1])
        # else, reset last char to the first one in charset and increase the its left char, using a reducted string for recursion
        else:
            mystr = replace_chr_in_str(mystr, -1, charset[0])
            mystr = local_increase(mystr[:-1], charset) + mystr[-1]
        return mystr

    # Case if input = "zz...zz" in an ascii lowercase charset for instance
    if (mystr == charset[-1] * len(mystr)):
        print("str_increaser(): Input already max in charset")
    else:
        for i in range(n_increase):
            mystr = local_increase(mystr, charset)

    return mystr

Here's an exemple :
# In bash : $ man ascii
# charset = map(chr, range(97, 123)) + map(chr, range(65, 91))
import string
charset = string.lowercase + string.uppercase
print(str_increaser("RfZ", charset, 2)) # outputs "Rgb"

This function might be used to get all permutations in some charsets.

A: So are you literally wanting to change the last two bits of the string to "FF"? If so, easy
string = "11223300"
modified_string = string[:-2] + "FF"

Edit from comments
hex_str = "0x11223300"
for i in range(256):
    hex_int = int(hex_str, 16)
    new_int = hex_int + 0x01
    print(hex(hex_int))
    hex_str = str(hex(new_int))


text:
Tenneco Named a 2021 Supplier of the Year by General Motors
LAKE FOREST, Ill., March 21, 2022 /PRNewswire/ -- For the fifth consecutive year, Tenneco (NYSE: TEN) was recognized as a Supplier of the Year by General Motors. As the global automaker celebrated honorees last week at its 30th annual Supplier of the Year awards ceremony in Phoenix, Arizona, Tenneco's Powertrain Business Group accepted the award for the third straight year in the category of Connecting Rods & Pistons. Overall, all three of Tenneco's original equipment business groups – Clean Air, Performance Solutions and Powertrain – have been recognized with the GM award in the past five years.
"At a time when our industry has faced one challenge after the next, I'm proud of how our Powertrain team members around the world leverage innovation and technology to deliver solutions today, as they work to make tomorrow even better," said Brian Kesseler, CEO of Tenneco. "We are honored to receive this award from our largest customer, and we look forward to continuing to provide GM with next generation solutions for cleaner, more efficient, more comfortable, and reliable mobility."
GM's Supplier of the Year award recognizes global suppliers that distinguish themselves by exceeding GM's requirements, in turn providing GM customers with innovative technologies and among the highest quality in the automotive industry. This year, GM recognized 134 suppliers from 16 countries with the Supplier of the Year distinction.
"This year's Supplier of the Year event was special not only because it's the 30th anniversary of the program, but because it provided us with the opportunity to recognize our suppliers for persevering through one of the most challenging years the industry has ever faced," said Shilpan Amin, GM vice president, Global Purchasing and Supply Chain. "These top suppliers showed resilience and reinforced their commitment to pursuing sustainability and innovation. Through our strong relationships and collaboration, GM and our suppliers are poised to build a brighter future for generations to come."
A global cross functional team selected the 2021 Supplier of the Year winners based on performance criteria in Product Purchasing, Global Purchasing and Manufacturing Services, Customer Care and Aftersales and Logistics.
Tenneco is one of the world's leading designers, manufacturers and marketers of automotive products for original equipment and aftermarket customers, with full year 2021 revenues of $18 billion and approximately 71,000 team members working at more than 260 sites worldwide. Through our four business groups, Motorparts, Performance Solutions, Clean Air and Powertrain, Tenneco is driving advancements in global mobility by delivering technology solutions for diversified global markets, including light vehicle, commercial truck, off-highway, industrial, motorsport and the aftermarket.
Media inquiries:
Steve Blow
sblow@tenneco.com

redpajama_set_name: RedPajamaCommonCrawl


Yes, Pair of Medics First Aid is happy to offer corporate or large group discounts.
Private groups or companies with 10+ registrants will qualify for a discount.
We are open Monday to Friday from 9:00 am to 5:00 pm PST.


There are many jobs in the footwear category. Candidates can apply to the exact job variety that they are interested in. With so many job offerings, candidates can search for their dream job in this place. They can get the job in the footwear category that they always wanted. With so many varieties of jobs, candidates can get the best of the jobs that are offered here. As the footwear industry is vibrant and growing, candidates can benefit from the footwear job offers listed here. These jobs are very interested and will provide a good experience to people interested.


text:
Public Housing Requires Private Management
By Dr. Robert Kleiman
One of the most disastrously mismanaged public housing programs in the nation is in Detroit, Michigan. Even the U. S. Department of Housing and Urban Development (HUD) thinks the program is a failure, prompting The Detroit News to editorialize that "the city is incapable of meeting the needs of the housing poor."
The Motor City's public housing has been plagued with problems for decades, including a chronically high vacancy rate, long waiting lists for people to obtain housing, failures to collect rents on time and enforce leases, and excessive delays in making repairs. The department operates about 9,000 public housing units, more than 50 percent deemed virtually uninhabitable. Despite millions of dollars of subsidies to rehabilitate and update housing units, hundreds of units stand empty while nearly 2,000 families looking for homes languish on waiting lists. The units had a 55 percent vacancy rate in 1994.
In its rush to meet deadlines attached to federal monies for public housing repair and restoration, the Detroit Housing Department (DHD) may have compromised standard contract procurement practices. For example, in 1995, $13 million was spent for studies by private management consultants. In some cases, the contracts were awarded without competitive bids to firms whose principals had previously worked with a DHD official. "It looks to me like DHD is a lot more concerned with handing out million-dollar contracts to fancy consultants from Boston," said public housing resident and activist Lena Bivens, "than it is with fixing up apartments and keeping them livable for Detroit families."
These difficulties provide strong evidence that the current system is not working. The public housing units need professional management, not city bureaucrats placed in positions of authority on the basis of seniority or personal contacts. Yet, in November of 1995, the Detroit Housing Department rejected a $20.5-million offer from the Phoenix Residential Corporation that advocates said would have renovated 240 blighted public housing units at the Parkside Homes housing project and trained dozens of residents for jobs in the construction trades.
In rejecting the proposal, the city cited doubts about the company's financial strength and its ability to follow through on commitments. However, even after funding was firmed up, with $8.5 million in direct loans from the AFL-CIO Housing Investment Trust and $12 million in investor equity, the city still balked. At least one other similar initiative met the same fate. It seems that Detroit's public housing bureaucrats do not want to clean up their act and don't want anybody cleaning it up for them either.
No private owners or private managers of rental housing could behave in this fashion and get away with it. Nor could they draw upon the public purse to subsidize and perpetuate it year after year. When private capital is at risk, the private sector has an incentive to refurbish and maintain housing units on a timely basis and within budget. That's why management and/or ownership by accountable private parties or the tenants themselves would provide direct and immediate incentives to improve the living environment.
Government-provided housing rests on dubious assumptions to begin with, but surely its prime objective should never be to provide employment for bureaucrats. Accordingly, Detroit should liberate public housing from an inept bureaucracy by selling off its housing units to the tenants themselves (as British Prime Minister Margaret Thatcher did with more than a million public housing units), or at least privatizing the management of city housing.
In such cities as Atlanta, Boston, St. Louis, and Washington D.C., private or tenant management has improved living conditions and assisted in turning blighted unsafe projects into places of hope. In 1993, the director of the public-housing department in Dade County (Miami), Florida, Gregory Byrne, unveiled plans to privatize 13 percent of the county's 12,000 public housing units. Evidence thus far indicates that privatizing ownership or management of public housing projects produces improved maintenance and management, as well as less crime, drug usage, and teenage pregnancy. It's not a panacea, but the poor, most importantly, gain more control over their own destinies.
Detroit's continuing failure to make necessary and timely corrections to the management of its public housing stock provides ample evidence that it should get out of the public housing business. The living conditions of its poorest residents hang in the balance.


People who make irrational decisions when faced with problems are at the mercy of their emotions, a study says.
Researchers traced the origin of such decisions to the brain's emotion centre, the amygdala, in a study of 20 people using a gambling game.
That brain region fires up in people faced with a difficult situation but reactions to its effects vary, the University College London team found.
The study findings were published in the Science journal.
The researchers found some people kept a cool head and managed to keep their emotions in check, while others were led by their emotional response.
In each trial, participants motivated by the promise of real money were first offered a starting amount of $50.
They were then presented with one of two "sure option" choices, either to "keep $20", or to "lose $30", as well as the opportunity to take an all-or-nothing gamble.
Although both sure options left players with the same amount of cash, $20, people were more likely to gamble when faced with the prospect of losing $30.
Given the "keep $20" option, volunteers played it safe and gambled only 43% of the time.
When asked if they wanted to "lose $30", they gambled on 62% of occasions.
The decision to gamble was irrational, since in every case the amount of money they stood to gain was the same, while everything could be lost by gambling.
Brain scans revealed that the amygdala fired up when subjects either chose to keep a sure gain or decided to gamble in the face of certain loss.
The brain region, which controls emotion and plays a role in the "fight or flight" reaction to perceived threats, appeared to be pushing people to keep sure money, or to gamble instead of losing.
In both situations an emotional reaction was involved, which in the case of gamblers triggered an irrational response.
Lead researcher Benedetto de Martino said: "It is well known that human choices are affected by the way in which a question is phrased.
"Our study provides neurobiological evidence that an amygdala-based emotional system underpins this biasing of human decisions.
"Moreover, we found that people are rational, or irrational, to widely differing amounts."
He said the amygdala was active in all participants, regardless of whether they behaved rationally or not.
In more rational individuals there was greater activation of the orbitofrontal cortex, a part of the brain which deals with higher executive functions such as reasoning and planning.
This suggested that people who behaved rationally were better able to manage or override their emotional responses.
When you overreact to situations, or have problems with anger management, even the most minor snafu can cause you to storm out of the room, slam down the phone, or shut down entirely. It's as if you can't help it -- the reaction is as automatic as a mallet to the knee.
As youngsters, we learned to adapt to our families' idiosyncrasies as a way of survival. In the past, psychologists referred to these coping mechanisms as "baggage," but science has now shown us that these responses are actually hard-wired into our brains. And when our responses are ingrained, they become our filtering system for future incidents.
Let's say a child comes from a home where the parents fight frequently. That child is going to associate yelling with bad feelings. As an adult he is likely to shut down when his spouse raises her voice, just like when he was a kid -- running to his room, closing the door, and essentially blocking out the noise.
This easy exercise can help you improve anger management and start "rewiring" your brain to better control those over-reactions. Practicing this exercise will help you make positive changes in your life.
When you find yourself projecting past experience onto a present one, try to imagine alternative ways to handle the situation. For example, let's say you have lunch plans with a friend who cancels at the last minute. Immediately, you feel an overwhelming sense of hurt and rejection, which is how you always feel in similar situations. This indicates a past pattern! Be conscious of this and take a step back to recognize it.
Next, replay the actual situation as vividly as possible: the phone ringing, the sound of your friend's voice, the awkward goodbyes, and imagine yourself carrying out one of your new solutions. Maybe you decide that being understanding of your friend's busy schedule is the best choice.
Replay the phone call and plug in your new behavior (the understanding you) rather than playing out your old behavior of feeling rejected and hurt.
Before long, you will begin to see a slight shift in how you feel. Every time you repeat this exercise you will refocus your attention on a new outcome. This will rewire your brain, make new neural connections, improve your anger management – and make positive changes in your life.


text:
Leaps & Bounds
Home About Leaps & Bounds Testimonials Current Projects Support Us Contact Us Previous Projects
About Leaps & Bounds
Leaps & Bounds Trust is a registered charity and company limited by guarantee. Its delivery remit, and governing principles, is to work with at-risk young people to turn their lives round through a combination of intense & sustained personal development, ongoing pastoral support and the highest standard of artistic, cultural or sporting engagement.
Leaps & Bounds delivered the acclaimed Ballet Hoo! project bringing ballet and personal development to a group of vulnerable teenagers. Building on this success we are developing new projects.
We work exclusively with disadvantaged and at risk young people aged 14 to 19 typically drawn from areas of social and economic deprivation. We use a unique combination of three ingredients to generate extraordinary changes in the lives of these young people:
Personal intervention, uncovering issues for each young person, challenge their behaviours, and help them to see and make different choices;
Involvement in cultural projects of the highest standard, working with professional artists and sportspeople;
Ongoing one-to-one pastoral support and personal development from locally based Life Coaches.
Working with each group for a period of 12 to 18 months we help each young person to generate extraordinary change in their lives. Typically these changes include:
Enrolment in education or employment
Creating stable home lives and renewing damaged family relationships
Ending criminal behaviour
Improving health and fitness
Typically young people from our projects have benefited as follows:
91% continued to improve their physical health and self-esteem
82% developed more stable family relationships
80% returned to education or secured jobs
80% who were in care are living now independently
No-one is now homeless.
By supporting young people in education and encouraging a return to education or work for those that are not, the Leaps & Bounds programme offers an alternative route to educational achievement resulting in qualifications such as a BTEC in Performing Arts, Youth Arts Award, Modern Apprenticeship Award and Millennium Volunteers Award.
We are delighted to announce that the Leaps & Bounds WROSNE project reached the semi-finals of The National Lottery Awards. The Awards are an annual search to find the UK's favourite Lottery-funded projects, and they aim to celebrate and recognise the difference that those projects have made to people, places and communities all across the UK. WROSNE certainly did! The WROSNE project competed against nine other projects for the title of Best Arts Project. Unfortunately we did not recieve enough votes to become the favourite project however thank you to everyone who did take the time to vote. We are currently working on developing new projects - so watch this space!
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There is nothing in the United States to quite compare with England's FA Cup Final. It is our Super Bowl (American football) and World Series (baseball) rolled into one. The final of this 130-year-old competition is England's premier sports event, and tickets, even for a participating team's most ardent fans, are extremely difficult to come by.
In the 1971-72 season each Arsenal game programme had a little triangular voucher at the top corner of the back page. These vouchers were the currency by which one proved himself worthy to purchase Cup-Final tickets. This was the second season I had followed Arsenal. The year before, the team had achieved a historic double, winning the league championship and the FA Cup. I had attended virtually every home match (and many on the road), but I was careless about keeping vouchers, and I didn't remotely qualify for tickets.
The next season, although one would certainly not reasonably expect Arsenal to reach the final a second consecutive year, I was more conscientious, and when, miraculously, Arsenal did again reach the final, my application contained 20 of the 22 possible vouchers. (I was unable to attend one match, and at another I was unable to buy a programme).
I mailed my application with vouchers properly attached, a cheque and a self-addressed envelope (for the FA to use - hopefully - to send me my ticket!) , and waited to see if a precious ticket would arrive. I knew it would be close. I was missing two vouchers. It was a couple of weeks of checking daily and finding nothing significant, when one Saturday morning my mail contained two envelopes. One was MY OWN SELF-ADDRESSED ENVELOPE! The other piece of mail, a brown envelope with no return address, was obviously junk mail.
It was one of those moments when time seems to stop, and yet you are acutely aware of certain physical things happening to you. Perspiration oozing. Heart pounding. The tip-off was the presence of my cheque. As soon as that self-addressed envelope was even slightly opened and I could see the cheque, I knew my fate. The enclosed letter said they were sorry. Tickets were scarce, and applications were many. My two missed vouchers had doomed me. Well, I had thought 20 out of 22 tickets would be enough. My heart was no longer pounding and had moved to somewhere in my lower stomach. The nervous ooze of perspiration had gone clammy as I absent-mindedly opened the piece of junk mail. OH MY GOD! WHAT'S THIS?... TWO TICKETS.... TO... THE CUP FINAL?
That plain brown envelope contained two cup final tickets and a short letter. The letter was from a Mr. G.A. Watts. It said something like, "Your friend in San Francisco, Mr. James Howell asked that I send you these tickets. I hope you enjoy the match". Jamie was indeed a friend in San Francisco, but who was G.A. Watts? And how could he have this man send me tickets?
It turned out that Mr. Watts was chairman of Everton Football Club! My friend Jamie was working at the Jefferson Airplane offices in San Francisco, where his secretary was Jackie Watts, Mr. Watts' daughter. Jamie knew that I was a fanaticalArsenal supporter, and he simply asked a friend and fellow worker if her father would send me tickets. And, amazingly, they arrived in the same post as my own rejected ticket application!
Leeds United beat Arsenal 1-0 that year, but the important thing is that I was there!
Adapted and reproduced courtesy of www.footie51.co.uk.


Global Health Study the newest health news together with easy ways to undertake a healthy life-style: From weight-reduction plan and weight reduction tricks to recommendation on managing and preventing diabetes, we'll keep you looking and feeling your finest. All Group Fitness classes embody modifications for all fitness ranges to make sure that every participant has the flexibility to set and meet their individual fitness goals. The courses are wonderful with all kinds obtainable at convenient occasions. On the end of the day, if you're trying to improve your well being, help the planet, and save your pockets, filling up a reusable water bottle with tap water is a good strategy to begin. On the upmarket Saint Jude gym and spa in Montreal's bourgeois-bohemian Plateau-Mont-Royal neighborhood, members show off their muscle mass in the church's former chapel, forsake kneeling in favor of ashtanga yoga poses and luxuriate in an out of doors steamy tub in the shadow of the church's imposing steeple.
Group fitness classes have lots to offer for each fitness degree. Our members are guided by passionate fitness coaches in personalized fitness and weight loss programs utilizing state-of-the-artwork fitness tools, personal and group training, classes and spa companies. To learn extra about every group fitness class that we provide at our Onelife Fitness gyms, merely scroll down and click on any of the courses featured to get a full description. A total body exercise combining yoga sequencing with weight coaching.
Study extra about group fitness courses like Apex, Zumba, Yoga, Mat Pilates, Aqua Fitness, BarreOne, Cycle, PiYo, BODYPUMP, BODYCOMBAT, Dash, BODYATTACK, BODYFLOW, CXWORX, GRIT, BODYSTEP, RPM, BODYJAM, SH'BAM, and BANG Power Dance. Every day focusses on a unique are of the physique (Straight jab Mondays, Hook Tuesdays and so on) so you will discover a day that fits your favourite boxing approach. "Assuming that the faucet water satisfies all health and security codes for the neighborhood, yeah, it is perfectly superb," says Dan Heil , a professor of health and human efficiency at Montana State College.
Interval training and muscle conditioning mixed right into a one hour class that will depart you wanting extra. We then move into ballet power, using gentle weights and finish with focused balletic conditioning to complete your full physique training. Every Wednesday at 7.30pm London Area's Fitness hold a boxing class for simply £5. These high energy classes will assist to develop your boxing technique and tone your upper physique. Additionally they supply quite a lot of completely different barre courses, from box and burn to bum-focussed barre exercises and extra.


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Category Archives: Renfrew Lower
Bonnechere River – Renfrew Lower Plant – Upgrade and Expansion
By Linda Heron on Tuesday, July 8th, 2014
Posted in Bonnechere River, Renfrew Lower, Rivers at Risk
This is an upgrade and expansion through the Hydroelectric Standard Offer Program (HESOP) – municipal stream. Thompson Road, RR 1, Horton
Renfrew Power Generation Inc. owns and operates two dams and two power generating plants on the Bonnechere River, in the Town of Renfrew. In addition, there are 3 control dams on Golden Lake, Round Lake and Lake Clear that are used as reservoirs to moderate the flow of the river throughout the year. The Lower Plant is a two-unit hydroelectric station. This station has its own dam structure which holds back water from the discharge of the Upper Plant. The station was put into service in 1902 consisting of two generation units (Units 4 & 5), and has an installed capacity of 1.003 MW at a head of 11.7 metres.
The Lower Plant is a run-of-river operation. The generating cycle starts with spring freshet where water flows exceed the generator capacity and water is bypassed till early summer. During this period, the reservoir lakes are filled. Mid summer to mid fall, the reservoirs are drawn down but there is insufficient water flow to run the plant to capacity. Fall rains will partially fill the reservoir lakes until at freeze up in mid-December and the Lakes are drawn down to the pre spring freshet levels.
The Lower Plant consists of a dam structure, which consists of four spillways. Three spillways use stop logs for level control and one has a steel gate for flood control. There are two intakes with trash racks and headwork gates, two steel pipe penstocks approximately 75 metres in length and 2.2 metres in diameter. There are steel gates to the inlets of each of the penstocks that can be lowered to isolate the downstream equipment.
The Lower Plant is connected to the Renfrew Hydro System 4.16kV MS2-F3 feeder.
This hydroelectric generating station generates approximately 6,185 MWh of renewable energy per year.
Location: Renfrew, ON
River System: Bonnechere River
Nameplate Capacity: 1.003 MW
OPA Contracted Capacity: 0.999 MW
Operator: Renfrew Power Generation Inc.
Technology: Hydroelectric
Turbines: Two horizontal Francis turbines
Originally Built: 1902
Coordinate: 45°28'47.97″N, 76°41'22.52″ W
Project Contacts:
Ontario Power Authority


Anyone know a common reason why the tach on this bike would be so wrong? At idle, It appears to be a hair over 2K which isn't correct at all.. Then as you rev to what would be 4K it buries the needle. It's an 83 Ls and both tach and speedo are in the same panel... Any help would be appreciated.
The tacho gets it's input from the ignition coil so basically it counts sparks. While it's possible the tacho is faulty the first thing I'd do is go through the whole ignition system checking on all connections.
I'll do that when i get a chance .Thanks! I was just hoping there was something that is common with this particular bike.
No it's stock...the tach just has one multi prong plug and what looks like no adjustment.
Here's a link to Snowbums BMW Technical site .
It will give you some idea where to look for issues .
Thanks for the link.. been reading it...!
It may be easier, to get a replacement tachometer .
I'm starting to think a replacement is probably the answer too..
The tacho is simple. A bunch of discrete components and an integrated circuit to convert the impulse count into a current for the galvanometer.
IMHO, the electrolytic condenser are dead (30 years of harsh conditions take its toll ) and replacing them may solve the problem entirely.
Where is the (are the) condenser/s at? I have the tach off the bike and on the kitchen table..
Remove the screws (and sometimes the color tape) and remove the black plastic cover. You will see the printed circuit board and the indicator bulbs.
On this PCB are all the components. Change the condensers and try it on the bike.
If there is another R65 owner nearby a simple swap of the tacho to another bike would confirm if the fault lies with tacho or the bikes ignition system. Actually any airhead would do or even any other twin cylinder machine with wasted spark ignition but that would be more work with the wiring.
You can also use any electronic tacho for a 4 stroke engine and take it's reading with a pinch of salt given the origin of the tacho.
Now I just realized that (tonight) there are no backlights to illuminate either gauge. the bulb in the speedo is just plain missing (didn't just fall out it's not anywhere to be found) and the ones on the board of the tach just don't work. I looked up a replacement instrument cluster setup on ebay, and they are way too pricey used.. So... Since I don't touch most electrical stuff.. that's probably that. Last time I had a bike with this much wrong with the electrical...I was 17 and didn't care.


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The White Stripes – Turning Into You (Godfather Records G.R. 214)
By Stuarton August 30, 2009
Turning Into You (Godfather Records G.R. 214)
Mid 2007 the White Stripes were promoting their new LP "Icky Thump" – noted as a mixture of their previous albums " Get Behind Me Satan" & "The White Stripes". The album had a very British / Scottish connection as the title came from a misheard colloquialism that Jack's Manchester born wife was apt to saying ( 'Ecky Thump' – a mild mannered curse ) & a duo of songs called "Prickly Thorn ( but Sweetly Worn)" & "St. Andrew ( This Battle is in the Air )" so a return to Britain would have been quite the home coming for Jack & his heritage. This is the 2nd show in a 3 show stop over for this part of promoting the album and while no two White Stripes shows are ever the same ( although Jack knows his openers & closers & usually sticks to those dependent on his moods ) then each & everyone is used to work the audience – if Jack dosen't think the audience are worked up enough after the first 3 or 4 songs then he'll go out of his way to break them a sweat.
the set starts as is usually does with 'Dead Leaves on the Dirty Ground' – the song springs out from a haze of feedback & messed up chords – it's quite a powerful kick that the audience responds too – Jack lets them have their fun by singing the second line & then continues to set the pace of the song by singing the song himself. The song is given an extended middle until it's thrust back to the crowd. Around 8 seconds separate this song from the next "When I Hear My Name". it's here when Jack can be heard dropping in some of the famous guitar histrionics that he's been making his name with. it's obvious he's having fun now as the Robert Plant aping screams & guitar licks have moved on a few notches & feels free enough to show off a bit.
He's having so much fun in fact that the title track from Icky Thump speeds along, jumping cues & benefiting from improvising sonic squeals from the keyboard. By the second half then the audience are eating out of the bands palm – clapping, screaming & singing every word of Jacks hyper fast renditions of his songs. A brief 10 second introduction for the band & it's straight in to the second album track "I'm Slowly Turning In To You" since this track was issued it's taken in a call & response piece from the band to the audience – carefully extracting a "woop" when Meg gets to the end of a set of beats contained in the verse. As the song concludes Jack peals off the first few chords from "I Think I Smell A Rat" & lets them hang in the air to excite the audience after the third pass he tears in to the song once again. after a small change in sound ( it's obvious by this stage the Godfather has taken this audio from a television broadcast & has clipped out the adverts to give the presence of a full show ) the band are straight in to the third 'Icky Thump' track – "A Martyr For My Love For You" – it's not too far removed from it's album version but is best left that way are there really are no diversions that Jack could make as he's possibly already calculated that the following medley is next "Death Letter > Motherless Children" is derived from a track from the White Stripes second album "De Stijl" & the blues standard by Blind Willie Johnson & the Rev. Gary Davis – also covered by Steve Miller & Eric Clapton it's probably the earlier version that Jack is referencing.
as the poster of the White Stripes DVD review "Story To Tell" from Apocalypse Sound has mentioned then Jack will splice in an old blues song when & where he feels like & seeing at the chords that he's chosen to represent Motherless Children with don't vary much from Death Letter that much then it seems a natural path to take. It's the drummers turn next! Meg steps from behind the drum kit to deliver her vocal from the White Stripes 4th Album Elephant – the White Stripes sex symbol in residence's singing skills are as base as her drumming but then it's that singing that eaks out the flesh of what's being attempted on stage – these are no rehearsal by numbers songs just songs as they're heard, as they're played & how they're felt. the crowd go wild as Meg steps towards the microphone to deliver this song. it's brought out my Jack keeping time by trashing out the chords on his guitar. it doesn't get much more primal than this.
"Jolene" follows – another song that the White Stripes have taken as a mast head & turned around from an upbeat country song to a deathless pean to his auburn haired enemy in love. Another much used medley follows "Cannon > John The Revelator > Astro > Ball & Biscuit" a high paced tour de force through old White Stripes songs & an older blues song – all blustered through with a solid intensity. Jack drops in a reference to auburn women in to "Ball & Biscuit" shouting "Ask your red headed girlfriend to see if they know .. " before scratching out a brutal solo on the guitar. this song has always been a pinnacle for improvisation & we're not left wanting. "Blue Orchid" is pulled from the White Stripes 5th album ( the only one that appears tonight ). it's an almost dance influenced record ( indeed it has been remixed a few times for dance floors in Indie circles ) but almost certainly got the audience working tonight with it's extended solo middle eight. Yet another medley appears next "The Denial Twist > Wasting My Time" – it's started slowly but then escalates in to the proto – metal monster that is was already. Jack then decides to change pace altogether & drop Wasting My Time in to the mix an altogether different beast.
The Bacharach & David classic follows – requested by Meg to be on the album Elephant – it's clear that it's an audience favorite too as the audience is again invited to sing the second line in the verse once again. Megs drums are a little too cymbal heavy here but it doesn't distract too much fro the performance
taking the pace right down is "We Are Going To Be Friends" from 'White Blood Cells' – usually now used by Jack to make a small connection to the audience ( he's used props in the past such as a mirror but now invites the band to sing along spiritedly through a few lines & the audience respond by clapping the whole way through something that Jack remarks on. )
to end the show & in it's rightful place is "Seven Nation Army" from Elephant. possibly the White Stripes best known single due to numerous radio & television shows. Jack lets the song drop twice through, picks up the pace again & once more drags out it's famous solo in the middle. the song is almost a philosophy for the White Stripes as it mentions the sweat dripping from every pore & the fight against everything that Jack conceives evil.
To follow the live set then The Godfather has seen fit to include 2 songs from BBC Radio 1's "White Stripes Wednesday" from Jo Whiley's dinnertime radio show from June 13th 2007. possibly downloaded from the 'net then the songs sound a little less bassy than the other broadcast but still fine for what they are.
The artwork is the usual inventive Godfather tri-fold card sleeve – rather than a few other White Stripes bootlegs that were very sloppily prepared then the Godfather has taken great care in using the Red, White & Back colourway that the White Stripes insist on. Presenting a vintage looking press photo on the front, graphics from the bands website & a handsome portrait of jack on the back. Inside there are shots from the stage at the O2, a colourised but B&W picture of med & the sleeve for the utilizes an old color press photo of the band.
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USC graduate qualifies for Tokyo Olympics
Long-distance swimmer Kareena Lee lost no time after her graduation from USC in April to secure her spot at the Tokyo Olympic Games in 2020.
Kareena, 25, of Twin Waters, will be Australia's only competitor in the women's 10km open water swim, after securing a top-10 spot at the World Aquatic Championships in South Korea recently.
She says the win was particularly satisfying after she missed out on a spot at the Rio games. This time, though, she prevailed in a nail-biting photo finish.
"The first 14 swimmers finished within four seconds of each other, from 70 swimmers altogether in the race," Lee said.
"There's a big scoreboard at the finish line but all of our names said 'photo finish' so it took a while to find out who had made the cut. But when I saw my placing finally appear, there was a huge feeling of relief and emotion."
Lee's success followed years of intensive training at the Noosa Aquatic Centre with John Rodgers, an 81-year-old stalwart of the coaching scene.
Lee credits her sporting success in part to the flexibility offered by the USC High Performance Student Athlete program, which she was in while studying a Bachelor of Primary Education.
USC HPSA program coordinator Tania Stevenson said Lee was a shining example of how the program supported students to balance study with international-level sports training.
"Kareena has trained morning and night and still done well academically and secured a solid GPA," she said.
Lee said she had initially studied a Bachelor of Sport and Exercise Science but switched to Primary Education after being involved in club swimming nights and learn-to-swim events and realising she enjoyed working with children. She plans to work as a supply teacher part-time while training.
"The HPSA program really helped by letting me select classes early to work around training and offering support for when I needed it," she said.
"I actually enjoyed studying when I wasn't training, it was a bit of a distraction from swimming."
Mixed netball team brings home bronze
USC's mixed netballers have won back-to-back bronze medals at a national university games tournament that finished on the Gold Coast yesterday.


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Creative Writing Techniques
William S Burroughs Cut Ups
William S. Burroughs Cut-up Technique
Read How can authors use William S. Burroughs Cut-ups technique in their own writing?
Burroughs discovered the cutup in 1959 in Paris through his friend Brion Gysin, a painter. When Gysin began experimenting with cutups in his own work, Burroughs immediately saw the similarity to the juxtaposition technique he had used in Naked Lunch and began extensive experiments with text, often with the collaboration of other writers. (Although Burroughs has credited Gysin with discovering the cutup, he has also acknowledged similar literary experiments in the works of Tzara, Stein, Eliot, and Dos Passos.) In 1960 Burroughs published his initial cutup experiments in Paris in Minutes To Go (with Brion Gysin, Sinclair Beiles, and Gregory Corso) and in San Francisco in The Exterminator (with Brion Gysin), works that were partially intended to introduce the technique to the public. Throughout the 1960s Burroughs and Gysin collaborated on cutup experiments in many media, the most significant collaborations being three films done in 1965 with English film maker Antony Balch (Towers Open Fire, Cut-Ups, and Bill and Tony) and The Third Mind, a book first completed in 1965 but not published in English until 1978. The final version of The Third Mind is both a historical collection of cutup experiments from 1960 to 1978 and a manifesto that sums up the cutup's significance for Burroughs and Gysin.
The cutup is a mechanical method of juxtaposition in which Burroughs literally cuts up passages of prose by himself and other writers and then pastes them back together at random. This literary version of the collage technique is also supplemented by literary use of other media. Burroughs transcribes taped cutups (several tapes spliced into each other), film cutups (montage), and mixed media experiments (results of combining tapes with television, movies, or actual events). Thus Burroughs's use of cutups develops his juxtaposition technique to its logical conclusion as an experimental prose method, and he also makes use of all contemporary media, expanding his use of popular culture.
As Burroughs experimented with the technique, he began to develop a theory of the cutup, and this theory was incorporated into his pseudoscience of addiction. In addition to drugs, sex, and power as aspects of man's addictive nature, Burroughs adds an analysis of control over human beings exercised by language ("the Word"), time, and space (i.e., man's physical existence and the mental constructs he uses to survive and adapt). Drugs, sex, and power control the body, but "word and image locks" control the mind, that is, "lock" us into conventional patterns of perceiving, thinking, and speaking that determine our interactions with environment and society. The cutup is a way of exposing word and image controls and thus freeing oneself from them, an alteration of consciousness that occurs in both the writer and the reader of the text. For Burroughs as an artist, the cutup is an impersonal method of inspiration, invention, and an arrangement that redefines the work of art as a process that occurs in collaboration with others and is not the sole property of artists. Thus Burroughs's cutup texts are comparable to similar contemporary experiments in other arts, such as action painting, happenings, and aleatory music. His theory of the cutup also parallels avant-garde literary theory, such as structuralism and deconstruction.
Burroughs's trilogy is based on the cutup and the theory of language and art that the cutup produced. Through the direct incorporation of cutup material, Burroughs also introduces into the trilogy important new material from popular science and popular literature: the Nova Mob, Nova Police and their training, Reich's orgone accumulators, Scientology's E-meter, sense withdrawal tanks, infrasound, reality as a film, popular evolutionary theories, more use of space/time travel motifs, the spy novel of international conspiracies, the idealized past of the western, and Burroughs's analysis of Mayan civilization and Hassan I Sabbah's legendary assassins. The most important addition from popular culture is the science fiction material, which Burroughs finds most appropriate to express his analysis of word and image controls and their destruction by the cutup technique. Cutup is equated with space/time, travel, silence, and freedom from the body. Burroughs also incorporates cutups from many literary authors: T. S. Eliot, Kafka, Shakespeare, Conrad, Graham Greene, and Coleridge are the most prominent in the trilogy, and their juxtaposition with banal popular materials is another example of Burroughs's pop-art technique, which integrates high and low culture.
"In his own words," Burroughs sets the method out:
Burroughs with his cut-ups
"Pages of text are cut and rearranged to form new combinations of word and image-In writing my last two novels, Nova Express and The Ticket That Exploded, I have used an extension of the cut up method I call "the fold in method"-A page of text-my own or some one else's-is folded down the middle and placed on another page- The composite text is then read across half one text and half the other-The fold in method extends to writing the flash back used in films, enabling the writer to move backwards and forwards on his time track-For example I take page one and fold it into page one hundred-I insert the resulting composite as page ten-When the reader reads page ten he is flashing forwards in time to page one hundred and back in time to page one-The deja vu phenomena can so be produced to order-(This method is of course used in music where we are continually moved backwards and forward on the time track by repetition and rearrangement of musical themes-
In using the fold in method I edit delete and rearrange as in any other method of composition-I have frequently had the experience of writing some pages of straight narrative text which were then folded in with other pages and found that the fold ins were clearer and more comprehensible than the original texts-Perfectly clear narrative prose can be produced using the fold in method-Best results are usually obtained by placing pages dealing with similar subjects in juxtaposition."
Here is another Burroughs take on the cut-up method:
"The cut-up method brings to writers the collage, which has been used by painters for seventy years. And used by the moving and still camera. In fact all street shots from movie or still cameras are by the unpredictable factors of passersby and juxtaposition cut-ups. And photographers will tell you that often their best shots are accidents . . . writers will tell you the same. The best writings seems to be done almost by accident but writers until the cut-up method was made explicit-all writing is in fact cut-ups; I will return to this point-had no way to produce the accident of spontaneity. You cannot will spontaneity. But you can introduce the unpredictable spontaneous factor with a pair of scissors.
Watch Video: Cut-Ups William S. Burroughs
"The method is simple. Here is one way to do it. Take a page. Like this page. Now cut down the middle. You have four sections: 1 2 3 4 . . . one two three four. Now rearrange the sections placing section four with section one and section two with section three. And you have a new page. Sometimes it says much the same thing. Sometimes something quite different-cutting up political speeches is an interesting exercise-in any case you will find that it says something and something quite definite. Take any poet or writer you fancy. Here, say, or poems you have read over many times. The words have lost meaning and life through years of repetition. Now take the poem and type out selected passages. Fill a page with excerpts. Now cut the page. You have a new poem. As many poems as you like. As many Shakespeare Rim baud poems as you like. Tristan Tzara said: "Poetry is for everyone." And André Breton called him a cop and expelled him from the movement. Say it again: "Poetry is for everyone." Poetry is a place and it is free to all cut up Rimbaud and you are in Rimbaud's place. Here is a Rimbaud poem cut up.
"Visit of memories. Only your dance and your voice house. On the suburban air improbable desertions . . . all harmonic pine for strife.
"The great skies are open. Candor of vapor and tent spitting blood laugh and drunken penance.
"Promenade of wine perfume opens slow bottle.
"The great skies are open. Supreme bugle burning flesh children to mist."
"Cut-ups are for everyone. Anybody can make cut-ups. It is experimental in the sense of being something to do. Right here write now. Not something to talk and argue about. Greek philosophers assumed logically that an object twice as heavy as another object would fall twice as fast. It did not occur to them to push the two objects off the table and see how they fall. Shakespeare Rimbaud live in their words. Cut the word lines and you will hear their voices. Cut- ups often come through as code messages with special meaning for the cutter. Table tapping? Perhaps. Certainly an improvement on the usual deplorable performances of contacted poets through a medium. Rimbaud announces himself, to be followed by some excruciatingly bad poetry. Cut Rimbaud's words and you are assured of good poetry at least if not personal appearance.
Watch Video: William S. Burroughs Thanksgiving Prayer
"All writing is in fact cut-ups. A collage of words read heard overheard. What else? Use of scissors renders the process explicit and subject to extension and variation. Clear classical prose can be composed entirely of rearranged cut-ups. Cutting and rearranging a page of written words introduces a new dimension into writing enabling the writer to turn images in cinematic variation. Images shift sense under the scissors smell images to sound sight to sound to kinesthetic. This is where Rimbaud was going with his color of vowels. And his "systematic derangement of the senses." The place of mescaline hallucination: seeing colors tasting sounds smelling forms.
"The cut-ups can be applied to other fields than writing. Dr Neumann in his Theory of Games and Economic behavior introduces the cut-up method of random action into game and military strategy: assume that the worst has happened and act accordingly. If your strategy is at some point determined . . . by random factor your opponent will gain no advantage from knowing your strategy since he cannot predict the move. The cut-up method could be used to advantage in processing scientific data. How many discoveries have been made by accident? We cannot produce accidents to order. The cut-ups could add new dimension to films. Cut gambling scene in with a thousand gambling scenes all times and places. Cut back. Cut streets of the world. Cut and rearrange the word and image in films. There is no reason to accept a second-rate product when you can have the best. And the best is there for all. Poetry is for everyone . . ."
From Jenny Skerl's William Burroughs
How can authors use William S. Burroughs Cut-up technique in their own writing?
William S. Burroughs' cut-up technique is a writing technique that involves cutting up words, phrases, and sentences, and then rearranging the pieces to create new and unexpected combinations that allow writers to break free from conventional forms of expression.
Authors can use Burroughs' cut-up technique in their own writing in a number of ways:
💡Authors can use this technique to take an existing text, such as a newspaper article or a passage from a book, and cut it up into individual words, phrases, or sentences and then rearrange the pieces to create new and unique combinations that reveal new meanings and connections.
💡An author could take a piece of their own writing and cut it up into individual words, phrases, or sentences.
💡Cut-ups can also be used as a way to generate new ideas, starting points, and prompts for new writing, using the cut-up pieces to inspire and guide.
Burroughs' cut-up technique can be a powerful tool for authors looking to break free from conventional forms of expression and to uncover new and previously unimaginable meanings in their writing.


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Q: I can't access newly created provider on the next screen/route Main() - The MyApp only contains the ListItemWidget
    void main() {
      runApp(
        MultiProvider(
          providers: [
            ChangeNotifierProvider(
              create: (_) => MainProvider(),
            ),],
          child: MyApp(),),
      );
    }

List Item Screen - Is creating provider for every item allowed? I wanted to pass the item index as an argument for the provider.
    class ListItemScreen extends StatelessWidget {
      const ListItemScreen({Key? key}) : super(key: key);

      @override
      Widget build(BuildContext context) {

        final mainProvider = Provider.of<MainProvider>(context);

        return  Scaffold(
          floatingActionButton: FloatingActionButton(
            onPressed: () {},
          ),
          body: ListView.builder(
            itemCount: mainProvider.getItems().length,
            itemBuilder: (context, index) {
              final item = mainProvider.getItems()[index];
              return ChangeNotifierProvider(
                create: (_) => SecondProvider(secondItem: item),
                builder: (context, child){
                  return ListTile(
                    leading: IconButton( // This onPressed can access the provider
                      onPressed: () { context.read<SecondProvider>().test();},
                      icon: Icon(Icons.add),
                    ),
                    onTap: () { //When I press this and go to second it can't access it
                      Navigator.push(
                        context,
                        MaterialPageRoute(
                          builder: (context) => SecondScreen()));
                    },
                    title: Text('TITLE TEST: ${mainProvider.getItems()[0].title}'),
                  );},);},),);}
    }

SecondScreen

    class SecondScreen extends StatelessWidget {
      const SecondScreen({Key? key}) : super(key: key);

      //It can't find the Provider (SecondProvder)
      @override
      Widget build(BuildContext context) {
        final secondProvider = Provider.of<SecondProvider>(context);
        return Scaffold(
          floatingActionButton: FloatingActionButton(
            onPressed: () {
              secondProvider.changeTitle();
            },),
          body: Center(
              child: Text(
                'Show Title: ${secondProvider.getTitle()}'
              ),));
      }
    }

SecondProvider

    class SecondProvider extends ChangeNotifier{

      MyItem _item;

      SecondProvider({required MyItem item}) : _item = item;

      void test(){
          print('Test print ${_item.title}');
      }
      void changeTitle(){
          _title = 'Test Title';
          notifyListeners();
      }

      String getTitle() => _item.title;

    }

Basically I want the 'item' model passed to my provider so that I can access it on the next screen and notify the view for changes, the provider will act like a view model.

A: You need to pass your SecondProvider provider
final _provider = Provider.of<SecondProvider>(context);

  Navigator.push(
    context,
    MaterialPageRoute(
        builder: (context) => Provider.value(
            value: _provider, child: SecondScreen())),
  );


text:
LABELHQS.ORG
Lockwood and co tv show
Posted on 09.01.2019 by Bayard D.
The Screaming Staircase (Lockwood & Co., #1) by Jonathan Stroud
When the dead come back to haunt the living, Lockwood & Co. step in . . .
For more than fifty years, the country has been affected by a horrifying epidemic of ghosts. A number of Psychic Investigations Agencies have sprung up to destroy the dangerous apparitions.
Lucy Carlyle, a talented young agent, arrives in London hoping for a notable career. Instead she finds herself joining the smallest, most ramshackle agency in the city, run by the charismatic Anthony Lockwood. When one of their cases goes horribly wrong, Lockwood & Co. have one last chance of redemption. Unfortunately this involves spending the night in one of the most haunted houses in England, and trying to escape alive.
Set in a city stalked by spectres, The Screaming Staircase is the first in a chilling new series full of suspense, humour and truly terrifying ghosts. Your nights will never be the same again . . .
File Name: lockwood and co tv show.zip
Lockwood & Co. - The Interactive Game
'Lockwood & Co': Big Talk Prods To Adapt Spooky YA Detective distinctively authored, ghost-detective show to enthrall audiences of all ages.
Stroud's Lockwood & Co. to become TV series
The Screaming Staircase is a middle grade thriller novel by Jonathan Stroud. The story is set in an alternate modern day London which experiences an event called "the Problem", where ghosts appear throughout the city by nighttime and attack the living. Agencies have arisen to fend off the ghosts and protect the public, for a fee, but put themselves in extreme danger in the process. However, only children and teenagers have the "talent" to sense the ghosts; they gradually lose this once they reach their twenties. And so the agencies under with the leadership of people who have passed their ghost-sensitive ages and with the youth whose talents are instrumental in solving a haunting.
Sign in. Stars on the purple carpet at the Emmys decide which TV show characters would make great superheroes or supervillains , and more. Watch now. A cooler-than-ever Bruce Wayne must deal with the usual suspects as they plan to rule Gotham City, while discovering that he has accidentally adopted a teenage orphan who wishes to become his sidekick. Artemis Fowl II, a young Irish criminal mastermind, kidnaps the fairy LEPrecon officer Holly Short for ransom to fund the search for his missing father in order to restore the family fortune. A plumber named Mario travels through an underground labyrinth with his brother, Luigi, trying to save a captured princess.
A fantasy series written by Jonathan Stroud , following the adventures of a ghost detection agency of the same name. In an alternate London where the dead haunt the living, Lucy Carlyle, a talented ghost hunter recently employed at the eponymous agency, must save her new job, career and sanity with the help of her partners Anthony Lockwood and George Cubbins. They become heavily involved in the investigation of a nefarious crime, and the haunting of an old mansion with a dark past. The third book, The Hollow Boy , sees London in the grip of an unprecedented outbreak of supernatural activity. She and the team are reunited when Lockwood seeks her out to enlist her services for a tough case, but there are shady, manipulative forces at work The fifth book, The Empty Grave , was released on September 12, Or does it?
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3 thoughts on "The Screaming Staircase (Lockwood & Co., #1) by Jonathan Stroud"
Kerry G. on 14.01.2019 at 21:09 said:
Narrative of the life of frederick douglass book report richard gordon quantum touch youtube
Jim W. on 17.01.2019 at 15:23 said:
There is a game that literature lovers play amongst themselves at parties, at ice-breakers, at speed dating events, etc.
Calígula S. on 15.01.2019 at 12:43 said:
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