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They are available in many sizes to suit all types of morphologies and templates. Thus the cups A, B and C may find happiness within that radius. For some outfits, a bra without reinforcement can be a loyal ally. It is often triangular and lightweight fabric helps conceal under clothing. Beige or black, this invisible effect will be even more pronounced. But if you want more originality, opt for a printed like peas. Moreover, it still provides an elegant neckline.


text:
The Child-Rape Holocaust Movie Thats Causing Walkouts
by globalpro | Sep 10, 2019 | Business | 0 comments
TORONTO– It's a little unexpected that a reasonable variety of ruthless scenes in The Painted Bird, Vclav Marhoul's grim Holocaust impressive, provoked– according to press reports — many filmgoers to go to the exits throughout its current best at the Venice Film Festival . The phenomenon of frightened, even scandalized festivalgoers makes one marvel if these ticketholders troubled to check out the late Jerzy Kosinski's source book, that includes almost all of the harsh occurrences portrayed in Marhoul's movie. Or possibly these dissatisfied viewers have actually never ever seen similarly wrenching Holocaust movies or scorching World War II films such as Laszlo Nemes's Son of Saul or Elem Klimov's Come and See.
Although just a handful of audiences got away the Toronto International Film Festival's press screening on Sunday, it's clear that lots of members of the more solidified press corps had actually blended sensations worrying the movie. Seen out of context, it's no doubt real that The Painted Bird may appear no greater than a list of scaries. In a scene pointed out by lots of customers, a psychopathic miller (played by Udo Kier, a star who focuses on psychotics and eccentrics), wields a spoon and tears out the eyes of a boy he thinks desires his other half– and after that serves the severed eyeballs to his felines. (The scene consistently reproduces a scene in the book.) This undoubtedly gory interlude is not an arbitrarily repellent scene in a scary movie; it shows how war and genocide drove the occupants of Eastern Europe stark-raving mad.
Shot in stunning black and white CinemaScope (the appeal of the images work as paradoxical counterpoint to the repellent habits of a lot of the characters), the movie is a darkly picaresque tale of a mute pre-adolescent Jewish young boy's journey ("The Boy," played by a non-professional beginner, Petr Kotlar) through Nazi-occupied Europe. As in the unique, Marhoul's movie does not define a specific nationwide background. (Much of the movie, nevertheless, was shot in Ukraine). To communicate the aura of geographical nebulousness essential to Kosinski's unique, the discussion is spoken in an argot developed for the movie– Trans-Slavic, or what is likewise identified Slavic Esperanto. From this viewpoint, the terrible occasions of the story can't be credited to any specific nationwide character, however are the outcome of the killing fields (or what historian Timothy Snyder described "Bloodlands"; Marhoul points out Snyder's historic study of the exact same name as a significant impact) that led to the deaths of countless civilians as Hitler and Stalin contended for supremacy throughout the Second World War.
"It's practically as if this pre-adolescent witness to history should continue through concentric circles of hell prior to being redeemed– and reunited with his dad."
As "The Boy" passes through the countryside searching for haven from the metropolitan scene, where he definitely would have been determined as a Jew and after that eliminated, the movie handles the tenor of a macabre fairy tale. A few of the rural folk "The Boy" fulfills along the method are plainly taken in with unreasonable hatred– specifically the lady who is encouraged that her young visitor is affected by vampirism and makes him her servant. At the very minute that an understanding priest (played by Harvey Keitel!) takes pity on the young lead character, the cleric turns him over to a pedophile called Garbos (Julian Sands, as a character that shows as malicious as Kier's miller), who consistently rapes his young charge. If this pre-adolescent witness to history should continue through concentric circles of hell prior to being redeemed– and reunited with his daddy, it's practically as.
In Kosinski's later years, he was bedeviled by allegations that he incorrectly declared that the experiences stated in the unique were autobiographical– which his unstable English at the time of the book's publication led him to plagiarize different Polish sources. Now that the dust has actually settled, it's possible to see Marhoul's movie as a very devoted adjustment, although, undoubtedly, it stops working to reach the creative heights of other Czech or Polish movies that take on the exact same surface. While The Painted Bird might not be the most convenient movie to endure, it's definitely not an example of unjustified sensationalism.
Read more: https://www.thedailybeast.com/the-painted-bird-the-child-rape-holocaust-movie-thats-causing-festival-walkouts

redpajama_set_name: RedPajamaCommonCrawl


If you are looking for an interesting FPGA project this FPGA RGB LED Matrix Driver Project looks interesting. There is a great overview of how the project was designed. Interfacing to the large display is quite complex but by doing it using a FPGA they have control over every aspect of what the hardware is doing. The current design uses the display as dumb output which gets what is to be displayed from a bluetooth connected computer.


Dubai, United Arab Emirates:Sleep Expo Middle East, the region's first-ever summit dedicated to the sleep movement, came to a close yesterday leaving the pubic with better sense about the importance of quality shut-eye.
The three-day event witnessed new collaborations and discussions between and amongst industry peers, while consumers who attended the show took great interest on the insightful conference presentations as well as the variety of sleep products and solutions showcased at the exhibit.
Getting a good night's sleep is as important as a balanced diet and regular exercise for a healthy mind and body. While there is a wealth of evidence on this, sleep health often does not get the attention it deserves.
In fact, adults across the world have been found not dedicating enough time for sleep and relaxation. More than half, or 51%, of global adults reported that they get less sleep than they need on an average night, this according to an industry survey carried out last year.
Fuelled by a mission to highlight how lack of sleep takes a serious toll on personal health and the economy, Sleep Expo Middle East offered a first-hand look at some of the latest and most unique products and solutions in the sleep market. The event also amplified further the discussion about the need for people to prioritize sleep to optimise their health and wellbeing.
"This is a great event for people to have an intelligent understanding of sleep and its benefits. I was especially pleased with the expert suggestions I got on how to improve sleeping habits, plus being able to happy to discover innovative products from various exhibitors that will definitely help me sleep better." said, Dubai expat Insiya Jani.
The show also saw a good mix of attendees from the business community. Among those who visited the show include hotel and resort managers, hospitality professionals, company owners, as well as delegates from international brands relevant to the sleep industry.
Sleep Expo Middle East hosted multiple events over the course of three days: the trade exhibit, which showcased some of the breakthrough sleep technologies and solutions available in the market today; a two-day c onference that engage attendees in thought-provoking keynotes and general sessions; and, the exciting activities at the Sleep Care Zone, where guests had the chance to try out a variety of services designed to aid them in better sleep.


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text:
OTR Interviews
Britney Spears' Former Bodyguard Speaks Out
This is a rush transcript from "On the Record ," October 1, 2007. This copy may not be in its final form and may be updated.
GRETA VAN SUSTEREN, HOST: Britney Spears's former bodyguard, Tony Barretto, joins us. And because of his job, Tony was on the inside and got a good look at the home scene. Barretto and his attorney, Gloria Allred, join us. Welcome to both of you. Tony, how long and how well did you know both Kevin Federline and Britney Spears?
TONY BARRETTO, FORMER SPEARS BODYGUARD: I got to know Britney pretty good. You know, I worked with her for a few months and was at her home, you know, every day for weeks. I never met Kevin. I don't know Kevin at all.
VAN SUSTEREN: Never met him. All right. Gloria, as part of this custody battle that's been going on, your client filed what's called a declaration, is that right?
GLORIA ALLRED, BARRETTO'S ATTORNEY: That's correct, Greta. He filed a declaration under penalty of perjury. It was received in evidence. The court then issued an order based on the evidence. And by the way, he was the only evidence post-rehabilitation of Britney, and so that's why he was a key witness.
The — Britney Spears's attorneys had an opportunity to call him to the witness stand, to cross-examine him to try to challenge his declaration, to try to undermine or discredit it. They did not do so. And I have to believe they didn't because they thought doing so may have been more hurtful than helpful to their client.
VAN SUSTEREN: Tony, in your observation — I take it you have seen Britney with her children, have you, Tony?
BARRETTO: Yes. Absolutely.
VAN SUSTEREN: Does she love her kids?
BARRETTO: Absolutely. I mean, that's very clear. And I have never wanted to come out and say otherwise. I mean, she definitely loves her kids. And unfortunately, she has issues that she has to deal with, and I think that, hopefully, she will at some point grasp this reality and start to work on, you know, her issues so that she can be reunited with her children.
VAN SUSTEREN: I want to ask you in a second about the issues, but I'm curious if you've never met Kevin Federline, you don't know how he is with the children. I mean, that makes sense. You have no idea on that one.
BARRETTO: I have no idea.
VAN SUSTEREN: In terms of her so-called "issues," are you talking about alcohol and drugs?
BARRETTO: I'm talking about all the issues, including those two.
VAN SUSTEREN: All right. Now, did you ever see her use alcohol and drugs around her children?
BARRETTO: I have seen her consume alcohol. I have served her personally. I have never seen her use substances around her children. However, she did act and display the same behavior that I have seen previously when she was under the influence of a substance.
VAN SUSTEREN: All right. But at least we've narrowed it down to seen her with alcohol around her kids, never drugs around the kids, right?
BARRETTO: I have seen her with alcohol. I've seen her with alcohol. I've never with drugs.
VAN SUSTEREN: All right. In terms of alcohol, would that be in the evening or morning, in the afternoon? Give me a description of the alcohol use.
BARRETTO: Well, Ms. Spears is a late riser. She's — morning's a non-issue. Typically, it would be in the afternoon or evening.
VAN SUSTEREN: When you say you served her alcohol, what was her — what was her favorite drink? what did she drink usually?
BARRETTO: Jack Daniel's with Coke.
VAN SUSTEREN: How much did she — what time did she start drinking?
BARRETTO: Well, she — you know, this wasn't a behavior that she did regularly. You asked if I had ever seen her, and I have seen her on occasions.
VAN SUSTEREN: OK. And you worked for her two months, you said, is that right?
BARRETTO: Approximately. Correct.
VAN SUSTEREN: What were those two months?
BARRETTO: March 26 through May 17 of this year.
VAN SUSTEREN: OK. So in terms of all this custody battle stuff that's been going on, you have no information about Britney beginning May 18 to the present day?
BARRETTO: That's correct.
ALLRED: Greta, if I may add, the court, based on the evidence — and this is what the court said in its prior court order — it said, based on the evidence, the court finds that she is a habitual, frequent and continuous user...
VAN SUSTEREN: Well, wouldn't that...
ALLRED: ... of controlled substances and alcohol.
VAN SUSTEREN: Gloria, based on what? It certainly can't be based on your client because his experience with her was March until May 17. And he's actually quite specific about that. As well as actually sort of a limited amount of alcohol. It wasn't every day, he said. I mean, you're sitting next to him. I'm hearing it remote through the earpiece. You're even closer than I am. Did you hear anything differently?
ALLRED: Greta, what I'm trying to say is that he presented the only declaration about Britney post-rehabilitation, and he was the only witness at the courthouse prepared to take the witness and be cross-examined by Britney's attorney.
VAN SUSTEREN: Does that mean, Gloria, that the judge was relying on information in awarding something so important as children, going back to information prior to May 18? And we are at October 1. That's when the — I mean, judge has got that stale of information in a custody hearing?
ALLRED: Well, I'm telling you that it was the only declaration that we're aware of post-rehab before the court. And the court said, Based on the evidence, and that was the only evidence that we're aware of...
VAN SUSTEREN: That's pathetic.
ALLRED: ... (INAUDIBLE) the declaration.
VAN SUSTEREN: Gloria? Gloria, that's pathetic when you're talking about children, trying to decide what's in their best interests.
ALLRED: It's not pathetic at all because...
VAN SUSTEREN: We have no...
VAN SUSTEREN: We have no information about Kevin Federline, at least we know of. You say the only thing is an old declaration. We have no idea what is going on in this woman's life or this man's life, post-May 18, if, as you say, that's the only evidence.
ALLRED: Well, I didn't say it was the only evidence, but it was the only declaration. But here's my point. The court in a prior order, which was just about a few weeks ago, said, Based on the evidence, and then found that she is an habitual user, and then, though, kept the custody 50/50. But the court did order drug testing, that she was require to do that twice a week, did order that she not and that also Kevin not be under the influence of a controlled substance or alcohol within 12 hours of having the children, or while she had the children, and did order both of them to go to a parenting coach, which both of them stipulated that they would do. Now there's a new order, as of today, changing custody to Kevin Federline.
VAN SUSTEREN: Why? Why?
ALLRED: Well...
VAN SUSTEREN: What's the change, that she didn't go to a parenting coach or she tested dirty on a drug test? What's been the change? Because it certainly isn't based — it couldn't possibly be based on your client, who seems to be a very nice man, sitting next to you. But it certainly — it can't be on that.
ALLRED: Well, of course...
VAN SUSTEREN: And it can't be — and it can't possibly be on this driver's license thing out of Louisiana. I mean, look, the woman should get her — you know, straight on this driver's license business, but it can't possibly be that.
ALLRED: The court in its order today, Greta, does not disclose the reasons that it decided that it should change custody as of Wednesday to Kevin. And also, all documents are sealed in the case. And in addition, the courtroom is closed.
Having said that, I've practiced family law for 31 years, and I can tell you that there must have been some change of circumstances. And likely what happened is that there must probably not have been some compliance by Britney with the court order that mandated what I just indicated to you that the court mandated in this prior order.
So if she didn't comply, for example, with the drug testing or with the parenting coach, or if the drug tests which came to the court were not what they should have been, or in some other way she didn't comply with the court order, then maybe the court decided on that basis to change custody.
VAN SUSTEREN: Well, I do hope that if the court — I do hope that the court — that it was a drug issue or an alcohol issue, so that the court has a good, strong basis for doing it and it's not something like a driver's license or missing a parenting class (INAUDIBLE) because it's so important to these children that they have both their parents. But anyway, Gloria...
ALLRED: Well, I commend the court for doing it...
VAN SUSTEREN: ... know what they did it on! You don't — how can you commend the court when you have no idea what the court did it on?
ALLRED: Well, I'll tell you why, because I criticized the court last week for not changing custody when the court found...
VAN SUSTEREN: Based on what?
ALLRED: ... that she is an habitual user.
VAN SUSTEREN: All right.
ALLRED: The court found she's an habitual user. If it had been a non-celebrity...
VAN SUSTEREN: I got to go.
ALLRED: ... the court would have probably...
VAN SUSTEREN: I got to go. I'm getting yelled at now in my ear. Anyway, Gloria, Tony, thank you both.


Home Visual Collections Finance section personnel, 21st General Hospital, Mirecourt, France.
Finance section personnel, 21st General Hospital, Mirecourt, France.
Title Finance section personnel, 21st General Hospital, Mirecourt, France.
Description 1st Lt. Rue B. Masterson (middle, 1st row) and enlisted staff members of the 21st General Hospital's Finance section, Mirecourt, France. The other subjects are not identified.
Subject-Personal Name Masterson, Rue B.


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text:
Доктор , известный как  — главный злодей серии Sonic the Hedgehog, созданной Sonic Team, а также связанной с ней продукции, будь то мультипликационные сериалы, комиксы и т. д.

Описание
Эггман — злобный, супергениальный (его IQ равен 300 баллам) доктор, который пытается захватить власть над всем миром и создать страну под названием «Эггманлэнд» (), населённую покорными ему роботами (в мультсериалах Sonic the Hedgehog и Sonic Underground — Роботрополис), в играх Sonic Unleashed и Sonic Forces ему это даже удаётся. Эггман является главным врагом ёжика Соника, который противостоит воплощению планов злодея.

Носит красный пиджак, чёрные штаны и сине-фиолетовые очки. Рост — 1 метр 85 сантиметров, вес — 128 килограммов. Туловище имеет форму яйца. Возраст неизвестен.

В англоязычном руководстве к первой игре серии, Sonic the Hedgehog, в качестве полного имени персонажа было указано «Doctor Ivo Robotnik», а в японском руководстве персонажа называли «Доктор Эггман». Лишь в 1999 году, в англоязычной версии Sonic Adventure злодея называли и «Эггманом», и «Роботником», и с тех пор во всех последующих релизах его называют исключительно как «Доктор Эггман». Программист Юдзи Нака объяснил, что «Роботник» — это настоящая фамилия учёного, а «Эггман» — прозвище, данное ему из-за телосложения яйцеобразной формы.

Музыкальные темы
 «Theme of Dr. Eggman» — инструментальная тема Эггмана из игры Sonic Adventure.
 «E.G.G.M.A.N» — тема Эггмана из Sonic Adventure 2 в исполнении Пола Шортино.
 «Theme of Eggman» — музыкальная симфоническая главная тема Эггмана, использованная с 2006 года по 2018.
«Dr. Eggman's Showdown» — тема, играющая при сражении с Эггманом в игре Sonic Lost World (2013).

Оценка критиков
Персонаж был положительно принят критиками, став одним из самых известных злодеев в компьютерных играх. GameDaily поместил его на первое место в списке «25 злодеев всех времён», заявив что: «Из всех злодеев в видеоиграх, нет более подлого, более хитрого, или более угрожающего». Этот же сайт включил его в список «Самых стойких видеоигровых злодеев», а также в список «25 сумасшедших злодеев». В топе «Десяти злодеев компьютерных игр», по версии читателей GameSpot, Доктор Роботник был помещён на третье место; при этом отмечались массовые жалобы поклонников на его исключение из первоначального списка. Согласно PC World Эггман занимает 15-ю строчку среди «47 самых дьявольских злодеев компьютерных игр всех времён». IGN поставил его на девятое место в десятке самых запоминающихся злодеев, назвав его «видеоигровым врагом PETA номер один». В 2010 году Роботник занял 11-е место среди «100 лучших злодеев компьютерных игр» от IGN. Nintendo Power назвал его своим седьмым любимым злодеем, а также обладателем одних из лучших усов. ScrewAttack поместил Эггмана на шестое место в топе «10 худших докторов компьютерных игр». В 2013 году персонаж в журнале Retro Gamer был зачислен в 20 величайших боссов видеоигр.

Другие появления
 Анимационный фильм «Ральф» (2012) — камео, присутствует на собрании известных злодеев из видео-игр в начале фильма. В отличие от Соника, не произносит за весь фильм ни слова.
 Аниме-сериал «Hi-sCoool! SeHa Girls» (2014-2016) — камео, является злодеем в седьмом эпизоде (Eggman vs. Sonic with the Sega Hard Girls), в котором главные герои посещают такие игры вселенной Соника, как Sonic the Hedgehog 1991 года и Sonic Adventure.
 Фильм «Соник в кино» (2020) — главный злодей, нанят властями США для поимки Соника. Роль исполняет Джим Керри.

Примечания

Литература

Ссылки

 Профиль персонажа на Sonic Channel
 Описание персонажа на Giant Bomb
 Описание персонажа на Sonic Retro
 Описание персонажа на Sonic News Network
 В комиксах и мультсериале Sonic the Hedgehog: ,
 В комиксах Sonic the Comic
 В мультсериале Adventures of Sonic the Hedgehog
 В мультсериале Sonic X
 В мультсериале Sonic Underground
 В мультфильме Sonic the Hedgehog: The Movie

Вымышленные учёные
Вымышленные гении
Вымышленные мужчины
Персонажи мультфильмов
Вымышленные изобретатели
Вымышленные террористы
Вымышленные ветераны войн
Персонажи игр серии Sonic the Hedgehog
Боссы из компьютерных игр
Кинозлодеи
Суперзлодеи
Персонажи фильмов
Персонажи аниме и манги
Видеоигровые мемы

redpajama_set_name: RedPajamaWikipedia


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A storm of controversy erupted amongst Canadian lawyers when the Canadian Bar Association (CBA) decided to intervene in Chevron's appeal to the Supreme Court of Canada. The appeal is part of Chevron's battle against Ecuadorian Indigenous peoples who seek to enforce a massive court judgment against the company for environmental damage in Ecuador. Amid increasing pressure, the CBA ultimately decided not to intervene. However, the event speaks to an apparent divide within the legal profession: around the relationship and importance of corporate law principles (such as the corporate veil), corporate accountability, and access to and the administration of justice.
With a long history in several countries, the Globe and Mail calls this case "perhaps the largest, longest-running, and most controversial lawsuit against a major company anywhere in the world." Chevron is the world's third-largest corporation, with a reported total revenue of $228.9 billion in 2013, according to Forbes. From 1972 to 1990, oil company Texaco (which later merged with Chevron) wreaked extensive environmental harm in the Lago Agrio region of the Ecuadorean Amazon. Populated by approximately 30,000 Indigenous villagers, the devastating story is relayed in the multi-award-winning 2009 documentary by Joe Berlinger, Crude.
In 1993, the Ecuadorian villagers brought their case to a federal trial court in New York State. The action was dismissed on certain conditions, one being that Texaco agree to respect the jurisdiction of the Ecuadorian courts. Before the conclusion of the U.S. case, Texaco and the Ecuadorian government agreed on a settlement which Chevron claims freed Texaco/Chevron from liability for environmental damage in the region in exchange for undertaking certain remediation efforts. This settlement is still being disputed.
The litigation brought by the Indigenous villagers in Ecuador was long and messy, with Chevron claiming the trial decision was the result of fraud and bribery, among other things. To date, however, a total of eight appellate judges in Ecuador have found Chevron liable. In the words of the Ontario Court of Appeal decision: "[t]he bottom line is this: there is a final judgment in Ecuador against Chevron for US$9.51 billion"(para 12).
With the final Ecuadorean judgment in hand, the villagers brought an action in Ontario in 2012, Yaiguaje v. Chevron Corporation, seeking enforcement of the judgment (i.e., to make Chevron pay the amount owed), against both the parent, Chevron Corporation, and a subsidiary, Chevron Canada.
At the lower court, Chevron argued that Ontario courts lack jurisdiction. Justice Brown of the Superior Court of Justice disagreed, holding that an Ontario court has jurisdiction to consider whether the final judgment from a court in Ecuador should be recognized and enforced in Canada. However, Justice Brown chose to stay (i.e., to suspend) the action on the grounds that Chevron did not have assets in Ontario and held that "the plaintiffs have no hope of success in their assertion that the corporate veil of Chevron Canada should be pierced and ignored so that its assets become exigible to satisfy the Judgment against its ultimate parent"(para 109).
The Ecuadorean villagers appealed to the Ontario Court of Appeal on the issue of the stay. Chevron cross-appealed on the issue of jurisdiction.
The Court of Appeal upheld the lower court's finding on the issue of jurisdiction. In his reasons, writing for a unanimous court, Justice MacPherson also noted that Chevron Canada was "entitled to dispute that its assets (or that Chevron Canada in its entirety) are exigible for the judgment debts of Chevron" but that [t]he usual concerns regarding the piercing of the corporate veil … are not present at the stage of this preliminary jurisdictional determination" (para 39).
As a general rule a corporation is a legal entity distinct from its shareholders ....The law on when a court may disregard this principle by "lifting the corporate veil" and regarding the company as a mere "agent" or "puppet" of its controlling shareholder or parent corporation follows no consistent principle. The best that can be said is that the "separate entities" principle is not enforced when it would yield a result "too flagrantly opposed to justice, convenience or the interests of the Revenue" ... I have no doubt that theoretically the veil could be lifted in this case to do justice ... (para 12).
... the motion judge's stay in a major case involving poor and vulnerable foreign residents, one of the world's largest corporations, a long and difficult process in a foreign court, and a huge damages award, was entirely his own construct; no party sought it. Consequently, this issue was not argued before the trial judge, and no cases were put before him regarding the appropriateness of granting a discretionary stay (para 53).
Given the context in which, for two decades, "Chevron has contested the legal proceedings of every court involved in this litigation," the Court of Appeal found it would be an injustice to the Ecuadorian plaintiffs were the court to grant a stay "without giving the plaintiffs the option to make legal arguments and compile a record" (paras 57 and 69).
Even before the Ecuadorian judgment was released, Chevron, speaking through a spokesman, stated that Chevron intended to contest the judgment if Chevron lost. He said: "We're going to fight this until hell freezes over. And then we'll fight it out on the ice.
Chevron's wish is granted. After all these years, the Ecuadorian plaintiffs deserve to have the recognition and enforcement of the Ecuadorian judgment heard on the merits in an appropriate jurisdiction. At this juncture, Ontario is that jurisdiction. (paras 74 and 75).
Consistent with its assertion to never back down, Chevron has appealed to the Supreme Court of Canada.
Enter, finally, the CBA issue: when the CBA announced its decision last July to intervene in Chevron's appeal, there were reportedly objections from lawyers in Aboriginal, environmental and civil law sections of the CBA, as well as the Law Union of Ontario, among others.
According to proponents of the intervention, the CBA would be a "neutral" intervener, aiming simply to clarify important points of business law, including the corporate veil and the enforceability of foreign judgments. In a statement, the CBA acknowledges that "the circumstances surrounding this case are controversial, arguably deplorable."
Opponents, however, say the proposed factum went beyond neutral points of law and, moreover, was drafted in such a way that it could actually help Chevron in overturning the Court of Appeal decision, a decision viewed as a victory for both the plaintiffs and for advancing access to justice for marginalized peoples. Under these circumstances, opponents thought it inappropriate for the CBA to participate in Chevron's appeal, saying it would promote (or at least appear to promote) corporate principles and the rights of big businesses over corporate accountability and justice for Indigenous peoples. They distributed an open letter to the CBA and organized protests, holding placards that read, for instance: "This is why people hate lawyers" and "Lawyers, show Chevron that your integrity is not for sale."
A representative for Chevron says they "look forward to demonstrating to the Supreme Court of Canada that the trial court in Ontario has no jurisdiction to hear the action brought by the Ecuadorean plaintiffs." In other words, Chevron is full-steam ahead in its mission to continue evading payment of the Ecuadorian court judgment which, by law, Chevron is obliged to pay to the Indigenous plaintiffs.
A recent Supreme Court decision clarifies Canadian courts' discretion in granting standing to public interest groups to pursue litigation aimed at protecting the rights of vulnerable groups in Canada.
A decision by a court in Ecuador holding Chevron accountable for the damages the company cause shows that a revival of domestic judicial systems may be antidote needed to redress investment law.


Haute Future Fashion Academy started a Partnership with the Tehran Institute of Technology and as the first event together we decided to organize two workshops in Tehran for the Iranian students/Professionals in Fashion Design and Interior Design in December 2016.
Haute Future Fashion Academy is glad to be part of events as "New Talents Contest" in Brazil, to keep boosting talented students around the world and give them the opportunity to expand their experience and enrich their compentencies for being the future in fashion. Congratulations!
Special thanks to Universidade Veiga de Almeida and CP4 Cursos no Exterior.
We start an innovative cycle of seminars, in which, every week, we are glad to host different figures in the fashion industry aimed to share their professional experience with our students and not only.
HFFA, in his attempt to reach it's objective in trainning new generations of Creative Directors and Strategic Manager in the world, has made for the second time in Mexico City a workshop aimed at young professionals in the field.
Milano Moda Donna is the most prestigious event organized by Camera Nazionale della Moda Italiana, in order to promote the maisons that have made famous Made in Italy in the world and supporting new talents that make of the fashion world a sector in continuous evolution.
The CAMERA NAZIONALE DELLA MODA ITALIANA believes that creative talent and manufacturing excellence are of strategic importance for the economic growth of Italy. Its mission is to boost global demand for products and to invest in the skills of Italian Fashion creators by supporting their development, building on their know-how and promoting overall synergy.
In his opening address, Mr Renzi said he was proud of the country's fashion industry and announced his intentions to strengthen and support it.
"This year the Italian Pavilion is based in the Arsenale and organized by the Italian Ministry for Cultural Heritage and Activities with PaBAAC, and it is curated by Cino Zucchi."
Haute Future Fashion Academy in collaboration with BeNext Foundation will held the conference titled "Strategies and Evolution of the International Luxury Fashion Market" in Tbilisi, Georgia.
"The secret to Christian Dior's worldwide success? Ultimate luxury is found in quality-quality goods," said Sidney Toledano, president and CEO of Christian Dior at the opening of the new Dior store in in Via Tornabuoni in Florence, highlighting the superior quality of Made in Italy products and the company's production plants in Veneto and Tuscany.
"And that changes how you think of your clothes. It changes what you demand from them, and from the people who make them, and from yourself."
"I have to warn you: I don't have video. I don't have power point, but I do have props — we'll get to those in a moment. First, I have a confession to make: I am not going to talk about what it says in the program I was going to talk about.
... Sustainable fashion doesn't make any sense. It's a contradiction in terms."
"A journey to discover the Italian lifestyle, including technology, taste and design."
On the occasion of the Milan Food Week, is presented a project dedicated to TM Italia Kitchen, in collaboration with Chef Andrea Berton, the support of Haute Future Fashion Academy and customization of Swarovski.
The project was curated by Elisa Crippa, student of HFFA, and Arch. Marcello Albini.
It will be held at the Baxter Shop in Milan from May 16th to May 24th.
Organized by Haute Future Fashion Academy in partnership with The National Chamber of Italian Fashion and in collaboration with the Italian Turkish Association, with the aim of providing an overview of international markets, products, niches, communication and new strategies for the continuing evolution of the luxury market.
Biennale di Venezia - International Architecture Exhibition: "Fundamentals"


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Home Articles From $10k in savings to $2 million a month in sales: How...
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From $10k in savings to $2 million a month in sales: How two teenage brothers started an online beauty business now competing with Australia's e-commerce giants
Anthony Nappa (left) and his brother Guy (right)
Often what differentiates an entrepreneur from the average business owner is the ability to recognise an opportunity with growth potential, to take the risks associated with that opportunity, and have the vision to turn it into a significant profit.
This definition aptly describes 26-year-old Anthony Nappa, who – in 2012, as a 19-year-old – launched an online store from scratch, and which will turn more than $20 million this financial year.
Throughout his childhood, Anthony watched his parents, Elio and Venessa, run their OZ Hair Sydney hairdressing salons – including their 30-year-old flagship store in Sydney's Queen Victoria Building. He saw the increasing competition in the industry, after newly emerged blow dry bars and hair technologies stole market share from traditional hair salons. At the same time, he saw the growth of eCommerce, and recognised the consistent demand for hair and beauty products.
At age 19, in 2012, Anthony was a second-year marketing student at University of Sydney, holding casual jobs as a labourer, warehouse assistant and waiter. In February that year, he launched Oz Hair & Beauty as an eBay store and in July he launched ozhairandbeauty.com, investing $10,000 of his own funds into setting up the store and running the operations in the back corner of his dad's warehouse in Sydney's Miranda.
Anthony received no financial or hands-on assistance from his parents. However, the relationships he had developed over the years with major hair and beauty suppliers enabled him to take orders, because he knew he could get product.
Getting the business of the ground
Anthony put his focus on the eBay store in the first few years. He made only three-to-five orders a day in the first few months, then 10-15 orders a day in the second half of that first year. He hired his first warehouse assistance when he began attracting 50-60 orders a day. By 2017, the eBay store attracted 150 orders a day, on average. It was at that time that Anthony began to put his efforts into growing consumer traffic to ozhairandbeauty.com.
In the first year the business made $174,000 in revenue and just $18,000 in profit. In the third year, Anthony's dad's business moved out of the Miranda warehouse and Oz Hair & Beauty took over the entire lease.
Early on, Anthony experienced the ruthless competition in the online beauty space. Realising that customer service would be the differentiator between the multiple online stores that were regularly launching, he went to great lengths to retain customers and maintain positive feedback.
In the first three years, he worked more than 10 hours a day, up to 7 days a week, sourcing product, fulfilling orders, packing and dispatching products, establishing partnerships with new product manufacturers, and personally answering all customer emails.
Customer service was so crucial to the business that Anthony saw a direct correlation between the number of hours he put into the business and the volume of sales. Oz Hair & Beauty became a Power Seller on eBay, based on a 100 per cent positive customer feedback rating.
The challenges of business success
The wins didn't come without its challenges, however: Anthony almost dropped out of university due to time constraints, once exhausted all his overdraft when he ordered too much stock, and had his website go down for a two-week period.
In the first year, Anthony's 15-year-old brother, Guy, would work casually for him during holidays and weekends. At age 19, in 2017, Guy purchased a stake of the business, and the brothers became partners.
With a focus on efficiency, Guy re-designed and expanded the warehouse, and introduced new technology, processes, and employee training. The brothers invested their time in ozhairandbeauty.com, where it took 95 per cent of sales, and scaled down their eBay store. As a result of these measures, Oz Hair & Beauty doubled its order fulfillments without employing additional staff.
Today, Oz Hair & Beauty employs 25 people, and is turning over $2 million a month – establishing the website to one of the leading haircare and beauty platforms in Australia. Oz Hair & Beauty is the best-rated hair and beauty online store on productreview.com.au, with almost 1000 reviews and an average 5-star rating. It has been averaging 250,000 visitors and 20,000-23,000 orders a month.
Anthony and Guy have recently signed a new lease for a 1500 square metre warehouse space in Sydney. Anthony forecasts the business will turn over $25 million in the 2020 financial year, based on first quarter sales.
Anthony's parents, Elio and Venessa, are so impressed with their sons' growth of the business that the family is looking to merge Oz Hair & Beauty with the OZ Hair salons in 2020.
Anthony Nappa
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Efter Lundin Minings kurstapp under sommaren samt de senaste veckorna har värderingen av gruvbolaget blivit mer attraktivt.
Börser, metallpriser och oljepriser steg i hopp om en lösning i handelskonflikten mellan USA och Kina. Ett möte de båda länderna emellan väntas ske januari i Peking, där dispyten väntas avslutas.
Gärna folk med bakgrund från någon internationell företagskonsultfirma som McKinsey där Gardell själv tidigare var Nordenchef.
Läs fler blogginlägg av Martin Hallström Alla blogginlägg. Aktiellt sammanställs av Swedbank Group Savings i syfte att vara ett av flera redskap till hjälp vid investeringsbeslut.
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Get your Online University courses dished up via PC or on your iPad or Android tablet. Step away from stale, static online learning and embrace a fresh approach with Online University. Your brain will thank you for it. Take a look at the online classroom as you navigate through a sample of our "Regulation of Combination Products" course.
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Editorial: AJ Freund's mother pleaded guilty to his murder. The reckoning over his tragic abuse must continue.
Some heart-rending stories come with consoling platitudes to match. Maybe the victim didn't suffer long. There was nothing anyone could have done. The death of 5-year-old AJ Freund never came with any such consolations, not even that his short life had at least offered him the comforts of a mother.
This is a disturbing case to consider, but consider it we must, precisely because it is painful. Last week, JoAnn Cunningham pleaded guilty to the first-degree murder of her little boy after months of lying about what happened to him, as prosecutors released new evidence about his ongoing abuse at her hands. After his body was found in a shallow grave in April, a story of missed signals quickly emerged. AJ could have been rescued from a living hell long before he was punished to death for hiding soiled underwear.
AJ's torture took place in a house near downtown Crystal Lake, on the route where the Fourth of July parade passes by. The night he died, he was forced into a cold shower and beaten to death, police say, then placed in a plastic tote and buried by his father, Andrew Freund, who is also charged with murder.
For two years prior, AJ's abuse hid in sickeningly plain sight. He was seen bruised in church and at the hardware store. Neighbors saw him trick-or-treating with clumps of hair missing, Vaseline smeared on his face and medical tape wrapped around his head and torso, according to prosecutors. One neighbor asked if he was dressed as a mummy. Cunningham said he had spilled boiling water on himself. She repeatedly took her son on errands to a credit union. One day, AJ arrived with black eyes and bruises. Mom told staff he fell down the stairs. Three weeks later, AJ was black and blue again. Mom said he hit himself with power tools. Third time: Yet more bruising on AJ's face. Mom didn't bother to explain.
Was everyone fooled by manipulative mom and lawyer dad well after Cunningham had relapsed into heroin use? Did people turn away? Did they call the Department of Children and Family Services hotline to report abuse, only to see nothing done about it?
Cunningham had the experts fooled, too, and DCFS is reckoning with its own failures. The state has increased investment in technology, training and funding to lessen caseloads on overburdened investigators. DCFS favors leaving kids in homes, even troubled ones, if danger does not appear imminent, a posture that needs a new look.
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As reporter Christy Gutowski has meticulously recounted in the Tribune, the system worked for AJ at the start of his troubled life. Born with heroin in his body, he was quickly placed into foster care with a relative who gave him a wonderful start in life. His parents quit drugs and passed years of random screenings. But once things went bad, they went really bad. "Workers seemed unable to take in the full family history and piece together the extent to which AJ was in peril," Gutowski reported.
AJ himself knew. Police acquired a video of an earlier incident showing him being cursed and choked by Cunningham in the bathroom until he gasped for air. "I just don't want a family," he says.
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It took a village to let AJ die. He was trotted around town visibly battered. Mandated reporters saw red flags. Yet he was sent home time after time to endure more. No system or society should sit easy with this.
Editorials reflect the opinion of the Editorial Board, as determined by the members of the board, the editorial page editor and the publisher.
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HomeHighlightsREVIEW: Run Rabbit (The Basement)
REVIEW: Run Rabbit (The Basement)
Review by Nathan Joe
July 26, 2018 Nathan Joe Highlights, Theatre Reviews
[Fight or Flight]
The one-woman show has become a prominent staple of The Basement's repertoire over the last few years. While offering individual theatremakers the space and opportunity to develop deeply personal and politically-charged works, audiences have been regularly gifted the chance to witness our most talented artists create highly responsive work in a volatile political climate. What surprises (but shouldn't) is the overwhelming breadth of dimension and nuance that these voices bring to the ongoing conversations within our culture.
The latest practitioner to enter this pantheon is Victoria Abbott with her impressive Run Rabbit, directed by Kate McGill, which expands on these voices without being derivative of them. With a presence that can command the likes of Q Theatre's Rangatira (in Red Leap's Kororāreka) and the Pop-Up Globe (Much Ado About Nothing/Othello), it's an intimate privilege to see her work her magic in the tight confines of The Basement's Studio. While the venue is a considerable downsize in terms of scale, there's never any loss of grandeur in her performance or in the scope of the show.
She skillfully introduces the space to us, breaking down the mechanics of her dramaturgy and displaying metatheatrical awareness (respectfully citing Fuck Rant's Nisha Madhan), delineating between the many Victoria Abbotts in (and outside) the play. Rather than simply reducing herself to the binary of character and the actor, she further fragments herself into the specifics of social and personal selves. This is further complicated by the introduction of "characters" that she plays such as the rabbit, and further again with characters who are not her at all (Black Agnes, Chauvinist Male Pigs).
Those concerned with the self-congratulatory nature of being self-aware shouldn't be frightened off though. Everything is handled with the clarity of a master at the top of her game. This isn't meta for the sake of being meta, but to elucidate the many multitudes we inhabit.
The whole piece is anchored confidently by the introduction of Victoria's great ancestor, Black Agnes, a character fit to stand side-by-side any character in Game of Thrones, a beacon of both female strength and survival. We are thrust into the trenches of chaos that Agnes herself had to face, playing along with Abbott's dramatic reenactments and effortless displays of audience participation. As an anchor, there are moments where Agnes' presence weighs the show down in the action-packed theatrics when more of Abbott's personal self would bring greater insight and context. But it's hard to blame Abbott for being drawn and caught up in the world of her impressive ancestor; Agnes is the exact sort of person that inspires romantic idolisation.
It's the lineage not only from Agnes to Victoria(s) that is paid homage to, but the legacy of all powerful women that we can feel reverberate throughout the ages and, implicitly, through this shared space. One feels the indelible shadow in the deeply personal politics of Alice Canton's WHITE/OTHER and Hayley Sproull's Vanilla Marika, Jo Randerson's battle cry of Banging Cymbal, Clanging Gong, Julia Croft's Power Ballad language games, right through to the examination of female performativity in Ella Gilbert's Soft Tissue.
There are so many things to unpack and praise in the production; it is a well-realised beast of a show, filled to the brim with careful details and theatrical savvy. The set is suggestively cluttered by astroturf and faux-greenery, evoking Scottish highlands with simplicity. On top of that, sound and lighting cues are integrated perfectly to shift us back-and-forth between the historical and contemporary worlds of the play. There are both subtle and bombastic moments of sound design.
The neatness of the structure does create a predictable rhythm to the show at times, but its Abbott's ability to fully realise these moments that brings them to vivid life. If it offers little in the way of twists, the sheer craft of the writing delivers a punch. Many will enter the space knowing and expecting Abbott to impress with her acting chops, but the impeccable construction of the show will leave audiences awed by the rigor and wit of her writing. Her brief and cutting spoken-word-inspired interludes that punctuate the show, toying with homonyms and wordplay, have stayed with me long after the curtain call.
At the moment, the games between Abbott and the audience are clever and confidently handled, but don't reach the heights of her performance or the writing. With the talent exhibited here, though, it's exciting to imagine what a fully-realised version of the show might look like. Where every component is equal parts a masterclass.
Embedded in the DNA of the show is a bubbling violence and ferocity. One that Victoria doesn't shy away from. In the blink an eye, the show transforms from parodying to sinister. This is theatre with a bite. Even in the seemingly hysterical characterisation of her rabbit lies something too slippery to define. An incredibly funny gag in other hands is trickier in Abbott's. Refusing to be pinned down simply as a ditsy embodiment of femininity, and snapping into unexpected rage, she winks slyly and knowingly at us. This is a performance wrapped up in ambiguity, drawing connections from all over.
With Run Rabbit, Abbott cuts to the heart of the matter: survival. From the trenches of battle, to the seemingly delicate nature of tiny creatures and the everyday terrors of walking home at night, this is a blistering evening of fight or flight. If, at first glance, Abbott seems to show how fractured and disparate these individual personas are, she brings everything together seamlessly, showing their parallels and similarities – illuminating the never ending path of animal survival as something universal, spanning across both time, space and even species.
Run Rabbit plays at The Basement until 4 August.
Run Rabbit
Victoria Abbott
REVIEW: And I Was Like (The Basement)
REVIEW: Looking At Stuff in Clouds (Playfight Productions)
REVIEW: Keep out of my Box (and other useful advice) (Auckland Fringe)


Behind the Scenes in the Archives: Where Do We Start with a New Collection?
Need to do a systematic review? Our guide can help!
We're also offering a one-hour webinar about systematic reviews on April 29 - more info and registration here.
Now you can view your checked out items and more in myNortheastern!
The myNortheastern portal has been upgraded to include a library portlet that displays your checked out items and requests, and provides one-click access to Scholar OneSearch. Try it out and let us know what you think!
Do you have an idea for a scholarly digital project?
The Digital Scholarship Group is now accepting proposals for the next round of development for the CERES Exhibit Toolkit, a user-friendly set of tools for building digital scholarly projects and publications using the Digital Repository Service. Visit the DSG CFP page for more information, or apply here.
Power Up with New Mobile Powerbanks!
You asked for more power in Snell Library, and we heard you! You can now borrow a free mobile powerbank so you can charge your devices (including laptops) while you're in the Library. Just download the Omnicharge app and follow the instructions posted at each Omnicharge station.


Manuela K. and her brown ex-pet.
Thank you, blessed haji, for killing this despicable THOT before she managed to spawn her first mixed-raced child.
A 19-year-old Syrian registered refugee has admitted to the murder of a 16-year-old Austrian girl whose body was found over the weekend by her own mother after she had gone missing.
The body of 16-year-old Manuela K. was found by her mother on Sunday morning in the Anton Wodicka Park in the city of Wiener Neustadt underneath a pile of leaves, with investigators believing the teen to have been a victim of murder. Police later arrested 19-year-old Afghan migrant Yazan A. who then admitted to the murder, Kronen Zeitung reports.
The Syrian had been the former boyfriend of the teen and had come to Austria in 2014 via chain migration at the age of 15, joining his father who was already living in the country as part of the country's family reunification programme.
Police said that during the interrogation of the 19-year-old he not only admitted to the murder but showed no signs of remorse for it, not giving investigators any clear idea to the motivation for the killing.
Following the discovery of Manuela's body, her friends informed police that she had been visiting several restaurants that night and had been in the company of a Syrian friend, which led police to arrest Yazan A.


Grow tents is the happy word for horticultural hobbyists. Why? Simply because, the outdoors now can be moved indoors with fewer hassles.
The light inside should be reflected to increase their intensity without having to use extra electricity.
iPower has been supplying grow light systems for over a decade. The iPower tents make indoor gardening easy by letting you control the climate and lighting making it easy to grow all types of plants easily.
The iPower grow tent comes in different sizes and is packed with features. Each size comes with a removable floor tray for indoor seedling plant growth. What works for us mainly is the interior layer of highly reflective lining for maximized light and heat control. The lining is reinforced with durable zippers checking our main factors to consider while purchasing a grow tent. This tent is ideal for growing everything from exotic fruits to herbs, seasonal fruits and vegetables.
Overall, this tent does the job it is meant for. Growing plants indoors with ease. It lets you adjust too many plant types and strains easily.
This grow tent is ideal for beginners looking to set up an indoor garden. I love the attention to detail in the product design that makes it easy for a novice. Easy to assemble, it doesn't command too much space and is reasonably priced. The viewing window at the front makes it easy to keep an eye on the plants without opening the entire tent.
The CoolGrows has one of the thickest materials one can find in grow tents. The premium materials used coupled with flaps covering the zippers, all precautions to prevent light leakage have been thought of. You also get a removable and water-resistant Mylar spill tray, which makes the cleaning a breeze. I found this user-friendly grow tent does everything one could expect from a value for money grow tent.
The goal of Apollo has been to provide the latest hydroponic equipment at reasonable prices. The belief that better quality and larger grows don't necessarily need to have a high price tag is what helps them bring their customers consistent quality and fantastic customer service. Who doesn't love a good bargain? The extremely competitive price of the Apollo grow tent and the myriad of features make this a worthy consideration for anyone looking to purchase a grow tent.
This tent checks all our three boxes in terms of durability, efficiency and protection. The metal frame poles along with the thick fabric keep the tent stable and unwanted elements away. Metal zippers slide open easily when required. 100% light proof Mylar film that is tear proof, reflects 92-97% of the light making it a highly popular choice.
The zipper can be a bit problematic. It needs to be handled carefully.
If attention to detail is your anthem, then this is the grow tent for you. At an eye-popping price, this grow tent ticks all our boxes of durability, affordability and quality. An extra thick canvas of 600D, its double stitched and tear resistant to ensure light doesn't seep through. A strong metal frame lends the tent a solid stance. The tent focuses on smooth installation. All the features interlock together perfectly to give you a grow tent that focuses on the growth of your plants. The zipper slides easily making it convenient to slip in and out.
Well written instructions and numbered poles make installation easy and safe.
Light proof tents, that are available in a variety of sizes with the option of choosing an observation or not. The Oshion grow tent is non-toxic, thereby not emitting harmful gases off the materials to the plants. The tent is well constructed, easily to assemble, sturdy and available at an amazing price. The tent doesn't get too hot inside which is a plus for us. The vents at the bottom have Velcro to hold it open and the top has pull strings. The thick canvas and a 99% reflective mylar lining gives an efficiency lighting setup of any power configuration. The removable & water resistant mylar spill tray makes it easy to clean up.
Why does one need a grow tent?
Year-round garden – You can grow what you want, when you want.
What to consider while purchasing a grow tent?
Grow tents come in various sizes and layouts. I can say depending on the type and number of plants one plans on growing, a grow tent of appropriate size can be chosen. A larger grow tent obviously offers more space making it easy to maneuver. Smaller grow tents are easier to manage.
Most grow tents come in standard height. Some have the option of adjusting the height. This is important when the plants grow and change. The adjustable tents have extension poles that can be adjusted as growing conditions change. I must say the grow tent height you choose will be able to accommodate not only the plants at full maturity but also the other growing accessories that will be used.
A grow tent must be able to withstand the outdoor elements and keep the pests out. The quality of materials used is important to achieve this.
If you are overwhelmed with the numerous features a grow tent offers, consider the basics – zippers, frame and reflective material. This should give you an idea of the kind of grow tent you should purchase.
Grow tents are essential for an indoor grower. But it is hard to pick the best one as everyone's needs are varied. However, a grow tent must meet the basic requirements listed earlier in my checklist. Keeping that in mind, my clear winner is the Apollo Horticulture Hydroponic Grow Tent. It is tried and tested and gets the job done well. They Apollo grow tent is the perfect balance between quality and price.
Did you find this article useful? I certainly hope it helped you understand grow tents a little better and move towards buying what is best suited for your needs. Please do share your experiences and grow tent stories with us in the comment section below. We would love to hear your plant raising tales.


Mother of the Bride, have you asked your daughter yet if she knows what kind of bridal bouquet she'd like to have? You two may have just started your wedding planning journey together, but it will be time to select flowers before you know it.
In addition to the beautiful fall colors featured above, options abound when it comes to the big-day bouquet. Will your daughter want something traditional like roses or will she perhaps interested in something less conventional like the gemstone bouquets some brides select now? Will she want something colorful or something in softer colors that will be an elegant and beautiful complement to her gown?
To help you both consider many of the options that are out there, I've put together a roundup of the bridal bouquets I've featured here on the blog (see links below.) I hope you both find it helpful and fun to look through these options. And MOB, your darling girl might even discover her dream bouquet. Good luck!
Bridal Bouquet Idea: The Roses Have It!
Wedding Idea That Sparkles: A Brooch Bouquet!
*Since September is an exceptionally busy month for me this year, I'm taking a short break and will be back on the 26th. Why not take a look at my list of Favorite Posts (sidebar) and read some posts from there. Blessings!


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Home » About » Equity & Anti-Racism » Community Engagement
The library's Community Engagement Team builds authentic, collaborative relationships with and among community members and partners. We foster equity, inclusion, and access to diverse library services and resources across the community.
Where can you find us? Providing a variety of in-person and virtual outreach, engagement, and delivery services. These include community-driven programs and exhibits at library locations, home and resource delivery, Book Bike pop-ups, and outreach visits throughout the community.
One way we fulfill our library's mission and vision: We support and co-facilitate restorative circle discussions to build relationships, address important issues, repair harm, promote compassionate listening, and uplift voices in our library and community.
Chibuike Enyia, Manager of Community Engagement
Chibuike is a lifelong Oak Park resident with extensive management and community engagement experience. He also has a passion and enthusiasm for libraries, which he sees as "sanctuaries" and "imagination incubators." Chibuike is a member of the library's Anti-Racism Advisory Team and also served as a 2022 Book Bike Assistant.
Ian Gosse, Community Engagement Librarian
Ian has worked for the library since 2012, having spent seven years in Patron Services, then moving into Community Engagement. Ian is responsible for coordinating the library's Home Delivery program, as well as assisting with Book Bike visits and other outreach events around the community. When not at the library, Ian enjoys listening to audiobooks and playing video games.
Juanta Griffin, Multicultural Learning Coordinator
Juanta Griffin is passionate about multicultural education for all ages. A longtime Oak Park resident, arts educator, and community organizer, Juanta joined the library in March 2020 as Multicultural Learning Coordinator. She explores and shares learning from the library's Multicultural Collection, which is curated to help our community explore cultures and build empathy, and she collaborates with community members and groups to offer cultural programming and exhibits facilitated by and delivered through their own unique voices and identities.
Jenny Jackson, Community Engagement Coordinator
Jenny Jackson is an Early Childhood Community Engagement Coordinator who specializes in social and emotional learning development. She can usually be found hanging out with puppets—especially Ruthie the camel—at library storytimes and in the Early Bird Learning video series. She loves listening to and learning from children—it's the best thing ever!
Claire Ong, Library Specialist
Claire has a passion for libraries and began her library career in 2014. She started working at the Oak Park Public Library in 2021, as a Library Clerk in Adult Services. After joining the Community Engagement Team in 2022, her role has expanded to include outreach, such as riding the Book Bike and attending community events. Claire is especially enthusiastic about the Multicultural Collection, and how it is used to educate and appreciate diverse cultures.
Nora Sanchez, Latinx Language & Culture Librarian
Nora joined the library in 2017 and has worked as a Library Assistant and an Early Childhood Community Engagement Coordinator. In 2022 she began her role as Latinx Language & Culture Librarian, engaging with and meeting the evolving needs of the Latinx and Spanish-speaking community. She provides bilingual and Spanish-language resources, translations, outreach, and programs such as Noche de Lotería (Lotería Night) and Latinx Author Book Cafe. Nora collaborates with the community on celebrations such as Día de Muertos and Convivencia, Oak Park's Hispanic Heritage Month Festival.
Tatiana Swancy, Restorative Practices Coordinator
Since joining the library in 2015, Tatiana Swancy has held varying roles. She created her current position of Restorative Practices Coordinator because she recognized a need in the library to have more intentional programming and learning opportunities that are anti-racist, anti-oppression, and pro-joy. She partners with community members and groups including artists, nonprofits, and schools, supporting them with library resources and co-creating programming. She also facilitates peace circles for staff and the community.
Sarah Yale, Community Engagement Librarian
Prior to joining the library in 2013, Sarah worked and volunteered in schools and nonprofits focusing on youth development and restorative justice. Before becoming a Community Engagement Librarian, she served the Oak Park community as a Storytime Outreach Intern, Library Assistant, Neighborhood Services Librarian, and Manager. Sarah is passionate about making library resources accessible throughout the community and engaging people and partners where they are—particularly via our library Book Bike, the Paperback Rider.


This means your mail passes through Nyla's cloud server, which is a huge no-no in today's world of vulnerable security, inadequate privacy and constant snooping.
You can run the whole Nylas mail platform inhouse but that'd really be a big pain, wouldn't it? Nylas' server infrastructure runs on Amazon Web Services (a CIA contractor).
N1 is designed as an extensible product to let developers build plugins to add features to the cross-platform mail client.
Nylas touts N1 as compatible with hundreds of email providers including Gmail, Yahoo, iCloud, and Microsoft Exchange.
"N1 is for everyone," trumpets the startup.
But I'm not convinced Nylas is a better alternative to Thunderbird, Evolution, Geary or the other open source e-mail clients available today owing to my security concerns.
In its earlier avatars, the startup, founded by Dropbox and MIT alums, was first known as Inbox and then Nilas before settling on Nylas.
The fledgling's investors include Formation 8, SV Angel, Fuel Capital, Data Collective and Great Oaks Venture Capital.
Nylas hopes to make money by signing up businesses and enterprises that want more than 10 accounts (it's free for up to 10 accounts).
I found download buttons for the N1 client on the Nylas web site but hit a wall when I clicked on it.
Due to overwhelming interest, you'll need to wait a bit before downloading N1. Leave your email address and we'll contact you soon.
I expect the Windows version of N1 will also be 'available' soon.


As a small animal house-call vet, about 20 percent of my practice is hospice or euthanasia care. I've seen quite a variety of reactions of people to their pet's passing and I'm always struck when people apologize for their emotions, or things they say to their pet at the end. As a lifetime pet owner and a vet for twenty years, I understand grief very well, and no one owes me any apology for expressing feelings for their loss.
We retell to them the memories, all the joy they gave us. We remind them of the trips to the lake, the ocean, the woods, the hours of happy mornings we spent snuggling in bed, happy evenings spent sharing bites of pizza or apples and snuggling on the couch. We remind them of naps in the sunshine, splashing in the water, runs in the field, the games they invented that we played along with, a lifetime of silly rituals no one else would understand.
Sometimes, there are no words. There is only sobbing, or screaming, or stony tearless silence. It can take weeks or months, years, a lifetime to say the words we just can't find at that moment. Sometimes we can write them down later, or say them when we're alone. Sometimes we can never say them out loud.
Most of our animal friends live a short life compared to ours. We know that in our heads, however our hearts will always struggle with that truth. But with each ending, whether the words come easily or not, veterinarians, veterinary nurses, and veterinary staff understand that some things need to be said. You don't ever have to be ashamed or afraid of being judged, because we understand how deep, how precious, how profound your love is for the animals you share your lives with.
Today when one of my clients had to say goodbye, all he said through his tears when he held his companion was "thank you." I think, in the end, that's what we really mean to say. Thank you, for everything.
Dr. Amy Cottrille is currently a house call general practitioner for dogs and cats in Seattle's suburban Eastside area. Her professional special interests include hospice care and pain management. Dr. Cottrille shares her home with her husband, three children, and a variety of spoiled pets, including regularly fostering kittens for MEOW Cat Rescue. As a Washington native, she enjoys outdoor activities of all sorts.


The news which broke out end of August about Nigeria-based journalist, Simon Ateba, arrested in Cameroon over allegedly spying for Boko Haram, has seen the continuation.
Ateba was detained after entering a refugee camp with 50,000 Nigerians and was reportedly kept in Mokolo gendarmerie without food. Both Nigerian and Cameroonian colleagues condemned the arrest of the renowned journalist.
Following several days of insinuations and uncertainty, Ateba has been freed today, which he made known himself via his Facebook page.
"After three nights and a day in a stinking cell in Cameroon's far north and a long questioning at the office of their state security services where they asked me repeatedly 'are you a spy for Boko Haram?', I said 'no.
"Then the state security service agents took me to my hotel room around midnight but without my passport, and phones. I was then taken to the office of their general delegation 30 minutes ago and made to explain again to the top cop. My passport and phones have been given back to me, and I am free to travel out.
He also thanked those who actively campaigned for his release. In particular, he referred to a press conference by Ayodele Samuel for Friends and Associates of Simon Ateba held on Tuesday, September 1, at the International Press Center, Ogba Lagos.
Meanwhile the Nigerian army has recaptured Gamboru Ngala, the strategic town in Borno state, from Boko Haram insurgents. According to the September 1 statement, "the triumphant troops are now busy with clearing and mopping up patrols".


This delicious chicken kebabs recipe uses Scottish ingredients such as heather honey and can be cooked indoors or enjoyed outdoors on the BBQ.
Place the breasts into a ceramic dish and cover with the marinade of honey, lemon juice and rind and the thyme and some black pepper.
Leave them to marinade for at least 30 minutes so that the flavours soak through into the breasts.
Thread the marinated chicken breasts onto skewers and cook on a BBQ or grill until cooked through and all the juices run clear.
To prevent them from drying out during the cooking spoon some of the marinade over the kebabs.
Serve the chicken kebab with a seasonal salad and pitta bread.
We would like to thank Sainsbury�s for this chicken kebab recipe and photograph which formed part of their Eat Britain campaign. To read more about it visit the Scottish Cooking And Recipes From Scotland page.