text:
NASA News Digest: Space Science For 7 April – 16 April 2015
Posted on April 16, 2015 5:25 pm - Leave a Comment - Posted by Damian Allis
Greetings fellow astrophiles,
The NASA News service provides up-to-date announcements of NASA policy, news events, and space science. A recent selection of space science articles are provided below, including direct links to the full announcements. Those interested in receiving these news announcements directly from NASA can subscribe to their service by sending an email to:
hqnews-request@newsletters.nasa.gov?subject=subscribe
NASA Joins Forces To Put Satellite Eyes On Threat To U.S. Freshwater
RELEASE 15-058 (Click here for the full article) – 7 April 2015
NASA has joined forces with the U.S. Environmental Protection Agency, National Oceanic and Atmospheric Administration, and U.S. Geological Survey to transform satellite data designed to probe ocean biology into information that will help protect the American public from harmful freshwater algal blooms.
Algal blooms are a worldwide environmental problem causing human and animal health risks, fish kills, and taste and odor in drinking water. In the United States, the cost of freshwater degraded by harmful algal blooms is estimated at $64 million annually. In August 2014, officials in Toledo, Ohio, banned the use of drinking water supplied to more than 400,000 residents after it was contaminated by an algal bloom in Lake Erie.
The new $3.6 million, multi-agency effort will use ocean color satellite data to develop an early warning indicator for toxic and nuisance algal blooms in freshwater systems and an information distribution system to aid expedient public health advisories.
"The vantage point of space not only contributes to a better understanding of our home planet, it helps improve lives around the world," said NASA Administrator Charles Bolden. "We're excited to be putting NASA's expertise in space and scientific exploration to work protecting public health and safety."
For more information on NASA's Earth science activities, visit: www.nasa.gov/earth
NASA, USGS Begin Work On Landsat 9 To Continue Land Imaging Legacy
RELEASE 15-061 (Click here for the full article) – 16 April 2015
NASA and the U.S. Geological Survey (USGS) have started work on Landsat 9, planned to launch in 2023, which will extend the Earth-observing program's record of land images to half a century.
The Landsat program has provided accurate measurements of Earth's land cover since 1972. With data from Landsat satellites, ecologists have tracked deforestation in South America, water managers have monitored irrigation of farmland in the American West, and researchers have watched the growth of cities worldwide. With the help of the program's open archive, firefighters have assessed the severity of wildfires and scientists have mapped the retreat of mountain glaciers.
The President's fiscal year 2016 budget calls for initiation of a Landsat 9 spacecraft as an upgraded rebuild of Landsat 8, as well as development of a low-cost thermal infrared (TIR) free-flying satellite for launch in 2019 to reduce the risk of a data gap in this important measurement. The TIR free flyer will ensure data continuity by flying in formation with Landsat 8. The budget also calls for the exploration of technology and systems innovations to provide more cost effective and advanced capabilities in future land-imaging missions beyond Landsat 9, such as finding ways to miniaturize instruments to be launched on smaller, less expensive satellites.
For more information on the Landsat program, visit: landsat.gsfc.nasa.gov and landsat.usgs.gov
NASA Spacecraft Achieves Unprecedented Success Studying Mercury
After extraordinary science findings and technological innovations, a NASA spacecraft launched in 2004 to study Mercury will impact the planet's surface, most likely on April 30, after it runs out of propellant.
NASA's MErcury Surface, Space ENvironment, GEochemistry, and Ranging (MESSENGER) spacecraft will impact the planet at more than 8,750 miles per hour (3.91 kilometers per second) on the side of the planet facing away from Earth. Due to the expected location, engineers will be unable to view in real time the exact location of impact.
On Tuesday, mission operators in mission control at the Johns Hopkins University Applied Physics Laboratory (APL) in Laurel, Maryland, completed the fourth in a series of orbit correction maneuvers designed to delay the spacecraft's impact into the surface of Mercury. The last maneuver is scheduled for Friday, April 24.
"Following this last maneuver, we will finally declare the spacecraft out of propellant, as this maneuver will deplete nearly all of our remaining helium gas," said Daniel O'Shaughnessy, mission systems engineer at APL. "At that point, the spacecraft will no longer be capable of fighting the downward push of the sun's gravity."
For a complete listing of science findings and technological achievements of the mission visit: www.nasa.gov/messenger
RELEASE M15-061 (Click here for the full article) – 16 April 2015
NASA is celebrating the Hubble Space Telescope's 25th anniversary with a variety of events highlighting its groundbreaking achievements and scientific contributions with activities running April 20-26.
Hubble, the world's first space telescope, was launched on April 24, 1990 aboard the space shuttle Discovery. In its quarter-century in orbit, the observatory has transformed our understanding of our solar system and beyond, and helped us find our place among the stars.
Starting at midnight EDT on Monday, April 20, and running through Sunday, April 26, images taken by the Hubble Space Telescope will be broadcast several times each hour on the Toshiba Vision dual LED screens in Times Square, New York.
The IMAX movie Hubble 3D is playing at select theatres across the United States throughout April. Hubble images come to vast, three-dimensional life, taking audiences through the telescope's 25-year existence and putting them in orbit with astronauts during the latest servicing mission. For more information and the trailer, visit: hubblesite.org/hubble_20/imax_hubble_3d/
For NASA TV streaming video, schedules and downlink information, visit: www.nasa.gov/nasatv
For more Hubble 25th Anniversary events, visit: www.hubble25th.org
For more information about NASA's Hubble Space Telescope, visit: www.nasa.gov/hubble
Posted in: US/NASA - Tagged: earth, environmental protection agency, hubble space telescope, hubble25, imax, landsat 9, low-cost thermal infrared, mercury, messenger, nasa news, national oceanic and atmospheric administration, tir, u.s. geological survey, usgs


text:
Home Discover New Album
Joe Satriani Release New Single Track "Thunder High On The Mountain"
Feyyaz Ustaer - November 1, 2017
Myles Kennedy Reveal Tracklisting, Artwork & Release Date For His New Album
Chris Cornell's New Album Details, Cover Art and Tracklist Leaked
Tool Finally Confirmed The Release Date For New Album
Disturbed's New Album "Evolution" Released on Youtube, Listen To Full Album Here!
Asking Alexandria's Self-Titled Album Has Arrived, Listen To It Here
New Album Feyyaz Ustaer - December 16, 2017
British metalcore band Asking Alexandria has released their new self-titled album on Youtube. This album is first studio record since frontman Danny Worsnop's return to the...
Cristina Scabbia Says New Lacuna Coil Album Is Coming In 2019
New Album Feyyaz Ustaer - November 8, 2018
Latest album of Lacuna Coil, "Delirium", was released on May 27, 2016 via Century Media Records. According to new report, their new album will...
Judas Priest Release New Music Video For New Song "Lightning Strike"
New Album Feyyaz Ustaer - January 7, 2018
The British metal group Judas Priest worked for a new studio album the year we passed. Today they shared details about the new album...
Arch Enemy Shares Full Details of New Cover Album: They Covered Megadeth, Manowar and...
Swedish melodic metallers Arch Enemy just announced that their new cover album, "Covered In Blood", will be released on January 18, 2019 via Century...
Breaking Benjamin Release New Song "Feed The Wolf"
New Album Feyyaz Ustaer - January 26, 2018
According to the announcement released today, Breaking Benjamin's new album "Ember" will be released on April 13, 2018. "Feed The Wolf", one of the songs...
It's Happening: Tool Shares Exciting Teaser For New Album!
As we reported two days ago, Tool drummer Danny Carey announced the release date for highly anticipated new album of Tool. He talked in a conversation...
Full Details Of Tremonti's New Album Revealed: "A Dying Machine"
New Album Feyyaz Ustaer - March 29, 2018
Tremonti's new album "A Dying Machine" will be released on June 8 via Napalm Records. The album features Mark Tremonti on vocals/guitars, Eric Friedman on...
Slipknot Gives A Mysterious Date For Upcoming Album
New Album Enes K. - March 2, 2019
Slipknot has already announced that new album will be released next summer. They also released the first single from the album: "All Out Life." The...
Tremonti Release A New Lyric Video For "A Dying Machine"
New Album Feyyaz Ustaer - April 7, 2018
Tremonti, the band comprised of Mark Tremonti on vocals/guitars, Eric Friedman on guitars/backing vocals, and Garrett Whitlock on drums, have released the first song...
Alice In Chains Release New Song "So Far Under" – New Album's Release Date...
New Album Feyyaz Ustaer - June 27, 2018
Alice In Chains' new album "Rainer Fog" will be released on August 24, 2018 and there will be 10 songs in the album. The band...

redpajama_set_name: RedPajamaCommonCrawl


text:
Linda Taylor Miller (born August 18, 1953) is an American soap opera actress.

Early life and education
Miller was born in New Orleans, Louisiana. She was raised in Rochester, New York and also lived with her family in Fort Worth, Texas for a time. Miller moved frequently during her formative years due to her father's work as a pollution control specialist. She studied history at the H. Sophie Newcomb Memorial College at Tulane University from 1971 to 1975, joining the Chi Omega sorority.

Career
Miller modeled in New York City for a short time before she was discovered. She had her first audition for the role of Nina Cortlandt and began appearing on All My Children only  months after her arrival.

She is best known for her role as Nina Cortlandt on ABC Daytime's All My Children (AMC), which she played from 1979 to 1984 and from 1986 to 1989. Miller returned in cameos in 1994, 1995, 1996, and 2010 (40th Anniversary Episode). She returned with Gillian Spencer, who played Nina's mother, on April 20, 2010, for the tribute to Palmer Cortlandt (James Mitchell). Her pairing with Peter Bergman's Dr. Cliff Warner was arguably the first supercouple on the soap.

During a break from All My Children, she played Sally Frame on Another World (1985–1986). She also appeared in the NBC series Knight Rider.

On February 2, 2017, Miller made a surprise appearance on the Hallmark Channel's Home & Family show, where she was reunited with a number of her former All My Children castmates.

Personal life
In 1988, Miller married Eli Tullis Jr., also a native of New Orleans. She currently resides in Chicago, Illinois. After her two children went to college, Miller was inspired to make a career transition into the health and wellness field.

Filmography

Film

Television

See also
Cliff Warner and Nina Cortlandt

References

External links

American soap opera actresses
Actresses from New Orleans
Tulane University alumni
1953 births
Living people
American soap opera writers
Screenwriters from Louisiana
American women television writers
Women soap opera writers
21st-century American women

redpajama_set_name: RedPajamaWikipedia


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Lisa said, Oh this is such good writing, writing from the heart, there is no other kind, fiction or real life. But hearts falter from time to time, and I have learned that, taking a break made mine weaker. To gain and build energy is to push forward. To jump start passion is to force fake love.
J.B. Chicoine said, Jon, sometimes we get too caught up in trying to labels what we are and what we do, and quite frankly, that often has very little to do with who we really are. So what! you're not writing fiction right now. Writing fiction can be lots of fun and lots of work, but realistically, fiction is, well, fiction. It's a bunch of made up stories that in the big scheme of things doesn't REALLY make a hill of beans of difference in the long run. Real life–that stuff that happens, the stuff that we have little to no control of and affects our daily existence and our loved ones–takes precedence over writing fiction any day. And that is the case whether we have a work in progress, or a finished and waiting story, or a published work. Just because we aren't currently writing doesn't mean we need to find a different label for ourselves.
C.S. Severe said, Hey Jon, I totally understand. It's okay that we sometimes fall short of where we want to be or what we want to accomplish. The important thing is that we realize that, rediscover our motivations, channel into our inspiration and imagination, and start over again. I'm doing the same thing right now. I spent a good six to eight months not writing or blogging. Somewhere in the past few weeks, I found my motivation, inspiration, and imagination, and I've been embracing them all to start fresh, more determined than ever to accomplish my goal. I wish you all the luck and know that you're not alone out there.
Liza said, We all have our ups and downs. Maybe one of the hardest things about blogging is we have an "audience." That makes us feel "accountable." Then, when we don't blog, we feel we've failed. But life is not one dimensional. We are pulled in different directions and have to change our focus…that's just how it is. Sometimes it's just impossible to do it all. The fact that you seem to feel bad though, makes me suspect you will be back writing soon.
farawayeyes said, Finding my way around in the dark also. Hell, look how long it took me to find this. I think, or at least I hope it happens to all of us sometime. The trick is to not let life get in the way of real life. I'm working on it.


text:
Barciany (plaats), plaats in Polen
 Barciany (gemeente), gemeente in Polen


text:
package org.keycloak.connections.jpa.updater.liquibase.lock;

import liquibase.Scope;
import liquibase.database.core.DerbyDatabase;
import liquibase.exception.DatabaseException;
import liquibase.exception.UnexpectedLiquibaseException;
import liquibase.executor.Executor;
import liquibase.executor.ExecutorService;
import liquibase.lockservice.StandardLockService;
import liquibase.statement.core.CreateDatabaseChangeLogLockTableStatement;
import liquibase.statement.core.DropTableStatement;
import liquibase.statement.core.InitializeDatabaseChangeLogLockTableStatement;
import liquibase.statement.core.LockDatabaseChangeLogStatement;
import liquibase.statement.core.RawSqlStatement;
import org.jboss.logging.Logger;
import org.keycloak.common.util.Time;
import org.keycloak.common.util.reflections.Reflections;
import org.keycloak.connections.jpa.updater.liquibase.LiquibaseConstants;
import org.keycloak.models.dblock.DBLockProvider;

import java.lang.reflect.Field;
import java.util.Arrays;
import java.util.List;
import java.util.Map;
import java.util.Set;
import java.util.stream.Collectors;
import liquibase.statement.SqlStatement;

/**
 * Liquibase lock service, which has some bugfixes and assumes timeouts to be configured in milliseconds
 *
 * @author Marek Posolda
 */
public class CustomLockService extends StandardLockService {

    private static final Logger log = Logger.getLogger(CustomLockService.class);

    @Override
    public void init() throws DatabaseException {
        Executor executor = Scope.getCurrentScope().getSingleton(ExecutorService.class).getExecutor(LiquibaseConstants.JDBC_EXECUTOR, database);

        if (!hasDatabaseChangeLogLockTable()) {

            try {
                if (log.isTraceEnabled()) {
                    log.trace("Create Database Lock Table");
                }
                executor.execute(new CreateDatabaseChangeLogLockTableStatement());
                database.commit();
            } catch (DatabaseException de) {
                log.warn("Failed to create lock table. Maybe other transaction created in the meantime. Retrying...");
                if (log.isTraceEnabled()) {
                    log.trace(de.getMessage(), de); //Log details at trace level
                }
                database.rollback();
                throw new LockRetryException(de);
            }

            log.debugf("Created database lock table with name: %s", database.escapeTableName(database.getLiquibaseCatalogName(), database.getLiquibaseSchemaName(), database.getDatabaseChangeLogLockTableName()));

            try {
                Field field = Reflections.findDeclaredField(StandardLockService.class, "hasDatabaseChangeLogLockTable");
                Reflections.setAccessible(field);
                field.set(CustomLockService.this, true);
            } catch (IllegalAccessException iae) {
                throw new RuntimeException(iae);
            }
        }

        try {
            Set<Integer> currentIds = currentIdsInDatabaseChangeLogLockTable();
            if (!currentIds.containsAll(Arrays.asList(DBLockProvider.Namespace.values()))) {
                if (log.isTraceEnabled()) {
                    log.tracef("Initialize Database Lock Table, current locks %s", currentIds);
                }
                executor.execute(new CustomInitializeDatabaseChangeLogLockTableStatement(currentIds));
                database.commit();

                log.debug("Initialized record in the database lock table");
            }

        } catch (DatabaseException de) {
            log.warn("Failed to insert first record to the lock table. Maybe other transaction inserted in the meantime. Retrying...");
            if (log.isTraceEnabled()) {
                log.trace(de.getMessage(), de); // Log details at trace level
            }
            database.rollback();
            throw new LockRetryException(de);
        }

        // Keycloak doesn't support Derby, but keep it for sure...
        if (executor.updatesDatabase() && database instanceof DerbyDatabase && ((DerbyDatabase) database).supportsBooleanDataType()) { //check if the changelog table is of an old smallint vs. boolean format
            String lockTable = database.escapeTableName(database.getLiquibaseCatalogName(), database.getLiquibaseSchemaName(), database.getDatabaseChangeLogLockTableName());
            Object obj = executor.queryForObject(new RawSqlStatement("select min(locked) as test from " + lockTable + " fetch first row only"), Object.class);
            if (!(obj instanceof Boolean)) { //wrong type, need to recreate table
                executor.execute(new DropTableStatement(database.getLiquibaseCatalogName(), database.getLiquibaseSchemaName(), database.getDatabaseChangeLogLockTableName(), false));
                executor.execute(new CreateDatabaseChangeLogLockTableStatement());
                executor.execute(new InitializeDatabaseChangeLogLockTableStatement());
            }
        }

    }

    private Set<Integer> currentIdsInDatabaseChangeLogLockTable() throws DatabaseException {
        try {
            Executor executor = Scope.getCurrentScope().getSingleton(ExecutorService.class).getExecutor(LiquibaseConstants.JDBC_EXECUTOR, database);
            String idColumnName = database.escapeColumnName(database.getLiquibaseCatalogName(),
                    database.getLiquibaseSchemaName(),
                    database.getDatabaseChangeLogLockTableName(),
                    "ID");
            String lockTableName = database.escapeTableName(database.getLiquibaseCatalogName(),
                    database.getLiquibaseSchemaName(),
                    database.getDatabaseChangeLogLockTableName());
            SqlStatement sqlStatement = new RawSqlStatement("SELECT " + idColumnName + " FROM " + lockTableName);
            List<Map<String, ?>> rows = executor.queryForList(sqlStatement);
            Set<Integer> ids = rows.stream().map(columnMap -> ((Number) columnMap.get("ID")).intValue()).collect(Collectors.toSet());
            database.commit();
            return ids;
        } catch (UnexpectedLiquibaseException ulie) {
            // It can happen with MariaDB Galera 10.1 that UnexpectedLiquibaseException is rethrown due the DB lock.
            // It is sufficient to just rollback transaction and retry in that case.
            if (ulie.getCause() != null && ulie.getCause() instanceof DatabaseException) {
                throw (DatabaseException) ulie.getCause();
            } else {
                throw ulie;
            }
        }
    }

    @Override
    public void waitForLock() {
        waitForLock(new LockDatabaseChangeLogStatement());
    }

    public void waitForLock(DBLockProvider.Namespace lock) {
        waitForLock(new CustomLockDatabaseChangeLogStatement(lock.getId()));
    }

    private void waitForLock(LockDatabaseChangeLogStatement lockStmt) {
        boolean locked = false;
        long startTime = Time.toMillis(Time.currentTime());
        long timeToGiveUp = startTime + (getChangeLogLockWaitTime());
        boolean nextAttempt = true;

        while (nextAttempt) {
            locked = acquireLock(lockStmt);
            if (!locked) {
                int remainingTime = ((int)(timeToGiveUp / 1000)) - Time.currentTime();
                if (remainingTime > 0) {
                    log.debugf("Will try to acquire log another time. Remaining time: %d seconds", remainingTime);
                } else {
                    nextAttempt = false;
                }
            } else {
                nextAttempt = false;
            }
        }

        if (!locked) {
            int timeout = ((int)(getChangeLogLockWaitTime() / 1000));
            throw new IllegalStateException("Could not acquire change log lock within specified timeout " + timeout + " seconds.  Currently locked by other transaction");
        }
    }

    @Override
    public boolean acquireLock() {
        return acquireLock(new LockDatabaseChangeLogStatement());
    }

    private boolean acquireLock(LockDatabaseChangeLogStatement lockStmt) {
        if (hasChangeLogLock) {
            // We already have a lock
            return true;
        }

        Executor executor = Scope.getCurrentScope().getSingleton(ExecutorService.class).getExecutor(LiquibaseConstants.JDBC_EXECUTOR, database);

        try {
            database.rollback();

            // Ensure table created and lock record inserted
            this.init();
        } catch (DatabaseException de) {
            throw new IllegalStateException("Failed to retrieve lock", de);
        }

        try {
            log.debug("Trying to lock database");
            executor.execute(lockStmt);
            log.debug("Successfully acquired database lock");

            hasChangeLogLock = true;
            database.setCanCacheLiquibaseTableInfo(true);
            return true;

        } catch (DatabaseException de) {
            log.warn("Lock didn't yet acquired. Will possibly retry to acquire lock. Details: " + de.getMessage());
            if (log.isTraceEnabled()) {
                log.debug(de.getMessage(), de);
            }
            return false;
        }
    }

    @Override
    public void releaseLock() {
        try {
            if (hasChangeLogLock) {
                log.debug("Going to release database lock");
                database.commit();
            } else {
                log.warn("Attempt to release lock, which is not owned by current transaction");
            }
        } catch (Exception e) {
            log.error("Database error during release lock", e);
        } finally {
            try {
                hasChangeLogLock = false;
                database.setCanCacheLiquibaseTableInfo(false);
                database.rollback();
            } catch (DatabaseException ignored) {
            }
        }
    }

}

redpajama_set_name: RedPajamaGithub


text:
Hu Zao (xinès simplificat: 胡慥; xinès tradicional: 胡慥; pinyin: Hú Zào) fou un pintor xinès que va viure sota la dinastia Qing. Conegut també com a Shigong, no es coneixen les dates del seu naixement ni de la seva mort. Hu va destacar com a pintor paisatgista, de figures humanes i crisantems. Va formar part del col·lectiu conegut amb el nom d'Els Vuit Mestres de Nanjing juntament amb Gong Xian, Fan Qi, Gao Cen, Zou Zhe, Wu Hong, Ye Xin, Hu i Xie Sun, tots els quals van viure a Jinling, actualment Nanjing.

Enllaços externs
 http://www.china-on-site.com/pages/painter/1099.php

Pintors de la dinastia Qing


This Sunday is the first day of Advent. Honest question: How do you celebrates Advent? Or better put, do you celebrate the season of Advent? Are we paying more attention to the Mall and the decorations than we are to Advent? Well, let's discuss.
What Have You Done With the Gifts You've Been Given?
It's the Feast of Christ The King and the final Sunday of Ordinary Time. You'll hear about the Book of Revelation. It is the only book in the Bible with the promise of a blessing to those who pay attention to it. It's a direct revelation from Jesus to us.
The First Annual 'Fr. Joe Thanksgiving Quiz'?
What did they eat at the first Thanksgiving? Which president made Thanksgiving a national holiday? Who was the first president to pardon a turkey? Get ready to go toe-to-toe with Fr. Joe! God Bless and Happy Thanksgiving!


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Length = 2.6", Width = 2.6 Height = 2.2"


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text:
category: class
---

# Queue

The Queue is a collection of files that are being manipulated by the user.

Queues are designed to persist the state of uploads when a user navigates around your application.

```js
import Queue from 'ember-file-upload/queue';
```

## Queue names

Queue names should be deterministic so they can be retrieved. It's recommended to provide a helpful name.

If the queue belongs to a top level collection, photos, the good name for this queue may be `'photos'`.

If you're uploading images to an artwork, the best name would incoporate both "artworks" and the identifier of the artwork. A good name for this queue may be `'artworks/{{id}}/photos'`, where `{{id}}` is a dynamic segment that is generated from the artwork id.

## Failed uploads

Note that files that have failed need to be manually removed from the queue. This is so they can be retried without resetting the state of the queue, orphaning the file from its queue.

Upload failures can happen due to a timeout or a server response. If you choose to use the abort method, the file will fail to upload, but will be removed from the requeuing proccess, and will be considered to be in a settled state.

# Class API

## Fields

| Field       | Description                                                                                | Type           |
| ----------- | ------------------------------------------------------------------------------------------------------------- | -------------- |
| `fileQueue` | The FileQueue service.                                                                                | `FileQueue`    |
| `name`      | The unique identifier of the queue.                                                                           | `string`       |
| `files`     | The list of files in the queue. This automatically gets flushed when all the files in the queue have settled. | `UploadFile[]` |

## Methods

| Method   | Description                    | Parameters   | Returns |
| -------- | ------------------------------ | ------------ | ------- |
| `add`    | Add a file to this queue.      | `UploadFile` |         |
| `remove` | Remove a file from this queue. | `UploadFile` |         |

## Modifiers

| Modifier     | Description                                   | Parameters                                                                                |
| ------------ | --------------------------------------------- | --------------------------------------------------------------------------------------------------------------- |
| `selectFile` | Bind a file input to add files to this queue. | `filter: (file: File, files: File[], index: number) => Boolean, onFilesSelected: (files: UploadFile[]) => void` |


The Garrity Perception Survey (GPS) is the premier resource for understanding New Mexico residents. Since 2011, the annual survey measures who residents trust, which industries are favorable and how residents access news and information.
The unique survey provides insights about how New Mexico residents views can vary based on their geography and demographics.
In addition to surveying New Mexico residents on the favorability of 17 industries and institutions, The Garrity Group commissioned Research & Polling to also query residents' trust of 15 professions, how residents access news and information and what kind of trust they place in those sources.
New for the 2018 GPS is a look at how perception in certain industry clusters has shifted over the past seven year (2011-2017). Specifically we focus on the Energy, Education , Religion, Healthcare and Legal systems. We also take a look at hour New Mexico residents are slowly embracing digital media as a primary source for news and information.
The survey is a great tool for understanding the preferences of residents living in New Mexico's five regions and guides the firm's four-step process of research, planning, execution and evaluation. The GPS is the first step to data based decision making. For additional information about cross-tab or trend information about any of the survey results please reach out to info@garritypr.com.
Download your copy of the 2018 garrity perception survey - available now!
I'd like to receive The Garrity Group's monthly newsletter.
On average, 60 percent of state residents are favorable of the solar and wind industry versus 44 percent favorability of the oil and gas industry.
Geographically, residents in North Central New Mexico are the most favorable of solar and wind with a 67 percent average versus residents in Eastern New Mexico who are the most favorable of oil and gas at 61 percent.
In 2011, public schools enjoyed 47 percent favorability. The next year, it slipped to 38 percent. The ebb and flow of favorability continued. Favorability increased for three years to 46 percent in 2015 only to drop again to 39 percent in 2017.
Statewide, residents in Eastern New Mexico are the most favorable of public schools with a 51 percent average while residents in Albuquerque have the lowest level of favorability with a 38 percent average. Trust in teachers is highest in North Central New Mexico with an average of 70 percent.
Trust in religious leaders, in areas with a high Catholic population base went from a high of 74 percent in 2013 to a low of 41 percent in 2014, a drop of 33 percent over the course of a year.
New Mexico residents are generally consistent in how they feel about the medical system. Favorability hovers just below the 50 percent mark with the most fluctuation occurring in 2013 when it dropped from 49 percent to 46 percent. Over the past seven years, the medical system has averaged 47 percent favorability among New Mexico residents.
An 18 percent gap exists between trust in judges at a 44 percent average and favorability of the courts at 26 percent. Geographically, judges have higher trust among residents living in the Eastern, Southern and Southwestern parts of the state.


text:
import os.path

import pytz
import pytest

from tzlocal import get_localzone

from khal.settings import get_config
from khal.settings.exceptions import InvalidSettingsError, \
    CannotParseConfigFileError

PATH = __file__.rsplit('/', 1)[0] + '/configs/'

class TestSettings(object):
    def test_simple_config(self):
        config = get_config(PATH + 'simple.conf')
        comp_config = {
            'calendars': {
                'home': {'path': os.path.expanduser('~/.calendars/home/'),
                         'readonly': False, 'color': '', 'type': 'calendar'},
                'work': {'path': os.path.expanduser('~/.calendars/work/'),
                         'readonly': False, 'color': '', 'type': 'calendar'},
            },
            'sqlite': {'path': os.path.expanduser('~/.local/share/khal/khal.db')},
            'locale': {
                'local_timezone': pytz.timezone('Europe/Berlin'),
                'default_timezone': pytz.timezone('Europe/Berlin'),
                'timeformat': '%H:%M',
                'dateformat': '%d.%m.',
                'longdateformat': '%d.%m.%Y',
                'datetimeformat': '%d.%m. %H:%M',
                'longdatetimeformat': '%d.%m.%Y %H:%M',
                'firstweekday': 0,
                'encoding': 'utf-8',
                'unicode_symbols': True,
                'weeknumbers': False,
            },
            'default': {
                'default_command': 'calendar',
                'default_calendar': None,
                'show_all_days': False,
                'print_new': 'False',
                'days': 2,
            }
        }
        for key in comp_config:
            assert config[key] == comp_config[key]

    def test_nocalendars(self):
        with pytest.raises(InvalidSettingsError):
            get_config(PATH + 'nocalendars.conf')

    def test_small(self):
        config = get_config(PATH + 'small.conf')
        comp_config = {
            'calendars': {
                'home': {'path': os.path.expanduser('~/.calendars/home/'),
                         'color': 'dark green', 'readonly': False,
                         'type': 'calendar'},
                'work': {'path': os.path.expanduser('~/.calendars/work/'),
                         'readonly': True, 'color': '',
                         'type': 'calendar'}},
            'sqlite': {'path': os.path.expanduser('~/.local/share/khal/khal.db')},
            'locale': {
                'local_timezone': get_localzone(),
                'default_timezone': get_localzone(),
                'timeformat': '%H:%M',
                'dateformat': '%d.%m.',
                'longdateformat': '%d.%m.%Y',
                'datetimeformat': '%d.%m. %H:%M',
                'longdatetimeformat': '%d.%m.%Y %H:%M',
                'firstweekday': 0,
                'encoding': 'utf-8',
                'unicode_symbols': True,
                'weeknumbers': False,
            },
            'default': {
                'default_calendar': None,
                'default_command': 'calendar',
                'print_new': 'False',
                'show_all_days': False,
                'days': 2,
            }
        }
        for key in comp_config:
            assert config[key] == comp_config[key]

    def test_old_config(self, tmpdir):
        old_config = """
[Calendar home]
path: ~/.khal/calendars/home/
color: dark blue
[sqlite]
path: ~/.khal/khal.db
[locale]
timeformat: %H:%M
dateformat: %d.%m.
longdateformat: %d.%m.%Y
[default]
default_command: calendar
"""
        conf_path = str(tmpdir.join('old.conf'))
        with open(conf_path, 'w+') as conf:
            conf.write(old_config)
        with pytest.raises(CannotParseConfigFileError):
            get_config(conf_path)

    def test_extra_sections(self, tmpdir):
        config = """
[calendars]
[[home]]
path = ~/.khal/calendars/home/
color = dark blue
unknown = 42
[unknownsection]
foo = bar
"""
        conf_path = str(tmpdir.join('old.conf'))
        with open(conf_path, 'w+') as conf:
            conf.write(config)
        get_config(conf_path)
        # FIXME test for log entries


text:
Home | About San Pedro | E-mail Us
San Pedro includes a key symbolizing its being the gateway to Laguna and to the Calabarzon. It is named after the Patron Saint, San Pedro Apostol. It has a land area of 2660 hectares. San Pedro is a first class municipality with a population of 231,403.
On the east of the town is the Laguna Lake wherein the shoreline barangays can be found, firstly, Cuyab, famous for duck raising, balot, a native delicacy. Second is San Roque known for seasonal crops like eggplant, garlic, etc. Third is Landayan, known for its patron saint proven to be miraculous, Santo Sepulcro or Lolo Uweng. This barangay is noted for the traditional weekly (Fridays) visitation of devotees from the different municipalities of Laguna and Metro Manila.
San Pedro is in the north of Binan known for puto Binan and in the west is Dasmarinas of the Province of Cavite. The town's western hilly portion is reserved for industrial purposes to provide employment opportunities for its 200,000 potential labor force. Most of the territory is residential because of the GSIS-SSS housing subdivisions and villages totalling 87 in the last count, aside from the 20 Barangays it has at present.
The town is divided into three (3) classifications: the uplands on our west, the middle or the flatlands and on the east, lowlands or shoreline areas because it is adjacent to the lake. It has more than 50 multi-national factories, a number of schools and colleges, several hospitals, two commercial areas, banks, transportation and other facilities, one public market and the recently inaugurated new landmark, the San Pedro Town Center, which was highlighted by the launching of the "Manok ni San Pedro Festival" which is destined to be an annual event.
San Pedro is located south of Muntinlupa City, and the first town of Laguna from the Metropolis. It is bounded on the west by Dasmarinas, Cavite; southwest by Carmona, Cavite; and east by Laguna de Bay. It has a total land area of 2,660 hectares and an estimated population of 231,403 proliferated in 20 barangays and 87 subdivisions / villages.
TOPOGRAPHICAL FEATURES
San Isidro and San Pedro Rivers were the town's two main tributaries into the Laguna Lake. It used to serve as source of water to irrigate rice fields and sugar plantations. At present, these rivers serve to channel rain waters from the town to the lake.
The area it occupies, if converted into land is about 37.5 hectares considering its total length and width. This is about 2% of the total area.
The network of municipal roads and bridges within the core which facilitates transport and movement of goods and services occupies an area of about 16% of the urban core.
The urban core lies on the plain land having a slope of 0-3% with soil classified as Bay Clay and Maligaya Clay Loam.
San Pedro experiences two pronounced seasons, dry from Novermber to April and wet during the rest of the year. Rainfall is concentrated in the month of June to September.
Geographically, San Pedro is strategically located between the Metropolitan Manila and the Industrial Estate of Calabarzon. Being the first town of Laguna, it is the center of staging point for both of the mentioned areas.
In general, San Pedro may be noted for its abundant supply of potable water from its underground water reserve. A great portion of land area is plain while a small part of it can be considered upland.
It's shoreline areas, or low lands, may be suited for agricultural and fishing industry purposes. Because of it being submerged to the Laguna Lake waters these areas may be utilized for cash crops production, grazing animals and other livelihood projects initiated and implemented thru cooperatives.
Its terrain features and a good road network make accessibility to transportation and good mobility. It has also good public amenities and utilities to cater to the needs of local populace. With this the influx of migratory individuals involved in industrial and manufacturing businesses increased, thus different barangays became the site of housing centers, but still some vacant lots can be found in these areas.
Overall, San Pedro has changed from agricultural to an industrial status and still on its way to progress, in the advent of the creation of Mega City Manila. The whole Calabarzon may be annexed to it. With the above characteristics, the area is flexible enough to suit to the changing environment with its corresponding needs.
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--Local Government Info-- Emergency Hotlines Municipal Directory Metro Manila Zip Codes Provincial Zip Codes List of Barangays Homeowners Association Council of Leaders PNR Train Schedule B.I.R.
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Watercolor and Oil Paintings of
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HISTORICAL BACKGROUND OF SAN PEDRO
Area 2,660 hectares
Political Units 20 Barangays
87 Subdivisions
Population 231,403
Classification (Income) First Class Municipality
Classification (Economic Activity) Industrial
Form of Government Mayor-Council Type
Highest Local Official Hon. Felicisimo A. Vierneza
Seat of Government Municipal Hall, Poblacion
Official Flower Sampaguita (Also National Flower)
Commonly Used Symbols Rooster, Keys, Rock
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Disclaimer: IBDSPL is for information purposes only. We do not warrant its correctness, validity or its fitness for use. The risk of using it remains entirely with the user.


St John and Isaac discover the whereabouts of an unusual artefact, only to unleash its curse. Can the pair survive long enough to unravel the mystery? Set in a world similar to our own in the late 1800's, it draws influence from the tales of M R James and H P Lovecraft.
Hand drawn in pen and ink, toned/coloured digitally. Nice print quality and high production values.
A short and fun read but a bit grim and bloody in places.
A5, 70 Printed Pages. Colour covers, black and white contents.
Unsuitable for young children due to occasional bad language and gory bits.
Reduced from its original price as it's quite an old comic. A nice addition to any indie collection or as an example to new creators starting out with their first comics.


text:
in primary care health facilities during
Home of the Office of Disease Prevention and Health Promotion
Most tribal societies provide no guarantee of healthcare for the population as a whole. In such societies, healthcare is available to those that can afford to pay for it or have self-insured it or who may be covered by care financed by the government or tribe directly. Lifestyle choices are contributing factors to poor health in many cases.
Thousands of leading hospitals and prominent health associations nationwide unite to encourage parents to ask about gun access and safety measures. We're investing in the well-being of our communities through more than just extraordinary health care. November 11, 2022 • A study found that giving direct food support to women and girls in sub-Saharan Africa cut their risk of contracting HIV by 64%, because it alleviated the pressure to engage in high-risk sex. Forbes Health content is supported by our Forbes Health Advisory Board. This panel of board-certified, experienced clinicians and practitioners helps to review articles and provides unbiased ratings. DHSC is a ministerial department, supported by 24 agencies and public bodies.
Get helpful tips and guidance for everything from fighting inflammation to finding the best diets for weight loss…from exercises to build a stronger core to advice on treating cataracts.
In such societies, healthcare is available to those that can afford to pay for it or have self-insured it or who may be covered by care financed by the government or tribe directly.
November 11, 2022 • Kate Sweeny, who studies the psychology of waiting, says it's normal to stress about uncertainty.
Forbes Health content is supported by our Forbes Health Advisory Board.
Together, we can create an Aotearoa where smokefree is not an aspirational goal but our reality.
Transformative gift from trustee Roy J. Zuckerberg unites cancer services at New York's largest health system by creating the R.J. Find real answers.We know there's a lot of health information out there. Let The Well be your honest, trusted and caring partner throughout your healthcare journey. Plans to merge NHS Digital with NHS England accelerated to early January 2023 to support Our plan for patients. What a smokefree New Zealand looks like to me is that everyone is healthy and active and that people's lives will be longer.
New Brunswickers between the ages of six months and five years are now eligible to receive a Pfizer COVID-19 vaccine. Public health risk is continually reassessed as new information becomes available. When you use Google's products and services, you trust us with your data. It's our responsibility to keep your data private and secure. And at Google Health, we are guided by core privacy and security principles as we build new products and services. Applying AI to breast cancer research Our team is working with researchers in mammography and pathology to develop AI that might one day assist clinicians in screening and diagnosing breast cancer.
family doctor finder – connecting you to your primary care
Guided by the principles of Te Tiriti o Waitangi, our action plan has bold new measures that will support Aotearoa's goal of becoming a smokefree country by 2025. The plan is a result of many significant milestones and moments in time. From advocates to academics, passionate voices from all corners of our community have played their part in shaping its intent and its content. President's Council on Sports, Fitness & Nutrition Learn how the President's Council on Sports, Fitness & Nutrition works to motivate people of all ages, backgrounds, and abilities to lead active, healthy lives.
Notes and queries Readers reply: why do cats, dogs and other carnivores have far neater and straighter teeth than humans?
These are referred to as the "determinants of health", which include the individual's background, lifestyle, economic status, social conditions and spirituality; Studies have shown that high levels of stress can affect human health. Just as there was a shift from viewing disease as a state to thinking of it as a process, the same shift happened in definitions of health. Again, the WHO played a leading role when it fostered the development of the health promotion movement in the 1980s.
Macronutrients are consumed in relatively large quantities and include proteins, carbohydrates, and fats and fatty acids. Micronutrients – vitamins and minerals – are consumed in relatively smaller quantities, but are essential to body processes. The food guide pyramid is a pyramid-shaped guide of Healthy foods divided into sections.
As science correspondent Jon Hamilton heads to the Society for Neuroscience's annual meeting, he talks to Aaron Scott about his most recent reporting on depression and Alzheimer's, and previews what he'll be talking to researchers about at the meeting. Our website services, content and products are for informational purposes only. While our team of experienced journalists and medical experts offers timely wellness insights, news and reviews, we do not provide medical advice, diagnoses or treatment. Funding more health promotion and community activities to motivate and mobilise people across the country to get behind the smokefree goal and to sign-post support for people on their quit journey. Healthy Aging Read about our focus on supporting efforts to help people stay healthy and independent as they age.
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text:
TERROR NULLIUS
20 March - 15 July, 2018
Neika Lehman
Artist: Soda_Jerk
The condemnation of TERROR NULLIUS (2018) by its funder, the Ian Potter Cultural Trust, is well known by now and has many of Australia's cultural elites calling out in well-rehearsed shock: How can this be considered radical? This is no surprise for us, this is the Australia we live in! I agree, they are right.
TERROR NULLIUS shows the real conditions of Australia, and that Australia remains conservative. Inside the film's world of terror, explicit white racists and xenophobes are looked upon by the languid, leisurely middle class. White cis-queers celebrate their marital inclusion, while the law continues to ignore the most at risk in the intersecting LGBTIQ+ world. The pleasure of revenge that TERROR NULLIUS' textual citizens, and their IRL audiences, receive in watching their ideological opponents be harassed, die or finally reveal their true sexual nature, is a world we already encounter. The film relays the spoken and unspoken desires that much of Australia already holds and acts upon. It is true that TERROR NULLIUS does not show us anything new, it is a world that already exists. But what are the implications of perpetuating a textual terra nullius inside and out of the text?
I am writing this because I have been waiting to read a criticism willing to approach the explicit namesake of the film's title, TERROR NULLIUS. While the Federal Government may have overturned the legal doctrine from its official language, the myth of a pre-colonial cultural landscape that is void of occupied, agricultural, politically structured and deeply loved territories is still intact. Settler-colonial Australia remains unwilling to engage with Indigenous political sovereignty, swiping the Uluru from the Heart statement to one side and constipating Treaty negotiations. Despite these deliberate deferrals of proper political conversation that have been happening since the start of colonisation, we are passionately making art and telling our stories; we have generated an exceptional and beautiful backlog of material. Many settlers believe that not knowing our stories must be because Aboriginal and Torres Strait Islander peoples have been forced into total silence, that as 'victims' our knowledge is simply not there to be listened to or read. Better yet, some claim (including far too many of my university students) that beyond our stories, images of us, taken and made by ourselves or others, are equally absent.
This is contrary to the truth. Australian Indigenous people are one of the most visually over-represented peoples for our population size in the colonised world. Since the late 19th century, images circulated by commercial photographers, explorers, researchers, artists, filmmakers and advertisers have dripped from the ceiling of colonial Australia's archive. It is impossible not to spot us. A more radical realisation still, is that for the last sixty years we have been shooting, directing and producing our own photographs, films, and television series.
TERROR NULLIUS is a funny film, and a nostalgia trip for anyone old enough to remember Y2K, particularly if you watch Australian movies and politicians speak on TV. Thrown into one diegetic universe, the 50-minute film is a mass montage of different film characters and settings from Australian (and international) film and television. The time period of the clips used begins at the end of the 1960s, a few years prior to the notable shift from anthropological representations of Indigenous people in Australia to representations ordered by the conventions of a growing documentary and feature film industry. By the 1980s, Indigenous Australia was well and truly in charge of its own representations, including running their own media stations. I was born in 1989 and have grown up with Aboriginal people on the television; I danced as a toddler to music videos by Yothu Yindi and watched Beneath Clouds by Ivan Sen as a teenager, stoned as a mullet on Invasion Day. There is no limit to our cinematic prowess nor to our saturation of images.
But watch TERROR NULLIUS and you will quickly recognise Aboriginal and Torres Strait Islander peoples as missing from the picture. Full, embodied ones, at least. In the film, human characters are more often subsidised by symbols (a black plastic doll, Archie Moore's Anarchy artwork and the iconic 'White Australia has a Black History' t-shirt). These symbols are referred to in passing by the actions of woke children or talkative animals. Animals act on behalf of Aboriginal people and we can assume this semiotic regression, designating us back into flora and fauna, is a deliberate critique. The sad irony of the film beginning with David Gulpilil's omniscient voice, lifted from Ten Canoes and claiming what follows as his own, and ending with a white guy from The Castle stating it is his, is not underplayed. This is the world of terra/TERROR NULLIUS after all. By the terms of the film, Aboriginal people can't exist. The film's critique that Aboriginal Australia continues to be trumped by obnoxious white people, eager to possess anything and everything, is blatantly clear.
But what about our wealth of cinematic imagery? Why couldn't Jedda show up? Where is that perfectly gleeful and deadly trio from Nice Coloured Girls? We do see Leah Purcell circa Lantana and Deborah Mailman in one of her many roles. But what about the other cast from Radiance, for example? The Sapphires? Mystery Road? Why are all these seminal films missing?
Could it be that the concern of further appropriating Indigenous people's imagery and screen presence created a block on the creative process? What could have happened if our characters were participants? What possibilities could we have explored? My follow-up question is this—what is worse: to perpetuate a nation deliberately ignoring a population's creative output, or to attempt a more exciting reconstruction that sees us on an equal playing field, fighting back against the patriarchs of terra nullius, alongside white feminists and married queers? Put simply, why do they get to have all the fun? Soda_Jerk's public statement for the film is that it is an eco-horror, revenge fable.1 But I am wondering, revenge for who? Everyone but the Aboriginal people, so it seems. While everyone else gets a laugh out of defaming their enemies in a free-for-all fantasy, we remain in the cupboard with the other out-of-reach items.
I agree with Soda__Jerk that in our time of rampant conservatism, artists must push things further.2 This extends to recognising participation in Indigenous history (we are always already complicit) and descending into 'the chaos of knowledge'3 that makes up any world, textual or otherwise. TERROR NULLIUS' exclusion of such a wealth of Indigenous filmmaking and media proves Soda_Jerk's very point about resisting self-censorship. Their silence only benefits white Australia's discursive control, which is far more precarious than we think.
TERROR NULLIUS is evidence of the need to break from what Professor Marcia Langton identified twenty-five years ago as an obsession with only producing and responding to visual media of and by Indigenous peoples within a positive/negative binary.4 We should listen closely to Langton's concern that censorship denies Indigenous people's intellectual rights and history, along with the shared capacity to change colonising world views.5 When it comes to Indigenous representation, I ask the question again: 'why must only banality do'?6
Neika Lehman lives in Narrm, working as an artist, writer and educator. She descends from the Trawlwoolway peoples of North-East Tasmania.
ACMI, 'TERROR NULLIUS: A Political Revenge Fable in Three Acts', 2018, https://www.acmi.net.au/events/terror-nullius/. ↩
The Music, 'Controversial Revenge Fable Or Love Letter To Aussie Pop Culture? Terror Nullius Could Be Both', June 6 2018, http://themusic.com.au/interviews/all/2018/06/06/soda-jerk-terror-nullius-guy-davis/. ↩
Audre Lorde, The Master's Tools Will Never Dismantle the Master's House (Penguin Classics, 2018), 18. ↩
Marcia Langton, 'Well, I Heard It on the Radio and I Saw It on the Television': An Essay for the Australian Film Commission on the Politics and Aesthetics of Filmmaking by and about Aboriginal People and Things (North Sydney, NSW: Australian Film Commission, 1993). ↩


From the PANDORA ESSENCE COLLECTION, feel serene with rose-cut cubic zirconia stones and evenly spaced cut-out hearts that symbolize your patience. See love's pattern through the charm's center stones, showing that good things come to those who wait. The ESSENCE COLLECTION features a slender sterling silver bracelet design and charms which each represent a personal value. ESSENCE COLLECTION charms are smaller than Moments charms and can only fit the ESSENCE bracelet. ESSENCE charms cannot be worn on the Moments bracelets as the ESSENCE COLLECTION bracelet is smaller and thinner.


text:
Q: AWS SDK C++: Compile with CPP_FLAGS Is it possible to compile a program using the AWS SDK C++ with CPP_FLAGS instead of using cmake?
In my case, I only want to add the aws-cpp-sdk-s3 libraries to my program.

A: It is difficult to build the SDK without CMake, but once it is built you can use whatever build system you would like to use. All you need is the path to the header files, the libraries, and the cflags that were used to build the library.

redpajama_set_name: RedPajamaStackExchange


This entry was posted on Sunday, March 11th, 2012 at 16:59	and is filed under koch- & backexperimente, kulinarisches. You can follow any responses to this entry through the RSS 2.0 feed. You can leave a response, or trackback from your own site.


text:
Межигірський скарб — комплекс прикрас 3 ст. кола виїмчастих емалей. Випадково знайдений наприкінці 19 ст. поблизу Київського Межигірського Спасо-Преображенського монастиря неподалік від м. Вишгород. До скарбу входили бронзові фібула та ланцюг складної конструкції з ажурних ланок, прикрашені червоною та зеленою емаллю, а також фрагмент широкого браслета, шийні гривни, підвіски-дзвіночки, пластинчасті вінчики, круглі та трапецієподібні підвіски з карбованим орнаментом. М.с., очевидно, пов'язаний з київською культурою.

Джерела та література
 Терпиловський Р.В.  Межигірський скарб //

Література
Хойновский И.А. Археологические сведения о предках славян и Руси. К., 1896
Корзухина Г.Ф. Предметы убора с выемчатыми эмалями V – первой половины VI в. н. е. в Среднем Поднепровье. В кн.: Свод археологических источников, вып. Е1–43. Л., 1978
Гороховский Е.Л. Хронология украшений с выемчатой эмалью Среднего Поднепровья. В кн.: Материалы по хронологии археологических памятников Украины. К., 1982.

Скарби Київської області
Археологія Вишгородського району
Київська культура


text:
Minnesota lawmakers consider bill to provide veterans treatment instead of jail
Hire additional veterans justice outreach
Including coastal southern california
Committee gop chairman phil roe
Testing program aimed
Sep 17, 2018. H.R. 2147 (115th). To require the Secretary of Veterans Affairs to hire additional veterans justice outreach Specialists to provide treatment court services to justice-involved veterans, and for other purposes. In GovTrack.us, a database of bills in the U.S. Congress.
Trump reportedly taking broad look at veterans convicted of battlefield crimes President Trump, who in current days pardoned a former U.S. soldier convicted in 2009 of killing an Iraqi prisoner, is taking a broad have a look at veterans jailed for battlefield crimes and contemplating granting extra of them comparable aid. Roughly 24 veterans are awaiting trial for fight zone actions, 5 are locked up on the [.]Chinese nationals charged in Anthem hack Federal prosecutors said Thursday they have charged two Chinese nationals in a wide-ranging hacking campaign that targeted U.S. businesses including health insurer Anthem Inc., which suffered a.Century Communities to Present at 12th Annual J.P. Morgan Homebuilding & Building Products Conference The New Home Company Inc. is a homebuilding company. The Company focuses on the design, construction and sale of consumer-driven homes in various metropolitan areas within certain markets in California and Arizona, including coastal southern california, the San Francisco Bay area, metro Sacramento and the greater Phoenix area.Somerset Native Flew on Little-Known First Flight Across the Atlantic Surprisingly (to me) a little research suggests that the second person to fly solo across the Atlantic was also the first woman to do so, none other than Amelia Earhart. On May 20, 1932, five years to the day after Lindbergh's flight, Earhart too.
A key U.S. House panel is considering legislation to dramatically expand studies on marijuana's potential medical benefits for military veterans. Filed by Veterans' Affairs committee gop chairman phil roe of Tennessee and Congressman Tim Walz of Minnesota, the top Democrat on the committee, the bill would encourage the U.S. Department of Veterans Affairs (VA) to "conduct [.]
Officials celebrate opening of new veterans apartments in Gary Law enforcement agencies across the country, including members of the Jacksonville Sheriff's Office (JSO), play an essential role in promoting and safeguarding the rights and freedoms of American citizens, and there is a holiday to celebrate their service. In 1962, President John F. Kennedy designated May 15 as Peace Officers Memorial Day, and the week surrounding as National Police Week.
Veterans who have private health insurance should consider a number of important factors before canceling their health insurance, such as: Impacts to Family Members. VA does not normally provide care for family members of Veterans enrolled in VA health care. If you cancel your private health insurance, they may have no health care coverage.
State veterans courts provide treatment rather than punishment for veterans for alcohol or drug addiction. By Margaret Wadsworth Many veterans struggle with the impact of traumatic brain injury , military sexual trauma , substance abuse, and/or post-traumatic stress disorder .
Veterans News – February 2, 2017.. An internal watchdog at the Department of Veterans Affairs released findings this week confirming what many veterans and lawmakers already knew: the $10 billion Veterans Choice Program created to give veterans access to private health care has been.
The number of states with legal marijuana is expected to jump significantly in 2019, and a slew of already-filed bills offers a look at what those new legal cannabis systems might look like. While marijuana legalization legislation has already been introduced in at least 17 states-including several traditionally conservative ones-there are 10 that seem to [.]
He said the bill would provide safer roads, better mental health treatment and cleaner water for Minnesota families.. instead of constructing new ones. Of the $216 million going to the.
If this number can be cut in half by referring offenders to drug rehab treatment instead of jail, crime rates can be reduced considerably. This means a court system that convicts 200 people a year on drug-related charges can reduce the number of drug-related crimes in their district from 12,600 to 6,300 a year.
Detective details Va. mother's alleged killing of two daughters Last month, in the latest chapter of an inexplicably savage crime. but the two victims and their daughter did not. Then in 2009, as part of a massive post-conviction DNA testing program aimed at.


text:
Dagoman är ett utdött australiskt språk. Dagoman talades i Nordterritoriet. Dagoman tillhörde de gunwingguanska språken.

Externa länkar
Ethnologue - Languages of the World

Australiska språk
Gunwingguanska språk


text:
Recalls - 2017 FORD FOCUS
LATCHES/LOCKS/LINKAGES:HATCHBACK/LIFTGATE:LOCK | STRUCTURE:BODY:HATCHBACK/LIFTGATE
Ford Motor Company (Ford) is recalling certain model year 2013-2017 Ford Focus hatchback vehicles manufactured February 14, 2012, to August 26, 2016 and equipped with a manual transmission. The hatchback of the affected vehicles may be unlatched with a single press of the interior latch release button. As such, these vehicles fail to comply with the requirements of Federal Motor Vehicle Safety Standard (FMVSS) number 206, "Door Locks and Door Retention Components."
With only a single press needed, the driver may accidently unlatch the hatchback, increasing the risk of injury to any unsecured passengers in the back.
Ford will notify owners, and dealers will reprogram the Body Control Module with updated software, free of charge. The recall began February 10, 2017. Owners may contact Ford customer service at 1-866-436-7332. Ford's number for this recall is 16C13.
Owners may also contact the National Highway Traffic Safety Administration Vehicle Safety Hotline at 1-888-327-4236 (TTY 1-800-424-9153), or go to www.safercar.gov.
SEAT BELTS:REAR | SEATS:MID/REAR ASSEMBLY
Ford Motor Company (Ford) is recalling certain 2017 Focus vehicles. The rear left side seat back frame may have an insufficient weld between the outboard pivot bracket and the pivot nut joint, resulting in the seat back having reduced strength. As such, these vehicles fail to comply with the requirements of Federal Motor Vehicle Safety Standard (FMVSS) number 207, "Seating Systems," and 210, "Seat Belt Assembly Anchorages."
The reduced seat back strength may increase the risk of injury in the event of a crash.
Ford will notify owners, and dealers will inspect and replace the rear second left side rear seat back as necessary, free of charge. The recall began October 10, 2017. Owners may contact Ford customer service at 1-866-436-7332. Ford's number for this recall is 17C13.
POWER TRAIN:MANUAL TRANSMISSION
Ford Motor Company (Ford) is recalling certain 2016-2018 Ford Focus vehicles equipped with a 1.0L Fox GTDI engine and a 6-speed manual transmission. The clutch may fracture, resulting in damage to the transmission assembly and possibly a transmission fluid leak.
A transmission fluid leak in the presence of an ignition source such as hot engine or exhaust components can increase the risk of a fire.
Ford will notify owners, and dealers will update vehicles with software that detects and prevents prolonged clutch slip, and will replace the clutch, as necessary, free of charge. The recall began January 17, 2019. Owners may contact Ford at 1-866-436-7332. Ford's number for this recall is 18S07. Note: This recall is an expansion of Recall 18V-169.
FUEL SYSTEM, GASOLINE:STORAGE
Ford Motor Company (Ford) is recalling certain 2012-2018 Ford Focus vehicles with a 2.0L GDI or 2.0L GTDI engine. The Canister Purge Valve (CPV) may malfunction, possibly causing excessive vacuum in fuel vapor management system.
The excessive vaccuum may result in an engine stall while driving, without warning and without the ability to restart the vehicle, increasing the risk of a crash.
Ford will notify owners, and dealers will reprogram the Powertrain Control Module. Dealers will also check for fault codes and replace the CPV as needed. If the CPV is replaced, dealers will inspect and replace the carbon canister, fuel tank and fuel delivery module as necessary. An interim owner notification letter was mailed December 10, 2018. Owners will receive a second notification when the remedy is available. Owners may contact Ford Customer service at 1-866-436-7332. Ford's number for this recall is 18S32. Note: Until the vehicle is serviced for this concern, owners are advised to keep the fuel tank at least halfway full.
Ford Motor Company (Ford) is recalling certain 2012 and 2017 Focus vehicles equipped with 2.0L GDI gasoline engines and 2013-2014 Focus ST vehicles equipped with 2.0L GTDI engines, previously recalled under 18V-735. The affected vehicles did not have the Powertrain Control Module (PCM) updated as intended. Therefore, the Canister Purge Valve (CPV) may malfunction, possibly causing excessive vacuum in the fuel vapor management system.
The excessive vacuum may result in an engine stall while driving, without warning and without the ability to restart the vehicle, increasing the risk of a crash.
Ford will notify owners, and dealers will reprogram the Powertrain Control Module. Dealers will also check for fault codes and replace the CPV as needed. If the CPV is replaced, dealers will inspect and replace the carbon canister, fuel tank and fuel delivery module as necessary. The recall is expected to begin July 29, 2019. Owners may contact Ford customer service at 1-866-436-7332. Ford's number for this recall is 19S22.


text:
Gustav MAHLER (1860-1911)
Symphony No. 9 in D minor (1908-9) [86:02]
Los Angeles Philharmonic Orchestra/Gustavo Dudamel
rec. live, February 2012, Walt Disney Concert Hall, Los Angeles.
DEUTSCHE GRAMMOPHON 479 0924 [45:57 + 40:05]
I must confess to some ambivalence about Gustavo Dudamel. When he first burst on the scene he created a big stir, and understandably so. His work with what was then the Simón Bolívar Youth Orchestra of Venezuela - nowadays known not as a Youth Orchestra but as a Symphony Orchestra – attracted widespread acclaim, not least when they took the BBC Proms by storm in 2007 (review), a concert which I saw – and enjoyed – on television. Subsequently I was impressed by their recording of Le Sacre du Printemps (review) but in 2012 I saw on television a live performance in Stirling by Dudamel and the Simón Bolívar orchestra of the 'Eroica' Symphony as part of the Cultural Olympiad; I felt that while it was well played Dudamel didn't really plumb any depths in his reading. My own mixed experiences – some good things, some less good – seems to mirror the views of others that I've read both on MusicWeb International and elsewhere and when the reactions have been critical they've tended to focus on a perceived lack of interpretative depth.
Dudamel has done quite a lot of Mahler in recent years and once again he has divided opinion. In 2012 he bade farewell to the Gothenburg Symphony Orchestra with a performance of Mahler's Second Symphony that had my Seen and Heard colleague Niklas Smith reaching for the superlatives (review). However, when Dudamel had given the same work at the 2011 Proms, this time with his Venezuelan orchestra, Jim Pritchard was distinctly unimpressed (review). One is tempted to ask if the real Gustavo Dudamel will kindly stand up.
This new release is not Dudamel's first foray into Mahler on disc and his Mahler recordings, none of which I have so far heard, have also divided opinion. A while ago he recorded the Fifth Symphony with the Simón Bolívar Orchestra (review) and just recently a recording of the Eighth has been issued. On that latter recording Dudamel conducted the combined forces of the Simón Bolívar Symphony Orchestra and the Los Angeles Philharmonic Orchestra of which he's been musical director since 2009. It was Dan Morgan's enthusiastic welcome for the recording of the Eighth (review) that made me think I needed to investigate Dudamel in Mahler.
I don't know if this recording was drawn from more than one concert: DG don't give a precise date. I suspect that it has been taken either from more than one concert or includes some patching from rehearsals. I say that because a February 2012 performance of this symphony in Los Angeles by these artists was reviewed for Seen and Heard by Laurence Vittes. In his review he mentioned hearing a cell phone ring during the first movement. I made a point of listening one extra time to the first movement, using headphones, and I couldn't hear that interruption. So, unless I've missed it, some editing has taken place, which is in line with industry practice – and who wants to hear a cell phone in a recording? I also learned from Laurence's review that their performance of the Ninth was the culmination of the traversal of all the Mahler symphonies by Dudamel and the LAPO in just three-and-a-half weeks; that's some feat of endurance!
This release is billed as Dudamel's first CD with the Los Angeles orchestra. I didn't spot that until near the end of my listening but it may account for a problem that I have with this release. For my taste the recorded sound is too close: it's an up-front recording. It's true that this ensures that we hear a lot of internal detail and that the performance has impact but quite often the percussion and the string bass lines are more pronounced than I think is healthy. At times the recording seems rather brash, especially at the treble end of the spectrum in loud passages. The brass can sound very bright and prominent. Some comparisons were required and I thought the fairest thing to do would be to sample two DG recordings which are from live recordings, neither of which, as it happens, I'd heard for a little while. The recordings were both made in the Philharmonie, Berlin and document performances given by the Berliner Philharmoniker with Leonard Bernstein in October 1979 – the only occasion on which he conducted the orchestra – and under Herbert von Karajan in September 1982. Tony Duggan drew attention to the Bernstein performance – its strengths and its weaknesses – in his survey of some of the recordings of this symphony. I wouldn't challenge Tony's strictures about the performance – which was never intended for perpetuation on disc – but I still find it a tremendous one-off performance by a great conductor. He and Karajan were as different as chalk from cheese – which may account for the fact that Bernstein only appeared once with Karajan's orchestra – and their interpretations of the Ninth show that. Karajan's is a towering performance. What struck me particularly alongside Dudamel and Bernstein was how much he achieves despite – even due to – relative restraint.
However, what I noticed particularly about these two much older recordings is the aural sense of perspective. It seemed to me that in both of these recordings the listener is placed say 15 to 20 rows back in the stalls whereas with Dudamel one has the impression of being in about row five. There may be an issue too with the respective acoustics – I've never been in either hall – but I wonder if the DG engineers' lack of experience in the Walt Disney Concert Hall shows through. By contrast the acoustics of the Philharmonie would have been much more of a known quantity – the Bernstein recording was made by RIAS and subsequently licensed to DG.
I wouldn't make so much of the recording quality were it not for the fact that the closeness of the sound does tend to emphasise a tendency of Dudamel's to underline points too much. That's not the case throughout the symphony but it troubled me at times. I was pretty impressed with his traversal of the great first movement. At 29:32 his overall timing tends towards the spacious. However, this movement is a vast canvass, admitting of many interpretations. In my collection I have fine performances that range from under 27 minutes to nearly 30 minutes in duration. True, he takes longer overall than either Bernstein (27:37) or Karajan (28:10) but I didn't feel his reading was unduly lingering. The opening doesn't sound as subdued and tentative as it has in many performances I've heard. That may well be due, at least in part, to the relative closeness of the sound. In Bernstein's performance, once we've got past some uncertain tuning in the first couple of bars, there's more of a sense of unease and uncertainty. Bernstein builds from these uneasy beginnings to the emotional impact of the first big climax. With Karajan the music seems to flow with a little more sweetness. It seems to me that the first climax arrives more naturally than in either of the other performances. A little later on in the Dudamel account (7:07-9:45) I don't really get as much sense of foreboding as I should in the sepulchral passage in which timpani and muted horns are prominent. The trumpets are too present hereabouts while the loud passage around 12:00 sounds rather shrill. Overall, Dudamel has the measure of this movement, I think, and he projects it well – and with sensitivity where required.
The second movement is not so successful. Here we encounter Dudamel's tendency to italicise things – a tendency amplified by the recording itself. At the very start Dudamel encourages his strings really to dig in; I rather think the result is too much of a good thing. To be sure, Dudamel brings out the grotesque nature of the music but everything is very strongly profiled and I had the feeling that he's trying too hard. Turning to Bernstein – with every comparison I always listened in the same order: Dudamel, Bernstein, Karajan – we find him appreciably swifter and lighter. Arguably a Ländler should be somewhat heavier in gait than Bernstein achieves but by comparison Dudamel sounds to be wearing heavy boots. Despite his fleet pacing Bernstein doesn't miss out on the weight in the music and the movement has tang and bite – as, to be fair, it does in Dudamel's hands. Karajan's basic speed is closer to Dudamel's but though he doesn't underplay the bite he imparts more grace into the dance, which I rather like. I preferred the greater sense of space around the music and the distance from the orchestra that is apparent in both of the older recordings.
As you might expect, Dudamel gets the wildness that's inherent in the Rondo-Burleske. His fiery reading makes the music snarl and spit. As in the preceding movement, the performance is strongly profiled but not more so than the music can bear. Bernstein – equally unsurprisingly – is highly charged and volatile in his interpretation; indeed, I wouldn't want to hear his performance in recorded sound that's as close as Dudamel's. Lenny fairly tears into the music and his viscerally exciting, frenetic performance offers almost a nightmare vision. The slower music that prefigures the fourth movement is lingering and emotional in Bernstein's hands. This episode (from 6:05) is largely well done by Dudamel though to my ears the climax of that section (7:47-8:08) sounds overwrought. When the rondo material returns Dudamel sweeps the movement at gale force to its conclusion. What of Karajan? He's also wild in the rondo music yet things always sound controlled; the music is kept on the leash and, arguably, that's no bad thing if it isn't to tip over the edge. When the slower, nostalgic episode arrives Karajan is more objective than his two rivals. The feeling is there all right but I find his restraint is effective.
With the finale reservations resurface about Dudamel's underlining of points. This is an unusually intense movement but even so I get the feeling with Dudamel, perhaps unfairly, that there's 'Significance' in every bar and that details such as the frequent appearance of the little turn phrase are magnified. At 4:21 the contrabassoon steals in under glacially quiet violins. When I first listened I wrote in my notes that this was too slow and feels ponderous. Well, I was wrong, at least as regards the first half of that judgement, for further listening established that Dudamel does indeed take the passage at his initial tempo – or close to it – which is as marked and his pace is similar to that of Bernstein and Karajan. However, I still think it feels too slow and I continue to believe there's a ponderous element about it and that's all to do with how the music is phrased and conducted. In the quiet, still passage that leads up to the main climax (10:46 – 15:40) Dudamel dares to be expansive and he's successful, the music well controlled. However, in the pages that follow the climax (17:22-18:11), in which the horns sing out in descant to the strings, I was rather surprised that the music seems to lack sufficient forward momentum and so a sense of exaltation is missing. At 22:11 a deeply poignant viola solo leads us into the closing pages and from here to the end Dudamel manages this difficult, exposed music with becoming sensitivity. Bernstein likewise invests the last movement with great feeling but, once again, the more natural concert hall balance is preferable – and it doesn't lessen the impact of his reading. He, too, offers a very intense experience but I find him somewhat more persuasive than Dudamel. Karajan's performance, founded on peerless string tone from the Berliners, is patrician. He finds the true depth in this movement and he maintains his magisterial control even when Mahler raises the emotional temperature.
Overall, while there are many good things in Dudamel's Mahler Ninth I can't escape the feeling that this is work in progress. He is quoted on the jewel case as saying that he waited a long time to conduct the symphony: he had just turned 31 when this performance took place. I certainly wouldn't suggest that he was too young to essay it but I do wonder if he was wise to commit his interpretation to disc just yet. I'm sure that as his experience of Mahler expands and deepens over the years he will bring more to this score in the future just as I agree with Tony Duggan's verdict that Simon Rattle's 2007 Berlin recording of the Ninth represents a significant advance on his 1993 Vienna reading. This present Dudamel account is worth hearing but I don't believe it challenges the best in a field where competition is white hot. I would also respectfully suggest that DG might review their approach to engineering in the Walt Disney Concert Hall before recording Dudamel and the LAPO there again.
The documentation consists of a short but useful essay by Julian Johnson but doing the comparisons brought home to me how DG's presentational standards have changed. I own the original CD issues of both the Bernstein and Karajan recordings. DG present each movement of Dudamel's performance as a single track which, to be fair, is what most companies do. However, in both of the earlier recordings they split each movement into several tracks and the track-listings in the booklets include the bar number, page number in the score and the tempo marking at each track point. That's presentation for you!
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We all have those long lists of goals we hope to reach—take a class, read a book, quit smoking … and sometimes it can be overwhelming! However, you are not alone in the race to accomplish everything on your "To Do" list, especially when it comes to ending tobacco use.
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The Quit for Life program is one of the nations most recognized and successful programs helping thousands of people reach their goal to quit tobacco for good. Enrolling is easy! Simply go online or make a call to talk to a Quit for Life coach who will help you create a quit plan that works for YOU.
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text:
Airline Navigation Systems Is Back on the Horizon
Aviation navigation systems is back on the horizon.
I have no idea what it will be called, but it will probably be called "aero".
It may be called something else entirely.
At least we'll have an easy way to keep track of where our planes are flying.
The airlines and the manufacturers of the navigation systems have a pretty good idea of what they need to make the technology work, and there are lots of things that could be done to make them even better.
And there are still lots of companies out there making navigation systems.
It's not the first time a technology has been developed by an airline that has been pulled from the past and put back on a timeline.
For example, the FAA's new Flight Planning system is a flight planning system for aircraft that uses advanced GPS data to identify and route aircraft based on the radar images of aircraft.
But it wasn't originally designed for a flight planner.
Flight Planning uses a combination of radar images, onboard flight plan data, and other data to help guide an aircraft.
The FAA's proposed plan for a Flight Planning program would use a combination of a radar image and onboard flight plans, but there's a problem: GPS data isn't exactly reliable enough to track aircraft.
So what if we could use that data to determine where a plane should be?
That's exactly what Google has done.
Google has created a system that uses an onboard flight planning program to track a plane and predict where it should be.
That data can be used to help make flight planning better.
Google has already built an application that can track an aircraft and predict its location, and it uses that information to provide a flight plan.
How does Google make a flight chart better?
Google is using its technology to provide guidance to pilots.
As part of Google's project, Google is also working on an application to allow pilots to make a map of a plane.
This map could help guide the pilot to the best route.
There's also a Google Maps API for developers that can help developers use Google Maps to provide directions, and help people with navigation issues.
Another important project is a new program called Project X, which is designed to improve navigation systems in the future.
Project X is designed with the goal of improving navigation systems by using new and different types of technology to improve their accuracy.
Aero navigation systems will be used in conjunction with the new system.
Project X has a number of different applications.
They're going to be used for a variety of things, but one of the major applications is to provide better navigation information to pilots and other navigators.
If Project X can do this, then other navigation systems that aren't based on GPS will have a chance to be as well.
We'll have to wait and see how Google's work pans out, but I can already see it being a big part of future navigation systems and how they'll work in the coming years.
With Project X and other projects like it, Google will be helping improve navigation in the years ahead.
So it looks like we're going back to a time when a navigation system was developed by a company that was already based in the past.
Airline navigation systems, in particular, are still a work in progress.
While they have some important things that are working, it's not clear whether these systems will ever become as reliable as the technologies that are currently in use.
Still, they're a valuable part of our aviation infrastructure and should be used and improved in the near future.
What do you think about the potential of using a future navigation system to improve our safety?
What technology do you want to see used in the aviation industry?
The Most Essential Tools for Learning, Learning, Losing and Losing Again
Why we're still waiting for the first Volvo navigation system


As per your given points, We have applied changes to your WordPress site.
As per your request for bridesmaids/groomsmen at 6 each, For now, support additional page creations for those events? , this option is not available.
But later on, we will add this option in our theme and soon let you know with our new update.
As we unable to see what is wrong with your website kindly share your site URL with us.
is there anyway to add links to the thanks section? all wedding registries are online now, and i cannot seem to add a link to any of the online registry images.
Hi, Do you want to add links to logos?
one of the promises for the pro version of the wedding theme is a Slider Option.
Where can I activate that slider for the header? I just can upload ONE picture, not more.
Another problem is, that the header picture seems only to be right in FireFox and IE. In Chrome the picture seems to be squeezed and not high enough. How can I fix this?
Please check out with Chrome and then with Firefox, then you can see, what I mean.
In wedding theme, there is no slider and the content you have seen was written by mistake.
We have seen your site could you please add an image to the header.
So we can review the issue given by your side.
Can someone explain how the child theme and hooks work? Where do I put in the <?php (etc) to make the other sections. All I have is one section showing. My site is http://celebrationreply.com.
I got the php figured out but my gallery does not show a shortcode for me to use and I can't get the bridesmaid and groomsman to center. In fact, it keeps giving me this message "Unable to save due to 4 invalid settings." I don't know what settings are wrong – there are just the color settings and the picture.
I have another question: how do you remove the ThemeShopy from the bottom of the page? In the footer, it lets me take out part of the sentence but Themeshopy is still there. Since I paid for this, I shouldn't have to have that at the bottom. It looks tacky.
Can someone tell me how to remove it from there?
Another question is how to center in the Thanks area? There is only going to be one gift option, so it needs centered. Anyone know how?
I fixed the 4 invalid settings but still can't get the bridesmaid and best man to center. Also the gift area won't center, either. Where do I go to make them centered?