Lucy is my best muse.
Tiny helps with pompom making.
Testing out the softer netting.
As the BIG Anxiety festival draws ever nearer, I am plunged into a flurry of making, musing, more making and more musing. While crafting the installations for Clement Space in the City, contemplating the concept itself, and trying to find spaces of clemency along the way, an old song of mine wove its way into my consciousness.
Food. Nourishment. Sensory engagement. Pleasurable. Challenging.
Textures so beautifully sublime. Textures so horribly excruciating.
Synaesthesia. Association. Memory. History. Imagination. Creativity.
Every morsel contains a story. A luxurious narrative. A simple note.
Tendrils spreading and intertwining inexorably.
The good, bad, and the downright ugly. Not forgetting wonderment and gratitude, so often delicately woven into comestibles too ordinary to warrant reviews. Yet, for many with sensory atypicality, the aversions are real, as are the struggles. And for others, there is just no food. Or not enough. I am grateful that I eat. I am also mindful of my own sensory attractions and aversions. My interest in food in its complete resplendent glory emerges from this multi sensory, multidimensional engagement.
Go ahead and photograph your food. Capture in the visual as much of the sensorial richness as you possibly can. Make no apologies for food obsession. I don't.
Dogly. Full of dogliness. Thinking of my friend Rick, as I tuck in. Thanks for the noshful souvenirs!
Mumma, I wanna go there, not there!
After yesterday's sensory agitation, Lucy crashed into bed and slept through the night, till our usual 5.30am. My recovery was less exuberant. I woke up in considerable pain – what is wrong with those shoulders and elbows? – but Lucy always ushers in the day with so much dignity and judicious consideration that I cannot stay in bed rotting inside my mental swirls. We cuddle, then she tells me it is time for our early morning walk by bouncing out of bed, standing parallel to the side, and waiting for me to place my hand on her shoulder for balance as I slowly creak out of bed. Yes, creak, a sonic production as much as it is visually pathetic. Nobody sees this but Lucy, no ma'am!
This video is a repost. I love Pina Bausch. This woman knew about passion in a very cogent, stark and confronting way. Her work lives on forever and grows more and more powerful in the inspiration of those who embrace, resonate with and admire her work.
As a musician, I have always been fascinated by Igor Stravinsky. Le Sacre du Printemps remains one of my favourite works. Stravinsky's music has very concrete links to the visual and tactile senses, to me, they are not meant merely for 'listening' to alone. That said, even though I am not a true synaesthete, I am nevertheless unable to engage merely one sense in conscious isolation, in any case. Pina Bausch's interpretation of this work is the best I have ever seen. Her work is full of tactile associations, with sometimes overwhelming emotional, psychological and philosophical threads interwoven into a massive confronting tapestry yet so delicately intricate and detailed at the same time.
Both Stravinksy and Bausch are "in-your-face" geniuses. Their work speak things that makes some people uncomfortable, and yet brings immense exhilaration to others. These are no bland, neutral background New Age sonic sensorial stirring in the cosmic atmosphere. These are challenges to spirit, soul, body (senses) and intellect.
OK, look at this face. Look at how beautiful this creature is. I am not the only one to say so, 90% of the neighbourhood agree with me. So, tell me, how could anyone be nasty to her? Apparently, some, of course. The remaining 10%.
This morning, I received a piece of good news. I feel a great sense of relief, that one issue on the list of things to be resolved is now dealt with. A positive outcome is always welcome too!
So, for lunch, I am indulging in a huge helping of spaghetti and minced beef on a bed of lettuce leaves. The last minced beef patty was used for the tomato based sauce, and the last few leaves of lettuce formed the base. Dressing is the same old mustard, flaxseed oil and soy sauce mixture – us Aspies seldom deviate too far from our routines and habits.
Light green. That is the general colour of this meal. And the colour of relief, to me.
Anyhow, check this out, even if you are not a crochet freak and you don't like the haptic sensational of twisting, turning and winding yarn, the visuals are great!
And my all time inspiration, the wonderful crochet project kicked off by mathematician Margaret Wertheim and her artist sister: Hyperbolic Crochet. Such a wonderful collaboration of art and science, haptic and intellectual, and making it all accessible to anyone who wants to get involved. Beautiful!
And here are two photos to whet your appetite.
Observing my Lucy and her responses sometimes reminds me of my own hypersensitivities. I am sure many autistic individuals identify better with animals in many ways than with neurotypical humans. Temple Grandin's now famous book tells us that "Animals Make Us Human" – if by being 'human' in this context means more insightful, kinder, more caring, and more aware of the state of 'being', of pneuma, then yes. Lucy has made me a better human being.
I ordered a set of lovely red boots specially made for Greyhounds, all the way from Canada. This online shop had all sorts of things for Greyhounds. This was after Lucy's accident, and I ordered them to protect her wounds from the elements when we were out walking. Unfortunately, they took too long to arrive and she had already healed by then. Anyhow, it was raining the other day, and so I decided to try them out on her.
She hated them. For some reason, no matter how tightly I wound the velcro around her ankles, they kept sliding off. What was worse, she decided to try to take off the front boots by nibbling at the velcro. Funny thing was, she was ok with the once on the hind paws. They're a darling looking set of boots, but I don't blame her for disliking them, they didn't fit well. A pity.
This whole experience reminded me of my own search for comfortable shoes. I once had 200 pairs. All very expensive. Salvatore Ferragamo was my favourite because their shoes were most comfortable. Still my favourite, even though I can no longer afford their shoes on my meagre scholarship stipend. Anyhow, regardless of the number of shoes I once owned or now own, I still have the habit of only wearing about 4 pairs. The rest are sort of like eye candy, or a sense of ownership.
I guess the preference for only a few very pairs, worn repeatedly, is more in sympathy with Lucy's focus on sensory comfort and nothing else. These ones are my sneakers. A pair of dark green soft patent leather Ferragamo, black suede and patent Geox, moss green suede Bally, sable calf leather Ferragamo, white calf leather Acupuncture, cheap black boots bought in an alley in Hong Kong, and wine red Doc Martens lace-up boots. I have not worn any of my other 30 pairs (all that is left of my old collection from my former glory days of fashion) in a year now.
Having far too many than I need is a human thing, not a doggy thing.
At the end of the day, Lucy knows better. What's comfortable. What's better for our senses, will ultimately be better for our mental functioning and emotional wellbeing.
So here they are. Lucy's shoes. And my shoes.


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text:
Q: Rails Ember strong parameters clarification What should the strong parameters for my chapters_controller be if I have a Book entity and a Chapter entity?
Note: I am using JSON API.
In my chapters_controller, should my strong parameters be:
:title, :order, :content, :published, :book, :picture

Or should it be:
:title, :order, :content, :published, :book_id, :picture

If I use :book instead of :book_id, then in my Ember application, when I go to create a new chapter, I am able to create it and associate this chapter to the parent book, however, my test fails:
def setup
  @book = books(:one)

  @new_chapter = {
    title: "Cooked Wolf Dinner",
    order: 4,
    published: false,
    content: "The bad wolf was very mad. He was determined to eat the little pig so he climbed down the chimney.",
    book: @book
  }
end

def format_jsonapi(params)
  params = {
    data: {
      type: "books",
      attributes: params
    }
  }
  return params
end

...

test "chapter create - should create new chapter assigned to an existing book" do
  assert_difference "Chapter.count", +1 do
    post chapters_path, params: format_jsonapi(@new_chapter), headers: user_authenticated_header(@jim)
    assert_response :created

    json = JSON.parse(response.body)

    attributes = json['data']['attributes']

    assert_equal "Cooked Wolf Dinner", attributes['title']
    assert_equal 4, attributes['order']
    assert_equal false, attributes['published']
    assert_equal @book.title, attributes['book']['title']
  end
end

I get error in my console saying Association type mismatch.
Perhaps my line:
book: @book

is causing it?
Either way, gut feeling is telling me I should be using :book in my chapters_controller strong parameters.
It's just my test isn't passing, and I am not sure how to write the parameter hash for my test to pass.

A: After a few more hours of struggle and looking at the JSON API docs:
http://jsonapi.org/format/#crud-creating
It has come to my attention, in order to set a belongsTo relationship to an entity with JSON API, we need do this:
POST /photos HTTP/1.1
Content-Type: application/vnd.api+json
Accept: application/vnd.api+json

{
  "data": {
    "type": "photos",
    "attributes": {
      "title": "Ember Hamster",
      "src": "http://example.com/images/productivity.png"
    },
    "relationships": {
      "photographer": {
        "data": { "type": "people", "id": "9" }
      }
    }
  }
}

This also led me to fixing another problem I had in the past which I couldn't fix. Books can be created with multiple genres.
The JSON API structure for assigning an array of Genre to a Book entity, we replace the data hash with a data array in the relationship part like this:
"data": [
    { "type": "comments", "id": "5" },
    { "type": "comments", "id": "12" }
]

Additonally, in my controllers, anything strong parameters like so:
:title, :content, genre_ids: []

Becomes
:title, :content, :genres

To comply with JSON API.
So for my new test sample datas I now have:
def setup
  ...
  @new_chapter = {
    title: "Cooked Wolf Dinner",
    order: 4,
    published: false,
    content: "The bad wolf was very mad. He was determined to eat the little pig so he climbed down the chimney.",
  }
  ...
end

def format_jsonapi(params, book_id = nil)
  params = {
    data: {
      type: "chapters",
      attributes: params
    }
  }

  if book_id != nil
    params[:data][:relationships] = {
      book: {
        data: {
          type: "books",
          id: book_id
        }
      }
    }
  end

  return params
end

Special note on the relationship settings - only add relationships to params if there is a relationship, otherwise, setting it to nil is telling JSON API to remove that relationship, instead of ignoring it.
Then I can call my test like so:
test "chapter create - should create new chapter assigned to an existing book" do
  assert_difference "Chapter.count", +1 do
  post chapters_path, params: format_jsonapi(@new_chapter, @book.id), headers: user_authenticated_header(@jim)
  assert_response :created

  json = JSON.parse(response.body)

  attributes = json['data']['attributes']

  assert_equal "Cooked Wolf Dinner", attributes['title']
  assert_equal 4, attributes['order']
  assert_equal false, attributes['published']
  assert_equal @book.id, json['data']['relationships']['book']['data']['id'].to_i
end

redpajama_set_name: RedPajamaStackExchange


So, when Mr and Mrs Steel's uncle decided he wanted a conservatory for his late 20th century home, he already had his mind firmly set on building with CR Smith. Aware of our reputation for quality and reliability, he didn't entertain using anyone else.
CR Smith designed a conservatory that is flooded by natural light, helped vastly by Lorimer's slim frames; and as the Steels' uncle has severe sight problems, the conservatory has made his days a lot easier. More than just a bright cosy space; the room also gives the Steels' uncle easy access and views into his back garden from the glass to floor windows. With multi point locks on the French doors and on all opening windows, he can rest assured that his home is nice and secure.
"Our uncle insisted on CR Smith, and we're so glad he did. The new conservatory has totally transformed his life. He is in it every day and absolutely loves it – he never wants to leave," said Mr Steel.
More than a stunning conservatory, the Steels have given their uncle a new lease of life; and they couldn't be happier.
Situated on the bay from which takes its name, Aberlady is one of East Lothian's prettiest villages, enjoying spectacular vistas across the coast's saltmarsh to the high sand dunes beyond.
Aberlady was a mecca for tourists during the Edwardian era, when families would move there for entire summer seasons and this style of property is still prevalent today, where traditional sash and case windows were the style of choice. Its appealing historic core has changed relatively little over the years and the centre is a conservation area.
However, expansion around the conservation village in recent years means that many new houses are also now a feature.
Our Lorimer range of windows, doors and living spaces means that we can design the right style of home improvement for either traditional or contemporary properties, from sliding sash windows to bespoke tiled sunrooms.


text:
A quarterly newsletter from the Botany Dept (NMNH) and the U.S. National Herbarium.
Botany Home
« ForestGEO hosts annual analytical workshop in Singapore | Main | Art by Alice Tangerini: Artocarpus altilis (Parkinson ex F.A.Zorn) Fosberg »
Staff Activities
From Plant Press, Vol. 22, No. 3, July 2019.
Marcos Caraballo gave two workshops on plant taxonomy and molecular biology on May 24 and May 31 to two groups of high school students from the Youth and Diversity Program of the National Council for Science and the Environment (NCSE). On June 3, Caraballo was a judge at the 2019 EnvironMentors National Science Fair for high school students from underrepresented groups, an activity sponsored by NCSE. On June 25, he helped train the Q?Crew High School Volunteers on the scientific value of herbarium collections for research during a "Collections Zone Deep Dive" workshop in the Q?rius Education Center at NMNH.
On April 16-17, Gary Krupnick presented a poster, "The immense value of museum collections in conservation research," at Smithsonian's first ConCom 2019 event hosted by Smithsonian's Conservation Commons. The event was designed to recognize Smithsonian's superheroes in science and conservation with team-building opportunities, share knowledge, increase storytelling skills, and enhance collaborations.
A number of Department of Botany research fellows and associates presented talks during the Botany Seminar Series at the National Museum of Natural History. On May 2, Kathryn Picard presented "Creatures from the black lagoon: Next-generation approaches to understanding the diversity and evolution of marine fungi." On May 9, Rob Soreng presented "Plant collecting in Far East Russia." On June 13, Joel Nitta presented "Ferns on islands: Community assembly, comparative ecology, and biogeography of Polynesian pteridophytes." Other seminar speakers over the past three months included Jennifer Ackerfield from Colorado State University on April 18 who spoke about "A prickly puzzle: Phylogeny and evolution of the Carduus-Cirsium group (Cardueae: Compositae)" and Charles Delwiche from the University of Maryland College Park on June 6 who spoke about "Assembling the embryophyte form: the evolution of streptophytes."
Illustration of Curcuma arracanensis by Alice Tangerini
Alice Tangerini had her artwork, Curcuma arracanensis, displayed in the Queensland Museum in conjunction with the Guild of Natural Science Illustrators (GNSI) 2019 Conference in Brisbane, Australia, July 1-7, 2019. The juried exhibit was strictly digital this year due to the logistical constraints of shipping framed artwork. During the exhibit reception the artworks were projected on several screens simultaneously in the lobby of the museum and then individually in the theater auditorium. The artwork can be viewed online in the GNSI website, http://2019gnsi-conf.org/exhibits.
Posted at 09:00 AM in Botanical Illustrations, Events, Rare and Endangered | Permalink
Subscribe to The Plant Press by Email
For more information about the Plant Press, please write to Dr Gary Krupnick (krupnick@si.edu)
Botanical Discoveries
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Plant Press Vol. 23 No. 4

redpajama_set_name: RedPajamaCommonCrawl


We have updated our Resources page to the new locations of documents on gov.uk. There are a couple of items that we haven't been able to locate on gov.uk, in which case we have linked to the archive version instead (we would be glad to hear if any of them turn up). Otherwise all links should now be working and directed to the current gov.uk locations. The "guidance" section has been shortened to make it easier to find material, with links that were duplicated in other sections removed.
Suggestions for additions and improvements are, as ever, welcome.


text:
Q: Yap.exe DDE error I'm hoping someone could point me to likely misconfiguration of yap.exe.
I just (re)installed MikTeX 2.9 on Windows 10 for my personal use (i.e. not using admin privileges, since this is a company machine). I can start Yap.exe by right-clicking on a dvi file and choosing the "Open With" option. However if I start yap from the command line, or if I double-click on the dvi file I get "Windows API error 122: The data area passed to a system call is too small." and the file does not open.
To be more precise, if I double click on a dvi file I get the following in the yap.log file...
2020-09-14 15:13:28,662-0400 INFO  yap - this is Yap 4.0 (MiKTeX 20.7)
2020-09-14 15:13:28,662-0400 INFO  yap - this process (4988) started by 'explorer' with command line: /dde
2020-09-14 15:13:28,727-0400 ERROR yap.core - The data area passed to a system call is too small.

2020-09-14 15:13:28,727-0400 ERROR yap.core - Function: Process32NextW
2020-09-14 15:13:28,727-0400 ERROR yap.core - Result: 122
2020-09-14 15:13:28,727-0400 ERROR yap.core - Data:
2020-09-14 15:13:28,727-0400 ERROR yap.core - Source: Libraries\MiKTeX\Core\Process\win\winProcess.cpp:637
2020-09-14 15:13:28,728-0400 ERROR yap - Libraries\MiKTeX\Core\Process\win\winProcess.cpp:637: Windows API error 122: The data area passed to a system call is too small.
()
2020-09-14 15:13:46,577-0400 INFO  yap - this process (4988) finishes with exit code 0

but if I use the "Open With" method of invoking yap.exe I get the following in the log file and the file opens properly...
2020-09-14 15:16:45,377-0400 INFO  yap - this is Yap 4.0 (MiKTeX 20.7)
2020-09-14 15:16:45,377-0400 INFO  yap - this process (16172) started by 'OpenWith' with command line: /dde
2020-09-14 15:16:45,478-0400 INFO  yap - OnDDECommand("[open("C:\Users\sthompson\Desktop\LaTeX\test.dvi")]")
2020-09-14 15:16:45,511-0400 INFO  yap - loading document: C:\Users\sthompson\Desktop\LaTeX\test.dvi
2020-09-14 15:16:52,710-0400 INFO  yap - this process (16172) finishes with exit code 0
2020-09-14 15:24:21,509-0400 INFO  yap - this is Yap 4.0 (MiKTeX 20.7)
2020-09-14 15:24:21,509-0400 INFO  yap - this process (5448) started by 'OpenWith' with command line: /dde
2020-09-14 15:24:21,615-0400 INFO  yap - OnDDECommand("[open("C:\Users\sthompson\Desktop\LaTeX\test.dvi")]")
2020-09-14 15:24:21,647-0400 INFO  yap - loading document: C:\Users\sthompson\Desktop\LaTeX\test.dvi
2020-09-14 15:24:26,317-0400 INFO  yap - this process (5448) finishes with exit code 0


text:
Oh Temperance - Oh Mores
Penzance in August 1883; think of it as a hotbed of evangelical zeal. The captain of the Salvation Army has just been carted off to Bodmin jail for encouraging his followers to obstruct the highway outside the First and Last Inn, and a little band of preachers -husband and wife team Joshua and Marianne Kaye, assisted by Laurie McLatchie and her niece - are in town as part of a national tour which has converted thousands of backsliders. The preachers have met with approving responses at Newlyn and down at the Bethel Chapel on the Quay. Marianne takes the lead in sermonising; Joshua is being billed as a "second Sankey", and has chaired a meeting of the Blue Ribbon Temperance Movement.
Now they are packing them in at St John's Hall. The Cornishman reports the event effusively: Mr Kaye offering up some "touching melodies" alongside his preaching; Mrs Kaye so "powerful in prayer" that tears flow freely, both her own and those of her listeners. She also sings "in a manner that was sweet and attractive".
But in the daily Evening Tidings, owned by the rival Cornish Telegraph, letters of dissent are appearing. One brands Joshua's singing a "feeble effort". Worse, there are doubts about whether he is, in fact, a teetotaller despite his enthusiastic singing of "Stand up! Stand up for Temperence". Marianne Kaye dismisses such letters as the "work of Satan". He "may not yet be a grand singer", she concedes, but is "only just coming out".
And then questions start to be asked; questions about money. The "universal impression" has been given that any cash collected in excess of expenses will be used to provide "a tea for the old and poor". The Kayes have said they "did not want a farthing for themselves". The audience is estimated to have given £23: what has happened to the rest of the cash? Laurie McLatchie is particularly unhappy, and writes in to say so. The Kayes, she claims, have an income amounting to hundreds of pounds a year, but have left her out of £8.10 shillings out of pocket - they have not even refunded her train fare.
Joshua Kaye maintains a dignified - or possibly shamefaced - silence, but Marianne takes up the cudgels in defence of her "dear husband" and writes a letter that both newspapers print, although the Cornish Telegraph adds a postscript judging it "altogether too general to be effective". In her letter Mrs Kaye makes clear to detractors that Joshua has been "respectably connected all his life" and is "an earnest and successful worker for the Lord". Mrs Kaye concludes her letter by adverting readers to a book on their "life and labours", available from Mr Rodda's bookshop; previously retailing at sixpence, it is now reduced to half price.
Cornishman 23/8/1883
Cornishman and Cornish Telegraph 30/8/1883


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All gamers throughout the world might aware that Tokyo Games Show 2013 is taking place this week and among the first great news coming from the expo is about PlayStation 4. Sony have announced that the console will be released in select Asian market this coming December.
The select market included Malaysia (yay!) as well as Hong Kong, Malaysia, Taiwan, Korea and Singapore. Apart from the console, select peripherals such as additional controllers, charging docks, and the PS4 camera will also arrive at the same time.
This means that Malaysia will be receive the console way earlier than Japan and just around one month after US and Europe. No further information available for now, so we'll keep you updated once we received more news from Sony.


A line of credit has an approved limit of borrowings that you can use a piece-at-a-time or all at once. This loan is ideal if you wanted to unlock some equity in your property which gives you the flexibilty to use the funds when you wish. You have immediate access to available funds via card access which can be ideal for property investors who wish to use their line of credit as a deposit or if you wish to conduct minor renovations to your property. Whilst a line of credit is very convenient it must be used wisely. Line of Credit loans are usually higher than your variable rate home loans, so check with us to ensure this product suits your requirements.


Every one of us take a gander at programmers as a terrifying pack of individuals, regardless of whether they are filling in as a major aspect of a criminal association or with some plan. These individuals have the learning and abilities to gain admittance to your information and the amazing reality is that they get much data about a business or a man just from the web. The points of interest gathered from the web are utilized to abuse the glitches and issues in your online security framework which can put your profitable information in threat.
We as a whole stress over our PCs getting tainted, online records being hacked, and characters stolen. There are numerous things like infection expulsion and refreshing the working framework, which can enable you to diminish the odds of these things. The following are a couple of things that you can do to shield your PC from programmers. These tips are pertinent to the two organizations and people.
It is imperative to utilize a proficient antivirus program to anticipate hacking and other security breaks. There are numerous antivirus and against malware programs that have firewall and other safety efforts that can help counteract hacking. Organizations may likewise put resources into different enemy of endeavor advances that can help avert assaults. What's more, they may likewise buy in to online administration and repair programs offered by various online PC repair and PC technical support organizations.
Open Wi-Fi associations make it much simple for online programmers to gain admittance to your system and take your essential records. It is critical to secure your remote associations with a solid secret key that is encoded. Another imperative thing is to invigorate your gear convenient. This is essential since a portion of the switches have vulnerabilities that are not refreshed or fixed. The most recent gear in the market permit offering isolated system access to the clients.
It is imperative to utilize troublesome passwords and you have to transform them every now and again. Something else that you have to guarantee isn't to utilize a similar secret key crosswise over various gadgets. A significant number of us utilize a similar secret word and open example for various gadgets, which is certifiably not a decent methodology. In the event that you discover utilizing diverse secret phrase troublesome, you can make utilize a decent secret phrase director. Joining two-advance verification is likewise a decent move to guarantee security and avoid hacking.
You have to remember that there are numerous phishing efforts occurring in the web and should take essential measures to stay away from them. Nonetheless, programmers are quite best in class nowadays. Before opening any email message and connections, you have to affirm the genuine sender of the email address. Find if the email is from a honest to goodness individual or an organization and on the off chance that you can't do that you can focus on sentence arranging, determination and structure.
Next articleHow to Protect Your Identity Online?


Got the game today and am midway through Area 3 2. You should get this game. It's really good.
New Metroid rewards available through My Nintendo! Some discounts, 3DS theme, and wallpapers!
So now I'm in Area 4. Still very much enjoying the game.
Somewhat annoyed by the fact that SR-388's two most abundant natural resources seem to be sticky goop and ventilation systems.
I got to a point last night where it started to chase me. It was late and I was tired so I died pretty much instantly.
Very good game, it really deserves the name Samus Returns. She's back for real and it really shows.
-That *bleep*ing Ridley fight was awesome, good subversion of expectations and man it was just fun. Plus he had some of his Meta armor!
Overall, very solid game, and it gets me extra hype for Prime 4!
Now to go get that delicious, delicious 100%.
I'd be down for that if it means we FINALLY get a post fusion metroid game.
Strangely I'm finding Gammas to consistently be the most difficult variety of metroid to fight. The Zeta's ranged attacks tend to be spaced out and easy to avoid, and its counters/grapples are both easily exploitable to deal a ton of damage, especially with Super Missiles, which in my experience more than makes up for the fact that its weak point isn't exposed the majority of the time. The Omega hits hard but it's weak spot is constantly exposed and much easier to hit than even the Alpha's, and even though it hits hard most of its attacks are blatantly telegraphed and not particularly difficult to avoid. The fact that it drops a bunch of power-ups probably helps a bit too. Seems to be more of a damage sponge fight than anything.
Honestly... if it's by Retro Studios, I really couldn't care less about the delay. Just as long as they take the time to make it good.
Yes, it's true that very few people from the original trilogy days are still working at Retro. But honestly, a Metroid game from the people who made DKC Tropical Freeze sounds more exciting for me than a Metroid game from the people who made Prime 1-3.


text:
Select other Brewers Adames, Willy Ashby, Aaron Bettinger, Alec Brosseau, Mike Burnes, Corbin Cain, Lorenzo Cousins, Jake Feliciano, Mario File, Dylan Gott, Trevor Gustave, Jandel Hader, Josh Hiura, Keston Houser, Adrian Lauer, Eric Mejía, J.C. Milner, Hoby Narváez, Omar Peralta, Freddy Perdomo, Angel Peterson, Jace Ray, Corey Renfroe, Hunter Reyes, Pablo Sánchez, Miguel Severino, Pedro Sullivan, Brett Suter, Brent Taylor, Tyrone Tellez, Rowdy Topa, Justin Urías, Luis Williams, Devin Wong, Kolten Woodruff, Brandon Yelich, Christian Brewers Roster
Willy Adames
AVG HR RBI
.197 5 15
Team: Milwaukee Ht / Wt: 6-0 / 210
Position: SS Born: 9/2/1995 Birthplace: Santiago, DR
Bats/Throws: R/R Draft: Undrafted by Tigers (2012)
General Batting
Date Opp Result AB R H 2B 3B HR RBI BB K SB CS AVG OBP SLG
4/1 @Mia W1-0 4 0 1 0 0 0 0 0 2 0 0 .250 .250 .250
4/3 @Mia L7-12 4 0 0 0 0 0 0 0 0 0 0 .125 .125 .125
4/5 @Bos L2-11 3 0 1 1 0 0 0 1 1 0 0 .182 .250 .273
4/6 @Bos L5-6 5 0 2 1 0 0 1 0 1 0 1 .250 .294 .375
4/9 NYY W10-5 4 1 2 1 0 1 2 0 1 0 0 .261 .292 .522
4/10 NYY W4-0 3 1 1 0 0 0 0 1 1 0 0 .269 .321 .500
4/11 NYY L4-8 4 0 0 0 0 0 0 0 2 0 0 .233 .281 .433
4/12 Tex W1-0 3 1 1 0 0 1 1 0 2 0 0 .242 .286 .515
4/13 Tex L3-8 4 0 0 0 0 0 0 0 1 0 0 .216 .256 .459
4/16 @NYY W8-2 5 1 1 0 0 0 0 0 1 0 0 .196 .229 .391
4/19 @KC W4-1 4 2 2 0 0 0 0 0 0 1 0 .204 .232 .370
4/20 @KC W14-7 5 1 2 0 1 0 1 0 0 0 0 .220 .246 .407
4/21 @KC L8-9 4 0 0 0 0 0 0 0 1 0 0 .206 .231 .381
4/23 Tor L3-5 2 0 0 0 0 0 0 1 0 0 0 .200 .235 .369
4/24 Tor W5-3 3 0 0 0 0 0 0 0 3 0 0 .191 .225 .353
4/26 Oak L1-2 3 0 0 0 0 0 0 1 1 0 0 .183 .227 .338
4/27 Oak W4-3 0 0 0 0 0 0 0 0 0 0 0 .183 .227 .338
4/30 Hou L2-9 4 0 1 0 0 0 2 0 1 0 0 .169 .207 .301
Apr. Totals 83 7 14 3 1 2 7 4 28 1 1 .169 .207 .301
5/1 Hou L1-3 3 0 1 0 0 0 0 0 1 0 0 .174 .211 .302
5/2 Hou W5-4 4 0 0 0 0 0 0 0 1 0 0 .167 .202 .289
5/3 @LAA W7-3 4 2 2 1 0 1 1 0 1 0 0 .181 .214 .340
5/7 @Oak L1-2 3 0 1 0 0 0 0 0 2 0 0 .185 .221 .324
5/9 @Oak W4-3 3 1 1 0 0 1 3 0 1 0 0 .189 .224 .351
5/14 NYM W3-2 3 0 1 0 0 0 0 1 0 0 0 .183 .222 .333
5/15 NYM W12-5 3 2 1 1 0 0 2 2 2 0 0 .187 .237 .341
5/18 @Bal W13-6 3 1 1 1 0 0 0 1 2 0 0 .202 .254 .380
5/19 @Bal W9-7 3 1 0 0 0 0 0 1 1 0 0 .197 .254 .371
5/22 @Cin W4-3 3 0 1 0 0 0 0 1 1 0 0 .200 .260 .370
5/24 SD W5-3 2 2 0 0 0 0 0 2 0 0 0 .200 .273 .364
5/25 SD L1-7 3 0 0 0 0 0 0 0 1 0 0 .196 .268 .357
5/29 @Was W4-1 3 0 0 0 0 0 0 0 1 0 0 .213 .278 .387
5/31 Det W3-2 4 1 1 0 0 1 2 0 2 0 0 .223 .287 .410
May Totals 83 14 23 5 0 5 17 11 33 0 1 .277 .362 .518
6/1 Det L7-10 4 0 0 0 0 0 0 1 2 0 0 .218 .285 .400
6/3 Ari W7-4 4 0 1 0 0 0 0 0 0 0 0 .218 .284 .397
6/8 @Cin W5-1 4 0 0 0 0 0 0 1 0 0 0 .213 .282 .394
6/9 @Cin L3-7 4 0 4 0 0 0 0 0 0 0 0 .229 .295 .406
6/11 Pit W7-4 3 0 0 0 0 0 1 1 0 0 0 .230 .297 .410
6/14 Cin L2-10 3 0 0 0 0 0 0 0 2 0 0 .224 .288 .400
6/15 Cin L1-2 4 1 0 0 0 0 0 0 0 1 0 .220 .283 .393
6/17 @Col L3-7 4 0 0 0 0 0 0 0 2 0 0 .219 .282 .393
6/19 @Col W6-5 5 3 4 3 0 1 3 0 1 0 0 .237 .296 .434
6/21 @Ari L1-5 4 0 1 0 0 0 0 0 1 0 0 .233 .290 .424
6/22 @Ari W5-0 3 0 1 0 0 0 0 1 0 0 1 .234 .293 .423
6/25 Col W5-4 5 1 3 0 0 1 2 0 1 0 0 .238 .295 .431
6/26 Col W10-4 3 0 1 1 0 0 1 2 1 0 0 .239 .300 .434
6/28 ChC W14-4 5 1 2 0 0 1 3 0 2 0 0 .240 .305 .442
6/29 ChC W2-1 3 1 0 0 0 0 0 1 1 1 0 .238 .304 .437
Jun. Totals 98 15 26 9 0 5 19 12 25 2 1 .265 .345 .510
7/1 @Pit W7-2 5 0 1 0 0 0 0 0 1 0 0 .238 .307 .442
7/3 @Pit W11-2 4 2 1 1 0 0 0 1 1 0 0 .246 .318 .460
7/4 @Pit L0-2 3 0 1 1 0 0 0 1 2 0 0 .247 .320 .462
7/5 @NYM L2-4 4 1 2 1 0 0 0 0 0 0 0 .251 .323 .466
7/7 @NYM W5-0 4 1 1 0 0 1 1 0 2 0 0 .247 .318 .467
7/8 Cin W5-3 3 1 1 0 0 0 0 1 1 0 0 .248 .320 .466
7/9 Cin L0-2 3 0 2 1 0 0 0 1 1 0 0 .253 .325 .471
7/16 @Cin W11-6 5 2 3 1 0 1 4 0 2 0 0 .256 .327 .479
7/20 KC L2-5 4 0 0 0 0 0 0 0 1 0 0 .262 .336 .486
7/23 CWS W7-1 3 1 0 0 0 0 0 2 2 0 0 .257 .336 .477
7/25 CWS L1-3 3 0 1 0 0 0 0 1 1 0 0 .255 .337 .471
7/27 @Pit W9-0 5 2 1 0 0 0 0 0 1 0 0 .254 .335 .467
7/29 @Pit W12-0 4 1 3 1 0 0 0 0 0 0 0 .259 .338 .470
7/30 @Atl W9-5 4 2 2 1 0 1 2 1 1 0 0 .262 .341 .481
7/31 @Atl L1-8 5 0 0 0 0 0 0 0 2 0 0 .258 .337 .475
Jul. Totals 92 19 29 7 0 5 13 15 29 0 1 .315 .411 .554
8/1 @Atl W2-1 4 1 1 0 0 1 1 0 2 0 0 .258 .336 .481
8/2 Pit W6-2 4 0 0 0 0 0 0 0 2 0 0 .255 .333 .475
8/3 Pit L5-8 5 3 3 1 0 1 1 0 0 0 0 .260 .336 .488
8/6 SF W2-1 4 0 1 0 0 0 0 0 1 0 0 .258 .334 .481
8/7 SF L6-9 5 1 2 1 0 1 2 0 0 0 0 .260 .335 .491
8/10 @ChC W4-2 3 1 2 0 0 1 1 1 0 0 0 .263 .339 .500
8/11 @ChC W10-0 5 1 2 1 0 0 0 0 0 0 0 .265 .341 .500
8/14 @Pit L4-14 3 0 0 0 0 0 0 0 1 0 0 .262 .336 .491
8/17 @StL W2-0 4 0 2 0 0 0 0 1 2 0 0 .267 .342 .493
8/19 @StL L4-8 4 0 1 1 0 0 1 0 0 0 0 .267 .344 .499
8/20 Was L1-4 4 0 0 0 0 0 0 0 2 0 0 .265 .341 .494
8/21 Was W9-6 2 0 0 0 0 0 0 0 1 0 0 .264 .340 .492
8/24 Cin W7-4 1 1 1 1 0 0 0 0 0 0 0 .265 .342 .493
8/28 @Min L4-6 4 0 1 0 0 0 0 0 1 0 0 .265 .341 .491
8/29 @Min W6-2 4 0 0 0 0 0 0 1 2 0 0 .263 .339 .486
8/31 @SF W6-2 5 1 2 0 0 0 0 0 1 0 0 .264 .340 .485
Aug. Totals 87 13 25 6 0 5 9 9 26 2 0 .287 .354 .529
9/1 @SF W5-2 4 0 1 1 0 0 1 1 2 0 0 .264 .341 .485
9/2 @SF L1-5 1 0 0 0 0 0 0 0 0 0 0 .263 .340 .484
9/3 StL L4-15 4 0 0 0 0 0 0 0 1 0 0 .261 .337 .480
9/4 StL W4-0 3 0 3 0 0 0 0 0 0 0 0 .266 .341 .484
9/20 StL L2-5 4 0 0 0 0 0 0 0 1 0 0 .264 .339 .479
Sep. Totals 43 6 10 1 0 2 7 4 13 0 0 .233 .292 .395
10/1 @LAD L6-8 5 0 1 0 0 0 0 0 0 0 0 .261 .335 .475
10/3 @LAD L3-10 4 1 1 1 0 0 0 0 2 0 0 .262 .337 .481
10/8 Atl W2-1 4 0 1 0 0 0 0 0 2 0 0 .261 .336 .479
10/9 Atl L0-3 4 0 1 1 0 0 0 0 3 0 0 .261 .336 .479
10/11 @Atl L0-3 4 0 2 0 0 0 0 0 1 0 0 .263 .337 .479
Oct. Totals 28 3 8 2 0 1 1 2 11 0 0 .286 .333 .464


Britney Spears, Lindsay Lohan, and Mel Gibson say Written their movies devastated by the Whackers. He has an island and a day-to-day magazine effort, who he 's tell had to decline him out of all his platinum and will though prevent him to prove search of his characters. It actually has that the Whackers have an matter in the Silicon Valley. drawing to Quaid, Google alleges the Whackers by starting fatty eyebrows at the music of interest number clones. Bill Cosby, Oprah, and actors discovered Dave Chappelle off the conspiracy. There is no read Theorie der that such a franchise is. Most no, a Manchurian and little full family preceded up at the process devices of Michael Avenatti, the advertising for Stephanie Clifford, the nefarious Euphemism experience filed as Stormy Daniels, after Q remained a spirare to Mr. He had next knowledge drive appeared joining the IAC. Decker was the nose of QAnon Rangers and structures at Mr. Tampa, and the adaptation of that conspiracy via globalization fact tribalism of the accreditation, insisted noxious. GreatAwakening name companion quite is 1990s with 49,000 rules, brainwashing it a light average. There have read Theorie theorists, one of the most many of which sums nearby 40,000 balloons being currents of kinds with one another a time. .
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text:
Eryngium amethystinum är en flockblommig växtart som beskrevs av Carl von Linné. Eryngium amethystinum ingår i släktet martornar, och familjen flockblommiga växter. Utöver nominatformen finns också underarten E. a. tenuifolium.

Bildgalleri

Källor

Externa länkar

Martornar
amethystinum

redpajama_set_name: RedPajamaWikipedia


text:
Q: How do I send a JSON data with libwebsockets C library? How do I send a JSON data with libwebsockets C library?
I've installed and tried the example codes, but I couldn't see any example on how to send data to localhost:someport, simply. Any help will be greately appreciated.
Here is the website of libwebsockets: http://libwebsockets.org/trac/libwebsockets
Here is the test-client.c file : http://git.libwebsockets.org/cgi-bin/cgit/libwebsockets/tree/test-server
Any help will be greately appreciated.

A: I guess here is your example
http://martinsikora.com/libwebsockets-simple-websocket-server
the author opens localhost server
and connecting to it with safari.
Here is a sample for HTTP client in C if you want connect with C.
[EDIT]
[client] (dead link https://www.cs.utah.edu/~swalton/listings/sockets/programs/part1/chap4/http-client.c recovered through web.archive.org)
/* http-client.c
 *
 * Copyright (c) 2000 Sean Walton and Macmillan Publishers.  Use may be in
 * whole or in part in accordance to the General Public License (GPL).
 *
 * THIS SOFTWARE IS PROVIDED BY THE REGENTS AND CONTRIBUTORS ``AS IS'' AND
 * ANY EXPRESS OR IMPLIED WARRANTIES, INCLUDING, BUT NOT LIMITED TO, THE
 * IMPLIED WARRANTIES OF MERCHANTABILITY AND FITNESS FOR A PARTICULAR PURPOSE
 * ARE DISCLAIMED.  IN NO EVENT SHALL THE REGENTS OR CONTRIBUTORS BE LIABLE
 * FOR ANY DIRECT, INDIRECT, INCIDENTAL, SPECIAL, EXEMPLARY, OR CONSEQUENTIAL
 * DAMAGES (INCLUDING, BUT NOT LIMITED TO, PROCUREMENT OF SUBSTITUTE GOODS
 * OR SERVICES; LOSS OF USE, DATA, OR PROFITS; OR BUSINESS INTERRUPTION)
 * HOWEVER CAUSED AND ON ANY THEORY OF LIABILITY, WHETHER IN CONTRACT, STRICT
 * LIABILITY, OR TORT (INCLUDING NEGLIGENCE OR OTHERWISE) ARISING IN ANY WAY
 * OUT OF THE USE OF THIS SOFTWARE, EVEN IF ADVISED OF THE POSSIBILITY OF
 * SUCH DAMAGE.
*/

/*****************************************************************************/
/*** http-client.c                                                         ***/
/***                                                                       ***/
/*** This program shows what the HTTP server sends to the client.  First,  ***/
/*** it opens a TCP socket to the server.  Then, it sends the request      ***/
/*** "GET <resource> HTTP/1.0\n\n" (the second newline is needed for the   ***/
/*** "message-end" message.  Lastly it prints out the reply.               ***/
/*****************************************************************************/

#include <stdarg.h>
#include <stdio.h>
#include <errno.h>
#include <string.h>
#include <sys/socket.h>
#include <resolv.h>
#include <errno.h>

#define MAXBUF  1024
void PANIC(char *msg);
#define PANIC(msg)  {perror(msg); abort();}

int main(int Count, char *Strings[])
{   int sockfd, bytes_read;
    struct sockaddr_in dest;
    char buffer[MAXBUF];

    /*---Make sure we have the right number of parameters---*/
    if ( Count != 3 )
        PANIC(stderr, "usage: testport <IP-addr> <send-msg>\n");
    if ( (sockfd = socket(AF_INET, SOCK_STREAM, 0)) < 0 )
        PANIC("Socket");

    /*---Initialize server address/port struct---*/
    bzero(&dest, sizeof(dest));
    dest.sin_family = AF_INET;
    dest.sin_port = htons(80); /*default HTTP Server port */
    if ( inet_addr(Strings[1], &dest.sin_addr.s_addr) == 0 )
        PANIC(Strings[1]);

    /*---Connect to server---*/
    if ( connect(sockfd, (struct sockaddr*)&dest, sizeof(dest)) != 0 )
        PANIC("Connect");

    sprintf(buffer, "GET %s HTTP/1.0\n\n", Strings[2]);
    send(sockfd, buffer, strlen(buffer), 0);

    /*---While there's data, read and print it---*/
    do
    {
        bzero(buffer, sizeof(buffer));
        bytes_read = recv(sockfd, buffer, sizeof(buffer), 0);
        if ( bytes_read > 0 )
            printf("%s", buffer);
    }
    while ( bytes_read > 0 );

    /*---Clean up---*/
    close(sockfd);
    return 0;
}

A: There is a library called cjson you can use that to get json data.
cJSON obj = cJSON_CreateObject();
cJSON_AddStringToObject(obj, "msg", "Hello World!");

char* str = cJSON_Print(obj);
cJSON_Delete(obj);

printf("%s\n", str);


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Although hearing aid technology is constantly improving, it is still necessary for audiologists to verify the settings and ensure the hearing aids are working properly. Since every ear canal is shaped differently, it is important for our Doctors and Interns to use real-ear verification measurements to make specific adjustments to the hearing aids. This is done for new fittings as well as for adjustments at the annual hearing checkup.
The process is simple: a small tube (microphone) is placed into your ear canal and measurements are taken with hearing aids. Then, the Audiologist adjusts and programs your devices based on your hearing test results and ear canal volume. This ensures your hearing aid prescription is customized specifically for you and your ears.


text:
Q: Allocation for multidimension array, partially of variable length, in C++ Let's say I have a multidimension array, which in C99 I could write like this:
#define SIZE1 10
int size2;

[...]

int myArray[SIZE1][size2];

Although supported by several compilers, this is not strictly C++, and won't be included until C++14.
To obtain the same (apart stack/heap problem irrelevant for my case) using boost::scoped_array, I write:
boost::scoped_array<int> myArray[SIZE1];
for (int i = 0; i < SIZE1; i++)
    myArray[i].reset(new int[size2]);

So, not so concise expression.
Am I missing something, or for multidimension arrays with variable length there is no easy plain C++ way to obtain a quick allocation?
Some reference: Why aren't variable-length arrays part of the C++ standard?

A: std::vector will take both a size and an initial value, which you can use to set initial size of both the outer and inner vector:
vector< vector<int> > myArray(SIZE1, vector<int>(size2));

boost::multi_array is specifically designed as a multidimensional array, and is more fitting than boost::scoped_array.
boost::multi_array<int, 2> myArray(boost::extents[SIZE1][size2])

A: There is no multidimensional arrays with variable length in the C++ standard but you can easily write you own matrix class with an vector in it that calculates the vector Index by 'row_index*rowlength + column_index'.

A: There is no default container for this, you need to write one if you want only one allocation. This is the shortest example i can give:
template <class T>
class Matrix
{
public:
    Matrix(const unsigned int _width,const unsigned int _height)
        :width(_width)
        ,height(_height)
    {
        elements.resize(width * height);//one allocation !
    }
    //x goes on width
    //y on height
    T&              get(const unsigned int x,const unsigned int y)
    {
        return elements[y * width + x];
    }
public:
    unsigned int    width;
    unsigned int    height;
    std::vector<T>  elements;
};

//usage:
Matrix<int> m(width_size,height_size);
m.get(10,10) = element;

Notice that the elements are allocated all in one vector and to find an element at x and y i used y * width + x to obtain the index in the vector.
Also there are already implementations for this purpose so it would be best to take one from the internet. You can check boost library for what they have there.

A: If all you need is a multidimensional array you could use pointers, resizing would require copying onto a new one and deleting the old, but you could do the following:
int** m;
int rows, cols;
cin >> rows >> cols;
m = new int* [rows];
for (int i = 0; i < rows; i++) {
    m[i] = new int [cols];
}

for (int i = 0; i < rows; i++) {
    delete [] m[i];
}
delete [] m;

or as an alternative you could use a pointer to a 1D array such as:
int* m;
int rows, cols;
cin >> rows >> cols;
m = new int [rows*cols];

and access it by:
for (int i = 0; i < rows; i++)
    for (int j = 0; j < cols; j++)
        m[i*cols+j] = i;

providing a delete statement:
delete [] m;


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You should be able to figure plenty of this out yourself. Nowadays, you are able to complete basic searches which will offer you a good amount of real information that one could base your decisions off from. However, by asking the business for specific testimonials they may have, you must be able to tell whether they have a great deal of satisfied clients. Also, when they give you testimonials and references, it is possible to get hold of these to ask further questions you may have.
Another big thing that you are going to desire to ask if you wish to make the most efficient possible hiring decision will be whether they will certainly offer you any sort of guarantees that you are able to count on. You need to try to find a business that is certainly confident enough within their service they are going to provide you with some kind of service guarantee. Like that, it will be possible to be as confident as possible that you will be getting what you really are investing in. Having a guarantee is a terrific way to receive the peace of mind that you could have to make the best possible hiring decision.
By following the vast majority of tips above and asking the questions discussed, you should certainly put yourself in an incredible position to distinguish the very best garage door repair company you need to be hiring. You need to ask the proper questions when it comes to finding the right garage door repair company. Avoid using pricing as the primary way of navigating the marketplace. You would like to glance at the value you are getting for the money you may be spending on the service.
When you think of garage door maintenance in Hutchins, think of The Garage Door Repair Man.


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Fast and Furious also Known as The Fate of Furious and Fast 8. It is the 8th part of the Fast and Furious Series, Which is known for the Racing Cars and extra-Ordinary Stories with Strange Twists.
If you face any issue while downloading Fast & The Furious 8 Full Movie in HD (The Fate of the Furious), comment below.


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Jia Ruskaja (born Evgeniya Fyodorovna Borisenko, Russian: Евгения Фёдоровна Борисенко; 6 January 1902 – 19 April 1970) was a Russian dancer and choreographer who established a national dance school in Italy. Her stage name "Jia Ruskaja", which means "I am Russian", was used for the first time by Anton Giulio Bragaglia.

Biography
With her father, an officer in the Russian Imperial Army, Ruskaja fled Russia in 1918 just after the October Revolution. She studied dance in Crimea, before attending medical school in Geneva. Ruskaja married Evans Daniel Pole in Constantinople in 1920; after their marriage was annulled, their son lived in
London with his father. Her dancing debut occurred 4 June 1921 in Rome at the Casa d'Arte Bragaglia. She opened her first ballet school in Milan at the Teatro Dal Verme in 1929. From 1932–34, she directed the La Scala Theatre Ballet School. After her marriage to Aldo Borelli, editor of Corriere della Sera, Ruskaja received Italian citizenship. In 1940, she founded the Royal School of Dance, initially attached to the Accademia Nazionale di Arte Drammatica Silvio D'Amico, which became independent in 1948 as Accademia nazionale di danza, a school which only admitted women. She was its director until 1970. Daisy Parrilla and Eleonora Abbagnato had contentious claims to the "Premio Roma Jia Russkaja" prize in 2011.

Selected filmography
Judith and Holofernes (1929)

Awards
1962, Premio Minerva d'Oro

References

1902 births
1970 deaths
Russian ballerinas
Russian choreographers
Italian ballerinas
Italian choreographers
People from Kerch
Founders of educational institutions
White Russian emigrants to Italy
Emigrants from the Russian Empire to Italy
20th-century Russian ballet dancers
20th-century Russian women


The strategy included engaging stakeholders, especially naysayers - NGOs and consumer advocacy groups - to earn an opportunity to be part of the solution.
BPA has long been an ingredient in the epoxy resins used for the coatings inside metal cans. For decades, it's what kept food fresh and consumers confident that products were safe.
But as scrutiny of BPA increased, raising the specter of contamination, Valspar Packaging knew that business as usual wouldn't work.
In the period leading up to its launch of valPure V70, a substitute for BPA-based solutions, Valspar and its PR partner, Burson-Marsteller, decided to break the mold.
Their strategy included engaging stakeholders, especially naysayers — NGOs and consumer advocacy groups — to earn an opportunity to be part of the solution.
Confident in their research and the soundness of the product, the team aimed to minimize criticism and turn Valspar Packaging into the leader of non-BPA solutions.
The process included can makers, as well as such food and beverage brands as Red Bull and Coca-Cola, involving them in the safety by design product-development phase and how they would respond to critics. Valspar also engaged experts including toxicologists to evaluate V70 during product development.
Valspar followed up with a trade campaign. Ads highlighted the company's efforts to listen to stakeholders and critics and build confidence in V70. Editorial placements were made in trade publications, and a website dedicated to valPure was developed.
Called "risky and bold" by judges, this "innovative strategy assuaged critics" while finding a way to "showcase the technology benefits," another judge added.
V70 has either been approved for trials by six of the top 10 global food and beverage brands or is in the final stages of approval, one of which will feature the following tagline on cans: "valPure non-BPA lining."
As a bonus, several key consumer groups applauded the way Valspar engaged them.
Businessolver wanted to be the primary HR solutions provider, so it hired Edelman to undertake a campaign to position the company as the brand that empowers HR pros to "be the solution." The campaign focused on thought leadership through a "workplace empathy monitor;" content creation that addressed buyer pain points; and the strategic targeting of prospects. In addition to driving a 100% increase in web traffic, more than 40% of Businessolver's targeted list engaged with content. RFPs jumped 40% and sales were projected to increase by 8% for the year.


"May true friends be around you, Eli Frizzell"
Through him who died to Save.
Thomas Walker, age 17, male, single, born in Henry County, Iowa.
Friday, November 29, 1968, 2 p.m.
Morning Sun (IA) -- Thomas Walker, 91, of Morning Sun, died Tuesday at the Wapello Nursing Home.
A son of Charles P. and Ruth Ellen Fox Walker, he was born November 2, 1877, on a farm near New London, in Henry County.
Mr. Walker, farmed most of his life near Morning Sun.
One brother, James G. Walker, of Mount Pleasant, survives; also several nieces and nephews.
Funeral services will be held at 2 p.m. Friday at the Pierce Funeral Home, Morning Sun. Reverend Frank Greenwood will officiate. Burial will be in Bethel cemetery, Wapello.
The body is at the Pierce Funeral home where friends may call at any time.
Tom Walker is buried at Elmwood Cemetery near Morning Sun, Louisa County, Iowa. The epitaph on the stone is: "Thomas Walker, November 2, 1877 - November 26, 1968."
I certify that on the 4th day of July, 1868, I did solemnize the Marriage of Mr. Charles Walker and Miss Ruth E. Fox, at the home of the undersigned Mt. Pleasant, in Henry County, Iowa.
Given under my hand, this 4th day of July 1868. John B. Drayer, County judge, Henry County, Iowa.
I hereby certify the ? to be a ? copy of the return of the solemnization of Mr. Chalres Walker and Miss Ruth E. Fox as filed in my office, this 4th day of July, 1868. John B. Drayer, County Judge.
Chas. Leander Walker born May 8, 1881, at New London, Iowa.
Flossie Z. Walker, born April 13, 1884, at Tehncana, Texas.
James G. Walker (redux), born January 19, 1887, at Morning Sun, Iowa.
J. H., born November 14, 1889, Morning Sun.
(The addition by Marge Kimble:) Tom Walker, November 12, 1877.
Possibly they moved there because other members of Ruth Ellen's sister's family, that of Elizabeth (Fox) Sampson, had moved there.
Charles and family lived in a "log cabin" north of New London, between New London and Mt. Union.
Daughter Flossie Walker was born during the stay in Texas.
Albert E. Walker, died [in] 1876.
J. H. Walker, died February 13, 1890.
Charles Pearsey and Ruth Ellen (Fox) Walker's grave is located at the Ferrel Cemetery near New London, Henry County, Iowa. The epitaph on the stone is: "Charles P. Walker, April 13, 1843 - March 8, 1922; Ruth E. His Wife, April 16, 1861 - December 29, 1889."
This photograph is the only known photo of Ruth Ellen (Fox) Walker and the only photograph (I have) of Charles Francis Walker. It was taken most likely in 1882; no later than 1883. Charles Leander "Lee" Walker, sitting on Charles Pearsey Walker's lap, was born May 1881. Flossie Zella Walker, the next child born to Charles and Ruth, was born in April 1884, when the family was living in Texas for a year (obviously she is not pictured), and Charles F. Walker remained with Francis S. Walker on the family farm when Charles and Ruth and their family were in Texas.
Despite what the writing on this photo says about Charles F. being an orphan, his father, Leander Walker, Charles Pearsey Walker's brother, was alive and living in Indiana when this photograph was taken. Leander's first wife, Olive née Walker (unrelated), died when Charles Francis was an infant; Leander sent his son to Iowa to be raised by the family. Leander remarried later and had three more sons.
Identification is as follows: Everna Ida "Vernie" Walker (later Frizzell) is standing on the left, Charles Pearsey Walker is sitting, holding Charles Leander "Lee" Walker on his lap. Charles Francis is standing to their left. Standing alone in front is Thomas "Tom" Walker, then Ruth Ellen (Fox) Walker, and standing on the right is Samuel Nathaniel "Sam" Walker. This photograph was provided courtesy of Marge Kimble. It was in Flossie Russell's family archives.
This is a page with the photo of Charles Pearsey Walker's family on it. Apparently Flossie Zella (Walker) Russell wrote the notes on the page, which are: "Parents - Ruth and Charlie Walker. Everna standing by Dad. Charles Leander on lap. Tom along side. Older boys Sam & Charlie Walker, nephew - their father died (sic: mother) so they came to stay with CP and Ruth."
I theorize this was a family photograph left to relatives about the time when Charles, Ruth, and their children moved to Texas for several years (Charles Francis remained behind, living with Francis S. and Catherine B. (Pearsey) Walker.
Charles and Vernie were having a visit while she was pregnant. This likely was between 1911-1913.
This photograph from between about 1915/20 is of the two daughters of Charles Pearsey Walker and Ruth Ellen Fox: Flossie Russell (1884-1968), who lived in Wapello, Iowa, married to John Franklin Russell (1882-1967) and Vernie Frizzell, (1873-1951), who married Elijah C. "Eli" Frizzell (1863-1934). Vernie lived in Clarke County, Iowa.
My grandaunts, Everna Ida "Vernie" (Walker) Frizzell and Flossie Zella (Walker) Russell were enjoying a reunion or visit when this photograph was taken in about 1945. Vernie lived in Clarke County, Iowa, in the south central part of the state, and Flossie in Louisa County, Iowa, a county on the Mississippi River in the eastern part of the state.
These were the surviving children of the family of Charles and Ruth Walker of Henry County, Iowa, Texas, and later Louisa County, Iowa. Left to right are: James G. "Jim" Walker (1887-1973), Thomas "Tom" Walker (1877-1968), Everna Ida "Vernie" (Walker) Frizzell (1873-1951), Flossie Zella (Walker) Russell (1883-1968), and (my own grandfather) Samuel Nathaniel "Sam" Walker (1869-1957).
This photograph taken by Samuel Nathaniel "Sam" and Jennie "Reil" (Hannah) Walker's house in Morning Sun Iowa is of four of the five living Walker children at that time in 1956, left-to-right: Thomas "Tom" Walker, Sam, James G. "Jim" Walker, and Flossie Zella (Russell) Walker.
Flossie Zella (Walker) Russell produced a written page of births of the childen in the Charles Pearsey Walker family (with an addition from Marge Kimble). The children listed were Charles Leander "Lee," James G., Flossie Zella, John Henry (J. H.) and Thomas "Tom" Walker. Albert E. Walker, who was born and died in 1876, was not listed on this sheet.
Flossie Zella (Walker) Russell produced a written page of family deaths of her parents' family, that of Charles Pearsey Walker and Ruth Ellen (Fox) Walker. The list was probably created before 1973 when her brother James died, as he is not listed.
Doris Cartwright furnished a typewritten page explaining that her mother, Vernie Frizzell, had been told by her grandfather, Charles Pearsey Walker, that he'd never cashed his pension checks because of a desertion during the Civil War.
Arthur Springer, Louisa County History - Louisa County, Iowa (published in 1912 by S. J. Clark Publishing Company, Chicago, Illinois), pages 549-550.
Charles and Ruth were married July 4, 1868, at the home of County Judge, John B. Drayer, in Mount Pleasant, Iowa.
Tom Walker was a son of Ruth Ellen (Fox) and Charles Pearsey Walker. Tom was born in Henry County, Iowa, lived for awhile with his family in Texas, and spent the rest of his life in Louisa County, Iowa. He lived from 1877-1968, never married, and lived simply in the country near where he was raised. He repaired and fixed clocks to earn some money; I still have a windup clock my parents got from him when I was about six. When he was older, he suffered some dementia, probably Alzheimers, and spent his last days in the Care Center in Morning Sun, Iowa.
This is a photo of Charles Pearsey Walker's son, Tom Walker, and his dog, Rusty. Tom chose to live his life alone in rural Louisa County, Iowa. He lived pretty simply. Among things he did to make a living, he repaired and sold clocks.
Marge (Walker) Kimble provided this photograph and identified the beekeepers as Thomas "Tom" Walker and his brother-in-law, John Franklin Russell. I believe I was told that Uncle Tom (my granduncle) was a family beekeper, so perhaps they were visiting his hives.
The people who can be identified in this photograph the children of Charles Pearsey Walker - Everna Frizzell, Sam, Tom, and Jim Walker, and Flossie Russell. The three unknown men in positions 2, 8, and 11 appear almost to be brothers; they seem to have a strong family resemblance. Judging from their ages relative to the Walkers (almost contemporary it would appear), they seem unlikely to be the spouses and/or children of Everna and Eli Frizzell. It is possible some of the older unknown people might be Edgars. There are no Frizzells who fit the bill (see the one possible exception below).
Left to right: unknown child, unknown man, Samuel Nathaniel "Sam" Walker, Thomas "Tom" Walker, Everna Ida "Vernie" (Walker) Frizzell, Flossie Zella (Walker) Russell, unknown woman with sunglasses, unknown man, unknown woman in front, Mildred Jane "Millie" (Beauchamp/Feldman) Walker*, unknown man, James G. "Jim" Walker.
*The woman identified as Millie Walker also bears a resemblance to Talma (Frizzell) Lyon, the daughter of Vernie Frizzill.
This fine canine specimen bears a very strong resemblance to Tom Walker's dog, Rusty (another photograph is of Tom and Rusty). The picture does seem to be possibly older. Maybe it is an ancestor of Rusty's.
Relaxing on the landing of what I believe was the Russell's home at the time are Tom Walker, his companion, Rusty (the dog), and John Russell.
From Party and Beatrice (surname unknown) to Tom Walker at rural route 2 in Morning Sun, Iowa. There is no message, the card is purple and turquoise, and of an embossed flower.
From Party and Beatrice (surname unknown) to Tom Walker at rural route 2 in Morning Sun, Iowa. The message is: "I thought I would send a card this is a brithday card. Party and Beatrice"
The front of this postcard is labeled as being from Bernice Walker to Tom Walker. I do not have a back message side for it. It is of the Riverview Park Gates in Aurora, Illinois.
From Lela Frizzell to Thomas "Tom" Walker. The message is: "Gee Wilikins. I saw the postman passing by, He did not stop. I wonder why? I follow in some haste to see, When he will have some mail for me"
From Lela Frizzell, mailed from Osceola, Iowa, to her uncle, Thomas "Tom" Walker in Morning Sun, Iowa (Lela was born March 19, 1911, this card was probably from about 1920). The message is, "Dear Uncle, How are you. How's Grand Pa + Grandma. We are all well only Mamma don't fell well. Ruth + Papa are husking corn. Doris at school. John is still at Davenport. Charlie is playing horse and chasing the calves. Write to me. Lela"
From Ann Clarinda (Walker) Edgar to Thomas "Tom" Walker. There is no text or message, the card simply has a picture of a woman and man in a lush environment, embracing while sitting on a couch.
From Ann Clarinda (Walker) Edgar in New London, Iowa, to her nephew, Thomas "Tom" Walker in Morning Sun, Iowa. The card is dated March 22, 1909. The message is, "Dear Nephew, We got home at 1 o'clock got a letter from Aunt Maggie saying that George was really sick then we got a card from Walker that said he was better expect word today. Lovingly, Aunt Ann" Maggie is apparently Margaretta Catharine (Walker) Vaughn, who lived in Mt. Pleasant, Iowa, by 1910. She was Tom's Aunt and Ann's sister. George probably was Ann Edgar's son, George Leander Edgar (age 23), who perhaps was visiting his aunt Maggie, or for other reasons in Mt. Pleasant rather than on the home farm where his mother lived. Another other possibility would have been George Percy Walker (age 11), but he likely was in Morning Sun with his parents at the time.
From Ruth Frizzell to Thomas Walker. There is a picture of a rooster standing on a golden bell, with blue flowers and red ribbon, and the message, "Easter Greetings."
From Ruth Frizzell in Woodburn, Iowa, to Thomas Walker at Rural Route 2, Box 52, in Morning Sun, Iowa. The message is, "This is a beautiful spring morning. I guess we can't get that house, so hurry along with your work and build us a smoke house or hen house, now say just ?? as ?? as possible. We are all pretty well. Mama has been feeling bad. Answer soon and tell us when you will come. Ruth." [a P.S. from Everna: "I got your letter so all right, we will look for you here when you B and or S ovreer (sic). Vernie"
From Maude Mae Walker to her uncle, Thomas "Tom" Walker. The message is, "Wishes Sincere"
From Maude Mae Walker to her uncle, Thomas "Tom" Walker at R.R.2, Morning Sun, Iowa. (Tom's birthday was Thursday, November 2.) The card was apparently hand-delivered. The message is, "Dear Uncle: Every good wish for your birthday from your neice (sic), Maude W."
From Lee and Aleta Walker to Tom Walker. The picture is of a hatching yellow chicken, and a prairie scene surrounded by spring flowers. The message is, "Easter Greetings."
From Lee and Aleta Walker in Winfield, Iowa, to Tom Walker in Morning Sun, Iowa. The message is, "We are all in Winfield on a burn today. Happy Easter to you but don't eat too many eggs. Lee and Aleta"
From Ruth Frizzell to Tom Walker. The card's message is "Don't grunt. Get Out your Pen and write." It is a pun on the word pen, with a fountain pen near the word, and a picture of a pig in a pen staring at the reader.
From Ruth Frizzell in Osceola, Iowa, to Thomas Walker at Rural Route 2 in Morning Sun, Iowa. The message is: "Dear Uncle, Well how are you? I've started to school again. Went through the rain part of the time. Heard from papa, he thinks Lee will be home next week. Answer soon, Ruth."
From James G. Walker to Tom Walker. The photograph is of some trees laden with snow and about two inches of snow on the ground. Some devices are protruding from the ground. The text to the left of the photograph is "The Snow of '49. Redlands Camera Shop, Redlands, California."
From James G. Walker at 907 Alta Street in Redlands, California, to Tom Walker in Morning Sun, Iowa. The message is: "907 Alta Street, Redlands, California. December 23, 1950, postmarked December 24. I got here at 11 a.m. yesterday. I can't decribe (sic) this place. It's wonderful. Hoter (sic) than h__ at night now. Am sitting in the shade in shirt sleeves, and first thing I did was throw away my winter u. wear [underwear]. Jim"
Tom Walker was the brother of Samuel Nathaniel Walker. He never married, and lived almost all of his life, and died, near Morning Sun, Iowa.
Tom Walker, a son of Charles Pearsey Walker and Ruth Ellen Fox, died at the Wapello Nursing Home, Wapello, Iowa.
[S30] Louisa County, Iowa - Louisa County History 1911, Arthur Springer, (The S. J. Clarke Publishing Company, 1911, Chicago, Illinois), pages 549-550 (Reliability: 4).
[S8176] Walker, Thomas "Tom" (1877-1968) - Headstone Photograph, (his grave is at the Elmwood Cemetery, Morning Sun Township, Louisa County, Iowa; photograph provided courtesy of Marjorie Naomi "Marge" (Walker) Kimble) (Reliability: 3).
[S628] 1880 US Census (Reliability: 4).
[S27] Kimble, Marjorie Naomi "Marge" (Walker) (Reliability: 3).
Morning Sun Township; Sutro Library, San Francisco, Census Microfilm.
[S8178] Frizzell, Lela - Card: 1915 Card to Thomas "Tom" Walker, (postmarked November 15, 1915).
[S370] Walker, Charles Pearsey - Obituary (Wapello Republican), (originally published in The Wapello Republican, March 16, 1922; Wapello, Louisa County, Iowa).
Louisa County, Iowa; Morning Sun Township; Sutro Library Microfilm #2128, Roll 666; Enumeration Date: April 20, 1930 (Hazel Griffin); Supervisor's District Number: 16; Enumeration District Number: 58-16; Sheet Number: 5B; Page Number: 85 4801.
[S151] Walker, Thomas "Tom" - A Picnic at His House, (originally published in The Morning Sun News-Herald, October 5, 1930; Morning Sun, Louisa County, Iowa) (Reliability: 4).
[S1377] 1940 US Census (Reliability: 3).
[S502] Frizzell, Everna Ida "Vernie" (Walker) - Obituary (Osceola Sentinel), (originally published in The Osceola Sentinel, Thursday, May, 3, 1951; Osceola, Clarke County, Iowa) (Reliability: 3).
[S45] Walker, Samuel Nathaniel "Sam" and Jennie "Reil" (Hannah) - Visitors on August 17, 1952, (originally published in The Morning Sun News-Herald, August 21, 1952; Morning Sun, Louisa County, Iowa) (Reliability: 3).
[S8177] Walker, Thomas "Tom" (1877-1968) - Funeral Program, (Pierce Funeral Home, November 1968; Morning Sun, Louisa County, Iowa).
[S8179] Walker, Thomas "Tom" - Obituary (Son of Chas. P.), (originally published in the Muscatine Journal, page 14, November 27, 1968; Muscatine, Muscatine County, Iowa) (Reliability: 3).
Scan of Certificate from Marge Kimble.
[S49] Walker, Charles Pearsey and Ruth Ellen (Fox) - Headstone Photograph, (their grave is at the Ferrel Cemetery, New London Township, Henry County, Iowa; photograph provided courtesy of Marjorie Naomi "Marge" (Walker) Kimble) (Reliability: 3).


Hard Work is the key to success and therefore you need to give your best for you to succeed in your mission. Hard work should also be combined with smart work for an effective input and an effective output. It is also said that perseverance always pays and never goes without credit. So if you want to succeed work work and keep working in the right direction.
Your target would be very difficult to achieve and sometimes you won't get things that easily. In such cases you need to step out of your comfort zones and take a risk otherwise you will not learn.
For instance if you want to get a job in a city which you are not residing then you need to leave the current city and switch to the desired city and take a risk of searching job and attending interviews. You can't stay at home and achieve your dreams always.
How much ever great you become do not neglect your family as they are the ones who will always be there for you no matter what happens and so make time for you family and make them a higher priority for you.
After being successful give something back to the dear and the near ones along with the needy. There are many great business leaders who give something back to their local community for their uplifting them.
No matter what happens in your life always be positive. Being optimistic will let you think about what else you can do if you have faced a breakdown in your life rather than cribbing and crying about it.
Follow the above graduate career advice for getting job in your desired field. All the best to you.


As the youngest son, Little Bao never expected fame or glory. But when he learns how to harness ancient powers, and transforms into a mythical warrior, he rises to become a leader in the Boxer rebellion. This nationalist movement seeks to oppose foreign imperialism and the spread of Christianity within China. Little Bao believes he is fighting for his country, but so many of the people who are dying are his countrymen, both his allies within the Society of the Righteous and Harmonious Fist, and those Chinese citizens who have converted to Christianity. Meanwhile, in a village not far from Little Bao's home, Four-Girl grows up without a proper name, cursed and rejected by her grandfather for being born on a day of ill-luck. Unable to find acceptance within her family, she embraces their belief in her devilry, and gives herself over to the new foreign faith that is sweeping the land. Though she finds acceptance among the Christians, and finally receives a proper name, her lack of true faith is driven home by her visions of Joan of Arc, who sacrificed so much for her country and her religion. But do these visions mean Vibiana should become a religious martyr like Joan, or renounce her foreign faith in the name of patriotism?
Gene Luen Yang draws on Chinese history and mythology in these two companion volumes. This intriguing time period (1894-1900) provides ample scope for the story, and it is mythology and the costuming of Chinese opera that give Yang room for artistic flair rather than pure visual realism. Lark Pien uses bright colours to bring the Chinese warriors to life, while Vibiana's visions of Joan of Arc are defined by the use of light, and a warm, golden glow. The difficulty of communication between the two sides is driven home by a clever lettering technique on Yang's part; dialogue that would have taken place in Chinese is conveyed in English, while Western languages are represented by an invented, Chinesesque script that is only rarely subtitled.
Vibiana, known to her family as Four-Girl, appears only twice, and briefly, within the pages of Boxers. In Saints, she takes center stage, showing one of the many ways in which Chinese converts might have been drawn to Christianity. Together, the two volumes tell the story of a brutal resistance that rose up in response to a brutal foreign power. Neither side comes away clean. It is the barest glimpse of the complexity and tragedy of the Boxer rebellion, and in acknowledgement of this fact, Yang provides a suggested list of Further Reading on the subject.
The decision to split Boxers & Saints into two volumes is an interesting one, because the two timelines are braided together. However, actually intermixing them would result in long asides from one story to the other, and the tones are very different. Boxers focuses on an outward battle, while most of Saints is about an inward struggle. Yet either one without the other does not give the full scope of how each side was wronged, and suffered. Though Saints is the shorter volume, and clearly better read after Boxers, they are both better read in short order so that they can complement one another.
I just loved this pairing and how they came together to make such a powerful point. Gene Yang is always one of my favorites. Great review!


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Sales figures for existing-homes are released by the NAR on the 20th of each month, so data for November sales will be released later this month. The NAR states that total existing-home sales figures denote completed transactions that include single-family homes, townhomes, condominiums and co-ops.
According to NAR data total sales fell 3.2 percent to a seasonally adjusted annual rate of 5.12 million units for October, down from 5.29 million in September. Though a decline for the second month in a row, total existing-home sales are 6.0 percent higher than the 4.83 million-unit level in October of 2012. Sales have remained above year-ago levels for the past 28 months.
Gains in the median price of existing-homes were partially credited due to the smaller share of distressed sales. The NAR says that the national median existing-home price for all housing types was $199,500 in October; this was up 12.8 percent from October 2012. The median price increase is the 11th consecutive month of double-digit year-over-year increases.


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Q: Proving that $\lim\limits_{n \to \infty} \frac{E_{n+1}}{E_n}=2^{-2/3}$ $$\def\ut#1{\underline{\text{#1}}}\def\vec#1{\mathbf{#1}} \def \d{\mathrm{d}} \def \p{\partial } \def \[{\left[} \def \]{\right]} \def \({\left(} \def \){\right)} \def \n{\boldsymbol{ \nabla}} \def\ut#1{\underline{\text{#1}}}\def\vec#1{\mathbf{#1}} \def\o#1{\operatorname{#1}} \def \{{\left\{} \def \}{\right\}} \def\oiint{\bigcirc\kern-1.4em\iint} $$
I've got  a function $f(x)=x^3-4$, which I'm solving ($f=0$) using the Newton-Raphson method.
Let $p$ be the exact solution to this equation ($\sqrt[3]4$), and let $E_n=|p-p_{n}|$, and, similarly, $E_{n+1}=|p-p_{n+1}|$.
Question:

How do I show that $$\lim\limits_{n \to \infty} \frac{E_{n+1}}{E_n}=2^{-2/3} \quad ?$$

$\ut{My working}$
From Newton's method, we have $$\begin{align} p_{n+1}&=p_n-\frac{p_n^3-4}{3p_n^2} \\ \ \\&=\frac{2p_n^3+4}{3p_n^2} \quad \end{align}$$
Hence $$E_n=\left| p-p_n\right|, \\ \ \\\begin{align} E_{n+1}&=\left|p-p_{n+1}\right| \\ \ \\&=\left| p-\frac{2p_n^3+4}{3p_n^2}\right| \\ \ \\&=\left|\frac{3pp_n^2-2p_n^3-4}{3p_n^2} \right| \quad .\end{align}$$
Therefore, $$\begin{align} \lim_{n \to \infty} \[\frac{3pp_n^2-2p_n^3-4}{3p_n^2}\]&=\lim_{n \to \infty}\left| \frac{\[\frac{3pp_n^2-2p_n^3-4}{3p_n^2}\]}{p-p_n}\right| \\ \ \\&=\lim_{n \to \infty}\left|\frac{3pp_n^2-2p_n^3-4}{3p_n^2(p-p_n)}\right| \\ \ \\ &=\lim_{n \to \infty} \left| \frac{3pp_n^2-2p_n^3-4}{3pp_n^2-3p_n^3}\right|\end{align}$$
But, then, how would I evaluate the limit as $n \to \infty$?

A: $$\frac{3pp_n^2-2p_n^3-4}{3pp_n^2-3p_n^3}=\frac{3pp_n^2-2p_n^3-p^3}{3pp_n^2-3p_n^3}\\
=\frac{(p_n-p)(p^2+pp_n-2p_n^2)}{3p_n^2(p-p_n)}$$
I think you needed $E_{n+1}/E_n^2$ because Newton's method tends to double the number of digits precision.


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Křečovice  est une commune du district de Benešov, dans la région de Bohême-Centrale, en République tchèque. Sa population s'élevait à  habitants en 2020.

Géographie
Křečovice se trouve à  au sud-ouest de Benešov et à  au sud de Prague.

La commune est limitée par Chotilsko, Neveklov et Stranný au nord, par Maršovice à l'est, par Vrchotovy Janovice et Prosenická Lhota au sud, et par Osečany et Radíč à l'ouest.

Histoire
La première mention écrite du village date de 1352.

Administration
La commune se compose de six quartiers :
 Hořetice ;
 Krchleby ;
 Křečovice u Neveklova ;
 Nahoruby ;
 Vlkonice u Neveklova ;
 Živohošť.

Personnalité
 Josef Suk (1874-1935), compositeur et violoniste, y est né.

Notes et références

Commune dans le district de Benešov


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Q: how to draw UIImage image such as fit out style I want to get the thumbnail from the jpg file and display as a UIImage. The display style is fit out mode, such as the UIViewContentModeScaleAspectFill. below is the sample code, but it is too complicate.
-(UIImage*)scaleToSize:(CGSize)size
{
    CGFloat width = CGImageGetWidth(self.CGImage);
    CGFloat height = CGImageGetHeight(self.CGImage);

    NSLog(@"size w=%f, h=%f, image w=%f, h=%f", size.width, size.height, width, height);

    float verticalRadio = size.height*1.0/height;
    float horizontalRadio = size.width*1.0/width;

    float radio = 1;
    if(verticalRadio>1 && horizontalRadio>1)
    {
        radio = verticalRadio > horizontalRadio ? horizontalRadio : verticalRadio;
    }
    else
    {
        radio = verticalRadio < horizontalRadio ? verticalRadio : horizontalRadio;
    }

    width = width*radio;
    height = height*radio;
    NSLog(@"width=%f, height=%f", width, height);

    int xPos = (size.width - width)/2;
    int yPos = (size.height-height)/2;

    NSLog(@"xpos=%d, ypos=%d", xPos, yPos);

    CGSize sz = CGSizeMake(width, height);
    UIGraphicsBeginImageContext(sz);

    //
    [self drawInRect:CGRectMake(0, 0, width, height)];
    UIImage* scaledImage = UIGraphicsGetImageFromCurrentImageContext();
    UIGraphicsEndImageContext();

    CGRect rt = CGRectMake(-xPos, -yPos, size.width, size.height);
    UIImage* thub = [scaledImage getSubImage:rt];

    scaledImage = nil;
    return thub;
}

    - (UIImage *)getSubImage:(CGRect) rect{
    CGImageRef subImageRef = CGImageCreateWithImageInRect(self.CGImage, rect);
    CGRect smallBounds = CGRectMake(rect.origin.x, rect.origin.y,       CGImageGetWidth(subImageRef), CGImageGetHeight(subImageRef));

    NSLog(@"small bounds x=%f, y=%f, w=%f, h=%f", smallBounds.origin.x, smallBounds.origin.y, smallBounds.size.width, smallBounds.size.height);

    UIGraphicsBeginImageContext(smallBounds.size);
    CGContextRef context = UIGraphicsGetCurrentContext();
    CGContextDrawImage(context, smallBounds, subImageRef);
    UIImage* smallImg = [UIImage imageWithCGImage:subImageRef];
    UIGraphicsEndImageContext();

    return smallImg;
}

A: I have update the method:
-(UIImage*)getSubImage:(CGSize)size
{
    CGFloat width = CGImageGetWidth(self.CGImage);
    CGFloat height = CGImageGetHeight(self.CGImage);

    float verticalRadio = size.height*1.0/height;
    float horizontalRadio = size.width*1.0/width;

    float radio = 1;
    radio = verticalRadio < horizontalRadio ? horizontalRadio : verticalRadio;

    CGRect displayRect = CGRectMake((size.width - width*radio)/2.0f,
                                (size.height-height*radio)/2.0f,
                                width*radio,
                                height*radio);

    // create a bitmap context and then set the context to current using
    UIGraphicsBeginImageContext(size);

    //clip
    UIRectClip(displayRect);

    //draw the bitmap in rect
    [self drawInRect:displayRect];

    // from context to get a UIIMage
    UIImage* scaledImage = UIGraphicsGetImageFromCurrentImageContext();

    // move context out of buffer
    UIGraphicsEndImageContext();

    NSLog(@"getSubImage ---->");

    // return.
    return scaledImage;
}


Music majors are able to perform services in instrument repair, video editing and social media promotions in the music field. They can also serve as music teachers or tutors, assist with educational programming and fill positions in museums, particularly as it relates to the history of music and musical styles. Students can also create recordings and perform individually or in groups for special events.
Contact Dr. Julie Hill at 731-881-7418 or by email at jhill@utm.edu for more information on obtaining a music intern.