text:
We'd love for you to contribute to our source code and to make AngularJS even better than it is
today! Here are the guidelines we'd like you to follow:

 - [Code of Conduct](#coc)
 - [Question or Problem?](#question)
 - [Issues and Bugs](#issue)
 - [Feature Requests](#feature)
 - [Submission Guidelines](#submit)
 - [Coding Rules](#rules)
 - [Commit Message Guidelines](#commit)
 - [Signing the CLA](#cla)
 - [Further Info](#info)

##  Code of Conduct

Help us keep Angular open and inclusive. Please read and follow our [Code of Conduct][coc].

##  Got a Question or Problem?

If you have questions about how to use AngularJS, please direct these to the [Google Group][groups]
discussion list or [StackOverflow][stackoverflow]. We are also available on [IRC][irc] and
[Gitter][gitter].

##  Found an Issue?

If you find a bug in the source code or a mistake in the documentation, you can help us by
submitting an issue to our [GitHub Repository][github]. Even better you can submit a Pull Request
with a fix.

**Localization Issues:** Angular.js uses the [Google Closure I18N library] to generate
its own I18N files (the ngLocale module). This means that any changes to these files would be lost
the next time that we import the library.
Since the Closure library i18n data is itself auto-generated from the data of the
[Common Locale Data Repository (CLDR)] project, errors in the data should
be reported there. See also the [Closure guide to i18n changes].

**Please see the [Submission Guidelines](#submit) below.**

##  Want a Feature?

You can request a new feature by submitting an issue to our [GitHub Repository][github].  If you
would like to implement a new feature then consider what kind of change it is:

* **Major Changes** that you wish to contribute to the project should be discussed first on our
  [dev mailing list][angular-dev] or [IRC][irc] so that we can better coordinate our efforts,
  prevent duplication of work, and help you to craft the change so that it is successfully accepted
  into the project.
* **Small Changes** can be crafted and submitted to the [GitHub Repository][github] as a Pull
  Request.

##  Want a Doc Fix?

If you want to help improve the docs, it's a good idea to let others know what you're working on to
minimize duplication of effort. Create a new issue (or comment on a related existing one) to let
others know what you're working on.

For large fixes, please build and test the documentation before submitting the PR to be sure you
haven't accidentally introduced any layout or formatting issues. You should also make sure that your
commit message starts with "docs" and follows the **[Commit Message Guidelines](#commit)** outlined
below.

If you're just making a small change, don't worry about filing an issue first. Use the friendly blue
"Improve this doc" button at the top right of the doc page to fork the repository in-place and make
a quick change on the fly. When naming the commit, it is advised to follow the commit message
guidelines below, by starting the commit message with **docs** and referencing the filename. Since
this is not obvious and some changes are made on the fly, this is not strictly necessary and we will
understand if this isn't done the first few times.

##  Submission Guidelines

### Submitting an Issue
Before you submit your issue search the archive, maybe your question was already answered.

If your issue appears to be a bug, and hasn't been reported, open a new issue. Help us to maximize
the effort we can spend fixing issues and adding new features, by not reporting duplicate issues.
Providing the following information will increase the chances of your issue being dealt with
quickly:

* **Overview of the Issue** - if an error is being thrown a non-minified stack trace helps
* **Motivation for or Use Case** - explain why this is a bug for you
* **Angular Version(s)** - is it a regression?
* **Browsers and Operating System** - is this a problem with all browsers or only specific ones?
* **Reproduce the Error** - provide a live example (using [Plunker][plunker] or
  [JSFiddle][jsfiddle]) or an unambiguous set of steps.
* **Related Issues** - has a similar issue been reported before?
* **Suggest a Fix** - if you can't fix the bug yourself, perhaps you can point to what might be
  causing the problem (line of code or commit)

Here is a great example of a well defined issue: https://github.com/angular/angular.js/issues/5069

**If you get help, help others. Good karma rulez!**

### Submitting a Pull Request
Before you submit your pull request consider the following guidelines:

* Search [GitHub](https://github.com/angular/angular.js/pulls) for an open or closed Pull Request
  that relates to your submission. You don't want to duplicate effort.
* Please sign our [Contributor License Agreement (CLA)](#cla) before sending pull
  requests. We cannot accept code without this.
* Make your changes in a new git branch:

    ```shell
    git checkout -b my-fix-branch master
    ```

* Create your patch, **including appropriate test cases**.
* Follow our [Coding Rules](#rules).
* Run the full Angular test suite, as described in the [developer documentation][dev-doc],
  and ensure that all tests pass.
* Commit your changes using a descriptive commit message that follows our
  [commit message conventions](#commit) and passes our commit message presubmit hook
  (`validate-commit-msg.js`). Adherence to the [commit message conventions](#commit) is required,
  because release notes are automatically generated from these messages.

    ```shell
    git commit -a
    ```
  Note: the optional commit `-a` command line option will automatically "add" and "rm" edited files.

* Build your changes locally to ensure all the tests pass:

    ```shell
    grunt test
    ```

* Push your branch to GitHub:

    ```shell
    git push origin my-fix-branch
    ```

In GitHub, send a pull request to `angular:master`.
If we suggest changes, then:

* Make the required updates.
* Re-run the Angular test suite to ensure tests are still passing.
* Commit your changes to your branch (e.g. `my-fix-branch`).
* Push the changes to your GitHub repository (this will update your Pull Request).

If the PR gets too outdated we may ask you to rebase and force push to update the PR:

```shell
git rebase master -i
git push origin my-fix-branch -f
```

_WARNING: Squashing or reverting commits and force-pushing thereafter may remove GitHub comments
on code that were previously made by you or others in your commits. Avoid any form of rebasing
unless necessary._

That's it! Thank you for your contribution!

#### After your pull request is merged

After your pull request is merged, you can safely delete your branch and pull the changes
from the main (upstream) repository:

* Delete the remote branch on GitHub either through the GitHub web UI or your local shell as follows:

    ```shell
    git push origin --delete my-fix-branch
    ```

* Check out the master branch:

    ```shell
    git checkout master -f
    ```

* Delete the local branch:

    ```shell
    git branch -D my-fix-branch
    ```

* Update your master with the latest upstream version:

    ```shell
    git pull --ff upstream master
    ```

##  Coding Rules

To ensure consistency throughout the source code, keep these rules in mind as you are working:

* All features or bug fixes **must be tested** by one or more [specs][unit-testing].
* All public API methods **must be documented** with ngdoc, an extended version of jsdoc (we added
  support for markdown and templating via @ngdoc tag). To see how we document our APIs, please check
  out the existing ngdocs and see [this wiki page][ngDocs].
* With the exceptions listed below, we follow the rules contained in
  [Google's JavaScript Style Guide][js-style-guide]:
    * **Do not use namespaces**: Instead,  wrap the entire angular code base in an anonymous closure and
      export our API explicitly rather than implicitly.
    * Wrap all code at **100 characters**.
    * Instead of complex inheritance hierarchies, we **prefer simple objects**. We use prototypal
      inheritance only when absolutely necessary.
    * We **love functions and closures** and, whenever possible, prefer them over objects.
    * To write concise code that can be better minified, we **use aliases internally** that map to the
      external API. See our existing code to see what we mean.
    * We **don't go crazy with type annotations** for private internal APIs unless it's an internal API
      that is used throughout AngularJS. The best guidance is to do what makes the most sense.

##  Git Commit Guidelines

We have very precise rules over how our git commit messages can be formatted.  This leads to **more
readable messages** that are easy to follow when looking through the **project history**.  But also,
we use the git commit messages to **generate the AngularJS change log**.

The commit message formatting can be added using a typical git workflow or through the use of a CLI wizard ([Commitizen](https://github.com/commitizen/cz-cli)). To use the wizard, run `npm run commit` in your terminal after staging your changes in git.

### Commit Message Format
Each commit message consists of a **header**, a **body** and a **footer**.  The header has a special
format that includes a **type**, a **scope** and a **subject**:

```
<type>(<scope>): <subject>
<BLANK LINE>
<body>
<BLANK LINE>
<footer>
```

The **header** is mandatory and the **scope** of the header is optional.

Any line of the commit message cannot be longer 100 characters! This allows the message to be easier
to read on GitHub as well as in various git tools.

### Revert
If the commit reverts a previous commit, it should begin with `revert: `, followed by the header of the reverted commit. In the body it should say: `This reverts commit <hash>.`, where the hash is the SHA of the commit being reverted.

### Type
Must be one of the following:

* **feat**: A new feature
* **fix**: A bug fix
* **docs**: Documentation only changes
* **style**: Changes that do not affect the meaning of the code (white-space, formatting, missing
  semi-colons, etc)
* **refactor**: A code change that neither fixes a bug nor adds a feature
* **perf**: A code change that improves performance
* **test**: Adding missing tests
* **chore**: Changes to the build process or auxiliary tools and libraries such as documentation
  generation

### Scope
The scope could be anything specifying place of the commit change. For example `$location`,
`$browser`, `$compile`, `$rootScope`, `ngHref`, `ngClick`, `ngView`, etc...

### Subject
The subject contains succinct description of the change:

* use the imperative, present tense: "change" not "changed" nor "changes"
* don't capitalize first letter
* no dot (.) at the end

### Body
Just as in the **subject**, use the imperative, present tense: "change" not "changed" nor "changes".
The body should include the motivation for the change and contrast this with previous behavior.

### Footer
The footer should contain any information about **Breaking Changes** and is also the place to
reference GitHub issues that this commit **Closes**.

**Breaking Changes** should start with the word `BREAKING CHANGE:` with a space or two newlines. The rest of the commit message is then used for this.

A detailed explanation can be found in this [document][commit-message-format].

##  Signing the CLA

Please sign our Contributor License Agreement (CLA) before sending pull requests. For any code
changes to be accepted, the CLA must be signed. It's a quick process, we promise!

* For individuals we have a [simple click-through form][individual-cla].
* For corporations we'll need you to
  [print, sign and one of scan+email, fax or mail the form][corporate-cla].

##  Further Information
You can find out more detailed information about contributing in the
[AngularJS documentation][contributing].

[Google Closure I18N library]: https://github.com/google/closure-library/tree/master/closure/goog/i18n
[angular-dev]: https://groups.google.com/forum/?fromgroups#!forum/angular-dev
[coc]: https://github.com/angular/code-of-conduct/blob/master/CODE_OF_CONDUCT.md
[commit-message-format]: https://docs.google.com/document/d/1QrDFcIiPjSLDn3EL15IJygNPiHORgU1_OOAqWjiDU5Y/edit#
[contribute]: http://docs.angularjs.org/misc/contribute
[contributing]: http://docs.angularjs.org/misc/contribute
[corporate-cla]: http://code.google.com/legal/corporate-cla-v1.0.html
[dev-doc]: https://docs.angularjs.org/guide
[github]: https://github.com/angular/angular.js
[gitter]: https://gitter.im/angular/angular.js
[groups]: https://groups.google.com/forum/?fromgroups#!forum/angular
[individual-cla]: http://code.google.com/legal/individual-cla-v1.0.html
[irc]: http://webchat.freenode.net/?channels=angularjs&uio=d4
[js-style-guide]: https://google.github.io/styleguide/javascriptguide.xml
[jsfiddle]: http://jsfiddle.net/
[list]: https://groups.google.com/forum/?fromgroups#!forum/angular
[ngDocs]: https://github.com/angular/angular.js/wiki/Writing-AngularJS-Documentation
[plunker]: http://plnkr.co/edit
[stackoverflow]: http://stackoverflow.com/questions/tagged/angularjs
[unit-testing]: https://docs.angularjs.org/guide/unit-testing
[Common Locale Data Repository (CLDR)]: http://cldr.unicode.org
[Closure guide to i18n changes]: https://github.com/google/closure-library/wiki/Internationalization-%28i18n%29-changes-in-Closure-Library

[![Analytics](https://ga-beacon.appspot.com/UA-8594346-11/angular.js/CONTRIBUTING.md?pixel)](https://github.com/igrigorik/ga-beacon)

redpajama_set_name: RedPajamaGithub


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Open 24/7 and just 10 minutes from Pasir Ris MRT, next to DownTown East, Pasir Ris Mangrove Boardwalk is great for a trip with the family.
Join the FREE 11 Feb 2018 (Sun) evening walk for families by the Naked Hermit Crabs at the boardwalk. Here's more on what you can see there.
Pasir Ris mangroves is small, but has a lovely boardwalk running through it. It allows a close up look at the fascinating mangroves! Such as the mud lobster mounds which are rarely seen nowadays. Here's more about mud lobsters - 'condo developers' of the mangroves!
The mud lobster mound is a 'condo': other animals burrow into the mound to make their homes. Like Tree climbing crabs, which are abundant in Pasir Ris mangroves! They blend in with the mud, except for their brightly coloured pincers!
The boardwalk meanders among tall mangrove trees. Allowing us a closer look at the plants as well as the animals living in the mud and pools and streams.
Pasir Ris at low tide, you can die die see Giant mudskippers. Often renovating their 'swimming pools' by digging mud out one mouthful at a time! More about our mudskippers.
If you visit Pasir Ris at night, you can see the Giant mudskipper in his pajamas. At night, they have a pattern of bars, while during the day, they have one bold dark stripe along the body.
This Malayan water monitor lizard was seen head down in a mudskipper hole, probably trying to catch the occupant! These lizards are abundant in the Pasir Ris mangroves. Small ones are often seen resting on tree branches or sheltering in tree holes.
Sometimes, among the mangrove trees, we can spot the Shore pit-viper. It is harmless if we leave it alone and admire it from a distance.
You might also encounter the Oriental pied-hornbill!
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Here's a glimpse of the otter!
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Join the FREE 11 Feb 2018 (Sun) evening walk for families by the Naked Hermit Crabs! These volunteers hold walks regularly, so do check out their blog and facebook page for updates.
Or visit on your own! The boardwalk is a short stroll from Pasir Ris MRT station. There is parking nearby. It's a great destination for an evening walk, to view interesting wild life that can't be easily see anywhere else!
Download the NParks DIY Pasir Ris Trail Guide which includes the mangrove boardwalk.
Nights at Pasir Ris mangroves are wild!
Strange snakey thing at Pasir Ris on a night trip at high tide.
Night walk at Pasir Ris with special snake!
Why Pasir Ris mangroves are special!
Labels: for kids, mangroves, pasir ris, shore highlights, singapore got marine life meh?


text:
Q: Why is std::stringstream not printing the correct numbers in this code? So, very new to this. I am trying to change the input from the text file from string to double after I've grabbed it and put it into a vector. I want to perform mathematical operations with those numbers and some of the numbers are missing a digit or two after I've converted from string to double. (the file is converted from doc to txt because I cant figure out how to access doc files, if this is wrong please let me know). I would include the txt file in this question but I cant figure out how. so if that is necessary, please let me know how.
Feel free to criticize the code, always willing to learn. I need it. :)
The numbers are in this exact format -> 0.00000
And some of them are coming out, after conversion, as 0.0000 or  0.000
int main()
{
    std::string lines;
    std::vector <std::string> numbers{};
    std::vector <double> dbnumbers{};
    std::ifstream myfile("data.txt");

    while (myfile >> lines)
    {
        numbers.push_back(lines);
    }

    for (int i = 0; i < numbers.size(); ++i)
    {
        std::string tempstring;
        tempstring = numbers[i];
        std::stringstream tempd(tempstring);

        double line{};
        tempd >> line;
        dbnumbers.push_back(line);

    }
    for (auto element : numbers) std::cout << element << " / ";
    for (auto element2 : dbnumbers) std::cout << element2 << " / ";

    return 0;
}

A: It is difficult to tell without your input data but your std::cout might need std::setprecision to increase the number of digits to print.

redpajama_set_name: RedPajamaStackExchange


text:
Q: How to remove time portion of date in C# in DateTime object only? I need to remove time portion of date time or probably have the date in following format in object form not in the form of string.
06/26/2009 00:00:00:000

I can not use any string conversion methods as I need the date in object form.
I tried first converting the DateTime to a string, remove the time specific date from it, but it adds 12:00:00 AM as soon as I convert it back to DateTime object back again.

A: This way of get only date without time
DateTime date = DateTime.Now;
string Strdateonly = date.ToString("d");

Output = 5/16/2015

A: Use date.ToShortDateString() to get the date without the time component
var date = DateTime.Now
var shortDate = date.ToShortDateString() //will give you 16/01/2019

use date.ToString() to customize the format of the date
var date = DateTime.Now
var shortDate = date.ToString('dd-MMM-yyyy') //will give you 16-Jan-2019

A: Since .NET 6 / C# 10 you can do this:
var dateOnly = DateOnly.FromDateTime(dateTime);

A: I wrote a DateOnly structure. This uses a DateTime under the skin but no time parts are exposed publically:
using System;

public struct DateOnly : IComparable, IFormattable, IComparable<DateOnly>, IEquatable<DateOnly>
{

    private DateTime _dateValue;

    public int CompareTo(object obj)
    {
        if (obj == null)
        {
            return 1;
        }

        DateOnly otherDateOnly = (DateOnly)obj;
        if (otherDateOnly != null)
        {
            return ToDateTime().CompareTo(otherDateOnly.ToDateTime());
        }
        else
        {
            throw new ArgumentException("Object is not a DateOnly");
        }
    }

    int IComparable<DateOnly>.CompareTo(DateOnly other)
    {
        return this.CompareToOfT(other);
    }
    public int CompareToOfT(DateOnly other)
    {
        // If other is not a valid object reference, this instance is greater.
        if (other == new DateOnly())
        {
            return 1;
        }
        return this.ToDateTime().CompareTo(other.ToDateTime());
    }

    bool IEquatable<DateOnly>.Equals(DateOnly other)
    {
        return this.EqualsOfT(other);
    }
    public bool EqualsOfT(DateOnly other)
    {
        if (other == new DateOnly())
        {
            return false;
        }

        if (this.Year == other.Year && this.Month == other.Month && this.Day == other.Day)
        {
            return true;
        }
        else
        {
            return false;
        }
    }

    public static DateOnly Now()
    {
        return new DateOnly(DateTime.Now.Year, DateTime.Now.Month, DateTime.Now.Day);
    }

    public static bool TryParse(string s, ref DateOnly result)
    {
        DateTime dateValue = default(DateTime);
        if (DateTime.TryParse(s, out dateValue))
        {
            result = new DateOnly(dateValue.Year, dateValue.Month, dateValue.Day);
            return true;
        }
        else
        {
            return false;
        }
    }

    public static DateOnly Parse(string s)
    {
        DateTime dateValue = default(DateTime);
        dateValue = DateTime.Parse(s);
        return new DateOnly(dateValue.Year, dateValue.Month, dateValue.Day);
    }

    public static DateOnly ParseExact(string s, string format)
    {
        CultureInfo provider = CultureInfo.InvariantCulture;
        DateTime dateValue = default(DateTime);
        dateValue = DateTime.ParseExact(s, format, provider);
        return new DateOnly(dateValue.Year, dateValue.Month, dateValue.Day);
    }

    public DateOnly(int yearValue, int monthValue, int dayValue) : this()
    {
        Year = yearValue;
        Month = monthValue;
        Day = dayValue;
    }

    public DateOnly AddDays(double value)
    {
        DateTime d = new DateTime(this.Year, this.Month, this.Day);
        d = d.AddDays(value);
        return new DateOnly(d.Year, d.Month, d.Day);
    }

    public DateOnly AddMonths(int months)
    {
        DateTime d = new DateTime(this.Year, this.Month, this.Day);
        d = d.AddMonths(months);
        return new DateOnly(d.Year, d.Month, d.Day);
    }

    public DateOnly AddYears(int years)
    {
        DateTime d = new DateTime(this.Year, this.Month, this.Day);
        d = d.AddYears(years);
        return new DateOnly(d.Year, d.Month, d.Day);
    }

    public DayOfWeek DayOfWeek
    {
        get
        {
            return _dateValue.DayOfWeek;
        }
    }

    public DateTime ToDateTime()
    {
        return _dateValue;
    }

    public int Year
    {
        get
        {
            return _dateValue.Year;
        }
        set
        {
            _dateValue = new DateTime(value, Month, Day);
        }
    }

    public int Month
    {
        get
        {
            return _dateValue.Month;
        }
        set
        {
            _dateValue = new DateTime(Year, value, Day);
        }
    }

    public int Day
    {
        get
        {
            return _dateValue.Day;
        }
        set
        {
            _dateValue = new DateTime(Year, Month, value);
        }
    }

    public static bool operator == (DateOnly aDateOnly1, DateOnly aDateOnly2)
    {
        return (aDateOnly1.ToDateTime() == aDateOnly2.ToDateTime());
    }

    public static bool operator != (DateOnly aDateOnly1, DateOnly aDateOnly2)
    {
        return (aDateOnly1.ToDateTime() != aDateOnly2.ToDateTime());
    }

    public static bool operator > (DateOnly aDateOnly1, DateOnly aDateOnly2)
    {
        return (aDateOnly1.ToDateTime() > aDateOnly2.ToDateTime());
    }

    public static bool operator < (DateOnly aDateOnly1, DateOnly aDateOnly2)
    {
        return (aDateOnly1.ToDateTime() < aDateOnly2.ToDateTime());
    }

    public static bool operator >= (DateOnly aDateOnly1, DateOnly aDateOnly2)
    {
        return (aDateOnly1.ToDateTime() >= aDateOnly2.ToDateTime());
    }

    public static bool operator <= (DateOnly aDateOnly1, DateOnly aDateOnly2)
    {
        return (aDateOnly1.ToDateTime() <= aDateOnly2.ToDateTime());
    }

    public static TimeSpan operator - (DateOnly aDateOnly1, DateOnly aDateOnly2)
    {
        return (aDateOnly1.ToDateTime() - aDateOnly2.ToDateTime());
    }

    public override string ToString()
    {
        return _dateValue.ToShortDateString();
    }

    public string ToString(string format)
    {
        return _dateValue.ToString(format);
    }

    public string ToString(string fmt, IFormatProvider provider)
    {
        return string.Format("{0:" + fmt + "}", _dateValue);
    }

    public string ToShortDateString()
    {
        return _dateValue.ToShortDateString();
    }

    public string ToDbFormat()
    {
        return string.Format("{0:yyyy-MM-dd}", _dateValue);
    }
}

This is converted from VB.NET, so apologies if some conversions are not 100%

A: I'm surprised no one has mentioned DateTime.Today
var date = DateTime.Today;
// {7/1/2014 12:00:00 AM}

See MSDN

A: Have a look at the DateTime.Date property.

Gets the date component of this instance.

A: If you are converting it to string, you can easily do it like this.
I'm taking date as your DateTime object.
date.ToString("d");

This will give you only the date.

A: The Date property will return the date at midnight.
One option could be to get the individual values (day/month/year) separately and store it in the type you want.
var dateAndTime = DateTime.Now;
int year = dateAndTime.Year;
int month = dateAndTime.Month;
int day = dateAndTime.Day;

string.Format("{0}/{1}/{2}", month, day, year);

A: You Can Try This for the Only Date From the Datetime
String.Format("{0:d/M/YYYY}",dt);

Where dt is the DateTime

A: Came across this post when trying to solve the original Q.
I am using Asp.Net and after some research I have found when you are binding to the value of the date in code behind, you can drop the time so it will not display on screen.
C#:
DateTime Today = DateTime.Now;

aspx:
<%: this.Today.ToShortDateString() %>

A: use
DateTime.Now.ToString("dd-MM-yyyy");

A: I know this is an old post with many answers, but I haven't seen this way of removing the time portion. Suppose you have a DateTime variable called myDate, with the date with time part. You can create a new DateTime object from it, without the time part, using this constructor:
public DateTime(int year, int month, int day);

Like this:
myDate = new DateTime(myDate.Year, myDate.Month, myDate.Day);

This way you create a new DateTime object based on the old one, with 00:00:00 as time part.

A: You can use this simple code below.
Code: DateTime.Now.ToShortDateString();
Ex.
Console.WriteLine(DateTime.Now.ToShortDateString());

A: Add Date property to the DateTime variable
var dateTime = DateTime.Now
var onlyDate = dateTime.Date

Or You can use DataType annotation as well.
[DataType(DataType.Date)]
public DateTime dateTime {get; set;}

The DataType annotation is inside the System.ComponentModel.DataAnnotations namespace.

A: This is for C#10 and above where now a DateOnly and TimeOnly format  is available. Using below format, you can extract DateOnly from a DateTime format.
DateOnly myDateNoTime = DateOnly.FromDateTime(DateTime.Now);

A: None of the above answers solved my problem on winforms.
the easiest way to reach ONLY date is the simple function in Datetime:
DateTime dt = DateTime.now;
String BirthDate = dt.ToShortDateString();

You will only have date in Birthday string .

A: You can use format strings to give the output string the format you like.
DateTime dateAndTime = DateTime.Now;
Console.WriteLine(dateAndTime.ToString("dd/MM/yyyy")); // Will give you smth like 25/05/2011

Read more about Custom date and time format strings.

A: in my experience none of the said solutions worked, maybe because I wanted to remove the time from extracted date from database, but the code below worked fine:
var date = target_date.Value.ToString("dd/MM/yyyy");

A: string dt = myCalender.SelectedDate.ToString();
string date = dt.Remove(10);
displayDate.Content = date;

If you take date from calender, with this we also get time. Which is not required all time. Using this we can remove time from date.

A: Declare the variable as a string.
example :
public string dateOfBirth ;

then assign a value like :
dateOfBirth = ((DateTime)(datetimevaluefromDB)).ToShortDateString();

A: Create a struct that holds only the properties you want. Then an extension method to easily get that struct from an instance of DateTime.
public struct DateOnly
{
    public int Day { get; set; }
    public int Month { get; set; }
    public int Year { get; set; }
}

public static class DateOnlyExtensions
{
    public static DateOnly GetDateOnly(this DateTime dt)
    {
        return new DateOnly
        {
            Day = dt.Day,
            Month = dt.Month,
            Year = dt.Year
        };
    }
}

Usage
DateTime dt = DateTime.Now;
DateOnly result = dt.GetDateOnly();

A: This could be simply done this way:
var dateOnly = new DateTime(dateTime.Year, dateTime.Month, dateTime.Day)

A: To get only the date portion use the ToString() method,
example:
DateTime.Now.Date.ToString("dd/MM/yyyy")
Note:
The mm in the dd/MM/yyyy format must be capitalized

A: Try to make your own Structure for that. DateTime object will have date and time both

A: You can't. A DateTime in .NET always have a time, defaulting to 00:00:00:000. The Date property of a DateTime is also a DateTime (!), thus having a time defaulting to 00:00:00:000 as well.
This is a shortage in the .NET Framework, and it could be argued that DateTime in .NET violates the Single Responsibility Principle.

A: The easiest way is something like this and it will return only the date:
var date = DateTime.Now.ToShortDateString();

A: Use the method ToShortDateString. See the documentation http://msdn.microsoft.com/en-us/library/system.datetime.toshortdatestring.aspx
var dateTimeNow = DateTime.Now; // Return 00/00/0000 00:00:00
var dateOnlyString = dateTimeNow.ToShortDateString(); //Return 00/00/0000

A: DateTime.Date
var newDate = DateTime.Now; //newDate.Date property is date portion of DateTime

A: Here is another method using String.Format
    DateTime todaysDate = DateTime.UtcNow;

    string dateString = String.Format("{0:dd/MM/yyyy}", todaysDate);

    Console.WriteLine("Date with Time: "+ todaysDate.ToString());

    Console.WriteLine("Date Only : " + dateString);

Output:
Date with Time: 9/4/2016 11:42:16 AM

Date Only : 04/09/2016

This also works if the Date Time is stored in database.
For More Date and Time formatting check these links:
Reference 1
Reference 2
Hope helps.

A: Use the Date property:
var dateAndTime = DateTime.Now;
var date = dateAndTime.Date;

The date variable will contain the date, the time part will be 00:00:00.

A: Use .Date of a DateTime object will ignore the time portion.
Here is code:
DateTime dateA = DateTime.Now;
DateTime dateB = DateTime.Now.AddHours(1).AddMinutes(10).AddSeconds(14);
Console.WriteLine("Date A: {0}",dateA.ToString("o"));
Console.WriteLine("Date B: {0}", dateB.ToString("o"));
Console.WriteLine(String.Format("Comparing objects A==B? {0}", dateA.Equals(dateB)));
Console.WriteLine(String.Format("Comparing ONLY Date property A==B? {0}", dateA.Date.Equals(dateB.Date)));
Console.ReadLine();

Output:
>Date A: 2014-09-04T07:53:14.6404013+02:00
>Date B: 2014-09-04T09:03:28.6414014+02:00
>Comparing objects A==B? False
>Comparing ONLY Date property A==B? True

A: Use a bit of RegEx:
Regex.Match(Date.Now.ToString(), @"^.*?(?= )");

Produces a date in the format: dd/mm/yyyy

A: For using by datalist, repeater.. in aspx page:<%# Eval("YourDateString").ToString().Remove(10) %>

A: static void Main(string[] args)
{
    string dateStrings =  "2014-09-01T03:00:00+00:00" ;

    DateTime convertedDate = DateTime.Parse(dateStrings);
    Console.WriteLine("  {0} ----------------- {1}",

    convertedDate,DateTime.Parse(convertedDate.ToString()).ToString("dd/MM/yyyy"));

    Console.Read();
}

A: This code gives you a clear view of writing Date as well as Time separately
string time = DateTime.Now.Hour.ToString("00") + ":" + DateTime.Now.Minute.ToString("00") + ":" + DateTime.Now.Second.ToString("00");
        string date = DateTime.Now.ToString("M-dd-yyyy");
        MessageBox.Show(date + "\n" + time);

Hope this helps.

A: Getting the Date part of a DateTime object didn't workout for me because I'm working on the client-side and the returned web service values have some null dates. As a result, it tries to get the Date part of a null value and it throws a runtime exception. The following example is how I solved my problem:
string dt = employer.BirthDay.ToString();
if(dt == ""){ dt = "N/A";}
else dt = dt.Substring(0,10);

*

*Get the DateTime value as string into a string variable.

*Check if it's null. If null, assign a string variable.

*If not null, get the first 10 characters of the string DateTime value and assign it to the string variable.

I'm sharing this for future reference.

A: Try this, if you use a DateTimeOffset, it will also take care of the timezone
date1 = date1.LocalDateTime.Date;

If you need to add hours, use this:
date1 = date1.LocalDateTime.Date;
date1 = date1.AddHours(23).AddMinutes(59).AddSeconds(59);

A: DateTime dd=DateTiem.Now;
string date=dd.toString("dd/MM/YYYY");

A: If you want to remove part of time from a DateTime, try using this code:
DateTime dt = new DateTime();

dt = DateTime.Now; //ex: 31/1/2017 6:30:20 PM

TimeSpan remainingTime = new TimeSpan(0, dt.Hour - 5, dt.Minute - 29, dt.Second - 19);
dt=dt.Add(remainingTime);

label1.Text = dt.ToString("HH:mm:ss"); // must be HH not hh

the output : 01:01:01

A: Just use one line of code:
var dateAndTime = DateTime.Now.Date;

A: I think you would this: DateTime onlyDate = DateTime.Today.Date;
or, that's the same DateTime onlyDate = yourDateTime.Date;
 So use the property Date.

A: In case you would want to use Binding and show only Date portion without time
ToolTip="{Binding TransactionModel.TransactionDate, StringFormat=d}"

A: You can use a Date library like https://www.nuget.org/packages/Date/
to work with Date values, convert them to and from DateTimes, etc.
Disclaimer I'm the author of the above package.


text:
Hip acetabular/labral tear
Anatomy of the hip joint showing the labrum around the acetabulum where the femoral inserts in the pelvis
Acetabular or hip labral tear (labral tear) refers to the rupture of the labrum, the cartilaginous rim that covers the acetabulum at the pelvis.
Labral tear illustrated in red
The labrum is a critical structure of the hip joint as it stabilises the femoral head within the pelvic socket or acetabulum. One side of the labrum connects with the pelvis capsule and its ligaments and the other side with the head of the femur. This intra-articular side is poorly vascularised and difficult to heal after injury or surgery.
A tear to the hip labrum mostly occurs with repetitive injury. It consists of a gradual process facilitated by a condition named femoral acetabular impingement, involving a reduced clearance between the femoral head and neck with the acetabulum. With repetitive internal rotation of the hip, the impinged labrum is subjected to increasing pressure, which over time leads to its rupture. In extreme cases this pressure can lead to the total avulsion of the labrum from the acetabulum.
Fractures of the humerus shaft can display various patterns: transverse, oblique, spiral, and comminuted. In addition they are differentiated depending on whether the fracture is displaced or undisplaced, relative to the loss of bone alignment and closed or open fracture. The AO (Arbeitsgemeinschaft für Osteosynthesefragen) Foundation, an international organisation founded in Switzerland, focussing on research and education for the management of orthopaedic injuries), is one of most used systems available to characterise humerus shaft fractures. According to the AO humerus shaft fractures are divided into their level of comminution:
Type A - No comminution
Type B - Presence of butterfly fragment (wedge-shaped fragment of bone
Type C - Comminution
Passive internal rotation movement of the hip
A labral tear can be caused by a CAM lesion, a Princer impingement or a combination of both
The aetiology of a hip labral tear is mostly unknown. The diagnosis is occasionally achieved without evident symptoms. The main causes include trauma and sport injuries. In sports the involvement of internal rotation of the hip with sudden changes of direction and twisting seem to be the origin of a labral tear of the hip. This pathology is also the consequence structural or congenital changes of the hip that weaken the joint stability. Known causes are:
Trauma (falls, motor vehicle accidents)
Sport injuries (golf, ice hockey, soccer, football, running, sprinting, ballet)
Capsular laxity (loose ligaments)
Cam lesion (bony protrusion) on the femoral head causing impingement
Pincer impingement: presence of extra bone (spur) at the rim of the acetabulum
Combination of CAM and Pincer
Hip osteoarthritis in the elderly
Congenital hip dysplasia can lead to a hip labral tears later in life
A number of risk factors have been attributed to the development of hip labral tear:
Femoro-acetabular impingement
Congenital hip dysplasia
Capsular laxity
Hip joint degeneration (osteoarthritis)
Female gender
Pain in the hip and groin area is typical in a hip labral tear
Although often asymptomatic, the symptoms of a hip labral tear include the following:
Pain to the groin area, buttock and anterior side of the hip
Pain increasing with movement
Pain with prolonged standing, sitting and walking
Pain becoming evident at rest
Noise e.g. clicking, locking, or catching of the hip with movement
Stiffness of the hip
Instability of the hip
Difficulty in walking, limp
Trendelenburg test is one approach to diagnosis of a hip labral tear
The diagnosis of a hip labral tear is not always straightforward as its symptoms are similar to those of other hip pathologies. The clinical examination begins with the medical history to acquire information on injuries, life style, sport activities, or previous diagnosis of hip structural deficiencies that may increase the risk of a labral tear of the hip. The examiner will assess any changes in the range of movement of the hip, its stiffness, muscle discrepancy and gait abnormalities such as a limp.
A positive Trendelenburg test is a sign of the pathology whereby the hip with a labral tear drops when standing on the opposite leg. Another tests is the impingement sign, consisting of flexing the hip to 90º, turning the hip inward with internal rotation and bringing the thigh towards the opposite hip (adduction).
X-rays are taken to establish possible structural abnormalities in the hip joint and MRI scans to detect changes of the labrum itself, tendons, ligaments and capsule. A specific MRI named magnetic resonance arthrography (MRA) is more accurate as it improves the image quality following local injection of the contrast agent gadolinium.
Anti-inflammatory therapy reduces inflammation and pain acutely after a hip labral injury
Conservative treatment is considered more relevant today than before when surgical removal of the labrum was performed leaving the hip unsupported.
The nonoperative approach is mostly based on physical therapy to reinforce the muscles around the hip and modify posture, movement and alignment assessed with precise gait analysis. Acutely, iIt is advised to minimise weight bearing with the use crutches. The movement of the hip can be corrected with the use of a SERF strap (Stability through External Rotation of the Femur) that is applied around the thigh, knee, and lower leg to support the hip during movement by keeping it into external rotation. Additional conservative treatment includes:
Pain management with analgesics
Anti-inflammatory drugs (NSAIDs)
Local steroid injection
Example of arthroscopic surgery used to repair the ruptured labrum
Drawing of a labral refixation
With more severe damage to the hip labrum or failure of conservative therapy, surgery is recommended. The surgical approach mostly relies on hip arthroscopy, which is used also as a diagnostic tool. The purpose of hip arthroscopy is multi-fold:
Labral refixation used to reattach the disconnected labrum to the edges of the acetabulum using suture and screws
Debridement of the labrum; when greater damage of the labrum occurs and cannot be salvaged, part of the cartilage is debrided (removed) to avoid that it interferes with the movement of the hip causing pain.
When severe hipbone abnormalities are present or in case of femoro-acetabular impingement, open hip surgery becomes necessary to resolve the complexity of the pathology.
Reducing weight bearing alleviates pain and speeds recovery after a hip labral injury
Physical therapy is indicated following a short period of rest and guided by a physiotherapist. With a successful conservative treatment for minor labral tears the prognosis is up to 6 weeks whereas following surgery for more severe labral tears up to 8 weeks or longer.
The intensity of physical exercise is increased in accordance with the improvement of symptoms. The aim of physiotherapy is to improve joint flexibility and strengthening the pelvis, glutei and thigh muscles to stabilise the hip. Physiotherapy management also includes:
Ice treatment
Antiinflammatory therapy (NSAIDs)
Use of crutches
Exercise in the pool to reduce stress on hips
Activity modifying regime
Strengthening the muscles around the hips and buttocks reduces the risk of injuries to the labrum
The most effective prevention for a labral tear of the hip involves the modification of activities during strenuous sport that increase the risk of the pathology. In such activities it is recommended to keep the entire musculature around the hip well toned and flexible. It is important to avoid loading the hip with full body weight especially when the legs are at maximal aperture from the normal range of the hip.

redpajama_set_name: RedPajamaCommonCrawl


text:
The Capote Tapes – Review
Novelist Truman Capote is known for many things. He crafted phenomenal books such as In Cold Blood (1966), Other Voices, Other Rooms (1948,) and his most famous work Breakfast at Tiffany's (1958.) The opening gay man was also a prominent socialite, attracting wealthy women and friends to his lavish parties where they'd indulge in secrets and sin. The other was his unique voice that was further immortalised with Phillip Seymour Hoffman's Academy winning performance in biopic Capote.
Yet Capote was a man of multitudes – a southern country upbringing, his role as an adoptive father, and a product of many troubling relationships. Within this trauma, Capote developed a quick wit and a venomous writing start that could strike into the heart of many. But did his icy style conceal pain?
Ebs Burnough delves into this complex figure with his documentary The Capote Tapes. With old footage, interviewed tapes of his old departed friends, and talking heads of those alive who knew him, Burnough pieces together this compelling cinematic portrait.
Truman Capote at the Black and White Ball, 1996
The film does not skirt over the faults and flaws of Capote, the genesis of which starts with his abandonment by his mother. As he grows up, with childhood friend Harper Lee (who famously wrote To Kill A Mockingbird,) Capote is unashamedly a viper with his work. Most controversially, he befriended the real life killers he wrote about in non-fiction novel In Cold Blood, whilst at the same time, he campaigned for their death sentence in order to profit from an exciting book ending. The high society friends who saw themselves as close to Capote were skewered in an unreleased book Unanswered Prayers, subsequently cutting Capote off from their world.
There is so much more than his open contempt writing and momentary dive into his world is truly enthralling.
The conclusion that The Capote Tapes seems to reach is that woven into his words is the truth of Capote's disdain. He approached his working class characters with an understanding and warmth. However, those of upper classes, with their lies and deceit and affairs, he wrote with contempt.
While Burnough's documentary cannot begin to convey all of Capote, it can aid both a novice and an expert.
The Capote Tapes will be available at altitude.film and on all digital platforms across the UK and Ireland from 29 January.
January 29, 2021 Featured, The Capote Tapes
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On October 16, 2018, the Center for Media at Risk hosted a screening of Thomas D. Herman's documentary film, Dateline-Saigon. The event was co-sponsored with the Annenberg Public Policy Center and Penn Cinema and Media Studies.
The film tells the story of a group of five reporters based in Saigon at the outset of the Vietnam War and the resistance, intimidation and censorship they faced from the American government and Kennedy Administration. Herman's film reveals important insights into our own era of reporters and media at risk.
Before the screening, ASC PhD student Hanna Morris had the opportunity to sit down and talk with Herman about his new documentary film.
You're a lawyer by training, but you're making films. How did you become interested in making this film and what motivated you to make it?
Well, I joke that practicing law allows me to indulge my bad habits, like filmmaking. I initially got the idea for this film when I was a field producer for CNN, and I spent some time in Vietnam for one of the anniversaries of the end of the Vietnam War. I met a number of journalists. Some were back there for reunion, journalists who had covered the war; some were still working journalists also who had covered the war. listen I started listening to their stories and thought, 'it's time to capture their voices, their stories, their narratives,' while there was still time. And to try to address some of the lingering controversies about journalism and the Vietnam War.
What about the Vietnam War drew you to this story?
You know, there was a narrative for a long time, by people critical of the media, that the media lost the war because of the media's critical commentary. I think that more balanced and more modern study of that academic study has put a lie to that misrepresentation. But that got me going on it. When I first started the film I didn't know what the film was going to be. I thought, 'let me interview as many journalists, print journalists, TV journalists, photo journalists, academics, who covered the war, and we'll see what comes out of it.' I ended up interviewing 75 or 80 people, from those who covered the war even before the Americans were involved through the end of the American involvement. What emerged is this film, Dateline-Saigon, which profiles five journalists who were among the first to be critical of American involvement in the war. It's the story of what happened to them when they began to write critically. Each of them went on to win a Pulitzer Prize for his efforts; these five were all men. There were some extraordinary women, by the way, who I could talk about if you'd like to ask me about those. These five people were at the very early years of the American involvement. They went over to Vietnam as very patriotic children of the Cold War. They wanted to support the American effort; they believed what they wanted to believe, what the government was telling them. They all came of age during World War II. listen They came to a patriotic consciousness and a political consciousness during the Cold War; and they got over there and found that things were not as advertised.
Fascinating. You did mention that you interviewed 75 to 80 people, and some were women. You said, I think, that you interviewed some local journalists too?
As in journalists in Saigon.
Yes. The journalists I interviewed in Saigon were western journalists.
It was interesting. I wanted to interview some Vietnamese journalists, but we were restricted by the government. I tried to, but at that point, I think this was, oh, now 15 years ago; things have loosened up a little bit, but even obscuring faces and voices, the Vietnamese journalists I met were just too nervous about talking to me. So I interviewed Americans, Canadians, Germans, French journalists, Dutch journalists.
You mentioned how you narrowed in on the five that you chose, but could you tell me a little bit about why you chose those five? And why all men?
Sure. What I discovered is that the story in this film is a story that's very much unknown. listen That very early in the war, these young journalists, who were Cold Warriors, rah-rah Americans, began to be critical once they saw that the government was not telling the truth, particularly the American government about the extent of our involvement in the war. They began to report that. What happened to them? They were called traitors. They were beaten up. President Kennedy tried to remove one of the most famous, a fellow named David Halberstam. Kennedy tried to have the publisher of the New York Times—Halberstam was a famous New York Times reporter—take Halberstam out of Vietnam because he was reporting critically and it embarrassed him. But to the credit of the publisher of the New York Times, then a fellow named Arthur Sulzberger, whose grandson is now running the New York Times, they kept him there. I also learned–this was news to me–that one of my heroes as a boy and a young man, President Kennedy, was really the first president to get us deeply involved in Vietnam and he lied; he misrepresented what we were doing, and he tried to conceal it. That was news to me and for many who were not academic specialists in this area, that's a big surprise.
For these five journalists that you featured, in what ways were their experiences, in terms of what you're describing, similar and different to other journalists at the time?
Excellent question. These were five young people; they were all in their 20s when they were sent over there. They were outliers. listen Most of the press in Vietnam in the early years and even in the later years were very much supportive of the American effort in Vietnam. So, these people at first were supportive themselves, because they wanted to be, because everyone else was, because they went to press conferences and wrote down what the press briefer was saying. But then they started to be critical. They were talking particularly to American soldiers who were very upset with how the war was being prosecuted. The field-grade officers, not the top generals. Then these journalists themselves were criticized by other journalists, particularly by the older men and women who said they were clueless, they were naïve, they were idealistic, they didn't really see what was going on. listen It turns out that most everything they were reporting was true, even when the government was saying it was false. After the war, there was a famous publication, which is known as the Pentagon Papers. You may have heard of it. Ultimately, as a result of the publications of the Pentagon Papers, what they had reported was revealed to have been very true.
Interesting, so the journalists faced some initial push-back and claims of false reporting, but were ultimately proven correct with the Pentagon Papers.
Another very important point is these five people. I haven't mentioned them, other than David Halberstam, who was writing for the New York Times. Neil Sheehan, who was then writing for the United Press, these are wire services, and three legendary reporters for the Associated Press: Malcolm Browne, who was the Saigon Bureau Chief of the Associated Press; Peter Arnett, who went on to some fame as a reporter for CNN years later; and a great photo-journalist, one of the most legendary photo-journalists of that era, a German fellow named Horst Faas. All of these guys went on to celebrated careers. This was their first big story. For each–I interviewed them all numerous times–this was the most important, most meaningful story of their entire journalistic careers. While these five were intensely competitive with each other, they wrote for competitive news services and magazines, they all became very close friends. listen As the film reveals, when they began to be attacked, they had to draw together to protect each other; that's part of the narrative of this film.
I know that this is your second film about war. What makes war an important topic to address?
Well, in war, everything's on the line: people's lives, the national economy … There's an old saying: "In war, truth is the first casualty." Well, if a country is sending its young men and women off to war to sacrifice for war, the mothers and the fathers and the sisters and the brothers and the tax-payers who are footing the bill ought to know what's going on–not only what the government is doing but what their sons and daughters are doing, hopefully to protect the country. listen If things are going poorly, and the government for its own reasons, political reasons and otherwise, wants to cover it up, the first line of defense in getting to the truth is journalists.
I know one of the mantras in reporting Vietnam was to speak truth to power. I'm wondering, just shifting to the present day, do you think that this mantra still holds today? In which ways is this the same or different? Are there threats today that didn't exist in the Vietnam era?
Another very good question, well, questions. Vietnam is taught to military public affairs officers, the PR people, as how not to run a war. In Vietnam, there was very little censorship and the journalists could go practically anywhere they wanted or anywhere they dared. They were able to get a lot of information. As a result of that freedom of access, the American government, at any rate, severely restricted access and imposed censorship, backdoor censorship and otherwise. Access to what's going on in conflict zones or on the battlefield today is much less than it was in Vietnam. That said, the danger to journalists today generally is much greater than in Vietnam. In Vietnam, except toward the end of the war and in Cambodia, journalists weren't targets. The other side, the North Vietnamese side, the Viet Cong side in the Vietnam War, understood that journalists could get their side of the story out. But today, we've seen what's happened, sadly in Iraq, in South Asia where journalists not only are targeted, but are being killed. And not accidentally; they're being executed. There are lots of differences. I can give you some more differences. Back in the early 1960s, the period upon which this film's focused, there were no cellphones and there wasn't really a direct telephone cable from Vietnam to the United States. So these reporters had the freedom to go out and spend time to develop the story. Today, that freedom doesn't exist because you have cell phones and people are expected to file multiple times a day. So there's a balancing act. There are some fun stories that the protagonists of this film tell about filing. Not only did you have to gather the story and write it, but then how do you get it out of there? There are some wonderful stories about people running out to the airport, throwing a bag of film and, well, there weren't computers then, and so they had to give a copy to a flight attendant, saying, "When you get to Clark Field in Manila, I'll have an AP office messenger there to pick it up." There were a lot of fun anecdotes along those lines.
It's a lot different today.
Did you personally face any push-back or intimidation when you were making the film?
Yeah. I went over to Iraq, to Baghdad, with Peter Arnett, one of the protagonists. This was during a very dangerous time in Iraq, in Baghdad. There were roadside bombs and IEDs; it was dangerous. We had to register with the American Command and the Public Affairs officers. We went in, and there's some footage of this in the film, we walked in behind these sandbags and barbed wire, we had to agree to the rules. Among the rules were: we were not allowed to quote anybody without attribution, meaning anonymously. You had to site 'Sergeant this' or 'Colonel that,' which is a back-door way of censorship. If we wrote a story—now, I was making a film, Peter was doing some reporting—if Peter or I had quoted a soldier and not put his or her name on it, we would have lost our credentials and been kicked out of the country. If we had put their name on it, well, David Halberstam had a great line. He said, "If you quote a general or a colonel being critical, by tomorrow morning he's no longer gonna be a colonel or a general," so people are reluctant to talk. We also had to run around in flak jackets.
In your opinion, what is the role of a documentary filmmaker and what should documentary filmmakers seek to do or achieve with their films?
I think, if you talk to different documentarians, you get different answers. I was on a panel recently for prominent documentary filmmakers and me; each of them more prominent than I. A similar question was asked. I can only report as to what Tom Herman would do. listen What I try to do is to find a story that is not particularly well-known but that is very much relevant to what is happening today; and then try to let the protagonist in the story reveal the truth. I don't want to take sides, I don't even want to become a character in my film. I try to keep my voice out of it. But to report something that's important today but that has historical resonance. I think that's my role. The cliché is to tell that truth, of course that's what we're trying to do, to strip the layers of propaganda and other things aside, to try to get to the heart of a matter. I'm now working on another film. When I start a film I don't often know what the film is gonna be, where it's gonna take me, but that's part of the joy of this journey of discovery.
I like that. Well said. You mentioned you have a new project. What is it?
Well, I am helping to produce a film on a prison re-entry program in Louisiana. Again, the prison is a notorious prison that during the Civil War era was a slave plantation. Now it's a big prison with a very progressive re-entry program. Much more progressive than the correction system in my home state, which is Massachusetts, which people think of as very progressive. But it isn't. Here we are, in the deep south where people expect chain gangs and so forth, but there's a very progressive re-entry program, helping people come out of prison and stay out. We're going to try to talk about that and illustrate it. listen I like to make my films character-driven, not necessarily issue-driven. The issues will come through the characters. I think it's important in making a film not just to have a message, and maybe not to have a message. But to seek answers. And while being serious, also to entertain. After all, we're trying to capture people's attention for an hour-and-a-half or so.
The Reflections series incorporates SoundCite, seamless inline audio created by the Northwestern University KnightLab. While not a perfect science, SoundCite allows the reader/listener to experience interviews in a new and interactive way.


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This q & a piece was done in a 1991 issue of the fanzine " Fresh Evidence" published by Noel Lackey.
Here are the answers to all the questions I have received from members in England, Ireland, Scotland and Wales. Please send on any questions you may have for Rory. I would like to make this section a regular feature of "FRESH EVIDENCE". The first question is answered by Donal and the rest is answered by Rory.
(1 ) Can we have an up-date on the situation regarding the release of "IRISH TOUR '74.
Answer. I' d love to do an acoustic album. I'd like to mix blues songs with more folk material. Getting all the right material is the question. I'll record some tracks I've written for acoustic this year and see what happens.
(3) Have you any plans to release another live album.
Answer: Yes, possibly in' 91, if not after the next studio album. We recorded some live dates at Christmas (Town and Country) which I'm checking. We hope to record some live gigs in America.
(4) How do you spend your time when you are not recording/touring?
Answer : Reading crime fiction and biographies. Also cinema, playing records and playing guitar.
Answer : Dashiell Hammett was one of the greatest crime- detective writers. He set the style which was followed on by Raymond Chandler et.al. His main character was a detective called the "OP". His best books include: "The Glass Key" and "Red Harvest "
(6) Who is Clifton Chenier?
Answer: Clifton Chenier was the great zydeco accordion player and singer. He died a few years ago.
Answer: It's a style of music from Louisiana, a cross between the blues and creole folk music.
It's played a lot as dance music. The accordion is usually the lead instrument and the songs are mostly sung in French.
(8) Do you still keep in contact with any ex-members of the band?
Answers : Sometimes, Lou Martin played on a track on the last two albums.
(9) Why have you never played any of your song's from the Taste era. After all they are your songs, just as Paul McCartney has managed to lay the ghost of the Beatles to rest.
Answer: Perhaps I should play one or two. I did write them. When Taste split up I was keen to move on with new material.
(10) Can you list your top ten favourite songs and state briefly why you have chosen them.
Answer: This is just a random selection.
(1) Blonde on Blonde- Bob Dylan -Maybe his best album with greats like "I want you"
(3) Source point John Hammond- Very underrated guitar/vocalist.
(4) Exile on main street -Stones- "Ventilator blues" has great feel and riffs .
(5) Rockin' The Blues -Howlin Wolf -A master of the blues with great guitar from Hubert Sumlin.
(1) Rights of Passage- Martin Carthy ~ Beautiful control on vocals and guitar.
(8) EP -Muddy Waters -Great sound and slide from the king.
(9) EP -Big Three at the cavern -Brian Griffiths, great guitar.
(11) Are there any plans to re-release "Photo-finish" as some fans can't get it in the shops.
Answer: Yes. I'm remixing some of the tracks soon for CD. It should be out in '91. I'm also going to remix some of "Deuce" tracks for re-release . Photo-Finish was a strong album with song's like "Shadow Play" and "Shin kicker". We recorded it in Coln in about four weeks after sessions in San Francisco didn't work out. "Mississippi Sheiks", "Cloak and Dagger" and "The Last of the Independents" would sound better with a remix.
(a) Although Fresh Evidence got excellent reviews you were unable to capitalise on this due to ill health.
(b) Despite great reviews it still failed to make any impression on the charts.
Answer: Unfortunately we didn't do a tour to promote the album at the time but we'll catch up in '91. It's selling solidly though.
(13) How do you think your style has changed since Taste when you seemed to play an unorthodox almost jazzy style to a lot of your solos?
Answer: My style has developed over the years. Some jazz phrasing does creep into my playing sometimes even though the recent songs aren't jazz style. My style is still a mixture of many blues styles and rock and folk influences.
(14) Do you enjoy playing blues "swing" numbers, like "My Baby She Left Me" and are there any more of this type in the pipeline?
Answer: I love the feel of this song. I like the intro and the guitar- harmonica answers at the end.
(15) Do you play any jigs and reels on your acoustic?
Answer: Sometimes to loosen up. I'd love to be better at playing jigs and reels. Ragtime guitar is also good for warming up.
(16) How do you feel your song-writing has changed. Up to "JINX" a lot of the songs involved the usual male/female relationship topics. But "CALLING CARD" etc., seemed to be very introspective and personal.
"RACE THE BREEZE" -Endless magical train trip.
"SOUPED UP FORD" -Manic speed in mythical car.
"CONTINENTAL OP"- Wry song about tough P.I.
There is general unity to this album. "FRESH EVIDENCE" also has a mood to it with emphasis on ethnic blues sound etc.
Also ,"MIDDLE NAME", "HEAVENS GATE", "KING OF ZYDECO", "THE LOOP"
(17) Have you any thoughts on playing saxophone again in the studio or live.
Answer : Unfortunately I haven't played it since we recorded "AIN'T NO SAINT" when I overdubbed two sax parts. I really should practice.


text:
Alejandro − trzeci singiel amerykańskiej piosenkarki Lady Gaga, pochodzący z jej minialbumu The Fame Monster. Piosenka została napisana przez Gagę i producenta o pseudonimie RedOne, który jest odpowiedzialny także za produkcję utworu. W singlu artystka śpiewa w języku innym niż angielski o żegnających się kochankach. Było to inspirowane przez "Fear of Sex Monster". Krytycy zauważyli, że piosenka jest pod silnym wpływem ABBY i Ace of Base, co dało pozytywną recenzję.

"Alejandro" jeszcze przed premierą znalazł się na UK Singles Chart, na Hungarian Singles Charts zadebiutował w pierwszej piątce, dzięki sprzedaży z albumu. Utwór znalazł się także na listach w Kanadzie, Australii, Nowej Zelandii i w Stanach Zjednoczonych, gdzie na Billboard Hot 100 dotarł do pierwszej dziesiątki, stając się siódmym singlem Gagi w top ten. Piosenka wykonywana była na The Monster Ball Tour, przedstawiając Gagę z insynuowanymi scenami seksualnymi. Kompozycja została wykonana na IX finał American Idol 5 maja 2010 roku.

Tło
Początkowo wytwórnia planowała wydać jako trzeci singiel utwór "Dance in the Dark" po "Telephone". Producenci widzieli słaby odbiór utworu w radiu. Kłótnia między wytwórnią a Gagą zadecydowała, że "Alejandro" zostanie wypuszczony na rynek muzyczny jako trzeci singiel. Poprzez konto na portalu Twitter wokalistka skomentowała swój wybór: "Alejandro jest w radiu. Kurwa, to brzmi tak dobrze. Zrobiliśmy to potworki". Kompozycję wypuszczono do rozgłośni radiowych 20 kwietnia 2010 w USA. W wywiadzie dla Fuse TV piosenkarka powiedziała, że inspiracją dla "Alejandro" jest "Fear of the Sex".

Kompozycja
Utwór zawiera w połowie elementy z europopu, a w połowie elementy disco. "Alejandro" inspirowane jest piosenkami zespołu ABBA i Ace of Base. Inspiracje z Ace of Base widoczne są w beacie, śpiewie, melodii i w innym niż angielski akcencie, a słowa piosenki są niewyraźne. Utwór zawiera fragment widowiska skrzypcowego "Csárdás" włoskiego kompozytora Vittorio Montiego. Kompozycję otwiera skrzypcowy płacz, zasmucona Gaga śpiewa: "Wiem, że jesteśmy młodzi i wiem, że możesz mnie kochać / Ale ja nie mogę być z tobą dłużej, Alejandro". Utwór następnie zmienia beat na europop, Gaga żegnając kochanków śpiewa: "Wiesz, że Cię kocham / Gorący, jak Meksyk, raduj się! / W tym momencie muszę wybrać / Nic do stracenia". Do końca utworu wymienia trzech bohaterów: Alejandro, Fernando, Roberto.

Zgodnie z nutami opublikowanymi na Musicnotes.com przez Sony/ATV Music Publishing piosenka jest umieszczona w znaku metrycznym taktu na cztery o umiarkowanym tempie, z 99 uderzeniami na minutę. Utwór składa się w tonacji h-moll z wokalem Gagi w zakresie sięgającym od F3 do G5. Werset piosenki ma podstawową sekwencję Bm–D–F♯m–Bm–D–F♯m jako rozwój akordów. Tekst piosenki mówi o bronieniu siebie przed harem łacińskich ludzi i ma kilka aluzji z piosenek ABBY, w tym odniesienie do piosenki "Fernando" z 1976 roku, w której wymieniany jest jeden z wpływów.

Sukces komercyjny
17 kwietnia 2010 roku "Alejandro" zadebiutowało na pozycji siedemdziesiątej drugiej na Billboard Hot 100. Piosenka osiągnęła pozycją piątą, stając się siódmym singlem w top ten w USA. Lady Gaga stała się drugą artystką, której pierwsze siedem singli osiągnęło pozycję w czołowej dziesiątce, pierwszą była piosenkarka R&B Monica w latach 1995-99. Piosenka osiągnęła 35. na Mainstream Top 40 i 71. na Hot Digital Songs ze sprzedażą 24.000 plików według Nielsen Soundscan. "Alejandro" osiągnął 4. miejsce na Mainstream Top 40 Chart, a także zadebiutował na Hot Dance Club Songs na pozycji 40 i znalazł się pierwszy w tej sprawie z dnia 7 lipca 2010. Na Canadian Hot 100 piosenka 4 kwietnia 2010 roku znalazła się na pozycji 78. i przeniosła się o 50 pozycji do miejsca 28. 8 maja w Kanadzie zadebiutowała na pozycji czwartej.

5 kwietnia 2010 piosenka zadebiutowała na pozycji 49. w Australii na oficjalnej liście ARIA Singles Chart i przeniosła się do dwudziestego ósmego miejsca w przyszłym tygodniu, stając się największym skokiem na liście. Od tamtego czasu kompozycja dotarła do pozycji drugiej, stając się tym samym siódmym singlem Gagi w top five w Australii. "Alejandro" pokrył się platyną w Australian Recording Industry Association (ARIA) ze sprzedażą 70.000 egzemplarzy. 21 kwietnia 2010 roku singiel zadebiutował na miejscu 35. New Zealand Top 40, od tamtego czasu wspiął się najwyżej na 14. 16 maja 2010 utwór wszedł na listę UK Singles Chart i znalazł się na miejscu dziewięćdziesiątym piątym i osiągnął maksymalną pozycję dziesiątą. Na Węgrzech kompozycja znalazła się pod numerem 5.. W Europie "Alejandro" trafiło na listy w Belgii, Czechach, Holandii, Szwecji, Szwajcarii i Słowacji. W głosowaniu słuchaczy radia RMF FM "Alejandro" został wybrany Przebojem lata 2010.

Teledysk
Teledysk do utworu wyreżyserowany przez fotografa Stevena Kleina, został wydany 8 czerwca 2010 roku. Inspiracją była miłość gejów i podziwu tej miłości. Klip przedstawia Gagę tańczącą z grupą żołnierzy w kabaretkach, przeplatany jest scenami piosenkarki, jako zakonnicy połykającej różaniec z tańcem półnagich mężczyzn trzymających karabiny maszynowe. Wideo otrzymało pozytywne recenzję od krytyków, chwaląc pomysł i ciemny charakter klipu, podczas gdy Liga Katolicka zaatakowała Gagę oskarżając ją za użycie bluźnierstwa. Klein odrzucał pomysł połykania różańca, jednak Gaga postawiła na swoim tłumacząc, że jej "pragnieniem było oszukać Świętych".

Pierwszy oficjalny teaser został wydany 1 czerwca. Trailer został nagrany w czarno-białym kolorze. Początkowo przedstawia Gagę w dość ubogim stroju w białych włosach. Klimat jest typowo wojenny. W ostatnich ujęciach, Stefani stoi w towarzystwie półnagich mężczyzn. Drugi teaser został wydany 3 czerwca z trochę zremiksowaną muzyką. Pojawia się nowy strój piosenkarki, dowiadujemy się również parę rzeczy o sytuacjach w poprzednim zwiastunie. Oba zwiastuny mają około 20 sekund i wydane zostały na oficjalnym kanale YouTube piosenkarki. Oficjalna premiera odbyła się 8 czerwca o godzinie 18:00. Teledysk trwa 08:44 minuty.

Wykonania na żywo
Gaga zaśpiewała "Alejandro" na jej światowej trasie koncertowej The Monster Ball Tour w 2009 i 2010 roku. Był to czwarty wykonywany utwór na amerykańskim odcinku. Jednakże na brytyjskiej i europejskiej trasie piosenka została wykonana pod koniec tournée. Podczas występów w trasie koncertowej założone ma czarne body,sztuczną krew na sobie i tańczy z dwoma tancerzami. W czasie występu w San Diego, Kalifornii Gaga włączyła nazwę miasta w słowa piosenki, co później skomentowała: "Mam szczęście, że »San Diego« rymuje się z »Fernando« i »Alejandro«".

Ted Shaw Windsor Star skomentował, że piosenki takie jak "Alejandro", "Teeth" i "Monster" pokazują akt seksualny. Jim Harrington z San Jose Mercury News porównał wykonanie piosenki z tańcem erotycznym. 20 kwietnia 2010 piosenka została wykonana na MAC AIDS Fund Pan-Asia Viva Glam w Tokio. Połączenie "Bad Romance" i "Alejandro" wokalistka wykonała w dziewiątym sezonie American Idol 28 kwietnia 2010 roku. 25 czerwca Lady Gaga zaśpiewała piosenkę "Alejnadro" podczas balu organizowanego przez Eltona Johna – "White Tie and Tiara Ball".

Track listy i formaty

 Digital download
 "Alejandro" – 4:34

 The Remixes EP
 "Alejandro" (Afrojack Remix) – 4:48
 "Alejandro" (Rusko's Papuseria Remix) – 3:53
 "Alejandro" (Dave Audé Club Mix) – 7:15
 "Alejandro" (Skrillex Club Mix) – 5:49
 "Alejandro" (Kim Fai Remix) – 7:20
 "Alejandro" (The Sound of Arrows Remix) – 3:57
 "Alejandro" (Bimbo Jones Club Mix) – 6:40
 "Alejandro" (Kleerup Club Mix) – 5:22

 French CD Single
 "Alejandro" (Radio Edit) – 3:58
 "Alejandro" (Dave Audé Radio Mix) – 3:51
 "Alejandro" (Bimbo Jones Radio Edit) – 3:19

 UK CD Single
 "Alejandro" – 4:34
 "Alejandro" (Dave Audé Club Mix) – 7:15

 UK 7" Vinyl
 "Alejandro" – 4:34
 "Alejandro" (Bimbo Jones Club Mix) – 6:40

 UK iTunes Bundle
 "Alejandro" – 4:34
 "Alejandro" (Music Video) – 8:44

Notowania i certyfikacje

Notowania

Certyfikacje

Premiera radiowa i wydanie

Przypisy

Linki zewnętrzne

Single Lady Gagi
Single wydane w roku 2010
Single numer jeden w Polsce

redpajama_set_name: RedPajamaWikipedia


toilets systems are very favourable for source separation. In this case, greywater is collected in "greywater interface units" and is soaked away as soon as it is filled up.
) (JETSGROUP 2005). Depending on the local standards and restrictions a secondary treatment may be required before discharge or reuse (see also non-planted filters ; vertical , horizontal or free surface-flow constructed wetlands.


Home/Upper Cervical Chiropractic/What Is Upper Cervical Chiropractic Care?
Is this the first time that you are hearing about upper cervical chiropractic care?
Then we will address who can benefit most with the help of an upper cervical chiropractic doctor. Read on to learn if this is your best route to safe and natural improvement to your overall health and well-being.
The first big difference when it comes to upper cervical chiropractic care is that the focus is placed on adjusting just the top two bones in the neck. These bones are called the C1 and C2 vertebrae or the atlas and axis. They play a very specialized role and are unique from all of the other vertebrae.
Because they balance the head, even a slight misalignment in these two bones can result in changes throughout the spine. Also, because they are part of the cervical spine (7 neck bones), they help to facilitate blood flow to the brain via the vertebral foramen (tiny bone loops that offer safe passage to vertebral arteries).
The atlas plays an even more important role. It surrounds and protects the brainstem right at the vital juncture where it meets the spinal cord. Therefore, even the tiniest misalignment can affect the function of the central nervous system by putting pressure on the brainstem and reducing blood flow.
You may wonder how upper cervical chiropractors are able to target the C1 and C2 vertebrae precisely. After all, it is clear how vital this area of the body is. The wrong adjustment could make matters worse and affect the central nervous system in unpredictable ways.
This is why upper cervical practitioners use modern diagnostic imaging techniques. You will often have three x-rays taken of your upper neck to give the doctor a three-dimensional look at the misalignment. Then, it is a matter of calculating the perfect adjustment. For this reason, you probably will not have your first adjustment the same day as your examination. The practitioner will need time to customize an adjustment to meet your exact needs.
There are other types of imaging that may also be used. For example, thermography can help the practitioner to see the effects of the misalignment in action, revealing the reduced flow of blood and cerebrospinal fluid.
It's finally the big day! The calculations have been performed and you are ready to get the benefits of an adjustment. You lay on the table, and the doctor applies some gentle pressure by hand or maybe uses an adjustment instrument. The next thing you know, it is time to schedule your next appointment. What happened? Some patients may wonder if the practitioner even did anything.
Then you start to feel the effects. While some patients may not notice anything until the coming days when weeks when long-term problems get better or go away completely. Other more sensitive patients may immediately notice things such as the fact that both legs are the same length after perhaps years of being slightly off balance. Whether you notice the effects instantly or in the weeks to come, the same thing holds true – the adjustments are very gentle and safe. The precise measurements that were taken translate into long-term benefits.
Your practitioner may provide you with some tips for helping the adjustment last longer. Once the soft tissue around your atlas and axis stabilize, you can start to space out your appointments. However, the benefits will continue working. Therefore, this becomes a very cost-effective way to get safe and natural care. But what sorts of health problems may clear up when upper cervical care is received?
This is just a sampling of the conditions that have been improved by upper cervical chiropractic care. In fact, in one study, upper cervical chiropractic was shown to help high blood pressure just as much as taking medications.
What is upper cervical chiropractic care? While it is not some miracle cure for every ailment, it is a way to get the body's central nervous system working optimally. Then the body can take over and heal the way that it should. For some patients, this has resulted in complete elimination of symptoms from conditions they were told they would have to live with for the rest of their lives. Even in less dramatic cases, upper cervical chiropractic care has helped to restore the quality of life for many ailing patients.
If you would like to give this safe and natural form of healthcare a try, contact a practitioner near you today. The search feature on this website can help you to find a doctor in your area.
UCM Social Media Team2019-02-02T17:02:14+00:00December 21st, 2018|Upper Cervical Chiropractic|Comments Off on What Is Upper Cervical Chiropractic Care?


Pucher-LeMay Hall - Wake Tech - National Coatings, Inc.
Pucher-LeMay Hall is a part of the Southern Wake Campus of Wake Technical Community College in North Carolina. National Coatings had the opportunity to be a part of the renovation of this building. Painting the interior was the task that we were given to help give this building a fresher look.


The WaterBasics Emergency Pump & Filter Kit features a simple hand pump that produces a steady flow without the need for fuel or electricity. The complete kit includes adapters for 5, 15, and 55 gallon standard size water storage containers. The 10 foot food-grade retractable hose makes filling smaller containers a breeze, and can be used to draw directly from a water source should access to storage water be compromised. The kit comes standard with the most robust filter. The RED Line filter provides protection from all major waterborne pathogens including viruses, bacteria, and protozoan cysts such as Cryptosporidium, Giardia, thus eliminating the need to chemically treat drinking water. The WaterBasics Emergency Pump and Filter Kit accepts any Water Basics Series II RED or GRN Line replacement filter.
For a spare filter-order the P094- see here!


I couldn't think of a better way to spend a sunny afternoon (a rarity this month!) than capturing this sweet couple's engagement pictures! Not only was I grateful for the beautiful weather, but also for the many friends that recommended me to Steph and Kipp - I owe you guys! It really is such a small world and I love it. I hope you both love these pictures as much as I do, maybe y'all can add a few to THE scrapbook :) I can't wait for the big day and look forward to sharing the special moments (and lots of laughs) with you! Thank you guys for taking time out of your long weekend and showing me around Lenox Park. Give Wrigley a treat for me!