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Jeffrey Traister
Jeffrey Traister is a writer and filmmaker. For more than 25 years, he has covered nutrition and medicine for health-care companies and publishers, also producing digital video for websites, DVDs and commercials. Trained in digital filmmaking at The New School, Traister also holds a Master of Science in human nutrition and medicine from the Columbia University College of Physicians and Surgeons.
By Jeffrey Traister
Healthy Diet With Accutane
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redpajama_set_name: RedPajamaCommonCrawl


SEDGLEY Tigers played "the perfect game" with a resounding 40-10 victory at Harrogate on Saturday to remain third in National Two North.
Coach Geoff Roberts praised the performance as the best of the season so far in a match where his players could do no wrong.
He said: "Everything we did was right. We had possession and territory and there wasn't anything I could fault.
"We played pretty much the perfect game in the first half. It was the best we've played this season."
And that was despite Roberts labelling the pitch as the worst they had played on in the campaign.
The Tigers went ahead in the 18th minute after Andy Riley collected a Steve Collins chip to drive the ball across the line.
Collins, who converted the try, was instrumental to the victory on his return to the squad, kicking four out of five conversion attempts.
Sedgley quickly increased their tally with a Sam Lowthian try minutes after the opener and added three more tries before the interval.
Johnny Matthews ran over for a quickfire brace in the 29th and 30th minutes, while Andy Riley capitalised on a combination with Collins to score just before half time.
Harrogate offered little going forward in the opening period but while they had more of the game in the second half were unable to make a real dent on Sedgley's lead.
After the home side scored a penalty, the visitors ran over a sixth and final try in the dying moments through Sam Peet before a lapse in concentration allowed Harrogate to breach the Tigers' back-line in the 80th minute.
Roberts highlighted the impact of Andy Riley and Collins' combination as a key part of an otherwise polished team display.
"The two worked well together," he said.
"Riley was very sharp which worked well with Collins' chipping and kicking game.
"Harrogate threw a lot at us but we defended so well there was no way past our defence."
The result left Sedgley two points ahead of fourth-placed Leicester Lions but still 18 behind second-placed Sale, who look odds-on to claim the promotion play-off spot with only five games remaining.
Roberts' men entertain the Cheshire side in their next match, a week on Saturday, but the coach concedes the gap now looks too big to breach.
"I don't think there's really any chance of catching them now," he said. "We can't afford to drop any points and they would have to drop quite a few and they've had such a good season I can't see it would happen.
"It's not mathematically impossible, but it is very unlikely we will catch them."
Sale emerged victorious the last time the sides met, winning by a single point.
Roberts added: "We are the sort of team that can beat anyone on our day.
"They (Sale) won't feel they will walk it as our players will be on full concentration. We will be on top form and switched on."


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Sheow Hwey Chang ("Showay") was born in Chung-Hwa, Taiwan. Chung-Hwa City is known as the "Bamboo City" located on the eastern coast. She moved from her home in Taiwan to the bustling city of Chicago in 1970, after her fiancé received a residency in gynecology at Chicago hospital. Shortly after arrival, the two were married and began a family of their own. Showay spent the next few years juggling between raising their three children and helping out in her husband's office. Sometime later, she began taking art classes at the local community college and participating in many Taiwanese organizations throughout the city. Soon, she was not only a community artist and leader, but also teaching art classes at community colleges and universities across St. Louis, Missouri and Illinois. She proudly displays her artwork in a glass case at the Saint Louis Public Library which she frequents. Showay reminisces about her first months here in the U.S., "It was freezing… It was so cold and our apartment was next to Michigan Lake. Looks like a big ocean!" Many days and nights were spent crying in their tiny studio apartment. Advised not to walk the streets alone, Showay dealt with the shock of being confined to her tiny "box" apartment, without a friend and homesick for her beloved Taiwan.
Today Showay describes her personality as a positive one that helped her get through those first initial months. It was through encouragement from her graphic design professor that she learned not to be embarrassed by areas she felt she lacked. Her professor took time to teach her the basics of using a computer and before she knew it, she was designing logos for t-shirts and posters. Today, Showay shows no signs of slowing down. She can be found giving presentations on Taiwanese culture at the St. Louis Science Center, displaying her artwork at the Festival of Nations, participating in Tea ceremonies or transporting her children from violin lessons to sports practices. She may not have come to the U.S. on her own accord, but she has made every effort to make St. Louis her home and to raise outstanding children. It's no surprise that she is so dearly beloved at the International Institute of St. Louis. Her positive attitude and willingness to support the community has made her a standout citizen.


Precolumbian goldwork from the University of Pennsylvania's Museum of Archaeology and Anthropology excavations at the ancient cemetery site of Sitio Conte in central Panama is featured in River of Gold: Precolumbian Treasures from Sitio Conte.
The exhibition includes 123 exquisite pieces of Precolumbian Panamanian goldwork from AD 700–1,100—embossed plaques, nose ornaments, gold-sheathed ear rods, pendants cast b the lost-wax method, bells, and beads—as well as polychrome ceramics and objects made of precious and semi-precious stones, whale-tooth ivory, and bone. In River of Gold, exhibition co-curators Robert J. Sharer, curator of the museum's American Section, and Pamela Hearne, coordinator of Museum Services, present the excavated goldwork in light of modern interpretations of its significance from social, ideological, and technological perspectives.
In 1940 the museum sponsored three months of excavations directed by museum curator J. Alden Mason at Sitio Conte, which is located on a flat coastal plain one hundred miles southwest of Panama City. Lying along the banks of the Rio Grande de Cocle, the cemetery had been in use for over seven hundred years by a local elite and their subordinates until its abandonment sometime during the tenth to twelfth century AD. For the next one thousand years it lay unmarked and undisturbed, even by the Spaniards who came to Panama in search of gold in the early sixteenth century. The site was re-exposed in the early 1900s when successive floods cut a new channel for the Rio Grande de Cocle and washed pieces of magnificent gold jewelry into the river. The museum excavations uncovered a major burial of a powerful ancient chief who was covered at death with the wealth of gold adornments featured in the exhibition.
The exhibition is divided into four sections. The first introduces Isthmian geographical and environmental settings, as well as Mason's excavations as seen from his field notes, drawings, and photographs. The introduction includes a video presentation made from the original color film of Mason's archaeological team working at the site in 1940. The second section utilizes evidence from the excavations to reconstruct elements of Precolumbian Panamanian society. From sixteenth century ethnohistoric accounts we know that Panama was settled by a series of related, densely populated chiefdoms at the time of the Spanish Conquest. Through archaeological evidence we can now trace the development of these societies back in time for over one thousand years. The third section uses the iconography of goldwork from Sitio Conte to interpret aspects of a long-lost ideology. MASCA, the Museum Applied Science Center for Archaeology, contributed the final section devoted to the metallurgical techniques of the ancient goldsmiths at Sitio Conte. Working with the simplest of tools, these artisans developed a technical repertoire that allowed them to achieve extraordinary aesthetic effects.
River of Gold is not only visually spectacular, but it also demonstrates how archaeological evidence is used to reconstruct elements of a society and its belief systems. Mason's excavations give an invaluable glimpse into a two-tiered society as it was one thousand years ago at Sitio Conte and shows how goldwork was used to mark statues within the culture. In the exhibition, pieces of goldwork, other objects, text panels, photographs, drawings, a map, a video, and a richly-illustrated catalogue shed light on a little known ancient society of lower Central America.


Today's weekend escape brings us to Formentera, a small island part of the Spanish Balearic Islands. I have been to this island a few timeS and it is beautiful. Its quiet and relaxed ambience make Formentera the perfect destination for beach lovers and for those seeking peace and quietness. This rustic house has an earthy feel and its architecture is typical for the Balearics. Life here is simple yet beautiful!
Source: images by Jordi Canosa.
Looks like a peaceful place…..
is it possible to rent this place for holidays?
Do you have more informations about The possibility to rent The rustic house in Formentera ?
Any contact or site ?
Is this place for holiday rent?
Lovely, they,ve kept the authentic simplicity of the islands.
Hallo es possibile alquillar esta maravillla? Gracias ?
I am looking for a holiday rental on Ibiza or formentera any thoughts? 2 to 4 people.


We recently got a new sink over at Communal, thanks to Brian Thompson of Handcraft Concrete Design. It's a locally made beautiful handmade bathroom sink made from concrete, Come in to Communal and check it out, as well as his recent work on his Instagram. His home designs range from sinks to tables, so if you are looking to remodel or some beautiful pieces for your home, he would be a great option for beautiful and unique concrete pieces.


text:
Bauerlein, Mark
Aside from some brief allusions scattered elsewhere, Whitman's references to Hegel are to be found in two prose pieces: "Carlyle from American Points of View," an entry in Specimen Days & Collect (1882), and "Sunday Evening Lectures," a manuscript fragment written probably around 1870. It is unclear whether Whitman ever read Hegel, even in translation, but textual evidence shows that Whitman borrowed from two texts containing summations of (as well as selections from) Hegel's philosophy—F.H. Hedge's The Prose Writers of Germany (1847) and Joseph Gostwick's German Literature (1854).
However superficial Whitman's understanding of Hegel was, the force of his interpretation of Hegel may be indicated by his statement in the "Lectures" that "Only Hegel is fit for America—is large enough and free enough" (Notebooks 6:2011). Hegel fits America because in Hegelian thinking the "varieties, contradictions and paradoxes of the world and of life . . . become a series of infinite radiations and waves of the one sealike universe of divine action and progress" (6:2011). In Hegel, the "contrarieties of material with spiritual, and of natural and artificial" appear as "radiations of one consistent and eternal purpose" (Prose Works 1:259). Under this Hegelian dialectical synthesis, even democratic contrarieties such as individual self and "en-masse," equality and singularity, are but polar terms in "the endless process of Creative thought" (1:259). America is a process and a progress, and so the only philosophy adequate to it is one that makes contradiction and the terms contradicted an essential part of life. Hegel has an all-inclusive vision, one casting anything excluded and the event of its exclusion as necessary to the development of Spirit, which for Whitman is equivalent to the progress of democracy. Hegel offers Whitman a system whereby "[o]ut of the dimness opposite equals advance," where there is "[a]lways a knit of identity," where Whitman can "find one side a balance and the antipodal side a balance" ("Song of Myself," sections 3, 22). In other words, Hegel's "catholic standard and faith" (Prose Works 1:259) Whitman interprets as a metaphysical analogue of his poetics of unity.
Fulghum, W.B., Jr. "Whitman's Debt to Joseph Gostwick." American Literature 12 (1941): 491–496.
Gostwick, Joseph. German Literature. Philadelphia: Lippincott, Grambo, 1854.
Hedge, Frederick Henry. The Prose Writers of Germany. Philadelphia: Carey and Hart, 1847.
Mary Eleanor, Sister. "Hedge's Prose Writers of Germany as a Source of Whitman's Knowledge of German Philosophy." Modern Language Notes 61 (1946): 381–388.
———. Notebooks and Unpublished Prose Manuscripts. Ed. Edward F. Grier. 6 vols. New York: New York UP, 1984.
———. Prose Works, 1892. Ed. Floyd Stovall. 2 vols. New York: New York UP, 1963–1964.


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Virginia AG files appeals court brief in support of same-sex marriage
Mark Herring
RICHMOND, Va. (AP) _ Virginia's attorney general has told an appellate court reviewing a judge's ruling that the state's gay marriage ban is unconstitutional that homosexuals have just as much right to marry as interracial heterosexual couples. Attorney General Mark Herring made the argument in a brief filed Friday in the Richmond-based 4th U.S. Circuit Court of Appeals. Arguments are set for May 13. Herring is backing two gay couples who filed the lawsuit. He says in the brief that the judge who struck down the ban in February was correct in citing the 1967 Supreme Court case that invalidated state laws prohibiting interracial marriage. Herring says the U.S. Constitution's equal protection clause protects the fundamental right to marry and trumps the states' authority to decide the issue.


Effective with the release dated January 12, 2018, several changes will be made to the line items shown on the H.8 release. These changes relate to the Federal Reserve Board's notice published in the Federal Register,82 FR 49207 on October 24, 2017.
1. Current line item 26, Fed funds and reverse RPs with nonbanks, and current line item 32, Fed funds and reverse RPs with banks, will be combined as new line item 35, Total fed funds and reverse RPs. Note that line item 1, Bank credit, and line item 9, Loans and leases in bank credit, will no longer include Fed funds and reverse RPs with nonbanks and line item 31, Interbank loans, will no longer include Fed funds sold and reverse RPs with banks.
3. The two components of Borrowings will no longer be published: line item 42, Borrowings from banks in the U.S.; and line item 43, Borrowings from others.
4. The Memoranda line items covering loans to businesses with original amounts of $1,000,000 or less have been dropped: line item 52, Loans secured by nonfarm nonresidential properties; and line item 53, Commercial and industrial loans to U.S. addressees.


text:
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Criterion Wind Project Receives Gold Certification and Bat Conservation Awards From Wildlife Habitat Council
KENNETT SQUARE, PA — The Criterion Wind Project in western Maryland earned the highest Gold Certification and won the Bats Project Award and Land Conservation Agreement Award from the Wildlife Habitat Council.
"Bats are key ecosystem service providers, with both ecological and economic significance, and the conservation work of the Exelon Generation employee team at Criterion Wind is vital to bat protection," said Margaret O'Gorman, president, Wildlife Habitat Council. "This exceptional program demonstrates the company's overall commitment to biodiversity and serves as an example for other companies to emulate."
Criterion is the first wind project to receive Gold Certification from the Wildlife Habitat Council. Criterion seasonally curtails operations to minimize impacts to bats, and Exelon Generation has made investments to help preserve important bat habitats in the region.
"These awards and the Gold Certification at Criterion are the direct result of the hard work and dedication of our wind and environmental operations teams. Their work is evidence of Exelon's commitment to stewardship and contribution to the community," said Glen Robinson, vice president of Renewables Operations for Exelon Generation.
The company has worked with numerous organizations on Criterion Wind's comprehensive conservation program to protect bats, including the U.S. Fish and Wildlife Service, Maryland Department of Natural Resources, West Virginia Department of Natural Resources, Bat Conservation International, the Mountaineer Chapter of the Izaak Walton League and Frostburg State University.
Criterion is a 70 megawatt wind project operated by Exelon Generation, consisting of 28 wind turbines located in the western Maryland town of Oakland, in Garrett County.
Exelon Generation, a subsidiary of Exelon Corporation (NYSE: EXC), is one of the largest, most efficient clean energy producers in the U.S., with a generating capacity of more than 32,000 megawatts. Exelon Generation operates the largest U.S. fleet of carbon-free nuclear plants with 19,600 megawatts of capacity from 22 reactors at 13 facilities in Illinois, Maryland, New York and Pennsylvania. Exelon Generation also operates a diverse mix of wind, solar, landfill gas, hydroelectric, natural gas and oil facilities in 19 states with more than 12,400 megawatts. Exelon Generation has an industry-leading safety record and is an active partner and economic engine in the communities it serves by providing jobs, charitable contributions and tax payments that help towns and regions grow. Follow Exelon Generation on Twitter @ExelonGen, view the Exelon Generation YouTube channel, and visit http://www.exeloncorp.com/companies/exelon-generation.
New Survey Reveals Crucial Need to Empower Women to Lead Climate Change Action https://www.exeloncorp.com/newsroom/new-survey-reveals-crucial-need-to-empower-women-to-lead-climate-change-action New Survey Reveals Crucial Need to Empower Women to Lead Climate Change Action 7/16/2019 4:00:00 PM
Vote for Lego "Atomic Power Town"
Checkout the awesome Lego design for a "Atomic Town Power!"

  https://www.exeloncorp.com/newsroom/vote-for-lego-"atomic-power-town" Vote for Lego "Atomic Power Town" 6/21/2019 5:00:00 PM
Artificial Fish Habitats Dropped In Braidwood Lake
Braidwood Station, the Illinois Department of Natural Resources (IDNR) and local anglers teamed up to place 90 artificial fish habitats into Braidwood Lake to improve the environment for fish.

  https://www.exeloncorp.com/newsroom/artificial-fish-habitats-dropped-in-braidwood-lake Artificial Fish Habitats Dropped In Braidwood Lake 6/20/2019 8:00:00 PM
Pennsylvania Joins U.S. Climate Alliance - Newsroom - Exelon https://www.exeloncorp.com/newsroom/exelon-statement-on-pennsylvania-joining-the-u-s-climate-alliance-and-releasing-its-climate-action-plan Pennsylvania Joins U.S. Climate Alliance - Newsroom - Exelon 4/30/2019 6:00:00 PM
Mark Rodgers
mark.rodgers@exeloncorp.com


Sometimes you just want to draw a line from here to there on the surface of fabric. That's where the Stem or Outline Stitch comes to the rescue. Think of the Stem Stitch or Outline Stitch as a line drawn with needle and thread.
Here's how to make Stem or Outline Stitches: Bring the needle and thread up at point A. Insert the needle tip at point B about 1/4″ from point A. Bring the needle tip up about half way back to A at point C. Draw the needle and thread through the fabric.
Repeat the steps above with what was point C now becoming point A.
The Stem Stitch in not only handy stitch for outlining shapes but can also be used to draw flower stems, tree trunks, or fences to divide fields.
When placed in adjacent rows, it can build solid shapes like the tree trunk in this example.
To delineate one shape from another on your quilt top, run the Stem or Outline Stitch just next to the fabric shape. Chose a thread color that is contrasting in color or value to really make the shape pop like this Size 12 Oranges thread around the bird's body.


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ON TO THE NEXT
Who is Twitter CEO Parag Agrawal and what is his net worth?
Nina Clevinger
11:03 ET, Nov 29 2021
Updated: 11:28 ET, Nov 29 2021
JACK DORSEY stepped down as the CEO of Twitter on Monday, November 29, 2021.
His replacement is Twitter's Chief Technology Officer, Parag Agrawal.
Parag Agrawal is replacing Jack Dorsey as CEO of Twitter
Who is Twitter CEO Parag Agrawal?
In a statement from the Board of Directors at Twitter, Parag Agrawal has unanimously been appointed as CEO and a member of the Board, effective immediately.
Jack Dorsey will remain a member of the board until 2022.
"I've decided to leave Twitter because I believe the company is ready to move on from its founders. My trust in Parag as Twitter's CEO is deep," said Dorsey.
"His work over the past 10 years has been transformational. I'm deeply grateful for his skill, heart, and soul. It's his time to lead."
Agrawal continued the announcement, adding his thanks and excitement for the future at Twitter.
"I want to thank the Board for their confidence in my leadership and Jack for his continued mentorship, support, and partnership," Agrawal said.
"I look forward to building on everything we have accomplished under Jack's leadership and I am incredibly energized by the opportunities ahead.
"By continuing to improve our execution, we will deliver tremendous value for our customers and shareholders as we reshape the future of public conversation."
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What is Twitter CEO Parag Agrawal's net worth?
A member of the Twitter team since 2011, Parag Agrawal has an estimated net worth of $1.52million according to PeopleAI.
According to his LinkedIn profile, Agrawal began his Twitter journey as a Distinguished Software Engineer, a position he worked in for six years before being promoted to CTO of the company in 2017.
Before he worked at Twitter, Agrawal did research at companies like Microsoft, Yahoo!, and AT&T.
He earned a Doctorate of Philosophy in Computer Sciences from Stanford University in 2012.
Prior to his time at Stanford, Agrawal attended the Indian Institute of Technology, Bombay.
Currently residing in San Francisco, California, Agrawal was born in India.
Parag Agrawal has worked at Twitter for over a decadeCredit: LinkedIn
Why did Jack Dorsey step down as CEO of Twitter?
In an email sent to Twitter and then later screenshotted and shared to the website, Dorsey explains his reasoning behind stepping down from the company.
"There's a lot of talk about the importance of a company being 'founder-led,'" he wrote.
"Ultimately I believe that's severely limiting and a single point of failure. I've worked hard to ensure this company can break away from its founding and founders."
He continued to say that Parag Agrawal has been a part of every critical decision at Twitter over the last few years.
Dorsey goes on to add that Bret Taylor agreed to become the Chairman of the Board at Twitter.
"On behalf of the Board, I want to thank Jack for his visionary leadership and unrelenting dedication to Twitter since its founding," said Taylor of his new position.
"Jack returned to Twitter and turned the Company around at the most critical time. The progress since then has been nothing short of incredible. Jack has given the world something invaluable and we will continue to carry it forward."
Dorsey also has an executive role at Square, his digital payment company, and was called to step down as CEO of one of the companies by Elliott Management founder Paul Singer.
US Explainers


text:
HomeBARMarch/April May/June 2018
Biblical Archaeology Review 44:2, March/April May/June 2018
First Person: Festschrift: A Celebration of Hershel Shanks
By Robert R. Cargill
Hershel Shanks founded the Biblical Archaeology Society in 1974, when I was one year old. He founded Biblical Archaeology Review the following year. Since that time, BAR has grown into the largest-circulating, best-selling, and most widely read Biblical archaeology magazine in the world. BAR has not only brought the latest and most important archaeological discoveries from the Holy Land to the public, but has also offered scholarly opinions and editorials on their relevance to the Bible, its composition, the people described in its pages, and the people who have venerated it as the Word of God throughout the ages.
Like all scholars, Hershel likes to ask questions. But unlike many scholars, Hershel has never shied away from controversy. That is not to say that he sought it out; sometimes the controversy found him. Still, as a graduate of Harvard Law School, Hershel was perhaps uniquely qualified to navigate the rough, convoluted, and often unforgiving terrain that is the intersecting fields of Near Eastern archaeology and Biblical scholarship. He asked tough questions, and if he didn't like the answer, or if he felt that someone wasn't being straight with him, he asked someone else. He welcomed dissenting opinions and often pitted them against one another so that his readers could witness the scholarly debates for themselves.
That was Hershel's other great strength: He knew his readers and fought for them passionately. Hershel understood that BAR's readers aren't (solely) professional scholars; they are largely individuals outside of the academy who happened to be some of the most learned, sophisticated, personally invested, and enthusiastic readers of any popular magazine. His publication reflected this. BAR isn't an obscure scholarly journal rife with esoteric, technical jargon written by specialists for specialists seeking to out-impress one another; it is a popular magazine that invites the world's leading archaeologists and scholars to present their research and discoveries to the public in detailed, appropriate language that anyone can understand. These literary descriptions are accompanied by full-color, high-resolution photographs, reconstructions, diagrams, and charts that visualize each article's information (and wind up in PowerPoints and taped to the desks of readers around the world).
Biblical Archaeology Review is the world leader in making academic discoveries and insights of the archaeology of the Biblical lands and textual study of the Bible available to a lay audience. Every word, every photo, every insight—it can all be yours right now with an All-Access membership. Subscribe today!
BAR seeks to make the study of archaeology, history, and the Bible relevant for all people. Hershel Shanks made that possible. That is Hershel's legacy—that, and a next generation of scholars, my generation, which was first introduced to this field of study not by a scholarly journal, but by Biblical Archaeology Review.
In this special festschrift double issue, we offer a number of reflections on the career of Hershel Shanks as a way of saying thank you.
In the first article, BAS's Publisher, Sue Laden, offers a short history of the Biblical Archaeology Society. She recaps some of Hershel's largest accomplishments as Editor of BAR.
Next come what we're calling Hershel's "three crusades," written by three of Hershel's friends who played a central role in each of these key issues. First, Dead Sea Scrolls expert Marty Abegg recalls Hershel's efforts in helping to liberate the scrolls from nearly four decades of shrouded isolation by publishing them without the permission of the Israel Antiquities Authority—efforts that ultimately got Hershel sued! For Hershel's second crusade, Bill Dever discusses BAR's facilitation of the maximalist-minimalist debate, which centers 094on whether the establishment of ancient Israel took place in the tenth or the ninth century B.C.E. Hershel's third crusade comes from epigrapher Ada Yardeni, who reflects on BAR's role in revealing to the public controversial objects that were not necessarily discovered in controlled archaeological excavations—hence often called "unprovenanced objects" by archaeologists—and argues for the importance of studying these objects.
Next we offer a special collection of contributions from many of Hershel's friends—archaeologists, scholars, publishers, and BAR alumni—who offer their thanks, stories, and reflections on Hershel the man, his work, and BAR's importance to the field of Biblical archaeology. While we couldn't possibly share the well-wishes of all of Hershel's friends, we hope that this selection of reflections serves to provide a brief retrospective of Hershel's career from some of the individuals Hershel has influenced over the years.
The grand finale of this issue comes from archaeologist Eilat Mazar, who presents an exclusive article as a gift in honor of Hershel's lifetime of service to the field. As a result of her literally groundbreaking research, Mazar reveals the discovery of a seal impression from Jerusalem's Ophel that possibly bears the name of Isaiah the prophet! I am honored to publish this article and that Dr. Mazar has chosen BAR, and in particular this special festschrift issue for Hershel Shanks, to unveil to the world this first-of-its-kind discovery.
I hope you will enjoy this look back at Hershel's prolific career and celebrate him and BAR as you read this special festschrift issue.
And Hershel, thank you for your life's work, for introducing me to Biblical archaeology through the pages of BAR, and for trusting me with your literary baby. Proverbs 25:2 says, "It is the glory of God to conceal a thing, and the glory of kings to search a thing out." Thank you, wise king, for your lifetime of searching.—B.C.
Robert R. Cargill is the former Editor of Biblical Archaeology Review and Associate Professor of Classics and Religious Studies at the University of Iowa. His research includes the study of Qumran and the Dead Sea Scrolls, literary criticism of the Bible and the Pseudepigrapha, and the ancient Near East. He has excavated at Banias, Omrit, Hazor and Tel Azekah. Bob frequently appears on TV—including the History Channel's Bible Secrets Revealed and CNN's Finding Jesus. His most recent book is Melchizedek, King of Sodom: How Scribes Invented the Biblical Priest-King (Oxford Univ. Press, 2019).
All work ›
Cargill, Robert R. "First Person: Festschrift: A Celebration of Hershel Shanks," Biblical Archaeology Review 44.2 (2018): 6,94.
Cargill, R. R. (2018). First Person: Festschrift: A Celebration of Hershel Shanks. Biblical Archaeology Review, 44(2), 6,94.
Chicago/Turabian Citation
Cargill, Robert R. "First Person: Festschrift: A Celebration of Hershel Shanks," Biblical Archaeology Review 44, no. 2 (2018): 6,94.
How BAR Was Born
By Hershel Shanks
Scholars Speak Out
Long-Winded in the Windy City
A Short History of BAR


Happy Thursday! Check out our newest recipe video on the LeBootCamp YouTube Channel.
Our fun cooking section was created just for you: #LaBonneCuisine Cooking.
Today we are 3 in the kitchen! Your coach – that's me – plus @Sandrea and @AudreyMarshmaloo. These two amazing YouTubers are here to share one of their favorite, 100% LeBootCamp-friendly recipes with us: a smoked salmon & poached egg bagel.
Sandrea whips this up when she doesn't have time for a full meal but still wants to eat healthy and feel satisfied. This one checks all the boxes! High in fiber (whole-wheat bagel), protein to satiate (salmon and egg), essential fatty acids that the body cannot produce on its own (salmon and avocado), a little cream cheese for more flavor and texture (or a lot for Sandrea 😉 and a pinch of sprouts for minerals and a pretty final touch.
To increase the health benefits of this recipe, we've opted for wild smoked salmon vs farmed and whole-wheat bagel over white flour, thus keeping the overall glycemic index lower and the health index higher!
This recipe is perfect for a tasty lunch on the go, or for a Sunday brunch at home – sure to impress your family and guests because this little dish truly looks like something off the menu at your favorite café! Who said gourmet doesn't equal easy? Not us!
I would love to get your feedback on this recipe! Send your photos to votrecoach@lebootcamp.com and the best ones will be published on my blog!


PAM eSports is a Spanish eSports organization founded in 2015. They have teams in Call of Duty, League of Legends, Rocket League, FIFA, Hearthstone, and Clash Royale.
January 8, Buka, Glaaix, Sukry|Sukry (Endika Andres)|Sukry and EupHo join.
March (approx.), Buka and Glaaix leave.
October 23, PAM eSports merges with Team MRN to form PAM MRN. Kameeh leaves.
Buka Flavio Segura Castro 1Player Team MRN 2017-01-082017-01-08 2017-03-112017-03-??
Glaaix Roberto Abreu 1Player Team MRN 2017-01-082017-01-08 2017-03-112017-03-??


When I was in Scotland, I drank endless cups of tea! And I bought this thistle cup so I could keep having tea at home.
Making a good cup of tea is truly a treat:) There's some discussion about how to do it right. I've been adding 1 teaspoon per cup and one for the pot, then I let steep 10 minutes or so till it's full flavored. I'm one of those cream and sugar people but I like tea straight, too. And when it's served in a cup like this, things taste heavenly. Add some Border biscuits (butterscotch crunch are a fav) and you'll start having tea every day long before the traditional time of 4 o'clock!
In the rush and blur of our busy days it really helps to take time – even fifteen minutes – for life's little things.


text:
Q: passing JavaScript index to ColdFusion I am getting this error on some code I inherited. I am running cf9 and jQuery 1.7.

The value + (indx + 1) + cannot be converted to a number.

This is the loop
    for (var indx = 0; indx < avgPopulationRecordsCount; indx++) {
    CloneAvgPopulationItem(indx, '#rc.qGetAP.ID[' + (indx + 1) + ']#');
    }

A: Your error message is entirely accurate: "The value + (indx + 1) + cannot be converted to a number."
Your variable rc.qGetAP.ID is a query column (effectively an array), and you are trying to index it with a string (as indicated by the single quotes), which CF is attempting to convert into a row number, but it cannot translate the text + (indx + 1) + into a number.
The problem here is less the code and more a matter of understanding what's going on:
JavaScript (which is what this is, not jQuery) occurs in the browser whilst ColdFusion occurs on the server.
These are two separate and distinct environments.
They are not interleaved in the way you are trying to do - they interact only over HTTP requests/responses (or via WebSockets/etc).
In brief:

*

*The browser asks for a page using a HTTP request.

*The CF server compiles and executes CFML code, which outputs text.

*That text is sent via HTTP response to the client.

*The browser then interprets that text as HTML/CSS/JS/etc - completely apart from the action of the CFML code being processed.

For a more complete explanation on client/server and HTTP request/response, here is a blog post discussing the subject.

Once you have understood how this process works, the solution is to either:
1) generate all the relevant JS variables from CF first (so your Ids are translated to a JS array), and you have a single line of code to call the JS function CloneAvgPopulationItem inside a JS loop.
For example:
<script type="text/javascript">
    var AvgPopIds = <cfoutput>#serialiseJson(ValueArray(rc.qGetAP.ID))#</cfoutput>;

    for (var index = 0; index < avgPopulationRecordsCount; index++) {
    CloneAvgPopulationItem(index, AvgPopIds[index]);
    }
</script>

2) resolve the loop on the CF side, so you get multiple JS lines calling the CloneAvgPopulationItem function.
For example:
<script type="text/javascript">
    <cfoutput query="rc.qGetAP">
        CloneAvgPopulationItem(#rc.qGetAP.CurrentRow#,'#JsStringFormat(rc.qGetAP.Id)#');
    </cfoutput>
</script>

It is important to state: do not just use these code examples but read and understand the article linked above about where JavaScript and ColdFusion run - the whole HTTP request/response process is an important one to understand and will avoid you encountering similar problems in future.

A: It looks like you are mixing <cfscript> with Javascript. ColdFusion gets processed first on server, then the generated Javascript gets generated. It looks like what you want is closer to
<cfoutput>
<script type="text/javascript>

<cfloop from="0" to="#avgPopulationRecordsCount#" index="indx">
    CloneAvgPopulationItem(#indx#, '#rc.qGetAP.ID[indx]#');
</cfloop>

</script>
</cfoutput>

Update based on comments
After the above code is ran on the server, the following will on the web page.
<script type="text/javascript>

    CloneAvgPopulationItem(1, 'someInfo');
    CloneAvgPopulationItem(1, 'moreInfo');
    CloneAvgPopulationItem(1, 'yetmoreInfo');
    ...

</script>

redpajama_set_name: RedPajamaStackExchange


text:
FORM 8(Sections 493 and 515)Warrant for Committal
Province of ,
(territorial division).
To the peace officers in the (territorial division) and to the keeper of the (prison) at :
This warrant is issued for the committal of (name of person), of , born on (date of birth), referred to in this warrant as the accused.
Because the accused has been charged with (set out briefly the offence in respect of which the accused is charged);
And because (check those that are applicable):
□ (a) the prosecutor has shown cause why the detention of the accused in custody is justified [515(5)];
□ (b) a release order has been issued but the accused has not yet complied with the conditions of the order [519(1), 520(9), 521(10), 524(8), 525(6)];Footnote *
□ (c) the application by the prosecutor for a review of the release order has been allowed and that release order has been vacated, and the prosecutor has shown cause why the detention of the accused in custody is justified [521];
□ (d) the accused has contravened or was about to contravene a (summons or appearance notice or undertaking or release order) and it was cancelled, and the detention of the accused in custody is justified [515(10), 523.1(3), 524(3) and (4)];
□ (e) there are reasonable grounds to believe that the accused has committed an indictable offence after having become subject to the (summons or appearance notice or undertaking or release order) and the detention of the accused in custody is justified [515(10), 524(3) and (4)];
□ (f) (if none of the above applies, reproduce the provisions of the statute that authorize this warrant).
Therefore, you are ordered, in Her Majesty's name, to arrest the accused and convey them safely to the (prison) at , and there deliver them to its keeper, with the following order:
You are ordered to receive the accused in your custody in this prison and keep them safely there until they are delivered by due course of law.
Signed on (date), at (place).
(Signature of judge, justice or clerk of the court)
(Name of the judge or justice who has issued this warrant)
Return to footnote *If the person having custody of the accused is authorized under paragraph 519(1)(b) of the Criminal Code to release the accused if they comply with a release order, endorse the authorization on this warrant and attach a copy of the order.
R.S., 1985, c. C-46, Form 8
R.S., 1985, c. 27 (1st Supp.), ss. 184, 203


Monday Matters with Jason McCrossan is broadcast on 106.9 SFM www.sfmradio.com. Featuring The World Tonight, My Favourite Things, Not In The News and the featured group are the queens of power ballads – heart.
Kyra Cross has the latest music news and gig guide.
Tonight a successful experiment in recreating the daily grind of life on the Home Front circa 1943 opened in 2014 in Sittingbourne. The house is filled with original fittings, furniture, artifacts and characters from South East home front groups bring the whole place to life.
Jason McCrossan spoke with owner Debbie and her colleagues on 106.9 SFM, who run and manage the house about their passion for history and specifically the 1940s – including music from the 1930s & 1940s.
On the show today, Jason speaks to writer, broadcaster and former MP Gyles Brandreth who is currently on tour with his one-man show called Looking for happiness. Gyles is a reporter on The One Show on BBC1 and a regular on Radio 4's Just a Minute, his many books include The Oscar Wilde Murder Mysteries and the No 1 best-seller: The 7 Secrets of Happiness.
Also on the show, the featured artist is Peter Gabriel who turned 64 years old during this week and Kyra has the gig guide and latest music news.
We aslo feature music from: Tom Petty, Sharon Jones & The Dap Kings, Paul McCartney, Shivaree, MØ, Broken bells, Pink Floyd, Ultravox, Suzanne Vega and Jack Johnson.
And we give The Last Word to cultural theorist Stuart Hall who died at the age of 82 on the 10th February 2014. Stuart coined the term 'Thatcherism' and profoundly influenced New Labour.


Everybody thinks that content strategy is restricted to online businesses and the digital space, vis: Internet. Not so. In today's post I'm going to make the point that even in perhaps unexpected areas and industries, content strategy is important.
This post also demonstrates that there may even be issues with the field calling itself "content strategy".
Content Strategy: It's information management in the 21st Century … only slightly different, and much bigger.
The reason I chose Penfolds is because it is not only a household name in Australia, it is a significant company.
Penfolds is an iconic South Australian brand. In fact, even if you don't know much about them, you would surely know about their Grange, which is a National Trust heritage‐listed wine.
With this on their side, and their age (200+ years — a long time in a young country!) Penfolds is, shall we say, old‐school Australia. It is also one of the most trusted brands of wine. It is simultaneously luxurious and affordable, and those who can't afford bottles of Grange still feel like they're getting amongst it when they have any of the Koonunga Hill range on their bench tops.
This perhaps odd perception of the brand is because Penfolds has class but isn't stuffy — and perhaps it's because the brand always seems to be imbued with a youthful energy, despite its 200+ years.
So, let's get into this. We'll start with Penfolds online.
Penfolds's website has in the order of 228 pages, categorised into News & Events, Wines, Vineyards, Penfolds, Cellar Doors. It also has approximately 143 images, 66 pdfs, 30 external links, and few errors (I think I found 2). There are some things that could still be fixed to optimise the site, on a cursory glance, but otherwise all is good.
Keeping all of this in good order is a job in itself, not to mention the social presence that the winery has (Facebook, Twitter, Instagram), their iconic book that is released every five years, and more besides. The website's blog (News & Events) is literally what it says it is: News and Events. There is not one item in that feed that you could say doesn't fit the taxonomy. This has the additional benefit of meeting audience expectations immediately, and continuously.
Penfolds' presence online is friendly and conversational, and youthful. See my point earlier about the brand having class and youthful energy. Perhaps this is because the company has always been an innovator? I'm guessing, but likely it's a good guess.
Now, Penfolds is a large business. It has vineyards in the Barossa Valley, Magill, Eden Valley, McLaren Vale, and the Coonawarra. It also has cellar doors in Magill and the Barossa Valley. It maintains a restaurant at the Magill Estate, is an icon of South Australian business and tourism, and is extremely well regarded internationally.
Penfolds also has offices in Melbourne, in the Barossa, at Magill, in North America, and in the UK.
The sheer scale of content that this organisation would produce is enormous, just in keeping the business side of things running. Communication between offices is one thing; but communication between vineyards, wineries, staff, and the rest of the business is also enormous; as is communication with export and distribution.
External communications in terms of public relations, media, and advertising is another arm that also needs to be considered. These communications elements may appear online as well, and should certainly tie into the online presence of the brand, but let's consider them separately, as each is a separate discipline.
The customer experience at all points is a further consideration: Is it the same, does it have the same feel, and is the brand represented the same way online, at cellar doors, over the phone, by email, and even in‐store or at wine shows? In Penfolds' case (from personal experience and in seeing representations online) the answer is a likely yes.
Whether their content strategy is is tied into the strategic direction of the business is a question we can't answer by observing, but if it's not then probably it would be close.
You can see that when we start looking at a wholistic content strategy, we are in iceberg territory when we look just at a website. The notion of content strategy relating only to digital spaces is remiss. It doesn't see the opportunity to help a company of Penfolds' dimensions to assess the performance and lifecycles of their content as a whole.
All of an organisation's content needs to match the business's strategic goals, values, beliefs, goals, and style. And all of it must be maintained and kept current. This is why Brutal Pixie maintains its whole‐of‐communication perspective, rather than being limited to a particular space.
You can also see the danger of content strategy as a field limiting itself to "digital content" when in fact, we should perhaps be named information strategists instead.
We would love to hear about your business. What do you do to manage your business's content? And for those of you in larger businesses, what learnings do you have for companies that want to scale? Contact us or leave a comment below.


Conservatives and libertarians have made altering the federal court system their focus for 40 years. They now have a deep bench of profoundly conservative judges, who form the core of the group recommended to Trump by the Federalist Society. If not Kavanaugh, it would be another equally right wing guy in a black robe. Here and there they have the odd woman, like the one supposedly on the short list — a member of some obscure Catholic sect. God help us.
Democrats have been sort of asleep at the switch on his one, considering the federal judiciary important but not more so than any number of other issues. We're all about to pay the price for that miscalculation.
I can't really write much about this yet. With a solid conservative majority the Court will change fundamental constitutional rights in a direction I won't even recognize. The conservative majority may even protect Trump from the consequences of his actions regardless of what the Mueller investigation finds.
I keep hoping life with Trump won't get any worse, and then of course it does.


Murphy's Law: Whatever can go wrong will go wrong.
You are probably certain that you are going to be instantly wealthy because you opened a Marijuana Club. There is good reason to believe that you could be right. Lots of people are, in fact, getting rich from Marijuana Clubs.
However - nothing ever goes exactly as planned. You could get some unexpected legal issue from the local city council. You could have a pipe burst in your store and put you out of business for a week. Your suppliers could get a huge infestation of spider mites.
You are embarking on a risky adventure to unknown places. Business is risky even when you don't have all the legal issues of selling marijuana. Any number of bad things could happen that could effectively put you out of business for a month or more.
Because of these risks, you will want to have cash reserves -- spare cash -- that can get you through the bad spots until you are really roling in money.
How much reserve do you need? Many experts would say something like three to six months of income. For most people starting clubs that will probably not be realistic. They just don't have that much money. You will have to make this judgment yourself, based on your own situation. But, whatever you do, don't work out a budget that is borderline bankrupt. Things will go wrong that weren't in the budget so you will need cash to handle them when they happen.


Two web parts are contained within the web part.
Mailchimp Subscribe allows you to sign a user up to a MailChimp mailing list. Configurable properties include the ListID, APIKey, SetNameRequired, and DoubleOptIn.
Mailchimp Unsubscribe allows a user to unsubscribe from a MailChimp mailing list. Configurable properties include the ListID and APIKey.


text:
Scott McQuaig (born January 27, 1959, in Meridian, Mississippi) is an American country music singer-songwriter. In 1989, McQuaig charted two singles on the Billboard Hot Country Singles & Tracks chart. A third single charted on the RPM Country Tracks chart in Canada in 1990.

Discography

Albums

Singles

Notes:
A "Old Memory" did not chart on Hot Country Songs, but peaked at No. 6 on Hot Country Radio Breakouts.

Music videos

References

American country singer-songwriters
American male singer-songwriters
Living people
1959 births
Americana musicians
Musicians from Meridian, Mississippi
Singer-songwriters from Mississippi
Country musicians from Mississippi

redpajama_set_name: RedPajamaWikipedia


First, here's my apologize about the latest StoryWeek. There was none, because... we've got little baby Edgar (well, Oskar) in our team!
Snow is coming! And Christmas as well. Don't say I didn't warn you - it's time to tell those you care about how much you love them. Now!
Protests in Ferguson sparked by anger over a grand jury's decision not to charge policeman officer for shooting an black teenager.
The Soyuz TMA-15 M blasts off from Russia's Baikonur Cosmodrome in Kazakhstan.
I hate hate hate shopping, but... anyway... Happy Black Friday! Enjoy your weekend!


text:
Salt N' Pepper is a 2011 Indian Malayalam-language romantic comedy film directed by Aashiq Abu and produced for Lucsam Creations. The film stars Lal, Asif Ali, Shwetha Menon, and Mythili in the lead roles, while Baburaj and Vijayaraghavan play supporting roles.

The film follows the love stories of two couples. The main characters are: Kalidasan, an archaeologist; Maya, a dubbing artist; Meenakshi, an IELTS student; Manu, a happy-go-lucky management graduate; and Babu, Kalidasan's cook. Food plays an important role in the story, and the tagline of the film is ഒരു ദോശ ഉണ്ടാക്കിയ കഥ -  oru Dosa undaākkiya kadha ("A story made by Dosa", or "A story of making a Dosa").

The film has an original score by Bijibal, with three songs composed by Bijibal and the song "Aanakkallan" written and sung by Malayalam rock band Avial. The film was produced by Lucsam Cinema and released by Lal. Principal production started on 3 January 2011 and the film was released in theatres on 8 July 2011 to positive reviews and good initial viewing figures. It is widely regarded as one of the defining movies of the Malayalam New Wave.

Salt N' Pepper's Kannada, Tamil, Telugu, and Hindi remake rights have been bought by actor–director Prakash Raj. It was remade in Tamil as Un Samayal Arayil and shot simultaneously in Telugu and Kannada as Ulavacharu Biriyani and Oggarane, respectively. Prakash Raj directed the remakes and appeared in the lead role, playing Lal's character, while Sneha took on the role of Shweta Menon's character. Prakash is directing a Hindi remake titled Tadka. In 2019, Baburaj announced the shooting of a sequel titled Black Coffee, written and directed by him, and the movie was released on 19 February 2021.

Plot
Kalidasan works in the state archaeological department in Trivandrum and is a food lover. His only companion is his cook, Babu. Manu Raghav is Kalidasan's nephew, who comes to stay with him, while looking for a job. Kalidasan has a normal life until he gets a mis-dialled phone call from Maya, a dubbing artist living with her friend Meenakshi. Maya rings to order a special dosa (named "Thattil Kutty Dosa" in the film) from a restaurant, but gets Kalidasan instead. Their conversations do not go well at first, but a long-distance romance develops due to their common interest—cooking and food. Kalidasan is a born gourmet while Maya is indulging in culinary activities in memory of her deceased mother. Kalidasan starts to let Maya into the secrets of baking with a multilayered cake called "Joan's Rainbow".

Kalidasan and Maya both get the jitters before their first face-to-face meeting, as each becomes conscious of their own physical appearances, and both decide to send younger and better-looking substitutes instead, Manu and Meenakshi. When they meet, neither Manu nor Meenakshi realise that the other person is a substitute, since they introduce themselves as Kalidasan and Maya, respectively. Manu thinks that Kalidasan is actually in love with Meenakshi, while Meenakshi thinks that Maya is in love with Manu. They attempt to sabotage their older counterpart's relationship by telling Kalidasan and Maya that the person they met would be unsuitable for them. Kalidasan and Maya try to forget each other but fail, and they decide to call each other and meet anyway. Manu and Meenakshi, who by this time have started to develop feelings for each other, are dejected upon hearing this and decide to leave the city so that their older counterparts may have a good relationship. However, they discover the truth and each other's real identities during a chance encounter with a common acquaintance, Pooja, at the railway station. Thus Manu and Meenakshi call Kalidasan and Maya respectively and narrate all the incidents unknown to them. Kalidasan and Maya meet and their relationship begins. It is also shown that Manu and Meenakshi are in a relationship.

Cast and characters
 Lal as Kalathil Parambil Kalidasan, an archaeologist by profession and a food lover
 Asif Ali as Manu Raghav, a carefree youngster Asif Ali says, "It's the one character among all that I have  that's closest to my real-life persona."
 Shwetha Menon as Maya Krishnan, a single woman who works as a dubbing artist, also a "foodie"
 Mythili as Meenakshi, a bubbly young girl
 Baburaj as Babu, professional chef
 Vijayaraghavan as Balakrishnan, Kalidasan's friend and colleague
 Ahmed Sidhique as K. T. Mirash, Manu's friend and Meenakshi's teacher
 Kelu Mooppan as Mooppan, a tribal member whom Kalidasan brings to the city
 Kalpana as Mary, owner of the house where Maya and Meenakshi live
 Ambika Mohan as Itha, a regular customer at Mary's beauty parlour
 Archana Kavi as Pooja Nair, a girl whom Manu meets on a train
 Dileesh Pothan as a film director who tries to woo Maya
 Nandhu as Bhaskaran Nair, Pooja's father.
 Shine Tom Chacko as dubbing director
 Munshi Venu as Driving instructor
 Deepa Jayan as Serial actress

Themes
The film centres around food, and Aashiq Abu says: "For a society that is so fond of food, this genre of cinema has not been really explored much in Mollywood [Malayalam cinema], save for a few films. As a foodie, I was inspired to make a film centred on food when I came across this interesting script by Syam Pushkaran and Dileesh Nair."

The film often mentions Kerala cuisine. The title song, "Chembavu", features visuals of famous eateries across Kerala, such as the hotels Zain, Sagar, Paragon, Bombay, Buhari, Ananda Bhavan, Paradise, etc., as well as the unique three-metre-tea at a stall in Kumbalangi. It also portrays some Kerala specialities, such as Malabar Erachi pathiri. The lyrics of the song, written by Rafeeque Ahammed, also reference food.

The type of dosa specifically featured in the film, Thattil Kutty Dosa, is a local speciality. The relationship that develops between Kalidasan and Maya centres around the secrets of baking a multilayered cake known as Joan's Rainbow. The legend of this cake is described by Nita Sathyendran in The Hindu:  According to Abu, "Salt N' Pepper is meant to be a light-hearted entertainer; it's nothing serious—no big plots, no big twists—but plain old common sense and dollops of good ol' fun".

Production
The film was scripted by first-time writers Syam Pushkaran and Dileesh Nair, who said, "We had a one-liner ready and had approached a few directors. Although most of them liked what they heard, no one was willing to turn it into a movie. Then along came director Aashiq Abu of Daddy Cool fame. Lucky for us, Aashiq was looking for a light-hearted script, something to do before his next superstar film came through. He loved our one-liner enough to give us an advance on the spot and asked us to come back with a full-fledged script".

Salt N' Pepper is Aashiq Abu's second directorial venture. He was assisted by Abhilash S. Kumar. Technicians such as music director Bijibal, costume designer Sameera Saneesh, and V. Saajan had already collaborated with Aashiq in his first film, Daddy Cool. Cinematographer Shyju Kahlid had previously worked with Sameer Thahir on Daddy Cool. The film was produced by Mumbai-based Sadanandan Rangorath under the banner Name Lucsam Creations. Salt N' Pepper is their first project in the Malayalam film industry. Casting was finalised by December 2010. The original cast included Lal, Asif Ali, and Mythili. Nedumudi Venu was also reported to be cast during the original announcement.

Filming began eight months after the script was submitted and was launched on 5 January 2011 with a blessing held at BTH Sarovaram, Kochi. The ceremony also included film producer Naushad making a dosa onstage. Principal production for the film started on 3 January 2011 and it was shot entirely in Thiruvananthapuram.

Reception

Critical reception
The film received generally positive reviews, although some critics felt that certain scenes were far from convincing. In the Deccan Chronicle, Keerthy Ramachandran gave the film a three-star rating, writing, "This is a movie which weaves together taste, flavor and love to make an exquisite recipe for good cinema. A must watch for all gourmets, Salt N' Pepper is sweet humour interspersed in a light plot." She also described the film as "one of the most enjoyable films of recent times" and praised the cast performances, stating, "Shwetha Menon has acted brilliantly in the movie, proving that she has more to her than meets the eye. Lal has done complete justice to the role and appears likeable throughout the movie. But, the major share of credit should go to Baburaj – the stereotypical villain in Malayalam cinema. The role of Kalidasan's cook is a milestone in his career. Asif Ali and Mythili appear perfect in their roles. Actor Vijaya Raghavan in a cameo has made a commendable appearance."

Navamy Sudhish of The New Indian Express said, "A delightful addition to GenY fun flicks, Salt N' Pepper is an out-and-out entertainer. It gives two hoots to time-tested tricks and indulges you with a stimulating storyline and unfeigned artistry." He labelled the script "smart", Shyju Khalid's appearances "rich" and "peachy", and Bijibal's background score "superb". Sudhish also praised Abu, saying, "[his] narrative technique is unpretentious and devoid of any jaded gimmickry." Paresh C. Palicha of Rediff.com said, "Director Aashiq Abu has put together the right ingredients in his new film Salt N' Pepper and come up with quite an interesting dish" and that the film will meet the tastes of all who watch it. Veeyen of Nowrunning.com said, "Aashiq Abu and his team adhere to the golden rules of good cooking, and see to it that the griddle is all hot, before they gently spread out a light hearted Dosa story on it." The critic also praised the cast performances and Shyju Kahlid's cinematography. A reviewer from Sify.com said, "Salt N' Pepper may have its own share of shortcomings, but the sincerity with which it has been made is there to be seen in the film. It's a young film which oozes lots of freshness and it is enjoyable for people of all ages, especially if you love your food."

Box office
The film became a sleeper hit at the box office, completing a run of 100 days at many centres in Kerala. Its 100th-day celebration was held in Dubai on 27 October, with a concert by Avial. Bijibal also performed at the event.

The film collected  5.1 crore from fifty days of its release at the Kerala box office.

Soundtrack
The soundtrack to the film features three songs composed by Bijibal, two romantic melodies and a folk tune, as well as a song written by Malayalee rock band Avial, "Aanakkallan". It is the band's first release since their self-titled debut album, released in 2008. Avial singer Tony John says that "this song is more or less like a teaser for our second album". A music video, which appears at the end of the film, was also produced. John said: "We had loads of fun shooting the video, which is very kind of like what you would see in a music video rather than a filmy number". The video, directed by Aashiq Abu, is the second one for Avial after their first hit, "Nada Nada". It is also the first Avial track with John as the lead singer and Benjamin Isaac as the bass player.

Awards
Kerala State Film Awards
 Best Popular Film with Aesthetic value –  Sadanandan Rangorath
 Best Actress – Shwetha Menon

Asiavision Awards
 Best Family Movie
 Best Music Director – Bijibal
 Best Lyricist – Rafeeq Ahamed
 Best Second Actress – Shwetha Menon
 Best Comedy Artist – Baburaj
 Special Mention – Mythili

Asianet Film Awards 2011
 Best Star Pair – Asif Ali & Mythili

Vanita Film Awards 2011
 Best Music Director – Bijibal
 Best Comedy Artist – Baburaj
 Best Pair – Lal & Shwetha Menon

Mathrubhumi Film Awards 2011
 Best Path Breaking Movie of the Year

Amrita Film Awards
 Best Film

Sequel
A loose sequel, Black Coffee, was released on 19 February 2021.

References

External links

2011 films
2010s Malayalam-language films
Malayalam films remade in other languages
Cooking films
Indian romantic comedy films
Films about food and drink
Films shot in Thiruvananthapuram
Films set in Kerala
Films shot in Kerala
Films with screenplays by Syam Pushkaran
Films with screenplays by Dileesh Nair
Films directed by Aashiq Abu
2011 romantic comedy films


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Q: Detect collision for particles and Wind effect I'm looking to achieve this effect.
I thought about making WIND PARTICLES and then when the player collides with it, force will be applied. But how can I check if the player collided with the WIND PARTICLES?
If you have other suggestions about how this effect can be achieved I will be more than thankful!

A: You do not want to do the collision test with particles,  You want to use the SKFieldNode to achieve this effect.
https://developer.apple.com/reference/spritekit/skfieldnode
I am not sure which one to use for the wind effect, but at least it will get you started on the right direction, but basically what it does is set up a "force field"  and the node hits this force field, some kind of physics get applied to it.


Dufour Yachts is a French yard with a 40-year history. The company is engaged in manufacturing of sailing yachts with the glass-fiber plastic hulls. These are cruiser-racing sailing yachts with the length of 10.6 - 13.76 m and the sailing cruisers of 9.8 - 15.31 m. The yachts by Dufour have been repeatedly recognized the Yachts of the Year, for example, Dufour 40 was the Yacht of the Year at the boat-show 2003 in Dusseldorf, while Dufour 34 won the same title a year later. Both sailing models were acknowledged to be best in terms of performance, comfort, elegance, besides you just couldn't imagine a safer boat in this class.


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Molecular characterization of the 3′ end of Citrus tristeza virus genome from Oman
Abdullah M. Al-Sadi, M. S. Shahid*, Hanu R. Pappu
جامعة السلطان قابوس
Citrus aurantifolia (acid lime) trees exhibiting yellowing, stem pitting and decline symptoms in Oman were found to be infected by Citrus tristeza virus (CTV) (genus; Closterovirus, family; Closteroviridae). The sequence of the 3′ approximately 9.8 Kb genome, encompassing the partial RNA dependent RNA polymerase to P23 genes including the 3′ UTR region was determined. Pairwise nucleotide comparisons revealed that the Oman isolate had the highest nucleotide identity with those from Mexico and Egyptian isolates. Phylogenetic analysis showed that the Oman isolate clustered with the Egyptian isolate and was identified as T36 genotype. Recombination analysis showed the presence of three potential recombination events and the findings of this study are discussed. Further, extensive studies on CTV species mainly in Oman and as a whole in the Arabian Peninsula is needed, especially after investigating the recombinant 3′ CTV genome isolate.
Indian Phytopathology
أدرس بدقة موضوعات البحث "Molecular characterization of the 3′ end of Citrus tristeza virus genome from Oman'. فهما يشكلان معًا بصمة فريدة.
Closteroviridae Agricultural and Biological Sciences 100%
Al-Sadi, A. M., Shahid, M. S., & Pappu, H. R. (تم القبول/قيد الطباعة). Molecular characterization of the 3′ end of Citrus tristeza virus genome from Oman. Indian Phytopathology, 74(4), 1147-1150. https://doi.org/10.1007/s42360-021-00390-8
Molecular characterization of the 3′ end of Citrus tristeza virus genome from Oman. / Al-Sadi, Abdullah M.; Shahid, M. S.; Pappu, Hanu R.
في: Indian Phytopathology, المجلد 74, رقم 4, 2021, صفحة 1147-1150.
Al-Sadi, AM, Shahid, MS & Pappu, HR 2021, 'Molecular characterization of the 3′ end of Citrus tristeza virus genome from Oman', Indian Phytopathology, المجلد 74, رقم 4, الصفحات 1147-1150. https://doi.org/10.1007/s42360-021-00390-8
Al-Sadi AM, Shahid MS, Pappu HR. Molecular characterization of the 3′ end of Citrus tristeza virus genome from Oman. Indian Phytopathology. 2021;74(4):1147-1150. doi: 10.1007/s42360-021-00390-8
Al-Sadi, Abdullah M. ; Shahid, M. S. ; Pappu, Hanu R. / Molecular characterization of the 3′ end of Citrus tristeza virus genome from Oman. في: Indian Phytopathology. 2021 ; المجلد 74, رقم 4. الصفحات 1147-1150.
@article{4342b29054a84d76aeca7b6f23444880,
title = "Molecular characterization of the 3′ end of Citrus tristeza virus genome from Oman",
abstract = "Citrus aurantifolia (acid lime) trees exhibiting yellowing, stem pitting and decline symptoms in Oman were found to be infected by Citrus tristeza virus (CTV) (genus; Closterovirus, family; Closteroviridae). The sequence of the 3′ approximately 9.8 Kb genome, encompassing the partial RNA dependent RNA polymerase to P23 genes including the 3′ UTR region was determined. Pairwise nucleotide comparisons revealed that the Oman isolate had the highest nucleotide identity with those from Mexico and Egyptian isolates. Phylogenetic analysis showed that the Oman isolate clustered with the Egyptian isolate and was identified as T36 genotype. Recombination analysis showed the presence of three potential recombination events and the findings of this study are discussed. Further, extensive studies on CTV species mainly in Oman and as a whole in the Arabian Peninsula is needed, especially after investigating the recombinant 3′ CTV genome isolate.",
keywords = "Citrus, Citrus tristeza virus, Genetic diversity, Phylogeny, Recombination, Sequence analysis",
author = "Al-Sadi, {Abdullah M.} and Shahid, {M. S.} and Pappu, {Hanu R.}",
note = "Funding Information: Thanks to Sultan Qaboos University and VALE Oman for financial support of the study. Publisher Copyright: {\textcopyright} 2021, Indian Phytopathological Society.",
journal = "Indian Phytopathology",
publisher = "Springer Nature",
T1 - Molecular characterization of the 3′ end of Citrus tristeza virus genome from Oman
AU - Al-Sadi, Abdullah M.
AU - Shahid, M. S.
AU - Pappu, Hanu R.
N1 - Funding Information: Thanks to Sultan Qaboos University and VALE Oman for financial support of the study. Publisher Copyright: © 2021, Indian Phytopathological Society.
N2 - Citrus aurantifolia (acid lime) trees exhibiting yellowing, stem pitting and decline symptoms in Oman were found to be infected by Citrus tristeza virus (CTV) (genus; Closterovirus, family; Closteroviridae). The sequence of the 3′ approximately 9.8 Kb genome, encompassing the partial RNA dependent RNA polymerase to P23 genes including the 3′ UTR region was determined. Pairwise nucleotide comparisons revealed that the Oman isolate had the highest nucleotide identity with those from Mexico and Egyptian isolates. Phylogenetic analysis showed that the Oman isolate clustered with the Egyptian isolate and was identified as T36 genotype. Recombination analysis showed the presence of three potential recombination events and the findings of this study are discussed. Further, extensive studies on CTV species mainly in Oman and as a whole in the Arabian Peninsula is needed, especially after investigating the recombinant 3′ CTV genome isolate.
AB - Citrus aurantifolia (acid lime) trees exhibiting yellowing, stem pitting and decline symptoms in Oman were found to be infected by Citrus tristeza virus (CTV) (genus; Closterovirus, family; Closteroviridae). The sequence of the 3′ approximately 9.8 Kb genome, encompassing the partial RNA dependent RNA polymerase to P23 genes including the 3′ UTR region was determined. Pairwise nucleotide comparisons revealed that the Oman isolate had the highest nucleotide identity with those from Mexico and Egyptian isolates. Phylogenetic analysis showed that the Oman isolate clustered with the Egyptian isolate and was identified as T36 genotype. Recombination analysis showed the presence of three potential recombination events and the findings of this study are discussed. Further, extensive studies on CTV species mainly in Oman and as a whole in the Arabian Peninsula is needed, especially after investigating the recombinant 3′ CTV genome isolate.
KW - Citrus
KW - Citrus tristeza virus
KW - Genetic diversity
KW - Phylogeny
KW - Recombination
KW - Sequence analysis
JO - Indian Phytopathology
JF - Indian Phytopathology


text:
Princess Margareta to become Queen after King Michael's death
Princess Margareta, the oldest daughter of the late King Michael of Romania, will get the title of Queen Margareta after her father's death, according to the Royal House of Romania's status.
King Michael I, Romania's last sovereign, died on December 5, 2017, at his private residence in Switzerland. He was 96.
Michael I was king of Romania from 1927 until 1930 and then from 1940 until December 1947, when the communist regime forced him to abdicate and leave the country. Monarchy was abolished in Romania, which has been a republic since then.
The Royal House of Romania thus has no official role in ruling the country. However, some still hope that monarchy will one day be reinstated in Romania.
The current status of the Royal House of Romania was adopted by King Michael on December 30, 2007, 60 years after his abdication. He then decided to break the ties to the Hohenzollern-Sigmaringen dynasty and named his daughter Margareta first in the succession line of the Royal House of Romania.
"Immediately after the death of the Head of the Royal House of Romania, without any ulterior proclamation, the Evident or Presumptive Heir will receive the title of King or Queen, regardless of the Family's position as ruling or non-ruling Dynasty," reads the Royal House's status.
The Royal House only has a symbolical role in Romania today. However, the Parliament is currently discussing a bill granting the head of the Royal House the same status as former heads of state. The Royal House will also be granted the use of the Elisabeta Palace in Bucharest and a series of other benefits.
Romania's Royal Family announces its succession line
Romania's Govt. declares three days of national mourning for King Michael I
(Photo source: Familia Regala a Romaniei on Facebook)


text:
in Cover Story, Local
Creating Opportunities for Disability Inclusion
by Lyndsay Fogarty April 2, 2019, 5:45 pm 278 Views
Adriene Trautman's son, Tristan, was diagnosed with cerebral palsy and epilepsy as a result of a lack of oxygen at birth. He relies on a wheelchair to get to and from doctor's appointments, medical daycare and everyday errands with his mom. Before she found the Center for Independent Living (CIL), a nonprofit based in Winter Park that assists individuals with all types of disabilities, Adriane's daily routine consisted of maneuvering her son and his wheelchair, a combined 160 pounds, up and down the five steps of their home every time they had to leave.
"Each day was a new balancing act," Adriane says. "This was my life."
Through CIL's RAMPAGE program, the organization, along with volunteers from Cuhaci & Peterson, Siemens and First United Methodist Church Winter Park, built a 24-foot ramp at the Trautman home in 2018. RAMPAGE was established in 2005 to transform the lives of individuals with disabilities who can't leave their own homes without assistance from others, allowing them the opportunity to access their community.
"The Center for Independent Living is breaking down barriers for people like my son every single day," Adriane says. "I can now take Tristan in and out of our home without fear."
As one of the first Centers for Independent Living in the country, CIL in Central Florida was created to provide resources and accessibility options for people with disabilities in Orange, Seminole, Osceola, Polk, Highlands, Hardee and DeSoto counties. One of CIL's biggest needs is home modifications, from building ramps for individuals with mobility issues to providing durable medical equipment and state-of-the-art assistive technology for those with visual or hearing impairments. In the past 10 years, over 13,000 lives have been directly impacted by the organization.
One of CIL's biggest needs is assistance with home modifications, whether it's partnering with builders and contractors for their expertise or relying on volunteers to help build. Over 120 ramps have been built by the hands of over 1,000 volunteers, but there are still over 500 Central Floridians in need of home modifications and over 200 who need ramps.
"Now that we have a ramp of our own, we see how transformative it truly can be," Adriane says. "It's not just a convenience, but it allows my son to safely get in and out of our home. Ramps provide the freedom and independence for people like Tristan to live their lives with dignity and respect without feeling like a burden to family and friends."
1. Be a donor. Your contribution to CIL directly benefits the organization's mission of breaking down barriers and creating new opportunities for disability inclusion and acceptance.
2. Get involved. Construction companies, contractors, individuals and corporate groups are invited to #JoinTheRAMPAGE to help build ramps for those in need.
3. Attend or sponsor an event. Next up is the Celebrating Independence Gala on June 21 at The Alfond Inn. For more information about the event, visit www.CILOrlando.org
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Game Rules - What to abide by? What not to?
The frequent use (something) to bad effect or for a bad purpose; misuse.
The frequent use (something) in the wrong way or for the wrong purpose.
As you most likely realize that there is a word in common. Frequent. In case you have no idea what frequent means, it means that the current abuse took place more than once. But still, this depends on the nature of the bug/glitch that is abused.
- Cbugging with any weapon, for whatever reason, in the normal world is forbidden. I do not want to go deep into cbugging because there are many styles and ways of cbugging, but generally it is not allowed.
- Abusing any weapon glitch, in the normal world is forbidden. Weapon glitches never end; snipers, M4s, Deagles and many more weapons can be mastered by abusing them. Any abnormal firing rate, fast switching, abnormal control over the weapon, invalid damage amount is forbidden.
- Abusing any character action that gives you any advantage over others is forbidden. This includes rolling, anim abuse while firing to fast switch or (in theory) make you invulnerable is not allowed.
Generally, any abuse that gives you advantage over other players and is not of what the standard game allows is forbidden. Some people may lack common sense, and question every abuse they find to be explained; we do not have time to explain every glitch out there. If you have a brain, use it and judge whether this is allowed or not. If you don't, then its our job here to enforce it so don't cry if you got punished to something you did and "thought" that is allowed.
Tip: Play normally, keep a recording of your gameplay, get a trimming software, create a YouTube account and report the abusers.


Stay longer! Extend your stay before May 1 or after May 5! Call the hotel directly to add additional dates to your reservation.
Each guest must provide a major credit card upon booking the reservation. A non-refundable one night deposit of room ($145), tax (currently 9%) and hotel fee (24%) will be charged upon booking the reservation. Hotel Fee includes: unlimited use of health club/fitness center, recreational facilities, in-room coffee and bottle water (two per day), wireless internet access and (800), long distance calls to the USA and credit card access calls. Hotel check-in: after 3:00pm Hotel check-out: 11:00am.
First log in with your user name and password. Select "register myself". Then, select your registration type (General, Student, Fri, Sat or Sun only options). You will be automatically registered for the general meeting session(s). Select your optional events and breakouts below (limited capacity). Proceed to check out.
One tabletop space in exhibit hall.
Sponsorshp of a break on Friday / Saturday.


text:
Aqchan é uma cidade do Afeganistão localizada na província de Jowzjan.

Cidades do Afeganistão


Hi, I'm Patrick Niland, and I was recently brought on board the PARMA team as the A&R/Licensing intern for this summer.
Finishing a spring semester of college is always an exciting feeling. The cold winter days are part of a distant past, and the cool spring evenings are about to give way to the beauty that is summer.
While the beginning of summer generally signifies the start of long days working at a job I don't enjoy, this year is different. I spend most of my days either playing music, watching music or listening to music. So when I had the opportunity to apply to PARMA as an A&R/Licensing intern, I couldn't wait to hear back. Finally, a chance to do something in the professional world that I have such a passion for in my personal life! Once I got the email from PARMA that I was chosen for the A&R/Licensing internship, I was over the moon.
I wasn't overly familiar with PARMA's recording lineup, but I've had an opportunity to digest a fraction of the many great artists that PARMA features on it's three record labels. Over the past few weeks, I've put together a group of songs that have stood out to me.
The first track is "Morning Moon", by Ecco la musica. It features an excellent headnodic groove very reminiscent to the sound that artists like Madlib and DJ Premier enjoy laying down under a hip hop song so much. This album offers a lot of other great tracks and I would highly recommend giving it a listen.
Another interesting song that I discovered is "Sound from the Delta" by Jean-Philippe Gregoire. When I heard that this album was by a French jazz guitarist, I immediately thought of Django Reinhardt. But when I listened to the record the sound was much different, and more in the vein of 60s jazz greats like Kenny Burrell or Grant Green. The playing here seamlessly blends many styles, and my ears can't get enough.
If you enjoyed these two compositions, the rest of this playlist might be for you!
Sound track to summer, sorted! Thanks for sharing, I look forward to the listen.


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Draw the Line – Aerosmith (1977)
Andrew Burnes / February 26, 2017
Draw the Line has always been viewed as the album where Aerosmith started to slip, and indeed it is. Though there are a number of songs on the album that are right at home in Aerosmith's '70s catalog like the title track and "I Wanna Know Why," there are just as many songs that are far below the standard that Aerosmith had been regularly setting. Songs like "Get it Up," and "Sight for Sore Eyes" are almost shockingly bad considering how great Aerosmith had been just one year prior to this release. Joe Perry's solo "Bright Light Fright" (which is such a bad song the rest of the band refused to play on it) is better than those other two, but not by much; and the same can be said for "The Hand That Feeds Me," which was recorded on a day that Joe Perry was so fucked up he couldn't even get out of bed (though, notably, Brad Whitford's soloing on it is the best guitar work on the record). It's really a shame, because "Kings and Queens" is an epic, almost autobiographical tale of the fall of an empire (which Aerosmith certainly was living at the time), and the cover of "Milk Cow Blues" is also enjoyable, even if they don't bring that much new to the old Blues standby (it can't even touch Elvis Presley's version). The best song by a mile is "I Wanna Know Why" armed with its horn-blaring, Stonesesque Rock n' Roll riffing. It's just a shame that it had to appear on an album not worthy of its company.
February 26, 2017 in Music. Tags: Aerosmith, Andrew Burnes, Draw the Line, The Soundtrack Online
Pump – Aerosmith (1989)
Rocks – Aerosmith (1976)
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