text:
from __future__ import unicode_literals

from flask_dance.consumer import OAuth2ConsumerBlueprint
from functools import partial
from flask.globals import LocalProxy, _lookup_app_object
try:
    from flask import _app_ctx_stack as stack
except ImportError:
    from flask import _request_ctx_stack as stack

__maintainer__ = "Steven MARTINS <steven.martins.fr@gmail.com>"

def make_azure_blueprint(
        client_id=None, client_secret=None, scope=None, redirect_url=None,
        redirect_to=None, login_url=None, authorized_url=None,
        session_class=None, backend=None):
    """
    Make a blueprint for authenticating with Azure AD using OAuth 2. This requires
    a client ID and client secret from Azure AD. You should either pass them to
    this constructor, or make sure that your Flask application config defines
    them, using the variables AZURE_OAUTH_CLIENT_ID and AZURE_OAUTH_CLIENT_SECRET.

    Args:
        client_id (str): The client ID for your application on Azure AD.
        client_secret (str): The client secret for your application on Azure AD
        scope (str, optional): comma-separated list of scopes for the OAuth token
        redirect_url (str): the URL to redirect to after the authentication
            dance is complete
        redirect_to (str): if ``redirect_url`` is not defined, the name of the
            view to redirect to after the authentication dance is complete.
            The actual URL will be determined by :func:`flask.url_for`
        login_url (str, optional): the URL path for the ``login`` view.
            Defaults to ``/azure``
        authorized_url (str, optional): the URL path for the ``authorized`` view.
            Defaults to ``/azure/authorized``.
        session_class (class, optional): The class to use for creating a
            Requests session. Defaults to
            :class:`~flask_dance.consumer.requests.OAuth2Session`.
        backend: A storage backend class, or an instance of a storage
                backend class, to use for this blueprint. Defaults to
                :class:`~flask_dance.consumer.backend.session.SessionBackend`.

    :rtype: :class:`~flask_dance.consumer.OAuth2ConsumerBlueprint`
    :returns: A :ref:`blueprint <flask:blueprints>` to attach to your Flask app.
    """
    scope = scope or ["user.read"]
    azure_bp = OAuth2ConsumerBlueprint("azure", __name__,
        client_id=client_id,
        client_secret=client_secret,
        scope=scope,
        base_url="https://graph.microsoft.com",
        authorization_url="https://login.microsoftonline.com/common/oauth2/v2.0/authorize",
        token_url="https://login.microsoftonline.com/common/oauth2/v2.0/token",
        redirect_url=redirect_url,
        redirect_to=redirect_to,
        login_url=login_url,
        authorized_url=authorized_url,
        session_class=session_class,
        backend=backend,
    )
    azure_bp.from_config["client_id"] = "AZURE_OAUTH_CLIENT_ID"
    azure_bp.from_config["client_secret"] = "AZURE_OAUTH_CLIENT_SECRET"

    @azure_bp.before_app_request
    def set_applocal_session():
        ctx = stack.top
        ctx.azure_oauth = azure_bp.session

    return azure_bp

azure = LocalProxy(partial(_lookup_app_object, "azure_oauth"))

redpajama_set_name: RedPajamaGithub


This report explores economic development and child care links by providing an overview of lessons learned by state and local study teams involved in conducting economic studies of the child care industry. It finds that linking child care and economic development creates challenges for both the child care and the economic development community. For child care the link requires reaching beyond the primary human development focus and claiming its place as part of the social infrastructure of the economy. For economic development it requires reaching beyond industrial recruitment strategies and focusing on the investments that build quality of life and sustainability for people in communities. These are stretches – both intellectually and with regard to public policy – that are difficult. Leaders in early care and education have, however, quickly grasped this new frame and have begun to use it in new and creative ways. The frame change and its associated language is catching on. The task ahead is to keep the momentum going, support and share innovative ideas, and spawn new policy approaches.


text:
Home / 2016 | Crossing Bridges /
Sadao "Tubs" Honda
Birthplace: Wahiawa, Hawai`i
Photographer: Dana Okuma, Age 16 ~ Leilehua High School
Dr. Honda was born and raised in Wahiawa and is one of nine siblings. His father came to Wahiawa as a contract laborer following the Russo-Japanese War. Dr. Honda is married to Jean Sekiya Honda and has one child. He served for three years in the Army and was considered a pillar in the Wahiawa community for his lengthy career in dentistry. Dr. Honda's extensive career also includes work as an electrician, construction laborer, and a tofu maker at Honda Tofu in Wahiawa that recently closed its doors after 98 years.
When I was younger, I use to walk around barefoot in the park and play football and softball with my siblings, and each day we would walk home to eat lunch rather than spend 5 cents on school lunches. We would swim in Lake Wilson and steal pineapples from the fields! In 1940, the Wahiawa Amusement Center opened with an outside roller-skating rink. A year later, Dot's Drive Inn opened which became a popular place to hang out! Those were fun days!
I am very passionate about the history of Leilehua High School and would like the younger generation to know the true story of the how the mule became its mascot. A former Leilehua football coach, Mr. Harry Scott, who was a University of Central Missouri Mules alumnus, adopted it as our mascot.
When I was young, I was carefree and spirited. I wish the younger generation could experience more of this type of lifestyle and be encouraged to attend Japanese language school like I did for an hour every day after school.
One of the greatest gifts of life is the gift of equality.
Dana Okuma
I was born at Wahiawa General Hospital in 1999. Since my whole family grew up in Wahiawa, I thought it would be important to participate in this project so I could learn about old Wahiawa. I chose to participate because I also knew that connecting to the older Wahiawa community would help me become a better contributor to our society. Dana Okuma
Leilehua High School
Photographer: Laurie Callies
Kūpuna Sadao "Tubs" Honda
One of our family's traditions and my favorite things to do in Wahiawa is to eat at Shige's Saimin Restaurant and get ice cream afterwards. I also love that we are so close to the North Shore that we can get shave ice on the weekends. I like to compete in swim meets, do arts and crafts, play with my five-year-old cousin and take pictures of my dog. I hope to go to Creighton University and study pharmacology.

redpajama_set_name: RedPajamaCommonCrawl


text:
MODDED-1
Home / Games / Casual Games
Crazy Shopping MOD APK 1.1.16 (Unlimited Money) Download
Post author By MODDED-1
No Comments on Crazy Shopping
Name Crazy Shopping
Publisher Kwalee
Category Casual Games
Latest Version 1.1.16
Platforms Android 5.0
MOD Features Unlimited Money
Crazy Shopping MOD APK (Unlimited Money) is a casual game developed directly publisher by Kwalee, where you will experience the special shopping atmosphere during the enjoyment. Join us to find out an overview of this extremely interesting game.
Note: You can refer to some other games from the publisher Kwalee like Sharpshooter Blitz or Blast City.
Introduce about Crazy Shopping
A few notes
How to install Crazy Shopping
Download Crazy Shopping MOD APK for Android
Crazy Shopping will bring players to extremely interesting shopping sessions. Your task is to control the characters that are provided and help them pick up all the available items on the map. After that, you need to help them take the items that are picked up into a large truck to earn huge profits. Just like that, the game will be operated continuously until the specified time period ends and you will see the results that you have achieved earlier.
The operation of this game is not too complicated and will be suitable for many players around the world. However, do not be too subjective when experiencing this game because it will bring a lot of difficulties in the next game screen. Stay calm and focus on your every action in Crazy Shopping if you want to win all levels.
The control system in Crazy Shopping will not change too much compared to other casual games. Specifically, players only need to touch and swipe on the experience screen to characters in the game that can move according to theirs. This will give you more flexibility in many different situations than controlling the character through the virtual steering wheel as usual.
If you are a person who likes the simplicity of the gameplay and well as the easy-to-understand controls. Crazy Shopping will definitely be a game not to be missed in the present time. You will not take too long to be able to understand the controls and the specific operations in this game.
Crazy Shopping is not just a game designed to give players the usual entertainment. It also gives you a lot of different challenges throughout the experience. In particular, the number of integrated game screens is quite diverse. So you will have to try a lot if you want to complete all from simple to advanced levels.
Remember that there will be an upgrade system built into Crazy Shopping to help players in tough challenges. For example, increasing the time specified, adding characters, increasing movement speed. All of these power-ups will give you a lot of advantages to each game screen. However, players need to pay a corresponding amount to be able to use them. And you will have to earn this money by earning the highest score on the game screen in which you participate or find the required items.
However, if you do not have too much time to experience the game. But still want to own all kinds of power-ups and can upgrade all the other features in this game. Please download the game via the link APK below the article. It will help you to fulfill your desires very quickly.
Remember that Crazy Shopping is a completely free game, so the appearance of ads during the game is inevitable. Therefore, you should prepare psychologically. And get used to this so that you do not feel too uncomfortable when the advertising system appears.
It can be seen that the display quality of Crazy Shopping is still very good. And not inferior to the same category on the game market today. The details in this game are simplified in terms of image but still retain the vividness of the simple game series. The map system in the game is very diverse and will bring players to different locations in each game screen. So players will always feel excited during the game experience.
Step 1: Download the file (APK & MOD) of Crazy Shopping from MODDED-1.
Step 2: On your Android phone, open the downloaded file Crazy Shopping.
Step 3: Tap install and follow the steps on the screen.
Crazy Shopping will take you to extremely special and more chaotic shopping trips than reality. You will discover the simple gameplay, along with beautiful display quality right. Everything in the game is designed to best suit a variety of players around the world. So you can be assured of what this game has to offer. Are you ready for the exciting shopping war in Crazy Shopping? Please give your comments after experiencing this game to help the publisher Kwalee improve their products even more.
Crazy Shopping - Original APK v1.1.16
DOWNLOAD (86M)
Crazy Shopping - MOD Money v1.1.12
Select a link to download for free. You can choose the MOD version or the original APK, it depends on your purpose.
Please see Installation Guide
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Benjamin Draperies, is a family owned and operated Window Covering Business, established in 1984. We specialize in Custom Draperies, Motorization, Shutters, Designer Shades, Blinds and Specialty Shapes. Our team has been sculpted to give our customers the best service and quality products.
Our vision is for Benjamin Draperies to be the absolute standard in the window fashion industry by providing the highest quality products, courteous professional service and complete customer satisfaction.
Here at Benjamin Draperies, we have an elite team working closely with our clients. Our designers and installers are hand selected based on their experience and sincerity to their job. If now is the time to purchase new or replace your current window coverings please call us or provide your contact information and we'll gladly contact you.
Automation systems are rapidly becoming more affordable and consumers are more willing than ever before to motorize their window coverings. Consumers also appreciate the improved safety of a product without accessible operating cords that can pose a risk to children or pets.
Benjamin Draperies offers a wide variety of styles of shades for various functions that changes the look and feel of a room or office. We have shades that provide UV protection, reduce glare, are energy-efficient or can black out most light.
Crafted from renewable North American hardwood, composite or poly-satin materials that add lasting warmth and depth to any space; an extensive assortment of upgrades, frame choices and specialty options makes it easy to create a custom and completely unique look for any room; elegance that adds to the value of any home; a truly timeless product with lasting beauty and a high level of functionality.
A wide array of colors, styles and fabrics to select; custom fitting to ensure the elegance of the room is enhanced; fabric textures & colors to coordinate with any furnishings in the room; several top treatments such as cornices, swags and cascades or valances add to the beauty of the draperies; various pleat styles to suit your preferred design style, whether modern, contemporary or traditional.
Budget-friendly horizontal and vertical solutions for windows; complement any room due to the variety of styles, materials, textures and colors; available in wood, faux wood, composite, vinyl and aluminum; the synthetic materials are built to withstand high-humidity areas such as kitchens, bathrooms, and laundry rooms; vertical blinds can provide the perfect accent for patio doors or large windows.
Hard to cover windows such as arches, angles, circles, side lights and sky lights with non-traditional shapes require specialty workmanship; the finished look is unique and custom-fitted to the window.


text:
The author, Trevor Carroll and his wife Mathilde were near the end of the first of three lengthy visits to Berlin, a necessity as their youngest son Paul lived there as a professional volleyball player.
While walking in the Charlottenburg neighbourhood they encountered a group of brass plaques embedded in the cobblestones at the buildings entrance. The plaques were each stamped with a name and dated 1942. Other similar plaques were also discovered, at random intervals on footpaths with similar inscriptions, all dated during World War Two.
As only an ex-detective would, Trevor began to enquire as to what the plaques represented. It soon transpired that they were Stolpersteine or stumble stones, each one a memorial to each of the occupants of the building that they lay outside. The vast majority were Jewish victims of the Nazi holocaust.
Stolpersteine are the largest decentralised memorials in the world with more than 70,000 scattered across some 2,000 municipalities in 24 countries. Each inscription is made in the local language beginning with 'HERE LIVED' followed by the name, date of birth and fate of the victim. During the Nazi era from 1933 to 1945, Jews lost their livelihoods, possessions and finally their very existence to the Nazi regime, proving that the Nazi's were not only mass murderers, but common thieves as well. We all are familiar with the figure of six million Jews murdered during the holocaust, but there were many other Germans and Europeans who also met the same fate by opposing the brutality of the Nazi regime.
These huge holocaust numbers are not the focus of this book, but those Berliners remembered by Stolperstein in Berlin are. The author has researched and resurrected stories of those people whose Stolperstein he has encountered, some of those tales are very brief as very little of their lives survives them. While other stories of sacrifice, bravery and survival are told in much more detail. After suffering years of Nazi persecution, Berlins Jews were subjected to deportation to the unknown. We now know of course their destination was either immediate death and death by labour.
It began with their arrest and eventual transport in mostly closed cattle cars with a minimum of fifty persons per car. However many cars had double that number. At the minimum load of fifty persons, the size of the cattle car allowed just two and a half persons to one square metre of space, a space that also needed to accommodate their baggage. On the overloaded transports, up to five persons shared that one square metre with a communal bucket as their toilet. Without food or water on a journey that took between two and seven days, the toll exacted upon the deportees was a heavy one.
This is a thought provoking read, not just names & numbers, but an insight into the insanity of the Nazi regime. At times the shear brutality of these stories is confronting, but a reminder of our past that never should be forgotten.
A former boilermaker, miner, barman, bus & tour operator, police officer, event manager and now author who enjoys telling a good yarn and anecdote.
Born and bred in the far west New South Wales town of utopian Broken Hill and at twenty years of age worked deep in the bowels of the earth digging for a living. While shut off from a world that he yearned to be a part of, well away from the barren plains, heat and flies.
After a close call underground where he was nearly entombed, he left the isolation for a flight aboard QF1, bound for London where at first he was baffled by the hustle and bustle of the city. That initial trepidation wavered for an enjoyable life among new people, work and constant travels to the continent. Within a year he was behind the wheel of a double decker bus taking young colonials around Europe with Top Deck Travel before taking on the arduous trips to the Indian sub-continent. That time with Top Deck ended after some four years with a final trip, a 20-week tour, Sydney to London.
With an uncertain future and accompanied by Mathilde, his new love from the Netherlands. Sydney was the location for this, the next chapter, along with a new career with the N.S.W Police. The cauldron of Cabramatta was the set for this episode. After a few turbulent years a new home and posting was found at Forster with his now wife and three sons. After 21 years as both a uniformed officer and detective, early retirement was an unavoidable result of a serious 'Hurt On Duty' incident.
This latest work, 'Berlin's Hollow Homes' work follows two others, 'Crossing Continents with Top Deck' published 2017 and 'The Cops, not just a job' published 2019. All are self published, marketed and distributed.


as France, Italy, Ukraine, Georgia, Moldova, Germany.
For the beer drinker we are happy to have a huge selection of domestic and imported beers for your enjoyment.
We proudly carry the largest and most popular Russian beer called Baltika. "Pick your number!"...not sure what that means...ask your waiter.


Irritable Bowel Syndrome (IBS): What is it, what causes it and can I do anything about it?
This particular program will target those common symptoms most associated with irritable bowel syndrome (IBS) and will focus, in particular, on an approach to educate the general public on issues related to this condition. Given that it is now known that that IBS is not only common globally but may feature differences in demographics, symptomatology and even in the terminology used to describe its symptoms in different parts of the world, a more universal approach to IBS is very timely and will be developed in this programme. Furthermore, the sufferer and the healthcare provider continue to experience considerable frustration in the management of this disorder at a time when considerable progress has been made; this programme will provide an update on all that is new and helpful in IBS management.
Program This webcast is organized in two ways: You may view the webcast in its entirety directly below, or alternatively, you may view each segment based on your interest by scrolling down to view the Introduction and any of the 4 individual segments listed by topics.
Scroll down to view the webcast in Espanol, Francais, and Italiano! Deutch coming soon!
Your feedback is welcome and will assist us in assessing the success of this program, as well as future programs. Once you have finished viewing the webcast, please take a moment to provide feedback on this webcast.
Click Here to begin a short survey!
What can I do to deal with my symptoms?
How about diet or dietary supplements?
Eamonn M. M. Quigley, MD, FRCP, FACP, FACG, FRCPI, is Chief of the Division of Gastroenterology at the Methodist Hospital in Houston, Texas, USA. He serves as Chair of The World Gastroenterology Foundation (WGOF) and is a past president of the World Gastroenterology Organisation. He has also served as President of the American College of Gastroenterology. Prior to moving to Texas, Dr. Quigley was Dean of the School of Medicine at University College Cork in Ireland and a Principal Investigator at the Alimentary Pharmabiotic Centre at UCC, a role he continues. His clinical and research interests are functional bowel disease and the role of the gut microbiome in health and disease.
Dr. Richard Hunt is Emeritus Professor of Medicine and Gastroenterology at McMaster University in Hamilton, Ontario, Canada and a faculty member of the Farncombe Family Digestive Health Research Institute. He qualified from Edinburgh University in 1966, is a Fellow of the Royal College of Physicians of London, Edinburgh and Canada, and American Gastroenterology Association, and a Master of the American College of Gastroenterology. He has been recognized with many prizes and medals for his work in Gastroenterology, where his special interests focus on the acid related disorders, Helicobacter pylori infection, the role of anti-inflammatory drugs and the gut and the clinical pharmacology of treatment of gastrointestinal disease. He is also widely recognized for an extensive interest in colorectal disease, colonoscopy, and therapeutic endoscopy. He was President of the CAG 1992-1993 and a founding member and President of the Canadian Helicobacter Study Group 1997-2001. He has served on the Guidelines committee of the World Gastroenterology Organisation (WGO) for several terms and is on the Board of The WGO Foundation.
Anton Emmanuel obtained his medical degree from London University. He is a Senior Lecturer in Neuro-Gastroenterology at University College London and Consultant Gastroenterologist at University College Hospital at the National Hospital for Neurology and Neurosurgery (Queen Square) and the Royal National Orthopaedic Hospital (Stanmore). Prior to this he was Senior Lecturer at Imperial College and St Mark's Hospital. His current clinical work encompasses being director of the GI Physiology Unit at University College Hospital as well as providing a general gastroenterology service. His research includes basic gut neurophysiology and the study of the aetiology and management of functional gastrointestinal disorders of the upper and lower gut. He currently supervises 6 post-graduate research fellows undertaking higher degrees. Laboratory work is undertaken jointly with colleagues in UCL. He is ex-Chairman of the NeuroGastroenterology (NGM) section of the British Society of Gastroenterology (BSG) and chairs the Clinical Studies Group of the NGM section of the BSG. He is the Medical Director of Core, the largest UK gastrointestinal charity, and is editor in chief of Frontline Gastroenterology, a specialist clinical journal.
Pali Hungin is the Dean of Medicine and Professor of Primary Care and General Practice at Durham University, UK. His research interests include therapeutics, the early detection and effective, evidence-based management of disease, particularly in gastroenterology and cardiovascular medicine. He has also published on the epidemiology of gastrointestinal disorders with particular reference to primary care and quality of life issues. Professor Hungin is a founding member of the UK and European Primary Care Societies for Gastroenterology was an external advisor to the Medicines and Health Care Regulatory Agency of the NHS. His recent research has centred on the prevalence, explanations for and the management of functional GI problems and he is the chair of the ROME primary care committee on IBS.
World Digestive Health Day / Year (WDHD/Y) is a yearlong, worldwide public health campaign that includes many activities and events and serves as WGO's flagship advocacy program. WDHD formally inaugurates the annual campaign every 29th May. The goal of WDHD is to increase global awareness of digestive and liver diseases by WGO's national member societies, regional affiliate associations, government agencies, nongovernmental organizations, physicians and other allied health care professionals, media, consumers and the general public. WDHD/Y's success is ultimately derived from the combined efforts of WGO, its national member societies, and other partners worldwide. The 2012 Campaign, From Heartburn to Constipation – Common GI Symptoms in the Community: Impact and Interpretation, had a goal to paint a truly global picture of the symptomatology encompassed within the following disorders: non-erosive reflux disease (NERD), functional dyspepsia (FD), irritable bowel syndrome (IBS) and chronic constipation (CC). Most prominent among these symptoms are heartburn, indigestion, bloating and constipation. It aimed to increase an appreciation of the similarities and differences in the presentation and management of these symptoms between various regions and to develop practical and optimal strategies for the diagnosis and treatment of these in contexts that range from "the man in the street" all the way to the specialist's office.
The WGO Foundation (WGOF) was incorporated in 2007 and serves as the philanthropic arm of the World Gastroenterology Organisation (WGO). Its mission is to provide equal access to high quality patient care for digestive disorders on a global scale, by raising financial support to develop and sustain the WGO's global training and education programs, especially in low-resource countries. The WGO was formed in 1935 and incorporated on May 29, 1958. The WGO is a federation of over 100 national societies and 4 globally regional associations of gastroenterology representing more than 50,000 individual members worldwide. WGO's overarching objective is to promulgate, on behalf of our national society members, education, training and advocacy in developing and low-resource regions globally. WGO accomplishes this goal through a multi-programmatic approach that includes Training Centers, Train the Trainer Workshops, Global Guidelines and Cascades, the quadrennial World Congress of Gastroenterology, Outreach, and Advocacy and Public Awareness Campaigns.


Hi @alexam, based on the screenshot, it looks like the model is hanging while it's preparing to make either a linear or exponential decay kernel for the rival threat. In this case, the kernel has a radius of 72691 pixels ... this would create a HUGE kernel raster on disk, many gigabytes in size.
This assumes that MAX_DIST is in kilometers, and that your threat raster is projected in m.
* are your MAX_DIST column values in Km?
* Is your threat raster projected in meters?
If the issue persists after checking these, could you dropbox your inputs to jdouglass@stanford.edu so I can take a look?


Despite the existence in Latin America of a highly developed norm to collectively promote and defend democracy, there is variation in its application during democratic crises in the region. What explains the variation in responses to democratic crises? This dissertation makes three major arguments. The first is that the variation in responses is a result of the clarity and severity of the democratic crisis. Crises that present a clear threat to the constitutional underpinnings of democracy receive the strongest responses, while threats that are neither clearly undemocratic nor democratic receive the weakest. The second argument I make is that when there is variation to threats that are not clear, the factors of time, polarization within the organization, information, and uncertainty regarding the consequences of responding determine which cases receive responses and which do not. Finally, I demonstrate empirical evidence for the hypothesis that regional intergovernmental organizations in Latin America can be characterized as "clubs of presidents." These findings have implications for our understanding of the various threats to the consolidation and quality of democracy. The data covers 31 cases of presidential crises from 1990-2012. The project uses cross-tabulations as well as in-depth case studies drawing from personal interviews with the former presidents, ambassadors of the Organization of American States, and ambassadors of member-states of IGOs directly involved in the crises.
Montgomery-Smith, Betsy, "Democratic Crises in Latin America from 1990-2012: Explaining the Variation in Responses From Regional Intergovernmental Organizations." Dissertation, Georgia State University, 2015.


text:
Home Business News Slider Benin, Jos airports get NCAA's nod to resume
Benin, Jos airports get NCAA's nod to resume
The Nigerian Civil Aviation Authority, on Friday, authorised the Federal Airports Authority of Nigeria to reopen Benin and Jos airports.
The approval was contained in two separate statements signed by the Director-General of the NCAA, Capt. Musa Nuhu, and entitled 'Restart plan approval.'
The airports were instructed to reopen after satisfactorily meeting the NCAA requirements.
The statement said, "Therefore, having satisfactorily fulfilled most of the requirements of the All Operators Letter of 18th May 2020 with ref: NCAADG/GC/8/16/302 and Advisory Circulars: NCAA-AC-ADR-007 and NCAA-AC-AMS-002 as amended on Post Covid-19 Restart Guidelines and Health Protocols, Federal Airports Authority of Nigeria is hereby authorised to resume normal operations at Benin Airport, Benin.
"Kindly note all standards and protocols applied to the above airports shall be implemented in other airports operated by FAAN for authorisation by NCAA for the resumption of operations."
The NCAA, however, stressed that both airports must observe all guidelines issued by it and the Nigerian public health authorities on the implementation of Public Health Corridor and Aviation Security.


text:
TV Recap: 'Grimm: The Good Soldier'
Posted January 18th, 2014 by Darryl Jasper
"Eye for an Eye,
Tooth for a tooth
Hand for a hand
Foot for a foot"
Good old Ron Hurd is having a bang up time at his local VFW when a less than stable woman, one who's taken to cutting symbols into her arm, pays him a visit. When at first he feigns ignorance, she says "you know me real well" and that's where the shock rolls in. He wants nothing to do with her and gets out of dodge but when he gets home, lil miss thing is waiting for him. His original surprise and, yes, shame, is replaced by unabashed anger and he's talking to some about her being there before deciding her threats of "never going away" is enough and he gets his gun, ready to silence her for good. When he gets back outside, she's already gone, disappeared into the night. But that doesn't mean she's gone and when he locks up for the night, he hears the telltale signs of an intruder. He cases the house and it's not long before he's attacked and gets a scorpion tale shoved through his chest.
Investigating death by large hole in the chest
Nick and Hank are on the scene the next morning, examining the evidence. Hank notices a medal box, a sign that the victim was in the military. They speak to Troy Dodge, who worked with Hurd in Iraq at the Artemis Defense contractor. After chatting with the detectives, he calls the mystery man, who tells Dodge that Hurd called him the night before. "Watch your back," he warns a visibly agitated Dodge.
At Monroe's, he and Rosalee are preparing for her biggest confrontation yet; going home to see her mother and sister, Dietta. It's been more than seven years since she's even communicated with her family and she's already preparing for the hurricane that is "the martyr" in Dietta.
Nick's able to get a bit more information on Hurd about his time in the military and come across the name Jim McCabe, of McCabe Securities. As they make their way to his offices, the mystery woman visits Troy Dodge and his wife. If her conversations with Hurd weren't enough, her confrontation with Troy serves as proof the two men (maybe more) did something most reprehensible to her.
Before visiting McCabe, Hank and Nick stop by the VFW where Candy, the bartender, recaps what she remembers about the previous night. Based on her info, they find a bloody napkin in the garbage and use it when they finally speak to McCabe. His cooperation is superficial and the former solider hides anything that could tie him to the victims and the mystery woman though Nick sees a picture from Iraq that has him, Hurd, Dodge, and a fourth man (Robert Hammond) buddied up. The heat picks up when Hank comes across information on Hammond's murder in Phoenix, and Renard gets the paperwork on Hammond's murder, one that MO matches up with Hurd.
Troy has a face to face with McCabe where he tells his former partner he can no longer keep things a secret. "Jim, we were wrong; this is the only way." With his peace said, Troy leaves but based on McCabe's frosty demeanor, the securities contractor isn't going to let things go that easily.
A bit on the fringes of the episode is Adalind's power slowly returning to her as she hides out in Vienna. Dispensing with any attempts at subtly keeping track of Adalind, Meisner stares at her across from the bar when he sees her telekinetic abilities (as well as some belly pains) start to manifest. He reports back to Renard on this—prior to the Captain speaking with his detectives on the Hammond case—who knows business is about to pick up as far as Adalind is concerned and he warns Meisner to be ready to make a move, "because they will, too."
After less than jovial introductions, Monroe and Rosalee sit down to dinner with her family and awkward turns into downright hostile when Dietta sheds all pretense and rails into her sister for missing their father's funeral. Rosalee breaks down and admits to being in jail at the time. The admission silences her family and the guilt drives Rosalee out into the night where Monroe follows, offering her the morale support she needed. As they make their way back inside, Rosalee's mom steps out on the porch and mother and daughter reunite. Monroe watches from a distance before a scary Dietta sneaks up on him and threatens the Blutbod with serious retribution if he breaks Rosalee's heart.
True to his word, Troy writes out a confession, one his understandably pissed off wife reads and rips up. She storms out of the room and Troy hears her gurgled cry. He runs in to check on her and gets a scorpion tail to the chest for his trouble, joining his wife in death.
Looking more into the Hurd and Hammond connection, Nick and Hank connect on video conference to Hurd's CO, Colonel Adam Desai, who talks about the PMC's as "dogs without a leash." His endorsement of Hurd is less than positive and tells them about the rape charges against Hurd and the others, filed by his Specialist, one Frankie Rodriguez.
Manticore vs manticore
Unfortunately, none of the rapists were able to be prosecuted and the Colonel believes the others are getting what they deserve when he signs off, ready for some more chemo treatment. But the good Colonel's not in DC like the boys think; he's holed up in a Portland motel, no doubt having a hand in the case. The guys do more digging on Frankie and, they find out she was in Phoenix at the time of Hammond's death. When they hear about the Dodges and the tox screening that ID's scorpion neurotoxin in the vics and Troy's confession letter, Nick believes Frankie is the Manticore taking revenge on her rapists. They pick Frankie up just as she confronts McCabe and, when Nick realizes she's a steinadler and only told her CO about what happened, they know where to look.
She calls the Colonel and he apologizes for not being able to do more. They track him to the VFW where he confronts McCabe, who's also a manticore and the one that killed Troy and his wife. The two fight and the detectives arrive just as Desai offers himself up for McCabe to kill, 'Gran Torino' style, knowing his murder will be enough to send McCabe to jail like he deserves.
Nick gives Frankie Troy's confession letter and she tells the detectives, it's all she wanted. She walks away, head held high as she's able to get the closure she's always wanted.
Grimm News
Closure: it's the one thing that, at some point in our lives, we all require. Whether it's answers for a dead relationship or someone's inexplicable actions, it can offer us peace for a tumultuous past. Both Frankie and Rosalee have lived the last several years of their life with a storm of unsettled issues they've kept inside. Rosalee finds absolution and forgiveness by her family while Troy's admission to his guilt in such a heinous act will allow Frankie to move forward. While closure does not change what's happened to the two of them, it will give them both the peace they and foundation to move forward.
Though the Adalind storyline was only briefly shown, things are starting to heat up as the baby continues to develop and her hexenbiest powers are slowly making their way back. As they say in wrestling, business is most definitely about to pick up.
Grimm recap
Darryl Jasper
From a young age Darryl embraced everything that was geek. His first true memory of the cinemas was seeing the line wrapped around the building for "The Empire Strikes Back". The light sabers and the Force had him hooked. Though it remains his favorite sci-fi creation, Star Wars was only the beginning. Star Trek soon followed and his obsession with the various iterations of the Enterprise took him to an actual convention. Between these mega franchises, Darryl enjoyed all the geek cartoons of his era: Transformers, GI Joe, M.A.S.K. Bravestarr, Silverhawks, Voltron, and the like. An avid reader, it wasn't long before his sci-fi and fantasy partiality in movies transferred to his reading. Star Trek was the beginning and in a strange twist, led him back to the novelized world of Star Wars. It has been non-stop geek since. Though comic books and action figures have all been a part of his menu, movies, television, and books remain his primary focus. Oh, and he's a pretty avid gamer to boot (PS3).
Comic Book Review: 'X-Men Legacy' #22
Comic Book Review: 'Justice League of America' #11
How I Lost My Sci-Fi Virginity
SDCC 2014: 'Under The Dome' Looks To Give Us The Return Of A Major Character
Apple TV+'s Isaac Asimov-Based Series 'Foundation' Is Down One Showrunner
Robert Zemeckis Returns To Aliens With 'Blue Book'


The Met Office said severe gales of up to 80mph on Tuesday across the south will give rise to the second named storm of the season.
A severe weather warning for wind has been issued across the region as 'Barney' sweeps in from the Atlantic.
Gales of 60mph are expected widely while coastal gusts could top 80mph as the storm rips through Britian during hte afternoon and into the night.


text:
How to Sell Literature
Susan Hill doesn't believe in public funding for literature, full stop. If no-one wants to buy the books a small publisher produces (and she gives some figures to support the notion that they often don't), then they shouldn't be funded, she says, not in a world where old and ill people are failing to get help because of lack of public funds.
But the question is, Why are the sales figures for some books published by small publishers so small? Is it, as Susan seems to be implying, that the books are basically unsaleable? And since the publishers at the heart of this discussion (about the recent Arts Council cuts) are 'literary' and 'highbrow', what's being said here? That 'highbrow literary' fiction is unsaleable? Well, as readers of this blog will know, I maintain that with the right marketing strategy you can sell anything. Is it rather, then, that the publishers of these non-selling books are failing in their marketing strategy, either through their own fault or through commercial forces entirely outside their control - the refusal of bookshops to stock their books, for instance? (And if it's this last, then wouldn't it be a case for more funding, not less?)
Or is it that, as Mark Ravenhill takes as his premise in his Guardian column this week, good art, which is 'complex, troubling, difficult', is unsaleable in a society with 'the more direct pleasures of video gaming and reality TV' on tap?
Ravenhill's solution, which as an ex-schoolteacher I find utterly seductive (and amusingly utopian), is to put the money into education. Educate people to want the good art, he says, and then it will sell.
Labels: Marketing fiction, public funding
Steerforth said...
Susan Hill is wrong. If we adopted her argument, there would be no Radio Three or National Theatre. Most of publishing is dominated by market forces and that's fair enough, but what about those classics and contemporary masterpieces that aren't economically viable to publish?
Thank God for Dedalus. They introduced me to some wonderful authors - Sylvie Germain, for example.
I don't want to live in a country whose artistic life is directed by Daily Mail readers.
Vanessa Gebbie said...
George Steiner echoed the concerns in a talk last night at the Royal Society of Literature.
Among other things he quoted this horrifying statistic: 80% of American teenagers now approach their first love relationships using templates 'learned' from television and films. Only 20% find their own unique way to express their feelings to their first loves.
This culture is having an effect on literature too. He felt that our literature was in trouble for many reasons, and this was one.
mythusmage said...
The classics don't appeal because of how people are introduced to them. It's usually in a class room presided over by somebody with a hard case crush on the classics, who proceeds to strip the books she purports to love of any appeal they might otherwise hold for the prospective reader. In Eric Flint and Virginia deMarco's 1634: The Bavarian Affair one character expresses outrage at the liberties being taken with Shakespeare's plays in 1634 English playhouses.
My point is, we have taken entertainment from earlier times and turned them into holy writ. We have turned Oliver Twist into a parable, and don Quixote into a gospel. Let's face it, Gilgamesh was the Conan of his day, and we've made him into Galahad with a sidekick.
The publishers aren't helping themselves any. Check out the science fiction/fantasy or mystery sections sometime. Covers that catch the eye, covers that promise. Covers that intrigue, entice, draw. What do you get in the literature section? Covers with all the appeal of an off-key dial tone.
That book has a good story inside, let the world know about it. It's about a regency era woman dealing with difficulties on an English moor (Jane Eyre) Then you put a resolute broad in Regency garb looking out over a desolate moor with her hair flying windblown about her on the dang cover.
Yes, it's about selling. It's about selling because you're competing with other entertainments for people's time. You want your book to sell you have to convince people you're worth their time, and do it quick. You can't, or won't, work your ass off to get and keep their attention, you're in the wrong line of work.
And bitch me no bitch about art. You're not doing art, you're a storyteller. You're a craftsman. You can achieve the level of art, all well and good, but your goal is to produce a well-crafted piece, and get it out successfully into the world. H. P. Lovecraft's Cthulhu stories were deliberately overwritten; he admitted to it. But because he also knew how to tell a story, and tell it well, people still seek them out to read.
You want people to admire you, don't expect them to read you. You want people to read you, don't expect most of them to admire you, though some well amazingly enough. Don't write with the aim of being important, write with the aim of being read. Achieve that aim and important is far more likely to follow.
Steerforth,
I remember when Lovecraft was uttermost trash, now he's being taught as literature (poor bastard). Ever think that maybe Daily Mail readers know what they're doing?
Is Contemporary Fiction Tired?
Bad Publicity Turned to Good
Will Great Writers Always Make It?
Positive Reviewing: a Cultural Error
A Chestnut Even Older than I Thought
The Old Blogging/Newspaper Chestnut


text:
8 minutes ago, Nerm said:
I was hooked right away and the first episode has some great moments that really pulled me in especially the ending and the scene i've posted below. The life of these 1960s New York ad men living as kings right as the world began to change forever. The show is a reflection of modern society through the prism of the 60s. The sets, outfits, acting, soundtrack and writing are all incredible. But the series is entirely people in rooms talking. This isn't the show for action. It's all character study and drama. Flawed people going about their lives dealing with coworkers and family and the evolving society around them. For somebody young, it was fascinating seeing these events before my time like the moon landing and Kennedy assassination play out in other people. I was immediately sucked into the time period. The show is entirely narrative character driven. It doesn't rely on flash or even twists in the story. It relies on the quality of the characters and what they are doing/saying.
The ad pitches are really great too as are the inner workings of the business and dealing with their clients that become part of their day to day. you feel the stakes with each pitch or business deal. Most episodes take place weeks and months apart so you have the chance to see how the characters change or not over time.
The cast is truly extraordinary and they bring life and complexity to their characters so well that you love and hate them all at different points. It's anchored by Jon Hamm as Don Draper, one of the greatest TV characters ever. A brilliant ad man at the top of his craft, rich, ridiculously handsome, the world in the palm of his hands and yet there is that darkness, that mystery, that emptiness within him.
It's the one show where I actually missed the people (not the show) when it was over. I was sad they wouldn't be in my life like friends moving away. We see so much of their lives over the course of the story, they leave an impact. And their flaws, desires, mistakes successes are handled more realistically than any show I've ever seen. It's probably the only show I would say is literal art. Just put it on a continuous reel and stick it in the Smithsonian already.
This is from the first episode so it's not really a spoiler just don't read the comments but it's a great example of the quality of dialogue and strength of characters that last until the end of the series.
2 minutes ago, abdcskins said:
The Handmaids Tale. Probably should have used a better acronym.
Riggo#44
D&D about to add Aaron Rodgers.
Mad Men was pretty good but not earth shattering. I do recommend watching it though.
On his blog, titled An Ending, GRRM reminisces about his initial meeting with David Benioff and D.B. Weiss over a decade ago. He remarks on how quickly that time has gone by and how little idea he had at the start that the show would become one of the most popular television series of all time.
He takes the time to thank some of the people involved in what he terms, "a wild ride, to say the least," including the cast and crew, David and Dan, the team at HBO, headed up by Richard Plepler, and the wonderful Bryan Cogman, referring to him once again as "the third head of the dragon."
GRRM goes on to discuss what future projects lie ahead for him and the showrunners. This of course includes Star Wars for David and Dan, as well as what appears to be confirmation by GRRM of Bryan Cogman working on Amazon's new Tolkien series! As well as finishing off the ASoIaF books, GRRM himself has eight(!) TV shows in development – five with HBO, two with Hulu, and one with the History Channel – numerous feature adaptations, and other new projects to keep him busy!
And I'm writing. Winter is coming, I told you, long ago… and so it is. THE WINDS OF WINTER is very late, I know, I know, but it will be done. I won't say when, I've tried that before, only to burn you all and jinx myself… but I will finish it, and then will come A DREAM OF SPRING.
How will it all end? I hear people asking. The same ending as the show? Different?
Well… yes. And no. And yes. And no. And yes. And no. And yes.
I am working in a very different medium than David and Dan, never forget. They had six hours for this final season. I expect these last two books of mine will fill 3000 manuscript pages between them before I'm done… and if more pages and chapters and scenes are needed, I'll add them. And of course the butterfly effect will be at work as well; those of you who follow this Not A Blog will know that I've been talking about that since season one.
There are characters who never made it onto the screen at all, and others who died in the show but still live in the books… so if nothing else, the readers will learn what happened to Jeyne Poole, Lady Stoneheart, Penny and her pig, Skahaz Shavepate, Arianne Martell, Darkstar, Victarion Greyjoy, Ser Garlan the Gallant, Aegon VI, and a myriad of other characters both great and small that viewers of the show never had the chance to meet. And yes, there will be unicorns… of a sort…
Book or show, which will be the "real" ending? It's a silly question. How many children did Scarlett O'Hara have?
How about this? I'll write it. You read it. Then everyone can make up their own mind, and argue about it on the internet.
KevinthePRF
Let me give you the definition of irony.
The message carried away in the finale is despite Dany's best of intentions, she gave into her nature and history repeated itself as the Mad King giving rise to a Mad Queen he never knew.
Now I hated the ending because despite plenty of foreshadowing, Dany's 180 felt hokey and forced because up until the last two episodes she was painted as a primary protagonist.
The closest comparison to this is Revenge of the Sith. Anakin Skywalker's 180 in that movie felt hokey and forced because despite plenty of forshadowing, he was painted as a primary protagonist for 2 1/2 movies. It was terrible, GOT finale was terrible for the exact same reason.
And now, the showrunners of GOT next project is Star Wars saga in 20twentysomething. Now Star Wars most cursed history is doomed to repeat itself despite the best of intentions.
I don't recall seeing this when it came out.
stevemcqueen1
I bet GRRM and his publisher hired ghostwriters to mimic his style and finish the series for him. There is so much money to be made off of the final two books, why wouldn't they? Enough time has passed since the last one was released that if there are detectable changes in style, they can be written off as evolution.
I don't think GRRM stopped writing ASOIAF because the story got away from him. Series like this are intricately planned before the first book is published. I think he stopped writing it because he lost his inspiration to go through with the daily grind of writing epic fantasy novels. He's running a production company now, and he's figured out that it's a lot easier and he can make a lot more money and be a lot more popular by developing stories for TV networks rather than grinding out novels.
Lastly, GRRM is a genius who did something revolutionary in the High Fantasy genre--gave us a brutal and in depth meditation on medieval sociopolitics, monarchy, and war that we never knew we wanted before we read him. And the result is something wildly popular in America, of all places. And he attempted to modernize and adapt the heroic epic literary form to a current macro-historical view of history without heroes. It's a shame that he left the popularization and eventually the telling of his story up to hacks.
TD_washingtonredskins
I hate to turn this into the Mad Men thread, but this scene is the one that hooked me for good...the pictures in his slide show contrasted with the actual events of his life and his obvious sadness make this scene so compelling to me. It's beautifully acted and wonderfully written...
gbear
The Deep Threat
I dont know if anyone else has posted this yet.
32 minutes ago, TD_washingtonredskins said:
Yeah that one brings me to tears, just immensely powerful in that moment. I was going to include it but didn't want NERM to see it prior to watching the first season. That one hits like a ton of bricks.
"Nostalgia – it's delicate but potent. Teddy told me that in Greek, "nostalgia" literally means "the pain from an old wound." It's a twinge in your heart far more powerful than memory alone. This device isn't a spaceship, it's a time machine. It goes backwards, and forwards . . . it takes us to a place where we ache to go again. It's not called the wheel. It's called the carousel. It lets us travel the way a child travels – around and around, and back home again, to a place where we know we are loved."
He knows what he has and why it should be enough for him. He longs for the catharsis of closing that old wound but he is incapable of making the changes needed to do so as he continues to move as a carousel, in circles without moving forward. And then we spend the rest of the series watching this and learning why he is so broken.
@Momma There Goes That Man that delivery was perfect...this is the snip of that which gets me every time:
"...it takes us to a place where we ache to go again."
Honestly the show would fall apart if Don wasn't actually so brilliant. You can't tell me he's the mozart of ad men and then not show me or the pitches you come up with are just ok. Fortunately, the writing for all of these pitches and ideas is so great and intriguing that it makes it believable that he is so good at what he does and they play perfectly into the narrative at the moment, like the Hershey pitch.
3 hours ago, stevemcqueen1 said:
You seem pretty down on the books as well. Would you finish the series if they are released?
12 hours ago, KevinthePRF said:
This is a pretty accurate comparison and made all the more disappointing because GOT had 70+ hours to show this descent correctly, or hell even starting with season 7 they had 15 hours. Star Wars had like 6.
Honestly the show would fall apart if Don wasn't actually so brilliant. You can't tell me he's the mozart of ad men and then not show me or the pitches you come up with are just ok. Fortunately, the writing for all of these pitches and ideas is so great and intriguing that it makes it believable that he is so good at what he does and they play perfectly into the narrative at the moment, like the Hershey pitch.
Yep. It's spectacular writing. Showing and not telling. Really complex interpersonal dynamics on display in Don's "I'm really ****ing good at this" scenes that leave everyone else floored. The writers and directors and production people got really good at conveying these moments and the cast was always amazing. Part of what makes it all work so well is that Jon Hamm is so handsome and compelling, in a classical way. He casts the spell. And the scenes themselves become deeply satisfying, in part because we want to see Don's position in the show and in the world as being justified by at least some kind of value/worth.
My favorite Mad Men episode of all is the one where Don reads the Frank O'Hara book of poetry. I love seeing the halting way his beat sensibility awakens. And the ending where he walks his dog and mails the book to Anna while Jon Hamm reads Mayakovsky in voice over gives me chills. It was art transcending the medium.
Oooh, another one was the first episode of Season 2 when Don is sitting in that restaurant and there is a harpist playing Sadko's India Song by Rimsky Korsakov and the show overlays an orchestral version. Betty walks down the staircase and Don is visibly moved by her beauty and you get this densely packed moment of emotions from Don ranging from smug swagger to pride to love and hope for redemption, all conveyed through music and his face. It's incredible.
The show was poetry.
Edited May 22, 2019 by stevemcqueen1
You seem pretty down on the books as well. Would you finish the series if they are released?
I loved the books. I didn't necessarily enjoy reading them by about midway through the fourth book. I think you have to pace yourself with them because of how oppressive the content is. But they're an achievement. And I think GRRM is a special writer within the genre, with a great style and impressive vision. I think I'd read them if he publishes them. But I strongly suspect he's having them ghost written, and it really bothers me when a series of novels changes authors midstream. I get really sensitive to an author's voice and it breaks the spell for me when it changes.
34 minutes ago, stevemcqueen1 said:
Posts like this make me wish I was a lot more intelligent haha.
I love the show - will probably rewatch again soon - but I definitely haven't picked up on half of the stuff you mention just in this one scene.
6 minutes ago, Heisenberg said:
I love the show - will probably rewatch again soon - but I definitely haven't picked up on half of the stuff you mention just in this one scene.
Don't sell yourself short my friend. You pick it up in the emotion that it makes you feel. You don't have to spell it all out rationally to get it, it's sub-rational. That is the communicative power and beauty of art.
It was art transcending the medium.
That was all perfectly said. Those are both fantastic moments and we get scenes and callbacks like that so consistently it's almost hard to fathom. Don reading Dante's Inferno at the beginning of a particular season which is the season where he literally loses everything and ends the season confronting his own personal hell, his childhood home.
It's just masterful. I'm going to have to watch it again.
I started re-watching it the other night...
Mario Puzo/Francis Ford Coppolla pulled off the same basic theme in about 6 hours of film.
I get that people are dissatisfied, but there is no ****ing way the GoT finale was worse than Dexter or even Lost.


This is a really cool article about how the brain works. It provides a lot of insight into what is going on inside of our brains when we complete certain tasks over others. I think this is very important for artists to understand over most other types of people because our brains are pretty messed up sometimes.


It's hard to find a place more visually stunning or seemingly untouched than Patagonia, the region in the Southern Andes shared by Argentina and Chile. Home to the world's third largest ice field, after Greenland and Antarctica, as well as staggering peaks and some of the most brilliant scenery on Earth, Patagonia is the ultimate adventurer's paradise.
Though the mountains in Patagonia are not nearly as tall as their Himalayan counterparts, they are world renowned for their sheer faces and are considered some of the most technically challenging mountains to climb in the world. If you're not ready to rope up and give those a shot, don't worry, you can still enjoy their majestic beauty as you hike through some of the region's more friendly trails. As you hike your way to Lakes Torre and Capri, you will understand why the region is famed for its vistas as you come face to face with the regions two tallest peaks, Cerro Torre and Fitz Roy. At 10,262 and 11,168 feet tall, respectively, it's easy to see why these giants have gained their reputations.
Another geographical feature which Patagonia is famous for is its ice fields. The Perito Moreno Glacier, a 97 square mile ice formation in the Los Glaciares National Park is particularly well-known. Perito Moreno is the world's thirds largest reserve of fresh water, and one of the few glaciers in the world that is actually growing. It is "fed" by the Los Glaciares ice cap, which feeds 46 other glaciers, as well, and makes up the National Park. In order to truly get a feel for the glacier's awesomeness, make sure you trek your way across it, allowing you to get up close and personal with its surreal peaks and neon blue crevasses.
It's impossible to visit Patagonia and not be inspired, whether by the landscape, by what you've accomplished, or by what you've discovered. Make sure you bring your camera and your sense of adventure because it'll be the trip of a lifetime!


Broil King's new simplified grid lifter removes both cast and stainless cooking grids in Broil King grills. One set of tines to remove cast and another to remove stainless cooking grids. Stainless with resin handle.