For those with smaller sized gardens and limited storage the Napoleon Rogue 425 Stainless Steel Natural Gas Grill is a godsend, given that it is smaller than other grills. Even better is the fold down shelves which reduce the amount of space required and also act as handy storage units when folded down.
If simplicity is your thing then look no further than the Blaze 3-Burner Freestanding Stainless Steel Natural Gas Grill. There's nothing complicated about it, and it is very easy to ignite and control the burner. You have grill separators to make it very easy to cook different foods, all at the same time.
Our top choice in our search for the best stainless steel natural gas grill is the Dyna-Glo Stainless Steel 5-Burner Natural Gas Grill. This is a grill that has all the versatility any BBQ chef would want, with a price ticket that we had to look at twice to believe it was for real.
The main grill has the capacity to cook over 25 burgers at a time so there's plenty of capacity if you need to cook for a few extra guests. Each of the burners is individually controlled and they are lit easily using the electronic ignition system. Each burner has 12,000 BTUs so whether you are searing meat or warming it gently you can set the heat at the perfect setting.
At the rear, you have an infra-red rotisserie burner which is ideal for cooking meats evenly and if that wasn't enough there is a side burner which can be used for boiling or frying side dishes.
Adding all that up means you have a total of 764 sq. inches of cooking area and 79,000 BTUs which allows you to cater for everything from an intimate steak dinner, to a full-sized BBQ garden party.
To help you whilst you cook there are two side shelves for holding BBQ tools, condiments and cutlery plus there's further storage under the grill, thanks to the two-door cabinet.
==> Get It From Home Depot Here!
Cooking a BBQ in your garden should be an enjoyable experience and the more your grill can do to help you the greater that enjoyment will be. The Broil King Regal S490 Pro Stainless Steel 4 Burner Natural Gas Grill is one such grill with just about everything a BBQ chef needs to get those steaks and burgers just right.
The main grill has 4 burners which deliver up to 50,000 BTUs of cooking heat and give you a main cooking area of 500 square inches. Each burner is ignited electronically and can be adjusted individually for maximum control over cooking speeds and temperatures.
Additional cooking capacity comes from the rear rotisserie which has one of the very best spit rods and motor units we have seen. This is ideal for roasting chicken or pork joints especially when you are cooking for a larger crowd.
If you want to give your guests some fried food, boiled vegetables, or if you want to create your very own sauce recipes, you can do so thanks to the 10,000 BTU side burner.
Convenience seems to the name of the game with this grill as apart from all the cooking capacity, the job is made easier for you with a storage cupboard, two side shelves, which have both hooks for hanging your BBQ tools, and cup holders, just in case you want to sip on a cold drink whilst you cook everyone's steaks to perfection.
When you see the name 'Weber' on a grill, it means you are looking at a quality product. After all, they didn't become one of the world's top manufacturers of cooking equipment by accident. With the Weber Genesis II LX S-340 Stainless Steel Natural Gas Grill they have produced another top-drawer product.
This grill is probably more suited to smaller BBQs as it only has three burners, albeit they each produce a respectable 12, 000 BTUs of heat so there is no lack of cooking power. Also, the fact that the main grill area is 513 sq. inches means it is still going to be able to cook everything at once rather than in installments.
This is helped by the fold down warming rack which means cooked food can be kept warm until serving time. A side burner also means that side dishes and sauces can be cooked separately from the main grill.
Weber's 'infinity' ignition system ensures the burners light quickly every time, and once they are lit you can control them easily using the individual backlit control knobs. Keeping with the theme of making life easy for you, a grease management system ensures that when it is time clean up, it is not a difficult chore. If all that wasn't enough, there is a fold down side shelf, a storage unit and hooks for holding your BBQ tools.
If all that wasn't enough, there is a fold down side shelf, a storage unit and hooks for holding your BBQ tools.
If you love having BBQs and cookouts but have a smaller garden or limited storage space, then the Napoleon Rogue 425 Stainless Steel Natural Gas Grill could be the answer.
The reasons are, not only are its dimensions somewhat smaller than most stainless-steel grills, its two sides shelves also both fold down. This helps when you have a smaller area in which to cook or have a lack of room to store it away. A great feature of these shelves is that when they are folded down when the grill is used, you can use them to store tools and cutlery which not only saves space but is also more convenient for everyone, especially the chef.
A great feature of these shelves is if they are folded down when the grill is being used to cook, you can use them to store tools and cutlery which not only saves space but is also more convenient for everyone, especially the chef.
Although it is a slightly smaller grill, the Napoleon Rogue 425 can still cook a decent amount of food for you and your guests. It has 3 main burners with a total output of 36,000 BTUs so plenty of steaks, chicken, and burgers can be on the go at the same time. There is also a side burner which can act either as an additional grill or be used to make a stir fry or even soup.
Other great features are a side holder for condiments and a two-door storage unit underneath to store other items such as the grill cover, and your BBQ tools when not in use.
• Ideal if space or storage is limited.
If you are looking for a grill that is simple and straightforward to use, then the Blaze 3-Burner Freestanding Stainless Steel Natural Gas Grill fits the bill completely. A first glance at this grill tells you that there's nothing complicated about it, so instead of reading 10 pages of instructions, you can instead concentrate on cooking the food straight away.
The grill has three natural gas burners, which each produce a very respectable 14,000 BTUs each. There a cooking area of 558 square inches so that gives you plenty of room to place the steaks, chicken, corn, spuds and even have some left over for the odd stuffed pepper or two.
To enable you to cook at different speeds and temperatures, each burner has its own controller, and stainless steel separators effectively split your grill into three so each food type is cooked just right.
As your food is cooked it can be placed on the removable warming rack, so when it is time to serve, everything can be dished up together. Two side shelves can be used to help serve or to hold cutlery and condiments for your guests. When all the festivities are over, you can store your tools and other accessories in the storage unit, or use it for the grill cover whilst the grill is in use.
==> Get It From BBQ Guys Here!
The amount of cooking capacity you'll need will obviously depend on the number of guests you normally invite when you have a BBQ. For some that will mean just immediate family so other than the main grill to cook some steak and burgers the need for additional capacity doesn't exist.
On the other hand, if you like to have large garden parties, you're not only going to need a larger main grill area, but an additional side burner, infrared rotisserie, and a warming area are all recommended so that you can cope with the larger amount of food that needs to be cooked.
Cooking flexibility refers to the ability to control each burner individually, which should normally be the case for any decent natural gas grill. Some might also offer grill separators which effectively split the grill into different cooking sections for added cooking options in terms of temperatures for different foods.
Ease of use firstly applies to the cooking functions, so look for electronic ignitions and simple controllers. In addition to the actual cooking, grills which have very convenient features like folding shelves, accessory hooks, storage units, and drinks holders all make the experience of cooking BBQ food, much more enjoyable.
Everyone has a budget in mind, no matter what product they are thinking of buying and presumably this will be same for you when buying a stainless steel natural gas grill. These grills can have a considerable range of prices, starting from a few hundred dollars, all the way up to several thousand. Don't make the mistake of thinking just because something has a very high-ticket price, it is going to be light years ahead of a product a fraction of its price.
One of the very insightful points you will find amongst the grills we have reviewed, is that within the stainless steel natural gas grill market there are several very impressive products that are priced very competitively.
Whenever there is a BBQ, whether it's just the family having a few burgers, or a full-blown party with lots of neighbors, friends, and family, the whole point is that everyone has a good time, great food, and enjoys themselves. In most cases, everyone will, and this must extend to the BBQ chef too!
Whether that chef is mom, dad, Uncle Harry, or the guy from down the street who is an expert at cooking steak, they have as much right to enjoy themselves as anyone else, and this is where a stainless steel natural gas grill hits the mark.
Now we accept there are some who insist that a BBQ is not a BBQ unless charcoal or wood chips being used for the fuel, and if that includes you we are not going to try to change your mind on that. However, using a natural gas grill to cook steaks, chicken, sausages, burgers, corns or potatoes, does not mean that the food is going to taste any less delicious.
The benefit to the chef of using a natural gas grill is firstly how easy it is to light the burners, which in most cases is literally at the flick of a switch with the use of electronic ignition. This means the chef can get on with starting to cook food straight away. Compare that with charcoal or wood chips, which take time to light and then even longer to start burning at a sufficient heat level to cook food with.
Once the chef has started cooking they are able to set the burner on a stainless steel natural gas grill to exactly the right setting for whatever food they are cooking. This is done with simple to operate control knobs which regulate the flame on each individual burner. Some grills also have stainless steel separators so that foods can be separated out to cook at different heat levels. With other fuels that can't be controlled with this level of flexibility, it is much harder to regulate as all the fuel is burning at the same intensity so the chef has a more difficult task.
With natural gas grills, chefs can also have additional cooking capacity and flexibility with a side burner, rear rotisserie or warming area at their disposal, depending on the model. These allow the BBQ chef to cook additional foods and sauces whilst the main grill takes care of the steaks and burgers. They are also able to keep food warm in readiness for serving whilst everything else continues cooking.
The job of a BBQ chef is also made much easier if everything they need to cook food is at hand and easy to reach. Most stainless steel natural gas grills come with side shelves where condiments can be placed, therefore when the chef wants to add flavoring, seasoning or a sauce to anything they are cooking, they are all within easy reach.
Side hooks for grilling tools also make the chef's life easier, and some grills also have additional storage bins where these can be placed. There are even some natural gas grills with a drinking cup holder so the chef can have a refreshing cold drink to help keep them cool from all the heat generated from the grill.
If you or your nominated BBQ chef simply love the act of cooking it might be that is all you need to have enjoyment at your next BBQ. However, it is surely made more fun, by the extra flexibility and convenience that a stainless steel natural gas grill can give you as those steaks brown, and the sausages sizzle.


Accounting Spreadsheet Templates Excel Spreadsheet Templates for Busines Excel Sheet For Accounting Free Download. How To Maintain Accounts In Excel. How To Maintain Accounts In Excel Sheet Format.
by Charles W. Garcia at Tuesday, July 31st 2018 07:03:13 AM.


This month we are discussing "Don't Make Assumptions." This is an important agreement because assumptions are where we create stories and explanations around events that we don't understand, which we then emotionally react to, which leads to drama and suffering, mostly for us.
As with the other agreements, we can bring the Toltec masteries of awareness and transformation to bear to first bring it into our awareness when we make assumptions, and then shift our perspective using the Toltec tools to help us stop doing that and end the drama and suffering that results.
The discussion will be led by EaglesVision, who has been studying Toltec wisdom for 8 years with various Toltec teachers.


One of the perennially popular cafe's in Marrakech despite the burning question raised by Café les Negoçiants, an attractive and cosmopolitan café in the centre of Gueliz, is this: why would you bother spearing a toastie with a cocktail stick when all there is to keep inside is a slice of processed cheese? Such burning issues are unlikely ever to be addressed, but it doesn't really matter because the reason to come here is not the food (which is definitely more on the 'miss' side of 'hit and miss') nor the service (laconic at best) – but simply to people watch. Café les Negoçiants is very popular with locals and tourists alike for this reason, and the tables out front in warm weather are generally packed with a mix of Moroccans and tourists watching the action on the perpetually busy Abdel Moumen. The establishment recently swapped its famous green and white awning for a new red and brown design but don't be fooled: the soul of the place is essentially the same.


With the promotion of a revitalized export economy viewed as an effective policy to help engineer a durable, job-generating recovery, New Start New Jersey has examined national trends related to exports, looked at a best-practice model in the Greater Portland Export Initiative and explored steps our state might consider taking in this direction. Joining New Start New Jersey for this discussion are Derrick Olsen, Vice President of Regional Strategy and Promotion for Greater Portland Inc., and Dr. John Kennedy, CEO of the New Jersey Manufacturing Extension Program.
Hosted by New Start New Jersey Chairman & Co-Founder Philip Murphy.


Aurelium Spitty (sound engineer, synth, drum machines, effects), J.R.Ewing (keyboards, effects) and Judy Asquith (voice) recorded their first demotape in spring of 1984. With this initials and with a formation that will include in occasional and discontinuous way other musicians, they recorded various self produced tapes and they sporadically played live in1985/86.
The whole material has been mastered from analogical tapes. The group has rarely used techniques of multitracks recording preferring to record live .


text:
Lead Poisoning Stories
Massive Drop in Lead Testing Threatens Children's Health
Medical screenings for many conditions have fallen to the wayside during the COVID-19 pandemic, raising concerns from doctors about patients going untreated. One particularly alarming trend is a...
September 16, 2020 6:15 PM By Sean Marsala
Low-Level Lead Exposure Can Still Risk Premature Deaths, Cardiovascular Disease
A new study warned even low levels of lead exposure can lead to significant number of deaths.
March 13, 2018 7:00 AM By Sadhana Bharanidharan
Is Lead Hiding In Your Baby Food?
Researchers found a surprising amount of lead hiding in many different types of baby food.
June 16, 2017 3:36 PM By Janissa Delzo
Nearly 1 in 4 Americans Have Questionable Tap Water Sources
A report released Tuesday has found that nearly a quarter of tap water sources in the US are either contaminated or are not being properly monitored.
May 10, 2017 12:50 PM By Dana Dovey
How To Test If Your Drinking Water Is Lead-Free
There's more than lead lurking in water; here's how to test if your drinking water is safe.
October 31, 2016 6:22 PM By Lizette Borreli
Flint Children's Blood Lead Levels Rose In Water Crisis
Officials from the Centers for Disease Control and Prevention said on Friday that the percentage of young children with elevated blood lead levels was significantly higher when the water source was the Flint River.
June 25, 2016 12:04 PM By Reuters
A Brief History Of Lead Poisoning In Major Cities
Due to the metal being incredibly flexible and accessible, lead has been ingrained in human function and society for thousands of years, and it's been seeping into our bodies the whole time.
June 8, 2016 10:15 AM By Lecia Bushak
Portland Public Schools In Hot Water For Lead Levels
The district apologized to parents and staff on Friday for not following EPA protocols.
May 28, 2016 5:28 PM By Reuters
Flint Water Crisis Spurs EPA To Conduct National Water Study
The EPA has announced it will work on a new national water study and action plan to improve the quality of drinking water across America.
April 27, 2016 3:02 PM By Lecia Bushak
Toy Jewelry Kits Linked To High Lead Levels
The New York attorney general said the amount of lead found in Cra-Z Art jewelry kits far exceeded the federal limit for children's products.
April 24, 2016 3:20 PM By Reuters
Top Chocolate Manufacturers Accused Of Lead Poisoning
A watchdog group warns consumers there may be dangerous levels of lead found in chocolate from Trader Joe's, Hershey's, and more.
March 26, 2016 4:43 PM By Jaleesa Baulkman
Do We Need To Disinfect Tap Water For It To Be Safe?
The use of residual disinfectants to safeguard drinking water may not be necessary: study.
February 25, 2016 2:37 PM By Susan Scutti

redpajama_set_name: RedPajamaCommonCrawl


"Where two or three are gathered in My name, I am there in the midst of them." Matthew 18:20.
Recently, 14 women attended St. Matthew's Girls Night Out at Stella Notte Restaurant in Ellicott City. Nights out are organized approximately once a month.


text:
Q: Get text of property in object returned from REST I am trying to address an email to users that are in a specific list.  By expanding Member I can get the users email address via REST.  I can't seem to grab that email address in my script however.  How do I expand upon Member in console.log(results[i]["Member"])?
Right now that returns [object Object] which contains EMail, but I don't know the correct syntax to grab that property.
I have tried console.log(results[i]["Email"]) , console.log(results[i]["Member/Email"]) , and anything else that I can think of but can't seem to get it right.
$.ajax({
    url: "<MySite>/_api/lists/getbytitle('MyList')/items?$select=Member/EMail&$expand=Member",
    type: "GET",
    headers: {
            "accept": "application/json;odata=verbose",
            "content-type": "application/json;odata=verbose",
            "X-RequestDigest": jQuery("#__REQUESTDIGEST").val()
        },
    success: function(d) {
        var stringData = JSON.stringify(d);
        var jsonObject = JSON.parse(stringData);
        var results = jsonObject.d.results;
        for(i=0; i < results.length; i++) {
            console.log(results[i]["Member"])
        }

    },
    error: function() {
        console.log('fail');
    }
});

A: Have you tried console.log(results[i]["Member"]["EMail"])
You said Member contains EMail but then looked for Email (small m) and didn't look in Member.

redpajama_set_name: RedPajamaStackExchange


"ESLD is honoured to announce another of its lasers and EBDs teaching courses. Participation will assure not only that you will feel more secure in your future practice, but also that you will have established the base to guarantee reliable and satisfying outcomes for your patients.
N.B: the course will be held in english.
Casa di Cura Villa Donatello S.p.A.


You know Brooklyn Decker from her modeling and acting days, but did you know she's also the mind behind one of the most innovative apps out there? Finery, her latest venture with co-founder Whitney Casey, is a groundbreaking closet-organization tool akin to that covetable scene in Clueless—but way, way better, because it's for real. We talked to Brooklyn (and toured her breathtaking lakeside getaway) about screen time with kids, time-saving wardrobe hacks, and how she's changing the game, once and for all.
Rip & Tan: What is Finery? How long did it take to get from dream to reality?
Brooklyn Decker: Finery is the modern day "Clueless" closet. You sign in with the email you shop with and our patented technology consolidates your wardrobe, so you don't have to be standing in your closet to actually see what you own. Think about your music library being everywhere with you on your phone—we've done that for your clothing.
Rip & Tan: After working as a model and actress, you pivoted your career towards tech. What was the biggest challenge to adapting to a new industry?
Brooklyn Decker: The biggest challenge has been adjusting to the professional environment. As an actor, I'm not working with spreadsheets, Google Docs, weekly conference calls, office hours, etc. We quite literally play all day on set! Neither is without its own challenges, they just require a completely different skill set.
Rip & Tan: Earlier this year, you raised a cool $5 million in funding. Venture capital is largely a male-dominated field—do you have any advice for women wanting to be heard in rooms of mostly men?
Brooklyn Decker: It's very challenging. The two things that were successful for us: relating our problem—that women are sick of spending money on redundant purchases and a ton of time figuring out what to wear—to that of a man's; and introducing the product to their (mostly female) executive assistants prior to the meetings. Several female founders we know sent product to the wives or EA's of VC's, so there was some familiarity when these guys were asking the women in their lives about a particular investment.
Rip & Tan: How do you balance running a business while working as an actress and raising a family? Do you have any tricks to maximizing your time and productivity?
Rip & Tan: How did you meet your co-founder, Whitney Casey? What is it about your dynamic has made your partnership so successful?
Brooklyn Decker: A mutual friend introduced us years ago and we hit it off right away. Our friendship is rooted in brutal honesty, so we knew our business partnership could handle anything. We both have strong personalities but also deeply respect one another. We've taken a "divide and conquer" approach to our business. We have a common goal, but each person has ownership over different aspects of the business. It makes us more productive as partners.
Rip & Tan: Since launching Finery in 2017, what have you learned about the way women shop? Are there generational differences?
Brooklyn Decker: The generational differences lie in how shoppers are actually discovering and purchasing products. The younger you are, the more likely you are to shop online. Our product is for the online shopper—it's how our tech works. Two startling facts that we are trying to change are 1. Millennials wear a piece of clothing only 4-5 times. 2. Millennial women will spend more money on their clothing than their education. We were floored. The whole idea behind Finery is that if you can SEE what you have, you are more likely to wear it instead of it collecting dust in the back of your closet. If you're going to shop, do it in a more strategic way. Buy the things you'll wear forever. Finery will help you find them, help you style them, and hopefully one day help you sell them. We want to be there for the full life cycle of your wardrobe.
Rip & Tan: How has Finery influenced the way you approach your own closet? Any style secrets you've picked up along the way?
Brooklyn Decker: I have a newfound love for my "oldies but goodies." There were so many things I had purchased, that I genuinely loved, but forgot I owned until I saw them magically pop up into Finery! It's changed the way I approach dressing. I'm embarrassed to admit that before, when I had an event, audition, or big business meeting, I would go online and look for something I could buy— and now the first thing I do is going into my Finery account, find that perfect something and wear it over and over again. I have a deeper connection to the things I love and have grown to look for quality over quantity.
Rip & Tan: Regardless of personal style, what are the five pieces every woman should have in their wardrobe?
Brooklyn Decker: Denim jacket, a cozy sweater, black blazer, slip dress, and the perfect white tee.
Rip & Tan: How has becoming a mother crystalized your sense of self or expanded your worldview? What are the important lessons you hope to pass on to your children about their identity, family, and place in the world?
Brooklyn Decker: I find that motherhood can be so heady when we think about it in a big picture way. The simplest and most beautiful advice my mom gave me was that you just have to love your kids and love them well. If they are constantly surrounded by love, it's the only way they will know to approach the world around them. Sure, I think of exposure to different cultures and ideas. What does the world look like in 15 years? How can we make sure that they are contributing members of their community, the list goes on… but if you simply surround your kids with love (and humor!) I feel like you've got the bulk of it covered.


text:
GY Andromedae (GY And) is an α2 Canum Venaticorum type variable star in the northern constellation Andromeda. Its brightness fluctuates in visual magnitude between 6.27m and 6.41m, making it a challenge to view with the naked eye even in good seeing conditions. The magnetic activity on this star shows an unusually long period of variability, cycling about once every 23 years. Based upon parallax measurements, this star is located at a distance of about  from the Earth.

This is classified as an Ap/Bp star, with a peculiar spectrum showing lines of chromium and europium that change in intensity over a period matching the variability cycle, although opposite in phase. Its most striking characteristic is the presence of the unstable element promethium in its emission spectrum. All isotopes of this element are radioactive with half lives of 17.7 years or less. The promethium in the outer envelope may be generated by the spontaneous fission of higher mass transuranic elements.

System
Based on radial velocity measurements taken at the Dominion Astrophysical Observatory between 1927 and 1935 Canadian astronomer William Edmund Harper strongly suspected that this star was a spectroscopic binary. In 1958, American astronomer Horace W. Babcock confirmed the binary nature of the star. It has an orbital period of 273 days with a large eccentricity of 0.47. The two components are separated by an estimated distance of at least , or 0.25 Astronomical Units.

References

External links
 Astronomie: Die Sterne - Special Stars: GY Andromedae

Andromeda (constellation)
Alpha2 Canum Venaticorum variables
B-type main-sequence stars
Spectroscopic binaries
0465
007651
009996
Andromedae, GY
Durchmusterung objects

redpajama_set_name: RedPajamaWikipedia


The little emo boy running out of breath, running along the wet road outside looks like he's late too. It's a nice feeling when you know your not the only one. I guess you're never really the only one. Everything has been done before, everything will be done again. So none of it matters really.
The girl who just got on the bus has no idea the back of her head is covered in green stuff. The smell is potent. I'm hoping it's conditioner or hair grease. But some of it is moving I don't know how normal that is. I wonder if I should tell her. Hmm. Someone has probably told her already, and if not someone else will tell her later. It doesn't matter really.
Everyone seems to be running this morning. There's a jogger in red, keeping up with us. We're stuck in traffic and she's jogging really fast. But the guy with the cigarette in his mouth, the one that we passed, haha, he's running for this bus. He has no chance. I know it's mean, but there's humour in it. It's the first thing that has made me laugh all morning. Now I cant stop smiling, thinking about it all. I feel like I need to let this laugh out, it's beginning to choke me, but I know everyone will look, and then I'll be all embarrassed. But who are they to judge me, they laugh in public too, I'm sure. I only have one judge, and it's none of them.
Well, that's taken away my laugh. I'm sure it'll come back so it doesn't matter really.
I think it's a great skill to be able to stop worrying about everything, and just acknowledge life, other people around you, and analyse their actions. No, it doesn't matter what they're doing, nor what they think about your public laughing, or anything else, but all that you're worrying about doesn't matter either, not really.
The bird that soars high up in the clear blue sky. The white lines painted in the ocean above us all, by the metal birds that are native to many countries now. The intense peachy glow over there above and just behind those tall buildings. Declining, taking its warmth with it. The leafless trees that show us the skeleton's of nature. The insects singing out loud from in amongst the bushes. It's a beautiful day. I wish I wasn't so cold. Maybe I would enjoy it.
It might be the cold. It might be the fact that I miss him. But that's a secret, and no ones meant to know that. Not even me. To admit such things is to accept weakness. No. It's definitely the cold. But it might be the music. It's that kind of music that plays loud but softly in your head phones. The music that you hear but you don't listen to, because for some reason, everytime it is on your thoughts are louder than it. For some reason I have hit repeat 4 times. But what are your thoughts?
Think positive. That has been my life motto for the last few days. But the moment one thing looks bad, inside your mind, everything else looks just as bad too, doesn't it. Even if its not.
Well I'm almost home now, and I don't feel like being this honest anymore. And my thumbs are frozen. So I'll finish this walk with this loud, silent song playing, repeated for the fifth time, and my ever louder thoughts talking to me.
Ellisa watched the tiny bubbles form in her mug. She was pouring hot water into her instant coffee, because she felt like it today. The smell of coffee intensified and she walked over to the window. The frost made it hard to see what was out. She pulled up the window with one arm and the sound of the morning birds flooded the room. She sighed and stared at the blue, lilac, peach and orange that shared the skies. She sighed again, and thought about the wonderful, beautiful aesthetics of the world. She picked up a tiny leaf that was frozen onto the window ledge and fingered the salient veins. The frost had veins too. Sipping her coffee she examined her free hand, and was intrigued by the veins in her own hand.
The piercing ring of her 5:35am alarm, reminding her she had 5 minutes before she had to leave for work, interrupted the silence. But she stood there at the window, decided to ignore it and went on feeling as though there was more to life then living like this.
She was a woman who like to be referred to as a girl, because she was so young at heart. Fun was her lifestyle. Despite the early rising, she had an amazing job, she got paid as though she was qualified, she was given three holidays a year and she never stayed in the UK for them. She had a beautiful, massive family and awesome friends, despite being single, and her apartment!


More people are reconsidering their product choices every day, and this includes new parents. Many are making the choice to purchase organic baby clothes out of concern for the health of their children and to make a greener future for the planet.
The other major benefits of choosing organic baby clothing are explained below.
The textiles used in organic baby clothes are free of pesticides and other chemicals and are manufactured with less pollution and waste. This is not only better for a baby's sensitive skin, which is thinner and more porous than adult skin, but also for the environment. Clothing made from organic textiles is softer and more comfortable than standard fabrics as well.
Another amazing benefit of organic baby clothes is how long they last. Standard fabrics go through an extensive chemical process before being cut for clothing. This causes the material to break down faster than it does when it is left in its natural state. Regular cotton starts to break down after 10 washes, but an organic cotton will stay strong through 100 or more washes.


text:
Bashneft é uma companhia petrolífera sediada em Ufa, Rússia.

História
A companhia foi estabelecida em 1946.

Ver também
 Lista de companhias petrolíferas
 Economia da Rússia

Ligações externas

Empresas da Rússia
Empresas estatais da Rússia


For that corps style look, flocked headwear is a great choice. The underside/turn-up of this hat is pebble finish and can be left as pebble (as shown) or choose a completely flocked finish. Base price includes style of choice molded to size from high-impact plastic with flocked finish, edgeguard to protect the rim of the hat, sweatband rolled for comfort, chin cord with cord lock, and individual heavy duty cardboard box.
Orders quantities of 1-5 have a $40.00 minimum order charge per hat. Orders 6+ incur no fees. Custom headwear is made to order and is not returnable.
Flocked headwear is not waterproof and should not be worn in the rain.
For that corps style look, flocked headwear is a great choice. Hats are made of high-impact plastic and are molded to size.


Know Whitmer HS Class of 2013 graduates that are NOT on this List? Help us Update the 2013 Class List by adding missing names.
More 2013 alumni from Whitmer HS have posted profiles on Classmates.com®. Click here to register for free at Classmates.com® and view other 2013 alumni.
The Whitmer High class of '13 alumni are listed below. These are former students from Whitmer High in Toledo, OH who graduated in 2013. Alumni listings below have either been searched for or they registered as members of this directory.


Amongst the submissions of our last linky party, I spotted two VERY ORIGINAL crochet projects that I want to feature today.
Laura from Over the Apple Tree made this wonderful gift for a friend. A reiki doll. It is used to give distance reiki. Each of the colors represent a different chakra.
And there you have it: 2 very original crochet ideas for you. Which one you prefer? What are you making this morning, dear??!
Thank you very much for featuring my Summer Top, Rose! I really appreciate it! Have a great weekend!
You are so welcome, Ileana. I'm so happy you are joining our party.


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The Hard as Nails Mission
Awakening the world to the power of God's love.
Since 2002, Justin Fatica has traveled to over 46 states and 7 countries, speaking at thousands of events, bringing the Gospel of Jesus Christ to youth and to others—awakening the world to the power of God's love. The mission continues!
Hard As Nails Ministries is a community of Catholic lay evangelizers and young adult missionaries who, for fifteen years with over 58 missionaries, have been committed to bringing the Gospel of Jesus Christ to young people and others throughout the United States of America and beyond. In carrying out its mission "to awaken the world to the power of God's love," Hard As Nails promotes and lives out the three "evangelical virtues" of courage, authenticity, and obedience. HN works to reignite parish life, to assist in strengthening Christian families, and, in general, to be a catalyst in a more passionate practice of the Catholic Faith. In response to Psalm 147:3-4—"The Lord heals the broken hearted and binds up their wounds…. He calls each by name—HN reaches out especially to suffering souls: for example, the lonely, the powerless, those facing great challenges, people oppressed by patterns of sin or addiction, those from broken homes, and those struggling with fear, depression, or thoughts of ending their life.
Led by HN Founder and Executive Director Justin Fatica, the trained HN missionaries travel to every corner of the country on the You're Amazing bus, offering one-of-a-kind inspiring, life-changing events at parishes and schools, conferences, college campuses, and crusades, youth rallies, retreats, and assemblies of all sorts. Hard As Nails' unique, exceptionally personal and down-to-earth approach to living out the Catholic Faith has brought about thousands of on-the-spot conversions that have matured into lives of committed Christian discipleship. HN missionaries continue to accompany all those who have encountered Jesus Christ through HN events by way of an extensive and permanent follow-up ministry which includes telephone calls, Passion groups, the weekly Facebook Live session with Justin Fatica, videos and podcasts produced regularly through the HN website, Justin Fatica's five books, and the free HN Holy Bible that every event attendee receives.
Isn't it Time the World Knows the Truth?
We Think It Is
Now, more than ever, people need a strong relationship with Jesus Christ and the support of their church. The culture tells them they need to do something or have something to matter in this materialistic world. But in doing this, they eventually lose themselves in the struggle to find meaning in their life.
The sad truth is that most people think they are completely alone in their struggle and feel that no one cares enough to help them through their challenges.
Pretending that people are not struggling and that our community does not have the same struggles will not help others reach their full potential. We need to help everyone know that it is their struggles that reveals to them WHO THEY ARE: God's kids. That is what makes them AMAZING!
The 3 Evangelical Virtues (The Core Virtues of Hard as Nails)
1 Courage
The evangelical virtue of courage is first for the evangelizer themself to enable them to face a personal challenge that holds them back from being who they are meant to be. Once they have had the courage to tackle that, they in turn become courageous—set free to evangelize even as they have been evangelized. Evangelical courage gives the evangelizer the strength to face resistance or even hostility when proposing the Gospel to a world very much opposed to it. This evangelical virtue blesses the evangelizer with the endurance needed to face rejection and humiliation, and to persevere in the mission, despite forces of disintegration that may bear down on them. Evangelical courage moves the evangelizer to take risks and to go to the periphery—with a heart set on others and not on self.
2 Authenticity
The evangelical virtue of authenticity makes the evangelizer real—earnest, sincere, a person of genuine caring and concern. Unless a person is authentic with themself they can't be authentic with others, because if they are not authentic with themself they don't know who they are. The virtue of authenticity is crucial for breaking down once and for all the facades and the masks that people live behind, starting first with the evangelizer. The authentic evangelizer is not afraid of meeting people where they are—of addressing even the most controversial and uncomfortable issues and questions. As one Church document asserts, "Today's young people are longing for an authentic Church…. We need to find attractive, coherent, and authentic models."
3 Obedience
The evangelical virtue of obedience moves the evangelizer to opt for a life of discipline reflected in all of their life choices. Obedience is the way that we overcome ourselves [our false self] in our heart" (St. Augustine). Gospel obedience is not so much about submission as it is about likeness (Fr. Raniero Cantalamessa)—becoming more and more conformed to Jesus Christ. Evangelical obedience is the deliberate Yes to the teachings of the Church. Evangelical obedience produces unity among the company of evangelizers, which others find irresistible. It blesses the evangelizer with peaceful self-control. Obedience makes one responsive to the prompting of the Holy Spirit and sensitive to the needs of souls.
The 4 Pillars of Hard as Nails
Evangelization: Enabling people to experience the nearness of God in words and deeds expressed. through the three evangelical virtues of courage, authenticity, and obedience.
Service to Youth: Addressing the key struggles young people face today, and responding to them through accompaniment, empathetic listening, peer-to-peer personal witness, prayer, encouragement, and "aggressive tenderness".
Sensitivity to Sin and Suffering: The person who sympathizes with pain is capable of touching life's depths and of bringing hope to the brokenhearted. HN compassion connects those who are hurting with the redemptive meaning and value of suffering.
Community: Christ reveals himself in our companionship. HN evangelizes and lives as a community so as to model to all that we are never completely ourselves until we belong to others. HN evangelization is ordered to making people true protagonists of the Gospel of Jesus Christ.
What Does it Mean to be Hard as Nails?
Saying "Yes" to Jesus Christ on the cross is as hard as the nails that severed his flesh. Because one of the hardest things in life is to look at suffering and see something good in it.
And yet, every good thing in life flows directly from the nailing of Jesus Christ to the cross of Calvary. As St. Paul proclaims, "Jesus canceled every debt by nailing it to the cross" (Col 2:14). To be Hard as Nails is to be just as radical in facing the reality of our sins and in handing them over to God in repentance.
To be Hard as Nails is to love others in their suffering to the point that they begin to believe that they have a value beyond what they suffer, that their suffering has a holy purpose, and that it is possible to suffer well.
To be Hard as Nails is also to love others who make us suffer. As St. Paul testifies, "God proves his love for us in that while we were still sinners Christ died for us" (Romans 5:8). To be Hard as Nails is to love others who don't "deserve" it.
The Roman soldiers may have presumed that the nails they drove into the hands and feet of Jesus would be the ultimate agony, the decisive indignity exacted on the man they so hated. But it was precisely those nails that prompted Jesus to cry, "Father forgive them, for they know not what they do." That forgiveness comes hard—hards as those nails. But it is what makes God's forgiveness last. To be Hard as Nails is to refuse to be as hard as the nailers and those who egged them on with hearts hardened by pride, animosity, and derision.
The nails of Jesus Crucified are a blessing because it is those nails that create wounds in the body of Jesus—wounds that the Risen Christ retains in his glorified body. The wounds we see in the Resurrected Jesus give us the courage to face our own wounds. Grace always enters through a wound. By Christ's wounds, we are healed. St. Gregory of Nyssa says, "God wounds the soul—the Son is this wound, and by this wound we are opened up." Being Hard as Nails means saying to those who are wounded and broken, "I can help you; I can understand the pain."The world's common response to suffering is to resist it. To be Hard as Nails means to be always reaching out our hand to receive the nail hammered into the hand of Christ, because the rejection and humiliation that come with suffering lead to the greatest glory.
Fr. Gerard Manley Hopkins, S.J., encourages us in what it means to be Hard as Nails: "Seeing Christ's body nailed, consider the attachment of his will to God's will. To be bound to God's will in all things, in the attachment of your mind and attention to prayer and the duty in hand; the attachment of your affections to Christ our Lord."
The mission of Hard as Nails is to the hardest of hearts. St. Peter Chrysologus imagines our Savior saying, "These nails no longer pain me, but only deepen your love for me. I do not cry out because of these wounds, but through them I draw you into my heart." To be Hard as Nails is to be on fire with this conviction.
Sacred Scripture prophecies of Christ: "They will look upon him whom they have pierced" (Jn 19:37). To be Hard as Nails is to be vulnerable and compassionate with suffering souls so that they can look both upon their own woundedness and upon Him who was pierced to set them free.
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Petitioning the Empty Sky is the second studio album by American metalcore band Converge. However, contrary to many sources, the band considers this a compilation album, being a collection of songs recorded at different times. While tracklists differ between releases, this album features studio recorded tracks along with live recordings of three songs. Petitioning the Empty Sky was released and distributed through several different labels beginning in the mid 90s.

Release
Petitioning the Empty Sky was originally released through Ferret Music in 1996 and was also one of the earliest albums released through the newly formed label. This early version was a 7-inch EP featuring only the first four tracks of the eventual full-length. Later that same year the record was re-released with four new tracks added to it. Two years later, the album was reissued through Converge's new label Equal Vision Records as EVR040 on January 20, 1998. The full length reissue contained three live tracks ("For You," "Homesong," and "Antithesis") recorded during a radio broadcast, three newly recorded tracks ("Buried But Breathing," "Farewell Note to This City," and "Color Me Blood Red") and one track ("Shingles") that was recorded along with the original four tracks, but were unreleased.

Shortly after the release of Converge's 2004 album You Fail Me through Epitaph Records, Equal Vision reissued remasters of Petitioning the Empty Sky and When Forever Comes Crashing. The updated version of Petitioning the Empty Sky featured new artwork from Isis frontman Aaron Turner, production work from Converge's Kurt Ballou in addition to Mike Poorman and Alan Douches, and an alternate version of "Love As Arson" as a bonus track. The liner notes also contain the first half of an essay written by the "Aggressive Tendencies" columnist and editor of the Canadian online magazine Exclaim!, Chris Gramlich. The second part of the essay is continued in When Forever Comes Crashing. The remaster was Equal Vision's EVR109 released on March 22, 2005.

In 2006, Jacob Bannon's Deathwish Inc. released a vinyl box set collection for the remasters of Petitioning the Empty Sky and When Forever Comes Crashing in a package dubbed Petitioning Forever. Due to the physical limitations of a vinyl LP, a single 12-inch record cannot hold all of the songs from the remaster. The three live tracks were released separately with the first pressing on a 7-inch vinyl with its own artwork based on box set packaging. The box set was Deathwish's DWI47, and the separate vinyl was cataloged as DWLIMITED04.

Song history
Studio recordings of the live tracks "For You" and "Homesong" were originally released on the Unloved and Weeded Out 7-inch EP in 1995. The full length compilation version of Unloved and Weeded Out was later released in 2002 through Deathwish and also featured these two songs. The studio recording of "Antithesis" could originally be found on Converge's debut album Halo in a Haystack in 1994, and later on the compilation album Caring and Killing released in 1997. The song "Dead" was rerecorded from the version on Caring and Killing, which was recorded in 1994/1995. The original version of "Love As Arson" was released on When Forever Comes Crashing in 1998.

Tracks nine through eleven - "For You", "Antithesis" and "Homesong" - were recorded live during a performance on radio station WJUL, run by college students at UMass Lowell. A notable moment on the live track "Homesong" is when a band member breaks a guitar string and pauses the song, and bleeding singer Jacob Bannon claims to have "hit my head on a mic stand" and that it will "make us look punk." The original CD release on Ferret Music features "Homesong" as a hidden/untitled song following "Antithesis".

Reception

Allmusic critic Blake Butler wrote: "Converge can break multiple bones throughout the body with sound alone, assaulting with beautiful metal riffs, throat-ripping screams, and aggressive smashing percussion."

Track listings

Personnel

Converge
 Jacob Bannon – vocals
 Kurt Ballou – guitar, backing vocals, bass guitar (track 1)
 Aaron Dalbec – guitar (tracks 2, 3, 5, 7, 9–11)
 Jeff Feinburg – bass guitar
 Stephen Brodsky – bass guitar (track 12)
 Damon Bellorado – drums

Original production
 Brian McTernan – producer, engineer, mixing
 Mike West – engineer

Original artwork and design
 Jacob Bannon – artwork, design
 Mark Lickosky – photography, video stills
 Patrick Santini – photography
 Aaron Turner – artwork, paintings
 Erik Zimmerman – photography

Recording history
 Tracks 1–5 recorded by Brian McTernan at Salad Days studio in October 1995
 Tracks 6–8 recorded by Mike West at West Sound in February 1996
 Tracks 9–11 recorded live on the air at WJUL in August 1995
 Track 12 recorded by Jim Siegel at The Outpost in May 1997

Remaster production (tracks 1–8, 12)
 Kurt Ballou – mixing at GodCity Studios in July 2004
 Mike Poorman – assistant mix engineering
 Alan Douches – mastering at West West Side Music

Remaster artwork and design
 Jacob Bannon – design
 Chris Boart – photography
 Danielle Dombrowski – photography
 High Roller Studios – enhanced video
 Nataija Kent – photography
 Mark Lickosky – video still
 Aaron Turner – artwork

References

External links
Petitioning the Empty Sky stream at MySpace
Petitioning the Empty Sky catalog at Discogs
Petitioning the Empty Sky catalog at Rate Your Music

Converge (band) albums
1996 albums
2005 albums
Equal Vision Records albums
Ferret Music albums
Albums with cover art by Aaron Turner
Albums with cover art by Jacob Bannon
Albums produced by Brian McTernan


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What Happens When Women Create Explicit Paintings of Men
Though male artists have been painting the female nude for millennia, when female artists have dared to something similar, they've been criticized or ignored. Now artists like painter Nicole Wittenberg are challenging the status quo—to stirring and gorgeous effect.
By John H. Richardson
Ellinor Stigle; retouched by Retouched Studios
This piece contains explicit imagery. Please consider it NSFW.
A dude walks into a feminist art show—bada-bum. Yes, that is a fully contained joke. The punch line is taking in a show called The Female Gaze, Part Two: Women Look at Men (at the Cheim & Read gallery in New York City) and finding yourself confronted by mirror images of the reductive crap men have been throwing at women for centuries. Behind the desk, there's an image of a beach hunk in a smiley-face T-shirt, followed by a Diane Arbus photograph of a "male primitive" with tattoos all over his face. The worst is a yellow carcass by Louise Bourgeois that looks like a cross between a melting penis and, as one critic put it, a "smooshed-up kebab" on a carving post. Cindy Sherman offers, instead of her romantic self-portraits celebrating the infinite play of female mutability, a muscle-bound plastic man-doll covered with hair. None of this makes me feel very good as a man. Which, of course, may be the point—bada-bum!
There are a few positive images. Betty Tompkins is represented by one of her blurry sex close-ups, at once romantic and clinical. Grace Graupe-Pillard supplies a lovely realist portrait of a young artist staring into his cell phone. The great Alice Neel has a painting of a blue-jeaned hippie, probably because the gallery couldn't get her brilliant portrait of the fantasist Joe Gould with three penises—even I find that one funny.
And then I see it: a giant erection lovingly encased in a fist and painted in luscious expressionist sweeps of red and white paint. It's heroic, monumental, gorgeous. There are no other colors, just black and white turned red and white by minimalism and lust, which suddenly seem like a perfect match. Red Handed, Again was the title.
So begins my introduction to Nicole Wittenberg. I track her down on the internet and learn that she first came to public attention when she was just 24—and still a student at the San Francisco Art Institute—for paintings about suffering from scoliosis as a teenager. "I needed to know what was wrong with me," she explained at the time. Here's how a critic for the San Francisco Chronicle described the result: "The young girl in the painting, naked, slim and pale, has ripped her body open to examine her organs. The image is immediately shocking but also strangely beautiful."
Nicole Wittenberg's
courtesy Nicole Wittenberg
Her subsequent rise came fast—in 2012, the American Academy of Arts and Letters gave her its best young figurative painter award, praising her "unusual imagery and freshness." The Guggenheim bought one of her architectural-interior paintings, which evoke small, spare stages, and the Museum of Fine Arts, Boston, acquired her stylized black-and-white portrait of a young woman called Ann. She's been featured in group shows curated by artists such as the prominent figurative painter Alex Katz and 1980s art superstar David Salle, known for his own use of sexual imagery in jumbled canvases that loot art history and contemporary life to celebrate information overload. "She's a rare bird," Salle says when I call to ask about Wittenberg. He praises her commitment to reinventing realism—or, as he puts it, "How do you describe a form? Traditionally, you do it by accentuating the lights and darks, which Nicole does in a kind of brutal way." And he's impressed with her decision to portray sexually aroused men, a subject that is "actually underrepresented in Western painting in any century," he says. "People think everything's been done, but that's not true." Wittenberg, Salle goes on, "dares herself to do precisely that which scares her."
I find Wittenberg's email address and write her. From the beginning, she's surprisingly personal and chatty: "What's wrong with oversharing??! Isn't that a big part of being alive? I'm so annoyed by how much New York emulates Europe with all these stiff classist social conventions." Occasionally, she mentions inviting me to her studio—but every time I try to set a date, she disappears.
"A dick painting may be the most impossible thing to sell, ever."
Truth is, I have the fantasy of buying Red Handed, Again and have been trying to get her to state a price. But she keeps dodging the question. Finally, she hints at the reason: "I must mention, a dick painting may be the most impossible thing to sell, ever."
That surprises me. Isn't modern art supposed to be scandalous? What about the shocks of surrealism and cubism? The outraged crowds at the famous Salon des Refusés show of 1863?
Not when it comes to men, she replies. You can paint all the odalisques-reclining-on-a-couch you want, but the movie rule applies: no "pickle."
Despite the frankness of our exchange, the promised studio visit keeps not happening. I wonder if all the sex talk makes it more unlikely. Isn't that why we cordon off sex, to contain its disruptive power?
Finally, almost as an afterthought, I mention that my wife, Kathy, also paints male nudes, including one with an erection.
Wittenberg writes back in seconds: "Your wife paints dick pics!!??!!!"
I send her the proof.
"I love it!" she responds.
Two days later, Kathy and I step off an elevator into Wittenberg's loft. It's a set decorator's dream of an artist's studio: the walls painted Platonic White, a hammock hanging between two I beams, the neon tumble of Chinatown six stories below. A miniature parrot flies around, occasionally coming to rest, like inspiration, on the artist's shoulder.
We're barely inside when Wittenberg starts peppering Kathy with questions about her own work, curious what inspired the portrait I'd emailed, a frontal shot of a naked and obviously lustful young man.
As they talk, I get a chance to observe. At 38, Wittenberg is gorgeous in a low-key way you could pass on the street and only register a few steps later: wide-spaced eyes, full lips, hair chopped short as if she'd cut it herself in a mirror. No surprise that she's modeled for other artists. In manner, she's both intense and California casual, a mixture of her childhood in Marin County (where her father was a lawyer, her mother an interior designer and teacher) and her spiritual home in downtown New York.
Wittenberg says she started looking at porn around the same time that she decided she wanted to make art.
These days, Wittenberg says, she finds sources for many of her paintings on Internet sex sites. Although she didn't start painting sexual imagery until 2014, she says she started looking at porn around the same time that she decided she wanted to make art: "I was a virgin when I started watching that stuff. I was like, Oh! That's attractive. Even then, at 13, 14, I already was really interested in the Renaissance artists, particularly Venetian painters like Veronese, Tintoretto, and Titian. They were making a lot of paintings of beautiful women, like a prostitute with gold coins falling on her. Women were shown in this very beautiful, very sexualized way that I thought was mysterious and fabulous."
At the time, Wittenberg was wearing a back brace for her scoliosis. She'd had two major spinal surgeries over a six-year period, with long recoveries where she got to gaze out the window and dream. After art school, she spent a year in Italy making sculptures in glass and copying classical paintings, then moved to New York and landed a job staging shows for installation artist Anthony McCall. Working with projectors and moving lights stoked her interest in the function of space and light, ideas she explores in her interior paintings. But her desire to capture a modern sense of urgency prompted her to paint portraits based on images from long-distance Skype conversations with a friend in England.
Then, while diverting herself with the gay site ManHub during a bout of pneumonia, she found herself contemplating sex as a subject. Setting the video to slo-mo, she began drawing the moving images as they crawled across the frame. As it happened, many of the moving images on ManHub were ManSpokes.
This is where I should say something about the film critic Laura Mulvey and her theory about the "male gaze"—that the movie camera itself plays the role of voyeuristic male, implicating all viewers in the act of objectifying women and the world. That's what most of the critics who saw The Female Gaze did. The Daily Beast called it "the best kind of payback," and the New Yorker invoked Freud's idea of schaulust: "the pleasure, always libidinal and sometimes pathological, of looking at someone else." Some huffy webzine scholar even went double jujitsu: Despite the "potential to open up areas of theorizing about how we look at each other as gendered beings," the show failed because it reduced men to "the sign of a phallus," he sniffed. "There are other ways of looking at a woman or a man that do not diminish them as merely objects for visual pleasure or ridicule." He thought Wittenberg's painting was "magnificently angry."
But Mulvey's theory, like so many academic theories, is a little dopey. Who says that taking visual pleasure in a woman diminishes her? And Wittenberg tells me she doesn't think her painting is angry. It's more "aggressive," she says, like the work of the male artists she admires. "That writer is some angry PhD scholar," she says. "He read too many books and forgot to fall in love."
The Countess Zapak (2016)
Probably the most famous piece of early feminist art—art with a distinct uplift-the-gender message—was Judy Chicago's 1974–79 The Dinner Party, the installation of Great Historical Vaginas now on permanent exhibition at the Brooklyn Museum. But Wittenberg introduces me to a group of female artists of the 1960s and '70s who pioneered the painting of sexually explicit images of men as well, and soon I discover that the art world is in the midst of a veritable ManSpoke renaissance. Early last year, the Dallas Contemporary mounted a retrospective called Black Sheep Feminism: The Art of Sexual Politics, while the Mary Boone Gallery in New York City featured 1960s-era antiwar artist Judith Bernstein under the title Dicks of Death—inspired by the scrawls on the walls of men's bathrooms, she drew cartoon penises shooting bullets or turning into giant menacing screws. Eventually I find my way to the Fight Censorship Group, a girl gang of '60s artists who put this cri de chatte in their manifesto: "If the erect penis is not wholesome enough to go into museums, it should not be considered wholesome enough to go into women."
But Wittenberg's love of sexual material goes deeper than politics or even lust. She's looking for fresh ways to engage art's long history of sexual imagery, from the first cave paintings 12,000 years ago to the lingams of ancient India and the phallic statues of ancient Greece to more modern provocations like Courbet's The Origin of the World, a close-up view of a woman's genitals that is still so upsetting it's been banned on Facebook. She's very interested in technical questions like the contrast between "image and surface," applying high style to subjects that many people consider vulgar. She's also responding to other current artists who are exploring the theme, from Salle and Jeff Koons to Marlene Dumas, a prominent Dutch painter whose earthy subjects range from childbirth to peep shows to, yes, impassioned men. In 2008 and 2009, a Dumas show called Measuring Your Own Grave made an influential splash at both the Museum of Modern Art in New York and the Museum of Contemporary Art in Los Angeles. And of course, with frank sexual imagery now available on every laptop and with the porn industry outselling Hollywood, Wittenberg is engaging like a journalist with the hot topics and pressing issues (so to speak) of the modern world. As she puts it, "When you're thinking about sex all the time, it has a funny way of wandering into the picture."
It certainly doesn't hurt that her predecessors are finally starting to sell their paintings; this year, the Carnegie Museum paid $350,000 for a series of Bernstein's "screw drawings" from the Mary Boone show. Boone's director, Ron Warren, said that while male artists still find it easier to sell explicit work (it's considered "much more aggressive for females to use sexual imagery"), the message of Bernstein's work—its critique of the link between militarism and machismo—made it downright family-friendly. "I saw people bringing in their kids and explaining the work to them."
When I email Bernstein for perspective, I inadvertently stumble into a minefield of feminist politics by starting with a general question about women who paint sex. "Women who work with sexual imagery are often lumped together, when in essence their aesthetic and message are very different," she snaps. Maybe this is because I enthused a little too much about Wittenberg, who rejects "identity art" and the notion that a woman should paint from a female perspective—the closest she's gotten to that is painting the Fox News building like a vaguely phallic still from a Leni Riefenstahl movie.
Wittenberg put me in touch with Betty Tompkins, who was more fun. Still sounding 25 at 68, she laughed her way through most of a two-hour visit to her SoHo studio. She found rejection by all the male-dominated galleries of the '70s "liberating" because she could focus on what she really wanted, which was explosive imagery. "That was in the back of my mind all the time—a charged image. It was too late to do it like de Kooning and Hofmann—they were my heroes—and I didn't want to be anybody's second place." One day she was flipping through her husband's porn collection, and she framed the shots with her fingers. "I said, 'Now that's a charged image.'"
By now, it's getting late. I've been in Wittenberg's studio for almost three hours. She never seems to tire. She never sits down. She has shown us paintings of a beautiful naked woman straddling a log and paintings of an orgy based on a porn video she found by searching "after school special"—she likes to use weird search terms like "back to nature" or "grassy knoll" because they generate unusual images.
Once she lands on a video she likes, she'll print out 50 different stills at different moments and play with them, "meshing" one drawing to the next. "I'll spend days just, like, distancing myself from the photograph and living it, until the direction of the emotional content" sinks in. "I'd be like, Oh, that image really feels red. You know?" Sometimes she's chasing something as simple as a shadow, or a curl of the mouth.
Wittenberg takes us to her newest series: paintings of two men kissing so hard their faces almost merge into one. She's done drawings, monotypes, paintings in black and white and in red and white. The latest is the size of a small car and mostly yellow, with streaks of drippy red that look, in an oddly beautiful way, like oozing blood. She wants to express all the "conditions of the kiss: the unwanted kiss, the loving kiss, the kiss of death, the kiss of Judas, the eternal kiss of God." Eventually, she wants to do three faces kissing themselves into a single face.
Finally, at my request, she shows us the series of paintings that led to Red Handed, Again. She tells the story of the famous painter who first saw them. "I was fussing around, and he took the brush out of my hand and he just pulled it right up as one stroke—'The dick is one thing,' he said. 'Part of painting is making a choice and sticking to it. Commit! Go with your gut!' "
This seems like the right time to ask the question that started this adventure. "You said to me it's the hardest thing in the world to sell these paintings," I say. "So what happened when you showed them to collectors and gallery owners?"
At last, she sits down. The very question seems to sap her energy. But her rat-a-tat answer reveals her true spirit—repeating her favorite word about 30 times in rapid succession, she says that art curators in both Miami and the Midwest asked for one of her paintings and insisted that Miami and the Midwest were ready for explicit male imagery, eager for it, hungry for it, drooling for it. So she sent a painting out and quickly got the message that Miami and the Midwest weren't quite so eager for it or hungry for it or drooling for it after all. "So it's been sent to Miami and back, and to the Midwest and back, and now this guy is calling me from Los Angeles for a show in October, and I'm inclined to send him the same dick."
"Decoration is still an important element for painting, and when you have something with an aggressive subject matter, it doesn't know its place."
"Because I feel like it's the most digestible one in the studio—it has nice colors, it's kind of a softer image. It's slightly more decorative."
I look where she's pointing. It's one of her yellow ones, very pretty.
"There doesn't seem to be any real home for any of these," she continues a bit sadly. "It doesn't go in the kids' room; it doesn't go in the living room; it doesn't go in the dining room. Decoration is still an important element for painting, and when you have something with an aggressive subject matter, it doesn't know its place."
But does she intend to keep doing them, I ask, even if they don't sell?
"Yeah," she answers. "I mean, I might die with all these dicks, for all I care."
At that moment, her parrot lands on her shoulder, and Wittenberg breaks into a smile. She takes the bird in her hand and pushes its feathers apart. "Look at those colors," she says.
This article originally appeared in the March 2017 issue of ELLE.
Have thoughts on this story? Email elleletters@hearst.com.
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What Women Learn When They Work for Other Women


The deadline to submit your nominations for officers of the TASFAA Board is fast approaching. The nomination process will close at 5 pm on April 15. The nomination form is located on the TASFAA website at the below link.
President-Elect – Serves President-Elect in 2019-2020, President in 2020-2021 and Past President in 2021-2022. Nominees must have previously served on the Board of Directors or have board and/or committee experience.
Board Members (four positions) – Serve a two-year term for the 2019-2020 and 2020-2021 years. This position requires collaborative leadership skills and attendance at all meetings.
Please take time to nominate a colleague who would serve as an effective and collaborative leader for our great organization.
It has been a while since I have posted to the TASFAA listserv or to the Blog, rest assured I have not forgotten about any of you. As all of you know time gets away from you.
I wanted to take this opportunity to provide you with a few updates. I knew when I stepped into the role of TASFAA President the year would be fasted paced. I was SO right! There are so many things you want to accomplish; as well as staying connected with TASFAA members. This has been a challenge; a good one though!
As President of TASFAA, I have been reaching out to Legislative members and/or their staffers in Texas and in Washington D.C. The goal is to introduce TASFAA, and let them know that TASFAA can provide expert guidance in the area of financial aid programs and policies. After sending letters of introduction, I received a couple of emails from staffers for general financial aid information to help them better advise representatives. I was more than happy to speak to applying for financial aid, as well as eligibility and programs.
The TASFAA Legislative Committee prepared a letter of support for Senator Seliger's HB 499, which clarifies that Federal and State loans are the only required loans to meet requirements of SB 887. There has been much confusion regarding whether Alternative loans were to be included in the yearly disclosures to students from Institutions of higher education.
Last week, Dr. Chris Murr-Past President of TASFAA, Jimmy Parker-TASFAA Legislative Committee member and I traveled to the State Capital in Austin, to further support SB 499. Dr. Murr provided testimony on behalf of the Texas State System. Jimmy Parker and I served as expert witnesses if needed. The three of us had the opportunity to meet Senator Seliger and to thank him for this bill on behalf of all institutions of higher education in Texas.
The TASFAA Legislative Committee and I continue to monitor legislation for state financial aid programs. As a reminder on TASFAA's webpage; TASFAA position papers have been posted for the current 86th Legislature session under Member Center. In reviewing bills this session, a few have promise in moving forward, there are several bills related to allowing students the ability to renew their professional or occupational license if they have defaulted on their student loans. This would allow these students to continue to work; thus having the ability to rehabilitate or repay their defaulted student loans. It is very likely SB 34 will move forward, this would change the Texas Grant maximum hours for students from the current 150 to 135 hours. We will keep watching and update all of you as we monitor bills.
TASFAA Regional Trainings are about to wind down for the spring of 2019; today's training is in Austin, next stop Dallas/Ft. Worth.
Friday, of this past week I welcomed approximately 90 TASFAA members to the Houston regional training site; held at the University of Houston, Sugarland campus. Many thanks to University of Houston for their hospitality. The Sugarland campus is beautiful! The regional training co-chairs (Christy Miller and Heather Fountain) have done a fantastic job and were very excited to have assistance with training this year. The presenters who assisted are Ed Kerskley and Chandra Gonzalez. TASFAA is excited to provide NASFAA Credentialing to their members.
The TASFAA Early Awareness Committee has been working to ensure TASFAA has a presence around Texas to provide Financial Aid knowledge to high school counselors. All committee members are working to schedule presentations! Crystal Smith a member of the Early Awareness Committee presented last week to a group of 50 Ft. Worth ISD advisors who assist middle school and high school students with the college process. The presentation was held on the TCU campus.
Fall conference planning is moving forward, more information to come soon!
Lastly, I am excited to announce a new opportunity coming to the fall 2019 conference in Ft. Worth, Texas. One of the initiatives I discussed as I moved into the role of TASFAA President was to provide training to Aspiring Directors. I am very excited that the fall 2019 conference will have an Aspiring Director track on the agenda. Distinguished TASFAA members that are currently Directors of Financial Aid will be presenting on various topics on roles and responsibilities that Directors fulfill; as well as their journey into a Director's position.
I have included a few pictures of this past week's TASFAA's happenings!
The process to nominate the president-elect and four new board members for the 2019-2020 TASFAA Board of Directors is now open. The nomination process will remain open through April 15, 2019. Please click on the link below to access the nomination form. Thanks for taking the time from your busy schedule to nominate someone for this important leadership position.
For information about the duties and responsibilities of TASFAA board members, you can review the TASFAA Constitution and Bylaws, as well as the Policies and Procedures, at www.tasfaa.org by clicking the About TASFAA dropdown menu and then Governing Documents.
Beginning April 1, you will have the opportunity to nominate the president-elect and four board members to serve on the upcoming 2019-2020 TASFAA Board of Directors. Those elected positions will represent you as members of TASFAA. They will, along with the rest of the board, direct our Association's operations as well as help shape the future of our organization. Please start thinking about who you believe is an exemplary leader within our Association that would serve as an effective TASFAA board member.
I look forward to receiving your nominations beginning April 1!


Hauoli La Hanau Lily! A year ago today, my baby girl, Lily Lake Abubo was born. The morning wasn't looking so good, but despite the rainy weather conditions we decided to do something fun. My husband and I took our 3 keiki on a beautiful hike. It was between Hanakapiai or Okolehau Trail in Hanalei. We chose Okolehau. A perfect one for the kids.
The weather was just right, not too hot or not too rainy. In fact, it was great for hiking. The kids are always so anxious and excited, when it comes to a little outdoor adventure. Lily was very excited on our hike up. We sang 'Happy Birthday' to Lily, probably about a 100 times until we reached the lookout. Some parts of the trail got really muddy, we had fun getting dirty, the kids especially. What kid do you know does not like playing in mud? Rush and Star trekked along so happily, and so did the parents.
Needless to say, I feel truly blessed to live on this beautiful island, Kauai. A place we all love so dear to our hearts. To spend a day outside with the family on a fun and exciting adventure is what makes us all happy. It is moments like this that we will cherish for a lifetime.


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Mr. Carl Junior Goins
Mr. Carl Junior Goins, age 67 of Claudville, departed this earthly life on Thursday, February 24, 2022, at his home. He was born in Patrick County on July 26, 1954. He was preceded in death by his mother, Ruby Goins; and four brothers, Willie Goins, Tom Goins, James Goins, and Charlie Goins. Mr. Goins was a member of Calvary Baptist Church, he loved the Lord, his church family, antique cars, hot rods, and owned and operated Goins Body Shop. He was employed by Stuart Flooring for 18 years and Quality Mills in Mount Airy for 22 years. Carl will be remembered as a loving husband, brother, uncle, and friend.
Carl is survived by his loving and devoted wife, Tammy Leftwich Goins of the home; one sister, Lynda Jones of Stuart; and several nieces, nephews, great-nieces, and great-nephews.
A funeral service for Mr. Goins will be held Tuesday, March 1, 2022, at 11:00 a.m. at Moody Funeral Home in Stuart with Pastors David Freeman and Wayburn Mosley officiating. Burial will follow the service in the Stuart Church of Christ Cemetery in Dry Pond. The family will receive friends one hour prior to the service at the funeral home. In lieu of flowers, memorial donations may be made to the Carl Goins Memorial Fund, c/o Moody Funeral Home P.O. Box 307 Stuart, VA 24171. Moody Funeral Home in Stuart is serving the Goins family, and online condolences may be sent by visiting www.moodyfuneralservices.com.
Mrs. Alpha Clement Rorrer Slate
Elizabeth Annette Wood


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International Tragedy through the Lens of Intimate Family Drama in The Impossible
Dec30 by D. H. Schleicher
Director J. A. Bayona brings the tsunami to horrifying life on the big screen in THE IMPOSSIBLE.
In December of 2004, Maria Belon and her family were among the many who experienced first-hand one of the worst natural disasters in the history of the world when a tsunami overwhelmed large swaths of Southeast Asia including the coastal resort area of Thailand where Belon and her family were spending the holidays. Director Juan Antonio Bayona (who previously put viewers through tear-soaked thrills in the Catholic ghost story, The Orphanage) has adapted Belon's harrowing tale for the silver screen. Here Maria Belon becomes Maria Bennet (the incomparable Naomi Watts) and her husband is played by Ewan McGregor and three boys by newcomers Tom Holland, Samuel Joslin and Oaklee Pendergast. They're a picture perfect beautiful British family living abroad, and Bayona, in ways both Spielbergian and Hitchcockian, puts them through the wringer in this tsunami horror-show tear-jerk thriller that pulls all the right strings.
The Impossible is worth the price of a ticket just for the ten minute tsunami sequence, frighteningly realized without CGI and done all with scale models and a giant water tank. Bayona in the sequences building up to the disaster uses sound effects for foreshadowing, and by replaying the tsunami through the eyes of Maria and her eldest son Lucas (Tom Holland in a riveting star-making performance), he totally immerses the viewer in the chaos of the event tossing the two actors around like rag dolls in the deluge of water and menacing debris that tears and rips at human flesh relentlessly.
Watts, who's lived inside a suicidal actress' mind and somersaulted down a ravine with a giant gorilla in past roles, has never been this physically battered before, and hers is a performance of raw emotional strength. She's the perfect actress for this kind of role. The better part of the movie tracks Maria and Lucas' journey to a hospital where she needs intensive care for a horrendous leg wound rendered in graphic detail that makes you feel like your leg was torn to shreds. Along the way Lucas learns to care for his increasingly frail mother while also helping other survivors reunite with loved ones.
Naomi Watts delivers yet another Oscar-caliber performance in THE IMPOSSIBLE.
Meanwhile, father Henry (McGregor – bravely sympathetic and excellent at playing a man at wit's end) and the other brothers have survived and are together back at the wreck of the resort. Henry becomes determined to track down Maria and Lucas at all costs, and he, too, begins a journey where he encounters other people in similarly dire predicaments.
(POTENTIAL SPOILERS AHEAD)
The Impossible earns the reward for the most horribly marketed film of recent memory. Anyone who saw the first trailer some months ago witnessed what was essentially a music-video montage version of the entire film from beginning to end revealing every crucial detail involved in the family's survival. Now, of course, anyone who cared to could've read up on Maria Belon's story on the internet, but the trailer did a great disservice to Bayona by revealing every detail of how that story played out on-screen. In the actual film, Bayona does an excellent job building suspense through Hitchcockian foreshadowing and Spielbergian "cute kids in jeopardy and struggling through family drama" heartstrings pulling.
There's also been nasty and poorly targeted humbug around the film's focus on the survival of a wealthy European family and not on the thousands of Asian lives lost in the tragedy. What those critics failed to realize and respect is that this film is only about Maria Belon's story – and according to her, from all accounts, it's a faithful depiction of the spirit of the events she and her family lived through. These critics also did not obviously watch the film closely enough, and though the focus was indeed on one tourist family trapped abroad in the wake of an unimaginable natural disaster, Bayona tastefully provided glimpses into the large-scale tragedy with scenes of body bags lined up in long rows, decimated villages, orphaned Thai children, and pictures of a once happy Thai family strewn about a destroyed house Henry traipsed through to remind us of the homes that were destroyed, the multitudes of families torn apart, and the countless stories yet to be told. Every step of the way Bayona took a humanist approach and depicted people coming together, reaching out and offering others help regardless of from where they came. The bottom line is Belon had every right to tell her story from her point of view, and Bayona took the artistic liberty to use it as a way to channel the emotional cost of an international tragedy through the lens of an intimate family drama.
If there's any fault to the film, the side story involving the toe-headed moppet Daniel seemed almost too much in the cloying sentiment department, but it was at least used to show the evolution of Lucas' character. Also, the climactic "everyone running around the chaotic hospital and just missing each other" sequence that ends in a tearful reunion seemed a bit too…shall we say…cinematic. But who's to say these brief episodes weren't true to the spirit of the family's feelings at the time?
And why squabble when the finished product is a well-acted, well-directed piece of thrilling tear-jerk cinema made better by being based on a true story? If we can't tell these kinds of uplifting stories in the wake of such grand scale tragedy, then what stories are we allowed to tell? I don't know about you, but I don't want to live in a world of censorship like that.
Written by David H. Schleicher
Below is great photo from the LA Times of Watts and McGregor with the real life Belon family upon whose story the film is based at the premiere in Toronto:
Watts, the Belons and McGregor
This entry was posted in Inspiration, Movie Reviews, Movies and tagged Asia, Based on a True Story, Belon Family, Disaster Films, Ewan McGregor, J. A. Bayona, Juan Antonio Bayona, Maria Belon, Naomi Watts, Oaklee Pendergast, Samuel Joslin, Survival Tales, Tear-jerk Thrillers, Tear-jerker, Thailand, The Impossible, Thriller, Tom Holland, Tsunami.
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12 comments on "International Tragedy through the Lens of Intimate Family Drama in The Impossible"
Prakash Jashnani says:
Thankfully this one releases here in a couple of days and living in a city which was hit by the tsunami, I can't miss this one. But honestly, Watts is my primary motivation to watch this flick.
I avoided the spoilers, so I'll reserve my comments on your review, for now.
BTW, before The Impossible, Clint Eastwood's Hereafter, I think, had one of the best tsunami sequences (CGI, of course);
David H. Schleicher says:
Prakash – The Hereafter sequence was well done but The Impossible takes it to a whole new level. You really feel like you are in it, and the way they toss Watts and Holland around in the wave so realistically is gut wrenching. I look forward to your take on the film.
Just saw the film. I'm saving my words for my own review, coming soon. Until then, keep guessing my take on it 😉
Prakash – can't wait to read your review!
Sam Juliano says:
"The Impossible is worth the price of a ticket just for the ten minute tsunami sequence, frighteningly realized without CGI and done all with scale models and a giant water tank."
Indeed David! THE IMPOSSIBLE finished in my own Top Ten films of 2012 list, and I've already seen it twice in theaters over the break. Naomi Watts delivers an incredible physical performance, but the young British actor Tom Holland as the oldest son Lucas is absolutely extraordinary! This is a wrenching film about separation and resilence, both impressively filmed and scored, and one that leaves you drained. I wasn't especially bothered about Daniel, but I understand what you are saying. Fabulous piece here!
It will definitely be on my top ten as well, Sam!
The tsunami scene was extremely well done, but meh, I'm with the humbugs. A tsunami destroys millions of lives. These people live through a scary few days and get shipped off to Singapore. The story missed the fact that it was all about privilege. It was completely glossed over. Her story seemed completely oblivious to it. She was on a vacation half way around the world, a doctor that didn't even need to work! She doesnt let her kids drink pop. How enlightened! One other European refuses to let her husband use a phone. Oh, how callous! This story's most interesting aspect is just how oblivious it is to its privilege.
While to some degree I agree that there was a subtext around this notion of "privilege" – as Sam points out above, this was a film about "separation and resilience" and attempts to give a "what would any family do in this situation?" look at being trapped in an unfamiliar land during a catastrophe. I don't think this family's story is any less compelling because they were one of privilege. The complaints along these lines seem to be hung up on a hypothetical film (from the "locals" POV about the deaths of thousands) that wasn't made rather than looking at and critiquing the film that was made (about the survival of one family from the "tourist" POV). Again, I hold there is nothing wrong about telling this family's story and how they survived. Was their fear any less valid than the fear of any one else (regardless of from where they came) who lived through this?
If you didn't like or connect to the film's characters or to the film overall, that's fine (and we can debate the film's merits on its own grounds) – to each their own, but I think it's insulting to the Belon family to insinuate their story doesn't matter.
Here, too, is a great thread on the IMDb message boards that debunks all of this "controversy" point by point, bringing to light things I didn't even realize!
http://www.imdb.com/title/tt1649419/board/thread/209344585
Graham O. Guzman says:
Amazing effects and stunts, along with and solid performances balance out some artistic lapses and ethical questions in this true story of one family's experiences of the horrendous Tsunami that killed 300,000. The downsides; there's something a little off-putting about choosing a white, privileged family as a focus, while at the same time showing almost exclusively other white people as suffering and afraid in a disaster that killed far more local people than tourists. The Thai's are certainly shown in a good light, kindly helping all these suffering whites, but even in the hospital, almost every face we see in a bed is a white one. That hint of odd racial insensitivity is also underlined by replacing the original family, who were Spanish and dark, and making them into a gorgeous blond English family, a telling choice in a 'true' story. On a more general level, the film can feel manipulative, from the tear jerking score, to the multiple carefully framed "will they spot each other?" shots that feel like a horror film's self-conscious suspense fames, but that cinematic technique feels distractingly artificial in this more naturalistic setting. There's no question it's exciting and at times quite moving, but I couldn't help thinking I might have felt even more deeply if it wasn't pushing so hard to control my emotions.
Graham – you might be interested to know that in Thailand the casualties from the tsunami were split about 50/50 between locals and tourists. Of course in other countries hit by the disaster, the local death counts were far higher…but this wasn't a movie about that…this was a movie about one tourist family in Thailand that survived. Also, if you look at the picture of the Belon family, I find it odd that anyone would consider them "dark" – whatever that means. Bayona has spoken his peace about the casting – yes, there was a hint of making the film more universal and "sellable" – but I liked the fact that they never identified where this family was really from (they lived in Japan – but that was not clearly their homeland – this was never specified – again a conscious effort to make this "universal") Anyhow…I could go on an on…and I would encourage anyone to check out the link above to the thread on the IMDb that dispels many of these complaints.
I'm with you on the "manipulative" artistic choices concerning the score and some of those closing scenes.
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The Inn At Whitewell Wedding Photography// I got to team up with Add A Little Sparkle, The Secret Garden Flower Shop, Carlton Ensemble, The One Step for Rose & Jon's phenomenal wedding day! Also check out Roses AMAZING Mori Lee dress from the guys at Marrime Bridalwear – amazing!!!
Falcon Manor Wedding Photography// I was extremely honoured to be approached by the team at James' Places (who own and operate some of the leading wedding venues in Lancashire including Mitton Hall, Eaves Hall & The Shireburn Arms) to be the first to photograph their newest and truly epic venue – Falcon Manor. The leading North West suppliers Read more ..
The Wharf at Teddington Lock Wedding Photography// I headed down to Teddington in London for my final wedding of 2014 and it was an absolute corker!! The ridiculously good looking pair of Laura & Paul had the perfect weather for their winter wedding and it was an absolute joy and privelege to both photograph their big day and also Read more ..
The Great Hall at Mains Wedding Photography// I really do love Christmas Weddings and I got to work with some of my best wedding buddies IN THE WORLD for Anna & Guys big day, including Sonara Parker Makeup Artist, Flower Design & The Word Is Love at one of the most gorgeous Winter Weddings I've had the pleasure of being involved Read more ..
Clifton Arms Hotel Wedding Photography// Laura & Scotts big day was extra special to me on a personal basis as it was my very first traditional jewish wedding! What an amazing and beautiful experience from a jaw dropping sunset on Lytham Green to the Israeli dancing later on in the day! It was great to be back working with Read more ..
The Barn at Bury Court Wedding Photography// Jini & Stephen put some amazing touches to their big day which took place at the epic The Barn at Bury Court. With some incredible flowers from TWIA regional winner Paula Rooney the venue looked magnificent with the couple, their guests and of course their photographer having an AMAZING day!! Check out this selection of Read more ..
Mitton Hall Open Day// Earlier in the month I was again invited to attend the very prestigious Mitton Hall open day! I along with Jason from Flower Design, Paul Guard, Dawn at Creative Cover Hire, Deanna from Deannamic Designs along with other hand picked wedding companies exhibited, chatted about all things wedding and generally had a great day!! Here are a Read more ..
Graythwaite Silverholme Manor – Wedding Photography// When we had so much fun on Jen & Tristans pre wedding shoot down in London, I knew their day was going to be that and THEN some!! Tristan – the quintessential British Gent and Jennifer the english rose, where else would they have their day than a Manor Read more ..
Destination Wedding Photography, Marbella// Lara & Anthony's wedding in Marbella was simply stunning! We had an opportunity to head to Puerto Banús the night before for their pre wedding shoot which was just superb before heading to their Villa in the mountains the following morning to begin celebrations! Anthony & his groomsman started the day Read more ..
The Villa Wrea Green Wedding Photography// Some of the leading North West Wedding Folk (and great mates of mine) joined forces for Sarah & Carla's big day at The Villa Wrea Green with two stunning dresses, an Amanda Wyatt dress supplied by the very lovely Charlotte at Lottie's Bridal Boutique and the other from The Dressing Room. The amazing flowers came courtesy of Read more ..


BOSTON – Suffolk women's volleyball looks to shake off a four-match skid Tuesday, Oct. 24 as it makes the trip to New London, New Hampshire to take on Colby Sawyer. First serve as the Dan & Kathleen Hogan Sports Center is set for 7 p.m.
Meg Kerek notched career bests Saturday afternoon, but the rookie's career day would not be enough as Suffolk volleyball dropped a straight set decision to Framingham State at Saint Joseph's (Maine)'s Harold Alfond Center. The non-conference setback came by set scores, 25-6, 25-20 and 25-5.
Suffolk has fallen in four straight to dip to 12-12 on the season.
The Rams receive well-balanced, all-around performances from freshman Hannah Fabiano and junior Talia Lombardo. Fabiano anchors the 9.63 kps offense with 2.73 kps herself to go along with a 2.60 dps and 0.41 bps defensive effort. Lombardo, meanwhile, pitches in 1.84 kps and 0.79 aces per set to the offense and 2.30 dps to the defense. Liz Kerek is the main setter for Suffolk as the senior dishes out 6.32 aps. Libero Dakhensey Marcellus holds down the defensive unit with 3.34 dps.
Similar to the Rams, Colby Sawyer takes four-match skid into Tuesday's tilt, which will prep the 11-18 overall Chargers for the NEC Tournament.
Naarah Cox (2.84 kps) and Courtney Murray (2.61 kps) each produce 2.00 kps or more to pace Colby Saywer's 9.10 kps attack. Olivia Goodrich has held down the setting duties, handing out 7.78 aps.
Defensively, Morgan Flynn leads the way with 3.09 dps with Nicole Olivieri (2.96 dps) and Cox (0.61 bps) adding to the effort.
The Suffolk, Colby Sawyer series dates back to 2001 with the Chargers holding each of the five meetings.
All five of Colby Sawyer's wins have come in straight sets.
The Rams were swept by the Chargers in the last meeting Oct. 21, 2016.
Talia Lombardo turned in a stellar performance for Suffolk volleyball in a five-set thriller versus Curry Saturday afternoon en route to the first known triple double in Rams' history.
After recording her 1,000th assist Oct. 7 versus Lasell, senior Liz Kerek has slid into second place all-time in Suffolk history with 1,190 career handouts, displacing Katie Hemlin's 1,134 mark set in 2005. Kerek is currently 631 assists shy of the all-time record (1,821), which Julia Sullivan holds.
12 of Suffolk's 24 matches have been determinded in straight sets.
The Rams are 4-8 this season when playing in three-set matches.
Suffolk has played five five-set thrillers this year with the Rams owning a 3-2 record in such outings.
Overall under Bonny Ducharme, the blue-and-gold is 5-1 when going the distance.
Suffolk concludes home regular season play Thursday, Oct. 26 as it entertains UMass Dartmouth in a 7 p.m. Senior Day showdown inside Regan Gymnasium.