Every 20 feet of decking contains about 30 pounds of material that would have ended up in the landfill. composite decking is durable and low maintenance and will never split or rot and best of all does not require paint, stain or the need to be sealed. Choosing a rougher texture provides improved non-skid resistance.
Peruvian Teak; Roman Antique; Brazilian Ipe; Hawaiian Charcoal; Westminster Gray. More Options Available. NewTechWood UltraShield Naturale 2 ft. x 1 ft. Quick Deck Outdoor composite Deck Tile in Peruvian Teak (20 sq. ft. Per Box).
composite lumber decking usually comes in 12-, 16- and 20-ft. planks, and railing components in 12- and 16-ft. increments. Planning your Damp deck. composite decks subject to frequent wetting can get slippery if they don't have a texture.
VERANDA? composite decking and railing offers the natural look of wood without the ongoing maintenance. Foot traffic, dragging heavy objects across the surface, weather exposure, cleaning products, and the frequency of cleaning (especially Veranda Ultra Light boards are available in both slotted and solid 12', 16' and 20' lengths. Unlike wood decks, which require continuous maintenance, weather protectants and water-seal products do not need to be applied to Veranda.
6 Mar 2012 It looks and feels like real teak and the color will not fade or turn grey like real teak. ISITEEK is ISITEEK is easy to clean and it also has an anti-slip quality which will make your deck safer for the people onboard your boat. on a hot day this product gets so hot your feet will burn.? 20:36 · U-DEK by Ultralon Marine decking Introduction & Installation Guide - Duration: 6:32. U-DEK Marine USA 5,413 views Plastic Frames for Wooden Boats—Part 2 - Duration: 9:25.
WPC decking manufactured with recycled wood and plastic lumber are not only non-toxic, but they're known to be more durable than conventional . Easy Gardener 8402 20ft. Ultra Edge composite Edging With Stakes, Brown Quantity 6.
Wood-Plastic composite Deck Boards and Guardrail systems (Guards or Handrails), b) Treads of Stairs: Concentrated Load: 750 lbf/sq. ft., and 1/8" max defection with a Wet: 0.85 – 0.90 \ did not slip *Both offered in 12ft, 16ft, and 20ft.
WPC decking manufactured with recycled wood and plastic lumber are not only non-toxic, but they're known to be . Style Selections Gray Ultra-Low Maintenance (Ulm) composite decking ( Common: 1-in x 6-in x 20-ft; Actual: 1-in x 5.5-in.
Shop our selection of composite decking Boards in the Lumber & composites Department at The Home Depot. Veranda ArmorGuard 1 in. x 5-1/4 in. x 20 ft. Brazilian Walnut Grooved Edge Capped composite decking Board (10-Pack).
Shop our selection of composite, Gray, decking in the Lumber & composites Department at The Home Depot. Veranda ArmorGuard 1 in. x 5-1/4 in. x 20 ft. Nantucket Gray Grooved ComposiGrip composite Anti-slip Stair Tread 48 in.


Ireland Beaches are fun and sun, but only in summer. Ireland is a northern country and winters are cold. If you come to Ireland during the summer even for a business trip, take advantage of many beautiful beaches all around the island and many very near the Capital of Ireland, Dublin.
As per the Environmental Protection Agency, 97% of the 135 beaches it watches met the minimum EU standards for water quality. Many of the beaches are near a small town where the visitor will find some entertainment, live music, food and shopping.
So, use your free time and visit some of the beaches, swim at your leisure, practice water sports or simply lie down and do nothing while the sun takes care of your tanning.
This is a sandy beach and the only approved beach in Europe for horse racing. It features facilities for water sports and hotels, shops, restaurants and cafes; it also feature a golf course and tennis courts.
This former fishing village is a safe beach on the south coast with an island that can be reached by foot when the tide is low. But be careful, the tide can change without notice and you may get cut off on the island. This beach has many great pubs and restaurants.
This beach is a favorite of Dubliners. It is surrounded by the beautiful St Annes Park. It is near a lovely village called Howth with a large fishing harbor and many seafood restaurants.
Located in County Wicklow where you can always find your private spot. This is a popular beach where parking is available as well as restrooms and many other facilities. Wicklow is known as the garden of Ireland with amazing views and scenic drives.
Located in County Kerry, this is a windy beach. Nearby is Kilcummin beach, one of Ireland most beautiful beaches with a stunning backdrop of the Brandon Mountains.
This beach is a great destination for wind surfers, kite surfers and swimming. It features lifeguards, bars and nearby Sandhouse Hotel.
This is a golden sands beach with big waves, ideal for surfers on the Atlantic Ocean. Other beaches nearby are Kilkee, Spanish Point and Lahinch. Dog's Bay, Roundstone, County Galway is smashing too, but tends to get crowded in the summertime.
Translated from Irish to Silver Strand is one of the most beautiful beaches in Ireland. There are many similar beauties in the western shore.
Surfers know beaches, and the world championships were held at Bundoran in '97. Since then, this little town has played host to a number of other high-profile tournaments. This is the place for some of Europe's best waves.
Located in County Sligo on the Atlantic Ocean, this is a long sandy beach. There is plenty to do on this beach.
Located in Northwestern Ireland, the water here is warm during summers. It has a low tide and therefore great for children.
Located on the Fanad Pennisula, County Donegal, this is another awesome beach, usually empty. Other beaches in Donegal are Kennigoe Bay on the Inishowen peninsula and Magheroarty, a spectacular crescent shaped beach where the ferry leaves for Tory Island.
Located in County Cork, known simply as "Clon" this is beautiful beach near the town. You'll be sure to eat well here since Cork is the Food Capital of Ireland.
Located in County Waterford this is the top destination in the southwest with top accommodations and all facilities for water sports of all kinds.


text:
Q: Tensorflow, TRT models installation problem I installed tf_trt_models on  Jetson-nano following the instructions here. I am getting the following error
Installed /home/tarik-dev/.local/lib/python3.6/site-packages/slim-0.1-py3.6.egg
Processing dependencies for slim==0.1
Finished processing dependencies for slim==0.1
~/tf_trt_models
Installing tf_trt_models
/home/tarik-dev/tf_trt_models
running install
Checking .pth file support in /home/tarik-dev/.local/lib/python3.6/site-packages/
/home/tarik-dev/.virtualenvs/nanocv/bin/python -E -c pass
TEST FAILED: /home/tarik-dev/.local/lib/python3.6/site-packages/ does NOT support .pth files
bad install directory or PYTHONPATH

A: Found the solution. In the install script, because I am in virtualenv, I will need to remove --user
Here is the install.sh script
#!/bin/bash

INSTALL_PROTOC=$PWD/scripts/install_protoc.sh
MODELS_DIR=$PWD/third_party/models

PYTHON=python

if [ $# -eq 1 ]; then
  PYTHON=$1
fi

echo $PYTHON

# install protoc
echo "Downloading protoc"
source $INSTALL_PROTOC
PROTOC=$PWD/data/protoc/bin/protoc

# install tensorflow models
git submodule update --init

pushd $MODELS_DIR/research
echo $PWD
echo "Installing object detection library"
echo $PROTOC
$PROTOC object_detection/protos/*.proto --python_out=.
$PYTHON setup.py install --user
popd

pushd $MODELS_DIR/research/slim
echo $PWD
echo "Installing slim library"
$PYTHON setup.py install --user
popd

echo "Installing tf_trt_models"
echo $PWD
$PYTHON setup.py install --user

redpajama_set_name: RedPajamaStackExchange


text:
BunZ – Net Worth 2022, Age, Height, Bio, Salary
See learn details about BunZ Net Worth, Age, Height, Bio, Salary. Also discover famous Pop Singer BunZ's Birthday, Measurements, Physical Stats, Dating, Wiki and more.
BunZ was born in Singapore on February 27, 1987. Multi-talented performer signed by Fly Entertainment who has contributed as a singer-songwriter, cover artist, music producer and actor. He was part of the team that won the Group Champion for Singapore POP Culture Dance Competition. He has acted in a number of dramas for MediaCorp. He earned a music and audio technology diploma from Singapore Polytechnic. He also earned a degree in communication and new media at the National University of Singapore.
He has a daughter, and created an Instagram account for her called kakababy98. he has not shared about he's parent's name. Our team currently working, we will update Family, Sibling, Spouse and Children's information. Right now, we don't have much information about Education Life.
he is one of the successful Pop Singer. he has ranked on the list of those famous people who were born on February 27. he is one of the Richest Pop Singer who was born in Singapore. he also has a position among the list of Most popular Pop Singer. BunZ is 1 of the famous people in our database with the age of 32 years old.
First Name Burak
Last Name Sagyasar
Profession Pop Singer
Birth Sign Pisces
Birth Place Singapore
Source of Income Pop Singer
House BunZ has been known to live his own house.
Favorite Food Bibimbap
Favorite Color Tan
Favorite Place Yankari Games Reserve (Nigeria)
Favorite Sports Tennis
Favorite Books Hamlet
Favorite Movie City Lights (1931)
Instagram BunZ on Instagram
Twitter BunZ on Twitter
Facebook BunZ on Facebook
TikTok BunZ on TikTok
YouTube BunZ on YouTube
IMDB BunZ on IMDb
Wikipedia BunZ on Wikipedia
BunZ Net Worth
BunZ's Net Worth, Salary, Income, Lifestyles, Family & many more details. Let's check, How Rich is BunZ in 2021-2022?
BunZ Net Worth: $1 Million – $3 Million
Famous Pop Singer BunZ's net worth is $1 Million – $5 Million at the age of 32 years old. he earned the money being a professional Pop Singer. he is from Singapore. He made his big screen debut in the Jack Neo-directed duo-logy The Lion Men & The Lion Men: Ultimate Showdown.
Source of Net Worth Pop Singer (profession).
BunZ current age 32 years old. BunZ's height 4 Feet 9 Inches & weight 142 lbs (64.4 kg). Full body measurements, dress & shoe size will be updated soon.
BunZ FAQs
BunZ is one of the most successful Pop Singer.
he is ranked in the list of 8919 most popular Pop Singer.
BunZ was born on 1987, February 27 in Singapore.
Famous Pop Singer has a net worth of $1 – $5 Million (Approx.)
BunZ is well-known Pop Singer.
Another 8919 Pop Singer biography founds in All Famous Trend!
he was born on February 27. In the same day another 542 famous people born around the world!

redpajama_set_name: RedPajamaCommonCrawl


text:
(Tokyo, Japão, 14 de Janeiro de 1987), é um ator japonês.

Filmografia

Filmes

Televisão

Hashimoto, Atsushi
Pessoas do período Showa
Pessoas do período Heisei
Naturais de Tóquio

redpajama_set_name: RedPajamaWikipedia


SUNNYVALE, Calif., Oct. 2, 2018 /PRNewswire/ — Fujitsu Ltd., the world's arch scanner manufacturer, has appear the absolution of the ScanSnap iX1500, the next-generation archetypal from the acknowledged ScanSnap band of claimed certificate scanners. Designed for ultimate ease-of-use, the iX1500 digitizes the cardboard in your environment, transforming it into defended agenda files to access abundance in your lifestyle.
An optimized user acquaintance that keeps evolving The iX1500 is congenital with ScanSnap's one-touch simplicity. It increases scanning ability and continuously evolves to amuse the user acquaintance with assorted automation functions.
Simple from alpha to accomplishment Transition from scanning to appliance abstracts with aloof one blow of the 4.3-inch blow screen, a aboriginal for the iX Series. Performing basal tasks, such as bureaucracy and Wi-Fi configuration, blockage scanning status, and allotment save-to destinations, with the blow awning is accessible – alike for first-time users. Users can browse with pre-configured profiles optimized for anniversary user's workflow. With the iX1500, repetitive tasks such as sorting, saving, organizing, and aing scanned abstracts with added applications are fabricated as simple as possible. Actualize different user profiles You can save advice to specific destinations based on alone user alternative back administration the scanner amid multiple*1 users, such as ancestors members. Connect to accepted billow casework with ScanSnap Billow The iX1500 appearance ScanSnap Cloud, which connects to your admired billow account to administer your documents, receipts, business cards, and photos. You can actualize preconfigured shortcuts appropriate on the blow awning to accelerate scans to a specific cloud, or use ScanSnap Cloud's able allocation affection to bear scans to the actual billow account automatically.
One stop for all ScanSnap abundance Users can now calmly manage, edit, and advance assorted types of scanned cardboard with the all-new ScanSnap Home interface*2. By accumulation able ScanSnap functions into a distinct application, it enables you to adapt documents, business cards, receipts, photos, and abundant more.
Advanced software for absolute certificate administration ScanSnap Home offers accomplished functions to adapt and chase through your abstracts appliance folders, tags, and keywords. You can now yze the agenda advice you charge added bound and calmly than before. It learns and optimizes achievement as you browse The iX1500 automatically names and suggests titles for your scanned files based on agreeable and preset allotment conventions. Suggestion accurateness is bigger the added titles are again edited, acceptance users to abstain spending time on repetitive corrections. Edits fabricated to aggregation names attributed to scanned business cards, for instance, are reflected on alternating scans with the aforementioned attributed company.
List amount and absolution date The ScanSnap iX1500 is accessible through accustomed resellers and VARs including CDW, Amazon, NewEgg, and others. Fujitsu has priced the ScanSnap iX1500 scanner at $495 account price. Accessible October 12, 2018.
About Fujitsu Fujitsu is the arch Japanese advice and advice technology (ICT) company, alms a abounding ambit of technology products, solutions, and services. Approximately 140,000 Fujitsu bodies abutment barter in added than 100 countries. We use our acquaintance and the ability of ICT to appearance the approaching of association with our customers. For added information, amuse see http://www.fujitsu.com.
About Fujitsu Computer Articles of America, Inc. Fujitsu Computer Articles of America, Inc. is an accustomed baton in the Certificate Imaging industry, carrying avant-garde scanning solutions and casework that accredit our barter to break ytical business abundance issues and accumulate operations. Fujitsu provides cutting-edge certificate abduction solutions for business and claimed environments, backed by a absolute portfolio of account and abutment programs. For added advice about Fujitsu certificate imaging, appointment http://us.fujitsu.com/fcpa.
ScanSnap iX1500 comes with 4 ScanSnap Home user licenses and 1 Nuance user license.Users can acceptation abstracts from absolute ScanSnap software to ScanSnap Home with the iX500, iX100, S1300i, S1100i and SV600.Envelopes, artificial cards, bankrupt A3 documents, and abstracts with adhesive notes.5 GHz Wi-Fi is not accessible with Direct Connect Mode.


Planning is a crucial step in selecting the right agency for you. Agencies will also love you for being well prepared and as a result be better prepared to help you reach your goals.
Goals help solidify a direction for you and your team. This direction is a high level view of features, services, products, and objectives that you wish to reach with the website. The agency you ultimately choose will assist you in fleshing out your goals in more detail. As well, they will bring about creative ways to accomplish your goals and finely tune them. Having a good sense of direction helps you in choosing the best agency for the job.
Document the goals you and your team have for your new website. We encourage you to not only think through how you wish to better serve your users but also how you can better serve your company. What features are you looking for within the new website? What features do you currently have that can be improved upon? Is there a service you wish to provide that you were not before? Are there new products that need to go into the eCommerce storefront?
Once you have your goals in list form, prioritize them. In the same way, just as you would a sales presentation, create a brief mission statement for your new website. Prioritizing your goals for the new website or website redesign will help in future planning. Remember that an agency responding to an RFP or consulting with you, will be able to identify more quickly your objectives if you are able to articulate them clearly.
Searching for an agency is the easy part. Simply type into your preferred search engine: "web design Columbus, Ohio" or "digital marketing agency Columbus, Ohio". Obviously, insert your city and state of choice and or search phrases. If you want WordPress, search that too. If you want unique services such as SEO search that as well. Needless to say, you will get thousands of results within your city.
After searching a phrase, start visiting sites that are listed within the first 1 - 5 pages. Depending on the city you are searching within, you will likely see a few ads, some local listings, and some compiled list of "the top web designers" in your city.
Now it's time to start noting companies that you think would be a good fit. This is all at first glance but it's time to start digging into the company's website and really understanding what they can provide to you.
Open the agency website on a desktop, tablet, and mobile device. If it does not respond well or if it is hard to use, chances are that company will have difficulty in providing you with better results.
Look at their service offerings. Do they articulate well the services that they offer and more importantly, do they resonate with you? Do they provide all of the services that you think you will be in need of?
What types of clients are in the agency's portfolio? Look at businesses similar to yours. Remember that no two websites should be the same. If an agency is delivering similar looking design and development, this may be a sign that you need an agency who can deliver something new and unique to your specific needs and business goals.
Don't be afraid to learn and really get your feet wet. While you don't need to learn how to perform any of the tasks regarding your digital needs, knowledge is power. You are embarking on a journey and investing in what should yield results, provide a ROI, and achieve your goals. Choosing the right agency can either lead to meeting those objectives head on or falling short.
Now, you should have a handful or maybe even a few pages of agencies who you think will be a good fit. It is a good idea to compare the agencies. Based on your goals, you can start to compare and contrast. If you break it down, you should be able to narrow your list of agencies based on your research.
Depending on the size of your company, there may be teams with separate tasks who may not be aware of the upcoming opportunities. A notification should be sent out about the current agenda to make them aware that submitting feature requests would be beneficial to the project as a whole. It is far better to be made aware of features up front even if they are to be developed down the road and not within the current sprint's backlog or phase.
An internal review of your current goals, research, agencies, and overall plan as it stands currently is something that will help both with additional input as well as team organization. Moving forward, your company and team members will appreciate being kept in the loop and made aware of progress of the plan for the new website in general.
Now that all internal preparation and review is complete. It is time to request information or to submit your request for proposal to the marketing agencies you have gathered in your research.
ViaForge Selecting a digital marketing agency takes planning and organization. Find out how to select the best digital agency to design and develop your website.


Obama Barack Fact Attend Columbia Foreign A University Did Check As Checked emails which work with facebook. Always a fresh list of trusted emails.
Did Check Barack University A Obama Fact Attend Columbia Foreign As Customize the fake email to your liking, such as sound notifications, popup messages, domain settings.


text:
Q: Problemas al crear un campo de tro de DataTable Que tal vengo a exponer el siguiente problema, quiero dentro de una columna de un DataTable agregar unos link que dependan de una condición, para lo cual estoy usando el siguiente código
tabladata = $('#tablaMarcas').DataTable({
    responsive: true,
    ordering: false,
    destroy:true,
        "ajax": {
            url: '@Url.Action("ListarProcedimientos", "Procedimientos")',
            type: "GET",
            datatype: "json",
        },
        "columns": [
            { "data": "Ejercicio" },
            { "data": "Nolicitacion" },
            { "data": "Descripcion" },
            {
                "data": "oMtoEstado", "render": function (data) {
                    if (data.Descripcion == "Activo") {
                        return '' + data.Descripcion + ' '
                    }
                    if (data.Descripcion == "Terminado") {
                        return '' + data.Descripcion + ' '
                    }
                    if (data.Descripcion == "Desierto") {
                        return '' + data.Descripcion + ' '
                    }
                    if (data.Descripcion == "Suspendido") {
                        return '' + data.Descripcion + ' '
                    }
                    if (data.Descripcion == "Cancelado") {
                        return '' + data.Descripcion + ' '
                    }
                }
            },
            {

                  "data": "MtoProcedimientoId", "render": function (data) {
                    var renderHtml = '';
                    if (UserIsSuperAdmin) {
                        console.log('entrando' + UserIsSuperAdmin);
                          renderHtml += '';
                        }
                    return renderHtml
                }
            }
        ],
        "language": {
            "url":"https://cdn.datatables.net/plug-ins/1.11.4/i18n/es_es.json"}
    });

sin embargo no he podido  agregar la vínculos, podrian echarme una mano de como podría lograrlo muchas gracias


Pole Dance Photography includes Essex University Pole Dancing Club & Stages Pole Fitness Romford. Past experiences of pole dance photography include The European Championships, British Isles Championships, Pole2Pole Cup as well as solo shoots for world class performers Sally- Ann Giles, & Caterina Gennaro.
Available for photography of Pole Dancing competitions as well as pole club group shoots and 'Pole Party' studio shoots (bring your friends).


text:
Sonny Boy Jaro est un boxeur philippin né le 24 mars 1982 à Silay City.

Carrière
Passé professionnel en 2001, il devient champion du monde des poids mouches WBC le  en battant le thaïlandais Pongsaklek Wonjongkam par arrêt de l'arbitre au  mais perd son titre dès le combat suivant face à Toshiyuki Igarashi le .

Référence

Lien externe

Boxeur philippin
Champion du monde de boxe WBC
Naissance en mars 1982


Southeast Alabama, Arkansas, Florida, Georgia, Kentucky, Louisiana, Mississippi, North Carolina, South Carolina, Tennessee, and Virginia.
No specific destination in mind.
Leave now, you'll be here on time..
Just don't sleep on the picnic tables in the rest areas like some other Texas Doof.
Time and place for meetup?
Or you can meet at Wayne's before 9:30 am and ride down with them.
Yall have fun, and be careful!!!!!


Co-wash frequently. The amount of co-washing needed will vary because not everyone washes their hair every day, or even every other day. Your wavy hair type will also factor into the "official" amount needed. You should co-wash your hair three times a week. I wash it with a clarifying shampoo one of those days, or just get it wet and do a water wash. Co-washing will help prevent frizz and the dryness that can cause it.
You should use clarifying shampoos. Natural oils produced by your scalp as well as product buildup can be distributed more easily through wavy hair compared to curls that are tighter. Clarifying shampoos are a great way to gently remove those oils and buildup on days when you need a break from conditioner. You should use the clarifying shampoo about two to three times a month, but of course the amount of products you use on your hair on a daily basis will determine how often you need to use a clarifier.
Pay attention to how you wash your hair. That might not sound like a technical method, but it will make a world of difference. If you have wavy hair and co-wash more frequently than not, your hair can look dirty and feel heavy if you don't rinse the conditioner out of your hair completely. Another way to help your cleansing process is by concentrating on the scalp. It's so easy to put shampoo or conditioner in, scrub for a second and then rinse. Instead, focus on using your cleansing product directly on the scalp and massaging the product in with your fingertips to loosen dirt and buildup. Make sure you rinse your hair thoroughly and you'll be on your way to enjoying cleaner and healthier hair.


text:
echo " + Floating all instances."

function get_ip_f() {
  # Get first unallocated floating IP
  local var=$(openstack floating ip list | grep 'None' | awk '{ print $4 }' | head -n 1)
  echo $var
}

fips=$(openstack floating ip list | grep 'None ' | awk '{ print $4 }')
fip_count=$(echo $fips | wc -w)

instances=$(openstack server list | grep ACTIVE | grep -v '\,' | awk '{ print $2 }')
inst_count=$(echo $instances | wc -w)

if [[ -z "$instances" ]]; then
  echo " . It appears that no instances need a floating IP."
  exit 0
fi

# Create floating IPs if necessary.
if (( $fip_count >= $inst_count)); then
  echo " . Already enough floating IPs."
else
  fip_diff=$(( $inst_count - $fip_count ))
  echo " + Creating $fip_diff more floating IPs."
  for m in $(seq 1 $fip_diff); do
    openstack floating ip create ext_net
  done
fi

# Allocate floating IPs to instances.
for instance in $instances; do
  ip_f=$(get_ip_f)
  echo " + Associating floating IP $ip_f to instance $instance."
  openstack server add floating ip $instance $ip_f
done

redpajama_set_name: RedPajamaGithub


text:
Upcoming Global Wildlife Whistleblower Seminar Series
Washington, DC – July 21, 2016 — The Environmental Law Institute (ELI) and the National Whistleblower Center (NWC) have announced an upcoming seminar series on Global Wildlife Whistleblowers, scheduled for early 2017. The first seminar in the series will explore enabling whistleblowers around the world to improve the enforcement of over 44 wildlife laws. The second seminar will address technical skills for lawyers seeking to represent wildlife whistleblowers. The seminars are currently scheduled for January 26th, 2017 and February 16th, 2017.
The Environmental Law Institute (ELI) is a non-profit, non-advocacy environmental group, which specializes in producing publications and research that target legal practitioners, business leaders, land managers, land use planners, environmentalists, journalists, and lawmakers. ELI also convenes conferences to promote the exchange of ideas; holds seminars to educate legal practitioners and business leaders; and publishes original research. ELI's Mission is to foster innovative, just, and practical law and policy solutions to enable leaders across borders and sectors to make environmental, economic, and social progress.
The National Whistleblower Center (NWC) is the leading whistleblower legal advocacy organization, with an almost 30-year history of protecting the right of individuals to report wrongdoing. The NWC was recently selected as a Prize Winner in USAID's Wildlife Crime Tech Challenge – an initiative of USAID in partnership with the National Geographic Society, the Smithsonian Institution, and TRAFFIC . NWC's prize-winning solution is a secure online platform, a one-stop shop via which whistleblowers can safely and anonymously file reports of both wildlife crimes and associated crimes such as corruption and false claims, and gain useful information about how wildlife whistleblower laws work.
For more information please contact ab@whistleblowers.org.


text:
Readers Choice Contest
Southern Indiana Business Magazine
Crossroads of Crisis
Jeffersonville, IN (47130)
Mainly clear. Low 29F. Winds W at 5 to 10 mph..
Mainly clear. Low 29F. Winds W at 5 to 10 mph.
Community Focused. Community Minded. | (812) 283-6636
The parents of Addie and Baylor Kirchgessner want the children to live on through a foundation they are establishing to help other children.
topical featured
Family plans foundation after children killed in Florida accident
By APRILE RICKERT aprile.rickert@newsandtribune.com
Aprile Rickert
SOUTHERN INDIANA — The kindness and generosity of two children killed last week in Panama City Beach, Florida, will live on through a foundation their parents are starting to help other children.
Six-year-old Addie Kirchgessner and her brother, 4-year-old Baylor, died Dec. 4 after injuries sustained when a truck veered onto a miniature golf area at Coconut Creek Family Fun Park where the children were with their parents.
Their father, Matt Kirchgessner, who was raised in New Albany and co-owns Elk Run Golf Club with his father, said the family had been on an extended break in Florida as the children finished this semester of nontraditional learning. Their mother, Lauren, a teacher with Jefferson County Public Schools in Louisville, was also teaching remotely.
"So instead of going outside and it being cold when they're finished, they could go play at the beach," Kirchgessner said. "Panama City is our second home. It's our happy place."
In the days since their deaths, the community has raised close to $200,000 to support the family. Kirchgessner said he and his wife have been amazed by the support. They've decided to use all of the funds to help start a foundation that will go on to help other children.
"Addie and Baylor are starting a foundation," he said. "That GoFundMe is just the tip of the iceberg, and when I think about what they are going to do, it puts the biggest smile on my face."
The past week has been full of unimaginable emotions for the family as they struggle to make sense of the loss. But knowing they can focus on the foundation gives Kirchgessner some grounding, he said.
"I go from hysterically crying when I talk about this to it just gives a peace over me," he said. "I get a calm and a peace like 'this is it, this is what we're going to do.'
"They're not here but they're going to live on."
To start, the couple wants to help make improvements to the children's school. They both attended Notre Dame Academy in Louisville; 'Addie K,' as her friends called her, was a first-grader and Baylor was in the school's St. Lawrence preschool.
Initial ideas include renovations to the library — something Addie, who was just learning to read — would appreciate.
"She read books to us every night; she loved it," her father said. "We'd be driving down the road and she'd just read signs."
The library's current STEM component would be something up Baylor's alley.
"Baylor loved to dig and build and loved his dump trucks and excavators and tractors," Kirchgessner said.
The couple is also looking at scholarships and renovations to the preschool, which is now in an older building.
"My wife, as a schoolteacher, she already has a ton of ideas of what she wants to do," Kirchgessner said. "The sky is the limit with this...we're dreaming big.
"They were our world...they are our world. This is what's going to keep us going, this is going to be our lives until we're gone. Addie and Baylor can continue to help a lot of kids."
As of 3 p.m. Thursday, $188,962 had been raised by more than 3,300 donors — a $9,000 increase from the previous day. To donate, go to https://bit.ly/kirchgessnergofundme
Befior Ethis
Taht Goe Sinto
Addie Kirchgessner
Matt Kirchgessner
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Noel H. Frakes, 85, of New Albany, Indiana passed away Wednesday, January 20, 2021 at his home. He was born on October 6, 1935 to the late Howard S. and Crystal Ione Miller Frakes. Noel was retired from General Electric and was a member of St. Marks United Church of Christ in New Albany. He …
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Celebration of Life: 3 PM Sunday, January 24, 2021. Visitation: 1-3 PM Sunday. Survivors: Sons: Steve(Deneen), Gary(Santa) and Scott(Andrea), Brother: Ronnie Dierking(Joyce), 4 Grandchildren, 1 Great Grandchild.
DATTILO, Jerome Feb 11, 1933 - Jan 19, 2021
Jerome Matthew Dattilo, 87, Clarksville, IN, died peacefully at home on January 19, 2021. Born on February 11, 1933 in Louisville, KY, to Jim and Edna Dattilo, he served in the US Navy on active duty during the Korean War and remained in the Navy Reserve until after the Cuban Missile Crisis …
Indiana GOP lawmaker pushes bill to prevent renaming of state, cities, including Clarksville
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Founded in 1958, HOBY's mission is to inspire and develop our global community of youth and volunteers to a life dedicated to leadership, service and innovation.
HOBY programs are conducted annually throughout the United States, serving local and international high school students. HOBY programs provide students selected by their schools to participate in unique leadership training, service-learning and motivation-building experiences.
HOBY also provides adults with opportunities to make a significant impact on the lives of youth by volunteering. Over 4,000 committed HOBY volunteers plan and execute the programs each year, serving both at the local HOBY affiliate level and on HOBY's Board of Trustees. Due to the selfless efforts of volunteers and the contributions of generous donors, nearly 10,000 students participate in HOBY programs annually.
Today, over 450,000 proud alumni make HOBY stronger than ever. HOBY alumni are leaders in their schools and communities, throughout the United States and the world, making a difference for others through service. Want to see the impact of HOBY firsthand? Get involved as a student, school, parent, alumna/us, volunteer or supporter.
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Joann Green Breuer
Joann has been Artistic Associate of the Vineyard Playhouse where she has directed over twenty productions, including Tennessee Williams: Original Acts, Faith Healer, Dear Elizabeth and many more.
She was co-founder and Artistic Director of the annually multi-award winning Cambridge Ensemble. Joann taught acting at Harvard University where she was faculty adviser to the student Experimental Theatre. She is a contributing writer to artsfuse.org, and an Associate of the North American Actors' Association (London).
Joann is author of THE SMALL THEATRE HANDBOOK. She is a recipient of the Boston critics' Eliot Norton Award for Continuous Excellence in Directing.
Ricardo Khan
Ricardo Khan is a director, writer, educator and Tony Award-winning Artistic Director. In 1978 he co-founded the Crossroads Theatre Company, one of history's few African American theatre organizations to ever rise to both national and international prominence as a major professional regional arts institution, having launched countless careers for writers, directors and actors of color, and over one hundred premieres of new and innovative plays for the American theatre, for Broadway and for television. On June 5, 1999, his company became the first black theatre in history to receive the Tony Award for Outstanding Regional Theatre in America. In 2020, Ricardo returned to Crossroads in his Artistic Director role.
During his 21 years at Crossroads, from 1978-1999, Khan nurtured countless new works that have forever enriched the cannon of the American theatre, having worked with Ntozake Shange, former United States Poet Laureate Rita Dove, George C. Wolfe, August Wilson, Anna Deveare Smith, Melba Moore, Odetta, Leslie Lee, Kathleen McGhee-Anderson, and Ossie Davis and Ru-by Dee, among the many. On Broadway Mr. Khan was the originating producer of the 1988 Crossroads production of Paul Robeson starring Avery Brooks, and in 1999 he was on the producing team of the Tony Award-nominated musical, It Ain't Nothin' But the Blues. He returned to Broadway in 2005 shortly after the passing of esteemed playwright August Wilson, to write, stage, and with co-producer Woodie King, Jr., present the Broadway tribute to August Wilson in the theatre that now bares Mr. Wilson's name. In 2006 he served as Associate Director of the Broadway show, Hot Feet!, a musical developed by Maurice Hines with legendary songwriter Maurice White and featuring the music of Earth, Wind and Fire. Mr. Khan's other directing cred-its in New York include the Negro Ensemble Company, Manhattan Theatre Club, the Signature Theatre, the Village Gate, the world famous Apollo Theatre in Harlem and Lincoln Center for the Performing Arts in New York (LCE) where he is currently an artist-in-residence. Regional theatre credits include the John F. Kennedy Center for the Performing Arts and the Ford's Theatre, both in Washington, DC., the Hartford Stage, Oregon Shakespeare Festival, Cincinnati Playhouse in the Park and the Repertory Theatre of St. Louis.
A writer as well as director, his critically acclaimed play, FLY!, written with Trey Ellis and about the Tuskegee Airmen of World War II, has received raves wherever it has played, including the Crossroads Theatre Company, Lincoln Center Institute in New York, theatres in Atlanta and Martha's Vineyard, the Fords Theatre in Washington and most recently in Cincinnati and St. Louis. His next play, Kansas City Swing, also written with Trey Ellis, is about Negro Leagues baseball and American jazz, with Kansas City as its backdrop in 1947, the year Jackie Robinson broke the color barrier in major leagues baseball. Kansas City Swing was developed and first debuted at the University of Missouri where he is a visiting professor in graduate school for theatre. It received its professional premiere at Crossroads in New Brunswick and will next be performed at the Vineyard Playhouse on the island of Martha's Vineyard where every summer he works as an Artistic Associate.
Mr. Khan holds a BA in Psychology from Rutgers College, a double MFA in both acting and directing from Mason Gross School of the Arts and an Honorary Doctorate from Rutgers University where he is also in the University's Hall of Distinguished Alumni.
Larry Mollin
The writer/director of the Playhouse's 2012 production, The Screenwriter's Daughter, Larry has been a Producer and Writer for Television for the last thirty years. He's best known for his work on Beverly Hills, 90210 for which he wrote, produced and executive produced one-hundred twenty-eight hours from 1993-1998, the zenith of the show's popularity. From New York originally, he immigrated to Canada with family in 1970 and quickly became a dynamic contributor to the Canadian theatre world as an actor, playwright and artistic director of the Homemade Theatre Company of Toronto, a seminal performance group of the 1970's. Besides writing for stage, screen and television, Larry is a published poet and lyricist.
Ronan Noone
Ronan Noone emigrated from Ireland. His plays, The Lepers of Baile Baiste, The Blowin of Baile Gall, The Gigolo of Baile Breag, Brendan, Little Black Dress and The Compass Rose have played in theaters across the United States. His play The Atheist, played Williamstown Theatre Festival, Huntington Theatre Company, and was co-produced by The Culture Project and Ted Mann's Circle in the Square productions, receiving both Drama Desk and Drama League Acting nominations. Other international productions have taken place in London, the Philippines and Slovenia. The Blowin of Baile Gall and The Second Girl have been produced and performed at MV Playhouse.
His plays are published by Samuel French, Smith and Kraus, Baker Plays and Dramatist's Play Service. Awards include: Jeff recommendations in Chicago, Ovation Recommendations in Los Angeles, Critics Award in Austin, Texas, three separate Independent Reviewers of New England (IRNE) for Best New Play, an Elliot Norton outstanding script, and a Kennedy Center National Playwriting award. He is a Huntington Playwriting Fellow and a recent invited artist at the Hermitage Artist Retreat in Manasota Key Florida. ronannoone.com
Scott Barrow
During the last 15 years Scott has been working with the Vineyard Playhouse as an actor (Retreat from Moscow, Proof, Our Town, Much Ado, 12th Night and Hamlet), as a director (Henry 4, Laramie Project: Ten Years Later), as a writer (Outcasts: The Lepers of Penikese Island), and fight choreographer (Blowin' of Baile Gall, Complete Works of Shakespeare Abridged). Scott is a founding member of Shakespeare for the Masses, a Frequent Fabulist, and Professor Projector. The Playhouse has always been an artistic home for Scott and he is thrilled it will continue to be so.
Scott has also been working with Tectonic Theatre Project since 2005 as an actor in 33 Variations (starring Jane Fonda), The Laramie Project, The Laramie Project Epilogue; Ten Years Later, The Dead Man's Curve , as a collaborator creating new works (including the above), and as a certified teacher of Moises Kaufman's Moment Work. Currently he is part of the Tectonic team building Andy Paris's Square Peg, which is an interview based play exploring the autism spectrum.
Elsewhere, Scott has also played major roles at the New York Theatre Workshop, Arena Stage, The Arden Theatre, Arkansas Repertory, Commonwealth Shakespeare, Hartford Stage, The Wilma Theater, The Mint, Nevada Shakespeare in the Park, DC's Studio Theatre, New Repertory, The Geva, The Olney, the Metropolitan Playhouse, Portland Stage, Cincinnati Playhouse, New Jersey Shakespeare, Urban Stages, and Trinity Rep among others.
Scott got his MFA in Acting from Brandeis University and trained with Shakespeare and Company, working in their much acclaimed education department. He has developed residency programs for lower, middle and high school students with Brooklyn Academy of Music, Harvard, the Shakespeare Society of New York, Lehigh University, the Times Square Group, East Side Montessori, and with Stages on the Sound; where as Director of Education, he has created an ongoing program that is providing year-long arts residencies to 21 schools in Brooklyn and Queens and providing over 5000 students with programming in film, Shakespeare, and playwriting. Currently, Scott's theatrical introduction to Shakespeare for students reluctant to read the Bard's plays (Shakespeare in ACTion) is making its 10th tour. He is Emmett's dad.
Adrienne D. Williams
Adrienne D. Williams is an actor/director member of the Circle Repertory Lab, now New Circle Theatre Company, The Bechdel Group and the Rattlestick Theatre Community. She holds an MFA in Acting from Binghamton University and studied Vocal Performance at Converse College. Her directing credits at the Playhouse include CRUMBS FROM THE TABLE OF JOY and ANGELA'S MIXTAPE. Other directing credits: ELECTRA, BUS STOP, TROUBLE IN MIND, NORA, WHAT NOW?, UNCLE VANYA, PIPELINE, A LIMBO LARGE AND BROAD, LUCK OF THE IRISH, JOE TURNER'S COME AND GONE, ANTIGONE, INTIMATE APPAREL, IPHIGENIA AT AULIS, ZOOMAN AND THE SIGN, THE COLORED MUSEUM, BEFORE IT HITS HOME, JUST PASSIN' THROUGH, and (opera) THE TALES OF HOFFMAN.
She recently directed a virtual CRUMBS FROM THE TABLE OF JOY by Lynn Nottage as a benefit for NAACPLDF for Rosalind Productions (The Prom, Three Tall Women, War Paint) and MV Playhouse. Academic associations include Juilliard Drama division (project director), Hunter College (adjunct theatre faculty), New York University Graduate Acting Program (guest director), Brooklyn College (MFA acting faculty). Her acting credits include Clytemnestra in IPHIGENEIA AT AULIS, Alma in YELLOWMAN (Best Actress nominee IRNE awards Boston), Andrea in AL FRESCO with Craig Lucas, and at the Playhouse – Joan Honeyman in A WALK IN THE WOODS and Rose in FENCES. As a playwright, her short play TENNESSEE WALTZ was produced at HERE Performing Arts Center and will be published by Applause Books in the fall of 2021. Television and film credits included Bull, Blindspot, Blue Bloods, Law and Order, The Sopranos, Tags, The Architect, and Corn. She is a member of SAG-AFTRA, AEA, SDC and the League of Professional Theatre Women. Coming up next, she will direct a film focused on housing discrimination, LESS THAN OR EQUAL TO.


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VW Design Vision GTI debuts at Wörthersee
Volkswagen developed a concept car for the race track and presented it at Wörthersse Treffen. The "Design Vision GTI" transfers the appearance of the Golf icon to car racing.
The GTI meeting at Wörthersee is a veritable cult and pure automobile passion. Just like the car everybody is celebrating and driving there. There ought to be 150,000 fans showing up again in 2013. From 8 through 11 May 2013, they will turn the Austrian city of Reifnitz into a Mecca of the GTI scene. Traditional highlight: the world premiere of a concept car conceived by Volkswagen engineers and designers especially for the meeting. This year, it is a visionary GTI for car racing—the "Design Vision GTI." An unmatched 370 kW / 503 PS Golf. The progressive design study is based on the seventh-generation GTI that was launched just now in Europe, transferring the design and power potential of the icon to the world of car racing. Visually, particularly intriguing: The design team under the aegis of Klaus Bischoff (Head of Design of Volkswagen Brand) has drawn the C pillars and side sills outward as autonomous body elements, thus creating space for substantially enlarged track widths and specially developed 20-inch wheels (with 235 tyres in the front, 275 tyres in the rear). The "Design Vision GTI" achieves 300 km/h, and despite extreme modifications, it comes across as very homogeneous thanks to the precise styling based on the Volkswagen design DNA: this "Super-GTI" could start tomorrow in a racing series!
Drive system – technology and driving performance
The new Golf GTI is already more of a clear leader on the road than ever with an output of 162 kW / 220 PS or 169 kW / 230 PS (Golf GTI Performance), respectively. Now Volkswagen has more than doubled this power on board of the "Design Vision GTI," with the 503 PS (at 6,500 rpm) mentioned above. So what's working under the bonnet in the front is not a series four-cylinder but a V6 engine. As with the 2.0-litre engine of the production GTI, however, the 3.0 litre engine of the concept car is a TSI – a direct injection petrol engine with turbocharger. In this case, two turbochargers are on board. Two three-way catalytic converters arranged close to the engine optimise emission behaviour. The V6-TSI develops 500 Nm already in the lower engine speed range (as of 2,000 rpm) and a maximum torque of 560 Nm (between 4,000 rpm and 6,000 rpm). This force is distributed to the front and rear wheels via a dual clutch gearbox (DSG) and an all-wheel drive.
With this drive concept and a specially designed sports chassis, the "Design Vision GTI" virtually eats up any type of race track. And pretty damn quick at that: After a mere 3.9 seconds, the study is already going 100 km/h fast.
In order to slow down the GTI with corresponding power, going 300 km/h fast as mentioned above, Volkswagen uses ceramic brake discs all around. In the front, the brake callipers grip onto 380-mm discs; at the rear, the diameter is 356 mm. The ceramic brake discs and red-painted brake callipers shine through the spokes of the 20-inch alloy wheels, which have likewise been redesigned. The front wheels (8.5J x 20, ET32) are fitted with 235/35 tyres; the rear wheels (9.5J x 20, ET25) are equipped with 275/30 tyres.
The design of the new rims adopts the formal concept of the "Austin" GTI wheel, which in turn is a subtle derivative of the "Denver" GTI classic. The wheel of the "Design Vision GTI" features blades that are integrated into the design and discharge the hot air of the brake system optimally through the wheel openings. The wheel bolts are covered; this way, the appearance of a central lock is created. A shallow press-in depth allows for a slight key shape of the wheels, which in turn creates visually exciting reflections on the polished surfaces.
Visionary exterior
Two things become crystal clear when seeing the "Design Vision GTI" for the first time. First: This car is a Volkswagen. Second: This car is a Golf GTI. This may sound banal but it's exactly this visual clearness that is part of Volkswagen's secret of success. Klaus Bischoff: "We put our claim to be a global player on a new basis with the DNA of our universal design idiom. A design that visualises the brand's identity without a doubt is binding for all models that carry the VW logo. Thus each model is recognised as a true Volkswagen by its distinctive design." That also applies to extreme sporty cars like the "Design Vision GTI." Result: The concept car makes such a natural and obvious impression as if it could go into production tomorrow. Klaus Bischoff again: "We wanted to bring out the design elements of the GTI as concisely, dynamically and emotionally as we could so as to get to the heart of the fascination that this car emanates."
Two more things are likewise clear at first glance: First: This car is a racing car. Second: This car is impressive, extremely impressive. Both are to be ascribed to its distinctive racing design and its extraordinarily dynamic proportions.
Already the production GTI shows extremely crisp proportions. Here the benefits of the new Modular Transverse Matrix (MBQ) take effect. Among other things, it enables the front axle to be arranged farther to the front. Result: a long wheel base and shorter front overhang. With 4,253 mm, the "Design Vision GTI" is exactly 15 mm shorter than the production GTI. This explained primarily by the more compact rear apron. The new Golf GTI is not more than 1,442 mm high. This measurement has been once more reduced by 57 mm to 1,385 mm in the "Design Vision GTI." Last but not least, the concept car is significantly broader: 1,870 mm instead of 1,799 mm. The track widths also fit the picture: For the Wörthersee GTI, it's 1,595 mm in the front and 1,579 mm in the rear; the production model, which is already quite self-assured, measures 1,538 (front) and 1,516 mm (rear). Thus the "Design Vision GTI" has even more extreme proportions than the production GTI. The ratio of height to width in particular indicates that the concept car belongs on the race track.
Developing a show car for the GTI meeting at Wörthersee always presents the opportunity to outline extreme ideas and pack a solid portion of "emotions" into the draft. The guidelines for the designers are straightforward and clear-cut. Klaus Bischoff: "The team was to allow for a spectacular glance into the future of the GTI – in other words, to realise a vision." No problem for the designers. After all, with Marc Lichte, Andreas Mindt and Philipp Römers, the same team who developed the latest Golf and the new GTI, also collaborated in the development of the "Design Vision GTI." This team breathed the charisma of a race car into the concept car presented at Wörthersee.
By contrast, the colour concept of the "Design Vision GTI" is nothing if not classic. It follows the traditional GTI triad of "black – white – red." The paint is white ("White Club"), the add-on parts are black ("piano paint black"), and the GTI insignia as well as the strip integrated in the front are red.
Side profile. Probably the most concise feature is the C pillar in the side section designed as a detached element. To be more precise: The back roof pillar, which has always been characteristic of the Golf and hence of the GTI, is drawn outward as an autonomous design element, while the body narrows more strongly toward the rear. This process starts already right behind the front wheel with a vertical air outlet at the height of the front door joint. In parallel to that, the sill grows continually outward until its upper edge merges with the C pillar to spring forward again in the roof – a stylistic device that gives the spectacular shape of this GTI the necessary homogeneity.
A honeycomb grid, designed with the proverbial love for detail, closes the space between the widening and the body – a masterly achievement in terms of model building and attainable only with the help of computer-based technologies.
Front end. In a similar sculptural manner, the GTI design is varied in the front section. The radiator grille, the bottom air inlet and the side openings for the cooling of the brakes are combined with the headlights into a unit that is framed by an exactly defined edge. The precision and straightforwardness of its lines again follow the Volkswagen design DNA. Grille and air inlets – although re-interpreted – consciously underscore its relatedness to the production GTI; thus the honeycomb structure in the grids is a natural and obvious stylistic device. The so-called "blades" are an especially prominent detail, emphasising as spoiler edge the sculptural character of the front in the bottom area.
A shining core element of any front design is the headlights. Very consciously, the designers adopted the look of the production GTI here as well. Nonetheless, the concept car shows options of how headlights and radiator grill could look in the future: The red line typical for the GTI front divides the headlights of the "Design Vision GTI" horizontally. In the bottom half, the visual elements are set back; the design gives the "eyes" somewhat of a dramatic depth – an innovative variation of the "evil eye" popular with GTI up-daters. At this point, our Volkswagen designers like to speak alternatively of a "determined" look or simply about a "self-assured appearance."
The long and wide bonnet, whose lines extend sideways right into the bottom border of the side window graphics and toward the back up to the C pillar, thus making the body look longer and more powerful, also makes a definitely self-assured impression – a design feature that also distinguishes the production version of the new GTI from all its predecessors. The bonnet itself has an outside lid joint at exactly the same height as the horizontal all-round line that is typical for the Golf VII – a design motif with which the new Golf quotes the classic Golf I.
Rear end. Analogous to the front end, an all-round precise edge makes for a consistent picture in the rear as well. The integration of the rear spoiler is the same as for the production car, while the aerodynamically conceived ribs of the rear diffuser dominate at the bottom end; the diffuser is framed by the silencer end pipes. The design of the tail lights is well-known as an element of the Golf light signature typical for the brand. What's new here are the two horizontal "blades" arranged underneath that connect the rear and the drawn out side part with each other.
Like with the exterior, the typical charisma of a GTI should be palpable in the interior as well – consistently sporty and fit for active driving yet cultivated when it comes to design features. Consequently, the credo of the team briefing by Tomasz Bachorski, Head of Volkswagen Interior Design: "Pure GTI. Concentration on the truly essential. But with style." Nothing easier than that. After all, the designers responsible for the concept car, Boris Grell, Jan Haacke and Guillermo Mignot, are at home in all Volkswagen interiors – from the up! to the Phaeton – and know how to fine-tune the interior concept individually to the character of each vehicle.
With regard to the "Design Vision GTI," the notion of "reduced design" so popular with designers has been radically applied. And this means: As few switches as necessary, and the ones that are left are arranged precisely and in such a way that they can still be operated intuitively even with a very sporty driving style. Thus the steering wheel is equipped with ergonomically optimised DSG gear shift paddles. And not only that: The driving mode switches are located ("Street," "Sport" and "Track") under the cross panels; the start button is on the right.
The designers have integrated the switches and rugged turn knobs for climate control as well as the hazard light switch and the activation of the on-board camera in the upper section of the centre console A vehicle main switch, a push-button for the fire extinguisher and the ESP deactivation are underneath, features that are typical for racing cars. The bottom part of the centre console is dominated by the DSG gear shift – it consists of a vertical handle with dynamic contours, as in racing.
The shapes of the dashboard and the centre console correspond to the well-known GTI interior in their configuration; they are arranged, though, in an even more driver-oriented way, as in motor racing. The surfaces are more taut, the edges harder and more precisely formed. The technical impression is reinforced by the partial use of carbon. Moreover, alcantara in "Anthracite" and "Titan Black" as well as nappa leather in "Black" and "Flash red" dominate the interior. One pleasant detail on the doors is a handle in the shape of a red loop – reminiscent of the Porsche Cup models. The space of the back seats is taken by an X-shaped cross member, which heightens the body stiffness another notch up. The seat belt retractors for the red suspender belts are integrated into the cross member. In the meantime, two black integral helmets are stored away close at hand under the cross member.
All purism notwithstanding – the designers also show how they imagine networking the "Design Vision GTI" with the social community: A large display to the right of the main instruments also shows the circuit in question and supplies information about the times driven. The show-stopper is: The display communicates with other vehicles on the course and calculates the details about the current status of the race in real time. Anybody wanting to have the community take part in the race can direct the cameras integrated into the A pillar either to the track or in the interior. Klaus Bischoff again: "The design of the interior is the area where we expect unusual technical and formal innovations. That's where we set the trends."
And finally: As spectacular as the "Design Vision GTI" is at first glance – the concept car will be still fascinating after you've seen it the umpteenth time. Because the viewer will discover new, exciting design elements each time he looks. And it becomes clear that the production GTI features the identical charisma of perfectly well-balanced sportiness – and not only for the ride on the race track but for each day of the year.
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Starting off 2018 with the distribution of food supplies to the Thanksgiving Home & Pakred slum community as well as the House of Blessing. Thank you BRF Thailand and Regent's International School for the chicken and rice – this is only the beginning! Stay tuned for more updates!


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The Planet D Travels South on The Rideau Canal
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Planet D on the Rideau
Dave & Deb founders of The Planet D, the Award-Winning Travel Blog, spent a fabulous 8 days travelling South on The Rideau Canal in the Horizon 3 Houseboat.
The Planet D began in 2007 and since then the couple of visited of 115 countries and all 7 continents. They have worked hard to become a leading travel source and have been named Top Travel Influencers by Forbes Magazine.
From detailed city guides, personal travel tips, inspiring stories and more, follow their journeys on the blog, on Facebook and Instagram and watch their travel videos on Youtube!
Day 1 - Smiths Falls
Dave & Deb's journey starts in the pretty little town of Smiths Falls, located in the heart of the Rideau, half-way between Kingston and Ottawa. This town is the location of Le Boat's base on the Rideau Canal, and is the ideal starting and finishing point for exploring whichever part of the canal takes your fancy. Here you'll find no shortage of shops and restaurants to explore. Discover craft products and designer labels before taking the time to relax and unwind over a glass of wine at one of Smiths Falls' many restaurants like the Lock Master's Tap House featured and don't miss the visit to the Railway Museum of Eastern Ontario. Both locations are featured in The Planet D.
Day 2 & 3 - Smiths Falls to Beveridges Locks
After leaving Smiths Falls, Dave & Deb made their way to the first stop, Beveridges Lock Station, located an hour and a half away. Here you can choose to go to Perth on the Tay Canal, but it is not recommended that you take the houseboat through this canal as it is very narrow! Dave & Deb spent their time here biking on nearby trails and canoeing through the lock and down the Tay River.
Day 4 - Westport
This scenic village is known for its downtown core where you will find a variety of clothing shops and gift stores. It has a public wharf on a man-made island with dock space for up to 30 boats. This is a paradise for boaters, hikers, and outdoor enthusiasts. For a spectacular view of the village, hike up to Spy Rock on Foley Mountain. The Planet D features Westport Brewery, for flight of beer, and dinner at Scheurmann Vineyard. Scheurmann Vineyard is the hottest place in town and located a 20-minute walk from downtown. Here you can enjoy a glass of wine and a wood-fired pizza!
Day 5 - Chaffey's Lock
This lock is known for its heritage it is the location of the Lockmaster's House Museum and you can visit the grounds of the lovely old Opinicon Resort Hotel. It is also a great place for hiking or biking as the Cataraqui Trail, part of the Trans-Canada trail system passes through Chaffey's. Planet D also visited The Mill at Chaffey's Lock Art Gallery.
Day 6 - Jones Falls
Jones Falls is considered the most beautiful lock on the Rideau Canal, Jones Falls is home to the "Great Stone Arch Dam." When completed in 1831, this was the highest dam in North America. There are four locks to get through here and it can take a little while to get through and therefore many turn around at Jones Falls, but its good to dock at the top and explore the hiking trails and historic buildings on foot. The blacksmith's shop, built in the 1840s, often has a blacksmith on duty, more than willing to explain his craft.
Day 7 & 8 - Colonel By Island & Back to Smiths Falls
Dave & Deb turned back and spent one final day at the beautiful Colonel By Island. It is owned by Parks Canada, it is great place to hike, kayak or go swimming. One of the few places on the Rideau Canal where you don't have to stay at lock station, so stay over night an enjoy a campfire! The Planet D wrapped up their trip making it back to Smiths Falls where they returned the boat.
Find out more about cruising on the Rideau Canal
Book online or call us at 1-800-734-5491
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Q: Black screen at bottom in landscape mode when dismiss keyboard IQKeyboardManager I am using the IQKeyboardManagerSwift latest version I am having issue black screen at bottom --> When I tap on text field in landscape mode of device keyboard comes up and view of controller and background image goes up black screen of window can be seen at bottom View does not come back to original position after keyboard dismiss.
I want to move container view of the text field up, not the view of the controller and background image, the container view is horizontally and vertically center in auto layout. I tried to add IQLayoutGuideConstraint to container view but no luck. it would be great if you can provide some information to achieve it. please seen storyboard screenshot below

A: try to remove your firstResponder from viewDidLoad, and put it in viewDidAppear instead, like this
override func viewDidAppear(_ animated: Bool) {
    super.viewDidAppear(true)

    yourTextField.becomeFirstResponder()
}

A: P.S. Do not set your textfield as firstResponder in your viewController.
For ex:- (in ViewDidLoad Method)
[self.yourTextField becomeFirstResponder];

If you have above set up. Please comment(Delete) this line and then try.
All the best.

A: Have you tried to update your pods?
pod IQKeyboardManagerSwift

A: workround, place in your VC viewillappear:
 override func viewWillAppear(_ animated: Bool) {
    if let window = (UIApplication.shared.delegate?.window)! as UIWindow? {
        window.backgroundColor = UIColor.white
    }
}