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Fluminimaggiore is een gemeente in de Italiaanse provincie Zuid-Sardinië (regio Sardinië) en telt 3065 inwoners (31-12-2004). De oppervlakte bedraagt 108,1 km², de bevolkingsdichtheid is 28 inwoners per km².

Demografie
Fluminimaggiore telt ongeveer 1136 huishoudens. Het aantal inwoners daalde in de periode 1991-2001 met 3,3% volgens cijfers uit de tienjaarlijkse volkstellingen van ISTAT.

Geografie
De gemeente ligt op ongeveer 63 m boven zeeniveau.

Fluminimaggiore grenst aan de volgende gemeenten: Arbus (MD), Buggerru, Domusnovas, Gonnosfanadiga (MD), Iglesias.

Gemeente in Zuid-Sardinië


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Dragons and dogs take over Las Vegas for Chinese New Year
An 18-foot-tall Siberian husky stands watch over the conservatory at Bellagio to honor the beginning of the Year of the Dog. Hotel-casinos in Las Vegas pull out all the stops to celebrate Chinese New Year.
(MGM Resorts)
By Jay Jones
Feb. 13, 2018 6 AM PT
Las Vegas will celebrate Chinese New Year, which begins Friday, with lion dances, lucky charms and dogs. Hotel-casinos go all-out for what will be the Year of the Dog, the 11th zodiac animal in the Chinese zodiac.
A custom-made dragon will adorn The Shops at Crystals at CityCenter through March 1.
(The Shops at Crystals )
The Shops at Crystals will mark the occasion Thursday with a private blessing by a Buddhist monk followed by a traditional lion dance from noon to 1:30 p.m. Saturday.
The high-end shopping center is sparkling brighter than usual with the addition of a 53-foot gold dragon beside a reflecting pool. The custom-made creature, which features 100,000 LED lights, will be on display through March 1.
Giant firecrackers are displayed at the Linq Promenade for Chinese New Year.
(Caesars Entertainment )
A long weekend full of festivities starts Friday at the Linq Promenade and entertainment district.
Dancers perform a traditional Chinese dance to entertain Linq Promenade visitors.
Live cultural performances, featuring professional and community dance troupes, begin at 5 p.m. Friday and next Monday (Presidents Day), at 6 p.m. Saturday and 3 p.m. Sunday. Dragon dances will also entertain visitors each evening at 6.
The lobby of the Aria is decorated for the new year.
(MGM Resorts )
Dragon and lion dancers will parade through the casino at MGM Grand at 4 p.m. Friday to mark the start of the New Year. Visitors are welcomed in the lobby by a festive display featuring a lion and eight panda bears set among floral décor.
Through March 3, Bellagio visitors can enjoy floral displays celebrating Chinese New Year in the resort's Conservatory & Botanical Garden. (MGM Resorts)
The most stunning floral celebration is already underway in the Bellagio Conservatory & Botanical Garden.
With guidance from a feng shui master, the gardens feature ding pots, a giant Siberian husky and a money tree full of gold coins, all set amid thousands of red roses and yellow forsythia.
The free display can be viewed 24 hours a day through March 3.
Three dog sculptures, all covered with gold leaf, are part of the Year of the Dog displays at Wynn-Encore in Las Vegas.
(Jeff Green )
Busted neon signs gain new life in sound-and-light show at Las Vegas' Neon Museum »
The Year of the Dog theme continues up the street at Wynn-Encore, where three 9-foot sculptures of dogs are covered in gold leaf. Hanging dragons and elaborate floral arrangements round out the displays in the properties' atriums.
A lion dance will begin 6 p.m. Sunday at the south valet entrance at Wynn Las Vegas before moving through both hotels.
Two lion dance processions will wind their way through the casino at the Gold Coast.
(Boyd Gaming )
A mile and a half west of the Strip, a traditional lion dance and dim sum will highlight the festivities at the Gold Coast, a hotel-casino long popular with Asian visitors.
The property's annual lion dance parade will make its way through the casino 7:30 to 9:30 p.m. Feb. 22. In addition to dragons, the procession will include costumed characters who will pluck ceremonial lettuce from the ceiling. A symbol of good luck, the leaves will be tossed to spectators.
Lettuce plays only a minor role in the tempting dim sum dishes available at the resort's well-reviewed Chinese restaurant, Ping Pang Pong.
Nian Gao, sweet rice cakes shaped like gold bricks, are available through Feb. 25 at Ping Pang Pong.
Long popular for its dim sum menu, with more than 70 choices each day, Ping Pang Pong is offering a special, celebratory dish through Feb. 25. Nian Gao, a sweet rice cake shaped to look like a gold brick, is meant to symbolize prosperity and opportunity during the year just starting. Three cake squares seared with egg are priced at $4.88, or guests can purchase whole, 1-pound cakes to take home for $13.99.
Giant lanterns festival lights up Las Vegas for Chinese New Year »
In North Las Vegas, about 12 miles from the Strip, the China Lights show continues nightly through Febr. 25 at Craig Ranch Regional Park. Featuring more than 40 outsized light displays and cultural performances, the exhibition opens nightly at 5:30.
Admission is $20 for adults and $12 for youth 5-17 as well as seniors 60 and older. There is a $10 surcharge, and limited availability, for the Chinese New Year celebration on Friday evening.
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In an unexpected light natural color, our Cane Rattan Round Trays add dimension and character to your home styling. Use on a coffee table to hold decorative objects, or even to hold jewelry on a dresser.
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Keats Talk at Keats House
by ColSilver » Sun Feb 10, 2013 4:54 pm
I attended a talk by David Pollard at Keats House in Hampstead on Saturday 9th February, 2013, and thought I would post a brief account for anyone who is interested. There's a small conference room at the back of the house, overlooking the famous Nightingale garden, and that's where the event took place. Here's David Pollard's profile on Amazon:
http://www.amazon.co.uk/David-Pollard/e/B0071IRBNI
David Pollard did his doctoral thesis on "The Poetry of Keats: Language and Experience" and this is what he talked about on Saturday. The gist of it as I understood it was that poetry comes from Silence, that is to say, that language is just a sort of mediator, that the true poet finds expression in his inner self and communicates it when he is "moodless" - this is akin to Keats' Negative Capability and is expressed very well in the Ode on Indolence. (He read from the Cave of Quietude section in Endymion to emphasise the point.) The true poet's productions are eternal and perfect in a Platonic way, but he emphasised that he did not consider Keats to be a mystic. When Keats wrote about the Grecian Urn, he renounced the urn of his imagination and let it speak for itself. He had a lot to say about other great writers and philosophers, that he thought Milton and Tennyson used language as a tool (unlike Keats who used it as mediation). He said Keats was a great thinker, as are, of course, the very best writers and philosophers. There's no doubt he thinks Keats was unusual and special, both as an intellect and as a person.
David Pollard's interests (and books) are very wide ranging and he pulled a lot of other people and subjects into the talk, especially when answering questions at the end. He talked for about 20 minutes or so and then there was about half an hour of questions, most of them about Keats' Negative Capability, etc. There was a also a question from a young student, and then a brief discussion, about Haydon's love of the Elgin Marbles and his influence upon Keats (the subject of my own book). I'd say there were about 60 people there of all ages and types - some older people, several young people, students, etc., but everybody very keen and interested in Keats.
It was a very pleasant day out, and (all being well) I shall be looking forward to more events at Keats House in the future.
ColSilver
Location: Oxfordshire, UK
Re: Keats Talk at Keats House
by Raphael » Mon Mar 18, 2013 3:22 am
Thanks for that. Lucky you going to that! Not ever been to the House.
by BrokenLyre » Fri Mar 22, 2013 11:46 pm
Thanks ColSilver for that report. I am extremely envious of your opportunities to go to Keats House. I have never been there - too costly from NY. But I dream of it.
Thanks for sharing with us!


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Common Cell Phone Text Abbreviations
By Naomi Bolton
A woman is taking a break at work and texting.
Image Credit: ERproductions Ltd/Blend Images/Getty Images
Chat abbreviations have evolved to the point where a cell phone text message can look like gibberish if you haven't kept up with the lingo. While these abbreviations are mostly the result of reducing or substituting the characters of words to fit everything into one message, sometimes concealing the content from onlookers is also a primary motivation. Using abbreviations instead of typing out full words or sentences also speeds up the texting process. Certain abbreviations are meant to convey emotions, which can be hard to discern from text alone. Familiarize yourself with the most common abbreviations before you encounter them in a message.
Communication Speed
Sometimes time is of the essence when you type a message, especially if something urgent occurs in real life. In these instances, the abbreviations "BRB," which means "be right back"; "BBL," which means "Be back later"; or "BBS," which means "Be back soon," come in handy. You may also encounter "TTFN," which means "Ta-ta for now" or "TTYL," which means "Talk to you later," if the person you are chatting with has to end the conversation abruptly.
Message Length
Individual SMS text messages are limited to 160 characters, so some commonly used words and phrases are abbreviated to fit more content into a single message. Using "FWIW" instead of "for what it's worth" or "IMHO" instead of "in my honest/humble opinion" can save a lot of space in a message. Numbers are often used instead of letter combinations to shorten the word such as "CU L8R" instead of "see you later" and "B4" instead of "Before."
Content Concealment
Abbreviations are sometimes used to conceal the content of the message or to warn the recipient that a parent or stranger is watching. For example, your teenager might use the abbreviation "PAW," which means Parents are watching," or "CD9" meaning "Code 9 parents are around" if she notices you glancing at her phone. These codes warn the person that she is chatting with not to send any incriminating messages. Other variations include "POTS" meaning "parents over the shoulder," "P911" meaning "parent emergency" and "AITR" meaning "adult in the room."
Convey Emotions
Because it is difficult to convey emotions such as anger, sarcasm or sadness purely with text, certain abbreviations are commonly used to represent these emotions. To signify that a message was a joke, "JK" meaning "just kidding" is commonly used while "QQ" or "T_T" is used to signify tears. If a message is particularly humorous, the abbreviation "LOL," which means "laughing out loud," can be used. Messages often end with an "OXXO" to signify "hugs and kisses."
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New Zealand dig deep after Joe Root's 226 gives England an opening
Joe Root is congratulated by Ollie Pope after bringing up his 150 © AFP / Getty Images
New Zealand 375 (Latham 105, Mitchell 73, Watling 55, Broad 4-73) and 96 for 2 (Williamson 37*, Taylor 31*) trail England 476 (Root 226, Burns 101, Pope 75, Wagner 5-124) by five runs
Joe Root confirmed his return to form with a masterful innings of 226, and Ollie Pope passed his own test of mettle with a maiden Test half-century, as England, at last, produced the single hefty team performance required to put the squeeze on their New Zealand hosts in the second Test at Hamilton.
In the final analysis, England's best efforts of the tour probably won't be enough to ensure a share of the series, as New Zealand's veteran pair, Kane Williamson and Ross Taylor, dug deep after the loss of both openers to grind to the close on 96 for 2, a deficit of 5. But, given the depths to which his stock as captain had fallen after the innings defeat in Mount Maunganui - and with a four-Test tour of South Africa looming large on the horizon - Root in particular will doubtless settle for a moral victory, replete with signs that his side have learned some rapid lessons about how to compete in unresponsive overseas conditions.
Indeed, such was the resolve that both Root and Pope put into their performances, had it not been for the loss of some 45 overs over the first three days of this Test, England might well have been able to push their own innings into the sort of 600-plus territory with which New Zealand had seized control of that opening Test.
Instead, having batted through the best part of two sessions in carrying their sixth-wicket stand to an imposing 193, both men fell in successive overs as the innings brief shifted from attritional accumulation to hasty run-pillaging with a declaration looming. In the end, Root wasn't required to make that call, as Neil Wagner took advantage of a slap-happy tail to rip his way to an unlikely five-wicket haul - due reward for a never-say-die performance, as England were bowled out on the brink of tea for 476, a lead of 101.
As the players left the field for the interval, the die had been cast for New Zealand's second innings. Showers are forecast for the final day of the match, meaning that a draw was always the likeliest outcome. However, as New Zealand's own bowlers had shown with their wholehearted display on the second evening, opportunity knocks when weary opponents are forced to confront a brand-new ball and a rested pack of seamers.
And so it proved for a frenzied first hour after tea, when - for a fleeting moment - it seemed that New Zealand might suffer the same collapse of resolve that had done for England in their first-Test defeat at Mount Maunganui.
Kane Williamson sways out of the way of a bouncer © Getty Images
In the space of a hapless two-ball stay, Jeet Raval managed to survive a sitting-duck run-out chance from extra cover before failing to review a Sam Curran lbw that had taken a massive inside-edge. Then Tom Latham, New Zealand's first-innings centurion, was undone in the midst of a superb five-over spell from Chris Woakes, who hounded his technique with a relentless stump-threatening line before hitting the seam to take an edge through to Root at a solitary slip.
It took all of Taylor's and Williamson's experience to draw the sting of England's attack, one which had begun to look pretty saddle-sore by the close, with Stuart Broad and Curran both grimacing with apparent foot niggles at various moments, and Jofra Archer hobbling with a sore knee in the midst of another intermittently threatening spell. It's been a dog of a pitch for seamers on both sides, but they've acquitted themselves well in the circumstances - even if England might now be regretting the absence of a specialist spinner.
Long before that finale, Root and Pope had resumed in the morning session with England on their overnight 269 for 5, still trailing by 106 runs. Their initial approach wasn't exactly thrilling viewing for a sparse Monday crowd, as Root resolved to press ever onwards in what would end up being the longest innings of his career in terms of balls faced.
However, for the long-term health of this recalibrated Test squad, it was an important session of play - not least for the rookie Pope, who overcame a flighty start to his day's work to get himself properly acquainted with the rhythms of Test match batting for the first time. He would finish on 75 from 202 balls, and might have pressed on even further towards a maiden Test hundred, had the match situation not demanded he chance his arm in the latter stages of an obdurate stay.
The star turn, however, was Root, who had done the needful in bringing up three figures on the third afternoon, thus ending a barren run that had spanned the English summer. Today he set out his stall for the big one, racking up his third Test double-century and his highest score since making 190 against South Africa at Lord's in 2017 - his first Test innings as England captain. Whether this proves to be a rebirth, only time will tell. But he will set off for South Africa next month with his authority renewed, and his confidence higher than it's been for months.
From the outset, Root's feet and hands were back in synch, as he found himself playing the delicate dabs through third man that have long been such a feature of his best, most anonymous, feats of run-making, but which had deserted him of late - notably in the first Test at Bay Oval where he had twice fenced tamely to the cordon.
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New Zealand v England is available in the US on ESPN+. Subscribe to ESPN+ and tune in to the Test series.
His improvisatory instincts didn't desert him either, even while New Zealand ploughed a disciplined line and length, looking to choke the runs and force the errors that they know this team are perfectly capable of making. Early in his day's work, he unfurled an uppercut to a slow loopy bouncer from Wagner that flew over the keeper for four, before keeping his eyes on a short ball that scuttled to pull it effectively at shin height through midwicket.
Root's moments of alarm were few and far between - the odd ball kept low, a handful of inside-edges were dragged perilously close to the stumps - but the closest that New Zealand came to breaking the stand was the moment of Root's 200, when he tapped the decisive single into the covers, only for Pope to hesitate at the non-striker's end before putting his head down and sprinting for his skipper. A direct hit would have done for him, but instead the shy went wide, and Root was able to peel off his helmet and salute a truly doughty innings.
For Pope, the opportunity to have a front-row seat for such a gritty display will be an invaluable learning experience, for at the age of 21, this was a "jam tomorrow" performance from England's young prospect. Strictly speaking, his strike-rate in the first two sessions wasn't exactly what England needed in their bid to force victory on the final day, and the absence of Jos Buttler, the man who would have been coming in at No.7 but for his back injury, was keenly felt at a moment when England might have looked to up the ante.
But nevertheless, after complaints that England's batsmen have been too flighty in recent seasons, there could be no quibbling with the application that Pope brought to his innings - all achieved, remember, after squatting behind the stumps for 129 overs in his unlikely role as wicketkeeper.
At times in the early stages of the day's play, Pope was susceptible to the same old sucker punch that had undermined him in his first season of Test cricket, against India in 2018 - namely the tendency to get too greedy whenever the ball was outside his eyeline. He survived more than a handful of urgent air-shots before he had reached 20, but with Root providing an object lesson in balance and shot selection, he grew in stature visibly as his innings progressed.
Moments before the interval, it was left to Pope to carve the cut through third man that took England into the lead for the first time in the match, and soon after the break, he crashed a cut through point to bring up his hard-earned fifty. From that point on, England's intent grew steadily, like a runaway truck gathering speed down a hill, and it wasn't until the score had passed 450 that Pope finally picked out a fielder, as he hoicked Wagner to Jeet Raval at deep square leg.
Root holed out one over later, slamming an inside-out slog to deep cover to give Mitchell Santner a breakthrough, and thereafter it was over to Wagner to run through the rest. Chris Woakes slashed a drive to the keeper for a duck, before Jofra Archer and Stuart Broad were bowled in quick succession - though not before Archer had slammed a massive six over the sightscreen. Wagner would finish with 5 for 124 in 35.5 typically wholehearted overs - his second five-wicket haul of an under-statedly brilliant series.
Topic: #joe root #zealand #neil wagner #kane williamson
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Donald Trump prizes loyalty above everything. That means his cabinet is going to be a nightmare.
It's all happening. Newt Gingrich for secretary of state and Rudy Giuliani for attorney general were already expected, but Sarah Palin for secretary of the interior? That, and all the public land privatization and drilling that come with it, may very well happen!
Chris Christie, who could be prosecuted for his role in Bridgegate? He'll have a seat at the table as well. David A. Clarke, who has called Black Lives Matter a "domestic hate group"? Why not secretary or the Department of Homeland Security?
None of this should be surprising. Trump may have given a speech last night in which he extended an olive branch to Republicans who were skeptical of his candidacy, but there is little evidence that the Trump government will be significantly different than the Trump campaign. Trump privileges loyalty above all else. The terrifying thing is that those most loyal to Trump are terrifying—either whack jobs or people with tremendous baggage or both. The most terrifying and/or corrupt politicians backed him early on because they had nothing left to lose. But now he has won, and his cabinet is going to be stuffed with deranged people.


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** 按 Fraser Institute, 另外兩間名列首20安省的列市中學是 St. Therese of Lisieux C.H.S. 和 Bayview S.S.
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1. Bank of Canada kept its rate unchanged at 1.25%. Those with floating interest rate mortgage could take a breather.
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After 3 days of ice and rain storm, thank goodness, things are finally resuming the normal course. Like today #TuesdayQuote suggests, sun will shine.
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Three staff members from the news site "Assault in Klu Klux Klan County" were arrested Tuesday on charges of "encouraging and leading an unlawful assembly," according to a press release from the department of…
Three staff members from the news site "Assault in Klu Klux Klan County" were arrested Tuesday on charges of "encouraging and leading an unlawful assembly," according to a press release from the department of public safety.
The five were taken into custody during a peaceful anti-bulldozing protest that targeted a developer who wanted to demolish homes along the White Earth Reservation in northern Minnesota, according to the Star Tribune. The suspect, James Lingenfelter, also faces charges of inciting a riot and conspiracy to commit riot.
The two other people arrested were 18-year-old Declan O'Hanlon and a 32-year-old who was not identified by authorities.
In addition to rioting charges, Lingenfelter faces charges of terroristic threats and aggravated assault. He is being held on a $1.5 million bond.
The activists holding the protest are part of an anti-bulldozing group called Roan Lake Communities Against Poverty. Earlier in the week, The Intercept reported that protesters had sent the city of Roan Lake a demand letter to stop their plans.
"The residents of the city of Roan Lake, whose resident population is under 2 percent, are going to draw your attention to the incredible lack of access to clean drinking water, and the absence of any safe employment," according to the letter. "Their plight echoes the young people's struggle to get an education, and the call for control of the White Earth Reservation as more indigenous people are pushed from their homeland and away from the natural, pristine resources."
"Roan Lake Communities Against Poverty" lists Roan Lake as the group's lead funder.
The leaders of the group have extensive links to the Leech Lake Band of Ojibwe of the White Earth Reservation.
"Assault in Klu Klux Klan County" won first place in the Visual Media category in 2015.
"It seems to have gone beyond just arresting Native kids protesting in the face of violent threats," said Nick Blackwelder, president of the Native Youth Alliance, an environmental nonprofit, told the Star Tribune. "People are getting arrested for protesting a general lack of accountability for Indian Country."
They are thought to be the first Native American news organization to be arrested at a protest. The organization's editor, Mindi Carson, was arrested at the Lakota People's Center in Minneapolis last year while organizing a protest against Dakota Access Pipeline, according to the newspaper.
Shortly after the arrests, the group of five were released on $2,500 bail each.
Fox News' Ali Vitali contributed to this report.
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This Mary Poppins teacup and saucer set is made in the UK by the lovely ladies at the pottery in Stoke-on-Trent in Staffordshire. It's dishwasher safe, but we recommend handwashing to preserve the gorgeous platinum details.
For more tableware, including our luxurious fine bone china, take a look at our Mary Poppins collection, which features plates, mugs, teapots and more. We also have a collection of Mary Poppins tea towels, aprons and toiletry bags.


Solutions for christian storytellers are in heavy demand across the country. Every day thousands of storytellers from across the globe are looking for services and opportunities that are convenient, affordable, and get their work seen. For all of that demand, though, there are slim to no companies that offer or specialize in full faith-based transmedia services, despite its clear popularity in the radio, film, and publishing industries.
Lack of a unified storytelling community is a common complaint from christian filmmakers and novelist, especially those attending the many networking festivals/opportunities across the USA. We are convinced that there is a great need here for a central unified service offering affordable industry standard services, networking, unions, and studio facilities to the emerging faith based transmedia audience across the USA and world.
We recently launched a new set of online services offered for free (only for the first 9 months as we worked out the bugs) which includes: Creators, Fans, Ideas, Funds, and Outlets. One of our founders, Christopher D. Stewart, is an accomplished Transmedia producer with experience working with/in some of the best transmedia stories. He won first prize at age 15 for his film BOO!. He has also been recognized for his transmedia contribution on Disney Marvel's Avengers Infinity War (2018).
Storytellers' online services are available 24/7 for anyone to access with text, phone, and email support open Monday through Thursday from 7 a.m. to 6 p.m. (EDT) and on Sundays until 9:00 p.m. (EDT).
New transmedia technology offers a superior approach to storytelling, and our company is the first to offer it on such a large scale. Popularized in the early 2000s and just making their way into the mainstream market, transmedia technology and services are in high demand for their marketing appeal. They engage audiences, build cult like followings, create interactive stories, cost less then other forms of advertising, can be start building fanbases years before other advertisements can, uses the power of fans to market for you, and historically projects that utilize transmedia have much larger returns.
Our transmedia system offer 3 flavors of services. We have an online devition that units creators together for quick, inexpensive transmedia storytelling. For a more personal approach, we have also have business to business solutions which handheld, large scale projects and provides Transmedia services to companies and schools, this enables our crew to work together to cover as many as 30 projects at once. In addition, our transmedia steam allows us to offer database and team communication solutions as add-on services without requiring additional staff or equipment. And final the last flavor will come in the form of the world's largest transmedia studio facilities located around the USA with the first facility opening in Tennessee in 2019, alowing us to create all content in house thus letting us run at maximum cost efficiency so we can relay these saving to our customers.
The Online Division provides a system of online services to storytellers that centers around online portfolios for members to share their works and have it properly credited across multiple leading industry platforms. The online services will also help to connect "creators" to business and projects that are looking to hire. Our operations manual is a business system designed to produce the maximum number of connections of approved and vetted portfolio to jobs per week while maintaining a rigid standard for quality. Through a partnership with the independent transmedia production company, S.C. TreeHouse LLC, we will have access to the over 1,900 of their currently established partners and customers. Using this system, and following this business plan, we will generate the revenue needed to allow us flexibility in creating/running other projects more commonly associated with a studio company, leading into the next division.
I thought it might be helpful if we explained a little more about what the Storytellers Online Services actually are.
This is the moment when everyone says: "Hallelujah! Finally! We get a real explanation!"
We have written 7 articles, that you can find in the accordion below, explaining in depth each of the seven parts which makes up our "Online Services" and what stuff you all can be doing with them.
Let's give you all a quick overview of the idea, the mission, and the heart behind "Storytellers."
"Man! These guys are good, like epically gifted and called by God. And they just work so well together. You know, if there were some way to help them collaborate and get their stories told, that be awesome!"
"If we are all called by God to tell His stories, why not work together to do that."
The mission behind this is to bring together all kinds of Storytellers and provide them with the tools necessary for every step in the creation process so that they may tell the stories God has given them.
Wow, we were about to type something here, then realized how sappy it sounded...oh well, it's the truth, so we'll type it anyway. So, the heart of our "Online Services" is focused on the way God is working in each one of you. Not even joking. This whole thing was built to help you guys get your projects made, get them distributed, and help others see how God is using you.
Ok, now that we're done being sappy and sentimental, you can move on to the next part. See you all soon, keep being awesome and keep letting God use you, it's inspiring to watch.
"I literally shake in my boot every time I go to tell a story because I know that with every word I say, I am waving around a double-edged sword capable of such wonderful and terrible things that I can only barely imagine what it might do."
Stories have power, like a lot of power. Throughout all time, in the deep parts of people's minds, something has always shifted when a story is told, and as history dictates, we know this "shifting" illuminates the path to the future.
Humanity resides on the ever-rickety ledge of change, waiting to be pushed by the actions of not many, but only a few. The truth is, things will change, not at the callous hands of the mighty, but by the wiry words of a story.
Afterall, even God taught through parables.
It's apparent that all people long for someone to show them answers, to show them the future. That is the fundamental function of man, to search, find, and search again. And because, as Storytellers, we are known for an unwavering desire to pioneer, the world unknowingly looks to us for answers. Like silent angels, we, the Storytellers, and the stories we tell, have gone on changing the world for years unnoticed.
The words of our stories have more power to affect the world then anything short of the Creator of the universe Himself. So, as children of God, it's time we take the power of the stories we tell seriously.
The Storytellers "System" was made for accountability and collaboration among us Storytellers. It has been built from top to the bottom with the sole understanding that stories have power, and with the sole purpose of helping you wield that power by getting your story told. To accomplish this we have build a system of interconnecting tools designed for storytellers that we are offering to you for free.
The hub for all of these tools is a place we call the "System" which is a website based middle point for syncing, linking, and connecting all of these epic tools. The "System" was designed by over a hundred storytellers from all over the globe who are actively involved in thousands of story driven projects from video games to graphic novels and everything in between.
On March 18th the "System" will be publicly launched at the pitch "Event" to give each of you access to all of these tools to help you guys get investors' and fans' attentions so that you can get your projects made.
So, let us take a look at what these tools are.
"Creators" is an IMDb style database with a fun social media twist that gives creators "Facebook-like" ways of connecting and collaborating with each other. Although the database side of "Creators" will be opened to the public (so anyone can see a creator's work), "Creators" is the part of the "Storytellers" "System" that was designed for the industry professionals (a.k.a the people who create stuff) as a way to network and share, it's not really for the fans.
"Ideas" is a copyright protected place for creators to share their ideas and help get buzz started for what they are making. This is a tool for projects that are not yet finished and ready for distribution. "Ideas" is a trusted place for investors to come and look at projects that are trying to get off the ground. But not only this, "Ideas" works hand and hand with "Fans" to show investors just how many people want to see your ideas come to life.
"Fans" is a network/social media site built for creators to be able to interact with fans in some really cool ways. The idea behind this site is to encourage creators to have their fans more involved in what they are creating to build leverage for getting investors. This site will give creators a place to share "behind the scenes stuff" with fans as well as personally interact with them in some neat ways. This should give creators a better and more useful platform for reaching their fans than Facebook or Patron does.
"Funds" is similar to Kickstarter, with one really cool difference... corporate investors. When we set out to build a fundraising platform for Storytellers, we knew we wanted to keep the option of a project specific crowdfunding like Indiegogo and Kickstarter offer. But at the same time we saw that many creators needed the less project centered and more creator centered funding platform that Patron provides. However, most importantly we wanted corporate investors to be able to fund ideas, but in a different way then the crowd did. So, we build "Fans" which allows creators to make funding campaigns and pick between a project centered or creator centered approach. But the best part is that once a campaign gets so much attention from the fans/crowd your campaign will unlock investor mode which is where we work with you to personally pitch your idea to a network of investors (that we are partnering up with) to help you get that story told.
"Outlets" is the final part of the "System" and it is where all your hard work pays off. We have partnered up with places such as Netflix, Apple, Amazon, Barnes & Nobles, Spotify, and many others to offer you the best places and outlets for getting your final projects out into the world!
And that is an overview of the "System". If you have any questions you can contact us through the Q&A section. See you in March!
"Creators" is an IMDb style database with a fun social media twist. Although the database side of "Creators" will be opened to the public (so anyone can see a creator's work), "Creators" is the part of the "Storytellers" system that was designed for the industry professionals (a.k.a the people who create stuff) as a way to network and share, it's not really for the fans.
"Creators" is made up of two main parts: The Database and The Network (because those are two cool sounding names).
The best way to describe the Database is to say that it is primarily IMDb... if IMDb had woke up one morning as a buff bodybuilder (probably with a Russian accent...becuase that's cool) and started giving out free hugs.
The Database is where your "Creator's Pages" will live. Which is much like an IMDb profile except instead of just being a list of projects you have worked on, "Creator's Pages" are meant to function primarily as an online portfolio/résumé that can be used to get you jobs and funds from investors. So, they are way more customizable, allowing you to do things like: add unlimited photos, videos, and audio files, as well as giving you the ability to write descriptive paragraphs about what you did on every "credit" you have listed on your profile. "Creator's Pages" can also be set up to sync with CFDb, Backstage, Cast It, The CWVFF Directory, and even IMDb itself (as well as a few more we still working on) so that everything you put on your "Creator's Page" is also listed in those places as well.
We are also working on some crazy cool search tools so that people looking for crew members, talent, artist, or any other kind of storytellers can easily search the Database to find those people.
And that is the Database part of "Creators." Oh, yeah... and we hope the whole Russian bodybuilder thing wasn't too confusing.
Personal, the Network is what we all like to think makes "Creators" so cool.
So, the network is like a custom privet Facebook just for creators. However, there is one underlining difference between Facebook and The Network, where Facebook is more profile centered, the Network is more focused on Groups.
So, instead of posting things on your profile page as you do on Facebook, in the Network you do not post on your profile, but instead, you post in groups that are organized by topics (i.e., Composers, Writers, Cartoonists, etc.) This focus on groups vs. profiles was chosen because the purpose of the Network is to give creators their own place to meet each other, communicate, and share ideas with like-minded people. Putting people together with groups, vs isolating them to profiles seemed to make more sense in shooting for this goal. You will still have a profile though that syncs with your "Creator's Page."
Now, unlike the Database, the Network is not opened to the public. You must have a user login to access it. This is done to keep the Network exclusive to creators so that they have a place to network with themselves. "Fans" (which you can read about a little farther down in the accordion) is the part of the "Storytellers" system made for creators to interact with the public. "Creators" (which is made up of the Database and the Network) was made for creators to share and work with each other and not have to worry about the fans and public interfering.
So, in a nutshell, the Network is a place for creative people to meet and work together on creating some awesome stuff.
And that is the "Creators" part of the "Storytellers" system.
Creator's Pages: highly searchable public internet résumés/profiles with IMDb quality listings of all your creative endeavors.
Credit Sync: credit syncinging with IMDb, CFDb, Backstage, Cast-It, and more.
Direct Contact: your direct contact info can be available on your "Creator's Page" but can only be seen by investors and is not available to the public.
Public Contact: on your "Creator's Page" you can have a public contact form that allow the public to contact you through email while keeping your contact information a secret.
PDF Résumé: get downloadable PDF résumés built from your "Creator's Page" that you can print and bring to meetings/interviews.
Dynamic Credits: this gives you the ability to add detailed information (text, photos, videos, etc.) to each of your credits.
Unlimited Storage: add unlimited Photos and Videos to your "Creator's Page."
The Database: a dynamic database giving you, investors, and the public access to creators and projects from around the world.
Smart Search: search features allowing you to find and connect with other projects and creators as well as letting you and your projects be found.
Alerts: receive tailored for you email and SMS notifications when someone or some project is in need of a creator like you. Get notices of job listings, crew calls, casting calls, and more.
The Network: a social media platform built from the ground up with creators in mind. The perfect way to meet, collaborate, and work on projects with other creators.
Teams: the Network allows you to build teams for projects and offers you great tools for working together, including: Slack style team chates, online meetings, events, posts features and more. Think of a Team on the Network as a Group on Facebook, but made explicitly for allowing creators to collaborate on a project.
To get yourself listed on "Creators" with a "Creator's Page" we will need you all to work on getting us your information (credits, past experiences, investor contact info, etc.) to put on your "Creator's Page."
Use the comments section to contact us if any of you need any help with this.
"Ideas" is still under development. Give us a little more time and we will have it up and running for you guys. At that point we will have a lot more information to share with you.
As part of the whole "Storytellers" system (that we are launching on March 18th), we are releasing a cool new "network/social media" site built for creators to be able to interact with fans (of their projects) in some really cool ways. The idea behind this site is to encourage creators to have their fans more involved in what they are creating.
We want to get all creators and projects on this site so people can easily follow the projects and the creators they like.
Now, don't get confused, "Fans" is not the same thing as the "Creator's Pages" they are two separate things. "Creator's Pages" are like IMDb pages and the "Fans" site is like a Facebook or Instagram. Basically "Creator's Pages" are digital portfolios to hopefully help you all get some jobs, and the "Fans" site is a way for you to connect with the people who enjoy the projects you create. So, we need to get you guys set up on both.
"Funds" is similar to Kickstarter, with the one really cool difference... corporate investors. When we set out to build a fundraising platform for Storytellers, we knew we wanted to keep the option of a project-specific crowdfunding like Indiegogo and Kickstarter offer. But at the same time, we saw that many creators needed the less project centered and more creator centered funding platform that Patron provides. However, most importantly we wanted corporate investors to be able to fund ideas, but different then the crowd did. So, we build "Fans" which allows creators to make funding campaigns and pick between a project centered or a creator centered approach. But the best part is that once a campaign gets so much attention from the fans/crowd, your campaign will unlock investor mode which is where we work with you to personally pitch your idea to a network of investors (that we are partnering up with) to help you get that story told.
"Outlets" is the final part of the "System" and it is where all your hard work pays off. We have partnered up with places such as Netflix, Apple, Amazon, Barnes & Nobles, Spotify, and many others to offer you the best sites and outlets for getting your final projects out into the world!
"Outlets" is meant for projects that are complete and ready for distribution. You can always feel free to reach out to us if you do want to list you project, or if you have old projects to list.
If you haven't caught on, Christopher coded most of this website, so, he has to put in most of the stuff for you guys.
The Business to Business (B2B) Division provides portfolio and résumé solutions to college and university communications students, and provides a resume posting service for said students.
The Education and Studio Division provides specialized transmedia education and studio production on a wide range of hand-picked projects, depending upon the client's needs. This division offers studio facilities that will be located across the USA for use by Artists, Filmmakers, Authors, Singers/Songwriters, Radio productions, Publishers, and Transmedia productions. We will develop this division into a self-sufficient branch by 2020.


text:
Hatchet Wielding Carry A. Nation Returns
Contact: John D'Angelo, Division of Arts & Cultural Services |
A new bronze sculpture of temperance leader Carry A. Nation will be unveiled and dedicated 10 a.m. on Saturday outside Eaton Hotel, 525 E. Douglas Avenue.
"We are delighted to have this sculpture donated to the City and pleased to have it installed in a historically significant location," said John D'Angelo, Manager of the Division of Arts and Cultural Services.
The new bronze sculpture is a life-size depiction of Nation carrying a hatchet and Bible. The sculpture was created by local artist Babs Mellor and donated to the City of Wichita by Mellor and local philanthropist Eric Engstrom. The location of the new sculpture is significant, because it is the site of Nation's attack on the local Carey Hotel bar on December 27, 1900.
Nation achieved notoriety in the early 1900's as a leader in the temperance movement, which opposed alcohol prior to the prohibition era. She was known for what she referred to as her "hatchetations," in which she and her followers would march into drinking establishments singing hymns, carrying Bibles and smashing furniture and bottles with a hatchet to protest the consumption of alcohol.


Welcome to our FREE Sahaja Yoga meditation workshops.
All across the globe, many are seeking new sources of energy. Meanwhile, the most transformative energy of all is hiding in plain sight, within us. It's natural, sustainable, and infinitely renewable. It's called inner kundalini energy. And everyone already has it — everyone!
Sahaja Yoga Meditation, founded by Shri Mataji Nirmala Devi, is a world wide movement for peace and self awakening that through a simple, time-honored technique will reduce stress and increase wellness. It brings better focus and helps people become more centered and better balanced. The meditation techinque is based on connecting with the inner chakras (energy centres) and balancing the subtle body.
The classes are designed to help those attending to get into a genuine meditative state, which can be felt tangibly.
It is quite effortless and spontaneous.
Together we will share tips on how to help stay in balance during the day and how to meditate at home.
The classes also feature introductory talks, video's, practical workshops and general question and answer opportunities, making them perfect for seekers trying to establish a state of yoga. All the meetings and classes are free of any charge and have been held from 11:30 AM (sharp) until 1 PM.


text:
HomeLatestDSS DG Lawal Daura Sacked by Acting President, Yemi Osibanjo
DSS DG Lawal Daura Sacked by Acting President, Yemi Osibanjo
August 7, 2018 NPBS Media Latest, News, Nigeria - National
DSS DG Lawal Daura Sacked - By Acting President Yemi osibanjo
DSS DG Lawal Daura Sacked by Yemi osibanjo
DSS DG Lawal Daura Sacked – Just few days after the President Muhammadu Buhari embarked on a journey to London. Acting President Yemi Osibanjo made his presence felt by moving the immovable things.
BREAKING: Inspector General of Police, Ibrahim Idris Submits DSS Probe to Osibanjo, – PHOTO PROOF! [See letter]
A Slogan says "The Watcher needs a Watch" …
As as the time of this report, it hasn't been ascertained the cause of the sack.
On Tuesday, 7th August, Prof Yemi Osibanjo Took to his Twitter to announce the termination TAGGED DSS GD Lawal Daura Sacked !
Acting President @ProfOsinbajo has directed the termination, with immediate effect, of the appointment of the Director General of the Department of State Services (DSS), Mr. Lawal Musa Daura.
— Presidency Nigeria (@NGRPresident) August 7, 2018
READ ALSO: Acting President Yemi Osinbajo of APC plan Big reception for Akpabio
Several Rave of mixed Reaction has fallen through… which are interesting to read through.
AgP Yemi Osinbajo has directed the termination of the appointment of the DG of the DSS, Mr. Lawal Musa Daura.
— Laolu Akande (@akandeoj) August 7, 2018
And almost immediately, another tweet rolled out from the Acting President's Twitter page
Mr. Daura has been directed to hand over to the most senior officer of the State Security Service until further notice.
THE CAUSE?
Well, we can't definitely ascertain the major cause. But widespread of news coupled with roumour claims that he was sacked because Security operatives believed to be men of the Department State Services (DSS), blocked all entry or exit from the National Assembly preventing lawmakers access to the National Assembly.
BREAKING NEWS: Saraki Gifts World Press Words, Also backs Osibanjo's Action on DG DSS Sack
EPIC REACTION!!
Almost immediately, HIS WIKIPEDIA PROFILE CHANGED
GALLANT SOLDIER REPORT – IGP Response Team Death Report – Gallant Soldiers Fallen in the Line of Duty
CLICK HERE!!!
http://blog.npbs.gov.ng/wp-content/uploads/2018/08/CAUSE-OF-DAURAS-SACK.mp4
WHO IS LAWAL DAURA?
Lawal Musa Daura mni (born August 5, 1953) was the Director General of the Nigerian State Security Service from July 2, 2015 to August 7, 2018. He was appointed following Ita Ekpeyong's dismissal on July 2, 2015 by Muhammadu Buhari, the President of Nigeria.
MORE TO READ ON DEFECTIONS!!!
Senate minority leader, Godswill Akpabio meet Muhammadu Buhari in London
Lawal Daura DSS
VP Yemi Osinbajo


text:
In the high Himalayas
Mark Cocker
A world locked in snow: locals on the Zanskar river in western Himalaya
The Frozen River: Seeking Silence in the Himalaya James Crowden
HarperCollins, pp.352, £16.99
In my twenties I once visited a lonely spot among the western Himalayas called Zhuldok in the Suru valley. Politically it is part of the Indian state of Jammu and Kashmir, but geographically, ethnically and culturally the region is bound to the Tibetan plateau and its former Buddhist theocracy centred on Lhasa.
I remember one compelling moment, with the twin peaks of Nun Kun looming above us to 7,000 metres, when we watched two wolves on the far shore of a torrent of glacial meltwater. Those predators lolloped at easy pace through the autumn colour of that immense Himalayan landscape and for one of the few occasions in my life I felt at the edge of all that I had known.
To the author of this exceptional book, however, that spot was not the end-point for his travels, it was only the beginning. Further south and over the Pense La Pass — where two metres of snow can fall in one night and can eventually accumulate to eight metres and then remain on the ground for six months — lies another valley called Zanskar. These meteorological conditions leave it cut off from the outside world for half of every year. It was this blend of place and splendid snowbound isolation that was Crowden's heart's desire at just 22 years of age and in the winter of 1976/7 he achieved his goal.
Crossing the Pense La with all his supplies, Crowden then watched it snow continuously for ten days while his universe shrank to the width of one valley. As he notes, it was as if the entire population of Zanskar — 'men, women, children, artists, blacksmiths, weavers, musicians, soothsayers, monks and nuns were all in a closed order. As if we had all taken a vow of inner silence and contemplation. Introspection was the order of the day.'
If the author's journey was more arduous than mine, then, in turn, let us pause to admire the far greater resilience of the people who were Crowden's hosts. Their lifelong lot, shaped and consoled by the colourful rituals of their faith, is one of subsistence agriculture in the highest mountains on Earth. Zanskar is a land where the fruits of the short summer season are barley grain and yak's milk; where the meagre economy depends almost entirely on butter sales; where the winter involves routine avalanches and temperatures of -15˚C. And that's inside the house; outside it can be -40˚C. The book may be a retelling of Crowden's adventures, but for the Zanskaris it is an audit of the commonplace.
During the short winter days, the Zanskaris spend much time on their roofs, grinding grain, cording wood, plying wool then weaving the rough homespun, while telling stories, laughing or singing as they work. The author's account of this locked-in world is not only filled with respect, it's also steeped in time. For while The Frozen River is narrated as if it were an account of one winter, albeit viewed from a distance of more than 40 years, the author has been a lifelong student of Buddhism and has returned to the Zanskar region many times. His book is thus informed by a prolonged investigation of both the landscape and its inhabitants, yet manages somehow to retain the particularity and verve of a 22-year-old's first impressions.
Much of that achievement is down to Crowden's writing style, which has been acquired after decades of experimentation and reworking. The author has previously published several volumes of poetry on his home county Devon and the verse is notable for its unstuffy, demotic diction and for dwelling upon the prosaic lives of practical rural folk. The same combination is also present in The Frozen River, only here the prose deploys the compression and exactitude of his poetry.
Crowden's speciality is the one- or two-word sentence, an accumulating list of items. This is part of his account of a two-day Buddhist ceremony in a Zanskari village: 'A kaleidoscope of colour. The flowing quickstep, dancers in time, almost like the tango, blue, green, orange, yellow, red, a gyrating blur. Bone necklaces, like court jesters, teased and tamed the spirits, sometimes in pairs, sometimes half a dozen at a time.'
Occasionally one wishes for relief from its staccato rhythms, but the singular virtue of Crowden's prose is to create a sense of enormous immediacy. The Frozen River is also an immensely modest account. In fact I have seldom read a travel book where the narrator is so absent. Instead, he acts as a transparent lens that gathers all that fierce Zanskari winter light and illuminates the primary colours of both the place and its people. In so doing he creates a tour de force of luminous writing.
Dangerously desirable: the white-morph gyr falcon commands sky-high prices
Samuel Palmer: from long-haired mystic to High Church Tory
Dominic Green
There are more negatively-loaded words than positive ones — so what?
Nicholas Lezard
Prepare to be amazed: the story of Birmingham's Symphony Orchestra
Anna Aslanyan
Albanian literary icon Ismail Kadare revisits 'home'
Norman Lebrecht


We look for Raising Three Methods candle pattern in an up-trend within the context of an up-trend continuation. Don't forget, this is not a reversal pattern but a continuation one. In general the pattern consist of five candles.
The first candle of the pattern is a long bull candle. The up-trend is in full swing.
The following three candles are small bear candles. They should be within the range of the first candle of the pattern.
The last candle of the pattern is another long bull candle that signals the continuation of the up-trend.
Why we have those three bear candles rather than keeping up with the current up-trend?
The conventional explanation is that apparently market enters in period of consolidation before the continuation of up-trend. It shows that sellers doesn't have or put in enough fire-power to reverse the trend.
One may have bit of different outlook. It's nothing to do with sellers power or market resting etc. After such a long bear candle we have new high on price. Some profit taking and re-loading may be in order at this point as the trend has already been decided. Conveniently, just before the last bull candle there usually are some financial news, report or speech.
In an ideal formation there are three middle bear candles, but in reality pattern may have more than three middle candle or even less than three. There could be only two middle candles.
Each middle candle can be in different shapes, types and sizes, such as Doji, Star, bear or bull.
Middle candles may have wicks in various sizes but important thing to remember each of the middle candle wicks needs to stay within the first candle [bull] of the pattern. By range we mean first candle's high/low. If and when one or more middle candle's wick takes out first candle low then we should have some concern about validity of the pattern. Remember, nothing is sure in markets.
It's the opposite of Raising Three Methods pattern. Just reverse the logic. Naturally we'd be looking for Falling Three Methods pattern in a down-trend.
See example below from this Raising And Falling Three Methods – continuation candlestick pattern.
In next article, we will write about three line strike of this continuation candlestick pattern.


Boho Cardigans & Yoga Hoodies. Our boho cardigans, boho kimonos and yoga hoodies will keep you looking awesome. Choose a yoga hoodie, hippie poncho, or boho cardigan and feel eco-good knowing that all these beauties are all made with sustainable and recycled materials!


In Subnautica: Below Zero, you will find a huge world covered with ice blocks. In contrast to the original, another character is to be managed, and he must survive in this even more severe world.
You will be able to explore much more locations or encounter more terrible underwater creatures that you have to fight.
Click on F3 to find the interface "Disable console", in front of which there is a tick.
Click on F8 to make the mouse cursor appear, and uncheck this tick.
When it is removed, and then press Enter or ~, which will open the console.
Enter any command listed below to activate an effect.
Note. Each time you restart the game you will need to remove the tick again.
Nocosts - craft something for free.
Madloot - get a lot of useful items.
Oxygen - an endless supply of oxygen.
Unlockall - unlock all drawings.
Fastbuild - speed up base construction.
speed [number] - instead of (number) insert the desired speed. The speed of the whole game will change. For example, 1 is the standard speed, 2 is doubled, 0.5 is reduced twice.
daynightspeed [number] - instead of (number), insert the desired numeric value. Changes the cycle of day and night. 1 - standard speed, 2 - doubled, 0,5 - reduced twice.
Day - there will always be a day.
Night - there will always be night.
Warpme - teleports you back to the base (transport), which was used last time.
biome [name] - instead of "name", set the biome you need. You teleport that place. Here are the names of all biomes - kelp, kelpcave, lilypads, crystalcave, deeppads, twistybridges, shallowtristybridges, introicecave, introarea.
item [name] [number] - specify the name and number of items you want to receive. In the title of the object do not use spaces. The item will appear in inventory.
spawn [name] [number] - create an item right in front of you. Do not use spaces.
Freecam - allows you to freely move the camera. Noclip mode - the camera will leave the main character.


I am so struck by the different journeys the people I love are on. Some are on the scary path that runs from healer to healer and clinic to hospital. Another is traveling to be with his companion, whose life may be ending soon. A family member has a new and special client. My beloved niece has announced her engagement. A newborn smiled for the first time. All these ages and different stages. It's such an adventure this life, and Monday Bill & I will have the great good fortune to travel to Burma. But I want to tell you about today.
Sometimes, remarkably, the personal, spiritual, political and historical roads all come together, as they did this morning. I'll start with the historical, going back to the year 1954. The Supreme Court, in Brown v. Board, declared that the state laws establishing separate public schools for black and white students were unconstitutional.
a member of the executive committee of the National Association for the Advancement of Colored People, and about to intensify his political activity.
And the spiritual? This morning a woman completed a journey. In 1954 the Board of the reform Jewish temple her parents belonged to voted against allowing women to read from the Torah (first 5 books of the Hebrew bible). It was the rabbi's desire to allow girls the same rite of passage that their fathers and brothers celebrated, but he was the only one who voted for it. Today this woman, a professional in her 50s, retiring president of the Board of her synagogue, celebrated her Bat Mitzvah.
Exactly 100 years ago, the woman's grandfather had celebrated his Bar Mitzvah, and she was reading the same excerpts from Torah that he had - a portion of the story of Exodus, the flight from Egypt.
Synchronically, this is also the weekend we celebrate Martin Luther King's birthday, so after the Torah reading, the singers and musicians temporarily abandoned the Hebrew liturgy, and played and sang the verses of the gospel hymn Go Down, Moses. We all joined in the chorus "with great gladness."
Such a moving and joyous occasion, for me personally. During the silent meditation, the words "blessed is the one who brings compassion to all creatures" came to mind. I realized that, of course, the words could speak for both the Jewish Shekinah, the divine feminine, and the Buddha whose temples and monasteries Bill & I were about to visit. And then I saw, as if she were directly in front of me, the Shekinah bring her palms together and raise them in 'namaste', the gesture of peace.


Chief Executive Officer of the Society for Technical Communication, Liz Pohland is responsible for the successful leadership and management of the professional membership association's strategic, financial, programmatic, and operational goals. With over 15 years leading organizations in strategic thinking, communicating, and marketing, Liz has worked for such institutions as the Folger Shakespeare Library, Princeton University Press, and Rowman and Littlefield Publishing. Liz studied technical communication in Texas Tech University's Ph.D. program, earned a Master's in English from Virginia Tech University, and has a BA in English and French from Hollins University.


text:
Women's Volleyball Cruises Past Medgar Evers for Second Straight Win
Medgar Evers
Medgar Evers (0-13) 14 10 25 11 1
K: Amber Cohens - 11
B: N/A
D: Ashley David - 15
SA: Amber Cohens - 8
K: Adenike Akindude - 9
B: 2 Players (#6, #17) - 1
D: Adenike Akindude - 10
SA: Naomi Chandler - 4
Hitting %
Photo by: Ron Waite/Photosportacular
Brooklyn, N.Y. – The Albertus Magnus College women's volleyball team took down host Medgar Evers, 3-1, on Thursday evening at the Cougar Cave in non-conference action. The Falcons topped the Cougars by a score of 25-14, 25-10, 23-25 and 25-11.
Albertus Magnus (4-9) has now won back-to-back contests against teams from the Empire State, while Medgar Evers (0-13) remained winless. For the first time this fall, the Cougars took a game in the match by forcing a fourth game.
Senior outside hitter Amber Cohens (Hamden, Conn.) led the offensive charge for the guests, accounting for a game-high 11 kills and eight service aces. The balanced Falcon attack saw three other players register five or more kills. Junior middle hitter Ana Gomez (New Haven, Conn.) racked up seven, while freshman outside hitter Ashley David (West Islip, N.Y.) had six and classmate Jesselle Guzman (Santa Teresa, N.M.) recorded five of her own. At the service line, David also added six aces and junior setter Marielis Muriel (New Haven, Conn.) chipped in three. In the middle, Muriel dished out 26 assists.
Defensively, David had a match-high 15 digs, while Muriel and Guzman each had eight digs apiece.
As a team, the Falcons recorded 34 kills, 21 service aces, 47 digs and 55.0 points.
Albertus Magnus returns to action on Saturday, October 1, hosting a non-conference tri-match against New Rochelle and Medgar Evers. The Falcons open play at 11:00 am versus the Blue Angels and conclude the day at 3:00 pm with a showdown against the Cougars.
For the latest information on the women's volleyball team and Albertus Magnus athletics, follow AMCAthletics on Twitter and visit AlbertusFalcons.com.


text:
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ABC US News
Suspect identified in shooting at Pearl Harbor Naval Shipyard – National News
ABC News Radio
sphraner/iStock(HONOLULU) — A 22-year-old active-duty sailor opened fire on three civilian employees, killing two, before he fatally shot himself at the Pearl Harbor Naval Shipyard near Honolulu on Wednesday, a military official said.
The suspected shooter was identified as 22-year-old G. Romero. He opened fire on shipyard personnel with his M4 service rifle and then used his M9 service pistol to shoot himself, the official said.
Three civilian Department of Defense workers were found shot in the vicinity of the base's Dry Dock 2. Two died and a third is in the hospital in stable condition, according to Rear Adm. Robert Chadwick, commander, Navy Region Hawaii.
The incident occurred around 2:30 p.m. local time, according to Joint Base Pearl Harbor-Hickam officials.
A motive for the shooting is not yet known.
The sailor served on the USS Columbia, a submarine stationed at Pearl Harbor, Chadwick said.
The shipyard commander, Capt. Greg Burton, said in a statement, "No words will convey the full measure of sorrow from today's tragedy. This loss will be felt throughout our shipyard 'Ohana, greater shipyard & NAVSEA family, submarine force, and the Navy as a whole."
"For any who have worked alongside those lost today, please reach out to your chain of command and let them know so that we can facilitate time for you to begin to process this tragedy," Burton said. "As we mourn the loss of members of our 'Ohana, please take the opportunity to reconnect with each other and to reinforce and strengthen the bonds with each other. We value each one of you deeply and we are here for you."
An official said an investigation was still being done as to the nature of the gun involved in the shooting. Personal weapons are not allowed on base.
Honolulu EMS sent multiple ambulances to the scene, and Honolulu Fire responded with six units, including almost two dozen firefighters.
Lockdown on the base was lifted at about 4 p.m. local time on Wednesday.
Base security and the Naval Criminal Investigative Service are currently investigating. The names will not be released until next of kin have been notified.
"While the investigation into this incident continues, my thoughts and aloha are with the victims of the terrible tragedy at Joint Base Pearl Harbor-Hickam and with their families," Hawaiian Sen. Mazie Hirono said in a statement. "I join all of Hawaii in expressing our gratitude to the first responders who rush toward danger every day to keep us safe."
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text:
BBC Radio 1 and Global Radio join forces to support Student Radio Awards
3rd August 2012 | Members News, SRA Updates
The Student Radio Association (SRA) is announcing today, 3rd August, a landmark agreement between BBC Radio 1 and Global Radio, that will see both organisations become headline supporters of the Student Radio Awards for the next three years.
The Student Radio Awards began life in 1996 as an idea for "a showpiece occasion for student radio"put forward in a letter by former SRA Chair Nick Wallis to then BBC Radio 1 Controller Matthew Bannister. In the 16 years since that first exchange, BBC Radio 1 has been the headline supporter of the Awards, enabling the event to grow from its humble beginnings into the successful showcase of student radio talent it is today.
The new three-year partnership between BBC Radio 1 and Global Radio marks the beginning of a new era for the Student Radio Awards, bringing together two of the biggest names in the radio industry to share in the support and recognition of the incredible talent of grass-roots radio in the UK. Since moving to the prestigious indigO2 in 2008, the annual ceremony has become firmly established as one of the most exciting events in the radio industry calendar.
Described by Radio Today as "an awards do to rival the Sonys and the Arqivas", the ceremony and after party are attended by over five hundred students, as well as a large number of industry guests. In addition to the headline supporters, many other radio groups and industry stakeholders contribute to the success of the event. Last year, this included Absolute Radio, Bauer Media, UBC Media, GMG, UK RadioPlayer, music licensing company PPL and a number of other BBC radio brands.
On this landmark agreement, Fred Bradley, Chair of The Student Radio Association, said:
"Now in its seventeenth year, the Student Radio Awards continues to recognise the efforts and skill of aspiring UK radio talent. We are delighted that BBC Radio 1 and Global Radio have joined forces. That not only allows us to continue showcasing the next generation of top presenters and programmers, but will develop the skills of students, for these up-and-coming stars."
Ben Cooper, BBC Radio 1 Controller said:
"Radio 1 has supported the Student Radio Association for many years and we are delighted to be continuing our support along with Global Radio. Radio 1 is all about supporting future talent and this new deal will offer more opportunities for budding presenters and programme makers to develop their skills and experience across the radio industry."
Global Founder and Executive President, Ashley Tabor said:
"The Student Radio Association does a fantastic job, with the Student Radio Awards, and throughout the year, identifying and nurturing great talent. It's a place for those with passion to get real hands on experience in radio and we are delighted to give them all our support."
The 2012 Student Radio Awards are due to take place at indigO2 on Thursday, November 8th 2012, with Nomination Announcements made at the regional I Love Student Radio Day's across the UK on Wednesday, October 10th 2012.
For further information, please visit www.studentradioawards.co.uk or contact Stu Manton via email at stu.manton@studentradio.org.uk.
Awards BBC Radio 1 Global Radio Student Radio Awards


text:
Q: Logical foundations errors I am passing through Logical foundations course and is facing the following errors:
Strings undefined
Lists.v, code:
Definition manual_grade_for_rev_injective : option (nat*string) := None.

Response:

Error: The reference string was not found in the current
  environment.

After I add Require Import String. to the beginning of the file, the error disappears. But why do I need to do it? I thought, that the course must work as is.
Warnings error
Code:
Set Warnings "-notation-overridden,-parsing".

Response:

Error: There is no option Warnings.

I couldn't fix it.
Empty list "[]" symbol undefined error
In file Logic.v
Lemma in_not_nil :
  forall A (x : A) (l : list A), In x l -> l <> [].

Error for []:

Syntax error: [constr:operconstr] expected after '<>' (in
  [constr:operconstr]).

I couldn't fix it.
What's wrong? Please, help.

redpajama_set_name: RedPajamaStackExchange


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text:
Moderna to seek emergency approval for Covid vaccine for children under 6
Moderna said it would seek emergency use authorisation for its Covid-19 vaccine for children under the age of six in the US and EU in coming weeks after interim results from its clinical trial showed the jab is safe and produces a positive immune response.
But the results from the late-stage study released on Wednesday by the US drugmaker show the child-sized jab — about a quarter the size of an adult dose — was only modestly effective at preventing infection with the Omicron variant.
The vaccine was 43.7 per cent effective at preventing infection in children aged six months to two years and 37.5 per cent effective in preventing infection in children aged two to under six — a result that Moderna said was consistent with data from clinical trials in adults.
Moderna said the study of 6,700 children under six showed they produced a similar level of neutralising antibodies as young adults, an immune response that protects against infection and severe disease.
Stéphane Bancel, chief executive of Moderna, said the results from the study were good news for parents of young children.
"Given the need for a vaccine against Covid-19 in infants and young children, we are working with the US Food and Drug Administration and regulators globally to submit these data as soon as possible," he said.
Moderna said its jabs for children under six, which are administered with a four-week interval, were generally well tolerated and no safety concerns were identified. No cases of the rare heart condition called myocarditis were reported in the study, said the company.
If it is approved by regulators, Moderna's vaccine would become the first Covid shot available to babies, toddlers and pre-school children in Europe and the US. Pfizer delayed an application for emergency authorisation of a vaccine for children under five last month over concerns its jab did not produce a strong enough immune response.
However, some epidemiologists said the relatively low efficacy against Covid infections could raise questions over the vaccine's usefulness in young children.
"For a vaccine with about 40 per cent efficacy, we should see strong evidence of either direct or population health benefit, which I'm not sure is the case among young children as cases stabilise," said David Dowdy, an epidemiologist at Johns Hopkins University.
"While expanding access to Covid vaccines should be a high priority, we shouldn't lower our standards just because this is Covid-19," he said.
Health experts say vaccinating young children can better protect them from serious illness while helping to reduce transmission of the virus to teachers, parents and the wider community. But there have been fewer Covid-related deaths among Americans under the age of 18 — totalling 1,078 since the start of the pandemic — than the adult population and vaccine hesitancy remains high among parents.
Just one in five parents of young children say they will get their child vaccinated as soon as jabs are authorised, according to a poll by the Kaiser Family Foundation.
Only a handful of countries worldwide, including China and Cuba, have so far begun administering Covid vaccines to children under 6.


This recipe for Old Fashioned Fudge, by , is from Grandma Verla's Recipe Box, one of the cookbooks created at FamilyCookbookProject.com. We help families or individuals create heirloom cookbook treasures.
Combine first 5 ingredients. Stirring Constantly. Cook over medium heat until sugar dissolves. Cook to soft ball stage. Remove from heat. Add butter. Cool to lukewarm without stirring. Add vanilla. Beat until thick and no longer glossy. Stir in nutmeats. Pour in buttered 8x8 pan.


text:
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Dancing With the Stars - Archive
TV - Reality
More Reality TV!
Dancing With The Stars ~ U.S. Season 20 Episode 12
By cassondra0222
May 13, 2015 in Dancing With the Stars - Archive
cassondra0222
Location:Virginia Beach, Virginia
Interests:Taking care of my 5 wonderful children, photography, doing puzzles, crafting, writing, posting to Facebook, Tweeting, and learning new things on-line.
Tonight's Dancing With The Stars is the Semi-Finals Results Show. Tom welcomes everyone to the show, and Erin tells us that one couple will be eliminated tonight. Tom and Erin talk .about the last four couples dances from last night. Tom says, not only did Noah receive his first perfect score for this season, but he also gave the first proposal in the history of the show. They show the clip of Noah's proposal to his girlfriend.
Tom asks his girlfriend if she had any idea that he was going to propose? She says, she had absolutely no idea. Tom asks if Noah may have changed his mind? Noah says, no, he even pulled Riker aside to ask him if it would be o.k., because he had the dance after him, and he didn't want to take that away from him.
We see the highlights for Noah and Sharna's dances from last night. Tom says, we have to get back to tonight's results. Erin says, let's get to it. Tom says, Noah and Sharna are in jeopardy. Tom says, there is more to come after we come back, live.
Tom welcomes us back to the Dancing With The Stars Semi-Final Results. Erin says, Almay is sponsoring an Almay Bus Show. Witney is performing as part of a group for this show. The group dances to the song Summer of '69 by Bryan Adams. The show is a tribute to women in the U.S. Military. Tom says, it was choreographed by Mandy Moore.
Erin is backstage with the four remaining pros. She asks Sharna about her journey with Noah to the Semi-Finals with Noah. Sharna says, it has been so different, and to get to know Noah, and be inspired by him, is so emotional and amazing. Erin says, it's amazing to see her grow so much. Erin asks Allison why Riker should be in the Finals? Allison says, she's been pushing Riker all these weeks, and this might be the chance to take the trophy. Erin says, it's a tight, tight competition with Val and Rumer. Val says, she works hard for it, and he would love to give her this gift. He says, this is his 8th season, and he's never won, and it would mean the world to him to win, and share that with her. Erin asks Derek about Nastia. Derek says, she's amazing and a champion. He says, no matter who wins it this year, they are all champions. He says, there will be one winner, but it will not take it away from anyone. He says, last night's show was amazing, and they all deserve to win.
We see the highlights of last night's dances for Riker and Allison. Tom says, last night the judges were nervous, and tonight, the dancers are nervous. Tom says, Riker and Allison are dancing in the Finals. Erin says, Noah and Sharna are in jeopardy. Tom says, we have a lot more results, and more dancing to come, when we come back, live.
Tom welcomes us back to tonight's Dancing With The Stars Semi-Finals Results Show. Erin says, there was a challenge put to Emma and Sasha to see if they can go through a century of dances in 2 minutes. We see the highlights for them doing this challenge.
Tom says, 100 years of dancing, but they really didn't learn to socialize. We see highlights for last night's dances for Nastia, Sasha and Derek. Tom says, Lens twinkle got a tan last night. He says, last night's scores and the viewer votes have been combined. Nastia and Derek are in jeopardy.
Erin asks Rumer about her experience. Rumer says, she's found a confidence and believes in herself more than she could ever have with being on this show. She says, she feels so greatful for being a part of it. Erin tells Riker what a great job he has done as well. The professional dancers from Dancing With The Stars perform a dance routine to I Am Woman by Jordin Sparks.
Tom says, that's another great routine choreographed by Mandy Moore. Highlights are shown with the last four professional dancers talking about the remaining stars.
Tom says, Flo Rida performs after we come back. Erin says, we are obviously live, and we will be back.
Tom welcomes us back to the ballroom, and he and Erin welcome Flo Rida to the stage. They are performing their smash hit GDFR.
Tom and Erin recap that Noah and Sharna and Nastia and Derek are in jeopardy, and that Riker and Allison are dancing in the finals . We see highlights from last night's dances for Rumer and Val. Rumer and Val are in jeopardy. Erin says, 3 of the couples are in jeopardy. Tom says, there's more to come after the break, live.
Erin welcomes us back to the Semi-Final Results. She is backstage with Nastia, and asks her how it is to dance with Derek again after his injury? Nastia thanked both Derek and Sasha, as well as everyone at the show, for everything they've done to help her, and give her such a great experience.
Tom introduces a highlight clip for the highs and lows of the season for the four Semi-Finalists for this season.
Tom says, Riker and Allison are the only couple that knows they are going to the Finals right now. Erin introduces Riker's brother Ross, and the cast of Teen Beach 2 to the stage. He is singing Gotta Be Me.
Tom says, that was great, and it was choreographed by Christopher Scott. Erin says, 3 of the couples are in jeopardy. Tom says, we will reveal who will go to the Finals when we come back.
Tom welcomes us back to the Semi-Finals, and says, Riker and Allison will compete for the mirror ball trophy next Monday night. Len says, after last night's fantastic Semi-Finals, none of these couples deserve to go home, it was such a brilliant night. Tom says, one of them has to, so let's get to it now. Tom says, Noah and Sharna are safe. Either Nastia and Derek or Rumer and Val have received the lowest combined votes and on this ninth week of competition, the couple that is leaving right now is Nastia and Derek.
Erin asks Nastia about her reaction. Nastia says, she thought last night was a magical night, and wants to thank Len especially, for giving her the chance to do that dance. Highlights are shown for Nastia and Derek's journey for this season. Tom tells them to take a bow center stage. He says, the Finals will be next Monday night at 8 p.m. ET/7 p.m. CT. He says, he will announce the new host of America's Funniest Videos next week also. He tells everyone that a new Marvel's Agents of S.H.I.E.L.D. is up next.
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