text:
User:Someguy1221
This user is an administrator on the English Wikipedia. (verify)
This user is an oversighter on the English Wikipedia. (verify)
This user is a member of the Wikimedia OTRS team.
This user is not Philosophus, William M. Connolley, Jack Merridew, or Darkknight2149.
This user has a PhD in Biology.
GEN This user is an expert in Genetics.
This user has published peer-reviewed articles in academic journals.
This user is possibly one of the Wikipolice.
This user is a neo Roman asshole.
vn-∞ This user's user and user talk pages have been vandalized many times.
This user can program in Scheme.
This user misses Pluto. May its planethood rest in peace.
he-(-1)
This user was once able to contribute in Hebrew, but has since forgotten all knowledge of the language.
This user is a recent changes patroller.
This user is a new page patroller.
This user is a member of the Stub sorting WikiProject.
30,000+ This user has made more than 30,000 contributions to Wikipedia.
Historical note: This user once used VandalProof and loved it, but agrees it is now obsolete.
This user uses Huggle to deal with vandalism.
This user repairs links to disambiguation pages.
This experienced editor is seeking to adopt new users. (Users requesting adoption)
8 π T μ ν {\displaystyle 8\pi T_{\mu \nu }} This user is one of
Einstein's Witnesses.
DGAF This user does not give a fuck and would have made a userbox to express this, but was too apathetic to fini
This user would eat the last slice.
Just a note to anyone who bothers to read this, I am occasionally awful at checking my watchlist. If you want to make sure I hear a comment about something I wrote, please leave a message on my talk page.
Note to self: Keep an eye on Special:AbuseFilter/167, Special:AbuseFilter/260, Special:AbuseFilter/320, Special:AbuseFilter/346, Special:AbuseFilter/384 Special:AbuseFilter/534.
1 Barnstars
2 Did you know?
2.1 Articles I wrote or significantly expanded
2.2 Articles I nominated
3 My views on Wikipedia
3.1.1 Sneaky vandalism
3.1.2 Attention seeking vandals
3.2 Coupling of notability and verifiability
3.3 Reliable sources aren't always reliable
3.3.1 Primary sources and self-published content
3.3.2 Research papers
3.3.3 Newspapers
3.3.3.1 General issues
3.3.3.2 Issues related to academic subjects
3.4 Bad arguments that Wikipedia doesn't work
3.4.1 Wikipedia's notability guideline unduly restricts its content
3.4.2 Wikipedia's reliable sources guideline is too restrictive
3.4.3 Wikipedia's requirement for reliable sources makes it a mouthpiece for established media
3.4.4 I have a right to edit, and therefore no one can delete my contributions
3.5 Why there are hard and fast rules
3.5.1 Hard and fast rules to limit unecessary discussion
3.5.1.1 Criteria for speedy deletion
3.5.1.2 No legal threats
3.5.2 Hard and fast rules to encourage fruitful discussion
3.5.2.1 The three-revert rule
3.5.2.2 Verifiability
3.5.3 Rules that deliberately aren't
3.6 Episodes, characters and other fictional spinoff articles
4 Best. Quote. Ever.
Barnstars
The RickK Anti-Vandalism Barnstar
For you diligence and good work as a Wiki editor. JNW (talk) 07:05, 29 January 2008 (UTC) [1]
The Admin's Barnstar
Here's something for all the hard work you put into Wikipedia. Well done! — Martin (MSGJ · talk) 22:49, 20 April 2009 (UTC)
The Diligent Librarian Barnstar
For exemplary performance at the Resource Exchange, tirelessly delivering the reliable sources on which this encyclopedia depends, please accept this award. :) Franamax (talk) 08:37, 5 June 2009 (UTC)
The Real Life Barnstar
For your cool, calm and collected handling of the recent school threat. Thank you! Basket of Puppies 05:27, 23 November 2009 (UTC)
The Original Barnstar
I just saw the way you handled a certain OTRS ticket, and I just wanted to say you did a good job. J Milburn (talk) 15:20, 5 August 2010 (UTC)
The Barnstar of Good Humor
For recognizing quality contributions, as you did here. (Note: I proposed full protection!) Drmies (talk) 17:44, 7 February 2012 (UTC)
The Dispute Resolution Barnstar
Thank you for your detailed and thoughtful closing statement in Wikipedia:Requests for comment/Muhammad images. You and the other two administrators have made more difference to a contentious article than most editors might imagine, and for this you all deserve to be recognised. The Dispute Resolution Barnstar, which "may be awarded to an editor who makes a contribution to one of the dispute resolution forums that exceptionally furthers the aims of the project", is I think the most appropriate.
My very best wishes, AGK [•] 23:47, 1 June 2012 (UTC)
For all of your great work at WP: EF/FP Electric Catfish 20:59, 29 July 2012 (UTC)
The Teamwork Barnstar
For your help at Wikipedia:Edit filter/False positives/Reports! -- Cheers, Riley Huntley 05:38, 12 November 2012 (UTC)
The Anti-Vandalism Barnstar
Thanks for reverting my page so quickly! Excellent to know that such vigilant individuals contribute to wikipedia and to ensure that their help does not go without notice. Jab843 (talk) 04:43, 13 February 2013 (UTC)
I'm not even sure if I should be giving you more barnstars since you clearly have too many already. Certainly appreciated your promptness in offering advice and investigating a couple of SPIs. Mkdwtalk 10:30, 13 February 2013 (UTC)
Articles I wrote or significantly expanded
On March 10, 2009, Did you know? was updated with a fact from the article Lourens Baas Becking, which you created or substantially expanded. If you know of another interesting fact from a recently created article, then please suggest it on the Did you know? talk page.
On March 14, 2009, Did you know? was updated with a fact from the article HMGA2, which you created or substantially expanded. If you know of another interesting fact from a recently created article, then please suggest it on the Did you know? talk page.
Articles I nominated
On 3 April, 2009, Did you know? was updated with a fact from the article Renal medullary carcinoma, which you recently nominated. If you know of another interesting fact from a recently created article, then please suggest it on the Did you know? talk page.
On 25 April, 2009, Did you know? was updated with a fact from the article Stephen Elliott (botanist), which you recently nominated. If you know of another interesting fact from a recently created article, then please suggest it on the Did you know? talk page.
On October 4, 2009, Did you know? was updated with a fact from the article Women of the Sun, which you recently nominated. If you know of another interesting fact from a recently created article, then please suggest it on the Did you know? talk page.
On November 5, 2009, Did you know? was updated with a fact from the article John P. Yount, which you recently nominated. If you know of another interesting fact from a recently created article, then please suggest it on the Did you know? talk page.
My views on Wikipedia
I've been around here long enough, so I think it's about time I made some of my views and observations on Wikipedia transparent for anyone who cares. I generally believe that Wikipedia works.
Vandalism was probably one of the earliest and most trivial annoyances on Wikipedia. With the recent advent of the Abuse Filter, and the now large and experienced army of of hugglers, the more trivial forms of vandalism are easily dealt with. As with POV pushing, the forms of vandalism that are more threatening to Wikipedia are those that are more subtle, and those that even actively pretend to be good faith actions.
Sneaky vandalism
While there have always been vandals who enjoy the mere act of vandalizing (placing expletives or insults or other random content) on an article or another page, there are those with other motivations. Some vandals tweak factoids (especially dates), to try to make non-obvious and long-lasting vandalism. They enjoy not being seen, but corrupting Wikipedia's accuracy.
Attention seeking vandals
While many trivial vandals enjoy the brief attention of plasting expletives on a page, some vandals enjoy much longer term attention, and many of them are branded as trolls. While a troll may have a motive beyond simply getting attention, many seek attention for its own sake. Some of these vandals pose as poor confused newbies making horrible but good faith edits. Some of these vandals (in addition to other brands of vandal and troll) attempt to drag down anyone who calls them on their bullshit, accusing them of assuming bad faith, or of warning/reporting/blocking an innocent editor. Since it is the attention they seek (either for its own enjoyment, or enjoying the knowledge they are wasting others' time), once it is certain they are acting in bad faith, little to no attention should be paid to them.
Coupling of notability and verifiability
It is my view that notability is a good thing for much the same reason that verifiability is a good thing. If a topic is not verifiable except in unreliable sources, then there is nothing to say about the topic that can be cited to a reliable source. In this case, the article should not exist. In some cases, only one reliable source exists, or many exist, but only the most trivial information is provided. In these cases, it's theoretically possible to write a single sentence that can cite a reliable source, but the topic is not considered notable. The question can then be asked, why shouldn't an article exist if something verifiable can be written?
I personally believe this argument comes largely from individuals who hold an overly Wikipedia-centric opinion that Wikipedia should contain essentially everything - that a person shouldn't have to use any other website. But I don't think there is really much value to Wikipedia in hosting an article about a topic that no one has bothered to ever write more than one sentence about. Further, it would be a nice thing indeed if such an article never grew beyond that single verifiable sentence, but in practice, that doesn't happen. And of course, it can always be placed in another article if such a thing is applicable. In any event, if there is a degree of reliable coverage that does not establish the very low bar of notability, it will probably be the case that a simple Google search will turn up all of the relevant information. Since Wikipedia is not a mirror of the rest of the internet, there is no need to contain every verifiable sentence ever written.
Reliable sources aren't always reliable
This is a key point to building an accurate encyclopedia, and one that users often misunderstand. There are claims that editors exist who believe the question of reliability to be binary; that is, a source either is or isn't, in all situations. It is my observation that while this claim may be true in some isolated circumstances, it is most often an oversimplification or misunderstanding of the views of others. However, far more disturbing are claims that since even the best sources are not always reliable, then nothing is a reliable source, which is simply ridiculous.
Primary sources and self-published content
Primary sources include raw data and other purely original content. To a significant degree the term is also equal in terms of reliability to that of self-published content. This content is questionable because it is accompanied by no review of any kind. It is reliable only for stating what the source itself states. This does not mean, however, that it should never appear on Wikipedia. It may be the case that the primary or self-published source is extremely significant to a particular article. These sources can be used to illustrate in further detail points made by more reliable, third-party secondary sources.
A single research paper is largely in the same place as a primary source. As opposed to your typical primary source, however, a research paper that has been reliably published was also reviewed by established experts in the relevant field. However, it is not the job of the editorial board of even the most esteemed journal to ensure the veracity of everything in the paper. In fact, the progress of science actually depends to an extent on the challenging of theories and findings wherever contradictions or inconsistencies can be found. Thus, the publishing of a research paper is not a demonstration that the claims within are true or even that they are widely held opinions - merely that they are reasonable opinions, given the information available to the reviewers. And so a single research paper does not demonstrate that a new point of view on a scientific subject is either notable or signifcant. The notability can only be demonstrated by acknowledgements of the opinion in independent publications, or by media coverage. The significance of the opinion can only be demonstrated by showing it is held by more than the originators of the opinion.
Enough newspapers are printed every day that some articles invariably contain errors. Some of these are corrected, while most others are simply insignificant. A rare few explode into major debacles. There are also situations in which a Newspaper didn't really get anything wrong, but is simply overattending to an insignificant viewpoint.
Some editors argue that because of one or all of these facts, newspapers cannot be considered reliable sources. This argument then follows down a number of possible roads, including: A) All sources should be considered reliable; B) This particular source, such as the New York Times, should never be considered reliable; C) Nothing should be said on this debacle, because it originated from an unreliable source; or D) Wikipedia is a doomed project because it won't allow me self proclaimed experts established experts to decide what is or isn't true.
Plainly, every one of these points is ridiculous. Point A is refuted below in the section on arguments against the reliable sources guideline. Point B collapses into point A, since no source is perfect. Point C is a misunderstanding of Wikipedia's purpose; if a thing is notable, there should be an article on it, even if that thing, such as a newspaper story, is completely wrong. This is why Wikipedia has articles on famous hoaxes and false criminal accusations. Point D usually comes from people simply trying to push their own point of view, and unwilling to accept that they could possibly be wrong. These individuals are really just an advanced form of the editors who think no one has the right to remove their contributions, as described below in the so named section.
Issues related to academic subjects
The purpose of a journal and the purpose of a newspaper are extremely disimilar. The former is to encourage the advancement of scientific understanding by sharing knowledge and ideas. The latter is to inform readers of anything that will sell newspapers, plus whatever its editors think is interesting, minus whatever they don't want to be associated with. It is for this reason that newspapers often publicise academic viewpoints that, while extremely interesting, are utterly insignificant. Inexperienced editors fascinatingly make diametrically opposing mistakes related to this issue. The first group of editors believes that if a viewpoint appears in a newspaper, then it is significant and should be included in the article on its parent topic. The second believes that since newspapers lend zero credibility to the academic topics they cover, they are inappropriate sources for any academic content.
Both of these opinions are incorrect in that they misinterperet the distinction between notability and significance. A good newspaper normally never endorses an academic viewpoint, and therefore coverage of one should not be misconstrued as support of one. Thus, a newspaper article on an academic viewpoint is only good for stating what it is and that it has received coverage in a certain manner. By the very definition of notability, a couple such articles might establish the subject as notable. But significance is defined as support in the relevant academic community. The difference is most strongly demonstrated by subjects such as intelligent design. The coverage of the matter, and its influences on governance and education, makes the subject plainly notable. It is, however, utterly insignificant, and so is not mentioned in the article on evolution.
Bad arguments that Wikipedia doesn't work
In stark contrast to my general view of Wikipedia, there is a large body of people who believe that Wikipedia is violating its own principles, has forgotten where it came from, or more apocalyptically, is headed for doom. Virtually all of these claims are greatly exaggerated, and most come from individuals new or completely alien to the project.
Wikipedia's notability guideline unduly restricts its content
By requiring coverage from multiple reliable sources many users, usually newbies, claim that Wikipedia is needlessly restricting its content. They claim that the guideline is preventing the inclusion of something that to them is undeniably important or significant. They often back up their arguments with subjective claims about the topic in question, or bring up number-based arguments like Google hits, number of downloads, or number of views on a website.
Most individuals who make this argument are usually trying to advertise their own self, band, book or theory. Or sometimes it's just their favorite person, band, book or theory. They consistently claim that reliable sources shouldn't be needed, because they can personally attest that the subject is important enough for an article. These individuals don't understand how naive their argument is. They expect others to simply take their word on it, when no one has any means to verify their subjective claims of their importance. And indeed, what cannot be distinguished at AFD from advertising is deleted.
Wikipedia's reliable sources guideline is too restrictive
This argument is often made in conjunction to the issue above, in an attempt to establish the notability of a topic. In a very similar manner to claiming an article's topic to be so important an article should exist in the absence of sources, many users argue that a source is just so important or accurate that it should be assumed reliable in the absence of any verifiable reason. But of course, anyone can go online and start a website. Anyone can then go on and claim to be a widely read, accurate and reliable source. As with the section on notability, above, if there is nothing to distinguish a source from random cruft on the internet, then it will be presumed unreliable.
Wikipedia's requirement for reliable sources makes it a mouthpiece for established media
Most people who make this argument simply can't appreciate that an enyclopedia is not like myspace or facebook, and that not everything gets to have a page here. They do not appreciate that Wikipedia is meant to only republish facts and opinions that have been reliably published before. Instead, they want to use Wikipedia to in some way challenge the existing order, and promote their band or their theory on how the World Trade Center was destroyed.
Even some established users fret about this point, and wish that there were some other way to get what they feel is obviously accurate information into Wikipedia. Many such users elaborate that anything that would be considered a reliable source is too commercialized, and won't publish everything that is significant, instead publishing only what is commercializable. I never understood what meat this argument was intended to hold. If a fact is so significant it should appear in an encyclopedia, but not a single newspaper, magazine, journal, book or expert's blog has taken the time to write one sentence about it, how significant can it really be? The truth is that, in my opinion and according to policy, significance necessarily means having been reported by a reliable source.
I have a right to edit, and therefore no one can delete my contributions
This argument has several incarnations, but the most trivial really is as ridiculous as the header to this section. Many users claim that it's a violation of their rights as an editor, or even more hilariously, their free speech, to delete their new article, or their contributions to an existing article. Some claim that only an expert on the topic of the article, such as music or physics, should be allowed to judge their contribution. I personally find this one of the most arrogant arguments to be made by anyone on Wikipedia; these users are essentially claiming that they are allowed to do as they please, and that no one is allowed to disagree with them.
Why there are hard and fast rules
Abound on Wikipedia are policies and guidelines that not only set a fine line between violations and non-violations, but also permit or encourage immediate solutions for violations. Many users see such rules as a violation of the spirit of Wikipedia, or at least of the spirit of ignoring all rules. Most such users have run afoul of the very rules they hate the most. But the other side of the story is that hard and fast rules are necessary for the efficient running of a large project. Hard and fast rules are usually put in place where the distinction between violations and non-violations is extremely clear, although sometimes the extreme controversy over the position is the very reason the rule was created.
Hard and fast rules to limit unecessary discussion
In some cases, hard and fast rules limit pointless discussion when the outcome of a dispute can be easily predicted based on precedent.
This is the prime example of a rule created to minimize redundant discussion. The criteria for speedy deletion were created out of hundreds or thousands of editor-years worth of experience in what articles tended to get deleted at discussions. Each criterion describes a class of articles that virtually no experienced editors would support keeping. Of course, many speedily deleted articles could be worked up to a point at which they would be kept at a deletion discussion, but combined with the experience on what gets deleted is experienced on what gets fixed. For example, most articles that don't assert notability, and also appear to not be notable based on coursory searches in the usual places, never become satisfactorily fixed.
No legal threats
As Wikipedia's vision is to build a free content encyclopedia through a collaberative process, any actions that inhibit collaberation are discouraged. There are certain actions that are seen as having zero part in the collaberation process, and legal threats are an extreme example. In addition, this rule is coupled to a meta rule that individuals engaged in an a legal dispute with the Wikimedia Foundation are not permitted to edit Wikimedia wikis. I can only speak for myself, but I doubt the average, experienced Wikipedia editor is phased much by being called an ass. And this is the reason that more trivial harrassment is met first by warnings. But legal threats have a chilling effect that could indeed phase many editors. And what is certainly a fact is that legal threats have no place on Wikipedia.
Hard and fast rules to encourage fruitful discussion
In other cases, hard and fast rules actually encourage the resolution of disputes, or at least the resolution of disputes in the "right" manner.
The three-revert rule
This is a rather unusual hard and fast rule, in that the activity it prevents, the reversion of particular edits, often has no uniform agreement on its appopriateness or lack thereof. In fact, the drama this rule creates is why it exists. To explain this, one first has to realize that there is nothing special about three. One could say that in any particular edit war, there's a certain point at which the editors should be made to stop, by either blocks or protection. But where is that point? At one revert, two, three, five...If the choice were left to a discussion, there would never be agreement on when the point was passed. In any event, a block would be met by protest that not enough reverts had been made. The three-revert rule creates a way to prevent users from edit warring without having to decide when that point has passed. Instead, it's very simple: Make four reverts, and you're blocked. With this clearly drawn line against edit warring, editors are encouraged to discuss the matter instead.
Verifiability
Verifiability is a cornerstone of Wikipedia, and is one of the policies that has served as part of the bedrock of editing philosophy. "The threshold for inclusion on Wikipedia is Verifiability, not truth." While this simple and strict statement has been a source of derision by many newcomers, switching the focus from truth to verifiability is part of what allows Wikipedia to function. In an encyclopedia built by volunteers, in which no real vetting of an individual's expert status is feasible, this policy simplifies discussion greatly. Instead of relying on debate over the validity of a fact or viewpoint, the debate focuses on the easier to tackle issue of whether it is verifiable. Even if experts could be vetted, this philosophy is still preferable. Allowing experts to run the show would merely invite them to introduce their personal biases into articles.
Rules that deliberately aren't
Rules that deliberately aren't hard and fast include those that prohibit vandalism, advertising and original research. One part of the reason is that in all of these cases, it is felt that, except in extreme cases, there is no pressing concern to immediately block the user involved. Many stop or reform after being warned. It can also be the case that a work of original research can be transformed into proper material with better sourcing and an attention to wording. But the most important reason for their not being hard and fast rules is to give editors and administrators the leeway to use the rules as intended. If vandalism and advertising could be given a clear definition, everyone who intended to add such content would carefully walk around the definition. And in the case of original research, it may not be obvious whether a particular article or claim constitutes as much.
Episodes, characters and other fictional spinoff articles
The world of fiction presents an unusual collision between two distinct guidelines, that for summary style of articles and that for the writing only of articles on notable topics. The former would tell us that when an article is getting unreasonably large, then a section should be spun off into its own article to maintain readability. The latter would tell us that an article should only exist on a topic if it has received substantial coverage from multiple, reliable, independent sources. And of course, the reason these two collide is that the average television episode or fictional character has not received any substantial coverage, but this does not stop editors from writing copious amounts of material on them from primary sources. In theory, this could be covered by the policy that Wikipedia is not for plot summaries, but that is in hot dispute.
Common arguments on the deletionist side of the debate are that allowing these fiction articles promotes the needless creation of fancruft that does nothing to help build an encyclopedia. Common arguments on the inclusionist side of the debate are that fiction and popular culture are a part of society, and thus deserve as much a part in the encyclopedia as any other.
I generally err on the deletionist side of things, largely because I don't believe Wikipedia should serve as a mirror of anything and everything that ever existed. For this reason, in a hypothetical situation that would never achieve the lack of consensus that this debate has, I would never support the creation of articles on every writing ever made by a random, notable individual. As for fiction, then just as Wikipedia is not repository of anything and everything ever published on the internet, nor should it for anything and everything ever to appear in fiction. However, the fiction issue generally confines itself to exactly that. Unlike other areas of rampant attempts to include insignificant content in Wikipedia, the fiction issue almost never constitutes an attempt to advertise anything, or an attempt to push a point of view.
If a problem is confined to an isolated group of articles, then it must be viewed in that context. Thus, the only people to read these articles were probably looking specifically for them. And as mentioned above, since these people are not going to find promotional or biased material, the question has to be whether fictional content that is only sourced to the primary publications is a good thing for Wikipedia to show to those readers, and not necessarily the more general issue.
And after laying all of that out, I honestly have no opinion. What I do believe is that having exhaustive fictional content on Wikipedia does the project no actual good. I also believe that removing it from Wikipedia does the project no actual good. And for those reasons, except in unusual circumstances, I could not be bothered to either delete or undelete such an article. I might form an opinion myself somewhere down the road, but I believe that for the present, no consensus is likely to appear on this issue.
Best. Quote. Ever.
In reaction to seeing Wikipedia:Sockpuppet investigations/Hermahgerd:
" ermagherd, a sehrkperppet "
— DoRD (talk · contribs), IRC
Retrieved from "https://en.wikipedia.org/w/index.php?title=User:Someguy1221&oldid=765706644"
Wikipedia administrators
Wikipedia oversighters
Wikipedia OTRS volunteers
User scheme
Wikipedian recent changes patrollers
Wikipedian new page patrollers
WikiProject Stub sorting participants
Wikipedians who use VandalProof
Wikipedians who use Huggle
Wikipedians who fix disambiguation pages with links
Wikipedians seeking to adopt in Adopt-a-user
Wikipedia administrators willing to make range blocks


text:
Jeffrey Epstein's prison guard -- who wasn't a regular guard
By Cheryl K. Chumley - The Washington Times
One of the two guards pressed into service to guard imprisoned sex offender Jeffrey Epstein during what turned out to be the final moments of his life wasn't actually a regular guard at the facility, according to findings reported by The New York Times and The Associated Press.
That's news that's worthy of more than a passing glance.
Here's the opener from the AP: "One of Jeffrey Epstein's guards that night he hanged himself in his federal jail cell wasn't a regular correctional officer, according to a person familiar with the detention center."
The AP goes on to write, "A second person familiar with operations at the jail said one of the two people guarding Epstein in the hours before he was found with a bedsheet around his neck wasn't a correctional officer, but a fill-in who had been pressed into service because of staffing shortfalls."
The Manhattan facility was said to suffer from chronic staffing shortfalls — similar to that reported by prison systems around the nation. And it's not clear to what extent the fill-in guard had security training.
But wouldn't it seem sensible to make sure one of the prison world's most notable inmates — the guy tied to so many high-profile and potentially explosive reports of underage sex crimes; the guy who could possibly name names — had more than ample surveillance? Cameras, well-trained regular guards, patrols and bed checks, the whole top-security shebang? Particularly when he had already tried to kill himself while in custody at least once?
"In Short-Staffed Jail, Epstein Was Left Alone for Hours; Guard Was Substitute," is how The Times headlined it.
And from Fox News: "Jeffrey Epstein's prison guards: 1 not a regular officer and both were working overtime, report says."
Come on now, Feds.
This is not how you guard a guy.
Particularly when you know the conspiracy talk is lurking off-stage, just around the corner. And honestly, with guarding like that — who can cast blame?
"I'm not into conspiracy theories," one Twitter user wrote, beneath a meme of former President Bill Clinton dressed as the substitute prison guard, "but this is super fishy."
Clinton, for those who've been missing in action from the news feeds of late, is tied to the scandal by the number of trips he took with Epstein on his private jet to overseas' locations and by the amount of private telephone numbers Epstein had for the former president — 21, by last count.
Perhaps it means nothing.
Perhaps Epstein and Clinton engaged in frequent secret telephone trades of Scriptures, as a way of keeping their spiritual selves refreshed and accountable. Who knows.
Epstein's dead. He's not speaking.
But social media is — and the twitterings are hardly subtle.
"Epstein was murdered," one wrote, in response to the AP story about the substitute prison guard. "Lots of people were involved in setting up the murder. Negligence & Incompetence over & over was/is impossible, but people intentionally violating all the rules to set up a murder is clearly what happened!"
Not clearly. Not clearly at all.
But there is one thing that's clear: The prison could've done more to secure Epstein and ensure he wouldn't die.
"It only takes three to five minutes for someone to hang themselves," said Lindsay Hayes, an expert on suicide prevention behind bars, AP reported.
Three to five minutes. That's a long, long time.
That's a long, long time to turn a back on a guy with ties to the world's top politicians, in jail for one of the world's most despicable crimes, on alert as a possible suicide victim — caught once already in the act of trying to kill himself.
It's not conspiracy to question. In fact, quite the opposite.
It'd be moronic, and dereliction of justice and truth, not to question.
• Cheryl Chumley can be reached at cchumley@washingtontimes.com or on Twitter, @ckchumley.

redpajama_set_name: RedPajamaCommonCrawl


text:
Strength of Dipoles, Covalent bonds and H-Bonds
My textbook says:
Dipole-dipole forces are 1% as effective as covalent bonds and the strength of a hydrogen bond is generally twenty times less than that of a covalent bond.
What do these statements mean?
bond intermolecular-forces covalent-compounds hydrogen-bond
pentavalentcarbon
M.Naeem AhmadM.Naeem Ahmad
It means that of the three forces, dipole-dipole forces are the weakest, hydrogen bonding is the second weakest, and covalent bonds are the strongest. Now, dipole-dipole attraction happens between an ion and a polar molecule. Due to a net dipole movement, this is weak. In comparison to a covalent bond, it has only $\frac{1}{100}$ the efficacy. A hydrogen bond is a force between H and either N, O, or F, the three most electronegative elements. These are classified as d-d forces, but due to the differing electronegativities, they are a tad stronger. Covalent bonds are much stronger than either, $20$ times more than the H-bond and $2000$ times stronger than the d-d force. A covalent bond involves the sharing of electron pairs between atoms, generally two non-metals. There are also ionic bonds and metallic bonds, an ionic bond involving the transfer of electrons, such as $\ce{NaCl}$ and a metallic bond being between metals.
EquinoxEquinox
Not the answer you're looking for? Browse other questions tagged bond intermolecular-forces covalent-compounds hydrogen-bond or ask your own question.
Are ionic bonds stronger than covalent bonds?
Is an ionic bond more like a covalent bond or an intermolecular force?
Is Hydrogen Bonding a Type of Dipole Dipole Interaction?
Nitrogen Covalent Bonds
How to identify hydrogen bonds and other non-covalent interactions from structure considerations?
Covalent bond nature in electronegativity gap
Strength of the hydrophobic interaction


text:
Venturi Astrolab est un concept car électrique développé par le constructeur monégasque Venturi en 2006. Capable d'avancer avec très peu d'énergie et de se recharger au soleil même en roulant, Astrolab est le premier véhicule hybride électro-solaire hautes performances.

Dévoilé au Mondial de l'Automobile en 2006, ce concept de véhicule zéro émission n'a pas besoin d'être exposé en permanence au soleil pour se mouvoir. Il peut restituer l'énergie stockée, qu'elle soit solaire ou issue du réseau électrique.

Son design a été réalisé par Sacha Lakic, qui a signé tous les modèles du constructeur monégasque.

Notes et références

Venturi
Voiture solaire

redpajama_set_name: RedPajamaWikipedia


text:
Golf Development
Coaching Trips
The Golf Course
Step Towards a Healthier Future at The Aberdeen Standard Investments Scottish Open
Free Coaching for Spectators and a Focus On Inclusive Golf at Aberdeen Standard Investments Scottish Open
Training Champions With ETPI – Andrea Pavan
Disabled Golf Champions Aim to Inspire Thousands of New Players
EDGA Player profiles – Johan Kammerstad
Building a Better Future for Your Public Golf Course
PING signs Viktor Hovland, former world #1 amateur
Golf Pride Wins Grip Count and the 2019 U.S. Open Championship at Pebble Beach
Golf Escapes to Host Inaugural Marbella Pro-Am
Reasons to Celebrate the Health of Golf…
"No one moves the needle quite like Augusta…" | Kevin Flynn
2018 Ryder Cup Performance Team – Behind the Scenes
Why Coaching Trips Can Be a Money-Spinner for PGA Professionals
What Should Golfers Do In the Gym?
PODCAST SPECIAL: #GolfHealthWeek – Dr Roger Hawkes & Dr Andrew Murray, Golf & Health Project
PGAs of Europe Supports 'pledge and PLAY' For More Inclusive Golf
Member Country PGAs Gather at Le Golf National for Launch of New PGAs of Europe Project
[Whitepaper] From High Potential to High Performance
U.S. Kids Golf Venice Open Achieves World First for Connecting Golf, Sustainability and the Next Generation
Golf Reduces Stress and Improves Mental Health, Says Leading Expert
Get Into Golf – A Campaign for the Modern Millennial4 min read
Author: Emma Ballard
Posted on: 18th Apr 2018
This article appears courtesy of Lady Golfer Magazine – read it in full at https://eur.pe/2J3RniW
Bright, bold and bound to ruffle a few feathers, LG columnist Emma Ballard explains how the Get Into Golf campaign is using social media influencers to attract the millennial generation.
Millennials – it's the word that makes most golf club committees break out into a cold sweat.
Either through fear of them taking over their beloved clubhouse, or simply at the thought of the seemingly impossible task of trying to recruit them.
The millennial is the the ultra-cool, 20/30 something, jegging wearing, hipster (or so we're lead to believe).
A baffling generation to the majority of golf clubs, they are actually the very people that clubs need to engage with if they want to give golf the participation boost that it so desperately needs.
As social media is central to the millennial's existence, it's not surprising that this is the first place they turn to for guidance in most aspects of their lives.
With the rise of social media over the last 10 years, a new breed of public figure has emerged in the form of the influencer.
These are not famous figures like pop stars or Hollywood actors, but savvy social media users who have established credibility within a specific industry. They have a large following and the ability to persuade others due to their authority and potential reach.
These are modern-day role models who in some cases replace the traditional sport stars and celebrities that used to inspire us. These are people who are extremely important to millennials and future generations.
Social media influencers are a key part of the new Get Into Golf Campaign, launched today.
This campaign is like marmite – you're either going to love it or hate it and I'm not sure that there's any middle ground.
The new-look Get Into Golf is officially LIVE for 2018! A new look, with new faces and new clubs. A place where EVERYONE is welcome. #GetIntoGolf Check it out now: https://t.co/CFen8LCsk5 pic.twitter.com/U5zbAg81Ut
— Get Into Golf (@GetIntoGolf) April 3, 2018
I got an early preview of the campaign at an England Golf Women & Girls Advisory Group Meeting in February and quite frankly, it left the room speechless.
But it was speechless in a good way; it made such an impact that we weren't really sure what to say about it.
It was like the launch of the This Girl Golfs campaign back in 2015. It was no holds barred, daring to be different, challenging the traditional golf stereotypes and dare I say it, actually making golf look fun.
What first strikes you is the colours. The campaign homepage is certainly bright and bold.
It's attention grabbing, simple and fresh. All things that aren't normally associated with golf.
Then you see the participants, all dressed in leggings, trainers, ripped jeans, leather jackets – I think one of the older club members fainted at the sight!
It's definitely modern, maybe too modern for some?
Now comes the truly revolutionary part of this golf campaign – these participants aren't just from an agency, they are social media influencers.
That's right, a golf organisation is using social media as its core method of getting people playing golf.
These influencers have reasonable social media followings in their own rights, but not in the world of golf.
They are going to document their journey into golf and give their followers a true insight into what it is like to play this wonderful game.
Their influence and experience will hopefully be the catalyst to get more millennials playing golf.
However, while all this seems great, I can't forget that speechless moment when we first glimpsed the campaign.
Although we would love to think that golf is ready for this, a lot of clubs won't be able to teach people dressed in ripped jeans or jeggings.
There was an inner turmoil amongst the group who really wanted to love the campaign. We had to ask if it was trying to sell an ideal that isn't really there?
Some will say that England Golf have taken this a step or two too far. But I think it's about time that the industry has a bit of a shake up and at the very least tries a modern approach to recruiting millennials into golf.
Time will tell how successful it is and we'll be able to see how many people come into the game through the Get Into Golf website.
Also, with this being such a social media based campaign, we'll be able to see what this generation and potential saviours of golf think to their local golf facilities.
If they like it, they'll post about it on Twitter, Snapchat and other social media platforms, creating an enormous buzz. The potential knock-on effect, if managed properly by the participating golf club, could be huge.
Whether you love or hate the campaign, it's what golf has needed for a long time.
We are finally reaching the heart of the millennial generation and using the power of social media to get more people into golf.
Read more by Emma Ballard
Emma Ballard is currently Head of Digital at Medi8 Limited, a PR & Marketing Agency – where she works with golf brands, companies and clubs to grow their presence and increase their exposure online via social media.


Our team of Ottawa plumbers are ready to handle all of your plumbing needs in Ottawa whether you are renovating your existing home or you are in the process of building a new one – we've got you covered. We are also available for emergency plumbing services in Ottawa to tackle those leaky pipes, faulty hot water tanks and clogged sinks and drains.
We are familiar with virtually all makes and models of hot water tanks and plumbing applications to keep your home running perfectly with enough hot water for everyone in your family. We can also handle commercial applications and entire household plumbing infrastructures for new home builds or massive renovations. Also, no job is too big or too small – we are there to help with all of your plumbing needs and plumbing emergencies.
We have worked on hundreds of new and existing homes in Ottawa for every kind of plumbing situation you can think of and we have hundreds of satisfied customers that choose us time and time again as their Ottawa plumber for all of their plumbing needs.
Give us a call and find out for yourself the great customer service and exceptional knowledge about plumbing that we can bring to your home or business.


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PSLS Originals
PSLS • News • PS4 News, Trophies, Reviews, and More
The Sinking City Delayed so It Can Avoid the Crowds
Janet GarciaFriday, March 08, 2019
Watch Gallery
Originally set to release later in March 2019, The Sinking City has been delayed to June 27, 2019. In a refreshingly honest announcement video, posted below, Community Manager Sergey Oganesyan explained the team's rationale. It's pretty simple; the team "decided that [they] want to release [The Sinking City] in a less crowded timeframe."
Often times, we merely suspect a crowded month to be one of the reasons behind a delay, but most teams only vaguely cite needing more time to make the game as good as possible or add in a specific feature. Here, we're told directly that's the case.
While it would be hard to top how cluttered February was, with its three AAA titles launching simultaneous (i.e Metro Exodus, Far Cry: New Dawn, and Jump Force all appeared on February 15, 2019), March doesn't have much room either. Devil May Cry 5 launched March 8th, The Division 2 releases March 15th and Sekiro: Shadows Die Twice will come out on March 22nd.
Of course, this delay will also allow the team to spend more time fine-tuning the game and incorporating player feedback. Hopefully, this helps the game find commercial success. Here at PlayStation LifeStyle, we think this game has the potential to be one of the best Lovecraftian games in years. For more insights on the game, be sure to check out our interview with the developer.
The Sinking City Release Date Delayed to June Due to Crowded Release
The Sinking City will release on June 27, 2019 for the PlayStation 4, Xbox One, and PC.
Tags: Bigben Interactive, Frogwares
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Slip-On Sandal (EARTH27001) by Pavers @ Pavers Shoes - Your Perfect Style.
A casual slip-on sandal with a stylish cut-out design. The open toe, stretchy side panels and soft upper feels super comfy as you move.
I own 2 pairs of pavers for years now. Very comfy. Just ordered 2 new pairs and arrived in a week. U.K. To Australia. Sadly this time I ordered wrong size being in Australia should have taken more notice as pavers use Eu or uk size. Now have 2 pairs can't wear will try to sell here in oz. be careful with sizing. I'm so looking forward to buying more shoes from Pavers.
These are the most comfortable sand leather or shoe I've ever bought. Actually purchased 3 pairs!
Lovely sandals very comfortable.Good fast delivery.Very happy with my purchase.Thank You.
I just love my new sandles! I ordered them in a size 9 as I find that a Pavers 8 is slightly small compared to M&S, Clarks etc. They are so comfortable and will be perfect for holidays abroad.
The sandles are not exactly the same colour but I noticed this after I'd worn them so didn't feel I could return.


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Biografia
Ha rappresentato l'Ungheria al Festival olimpico della gioventù europea di Baku 2019.

Agli europei di Budapest 2020, disputati nel maggio 2021 presso il lago Lupa, ha vinto la medaglia di bronzo nella  a squadre, gareggiando con Réka Rohács, Anna Olasz e Kristóf Rasovszky. Nella 5 km si è classificato dodicesimo.

Palamarès

Note

Collegamenti esterni


KCO Resource Management Welcomes 3 interns from the University at Albany.
The KCO Resource team welcomed three new interns to our office in October. All three are students attending the University at Albany. Brett is an MBA student with a concentration in HR Information Systems. His work here at KCO will be focused on HR related projects. Alexis is a Marketing & Management major and will be working closely with the marketing and recruiting teams. Lastly, Fan is a Finance & IT Management student working on various aspects of the recruiting process during his time here at KCO. We're very happy to have them with us over the course of this next year!


Old villas and apartment houses dominate the view of Niederschönhausen. The Castle Schönhausen with its baroque park is found here, too. At times of GDR Niederschönhausen was a diplomat quarter.
24 embassy buildings were built up between Esplanade and Ibsenstraße around the Castle Schönhausen. Still today many of them are used as seats of diplomatic representations.
The restored Castle Schönhausen is one of the most important touristic attractions of Pankow. Interesting exhibitions about historic subjects are shown permanently inside the castle.


Cecilia's Circle, a four-woman musical ensemble, will soon arrive at St. Olaf for a week-long salute to female composers from the Middle Ages, Renaissance and Baroque eras.
Beginning on March 4, Cecilia's circle will both perform and instruct the St. Olaf community about centuries-old compositions seldom acknowledged today.
Five days of lectures, workshops, master classes, rehearsals and recitals have been slated during the ensemble's visit to Manitou Heights. Cecilia's circle programs aim to reveal the beauty in the work by composers such as Barbara Strozzi and Elisabeth-Claude Jacquet de la Guerre.
The group--composed of Janet Youngdahl, soprano; Julie Andrijeski, Baroque violin; Julie Elhard, viola de gamba; and Vivian Montgomery, harpsichord--was founded ten years ago and named after St. Cecilia, the eighth-century patron saint of Music.
Youngdahl and Montgomery launched the endeavor in the effort to connect female musicians to musical history. Both have a strong interest in the portrayal of women in music as well as musical backgrounds as a whole.
Montgomery taught at Luther College and has been doing residencies for all ten years of the group's existence. She said residencies give everyone a chance to deeply explore historical context and the lives of specific composers whose work they perform.
Youngdahl teaches part-time at the University of Calgary and has conducted both the Calgary Bach Society choir and orchestra. Youngdahl also directed the 5th Avenue Presbyterian Church youth choirs in St. Paul.
Elhard has been a member of Cecilia's circle for the past for years, but recently left the group to spend time with her 20-month-old son. She plays the viola de gamba -- a Renaissance and Baroque instrument - and teaches it at Carleton.
Andrijeski specializes in historical performances of music in dance from 1550 to 1800. She has taught at many schools including the Oberlin Conservatory of Music, Clayton State College and Kent State.
Cecilia's circle performs 15 concerts and travels to numerous colleges and universities to conduct residencies every year.
The group's residency at St. Olaf constitutes this year's Leraas Lecture Series. It has been timed to coincide with the college's celebration of National Women's History Month.
"Contributions of women artists, writers and musicians traditionally were ignored because they were not considered part of the canon--the tradition of great works central to the discipline--or they were not even known," says Professor of Music History Gerald Hoekstra. "This new scholarship exploring the role of women in history and the arts has caused to reassess our views of the past."


Managing a project is a complex skill to master, but it will be worth it to have. One important aspect of Project Management is how to effectively report the status of a progress. This document will provide you with a guideline to make an effective, actionable Project Status Report.
know how to report status on a project, even when they are expert project managers.
your projects health and overall direction without having to get involved themselves.
chaotic cloud of information and distil it down into its most basic elements and then present them so that hundreds and thousands of hours of work can be understood in 30 seconds.! • Milestones: Your project has major accomplishments which must be completed by specific dates. We also want to help make that determination sometimes. This allows us to analyse the schedule and decide to either feel comfortable with it or challenge it.! Even on relatively less important projects. effective status reporting allows your boss to spend only a few seconds skimming your report to determine what sort of progress you have made. which ones are in progress. We managers want to see which milestones are complete. As managers.! ! To write excellent status.! HOW TO REPORT STATUS ON A PROJECT 2 . Your job as the manager of a project is to take a swirling. You might not know everything we know despite our best efforts to communicate.! • Issues: Your project also probably has one or more obstacles to completion which have been discovered. and which ones are coming up next. Your project might not be as healthy as you think it is. we want to be able to detect a project in trouble. We'd like to see brief details about each issue so that we can make a decision about whether or not to step in and help if necessary.! ! Excellent status creates clarity from confusion. you must understand:! ! • The three components of status! • How to write brief details! • What key data is needed by management! ! Three Components of Status! There are three major components to reporting project status:! ! ! • Overall: We need to see the overall project health.
My recommendation is that you write as though you were creating an old-fashioned telegram. or if I am in need of further details. Major milestones follow overall project health. I can read further and see what it is. so when I see a problem in your project schedule. crisp status that we can consume rapidly without having to spend much effort on it. Issues may be holding up those dates. If I like what I see here. It might take you thirty minutes to write your status. but to a supervisor with a team of project managers. Here are some suggestions:! ! • Write in bullets. There shall be no paragraph anywhere in your status. 40. I can stop reading the rest. but always remember that your manager does not have thirty minutes to spend reading it. More information about how to do that is coming. Really slick project managers report the issues in priority order showing the issue causing the most jeopardy to progress first. Writing "date: 7/4/2008" does not tell us anything that "7/4/2008" does not. We can see that 7/4/2008 is a date. it is not. There is enormous value in a project manager who can report status without narrative.! HOW TO REPORT STATUS ON A PROJECT 3 .! ! Brief Details! Your job is to report on the details of your project in concise.! ! "Brief Details" may seem oxymoronic to a project manager.! ! Brief Details?! How can you provide details without being long-winded? It is a formidable task that most never master. or even exponentially more projects for which they are responsible.! Organising Your Status! Just as you would clean a kitchen by starting up high and working your way down ultimately to the floor. Your manager realistically only has about 30 seconds to consume your status as they may have 30. not in prose.! ! Thus:! ! Overall project health comes first. I can read a little further and check out the scheduled dates we are driving toward and your progress on them. but it is not impossible.! • Avoid unnecessary use of titles and colons. project status is best when it starts off with the highest levels of detail and works it way down to lower and lower levels. 100. If I don't like the project health.
We don't want to carry your work for you.more on this in a future article).! ! HOW TO REPORT STATUS ON A PROJECT 4 . much) and avoid adjectives (good. and predict pitfalls you might face down the road.! • The number of days behind or ahead against the plan.! • The number of "normal issues" you face. I also want to see where we are against certain milestones so that I can make a decision about whether or not to get more involved.! • The % complete you are actually at. and reduce some more.! • The project identification number if your company uses a tool to store projects. Do your best to shorten all expressions and sentences. and the threat that project issues present. It lets us see your schedule at a high level. but we also don't want you to fall flat on your face. very.! • The overall project health (red yellow green .! • Reduce.! Key Data! Management will need certain data from you in order to see overall health.! • The % complete you expected to be at today (planned completion). For overall project health.! ! If I am your supervisor.! • The number of blocking issues you face (more about this later in this article).! • Avoid adverbs (really. I need to see more than just the overall health of the project. these data points might include:! ! ! • The project's name. determine if the schedule is acceptable as it stands. bad.! These data elements should provide a sound overview of project health for the average executive who is not details minded and is not interested in getting more involved in your project. reduce.! ! Providing project milestones is helpful in this regard. performance against milestones. One of the hardest things a manager has to do all day is decide whether to give you more room or get into your work with you. ugly).
it is a blocking issue and is very important. Of course the completed tasks are green." If the problem is stopping the project from moving forward and is single-handedly responsible for endangering the delivery date. The RYG status of the whole project is all that is necessary. They are complete! All following milestones have the same status as the current milestone.! • Issue name: this should be very descriptive and brief.! • Who has it: the name of the person who currently owns driving this issue forward. you will create more confusion than clarity.! • Priority or severity of the issue: your issue is mega-important if it is a "blocking issue.! HOW TO REPORT STATUS ON A PROJECT 5 . I don't believe that adds any value.! ! Issue Management! The final portion of your status report is to list the major issues your project faces. it is not as important.! ! It's best to start with the earlier tasks first and the final delivery date at the bottom. yellow. green (RYG) status for each milestone in their project. If you list them haphazardly.! • Date and time reported: we need this to see ageing. the more likely someone is going to get in trouble for not solving it faster. Important data that we need on your issues:! ! ! • Ticket number: if there is a ticketing system. so there is no point in differentiating them. If the problem is just another bug in some software that will be resolved in short order. The older an issue is. give us a link to the ticket or the number of the ticket.! Milestones have six components:! ! ! • • • • • • The milestone name! The percent complete of the milestone! The planned start! The planned finish! The actual start! The actual finish! Some people like to provide red.
the audience you select. the job is one of analysis and communication. If you cannot. and the content of your communications should be available to them easily and quickly. "Are we there yet? Are we there yet?" Provide a time and date for when the issue will be resolved.! ! HOW TO REPORT STATUS ON A PROJECT 6 . you should expect one of two results. Your job as a project manager is to create clarity from confusion for the project team and for management. either you are not sending it to the right people.! • ETA: Managers are like children and always want to know when they are going to get something. they provide status irregularly or rarely. It should not be necessary to create colourful slide shows or multi-page documents in order to provide really great status reports. Either management will become very quiet and not engage with you very much. Essentially. then provide an ETA for your next updated status on the issue.! ! A project manager that can status a project skilfully and briefly is a rare find. or worse.! ! Either result is better than the alternative: Management asking you for status.! • Current Activity: What is currently being done to resolve this issue? Are you firing up a conference call? Are you calling out for reinforcements from a particular group? What is being done to mitigate? Are there alternatives?! ! Expected Results! If you produce really great status on a project and provide it often enough and to the right people. If management is asking you for the status. and yet so many write as though they were authoring a novel and create a report that management must spend inordinate amounts of time with in order to get what they need. Many go that route and drown management in errata. If you cannot do that. then provide a time and date for when you will get to the next step in the issue resolution process. Narratives and prose are always unwelcome in status reports. which usually means they feel you are on top of the project and are capable of operating without their intervention. or you are not sending a good status report.! ! Management should be able to passively absorb your status without having to reach out to you to find out where things are at. or they will increase their communications with you in order to ferret out further details and determine if they need to intervene. Others fail to provide enough information at all. you are not sending it often enough. which are great topics for future articles. The pace at which you send it.
and political science as an undergraduate.! ! ! ! Rob Redmond studied sociology.In all of the project management training and certification systems available today. psychology. eventually receiving a Masters of Business Administration (MBA) from Georgia State University in June of 2000. Learn to status your projects effectively and you have a competitive edge that goes beyond the standard project management toolkit. and brings these concepts and basic management principles he has learned along the way to produce articles which reach out to others who struggle at work. He is currently employed as a manager in the information technology division of a large technology company.! ! HOW TO REPORT STATUS ON A PROJECT 7 . almost none teach how to report the current state and next steps of a project.! ! Rob has long years of experience with the Japanese language and the Japanese martial arts.
! ! More information about project management can be found on our website www.uk! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! Copyright © 2014 by Project Smart.projectsmart.About Project Smart! ! Project Smart is the project management resource that helps managers at all levels improve their performance. HOW TO REPORT STATUS ON A PROJECT 8 . All rights reserved.co. We provide an important knowledge base for those involved in managing projects of all kinds.
Dormal W. Allen Bernard D. Bickham Aubrey L. Blount Ronald L. Bowman Walter E. Carper Paul F. Cocuzza Larry L. Collier Jeffery S. Cullers Ronald Deskins Dennis K. Donehoo Stanley E. Earl John W. Fields Thomas W. Graling David M. Hamrick Jarl E. Hanson George M. Harley Leroy R. Herbstreith David W. Holland Dwight M. Hulvey James B. Irwin Charles C. Jacobi Barry W. Jacobs Charles E. Jeter Harry L. Johnston Randall J. Kennedy John G. Kessel Kevin L. Kincaid Robert L. Lacy, Jr. Michael J. Langley David R. Ludeker George M. McCoy Lawrence G. McDonald Gregory A. McIntosh Robert F. McLain Geoffrey McNamara Robert M. Mohler Robert W. Morrell Timothy M. Morrison Edward T. Neal Michael L. Nelson Dewey H. Perks Didier C. Pfalzgraf Gerald A. Pfeifer Michael J. Piantedosi Roy R. Pierpoint Judd P. Richards Charles S. Ruble Harry Scott Richard C. Scott Ronald W. Sheffield Donald E. Simpson Charles D. Sisler George L. Sisson Richard v. Slepetz Derrick A. Smith Andrew D. Snead Robert J. Spoone John M.


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Heymann Foundation
Programs|Grantmaking|Personnel|Financials|Form 990s|Peers
The Heymann Foundation is a private foundation located in Lafayette, LA. It primarily funds charitable contributions and made 12 grants last year. Its grantees include the Children's Museum of Acadiana and others. Its purpose is to provide additional funding for the foundation's grant programs.
Program areas at Heymann Foundation
Provides additional funding for the Foundation's grant programs
Grants made by Heymann Foundation
Childrens Museum of Acadiana Charitable Contributions 2021-05 $29,422
Alzheimer's Association Charitable Contributions 2021-05 $9,000
Virginia Discovery Museum Charitable Contributions 2021-05 $5,000
...and 4 more grants made
Personnel at Heymann Foundation
Joan H Bergmann President $0 2021-08-13
Financials for Heymann Foundation
Total grants, contributions, etc. $100 $17,500 -99.4%
Investment income and dividends $219,522 $65,456 235.4%
Net gain from sale of non-inventory assets $12,493 $82,143 -84.8%
Total revenues $232,115 $165,099 40.6%
Form 990s for Heymann Foundation
2019-05 2020-08-13 990PR View PDF
Organizations like Heymann Foundation
The Carol A and James J Mcinnis Charitable Trust 501(c)(3) North Andover, MA $73,177
Raymond Educational Foundation 501(c)(3) Flagstaff, AZ $84,633
Richard and Lillian Becker Family Foundation 501(c)(3) Vero Beach, FL $95,891
The Paul and Florence Thomas Memorial Arts School 501(c)(3) West Jefferson, NC $68,489
Gary and Jeannie Green Family Charitable Foundation 501(c)(3) Saint Thomas, VI $91,341
Dunn Foundation 501(c)(3) Birmingham, AL $76,259
Lionstone Foundation 501(c)(3) New York, NY $560,341
The Change the World Foundation Trust 501(c)(3) Boston, MA $197,039
Roxanne W Beardsley Charitable Trust 501(c)(3) Hartford, CT $117,574
Richard L Hirsch Foundation 501(c)(3) New York, NY $119,771
Added Form 990R for fiscal year 2019
EducationArts, cultural, and humanities
Provides grantsPartially liquidatedTax deductible donationsNo full-time employees
Lafayette Parish, LA
heymannfoundation.com/
Want updates when Heymann Foundation has new information, or want to find more organizations like Heymann Foundation?


DMI is a stocking master W.D. for Pro Shocks. In the last 25 years, Pro Shocks has become the #1 racing shock manufacturer in the world. Their constant testing and R&D ensures their place at the top. We are committed to stocking the shocks you need for success at the track and at the sales counter. If there is a Pro component you don't see here – ask and you shall receive. DMI offers very competitive pricing on all Pro products. DMI and Pro Shocks – the symbol for winning.
In addition to stocking a large inventory of shocks, DMI will also be stocking a large inventory of Pro springs, components and accessories. DMI is also a factory-trained Pro Shock revalver and rebuilder. Whether fixing a crashed shock or trying a new valving, let DMI be your Pro Shock service center.


text:
var _ = require('lodash');
exports.groups = ['alphas', 'number row', 'spacing', 'punctuation', 'function keys', 'navigation', 'numpad', 'control keys', 'misc', 'media keys'];
var keycodes = [
{ group: 'Misc', code: 'NO', id: '00', description: 'Reserved (no event indicated)' },
{ group: 'Misc', code: 'TRNS', id: '00', description: 'Transparent' },
{ code: 'ROLL_OVER', id: '01', description: 'Keyboard ErrorRollOver' },
{ code: 'POST_FAIL', id: '02', description: 'Keyboard POSTFail' },
{ code: 'UNDEFINED', id: '03', description: 'Keyboard ErrorUndefined' },
{ group: 'Alphas',  code: 'A', id: '04', description: 'Keyboard a and A' },
{ group: 'Alphas',  code: 'B', id: '05', description: 'Keyboard b and B' },
{ group: 'Alphas',  code: 'C', id: '06', description: 'Keyboard c and C' },
{ group: 'Alphas',  code: 'D', id: '07', description: 'Keyboard d and D' },
{ group: 'Alphas',  code: 'E', id: '08', description: 'Keyboard e and E' },
{ group: 'Alphas',  code: 'F', id: '09', description: 'Keyboard f and F' },
{ group: 'Alphas',  code: 'G', id: '0A', description: 'Keyboard g and G' },
{ group: 'Alphas',  code: 'H', id: '0B', description: 'Keyboard h and H' },
{ group: 'Alphas',  code: 'I', id: '0C', description: 'Keyboard i and I' },
{ group: 'Alphas',  code: 'J', id: '0D', description: 'Keyboard j and J' },
{ group: 'Alphas',  code: 'K', id: '0E', description: 'Keyboard k and K' },
{ group: 'Alphas',  code: 'L', id: '0F', description: 'Keyboard l and L' },
{ group: 'Alphas',  code: 'M', id: '10', description: 'Keyboard m and M' },
{ group: 'Alphas',  code: 'N', id: '11', description: 'Keyboard n and N' },
{ group: 'Alphas',  code: 'O', id: '12', description: 'Keyboard o and O' },
{ group: 'Alphas',  code: 'P', id: '13', description: 'Keyboard p and P' },
{ group: 'Alphas',  code: 'Q', id: '14', description: 'Keyboard q and Q' },
{ group: 'Alphas',  code: 'R', id: '15', description: 'Keyboard r and R' },
{ group: 'Alphas',  code: 'S', id: '16', description: 'Keyboard s and S' },
{ group: 'Alphas',  code: 'T', id: '17', description: 'Keyboard t and T' },
{ group: 'Alphas',  code: 'U', id: '18', description: 'Keyboard u and U' },
{ group: 'Alphas',  code: 'V', id: '19', description: 'Keyboard v and V' },
{ group: 'Alphas',  code: 'W', id: '1A', description: 'Keyboard w and W' },
{ group: 'Alphas',  code: 'X', id: '1B', description: 'Keyboard x and X' },
{ group: 'Alphas',  code: 'Y', id: '1C', description: 'Keyboard y and Y' },
{ group: 'Alphas',  code: 'Z', id: '1D', description: 'Keyboard z and Z' },
{ group: 'Number row', code: '1', id: '1E', description: 'Keyboard 1 and !' },
{ group: 'Number row', code: '2', id: '1F', description: 'Keyboard 2 and @' },
{ group: 'Number row', code: '3', id: '20', description: 'Keyboard 3 and #' },
{ group: 'Number row', code: '4', id: '21', description: 'Keyboard 4 and $' },
{ group: 'Number row', code: '5', id: '22', description: 'Keyboard 5 and %' },
{ group: 'Number row', code: '6', id: '23', description: 'Keyboard 6 and ^' },
{ group: 'Number row', code: '7', id: '24', description: 'Keyboard 7 and &' },
{ group: 'Number row', code: '8', id: '25', description: 'Keyboard 8 and *' },
{ group: 'Number row', code: '9', id: '26', description: 'Keyboard 9 and (' },
{ group: 'Number row', code: '0', id: '27', description: 'Keyboard 0 and )' },
{ group: 'Spacing', code: 'ENT', id: '28', description: 'Keyboard Return (ENTER)' },
{ group: 'Control keys', code: 'ESC', id: '29', description: 'Keyboard ESCAPE' },
{ group: 'Spacing', code: 'BSPC', id: '2A', description: 'Keyboard DELETE (Backspace)' },
{ group: 'Spacing', code: 'TAB', id: '2B', description: 'Keyboard Tab' },
{ group: 'Spacing', code: 'SPC', id: '2C', description: 'Keyboard Spacebar' },
{ group: 'Punctuation', code: 'MINS', id: '2D', description: 'Keyboard - and (underscore)' },
{ group: 'Punctuation', code: 'EQL', id: '2E', description: 'Keyboard = and +' },
{ group: 'Punctuation', code: 'LBRC', id: '2F', description: 'Keyboard [ and {' },
{ group: 'Punctuation', code: 'RBRC', id: '30', description: 'Keyboard ] and }' },
{ group: 'Punctuation', code: 'BSLS', id: '31', description: 'Keyboard \ and |' },
{ group: 'Punctuation', code: 'NUHS', id: '32', description: 'Keyboard Non-US # and ~' },
{ group: 'Punctuation', code: 'SCLN', id: '33', description: 'Keyboard ; and :' },
{ group: 'Punctuation', code: 'QUOT', id: '34', description: 'Keyboard ' and "' },
{ group: 'Punctuation', code: 'GRV', id: '35', description: 'Keyboard Grave Accent and Tilde' },
{ group: 'Punctuation', code: 'COMM', id: '36', description: 'Keyboard, and <' },
{ group: 'Punctuation', code: 'DOT', id: '37', description: 'Keyboard . and >' },
{ group: 'Punctuation', code: 'SLSH', id: '38', description: 'Keyboard / and ?' },
{ group: 'Control keys', code: 'CAPS', id: '39', description: 'Keyboard Caps Lock' },
{ group: 'Function keys', code: 'F1', id: '3A', description: 'Keyboard F1' },
{ group: 'Function keys', code: 'F2', id: '3B', description: 'Keyboard F2' },
{ group: 'Function keys', code: 'F3', id: '3C', description: 'Keyboard F3' },
{ group: 'Function keys', code: 'F4', id: '3D', description: 'Keyboard F4' },
{ group: 'Function keys', code: 'F5', id: '3E', description: 'Keyboard F5' },
{ group: 'Function keys', code: 'F6', id: '3F', description: 'Keyboard F6' },
{ group: 'Function keys', code: 'F7', id: '40', description: 'Keyboard F7' },
{ group: 'Function keys', code: 'F8', id: '41', description: 'Keyboard F8' },
{ group: 'Function keys', code: 'F9', id: '42', description: 'Keyboard F9' },
{ group: 'Function keys', code: 'F10', id: '43', description: 'Keyboard F10' },
{ group: 'Function keys', code: 'F11', id: '44', description: 'Keyboard F11' },
{ group: 'Function keys', code: 'F12', id: '45', description: 'Keyboard F12' },
{ group: 'Control keys', code: 'PSCR', id: '46', description: 'Keyboard PrintScreen1' },
{ group: 'Control keys', code: 'SLCK', id: '47', description: 'Keyboard Scroll Lock11' },
{ group: 'Control keys', code: 'PAUS', id: '48', description: 'Keyboard Pause1' },
{ group: 'Spacing', code: 'INS', id: '49', description: 'Keyboard Insert1' },
{ group: 'Navigation', code: 'HOME', id: '4A', description: 'Keyboard Home1' },
{ group: 'Navigation', code: 'PGUP', id: '4B', description: 'Keyboard PageUp1' },
{ group: 'Spacing', code: 'DEL', id: '4C', description: 'Keyboard Delete Forward' },
{ group: 'Navigation', code: 'END', id: '4D', description: 'Keyboard End1' },
{ group: 'Navigation', code: 'PGDN', id: '4E', description: 'Keyboard PageDown1' },
{ group: 'Navigation', code: 'RGHT', id: '4F', description: 'Keyboard RightArrow1' },
{ group: 'Navigation', code: 'LEFT', id: '50', description: 'Keyboard LeftArrow1' },
{ group: 'Navigation', code: 'DOWN', id: '51', description: 'Keyboard DownArrow1' },
{ group: 'Navigation', code: 'UP', id: '52', description: 'Keyboard UpArrow1' },
{ group: 'Numpad', code: 'NLCK', id: '53', description: 'Keypad Num Lock and Clear11' },
{ group: 'Numpad', code: 'PSLS', id: '54', description: 'Keypad /1' },
{ group: 'Numpad', code: 'PAST', id: '55', description: 'Keypad *' },
{ group: 'Numpad', code: 'PMNS', id: '56', description: 'Keypad -' },
{ group: 'Numpad', code: 'PPLS', id: '57', description: 'Keypad +' },
{ group: 'Numpad', code: 'PENT', id: '58', description: 'Keypad ENTER5' },
{ group: 'Numpad', code: 'P1', id: '59', description: 'Keypad 1 and End' },
{ group: 'Numpad', code: 'P2', id: '5A', description: 'Keypad 2 and Down Arrow' },
{ group: 'Numpad', code: 'P3', id: '5B', description: 'Keypad 3 and PageDn' },
{ group: 'Numpad', code: 'P4', id: '5C', description: 'Keypad 4 and Left Arrow' },
{ group: 'Numpad', code: 'P5', id: '5D', description: 'Keypad 5' },
{ group: 'Numpad', code: 'P6', id: '5E', description: 'Keypad 6 and Right Arrow' },
{ group: 'Numpad', code: 'P7', id: '5F', description: 'Keypad 7 and Home' },
{ group: 'Numpad', code: 'P8', id: '60', description: 'Keypad 8 and Up Arrow' },
{ group: 'Numpad', code: 'P9', id: '61', description: 'Keypad 9 and PageUp' },
{ group: 'Numpad', code: 'P0', id: '62', description: 'Keypad 0 and Insert' },
{ group: 'Keypad', code: 'PDOT', id: '63', description: 'Keypad . and Delete' },
{ group: 'Keypad', code: 'NUBS', id: '64', description: 'Keyboard Non-US \ and |' },
{ group: 'Misc', code: 'APP', id: '65', description: 'Keyboard Application10' },
{ group: 'Misc', code: 'POWER', id: '66', description: 'Keyboard Power9' },
{ group: 'Keypad', code: 'PEQL', id: '67', description: 'Keypad =' },
{ group: 'Function keys', code: 'F13', id: '68', description: 'Keyboard F13' },
{ group: 'Function keys', code: 'F14', id: '69', description: 'Keyboard F14' },
{ group: 'Function keys', code: 'F15', id: '6A', description: 'Keyboard F15' },
{ group: 'Function keys', code: 'F16', id: '6B', description: 'Keyboard F16' },
{ group: 'Function keys', code: 'F17', id: '6C', description: 'Keyboard F17' },
{ group: 'Function keys', code: 'F18', id: '6D', description: 'Keyboard F18' },
{ group: 'Function keys', code: 'F19', id: '6E', description: 'Keyboard F19' },
{ group: 'Function keys', code: 'F20', id: '6F', description: 'Keyboard F20' },
{ group: 'Function keys', code: 'F21', id: '70', description: 'Keyboard F21' },
{ group: 'Function keys', code: 'F22', id: '71', description: 'Keyboard F22' },
{ group: 'Function keys', code: 'F23', id: '72', description: 'Keyboard F23' },
{ group: 'Function keys', code: 'F24', id: '73', description: 'Keyboard F24' },
{ group: 'Media keys', code: 'EXECUTE', id: '74', description: 'Keyboard Execute' },
{ group: 'Media keys', code: 'HELP', id: '75', description: 'Keyboard Help' },
{ group: 'Media keys', code: 'MENU', id: '76', description: 'Keyboard Menu' },
{ group: 'Media keys', code: 'SELECT', id: '77', description: 'Keyboard Select' },
{ group: 'Media keys', code: 'STOP', id: '78', description: 'Keyboard Stop' },
{ group: 'Media keys', code: 'AGAIN', id: '79', description: 'Keyboard Again' },
{ group: 'Media keys', code: 'UNDO', id: '7A', description: 'Keyboard Undo' },
{ group: 'Media keys', code: 'CUT', id: '7B', description: 'Keyboard Cut' },
{ group: 'Media keys', code: 'COPY', id: '7C', description: 'Keyboard Copy' },
{ group: 'Media keys', code: 'PASTE', id: '7D', description: 'Keyboard Paste' },
{ group: 'Media keys', code: 'FIND', id: '7E', description: 'Keyboard Find' },
{ group: 'Media keys', code: '_MUTE', id: '7F', description: 'Keyboard Mute' },
{ group: 'Media keys', code: '_VOLUP', id: '80', description: 'Keyboard Volume Up' },
{ group: 'Media keys', code: '_VOLDOWN', id: '81', description: 'Keyboard Volume Down' },
{ group: 'Locking keys', code: 'LOCKING_CAPS', id: '82', description: 'Keyboard Locking Caps Lock12' },
{ group: 'Locking keys', code: 'LOCKING_NUM', id: '83', description: 'Keyboard Locking Num Lock12' },
{ group: 'Locking keys', code: 'LOCKING_SCROLL', id: '84', description: 'Keyboard Locking Scroll Lock12' },
{ group: 'Keypad', code: 'PCMM', id: '85', description: 'Keypad Comma27' },
{ group: 'Keypad', code: 'KP_EQUAL_AS400', id: '86', description: 'Keypad Equal Sign29' },
{ group: "International", code: 'RO', id: '87', description: 'Keyboard International115,28' },
{ group: "International", code: 'KANA', id: '88', description: 'Keyboard International216' },
{ group: "International", code: 'JYEN', id: '89', description: 'Keyboard International317' },
{ group: "International", code: 'HENK', id: '8A', description: 'Keyboard International418' },
{ group: "International", code: 'MHEN', id: '8B', description: 'Keyboard International519' },
{ group: "International", code: 'INT6', id: '8C', description: 'Keyboard International620' },
{ group: "International", code: 'INT7', id: '8D', description: 'Keyboard International721' },
{ group: "International", code: 'INT8', id: '8E', description: 'Keyboard International822' },
{ group: "International", code: 'INT9', id: '8F', description: 'Keyboard International922' },
{ group: "International", code: 'LANG1', id: '90', description: 'Keyboard LANG125' },
{ group: "International", code: 'LANG2', id: '91', description: 'Keyboard LANG226' },
{ group: "International", code: 'LANG3', id: '92', description: 'Keyboard LANG330' },
{ group: "International", code: 'LANG4', id: '93', description: 'Keyboard LANG431' },
{ group: "International", code: 'LANG5', id: '94', description: 'Keyboard LANG532' },
{ group: "International", code: 'LANG6', id: '95', description: 'Keyboard LANG68' },
{ group: "International", code: 'LANG7', id: '96', description: 'Keyboard LANG78' },
{ group: "International", code: 'LANG8', id: '97', description: 'Keyboard LANG88' },
{ group: "International", code: 'LANG9', id: '98', description: 'Keyboard LANG98' },
{ group: 'Misc', code: 'ALT_ERASE', id: '99', description: 'Keyboard Alternate Erase7' },
{ group: 'Misc', code: 'SYSREQ', id: '9A', description: 'Keyboard SysReq/Attention1' },
{ group: 'Misc', code: 'CANCEL', id: '9B', description: 'Keyboard Cancel' },
{ group: 'Misc', code: 'CLEAR', id: '9C', description: 'Keyboard Clear' },
{ group: 'Misc', code: 'PRIOR', id: '9D', description: 'Keyboard Prior' },
{ group: 'Misc', code: 'RETURN', id: '9E', description: 'Keyboard Return' },
{ group: 'Misc', code: 'SEPARATOR', id: '9F', description: 'Keyboard Separator' },
{ group: 'Misc', code: 'OUT', id: 'A0', description: 'Keyboard Out' },
{ group: 'Misc', code: 'OPER', id: 'A1', description: 'Keyboard Oper' },
{ group: 'Misc', code: 'CLEAR_AGAIN', id: 'A2', description: 'Keyboard Clear/Again' },
{ group: 'Misc', code: 'CRSEL', id: 'A3', description: 'Keyboard CrSel/Props' },
{ group: 'Misc', code: 'EXSEL', id: 'A4', description: 'Keyboard ExSel' },
{ group: 'Modifier keys', code: 'LCTRL', id: 'E0', description: 'Keyboard LeftControl' },
{ group: 'Modifier keys', code: 'LSFT', id: 'E1', description: 'Keyboard LeftShift' },
{ group: 'Modifier keys', code: 'LALT', id: 'E2', description: 'Keyboard LeftAlt' },
{ group: 'Modifier keys', code: 'LGUI', id: 'E3', description: 'Keyboard Left GUI(Windows/Apple/Meta key)' },
{ group: 'Modifier keys', code: 'RCTL', id: 'E4', description: 'Keyboard RightControl' },
{ group: 'Modifier keys', code: 'RSFT', id: 'E5', description: 'Keyboard RightShift' },
{ group: 'Modifier keys', code: 'RALT', id: 'E6', description: 'Keyboard RightAlt' },
{ group: 'Modifier keys', code: 'RGUI', id: 'E7', description: 'Keyboard Right GUI(Windows/Apple/Meta key)' },
{ group: 'Media keys', code: 'PWR', description: 'System Power Down' },
{ group: 'Media keys', code: 'SLEP', description: 'System Sleep' },
{ group: 'Media keys', code: 'WAKE', description: 'System Wake' },
{ group: 'Media keys', code: 'MUTE' },
{ group: 'Media keys', code: 'VOLU' },
{ group: 'Media keys', code: 'VOLD' },
{ group: 'Media keys', code: 'MNXT' },
{ group: 'Media keys', code: 'MPRV' },
{ group: 'Media keys', code: 'MSTP' },
{ group: 'Media keys', code: 'MPLY' },
{ group: 'Media keys', code: 'MSEL' },
{ group: 'Media keys', code: 'MAIL' },
{ group: 'Media keys', code: 'CALC' },
{ group: 'Media keys', code: 'MYCM' },
{ group: 'Media keys', code: 'WSCH' },
{ group: 'Media keys', code: 'WHOM' },
{ group: 'Media keys', code: 'WBAK' },
{ group: 'Media keys', code: 'WFWD' },
{ group: 'Media keys', code: 'WSTP' },
{ group: 'Media keys', code: 'WREF' },
{ group: 'Media keys', code: 'WFAV' },
{ group: 'Mouse keys', code: 'MS_U', description: 'Mouse Cursor Up' },
{ group: 'Mouse keys', code: 'MS_D', description: 'Mouse Cursor Down' },
{ group: 'Mouse keys', code: 'MS_L', description: 'Mouse Cursor Left' },
{ group: 'Mouse keys', code: 'MS_R', description: 'Mouse Cursor Right' },
{ group: 'Mouse keys', code: 'BTN1', description: 'Mouse Button 1' },
{ group: 'Mouse keys', code: 'BTN2', description: 'Mouse Button 2' },
{ group: 'Mouse keys', code: 'BTN3', description: 'Mouse Button 3' },
{ group: 'Mouse keys', code: 'BTN4', description: 'Mouse Button 4' },
{ group: 'Mouse keys', code: 'BTN5', description: 'Mouse Button 5' },
{ group: 'Mouse keys', code: 'WH_U', description: 'Mouse Wheel Up' },
{ group: 'Mouse keys', code: 'WH_D', description: 'Mouse Wheel Down' },
{ group: 'Mouse keys', code: 'WH_L', description: 'Mouse Wheel Left' },
{ group: 'Mouse keys', code: 'WH_R', description: 'Mouse Wheel Right' },
{ group: 'Mouse keys', code: 'ACL0', description: 'Mouse Acceleration 0' },
{ group: 'Mouse keys', code: 'ACL1', description: 'Mouse Acceleration 1' },
{ group: 'Mouse keys', code: 'ACL2', description: 'Mouse Acceleration 2' }
/*
{ group: 'Fn keys', code: 'FN0' },
{ group: 'Fn keys', code: 'FN1' },
{ group: 'Fn keys', code: 'FN2' },
{ group: 'Fn keys', code: 'FN3' },
{ group: 'Fn keys', code: 'FN4' },
{ group: 'Fn keys', code: 'FN5' },
{ group: 'Fn keys', code: 'FN6' },
{ group: 'Fn keys', code: 'FN7' },
{ group: 'Fn keys', code: 'FN8' },
{ group: 'Fn keys', code: 'FN9' },
{ group: 'Fn keys', code: 'FN10' },
{ group: 'Fn keys', code: 'FN11' },
{ group: 'Fn keys', code: 'FN12' },
{ group: 'Fn keys', code: 'FN13' },
{ group: 'Fn keys', code: 'FN14' },
{ group: 'Fn keys', code: 'FN15' },
{ group: 'Fn keys', code: 'FN16' },
{ group: 'Fn keys', code: 'FN17' },
{ group: 'Fn keys', code: 'FN18' },
{ group: 'Fn keys', code: 'FN19' },
{ group: 'Fn keys', code: 'FN20' },
{ group: 'Fn keys', code: 'FN21' },
{ group: 'Fn keys', code: 'FN22' },
{ group: 'Fn keys', code: 'FN23' },
{ group: 'Fn keys', code: 'FN24' },
{ group: 'Fn keys', code: 'FN25' },
{ group: 'Fn keys', code: 'FN26' },
{ group: 'Fn keys', code: 'FN27' },
{ group: 'Fn keys', code: 'FN28' },
{ group: 'Fn keys', code: 'FN29' },
{ group: 'Fn keys', code: 'FN30' },
{ group: 'Fn keys', code: 'FN31' }
*/
];
exports.keycodes = keycodes;
exports.groups = function() {
  return _.uniq(keycodes.filter(function(code) { return typeof(code.group) !== 'undefined'; }).map(function(code) { return code.group }));
}
exports.codesForGroup = function(group) {
  return keycodes.filter(function(code) {
    return code.group == group;
  });
}

redpajama_set_name: RedPajamaGithub


text:
In molecular biology, MobiDB is a curated biological database designed to offer a centralized resource for annotations of intrinsic protein disorder. Protein disorder is a structural feature characterizing a large number of proteins with prominent members known as intrinsically unstructured (or disordered) proteins. The database features three levels of annotation: manually curated, indirect and predicted. By combining different data sources of protein disorder into a consensus annotation, MobiDB aims at giving the best possible picture of the "disorder landscape" of a given protein of interest.

MobiDB data sources

Curated data and additional annotation
Curated data for MobiDB is obtained from DisProt database giving information and disorder annotation manually extracted from literature. In order to complement disorder annotation, MobiDB features additional annotations from external sources:
 UniProt: Annotations from the UniProt database include organism, subcellular location, tissue specificity, function, relevant sites, relevant regions, post-translational modifications, and linear motifs.
 Pfam: protein domain annotations are displayed in graphical form and are link-enabled, allowing the user to visit the corresponding Pfam page for further information.
 PDB: Secondary structure is extracted from the PDB whenever available, and displayed in graphical form and in 3D.
 STRING: Known interactors with evidence in "database" and "experimental" are displayed in a sortable table.

Indirect sources
 PDB X-ray: When a crystallographic experiment is done to try and resolve a protein's structure, there are cases where the position of certain residues can not be accurately determined. One of the possible causes of this is that the residue is part of a flexible/disordered region. For this reason missing residues in PDB experiments are considered an indication of intrinsic disorder.
 PDB NMR: Deposited files of NMR experiments for protein structure resolution often contain multiple models, representing different conformations of the same protein. By calculating the differences between the positions of each model's residues, one can measure the degree in which this positions change. This change can be interpreted as a measure of how flexible or disordered a protein is. The MOBI web server (from which the name of this database was derived) automates this calculations taking as input a PDB formatted file.

Predictions
A great variety of intrinsic protein disorder predictors have been trained in the last decade. The bulk of them are trained to mimic the nature of the annotations previously described. Since MobiDB currently covers the full set of UniProt sequences, the included predictors need to be extremely fast. Ten predictors currently included (ESpritz in its three flavours, IUPred in its two flavours, DisEMBL in two of its flavours, GlobPlot, VSL2b and JRONN) enable MobiDB to provide disorder annotations for every protein, even when no curated or indirect data is available.

MobiDB consensus
In order to provide the best possible annotation for a given protein, MobiDB combines all its data sources into a consensus annotation. This annotation differs from the ones belonging to the sources themselves in that it features a third state, in addition to "structured" and "disordered": when two authoritative sources disagree, it displays the region as "ambiguous". With the currently available annotations, this conflict arises when a manually curated source annotates a certain region as disordered, and yet there is a PDB structure available for that same region.

Website
MobiDB website provides users with an interface to search by UniProt ID, protein name or free text. Following the submission, users are presented with a list of proteins each one annotated with disorder information integrated from various sources including consensus disorder prediction.

MobiDB web-server exposes some RESTful endpoints allowing programmatic access to MobiDB and retrieval of different data types. Available GET routes provide access to UniProt, STRING, Pfam and disorder data in JSON format.

External links
 MobiDB homepage

References

Biological databases


text:
Official Charts Flashback 2004: 3 Of A Kind - Baby Cakes
How the one-hit wonders stormed to the top of the Official Singles Chart 15 years ago this week.
By Rob Copsey
One of the best things about 3 Of A Kind's Baby Cakes is that they never released a follow-up, making the the trio - Nicholas 'Devine MC' Gallante, Liana 'Miz Tipzta' Caruana and Marc Portelli - true one-hit wonders.
Even more curiously, Baby Cakes - a sugarcoated, bubblegum take on the 2-step sound - arrived seemingly out of nowhere in 2004, five years after garage music's peak on the charts.
In the book 1000 UK #1 Hits, member Liana 'Miz Tipzta' Caruana said the song was written in 1998, inspired by made-for-TV-film Babycakes starring Ricki Lake. "The words are written about someone I knew, but generally it's based on the film's love story," she said. "Basically, the girl knows the man is 'The One' but he doesn't realise it."
She forgot about the song and revisited it in 2002, singing the chorus to her friend Devine MC who worked at London pirate stations Supreme FM. He had an idea to match the song to an instrumental by his friend Marky P, and 3 Of A Kind Was Born. The song went from pirate radio, to clubs and eventually national radio.
MORE: The highest charting UK garage tunes
Baby Cakes debuted at Number 1 on the Official Singles Chart 15 years ago this week, shifting 55,000 copies in its opening week. The song, amusingly, denied The Libertines' Can't Stand Me Now from the top spot that week, outselling them by more than double.
Baby Cakes' total chart sales stand at 392,000, including 11.5 million streams since 2014. It's still getting some love today: last week, 27 people in the UK downloaded it and it picked up just shy of 85,000 plays on audio streaming platforms.
Elsewhere on the Official Singles Chart that week in 2004, the previous week's Number 1, Thunderbirds/3am by Busted, was knocked to Number 3, and short-lived boyband V scored their biggest hit at Number 5 with Hip To Hip/Can You Feel It. Further down, there were big new entries from Kasabian, Javine and more.
View the Top 100 Official Singles Chart from this week in 2004
Listen to the UK Top 40 from this week in 2004 on Spotify below. Listen on Deezer here.
Dear @GabrielleAplin, your new album Dear Happy is currently *just* outside the Official Albums Chart Top 10:… https://t.co/V6nhDGHi1U


Paolo Conterno Barolo Ginestra is a dark garnet color. Elegant and harmonious in aromas with persistent, spicy, balsamic and mineral fruity notes.
Warm and strong body, balanced in flavors and powerful in aromas. Long and intense final. It lends itself to a long aging even for a period longer than fifteen years.


text:
using System.Collections.Generic;
using System.Linq;

using Bytes2you.Validation;
using ProjectManager.Framework.Core.Commands.Contracts;
using ProjectManager.Framework.Core.Common.Exceptions;
using ProjectManager.Framework.Data;
using ProjectManager.Data;

namespace ProjectManager.Framework.Core.Commands.Abstracts
{
    public abstract class Command : ICommand
    {
        protected readonly IDatabase database;

        public Command(IDatabase database)
        {
            this.database = database;
        }

        public abstract int ParameterCount
        {
            get;
        }

        public abstract string Execute(IList<string> parameters);
    }
}


Leather boot options for Hurst shifter?
Dodge Challenger SRT8 Threads specific to the Dodge Challenger SRT8 should be placed here.
Added the Hurst shifter to my 2010 Challenger SRT8 and it is fantastic except for the leather boot being secured by a cable-tie. I guess I was expecting the shifter to come with a new boot, but it does not. Can someone please offer some options for how to modify or replace the stock boot to improve the appearance? Thanks in advance!
Quick Reply: Leather boot options for Hurst shifter?


text:
UN launches plan to accelerate male circumcision for AIDS prevention in Africa
From left: UNAIDS chief Michel Sidibé, former president of Botswana, Festus Mogae, Amb. Eric Goosby, US Global AIDS Coordinator
The United Nations body tasked with combating the spread of HIV/AIDS and the United States scheme that funds global efforts against the pandemic today launched a five-year action framework to accelerate the scaling up of voluntary medical male circumcision as a prevention measure in Africa.
"Voluntary medical male circumcision is a high-impact and cost-effective prevention tool that will bring us one step closer to our goal of an HIV-free generation," said Michel Sidibé, the Executive Director of the Joint UN Programme on HIV/AIDS (UNAIDS), when he unveiled the action framework, a partnership with the US President's Emergency Plan for AIDS Relief (PEPFAR).
"Each HIV infection averted is money in the bank and fiscal space for the future," he said at the 16th International Conference on AIDS and STIs (sexually transmitted infections) in Africa (ICASA) in the Ethiopian capital, Addis Ababa, where the initiative was launched in the presence of the US Global AIDS Coordinator Eric Goosby and former President of Botswana, Festus Mogae.
The action framework – developed by the UN World Health Organization (WHO), UNAIDS, PEPFAR, the Bill & Melinda Gates Foundation and the World Bank in consultation with national health ministries – calls for the immediate roll-out and expansion of voluntary medical male circumcision (VMMC) services in 14 priority countries in Eastern and Southern Africa.
Voluntary medical male circumcision has been found to reduce the risk of sexual transmission of HIV from women to men by about 60 per cent when carried out by well-trained health professionals. Since 2007, WHO and UNAIDS have urged countries with high HIV prevalence and low levels of male circumcision to expand access to safe VMMC services.
Recent modelling commissioned by PEPFAR and UNAIDS found that reaching 80 per cent coverage of adult VMMC in the 14 priority countries would entail performing about 20 million circumcisions on men aged between 15 and 49 by 2015.
Such a scale-up would cost a total of $1.5 billion and would result in a net savings of $16.5 billion by 2025 due to averted treatment and care costs. An estimated 3.4 million new HIV infections would be averted through 2025.
Efforts to accelerate VMMC have, however, seen modest success in most of the priority countries. According to the joint framework, more than 550,000 men between the ages of 15 and 49 had been circumcised in the 14 priority countries by the end of last year.
The greatest success in scaling up adult VMMC occurred in Kenya, particularly in Nyanza province in the country's west.
While progress in implementing VMMC programmes has been more limited in the other priority countries, nearly all countries saw the pace of the scale-up quicken in 2010, UNAIDS points out.
"PEPFAR strongly supports heightened and immediate national ownership in all priority countries to implement safe, efficient voluntary medical male circumcision scale-up strategies," said Mr. Goosby.
"VMMC offers men an unprecedented opportunity to assume a proactive role in reducing their risk of contracting HIV, empowering them to protect their health and the health of their partners."
Mr. Mogae urged leaders in the 14 priority countries to support and scale up VMMC programmes.
"Strong collaboration between political, traditional and religious leadership will be critical to the safe and effective scale up of VMMC services," said Mr. Mogae, who is the chairman of Champions for an HIV-Free Generation, a non-governmental organization (NGO).
"The key role of religious and traditional leaders is to ensure that there is a working partnership with the communities so that while the circumcision is done medically as an add-on HIV prevention strategy, it still retains its religious or cultural significance to the communities," he added.
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