Kampung Belukar Durian is a popular destination for freshwater shrimp fishing and it is covered with freshwater swamp forest . It is located in the southeast of the state of Johor . This Sedili remains a untouched river catchment area . Rare flora and fauna can be found in areas like 'Water Trumpets'. Many activities can be done such as mangrove re-cultivation, safari rivers , exploring sandy beaches , collecting clam and marine shellfish crafts and many more .
A bit of background on Kampung Belukar Durian , this unique name of this village was said to be in conjunction with the discovery of a durian tree when Sedili Kecil people explored the forest area for new settlements . When exploring, they only found a very large durian tree in the middle of the forest . So it is the name of Kampung Belukar Durian . In order to equip knowledge and equip human capital to Kampung Belukar Durian community, KEJORA also conducts courses, seminars, workshops and study tours.
The uniqueness and privilege of Kampung Belukar Durian in terms of its eco-system has attracted KEJORA (Southeast Johor Development Board) to implement various developmental developments in the development of rural tourism infrastructure facilities , development of tourism economic projects as well as human capital development to locals based on tourism . Among the village tourism infrastructures that have been developed up to 2014 are staycation, toilets, boardwalks, observation towers and open halls . While the economic projects that have been developed are 2 units of kiosks, 3 units of tour boats and 7 units of chalets . The Wetland Kampung Belukar Durian has its own unique and besides that there can be a lot of group activities and families in there .
Kampung Belukar Durian is a hotspot for freshwater prawn angling, as much as it is for romantic picnics and water-based activities .
The mangrove tours to be such a good experience , Previously expected it to be one of the many simple boat ride thought the mangrove but this one surpassed expectations . Particularly outstanding were the knowledge and friendliness of the guides .
It's scientific name "tachypleus gigas" , It's a unique species that has existed for over 200 million years and led the dinosaurs with the oldest fossils of about 475 million years . As the Horseshoe Crab is an exotic animal species that is extinct , then the Ministry of Agriculture and Agroforce encourages the breeding of Horseshoe Crab in our country . Horseshoe Crab is an animal that lives in salty sea and also in freshwater swamp areas , Horseshoe Crab often lie on the coast and it is very easy to catch because it does not bite .
Experience finding Clam the best possible activity in Wetland Kg Belukar Durian too .


It is a big decision to make and everyone has to figure out what is right for them.
To help while you plan for next year and make your choice, I have been asked to write this article about my experience.
I stayed in halls of residence for my whole degree. Yes, a whole 3 years and as you will find out this isn't uncommon.
I was living in a Standard Ensuite Room at The Costume Store, while I studied Fashion Marketing at the London College of Fashion.
This meant my lectures were based at the High Holborn or John Princes Street campuses. Therefore, my commute was too good to give up.
I also really enjoyed the local area, everything I wanted was in reaching distance. It was also so easy to get to my favourite places like Westfield, Soho and even Shoreditch.
A lot of my friends after moving out of halls went into a shared house, and stayed very close to this local area for the rest of their degree too.
I did have to consider that for the same rent budget I'd probably have been able to find a room in a shared house with a double bed whilst, I had a single bed in halls. Yet after being spoilt with my first ever ensuite bathroom, I definitely preferred and prioritised this aspect.
I had been a little irresponsible with money during my first year *flashbacks triggered*, so I loved the fact I could pay my rent termly and when my student loan came in. So, I didn't have to worry if I was budgeting my money correctly enough to pay the rent and keep on top of all of the bills at the end of each month. In halls, after you pay your termly rent, everything is covered, all bills and even insurance which was reassuring.
I also loved that if I knew if I was a little strapped on cash, after some impulsive trips to Westfield perhaps, I wasn't going to be stuck in my room and unable to leave until I did have some money.
The Social Programme in halls meant I could go ahead to the common room and attend at least 3 weekly events for free. This was comforting to know and was a great selling point to my parents.
- The sweetest and most important part for me.
So, coincidentally and we had not organised this between us, 3 of my flatmates from my first year also applied to stay in halls for our second year.
I actually had 3 flatmates which also ended up staying with me the whole 3 years too. I knew plenty of other people living in other flats in the hall who done the same thing too! There was one legend who stayed there for 4 years (foundation + BA course 😊).
Another great thing about this, is the huge amount of people you meet throughout the different years in halls. I am still really close to people from first, second and third year, who are all in different friendship groups.
Overall, for me I loved the community vibe, which it is rare to experience anywhere else.
I think this helped me feel really settled in halls of residence, which is maybe why I chose to apply to stay. Or maybe I am just lazy and couldn't be bothered to move.
Whatever may be your personal preferences, hopefully my summary has got you thinking and will help you find what is best for you.


Angie Sage Is a well-known author, some of his books are a fascination for readers like in the Septimus y el hechizo imposible (Septimus 2) book, this is one of the most wanted Angie Sage author readers around the world.
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A mondattanban több nézet létezik az alany és állítmány viszonyáról hierarchiai státuszukat illetően.

Egyes hagyományos iskolai grammatikákban az alanyt és az állítmányt a mondategység (egyszerű mondat vagy összetett mondat tagmondata) két fő mondatrészeként kezelik. Ezek között vannak olyanok, amelyek két mondattani viszonyt vesznek számításba, a mellérendelést és az alárendelést, megállapítják, hogy az állítmány egyezik az alannyal, de nem szólnak a kettő egymáshoz viszonyított hierarchiai státuszáról.

Egy másik hagyományos grammatika, Avram 1997, amely szintén csak a két fenti viszonyt fogadja el, azt jegyzi meg, hogy e két mondatrész közötti viszonyt "az alárendeléshez sorolják az egyeztetés miatt, mely azt jelzi, hogy az állítmány az alanyhoz igazodik, mint egy alárendelt tag az alaptagjához; azonban ennek a viszonynak olyan sajátosságai vannak, amelyek azt mondatják, hogy köztük egymástól való függés van, úgy az alárendeléstől, mint a mellérendeléstől különböző viszony".

Egyéb hagyományos grammatikák, melyek ugyancsak a mondat két fő részének tekintik az alanyt és az állítmányt, magukévá teszik az egymástól való függésük nézetét. Balogh 1971 alany-állítmányi vagy predikatív viszonynak, Kálmánné Bors – A. Jászó 2007 hozzárendelésnek vagy predikatív viszonynak, Grevisse – Goosse 2007 pedig franciául prédication-nak nevezi. Nyelvészeti szótárakban, melyek nem foglalnak állást e viszony létezéséről vagy nem létezéséről, angolul interdependence 'egymástól való függés' vagy predication, románul inerență 'összetartozás' vagy interdependență 'egymástól való függés' elnevezésekkel jelenik meg.

Egyes iskolai grammatikák hagyományos nézeteket újabbakkal vegyítenek. Ezek közül egyesek részben elfogadják a hozzárendelést, miközben mások teljesen visszautasítják, és az alanyt az állitmány alárendeltjének tekintik, olyan strukturalista grammatikákból véve át ezt a nézetet, mint amilyen Tesnière 1959.

A hozzárendelés mellett szóló érvek

Az alany és az állítmány közötti viszony specifikusként, sem nem mellérendelésként, sem nem alárendelésként való jellemzése abból indul ki, hogy lehetetlen kielégítő módon meghatározni az alanyt és az állítmányt. Meghatározásaik csak körbenforgóak lehetnek: az alanyt az állítmánnyal való viszonyaival kapcsolatban határozzák meg, az állítmányt pedig az alannyal való viszonyaival kapcsolatban. Valójában a viszonyuk kölcsönös szolidaritáson alapszik.

Az alany és az állítmány közötti viszony elsősorban logikai jellegű. Példának véve egy olyan mondatot, mint A lány olvas, megállapítható, hogy a két mondatrész egymás jelentéskörét szűkíti. Egyrészt sok mindenki olvashat, de az alanyt pontosítva egy bizonyos körre korlátozódnak az állítmány lehetőségei. Másrészt a lányról is sok minden állítható, de ebben a mondatban a sok lehetőség közül csak az van kiválasztva, hogy olvas. Következésképpen logikai szempontból kölcsönösség van a két mondatrész között.

Strukturális szempontból is kölcsönösség van az alany és az állítmány között. Többnyire ezek különböző, szófajukra jellemző morfémákat hordoznak, de egyes grammatikai kategóriáik közösek, elsősorban a szám és a személy, egyes nyelvekben, bizonyos esetekben a grammatikai nem is, és így kölcsönösen utalnak egymásra. Ezeket a kategóriákat az alany ruházza az állítmányra egyeztetés útján, miközben az állítmány vonzza az alanyt, egy bizonyos alakot követelve meg részére, például a névszóragozásos nyelvekben egy bizonyos grammatikai esetet, amely jellegzetesen az alanyeset.

Nincs olyan mondatrész, amely az alany és az állítmány fölé lenne rendelve, hanem ők rendelnek alá közvetlenül vagy közvetve minden más mondatrészt. Vannak esetei az alany és az állítmány elmaradásának, de mindig van olyan tényező, amely kijelöli a helyüket.

Az alany részére ilyen tényező alaki lehet. Az ige személyragja teszi ki, akkor is, ha nem testes, hanem nulla. Az alany bele van foglalva:  Olvasol,  Dormez en paix 'Aludjatok nyugodtan',  Știu prea bine ce vrei să-mi spui 'Nagyon jól tudom, mit akarsz mondani nekem',  Odlazim 'Elmegyek'.

Egy másik tényező jelentésbeli lehet, mindkét mondatrész részére, amikor bele lehet érteni őket a verbális kontextusnak köszönhetően:  – Cine a venit? – Mama '– Ki jött meg? – A mama',  Luki o svemu tome ni riječi 'Lukának minderről egy szót sem'. A kontextus szituációs is lehet, pl. Vizet! (= Én kérek vizet),  Pardon 'Bocsánat' (= Én kérek bocsánatot).

Az alárendelés mellett szóló érvek

Egy olyan lényegében hagyományos grammatika, mint Lengyel 2000 részben elfogadja a hozzárendelést, a viszony logikai aspektusára korlátozva, és azt állítva, hogy grammatikailag az alany az állítmány egyik vonzata, tehát az utóbbi alárendeli az elsőt. Emellett az is szól, hogy nem mindig szükséges az alanyt külön szóval kifejezni, meg az is, hogy csak az állítmány alkothat ténylegesen alany nélküli tagolt mondatot, mint ahogy azt az egyes természeti jelenségeket kifejező igék teszik:  Pirkad,  Il neige 'Havazik',  Fulgeră 'Villámlik'.

Egy olyan strukturális grammatika, mint amilyen Lucien Tesnière francia nyelvészé, csak a viszony grammatikai aspektusával foglalkozik. Szerinte az ige a mondat egyedüli alapja, és hozzátartoznak franciául actants 'aktánsok'-nak nevezett mondatrészek. Ezek olyan élőket vagy életteleneket neveznek meg, amelyek részt vesznek abban, amit kifejez az ige, és ettől függnek formai korlátozások révén. Aktánsok az alany, a tárgy és egyes határozók, tehát az alany is az állítmány alárendeltje. Ugyanis Tesnière az igének valenciát tulajdonít, amely révén, jelentésétől függően, az ige lehet nulla valenciájú (aktáns nélküli), egy valenciájú (csak alanyt megkövetelő), két valenciájú (alanyt és tárgyat megkívánó) vagy három valenciájú (alanyt, tárgyat és egy olyan határozót megkívánó, mint amilyeneket a mondással vagy az adással kapcsolatos igék vonzanak).

Tesnière stemmá-nak nevezett ágrajzokkal ábrázolja a mondattani viszonyokat. Például a francia Alfred parle lentement 'Alfred lassan beszél' mondat ágrajza azt a nézetet ábrázolja, mely szerint az alanynak és az állítmánynak a hierarchia szempontjából egyenlő a státusza, és amelyet elvet. A latin Filius amat patrem 'A fiú szereti az apát' mondat ágrajzával a saját nézetét mutatja be, amely szerint úgy az alany, mint a tárgy ugyanazon a szinten alárendeltjei az állítmánynak.

Ez a nézet megtalálható mai, nem hagyományos leíró grammatikákban. Például É. Kiss 2006 szerint is az alany az egyik igebővítmény a tárgy és azon határozók mellett, amelyek személyt, dolgot, helyet, időegységet stb. neveznek meg. Ezek mind az állítmány által kifejezett cselekvés, történés vagy állapot szereplőit jelölik. Kizárja közülük a nem megnevező, hanem módosító határozókat, mint amilyenek a módhatározó és a fok-/mértékhatározó.

Egyes mai iskolai grammatikák szintén osztják ezt a nézetet, bár egyébként folytatják a hagyományt. Például Bescherelle 3 1990 szerint az ige a mondat magja, és körülötte helyezkedik el a többi mondatrész. Barić 1997 ezt úgy fogalmazza meg, hogy az állítmány "helyet nyit" az alanynak, a tárgynak és az összes határozófajtának, és hogy "az állítmány a mondatban olyan szó, amely saját magának nyit helyet".

Jegyzetek

Források

 A. Jászó Anna. A nyelvtudomány történetének vázlata. A. Jászó Anna (szerk.) A magyar nyelv könyve. 8. kiadás. Budapest: Trezor. 2007. . 723–770. o. (Hozzáférés: 2019. március 18.)
  Avram, Mioara. Gramatica pentru toți (Grammatika mindenkinek). 2. kiadás. Bukarest: Humanitas. 1997.
 Balogh Dezső – Gálffy Mózes – J. Nagy Mária. A mai magyar nyelv kézikönyve. Bukarest: Kriterion. 1971
  Barić, Eugenija et al. Hrvatska gramatika (Horvát grammatika). 2. kiadás. Zágráb: Školska knjiga. 1997.  (Hozzáférés: 2019. március 18.)
  Bărbuță, Ion et al. Gramatica uzuală a limbii române (A román nyelv mindennapi grammatikája). Chișinău: Litera. 2000.  (Hozzáférés: 2019. március 18.)
  Bidu-Vrănceanu, Angela et al., Dicționar general de științe. Științe ale limbii (Tudományok általános szótára. Nyelvtudományok). Bukarest: Editura științifică. 1997.  (Hozzáférés: 2019. március 18.)
  Bussmann, Hadumod (szerk.) Dictionary of Language and Linguistics (Nyelvi és nyelvészeti szótár). London – New York: Routledge. 1998.  (Hozzáférés: 2019. március 18.)
  Coteanu, Ion. Gramatica de bază a limbii române (A román nyelv alapvető grammatikája). Bukarest: Albatros. 1982 (Hozzáférés: 2019. március 18.)
 É. Kiss Katalin. 5. fejezet – Mondattan. Kiefer Ferenc (szerk.) A magyar nyelv. Budapest: Akadémiai Kiadó. 2006. Digitális Tankönyvtár . Letölthető PDF. 72–107. o. (Hozzáférés: 2019. március 18.)
  La grammaire pour tous (Grammatika mindenkinek). Párizs: Hatier, Bescherelle sorozat. 1990.  (Bescherelle)
  Grevisse, Maurice – Goosse, André. Le bon usage. Grammaire française (A jó nyelvhasználat. Francia grammatika). 14. kiadás. Bruxelles: De Boeck Université. 2007.
 Kálmánné Bors Irén – A. Jászó Anna. Az egyszerű mondat. A. Jászó Anna (szerk.) A magyar nyelv könyve. 8. kiadás. Budapest: Trezor. 2007. . 345–436. o. (Hozzáférés: 2019. március 18.)
 Lengyel Klára. Az állítmány. Magyar Nyelvőr. 1. sz. 2000 (Hozzáférés: 2019. március 18.)
  Tesnière, Lucien. Éléments de syntaxe structurale (Strukturális mondattani elemek). Párizs: Klincksieck. 1959 (Hozzáférés: 2019. március 18.)

Kapcsolódó szócikkek

 Alárendelés
 Mellérendelés
 Mondat
 Mondatrész

Mondattan

redpajama_set_name: RedPajamaWikipedia


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New Bentley CEO Isn't Interested in Building Sports Cars
Is Bentley slowly becoming a crossover brand?
By Eric BrandtAugust 24, 2018
Tim Goode/PA Images via Getty Images
Two trends that are defining the car industry in 2018 are crossovers and electrification. In all, those two sectors appear to be big parts of what Adrian Hallmark, the new CEO of Bentley, is planning for the future of the brand.
In a recent interview with Autocar, Hallmark pointed out that Bentley has been falling behind in China which has become an increasingly important market for the luxury segment.
According to the interview, there are currently about 2,500 billionaires in the world compared to just 574 of them in 2000. Hallmark knows that and as the billionaire pool grows, he wants them to drive Bentleys.
So how is he going to get the attention of the upper crust of discerning car buyers? The high-echelon luxury car market consisting of Bentley, Rolls-Royce and Aston Martin is expected to grow by about 50 percent between now and 2025, primarily because of the growing number of customers that can afford them.
Hallmark talked about expanding on plug-ins and we wouldn't be at all surprised to see another Bentley crossover slotted below the Bentayga. Of course, Hallmark wouldn't talk about any specific new models that were in the pipeline, but he did drop one saddening nugget of information. "I won't talk about our decisions on future models," Hallmark told Autocar, "but I'll tell you what we won't be building, and that's sports cars."
But, why? This is upsetting news at first, but Hallmark goes on to explain why sports cars just don't make sense for Bentley right now.
"The sports car sector—like our own—is highly volatile in a recession. It can drop 50 percent or 60 percent. Only this time, the sports car sector forgot to recover. And if you look at their history, and the average age of their buyers, you'll see the age goes up by one every year. It means the cars are being bought by the same old enthusiasts. When owners are in arts or sports, either their contract says they're not allowed to drive because of the risk, or publications like The Sun publish pictures of them driving, which they don't enjoy. That doesn't help sales, either."
"In China, it's the opposite. There are plenty of 30 to 40-year- old millionaires, but they tend not to play tennis, football or sing," Hallmark continued to Autocar. "And they drive SUVs or limousines, so the sports car sector has not benefited from the Chinese expansion."
Hallmark went on to say that "some manufacturers have tried to change this, but so far the market hasn't responded." In other words, Bentley is going to continue building high-end crossovers and ultra-luxurious cars while leaving the exotic sports cars to the likes of Ferrari and Aston.
Yet another reason for Bentley to decide against sports cars is that there are already a couple of brands that know a thing or two about them that also fall under the Volkswagen corporate umbrella: Porsche and Lamborghini. If Bentley were to make high-end sports cars, there would be a risk of cannibalization between the brands. The further Bentley can differentiate itself from other premium VW brands, the better.
While surely we can still expect high-performance variants of whatever Bentley does build, and we don't foresee the British brand making any slow or boring cars anytime soon, it's still a bummer to hear about a car maker with such a rich history of performance making a commitment against sports cars.
Bentley Past and Present Models To Be Shown at Salon Prive 2018
Vintage models on display include a 1929 4 ½-liter saloon, also known as 'The Grey Lady,' featured in the TV series Downton Abbey.
Bentley to Celebrate Centenary with 66-Pound Book
For only the biggest (and presumably strongest) Bentley fans out there.
Bentley Bentayga V-8 Hits Mainland China at Beijing Motor Show
As one of the fastest growing auto markets on the planet, China is getting a taste of the good life from luxury automaker Bentley.
New Bentley Continental GT and GT3 Race Car to Participate in Goodwood Festival of Speed Hillclimb
Plus a special appearance from the Pikes Peak Bentayga W12, with some Colorado dirt still stuck to it.
Bentley Gets Electrified With the New Bentayga Hybrid
The Bentley Bentayga Hybrid boasts extravagant features like designer wall chargers and remote battery charging.

redpajama_set_name: RedPajamaCommonCrawl


text:
Caratteristiche tecniche
Trequartista elegante nelle movenze e bravo sia in fase di finalizzazione che di assist, viene paragonato a Julian Draxler.

Carriera
Cresciuto nel settore giovanile del , ha esordito in prima squadra il 13 aprile 2019 in occasione dell'incontro di Copa de la Superliga pareggiato 0-0 contro il .

Nel maggio seguente ha esordito anche in Coppa Sudamericana disputando entrambi i match contro il .

Statistiche
Statistiche aggiornate al 25 settembre 2019.

Presenze e reti nei club

Note

Collegamenti esterni


As fellow BMInt reviewer Richard Bunbury recently noted here, the town of Methuen, just below the state line to Salem, New Hampshire, boasts one of New England's hidden gems: the Methuen Memorial Music Hall, with its ornate architecture and its "great" organ. Continuing through the end of August, MMMH's summer organ concert series presents a new artist each Wednesday night at 8:00 pm. Last night, it featured organist Nicole Keller, currently based in Ohio, where she is a choirmaster and organist. She also has maintained an active performance schedule in the US and Europe and throughout her career, recently becoming a fixture at the Baldwin-Wallace Conservatory in Cleveland.
Keller displayed firm technical and artistic mastery of her well chosen and wide-ranging program, as well as an impressive level of facility on the mighty instrument and its broad range of musical timbres. Her verbal introductions, informative without being too technical, offered the audience an opportunity to get to know each piece as well as the genial personality of the performer.
Keller opened the program with Leo Sowerby's Comes Autumn Time (1916), a concert overture later arranged for solo organ. This work, inspired by Canadian poet Bliss Carman's An Autumn Song, was premiered in 1918 in New York and has since become one of the better known works by this lesser known composer. The energetic opening provided a engaging start to the concert (even startling a few lingering chatterers into silence). Keller then offered selections from Baroque composer Jan Sweeklinck's More Palatino. Taking full advantage of the many timbres available on the great instrument, she created a unique sound palate for each selection. Closing the first half of the program was American composer Craig Phillips's Fantasy: Torah Song (Yisrael V'oraita); as indicated by the title, the work is a fantasia on a tune commonly sung in preparation for the Torah reading at Shabbat Services. Contrasting with the straightforward melodic construction of the first two works, Phillips's piece creates the impression of melodic cohesion by interspersing melodic fragments within a series of contrasting musical episodes.
The second half of the program opened with English composer Herbert Howells's popular Rhapsody in C-sharp minor, Op. 17, No. 3 (1918). This work demonstrates the impact of the German symphonists on Howells's early career, as it follows a programmatic path (though not a narrative one) from the "striving" through darkness and struggle to a "breakthrough" into light and triumph (these two terms are borrowed from several 19th-century commentaries on the "sublime" in music). Following this rather substantial work was Mozart's light, contrapuntal Andante with Variations, K. 616, a well-placed contrast to the intensity of the Howells. Keller next performed three selections from American composer Ned Rorem's A Quaker Reader (1976); the first two selections were marked by harsh, at times aggressive, musical writing, though this style was contrasted by the mellow manner of Keller's closing selection from the set. She closed with a popular show piece, "Tu es petra," the final selection from Henri Mulet's Esquisses Byzantines, providing a rousing end to an entertaining musical evening.


text:
Egypt's Al-Sisi. Sees the same picture as Netanyahu
Al-Sisi is in no rush to broker ceasefire
Analysis: As far as Egyptian president is concerned, Israel can continue crushing Hamas.
Smadar Perry|Published: 07.14.14 , 09:11
Even after US President Barack Obama telephoned him and personally asked him to mediate between Israel and Hamas, Egyptian President Abdel Fattah al-Sisi is doing it "unenthusiastically," as an advisor at the presidential palace defined it.
Al-Sisi sees it as only an "initiative" for a ceasefire in Gaza, and he is simmering it slowly. As far as he is concerned, Israel can continue crushing Hamas.
Protective Edge
It's time for a ceasefire
Amos Yadlin
Op-ed: If Israel's strategic purpose was to create deterrence, it seems to have achieved it at a minimal cost and should settle for that. The longer the battle, the bigger the chance for difficult, unexpected incidents.
Al-Sisi's "kitchenette" reveals that he and Prime Minister Benjamin Netanyahu see the same picture: Hamas is not in a bargaining position and should not be paid for the lull. The fire must be ceased only because of the residents in Gaza.
On the other hand, this is his opportunity to leverage Egypt's international status in the Arab world, with Turkey and Qatar breathing down his neck. Al-Sisi can't afford to lose. He is making his moves clear: To bring about a mutual ceasefire declaration and to restore the understandings which were reached following Operation Pillar of Defense.
Until the Egyptian initiative takes shape, al-Sisi is mixing drafts and conducting talks on the telephone. According to his senior advisor, Netanyahu voiced a firm stance in their conversation: "Any agreement leading to a ceasefire will not be at our expense. Israel plans to crush Hamas and not to accept their demands."
Hamas, which explicitly said that it is interested in Egyptian mediation in the negotiations for a ceasefire, is setting difficult conditions: It is demanding that Israel release the activists arrested in the West Bank following the kidnapping and murder of the three teens. It is demanding that Egypt lift the siege off Gaza and open the Rafah border crossing.
Hamas won't get that. The Egyptian terminal was opened over the weekend to bring medications and medical equipment from Qatar into the Strip and to evacuate wounded Gazans to hospitals in Sinai. As soon as they recover, they will be returned to Gaza.
"Egypt thinks about Hamas exactly what Israel thinks," an Egyptian commentator explains," but the mission to bring about a ceasefire is inevitable here."
Cairo officials explain that al-Sisi "has no objections" that Israel will continue the operation against Hamas. On Saturday, Egypt even seized a delivery of 30 Grad rockets in Sinai which were meant to be aimed at Israel.
On the other hand, as the death toll in Gaza increases, so does the level of criticism against al-Sisi in Egypt.
See all talkbacks "Al-Sisi is in no rush to broker ceasefire "


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Racialism as a "Personality Disorder"
Thread: Racialism as a "Personality Disorder"
Adorno identified the authoritarian personality type as having these characteristics.
The authoritarian personality does not want to give orders, their personality type wants to take orders. People with this type of personality seek conformity, security, stability. They become anxious and insecure when events or circumstances upset their previously existing world view. They are very intolerant of any divergence from what they consider to be the normal (which is usually conceptualized in terms of their religion, race, history, nationality, culture, language, etc.) They tend to be very superstitious and lend credence to folktales or interpretations of history that fit their preexisting definitions of reality (thus the Founding Fathers of the US are conceptualized of as supporters of white nationalism.) They think in extremely stereotyped ways about minorities, women, homosexuals, etc. They are thus very dualistic- the world is conceived in terms of absolute right (their way) Vs. absolute wrong (the "other" whether African American, liberal, intellectual, feminist, etc.)"
How ridiculous is this!? Funny how the examples they use of what kind of things the people with the disorder are against are the same things that racists are stereotypically against (ie. african americans and feminists)! It's not psychiatry - it's politics!
HEY! :pissed I'm sane too...to some extent.
I suffer from that disorder which would bring real order and I am proud of it. Do not Communists, Anarchists, Liberals, Homosexuals, Femminists, etc., have some kind of disorder themselves? Oh wait, no, they are Politically Correct it seems.
I know I am insane and it is a propper state of mind to have! HAIL MENGELE!
Has everyone a personality disorder? Flaws in character and reasoning certainly. Nobody is perfect.
This is true. I do not necessarily believe that this disorder is all fake, but rather how you pointed out it could be anyone not just "fascists". I dont think someones personality can really shape what politics they beleive in, but rather how they become involved in these politics...as a leader, a follower, someone that just believes for the sake of something to believe in, etc.
I do not have a personality disorder because I do not have a personality.
The absence of a personality can count as a symptom of some form of disorder I'm sure!
Thanks Vanessa. I see I'm really screwed up.


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Q: How to tearDown() and setUp() from entire memory scratch? I have global static registry in my class, which registering instances in some circumstances. Actually it does not depend on garbage collecting, but some functionality is obviously placed in finalize().
During jUnit test I wish to test how this functionality works, but I can't call GC by force. I am calling gc() in my tearDown()
@After
public void tearDown() throws Exception {

    log.debug("tearDown()");

    a = null;
    b = null;
    c = null;
    d = null;
    e = null;
    f = null;
    g = null;

    System.gc();

    log.debug("asserting hash size");
    assertEquals(0, Myclass.getRegisterSize());
}

but this does not help. I see in log that asserting message appears before finalizing.
Is it possible to wait until all finalizations occur?
Are there any other means, for example to restart classloader or flush heap or something in jUnit? I mean to do everything from scratch?

A: If you are overriding finalize why not just call it directly. Currently finalize is protected but your subclass could make it public. Then you can call it directly and check what is being called in there. Tests should be deterministic so you want it to run everytime. Relying on the garbage collector could bring inconsistencies to your tests as you cannot guarantee what/when it is being called

A: Not, it isn't possible to wait for all finalizations to occur. They may not happen at all. Finalize gets run when the object is garbage collected. Some objects will never get collected,  for instance a Main class. This doesn't get garbage collected because the JVM exits before it runs the gc().
The best idea (really) is to add a method which does the cleaning up and then call it from your JUnit test. And, if you really, really need to, from finalize() as well. But you can never depend upon finalize() being called.

A: The first rule of writing tests is to write testable code. Finalization is very hard to test, unless you can test design a test that monitors the effects of the finalization.
In general, you can trust finalize() to eventually get called, so you might not need to test this functionality in particular, and instead test whatever methods are called by the finalize() method. Either that, or extend your classes to allow the test code to inject some object that will be modified by the finalize() method.
It is either that, or simply call the finalize()-method directly from your test code.

A: Looks like you are trying to test "finalize" feature of JVM - you shouldn't to.
What can work here - is moving the code you want to test to a separate method and writing a simple unit-test as usually.

A: From the posted code,
you are setting null to the References to the objects in your junit test, not on the class your running the assertion against. So MyClass will still have the objects referenced.

redpajama_set_name: RedPajamaStackExchange


The Australian Electric Vehicle Association (AEVA) is a charitable, non-profit organisation founded in 1973 to promote electric vehicles (EVs) as a key to addressing oil dependence and global warming both nationally and internationally. AEVA envisions millions of electric vehicles, charged by off-peak electricity from renewable energy sources as a way to significantly reduce greenhouse gases that come from transportation.
The association has branches established in ACT, New South Wales, Queensland, South Australia, Tasmania, Victoria and Western Australia.


Use this forum to post your own events. Note that any events posted here are not approved or sanctioned by the DOC, and will not be covered by DOC public liability insurance.
Any DOC local section pub meets should be posted here.


For other uses, see Centennial Hall (disambiguation).
This article may be expanded with text translated from the corresponding article in Polish. (March 2011) Click [show] for important translation instructions.
View a machine-translated version of the Polish article.
The Centennial Hall (Polish: Hala Stulecia; German: Jahrhunderthalle), formerly named Hala Ludowa ("People's Hall"), is a historic building in Wrocław, Poland. It was constructed according to the plans of architect Max Berg in 1911–1913, when the city was part of the German Empire. Max Berg designed Centennial Hall to serve as a multifunctional structure to host "exhibitions, concerts, theatrical and opera performances, and sporting events."
The building and surroundings is frequently visited by tourists and the local populace. It lies close to other popular tourist attractions, such as the Wrocław Zoo, the Japanese Garden, and the Pergola with its Multimedia Fountain.
As an early landmark of reinforced concrete architecture, the building became one of Poland's official national Historic Monuments (Pomnik historii), as designated April 20, 2005, together with the Four Domes Pavilion, the Pergola, and the Iglica. Its listing is maintained by the National Heritage Board of Poland. It was also listed as a UNESCO World Heritage Site in 2006.
The hall continues to be in active use for sporting events and concerts.
It was in the Silesian capital of Breslau on 10 March 1813 where King Frederick William III of Prussia called upon the Prussian and German people in his proclamation An Mein Volk ("To My People") to rise up against Napoleon's occupation. Besides, in this proclamation king Frederick created the Iron Cross award, which later became famous German military honour and symbol. In October of that year, at the Battle of Leipzig, Napoleon was defeated.
The opening of the hall was part of the celebration commemorating the 100th anniversary of the battle, hence the name. Breslau's municipal authorities had vainly awaited state funding and ultimately had to defray the enormous costs out of their own pockets. The landscaping and buildings surrounding the hall were laid out by Hans Poelzig were opened on 20 May 1913 in the presence of Crown Prince William of Hohenzollern. The grounds include a huge pond with fountains enclosed by a huge concrete pergola in the form of half an ellipse. Beyond this, to the north, a Japanese garden was created. The Silesian author Gerhart Hauptmann had specially prepared a play Festspiel in deutschen Reimen, however the mise-en-scène by Max Reinhardt was suspended by national-conservative circles for its antimilitaristic tendencies.
After the memorial events, the building served as multi-purpose recreational building, situated in the Exhibition Grounds, previously used for horse racing. It was largely spared from the devastation during the WW II (Siege of Breslau). After the war, when the city (together with most of historical Silesia) had become part of the Republic of Poland according to the 1945 Potsdam Agreement, the hall was renamed Hala Ludowa ("People's Hall") by the communist authorities. In 1948, a 106 m (348 ft) high needle-like metal sculpture called Iglica was set up in front of it. The hall was extensively renovated in 1997 and in 2010. Recently the Polish translation of the original German name, Hala Stulecia, became official.
Centennial Hall hosted EuroBasket 1963 and a preliminary round group of the EuroBasket 2009 tournament.
Following the renovation in 2009–11, the arena can now hold 10,000 people.


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Кратер Зидентопф () — большой древний ударный кратер в северном полушарии обратной стороны Луны. Название присвоено в честь немецкого физика Генриха Фридриха Зидентопфа (1906—1963) и утверждено Международным астрономическим союзом в 1970 г. Образование кратера относится к нектарскому периоду.

Описание кратера

Ближайшими соседями кратера являются кратер Вернадский на западе-северо-западе; кратер Флоренский на северо-западе; кратер Беляев на востоке и кратер Гаврилов на юго-западе. На востоке-северо-востоке от кратера расположено Море Москвы. Селенографические координаты центра кратера , диаметр 62,7 км, глубина 2,7 км.

За длительное время своего существования кратер значительно разрушен и имеет полигональную форму. К юго-западной части вала примыкает сателлитный кратер Зидентопф Q (см. ниже), породы выброшенные при его образовании перекрывают юго-западную часть чаши кратера Зидентопф. Высота вала над окружающей местностью достигает 1220 м , объем кратера составляет приблизительно 3 200 куб.км.. Дно чаши сравнительно ровное, отмечено множеством мелких кратеров, имеется центральный пик.

Сателлитные кратеры

 Образование сателлитных кратеров Зидентопф F, G и Q относится к нектарскому периоду.
 Образование сателлитного кратера Зидентопф H относится к раннеимбрийскому периоду.
 Образование сателлитного кратера Зидентопф M относится к позднеимбрийскому периоду.

См.также
 Список кратеров на Луне
 Лунный кратер
 Морфологический каталог кратеров Луны
 Планетная номенклатура
 Селенография
 Минералогия Луны
 Геология Луны
 Поздняя тяжёлая бомбардировка

Примечания

Ссылки

 Andersson, L.E., and E.A. Whitaker, NASA Catalogue of Lunar Nomenclature, NASA Reference Publication 1097, October 1982.

Кратеры Луны


An opinion article on CIO.com talks about a "renaissance revolution", can one really have an event which is a combination of the two?
A renaissance is rebirth and generally applied to culture and learning and is more of an evolution, while revolution is not generally cultured, is more rapid and is a more drastic change.
Perhaps it is possible to have a renaissance revolution, as the role of IT Head is evolving and needs to be reborn to remain relevant, while technology is by its nature more drastic and rapid in how it is changing. So we have a renaissance person leading the revolution.
To be effective and relevant technology should no longer be about the hardware and software but how it interrelates with the organisation's strategies and goals.
The renaissance CIO understands the real power of information technology, the risks involved in its implementation and know how to weave IT into the business for strategic benefits.
Phil Weinzimer in his opinion article talks about four transformation phases to improve a company's competitive position and spoke with four CIOs who are using information and technology in innovative ways to create new competitive value.
Deliver Commodity and Business Services Exceptionally Well.
Rob Carter, CIO at FedEx, recognized an opportunity to improve the customer corridors that comprise the set of processes used by business units to create customer value. His strategy to compete collectively, manage collaboratively, and operate independently dramatically improved the ability for FedEx business units to work together and provide improved value to customers.
Understand the Business, Focus on User Experiences, and Improve Business Skills of IT Personnel.
Debra Martucci, CIO at Synopsys, hired MBA's to work with IT vice presidents, directors and key personnel to accomplish three objectives. First, to understand how the Synopsys business fits into the competitive marketplace. Second to help IT personnel understand where customer value is created across the Synopsys value chain. Third, to help IT personnel enhance their business skills to more effectively work in business teams.
Randy Spratt, CIO and CTO at McKesson, improved the integration process of newly acquired companies because, the faster we integrate, the sooner we will derive the economic benefit.
Leverage Technologies to Innovate Value.
Filippo Passerini, group president, global business services and CIO at P&G is passionate about creating information democracy across the various business units. His digitize, visualize, and simulate strategy changed the business model and helped managers make well-informed business decisions.
Renaissance CIOs recognise the value of knowledge and are evolving to manage the knowledge and exploit its value not only to the company but more importantly the value to their customers. In the "Age of the Customer" it is imperative to understand their needs faster and more effectively to ensure repeat business and stay ahead of the competition.


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Based on information from California Regional Multiple Listing Service, Inc. as of May 4, 2018. This information is for your personal, non-commercial use and may not be used for any purpose other than to identify prospective properties you may be interested in purchasing. Display of MLS data is usually deemed reliable but is NOT guaranteed accurate by the MLS. Buyers are responsible for verifying the accuracy of all information and should investigate the data themselves or retain appropriate professionals. Information from sources other than the Listing Agent may have been included in the MLS data. Unless otherwise specified in writing, Broker/Agent has not and will not verify any information obtained from other sources. The Broker/Agent providing the information contained herein may or may not have been the Listing and/or Selling Agent.


text:
Football Alley
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Van de Beek denies having an agreement with Real
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Will Toko Ekambi Join Lyon?
Toko Ekambi
Ex-USMNT boss Klinsmann plays down coaching licence issue as Bayern clash approaches
Unstoppable Lazio thrash Sampdoria to record 11th straight win
Hertha Berlin coach Klinsmann licence renewed for Bayern clash
'England don't need Greenwood at the moment' – says McManaman
A former Few Lions midfielder thinks an emerging Ability at Old Trafford is"too young" to step onto the global stage this Season Mason Greenwood needs more time to develop Manchester United before being called up to the England squad, according to Steve McManaman. Greenwood is currently enjoying a superb breakout season at Old Trafford, having
Forget Zlatan – Chicharito is the biggest MLS signing since Beckham
Forget Zlatan
Javier'Chicharito' Hernandez has always been the dream registering for MLS. Aside from Lionel Messi or Cristiano Ronaldo, There Isn't Any larger star in North America compared to Mexico striker. He's a player that attracts a different amount of focus in this part of the earth and, for many, many years, despite attempt after attempt, it
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Chicharito Hernandez confirms he signed for LA Galaxy
Chicharito Hernandez
It had been something which many have talked about lately, it was something that the Los Angeles Times wrote about as done deal, but there wasn't an official declared from the club. The participant himself talked to LA Times and disclosed it's accurate — Javier Chicharito Hernandez has signed a contract with Los Angeles Galaxy.
Liverpool won't sign Werner in January
Liverpool has no intention of registering Timo Werner out of RB Leipzig this month, according to Sky Sports. The Reds' forward line is nicely stocked in the second using Roberto Firmino, Sadio Mane, Mohamed Salah, Divock Origi, Xherdan Shaqiri along with the recently authorized Takumi Minamino all in the disposal of director Jurgen Klopp, and
Real Madrid confirm €35m deal for Flamengo teenager Reinier
Real Madrid has formally confirmed the purchase of 18-year-old attacking midfielder Reinier out of Flamengo at a deal understood to be worth $35 million (#29.8m/$38.8m). He follows in the footsteps of Vinicius Junior and Rodrygo in moving into the Spanish funds in Brazil in a young age, with the former joining from Flamengo, although the
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Ajax's Donny van de Beek has denied suggestions he'd already signed an agreement to join Real Madrid, as relayed by AS. With Paul Pogba now apparently a mission impossible for the 13-time European champions, they've moved on to Van de Beek since the next name on the list of potential additions to their positions. If
It is hardly surprising since he has been on red-hot type this year, scoring 20 goals in 18 Bundesliga looks to receive his group to the peak of the table. The participant himself praised the English Premier League since the very fascinating contest. The most recent report comes in Bild from Germany, who assert the
Lionel Messi has urged the newly appointed Barcelona head coach Quique Setien to try and sign Sergio Aguero out of Manchester City, based on Mirror. Setien called Messi in to get a one-on-one meeting after his appointment at the area of the sacked Ernesto Valverde a week, and it seems the six-time Ballon d'Or winner
Manchester City manager Pep Guardiola lamented the poor defending that allowed Crystal Palace to escape with 2-2 draw after a thrilling finish in the Etihad Stadium on Saturday. The hosts were behind for the majority of the contest after Cenk Tosun's 39th-minute opener but Sergio Aguero punctuated the frustration with his 250th goal in City
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LIVE Transfer Talk: Manchester United join chase for PSG's Edinson Cavani
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Reuters citing, project manager ICGB, saying that a consortium including Tractebel Engineering, part of energy company Engie, has won a tender to carry out engineering and consultancy work for a new gas pipeline between Bulgaria and Greece. The consortium's EUR 5.67 million bid offered the best price among four short-listed bidders.
Bulgaria plans to start building the 182 km (113 mile) pipeline in July and have it operational in 2020. It will receive Azeri gas through the pipeline, thereby ending its almost complete dependence on Russian supplies. The EUR 240 million pipeline will have an annual capacity of 3 billion cubic meters.
The consortium for engineering and consultancy comprises Tractebel's Belgian and Italian units, Austria's Intber and two Bulgarian companies.


As I am about to return from the Rockharz, I present to you the nineteenth instalment of: The Weekend Guess.
A misspelled All Hallows Eve and their version of Mary Shelley's monster creator.
Epic flaming poetry in music being a part of the night sky.


text:
Saddam adviser Tariq Aziz dies in Iraqi prison
Tariq Aziz—once Saddam Hussein's deputy prime minister and close adviser-- has died of a heart attack in a hospital in southern Iraq, officials say.
Provincial governor Yahya al-Nassiri says Aziz, 79, died on Friday afternoon after he was taken to the al-Hussein hospital in the city of Nasiriyah, about 200 miles southeast of Baghdad, when he fell ill.
A Baghdad government official confirmed the death of Aziz. He spoke on condition of anonymity because he was not authorized to talk to reporters.
Aziz served as both foreign minister and deputy prime minister during Saddam's regime and was often the face of Iraq, making the nation's case before the United Nations during the 1991 Gulf War.
http://www.foxnews.com/world/2015/06/05/saddam-adviser-tariq-aziz-reportedly-dies-in-iraqi-prison/
No comment, just posting it for informational purposes.
Posted by MeatSandwich | Fri Jun 5, 2015, 10:29 AM (5 replies)


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Summer is very near and everyone started to think how he'll spend the summer vacation. We have the solution! Why not partying in an old Roman amphitheater in Croatia while moving in reggae and drum and bass sounds?
Outlook Festival is, if not the best festival this year, for sure one of the best in Europe. It's held in Pula in Croatia, in Fort Punta Christo and the surrounding beaches and woodland from 31 of August until 4 of September.
You must expect six days of reggae parties in the day and during the night be ready to move your body in the sounds of drum and bass, dubstep, garage, house and techno.
The lineup for this year is just amazing for the fans of this kind of music. It includes Damian 'Jr. Gong' Marley, Congo Natty, Andy C, Stormzy, Killa P, Noisia, Ra the Rugged Man and many more!
With no doubt, don't miss the opening concert of Damian 'Jr. Gong' Marley in the Amphitheatre, which is 2.000 years old and is one of the largest Roman amphitheaters. In addition, while you'll be in the festival, don't forget to book a seat in one of the boat parties and dance while sailing in the Adriatic Sea.
The ticket price of Outlook Festival is £130 and there are extra fees for camping, boat parties and the opening concert. Of course you must arrange by yourself your flight and transfers.
Are you still thinking where to go this summer? Croatia is the answer and more specifically Outlook Festival in Pula!


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Home NFL Redskins' Gruden: No concern about job status
Redskins' Gruden: No concern about job status
LANDOVER, Md. — Washington Redskins running back Chris Thompson, carrying the frustration of an 0-5 start, tried to choke back tears as he discussed coach Jay Gruden's future. Thompson lost the battle; tears eventually rolled down his cheeks and he paused several times while finishing an answer. Gruden's job security remains tenuous after a 33-7 loss to the New England Patriots. New reports about his potential firing surface every week. It's become a topic of conversation in the locker room, during the week and especially after games.
"It's frustrating, of course," Thompson said. "It's something that's tough to think about with that situation. I really care about Jay and …"
Thompson paused, tears started dripping and he needed to take a deep breath. Nine seconds later he continued.
"It's tough, man," Thompson said.
Thompson arrived in 2013, a year before Gruden did, but he's credited the Redskins' coach with giving him numerous opportunities over the years — taking him from a practice squad player in 2014 to Washington's third-down back for the past four-plus seasons.
Redskins RB Chris Thompson breaks out into tears when asked about head coach Jay Gruden potentially losing his job after an 0-5 start.
Meanwhile, Gruden, in his sixth season, continues to answer questions about his job. The Redskins last made the playoffs in 2015, Gruden's second season. Since then, they're 22-30-1. The focus on his security was there before this season started. There were questions entering 2018 as well.
But nobody from the organization has said anything publicly since the season began about his status. Redskins owner Dan Snyder and team president Bruce Allen exited the stadium shortly after Sunday's game; they typically hang around at the stadium for several hours.
"Nobody's told me anything," Gruden said during his news conference. "I don't have a concern; I'll just wait and see — if my key works on Monday, keep working, go attack the Miami Dolphins and plan on getting our first win next week."
No other players were as emotional as Thompson in a quiet locker room. But there is clear frustration: The Redskins did not anticipate being this bad. They've scored a combined 25 points the past three games. Now, they're getting more questions about what must change — or who.
"I don't know, to be honest," said Redskins running back Adrian Peterson. "I've never been in this position before. But it's clear something has to change. That's one thing you do know because we are 0-5. We have not been productive as an offense. We've shown flashes of what we can be, but we haven't been consistent. You have to go to the drawing board as a coaching staff offensively and defensively and you say, 'OK, what can we do better to put our players in better position to be productive.' It's their job to do that. We're 0-5 so what we've been doing isn't working."
Other veterans didn't want to answer questions about Gruden's job.
"That's not a question I can answer, that's dealing with up top," Redskins corner Josh Norman said. "I'm not going to put myself in a situation to comment on it. That goes to the people in the top of the office that make those decisions. We just play the game and play it to the best of our abilities. … We can't catch a break."
Linebacker Ryan Kerrigan said, "We can't concern ourselves with that. We've got to try and find a way to win as players. We've got to be better as players. That's our focus."
Adrian Peterson
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text:
Member of The World Federation of International Music Competitions
1st - 10th September 2017
Scottish International Piano Competition
Honorary Friends
Patrons, Friends and Hosts
Competition Laureates
SCOTTISH INTERNATIONAL PIANO COMPETITION ANNOUNCES ITS JURY OF ACCLAIMED PIANISTS AND COMPETITORS FROM FOUR CONTINENTS
32 competitors from 20 countries across 4 continents
Jury of esteemed international pianists announced
Final with the RSNO in the Glasgow Royal Concert Hall
Tickets on sale 3 July 2017
Thirty-two competitors from 20 countries across four continents will come to Glasgow to take part in the Scottish International Piano Competition from 1 – 10 September 2017. Following a strict selection process, 32 finalists including two UK pianists, George Harliono-Evans and Luke Jones, as well as Robertas Lozinskis who is studying in Glasgow at the Royal Conservatoire of Scotland. There are a total of eleven entrants from British conservatoires, represented are the Royal Conservatoire of Scotland (RCS), The Royal Academy of Music, The Royal College of Music, Guildhall School of Music and Drama and the Royal Northern College of Music.
All 32 pianists will gather in Glasgow on Wednesday 30 August at the City Chambers to be welcomed to the city at a civic reception hosted by the Lord Provost. During the reception, a draw will be made to determine in which order the competitors will play in the first stage of the competition.
Internationally acclaimed pianists Steven Osborne and Olga Kern are two of the eight pianists who make up the jury, chaired by Aaron Shorr, Head of Keyboard at the Royal Conservatoire of Scotland. Like Shorr, other members of the jury Meng-Chieh Liu, Peter Tuite and Soo-Jung Shin serve on the faculties of conservatoires around the world; and as well as his solo career, Ivari Ilja is renowned for his performances as an accompanist to some of the world's greatest artists. Dr Krishna Thiagarajan, formerly a concert pianist, is CEO of the Royal Scottish National Orchestra.
Aaron Shorr, Chair SIPC, said:"The Royal Conservatoire of Scotland is delighted to host and support the 2017 Scottish International Piano Competition. The selection process to invite 32 participants has been long and arduous and the standards were exceptionally high. In particular, we are delighted with the innovative structure of the competition, which will see all 32 participants playing two, 30 minute recitals before 10 semi-finalists are selected to go forward to the next round. This creates a wonderful festival atmosphere at the competition as well as allowing the artistry of these wonderful pianist to shine through. This is Scotland's most important celebration of the Piano and an event which shouldn't be missed!"
Tickets for all rounds and the final go on sale from Royal Conservatoire of Scotland (first two rounds and semi-finals) and Glasgow Royal Concert Hall (final) box offices from 3 July 2017. There are plans to live stream the first rounds of the competition from the RCS.
The final will be in the Glasgow Royal Concert Hall at 3.00pm on Sunday 10 September, 2017 and the preliminary rounds take place at the Royal Conservatoire of Scotland in Glasgow from Friday 1 September – Monday 4 September, followed by the semi-finals on Wednesday 6 and Thursday 7 September.
A newly commissioned piano work by composer Gordon McPherson, Head of Composition at RCS, will be performed by the ten competitors at the semi-finals. Commissioning new works is an integral part of the Competition, and previous commissions have included composers such as Rory Boyle and Thea Musgrave. This brings a particularly interesting aspect to the competition as pianists are challenged to make their own interpretation of completely new music, with no other point of musical reference than the printed music.
The final features three pianists who each perform a concerto with the Royal Scottish National Orchestra under Thomas Sondergard at 3.00pm on Sunday 10 September. Repertoire is chosen from 30 concertos by a choice of 12 composers.
The first prize-winner receives £10,000, the Alexander Stone Memorial Trophy and the Frederic Lamond Gold Medal. The winner is also offered a performance with the RSNO in their 2018/19 season. Second prize is £7,500 and the Lawrence Glover Silver Medal and third prize is £5000.
The seven semi-finalists who do not go through to the final each receive a prize of £1000. There is a best performance prize of £500 for the new work in the semi-final.
Since launching in 1986, the competition has enabled many talented young musicians to gain recognition at an early stage in their professional careers, many of whom have gone on to international acclaim including Tom Poster (2007), Katya Apekisheva (1998), Charles Owen (1995), Susan Tomes (second prize 1986) and Graeme McNaught (first ever winner 1986). Held under the auspices of the World Federation of International Music Competitions, SIPC is only one of three major international piano competitions held in the UK, and the only one in Scotland.
Aaron Shorr (America), Chair, pianist and Head of Keyboard and Collaborative Piano, Royal Scottish Conservatoire
https://www.rcs.ac.uk/staff/aaronshorr/
Steven Osborne (Scotland), international, award-winning pianist
www.stevenosborne.co.uk
Olga Kern (Russia/America), international, award-winning pianist
www.olgakern.com
Ivari Ilja (Estonia), pianist, accompanist and ensemble musician
www.askonastholt.co.uk/aftists/ivari-ilja
Meng-Chieh Liu (Taiwan) pianist and on the faculties of Roosevelt University, New England Conservatory and the Curtis Institute of Music
https://www.curtis.edu/faculty/faculty-bios-by-name/meng-chieh-liu.html
Kirshna Thiagarajan (Germany), pianist and CEO of Royal Scottish National Orchestra
http://www.rsno.org.uk/meet-the-team/krishna-thiagarajan/
Peter Tuite (Republic of Ireland), pianist and Head of Piano and Keyboard studies at Trinity Laban
https://www.trinitylaban.ac.uk/students-and-staff/staff-biographies/peter-tuite
Soo-Jung Shin (Korea), pianist and Professor Emeritus of Seoul National University
Piotry Alexewicz, Poland
Svetlana Andreeva, Russia
In-Ju Bang, South Korea
Sung-Soo Cho, South Korea
Ludovica de Bernardo, Italy
Can Cakmur, Turkey
Vivianne Cheng, USA
Andrea Dubov, Russia
Anna Geniushene, Russia (Royal Academy of Music)
George Harliono, UK (Royal College of Music)
Yixing Hou, USA
Luke Jones, UK (Royal Northern College of Music)
Uikyung Jung, South Korea
Nejc Kamplet, Slovenia
Kang Tae Kim, South Korea
Marina Koka, Japan
Ilya Kondrateiv, Russia (Royal College of Music)
Siqian Li, China
Robertas Lozinskis, Lithuania (Royal Conservatoire of Scotland)
Martin Malmgreen, Sweden
Gunter Marie Rosa, Germany
Florian Mitrea, Romania
Riyad Nicolas, Syria (Royal Academy of Music)
Federico Nicoletta, Italy
Yeontaek Oh, South Korea
Luka Orkrostvaridze, Georgia
Anna Szalucka, Poland (Royal Academy of Music)
Antonina Suhanova, Latvia (Guildhall School of Music and Drama)
Hin Yat Tsang, Hong Kong
Sean Yeh, USA
Yuliya Yermalayeva, Belarus
TICKETS : on sale from 3 July 2017
STAGES 1 & 2: Friday 1 September – Monday 4 September
Royal Conservatoire of Scotland Box Office
www.rcs.ac.uk 0141 332 5057 boxoffice@rcs.ac.uk
Price: £10 per session and £20 per day ticket
STAGE 3: semi-finals : Wednesday 6 September and Thursday 7 September
Inclusive ticket for Stages 1 – 3: £50
FINAL: Sunday 10 September at 3.00pm
Glasgow Royal Concert Hall Box Office
www.glasgowconcerthalls.com 0141 353 8000
Price: £22.50 and £25 + concs.
SIPC
WFIMC celebrates successful General Assembly
SIPC to host the General Assembly of WFIMC
RCS Piano Festival – 16-18 March 2018
The SIPC Youth Competition
SCOTTISH INTERNATIONAL PIANO COMPETITION AWARDED MATCH FUNDING OF BUSINESS SPONSORSHIP FROM ARTS & BUSINESS SCOTLAND
An Evening of Song Thursday 27 April 2017
You may view the 2017 competition performances here:
To view the competition calendar click here
Contact SIPC
Royal Conservatoire of Scotland,
100 Renfrew Street,
Glasgow G2 3DB
sipc@rcs.ac.uk
Our latest on Twitter
Well done to this year's competition Semi Finalists: tishinternationalpianocompeti…
About 2 years ago from SIPC's Twitter via Twitter Web Client
The competition starts today at 11:15 am. Listen live at sipc2017.org
The SIPC has published it's performance schedule. A live stream of the performances is accessible via it's website: tishinternationalpianocompeti…
SCOTTISH INTERNATIONAL PIANO COMPETITION ANNOUNCES ITS JURY OF ACCLAIMED PIANISTS AND COMPETITORS tishinternationalpianocompeti…
The dates for the 2017 Scottish International Piano Competition have been finalised - 1st to the 10th September 2017
Follow @InfoSipc
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text:
farewell, Caprica
Caprica will be canceled; there are five unaired episodes left, but they will be yanked from the Tuesday slot and rebroadcast next year sometime.
I'm disappointed, honestly. I was very skeptical of the premise when I heard about it as BSG drew to a close, but Caprica earned its own name and seemed to want to continue the traditioin of exploring the meaning of humanity. The latest episodes introduced another "angel" head-character that also lent a spiritual continuity. The subplot of Lacy joining the STO, the Church on Gemenon, and the war on Tauron all had echoes of modern issues but suitably and safely abstracted. It provided a broader vision of the Twelve Colonies than we ever had a chance to explore aboard Galactica.
However, I think Caprica spent too much time on its ensemble; I was excited that it seemed for a while that Daniel would be a widower, and disappointed that the thoroughly useless character returned. The plot was excruciatingly slow, driven by the cliffhanger formula rather than just resolving things. But still, it would have been nice to see where they went.
We pretty much know how it all turns out. Somehow, Zoe and Tamara are the seeds for true sentience among the Cylons. It would have been interesting to see how the STO and the Taurons factored into the inevitable rebellion of the war machines. And, how they tied it back to the concept of Everything that Has Happened Has Happened Before – after all, as Caprica unfolded, the Five were racing back from the radioactive ruins of Earth 1. Zoe's angel was revealed to have given Zoe the basic design for Cylons which Daniel copied, and then she herself is destined to become the precursor to their soul. If done well, it could have added real depth to the Galactica mythos.
Unfortunately, since Moore and crew basically made stuff up as they went along and retconned the heck out of the plot with each season, I doubt that Caprica would have answered more questions than it raised. So maybe it's a good thing Caprica has withered.
I still have SGU – and it's the best thing on TV until the Doctor returns.
Author Otaku-kunPosted on October 27, 2010 Categories Movies and TelevisionTags Battlestar Galactica, Caprica, Stargate
One thought on "farewell, Caprica"
Mark Garbowski says:
I did not know until this post and the linked article that the new episodes were still part of the first season. I though it was starting Season 2. In any event, I think the article, and many of the comments there, overstate the effect of the split season. That's just how Syfy schedules many of its shows, and I think viewers have learned to deal with it. I think you identified Caprica's big problem, which was the way BSG developed and the revelation that Moore and Co were making too much up as they went along, with the result that some plot payoffs were very weak.
And personally, I've come to detest screenwriters who chant "character driven storytelling" as a defense against all criticism of the weakness of their plots. I like character driven storytelling, too, as long as it tied to a coherent plot.
I kept Caprica on a short leash as a result. I made some facile jokes when it was revealed that the original Cylon personality was based on a teenage girl, but frankly that explained more than Moore and Co. wanted or realized and I think it was a mistake. Finally, I gave up with the resumption of the season. I didn't even watch one episode, although I watched everything up until the hiatus and tentatively planned to resume. The last straw had nothing to do with the show itself, but with the promos. When they resurrected the "They have a plan" line, it felt like a finger poked in my eye. I had a visceral reaction of "That's it. I'm done." It might have been different, actually, if they hadn't made the post-BSG movie "BSG: The Plan." Despite my gripes, I mostly liked the conclusion of BSG, although it is aging less well in my head than I would have thought. But the "Plan" movie was a disastrous attempt to create a post-hoc justification for the They Have a Plan tag line, and I hated to be reminded of it. So anyway, I won't miss it. Like you, I love SGU, and hope it lasts although I understand its ratings aren't great either. It actually reminds me a lot of the best of BSG and why I did love that series so much.
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text:
«История девятихвостого лиса» (, также известный как «Сказание о Кумихо») — южнокорейская дорама в жанре фэнтези и драмы 2020 года с Ли Дон Уком, Ким Сан Бомом и Чо Бо А в главных ролях.

Сюжет
Ли Ён (Ли Дон Ук), Кумихо, которому более 1000 лет. Когда-то горный дух-хранитель Пэкду теперь стал горожанином. Он работает с Талуипой (Ким Чон Нан), агентом Иммиграционной службы загробной жизни и защитницей реки Самдо, уничтожая сверхъестественных существ, угрожающих миру смертных. Живёт Ли Ён в городе, где ему помогает его верный подданный, товарищ и ветеринар, Гу Шин Чжу.

Во время миссии по поимке лисы, которая убила и съела печень многих людей, а теперь пытается выйти замуж за мужчину под видом человеческой женщины, его замечает Нам Джи А (Чо Бо А), умная и бесстрашная продюсер телеканала TVC.

Джи А узнает Ёна, когда он покидает место проведения миссии, а позже находит, где живёт Ён, подозревая его в обладании сверхъестественными способностями, что в конечном итоге подтверждает, спрыгивая с балкона его квартиры с флэшкой, которая содержит видео, на котором Ён сражается с другим лисом (Ли Раном, его сводным братом), и заставляя Ёна, спасать её.

Затем выясняется, что в детстве, в свой девятый день рождения, Нам Джи А попала в дорожно-транспортное происшествие, в котором её родители должны были погибнуть. Однако Джи А — единственная, кто помнит, что двое неизвестных, не являющихся людьми, выдавали себя за её родителей. Это были лисы, пытавшиеся съесть Джи А, но её спас Ли Ён. Несмотря на то, что он заставил её забыть о себе, магия на неё не подействовала. Позже она оказалась на месте аварии, но тела её родителей так и не были обнаружены. Это побудило её поверить, что родители живы, и поэтому она решила изучить сверхъестественных существ, чтобы найти и спасти любым способом своих родителей.

Позже выясняется, что Нам Джи А — реинкарнация А Ым, которая был первой любовью Ёна. Она погибла от рук Ёна, пытаясь спасти его от Имуги, злого земного дракона, который хотел вселиться в тело горного духа-хранителя. Злоупотребляя своими силами, убитый горем Ён остановил лодку, перевозившую А Ым через реку Сандзу, поцеловал её и дал ей лисью бусинку, попросив её перевоплотиться. Взамен он пообещал А Ым, что всякий раз, когда она вернётся, он найдёт её с помощью этой бусины.

На протяжении веков Ён встречал несколько двойников А Ым, но ни у одной из них не было лисьей бусины. История развивается по мере того, как Ли Ён пытается бороться со своим растущим влечением к Нам Джи А, несмотря на отсутствие лисьей бусины.

Тем временем Ёну приходится иметь дело с Ли Раном (Ким Сан Бом), его сводным братом, который чувствовал себя брошенным, когда Ён отказался от своего поста горного духа-хранителя, чтобы работать с Талуипой в обмен на реинкарнацию А Ым. Ран затаил глубокую обиду на своего брата за то, что он предпочел А Ым ему и стал защитником горы. С помощью Ки Ю Ри (Ким Ён Джи) он постоянно причиняет вред людям, чтобы вызвать недовольство своего брата.

В то же время земной дракон Имуги возвращается через реинкарнацию, и на этот раз он хочет не только тело Ёна, но и сердце Джи А.

В ролях

В главных ролях
 Ли Дон Ук в роли Ли Ёна
Кумихо (девятихвостый лис). Бывший горный дух и хранитель Пэкдудэгана, возлюбленный А Ым / Джи А и сводный брат Ли Рана. Он выполняет миссии Иммиграционного бюро загробной жизни, попутно занимаясь поисками реинкарнации А Ым. Он столкнулся с несколькими реинкарнациями А Ым, но ни у одного из них не было лисьей бусины. Спасает Джи А, когда она была маленькой, однако и у неё нет бусины, что заставляет Ёна сомневаться, что она реинкарнация А Ым. Позже однако он выясняет, что Джи А действительно реинкарнация А Ым.
 Ким Сан Бом в роли Ли Рана
 Ли Джу Вон в роли молодого Ли Рана
Кумихо-полукровка и младший брат Ли Ёна, который хочет отомстить своему брату. Он намеренно причиняет вред людям, что, в свою очередь, доставляет неприятности Ёну. Скрывает свою заботливую натуру, затаив глубокую обиду на брата. В детстве его бросила человеческая мать в Лесу Голодных Призраков. Там на него напали призраки, но Ён спас его. Последовал за своим братом на гору, чтобы начать всё заново и жил счастливо. Однако когда А Ым умирает, Ён покидает Пэкдудэган и отказывается от своего статуса горного духа, оставив Рана одного, что вызвало растущую ненависть к Ли Ёну.
 Чо Бо А в роли Нам Джи А / Йи А Ым / всех остальных инкарнаций Йи А Ым в разных временных эпохах
 Пак Да Ён в роли юной Джи А / А Ым
Нам Джи А — 30-летний продюсер телеканала TVC. Она реинкарнация прошлой возлюбленной Ли Ёна, А Ым, 7-й дочери короля Чосона. Чтобы спасти своего отца, одержимого Имуги, она позволила дракону забрать её, пообещав отвести его к Ёну. Затем А Ым попросит Ли Ёна убить её, чтобы она могла защитить его от самопожертвования. После перевоплощения в Нам Джи А у неё часто происходит раздвоение личности, которое, как позже выясняется, является частью Имуги, который выжил внутри неё.

Трансляция
Телесериал выходил в эфир на канале tvN с 7 октября по 3 декабря 2020 года. 18 ноября 2020 года в эфире дорамы был сделан недельный перерыв, чтобы обеспечить лучшее производство оставшихся четырёх эпизодов. Вместо них был показан закулисный специальный выпуск под названием «Сказка о девятихвостых: 600-летняя легенда» (). С 18 ноября по 4 декабря в эфире также транслировался спин-офф из трёх частей под названием «Сказка о девятихвостом лисе: Незаконченная история» (), в центре внимания которого оказался младший брат Ли Ёна Ли Ран и его сообщница Ки Ю Ри.

В России премьера на федеральном телевидении состоялась 20 мая 2022 года на телеканале ТВ-3 с показом новых серий каждую пятницу в 19:30.

Примечания

Телесериалы Республики Корея 2020 года
Телесериалы на корейском языке


text:
Хлорна киселина је веома јака неорганска киселина. Хлорна киселина је безбојна, непостојана течност густине 1,28 g/cm³. Њена молекулска формула је HClO3. Она је јако оксидационо средство. Њена температура топљења је испод -20 °C, а на температури 40 °C подлеже распаду. Најлакше се добија додавањем сумпорне киселине у водени раствор хлорид(V) баријума (тада се издваја нерастворљив баријум сулфид). Може се добити и растварањем у води хлор(V) оксида Cl2O5.

Спада у кисеоничне киселине хлора.

Види још
 хлор
 хлориди.
 киселина

Референце

Спољашње везе

Неорганска једињења
Неорганске киселине
Киселине
Једињења хлора
Једињења водоника
Оксидирајуће киселине


text:
namespace content {

class WebPublicSuffixListImpl : public blink::WebPublicSuffixList {
 public:
  // WebPublicSuffixList methods:
  virtual size_t getPublicSuffixLength(const blink::WebString& host);
  virtual ~WebPublicSuffixListImpl();
};

}  // namespace content

#endif  // CONTENT_RENDERER_WEBPUBLICSUFFIXLIST_IMPL_H_

redpajama_set_name: RedPajamaGithub


text:
© Uwe Arens
виолончелистка
Соль Габетта
Wherever the Argentine-French cellist of Russian origin Sol Gabetta plays, she impresses with her captivating interpretations, her passionate, full-bodied play and her charismatic, conquering personality. Her great versatility regarding styles and repertoire distinguishes her artistic profile. She can grip audiences through her musical speech with an excellent 2nd cello concert by Shostakovich from 1969, as well as with Vivaldi's cello concerts from the early 18th century, played on a baroque cello. Her performances can be enjoyed in concerts with great symphony orchestras, chamber orchestras or baroque ensembles as well as in her own recitals with renowned pianists and chamber musicians.
She completes her traditional solo repertoire, composed by pieces by Dvorak, Tchaikovsky, Shostakovich, Elgar and Haydn, with pieces from the 20th century such as Bohuslav Martinu's or Samuel Barber's cello concerts; new pieces she learned and introduced to her repertoire in 2009 and 2010. Sol Gabetta is often sollicited to work with composers who write pieces for her, or whose pieces she learns and plays. She collaborates closely with the Latvian composer Peteris Vasks, whose piece "the Book" she plays regularly.
Sol Gabetta has acquired an impressive following and a solid fan base in cities within the German cultural influence, such as Munich, Berlin, Hamburg, Vienna and Zurich. Indeed, her fans often fill great concert venues such as the Munich Philharmonic, the Zurich Tonhalle, the Vienna Musikverein or the Leiszhalle in Hamburg. Her public is now growing in bordering countries such as Spain, Italy, France, the Benelux countries and Great Britain. This season, for the first time, she toured the USA and South America, and in the near future she expects to tour Japan and Australia.
Her international career was launched in 2004 when she received the prestigious "Crédit Suisse Young Artist-Award", one of the most celebrated rewards for young musicians. The winners' concert in the fall of 2004 with the Vienna Philharmonic under the direction of Valery Gergiev opened several doors in the music world to her.
Her first CD with Sony Music, with pieces by Tchaikovsky, Saint-Saëns and Ginastera was awarded an ECHO award in the fall of 2007, which she received before the eyes of millions of Germans through the channel ZDF. She received another ECHO for her live recording of Shostakovich's 2nd concert with the Munich Philharmonic in the fall of 2009. She recorded other works with Sony Music, including Vivaldi's cello concerts with the Sonatorio della Gioioso Marca (2007) for baroque cello, and classical cello concerts by Haydn, Leopold Hofmann and a flute arrangement of a concert by Mozart. Several of her recordings reached high positions in the German classical music charts, including the 1st position in September and October 2009.
Sol Gabetta had already been granted prices in past years, like the ARD competition in Munich and the Tchaikovsky competition in Moscow. Several renowned orchestras such as the Vienna Philharmonic, the Russian National Orchestra, the Rotterdam Philharmonic, the Munich Philharmonic, the Royal Philharmonic Orchestra of London, the Detroit Symphony Orchestra, the Vienna Symphonic Orchestra or the St. Petersburg Symphonic Orchestra appreciated working with her, as well as directors like Leonard Slatkin, Andris Nelsson, Neeme Järvi, Mikhail Pletnev, Christoph Eschenbach, Charles Dutoit, Paul McCreesh and Valery Gergiev. Besides her increasing participation in concerts throughout Europe and Japan, in 2009 she debuted in the USA and England, with the Philadelphia Orchestra and the Royal Philharmonic of London, both under the direction of Charles Dutoit. She also collaborates closely with the Basel Chamber Orchestra. In June 2008, Sol played with the famous cellist Yo Yo Ma in the USA under the direction of Leonard Slatkin, playing his double concert for 2 cellos as well as the second cello concert by Shostakovich.
In February 2006, she finished her soloist studies with professor David Geringas at the Hanns Eisler Musikhochschule in Berlin, after studying for 10 years with cellist Ivan Monighetti in Madrid, and then in Basel. Since 2005, she is an assistant-professor at the Musikhochschule in Basel.
She is also passionate about other projects which were born to her initiative: since June 2006, she hosts the Solsberg Festival in Switzerland, her chosen home, celebrating 8 to 10 chamber music concerts played by musicians invited by her. Another of her projects is the "Capella Gabetta", a baroque orchestra which will start a tour with the cellist in December for the first time, playing music from Vivaldi and his contemporaries, and which will be led by Sol Gabetta's brother, violinist Andrés Gabetta.<:p>
Thanks to a generous grant by the Rahn Culture Fund, Sol Gabetta plays on one of the rare and costly violoncellos by G.B Guadagini, from 1759.
Соль Габетта, все видео (11)
Такэмицу, Шуман и Брукнер, дирижирует Пааво Ярви — С Соль Габетта
Симфонический оркестр NHK
Барток, Мартину, Бизе и Гайдн, дирижирует Франсуа-Ксавье Рот — С Соль Габетта
Камерный оркестр Малера
Соль Габетта исполняет Концерт для виолончели с оркестром Элгара
С сэром Саймоном Рэттлом и Берлинским филармони...
Соль Габетта, Часть моей души
Портрет виолончелистки Соль Габетты
Соль Габетта исполняет Шуберта и Бетховена
Соль Габетта на Фестивале в Ольсберге (II/III)
Соль Габетта исполняет Равеля, Форе и Дворжака
Соль Габетта на Фестивале в Ольсберге (III/III)
Соль Габетта исполняет Франка и Дебюсси
Соль Габетта на Фестивале в Ольсберге (I/III)
Соль Габетта исполняет Гайдна и Васкса
Базельский камерный оркестр - Вокальный ансамбл...
Рено и Готье: Зеркала (I)
Сторона A: Рено
Рено и Готье: Зеркала (II)
Сторона B: Готье
Соль Габетта в совершенной гармонии


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Best 10 International Schools in Toronto
International Education in Toronto
⇩ Scroll directly to the list of top 10 best schools in Toronto ⇩
The Canadian education system is widely regarded as one of the best in the world. Expat children can attend any public school in Canada for free and receive an exceptional standard of education.
So why bother with an international school?
The main difference between Toronto's public, private and international schools is boarding. Private and international schools commonly offer campus accommodation where students can make the most of school life, from extra curricular clubs to sports facilities and so much more.
While the standards of education are similar, international schools place more emphasis on educating children to be 'global citizens'. The student body is also made up of students from all over the world, rather than a majority of Canadian students with a small minority of international students.
The International Baccalaureate curriculum is well known all over the world, and is one of the most common curricula taught in international schools globally. While you will of course find a choice of international schools in Toronto offering the IB, the Canadian curriculum is equally popular. Given the country's highly regarded education system, this should be no cause for concern - quite the opposite in fact.
Another one of Canada's many talents is its bilingualism. The country's two official languages - French and English - have equal standing in government and law. In reality English is more widely spoken in Toronto, and the city's international schools mostly teach through English.
That said, if you want your child to learn through French many schools offer the option. French is also offered as an additional language in all schools, along with many others. Toronto is a true melting pot of a city with people from all over the globe calling it home; whatever language or culture your want your child to be exposed to, you'll find it here.
Toronto's international schools are scattered across a wide suburban and urban area. Heading from the northern suburbs to the downtown area, the majority of them are situated between the axis of Thornhill/North York (at the top) and Avenue Road, Yonge Street and Mount Pleasant Road (towards the bottom).
If you head east or west of the downtown area instead, you'll find as many international schools in either direction too. Burlington and Hamilton to the west of Toronto and Whitby to the east each have an international school too, making a life away from the traffic and bustle even easier.
Below, we have compiled our top 10 international schools in Toronto. However, there are another 16 schools to choose from in the city. You can find the best international school for your child by personalising your results. Just fill in your search criteria, and we will calculate a personal score for every international school in Toronto based on your requirements.
Out of a total of 26 International Schools in Toronto.
Based on the aggregated preferences of our users in the last 30 days.
Walden International School
Global education, Service Learning, and Wellness are pillars of Walden International School that are rooted in all aspects of the Primary Years Programme (PYP) and programme for middle years students. Our nature-centric approach and learning environment is designed to foster planet-focused innovation and a respect for the natural world.
Yearly fees - 2020/2021
from: C$16,300
to: C$19,700
Calculate your score
MacKenzie Academy
At MacKenzie Academy, we take a holistic approach to a students development. Our focus is more than just academics. Our mission is to prepare students for the world of tomorrow and we believe our core values of collaboration, respect, and responsibility are everlasting traits that everybody should possess in order to be successful wherever in the world they may find themselves.
German International School Toronto
The German International School Toronto is a private, co-educational, German immersion school which provides students with a unique international perspective by combining the best of both the Canadian and German curricula.
The GIST offers an outstanding multi-lingual education in German, English and French. Students are confident language-users who write poems in French and participate in Canadian writing contests.
German, Canadian
Languages of instruction
from: C$9,250
McDonald International Academy
Established in 1994, McDonald International Academy (MIA) is a fully registered and accredited secondary school inspected by the Ontario Ministry of Education and Training. The school employs the latest pedagogical methods and technological aids to provide students with superior educational opportunities. McDonald is a vibrant academic and social community, boasting the highest North American standards through a collaborative effort from teachers and students alike.
Branksome Hall
Branksome Hall is an independent school for girls from Junior Kindergarten to Grade 12, with a Boarding Program for students in Grades 7 through 12. It is a fully authorized IB World School.
The Giles School
The Giles School is an independent, non-profit, non-denominational, co-educational French immersion school, founded in 1989 by Harry Giles, CM, QC a pioneer in bilingual French immersion in Canada and the founder of Toronto French School. The school draws its students from Toronto and the surrounding areas of Markham, Richmond Hill, Ajax, and as far as Port Credit, Ontario.
Blyth Academy Downsview Park
Blyth Academy is known for our small class sizes and personalized approach to learning. We have a vibrant international student community at our Academies and we are always looking to diversify this community. Our school year is divided into four terms, which gives international students four opportunities to commence their studies.
Keystone International Secondary School
Keystone International Schools was established in 2012. Keystone follows the Ontario curriculum with a project-based, experiential approach to learning. Keystone serves both international and local high school students in grades 9 through 12 in the heart of Toronto, where students are prepared for post-secondary success. Universities expect students to think about what they learn: understand, analyze, formulate, investigate and propose solutions to non-routine problems. They are expected to be resourceful and connect their learning to real-life issues. They need to organize themselves and manage their time to meet deadlines. At Keystone Toronto, students follow the Ontario curriculum, while learning key self-management skills. Apart from the core subjects, students pick their electives based on their interest and potential career choices. Selection of electives is a process that involves the students, parents, teachers and guidance counselor.
In addition to our campus program, we also provide online education. Students can choose between Virtual campus-Synchronous and Self-Directed- Asynchronous program options. Synchronous learning essentially is the same as on-campus learning hence is called "Virtual Campus". Classes are conducted live via video conference. Asynchronous learning is a student-centered teaching method widely used in online learning. It's designed for students who are self-disciplined and like working independently.
Bronte College is a co-educational, private Day and Boarding high school offering grade 9 to 12, located in Mississauga (in the Greater Toronto Area). Founded in 1991, we've been offering a quality education and positive boarding school experience to international students for 30 years. At Bronte College, students graduate with the Ontario Secondary School Diploma, recognized around the world. We are also an International Baccalaureate World School, and we offer the AdvancedPlacement Program. We have 400 students at Bronte College from 30 different countries. Our diversity makes for a very positive learning environment, and we work hard to support the needs of international students.
IB, Canadian, Advanced Placement - AP
As specialists in boys' education, we spend a lot of time thinking about the unique ways in which boys learn and grow. Graduates of UCC — an International Baccalaureate World School with one of the broadest programs in the country — are highly regarded by top universities and post-secondary institutions worldwide. Our global network of alumni includes leaders and innovators in politics, finance, arts, athletics, media and beyond. UCC also has one of the most generous financial assistance programs among independent schools in Canada, offering $5 million annually.
IB, Canadian
16 other schools in Toronto ⇨
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26 International Schools in Toronto
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Language of instruction All languages English (26) French (3) German (1)
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