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Combat under the d20 System is efficient yet abstract. While the concept of hit points works well when envisioning a tense fight of sweat, parrying, near misses, and fatigue, it falls on its knees the minute your character takes a solid and brutal blow to the head.
How exactly are you supposed to adjudicate a broken arm, a gouged eye, a lacerated liver, or a crushed spine? Torn Asunder provides a complete and comprehensive system for critical hits in any d20 game. The system is elegant and easy to use, it does not do away with hit points, or even alter the combat rules, it simply provides an optional way to deal with critical hits besides piling on additional damage. Critical hits are real hits - disabling function, mangling body parts, and leaving real wounds behind.
Torn Asunder pulls no punches; it provides a realistic and effective injury system for d20, covering all creatures, anatomies, and body types. Included as well are rules for natural healing, scarification, and herbal treatments. Torn Asunder also provides a wide variety of resources allowing characters to take advantage of the new system, from quick and precise prestige classes to devastating weapons to powerful and essential magical devices.
Don't just beat your opponents into submission, tear them limb from limb!
Artwork: Brannon Hall, Frank Krug, Jason Engle, Richard Gray, and Phillip James.
Web Extras: The 14-page preview of Torn Asunder: Critical Hits is available here.
"Torn Asunder is easily one of the best non-Wizards of the Coast supplements I own, and within my top ten even with WotC factored in. It restores a sense of imminent danger to d20 combat and provides a more cinematic, dramatic flair to the game." Read the full review by Kenneth Newquist at Nuketown.
"Torn Asunder: Critical Hits is a great tool for both players and DMs, filling the void of critical hits left in the core rules and giving guidelines to make that cinematic, symbolic coup-de-grace easier to manage on both sides of the DM screen. The healing section adds a goodly amount of depth to player recovery and the serious consequence of facing swords and other weapons. 4.9 (out of 5)." Read the review by Bruce Boughner at the d20 Magazine Rack.


The myNEXUS Wound Team is comprised of 13 Wound, Ostomy, Continence Nurses (WOCNs), who hold National Certifications through the WOCN Certification Board. Their focus is promoting wound healing and ostomy care through evidence-based practice. These highly trained nurses are members of the Wound, Ostomy, Continence Nurse Society, an "international, professional community dedicated to advancing the practice and delivery of expert healthcare to individuals with wound, ostomy, and continence care needs," according to the WOCN website.
Two of the myNEXUS WOCNs, Anita Prinz and Laura Shaffer, recently had an abstract published in the Journal of Wound, Ostomy, Continence Nursing (May/June 2018) entitled "The Role of the WOC Nurse in Utilization Management." Shaffer, who leads the Wound Team, and Prinz, presented the abstract as a poster at the National WOCN Conference in Philadelphia, PA in June and will present the same at the Southeast Region WOCN conference in Myrtle Beach, SC in September 2018. The purpose of the conference is to bring WOC Nurses together for education on the latest advances in their fields of expertise, networking, and decision-making processes which affect this profession.
The myNEXUS Wound team is currently coordinating with WOCN Society to offer the Wound Treatment Associate (WTA) program to home care nurses in the myNEXUS provider network, in order to promote advanced wound care knowledge among clinical staff serving our clients' members. This on-line course will be facilitated by the myNEXUS WOCN Team. After completing the 90-day on-line course requirements, participants will travel to the myNEXUS corporate office in Brentwood, TN for hands-on clinical instructions and testing by our wound team. myNEXUS will offer the course once each calendar quarter.
The Wound Team has made a profound impact on our clients and their members. The successes of this team include a focus on wound healing through the use of clinical pathways, specialized dressings, treatments and improved outcomes. As a result of the great work our Wound Team has performed, a number of our clients' members who had been receiving home care for months and even years, are now seeing healing in their wounds and a reduction in, or conclusion of home care services.
For more information on the Wound Ostomy Continence Nurses Society, please go to www.wocn.org. For more information on myNEXUS, please go to www.mynexuscare.com or submit your inquiry to info@mynexuscare.com.


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Home>Sports> Markelle Fultz' Agent Says He Will Come Back To The 76ers This Season
Markelle Fultz' Agent Says He Will Come Back To The 76ers This Season
Mitchell Leff/Getty Images
The former first overall pick should be back on the court soon.
Markelle Fultz has had a rocky start to his career with the Philadelphia 76ers and after suffering a right shoulder injury earlier in the season, rumors started to swirl around the first overall pick. Now though, we have an update on Fultz' condition courtesy of his agent Raymond Brothers, according to ESPN.
Brothers told ESPN that Fultz is starting to regain strength in his right shoulder and they "want to make sure he's 100 percent and healthy when he does come back." His agent also believes the rehab could help improve Fultz' jump shot which has been a weak point of his game so far.
While Fultz is starting to make a recovery, there is no official word yet of when exactly he'll return. Brothers believes he should be able to compete with the team before the regular season is over, but 76ers general manager Elton Brand isn't so sure. Brand is waiting for an update in a few weeks before he can say for sure that we'll see Fultz before the playoffs.
There has been some debate over the extent of Fultz' injury and whether or not it has to do with a mental issue that goes beyond his shoulder. Although as Brothers told ESPN earlier this month "There's no way you're the No. 1 pick in the world and all of a sudden you aren't able to consistently raise your arms to shoot a basketball. Something is physically wrong."
Fultz will be heading back to Los Angeles this week for further rehabilitation on his shoulder.
Sports News Markelle Fultz fultz injury philadelphia Philadelphia 76ers 76ers philly Basketball
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SPORTS Markelle Fultz' Agent Says He Will Come Back To The 76ers This Season

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One thing I found that worked exceptionally well was having the entire callboard online. You then create a communication structure that's completely different than most of us currently use with email. I bring this up because I've seen a couple posts here about people getting too much or too little information. Putting the information online creates a situation where all the information is available to anyone who is given access, and people can choose how much they wish to digest. People need to be held accountable for getting the information themselves, and this is done by making this the only way they can get the information. In my situation I had numerous people ask me to still email them the reports individually; my response was that the information is available online and I've give you access to it, it's your responsibility to go get it. There was some hmm-ing and general grumblings in the early stages (which there will be anytime there is change), but by the time we were into the 2nd or 3rd week for rehearsal people loved it; it was that much less email that they received every morning. This was in an academic environment so everyone had easy and reliable access to computers. I haven't been in a professional situation where I was able to give this a shot, but look forward to when I can!
I've worked in a few environments where the online callboard/production binder system was in place. While I absolutely love the flexibility this offers Stage Management, and I appreciate the responsibility it places on each member of the team as far as retrieving info, I wonder about security. As we can see from BalletPSM's posts, not everyone in this line of business is totally e-savvy; what happens, then, if Joe Designer's Assistant logs in from a public computer and leaves the account open? In the unlikely event that someone else looks at the info, it could become a serious legal issue.... How have you dealt with this eventuality in the past?
I realize this scenario is a bit heavy-handed - but once had to remind a number of cast members that they had to log out of the show site, since failure to do so would have given anyone in the computer lab access to the full contact sheet and original design ideas.
Also information coming TO somebody directly is much different from them having to go and seek it out -- we dealt with this issue at our company this past season.
For nutcracker, I sent out weekly emails on monday with the schedule for the week, notes, reminders, etc.
Later on in the season for the showcase (the scheduling of which I am not involved in other than the tech and performance itself) the school administrator just posted the schedule on the website every week.
Parents were fine with both, but the main issue was that with Nutcracker, the info was coming to them, directly, they didn't have to go looking. It does make a huge difference.
Granted, that's parents, we're talking about professionals on this forum, but it's similar -- I suppose I feel more comfortable knowing that the information somebody needs is going directly to them and that because they're getting it, it means that it is relevant to them in some way.
Of course, I've never tried the "online callboard," so I can't really say how well it does or doesn't work for me. Maybe on my next show I'll try to integrate this aspect and see how it goes over.
It is more the ethical issues of the appropriateness of instant/near instant communication that I worry about.
Mac's comment hints towards the core of this topic, and I think it would be great to begin an examination in that direction. BalletPSM's story about the designer who needed notes delivered to her house is a fascinating piece of the puzzle, too. Face-to-face communication time is necessary to the vitality of the production process, IMHO, and though some of us may have scratched our heads with wonder, as did I, at the method of delivery, the right information got to the right person.
Online callboards are also fantastic tools for disseminating a lot of varied information to a lot of people, and aside from any issue with security, the responsibility of retrieving information is evenly displaced among those needing to be "in-the-know." Who needs to be in-the-know is a topic that could generate many different threads.
The question then becomes, really, "How fast does X need to know Y?" When multi-billion dollar budgets are on the line, well, I'd imagine the speed of Y approaches warp 10. But in most of our theatres, I'm guessing, we can amble along and occasionally smell the flowers on the way to the P.O. What does the SMNetwork think?
I used a sort of online callboard for my most recent show. I hosted a site for the show, just a simple one page thing, that would have the most up to date rehearsal schedule. I would also hand them a physical printout in rehearsal. This way they had access to it when they didn't have the sheet around, but they also received it personally, and I know they did, so they are accountable.
Its a hard line to distinguish, as the technology is racing forward, and is leaving some folks behind. I personally love email, and do most of my business that way. It was a brilliant way to communicate while on tour, since I was often my working hours were outside everyone else's daily business hours. I could send an email at 2am, ask my question, and not have to worry over the fact that no one would be at their desk when I called. I'd get a reply when I was had time to sit at my computer and deal with it.
I have taken that habit of communicating via email to my new job, and it really annoys my boss. He thinks communication should be handled via phone calls, and often tells me to call a person if I say I haven't heard back from them via email. Its a complicated balancing act - what works best for you personally, as well as what works best in your overall environment.
Okay, I'm not ready to let this thread die yet, and, for some reason, I seem to be obsessed with something at the center of our ideas; that something is still too vague to be determined. Also, we seemed to have veered off topic a bit. Alas, I did also begin rehearsals for two shows this past week so I've been a bit busy and have not been able to keep an eye on the thread.
The beacons have been lit; these flaming signals of hope or entreaty carry the only message that gets through…it's a lovely wide, sweeping shot…over snow covered mountains and into green valleys, into darkness and finally into the light of day in Rohan, but Aragorn still sees the flame. This flame is essentially a death knell for the inhabitants of Middle Earth, yet they rally and go to war. This was the most efficient method of communication.
How do we, as stage mangers, achieve this sort of purity in our communications while making the determination of when X needs to know Y?
Aside from reading the rehearsal report to an uninterested designer, how do we make sure X knows Y? This seems to bite many folks in the booty at inopportune times.
…I think we spend too much time on the medium we use to deliver information, rather than looking at the information we are delivering.
I have always loved that scene in LoTR. Both the symbolism of the flames, and the effectiveness.
Purity in communication - maybe we as stage managers are too interested in reports? Maybe instead of giving people a report and expecting them to deal with the issues within, we should just write a post-it note and stick it on their desk/front door/other surface/hand it to them/email them. Then just make rehearsal reports available by request. Maybe the answer would be more face to face meetings? Individual one-on-ones every week? Maybe we should just whack people arround the head until they get into the habbit of reading reports and acting on them? Or maybe we should get people to email/call us/whatever with an "Okay, read it, I will get X, Y and Z done by Tuesday" message.
I can tell you everything you need to know, but I cannot make you listen.
I can send rehearsal reports via email, fax, phone, in person, through the mail, through carrier pigeon, I can highlight sections, write post-it notes, write emails, or official "Please responds" etc, but I cannot make you listen and do what I ask you to do. If we provide the information in an efficient manner, is it our fault if the designer/whoever does not listen? What can we do to get arround these issues? Other?
ps. I love this thread too - so completely accademic, but also involving such pivotal topics.
Like the above jumbled sentence, you need to work a little to get at understanding. This is not a new idea to humankind.
Alright, now I have started working with a new director who doesn't check the website or her email. The only way to get a hold of her is call her phone before school starts or after rehearsal ends, and hope she's awake. Needless to say, I give everything to her in writing. There are still communication issues though.
I am at a tech school where computers are everywhere.
I am trying something new for our upcoming production of Romeo and Juliet. I have created a basic website with several sources of information: an RSS feed, a embedded Google calendar they can access, a list of contact information, and a page where they can download useful info. All the actors will still get reminder e-mails on the days of rehearsal. They also get a paper schedule at the beginning and I am thinking of making business card with my info and important dates (thank you to this site for the idea).
So everyone gets the basic information, and access to useful information no matter where they are. The people who like to check things a lot and get tons of information they can do that. Those who don't want a lot get just that. We will see how it works and if I get sick of maintaining it soon.
Per a suggestion on this site, I made a yahoo group for a show last season -- it fizzled out before rehearsals even started. I was so gung-ho about it, and had it all together and was really excited about it, and then I just....never updated it. I keep thinking I should try something similar again but I never do. Email and paper seem to work for me...information coming TO somebody is different than them having to seek it out (or me having to update it!).
Good luck with your new system! you'll have to let us all know how it works.
COMMUNICATION: Communication with the production team/what do they need from us?
COMMUNICATION: Communication with the House Manager?


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text:
Q: Change background color of Cell on swipe to delete Is it possible to change background color of cell  when user swipes it to get the delete button. I have searched a lot for it but did not get any solution.
Thanx in advance.

A: This will help you:
- (void)tableView:(UITableView *)tableView willBeginEditingRowAtIndexPath:(NSIndexPath *)indexPath
{
  UITableViewCell *cell = [tableView cellForRowAtIndexPath:indexPath];
  cell.backgroundColor = [UIColor redColor];
}

According to official documentation here, this UITableViewDelegate method is tailor made for such kind of work.

In this "swipe to delete" mode the table view does not display any
  insertion, deletion, and reordering controls. This method gives the
  delegate an opportunity to adjust the application's user interface
  to editing mode.

EDIT:: According to the comment you want to capture the event when user does not delete the cell but swipe to end the editing mode. For this, we have the following delegate:
- (void)tableView:(UITableView *)tableView didEndEditingRowAtIndexPath:(NSIndexPath *)indexPath
{
      UITableViewCell *cell = [tableView cellForRowAtIndexPath:indexPath];
      cell.backgroundColor = originalColor;
}

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Married Wiki
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Home Article Fashion Designer Nicky Hilton expecting second Child with Husband; See their Relationship
Fashion Designer Nicky Hilton expecting second Child with Husband; See their Relationship
Updated On 06 Jul, 2017 Published On 06 Jul, 2017
Fashion Designer Nicky Hilton expecting second Child with Husband; See their Relationship; Also, seee Nicky Hilton Career, and Net Worth
Nicky Hilton, the famous fashion designer, who is nowadays not so much in the limelight as she used to before, is expecting a second child with her husband, James Rothschild.
It's exciting news for the pair and as well as for their respective family. The Hilton hotel heiress and Rothschild Banker heir is now going to start a new chapter in their life with a new addition to their family.
Nicky Hilton-Expecting Second Child
Nicky was attending Princess Olympia and Prince Pavlos joint 21st and 50th birthday party when the media spotted a little bump in Nicky's abdomen.
Nicky and her husband, James are expecting their second child, Source: Daily Mail
Media these days have become so watchful that even a small event triggers many speculations. The Socialite wore a corset and tried to hide her growing bump.
Valentino Haute Couture
A post shared by Nicky Rothschild (@nickyhilton) on Jul 5, 2017 at 10:22am PDT
According to many tabloids, she is around three months pregnant but nothing is sure about her pregnancy right now. According to many sources, the pair has thought about giving their daughter a sibling.
A Sibling for their Daughter
Well, at least the child will not feel alone as she'll be playing with her new brother or sister.
Nicky and James already share an adorable daughter between them, They welcomed Lily Grace last year, Source: Celebrity Baby Scoop
A source close to the pair stated,
'They always wanted to give Lily-Grace a sibling close in age, like they both have.'
They welcomed their first child, Lily Grace Victoria Rothschild, on July 8, 2016. And looks like after a mere 1-years, the pair is already on the verge of becoming parents for the first time.
Going by many websites, the child is due in 2018. Although the pair is quite about the pregnancy and we're waiting for them to confirm the news.
Nicky and James married on July 10, 2015. The rich heiress's marriage took place at the exotic Kensington Palace Orangery in London.
The duo married each other in July 2015, Source: Daily Mail
The pair started dating in 2011 after meeting at a mutual friend's wedding. James even flew to her home in London, in order to ask for Nicky's hand.
Nicky was previously married to a financier, Todd Meister in 2004 but the marriage went sour and they got separated after a mere 3-months.
Quick Facts about Nicky Hilton
Born on October 5, 1983, in New York City, New York, U.S.
Daughter of Richard Hilton and Kathy Hilton.
She is the sister of actress Paris Hilton.
Belongs to Norwegian, German, Italian, English, Irish, and Scottish ancestry.
She attended Convent of the Sacred Heart.
Took some classes at Fashion Institute of Technology and Parsons The New School for Design.
Launched her own clothing line in 2004.
Also, worked as a model for Australian underwear line Antz Pantz.
She is also a big philanthropist and works for organizations like Starlight Children's Foundation and Make-a-wish Foundation.
Her net worth is around 20 million dollars.
For all the latest gossip from the celeb world, make sure to follow our website.
Related biography
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Southern Culture On the Skids tour 2020
Southern Culture On the Skids has 14 concerts scheduled on the 2020 tour, with tickets available for all shows. The last concert on the tour is 6/8/20 at Strummers in Fresno.
Southern Culture On the Skids's next concert
The next Southern Culture On the Skids concert is 1/26/20 at High Dive Gainesville, Gainesville at 8:00 PM local time. There are 8 tickets available for this concert.
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Southern Culture On the Skids concerts near me
Along with the Orlando concert, Southern Culture On the Skids has also announced concerts in Denver, Fresno, Iowa, Kansas City, Los Angeles, Nebraska, Orlando, Raleigh/Durham, St. Louis, Virginia. Don't miss your chance to see a Southern Culture On the Skids concert in your area.
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Derivative of a function is the equation of the tangent line?
TopSlope of line defines steepness of a line. In mathematics Slope of line is defined as the rise divided by run. y = mx + c is the equation of Straight Line.
The equation that describes the exact slope at this single point is called the function's first derivative. First derivatives are commonly used to identify the slope of a nonlinear function at a particular point and to identify any maximum and minimum points of a function.


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FRIDAY Only
January 25….Cactus Theater: A Night at the Grand Ole Opry - Join Kurt Kiser and Jane Prince Jones playing Porter Wagoner and Minnie Pearl as they take you through an evening at the Grand Ole Opry live on the Cactus stage. In this all new show, Cactus stars Jeff McCreight, Jeff Bailey, Amber Pennington, Sheena Fadeyi, West Garza, Terri Caldwell, and Bristi McHam perform hits by Kenny Rogers, Dolly Parton, Loretta Lynn, Charley Pride, Conway Twitty, Patsy Cline and more! Tickets are $20.00 and can be reserved by calling 806-362-3233. For more info visit www.cactustheater.com. Cactus Theater, 1812 Buddy Holly Avenue; 7:30 p.m.
SATURDAY Only
January 26….Rose Pruning Workshop - Nell Rains, a certified Texas Master Gardener and Earth-Kind Landscape Team member will teach a hands-on workshop in the Arboretum Rose Garden. Earth-Kind is a Texas A&M University program that uses research-proven landscaping and gardening techniques that preserve and protect the environment. The Arboretum Rose Garden was renovated in 2010 with a grant from The CH Foundation. With Nell's guidance, an entire set of Earth-Kind roses was included in the new garden as a demonstration of the exceptional performance of Earth-Kind rose selections. Attached is an article from Texas Gardener Magazine about Nell Rains and the Arboretum's Earth-Kind Rose Garden. Workshop participants will learn when to prune, how different types of roses are pruned, and how to prune correctly to ensure beautiful shaped plants with many blooms, and much more. Recommended supplies: sharpened hand pruners, leather gloves. Registration is required. Please call 790-3921 or email lubarbo@lubbockarboreutm.org to register. The 3-hr workshop is $25 for the public, $20 for members. Arboretum Rose Garden at 4111 University Avenue; 9 a.m. - 12 p.m.
January 26.....Benefit Concert, Barbecue Dinner and Barn Dance featuring the Hogg Maulies - Come enjoy a fun-filled evening featuring great music, full barbecue dinner and dance at the spacious and inviting Inside Four-Bar-K facility. This event and all proceeds benefit 18-year old Kelsey Odom - with the evening's theme is appropriately titled "Help Kelsey Lasso Luekemia." The featured musical act is the ever-popular Hogg Maulies band...with other area artists on hand to lend their their talents as well. Tickets are $20 in advance and $30 at the door. For advance tickets call Brianna at (806) 559-3773. Don't miss this chance to support this dynamic young lady while enjoying a great barbecue dinner and dance. Inside Four-Bar-K, 302 E. 82nd Street (1/2 mile east of Hwy 87 on 82nd St). Event and barbecue begins at 7 p.m. and the music and dance last 'til midnight. Come out to support Kelsey!
January 26….Christ in the Arts Winter Performance: "Metamorphosis" - (CITA) will present a free winter performance featuring performances from the CITA Ballet Company and students. "Metamorphosis" highlights more than 115 local performers from the pre-professional ballet company down to the youngest performer age four. Unlike a typical recital format, this performance is deeply moving with the combination of inspired dance performances, spiritual music selections and appealing visual effects. Christ in the Arts invites the public to attend this free performance and enjoy an evening of inspiring praise and worship. For more information, visit www.ChristintheArts.org. For media access, contact Dana Hinds at 806-632-0781 or Allison Wood at 806-333-0773. First Baptist Church, 2201 Broadway; 7:30 p.m.
January 26….Cactus Theater: Jimmy Dale Gilmore Unplugged - Legendary West Texas sing, songwriter, and member of the Flatlanders Jimmy Dale Gilmore performs an incredible evening of his one-of-a-kind folkie/Americana style of music. This will be the first of a series of concerts featuring the Flatlanders Jimmy Dale, Joe Ely, and Butch Hancock individually and will culminate with a concert featuring the Flatlanders all together. Tickets are $20.00 and can be reserved by calling 806-362-3233. For more info visit www.cactustheater.com. Cactus Theater, 1812 Buddy Holly Avenue; 7:30 p.m.
January 26-27….Celebrity Attractions presents: "West Side Story" - Lubbock audiences are in for a special treat when Texas Tech graduate Jeff Smith appears in the role of Snowboy in this national touring production. More than fifty years ago one musical changed theater forever. Now it's back, and mesmerizing audiences once again. From the first note to the final breath, WEST SIDE STORYsoars as the greatest love story of all time and remains as powerful, poignant and timely as ever. The new Broadway cast album of WEST SIDE STORY won the 2010 Grammy Award for Best Musical Show Album. The Bernstein and Sondheim score is considered to be one of Broadway's finest and features such classics of the American musical theatre as "Something's Coming," "Tonight," "America," "I Feel Pretty" and "Somewhere." Audience recommendation: Celebrity Attractions recommends West Side Story for audiences of ages 13 and over. This is only to be used as a suggestion for you and your child. Each child is different and the decision to attend this show should be made by the parent or guardian. Tickets are available at Select-A-Seat and can be reserved by calling 770-2000. City Bank Auditorium, 2720 Drive of Champions. Note the special times for performances: Saturday afternoon at 2 p.m; Saturday evening at 7:30 p.m.; Sunday matinee at 2 p.m.
Last Week's Trivia Question....
The Question: The musical "West Side Story" explores the rivalry between two teenage street gangs of different ethnic backgrounds. What are names of the 2 gangs?
Answers: The two names were the Jets and the Sharks.
Winner: Janey B. of Lubbock.
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Home / Latest Stories • Showcase • Spotlight • Trending Stories / Community Rallies for Whistle Stop Owner's Recent Passing
Community Rallies for Whistle Stop Owner's Recent Passing
by Jeff Rosenfield / Latest Stories, Showcase, Spotlight, Trending Stories / 13 Jan 2023
The untimely death of Whistle Stop owner Louis "Lou" Kinney days before Christmas sent shockwaves through Safety Harbor and galvanized the community.
Safety Harbor is a community that always comes together when times are tough or there's a Harborite in need, a trait that really came to the forefront during the pandemic. The rallying cry of "Safety Harbor Strong" and its accompanying Facebook page kept residents going and pointed them in the right direction, and the city has remained tight knit ever since.
But much like the pandemic blindsided everyone at the outset, the news that Louis Kinney, the affable, bearded owner of the Whistle Stop Grill and Bar, had suffered a fatal heart attack right before Christmas sent shockwaves through the Harbor's business community and the town.
"It's with the deepest pain and heartbreak that I share the devastating news that we lost my beloved husband, my rock, my soulmate this morning," Kinney's wife, Cheryll, wrote in a Dec. 23 Facebook post. "Please know all your prayers and thoughts have touched my heart in this unimaginable event…and we are absorbing all your love, support and prayers."
Tee shirts bearing Louis Kinney's likeness have been selling around Safety Harbor since the untimely passing of the Whistle Stop owner days before Christmas.
The Whistle Stop Grill and Bar is a landmark in downtown Safety Harbor.
Indeed, as soon as the news spread through town, Kinney's fellow business owners, friends, softball teammates and musicians immediately sprang into action, hosting fundraising breakfasts, lunches, and dinners, donating tips and total sales to the family, even creating a tribute tee-shirt for the man known as "Lou" that has been selling like proverbial hotcakes.
It's been an outpouring of support rarely seen in any community that has touched many residents, including former City Commissioner Scott Long, the creator of Safety Harbor Strong. "I would never want to leave Safety Harbor after last week. There's no way," Long, who also designed the hot-selling shirt using free online clip art, said during a breakfast fundraiser at Daydreamers Café that was held on Monday, Jan. 2. "I'm not surprised the restaurant community came together because they're tight day in and day out. But it was heartwarming to see the number of people outside the industry willing to help out in any way possible."
Chris Wicks, the owner of Daydreamers Café in downtown Safety Harbor, held a a donation-only breakfast on Monday, Jan. 1, with the proceeds going to the family of the late Whistle Stop owner, Louis Kinney.
To Long's point the free early morning breakfast on the second day of the New Year attracted a steady crowd that kept café owner Chris Wicks' staff hopping across Seventh Avenue North. "I'm trying to turn to my skills and maximize my donations to the family, and the turnout so far has been great," Wicks said of the benefit, noting they served "over 100 plates in the first hour."
For Wicks, a native of England who was not close with Kinney but knew him casually from the business, he felt compelled to do something to honor the man who was constantly giving back. "You never want to hear of anyone passing," he said. "But this man was so young, had a wonderful family and was such a big part of the community. Coming just a couple of days before Christmas, I was gutted, and my goal was to try to help the family as much as possible, spiritually, and financially."
Wicks said the outpouring of support for the Kinney family is "why I chose Safety Harbor to live and work. I'm from England and I looked up the definition of community and it's a group of individuals with common values and goals and interest and that really embodies Safety Harbor. The community of Safety Harbor and the hospitality community, everybody is doing their share because it's the right thing to do. We can't replace what the family lost, but hopefully we can make the future a little brighter for the family because it's the right thing to do."
Dozens of friends of Louis Kinney, Safety Harbor residents as well as many strangers showed up for a benefit breakfast for the family of Louis Kinney's family on Monday, Jan. 2, 2023.
Former Safety Harbor City Commissioner Scott Long, Southern Fresh and Coastal
Cantina owner Aaron Stewart and Daydreamers Café owner Chris Wicks pose for a photo during a donation-only breakfast Wicks hosted on Monday, Jan. 2nd, with the proceeds going to the family of the late Whistle Stop owner, Louis Kinney.
According to Aaron Stewart, owner of Southern Fresh and Coastal Cantina restaurants and a close friend of Kinney, the community is going to bat for Lou because that's what he would do. "We always step up to help in the Harbor, but this one is on a different scale," Stewart said as he took a break from helping in Wicks' kitchen, noting several fundraising events are being held, including an upcoming all-day concert at the Harbor Bar on Sunday, Feb. 3. "It's been incredible, the amount of people and businesses pitching in, saying, 'We didn't really know Lou, but he was a great guy. What can we do?' Our connection was through the restaurants and we both love to do what we do. It just shows it's not about competition. and it's not just town. It's a community. Safety Harbor is a community that comes together when the need is there."
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The Proteaceae are an iconic family of plants with a Gondwanan distribution. Within Australia Persoonia (Proteaceae) is diverse with approximately 100 species and high regional endemism. The monotypic genera Acidonia (SW Australia) Garnieria (New Caledonia) and Toronia (New Zealand) are either closely related to, or nested within, Persoonia. Our study will combine phylogenetic information, geographic patterns of taxa, and molecular dating to produce an area chronogram (which shows the sequence of differentiation of areas on a geological time scale) for Proteaceae subfamily Persoonioideae. This will enable us to test different historical biogeographic hypotheses. Firstly, the informal infrageneric classification of Persoonia suggests that the genus includes multiple groups showing east-west disjunctions. The molecular phylogeny will test this assertion and whether multiple east-west disjunctions are the result of a single historical event as recently suggested. These results can be compared more broadly with those for other genera with similar distributions, such as Banksia, which has been investigated in some detail already. We will be better able to understand the biogeographic history of regions of endemism within Australia, including the southwestern Australian biodiversity hotspot.
Australian vegetation is now dominated by a large, central arid zone that separates several marginal "islands" of more mesic biomes (including sclerophyll forests, sclerophyll woodlands and heathlands). The origins of this pattern remain controversial with two competing hypotheses. One postulates that this diversity was derived by repeated colonisation events from the mesic areas predicting repeated sister relationships between mesic and arid areas. The other holds that the arid vegetation evolved in situ as the Tertiary rainforests contracted and the continent dried out resulting in arid groups in a particular genus or family that are related as a single lineage. Persoonia (Proteaceae) is an ideal group to test these hypotheses as it is diverse with approximately 100 species and has high regional endemism: 42 species are confined to southwestern Western Australia, 41 of which occur in the SW Australia biodiversity hotspot, 54 taxa are found in eastern Australia, and one species occurs across northern Australia (Persoonia falcata). The distribution pattern of Persoonia is seen in many other larger Australian genera (e.g. Banksia-Dryandra, Hakea, Grevillea). Although some of these genera extend further into the arid zone, targeting a group with multiple arid-mesic relationships will best test our invasion versus in situ origins hypotheses. Similar distributions and patterns of diversity may be the result of similar processes, and by studying a tractable group, in terms of species numbers, we will be better able to understand current diversity patterns in other distinctive elements of the Australian flora. An area chronogram will be produced, allowing us to test hypotheses of the pattern and timing of fragmentation of the mesic and arid biomes of Australia. This information will contribute to our understanding of Australia's largest biome, the arid zone, and will contribute to understanding the evolutionary response of organisms to aridity, a particularly pertinent finding now, as climate change impacts on Australia.


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