text:
Don Preston
from Flint, MI
A very versatile keyboardist who deserves much greater recognition, Don Preston is one of the few synthesizer players to develop his own sound on the instrument. Preston played with Herbie Mann while serving in the military in the early 1950s. He was part of the Detroit jazz scene after his discharge, and in the late 1950s he moved permanently to Los Angeles, gigging with Charlie Haden in 1959. Preston performed jazz and experimental music in the 1960s, including with his group Aha! in 1963. He worked on and off with Frank Zappa from 1967-74, toured with Gil Evans in 1971 and played with Buell Neidlinger in the 1970s. A busy studio musician for decades, Preston has occasionally appeared in L.A. nightclubs playing with advanced musicians. Preston recorded a duo album with Mike Mantler in 1985 for Watt and as a leader for Echograph in 1997. ~ Scott Yanow, Rovi
The Donkey
Inner Blues
The Lind Sonata
Filters, Oscillators & Envelopes [1967 Previously Unreleased Electronic Music from Original Mother of invention Keyboardist]
The Inner Realities of Evolution
Io Landscapes
Vile Foamy Ectoplasm
Zappa & MOI: Don Preston Part 1
Is "The End" Near? - Don K. Preston on LIFE Today Live
FEATURING DON PRESTON
Don Preston - Episode 04 - The ProgCast With Gregg Bendian
#10: Don Preston on The Last Days
Project Object w/ Don Preston & Ike Willis - River Street Jazz Cafe - 2016-09-30 (Complete Show)


With a great selection of nearby ocean, rivers and lakes, Gisborne is an ideal location for a wide range of water sports, such as surfing, kiteboarding, wind surfing and kite surfing. If you need help, Gisborne surfing schools offer surfing lessons for all ages and abilities.
Select Surfing and Water Sports in Gisborne, Eastland, New Zealand, from the list below. Alternatively select a different Eastland area.


Click here to see Chapter One, which covers the materials and supplies you will need to make paper lace.
If you don't own any paper that has a grid already printed on the back of it, the first step will be to prepare some papers with a grid on the reverse side. There are several ways to do so. I recommend that you prepare multiple papers at one time.
Using a wide sponge brush, apply adhesive or glue to the entire surface of the back of your paper. A thin, even coat of adhesive is recommended. Double-stick tape is not recommended because it will be difficult to cut evenly. I have used it before and it can be done, but I prefer using plain old glue. If your glue is too thick to spread easily, you can pour it into a paper bowl and dilute it with a small amount of water. Immediately affix the graph paper onto your paper, taking care to be precise when you line up the edges of the graph paper and the paper. After the graph paper is attached to the paper, the whole thing will have a tendency to curl up. If your paper curls, blot it around the edges with a paper towel to absorb any excess glue. Then flatten it by placing it between 2 books, and stacking more books on top. Then allow the glue to dry completely before you use the paper.
This method only works with paper that can be printed on by your printer.
Adobe Photoshop, create a grid with ¼" squares, that covers the entire surface of an 8.5" x 11" piece of paper.
2)	Load your paper into the printer so that the grid will print on the reverse side of the page.
3)	Hold your paper so that the grid is facing you, and cut along the length of one of the grid lines. The grid line will help you to make a clean, straight cut.
4)	Determine how wide you want your finished lace to be. This will determine where you will make your next cut. For example, if you want a lace that is one inch wide, then you will make your next cut 4 grid blocks above your original cut.
5)	Decide whether you want to use the same pair of scissors for the other cut, or if you want to use a different pair.
6)	Using your chosen pair of scissors, again with the grid side of the paper facing you, cut along the grid line to create the second side of your paper lace.
7)	If you are satisfied with the lace as it is, you can use it in the project of your choice at this point. However, you can further embellish it as well. You can use the punches of your choice to add "lace holes" to your lace, using the grid lines to help you punch them evenly. There are a variety of other techniques that can also be used. This book contains many designs and projects, which further expand upon these basic instructions; many variations will be examined in detail in the chapters ahead.
There are some papers featuring designs printed in such a way that you do not need to add a grid to the back of the paper. The grid is only there to help you cut straight (and later, when you start adding in other techniques such as punching, stitching and embellishing the grid will be even more helpful.) However, when you are making basic paper lace, a striped or plaid print on the front of certain papers is adequate to be your cutting guideline.
Click here to see the free project ideas for this chapter, including instructions for these greeting cards.
Another example is the "Hey Sugar: Heart strings" Patterned Paper by Cosmo Cricket. The photo below shows how the striped side of the paper looks prior to cutting.


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If you're looking for premium contracting services to complete a current or future home remodeling project in greater Chicago, Trail Construction Inc. can help! Led by experienced contractor Armando Vera, the team at Trail Construction has excelled at performing a wide range of remodeling services since 1999.
Homeowners in Aurora, Bolingbrook, Downers Grove and Naperville receive incredible bathroom remodeling, basement remodeling and kitchen remodeling project results thanks to Trail Construction. Their areas of expertise include vinyl and aluminum siding installation, window installation and replacement, room additions, and even finish carpentry and framework in West Chicago.
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text:
The Reformation and Race, Part I: John Hus, Czech Nationalist
by Adi
2017 marks 500 years since the start of the great Church Reformation by Martin Luther. In celebration thereof I will write a series of articles throughout the year relating to the Reformers' views on race and nationhood, which will be published here on Faith and Heritage between now and October 31st.
I plan on focusing in particular on relevant quotes from sixteenth-century Reformers themselves, but today I thought it appropriate to start off the series with a statement by one of the most famous proto-Reformers of the fourteenth and fifteenth centuries, John Hus (1369-1415). This Czech theologian was a key predecessor to the Reformation in continental Europe. His God-glorifying life came to a sad end after he was convicted for heresy and burned at the stake.
Referring in a sermon to the foreign invasion of Bohemia in 1401, Hus proclaimed:
According to every law, including the law of God, and the natural order of things, Czechs in the kingdom of Bohemia should be preferred in the offices of the Czech kingdom. This is the way it is for the French in the French kingdom and for the Germans in German lands. Therefore a Czech should have authority over his own subordinates as should a German.1
Hus's appeal to God's law and the natural order signifies his commitment to divine revelation as supremely authoritative. This was, of course, a central doctrinal pillar upon which the Reformation stood. With this appeal to divine revelation, he argues for the principle of kin-rule (Deut. 17:15) as the ordained order by which states and governments function optimally, and the best means of achieving human flourishing. The premises underlying this statement can therefore be understood as both kinist and race-realist.
Firstly, the argument is based on the recognition of the nature of God's created order in establishing families, clans, nations, and races distinctly and separately in order to establish fruitful human frameworks for the optimal functioning of God's law. Natural affinities are proclaimed as good in Scripture (Romans 1:31; II. Tim. 3:3) precisely because the cultivation of these creates God-honoring societies.
Secondly, Hus recognizes that the reality of ethnic (or racial) distinctions generates counterproductive political circumstances when government and populace become multicultural. He argues for the preservation of homogeneity in the Bohemian state on the basis of the principle of the golden rule, as reality demands this as in the interest of all peoples.
Finally, his distinction of Bohemia as the land of the Czechs from the "French kingdom" and the "German lands" exemplifies his commitment to the biblical principle of one ethnicity per political unit (Acts. 17:26), in contradistinction to multiracialism and multiculturalism.
Part II: John Wycliffe on the Ethnic Homogeneity of the National Church
Qtd. in Jan Hus: Religious Reform and Social Revolution in Bohemia, p. 96 ↩
— Adi
Adi is a Traditionalist Millennial of Dutch, German and French Huguenot ancestry. He holds a PhD in Theology from one of the world's top 100 universities. Follow him on Twitter, or email him at adifandh [at] gmail.com.
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redpajama_set_name: RedPajamaCommonCrawl


Nine Occupy San Diego protesters at the Civic Center Plaza downtown were arrested early Monday.
Officers began taking people into custody about 1:50 a.m., San Diego police said.
Seven were arrested on charges of illegal lodging, one for resisting arrest and one was taken into custody on vandalism charges, Detective Gary Hassen said. That person had climbed into a tree and was breaking the tree branches, Hassen said.
Police said the protesters were allowed to be in the plaza but sleeping there or storing belongings was not allowed.
At least 119 members of the Occupy San Diego movement have been arrested since the group started its protest on Oct. 7.


Now that the holiday's are upon us I would like to share a great dessert for the party or gathering that you are invited too.
Combine all ingredients in a spread the crust on the bowl and blend. In a 12 inch spring form pan spread the crust mixture on the bottom and mold with fingers. Mold the crust 1/8 of a inch up the side.


text:
Обиньи́-сюр-Нер () — коммуна во Франции, находится в регионе Центр. Департамент — Шер. Главный город кантона Обиньи-сюр-Нер. Округ коммуны — Вьерзон.

Код INSEE коммуны — 18015.

География
Коммуна расположена приблизительно в 155 км к югу от Парижа, в 65 км юго-восточнее Орлеана, в 50 км к северу от Буржа.

По территории коммуны протекает река Нер.

Население
Население коммуны на 2008 год составляло 5851 человек.

Администрация

Экономика
В 2007 году среди 3378 человек в трудоспособном возрасте (15-64 лет) 2484 были экономически активными, 894 — неактивными (показатель активности — 73,5 %, в 1999 году было 71,6 %). Из 2484 активных работали 2270 человек (1241 мужчина и 1029 женщин), безработных было 214 (97 мужчин и 117 женщин). Среди 894 неактивных 234 человека были учениками или студентами, 334 — пенсионерами, 326 были неактивными по другим причинам.

Достопримечательности
 Церковь Сен-Мартен (XIII век). Исторический памятник с 1862 года
 Замок Стюартов (XVI век). Исторический памятник с 1862 года
 Несколько домов XVI века
 Музей писательницы Маргариты Оду

Города-побратимы
  Оксфорд (США, с 1955)
  Хаддингтон (Шотландия, с 1965)
  Флото (Германия, с 1988)
  Плопана (Румыния, с 1990)

Фотогалерея

Примечания

Ссылки

Коммуны департамента Шер

redpajama_set_name: RedPajamaWikipedia


text:
<?php

namespace Jarisoft\Model;

require_once 'src/Jarisoft/Resources/ShortURL.php';

use Jarisoft\Resources\Event;

/**
 * This class handles all database issues.
 *
 * @author jakob
 *
 */
class DBManager
{

    private $config;

    private $connection;

    private $eventManager;

    /**
     * Constructor gets the eventManager for firing events and the configuration array
     * that holds all database parameter.
     *
     * @param \EventManagerInterface $eventManagerInterface
     *            for event handling
     * @param array $confiuration
     *            holds parameter to establish a connection to database
     */
    public function __construct(\EventManagerInterface $eventManagerInterface, $confiuration)
    {
        $this->eventManager = $eventManagerInterface;
        $this->config = $confiuration;
    }

    /**
     * Checks if we have a valid connection to database
     *
     * @return boolean
     */
    public function isConnected()
    {
        $con = $this->getConnection();
        if (isset($con)) {
            return true;
        } else {
            return false;
        }
    }

    /**
     * Returns an object of \PDO which handles the database access.
     *
     * @return \PDO
     */
    private function getConnection()
    {
        if (! isset($this->connection)) {
            try {
                $server = "mysql:dbname=" . $this->config['db']['database'] . ";host=" . $this->config['db']['host'];
                $this->connection = new \PDO($server, $this->config['db']['username'], $this->config['db']['password']);
                return $this->connection;
            } catch (\PDOException $e) {
                $event = new Event(Event::ERROR);
                $event->setEventMessage($e->getMessage());
                $this->eventManager->notifyListener($event);
            }

            return $this->connection;
        }
        return $this->connection;
    }

    /**
     * Inserts a ShortURL into the database.
     *
     * @param \ShortURL $url
     *            the ShortURL that needs be stored inside the database.
     * @return \\ShortURL which is updated by this method.
     */
    public function insertShortURL(\ShortURL $url)
    {
        $con = $this->getConnection();
        if (isset($con)) {
            $query = "INSERT INTO shortener (id, shortName, target, dateCreated, dateExpired)
                VALUES (null, :shortName, :target, :dateCreated, :dateExpired)";
            $stmt = $con->prepare($query);
            $stmt->bindParam(':shortName', $url->getShortName());
            $stmt->bindParam(':target', $url->getTarget());
            $stmt->bindParam(':dateCreated', $url->getDateCreated());
            $stmt->bindParam(':dateExpired', $url->getDateExpire());
            $stmt->execute();
            $id = $con->lastInsertId();
            $url->setId($id);
            return $url;
        }
    }

    /**
     * Returns a single value like an ID.
     *
     *
     * @param string $query
     *            the database query.
     * @return string|NULL if the query produced no result this method return null otherwise it returs the value
     */
    public function getSingleValue($query)
    {
        $con = $this->getConnection();
        if (isset($con)) {
            try {
                $stmt = $con->prepare($query);
                $stmt->execute();
                $result = $stmt->fetchColumn();
            } catch (\PDOException $e) {
                $event = new Event(Event::ERROR);
                $event->setEventMessage($e->getMessage());
                $this->eventManager->notifyListener($event);

            }
            return $result;
        } else {

            $event = new Event(Event::ERROR);
            $event->setEventMessage("Cannot execute SELECTION statement since there is no valid or open database connection");
            $this->eventManager->notifyListener($event);
        }

        return null;
    }

    /**
     * Executes a given query with given parameter and returns the number of affected rows or null if no row was affected.
     *
     * @param string $query
     *            must be of the form "SELECT | DELETE | UPDATE ... WHERE parameter1 = ? AND parameter2 = ?
     * @param array $parameter
     *            holds all parameter that are used for this query.
     * @return boolean to indicates the success of the function
     */
    public function executeStatment($query, $parameter)
    {
        $con = $this->getConnection();
        if (isset($con)) {
            $stmt = $con->prepare($query);

            if ($stmt->execute($parameter)) {
                $rowCount = $stmt->rowCount();
                if ($rowCount > 0) {
                    return true;
                } else {
                    $event = new Event(Event::WARNING);
                    $event->setEventMessage("Statement '$query' didn't affect any rows. Possible error in your statement.");
                    $this->eventManager->notifyListener($event);
                    return false;
                }
            } else {
                $event = new Event(Event::ERROR);
                $event->setEventMessage("Error Code: " . $stmt->errorCode() . " | " . $stmt->errorInfo());
                $this->eventManager->notifyListener($event);
                return false;
            }
        } else {
            return false;
        }
    }

    /**
     * This method returns all objects produced by given query of type $classname.
     *
     * @param string $query
     *            the sql statement
     * @param string $className
     *            name of the type that we expect
     * @return multitype:|boolean
     */
    public function fetchAllShortURLs($query, $className)
    {
        $con = $this->getConnection();
        if (isset($con)) {
            $stmt = $con->prepare($query);
            $stmt->execute();
            $result = $stmt->fetchObject($className);
            return $result;
        } else {
            $event = new Event(Event::ERROR);
            $event->setEventMessage("Error Code: " . $stmt->errorCode() . " | " . $stmt->errorInfo());
            $this->eventManager->notifyListener($event);
            return false;
        }
    }
}

redpajama_set_name: RedPajamaGithub


text:
Q: ios prototype tableviewcell preview not matching build I'm trying to create a view similar to the clock app alarm view. I created a custom TableViewController and TableViewCell similar to the getting started app that apple provides. I added a stack view to the prototype cell and added constraints for leading, trailing, top, bottom to = the superView and the storyboard preview looks how I want it to but when I build it, everything is squished in the top left corner. How do I fix this?
 Thanks.
preview

build

A: I have followed these steps to form the output

*

*First I dragged the 2 labels and 1 switch on to the cell and arranged them like
you shown in preview (please note that I didnot apply any other constraints just drag them to their positions)

*Secondly, I embedded the label1 and label2 inside a vertical stackview

*Thirdly, I embedded the above stackview and switch inside a horizontal stackview

*Lastly I added the top, left , right, bottom spacing to zero in add new
constraints menu to this parent stackview
So I achieved the following result

redpajama_set_name: RedPajamaStackExchange


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text:
By Nita Bhalla and Naimul Karim
KACHELIBA, Kenya / DHAKA, July 07 (Thomson Reuters Foundation) - A t first, 5-year-old Msto Pushen's family thought his fever and malaise could be remedied by giving him some local herbs.
When that didn't work, they carried him on foot from their village in western Kenya some hours across the semi-arid scrub to a clinic where he was handed malaria pills and sent home.
But as the weeks passed, the boy's condition worsened: his weight dropped by almost a third, his belly ballooned, and he became so weak he could barely stand.
"No one knew what was wrong with him," said his grandmother Cheparsub Kapelile as he lay on the metal-framed hospital bed in West Pokot, near the Kenya-Uganda border.
"It was two months before we learnt about this hospital. We travelled over 1,000 km (620 miles) on a motorbike taxi and then a bus to get here. It was a very difficult journey, but he would have died otherwise."
For those suffering from the deadly tropical disease, visceral leishmaniasis (VL), the government-run Kacheliba district hospital is a rare lifeline.
It is one of only a handful of facilities across the developing world equipped to treat the parasitic disease, whose name is unfamiliar to most, but whose impact can be devastating.
The good news is that significant progress has been made in South Asia. Since 2005, when India, Bangladesh and Nepal signed an agreement to eliminate VL, the number of cases reported annually has fallen by 90% according to the World Health Organization (WHO).
But much of the recent effort has been funded by Britain, which in 2019 launched a three-year programme to tackle VL and four other neglected tropical diseases (NTDs) - preventable or curable diseases that mainly impact the poor, often stopping them from working and trapping them in poverty.
Msto Pushen, 5, who is suffering from visceral leishmaniasis, lies on a bed at Kacheliba District Hospital, West Pokot, Kenya, June 23, 2021. The VL ward is funded by the Drugs for Neglected Diseases initiative (DNDi). THOMSON REUTERS FOUNDATION/Nita Bhalla
Britain has been a global leader in tackling NTDs, but its £220 million ($305 million) programme is ending early due to a £4 billion aid spending cut, a move the WHO says will cause thousands of needless deaths.
Crown Agents, which manages the programme, said it was talking to the government about the impact of the cuts, which come as health systems around the world are already grappling with the pressure of a pandemic.
"The seismic impact of the pandemic forced the tough decision to temporarily reduce the aid budget," a British government spokesperson said in an emailed statement.
"We continue to distribute drugs to fight neglected tropical diseases and perform surgeries in the most urgent cases," said the statement, adding that Britain was working to exit programmes responsibly and mitigate the impact of the cuts.
'Poorest of the poor'
VL, also known as Kala Azar, is the deadliest parasitic disease after malaria.
Transmitted through sandfly bites, the parasite multiplies and attacks the immune system, causing fever, weight loss, enlargement of the liver and spleen, and anaemia.
It afflicts up to 90,000 people in nearly 70 countries every year.
Britain's Accelerating the Sustainable Control and Elimination of Neglected Tropical Diseases (ASCEND) programme, which operates VL programmes in Ethiopia, Kenya, Sudan, South Sudan, Uganda, Nepal and Bangladesh, was due to run until March 2022.
The WHO warned its closure would mean 20,000-30,000 more deaths from VL, which is almost always fatal if not diagnosed and treated on time.
Lab technologist Edwin Abner explains the difficulties of diagnosing visceral leishmaniasis at Kacheliba District Hospital, West Pokot, Kenya, June 24, 2021. The VL department is funded by the Drugs for Neglected Diseases initiative (DNDi). THOMSON REUTERS FOUNDATION/Nita Bhalla
MPs from Britain's ruling and opposition parties have warned the move punished the poorest during a global pandemic, while on Saturday more than 30 former African leaders decried the cuts, calling for a regional push to avert a "ferocious calamity".
Health charities and campaigners have also criticised the move.
"VL control programmes in East Africa, for example, support over 10,000 patients each year and have been fully dependent on UK funding for diagnostics, drugs and other support," said Jackie Hawkins, executive director of Medecins Sans Frontieres (MSF) UK.
"They will collapse entirely following the aid cuts."
At the Kacheliba hospital, young children with swollen bellies lie two to a bed under mosquito nets.
Medical superintendent Solomon Tokey said patients tended to come to the hospital late as the disease was often misdiagnosed and the treatment was slow and difficult. "The disease affects the poorest of the poor," said Monique Wasumma, Africa director of the Drugs for Neglected Diseases initiative (DNDi), which funds the VL department at Kacheliba hospital.
"They live in the middle of nowhere and they are voiceless. They are not on the radar of big industries or governments.
"As a result, the disease remains neglected, particularly in terms of investment for the research and development of improving diagnosis and treatment."
Resurgence risk
In Bangladesh, which has almost eliminated VL with support from the ASCEND programme, health officials worry the aid cuts could lead to a resurgence.
ASCEND funds, used to spread awareness and detect new cases, were stopped in June, meaning that work will soon end.
Bangladeshi health official Abu Nayeem said the government was looking for new funding sources.
But funding for NTDs, always in short supply, has been hit by the COVID-19 pandemic, said Dinesh Mondal, a Bangladeshi research scientist who sits on the WHO's advisory panel for parasitic disease control.
"Just because the number of cases have dropped, doesn't mean we can breathe easy. Even a single patient can gradually lead to an outbreak," he said.
"We need a new treatment for this disease. There are lots of ideas, but not enough funding ... even most of the competitive grants today go to COVID-based research."
Visceral leishmaniasis patients and their caretakers sit outside Kacheliba District Hospital, West Pokot, Kenya, June 23, 2021. THOMSON REUTERS FOUNDATION/Nita Bhalla
Treatments vary but can be lengthy and expensive. In East Africa, patients must be hospitalised for 17 days of injections, straining already poorly resourced health facilities.
The DNDi is conducting clinical trials to find an oral treatment, but Wasumma said few donors wanted to support VL research.
Kenya said it had received no official communication on the aid cuts, but a health ministry official told the Thomson Reuters Foundation concern was growing.
VL is endemic in 9 of Kenya's 47 counties - remote, arid or semi-arid regions inhabited largely by pastoralist communities that are hard to reach with public health information.
Most patients are men and boys who take their herds long distances for grazing and often sleep outside, leaving them exposed to sandfly bites.
"We have many priorities such as HIV/AIDS, malaria and tuberculosis and so we are very dependent on our foreign partners' support to our VL programmes," said the Kenyan official, who declined to be named as he was not authorised to speak to the media.
"We were planning to conduct training in various counties of community health workers so they can reach out to remote populations. This would help to strengthen early diagnoses and treatment. Now, we are not so sure."
($1 = 0.7223 pounds)
(Reporting by Nita Bhalla @nitabhalla and Naimul Karim, Editing by Claire Cozens. Please credit the Thomson Reuters Foundation, the charitable arm of Thomson Reuters, that covers the lives of people around the world who struggle to live freely or fairly. Visit http://news.trust.org) This story is one in a series supported by Uniting to Combat Neglected Tropical Diseases .
TopicsNTDsGlobal HealthThe World Health OrganizationParasiteUK Aid CutsAid CutsNeglected Tropical DiseaseParasites
UK Aid Cuts Spark Fears About Rise in Deadly Parasitic Disease As Health Programme Shuts


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Marungapuri block and Marungapuri Taluk is a revenue block and Taluk in the Tiruchirappalli district of Tamil Nadu, India. It has a total of 49 panchayat villages. Marungapuri taluk will have Marungapuri, Valanadu, and Thuvarankurichi firkas as its jurisdictional areas. The Taluk Office is functioning temporarily at T.Kallupatti, about three km away from Marungapuri, on the Tiruchi-Madurai National Highway. Marungapuri taluk will cater to a population of about 1.41 lakh in an area of about 445 square km and the Manapparai taluk to about 2.63 lakh in 544.36 square km. The Taluk Comes Under The Jurisdiction of Srirangam Revenue Divisional Office (RDO).

References

Prominent People

M. Raju BE - Engineer, Educationist, Social activist
Superintending Engineer
National Highways

Revenue blocks of Tiruchirappalli district


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Cate Greene (Littlefield)
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Catharine Greene (Littlefield)
Also Known As: "Caty", "Cathrene", "Catherine", "Cate", "Catharine"
Birthplace: Block Island, Kings County, Colony of Rhode Island and Providence Plantations
Death: September 02, 1814 (59)
Cumberland Island National Seashore, Camden County, Georgia, United States
Daughter of John Littlefield and Phebe Littlefield
Wife of Maj. General Nathanael Greene (Continental Army)
Mother of George Washington Greene; Martha Washington Turner; Cornelia Lott Littlefield; Nathaniel Ray Greene; Louisa Catherine Shaw and 1 other; and Catherine Greene « less
Sister of Lt. Simon Ray Littlefield; Phebe Sands; Nancy Paine and Capt. William Littlefield, Esq.
Half sister of Hannah Hull and Deliverance Ingersoll
Managed by: Private User
Historical records matching Cate Greene (Littlefield)
Catharine Littlefield Greene in Biographical Summaries of Notable People
Catharine Littlefield Greene
Biographical Summaries of Notable People
Feb 17 1755 - Block Island
Sep 2 1814 - Cumberland Island
Katherine Littlefield in FamilySearch Family Tree
Katherine Littlefield
FamilySearch Family Tree
1755 - of New Shoreham, Block Island
Daughter:
Kate Greene
Catherine Littlefield Greene in Famous People Throughout History
Catherine Littlefield Greene
Famous People Throughout History
Rhode Island Colonial Woman
Feb 17 1755 - New Shoreham, United States
Sep 2 1814 - Cumberland Island, United States
Spouse(s):
Catharine Miller (born Littlefield Greene) in WikiTree
Catharine Miller (born Littlefield Greene)
Feb 17 1755 - Block Island, Washington, Rhode Island
Sep 2 1814 - Cumberland Island, Camden, Georgia, USA
John William Littlefield, Phebe Littlefield
Maj. Gen. Nathanael Nathaniel Greene Green, Phineas Miller
Cornelia Lott Skipwith, George Washington Greene, Nathanael Ray Greene
Brother:
Capt. William Littlefield
Catharine Littlefield in FamilySearch Family Tree
Catharine Littlefield
Feb 17 1755 - New Shoreham, Rhode Island, Rhode Island, British Colonial America
Sep 2 1814 - Camden District, South Carolina, United States
John William Littlefield, Phebe Ray Littlefield
Spouses:
Major General Nathanael Greene, Phineas Miller
...ton Nightingale (born Greene), Cornelia Lott Greene, Nathanael Ray Greene, Louisa Catherine Greene, Katie Greene, Phoebe Russell (born Gr...
...iam Littlefield, Phebe Littlefield, Nancy Paine (born Littlefield), Hannah Hull (born Littlefield), Deliverance Ingersoll (born Littlefield)
Maj. General Nathanael Greene (C...
George Washington Greene
Martha Washington Turner
Cornelia Lott Littlefield
Nathaniel Ray Greene
Louisa Catherine Shaw
Catherine Greene
Phebe Littlefield
John Littlefield
Lt. Simon Ray Littlefield
Phebe Sands
Nancy Paine
About Cate Greene (Littlefield)
Catharine Littlefield "Caty" Greene (17 February 1755 – 2 September 1814) was the wife of American Revolutionary War general Nathanael Greene, a mother of five, and noted for being a supporter of inventor Eli Whitney.
Catharine Littlefield was born on February 17, 1755, off the coast of Rhode Island on Block Island, which her family had helped settle in the 1660s. Her father, John Littlefield, served in the Rhode Island legislature, and her mother, Phebe Ray, was a descendant of the earliest settlers of Block Island. Caty's mother died when she was ten years old, and she was sent to live with an aunt and uncle, Catharine Ray and William Greene, in East Greenwich, Rhode Island.
Greene learned to read and write while living with her aunt and uncle. Her uncle was a leader of the Whig Party and governor of Rhode Island. Nathanael Greene A notable visitor was Benjamin Franklin, who had been a close friend of Greene's Aunt Catharine. Another frequent caller was Nathanael Greene, a successful merchant who was a distant cousin of her Uncle William's. Nathanael, the son of Rhode Island Quakers, was fourteen years older than she. The two began a courtship in 1772 and were married on July 20, 1774.
Within a year of their marriage the first shots of the American Revolution (1775-83) were fired, and Greene's husband was selected by the Rhode Island Assembly as brigadier general, in charge of Rhode Island's three Continental regiments. During the war Greene was not content to sit at home awaiting word of her husband. Instead, she visited him at his headquarters and joined him at his various encampments. Although friends and family were critical of her conduct, she continued to travel to battle sites and witnessed many battles firsthand.
Greene's presence at her husband's encampments endeared her to the troops and to the other military leaders. George and Martha Washington became friends and supporters of Greene.
http://www.georgiaencyclopedia.org/nge/Article.jsp?id=h-2711
http://en.wikipedia.org/wiki/Catherine_Littlefield_Greene
New Shoreham Birth Records for children of John Littlefield and Phebe Ray,
Vol. 4, p.375
http://www.georgiaencyclopedia.org/articles/history-archaeology/catharine-greene-1755-1814
Caty was born on February 17, 1755, off the coast of Rhode Island on Block Island, where her family had settled in the 1660s. She and Nathanael were married in 1774, but had been married less than a year when he was called to war. Thus she had not yet settled into a comfortable life with her husband, their home in Coventry not having yet been completely furnished. Caty, as she was called, dreamed of spending cold winter nights with Nathanael, reading to each other by the firelight, surrounded by their children. She was energetic and independent, but she looked to her husband to take charge and make the decisions. With his involvement in the war, she was forced to assume this role. Catherine was not content to remain at home without her husband, so she joined Nathanael at his headquarters whenever possible. She had the responsibility of caring for her small children, however. Over the course of the war and shortly after, Catharine had five children that lived past infancy. She was faced with the conflict of mothering her children, yet longing to be with her husband. She desperately wanted to have something like a normal family and when conditions allowed, she brought her babies with her to camp. At other times she left them in the care of family or friends. It was during these separations that Catharine most felt the effects of the war on her family. When the war finally came to an end and the family was reunited, Caty looked forward to having Nathanael there to share in the responsibility of raising the children and handling business and household affairs. His presence at home "brought a peace of mind unknown to her since the conflict began." She was prepared to let Nathanael take charge and to settle herself into the life of a respected, well-to-do gentleman's wife. Though Nathanael was not required to be of further service to his country, his involvement in the war had effects in other areas. During his command in the south, he faced very harsh conditions. In order to clothe his soldiers during the winter, he had to personally guarantee thousands of dollars to Charleston merchants. He later discovered that the speculator through whom he had dealt was fraudulent. At the end of the war, the merchants began pressing him for payment on the notes and judgments began coming down from South Carolina courts. He was without sufficient funds and heavily in debt. Catherine did not adjust well to the idea of being poor. Though they had won the war, they had little to show for it. According to Stegeman, "her dream of wealth and leisure, once the war was over, had been shattered; she could no longer count on even the most basic security." Furthermore, Nathanael decided to move the family to a plantation on the Savannah River called Mulberry Grove, granted to him by the Georgia legislature in gratitude for his services during the war. Here, he hoped to make a living by cultivating rice and pay off their debts by selling their other lands when the markets proved favorable. This was particularly hard on her. She had lived her whole life in the north. She would be leaving behind many friends and what was left of her family on Block Island. She soon began to realize how heavily these burdens weighed on Nathanael. Catherine now saw before her a "tired, haggard ex-soldier who had given himself to a belief, had signed away his future life, in fact, for that cause." Catharine resolved to do everything in her power to help him. She settled into the arduous domesticity that plantation life required, determined to make Mulberry Grove a success. However, her plan was interrupted when Nathanael died suddenly on June 19, 1786 of sunstroke.
Once again, she took on the familiar role of being both mother and father to her children. She met the pressures of rearing her children and handling Nathanael's devastated finances with courage and determination. With the help of the new plantation manager, Phineas Miller (who had been her children's tutor), Mulberry Grove was thriving by 1788. At the urging of a trusted adviser, she personally presented to the United States Congress a petition for indemnity to recover funds that Nathanael had paid to Charleston merchants. On April 27, 1792, President George Washington approved and signed an act that indemnified the Greene estate. In a happy letter to a friend, she wrote: I can tell you my Dear friend that I am in good health and spirits and feel as saucy as you please-not only because I am independent, but because I have gained a complete triumph over some of my friends who did not wish me success-and others who doubted my judgement in managing the business and constantly tormented me to death to give up my obstinancy as it was called-they are now as mute as mice-Not a word dare they utter... O how sweet is revenge! That same year, Catherine met a young man named Eli Whitney, who tutored her neighbor's children. With her encouragement he took up residence at Mulberry Grove to pursue his inventions. Within a year he had produced a model for the cotton gin. In an 1883 article in The North American Review titled "Woman as Inventor", the early feminist and abolitionist Matilda Joslyn Gage claimed that Greene suggested to Whitney the use of a brush-like component instrumental in separating out the seeds and cotton[1]. To date there has been no independent verification of Greene's role in the invention of the gin. However, many believe that Eli Whitney received the patent for the gin and the sole credit in history textbooks for its invention only because social norms inhibited women from registering for patents.
At the end of a long courtship, Catherine was married to Phineas Miller on June 13, 1796 in Philadelphia's First Presbyterian Church. The President and Mrs. Washington served as witnesses to the wedding. Despite previous success and their best efforts, Mulberry Grove fell upon hard times by 1798. Catharine and Phineas, in financing the cotton gin firm of Whitney and Miller, had lost a great deal of money in a land scam. Caty was forced to sell the plantation along with many of Mulberry Grove's slaves[2], moving her family to Cumberland Island. There she and Phineas established a new home on land that had been given to Nathanael. The plantation, called "Dungeness," thrived. They held a total of 210 slaves to work the plantation. In 1803 Phineas died. Catharine stayed at the plantation until she died in 1814 and is buried there.
From: http://en.wikipedia.org/wiki/Catherine_Littlefield_Greene
GEDCOM Source
@R-1798172864@ U.S., Sons of the American Revolution Membership Applications, 1889-1970 Ancestry.com Online publication - Provo, UT, USA: Ancestry.com Operations, Inc., 2011.Original data - Sons of the American Revolution Membership Applications, 1889-1970. Louisville, Kentucky: National Society of the Sons of the American Revolution. Microfilm, 508 rolls 1,2204::0
http://trees.ancestry.com/rd?f=sse&db=sarmemberapps&h=872471&ti=0&indiv=try&gss=pt Birth date: 17 Feb 1755 Birth place: Death date: 2 Sep 1816 Death place: Residence date: Residence place: United States 1,2204::872471
@R-1798172864@ Family Data Collection - Individual Records Edmund West, comp. Online publication - Provo, UT, USA: Ancestry.com Operations Inc, 2000. 1,4725::0
Birth year: 1755; Birth city: New Shoreham; Birth state: RI. http://trees.ancestry.com/rd?f=sse&db=genepool&h=4393771&ti=0&indiv=try&gss=pt Birth date: 1755 Birth place: New Shoreham, Block Island, RI Death date: 2 September 1814 Death place: Marriage date: 20 July 1774 Marriage place: 1,4725::4393771
@R-1798172864@ Family Data Collection - Births Edmund West, comp. Online publication - Provo, UT, USA: Ancestry.com Operations Inc, 2001. 1,5769::0
http://trees.ancestry.com/rd?f=sse&db=genepoolb&h=2775728&ti=0&indiv=try&gss=pt Birth date: 1755 Birth place: New Shoreham, Block Island, RI, USA 1,5769::2775728
@R-1798172864@ American Genealogical-Biographical Index (AGBI) Godfrey Memorial Library, comp. Online publication - Provo, UT, USA: Ancestry.com Operations Inc, 1999.Original data - Godfrey Memorial Library. American Genealogical-Biographical Index. Middletown, CT, USA: Godfrey Memorial Library.Original data: Godfrey Memorial Library. American Genea 1,3599::0
http://trees.ancestry.com/rd?f=sse&db=agbi&h=368907&ti=0&indiv=try&gss=pt Birth date: 1750 Birth place: Rhode Island 1,3599::368907
@R-1798172864@ Ancestry Family Trees Online publication - Provo, UT, USA: Ancestry.com. Original data: Family Tree files submitted by Ancestry members. This information comes from 1 or more individual Ancestry Family Tree files. This source citation points you to a current version of those files. Note: The owners of these tree files may have removed or changed information since this source citation was created.
Ancestry Family Trees http://trees.ancestry.com/pt/AMTCitationRedir.aspx?tid=44221385&pid=135
Cate Greene (Littlefield)'s Timeline
Birth of Cate Greene (Littlefield)
Block Island, Kings County, Colony of Rhode Island and Providence Plantations
Birth of George Washington Greene
Warwick, Kent, Rhode Island, United States
Birth of Martha Washington Turner
Warwick, Kent County, Rhode Island, United States
Birth of Cornelia Lott Littlefield
Potowomut, Kent County, Rhode Island, United States
Birth of Nathaniel Ray Greene
Morristown, Morris, New Jersey, United States
Birth of Louisa Catherine Shaw
Birth of Catherine Greene
Death of Cate Greene (Littlefield) at Cumberland Isl...
Camden County, Georgia, United States
resided


I had a fantastic time during my week at Ensoft. The project was set up beforehand, so I could jump straight in when I arrived and produce something useful by the end of the week! The people were friendly and welcoming, and there was always someone willing to help if I got stuck. I would recommend Ensoft's micro-internship to anyone who wants to gain valuable work experience without giving up too much of their holidays!


In general, all art projects take on the same basic developmental structure. Professors may ask for different types of documentation from these stages but regardless if they ask for proof or not, creating an effective project will include allocating time appropriately. And, of course, finding the time to accomplish these goals.
Creativity is a process, not a talent that you either have or do not have.
As explained in the video, the creative process can be broken down into 4 essential stages. In the first stage (Preparation) you research or learn material that relates to your idea or assignment, in the second (Incubation), you allow your mind to wander and do other things while your idea mingles with others. In the third stage (Illumination) something magical happens – connections collide and surface in your conscious mind so that you can grasp them and work through them. This is the often referred to "light bulb" moment.
Many students mistakenly feel like this is the last step – that once the insight occurs the rest of the project will just fall into place. But, there's one final stage (Verification) left! In the last stage of a well executed creative process you have to apply your creative thinking skills and all kinds of stuff you've learned about how to communicate your ideas effectively in order to ensure that the message you've decided on is presented in a way that is clear and relatable.
The cognitive stages of the creative process can easily be rushed or even skipped in an effort to expedite the completion of a project that's been put off to the last minute.
When students fail to accommodate time for the creative process, projects lack significant substance and feel less meaningful and less intentional regardless of how technically proficient they may be executed. While less experienced eyes may not recognize differences between these works and others, professors, portfolio reviewers, and admissions advisors will immediately discern what is missing.
In the Verification stage you are tasked with defining your message and developing the way in which you communicate your idea to the viewer. This begins with clearly identifying what you're trying to say so that you can then relate all of your decisions back to whether or not the choice supports (or doesn't support) the original intent (or message).
Muddling through and making it up as you go can lead to disjointed work that is chaotic or unresolved.
Becoming skilled in composition and the language of design (and exploring your ideas through thumbnails and preliminary investigation) is an essential part of becoming more fluent in the visual language of art. While foundations course introduces these concepts early on in your academic path, it is up to you to continue to apply and explore these ideas in each and every project you encounter.
Hard work and practice is the only way that you'll begin to feel more confident in your capability to judge how effective your decisions truly are.
Once you've investigated options about how best to communicate your concept you have to get to work and execute your actual work of art. Fortunately, while many times it is easy to feel anxiety about starting a work, you will likely find this much easier once you have fully applied yourself to the first 3 stages of the creative process.
Creating a personal timeline that fits within the perimeters of your class assignment is an helpful strategy to ensure the successful completion of your work on time. This helps you avoid unnecessary loss of points and also makes sure that the time you do spend is not in vain.
Create a timeline that reflects the basic percentage allocation listed above and start by dividing your timeline in half. If you have 2 weeks until the due date, you'll be giving yourself a full week for the first 3 stages of the creative process and the other week for the last.
What is critical here is that you provide yourself some flexibility and that you take into consideration your other obligations in the process of planning your timeline.
So the question is – where do you fit that time in? In an average 7 day week you have 168 hours available to you. Because getting enough rest is important in order for you to maintain focus, on average you'll be sleeping (ideally) at least 7 hours per night. This provides you 119 hours of waking time available for all of your obligations.
Evaluate how you spend the remainder of this time based on 7 days of your schedule. As a student, it is likely that your MW and TR are relatively similar so you can save time by combining these days. However, you can also evaluate each day individually to determine where your time goes more accurately.
How much time is devoted to essential and unavoidable tasks first and foremost? In addition to the work, class schedule, and the commute that you are currently obligated to fulfill, sleep, eating meals, personal hygiene (shower, getting ready, etc.), and exercise should be immediately evaluated. These tasks are critical to your overall health and well-being and are important responsibilities to maintain if you wish to achieve your personal goals.
The remaining time is what is open to you for tasks that are equally important but less regimented – i.e. flexible obligations. While completing homework and studying are the most obvious uses of this time, shopping for groceries, doing laundry, cleaning, running errands (like going to the bank, getting gas, etc.), getting your hair cut, going to the doctor, etc., are also uses of time that are considered expected components of a healthy life style.
The extra time is what is generally spent fulfilling personal pursuits and entertainment. It is not unusual as a college student to have little – if any – remaining time for this. Frequently students make the mistake of prioritizing free time at the expense of critical objectives such as studying for a test, cooking a healthy meal, or getting sleep. While this feels like a good decision at the time, the result is heightened stress and anxiety, a possibly inability to meet deadlines or complete goals as expected, or even poor physical health.
Using a planner works for some people but not for everyone. The rigid and limited structure of some student planners can feel constricting for some students. Like sketchbooks, planners are a deeply personal space and an individual's preferences and aesthetics will influence your choices. What works for one person may not work for everyone so it's important to experiment until you find a structure that works for you.
While some people may work well with a detailed hourly schedule of time this practice may not be sustainable for everyone. It's important to make manageable changes that can be maintained over a longer period of time and to set goals that are achievable but still meaningful enough to make a difference.
Try to track your time with free printable templates. While Word programs provide plenty of calendar templates for you, individuals who love to plan have also created their own helpful formats that can give you the edge you need.
Get Organized! Free templates for all kinds of goals.
Bullet journals are a helpful way of tracking a huge variety of tasks or objectives in your life. It's essentially an extension of list-making and a good way to manage a chaotic set of personal goals or expectations.
You can also check out more technology friendly methods of keeping track and putting things in order with a variety of apps and websites to make you more productive.
Personal pleasures are a good way to maintain your mental health and motivation when working through stressful objectives but when you are aware of how much time is spent on less important tasks you can begin to make choices that reflect your real priorities and eliminate "wasted" time that doesn't support your goals.
It is very critical to find ways to minimize distractions while you journey to your destination. Sometimes it is simply a matter of making more conscientious decisions about the distribution of your priorities in the time you have available.
For example, if you find yourself with 3 hours of free time one evening, spend 2 hours fulfilling your obligations and 1 hour doing something completely fun – like playing your favorite video game. Perhaps you'll enjoy your game time even more without the burden of some of your responsibilities weighing on you.
The choice to pursue a higher education is not an easy one. If you choose to work while in school, you will understandably have less time to devote to your studies. The thing to remember is that your education is a temporary time in your life that will hopefully lead to a better career and more options for your future. But it is just that – temporary.
If you find yourself struggling one semester the best thing to do is to determine what isn't working well and trouble shoot possible solutions as well as you can. Next semester you can make different choices that will hopefully be more effective.
Adaption is the key to success in college – be open and flexible while keeping your eyes on the prize. You'll get there faster than you think.


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Bonnie Dennison Photo Gallery
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Bonnie Dennison In Black Dress
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Lucifer finally casts God onscreen, reuniting 24 presidents
Nicki Minaj just got a Madame Tussauds wax figure — and fans think it looks nothing like her
SAG-AFTRA buildings in L.A. and N.Y. evacuated after threatening phone call
Alec Baldwin shares his emotional reaction to The Irishman: 'I got a tear in my eye'
'You and I' should listen to Kelly Clarkson's cover of that Lady Gaga hit
Supernatural creator freaks out after Mark Hamill tweets about his 'cameo'
Bonnie Dennison (born February 15, 1989) is an American actress.
She was born in New York City. From 2002-2005, she played Emily Yokas on the NBC television show Third Watch. In 2007, she joined the cast of the long-running CBS daytime drama Guiding Light in the role of Susan "Daisy" Lemay. In 2009, she made a guest appearance in the Ugly Betty episode "Backseat Betty", portraying Ava, a cheerleader at school with Justin.
In 2010, she appeared in the movie Stake Land.
She has also appeared in commercials for Dannon DanActive, Losethezits.com, and Verizon Wireless.
In 2014, she was cast as one of the leads in a Fox comedy pilot executive produced by Matt Hubbard and Tina Fey, portraying the role of Thena.


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Collie Club of America Picked ...
Standard Schnauzer Q & A
Lines From Linda
Collie Club of America Picked A Winner With Peoria ShowSight
by Linda Ayers Turner Knorr July 3, 2019
From the monthly column "Lines from Linda". ShowSight Dog Show Magazine – June 2019 Issue. Click to subscribe.
Kudos to the Collie Club of America for discovering a city with all of the elements needed for a perfect ShowSight. Peoria, Illinois has it all with its big city amenities yet small town hospitality!
All across the country it has become a real challenge for our dog show clubs to find affordable venues in fun, accessible cities with functional facilities to accommodate all of our needs. CCA Show Chairs Kelly Montgomery and Jean Framke cannot stop praising the team of Peoria's finest people who worked with them to make certain every need was met to make their 2019 show one of the best.
Peoria was a place I knew nothing about. Boy, was I surprised! In lieu of taking the complimentary hotel shuttle from the airport, I hired a driver to show me the city. He began by driving me through neighborhoods of mansions, and I immediately recognized a home designed by the famed architect Frank Lloyd Wright. My next-door neighbor, Rick Bristol's home Broad Margin in Greenville, South Carolina, was designed by Wright. In my travels, I've enjoyed visiting many of his amazing structures, and immediately I had to call Rick to share my new discovery.
While passing by the Peoria Riverfront and the Caterpillar Visitors Center, I loved seeing the HUGE statue of President Abraham Lincoln. The driver reminded me that Illinois is the land of Lincoln. Gee, wish we had stopped to take pictures. I was already having fun! Not only were there many restaurants, but the Peoria Riverfront Museum even has a planetarium, a 5 story Real-D giant screen theater, international fine art, Midwest folk art, history and science collections, and highly interactive exhibits just for a start.
Setting it all off was seeing the Spirit of Peoria, the turn of the century paddle wheeler! I didn't get to go there, but this amazing gem of a city even has a 35,000-square foot venue the Pair-A-Dice Hotel and Casino. Add their Peoria Chiefs baseball farm team, which is the affiliate of the St. Louis Cardinals, and I guess that about covers all the bases!
Collies and their owners loved staying in Marriott's four-diamond Pere Marquette hotel complex connected to the Peoria Civic Center which is right in the heart of downtown. Also a part of the complex is a Marriott Courtyard, and all are accessible to the Civic Center via a climate controlled sky bridge. There are also 4,000 guest rooms in the area with 1,000 rooms within WALKING distance of the Civic Center!
Believe me when I tell you that your club could not find a more wonderful city to host your next National Specialty Club Dog Show or nearby All Breed event. Beth Reusch, Convention Sales Manager of the Peoria Convention and Visitors Bureau, is available to do all of the hard work for you. You may reach her toll free at 800-747-0302 or 309-676-0303 or via email at breusch@peoria.org.
Spirit of the Heartland was this year's motto, and grooming spaces were decorated to reflect the theme. The show was dedicated to the memory of four very special friends from the Midwest area who truly exuded Collie spirit and were devoted to the breed. The contributions of Rita Stanczik, Joyce Houser, Joyce Weinmann, and Vivian JaBaay will always be remembered.
Judges were in Collie Heaven as they adjucated their events with 687 dogs entered in Confirmation, Obedience Trials, and Rally Trials with a total of 937 entries. Mr. Matthew A. Stelter of Monroe, Wisconsin, Mrs. Janet Russell Hitt from Newark, California, and Louisville, Kentuckian Mr. Harry (Butch) Schulman judged Confirmation. Former top Junior herself Miss Bree Ardizzone from Bremerton, New York judged Juniors. Mrs. Sharon Ann Redmer traveled from her home in Whitmore Lake, Michigan to judge the Obedience competition and Mr. Fred Buroff of Plainfield, Illinois enjoyed judging Rally, which is one of AKC's most popular events.
Two very special ladies received prestigious awards. Anne Cross, Shadowmont Collies, was all smiles when CCA President Gwen Means and Janine Walker-Keith presented her with a plaque as Anne was recognized by the American Kennel Club for 50 Years of judging and her devotion to the sport of dogs and love of Collies. Leslie Jeszewski, Highcroft Collies, received a proclamation for having been a member of the Collie Club of America for 50 Years. Leslie's honor was presented by CCA Secretary Jane Clymer. Surely Leslie must have joined while in kindergarten!!!
The future looks bright. Out of 14 Juniors entered, Judge Bree Ardizonne chose Addison Lude as Best Junior Handler. Reserve Best Junior Handler was awarded to Kathryn Markey with GCH Special Eye on the Mask.
At the age of four, Linda's love for TV's Lassie prompted her parents, Roy and Hazel Ayers to surprise her with a Collie. Her first times entering the confirmation ring began at age six. From showing her Conrad Collies in juniors, to judging, to becoming a part of an immediate family of three AKC judges, her life has evolved around the sport of purebred dogs. As a young professional just out of the University of Georgia, Linda served on the Executive Staffs of two Georgia Governors. She moved from serving at the State Capitol to assisting the Chairman of the Hyatt Hotel Corporation. As chairman and founder of a family owned Manufacturing Corporation and real estate holding company, Linda has overseen operations, acquisitions, and dispositions of considerable business holdings for over four decades. Her diverse companies have manufactured packaged goods for many household products you likely used in your homes, interior components for the automotive industry you enjoy in your cars, and industrial chemical products used in the electric utility industry. She partnered in commercial acquisitions in Washington, D.C. on a 250 million dollar level. Linda has developed significant properties delivering hundreds of home sites in Greenville, South Carolina in conjunction with NVR/Ryan Homes in addition to apartments, an IMAX theater, commercial tracts and much more. She is the proud mother of one son, Edward P. (Todd) Turner,III of Columbia, South Carolina. After retiring from many years as District Director of the Collie Club of America, Linda served for fourteen years as AKC Delegate for the Greenville Kennel Club. She is currently President of the Carolinas Judges Study Group, a Lifetime Honorary Member of the Collie Club of Georgia where she was their very first Junior Member, a Lifetime Honorary Member of the Greenville Kennel Club, and a Quarter Century Member of the Collie Club of America. Her Christian faith is exhibited in her belief that, "Time is the most important gift you can share to make someone happy or to make a difference." Mentoring athletes from professional to high school levels has been a huge passion and blessing in Linda's life. At any given time you may find her in a locker room, on the playing field, or on the court inspiring winners. To quote her, "I would rather go to a ballgame than a ball." Linda has been on board since the inception of ShowSight
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We are very delighted that you have shown interest in our enterprise. Data protection is of a particularly high priority for the management of the Frames and Tales. The use of the Internet pages of the Frames and Tales is possible without any indication of personal data; however, if a data subject wants to use special enterprise services via our website, processing of personal data could become necessary. If the processing of personal data is necessary and there is no statutory basis for such processing, we generally obtain consent from the data subject.
The processing of personal data, such as the name, address, e-mail address, or telephone number of a data subject shall always be in line with the General Data Protection Regulation (GDPR), and in accordance with the country-specific data protection regulations applicable to the Frames and Tales. By means of this data protection declaration, our enterprise would like to inform the general public of the nature, scope, and purpose of the personal data we collect, use and process. Furthermore, data subjects are informed, by means of this data protection declaration, of the rights to which they are entitled.
As the controller, the Frames and Tales has implemented numerous technical and organizational measures to ensure the most complete protection of personal data processed through this website. However, Internet-based data transmissions may in principle have security gaps, so absolute protection may not be guaranteed. For this reason, every data subject is free to transfer personal data to us via alternative means, e.g. by telephone.
The data protection declaration of the Frames and Tales is based on the terms used by the European legislator for the adoption of the General Data Protection Regulation (GDPR). Our data protection declaration should be legible and understandable for the general public, as well as our customers and business partners. To ensure this, we would like to first explain the terminology used.
Profiling means any form of automated processing of personal data consisting of the use of personal data to evaluate certain personal aspects relating to a natural person, in particular to analyse or predict aspects concerning that natural person's performance at work, economic situation, health, personal preferences, interests, reliability, behaviour, location or movements.
Consent of the data subject is any freely given, specific, informed and unambiguous indication of the data subject's wishes by which he or she, by a statement or by a clear affirmative action, signifies agreement to the processing of personal data relating to him or her.
Frames and Tales
Biruintei 4
Email: framesandtales@gmail.com
Website: www.framesandtales.com
The Internet pages of the Frames and Tales use cookies. Cookies are text files that are stored in a computer system via an Internet browser.
Many Internet sites and servers use cookies. Many cookies contain a so-called cookie ID. A cookie ID is a unique identifier of the cookie. It consists of a character string through which Internet pages and servers can be assigned to the specific Internet browser in which the cookie was stored. This allows visited Internet sites and servers to differentiate the individual browser of the dats subject from other Internet browsers that contain other cookies. A specific Internet browser can be recognized and identified using the unique cookie ID.
Through the use of cookies, the Frames and Tales can provide the users of this website with more user-friendly services that would not be possible without the cookie setting.
By means of a cookie, the information and offers on our website can be optimized with the user in mind. Cookies allow us, as previously mentioned, to recognize our website users. The purpose of this recognition is to make it easier for users to utilize our website. The website user that uses cookies, e.g. does not have to enter access data each time the website is accessed, because this is taken over by the website, and the cookie is thus stored on the user's computer system. Another example is the cookie of a shopping cart in an online shop. The online store remembers the articles that a customer has placed in the virtual shopping cart via a cookie.
The website of the Frames and Tales collects a series of general data and information when a data subject or automated system calls up the website. This general data and information are stored in the server log files. Collected may be (1) the browser types and versions used, (2) the operating system used by the accessing system, (3) the website from which an accessing system reaches our website (so-called referrers), (4) the sub-websites, (5) the date and time of access to the Internet site, (6) an Internet protocol address (IP address), (7) the Internet service provider of the accessing system, and (8) any other similar data and information that may be used in the event of attacks on our information technology systems.
When using these general data and information, the Frames and Tales does not draw any conclusions about the data subject. Rather, this information is needed to (1) deliver the content of our website correctly, (2) optimize the content of our website as well as its advertisement, (3) ensure the long-term viability of our information technology systems and website technology, and (4) provide law enforcement authorities with the information necessary for criminal prosecution in case of a cyber-attack. Therefore, the Frames and Tales analyzes anonymously collected data and information statistically, with the aim of increasing the data protection and data security of our enterprise, and to ensure an optimal level of protection for the personal data we process. The anonymous data of the server log files are stored separately from all personal data provided by a data subject.
The website of the Frames and Tales contains information that enables a quick electronic contact to our enterprise, as well as direct communication with us, which also includes a general address of the so-called electronic mail (e-mail address). If a data subject contacts the controller by e-mail or via a contact form, the personal data transmitted by the data subject are automatically stored. Such personal data transmitted on a voluntary basis by a data subject to the data controller are stored for the purpose of processing or contacting the data subject. There is no transfer of this personal data to third parties.
6. Comments function in the blog on the website
The Frames and Tales offers users the possibility to leave individual comments on individual blog contributions on a blog, which is on the website of the controller. A blog is a web-based, publicly-accessible portal, through which one or more people called bloggers or web-bloggers may post articles or write down thoughts in so-called blogposts. Blogposts may usually be commented by third parties.
If a data subject leaves a comment on the blog published on this website, the comments made by the data subject are also stored and published, as well as information on the date of the commentary and on the user's (pseudonym) chosen by the data subject. In addition, the IP address assigned by the Internet service provider (ISP) to the data subject is also logged. This storage of the IP address takes place for security reasons, and in case the data subject violates the rights of third parties, or posts illegal content through a given comment. The storage of these personal data is, therefore, in the own interest of the data controller, so that he can exculpate in the event of an infringement. This collected personal data will not be passed to third parties, unless such a transfer is required by law or serves the aim of the defense of the data controller.
7. Routine erasure and blocking of personal data
8. Rights of the data subject
If one of the aforementioned reasons applies, and a data subject wishes to request the erasure of personal data stored by the Frames and Tales, he or she may, at any time, contact any employee of the controller. An employee of Frames and Tales shall promptly ensure that the erasure request is complied with immediately.
Where the controller has made personal data public and is obliged pursuant to Article 17(1) to erase the personal data, the controller, taking account of available technology and the cost of implementation, shall take reasonable steps, including technical measures, to inform other controllers processing the personal data that the data subject has requested erasure by such controllers of any links to, or copy or replication of, those personal data, as far as processing is not required. An employees of the Frames and Tales will arrange the necessary measures in individual cases.
If one of the aforementioned conditions is met, and a data subject wishes to request the restriction of the processing of personal data stored by the Frames and Tales, he or she may at any time contact any employee of the controller. The employee of the Frames and Tales will arrange the restriction of the processing.
In order to assert the right to data portability, the data subject may at any time contact any employee of the Frames and Tales.
The Frames and Tales shall no longer process the personal data in the event of the objection, unless we can demonstrate compelling legitimate grounds for the processing which override the interests, rights and freedoms of the data subject, or for the establishment, exercise or defence of legal claims.
If the Frames and Tales processes personal data for direct marketing purposes, the data subject shall have the right to object at any time to processing of personal data concerning him or her for such marketing. This applies to profiling to the extent that it is related to such direct marketing. If the data subject objects to the Frames and Tales to the processing for direct marketing purposes, the Frames and Tales will no longer process the personal data for these purposes.
In addition, the data subject has the right, on grounds relating to his or her particular situation, to object to processing of personal data concerning him or her by the Frames and Tales for scientific or historical research purposes, or for statistical purposes pursuant to Article 89(1) of the GDPR, unless the processing is necessary for the performance of a task carried out for reasons of public interest.
In order to exercise the right to object, the data subject may contact any employee of the Frames and Tales. In addition, the data subject is free in the context of the use of information society services, and notwithstanding Directive 2002/58/EC, to use his or her right to object by automated means using technical specifications.
Each data subject shall have the right granted by the European legislator not to be subject to a decision based solely on automated processing, including profiling, which produces legal effects concerning him or her, or similarly significantly affects him or her, as long as the decision (1) is not is necessary for entering into, or the performance of, a contract between the data subject and a data controller, or (2) is not authorised by Union or Member State law to which the controller is subject and which also lays down suitable measures to safeguard the data subject's rights and freedoms and legitimate interests, or (3) is not based on the data subject's explicit consent.
If the decision (1) is necessary for entering into, or the performance of, a contract between the data subject and a data controller, or (2) it is based on the data subject's explicit consent, the Frames and Tales shall implement suitable measures to safeguard the data subject's rights and freedoms and legitimate interests, at least the right to obtain human intervention on the part of the controller, to express his or her point of view and contest the decision.
If the data subject wishes to exercise the rights concerning automated individual decision-making, he or she may, at any time, contact any employee of the Frames and Tales.
If the data subject wishes to exercise the right to withdraw the consent, he or she may, at any time, contact any employee of the Frames and Tales.
9. Data protection provisions about the application and use of Facebook
On this website, the controller has integrated components of the enterprise Facebook. Facebook is a social network.
A social network is a place for social meetings on the Internet, an online community, which usually allows users to communicate with each other and interact in a virtual space. A social network may serve as a platform for the exchange of opinions and experiences, or enable the Internet community to provide personal or business-related information. Facebook allows social network users to include the creation of private profiles, upload photos, and network through friend requests.
The operating company of Facebook is Facebook, Inc., 1 Hacker Way, Menlo Park, CA 94025, United States. If a person lives outside of the United States or Canada, the controller is the Facebook Ireland Ltd., 4 Grand Canal Square, Grand Canal Harbour, Dublin 2, Ireland.
With each call-up to one of the individual pages of this Internet website, which is operated by the controller and into which a Facebook component (Facebook plug-ins) was integrated, the web browser on the information technology system of the data subject is automatically prompted to download display of the corresponding Facebook component from Facebook through the Facebook component. An overview of all the Facebook Plug-ins may be accessed under https://developers.facebook.com/docs/plugins/. During the course of this technical procedure, Facebook is made aware of what specific sub-site of our website was visited by the data subject.
If the data subject is logged in at the same time on Facebook, Facebook detects with every call-up to our website by the data subject—and for the entire duration of their stay on our Internet site—which specific sub-site of our Internet page was visited by the data subject. This information is collected through the Facebook component and associated with the respective Facebook account of the data subject. If the data subject clicks on one of the Facebook buttons integrated into our website, e.g. the "Like" button, or if the data subject submits a comment, then Facebook matches this information with the personal Facebook user account of the data subject and stores the personal data.
Facebook always receives, through the Facebook component, information about a visit to our website by the data subject, whenever the data subject is logged in at the same time on Facebook during the time of the call-up to our website. This occurs regardless of whether the data subject clicks on the Facebook component or not. If such a transmission of information to Facebook is not desirable for the data subject, then he or she may prevent this by logging off from their Facebook account before a call-up to our website is made.
The data protection guideline published by Facebook, which is available at https://facebook.com/about/privacy/, provides information about the collection, processing and use of personal data by Facebook. In addition, it is explained there what setting options Facebook offers to protect the privacy of the data subject. In addition, different configuration options are made available to allow the elimination of data transmission to Facebook. These applications may be used by the data subject to eliminate a data transmission to Facebook.
The operator of the Google Analytics component is Google Ireland Limited, Gordon House, Barrow Street, Dublin, D04 E5W5, Ireland.
For the web analytics through Google Analytics the controller uses the application "_gat. _anonymizeIp". By means of this application the IP address of the Internet connection of the data subject is abridged by Google and anonymised when accessing our websites from a Member State of the European Union or another Contracting State to the Agreement on the European Economic Area.
The cookie is used to store personal information, such as the access time, the location from which the access was made, and the frequency of visits of our website by the data subject. With each visit to our Internet site, such personal data, including the IP address of the Internet access used by the data subject, will be transmitted to Google in the United States of America. These personal data are stored by Google in the United States of America. Google may pass these personal data collected through the technical procedure to third parties.
The data subject may, as stated above, prevent the setting of cookies through our website at any time by means of a corresponding adjustment of the web browser used and thus permanently deny the setting of cookies. Such an adjustment to the Internet browser used would also prevent Google Analytics from setting a cookie on the information technology system of the data subject. In addition, cookies already in use by Google Analytics may be deleted at any time via a web browser or other software programs.
Further information and the applicable data protection provisions of Google may be retrieved under https://www.google.com/intl/en/policies/privacy/ and under http://www.google.com/analytics/terms/us.html. Google Analytics is further explained under the following Link https://www.google.com/analytics/.
On this website, the controller has integrated Google AdWords. Google AdWords is a service for Internet advertising that allows the advertiser to place ads in Google search engine results and the Google advertising network. Google AdWords allows an advertiser to pre-define specific keywords with the help of which an ad on Google's search results only then displayed, when the user utilizes the search engine to retrieve a keyword-relevant search result. In the Google Advertising Network, the ads are distributed on relevant web pages using an automatic algorithm, taking into account the previously defined keywords.
The operating company of Google AdWords is Google Ireland Limited, Gordon House, Barrow Street, Dublin, D04 E5W5, Ireland.
If a data subject reaches our website via a Google ad, a conversion cookie is filed on the information technology system of the data subject through Google. The definition of cookies is explained above. A conversion cookie loses its validity after 30 days and is not used to identify the data subject. If the cookie has not expired, the conversion cookie is used to check whether certain sub-pages, e.g, the shopping cart from an online shop system, were called up on our website. Through the conversion cookie, both Google and the controller can understand whether a person who reached an AdWords ad on our website generated sales, that is, executed or canceled a sale of goods.
The data and information collected through the use of the conversion cookie is used by Google to create visit statistics for our website. These visit statistics are used in order to determine the total number of users who have been served through AdWords ads to ascertain the success or failure of each AdWords ad and to optimize our AdWords ads in the future. Neither our company nor other Google AdWords advertisers receive information from Google that could identify the data subject.
The data subject may, at any time, prevent the setting of cookies by our website, as stated above, by means of a corresponding setting of the Internet browser used and thus permanently deny the setting of cookies. Such a setting of the Internet browser used would also prevent Google from placing a conversion cookie on the information technology system of the data subject. In addition, a cookie set by Google AdWords may be deleted at any time via the Internet browser or other software programs.
The data subject has a possibility of objecting to the interest based advertisement of Google. Therefore, the data subject must access from each of the browsers in use the link www.google.de/settings/ads and set the desired settings.
Further information and the applicable data protection provisions of Google may be retrieved under https://www.google.com/intl/en/policies/privacy/.
On this website, the controller has integrated components of the service Instagram. Instagram is a service that may be qualified as an audiovisual platform, which allows users to share photos and videos, as well as disseminate such data in other social networks.
The operating company of the services offered by Instagram is Facebook Ireland Ltd., 4 Grand Canal Square, Grand Canal Harbour, Dublin 2 Ireland.
With each call-up to one of the individual pages of this Internet site, which is operated by the controller and on which an Instagram component (Insta button) was integrated, the Internet browser on the information technology system of the data subject is automatically prompted to the download of a display of the corresponding Instagram component of Instagram. During the course of this technical procedure, Instagram becomes aware of what specific sub-page of our website was visited by the data subject.
Instagram receives information via the Instagram component that the data subject has visited our website provided that the data subject is logged in at Instagram at the time of the call to our website. This occurs regardless of whether the person clicks on the Instagram button or not. If such a transmission of information to Instagram is not desirable for the data subject, then he or she can prevent this by logging off from their Instagram account before a call-up to our website is made.
Further information and the applicable data protection provisions of Instagram may be retrieved under https://help.instagram.com/155833707900388 and https://www.instagram.com/about/legal/privacy/.
13. Data protection provisions about the application and use of Jetpack for WordPress
On this website, the controller has integrated Jetpack. Jetpack is a WordPress plug-in, which provides additional features to the operator of a website based on WordPress. Jetpack allows the Internet site operator, inter alia, an overview of the visitors of the site. By displaying related posts and publications, or the ability to share content on the page, it is also possible to increase visitor numbers. In addition, security features are integrated into Jetpack, so a Jetpack-using site is better protected against brute-force attacks. Jetpack also optimizes and accelerates the loading of images on the website.
The operating company of Jetpack Plug-Ins for WordPress is the Aut O'Mattic A8C Ireland Ltd., Business Centre, No.1 Lower Mayor Street, International Financial Services Centre, Dublin 1, Ireland.
Jetpack sets a cookie on the information technology system used by the data subject. The definition of cookies is explained above. With each call-up to one of the individual pages of this Internet site, which is operated by the controller and on which a Jetpack component was integrated, the Internet browser on the information technology system of the data subject is automatically prompted to submit data through the Jetpack component for analysis purposes to Automattic. During the course of this technical procedure Automattic receives data that is used to create an overview of website visits. The data obtained in this way serves the analysis of the behaviour of the data subject, which has access to the Internet page of the controller and is analyzed with the aim to optimize the website. The data collected through the Jetpack component is not used to identify the data subject without a prior obtaining of a separate express consent of the data subject. The data comes also to the notice of Quantcast. Quantcast uses the data for the same purposes as Automattic.
The data subject can, as stated above, prevent the setting of cookies through our website at any time by means of a corresponding adjustment of the web browser used and thus permanently deny the setting of cookies. Such an adjustment to the Internet browser used would also prevent Automattic/Quantcast from setting a cookie on the information technology system of the data subject. In addition, cookies already in use by Automattic/Quantcast may be deleted at any time via a web browser or other software programs.
In addition, the data subject has the possibility of objecting to a collection of data relating to a use of this Internet site that are generated by the Jetpack cookie as well as the processing of these data by Automattic/Quantcast and the chance to preclude any such. For this purpose, the data subject must press the 'opt-out' button under the link https://www.quantcast.com/opt-out/ which sets an opt-out cookie. The opt-out cookie set with this purpose is placed on the information technology system used by the data subject. If the cookies are deleted on the system of the data subject, then the data subject must call up the link again and set a new opt-out cookie.
The applicable data protection provisions of Automattic may be accessed under https://automattic.com/privacy/. The applicable data protection provisions of Quantcast can be accessed under https://www.quantcast.com/privacy/.
14. Data protection provisions about the application and use of Pinterest
On this website, the controller has integrated components of Pinterest Inc. Pinterest is a so-called social network. A social network is an Internet social meeting place, an online community that allows users to communicate and interact with each other in a virtual space. A social network may serve as a platform for the exchange of opinions and experiences, or allow the Internet community to provide personal or company-related information. Pinterest enables the users of the social network to publish, inter alia, picture collections and individual pictures as well as descriptions on virtual pinboards (so-called pins), which can then be shared by other user's (so-called re-pins) or commented on.
The operating company of Pinterest is Pinterest Europe Ltd., Palmerston House, 2nd Floor, Fenian Street, Dublin 2,Ireland.
With each call-up to one of the individual pages of this Internet site, which is operated by the controller and on which a Pinterest component (Pinterest plug-in) was integrated, the Internet browser on the information technology system of the data subject automatically prompted to download through the respective Pinterest component a display of the corresponding Pinterest component. Further information on Pinterest is available under https://pinterest.com/. During the course of this technical procedure, Pinterest gains knowledge of what specific sub-page of our website is visited by the data subject.
If the data subject is logged in at the same time on Pinterest, Pinterest detects with every call-up to our website by the data subject—and for the entire duration of their stay on our Internet site—which specific sub-page of our Internet page was visited by the data subject. This information is collected through the Pinterest component and associated with the respective Pinterest account of the data subject. If the data subject clicks on one of the Pinterest buttons, integrated on our website, then Pinterest assigns this information to the personal Pinterest user account of the data subject and stores the personal data.
Pinterest receives information via the Pinterest component that the data subject has visited our website, provided that the data subject is logged in at Pinterest at the time of the call-up to our website. This occurs regardless of whether the person clicks on the Pinterest component or not. If such a transmission of information to Pinterest is not desirable for the data subject, then he or she may prevent this by logging off from their Pinterest account before a call-up to our website is made.
The data protection guideline published by Pinterest, which is available under https://about.pinterest.com/privacy-policy, provides information on the collection, processing and use of personal data by Pinterest.
This Privacy Policy has been generated by the Privacy Policy Generator of the German Association for Data Protection that was developed in cooperation with Privacy Lawyers from WILDE BEUGER SOLMECKE, Cologne.


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Dialeto — Live with David Cross
(Moonjune (dist.), 2018, CD / DL)
The title pretty much says it all, with Brazilian trio Dialeto expanding to a quartet with King Crimson violinist David Cross for this show on July 22nd, 2017, the second concert to promote their 2017 studio release Bartók in Rock. The show begins with the trio proper, guitarist Nelson Coelho, bassist Gabriel Costa, and drummer Fred Barley performing blistering versions of four cuts from the aforementioned album ("Roumanian Folk Dances 3, 2 and 4" (in that order) and then "Mikrokosmos 149" before the trio is joined onstage by Cross for four additional Bartók tunes "Mikrokosmos 113" (on which Cross contributed to the original studio take), "Mikrokosmos 78" (which was not featured on the studio album), then "An Evening in ihe Village : 10 Easy Piano Pieces No.5" (with no piano, of course) and "The Young Bride…" as the quartet ratchets up the energy level. Then, perhaps unsurprisingly, a version of "Exiles" with drummer Barley handling the vocal duties splendidly. Throughout all the Bartók interpretations the similarities in style with 70s King Crimson – especially Coelho's Frippian guitar sustain technique – are evident, but by this point in the set Dialeto with Cross become an amazing Crimson tribute band, following with a version of "Tonk" from David Cross' Exiles album, then on to "The Talking Drum" and "Larks' Tongues, Part II" that are at least as powerful or better than the original studio versions, with the slow intensity buildup in the former nothing short of stunning. Back for an encore, the band performs an intense but respectful take of "Starless," with Barley again handling the vocals with confidence and power. By the end of "Starless" the listener has undergone a true experience that elevates the studio versions to the next level. Whether one is interested in how Béla Bartók's music can be adapted into a rock setting, or in a romp down memory lane with some of King Crimson's timeless material, Live with David Cross is essential listening.
Related artist(s): David Cross, Dialeto
http://dialeto.bandcamp.com/album/live-with-david-cross
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