text:
Nocturnal dinosaurs: Night vision and superb hearing suggest moonlight predator
7 May 2021 - Lars Schmitz, Jonah Choiniere and Roger Benson
By looking at the eye bones and ear canals of extinct dinosaurs, researchers show that a small ancient predator likely had senses good as a modern barn owl.
Today, barn owls, bats, leopards and many other animals rely on their keen senses to live and hunt under the dim light of stars. These nighttime specialists avoid the competition of daylight hours, hunting their prey under the cloak of darkness, often using a combination of night vision and acute hearing.
But was there nightlife 100 million years ago? In a world without owls or leopards, were dinosaurs working the night shift? If so, what senses did they use to find food and avoid predators in the darkness? To better understand the senses of the dinosaur ancestors of birds, our team of paleontologists and paleobiologists scoured research papers and museum collections looking for fossils that preserved delicate eye and ear structures. And we found some.
Using scans of fossilized dinosaur skulls, in a paper published in the journal Science on May 6, 2021, we describe the most convincing evidence to date for nocturnal dinosaurs. Two fossil species – Haplocheirus sollers and Shuvuuia deserti – likely had extremely good night vision. But our work also shows that S. deserti also had incredibly sensitive hearing similar to modern-day owls. This is the first time these two traits have been found in the same fossil, suggesting that this small, desert-dwelling dinosaur that lived in ancient Mongolia was probably a specialized night-hunter of insects and small mammals.
Shuvuuia deserti had acute hearing and low-light vision that would have allowed it to hunt at night. Viktor Radermaker, CC BY-ND
Looking to theropods
By studying fossilized eye bones, one of us, Lars Schmitz, had previously found that some small predatory dinosaurs may have hunted at night. Most of these potentially nocturnal hunters were theropods, the group of three-toed dinosaurs that includes Tyrannosaurus rex and modern birds. But to date, fossils for only 12 theropod species included the eye structures that can tell paleontologists about night vision.
Our team identified four more species of theropods with clues for their sense of vision – for a total of 16. We then looked for fossils that preserve the structures of the inner ear and found 17 species. Excitingly, for four species, we were able to get measurements for both eyes and ears.
The eye socket – and specifically the sclerical ring – of S. deserti shows an eye with a very large pupil capable of letting in large amounts of light. Mick Ellison/American Museum of Natural History, CC BY-ND
Eye bones built for night vision
Scleral ossicles are thin, rectangular bone plates that form a ring-like structure surrounding the pupils of lizards as well as birds and their ancestors – dinosaurs. Scleral rings define the largest possible size of an animal's pupil and can tell you how well that animal can see at night. The larger the pupil compared to the size of the eye, the better a dinosaur could see in the dark.
This owl skull clearly shows the large scleral ring that helps animals see in darkness. David J. Stang/WikimediaCommons, CC BY-SA
Since the individual bony ossicles of these rings fell apart after these animals died more than 60 million years ago, our team made scans of the fossils and then digitally reconstructed the eyes. Of all the theropods we examined, H. sollers and S. deserti had some of the proportionally largest pupils.
S. deserti's pupil made up more than half of its eye, very similar to night-vision specialists that live today like geckos and nightjars. Our team then compared the fossils to 55 living species of lizards and 367 species of birds with known day or night activity patterns. According to the statistical analyses our team performed, there is a very high chance – higher than 90% – that H. sollers and S. deserti were nocturnal.
But those were not the only two theropods our team looked at. Our analysis also found a few other likely nighttime specialists – such as Megapnosaurus kayentakatae – as well as daylight specialists like Almas ukhaa. But we also found some species – like Velociraptor mongoliensis – with eyesight seemingly adapted for medium light levels. This might suggest that they hunted around dawn or dusk.
Molds of the inner ear canal from a barn owl (left) and S. deserti (right) are almost identical, suggesting that the small dinosaur had incredible hearing. Jonah Choiniere/Wits University, CC BY-ND
Incredible ears of a dinosaur
In today's nocturnal animals, hearing can be as important as keen eyesight. To figure out how well these extinct dinosaurs could hear, we scanned the skulls of 17 fossil theropods to decipher the structure of their inner ears and then compared our scans to the ears of modern animals.
All vertebrates have a tube-like canal called the cochlea deep in their inner ear. Studies of living mammals and birds show that the longer this canal, the wider the range of frequencies an animal can hear and the better they can hear very faint sounds.
Our scans showed that S. deserti had an extremely elongated inner ear canal for its size – also similar to that of the living barn owl and proportionally much longer than all of the other 88 living bird species we analyzed for comparison. Based on our measurements, among dinosaurs, we found that predators had generally better hearing than herbivores. Several predators – including V. mongoliensis – also had moderately elongated inner ears, but none rivaled S. deserti's.
The life of a nocturnal dinosaur
By studying the sensory abilities of dinosaurs, paleontologists like us not only are learning what species roamed the night, but can also begin to infer how these dinosaurs lived and shared resources.
S. deserti had extreme night vision and sensitive hearing, and this little dinosaur probably used its incredible senses to hunt prey at night. It could likely hear and follow rustling from a distance before visually detecting its prey and digging it up from the ground with its short single-clawed arms. In the dry, desert-like habitats of millions of years ago, it might have been an evolutionary advantage to be active in the cooler temperatures of the night.
But according to our analysis, S. deserti wasn't the only dinosaur active at night. Other dinosaurs like V. mongoliensis and the plant-eating Protoceratops mongoliensis both lived in the same habitat and had some level of night vision.
Paleontologists currently do not know the full suite of animals that shared S. deserti's extreme nocturnal lifestyle in the ancient deserts of Mongolia – it is rare to find fossils with the right bones intact that allow paleontologists to investigate their senses. However, the presence of a specialized night forager highlights that much like today, some dinosaurs avoided the dangers and competition of daylight hours and roamed under the stars.
[Get the best of The Conversation, every weekend. Sign up for our weekly newsletter.]
Lars Schmitz, Associate Professor of Biology, Scripps College; Jonah Choiniere, Senior Researcher in Dinosaur Palaentology, University of the Witwatersrand, and Roger Benson, Professor of Palaeobiology, University of Oxford. This article is republished from The Conversation under a Creative Commons license. Read the original article.
Wits100 News


Furnace hopes to help companies overcome the developer skills gap that so often stalls innovation and bypasses the resource-intensive, extremely expensive development cycles that can derail the completion of promising new applications and services.
Furnace Ignite Ltd announced the launch of Furnace that aims to enable data-organizations, to build highly sophisticated applications quickly, easily and cost-effectively. Early users have praised Furnace as the ideal platform for innovative and advanced streaming data applications serving; security, smart cities, IoT, finance, marketing and other data intensive sectors and scenarios.
Furnace is an infrastructure and language-agnostic, serverless, framework that can be instantiated and operable in minutes regardless of previous experience and skill level. Furnace is widely lauded as a 'clean slate' breaking through the complexities, expenses and extended development cycles that have long impacted on data-intensive applications. Furnace enables developers to take full advantage of serverless, to create innovative, complex applications with unprecedented agility, speed, and economy. Furnace is aligned with GitOps methodology, enabling developers to focus on feature innovation rather than mundane, time-consuming operational concerns.


The adoption of the Internet of Things has seen increasingly rapid growth in recent years, with the number of connected devices expected to exceed 20.8 billion by 2020, a rise from the expected 6.4 billion in 2016. As a result of this, the army of devices that make up the Internet of Things will generate an exponential increase in data volumes. The IDC Digital Universe Study anticipates that the accumulated digital universe of data will increase from an estimated 4.4 trillion gigabytes today to 44 trillion gigabytes by the year 2020.
In Asia Pacific, government initiatives are driving IoT technology adoption, with the number of connected devices expected to increase from 3.1 billion to 8.6 billion by 2020 in APAC alone (excluding Japan). For instance, Malaysia's Ministry of Science, Technology and Innovation (MOSTI) along with the National R&D centre in ICT (MIMOS) launched the National IoT Strategic Roadmap to transform the country's digital economy. Singapore has a Smart Nation initiative while Jakarta has Smart City programs in place. Smarter Philippines was also launched by the Department of Science and Technology (DOST) in 2013 to enhance economic growth through technology. Additionally, India has declared its 100 Smart Cities vision while the Thai government is working with Japanese companies and researchers to implement smart city technology to the country's cities, primarily to combat traffic congestion.
With this massive influx of data, comes the need to store, process and analyse it. Proper utilization of big data can give rise to data-driven business models, which bring increased revenues, better efficiency, lower costs and customer satisfaction. This is where cloud-based services have and will continue to be increasingly prevalent with the increase in amounts of connected devices. The cloud makes it possible for companies to collate data resources in its entirety and provides ease of access, in real-time.
However, while the cloud has its positive attributes that go hand-in-hand with the adoption of the IoT, business leaders express concerns with regards to the threat of data breaches. Given the vast amounts of available data in the case of a security breach, the cloud may also be the most vulnerable link. Security risks continue to be the biggest hindrance to IoT adoption, which is why enterprises are hesitant to exploit the full benefits of IoT. These concerns hold true in the Asia Pacific region. According to FireEye's report, Asia Pacific is 35% more likely to be targeted by advanced cyber-attacks as compared to the rest of the world.
Nonetheless, with IoT growth, comes greater security risks, and therein lies greater opportunities for security providers. The IoT security market will thus see rapid developments, with worldwide spending anticipated to reach $348 million in 2016, a 23.7 percent increase from 2015 (according to Gartner, Inc.).
Greater emphasis needs to be placed on dealing with issues in cyber-security in relation to IoT. More has to be done to educate enterprises on IoT in order to exploit the vast APAC market potential.
The underlying question that therefore remains is "how do we ensure security in the age of the cloud?" The onus is on the solution providers to provide security solutions for the respective technology, and also on the enterprises to ensure movement of data is controlled and accounted for across the entire data movement chain.
Join us at Asia IoT Business Platform should you have ideas or solutions to share in relation to the Internet of Things.


Seeking ideas for this small blog of mine, I began last month to refer to the weekly newsletter Publishous. Publishous is a little more than a year old, with about 5800 supporters. The newsletter is a collection of semi-connected ideas about content and the like and includes a writing prompt.
Formerly I would refer to WordPress' own daily prompts before that came to an end, owing, I presume, to WordPress no longer wishing to organize their once-a-day prompts.
The prompt for the current newsletter is Resolutions. I am late because I did less work between Christmas and New Year's Eve.
As you know, the custom among many New Year's revelers is to identify resolutions for the coming year that mark a life change. Resolutions can be in the spirit of fun, or they can be difficult to declare if a resolution requires the kind of change that is hard to make.
I kind of hate resolutions because I cannot think of useful ones. I do have a few tactics ready, for better productivity in 2019.
I was inspired in 2018 to read Robert Greene's book The 48 Laws of Power. This book was a difficult read, but rich enough with great ideas to benefit from having read the book. Even though 2019 was far off, I thought to resolve to make some attempt to apply the book to my strategy in the year ahead.
I want to apply more commitment to the areas of work for which I am already present.
My digital social interactions are largely confined to Facebook and Twitter.
At the cemetery, we have been working together since 2011, and we soon thought that a page for the work we do would be useful.
On Twitter, I don't specifically refer to details of the work I do with my dad. Instead, I tweet a few articles, generally about tech, and some about charity and a few other concepts. I have the idea that, if I do this, it could prove useful.
On Facebook, real "real estate" is hard to market, because of the competition among business users, to make ads which are interesting. I wish my dad and I had a marketing budget, but we don't.
Most of the work I do for my dad's little business is done on a volunteer basis, and I rarely include a call-to-action that deliberately invites business (you could say I leave money on the table). It's just not my responsibility.
That's all part of why I struggle with effective New Year's resolutions. It is frustrating to think that life improvement could be worked out without a yin and yang down-side, that depletes the benefit of strategy in business, and in life. I want to check the work in case there is a down-side, that I am blind to, that could defeat me.
I want to blog at approximately the same pace at which the newsletter prompts are e-mailed, in Publishous. You may wish to check it out for yourself.
The spirit of the blog is to put out an "ask" identifying that I'm interested in taking "real world" work online and also that I'm capable as a creator, to use the buzzword, to keep active in a role which for now is valuable to my dad's business in terms of the results I effect. I'm an optimist.
Thank you for reading my post here, and good luck with your own blogging in 2019. Take care, and all the best.


SEE 3D TOUR! Beautiful 5 BD/4 BA w/1BD/1.5 BA in law suite. Features Southern charm at its best in sought after Centennial. Double front porches & large rear deck. Large, open gourmet kitchen overlooks sunny breakfast rm & family rm. Butlers pantry leads into spacious dining rm. Large owners suite. Hardwoods on 1st floor. Finished basement with tile floors throughout, full kitchen with granite countertops, laundry, living room and customized office space. Basement leads to beautifully landscaped terrace level with screened in porch for more secluded feel. 2-car garage, plus parking for 2 more on the parking pad. Above the detached garage you will find a large amount of attic storage space. Home has ton of closets & storage spaces w/custom touches.
Directions:From 54/74 in Peachtree City, travel toward Newnan, Right on MacDuff Pkwy. Right into Centennial Dr. Home located on the main row.


text:
package fuzzer

import (
	"time"

	fuzz "github.com/google/gofuzz"

	metav1 "k8s.io/apimachinery/pkg/apis/meta/v1"
	runtimeserializer "k8s.io/apimachinery/pkg/runtime/serializer"

	kubeadmapiv1beta2 "k8s.io/kubernetes/cmd/kubeadm/app/apis/kubeadm/v1beta2"
	"k8s.io/kubernetes/cmd/kubeadm/app/apis/output"
)

// Funcs returns the fuzzer functions for the kubeadm apis.
func Funcs(codecs runtimeserializer.CodecFactory) []interface{} {
	return []interface{}{
		fuzzBootstrapToken,
	}
}

func fuzzBootstrapToken(obj *output.BootstrapToken, c fuzz.Continue) {
	c.FuzzNoCustom(obj)

	obj.Token = &kubeadmapiv1beta2.BootstrapTokenString{ID: "uvxdac", Secret: "fq35fuyue3kd4gda"}
	obj.Description = ""
	obj.TTL = &metav1.Duration{Duration: time.Hour * 24}
	obj.Usages = []string{"authentication", "signing"}
	obj.Groups = []string{"system:bootstrappers:kubeadm:default-node-token"}
}

redpajama_set_name: RedPajamaGithub


In order to book your private party, a refundable $125 deposit for the Barrel Room or Main Room is required. If your desired date and time are available, you will receive a confirmation email with a link to your party-page. We cannot hold a date without a deposit.
Availability: Private Parties can be scheduled any day and time of the week in our Barrel Room based on availability. Use of our Main Room for parties over 24 guests must be cleared with the studio to avoid conflict with Public Events.
please try and schedule well in advance to ensure your desired time slot is available.
Deposits: Your $125 deposit for our Main Room and Barrel Room will be refunded the day after your event or applied toward the remaining balance of your party. In order to obtain a full refund, a minimum of 10 paid-for painters must be met for our Barrel Room. Please contact the studio for requirements for our Main Room and children's parties. If the minimum is not met, those seats will be deducted from the deposit.
•	There is a 14-day cancellation policy for all PRIVATE PARTIES. The deposit will not be refunded if less than 14 days' notice of event cancellation is given. All Individual payments will not be refunded if canceled less than 48hrs of the event.
• If the minimum requirement is not met for the party through attendance, the host/hostess is responsible to pay for the balance of seats to meet the minimum.
Refund Policy for individual registrations: Due to the custom nature of our classes, we do not issue refunds. If you give us 24 hours or more notice via email, we will issue you a credit for a future class to be used within 60 days. No shows forfeit their purchase completely.
party and $47 per person for a 3-hour painting party. For adult parties, you have the studio for 30 mins prior to and 30 mins after your paint time.
Party duration may also be extended at the price of $75 for an additional 30 minutes. We request that guests pre-register at least 7 days prior to your event via the link we give the party host once a deposit is received.
Additionally, if the room is booked for another event, your party may be canceled if it is not started within 30 minutes of its scheduled start time and your deposit will be forfeited.
**Please do not arrive any earlier than 30 minutes prior to start of paint time to allow our staff to properly set up for your party.
We can work with you to develop a new custom-painting specifically for your party at an additional cost.
For children's events, a painting from the Kid's section must be chosen or agreed upon with the studio management.
children's parties (ages 7-13) at a rate of $25/$30 per painter based on party length with a minimum of 12 painters. Please call or email the studio for party options.
Fundraising Events: Fundraisers are scheduled just like a Private Party. A $125 deposit is required to hold the date based on the room being used. Two-week cancellation policy applies. Please contact the studio for pricing and proceeds distribution options to your 501c3 Organization. We do require proper documentation stating your organization is a registered non-profit. You can also choose to make your fundraiser public.
If weather causes us to cancel your event, will we reschedule your event at the earliest availability that works for you or you may choose to have a refund of your deposit and all reservations.
If our studio is open and you choose to not come due to weather conditions in your area, we will reschedule your event and put a hold on all reservations until a time can be determined for a future event.
We may amend the terms of this Agreement at any time, including any rights or obligations you or we may have. We will post the terms to the modified agreement on our website. As permitted by applicable law, any change, addition or deletion will become effective at the time we post the revised agreement to our website. Unless we state otherwise, the change, addition or deletion will apply to your future and existing Transactions. You are deemed to accept the changes, additions or deletions if (1) you do not notify us to the contrary in writing within 20 days of the date of our notice or such other time specified in the notice, or (2) you enter into a Transaction after such notice period. If you do not accept the changes, additions or deletions, your Transaction will be canceled.


text:
To get persistent storage of traces in elastic search, we will first create a data container:

```
$ docker create --name esdata openzipkin/zipkin-elasticsearch
```

Then, execute ``./start_zipkin.sh`` to start the Zipkin server and ElasticSearch node that it talks
to for storing the data.

The docker compose files are those provided by [zipkin](https://github.com/openzipkin/docker-zipkin), but
the ``docker-compose-elasticsearch.yml`` has this additional command to allow persistent storage by
using the volumes from the above data container:

```
+    volumes_from:
+      - container:esdata
```

## Demo

You need ``py_zipkin`` and ``flask`` installed:

- Start demo web application (``python demo.py``)
- Start service1 it talks to ``python service.py``)
- Make a HTTP get request to demo web application (``curl localhost:5000``)

Go to ``localhost:9411`` and click on "Find Traces" after selecting "webapp" in the top left.

Each request creates a trace:

![One trace per request](traces.png)

Each trace then shows the data about a single request:

![Data for a single trace](trace1.png)


text:
China: Plug-Ins To Be Exempt From Purchase Taxes In 2023 Too
Inside EVs 26/9/2022 Mark Kane
© InsideEVs BYD Dolphin
The incentive will remain around for longer, despite booming sales.
China has decided to extend support for New Energy Vehicle (NEV) market for a little bit longer, probably to avoid any more drama in an already challenging economic situation.
According to CnEVPost, China's Ministry of Finance, Ministry of Industry and Information Technology (MIIT) and State Taxation Administration announced in a joint statement that NEVs - mainly all-electric and plug-in hybrid cars, but hydrogen fuel cell cars also count - purchased between January 1, 2023 and December 31, 2023, will be exempt from purchase taxes.
The incentive was initially introduced in 2014 and then extended a few times and set to expire at the end of 2022. The latest decision means an extension of another year, to 2023, which was indicated as a possibility.
According to the Chinese media, the value of the incentive is about 10,000 yuan ($1,400), so not something that would be fundamental. On the other hand, the Chinese government probably prefers to enter smoothly into 2023, considering all the difficulties in 2022. Even conventional models got some tax reductions in recent months.
The article says that during the first seven months of the year, the total exemption for NEVs amounted to 40.7 billion CNY ($5.7 billion), which is 108.5% more than a year earlier. That's for some 2.8 million plug-in cars.
The China Passenger Car Association (CPCA) expects that some 6 million plug-in passenger cars might be sold in China in 2022 (plus commercial vehicles on top of that). After August, the tally is at 3.4 million, so with four months to go, the average would have to be at 650,000 per month. It's possible, considering over 550,000 in August and strong growth.
China remains not only the largest plug-in electric car market globally but also appears to be expanding its share beyond 50% in recent months. One of the reasons behind it might be a slower growth in Europe, which faces energy and supply chain issues, caused by the Russian invasion of Ukraine.
China: Plug-In Car Sales Almost Doubled In August 2022
China: Tesla Cuts Estimated Delivery Time Of Model 3/Model Y Again
Source: CnEVPost
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redpajama_set_name: RedPajamaCommonCrawl


Wilson stared at Cherry for a moment and then also lowered his head and continued eating the supper.
Inside the living room, Andrew sat on the chair which indicated his authority in the family. His butler stood beside him, and Jackson and Derek sat nearby, while Bobby stood beside Jackson, and Selina in the other side of the room. The atmosphere was slowly getting more and more intense by each passing moment.
"Jackson, how is the Future Project going?" asked Andrew. He then added, "Do you need any help with it?"
Jackson shook his head, and answered, "No, I don't. Everything is well and under control."
"Are you sure? Can you win it?" Andrew was concerned about Jackson's competitors. He had conducted a thorough research on them, and the results indicated that Wilson was also holding a trump card. Besides that, Wilson's father, Jacob, would also certainly help Wilson.
Derek didn't say a word, but Selina seemed to have understood Andrew's concern. She said, "Grandpa, are you talking about Wilson?"
Andrew shot an approving glance at Selina and thought that she was indeed quite clever.
Selina regarded grandpa's silence as an acquiescence, and thought that she had guessed right. Delighted by this, she continued, "Grandpa, please set your heart at rest. In our opinion, Wilson isn't that much of a serious and competent competitor, but we do have another one that we need to worry about."
Andrew was a bit surprised by what she said, and as he turned to look at Jackson, he asked, "Well, who is it?"
Jackson stared ahead with a blank look in his eyes and didn't intend to answer his inquiry.
ed reason. Although Jackson had made every effort in looking for her, she had been nowhere to be found. Now, five years later, Andrew heard that Sally had always been there for Jackson, accompanying him everywhere and loving him. Andrew had thought of driving her away, but he was at the same time afraid that Jackson might do something stupid, and he eventually chose to turn a blind eye to their relationship. Now, the proper time had come for him to ask Jackson about her, because he really wanted to know about Jackson's real thoughts that lurked deep down in his heart.
Both Derek and Selina also looked at Jackson, and waited for his reply.
He replied by lowering his head, and hiding his facial expression from the others.
A few moments later, Jackson finally said, "I only love my wife, Cherry."
When they heard him, Derek and Selina instantly looked at each other and smiled, because they both knew that Jackson still loved Cherry. Actually, Selina was more than happy with his reply, and now she was more than ever convinced that she had to find some way of bringing Jackson and Cherry back together. That was the right thing to do.


Jason Thomas on the battle between Red Bull KTM teammates, Dean Wilson, Adam Cianciarulo, and more.
Lewis Hamilton believes Ferrari and Red Bull will both be a "lot closer" to Mercedes at the Bahrain GP and is braced for a three-way battle.
Republican lawmaker shares image claiming "red states" have 8 trillion bullets.


Add tracks to your playlist, discover new music from BBC Radio DJs& presenters, and listen via Deezer, iTunes, Spotify or YouTube. Get more of the music you love. Piano& A Microphone 1983. Dec 23, 2008 · There was an extra surprise at closedown - BBC1's first Christmas clock in seven years! It only appeared at the end of the day though, the regular clock intr. Dec 18, 2017 · Continuity into To Catch A Thief followed by a very festive closedown May 24, 2016 · Following a 'request' for the intro into Charlie Browns Christmas, here is an idea of how things used to be when you didn't know when the Christmas ident wou.
Jan 06, 2007 · BBC Xmas closedown in 1983. BBC Xmas closedown in 1983. Skip navigation Sign in. Search. BBC1 continuity - Christmas Day 1982 - Duration: 4: 52.
Sep 09, 2018 · The last moments of a Val Doonican New Year's special lead into the first main News and Sport of 1983 with Jan Leeming and David Cass.
Headlines: Aug 26, 2012 · In the autumn of 1989, BBC1 premiered the sitcom Birds of a Feather, starring Pauline Quirke, Linda Robson and Lesley Joseph. It proved such a huge hit, a Christmas special was quickly.
Sep 09, 2018 · trailer for programmes on Christmas eve 1986 bbc 1 Christmas Day Sunday 25th December 1983 BBC1 8: 35am The Christmas Raccoons. BBC 1983 BBC 1982 BBC 1981 BBC 1980 BBC 1979 BBC 1978 BBC 1977 BBC 1976 BBC 1975 BBC 1974 BBC 1973 BBC 1972 BBC 1971 BBC 1970 BBC 1969 BBC 1968 BBC 1967 BBC 1966.
Christmas Films: page 15 Contributors. Unknown: Bing Crosby. Which record was the first No 1 hit of 1983? Which will be the last? What was the Christmas hit five years ago, ten years ago - or even just last year?. Produced and directed by BARNEY COLEMAN BBC Manchester Contributors. Introduces: Leonard Sachs. BBC CHRISTMAS TV 1984 Saturday 22nd December 1984 BBC1 8. 30am The Perishers 8. 35am The Littlest Hobo 9.
00am Saturday SuperStore. BBC 1985 BBC 1984 BBC 1983 BBC 1982 BBC 1981 BBC 1980 BBC 1979 BBC 1978 BBC 1977 BBC 1976 BBC 1975 BBC 1974 BBC 1973 BBC 1972 BBC 1971. BBC 1983 BBC 1982 BBC 1981 BBC 1980 BBC 1979 BBC 1978 BBC 1977 BBC 1976 BBC 1975 BBC 1974. ITV 1983 ITV 1982 ITV 1981 ITV 1980 ITV 1979 ITV 1978 ITV 1977 ITV 1976 ITV 1975.
Christmas Eve Saturday 24th December 1983 ITV GRANADA 6. 25am Good Morning Britain Licensed to YouTube by WMG, UMG (on behalf of Universal Music TV); UBEM, BMG Rights Management, ARESA, ASCAP, CMRRA, Abramus Digital, Bbc1 christmas 1983 youtube. 21st December 1983 - A look ahead to some of the films showing over the festive period The idents actually now deserve a mention but still don't appear until quite late on Christmas Eve (and this selection).
This may have tempted fate as on part 2 the BBC1 ident gets stuck. Category Trails and idents into for Christmas 1983. This feature is not available right now. Please try again later. There was an extra surprise at closedown - BBC1's first Christmas clock in seven years! It only appeared at the end of the day though, the regular clock intr.
Continuity into To Catch A Thief followed by a very festive closedown BBC 2 Christmas Night Closedown - 1983 [Mock] MagicGeezer. Loading. Unsubscribe from MagicGeezer?. BBC1 Christmas Closedown 1995 - Duration: 1: 27. Jimwoodward1212 15, 704 views. BBC Xmas closedown in 1983. BBC Xmas closedown in 1983. Skip navigation Sign in. Search. BBC1 continuity - Christmas Day 1982 - Duration: 4: 52.
DELTIC1976 31, 484 views. 4: 52.


There is a great misconception among the people that the air conditioning vacuum pumps are created only to industrial demands. However, it isn't really as they can help the homeowners in a variety of ways. It allows your air conditioner to run at its full efficiency and give great performances. If you aren't sure about how to find a perfect pump, then check out our list of top 10 best air conditioning vacuum pumps in 2019. Have a brief look at them and buy one that suits you the best.
Our list begins with an extraordinary vacuum pump having a capacity of 300ml that make it perfect for longer operations. The Flexizon pump comes with many great features like low noise operation, beautiful design, and low noise operation. It is a lightweight and fully durable product that gives a boost to your air conditioning system.
The pump equipped with an internal volume cooling vane that ensures the smooth operation. Furthermore, the pump is very easy to set up and doesn't involve any complicated process.
Zeny 3.5 CFM is a single stage pump having housing of heavy-duty aluminum alloy. You will enjoy a great amount of durability after installing this pump in your home. Furthermore, the weight of this pump is less than 12 pounds making it easy to move.
There is an inbuilt fan installed in this pump that prevents the overheating so that it can work for a longer duration. The pump as a capacity of evacuating air at a rate of 3.5 CFM that is enough for HVAC system applications.
If you are looking for a high-voltage vacuum pump, then you can consider buying XtremepowerUS Pump. It comes with silicone-damped gauges that give accurate readings. This pump has a good reputation to repair bad compressors among the buyers.
Overall, it is hassle-free equipment that works in an efficient way and stamp completely effortlessly. Furthermore, it is almost maintenance free and saves a great amount of burden that generates while visiting the mechanics.
Robinair 15310 is a high-performance pump having the capability to offer extremely high output. It has a very quiet single-stage operation that makes sure you don't get disturbed at all. There is a drain valve in the pump that drains the oil at a faster rate.
The thing that people most about this product is a sizeable oil refill that makes the process easier for everyone. You don't even need a dipstick for measuring the oil level.
It is a highly-efficient pump that is manufactured by a well-known brand with the name of Kozyvacu. The thing that makes this product unique is its lightweight and durable aluminum casing. It can cater to a great range of service applications with its 4.5 CFM capacity pump.
There is thermal overload protection provided in this product that makes allow the pump to work longer hours. Furthermore, the angled drain valve make the oiling services and monitoring better.
If you are looking for a two-stage rotary vane vacuum pump at an affordable price, then buy this HFS model now. This two-stage operational pump has ability pump gas in a very effective manner that can be useful for printing machinery, vacuum packing, and medical appliances.
It comes in a beautiful inlet design that ensures no oil backflow happen. On the other hand, the motor is manufactured using alloy casing that provides to sturdiness to the operation.
It is a robust vacuum pump that has a great ability to prevent the moisture and air from the system. The Mophorn pump crafted in an elegant manner that prevents the oil backflow and maintains the cleanliness in the pump.
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Q: Choosing/Removing Python on Mac and PYTHONPATH I started to use a Mac after someone and I encountered problems with Numpy/Matplotlib version. It turned out that there are several Python installations there and things from different installations are imported (which don't work together). I have:
1) /opt/local/ - installed via MacPorts
2) /Library/Frameworks/Python.framework - installed by hand
3) /System/Library/Frameworks/Python.framework/Versions/2.7/ - I have no idea where does it come from.
I checked:
pkgutil --pkgs

to find out:
org.pythonmac.matplotlib-platlib-py2.7-macosx10.6
org.pythonmac.numpy-platlib-py2.7-macosx10.5
org.pythonmac.numpy-scripts-py2.7-macosx10.5
org.pythonmac.scipy-platlib-py2.7-macosx10.5

so, I suppose this is where this not working numpy comes from. I have no idea how to remove this stuff and if it will not break OS X system / some package manager deps, etc.
I could leave these files in place and just use "my" numpy, but unfortunately their location is one of the first in PYTHONPATH, so always numpy from /System/Library gets imported and doesn't work with Matplotlib from MacPorts.
To sum up, here are my questions:
1) is it safe and how to remove these packages from OS X ?
2) how is PYTHONPATH set on OS X, where can I manipulate it (in order to remove some entries and force "my" Numpy being imported, instead of old system one)?
This is Mac OS X 10.7.5

A: I can't flag this as a duplicate because I don't have enough rep, but I found a possible answer here: How to uninstall Python 2.7 on a Mac OS X 10.6.4?
As myildirim suggested, try checking out virtualenv, with virtualenvwrapper to isolate all your installations in the future! Both keep your system sanitized and neatly organized.
As for the second half of your question, a quick google search shows that your path can be shown in .profile on your system's path. Inside .profile is the python path that you're looking for. [source/more information]
If you have any more questions, let me know!

A: This was stolen from my teachers website, this could be a helpful guide to setting of Python and numpy correctly on a Mac
The combination of Python, NumPy (Numerical Python), SciPy (Scientific Python), and OpenCV provides you with a free, open source programming environment that is ideal for imaging-related applications. You will have access to a huge collection of community-developed codes for linear algebra, matrix algebra, linear mathematics, computer vision, and image processing. You will also have access to an up-to-date collection of image acquisition routines for both still and video digital cameras. Rounded out by a full suite of input/output routines for a myriad of image and video file formats, this environment will provide you with a rich development and research capability.
You will need to have Apple's XCode installed on your computer.
If you are running Mac OS X 10.7 (Lion) or later (Mountain Lion), the latest version of XCode can be downloaded from the App Store. This is a large download (approximately 4GB) so you may want to connect your machine to the wired network during installation.
If you are running Mac OS X 10.6.8 (Snow Leopard), you will need to download XCode 3.2.6 from the Apple Developer site. You need to be signed up to the free Apple Developer program in order for this to work, and note, that this is an end-of-life product that will no longer receive updates. If possible, you should consider upgrading to the most recent version of Mac OS X.
Once XCode is installed, you will want to download and install the command line tools. Start XCode and go to
XCode > Preferences... > Downloads
and install the "Command Line Tools".
You will now need to install MacPorts on your system. The MacPorts Project is an open-source community initiative to design an easy-to-use system for compiling, installing, and upgrading either command-line, X11, or Aqua-based open-source software on the Mac OS X operating system.
Now you are ready to install Python and the various modules mentioned above. Open up a terminal window
Applications > Utilities > Terminal
and issue the following commands (be very careful what you type, executing these commands with sudo means you are operating as the root user on your machine, and as such, you could do some real damage if you issue an incorrect command):
$ sudo port selfupdate
$ sudo port install python27
$ sudo port install py27-tkinter
$ sudo port install py27-numpy
$ sudo port install py27-scipy
$ sudo port install qt4-mac
$ sudo port install opencv +python27+eigen+qt4+tbb+dc1394
$ sudo port install py27-matplotlib
$ sudo port select --set python python27

expected. The default shell on your Mac "out of the box", as in most modern Unix operating systems, is bash. Your default environment is controlled by a couple of resource files, located in your home directory, that get executed upon startup of the shell; these are .bash_profile and .bashrc. Using your favorite text editor, create or modify these files making sure that they minimally contain the following (note that these are "hidden" files and are most easily accessed from the command line):
.bash_profile
if [ -f ~/.bashrc ]; then
    . ~/.bashrc
fi

.bashrc
if [ -f ~/.bash_aliases ]; then
    . ~/.bash_aliases
fi

if [ -x /usr/libexec/path_helper ]; then
    export PATH=""
    export MANPATH=""
    eval `/usr/libexec/path_helper -s`
fi
export PATH=/opt/local/bin:$PATH
export MANPATH=$MANPATH:/opt/local/man

export PYTHONPATH=<path-to-your-python-modules>

The  indicated on the last line should indicate the location of any personally developed Python modules that you have written or will write that you would like to be available to all the codes you write on your machine, regardless of the location that you develop them in. For example, you might create a directory in your home directory by typing
cd
mkdir src/python/modules

where you intend to store all of your personal Python modules. Your PYTHONPATH envrionment variable in the .bashrc file should then be
export PYTHONPATH=$HOME/src/python/modules

Now to see if it works
$ python

>>> import numpy
>>> import scipy
>>> import cv2
>>> numpy.__version__
>>> scipy.__version__
>>> cv2.__version__

redpajama_set_name: RedPajamaStackExchange


Rose Marie Swift the founder of RMS Beauty gave a presentation to makeup artists and beauty experts about her wonderful organic makeup brand hosted at Olivia Colacci Salon in Toronto. Rose Marie spoke frankly and was quite humorous about the inside scoop on ingredients in the beauty industry. She created the brand after a personal health problem with the intention of spreading the word of health and beauty.
She is an accomplished makeup artist who has done tons of runway, celebrity and photoshoot work. She told us stories of the lovely supermodel Gisele sitting in her chair. Her style is fresh, clean and natural bringing out the unique features of each individual she works on.
The RMS brand is based on living and organic principles with each product formulated to give radiant, illuminated skin. She uses raw, food-grade organic ingredients to protect the nourishing qualities of their natural enzymes, minerals, vitamins and antioxidants which generally get destroyed by heat and chemical manipulation.
RMS products are generously pigmented cream based that work on lips, cheeks and eyes for a fresh, youthful and modern look. The brand is fabulous for mature skin due to it's anti-aging and nourishing ingredients but great for any age too!


Rakim's long-awaited solo debut album was massive, with explosive tracks and brilliant verses. "It's Been a Long Time" is just pure class from the great rapper, with great and vivid lyricism and strong cuts from DJ Premier. The song received great popularity among Rakim followers and fans of the hip-hop genre.
Produced by DJ Premier and contains samples from "I Know You Got Soul" by Eric B and Rakim and "Call Me (Come Back Home)" by Cecil Holmes.


Stephen Cone is a Chicago-based filmmaker whose films include Princess Cyd (BFI London Film Festival, BAMcinemaFest) and Henry Gamble's Birthday Party (BAMcinemaFest, Maryland Film Festival), both of which are currently streaming on Netflix, as well as the Outfest-winning, New York Times Critics Pick The Wise Kids, which can be found streaming on Hulu. Other films include Black Box (Devolver Digital), This Afternoon and In Memoriam (Vimeo). Stephen teaches in the Department of Radio / Television / Film at Northwestern University.
I read Thoreau's Walden for the first time this past January, prompted by a longing to extend myself out of the noise of the 21st century and into the quieter, more reflective space of the pre-digital era. In my own circle of friends and acquaintances (both real life and online), I've seen this longing mirrored in an upswing of folks vowing off Facebook and Twitter (I've succeeded in the former but not the latter). With a news and opinion cycle that's the digital equivalent of that evil morning jackhammer blasting in perpetua, it's no wonder. What's clear to me is that we're in desperate need of some quiet time. Of course, everything is relative. Walden was written prior to the Civil War, a period few of us (actually, I would dare say, none of us) would be willing to trade even for the screeching cacophony we live inside today. But while political discourse, at its best, is the literal lifeblood of a democracy, I've had this nagging feeling for a good long while now that the answers to The Big Questions of Our Modern Age might at least be found partially in renewed reflection on the elements, on beginnings, on nature.
On occasion, when I'm feeling whipped and shocked by all the cultural noise, my mind will wander to the image of a solitary man in the Canadian arctic wilderness, with its haunting wind, glorious landscapes and eternal time. I imagine myself in such an environment, I feel grateful it exists, still, and I calm down. This unchanged natural world, from Carroll Ballard's 1983 film Never Cry Wolf, is ever-present with me, as is the work of Ballard in general. Most famous for the exquisite 1979 family classic The Black Stallion, and, to a slightly lesser extent, 1996's Jeff Daniels and Anna Paquin-starring drama Far Away Home, Ballard is – despite making only six films in a period of almost 40 years – our foremost mainstream chronicler of the natural world. And as he falls further and further out of fashion, becoming less and less traditionally "timely," he seems to me more and more vital, a quiet, soulful balm in horrific times.
Born in 1937, Ballard is the oldest of the '70s boys club that includes Spielberg, Lucas, Scorsese, Malick, Lynch and, most significantly here, Francis Ford Coppola. He ended up at UCLA with Coppola after discovering his love of cinema through a chance viewing of a Kurosawa movie while on a military base in South Carolina. Though Ballard was the elder of the two, Coppola nevertheless became a mentor of sorts to him, and the driving force of Ballard's early career. After graduating from film school, Ballard, who was a bit trepidatious about working with actors, found a decent living making industrial and educational films featuring a wide variety of animals. Little did he know where this would lead him.
In a 2005 interview, Ballard claimed that nature films were "not the kind of movie I really wanted to make. The first movie I ever made was that kind and that's been my M.O. ever since. I don't complain about it, though. It's fun making films." He went on to say, "I've never made a film that I've wanted to make from the get-go." While this admission speaks to the struggle of making personal films in Hollywood, one can't help but feel grateful for the features Ballard has made, which occupy a space that otherwise might have remained a void. This would have been unfortunate as his handful of features cumulatively comprise one of the most thrilling and (literally) adventurous bodies of work in late-20th and early 21st-century film.
Ballard's films are almost defiantly unfashionable and pure, with stories that almost exclusively explore the relationship between man/woman/child and beast. Ballard has joked that making "art films for children" may be the reason for him struggling to get projects off the ground, but I'm not sure that's the problem. His movies seem perfectly accessible to me. Landing somewhere near the intersection of Spielberg and National Geographic, Terrence Malick and Sesame Street, Ballard's work is hugely entertaining but exceedingly probing, sincerely engaged with reaching out to touch the world. These are films of excitement, but also of questions, of family, of environment. They are films of gentleness and intelligence. In fact, Ballard is arguably, along with Malick, one of the handful of cinematic transcendentalists currently roaming our planet, and if there's ever been a time that needed transcendence, it's now.
Ballard shot out of the gate – finally, at age 42 – with The Black Stallion, a children's property Coppola brought to him after rejecting other projects Ballard had pitched for consideration. Ballard worked hard to bring out nuance in what was by all accounts an overly simplistic screenplay adaptation of Walter Farley's children's tales, and – despite initial studio skepticism – The Black Stallion went on to become a critical, audience and financial success. The movie is a wonder; if you haven't seen it, you must discover for yourself via Criterion's recent re-release. This tale of a boy and his horse takes us from a Mediterranean shipwreck to an all-American midwestern town, circa 1940s, and manages to somehow find a perfect balance between lyrical meditation and exciting human drama. It is one of the great so-called children's films of all-time: thrilling, nurturing, moving. For many people, Ballard never topped his artistic achievement here, which seems a melancholy assessment until you consider all the directors – mostly women and people of color – who have only ever been able to make one film.
Ballard followed The Black Stallion four years later with Disney's Never Cry Wolf, a candidate for my own personal favorite, despite one of the most overutilized and unnecessary voiceovers in a movie. (I have to assume this was requested by the studio.) Based on the writings of Farley Mowat, the film chronicles the journey of a biologist, Tyler (played by the great Charles Martin Smith), sent to the Canadian arctic wilderness to study the disappearing caribou population. It is assumed wolves are at fault for this decrease in numbers, which proves to be true, but as he draws closer to the wolf population, his assumptions about nature and her predators – humans among them – begin to alter. It is a movie of profound solitude; a last-man-on-Earth scenario that wraps the viewer into a cocoon of both loneliness and wonder. It's here that Ballard again proves himself a visual artist of great beauty, with abstracted landscapes to rival J.M.W. Turner.
Ballard subsequently made, in 1986 and 1992, a couple cinematic oddities which achieve varying levels of success. Nutcracker: The Motion Picture is a pleasant visual document of the 1983 production of The Nutcracker performed by the Pacific Northwest Ballet and designed by Maurice Sendak. Reminiscent of Bergman's The Magic Flute, it's a charming piece with committed performances and some nice visual surprises. He followed that holiday lark with Wind, a studio romance set in the world of sailing. It is an energetic film made from a bad screenplay, and is a tough sit. Still, it remains of interest as the first and only of his films to place relationships between adults at the forefront, and his interest in human complexity shines through despite it being an all-around ill-advised picture.
In perfect symmetry, Ballard's latest two films (and possibly final, though hopefully not!), Fly Away Home and Duma, mirror in quality The Black Stallion and Never Cry Wolf, which is to say they are not only two of his best films, but two of the best films of their kind ever made. In Fly Away Home, Anna Paquin is a 13-year-old girl who, after the death of her mother, is forced to go live with her estranged father in Canada. Said father, played by Jeff Daniels, is a sculptor and inventor, a modern-day hippie with a small but dynamic group of progressive, free-floating friends. The two are at first unable to fully connect, but when a construction crew accidentally orphans a group of goose eggs (who quickly become goslings), father and daughter join forces to teach the geese flight and migration, utilizing homemade ultralight aircraft. In what might be Ballard's most traditionally satisfying film, the care and protection of the vulnerable proves a catalyst for familial reconnection and political engagement. There are flying sequences here of unparalleled moral beauty, as goodness takes flight.
It's no coincidence that inside Ballard's wondrous body of work, there is little to no distinction between nature film, children's film and family film. To be a young person is to be an explorer. "What are the elements that make up this vast globe I inhabit? What can I touch? How am I supposed to behave around this creature? Will it hurt me?" At their best – and certainly this is the case in the work of Carroll Ballard – children's films are stories of profound moral learning, the extension of the human soul outward.
The South Africa-set Duma – which, if it does turn out to be Ballard's final picture, will be a beautiful last testament indeed – is the tale of a boy, Xan, and his cheetah, Duma. Here, once again, an orphaned animal, following the loss of a parent, teaches humans how to care. Bafflingly, the movie was destined to go straight to DVD until then-Variety critic Scott Foundas sent out a clarion call warning of the neglect for what he perceived as one of the great family films. Duma wasn't a hit, but it was seen by infinitely more people than would have been the case otherwise. It remains widely available on DVD and in a gorgeous HD transfer on VOD.
There is a small yet profound shift in the storytelling fabric of Duma that sets it apart from the other films. Namely, a sense that Xan, a young man of 12 years, understands innately – accompanied by a razor sharp, Zen-like focus – the mortal need to find one's home in the world. There is little in the way of confusion here. As Xan and cheetah journey across the African desert to fulfill a promise made by his recently deceased father – that one day, when he is ready, they will return Duma to his proper home – obstacles appear at every turn, genuinely harrowing. But, guided by nature and an uncommon faith, the creatures thrive, man and beast alike.
I suppose it's not entirely fair to blame my aversion to the cacophony of 21st century life entirely on The Cultural Conversation. I choose to live in a big city, Chicago. I choose to be on Twitter. I choose to be a workaholic and to work in a digital medium. I'm making a film every year or two, always dwelling on what's next, rarely slowing down. It's possible the everyday noise, of all varieties, will become more tolerable as I myself learn – like a character in a Ballard film – to take time to reconnect with the natural world. Until then, these films will have to do. Revisiting them has been a moving pleasure; again, a balm. Launching into them, I was curious, having seen the four primary films two or three times each already, if anything new would strike me. Many things did, of course, but one small thing stood out in a strange and powerful way. Throughout Duma, Ballard captures something remarkable with his camera. Duma the cheetah, in close-up, agitated yet hopeful, eyes darting around while on this tumultuous journey, looking for that one sign, finally, that home is on the horizon, and that everything is going to be all right.


Do you have trouble getting test equipment to function properly? Do you have unusual problems with power supply regulators? Do you have unwanted audio superimposed on your signals? Do you have a high rate of unexplainable hand-offs, dropped calls or other artifacts occurring from a particular cell site?
The phenomena described above are but a few of the symptoms of unwanted RF signal ingress into cellular telephone systems. These typically occur at cell or switching sites near broadcast or other high power RF installations, even several miles away.
As cellular operators expand their systems in MSA's and build new systems in RSA's, they are discovering increasing difficulty in obtaining authority to build new towers where needed. Frequently the only way to locate a cell site in a particular area is to share an existing tower which is already being used by one or more other transmitters. Alternatively, the cellular operator may be required to locate a new tower in an existing antenna "farm".
In either case there is a distinct possibility that high RF signal levels will be present in the immediate vicinity of the cellular equipment - signals that can cause the kinds of problems outlined in the beginning of this technical note. In some locations, ambient field intensity levels may even exceed OSHA limits and pose personnel hazards!
What is the solution to these problems? The answer is essentially to "enclose" the cellular equipment in a "box" which blocks all RF signals, keeping all other signals out of the "box" and confining the cellular signals inside the "box".
As a practical matter, a perfect shielding "box" is neither achievable nor economically desirable. There must always be penetrations of the shield for antenna transmission lines, main power, telephone lines, doors, grounding cables, air conditioners, water and sewer pipes, etc. The trick is to restrict passage through these penetrations so that unwanted RF signals which enter the shielded area are sufficiently small to cause no harm to practical equipment installations.
In the real world, most shielding needs can be met by innovative applications of advanced RF shielding materials. Using such things as fiber attenuation composites, coating suspensions, and more conventional techniques, attenuations of 40 dB or more can readily be obtained in existing buildings. While not to "CIA" specifications, such attenuations will frequently be adequate to ensure no ingress into your equipment.
In addition to protecting your investment in expensive equipment, reducing maintenance costs, and increasing reliability and customer satisfaction, architectural shielding can protect your employees from potentially hazardous exposure to high RF signal levels, and may just make the difference in the viability of a cell site.
Control of RF ingress problems begins with site selection. A careful study, including field intensity measurements where needed, should be made to identify existing and future hazards. This can be tricky, because the "world" of high power RF is usually not familiar to site acquisition people, or to land mobile engineers. Even the acquisition of meaningful FCC information may be difficult.
Actual abatement proceeds from 1 ) avoidance or 2) proper design based upon data taken in the site selection process. Of course, at existing sites, diagnostic measurements must be used, along with a database study to characterize the actual and future environment. From this data, shielding techniques are selected and, with the architectural or building designer, integrated into construction planning. In many cases, it may be necessary to modify standard electronics lay-outs to ensure that not only the present installations, but future expansion will remain RF-free.
After equipment and shielding installations, test measurements must be made at the specific "threat" frequencies in order to establish that the design objective has been reached. This data also establishes a baseline for future maintenance checks, which should be done regularly. An interval we recommend is annually, or if unexplained equipment problems pop up. No matter how well built, there will be the invariable, unauthorized coaxial cable wall penetration, air conditioner replacement, or other change which can corrupt the shield.
Lawrence Behr Associates, Inc. has broad consulting engineering experience in solving unwanted signal ingress problems for cellular operators. Our engineers have the expertise in architectural shielding to control effectively all problem signals ranging from low frequency through UHF. We have successfully shielded cell sites and switches from high level RF interference arising from LORAN, AM and FM broadcast radio, VHF and UHF broadcast television, and VHF and UHF communications transmitters.
Our consulting services include site selection compatibility surveys to determine potential sources of high level RF signal interference, on-site signal measurements, internal and external conventional and architectural shielding of existing buildings, "high tech" shielding for new buildings to blend with and provide the finished look of attractive office decor, and verification and certification of shielding effectiveness.


text:
Blue Sky Science: Do plants produce nectar every day?
Do plants produce nectar every day? In this episode of Blue Sky Science, Johanne Brunet, professor of entomology answers that question posed by Arlene Koziol, a volunteer with the Madison Audubon Society.
Blue Sky Science was a collaboration of the Wisconsin State Journal and the Morgridge Institute for Research. Scientific questions were posed by visitors to Science Saturdays, a monthly series at the Discovery Building. The Blue Sky Science team then set out to find an expert to answer the questions.
Wisconsin's end-of-summer soil health – Audio
There's no use in wasting spilt milk: CALS, Extension experts help farmers repurpose surplus milk that would otherwise be dumped


Join the Cantabile Women, Director Kathy Sherlock-Green, and Accompanist Jeanne Chambers for our Spring Concert June 1st and 2nd - a delightful afternoon of music about the Sun, the Moon, and the Stars.
Music set to the poetry of Robert Frost, Christina Rossetti, Emily Dickinson, and Sara Teasdale. Traditional songs from Appalachia, Newfoundland, Armenia, and Denmark.
Guest Soloist Lilly Cadow singing music by Samuel Barber, Jake Heggie, and Kurt Weil.
Visit our Facebook Page to keep up to date on what we are up to!


Remember: The people shown on these pages have been arrested, but have not been found guilty in a court of law.
visit the Monroe County Clerk of the Courts web site.
For information on court dates and judges calendars, visit the 16th Judicial State Courts web site.
First on this page are the most wanted in Monroe County. The current arrests follow underneath.
Click on any image to open a larger photo.
Evert Antonio Zeledo, 41, last known address in Miami. Wanted for multiple counts of sexual assualt and lewd and lacivious behavior.
Pedro Gabriel Ayala, 23, last known address in North Lauderdale, FL. Wanted for failure to appear in court reference driving with license suspended - third or subsequent offense and possesion of cocaine.
Jack Kiplan Porter, 50, last known address in Hobe Sound FL, wanted for failure to appear in court reference battery on an officer, firefighter or EMT and obstruction.
Jamie Elrod, 42, last known address in Tavernier. Wanted for failure to appear in court reference aggravated assault with a deadly weapon.


text:
Tamasariya – gaun wikas samiti w zachodniej części Nepalu w strefie Lumbini w dystrykcie Nawalparasi. Według nepalskiego spisu powszechnego z 2001 roku liczył on 1930 gospodarstw domowych i 10003 mieszkańców (5348 kobiet i 4655 mężczyzn).

Przypisy

Tamasariya

redpajama_set_name: RedPajamaWikipedia


text:
Meghan Markle is a 'brilliant shameless woman' but Kate Middleton has a 'fashion sense'
By David E. West on	 January 1, 2022 Boys fashion
Meghan Markle and Prince Harry got married on May 19, 2018 in St George's Chapel at Windsor Castle. They had been dating for just over a year, but before that, Meghan starred in the cable TV series Suits for seven years. But even before the Duchess of Sussex's acting career, she was a college student.
A spokesperson for Oxford royal spoke exclusively to Express.co.uk about Meghan's intelligence and how that makes her the smartest member of the British royal family, followed closely by Kate Middleton.
They said: "Meghan Markle is an unapologetically brilliant woman, and her refusal to remain silent on complex and controversial issues, from racism and injustice to menstrual poverty and the need for paid parental leave, testifies to his intelligence and his academic pedigree.
"Despite the fact that as the wife of Prince Harry, Meghan Markle married in a royal tradition of neutrality on key political issues (to preserve the stability of the Crown), the Duchess of Sussex has never let that prevent him from expressing his beliefs openly and clearly.
"Not only has Meghan Markle had a successful career as an actress, but she also graduated in one of the most complex and rigorous subjects available – international relations – from a leading academic institution.
DO NOT MISS :
"It has given her excellent preparation for a life and a career where she will continuously communicate with the public.
"The marriage of Meghan Markle and Prince Harry is a versatile partnership, as Prince Harry has chosen not to go to college and serve in the military instead.
"The resilience and lateral thinking skills he acquired during his military career, coupled with the natural empathy he inherited from his mother, Princess Diana, will bring great strength to the couple as they sail their lives in the spotlight.
"While the public will always focus on Kate Middleton's impeccable fashion sense and flair, she also shines as a smart member of the British Royal Family.
Other royals who attended university included Princess Eugenie, who studied art history and English literature at Newcastle University.
Additionally, Princess Anne's children Peter Phillips and Zara Tindall both attended Exeter University.
Lady Kitty Spencer, the niece of Diana, Princess of Wales, and first cousin of Princes William and Harry, also attended college.
She attended the University of Cape Town in South Africa, where she studied psychology, politics and English literature.
How Dr Shereene Idriss Celebrates the Holidays
Most Memorable Moments from the Fashion Awards – WWD
Death of Virgil Abloh: the fashion industry pays tribute to him
Are you ready for the 2022 FIFA World Cup Qatar ™?
David E. West


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  boxHi = [ boxLo[0] + 0.25*(1.0+0.8*Math.cos(0.9*t + 7)), boxLo[1]+0.25*(1.0+0.8*Math.cos(3*t - 1)) ]

  comparison.run()
  comparison.render()
}

function actual(fbo) {
  fbo.shape = [canvas.height, canvas.width]
  fbo.bind()
  actualShader.bind()
  actualShader.uniforms.screenSize = [canvas.width, canvas.height]
  actualShader.uniforms.boxLo = boxLo
  actualShader.uniforms.boxHi = boxHi
  drawTriangle(gl)
}

function expected(fbo) {
  fbo.shape = [canvas.height, canvas.width]
  fbo.bind()
  expectedShader.bind()
  expectedShader.uniforms.screenSize = [canvas.width, canvas.height]
  expectedShader.uniforms.boxLo = boxLo
  expectedShader.uniforms.boxHi = boxHi
  drawTriangle(gl)
}


text:
General | by Jorin Zschiesche | 15. October 2014
FOXOS: Interview with our Passenger of the Month in October 2014
Who and what are you?
I am Rick, FOXOS is my artist name. FOXOS is a one man project, but I work together with wonderful people.
FOXOS – How did you get that name? Tell us the story, please.
I have always had a big interest in sagas, myths and fairy tales. In the old stories from the West in particular, foxes have a pretty bad image that they don't deserve. They are usually evil, mean background figures that only act in their own interest, and willingly let other people be harmed. But in reality, foxes are very shy, loving and intelligent animals. This discrepancy and lack of transparency is something that fascinates me. I want my music to carry with it something magical and fairy tale-like, which is why "fox" became FOXOS. It is an artificial word with fox in its name, but is still mysterious and not fully self-explanatory.
How and why did you start making music?
I have been making music for a long time. When I was 6 I started playing classical piano. I stayed with it for a long time and was lucky enough to have had many amazing teachers that supported me and helped me develop my huge passion for music. Originally, I feel at home with classical music and jazz. I played in a Big Band for a long time and only later started to sing. When I was 14, I wrote my first songs, played in several bands and was able to try out different styles and genres. At some point, I felt the need to record my music, so I bought all kinds of gadgets, tried out recording software and played with the possibilities my computer gave me.
But although I prefer certain things, my own style of songwriting and producing is continually developing. What interests me most is the symbiosis of electronic and acoustic sounds, how to replace one with the other, how to tell stories not just with lyrics, but also by using the arrangement and creation of a song. Above all, encountering different musicians and producers can hugely characterize a style. My EP FABLES, for example, was born through a close collaboration with Jonas Fritsch from Hamburg, who is a musician and producer. He was also in charge of mixing.
How and why did you end up at recordJet?
I was looking for a simple and fair way to distribute my FABLES EP to all the stores and streaming platforms worldwide. I learned about recordJet through the Berlin Music Week and friends who are musicians. I cannot imagine a better alternative.
Which music do you like to listen to privately?
That really depends on my current, or even my desired mood. When I ride my bike through the city, I love to listen to electro pop with strong beats like Robyn. When I want to be alone and melancholic, which is perfect now in autumn, I listen to a lot of London Grammar or Daughter. However, I particularly love alternative, electronic music from Germany. I adore Hundreds in a way that could be described as creepy, and I have been listening excessively to Moderat all summer long.
I listen to Jazz a lot to come down – my listening habits are rooted in this genre. I will forever adore Amy Winehouse. I have listened to all the records from old soul and jazz legends like Billie Holiday or Ella Fitzgerald, but in my opinion, nobody could open up through their songs as much as Amy.
What do you do when you're not doing music?
Exercise. And food. I get into a bad mood if I don't go out for a run or unroll my workout mat 5 times a week. There are only few things that relax me physically and mentally as much as pushing my body to its limits. After that, I intensely reflect upon what to eat for lunch or dinner. I am a very bourgeois person, I love to go to bed at midnight, even on weekends, get up at 7:30AM and pay attention to nutrition. I try to eat vegan as best as I can, but it's still hard for me to switch completely. It takes a lot of time in the beginning to commit to it.
Who are your heroes and why?
Professor Snape is my hero. To carry love, loyalty and tolerance deep inside your heart, but to have to embody the exact opposite until you die, that's heroic.
What was the first and latest album you bought?
Latest: Hundreds – Aftermath
First: No Angels – Daylight in Your Eyes
If you had the real recordJet at your disposal for one day, where would you go, and why?
To the mountains of a Canadian national park to enjoy the space and vastness, and observe animals.
Thank you so much for the interview, Rick :-)
Parisse: "My love for music is definitely my dad's fault."Interview with Parisse, recordJet Passenger of the Month in March 2017
Parisse
The Living: "Looking at social media, you can see how different musicians and bands help and support each other. We think this is pretty nice."Interview with The Living, recordJet Passenger of the Month in April 2016
The Living
grim104: "I would have liked to become a forester, but without shooting animals."Interview with grim104, recordJet Passenger of the Month in November 2019


text:
Q: @nameuse with value \relax in conditionals This is a follow-up to this question: @nameuse as conditional where i asked about how to use \expandafter if i combine \@nameuse with \ifx. However, in my real-life example, i use \relax as a default value for dynamically assigned csnames. I want to know if these control sequences have a specific value, or if they are default. My naive approach would be something like:
\documentclass{standalone}

\makeatletter
\parindent\z@
\@namedef{blafasel}{\relax}

\begin{document}
\expandafter\expandafter\expandafter\ifx\@nameuse{blafasel}\relax
   true
\else
   false
\fi

\end{document}

but this doesn't work. In its simplest form it gives "false", but in more complex form (with xmltex, a macro definition, and another ifx-structure around) i get Extra \else errors. I'd like to understand why that is and what i need to do to make it work.
Bonus: I'd prefer a "plain" solution, i.e. no expl3-syntax or complex packages since i want to be as independent as possible from my code's user's configurations.
EDIT:
Here is the problem i'm facing: I want to store some information of the cells of a table. I'm using David Carlisle's xmltex mechanism to parse html tables. Elements are grabbed and transmitted directly into corresponding tex macros. The necessary counters are incremented at the beginning of every such macro.
In the cell definiton iterate over all cells and use a global macro
\gdef\SetCellProp#1#2{\expandafter\def\csname cell-\the\curtab-\the\currow-\the\curcel-#2\endcsname{#1}}

to store properties like the cells calculated width (content in \mybox; \@tempdima=\wd\mybox), its content, and its background-color. E.g., i am in the second table, third row, second column, then the width of that cell (e.g. "12mm") is stored with \SetCellProp{12mm}{width} which "creates" a control sequence named \cell-3-2-2-width that yields the value "12mm".
Likewise, i have want to store the biggest value for width so far using
\gdef\SetColProp#1#2{\expandafter\def\csname col-\the\curtab-\the\curcel-#2\endcsname{#1}}

The macro that returns that value is defined as
\gdef\GetCurColProp#1{\csname cell-\the\curtab-\the\curcel-#1\endcsname}

Note, that this definition doesn't care about the row i am in. Since i re-count cells each row, i need to decide whether to overwrite the maximum value, or not if it is present at all.
To do so, in each cell, we need to check if

*

*
*

*a maxwidth for the column the current cell is in, is already given

*2a. if no, make the current cell's width maxwidth for the whole column

*2b. if yes, look if the value for the current width is larger than maxwidth for the column

*3a if yes, make that current value the new maxwidth for the while column,

*3b if no, leave everything as it is.

The part of my cell definition so far looks like:
  %% check if maxwidth for the col is already given:
  \ifx\csname cell-\the\curtab-\the\curcel-maxidth\endcsname\relax
    %% if no, take current width (\@tempdima) as maxwidth
    \expandafter\SetColProp\expandafter{\the\@tempdima}{maxwidth}%
  \else
    %% else check if current width is larger than  maxwidth:
    \expandafter\@tempdimb\GetCurColProp{maxwidth}%
    \ifdim\@tempdimb<\@tempdima
      %% if so, reassign maxwidth with curwidth:
      \expandafter\SetColProp\expandafter{\the\@tempdima}{maxwidth}%
    \fi
  \fi

where \curtab counts the tables, \currow counts the current row, and \curcel the number of the cell in the row (gets reset to 1 at the beginning of every row). The aim is to get the maximum width of any column my table has.
I hope that explains my problem a little bit.

A: The problem you will confront will be that, unless you know in advance the types of arguments that may be passed to this test, they each may require differing numbers of expansions to finally reach the \relax or not-\relax condition.
Perhaps you need to fully expand your argument for the test:
\documentclass{standalone}

\makeatletter
\parindent\z@
\@namedef{blafasel}{\relax}

\begin{document}
\edef\tmp{\@nameuse{blafasel}}% MUST, HOWEVER, BE FULLY EXPANDABLE
\expandafter\ifx\tmp\relax
   true
\else
   false
\fi

\end{document}

Of course, this approach only works if the test argument is fully expandable.

Alternately, if it will always be a \@nameuse that is part of the test, then the use of 3x\expandafter only produces 2 expansions.  You need 7x\expandafter to get 3 expansions, resulting in a true test.
Rule: to get n expansions, you need 2^n - 1 instances of \expandafter.
\documentclass{standalone}

\makeatletter
\parindent\z@
\@namedef{blafasel}{\relax}

\begin{document}
\expandafter\expandafter\expandafter\expandafter\expandafter%
  \expandafter\expandafter\ifx\@nameuse{blafasel}\relax
   true
\else
   false
\fi

\end{document}

A: You just need to give no initial definition to \blafasel. If you want to test whether it has received a definition, just do
\expandafter\ifx\csname blafasel\endcsname\relax
   <still not defined>%
\else
   <is defined>%
\fi

This exploits the fact that a token constructed with \csname is made equivalent to \relax if it has no previous definition.

A: \@nameuse{blafasel} expands to \csname blafasel\endcsname, which you expand once again yielding \blafasel. You then compare this to \relax, which is different. You have three possibilities of solving your problem:

*

*You can expand \blafasel once more:
\@namedef{blafasel}{\relax}%
\expandafter\expandafter\expandafter\expandafter
\expandafter\expandafter\expandafter\ifx\@nameuse{blafasel}\relax
    true
\else
    false
\fi

Note that this \ifx will always follow the true branch when the expansion \blafasel starts with two equal tokens and is thus not a good test. Try \@namedef{blafasel}{OOH, LOOK, AN ERROR!}, for example.

*You can define a different macro to compare it to:
\@namedef{blafasel}{\relax}%
\def\@test@macro{\relax}%
\expandafter\expandafter\expandafter\ifx\@nameuse{blafasel}\@test@macro
    true
\else
    false
\fi

*You can initialize your macros to be the same as \relax instead of a macro expanding to \relax:
\def\@namelet#1#2{\expandafter\let\csname #1\endcsname#2}%
\@namelet{blafasel}\relax
\expandafter\expandafter\expandafter\ifx\@nameuse{blafasel}\relax
    true
\else
    false
\fi

As egreg points out, you could just as well leave \blafasel undefined (i.e. omit the first two lines of this code block), since \csname will default to \relax, when the macro is not defined.


text:
Le musée royal de minéralogie de Naples a été créé en 1801 par Ferdinand  de Bourbon, c'était alors le premier du genre en Italie. Il est situé dans l'ancienne bibliothèque du Collège Massimo dei Gesuiti, où il se trouve toujours.

De nombreux chercheurs importants y ont travaillé, notamment Matteo Tondi, Carminantonio Lippi, Arcangelo Scacchi et Ferruccio Zambonini. En 1845, le musée accueillit le VII Congrès des scientifiques italiens, auquel participèrent six cent onze scientifiques.

Le musée conserve environ , dont certains sont très rares en termes de taille ou de beauté. Il fait aujourd'hui partie du musée des sciences physiques et naturelles de l'Université de Naples - Frédéric II.

Histoire
Le roi Ferdinand  a commandé le musée royal de minéralogie au moment où le souverain élargissait la collection de peintures du musée royal de Capodimonte et posait les fondations du jardin botanique, malgré les conditions économiques critiques du royaume. Le souverain ordonna de placer les premières trouvailles dans l'ancienne bibliothèque du collège des jésuites et chargea Giuseppe Melograni, alors titulaire de la chaire de minéralogie de l'université de Naples, d'organiser les collections. Les vitrines séparaient les collections en une partie d'oritologie dédiée aux fossiles (pour la plupart étrangers) et une en géologie, comprenant une riche collection de minéraux apportés à grands frais par les émissaires du roi parmi lesquels Matteo Tondi, Vincenzo Raimondini et Carminantonio Lippi. Le premier directeur du musée fut Cadronchi, assisté de Giuseppe Melograni lui-même.

Collections

 Spécimens prélevés entre 1789 et 1797 sur des sites miniers désaffectés.
 la collection Vésuvienne de la salle Scacchi (22 nouveaux spécimens ont été signalés par Scacchi et les dernières découvertes effectuées à Somma-Vesuvius, dont le seul exemple au monde d'une espèce minérale de panunzite).
 Pierres provenant des études de Scacchi.
 Collection de Grands Cristaux (comprenant une paire de cristaux de quartz hyalins de Madagascar, pesant 482 kg, donnés à Charles III de Bourbon en 1740).
 collection de météorites et collection Tufi Campani dans la salle Parascandola.

Evénements célèbres

 En 1845, il était le siège du VII congrès des scientifiques italiens.
 En 1848, les premières réunions de la chambre des députés eurent lieu dans la salle monumentale du musée, après l'accord de la constitution par Ferdinand II. Les fresques créées pour l'inauguration du parlement napolitain ont été perdues à cause des effondrements provoqués par le tremblement de terre de 1930.
 En 1860, le musée hébergea l'un des bureaux de vote pour le référendum sur l'annexion au royaume d'Italie.
 En 1932, les fossiles conservés dans le musée ont servi à constituer le musée de paléontologie de Naples.
 En 1980, un tremblement de terre ayant sérieusement endommagé le pavement du Salone, obligea à des travaux de restauration radicaux (des traces d'un sol existant ont également été découvertes).
 En 1992, le musée des sciences physiques et naturelles de Federico II a été créé. Il comprend les musées de zoologie, de minéralogie, d'anthropologie et de paléontologie.

Notes

Bibliographie

 Liccardo G. (2004) Les musées de Naples, Rome, Newton et Compton,  .

Articles connexes
 Université Federico II

Liens externes

Musée à Naples
Naples
Musée d'histoire naturelle en Italie


Gerstell's Anthony Carpenter glides under the hoop and a block attempt by Chapelgate's Jace Perfater for a 2-point bucket during a boys basketball game at Gerstell Academy on Wednesday, Feb. 13.
Gerstell's boys basketball team has big goals in sight as the regular season winds down and the Maryland Interscholastic Athletic Association playoffs inch closer.
The reigning MIAA B Conference champions want another title, and coach Ben Thompson said much of the team's success will rely on the senior leadership if the Falcons want to remain competitive down the stretch.
That leadership was evident Wednesday at Paterakis Activities Center as the Falcons used a 14-0 second-quarter run to make quick work of Chapelgate Christian Academy and defeat the Yellowjackets 83-49.
Seniors Malachi Darden and Anthony Carpenter combined for 35 points — Darden scored 17 and Carpenter had 18. Fellow senior Tyler Tillery contributed 11 points, eight rebounds, and three steals for the Falcons (18-12, 12-3 MIAA B).
Carpenter, Darden, Tillery, and teammates Kevin Malone and Lamont Jackson are the team's five seniors who were each honored prior to tip-off. The boys were each given sticks with enlarged photos of their faces on it to carry after the game, and they posed for pictures with family and friends at center court.
Falcons coach Ben Thompson said Carpenter and Tillery have been starters since they were freshmen, and they have accomplished a lot over the years with this program.
Gerstell's Tyler Tillery celebrates a successful 3-point shot against Chapelgate during a boys basketball game at Gerstell Academy on Wednesday, Feb. 13.
Gerstell never trailed against Chapelgate (6-23, 1-14), thanks to a quick 9-0 run to open the first quarter. The Falcons led 18-9 after one and increased that lead to 27-9 before Chapelgate's Jax Felder's layup ended the run. The teams scored 18 points apiece in the second quarter, but the Falcons remained on top and carried a 36-27 lead into the break.
Gerstell held the Yellowjackets to just eight points in the third quarter and used a 7-0 run to build a 62-35 lead at the end of the frame. Darden scored seven of his 17 points in the third.
A pair of free throws from Felder sparked a 7-0 run early in the fourth quarter for Chapelgate. Carpenter responded, though, with a pair of free throws and a 3-pointer to put the Falcons up by 26.
Gerstell scored the final six points of the game to secure the win.
The Falcons held onto second place in the conference with other MIAA B action going on Wednesday. First-place St. Paul's (13-2) clipped St. John's Catholic Prep in overtime, while third-place Severn (10-5) fell in OT against Indian Creek.
The Falcons have now won three straight games and have a big matchup set for Friday against conference foe Archbishop Curley.
Chapelgate (49): Jax Felder 13, Marvin Cofield 6, Jordan Praylow 3, Zach Knox 11, Jace Perfater 2, Kitan Ogunmola 10, Saihou Mbergan 2, Kendall Mitchell 2.
Gerstell (83): Malachi Darden 17, Anthony Carpenter 18, Kevin Malone 5, Antwan Thompson 3, Jeremiah Stanton 11, Dayyan Noble 4, Tyler Tillery 10, Lamont Jackson 3, Ahmad Harrison 11.


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