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Лукас Перес Мартінес (;  10 вересня 1988, Ла-Корунья, Іспанія) — іспанський футболіст, нападник іспанського «Депортіво».

Біографія

Виступи в Іспанії
Лукас народився 10 вересня 1988 в Ла-Коруньї. Ріс без матері, яка його залишила ще зовсім маленьким, тому виховували Лукаса бабуся та дідусь.

Пройшовши футбольну школу «Депортиво Алавеса», а пізніше «Монтанероса» та «Орденеса», 2007 року Лукас уклав перший професійний контракт із іменитим мадридським «Атлетико», проте виступав з 2007 до 2009 року лише за третю команду «матрацників».

Влітку форвард перейшов в інший столичний клуб — «Райо Вальєкано», де став грати за другу команду. Забивши за другий склад цього клубу 2009 року 20 м'ячів, Лукас звернув на себе увагу тренерів першої команди, де Лукас і замінив відсутнього через травму Давіду Агансо. Свій перший гол за основу «Райо Вальєкано» Лукас забив у матчі Сегунди проти «Вальядоліда», який став для нього єдиним у чемпіонаті.

Своєю грою влітку 2010 року Лукас викликав зацікавленість ряду іспанських клубів, таких як «Вільярреал», «Сельта», «Реал Сарагоса», «Хетафе», «Вальядолід» та «Альмерія», але футболіст залишився в Мадриді.

«Карпати»
На початку 2011 року Лукас підписав контракт з львівськими «Карпатами» на 3 роки. На одному з матчів «Райо» форварда помітив провідний скаут львівських «Карпат» Ігор Йовичевич. Найголовнішим мотивом переїзду Лукаса до Львова було бажання грати в єврокубках.

Дебютувавши за «левів», іспанець відразу виграв трофей. У січні 2011 року «Карпати» виграли товариський турнір Copa del Sol, перегравши у фіналі донецький «Шахтар».

Дебютував у Прем'єр-лізі України 6 березня 2011 року в Києві проти «Арсенала». Іспанський легіонер вийшов на поле у стартовому складі, отримав попередження і був замінений на 61-й хвилині на Михайла Кополовця.

Загалом у весняній частині сезону 2010/11 Лукас зіграв у восьми матчах чемпіонату, а вже з наступного сезону Лукас став одним із ключових гравців «Карпат». Він провів 26 ігор у чемпіонаті, 23 з яких — в основі. Крім того зіграв у чотирьох кубкових матчах, та у чотирьох матчах Ліги Європи.

Свій перший гол в чемпіонаті України Лукас забив у першому домашньому матчі «Карпат» у новому сезоні 17 липня 2011 року у грі проти одеського «Чорноморця». Матч завершився з рахунком 1-1. Протягом того сезону Лукас забив ще п'ять голів. Крім того Лукас узяв участь в обох перемогах «Карпат» над ірландським клубом «Сент-Патрікс Атлетік», двобоєм з яким «Карпати» розпочали новий єврокубковий сезон. Однак вже в наступній дуелі в раунді плей-оф «леви» поступилися грецькому ПАОКу. Після поразки в Салоніках, у Львові арбітр не зарахував чистий гол Лукаса за рахунку 0:1. Проте іспанець згодом таки забив єдиний гол львів'ян із пенальті, а матч завершився внічию 1:1 і «біло-зелені» завершили єврокубковий сезон.

Ранній виліт з єврокубків позначився на гра команди: в чемпіонаті «Карпати» ледве врятувалися від вильоту, посівши третє місце з кінця. Проте в боротьбі за Кубок України «біло-зелені» за допомогою Лукаса несподівано дійшли аж до півфіналу, в якому поступилися донецькому «Металургу» в серії післяматчевих пенальті.

У сезоні 2012/13 Лукас продовжив бути лідером атакуючої ланки «Карпат», віддаючи результативні передачі та забиваючи важливі голи. Особливо успішним для іспанця став матч 14-го туру проти «Кривбасу», в якому Лукас зробив хет-трик. Всього до кінця року Лукас зіграв у 17 матчах чемпіонату, в яких забив вісім голів, один із яких із пенальті.

«Динамо»
1 березня 2013 року Лукас на правах оренди до кінця сезону з правом викупу перейшов у київське «Динамо», ставши першим іспанцем в історії команди. Проте через тривалі переговори Лукаса і «Карпат» з приводу нового контракту, а потім Лукаса і «Динамо» з приводу переходу в київський клуб, нападник пропустив всю зимову підготовку і приєднався до «Динамо» лише в останній день трансферного вікна. Він був далекий від оптимальної форми і головний тренер киян Олег Блохін висловив побажання, щоб форвард набирав форму в матчах за дубль. Лукас відмовився грати в молодіжці і переконував, що готовий грати в основі. Тільки в березні в матчах молодіжної команди він погодився вийти на поле. Через конфлікт з Блохіним Лукас так і не провів за основну команду жодного матчу, граючи до кінця сезону виключно в дублі (7 матчів, 2 голи), після чого «Динамо» відмовилося викупати трансфер іспанця і він покинув клуб.

ПАОК
7 липня 2013 року стало відомо, що Лукас першу половину сезону 2013/2014 проведе в оренді в грецькому клубі ПАОК. Після закінчення оренди Лукас до Львова так і не повернувся, а греки повністю викупили контракт гравця. При цьому львівський клуб зберіг за собою 30 відсотків економічних прав на гравця у разі його переходу в третій клуб. Всього за сезон Лукас зіграв у 32 матчах чемпіонату, забив 9 голів і увійшов у п'ятірку найкращих гравців чемпіонату.

«Депортіво»
Влітку 2014 року Лукас на правах оренди став гравцем галісійської клубу «Депортіво», який повернувся у Прімеру. Футболіст погодився піти на зниження зарплати через бажання грати в головному клубі свого рідного міста. За наступний сезон Мартінес зіграв в 21 матчі чемпіонату, в яких забив шість голів і віддав три результативні паси. Після цього в серпні 2015 року ла-корунська команда викупила трансфер гравця і підписала з ним чотирирічний контракт.

12 грудня 2015 року у виїзному матчі проти «Барселони» відзначився голом та результативною передачею, чим допоміг своїй команді здобути нічию після двох пропущених м'ячів. Матч закінчився з рахунком 2-2.

«Арсенал»
В червні 2016 року Лукаса Пересе за 17 мільйонів фунтів купив лондонський «Арсенал». Але закріпитись в складі Канонірів Перес не зумів і через рік відправився в оренду до «Депортіво».

«Вест Гем»
Влітку 2018 року «Арсенал» вирішив продати Лукаса Переса в «Вест Хем». За Молотобойців Перес зіграв за сезон 19 матчів у всіх турнірах, забивши 6 голів.

«Алавес»
На початку літнього трансферного вікна 2019 року Перес був проданий в «Алавес».

Досягнення

 «Арсенал»

 Володар Кубка Англії: 2016–17

Примітки

Посилання

 Дані на сторінці «Арсенала»

Уродженці Ла-Коруньї
Іспанські футболісти
Футболісти «Райо Вальєкано»
Футболісти «Карпат» (Львів)
Футболісти «Динамо» (Київ)
Футболісти ПАОКа
Футболісти «Депортіво» (Ла-Корунья)
Футболісти «Арсенала» (Лондон)
Футболісти «Вест Гем Юнайтед»
Футболісти «Алавеса»
Футболісти «Ельче»
Футболісти «Кадіса»
Іспанські футбольні легіонери
Футбольні легіонери в Україні
Футбольні легіонери у Греції
Футбольні легіонери в Англії


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Tag: black comedy
THREE BILLBOARDS OUTSIDE EBBING, MISSOURI (15) – 2017 UK/USA 115 mins
Director: Martin McDonagh
Stars: Frances McDormand, Woody Harrelson, Sam Rockwell
Mildred Hayes is sick of waiting for the police to catch her daughter's murderer, so she takes matters into her own hands by using three billboards to taunt the much-loved Chief of Police for a response. The trouble is he hasn't got any leads, and has a more pressing problem of his own, while Mildred isn't a typically sympathetic bereaved mom… Strong language and dark humour feature in this highly acclaimed comedy from the director of In Bruges, with McDormand set for awards glory!
Plus a BRIT School Showcase film, screened in partnership with the School's Film & Media Production department.
David Lean Cinema, Croydon on Wednesday 4 April 2018
David Lean Cinema, Croydon on Tuesday 27 March 2018
Sold out. Extra shows March 27, April 4.
David Lean Cinema, Croydon on Wednesday 21 March 2018
Plus a BRIT School Showcase film, screened in partnership with the School's Film & Media Production department. For this film we are showing From Thought to Foot (U) (3.21 mins), directed by Molly Hart and George O'Regan.
David Lean Cinema, Croydon on Wednesday 21 February 2018
Sold out, extra show March 21
David Lean Cinema, Croydon on Tuesday 20 February 2018
Sold out. Extra show March 21.
David Lean Cinema, Croydon on Saturday 17 February 2018
Elle (2017, France/Germany/Belgium) Cert. 18
Director: Paul Verhoeven
Stars: Isabelle Huppert, Laurent Lafitte, Anne Consigny, Charles Berling
IS this our first 'extra screening' of a Cert. 18 film?
Michèle (Huppert, Oscar-nominated) is the head of a leading video game company, and brings a hard-headed attitude to both her personal and business lives.
The film opens – sound-track only – with Michèle attacked in her home by a maked assailant. At first she seems little affected by an incident others might find traumatising. But following further intrusions into her privacy Michèle resolves to track her attacker down, with unforeseen consequences for family, friends, work colleages and her own private life …
Verhoeven's trademark direction casts an unsettling spell, varying the mood from scene to scene, in this widely praised, "electrifying and provocative comeback" (The Guardian).
At the time of publication of this page Elle had not been released in the UK, so our regular Review link is to The Guardian written at the time of the film's debut at Cannes 2016.
That review does not include a link to any trailer (although there is a link to an interview with the star).
The subsequent US release "official" Trailer, can be seen below – viewer advisory, the trailer gets an "R" rating – this IS Verhoeven and IS an 18 in the UK…
David Lean Cinema, Croydon on Monday 8th May 2017
Our fastest-selling Cert. 18 film so far. An extra screening has been arranged for Monday 8th May @ 7.30pm
Attacked in her home by an unknown assailant, she seems at first to be little affected. Eventually, however, Michèle resolves to track the man down, with unforeseen consequences…
Verhoeven casts an unsettling spell, varying the mood from scene to scene, in this widely praised, "electrifying and provocative comeback" (The Guardian).
At the time of first publication of this page Elle had not yet been released in the UK, so here is the Review from The Guardian at the time of it's debut at Cannes.
The Guardian review does not include a link to a trailer (though there is a link to an interview with the star). The US release "official" Trailer, can be seen below – viewer advisory, the trailer gets an "R" rating – this IS Verhoeven and IS an 18 in the UK…
David Lean Cinema, Croydon on Tuesday 18th April 2017

redpajama_set_name: RedPajamaCommonCrawl


Read more in our previous post.
What is Big Data from the perspective of modern corporate systems and information technologies? Big Data is a series of approaches, instruments and methods used to process structured and unstructured data characterized by huge volumes, vast variety and constant growth. The purpose of Big Data processing lies in finding relevant information and representing it in human-understandable format, so that it could further be used for defining important trends in various spheres of life and for taking decisions based on these trends.
The definition of Big Data is articulated as the three V's: volume, velocity and variety. Huge amounts of data obtained, unprecedented speed of data streaming and many various types of data formats are the main characteristics and the greatest challenges of Big Data.
There are a lot of examples of applying Big Data methods in various spheres of life.
Mass media, for example, use Big Data techniques to estimate users' interests and preferences, monitor social media activity and automatically prepare news-sheets or news bulletins.
In healthcare Big Data is accumulated from electronic medical records, body sensors, hospital medical devices. By analyzing such Big Data scientists can predict epidemics.
In science Big Data approaches are widely used in metrology, geology, meteorology, astronomy, etc.
Sport management is all about Big Data that helps games organizers forecast ticket sales and enables bookmakers calculate betting rates.
We have mentioned examples from day-to-day life. Let's have a closer look at the level of corporate systems, particularly enterprise content management systems.
We have analyzed a real company's 20-year operation in the ECM system. The data gained from the analysis will be used for illustrative purposes.
In our previous blog about Kaizen we told you how the Japanese philosophy can help increase your accounts payable department efficiency through applying the main 5 Kaizen principles. In this blog we'll explain you the concept of waste, its negative impacts on the working process, productivity and try to give you several tips on how to avoid it.
Kaizen is based on making little changes on a regular basis: always improving productivity, safety and effectiveness while reducing waste. The concept of waste in Kaizen is defined as activity consuming resources (time, materials, money) but creating no value.
Wastes are the drivers of excess costs, delays and quality issues. The critical problem for management is not the one of knowing how to prevent a specific occurrence of waste. Instead, the critical problem is identifying the root cause of the waste and eliminating this cause.
Looking closer at a typical accounts payable department, we can identify several ordinary wastes declining the department's performance efficiency. We can divide such wastes into the following categories: people waste, process waste, information waste and asset waste.
Kaizen is the Japanese philosophy that focuses upon continuous improvement, seeking to achieve changes in processes in order to enhance efficiency and quality. Kaizen can be roughly translated from Japanese to mean "change for the good". The concept of Kaizen encompasses a wide range of ideas: it involves making the work environment more effective by creating a team atmosphere, improving everyday procedures, ensuring employee satisfaction and making the job more fulfilling and less tiring.
Today Kaizen is recognized worldwide as an important pillar of an organization's long-term competitive strategy. A lot of big and small companies across the world have adopted the Kaizen principles for doing business and running departments. In our blog we'll examine this idea in the context of accounts payable issues.
The concept of Agile ECM (Enterprise Content Management) has emerged as a response to the challenges of our time. The promises of an Agile ECM system are: adaptation to a constantly changing business environment; support of new management styles and methods; and, maintaining control, having clarity, and regulating the execution of business processes and their performance. This article briefly examines the premises and structure of Agile ECM and why they are important to your company.
Companies consider the ERP system a vital organizational tool facilitating information flow between all business functions. Enterprise resource planning, financial reporting, accounting and payroll systems comprise your organization's ERP circle. Outside this circle information exists in various forms and states. That is why before getting into the ERP circle all data have to be preprocessed in a diversity of other systems.
It seems that evaluating ECM efficiency is a tough task. However, there is one thing that makes this task solvable: evaluating ECM project efficiency is no different from evaluating any other IT project efficiency; while evaluating an IT project is no different from evaluating any other corporate project.
Vacation is over and a new business season is coming up. Getting back into the swing of a normal routine can be stressful for your ECM system as it is aimed to manage information, content, business processes, collaboration and satisfy your demands which are definitely greater than just a year or two ago.
The amount of information has been increasing rapidly in recent years. Large volumes of content and its wide variety seem to be one of the most dominant trends now. Efficient management of such diverse business information is what the modern ECM system and methodologies are about.


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January 9, 2020 January 9, 2020 / billy peppers	/ Leave a comment
directed by krsto papić
jadran film/croatia film
A political allegory from Croatia, then situated in the Socialist Federal Republic of Yugoslavia, which won the equivalent of Best Picture in Portugal's Fantasporto festival in 1982, and which has been noted for being reminiscent to modern viewers of both Invasion of the Body Snatchers and They Live. Set in a failed economy grasping for answered prayers, this is kind of a slow-developing picture, a fact more notable due to its relative brevity; the version I watched ran about 76 minutes, and I've seen evidence of versions ranging from two minutes longer to eight. Eventually, however, it reaches its peak, of what is essentially a terrible hopelessness. Based on a story by Russian writer Aleksandr Grin called something like "The Rat-Catcher," this film ultimately hinges on a similar observation to the terrifying underlying theme of 1984: you can't trust anybody, especially yourself.
I don't have any idea what led me to this one … some rabbit (rat?) hole or other, presumably.
As mentioned, it won't take up too much of your time, and if you have any interest whatsoever in political themes – or, for that matter, historical ones – yeah, put it on your list.
This production is lensed in such a way as to mute out its colors, which has the effect of making it appear much older than it actually is. Coupled with the subtitling and the stilted nature of much of the action, it comes across a lot like a silent movie at times, an impression only strengthened by the soundtrack. Locating some of the most important moments of the story in what is purportedly the abandoned "central bank" building is a masterful touch.
rating from outer space: B
escrita y dirigida por vicente aranda
morgana films
Part of the early-to-mid-'70s lesbian vampire movie mini-craze, this Spanish offering is actually a very stylish affair, even as it doesn't skimp on some more questionable themes or visuals. One of many retellings of important Dracula precursor Carmilla, the tale follows a newlywed couple back to the groom's palatial ancestral home, where strange occurrences soon are afoot. And at hand. Namely, the young bride begins having eerie, violent dreams that involve a mystery woman she has glimpsed more than once while awake. Her chauvinistic husband is dubious. A doctor who apparently doubles as a detective of sorts is downright dismissive. The caretakers' strange little girl … is strange. An accomplished piece of art, despite its exploitative carnality.
It was in my queue for so long, I couldn't possibly tell you, but at some point I was stockpiling turn-of-the-'70s vampire flicks, so …
"You mean the two women were howling?"
"Mm-hm, like two cats in heat – that's when I ran away. They sounded … like vampires."
Should you need proof of how mores have changed in male/female relationship dynamics since the early '70s – or, perhaps, seek illustration of the difference between Spain and the USA in terms of attitudes toward such things – you'll be delighted by how Susan's new husband treats her. If you're of a certain bent, you'll also appreciate her eventual response. If you're like me, you'll love exchanges such as this:
"How many times does something have to be repeated before it ceases to be a coincidence?"
"Some cases, twice would be sufficient."
Performances are very deliberate. Maribel Martín, in her inaugural star vehicle, delectably transforms a moue into a death stare, often.
written, directed, and edited by eduardo sanchez
haxan films/amber entertainment
Man, you just can't please some people. After finishing this highly disturbing picture, I decided to survey its popular acclaim, only to find that it doesn't have much. And while I can definitely accept that rhetorical devices at play here – the videotaping, the "paranormal activity" and whatnot – might provoke a sense of ennui in some viewers, the vast majority of this film plays as a character study of a woman seemingly losing her mind, potentially becoming a danger to herself and others. That the climax suggests (and, to my mind, somewhat abruptly) a rather different explanation doesn't much detract from the tense atmosphere created and explored throughout. For the resolution, I might've preferred something a bit less Shyamalanesque, because the nature of the characters' unravelings had been intense and unsettling, but I'll admit I disregarded plentiful cues.
Sometimes, I just idly browse through synopses of horror flicks and randomly winnow down a passel of choices until I select a few titles that sound interesting.
You know what, I liked it. Now, keep in mind I've neither seen "Blair Witch" nor Paranormal Activity, so maybe that helped. Your tolerance level for "found footage" presented as though real-time documentation may be of import.
Credit must be given for a distressing scene of person-to-person violence that was truly shocking, and not for the squeamish – hackles-raising stuff. Gretchen Lodge's performance of the title role is splendid, and pretty fearless to boot. The murky backstory helps rather than hinders, but the most important clue is literally buried and one may well attach no importance whatsoever to it. (The working title was "The Possession," hint hint.)
December 31, 2019 / billy peppers	/ Leave a comment
produced and directed by s. f. brownrigg
camera 2 productions/century studios
A slowly creeping, thoroughly Seventies sense of the dramatic infuses this tale of mysterious goings-on in a shabby private sanitarium, and although that setup veritably screams "overacting," the mostly unknown thespians gathered here generally do a pretty good job portraying their variously afflicted characters. Of course, as the action gains momentum, masks begin to slip, until eventually psychoses are on full florid display. Even if one is unaware of the secrets that eventually will be revealed, after just beyond the halfway point the production doesn't even bother to feign much interest in keeping mum, and from there it's more or less a matter of seeing how things will be resolved. An unexpected finale may raise some eyebrows, and the final scene is much more poignant than any of the proceedings may have led one to expect.
It's a "classic," is it not? Well, in any case, I'd been hearing about it for as long as I can remember, as it's one of my brother's faves.
Didn't I just say it's a "classic"? Really, it suggests the transition between a more old-fashioned sense of the horror film and the newer aesthetic to come.
The first half or so of this picture mainly concentrates on the doings of several of the patients at the hospital, as well as newly arrived Nurse Charlotte's attempts to get her bearings, and doesn't suggest a whole lot of structure … although this proves to be purposive, of course. That it overcomes its dubious opening scenes and builds up enough momentum to be affecting is no small feat. Which characters are being referenced is sometimes difficult to decipher.
Pinocchio's Revenge (1996)
September 29, 2019 September 29, 2019 / billy peppers	/ Leave a comment
written & directed by kevin s. Tenney
trimark pictures/Blue Rider Pictures
It was surprisingly difficult to access this cinematic … accomplishment, but I guess I shouldn't be too surprised, as the truly sublime can often be misunderstood in its own era and lost to the mists of time. Such a fate didn't befall this assuredly pedestrian and laughably underwhelming piece of schlock, of course, but this humdinger strikes just about every single note on the Space Rats scale. It also encompasses every trick in the straight-to-video book, and even includes unbelievably cliché visuals one step removed from stock footage. Loads of laughs, most (all?) of which are completely unintentional, owe a great deal to the completely ridiculous depiction of various aspects of the legal world, and the various thespians competing to be the least convincing also abet the cause. Really, the hackneyed plot is one of the lesser worries here. You notice I didn't say Richard even mention the "puppet" yet?
Weeeellll, I was looking for another thrilling thriller from the 1990s, and I wanna say I noticed the, uh, critical éclat for this flick, but maybe it just sounded dumb enough to suit my purposes – I really can't recall.
Oh, my questionable tastes definitely recommend that course of action.
Golly, so much to choose from … I think I'm going to have to go with the various scenarios related to the suspicious suffering of our lead character's significant other, however. The nanny's absurd and inconsistent accent also deserves consideration, as do any number of undersold reaction shots. And one must not neglect the remarkable school bus scene. Soap's Fr. Timothy Flotsky (Sal Viscuso) allegedly has a bit part in this picture.
Darlin' (2019)
July 30, 2019 / billy peppers	/ Leave a comment
written & directed by pollyanna mcintosh
hood river entertainment
Oh, man, THIS is why sequels have such a bad reputation. Wilfully destroying the disturbing mythos and gripping power of Offspring and The Woman (not to mention Off Season, the Jack Ketchum novel that started the series), Darlin' is a dispiritingly transparent and simplistic reexamination of some of the same themes as Lucky McKee's "Woman," only without much of anything to recommend it in any way. Oddly, it was created and helmed by Pollyanna McIntosh, who one would presume to have more of an investment in extending the character's draw. Poorly conceived, unconvincingly executed, predictable, and incongruously sentimental, I am really at a loss as to why on earth this movie was produced.
I'm a sucker. for some reason thought a follow-up to The Woman would be a fascinating study of the ongoing attempts of primitive cannibals to survive in modern society, plus who hasn't pondered how former members of that society might adapt to devolution in the aftermath of all they'd experienced?
It does not address any of the above concerns.
The word that springs to mind for this film's treatment of religious institutions and the priesthood is "facile." It's maddeningly stereotypical, and the main target is two-dimensional and untrustworthy from his first moments onscreen. Also, the only sympathetic male character is gay, just in case you were somehow missing the incisive social commentary. Such lack of nuance really detracts from whatever the hell the point is supposed to be. Furthermore, the structure of the film very closely parallels that of The Woman, only with an extremely dubious subtheme of awakening or self-reliance or self-preservation or some such. Ridiculous.
rating from outer space: d−
Nightmare aka Nightmare(s) in a Damaged Brain (1981)
written and directed by romano scavolini
goldmine productions inc.
Despite some questionable casting choices and unconvincing acting in several minor roles, this curiosity is actually a serious study of derangement and childhood trauma, murderous impulses and psychosis, a story of a mental patient who escapes and heads south. Grisly and graphic, it features a helluva shock early on and never settles much into complacency. Unfortunately, the saga drags a bit as it proceeds, especially when it focuses on the obnoxious children of a dysfunctional family. (Mom is little better.) The ending is unnecessarily confusing, especially as it shouldn't be, due to an inexplicable – and uncharacteristic – refusal to let the camera linger.
Notorious in its day, it fit a bunch of my usual touchstones.
"You lose a dangerously psychotic patient from a secret experimental drug program, and all you can say is 'I'm sorry'? … Paul, you believed in these drugs and – you rebuilt this man and you did put him back out on the street, but now –he's out there killing people, and we can't have that."
The insanely over-the-top initial murder scene has to top this list, but many other aspects of this production might jostle for position. Baird Stafford's portrayal of the disturbed lead is unsettling, one particular murder is disconcertingly realistic, and the director doesn't scrimp on now-amusing portrayals of computer analysis OR graphic shots of female pudenda. (Times Square peep shows.) The lines quoted above are spoken by a character played by the producer, so perhaps unsurprisingly, the production paradox rules here: one might think this film would have been better were it more professionally accomplished, but any such consideration probably would have denatured it too much.
rating from outer space: B−


Aquinas College provides a wide range of Career services to students and parents and have gained the Matrix quality award standard. We have a dedicated careers centre in the college where students have the opportunity to discuss careers, apprenticeship and higher education issues with one of the college or Services for Young People careers advisers. We liaise with local and national employers and training providers and regularly invite visiting speakers to address groups of students about developments in their areas. Careers play a central role in supporting students' applications for apprenticeships and/or higher education.


The villas enjoy stunning sea views, stretching from east to west along the Mediterranean coastline, overlooking three golf courses and only a few minutes from sensational Puerto Banus.
The villa is set on 3 levels to maximize accomodation and comfort.
The entrance is accessible through the ground floor.
The first floor has been designed as a private and quiet area that is home to 2 enormous bedrooms and bathrooms.


You can put most types of debris into a dumpster rental in Brushton. There are, however, some exclusions. For instance, you cannot put substances into a dumpster. That includes motor oil, paints, solvents, automotive fluids, pesticides, and cleaning agents. Electronics and batteries are also banned. If something introduces an environmental hazard, you probably cannot put it in a dumpster. Contact your rental business if you're uncertain.
Particular forms of acceptable debris, however, may require additional fees. In case you plan to throw away used tires, mattresses, or appliances, you should request the rental business whether you need to pay another fee. Adding these to your dumpster may cost anywhere from $25 to $100, determined by the item.
It's difficult to conquer a roll off dumpster when you've got a large undertaking that may create a lot of debris. Most rental companies comprise dropping off and picking up the dumpster in the prices, so you could avoid additional fees. Roll off dumpsters normally have time constraints because businesses have to get them back for other customers. This really is a potential disadvantage if you aren't good at meeting deadlines.
Dumpster bags in many cases are convenient for small occupations with loose deadlines. If you do not want a lot of room for debris, then the bags could work nicely for you. Many businesses are also pleased to allow you to keep the bags for so long as you want. That makes them useful for longer projects.
Choosing the top dumpster for your job is an important aspect of dumpster rental in Brushton. If you choose a dumpster that is too small, you won't have enough room for your debris and waste, which means you will have to schedule additional trips. If you decide on one that is too big, you will save time, but you will squander money.
If you call a dumpster rental firm in Brushton and describe the job for which you desire a dumpster, they can urge the finest size. Their years of experience mean they often get it just about right. A 10-yard dumpster generally functions well for medium-sized clean-up projects and small remodeling jobs. A 20-yard dumpster is the most suitable choice for big home clean-up projects and medium-sized renovation projects, while a 30-yard dumpster has higher walls that are perfect for a house cleanout or remodeling jobs on a sizable house. 40-yard dumpsters are massively big and are used just on the biggest projects like new construction.
Dumpster rental companies typically have set costs, but the fine art of negotiation is constantly in play. In case you would like to dicker on the purchase price, call around to other companies first so you know what the going rental rate is. When you're speaking to the company you need to use, just mention other costs which are better than theirs. Some companies WOn't only fit that lower cost, they're going to really conquer it to satisfy their customers.
You can even ask about discounts when you're renting a dumpster in Brushton. Some companies will supply special discounts to active members of the military, veterans, seniors, members of the neighborhood Chamber of Commerce and much more. It really never hurts to ask; you can occasionally save up to 10 percent or more with this system.
You may also save on the cost by asking about the simplest way to avoid additional expenses (such as tipping fees or overage charges) and ensuring you order the right size container; you don't desire to pay for more container than you really need.
Most cities or municipalities do not have many regulations regarding dumpster rental in Brushton as long as you keep the dumpster entirely on your own property during the rental period. In the event you need to place your container on the street at all, you'll probably have to obtain a license from the appropriate building permit office in your town.
Most dumpster rental firms in Brushton will take care of procuring this license for you if you rent from them. Be sure that if you're planning to place the dumpster on the street, the business has made the appropriate arrangements. You should also make certain you get the license in a timely manner and at the correct price. In case you believed the dumpster company was getting a license and they didn't, you'll be the person who will have to pay the fine that's issued by the authorities.
Whether or not you desire a long-term or roll-off dumpster depends upon the kind of job and service you'll need. Long-Lasting dumpster service is for continuing needs that last longer than just a couple of days. This includes matters like day-to-day waste and recycling needs. Temporary service is exactly what the name indicates; a one time demand for job-special waste removal.
Temporary rolloff dumpsters are delivered on a truck and are rolled off where they'll be utilized. These are usually larger containers that can manage all the waste that comes with that particular job. Long-Lasting dumpsters are usually smaller containers as they are emptied on a regular basis and so do not need to hold as much at one time.
If your plan is to clean out the whole house, then you probably need a 20-yard roll off dumpster. You can also use this size for a big cellar or attic clean out.
Whenever choosing a dumpster, though, it's often wise to ask for a size bigger than what you think you will need. Unless you are a professional, it's tough to gauge the precise size needed for your project. By getting a slightly bigger size, you spend a little more cash, however you also prevent the possibility you will run out of room. Renting a bigger dumpster is nearly always cheaper than renting two small ones.
Picking a dumpster size requires some educated guesswork. It is often difficult for people to gauge the sizes that they need for roofing projects because, realistically, they have no idea how much stuff their roofs feature.
Many folks order one size larger than they believe their jobs will require because they want to avoid the additional expense and hassle of replacing full dumpsters that weren't large enough.
Do I need a permit to rent a dumpster in Brushton?
If that is your first time renting a dumpster in Brushton, you may not understand what's legally permissible in regards to the placement of the dumpster. Should you plan to place the dumpster entirely on your own property, you are not commonly required to obtain a permit.
If, nevertheless, your job requires you to set the dumpster on a public street or roadway, this will often mean that you must make an application for a permit. It is always wise to check with your local city or county offices (maybe the parking enforcement office) if you have a question regarding the demand for a permit on a street.
If you fail to get a permit and discover out afterwards that you were required to have one, you may probably face a fine from your local authorities. In most dumpster rental in Brushton cases, though, you should be just fine without a permit as long as you keep the dumpster on your property.


text:
Columbia City, IN (46725)
Mainly clear. Low 63F. Winds S at 10 to 15 mph..
Mainly clear. Low 63F. Winds S at 10 to 15 mph.
AIDA Cruises starts with Canary Island Cruises on December 5, 2020
By: AIDA Cruises via PR Newswire
ROSTOCK, Germany, Nov. 25, 2020 /PRNewswire/ -- AIDA Cruises, the leading cruise line in Germany and a part of Carnival Corporation & plc (NYSE/LSE: CCL; NYSE: CUK), today announced that it will offer Canary Island cruises starting from December 5, 2020.
On December 5, 2020, AIDA Cruises will open their cruise season around the Canary Islands with AIDAperla, followed by AIDAmar, which will start its winter season with the Christmas voyage on December 20, 2020. The 7-day voyages to the islands of eternal spring start on Saturdays or Sundays from Gran Canaria.
The Spanish government adopted clear regulations for safe travel in the Canaries in November, which are in line with AIDA's already established hygiene and prevention measures. AIDA's health and safety protocols, which have been audited by SGS Institute Fresenius and confirmed by the classification society DNV-GL, among others, include measures such as the free COVID 19 test before the voyage, secure arrival and departure, medical care, distance regulations and increased disinfection measures on board, as well as guided shore excursions.
Due to the current situation in the United Arab Emirates, Spain (except Canaries) and France, AIDA has to adjust the schedule in the Orient and the Western Mediterranean. All cruises on AIDAstella and AIDAprima that were planned between December 1, 2020 and January 26, 2021 are cancelled.
Guests whose cruises are cancelled will be informed immediately.
Further information and booking at travel agencies, with the AIDA customer center at the phone number +49/381-202 707 07, or online at www.aida.de.
Information on the health and hygiene concept
AIDA Cruises offers its guests a high level of security during their vacation. From the start of the booking process to the travel preparation, embarkation and disembarkation in the port, the stay on board and medical care: In addition to the already existing high hygiene and health standards, AIDA Cruises has developed new health and safety protocols together with national and international authorities and has implemented a variety of preventive measures. These were i.a. approved by the classification society DNV-GL and the flag state of Italy.
Prior to the voyage and while checking in, guests provide information about their state of health. A COVID-19 PCR test with a negative test result, which must not be older than three days, is required for the embarkation. Guests have the opportunity to have the test carried out free of charge at the German AIDA partner Helios clinics.
Before the check-in, all guests' temperature is being measured contactless using a thermal scanner. The company provides detailed information about the AIDA health and safety concept at www.aida.de/sichererurlaub.
View original content:http://www.prnewswire.com/news-releases/aida-cruises-starts-with-canary-island-cruises-on-december-5-2020-301180617.html
SOURCE AIDA Cruises
Carnival Corp Carnival Plc ADR
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