text:
est un film muet américain réalisé par Larry Semon, sorti en 1922, dans lequel Oliver Hardy est l'un des interprètes.

Synopsis

Fiche technique
 Titre :
 Réalisation : Larry Semon
 Assistant-réalisateur : Joe Basil
 Scénario :  Larry Semon
 Photographie : Reginald Lyons,  (non crédité)
 Montage : A.A. Jordan, Larry Semon
 Direction artistique : Earl Olin
 Présentateur : Albert E. Smith
 Producteur : Larry Semon
 Société de production : Vitagraph Company of America, Larry Semon Productions
 Société de distribution : Vitagraph Company of America
 Pays d'origine :
 Langue : film muet avec les intertitres en anglais
 Métrage :
 Format : Noir et blanc — 35 mm — 1,33:1 — Muet
 Genre : Comédie
 Durée : 20 minutes
 Dates de sortie :
  :
  :

Distribution
 Larry Semon : Larry, le Counter Jumper
 Lucille Carlisle : Glorietta Hope
 Oliver Hardy : Gaston Gilligan
 Spencer Bell : A Clerk
 Eva Thatcher :
  :
  : le père de Glorietta
 Reginald Lyons :
 James Donnelly :
 William Hauber (non crédité)
 Joe Rock (non crédité)
 Al Thompson :

Notes et références

Voir aussi

Articles connexes
 Films américains sortis en 1922

Liens externes

Film américain sorti en 1922
Court métrage américain
Comédie américaine
Film réalisé par Larry Semon
Film en anglais
Film muet américain
Film américain en noir et blanc
Film de la Vitagraph Company of America


How Household Income in 46766 Compares to the U.S.
How Residential Natural Gas Prices in 46766 Compare to the U.S.
Sorry, data is not currently available for 46766.
To learn more about natural gas rates in 46766, or for more resources related to natural gas in Liberty Center, visit the U.S. Energy Information Administration.


text:
Milwaukee Avenue Homeowners Association
A historic district in the heart of Seward neighborhood of Minneapolis
About MAHA
Historic Designation
Association Services
Board and Committee Info
Board and Committee Contacts
Homeowner Directory
Stories about Milwaukee Avenue in the Media
Pay Dues Online
The Milwaukee Avenue Home Owners Association is a Minnesota non-profit that was formed in 1978 to manage the common areas owned by the homeowners' association, and to preserve the architectural integrity of the buildings on Milwaukee Avenue.
There are 78 single- and multiple-family Victorian homes in our homeowners association, with most built in the 1880s.
MAHA has a governing Board of Directors, composed of five residents that oversee the business of the homeowners' association, as well as several committees: (i) architectural review; (ii) landscape; (iii) maintenance; (iv) crime watch; and (v) social. Board meetings are held once a month.
With the creation of the Historic District, Milwaukee Avenue and the part of East 22nd Street between 22nd and 23rd Avenues South were vacated to create the Milwaukee Avenue Mall and the Mini-Park. Other common areas include the parking lots located south of Franklin Avenue and on 22nd and 23rd Avenues. MAHA manages these areas, providing for the maintenance of the parking lots, the sidewalks, and the grounds.
The Historic District was created to protect the area's homes from demolition in the days of urban renewal in the early 1970s and to assist in the homes' rehabilitation and restoration. As one of the largest collections of historic brick Victorian homes in Minneapolis, MAHA is responsible for maintaining the architectural character of the homes within the historic district and surrounding blocks. MAHA has established architecture and maintenance guidelines to promote the architectural integrity of the area, and has the power to enforce these guidelines.
Milwaukee Avenue Homeowners Association © 2019. All Rights Reserved.

redpajama_set_name: RedPajamaCommonCrawl


text:
Q: Json Request in node js I tried this code in node js:
const express = require('express');

const bodyParser = require('body-parser');

const app = express();

app.use(express.urlencoded({extended: false}))
app.use(express.json())

 app.post("/Picture", (req, res, next) => {

        if(req.body == { aaa: 'aaa'}){

            res.send(body)
            console.log("well done!!!!")

        }

    })

I want when user enter in body this json object { aaa: 'aaa'} then get response but this code not work I dont know how i can make user can only send specific json objects

A: Do you want to check that the body contains a property "aaa" with the string "aaa"?
if (typeof req.body === "object" && req.body != null && req.body.aaa === "aaa") {
    res.send(body)
    console.log("well done!!!!")
}

Comparing an object to another object with obj == { ... } does not check if the two objects are of the same structure but instead check if they are the same object instance!
Edit: Maybe this thread helps

redpajama_set_name: RedPajamaStackExchange


text:
Will School Be Open NormallyThis Fall? How To Do Personal Protection ?
Three hard and fast criteria for students returning to school in the fall semester:
1. Students who fail to meet local epidemic prevention and control requirements are not allowed to return to school;
2. Those who fail to implement all prevention and control measures will not be allowed to return to school;
3. If the effective emergency plan and drill are not implemented in place, the students will not be allowed to return to school.
What should schools do to prepare for the opening of the school ?
1. Schools should work out a back-to-school work plan based on COVID-19 prevention and control requirements and local and school conditions, so as to achieve "one school for one case". Clear registration arrangements, detailed epidemic prevention and control measures, and emergency preparedness;
2. Fully grasp the travel and residence history and health status of teachers and students and staff before the school begins, and establish a standing account;
3. Stockpile necessary epidemic prevention and control materials; Such as 3 ply face mask, kn 95 face mask this of medical grade face masks.
4. Accurately grasp the novel coronavirus vaccination situation of teachers, students and staff, and urge them to "receive as many vaccines as possible", and complete the whole inoculation as soon as possible;
5. Do a good job in environmental sanitation, ventilation and disinfection of the school;
6. Set up emergency disposal points and standardize the emergency disposal process.
How to ensure the orderly and safe opening of the school ?
1. Students and staff with residence and travel history in low-risk areas within 14 days prior to the start of the semester shall register with the green code of health code and travel code and the 14-day self-health monitoring report;
2. Live in an area with high school risk; Health code and travel code are yellow code and red code; There are fever, dry cough, fatigue, sore throat, smell (taste) decreased, diarrhea and other symptoms; The teachers, students and staff who have been infected with NOVEL coronavirus since July 2021 should postpone entering the school, implement nucleic acid testing and health management measures in accordance with the requirements of the regional joint prevention and control mechanism (headquarters), and return to school only after being evaluated and agreed by the local health department. After returning to school, health monitoring should continue.
3. Schools should start at the wrong time and peak, organize registration in an orderly way, and avoid gathering;
How can teachers, students and staff protect themselves ?
1. It is important to fully understand the long-term, complex and dangerous nature of COVID-19, enhance the awareness and capacity of prevention and control;
2. Monitor your health daily;
3. Wear masks at all times on public transport;
4. Avoid crowded and relatively confined places as far as possible, and wear KN95 masks in public places;
5. At present, there are still medium-high risk areas in Zhangjiajie, where teachers, students and employees are not allowed to go out of the city unless necessary.
The virus currently can not be killed completely, Therefore, choosing the medical protection materials are more significant, connexions, as the professional in medical grade of disposable face mask manufacturer, our face masks are efficient to cut off the mostly spread of coronavirus cases, and do its utmost to protect your health, so why not consider to buy a kind of our products like KN 95 face mask or FFP2 mask ?


text:
UEFA declines protests of Portugal, Luxembourg in Ukraine's Moraes case
Sports » World » World. Main
Junior Moraes, Ukraine's team football player
Ukraine's Federation of Football
The UEFA Control, Ethics and Disciplinary Body has declined the protest filed by Portugal and Luxembourg in the case of Junior Moraes, the player of Ukraine's national football team. The appeals concerned Moraes's appearances during Euro-2020 qualifications.
'The UEFA Appeal Committee dismissed the appeal of Portugal and Luxembourg in the case of Junior Moraes. It is another important victory for Ukrainian football and a confirmation of the legal nature of Moraes's performances for Ukraine's team in the games against Portugal and Luxembourg. I wish Moraes a speedy recovery and the opportunity to prove himself in the next games of the national team. Glory to Ukraine!', Andriy Pavelko, the President of Federation of Football of Ukraine posted on Facebook.
Last month, the UEFA controlling and disciplinary body confirmed that Junior Moraes has legal rights to play in the Ukrainian team in football matches with Portugal and Luxembourg.
» Ukraine hosts Serbia in UEFA Euro 2020 qualification
» Moraes has legal rights to play in Ukraine's team, UEFA confirms
» Euro-2020: Portugal draws with Ukraine
» Ukraine, Portugal go toe-to-toe in UEFA Euro 2020 qualification opener
» Junior Moraes to get Ukrainian citizenship soon, could join national football team
» Ukraine's national team gets schedule of UEFA Euro 2020 qualification games


In the USA today, iBookstore have launched "Breakout Books" from emerging authors.... ALWAYS YOU HAS BEEN INCLUDED!!!!
It's actually featured on the graphic on the homescreen too which is CRAZY!! lol.
Anyway, here's the great part for US readers.... ALWAYS YOU IS JUST $0.99 FOR THE NEXT WEEK!! While it's featured, iBookstore have dropped the price of it so get it while it's cheap if you want to! You have until 11th Feb before the price goes back up again apparently.
If you want Always You on iBooks, (or know someone that does) and are living in the US then hurry and get it quick.
Subscribe to my newsletter and never miss a new release or sale again. I promise not to spam!


While the engine in your car creates the power that moves you, your transmission is responsible for sending that power to the wheels. Modern transmissions are intricate systems, and if not properly maintained can wear down over time. Whether your tow vehicle needs transmission repair from hauling a heavy trailer, or your manual transmission sports car is grinding in second gear, Stewart Auto Repair in Winter Haven has the solution.
Over the past several decades, Stewart Auto Repair has proven an industry leader in quality transmission repairs. As a longstanding auto repair shop with the highest customer satisfaction in Winter Haven, you can count on our expert team to repair your transmission quickly and affordably.
At Stewart Auto Repair, we invest in education to ensure professional excellence with all our transmission repairs. With current training, knowledge of both modern and classic vehicles, and state-of-the-art technology at our fingertips, we guarantee accurate workmanship. Whether you drive a vehicle with a CVT transmission, or one with a hybrid powertrain, Stewart Auto Repair has you covered.
We use only OEM quality name-brand parts in our transmission repairs, along with the highest-quality fluids to maximize performance and longevity. We always stand behind our work; Stewart Auto Repair backs our transmission repairs with a respectable 24-month/24,000-mile warranty for your peace of mind.
Honesty. Integrity. Professional Excellence. Let Stewart Auto Repair handle your transmission repairs in Winter Haven, FL.


o•ver•dye (ō′vər dī′, ō′vər dī′),USA pronunciation v.t., -dyed, -dy•ing.
to dye too long or too much.
to dye over another color.
Hello there, this post is about Overdyed Patchwork Rug #1 Overdyed Vintage Patchwork Rug. This photo is a image/jpeg and the resolution of this picture is 457 x 640. It's file size is just 76 KB. Wether You desired to save This post to Your laptop, you could Click here. You also also see more attachments by clicking the following photo or see more at this post: Overdyed Patchwork Rug.
If your property area space is limited, for example condominiums, as the requirements and capability of one's stuff a great deal, and while you type a sensible but needs a lot of place. You're able to apply to the Overdyed Patchwork Rug with compartments - kitchen, of course you should be clever in all placements it is possible to implement right near the remaining or facing course, presently ideal therefore unimpressed slender and doesn't break the guidelines of place along with your movement.
Straightforward mattress may be used for a room in today's style, it seems that reveal a dynamic impression of the shape had been requested, the design that is the recent development will be the pattern of modern artwork that embraces modern style makes an equivalent contemporary for you affect your room which minimalist style. The rooms, however, must adjust to the spaces within the household all together.


fixed: Yeah. That would be some heavy paper. Fixed, thanks!
fixed: Thanks! Applied in hrev35287.
fixed: Applied in hrev35275. Thanks!
fixed: This was implemented a few revisions ago. Too lazy to dig it up.
fixed: Thanks a lot! Applied in hrev35248.
fixed: Thanks Matt. Fixed with hrev35234.
fixed: committed by stpere in hrev35233. Thanks!
Adds a translated name for this pref.
duplicate: Duplicate of #4623, but thanks for the very good description.
fixed: Will do. Thanks for the heads up!


Twenty five students from STMA competed at the 42nd Annual American Tang Soo Do Association Championship tournament held March 20-21 in Andover, Massachusetts. A total of 24 medals were won, including a Junior Grand Champion Forms and Weapons Trophy by Bailey Dupuy. Dylan Wenner was the recipient of the Grandmaster Richard Byrne ATA Youth Scholarship, awarded to a student demonstrating exceptional leadership skills. Congratulations to all for a great tournament!


Angus Energy: New appointments and no board return for Jonathan Tidswell – DRILL OR DROP?
Jonathan Tidswell-Pretorius resigned on 6 July 2018 after transferring his entire stake of 39 million shares in Angus Energy to America 2030 Capital Ltd, for "nil consideration". The deal was part of loan negotiations.
At the time, Companies House showed that America 2030 Capital Ltd was less than six months old, with one officer, a 20-year-old Hungarian living in Poland.
Within two days of the transfer, America 2030 Capital Ltd began selling Mr Tidswel- Pretorius's shares, eventually off-loading about 16 million. At the time, the share price was about 6p and an Angus interim statement said Mr Tidswell Pretorius still held his entire stake.
The statement also reveals that a court injunction stopped America 2030 Capital Ltd from selling any more shares and an agreement returned 23 million unsold shares to Mr Pretorius.
Angus Energy also said it had appointed Patrick Meade, the 8th Earl of Clanwilliam, as non-executive chairman, Carlos Fernandes as finance director and Andrew Hollis as technical director.
This follow news in January 2019 that a power struggle at the company had ousted the managing director, Paul Vonk, and replaced him with George Bingham, the 8th Lord Lucan.
Until a few days ago, Mr Fernandes (35) held directorships in Eclipse Strategic Security Ltd and a new sister company, Eclipse Strategic Training Ltd.
Eclipse Strategic Security describes itself as a "leading provider of onshore drilling security and logistical support services". Its website says it provides "a tailored and measured response to unorthodox threats within the oil, gas and petrochemical sector".
DeSmog UK reported last year that Eclipse conducted surveillance for oil and gas companies Ineos, UKOG and Europa. Through a director, it had links to the police, military and big oil.
Mr Fernandes was also a director of Eclipse Oil & Gas Ltd, dissolved in December 2015, which appears to have employed familiar names with connections to Angus Energy. On Linkedin, Mr Tidswell-Pretorius lists an appointment as a former operations director of Eclipse Oil & Gas and Mr Vonk says he was a former chief finance officer.
Lord Clanwilliam (58) is an Old Etonian former Conservative Party adviser and founder of the lobbying group, Meade Hall & Associates.
According to the Angus statement, he previously chaired Eurasia Drilling Company Ltd. He was also a former non-executive director of Soma Oil & Gas, which operates off Somalia, and the Russian gold mining company, OJSC Polyus Gold.
He was in the Coldstream Guards and began his business career at Hanson. He currently holds directorships or partnerships in 11 companies, including Meade (a Conservative Party donor), NMC Health plc and Halamar.
Mr Hollis (64), a geologist, has more than 40 years' experience in oil and gas exploration and production, Angus said. He worked for 25 years in petroleum and reservoir engineering for British Gas before becoming a consultant, specialising in Russia and eastern Europe. He is currently a director of Muscovy Oil Services Ltd.
Angus non-executive director, Chris De Goey, is leaving Angus for a full-time managerial role in the oil and gas industry, the statement said. His Linkedin profile lists appointments including acting chief executive of Arar Oil & Gas in Turkey, managing director of Alcazar Energy Ltd and director of Xodus Group.
What a shambles , its just musical chairs , wonder how they intend to pay the kind of fees that these Earls will require , certainly not from oil if their previous production is anything to go by. Waste water might make them more maybe ?
Why would new appointees be paid based upon past company performance? This is the private sector Jono!
Perhaps they have been appointed to sort the shambles?
I'm a great supporter of onshore UK hydrocarbon exploration but I have to say this lot don't fill me with confidence – I think I'll stick with IGas with two boring accountants at the helm. Who's the next one in – Tim Nice but Dim.
Expertise in snooping, lobbying and molesting the poor Russians, in my opinion. Yay!
Nice of Martin to acknowledge the shambles.
If you have a change of management Waffle, it will be shambolic, for a short or longer while. Never experienced any different myself. Real question is whether it will improve matters going forward, or not. Only time will tell. Like football clubs, sometimes it works, sometimes it doesn't. Meanwhile, it allows huge opportunity for some to become excited by speculation and then, maybe, disappointed. Seems to fill a void in some lives, so hey ho.


text:
Mark Leckey 'In Conversation' with David Piper
6 March 2004 / 14:00 - 15:00
This event coincides with Leckey's solo exhibition 'Parade', featuring a major new work commissioned by Film and Video Umbrella.
Continuing the artist's ongoing exploration of style sub-cultures and other contemporary icons, Mark Leckey's single-screen projection work 'Parade' is a stylish and provocative meditation on the theme of the metropolitan dandy. Brimming with historical literary allusions, yet equally deftly located within a distinctly contemporary demi-monde of visual art, music and fashion, Leckey's oblique video narrative is a dark and claustrophobic vision of a man inhabiting a world of hallucinatory desire.
Leckey will be discussing his work and the place of the sartorially elegant male in contemporary society, with writer and artist David Piper. Leckey will also be screening 'Fiorucci Made Me Hardcore' and 'Londonatella' during the event.
MORE ON MARK LECKEY:
Mark Leckey makes videos and sound-system installations that reflect his interests in underground music and club culture. He has contributed work to 'Crash!', ICA (2000) and 'Century City', Tate Modern (2001). He first came to prominence with 'Fiorucci Made Me Hardcore' (1999), a history of UK dance music. For Tate & Egg Live he used Tate Britain as a backdrop to create a sound installation, entitled 'Big Box Statue Action', based on familiar artwork from the collection, including Jacob Epstein's 'Rock Drill'.
MORE ON DAVID PIPER:
David Piper studied Fine Art at Chelsea College of Art and Design, 1999-2003. He currently writes for Flux Magazine, The Chap and Erotic Review, and is a performer and mc/compere for 'whoopee! burlesque club', and bands such as 'The Guillotines' and 'Dr. Miasma'. He has also acted in various films, including the forthcoming Prayer Cushions of the Flesh (based on the novella by Robert Irwin). Piper is currently busy producing a collection of eccentric Victorian bicycle contraptions for Hendricks Gin, fundraising for a mobile peepshow ('Piper's Priz'd Perambulating Peepshow/Wyndham's Wond'rous Wandering WooWoos'!) and designing a window display for Selfridges. Piper lives and works in London.
'Parade' is commissioned by Film and Video Umbrella in association with the Brighton Photo Biennial. Supported by the National Touring Programme of Arts Council England and The Henry Moore Foundation.
Mark Leckey 'Parade' is generously sponsored by Tiger Beer. www.tiger-beer.co.uk
EVENT	NEXT
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CG Associates is a membership scheme for artists, writers and independent curators working in contemporary art
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The clinic is well equipped to cater for the needs of our hospitalised patients; from our intensive care boxes, to our day yards for mares, foals and stallions. There are two treatment suites, in which diagnostic, reproductive and other treatment modalities are carried out.
To assist with patient management, we have an in-house laboratory, which enables our vets to carry out basic sample analysis. We also provide full medical and surgical facilities and cater for lameness examinations with purpose built trot-up and lunging areas.
The car park is very large and allows clients the space to turn around without the need for tricky reversing. For those with difficult loaders or arriving with mare and foal on the float/truck – we have a purpose built, covered loading/unloading bay. This bay allows you to unload directly into a safe covered yard (handy for foals not yet halter broken) or to load a difficult or young horse with ease. Our trained staff can assist you by reversing your float into the bay (if you are finding it a bit tricky) and can help with loading/unloading horses. For anyone arriving with emergencies where the horse has difficulty walking (such as severe colic or laceration) it's very easy to drive all the way up to the door, unloading right into the clinic doors or a safe box, for immediate assessment.
Belvoir Equine Clinic is very much a small community, three of our vets (including our surgeon) live on site. Mares in for foaling down and intensive care cases requiring around the clock monitoring, are easily catered for with so many vets a stones throw from the yards and stables. Few vet clinics can offer this peace of mind to clients.
A lot of effort has gone into making Belvoir Equine Clinic – not only a very functional facility, but also a very pleasant place to visit, drop in for a tour!


I have installed the Actipro trial and I have been going through the samples and evaluating its capabilities. We are interested in a WPF docking control that can support an ItemsSource binding for the panels in the dock control. I have gone through the sample that shows how to setup the DockSite with bindings using its ToolItemsSource property.
I have a ToolItemViewModel that contains properties named DefaultDock, DockGroup, IsInitiallyAutoHidden, Description, ImageSource, Title, and Name. These properties were the same properties defined the in the MVVM sample for the DockSite. These properties all seem to be bound and working correctly. For example, when I change the Title property at runtime I can see the text at the top of the ToolWindow change.
Now I would like to be able to open the associated ToolWindow by changing a property in the ViewModel that is the DataContext for the ToolWindow. I saw that there was an IsOpen property on ToolWindow so I added an IsOpen boolean property to the ToolItemViewModel that contains the other notifiable properties. I also altered the ToolItemStyle that is defined in the Application Resources to the following.
I also added the same Setter for the IsOpen property to the Style for the DocumentWindow and DockingWindow just to be sure. When I change the IsOpen property at runtime it has no effect on the ToolWindow. I was not sure the binding was working so I deliberately misspelled the binding property just to see if I could get a Binding error and I did but only for the ToolItemStyle. So I only have the IsOpen property binding style for the ToolWindow (as shown above).
A little more info. The plan right now is to create all ViewModels that inherit from ToolItemViewModel at startup and add these VMs to the binding collection for the DockingSite ToolItemsSource. Each VM will have a default setting that controls if it should be open and pinned or simply closed and not visible. Using the EventAggregator from Prism, each VM will be listening to an event used to open and pin the ToolWindow. I thought I could simply change the IsOpen property to True and the ToolWindow would be opened and pinned.
What is the best way to open, close, and activate a ToolWindow from a bindable property in its DataContext ViewModel?
Try putting a Mode=TwoWay on that Binding to see if it helps.
That did the trick! Thank you very much.
I am curous the Title property for the DockingWindow does not have Mode=TwoWay but when I change the Title property in my ViewModel it changes the Title property of the DockingWindow. What is different between DockingWindow.Title vs. ToolWindow.IsOpen?
It might be that our code ends up programmatically updating IsOpen when appropriate based on layout changes and perhaps that breaks the binding if it's not TwoWay.
So setting IsOpen = true will open the tab but it will not make it the active tab. I was hoping there would be an IsActive property that I could use but I do not see one. I see an Activate() method but as far as I know that can not be called from the ViewModel. Can you suggest a way to ensure the tab becomes open and active?
Sorry but there isn't a property you can bind to to get that to happen. You would need to have your view model raise an event that your view would watch, then get the ToolWindow for that view model, and call Activate() on it.
Thanks for the reply. Is this something that could be added in a future release? This seems like a must-have if someone is going to use binding and MVVM approach with the dock control. Activating a tab from the ViewModel is a requirement.
Raising an event in the ViewModel that the View listens to seem to violate MVVM (depending on how you look at it), which would be the separation of the ViewModel and the View. I really think you guys are going to need to add an IsActive property on your ToolWindow or the DockingWindow class.
I was thinking of trying a custom behavior to the dock control, like the samples do for what it calls a DockSiteViewModelBehavior. I can listen to the Activate and Deactivate events of the DockSite which lets me set the IsActive property on my ViewModel but I am having a problem going the other way. When the IsActive property changes in the ViewModel. I think the answer is to "attach" a custom Dependency Property to the ToolWindow (in code vs. in XAML) from DockingSiteViewModelBehavior.OnDockingSiteWindowRegistered method. I am not sure how to do that right now.
While our vNext version (currently work in progress) is adding an IsActive property, it is read-only. I'm not sure that allowing a setter there is a good idea since that property is only supposed to be set true on a single docking window in the entire layout at a time. Allowing a setter might end up causing some problem scenarios.
What if you added something like an ActiveItem property on DockSite that was a view model oriented property and you somehow tied it to ActiveWindow? That would be similar to a Selector.SelectedItem scenario. In vNext we will be looking to improve MVVM support. We haven't started on that area yet but can look into this as well when we get into that feature area.
I hear what you are saying about having only one DockingWindow's IsActive property being true at one time. With the current DockSite, as far as I can tell, when one DockingWindow becomes Active the rest become inactive and if that logic was just reflected in a get/set IsActive property you should be good. That being said, what ever logic is in place now that ensures there is only one active tab would have to be applied to the setter as well.
Anyway, I was able to write a custom behavior or dependency property (I am not sure exactly what their called) to achieve this now. Here is what I came up with so far.
So far this works and it's not bad, maybe could use some improvement. I have written these kinds of things before. For example, I needed to bind to the SelectedText, CaretIndex, SelectionStart, and SelectionLength properties of a TextBox but these properties are not bind-able. With that scenario it's just binding a ViewModel property to a custom Dependency Property against a Dependency Object (in this case the TextBox).
Now in the case of the DockSite I did not want to bind to the DockSite. I did not want the Dependency Object to be DockSite I wanted it to be a DockingWindow. It's like trying to bind to a Tab within a TabControl but all the tabs are defined at runtime using the TabControl.ItemsSource property.
So since you guys already included a "behavior" called DockSiteViewModelBehavior I was able to use that to attach my custom Dependency Property at the moment each DockingWindow was accessed. So I added the following one line to DockSiteViewModelBehavior.OnDockSiteWindowRegistered.
Now just for completeness here is the XMAL from the sample that attached the DockSiteViewModelBehavior.
This seems like a lot of code/work to have in the project and to maintain over time. We are trying to write less code and this seems to be taking us in the other direction. If you guys are in the process of improving your MVVM support then this IsActive property is definitely something to look at.
I've run into another issue that I could really use some help with. We have many potential ToolWindows that could be docked in our application (top, bottom, left and right). When the app starts up the very first time there is only one ToolWindow that needs to be docked left by default and open, all the others are not open by default. When the user clicks its associated button on the ribbon it will open its respective ToolWindow. When these other ToolWindows are opened for the first time they need to open in a predefined location (left, bottom or right). After they are open the user can re-dock it somewhere else and when the app shuts down it will serialize the dockstie state and then use that state when the app is opened next time.
To achieve the layout we want I have the following XAML for the dockSite.
This give me place holders for the top, bottom, left and right locations with a document in the middle. Now in the DockSiteViewModelBehavior (from the samples) I have the following for the OpenDockingWindow() method.
The goal here was to put each ToolWindow in a default location (top, bottom, left, or right) but NOT have it be open and visible to the user. Only after the user clicks a respective button on the Ribbon would its ToolWindow become open and visible to the user (by setting IsOpen = true in the ViewModel). Also the state of the DockSite needs to be serialized and applied at startup for the next session. The .Items.Add(dockingWindow) does add it to a default container location but it forces the dockingWindow.IsOpen to be true and thus the IsOpen Setter on my ViewModel is being called (changing from false to true) and all the ToolWindows are open.
So my question is how can I add the ToolWindows to a container to define its default location but not have it open and visible to the user? Using code (not XAML) how can I add a ToolWindow to a container but have ToolWindow.IsOpen = false, without adding it to the container and then setting IsOpen = false (this will call the Setter twice).
As a test I tried the following XAML.
This does put the ToolWindow in the correct container and does not show it to the user. My guess is that the ToolWindow.IsOpen was actually called twice, once (IsOpen=true) when added to the container and the second time when it's set to false. Is that true? I was really hoping that the DockingWindow.State enumeration would have a Hidden value. Then I could set the state to Hidden and then add it to a container (in code), but there is no Hidden enum value.
We don't recommend doing what you are trying to do here since you are accessing some API that is only meant for internal usage. You shouldn't ever put empty ToolWindowContainers or unnecessary SplitContainers in your XAML. Likewise, you should never put a x:Name on any container since they are completely transient and will be dynamically created/destroyed as layouts change.
Instead what you can do is use methods like ToolWindow.Dock and specify a dock target and direction. So for instance, you could target the DockSite and specify right direction to dock it on the right of the entire DockSite. Or if another tool window is already open, you could content dock it (attach) to the target tool window. You could also choose to dock a tool window next to another tool window. Those kinds of methods are the ones you should use.
Ok, I am trying to apply your advice. As far as I understand it I think the logic would be the following.
If a ToolWindow was found for step #1 then dock the incoming ToolWindow with that ToolWindow.
I am trying to change the OpenDockingWindow method to something like the following (this is pseudo code).
//Try and find an existing ToolWindow that is already docked.
Am I on the right track here? If so how can I find an existing ToolWindow (if any) to content dock (attach) the incoming ToolWindow with?
Ok so I have refined the code a little and I had to use the Tag property because I could not figure out what the current docking location was for an existing ToolWindow. This is what I have so far.
This does what I need to do (mostly) and I think it's more in line with your suggestions. I forgot to mention that I removed 99% of the XAML I had before and now all I have is the following.
Now the last issue is how to set the IsOpen property. Let's say I have two ToolWindows (A and B) that need to be docked by default to the left and together. ToolWindow A (IsOpen=false) is not open by default and ToolWindow B (IsOpen=true) is open by default. When the code processes ToolWindow A it does correctly dock it with the DockSite on the Left and sets its IsOpen property to false. Next when it processes ToolWindow B (to be docked Left also) it finds that ToolWindow A is already docked Left and then tries to Dock ToolWindow B using ToolWindow A as its docking target (Direction.Content) and then throws an exception because its docking target (ToolWindow A) is not open (IsOpen=false).
So how can I dock two ToolWindows together where one is not open (IsOpen=false) and the other is open (IsOpen=true)?
There is no ToolWindow.Dock property (like in your pseudocode) but there is a GetDirectionRelativeToWorkspace() method that gives varied results based on the current state. Be sure to read the docs on that method, and you probably want to ensure the window is open in the desired state too.
In your slimmed down XAML, you don't need the extra SplitContainer since there's only one child. Also, you can't put a DocumentWindow in a SplitContainer. It would need to be a ToolWindow and in a ToolWindowContainer instead.
For the last question, you can't target a closed tool window. In that case, you'd need to dock it on the left side of the DockSite instead. Or you could initially have both in your XAML and just close tool window A. When it would reopen, it would already have the breadcrumb in place to know where to go to.
In vNext, this post talks about how we're adding a WindowGroupName property that will intelligently group tool windows together that have the same group name when you set IsOpen = true. That helps eliminate a lot of this logic you are doing.


In the cable channel OCN drama 'God's Quiz: Riboot' 15th broadcast, the figure of Han Jin-woo (Ryu Duk-hwan), who remembered the name of the shimpul (Kim Jae Won), was drawn.
On this day, Han Jin-woo replicated his brain and found that Kodas was made. My mother, Jung Hyeonwon and Shin Yeonhwa (Seo Yongjung) were doing things. It was a system made up of Han Ji-won's childhood name Han Ju-won. Asked why Han Jin-woo sent a message to help her, Kodans said, "The system has become dangerous due to the wrong conclusion." Kwak Hyeong-min reported that he entered different values and caused errors in the process of autopsy output of one-week group deaths.
After the soldier came out, the pencil called Kwak Hyeong – min. Kwak said he was restoring the USB, but the pencil was holding USB that had already been thrown into the trash. She said, "I do not know how to decide the last person to kill, the one who wants to kill the most painfully, the one who wants to give me a chance to live once," said Kwak.
Kwak Hyeong-min, who came to the side of Goungshil, recalled that Goung-chil Chung was responsible for his mistakes and said, "The best love I can give is responsibility." Kwak said, "I know it, but I know it, but it does not work well." At that time, Han Jin-woo appeared, asking Kwak Hyeong-min for the truth, but Kwak hyeong-min refused and vomited blood.
Hanjin decided to make an antidote. I also noticed that there is a record of the Hyundai Welfare Center in Kodas. Kodans has destroyed it, but it's stored in a hidden folder. I had to get my password.
On the other hand, the pencil came into the vice chairman Han Chi-soo, and Mr. Seo-jung said, "Let's negotiate. I will compensate for all the pain you have suffered." The pencil poured the virus into the pouch, and the body lighted and disappeared slowly. The villain also invaded the hospital. At that time, Han Jin-woo showed up and was stabbed in the process of struggle.


I got a haircut and a mani/pedi yesterday. Today I wrote out my 3 paragraphs about why I want to work there (which I was asked to do) and DH proofed it for me. Then DH let me use him as a practice board for questions until he had to leave for work.
I'm slightly anxious, but overall feel much more prepared and in a better frame of mind than the library job interview.
It all of a sudden got hot here! The last two nights were miserable for sleeping... Tonight it has cooled down enough to be comfortable thankfully.
The little fan I used last year is pretty much worthless, so I will be getting a box fan soon. Maybe tomorrow.
I paid my auto and the home insurance today - $1110. That'll be some nice cash back.
I had meant to do paypal for Earnhoney, but I guess I wasn't paying close enough attention. OOps.
I have enough in my phone fund to get my new main phone (iPhone SE) but I may wait a few more weeks to order it.
I'm not looking forward to calling my mom on Sunday. I haven't talked to her since New Year's. At that time she decided to go back to the man who'd shown over and over and over he couldn't be counted on. I told her she was an adult and had to make her own decisions, however I wanted nothing to do with him nor his money.(She'd constantly bring up that he was going to leave my brother and I a significant amount - though BOTH of us repeatedly told her we didn't care about her leaving us money!) Somehow I think she's taken that to mean I don't want anything to do with her.
Honestly, I'm not sure what would be safe to talk about. Trump? Nope. The man? Nope. My recent trip that she knows nothing about? Nope. Hmmm.... I can't not call her. Ugh. I guess I have to play an adult.
So ... not much else really.
Best wishes for tomorrow's interview, FT. Thinking happy thoughts for you.
Best of luck on the interview and the call with your mom!
Good luck today with the interview!! Talk to your mom about your job and the interview.
Hope the interview went well--Can you talk about the weather, spring plans or something with your mom.
I can't wait to hear about the interview! I hope it went well!


text:
Sensex scales fresh record high
Key benchmark indices extended intraday gains in early afternoon trade, with the Sensex striking fresh record high. At 12:26 IST, the barometer index, the S&P BSE Sensex, was up 78.21 points or 0.21% at 36,903.31. The Nifty 50 index was up 10.10 points or 0.09% at 11,144.40. Most capital goods stocks rose. Shares of index heavyweight and housing finance major HDFC gained. Gains were boosted by data showing that FPIs and DIIs, both, were net buyers of equities yesterday, 24 July 2018.
A bout of volatility was seen in early trade as stocks regained positive zone soon after erasing intraday gains. A divergent trend was witnessed in morning trade as the barometer index, the S&P BSE Sensex, was trading with small gains while the Nifty 50 index was trading with minor losses. Divergent trend continued in mid-morning trade.
As per provisional data released by the stock exchanges, foreign portfolio investors (FPIs) bought shares worth a net Rs 104.34 crore while domestic institutional investors (DIIs) bought shares worth a net Rs 513.78 crore yesterday, 24 July 2018.
The S&P BSE Mid-Cap index was up 0.31%. The S&P BSE Small-Cap index was up 0.62%. Both these indices outperformed the Sensex.
The market breadth, indicating the overall health of the market, was positive. On the BSE, 1345 shares rose and 988 shares fell. A total of 136 shares were unchanged.
Shares of index heavyweight and housing finance major HDFC gained 1% to Rs 1,998.95.
Most capital goods stocks rose. Bharat Heavy Electricals (Bhel) (up 1.91%), BEML (up 0.77%), L&T (up 0.39%), Siemens (up 0.16%) and Thermax (up 0.63%) gained. Punj Lloyd (down 4.45%), Bharat Electronics (down 3.13%) and ABB India (down 0.1%) fell.
Maruti Suzuki India shed 0.51%. Maruti Suzuki India will proactively and voluntarily undertake a recall for new Swift and new Dzire models to inspect for a possible fault in the Airbag Controller Unit. 1,279 vehicles (566 new Swift and 713 new Dzire) manufactured between 7 May 2018 and 5 July 2018 will be covered in this campaign. Recall campaigns are undertaken globally to rectify faults that may be potential safety defects. The announcement was made during market hours today, 25 July 2018.
Symphony fell 16.65% after consolidated net profit fell 48.72% to Rs 20 crore on 23.16% decline in net sales to Rs 146 crore in Q1 June 2018 over Q1 June 2017. The result was announced after market hours yesterday, 24 July 2018.
Music Broadcast rose 1.2% to Rs 304. Music Broadcast said it will purchase its fully paid up equity shares of face value of Rs 10 each, at a maximum price of Rs 385 per share. The buyback shall not exceed Rs 57 crore, representing 9.87% of the aggregate of total paid-up equity share capital and free reserves of the company based on audited financial statements of Company as on 31 March 2018. The announcement was made after market hours yesterday, 24 July 2018.
Overseas, most Asian stocks were trading lower. Meanwhile, Beijing on Tuesday reportedly signalled that it would shift to a looser fiscal policy in a bid to protect the world's second largest economy from the impact of an escalating trade row with Washington. US equity benchmarks finished Tuesday mostly higher, led by technology and health-care companies.
On the trade front, focus is on talks between US President Donald Trump and European Commission President Jean-Claude Juncker set later on Wednesday, at which trade issues are likely to dominate.
0 thoughts on "Sensex scales fresh record high"


text:
Les élections départementales dans l'Aisne ont lieu les  et .

Contexte départemental

Situation politique
Le département de l'Aisne, a basculé à droite lors de la dernière élection départementale dans un contexte particulier. Ni la droite, ni la gauche, ni le FN ne sont parvenus à obtenir la majorité absolue à l'assemblée départementale. Grâce à une majorité relative de , la droite se trouve à la tête du département. La présidence est occupé par Nicolas Fricotaux, UDI, depuis le . À la suite de l'élection présidentielle et élections législatives de 2017, le paysage politique s'est recomposé avec l'apparition de La République en marche. En , une petite partie de la gauche décide de rejoindre la majorité départementale, donnant ainsi à la droite et à son président Nicolas Fricoteaux, la majorité absolue pour pouvoir diriger le département.

Au niveau national, l'Aisne est considéré comme un département à enjeux, où la droite veut conserver sa majorité, face un Rassemblement national en position de force dans ce département.

Le RN a affermi son positionnement dans le département. Elle est arrivée en tête dès le premier tour dans le département lors des élections régionales de 2015, où elle obtient son meilleur score, même si la droite remportent ces élections avec le retrait de la gauche au second tour. Lors de la dernière présidentielle, sa candidate, Marine Le Pen a obtenu son meilleur score national dans le département au premier tour avec 35,67 % et a gagné cette élection dans le département avec 52,91 % face au président élu Emmanuel Macron avec 47,09 %. Lors des élections législatives, chacun de ses candidats ont pu se maintenir au second tour, mais le RN n'a pas réussi à faire élire un député dans le département de l'Aisne. Lors des élections européennes de 2019, le RN obtient encore son meilleur score national avec 39,87 % pour la liste conduite par Jordan Bardella. Lors des dernières élections municipales, avec le contexte de la pandémie de Covid-19 en France, le Rassemblement national a réussi à conserver sa seule municipalité conquise en 2014, Villers-Cotterêts, dès le premier tour.

La droite mise sur la prime aux candidats sortants et la gauche veut maintenir sa position avec la possibilité de conquérir des cantons perdus en 2015.

Assemblée départementale sortante

Avant les élections, le Conseil départemental de l'Aisne est présidé par Nicolas Fricoteaux (UDI).
Il comprend 42 conseillers départementaux issus des 21 cantons de Aisne.

Système électoral

Les élections ont lieu au scrutin majoritaire binominal à deux tours. Le système est paritaire : les candidatures sont présentées sous la forme d'un binôme composé d'une femme et d'un homme avec leurs suppléants (une femme et un homme également).

Pour être élu au premier tour, un binôme doit obtenir la majorité absolue des suffrages exprimés et un nombre de suffrages au moins égal à 25 % des électeurs inscrits. Si aucun binôme n'est élu au premier tour, seuls peuvent se présenter au second tour les binômes qui ont obtenu un nombre de suffrages au moins égal à 12,5 % des électeurs inscrits, sans possibilité pour les binômes de fusionner. Est élu au second tour le binôme qui obtient le plus grand nombre de voix.

Résultats à l'échelle du département

Résultats par nuances du ministère de l'Intérieur
Les nuances utilisées par le ministère de l'Intérieur ne tiennent pas compte des alliances locales.

Assemblée départementale élue

Élus par canton

Bien que le Rassemblement national reste la première force politique dans le département, celui-ci perd l'ensemble de ses sièges et se retrouve dans l'opposition extra-parlementaire.
La droite remporte la majorité relative des sièges, suivie par la gauche. Les centristes effectuent une percée et obtiennent 15 % des suffrages et six sièges au conseil départemental.

Résultats par canton
Les binômes sont présentés par ordre décroissant des résultats au premier tour. En cas de victoire au second tour du binôme arrivé en deuxième place au premier, ses résultats sont indiqués en gras.

Canton de Bohain-en-Vermandois

Canton de Château-Thierry

Canton de Chauny

Canton d'Essômes-sur-Marne

Canton de Fère-en-Tardenois

Canton de Guise

Canton d'Hirson

Canton de Laon-1

Canton de Laon-2

Canton de Marle

Canton de Ribemont
Le binôme divers gauche de  Bonnard-Trévisan et M. Cool oublie de déposer sa candidature à temps auprès de la préfecture et n'est donc pas présent au second tour.

Canton de Saint-Quentin-1

Canton de Saint-Quentin-2

Canton de Saint-Quentin-3

Canton de Soissons-1

Canton de Soissons-2

Canton de Tergnier

Canton de Vervins

Canton de Vic-sur-Aisne

Canton de Villeneuve-sur-Aisne

Canton de Villers-Cotterêts

Notes et références

Notes

Références

Voir aussi

Articles connexes

 Liste des conseillers départementaux de l'Aisne
 Arrondissements de l'Aisne
 Liste des cantons de l'Aisne
 Conseil départemental de l'Aisne
 Élections départementales françaises de 2015
 Élections départementales françaises de 2021
 Liste des communes de l'Aisne

Liens externes

 Site du Conseil départemental de l'Aisne

Aisne
Départementales, 2021

redpajama_set_name: RedPajamaWikipedia


Not a sponsored post - I paid for the meal myself, and True Food Kitchen provided the recipe.
Our friend from college, Obi, came to town earlier this summer, and we were looking for a restaurant near LAX to take her out to dinner. True Food Kitchen is often a go-to place for us to bring out-of-town guests. The menu is simple but inventive, with options for anyone on any diet. This was our first time at the El Segundo location - everything from the pizza to the pasta and salad (above) were solid - and vegetarian! Obi lives in Baltimore, and doesn't come to Los Angeles very often. When we saw "Kale Guacamole" on the menu, we had to order one, because it sounded like the most LA Dish ever.
This vegan appetizer is surprisingly excellent - you definitely experience the heartiness of the kale but the creaminess of the avocado still takes center stage. It's not like you eat this and think, "Kale Guacamole." There's also citrus and poblano peppers, but honestly, you can't taste those. All your mouth experiences is buttery guacamole, with layers of texture and substance. If you ever wanted to eat a big bowl of guacamole for dinner, True Food Kitchen's recipe is a great place to start.
Remove stem from kale and blanch leaves in boiling lightly salted water till tender (approx 45 seconds).
Shock in ice water till chilled, squeeze dry, finely mince, and set aside.
Roast poblano pepper until charred on all sides, peel skin, remove seeds, finely mince, and set aside.
In a large bowl, lightly smash avocado.
Mix in blanched kale, poblano, cilantro, onions, citrus and salt until well incorporated.


Some of the most successful people in the world make it a habit to read books that will help inspire them. Whether you are an entrepreneur, or someone who is looking to excel in your career, there is always room for improvement. And there is no better place to get some advice than from experts who have shared their secrets and best practices in a really good book. Here are 20 books that will help inspire you to improve your life and productivity.
In The Go-Giver, Bob Burg and John David Mann talk about the concept of giving, and how it can actually help grow a business. He breaks down his ideals into the "Five Laws of Stratospheric Success", which are value, compensation, influence, authenticity, and receptivity.
Just to give one example, the first bullet point, value, talks about how the amount of money you earn comes from how valuable your product or service is. So by giving more value, you can get more back in return.
Critics of the book have called this over-simplified, and some believe that it should be geared towards younger people who are still in the beginning of their entrepreneurial journey. On the flip side, others have said that reading The Go-Giver was perfect for them, because they needed that simplicity in order to understand concepts that never clicked with them before. So, if your eyes tend to glaze over when you hear technical business advice, this might be a great place to start on your self-improvement journey.


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The Day Shall Come
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Anna Kendrick, Danielle Brooks, Denis O'Hare, Jim Gaffigan, Kayvan Novak, Pej Vahdat
Jesse Armstrong, Sean Gray, Tony Roche
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An impoverished preacher who brings hope to the Miami projects is offered cash to save his family from eviction. He has no idea his sponsor works for the FBI who plan to turn him into a…
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On an isolated island in Brittany at the end of the eighteenth century, a female painter is obliged to paint a wedding portrait of a young woman.
Legendary performer Judy Garland (Renée Zellweger) arrives in London in the winter of 1968 to perform a series of sold-out concerts.
A story of Naoufel, a young man who is in love with Gabrielle. In another part of town, a severed hand escapes from a dissection lab, determined to find its body again.
In Fabric is a haunting ghost story set against the backdrop of a busy winter sales period in a department store and follows the life of a cursed dress as it passes from person to person,…
A young woman befriends a lonely widow who's harboring a dark and deadly agenda toward her.
A plains-woman faces the harshness and isolation of the untamed land in the Western frontier of the late 1800s.
In 1892 Lizzie Borden lives a quiet life in Massachusetts under the strict rules established by her father. Lizzie finds a kindred spirit in the live-in maid, Bridget, and friendship soon blossoms into a secret romance. But tension mounts in the Borden household, leading to a violent breaking point.
In a dusty post-war summer in rural Warwickshire, a doctor is called to a patient at lonely Hundreds Hall. Home to the Ayres family for over two centuries, the Georgian house is now in decline. But are the Ayreses haunted by something more sinister than a dying way of life?
An aging con artist cannot believe his luck when he meets a wealthy widow and marks her as his next target. But she hides a secret of her own.
A crew of rugged firefighters meet their match when attempting to rescue three rambunctious kids.
Mermaid Down
A mermaid is ripped from the Pacific, her tail is chopped off and she's thrown into a mental home where no one believes she is a mermaid.
Martin is a fisherman without a boat, his brother Steven having re-purposed it as a tourist tripper. With their childhood home now a get-away for London money, Martin is displaced to the estate above the harbour.
Thirty-four years after his death, Airman William H. Pitsenbarger, Jr. ("Pits") is awarded the nation's highest military honor, for his actions on the battlefield.
Check Inn to Christmas
Julia Crawley and Ryan Mason must unite their families during Crestridge's Centennial Christmas celebration in order to save their family inns from a chain resort.
A young high school teacher moves to a new town for a fresh start and falls for a troubled student.
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Two young British soldiers during the First World War are given an impossible mission: deliver a message deep in enemy territory that will stop 1,600 men, and one of the soldiers' brothers, from walking straight into a deadly trap.
Decades after Sarah Connor prevented Judgment Day, a lethal new Terminator is sent to eliminate the future leader of the resistance. In a fight to save mankind, battle-hardened Sarah Connor teams up with an unexpected ally and an enhanced super soldier to stop the deadliest Terminator yet.
A small-town marshal who hasn't carried a gun since he left the Texas Rangers after a tragic shooting, must pick up his gun again to do battle with a gang of outlaw bikers that has invaded the town to pull off a brazen and violent heist.
The story of the soldiers and aviators who helped turn the tide of the Second World War during the iconic Battle of Midway in June 1942.
Elsa, Anna, Kristoff and Olaf head far into the forest to learn the truth about an ancient mystery of their kingdom.
A story of cosmic terror about The Gardners, a family who moves to a remote farmstead in rural New England to escape the hustle of the 21st century. They are busy adapting to their new life when a meteorite crashes into their front yard. The mysterious aerolite seems to melt into the earth, infecting both the land and the properties of space-time with a strange, otherworldly color. To their horror, the Gardner family discover that this alien force is gradually mutating every life form that it touches…including them.
When renowned crime novelist Harlan Thrombey is found dead at his estate just after his 85th birthday, the inquisitive and debonair Detective Benoit Blanc is mysteriously enlisted to investigate. From Harlan's dysfunctional family to his devoted staff, Blanc sifts through a web of red herrings and self-serving lies to uncover the truth behind Harlan's untimely death.
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Katherine Ryan: Glitter Room
Fresh from a tour, comedian Katherine Ryan shares shrewd observations about school bullies, revenge bodies and raising a very fancy child.
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Disheartened since her ex-husband's affair, Grace Waters feels restored by a new romance. But when secrets erode her short-lived joy, Grace's vulnerable side turns violent.
Jo March reflects back and forth on her life, telling the beloved story of the March sisters – four young women each determined to live life on their own terms.
Three Christs follows Dr. Alan Stone who is treating three paranoid schizophrenic patients at the Ypsilanti State Hospital in Michigan, each of whom believed they were Jesus Christ. What transpires is both comic and deeply moving.
Crime thriller about three siblings in Appalachia getting by as local opioid dealers, trying not to get caught in the spiral of violence that comes with the territory.
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Come and network with your home health continuum peers!
Join AAHCC for $90 for 2019!
Bring a guest to the meeting for $15 and earn a chance to win a gift card! You will earn one chance per guest! Four gift cards will be given!
2018 – 2019 Directories will be passed out to current members at meeting. One per membership.


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Check it out, Miskatonic Institute of Horror Studies
Little Terrors: Children's Horror on Film and Television
November 2, 2016 Pam Jahn
Miskatonic Institute of Horror Studies – London
Instructor: Catherine Lester
Time: 7-10pm
Venue: Horse Hospital
Address: Colonnade, Bloomsbury, London WC1N 1JD
Prices: £10 advance / £8 concs / £11 on the door
Miskatonic website
Children and horror: two things that are usually not considered to go together. Very often, it is assumed that if children are exposed to horror, they will be psychologically 'corrupted' in some way, and so they should be protected from it at all costs. However, for many horror fans, our fascination with all things spooky began in childhood – whether because we watched something that we really weren't supposed to, or were introduced to horror through children's content such as Scooby Doo, Goosebumps, or classic Disney fairy tales like that scene from Pinocchio. With recent films such as ParaNorman, Frankenweenie and Hotel Transylvania, and children's toys like the Monster High dolls, horror for children is becoming increasingly mainstream.
This class will explore in detail the area of horror films and television programmes created specifically for children in the UK and the US. Aspects of this topic that will be covered in the class include:
How horror for children emerged and how the subgenre has developed and changed across time, from early cinema to the present day;
Key academic theories on or relating to frightening media for children;
The defining characteristics of children's horror stories on film and television;
How children's horror is able to be both 'scary' enough to be classified as horror, but 'safe' enough to be considered 'child-friendly';
Similarities and differences between children's horror and adult horror;
The possible functions and benefits that horror might provide children.
This class aims to show that the relationship between children and horror is as complex as it is fascinating and that, far from being incompatible, children and horror are actually an ideal match. Films and programmes discussed range from the popular to the obscure, the good to the bad, the expected to the unexpected, and the surprisingly disturbing to the downright fun. Examples may include Disney's The Watcher in the Woods, cult-favourite The Monster Squad, 70s CFF chiller The Man From Nowhere and the British anthology series Dramarama Spooky.
Catherine Lester is completing her PhD on the children's horror film at the University of Warwick, and has taught and spoken widely on this topic. Outside of this research, Catherine is interested in children's media culture more broadly, particularly in representations of gender and sexuality, and has done some recent work in relation to this on Disney's Frozen. In March 2016 she co-organised an academic conference on 'Girlhood, Media and Popular Culture, 1990-present' at Warwick. She has written film reviews and essays for the site alternatetakes.co.uk and you can find her tweeting about popular culture, feminism and occasionally her pet rabbits @CineFeline.
About the Miskatonic Institute:
Named for the fictional university in H.P. Lovecraft's literary mythos, The Miskatonic Institute of Horror Studies is a non-profit, community-based organization that started in Canada, founded by Kier-La Janisse in March of 2010. The school currently has branches in Montreal and London, with Miskatonic London operating under the co-direction of Kier-La Janisse and Electric Sheep Founder/Editor Virginie Sélavy.
All classes take place at the historic Horse Hospital, the heart of the city's underground culture. Season ticket is £35 and will be available shortly. Individual class tickets are £10 advance / £11 on the door / £8 concessions and will be available 30 days in advance of each class.
For full details of the next courses please check the Miskatonic website. For all enquiries, please email Miskatonic.london[at]gmail.com.
childrenHorror
Check it out, Festivals
Horror Channel FrightFest 2016 Review
September 11, 2016 Pam Jahn
Horror Channel FrightFest 2016
Vue Shepherd's Bush, London
FrightFest website
The festival opened with the poetic and brutal Southern Gothic tale My Father Die, kicking off a father-child theme that bookended the festival, being also the focus of closing film Train to Busan. Although director Sean Brosnan went somewhat overboard with the Gothicness, My Father Die compellingly tells the tale of Asher, a deaf young man traumatised by the events of his childhood, who must fight off the ogre-like figure of his monstrous father (the child-eating Titan Kronos, father of Zeus, is referenced at the beginning).
At the other end of the festival, and in a completely different genre, Korean zombie action film Train to Busan was concerned with a career-obsessed father and his unhappy little girl. Representing everything that is wrong with capitalist big business, the father is forced to reassess his ruthless, selfish principles as the passengers of the train they are travelling in become infected with a virus that turns them into rabid zombies. The father-daughter relationship provides the emotional core of this efficient action horror film, but develops in a way that is far too sentimental. Surprisingly, this big Korean box-office success was directed by Yeon Sang-ho, who gave us one of the harshest, most harrowing films of recent years, high school animé The King of Pigs, which, although it centred on young boys, had not one ounce of sentimentality about it. Yeon Sang-ho also made another zombie film this year, this one in animation form, Seoul Station, which sounds closer to The King of Pigs in its themes and approach than Train to Busan.
Parental anxiety dominated the festival, with mothers taking centre stage in the disappointing Argentine thriller White Coffin (particularly marred by its puzzlingly ill-judged sound design), the atmospheric Danish pregnancy horror Shelley, and the excellent Iranian tale of evil Under the Shadow, which mixed political and otherworldly terrors in a tightly wound-up and emotionally charged feminist drama. A different type of feminist enquiry was found in The Love Witch, in which director Anna Biller plays the title character, who has fashioned herself into what men want using magic in order to find love. The film is a gorgeous-looking, meticulously designed throwback to 1960s cinema that revisits that period from a female angle, but its extremely self-conscious approach does not produce any truly challenging or fresh commentary on sexual politics.
From families to houses: another theme that emerged from this year's festival was the mazes of the mind, with Laura Casabé's convoluted plunge into the artistic mind Benavidez's Case, Darren Lynn Bousman's Abattoir and French TV mini-series Beyond the Walls. In Abattoir, a journalist begins to investigate when whole rooms where crimes have been committed are removed from houses recently purchased. The premise was very appealing, the idea of mixing up eras was nicely disorientating, but the hotch-potch of ingredients failed to cohere into a meaningful whole and the acting and direction had that lifeless, sanitized slickness that has become typical of American horror productions these days. By contrast, Beyond the Walls intelligently constructed an oppressive labyrinthine architecture of the mind that worked both as a psychological space and as a nightmarish world of dread.
Other types of confined spaces explored transgressive relationships, as in American psychological thriller Pet and psychedelic Mexican delirium We Are the Flesh. Pet had the merit to try to do something different but that was also the problem: it tried too hard and some of the twists in plot and characterisation were too self-consciously contrived. At the other end of the scale, Emiliano Rocha Minter's debut, while inspired by literary masters of transgression, was made with the guts and delivered an intensely visceral punch that few films can equal. It was by far the most accomplished, imaginative, coherent and radical film of the festival.
Virginie Sélavy
Asian filmHorrorKorean filmMexican filmSouthern Gothiczombies
Film4 FrightFest 2015 Review
September 9, 2015 Pam Jahn
Nina Forever
16th Film4 FrightFest
Vue West End,
Prince Charles Cinema, Phoenix, London
This year again, Film4 FrightFest offered a brilliantly diverse programme that encompassed all aspects of horror and fantasy, with some great category-defying gems. Interestingly, female protagonists widely dominated the line-up, and many of them were appealingly diverse, complex and nuanced characters, ranging from troubled temptresses to tragic mothers, babysitters to scientists, confused teenagers to imperious mistresses.
One of the highlights was Ben Cresciman's beautifully crafted psychological thriller Sun Choke, which was the most cinematographically and thematically accomplished of the festival. An ethereal, dreamlike, elliptical portrayal of a possibly psychotic young woman, it intelligently and chillingly explored the tortuous, ambivalent relationship she has with her domineering carer, played by the superb Barbara Crampton.
Sun Choke is available on the premium streaming video service Shudder from 9 March 2017.
Darkly erotic and intemperately stylish, Goddess of Love was also centred around a psychotic woman. Co-scripted by lead actress Alexis Kendra, it plunged into the delusional obsessiveness of an unstable woman as she increasingly loses her grip on reality after her lover leaves her. Sadly, the overly explanatory ending undermined the seductively unstable reality created until then.
For its part, Nina Forever offered a highly unusual take on female darkness. One of the great surprises of the festival, it was a bittersweet, melancholy and inventive tale of love, grief and the difficulty of getting rid of one's ghosts. When morbidly inclined checkout girl Holly falls in love with the suicidal Rob, it seems like he may finally be able to put the death of his girlfriend Nina behind him. But Nina won't go away so easily, and they have to deal with her very tangible, bloody, sardonic presence in their bed. Although the tone shifting between offbeat comedy and horrific drama is at times a little clumsy, it is a truly original, and very affecting film that treads a fresh path.
Not all female-led films were successful. After a compelling, unsettling first part, in which a new babysitter introduces chaos and sexual tension into the conventional suburban world of her charges, Emelie descended into an unconvincing and predictable thriller fodder about thwarted maternal desires. Also themed around maternity, Bruce McDonald's Halloween tale Hellions, his follow-up to 2008's Pontypool was equally disappointing. On Halloween, a teenager who has just found out she is pregnant must fight evil childlike monsters who come knocking on her door, demanding not sweets, but her unborn child. As she steps out into the strange light of a blood moon, the image is drained of colour and becomes startlingly artificial. This is not a bad thing in itself, but with a plot that jerks incoherently into varying directions, the visual effects that are meant to support it remain contrived and hollow.
Interestingly, Bernard Rose's modern update of Frankenstein transferred the focus of the monster's love and anguish from the male creator to the scientist mother figure, making explicit the maternal anxiety that had originally fed Mary Shelley's novel. Extrapolating on the possibilities of modern technology while based on a close reading of the novel, the film is seen from the perspective of the inarticulate creature. Originally given perfect beauty, he falls from grace and is forced into desperate, squalid survival after a flaw in the procedure of its creation causes horrific disfigurement. A visually ravishing poetic take on the misunderstood hideous monster despite a somewhat bombastic ending.
The focus was also on the mother in New England ghost story We Are Still Here. An openly referential film that played like a cross between House by the Cemetery and The Fog, it stars Barbara Crampton as a grieving mother who moves to an old isolated house with her husband in a bid to get over her son's death. Expressive and poignant, Crampton was ably seconded by Larry Fessenden, who was his usual brilliant self as one half of the hippie couple who try and help her to contact the spirit of her dead son. All slow-burn creepiness in the first part, culminating into a blood bath at the end, it was a well-crafted, enjoyably eerie tale that used its influences smartly.
After the emergence of Israeli horror in the last few years, the surprise geographical discovery this year was Georgia with Landmine Goes Click. One of the most divisive films of the festival, it set a trio of American tourists up for trouble in a remote Georgian mountain when one of the party accidentally steps on a mine. After apparently heading for a rape and revenge kind of story, it veers unexpectedly away to offer instead a scalpel-cold study of the terrible chain of causes and consequences that leads to the shocking, tragic ending. In a world dominated by betrayal, distrust and abusive power, the main characters are all guilty and provoke their own downfall through the cruel games they play with one another.
Among the documentaries, the fascinating story of Future Shock! The Story of 2000AD was more than worth a look while our friends at the Duke Mitchell Film Club presented the excellent Remake, Remix, Rip-Off, about low-budget Turkish remakes of Hollywood blockbusters in the 1960s-70s. This was followed by the Duke Mitchell Film Party, which proved as deliriously entertaining as last year's extravaganza, with guests, among which Barbara Crampton, presenting clips of new work or hilariously dubious trailers.
The diverse retrospective programme included Brian Clemens's 1970 Hammer swashbuckling horror adventure Captain Kronos: Vampire Hunter, Sergio Martino's seductively perverse giallo Your Vice Is a Locker Room and Only I Have the Key, with the stunning Edwige Fenech, Clive Barker's classic Hellraiser, Philip Ridley's startling 1990 debut The Reflecting Skin and Uli Lommel's 1970s serial murderer tale Tenderness of the Wolves.
Barbara CramptonBernard RoseBrian ClemensBruce McDonaldCandymanDuke Mitchellfolk horrorFrightFestHalloweenHammerHellraiserHorrorhorror filmIsraeli horror filmLucky McKeePhilip Ridleyrural horrorSergio MartinoSteve OramTakashi MiikeTurkish filmUli Lommel
L'Etrange Festival 2015 Preview
September 2, 2015 Virginie Selavy
21st Etrange Festival poster by Dom Garcia
L'Etrange Festival
3-13 September 2015
Forum des Images, Paris, France
Etrange Festival website
The outlandish Parisian genre and fantasy festival returns from September 3 to 13 with another line-up bulging with wild, unhinged and lost treasures. The festival opens with Simon Pummel's schizophrenic sci-fi thriller Brand New-U and closes with Bollywood epic Baahubali: The Beginning, with a full range of sleazy subversiveness and avant-garde strangeness in between, from Marcel L'Herbier's restored 1924 art deco femme fatale tale L'inhumaine to Rolph de Heer's grotesque family tale Bad Boy Bubby, not to forget a zombie all-nighter.
Highlights include the latest from three Japanese heavyweights: Takashi Miike's Yakuza Apocalypse, Hideo Nakata's Ghost Theater and Sion Sono with two films, Tag and Love and Peace. Also screening are The Blaine Brothers' original and moving Nina Forever, Steve Oram's category-defying Aaaaaaaah! and Ulrich Seidl's exploration of Austrian cellars In the Basement.
We'll be checking out Alex Van Varmerdam's absurdist thriller La peau de Bax, Raúl Garcia's Edgar Allan Poe animation film Extraordinary Tales, Michael Madsen's speculative alien invasion documentary The Visit, experimental Afghanistan-set sci-fi Ni le ciel ni la terre directed by artist Clément Cogitore, and Jason Bognacki's slick giallo-influenced tale of possession Another.
This year, the guest curators are Guy Maddin (also included in the main programme with his own The Forbidden Room), whose selection includes Bring Me the Head of Alfredo Garcia, Teuvo Tulio's Sensuela and George Kuchar's The Devil's Cleavage; Benoit Delepine, co-director of Aaltra and Mammuth, will present Tim Burton's Pee-Wee's Big Adventure and hopeless Russian road movie The Joy; and Ben Wheatley has chosen Frantisek Vlacil's sumptuous medieval fable Marketa Lazarova and Michael Mann's legendary murky Nazi nightmare The Keep.
Documentaries include Dark Star: H.R. Giger's World, B-Movie: Lust and Sound in West Berlin (1979-1989), which features Blixa Bargeld and Nekromantik 2's male lead Mark Reeder, as well as an exploration of the Turkish golden age of low-budget Hollywood remakes, Remake, Remix, Rip-Off, part of a focus on alternative Turkish cinema.
This year's musical performance is truly exceptional: legendary masked industrial collective The Residents will play a new version of Shadowland as well as presenting a programme of films and documentary Theory of Obscurity: A Movie about The Residents.
As always, the line-up includes a vast and dynamic selection of shorts, ranging from Can Evrenol's hard-hitting, gut-punching Baskin and Javier Chillon's inventive, intelligent Die Schneider Krankheit to classics by Jaume Balaguero, Jonathan Caouette and Bill Morrison.
For the full programme and to book tickets plesae visit the Etrange Festival website.
Asian filmavant-gardeBen WheatleyBerlincrimedocumentaryfantasygenreGuy MaddinH.R. GigerHideo NakataHorrorJapanese filmsci-fiscience fictionshort filmSion SonoTakashi MiikeThe Residentsthriller
School of Shock: Pain and Pleasure in the Classroom Safety Film
December 17, 2014 Virginie Selavy
Fur Coat Club
Instructor: Kier-La Janisse
Date: 8 January
Prices: £10 advance / £11 on the door / £8 concs / £50 full season ticket
For many genre fans, a love affair with horror and the grotesque began early on, sometimes fueled by unlikely sources. One of these was the classroom safety film, which for many kids was their first time seeing other children threatened by true danger, being confronted with a combination of gore effects and actual accident footage, and being offered a pictorial glimpse at things their parents didn't want to talk about. Thousands of these films were made in North America from the 1940s through the 1980s, when companies like Centron, McGraw-Hill, Coronet, Encyclopaedia Britannica Films, Avis Films, Crawley Films, Bell Labs, the NFB and others thrived on the burgeoning market for classroom or workplace educational films.
Subjects ranged from safety in and around vehicles, to drug abuse and venereal disease, teaching children scary lessons about everything from dental hygiene to how to spot a pedophile. The most memorable of these films deliberately used horror visuals to entice and/or shock children into paying attention – such as those by prolific producer Sid Davis (1916-2006) – and some were even made by directors with genre film pedigrees, such as Carnival of Souls' Herk Harvey, a key figure in the industrial film scene.
This lecture and screening by Kier-La Janisse, founder of The Miskatonic Institute of Horror Studies, will present some of the most notorious educational films of the 40-year golden age of social hygiene onscreen. We'll also briefly look at educational television PSAs, from the British Public Information Films through the incredibly grisly Australian drunk driving commercials of the 1990s.
The classic era of classroom films may be over, but viewed from today's perspective, some of these films offer up a fascinating survey of changing social mores and cultural preoccupations (not to mention fashions!). Being safe has never looked so grim.
WARNING: This program contains graphic imagery, including real accident and casualty footage.
Kier-La Janisse is a film writer and programmer, the founder of The Miskatonic Institute of Horror Studies and Owner/Editor-in-Chief of Spectacular Optical. She has been a programmer for the Alamo Drafthouse Cinema in Austin, Texas, co-founded Montreal microcinema Blue Sunshine, founded the CineMuerte Horror Film Festival in Vancouver (1999-2005) and was the subject of the documentary Celluloid Horror (2005). She has written for Filmmaker, Shindig!, Incite: Journal of Experimental Media, Rue Morgue and Fangoria magazines, has contributed to The Scarecrow Movie Guide (Sasquatch Books, 2004) and Destroy All Movies!! The Complete Guide to Punks on Film (Fantagraphics, 2011), and is the author of A Violent Professional: The Films of Luciano Rossi (FAB Press, 2007) and House of Psychotic Women: An Autobiographical Topography of Female Neurosis in Horror and Exploitation Films (FAB Press, 2012). She co-edited Spectacular Optical Book One: KID POWER! with Paul Corupe, and is currently writing A Song From the Heart Beats the Devil Every Time, about children's programming in the counterculture era.
The next course dates are 12 February, 12 March, 9 April, 14 May, 11 June. For the full details of the courses please check the Miskatonic website. For all enquiries, please email Miskatonic.london@gmail.com.
carnival of soulsclassroom safety filmsfilm studiesgenre filmHerk HarveyHorrorhorror studies
Film4 FrightFest 2014
The first edition of Film4 FrightFest in its new venue on Leicester Square, the Vue, was a resounding success, with an impressive line-up of films, terrific guests such as John McNaugton, Alan Moore and Jörg Buttgereit, and a lively sense of community. Stylistically and thematically, the programme was diverse, ranging from witty horror comedies to emotionally weighty thrillers and mind-boggling science fiction. After years of zombie domination, the monster of predilection this year was the werewolf, while children in peril and dangerous lovers also featured heavily and there was an underlying current of concern with the medium of film itself.
The festival opened with Adam Wingard's wildly entertaining homage to 80s slasher/action flicks The Guest, about a mysterious soldier who ingratiates himself into the lives of a family after bringing them a message from their dead son with whom he served in Afghanistan. After a tense, enigmatic first part, the story shifted into black comedy, turning into a fun popcorn horror movie – which was very enjoyable, but it would be nice to see Wingard return to the more serious territory of A Horrible Way to Die at some point. Following the opposite trajectory, Faults started as a comedy about a washed-out cult expert who attempts to de-programme a young woman controlled by a mysterious cult, but turned into an increasingly strange and riveting face-off between the characters, in which roles become reversed. Also of note among the more comedic offerings, the hilarious and bloody Housebound from New Zealand was a blast, with clever twists and hugely satisfying characters, led by delinquent ball of rage Kylie and her well-meaning but clueless chatterbox mother.
The greatest find of the festival was undoubtedly Jennifer Kent's wonderfully creepy and poignant monster story The Babadook. There were more children in peril in Henry: Portrait of a Serial Killer director John McNaughton's return to the big screen, The Harvest, a chilling autumnal fairy tale of sorts.
Fabrice Du Welz's intense take on The Honeymoon Killers story Alleluia was another heavyweight of the festival and the most accomplished of the unsettling psycho-sexual thrillers in the programme. Ate De Jong's Deadly Virtues used bondage to explore the bonds of marriage in a story of home invasion with a twist. Despite its flaws, it was a captivating film with ideas and originality. Marriage was also under scrutiny in simmering two-hander Honeymoon. The dark rape-revenge thriller Julia investigated violent catharsis and female empowerment in interesting, if rather muddled ways – director Matthew A. Brown did not seem entirely sure of where he was taking his story. On a lighter note, Hitoshi Matsumoto took a delirious approach to S&M in R100, an insane Japanese comedy about a middle-aged widower who gets more than he bargained for when he joins an underground club whose dominatrixes include The Queen of Spit in an eye-popping musical sequence and The Queen of Gobbling…
With a greater diversity of complex characters, in particular female, than in previous years, the programme also interestingly reflected a strong male anxiety. Deadly Virtues made a point about the wife earning more money than her husband, an important element in the shifting dynamic of their marriage. In the same way, Ivan Kavanagh's The Canal added a twist to its familiar jealous husband story in that the wife is the one with the high-powered job while his job, seen as lowly, is dismissed by other characters. With physical castration featuring in a number of films in the programme (Julia being the most notable), there seemed to be a simmering unease about the place of men in marriage and society, and a fear of sexual and social emasculation.
The Canal was one of a handful of films concerned with its own medium, probing the ghostly quality of film itself. In R100, the story of the widower is a film being made within the film – and shown to flabbergasted executives. The excellent occult-tinged Hollywood ambition tale Starry Eyes focused on a would-be actress who sells her soul to a satanic production company for stardom. VHS Viral continued the found footage franchise with a great segment by Nacho Vigalondo while Jessica Cameron's Truth or Dare took on reality TV with the same subtlety as the shows it satirizes. Among the documentaries, David Gregory's fascinating Lost Soul – The Doomed Journey of Richard Stanley's Island of Dr. Moreau was one of the most talked about films of the festival.
It was great to see werewolves used to dig into a variety of themes, even if the results were not always fully convincing. The Samurai, by German director Till Kleinert, was an intriguing, although heavy-handed take on queerness in a small town. It had a very memorable character in the transvestite sword-wielding lone wolf maniac who leads the solitary young local policeman into a journey of bloody self-discovery. Another interesting angle came from Adrian Garcia Bogliano in Late Phases, which stars the brilliant Nick Damici as a cranky blind veteran who moves into a retirement community terrorised by a mysterious creature. With most of its characters above the age of 60, it was a fairly brave, original and entertaining film about ageing, and how to face death with dignity.
Science fiction had a strong presence in the programme this year with Nacho Vigalondo's mind-puzzler Open Windows, The Signal which closed the festival in beautiful, if somewhat mystifying manner, and James Ward's convoluted chiller Coherence presented by the Duke Mitchell Film Club. For the first time, the Duke Mitchell brought their inimitable film party to FrightFest, invading one of the cinemas on the Saturday night with their anarchic mix of outlandish clips, excellent guests and wild shenanigans, which was much enjoyed by the packed auditorium.
Adam WingardAlan MooredocumentaryEli RothFrank MillerFrightFestHorrorhorror filmJapanese horrorJohn McNaughtonLucky McKeeNacho VigalondoNekromantikserial killersSin Cityzombies
Check it out, Electric Sheep events, Events and Screenings, Festivals
Electric Sheep at EEFF: Alucarda
May 23, 2014 Virginie Selavy
Screening date: Saturday 14 June 2014
Time: 3pm
Venue: Masonic Temple, Andaz Hotel Liverpool Street, London
Part of the East End Film Festival, 13-25 June 2014
Director: Juan López Moctezuma
Writers: Alexis Arroyo, Tita Arroyo, Juan López Moctezuma, Yolanda López Moctezuma
Original title: Alucarda, la hija de las tinieblas
Based on the short story 'Carmilla' by: Sheridan Le Fanu
Cast: Tina Romero, Claudio Brook, Susana Kamini, David Silva, Tina French
East End Film Festival website
Electric Sheep is proud to present an afternoon of orphans and dark magic with a screening of Alucarda at the amazing Masonic Temple, Andaz Hotel Liverpool Street, London, on Saturday 14 June, as part of the Magic and the Macabre weekend at the East End Film Festival. Acclaimed writer and festival programmer Kier-La Janisse, author of House of Psychotic Women: An Autobiographical Topography of Female Neurosis in Horror and Exploitation Films (FAB Press), will introduce the screening.
Loosely based on Sheridan Le Fanu's 'Carmilla', extravagant, sumptuous, macabre Alucarda hails from the golden age of Mexican horror. Raven-haired orphan Alucarda has been brought up in a convent to shield her from the evil influence of her diabolical father. But the devil in her blood cannot be suppressed and she draws the newly arrived Justine into her world. Thereon ensue copious amounts of nudity, wild-eyed hysteria, repressed desires, hints of lesbian love, religious exaltation, levitation, exorcism, self-flagellating nuns and unholy rituals, most of it set in a womb-like convent with nuns dressed in what looks like bloodied bandages. Part of the Panique movement co-founded by Alejandro Jodorowsky, director Juan López Moctezuma shared his interest in creating a magical and ritualistic kind of spectacle that would shake up audiences' perceptions. He certainly succeeded with this astounding, surreal, eye-popping stunner.
+ The Moon Bird (Brothers McLeod, UK 2010, 15 minutes)
A dark animated fairy tale in black and white, about an orphan girl kidnapped by a witch who wants her tears for a magic potion.
Masonic Temple at Andaz Hotel Liverpool Street
Co-curated by Strange Attractor Press, this special weekend of EEFF screenings at the Andaz Hotel Liverpool Street's Masonic Temple includes witches, ghosts and devilish mermaids, taking you from Wicca to haunted Mexican convents, and from British classics to a special evening with Dave McKean. Full schedule below.
Saturday 14 June
DAYTIME TICKET: £13.00 | BUY TICKETS
EVENING TICKET: £13.00 | BUY TICKETS
12:00 Witchumentary Double Bill + Discussion
with Mark Pilkington (Strange Attractor) and William Fowler & Vic Pratt (BFI Flipside)
Legend of the Witches
Malcolm Leigh | UK | 1970 | 72 mins
Featuring Alex & Maxine Sanders, the spirit of the late 1960s magical revival is captured in this exploration of the currents of English witchcraft.
Secret Rites (in association with BFI Flipside)
Derek Ford | 1971 | Derek Ford | 47 mins
A rarely seen mondo-esque documentary sees a young West London hairdresser join a Notting Hill coven in a spectacular nightclub rite.
15:00 Alucarda
Juan Lopez Moctezuna | 1978 | Mexico | 74 mins
Alucarda has been brought up in a convent to shield her from her father's evil influence, but the devil in her cannot be suppressed.
The Moon Bird
Brothers McLeod | 2010 | UK | 15 mins
An orphan girl is kidnapped by a witch in this dark animated fairy tale.
18:00 Possession Double Bill
Invocation of My Demon Brother
Kenneth Anger | 1969 | USA | 12 mins
Part of Anger's Magick Lantern series with a soundtrack by a Moog-wielding Mick Jagger.
Night Tide
Curtis Harrington | 1961 | USA | 86 mins
+ post-screening discussion with Will Fowler (BFI Flipside) & Mark Pilkington (Strange Attractor)
Seaman Johnny Drake (Dennis Hopper) falls for Mora (Linda Lawson), who believes she's descended from the sirens.
20:30 The Last Winter
Larry Fessenden | 2006 | USA/Iceland | 107 mins
Oil company employees, led by Ron Perlman, are building an ice road in the remote Arctic. When a member of their team is found dead, fears arise that nature may be striking back.
Sunday 15 June
12:00 British 60s Double Bill
Eye of the Devil
J. Lee Thompson | 1966 | UK | 92 mins
Vineyard owner (David Niven) returns to his castle, where he and wife (Deborah Kerr) are confronted by a witch, calling for a blood sacrifice.
14:00 Night of the Eagle
Sidney Hayers | 1962 | UK | 87 mins
A psychology professor discovers that his wife has been practicing witchcraft and presses her to stop. Then things begin to go horribly, supernaturally wrong.
16:00 Audrey Rose
Robert Wise | 1977 | USA | 113 mins – 16mm Screening
A young Anthony Hopkins is unnervingly obsessed with the idea that Ivy Templeton is the reincarnation of his daughter.
19:00 An Evening with Dave McKean
Illustrator and designer Dave McKean has created books and graphic novels of The Graveyard Book (Neil Gaiman) and The Homecomeing (Ray Bradbury), worked with Richard Dawkins and Stephen King, designed characters for Harry Potter, and exhibited across the world. Join us for an evening with a truly unique artist, where Dave will discuss his work, and offer an exclusive first look at footage from his upcoming feature Luna. His other work can be seen on www.keanoshow.com
Mirrormask
2005 | USA/UK | 104 mins + Shorts + Dave McKean in conversation with SF Said
A collaboration with Neil Gaiman, Mirrormask is a dizzying journey into a complex fantasy world. 15-year-old circus worker Helena finds herself in a landscape filled with giants, monkeybirds and dangerous sphinxes. The mysterious Mirrormask is her only hope of escape.
The Week Before
1998 | UK | 23 mins
A card game between God and the Devil, inspired by jazz guitarist Django Reinhardt.
[N]eon
Bruised from a failed marriage, a man wanders around Venice finding old books, memories, and a momentary ghost.
East End Film FestivalHorrorMexican cinemaMoctezuma
Check it out, Competitions
Shortcuts to Hell 2 competition
Shortcuts to Hell 2
Horror Channel, FrightFest and Movie Mogul have teamed up again, with new partner Wildseed Studios, to create SHORTCUTS TO HELL 2, a nationwide search for new filmmaking talent ready to make their first horror feature film.
The winning filmmaker will have their film produced by Movie Mogul and Wildseed Studios, entering production early 2015, with a minimum cash production fund of £20,000. The completed feature film will receive UK digital distribution, its world premiere at Film4 FrightFest 2015, and a broadcast premiere on Horror Channel.
Launching on 13 May 2014, the jury panel (to be announced shortly) will be looking for a highly driven individual with a burning desire to make their first feature film. All entries will need to submit a 3-minute short film version of their full-length horror movie idea and their submission must clearly demonstrate the core idea, premise, story and characters in narrative form. A shortlist of twenty-six finalists will then be invited to an interview where they will have the opportunity to pitch their feature film directly to the jury panel.
Three filmmakers will then go forward to this year's FrightFest event at the Vue West End in London, and have their 3-minute films screened before the discerning FrightFest audience. Their work will be broadcast on Horror Channel throughout August and September, where the overall winner will be chosen by public vote. The twenty-six finalists will also receive significant exposure via Horror Channel and UK digital distribution channels.
All entries will have ten weeks to turnaround their cinematic visions of hell and upload to YouTube, submitting the link to submissions@shortcutstohell.com by 6pm on 22nd July. Downloadable T&C's from shortcutstohell.com must be adhered to.
•	Max duration 3 minutes
•	Original material (made for the competition only). Existing film promos WILL NOT be considered.
•	Max production budget capped at £666 (evidence required)
•	Applicants with previous feature film credits as writer/producer and/or director will not be accepted
filmmaking competitionFrightFestHorrorshort film


text:
Kieron Dyer talks about his impending autobiography "As you get older, you get wiser"
Kieron Dyer has been speaking ahead of the release of his autobiography.
The book will be launched with former Newcastle teammates Craig Bellamy and Jermaine Jenas also in attendance.
Dyer says the classic line 'It's not an excuse…' and then goes on to make a lot of excuses as to why he did his best to muck up his Newcastle career.
The former Newcastle midfielder saying being 20 year old with loads of money and moving into a flat on the Quayside was a toxic combination.
Kieron Dyer claiming that these days, clubs would never allow that to happen.
He also says that lots of other 20 year olds would be doing similar things to him but because he was a football player it got the publicity.
Many Newcastle fans aren't too keen to give Kieron Dyer much/any credit for his time at Newcastle but when on song and fully fit and focused…the combination of their pace and Alan Shearer's brilliant finishing was a superb combination. Especially with the quality of others such as Laurent Robert, Gary Speed and Nobby Solano to back that up.
Dyer's autobiography, 'Old Too Soon, Smart Too Late', comes out in February.
Kieron Dyer talking to The Sudbury Mercury:
"It's not an excuse, but a lot of players are brought up poor. Then, just like I was, suddenly at 20 years of age, I'm a millionaire!
"The first thing I did when I left Ipswich and moved to Newcastle was buy a flat on the Quayside. Anyone who knows Newcastle knows that's the hub of nightlife in the city.
"Me, 20 years old, loads of money, in the centre of Newcastle. Today, that would never be allowed to happen.
"What I was doing as a 20-year-old plenty of 20-year-olds were doing a similar thing, some still are, all that Ayia Napa stuff in 2000 (involving a sex tape), it doesn't make it right, of course not, but because of who we were it was broadcast on a different level. As you get older, you get wiser of course.
"My book is coming out in February, my son Kie, who is 17, is planning to go on his first lads' holiday in the summer.
"All I can do is give him words of advice, tell him where you went wrong and hope he takes it on board.
"It will be a big launch (for the book), with a meal, a free book and Q&A with me, Jermaine (Jenas), Craig Bellamy and (writer) Oliver (Holt)."
Jackie Smithfield
Premier League announcement – Great news as massive drop in new positive cases