May 28, 2010 – For the Rohit Group of Companies, and the Gupta family, giving back to the community is a heart-felt belief deeply rooted in our family values.
The silent suffering of young people dealing with mental health challenges is a largely unknown issue in our society. Through the Guru Goes Bollywood event, Rohit Group is grateful for the opportunity to help, by supporting programs and support systems funded by the Mental Health Foundation. The Foundation works to reverse the stigma associated with mental illness. For children and youth, this is paramount, as they are more sensitive to the opinions and perceptions of others.
At the Rohit Group of Companies, we strongly believe that by working together we can have a positive impact on children's mental health help create a brighter future for young people who need to know that, as a community, we believe in them.
Krishna Gupta is supporting the "Guru Goes Bollywood Event" for the Mental Health Foundation on June 2, 2010 with an in kind donation including an all inclusive vacation to India complete with flexible tours. Taking place at the Guru Restaurant in Edmonton tickets are $250 per guest (50% charitable tax receipt).


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Difference Between SMART TV, LED TV and LCD TV
The principal difference between SMART TV, LED TV, and LCD TV is that SMART TV is light-emitting diode TV, whereas LED (Light Emitting Diode) TV shows pictures in the light more clearly. In contrast, LCD (Liquid Crystal Display) TV has supplied with the liquid crystals to show the images on the monitor.
SMART TV vs. LED TV vs. LCD TV
SMART TV is a type of television that works on the internet, i.e., with an online connection. LED (Light Emitting Diode) is a sort of television that shows images in the light more clearly. LCD (Liquid Crystal Display) is a sort of TV that, as its title shows, has supplied with the liquid crystals to show the images on the monitor.
SMART TV functions with internet connectivity or access, whereas LED TV doesn't need an online connection to work, and LCD TV also doesn't necessarily require any online connection. SMART TV works with a DSL cable and reveals a complete assortment of applications, while LED is the newest technology in television apparatus, and LCD is regarded as the next generation of little display following the Cathode ray tube CTR. SMART TV does not include a fixed price. It can be paid each month, whereas LED TV is the most expensive of all of the TV forms, and LCD TV is relatively inexpensive or low-cast compared to LED TV.
SMART TVs can operate on either kind of visual devices with no screen specification, while LED TVs to have more brightness that's spread thickly, and LCD TVs have greater control, but they lack in uniform brightness. SMART TV doesn't offer any choice for size. LED TV has fewer dimensions options. LCD TV has the most variations in size and form. SMART TV is known to have its own terrestrial networks, content, and stations, whereas LED TV provides the channels offered by the broadcast networks, and the stations of LCD TV comes through the broadcaster.
What is a SMART TV?
SMART TV is also referred to as hybrid television. It's a light-emitting diode TV that operates with an internet internet connection. It's pre-loaded applications and Internet-ready capabilities. It can stream services such as Netflix, YouTube, and a number of other applications. It may also browse different social networking websites. A trusted Internet connection must be ensured to use all the features of the SMART TV. To get a person to stream video onto a SMART TV, he should have a reliable Internet connection.
SMART TV is also referred to as a'set-top box' with an online connection and exclusive web features. It may also be known as the amalgamation of computers, the web, broadcast networks, and televisions. However, SMART TV cannot be called an online TV since it contains its stations and content. It may also connect with DVD players, USB, Blu-ray players, and such. Some well-known firms for the production of SMART TV are Samsung, LG, and Sony.
What is a LED TV?
LED the expression stands for'Light Emitting Diode.' LED TV is a sort of televisions that shows the images in mild and much more explicit method. LED TVs require backlighting, which can be obtained by many diodes. These diodes transmit the signals in the shape of negative and active electrodes (cathode and anode). LED TV runs with superior energy efficiency providing a highly defined image.
LED TV is a development of the last sort of televisions such as LCD televisions. It's a flat-screen device which uses hundreds of little LEDs ( placed across the screen ). These LEDs show both darker and lighter colors of the picture. However, there's a drawback with this feature that even when the tv isn't switched on, but the plug is inserted, it won't cease using the power to operate its diodes.
The regular LED TV can only be used with media players like Blu-ray apparatus and cable set-top boxes. The main reason behind a better image of LED TV is its own colour palette or various RGB-illuminations or coloured lights (green, red, blue). It creates more real and sharp or keen colours. Additionally, the light-emitting diodes have the dimming capacity on the backlighting that darkens the lights and blocks light to pass through the panel making a more accurate black colour of this picture.
What's LCD TV?
LCD term stands for 'Liquid Crystal Display'. As revealed by its title, LCD TV includes a technology of liquid crystals to show the images on the monitor. Its body is level with a lighter weight compared to previous versions as CRT (Cathode Ray Tube). LCD TV has the cheapest costs than newer technologies TV as LED.
LCD is regarded as the next generation of little screen following the CTR (cathode ray tube). It's affordable with exceptional picture quality, contrast, and color control. It's an accurate and appropriate aspect ratio. Additionally, it allows watching a variety of movies as different USB ports are provided in it. LCD uses fluorescent lights which are placed either behind the display or around its borders.
Key Differences
SMART TV functions with an online connection; on the other hand, the functioning of LED TV doesn't need net, while LCD TV also doesn't necessarily operate with an online connection.
SMART TV, that is a light-emitting diode, whereas LED (Light Emitting Diode) TV shows clear pictures in the light while LCD (Liquid Crystal Display) TV uses liquid crystals to show the images on the monitor.
SMART TV shows a complete assortment of programs with DSL cable; on the reverse side LED is the most recent type of tv apparatus contrarily LCD is the creation of small screen after CTR.
SMART TV can be paid on a monthly basis with no fixed prices; inversely, LED TV is the most expensive on the opposite side LCD TV is cheap compared to LED
SMART TV doesn't have any alternative for size; conversely, LED TV has fewer dimensions options; on the converse, LCD TV has the most variations in size and form.
SMART TVs go with either kind of visual devices with no display specification. By comparison, LED TVs are having more and uniform brightness; on the contrary, LCD TVs have better control with arbitrary brightness.
SMART TV has terrestrial networks, content, and stations, whereas LED TV is provided by the stations using a broadcaster, while stations of LCD TV comes through the broadcast networks.
SMART TV, LED TV, and LCD TV would be the three digital devices which are different from each other based on their operation technology and budget.

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FTS 2022 Android Offline 300 MB Best Graphics - First Touch Soccer 2022
Welcome Today I will explain to you a new topic for the topics we offer you continuously and exclusively. and today's theme is FTS 2022 Android Offline 300 MB Best Graphics specially or more precisely, How To FTS 2022 Android Offline 300 MB Best Graphics - First Touch Soccer 2022
First Touch Soccer 2022 is a unique mobile soccer game, unlike its biggest competitor, FIFA 2022. In it, players can create a career with teams from different European, Asian and American divisions, playing championships and improving their team each again.
In FTS 2022, you control several players on the field, as well as in console games. It is possible to kick, touch, cross, dribble and head the ball when you are on the attack, as well as thumping, strolling and changing players while on defense. This title is totally 3D, and if you have played any game of soccer in the consoles or mobile, you will not feel much difference of gameplay.
This is the game First Touch Soccer 2022 Android legendary Hazard on the cover. Play and participate in the World Championship. You can be the best coach in the world. You can buy and sell players and play FTS 2022 Android newest, faster and better. Anyway, the app lets you experience a fun and exciting game, with the best moves for players, superb control of passes and shots, and play as a professional with new game enhancements that make you see the signs above the ball obviously amazingly controlled.
In career mode, you can manage your team, borrow and buy new players, enhance each individual athlete's skills and more, leaving nothing to be desired compared to your tabletop competitors.
First Touch Soccer 2022 is a very popular sport game for Android and thousands of players around the world would be glad to get it without any payments. It contains everything that a football game should have —— a emulation simulator, a variety of game modes, real player names, shot instantaneous replay, train mode, and so on.
Manage your own football club and help it get to the leading positions. Win matches with strong opponents. Take part in the football championship and win in this game for Android. Find promising players for your club and enter into contracts with them. Find sponsors. Create a training program for your players. Invent and implement successful tactics for winning matches. Control your team on the field and try to score as many goals as possible into opponent's net.
In the initial state, almost all the game modes are locked, but you can get the gold coins to unlock these modes. In the training mode, you could edit the team lineup, sign new players, manage the team. This pattern is the most interesting part by far, but it is closed at the beginning of the game. Besides all the teams and players are real.
Simulator is the core of every football game, at this point, First Touch Soccer 2022 is doing great well. The virtual joystick on the left side of the screen allows you to move the player and, more importantly, aim at the target. On the right side of the screen, there are three keys that pass, short pass, and shoot. With them, you will play the most gorgeous football match.
LEAD YOUR CLUB TO THE TOP
Take control of your team on and off the field in Manager Mode. Sign new players, negotiate contracts & fully customise your club's stadium with our unique stadium editor. Manager mode is more refined to YOUR needs. Can you rise to the challenge?
BREATH-TAKING VISUALS & SMOOTH ANIMATIONS
FTS 22 is the definitive mobile soccer experience, featuring hundreds of unique animations, with stunning player and stadium graphics! Prepare to feel every goal, tackle & save from wherever you are! With our dynamic lighting system, you'll be even more immersed in what truly is the best mobile soccer experience.
MASTERFUL AI & RAPID GAMEPLAY
Watch your game come to life as you pass and dribble around your opponents. Intelligent AI makes for the most realistic experience of First Touch Soccer ever. Score thunderbolts from outside the box, or tiki-taka your way to goal. The possibilities are endless…
DAILY MATCH CHALLENGE
Test your skills every day with our Match Challenge. Whether you're the underdogs, or clear favourites these matches provide a reason for you to come back again and again.
I advise you to try FTS 2022 for Android, not available in the Google Play Store. You can download it from our website SPZ Gaming only without short links or profitability and on the easy site to download Mediafire or Mega What are you waiting for download the game now
For more explanation and clarification, I leave you this video, in which we will find a detailed explanation of FTS 2022 Android Offline 300 MB Best Graphics - First Touch Soccer 2022
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Police arrest suspect minutes after New Orleans East shooting
by: Kylee Bond
Disclaimer: All persons are presumed innocent until proven guilty.
NEW ORLEANS (WGNO) — Police arrested a man Thursday night just minutes after detectives say he shot a man multiple times in New Orleans East.
According to the New Orleans Police Department, officers were called to the 7900 block of Chef Menteur Highway shortly before 9 p.m. It was there that police believe the suspect, 53-year-old William Collins, opened fire on a 44-year-old man who was found with several gunshot wounds to his body.
Details released in the NOPD's Major Offense Log on Friday morning indicate the victim, who was not identified, was inside his vehicle when Collins reportedly began shooting, striking the man several times.
The victim got out of his vehicle and ran into a nearby business, police said. He was later transported to an area hospital by EMS. Details regarding the victim's medical condition were unavailable.
Information obtained by police in the minutes after the shooting indicated the suspect was hiding out in a nearby hotel. It was there that police identified Collins as the suspect and arrested him.
Police continue to investigate the shooting. Anyone with any additional information is urged to contact the NOPD's Seventh District detectives at (504) 658-6070.
Tips can be submitted anonymously to Crimestoppers of Greater New Orleans by calling (504) 821-1111 or toll-free at (877) 903-7867. To submit a tip online, click here. You could be eligible for a cash reward.
Stay updated with the latest news, weather, and sports by downloading the WGNO app on the Apple or Google Play store and subscribing to the WGNO newsletter.
FAMILY GRAS LINE UP ANNOUNCEMENT
US & World News / 30 mins ago
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Home Lifestyle Destinations A Slice of Big Sky Country
A Slice of Big Sky Country
In southwestern Montana, where the Continental Divide squiggles along the crest of the Bitterroot Range like a child's doodle, rainwater and snowmelt gather to form rivers that wend their way northward, collecting volume along the way, then become the Jefferson, the Madison and the Gallatin. These rivers converge at Three Forks, giving birth to the mighty Missouri, discovered by Lewis and Clark on their fabled expedition.
I set out to tour a small slice of this area in a Jayco mini, determined to pay attention to the scenery and attractions rather than only searching for fishable water as I had done on a previous visit. I found the expanse of land buffered by the Bitterroots to the west and easing into Yellowstone to the east offers adventurous RVers a range of activities as broad as the basin itself–from scenic byways to natural hot springs, from ghost towns and abandoned mining camps to hiking trails and limestone caverns.
Heading north from West Yellowstone, I forked east onto Highway 191, which dips into the park for about 20 miles (much of this stretch parallels the Gallatin). Fishermen braved the Gallatin's roiling turquoise water, playing their lines overhead within a long cast of the bull elk wading along the river's shore. Fishing in the park is no longer free, now requiring a license that can be obtained at the ranger stations.
As the road exits the park, sandwiched between the Madison Range to the west and the Gallatin to the east, it shoots down the canyon, hopscotching the Gallatin River through the Lee Metcalf Wilderness, with 10,000-plus-foot peaks on either side. Four campgrounds exist between Big Sky, a resort community featuring a ski area and an Arnold Palmer-designed championship golf course, and Bozeman, a university town with a full range of activities and amenities, from shopping for Western wear in the many outfitter shops to sampling the coffee and baked goods in the Leaf and Bean Coffee House. RVers can also take care of any of their needs at Big Sky RV, just west of town on Huffine Lane.
The primary indoor attraction in Bozeman is the Museum of the Rockies. Located on Montana State University, the museum features permanent exhibits on the geology, history, archaeology and paleontology of the region, allowing visitors to take a "journey through the 41Z?2-billion-year-old history of the Northern Rocky Mountain region." In addition, the museum features three halls for traveling exhibits, such as Native American artwork, and the Taylor Planetarium regularly
offers new programs.
Heading west out of Bozeman on Interstate 90, I found the sky above me as high and blue as any local department of tourism could hope. One benefit of the heavy snowpack was that in almost every direction, mountains that in other years would simply be beautiful were majestically blanketed in white.
Three Forks was next on the list. The Sacajawea Inn on Main Street caught my eye first. The white structure, its porch girded by doubled columns and lined with rocking chairs, has a fascinating history: Two of its wings, originally built in 1882 near the headwaters, were transported to higher ground on rolling logs; in 1910, the main building was added on, allowing Milwaukee Railroad passengers on their way to Yellowstone National Park to rest awhile amid the "Old West" ambiance. After a painstaking renovation supervised by owners Jane and Smith Roedel, the Sacajawea Inn today maintains many of the original architectural features without sacrificing any modern conveniences. I was so impressed by the inn that I ate breakfast in the well-appointed dining room though I'd just eaten 20 minutes before in Bozeman. Down the street, the Headwaters Heritage Museum is a two-story former home of one of the first banks in Three Forks. Today, the museum houses artifacts so eclectic as to be difficult to categorize, from an anvil used by the Missouri Fur Company in its nearby trading post to a 701-strand barbed-wire collection that's downright goofy.
The Missouri Headwaters State Park allows historically inclined travelers to view the coming together of the Jefferson, Madison and Gallatin rivers much as Lewis and Clark did in 1805. An outdoor interpretive center allows visitors to read plaques detailing what life was like for the various peoples who have inhabited the headwaters area, the race by European countries to establish sovereignty of the land and the hardships encountered by the trappers and mountain men who struggled to live off a land inhabited by Blackfeet Indians. A short, easy walk up a paved trail grants visitors the same view as Lewis and Clark had, and other hiking trails circle the gentle slopes, giving those people not wanting to fish or float a peaceful way to pass the day.
Going southwest on Highway 2 toward Lewis and Clark Caverns State Park, the Jefferson River skirts the road like a wet shadow, hugging the mountains then cutting through farmland and pastures. Clouds condensed overhead–as they would every day of my visit at about 3 p.m.–released their liquid contents, then dissipated as quickly as they had gathered. By the time I finished the tour of the caverns–a two-hour, two-mile guided spelunking excursion in 48-degree air–the sky outside had again become high and blue.
I found the wide-open valley–flanked by the Tobacco Roots' snowy peaks and bisected by the raging Jefferson River–conducive to self-reflection. Driving through the whistle stops of Twin Bridges, Laurin and Alder along Highway 287, I wondered what it must be like to live in towns so small. To the locals, do the cars passing through represent another missed chance to escape, a more exciting way of life they will never experience? Or do the residents of these towns, mining settlements established more than 100 years ago with smaller populations now than then, feel sorry for us city slickers with our hurry-up-and-relax pace and our what-would-we-do-here expressions?
I stopped to have a cup of coffee in Alder. An elderly man, who chatted with the waitress as only a local could, sipped from a mug. We exchanged pleasantries about the weather and the quality of the joe. "Shame 'bout the fishin'," he said, between sips. I agreed. Before I paid for our coffees, it occurred to me that the small-town folk who don't cotton to the down-home lifestyle have already left, and the ones who remain are probably as content as people are anywhere. I said goodbye, and as I left, the old-time Montanan waved to me and said, "Thanks, friend."
Continuing east on 287, travelers get their fill of the Old West in the adjacent towns of Nevada City and Virginia City. The first is a ghost town, with 100 restored buildings, including an operating hotel and cabins. Sitting across the street are ancient railroad cars. Visitors can watch staged gunfights and pan for gold. The town itself is, in effect, a museum, with an admission charge to view most of the buildings up close.
Virginia City is Nevada City brought back to life. Travelers can spend hours stepping back into history by taking the Virginia City walking tour, a map-led trip past buildings erected mainly during the 1860s. From Ranks Drug, Montana's oldest continuously operating business, to the Cabbage Patch, a group of sheds and houses that made up one of the town's many "red-light districts," visitors can study up on their history, take in a 19th-century melodrama in the Opera House performed nightly from mid-June to Labor Day, or belly up to the bar for a drink in the Bale of Hay Saloon. The Virginia City Campground is located a half mile from the east edge of town for those RVers who'd like to spend a night in an Old West town, all of which is listed in the National Register of Historic Places.
In Ennis, someone suggested I drop down the 287 and try fishing the Madison, or at least sample the water in Ennis Lake. One fisherman told me he had caught two decent browns while floating the Madison east of Norris. I thought about buying a two-day license, and I had visions of battling a state-record trout. Fishing is a big attraction to southwestern Montana, right? But then I thought of the mountain views, the museums, the history. I remembered pulling in at each historical marker along the roadsides and leaving each stop a little more knowledgeable. I thought of the time I'd spent browsing in Bozeman's bookstores and of the T-shirt I saw in a shop window: It was a stencil of a man decked out in waders and a fishing vest, his hands wide apart as if to show the size of his catch–under the stencil were the words, "I Fish, Therefore I Lie."
I decided to leave my rod broken down. I'd seen what southwestern Montana had to offer and would let other travelers know about it. And, I wouldn't have to lie.
Montana Department of Fish, Wildlife and Parks, P.O.Box 200701, Helena, Montana 59620; (800) VISIT-MT; www.travel.mt.gov.
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Street Fair, Performance and dance applications are now closed!
JURIED GALLERY - ON-SITE SELECTION, June 1, 2019 I would like to participate in the Salem Arts Festival gallery. CLICK HERE!
VOLUNTEERS & COMMUNITY PARTNERS I would like to Volunteer or represent a Community Organization that would like to be involved. Please email kylie@salemmainstreets.org and let us know how you'd like to help!
If you have difficulty with any of the forms, please contact us at kylie@salemmainstreets.org or 978-744-0004 x115. All applicants and volunteers are invited to a festival opening reception on Friday, June 8 at Old Town Hall. Thank you for your application to the Salem Arts Festival!
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Yenice is a town in Çanakkale Province in the Marmara region of Turkey. It is the seat of Yenice District. Its population is 8,346 (2021). The town lies at an elevation of .

History
On 18 March 1953 Yenice was subject to a M7.4 earthquake which left 998 dead and thousands of buildings damaged. A previous devastating earthquake had occurred here in 1440 AD.

Economy
People's basic occupation is agricultural work. Cereals, beans, tomatoes and tobacco are grown. There is a tomato paste processing plant in Yenice. Important towns in the district include: Kalkım, Hamdibey and Pazarköy.

Tourism is a relatively new component of Yenice's economy; however, wild boar hunting is becoming popular as a tourist attraction.

Notable people from Yenice
 İbrahim Bodur, entrepreneur
 Nuri Bilge Ceylan, film director

References

External links
 Road map of Yenice and environs
 Various images of Yenice, Çanakkale
 Photo of Yenice, Çanakkale, Pamoramio
 About Çanakkale

Populated places in Çanakkale Province
Yenice District, Çanakkale
Towns in Turkey

redpajama_set_name: RedPajamaWikipedia


text:
2018 Should Have Been The Start Of Something, Not The End
The homegrown dynasty that never was.
By Dan Secatore@DanSecatore Dec 8, 2022, 1:02pm EST
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Photo by Billie Weiss/Boston Red Sox/Getty Images
I could not believe how lucky I was that I would one day get to watch Michael Coleman and Dernell Stenson play together in the same outfield.
Two five-tool studs! Two perennial MVP candidates! Two future Hall-Of-Famers! That Red Sox outfield was going to be historically great. It was going to be Maris-next-to-Mantle great. McCovey-next-to-Mays great. It was going to be legendary.
That's more or less how my brain as a young Red Sox fan operated. I grew up closer to Providence than to Boston, and so I went to McCoy Stadium far more than I ever did to Fenway. This was back in the days when we knew nothing — NOTHING — about prospects. The Globe didn't report on them. Soxprospects.com didn't exist. We'd heard whispers of Baseball America but had never seen it in the flesh.
If you wanted information about prospects in those days, there was really only one place to look: the game day programs they handed out at McCoy Stadium. And that's how I became convinced that Michael Coleman and Dernell Stenson would one day be the heart of the greatest outfield in baseball history.
Suffice it to say, the prospect blurbs in those programs didn't provide the most detailed scouting reports. They didn't tell us that Donnie Sadler wasn't showing enough plate discipline down in Trenton, or that Greg Blosser swung and missed too much, or that Brian Rose's mediocre strikeout numbers didn't portend well for the future. They told us, rather, that they were all going to be stars. Every one of them. And I ate it up.
And so, what I most wanted as a Red Sox fan, was not just a great team, but a great team of homegrown players. I wanted to watch young, hungry kids claw their way up through the system. I wanted to see them struggle and then overcome. I wanted to watch them turn into stars. I wanted to tell my future children about them when I pointed to their number on the right field facade.
I got this team, eventually:
The heart of 2018 Red Sox featured three homegrown potential Hall-Of-Famers, all of whom were under the age of 27: Mookie Betts, Xander Bogaerts, and Rafael Devers. Three, uber-talented, charismatic, well-adjusted young stars who were the envy of every other team in baseball. Three stars who made team-building remarkably easy: lock them up, find some pitching, and roll. All you hope for as a baseball fan is to root for a team led by three guys like that.
I know enough about prospects now to know that we will almost certainly never again see a Red Sox team with three homegrown players like them. How could we? Mookie Betts is very possibly the second-best Red Sox player of all-time. Xander Bogaerts is very possibly the greatest Red Sox short stop of all-time. Rafael Devers is, very possibly, going to out-produce both of them with the bat over the course of his career.
Mookie Betts, Xander Bogaerts, and Rafael Devers should have played together for another ten years. They should have posed together in matching Red Sox uniforms every July at the All-Star Game. They should have spoken at each other's retirement ceremonies. The 2018 Boston Red Sox should have just been the start of something special, not the end.
None of that will happen. And, as best as I can tell, the reason it won't happen is because, three years ago, John Henry started feeling regretful over possibly giving a little too much money to Chris Sale.
Well, Chris Sale's contract expires in three years. Rafael Devers' in one. McCoy Stadium will be gone soon. But hey, Marcelo Mayer might be ready in a couple years.
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2022 In Review: Is This All There Is For Alex Verdugo? Our 2022 In Review Series tackles the fading former prospect.


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US Government Accidentally Builds Wall on the Old Mexico Border
August 11, 2019 Andrew The Outside World
Residents of California, Nevada, Arizona, New Mexico and Texas woke up this morning to find that construction of a massive wall had already begun on their northern borders.
"I was going to visit some relatives in Oregon, but when I got to the state line they asked for a passport," said confused Fresno resident Mr. Loewen. "I couldn't figure out what was going on. It seems I live in Mexico now or something."
The mixup is believed to have been caused when a contractor was given an out-dated map.
"It's too late now. We've spent billions on this already," said President Trump. "The people in that part of the country will just have to get used to it."
As a result, millions of southwestern Americans will have to adapt to a new life as Mexican citizens.
"I'm not sure I can handle living in Mexico," said Mr. Loewen. "I mean, what will I eat? Let me tell you, my Martha's chile relleno leaves a lot to be desired."
In a press conference later in the day, the Mexican government announced that, yes, the Americans had finally built a wall that they are willing to pay for.
The Ultimate 'Mennonites of Latin America' Quiz!
Mennonite Man Can't Stop Laughing at Corny Jokes
Hillary Clinton Pledges Billions to Fight Her Own Pneumonia
September 14, 2016 Andrew The Outside World
WASHINGTON, DC Days after coming down with a bout of pneumonia…or allergies…or something, Presidential candidate Hillary Clinton is pledging to spend billions in federal money to fight her own illness, whatever the heck it is. […]
Fox News Sold to Group of Mennonite Investors; New Channel to Promote 'Peace, Love, and Understanding'
NEW YORK, NY Following a $12 billion bid for the notorious news outlet, a group of pacifist Mennonite investors has successfully taken ownership of Fox News and are planning to turn it into a channel that promotes […]
Shocking Video Emerges of Politician Not Being a Complete Douche
OTTAWA, ON A shocking new video went viral this week after it appeared to show a politician not being a total douche. "I've never seen anything like it," said Mrs. Kehler of Ottawa. "The guy […]
A Daily Bonnet Travel Guide to Manitoba Mennonite Country
Oba, That Mennonite Chiropractor Can Fix Everything Yet
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Who needs two wheels? Club teaches youngsters how to find a balance.
ALLIANCE For the last month, the circus has come to Alliance Middle School every Tuesday afternoon.
Well, not an actual circus, but the Alliance-Sebring Unicycle & Juggling Club is close.
For seven weeks in the fall, and again in the spring, the club teaches students in an after-school program how to walk on stilts, juggle and, of course, unicycle.
Impossible to miss amid the ruckus on a recent Tuesday was 86-year-old Dr. Paul Getty in his red turtleneck, screaming multi-colored pants and full head of gray hair.
Getty is a retired surgeon who spent 15 years of his career treating patients for leprosy and other ailments as a medical missionary in Liberia. He's also a clown who plays the accordion.
He still rides, but said balance trouble kept him from jumping rope with a unicycle or peddling across a tightrope like he used to. He hoped the issue would be temporary.
The club started soon after Getty moved in 2006 to Copeland Oaks, a Sebring retirement community, where a fellow resident asked him to teach some boys how to ride unicycles.
The Alliance-Sebring Unicycle & Juggling Club has a handful of members. You can spot them at local and regional events, such as the Sebring Fireman's Festival, the Dr. Martin Luther King Jr. and Carnation Festival parades in Alliance and Parade the Circle in Cleveland.
For a few years the club met regularly at a community center in Sebring, but it has put those meetings on hold to do after-school programs in Alliance.
The junior high students aren't as advanced as older riders, but they're learning, Getty said.
A riding session earlier this month started with the students unloading pogo sticks, stilts, balance boards and several unicycles from a small trailer.
The club usually meets outdoors, but blue-gray clouds threatened rain, and Getty and the students moved inside the school.
Down one hallway, students balanced on their unicycles against a wall, a skill that takes core strength and coordination. More advanced riders pedaled with support from Getty or his assistants or balanced themselves with short wooden poles.
In another hallway, one boy rode a high-wheeled penny-farthing bicycle. Another boy spun a plate on a stick like a true vaudevillian.
"I walk away 5 minutes and he's got it down," club member Betsy Cornell remarked on the plate spinner.
Getty taught Cornell to ride a unicycle 11 years ago. Now, the retired school district employee is teaching another generation of riders.
"We're hoping to get more kids involved," Cornell said.
Aquasia Board and Delaina Threat represent the club's next generation.
Board, 19, held Threat's hands and coached the eighth-grader, who teetered precariously on the unicycle.
It was Threat's second week learning to ride.
"Don't be scared, you're fine," Board assured her.
Like these kids, Board learned to ride in middle school and stayed in the club. She now rides a 5-foot-tall unicycle in parades.
Except for a penny-farthing. She can ride one of those perfectly.
"You just have to be confident in yourself," Board said.


text:
Q: recuperar data do bash ubuntu Estou montando um scrip para fazer o dump de um servidor Mysql, o nome do arquivo gerado é assim (bckp_all_13-09-2018.tar.bz2), porém eu queria armazenar a hora também, dessa forma (bckp_all_13-09-2018_14:44:22.tar.bz2).
Alguem sabe como fazer isso?
Exemplo do Código:
    #!/bin/bash
MY_USER="root"
MY_PASSWORD="123456"
MY_HOME="/home/hugo"
case $1 in
"backupall")
    cd $MY_HOME/Backup
    mysqldump --opt --password=$MY_PASSWORD --user=$MY_USER  --all-databases > bckp_all_$(date +'%d-%m-%Y').sql
    tar -cvjf bckp_all_$(date +'%d-%m-%Y').tar.bz2 bckp_all_$(date +'%d-%m-%Y').sql
    rm bckp_all_$(date +'%d-%m-%Y').sql;;
*)  echo "Others";;
esac

A: Da mesma forma que usou %d-%m-%Y, basta usar %H-%M-%S
Solução geral no Bash, se quiser guardar em variável em vez de repetir o comando 3x:
BKP_NAME=$(date -u +%Y-%m-%d_%H-%M-%S_UTC)

Horário local:
BKP_NAME=$(date +%Y-%m-%d_%H-%M-%S_%z)

*

*Note que %d %m %Y é péssimo para ordenação, o ideal é o mais significante primeiro.

*Evite os :, eles tem significado especial em caminho de arquivo. Se quer mesmo usar separadores, usar 14h30m18 é razoável para horas.

*Recomendo usar o -u, para evitar confusão com horário de verão (e como no exemplo, anotar que é UTC no nome do arquivo). Assim ficará com horário universal (pode até usar o local, tirando o -u, mas vai ter que tomar cuidado com horário de verão e portabilidade do script para outras máquinas). No caso do exemplo local acima, usei o %z no final, para acrescentar o fuso.
Para conhecer outros parâmetros, consulte o man date via linha de comando ou online:

https://linux.die.net/man/1/date

redpajama_set_name: RedPajamaStackExchange


The query editor pane is where you enter the queries that you want DAX Studio to execute.
As of v2.4.4 the Syntax highlighting is now dynamic and discovers new keywords and functions from the currently connected data source. This is particularly important for PowerBI where new functionality is regularly released.


text:
John Martin is Associate Editor (Global News) with the US-based Living Church and has been a member of the Fulcrum Leadership Team since its inception.
Billy Graham, A Tribute
February 23, 2018 February 24, 2018 by John Martin
John Martin shares memories of Billy Graham and reflects on his life and ministry
Categories Articles 1 Comment
The Servant of Global Periti
June 17, 2015 June 17, 2015 by John Martin
John Martin outlines the new post of Mission Theologian in the Anglican Communion, which Dr Graham Kings, currently Bishop of Sherborne, takes up on 16 July 2015. He gives some background to Dr Kings's life and vocation and to the post, which was created by a partnership of the Archbishop of Canterbury, Durham University and the Church Mission Society.
World Anglicanism Today: Review of "Backpacking through the Anglican Communion" by Jesse Zink
May 7, 2014 May 5, 2014 by John Martin
The 'backpacking' journeys see Jesse in Northern Uganda, Bishop Gwynne College Juba (Sudan), Ecuador, Yei (Sudan), Owerri, Umuahia and Yola (all Nigeria), China and finally two more Sudanese destinations. He has developed a strong bond with Sudan. More of his writing is to be found on his blog and he is becoming an important advocate of the church in Southern Sudan: its story of spontaneous expansion mingled with terrible suffering and deprivation is a challenge to us all.
Ten Things a Vicar Needs to Hear….Often
November 26, 2013 August 19, 2013 by John Martin
Thoughts on how we can work together in a parish.
Continue ReadingTen Things a Vicar Needs to Hear….Often
Book Review of Andrew Goddard's Memoire of Rowan Williams Archiepiscopate
May 15, 2013 by John Martin
John Martin reviews Andrew Goddard's timely memoire of the Archiepiscopate of Rowan Williams
Continue ReadingBook Review of Andrew Goddard's Memoire of Rowan Williams Archiepiscopate
December 19, 2013 July 28, 2011 by John Martin
Charles Wesley's hymn 'Forth in thy name O Lord I go, my daily labour to pursue…" is a classic statement of how early Methodists understood the role of the Christian in the workplace. One stanza goes: Thee may I set at my right hand, Whose eyes mine inmost substance see, And labour on at Thy … Continue Reading
Don't Carry on Camping
December 19, 2013 May 30, 2011 by John Martin
by John Martin There's nothing new about rapture predictions, just that the Internet means more people hear about them. Counted among my friends is a very unusual Seventh-Day Adventist. An American, he was for some years based in England as general secretary of the movement in this country. His father and grandfather before him were … Continue Reading
Pope Benedict and the Enigma of English Christianity
December 28, 2013 September 9, 2010 by John Martin
Pope Benedict and the Enigma of English Christianity by John Martin published with the kind permission of The Living Church In London's East End stand two churches commemorating religious martyrs. A plaque in St. James Clerkenwell celebrates a line of succession from the Lollards, whose inspiration was the Bible translator John Wycliffe, to people burned at … Continue Reading
Mission Thoughts
November 26, 2013 October 16, 2009 by John Martin
Mission Thoughts By John Martin Christians care Ruth Coggan, daughter of Donald Coggan, a former Archbishop of Canterbury, spent nearly 30 years working as a CMS missionary doctor on the northwest frontier in the Afghan border region of Pakistan. One day, while travelling on a local bus, she suddenly realised she'd forgotten to pay the … Continue Reading
'Letters to Lydia: 'beloved Persis', by Barbara Eaton
February 3, 2014 June 6, 2006 by John Martin
A book review of 'Letters to Lydia: 'beloved Persis', by Barbara Eaton (Hypatia Trust, 2005), by John Martin, Head of Communication, Church Mission Society, Fulcrum Media Secretary and Reader in the Stepney Episcopal Area of the Diocese of London. Hypatia Trust, 2005 paperback, 410 pages, price £12.50 ISBN: 1872229549 Originally published in the Church of … Continue Reading


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Middle East|Private Peek at Author's Blur of Fact and Fiction
Private Peek at Author's Blur of Fact and Fiction
By SUSANNE FOWLER MAY 2, 2012
Credit Jodi Hilton for The New York Times
ISTANBUL — Orhan Pamuk spent much of the past decade holed up inside a dusty renovation site on a rundown Istanbul street or poking around junk stores for ephemera to populate his Museum of Innocence, a project conceived alongside his 2008 novel of almost the same name.
During a private, hourlong tour of the museum, the lanky and elegant Nobel Prize-winning author, who turns 60 in June, deconstructed the craft of blurring fiction and reality.
"As we read a novel," he said early Sunday evening, "we always ask this question: Did the writer invent this, or is it that he experienced this? Is this the strength of his imagination, or is that how interesting his life is? And there's never an answer. In fact, the power of the art of the novel lies on this question of the ambiguity between fiction and reality."
"More or less, I am doing the same thing here in the museum," he said, stressing the first syllable, as if he meant MUSE-eum.
He is also interjecting Turkey's turbulent political history and the many moods of a fast-changing Istanbul culture into a love story, using items that served as plot points in the book about Kemal and Fusun, lovers and distant cousins from different social classes.
Displayed diorama-style in a sequence of vitrines — one for each chapter — the collection of bric-a-brac retells the novel.
As he begins to decipher some of the codes hidden in the displays, Mr. Pamuk gestures toward a wall of 4,213 cigarette butts, "smoked" by Fusun while Kemal visited her family home and stolen by Kemal "as tokens of happiness, expressing his longing."
"These were not real cigarettes butts: We produced them," Mr. Pamuk said. "Inside these things there is no tobacco because tobacco spoils very fast. They started out as cigarettes, but a vacuum cleaner smoked them."
"Underneath each, I wrote with my own handwriting Kemal's notes about the day he took each one," using labels and bits of dialog. He reads one: "Where were you Mr. Kemal, where were you?" And another: "anxiety about bankers" — referring to a Turkish financial scandal in 1974. "So these are also suggestive of the calendar of the period," he says.
Adjacent is a strangely captivating black-and-white video installation with screen after screen showing a woman's forearm and gestures as she smokes.
"I shot this myself," Mr. Pamuk said. "Cigarette smoking is anthropologically very suggestive, you know. The brand of cigarette you smoke gives away your class base, the way your gestures may be too manly, or too belittling, or too casual, too snobby, too European, too macho, too traditional. They all suggest something."
We climb narrow wooden stairs to decipher a wall of smaller vitrines, stopping next to a box with a fluttering white curtain as a backdrop for a lone butterfly-shaped earring. The box is labeled "The Happiest Moment of My Life."
"Now, a few words about the making of these vitrines. The book opens with this one," he explains. "Eight or nine years before making the museum, I knew that this would be the first piece in the book."
As for the earring, "We manufactured this one," he said.
Replicas of the earring, whose shape is echoed in the museum logo, are on sale in the museum shop.
Mr. Pamuk stops before a box containing a canary yellow high-heeled pump and a "designer" handbag.
The montage, he said, references the shoe that Fusun wore when Kemal entered the shop where she worked to buy a bag for his fiancée, Sibel.
"It's not that I first wrote the novel and it was successful, and then decided to do a museum. No. I conceived, thought of, imagined the novel and the museum together," he said. "There are so many reasons to do such a different thing, but one of the reasons is that I really love museums and I wanted to associate myself with this kind of experimental project."
First, he bought the building, in 1998. "Then I began to think of a story, the story of a family living in this building," he said. "Then I began to collect the objects they use; the clothes they wear, their visions, the pictures in their lives.
"It's not that I first wrote the book and then searched for the yellow shoe. First I found the shoe, and I thought this was appropriate for a person like this," he said. "So the objects, in ways, form the characters of the plot. Sometimes they even help the plot. So I was at that time continuously collecting objects."
His attention turns to the purse. "This Jenny Colon bag — it is an imaginary brand. There was no real Jenny Colon," he said. "So we went to the fake-bag producers of Istanbul, and there are many. We designed this and they helped us with the production of it."
Vitrine No. 11 is titled "The Feast of the Sacrifice" — the story of Abraham and the slaughter of the sacrificial lamb, present in the Bible and the Koran, lies at the heart of his novel, Mr. Pamuk said.
His character Kemal says in the novel that "if we love someone very much, we know that even if we give him the most valuable thing we have, we know not to expect harm from him. This is what sacrifice is."
"This is of course related to the way Fusun gives her virginity to Kemal," he said. "Perhaps the power of giving something precious without expecting anything, perhaps Kemal's infatuation with Fusun, is due to this. We don't know."
"I am the writer, but I don't want to know the motivation of the character. There is always an inner music in the story. You have to show what they do, and let the reader decide about the motivation. I like in my novels to ask questions rather than immediately offer conclusions."
As he worked on the book and museum, Mr. Pamuk found that technology was changing the business of collecting. Of all the displays, he says, "one of the most expensive in the museum," showcases photographs and trading cards of Turkish soccer players and movie stars from the 1950s and '60s. They turned out to be costly, he said, because people who remember these from their childhood "are grown up, some of them are very rich and now with the invention of Internet, they are buying these to refind their childhood.
"During the years that I made this museum, the whole idea of collecting changed. At the beginning, just like buying books, it was something you did with your feet," he said. "A collector, especially a collector of ephemera, had to go from flea market to flea market, second-hand bookshop to second-hand bookshop.
"Then with the implementation of Web sites that connect all the flea markets, suddenly even in Turkey collecting turned out to be not something you did with your foot but by clicking with your right or left hand."
Mr. Pamuk found his museum objects "half by walking and half by clicking" on the Internet, and sometimes by using "ayakci," or footmen, to gather items from shops and bring them to him as his team worked on designing the displays.
"I like that work," he said. "I saw so many old photographs, people who were once upon a time rich, who led a society life. Photography in the 1950s, '60s, even '70s, was a rich person's luxury. They got themselves photographed enjoying life."
Often, it seemed, they liked to pose in front of their Cadillacs on the Bosporus. "But then all these families just separated," he said with a tone of melancholy. "Their albums ended up in flea markets and now they are in museums, the ephemeral quality of the rich in non-Western countries, where people get rich not by producing something or by industry but in the personal relationship they have with the powerful of the state. This helps you to achieve immense richness very fast but it does not continue with the next generation. That is what I thought about why these people's wealth did not continue. Most of the time I saw that just like with the Ottoman grand pasha, you are very rich and powerful and — jing — one day the sultan dies, and — jing — it all just disappears. There's no legacy. It just finishes."
The displays Mr. Pamuk says he likes the most are "The Agony of Waiting," and "An Anatomical Chart of Love Pains," a pharmacist's guide to symptoms of the malady called love.
The "Agony" vitrine contains a deconstructed clock with tulip-shaped hands; a cup of half-finished Turkish coffee; burned matches. "Now Kemal is waiting for Fusun and it seems that she has left him because he is engaged to someone else," he said.
The novel "does not put love on a pedestal. It treats love as something that happens to most of us, but also treats it as almost like a traffic accident.
"We get jealous. We get angry, restless," he said. "And one of these terrible things about love is waiting."
In the novel, Kemal says he added the anatomical chart to show the museum visitor "where the agony of love first appeared, where it became most pronounced, and how far it spread."
The Museum of Innocence, Mr. Pamuk said, "generates the moods of the novel, in a still slightly provincial Istanbul, the culture, its sadness, the poverty of the city, the fancy ambitions of the upper classes and the little stories of middle classes."
The author pointed in particular to a photograph in window 47, "My Father's Death," showing Turkish Army soldiers sprawled on a grassy field, raising raki glasses in a toast.
"This is a slightly political part of my museum." he says. "Turkey is a country until recently run by the army. And look at the self-confidence of these guys: They are drinking, actually something prohibited in the army, but who is going to ask them any questions? They are top shots. And they are entirely self-confident. They look much more strong and happy and confident than any person in any of the other photos that I collected. But then my museum is merely suggestive. I'm not saying more than that. I can say that I am happy that the army is not as powerful as it used to be."
Another box, "What is This?", also touches on Turkish military coups.
"This is a quince grater," he says. "And I wanted to write about the political military coup in 1980 and its consequences in daily life. There is martial law and a curfew and poor Kemal needs to get back home earlier, so he is upset about that. Then of course during martial law, anyone who is a civilian is a suspect in the eye of the military. So one night he is stopped and just because the family gave him this quince grater, the soldiers are suspicious and think that this may be a weapon.
"So this object helped me to illustrate the anxieties right after that military coup — even though you are not a political person, you are a suspect — and the nasty culture of control is represented in this box."
On the top floor of the museum, an attic room is home to a narrow bed and other remnants of Kemal's nostalgia in a way that is reminiscent of Van Gogh's "Bedroom in Arles" painting.
"This culminates the melodramatic ending of the story, their innocence — Webster's dictionary defines innocence as artlessness — in that the upper and middle classes are really enjoying rather naïve, simple, innocent lives," Mr. Pamuk said. ''Of course innocence also refers to Fusun's virginity, the cult of virginity. If you are a virgin, you're innocent. That kind of thing, but innocence also is a naïvete, the capacity to pretend."
"The moral issues at stake here — the repression of women, the inability of men and women to negotiate their own love — is not only an Islamic story, but a majority of humanity are still struggling with these issues. The Museum of Innocence and the novel are about that: No matter how modern we want to be, or how well meaning we are in that, the weight of tradition is so strong that human aspirations look a bit silly, maybe."
Mr. Pamuk has left some of the vitrines unfinished. "No museum is finished," he said. Later, he continued, "I will add a new episode to the story, new objects, new ideas, new little exhibitions by other artists. "The entrance lobby of the museum will be a place for what I call Istanbul's broken-hearted collectors, people who collect phone cards, people who collect without the idea of the museum, just because they get attached to things."
A version of this article appears in print on May 3, 2012, in The International Herald Tribune. Order Reprints| Today's Paper|Subscribe
Orhan Pamuk Opens Museum Based on His Novel in Istanbul APRIL 29, 2012


Being here in Rwanda has really made me appreciate everything I have. I may not have all the things I want in the world, however I am surrounded by love and kindess and I also have a lot to give.
Tuesday was my third and last time making mud bricks for the house that the senior-4 class will be building. Words cannot describe how good and refreshing it felt to be helping out someone in need. I will miss getting my feet all muddy, singing songs, having discussions with the students, and showing the young children how to take photos on an iPhone, but the smiles and the laughter as well as the grateful looks will always be something that I will take with me as a gift. There is no way to illustrate how I felt helping to make the bricks and being surrounded by such passionate young adults. As cliché as it sounds, my experience building bricks over the past three weeks brings tears to my eyes thinking as I think about the hard work that the students put in and how enthusiastic they are. There is so much devotion that went into making the bricks and making sure that the children were smiling and having a good experience, too.
Over these past weeks, I have been trying to figure out how to describe my experience in Rwanda. Like so many Year Course experiences, it is difficult for me to find words that will evoke the emotions I've been having other than saying it has been amazing.


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There may not have been any Van Goghs, Rembrandts, Monets, Picassos or even local renowned artists Elyard or Boyd but there were plenty of proud parents and family members at the Nowra Christian School's annual kindergarten art exhibition. The "Art Extravaganza" is an annual event at the school, highlighting and celebrating the kindergarten student's artistic talents. One of the highlights was the student's recycled art projects. The week-long exhibition which features a variety of different works opened last Thursday. A special family viewing day was held at the school on Monday morning. Kindergarten teacher Meredith Longfield said the exhibition again proved popular. "Our students love doing art and they are so proud to show off their works," she said.
Nowra Christian School kindergarten teacher Meredith Longfield shows off the recycled artworks with students Amelia Wollard, William Powell, Eadie Menzies, Swapan Lamichhane and Liuxia Lunn-Farr.
Nowra Christian School principal Rob Bray looks over the art exhibition with student Havana Gardner.
Katrina and Luka Hayek and Rebecca and Kirby Cardow at the Nowra Christian School's annual kindergarten art exhibition.
Oliver Thuaux and William Anyon with teacher Meredith Longfield at the Nowra Christian School's annual kindergarten art exhibition.
Joshua Talton shows his artworks to his mother Amy, father John and brother AJ at the Nowra Christian School's annual kindergarten art exhibition.
Liuxia Lunn-Farr and her mother Kellie Farr look over the Nowra Christian School's annual kindergarten art exhibition.
Kindergarten teachers Meredith Longfield and Kathryn Twitchen with one of the artworks.
Caleb and Meagan Graham try some colouring in with their son Noah at the Nowra Christian School's annual kindergarten art exhibition.
Enjoying the annual Nowra Christian School's annual kindergarten art exhibition were Oliver and Emily Thuaux with Ruth Millburn.
Peter Cotter and his granddaughter Chelsea Toole at the Nowra Christian School's annual kindergarten art exhibition.
There may not have been any Van Goghs, Rembrandts, Monets, Picassos or even local renowned artists Elyard or Boyd but there were plenty of proud parents and family members at the Nowra Christian School's annual kindergarten art exhibition.
The "Art Extravaganza" is an annual event at the school, highlighting and celebrating the kindergarten student's artistic talents.
One of the highlights was the student's recycled art projects.
The week-long exhibition which features a variety of different works opened last Thursday.
A special family viewing day was held at the school on Monday morning.
Kindergarten teacher Meredith Longfield said the exhibition again proved popular.
"Our students love doing art and they are so proud to show off their works," she said.
Discuss "Nowra Christian School kindy students show off their artworks"


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text:
Q: Gestures to subviews & MKMapView in iOS - basic iOS I have a following setup:
 mainViewController
    OverlayView - UIView
    mapView - MKMapView

My OverlayView is shown over mapView and responds to UIPanGestureRecognizer
Now because OverlayView is above MapView, I can't get the pinch to zoom functionality of MapView to work..
What do I have to do to get mapView to react to pinch and OverLayView to react to Pan (as it does now)?
The solution I have now is just implementing the pinch2zoom functionality in the mainViewController so that it scales mapView accordingly, but it is way less smooth than the original Apple's implementation.

A: If you have a view that is supposed to be in front of the MKMapView and not move on the screen as the map moves underneath it, you should implement it as you've described, as a separate view in front of (i.e. on top of) the map view. But rather than having this front view handle gestures and try to change the map view programmatically, you should just set the userInteractionEnabled to NO for this front view (you can do this programmatically or via Interface Builder). This will let the map view behind it receive the touches.
If you have some controls on that front view which need to accept user interaction, then go ahead and enable user interaction for those few controls, but make sure that the bulk of this front view is configured to not have userInteractionEnabled.

If you wanted an overlay that should move with the map, you should just add the overlay to the MKMapView, itself, not a separate view. See Displaying Overlays on a Map in the Location Awareness Programming Guide. If you use MKMapView overlays instead of a separate view, you don't lose any of the built-in gestures.
For example, if you set the delegate for your MKMapView to be your view controller, you can then write a rendererForOverlay in iOS 7 (or viewForOverlay method for earlier versions):
// for iOS7+; see `viewForOverlay` for earlier versions

- (MKOverlayRenderer *)mapView:(MKMapView *)mapView rendererForOverlay:(id<MKOverlay>)overlay
{
    if ([overlay isKindOfClass:[MKPolygon class]])
    {
        MKPolygonRenderer *renderer = [[MKPolygonRenderer alloc] initWithPolygon:overlay];

        renderer.fillColor   = [[UIColor cyanColor] colorWithAlphaComponent:0.2];
        renderer.strokeColor = [[UIColor blueColor] colorWithAlphaComponent:0.7];
        renderer.lineWidth   = 3;

        return renderer;
    }

    if ([overlay isKindOfClass:[MKCircle class]])
    {
        MKCircleRenderer *renderer = [[MKCircleRenderer alloc] initWithCircle:overlay];

        renderer.fillColor   = [[UIColor cyanColor] colorWithAlphaComponent:0.2];
        renderer.strokeColor = [[UIColor blueColor] colorWithAlphaComponent:0.7];
        renderer.lineWidth   = 3;

        return renderer;
    }

    if ([overlay isKindOfClass:[MKPolyline class]])
    {
        MKPolylineRenderer *renderer = [[MKPolylineRenderer alloc] initWithPolyline:overlay];

        renderer.strokeColor = [[UIColor blueColor] colorWithAlphaComponent:0.7];
        renderer.lineWidth   = 3;

        return renderer;
    }

    return nil;
}

// for iOS versions prior to 7; see `rendererForOverlay` for iOS7 and later

- (MKOverlayView *)mapView:(MKMapView *)mapView viewForOverlay:(id <MKOverlay>)overlay
{
    if ([overlay isKindOfClass:[MKPolygon class]])
    {
        MKPolygonView *overlayView = [[MKPolygonView alloc] initWithPolygon:overlay];

        overlayView.fillColor      = [[UIColor cyanColor] colorWithAlphaComponent:0.2];
        overlayView.strokeColor    = [[UIColor blueColor] colorWithAlphaComponent:0.7];
        overlayView.lineWidth      = 3;

        return overlayView;
    }

    if ([overlay isKindOfClass:[MKCircle class]])
    {
        MKCircleView *overlayView = [[MKCircleView alloc] initWithCircle:overlay];

        overlayView.fillColor     = [[UIColor cyanColor] colorWithAlphaComponent:0.2];
        overlayView.strokeColor   = [[UIColor blueColor] colorWithAlphaComponent:0.7];
        overlayView.lineWidth     = 3;

        return overlayView;
    }

    if ([overlay isKindOfClass:[MKPolyline class]])
    {
        MKPolylineView *overlayView = [[MKPolylineView alloc] initWithPolyline:overlay];

        overlayView.strokeColor     = [[UIColor blueColor] colorWithAlphaComponent:0.7];
        overlayView.lineWidth       = 3;

        return overlayView;
    }

    return nil;
}

This handles polygons, circles, and lines. Clearly if you're only drawing polygons, for example, you could simplify the above code accordingly.
Once you do that, you can now add an overlay directly to the map. For example, this adds an overlay that is a rectangle of a certain size around a particular coordinate:
- (void)addOverlayAround:(CLLocationCoordinate2D)originalCoordinate atDistance:(double)distanceKm
{
    MKCoordinateRegion region = MKCoordinateRegionMakeWithDistance(originalCoordinate, distanceKm * 1000.0 * 2.0, distanceKm * 1000 * 2.0);
    MKCoordinateSpan span = region.span;

    CLLocationCoordinate2D  points[4];
    points[0] = CLLocationCoordinate2DMake(originalCoordinate.latitude  + span.latitudeDelta / 2.0,
                                           originalCoordinate.longitude - span.longitudeDelta / 2.0);
    points[1] = CLLocationCoordinate2DMake(originalCoordinate.latitude  + span.latitudeDelta / 2.0 ,
                                           originalCoordinate.longitude + span.longitudeDelta / 2.0);
    points[2] = CLLocationCoordinate2DMake(originalCoordinate.latitude  - span.latitudeDelta / 2.0,
                                           originalCoordinate.longitude + span.longitudeDelta / 2.0);
    points[3] = CLLocationCoordinate2DMake(originalCoordinate.latitude  - span.latitudeDelta / 2.0,
                                           originalCoordinate.longitude - span.longitudeDelta / 2.0);

    MKPolygon* poly = [MKPolygon polygonWithCoordinates:points count:4];
    if ([self.mapView respondsToSelector:@selector(addOverlay:level:)])
        [self.mapView addOverlay:poly level:MKOverlayLevelAboveLabels];
    else
        [self.mapView addOverlay:poly];

//    // If you want to draw a circle around the coordinate, instead, you could do something like:
//
//    MKCircle *circle = [MKCircle circleWithCenterCoordinate:originalCoordinate radius:distanceKm * 1000.0 * sqrt(2.0)];
//    if ([self.mapView respondsToSelector:@selector(addOverlay:level:)])
//        [self.mapView addOverlay:circle level:MKOverlayLevelAboveLabels];
//    else
//        [self.mapView addOverlay:circle];

//    // if you want to draw some lines, you could do something like:
//
//    MKPolyline *polyline = [MKPolyline polylineWithCoordinates:points count:4];
//    if ([self.mapView respondsToSelector:@selector(addOverlay:level:)])
//        [self.mapView addOverlay:polyline level:MKOverlayLevelAboveLabels];
//    else
//        [self.mapView addOverlay:polyline];

    self.mapView.delegate = self;
}

A: I don't actually now if what I'm going to propose can work or if is a good solution, anyway that is the idea
Set your MainViewController as delegate for the gesture recognizers
-(BOOL)gestureRecognizer:(UIGestureRecognizer*)gr shouldReceiveTouch:(UITouch*)touch{
    if([gr isKindOfClass:[UIPanGestureRecognizer class]])
        [mapView setUserInteractionEnabled:NO];
    else if([gr isKindOfClass:[UIPinchGestureRecognizer class]])
        [overlayView setUserInteractionEnabled:YES];
    return YES;
}


Conflict and resolution. Tension and release. Contrast. Jazz students learn these concepts as the basic building blocks of musical expression. Few artists embody these concepts both inwardly and outwardly more starkly than trumpeter Tom Harrell, who brought his quintet to Yoshi's San Francisco on Wednesday night. It was refreshing to see a great many aspiring young musicians in the audience being schooled by one of the living masters of modern jazz.
Juxtaposition is not confined to the music at a Tom Harrell show. Harrell suffers from schizophrenia, and the sheer effort and courage required for him to take the stage and maintain his composure over the course of a performance are at once inspiring and unsettling.
On Wednesday, as always, Harrell emerged from behind the curtains slowly, deliberately, dressed in black, and made his way to his position onstage in silence. He opened a manila folder containing his charts and spent a few minutes organizing his music just so, then finally stood up straight, eyes closed, head down, still, though trembling slightly.
It is at this moment of every Tom Harrell show I've seen that I wonder if he'll be able to summon the inner strength to go ahead with the performance. Then, with a subtle tap of one foot, he cues the band, puts his trumpet to his lips, and as the first few notes flow out of his horn a miracle occurs.
While playing, and only while playing, Harrell is in complete control of his world and his surroundings. All symptoms of his illness disappear, replaced by one of the most recognizable, sophisticated and mature voices active in the post-bop tradition.


text:
Trundle, Joseph
Year Rank Edo Dev. Games
1901 915 1777 (99) 1
1906 971 1754 (100) 0
1907 1001 1746 (106) 1
Biographical data
Name: Trundle, Joseph James
Di Felice, Chess Results, 1901-1920, page 319
Dunn, Paul. [9th NSW v QLD Telegraphic Match 1902]
Tournament data
Sydney and Brisbane 1901 8th New South Wales - Queensland Telegraphic Match
Trundle, J.J. - Turner, C.E.S. 0 - 1
Trundle, J.J. - Hill, B.J. 0.5 - 0.5
Brisbane 1903 (1) 4th Queensland Championship - Challengers Tourney 3 / 7
Sydney and Brisbane 1903 10th New South Wales - Queensland Telegraphic Match
Townsville and Brisbane 1904 Townsville - Brisbane Telegraphic Match
Trundle, J.J. - Boyce, J.A. 1 - 0
Trundle, J.J. - Jonas, W.H. 0 - 1
Brisbane 1905 6th Queensland Championship 0 / 1
Trundle, J.J. - Crakanthorp, L.S. 0 - 1
Trundle, J.J. - Crakanthorp, S. 0 - 1


text:
Supreme Court recognises that criminal trials may be prohibited for 'officially induced errors'
Supreme Court recognises that criminal trials may be prohibited for 'officially induced errors'
'Officially induced error' relates to circumstances where a person relies on incorrect advice from an official authority as to the law, resulting in the commission of a criminal offence by that person.
In recognition of the potential injustice that would be caused by a guilty verdict, the Supreme Court has endorsed officially induced error as an exception to the rule that ignorance of the law is not a defence.
If successful, a plea of officially induced error will result in trial being prohibited in the interests of justice.
However, a stringent test must be met in order to rely on such a plea.
The Supreme Court last week recognised for the first time in DPP v Casey [2019] IESC 7, that a criminal trial can be prohibited due to officially induced error. In agreeing to hear the appeal in this case, the Supreme Court had certified the question of the availability of this 'defence' in this jurisdiction as a point of general public importance.
A plea of officially induced error is an exception to the rule that ignorance of the law does not excuse criminal conduct; it means that where a person relies on advice given by an official authority and commits a criminal offence as a result of reliance on that advice, they may be able to avoid a guilty verdict. However, the Supreme Court heavily limited the circumstances in which officially induced error could be relied on and there are a number of hurdles to be overcome in order to plead it successfully.
Procedural issue, not substantive defence
In delivering the judgment of the five-judge court, Charleton J held that officially induced error can be an answer to a criminal charge. However, it is not a substantive or excusatory defence that vindicates the accused or finds the criminal conduct at issue did not occur. Rather, it amounts to a legal objection to the continuation of the criminal process similar to claims to prejudice arising from prosecutorial delay / missing evidence. In this regard, the Court followed authorities from Canada rather than the US (where it is a full defence).
The essence of a plea of officially induced error is rooted in the Constitution's guarantee of procedural fairness and trial in due course of law. It amounts effectively to an argument that in the circumstances a guilty verdict would amount to an affront to justice. It is a matter for the trial judge, not the jury, as to whether to allow a plea of officially induced error.
Stringent test
Though the Supreme Court recognised a plea of officially induced error, it set out a stringent test to be met which limits the scope of the plea. Officially induced error is a very narrow exception to the rule that ignorance of the law does not condone criminality.
Proof of the requisite elements of unfairness, to lead a trial judge, to block a prosecution, must be established by the accused on the balance of probabilities, not beyond a reasonable doubt. To raise this plea, the accused must precisely describe before the trial judge what he did rather than evading responsibility through not admitting conduct.
In particular, for officially induced error to prohibit a prosecution, the accused must prove:
That he went in good faith to seek legal advice from an authority that a reasonable person would see as possessing ostensible authority to advise on whether a proposed course of conduct was not lawful;
That the proposal about which legal advice was sought was specific, not vague, and described accurately the conduct which is the subject matter of the later criminal charge;
That what the official advised was specific and amounted to legal advice which clearly and unequivocally authorised the proposed conduct as a matter of law;
That the advice covered the situation in issue;
That the advice was not such as to reasonably put the accused on notice to make further enquiries;
That the advice must have been accepted honestly by the accused and was such that a reasonable person was likely to act on it; and
That there was no deviation from the conduct apparently authorised in the commission of the offence.
The parameters the Supreme Court has put on a plea of officially induced error mean that it will likely apply only in exceptional cases.
For more information on this topic please contact Kenan Furlong, Partner or any member of A&L Goodbody's Litigation & Dispute Resolution team.
Date published: 6 March 2019


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text:
NYC Architecture
Modernist Fifth Avenue time capsule designed by Ward Bennett seeks $4.9M
The legendary designer's stamp is on every inch of this Upper East Side apartment
By Amy Plitt@plitter Mar 25, 2019, 2:17pm EDT
The living room in this Ward Bennett-designed apartment overlooks Central Park.
Photographs by MW Studios
A modernist time capsule located within a stately Upper East Side co-op has hit the market asking $4.9 million, and fans of the late designer Ward Bennett—who made a name for himself as a furniture designer, and created more than 150 chairs during his career—will be especially intrigued, as he designed the apartment from top to bottom in the late 1970s.
Handbag designer Reva Ostrow, who is selling the apartment, got Bennett to revamp the place in 1979, and told PIN—UP in 2013 that "[h]iring him was the best thing I've ever done in my life."
The apartment is located at 955 Fifth Avenue, a tony co-op building that was designed by Rosario Candela in the 1930s. But you wouldn't know that by looking at this particular apartment, which was gutted and transformed into a canvas for Bennett's particular design sensibility—described by Tim deFiebre, his former assistant, as having "nothing superfluous," and "always honed down to their bare essence."
Iconic modernist pieces, including these Le Corbusier lounge chairs, can be found throughout the apartment.
Indeed, the space is quite minimal—"museum-like," as the listing describes it—and is filled with pieces either designed or selected by Bennett specifically for the space. His Landmark chairs—which you can still buy from Herman Miller—are situated around the dining room table, and other iconic modernist pieces, including Le Corbusier's LC4 lounge chairs.
The color palette is largely neutral, with a muted beige terrazzo used in the dining room and kitchen (and as the surface of the dining room table), and gray carpeting in other parts of the apartment. Pops of color come from decorative elements, such as exposed structural beams (one of which is painted bright red) and artwork on the walls. Every inch was customized, from the massive windows with integrated blinds, to a sleek bathroom vanity with a large mirror.
Bennett's own Landmark chairs surround the dining room table, which is made of the same terrazzo found throughout the apartment.
As it's currently configured, the space has one bedroom and three bathrooms, with the possibility of transforming it into a two or even three-bedroom. (But with an apartment with this design pedigree, why would you?)
This truly unique apartment at 955 Fifth Avenue is listed with Stribling's Laurie Stolowitz and Iris Klatsky for $4.9 million.
The kitchen is large and has its own breakfast nook.
Bennett also placed the art found throughout the apartment.
A Josef Hoffmann chair sits in front of the custom vanity in the master bathroom.
A painted, exposed structural beam provides a pop of color.
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Yesterday there were some rather worrying developments in the market for Euro area bonds, affecting even French and Dutch government stock. This caught the journalists on BBC Radio 4 off guard, including the famed Robert Peston. They quickly fell into the lazy habit of describing the markets as if they were thinking and breathing people, albeit in a plural form, like "Bond markets looked on the Italian government's plans sceptically and yields rose over 7%". This formula is usually used to link the movements in market prices to some new information or news event, regardless of whether any such link is actually significant. The idea of this mythical person or people breathing down the the necks of governments is clearly an attractive way to communicate a point. The trouble this morning was that there was no such easy link to make…which led at least one commentator to go a bit apocalyptic, that "the markets" had lost faith in the Euro completely and were expecting it to break up. This was more or less where Mr Peston ended up.
I have always hated this anthropomorphism of markets, which is by no means confined to journalists – market participants clearly enjoy the false sense of power it gives them. But markets are not people, they are mechanism by which buy and sell orders (in this case for securities) are resolved by striking a mutually acceptable price, often by computers these days. When nobody is buying or selling much, and market makers have to quote prices, then indeed human sentiment plays a major part in price movements. The market makers are usually part of a small and social group where collective sentiment can develop and they don't mind telling outsiders. Journalists can find out what these sentiments are by talking to a couple of people. In this case the anthropomorphism does bear some resemblance to reality.
But as soon as the real money enters the market, then all this sentiment is mere chatter. And it often takes a bit of time for the real reasons for market price movements to emerge. People have to guess, and journalists usually go no further than to tap into the chatter. What moves the money? There are whole variety of things, many which economists would not recognise as rational – like a fund manager simply dumping shares to avoid an awkward situation with a client. Or, sometimes it can be plain errors. Then, of course, with so much automated trading it can simply be the unforeseen interaction of computer algorithms- as happened in the notorious "flash crash" in May 2010.
So what happened yesterday? I don't know, of course. But the best explanation came to me via the Economist's Buttonwood column, itself quoting one Michael Derks at a company called fxpro. In essence the Euro zone recapitalision of banks is having some malign effects. The idea was that banks should reserve more capital against their assets, so that they are better able to withstand losses. Reasonable enough (and vital to bring incentives at banks back into the real world, in my view), but banks can comply by dumping assets instead of increasing capital. That is what many banks are doing, and they are choosing relatively liquid government bonds to dump – including those of the French and Netherlands governments, as well as the usual suspects of Italy and Spain. It is a battle to prevent bank ownership being diluted, not a considered opinion on the future of the Euro.
Mr Peston should have known better, and helped his listeners try to understand what was going on, instead simply plugging this lazy and narcissistic drivel Shame on him!
John Kay deals with this misunderstanding of markets (the Bloomberg TV fallacy that 'the markets' are stock price movements and 'economics' is explaining these hour by hour movements) in his book with the obvious title.
Thanks Edis. John Kay's weekly FT column is one of my favourites. I'll put that book on my Christmas list!
Next Next post: Does the Euro need a Big Bazooka?


text:
Updated on May 22, 2017 1:05pm EDT
Iraq, Saudis In Last-minute Talks On Duration Of Oil Output Cuts: WSJ
By MarketWatch MarketWatch Pulse
Saudi Arabian oil minister Khalid al-Falih flew to Baghdad on Monday in an effort to convince Iraq to go along with a nine-month extension of oil output curbs ahead of a meeting of the Organization of the Petroleum Exporting Countries later this week, The Wall Street Journal reported. OPEC officials say Iraq has supported extending the agreement for six months instead of the nine months sought by the Saudis, according to the report. "All producers agree on the idea of extending the deal but the duration will be decided during the meeting," OPEC Secretary-General Mohammed Barkindo said at a news conference Monday. Oil futures remained higher, with West Texas Intermediate crude for July delivery on the New York Mercantile Exchange up 65 cents, or 1.3%, at $51.32 a barrel. OPEC and major non-OPEC producers, including Russia, have been widely expected to agree to extend an agreement struck last year that cut production by 1.8 million barrels a day.
Copyright © 2017 MarketWatch, Inc.


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text:
Q: Flutter: Custom Bottom Navigation Bar Cut Radius I want to cut the parts with radius from custom bottom navigation bar just like in design :

But the code works like this :

This is my code :
  // home_page.dart //
  bottomNavigationBar: CustomBottomNavigationBar(),

  // custom_bnb.dart //
  @override
  Widget build(BuildContext context) {
    return Container(
      decoration: _buildBoxDecoration,
      child: ClipRRect(
        borderRadius: AppBorderRadius.bottomBarRadius,
        child: Container(
          height: 80,
          decoration: _buildBoxDecoration,
          child: Row(
            crossAxisAlignment: CrossAxisAlignment.center,
            mainAxisAlignment: MainAxisAlignment.spaceAround,
            children: [
              BottomBarItem(iconData: AppIcons.location, title: AppStrings.location),
              BottomBarItem(iconData: AppIcons.home, title: AppStrings.homePage),
              BottomBarItem(iconData: AppIcons.settings, title: AppStrings.settings),
            ],
          ),
        ),
      ),
    );
  }

BoxDecoration get _buildBoxDecoration =>
      BoxDecoration(color: Theme.of(context).cardColor, borderRadius: AppBorderRadius.bottomBarRadius, boxShadow: [AppBoxShadow.materialShadow]);

// app_border_radius.dart //
static BorderRadius get bottomBarRadius => BorderRadius.vertical(top: Radius.circular(50));

I tried clipBehavior property in all of container
How can I solve this problem?
Thank you.

A: for bottomNavigationBar :
You can set the Scaffold's extendBody property to true

Flutter extendBody property

for AppBar:
You can set the Scaffold's extendBodyBehindAppBar property to true

Flutter extendBodyBehindAppBar property