once white tiles back to their original gleaming brightness.
classes: The Great British Breakfast.
with finding it, keeping it and banking their succession on it.
do well to follow Mrs Brown's advice in their own dream pursuit.
Anyone can sing, but not everyone should.
that they do exceptionally well and thoroughly enjoying doing.
talent. But I can assure you that you do.
on your 4 year journey to greatness?
mistakes until at last you become competent at this new thing.
greatly helps if we enjoy doing it too!
you don't know it all yet. Many many people give up at this point.
masters of this particular game.
before this is just effortless? Perhaps another 4000 hours.
do it again and get it right. How? You're just doing it.
thus if they can even be effectively measured.
least a part of the way you do your talent.
this into your desired activity.
other people to add value to each other.
it exceptionally well and thoroughly enjoy doing it.
intent on pinning you to the wall.
much safer environment to develop my skills.
sure that we maintain a good, respectful and positive attitude.
be easier to take a shortcut.
email series and find yours very quickly.
talent is something unconscious. It's something you "just do".
cooking. No, my talent is algebra.
to help you find and leverage your talent.
of emails from me taking you through the steps. You do the work.
you can if you want to do so.
you thoroughly enjoy everything you do, and do everything well?


Retrieves the current value into a binary buffer, casting as required If the buffer is too small, then the value is truncated.
dst The buffer to receive bytes.
len The length of the buffer.
retr_len An output parameter. The actual number of bytes returned.
Up to len bytes are copied to the given buffer. The number of bytes actually copied is returned in retr_len.


In California, most numbers of printing companies offer a bunch of discounts and offers. New companies and entrepreneurs who can't spend thousands on printing must go for the cheaper option which is online printing services in California. Yearlong discounts and rebates make print brochure, and company cards less expensive. When you need to order a large number of prints, and you are looking for service providers then choosing online Printing Services in California is the best thing to do.
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Now if you are wondering what advantages one can expect apart from getting cost-effective service while doing business with online printing service providers, then this post is meant for you. Here you will get to know a few advantages of hiring online printing services.
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Most of the successful companies take up different marketing methods to enhance sales, and you can follow the traditional methods of advertising and marketing by distributing flyers and brochure. Yes, printing these is a costly affair but with affordable printing service provider, you can go a long way without burning your entire budget on printing.
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Before you hire services from any online service providers, you can take a look at the charges that are predetermined as per difficulty levels of tasks, so you get to see costs before you choose to hire any service. It saves you from lots of confusion afterwards. Online you will get multiple quotes within the just minutes, whereas you need to visit numerous physical stores and get different quotes to choose the best one as per your requirements, which will take days. So opting for online businesses is always fast.
Solesa is with printing and graphics for the last twenty years. She has helped more than 500 clients. Solesa is sharing her experience on her blog. Here She has explained why it is a good idea to hire online Printing Services in California .
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Alibaba Group Holding is the biggest tech company in the world, which is regarded as the largest B2B business that operates various online marketplaces to allow consumers to buy and sell their products.
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I have always been fascinated with unusual 19th century camera designs - those that departed from the conventional. The rarely seen Lucidograph by Thomas Blair represents such a departure.
Designed over a two-year period, the Lucidograph was probably introduced in 1885* as an inexpensive alternative to the larger view cameras of the day. According to one catalogue, the name "Lucidograph" might be Greek for "Light-writer."
Blair's concept was to build a compact, inexpensive view camera aimed at the amateur market. It had many traditional view camera features such as fine focusing and swings.
While appearing in Blair catalogues throughout the 1880s, the camera was dropped before the mass amateur market appeared -- which probably accounts for its rarity. Note: The amateur market exploded in the 1890s.
The most distinctive feature of the Lucidograph is the ability to fold into it's own polished mahogany wood body -- which became a protective case for the bellows and lens.
Any "self-casing" style view camera is extremely rare. Unlike the immensely popular leather-bodied, self-casing cameras of the 1890s, the Lucidograph did not use a bed to support its focusing rails.
A traditional self-casing camera's front panel drops 90 degrees to become a bed for the front standard. However, Blair approached the design differently and made the Lucidograph's front panel swing to the side like a door. The focusing rails would then drop 90 degrees and attach to the side-mounted door.
The smallest and largest Blair Lucidograph models sold.
1/4-plate and whole plate formats are the rarest of all versions.
Another noticeable design feature is the Lucidograph's small size in relation to its format, which was achieved by not using a reversible back. By using a simpler spring actuated ground glass assembly (patented 1884), Thomas Blair was able to construct a camera that was only 1-1/2 inches larger in height and width than the photographic plate.
In spite of the self-casing design and small size, the Lucidograph retains many desirable features such as a rise/fall lensboard, fine focusing, and double swings. According to advertising, the "swing back" was not deemed desirable for the camera's intended use and a "double-swing front" was created. In essence, the front focusing rails can tilt up/down and side-to-side -- a very innovative design.
The Lucidograph body is constructed of highly polished mahogany while the interior is cherry. The bellows is made of A1 rubber, card-board and silesia (a twill-weave cotton fabric). The camera was available in formats from 3-1/4 x 4-1/4 inches to 6-1/2 x 8-1/2 inches. The whole-plate model (6-1/2 x 8-1/2) was introduced sometime after 1887. As a note, the 3-1/4 x 4-1/4 inch and 6-1/2 x 8-1/2 inch formats are especially rare, with only a few examples known of each format size.
Lucidograph cameras were sold as complete outfits (with a Blair landscape lens, plateholder, tripod and canvas case), or as a body for buyers to supply their own lenses and accessories. This particular example is a body-only, whole-plate model (Catalogue No.1564 E) with an owner supplied landscape lens. The body sold for $16 in 1890 ($303 in year 2000 dollars). The owner's name (E.B. Crosby, Lockport) also appears on the camera.
May 2000: Newly acquired information indicates that the Lucidograph was available as early as 1884. An 1884 Blair catalogue includes an image of an unnamed camera resembling the Lucidograph.
October 2010: Updated webpage to include the rare 1/4-plate version.


Create literate, confident, and independent citizens through the use of informational texts and primary sources to practice important critical thinking skills. Help students build content and academic vocabulary development that encourages students to support arguments with evidence. This session will support the development of critical literacy skills in the Social Studies classroom and promote strategies to help students demonstrate understanding through reading, writing, listening, and speaking in the classroom and beyond!


text:
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text:
Armed woman sought in Kohl's holdup
By Cindy Scharr |
PUBLISHED: December 1, 2010 at 3:43 a.m. | UPDATED: August 19, 2021 at 6:18 a.m.
WILMINGTON, Del. – A woman armed with a handgun tried to rob the Kohl's Store at the Rocky Run Parkway late Tuesday, Delaware State Police said.
The incident took place around 10:30 p.m. at the store located at 401 Rocky Run Boulevard, across Route 202 from the Concord Mall.
The suspect entered the store, walked over to the jewelry counter and picked out a watch to purchase. As the 62-year-old clerk began to ring up the purchase, the suspect said she didn't have the money.
Instead, the suspect demanded the clerk hand over the cash in the register, then opened her purse revealing a silver handgun, state police said. The suspect tried to open the register herself, but failed.
When the clerk tried to use a phone to call for help, the suspect knocked the phone out of her hand and ran from the store.
The victim was not physically injured.
The suspect is a black woman, 5 foot, 6 inches to 5 foot, 8 inches tall, between 170 to 200 pounds with a large build and brown eyes. She was wearing a blue Muslim head wrap, a flannel shirt, black jacket, jeans and mismatched footwear – one gray slipper and one flip-flop.
If anyone has any information about the incident they are urged to contact Delaware State Police detectives at Troop 2 at 302-834-2630, extension 6 or Delaware Crime Stoppers at 1-800-TIP-3333. Information may also be provided via the Internet at www.tipsubmit.com
Cindy Scharr


Description: The Pretty Buff T-Shirt Bundle here includes one Yellow Colored Pretty Buff Vinyl - first pressing of yellow vinyl is limited to 1,000 units. This bundle also includes the Pretty Buff Mouth T-Shirt design printed on a black, unisex tee. The bundle also includes the 3 piece enamel pin set.


text:
Cyberpunk 2077: Gangs of Night City
Cyberpunk 2077 board game coming from Zombicide publisher
A gaggle of gangs.
About Cyberpunk 2077: Gangs of Night City
Publisher: CMON
A board game based on the video game Cyberpunk 2077 is coming from the publisher behind the Zombicide series – CMON.
Cyberpunk 2077: Gangs of Night City is a video game board game inspired by the 2020 release – which was, in turn, an adaptation of the tabletop roleplaying game series Cyberpunk – that has players taking control of rival groups operating in and around Night City.
Announced via a Design Diary blog on the CMON website, Gangs of Night City has players commanding one of several gangs present within Cyberpunk 2077. The Design Diary describes how the team behind the upcoming game – made up of Andrea Chiarvesio, a co-designer on Marvel United, Francesco Rugerfred Sedda, Blood Rage creator Eric Lang and Alexio Schneeberger – were initially unsure of their pitch when they approached Cyberpunk 2077 studio CD Projek Red, as the original video game has the player controlling a single main character.
Eventually, the designers decided to focus the board game adaptation on the gangs that populate Night City, giving players the clear goal of ruling its underground. Depending upon which gang players choose to take control of – with CMON yet to confirm the game's roster of gangs – players will have different "peculiarities, hierarchies and ambition."
Regardless of the gang players select they'll have access to three unique types of unit, each one based on a role that players can focus on in Cyberpunk 2077 – solos, techies and netrunners. Players utilise these different units against the opposing gangs in Night City, engaging in firefights and other criminal activities to further their goals. Whilst solos are focused on combat effectiveness, techies can experiment with elements like engineering and netrunners can hack into enemy systems via the net.
The game board will be directly based on the map of Night City from Cyberpunk 2077 and will feature six different districts for players to fight over. Having control over points of interest in each district will grant players benefits. The board for Gangs of Night City also includes elements for a marketplace and for hiring edgerunners, or mercenaries, for their gang activities, as well as a section for netrunner units to move through to determine their success or failure to hack.
The Dicebreaker team play the Cyberpunk TRPG with co-designer Cody Pondsmith.
Players will need to balance their resources as well as their street cred in order to be successful in encounters like firefights, with gang reputation being a factor in interactions between gangs. Killing enemy units doesn't affect their street cred, meaning that players can choose to focus on completing jobs and building up their street cred in order to win the game.
Besides Cyberpunk 2077: Gangs of Night City and Zombicide, CMON is known for publishing the unofficial 'mythic trilogy' - featuring Blood Rage, Rising Sun and Ankh: Gods of Egypt – and tabletop RPGs such as the upcoming Household.
Cyberpunk 2077 is a video game developed and published by CD Projekt Red in 2020. In the video game, players become a character named V who works as a mercenary in an alternate future version of LA in Night City. The player can choose various aspects of V's personality and being, as well as their specialisations and abilities. The world of Cyberpunk 2077 is based on the tabletop roleplaying game series Cyberpunk whose latest entry, Cyberpunk Red, takes place several years prior to the video game.
Cyberpunk 2077: Gangs of Night City is yet to receive a release date or crowdfunding date.


Maria Theresa crystal chandelier with gold finish (polished brass).
Trimmings hand cut and polished pendeloques.
Dimensions (W x H): 65 x 84 cm/ 26.5"x34.3"
Chandelier can be ordered with almonds or flat Pendant trimmings.


Collaboration and technical service are central to the Sunscape mission. We work with you to create customized lighting solutions that fit your particular horticulture needs, but we don't stop there. We offer on site partner services and collaboration to ensure optimal installation and standard best practices for the operation of your entire system. Because we are also growers we take a keen interest in participating with you on all levels – from facilities consulting to advising on the best watering and fertilization techniques.


Our adult eye examination appointment is for 30 minutes so please allow adequate time. If spectacles are required, dispensing may take around 30 minutes so please do leave plenty of time - you should be prepared to spend around an hour with us in the practice.
Our optometrist will invite you to describe any symptoms or visual difficulties you might be experiencing, as well as asking about your more general health (including any medications you might be taking).
They will be interested in whether you have any family history of ocular conditions, particularly any glaucoma or macular problems.
It's also useful to know what your visual requirements are in everyday life – do you use a computer a lot, or play any sports regularly?
Starting at the front, your eyelids and surrounding tissues will be checked – here our optometrists can help to identify the cause of any possible dry or gritty eye sensations.
The cornea at the front of the eye will also be examined to ensure it's healthy – the cornea acts as the 'window' on the eye, so it's important that any problems are identified.
Your pressure of the fluid inside your eye will be checked – this is one of the checks that can help to spot glaucoma.
Our optometrist will look at the lens inside your eye, to make sure it's clear and healthy. When cataract develops, it affects this part of the eye and our optometrist can advise you if you show any signs.
The retina at the back of your eye will be checked to make sure that all of the complex tissues there are healthy. This part of the eye examination will also help to detect any sign of a wide variety of ocular issues, from age-related macular degeneration (AMD), to signs of glaucoma, even to some signs of diabetes.
If checking the health of your eyes is one large part of your appointment, the other part you may be familiar with is checking your standard of vision and any prescription you might have. Our optometrist will not only see if you benefit from any prescription in each eye, but will also make sure that both work together properly.
Checking that you're seeing as well as possible with both eyes working together is important to not only make things look clearer, but also to give you good 3D vision and help alleviate any eyestrain or vision-related headaches.
At the end of the examination, your optometrist will discuss the results with you, offer advice on optimising your vision if required with spectacles or contact lenses, explain any relevant eye health matters and answer any questions you may have.
Some of our new patients arrive with existing conditions and prescriptions that they know are complex. Others do not yet require any kind of eyewear. Our current patients range in age from a few weeks to their 90's.
Whatever your situation may be, we know your eyes are as unique as your finger print. So, during an eye examination we're seeking to find appropriate and comfortable answers to your own eyes' demands.
A full eye examination will help to make sure your eyes are healthy. Volk ophthalmoscopy (pictured) gives a wide, clear view of your retina.
Our optometrists will not only examine your eyes, but make sure you understand their findings, such as your retinal photography (pictured).
Our full examination covers a range of diagnostic tools. Goldmann tonometry (pictured) is the gold standard method for assessing the pressure in your eyes - with no puff of air.


text:
Q: Detecting Shake Gesture by CoreMotion I want to detect device shake using coreMotion framework for iOS 7. Can anyone help me out how to do this ?
I wrote code described below in my viewDidAppear
CMMotionManager *motionManager = [[CMMotionManager alloc] init];
    motionManager.deviceMotionUpdateInterval = 1.0/60.0;

__block double myAcceleration;
[motionManager startDeviceMotionUpdatesToQueue:[NSOperationQueue mainQueue]
                                   withHandler:^(CMDeviceMotion *motion, NSError *error)
 {
     myAcceleration = motion.userAcceleration.y;
     CATransform3D transform;
     transform = CATransform3DMakeRotation(
                                           motion.attitude.pitch, 1, 0, 0);
     transform = CATransform3DRotate(transform,
                                     motion.attitude.roll, 0, 1, 0);
     transform = CATransform3DRotate(transform,
                                     motion.attitude.yaw, 0, 0, 1);
 }
 ];

but not detecting shake.

A:   #define accelerationThreshold  0.30

- (void)motionMethod:(CMDeviceMotion *)deviceMotion

{

 CMMotionManager *motionManager = [[CMMotionManager alloc] init];

    CMAcceleration userAcceleration = deviceMotion.userAcceleration;
    if (fabs(userAcceleration.x) > accelerationThreshold || fabs(userAcceleration.y) > accelerationThreshold || fabs(userAcceleration.z) > accelerationThreshold)
    {
        float sensitivity = 1;
        float x1 = 0, x2 = 0, y1 = 0, y2 = 0, z1 = 0, z2 = 0;

        double totalAccelerationInXY = sqrt(userAcceleration.x * userAcceleration.x +
                                            userAcceleration.y * userAcceleration.y);

        if (0.85 < totalAccelerationInXY < 3.45) {
            x1 = userAcceleration.x;
            y1 = userAcceleration.y;
            z1 = userAcceleration.z;

            float change = fabs(x1-x2+y1-y2+z1-z2);
            if (sensitivity < change) {

              // print change in position in coordinates.
                NSLog (@"total=%f x=%f y=%f z=%f timeStamp:%f, UpTime:%f", totalAccelerationInXY, userAcceleration.x, userAcceleration.y, userAcceleration.z, deviceMotion.timestamp, [[NSProcessInfo processInfo] systemUptime]);

                x2 = x1;
                y2 = y1;
                z2 = z1;
            }
        }
    }
}

A: I know its old but i am posting for others who might be interested.
This Shake detection code can be also be used without ViewController or when the app is in the background (just by using the coremotion)
import CoreMotion

private var centralManager : CBCentralManager!

@IBOutlet weak var shakeLabel: UILabel!
let manager = CMMotionManager()

override func viewDidLoad() {
    super.viewDidLoad()

    var xInPositiveDirection = 0.0
    var xInNegativeDirection = 0.0
    var shakeCount = 0

    var tempVariable = 0

    manager.deviceMotionUpdateInterval = 0.02

    manager.startDeviceMotionUpdates(to: OperationQueue.main, withHandler: {
        (data, error) in

        if data!.userAcceleration.x > 1.0 || data!.userAcceleration.x < -1.0 {

            if data!.userAcceleration.x > 1.0 {
                xInPositiveDirection = data!.userAcceleration.x
            }

            if data!.userAcceleration.x < -1.0 {
                xInNegativeDirection = data!.userAcceleration.x
            }

            if xInPositiveDirection != 0.0 && xInNegativeDirection != 0.0 {
                shakeCount = shakeCount + 1
                xInPositiveDirection = 0.0
                xInNegativeDirection = 0.0
            }

            if shakeCount > 5 {
                tempVariable = tempVariable + 1
                self.shakeLabel.text = "Shaken! \(tempVariable)"
                shakeCount = 0
            }

        }
    })

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After three state pageants, one local pageant, three evening gowns, two swimsuits, three talent costumes, five interview dresses...and only about 35,000 hours of work, I heard my name called last.
I heard, "And your new Miss Vermont 2016 is...." insert my heart beating through my chest, an empty mind, a silent Opera House, and the low bumbumbummm of the music "Rylee Field!"
I'm sure you've seen the video of how my heart about burst. Well, guys, it's still bursting. I'm still trying to wrap my head around this. This, my dream job. This, the position of a lifetime. This, is taking me to Miss America.
I'm truly at a loss when I think about trying to explain how amazing this is. I truly don't know if I'm completely comprehending it yet. After all, I look at all the pictures and I think, "That's nice. Good pic." And it still isn't fully translating that that's me.
So, until I get to that point, I have to say this: thank you.
I have said no less than 2 million thank yous since hearing my name called, and I know that 2 billion more would not be enough. You guys, there are too many people that deserve so much credit for bringing me to this moment. I could just cry when I think about how thankful I am to have people that have supported this wild dream since day one. Actually I have cried thinking about it, but that's fine.
From the women who fluffed that beast of a dress, to the first people to tell me "Good luck!" when I started talking about competing. Those people made this possible.
The people that believed in this with me, from day one. The people that believed in this when I didn't think I could. The people that encouraged me to keep going. The people that drove me to be better, to work harder.
I am so thankful for each of you. For every hug, every text, every comment, every Congratulations, you deserve this!
I can only hope that in the next 361 days I can give you a reason to say, I'm so glad I rooted for her.
Because, y'all, I'm so glad you rooted for me.
Also, pop over here to find where you can follow along on this crazy journey.


text:
WQTE (95.3 FM, "Q-95 Country") is a radio station in Adrian, Michigan, broadcasting a country music format. The station is live and local during the day on weekdays, and airs a satellite format from ABC Radio called "Country Coast-to-Coast" (known on air as "Today's Best Country") the remainder of the time.

The station originally signed on as WABJ-FM in 1976, nearly immediately becoming WQTE. The station's original format was beautiful music, changing to country sometime in the early 1980s.  The station remains co-owned with WABJ (1490 AM) and Hudson-based WBZV (102.5 FM). For several years, WQTE has referred to itself as "Q95 Country," presumably to avoid confusion with adjacent-channel WKQI 95.5 FM in Detroit, which called itself "Q95" for many years and serves the northeastern part of WQTE's listening area.

The WQTE calls were originally used by what is now WRDT AM 560 in Monroe, Michigan (later WHND and WLLZ-AM) from 1959 to 1974.

References

Sources
Michiguide.com - WQTE History

External links
Q95country Facebook

QTE-FM
Adrian, Michigan
Country radio stations in the United States

redpajama_set_name: RedPajamaWikipedia


Dinner plate with different girls on them. Underglazed used and glazed over for your use in the kitchen to table. Great in dishwasher and you can healthily eat on these. Call for order or email to get type you would like. 541 679-8632 ask for Red Bird Pottery or email at Cheryl@redbirdpottery.com. Each plate weighs a little over a pound.


Did you hear the story of the Johnstone twins?
Set in 1960's Liverpool, the story surrounds the ever growing Johnstone family. Blood Brothers is a heart-warming story of twin brothers Mickey (Sean Jones), and Edward (Mark Hutchinson) separated at birth. Soon they are brought together again by friendship, but their mothers, alongside social divisions, strive to keep them apart.
The narrative is echoed distinctly through dark rhymes and moving musical numbers, which bring plenty of laughs (and tears!). Lyn Paul instantly steals each scene as single mother, Mrs Johnstone. Vocally strong, her voice fills the room, and it is guaranteed that goosebumps will be setting up camp on your arm in seconds. Sean Jones as Mickey and Mark Hutchinson as Eddie are both fantastic, excelling both the roles of cheeky young boys and grown-up men. Mickey's childish, foul-mouthed antics, contrasted with Eddie's 'posh boy' persona makes for quite a few giggles. While the two of them are so different, they connect on such an extortionate level and exude a unique chemistry. Though out of the two, Jones' giddy imaginary horse-riding antics certainly stole the show. Danielle Corlass proved herself to be incomparable for the role of Linda. Her transition from the playful seven year old to the flirtatious fourteen year old, and then to the worried young wife was excellently portrayed. Dean Chisnall foreshadows an unsettling sense of dread as the narrator; he lingers throughout the entire performance serving as a haunting reminder of the twins' fate.
The musical numbers were wonderful too – 'Marilyn Monroe' particularly stood out and the closing number 'Tell Me It's Not True' was a poignant end to the production. The rest of the tunes sadly don't ring to the ears quite like the others, and are merely forgettable. The packed crowd rose to their feet in a standing ovation, as the cast took four encores. Decades later, Blood Brothers continues to be a timeless tale, successfully captivating an audience.
Blood Brothers is at the New Theatre until Saturday 30th September and tickets can be booked here.


text:
Gaucher Disease at a Glance
What Is Gaucher Disease?
Types 2 and 3
Prognosis and Life Expectancy
Associated Conditions
Inheritance and Genetics
Jewish & Ashkenazi Genetic Diseases
Genetic Disease Resources
Diagnosis & Treatment Overview
Enzyme Testing for Gaucher Disease
Carrier Status & Genetic Testing
Prenatal Screening & Genetic Counseling
Gaucher Disease Treatment
Enzyme Replacement Therapy
Substrate Reduction Therapy
Creating a Treatment Team
Treatment Finder
Living with Gaucher Disease
Optimizing Your Health
Teenagers & Young Adults
Middle Age & Beyond
E-Pal Connections Program
Patient Journeys
Gaucher Disease Support Groups & Resources for Patients and Families
Current Research Protocols
What is Gaucher Disease
CME Accreditation
Recently Published Research
Parkinson Disease Research
About NGF
Brian Berman
Amy Blum
Naomi Chinn
Robin Ely, MD
Noreen Layne
Samantha Rubenstein
Gregory Grabowski, MD
Priya Kishnani, MD
Heather Lau, M.D. M.S.
Pramod K. Mistry, MD, PhD, FRCP
Ellen Sidransky, MD
Neal Weinreb, MD
Home / About NGF / Medical Advisory Board / Pramod K. Mistry, MD, PhD, FRCP
Prof. of Pediatrics & Internal Medicine
Chief, Department of Pediatric GI/Hepatology
Yale University School of Medicine
333 Cedar Street; LMP 1080
Email: pramod.mistry@yale.edu
Dr. Mistry's Early Career
Pramod K Mistry, MD, PhD, received his medical degree from University of London's Royal Free Hospital School of Medicine. He did his post-graduate training in Cambridge, England.
Dr. Mistry's Current Roles
Dr. Mistry is the director of the National Gaucher Disease Treatment Center and professor of pediatrics and medicine at Yale School of Medicine. He is board-certified in internal medicine.
Positions and memberships Dr. Mistry holds include:
Member of the American Association for Study of the Liver, American Society of Human Genetics and the European Working Group on Gaucher Disease
Regional coordinator for the International Collaborative Gaucher Group (ICGG)
Medical advisory board member for the Gaucher Association (UK)
Medical advisory board chairman of the American Liver Foundation (Connecticut chapter)
Advisory committee member of the National Gaucher Foundation, Gaucher Association (UK) and The Children's Fund for Glycogen Storage Disease Research
Dr. Mistry's Research
Dr. Mistry has authored numerous journal articles, book chapters and reviews on Gaucher disease. He has received several awards for his work on Gaucher disease, including:
The Alan Gordon Memorial Award
Physician of the year award from Genetic Disease Foundation of New York
Fellowship of the Royal College of Physicians of London
Dr. Mistry's research is focused on comprehensive delineation of Gaucher disease through phenotype annotation, genomic annotation, modifier gene discovery, biomarker discovery/validation and therapies. His lab developed the first authentic mouse model of Gaucher disease. The advances in understanding disease mechanisms in the Gaucher mouse model informed clinical research on biomarker validation, osteopenia and therapy. He runs a dedicated inherited metabolic liver disease clinic offering the entire range of therapies from small molecules, recombinant enzyme replacement, hepatocyte transplant and liver transplant.
Families afflicted with rare inherited disease are severely underserved, having limited access to knowledgeable expert physicians and therapies. It is not uncommon for patients to have prolonged diagnostic odysseys while they suffer from severe complications. For the past two decades his advocacy work in this area includes playing a key role in building national centers of excellence in Gaucher disease in the United Kingdom and the United States, as well as humanitarian treatment programs for children with Gaucher disease in Egypt, China and India. He is also a senior member of the International Gaucher Disease Registry, the largest rare disease registry in the world.
Gaucher Disease Treatment Finder
Find a specialist or treatment center near you.
Stay in Touch with NGF
Learn about the latest research, news and events.
The National Gaucher Foundation (NGF) is an independent nonprofit dedicated to serving U.S. patients with Gaucher disease and their families. Through financial support, educational programming, patient services, and collaboration with medical professionals, NGF empowers Gaucher patients to live a better today.
The National Gaucher Foundation, Inc. is exempt from federal income tax pursuant to Section 501(c)(3) of the Internal Revenue Code.
National Gaucher Foundation 5410 Edson Lane #220 Rockville, MD 20852 800-504-3189


Families who are looking to add more space often find the idea of basement remodeling to be attractive, especially since it will give a whole new look to an area not known for aesthetics. After all, the final result of Minneapolis basement remodeling turns an eerie and dank space into a gathering place for your family, or just adds additional, much need space.
1. Why do you want more space?
Is to have a playroom, home gym, home theater or just to entertain? You'll find there are a whole range of possibilities with basement remodeling projects, from spaces for the kids or a bar for the adults. The final floorplan will depend largely on how you're planning to utilize the extra area.
This is important for any home remodeling project, not just basement renovations. You need to be clear about your budget before you get started. It will direct the project's time, and shape included features. We'll provide you a detailed quote in writing prior to renovations to ensure any over-budget, unanticipated expenses are within reason and necessity.
3. What are your local building and fire codes?
What is a habitable room size?
What ceiling size is necessary?
What are the codes for plumbing, electrical and HVAC work?
Additionally, we'll need to take into consideration insulation, natural light, ventilation, stairways, smoke detectors and much more. We'll be able to guide you through the maze of local building codes and help you to come out successfully on the other side.
Have questions about remodeling the basement in your Minneapolis home? Call 952-746-7817 or Click Here to Request a Free Estimate.


text:
Q: How to remove Sort By Name from Magento product listing page? I want to remove Sort by Name in Listing page Filter option.

Please Suggest me.

A: Edit the attribute with code name from Catalog->Attributes->Manage Attributes and set the field Use for sorting to No.


text:
Q: Veracode Scan - Encapsulation flaw (Deserialization of Untrusted Data) in Java Springboot application The Veracode scan reports one medium risk in a Springboot app code. It is a encapsulation flaw associated with Deserialization of Untrusted Data (CWE ID 502). I hope the experts here can help.
The searchReqStr is a JSON string from the request. The Vecacode is complaining on the objectMapper.readValue line.
 try {
  eventSearchFields =
              objectMapper.readValue(searchReqStr,EventSearchFields.class);
          } catch (IOException e) {
                 ....
          }

The EventSearchFields class fields are all private
 public class EventSearchFields implements Serializable{

   private static final long serialVersionUID = 2373607xxxxx;
   @JsonProperty("searchCriteria")
   private List<EventSearchCriteria> searchCriteria = new ArrayList<>();

   public List<EventSearchCriteria> getSearchCriteria() {
          return searchCriteria;
   }
   public void setSearchCriteria(List<EventSearchCriteria> searchCriteria)
   {
          this.searchCriteria = searchCriteria;
   }
 }

public class EventSearchCriteria implements Serializable{

  private static final long serialVersionUID = -624493860290016xxxxx;

  @JsonProperty("searchFieldName")
  private String searchFieldName;

  @JsonProperty("searchFieldValue")
  private transient List<?> searchFieldValue = new ArrayList<>();

  public String getSearchFieldName() {
  return searchFieldName;
  }
  public void setSearchFieldName(String searchFieldName) {
  this.searchFieldName = searchFieldName;
  }
  public List<?> getSearchFieldValue() {
 return new ArrayList<>(searchFieldValue);
  }
  public void setSearchFieldValue(List<?> searchFieldValue) {
this.searchFieldValue = searchFieldValue;

      }
My guess is that I have a wild card "?" for searchFieldValue in EventSearchCriteria, because it can be a List if String or a List of Map, see sample request below. It is working perfectly, does that cause this Veracode scan issue ?
The search request json string
{
   "searchCriteria": [

    {
     "searchFieldName":"keys",
     "searchFieldValue":[

           {   "searchFieldName":"bNumber",
               "searchFieldValue":["11"]
           },
           {
               "searchFieldName":"pNumber",
               "searchFieldValue":["22"]
            },
           {
               "searchFieldName":"id",
               "searchFieldValue":["BBB"]

           }
      ]
               },
               {
     "searchFieldName":"unit",
     "searchFieldValue":["aa","bb"]
   }
  ]
}

I have tried to change "?" to "Object" but no luck. Welcome suggestions to help me pass Veracode scan.


text:
Showing posts with label FEMA. Show all posts
Because Trump is Being Against PR For Some Reason Is Brought Congress to Not Approve Disaster Aide For No One
Trump "oranges" A Trump for any occasion
Congress killed a $13 billion federal disaster relief bill on Monday because no one can agree on how much aid should go to hurricane-ravaged Puerto Rico.
Republicans, under pressure from President Trump to cut aid to Puerto Rico, put forward the bill that would offer $600 million in nutrition aid.
But Senate Democrats shot down the bill. They're favoring a bill proposed by the House that would allocate about $700 million more aid than the Republicans are offering. But Republicans killed that version.
Disaster relief packages usually get bipartisan support. But relief to Puerto Rico, which is still reeling from Hurricane Maria, has become politicized. Trump has repeatedly railed against the island and its leaders since the storm struck and called for cutting off aid to Puerto Rico entirely.
The impasse could halt disaster relief nationwide at a moment when it's sorely needed: Floods slammed the Midwest earlier this year. Tornadoes ravaged parts of the South. Hawaii is still recovering from volcano explosions.
Senate Democrats are expected to put forward a new proposal Tuesday that would boost relief funding for the Midwest, according to the New York Times. It's an effort to attract some Republicans who were wary about the amount of funding to those states in the Democrats' earlier bill.
But this fight has turned unusually bitter, with each side accusing the other of partisanship.
Trump, meanwhile, is stoking the flames on Twitter and accusing the Democrats of killing a bill that would've provided aid to Puerto Rico, despite the island's "incompetent or corrupt" politicians and lying about how much aid has already been delivered.
– Alex Lubben
Over 5Million Reads Adam Gonzalez at April 04, 2019 No comments: Links to this post
Labels: Congress, FEMA, Puerto Rico
In Many Parts of Puerto Rico it seems like the storm hit yesterday. The damage it is still there.
Utuado (Central West in the Island). Even a well constructed cement house to which testament it does not breaks apart but the wind and the heavy rain blows it down the reveen. The worse part is this: A home in Utuado severely damaged by Hurricane Maria remains unlivable a year later.
Photographs by Joseph Rodriguez
Written by Ed Morales
Mr. Rodriguez is a photojournalist. Mr. Morales is the author of a book about Latino identity in the United States.
Last October, my sister and I traveled to Puerto Rico to pick up our 89-year-old mother and take her back to New York. Hurricane Maria had battered her remote mountain community in Río Grande, near the El Yunque National Forest.
My mother, who coincidentally is named María, had long resisted our pleas to move to the mainland, but we knew that in the chaos after the storm, many Puerto Ricans, especially older people, would die. We didn't want her to be one of them. She finally agreed to leave.
Because of the damage to her home in Utuado, Julia Rivera, 48, who has nine children, has to collect and store water in plastic jugs and cook meals in a makeshift kitchen she created in her backyard.
Poor communities in urban areas like Santurce and Loíza are struggling with severely damaged housing, the loss of jobs and small businesses, and sluggish responses from the Federal Emergency Management Agency. In rural communities, it's even worse. Julia Rivera, a mother of nine in Utuado, a mountainous town in the path of Maria's center, still needs funds to repair her leaking roof. "I have lost everything but my faith in God," she lamented.
Labels: FEMA, Government Against the Poor, Hurricane/ Storm, Puerto Rico, Trump-Obstruction
No Water in Puerto Rico Meanwhile FEMA Forgot They Had 20,000 Pallets of Battled Water Stacked Away
His agency claimed the water, intending to deliver it where it was needed.
But after about 700 pallets had been distributed, complaints began to come in about the water's foul smell and taste, Chavez said in a statement.
The water -- destined for communities in need -- will now be returned to FEMA, an official says.
"In light of this, we have been in contact with FEMA and the Department of Health to test the water inventory received by the federal agency. We are going to return those waters," he said.
The mayor of Ceiba, Angel Cruz Ramos, told CNN he's grateful for the generosity, but believes that too much water was delivered at the wrong time. "The time and heat has made it bad," he added.
CBS News first reported the water stockpile on Tuesday, the same day President Trump said his administration's response to Hurricane Maria in Puerto Rico was "an incredible, unsung success."
Puerto Rico now says 2,975 people died on the island because of the storm.
Over 5Million Reads Adam Gonzalez at September 13, 2018 No comments: Links to this post
Labels: Crime, FEMA, Hurricaine/ Storm, Puerto Rico, Stupidity
FEMA Failures Were Responsible ForThe Slow Recovery and Deaths that Unnecessary Occurred in PR
No Water! Where was FEMA? Not in PR as per the numbers
LAURA SULLIVAN
EMMA SCHWARTZ
The Federal Emergency Management Agency failed to properly prepare for last year's hurricane season and was unable to provide adequate support to hurricane victims in Puerto Rico and other areas, an internal report released by the agency concluded.
The report found Puerto Rico's emergency-supply warehouses were nearly empty when Hurricane Maria hit in October, without things like cots or tarps, because many of the supplies had been rerouted to the U.S. Virgin Islands.
The report also found FEMA had been understaffed going into the hurricane season and that most specialized disaster staffers were deployed to the other storms when Maria struck.
BLACKOUT IN PUERTO RICO
How Puerto Rico's Debt Created A Perfect Storm Before The Storm
The initial response was also hampered by huge communication challenges. Almost 95 percent of cell towers were down after the storm. But FEMA did not have enough working satellite phones to adequately spread to the island's leadership, making it difficult to get a handle on the scope of the damage.
As emergency supplies arrived, the report found, FEMA faced a major hurdle: it lacked visibility into what was being shipped by other government agencies or private sector partners, further hindering response decisions.
"Shipping containers often arrived in Puerto Rico labeled simply as 'disaster supplies,' requiring FEMA staff to unload and open containers to determine their contents," the report stated.
Many of the shortcomings outlined in the report — a lack of key supplies on Puerto Rico before the storm, unqualified staff, and challenges with delivering emergency supplies — were detailed in a recent Frontline and NPR documentary, Blackout in Puerto Rico, slated to re-air July 17.
The report also found FEMA struggled to track supplies from the mainland to the island and through distribution, saying the agency experienced "business process shortfalls." Frontline and NPR found serious flaws in many of the agency's supply contracts.
FEMA Blamed Delays In Puerto Rico On Maria; Agency Records Tell Another Story
That lack of planning proved one of the agency's biggest stumbling blocks to the response. The report found the last FEMA disaster planning assessment for Puerto Rico was from 2012 and "underestimated the actual requirements in 2017." In particular, the plans "did not address insufficiently maintained infrastructure (e.g., the electrical grid)" or the "financial liquidity challenges" facing the bankrupt Puerto Rican government.
What's more, FEMA's leadership acknowledged it could have better anticipated the need for federal intervention. The report said that in 2011, a report on a FEMA preparedness exercise on the island "anticipated that the territory would require extensive federal support in moving commodities."
The most critical of those commodities in the weeks after the storm were generators. But the agency didn't have enough and was unable to quickly acquire more. While the agency ultimately installed more than 2,000 generators on Puerto Rico — a record number — FEMA had only 695 in stock when Maria hit and only 31 on the island three days after the storm.
Federal Response To Puerto Rico Reignites Statehood Push
FEMA Administrator Brock Long acknowledged in a foreword to the report that FEMA had work to do to improve its disaster response capability.
"With this report, FEMA and the emergency management community have an opportunity to learn from the 2017 Hurricane Season and build a more prepared and resilient Nation," Long wrote.
U.S. Rep. Bennie G. Thompson, a Mississippi Democrat who serves on the Committee on Homeland Security, welcomed FEMA's critical assessment but said the agency needs to do more to prepare for this year's hurricane season.
"This report still does not explain how or why Puerto Rico was clearly treated differently than the states that faced natural disasters last year," Thompson said.
"I sincerely hope that FEMA has learned serious lessons from its inadequate response to Hurricane Maria," he added. "But with this year's hurricane season well underway, FEMA has not shown us that it is ready for anything resembling what we faced last year."
Labels: FEMA, Hurricaine/ Storm, Puerto Rico


Singer Chris Brown was back behind bars again in Florida on Thursday after he was arrested on an outstanding warrant for felony battery stemming from an April 2017 incident at a Tampa club.
Chris Brown is accused of doing what Chris Brown does during an Easter weekend appearance at a Florida nightclub. See the video of an alleged punch thrown by Brown and get the club's direct accusation, made via social media.
The Chris Brown standoff latest news involves a peaceful end to the ten-hour stalemate between Brown and the LAPD over what the singer's rep says is a "demonstrably false" charge. Brown was arrested on one count of suspicion of assault with a deadly weapon following an altercation at his home; the details of that altercation remain somewhat sketchy, but, thanks to police interviews, more facts are beginning to emerge.
Chris Brown has responded after TMZ posted a video of him trying to stomp a guy in the face at a club in France. See the falling feet of CB overseas and then get Breezy's response after he caught wind of the report via a video he posted to Instagram.
Chris Brown has publicly criticized Nia Guzman, the mother of his 2-year-old daughter Royalty, for an outfit she dressed the child in that he deemed inappropriate. Read the public back and forth that went down between Brown and Guzman over the topic.


NOTE: The Bitnami TensorFlow Serving Stack is configured to deploy the TensorFlow Inception Serving API. This image also ships other tools like Bazel or the TensorFlow Python library for training models. Training operations will require higher hardware requirements in terms of CPU, RAM and disk. It is highly recommended to check the requirements for these operations and scale your server accordingly.
This operation may take a considerable amount of time (depending on the hardware of your machine), please be patient.
For more information, please check the TensorFlow Serving tutorial.


text:
Gregory Carroll (July 9, 1977, Des Moines, Washington — July 2, 2013, Seattle) was an American tenor who had an active international career in operas and concerts during the early 21st century. In 2009 he won both second place and the Wagner Prize in the Irene Dalis International Vocal Competition. That same year he was awarded the Metropolitan Opera's Zimmerman Career Grant. In 2010 he was the recipient of William O. Cord Memorial Grant from the Wagner Society of Northern California.

Life and career
Carroll earned a Bachelor of Music degree from Western Washington University and Master of Music degree in vocal performance from the University of Washington. He then trained at the San Francisco Opera's Merola Opera Program. He made his professional opera debut in 2010 as Canio in Pagliacci with the Spokane Opera. Later that year he appeared as Bacchus in Strauss' Ariadne auf Naxos with the Seattle Opera, Rodolfo in Verdi's Luisa Miller with the Puget Sound Opera, and sang Canio again for his debut with Opera Cleveland.

In 2011 Carroll sang Rodolfo again for his debut with Chautauqua Opera, performed Canio with Opera Lyra Ottawa, and gave his first performance outside the United States as the First Armed Man in The Magic Flute with the Canadian Opera Company. In 2012 he made his debut at the Lyric Opera of Chicago as Radamès in Verdi's Aida and sang the same role for his European debut at the Norwegian National Opera. He also returned that year to the Chautauqua Opera as Edgardo in Donizetti's Lucia di Lammermoor and made his debut at the Portland Opera as Alfred in Die Fledermaus.

Carroll died suddenly and unexpectedly of a heart attack at the age of 35 in Seattle. Opera News magazine described him "as an extremely promising heldentenor".

References

External links
Official Website of Gregory Carroll

1977 births
2013 deaths
American operatic tenors
University of Washington School of Music alumni
Western Washington University alumni
People from Des Moines, Washington
Singers from Washington (state)
Classical musicians from Washington (state)
21st-century American opera singers
21st-century American male opera singers


text:
Results for Best Girls Sports Program 2014
Andover's basketball team has been a force since 2000, with state titles in 2003, 2010, 2011, 2012 and 2014.
Hingham, MA
Hingham's run of 11 consecutive state tennis championships from 2002 to 2012 ranks fourth in the nation.
Longmeadow, MA
Longmeadow excels in several sports, but its biggest claim to fame is its outstanding lacrosse team, which has made itself a fixture in the state finals.
Newton North
Newton , MA
Newton North's track and field team has plenty to brag about, but its crowning achievement might be the four consecutive state championships it won from 2010 to 2013.
Notre Dame has an impressive resume in several sports, but perhaps the school's most impressive achievement is its run of 11 consecutive state golf titles from 2002 to 2012.
Do you have an inspirational coaching story to share? Let us know about your coach on our Facebook page for future contests and stories.
Newton North Newton , MA
Andover Andover, MA
Notre Dame Academy Hingham, MA
Hingham Hingham, MA
Longmeadow Longmeadow, MA
Northern Highlands Regional Allendale, NJ
Dimond Anchorage, AK
Grosse Pointe South Grosse Pointe, MI
Rock Bridge Columbia, MO
Minnetonka Minnetonka, MN
Juneau-Douglas Juneau, AK (Alaska)
Immaculate Heart Washington Township, NJ (New Jersey)
Must be at least 13 years old to vote. There is no limit to the number of times a person can vote as long as the Best Girls Sports Program Rules are followed.
USA TODAY High School Sports begins its Best Girls Sports Program competition at noon ET May 1 with 255 schools – five per state and Washington D.C. - in the state round, which ends at noon ET May 9. The 51 winners and two wildcards will advance to the regional round, where they will be divided among eight regions. The regional round will begin at noon ET May 12 and will end at 2 p.m. ET May 20. The eight regional winners and two wildcards will advance to the national round, which will begin at noon ET May 21 and end at 2 p.m. ET May 30.


I'm job hunting again, since my position is being cut due to budget issues. I'm looking widely (and have already had some interviews) but if you're reading this and know of a position that might suit someone with my interests and skills, feel free to point me in that direction.
My resume is online here (PDF).
The thing I most enjoy in library work is connecting people with information and resources that make their lives better, easier, or just more fun.
That translates into especially loving reference, instruction, reader's advisory, and collection development, as well as a fascination with how we can use technology to do things better.
I've got a particular interest in accessibility issues, and in how collections and library services support and reflect the diversity of the community a given library serves and the world at large.
Geographically, I have some preferences, but I'm really looking for the right mix of job and life (I'd like to put down roots somewhere), and willing to consider a lot of options.
If you've ideas or other questions or want to talk about a possible job, feel free to contact me via the contact form (or the email on my resume).
On to the links! I didn't manage a roundup two weeks ago because I was in Boston for job hunting purposes, so this is a long one.
I came across the In the Library With A Lead Pipe blog/journal due to their posts on librarian workspaces, but I'm thinking even more about about their post "X", which is about pseudonymity and anonymity in professional (specifically library) communities.
Anne Collier and Larry Magid have released a new version of their (free) Parents' Guide to Facebook. Doug Johnson has a nice summary, with links to the PDF book. It's got some great advice on specific privacy settings and considerations, and is well worth reading whether or not you have kids, if you use Facebook.
I caught an interesting piece on Talk of the Nation yesterday on NPR as I was driving, on how much employers can limit worker's behavior – in particular, in online settings. You can read the transcript or listen to the piece (about half an hour) at the NPR site.
danah boyd wrote a fascinating piece on teenagers choosing risk reduction behaviors for online interaction that seem really odd at first glance (in one case, deleting everything posted after a short period of time, in another case, disabling the account entirely whenever she's offline.) And yet, as danah points out, they make perfect sense in context.
They've made a public statement that still misses the point in several ways.
John Scalzi comments on their statement (and how it's not precisely an apology), including where they're still missing some important points.
The Wikipedia article has links to a bunch of additional commentary and news reporting pieces.
A discussion about copyright reminded me of Stanford's copyright pages – they have some fantastic tools on how to figure out if something is still (probably) under copyright or not, and a lot of material on determining appropriate use in educational settings. They've added new bits since the last time I'd looked.
The Gypsy Librarian reviews an article about being being a renaissance librarian – in other words, the challenges of being a generalist, often working with specialists in a field.
An interesting post – with links to other ideas – from Joyce Valenza about things she wishes school librarians would unlearn.
useful terms and phrases common in that subject area (fantastic for me when someone asks a reference question about a topic I'm not already familiar with.) Better terms = better searches.
links to further sources, so you can go look at the initial material yourself.
and sometimes other things, like recent books about a topic or other resources that can help you dig deeper.
The search that brought this home to me was comparing the Encyclopedia Britannica and Wikipedia a couple of years ago (right around the time The Other Boleyn Girl movie came out) on the subject of Anne Boleyn – scarcely a minor figure. The Britannica version was 500 words, didn't mention most of her family by name, didn't give any background on a number of topics – her brother and sister, her interest in religion and philosophy, background issues and politics of the time.
In contrast, the Wikipedia article (at something like 2500 words), gave all of that, plus included links to current biographies with a summary of their main focus and theories, a link to an analysis of the choices that Phillippa Gregory had made in her writing of the book (and the subsequent changes in the movie) and how that fit in with different scholarly theories.
Which one do you think is most useful to high school students who got interested in Anne because of the book or the movie? And which one do you think starts a better conversation about how we study history, and how our own interests and focus and choices affect what we see in that history? Even more importantly, the Wikipedia article showed that real people – people like them – could do that kind of analytical work too, and contribute to understanding how all the historical fragments might fit together in various ways. Not bad for 2500 words.
I think a lot of people remember what Wikipedia was like initially, and forget (or don't know) that in the past few years, they've done a lot to improve citation requirements, address some of the problems of prank edits, and other such things. It's not perfect (and like all online sites, there are still quirks) which is why you still need to go look at the original sources.But that's always been true, regardless of your tertiary source. Growing up in an academic family, I've long been aware that the 'authoritative published sources' (like traditional encyclopedias) have the potential for flaws. There are politics and person wrangling and pet projects, and all sorts of other things that introduce bias and inaccuracy there too. They're just much more hidden from the end reader.


text:
package org.netbeans.modules.nodejs.borrowed;

import java.io.BufferedInputStream;
import java.io.BufferedOutputStream;
import java.io.File;
import java.io.IOException;
import java.io.InputStream;
import java.io.OutputStream;
import java.util.Collections;
import java.util.Comparator;
import java.util.HashSet;
import java.util.LinkedList;
import java.util.List;
import java.util.Map;
import java.util.Set;
import org.netbeans.api.progress.ProgressHandle;
import org.netbeans.api.project.ProjectManager;
import org.netbeans.spi.project.support.ant.AntProjectHelper;
import org.netbeans.spi.project.support.ant.EditableProperties;
import org.openide.filesystems.FileLock;
import org.openide.filesystems.FileObject;
import org.openide.filesystems.FileSystem;
import org.openide.filesystems.FileUtil;
import org.openide.loaders.DataObject;
import org.openide.util.MapFormat;
import org.openide.util.Mutex;
import org.openide.util.MutexException;
import org.openide.util.NbBundle;
import org.openide.util.NbCollections;
import org.openide.util.Parameters;

/**
 * A simple way to define an entire project template in a properties file.
 * A project template is simply a .properties file fileobject with an internal
 * microformat that consists of a few simple rules
 * about the keys and values.
 *

 * The first step is to create a New Project Wizard which will gather a
 * set of string key/value pairs into a Map which will be used for
 * substitutions in your generated project.  Then you pass that Map and
 * the project directory to createProject().  You also pass
 * in a ProgressHandle to show the user progress as the
 * project is created in the background.
 *

 * To add files to your project, you can simply provide pointers to
 * templates in the system filesystem — if you want a servlet,
 * you can use the existing Servlet template.  Your template
 * defines a mapping from file paths to be generated
 * in the projects
 * to templates in the system file system;  or you can implement custom
 * file generation by adding your own
 * FileCreators to the ProjectCreator.
 *

 *
Project Template File Format

 * The project template is really a standard Java properties file - we just
 * have some conventions about how the properties are interpreted.
 * With the exception of two special prefixes, all properties are assumed to be
 * in the format
 *

 * relative/path/to/file/in/project=path/in/system/filesystem/to/template
 *

 * Additionally, if the created file should be opened when the project is
 * opened, simply append * to the key (the filename will not include the
 * *), e.g.
 *

 * com/foo/bar/MyFile.java*=path/to/some/Template.java
 *

 *
Substituting values

 * createProject takes a Map of Strings.  These can be used for
 * substitutions both in the template file itself and in the files created
 * from NetBeans file templates.  In your project template properties file,
 * simply surround a key name with {{ }} to have it automatically replaced
 * by a value from the map, e.g.
 *

 * {{package-name-slashes}}/{{project-name}}.java*=Templates/Classes/Class.java
 *

 * NetBeans file templates use FreeMarker for templating.  The same map of keys
 * and values is also used for substitutions in the file templates that are
 * used when creating your project.
 *
 *
Project Properties and Private Properties

 * Two special prefixes are used for auto-generating the standard
 * nbproject/project.properties and nbproject/private/private.properties.
 *

 *
pp. - any property in your template with this prefix will
 * be assumed to be a property that should be put into
 * nbproject/project.properties.

 *
pvp. - any property in your template with this prefix
 * will be assumed to be a property that should go into
 * nbproject/private/private.properties.
 *

 *

 * The same substitution rules apply - you can use {{ }} in keys or values
 * to modify the keys or values, for example
 *
 * pvp.intercalInterpreter={{absolute-path-to-interpreter}}
 * pp.srcDir=src
 *
 *
 * If there are no properties in the template prefixed with pp.,
 * no nbproject/project.properties file will be generated.  The
 * same is true for private properties.
 *
 *
Handling project.xml and other custom files

 * Typically, you will implement FileCreator for your project.xml (or generate
 * it some other way before or after calling createProject().
 * You can add any sort of custom file generation you want by extending
 * FileCreator.  It is just often simpler to work with templates.
 *
 *
Sample Usage

 * Here is a sample from a template for a Java Card™ project:
 *

 * META-INF/javacard.xml=org-netbeans-modules-javacard/templates/javacard.xml
 * META-INF/MANIFEST.MF=org-netbeans-modules-javacard/templates/EAP_MANIFEST.MF
 * APPLET-INF/applet.xml=org-netbeans-modules-javacard/templates/applet.xml
 * scripts/{{classnamelowercase}}.scr=org-netbeans-modules-javacard/templates/test.scr
 * src/{{packagepath}}/{{classname}}.java*=Templates/javacard/ExtendedApplet.java
 * nbproject/deployment.xml=org-netbeans-modules-javacard/templates/deployment.xml
 * pp.display.name={{projectname}}
 * pp.platform.active={{activeplatform}}
 * pp.active.device={{activedevice}}
 * pp.runtime.descriptor=META-INF/MANIFEST.MF
 * pp.jcap.descriptor=META-INF/javacard.xml
 * pp.applet.descriptor=APPLET-INF/applet.xml
 *

 *
 *

 * Note:You probably do not want to use . characters in the keys in
 * the map you pass into createProject().  This is because most NetBeans
 * file templates use FreeMarker for templating, and FreeMarker interprets .
 * characters as indicating an expression to evaluate.
 *

 * If you are depending on file templates from specific modules that you do not
 * control, it is a good idea to declare a dependency on those modules (it
 * can be a runtime-only dependency).  This will make sure all the templates
 * you need are there.
 *
 * @author Tim Boudreau
 */
public final class ProjectCreator {

    private final FileObject dir;
    private final List<FileCreator> entries = new LinkedList<FileCreator>();

    /**
     * Create a new ProjectCreator
     * @param projectDir The directory in which the project should be created
     * (not the project root directory itself)
     */
    public ProjectCreator(FileObject projectDir) {
        this.dir = projectDir;
    }

    public void add(String destPath, String name, FileObject fileTemplate, boolean openOnLoad) {
        add(new TemplateBasedFileCreator(destPath, name, fileTemplate, openOnLoad));
    }

    /**
     * Add a FileCreator that can create a file in the new project.  You will
     * typically use this to generate the project.xml, and possibly
     * build files.
     * @param creator An object which can generate one file and knows the
     * relative path on which to do it.
     */
    public void add(FileCreator creator) {
        Parameters.notNull("creator", creator); //NOI18N
        entries.add(creator);
    }

    /**
     * Create the project
     * @param handle A ProgressHandle to show the user progress
     * @param name The name for the project
     * @param template The template for the project - the properties file as
     * described above
     * @param substitutions The keys and values that should be used for substitutions
     * both in the project template itself, and in the NetBeans file templates
     * used in your project
     * @return A GeneratedProject (an object which just provides the created
     * project directory and a Set of files which should be opened in the
     * editor)
     * @throws IOException is something goes wrong
     */
    public final GeneratedProject createProject(final ProgressHandle handle, final String name, final FileObject template, final Map<String, String> substitutions) throws IOException {
        final Map <String, String> params = Collections.unmodifiableMap(substitutions);
        Parameters.notNull("name", name);
        Parameters.notNull("template", template);

        handle.start(6);

        final EditableProperties[] projectProps = parseTemplate(template, params);
        handle.progress(1);
        handle.setDisplayName(NbBundle.getMessage(ProjectCreator.class,
                "LBL_CreatingProject")); //NOI18N

        handle.progress(1);

        final FileObject projectDir = FileUtil.createFolder(dir, name);
        final GeneratedProject[] result = new GeneratedProject[1];
        projectDir.getFileSystem().runAtomicAction(new FileSystem.AtomicAction() {
            @Override
            public void run() throws IOException {
                result[0] = doCreateProject(handle, projectProps, projectDir, name, template, params);
            }
        });
        handle.finish();
        return result[0];
    }

    private GeneratedProject doCreateProject(ProgressHandle handle, Map<String,String> projectProps[], FileObject projectDir, String name, FileObject template, Map<String, String> params) throws IOException {
        assert projectDir != null;
        handle.progress(2);
        if (!projectProps[0].isEmpty()) {
            entries.add (new ProjectPropertiesEntry(projectProps[0]));
        }
        if (!projectProps[1].isEmpty()) {
            entries.add (new ProjectPropertiesEntry(AntProjectHelper.PRIVATE_PROPERTIES_PATH,
                    projectProps[1]));
        }

        handle.progress(3);
        Set<DataObject> toOpen = new HashSet<DataObject>();
        handle.progress(4);
        for (FileCreator entry : entries) {
            handle.setDisplayName(entry.getName());
            DataObject ob = entry.create(projectDir, params);
            if (entry.isOpenOnLoad()) {
                toOpen.add(ob);
            }
        }
        synchronized (this) {
            notifyAll(); //unit tests
        }
        return new GeneratedProject(projectDir, toOpen);
    }

    /**
     * Get a list of files which will be created, using the passed target
     * directory as a parent.
     *
     * @param target The folder where the project may be created
     * @return A list files which will be created if createProject() is
     * invoked with this target folder
     */
    public final List<File> listCreatedFiles (File target) {
        List<File> files = new LinkedList<File>();
        for (FileCreator c : entries) {
            String targetFile = c.dest;
            if (targetFile != null && !targetFile.endsWith("/")) {
                targetFile += '/';
            }
            targetFile = targetFile + c.getName();
            File f = new File (target, targetFile);
            files.add(f);
        }
        Collections.sort(files, new PathLengthComparator());
        return files;
    }

    private static final class PathLengthComparator implements Comparator<File> {

        @Override
        public int compare(File o1, File o2) {
            int l1 = o1.getPath().length();
            int l2 = o2.getPath().length();
            if (l1 == l2) {
                return o1.getName().compareToIgnoreCase(o2.getName());
            } else {
                return l1 > l2 ? 1 : -1;
            }
        }
    }

    private EditableProperties[] parseTemplate(FileObject template, Map<String, String> params) throws IOException {
        EditableProperties templateProps = loadProperties(template);
        EditableProperties projectProperties = new EditableProperties (true);
        EditableProperties privateProperties = new EditableProperties (true);
        MapFormat fmt = new MapFormat(params);
        fmt.setLeftBrace("{{");
        fmt.setRightBrace("}}");
        for (String key : NbCollections.checkedSetByFilter(templateProps.keySet(), String.class, false)) {
            String value = templateProps.getProperty(key);
            //Perform substitutions
            try {
                value = fmt.format(value);
            } catch (IllegalArgumentException e) {
                //More useful logging
                throw new IllegalArgumentException ("Exception parsing template " + template.getPath() +
                        " on '" + key + '=' + value, e); //NOI18N
            }
            key = fmt.format(key);
            if (!key.startsWith("pp.")) {
                //regular file entry
                FileObject tplFile = FileUtil.getConfigFile(value);
                if (tplFile == null) {
                    throw new IOException("No template named " + value + //NOI18N
                            " in the system FS"); //NOI18N
                }
                boolean open = key.endsWith("*");
                if (open) {
                    key = key.substring(0, key.length() - 1);
                }
                add(key, null, tplFile, open); //NOI18N
            } else if (key.startsWith("pp")) {
                //special keys here
                key = key.substring(3);
                projectProperties.put(key, value);
            } else if (key.startsWith("pvp")) {
                key = key.substring(3);
                privateProperties.put(key, value);
            }
        }
        return new EditableProperties[] { projectProperties, privateProperties };
    }

    private EditableProperties loadProperties(FileObject template) throws IOException {
        EditableProperties result = new EditableProperties(true);
        InputStream in = new BufferedInputStream(template.getInputStream());
        try {
            result.load(in);
        } finally {
            in.close();
        }
        return result;
    }

    private static class ProjectPropertiesEntry extends TemplateBasedFileCreator {
        private final Map<String,String> props;
        ProjectPropertiesEntry (Map<String,String> props) {
            this (AntProjectHelper.PROJECT_PROPERTIES_PATH, props);
        }

        ProjectPropertiesEntry (String path, Map<String,String> props) {
            super (path, null, ProjectCreator.findPropertiesTemplate(), false);
            this.props = props;
        }

        @Override
        public DataObject create(FileObject project, Map<String, String> params) throws IOException {
            final DataObject result = super.create(project, params);
            try {
                ProjectManager.mutex().writeAccess(new Mutex.ExceptionAction<Void>() {
                    @Override
                    public Void run() throws IOException {
                        final EditableProperties ed = new EditableProperties(props);
                        final FileObject file = result.getPrimaryFile();
                        final FileLock lock = file.lock();
                        try {
                            final OutputStream out = new BufferedOutputStream(file.getOutputStream(lock));
                            try {
                                ed.store(out);
                            } finally {
                                out.close();
                            }
                        } finally {
                            lock.releaseLock();
                        }
                        return null;
                    }
                });
            } catch (MutexException me) {
                if (me.getException() instanceof  IOException) {
                    throw (IOException) me.getException();
                } else {
                    throw new IOException(me);
                }
            }
            return result;
        }
    }

    private static FileObject findPropertiesTemplate() {
        String path = "Templates/Other/properties.properties"; //NOI18N
        FileObject result = FileUtil.getConfigFile(path);
        if (result == null) {
            throw new IllegalStateException("Could not find properties template" + //NOI18N
                    " in SFS at " + path); //NOI18N
        }
        return result;
    }
}

redpajama_set_name: RedPajamaGithub


Under the Ontario emissions trading system, which will launch in 2017, regulated entities will be able to cover up to 8% of their compliance obligation by using offset credits. On 15 November 2016, the Ministry of Environment and Climate Change released a draft offset regulation for the upcoming system.
Only offsets from approved protocols are valid for compliance. The Climate Action Reserve has been contracted to develop 13 such offset protocols. Three are expected to be in place by early 2017 and the remainder between 2017 and 2018. Like Québec's offset protocols, the first three protocols will focus on ozone-depleting substance, mine-methane capture and landfill capture. The following ten protocols will develop credits for the agriculture and forestry sectors. Additional protocols can be approved by the Minister for Environment and Climate Change provided emissions reductions targeted are real, permanent, additional, quantified and enforceable. The protocols must also go through a process of peer/expert review.
According to the draft regulation, emissions reduction projects that began on or after 2007 will be eligible for offset credit generation. Offsets will be individually serialized and hold no buyer liability as Ontario has established a buffer account, which will hold offsets as insurance against any unintentional reversals for sequestration offsets. This is similar to the Québec cap-and-trade system.
The proposal is open for public comment for 45 days.


May possibly there were not anything? is the 1st book-length learn of metaphysical nihilism – the declare that there might have been no concrete items. It severely analyses the controversy round nihilism and similar questions on the metaphysics of attainable worlds, concrete gadgets and ontological dependence.
In his magnum opus, the ancient and significant Dictionary, Pierre Bayle provided a chain of very good criticisms of the foremost philosophical and theological structures of the seventeenth Century. even if formally skeptical about the try and supply a definitive account of the truths of metaphysics, there's cause to determine Bayle as a reluctant skeptic.
During this compelling paintings, Peter Lopston presents an obtainable exploration of the most important subject matters in metaphysics. He considers difficulties equivalent to essence, life, substance, objective, house, time, brain, causality, God, freedom and the chances of immortality. furthermore, he appears to be like on the significant historic metaphysical platforms and defends the metaphysical venture as an entire.
Those lectures, given in 2014 on the "Càtedra Walter Benjamin", research the philosophical kinfolk among of the best sleek German philosophers, Georg Wilhelm Friedrich Hegel and Walter Benjamin. it really is proven what shut connections specifically Benjamin's Epistemo-Critical Prologue has to a couple basic elements of Hegel's metaphysics and epistemology.
In contrast, any molecules that are parts of the leg of my chair are also parts of the chair. 30 Disanalogies with set-membership are also available for the Armstrongian compositionalist. On this view, possibilities are considered to be maximally consistent states of affairs. These states of affairs are composed of particulars and properties. A state of affairs composed of concrete entities, like particulars and instantiated properties, is concrete, whereas a set of particulars and properties is abstract.
Objects. Its existence is not dependent on its holding any objects: worlds are the sort of things that exist regardless of whether or not they contain any concrete objects at all. We will look at three views of worlds to see which, if any, are compatible with the subtraction argument. I call the view that worlds are composed of concrete objects the compositional view or compositionalism. There are two forms of compositionalism: Lewisian and Armstrongian. 3 The worldview required for the subtraction argument means that the worlds in question must not be mereologically composed of concrete objects.
Now, as Efird and Stoneham accept, if the null individual exists in a non-empty world, then it has not one, but very many spatial locations. This is because it is located wherever there is any other object as it is a part of every other object. However in the otherwise empty world, the null individual would not seem to be spatially located. Its spatial location seems to depend on that of a spatio-temporal object of which it forms part, and in the empty world, there are no such objects. Efird and Stoneham seem to have considered some of the ways that the existence of the null individual might conflict with Lewis' ontology, but not the ways in which it might violate ontological plausibility.