In September 2018, The Third Line held two simultaneous exhibitions that juxtaposed Nima Nabavi's works of pure precision with Monir Farmanfarmaian's new choreographies of shattered glass. Emblematic of two different generations of Iranian artists who have returned to the sources of spirituality and science, this groundbreaking dual show was as much about processes of time as creative contemplations of the metaphysical.
Monir Farmanfarmaian, The Breeze at Dawn Has Secrets to Tell You, 2018, Installation view. Image courtesy of the artist and The Third Line.
The twinkling surfaces of Monir Shahroudy Farmanfarmaian's most recent exploration into kinetic art were the first works to catch the eye upon entering The Third Line's season-opener last September. The mixed media installations featured geometric mirror mosaics framed by curtains made from panels of reverse-painted Plexiglas that swung gently as the viewer traversed along their path. As one of contemporary art's oldest – Farmanfarmaian is now 96 – and most prolific practitioners of geometric abstraction, her solo show The Breeze at Dawn has Secrets to Tell You continued her exploration into Sufi mysticism, Persian motifs and Islamic cosmology, in addition to a new dimension of exploring oscillation and movement.
Upstairs in the gallery, another artist just beginning his exhibition career was delving into similar concepts. 1,2,3, was Nima Nabavi's first ever solo exhibition and, just as fellow Iranian Farmanfarmaian is inspired by an interest in geometries and numeric symbolism, Nabavi's practice also takes root in his exhaustive studies of quantum mechanics, which brings to the table the subject of movement again.
His works consist of meticulous grids of ink on archival paper. His primary tool – the completely straight line – dissects the framed area again and again at mathematical gradients until the effect is transcendental. Inspired by his grandfather, who owned a sign-writing business in Iran and dedicated much of his life to creating master grids from which different patterns would emerge, Nabavi grew up with an almost innate appreciation of three dimensions, symmetry and colour. However, during his teenage years, he left Dubai (where he was born and raised) and moved to Los Angeles where, after graduating, he opened his own online streetwear and music business, Digital Gravel. It was a success, catching the rising surge of web-based commerce, and it wasn't until 2014 when he closed the business and moved back to Dubai that Nabavi picked up his interest in lines and grids.
Nima Nabavi, Series 3 (installation view). Image courtesy of the artist and The Third Line.
In an extension of the spark his grandfather had ignited, and also following his interest in quantum mechanics, Nabavi alighted on a language of his own: one based on a deeper search that had as much to do with science as it had with art. "I wanted to understand what scientists know about the smallest particles of the universe. And I discovered that the world is made of almost identical, basic building blocks, with each one moving at a fractionally different spin or orbit. This means that a solid object or the air around us is made of these same infinitesimally small particles that are always moving,"he continued.
To illustrate this inherent order of the universe, Nabavi employed his tightly choreographed, mathematical rubric and applied it methodically as repeating lines of ink on archival paper and with an astoundingly acute attention to detail. In the monochromatic series labelled as 1, the pieces are all 16 inches x 16 inches and each inch is broken into a grid of 16 by 16. Furthermore, each of the one-inch square tiles is different – with there being 16 variations of that. By moving each square along one place for each of the 16 pieces in the series, the overall effect is that of a diamond shape emerging from the middle of each drawing and then retreating again, like a breath. Fractal-like, Nabavi's works appear as if they are all emanating from the same yet inscrutable source like vibrations, especially with series 2 and 3, which are akin to polychromatic ripples. There is a specific movement and texture that forms within the endless repetition of lines.
An animation of all 16 images running concurrently also plays in the gallery, underlining this effect. Whilst mesmerising and incredibly soothing, the works are also astounding because of their underlying simplicity. Despite the fact that each piece takes over 50 hours to complete and just a single error means starting again from scratch, they are essentially straight lines drawn with a ruler and a pen. This adds an element of logic as well as accessibility to the work. It means that as long as the artist applies the lines at the correct angles, the result will be the same every time. It also opens up the possibility to the viewer that, if they gave themselves enough time, they could do it too. This lends Nabavi's art a kind of universal appeal.
Although Nabavi's integrity and personal history makes these artworks all the more alluring, their placement within the same gallery space as Farmanfarmaian was also important to consider. Farmanfarmaian began her work in the 1950s alongside contemporaries such as Frank Stella and was deeply inspired by the mosaics found inside countless mosques in Iran. The discipline of sacred or Islamic geometry is of course centuries old, with practitioners using it to create three dimensions in lieu of figurative drawing and Sufis claiming the entire universe is accessible through understanding the complexities of the grid. Modern science does not dispute this and artists have long explored the possibilities of the humble line. In the contemporary sphere, the rise of minimalism and the work of artists like with Sol LeWitt, Agnes Martin and Donald Judd are all part of the conversation.
Monir Shahroudy Farmanfarmaian | The Breeze at Dawn Has Secrets to Tell You. September 24 - November 3, 2018 . Gallery 1, The Third Line, Alserkal Avenue, Dubai.
Nima Nabavi | 1, 2, 3. September 24 - November 3, 2018. Gallery 2, The Third Line,Alserkal Avenue, Dubai.


text:
Wire-Shaped Supercapacitors with Organic Electrolytes Fabricated via Layer-by-Layer Assembly
Kayeon Keum, Geumbee Lee, Hanchan Lee, Junyeong Yun, Heun Park, Soo Yeong Hong, Changhoon Song, Jung Wook Kim, Jeong Sook Ha
A wire-shaped supercapacitor (WSS) has structural advantages of high flexibility and ease of incorporation into conventional textile substrates. In this work, we report a thin reproducible WSS fabricated via layer-by-layer (LbL) assembly of multiwalled carbon nanotubes (MWCNTs), combined with an organic electrolyte of propylene carbonate (PC)-acetonitrile (ACN)-lithium perchlorate (LiClO4)-poly(methyl methacrylate) (PMMA) that extends the voltage window to 1.6 V. The MWCNTs were uniformly deposited on a curved surface of a thin Au wire using an LbL assembly technique, resulting in linearly increased areal capacitance of the fabricated WSS. Vanadium oxide was coated on the LbL-assembled MWCNT electrode to induce pseudocapacitance, hence enhancing the overall capacitance of the fabricated WSS. Both the cyclic stability of the WSS and the viscosity of the electrolyte could be optimized by controlling the mixing ratio of PC to ACN. As a result, the fabricated WSS exhibits an areal capacitance of 5.23 mF cm-2 at 0.2 mA cm-2, an energy density of 1.86 μ W h cm-2, and a power density of 8.5 mW cm-2, in addition to a high cyclic stability with a 94% capacitance retention after 10 000 galvanostatic charge-discharge cycles. This work demonstrates a great potential of the fabricated scalable WSS in the application to high-performance textile electronics as an integrated energy storage device.
ACS Applied Materials and Interfaces
https://doi.org/10.1021/acsami.8b07113
Multiwalled carbon nanotubes (MWCN)
Supercapacitor
layer-by-layer assembly
MWCNT
organic electrolyte
wire-shaped supercapacitor
Keum, K., Lee, G., Lee, H., Yun, J., Park, H., Hong, S. Y., ... Ha, J. S. (2018). Wire-Shaped Supercapacitors with Organic Electrolytes Fabricated via Layer-by-Layer Assembly. ACS Applied Materials and Interfaces, 10(31), 26248-26257. https://doi.org/10.1021/acsami.8b07113
Wire-Shaped Supercapacitors with Organic Electrolytes Fabricated via Layer-by-Layer Assembly. / Keum, Kayeon; Lee, Geumbee; Lee, Hanchan; Yun, Junyeong; Park, Heun; Hong, Soo Yeong; Song, Changhoon; Kim, Jung Wook; Ha, Jeong Sook.
In: ACS Applied Materials and Interfaces, Vol. 10, No. 31, 08.08.2018, p. 26248-26257.
Keum, K, Lee, G, Lee, H, Yun, J, Park, H, Hong, SY, Song, C, Kim, JW & Ha, JS 2018, 'Wire-Shaped Supercapacitors with Organic Electrolytes Fabricated via Layer-by-Layer Assembly', ACS Applied Materials and Interfaces, vol. 10, no. 31, pp. 26248-26257. https://doi.org/10.1021/acsami.8b07113
Keum K, Lee G, Lee H, Yun J, Park H, Hong SY et al. Wire-Shaped Supercapacitors with Organic Electrolytes Fabricated via Layer-by-Layer Assembly. ACS Applied Materials and Interfaces. 2018 Aug 8;10(31):26248-26257. https://doi.org/10.1021/acsami.8b07113
Keum, Kayeon ; Lee, Geumbee ; Lee, Hanchan ; Yun, Junyeong ; Park, Heun ; Hong, Soo Yeong ; Song, Changhoon ; Kim, Jung Wook ; Ha, Jeong Sook. / Wire-Shaped Supercapacitors with Organic Electrolytes Fabricated via Layer-by-Layer Assembly. In: ACS Applied Materials and Interfaces. 2018 ; Vol. 10, No. 31. pp. 26248-26257.
@article{1b711ec253454d2181619fb9100030fb,
title = "Wire-Shaped Supercapacitors with Organic Electrolytes Fabricated via Layer-by-Layer Assembly",
abstract = "A wire-shaped supercapacitor (WSS) has structural advantages of high flexibility and ease of incorporation into conventional textile substrates. In this work, we report a thin reproducible WSS fabricated via layer-by-layer (LbL) assembly of multiwalled carbon nanotubes (MWCNTs), combined with an organic electrolyte of propylene carbonate (PC)-acetonitrile (ACN)-lithium perchlorate (LiClO4)-poly(methyl methacrylate) (PMMA) that extends the voltage window to 1.6 V. The MWCNTs were uniformly deposited on a curved surface of a thin Au wire using an LbL assembly technique, resulting in linearly increased areal capacitance of the fabricated WSS. Vanadium oxide was coated on the LbL-assembled MWCNT electrode to induce pseudocapacitance, hence enhancing the overall capacitance of the fabricated WSS. Both the cyclic stability of the WSS and the viscosity of the electrolyte could be optimized by controlling the mixing ratio of PC to ACN. As a result, the fabricated WSS exhibits an areal capacitance of 5.23 mF cm-2 at 0.2 mA cm-2, an energy density of 1.86 μ W h cm-2, and a power density of 8.5 mW cm-2, in addition to a high cyclic stability with a 94{\%} capacitance retention after 10 000 galvanostatic charge-discharge cycles. This work demonstrates a great potential of the fabricated scalable WSS in the application to high-performance textile electronics as an integrated energy storage device.",
keywords = "e-textile, layer-by-layer assembly, MWCNT, organic electrolyte, wire-shaped supercapacitor",
author = "Kayeon Keum and Geumbee Lee and Hanchan Lee and Junyeong Yun and Heun Park and Hong, {Soo Yeong} and Changhoon Song and Kim, {Jung Wook} and Ha, {Jeong Sook}",
doi = "10.1021/acsami.8b07113",
journal = "ACS applied materials & interfaces",
T1 - Wire-Shaped Supercapacitors with Organic Electrolytes Fabricated via Layer-by-Layer Assembly
AU - Keum, Kayeon
AU - Lee, Geumbee
AU - Lee, Hanchan
AU - Yun, Junyeong
AU - Park, Heun
AU - Hong, Soo Yeong
AU - Song, Changhoon
AU - Kim, Jung Wook
AU - Ha, Jeong Sook
N2 - A wire-shaped supercapacitor (WSS) has structural advantages of high flexibility and ease of incorporation into conventional textile substrates. In this work, we report a thin reproducible WSS fabricated via layer-by-layer (LbL) assembly of multiwalled carbon nanotubes (MWCNTs), combined with an organic electrolyte of propylene carbonate (PC)-acetonitrile (ACN)-lithium perchlorate (LiClO4)-poly(methyl methacrylate) (PMMA) that extends the voltage window to 1.6 V. The MWCNTs were uniformly deposited on a curved surface of a thin Au wire using an LbL assembly technique, resulting in linearly increased areal capacitance of the fabricated WSS. Vanadium oxide was coated on the LbL-assembled MWCNT electrode to induce pseudocapacitance, hence enhancing the overall capacitance of the fabricated WSS. Both the cyclic stability of the WSS and the viscosity of the electrolyte could be optimized by controlling the mixing ratio of PC to ACN. As a result, the fabricated WSS exhibits an areal capacitance of 5.23 mF cm-2 at 0.2 mA cm-2, an energy density of 1.86 μ W h cm-2, and a power density of 8.5 mW cm-2, in addition to a high cyclic stability with a 94% capacitance retention after 10 000 galvanostatic charge-discharge cycles. This work demonstrates a great potential of the fabricated scalable WSS in the application to high-performance textile electronics as an integrated energy storage device.
AB - A wire-shaped supercapacitor (WSS) has structural advantages of high flexibility and ease of incorporation into conventional textile substrates. In this work, we report a thin reproducible WSS fabricated via layer-by-layer (LbL) assembly of multiwalled carbon nanotubes (MWCNTs), combined with an organic electrolyte of propylene carbonate (PC)-acetonitrile (ACN)-lithium perchlorate (LiClO4)-poly(methyl methacrylate) (PMMA) that extends the voltage window to 1.6 V. The MWCNTs were uniformly deposited on a curved surface of a thin Au wire using an LbL assembly technique, resulting in linearly increased areal capacitance of the fabricated WSS. Vanadium oxide was coated on the LbL-assembled MWCNT electrode to induce pseudocapacitance, hence enhancing the overall capacitance of the fabricated WSS. Both the cyclic stability of the WSS and the viscosity of the electrolyte could be optimized by controlling the mixing ratio of PC to ACN. As a result, the fabricated WSS exhibits an areal capacitance of 5.23 mF cm-2 at 0.2 mA cm-2, an energy density of 1.86 μ W h cm-2, and a power density of 8.5 mW cm-2, in addition to a high cyclic stability with a 94% capacitance retention after 10 000 galvanostatic charge-discharge cycles. This work demonstrates a great potential of the fabricated scalable WSS in the application to high-performance textile electronics as an integrated energy storage device.
KW - e-textile
KW - layer-by-layer assembly
KW - MWCNT
KW - organic electrolyte
KW - wire-shaped supercapacitor
U2 - 10.1021/acsami.8b07113
DO - 10.1021/acsami.8b07113
JO - ACS applied materials & interfaces
JF - ACS applied materials & interfaces
10.1021/acsami.8b07113

redpajama_set_name: RedPajamaCommonCrawl


text:
Ralph Ellison American Literature Analysis
Ralph Ellison Short Fiction Analysis
Ralph Ellison Long Fiction Analysis
Ellison, Ralph (Vol. 1)
Ellison, Ralph (Vol. 11)
Ellison, Ralph (Vol. 114)
Ellison, Ralph 1914–
Download Ralph Ellison Study Guide
Ellison is an American novelist, essayist, short story writer, and editor. His best work, Invisible Man, is generally considered an outstanding contribution to American postwar fiction. Although this work deals specifically with the black American's fight to overcome the anonymity caused by social stereotypes, many critics see the novel as a more universal portrayal of the human struggle for identity. Ellison effectively uses a surrealistic and ambiguous narrative to recreate the absurdity and irrationality of black repression. Invisible Man won the National Book Award in 1953. (See also CLC, Vols. 1, 3, and Contemporary Authors, Vols. 9-12, rev. ed.)
David Littlejohn
Last Updated on May 6, 2015, by eNotes Editorial. Word Count: 981
Ralph (Waldo) Ellison stands at the opposite end of the writer's world from Richard Wright. Although he is as aware of the issues of the race war as anyone else, he is no more a consciously active participant than, say, Gwendolyn Brooks or William Faulkner. "I wasn't, and am not, primarily concerned with injustice, but with art." He achieves his extraordinary power through artistry and control, through objectivity, irony, distance: he works with symbol rather than with act. He is at least as much an artist as a Negro. He accepts both roles so naturally, in fact, that he has made them one. His one novel [Invisible Man], the supreme work of art created by an American Negro, is essentially a Negro's novel. It is written entirely out of a Negro's experience, and reveals its full dimension, I am convinced, only to the perfect Negro reader. But it is not a "Negro novel." Like Gwendolyn Brooks, like Faulkner, like most serious artists, he has transmuted himself and his experience almost entirely into his art. Only by turning to his essays and interviews can one discover the degree to which his own opinions, on racial issues or any other, are implicit in Invisible Man.
Invisible Man (1952) was not, Ellison insists, "an attack upon white society."… It is not, really, a race-war novel. But as no Negro's life in America, not even in the symbolic recreation, can be entirely free of racial combat, there are elements in the book that can be legitimately read in a race-war context. (pp. 110-11)
Several instances of direct propaganda occur, although each time in so organically convincing a situation that one does not think of attributing them to Ellison directly. They are simply taken as true, dramatically and substantially. (pp. 111-12)
[This] book is, among other things, a complete story of Negro life in America. By nature something of a pacifist, a quietist, Ellison is much more free than the embattled protestors like Wright to try to tell all of the Negro's story. It has been the theme of his entire creative life, in fact, that there is far, far more to the Negro's story in America than oppression, suffering, and hate: "The view from inside the skin," he insists, "is not so dark as it appears to be." (p. 113)
The focus of all [his] propaganda and history and ironic sociology is the nameless hero, the Invisible Man ("invisible," that is, to white men's eyes), the Negroes' Joseph K. It is his story, really, not the race's, not the war's, except insofar as he is of the race and in the war. (His non-naming, through five hundred pages, never becomes obvious or ominous—a testimony to the subtlety of Ellison's art. It is simply never needed.) The creation and loving sustenance of this narrator-hero, with all his follies and limitations, are among the triumphs of the book.
Reaching out from the central artifice of the narrator-hero are other displays of Ellison's art. His style, the "fine texture," is exact and acute, the language (usually) at fingertip control. Hear the crisp offhandedness of wicked ironies, the...
(The entire section contains 7276 words.)
Start your 48-hour free trial to unlock this Ralph Ellison study guide. You'll get access to all of the Ralph Ellison content, as well as access to more than 30,000 additional guides and more than 350,000 Homework Help questions answered by our experts.
Compare and contrast Ralph Ellison's view of the South with William Faulkner's from "A Rose for Emily".
What is the theme, setting, and plot in "A Party Down at the Square" by Ralph Ellison?
Do the crowd and the narrator have the same views of the events in "A Party Down at the Square" by Ralph Ellison?
What is the conflict, moment of crisis, and peripety in Ralph Ellison's "A Party Down at the Square"?
What is the meaning of this quote? How does it apply to society today? "Life is to be lived, not controlled; and humanity is won by continuing...


text:
Q: Mockito and ReloadableResourceBundleMessageSource doesn't go well together? I have this simple test, it isn't even a test as I'm simply trying to mock the messagesource.
I'm getting this error:
org.springframework.context.NoSuchMessageException: No message
found under code '' for locale 'null'.

Can anyone else verify this behavior?
This is a minimum spring boot skeleton test I set up because  ReloadableResourceBundleMessageSource didn't work in another project, so I thought I'll just try it in the smallest unit possible.
@RunWith(MockitoJUnitRunner.class)
public class DemoApplicationTests {

    @Test
    public void contextLoads() {

    ReloadableResourceBundleMessageSource messageSource =
    mock(ReloadableResourceBundleMessageSource.class);
    when(
       messageSource.getMessage(
           anyString(),
           any(Object[].class),
           any(Locale.class)
         )
       ).thenReturn("returnValue");

    System.out.println("test");

    }
}

This is the error I get:
org.springframework.context.NoSuchMessageException: No message
found under code '' for locale 'null'.

at org.springframework.context.support.AbstractMessageSource.getMessage(
AbstractMessageSource.java:159)
at com.example.DemoApplicationTests.contextLoads(
DemoApplicationTests.java:24)
at sun.reflect.NativeMethodAccessorImpl.invoke0(Native Method)
at ....
....
....
....
com.intellij.junit4.JUnit4IdeaTestRunner.startRunnerWithArgs(
JUnit4IdeaTestRunner.java:117)
at com.intellij.rt.execution.junit.JUnitStarter.
prepareStreamsAndStart(
JUnitStarter.java:234)
at com.intellij.rt.execution.junit.JUnitStarter.main(
JUnitStarter.java:74)

It seems to me that it's not able to mock it properly. I've also tried to mock the MessageSource interface to no avail.

A: As David Wallace said:
Mockito can't stub "final" methods, and as 'getMessage' is declared final you can't mock it.

A: I didn't want to use PowerMock, and I solved the problem creating a real ReloadableResourceBundleMessageSource bean and injected it into the class I wanted to test
// create the real bean
ReloadableResourceBundleMessageSource messageSource = new ReloadableResourceBundleMessageSource();
messageSource.setDefaultEncoding("UTF-8");
messageSource.setCacheSeconds(-1);
messageSource.setBasenames("classpath:conf-test/messages"); // this folder is just for testing and it contains a messages_en.properties file

// inject the bean into the class I wanted to test
ReflectionTestUtils.setField(service, "messageSource", messageSource);

A: I found a work-around the mockito limitations to mocking final methods in this case.
Instead of mocking, I set the class after constructing it like this:
ReloadableResourceBundleMessageSource bundleMessageSource = new ReloadableResourceBundleMessageSource();
bundleMessageSource.setUseCodeAsDefaultMessage(true);

According to the official documentation:

Return whether to use the message code as default message instead of
  throwing a NoSuchMessageException. Useful for development and
  debugging. Default is "false".

A: Final methods can't mock. So I write a solution like this.
    ResourceBundleMessageSource messageSource = new ResourceBundleMessageSource();
    messageSource.setUseCodeAsDefaultMessage(true);
    ReflectionTestUtils.setField(service, "messageSource", messageSource);

A: I have successfully mocked ResourceBundleMessageSource combining Mockito and PowerMockito (according to this thread).
Here's an extract of my Unit Test :
@RunWith(PowerMockRunner.class)
@PrepareForTest({..., ResourceBundleMessageSource.class})
public class ClassUnderTest {
   @Mock
   ResourceBundleMessageSource resourceBundleMessageSourceMock;

   @Test
   public void myTest() {
      // Given
      ...;

      // When
      PowerMockito.mockStatic(ResourceBundleMessageSource.class);

      Mockito.when(resourceBundleMessageSourceMock.getMessage(ArgumentMatchers.anyString(), ArgumentMatchers.any(Object[].class),
        ArgumentMatchers.any(Locale.class)).thenReturn("aString");

      // Then
      ...;
   }

}

redpajama_set_name: RedPajamaStackExchange


text:
Man City manager Pep Guardiola responds to Vincent Kompany ticket plea
Pep Guardiola was asked about Manchester City captain Vincent Kompany's argument for lowering ticket prices.
Simon Bajkowski
Pep Guardiola did not choose to support Vincent Kompany's plea to lower the cost of Premier League matches but did give his backing to Manchester City bosses.
The club captain has made headlines for an impassioned and articulate call for the league to lower ticket prices, arguing that it would improve clubs on and off the pitch.
"There's a business angle to it," he said.
"If you tie it to how somebody feels when they go to the stadium - 'I love this club, I want to support this club' - you make more noise.
"That is a proven factor in home advantage. You win more games at home - every point has a value attached. For every pound that you lower the ticket price, if you can recover it in that home advantage, you maybe won't have a loss."
Has Pep Guardiola changed his mind about a Man City quadruple?
Asked if he agreed with Kompany's views, the City coach remained neutral but did offer that the club have the best interests of their supporters at heart.
"I am not the CEO," he said.
"But I am sure because I know the CEO that this club are always thinking about the best for our fans. There is no doubt about that.
"I spoke with the CEO about many other issues, to know the players, to know the culture, and everything they do is for the benefit of the fans because we play for them."


text:
Inicio > Health & Fitness > Interesting Research on – What You Didn't Know
by holapostcomo - 2 octubre, 2019 0
What Do You Need To Know About Hairstyle
You need to understand that in most cases generating the most attractive aspect is usually during various events and therefore, an individual has to improve their specific areas that attract attention. One of those areas that have continued to gain popularity and attract attention include hairstyle and design for that particular reason. This is usually very important, especially when it comes to gracing various events that require a given style of outfit that corresponds to the objective of that particular gathering. You will find that quite several people have continued to discover different hair designs that can be applied in various situations depending on the consumer tastes and preferences. This means that in most cases, lifestyle has continued to change, and therefore, there is a need to address this particular economic demand in the fashion industry.
You will find that the majority of people have continued to develop new lifestyles and therefore they will develop different designs for their respective clothes as well as hairstyles that they will prefer to have during certain Seasons. You'll also find that there are quite a number of companies that have expressed interest in producing these particular hairstyles that correspond to a given design expressed by the consumer. This is also very important, especially when it comes to production because in most cases they are companies also producing this particular hair in different sizes and shapes for that particular objective. This means that these companies usually have carried out appropriate research, especially on understanding various market Dynamics as well as consumer's tastes and preferences with regards to these particular products.
When you take a look at the designing companies, they find that we have measured on producing items that will specifically correspond to what the consumer wanted to the feedback activity. This means that a material element used to make these particular products in most cases usually has been improved and provides sustainability as well as improved user experience during a given season. Among the very many services offered by these companies include the production of different designs, related products that are applicable in the process of this particular new hairstyle and advisory especially when it comes to selecting the first chemicals to be applied in the process of reinstating a new pair of hairstyles. Therefore it is important for you to appreciate the fact that these companies have continued to play a crucial role in enhancing the beauty of various people.
There are several other factors that you need to consider before subscribing to given new hair design, and one of those factors will influence your tastes and preferences concerning a given type of fashions. This means that you need to understand your body properly and select a suitable product that will correspond to your body shape and size for that particular objective. It is also very important for you to understand that these particular products in most cases if you require periodic maintenance and replacement for that particular objective.
holapostcomo
The Art of Mastering Experts
Questions About Services You Must Know the Answers To
What Do You Know About Sales
Why Investors Aren't As Bad As You Think
Learning The «Secrets» of Resources
Katy Perry – Dark Horse (Official) ft. Juicy J
13 octubre, 2015 13 octubre, 2015 0


text:
Q: QueryFailedError: operator does not exist: uuid == uuid I am learning the typeorm and getting this issue when I try to do the left join here the P is my Property table and e is inquiry table I am getting the below error
operator does not exist: uuid == uuid
QueryFailedError: operator does not exist: uuid == uuid
  async getPropertyWithEnquiryData(id: string) {
    return await this.propertyRepository
      .createQueryBuilder('p')
      .leftJoin('enquiry', 'e', 'e.propertyId == p.id')
      .getMany();
  }

can anybody look at what I am doing wrong?


I'm gonna be 100% honest: at this point, any character played by Mads Mikkelsen.
Oh, also Hiccup from How to train your dragon??? The first one.
I'm adding Starbuck from Battlestar Galactica, she's awesome.
That image alone + his voice my god he's magical.
What? Stop expecting me to post Meta Knight here! -_- I'm not THAT obsessed!
You know what, just... scratch that.


What Does Dunkin Donuts Employee Training Involve?
Dunkin Donuts offers employees on-site training and online training, including courses such as Preparation of Food & Beverages, Customer Service & Register Operations and Health, Safety & Emergency Preparedness. These courses and more are delivered via Dunkin Donuts Online University on the Training Done portal.
The Dunkin Donuts Online University is powered by a technology called Skillport, which allows employees to access training videos and materials worldwide as soon as they are published. This allows Dunkin Donuts to maintain the training standards across its global employee base. The Skillport training software is also used by the Navy's e-learning program.
The training delivered at Dunkin Donuts is tailored to specific employee roles and can tackle topics such as food handling, as well as managerial skills. The Dunkin Donuts Online University also makes it easier to ensure that the company is in compliance with state or federal regulations regarding health and safety training.
Each module varies in length from a few days to a few months. After each module is complete, employees are requested to fill out an assessment form to gauge how well they understood the material. Grades are then used to further improve the training modules, as well as to provide valuable information to Dunkin Donuts about its employees' strengths and weaknesses.
Find Dunkin Donuts Training. Visit Life123.com!
What Is Dunkin' Donuts Online Training?


text:
Review by david_bowie
Heard complaints after the show that it was too mellow, but I thoroughly enjoyed myself. After opening with "hits" Sample and Funky Bitch, set I was all soothing ballads save for Heavy Things, Ice and the frequent set closer Julius. They certainly did cool it down quite a bit. The VU cover and Roggae were first set highlights for me. I got my two favorite songs to open and close set II, so I was more than happy to wade in the velvet sea for a while. This show was like a cup of warm cider (with just a splash of whiskey) by the fire. Something to warm your bones after a day of playing in the snow. Ahhh.
Met up with some college buddies and hired a car to take us to Woostah. That was a good call. Thought we might need a snow cat, but the Lincoln made good time until we got close. I was surprised at how crowded it was given the weather and non sell out. One friend hadn't seen phish in 20 years. Damn. Time flies. It was very apropos to get Twenty Years Later as the sole "new" tune. Phish sounds better than they did 20 years ago, no question in my alleged mind. I love it when Mike or Page takes over. Trey is still the star of the show but he is listening and playing fewer, better notes. Big fan of v 3.0. Thank ye, Gods of rock.
We had fun trying to predict some of the set list before the show. Ice and 7 Below were obvious choices. I had an oddly specific premonition that nearly came true. I called the Loving Cup closer - a song whose ubiquity has been lamented here, but it is still one of my all time favorite covers - and predicted a change in lyrics from "I'm the plowman in the valley with a face full of mud" to "I'm the plowman in the *driveway* with a face full of *snow*". So close. If that had happened, we would have directed the car straight to Foxwoods.
Expect tonight to be a more rocking, more typical set I. But, you never know because this band still can surprise. Looking forward to the rest of this new years run.


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Home Premium Part 1: US 2020 Census
Part 1: US 2020 Census
Part 1 of our series focuses on the purpose of the Census in American life.
Kristin Stanberry
As I write this article, the US Census Bureau has just completed the 2020 Census, which is quite an accomplishment during the COVID-19 pandemic. In fact, the Bureau was gearing up to mail Census questionnaires to all known households in the country on 1 April when, in mid-March, many states and counties went into lockdown in response to the COVID-19 virus.
The Census questionnaires were mailed out as planned, but the ongoing pandemic conditions created significant challenges in Census operations. Even so, the Census Bureau managed to collect responses from almost 100% of American households. While headlines have focused on the challenges and controversies surrounding the 2020 Census, the purpose of the Census in American life deserves equal attention.
The US Decennial Census
The United States does not have a national population register as defined by Sanjay Dharwadker in his article, The importance of National Population Registers. But the US does have several ways of counting the population and issuing personal identity documents for various purposes. The Decennial Census is the primary method for capturing the total number of people living in the country.
The US federal government has counted its population by conducting a census every 10 years since 1790. The Census is a critical tool for determining:
How many seats in the US Congress will be allocated to each state and territory.
Each state's number of votes in the Electoral College, and thus its power to decide presidential elections.
How federal funding will be allocated among states and local communities for critical programmes and services. These include health clinics, disaster recovery initiatives, infrastructure (such as highways), public safety (police and firefighters), and school lunch programmes.
All of these factors will apply to the following decade, so an accurate count is essential to the appropriate distribution of funding and political power.
The Census is designed to determine the number of people living in the United States, as well as the distribution of the population among specific states and counties. Before we delve further into the details of the Census, let's take a look at some of the other ways Americans are counted and identified.
US personal identification documents
The United States identifies and tracks individual citizens primarily by issuing the following personal identification documents:
Social Security Number: The use of the Social Security Number (SSN) has expanded significantly since its inception in 1936. Created primarily to keep track of the earnings history of US workers for Social Security entitlement and benefit computation purposes, it has come to be used as a nearly universal identifier. Assigned at birth, the SSN enables other government agencies to identify individuals in their records and private industry to track an individual's financial information. Of course, many illegal and homeless residents are not issued Social Security Cards/Numbers. The Social Security Administration's SSN master file is generally known as the Numident. Depending when an individual's Social Security Card was issued, the document may contain certain security features. It does not include a photo of the holder.
Driver's licence/ID card: Driver's licences and identification cards are usually issued by state agencies. State-issued driving and ID credentials were never intended to serve as a primary form of federal identification but has become the de facto form of ID for most Americans. With the implementation of the REAL ID Act, driver's licences and ID cards are carefully vetted to prove the identity of the holder. Many Americans and state legislative bodies were reluctant to adopt the REAL ID Act out of fear that it would be used to create a "national identity database." These credentials contain both security features and a photo of the holder. The federal government issues other personal credentials such as US Military ID cards, and State Department driver's licences and ID cards.
Passport: The US issues passport booklets and cards to its citizens who wish to travel outside out of, and back into, the country. The identity of every applicant is carefully verified by the US Department of State. Each passport contains a photo of the holder and security features so that it can be authenticated as a genuine document.
Part 2 of our series expands on exactly who is counted in the US Census.
Kristin Stanberry is an editor for Keesing Technologies. Her areas of expertise are secure ID documents, education, insurance and health. She gathers her knowledge from multiple sources all over the world, including personal contacts with leading experts and agencies. Kristin lives in California and has over 20 years of experience publishing award-winning print and online content.
The Keesing Platform team brings you the latest in various fields, including security documents, security printing, banknotes, identity management, biometrics, blockchain, crypto technology and online onboarding.
https://platform.keesingtechnologies.com/author/keesingplatform/
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Supermarket Waitrose is launching a direct and digital campaign to help customers plan their own South African barbecue ("braai") this summer.
The campaign was created by integrated agency Kitcatt Nohr Alexander Shaw and rolls out this month. Waitrose briefed Kitcatt Nohr to create a campaign to engage their customers and give them more reasons to shop at Waitrose this summer. It targets existing Waitrose and Waitrose Deliver shoppers, as well as MyWaitrose members.
The campaign integrates with the above-the-line work created by MCBD, which features Heston Blumenthal cooking his Boerewors burger on a traditional braai in South Africa. Kitcatt Nohr's campaign comprises a DM piece, a microsite, an online Braai Organiser tool and email communications.
The DM piece carries the line "Enjoy the summer the South African way" on its outer. Inside, Heston tells recipients about the South African tradition of a "bring and braai": a casual barbecue where attendees each bring a dish or something to cook on the braai. Recipients of the DM piece and email are invited to go online to the Braai Organiser.
he tool also highlights some of the current offers available at Waitrose. The campaign encourages recipients to go in store or online with several tempting offers, including save 1/3 on Heston's burger recipe, 3 for £10 on selected barbecue products and 25% off all wine and Champagne when you any 6 bottles or more. Selected recipients will also receive money off vouchers to use on their shopping this summer.


For sale here is a great piece of Italian luthery. Its a beautiful vintage Eko Ranger Vl acoustic guitar, made in Recanati c.1970. This has to be one of the best pre-owned examples out there today. Its really hard to find any guitar of this age in A1 condition, so we are understandably proud to offer this one for sale.
These Ranger Vl acoustics were the workhorses of the day, even Jimmy Page from Led Zepplin used them to record with. This girl has an arrow straight neck & very low action, with no visible play-wear anywhere. They are now manufacturing re-issues of these instruments, made in China, however, this is the original Italian Stallion, so simply, don't let her slip away.
Check out the attached video of Bernhoft playing the track 'Cmon Talk' using the same Eko model.
Gibson, Fender, PRS, Gretsch, Rickenbacker, Yamaha, Ibanez, Marshall etc.
*An Ongoing Selection of Top Quality Used Guitars and Amplification, as well as a complementary range of accessories.
Payment can be done via PayPal, bank transfer, cheque or cash on collection! Very important: If paying by PayPal, please note that we will only ship to confirmed Paypal addresses! Please double check your address is confirmed with Paypal! Feel free to drop us an email for our bank details for SWIFT/BACS transfers and for any international shipping costs. If paying by cheque, or collecting in person, please contact us on 07932 074096 to arrange. Shipping Our shipping policy is simple: We ship Guitars, Amps and Accessories to the UK, Europe & ROW. We've been shipping items to the UK and abroad for many years without any issues, as we always use the best and most reliable shipping companies. All guitars and amps will be shipped insured and tracked. So you can check your shipping status anytime. We always package them to the highest possible standard. Note: All amps are preferably UK shipping or collection only. We rarely ship amps internationally, due to potential breakage, unless this is agreed separately. If you are outside Europe and are interested in any of our guitars or amps please contact us for a special shipping quote. Returns We operate a 48hr approval period for on-line mail order purchases only. Customers who buy goods in the RGG showroom can fully evaluate them prior to making the payment and as such do not have this return and refund option available to them. If you want to return an item please make contact for a returns authorisation. You have 2 days to try the instrument with a full refund minus our shipping costs (including our cost of free shipping if applicable). It is the purchaser's responsibility to return any unwanted product promptly to the company in the condition they were received, using the original packaging and with a copy of the sales receipt. (We recommend you insure the item in transit). The item must be shipped back via a service comparable with which it was delivered, immediately upon return authorization. Goods that have been altered from their original condition in any way cannot be returned. Any items returned after the 48hr agreed approval period, and not exceeding more than two weeks, are subject to a 10% re-stocking fee. PayPal, Credit/Debit card refunds will be processed immediately and normally take 3-5 working days to show on the customer's account. Bank transfer and cash refunds will normally be refunded by cheque.


Web map services allow your applications to connect to and use on-line GIS datasets. The State Library offers the services listed below. Anyone may view the services in their web browser by clicking on the service names below and then choosing the ArcGIS.com map viewer link near the top of the service's home page.
Note: The presence of a map service, the data schema, and the data itself are subject to change as resources allow and the data or the service improves and is updated. To stay informed about changes to these web map services, join the MAGIP listserv (free), monitor the Clearinghouse home page news feed, and connect with us via Facebook. Direct questions about a specific web map service to the respective MSDI theme steward/lead.
ArcGIS Desktop Users may use this URL -- https://gisservicemt.gov/arcgis/rest/services/ -- in the "Add ArcGIS server" dialog box to access the main list of services. You may also use the View In Arcmap link on the service home pages listed below to add the services to your map documents. See the ArcGIS Help for assistance with connecting to services from ArcMap.
Web Mercator projection: Many of these services use the Web Mercator coordinate system, which facilitates their incorporation into web map applications. Users of ArcMap must make sure that the coordinate systems of their data frames are never set to Web Mercator if they want to perform any kind of measurements. Most web applications understand that the map scale varies as you move north and south in this coordinate system, but ArcMap mostly does not. Measurements made in Montana will be from 40 percent to 100 percent too large if they are made using the Web Mercator projection.
Boundaries: This contains the layers of the Montana Administrative Boundaries Framework, which includes the State boundary, counties, school districts, incorporated cities and towns, Indian reservations, weed management districts, and tax increment financing districts. A Web Mercator version of the service is available.
Cadastral: This shows the Montana Cadastral Framework, with the boundaries of Montana's tax parcels. A Web Mercator version of the service is available.
Public Land Survey: This shows the Montana Public Land Survey System of townships, ranges, sections, and section subdivisions. A Web Mercator version of the service is available.
Public Lands: This shows Public Lands that are recorded in the Montana Department of Revenue's tax appraisal database. A Web Mercator version of the service is available.
Conservation Easements: This show private lands parcels on which a public agency or qualified Land Trust has placed a Conservation Easement in cooperation with the land owner. A Web Mercator version of the service is available.
Geographic Names: This contains the Montana Geographic Names Framework. This service is in Web Mercator coordinates - ArcGIS desktop users should set their data frame coordinate system to Montana State Plane coordinates before using this service.
Hydrography: This shows the lakes, streams, and other water features of the Montana Hydrography Dataset. A Web Mercator version of the service is available.
Land Cover: This shows the Montana Land Use/Land Cover Framework.
Orthoimagery (Air Photo) Services showing the National Agricultural Imagery Program (NAIP) photos for 2017, 2015, 2013, 2011, 2009, and 2005 are available. The 2009-2015 services may be displayed as color infrared images by choosing to show bands 4, 1, and 2 as the red, green and blue bands. The 2005 service is only natural-color, but a separate service is available for infrared images taken in 2005 and 2006.
Structures: This shows the Montana Structures and Addresses Framework. A Web Mercator version of the service is available.
Transportation: This shows roads, railroads, and airports from the Montana Transportation Framework. A Web Mercator version of the service is available.
Watershed Boundaries: This shows the Hydrologic Units Framework. The service is in Web Mercator coordinates - ArcGIS desktop users should set their data frame coordinate system to Montana State Plane coordinates before using this service.
Wetlands/Riparian: This shows the Montana Wetlands and Riparian Areas Framework.
Address Geocoder: This service allows you to convert street addresses into geographic coordinates (i.e. Latitude/Longitude).
Managed Areas: This shows public and private Managed Areas and information on special land designations. The service is in Web Mercator coordinates - ArcGIS desktop users should set their data frame coordinate system to Montana State Plane coordinates before using this service.
Montana Mask: This service may be used for covering map data that is not in selected states or provinces of North America or counties near Montana. The service is in Web Mercator coordinates - ArcGIS desktop users should set their data frame coordinate system to Montana State Plane coordinates before using this service.
Montana Base Map: This service may be used as a general base map and has a map data overlay group for imagery services. The emphasis is on public and private land ownership data. It also shows the Public Land Survey System, lakes and streams, roads, and landforms. The service is in Web Mercator coordinates - ArcGIS desktop users should set their data frame coordinate system to Montana State Plane coordinates before using this service.
Digital Orthophoto Quarter Quadrangle Data (DOQQ): This is a mosaic of black and white orthorectified aerial photos of Montana and Yellowstone National Park taken predominantly in the 1990s. The mosaic footprint layer has an attribute field called Image_Year that gives the year the image was taken and a field called Image_Main_Date that gives the first date from the USGS metadata for the image. The image mosaic is in the Web Mercator Auxilliary Sphere coordinate system.
Historic Topographic Maps: These 1:24,000 and 1:100,000 scale topographic maps were the newest scanned maps available from the U.S. Geological Survey TopoView web site as of November 2015. The data include the maps covering Montana and parts of Idaho and northern Wyoming. The data provides a historical reference and because they contain hand-placed elevation and place names the information may not be available on newer maps. Users should be aware that significant changes may have occurred in the landscape since the maps were made as many of the maps are over 30 years old. The service is in the Web Mercator Auxilliary Sphere coordinate system.
Flathead Basin 2009 Orthophotos and Elevation: This shows high-resolution air photos, infrared air photos, and elevation data collected for the northern Flathead valley and the shorelines of Flathead Lake in 2009. A web map of this service is available for easier access to the data for users not using GIS software.
Yellowstone River Hydrology: This service shows data collected for the Yellowstone River Cumulative Effects Analysis, including the channel migration zone, historic locations of the river channel, man-made features that impact the flow of the river, and river miles. It also shows the river reaches designated for the analysis and aerial photos of the river made between 1948 and 1955.A web map of this service is available for easier access to the data for users not using GIS software.


2 What Are the Benefits of Eating Less Meat Besides Saving Money?
Plenty of myths surround vegetarian eating, including that it's inherently healthy and that it neglects to provide sufficient protein. In truth, following a vegetarian diet that is balanced and nutritious has its advantages, but but there are also benefits to including high-quality sources of meat in your regular diet.
Red meat and processed meats are associated with increased mortality, according to the National Institutes of Health. Eating meat may also be associated with having a higher risk of heart disease, diabetes, kidney disorders, cancer and weight gain. Poultry and seafood do not necessarily have the same health risks, however.
In a study published in 2010 in the "American Journal of Clinical Nutrition," researchers discovered that subjects who ate the most meat tended to gain the most weight over a five-year trial period. That held true for both sexes, in both normal-weight and overweight individuals, and in smokers and nonsmokers. On average, meat consumption was linked with weight gain over the five-year period that ranged from 3 to 5 pounds. In another study, published in 2011 in the "New England Journal of Medicine," scientists discovered an inverse relationship between weight gain and a number of vegetarian foods, including vegetables, fruits, whole grains, nuts and yogurt.
Although there are myriad plant-based protein options, including nuts, seeds, soy, eggs, dairy products and some whole grains, animal proteins have certain advantages. According to a research review published in 2006 in the "British Journal of Sports Medicine," eating meat lowers the risk of acquiring iron-deficiency anemia, particularly for women. Additionally, all animal-based proteins contain every essential amino acid for humans, whereas most plant-based proteins do not, except for quinoa and soy, which are both complete proteins.
Meat eaters are not immune to nutrient deficiencies, but because meat is a valuable source of many essential nutrients, vegetarians are particularly susceptible to certain deficiencies. Vegetarians or vegans may have trouble getting enough protein, iron, zinc, calcium, vitamin B-12 or essential fatty acids. Symptoms of deficiencies in those nutrients can range from mild fatigue to serious effects like severe depression, chronic sleep issues and slow recovery from illness or injury.
Just because many vegetarians have lower disease risks does not mean that a vegetarian eating plan is automatically healthier than a diet that includes meat. Cake, pie, doughnuts, fried cheese curds and plenty of processed foods are meat-free and still allowed on a vegetarian diet. The key to forming any healthy eating plan, vegetarian or not, is including a variety of nutritious items from every major food group that will satisfy all of your nutritional needs.
National Institutes of Health: Risk in Red Meat?
Schuna, Carly. "The Disadvantages of Vegetarian & Non Vegetarian Food." Healthy Eating | SF Gate, http://healthyeating.sfgate.com/disadvantages-vegetarian-non-vegetarian-food-11663.html. 19 November 2018.
What Are Some Protein Subsitutes for Meat?


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UoM to the BBC
Posted on April 20, 2018 April 23, 2018 by codyfbmh
From being a student in Manchester, to travelling around the world making documentaries with the likes of the BBC, Zoology graduate, Peter Fison has seen it all. Here, he talks us through how he got his big break in natural history television, the less glamorous side of film-making and how Manchester's football teams helped him to build strong relationships around the world!
I'm writing this from Heathrow terminal 5, I'm on my way to a US naval base on the small island of San Clemente, off the coast of California. I'll be filming a rare island fox when I get there. You might spot the scene in a BBC wildlife series later this year!
I work as a producer and director of TV documentaries; mostly focusing on natural history but also science, to get here I've worked on cooking, engineering, commercials and even children's TV but before that I was at the University of Manchester. I studied zoology, I always knew I wanted to make TV, but I always loved animals and wanted to get a degree. It was a good fit.
It has turned out to be a really useful decision – a science degree is a very useful tool for making factual documentaries. Nearly every documentary I have made starts with information from field scientists. We find out what they have discovered and how they do it, and then work out a way to represent their research or the behaviours they have uncovered in a documentary. The zoology dictionary my degree gave me is invaluable to communicate with these scientists.
TV translates complicated science into factual stories for a layperson, having a grasp of scientific language gives me a chance to decipher complicated science into simple beats. I still find I'm usually out of my depth pretty fast, but at least I have a foundation to work it all out with, I certainly feel an advantage over my colleagues without a science background in these situations. Additionally scientists do respond better I find once they know I have a legitimate degree.
It also turns out that living in Manchester has provided me with an international commonality everywhere I go. An exchange I regularly expect to encounter in some form or other when filming abroad:
'Mr Peter… where did you study?'
'Manchester University'
'Man-United or Man City…?'
The reach of the cities two-football teams to every community on earth is incredible. It's been a useful tool on so many occasions to make friends with locals in remote lands, and talk about something they care about. Filming abroad relies on strong relationships and we lean heavily on the locals we work alongside. Without their information, more often that not we wouldn't be able to find the species we're filming let alone film them. The Manchester football teams have more than once broken the ice for me. And I must admit to being a bit of a fraud – I support neither team.
Manchester's researchers really help. I'd guess a couple of times a year I find myself ringing a Manchester researcher, for filming, or for advice. I have always had helpful and fruitful responses… Being alumni opens these doors. I sometime wonder if my Manchester Professors wish they'd never taught me the amount I bug them for assistance.
So since leaving the University of Manchester what have I been up to. Well apart from 9 Manchester University alumni weddings and 4 alumni stag dos, I've been making films. In caves, at night, from boats, from the air, abroad, in studios… every film is totally different. There are good days: Filming a lion hunt in Kenya at sunset. Finding an orangutan male calling from a riverside clearing in Borneo at dawn.
And there are the many, many tough ones: I was filming a bear den on a freezing mountain, only to find out on the second day that the bear had already left. The worst conditions I ever filmed were in a bat cave 1ft deep in urine soaked bat faeces. Caught in a storm on a small boat in New Zealand trying to film through seasickness and vomiting crew members was a pretty low point. Or all the occasions that it has been impossible to capture the story I've wanted to tell – making documentaries can be extremely frustrating.
It can be horrible, long hours in uncomfortable conditions. It's rarely glamorous, but when it goes right it is incredibly rewarding. I have had opportunities to go to places and meet people I could never had met otherwise, I am very aware of the privileges this career has allowed me and I do love it.
My final anecdote is about how I got my first big break in natural history television. There was a new series being made for Channel 4. It was called 'Inside Nature's Giants'. Basically a series about big animal anatomy, based around the dissection a big animal: Whale, Giraffe, Crocodile, Hippo, the list goes on. I managed to get an interview for a runner job (the entry level role in TV), I think by luck. I'd spammed every company that had made a documentary I liked with CVs and calls for months. This one company called me in, they told me the premise, I told them I was the man for the job – they looked unconvinced. The turning point of the interview was when one of my interviewers asked about my time at Manchester… It transpired she was an ex-University of Manchester alumni too. The rest of the interview we spoke about snakebites, Owen's Park, student union nights, the famous Gaffs corner shop… I got the job – 18 months later I was directing episodes of that same series.
SOME OF MY FILMS BELOW WITH CLICKABLE LINKS
Puerto Rico: Island of Enchantment (BBC)
Nature's Wildest Weapons (BBC)
The Bat Man of Mexico (BBC)
Hedgehog Hotel (ITV)
Earth Live (NatGeo)
Your Inner Fish (PBS)
Easter Eggs Live (C4)
Inside Nature's Giants (C4): 1, 2, 3, 4…
Sex in the Wild (PBS):
Wild Britain with Ray Mears (ITV)
The F-Word (C4):
The Wild Places of Essex (BBC)
Posted in Careers, UndergraduateTagged animals, biosciences, travel, zoology
The University of Manchester meets the University of Sydney
How my MSc in Genomic Medicine has enabled me to travel the world!