text:
Adam Pagnucco, George Leventhal, Marc Elrich
Krasnow to Pass Leventhal in Cash Balance
March 22, 2018 David Lublin
By Adam Pagnucco.
Tracking fundraising for publicly financed candidates is challenging because it is a moving target. Unlike traditional candidates, who file according to the state's regular reporting schedule, publicly financed candidates report whenever they ask for public contributions in addition to scheduled filings. So at any one time, the latest tabulations are snapshots taken at different dates. With all of that said, the latest reports for County Executive candidates show two things. First, Council Members Marc Elrich and George Leventhal, both of whom have been involved in local politics for decades, have done very well in public financing. But second, former Rockville Mayor and planning staffer Rose Krasnow, who started much later than either of them, is about to pass Leventhal in cash balance.
In explaining the above statement, let's review how to read campaign finance reports. Candidates in the traditional system report the equivalent of a cash flow statement. They list a starting cash balance, money coming in, money going out and an ending cash balance. That's it. Publicly financed candidates list those things too, but they also report the amount of new public contributions they are requesting. Those contributions have not been received and are thus not part of the ending cash balance. They might show up on the next statement, provided that the state approves the requested contribution and does not change the amount. (In fact, the state can and does change requested public contributions after reviewing them and even sometimes disqualifies them.)
On March 6, Krasnow reported a cash balance of $41,668 and had two outstanding requests for public contributions totaling $245,794. If those requests are met, her cash balance will be $287,462 (minus any future spending). On March 20, Leventhal reported a cash balance of $198,585 and had two outstanding requests for public contributions totaling $53,500. If those requests are met, his cash balance will be $252,085 (minus any future spending). In other words, Krasnow is on pace to have roughly $35,000 more in the bank than Leventhal.
We show the latest financial standings for all seven Executive candidates below. Note the differences in last date filed.
There are two reasons why Krasnow is about to pass Leventhal in cash balance. First, she qualified for public funds in 109 days, much faster than either Leventhal (278 days) or Elrich (209 days). Second, she has not started to spend serious money yet. Her burn rate (total spent divided by total raised) is just 9%. Leventhal's burn rate is 48%, meaning that he has spent almost half the money he has raised. Leventhal has raised more money than Krasnow and has a much more geographically diverse base of support. But his decision to spend big early has allowed Krasnow to vault past him in just five months.
Meanwhile, Marc Elrich keeps chugging along. He is dominating in small contributions from the critical Democratic Crescent area and is cleaning up on progressive endorsements. He has a base of supporters among progressives, people who oppose development and Downcounty residents who will never abandon him. So Elrich must be delighted that he is running against five capable candidates who have so far not been able to knock each other out of the race. As long as all five remain viable, Elrich won't have to add a lot to his existing base to win.
Disclosure: The author is a publicly-listed supporter of Roger Berliner for Executive.
Adam PagnuccoGeorge LeventhalMarc ElrichRose Krasnow
Previous PostRosapepe a Barrier to Metro Reform?Next PostMcIntosh All In for Conway


text:
Top 11 Immigration Mistakes Employers Made in 2011
By Shanon Stevenson January 24, 2012 July 22, 2015
By Shannon Stevenson
Give your company the gift of an immigration audit this year – it may just keep your company off the government's naughty list.
Here are the top 11 immigration mistakes employers made in 2011:
The $5.9 million error: Failing to properly pay H-1B workers. In March, the U.S. Department of Labor Wage and Hour Division assessed over $1.7 million in civil money penalties and ordered the payment of over $4.2 million in back wages against Maryland's Prince George's County Public Schools for illegally reducing the wages of 1,044 foreign H-1B teachers when it required the teachers to pay H-1B filing fees.
I-9 document abuse. Farmland Foods Inc. agreed to pay $290,000 to settle claims that it required non-U.S. citizens to present specific work authorization documents, such as permanent resident cards or employment authorization cards, rather than allowing the employee to choose a document from the list of acceptable documents on the Form I-9. On December 7, 2011, the Department of Justice filed a lawsuit against the University of California, San Diego Medical Center for allegedly engaging in a pattern and practice of I-9 document abuse by improperly requesting that employees produce more documents than are required by Form I-9 to establish an employee's identity and employment authorization.
Failing to properly notify USCIS (U.S. Citizenship and Immigration Service) of an H-1B worker's termination. The DOL ordered Ganze & Company to pay $156,000 in back pay to an H-1B worker terminated before the H-1B employment period started because the company failed to promptly withdraw the H-1B with USCIS and pay for the reasonable cost of the H-1B worker's return transportation to his home country.
Visa fraud. In April 2011, the owners of Worldwide Software Services were sentenced to more than three years in prison after pleading guilty to a $41 million scheme using a software company as a front to bring foreign workers into the U.S. illegally.
Citizenship status discrimination. The Department of Justice recently settled a case against the American Academy of Pediatrics for its alleged practice of posting employment opportunities on its website for doctors, nurses and other professionals specifying that only U.S. citizens and certain visa holders could apply.
Employing unauthorized workers. A Michigan dairy farm and its owners pleaded guilty to charges of employing illegal immigrants and agreed to pay over $2.7 million in fines. The dairy farm failed to fully and accurately complete I-9 forms for the workers, concealed unauthorized workers from ICE, and encouraged or induced the unauthorized workers to reside in the U.S.
Failure to abide by state immigration laws. Employers are often unaware of the myriad of state immigration requirements. See here for more.
Failing to abide by the deemed export rule. The Export Administration Regulations (EAR) and the International Traffic in Arms Regulations (ITAR) impose licensing requirements on the export, reexport, and in-country transfer of a wide variety of items that are controlled for national security, foreign policy, and other reasons. The requirements include an obligation for U.S. persons, including corporate employers, to seek and receive a U.S. Government license before releasing in the U.S. to foreign persons, including foreign person employees from certain countries, various types of technology controlled by these regulations. This obligation is referred to by the Commerce Department as the "deemed export" rule because releases of controlled technology to foreign persons in the U.S. are "deemed" to be an export to the person's country or countries of nationality.
Failure to properly complete Form I-9. Alyn Industries was ordered to pay $43,000 for 62 I-9 violations, including failing to present I-9s for 2 employees, failing to ensure that Section 1 of the Form I-9 was completed for 1 employee, and failing to complete Section 2 of the I-9 Form for 59 employees.
Taking adverse actions against employees based on tentative E-verify non-confirmations. If the E-Verify system issues a tentative non-confirmation (TNC) in response to a query, the employer must provide the employee with a notice generated by E-Verify and information on how to contest the TNC. If the employee elects to challenge the TNC, the employer is required to provide the employee with a referral letter containing instructions and contact information for the agency that triggered the TNC. Employers cannot terminate or take any other adverse action against an employee who contests a TNC while the TNC is in process. The employee is allowed eight federal government work days to contact the appropriate federal agency.
Taking adverse actions against employees based solely on SSA No-Match Letters. There is no clear guidance from the government on how an employer should respond to No-Match Letters received in 2011. Employers should take the following steps upon receipt of a SSN No-Match letter:
Check your records to make sure your Human Resources department accurately recorded the employee's information. If an error was made, provide the SSA with any corrections;
If your records are correct, promptly notify the employee that you received a SSN No-Match letter and ask the employee to go to SSA to address any discrepancy;
Do not take any adverse action against the employee based solely on the SSA No-Match letter;
Apply any procedure developed to respond to the SSA No-Match letters in a non-discriminatory way; and
Give the employee a reasonable amount of time to correct any discrepancy. If the employee indicates that he visited SSA and the situation is resolved, please note the actions you and the employee took to resolve the discrepancy in the event of an audit.
In order to avoid the above-listed errors, your company's resolutions for 2012 should include ensuring immigration compliance programs are in place, up-to-date, and followed.
This was originally published on Fisher & Phillips Cross Border Employer Law blog.
Shanon Stevenson
Shanon Stevenson is a partner in the Atlanta office of the law firm Fisher & Phillips, and a member of the firm's Global Immigration Practice Group. Shanon's practice focuses on corporate immigration law, and she has comprehensive knowledge and extensive experience in a broad range of immigration areas including current immigration legislation, handling nonimmigrant and immigrant visa applications, outbound visas, and I-9 compliance. Contact her at sstevenson@laborlawyers.com.
E-VerifyH1B VisasHR CommunicationsHR ManagementHR NewsHR TrendsI-9ImmigrationLegal - Compliance & PoliciesOrganizational LeadershipHR Basics

redpajama_set_name: RedPajamaCommonCrawl


I should probably note I'm actually a much better writer than whatever it is I'm going to write in the next twenty minutes.
As is the case, Thanksgiving Week, much like these Winter months, just makes the sad slumps worse. There's a multitude of reasons, marketing for families, while mine is very limited, The daylight savings time messes with my equilibrium, the arguments you get just because somehow arguments are needed, and then for me, and I've had this feeling for the longest time, a feeling of hopelessness.
I think the next year will be better, maybe this will be the year, I do something exciting, maybe this is the year I'm in a project I'm happy about, maybe this year, I'll write that book, or finish that screenplay, and even if I do, why bother? I just crash and burn. The other things, the things to look forward to, the dream gigs, the stuff I'd like to do, I feel like I'm out of time, out of my league, or over my head.
And no matter how many times I say "but are you satisfied?" or "but you aren't putting yourself in that box, you could still do anything", it just hits me, just a bit worse.
I exercise, but I know I'm not "ripped", I'm not one of these Instagram models, or REALLY good cosplayers (like holy cow, they are good!) And I originally exercised to stop cramping, and feeling depressed, but I don't know if it's working now. (And no, I don't fall in line with the pumpkin spice, turkey, peppermint trend that hits this year), and I'm trying NOT to compare myself to others (I'm the first Jordan, not a second anybody else) but what happens is, then there is that chance, that people like me. They actually think I'm attractive. And I don't know how to take the compliment.
I'm not trying to be flirty, it's really bad. I think after all these years of trying to figure out who I am, and so much sself-deprecation in my comedy and writing, it caused me to lose my ability to love myself. So when I see something like "you are cute" or "hey handsome", I know it's a sign you want to flirt with me, or just give me a compliment, but in my head I'm going "they are kidding, it's a joke, nobody likes you"
And I think in doing so, I have pushed away so many people. I give off the appearance that I am either too good for you, or I have this wall to protect myself, because anything could harm me.
But I know it's multiple reasons, transportation, it's too far away, it's financial, I can't afford it (seriously, how can you afford a Disneyland Annual Pass?!?), and it's just distance.
And so, you feel isolated, you feel lost, and you try and find ways to cope with this sadness.
For me, I try and get lost in creative, I write stories, I create game show formats, I try and watch as much as I can, read as much as I can, try and learn the pieces.
I'm not saying I'm bad with money, but I do know when there is a sad slump, some people do "retail therapy" to feel better. But around Black Friday? That doesn't help.
I bought Hitman 2, Red Dead Redemption 2 and Tetris Effect.
That is over $160 spent in such short time, and while there was this feeling of "instant gratification", I just thought to myself "I just blew my entire computer savings for this"
And I still spent money on lightning deals, because burnout paradise, or extending a membership, and it's just... ugh. I think this might have been intentional, and I'm annoyed in myself for purchasing for that one moment of excitement, but also annoyed it's all happening right now, at a time I am trying to improve. I am pretty sure I'll be in debt by the end of December, but I hope I have enough lined up soon, I don't want to be in the red.
Anyway, in place of what I'm watching, I'll just do some quick reviews of these games and call it a night, before trying to sleep.
Hitman 2 is very fun, I love a nice sandbox where they want you to try and do new things in the same scenario and location, it provides more of the same, but I know it's one of those games I need to strategize better, I'm bad at stealth, and this game is no exception.
Red Dead Redemption 2 is okay, I see why people enjoy the horses, but I think I'm just getting tired with open world games doing the same "go from x to y" while an event occurs. I understand that's a very core principle of gaming, but I think go somewhere, do a crime, come back, it's tiring at least for me, it's good, I enjoy the customizing and the story, and trying to play on the "good side" of the law.
Tetris Effect reminds me of Rez, but with Tetris, I think it's the asethic, mixed with music and beats, sometimes I am overwhelmed with the theming and I do get anxiety and headaches and that's not even if a s block is in the field. However, others are very calming and make me feel much better to get lost in. I enjoy it just in a sense of meditation, in the form of video game.
I don't know what's next for me yet, I still have a month and a half left in this year, but hey, feel free to invite me over to your podcast. I'll try and get a better headshot.
i don't know if I'll ever be successful, but I hope to be satisfied with that result.
anyway, I gotta try and end this bummer of an article on a fun note - umm... Apparently Panda Express has hot chicken now? That's pretty sweet.
I'll try and eat those mini cinnabon and a whole pizza tomorrow to feel better.


When I first began subscribing to SCIENCE FICTION AGE back in the winter of 2003, I had read almost nothing by Isaac Asimov. Other science fiction writers, yes, but I shied away from Asimov. I knew he wrote about robots and I didn't think that was interesting. It is one of my real regrets that I didn't learn more about Asimov sooner. In my senior year in college, I read "Nightfall". Later that year, I. Asimov was released and I bought it–and absolutely loved it. From the moment I read that memoir, I became an Isaac Asimov fan. I remember crying while reading Janet Asimov's epilogue; I had not known that Asimov was dead, and I felt it was a terrible loss. Eventually, I got hold of the two volumes of his autobiography and read through those; they made me an even bigger Asimov fan. I re-read all three volumes every April, the month Isaac died, and I must have read those books 10 times now; I never tire of them. In the 14 years since I "discovered" Asimov, I have collected more than 200 of his books. I've read every F&SF science article he ever wrote with sheer delight. I think Forward the Foundation is one of the greatest science fiction books of all time. I've read Isaac's histories, joke books, miscellaneous essays, even his annotated poems. In short, Isaac Asimov became my favorite science fiction writer.
I preface with this to provide context to the story, "The Last Robot" by Adam-Troy Castro, which was the lead story for the premier issue of SCIENCE FICTION AGE, dated November 1992. Isaac Asimov died in April 1992 and this story was written as an homage to the Good Doctor. I have read the story twice. The first time was sometime in 1995, I think. The second time was today. The first time I read the story, I knew almost nothing about Isaac Asimov. The second time, I often feel like I know the man through he vast, often personal writings. It is in the latter context that I want to comment on the story.
I wouldn't have noticed this the first time I read the story, but reading it while taking train home from work today, it dawned on me that in some ways, "The Last Robot" was a retelling of Isaac Asimov's personal favorite story of his own, "The Last Question". (Even now, as I write this, I notice the similarity in title.) Certainly this was intentional and the fact that I didn't see this the first time I read the story was simply because I was unfamiliar with Isaac's work.
Much like "The Last Question", the main character of the story is not human but a machine; in Isaac's story, it was a computer, Multivac; in Adam's story, it is robot, PHP-321. Just as in "The Last Question", the sequences of the story accelerate through greater and greater spans of time. At one point, when PHP-321 is asked a question, it even responds in a similar fashion to Multivac: "There is insufficient data for a meaningful answer." Isaac's story was all about the last line, which I won't give away here for those who haven't read it. Adam's story, however, was all about Isaac. The robot protagonist programs itself to watch over the gravesite of a nameless person, who at one point, we find out, wrote stories. Isaac Asimov was an atheist and didn't believe in an afterlife, but I think the metaphor here is that the PHP-321 is safeguarding Isaac's memory. Authors are immortal if even one person remembers their work. PHP-321 acted as that one person, even as the Universe around him died.
To me, the story feelslike a story that Isaac might have written about himself. I won't give away the ending, but I will say that it moved me to the brink of tears–which on a train full of commuters can be awkward. The story was published half a year after Isaac's death, but I think Adam did a terrific job at capturing just the right tone, just the right setting, just the right character to pay homage to the man who inspired so many science fiction writers and so many scientists. I loved the story.


To avoid tearing, carefully remove roasted red peppers from jar. Drain well. Place peppers in a small bowl and cover with about half of the olive oil.
Chop garlic and add to mixture, along with salt to taste. Gently mix so as not to break up the pepper pieces. Chop chives and cut 2 slices of feta for each serving.
Drizzle a small amount of Basil Olive Oil on a small salad plate. Place 2 slices of roasted red peppers over the olive oil, and top with 2 slices of feta cheese. Drizzle a little olive oil on top. Add salt and cracked pepper and drizzle with a little more olive oil. Sprinkle chives over top. Add a little more cracked pepper, as desired.
This is easier to serve if prepared on small individual plates.


Set up a regular meeting plan with your banker, one that meets the objectives of both your banker and your company. Be clear on the objectives of these meetings and what information should be shared at the meetings as well as between meetings. Be open in these communication opportunities to share concerns and expectations. This is also a platform to disclose all financial information, both good and bad, in a timely and consistent manner. Additionally, ask for your banker's assessment of your borrowing capacity. Be sure you understand why the limit has been set where it is and what steps you should put in place to increase your borrowing capacity. Ask for industry comparisons from your banker, allowing you to better understand how your company stacks up with others in the industry when comparing financial ratios.
Know your numbers and be prepared to support your sales forecast based on tangible information. Work closely with your financial advisors to sketch out likely scenarios as well as a forecast with a declining scenario. Perform detailed six-, 12-, and 24-month forecasts with an emphasis on cash flow. It's this cash flow that is used to repay debt. Educate your bankers on the industry and how your company is expected to perform within the marketplace and against its competitors. Know your market share and explore ways that, with the bankers' input, you can expand your reach. Ask for and expect to receive ideas, concepts, and strategies from your banker on how to improve on financial results. Remember, your banker is your financial partner and should be available to provide advice, counsel, and solutions.
Reserve time at least once a year to have your banker join your company's leadership team to brainstorm ways in which the company can grow. An idea-generation session will help build trust with your banker and showcase the depth of your leadership. There is the potential risk of exposing gaps or weaknesses in your team, but, if done correctly, this process can go far to build trust and improve communication.
Build a succession plan that can be shared with your banker. Be sure your banker has had an opportunity to meet the team and to get to know your colleagues. If you have current gaps on your team, you will need to recruit and/or develop talent and establish timelines for that development. Also include any financial impact on your company that will come from the building of this succession plan. The last thing your banker wants is a company solely dependent on one person running it. Depth and diversity of responsibility on the leadership team are just as important as the depth of capital on your balance sheet.
Not all banks are the same. Do your homework and check references. Ask for clients who can validate prospective bankers' claims that they are competitive, experienced, and relationship driven. Allow your bank to have a profitable relationship with your company. A win-win situation occurs when the bank is allowed to make money on your relationship and you feel that you are being treated fairly. Expect and insist that your banker regularly provides and suggests new ideas, concepts, and banking products that will allow your company to save money, make money, or compete more efficiently in the market. Be ready to negotiate on bank services, as they are not free and you can drive a better deal with your banker by consolidating banking services into one bank.
Sign up for the free In Business Wisconsin Report – your weekly resource for local business news, analysis, voices, and the names you need to know. Click here. If you are not already a subscriber to In Business magazine, be sure to sign up for our monthly print edition here.


text:
Q: How can I demonstrate a zombie object in Swift? I've read How to demonstrate memory leak and zombie objects in Xcode Instruments? but that's for objective-c. The steps don't apply.
From reading here I've understood zombies are objects which are:

*

*deallocated

*but something pointer is still trying to point to them and send messages to them.

not exactly sure how that's different from accessing a deallocated object.
I mean in Swift you can do:
var person : Person? = Person(name: "John")
person = nil
print(person!.name)

Is person deallocated? Yes!
Are we trying to point to it? Yes!
So can someone share the most common mistake which leads to creating a dangling pointer?

A: Here's zombie attack in under 15 lines of code:
class Parent { }

class Child {
    unowned var parent: Parent // every child needs a parent

    init(parent: Parent) {
        self.parent = parent
    }
}

var parent: Parent? = Parent()
let child = Child(parent: parent!) // let's pretend the forced unwrap didn't happen
parent = nil // let's deallocate this bad parent
print(child.parent) // BOOM!!!, crash

What happens in this code is that Child holds an unowned reference to Parent, which becomes invalid once Parent gets deallocated. The reference holds a pointer to the no longer living parent (RIP), and accessing that causes a crash with a message similar to this:

Fatal error: Attempted to read an unowned reference but object 0x1018362d0 was already deallocated2018-10-29 20:18:39.423114+0200 MyApp[35825:611433] Fatal error: Attempted to read an unowned reference but object 0x1018362d0 was already deallocated

Note The code won't work in a Playground, you need a regular app for this.

A: This is not a dangling pointer or a zombie. When you use ! you're saying "if this is nil, then crash." You should not think of person as a pointer in Swift. It's a value. That value may be .some(T) or it may be .none (also called nil). Neither of those is dangling. They're just two different explicit values. Swift's nil is nothing like null pointers in other languages. It only crashes like null pointers when you explicitly ask it to.
To create zombies, you'll need to be using something like Unmanaged. This is extremely uncommon in Swift.

A: Zombie objects are Objective-C objects which have been deallocated, but still receive messages.
In Objective-C, __unsafe_unretained can be used to create an additional pointer to an object which does not increase the reference count. In Swift that would be unowned(unsafe).
Here is a self-contained example:
import Foundation

class MyClass: NSObject {
    func foo() { print("foo"); }

    deinit { print("deinit") }
}

unowned(unsafe) let obj2: MyClass
do {
    let obj1 = MyClass()
    obj2 = obj1
    print("exit scope")
}
obj2.foo()

obj1 is a pointer to a newly created object, and obj2 is another pointer to the same object, but without increasing the reference counter. When the do { ... } block is left, the object is deallocated. Sending a message to it via obj2 causes the Zombie error:
exit scope
deinit
*** -[ZombieTest.MyClass retain]: message sent to deallocated instance 0x1005748d0

This can also happen if you use Managed (e.g. to convert pointers to Swift objects to C void pointers in order to pass them to C callback functions) and you don't choose the correct retained/unretained combination. A contrived example is:
let obj2: MyClass
do {
    let obj1 = MyClass()
    obj2 = Unmanaged.passUnretained(obj1).takeRetainedValue()
    print("exit scope")
}
obj2.foo()

A: Zombie Object is a deallocated object which behaves itself like alive. It is possible because of dangling pointer.
dangling pointer points on some address in the memory where data is unpredictable

*

*Objective-C has unsafe_unretained[About] property attributes. [Example]

*Swift has

*

*unowned(unsafe)[About] reference

*Unmanaged - a wrapper for non ARC Objc- code

unowned(unsafe) let unsafeA: A

func main() {
    let a = A() // A(ref count = 1)
    unsafeA = a
} // A(ref count = 0), deinit() is called

func additional() {
    unsafeA.foo() //<- unexpected
}

redpajama_set_name: RedPajamaStackExchange


text:
National Category Winner: Civic Award
Project: The Suter® Art Gallery Redevelopment
Scott Construction Limited
Jerram Tocker Barron in Association with Warren and Mahoney Architects (Architect/Designer), Opus International Consultants Limited (Engineer), Scott Construction Limited (Construction Company)
The Bishop Suter Trust
This reconstruction project carefully blends the old and new. All existing buildings were replaced, except for the theatre and heritage listed original gallery, which have been fully restored and seismically strengthened. To retain the integrity of the unique gallery floor, it was lifted as one piece before works were carried out on the foundations below.
A challenging project in many ways: seismic upgrade of sensitive heritage buildings, new building adjoining existing buildings of differing levels, a fixed budget, numerous stakeholders, and an extremely tight construction site incorporating protected trees. The team met these challenges with highly innovative responses and the whole building has been superbly finished inside and out.
National Category Winner: Civic
Project: Len Lye Centre
Clelands Construction Limited
Clelands Construction Limited (Construction Company),Patterson Associates Limited (Architect/Designer)
New Plymouth District Council
The Len Lye Centre is an international destination for experimental film and kinetic art. It presents the collection of Len Lye, one of the most original artists of the twentieth century and comprises an archive, display galleries, an education centre, and a 62-seat cinema.
Project: Mt Pleasant Memorial Community Centre
Leighs Construction Limited
CMA+U Limited (Architect/Designer), Leighs Construction Limited (Construction Company), Dunning Thornton Consultants Ltd (Engineer)
Mount Pleasant Memorial Community Centre and Residents Association
This intricately designed Community Centre provides a range of spaces for community use, including yoga classes and the Saturday morning market. It was erected on site in just five weeks after the necessary components were manufactured off site and tested in a 1:1 prototype.
Project: Walter Nash Centre
Hawkins Construction Limited
Xigo (Quantity Surveyor), Hawkins (Construction Company), Beca Limited (Engineer), Warren and Mahoney Architects (Architect/Designer)
Hutt City Community Facilities Trust
By extending out from the existing stadium, the new Walter Nash Centre provides Hutt City with an integrated sports and community venue which boasts a gym and five indoor multi-sport courts, plus a community hall and library. The design was carefully considered to make efficient use of the Council and community's hard-won funding, both in construction and operation.
Project: Project 200 Tuam
Naylor Love Construction Limited
Naylor Love Construction (Construction Company), Wilson and Hill Architects (Architect/Designer), Environment Canterbury (Project Manager), Naylor Love Construction (Quantity Surveyor)
The new Environment Canterbury building provides office space for over 450 people as well as council chambers and meeting rooms. With base-isolation, it is constructed to withstand a one in 1000 year earthquake. It also boasts a ground source heat pump, landscaped gardens, dedicated bicycle facilities and is expected to achieve a 4-star green rating.
Project: Te Hapua: Halswell Centre
Fletcher Construction Company
Christchurch City Council (Architect/Designer), Fletcher Construction Company (Construction Company)
This multipurpose complex is the new centrepiece of the Halswell Community. The 3000m2 building contains a library, café, hall, lounge, business suite, meeting rooms and council. Outside, the lap pool and hydroslide have been upgraded along with a new BBQ area and landscaping.
Project: Silver Fern Farms Events Centre
Stanley Construction Limited
Stanley Construction Ltd (Construction Company), Pacific Environments NZ Ltd (Architect/Designer)
Matamata Piako District Council
The new Te Aroha community events centre includes 14 courts and pitches for various sports, a 150 seat conference centre and an adjoining functions venue. Silver Fern Farms purchased the naming rights in gratitude for the support it received from the local community when the company's Te Aroha plant was destroyed by fire in 2010.
Project: Hutt City Council Administration Building
Stephenson & Turner (Engineer), Architecture + (Architect/Designer), Naylor Love Construction (Construction Company)
Hutt City Council
When this building was first opened in 1957, it was praised as Lower Hutt's 'noble centrepiece'. Almost 60 years later, a seismic, environmental and functional upgrade has preserved the building's excellent character, including the Council Chambers and north and south façades, while ensuring that it can continue to serve its original purpose.
Project: Westland Recreation Centre
CYB Construction Limited
Rawlinsons (Quantity Surveyor), Boon Goldsmith Bhaskar Brebner Team Architects Limited (Architect/Designer), CYB Construction Ltd (Construction Company), Suckling Stringer (Quantity Surveyor), Studio2 Ltd (Engineer)
Grey District Council
This facility supplements the existing aquatic centre to create a community hub which caters to a range of sporting and social activities. The need for such a facility became particularly acute after the heavy toll of the Pike River tragedy. To assist with economic recovery, 75% of all available subcontracts were awarded to local West-Coast businesses.
Project: Te Awamutu Library
Fletcher Construction
Fletcher Construction Company (Construction Company), Opus Architecture (Architect/Designer)
Waipa District Council
As the first phase of a community cultural and recreational hub, the new Te Awamutu library is designed to stand out and set a benchmark for future development. It is a strong, simple and modern building, based on an industrial design language that is decoratively enhanced by an external rectilinear metal filigree.
Project: Upper Hutt Railway Station
Maycroft Construction Limited
Aurecon (Engineer), Maycroft Construction Limited (Construction Company)
Greater Wellington Regional Council
Opened in November 2015, the Upper Hutt Railway Station is the long-awaited replacement for the commuter city's main transport hub. The new building is attractive, safe and comfortable, and contains a ticket office, sheltered waiting spaces, public toilets, and additional facilities for staff.


Size 11" 14" 17" 19"
These bowls are an attempt to combine the interests of our customers – the natural world with a modern style. And so the black bowls were born. The oak is ebonized through a food-safe vinegar and iron based process, leaving it strikingly dark with a hint of the natural oak grain. These have all the qualities admired in our traditional bowls, but bring something new to the table.


text:
Q: How to merge two csv files not including duplicates If I have a csv files like this
lion@mammal@scary animal
human@mammal@human
hummingbird@bird@can fly
dog@mammal@man's best friend
cat@mammal@purrs a lot
shark@fish@very scary
fish@fish@blub blub

and I have another csv file like this
cat@mammal@purrs a lot
shark@fish@very scary
fish@fish@blub blub
rockets@pewpew@fire
banana@fruit@yellow

I want the output to be like this:
lion@mammal@scary animal
human@mammal@human
hummingbird@bird@can fly
dog@mammal@man's best friend
cat@mammal@purrs a lot
shark@fish@very scary
fish@fish@blub blub
rockets@pewpew@fire
banana@fruit@yellow

some of the things in the first csv file are present in the second csv file; they overlap pretty much. How can I combine these csv files with the correct order? It is guaranteed that the new entries will always be the first few lines in the beginning of the first csv file.

A: Soultion 1:
awk '!a[$0]++' file1.cvs file2.cvs

Solution 2 (if don't care of the original order)
sort -u file1 file2

A: Here's one way:

*

*Use cat -n to concatenate input files and prepend line numbers

*Use sort -u remove duplicate data

*Use sort -n to sort again by prepended number

*Use cut to remove the line numbering

$ cat -n file1 file2 | sort -uk2 | sort -nk1 | cut -f2-
lion@mammal@scary animal
human@mammal@human
hummingbird@bird@can fly
dog@mammal@man's best friend
cat@mammal@purrs a lot
shark@fish@very scary
fish@fish@blub blub
rockets@pewpew@fire
banana@fruit@yellow
$


Summer is in full swing in Melbourne and this week's warm weather is keeping me close to home, air conditioner, and sewing machine. Alas, a new quilt is in progress and it is starting to look like it might be another productive week.
This bundle has been sitting on my cutting table for the last few weeks. Each time I have caught a glimpse of this bundle an imprint was made in my mind, and slowly a quilt design evolved. I have learned to be patient in this process, and trust that a suitable plan, or quilt design, will come to me. Eventually.
This block is based on a traditional Rolling Stone Block, however I have jazzed it up a little by varying the width of some of the components and by reconsidering the traditional fabric placement.
More blocks are being made and a layout is yet to be considered.
those blocks look fantastic! kinda swoony but maybe not so complicated? love the colour combo's you've used.
These are beautiful, and I especially love the polka dots! They look difficult but I can see that construction is not really that complicated. Wonderful work, as usual. You are an inspiration!
Really stunning Rita! I love this one a lot.
These are absolutely beautiful.Your blocks stunning!Love,love.
love your take on this block and as always, your colour and fabric choices are impeccable!
Oh my goodness, Rita. These are so beautiful!
Do I see a new pattern coming soon Rita? This is really wonderful. I love all the blocks. Stay cool from a Floridian.
i LOVE your blocks, Rita! are you thinking of making a pattern out of this?
I just made a traditional rolling stone block last week. It was quite fun!
Oh my! My heart is palpitating!!!
Zingy use of colorful fabric. I have some fat quarter bundles laid out and look at them for inspiration too...this lot is taking a while. You are brave and bold with your fabrics Rita.
I agree with Carla- I think my little heart just skipped a beat- these are so beautiful!
What a gorgeous fabric bundle! I don't remember seeing it in the giveaway, but I love the folded version here.
Such an amazing impact Rita.
This si stunning Rita! I've been looking at this block and other similar ones in one of my books in the past couple of weeks. It reminds me of a Denyse Schmidt pattern that was out a couple of years ago...maybe a little easier though!
The sun is finally out in Auckland too, not Melbourne temps though. These look like gorgeous daisies - very antipodean summer!
Really really like this block! I'm usually more of a fabric person than a design person but this one sparked my interest!


text:
Cell Biology/Organelles
< Cell Biology
The latest reviewed version was checked on 9 September 2021. There is 1 pending change awaiting review.
Parts of the cell
Schematic of typical animal cell, showing subcellular components.
Organelles: (1) nucleolus (2) nucleus (3) ribosome (4) vesicle (5) rough endoplasmic reticulum (ER) (6) Golgi apparatus (7) Cytoskeleton (8) smooth ER (9) mitochondrion (10) vacuole (11) cytoplasm (12) lysosome (13) centrioles (14) vacuole
1 Nucleus
2 Mitochondria
4 Endoplasmic Reticulum
4.1 Smooth ER
4.2 Rough ER
5 Golgi Complex
6 Vacuole
7 Peroxisomes
8 Lysosomes
Nucleus[edit | edit source]
The nucleus contains genetic material or DNA in the form of chromatin, or, during mitosis or late interphase, chromosomes. All transcription and replication of genetic material take place within the nucleus, as does RNA processing. The nucleolus also resides within the nucleus and is responsible for RNA transcription and folding. Translation of RNA transcripts takes place outside of the nucleus.
Mitochondria[edit | edit source]
A mitochondrian is the organelle responsible for a cell's metabolism. It synthesizes ATP through a protein called ATP synthase. Mitochondria have a double membrane. An outer membrane and a folded inner membrane. The internal membrane, called the cristae is invaginated (folded or creased), to maximize surface area enabling it to hold more ATP syntheses. It is called as "the powerhouse of the cell" which is present in the eukaryotic organisms. It has matrix inside the inner membrane. It is in a rod shape structure.
Ribosomes[edit | edit source]
Ribosomes are responsible for protein synthesis. They are comprised of interacting protein and nucleic acid chains. Broadly, ribosomes are comprised of a large and a small subunit. The small subunit functions to attach to the mRNA strand and hold it in place during translation, while the large subunit holds and manufactures the growing polypeptide chain. The large subunit is further subdivided into the A (aminoacyl), P (peptidyl), and E (exit) binding sites.
Aminoacyl Binding Site The aminoacyl binding site binds a charged tRNA whose anticodon matches the codon in the A site.
Peptidyl Binding Site The peptidyl binding site contains the molecular machinery that transfers the bound polypeptide from the tRNA to the polypeptide chain, and holds the growing chain in place.
Exit Site The exit site is the terminal binding site for tRNA, where discharged tRNA's are released from the translation complex.
Endoplasmic Reticulum[edit | edit source]
The Endoplasmic Reticulum (ER) acts as a transport from the nucleus and ribosomes to the Golgi apparatus. There are two types of endoplasmic reticulum:
Smooth ER[edit | edit source]
Smooth ER act as transport for various things, mainly the RNA from the nucleus to the ribosomes (RNA is a small piece of the DNA code specifically designed to tell the ribosomes what to make). Smooth ER appears smooth in texture, hence the name. Smooth ER plays an important role in lipid emulsification and digestion in the cell.
Rough ER[edit | edit source]
Rough ER are "rough" because of the ribosomes embedded in them. The rough ER takes the protein to the Golgi apparatus to be packaged into vacuoles
Golgi Complex[edit | edit source]
The Golgi Complex basically functions as a "packaging center" for the cell, attaching "address labels" (functional groups) to various cell products to direct them to their respective locations, and "packaging" the products into vacuoles to ensure delivery. Anatomically, the Golgi Complex consists of layers of lipid membrane stacked one on top of another, with a cis face and a trans face. As the molecular product being packaged moves through the complex, various enzymes act upon it to induce vacuole formation and functional group attachment.
Vacuole[edit | edit source]
Paramecium, with contractile vacuoles indicated using arrows.
Vacuoles are cellular storage places. Like the cell membrane, they are comprised of a lipid bilayer that functions as a selectively permeable barrier to regulate movement of materials into and out of the compartment. They can serve a variety of purposes, storing food, water, or waste products, or immune functions such as containing dangerous materials or maintaining turgor pressure (in plants). Vacuoles serve very different purposes in plant cells than they do in animal cells.
Plant Cells In plants, vacuoles comprise a significant portion of the cell's total volume and often contribute significantly to the function of a differentiated cell. For example, vacuoles in stomata cells contain large numbers of potassium ions, which can be pumped in or out to open or close the stomata.
Animal Cells In animal cells, vacuoles serve more subordinate roles, such as assisting in endo- and exocytosis or basic storage of food and waste.
Central Vacuole The central vacuole is found only in plant cells. It is filled with water and is pressurised, like a balloon. This forces all the other organelles within the cell out toward the cell wall. This pressure is called turgor pressure and is what gives plants their "crisp" and firm structure.
Peroxisomes[edit | edit source]
Peroxisomes perform a variety of metabolic processes and as a by-product, produce hydrogen peroxide. Peroxisomes use peroxase enzyme to break down this hydrogen peroxide into water and oxygen.
Lysosomes[edit | edit source]
Lysosomes are vacuoles containing digestive and destructive membranes. In white blood cells, these are used to kill the bacteria or virus, while in tadpole-tail cells they kill the cell by separating the tail from the main body.
They also do much of the cellular digestion involved in apoptosis, the process of programmed cell death.
Links[edit | edit source]
For more info go to http://www.tvdsb.on.ca/westmin/science/sbi3a1/Cells/cells.htm This link no longer works.
Retrieved from "https://en.wikibooks.org/w/index.php?title=Cell_Biology/Organelles&oldid=3989693"
Book:Cell Biology
Latest draft


Maple syrup is one of my favorite sweet ingredients to work with in the kitchen. Not only is it delicious on pancakes and waffles, but the rich flavor of maple can add a lot of complexity – and sweetness, of course – to a wide variety of recipes. These Coconut Maple Pecan Bars combine a buttery shortbread base with a surprisingly rich topping of coconut, maple syrup and toasted pecans.
These bars have a little bit in common with pecan pie, although the topping is baked in a much, much thinner layer than the filling of your average pecan pie. While a classic pecan pie is made with a generous amount of corn syrup, this one is made with maple syrup as the base. Coconut is added to the maple syrup, giving the topping a pleasant chewiness that contrasts well with the crunch of toasted pecans. You might normally associate coconut with more tropical desserts, but in this one it blends beautifully with the rich maple syrup and nutty pecans for a dessert that tastes like pure comfort food.
The topping mixture is spread relatively thinly over the shortbread base of these bars. The shortbread layer is crisp and buttery, a perfect counterpart to the moist and chewy topping. The base is baked and the topping is spread on while the shortbread is still hot. Fortunately, the shortbread layer is sturdy enough that you can gently spread the coconut out with a spatula to ensure that the the topping is evenly distributed over the whole base. The topping needs to be baked again to set it, then the bars should be cooled completely before slicing.
This recipe makes a fairly large batch, which means that these are perfect for sharing. They have just the right balance of salt and sweet – and you need that salt to contrast the sweetness of the maple syrup – to make these downright addictive.
Preheat oven to 350F. Lightly grease a 9×13-inch baking sheet or line with parchment paper.
In a food processor, combine all crust ingredients and pulse until butter is well-integrated into the dry ingredients and the mixture resembles sand. This can also be done by cutting the butter in by hand, or with a pastry cutter.
Bake crust for 15-17 minutes, or until edges have a hint of golden brown to them.
While the crust is baking, combine all the topping ingredients in a large bowl and whisk to combine. When crust has set, carefully pour the topping mixture over the hot crust. Using a spatula, gently spread out the coconut and pecans until they evenly cover the crust.
Bake for an additional 16-18 minutes, until the topping is set.
Allow bars to cool completely before slicing.
I love maple and pecan together! These bars look delicious!


text:
Gorges Lucas' Biographie
HALM-Group met à votre disposition les articles sous format PDF pour vous permettre d'imprimer directement sans passer par un traitement de texte.
Lien de téléchargement : http://www.clictune.com/id=284737
Gorges Lucas'
Known to be the creator of the Saga Star Wars, George Lucas is one of the American film company's directors which paid successful director and producer.
George Lucas Jr. was born on may 14th 1944, in Modesto, California (USA). His father, George Lucas Sr. and his mother, Dorothy Lucas were the directors of a stationery store. Lucas grew up in the Central Valley town of Modesto. When he was young, Lucas is only interested in race car and he would be a car racer. But by the time, he was 18, he had an accident and he changed his mind, e decided to continue his study.
While he was a student at Brookdale Community College (in New Jersey), he began to have a passion for cinema and camera. That's why, he enter to the University of Southern California School of Cinematic Arts where he made short stories like Look at Life, 1:48.08, Filmmaker and 6-18-67…
An other side of his job
If Lucas is a producer, screenwriter and a film director, he isn't famous for his films or his companies but for the both.
He founded his first company in 1971: Lucasfilm Ltd. because of the debt he had to pay off to Warner Bros which produce the success less movie 1:48.08. He wanted to be independent from Hollywood's Studios.
He also founded other companies such as Industrial Light and Magic and Skywalker Sounds in the mid ʿ70s, to improve the effects of movies like Star Wars.
He created also Lucasarts and Lucasfilm Computer Division which will be sold by Lucas to Steve Johns and will be the future Pixar.
How his celebrity started
During the ʿ70s, though he shot nine films in the ʿ60s and directing six majors films, just 3 movies reach Lucas to the summit : THX 1138 (1971), American Graffiti (1973) and Star Wars I (1977) which was a blockbuster.
When he decided to continue the Star Wars series with, in the early ʿ80s, The Empire Strikes Back (1980) and The Return Of Jedi (1983), he had already written and produced the Indiana Jones series which was realised by a Lucas' friend: Steven Spielberg.
While he made a new trilogy of Star Wars , 16 years later, with The Phantom Menace (1999), Attack Of Clones (2002), Revenge of the Sith (2005), he produced the sitcom Clone Wars from 2003 to 2005 and in 2008.
And with all his films, he got 21 Nominations and won 23 Awards. Amazing!
With all he had made, Lucas is definitely one of the first men who improve effects to make the movies more realists.
"If the boy and girls walk off
into the sunset hand in hand
in the last scene, it adds 10 million
to the box office" G.Lucas
Libellés : 3ème, 4ème, 5ème, 6ème, Anglais, Anglais 3ème, Anglais 4ème, Anglais 5ème, Anglais 6ème, Anglais Seconde, Seconde


text:
Arena besetzt 1977 film completo
It calls to memory, how a generation had been politicized through their involvement in the arena movement. The life and strange surprising adventures of robinson crusoe. The movie starts with margaret markov and pam grier being pagans captured by the romans and sold into slavery. The arena 2001 film completo in inglese streming cb01 keysmovie special new years 2020 film hd marzo 04, 2020 the arena 2001 film streaming ita cb01 altadefinizione the arena 2001 full movie cineblog01 cineblog 01 guarda the arena italia. Ruth beckermann born 1952, vienna is an austrian filmmaker and writer beckermann lives and works as an independent author and filmmaker in vienna and paris. Arena is a 2011 american independent action film directed by jonah loop and starring kellan lutz, samuel l. Josef aichholzer, adolf doft, helene doft, erika goschl, dieter haspel, tina reimann, senta segall, ruth beckermann, niki kunz, josef aichholzer, ruth beckermann, ruth beckermann.
Erotic movie erotic 2017 the story of o untold pleasures erotic movie. By means of material that was created in the arena the film shows the squatting, the organization of collective work, the negotiations with the city and finally the demolition of the buildings. With paul satterfield, hamilton camp, claudia christian, marc alaimo. It was promoted as the first 3d western of the era. Based on material that emerged during the occupation of the arena in the summer of 1976, the film shows the organization of collective work, the negotiations with the city and community and. David lord finds himself forced into the savage world of a modern gladiatorial arena, where men fight to the death for the entertainment of the online masses. Arena 1989 peter manoogian, paul satterfield, hamilton camp. Dec 27, 2012 the arena trailer 1974 the arena, set in the ancient roman town of brundusium, is about a group of slave girls who are sold to a man named timarchus daniele vargas, the organizer of the events that take place in the towns colosseum. If youre like me and own most, or all, of these films through shout then your incentive to buy this set would. The movie the arena is mainly focused around a group of woman who have become slaves, located in brundusium, an ancient roman town. The australian actress penelope mitchell being naughty, sexy and having sex with nicolas cage in the awful movie between worlds 70.
The golden arena awards were established in 1955 as the yugoslav national film awards presented annually at the pula film festival in pula, croatia, with the big golden arena for best film its main prize. On a distant planet, an earthling trains to eventually prove his fighting skills in the local arena with the gladiators. Raccolta dei migliori film commedia, film comici, film di azione, documentari e tanto altro ancora. Jackson has created an empire with his brutal, fighttothedeath gladiator website.
In 1991 the festival was cancelled due to the breakup of yugoslavia, but then resumed in 1992 as the. Arena one was my first time reading anything by morgan rice and i found that i really enjoyed the story. You must listen a great deal and observe unceasingly, and even then things remain which have to be told. Memorable quotes and exchanges from movies, tv series and more. Arena besetzt 1977 sinopsis ver arena besetzt 1977 pelicula completa sub espanol gratis.
It was similar to the hunger games in some parts but not completely. If the broad bruisers survived their reward was to bang the male gladiators, which has one hottie shout, by the gods. Well directed, simple storyline, some decent acting, good cgi, some decent fights but could have shown more of them. Deleted video deleted video tutti possono arricchire tranne i poveri 1976 film completo italiano enrico montesano. Based on material that emerged during the occupation of the arena in the summer of 1976, the film shows the organization of collective work, the negotiations with the city and community and finally the demolition of. Arena is a 1989 american science fiction film directed by peter manoogian and starring paul satterfield and claudia christian. Ver arena besetzt 1977 pelicula completa en linea gratis. Live at earls court arena 1977 streaming ita film completo italiano hd gratis queen. Jul 21, 20 had to upload again after the 1st copies sound was low, adjusted sound volume and putting it up again, a classic from the late 80s, only seen crappy logo tv. Arena 1989 peter manoogian, paul satterfield, hamilton camp, claudia christian, action, adventure, horror, scifi april 10, 2016 an intergalactic fighting competition between champions of various worlds has traditionally been won by a species much larger and stronger than humans.
Arena was a little better than i expected, until it reached its conclusion. Their owner decides to change the gladiator game by turning his female slaves into fighters. Arena besetzt arena squatted as a member of a video collective. The arena 1974 steve carver synopsis, characteristics. Directed by josef aichholzer, ruth beckermann, franz grafl. I think of the structure of arena as a sort of mosaic whose pieces took shape on a long path past the different landscapes, faces and facets of the bullfighting world. Based on material that emerged during the occupation of the arena in the summer of 1976, the film shows the organization of collective work, the negotiations. Stai cercando di guardare the champ film streaming italiano. The arena traces its origin to when the director of the vienna festival german. Her film career started in 1977 when she made her activist film vienna. L ultima odissea 1977 film completo ita by cinema zoo by cinema zoo.
Top publications phd, faculty and research rotterdam school of. Produce a scifi trailer short film that includes the students from 3d college denmark developing post production materials. May 06, 2017 arena was part of a set dubbed the 4 scifi movie marathon arenaeliminatorsamerica 3000the time guardian that shout did not give the scream factory stamp and trancers was remastered and released on blu back in 2014 by full moon. Joe damato, the film s cinematographer, has stated that he took over direction of the fight scenes in the film pam grier and margaret markov portray female. The company can as well act as coproducer and offers production services with access to nordic locations and talent for international filmmakers. The arena 1973 assumes the romans started getting low ratings at the coliseum, so to spice things up they added female fighters. A young woman finds herself captured onboard a military aircraft. Filmove novinky na 4k ultra hd bluray, 3d bluray, bluray, limitovane edice, steelbooky.
In this period ruth beckermann started to make films and to write books. These enslaved woman are then sold to an event organizer, timarchus, who schedules all of the entertainment at the towns popular colosseum. A human becomes an unlikely rising star in the biggest fighting tournament in the galaxy thats dominated by alien species. Prime pam grier is the films best asset, though not utilized as well as she is elsewhere. A man named hob danvers comes to a tucson, arizona rodeo with sylvia lorgan in tow. National government interventions in a global arena pp.
Bradley cooper makes his directing debut and headlines opposite lady gaga in this third remake of a star is born, the enduring romantic drama about the meteoric rise of. Arena is a 1953 ansco color 3d film directed by richard fleischer and starring gig young, jean hagen, and polly bergen. The arena 2001 a druid maiden lisa dergan, a slave karen mcdougal and a powerful barbarian fight one another as gladiators in rome. Jackson, kellan lutz, johnny messner, katia winter.
Her films paper bridge and east of war have won several major awards. In this concertmotion picture starring the new romantic pop stars, doctor duran actor milo oshea the evil character in the cult film barbarella returns to earth, crash landing his time machine directly underneath a giant stadium in oakland, california. A human becomes an unlikely rising star in the biggest fighting. Con maurizio arena, senta berger, erika blanc, bruno zanin, pina cei italia 1976 in una villa della campagna. Italian film regulars lucretia love and rosalba neri look strangely out of place in a movie filmed in their own country, but fans of drivein movies should be.
Jan 01, 2012 arena one was my first time reading anything by morgan rice and i found that i really enjoyed the story. The revolt of the female gladiators, also known as naked warriors, is a 1974 gladiator exploitation film directed by steve carver and starring margaret markov and pam grier. Production deleguee, coproduction, exportation vente internationale. Arena besetzt 1977 cast and crew credits, including actors, actresses, directors, writers and more. He is bent upon doing battle with the five imposters above him the band who have stolen his name.
Oscars best picture winners best picture winners golden globes emmys san diego comiccon new york comic con sundance film festival toronto intl film festival awards central festival central all events. A citycovered planet, coruscant is the vibrant heart and capital of the galaxy, featuring a diverse mix of citizens and culture. His hope is to display his abilities in public, topple the planets. At the end of this film, there was a huge twist that would have made m. It features towering skyscrapers, streams of speederfilled air traffic, and inner levels that stretch far below the worlds surface. It such a good daythat we launch our new products for supporting us to create awesome videos to our fans we hope you enjoyed our videos as much as we enjoyed making, cheers.
Her films have been shown at prestigious festivals most of them premiered at the berlin international film festival or the cinema du reel festival in paris. Join us at the end of 2017 for the opening ceremony and, until then, enjoy your virtual visit. How do you make a fortune from the bloodlust of millions. The idea was to make a titillating movie about women fighting each other in a roman arena. Market square arena, indianapolis, in, this is elvis last concert before his untimely death on august 16th, 1977.
He founded the distributor filmverleih filmladen in 1978 together with ruth beckermann and josef aichholzer. Making a film about bullfighting is as unpredictable as a bullfight. Joe damato, the film s cinematographer, has stated that he took over direction of the fight scenes in the film. Set in 4038, satterfield plays steve armstrong, the first human in 50 years to compete in the intergalactic boxing sport called simply the arena. Born today most popular celebs most popular celebs celebrity news. Recorded by an audience member and remastered for best sound. His newest warrior is david lord kellan lutz, a kidnapped fireman, now imprisoned and forced to fight for his life. Arena film is a danish production company focusing on development, finance and production of films and tv series with a strong nordic spine, aimed for a global audience. Elvis presley the entire last show 26 june 1977 market. Dec 24, 2016 arena film completo in italiano jesse himes.
Based on material that emerged during the occupation of the arena in the summer of 1976, the film shows the organization of collective work, the negotiations with the city and community and finally the demolition of the buildings. Live at earls court arena 1977 streaming ita altadefinizione guarda gratis, queen. The arena was a female exploitation gladiator movie. A handbook of globalisation and environmental policy, second edition. The soldiers dont think much of her, until their commander confirms her identity and all hell breaks loose. Overview of arena, 1991, directed by peter manoogian, with claudia christian, marc alaimo, hamilton camp, at turner classic movies. Feb 16, 20 aniello arena was convicted of gunning down three rival naples thugs. Arena 1953 rodeo star hob danvers gig young faces trouble with his wife, ruth polly bergen, who cannot stand the constant touring that his profession requires. Hob has been separated from wife ruth for two years, and doesnt realize she.
With leonard cohen, georg danzer, walter mossmann, willi resetarits. From 1955 to 1990 the awards were the yugoslav cinema equivalent of the academy awards. Wiener festwochen, ulrich baumgartner, hosted theatre and cabaret productions from across europe in the museum of the 20th century museum des 20. Mixing elements from the italian peplum and the filipino womens prison movies, the arena also adds some pofaced feminist theory while still managing to exploit its scantilyclad stars. Les confins du monde 2017, 21 nuits avec pattie 2015, tu veux ou tu veux pas 2014. He codirected arena besetzt 1977 together with josef aichholzer and ruth beckermann and directed the short film sprunghafte heimat 1995. Roger corman gave the a league of their own for gladiators, the 1974 flick, the arena. Com erotic film full search, page 6, free sex videos.
183 722 932 356 281 1315 843 367 1039 1360 249 1201 68 994 264 600 1143 1163 297 143 583 147 22 232 687 1539 1435 835 906 971 63 1422 247 1200 1189 1309 1471 1362 332 1198 506 1142


As a true Taurus woman, I love some online retail therapy. Here are some gorgeous things I have bookmarked, and am considering and also coveting. I thought I should share them with you, since I probably won't be buying the majority of them but it's nice to dream, isn't it?
This chic striped t-shirt for ladies with chubby arms like me. My bingo wings aren't getting any smaller, even thought I have lost weight, so this is the perfect solution for me to tuck the tuck-shop arms away.
This pretty blue and white boho top that I wore on Christmas day. It was so fresh and cool to wear. Super happy with this top.
This fun t-shirt which is on sale and that I want but I can't wear it anywhere really and it won't fit me but if you can, please buy it and show me how great it looks.
This dreamy bag which I am coveting like crazy but I can't afford nor justify it's purchase other than I WANT it.
These super cute sunglasses. I love a cat's eye and a heart, so together they're perfect!
These shell earrings that are perfect for the holiday I am not taking anytime soon. But aren't they gorgeous?
Laughing at this tote bag that I may even buy because it is truly hilarious!
Enjoying my new tortoise shell phone case which is glam and safe!
Wanting these pretty sheets that make me feel happy. I love bed linen!
And clapping with joy over this Llama trinket dish for your rings or earrings. It's a cute gift for someone, maybe me?
Happy browsing friends and may the shopping elves be with you!


Crystals. Thirty-three sparkling, diamond-shaped crystals strung together. A string of lovely prayer beads that used to belong to my grandmother, swaying from my fingers. They had been locked in my drawer for a year. Perhaps they weren't the only thing I had locked away for too long.
Today, I would be bold. Today, I would find a home for them.
I knew exactly where I wanted to put them.
I knew exactly where they belonged.
The little girl was flushed from running around the house with her cousin. Tired, she walked into the living room and sat next to her grandmother. Her cousin couldn't catch her here for fear of being yelled at by her grandmother. She yelled if you made noise, and if you moved around too much, and sometimes even if you didn't. The little girl understood in a way. She must be jealous that she's so old and slow and can't run ever again, she thought.
Her grandmother was hunched over, pale and white against the rich red sedari and the long, cream colored walls. The sedari was high- her feet didn't touch the floor, but didn't quite dangle either, clutched against the sides of the sedari. She was always in this position, huddled right against a stained glass window. She looked through it often.
The little girl twisted to look at her grandmother's serious face, and then back to the window. She stared at the window. It was very textured, overlapping with colors like red and gold and green. Pretty, but you couldn't see the world outside because of the blur and distortion. But you could probably still feel the cold of the world seep through in the winter. From this particular stained glass window, you could see absolutely nothing, so the girl never paid attention to it. What a useless window, she always thought in passing. And, sometimes- what a useless old lady.
The little girl asked hesitantly, backing her face away as her grandmother turned towards her. She had caught a whiff of old-lady smell. She hated old-lady smell. It smelled mostly like old skin, and butter, and lavender. The little girl didn't like lavender because it smelled like car leather and she got car sick; she didn't like butter because of its taste; but it was the scent of old skin that annoyed her most.
"Do you have to see something?" Her grandmother replied.
"Well it's a window." The girl sputtered.
"I can see. Colors. They make me think…" She trailed off.
This is where the crystals belong. The crystals would hang right above her head and a little to the right; they would catch the light and shine bright and clear-not at all like the hazy colorful window that never opened. I picture my grandmother looking up, eyes focusing on the clarity. Then she would turn around, eyes focusing on me.
The little girl was wearing a pink nightgown that read 'Princess Girl'. She had refused to change out of it and was frowning at the breakfast table as she tasted her grandmother's apricot jam.
Ew. "I hate apricot jam. I like strawberry jelly. I want a Boston cream donut with strawberry jelly for breakfast," she insisted.
Her grandmother sighed. "I made this jam with my own hands, you know." But the girl was repulsed by her grandmother's hands- trembling, mottled brown and green with veins.
"I miss America," the little girl said.
America. Far, far away from my grandmother and her glass window. I needed to find another place for the prayer beads. I walked into the kitchen, where my mother was cooking. My eyes rested on the counter, the dripping sink, the brown table, the white oven. There was nowhere to fit a strand of crystals. I didn't try the bathroom. I didn't try my parents' room either, because I wanted the beads to be easily accessible to me. So I opened the door that led into the living room.
The front door was ajar, in all its white and chipped glory, the string latch broken long ago. I swung the door open impatiently and heard a loud creak in response, then felt cool air envelop me as the door closed. I smelled dampness and darkness and cats, and it was comforting. In front of me were the steps, many thick concrete slabs that curved into a narrow, steep spiral staircase. There was no light, no banister, and no help whatsoever; only my instinct took over as I ran up the long flight of stairs.
I was back, like I promised.
I remember a dream I had recently. I was running down Casablanca, running because I was being chased by a man as tall as a telephone pole and wide as a door. But gone was the old mule pulling the cart of fresh oranges, gone was the vendor and his cactus pears, gone were the sly hagglers and their colorful abayas. All the Moroccans were gone, like rabbits fleeing from a fire, probably latching their own chipped doors right now. There were only the gray streets and the gray clouds, and a few clueless American tourists in dull blue jeans. Where was my door? Where was my grandmother's house? The man got closer; and the closer he got the bigger he grew, and he swelled until his shadow was round and cold and threatened to swallow me. I finally found and fumbled at it, my bitten fingernails at the chipped door, pulling; my heart, pushing… The latch was broken, but if I made it in my grandmother's building, I knew I would be safe. And I was. Even though the latch was broken, the man couldn't follow me in, noe one could follow me in- I was safe in my grandmother's house. I was safe in my grandmother's house, but I would be safer in her arms.
I walked into my room. Should I put the crystals on a bookshelf- to join cheap bracelets that I bought on a whim and forgot about?
If only I had a stained glass window in my house.
A few days later, the little girl thought that other mysteries had to be cleared up, and sat next to her grandmother.
"Grandma, why do you always wear a kerchief on your head at home?" The little girl asked as she swung her feet against the high sedari. It was too high for her, and way too hard to get comfortable on. Thud. Thud. Thud. The girl peered at her grandmother's face, which remained expressionless. Then she peered at the blue kerchief, which was as ancient and faded as the old woman.
"My hair used to be beautiful," the old woman said tiredly.
"But why do you cover your head at home?" the little girl insisted. Thuthud. Thuthud. Thuthud.
Her grandmother still didn't answer, instead slowly taking the kerchief off. Maybe I upset her, the little girl thought. She stopped with her feet, just in case.
Then she stared. The old woman had taken the kerchief off. The old woman had a bunch of hair at the nape of her neck. They tumbled halfway down her back- thick, long, and black, with only few white hairs, like the little girl's mother had. But the rest of her head was bald. Completely bald, with only some sparse fuzz on top.
The girl looked away, disgusted. If I were her, I'd shave those other strands right off to match the rest of my sad head, she thought. If I were she, I wouldn't end up old and ugly anyway.
"Once upon a time, my head was full of the black hair you saw. And it was even longer. At this time, this big house was full of my children- twelve joyful children, running and fighting and falling up and down my stairs, pleading for money, eating my bread and jam, getting cactus pear thorns stuck in their fingers…" The old woman chuckled at this memory.
The little girl listened for a while longer, quiet, her grandmothers stories as vivid as if they had happened just yesterday. The little girl smiled and inched closer to this happy, animated, and funny old woman. And when her grandmother ran out of breath, she reached out to the little girl. Her thick arms approached the girl, heavy with fatigue and old-lady smell, ending in her mottled and veiny hands. The little girl paused for a moment. For one single intake of breath, and then she made her choice. But a moment was all it took. The hands came down, and her grandmother's face turned slowly to the stained glass window. Staring.
I put my hand to my throbbing forehead. Perhaps I should forget it and put the crystals back in my locked drawer. There they were safe, I guess, and I wouldn't have to think about them until I opened the drawer to put something else in. Blissful avoidance…I wandered over to the kitchen again, where my search had started. Maybe I missed the perfect spot for the crystals the first time around. My mom was preparing tea, and stood next to the stove absently as she waited for the water to boil. Slap, slap, slap. Her hands were hypnotizing as they tapped on the counter.
Slap, slap, slap. I finished going up the stairs. My heart was thumping because of the exercise and excitement. I was going to see my grandmother and show her that I wasn't that spoiled little girl, strutting around in her pink Princess gown. I knew that my grandmother was sicker than last time, so I didn't pound on the upstairs door and scare her. I knocked softly, then loudly, as I remembered my grandmother didn't have the best hearing. No one answered. She must be sleeping.
I realized that the door was open. Zohra must've forgot to close it, but that was unlike her. I opened the door and rushed inside. Finally. Morocco and its sunny streets and colorful people were pounding in my ears and throbbing through my veins and the smell of safety- of my grandmother's house- enveloped me. I wandered around the house, taking in everything I hadn't seen for five years. I would visit the living room last, to let my grandmother sleep.
As I walked into the hallway I saw Zohra's mobile on the floor. I picked it up. It was dead because, as usual, she didn't remember to charge it. But why was it on the floor? I picked it up and looked towards the kitchen, hearing a noise. The faucet was on. Why was the faucet on? Moroccans paid for water, so not a precious drop was wasted. I spun around. The refrigerator door was slightly ajar.
The teapot screamed loudly- the tea was done- and my mom stopped drumming her fingers to turn off the stove. She set two glasses on the table. Clunk. Clunk. She put two glasses down and started pouring the tea.
The yellow tea tumbled into the first cup with the specific sound of pouring Moroccan tea- something rushing, something frothy, something hard to describe. The steam curled and lifted, warming my face and sending warm puffs of mint into my nose.
My mom finished pouring both glasses, and left the room.
"I forgot the sugar. I'll come back in a second." She called behind her.
Sweetie, you can come back next year. You can come back in five years. You can come back and our house is your house, and our door will always be open, her aunt had said after the little girl had suddenly started crying at the airport. I promise I'll come back, the little girl had said, thinking once again about that afternoon with her grandmother. She had amends to make.
Now she was on a plane, on her way back to New York. The little girl should've been glad. Finally, princess girl, her aunt had teased, you will get what you wanted. She had forced herself to smile. But that wasn't what she wanted.
She looked out the tiny window besides her. The view outside was so blindingly bright, she couldn't see a single thing. But was there to see really besides the white clouds? What is there to see that she didn't know already?
She exhaled a ragged breath and put her freezing hand on her hot cheek.
She felt like her grandmother, forever hunched over and staring uselessly, maybe destructively, out a window. But when her grandmother looked out, her face was very calm. Not bored, indifferent, but serene, slightly blissful. That was the face she had used when telling the little girl stories of her life and her kids, except that she looked even happier to- with company- reflect on the past.
That's what her grandmother was looking at the whole time.
The little girl gasped suddenly. People turned to stare at her in curiosity, at the little 'Princess Girl' who had sat primly and silently until now. The people staring were all tourists- as clueless as she had been with their too-wide smiles and coffee stained teeth. She looked away from them, only to be stunned by blinding light from the tiny window besides her.
That's what my grandmother was looking at the whole time. I jerked back from my warm teacup and its curling steam and dashed to the hallway. I knew where to put my grandmother's prayer beads.
"NO!" I screamed. My body felt like stone, except for my mouth, wording silent prayers. Zohra must've left the water running, her useless phone on the floor, and the refrigerator door open in her rush to get an ambulance.
I looked at my grandmother's face. It had aged in five years, more wrinkled and mottled. So did her hands.
I didn't care. I clutched those hands.
I slowly reached out to her, like she had to me a long time ago.
I put my throbbing head against her knee and cried. Time was floating. I was dizzy and getting dizzier, hearing my grandmother's words in my head.
I opened my eyes and saw a string of crystal praying beads beneath me. When had she last used them? Five minutes ago, five hours ago, five years ago? I held them, swiftly ticking off beads with my pleas and prayers. But my grandmother's hands were only getting colder.
And then I heard murmurs of the paramedics, of wailing sirens, of Zohra's cries. Zohra's hands were taking me off my grandmother.
No. Give me five minutes with her. One minute. Just one moment.
They loaded her onto a stretcher. The last I remember, I was in the back of the ambulance staring at what was in my lap.
Crystals. Thirty-three sparkling, diamond-shaped crystals, all strung together with strong white thread.
The mirror in the hallway is plain. It has a sensible wooden frame and a not-so-sensible position on the hallway wall. But nothing else adorns the narrow hallway, and it fits there. I hung the crystals right there, on the corner of the wooden frame. I looked at the clear mirror and saw myself, what I was wearing right now, the current state of my hair. What did I see that I didn't know already? I had no scars, no wrinkles, no brown spots- no physical, visible reason to stare, to reflect, to smile or to regret.
There, at the top corner of my reflection.
Where the crystal beads hung, swaying slightly.


text:
		<meta http-equiv="content-type" content="text/html;charset=iso-8859-1">
		<title>Perfstat Performance and Status Monitor</title>
		<link rel="stylesheet" type="text/css" href="../../../appRez/styleSheets/contentFrame.css" media="screen">
		<link rel="stylesheet" type="text/css" href="../../../appRez/styleSheets/forms.css" media="screen">

Host Config

				Add Host

			% if ($sessionObj->param("userMessage") ne "") {

				<%$sessionObj->param("userMessage1")%>

			% $sessionObj->param("userMessage1", "");
			% }

				Host Name
				IP
				OS
				Actions

				<form name="insertItem" action="index.pl" method="post">
				<input type="hidden" name="action" value="add">
				<input type="text" name="newHostName" value="<%$newHostName%>" size="24">
				<input type="text" name="newipAddress" value="<%$newipAddress%>" size="24">

					<select name="newosName" size="1">
						% foreach my $osNameTemp (sort( @$osList)) {
							<option value="<%$osNameTemp%>" <%$osNameTemp eq $newosName ? "selected" : "";%>><%$osNameTemp%></option>
						%}
					</select>

				<input class="liteButton" type="submit" value="ENTER">
				</form>

		% if ($lenHostArray > 0) {

				Manage Hosts

				Actions
				Host Name
				IP
				OS

			%foreach my $tempArray (@$hostArray) {
			%if ($editFlag eq $tempArray->[0] && $sessionObj->param("userMessage2") ne "") {

					<%$sessionObj->param("userMessage2")%>

				% $sessionObj->param("userMessage2", "");
			%}

							%$queryString = "hostName=$tempArray->[0]";
							%if ($editFlag ne $tempArray->[0]) {
								<a href="index.pl?editFlag=<%$tempArray->[0]%>"> Edit
							% } else {
								Clear
							%}
							<a href="../alerts/index.pl?<%$queryString%>">Alerts
							<a href="../metrics/index.pl?<%$queryString%>">Metrics
							<a href="index.pl?action=delete&hostName=<%$tempArray->[0]%>" onclick="return warnOnClickAnchor('Are you sure you want to delete <%$tempArray->[0]%>');">Delete

				<form action="index.pl" method="get">
				<input type="hidden" name="action" value="edit">
				<input type="hidden" name="hostName" value="<%$tempArray->[0]%>">

					%if ($editFlag ne $tempArray->[0]) {
						<%$tempArray->[1]%>
					% } else {
						<input type="text" name="editName" value="<%$tempArray->[1]%>" size="30" onKeyPress="return submitenter(this,event)">
					%}

					%if ($editFlag ne $tempArray->[0]) {
						<%$tempArray->[2]%>
					% } else {
						<input type="text" name="editipAddress" value="<%$tempArray->[2]%>" size="24" onKeyPress="return submitenter(this,event)">
					%}

					<%$tempArray->[3]%>

				</form>

			% }

		%}

redpajama_set_name: RedPajamaGithub


As the UMaine Black Bears prepare for their first CAA conference game this week, vs Rhode Island, the new national poll shows 20% of the top-25 are CAA teams.
Five CAA teams - Villanova, James Madison, Richmond, UNH and William & Mary are all ranked top-25. UNH took a big drop after losing to Stony Brook. The Wildcats feel from 13th to 24th.
Black Bear coach Jack Cosgrove says quarterback Dan Collins is fine after suffering a hand injury against Tulane Saturday night. Cosgrove said during his weekly CAA teleconference Monday morning that Collins was still his starter.
Maine will host URI at 3:30pm on Saturday. Both teams are looking for their first win.
Dropped out: No. 24 Northern Arizona.
Others receiving votes: Harvard 42, Northern Arizona 34, Samford 28, South Carolina State 23, Charleston Southern 21, Stony Brook 20, Towson 20, North Carolina A&T 14, Alcorn State 8, Furman 7, Lamar 5, Western Illinois 3, Jacksonville 1.


text:
Digital Exclusives ›
Where's the Beef (Analogue)?
‹ Digital Exclusives
Where's the Beef (Analogue)?
Digital Exclusives | Article
Arlin Wasserman
Join the Discussion right arrow
What can science of food professionals do to make plant-based meats more attractive and tasty to consumers? Share your thoughts by joining the discussion on IFT Connect.
Walking the show floor of IFT FIRST in July, it was clear that plant-based foods are the future and a $90 billion opportunity. That's what the event signage said, and, indeed, almost every major exhibitor had their own riffs, examples, or samples of plant-based alternatives to meat, poultry, cheese, or seafood.
But the aisles of the expo hall were a jarring contrast to what's actually happening in grocery store aisles, where the current generation of plant-based meat analogues is experiencing declining sales even as prices are being cut. Many consumers try them once or twice, but don't buy them again, let alone eat them often.
Why analogues aren't working for enough consumers is something we as food technology professionals need to start talking about. Because once we do, we can create enormous value by helping plant-based food manufacturers create better, more commercially sustainable products.
Instead, consumer dissatisfaction is something that too many in our profession are ignoring. That may be due to a bit of sleight of hand by more than a few consumer insights firms who are averse to sharing bad news, however obvious. While magicians rarely reveal their secrets, here's how it's done:
Conduct a survey that yet again finds consumers want to eat more plant-based foods, including fruits and vegetables. (Hey, it's tomato season right now, so who doesn't?)
Also find they're interested in plant-based proteins, including chickpeas, nuts, and beans. (And toss in that Middle Eastern and Latin American cuisines are having yet another moment.)
Report that sales of plant- based foods are strong, and then also note that a bunch of people have tried oat milk.
Mix all the plant-based foods together (even though consumers don't), pull a plant- based analogue rabbit out of the hat, and then forecast a bright future for plant-based burger and nugget alternatives, completely ignoring current reports about declining sales.
To realize the $90 billion opportunity, we need to start talking about making plant-based foods that taste better, work better in home kitchens, and follow the trend in the rest of the grocery store toward clean ingredients and clean labels.
"Why analogues aren't working for enough consumers is something we as food technology professionals need to start talking about."
- Arlin Wasserman, Founder and Managing Director , Changing Tastes
Right now, many of the analogue products being rapidly launched are investor driven, not consumer driven. Consumers want to eat more plants, but not necessarily a lot of burgers and nuggets.
But you can only patent food processing technologies, not recipes. To attract investor interest, there has to be a lot of technology, so that means a lot of processing. To turn that investor interest into investor dollars, the potential return must be enormous. So companies launch products that are forecast to replace a large share of the real thing, whether that's beef, chicken, or shrimp. That means products that promise to be close to the real thing.
The ingredient label is one sign that they're not. Another is when you try to cook them.
Real meat, poultry, fish, and seafood, and even dairy, are hydrophilic, while most meat analogues are hydrophobic, with flavors locked in during manufacturing and intended to be cooked in just one specific way for best effect. That quickly gets monotonous for the home cook.
After that, there's digestibility. Last year, Spanish scientists proved that plant-based foods make us gassier.
My walk around the show floor also did reveal a realistically bright future. Some companies we saw have developed solutions that can solve some of the challenges that plant-based analogues are facing.
For example, with fermentation having a moment, Ajinomoto offered a naturally fermented corn extract that can replace methylcellulose and move the industry a giant step closer to clean ingredient profiles, even helping bakery and ice cream makers do the same.
Benson Hill and Equinom are breeding new varieties of soy, chickpeas, and other legumes that are higher in protein and can be used in crushed concentrates without processing to create isolates.
We can create enormous value by helping plant-based food manufacturers develop products with fewer, simple ingredients that we want to cook and eat over and over again. But that's true only if we're willing to have a candid conversation about what is—and isn't—really happening.
The opinions expressed in Dialogue are those of the author.
Arlin Wasserman is the founder and managing director of Changing Tastes, a food strategy consultancy, and is the creator of the Plant-Forward culinary strategy.
Invalid ad
Digital Exclusives right arrow
AI Helps Restaurants Reduce Waste December 22, 2022
How startup Orbisk uses artificial intelligence to help restaurants reduce food waste back of house.
Best By Confusion December 20, 2022
Consumer misunderstanding around "best by" dates contributes to food waste, experts agree. Retail practices, manufacturers' decisions, and lack of regulations aren't helping.
Foodservice Trends Add Flavor to Sauces and Condiments Category October 5, 2022
Sauce and condiment CPG product formulation is influenced by foodservice trends.
Equinom Wins IFT FIRST Pitch Competition July 13, 2022
Representatives from 26 startups participated in IFT's pitch competition to find the best startup.
This column explores the sustainability and economic aspects of producing and processing alternative protein products, whether plant-based, algal, cellular, or insect.
A visually oriented overview of chocolate ingredient trends.
Leading Bayer U.S. in a Time of Transition December 1, 2022
In an unpredictable world rocked by climate change and ever scarcer resources, Patrick Lockwood-Taylor is focused on driving change and advancing a sustainability agenda at the ag and health-care giant.
Teaming Up for a Sea Change December 1, 2022
A look at how two entrepreneurial concerns, Plant-Based Seafood Co. and Atlantic Sea Farms are teaming up to bring seafood analogue products to market.
Tackling Food Waste in the Last Mile December 1, 2022
Ingenious entrepreneurs, progressive retailers, and eco-conscious foodservice operators are teaming up to combat food insecurity and help save the planet by plugging holes in food distribution and retail infrastructures.
Recent Brain Food right arrow
Job Satisfaction in the Science of Food is High but Hindered by Pain Points January 12, 2023
IFT's 2022 Compensation and Career Path Report breaks it down.
IFT Science and Policy Team Forecasts Six Trends for 2023 December 16, 2022
From a processed foods comeback to breaking food system silos and addressing food and nutrition security, our science and policy experts identify top science of food trends.
Applications and Nominations Are Now Open for IFT's Board of Directors December 15, 2022
Hear from three current Board Members about why their participation is so valuable.
What Makes Them Stay December 9, 2022
Newly released IFT report examines science of food compensation and career path trends


text:
<resources>
    <string name="app_name">XEndoPebble</string>
    <string name="speed_pace">Show pace instead of speed</string>
</resources>