Thales was from Miletus (a Greek city-state in Ionia) And was born about 625 BCE and died around 545 BCE. He is generally acknowledged to be the first philosopher and scientist in the West. Many stories and discoveries are attributed to him, but many of these are currently doubted as true. He was included in the famous Seven Sages of Greece. He is known to have put forth the theory that everything in the cosmos is made of one common element, which he believed was water, supposedly being the first to put forth a theory of one common substance that makes up all things as well as making the step to the belief that the physical universe could be understood by man rather than just utilizing myths or mysticism to explain natural phenomena. And he thought that the Earth rested on water.The historian Herodotus wrote that Thales helped the ill-fated armies of Croesus cross the river Hayls by diverting the river up stream causing it to flow on both sides of the army and thereby making the river fordable on both sides. He supposedly realized that eclipses are caused by the moon coming between the earth and the sun, and he also supposedly predicted the lunar eclipse on May 28, 585 BCE, as well as speculated on the distance of the moon and the sun from Earth. However, If he did predict this eclipse he probably got his knowledge of lunar eclipse cycles somehow from the Babylonians. Babylonia had discovered the cycle of lunar eclipses to be approximately 19 years a long time before Thales' time. Thales was a geometer who may have discovered some theorems, which allowed him to be able to tell the distance of a ship out at sea from the land, and there is a story in Diogenes Laertius that Thales found out the height of the pyramids by measuring their shadow at the time of day when his shadow was just as long on the ground as he was tall. He believed that motion is caused by souls, and supposedly because he observed the movement of iron towards a magnet he believed that every object has a soul.


JAKE Hall has broken his silence following his shocking stabbing incident.
The TOWIE star was reportedly stabbed with a bottle while in Marbella.
Sharing a snap of himself from a hospital bed giving the thumbs up, Jake assured fans that he was doing well after the incident.
"Thank you so much for everyone's amazing support and getting me through this," he wrote.
"Can't get rid of me that easily," Jake added alongside some emoji's.
Jake was taken to get treatment in the early hours of Monday morning, after reportedly being caught up in a fight at Aqwa Mist.
His rep told OK! Online "We can confirm that Jake is currently receiving hospital treatment.


text:
Quarantine 2020 Catch-Up: Rapid Fire Reviews #8 2020 Releases
Posted on August 25, 2020 by spacecortez
After digging through boxes of random VHS movies just to find something to review in my last Rapid Fire Reviews, I hadn't considered reviewing some of the movies that were actually released this year. Originally I didn't plan on discussing several of these films upon viewing them- most of the bunch weren't all that interesting to be honest. However, I finally got around to watching "The Invisible Man" and that was the impetus for this round of Rapid Reviews. Hope you find something you'll enjoy!
Written and directed by Leigh Whannell, "The Invisible Man" is the latest modern re-imagining of the H.G. Wells' classic. In this iteration we're introduced to our lead, Cecilia (Elisabeth Moss), in a relentlessly soundless opening scene as she attempts an escape in the middle of the night from her abusive partner Adrian Griffin (Oliver Jackson-Cohen), the invisible man himself. The scene is an excellent example of the skill in executing tension that you'll be subjected to over the next two hours. This film is intense and consistently thrilling, each scene continually ratcheting up the pressure in creative and unexpected ways. The story is sort of a fun "What if Tony Stark was a grudge-holding psychopath with toxic control issues?" scenario. Elisabeth Moss owns this movie, you totally believe her fear and paranoia. Which is crucial, if her performance didn't sell you on the immersion of threat or atmosphere of danger- the film wouldn't have worked. There are sequences throughout the film where subtle camera movements imply the invisible man's presence with chilling ease. Creating the unsettling "presence" of the invisible man must have been a creative joy to figure out, as the filmmakers utilize just about every trick and idea you could get out of the premise. It exceeded my expectations greatly.
Written by Chris Bremner, Peter Craig, and Joe Carnahan, and directed by Adil El Arbi and Bilall Fallah, "Bad Boys For Life" is the third installment of the buddy cop action series. It's been seventeen years since we last saw Mike (Will Smith) and Marcus (Martin Lawrence) chasing down degenerates on the streets of Miami, and in some ways you can definitely feel the near twenty year gap between cinematic outings. However, story-wise, the film does use the characters' age to it's advantage. Both characters are going through great changes in their lives- but each take wildly different actions in response. Mike is fueled by obsession and his reckless policing tactics are seriously questioned by those around him. Marcus on the other hand takes his potential retirement with ease and looks to support his family in doing so. Both have their expectations turned upside down once a brutal killer with a mysterious connection to their past arrives in Miami and violently shakes things up. "Bad Boys For Life" does some interesting things with Mike and Marcus, but ultimately it's nothing groundbreaking. Which sums up my feelings on the film as a whole, it's a fine evolution in the series and both Smith and Lawrence did excelled returning as those characters- but it's ultimately a movie that's "Just Fine". If you really love the "Bad Boys" movies you'll probably get a kick out of this one. Though, admittedly, the lack of Michael Bay is palpable.
Lovingly Recommended with Nostalgia
Written by Christina Hodson and directed by Cathy Yan, "Birds of Prey: And the Fantabulous Emancipation of One Harley Quinn" is a spiritual successor (of sorts) to the first "Suicide Squad" movie. So, this is a weird one. Firstly, it's not really a "Birds of Prey" movie- it's a "Harley Quinn" movie with a sprinkling of several other characters that have minor parts in the third act. With the exception of Black Canary (Jurnee Smollett-Bell), who is more intimately involved with the plot, most of the characters take a back seat to the ramblings and incoherent nature of one Harley Quinn (Margot Robbie). I mean, she's even the narrator. Anyways, the basic plot here is that after breaking up with the Joker, Gotham City's goons and minor villains take the chance to exact their vengeance on her (Now that there are no repercussions from the clown prince of crime). As a longtime Batman fan, I did enjoy that the two chief antagonists of the film were actual rogues from the pages of the Caped Crusader's comic. Black Mask (Ewan McGregor), who runs a nightclub amongst his other villainous interests, and his assistant, the deranged serial killer Victor Zsasz (Chris Messina). Once they hear of Quinn's falling out with Joker, they move to strike. The structure of how events unfold in the film are sporadic and nonsensical, some scenes feel like the abstract extrapolation of how Quinn truly experiences life. So, if you're a die-hard fan of Quinn, there's plenty of her, and the portrayal is fairly spot on. Margot Robbie IS Harley Quinn at this point, perfect casting for the character. One of the highlights of the movie is the brutality that villain Black Mask employs with a memorable performance from Ewan McGregor. I didn't expect this to be the second movie I'd watch in two weeks time to feature faces being peeled off of people. But, as all despicable villains eventually do, Black Mask gets an extremely gruesome death. Bright colors, a blistering pace, and tons of violence with middling substance- "Birds of Prey…" is another completely "fine" movie, but nothing out of the ordinary for D.C.
Somewhat Recommended if you really Love Harley Quinn
Written by Pat Casey and Josh Miller and directed by Jeff Fowler, "Sonic The Hedgehog" is an adaption of the famous video game series from SEGA that began in the 1990's. Truthfully, I did not expect to write about this one at all. This was the last movie I saw with friends in theaters this year, a movie theater with a full bar is a beautiful thing indeed, and while we all mildly enjoyed this children's movie- I didn't think there was much anything I could say of value. But alas, here we are! A very quick rundown of the story is that a being from another dimension, Sonic (Ben Schwartz), ends up in our universe and triggers the attention of the military after his super speed sets off all alarms and energy readings in the small town of "Green Hills" Montana. The talkative, and child-like, Sonic teams up with local Sheriff Tom (James Marsden) to avoid the pursuit of the expert brought in by the Department of Defense, Dr. Robotnik (Jim Carrey). While there are incredibly cringey "comedic" scenes and a misunderstanding of aspects of the video game, it's a generally capable adaption that will likely entertain most children. The film feels more akin to how video game and comic-book adaptions were handled about twenty years ago though, but again, it's not without it's joys. And that joy lies completely in Jim Carrey's outlandish and entertaining performance as Dr. Robotnik. For a moment or two it felt like the 1990's again- but in a good way. James Marsden did a fine job as the "insert affable everyman to encounter our strange IP" character, it's hokey at it's worst, but somewhat charming at its best. If you longed for the Jim Carrey of the 1990's this will likely sate your appetite for silly- however, other than that, it's passable at best.
Recommended for Jim Carrey's Dr. Robotnik
Quarantine 2020 Catch-Up: Rapid Fire Reviews #7 VHS Roundup
This may end up being my longest article on this blog. I didn't exactly intend that at the beginning- but it evolved as I was writing it. Ironically, there aren't really any "Rapid Fire Reviews" in this one. Every time I thought of wrapping the analysis on a film I'd think of another point to add and discuss. So, each film has a bit more analysis than expected. It's also, probably, the most diverse selection of films that I've grouped together (though the Netflix Gems may be close). The films are grouped into four categories with four in each. There's "Summer Blockbusters", "Westerns", "Spies, Thrillers, and Mystery!" and "Science-Fiction". Some selections are films I've seen before and just wanted to write about, and others were older films that I just needed to finally sit down and watch. Anyways, here's a bunch of reviews on some VHS tapes I unearthed, hope you have some fun and find something entertaining to watch! (There's also a LOT of related YouTube content linked throughout the piece, enjoy!)
Jaws (1975 – Previously Watched)
Written by Carl Gottlieb and Peter Benchley, and directed by Steven Spielberg, "Jaws" is an adaption of the book by the same title- also written by Peter Benchley. "Jaws" is one of my all-time favorite movies. It originated the idea of a "Summer Blockbuster" in 1975 and forty-five years later the film stills stands as a Goliath of filmmaking that changed the course of cinema. It's smart, thrilling, haunting, and enrapturing. For the few who have not seen this pillar of thrillers, the film is about a small Northeastern American island called Amity that becomes besieged by an abnormally large great white shark. The film opens with a bonfire by the beach where a young, inebriated, couple head out to the water for some skinny dipping by the moonlight. The guy doesn't quite make it to the water though, too drunk for a dip in the drink. The woman however, happens to be the first victim, and her death is one of the best openings of a creature feature to date. Her screams are bone chilling as she flails through the water, and not long after she's dragged into the deep. It's a heart pounding and visceral opening that perfectly establishes the threat beneath the waves. Thus, the next morning Amity Island newcomer, Police Chief Brody (Roy Scheider), is alerted to the threat after a medical examiner looks into the remains that washed ashore. Naturally, the good-hearted small town cop wants to close the beaches after such a grisly attack, but the business owners and local politicians push back immediately. How can they afford to close the beaches right before the fourth of July weekend in a tourism-backed economy? The Mayor swiftly overrules Brody after the medical examiner changes his ruling to that of a boating accident rather than death by shark. So, the waters remain unchecked, that is until a young boy is killed in broad daylight once the beaches are re-opened. Which brings me to my favorite character, Quint (Robert Shaw). During a town meeting to discuss what to do about the shark, the lone Captain makes his introduction, and an offer, $10,000 and he'll catch that shark. The room of local leaders and business owners nebbishly acknowledge the local fisherman as he sees himself out. A bounty is put out for the shark and Brody sends for an expert in the field. The last piece of the puzzle arrives in the form of oceanographer Hooper (Richard Dreyfuss) as he navigates the heavily populated chaos of the Amity docks. The three principle characters of Chief Brody, Quint, and Hooper are the perfect trinity of character work in my opinion. Brody moved from New York to Amity so he could actually make a difference in people's lives- even if he was afraid of the water. Quint is the epitome of a shark hunter with a past deeply connected to the man-eaters of the deep. He's funny, deadly serious about his work, and a bit of a mad man at heart. Hooper is the rich kid obsessed with the ocean and the life in it. He's also a sarcastic, science utilizing, smart alec. Hooper is the upper class expert to Quint's working class expert. Theory versus practice in the flesh. Chief Brody is just the everyman in the middle trying to put a stop to the bloodshed. Once all three men board 'The Orca' and set out to track and kill the menacing great white- the film takes on a different nature. One of my favorite scenes in all of film history begins with Quint and Hooper drunkenly comparing scars. It's here where Quint and Hooper finally achieve a mutual respect for each other- but it's when Brody pipes up to ask about another scar of Quint's that the tone of the scene turns. Quint's retelling of his experience aboard the USS Indianapolis, the ship that delivered the Atom bomb in WW2, is both harrowing and horrific. After the bomb was delivered, the flagship was sank a few days later by a Japanese submarine. Quint and the survivors, some hundreds of men, floated together adrift for four days before the rescue began in earnest. His tale of the shark attacks on his fellow sailors is brutal and telling, he has a reason for never wearing another life jacket. However, I don't want to take too deep of a dive into "Jaws", but it is a much beloved classic that I hadn't taken the time to review until now. Obviously- if you still haven't seen this one, I highly recommend it!
*Below I've posted a YouTube video from Dan Murrell, a film reviewer and internet personality that I respect and recommend, he too loves Jaws, and went in depth on the film recently. Check it out!
The Rock (1996 – First Watch)
Written by David Weisberg, Douglas Cook, and Mark Rosner, and directed by Michael Bay, "The Rock" is a stellar action thriller following Bay's first first feature "Bad Boys". Sporting a bigger budget, bigger stars (for the time), and the introduction of more elements of Bay's repertoire that would come to be synonymous with the cavalier director, "The Rock" completes Bay's one-two punch after "Bad Boys" affirming the director's sense of style and flair. The plot sets in motion when a group of rogue Marines led by disenchanted Brigadier General Frank Hummel (Ed Harris) steal a stockpile of deadly nerve gas. This alerts the Pentagon and the F.B.I. to the situation, which introduces us to the best chemical weapons specialist in the F.B.I. Dr. Stanley Goodspeed (Nicolas Cage) in a quick but effective scene that establishes his skill with dangerous chemicals when he stabilizes a deadly scenario in the lab. After this the rogue marines storm Alcatraz Island, take eighty-one hostages, and make their demands to the government, namely One-Hundred Million dollars from a slush fund that Hummel is aware of. He plans to compensate his men and the families of those lost to blacklisted missions. If he doesn't receive the funds before a set time, San Francisco will be bombarded with the nerve gas via missiles. The Pentagon and the F.B.I. then formulate a plan by offering a pardon in exchange for information from prisoner John Mason (Sean Connery), the only man known to have escaped Alcatraz and lived. While being held at a Hotel, Mason escapes (Surprise! The escape artist is really good at escaping.) which results in a thrilling chase sequence throughout San Francisco with Goodspeed in a yellow Ferrari chasing down Mason in a black Humvee. Carnage, disregard for human life and property, bright primary colors- yep, this is Bay fine tuning those sensory instincts. Anyways, they successfully enter Alcatraz from beneath in a series of underground piping and caverns. Unfortunately the marines discover them and take out the invading force that accompanied Mason and Goodspeed- leaving the them as the only men left to complete the mission. This one was a damn fine surprise. You never know with Michael Bay, sometimes you get "Bad Boys" and "6 Underground", and other times you get "Transformers" two through five or "Pearl Harbor". Luckily- this one is among his best, it's my personal new favorite from him. Highly recommended.
*Below this there's another video from YouTuber Patrick H. Willems. In this video the scrappy video essayist takes on the man, the myth, the maker of ridiculous explosions, Michael Bay himself. It's a fun analysis of the filmmaker that strives to point out that Bay is pretty good at what he does and no one can do it quite like him. The video is a two-parter, but this is just the first piece, check them both out!
Face/Off (1997 – First Watch)
Written by Mike Werb and Michael Colleary, and directed by John Woo, "Face/Off" is an incredibly over-the-top Action film with a very silly sci-fi premise. Nicholas Cage stars as Caster Troy, a homicidal sociopath and terrorist in his free time. The film opens with Troy taking aim at FBI special agent Sean Archer (John Travolta) as he rides a carousel with his young son. Troy shoots Archer in the back- but the bullet goes right through him, killing his son. Fast forward six years and we're engaged in Archer's painstakingly prepared mission to catch Caster Troy. The FBI successfully ambushes Troy and his crew at the L.A. Airport in an action packed sequence that perfectly sets the tone for this madcap crime caper. Archer and Troy engage in some rivalry-edged dialogue where Troy taunts Archer with some new information, namely, that a bomb has been hidden somewhere in Los Angeles. Unfortunately Troy's knocked into a coma before they can interrogate him for the bomb's location. The F.B.I. did manage to catch Troy's brother though, and since he was the brains behind his brother's plans, they plan to extract the information from him. After they find out that Troy's brother doesn't know the bomb's location, Archer is approached for an extremely experimental and secretive project. The plan is to remove Caster Troy's face, graft it onto Sean Archer's head, and have him put into the secretive super prison to trick Troy's brother into divulging the location of the bomb using Archer's intimate knowledge of Caster Troy as leverage. As you might expect, things go awry when Caster Troy awakens from his coma after the experiment. So, of course, he uses his many connections to round up the scientists, has them attach Sean Archer's face to his head, and then burns down the lab with the only people that knew of the project's existence. Things get pretty dicey in the super prison where the real Archer makes attempts to extract the bomb's location. Once Troy-with-Archer's-face waltzes into the prison to let Archer-with-Troy's-face know that he's blown up the lab and stolen his life. The tension and absolutely insane action only increases from there. If you've seen John Woo's other films (American or Hong Kong) his usual staples are there in spades. Chaotic Gun Fu action sequences? Check. Slow motion and Mexican Standoffs? Check and check. There's plenty of style all over this admittedly bonkers action film. There's also a pretty great boat chase in the finale- possibly the best boat chase of the 1990's! It's bloody, feisty, and a hell of a good time if you know what you're getting into. Definitely recommended.
The Fugitive (1993 – Previously Watched)
Written by Jeb Stuart and David Twohy, and directed by Andrew Davis, "The Fugitive" is a streamlined crime caper with thrills aplenty. Harrison Ford stars as Dr. Richard Kimble, a well respected vascular surgeon in Chicago, who's wrongly accused of murdering his wife. The film opens at the crime scene with Kimble being walked out of his house by the police while a reporter gives us a few key details of the crime. There was a frantic 9-11 call made by Kimble and that the couple were at a fundraiser for 'the children's research fund' earlier in the night. With no evidence of a break-in and an extremely high dollar life insurance policy on his wife, suspicion arises quickly. After the cops hear Kimble's version of events, he's brought before a judge and swiftly convicted of 1st degree murder and sentenced to death row. While on route to prison, some of the other inmates on the bus stage an escape. One of the guards is attacked and one of the prisoners shot dead, but before you can blink the bus is sent careening through guardrails and tumbling down a hillside straight onto some train tracks with one approaching fast! Kimble quickly saves one of the injured guards before leaping off the carnage of the bus crash as the train smashes into it sending all manner of train cars awry in a cascade of explosions. Which brings us to the introduction of U.S. Marshall Gerard (Tommy Lee Jones) the chief antagonist for most of the film. This kickstarts the majority of the film's focus; Kimble narrowly escaping the Chicago Police and U.S. Marshalls while trying to figure out who killed his wife, and why. This is a film that I had seen ages ago, but it was a fun re-watch that I thoroughly enjoyed! Between Harrison Ford's 'cool under pressure' intensity and affable 'everyman' nature set against Tommy Lee Jones unyielding 'top cop' bravado, this movie embodies everything you'd want out of a 'man on the run' action film. Though there are some key notes that would clue you into this being a very 1990's movie. Obsession with a one-armed man villain (who isn't the real villain anyways)? Check. Scenes taking place in the sewers? Check. Ridiculously large practical effects explosions? Check. I'm here for all of that. It's a movie that keeps the pace constantly moving, and it's endlessly re-watchable. If anyone wanted to know what a Summer Blockbuster used to look like, this is a prime example. Highly recommended.
Once Upon a Time in The West (1968 – First Watch)
Written by Sergio Donati and Sergio Leone, from a story by Bernardo Bertolucci and Dario Argento, and directed by Sergio Leone, "Once Upon a Time in the West" is the next 'Spaghetti Western' he directed after his successful "dollar trilogy" had ended with "The Good, The Bad, and The Ugly" two years prior. While this film may be an hour shorter than that legendary western, and it most certainly has its moments of brilliance, it simply cannot outdo it's predecessor. However, it is an excellent Western in it's own right. The premise is simple, but Leone's skill in direction and squeezing tension out of every shot goes a long way to amplify this plot. A family living in the outskirts of wilderness has a ranch on some land that the railroad company wants to purchase- but Brett McBain (Frank Wolff) refuses. This results in Frank (Henry Fonda) arriving with his gang to take out the McBain family at the behest of Morton (Gabriele Ferzetti), the crippled railroad Baron. Notably, Frank was given orders to dress as the recognizable local outlaw, Cheyenne (Jason Robards) as a diversion for any possible witnesses. Then there's the wild card of the film, 'Harmonica' (Charles Bronson). The mysterious gunslinger is known only by the instrument he plays before he guns down anyone unfortunate enough to find themselves at the wrong end of his pistol. The land's ownership becomes complicated once Jill McBain (Claudia Cardinale) arrives at the ranch. Secretly wed to Brett McBain weeks prior, the plan was for Jill to arrive and then they'd hold a 'formal' wedding. Since things didn't go as planned, the two outlaws Cheyenne and 'Harmonica' decide to help the widowed McBain, partly for their own unique reasons. 'Harmonica' has a longstanding feud with Frank- one that has bits and pieces of information doled out to us along the way. As for Cheyenne, despite his reputation, he's become a middle-aged outlaw with a ferocity that's been mellowed by time. It's a process that allows hints of his true morality to sneak out from behind his rugged exterior throughout the film, if you're paying attention. I chose to watch this Western the day after Ennio Morricone passed away last month, I knew many of his western scores already- but the chance to bask in a "new" 'Spaghetti Western' score was my way of remembering the legendary composer. The most memorable part of the score belongs to 'Harmonica', whose theme lingers like an echo of sadness and loss. Which makes his eventual revenge on Frank all the more powerful once the full reasoning behind 'Harmonica's quest for revenge is revealed. I also really dug Henry Fonda's performance as Frank. Here, Fonda is playing completely against his well-crafted "Good Guy" persona, and it's a fascinating turn for the Hollywood star. Charles Bronson was an entertaining choice for the nameless gunslinger- but the role does feel personally crafted for Clint Eastwood. Eastwood, not wanting to become typecast as his infamous "Man-With-No-Name" character, turned the role down, and while Bronson is an adequate stand-in for the archetype, Eastwood's absence here is palpable. While this one may not be for everyone, the gargantuan runtime and slow-burn atmosphere will turn many away, there is enough here to give this one a recommendation from me.
The Searchers (1956 – First Watch)
Written by Frank S. Nugent and Alan Le May, and directed by John Ford, "The Searchers" is an infamous Western known for it's beautiful shot composition and complex characters (for the time). John Ford was a fascinating American film director, and his pairings with John Wayne were always guaranteed to be worth your time- this is one of those films that's lauded as a monument of the genre. Perhaps because of it's location in cinema's history, precariously perched between the Westerns of old with their black and white morality and clear cut "good guys" and "bad guys", or because of the shifting morality of the new era of anti-heroes and tales of ambiguity- "The Searchers" is part of that trend. Especially because Ford and Wayne were the trailblazing duo that helped to create the Western genre just seventeen years earlier with "Stagecoach". This film, is … tricky to discuss and analyze in the year 2020. The year is 1868, our lead, Ethan Edwards (John Wayne), is a confederate soldier returning home to Western Texas after fighting in both the Civil War and the Mexican Revolutionary War as well. Ethan is no apologist for the South- and he's an outright racist to the Comanche Native Americans. The film centers around Ethan's five year quest to track down the Comanche tribe that burned down Ethan's family's home, kidnapped his niece Debbie (Natalie Wood), and killed the others. Really, the film is about two men's quest to save Debbie, but the other man involved brings about the other- less interesting half- of this film. That man is Martin Pawley (Jeffrey Hunter), a young man that Ethan had saved after another tribe that had burned down his home as a child as well. Being "One-eighth" Comanche, Martin is always on Ethan's bad side for most of the film- and he's used as the audience stand-in during Ethan's quest. You see, Ethan plans to kill Debbie once he finds her, as becoming one of "Them" is worse than death to him. Martin, we're led to believe, is the only thing standing in the way of Ethan committing to his creed. Eventually, Ethan decides against the violent solution and does indeed return Debbie home. Though, I have to admit the weakest point of the movie for me was when he came to save her, in an earlier scene Debbie had already told Martin that she was with the Comanche now. She didn't want to be rescued. The film does not wrestle with this potential point of conflict- perhaps too much complexity for 1956? Once Ethan grabs her to take her home- she has instantly changed her mind with ultimately no rhyme or reason. Overall, this film did not grab me as anticipated. It feels its age in many ways throughout the film. There is some truly thematic imagery with Ethan, but the 'other half' of the film that I mentioned involves a romantic B-plot for Martin that's played for laughs several times throughout and I felt like you could cut most, if not all, of that plotline and tighten up the "Ethan and Martin on the obsessive quest" part instead. Below I've posted a link to Roger Ebert's review of the film, he said it better than me, but he also enjoyed the film more than I. "The Searchers" is somewhat recommended for Western purists who want to see all of the landmarks of the genre- but not much else.
https://www.rogerebert.com/reviews/great-movie-the-searchers-1956
The Sons of Katie Elder (1965 – Previously Watched)
Written by William H. Wright, Allan Weiss, and Harry Essex (based on a story by Talbot Jennings), and directed by Henry Hathaway, "The Sons of Katie Elder" is a 'feel good' Western starring John Wayne and Dean Martin in prominent roles. The term 'feel good' is an incredibly subjective term, I concede, but this Western has all of the elements that would indeed culminate in such a labeling, at least for me anyway. The story is fairly straightforward, and it begins on the day of Katie Elder's funeral, with her sons returning home. The two eldest, John (John Wayne), a well known gunslinger, & Tom (Dean Martin), a high stakes gambler, aren't exactly welcomed home by the sheriff and community. The two younger brothers however, Matt (Earl Holliman) an unsuccessful hardware store owner, and Bud (Michael Anderson, Jr.) the youngest and still in school, aren't quite as despised by the locals. After the funeral, the three eldest decide that they'd like to do something to honor their late mother. They all regret not living up to her expectations and agree to find a way to send Bud to college so he can better his life in the way their mother would have wanted. Enter, Morgan Hastings (James Gregory), local gunsmith and antagonist of the story. You see, Hastings claims to have won the ownership of the Elder family's ranch and property from their deceased father, Bass Elder, in a game of cards. The thing is, Bass died mysteriously that same night after the card game and no one knows who the killer was. After Hastings, who isn't too subtle with his displeasure at the Elder boys being around, notices their suspicions about the affair- he kills the sheriff and pins the murder on the Elders. There's more, but I don't want to give the whole thing away. Between a fun ensemble cast, a rousing score, and a particularly nasty villain for the Elders to fight against, this one has a lot of what I look for in a good Western. This is my favorite John Wayne movie, and I definitely give it a recommendation.
*Below I've linked an article that Roger Ebert wrote about John Wayne years ago. Ebert had the luxury of meeting and interviewing the legendary actor several times and can, perhaps more eloquently, describe why he was an important figure in cinema. Hope you enjoy it!
https://www.rogerebert.com/roger-ebert/shall-we-gather-at-the-river-2
A Fistful of Dollars (1964 – Previously Watched)
Written by Víctor Andrés Catena, Jaime Comas Gil, Adriano Bolzoni, Mark Lowell, and Sergio Leone, and directed by Sergio Leone, "Fistful of Dollars" is an American Western adaption of Japanese film director Akira Kurosawa's Samurai film "Yojimbo" (which I highly encourage you to see). It holds the same structure as "Yojimbo", in which a nameless Samurai (or gunslinger) encounters a town in the midst of a feud between two factions with an opportunity to make some cash from their dispute. Once the-man-with-no-name (Clint Eastwood) arrives in San Miguel, he heads to the inn where he hears about the town's issues at the bar from Silvanito (José Calvo), the innkeeper. The Rojos and The Baxters are the two families that're vying for control of the town, and 'the stranger' (as we shall refer to him from now on) takes the first step by establishing his deadly speed and accuracy with a gun when he shoots dead the four men insulting him upon entering the town for all to witness. There's some back and forth of trading information for cash, initiating shootouts between both families, and even some danger for 'the stranger' once one side catches him in the act of sabotage. Eventually our poncho wearing, sly, squinty stranger outsmarts the Baxters and the Rojos and even earns himself a profit in doing so. Though, he does save a woman and her family by freeing them in the night and giving them some money to survive on whilst on the run. So, he's not entirely motivated by greed- just mostly. "A Fistful of Dollars" is important for several reasons. It created the sub-genre of the 'Spaghetti Western' and it was tonally a sharp rebuke to the "ten-gallon white hat" Westerns of old. Granted, there's a time and place for all shades of morality in any good western in my opinion- but this is the one that blew the doors off of the genre and suggested that audiences were indeed ready for a lead character of dubious morality- just so long as they were interesting. Clint Eastwood's "Man-with-no-name" may now be a legendary figure in cinematic history- but before this Eastwood was mainly known for his role as the young cattle driver 'Rowdy Yates' on the TV Western show 'Rawhide'. If you're familiar with "Star Trek: The Next Generation", the transition from Rawhide to "A Fistful of Dollars" for Eastwood, would be like Wil Wheaton, who played whiz-kid and genius youth Wesley Crusher on TNG, evolving into Action-Star Bruce Willis in the original "Die Hard". A strange, but welcome development. This film is also the second film on this list to have been scored by Ennio Morricone, and that alone makes it worth a watch. "A Fistful of Dollars" is the first film in what is commonly known as "The Dollar" trilogy, and each one is pure cinematic joy, I highly recommend all three.
Below is my review on "Yojimbo" that I wrote on this blog a few years back, it's a classic Samurai film, and generally one of the best films out there! If you want to see where the man-with-no-name's inspiration came from- check it out!
https://spacecortezwrites.com/2018/02/02/old-school-review-akira-kurosawas-yojimbo-1961/
Spies, Thrillers, and Mystery!
Dr. No (1962 – First Watch)
Written by Berkely Mather, Johanna Harwood, and Richard Maibaum, and directed by Terence Young, "Dr. No" is an adaption of Ian Fleming's sixth Bond novel, but the first screen appearance of the cinematic legend that is Agent Double-O Seven, James Bond. Personally, I was truly looking forward to the next current James Bond film "No Time to Die" and with it's delay (and the rest of Hollywood's 2020 schedule) I decided to turn to the past for my Bond fix with the other big film in the franchise with a 'No' in the title, "Dr. No". Especially once I'd considered the fact that I'd never seen the first in the series. One of the most striking sensations that came from my viewing of "Dr. No" was how small and quaint it feels when thinking of the films and legacy it would come to inspire. I also did not expect so many of the recurring staples of the series to be introduced in this first outing. The gun barrel view of Bond, highly stylized musical opening, the villain's lair being incredibly sleek and 'modern', hell he even orders his signature drink pitch perfectly. I was really surprised that S.P.E.C.T.R.E. (SPecial Executive for Counter-intelligence, Terrorism, Revenge, and Extortion) was introduced this early- I thought that was a later invention of the film series. Anyways, we're introduced to James Bond at a game of cards, how perfect, before he's brought to M (Bernard Lee) for a briefing. Agent Strangways has been murdered at his post in Jamaica and MI6 wants an explanation. They only know that he was recently co-operating with the CIA on a case concerning possible disruption of rocket launches at Cape Canaveral with radio jamming. Q (Peter Burton) gives Bond a quick gun upgrade before he's sent off to Jaimaica to sort out the issue. As soon as he's arrived Bond is already surrounded by spies and people trying to kill him. It's the perfect cold war scenario- yes everything might look like a welcoming, sunny, tropical island- but there is unseen danger around every corner. Bond investigates locations and suspects as he nears closer to Dr. No's headquarters, dodging death by tarantula and armored tanks with mounted flamethrowers in his pursuit. Needless to say, the film is still classically entertaining, even if the stakes seem minuscule compared to where the character will be taken in the cinematic future- but it was a welcomed nostalgia for simpler villains for me. Sometimes, you just want a capable hero and a power hungry villain to clash ideologies- and fists! Highly recommended.
North by Northwest (1959 – First Watch)
Written by Ernest Lehman and directed by Alfred Hitchcock, "North by Northwest" is one of the most famous films of the twentieth century directed by one of Cinema's icons, who ironically would be on 'Mt. Rushmore of film directors' if there was one. Cary Grant stars as Roger Thornhill, a New York City advertising executive caught up in an elaborate case of mistaken identity. One afternoon at a New York City restaurant, Roger Thornhill is, well, politely kidnapped from the establishment by some thugs that mistook him for George Kaplan. Thornhill is then brought to an estate in Long Island where he's interrogated by spy Phillip Vandamm (James Mason) posing as Lester Townsend. Vandamm doesn't believe one second of Thornhill's constant protest of innocence, and promptly has his goons stage an accidental death by drunk driving. They funnel a whole bottle of rye whisky down his gullet and throw Thornhill in a car in neutral near a seaside drive. This results in a blistering sequence where Thornhill narrowly escapes death and speeds along until he's caught by some local police who also don't believe the accounts of his estate interrogation. Thornhill tries to prove his innocence several times until he gets further, and further involved in the cover-ups and conspiracies surrounding George Kaplan and Phillip Vandamm. If, somehow you also hadn't yet seen this thriller, I will refrain from spoilers in this review. Just know that in the skillful hands of Alfred Hitchcock, the story is constantly getting ratcheted up in tension and unpredictability. Before you know it Vandamm and various other forces at work have landed Thornhill as the lead suspect in the murder of a U.N. diplomat as he flees across the country to solve the mystery of who this George Kaplan is and why Vandamm wants him killed. I cannot leave this review without mentioning Eva Marie Saint as Eve Kendall, girlfriend of Vandamm and undercover spy herself. Eva Marie Saint adds just the right amount of intrigue to the thriller, and she plays off of the perplexed and flabbergasted Cary Grant with distinction. I'm glad I finally crossed this one off my list, it's one of those pillars of cinema that I just never got around to sitting down and giving it a watch, but quarantine offers the time- you just have to use it correctly. "North by Northwest" lived up to my expectations, and I highly recommend it.
Casablanca (1942 – First Watch)
Written by Howard Koch, Philip G. Epstein, and Julius J. Epstein, and directed by Michael Curtiz, "Casablanca" is an adaption of a play called "Everybody Comes to Rick's" which was created by Murray Burnett and Joan Alison. Possibly the most quoted film of all time, "Casablanca" is one of those films that has stood the test of time through generations of audiences and will long be remembered for it's place in cinematic history. Set before the events of Pearl Harbor, the film is very much an analogy of the state of the war through an American perspective before our involvement. "Casablanca" is a romantic thriller set in the infamous French-Moroccan town where wealthy Europeans congregate to flee the hemisphere from the violence consuming the region. While under the neutrality of North Africa, but ultimately the thumb of Nazi-controlled France, many deal in secrecy, making hushed arrangements with cocktails anxiously held in hand at "Rick's Café Américain", a luxurious nightclub ran by Rick (Humphrey Bogart). The quick rundown of this incredibly well known film is that Rick used to be in a relationship with Ilsa (Ingrid Bergman) in Paris before the Nazi Occupation. Eventually, everything went south (literally), and Rick was left waiting at the train station without her. Scorned and sunk into a cynical depression, Rick wound up in Casablanca where he's well known for allegiances to no one but himself and his employees. One day, Ilsa walks through Rick's doors with her husband Laszlo (Paul Henreid), a prominent figure in the Resistance. With Nazi representatives closing in on all fronts and Rick ultimately holding the key to the couple's escape- tensions arise, love is questioned, and priorities are reassessed. Everything about this film is outstanding. The direction, acting, pacing, soundtrack, writing, editing, everything is excellent! I wouldn't change a single beat of this masterpiece. Ultimately the message of the film is to reject personal gains over the moral choice. To shed cynicism and embrace the moral imperative for the greater good. It's a rallying cry to give a damn because giving a damn matters, in a time when everything seemed at it's worst, it's those with true character and principle who rise above the chaos to do the right thing. That's a message that I personally needed to hear this year in particular. It was incredibly nourishing to watch a film where peril looms around every corner, paranoia and hysteria rampant, and yet- doing the right thing proved to work, to be worth the risk. There have been a thousand reviews and endless discussions about this film and there's good reason for it, but I could go on all day writing about this one, at some point I have to end by simply saying, "Don't wait forever like I did to watch this classic film." Highly recommended.
*Below I've listed an article from the Guardian that details how filmmakers are being asked to look to Old Hollywood classics like "Casablanca" on how to film sex scenes that adhere to social distancing guidelines back when the Studio system had a morality code and could be censored for even the slightest indication of anything sexual. It may be for entirely different reasons, but "Casablanca" is still having an effect on the film industry.
https://www.theguardian.com/film/2020/aug/20/filmmakers-told-to-ditch-sex-scenes-to-protect-actors-from-coronavirus
*But also, here's another video from YouTube that further dives into the film's greatness. Enjoy!
Mulholland Drive (2001 – First Watch)
Written and directed by David Lynch, "Mulholland Drive" is a gloriously strange mystery soaked in dream logic with tinges of horror sprinkled throughout for good measure. It's also my favorite David Lynch film. I've always had a Love/Neutral relationship with David Lynch as a filmmaker and creator in general. I haven't always loved his movies- but I absolutely adore all of "Twin Peaks". This is the first film of his that I've seen and enjoyed as equally as "Twin Peaks". I didn't love "Blue Velvet" or "Eraserhead" or even "Inland Empire", but this one was my jam. "Mulholland Drive" is a mystery first and foremost, but I'd go so far as to call it a neo-noir in it's stylization and structure. The story begins with a woman in a limousine getting hit by a speeding car when stopped on the side of the road in Los Angeles. After emerging from the wreck, mostly unscathed, the woman then haphazardly walks towards the city lights in a daze. She clambers through the brush and into the city where she passes out under some bushes just outside an apartment complex. When she awakens as residents walk past her to a taxi, she quietly enters the plaza and wanders into an unlocked apartment. Then we're introduced to Betty (Naomi Watts) as she exits the airport, entering sunny southern California with a beaming face and hope in her eyes. Betty then arrives at that same apartment, which is her aunt's as she's allowed Betty to use it while she's out of town. Betty's an aspiring young actress in town for an audition and awaiting her turn to 'make it big'. After Betty discovers the hidden woman showering at her aunt's, she assumes it's one of her aunt's friends and when Betty asks her name, the stranger replies "Rita" (Laura Harring) when spotting an old Hollywood poster. Eventually Rita and Betty discuss Rita's memory loss, she only remembers the car wreck and nothing else about herself. Betty takes up the mantle of Detective and they try to figure out who Rita really is and what random forces brought them together. My favorite aspect of this film is the flip that takes place near the third act, I really don't want to spoil what that flip is for anyone, but it is so earth-shatteringly strange that it will make even the most sober and unmoved critic cry out "Whaaaaaaaaaaaat is happening?!" There is reason behind the flip though, and that's what I love about it. Similarly to some of the best parts of the third season of "Twin Peaks", the curveball of this narrative twist is delightfully absurd. I also adore the dream logic applied to the nature of reality in the film. My favorite scene in the film is one that is almost completely removed from the entire plot of the film. It involves the diner, "Winkie's", used for several scenes- but it is the one where two men decide to meet there because it is the exact location of a nightmare one of them had where he describes the events of the nightmare- and then… it happens. I've never seen nightmare logic so perfectly put on film, and one where Lynch conveys atmospheric tension and unsettling horror in broad daylight, behind a Diner, on Sunset Boulevard. Complete mood perfection. I could go on, but I most certainly recommend this one. Though, I have to admit- it's the most unsettling film on this list and will MOST DEFINITELY not be for everyone, and that's okay. I encourage you to check it out regardless.
Star Trek: Generations (1994 – First Watch)
Written by Ronald D. Moore, Brannon Braga, and Rick Berman, and directed by David Carson, "Star Trek: Generations" is the first Star Trek film from "The Next Generation" series and it takes place after the end of the seventh season. After having watched and enjoyed much of "Star Trek: The Next Generation" recently, I thought I'd give the films that came from it a shot. I didn't know much about them, only that they were released after the series ended. So, I started in chronological order with "Generations". I mean, hey, who didn't want to see a "team up" adventure with the two best Captains in the series history? Captain Kirk and Captain Picard? Together? Saving the universe? I'm there. Unfortunately, I went into this film with higher expectations than I should have. The film begins with three of the original series cast members in Scottie (James Doohan), Chekov (Walter Koenig), and Kirk (William Shatner) (No Bones? Awe c'mon!) attend the maiden voyage of the USS Enterprise-B decades before the events of "Next Generation". What was supposed to be a rather mundane and cordial trip around the solar system turns into an impromptu rescue mission when the new crew is bombarded with an S.O.S. from two ships being ensnared by a massive and mysterious energy ribbon. Naturally, the new Enterprise is the only ship in the area, so, despite not being built out with all of the functional systems of a Galaxy class starship yet- they head out for rescue! They manage to save some members of one of the ships before both explode- but in the process the new Enterprise is damaged in doing so, and they lose Captain Kirk in the process- believing him to have perished in the chaos. Fast forward to the Next Generation timeline and we see the crew celebrating the promotion of Worf on the Holodeck in an elaborate ceremony aboard a nineteenth century Naval vessel. It's an entertaining scene, one in which Lieutenant Data (Brent Spiner) (an Android Starfleet officer and the only synthetic life capable of freewill in the Star Trek Universe for the uninitiated) misunderstands a social interaction with crewmate Dr. Beverly Crusher (Gates McFadden) in which she suggests he "be more unpredictable", so he tosses her overboard and into the water. This leads him to later ask Geordi La Forge (LeVar Burton) (chief engineer of the Enterprise and Data's best friend) to finally install his emotion chip. Data believes that in order to avoid further issues with future social interactions, he will need to rely on the missing link to his evolution in becoming more human- regardless of the cost. This results in the best aspect of this movie in my opinion- Data finally understands humor and for awhile he is unable to hold back boisterous laughter from even the dumbest of jokes. It's stupid- but I got great joy from this very silly development. Data's journey in this movie was the single greatest story arc in my opinion. Let's get to the more pressing matter here though, Captain Jean-Luc Picard (Patrick Stewart). During Worf's (Michael Dorn) promotion, Picard is given notice of a family tragedy. His brother and nephew living back in France on Earth, have died in a fire that burned the family house down. This plot point is what has fundamentally broken the character of Jean-Luc Picard in my opinion. From this point onward, in all of the films, and his titular TV show, he is no longer the patient, considerate, and mild-mannered thinker or tactician that he was as Captain during those seven seasons of episodic adventures. From here on out he's impulsive, brash, violent, and lacks all of the character nuances that the show worked so hard to craft. People can change over time, get better, retract, evolve etc I know that people are not a constant or static thing. However, I simply can't understand the reasoning behind altering the character so much so that he doesn't even seem like the same person. It's been a mind boggling experience. Anyways, I'm getting away from the point. The villain of the film, Soran (Malcolm McDowell) is acted well, but his plan is confusing as all hell. He wants to return to the nexus (The ribbon of energy that killed Kirk in the opening), which is depicted as a heaven-like plane of existence where everything is bliss, time and space essentially have no meaning here. The ribbon of energy that is the nexus glides through space scooping up life forms as it passes by planets. Soran tracks the ribbon's flight path and where it is expected to arrive, shoots a probe into the star of the system he's in, which alters the ribbon's path to pass over the planet that he's currently on- thereby returning him back inside the nexus. Which, also, apparently Guinan (Whoopi Goldberg), a series regular from TNG, is from as well? Also, the probes destroy the star which threatens a number of planets' species in the process. I have so many questions. So… without going through the entire movie, Picard is brought into the Nexus when attempting to stop Soran, where he meets Captain Kirk (at an hour and a half into the movie) and convinces him to help escape the nexus and stop Soran. It's strange. Kirk's scenes feel as though Shatner was on a 'mountain man kick' where his scenes are mostly of him splitting wood with an axe and cooking a hearty meal while Picard pleads with him to assist in stopping Soran. Also, the Enterprise crashes into a planet while Riker (Jonathan Frakes) is in charge. Okay, okay… so.. this movie was quite a let down for me personally, it has it's moments- but I cannot in good conscience recommend this one.
*Below I've posted a video collecting all the 'parts' of a review of "Star Trek: Generations" done by Red Letter Media's character (created by Mike Stoklasa) Mr. Plinkett. I've included this review here because Plinkett makes a lot of solid points throughout his review, but I must warn you that the Plinkett character is darkly comedic in tone and there are some jokes inserted in these reviews that have been part of longstanding in-jokes and I am certain that this will offend some people. Just remember that Plinkett isn't a real person, it's all in good fun, and let's all just nerd out together about "Star Trek".
*However, just to play devil's advocate, below I've listed another video with an opposing viewpoint. Personally, I agree more with some of Mr. Plinkett's points over Renegade Cut on the topic- mainly because there are points in "Generations" that aren't very consistent with "The Next Generation". I don't really care that Lieutenant Data's emotion chip changed sizes since the TV show appearance or that only Scotty and Chekov were the only original Star Trek characters to appear alongside Captain Kirk in the opening sequence. I do, however, care about baffling choices like the abrupt lighting changes throughout the Starship (Someone must have been watching a lot of Film Noir before lighting these sets…), glass breaking when the Enterprise crash lands, but most importantly- that the core cast of characters from "The Next Generation" don't seem to apply the same logic or intellectual rigor to their problem solving. That was one of the highlights of the show for me. Quarantine has been a long slog, and "Star Trek: The Next Generation" has been a recurring favorite during this time. I've always been impressed with the writing, the patience and calmness of the characters even under duress- and this film (which I do not hate) neglects much of that notion. Though, it was a different time, and when a series got "The Movie" treatment in the 1990's, everything had to be BIGGER, BADDER, AND BETTER THAN EVER! So, yeah, I get it to a degree- production and crew got wrapped up in the fanfare of it all (probably). So, here's an opposing viewpoint that I don't necessarily agree with.
Star Trek: First Contact (1996 – First Watch)
Written by Ronald D. Moore, Brannon Braga, and Rick Berman, and directed by Jonathan Frakes, "Star Trek: First Contact" is the next film of the "Next Generation" series that takes place after the events of the previous film discussed, "Generations". Okay, so, the issues that I had with the last film are mostly exacerbated here. Granted, there are some things I enjoyed about the film, but there's a lot of questionable decisions. There are two major storylines that the film eventually splits into, and they're fairly divided in concept as well. There's a time travel element, and the Borg. In the beginning of the film Picard has a nightmare from his time being captured by the Borg during the television series in one of the best two part episodes "The Best of Both Worlds". When he awakens he knows the Borg have begun their ultimate attack on Earth. Starfleet command contacts the Enterprise-E (A far worse ship design in my personal opinion, everything is darker, pointier, and more militaristic looking. The crew's Starfleet uniforms have now been changed as well to black and grey- literally sapping the color from the screen) and orders them to survey the neutral zone for any surprise attacks from the Romulans. This is due to Command's wariness to insert Captain Picard into the situation because of his past experiences with the Borg. After moments of listening to the destruction of fellow Starfleet ships, Picard orders the helm to disobey Command and take the Enterprise to the fight. After they arrive, and narrowly save Worf from death on a smaller ship (some Deep Space 9 connections I guess?), they follow Picard's tactical knowledge of the situation and every ship fires on one spot of the Borg cube which causes it to explode. However, just before the massive explosion, a smaller sphere exits and makes a mad dash to open a 'temporal vortex' near Earth. Naturally, the Enterprise pursues and just before entering the vortex, the crew realizes that the Borg have changed the past to conquer the future. Once they are on the other side of the vortex, they shoot down the sphere from orbit as it was firing on a specific location in North America in the year 2063, one day before humanity makes first contact with an Alien race after performing a test of the very first warp drive. After the Borg are (supposedly) destroyed, they send an away team down to assess any possible damage to the timeline. Riker, Geordi, and Troi (Marina Sirtis) stay on Earth to assist in repairing the Borg damages to the ship so that they can make the historically important flight the next day. Picard takes an injured assistant from the Phoenix project aboard the Enterprise to sick bay. Who cares about 'the prime directive' anyways, am I right? In fact, while on Earth, Geordi and several other minor Starfleet officers directly tell Zefram Cochrane (James Cromwell), prominent historical figure in the Star Trek series and the creator of warp drive tech, all about how they teach his work in schools and how he has statues everywhere in his honor etc. Also- in a particularly cheesy moment, Cochrane is told about Starfleet generally and he says "So, what you guys are on some sort of… Star Trek?" If I rolled my eyes any harder they would have fallen out of my face. ANYways, the other major storyline takes place aboard the Enterprise-E where a couple surviving members of the Borg invade the lower decks and start assimilating crew members and the ship's tech- eliminating communications between the ship and the away team assisting Cochrane. As the Borg become more of a threat on the ship Captain Picard inexplicably transforms into a vengeance fueled action hero while Data is captured by the Borg Queen… who decides to sexually assault the android by grafting skin onto parts of his body? This results in the two diverging stories having wildly different tones and pacing and I felt they clashed rigidly against each other. Admittedly, there's a pretty fun sequence where Picard and Worf perform a space walk of sorts with magnetized boots on the outer hull of the ship to remove a satellite dish that the Borg have begun building. One cool scene cannot save an entire movie though. As with the last movie on this list- I can't recommend this one.
*Below I've posted another YouTube video from Dan Murrell. I thought this was a pretty great way to introduce someone to "Star Trek: The Next Generation" if you really don't want to binge the whole series. If you're looking for 'just the hits', this should suffice!
*While writing this piece my favorite YouTube channel, Red Letter Media, released a re:View episode wherein Mike and Rich discuss their top five favorite Star Trek TNG episodes (This being the first of two videos). So, since we're discussing Star Trek TNG movies I thought this would be a fun addition to the discussion. If you're not familiar with the show however, the conversation is rife with spoilers. It's also posted below, enjoy!
Galaxy Quest (1999 – First Watch)
Written by Robert Gordon and David Howard, and directed by Dean Parisot, "Galaxy Quest" is a delightful spoof of everything that is "Star Trek". Heavily informed by both the original series and it's sequel series "Next Generation", "Galaxy Quest" is the name of the Science-fiction television series in this film in which the characters were actors on years ago. The principle cast involves Tim Allen, Sigourney Weaver, Alan Rickman, Tony Shalhoub, Sam Rockwell, and Justin Long all in prominent roles that play on both the characters in Star Trek and the actors' personas that played them. The most obvious being Tim Allen as the Commander playing off of a Captain Kirk and William Shatner combination. The lesser roles that Sam Rockwell and Justin Long play are fun nods to short onscreen roles and the fan community in general. Rockwell's character was particularly fun, aptly named "Guy", who once acted in an episode similarly to the infamous "Red Shirts" of Star Trek whose only contribution to the show is to die in front of the camera, while Long's convention-going nerd with technical questions about the star-ship is played with adoration, not condemnation. Anyways, the whole "hook" of the film is based on a simple and excellent premise. What if the cast of "Star Trek" was mistaken for their character counterparts by real aliens in desperation, and beamed into a scenario similar to the ones they often engaged with in their TV series? Forced to work together after years of relying on comic-book conventions and car commercials for income, the crew must put aside their ego and differences to help an alien species from total destruction at the hand of a much more barbaric alien race. My favorite part of the whole film however goes to Alan Rickman's portrayal of "Alexander Dane", a classically trained British actor who's a bit of a drama queen and chiefly concerned with the craft of acting over the more bombastic maverick shenanigans of Tim Allen's "Jason Nesmith". If you're looking for a funny, self-aware, sci-fi adventure- look no further, this is it! Highly recommended (especially after those two Next Generation movies…).
*Below I've put a link for a trailer for the documentary about "Galaxy Quest" made by YouTube channel ScreenJunkies called "Never Surrender!" If you enjoyed this film and genuinely enjoy Star Trek, give this one a watch- it's great!
Dune (1984 – Previously Watched)
Written and directed by David Lynch, "Dune" is an adaption of the popular sci-fi novel of the same name by author Frank Herbert. Set in the year 10,191, "Dune" is similar in nature to "Game of Thrones" in it's concern of ruling 'houses', and who controls power in the region- just on a galactic scale. The beginning of the film tries to dump as much important information possible without becoming overbearing- and I think it does a decent enough job at setting the stage for this particular space opera. Admittedly, I have not read the novel, so I cannot contribute to the discussion of how well this film adapts the source material. However, while this isn't my favorite Lynch film (see 'Mulholland Drive' review above), I do enjoy it for it's ambition. I mean, honestly, I would recommend this film for the production design alone. It's daunting, huge, intricate, and elaborate. All of the worlds feel unique and lived in, the Emperor's palace in the opening of the film feels like something out of Imperial Russia with it's gold baroque flourishes. I also kinda love how disgusting this movie can be at times, particularly the Harkonnens. Their ships, planet, and suits are all just… gross. Speaking of which, they are one of the royal 'Houses', the other major player being House Atreides. These two houses, and the Emperor's political imperatives, are all trying to maintain control of the desert planet Arrakis. This planet is crucial for control of the Universe due to the mining of a substance called 'the spice melange'. With it, powerful psychics can use this drug to fold time and space allowing for intergalactic travel. This film also has my favorite David Lynch cameo, aside from his role of Gordon Cole in Twin Peaks, in which he plays a worker on one of the machines that harvests the spice melange. It's a short, but fun moment. The characters speak in bold declarative sentences, or whispers, and use tongue-twisting words like Kwisatz Haderach, gom jabber, and Bene Gesserit. So, it's really no wonder that a sci-fi movie as dense and uniquely opaque as this would alienate audiences so thoroughly only a year after the original trilogy of 'Star Wars' films had ended. While I do not share the near universal disdain for this movie, I do understand why it didn't connect with people as well as that galaxy far far away. But I must admit that it's strangeness partly explains my admiration for the film. "Dune" is the weird, loner, reject of sci-fi- and you know what, I like you, you strange strange movie. Besides, the movie ends with Sting in a knife fight with Kyle MacLachlan, so there's that. Recommended, despite the odds.

redpajama_set_name: RedPajamaCommonCrawl


text:
Travel Story Paradise for cheese lovers in southern Switzerland
By Stephen Scourfield
Travel Editor
West Travel Club & The West Australian
Easily reached by train from anywhere in Switzerland, scenic Chateau-d'Oex doesn't disappoint when it comes to cheese — or fondue.
It must be all that fresh air. I'm ready for lunch, and the Restaurant Le Chalet doesn't disappoint.
For a start, when I walk in, I'm pleased to see two men in orange safety gear — locals come for lunch. A good sign.
Behind them is a massive copper pot and other paraphernalia used for daily cheese making.
Chateau-d'Oex, in the Pays-d-Enhaut region, is easily reached by train from anywhere in Switzerland, which is famous for its AOP and PGI cheeses.
To explain those terms...
AOPs (Appellation d'Origine Protegee) cheeses have to be manufactured and processed in the area of origin.
PGI (Protected Geographical Indication) cheeses define and protect traditional or typical specialities from a specific region.
Dairy farmer depositing milk at Chateau-d'Oex. Stephen Scourfield
The cheese here is all about the quality of the milk. The quality of the milk is all about the quality of the grass (and cows can't be fed silage, for instance, if the milk's being used for cheese making).
Raw milk is used for cheese making — not thermalised or homogenised.
And there's an important difference in the local terms "mountain cheese", which is made in the alpine villages, and "alp cheese". For 100 days each year, dairy cows are taken up to mountain pastures, and their carers live in their summer farms.
The cows graze on alpine pastures, full of flowers and herbs. The tradition of Alp cheese making during these summer months comes simply from the fact that the cows still need to be milked but it would be impossible to bring all the milk down every day, so it is made into alpine cheese in the summer farms each day.
Summer dairy fary in Chateau-d'Oex Valley. Stephen Scourfield
There are centuries of tradition to this method of storing milk. The making of hard cheeses here dates back to the 15 century. Indeed, until the 18th century, Swiss hard cheese was made only in the summer in the Alps.
Today, commercially viable working farms might have only 15 to 18 dairy cows — milk and cheese just being part of what they produce. Some have fewer. But I'm told that even small-time farmers with only five cows still take them to summer farms to keep tradition alive.
The dairy farmers around Chateau-d'Oex have already been busy this morning. For, in the very early morning at a depot in town, they come to deliver their milk — pulling up in four-wheel drives with a smallish stainless-steel tank on a trailer behind. They hook up the pipe, swipe a card, and the milk drains out and the litres are clocked.
Near Gruyere, Chateau-d'Oex doesn't disappoint when it comes to cheese. More importantly, the Restaurant Le Chalet doesn't disappoint when it comes to fondue.
Fondue made using local mountain cheese at Restaurant Le Chalet, Chateaux-d-Oex. Stephen Scourfield
A pot is brought out full of melted cheese, and stood on heat.
Fondue has to be creamy. It has to be neither too thick nor too thin, so that when a small piece of bread is impaled on a fondue fork and dipped into the hot cheese, it "grips" and doesn't slip off.
A mix of cheeses is often used — for example, blending spicy Gruyeres and Vacherin cheeses, which melt softly.
On average, the Swiss each eat 21kg of cheese a year, and yet this is a slim nation.
In 2016, a global study gave Swiss women the best Body Mass Index (BMI) figures in Europe. The study, with contributions from the University of Zurich's Institute of Evolutionary Medicine and 700 other institutions worldwide, collated the data of 19 million people from 200 countries over a 40-year time span.
It gave Swiss women an almost perfect weight score, in a world in which, it revealed, 640 million people are overweight.
It must be all that hiking.
There is good planning and booking information from Switzerland Tourism at myswitzerland.com.
Switzerland Travel Pass covers trains, buses and ferries with one ticket. myswitzerland.com/rail
SWISS International Air Lines codeshares with Singapore Airlines, connecting through Singapore to Zurich. swiss.com/ch/en
Restaurant Le Chalet: lechalet-fromagerie.ch/en/
Stephen Scourfield was a guest of Switzerland Tourism.
Travel Story: Leisurely pace and pizzazz afloat
16 Jul 2019 Stephen Scourfield
STEPHEN SCOURFIELD wallows in luxury, culture and company on a river cruise through Europe's heart
Travel Story: Fine formula of racing thrills & glam
16 Jul 2019 Michael Ferrante
Get a taste for high-octane fun at Monaco's Grand Prix, writes MICHAEL FERRANTE.
Audio: Talking Travel: Europe river cruising
25 Jun 2019 Stephen Scourfield
Travel editor Stephen Scourfield discusses the ebb and flow of river cruising in Europe.
West Travel Club is your destination for access to premium content, great travel offers, competitions, events and more.
© Copyright 2019 West Travel Club. All rights reserved.


Idag påbörjade jag ett litet projekt med att samla ihop naturbilder fotograferade av överlevare med Aorta Dissektion typ A. Om det blir bra så tänkte jag låta trycka dels någon almanacka med foto, och en fotobok med naturbilder från olika delar av världen. Vi får se hur det går.
Seventeen survivors, all in different cities in Scandinavia.
Four (4) survivors in Denmark from Tønder, Fredrikshavn, Stenløse and Aalborg.
One (1) survivor in Norway: Flisa.
Twelwe (12) survivors in Sweden from Mariefred, Sollentuna, Gävle, Göteborg, Eslöv, Örebro, Alingsås, Stenungsund, Partille, Staffanstorp, Hällingsjö and Sandared.
Together we have founded the first non-profit international patients association for survivors of Aortic Dissection in the World.
We have statutes that has been discussed and revised nine times before we all agreed. We have a formal board with a chairman, secretary and treasurer. We have an auditor, and two alternate board members. All in all five (5) survivors has taken on formal duties to be able to set up the association.
Most of us have never met in real life, we have found each other with help of internet, we have had meetings in closed forums on facebook, live meetings over Skype, and we have had an open democratic debate to agree upon the statutes to give guidance as for what the association is about, how it is run, and how it will survive most of us who are the founders. We finally agreed on a meeting that lasted most of the day friday the 19:th of September 2014. We have during the day voted for the board, and elected a chariman, a secretary, a treasurer, a auditor to revise the annual accounts, and two alternated board members. It is a Scandinavian organisation, who will use the Scandinavian languages in public communication, Danish, Nowegian and Swedish. Main aim is to get known to all the survivors in Scandinavia, so that survivors who never met another survivor can find others, and to provide support among ourselves within the group.
For an illness to be classified as a "rare diagnosis" less than 100 persons out of 1.000.000 get it per year. Aortic Dissection (AD) occurs for less than 30 persons out of 1.000.000 per year. A majority of them dies either before they reach hospital or during or after surgery. So AD classifies as a super rare illness when it comes to survivors. There are not many survivors living with Aortic Dissection and that is why there are no regular patients associations for this group of patients. There are no official statistics in Scandinavia when it comes to who many survivors there are in our countries.
We will now proceed with all the administration to formally set up the organisation, registering it with the approriate authorities, joining larger organisations like the "Rare disease" association founded by the Swedish National Board of Health and Welfare. We will also get the word out to media, and to all the university hopitals performing surgery and who has ICU handeling AD patients in the Scandinavian countries.
1954 the first surgery on AD was done. 2014 the first official patient organisation was founded. Horray !


text:
Obstructed View – Reflections on the Southampton (H) Game
We've often said we just need three points, don't care how we play. Yesterday seemed to be one of those days, although many were pleased with points but decidedly unhappy with the way we played. More on that in a moment.
It was indeed a decidedly mundane affair at The Old Lady yesterday, but when we come to look back on this dreadful season, we'll only see 1-0 and three points, and the ends will undoubtedly have justified the means, as we edge ever closer to a position of safety and an opportunity to look forward to next year with our customary mis-placed optimism rather than a fear of playing Bristol City away in the Championship (no offence Bristol, other fixtures which don't quite compare to Man Utd away would have been available).
But in fact, there were many positives to take from yesterday. For a start, a team like us – low on confidence, and emerging from a crisis if not quite completely out of it, played with an element of control that we can be proud of. Apart from two world class saves, Howard had bugger all to do. Yeh, apart from that. But Southampton are no mugs, the league table doesn't lie, and they will have been disappointed not to have got anything from their visit as they push for Europe, possible even Champion's League, although that seems a remote chance now. They were good in possession, pressed us all over the pitch, and in Schneiderlin and Wanyama they have two of the best DMs in Europe, let alone the Premier League. Apart from down our left flank, where Baines seemed to be decidedly off the pace, with Bertrand always looking for opportunities, they actually failed to threaten much going forward, and their relatively paltry 42 goals for this season so far may be their undoing Europe-wise, despite their remarkably good goals conceded stat which, at 22, stands to date as the best in the league by 4 goals. So a win for us has to be applauded and praised, against a side that were determined to win, and we kept a clean sheet whilst grabbing a scruffy goal early on. It's good news people.
The solidity at the back, occasional Baines wobbles notwithstanding, was particularly pleasing, and it was great that Jags confounded the curse of the Player of the Month Award by contributing not just a goal off his shin pad, but another Man of the Match Award. He looked immense, blocking, tackling, heading, even shouting (at last), and always on hand to offer advice to his fellow defenders and keeper. And it was our keeper, much maligned in recent months, not without justification it has to be said, that kept us in the game with an 'unbelievable Jeff' save first from Pelle and then from some other bloke in a stripy top. The first of these, clawed out from under the bar, was so astonishing, that most observers assumed at first that it had come back off the bar, but Timbo flexed his ageing frame and performed a manoeuvre that a top gymnast would be proud of to get a really firm hand on it, not just knocking the ball out of the goal, but almost out of the area as well, otherwise I suspect Pelle might have had a chance of a tap in if he'd got himself vertical in time, but he was too busy admiring Tim's save.
As we all have since.
The second save, a shot from distance that moved wickedly in the air, was just as good in many senses, had it not been for the suspicion that he hadn't read it as well, and had moved a bit too far to his right before shoving out a strong left hand to save it. The movement of the ball underlines that sometimes a Goalkeeper's lot is rather different these days to that which Ted Sagar, Gordon West or even Big Nev had to endure. Not sure Southall would have been able to show the same dexterity as Howard did yesterday – and to be clear, I mean the Nev in his prime, not the house-side we see today.
Yes, credit where credit is due for Tim Howard yesterday. I should be slightly anxious that when I stuck up for Alcaraz after he played a reasonably good game, the next match was Dynamo Kiev away. Enough said. Prove to me Timbo that lightning doesn't strike in the same place twice, and a clean sheet in Swansea please.
Stones proved again what a gifted footballer he is, not just doing his No1 job of stopping the opposition, but also moving the ball forward. He also demonstrated that he's 20, with an ability to read his own hype, and perhaps try to do too much when Row Z beckons. But that's fine, I want this lad to learn with us, I want him to grow in to the unbelievable talent that he can truly become, I don't want him learning the tricks of the trade for Citeh or Chelski U21s, I want him to become a Goodison legend, just like the bloke alongside him (at full back or Central Defender!).
Lennon has been a revelation to me, and maybe to many of us, as his ability to win lost causes and chase down the ball, is only slightly undermined by his inability to play the right final pass. But as I've said before, he flies around like one of those irritating wasps at a late summer picnic, and he doesn't give up. His mileometer needs a check, and his Rev Counter certainly does. Top bloke, offers us something a bit different with pace and a trick or two running in to the centre from out wide, leaving space for Seamus to run in to, and it all starts to look rather good for the prospects of our run-in.
But let's not get carried away, As some Blue observers dourly noted, it was a poor game overall, and there were times when we were outnumbered in midfield, and looked a little clueless. But rather than focus on that, because we've had that several times this season and lost, let's dwell on the positives for a change considering we won, and now occupy the heady heights of 11th as I write. It's not perfect, it's not back to the good old days of last season, it's more a case of grinding out the victories we need to secure a period when we can both rebuild and rethink.
Previous Post BK In or Out Debate
Next Post Obstructed View – Reflections on the Swansea (A) Game


We are looking for a research associate to assist our team in their work to evaluate animal charities and animal advocacy interventions, as well as to conduct foundational research. This position will involve developing and managing research department strategies and activities—including designing, managing, and executing research projects and conducting data analysis and program evaluation.
Our passionate research team investigates the impact of various strategies for helping animals in order to provide the best possible advice to animal advocates, donors, and charities. We bring a high level of dedication, intelligence, compassion, and resourcefulness to work everyday. We are an agile and fast-moving organization that shifts rapidly to meet our goals; individuals who are comfortable with a fast pace and a remote/virtual workplace do well here.
This position offers an exciting opportunity to contribute to a robust understanding of effective ways to help animals. The ideal candidate will have strong communication and reasoning skills, and will bring to ACE a relevant background (in animal advocacy, evaluation, or a similar field) that differentiates their views from those of others on our team.


The UNMH/VA Consultation-Liaison Psychiatry Fellowship Program participates in the NRMP Match. Applicants for our program must be completing residency training at an ACGME-accredited psychiatry residency and be eligible to participate in the Match in order to be accepted to our program.
Applications for the UNMH Consultation-Liaison Psychiatry Fellowship may be submitted beginning August. 1, and are considered on a rolling basis. The last day to submit an application for consideration is Oct. 1. The program cannot guarantee consideration of applications submitted after Oct. 1. Opportunities to visit the program and interview with the teaching faculty will be scheduled with suitable applicants on a rolling basis between August and December 1.
These items can be sent in one packet or separately to the program.


text:
Current: For Community Members
Archive: For Community Members
2021-22 District Family Update No. 9 | Dec. 10, 2021
This update includes information about the Minnesota Department of Education "grow your own" grant that the district was recently awarded, share a reminder about e-Learning days for future weather-related closures, information about vaccination opportunities, an update about the exit criteria the district may use to scale back COVID-19 safety protocols in the future, and an update about the district's strategic plan.
Board Authorizes November Referendum
At a special meeting on July 24, the Board of Education officially voted to hold a November 7, 2017, election for the purpose of expanding and extending the current operating levy and for the purpose of selling bonds to implement components of the Master Facilities Plan.
World's Largest Swimming Lesson
Help set a Guinness World Record while receiving a free swimming lesson!
All Comers Track Meet
Show off your speed, or just your sense of fun, at the All Comers Track Meet on Wednesday evening, July 21, at the Northfield Middle School Track.
Summer Music in 2017
The Northfield Community Band will kick off its free concert series at 7 p.m. on June 8 at Bridge Square. Bring a blanket or chairs at 7 p.m. every following Thursday in June, and enjoy music and the river view from the downtown park.
Greenvale Park Principal Selected
Northfield Public Schools is pleased to announce that Mr. Sam Richardson will be the next Principal at Greenvale Park Elementary School. Sam has served the last eight years as Principal at Glendale Elementary School in the Prior Lake-Savage School District.
11 Selected as Minnesota Teacher of the Year Finalists
Northfield High School Social Studies Teacher Sarah Swan McDonald is one of eleven teachers from across the state that has been named a finalist in the 2017 Minnesota Teacher of the Year program.
Enjoy the Talent & Cuisine of Cinco de Mayo
Community members of all ages are invited to enjoy authentic Mexican food and entertainment at the Northfield Middle School's 7th annual Cinco de Mayo celebration, from 5–8 p.m. on Thursday, May 4, at the middle school.
Bridgewater Principal Finalist for Minnesota National Distinguished Principal
Nancy Antoine, Principal of Bridgewater Elementary School, and a member of the Minnesota Elementary School Principals' Association (MESPA), is one of three finalists for Minnesota 2017 National Distinguished Principal (NDP).
NHS Teacher Nominated for Teacher of the Year
Northfield High School teacher Sarah Swan McDonald is representing the Northfield School District as one of 132 candidates for Minnesota Teacher of the Year.
You're on page …


text:
Fmr. Ambassador Holliday: President Obama's meeting with Palestinian President Abbas 'a significant visit'
Today, President Obama is in the West Bank city of Ramallah for the second leg of his historic Middle East visit. He is meeting with Palestinian President Mahmoud Abbas to discuss the possibility of reviving peace talks in the region. The president has said he is prepared to listen, and hasn't come with a peace plan. The two leaders will talk at a working lunch and will then address the media.
But the trip is already marred by violence. Two rockets fired from Gaza landed in the southern Israel city of Sderot hours earlier, while the president was about 60 miles away in Jerusalem. There are reports of property damage but no injuries.
Stuart Holliday, president and CEO of the Meridian International Center and fmr. former U.S. Ambassador special political affairs to the UN Security Council, weighs in on Obama's meeting with Abbas today and how the attacks may have affected it. Holliday says the rocket attacks are a reminder that the Palestinian Authority does not control Gaza and that the Palestinian government is divided, highlighting "the weakness that we face in terms of the talks restarting."
Holliday calls the president's trip a significant visit, but notes that the Palestinians are very skeptical about what the president hopes to accomplish. "I think it's a mixed bag," Holliday says. "But I do believe that they would view the president's visit, and the look for any opportunity to get these talks restarted. And of course, they've been on the sidelines, waiting for what they see as a critical issue, for these settlements to halt. Whereas Israelis have said, look, 'we're ready to talk at any point as long as you don't put preconditions on these talks.'"
Filed under: Israel • Israel-Gaza conflict • Palestine • President Barack Obama • United Nations • World


text:
<?xml version="1.0" encoding="UTF-8" ?>
<rss version="2.0" xmlns:content="http://purl.org/rss/1.0/modules/content/" xmlns:wikidot="http://www.wikidot.com/rss-namespace">

	<channel>
		<title>Getting first coupple of drops</title>
		<link>http://bvs.wikidot.com/forum/t-124484/getting-first-coupple-of-drops</link>
		<description>Posts in the discussion thread "Getting first coupple of drops" - is there any low level items that are worth collecting to trade for better stuff</description>
				<copyright></copyright>
		<lastBuildDate>Sun, 10 Jul 2022 04:51:31 +0000</lastBuildDate>

					<item>
				<guid>http://bvs.wikidot.com/forum/t-124484#post-369631</guid>
				<title>Re: Getting first coupple of drops</title>
				<link>http://bvs.wikidot.com/forum/t-124484/getting-first-coupple-of-drops#post-369631</link>
				<description></description>
				<pubDate>Thu, 29 Jan 2009 03:25:22 +0000</pubDate>
				<wikidot:authorName>mikelorus</wikidot:authorName>				<wikidot:authorUserId>231303</wikidot:authorUserId>				<content:encoded>
					<![CDATA[

Not really, the other "basic" items that trade for monster drops are fairly hard to acquire, and you need lots of em.

				 	]]>
				</content:encoded>							</item>
					<item>
				<guid>http://bvs.wikidot.com/forum/t-124484#post-369393</guid>
				<title>Getting first coupple of drops</title>
				<link>http://bvs.wikidot.com/forum/t-124484/getting-first-coupple-of-drops#post-369393</link>
				<description></description>
				<pubDate>Wed, 28 Jan 2009 21:33:48 +0000</pubDate>
				<wikidot:authorName>thevampirate</wikidot:authorName>				<wikidot:authorUserId>270565</wikidot:authorUserId>				<content:encoded>
					<![CDATA[

i have recently started and dont know what low level items to keep for trading and what items to sell off. i read on a lower post that someone traded 350 smokebombs for a regalia so are there any other items worth collecting in mass to trade away?

				 	]]>
				</content:encoded>							</item>
				</channel>
</rss>

redpajama_set_name: RedPajamaGithub


text:
Q: numpy remove column from array where the first element in column is a 0 If I had a random numpy array as shown below:
myArray:

        [0  ,        0      ,  51.78  ,      17],
        [823.    ,   91.31  ,  51.63  ,      13],
        [819.    ,   93.03  ,  51.77  ,      52],
        [776.32  ,   93.85  ,  52.02  ,      34],
        [755.12  ,   92.48  ,  49.955 ,      77],
        [739.01  ,   97.68  ,  50.75  ,      48],
        [760.17  ,   98.26  ,  51.1   ,      12],
        [780.37  ,   98.82  ,  51.52  ,      13],
        [740.34  ,   98.5   ,  50.48  ,      17],
        [768.65  ,  104.86  ,  51.71  ,      97]]

I was looking to remove the columns in which the first element is a 0, resulting in an array that follows:
myArray:

        [51.78  ,      17],
        [51.63  ,      13],
        [51.77  ,      52],
        [52.02  ,      34],
        [49.955 ,      77],
        [50.75  ,      48],
        [51.1   ,      12],
        [1.52   ,      13],
        [50.48  ,      17],
        [51.71  ,      97]]

NOTE
I am aware of np.delete, I am not sure if I can implement this given any random array. I am looking for a method in which, if given a random array that has 0's in the first row, I can implement the same function to any array, not just the given example above.
Any tips would be greatly appreciated!

A: Use Boolean Indexing and the condition would be arr[0] != 0:
arr[:, arr[0] != 0]

#array([[ 51.78 ,  17.   ],
#       [ 51.63 ,  13.   ],
#       [ 51.77 ,  52.   ],
#       [ 52.02 ,  34.   ],
#       [ 49.955,  77.   ],
#       [ 50.75 ,  48.   ],
#       [ 51.1  ,  12.   ],
#       [ 51.52 ,  13.   ],
#       [ 50.48 ,  17.   ],
#       [ 51.71 ,  97.   ]])

redpajama_set_name: RedPajamaStackExchange


text:
Salman Akhtar
How to Work from home
12 Best Tips for working from home
Working from home now become a new normal. Since the spread of the pandemic, the whole world has changed from physical work to work from home. In the post-pandemic world, many companies hire remote workers from anywhere in the world. Many more people like online creators have been working from…
How to become an App Developer in 2021
A complete guide for Beginners.
Photo by Fotis Fotopoulos on Unspash
Mobile apps developers create apps for people so that they can solve their problems. The demand for mobile app developers is growing and there is no doubt that qualified app developers get one of the highest-paid jobs. Mobile app developers in San Francisco on average get a salary of around…
What to Pack for a Hiking Trip-6 Essential for Hiking.
Image by Danka & Peter on Unsplash
Hiking is essential to explore nature and the environment around you. It is beneficial for your physical and mental health Take a break from your busy schedule and spend time on travelling and hiking trips. This will make you feel good and make you happy. You can go with your…
I am a freelance content writer and a blogger. I write SEO articles for websites.


text:
Pashinyan: there is currently no diplomatic solution
Russia welcomes 'desire' of Armenian and Azerbaijani leaders to meet
Armenia and Azerbaijan report ceasefire violation
Azerbaijani Foreign Minister to meet Lavrov
Armenian Foreign Minister visits Moscow
Live updates: Day 25 of fighting in Nagorno-Karabakh
Fighting is continuing for the 25th day over Nagorno-Karabakh, despite a ceasefire being agreed in Moscow.
[The news as it happened: 27 September, 28 September, 29 September, 30 September, 1 October, 2 October, 3 October, 4 October, 5 October, 6 October, 7 October, 8 October, 9 October, 10 October, 11 October, 12 October, 13 October, 14 October, 15 October, 16 October, 17 October, 18 October, 19 October, October 20]
Read our latest stories:
Armenia: 834 soldiers have been killed
The Armenian Ministry of Defence has confirmed that at least 834 Armenian military personnel have been killed since the fighting began. Azerbaijan does not release military casualty figures.
During a live broadcast on Facebook Armenia's Prime Minister Nikol Pashinyan has said that 'at this stage', there can be no diplomatic solution to the conflict. He said that what was being suggested was not 'viable'.
According to Pashinyan, Armenia has stated on many occasions that it is willing to lower its 'national bar' to settle the conflict only if Azerbaijan holds back from its 'maximum goals.'
'But reality shows that whatever is acceptable for the Armenian side within this context, is unacceptable for Azerbaijan,' he said. 'This shows that it is pointless to speak about a diplomatic solution at least during this stage.'
Pashinyan went on to say that the only thing left to do in this situation is to fight until the end, without any reservations or hesitation. 'Despite what will happen, we have to fight for the rights of our people,' he stated.
Pashinyan addressed the political leadership of the country, including city councils, community leaders, local self-government bodies, political parties, as well as NGOs and civic initiatives to form volunteer battalions that would operate under the guidance of the General Staff of the Armed Forces. According to him, this will be a tipping point in the conflict.
Pashinyan also talked about Armenia's relations with Russia stressing the importance of their strategic partnership. 'Russia, as Armenia's strategic partner and as an OSCE Minsk Co-Chair country, until now, has done everything possible and I am sure will again do everything it can moving forward,' said Pashinyan.
Russia welcomes the desire of Armenian Prime Minister Nikol Pashinyan and Azerbaijani President Ilham Aliyev to hold a meeting in Moscow, Russian Deputy Foreign Minister Andrey Rudenko said according to TASS. No such meeting has been scheduled as of yet.
Azerbaijan's Ministry of Defence reported that battles continued overnight in the north and south of Nagorno-Karabakh. They also reported that in the morning the city of Tartar was shelled.
Armenian Defence Ministry spokesperson Shushan Stepanyan reported that in the morning an Azerbaijani warplane was shot down and the situation remained 'relatively stable and tense'.
Azerbaijan's Ministry of Defence denied that one of their aircraft was shot down.
Azerbaijani Foreign Minister Jeyhun Bayramov has left for Moscow to hold a meeting with his Russian counterpart Sergey Lavrov.
The Armenian Foreign Minister will also meet with Lavrov today.
Armenian Foreign Minister Zohrab Mnatsakanyan is visiting Moscow to meet with his Russian counterpart, Sergey Lavrov, the Foreign Ministry said on Wednesday.
Armenpress quoted a spokesperson as saying they will discuss 'the situation in the conflict zone and the implementation of the ceasefire agreements.'


Last week's Moxie Awards brought Chicago's digital business community together to celebrate the city's thriving ecosystem of innovation. Now in their fourth year, Built In Chicago's Moxie Awards recognize exceptional leaders and companies. Fifteen awards were given across four categories that include Startup Awards, Supporting Awards, Individual Awards, and Headline Awards.
SimpleRelevance helps marketers send personalized, targeted messages to their e-mail lists. The company uses technology to gather purchasing and browsing insights linked to an e-mail address, empowering marketers to create targeted campaigns.
SimpleRelevance is a recent graduate of 1871.
Eileen Murphy and Abby Ross are working to improve education with ThinkCERCA, and recently closed a $3.2 million Series A Round for the company. ThinkCERCA is an online platform designed to empower teachers to personalize literacy instruction across disciplines and increase engagement.
ThinkCERCA is an 1871 alumni company that has returned to the 1871 space, and is now the largest employer at 1871.
SpotHero is an on-demand parking app and website that helps drivers find parking and reserve a spot with convenient garages, lots and valets for up to 50% off the drive-up rate. Founded in Chicago in 2011, the company is now active in Chicago, New York, Washington D.C., San Francisco, Boston, and a number of other major US cities. In addition to being the top downloaded and top rated parking app in both iTunes and Google Play App Stores, SpotHero was also the first on-demand parking app to offer Apple Pay and Google Wallet.
SpotHero is an 1871 alumni company.
Adam Koopersmith joined Pritzker Group Venture Capital in 2004 and has focused on SaaS applications, interactive marketing solutions and health applications. He also sits on the board of organizations like TechStars, Sittercity, Advantage Optics and Firm58.
Pritzker Group Venture Capital is a tenant of 1871, and Adam Koopersmith is a frequent mentor of 1871 startups.
Jellyvision is one of Chicago's most successful digital communications firms. In 2009, the company launched ALEX, an employee engagement platform that communicates matters like health benefits to new hires and current staff. The software is used by over 300 companies, 52 of which are Fortune 500 companies that have hundreds to millions of employees.
During her time at Jellyvision, Amanda Lannert has doubled her company's revenue in three out of the last four years and has built an award-winning company culture. After so much success, it's not surprising that this is the third year in a row Amanda has taken the coveted CEO of the Year title at the Moxie Awards.
Congratulations to all of the nominees and winners at the 2015 Moxie Awards!


Our company provides a comprehensive range of services, including performance surveys, conceptual & detailed design, supply, installation, commissioning, maintenance & repair of commercial & industrial Refrigeration systems.
As an independent company, we can offer impartial advice on all aspects of your Refrigeration system requirements and recommend equipment from a wide range of manufacturers.
We are a provider of Refrigeration Design, Engineering, and Installation services, and we are capable of working to meet specific standards applicable anywhere in the world.
R.I.S. will work with you to provide solutions to your Refrigeration problems. From concept to completion, we will deliver complete project management, design solutions, and overall performance above and beyond your expectations.