Alshamsi: The program is based on a comprehensive investment vision that seeks to spread real estate awareness to keep pace with the rapid and escalating growth of the real estate market in the Emirate of Sharjah.
Al Naimiy: This program is the fruit of the joint cooperation with the Sharjah Real Estate Registration Department within the UoS's vision for serving and developing the community.
The Sharjah Real Estate Registration Department and the University of Sharjah celebrated the graduation of the fourth, fifth, and sixth batches of enrollees in the "Professional Diploma in Real Estate" Program sponsored by the Department and supervised by the Center for Continuing Education and Professional Development at the University of Sharjah. The program includes 135 training hours and included a total of 61 trainees from the various real estate offices and institutions in the Emirate of Sharjah. Prof. Kamal Youcef-Toumi, Mechanical Engineering Professor, Co-Director of Center for Clean Water and Clean Energy at MIT in the US, and Member of the University of Sharjah's Board of Trustees, attended the ceremony along with His Excellency Prof. Hamid M.K. Al Naimiy, Chancellor of the University of Sharjah; H.E. Hamid Ali Alabbar, Advisor to the Sharjah Real Estate Registration Department; and Prof. Radhi Al Zubaidi, Director of the Center for Continuing Education and Professional Development.
His Excellency Abdelaziz Ahmed Shams Alshamsi, Director General of Real Estate Registration Department, stressed that this program is based on a comprehensive investment vision that seeks to spread real estate awareness to keep pace with the rapid and escalating growth of the real estate market in the Emirate of Sharjah. It also aims to strengthen the role of the real estate sector for its efficiency and organization, and from this perspective, the Department pays special interest to the dissemination of real estate knowledge, which reflects positively on the investment environment in this sector in the Emirate of Sharjah especially, and the UAE in general.
Alshamsi also explained that this program aims to provide a comprehensive knowledge database for participants that is built on scientific rules linking the theoretical framework and practical application, and to raise the efficiency and effectiveness of participants with multiple skills in the various fields related to the real estate sector that enable them to perform their current and future jobs in the sector to the fullest extent. This in addition to working on the preparation of cadres working in the real estate sector, and help them to provide advanced services to customers in this sector.
For his part, Prof. Hamid M.K. Al Naimiy expressed his delight at the graduation of the new batches from the Professional Diploma in Real Estate Program. He pointed out that this program is the fruit of joint cooperation with the Sharjah Real Estate Registration Department. The University of Sharjah, he added, within its strategic plan focuses on the service and development of the local community through constructive and fruitful cooperation with all national institutions and entities.
The Chancellor added that the program targets all the real estate agents to qualify them to perform their tasks to the fullest extent, as well as anyone who has a desire to enter this field, and does not require a university degree from the applicant. He stressed that the University is keen to provide all the necessary professional and academic expertise at the highest levels for the participants in the program to ensure their preparation and training in the best possible and scientific methods.
The Advisor of the Real Estate Registration Department stressed that the program prepares and qualifies participants and informs them of everything that is new in regulations, administrative procedures related to real estate, familiarized them with all legal aspects related to the relevant legal actions, and the road to successful real estate marketing. Adding to that, the program prepares the participants to face all the problems and potential real estate challenges, and informs them of the special procedures to deal with them efficiently.
For his part, Prof. Radhi Al Zubaidi said that the program focuses on real estate management through studying the real estate economy and analyzing it, understanding the areas of real estate brokerage, property valuation, real estate marketing, owner's unions, as well as investment and real estate development methods.
The program is supervised by a group of faculty members from the College of Law at the University of Sharjah who have extensive experience in this field as well as outside collaborators from the Sharjah Real Estate Registration Department and other real estate departments who are always seeking to provide the best services to the public and private sectors in the UAE.


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Meet Edward Abel Smith, Aka Ned Rocknroll, Kate Winslet's Husband
Marc Piasecki/Getty Images
By Hope Campbell/June 7, 2021 6:03 pm EST
British actress Kate Winslet got her big Hollywood break when she landed a lead role in "Sense and Sensibility" in 1995, opposite Emma Thompson, but her star truly rose when she became the romantic role in the epic Oscar-winning 1997 film, "Titanic" (via IMDb). In 2021, she is a 45-year-old married woman with three children, still making movies and TV series, while raving about her third husband, Edward Abel Smith, who she wed in 2012.
While he is known by his birth name, Edward Abel Smith, now, Smith once went by the name Ned Rocknroll. The nephew of famed British businessman, Richard Branson, changed his name to Ned Rocknroll in 2008. Ned is a nickname for Edward, so he had been called that for years and decided to change his last name to Rocknroll to show off his happy-go-lucky nature, according to Factsninja.com. However, in 2019, he changed his name back to Edward Abel Smith. But why?
The story behind Kate Winslet's husband usual and unusual names
Kate Winslet explained to Jimmy Kimmel why her husband decided to take on such a unique moniker and the very practical reason he changed it back.
"So his birth name is Abel Smith," the Oscar winner said. "And as time went by and Ned became Ned — who is quite an original personality — he just decided at one point in his life to just change his name to Rocknroll. Ned Rocknroll. So when I met him, his name was Ned Rocknroll. This is completely true," Winslet told Kimmel (via E! Online) When he changed his name to Rocknroll, I don't think he had anticipated what might happen if he should have a girlfriend whose name was Kate Winslet and who was quite well-known and therefore the press might kind of not react so well to the fact that she had this boyfriend named Rocknroll. So, it was a little tricky.
Raising their son, Bear Blaze, and all the logistics and legalities that come with being parents is what prompted Smith to go back to his original name.
"I got to the point where I'm like, you know, I'm filling in doctors' forms and it says 'mother's name' and 'father's name', and I'm like, 'Honey...are we going to keep going?'" she said. "And he's like, 'Yeah, you're right. I'll just change it back.' So, he changed it back."
Kate Winslet raves about her beloved husband
Winslet doesn't just call her husband Ned. The "Mare of Easttown" star also refers to him as "the superhot, superhuman, stay-at-home dad," according to The New York Times. This dad left his job at his uncle's space travel company to move to California with his wife and help raise her two children from her first two marriages, according to Factsninja.com.
"He looks after us, especially me. I said to him earlier, like, 'Neddy, could you do something for me?' He just went, 'Anything.'"
She added: "He is an absolutely extraordinary life partner. I'm so, so, so lucky. For a man who is severely dyslexic, as he is, he's great at testing me on lines. It's so hard for him to read out loud, but he still does it" (via The New York Times).
Winslet gushes about her husband even more, telling The New York Times that he's adjusted well to having a wife who is constantly in the spotlight.
"He didn't particularly plan on meeting and marrying a woman who is in the public eye and therefore having been so judged," she said. "He's vegan, does yoga, breath work and cold water swims."

redpajama_set_name: RedPajamaCommonCrawl


Population growth in the Blue Nile Basin has led to fast land-use changes from forest to agricultural land, which resulted in speeding up the soil erosion processes producing highly negative impacts on the local soil fertility and agricultural productivity. The eroded sediment is transported downstream by water and sinks in the lower basin where it significantly reduces reservoir storage and irrigation canals capacity. The only effective solution to mitigate the sedimentation problem is to limit the sediment inputs from upstream by locally implementing erosion control practices. However, given the vastness and remoteness of the involved areas, this first requires the knowledge of the most critical zones.
The book identifies the sources of the sediment depositing in the Lower Blue Nile Basin and quantifies the amounts involved providing essential information for the planning and implementation of any interventions aiming at reducing soil erosion. The methods used consist of extensive field work covering most of the basin, watershed, hydrodynamic and morphodynamic modelling and, for the first time, the mineralogical analysis of the sediment at the sources and sinks. The method is successful in indentifying the areas providing most of the transported sediment, where it is recommended to start with erosion control practices.
Dr Yasir Ali has considerable experience in many aspects of river engineering gained during 14 years of practice. His main expertise is in river hydraulics and river morphodynamics gained through his involvement in projects dealing with river morphology. Dr Ali played a major role in field investigations and hydrographic surveys throughout his years of involvement in applied research. He gained a strong theoretical background during his M.Sc. study and Ph.D research in the Netherlands. He worked on hydrodynamic modeling for the entire Blue Nile River, from Lake Tana to Khartoum, using the Delft Sobek software. In 2009, Dr Ali conducted a trans-boundary bathymetric survey along the Blue Nile River in both Ethiopia and Sudan, sampling bed levels and suspended sediment. He worked in the Watershed Management Program under the Eastern Nile Model Program (ENMP) in the Eastern Nile Regional and Technical Office (ENTRO), from April 2012-July 2012, Addis Ababa (Ethiopia).


Applicable to staff working in selected companies located in the Sentosa-Harbourfront precinct.
1. Free cable car rides to Mount Faber and Harbourfront only, applicable from 12:00PM to 2:00PM.
2. Promotion is valid on weekdays from Monday to Friday, excluding Public Holidays.
3. Please present office staff pass to enjoy $10 lunch offers or 10% off total bill at Spuds & Aprons.
4. Discount is not valid with other discounts, promotions and privileges.
5. All prices are subjected to 10% service charge and prevailing government taxes.
6. Mount Faber Leisure Group reserves the right to change the terms & conditions at any one time without prior notice.


Great Floyd Home! This four bedroom and three bathroom home is equipped with so much to offer! This property has a large bay garage detached from the home and also a garage beneath the home. The lower level offers a man cave, a large room being used as a salon, laundry room, and the garage. A wonderful kitchen with white appliances and an island. You will enjoy all of the space this home has to offer. Don't miss the chance to see this lovely property yourself, book an appointment today!
Directions: From Rt 8- Floyd, Left Onto Ridgeview Rd To Duncan's Chapel, House Will Be On The Right With Sign.


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Page 165, July 2004
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Second-hand car dealing - with a big, big difference
So what's it like to own a modern Ferrari Formula one car? "If you like golf, it's like playing Augusta with Tiger Woods. If you like tennis, it's like playing Andre Agassi on the Centre Court at Wimbledon." Thai's how F1-2000 owner Paul Osborn describes it.
The Essex car dealer has owned and driven plenty of F1 machinery in his time, but nothing compares to F1-2000. "The drive is just so many light years in front of anything guys like me are used to," he says. "The easiest way to describe it is like this: the 1991 Benetton was a good car in its day, but the difference between it and this Ferrari is like that between a Morris Minor and a Mercedes SL55."
As Osborn says, the F1-2000 is the most important grand prix car Ferrari has sold in the past 20 years. It is also the most recent Fl car in private hands, but thanks to Ferrari's Clienti division, it probably won't remain so for very long. Buying a Ferrari direct from the factory is easier now than it has ever been.
"Before F1 Clienti it was all a bit undercover," says Osbom. "You had to know somebody. To buy one you generally had to be a friend of Luca di Montezemolo or Jean Todt. Now with the customer division you can go into Ferrari UK and say 'I want to buy a Ferrari Fl car', they put you in touch with the factory and ifs that simple."
Clearly, Ferrari still controls who gets their hands on the red cars. It even maintains a high degree of power over what is done with them once they are sold. Fred Goddard Racing, for example, is the only company in the UK that has Ferrari's blessing to run its old cars, and to do so on proper rubber; Osborn and the team have to hire the Bridgestone grooved tyres direct from the factory.
So how much? "It's quite good value," Osborn insists. 'The trouble is that now all Ferrari has is championship-winning cars, which will be more expensive. It depends whether it is a four-time race winner or a test car. But you are talking around US$1.5 million (£830,000)."
Out of the red, into the black
When Michael Schumacher ended Ferrari's agony by delivering its first drivers' title for 21 years, he guaranteed the F1-2000 a special place in racing history. By Damien SmithThis is it, probably his...
Page 127, March 2008
Buy your own F1 car
A new initiative called PF1 will allow people to own and drive recent F1 cars in up to four events a year at venues such as Silverstone and Spa. Created by Paul Osborn and Jonathan Kaiser, co-...
Page 6, December 2000
Ferrari's 'Thank You' to fans
World Champions Michael Schumacher and Ferrari entertained 60,000 rapturous fans at Mugello on 29 October, just a week after the German secured the Scuderia's first driver's title since Jody...
Page 94, February 2004
Ferrari Formula 1
By Peter Wright ISBN 1-893618-29-3 Published by David Bull, £59.95 Ferrari is in a state of war, says Ross Brawn. Which means that author Peter Wright got behind enemy lines. In the aftermath of its...
Page 129, June 2012
Around the houses
NEWS FROM THE MAIN AUCTION HOUSES AROUND THE WORLD SILVERSTONE AUCTIONS In its Spring Sale on May 16, Silverstone Auctions will offer a key part of Formula l's rich history for sale. Alongside...
70 Years of Porsche Sports Cars
Porsche - From Race to Road
Williams (DVD)
Aston Martin - From Race to Road
Jim Clark - The Best of the Best
Speed: The One Genuinely Modern Pleasure [SIGNED]
Jean Todt
Luca di Montezemolo
Osbom
Paul Osborn
Ferrari UK
Centre Court
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Author: laurenbutterworth
Lauren Butterworth is an emerging writer who has recently completed a PhD in creative writing at Flinders University where she also teaches English. She is the co-director of The Hearth, a creative readings event in Adelaide, and her creative work has appeared in Wet Ink, Libertine and Indaily. She has reviewed for Heckler and Dirt and Candy, and has published essays in Libertine. She is currently working on her first novel.
Forough Farrokhzād
For over 1000 years, poetry has remained one of the most important traditions of Persian culture. So when, in the mid-twentieth century, a young woman emerged with a voice that spoke with a whirlwind of desire, a voice yearning with love, intimacy, and insight well beyond her years, the establishment was shaken. With a tumultuous love life that saw her become one of Iran's most controversial and scandalous public figures, Farrokhzād suffered under the glaring public eye. But she was also a mother, a filmmaker, and a visionary. Despite her poetry being banned for more than a decade after the Iranian Islamic Revolution, today she is seen as one of Iran's most revered poets, a woman with the audacity to speak taboos in a revolutionary form.
On the darkest of dark and stormy nights, the teenage Mary Shelley awoke from a nightmare. In her vision she saw a young man, a 'pale student of unhallowed arts', kneeling over his creation. The image inspired one of the most enduring horror works of our time: Frankenstein. But Mary Shelley was not just a mistress of the gothic. Born to one of the most influential proto-feminists of our age, Mary Wollstoncraft, and political radical and anarchist William Godwin, Mary moved in intellectual and artistic circles that would often overshadow her own greatness. But great she was. A woman who suffered and overcame tremendous loss, she was a survivor who spoke to some of the greatest anxieties of her – and our – time. But she was also a travel writer, an editor, a biographer and feminist. Join us as we steal away in the night to traverse the stormy crossing from England to France and curl up by a fire to hear the tale of the original teen goth, Mary Shelley.
Bessie Coleman
In the 1920s, the infancy of aviation, pilots took to the skies to shock and awe their audiences with death dives, barrel-roles, and wing-walking. Within these flying circuses, one performer truly stood out: the Bird Woman, Bessie Coleman. Born to a family of sharecroppers in Texas, Coleman knew that to live her dreams, she'd need to leave the US and its prejudiced segregationist policies and move to France. Here, a place where women were truly excelling at the new art of flying, she grew her own wings and became the first Black woman in history to earn her pilot's licence. At home, she quickly became a sensation, performing daring feats of high-flying acrobatics in her old war-time Jenny. But she was a performer as much on ground as she was in the air, and she wasn't afraid to self-aggrandise, particularly in the effort to increase Black participation in aviation. As flying became a symbol of her own political empowerment, Coleman soon dreamed of establishing a flying school of her own and opening the skies to those who'd been denied such freedoms.
So put on your goggles, fire up an old biplane, and take to the skies with us as we explore the daring life of Bessie Coleman.
After a childhood spent buried amongst the texts of her grandfather's library teaching herself Latin and Nahuatl, Greek rhetoric, and philosophy, it's not surprising that the young Juana was considered a prodigy. So much so that, at just fifteen, she found herself lady-in-waiting to the Vicereine, wife of the Viceroy of New Spain. Court life, however, didn't appeal to young Juana, who, sick of rich and drunken bachelors and their flirting ways, craved the space and time to dedicate herself to her studies. So, what was she to do? Join the nunnery, of course! Here, she found the scholarly solace she desired. But when the Bishop of Puebla, one of the most influential men of the New World, publically maligned her for daring to think beyond her sphere, Juana penned a manifesto that would become one of the most important proto-feminist texts in the history of the Americas – if not the world.
Norma Miller
In 1919, into the heart of the burgeoning Harlem Renaissance – an artistic and cultural movement that would shape the very fabric of the US – Norma Miller was born. As a child, she would watch the likes of Duke Ellington and Ella Fitzgerald play to the hopping crowds of the Savoy Ballroom, the majestic heart of Harlem and the birthplace of swing. At just 12, she was plucked from the street outside its doors and so began a career that would take her around the globe as one of the world's foremost swing dancers – and all before she turned 18. So put on a record and lace up your dancing shoes, because we're swinging out from the sprung-wood floors of the Savoy to the slippery decks of British liners and the beaches of Rio as we follow the life of Norma Miller, Queen of Swing.
Born into the last days of slavery, Ida B. Wells was raised to fight. The daughter of two politically active entrepreneurs, she wanted to raise herself and her siblings into the middle class. But while emancipation may have passed into law, new structural barriers emerged to keep women like Wells out – out of the economy, out of the political system, and out of first class train carriages. When a conductor tried to force Wells into the smoking car on a ride from Memphis to Nashville, Wells took a stand. The event launched a writing and activist career that would see her tackle some of the greatest injustices of her age – and ours. Her reports, Southern Horrors and The Red Record, laid bare the horror of lynchings in the South and she would go on to found a number of Civil Rights organisations – some of which survive today. She was also a suffragist unafraid to call out the movement for its lack of black representation – an intersectional feminist well before her time!
Jeanne de Clisson
At the beginning of the Hundred Years War, well before Joan of Arc led her army, another French woman was making men tremble. On the volatile English channel, Jeanne de Clisson was seeking vengeance. The target of her wrath was none other than the King of France, Phillip VI, himself. As leader of the Black Fleet, she carved a name for herself as a violent and unwavering leader, unafraid to hack the heads from her enemies with a swing of her trusty axe. But it wasn't always this way. Born into nobility, Jeanne was destined for a very different kind of life. So what kind callousness could have turned this mother of seven to a life of treachery?
Grab your axe and join us as we discover the violent lives and violent ends of Jeanne de Clisson, The Lioness of Brittany, and the noblewomen who led and took up arms in the Battle for Brittany.
In the 1960s, vice-admiral Erik af Klint opened a crate of art. It had been left to him by his aunt with strict instructions that it should remain sealed for some twenty years after her death. What Erik found was a remarkable cache of work that would throw into question everything we believe about the beginning of abstract art. You see, five years before Kadinsky and Mondrian began their forays into abstractionism, a Swedish woman named Hilma af Klint had received a special commission: to create a remarkable collection of work that would adorn a spiral temple. But who was this great benefactor? It was no businessman or high-ranking official, but rather the High Master Amaleil, who communicated the missive to af Klint in a séance she held regularly with her closest friends, a collective of women known as 'The Five'. af Klint went on to create an extraordinary body of boldly colourful, geometric and highly symbolic art, all guided by the spirtual masters with whom she regularly communed.
So, light some candles and settle in as we delve into the fascinating world of Theosophy, Rosicrucianism and Hilma af Klint's astonishing proto-abstractionism!
Liane de Pougy
In the underworld of Paris's Belle Epoque, where the wealthiest of men flocked to mingle with the beautiful and cultured demimondaine, Liane de Pougy found the calling she didn't know she was looking for. After leaving her abusive husband and young son, eighteen-year-old Anne-Marie Chassagne found herself in this centre of pleasure and decided to take up with the reigning queen of courtesans, Valtesse de la Bigne. Under her mistresses' tutelage, Chassagne, who renamed herself Liane de Pougy, would go on to grace the stage at the Folies-Bergere, be courted by the likes of Leopold II, and publish subversive sapphic auto-fiction. But it wasn't all partying. After losing her prince husband, Pougy took the veil and devoted her life to supporting those with disabilities.
So in this time of great uncertainty, escape with us into the the fabulous and decadent world of the Belle Epoque!
Marie Laveau
In the melting pot of 19th century New Orleans, one woman emerged as the most powerful and legendary practitioners of Louisiana Voodoo. From her humble beginnings as the daughter of a free-man and his Voodoo doctor mistress, Laveau grew up to become a priestess, a healer, an activist and a commanding and influential leader of her community. But Laveau's story is as much legend as it is reality, and even in her lifetime stories proliferated about her midnight graveyard ceremonies, animal sacrifices and mesmerising evil incantations.
So how, in a story like this, do we tell the difference between history and myth? And who do we believe when we listen to her story? Join us for our Season Four premier as we pick apart the complex and fascinating life of the Voodoo Queen of New Orleans, Marie Laveau!
Christmas Special 2019
It's the holiday season, but we've taken a little time out of our summer break to bring you some good cheer with our annual Christmas Special! In this end of year special we chat about our summer plans, our favourite Deviant Women of 2019, and then we dive into the Roman goddess of the New Year, Strenua, and her Italian counterpart, La Befana. Grab a drink, a mince pie and some pudding, and let's get into some festive goodness!
Stephanie 'Queenie' St Clair
In the underworld of prohibitionist Harlem, there was one queen who ruled the roost – Stephanie 'Queenie' St Clair. The Caribbean racketeer was not only a boss entrepreneur of the illegal numbers game, she was also a leader and activist, funnelling her vast riches back into the community. Unlike others on the scene, she ruled by reputation alone, and was known for her elegant style and give-no-fucks attitude. But then, as prohibition came to an end, the mob started seeking out new lucrative enterprises and showed up on her turf. Queenie soon found herself in the midst of a gang-land showdown with the infamous mobster Dutch Schultz! So join us down at the speakeasy as we knock one back in our final episode of 2019 with Queenie St Clair!


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Q: ASIFormDataRequest is not working i got nil values NSString *urlName=@"url name";
NSLog(@"url %@",urlName);
NSURL *url=[NSURL URLWithString:urlName];

ASIFormDataRequest *request1=[ASIFormDataRequest requestWithURL:url];
[request1 setRequestMethod:@"POST"];
[request1 addPostValue:tokenName forKey:@"loginToken"];

[request1 setFile:savedImagePath forKey:@"file"];
[request1 setDelegate:self];
[request1 startAsynchronous];

Here I am passing two parameters one is string and another one is image path.

A: It seems like you are trying to upload a file, but your method of doing so is incorrect.
An upload should be done like so :
    NSData *imageData = UIImageJPEGRepresentation([UIImage imageName:fileName])
    [request setData:imageData withFileName:fileName andContentType:@"image/jpeg" forKey:@"userfile"];

redpajama_set_name: RedPajamaStackExchange


The company expects employees to observe and practice the highest levels of integrity and ethics. Protecting the company's proprietary and intellectual properties, privacy and security is a core fundamental responsibility of every employee. The company does not compromise nor condone any violation at any level of our organization and the company shall act in accordance to the law. As this matter is currently under investigation by the relevant authorities, we therefore refrain from further comments.
In addition, the company has sufficient resources in our design team and this situation will not impact the company's operations, product portfolio plans and our overall business performance.


A very useful introduction to what's going on recently in random matrix theory in Roman Vershynin's slides here. What amazed me, seeing the big picture, was that so many of the fundamental results are quite recent. Universality of the Wigner semicircle law was only proven in 1973 and the circular law not till '84. And everything I really want to know — what to do with sparse matrices, perturbed random matrices, Fourier matrices — is largely open.
More on what all this has to do with compressed sensing.


Over the past couple of years, we've applied the same design aesthetic as the interior packaging and applied it to the shipper box. We've found this helps the VIP kit stick out amongst a sea of brown and white regular shipping boxes and builds anticipation for what's inside. Additionally, we've added vanity labels that personalize the shipper box to the recipient to give a hand crafted and custom appeal to the kit.
Within the VIP kit itself, this particular version had the phone stand straight up when the recipient opened the box. This is not only unconventional but makes the product jump right out of the box, enticing VIPs to grab it and hold the phone in their hands within moments of opening the kit. Research shows that physically holding products can create a sense of psychological ownership, driving must-have purchase decisions.1 So, this approach was designed with the activation goal in mind.
Largely due to the design of the kit, multiple teams within Samsung adopted and shipped out these kits to their VIPs. The PR team in particular hosted a launch event that showcased the kits on display and gifted them to invitees. This kit also appeared on the site of online publisher IGN Entertainment where they unboxed the Galaxy S9 from one of our VIP kits vs regular retail packaging. Overall reviews were glowing and the dramatic display angle of the phone standing up was a hit amongst our client and their VIPs.


To grab the best deals online for personal loan in Chandigarh, apply online for the same at Vijaya Bank. This public sector lender offers you this credit at attractive rates, lowest EMIs and easy documentation to choose from. So, check the rates online and apply for the same online.


text: Q: Eclipse Kepler File Search keep crashing Hi I'm Using Eclipse Kepler, and every time I search a string via file search it keeps crashing. I have refresh the project and restart my computer, deleted savedIndexNames file but still no luck. It just starting to not respond, Could some one please help? Because this is so annoying and frustrating...


To celebrate a recent victory, we decided to eat in a well-known place, a place that has been receiving good reviews for quite sometime now. We went to Ufuya, sort of a long drive from where we stay but as usual it did not disappoint and was well worth it.
The restaurant was renovated from old Okinawan houses that are over 100 years old. Also according to their website, the folk houses is where the Ufuya's president was actually born. Upon entering the parking lot, you might get confused where to go because the place is quite huge and has what seems to be three walkways to the entrance. It turns out the other two walkways leads you to the garden. We came around 4 pm on a Saturday, to avoid the lunch crowd and also to take advantage of the lunch cut off which is at 5pm way cheaper than the dinner menu. The entrance is on the very left side and you have to remove your shoes just like other traditional Japanese customs. Upon entering the restaurant, the waiter asked us how many were and then proceeded to take us to our table. Our table had the most amazing view. Those pictures that you see on their website with people eating at a table right beside the waterfalls. Yes! We got the same table. Best seat in the house. We were mesmerized we couldn't believe how lucky were. After we paid for our meal, we decided to take a stroll in the garden. There is a little section in the corner of the grounds near the entrance where you can take a souvenir photos while wearing traditional Ryukyu wear with prices ranging from Y1500 up to Y2500. The trail can take you up to the waterfalls, little resting gazebos and then to an exit next to the parking lot. Their garden consist of different kinds of flowers and tropical trees, you can spot some local limes and banana trees on your walk.
The menu is very tourist friendly; it has English, Korean, Chinese and Japanese translations. We ordered the traditional Okinawa soba noodles and a ginger agu pork bowl. The Okinawan soba consists of thick wheat noodles that resemble udon, a slice of a sort of pork meat with bone with scallions on top, the soup tasted like pork stock made from the same pork meat topped on the noodle soup. A side order of Mozuku rice some pickled vegetables and a slice of tofu that kind of acted as the diffuser for all the different flavors. The ginger agu pork bowl had a generous slices of medium thin of pork over a bowl of white steamed rice together with a little bit of cabbage all sauteed together in ginger. It also came with a side orders of pickled vegetables, mozuku soup, salad topped with bitter melon and some stock miso soup. The food was delicious, but what we love the most is the Ufuya ball cream puff. It has a little bit of crunch on the top made of a somewhat cookie crumbs texture and what seemed to be creamy brown sugar filled cream on the inside.
The combination of great food and refreshing sound of waterfalls made our experience really wonderful. If you are celebrating like us, or for no particular reason, we highly recommend this place.


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Home sport Southern France Open Championship: Jo-Wilfried Tsonga Defeats Radu Albot To Set Up...
Southern France Open Championship: Jo-Wilfried Tsonga Defeats Radu Albot To Set Up All-French Final With Pierre-Hugues Herbert In Montpellier
"It was a good match from my side, I played good tennis [and was] very aggressive," said Tsonga. "I hope I will be able to play the same tennis tomorrow in the final. I am already happy with what I did this week and I will give my best tomorrow."
Jo-Wilfried Tsonga (French pronunciation, born 17 April 1985) is a French professional tennis player. A member of the Tennis Club de Paris (TCP), Tsonga's career-high singles ranking is world No. 5, which he achieved in February 2012.
Jo-Wilfried Tsonga served up an all-French final at the South of France Open in Montpellier with a straight-sets semi-final win on Saturday.
The 33-year-old Tsonga brushed aside Moldovan Radu Albot 6-1 6-3 and will next face compatriot Pierre-Hugues Herbert for the title.
Tsonga needed just 26 minutes to wrap up the first set but ran into some resistance in the second when he was broken by the world number 90 to trail 2-0.
Jo-Wilfried Tsonga reached the final of the Open Sud de France with a win over Radu Albot.
The local favourite defeated Moldovan Radu Albot to reach the final in Montpellier.
More than 15 months after lifting his 16th ATP Tour trophy at the 2017 European Open (d. Schwartzman), Tsonga will meet Herbert for the third time in their FedEx ATP Head2Head series (Tsonga leads 2-0). Herbert defeated Tomas Berdych 6-2, 7-5 to advance to his third ATP Tour singles final. The World No. 44 won 84 per cent of first-serve points (27/32) to record his eighth win in 10 tour-level matches this season after one hour and 33 minutes.
"I am just really happy about my match today," said Herbert. "It was a tough battle against Tomas and I am really happy to come off the court as the winner in front of my home crowd. Being in a final in France means a lot to me."
Herbert has held 41 of 44 service games and saved 15 of 18 break points so far in Montpellier. The 27-year-old is aiming to lift his first tour-level singles trophy after runner-up finishes at Winston-Salem in 2015 (l. to Anderson) and Shenzhen in 2018 (l. to Nishioka).
All-French Final
Southern France Open Championship
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Q: How energy of a photon or EM wave has something to do with frequency? While I was thinking what exactly meant by energy in quantum mechanics, I was quite shocked by the fact that it is proportional to frequency.
$$E=hf$$
Given the fundamental definition of energy in classical mechanics is work done which is exactly energy transformed. (in newton mechanics, you get conservation of energy from this definition)
Now given Photoelectric effect, assuming light is indeed EM waves, now it seems to me indeed strange that electrons get more energy by a higher frequency. Since frequency has pretty much nothing to do with either "force" or "distance" in the fundamental definition above.
I wonder if this is how classical mechanics fails to predict Photoelectric effect? Is my reasoning correct? It seems something is missing in my reasoning, but I am not sure what it is.
Or perhaps, I should ask myself a counter question: how energy of a photon or EM wave has something to do with frequency?

Edited: Now I remember there is such a thing as Poynting vector. But I am still kind of confused, because Poynting vector is proportional to $\text{cos}^2(kr-wt)$, frequency's effect on energy density flux is bounded from zero to one. Perhaps I should ask another question about that.

A: The connection of frequency to energy comes when one considers the covariant formulation of the electromagnetic wave propagation. In Panofski and Philips "classical electricity and magnetism" second edition chapter 21.
This quote in particular.

This associates a zero mass particle with a fourvector, i.e. energy and momentum .
Text goes on to explain doppler shift in electromagnetic waves.
This answers your:

Or perhaps, I should ask myself a counter question: how energy of a photon or EM wave has something to do with frequency?

After all classical electrodynamics is a highly mathematical theory, which has been extremely successful in describing the behavior of charges, magnetism and radiation.
The question in the title:

How energy of a photon or EM wave has something to do with frequency

has been answered as far as the classical EM wave goes. Photons, as zero mass elementary particles  have only energy/momentum, E=h*nu, and spin +,-1 in their direction of motion. The frequency is hiding in the quantum mechanical wave function of the photon

In the E and B fields that a multitude of photons will build up in a beam.
The specific formula though is an experimental measurement, coming from the black body radiation measured curves, which did not show the ultraviolet catastrophy expected from the above classical frequency to energy connection.

Planck calculated the constant which would fit observations of quantized energy increments. Together with the photoelectric effect black body radiation was  one of the reasons that quantization of the microworld was necessary.

A:
it seems to me indeed strange that electrons get more energy by a higher frequency

Why is it the high-frequency part that bothers you? Classically, high frequencies imply more energy. An example you might consider is whacking a ball-- the faster it spins, the higher it's frequency and the more rotational energy it has. More relevant, high frequency photons (like x-rays and gamma rays) have more energy than low frequency photons (like radio waves). It's expected that electrons would get more energy if they were "hit" with a higher energy photon

A: Both photons or particles like electrons both exhibit wave-particle duality. In classical mechanics we do not just say more frequency gives more energy because with most oscillations or waves the energy depends on amplitude too. The Plank equation $E=hf$ is not a classical idea. It is not going to be obvious at all. It took hundreds of years of hard thinking  and Nobel prizes to get there. Similarly on classical lines there is no reason to say more momentum give less wavelength. As stated in the other QM equation of deBroglie $p=h/\lambda$.  (Additionally the photon spin is another quantity not related to its wave frequency as was speculated in another answer)
It's good to consider a wavetrain or wavepulse moving through a given  medium not varying in time....Then we find the frequency must remain constant...if we start wiggling here ....then over there the same frequency will be observed even if there is a quite complicated intervening medium, with some limitations.
Analogously in a time invariant mechanical problem the total energy (KE plus PE) will remain constant in time. (this argument is related to the $t,x$ and $w,k$ and $E,p$ argument in Panofsky& Phillips mentioned in another post .) This indeed is an important connection between Newtonian and quantum mechanics, and indicates why photon energy is proportional to frequency.
While particle spin is a "locally" defined quantity, the particle frequency is not really local because it depends on the total energy which depends on the external potential (for an electron case anyways).
These questions are quite awkward as quantum mechanics and wave particle duality can be abstract and not very inuitive. So photon spin doesn't define its frequency, they are quite separate quantities.


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Shut Up and Cast Megan Fox as Poison Ivy Already
Rumors are swirling that a solo feature film about the Batman villain is in the works.
By Samantha Riedel
Sean Zanni/Patrick McMullan via Getty Images; Pictorial Press Ltd / Alamy Stock Photo
Pucker up, hot stuff. We might be due for a Poison Ivy movie soon, and the sapphic possibilities are endless.
According to the rumor hounds at Giant Freakin Robot, there's serious talk at Warner Entertainment about bringing Batman villain Poison Ivy to the big screen for her very own solo feature. The plant-controlling ecologist has most recently been seen on HBO's animated series Harley Quinn, one of many properties in which she shares a romantic, sexual, and devilishly delicious bond with fellow Rogues Gallery member Harley Quinn.
As if those whispers aren't tantalizing enough, there are also rumors that bicon Megan Fox could be in contention for the role, which was last played in a live-action film by Uma Thurman in the 1997 campfest Batman & Robin.
Fox's assistant posted an Instagram story reading "Poison Ivy? Expecting a call very soon" in September, and the Jennifer's Body star told InStyle back in July that she was actively looking to make a comic book movie.
"I do want to find a Marvel or a DC character that I've always wanted to play, and do one of those," she told the magazine. "People hate on you as an actor for that because it doesn't get you the big awards. I don't give a fuck. Give me an MTV award. I don't need a fucking BAFTA."
As a massive comics nerd and certified advocate here at them.us for both Megan Fox and Poison Ivy, I wanted to simply write, "Hell yeah, Megan! Comic book movies rule and also Hollywood, please pull this trigger right now, oh my God." But my editor told me I need to say a bit more than that so here goes!
I stand by my assessment that Joel Schumacher's Batman and Robin is a camp masterpiece, and a big part of that is Uma Thurman's Mae West-inspired Poison Ivy; Thurman oozed a kind of sensuality that was thick with self-aware innuendo, strip-teasing with her line delivery even while wearing a pink gorilla suit.
And the character of Pamela Isley herself — a woman driven to extremes by the looming environmental crisis and the crimes of wealthy, greedy men — is desperately relevant in today's sociopolitical climate, making a cinematic revamp timely to say the least.
Too Little, Too Late: The Queer Cult Status of Jennifer's Body Is Bittersweet
One can only wonder how the film with a devoted following of LGBTQ+ women would fare had it been released in 2018.
But where Thurman's sexuality was muted and nonthreatening, Fox's career is in the perfect place for her to play a sex symbol with fangs — an antihero whose literal venom is only powerless on the woman she loves (who just so happens to be a slightly deranged clown girl getting over her abusive clown of an ex-boyfriend).
Amid the critical reexamining of Fox's filmography — and a public reckoning with the ways in which she was belittled as a sex object throughout the 2000s — Megan Fox is arguably the perfect actor to bring Poison Ivy to life in 2021, in similar fashion to how Robert Downey Jr. was a perfect, if unexpected, choice to play Tony Stark in 2008.
Whether this dream will ever come to fruition (get it? fruit? plants? ahh, nevermind!) remains unclear, but please, DC, give us the murder lesbians. I just want to see them do capers and maybe have a big smooch in front of an exploding car. We deserve this.
Tagsactorsmoviescelebrity
By Sarah Fonseca
Megan Fox Reminds Us She's a Bi Icon While Rocking a Pride Manicure
By Shar Jossell
We Are Ready for the Megan Fox-issance
9 Bisexual TV and Film Characters Who Deserved Better Than Tired Tropes
By Mey Rude


A recent article on Eddie Tamir running the first JIFF (Jewish International Short Film Festival) caught the attention of actress/writer/producer Naomi Lisner.
Naomi is currently working on the feature she co-wrote called Tracy with Cassandra Leopold and Derek Erskine. Tracy is 1 of 5 Australian features chosen to be screened at AUSFFSG (Australian and Singapore Film Festival) in November. As producers on this film, Lisner and Erskine have been invited to Singapore and will take place in a Q and A after its screening. Erskine has been selected as one of the featured directors.
With Tracy nearly completed Lisner has decided to make her directorial debut and has written the film Hannah Rosenthal for the festival. Hannah is a Jewish woman living with her elderly Mother Miriam. Hannah has a learning disability which affects her speech. Hannah Rosenthal deals with prejudices, ignorance, tradition and love. When casting her Mother, Lisner wanted a Jewish actress. It was important to Lisner that she already had the culture of growing up in a Jewish household. Lisner has cast Loriane Fabb as her Mother Miriam, with Derek Erskine and Harlene Hercules in the other roles.


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Back for the future: NT Live's The Cherry Orchard
Posted by John Wyver ⋅ 1 July 2011 ⋅ Leave a comment
Filed Under Anton Chekhov, NT Live
I was delighted to be invited last night to watch the live transmission from the Olivier Theatre on London's South Bank of Howard Davies' production of The Cherry Orchard. If I'm honest I found the staging itself, which stars Zoe Wanamaker, a little dull, especially in the first two acts. Chekhov demands such precision if he is to play convincingly, and too many of the cast (I would except Conleth Hill as Lopakhin) lacked the rigour that his characters and confrontations demand. But while the drama itself left me too much unmoved, I was fascinated to see NT Live's six HD cameras in action. The operation reminded me of nothing so much as classical studio drama, much of it comprising plays originally written for the theatre, of the kind that dominated the broadcast schedules in the 1950s and early 1960s.
In the Olivier there were five cameras in operation for most of the broadcast, with a sixth hand-held one used for just a single sequence. Three of the main cameras were mounted on fixed pedestals centre-stage and just in front of what would once have been the footlights. These cameras could be raised and lowered but otherwise operated from a fixed point. And as with the other cameras, each was manually operated — as opposed to some systems (such as that used by Berlin Philharmoniker's Digital Concert Hall) which employ unattended cameras with remote controls.
The other two cameras were on short tracks that were set in the auditorium at an angle to the stage. They could move so as to shoot directly across the front of the stage, but there was no possibility of 'crossing the line' and achieving any kind of reverse shot. For audience reaction, at the end, at least two of the cameras simply turned round and faced the auditorium. The resulting images must therefore have offered a strongly 'frontal' sense of the experience, as has been the case with other NT Live broadcasts (although not exclusively so — judged from a cinema seat, Frankenstein achieved a rather different spatial sense; see my blog post here).
Just after the interval, at the start of Act III, as the party is in full swing at Ranyevskaya home, one cameraman stood on the front of the stage to catch some close-up, from-the-shoulder images of the frenetic game of musical chairs. The audience, of course, was aware before entering the auditorium that the evening's show would be broadcast, but I am still surprised at their tolerance of the imposition of technology. Many years ago, we filmed Opera North and Phyllida Lloyd's production of Benjamin Britten's Gloriana, and for several scenes we put two camera operators on stage right inside the action; astonishingly, there were no complaints and several people commented that it all made the evening rather more interesting.
I have not (yet) been able to compare last night's experience in the theatre with how the HD transmission came across on cinema screens; I may be able to catch a reprise 'as live' showing but to date NT Live have not released any of their main productions on DVD (The Cat in a Hat, aimed primarily at a young audience, is an exception). Part of the reason for this reticence is the National Theatre's concern to retain a sense of occasion and 'special-ness' for the cinema broadcasts, but there may also be rights complications.
NT Live, along with other initiatives to present screen versions of stage productions like Digital Theatre and Stage on Screen, falls outside the Screen Plays project's strict terms of reference — we are studying stage plays produced for British television. But they are clearly a key part of the context within which we are undertaking our research, and we want to explore a number of comparisons in their operations and achievements. As I say above, the camera configuration on Thursday was very close to that in use in live studio drama in the 1950s and '60s, and there are other echoes too: a concern to develop access to the theatre for audiences otherwise denied this by geography, cost, social or mobility issues, plus of course the 'live' quality, which is now so rare in television drama and which for me is so important to the success of NT Live.
I have blogged for Illuminations over the past four years about, first, the Metropolitan Opera's experiments in broadcasting to cinemas, and then about the theatre initiatives. Included below is a selection of links that provide some recent background — and one of the projects I want this blog to promote is a list of recent non-broadcast screen versions of theatre plays. Do read in particular the pair of posts about the 2010 NESTA research into NT Live, and then track down the NESTA reports themselves (which are freely available online) — they contain a great deal of fascinating information and analysis.
• Live from the Met, 26 February 2007: my first exposure to a Metropolitan Opera Live in HD broadcast, Tchaikovsky's Eugene Onegin with Renée Fleming.
• Note to ROH: must try harder, 9 September 2008: Don Giovanni from Covent Garden, which was some way short of a triumph.
• Is it live or is it television?, 24 November 2008: more from the Met on the cinema screen, this time Robert Lepage's staging of Berlioz's The Damnation of Faust.
• Phè-asco, 26 June 2009: a report of NT Live's transmission of Phèdre from a seat in the Clapham Picturehouse.
• Backstage with NT Live, 2 February 2010: a first post about the NESTA research, with background from NT Live's David Sabel reviewing artistic, financial and rights issues.
• Front-of-house with NT Live, 3 February 2010: more on the NESTA research, with some truly counter-intuitive findings.
• Wondrous, wondrous Wagner, 11 October 2010: the Metropolitan Opera's Live in HD series offers Robert Lepage's opening to the Ring cycle, Das Rheingold.
• '…the thought to the action', 10 December 2010: a response to the NT Live's transmission of Hamlet that fails entirely to be objective.
• Met Opera live – five things I thought, 16 May 2011: ideas prompted by Die Walküre live from the Met.
« One month on
An Age of Kings: 'we happy few' »


If you have plans of placing tiles in a space inside your home, think twice before getting professional help. Why? This task is super easy to do,so you might as well give it a try and learn how to lay tile floor. With the right tools and the tile of your choice, this is going to be one awesome DIY project.
Tiling may look tiresome, but with the right techniques, it's not going to be as tiring as one might think. Learning how to lay tile floor also means adding a personal touch to the masterpiece that is your home. Pick the type of tiles that will work best for you and your design, prepare your tools, and let's get the ball rolling.
1. Know how you will want your tiles to lay.
Decide on how you would want to lay your tiles considering its size and the size of the area you will tile.
Measure the space of the area you will lay tiles on. Put layout marks as you do so.
Lay your tiles as planned, and spread mortar as you go. Let it sit overnight.
4. Cut tile to size.
Cut tile pieces to accommodate parts of the room that are not even, or spaces that will take less of the tile size.
5. Fill lines with grout.
After having the mortar sit, it's time to grout. Fill the grout lines without leaving excess residue on the tile.
Hold the float at close to 90 degrees, as you pull it across the floor.
Make sure to pull the float diagonally across the grout line so that you don't pull the grout out of them. Only grout in manageable sections.
It takes a little bit of practice and patience to tile floors, but it's nowhere near impossible. Learning how to lay tile floors is such an advantage for you and your home, and the best benefit it can give you is you can save money on professional help.
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Do you have a video of laying a wood floor?


PerfectMail - How do I set up SMTP Recipient Filtering with Microsoft Exchange 2003?
KnowledgeBase Articles » How do I set up SMTP Recipient Filtering with Microsoft Exchange 2003?
How do I set up SMTP Recipient Filtering with Microsoft Exchange 2003?
How do I enable SMTP Recipient Filtering with my Microsoft Exchange 2003 server to perform recipient verification/validation?
Following are the steps to enable recipient filtering to allow PerfectMail to validate e-mail users for Microsoft Exchange.
When recipient filtering functionality is enabled, it filters all messages that come through all Receive connectors on that computer. By default, recipient filtering is enabled on the computer that has the Edge Transport server role installed for inbound messages that come from the Internet but aren't authenticated. These messages are handled as external messages. If this feature is turned off all e-mail addresses will be accepted by both Exchange and PerfectMail.
Please ensure you have the appropriate permissions to perform this task.
Open Up Exchange System Manager.
Right-click on "Message Delivery" and select "Properties".
Select the "Recipient Filtering" tab.
Check "Filter recipients who are not in the Directory" and click on "Apply".
A big warning message will come up regarding manually enabling filtering on specific SMTP virtual server. Click "OK".
Click "OK" to close "Message Delivery Properties".
You should now be back at the Exchange System Manager screen at this point. Expand "Administrative Group".
Expand "Servers", then <your server name>, then "Protocols".
Right click "Default SMTP Virtual Server" and select "Properties".
The "General" tab will be open. Click on "Advanced" beside the "IP Address field".
An advanced window will pop up. Leave the default selection as is.
Click "Edit" and that will bring up the Identification window.
Check to enable "Apply Recipient Filter" and click "OK" and then "OK" again.
Click on "Apply", then "OK".
Repeat steps 12-17 for each SMTP protocol.
Repeat steps 9-17 for multiple store groups (if applicable).
There is no need to restart any Exchange services. Changes may take a few minutes to take effect as it may be replicated.


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A preliminary model of wheelchair service delivery. Academic Article
To integrate and expand on previously published models of wheelchair service delivery, and provide a preliminary framework for developing more comprehensive, descriptive models of wheelchair service delivery for adults with spinal cord injury within the U.S. health care system.Literature review and a qualitative analysis of in-depth interviews.Not applicable.Ten academic, clinical, regulatory, and industry experts (Department of Veterans Affairs [VA] and non-VA) in wheelchair service delivery.Not applicable.Interviewees were asked to discuss the full range of variables and stakeholders involved in wheelchair service delivery, and to limit their scope to the provision of primary subsequent or replacement chairs (not backup chairs) to adults within the United States.Most experts we interviewed stressed that clients who require a wheelchair play a central role in the wheelchair service delivery process. Providers (including clinicians, rehabilitation engineers, and rehabilitation counselors) are also critical stakeholders. More so than in other health care settings, suppliers play an integral role in the provision of wheelchairs to clients and may significantly influence the appropriateness of the wheelchair provided. Suppliers often have a direct role in wheelchair service delivery through their interactions with the clinician and/or client. This model also identified a number of system-level factors (including facility administration and standards, policies, and regulations) that influence wheelchair service delivery and ultimately the appropriateness of the wheelchair provided.We developed a detailed, descriptive model of wheelchair service delivery that integrates the delivery process and device outcomes, and includes the patient-level, provider-level, and system-level factors that may directly influence those processes and outcomes. We believe that this detailed model can help clinicians and researchers describe and consider the complexities of wheelchair service delivery. It can be used to identify factors that may be related to disparities in wheelchair service delivery and in the appropriateness of the wheelchair prescribed. Further, this model can help researchers and clinicians identify factors that may be related to disparities in wheelchair service delivery, and intervene to reduce such disparities.
Brinker, Michael
Burkitt, Kelly H
Eggers, Paul W
King, Michael R
Myaskovsky, Larissa
Switzer, Galen
Tolerico, Michelle
Health Personnel
Models, Theoretical
https://doi.org/10.1016/j.apmr.2008.12.007


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Rating UF juniors' chances of bolting for NFL
Robbie Andreu @RobbieAndreu
GAINESVILLE — Last week, Chauncey Gardner-Johnson became the first Florida underclassmen to declare for the NFL draft. There certainly will be others doing the same in the coming days and weeks.
There appear to be at least two other locks for leaving early, and others who could be leaning that way.
Here's a look at the UF juniors who will have a decision to make between now and the Jan. 14 deadline to declare for the draft:
Jachai Polite, Defensive end/outside linebacker
Reason for leaving: He's coming off a breakout season in which he led the Gators in sacks (11) and tackles for losses (16) and some draft analysts are projecting him as a first-round pick, maybe even going in the top 10.
Reason for staying: There really isn't a good one, other than maybe wanting to get a little bigger and stronger with another year under UF's Director of Football Strength & Conditioning Nick Savage.
Chances he leaves: 100 percent.
Jordan Scarlett, Running back
Reason for leaving: After missing the 2017 season, Scarlett rushed for 717 yards and four touchdowns this season sharing reps with Lamical Perine and true freshman Dameon Pierce. He showed that he's physically ready for the next level, and with Scarlett likely sharing carries again in 2019, it's unlikely his draft status would improve significantly if he returns.
Reason for staying: Just like Polite, it's hard to come up with one for Scarlett. Maybe to try and become a dominant back and possibly play for a championship.
Chances he leaves: 99.9 percent.
Lamical Perine, Running back
Reason for leaving: He's had a strong junior season, emerging as UF's leading rusher. He's rushed for 750 yards and six touchdowns and averaged 5.9 yards a carry. He also showed the NFL coaches and scouts that he's become a complete back, a guy who can stay on the field in all situations with his ability to protect and catch passes out of the backfield.
Reason for staying: With the likely departure of Scarlett, Perine would have the chance to be the No. 1 back and gain more reps, giving him an opportunity to improve his draft status. Another year under Savage would make him NFL ready physically.
Chances he leaves: 50 percent.
Jawaan Taylor, Offensive tackle
Reason for leaving: He quietly had a breakout season at right tackle, one that has caught the attention of NFL coaches and scouts. His arrow is clearly pointing up with the pros.
Reason for staying: As a true junior, Taylor is still developing physically and would benefit from another year in UF's strength and conditioning program. One of only two returning starters up front, he would be one of the leaders on the offensive line.
Jabari Zuniga, Defensive line
Reason for leaving: Like Polite, he's had a breakout junior season, recording 6.5 sacks and 11 tackles for loss. He's been dominant in the second half of the season and is physically ready for the NFL.
Reason for staying: He showed considerable improvement between his sophomore and junior season. If he does the same as his senior season, his draft stock likely would be considerably higher than it is now.
Chance he leaves: 50 percent.
Van Jefferson, Wide receiver
Reason for leaving: He's a polished receiver who runs excellent routes and has sure hands. Since an early age, he's been getting NFL-like coaching from his father, former NFL standout wide receiver Shawn Jefferson, who is an assistant coach for the Miami Dolphins. So, he may be ready to take the next step.
Reason for staying: He led the Gators in receiving, but had only 31 catches for 439 yards and six touchdowns. So, he did not have the kind of breakout season many were expecting. He could if he returns.
David Reese, Linebacker
Reason for leaving: He plays with great instincts and is considered one of the best run-stopping linebackers in the SEC. His consistent production has gotten him noticed by NFL coaches and scouts.
Reason for staying: He probably needs another year to get physically ready for the NFL. Another year would also help him to continue his ongoing progress in pass coverage.
Vosean Joseph, Linebacker
Reason for leaving: Fast and physical, he led the Gators in tackles this season with 87 and may feel it's time to take the next step in his career.
Reason for staying: His consistency improved in 2018, but he still has a long way to go in that area. A second year in Todd Grantham's attacking defense likely would improve his draft status.
Between now and the Jan. 14 deadline, the Gators could lose two, three maybe even four more juniors to the draft, which will have an impact on the 2019 recruiting class.
With the departure of Gardner-Johnson, the Gators currently have 68 scholarship players on their roster, 17 below the 85 limit. UF currently has verbal commitments from 16 prospects.
The ultimate size of the recruiting class will be determined by how many juniors leave and what other players decide to transfer.


On a recent morning walk we stumbled upon a patch of wild strawberries. Later that afternoon we drove by our local strawberry U-pick and noticed it was doing brisk business.
Strawberry fever is upon us, which is why half the recipes in my link love feature the sweet berry. Here's what the #EatSeasonal ladies came up with for June. Inspiring as always!
I plan to remake this fresh strawberry pie and this ice cream cake soon, too. Good thing we have a few birthdays coming up in July.
All you can eat fresh baby salad greens of all kinds.
Wild strawberries picked on a morning walk and savoured one by one.
Kale springing up, tall dark and handsome.
Fresh picked garlic scapes, that Clara loved to pretend were bangles.
Pasta with garlic scape pesto. Dinner was delicious!
For pizza Friday…Garlic scape and new zucchini white pizza with scape pesto. We made good use of those scapes!
Now we're off for a three day camping trip where I plan to (mostly) unplug. You can catch the occasional photo of our adventures if you follow me on Instagram.


The population of the world is certain to increase – but is the world prepared for the consequences?
ON OCTOBER 31ST 2011, the world celebrated – if that is the term – the birth of its seven-billionth living person. The United Nations had declared that day to be the one on which the global population would reach 7 billion and happy parents and publicity-seeking governments rushed to claim the title for a particular newborn: Nargis Kumar, for example, born at 7.25am local time in Mall village, in India's largest state of Uttar Pradesh, or Danica May Camacho, born at the stroke of midnight in Manila.


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Brick Church / Worship / Ministry of Music / A Legacy of Sacred Songs
A Legacy of Sacred Songs
In December 2019, longtime Brick Church member and historian E. Deane Turner published an anthology of Brick Church's beloved hymns. An anonymous donor provided the funding to have this anthology printed and mailed to the entire Brick Church membership last December. This anthology has quickly become an integral part of our worship services. In conversation with member and Ministry of Music benefactor Don Wilson, Don encouraged us to create an online audio companion for the anthology. This online audio companion available at the Brick Church website would allow for all at their convenience to enjoy these great hymns of the church. The hymns are clearly indexed and a link is provided for an audio recording of a verse of each hymn. Minister of Music Keith S. Tóth is playing Brick Church's acclaimed Anderson organ for each recording.
We are grateful to Don and Lynn Wilson and the Wilson Family Sacred Music Fund for making the recording and online publishing of this audio companion possible. We hope that the members and friends of The Brick Church will find spiritual comfort and enjoyment in hearing and singing these time-honored hymns of the faith for years to come. If you would like to receive a copy of A Legacy of Sacred Songs, contact Linda Thompson.
I. The God of Creation
Page 1 Holy, Holy, Holy, Lord God Almighty
https://www.brickchurch.org/wp-content/uploads/2020/10/Holy_Holy_Holy_Lord_God_Almighty-1.mp3
Page 2 Our God, Our Help in Ages Past
https://www.brickchurch.org/wp-content/uploads/2020/10/Our-God-Our-Help-in-Ages-Past-1.mp3
Page 3 God of the Ages, Whose Almighty Hand
https://www.brickchurch.org/wp-content/uploads/2020/10/God-of-Ages-Whose-Almighty-Hand.mp3
Page 4 Come, Thou Almighty King
https://www.brickchurch.org/wp-content/uploads/2020/10/Come-Thou-Almighty-King.mp3
Page 5 All People That on Earth Do Dwell
https://www.brickchurch.org/wp-content/uploads/2020/10/All-People-That-on-Earth-Do-Dwell.mp3
Page 6 A Mighty Fortress Is Our God
https://www.brickchurch.org/wp-content/uploads/2020/10/A-Mighty-Fortress-is-Our-God.mp3
Page 7 Immortal, Invisible God Only Wise
https://www.brickchurch.org/wp-content/uploads/2020/10/Immortal-Invisible-God-Only-Wise-1.mp3
Page 8 Joyful, Joyful, We Adore Thee
https://www.brickchurch.org/wp-content/uploads/2020/10/Joyful-Joyful-We-Adore-Thee.mp3
Page 9 For the Beauty of the Earth
https://www.brickchurch.org/wp-content/uploads/2020/10/For-the-Beauty-of-the-Earth.mp3
Page 10 I Sing the Mighty Power of God
https://www.brickchurch.org/wp-content/uploads/2020/10/I-Sing-the-Mighty-Power-of-God.mp3
Page 11 This Is My Father's World
https://www.brickchurch.org/wp-content/uploads/2020/10/This-Is-My-Fathers-World.mp3
Page 12 Glorious Things of Thee Are Spoken
https://www.brickchurch.org/wp-content/uploads/2020/10/Glorious-Things-of-Thee-Are-Spoken.mp3
II. Christ is Born
Page 13 O Come, O Come, Emmanuel
https://www.brickchurch.org/wp-content/uploads/2020/10/O-Come-O-Come-Emmanuel.mp3
Page 14 Angels, From the Realms of Glory
https://www.brickchurch.org/wp-content/uploads/2020/10/Angels-From-the-Realms-of-Glory.mp3
Page 15 Away in a Manger
https://www.brickchurch.org/wp-content/uploads/2020/10/Away-in-a-Manger.mp3
Page 16 Good Christian Men, Rejoice
https://www.brickchurch.org/wp-content/uploads/2020/10/Good-Christian-Men-Rejoice.mp3
Page 17 Hark! The Herald Angels Sing
https://www.brickchurch.org/wp-content/uploads/2020/10/Hark-The-Herald-Angels-Sing.mp3
Page 18 It Came Upon the Midnight Clear
https://www.brickchurch.org/wp-content/uploads/2020/10/It-Came-Upon-the-Midnight-Clear.mp3
Page 19 Joy to the World, the Lord is Come
https://www.brickchurch.org/wp-content/uploads/2020/10/Joy-to-the-World-the-Lord-is-Come.mp3
Page 20 O Come, All Ye Faithful
https://www.brickchurch.org/wp-content/uploads/2020/10/O-Come-All-Ye-Faithful.mp3
Page 21 O Little Town of Bethlehem
https://www.brickchurch.org/wp-content/uploads/2020/10/O-Little-Town-of-Bethlehem.mp3
Page 22 The First Nowell
https://www.brickchurch.org/wp-content/uploads/2020/10/The-First-Nowell.mp3
Page 23 Silent Night, Holy Night!
https://www.brickchurch.org/wp-content/uploads/2020/10/Silent-Night-Holy-Night.mp3
Page 24 As With Gladness Men of Old
https://www.brickchurch.org/wp-content/uploads/2020/10/As-With-Gladness-Men-of-Old.mp3
Page 25 We Three Kings of Orient Are
https://www.brickchurch.org/wp-content/uploads/2020/10/We-Three-Kings-of-Orient-Are.mp3
III. The Easter Story
Page 26 Ride On, Ride On in Majesty!
https://www.brickchurch.org/wp-content/uploads/2020/10/Ride-On-Ride-On-in-Majesty.mp3
Page 27 All Glory, Laud and Honor
https://www.brickchurch.org/wp-content/uploads/2020/10/All-Glory-Laud-and-Honor.mp3
Page 28 In the Cross of Christ I Glory
https://www.brickchurch.org/wp-content/uploads/2020/10/In-the-Cross-of-Christ-I-Glory.mp3
Page 29 Jesus Christ Is Risen Today
https://www.brickchurch.org/wp-content/uploads/2020/10/Jesus-Christ-Is-Risen-Today.mp3
Page 30 The Day of Resurrection!
https://www.brickchurch.org/wp-content/uploads/2020/10/The-Day-of-Resurrection.mp3
Page 31 Thine Is the Glory
https://www.brickchurch.org/wp-content/uploads/2020/10/Thine-Is-the-Glory.mp3
Page 32 Crown Him with Many Crowns
https://www.brickchurch.org/wp-content/uploads/2020/10/Crown-Him-with-Many-Crowns.mp3
Page 33 O for a Thousand Tongues to Sing
https://www.brickchurch.org/wp-content/uploads/2020/10/O-for-a-Thousand-Tongues-to-Sing.mp3
IV. Hymns of Praise
Page 34 The King of Love My Shepherd Is
https://www.brickchurch.org/wp-content/uploads/2020/10/The-King-of-Love-My-Shepherd-Is.mp3
Page 35 Fairest Lord Jesus
https://www.brickchurch.org/wp-content/uploads/2020/10/Fairest-Lord-Jesus.mp3
Page 36 Praise My Soul the King of Heaven
https://www.brickchurch.org/wp-content/uploads/2020/10/Praise-My-Soul-the-King-of-Heaven.mp3
Page 37 When Morning Gilds the Skies
https://www.brickchurch.org/wp-content/uploads/2020/10/When-Morning-Gilds-the-Skies.mp3
Page 38 O Worship the King, All Glorious Above
https://www.brickchurch.org/wp-content/uploads/2020/10/O-Worship-the-King-All-Glorious-Above.mp3
V. Hymns of Supplication
Page 39 Breathe On Me, Breath of God
https://www.brickchurch.org/wp-content/uploads/2020/10/Breathe-On-Me-Breath-of-God.mp3
Page 40 O Jesus, I Have Promised
https://www.brickchurch.org/wp-content/uploads/2020/10/O-Jesus-I-Have-Promised.mp3
Page 41 Eternal Father, Strong to Save
https://www.brickchurch.org/wp-content/uploads/2020/10/Eternal-Father-Strong-to-Save.mp3
Page 42 Guide Me, O Thou Great Jehovah
https://www.brickchurch.org/wp-content/uploads/2020/10/Guide-Me-O-Thou-Great-Jehovah.mp3
Page 43 Christ of the Upward Way
https://www.brickchurch.org/wp-content/uploads/2020/10/Christ-of-the-Upward-Way.mp3
Page 44 Dear Lord and Father of Mankind
https://www.brickchurch.org/wp-content/uploads/2020/10/Dear-Lord-and-Father-of-Mankind.mp3
Page 45 Now the Day Is Over
https://www.brickchurch.org/wp-content/uploads/2020/10/Now-the-Day-Is-Over.mp3
Page 46 Come, Thou Fount of Every Blessing
https://www.brickchurch.org/wp-content/uploads/2020/10/Come-Thou-Fount-of-Every-Blessing.mp3
Page 47 O Master, Let Me Walk With Thee
https://www.brickchurch.org/wp-content/uploads/2020/10/O-Master-Let-Me-Walk-With-Thee.mp3
Page 48 Jesus Calls Us O'er the Tumult
https://www.brickchurch.org/wp-content/uploads/2020/10/Jesus-Calls-Us-Oer-the-Tumult.mp3
Page 49 Abide with Me
https://www.brickchurch.org/wp-content/uploads/2020/10/Abide-with-Me.mp3
VI. The Church of Christ
Page 50 The Church's One Foundation
https://www.brickchurch.org/wp-content/uploads/2020/10/The-Churchs-One-Foundation.mp3
Page 51 All Hail the Power of Jesus' Name!
https://www.brickchurch.org/wp-content/uploads/2020/10/All-Hail-the-Power-of-Jesus-Name.mp3
Page 52 Rejoice, Ye Pure in Heart!
https://www.brickchurch.org/wp-content/uploads/2020/10/Rejoice-Ye-Pure-in-Heart.mp3
Page 53 Christ Is Made the Sure Foundation
https://www.brickchurch.org/wp-content/uploads/2020/10/Christ-Is-Made-the-Sure-Foundation.mp3
Page 54 God of Grace and God of Glory
https://www.brickchurch.org/wp-content/uploads/2020/10/God-of-Grace-and-God-of-Glory.mp3
Page 55 How Firm a Foundation
https://www.brickchurch.org/wp-content/uploads/2020/10/How-Firm-a-Foundation.mp3
Page 56 We Gather Together
https://www.brickchurch.org/wp-content/uploads/2020/10/We-Gather-Together.mp3
Page 57 Blest Be the Tie That Binds
https://www.brickchurch.org/wp-content/uploads/2020/10/Blest-Be-the-Tie-That-Binds.mp3
Page 58 In Christ There Is No East or West
https://www.brickchurch.org/wp-content/uploads/2020/10/In-Christ-There-Is-No-East-or-West.mp3
Page 59 Onward Christian Soldiers
https://www.brickchurch.org/wp-content/uploads/2020/10/Onward-Christian-Soldiers.mp3
Page 60 Soldiers of Christ, Arise
https://www.brickchurch.org/wp-content/uploads/2020/10/Soldiers-of-Christ-Arise.mp3
Page 61 Faith of Our Fathers
https://www.brickchurch.org/wp-content/uploads/2020/10/Faith-of-Our-Fathers.mp3
Page 62 Lead On, O King Eternal
https://www.brickchurch.org/wp-content/uploads/2020/10/Lead-On-O-King-Eternal.mp3
VII. The Nation
Page 63 My Country, Tis of Thee
https://www.brickchurch.org/wp-content/uploads/2020/10/My-Country-Tis-of-Thee-1.mp3
Page 64 O Beautiful for Spacious Skies
https://www.brickchurch.org/wp-content/uploads/2020/10/O-Beautiful-for-Spacious-Skies.mp3
IX. Thanksgiving
Page 65 Come, Ye Thankful People, Come
https://www.brickchurch.org/wp-content/uploads/2020/10/Come-Ye-Thankful-People-Come.mp3
Page 66 Now Thank We All Our God
https://www.brickchurch.org/wp-content/uploads/2020/10/Now-Thank-We-All-Our-God.mp3
X. The Ancient Imperishables
Page 67 Glory Be To the Father (Gloria Patri)
https://www.brickchurch.org/wp-content/uploads/2020/10/Glory-Be-To-the-Father-Gloria-Patri.mp3
Page 68 Praise God From Whom All Blessings Flow (Doxology)
https://www.brickchurch.org/wp-content/uploads/2020/10/Praise-God-From-Whom-All-Blessings-Flow-Doxology.mp3
XI. Supplemental – Not Included in A Legacy of Sacred Songs
1. For All the Saints
https://www.brickchurch.org/wp-content/uploads/2020/10/For-All-the-Saints_01.mp3
2. Lift High the Cross
https://www.brickchurch.org/wp-content/uploads/2020/10/Lift-High-the-Cross_01.mp3