text:
Turkey marks one year since failed coup attempt
Ankara declares July 15 a national holiday as President Erdogan leads events marking the defeat of coup plotters.
Turkey will hold a series of events on Saturday to celebrate the first anniversary of the defeat of last year's failed coup attempt, as it sacked thousands of officials in the latest crackdown.
Ankara has declared July 15 - the day of the failed coup attempt - an annual national holiday of "democracy and unity", billing the foiling of the putsch as a historic victory of Turkish democracy.
At least 249 people, not including the plotters, were killed when a faction in the army sent tanks into the streets and war planes into the sky in a violent bid to overthrow President Recep Tayyip Erdogan.
From now on, nothing will be as it was before July 15
Recep Tayyip Erdogan, Turkish president
But they were thwarted within hours as the authorities regrouped and people poured into the streets in support of Erdogan, who blamed followers of his former ally, the US-based preacher Fethullah Gulen, who denies involvement.
A state of emergency imposed in the wake of the failed coup still remains in place.
At least 50,000 people have been arrested and more than 100,000 have been dismissed from services over the past year.
Turkey has declared July 15 an annual national holiday of 'democracy and unity' [Chris McGrath/Getty]
The scale of Saturday's nationwide commemorations is aimed at etching July 15, 2016 into the minds of Turks as a key date in the history of the modern state founded in 1923 out of the ruins of the Ottoman Empire.
"From now on, nothing will be as it was before July 15," Erdogan, whose powers have since expanded in an April referendum, said in a speech on Thursday.
He compared the defeat of the coup to the World War I 1915 Battle of Gallipoli where Ottoman troops famously withstood an onslaught by invading Allied soldiers in what became one of the founding narratives of the modern state.
"States and nations have critical turning points in their histories that shape their future. July 15 is such a date for the Republic of Turkey," he added.
READ MORE: All you need to know about Turkey's failed coup attempt
Giant posters have sprung up across billboards in Istanbul showing paintings that portray the key events of the failed coup night, including the surrender of the putschist soldiers.
A special session of parliament at 10:00 GMT starts the commemorations.
Erdogan, at the centre of the events, will then fly to Istanbul to take part in a people's march on the bridge across the Bosphorus that saw bloody fighting a year ago.
The bridge has since been renamed Bridge of the Martyrs of July 15.
At midnight local time (21:00 GMT) people across Turkey will take part in "democracy watches", rallies commemorating how people poured out into the streets.
Erdogan will then return to Ankara and at 23:00 GMT give a speech in Parliament to mark the time it was bombed.
A monument to those killed will then be unveiled outside the presidential palace in the capital as the dawn call to prayer rings out.
SOURCE: AFP news agency
Turkey attempted coup


This article is about the play. For other uses, see Death of a Salesman (disambiguation).
Death of a Salesman is a 1949 play written by American playwright Arthur Miller. It won the 1949 Pulitzer Prize for Drama and Tony Award for Best Play. The play premiered on Broadway in February 1949, running for 742 performances, and has been revived on Broadway four times, winning three Tony Awards for Best Revival. It is widely considered to be one of the greatest plays of the 20th century.
William "Willy" Loman: The salesman. He is 63 years old and unstable, insecure, and self-deluded. Willy tends to re-imagine events from the past as if they were real. He vacillates between different eras of his life. Willy seems childlike and relies on others for support, coupled with his recurring flashbacks to various moments throughout his career. His first name, Willy, reflects this childlike aspect as well as sounding like the question "Will he?" His last name gives the feel of Willy's being a "low man", someone who will not succeed; however, this popular interpretation of his last name was dismissed by Miller, who stated that the character's name is due to his relation to the English queen.
Linda Loman: Willy's loyal and loving wife. Linda is passively supportive and docile when Willy talks unrealistically about hopes for the future, although she seems to have a good knowledge of what is really going on. She chides her sons, particularly Biff, for not helping Willy more, and supports Willy lovingly even though Willy sometimes treats her poorly, ignoring her opinions over those of others. She is the first to realize that Willy is contemplating suicide at the beginning of the play, and urges Biff to make something of himself, while expecting Willy to help Biff do so.
Biff Loman: Willy's elder son. Biff was a football star with a lot of potential in high school, but failed math his senior year and dropped out of summer school when he saw Willy with another woman while visiting him in Boston. He wavers between going home to try to fulfill Willy's dream for him as a businessman or ignoring his father by going out West to be a farmhand where he feels happy. He likes being outdoors and working with his hands, yet wants to do something worthwhile so Willy will be proud of him. Biff steals because he wants evidence of success, even if it is false evidence, but overall Biff remains a realist and informs Willy that he is just a normal guy and will not be a great man.
Harold "Happy" Loman: Willy's younger son. He has lived in the shadow of his older brother Biff most of his life and seems to be almost ignored, but he still tries to be supportive toward his family. He has a restless lifestyle as a womanizer and dreams of moving beyond his current job as an assistant to the assistant buyer at the local store, but he is willing to cheat a little in order to do so, by taking bribes. He is always looking for approval from his parents, but he rarely gets any, and he even goes as far as to make things up just for attention, such as telling his parents he is going to get married. He tries often to keep his family's perceptions of each other positive or "happy" by defending each of them during their many arguments, but still has the most turbulent relationship with Linda, who looks down on him for his lifestyle and apparent cheapness, despite his giving them money.
Charley: Willy's somewhat wisecracking yet kind and understanding neighbor. He pities Willy and frequently lends him money and comes over to play cards with him, although Willy often treats him poorly. Willy is jealous of him because his son is more successful than Willy's. Charley offers Willy a job many times during visits to his office, yet Willy declines every time, even after he loses his job as a salesman.
Bernard: Charley's son. In Willy's flashbacks, he is a nerd, and Willy forces him to give Biff test answers. He worships Biff and does anything for him. Later, he is a very successful lawyer, married, and expecting a second son – the same successes that Willy wants for his sons, in particular Biff. Bernard makes Willy contemplate where he has gone wrong as a father.
Uncle Ben: Willy's older brother who became a diamond tycoon after a detour to Africa. He is dead, but Willy frequently speaks to him in his hallucinations of the past. He is Willy's role model, although he is much older and has no real relationship with Willy, preferring to assert his superiority over his younger brother. He represents Willy's idea of the American Dream success story, and is shown coming by the Lomans' house while on business trips to share stories.
The Woman: A woman, whom Willy calls "Miss Francis", with whom Willy cheated on Linda.
Howard Wagner: Willy's boss. Willy worked originally for Howard's father (also named Howard) and claims to have suggested the name Howard for his newborn son. However, he sees Willy as a liability for the company and fires him, ignoring all the years that Willy has given to the company. Howard is extremely proud of his wealth, which is manifested in his new wire recorder, and of his family.
Stanley: A waiter at the restaurant who seems to be friends or acquainted with Happy.
Death of a Salesman uses flashbacks to present Willy's memory during the reality. The illusion not only "suggests the past, but also presents the lost pastoral life." Willy has dreamed of success his whole life and makes up lies about his and Biff's success. The more he indulges in the illusion, the harder it is for him to face reality. Biff is the only one who realizes that the whole family lived in the lies and tries to face the truth.
Willy Loman dreams of being a successful salesman like Dave Singleman, somebody who has both wealth and freedom. Willy believes that the key to success is being well-liked, and his frequent flashbacks show that he measures happiness in terms of wealth and popularity. One analyst of the play writes: "Society tries to teach that, if people are rich and well-liked, they will be happy. Because of this, Willy thought that money would make him happy. He never bothered to try to be happy with what he had …" Willy also believes that to attain success, one must have a suitable personality. According to another analyst, "He believes that salesmanship is based on 'sterling traits of character' and 'a pleasing personality.' But Willy does not have the requisite sterling traits of character; people simply do not like him as much as he thinks is necessary for success."
Ben symbolizes another kind of successful American Dream for Willy: to catch opportunity, to conquer nature, and to gain a fortune. His mantra goes: "Why, boys, when I was seventeen I walked into the jungle, and when I was twenty-one I walked out. (He laughs.) And by God I was rich."
After seeing his father's real identity, Biff does not follow his father's "dream" because he knows that, as two analysts put it, "Willy does see his future but in a blind way. Meaning that he can and cannot see at the same time, since his way of seeing or visualizing the future is completely wrong."
One thing that is apparent from the Death of a Salesman is the hard work and dedication of Charley and Bernard. Willy criticizes Charley and Bernard throughout the play, but it is not because he hates them. Rather, it's argued that he is jealous of the successes they have enjoyed, which is outside his standards.
Death of a Salesman first opened on February 10, 1949, to great success. Drama critic John Gassner wrote that "the ecstatic reception accorded Death of Salesman has been reverberating for some time wherever there is an ear for theatre, and it is undoubtedly the best American play since A Streetcar Named Desire."
The play reached London on July 28, 1949. London responses were mixed, but mostly favorable. The Times criticized it, saying that "the strongest play of New York theatrical season should be transferred to London in the deadest week of the year." However, the public understanding of the ideology of the play was different from that in America. Some people, such as Eric Keown, think of Death of a Salesman as "a potential tragedy deflected from its true course by Marxist sympathies."
The play was hailed as "the most important and successful night" in Hebbel-Theater in Berlin. It was said that "it was impossible to get the audience to leave the theatre"[by whom?] at the end of the performance. The Berlin production was more successful than New York, possibly due to better interpretation.
Compared to Tennessee Williams and Beckett, Arthur Miller and his Death of a Salesman were less influential. Rajinder Paul said that "Death of a Salesman has only an indirect influence on Indian theatre practitions." However, it was translated and produced in Bengali as 'Pheriwalar Mrityu' by the theater group Nandikar. Director Feroz Khan adapted the play in Hindi and English by the name "Salesman Ramlal" played by Satish Kaushik and with the role of his son portrayed by Kishore Kadam.
The original Broadway production was produced by Kermit Bloomgarden and Walter Fried. The play opened at the Morosco Theatre on February 10, 1949, closing on November 18, 1950, after 742 performances. The play starred Lee J. Cobb as Willy Loman, Mildred Dunnock as Linda, Arthur Kennedy as Biff, Howard Smith as Charley and Cameron Mitchell as Happy. Albert Dekker and Gene Lockhart later played Willy Loman during the original Broadway run. It won the Tony Award for Best Play, Best Supporting or Featured Actor (Arthur Kennedy), Best Scenic Design (Jo Mielziner), Producer (Dramatic), Author (Arthur Miller), and Director (Elia Kazan), as well as the 1949 Pulitzer Prize for Drama and the New York Drama Critics' Circle Award for Best Play. Jayne Mansfield performed in a production of the play in Dallas, Texas, in October 1953. Her performance in the play attracted Paramount Pictures to hire her for the studio's film productions.
June 26, 1975, at the Circle in the Square Theatre, running for 71 performances. George C. Scott starred as Willy.
March 29, 1984, at the Broadhurst Theatre, running for 97 performances. Dustin Hoffman played Willy. In a return engagement, this production re-opened on September 14, 1984, and ran for 88 performances. The production won the Tony Award for Best Revival and the Drama Desk Award for Outstanding Revival.
February 10, 1999, at the Eugene O'Neill Theatre, running for 274 performances, with Brian Dennehy as Willy. The production won the Tony Award for: Best Revival of a Play; Best Actor in Play; Best Featured Actress in a Play (Elizabeth Franz); Best Direction of a Play (Robert Falls). This production was filmed.
February 13, 2012, at the Ethel Barrymore Theatre, in a limited run of 16 weeks. Directed by Mike Nichols, Philip Seymour Hoffman played Willy, Andrew Garfield played Biff, Linda Emond played Linda, and Finn Wittrock played Happy.
It was also part of the inaugural season of the Guthrie Theater in Minneapolis, Minnesota in 1963.
Christopher Lloyd portrayed Willy Loman in a 2010 production by the Weston Playhouse in Weston, Vermont, which toured several New England venues.
Antony Sher played Willy Loman in the first Royal Shakespeare Company production of the play directed by Gregory Doran in Stratford-upon-Avon in the spring of 2015, with Harriet Walter as Linda Loman. This production transferred to London's West End, at the Noël Coward Theatre for ten weeks in the summer of 2015. This production was part of the centenary celebrations for playwright Arthur Miller.
1951: Adapted by Stanley Roberts and directed by László Benedek who won the Golden Globe Award for Best Director. The film was nominated for Academy Awards for Best Actor in a Leading Role (Fredric March), Best Actor in a Supporting Role (Kevin McCarthy), Best Actress in a Supporting Role (Mildred Dunnock), Best Cinematography, Black-and-White and Best Music, Scoring of a Dramatic or Comedy Picture.
1960: In USSR (1960) directed by Theodore Wolfovitch as "You can't cross the bridge".
1966 (CBS): Starring Lee J. Cobb, Gene Wilder, Mildred Dunnock, James Farentino, Karen Steele and George Segal and directed by Alex Segal.
1966 (BBC): Starring Rod Steiger, Betsy Blair, Tony Bill, Brian Davies and Joss Ackland and directed by Alan Cooke.
1985: Starring Dustin Hoffman, Kate Reid, John Malkovich, Stephen Lang and Charles Durning and directed by Volker Schlöndorff.
1996: Starring Warren Mitchell, Rosemary Harris, Iain Glen and Owen Teale and directed by David Thacker.
2000: Starring Brian Dennehy, Elizabeth Franz, Ron Eldard, Ted Koch, Howard Witt and Richard Thompson and directed by Kirk Browning.
2008: Play within the film in Synecdoche, New York, starring Philip Seymour Hoffman.
2015: Radio drama, starring David Suchet and Zoë Wanamaker, directed by Howard Davies, and broadcast on BBC Radio 3.
2016: Play within the film in The Salesman (Forushande), acting as counterpoint to the main plot. Starring Shahab Hosseini, Taraneh Alidoosti, Babak Karimi, and directed by Asghar Farhadi.
^ "Death of a Salesman". Retrieved 6 March 2011.
^ "Death of a Salesman". www.therep.org. Archived from the original on 2017-02-05.
^ Martin Gottfried (2004). Arthur Miller: His Life and Work. Perseus Books Group. p. 118. ISBN 978-0-306-81377-1.
^ Koon, Helene. Twentieth Century Interpretations of Death of Salesman. Englewood Cliffs, New Jersey: Prentice-Hall.
^ a b c Bradford, Wade. "The American Dream in "Death of a Salesman"". About.com.
^ Sarkar, Saurav. The American Dream in Context of Death of A Salesman. Academia.
^ a b c Bloom, Harold (2009). The American Dream. Infobase Publishing.
^ Ziaul Haque, Md. & Kabir Chowdhury, Fahmida. "The Concept of Blindness in Sophocles' King Oedipus and Arthur Miller's Death of a Salesman" Archived 2014-05-25 at the Wayback Machine, International Journal of Applied Linguistics & English Literature, vol. 2, no. 3; 2013, p. 118, Retrieved on April 02, 2015.
^ a b c d Meserve, Walter (1972). Studies in Death of Salesman. Columbus, Ohio: Charles E. Merrill Publishing Company. ISBN 978-0-675-09259-3.
^ Arthur, Miller. Salesman in Beijing. New York: Viking Press.
^ Sullivan, Steve. Va Va Voom, General Publishing Group, Los Angeles, California, p.50.
^ Itzkoff, Dave (25 August 2010). "Christopher Lloyd stars in 'Death of a Salesman'". The New York Times. Retrieved 2010-09-08.
^ Porteous, Jacob (8 April 2015). "Arthur Miller Classic Death Of A Salesman To Make West End Transfer". LondonTheatreDirect.com. Retrieved 2015-04-22.
^ "BBC Radio 3 — Drama on 3, Death of a Salesman, by Arthur Miller". BBC. Retrieved 2017-11-27.
Miller, Arthur Death of a Salesman (Harmondsworth: Penguin Books, 1996) ISBN 9780140247732. Edited with an introduction by Gerald Weales. Contains the full text and various critical essays.
Hurell, John D. (1961). Two Modern American Tragedies: Reviews and Criticism of Death of a Salesman and A Streetcar Named Desire. New York: Scribner. pp. 82–8. OCLC 249094.
Sandage, Scott A. (2005). Born Losers: A History of Failure in America. Cambridge: Harvard University Press. ISBN 978-0-674-01510-4.
Wikimedia Commons has media related to Death of a Salesman.


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You are at:Home»developments»Historic seafront under threat
By Jeremy Mustoe on	 Wednesday 14 August 2019 developments, headlines
From the Marina in the east to King Alfred in the west, our historic seafront is under threat. Major high-rise massive developments are either being proposed like that at the Marina, or are in the pipeline. The four key sites are: The Marina, Black Rock, The Brighton Centre/Churchill Square and King Alfred.
At the Marina a total of 1000 new flats are proposed in nine tall and bulky buildings ranging from 8 to 28 storeys, as well as over 1,500 sq.m of commercial floor space.
Marina – massively obtrusive
It is a massively obtrusive development which will block views of the coastline from both east and west, and by its sheer size and bulk will dominate the landscape and the chalk cliffs behind, and block views of the sea. It will be completely out of scale and character with the Grade 1 Listed Kemp Town Estate just to the west, upon which it will have a severely detrimental effect. You can read our objection to the proposals here: https://www.brighton-society.org.uk/brighton-society-objection-to-the-marina-development/
Black Rock site with the Listed Kemp Town Estate behind
If the Marina developments are approved, it will inevitably set a precedent which will be followed by more massive buildings at Black Rock, just to the west of the Marina, between it and the Grade 1 Listed Kemp Town Estate on the cliff top above. The Council intends to replace the Brighton Centre which is to be sold in order to pay for a new Conference Centre at Black Rock. This would be larger than the current Brighton Centre and be able to cater for events of up to 10,000 people.
One concern is that commercial considerations and potential financial shortfalls will inevitably lead to pressures to include as many commercial and residential uses as possible in addition to the conference centre, in order to pay for it all. There are no design proposals yet, but more massive buildings in this sensitive location together with those at the Marina, would irreparably compromise the quality of our historic seafront at its eastern end.
Moving further west towards the centre of the seafront we then come to the site of the Brighton Centre. This, together with development of the Black Rock site, is called "The Waterfront Project".
Brighton Centre next to the Grand Hotel
It is proposed to demolish the Brighton Centre and extend The Churchill Square retail area up to the seafront. This development, which would include commercial uses and new housing, would occupy the sites of the current Brighton Centre and probably the Kingswest buildings including the Odeon Cinema complex adjacent, both of which are owned by the Council.
Besides the new commercial areas, it was estimated in December 2014 that up to 450 new homes, 25% of which would be 'affordable', could be incorporated into both the Churchill Square and Black Rock developments.
We suspect that this new housing would be accommodated in tall towers rising above the commercial buildings. For example the proposed Anston House scheme next to Preston Park, will provide 229 new flats in three tower blocks of 15, 14 and 13 storeys. That's about half the figure of 450 homes mentioned above. So conceivably there could be three towers at Black Rock and three more at Churchill Square.
And of course, like Black Rock, the Brighton Centre site conveniently avoids being included in either of the Conservation Areas on each side of the site. And, by a strange coincidence, both these sites also happen to be owned by the Council.
In addition to concerns about the visual effect that buildings of this size and scale will have on the character of our historic seafront, there are also major concerns about the effect of an increased concentration of retail uses on other more disadvantaged retail areas in the city such as Western Road, London Road and other shopping streets in the centre of the city.
And then there is the question of how over 10,000 people will be able to get to and from the events to be held at the new Black Rock facility and the railway station and the centrally located hotels, restaurants and shopping areas. An HS2 version of the Volks railway maybe? Dream on.
King Alfred development, Hove
Then further west we come to the King Alfred site. Although the Crest Nicholson proposals are now dead in the water, 560 flats were proposed in four tall buildings right on the seafront, the highest of which is proposed to be 18 storeys, in addition to a new sports and leisure centre. There is now a question mark hanging over the financial viability of the whole proposal.
Will this mean that the amount of new housing will be increased even further if any future developer is to make a return he finds acceptable? This would result in even larger and taller buildings than the previous proposal.
Effect on our seafront
The likely massive scale and dominating effect of these four huge developments will have a vastly detrimental effect on the relatively consistent scale, character and quality of our historic seafront buildings. Notably none of the four sites are included within the otherwise continuous stretch of Conservation Areas along the seafront. It is also no coincidence that three of the four sites most likely to threaten the scale and consistency of our historic seafront are owned by the Council.
Brighton and Hove has about 3500 listed buildings and 34 conservation areas. The importance of its historic buildings and seafront cannot be overstated. There is a case for making the whole seafront one long continuous conservation area.
An eminent planner back in the 1960s once said: "the role of the planner is to avoid the significance of irreversible mistakes." We suggest that the Council Planners have forgotten, ignored or more probably are not even aware of this advice.
The Council has an obligation to ensure that new development which affects the setting of conservation areas does not have a detrimental effect on and detract from the character of those conservation areas.
In spite of owning three of the four sites discussed in this article, it looks as though it is blindly walking towards ignoring that duty.
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Our objections to the previous application (Planning Ref: BH2018/01973) still apply to the revised Sea Lanes application that was approved on 3rd April 2019
Monday 8 April 2019 0

redpajama_set_name: RedPajamaCommonCrawl


text:
Q: $a == $b или preg_match("/^$a/", $b) - что выбрать и почему? Вариант 1:
if (
$a == $b &&
$a == $c &&
$a == $e
)

Вариант 2:
if (
preg_match("/^$a/", $b) &&
preg_match("/^$a/", $c) &&
preg_match("/^$a/", $e)
)

Какой из вариантов выбрать и почему?
P.S. Предполагаю, что первый вариант выполняется быстрее, но все же, хочется услышать мнения пользователей, которые действительно знают.
A: При первом варианте проверяется равенство, а при втором вхождение.
1 ) 1 = 1fghfgh : true
2 ) 1sdfsdf3 = 1 : false, т.к. не входит в подстроку
$a = "1ertert";
$b = 1;
if ($a == $b )
    echo "true
";
else
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if (preg_match("/^$a/", $b))
    echo "true
";
else
    echo "false
";

A: preg_match навряд ли быстрее обычного сравнения, так как ему нужно как минимум подгружать парсер регулятор. А сравнение вызовет себе strcmp и все делов.
Но вот что будет, если в $a окажется регулярное выражение...
A: Я-бы посоветовал так:
if ( $a === $b === $c === $e )

=== - это строгое сравнение, без приведения типов

redpajama_set_name: RedPajamaStackExchange


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Who Betrayed Anne Frank?
Mar 25, 2022 | Pratirodh Bureau
Anne and seven other Jews were discovered by the Nazis on Aug 4, 1944 after they had hid for nearly two years in Amsterdam. All were deported and Anne died in the Bergen Belsen camp at age 15
The publisher of a new and controversial work about Anne Frank is pulling the book after a group of Dutch historians released an in-depth criticism of its "most likely scenario" of who betrayed the Jewish teenage diarist and her family in German-occupied Amsterdam during World War II.
Meanwhile, the U.S. publisher of "The Betrayal of Anne Frank: A Cold Case Investigation" announced Wednesday that it will continue to sell the book.
The cold case team's research, published early this year in a book by Canadian academic and author Rosemary Sullivan, immediately drew criticism in the Netherlands.
In a 69-page written "refutation," six historians and academics describe the cold case team's findings as "a shaky house of cards." The book's Dutch publisher, Ambo Anthos, repeated an earlier apology and announced Tuesday night it was withdrawing "The Betrayal of Anne Frank."
The book alleged that the person who revealed the location of the Frank family's secret annex hiding place was likely a prominent Jewish notary, Arnold van den Bergh, who disclosed the location in an Amsterdam canal-side building to the German occupiers to save his own family from deportation and death in Nazi concentration camps.
The Dutch historians reviewed the team's work and concluded the "accusation does not hold water."
The historians said the book "displays a distinct pattern in which assumptions are made by the CCT (Cold Case Team), held to be true a moment later, and then used as a building block for the next step in the train of logic. This makes the entire book a shaky house of cards, because if any single step turns out to be wrong, the cards above also collapse."
In response, the cold case team's leader, Pieter van Twisk, told Dutch broadcaster NOS the historians' work was "very detailed and extremely solid" and said it "gives us a number of things to think about, but for the time being I do not see that Van den Bergh can be definitively removed as the main suspect."
Since the book's publication in January, the team has published detailed reactions to criticism of its work on its website.
Dutch filmmaker Thijs Bayens, who had the idea to put together the cold case team, conceded in January that the team did not have 100% certainty about Van den Bergh.
"There is no smoking gun because betrayal is circumstantial," Bayens told The Associated Press at the time.
Not all publishers were dropping the book. In the U.S., HarperCollins Publishers issued a statement saying it stands by "The Betrayal of Anne Frank," adding that "While we recognize there has been some criticism to the findings, the investigation was done with respect and the utmost care for an extremely sensitive topic."
The Frank family and four other Jews hid in the annex, which was reached by a secret staircase hidden behind a bookcase, from July 1942 until they were discovered in August 1944 and deported to concentration camps.
Anne and her sister died in the Bergen-Belsen concentration camp. Anne was 15. Only Anne's father, Otto Frank, survived the Holocaust. He published her diary after WWII and it quickly became an enduring symbol of loss and resilience, read by millions around the world.
Ronald Leopold, the director of the Anne Frank House museum based in the building where the Frank family hid, said in January that there remained "many missing pieces of the puzzle. And those pieces need to be further investigated in order to see how we can value this new theory."
On Wednesday, Leopold said question marks the museum had in January about the cold case team's conclusions "are supported by the counter-examination of leading historians. You may not consign someone to history as Anne Frank's betrayer if you do not have conclusive proof. We hope that this counter-investigation clears Van den Bergh's name from blame, also for his relatives, including granddaughter Mirjam de Gorter."
Tags: "The Betrayal of Anne Frank: A Cold Case Investigation", Anne Frank, Pratirodh
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If you're always likely to head towards a burger when you're boozed up -- listen up.
A new study claims that drinking a bottle of wine a week has the same lifetime cancer risk for women as smoking 10 cigarettes.
A scientist is developing a type of 'fake' alcohol that promises drinkers a boozy buzz but won't leave them drunk -- or hungover.
It seems there's no lengths we won't go to for a cold one -- even to the bottom of the sea.
Know nothing about wine but want to pretend you do? Well, these five tips will get you over the line.
Drinking alcohol is giving more than 3,200 Aussies cancer each year and a new ad is aimed at showing the realities of what alcohol actually does to your body.
Humans are said to have first encountered booze around 10 million years ago, yet many are still confused about how best to manage hangovers.
Almost two years ago, Emma Matthews' night out in Sydney's inner-west ended up at a tattoo parlour.
We didn't need another reason to pour ourselves a glass of vino, but now we do -- a study has found that alcohol can help people learn a foreign language.
The professional skateboarder revealed over social media that he would again be seeking treatment for alcohol addiction.
It's the day after the night before and, no doubt, many of us are feeling a little worse for wear.
Look, picking the best bubbles for New Year's Eve or any special event, really -- can be a bit bloody stressful.
Look, we've all been there.
Good news for anyone who likes their beer like they like their jokes -- extra corny.
From Pinot Gris to Gewürztraminer and Kimmy's fave, Chardonnay, we've got you covered.
So says an author who spent a decade in search of the ultimate morning after remedy for the night before.
Last night's raging party may have seemed like a good idea at the time, but come sunrise your head is pounding and you're not feeling too flash. So should you fork out for products claiming a miracle hangover cure?
We sorted the hangover cure fact from fiction and oh boy were we surprised.
We've been doing it all wrong, according to the founder of Grey Goose.
During a visit to the Royal Lochnagar Distillery, the Prince said he had toasted "several times," to the announcement of the next royal baby, due in Spring 2019.
We're Drinking Less Than Ever Before -- Cheers To That!
We're also giving up the beers and getting into our wine.
Australian sport personalities have joined forces to call for a ban on alcohol advertising in sport.
From tomato juice, to coconut water or simply drinking more alcohol, we've all got our own special ways of dealing with a hangover.
Her new song includes the lyrics, "We've been down this road before, I'm so sorry, I'm not sober anymore".
Police have seized a bottle of alcohol and energy drinks from the house where the girl was found.


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Q: Excel file export nothing happens with no error I have trying to export my data from my data access layer
but nothing happens no error and not exported.
it is kinda hard to know whats wrong because there's no error
I have tried this:
     if (dt.Rows.Count > 0){
          dgv.DataSource = dt;
         dgv.DataBind();

         Response.ClearContent();
         Response.AppendHeader("content-disposition","attachement;filename=transaction.xls");
         Response.ContentType = "application/excel";
         StringWriter stringWritter = new StringWriter();
         HtmlTextWriter htmlTextWritter = new HtmlTextWriter(stringWritter);

        dgv.RenderControl(htmlTextWritter);
        Response.Write(stringWritter.ToString());

        HttpContext.Current.Response.Flush();
        HttpContext.Current.Response.SuppressContent = true;
        HttpContext.Current.ApplicationInstance.CompleteRequest();

butnothing happens.
i have tried this but also nothing:
         StringWriter osStringWritter = new StringWriter();
         Html32TextWriter osHtmlTextWritter = new Html32TextWriter(osStringWritter);
         DataTable dt = new DataTable();
         DataGrid dgv = new DataGrid();

         Response.Clear();
         Response.Buffer = false;
         Response.ContentType = "application/vnd.ms-excel";
         Response.AddHeader("content-disposition", string.Format("attachment;filename={0}.xls", "TransactionReport"));
         Response.Charset = "";

         dgv.DataSource = dt;
         dgv.DataBind();

         dgv.RenderControl(osHtmlTextWritter);
         Response.Write("Report Datw:" + DateTime.Now);
         Response.Write(osStringWritter.ToString());
         //Response.End();
         HttpContext.Current.Response.Flush();
         HttpContext.Current.Response.SuppressContent = true;
         HttpContext.Current.ApplicationInstance.CompleteRequest();

        dgv = null;
        osStringWritter = null;
        osHtmlTextWritter = null;

What i'm doing wrong ?

A: Try this may resolve your issue
dgv.DataSource = dt;
        dgv.DataBind();
        Response.ClearContent();
        Response.Buffer = true;
        Response.AddHeader("content-disposition", "attachment;filename = Export to Excel.xls");
        Response.ContentType = "application/ms-excel";
        Response.Charset = "";
        using (StringWriter sw = new StringWriter())
        {
            using (HtmlTextWriter htw = new HtmlTextWriter(sw))
            {
                dgv.RenderControl(htw);
                Response.Output.Write(sw.ToString());
                Response.Flush();
                Response.End();
            }
        }


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Negotiating from strength: Washington, Beijing and climate change
By Christopher Bassler and Ben Noon, opinion contributors — 08/28/21 11:00 AM EDT
The views expressed by contributors are their own and not the view of The Hill
View Latest Opinions >>
© FRED DUFOUR/AFP via Getty Images)
There is growing pressure for the Biden administration to de-escalate tensions with China for the sake of climate cooperation. In a letter published on July 8, climate organizations called on the United States to work on "environmental, human rights, social, and governance standards" with China to avert a new Cold War.
Enticing China to act in support of the Biden administration's effort to reduce global carbon dioxide emissions will not succeed. China's significance as the world's greatest emitter of pollution and Chinese policymakers' own view of climate change negotiations will render any cooperative strategy ineffective. As our primary strategic rival, China will likely only respond to pressure on climate.
China is the world's largest greenhouse emitter. In 2019, China polluted more CO2 than the United States, the EU and Japan combined. China's emissions were also more than three times India's and four times all of Africa and South America's combined emissions. These levels of pollution make up about 27 percent of the world's greenhouse gas.
Fossil fuels remain the backbone of China's economy. China's emissions come principally from its coal use, which constitutes about 60 percent of its energy consumption. Meanwhile, China races ahead with constructing new coal plants. In 2020, China added more than three times the rest of the world in new coal power capacity.
This reality clashes with Chinese propagandists' attempts to tout their solar and wind power technology. Today, these sources only account for about 5 percent of China's energy usage combined. The Chinese government, however, continues to provide massive government assistance and subsidies into solar and wind power.
American greenhouse emissions, by contrast, have been on a downward trend since 2007. The U.S. energy portfolio is the most diversified it has ever been, with ample oil, natural gas, nuclear and renewable energy. The United States has halved its coal consumption in the past decade, due to surging natural gas supplies. It also has an emerging green energy market based on American innovation.
These differences mean that China emits nearly twice as much greenhouse gas each year as the United States and more than the entire G7 combined. China is the real source of this century's climate challenge — and Washington should be unambiguous about it. The United States should ignore China's empty promises about carbon neutrality and think differently about how to incentivize China to do what is right for the whole world.
Climate cooperation with Beijing will not reduce China's emissions. Policymakers in China have a jaded view of the relationship between climate change and U.S.-China relations. Our recent research found that Chinese strategists see climate change as one part of a broader zero-sum struggle between the United States and China for global dominance. They want to take advantage of any opportunity to establish an edge over the United States, including in climate negotiations. If climate negotiators in Washington give the Chinese government an inch, it will take a mile.
The United States should acknowledge the fact that energy represents a crucial dimension of the U.S.-China competition. The Chinese government will only finally take the significant steps required to reduce its carbon emissions when it knows building more coal plants will incur significant international costs. This is only possible if the United States can change Beijing's calculus.
Such an approach could take any number of forms. For example, the United States could levy a tax on trade with any Chinese companies involved in coal and prevent those companies from raising funds in American financial markets. The United States could also help developing countries transition to green energy as a response to China's coal-powered Belt and Road Initiative. These ideas are just the beginning of what the United States can do with its growing advantage over China in energy innovation, production and resiliency.
Washington must reconsider how it understands the challenge of climate change. The United States has already made great strides to reduce its pollution and energy consumption while diversifying its energy portfolio. Meanwhile, China has become by far the world's worst emitter of carbon dioxide. The Chinese Communist Party does not want good-faith cooperation on climate. The United States should recognize its strengths and embrace its role to lead a coalition to press China to reduce its pollution.
Christopher Bassler is a senior fellow at the Center for Strategic and Budgetary Assessments (CSBA), a nonpartisan policy research institute established to promote innovative thinking and debate about national security strategy and investment options.
Ben Noon is a research assistant at CSBA.
They are co-authors of "Mind the Power Gap: The American Energy Arsenal and Chinese Insecurity," a new report published by CSBA.
Tags Climate change Fossil fuels China Global warming carbon emissions


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RED STORM'S CLARK ON LASALLE'S LIST
St. John's associate head coach Kevin Clark has emerged as a finalist for the head coaching vacancy at LaSalle, sources told The Post last night. The source said that Lafayette coach Fran O'Hanlon turned down the job and Clark could be offered the position as early as today.
Clark, who has excelled at working with big men and recruiting internationally, was not available for comment last night. But several weeks ago he confirmed to The Post that he was very interested in the LaSalle job.
If Clark gets the position, it would allow St. John's coach Mike Jarvis to promote assistant coach Dermon Player. Player currently is not allowed to go on the road as a recruiter, according to NCAA rules. Player is considered one of the best recruiters in the metropolitan area and would be a valuable asset on the road.
ISLES WATCHING COACH SEARCH


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War veteran Tom Moore's charity cover on course for number one
The 99-year-old could top the charts in time for his 100th birthday at the end of the month.
Tom Moore of himself, a 99-year-old veteran who has raised over ??2 million for the NHS after setting himself a challenge to walk 100 lengths of his garden.
Captain Tom Moore is on course to score a number one single for his cover of You'll Never Walk Alone with Michael Ball.
The 99-year-old war veteran has already raised more than £25 million for NHS Charities together, having initially targeted just £1,000 by walking 100 laps of his garden.
The pensioner, who was praised by Sir Mo Farah for his heroic efforts, joined forces with Ball and the NHS Voices of Care Choir to cover the Gerry & The Pacemakers hit, with proceeds from the single donated to Captain Tom Moore's 100th Birthday Walk in aid of NHS Charities Together.
Their version of You'll Never Walk Alone is the highest new entry in the chart first look from the Official Charts Company, with just shy of 36,000 copies sold after 48 hours.
It is 22,000 chart sales ahead of reigning number one Blinding Lights by The Weeknd, and could bring the veteran a debut official UK number one just in time for his 100th birthday on April 30.
Paediatric nurse Beth Porch is also on track for a top 10 debut after her audition on Britain's Got Talent on Saturday night, when she performed original song You Taught Me What Love Is.
The track is the second highest new entry of the week at number four.
Proceeds from the single will be split equally between NHS Charities Together and Great Ormond Street Hospital Children's Charity.
Meanwhile, Dame Vera Lynn and Katherine Jenkins's duet on We'll Meet Again climbs from 72 into the midweek top 20 at number 20, also raising money for NHS Charities Together.
The official chart first look is based on preliminary sales and streaming data from the first 48 hours of this week's chart race.
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Two women dog walkers attacked, one sexually assaulted, in south London park
What will a no-deal Brexit look like in the age of COVID?
Footage shows moment man literally stops shaking as surgeons cure Parkinson's – during operation


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Dallas Photographer on Close Call With Texas Courthouse Shooter: 'This Is Not How I Want to Go'
Dallas Morning News photojournalist Tom Fox captured a close-up image of a gunman in downtown Dallas Monday morning
Published Jun 18, 2019 at 12:32 PM | Updated at 12:37 PM EDT on Jun 18, 2019
DMN Photographer Tom Fox Reflects on Close Call With Gunman in Dallas
http://www.necn.com/news/national-international/Dallas-Morning-News-Photographer-Recalls-Courthouse-Shooting-511463622.html
Full Interview: Photographer on Close Call With Gunman
Dallas Morning News photographer Tom Fox reflects on his close call with the gunman who opened fire outside the Earle Cabell Federal Building in downtown Dallas Monday. (Published Tuesday, June 18, 2019)
When a masked gunman opened fire outside the Earle Cabell Federal Building in Dallas, photojournalist Tom Fox was already on the scene.
Fox, a veteran photographer for The Dallas Morning News, was downtown at the federal courthouse Monday morning to get a picture of a defendant in a charter school fraud case when gunshots rang out.
Fox told NBC 5 he saw someone coming down the block but he couldn't make out who it was. He pulled out his long-lens camera and looked in the viewfinder to get a closer look. That's when Fox saw a masked man and the muzzle of a gun. After snapping a picture, he ran for cover.
"I ran down the sidewalk thinking I had to get out of harms way, he's coming this way," Fox said. "I didn't want to be shot in the back, so I ducked in the first alcove, which happened to be the first one by the glass door at the back of the building."
Graphic: Video Shows Shootout Outside Dallas Courthouse
Cellphone video shows a man wearing what appears to be body armor firing a gun in front of the Jackson Street entrance of the Earle Cabell Federal Building in downtown Dallas. Video courtesy: Tim Brown. WARNING: The video above is graphic; viewer discretion is advised.
The gunman, later identified as 22-year-old Brian Clyde, was carrying more than 150 rounds of ammunition for his high-powered rifle. He approached the Jackson Street entrance of the federal courthouse and "shot out the door" before Federal Protection Service officers stationed at the building engaged in a gunfight.
A video of the incident, taken from a building across the street and obtained by NBC, shows Clyde walking alongside the building, and stopping just feet away from where Fox is hiding behind a column.
"I just crouched in a corner and tried to make myself as small as possible ... and just pray that he didn't walk past me because I'm in plain sight," Fox said. "And if he saw me sitting there with a camera, he would...I have no doubt he would have shot me."
The shooter was wounded in the exchange of gunfire with officers and fled to the parking lot across the street where authorities found him lying on the ground between two cars. Fox said he used his iPhone to grab a quick shot of Clyde on the ground, surrounded by officers. Clyde was taken to a hospital, where he was pronounced dead, authorities said.
Fox recalled thinking during the gunfire that "this is not how I want to go," and said he's just thankful to be alive.
"You think about family, you think about friends, you think about things that are important to you," Fox said. "I'm coming off vacation with all my family and it was great to see everybody again."


Gas lines are an important part of the functioning of many homes and office buildings. The inherent dangers associated with gas make it imperative that gas work, installation, refitting and all other aspects are done by a qualified professional plumber.
At A to Z Plumbing, Inc., we have highly experienced plumbers that can test and locate your system using a variety of methods to quickly get you back in operation.
Some of the greatest dangers around your home may be unseen - such as gas leaks. Avoiding these unseen dangers and alerting your family to danger can be as simple as checking your appliances regularly and purchasing a few, affordable alarms.
Gas service at your house begins at the gas meter. The gas flows through iron pipes, steel pipes, and poly pipes under ground to your house. Gas enters the house and then goes up into your attic in iron pipes. In the attic the pipes may supply gas to a furnace and a water heater. The example we are showing here is the gas service and distribution in a typical residence with a slab foundation. In other types of structures the gas service lines may be under the floors. After the gas piping enters the attic it drops down in iron pipes inside the walls to provide service to ranges, dryers, water heaters, furnaces, and fireplaces. With this complex system of piping, pipe fittings, valves, and appliances, there is always a potential for a gas leak.
After you have discovered you have a gas leak and our technician arrives at your house, his first challenge is to locate the leak. This may require digging in the yard, crawling in the attic, removing wall paneling, and sometimes removing brick. After our technician locates the gas leak, he will use the illustrations above and make a recommendation on the best type of repair. These types of repairs usually require replacing, some piping, fittings, and/or valves.


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The Congregational Union of Ireland is strongly associated with the Puritans and Oliver Cromwell. The Irish Congregational Church was formed in 1829. In 1899 it absorbed the Irish Evangelical Society. By 1927 there were about 10,000 members in Ireland.

The denomination affirms the Savoy Declaration.

It has close contacts with the Evangelical Fellowship of Congregational Churches.

Church membership is around 3,200 in 26 congregations. Most members are in Northern Ireland; the Republic of Ireland census of 2016 enumerated 68 Congregationalists.

The chairman is Rev. Nigel Kissing.

References

External links

Congregationalist denominations
Reformed denominations in the United Kingdom
Protestantism in Ireland

redpajama_set_name: RedPajamaWikipedia


Hannah Gadsby on the problem with "good men" talking about "bad men"
Not content with her stand up show, Nanette, becoming Netflix's breakout hit of 2018, stealing the show at the Emmy's or having her portrait taken by Annie Leibovitz for a Vanity Fair profile, Hannah Gadsby is not done with the mic drops.
She has delivered another powerful, provocative and perceptive address in Hollywood putting "good men" on notice.
Within hours of delivering the opening remarks at The Hollywood Reporter's 2018 Women in Entertainment gala overnight her riposte zeroing in on the problem with "good men" talking about "bad men" had gone viral.
"But the last thing I need right now in this moment in history is to have to listen to men monologue about misogyny and how other men should stop being 'creepy', as if that's the problem.
"My issue is that when good men talk about bad men, they always ignore the line in the sand. We need to talk about how men will draw a different line for every different occasion.
"They have a line for the locker room. A line for when their wives, mothers, daughters and sisters are watching. Another line for when they're drunk… a line for friends and a line for foes. You know why we need to talk about this line between good men and bad men? Because it's only good men who get to draw that line.
This is why, she said, the world is filled with "good men who do very bad things and still believe in their heart of hearts that they are good men".


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Two Teens Arrested after Tuolumne County House Fire, Death
Posted 12:45 PM, August 14, 2019, by Sonseeahray Tonsall and Anisca Miles
TUOLUMNE COUNTY — Two teenage boys have been arrested in connection to a house fire and death in Columbia.
Tuolumne County Sheriff
Kevin Drake said flames were taking over his neighbor's trailer Tuesday morning.
"I was seeing the flames come over the trees, that's how big it was already," Drake told FOX40. "I couldn't do nothing, everything was already on the ground."
Unable to directly attack the fire until Sonora city crews arrived, Drake, who is a volunteer firefighter, cut a handline to keep it from spreading through the Columbia canyon.
By Wednesday, he had learned that he was battling the work of two teenage arsonists who are also under arrest on suspicion of being killers.
The Tuolumne County Sheriff's Office reports a body was found in the rubble of the burnt trailer on Calle Quartz Road.
Relatives of the woman who lived there told FOX40 investigators have said she had been shot.
Deputies are not identifying the victim.
She was the mother of five. The four youngest, ranging in age from seven to 14, were not living with her.
Neighbors also told FOX40 she was living in a different trailer down the road five months ago but it burned down. Then her body was found in the second fire.
Drake was stunned by her loss and by word of the arrests. He said he knows the young people accused and said one is related to his neighbor.
"It's hard for me to believe they did it but anything could have been possible," he told FOX40.
Filed in: Local News, News
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One rescued after possible gas explosion levels 3 Philadelphia row houses; search for others to start


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Music Division
Tour Management
View our talent
Stage & Screen Division
Established Music Talent (HOME)
Sam Bailey was born in Bexley, East London. Growing up, she enjoyed singing for her friends and family but never believed she was destined for stardom.
When she was younger, Sam entered talent competitions but always wanted to impress people by herself, rather than being talked up by family and friends. However, her family did have a major influence on her musical career - her grandfather was a singer in a group called 'The Four Vinos' and her father was also in a band and she was often in the company of musicians.
One of her earliest success stories was winning a 'Search For A Star' talent competition in Crayford Town Hall, Bexley as a 16-year-old. She went on to attend Bexley Arts College and Dartford's Miskin Theatre to further develop her talent.
Though singing was a passion, Sam admits that her first love in life was football. She played professionally for a number of clubs including Millwall Lionesses, West Ham, Crystal Palace and London Women.
Before she stole the hearts of the nation by winning the tenth series of The X Factor at Christmas 2013, Sam worked as a prison officer at HM Prison Gartree as well as performing on cruise ships, in clubs and at music festivals for several years.
Despite her obvious nervousness during her first X Factor audition, she blew the judges away with her rendition of Beyoncé's 'Listen', receiving a standing ovation and leading Gary Barlow to describe her voice as "incredible".
Under the mentorship of Sharon Osborne she became a clear favourite on the show, dazzling audiences and judges alike with her stunning voice and natural stage presence. She received more than a million votes over the course of the final weekend and was crowned winner of the show.
Following her triumph, her debut single, 'Skyscraper', reached Christmas number one and her debut album, The Power of Love stormed to the top of the UK album charts in 2014.
Sam is truly one of the most talented performers in the music business and embarked on her first ever headline tour in 2015 which sold-out venues and received rave reviews.
Sam lives in Leicester with her husband Craig, and their three children - Tommy, Brooke, and Miley. She is looking forward to embarking on the next stage of her career with many exciting new opportunities ahead of her.
Universal Talent Group is fast becoming a leader in talent management.
Our talent management department consists of a group of experienced and professional, forward thinking talent managers, who together make the impossible, possible.
If you would like any additional information, please contact us on the following options.
Universal Talent Group
© 2018 Universal Talent Group. All Rights Reserved. Design by Universal Talent Group Ltd


Overcome the solitaire blahs! Whitehead Solitaire looks like traditional klondike solitaire, but presents an interesting twist. All cards are dealt face-up, and you must build sequences of the same color. Sequences of cards can only be moved if they are all of the same suit. Cards are dealt 1 at a time from the stock pile, and you only have 1 run through the stock pile. Make it count when you play Whitehead Solitaire online.


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Within the social science and health disciplines it has become increasingly important to be able to translate data and knowledge into information that is useable and accessible to a broad audience. This subject aims to develop exactly this skill. Information provision has become increasingly sophisticated. It is now recognised that successful communications is a result of design rather than luck. This subject will instruct students on the use of appropriate modes of message delivery and also how to understand the characteristics of a target audience and tailor communications for maximum impact.
obtain knowledge of different communication frameworks and methodologies.
Assessment: quizzes or tests (10%); presentations (30%); assignments (60%).
Coord/Lect: Dr Connar McShane, Dr Kayla Morris.


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Beyonce talks Blue Ivy in 'Vogue': 'She's my road dog. She's my homey, my best friend.'
By Erin Strecker
February 11, 2013 at 06:11 PM EST
Beyoncé has always ruled the world, and now it's Vogue-approved. The singer — who's had a pretty banner 2013 so far — covers the fashion magazine's March issue, and the full story is already online. The writer, Jason Gay, catches up with Bey after a L'Oréal commercial shoot to talk about her music, her upcoming HBO documentary Life Is But A Dream, and, of course, Blue Ivy Carter.
Many of the actual quotes from Beyoncé in the piece center on her daughter with husband Jay-Z. Below, check out five pieces of intel about the most famous one-year-old in the world — with guest commentary by Gwyneth Paltrow.
1.) "She's my road dog. She's my homey, my best friend," Beyoncé says about Blue Ivy.
2.) "I felt like when I was having contractions, I envisioned my child pushing through a very heavy door. And I imagined this tiny infant doing all the work, so I couldn't think about my own pain. . . . We were talking. I know it sounds crazy, but I felt a communication."
3.) Beyoncé talks about wanting Blue to have normal childhood experiences: "School visits and lemonade stands and all that stuff. It's very important for me."
4.) Her mother, Tina Knowles, on the fake pregnancy rumors: "It's tough as a mother because people say all this crazy stuff . . . and I want to say, 'You should tell them' sometimes. She'll say, 'Mom, I don't owe them that. Let them say what they want to say.'"
5.) Gwyneth Paltrow, famous friend: "'Blue was sleeping in her arms, across her body, and B was listening back to what she had been working on,' Paltrow says. 'I thought, This is how you do it. You do what you love with who you love included.'"
Beyonce's Super Bowl Bodysuit: Who is designer Rubin Singer?
Beyonce, Destiny's Child get big post-Super Bowl bumps on iTunes
The Lion King roars into Hollywood: See all the stars at the world premiere
Former Teen Vogue editor Elaine Welteroth on inspiring a new generation of women
The Bachelorette recap: 'You don't own my body'
Elle King reveals she's engaged to her boyfriend of 15 months
Spider-Man director reacts to Gwyneth Paltrow forgetting she was in Homecoming
Keanu Reeves' Always Be My Maybe entrance works perfectly with all these songs
Ali Wong and Randall Park play Vicebreaker from Always Be My Maybe
Lena Headey says she wanted a 'better death' for Cersei on Game of Thrones
Adele fangirls at Spice Girls concert, reflects on how far she's come
Behind the scenes of EW's My Best Friend's Wedding reunion cover shoot
The Amazing Race recap: 'Boats and trains and bikes, oh my'
Watch Friends star Jennifer Aniston share where she thinks Ross and Rachel would be today
Princess Diana, movie star? Kevin Costner says she almost starred in The Bodyguard sequel
Ellen DeGeneres opens up to David Letterman about being sexually assaulted as a teen
Who is Halle Bailey? Watch The Little Mermaid star's best performances before she plays Ariel
How your furry best friend could become a star of Netflix's Dogs season 2
Cameron Diaz through the years: From The Mask to EW's My Best Friend's Wedding reunion
Linda Hamilton explains why she's finally back for Terminator: Dark Fate


text:
Q: PHP ORM _ Connection Management Which PHP ORM framework is good and light weight , Also having connection pooling and connection management as like hibernate framework

A: Because of the way PHP is designed to run you won't actually find anything tantamount to Connection Pooling. In fact, the closest you can get is persistent connections, which has it's own pitfalls.
I personally like Propel, although calling it lightweight is sort of subjective. I'm not entirely sure what 'connection management' means but propel is designed to handle multiple database connections as well as master/slave routing based on the query. You can gain speed in the ORM with certain optimizations (APC, Memcached, etc). Things like object hydration also help speed up your application.
Check it out. It's not for everyone.
(For the sake of completion the other popular ORM for PHP is called Doctrine. It's personally not my favorite.)
EDIT
One of the strong points for propel (for me) was it's integration with phing. I think coming from a jboss environment you'll find things like a code deployment process are lacking. For me, phing solves a lot of those issues. As long as I have to have phing installed for propel to work I may as well leverage it for deployments on the entire application.
Phing can roll tar balls, zip files, pear packages or even RPM's if you're feeling brave.

A: I find db.php orm extremely light and easy also it does not limit connections and you can specify which table for what class is located on which connection:
http://dbphp.net/connect-using-many-links/
The lack of framework is it seems to be newborn and documentation on github repo is updated 2-3 times per week but I already use it in my e-commerce framework and I can say I am fully satisfied.
I dont know if you go in details but when you define connection link in db.php you also specify a desired name for that link like:
$database->link (new \db\link ('my_mysql_link_name', 'mysql:host=127.0.0.1', 'root', '1234'));

And if it is not default link (first link) than you have to specify it to your class (if you have class whose table resides on non-default link database):
/**
* link my_mysql_link_name
*/
class user
{

}

And after you add that class table handler to database:
$database->add ('\user);

Then all queries on that class table handler will be executed on user class specified link:
$database->save (new \user());

So line above will use my_mysql_link_name connection link for query.
I also noticed one interesting thing that if I have relation setup between class properties than db.php fetches related rows (one to one case) with left join in same query if related field tables reside on same connection link otherwise it will use separate queries for fetching related rows for objects (Also you can specify lazy keyword in property doc comment to avoid loading related objects).
Oh and also you can always access your connectins like this:
$database->link('name_of_link') or $database->link() for default connection link and you can just add your own class as link to database and override all link methods as described here:
http://dbphp.net/connect-using-custom-link/
And another oh what I like most in db.php is it creates or synchs databases and table structures automatically on all links just by calling $database->update(). <3


This is the OCR-endorsed publication from Bloomsbury for the Latin A-Level (Group 4) prescription of Virgil's Aeneid X, giving full Latin text, commentary and vocabulary for lines 215-250, 260-307, 362-398 and 426-542.
A detailed introduction covers the prescribed text to be read in English for A Level. In Book X, the story moves from a council of the gods, via a depiction of Aeneas's return by sea to his beleaguered Trojan camp, to a bloody field of battle.
We see Aeneas for the first time as a heroic warrior, but also afflicted by the searing pain of loss as the young son of his new ally, entrusted to him by his father, is killed.
Aeneas is for now cheated of his revenge, a revenge which is the preoccupation of the rest of the poem.
He does, however, slay the son of a champion of the opposition and then the champion himself, in scenes which re-emphasise that pain. The heart of the book, where Aeneas and his allies join the fray, constitutes the OCR selection.
It is an immensely powerful confrontation between violence and compassion, cruelty and nobility.


'CITIES of GLASS' and 'The Colour Not of Love' are the first two singles from upcoming opera album 'LEAVES – the Colour of Falling' now has a visual accompaniment featuring the lyrics written by Ursula Andkjær Olsen.
'STILLBORN' is the third single from upcoming opera album 'LEAVES – the Colour of Falling' by EFTERKLANG / FUNDAL. 'Stillborn' is sung by the soprano Katinka Fogh Vindelev who also stars in the video. The lyrics are written by Ursula Andkjær Olsen.
'ABYSS' from the opera album 'LEAVES – the Colour of Falling' by EFTERKLANG / FUNDAL is the fourth single. 'Abyss' is sung by bass singer Nicolai Elsberg. The lyrics are written by Ursula Andkjær Olsen.
The new album was released November 4th on TAMBOURHINOCEROS and in Feb & March 2017 Efterklang & The Happy Hopeless Orchestra will perform the album live in Copenhagen, Uppsala, Groningen, Eindhoven, Rotterdam, Amsterdam, London and Bruxelles.


text:
Q: Unclickable region on VSCode UI when installed on Chromebook / ChromeOS I have installed VSCode on my Lenovo Yoga Chromebook and I am unable to use the mouse in the bottom right corner of the UI. The problem has persisted through restarts, toggling the Terminal window, switching to 2 column layout, and a VSCode upgrade. To clarify:

*

*I can move the cursor within the problem area with the arrow keys fine, and select text as normal.

*The problem spans different VSCode UI elements - text editor, terminal and notifications (i.e. I cannot dismiss plugin notifications, or enter the terminal via that part of the UI)

*The problem area does not coincide with the ChromeOS control panel.

*The problem does not occur in Chrome, or other programs on the Chromebook.

I installed VSCode via the .deb in the Linux terminal. The version info is below:

*

*Version: 1.43.2

*Commit: 0ba0ca52957102ca3527cf479571617f0de6ed50

*Date: 2020-03-24T07:52:11.516Z

*Electron: 7.1.11

*Chrome: 78.0.3904.130

*Node.js: 12.8.1

*V8: 7.8.279.23-electron.0

*OS: Linux x64 4.19.87-07826-g55ab70aff690

I have attached a screenshot showing what happens when I drag diagonally up from the bottom right corner of a file of . characters, to illustrate.

Does anyone know how I might solve or debug this? We have a fair few of these Yoga chromebooks for our devs, and nobody else has reported this problem.

A: Seems this problem was related to the way the VSCode window was being launched by Chrome. I was able to work around this by using Sommelier to launch the app under Unity, and tweak the scaling / DPI to get a native resolution.
The solution was therefore to change /usr/share/applications/code.desktop to:
[Desktop Entry]
Name=Visual Studio Code
Comment=Code Editing. Redefined.
GenericName=Text Editor
Exec=sommelier -X --scale=1.0 --dpi=160 /usr/share/code/code "--unity-launch %F"
Icon=/usr/share/pixmaps/com.visualstudio.code.png
Type=Application
StartupNotify=false
StartupWMClass=Code
Categories=Utility;TextEditor;Development;IDE;
MimeType=text/plain;inode/directory;
Actions=new-empty-window;
Keywords=vscode;

X-Desktop-File-Install-Version=0.23

[Desktop Action new-empty-window]
Name=New Empty Window
Exec=sommelier -X --scale=1.0 --dpi=160 /usr/share/code/code "--new-window %F"
Icon=/usr/share/pixmaps/com.visualstudio.code.png

Note the Exec=... lines, with --unity-launch, and --scale... --dpi...
You may need to install Sommelier first. I didn't, but my device is managed.


text:
Q: Why does java (minecraft) appear to be resetting my variables? I am making a minecraft mod, which is Java code, and I am noticing a strange behavior where a String seems to be losing it's data. I am new to Java so I don't quite have a strong understanding of how Java handles Strings or other objects for that matter. So, I will state what I am doing and where the problem is: I have a class that has some text field ui elements that the user types in to give an item an name. What I then do is everytime the user changes the text in the field, it then sends a copy of it's contents to another class which then sends them to another class (this is necessary due to the way minecraft is setup) then when the item is created, that last class then updates the item's name from within it's-self. I'm not sure if this is the best way to do this, but it was what I came up in the short run. The problem is that when the item is created, the last class's name field (a String) is wiped and is empty. I'm not sure why this is happening or how it could happen, because each of these name fields are only (re)defined when the text in the ui changes and are private to their respective classes. So, I am at a loss. I will post my classes in hopes that you guys can make sense of them and help me out.
GuiRecorder.java
package net.minecraft.src;

import org.lwjgl.opengl.GL11;

public class GuiRecorder extends GuiContainer
{
private TileEntityRecorder recorderInventory;
private GuiTextField discName;
private GuiTextField musicPath;
private ContainerRecorder record;
private boolean isInit;

public GuiRecorder(InventoryPlayer par1InventoryPlayer, TileEntityRecorder par2TileEntityRecorder)
{
    super(new ContainerRecorder(par1InventoryPlayer, par2TileEntityRecorder));
    this.recorderInventory = par2TileEntityRecorder;
    this.record = (ContainerRecorder)(this.inventorySlots);

    int var5 = (this.width - this.xSize) / 2;
    int var6 = (this.height - this.ySize) / 2;

    this.isInit = false;
}

/**
 * Capture Any/All key presses from the user and put them in the correct text field.
 */
protected void keyTyped(char par1, int par2)
{
    if (par2 == 1)
    {
        this.mc.thePlayer.closeScreen();
    }

    else if (this.discName.isFocused())
    {
        this.discName.textboxKeyTyped(par1, par2);
    }
    else if (this.musicPath.isFocused())
    {
        this.musicPath.textboxKeyTyped(par1, par2);
    }

    System.out.println("Keyboard hit! Code: " + par2);

    this.record.setName(this.discName.getText());
    this.record.setPath(this.musicPath.getText());
}

/**
 * Capture Any/All mouse clicks on the GUI.
 */
protected void mouseClicked(int par1, int par2, int par3)
{
    super.mouseClicked(par1, par2, par3);
    this.musicPath.mouseClicked(par1, par2, par3);
    this.discName.mouseClicked(par1, par2, par3);
}

public void onGuiClosed()
{
    this.record.setName(this.discName.getText());
    this.record.setPath(this.musicPath.getText());

    if (this.mc.thePlayer != null)
    {
        this.inventorySlots.onCraftGuiClosed(this.mc.thePlayer);
    }
}

/**
 * Draw the foreground layer for the GuiContainer (everything in front of the items)
 */
protected void drawGuiContainerForegroundLayer(int par1, int par2)
{
    this.fontRenderer.drawString(StatCollector.translateToLocal("container.inventory"), 8, this.ySize - 96 + 2, 4210752);
    this.fontRenderer.drawString("Disc Name:", (int)(this.xSize*0.02), (int)(this.ySize*0.03)+1, 4210752);
    this.fontRenderer.drawString("Music Path:", (int)(this.xSize*0.02), (int)(this.ySize*0.2)-1, 4210752);
}

/**
 * Draw the background layer for the GuiContainer (everything behind the items)
 */
protected void drawGuiContainerBackgroundLayer(float par1, int par2, int par3)
{
    int var4 = this.mc.renderEngine.getTexture("/gui/recorder.png");
    GL11.glColor4f(1.0F, 1.0F, 1.0F, 1.0F);
    this.mc.renderEngine.bindTexture(var4);
    int var5 = (this.width - this.xSize) / 2;
    int var6 = (this.height - this.ySize) / 2;
    this.drawTexturedModalRect(var5, var6, 0, 0, this.xSize, this.ySize);
    int var7;

    if(!this.isInit)
    {
        this.discName = new GuiTextField(this.fontRenderer, var5 + 7, var6 + 16, 68, 10);
        this.musicPath = new GuiTextField(this.fontRenderer, var5 + 7, var6 + 39, 68, 10);

        this.discName.setFocused(true);
        this.musicPath.setFocused(false);

        this.discName.setText("Untitled");
        this.musicPath.setText("cat");

        this.isInit = true;
    }

    var7 = this.recorderInventory.getCookProgressScaled(24);
    this.drawTexturedModalRect(var5 + 111, var6 + 34, 176, 14, var7 + 1, 16);

    this.discName.drawTextBox();
    this.musicPath.drawTextBox();
}
}

ContainerRecorder.java
package net.minecraft.src;

import java.util.Iterator;

public class ContainerRecorder extends Container
{
private TileEntityRecorder recorder;
private int lastCookTime = 0;
private int lastBurnTime = 0;
private int lastItemBurnTime = 0;
public volatile String name;
public volatile String path;

public ContainerRecorder(InventoryPlayer par1InventoryPlayer, TileEntityRecorder par2TileEntityRecorder)
{
    this.recorder = par2TileEntityRecorder;
    this.addSlotToContainer(new Slot(par2TileEntityRecorder, 0, 87, 35));
    this.addSlotToContainer(new SlotRecorder(par1InventoryPlayer.player, par2TileEntityRecorder, 2, 148, 36));

    int var3;

    for (var3 = 0; var3 < 3; ++var3)
    {
        for (int var4 = 0; var4 < 9; ++var4)
        {
            this.addSlotToContainer(new Slot(par1InventoryPlayer, var4 + var3 * 9 + 9, 8 + var4 * 18, 84 + var3 * 18));
        }
    }

    for (var3 = 0; var3 < 9; ++var3)
    {
        this.addSlotToContainer(new Slot(par1InventoryPlayer, var3, 8 + var3 * 18, 142));
    }

    this.name = "Untitled";
    this.path = "cat";
}

public void addCraftingToCrafters(ICrafting par1ICrafting)
{
    super.addCraftingToCrafters(par1ICrafting);
    par1ICrafting.updateCraftingInventoryInfo(this, 0, this.recorder.currentBurnTime);
    par1ICrafting.updateCraftingInventoryInfo(this, 2, this.recorder.currentItemBurnTime);
}

/**
 * Updates crafting matrix; called from onCraftMatrixChanged. Args: none
 */
public void updateCraftingResults()
{
    super.updateCraftingResults();
    Iterator var1 = this.crafters.iterator();

    while (var1.hasNext())
    {
        ICrafting var2 = (ICrafting)var1.next();

        if (this.lastCookTime != this.recorder.currentBurnTime)
        {
            var2.updateCraftingInventoryInfo(this, 0, this.recorder.currentBurnTime);
        }

        if (this.lastItemBurnTime != this.recorder.currentItemBurnTime)
        {
            var2.updateCraftingInventoryInfo(this, 2, this.recorder.currentItemBurnTime);
        }
    }

    this.lastCookTime = this.recorder.currentBurnTime;
    this.lastBurnTime = this.recorder.burnTime;
    this.lastItemBurnTime = this.recorder.currentItemBurnTime;
}

public void updateProgressBar(int par1, int par2)
{
    if (par1 == 0)
    {
        this.recorder.currentBurnTime = par2;
    }

    if (par1 == 1)
    {
        this.recorder.burnTime = par2;
    }

    if (par1 == 2)
    {
        this.recorder.currentItemBurnTime = par2;
    }
}

public boolean canInteractWith(EntityPlayer par1EntityPlayer)
{
    return this.recorder.isUseableByPlayer(par1EntityPlayer);
}

public ItemStack func_82846_b(EntityPlayer par1EntityPlayer, int par2)
{
    ItemStack var3 = null;
    Slot var4 = (Slot)this.inventorySlots.get(par2);

    if (var4 != null && var4.getHasStack())
    {
        ItemStack var5 = var4.getStack();
        var3 = var5.copy();

        if (par2 == 2)
        {
            if (!this.mergeItemStack(var5, 3, 39, true))
            {
                return null;
            }

            var4.onSlotChange(var5, var3);
        }
        else if (par2 != 1 && par2 != 0)
        {
            if (RecorderRecipes.smelting().getSmeltingResult(var5.getItem().shiftedIndex) != null)
            {
                if (!this.mergeItemStack(var5, 0, 1, false))
                {
                    return null;
                }
            }
            else if (TileEntityRecorder.isItemFuel(var5))
            {
                if (!this.mergeItemStack(var5, 1, 2, false))
                {
                    return null;
                }
            }
            else if (par2 >= 3 && par2 < 30)
            {
                if (!this.mergeItemStack(var5, 30, 39, false))
                {
                    return null;
                }
            }
            else if (par2 >= 30 && par2 < 39 && !this.mergeItemStack(var5, 3, 30, false))
            {
                return null;
            }
        }
        else if (!this.mergeItemStack(var5, 3, 39, false))
        {
            return null;
        }

        if (var5.stackSize == 0)
        {
            var4.putStack((ItemStack)null);
        }
        else
        {
            var4.onSlotChanged();
        }

        if (var5.stackSize == var3.stackSize)
        {
            return null;
        }

        var4.func_82870_a(par1EntityPlayer, var5);
    }

    return var3;
}

public void setName(final String aName)
{
    this.name = aName;
    System.out.println("<ContainerRecorder>Record Name Set! Name: " + this.name);
    this.recorder.setDiscName(this.name);
    this.recorder.setMusicPath(this.path);
}

public void setPath(final String aPath)
{
    this.path = aPath;
    System.out.println("<ContainerRecorder>Record Path Set! Path: " + this.path);
    this.recorder.setDiscName(this.name);
    this.recorder.setMusicPath(this.path);
}
}

TileEntityRecorderer.java
package net.minecraft.src;

public class TileEntityRecorder extends TileEntity implements IInventory
{
/**
 * The ItemStacks that hold the items currently being used in the recorder
 */
private ItemStack[] recorderItemStacks = new ItemStack[3];

/** The number of ticks that the recorder will keep burning */
public int burnTime = 0;

/**
 * The number of ticks that a fresh copy of the currently-burning item would keep the recorder burning for
 */
public int currentItemBurnTime = 0;

/** The number of ticks that the current item has been cooking for */
public int currentBurnTime = 0;

protected String name;
protected String path;

/**
 * Returns the number of slots in the inventory.
 */
public int getSizeInventory()
{
    return this.recorderItemStacks.length;
}

/**
 * Returns the stack in slot i
 */
public ItemStack getStackInSlot(int par1)
{
    return this.recorderItemStacks[par1];
}

/**
 * Removes from an inventory slot (first arg) up to a specified number (second arg) of items and returns them in a
 * new stack.
 */
public ItemStack decrStackSize(int par1, int par2)
{
    if (this.recorderItemStacks[par1] != null)
    {
        ItemStack var3;

        if (this.recorderItemStacks[par1].stackSize <= par2)
        {
            var3 = this.recorderItemStacks[par1];
            this.recorderItemStacks[par1] = null;
            return var3;
        }
        else
        {
            var3 = this.recorderItemStacks[par1].splitStack(par2);

            if (this.recorderItemStacks[par1].stackSize == 0)
            {
                this.recorderItemStacks[par1] = null;
            }

            return var3;
        }
    }
    else
    {
        return null;
    }
}

/**
 * When some containers are closed they call this on each slot, then drop whatever it returns as an EntityItem -
 * like when you close a workbench GUI.
 */
public ItemStack getStackInSlotOnClosing(int par1)
{
    if (this.recorderItemStacks[par1] != null)
    {
        ItemStack var2 = this.recorderItemStacks[par1];
        this.recorderItemStacks[par1] = null;
        return var2;
    }
    else
    {
        return null;
    }
}

/**
 * Sets the given item stack to the specified slot in the inventory (can be crafting or armor sections).
 */
public void setInventorySlotContents(int par1, ItemStack par2ItemStack)
{
    this.recorderItemStacks[par1] = par2ItemStack;

    if (par2ItemStack != null && par2ItemStack.stackSize > this.getInventoryStackLimit())
    {
        par2ItemStack.stackSize = this.getInventoryStackLimit();
    }
}

/**
 * Returns the name of the inventory.
 */
public String getInvName()
{
    return "container.recorder";
}

/**
 * Reads a tile entity from NBT.
 */
public void readFromNBT(NBTTagCompound par1NBTTagCompound)
{
    super.readFromNBT(par1NBTTagCompound);
    NBTTagList var2 = par1NBTTagCompound.getTagList("Items");
    this.recorderItemStacks = new ItemStack[this.getSizeInventory()];

    for (int var3 = 0; var3 < var2.tagCount(); ++var3)
    {
        NBTTagCompound var4 = (NBTTagCompound)var2.tagAt(var3);
        byte var5 = var4.getByte("Slot");

        if (var5 >= 0 && var5 < this.recorderItemStacks.length)
        {
            this.recorderItemStacks[var5] = ItemStack.loadItemStackFromNBT(var4);
        }
    }

    this.name = par1NBTTagCompound.getString("Name");
    this.path = par1NBTTagCompound.getString("Path");
    this.burnTime = par1NBTTagCompound.getShort("BurnTime");
    this.currentBurnTime = par1NBTTagCompound.getShort("CurrentBurnTime");
    this.currentItemBurnTime = getItemBurnTime(this.recorderItemStacks[1]);
}

/**
 * Writes a tile entity to NBT.
 */
public void writeToNBT(NBTTagCompound par1NBTTagCompound)
{
    super.writeToNBT(par1NBTTagCompound);
    par1NBTTagCompound.setShort("BurnTime", (short)this.burnTime);
    par1NBTTagCompound.setShort("CurrentBurnTime", (short)this.currentBurnTime);
    par1NBTTagCompound.setString("Name", this.name);
    par1NBTTagCompound.setString("Path", this.path);
    NBTTagList var2 = new NBTTagList();

    for (int var3 = 0; var3 < this.recorderItemStacks.length; ++var3)
    {
        if (this.recorderItemStacks[var3] != null)
        {
            NBTTagCompound var4 = new NBTTagCompound();
            var4.setByte("Slot", (byte)var3);
            this.recorderItemStacks[var3].writeToNBT(var4);
            var2.appendTag(var4);
        }
    }

    par1NBTTagCompound.setTag("Items", var2);
}

/**
 * Returns the maximum stack size for a inventory slot. Seems to always be 64, possibly will be extended. *Isn't
 * this more of a set than a get?*
 */
public int getInventoryStackLimit()
{
    return 64;
}

/**
 * Returns an integer between 0 and the passed value representing how close the current item is to being completely
 * cooked
 */
public int getCookProgressScaled(int par1)
{
    return this.currentBurnTime * par1 / 200;
}

/**
 * Returns an integer between 0 and the passed value representing how much burn time is left on the current fuel
 * item, where 0 means that the item is exhausted and the passed value means that the item is fresh
 */
public int getBurnTimeRemainingScaled(int par1)
{
    if (this.currentItemBurnTime == 0)
    {
        this.currentItemBurnTime = 200;
    }

    return this.burnTime * par1 / this.currentItemBurnTime;
}

/**
 * Returns true if the recorder is currently burning
 */
public boolean isBurning()
{
    return this.burnTime > 0;
}

/**
 * Allows the entity to update its state. Overridden in most subclasses, e.g. the mob spawner uses this to count
 * ticks and creates a new spawn inside its implementation.
 */
public void updateEntity()
{
    boolean var1 = this.burnTime > 0;
    boolean var2 = false;

    if (this.burnTime > 0)
    {
        --this.burnTime;
    }

    if (!this.worldObj.isRemote)
    {
        if (this.burnTime == 0 && this.canSmelt())
        {
            this.currentItemBurnTime = this.burnTime = getItemBurnTime(this.recorderItemStacks[1]);

            if (this.burnTime > 0)
            {
                var2 = true;

                if (this.recorderItemStacks[1] != null)
                {
                    --this.recorderItemStacks[1].stackSize;

                    if (this.recorderItemStacks[1].stackSize == 0)
                    {
                        Item var3 = this.recorderItemStacks[1].getItem().getContainerItem();
                        this.recorderItemStacks[1] = var3 != null ? new ItemStack(var3) : null;
                    }
                }
            }
        }

        if (this.isBurning() && this.canSmelt())
        {
            ++this.currentBurnTime;

            if (this.currentBurnTime == 200)
            {
                this.currentBurnTime = 0;
                this.smeltItem();
                var2 = true;
            }
        }
        else
        {
            this.currentBurnTime = 0;
        }
    }

    if (var2)
    {
        this.onInventoryChanged();
    }
}

/**
 * Returns true if the recorder can smelt an item, i.e. has a source item, destination stack isn't full, etc.
 */
private boolean canSmelt()
{
    if (this.recorderItemStacks[0] == null)
    {
        return false;
    }
    else
    {
        ItemStack var1 = RecorderRecipes.smelting().getSmeltingResult(this.recorderItemStacks[0].getItem().shiftedIndex);
        return var1 == null ? false : (this.recorderItemStacks[2] == null ? true : (!this.recorderItemStacks[2].isItemEqual(var1) ? false : (this.recorderItemStacks[2].stackSize < this.getInventoryStackLimit() && this.recorderItemStacks[2].stackSize < this.recorderItemStacks[2].getMaxStackSize() ? true : this.recorderItemStacks[2].stackSize < var1.getMaxStackSize())));
    }
}

/**
 * Turn one item from the recorder source stack into the appropriate smelted item in the recorder result stack
 */
public void smeltItem()
{
    if (this.canSmelt())
    {
        ItemStack var1 = RecorderRecipes.smelting().getSmeltingResult(this.recorderItemStacks[0].getItem().shiftedIndex);

        if (this.recorderItemStacks[2] == null)
        {
            this.recorderItemStacks[2] = var1.copy();
        }
        else if (this.recorderItemStacks[2].itemID == var1.itemID)
        {
            ++this.recorderItemStacks[2].stackSize;
        }

        --this.recorderItemStacks[0].stackSize;

        if (this.recorderItemStacks[0].stackSize <= 0)
        {
            this.recorderItemStacks[0] = null;
        }

        System.out.println("<TileEntityRecorder>(smeltItem) Name: "+this.name);
        System.out.println("<TileEntityRecorder>(smeltItem) Path: "+this.path);
        ItemCustomRecord custom = (ItemCustomRecord)(var1.getItem());
        custom.SetName(this.name);
        custom.SetPath(this.path);
    }
}

/**
 * Returns the number of ticks that the supplied fuel item will keep the recorder burning, or 0 if the item isn't
 * fuel
 */
public static int getItemBurnTime(ItemStack par0ItemStack)
{
   return 250;
}

/**
 * Return true if item is a fuel source (getItemBurnTime() > 0).
 */
public static boolean isItemFuel(ItemStack par0ItemStack)
{
    return getItemBurnTime(par0ItemStack) > 0;
}

/**
 * Do not make give this method the name canInteractWith because it clashes with Container
 */
public boolean isUseableByPlayer(EntityPlayer par1EntityPlayer)
{
    return this.worldObj.getBlockTileEntity(this.xCoord, this.yCoord, this.zCoord) != this ? false : par1EntityPlayer.getDistanceSq((double)this.xCoord + 0.5D, (double)this.yCoord + 0.5D, (double)this.zCoord + 0.5D) <= 64.0D;
}

public void openChest() {}

public void closeChest() {}

public void setDiscName(final String aName)
{
    this.name = aName;
    System.out.println("<TileEntityRecorder>Record Name Set! Name: " + this.name);
}

public void setMusicPath(final String aName)
{
    this.path = aName;
    System.out.println("<TileEntityRecorder>Record Path Set! Path: " + this.path);
}
}

ItemCustomRecord.java
package net.minecraft.src;

import java.util.List;

public class ItemCustomRecord extends Item
{
/** The name of the record. */
public volatile String recordName;
public volatile String musicName;

protected ItemCustomRecord(int par1)
{
    super(par1);
    this.maxStackSize = 1;
    this.setCreativeTab(CreativeTabs.tabMisc);
    this.recordName= "Untitled";
    this.musicName = "cat";
}

public void SetName(final String par1)
{
    this.recordName = par1;
    System.out.println("<ItemCustomRecord>Name Set! Name: "+this.recordName);
}

public void SetPath(final String par1)
{
    this.musicName = par1;
    System.out.println("<ItemCustomRecord>Path Set! Path: "+this.musicName);
}

/**
 * Callback for item usage. If the item does something special on right clicking, he will have one of those. Return
 * True if something happen and false if it don't. This is for ITEMS, not BLOCKS
 */
public boolean onItemUse(ItemStack par1ItemStack, EntityPlayer par2EntityPlayer, World par3World, int par4, int par5, int par6, int par7, float par8, float par9, float par10)
{
    if (par3World.getBlockId(par4, par5, par6) == Block.jukebox.blockID && par3World.getBlockMetadata(par4, par5, par6) == 0)
    {
        if (par3World.isRemote)
        {
            return true;
        }
        else
        {
            ((BlockJukeBox)Block.jukebox).insertRecord(par3World, par4, par5, par6, this.shiftedIndex);
            par3World.playAuxSFXAtEntity((EntityPlayer)null, 1006, par4, par5, par6, this.shiftedIndex);
            --par1ItemStack.stackSize;
            return true;
        }
    }
    else
    {
        return false;
    }
}

/**
 * allows items to add custom lines of information to the mouseover description
 */
public void addInformation(ItemStack par1ItemStack, EntityPlayer par2EntityPlayer, List par3List, boolean par4)
{
    par3List.add("Custom - " + this.recordName);
}

/**
 * Return an item rarity from EnumRarity
 */
public EnumRarity getRarity(ItemStack par1ItemStack)
{
    return EnumRarity.epic;
}
}

I hope you guys can help me, because this is really slowing my mod down....well, it actually came to a screeching halt. And ALL help is greatly appreciated!

A: Strings are immutable objects, they cannot be changed after being created.