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Destroyed Catholic Church at Dulag, Leyte
Statue of the Sacred Heart at the Catholic church stands after complete destruction of the 18th-Century building. Dulag was shelled by battleships and bombed by carrier planes from October 17-20, 1944, prior to Sixth Army's XXIV Corps landings on A-Day, October 20. The town's mayor, Marcial Lagunzad, was killed along with many other civilians. Almost every structure was completely obliterated. The US Army's 96th Infantry Division, 184th Infantry, commanded by Colonel Curtis D. O'Sullivan, was to land on Yellow Beach 1 and Yellow Beach 2 near Dulag and then drive inland, directing its main effort toward an early seizure of the airfield west of Dulag. It was also to seize and secure the crossings of the Daguitan River. The 184th Infantry landed at 1000 Hours, two battalions abreast - the 1st on the southern half of Yellow Beach and the 3d on the northern half. They encountered surprisingly little resistance on either beach and were able to push inland at a much greater speed than had been anticipated. The 3d Battalion drove through the town of Dulag, which lay directly in its path, to the Dulag-Burauen Highway. The 1st Battalion pushed inland and reached the highway at 1210, just fifteen minutes after the 3d Battalion. At 1530 the two battalions established physical contact and maintained it throughout the day as they continued their advance along the highway. Eleven Japanese had been killed in the 184th Infantry's zone. After the front line moved on, the ruins were used as a hospital. The church was not rebuilt as a war memorial to those who sought refuge during the war.
Caption Written By:
Jason McDonald
Photographed By:
Date Photographed:
Dulag
State/Province/Oblast:
Caption ©2007 MFA Productions LLC Image in the Public Domain
XXIV Corps
Sixth Army
Marcial Lagunizad
Colonel Curtis D. O'Sullivan
Ford Island Naval Air Station's Hangar 6 Burns After Air Attack
USS Arizona Burning From Ford Island
Unexploded Type 99 Number 80 Air-Dropped Shell on USS West Virginia (BB-48)
Damage to Sand Island, Midway Atoll
Horse Grazes in Stalingrad Ruins
Salvage of Arizona Wreck
Wreck of Kawanishi H8K2 Seaplane in Butaritari Lagoon
Devastation of Kwajalein
Wounded 7th Cavalry Tankers Receive First Aid


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NL MVP Betting Splits: Jacob deGrom atop league in percentage of handle
Ryan Honey
(Photo by Rich Schultz/Getty Images)
Bettors are throwing down a significant amount of money on Mets ace Jacob deGrom winning the National League MVP.
Despite the laundry list of an IL the Mets are currently dealing with, ace right-hander Jacob deGrom remains a star.
The two-time Cy Young Award-winner doesn't show any signs of slowing down whenever he takes the mound, and because of that, DraftKings Sportsbook bettors are throwing a notable sum of cash on him to win the league MVP.
deGrom (+1200 to win the prestigious award) is responsible for 38% of the total handle, which leads the National League by a wide margin. As shown above, Braves outfielder Ronald Acuna sits in second with just 13% of the money.
However, deGrom isn't getting much love when it comes to the percentage of wagers placed, sitting with just 4% of the bets (eighth in the National League).
This comes after deGrom recorded a 0.80 ERA and 0.600 WHIP through his first seven starts (45.0 innings pitched). He additionally has struck out 74 batters and walked just seven.
His success hasn't halted there though — Jacob is currently batting .471 through 17 at-bats with eight total hits and a pair of RBIs.
Another fellow Metropolitan who finds himself on the above list is first baseman Pete Alonso (+5000, 3% of both the handle and number of bets).
Currently on the 10-day injured list with a wrist injury, the third-year player has smashed six home runs to go along with his 19 RBIs and .236/.336/.433/.769 slash line.
It may be a bit surprising to see some bettors still wagering on Alonso to the point where he even finds himself on the list, but what isn't surprising is the current lack of money and wagers on Mets shortstop Francisco Lindor.
While many may have believed he could've been a contender for the National League MVP when his inaugural season in Queens began, the 27-year-old has heavily disappointed up to this point.
Lindor is currently hitting just .185 through 157 at-bats in 43 games, succumbing to boos following a number of his at-bats at Citi Field. At the moment, the Mets aren't getting their money's worth with Francisco, and neither are the bettors who originally banked on him to undergo a tremendous season.
Place your bets for the National League MVP at DraftKings Sportsbook by clicking here.

redpajama_set_name: RedPajamaCommonCrawl


Consequently, in the event you've been asked to compose an experience letter to get a teacher, here is a sample and a lot of guidelines that will aid you.
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You show a high level of private obligation, quite good organisational abilities and the capacity to prioritise nicely. You show a high level of personal responsibility, have very good organisational abilities and the capacity to prioritise well. You reveal a high level of personal responsibility, in addition to very good organisational skills and the ability to prioritise nicely.
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Mobile, online and digital strategy expert, Ross has worked with brands in all industries on their digital strategy and how to apply digital to their management of relationships with both customers and employees. As a co-founder of Virgin Games he's seen from the inside the effects of rapid innovation and new competition. He also looks at the latest develops in mobile, digital, online and the Internet of Things.
Ross Sleight is a digital and mobile strategist specialising in marketing, relationship management and the future of digital media. He helps businesses understand the threats and opportunities of the online, mobile and digital worlds.
As an entrepreneur Ross has founded a number of new media business, including Online Magic, Fingertips, and Heresy, all of which he sold on to larger media and marketing agencies. He also co-founded Virgin Games, the Virgin Group's on-line and mobile games company.
As Marketing and Operations Director at Virgin Games, Ross launched four new 'verticals' in the space of a year: Casino, Poker, Bingo and Skill Games. He was responsible for strategy, financial and marketing planning - aimed at driving rapid growth in a highly competitive but at the time very new, rapidly changing marketplace.
Outside business, Ross has advised the Cabinet Office on online government, and the DCMS and major music labels on how customers will consume music in the digital era. He's also worked with a range of companies and brands including Associated Newspapers, Reuters, Ocado, Speedo, Dennis Publishing and British Airways.
Ross is now Chief Strategy Officer at Somo, a leading international mobile technology innovation and strategy company. He is a former New Media Age columnist and a regular member of judging panels for digital effectiveness awards. He frequently makes keynote speeches on digital and online CRM, and how to create value by identifying, understanding and meeting customers' online needs. He also looks at how mobile has made and continues to make a huge on the world, the potential of the Internet of Things, and how businesses can move into the digital world.


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Q: Common terminology for "blessing" and "curse"? I'm doing a certain something that requires identifying a property of some certain (fictional) thing as either "Blessed", "Cursed", or "Neither".  What's the common term for "Blessing" or "Cursed", if any?
In a thesaurus, the only common link I found between the two was that "Blessing" can mean "Benediction", and "Curse" can mean "Malediction", so "__-diction" might be the common etymological denominator... but I'm still clueless as to where to go from there.
Any ideas?

A: In a role-playing game, one might say that a blessing and a curse are both types of charm. That is, something might be charmed with a blessing or charmed with a curse.

charm3 An object, act, or saying believed to have magic power
[ODO]

In a programming context, isBlessed would do, although isCharmed would also work: value 1 for blessed, -1 for cursed and 0 for neither.

redpajama_set_name: RedPajamaStackExchange


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Share the post "Pacific Northwest Earthquakes: The REAL Big One"
Pacific Northwest Earthquakes: The REAL Big One
The first day of my Earthquake Engineering course at UC Berkeley, Professor V.V. Bertero, the father of earthquake engineering, opened with the following –
Earthquakes do not kill people. Structures that fail in earthquakes kill people.
Structural Engineers design building structures to resist loading from a variety of environmental and manmade sources. One source of loading that we must design building structures for is earthquakes.
Our understanding of the intensity of seismic loading in Oregon has evolved significantly in recent times. If you look around at the breathtaking landscape of our state, the evidence of an uneasy earth below us is widespread. The dormant Cascades, from Mt. Ashland to Mt. Hood are prime examples of past upheavals of the earth. The coastal swamps and submerged forests yield evidence of cataclysmic movements of the tectonic plates and the subsequent tsunamis.
We know that extreme earthquakes have occurred in the Pacific Northwest in the past – in fact, scientists have pinned down the date of the last earthquake of this type in our region. Through the clever combination of carbon dating sands washed ashore from tsunamis and historical records of those tsunamis striking coastal Japan, the date of the last "mega-earthquake" off of the coast has been estimated to be January 26, 1700. The magnitude of this earthquake is estimated to be roughly 9.0 on the Richter Scale.
We have not experienced an earthquake of such magnitude in modern history in the United States. The 1989 Loma Prieta (M 6.9), 1994 Northridge (M 6.7), and 2001 Nisqually (M 6.8) are our most recent reminders of the destructive power of earthquakes on the west coast. These earthquakes unfortunately contain far less destructive power than the predicted mega earthquake of the Cascadia Subduction Zone.
One of the main differences between the above referenced earthquakes and the Cascadia event will be in the area that is affected by the shaking. Our recent experience with earthquakes in the western states has been with concentrated areas of damage near the fault rupture. The Cascadia event will rupture upwards of 300 miles of fault off of the Oregon Coast. Therefore, areas of heavy damage could extend from Northern California to Northern Washington. The area of significant structural damage and economic impact will be unprecedented in our history. The experience of Superstorm Sandy is a grim reminder of widespread destruction form nature's fury.
The other main difference, and possibly more significant impact to the built environment will be the duration of string ground shaking. In earthquakes such as Loma Prieta, the duration of strong ground shaking – the shaking that damages vulnerable buildings – has been limited to 30 seconds or less. The 1994 Scotts Mills earthquake in Oregon had roughly 5 seconds of strong ground shaking. The predicted duration of strong ground shaking in the Cascadia event is between 90 seconds and 3 minutes.
A person typically will detect strong ground shaking at about 5 seconds. Beyond that, we will know what is happening and experience what will seem like an eternity before the ground ceases to rumble. The duration of the shaking will subject buildings and other structures to more cycles of damaging motion than ever experienced in modern history. Our Building Codes do not explicitly address duration of earthquakes, however modern structures are designed to absorb and dissipate damaging motion. We just haven't experienced what will happen in Cascadia in the great laboratory of the built environment. The real danger lies within the great stock of structures that were not designed to absorb the energy of earthquakes.
Graphics Credit: http://www.ecy.wa.gov/programs/sea/coast/images/subduction_9.gif


The idea of an earthly paradise is an alluring one. Almost every culture draws upon the motif, uses it to breathe life into both simple allegories and entire ways of being, a beacon of promise and possibility when nothing else seems to be going right. It is a story with a thousand tellings.
So when James Hinton published his 1933 adventure novel Lost Horizon about a place called Shangri-La he tapped into an old vein. He conjured a lush and peaceful valley amid soaring Himalayan peaks, a mystical mythical mountain realm halfway between this world and the next. It was a beautiful and permanently happy land, but it was also remote, cut off from the world, and stumbled upon only by accident. It was an old idea but he gave it a fresh new name, and the word Shangri-La quickly spread around the world, synonymous with paradise.
This past August we teamed up with Kootenay Rockies Tourism to hike and camp and showcase a couple under-the-radar trails in the Purcell Mountains. We hiked to Lake of the Hanging Glacier, Thunderwater Lake, and finally (finally!) to BC'S very own tucked-away paradise — the upper Dunbar Lakes, known to everyone as Shangri-La.
In literature, an adventure often requires an ordeal, and the passage to a promised paradise even more so. There are two ways into Shangri-La, and befitting its name neither are particularly easy. The shorter route via Leadqueen takes you over Tiger Pass and a glacier. The other, via Templeton Lake, is longer and the latter half is rarely traveled and ill-defined. Having neither the requisite gear nor experience for glacier travel, we went with Templeton. And it was a stunner.
Templeton itself is a worthy day hike: it's a beautiful lake, bright and blue and sparkling, with rows of mountains rising from all sides. It's a fairly easy 6km trail with scenic views for most of the way once you exit the forest, with some light talus sections and a final push up a steep incline only at the very end as you near the waterfall dropping from the lake. It's primarily a daytrip destination, and finding a campsite can be tough on the steep shore, but there are a couple good spots. We cooked a quick dinner and set up camp.
The next morning we continued to the far shore of Templeton, following a faint trail on the left side of the lake. From this point directions were a little vague. We eyed a topo map and it seemed like a couple routes might do the trick, so we chose the closer eastern pass and began picking our way up the rock-strewn slope. It was steep but easy enough, a nice rocky ramble.
We climbed up into a copse of larch trees for a quick snack break, eyeing the rocky route above for cairns. They were few and far between and hard to spot amid all the other loose rock, basically only coming into view once we were already on them, but seeing them always provided a nice comfort. We continued on, climbing into several false passes, the rocks seemingly growing larger and sharper with every crest, the crumbling rubble slopes steeper and the perches more precarious.
We passed a tiny dried up tarn, the silty mud cracking in the hot August heat, then a little burbling cascade pouring down a rockface and disappearing into the rubble. It was a bleak and barren landscape, a scene straight out of post-apocalyptica — nothing growing, just endless piles of broken rock somehow scoured into massive folds and ridges, the heavy stones tossed into sculpted slopes like little more than sand. And looming mountains towering all around.
Eventually we reached a large lingering snow patch and we scambled our way up alongside it, the large rocks loose on the steep slopes. And then another flat snow patch which, once tested and found to be soft, we crossed directly. The wind picked up, seemingly howling in fury at how far we'd come, and we saw a solid square cairn planted firmly in place, the yawning emptiness of a descent behind. We had made it to the pass.
The descent into Shangri-La was just as rocky, but the incline was less jarring, with both the rocks and slope gently rounded by glacier action. We hiked down, a great hulking ice sheet to our distant right fanning out into alluvial streams directly below. We could see the hint of a lake through the haze, a glittering mirage after all that rock. It was a feast, and after the long trek it was hard not to be excited.
We descended, reaching a broad flat meadow dotted with tufts of seed pod puffs and stands of larch trees, bisected by the braided milky stream pouring from the ice above. There was a crumbling old cabin, and the razed remains of what looked like a small prospector camp. We wandered down the valley and set up camp on the tough grass.
Whether you arrive via Templeton or Tiger Pass, Shangri-La has ample places to explore. An entire basin awaits: larch meadows, glaciers, rocky hill-tops, scenic perches, a chain of lakes, summit scrambles... you could easily spend a few full days there and still leave wanting to see more.
For an initial survey of the basin we clambered up a nearby hill jutting out into the valley, and found some of the larches were starting to turn yellow. We looked out over the landscape, the lakes and lush forests, and pretended to think about what to do.
But the route before us was obvious. We had to make our way down to the water.
We followed the creek down the rolling valley. As you near the lake the creek cuts through a steep gravel slope, making a final tumbling drop to the lake where it creates a big sandy silty delta. Shangri-La hosts a chain of lakes, each a different hue of light blue as the glacial silt gradually settles out, but there are a handful of other darker lakes and pools scattered around the basin too.
A trail meanders around the lakeshore to a landbridge that separates the two lakes, where the route from Tiger Pass meets the route from Templeton. There are a bunch of nice campsites tucked among the rocks and larches, and crowning views of the Septet Range across the lake. A series of cascades connect the two lakes, and a few more rough campsites can be found as you trace the shore of the second lake.
Horeb Mountain dominates this part of the landscape, a great crumbling rock citadel, and perfect companion to Mt Ethelbert across the the valley. The Tiger Pass glacier spills down the rubble, cracked with crevasses. Bear tracks amble across the mud and scraggly puffs of western anemone dance in the wind. And not a person in sight.
Making our way back to camp, we cut across the creek to explore a rubbly rocky hill opposite. The larches were beginning to turn here too, a golden glowing hallway of forest. It quickly opened up to another western anemone-filled meadow, and we crested the hill to see the first lake spread below us. There is a unique and worthwhile view in literally every direction.
We descended back down to the lake, then followed the shore back to the creek delta. It was getting on to dinnertime.
As we packed up our camp and began the long slog back up the rubble, we looked back to see faint rays of light searching the valley. We unshouldered our bags, cooked a quick breakfast, and warmed in the growing strength of the morning sun. Shangri-La was one of the prettiest hikes we'd ever done. The long trek over barren broken rock to get there had made it feel like a real journey, like a trial or rite of passage, after which the first view of the lush larch basin seemed like a glimpse of a promised land. I don't know. I don't mean to wax so poetic. It just felt like a really special place.
We finished our breakfast on the rocks, then shouldered our bags and took one last look out over the glaciers, over the braided creek, the larch meadows and the lake far below. It was a little hard to leave, but at least we had one comfort: unlike its namesake, this Shangri-La existed firmly in this world, in the realm of maps as well as memories. We'd be able to find our way back here again.


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Petit Prince Reimagined in La Fille and Rose
by Philippa Myler
Tara Dyberg's La Fille and Rose, a contemporary dance adaptation of Le Petit Prince, was almost risky in its rare choices to elucidate, rather than obscure its overall message. Supported by an original score by Barry Sebastian and textual projections by Vin Hill, Dyberg presented a modern-day story ballet, re-envisioning Antoine de Saint-Exupéry's classic tale. Dyberg premiered the full-length work for four dancers at the Fremont Abbey Arts Center on November 7-8, offering a Saturday night Q&A for further clarification and a window into her creative process immediately following the performance. The abundance of explanation, both in the talkback and through projections of text during the piece, seemed to be Dyberg's effort to make the work accessible to audiences of all ages, including a group of schoolchildren who watched the Friday matinee performance and whose drawings were displayed at the show.
The cast of Tara Dyberg's La Fille and Rose
Photo by Stephen Byrne
In La Fille, each dancer portrayed both a main character and a corps member, in a structure common to classical ballet. The petite, pixie-coiffed Ashleigh Claire Miller was aptly cast as La Fille, corresponding to Le Prince in the original story. She fondly tends to Rose (Victoria McConnell, a character who can be seen either as an animate flower or a vain and beautiful woman. Renaming Le Petit Prince's character as "La Fille" (French for "the young girl") at first seemed inappropriate, but Dyberg explained that she wanted the love story to be gender-neutral and to acknowledge her all-female cast. In the context of the title, this decision plays on the French ballad, "La Vie en Rose," which also featured briefly in the musical score. The composer, Sebastian, seamlessly integrated his original composition with excerpts from a wide range of popular music. The tender and loving dynamic between Rose and La Fille resonated well with Dyberg's inspiration of nursing her own husband back to health after a debilitating accident, but the gender reassignment of La Fille made the true nature of her relationship with Rose ambiguous. Were the two characters depicting a same-sex romantic partnership, or a friendship? If Rose is not even a human, perhaps she is a genderless alien living on Asteroid B-612? Although Dyberg chose to force a clear narrative, some nuances of her plot revision remained unexplained.
The most compelling sections of pure dance were located in the middle of the piece, when La Fille travels from the asteroid to different planets to meet their single-minded inhabitants. Dyberg offers a combo-platter of disparate genres of dance, choreographing a garden of roses as classical ballerinas with fluttering scarves for petals, a planet of kings "obsessed with power" as strong hip hop dancers with plenty of attitude, and aloof party girls as egomaniacal club revelers taking selfies. Text projected on the back wall of the Abbey provided a context for each stage of La Fille's journey, reminding viewers that they were watching an adapted novella.
Ashleigh Claire Miller and Mariko Nagashima in Tara Dyberg's La Fille and Rose
On a planet of businesspeople "greedy for money," the dancers collected colorful slips of paper reminiscent of Monopoly currency, their facial expressions visibly ranging from covetous, to elated, to dismayed as they swapped the cash. The dancers' expressions effectively communicated Dyberg's concepts and enhanced the movement, expertly walking the line between melodrama and subtlety. The dancers vocalized about the state of the stock markets, saying, "The NASDAQ is up," or "The Dow is falling," as they embodied a rollercoaster of emotions and bank account balances, rising up or falling to the floor as if being acted upon by outside forces.
Dyberg revealed during the Q&A that she had felt least comfortable with the power-hungry kings section, and her extra attention to this segment clearly paid off in the choreography's intricacy and texture. The kings moved to a hip hop score with palpable pressure, as if mechanically pushing their limbs through viscous fluid, standing in wide power stances while staring down the front row and flipping their fingers up to the top of their heads as crowns. All of the dancers showcased their technical virtuosity throughout the work and, most impressively, their versatility. They appeared equally at ease as the balletic roses, the pedestrian businesspeople, or the hip hop-inspired kings.
Victoria McConnell and Ashleigh Claire Miller in Tara Dyberg's La Fille and Rose
The event also offered a few extras, inviting the audience to participate and invest in the work more actively. The composer's band, Sebastian and the Deep Blue, played downstairs before and after the performance, and Dyberg asked audience members to draw a picture of a snake eating an elephant with a crayon, a task that emerged in the prologue as well. In this first section, Dyberg showed a postmodern-style deconstruction of the choreographer-dancer relationship as she gave feedback to Mariko Nagashima, who embodied the character of Snake with total commitment, her elbow striking forward like a rapid snakebite. In the background, an artist drew on an easel and the dancers wondered aloud whether it mattered if a viewer saw a hat when the artist intended to show an elephant being engulfed by a snake.
Dyberg and her cast of dancers were exceptional and her social commentary was witty, but the formalized story-ballet organization detracted from their exquisite movement. The narrative structure and discussion afterwards provided too much information about some obvious things and failed to answer pertinent questions about others. One of dance's strengths in comparison to other performance art forms can be that choreographers do not need to rely on spoken or printed words to tell a story. Including textual projections removed an element of mystery from the performance and prevented the audience from interpreting the work in a personal way. It seems that Dyberg is interested in exploring intersections between dance genres and might soon find a way to appropriate valuable facets of narrative, reworking them to serve her purposes in the present day.
Find more information on Tara Dyberg here.
Tags:Ashleigh Claire MillerFremont Abbey Arts CenterLotus BodyMariko NagashimaTara DybergVictoria McConnell
REP 6 WRAPS DIGITAL SEASON
by Melody Datz Hansen
Featuring two world premieres by choreographers Christopher Wheeldon and Edwaard Liang, an audience favorite from Alejandro Cerrudo, and three short videos from local choreographers and filmmakers, Rep 6 is the company's parting online gift to loyal audience members.
NOT THE LITTLE PRINCE
Whim W'him's 2019 piece This is Not the Little Prince finds new life through a film adaptation for streaming platform IN-With-WHIM.
SEARCH(LIGHT) CONNECTS COASTS
by Lynn Tofil
Kinesis Project Dance Theatre joins Puget Sound and NYC into a single, experimental, livestream performance.


This beautiful fishing ceramic tile mural will create a stunning focal point in any room of your home! Each of our tile murals are individually handcrafted and made to order. In the event of breakage during shipment, replacement tiles will be promptly shipped at no cost. Any commercially available adhesive for ceramic tile can be used. An un-sanded grout is required. Tiles can be cleaned with any household non-abrasive cleaner and a soft cloth or sponge.
Tagged as fishing, tackle, lodge art.


Rosedale Valley Road, from Bayview Avenue to Park Road, will be closed overnight in both directions from Sunday, December 7 to Saturday, December 13 to make repairs to the Glen road pedestrian bridge.
Join us for a community discussion of this important issue, co-hosted by Adam Vaughan, MP (Trinity-Spadina), Hon. Carolyn Bennett, MP (Toronto-St.Paul's) and community rail safety advocates.
During the weekend of October 18 and 19, there will be no subway service between Bloor and Eglinton stations in order to carry out a variety of maintenance work. This will include some work north of Rosedale Station.
Heritage Toronto invites you to attend a plaque presentation commemorating the history of CHORLEY PARK Constructed between 1911 and 1915, Chorley Park was Ontario's fourth and last official residence of the Lieutenant Governor of Ontario. Saturday, September 27, 2014 1:00PM 245 Douglas Drive Join us for a pay-what-you-can walking tour, following the plaque presentation.


Now through Tuesday, we all have a once-in-a-lifetime opportunity to voice our choice for the region's future. By participating, you will help create a 50- to 100-year collective, strategic vision and action plan for the San Diego region that reflects the priorities and values of today's residents.
How? By taking an online survey at www.showyourlovesd.org.
In 40 years, the regional population will grow by 40 percent, with two-thirds of that growth being our children and grandchildren. To accommodate the growth, we will need 500,000 new homes and 400,000 new jobs.
Will our children and grandchildren be able to afford a home? Will they be able to find high-paying jobs? Will they be educated for the jobs of tomorrow?
Many of us share these concerns. That is why The San Diego Foundation, along with a broad coalition of partners, has invested immense time and effort to create Our Greater San Diego Vision, an unprecedented public engagement process to create a shared vision and action plan for the future.
The initiative began with public opinion research in 2010, in which San Diegans listed job creation as the top priority for the region. The same research showed that residents ranked lack of jobs and low wages as the second most important factor impacting their personal quality of life.
In 2010, San Diego County's unemployment rate of 10.6 percent was its highest level in more than 30 years. Imagine what San Diego's future would look like if the population continued to grow without a plan to create the needed housing and jobs.
Where will nearly half a million jobs come from? What kinds of jobs do we need? What sectors of our economy should we focus on to create them? Where should new jobs be located?
There are several different approaches to economic development that this region can take. One approach is the continued expansion of our existing major industries. San Diego is more fortunate than most regions in having three industries that bring money to the region — the military, the innovation sector, and conventions and tourism. For every job created in these three core industries, two more are created in other sectors to support them.
A second approach is the expansion of one of the region's three major industries, the innovation industry. San Diego is already one of the nation's leaders in innovation. Expanding this industry would create more jobs in various sectors, including clean tech, defense and security, high-tech manufacturing, life sciences, biomimicry, and wireless, to name a few.
A third approach is to develop a fourth major industry that can bring investment into San Diego. We already benefit from the military, the innovation sector, and convention and tourism. What other industry would suit San Diego and become a major economic cornerstone?
You can also choose whether we should focus on supporting our local-serving businesses, or if we should focus on creating a globally competitive mega-region with Imperial County and Baja California Norte.
It's easy to voice your choice.
The interactive website offers four modules. The employment and economic development topic is found under the Work module, and there are also Enjoy, Live, and Learn modules in which you can have a say on where we should build homes, schools and community amenities, in addition to where job centers will be located.
More than 12,000 San Diegans have already shared their priorities, hopes and concerns for the region. Please join them and help shape the future for the benefit of tomorrow's residents.
Visit www.showyourlovesd.org and voice your choice to ensure the region is able to sustain prosperity as we see significant growth. Ensure that our children and grandchildren will be able to find jobs and afford to live in San Diego. I love San Diego, and I know you do, too. So help preserve and protect what we love and create a vision of what is needed to keep the region thriving.
Lori Holt Pfeiler is former mayor of Escondido, immediate past chair of SANDAG and vice president of Our Greater San Diego Vision, a major initiative of The San Diego Foundation.


You like the thought of "Classic Hawaii" better than "New Hawaii"
Ok, so were a little biased. How could we not be? West Kauai speaks to your soul. If our "Quick and Easy" checklist above even partly describes your desires, we're confident that you will agree with our past guests in having our Kauai accommodations exceed your expectations.
Our guests appreciate our close proximity to Waimea Canyon, Kokee State Park, Polihale State Park, Polihale Beach, endless Kauai Hiking, and practically every outdoor type of Kauai activities.
Remember! You can access all of Kauai within 90 minutes driving from our location. Being on the Southwest side of Kauai we enjoy the best weather; only 15-20 inches of rain a year. Conversely, the opposite side receives about 85 inches a year. You get the best guarantee of weather on your trip and can schedule visiting Kauai's tropical rainforests when the weather cooperates.


Rooster gives you an in-depth look at the Define Nano S from Fractal Design. Bad puns included.
Define Nano S review with Kelvin S24 liquid cooler and Edison M 550w PSU.
Fractal Design Define Nano S: Your Next ITX Case?
The Define Nano S Is One Of The More Popular ITX Cases. What Makes This So True?


text:
State of Decay 2 pushed back until Spring 2018
State of Decay 2 release date, platforms, trailers & gameplay news
If the idea of a The Walking Dead video game sounds good then check out State of Decay 2, due out tomorrow.
Sequel to State of Decay adds co-op multiplayer for up to four players
By Chris Martin, Reviews Editor | 28 May 2018
Following the launch of the original game back in 2013, State of Decay 2 is almost here. Initially announced at E3 2016, here's everything we know about State of Decay 2 including the release date, platforms, gameplay and trailers. For a more in-depth look at what to expect, take a look at our State of Decay 2 review.
"The next instalment in the critically acclaimed "State of Decay" franchise immerses you in an all-new, multiplayer zombie survival fantasy. Build a lasting community, working with other players or solo to overcome challenges while exploring your own unique story in a world that remembers the choices you make," said Undead Labs which is partnering with Microsoft Studios on the new game.
Interested in other games coming out this year? Take a look at our list of best upcoming games of 2018.
State of Decay 2: Daybreak release date, features and price
State of Decay 2: Daybreak is the latest DLC addition for State of Decay 2. This additional content will be released on 12 September and will cost roughly £9.
Daybreak will see you take control of a Red Talon soldier and defend an outpost from waves of undead as one of your technicians attempts to activate a satellite up-link. There will be a host of weapons to unlock and resources that you can take back to your community in the real world.
There is only one map, and while this horde mode can be played with up to 3 other people, the £9 price tag seems a little steep for what you're getting here. Metal Gear: Survive contains a very similar multiplayer component that seems much more fleshed out and also came with the base game at no additional cost.
When will State of Decay 2 be released?
While the game was initially slated for a 2017 release, Microsoft announced at its E3 2017 press conference that State of Decay 2 will now be released in Spring 2018, with no specific date. It wasn't until 2018 that Microsoft and Undead Labs announced that the game would be released on 22 May 2018.
State of Decay 2 will launch exclusively on Xbox One and Window 10, and it also boasts support for Microsoft's high-end Xbox One X. It's an Xbox Play Anywhere title too, so you'll be able to play across both Xbox and PC with one purchase of the game - as long as you buy it from the Microsoft Store (£24.99/$29.99).
Those interested in pre-ordering State of Decay 2 can do so from the Microsoft Store (£24.99), along with Amazon (£24.00) and GAME (£24.99) in the UK, while those in the US can head to the Microsoft Store ($29.99), Amazon ($29.99) or Gamestop ($29.99).
If you want to get your hands on the game four days early, on 18 May, you can pay a little extra and pick up the Ultimate Edition for £39.99.
Undead Labs says it will have 'more to share in the future' in regards to a Steam launch.
What can I expect from State of Decay 2 gameplay?
You can watch the State of Decay 2 cinematic trailer at the top of the page to get a feel for the game but here are some more details on the gameplay and features. The game is set 18 months after the zombie apocalypse in a refugee camp abandoned by the military. Survivors of the apocalypse must band together to gather supplies, build a community and try to survive the onslaught of zombies.
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In State of Decay 2 there is no single protagonist; instead, you play as an entire community. The developer says that each survivor in the game is their own person with a mix of 'background traits, skills, and attitudes that determine what they can do, what they want, and what they are willing to do to get it'.
With this in mind, no two stories are alike in State of Decay 2 as the community and the collective choices will shape how the game plays. It's an open world game 'filled with dynamic zombie and human enemies, friendly survivors to recruit into your community, and valuable resources and gear necessary to keep your people alive'.
You can play State of Decay 2 solo but, for the first time, you can play four-play co-op multiplayer with your friends. You can invite them to your game or drop into theirs. Each player remains in charge of their own community of characters.
"Work together as you explore the deadly post-apocalyptic environment, watching each other's backs and sharing the rewards of your accomplishments," says Undead Labs.
What's interesting is that it's not a server hosted MMO (massively multiplayer online) game, but it used to be. Undead Labs founder Jeff Strain told IGN that it wanted to give fans "exactly what they want," which is co-op multiplayer.
"This is not a session-based experience. It's drop-in/drop-out. The key thing that I want everybody to know is, it doesn't require you to be online. We've designed it very much with the intention of it being the easiest, most convenient type of multiplayer you can imagine," said Strain.
For a better idea of what to expect, take a look at the State of Decay 2 trailer, first showcased at E3 2017.
Nintendo starts Mario Red & Blue Edition Switch console pre-orders
Xbox Series X/S launch games list
Pokémon Sword & Shield Expansion Pass DLC release date, price & news


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Boys' Ranch, Simon and Kirby's Most Successful Failure, Part 1
Posted May 24, 2008 in 2008/05, 5 Studio, Artists, Featured Work, Harvey, Kirby, Jack, Meskin, Mort, Periods, Topic, z Archive.
I have long held off discussing Boys' Ranch since with so much written about that title I feared I would have little new to add. Today Boys' Ranch is probably one of the most popular Simon and Kirby post-war creations. There is good reason for this modern esteem as the title has much to commend it; action, humor and lots of Kirby. Nothing has done more to keep the Simon and Kirby brand name alive as Marvel's Boys' Ranch and Fighting American reprint volumes. Although published in 1992 these volumes are still readily available in the resale market at reasonable prices. Of the two, the Boys' Ranch volume most accurately reflects the original published comic books. Harvey's reprinting of Boys' Ranch stories occurred prior to the establishment of the Comic Code and so the art and stories did not suffer from censorial abuse. I have examined the comics and the Marvel reprint side by side and so far the only changes I have detected were a very few coloring alterations. Unfortunately Harvey reprinted Fighting American during the Comic Code's reign and the Marvel volume makes use of Harvey's reprinted version. Mark Evanier's "Jack Kirby, King of Comics" provides an example from the Fighting American of the removal of an ice pick from one panel leaving an attack without a weapon. All is not completely well for the Marvel reprint volume as a few pages of general interest fillers have been dropped. These single page graphic articles were not drawn by Kirby so many readers will not have lost much. The more hardcore Kirby fans will regret the absence of the text stories some of which had included illustrations by Jack.
Boys' Ranch #2 (December 1950) pinup, art by Jack Kirby
I have not completely ignored Boys' Ranch in the Simon and Kirby Blog. Recently I have included the double page pinups from this title in a couple of chapters of my serial post "The Wide Angle Scream" (here and here). The use of pinups, both single and double page, was something new for Simon and Kirby. Each issue of Boys' Ranch would have a single page pinup at the beginning of the book along with the centerfold pinup. Such extensive use of pinups would not be repeated in any other Simon and Kirby production. The pinups are not only numerous, they are also consistently of high quality. I would be hard pressed to pick the best one. I do want to provide an example and so choose one that provides the best portrait of the main cast of characters. Boys' Ranch is not just a western, it is also belongs to the boy gang genre so favored by Simon and Kirby. There are significant parallels between the Boys' Ranch gang and say the Newsboy Legion. Most S&K gangs have one adult member to act as a type of guardian. Clay Duncan does that part and although he lacks a secret identity he does have his own unique origin. One constant in S&K boy gangs is a handsome character that the readers can relate to; in Boys' Ranch this is Dandy. There is always a gang member to take on the humorous aspects. Often this individual has some regional identification. This role is taken by Wabash who plays a southern hillbilly. The other two main characters are unusual members of this particular gang. Wee Willie Weehawken (I guess New Jersey seemed to be out west to New Yorkers Joe and Jack) was different in being a second humorous member and in being an adult although otherwise treated as another gang member. The most unique member of them all was Angel. Most Simon and Kirby kid gangs included one intellectual but I guess Simon and Kirby felt that such a character would be out of place out west. Instead Angle is sharp shooter with a bit of a temper. The 50s were a time with great emphasis on conformity and Angel's long hair was definitely a distinction. Not included in the splash was another cast character, Palomino. Her place at Boys' Ranch was often obscured but she would play important rolls. One was to help shape Clay's image. Her obvious love for Clay was used to promote him as a hero figure. This also allowed Clay to be disinclined to actively return her affections thereby showing to his young readership that he as a real man's man (at least by the criteria of youthful readers at that time). When Clay and the boys would go off to some adventure Clay would pointed tell Palomino that she could not come as it was too dangerous for girls. She would reluctantly agree only to following them anyway and save the day at some critical point. Action heroines were not unheard of but generally not used by Simon and Kirby whose women normally play the roll of victims. Palomino is a refreshing exception. Another minor player in Boys' Ranch is the diminutive and silent Indian, Happy Boy.
Boys' Ranch #2 (December 1950) "Lead Will Fly At Sunset", art by Jack Kirby
Not only did Boys' Ranch include exceptional pinups, the splash pages are among the best that Jack Kirby did and that is saying a lot. Most of them are full page splashes filled with excitement. However the most unusual splash that Kirby did, not just for Boys' Ranch but for any Simon and Kirby production, was certainly the one for "Lead Will Fly at Sunset". Not only does it have no action, it does not even have any characters at all. That is Boys' Ranch we see below from a distance but there is only the caption to confirm that. What we are provided with is nothing more then a landscape. Well that is a little misleading as this was drawn by Jack Kirby who shows here that he can embody a landscape with interest as well. Partly this is due to the unusual perspective Jack has depicted. In the foreground a steep trail descends to a panoramic vista. The nearby terrain is so rugged that only a few twisted trees have managed to cling to the rocks. With the extensive view it is easy to overlook the most significant inhabitant, a coyote on our left descending via the trail.
Boys' Ranch #1 (October 1950) "The Man Who Hated Boys" page 14, art by Jack Kirby
When Simon and Kirby created Captain America their origin story was only 8 pages long. Only one other Captain America story from the first issue was shorter while the rest were substantially longer. The Red Skull story had twice as many pages as the origin story. The origin was clearly something to get over with as quickly as possible so as to get into the adventures. With the work that Simon and Kirby did for DC and Harvey (Stuntman and Boy Explorers) the origin story was a much more successful story by itself. None of the other Joe and Jack's origin stories compares with what they did for Boys' Ranch. It is not just that "The Man Who Hated Boys" is 17 pages long, it is also how S&K weaved the story. Unlike the first Newsboy Legion story, the members of the boy gang are not introduced as a unit. The reader is first shown Dandy and Wabash meeting while Clay Duncan and Angel make their appearances later. All the character introductions are all mixed in with typical Simon and Kirby action. As for example page 14 shown above. Previously Clay, Dandy and Wabash had been pinned down by Indians. At the start of this page we find Angle arriving on horse back with some other reinforcements. Other creators might be satisfied with having the arriving party drive off the Indians, but not Simon and Kirby. We find in the last panel the fight has become the way Kirby preferred, up close and personal. Let me digress for a moment to point out how in the first panel only the mouth and knee of the closest horse is depicted. Kirby would use the same device years later in Bullseye #7 (August 1955). "The Man Who Hated Boys" was a justifiably lengthy introduction but even it does not present all the cast of characters. "Meet Wee Willie Weehawken" would introduce that character and other stories would bring in Palomino and Happy Boy. There would also be a separate origin story for Clay Duncan. Never before had Simon and Kirby invested so much in the backgrounds for the characters of a feature. I am sure this is one of the characteristics that make Boys' Ranch so appealing for today's reader.
Boys' Ranch #3 (February 1951) "Mother Delilah", art by Jack Kirby
If a poll was conducted on what was the best Simon and Kirby story ever, I have little doubt that "Mother Delilah" would be chosen by a wide margin. It certainly deserves such a distinction. Jack Kirby's pencils are superb and the inking is consistently both sensitive and powerful. The writing is just exceptional and was given plenty of space to fully accomplish its plot and theme (at 20 pages it is the longest Boys' Ranch story). The theme, well it is literally biblical in nature. The characters and their motivations have a complexity that is rarely seen in comic books even today.
Boys' Ranch #3 (February 1951) "Mother Delilah" page 7, art by Jack Kirby
Clay's rejection of the advances of the saloon girl Delilah leads her to a vow of vengeance. It is through Angel that Delilah seeks to get her revenge. Angel, the story's main protagonist, is shown to be more then a sharp-shooter with a temper. His bravado is depicted as hiding a longing for a family he has long lost. Even at this level "Mother Delilah" offers more then most comic book stories. However the story goes on to show Delilah as torn between here need to strike back at Clay Duncan and her horror at what this was leading her to do to Angel.
Angel and Delilah could have been enough for the story, but the writer choose to include some other cast members as well. There is one, Curley Yager, whose own villainy acts as a foil to that shown by Delilah. Who is the most evil? Curley who, without any thought, treats anyone weaker then himself as a target for his assaults? Or Delilah who realizes the evil she will inflict on Angel but proceeds anyway? Delilah's self-sacrifice at the story's end provides the answer as she receives a redemption that Curley could never achieve.
My favorite character plays a minor part in the plot but is of great importance to the story nonetheless; it is Virgil Underwood. His name suggests the classics of Imperial Rome but the part he plays is that of the chorus from Greek tragedy. He is always there to reflect on the action of others.
Boys' Ranch #3 (February 1951) "Mother Delilah" page 15, art by Jack Kirby
Jack Kirby always thought of himself as primarily a story teller. For many fans his greatest works were the many brawls that he staged. It is true that Kirby was the master of the action sequence. However what amazes me time and time again is how Kirby could handle other types of story lines. Angel, shorn of both hair and pistols, encounters a crowd previously fearful of his sharp-shooter talents. The treatment he receives initially is meant more to humiliate him then to cause bodily harm. Yet before the harassment of Angel goes even further it is suddenly terminated. At first all that is seen are firing guns but that panel is followed by one showing the quick departure of the mob and the arrival of Wabash, Dandy and Clay. The page ends with Dandy and Wabash in the foreground with their backs to the shattered Angel and the comforting Clay. Dandy and Wabash mean to avoid Angel loosing more face then he all ready has, while sheltering him from the views of others, including the readers. It is a very poignant end to the sequence. Who, other then Jack Kirby, ever presented pages like this one?
Boys' Ranch #3 (February 1951) "I'll Fight You for Lucy", art by Mort Meskin
For some few exceptions, the first three issues of Boys' Ranch is all Kirby art. One departure is the single pages about western subjects. These are pages such as how to make moccasins, how to spin a rope or how to ride a horse. Some art dealers claim these were done by Mort Meskin using Kirby layouts. I agree that Meskin did many of them but I doubt very much Jack had anything to do with it. The art for all of them is rather stiff and I suspect are based on some photographs or illustrations. There is also a short section in Boys' Ranch #1, "Introducing the Kid Cowboys", that was clearly drawn and inked by Mort Meskin. The most important exception to the all Kirby nature of issues 1 to 3 is "I'll Fight You for Lucy". This story is usually credited as Kirby pencils and Meskin inks. There is no question that Meskin did the inking, but I find the layouts and pencils all look like Mort's work. It is interesting that this is the only Boys' Ranch story that does not begin with a full page splash. The splash panel is also unusual in how the characters are all placed together in a compact group on the left side. This would have been an unusually arrangement for Kirby who usually composed his figures to spread out and occupy all available space.
Boys' Ranch #3 (February 1951) "I'll Fight You for Lucy" page 5, art by Mort Meskin
Perhaps the most convincing evidence that this story was not drawn or even laid out by Jack Kirby is the fight scenes. Kirby was justly famous for his slug-fests but the fight from "I'll Fight You for Lucy" (see above) does not show Jack's characteristic style. For the later part of his career Mort Meskin did not draw much hero genre comics and so did not do many fight scenes. There are some brawls in the unpublished Captain 3-D #2 story but unfortunately the one image I used in my post about that story is not the best match for the fight from "I'll Fight You for Lucy". Better comparisons can be found by turning to work that Mort did earlier. Compare the Boys' Ranch page with a page from Black Terror #23 (see below) by the team of Jerry Robinson and Mort Meskin. Usually when comic art has two signatures the first often indicates the penciler and the last the inker. The division of labor used by Robinson and Meskin seems to have been more complicated. (As, of course, it was for Simon and Kirby)
Black Terror #23 (June 1948) "Danger In The Air" page 3, art by Jerry Robinson and Mort Meskin
The modus operandi for Simon and Kirby seems to have been to heavily use Kirby in the initial issues for a title and afterwards have other artists do more of the work. This was the case for Boys' Ranch where the final three issues use Kirby in some interesting variations. That will be the subject of next weeks post.
← Joe Simon and Timely Detective Magazines Boys' Ranch, Simon and Kirby's Most Successful Failure, Part 2 →
3 thoughts on "Boys' Ranch, Simon and Kirby's Most Successful Failure, Part 1"
nick caputo May 27, 2008 at 6:34 pm
While I agree with you that the majority of "I'll Fight You for Lucy" looks to be the work of Meskin, in panel 4 the figure of the cowboy throwing the punch has a more powerful pose and rigid look that may be by Kirby. Compare how thin and weaker the character appears in the following panels.
As always, an entertaining and informative post.
Nick Caputo
Harry Post author May 27, 2008 at 11:40 pm
I find the fourth panel to so nicely match the example from Black Terror #23 that I feel Meskin is a certainty. I have never seen the angle that Dandy's head has in anything Kirby did. I must admit also I don't see the other figures from the other panels as thinner then that in panel 4 either. So I guess I respectively stand by my original analysis.
Tom Morehouse June 10, 2008 at 8:17 pm
You wrote;
However the most unusual splash that Kirby did, not just for Boys' Ranch but for any Simon and Kirby production, was certainly the one for "Lead Will Fly at Sunset". Not only does it have no action, it does not even have any characters at all. That is Boys' Ranch we see below from a distance but there is only the caption to confirm that. What we are provided with is nothing more then a landscape. Well that is a little misleading as this was drawn by Jack Kirby who shows here that he can embody a landscape with interest as well. Partly this is due to the unusual perspective Jack has depicted. In the foreground a steep trail descends to a panoramic vista. The nearby terrain is so rugged that only a few twisted trees have managed to cling to the rocks. With the extensive view it is easy to overlook the most significant inhabitant, a coyote on our left descending via the trail.
Part of the reason this may stand out is that Jack swiped this particular landscape from The Book of Cowboys by Holling C. Holling (published in 1936). I'm sending a jpeg of the original to your private email address.


text:
Atlantis is the first studio album by the Swiss Symphonic metal band Lunatica, released in 2001.

Track listing

Lunatica albums
2001 debut albums
Frontiers Records albums

redpajama_set_name: RedPajamaWikipedia


text:
Q: ThrottleRequestMiddleware for api route in laravel 5.6 I have built api routes for returning posts as json resource, when I am putting the middleware 'apiThrottle:5,1' on an api route it just display the result for two times and then in the third one it will generate json response 'Too many attempts...'
But when I add the middleware to a web route it will keep showing the results for the maximium number of times (which is in this case is 5) and after that it generates 'Too many attempts...'
Web route: https://project.test/
Route::middleware('apiThrottle:5,1')->get('/', function (){
     return 'Web Route';
});

Api route: https://project.test/api/
Route::middleware('apiThrottle:5,1')->get('/', function (){
     return 'API Route';
});

Middleware:
<?php

namespace App\Http\Middleware;

use Closure;
use Illuminate\Http\JsonResponse;
use Illuminate\Routing\Middleware\ThrottleRequests;

class ThrottleRequestsMiddleware extends ThrottleRequests
{
    /**
     * Handle an incoming request.
     *
     * @param  \Illuminate\Http\Request $request
     * @param  \Closure $next
     * @param  int $maxAttempts
     * @param  int $decayMinutes
     * @return mixed
     */
    public function handle($request, Closure $next, $maxAttempts = 60, $decayMinutes = 1)
    {
        $key = $this->resolveRequestSignature($request);

        $maxAttempts = $this->resolveMaxAttempts($request, $maxAttempts);

        if ($this->limiter->tooManyAttempts($key, $maxAttempts)) {
            return $this->buildJsonResponse($key, $maxAttempts);
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        $this->limiter->hit($key, $decayMinutes);

        $response = $next($request);

        return $this->addHeaders(
            $response, $maxAttempts,
            $this->calculateRemainingAttempts($key, $maxAttempts)
        );
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    /**
     * Create a 'too many attempts' JSON response.
     *
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     */
    protected function buildJsonResponse($key, $maxAttempts)
    {
        $response = new JsonResponse([
            'error' => [
                'code' => 429,
                'message' => 'Too many attempts, please slow down the request.',
            ],
        ], 429);

        $retryAfter = $this->limiter->availableIn($key);

        return $this->addHeaders(
            $response, $maxAttempts,
            $this->calculateRemainingAttempts($key, $maxAttempts, $retryAfter),
            $retryAfter
        );
    }
}

Kernel.php:
     /**
     * The application's route middleware.
     *
     * These middleware may be assigned to groups or used individually.
     *
     * @var array
     */
    protected $routeMiddleware = [
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        .
        .
        'apiThrottle' => \App\Http\Middleware\ThrottleRequestsMiddleware::class,
    ];

Web route headers: request and response
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API route headers: request and response
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Please advice,

A: The api throttle is declaring twice so the hit is count twice.
For all api route there is throttle middleware declared on app/Http/Kernel.php
    'api' => [
        'throttle:60,1',
        'bindings',
    ],

To resolve the problem, you have to remove the api throttle in kernel file, and you can define separate throttle middleware group in the api route file app/routes/api.php as follow:
// limit to 60 hits in 1 min
Route::group(['middleware' => ['throttle:60,1'], 'prefix' => 'foo'], function () {
    Route::get('/', 'FooController@fooMethod');
});

// limit to 500 hits in 1 min
Route::group(['middleware' => ['throttle:500,1'], 'prefix' => 'bar'], function () {
    Route::get('/', 'BarController@barMethod');
});

A: I tried this and it's working with me .
php artisan cache:clear


Bringing the city into the museum, this project is one that dissolves the boundaries between an institution and the outside world.
Museums across the country are focused on accessibility, rethinking their role as bastions of high culture and striving to become public spaces for engagement and cross-cultural exchange. We joined up with the Brooklyn Museum, a century-old institution located within a diverse cross-section of Brooklyn, to explore this challenge. Tasked with re-envisioning the museum's lobby space and overall visitor experience, we sought solutions that would offer new flexibility for diverse programming, bridge digital and physical interfaces and transform the entryway into an amenity-rich public space for the neighborhood at-large.
To anchor our design intervention, we developed a suite of flexible and modular components—information desks, directories, ticket bars, benches and interactive kiosks—designed to offer optimal program support for the diverse array of activities that take place within Brooklyn Museum's lobby area.
Distributed throughout the entry sequence, these pieces enable continuous reconfiguration, flexing to accommodate huge crowds and performances, as well as the slower pace of visitors trickling in throughout the week. Ticket bars and desks are no longer static objects, but instead are designed to be re-positioned rapidly in response to the museum's evolving needs and events.
We incorporated common materials with a color palette that unifies the components and helps provide an increasingly seamless flow from the museum's entry plaza on to the galleries beyond. A series of eight mobile benches integrate color-coded power outlets and USB ports, encouraging visitors to charge mobile devices such as phones, cameras and tablets.
With this project, we leveraged a tactical, intervention-focused approach to transform a private space into a community resource. This theme continues to intrigue us and we've continued to explore it across a variety of sectors, from commercial workspace to public libraries to retail storefronts.


The second 2013 issue of IPC magazine went out this week. Some tweaks and additions included a global calendar of pest management related events. Should time and money allow, it is possible to travel the globe and attend some interesting conferences and exhibitions. For Sentomol, our focus is on Pest-Ex at the ExCel Centre in Docklands, London on 10-11 April 2013. This will be our first pest control exhibition, presenting a full range of insect monitoring traps to the UK pest control market. It has been advertised as potentially the busiest Pest-Ex yet, so should be a good couple of days.
Having put the IPC Mar-Apr issue to bed, as Editor, I now turn my focus on May-June. Some good ideas and articles already submitted so looking forward to reading these and compiling the next issue. Hoping to include a full review of Pest-Ex as part of the contents.


Bifido Factor is step two in Natren's easy-to-use three-step system for optimal internal wellness.
Bifido Factor contains Bifidobacterium bifidum Malyoth super strain, 2 billion cfu per 1/2 teaspoon of powder or 1 capsule.
Bifidobacterium bifidum Malyoth super strain is the most potent and beneficial bacteria available.
It is available in powder (dairy and dairy free), and dairy-free capsules.
This product works in conjunction with Natren's other Healthy Trinity components: Megadophilus and Digesta-Lac.


Brief Description: Sales of aviation- related parts, equipment and services by an aviation management consulting business.
I have been asked to answer your recent letter. You submitted the letter on behalf of XXXX, an aviation-management consulting business. XXXX offers a broad range of aviation-related services including aircraft management, aircraft evaluation, consulting, and professional-pilot services. It also sells airplane parts and aviation equipment. You list a number of items and ask if their sale is exempt under K.S.A. 2008 Supp.79-3606(g).
As the notice explains, K.S.A. 2008 Supp. 79-3606(g) continues to exempt sales of aircraft to airlines and other common carriers that use the aircraft to haul passengers and freight in interstate commerce. The subsection's treatment of parts and services was changed. K.S.A. 2008 Supp. 79-3606(g) now exempts "sales of aircraft repair, modification and replacement parts and sales of services employed in the remanufacture, modification and repair of aircraft." This language exempts sales of aircraft parts that are sold and used to: (1) repair an aircraft: (2) replace existing parts of an aircraft, or (3) modify an aircraft. The services done to repair or modify an aircraft, or to replace parts on an aircraft, are also exempt. Since 2005, the exemption of aircraft parts and services has extended to all aircraft, not just aircraft that are used by common carriers in interstate or foreign commerce, or that are sold to foreign governments.
The use of the words "aircraft repair, modification and replacement parts," shows that K.S.A. 2008 Supp. 79-3606(g) is intended to extend to items that are affixed to an aircraft and that, by being affixed, are incorporated into and become a permanent part of the aircraft or at least a "permanent" part for the part's service life. Examples of these parts are engines, engine components, doors, windshields, windows, hydraulic components, passenger seats, landing gear, controls and non-removable instruments that are permanently mounted in the cockpit, similar parts that are replaced, repaired, or overhauled according to manufacturer service bulletins, and other similar life-limited parts. Exempt parts do not include disposable items or items that are attached to the aircraft during servicing or flight but removed once the servicing or flight is complete.
K.S.A. 2008 Supp. 79-3606(g) does not extend to goods like blankets, pillows, carts, or serving utensils that are purchased for use on an aircraft or to equipment that is not affixed to the aircraft with any permanency and that can be easily removed for use on another aircraft. Examples of these items are headsets, aviation calculators, electronic-flight bags, and flight maps. Other items that are not exempt under K.S.A. 2008 Supp. 79-3606(g) include baggage hauling and loading equipment, refueling equipment, tractors that are used to move aircraft prior to takeoff, or to other ground equipment that is used at an airport to move or service private or commercial aircraft. Complete Auto Transit, Inc. v. Brady, 430 U.S. (1977); see e.g. In re Taylor Crane & Rigging, Inc. 22 Kan. App. 2nd 27, 913 P.2d 204 (1995). Repair and maintenance tools, equipment, and disposable items used to service or repair aircrafts are also not exempt under this provision. None of these things become a "part" of the aircraft.
For common and private carriers, the exemption extends to items that Federal Aviation Regulations (FARs) require the carrier to secure in an aircraft with the expectation that the item will remain secured there throughout the item's service life or until it is used. These thing can include life rafts, life preservers, and other ditching equipment required to be secured in an aircraft under FARs 23.1415, 91-509, 121.1415, etc., fire extinguishers, and similar items. Sales of personal breathing units and emergency vision assurance systems that are required by FARs to be secured in aircraft so that they are available for emergency use in the air by the flight crew are also be exempt. Sales of oxygen equipment required by FARs for ground crews are not exempt. Items that are secured in an aircraft pursuant to FARs with the expectation that the item will remain in the aircraft throughout the items service life are typically purchased on the account of a common carrier or private carrier to use to equip their aircraft. The exemption does not extend to disposable items or to single-use items such as stencils that are affixed to an aircraft and then removed after use.
With these things in mind, I will identify the items in your list that are not exempt under K.S.A. 2008 Supp. 79-3606(g), assuming your limited description of the items and their intended use is accurate. Taxable items are: electronic-flight bags, aircraft chocks, tow bars, step cover protectors, engine covers, wing protection matting, and ICOM air-band transceivers. Sales of items such as engine covers and wing matting, that are used when an aircraft is being serviced or stored, are not exempt even if its use is required by an FAR during the servicing or storage or the aircraft. These items are not attached or secured to the aircraft with the intention that the item remains with the aircraft beyond the servicing being performed or storage period. Sun visors, which you describe as being ". . . installed on the aircraft to protect a pilot from sun glare and heat" are exempt because they are affixed to the aircraft. Headsets sold to pilots, commercial carriers, and private carriers are taxable. Headsets can be easily removed from one aircraft and used in a different aircraft.


text:
Q: Should I explicitly call init of class object in overridden descendant's init? In case with inheritance from object class whether it is necessary to explicitly call __init__() of object class (if __init__() of descendant is overridden)?
class MyClass(object):
    def __init__(self, arg):
        super(MyClass, self).__init__()
        self.arg = arg


The Baccarat game in its live and automated version. This unique concept ensures maximum operational benefits and full satisfaction of the players.
Switch between Live / Auto game.
The live game uses a card recognition system, that reads suit and rank of each card.
Classic Baccarat game, Power 98, and 7up.
A five player game, with the possibility of expansion with an unlimited number of our single terminals.
Each player has a touch screen monitor for individual play.
It can also be customised to meet any gaming law or other legal requirements.


At Midwest Maternal Child Institute (MMCI), located in Milwaukee WI at the Well-Rounded Maternity Center, we offer you a comprehensive education in birth—both classroom and clinical—that gives you the opportunity to open windows, deliver miracles and create the possibility of everything.
Why choose an Associate Degree or One-Year Diploma in birth education?
If you are serious about preparing for a career in birth, consider MMCI's Maternal Child Health Specialist Programs. Unique in the field of birth education and approved by the Educational Approval Board of the State of Wisconsin, these rigorous programs prepare you for careers as a birth assistant, senior doula, and maternal child chase manager, as well as enhancing your career in public health, social work, and women's/gender studies.
• Face-to-face classroom experience: Faculty facilitate a peer-supported learning environment that emphasizes integrity and compassion where students can develop the leadership, communication, and research skills required to be an effective birth worker.
• Self-paced study of distance education: Students complete readings, homework, and clinicals between monthly classes.
MMCI's Maternal Child Health Specialist Programs meet the needs of adult learners who may have jobs or are parents: Each month, for 13 months, modules are taught at a weekend Intensive by experienced educators and providers who specialize in the module's content.
The Associate Degree and One-Year Diploma program tuition is $4,550 ($350/month), plus the cost of books and materials.
Our founder and Academic Affairs Director, Mary Sommers is a leader in the national and international midwifery and birth field.


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text:
Double Trouble!: Some of my Favourite Literary Twins
On Saturday's Hannah's Bookshelf on North Manchester FM, I decided to take a little look at some literary twosomes. Inspired by a book I've recently read, the theme of this week's show was twins. I had to give a bit of thought to this, of course, because I didn't want to accidentally include any books where the existence of the twins is a twist or a reveal – I don't do spoilers on Hannah's Bookshelf! Instead, I concentrated on books where the presence of twins – and the relationship between them – is a focus of the story.
You can listen to the show again on the player below. But, as promised, here's the list of books I featured on my Double Trouble Special. Did I miss off your favourite? Do you disagree with any of my choices? Let me know in the comments!
The Image of You by Adele Parks (2017)
My Double Trouble show was inspired by a book I read recently, which I discussed on today's show. I wouldn't say it was really a 'favourite', but given it sparked off the whole idea for today's theme, I thought it deserved to be included on the reading list!
Parks's novel introduces us to a set of identical twin sisters – Anna and Zoe – who couldn't be more different. Zoe is unrestrained, wild (and possibly dangerous), while Anna is demure, romance (and possibly wildly naïve). Despite having been badly hurt in the past, Anna is desperate to find true love and has set up an online dating profile. When she meets and falls for Nick, Zoe is convinced that this Mr Right isn't quite as perfect as Anna thinks he is. In fact, Zoe is convinced that Nick is lying to her sister and determines to put him to the test. What transpires is a domestic noir thriller – a genre I don't always love wholeheartedly – with a bit of a twist to it. Unfortunately, I did see the twist coming quite some way away, which made the rest of the story a little obvious (and it does have rather a twee ending). However, The Image of You is an entertaining enough read, and is definitely a recommendation for fans of the genre. And for the purposes of this show, it certainly did a good job in encouraging me to think about other pairs of twins in literature…
A Murder is Announced by Agatha Christie (1950)
The next book is one my favourites – one of my favourite books in general, but also one of my favourite twin storylines. My first encounter with Christie's story was when I was a kid, and I watched the BBC adaptation (starring Joan Hickson as Miss Marple). I loved the story, and I was absolutely fascinated by the twins.
The murder that is 'announced' in the book takes place at the home of Letitia Blacklock in Chipping Cleghorn. An advert appears in the local paper, informing readers that a murder will be taking place at Miss Blacklock's home – and everyone's invited. Of course, Miss Blacklock's friends and neighbours think it's all a big game… they think again once the shooting starts! So, who might have wanted to see Miss Blacklock dead? She has very little money as it stands, though she is due to inherit a substantial fortune. Her former employer, financier Randall Goedler, left his fortune in trust, to come to Letitia on the death of his wife Belle. However, if Letitia dies first, the money will pass on Belle's death to Goedler's estranged sister, Sonia or to Sonia's children – the twins Pip and Emma.
The reason why this storyline intrigued me so much as a child – and why it continues to be one of my favourite Miss Marple stories – is that no one in Chipping Cleghorn (including Miss Blacklock) has ever laid ideas on Sonia, Pip or Emma (that they know of), and so it's quite possible one or more of them could be masquerading as one of the 'harmless' inhabitants of the village. There are certainly plenty of people the right age, but are any of them Sonia Goedler? And could any of them be one of the mysterious twins? The reveal is, of course, absolutely brilliant.
There is a lot more about A Murder is Announced that I love – Hinchcliffe and Murgatroyd are wonderful characters, and Miss Blacklock's cook Mitzi is also a favourite (perhaps because she was renamed 'Hannah' in the adaptation?). But, for today, the characters that have earned it a place on the list are the enigmatic Pip and Emma.
Lottie and Lisa by Erich Kästner (1949)
Erich Kästner's 1949 children's book – German title: Das doppelte Lottchen – is perhaps not instantly familiar to modern readers, but I can guarantee you know the story. You're bound to have seen at least one of the adaptations at some point!
Lottie and Lisa tells the story of the eponymous girls who meet one summer at camp. They've never met before, but are amazed to discover that they're completely identical. And that's when they discover an incredible secret that their parents have been hiding from them. Lottie and Lisa are twins. When their parents divorced, they took the unorthodox (and, let's be honest here, really cruel) step of separating the girls – Lottie was raised by their mother, and Lisa by their father – and not telling them about the other's existence. When the girls finally meet and put everything together, they decide to hatch a plan to swap places. Initially, this is done simply so they can each get to know their other parent – but eventually, of course, it develops into a scheme to reunite the estranged adults.
Kästner's book is probably best known now from its adaptations. The two Disney films – with Hayley Mills (in 1961) and Lindsey Lohan (in 1998) – are well-known to Anglophone audiences, but the book has been adapted numerous times for both film and television, including Lithuanian, Hindi, Swedish, Polish, Korean and, of course, German versions. Interestingly, Kästner originally intended his story to be a film treatment, but due to his pacifism and opposition to Nazism, he was prevented from working as a screenwriter during the Nazi years (his books were also burned). Well… Lottie and Lisa has certainly made its way to the big screen now!
The Thirteenth Tale by Diane Setterfield (2006)
The next book moves us into somewhat more Gothic territory. Setterfield's novel promises (or, at least, one of its main characters promises) a haunting tale of twins and family secrets. I'm surprised I haven't included this one on any of my other themed shows, as it includes lots of the things I enjoy talking about!
The Thirteenth Tale is the story of Margaret Lea and Vida Winter. Margaret is bookish and awkward woman, who once dabbled in amateur biography writing (but who has no ambitions to pursue this further). Vida is a famous novelist, notorious for the fierce secrecy with which she guards her past. Vida has been interviewed numerous times over the year, but the biographical details she's given to journalists have been vague or inconsistent. Now, she's ready to share the full story (or is she?), and to Margaret's surprise Vida's decided she's the woman for the job. Margaret's not sure she wants the task, but Vida attempt to lure her in with the promise of a ghost story involving twin sisters. But it's not this that this tantalizing thread that appeals to Margaret. Rather, the would-be biographer is most curious about the novelist's collection of short stories: Thirteen Tales of Change and Desperation, which was published with only twelve stories included. What happened to the thirteenth tale? and what secrets did it reveal.
Despite the fact that I found the character of Margaret rather annoying, I did really enjoy The Thirteenth Tale – which is indeed a ghost story involving twin sisters (though there's much more to it than that). It's a Gothic suspense story in the classic tradition, and Vida Winter emerges as an engaging and compelling character.
Twelfth Night, or What You Will by William Shakespeare (c.1601)
From twin sisters to a brother/sister pair now… Twelfth Night isn't my favourite Shakespeare play, but I don't think I'd get away with leaving it off a list of literary twins!
Our heroine in Viola, who is shipwrecked with her twin brother Sebastian on the coast of Illyria. Believing her brother to be dead, Viola disguises herself as a boy (of course she does! it's a Shakespeare comedy!) and enters into the service of Duke Orsino under the name Cesario. And, naturally, she quickly falls in love with the duke. He's not interested, though, because (a) he thinks Cesario's a boy, and (b) he's in love with a woman called Olivia. Olivia's in mourning for her brother and father, and has sworn to reject all suitors for a period of seven years. However, despite her vow, Olivia's head is turned by the charming Cesario… making for quite the tricky love triangle.
I think one of the reasons I've never been completely enamoured with Twelfth Night is its comedic subplot – involving the men of Olivia's household attempted to persuade her steward Malvolio that she's in love with him. I've always found it a bit cruel and hard-edged – more so than the subplots in other Shakespearean comedies. Perhaps that's just me, though.
As you can imagine, Shakespeare finds a way to wrap things up with happy endings all round (except for poor old Malvolio). Viola's twin might not have really died in the wreck, and would you believe it? the pair of them are pretty much identical! Twelfth Night ends with a characteristic setting the world to rights (although, as has been noted, Orsino ends up proposing to Cesario, as Viola doesn't drop her boy-costume as quickly as some of her counterparts in other comedies). Good thing there were two identical siblings, as both Orsino and Olivia are able to find the partner they want.
Fangirl by Rainbow Rowell (2013)
The final book on today's list is Fangirl, a YA coming-of-age novel about a somewhat socially awkward young woman, who happens to be one of a pair of twins.
Cath is a freshman at college, as is her more outgoing twin sister Wren. Wren spends a lot of her time partying, but Cath is struggling to find her place. We join the twins at the point at which they're starting to grow apart. As we learn, when they were in high school they had more shared interests – or, rather, one particular shared interest: Simon Snow fandom. (Simon Snow is a fictional boy-wizard, created by Rowell – all similarities to an actual book/film series are surely coincidental.) When Cath and Wren were younger, they obsessed equally over Simon Snow – queuing up for the latest book, cosplaying for film premieres, the full works – but now that they're at college, Wren seems to be leaving it all behind. Cath doesn't want to let go of Simon Snow, though, as continues writing fan fiction (for which she is becoming quite well-known).
Fangirl is a fun read. I must admit, I wasn't completely convinced by how much Cath is able to win creative writing lecturers and authors over with her fan fiction, but I did enjoy the way the family relationships develop over the course of the novel. There's a bit of an edge to some of the seemingly flippant characterization. Cath's eccentric father, for instance, has more issues than it initially seems. And Wren's partying may not be the benign, contrasting-twin behaviour we first think. Ultimately, though, this is a story about Cath, and about her development as an individual, and as a young adult.
Rowell's novel is about a young woman learning who she is outside of her sibling relationship – for this reason, it seemed like a good place to end today's list of literary twins!
Categories: Blog, Radio | Tags: Adele Parks, Agatha Christie, Diane Setterfield, Erich Kastner, North Manchester FM, radio, Rainbow Rowell, william shakespeare | Permalink