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Review: Samsara at Single Carrot Theatre
Posted on January 31, 2017 by Jason
Running Time: 90 minutes with no intermission
Birth – Life – Death… That's pretty much what Samsara means: We're born – We live – We die. It's what happens along that journey is what's different for everyone and even the start is starting and ending is different. Single Carrot Theatre's latest offering, Samsara by Lauren Yee, directed by Lauren A. Saunders, with Scenic Design by Jason Randolph, Lighting Design by Thomas P. Gardner, and Sound Design by Steven Kriegle, gives a thought provoking look into what it takes to bring a child into this world, even when it's not your body your using. It delves into the intricacies of having a surrogate half way across the world and imagines the unknowns of unborn children who sometimes have more common sense than grown adults. It puts human faces on surrogacy and tells a story from both sides of a surrogate pregnancy.
The space at Single Carrot Theatre is intimate and they use the space wisely. From what I understand, the seating chart changes depending on the production and this set up for Samsara gives us a wide stage with room for Jason Randolph's simple, but impressive Set Design. His use of movable blocks saves space and lends itself to multiple locations, not giving exact detail, but enough for the audience to know where they are. The curves in both the set and the hanging screen gives a whimsical, magical feel and the projections are spot on. Overall, the production value of this piece knocks it out of the ballpark. Set Design, Lighting Design, and Sound Design are worth the admission price alone.
Speaking of Lighting Design, Thomas P. Gardner does a superb job lighting this magical, fanciful piece with just the correct colors and levels, setting the mood for each scene and moving the story line along nicely. Along with Gardner's work, Steven Kriegle's Sound Design is on point. Every bit of recorded sound that comes out of the speakers is befitting and well placed. Whether it was Kriegle himself or a collaboration with the director, the music choices are spot on the Sound Design, as a whole, is impeccable.
Taking the helm of this production, Director Lauren A. Saunders does a fantastic job putting this piece on the stage. Her casting is outstanding and her staging is minimal and fanciful, but gives the audience enough to keep up with the complex story. She understands the script, the delicacy of the piece, and the intimate space and presents the story in an accessible way as to not overwhelm the audience but bring them along for the journey. Her understanding and handling of the piece makes for a very enjoyable evening of theatre.
The small ensemble of Samsara puts on an impressive show and the chemistry, for the most part, is clear and these actors are comfortable with each other which makes it easier for the audience to follow along and get engrossed in the touching story their telling.
Utkarsh Rajawat as Amit, Paul Diem as Craig, and Saraniya Tharmarajah as Suraiya. Credit: Single Carrot Theatre
Single Carrot Ensemble members, Paul Diem and Alix Fenhagen take on the roles of Craig, the kind good-hearted father sent off a half a world away on his own and Katie, the wife and childless mother who, because of her own issues, would not travel with her husband a half world away to experience the birth of their child. Diem and Fenhagen played these roles to the hilt and I can feel the unspoken tension between the characters as they are trying to navigate through a rocky marriage with the difficulty of not being able to have children. It is revealed that neither of them able to produce and that's where the Indian surrogate comes into play. Why India, you may ask? Well, it's simply financial and an Indian surrogate is actually much cheaper… thousands of dollars cheaper than an good old American surrogate. The question is, are both of these people ready for a child? Also, to add to the drama, these two characters seem to differ on their ideas of what a surrogate is and how much involvement one should have in a surrogate's life, making for some pretty intense drama between these two characters.
Diem has a complete handle on this character and is confident in this role. His uncertainty is unmistakable and his kindness shines through making him a very likable character. The character of Craig might be a bit annoying at times, making unwise choices while in India, but Paul Diem gives an admirable performance having great chemistry with both Fenhagen and Saraniya Tharmarajah. Alix Fenhagen also gives a good performance, but seems a bit flat and monotone, in parts where I would prefer little more emotion, but she seems to be playing it subtly and gives a commendable performance.
Dustin C. T. Morris, as the imaginary Frenchman and sub-sequential "dream man" of Katie, is a bit of comic relief and he is 100% to this role. He also takes on the role of the doctor caring for the surrogate in India and he shines in this role, as well. As an imaginary character, he manages to move the story along, giving a backstory to Katie and her ideas of what she wants her child (and perhaps her life) to be as well as the possibilities that frighten her. Morris is radiant and confident and gives a praiseworthy performance.
Saraniya Tharmarajah as Suraiya and Utkarsh Rajawat as Amit. Credit: Single Carrot Theatre
At the heart of this story is Suraiya, the surrogate for Craig and Katie played masterfully by Saraniya Tharmarajah, whose performance is one of the highlights of this production. She is natural and comfortable in this role and her delicate performance is befitting of this character. Tharmarajah manages to bring forth a silent strength in her character and her chemistry with Rajawat, the unborn Amit, is charming and heart-warming. Kudos to Tharmarajah for her superb performance in this piece.
Speaking Utkarsh Rajawat, he is another highlight of this production as he tackles the role of Amit, the unborn child for whom everyone is waiting patiently. Rajawat's performance is both charming and poignant as his character is in the mind of the surrogate and he is inquisitive and in awe of everything as he talks with her. Not having been jaded by the world just yet, this character seems to have the only common sense in the group and he has some of the funniest lines in the piece and handles the comedy and comedic timing beautifully. He masterfully plays this character as a doe-eyed child, wanting to learn everything he can about the world he is about to enter and Rajawat's lovable portrayal makes it hard to feel anything but good, warm, and gooey things for this character. Kudos goes to both Tharmarajah and Rajawat for jobs well done.
Final thought…Samsara is an interesting look into surrogacy and relationships of surrogacy, touching on the deep and intense thoughts and feelings of all parties involved that aren't always discussed at the dinner table. Single Carrot Theatre's production is an approachable and accessible expression of those unsaid thoughts and feelings, giving the audience an insight only parents and a surrogate mother can have. This well-put, thought-provoking production should not be missed this season.
This is what I thought of Single Carrot Theatre's production of Samsara… What did you think? Please feel free to leave a comment!
Samsara will play through February 12 at Single Carrot Theatre, 2600 North Howard Street, Baltimore, MD. For Tickets, call the box office at 443-844-9253 or purchase them online.
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Posted in Reviews	| Tagged Alix Fenhagen, Baltimore Theatre, Dustin C. T. Morris, Jason Randolph, Lauren A. Saunders, Paul Diem, Samsara, Saraniya Tharmarajah, Single Carrot Theatre, Steven Kriegel, Thomas P. Gardner, Utkarsh Rajawat	| Leave a reply
Review: Grey Gardens at Stillpointe Theatre
Running Time: 2 hours and 20 minutes with one 15 minute intermission
Looking on the bright side isn't something everyone can do. Not everyone can find joy in the face of adversity but in Stillpointe Theatre's latest offering, Grey Gardens with Music & Lyrics by Scott Frankel and Michael Korie and Book by Doug Wright, shows us there are folks who can. Directed by Danielle Robinette and Ryan Haase, with Music Direction by Ben Shaver, Choreography by Lauren Spencer-Harris, Set Design by Ryan Haase, Costume Design by Kit Crescenzo, and Lighting Design by Adrienne Gieszl, Grey Gardens shows that there are people who can see the light at the end of a dark tunnel and survive even when the world has forgotten them.
The cast of Grey Gardens at Stillepoint Theatre. Credit: Rob Clatterbuck/Stillepoint Theatre
Some are very familiar with the Beale women and the documentary about an Easthampton mansion named Grey Gardens and some have never heard of such a place or this piece of Long Island history. I was introduced to the Beales a few years back when a very good friend described a 1970s documentary that I just had to watch about these two oddball recluses who lived in a dilapidated 28-room garbage and critter filled mansion with barely any utilities and engulfed in overgrown foliage in Easthampton among the well-maintained houses and lawns of the well-to-do and… I've been in love with these two oddballs ever since!
Co-Directors Danielle Robinette and Ryan Haase really captured the essence of this piece, which is survival and self-preservation, treating it dignity and respect. The relationship between this mother/daughter duo was so complex, they managed to touch on all the nuances such as the co-dependency and even jealousy these women had for each other. Their casting is on point and the experiment of using two spaces to represent to different times is a bona fide success. There is such a vast difference between the settings and time of Act I and Act II, it totally makes sense to use two separate spaces.
Speaking of spaces, Ryan Haase's Set Design is, in a word, impeccable. He never ceases to amaze me with his original designs and this production is no different. Aside from being in two different spaces, the contrast between Act I and Act II is absolute and really compliments the story of these two women, not to mention, the attention to detail in Act II which adds tremendous value to this already superb production.
Another impressive aspect of this production is the phenomenal musicians in the orchestra. this orchestra is spot on in every number and has a very polished, well-rehearsed sound. Music Diretor Ben Shaver not only did a splendid job with the onstage ensemble, he managed to get together a top notch band including himself on Piano, Joe Pipkin on Drums, Stacey Antoine on Reeds, Billy Scaletta on Keyboards, and Andrea Gibeck on Violin. Kudos to each every one of them for a job well done.
Christine Demuth as Little Edie and Bobby Libby as Joe Kennedy. Credit: Rob Clatterbuck/Stillepoint Theatre
I can't overlook the Costume Design by Kit Crescenzo as they are spot on and authentic, adding realism to this production, especially in Act II where the costumes are near perfect matches to the wardrobe the women wore in the Maysles Brothers documentary.
Working in such unique spaces, Adrienne Gieszl has to be clever with her Lighting Design and it is absolutely appropriate and befitting to the piece, setting the mood for each scene and number subtly but surely.
The ensemble for this production is dedicated and gives a brilliant showing. Bobby Libby makes a great showing as Joe Kennedy with his booming, smooth voice and good grasp of the character while Barney Rinaldi has a great command of the stage and gives a confident performance as the Bouvier patriarch, Major Bouvier. Jon Kevin Lazarus tackles the role of Jerry and his interpretation of this character is absolutely endearing and just made me want to give him a big ol' hug. Rounding out the ensemble is Terrance Flemming as Brooks and Brooks Jr. and Anne Murphy or Kate Kilner-Pontone as young Jackie Bouvier and Avagail Hulbert or Compton Little as young Lee Bouvier, all who give commendable performances. Also, I'd like to comment on the Choreography by Lauren Spencer-Harris that was absolutely appropriate for the piece adding great value to the piece as a whole.
Gould (Adam Cooley) at the piano and Big Edie (Zoe Kanter) signing as Jackie and Lee look on. Credit: Rob Clatterbuck/Stillepoint Theatre
Three actresses lead this exquisite ensemble in this journey through space and time and Edith "Big Edie" Ewing Bouvier Beale is played flawlessly by Zoe Kanter (in Act I as a younger Big Edie) and Danielle Robinette (in Act II as the older Big Edie that was immortalized in the documentary). Both of these actresses seem to really have a grasp on this character as Kanter plays her as whispy and carefree who values family above all, regardless of if it's falling apart or not, and desperately trying to hold on to her only remaining child so she won't be alone. And though Kanter is a bit stiff in her performance at times, almost as if she's thinking too hard, she belts out her songs with a resonating and beautiful belt and she gives a fantastic showing. It's also worth mentioning the great chemistry with Adam Cooley, who plays Gould, Big Edie's ever-faithful accompanist, confidant, and friend and gives an admirable performance with a flamboyancy and flair I imagine the real George "Gould" Strong would have been.
Playing the role of older Big Edie in Act II, Danielle Robinette, couldn't have played it better. With a brilliant make up job aging her to fit her character and her slouched posture and limping that was consistent through her entire performance made for a believable showing. Vocally, Robinette gives an outstanding performance, especially with the touching and tender "Jerry Likes My Corn." Playing a somewhat iconic character can be daunting but Robinette takes this role and makes it her own.
Christine Demuth as Little Edie. Credit: Rob Clatterbuck/Stillepoint Theatre
Last but certainly not least, there's Christine Demuth who is the absolute highlight of this production. She embodies both a young Little Edie and the iconic older Little Edie from the iconic documentary, all the while, bringing her own interpretation into the character. Not only does she give an outstanding vocal performance, her acting chops are superb. The subtle but definite change in her character from Act I to Act II is seamless and she plays it to the hilt. The real Little Edie had a very distinctive accent (New England, for sure) and Demuth is on point. From the moment she steps onstage until the emotional "Winter in a Summer Town," she had me hooked. Kudos to Miss Demuth on a stellar performance and I can't wait to see more from her.
Final thought…Grey Gardens is poignant and compassionate look into the lives of two women time and everyone else seemed to have forgotten but who had the gumption to survive. Whether or not you are familiar with the original Maysles Brothers documentary, Grey Gardens, you will not be disappointed with this production. Stillpointe Theatre has managed to bring a fresh look and feel to this piece and is not only able to express the absolute quirkiness of the Beales with brilliant casting and set designs, but also the tenderness and tragedy of this overlooked piece of Americana. This is NOT an experience you want to miss this season. Get your tickets now!
This is what I thought of Stillpointe Theatre's production of Grey Gardens… What did you think? Please feel free to leave a comment!
Grey Gardens will play through February 4 at Stillpointe Theatre, 1825 N Charles Street, Baltimore, MD. For Tickets, go to stillpointetheatre.com for more information or purchase them online.
Posted in Reviews	| Tagged Adam Cooley, Adrienne Gieszl, Andrea Gibeck, Anne Murphy, Avagail Hulbert, Baltimore Theatre, Barney Rinaldi, Ben Shaver, Billy Scaletta, Bobby Libby, Christine Demuth, Compton Little, Danielle Robinette, Grey Gardens, Joe Pipkin, Kate Kilner-Pontone, Kit Crescenzo, Lauren Spencer-Harris, Ryan Haase, Stacey Antoine, Stillepoint Theatre, Terrance Flemming, Zoe Kanter	| Leave a reply
Review: Three Penny Opera at Spotlighters Theatre
Running Time: 3 hours with one 15 minute intermission
Connor Moore As the Street Singer. Credit: Spotlighters Theatre/Shealyn Jae Photography
I'm both a musical theatre fan and an opera fan, with emphasis on the former, but I certainly appreciate a good opera now and then. Of course, both genres' main element is music but the production is a bit different. Spotlighters Theatre's latest offering, Three Penny Opera Adapted by Bertolt Brecht and Music by Kurt Weill (adapted from a translation of Jonathan Gay's The Beggar's Opera by Elizabeth Hauptmann) merges both of these genres to give us a three hour journey where our heroes fight for social and economic justices to which today's audiences can relate. This production is Directed, Edited, Adapted, and Newly Translated by Michael Blum, with Music Direction by Erica Rome, and Choreography by Melissa McGinley.
The story begins with the familiar Ballad of Mack the Knife, beautifully performed by Connor Moore (though, be forewarned, it's much different from the jazzy Bobby Darrin version we're used to), then goes on to tell the story of Macheath (a.k.a. Mack the Knife) the most notorious criminal in all of England. Macheath marries Polly Peachum (Allison Hicks) much to the dismay of her parents (Frank Mancino and Kay-Megan Washington), who happen to be wealthy and in charge of all the beggars in London but there's not much to be done since Tiger Brown, the High Sheriff of London is a very good boyhood friend of Macheath. Mr. Peachum, with his clout, threatens Tiger Brown, leading to the arrest of Macheath who manage to escape (a couple of times) with the help of some prostitutes, which leads to an abrupt ending a la deus ex machina (but you'll have to see it to see if it's happy or sad).
Steve Quintillian and Robert Wall. Credit: Spotlighters Theatre/Shealyn Jae Photography
Although this piece runs just about as long as an average opera, the pacing and tempo is very good so, it's not that the cast is dragging their feet, it's just A LOT of show. Blum skillfully punches out each scene smoothly without much downtime and keeps the action moving along nicely.
Spotlighters Theatre's space being as intimate as it is, the Set Design by Alan Zemla is fitting for this piece utilizing set pieces rather than a unit set, which is clever, and using space off the stage wisely, as well.
Going along with the production aspect of this piece, Costume Design by Amy Weimer and Darcy Elliot was well thought-out and befitting with variety and authenticity.
Rachel Verhaaren, Andrea Bush, Evangeline Ridgeway, and Kay-Megan Washington. Credit: Spotlighters Theatre/Shealyn Jae Photography
Overall, this is a well put-together production with a tight ensemble but the story gets somewhat lost in the translation by Director Michael Blum. According to Blum's bio, he has a background in opera, and it seems as though that's how he approached this production rather than a play with music or a musical theatre piece. The program states the setting of this piece is supposed to be Baltimore in 2017 and London, 1838 (as seen through the eyes of Brecht in Berlin, 1928) – did ya get all that? Blum manages to portray the latter adequately, but the only hint of Baltimore 2017 comes in to play during two instances where the cast dresses up like modern day beggars but, unless I missed it, I didn't get the feel of modern day Baltimore at all in this piece. However, minor curious direction choices aside, his casting is full of superb vocalists and most are indeed top notch such as Kay-Megan Washington, Allison Hicks, and Amber Hooper – all vocal powerhouses. Music Director Erica Rome is to be commended for her work with this ensemble as they are on point, musically, and Choreography by Melissa McGinley is charming and appropriate, adding value to the production.
Robert Wall. Credit: Spotlighters Theatre/Shealyn Jae Photography
A couple of highlights in this production are Evangeline Ridgeway as Jenny Diver and Robert Wall as Tiger Brown, High Sheriff of London. Both a very accomplished vocalists and each portrays his or her respective character with confidence and ease with a strong presence on the stage.
Steve Quintillian takes on the role of our "hero," Macheath, and though his overall performance falls a little flat as, vocally, he may not be as strong as his counterparts, he gives a good showing as the suave con man, King of Criminals and he is dedicated to his role.
Allison Hicks. Credit: Spotlighters Theatre/Shealyn Jae Photography
The entire ensemble gives an admirable, dedicated performance (especially ensemble standout Andrea Bush, who carries her smaller role naturally and confidently), moving the piece along smoothly and really rounding out this production beautifully.
Final thought… Three Penny Opera is definitely a bit of an acquired taste but definitely worth checking out because of the incredibly immense vocal talent in this production. The translation may make the sordid story of criminals, con men, crooked cops, and even a little love a bit jumbled, but, overall, it's a well-performed, charming piece with an absolutely dedicated ensemble. Whether your an opera fan or an old fashioned musical theatre fan, you'll find a familiar joy in this production.
This is what I thought of Spotlight Theatre's production of Three Penny Opera.
What did you think? Please feel free to leave a comment!
Three Penny Opera will play through February 5 at Spotlighters Theatre, 817 St. Paul Street, Baltimore, MD. For Tickets, call the box office at 410-752-1225 or purchase them online.
Posted in Reviews	| Tagged Alan Zemla, Allison Hicks, Amber Hooper, Amy Weimer, Andrea Bush, Baltimore Theatre, Connor Moore, Darcy Elliott, Erica Rome, Evangeline Ridgeway, Frank Mancino, Kay-Megan Washington, Melissa McGinley, Michael Blum, Rob Wall, Spotlighters Theatre, Steve Quntillian, Three Penny Opera	| Leave a reply
Review: Superior Donuts at Third Wall Productions
Running Time: 1 hour and 40 minutes with one 10 minute intermission
Ed Higgins and Isaiah Evans. Credit: Stasia Steuart Photography
In these crazy times since the election and recent swearing in of the new President of the United States, whether we want to admit it or not, there are definite divisions between races, political though, and fundamental beliefs. That being said, Third Wall Productions latest offer, Superior Donuts by Tracy Letts, Directed by Grant Myers with Set Design by Jordan Hollett, Light and Sound Design by Jim Shomo, and Costume Design by Grant Myers, gives us a story of how people from different walks of life and beliefs can actually grow to understand each other and get along even though those differences are still present.
Michael Zollhofer, J. Purnell Hargrove, and Tracy Grimes. Stasia Steuart Photography
Superior Donuts, a local donut shop in downtown Chicago, isn't much to look at but it is a respectable business owned by Arthur Przybyszewski (played by Ed Higgins) and is frequented by two beat cops (Tracy Grimes and J. Purnell Hargrove), a bag lady (Emma Hawthorn), and the Russian businessman, Max) who runs the DVD shop next door (Michael Zellhofer). These characters, all from different walks of life, make up a delightful and diverse group of people who seem to care about Superior Donuts more than its proprietor until Franco Wicks (played by Isaiah Evans) enters, looking for a job. The older, white Arthur and younger African-American Franco have their differences, of course, but find common ground with the donut shop and actually grow to care about each other. The subplot of Franco's past is intriguing and puts Arthur's friendship to the test, which he passes with flying colors. The show doesn't provide a lot of laughs or the happiest of endings (but I wouldn't say it was a sad ending either), but it tells an important story.
Bill Brisbee and Isaiah Evans. Credit: Stasia Steuart Photography
Among the talented ensemble, there are a few standout performances such as Isaiah Evans, as Franco, who gives a confident, authentic performance that makes his character very likable. His moves about with purpose and connects with his fellow actors and the audience making for a stellar performance.
Adding the only comedy to the piece are Michael Zellhofer and Emma Hawthorn who play their characters to the hilt. Zellhofer's performance as Max Tarasov is commanding and believable and his skill in playing the character straight without working to hard for the laughs his character garners is brilliant. Emma Hawthorn as Lady, the friendly neighborhood bag lady, is outstanding in her role playing it with both humor and a touch of poignancy that really makes you feel for her.
Emma Hawthorn and Ed Higgins. Credit: Stasia Steuart Photography
Ed Higgins tackles the role of Superior Donuts sole proprietor Arthur Pryzbyszewski and through he gives an admirable performance, it's a bit shaky and unsure, at times. He has great chemistry with the rest of the ensemble, especially Isaiah Evans, and he carries the character well, albeit a bit monotone, notably during the out-of-nowhere monologues directed toward the audience. Aside from those minor observations, overall, he gives a commendable performance.
Emma Hawthorn as Lady. Credit: Stasia Steuart Photography
The rest of the talented ensemble hold their own and add value to this production. Tracy Grimes and J. Purnell Hargrove as Officers Randy Osteen and James Bailey, respectively, are charming as the beat cops and friends of Arthur, adding a bit of romance with Officer Randy and old Arthur. Bill Brisbee as Luther Flynn, the tough bookie could play the part a bit more intimidating but he has Chip Willett as Kevin Magee, Flynn's goon, to pick up the gruff slack. Even William Zellhofer's Russian is impressive in his brief appearance.
I was pleasantly surprised by the quaint set that was absolutely stellar and very befitting of this piece. Simple, yet detailed, Jordan Hollet's design is authentic and well thought-out, putting the audience right smack dab in the middle of an old fashioned donut shop, adding an immersive feel to the entire production. Going along with the Set Design, Jim Shomo's Light and Sound Design is minimal, at best, but to no real fault of Shomo. There really isn't a lot going on with lights or sound but, then again, when it comes to plays, sometimes minimal is best. There's not really a need for any fancy light show or sound so, in a way, it fits nicely. It's interesting to note that it was decided to not use any music for this production, as well, but the use of music might have set the mood better for the scenes and helped with smoother transitions, which were a bit bungled.
The Cast of Superior Donuts. Credit: Stasia Steuart Photography
Director Grant Myers made some curious choices while taking the helm of this production. The transitions were a little unkempt, the frequent breaking of the fourth wall from one of the main characters seemed to come out of nowhere, and a certain fight scene was difficult in such an intimate space, but, overall, despite a some other minor issues, the piece is charming and, as a whole, is very good and well put together. It gets the point across that, with a little trying, anybody can get along, despite their differences. The ensemble gives a commendable performance and they all have great chemistry and work well together.
Final thought…in this time of uncertain race relations and division in current events, Superior Donuts at Third Wall Productions is a light but through-provoking piece expressing how different generations and races can come together in friendship and love. There's an old adage that "it takes all kinds" and this production demonstrates this very well with its beautifully diverse ensemble who works well together to tell this important story.
This is what I thought of Third Wall Productions' production of Superior Donuts. What did you think? Please feel free to leave a comment!
Superior Donuts will play through January 29 at Third Wall Productions, 5801 Harford Road, Baltimore, MD. For Tickets, go to thirdwall.org for information or purchase them online.
Posted in Reviews, Uncategorized	| Tagged Baltimore Theatre, Bill Brisbee, Chip Willett, Ed Higgins, Emma Hawthorn, Grant Myers, Isaiah Evans, J. Purnell Hargrove, Jim Shomo, Jordan Hollett, Michael Zollhofer, Superior Donuts, Third Wall Productions, Tracy Grimes, William Zellhofer	| Leave a reply
Review: Blackbird at Fells Point Corner Theatre
Sometimes theatre is created to simply entertain and help one escape the realities of life and sometimes it's created to make one think and, sometimes, that's uncomfortable, depending on the subject matter but it's OK. Being a traditionalist and loving theatre that makes me smile and tap my foot and giving me a happy ending, I certainly understand and appreciate the importance of theatre that makes one step out of his or her comfort zone and is in your face about issues we don't like to talk about in public. Fells Point Corner Theatre's latest offering, Blackbird by David Harrower, with Direction and Set Design by Anthony Lane Hinkle and Sound and Light Design by Christoper Flint is the latter; up close and personal with the audience, making them look into an uncomfortable issue that makes for an enlightening, intense evening of theatre that's not to be missed.
Credit: Fells Point Corner Theatre
Presented in the intimate upstairs Sokal Stage, this production very effectively puts the issue of sexual abuse, quite literally, in the face of the audience and forces them to look and listen. The setting is a very unkempt break room in some office building on the outside of London and the absolute mess of a room mirrors the issue at hand and is a perfect setting with trash all over the floor and on the tables and counters. At first glance Set Design by Anthony Lane Hinkle seems over simplified, simply throwing trash all over the stage, but, thinking deeper and associating it with the mixed up emotions and confusion that makes up sexual abuse, Hinkle gives us an intelligent, well thought-out design that is absolutely befitting of this production.
Along with Set Design, Hinkle's Direction of Blackbird is stellar. He forces his actors to make choices in a tight space with intense situations and guides them into the right choices for this piece. He throws a whole lot in your face in only 80 minutes and though the action seems a bit rushed, there's almost no choice as this piece hits the ground running from the moment the characters step onto the stage. Though the overall intensity of this piece is high, it is a roller coaster of frenzy and calm that Hinkle manages to balance nicely.
The performance of this piece is outstanding and both Steve Shriner and Ann Turiano give powerful performances.
Steve Shriner as Ray. Credit: Fells Point Corner Theatre
Steve Shriner, last seen in his hilarious performance of Mother Superior in Fells Point Corner Theatre's production of The Divine Sister, make a complete 180 degree turn for this production. He is a proven comedic actor but his dramatic chops are on point, as well. He is so in tune with his character, Ray, not once did I see a hint of true regret or remorse for the sordid relationship with a 12-year-old girl years before. Nor did I see any attempt to apologize because though this character realizes what he did was legally wrong, he truly doesn't believe it was emotionally wrong at all, allowing him to move on with his life. All this combined makes for a complex, somewhat pathetic character that Shriner plays beautifully.
Ann Turiano as Una. Credit: Fells Point Corner Theatre
Ann Turiano, as Una, the young victim in this relationship, now a seemingly confident woman plays this part superbly and with ease. She is comfortable in this role and her very purposeful movements express the childish 12-year-old Una once was as well as the brave, confident woman she has become who doesn't seem to know what she wants from this meeting. Una's relationship with Ray is complicated but open as she talks to him bluntly about having sex all those years back and Turiano is no-holds-barred when it comes to the dialogue or getting in your face. Her strong performance is not one to be missed this season.
Final thought… Blackbird at Fells Point Corner Theatre is a poignant, raw, powerful, and unapologetic look at not only sexual abuse, but it's long term effects. Without making judgment or defending, this piece takes a serious look into both sides of abuse and tells a story only victim and predator can tell. It'll make you angry, it'll make you uncomfortable, it'll make you feel sorry for everyone involved, and it will make you think long and hard about this unfortunate truth in our world. You don't want to miss this production so get your tickets while they last.
This is what I thought of Fells Point Corner Theatre's production of Blackbird.
Check out what The Bad Oracle thought here: https://thebadoracle.com/2017/01/16/blackbird-the-dead-of-night/
Blackbird will play through January 29 at Fells Point Corner Theatre, 251 S Ann Street, Baltimore, MD. For Tickets, go to fpct.org for information or purchase them online.
Posted in Reviews	| Tagged Ann Turiano, Anthony Lane Hinkle, Baltimore Theatre, Blackbird, Christopher Flint, David Harrower, Fells Point Corner Theatre, Steven Shriner	| Leave a reply


text:
Britt Reid
KC Chiefs to Take Care of Girl in Britt Reid Crash for Life
NFL team will offer lifetime medical, financial support for Ariel Young, who was 5 when injured
Posted Mar 2, 2021 2:15 PM CST
Kansas City Chiefs head coach Andy Reid embraces his son Britt Reid, a linebacker coach, after the Super Bowl against the San Francisco 49ers on Feb. 2, 2020, in Miami Gardens, Fla. (AP Photo/Patrick Semansky)
(Newser) – Update: The little girl seriously injured in a February car crash involving former Kansas City Chiefs assistant coach Britt Reid is now set with a lifetime of support from the NFL team. According to a joint statement from the Chiefs and attorneys for the family of Ariel Young, who was 5 at the time of the accident, Ariel will receive "world-class medical care and long-term financial stability" for the "rest of her life," per CNN. The statement adds that Ariel, who suffered severe traumatic brain injury from the crash, has a "long road" ahead of her in her recovery, but that "she has made great strides and continues to improve every day. Earlier this fall, she attended her first day of school." In June, Reid pleaded not guilty to driving while intoxicated and is set to go to trial in mid-April. Our original story from March follows:
The 5-year-old-girl injured in a February crash involving former Kansas City Chiefs assistant coach Britt Reid is still hospitalized and may never fully recover. Ariel Young is out of a coma, "which is a huge development," but "she likely has permanent brain damage that she will endure for the rest of her life," lawyer Tom Porto told Good Morning America Tuesday. "She's not walking. It's a sad, sad, sad story." Reid, son of head Chiefs coach Andy Reid, admitted having "two or three drinks" and taking prescribed Adderall on the evening of the Feb. 4 crash. Kansas City Police spokesman Dave Jackson tells USA Today that no charges have been filed but the investigation of whether Reid was impaired is ongoing.
A 4-year-old girl was also injured when Reid's truck hit two vehicles at the side of a highway entrance ramp near Arrowhead Stadium. "We're going to be advocating for the most serious charges and the most serious sentence that Britt could ever receive," Porto said. "We don't have the toxicology back, I don't know what it is going to be. What I do know are the statements that he made to police that night. If you have two or three drinks, and then you get behind the wheel of a car, you are likely over the legal limit." He added: "This wasn't a fender bender. This was a serious, life-altering event." The team put Reid on leave after the crash and his contract was not renewed at the end of the season, per Bleacher Report. (Read more Britt Reid stories.)

redpajama_set_name: RedPajamaCommonCrawl


text:
Q: Spark 2.0 Scala - Read csv files with escaped delimiters I'm trying to read a CSV file that uses backslash to escape delimiters instead of using quotes. I've tried constructing the DataFrameReader without qoutes and with an escape character, but it doesn't work.  It seems the "escape" option can only be used to escape quote characters.  Is there any way around this other than crating a custom input format?
Here are the options that I'm using for now:
  spark.read.options(Map(
    "sep" -> ",",
    "encoding" -> "utf-8",
    "quote" -> "",
    "escape" -> "\\",
    "mode" -> "PERMISSIVE",
    "nullValue" -> ""

For example let's say we have the following sample data:
Schema: Name, city
    Joe Bloggs,Dublin\,Ireland
    Joseph Smith,Salt Lake City\,\
    Utah

That should return 2 records:
  Name           |       City
-----------------|---------------
Joe Bloggs       | Dublin,Ireland
Joseph Smith     | Salt Lake City,
Utah

Being able to escape newlines would be a nice-to-have, but escaping the column delimiter is required.  For now I'm thinking about reading the lines with spark.textFile, then using some CSV library to parse the individual lines.  That will fix my escaped column delimiter problem, but not escaped row delimiters.

A: It seems like this is not supported in the CSV reader (see https://github.com/databricks/spark-csv/issues/390).
I'm going to guess that the easiest way around this is to parse your rows manually; not at all ideal but still functional and not too hard.
You can split your lines using a negative lookbehind regex, e.g. (?<!\\), - this will match any comma not preceded by a backslash.

A: I am also getting same issue with Spark-2.3 . But when I tried with Spark-1.6 which use Apache: commons-csv by default for parsing csv there it was parsed fine with the option("escape","\\")
When I used option("parserLib","univocity") in Spark-1.6 then it started giving error.
So my understanding is univocity was not able to handle it.
In Spark-2 the csv parser is Univocity. I was not able to use "commons" parserlib in Spark-2.
 I

redpajama_set_name: RedPajamaStackExchange


Businesses within the Bethersden Parish can publish their company details here free of charge. If outside the Parish there is nominal charge of £50.00 per annum.
Search by name or choose a category from the drop down list and wait for the page to load all the businesses in that category.
A1 Secure Self Storage provides commercial & domestic professional secure and private self storage space facilities in Kent, UK. Our facility has units and containers of all sizes for your use whether for business self storage or household use.
Ambassador Marquee & Furniture Hire is a family run business based in Kent. We pride ourselves on the quality of our products, services and customer satisfaction. We also supply a free 'no obligation' site visit to discuss your requirements in depth.
We have an extensive range of furniture and accessories, from tables, chairs, dance floors, staging, lighting, heating, catering equipment, chair covers and sashes, luxury toilets, generators, bar equipment and not forgetting our beautiful marquees, all for your special day, we also cater for corporate events, private parties and all celebrations that need that special touch.
A practicing Holistic (natural) therapist, qualified to help heal individual needs. A safe and natural antidote to the stresses and strains of 21st Century living.
A very quiet and comfortable farm accommodation B&B in a separate ground floor Annexe comprising two twin bedded double rooms, each with their own ensuite facilities (bathroom/shower room & WC). There is a common kitchen/sitting room area with fridge, sink & microwave. WiFi internet access is available. Plenty of out-of-sight and off-road parking is available. Our room rates include full English Breakfast all from local produce and our own chickens.
Friendly, reliable and based in Bethersden for all your electrical requirements. Electrician since 1985.
The Old Barn Bed and Breakfast is situated mid way between Ashford and Tenterden, just on the edge of Bethersden village. Convenient for both Eurostar at Ashford, Eurotunnel at Folkestone and the sea crossings at Dover.
Carries out commercial fence supply and installation projects throughout the Southeast and also has a retail outlet for the 'supply only' of all types of domestic, equestrian and security fencing to both trade and public.
Originally incorporated in 1962 as W & D Cole and now trading as Cole Ironcraft Ltd the business has a long and prestigious history in the steel fabrication industry.
Cole Civils and Construction Ltd specialises in a comprehensive range of construction, civil engineering and design and build services across the South East.
Dewar Green specialises in website design and development for businesses, not-for-profit, voluntary and charitable organisations in the South East. Located in Tenterden, Kent, we work closely with our clients to define their objectives. We deliver imaginative solutions to meet those objectives. And we provide jargon-free guidance from concept through to completion.
Helen specialises in wedding and portrait photography in and around Kent and is a member of the Wedding Photojournalist Association. She likes to work in an unobtrusive way to create natural images which show the essence of the person and the emotions of the day. For further information, please click on on the website link.
Lovelace Fishery is a four and a half acre lake situated in the heart of Kent countryside, in a tranquil picturesque location, well off the road but with easy access to the A28.
We are a specialist nursery which aims to provide a very wide range of unusual and interesting trees, shrubs, perennials, ferns and grasses, grown to a high standard and offered at reasonable prices.
Keith and Ann Brannan have run their architects practice from Bethersden since 1975 and are able to offer a fully professional service at affordable rates.
Contact Keith or Ann on 820536 or visit their website for further details.
Mobile Computer Repair & Servicing offers a full range of services from Virus Removal, Data / Password Recovery, Network Troubleshooting to Home Tuition. Reasonable Rates – All Works Guaranteed – Fully Insured.
A fresh, up to date approach to legal services for property, wills and probate transactions with a personal touch. Three levels of service to suit your individual requirements.
We are an established family run business based in Ashford, Kent with over 20 years experience. We are fully qualified and insured, Gas Safe Registered, and WIAPS approved.
Rivers Animal Housing manufacture high quality animal housing products. We do not import items, all of our housing is manufactured in the UK.
Snoadhill Cottage is located seven miles from Ashford and seven miles from Tenterden. It is in an accessible but truly idyllic rural situation, in the heart of "Darling Buds of May" countryside. Away from all main roads, the views to the front and rear have probably not changed for hundreds of years. The house is situated in the middle of delightful formal gardens and surrounded by a field with no other houses close by.
Originally a medieval "Hall House" it dates from approximately 1450 and is of timber framed construction featuring some truly massive oak beams.
Purchased by Yvette and Philip James in 1987, they brought their three children up here and it remains the family home. For further details of location and accommodation, please click on the website link above.
Genuine hand made Kent peg tiles and fittings made by our family run business which has been established since 1989. We also produce teraccotta floor tiles , which look oldy worldly, 9" square, brick size and lots of other sizes available.


text:
Explora Hotel Patagonia
America Chile
Explora in Torres del Paine was designed as the perfect haven for exploring the region's wondrous geography and wildlife.
Besides the favored location inside Torres del Paine National Park, this lodge's architecture was planned in a way that interferes the least possible with its natural surroundings. It is an extension of the territory.
The Explora Lodge in Torres del Paine marked the beginning of our journey to conservation over two decades ago. Back then, Patagonia was only on a few travelers' bucket lists, and staying within the park was almost impossible.
Our base is a hotel built for linking man to temporary space – present and past- and the mysteries of nature.
Its construction is based around essential luxuries, allowing the traveler to inhabit the remote location in its essence without distractions. Wood plays a fundamental role in its design, with species such as lenga, cypress and almendrillo.
SUITE EXPLORADORES
Designed to take full advantage of the silence, privacy, and spaciousness of the surrounding landscape, ensuring deep rest after a long day of exploration.
Just 100 meters from the main building, the spa at Explora in Torres del Paine is the perfect setting to unwind after a day of exploration. Relax in our heated, covered pool, in the steaming sauna, or in one of our four open-air jacuzzis with a view to the Paine River.
STABLES AND HORSES
Our horses are taken care of by a team of specialist led by our expert horse veterinarian Gaela Hourcq.
Of French nationality, Gaela has over 15 years of professional equine experience having worked in prestigious stables in England, Ireland, France, United States, and Japan. She has been with Explora for five years supervising the breeding, raising, breaking, feeding and care of the horses.
TIPS FOR YOUR TRAVEL
If you are coming from Punta Arenas or Puerto Natales, Explora offers you the option of entering and leaving our lodge in Torres del Paine at any given time.
From September to April, we recommend you book your flight directly to Puerto Natales since the transfer time to Explora takes two and a half hours, while from Punta Arenas, it lasts approximately four and a half hours.
The trip from Punta Arenas is an invitation for you to discover the particular landscape of the Patagonian pampa. On our way, we'll stop to eat in a typical house in the area.
OUR EXPLORATIONS
Our treks and horseback rides include mountains, turquoise lakes, glaciers, lenga tree forests, viewpoints, prairies and rivers, in addition to the most iconic spans of the trekking circuit known as "W".
Our explorations provide travelers with an in depth experience of this austral territory, for which we have outlined six different exploration zones, each with its own set of unique geographic, cultural and biosphere characteristics.
We hike throughout our locations. Walking at your own, committed pace, allows you to immerse in the natural and cultural landscapes we explore, varying in intensity –beginner or advanced– and duration – half day to full day.
We travel on our catamaran to the Francés Valley where we start our trek to the plateau. We arrive at the Italian Camp and then to an overlook from where we have privileged views of the towers and the Francés Glacier. This hike follows a rocky path through the moraine of the glacier.
These are van-led explorations interrupted by short-duration hikes along the way. The combination allows travelers to access areas of particular beauty and ecological significance.
ESTEPA PATAGONICA
We travel through the eastern sector of the park combining stretches in van with short walks. This sector is mainly characterized by the presence of animals such as guanacos, pumas and diversity of birds, as well as its extensive pampas, typical of the Patagonian steppe.
First we visit the Nordenskjöld Lake viewpoint and the Paine Grande waterfall, then we travel by van to the Los Cisnes Lagoon and finally to the Amarga Lagoon.
HORSEBACK RIDE
On horseback, exploration takes on a whole new perspective, reframing the landscape around us while enjoying the company of specially trained horses
PUENTE GREY
We start riding from the Explora stables towards the Grey River on mostly flat and open terrains. We arrive at the river bank and continue riding along its channel. Finally, we return to the stables along the same road.
The company and knowledge of one of our guides, is available for you to discover unique locations in the areas surrounding our lodge – either on foot or bicycle. For further information approach our exploration team.
SALTO CHICO
This walk of the catwalks of the hotel is an invitation to contemplate the landscapes that surround us.
We suggest walking towards the pier with views of the Paine massif, continuing towards the arrival road to the hotel and then connecting with the footbridges towards the Paine River, where the spa is. Continue towards the viewpoint of the Salto Chico waterfall and from there to the entrance.
HIGH MOUNTAIN ASCENT
We strive to introduce our travelers to truly remote locations – and mountains are one of them. Each one has its own different demands and rewards, yet they all guarantee a revitalizing experience for mind and body alike.
We travel by van to El Bote Bay, a sector located outside the park. We start our walk in a cattle area and go up the slope of Castillo Hill until we reach the summit.
From there, we have a 360 ° view of the park and its surroundings. We see hills, glaciers, pampas, lakes and mountains. We descend through a forested area to the van.
Website: www.explora.com
Price: from 1.060 EUR per night
Explora Rapa Nui Easter Island
Inkaterra Hacienda Urubamba
Posada Amazonas Lodge
Galapagos Safari Camp


Beautiful, European-style 5 acre estate in Evans. Copper gutters and 9 ft mahogany doors welcome you into the grand foyer w stunning Georgian staircase. The kitchen features custom soft close cabinetry, handmade tile backsplash, granite counters, large island, & double ovens. The open family room is great for entertaining w built in HD projector & speakers. You ll feel at home in the warm living room w floor to ceiling cypress paneling, large fireplace, and wet bar. A sunroom, mudroom, laundry room, master suite & 2 more bedrooms complete the main floor, w a 2nd master suite, office, and 2 additional bedrooms upstairs. All bathrooms updated to include heated floors & towel warmers. Travertine & alder flooring throughout w carpet in bedrooms. Guesthouse offers an extra 735 sf w 1BR, 1BA, & kitchen. Power bill stays low w energy saving skylights, premium windows, spray insulation, tankless water heaters, wireless thermostats, and high efficient HVAC systems. $20k+ Masters Rental!
Hereford Farm Road to Canterbury Subdivision. Canterbury Drive to left onto Canterbury Lane. Home is the last house on the left in cul-de-sac.
4725 Canterbury Lane is a 6,031 (*estimated) square foot home with 7 bedrooms and 5 bathrooms located in Evans GA, COLUMBIA County. This property is listed for sale at $910,000 and is currently active and accepting offers.


text:
Jean Zucht, 74, is walking 440 kilometres to help raise money for Glenora Farm where her son Chris, who has special needs, receives treatment. Pictured is Jean and Chris. (Submitted photo)
Senior takes to walking to assist Glenora Farm
Cobble Hill's Jean Zucht wants to raise more than $8,000 to help charity through pandemic
Robert Barron
Cobble Hill's Jean Zucht, 74, is a quarter of the way through her 440-kilometre trek to raise more than $8,000 to assist Glenora Farm.
Zucht is undertaking this challenge in honour of her son, Chris, who has special needs and has lived on Glenora Farm, a Cowichan Valley charity providing residential care and day programming for adults with complex developmental disabilities, for the past 11 years and is now on the cusp of his 40th birthday.
RELATED STORY: GLENORA FARM BREAKS GROUND FOR NEW FARM HOUSE FACILITY
Zucht was hoping to celebrate Chris's milestone birthday with a party, but COVID-19 has disrupted the plan.
The pandemic has also created financial distress for Glenora Farm, a place near and dear to the hearts of both Zucht and Chris.
Zucht said she intends to use the fundraiser as an opportunity to give back to the charity in its time of need.
"Glenora Farm is perfect for Chris," she said.
"He is surrounded by people who understand his needs and give him opportunities to contribute."
Zucht said she also relies on Glenora Farm for her own well-being.
"I need to know that Chris will be cared for in the way that I would do it, and that he will go on to live a fulfilled life," she said.
Zucht said she walks 11 kilometres around her community each day, come rain or shine, as part of the fundraiser and plans to complete the 440 kilometres on Aug. 23, her son's 40th birthday.
"I've always liked to walk and my legs are still good, but we need more donations," she said.
RELATED STORY: COWICHAN RESIDENTS INVITED TO JOIN WALK FOR ALZHEIMER'S ONLINE
"My original goal was to raise $4,040, in honour of Chris's 40th birthday, but we're at about $5,000 now so my new goal is $8,040."
Tara Batho, Glenora Farm's business administrator, confirmed that the COVID-19 pandemic has created unprecedented challenges for the facility that requires additional resources to address.
She said Glenora Farm is struggling to adapt its residential services and re-start its day programming with revenues that have been significantly reduced because of cancelled fundraising events and a drop in donations.
"Glenora Farm has applied for relief grants from the government, via the Emergency Community Support Fund, but has so far been left behind," Batho said.
"We keep our hopes up, but without an influx of additional funding, we are struggling to meet the challenges of the pandemic."
Those looking to support Zucht and Glenora Farm can donate on her GoFundMe page at https://www.gofundme.com/f/farmhouse-build-for-special-need-adults.
robert.barron@cowichanvalleycitizen.com
Days after missing daughters found dead, Quebec father's body found: Police
Rock slide ruled out: No cause yet for bus crash that killed three near glacier


text:
EU Calls For Calm As UN Security Council Holds Emergency Meeting On Kosovo Violence
July 28, 2011 06:08 GMT Updated July 29, 2011 02:56 GMT
A border crossing burns it in the village of Jarinje, on the Serbia-Kosovo border, was overrun and set on fire on July 27.
The European Union has urged Serbia and Kosovo to defuse tensions after a series of incidents on their common border, and to quickly resume negotiations on the normalization of ties.
A statement by EU foreign-policy chief Catherine Ashton said both sides should realize "what is at stake for them."
The statement comes after the United Nations Security Council held an emergency session to discuss rising ethnic tensions in Kosovo, following an attack late on July 27 on a border post by an ethnic Serbian mob that left one person dead
Serbian Foreign Minister Vuk Jeremic told reporters outside the closed-door meeting at the UN that the situation in the Serbian enclave of northern Kosovo remains tense.
"It's definitely a powder keg given that there are roadblocks and there is a great deal of tension throughout the territory," he said. "We need to act swiftly as the international community to ensure there is no more violence."
Following Jeremic's meeting with UN Secretary-General Ban Ki-moon, Ban's office issued a statement saying the UN head had "expressed his concern over the unexpected action that led to the deterioration of the situation in northern Kosovo...and welcomed Serbian President Boris Tadic's call for calm and the message that his country remains committed to resolving existing problems between Belgrade and Pristina through dialogue."
Kosovo has a 90 percent ethnic Albanian majority.
Its border with Serbia was calmer on July 28 after two days of violence. NATO peacekeepers took control of two customs posts in the area after the attack on July 27 in which one ethnic Albanian policeman was killed and a border crossing was set on fire by hard-line Serbian nationalists.
Gunfire was heard during the altercation, and NATO KFOR peacekeepers deployed after the violence began say shots also were fired at them.
Calls For Calm
Speaking in Belgrade, Serbian government spokesman Milivoje Mihajlovic tried to de-escalate the situation.
"The Serbian government urges all the citizens on Kosovo and Metohija to stay calm, to restrain from violence, and not to respond to provocations," he said. "The Serbian government's position is that all questions and open issues should be solved only through dialogue. Violence from any side is not the way to solve the problem."
The attack was in response to an operation launched by Kosovo's special police on July 25 to seize the border posts and enforce a retaliatory ban on imports of Serbian goods. Serbia, which rejects Kosovo's 2008 secession, earlier imposed a similar ban on goods from Kosovo.
Kosovo's Prime Minister Hashim Thaci accused the Serbian government in Belgrade of orchestrating the violence.
"An organized criminal group led by the leaders of Serbian parallel structures and motivated by the Belgrade authorities has first attacked Border Post 1 and then Border Post 31" in Brnjak, Thaci said.
"These violent acts were ordered, coordinated, and led by the highest political structures of Serbia."
But Serbia's minister for Kosovo, Goran Bogdanovic, also condemned the attack, calling it "an act of extremists and criminal groups." Speaking during a visit late on July 27 to the Jarinje post, Bogdanovic said the attackers were not local Serbs from the area near the checkpoint.
"What has happened here tonight deserves condemnation. All efforts we have engaged in the past 48 hours were in vain," Bogdanovic said. "This is an act of extremists and criminal groups. This is not an act of the people of the Leposavic municipality or the people of Kosovo and Metohija.
"This is not contributing to the peace and stability in Kosovo and Metohija. We will, however, continue to struggle for our rights, and we will do everything we can to restore law and order here."
Attack On Kosovo-Serbia Border Crossing
Masked Serb extremists set the Serbia-Kosovo border crossing at Jarinje on fire on July 27.
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'Undermining Peace Process'
Chief Serbian negotiator Borko Stefanovic said the fresh violence undermines efforts to negotiate a peaceful resolution to growing tensions between ethnic Serbs and ethnic Albanians in northern Kosovo.
"This violent act, an act committed by criminals and extremists, represents a clear attempt to undermine the process we are pursuing and the attempts to resolve all the issues in a peaceful manner," Stefanovic said.
"This greatly aggravates the position of Serbs in the north of Kosovo and Metohija and is not contributing to the resolution of the problems that brought us here in the past couple of days."
The violence comes after a special police force was deployed by Pristina on July 25 in an attempt to seize control of border posts in Kosovo's Serb-controlled north, prompting what Belgrade describes as a dangerous escalation of tensions.
One ethnic Albanian police officer was killed by a hand grenade in the initial altercations. -- and the Kosovar special police only managed to seize one checkpoint before a group of ethnic Serbs blocked roads to prevent them from reaching two other checkpoints on the border with Serbia.
The government in Pristina has never controlled those northern border crossings since it declared Kosovo's independence from Serbia three years ago.
Stalemate In Northern Kosovo
Belgrade lost control of Kosovo in 1999 when NATO waged a bombing campaign to halt killings of ethnic Albanians in a counterinsurgency campaign.
In fact, ethnic tensions have remained high in the north since NATO deployments in June 1999 and the de facto partition of northern Kosovo through the city of Mitrovica.
There are some 60,000 Kosovo Serbs who still live in the north. Most do not recognize Kosovo's independence from Serbia and still consider Belgrade their capital.
Kosovo's government in Pristina said the move by its special police earlier this week was an attempt to stop Serbian goods from entering the territory after a similar import ban announced by Belgrade.
Maja Kocijancic, a spokeswoman for EU foreign-policy chief Catherine Ashton, told RFE/RL that Kosovo's police did not consult the EU or other international officials before trying to take control of the border crossings.
The EU called on both Kosovo and Serbia to refrain from violence and make progress on bilateral talks. In a joint statement, British Foreign Secretary William Hague and German Foreign Minister Guido Westerwelle said, "We are seriously concerned about the recent outbreak of violence at the border between Serbia and Kosovo. We have said in the past and we reiterate now that the way neighborhood issues are dealt with is a key benchmark for an EU perspective. Tangible progress in all these areas will play a role in the EU's discussions in the autumn."
In Pristina, the Kosovo Parliament adopted a resolution in favor of the right of the Kosovo institutions "to exercise full control on Kosovo's territory."
The resolution also supports trade reciprocity measures with Serbia in all custom checkpoints and calls on the international community to help authorities to safeguard Kosovo's territorial integrity.
written by Ron Synovitz, with reporting by RFE/RL Kosovo unit's Arbana Vidishiqi in Pristina and news agencies
RFE/RL journalists report the news in 27 languages in 23 countries where a free press is banned by the government or not fully established. We provide what many people cannot get locally: uncensored news, responsible discussion, and open debate.
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Mug Shots To Bug Shots: A Former Romanian Cop Becomes A Celebrated Wildlife Photographer


The entry level Provisional License is valid for five years and is non-renewable. It is issued to a person who holds a bachelor's or master's degree and has passed the Massachusetts Tests for Educator Licensure (MTEL).
Submission of a completed Application for Adult Basic Education License.
Submission of an official transcript verifying a bachelor's or a master's degree.
Passing score on the Communication and Literacy Skills Test.
The Professional License is valid for five years and is renewable for additional five-year terms. It is issued to a person who holds a bachelor's or master's degree, has passed the Massachusetts Tests for Educator Licensure (MTEL) and a performance assessment. There are four routes through which prospective and experienced ABE teachers may pursue a Professional license. To determine the route for which you are eligible, refer to the ABE Licensure Requirements.
ABE teacher licensure is currently voluntary in Massachusetts. While the state does not require ABE teachers to hold a license, individual agencies may choose to require their teachers to be licensed.
Please contact the Department at licenseabe@doe.mass.edu with any questions.


It is the time for OnePhoto Focus, we are editing a photo provided by Robin Kent.
The name of the photo is "London Eye", which makes me think that the photo must be from London. Even though I have never visited London, I know the place famous of its gloomy weather and frequent raining.
So I decided to add raining effect on the photo to accommodate its already gloomy – look. The noise addition and motion blurring functions were used to accomplish this goal. Meanwhile more saturation in color was used to make photo look "wet".
I am stilling looking for any ways to add ripples in the water and on the roofs of those buildings.
I love the rain and tone here. 🙂 Photoshop can make ripples although I think here it wouldn't show up as much because of the small space of water. I think it looks great as is!
Wow, Yan, really nicely done with the rain. I feel as if I'm getting wet myself 🙂 Wonderful choice for Robin's iconic London photo!
Well done. I agree with Laura, no need to worry about ripples in the water. It looks just fine as is.


text:
L'Agence française anticorruption (AFA) est un service à compétence nationale créé par la loi  du  ou Loi relative à la transparence, à la lutte contre la corruption et à la modernisation de la vie économique (dite « loi Sapin 2 »), placé auprès du ministre de la Justice et du ministre chargé du Budget, ayant pour mission d'aider les autorités compétentes et les personnes qui y sont confrontées à prévenir et à détecter les faits de corruption, de trafic d'influence, de concussion, de prise illégale d'intérêts, de détournement de fonds publics et de favoritisme (ci-après atteintes à la probité).

Ce service dispose d'un pouvoir administratif de contrôle lui permettant de vérifier la réalité et l'efficacité des mécanismes de conformité anticorruption mis en œuvre notamment par les entreprises, les administrations de l'État ou les collectivités territoriales. Ce contrôle, exercé à l'initiative par le directeur de l'agence, concerne aussi bien les administrations de l'État ou les collectivités territoriales que les acteurs économiques (entreprises privées ou publiques), mais seuls ces derniers s'exposent à des sanctions administratives en cas de manquement constaté.

L'AFA est dirigée par un magistrat de l'ordre judiciaire hors hiérarchie nommé par décret du président de la République pour une durée de six ans non renouvelable. Pour l'exercice des missions de contrôle, le directeur de l'AFA bénéficie d'une indépendance prévue par la loi qui lui interdit de solliciter ou de recevoir d'instruction d'une quelconque autorité administrative ou gouvernementale.

Historique
La loi  du 29 janvier 1993 relative à la prévention de la corruption et à la transparence de la vie économique et des procédures publiques (dite « loi Sapin ») a créé le Service central de prévention de la corruption (SCPC).

En application de l'article 5 de la loi  du 9 décembre 2016 relative à la transparence, à la lutte contre la corruption et à la modernisation de la vie économique la nomination du directeur de l'AFA, par un décret du , a entraîné l'abrogation des dispositions de la loi du  relatives au SCPC.

Missions
L'article 3 de la loi du  détermine les missions de l'AFA qui sont au nombre de trois :

Conseil
Une mission de conseil à toute personne, physique ou morale, en vue de l'aider à prévenir et à détecter les atteintes à la probité. C'était la seule mission antérieurement confiée au SCPC.

Cette mission de conseil prend plusieurs formes en pratique. En premier lieu, l'AFA diffuse de la documentation générale sur la conformité anticorruption. Elle a notamment élaboré des recommandations destinées à aider les personnes morales de droit privé ou public à prévenir et à détecter les atteintes à la probité. Les recommandations, qui ont été soumises à une consultation publique, ont été publiées au Journal officiel du . L'AFA a publié en 2019 un guide sur la fonction conformité anticorruption en entreprise. Elle va publier au cours de la même année un guide sur les vérifications anticorruption à mener à l'occasion d'une opération de fusion-acquisition de sociétés.

En second lieu, l'AFA conseille toute personne morale de droit privé (sociétés, associations, fondations) ou de droit public (administrations de l'État, collectivités territoriales, établissements publics, etc.) souhaitant mettre en place ou renforcer son dispositif de conformité anticorruption.

Contrôle
Une mission de contrôle des dispositifs de conformité anticorruption mis en œuvre par les personnes morales de droit privé ou public.

Ces contrôles sont de deux sortes :

Premièrement, les contrôles exercés à l'initiative du directeur de l'AFA. Ils peuvent porter :

 Soit sur les sociétés et établissements publics mentionnés à l'article 17 de la loi du ,
 Soit les acteurs publics (administrations d'État, collectivités territoriales, établissements publics, sociétés d'économie mixte) sur les associations et fondations reconnues d'utilité publique et les .

En cas de manquement à leurs obligations, le directeur de l'AFA peut saisir la Commission des sanctions de l'Agence mais cette procédure ne concerne que les sociétés et établissements publics mentionnés à l'article 17 de la loi du  (qui, cumulativement, emploient au moins 500 salariés et réalisent un chiffre d'affaires annuel supérieur à 100 millions d'euros) ainsi que leur dirigeant.

Cette commission peut prononcer à leur encontre :

 Une injonction d'adapter le dispositif de conformité anticorruption de la société ou de l'établissement dans un délai ne pouvant excéder trois ans ;
 Une amende dont le montant ne peut excéder  pour les dirigeants,  d'euros pour les personnes morales ; la publicité (publication, diffusion ou affichage) de tout pour partie de la décision de sanction.

Secondement, les contrôles tendant à s'assurer de la bonne exécution par une personne morale sanctionnée par la justice pénale française de son obligation de mise en conformité de son dispositif de conformité anticorruption.

Une telle sanction peut être soit prévue dans une convention judiciaire d'intérêt public (CJIP) soit prononcée, à titre de peine complémentaire, par un tribunal correctionnel.

Protection
Une mission de protection des intérêts économiques de la France prévue par la loi  du  relative à la communication de documents et renseignements d'ordre économique, commercial, industriel, financier ou technique : l'AFA est chargée de s'assurer qu'aucune information susceptible de porter atteinte aux intérêts économiques essentiels de la France ne soit transmise par une entreprise française soumise par une autorité étrangère à l'obligation de mettre en place un dispositif de conformité anticorruption.

Organisation
L'actuel directeur de l'AFA, Charles Duchaine, inspecteur général de la justice, a été nommé par décret du Président de la République en date du .

L'AFA est composée:

- d'une sous-direction du contrôle ;

- d'une sous-direction du conseil, de l'analyse stratégique et des affaires internationales ;

- d'un secrétariat général ;

- d'une commission des sanctions composée de 6 membres nommés par décret pour un mandat de cinq ans : 2 conseillers d'État désignés par le vice-président du Conseil d'État, 2 conseillers maîtres à la Cour des comptes désignés par le premier président de la Cour des comptes et de 2 conseillers à la Cour de cassation désignés par le premier président de la Cour de cassation.

- d'un conseil stratégique : 8 membres désignés à raison de leur compétence financière et juridique ainsi que de leur expérience dans le domaine de la lutte contre la corruption : 2 membres désignés par le ministre de la Justice, 2 membres désignés par le ministre chargé du Budget, 2 membres désignés par le ministre des Affaires étrangères, 2 membres désignés par le ministre de l'Intérieur ; le conseil stratégique est consulté par le directeur de l'Agence sur la stratégie globale qu'il entend mettre en œuvre, ainsi que sur tout sujet relatif aux missions de l'Agence.

Plan national pluriannuel
En janvier 2020, le premier plan national pluriannuel de lutte contre la corruption 2020-2022 est lancé. Il a pour priorités (1) mieux connaître et détecter la corruption, (2)  former et sensibiliser l'ensemble des agents publics aux enjeux de la lutte contre les atteintes à la probité, (3) renforcer les dispositifs de prévention au sein des administrations et améliorer l'effectivité des sanctions pénales et (4) améliorer la coopération internationale dans la lutte contre la corruption.

Il s'intéresse aussi aux deux grands évènements sportifs internationaux organisés en France, que sont la Coupe du monde de rugby 2023 et les Jeux olympiques et paralympiques de 2024, afin de prévenir la corruption dans la mise en place de l'organisation de ces jeux.

Vers la fin 2021, une consultation publique sera organisée afin d'évaluer les premiers résultats des actions du plan.

Notes et références

Liens externes

 Entretien par l'Institut de Relations Internationales et Stratégiques (IRIS) avec Xavière Simeoni, Chef du Service central de prévention de la corruption (SCPC): Quelle importance revêt le SCPC dans la lutte anticorruption ?

Articles connexes
 Corruption en France
 Convention judiciaire d'intérêt public

Droit en France
Corruption en France
Ministère de la Justice (France)
Organisme fondé en 2016
Lutte contre la corruption

redpajama_set_name: RedPajamaWikipedia


"Pope Formosus and Stephen VII" – Jean-Paul Laurens' depiction of the Cadaver Synod in 1870.
The event this chronicler is talking about is the notorious Cadaver Synod, when one Pope put on trial the corpse of one of his predecessors. Perhaps the lowest point in the history of the Papacy, the story of this trial is as murky as it is strange. However, recent work by historians is starting to shed light on his this could have happened.
The accused in the Cadaver Synod was Pope Formosus, who occupied the Papal throne from 891 to 896. Before becoming Pope, Formosus had an eventful ecclesiastical career, serving as Bishop of Portus. He gained some success in converting the Bulgarians to Roman Catholicism, but this also made him some enemies within the Papal court – he was accused of plotting to become the Archbishop of Bulgaria, even seeking the Papacy too, and was excommunicated by a previous Pope. However, when that Pope died he was restored to his bishopric and later on was elected to become the new Papal leader.
Meanwhile, in the rest of western Europe the Carolingian Empire was near its end. Attacked in the north by the Vikings, and in the south by Muslim raiders, the once powerful state was failing. After seven years of inept rule, Emperor Charles the Fat was deposed, dying just a few weeks later. However, no strong ruler would take his place, with several men taking their share of the empire. The chronicler Regino of Prum expertly sums up the situation in the year 888, following the death of Charles the Fat.
After his death the kingdoms which had obeyed his authority, just as though a legitimate heir were lacking, dissolved into separate parts and, without waiting for a natural lord, each decided to create a king from its own guts. This was the cause of great wars; not because the Franks lacked leaders who by nobility, courage and wisdom were capable of ruling the kingdoms, but rather because the equality of descent, authority and power increased the discord among them; none so outshone the others that the rest deigned to submit to his rule. For Francia would have produced many leaders capable to controlling the government of the kingdom, had not fortune equipped them to destroy each other in the competition for power.
Pope Formosus would be enemies with Guy III of Spoleto, the Holy Roman Emperor, and according to one source he convinced Arnulf of Carinthia, King of East Francia, to invade Italy and push Guy away from Rome. In exchange, the Pope crowned Arnulf the new Emperor at a ceremony in Rome on February 22, 896.
On April 4, 896, Formosus died and was buried in a Roman church. His immediate successor was Boniface VI, but he only last 15 days on the Papal throne before dying of gout. He would be replaced by Stephen VI, a longtime rival of Formosus.
As this was happening, Emperor Arnulf suffered a stroke and returned home north across the Alps. His health would never recover and he died on 8 December 899.
In January of 897, Pope Stephen VI ordered that the tomb of Formosus be opened up and his body exhumed. He wanted the former Pope put on trial, allegedly for supporting King Arnulf in becoming Emperor, and for coveting the Papacy years before. He was charged with breaking canon law, as well as of perjury, and of illegally serving as a bishop. Even if Formosus had been dead for several months, Stephen was eager to have his revenge on his corpse.
The macabre and bizarre spectacle would soon reach its foregone conclusion – Formosus was found guilty. His body was stripped of its Papal vestments and three of his fingers were cut off from his right hand – those that he used to bless people. Finally, the body was tossed in the Tiber River, however the next day it was recovered by some monks and secretly buried in a monastery.
William Monroe, speaking at the 2016 Annual Meeting of the Medieval Academy of America, offers another theory on why the Cadaver Trial took place. He believes that when Arnulf of Bavaria entered Italy he actually forced Formosus to crown him emperor. The fact that the Pope died just five weeks later hints it might not have a natural death. Some evidence suggests that in the months following his death, Formosus was being viewed as a martyr and saint by the Romans.
Meanwhile, the new Pope, Stephen VI, was a creature of Arnulf, according to Monroe. However, when Arnulf became sick and abandoned Italy, Stephen began to fear the wrath of Lambert, the son of Emperor Guy III of Spoleto. Therefore, he decided to put the body of Formosus on trial as a kind of peace offering. The act also nicely synced with his own hatred for his predecessor, hoping that it would prevent him from becoming a saint by having his bodily destroyed.
If that indeed was Stephen's plan, it would not save him. Within months Lambert had returned to Rome, and the Pope was imprisoned and strangled to death. A new synod was created, which destroyed the records relating to the Cadaver Synod, and proclaimed Lambert as emperor. Meanwhile, the remains of Formosus was returned for a proper reburial.
The terrible events of the Cadaver Synod seemed to have foreshadowed an era of decline within the Papacy. Throughout the tenth-century the Papal throne was fought for among local Roman elite families, who would bribe and kill each other. Several Popes would be murdered, others found themselves caught up in scandals. It would not be until the reforms of the mid-eleventh century the Papacy would regain some of its respectability and importance.


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Phillip L. Parshall is an author and Christian Protestant missionary, noted for his contributions on contextual theology and insider movements.

He has a Doctor of Missiology from Fuller Theological Seminary, Fellowships at Harvard University and Yale Divinity School, and has been a missionary among Muslims (in Bangladesh and the Philippines) since the 1970s.

He is the author of several articles and books on Christianity, missionary work and Muslims.

Works

Lifting the Veil (InterVarsity Press, 2002).
The cross and the crescent : understanding the Muslim heart and mind (Gabriel, 2002)
Inside the community : understanding Muslims through their traditions (Mich Baker Books, 1994)
The fortress and the fire : Jesus Christ and the challenge of Islam (Gospel Literature Service, 1975)
Divine threads within a human tapestry : memoirs of Phil Parshall. (William Carey Library, 2000)
The God next door : opening doors to friendship and understanding with Muslims
New Paths in Muslim Evangelism (Baker Book House, 1980)
Muslim evangelism: evangelical approaches to contextualization (Biblica: IVP Books, 2003)
Bridges to Islam: A Christian Perspective on Folk Islam, (InterVarsity Press, 2006)

References

Year of birth missing (living people)
Living people
Protestant missionaries in the Philippines
Christian and Islamic interfaith dialogue
Protestant missionaries in Bangladesh


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Book Review: "The Last Woman Standing" by Thelma Adams + Giveaway!
The Last Woman Standing Thelma Adams
Published: July 1, 2016 (Lake Union Publishing)
Source: TLC Book Tours
You might enjoy this book if you like: Westerns--especially ones with female central characters, lore around the shootout at the O.K. Corral, "fabled" love stories
Two decades after the Civil War, Josephine Marcus, the teenage daughter of Jewish immigrants, is lured west with the promise of marriage to Johnny Behan, one of Arizona's famous lawmen. She leaves her San Francisco home to join Behan in Tombstone, Arizona, a magnet for miners (and outlaws) attracted by the silver boom. Though united by the glint of metal, Tombstone is plagued by divided loyalties: between Confederates and Unionists, Lincoln Republicans and Democrats.
But when the silver-tongued Behan proves unreliable, it is legendary frontiersman Wyatt Earp who emerges as Josephine's match. As the couple's romance sparks, Behan's jealousy ignites a rivalry destined for the history books…
The cover is lovely, but this is the real Josephine
Before I get into what I thought of this book, I feel like I should address a usually major point I have with historical fiction based on historical characters:how true is it? If a novel diverges greatly from a historical characters true persona, it doesn't work for me. The case of Josephine Marcus, however, is a unique one. She (the person, not the character) spent a great deal of energy in her life trying to create how history would remember her and Wyatt Earp by creating stories about the two of them and going to great lengths to suppress certain facts. Because of this, I don't think anyone would be able to create an accurate portrait of her or her relationship with Wyatt Earp and, when Adams portrays something that is not supported in what can be considered the historic record, I really have no problem with that, whereas I might if this book were written about any other fictional character.
Now that is out of the way, onto the book!
So, the Shoot Out at the O.K. Corral--we all know about the Earps and the Clantons and Doc Holliday (well, to be fair--I only knew the basics of it, even after 2 visits to Tombstone, but this book did a great job of explaining it all). But there seemed to be a missing character in all that, Josephine Marcus. She came to Tombstone as the fiancee of Johnny Behan (the Sheriff of Tombstone who had it out for the Earps), but only became his mistress, before leaving him and then taking up with Wyatt Earp. So, you know, a love triangle.
I enjoyed getting to know Adams' version of Josephine Marcus. She quickly becomes hardened by the "Town to Tough to Die" (yes,they actually have that on the signs there!). I do think that Adams' Josephine was much closer on the sweet side of the spectrum while the "real" Josephine Marcus was rather salty. Still, there is a fair amount of development with Josephine, which is necessary as most of the other characters rely more on their legendary characterizations than anything new by Adams (which, in this context of the book being about Josephine, is fine).
(I took the above video in March 2016 during my most recent visit to Tombstone. Yes, that is what it is like now).
Adams skillfully brings Tombstone to life in this book. I visited Tombstone for the second time only a few months ago, and mostly because I knew I would be reading this book, so I was familiar with the town (as it is now, which is frankly nothing more than a tacky tourist trap). However, reading this book, the Tombstone of the 1880's seemed to emerge from the ashes of the trinket shops, "olde" time photography studios, and constant shoot-out shows that go on now. If you are curious about Tombstone, don't go visit it--just read this book.
Despite a scene in the book describing
Josephine posing for this portrait,
it is not actually of Josephine Marcus.
I had a few nit-picky criticisms about this book. I wish we had gotten to know the Earp woman, Allie and Mattie, a bit more. I also felt that the climax of this book didn't quite feel right. It seemed like it should have been at the shoot out, but it sort of plateaued for a while, which was odd. However, neither of these were deal breaker and, in the end, didn't really hamper my enjoyment of this novel.
I would definitely recommend this book widely, but especially to those who are wary of westerns and find them to be overly masculine. I would also recommend this to anyone who has visited Tombstone and was turned off by the commercialism. This book will give you a far better feel of the place than any visit there.
Thelma Adams is an established figure in the entertainment industry. For two decades, she has penned celebrity features and criticism for high-profile publications. Her portfolio of actor interviews includes Julianne Moore, George Clooney, Jessica Chastain, and Matthew McConaughey, among many others. While covering film for the New York Post, Us Weekly, and Yahoo Movies, Thelma became a regular at film festivals from Berlin to Dubai, Toronto to Tribeca. She sits on the Hamptons International Film Festival Advisory Board and twice chaired the prestigious New York Film Critics Circle. Her debut novel, Playdate, published by Thomas Dunne Books, won high critical acclaim. Adams is often recognized, as she has been invited to share her expertise on many broadcast outlets, including appearances on NBC's Today, CBS's Early Show, and CNN. She graduated Phi Beta Kappa with a history degree from UC Berkeley and earned an MFA from Columbia University. She lives in Hyde Park, New York, with her family.
Connect with Ms.Adams on Facebook, Twitter, and her Website.
Want to read more? Visit some of the other stops on this blog tour!
I was given a copy of this book in return for an honest review. I received no other compensation for this post.
Thanks to TLC Book Tours, I have one print copy of this book to give a reader (US and Canada). To enter, just fill out the Rafflecopter form below. The giveaway will run until midnight (Pacific Time) on July 27th.
Labels: Book Reviews, Giveaway, Highly Recommended, Historical Fiction, Thelma Adams


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2017 by-elections Lead Story News Politics
Nearly 70 candidates register for November by-election
A man casts his vote at a by-election polling station in Dagon Seikkan Township, Rangoon, on 1 April 2017. (Photo: AFP)
A total of 69 people have filed for candidature to contest Burma's upcoming by-election, a Union Election Commission (UEC) official has told DVB.
The vote, for 13 seats across the Union Parliament and state and regional legislatures, will take place on Nov. 3. The deadline for candidate submissions was Wednesday.
"They are from 24 political parties. Seven of them are independent candidates," said Myint Naing, a spokesperson for the UEC.
NLD cleared of breaching electioneering rules
USDP adopts ruling party mantra, with a twist, in by-election manifesto
Thein Sein spurs USDP ahead of by-elections
The commission will vet the prospective candidates for eligibility from July 16-26.
In the upcoming November vote, four Lower House seats and one Upper House seat in the national legislature will be contested, as well as eight constituencies at the state and region level.
The country's most recent by-election was held just last year, on April 1.
Of the 19 seats put to a vote in that poll, 10 were won by the ruling National League for Democracy (NLD). The Shan Nationalities League for Democracy tallied six, and the Union Solidarity and Development Party, the Arakan National Party and All Nationalities Democracy Party took one seat each.
Tags: 2017 by-elections
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2017 by-elections