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Biopharmaceuticals Personnel
News Release - February 6, 2007
Tim Rothwell Appointed Chairman of Sanofi-aventis Group U.S. Pharmaceutical Activities
Greg Irace Named President and CEO of U.S. Pharmaceutical Operations
BRIDGEWATER, N.J., Feb. 6 (HSMN NewsFeed) -- Sanofi-aventis announced today that, effective February 1, Tim Rothwell has been appointed as Chairman of sanofi-aventis Group U.S. Pharmaceutical Activities in the United States, with direct responsibility for Communications and government policy. The company also announced that Greg Irace, who had been serving as Chief Financial Officer and Senior Vice President of Finance & Administration, has been appointed to succeed Tim as President and CEO of U.S. Pharmaceutical Operations.
The new appointments will allow Mr. Rothwell to focus broadly on Group operations in the U.S., including external sanofi-aventis efforts relating to Communications and government policy aimed at projecting and protecting the company's image and impact in the U.S. As President and CEO, Mr. Irace assumes executive leadership and management responsibility for the company's pharmaceutical business in the U.S.
No other corporate structural changes are planned at this time.
About sanofi-aventis
Sanofi-aventis is one of the world's leading pharmaceutical companies. Backed by a world-class R&D organization, sanofi-aventis is developing leading positions in seven major therapeutic areas: cardiovascular, thrombosis, oncology, metabolic diseases, central nervous system, internal medicine and vaccines. Sanofi-aventis is listed in Paris (EURONEXT: SAN) and in New York (NYSE: SNY ).
Source: sanofi-aventis
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redpajama_set_name: RedPajamaCommonCrawl


text:
«La Mercè» (skrajšana oblika za La Mare de Déu de la Mercè ali Devica milosti) je festival (v katalonščini: 'festa major' oz. po slovensko 'velika zabava'), ki poteka vsako leto na dan Svete Milosti v Barceloni v avtonomni pokrajini Kataloniji že od leta 1871, ko je bil razglašen za uradni praznik mesta. Takrat je lokalna vlada prvič organizirala širok program različnih aktivnosti, da bi proslavili dan njihove zavetnice (24. september). Več dni praznovanja (običajno 3-5 dni) vključuje procesije gegantov, to so veliki papirmaše velikani (v originalu: gegants i capgrossos), predstave Castellers (človeške piramide) in tipični ples – sardena. Festival se zaključi z velikim ognjemetom in praznovanjem po vsem mestu.

Že od leta 1871 naprej praznik uživa veliko podporo tako med domačini, kot tudi med turisti. Njegova vse večja pribljubljenost, pa je vplivala tudi na razširitev kulturno-glasbenega programa, ki ga ponuja mesto. Tako so pred nekaj leti uvedli kot del tradicije tudi vsakoletni Katalonski sejem vina, ter unikaten 'correfoc' (dobesedni prevod bi bil 'ognjeni tek'), kjer pa gre za maskiranje v hudiča in druga temačna bitja, ob čemer se prižigajo različna pirotehnična sredstva. Gre torej za neke vrste pirotehnični muzikal, ki ga sestavljajo sinhronizirani ognjemet, vodne fontane in glasba, ob vznožju gore Montjuïc.

Zgodovina

Legenda o Devici milosti
Legenda pravi, da se je na noč na 24. septembra 1218 Devica prikazala trem pomembnim moškim tistega časa: Kralju Jakobu I., Svetemu Petru Nolasku  in Svetemu Rajmundu Penjafortskemu. Vsem trem je naročila, da ustanovijo meniški red, ki bi bil posvečen reševanju Kristijanov, ki so jih zaprli Saraceni. To se je zgodilo v času verskih vojn. Štiri stoletja kasneje, leta 1687, je Barcelona utrpela veliko škodo zaradi kuge. Svojo usodo so položili v roke Devici milosti ('La Mare Déu de la Mercè'). Ko so premagali kugo, jo je mestni svet imenoval za zaščitnico mesta (Barcelone). Papež te odločitve ni ratificiral še dve stoletji, do leta 1869. V katalonščini beseda 'mercè' pomeni usluga, milost, usmiljenje. V Gotski četrti v Barceloni ('barrio gótico') se nahaja bazilika posvečena Devici, z njeno leseno podobo, ki jo častijo.

Izvor vsakoletnega festivala
Po tem ko je papež Pij IX razglasil Devico Milosti za zavetnico, je Barcelona začela praznovati festival v mesecu septembru. Festival La Mercè se je pravzaprav uveljavil v svojem pomenu šele leta 1902, ko je pod pritiskom Franceska Camba festival postal zgled vsem tistim, ki so se takrat odvijali po vsej Kataloniji. Kljub temu, je skozi leta festival doživljal številne vzpone in padce. Na to je še posebej vplivala Državljanska vojna in njene posledice, med drugim diktatura Francisca Franca.

Festival v sodobnosti
Šele po prihodu demokracije leta 1975, je festival postal popularen zahvaljujoč številnim udeležencem in organizacijam iz celega mesta. Danes festival poteka na več javnih mestih, s programom, ki se osredotoča na mediteransko kulturo. V manj kot tednu dni Barceloni uspe izpeljati ogromen program sočasnih dogodkov, med katerimi si prisiljen izbirati, kot npr. ulična umetnost, procesije na ulicah (povorka), koncerti, tradicionalni plesi...

Najbolj tradicionalne aktivnosti festivala so kot nekakšna zbirka popularne kulture iz vse Katalonije, npr. katalonski ljudski ples sardana iz Girone, človeški gradovi in hudiči iz Tarragone, plesalci, ki še dandanes ohranjajo katalonsko tradicijo. Posebnost Barcelone pa so ulične parade, ki izvirajo iz spektakularnih procesij, ki so potekale pred stoletji v čast Kristusovega telesa. Predstavljajo enega izmed najstarejših spektaklov, ki se je ohranil do danes. Dandanes se organizacija uličnih parad zanaša tako na skupine, ki predstavljajo popularno kulturo, kot na ulične umetnike. S skupnimi močmi ohranjajo gledališki duh festivala in festival kot tak.

Leta 2018 je barcelonski festival vseh festivalov potekal med 21. in 24. septembrom. Med pestrim programom niso manjkali človeški stolpi (Castellers) niti velikani, zmaji in druge zveri, ki so se predstavili v več procesijah, in sicer, 21. septembra na otvoritveni povorki imenovani 'Toc d'inici' na trgu St. Janeza in v nekoliko manj tradicionalni povorki imenovani 'Xambanga', kjer so se v nedeljo 23. septembra 2018, v slavnostnih oblekah predstavili velikani in ljudje z različnimi figurami iz papirmašeja. Prav tako je potekala tudi parada zveri in zmajev (brez ognjemeta in druge pirotehnike). V ponedeljek 24. septembra pa je bila organizirana Glavna povorka velikanov, v kateri so se velikani sprehajali po srednjeveških ulicah Barcelone.

Aktivnosti

Castellers
Ljudje v času festivala obujajo katalonsko tradicijo gradnje človeških gradov (castells). Ta tradicija izvira iz Taragonije (18. stoletje), ko so prvič uspešno začeli graditi tovrstne človeške gradove. Pri tem običaju po navadi sodelujejo moški, tradicionalno imenovani castellerji – ljudje, ki naredijo človeški stolp – tvorijo stolp na koncu folklornega plesa. Sčasoma skupine castellerjev začenjajo tekmovati ena proti drugi s ciljem, da naredijo najvišji in najbolj zapleten stolp. Vendar pa se je tradicija počasi ločila od svojih plesnih korenin, še vedno pa je ohranila nekatere njegove elemente, kot so orça, equilibri, valor i seny, oziroma moč, ravnotežje, pogum in zdrava pamet. Do 19. stoletja se je ta tradicija razširila po vsej Kataloniji.

Gradnja človeškega stolpa ni preprosta naloga. Vsak casteller igra v tej zgradbi posebno vlogo, da struktura ostane trdna. Pri tem je tudi zelo pomembno, kaj on ali ona nosi. Vsi castellerji nosijo črno krilo, imenovano faixa, ki zagotavlja kritično hrbtno podporo in je narejeno glede na castellerjevo vlogo pri gradnji človeškega stolpa. Na primer, tisti castellerji, ki tvorijo stolp, običajno nosijo krajše faixa, ki omogoča več gibanja, medtem ko castellerji, ki ostanejo na tleh in tvorijo osnovo za gradnjo v višini, uporabljajo širšo faixa za dodatno ledveno oporo.

Ločimo:

 'cap de colla' – vodja ekipe, ki določa kateri izmed tekmovalcev v ekipi je pripravljen poskusiti vzpon na stolp
 'cap de pinya' – vodja temeljev, ki odgovarja za razporeditev tekmovalcev v temeljini plasti stolpa
 'tronc' ('deblo') – vertikalni del stolpa
 'baix' ('baza') – vsi tekmovalci, ki stojijo na tleh in podpirajo tiste v 'deblu'. Običajno so to nizki, čokati in močni moški.
 'segon' – tekmovalci, ki stojijo na ramenih tekmovalcev, ki tvorijo bazo; glede na število nadstropij jim sledijo: 'tercos', 'quarts', 'quints', 'sisens', 'setens' (prvi, drugi, tretji, četrti, peti, šesti in sedmi).
 'pom de dalt' – kupola stolpa (najvišji del)

 'dosos' (dvojice) – nivo, ki ga tvorita dve osebi, kateri združuje aixecador
 'aixecador' (dvigajoči) – oseba, ki z eno nogo dela počep in tako 'zaklene' skupaj dososa.
 'enxaneta' (jahač) – otrok na vrhu kupole

 'cordó' – vsaka koncentrična plast pinje
Ko otrok doseže vrh stolpa dvigne štiri prste ('aleta'), ki predstavljajo katalonsko zastavo. To pomeni, da je gradnja človeškega gradu zaključena, zato potem spleza dol. Pri plezanju mu je s čelado zagotovljenja varnost. Tudi razgradnja stolpa je izjemno zahtevna. Pri razgradnji se človeški stolp pogosto poruši.

Sardana
Sardana je glasbeni žanr tipičen za katalonsko kulturo. Gre za ples, ki se pleše v krogu in izvira iz takoimenovane regije Emproda od koder se je v 19. stoletju razširil po vsej Kataloniji, še posebej po modernizaciji plesa, pod vodstvom Josepha Marie Venture Casasa. Moški in ženske tvorijo krog tako, da se primejo za roke in gledajo proti sredini kroga. Tako lahko zaplešejo zgodovinsko 'sardana curta', ki traja približno 5 minut, ali pa sodobno verzijo 'sardana llarga', ki traja 12-13 minut. Obstajata še dve manj poznani obliki tega plesa, to sta: 'sardana de illuiment' in 'sardana revessa'. Koraki se štejejo kot 2- ali 3- delni premiki. Smer premikanja se spreminja. Roke so položene na boke ali v nivoju ramen, odvisno od strukture koraka. Vzorec koreografije ima poskočne intervale, ki se spreminjajo skupaj z glasbo. Običajno je hkrati več krogov, ki se med seboj razlikujejo po tempu in nivoju plesnih sposobnosti oz. znanja.

Plesalci se imenujejo 'sardinistes', profesionalni plesalci pa se organizirajo v 'colles sardintes', pri čemer colla pomeni skupino ali klub. Vsi kljubi (colles sardintes) so povezani v konfederacijo Confederació Sardinista de Catalunya. Ples se večinoma pleše le med festivali in čez vikende, običajno jih spremlja orkester ('cobla'), sestavljen iz desetih pihal in basa. Ženskam je bilo dovoljeno sodelovanje v orkestru šele v 80-tih prejšnjega stoletja. Posebnost tega plesa je, da dovoljuje ljudem, da se pridružijo v kateremkoli delu korografije, ne glede na starost in spol. Plesu se lahko pridružijo vsi, ki poznajo sardano, tako da odložijo svoj plašč in torbo v sredini kroga in se vključijo.

Ognjemet in light show

Pomemben sestavni del festivala je tudi ognjemet ter tako imenovani light show oz. niz svetlobnih efektov, sestavljenih iz večbarvnih svetlobnih pramenov spreminjajoče se jakosti in smeri. Na trgu Svetega Janeza vsak večer se fasada mestne hiše spremeni v ogromen zaslon, na katerem projecirajo light show, ki očara vse generacije. Prav tako vsako leto organizirajo ognjemet, ki se ga da najlepše videti z obale, kjer si lahko obiskovalci ogledajo številne stojnice s hrano in raznoraznimi drugimi izdelki. Največji izmed ognjemetov je vedno ob zaključku festivala. Takrat priredijo tudi poseben spektakel na Čarobni fontani, kjer bobneča glasba tekmuje s poki ognjemeta v zraku.

Sklici

Barcelona
Prireditve v Španiji
Ustanovitve leta 1871

redpajama_set_name: RedPajamaWikipedia


text:
Three Years After Ebola: Hope and Struggle for Women in Liberia
Three years after the World Health Organization declared the Ebola outbreak emergency in March 2014, how have women's lives changed? We reconnect with four Liberian women affected by the virus. over 3 years ago
The Liberian Marathon Runner Racing Past Prejudice
She's one of Liberia's best marathon runners, but Joy Kollie still has to power through discrimination against female athletes, unfounded rumors of Ebola, and a lack of sponsorship opportunities. over 3 years ago
Escaping Ebola: Danger from the Desert to the Deep Blue Sea
Fleeing Sierra Leone for Europe, Fatima and her family endured a dangerous journey across six countries, the Sahara Desert and conflict-ridden Libya. And that was all before they joined the thousands who continue to risk their lives crossing the Mediterranean. almost 4 years ago
After Ebola, Volunteers Turn to Maternal Mortality
Liberia's Ebola outbreak exposed huge gaps in wider health communication and education issues, particularly in rural communities. Health workers are now helping fill these gaps, sharing information about maternal and reproductive health. about 4 years ago
Thousands of Girls Made Pregnant During Ebola Crisis
During Sierra Leone's Ebola crisis, thousands of girls became pregnant, some as young as nine. Communities report that there were increases in rape and in girls offering sex for money or services because of poverty bought about by the outbreak. about 4 years ago
Liberia: How Ebola Changed Three Women's Lives
The Ebola outbreak in West Africa infected more than 28,600 people and killed at least 11,315. After the World Health Organization said Ebola is no longer an emergency of international concern, Kate Thomas asked three Liberian women how the crisis impacted their lives. about 4 years ago


Burger math… add avocado and it equals California. The latest featured burger at Steak 'n Shake is the California Steakburger. The Original Double 'n Cheese has some competition.
And now, our classic steakburger gets a West Coast twist! Welcoming the California Steakburger, topped with aged white Cheddar cheese, thick black peppercorn bacon, fresh avocado slices and a zesty sauce.
Yeah maybe if the avocados were diced up with onions and cilantro. And the bun, burger, bacon, tomato, lettuce and cheese were all tortilla chips.
Absolutely love Steak n' Shake… those of you who don't have one near you are really missing out especially if you like skinny fries and a wide variety of awesome burgers (chili is good, too). Any burger with avocado on it is a pass in my book, though, as I just don't think the two taste great together despite the fact I love avocado and burgers.
Steak n Shake chili – for me it was about 95% Texas beans & sauce with very little meat; like it came straight out of a can. Their fries are basically like 1/4″ the thickness of McDonald's – basically all fried exterior & no interior puffy potato; like soggy shoe string potatoes.
I do love the Frisco Melt but it's just so damn greasy I can only eat half of it at a time. It doesn't even come with huge dark green leafy lettuce anymore.
In general, SnS buns have always fallen apart on me, very overpriced without coupons & I'm not a shake person at all so half of their motif doesn't apply to me. Service, be it dining or drive thru is very slow. Be prepared to spend at least 8 minutes in the drive thru.
Sounds like you haven't had a good experience, and I do agree that it can be pricey without coupons (I get them in the mail several times a month where I live now, though.) Like anything, everyone views it differently! Personally I think the food is better quality than most other fast food places but maybe it is simply the ones that I've visited since quality seems to vary widely at chain restaurants. I personally think Wendy's is awful despite the fact many of my friends love it but that is how it goes.
This is about 16 years worth of SnS experiences from various locations. The buns have always been an issue & I think SnS has been pretty consistent, at least from my end. I still find homemade better than SnS, tho.
I didn't think this was new. Maybe newly featured, but I feel like they had avocado already.
If you're going to have a California burger, it's only fair that you open up some places in California. I'd really like to try you.


The Bold and the Beautiful celebrated its 7,000th episode last week. To mark the occasion, CBS dedicated Stage 31 studio to executive producer Brad Bell. Go behind-the-scenes after the jump to get more dish on the celebration!
Will Ridge's Return Mean Romance For Brooke Or Another Logan on The Bold and the Beautiful?


Beacon owns and/or manages over 10 million square feet of quality investment property and are actively seeking to grow our presence throughout the Carolinas.
Located in the revitalized South End of Charlotte, the Southborough building is a four-story, Class-A office building with retail on the first floor. Its prime location provides users with great views of Uptown Charlotte along with high visibility on South Boulevard. Various eateries, retail and the East Boulevard light rail station are all just a short walk away. Tenants within the building include Five Guys, Poppy's Bagels and More and The Wine Loft, while Lowe's Home Improvement and Publix Super Market are both located just across the street.


Share the post "Grammy Awards Snub Late PANTERA Drummer Vinnie Paul, Exclude Him From 'In Memoriam' Segment"
Every year, the Recording Academy honors past and present music industry notables who passed away the previous calendar year during the Grammy Awards ceremony via an 'In Memoriam' segment.
Although dozens were honored during last night's broadcast, late Pantera drummer Vinnie Paul was not. His exclusion is notable because Pantera have sold millions of records and even scored a No. 1 album in 1994 with Far Beyond Driven. Morever, the band was nominated for several Grammys during its career. Finally, Paul's other band, Hellyeah, released five albums, all of which debuted in the Top 20.
Of course this isn't the first time the Grammys have disrespected a departed metal icon, as Slayer guitarist Jeff Hanneman was also left out of the 'In Memoriam' following his 2013 passing.


Here you have a list of opinions about Kara, Uttar Pradesh and you can also give us your opinion about it.
You will see other people's opinions about Kara, Uttar Pradesh and you will find out what the others say about it.
Kara is an old township situated near Sirathu, on the banks of Ganges, 69 km (43 mi) west of the city of Allahabad in Kaushambi district in Uttar Pradesh state in India. It was capital of a very big region for centuries under the Delhi Sultanate and Jaunpur Sultanate rule.
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Q: A Gaming Journey in Ubuntu First off, I'm running:
Dell Inspiron 530
Intel E4800 Dual Core
NVIDIA GTX 660
4GB DDR2 667MHz RAM
WD 500GB HDD
750W Rocketfish PSU
With that being said, I have been tweaking and making changes for months now and I'm quite please with the performance.
I'm running Ubuntu 16.04 with the SteamOS login and I'm using NVIDIA 361 Drivers with 367.25 actually installed according to X server. (Manually updated from 361)
Question 1: My videocard GPU doesn't seem to be processing anything. When I do/play something I.E. Borderlands 2 and it loads a few things requiring video and cpu to both process, it sends it through the processor. How can I route video through the GPU like I would be able to do with Windows drivers?
Question 2: How can I enable PhysX?

redpajama_set_name: RedPajamaStackExchange


(JTA) — Republican mega-donor Sheldon Adelson told Donald Trump in a private meeting that the Republican presidential candidate must demonstrate a measure of humility, The New York Times reported.
Adelson's wife, Miriam, also a large donor to the Republican Party, reportedly was at the meeting with Trump on Wednesday. Neither Adelson has contributed to Trump's campaign, to groups supporting him or to the Republican National Committee since they pledged to support him during a private meeting in May at the same hotel, the Times reported.


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A magyar labdarúgó-válogatottnak 1976-ban tíz találkozója volt. Egyetlen tétmeccsen kívül a többi barátságos volt.

Márciusban Budapesten vendégszerepelt a később, 1978-ban világbajnok, Argentína csapata. Hét játékosuk két évvel később is tagja volt a győztes csapatnak, Olguin, Tarantini, Ardiles, Gallego, Kempes, Houseman, Luque. Baróti Lajos öt újoncot küldött pályára, Gujdár, Paróczai, Ebedli, Csongrádi és Weimper ezúttal szerepelt először. A 2–0-s győzelem ennek fényében bravúr.

Az akkori számítás szerint 1976. június 12-én, az Ausztria elleni mérkőzésen ünneplte 500. hivatalos mérkőzését a válogatott. A játékosok 500-as feliratú mezben játszottak.

Szövetségi kapitányok:
 Baróti Lajos

Eredmények
nem hivatalos mérkőzés

nem hivatalos mérkőzés

502. mérkőzés

503. mérkőzés

504. mérkőzés

505. mérkőzés

506. mérkőzés

507. mérkőzés

508. mérkőzés

509. mérkőzés

510. mérkőzés – vb-selejtező

511. mérkőzés

Jegyzetek

Források

További információk
 A magyar válogatott összes mérkőzése
 A magyar válogatott a soccerbase-en
 A magyar válogatott mérkőzései (1976)

Kapcsolódó szócikkek
 A magyar labdarúgó-válogatott mérkőzései (1970–1989)
 A magyar labdarúgó-válogatott mérkőzései országonként

1976
1976 a labdarúgásban


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PUPPETRY COPACC THEATRE SEASON COPACC MORNING MUSIC SEASON COMEDY CIRCUS/PHYSICAL THEATRE DANCE EXHIBITION FAMILY/CHILDREN'S SHOW FESTIVAL/EISTEDDFOD FILM MUSIC - CLASSICAL MUSIC - CONTEMPORARY MUSICAL THEATRE SCHOOL PRODUCTION DRAMA WORKSHOP
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Featuring classic songs including the Academy Award winning 'Night and Day', 'Let's Call the Whole Thing Off' 'Top Hat', 'White Tie and Tails', 'They Can't Take that Away from Me' and 'The Way You Look Tonight'.
This is Eden
1839, Cascades Female Factory, Hobart Town, in a solitary cell, on the edge of survival...
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It's going to be a cracker of a Christmas at COPACC when singing-dancing dynamo Denise Drysdale takes to the stage.
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Site Home Page Board index Other The Lists Project
1970s List Discussion and Suggestions (Lists Project Vol. 3)
An ongoing survey of the Criterion Forum membership to create lists of the best films of each decade and genre.
Re: 1970s List Discussion and Suggestions (Lists Project Vol
#876 Post by Yojimbo » Tue Jan 28, 2014 8:55 pm
Tommaso wrote:
Yojimbo wrote: Tommo, if you haven't already done so, I recommend that you begin at the beginning with Fassbinder: some of those early films may be rough and ready - and a long way from the Sirk-ian lushness of his late films, if that's your bag - but they're chockful of ideas.
And he had a wonderful, impish, sense of humour
You're quite right, the Sirkian (or Ophulsian? or even Forstian?) lushness is my thing when it comes to Fassbinder, and I can already say that "Veronika Voss" will be in my Top 10 of the 80s list, and "Lili Marleen" (much maligned, especially in Germany it seems) will not range far behind. But I still take your recommendation, and it's one of the reasons why my ideal for this listmaking would be nine months of viewing, plus three months of intermission which might give everyone some time to watch the films they missed... Well, I have to squeeze in those early Fassbinders somehow in between, I guess, but it might take some time....
...maybe start with 'Katzelmacher'.....especially if you like 'Slacker',......
And as soon as I check out 'Effi Briest', and that long-overdue viewing of 'Ali', I'll maybe start into re-watching some of my faves from those early films.
#877 Post by knives » Tue Jan 28, 2014 8:57 pm
zedz wrote:
42.	Vampir–Cuadecuc (Pere Portabella, 1970) – Filmed on the set of Jesús Franco's Count Dracula with Christopher Lee, but it's very far from a making-of doc. (At points, the relationship between the two films is more like that between Peter Tscherkassky's Outer Space and The Entity - looking at this trailer again, I think I'd have placed it much higher with a more recent viewing.)
This too was a reluctant omission, and I highly recommend the film as one of the most brilliantly original adaptations of Dracula ever shot (and frankly, it's far more a free-standing adaptation of the same source than it is a making-of). I'm determined to find space for Warsaw Bridge on my 80s list, and that entire Portabella box set is essential viewing.
I've been desperate to get the set, but it disappeared for a while there. Marketplace seems to have it available though it is hard to tell if I'm being ripped off.
colinr0380
Location: Chapel-en-le-Frith, Derbyshire, UK
#878 Post by colinr0380 » Tue Jan 28, 2014 9:06 pm
My orphans:
4. Water Wrackets (Tolkein as he should be filmed - no actors, just fifteen minutes of narration of a fantastical world running over footage of babbling brooks and streams. Who needs CGI?)
5. Dear Phone
12. THX-1138 (the original version, not the 2003 re-release with the CG shots!)
15. Radio On (talked about more here)
17. Blue Collar (who would have thought planning a robbery could be just as depressing and cause as many arguments as backbreaking factory work?)
21. H Is For House
25. Letter To Jane: An Investigation of a Still (better and more intellectually rigorous than Tout va Bien I think)
33. Tommy
36. The Andromeda Strain (I remember wanting to become a scientist for my own chance of being able to coldly speculate on the total destruction of mankind for a few years after seeing this as a kid. Unfortunately (or luckily!) my lack of scientific ability put an end to that dream!)
43. The Harder They Come
45. Beneath The Planet of the Apes (if only for the ending!)
46. Phase IV (I remember wanting to become a scientist after seeing this as a kid, for my own chance to be able to manipulate colonies of insects into doing my nefarious bidding. Unfortunately (or luckily!) my lack of scientific ability etc, etc,....)
Michael Kerpan
Spelling Bee Champeen
Contact Michael Kerpan
#879 Post by Michael Kerpan » Tue Jan 28, 2014 9:14 pm
colinr0380 wrote: My orphans:
Perhaps the film I most dislike, of all films I have ever seen. ;~{
'Radio On' might display very obvious Wim Wenders road movie influences, but it's a movie that Wenders would have been proud of; if not flattered by.
(which reminds me: I'm still searching for 'Goalkeeper's Fear of the Penalty Kick')
And it was fun to see Sting when he had a sense of humour - and wasn't so concerned about inconsequential things like saving the planet.
I still have my vinyl soundtrack copies of 'Blue Collar' and 'The Harder They Come'
(they love Jimmy Cliff in West Africa)
One of these days I'll finally break open the seal on my THX-1138 DVD: it must be all of five years old.
I know I was impressed by The Andromeda Strain' when I saw it on TV, about 20 years ago, I think. My DVD doesn't have a seal, but I just need to be in the mood to sit down to it.
bamwc2
#881 Post by bamwc2 » Tue Jan 28, 2014 9:45 pm
I'll begin by echoing the thanks for Swo's hard work. It's much appreciated!
Orphans:
The Black Stallion(Carroll Ballard): Gene Siskel's pick for the best film of 1979 is also my own. I'm a bit surprised to see this one orphaned as I consider it one of the most visually masterful films of the decade. Perhaps the lack of attention stems from the fact that it's often dismissed as a mere "family film"; a category that cinephiles may be too quick to dismiss. Don't be mistaken by it's G rating. This film deals with some very heady material, but filtered through eyes of a child it does offer some distance for the youngsters. There are some scenes in here of truly epic beauty. In fact, given the lengthy meditative scenes without dialogue, I often think of this film as what it would look like if Terrence Malick made a children's film.
The Canterbury Tales (Pier Paolo Pasolini): I had gone back and forth on whether to include this or The Arabian Nights in my list. While the latter is (probably) the better of the two films, I can't help but love this one a little bit more. The film, which finds Pasolini at his most playful and earthy, offers an antidote to the sanitized look at the Middle Ages that we usually see on film. Rife with carnality and filth, the film ends in a climax of Satan shooting sinners out of his anus. How can anyone doubt its genius after that sentence?
The Confession (Costa-Gavras): Perhaps the perfect companion piece to one of my forthcoming spotlights in the 80s list thread, the film details the true story of Artur London, a Czechoslovakia politician who finds himself in a Kafkaesque nightmare of torture and coercion in a totalitarian state. Starring the great Yves Montand, this stands as my pick for Costa-Gavras' second best film (though I must admit having a large swath of his work left to see).
Everyday Life in a Syrian Village (Omar Amiralay): Discussed in the documentaries project thread
Extreme Private Eros: Love Song 1974 (Kazuo Hara): Discussed in the documentaries project thread
La grande bouffe (Marco Ferreri): A group of bourgeois men who have grown weary of life, resolve to spend the next week eating themselves to death. Such is the plot of Marco Ferreri's darkly comic masterpiece featuring every indulgence that can be imagined be it wine, women, or food. Flowing with excess, the film is one of the most hilarious of the decade.
The Last Supper (Tomás Gutiérrez Alea): Discussed earlier in this thread
Pastoral: To Die In the Country (Shûji Terayama): I'm saddened by the loss of esteem that Terayama experienced in the time since the last 70s thread. In my estimation, he was one of the great directors of the decade, and his works stand as some of the most visually impressive works of surrealism ever committed to film. The film's plot--a man recounting growing up in a circus--is as threadbare as they come. Instead, the real focus here is on the rich dreamlike quality infused in every shot. It's truly a wonder to behold.
Primate (Frederick Wiseman): Discussed in the documentaries project thread
Sayonara CP (Kazuo Hara): Discussed in the documentaries project thread
zedz
#882 Post by zedz » Tue Jan 28, 2014 10:20 pm
Gropius wrote: Agreed, although Warsaw Bridge is dated 1990, so will have to wait.
Oh that pesky imdb.
#883 Post by Satori » Tue Jan 28, 2014 11:39 pm
I almost voted for this, but ended up going with State of Siege as my Gavras of the decade. But it could have gone either way- The Confession really is a great representation of the absurdity of the Stalinist bureaucracy. The effect is all the greater because it is precisely a betrayal of the revolution rather than just a right wing totalitarian state from which Yves' character (and Costa-Gavras) would expect this kind of oppression.
I had 11 orphans, but I only have myself to blame because I didn't post any about them. At least my Straubb-Hulliet films didn't end up as orphans which I kind of thought they might (I'm glad I'm not the only one who likes Othon!) But here are my belated defenses of them:
13.One Sings, the Other Doesn't (Varda)- really great and underlooked Varda. Examines two women across 10 years or so as they have kids and go through different relationships, drawing parallels between their lives and feminist movements of the eras.
15.Second Awakening of Christina Klages (Von Trotta)- Ostensibly a crime film, but Von Trotta re-orients the genre materials to a focus on the relationships between people and, especially, between women. Christina's altruistic motives also help place the film's bank robbery in its proper context: as I believe Brecht put it, what is the crime of robbing a bank next to the crime of founding one? Von Trotta's images are consistently beautiful- I really have no idea why she isn't regarded alongside Fassbinder and Herzog as one of the masters of new German cinema.
16.All Around Reduced Personality (Sander)- Juxtaposes the experiences of a women's art collective and a blistering examination of the production of art under capitalism with with stunning imagery of Berlin, especially these gorgeous tracking shots of the wall.
17.Je Tu Il Elle (Akerman)- Yes, yes, Dielman is one of the greatest films of all time, but please don't limit yourself to just one Akerman. All her work is so rewarding. The questions that Je Tu Il Elle raises about the filmic representation of sexuality are still pertinent today.
19.A Bonus for Irene (Sander) If Dielman shows the alienated labor of bourgeois women in the era, then Sander's film tackles the work of the lower class factory women. The key difference is the wonderful solidarity we find in Sander's film. It really is a shame that Sander's work isn't more readily available; she really could do with a rediscovery.
27.Sisters, or the balance of happiness (Von Trotta) details the relationship between two sisters and then between one of the sisters and one of her co-workers. Von Trotta plays with Persona and 3 Women's theme of women's identities blurring, but I think more forcefully deconstructs this trope to assert each character's irreducible identity. Her images here are even more poetic than in Klages, especially her devastating coding of the film's major turning point.
28.Les Rendez-vous d'Anna (Akerman)
31.Peppermint Soda (Kurys)- Truly delightful coming of age story with a little politics thrown in for good measure. The whole thing feels life a riff on 400 blows (which is made explicit in its final image) but to my mind far exceeds the Truffaut (although I should say I'm not really a Truffaut fan).
32.Fruit of Paradise (Chytilová)- Stunning. It's like you get to spend a full 90 minutes in that part at the beginning of Daises when Marie I slaps Marie II into the grass and the film explodes into full color.
35.State of Siege (Costa-Gavras)
48.Ogro (Pontecorvo)
#884 Post by Yojimbo » Wed Jan 29, 2014 1:31 am
matrixschmatrix wrote: Goodness, I should have fought harder for my babies- it always seems to have a noticeable effect on how they place when I do.
2. F for Fake (Placed #167)
This is the one that hurts the most. This movie is high in the running for my favorite Welles, and my favorite films overall- and not only did it not make the list, but it dropped precipitously from the last list. Is it a matter of timing, since it was a relatively recent release then, and has had no updates since?
At any rate, this is a brilliant movie, cleverly playing with form without ever being tiresomely metafictional, and raising philosophical questions about the meaning of realness and authenticity as forcefully (and with rather more humor, to my eyes) as any Kiarostami film. I was assuming everyone was familiar with it, but if you're not, seriously go seek it out- I've never met anyone to whom I recommended this that didn't enjoy it.
12. The Muppet Movie (Orphan)
I suppose that I have only myself to blame for this one, though- I imagine it's one a lot of people have watched, but few have thought of as potentially great. It's a film I'd have a soft spot for regardless, but (not unlike F for Fake) it is also a movie where the fake real and the real fake collide in really interesting ways, plus also it's got a really funny Steve Martin cameo.
19. The Last Waltz (Placed #206)
I suppose concert movies are always going to be a hard bet- even if people have seen it, they have to like both the moviemaking and the actual music, which is sort of a bonus layer of contention. Nonetheless, this is pretty well the gold standard of concert movies (along with Stop Making Sense, which had damned well better not be an also ran) and Scorsese makes something larger than life about a bunch of coked up dadrockers (I love them so) and shapes the material make it feel like a Scorsese movie, a movie wherein desperate and perhaps unlikable people find a certain measure of grace. And I love the music, so what the hell.
26. The Taking of Pelham One Two Three (Placed #277)
27. The Man Who Would Be King (Placed #108)
I think I may value movies that are wonderful entertainment and not necessarily a lot beyond that more than some of the other members of the board, which is fine, I think. Pelham is one of the innumerable super New York-y movies this decade- Taxi Driver, Manhattan, Dog Day Afternoon and so on- but it makes a joke of that quality, out of racial tension, bad cops, good cops, and terrorism, without ever being flip about any of them, or losing any of its tightness as a thriller. The Man Who Would Be King is a movie that takes two really entertaining actors and a situation that inherently has some super regressive political implications and just sort of has them go for it- and because the performances are from a couple of very silly (though loveable) people, and doesn't try any special pleading, the result feels far less racist than some movies that try their best to be progressive. And it's fun as hell.
33. Foxy Brown (Orphan)
Here, I thought the Arrow blu would give it some notability. Arrgh. Well, anyone who hasn't seen this, it's a real delight, and my favorite of its subgenre. It's hard to describe the pleasures of blaxploitation without being repetitive, but at any rate, this one moves really well, and doesn't have a lot of elements that stick out as problematic (aside from some unpleasant sexual menacing towards Grier, but she does at least come out of the situation well.) Again, though, I also just seem to value terrific entertainment that doesn't necessarily do much more than that more than others, which is still fine.
35. The Friends of Eddie Coyle (Placed #288)
A hard, quiet movie about a hard, quiet man. It's worth watching.
39. New York, New York (Placed #266)
It's a flawed movie, but a very alive one, and I really love Liza Minelli in it. I guess I can't argue with people who didn't care for this one too hard, but what the hell, I like it.
40. Grey Gardens (Placed #123)
Huh, this one's definitely a surprise. I assume people know about this one, but I can see where it's not to everyone's taste. If you're not familiar with it- it's one of the Maysles best, and they do a wonderful job of allowing us to see the humanity of people that might otherwise seem like campy old cat lady types, without necessarily pressing us to like them.
42. The Outlaw Josey Wales (Placed #184)
43. A New Leaf (Placed #187)
45. Tinker, Tailor, Soldier, Spy (Orphan)
49. Trafic (Orphan)
I'm going to try and edit in some writeups for these later, but good Lord I did not do well in my lower reaches.
I'm a huge Welles fan but 'F for Fake' is more one to admire than love; perhaps more due to its structure than anything; but the Criterion has an awesome collection of extras.
Of course 'The Muppets Show' was essential Sunday-afternoon viewing for me and my brother in the gloomy late 70s - Waldorf and Statler rules - but I'm not even sure I saw the movie.
I still have the vinyl album box-set which I bought asap after viewing The Last Waltz' on the big-screen; and now also have the CD, and DVD.
'The Band' album is one of my Desert Island Discs.
The Taking of Pelham One Two Three' was one of the very first films I saw after coming to Dublin - and I also read the paperback. Its fun - especially Matthau, but I don't think I ever considered it for my 50.
The Man Who Would Be King' is a wonderful movie, which probably belongs to an earlier age. Probably Connery's best performance.
I probably saw every blaxploitation movie that screened in Dublin following my 'migration'; and the 'whitey's pseudo-blaxploitation movie - although some of them were quite good, also. Foxy was great - as was Pam Grier; but now I'm sorry I didn't even shortlist 'Truck Turner' (even though it shattered my boyhood Nichelle Nichols (Lt Uhuru) illusions).
Spot on about 'Eddie Coyle'
Grey Gardens' was on my shortlist and it's a great documentary, but it's almost pornographic in its uncomfortable intrusion into the life of a sad, deluded, woman.
Kudos for including 42,43, and 49.
With 'Tinker, Tailor, Soldier, Spy' I've just never included tv mini-series, but for me this is Guinness' finest hour, and its among the finest of tv drama - of any format or genre.
#885 Post by Gropius » Wed Jan 29, 2014 3:32 am
Satori wrote: Yes, yes, Dielman is one of the greatest films of all time, but please don't limit yourself to just one Akerman. All her work is so rewarding.
I have seen and liked all of Akerman's 70s films, but, even though I put Dielman at number 1, I didn't feel like voting for any of the others on this occasion. She was a very precocious young director who struck gold early, but while the works preceding it still feel young and tentative, Dielman has the eerie maturity of a filmmaker twice her age, which is at least as much Seyrig's achievement as Akerman's. (Last time I actually voted for Hotel Monterey as well, but revisiting it, it felt a bit too much like a cover version of North American experimentalism, although still deeply impressive from a 22-year old.)
Lowry_Sam
#886 Post by Lowry_Sam » Wed Jan 29, 2014 4:17 am
Again, for me the 70s saw Hollywood at the peak of its creativity:
1 Apocalypse Now
2 Alien
3 Taxi Driver
5 The Discreet Charm Of The Bourgeoisie
6 Nashville
7 Fox And His Friends
8 Chinatown
9 The Conversation
10 Dog Day Afternoon
Several seem to be complaining that the list is fairly conventional.For me the biggest surprises (and not in a good way), were where the list strayed from convention: Phantom Of Paradise @ 21, while Carrie (and Rocky Horror Picture Show) don't even make the top 100? I smell a conspiracy.
The one film I've re-assessed more negatively than probably most (though the 1st is still in my top 50) is The Godfather trilogy. After The Sopranos, I'm just not as impressed with I & II as I once was.
My Phantoms (not of Paradise):
Bed & Board
The Lost Honor Of Katarina Blum
Scum (1977)
Slaughterhouse Five
Up The Sandbox
#887 Post by Gregory » Wed Jan 29, 2014 4:35 am
There was so much more I wanted to watch, despite having watched mostly 1970s films for months now. And there were at least two bad oversights on my part:
Tale of Tales (Yuri Norstein, 1979), after giving this first place in the Animation List Project, I forgot to include it because my brain keeps telling me this is a 1980 film, probably because that's when the world outside the USSR became familiar with it.
The Traveller {Kiarostami, 1974) I finally just saw this and it's as great as zedz says it is. I would have placed it high on my list if I'd seen it in time, but when I was making a '70s stack out of the old kevyip to watch before the deadline, I glanced at Close-Up and it didn't register (and I didn't see it mentioned in the thread this time around).
Having seen a couple of the other early Kiarostamis, I was not excepting anything as accomplished and involving as this; so many great scenes in such a short feature. It's hard to think of another film I've seen recently that made me wish there were a sequel that would continue to follow the character(s).
And as a film rescued from obscurity (somewhat at least) by Criterion since the last round of '70s voting, I'm surprised it would fall 98 points (again, partly my fault on that).
I should have voted for Scum ('77) or Scum ('79) too but didn't get around to rewatching them to decide which to vote for. I thought at least one of them would make it anyway!
thirtyframesasecond
#888 Post by thirtyframesasecond » Wed Jan 29, 2014 6:41 am
I'll look through my also-rans/orphans later, but for now, my top ten were
1. Stalker (Tarkovsky)
2. Days and Nights in the Forest (Ray)
3. Days of Heaven (Malick)
4. Suspiria (Argento)
5. Fox and his Friends (Fassbinder)
6. The Conversation (Coppola)
7. Don't Look Now (Roeg)
8. Phantom of the Paradise (De Palma)
9. The Ear (Kachyna)
10. The Mouth Agape (Pialat)
Lemmy Caution
Location: East of Shanghai
#889 Post by Lemmy Caution » Wed Jan 29, 2014 8:08 am
I had a strong Top 20 and then never got around to really ranking/organizing the rest.
1.	One Flew Over the Cuckoo's Nest
2.	Annie Hall
3.	In a Year of 13 Moons
4.	Dog Day Afternoon
5.	A Woman Under the Influence
6.	The Last Picture Show
7.	Monty Python and the Holy Grail
8.	And Justice for All
9.	Cria Cuervos
10.	Alice Doesn't Live Here Anymore
11.	Spirit of the Beehive
12.	Amarcord
13.	The Great Santini
14.	Life of Brian
15.	A Swedish Love Story
16.	The Battle of Chile
17.	The Harder They Come
18.	A Walk Through H
19.	Even Dwarfs Started Small
20.	Sleeper
Maybe the only unusual choice is The Great Santini, which is a terrific film about growing up with a dominant ego-maniac father. Duvall is excellent in the title role, as a hard-nosed Marine pilot who psychologically abuses his family. He got an Oscar nom for the role, as did Michael O'Keefe in a supporting role as the son who has to grow up while taking incoming psychological flak. The film also went by the title The Ace, as the studio flubbed around on how to present the picture.
#890 Post by Yojimbo » Wed Jan 29, 2014 10:28 am
Just a general observation: I remember what was proclaimed as the great Renaissance of Australian Cinema around about the late 70s, and many of those directors later made names for themselves in Hollywood, but I didn't see too much evidence of that Renaissance among the lists - including also-rans.
'Mad Max' of course made my 50 - although I don't think that was being considered part of the movement. Peter Weir's 'The Last Wave' - which certainly was - made my shortlist, and I'm sure I saw a mention of 'Hanging Rock'.
Was it over-hyped, or were there just so many good films being produced in the 70s, that they got lost in the rush?
swo17
Location: SLC, UT
#891 Post by swo17 » Wed Jan 29, 2014 12:19 pm
Gregory wrote: Tale of Tales (Yuri Norstein, 1979), after giving this first place in the Animation List Project, I forgot to include it because my brain keeps telling me this is a 1980 film, probably because that's when the world outside the USSR became familiar with it.
Not to rub it in, but this is precisely why in the "eligibility" section of the first post of the thread, I include a list of films that might most easily be mistaken for belonging to another decade. It's always a good idea to read through these lists quickly when you're preparing your ballot so as to avoid disappointments like this. Tale of Tales has been listed there this whole time.
#892 Post by Gregory » Wed Jan 29, 2014 12:24 pm
I didn't mean for it to seem like I'd ignored your original post, swo17. I did read it, at the beginning of the round. It's just that I'm often forgetful and scatterbrained. In hindsight, you're totally right: it would've been a good idea to read the whole thing again before submitting my list.
#893 Post by colinr0380 » Wed Jan 29, 2014 1:52 pm
Yojimbo wrote: Just a general observation: I remember what was proclaimed as the great Renaissance of Australian Cinema around about the late 70s, and many of those directors later made names for themselves in Hollywood, but I didn't see too much evidence of that Renaissance among the lists - including also-rans.
It is difficult to speculate about the Weirs but I wonder if some of the other films haven't received a boost in acclaim that would lead to them being rediscovered. I remember a few years ago searching for films by John Duigan such as The Year My Voice Broke or the early Fred Schepisi films (The Chant of Jimmy Blacksmith and The Devil's Playground) and not having much luck.
Speaking of Fred Schepisi, I highly recommend the surprisingly lyrical Iceman for the 1980s discussion!
#894 Post by swo17 » Wed Jan 29, 2014 2:02 pm
Here is my '70s list, including write-ups and pretty pictures.
Some fascinating stats about my list:
Films I hadn't seen before the project started: 25
Films in the Criterion Collection: 12
Films not yet released on DVD: 3
Films with no diegetic dialogue: 10
Films in black & white: 7
Films under 40 minutes long: 8
Films 40-70 minutes long in my top 15: 4
Films more than 2-½ hours long: 8
Films more than 12-½ hours long: 1
14. The Great Ecstasy of Woodcarver Steiner (Werner Herzog, 1974)
15. Newsprint (Guy Sherwin, 1972)
21. Mindscape (Jacques Drouin, 1976)
25. Blaise Pascal (Roberto Rossellini, 1972)
29. The Hunters (Theo Angelopoulos, 1977)
30. Berlin Horse (Malcolm Le Grice, 1970)
31. I, Pierre Rivière, Having Slaughtered My Mother, My Sister, and My Brother... (René Allio, 1976)
34. Illumination (Krzysztof Zanussi, 1973)
40. Mutations (Lillian Schwartz, 1973)
42. News from Home (Chantal Akerman, 1977)
45. The White Bird Marked with Black (Yuri Ilyenko, 1971)
44. The Scenic Route (Mark Rappaport, 1978) - I would have talked this one up before the deadline, but by the time I discovered it, 90% of you had already submitted your lists! This is the perfect film for a #50 slot, so perfect in fact that I simply had to place it a few spots higher. You can tell we're getting close to the '80s here with shots like this one, which perhaps Bergman might have come up with if he had ever been a 12-year old girl:
#895 Post by Yojimbo » Wed Jan 29, 2014 2:03 pm
colinr0380 wrote:
Ta, Col. And of course I recommend his 'Barbarosa', in case you haven't seen it.
#896 Post by zedz » Wed Jan 29, 2014 2:55 pm
Gregory wrote: I should have voted for Scum ('77) or Scum ('79) too but didn't get around to rewatching them to decide which to vote for. I thought at least one of them would make it anyway!
I thought long and hard about including Clarke this time around, but he really goes into creative overdrive in the 80s, so I'll save it for then. Elephant will surely be the highest placed title, probably top ten.
Thanks for the vote of confidence on Traveller. When I first saw it in the late 90s I was familiar with Kiarostami's later masterpieces but was nevertheless stunned, and thought that if any film could have kicked off a modern neorealist movement, this was it (if it had actually been seen by anybody, and if history hadn't intervened so drastically). And if Kiarostami had never got the chance to keep making films and eventually get the attention of international festival programmers, it's a film that I dare say none of us would ever have heard of. There must be hundreds or thousands of equivalent films around the world that are less fortunate.
lubitsch
#897 Post by lubitsch » Wed Jan 29, 2014 2:59 pm
swo17 wrote: Here is my '70s list
Small correction for your list, Walter Steiner was a Swiss athlete not a Swedish one. And it's really one of those bombastic Herzog "documentaries" which is very hard to take seriously if you know a bit about ski jumping. Even though ski flying is a demanding sport, there were extremely few casualties in the last decades in ski jumping and as for the superhuman jumps to the limit of man's abilities ... well today jumpers regularily fly 40m more than Steiner did and the record is almost 70m more than Steiner ever jumped.
#898 Post by knives » Wed Jan 29, 2014 3:31 pm
So? What does reality have to do with the point and beauty of the film?
domino harvey
Dot Com Dom
#899 Post by domino harvey » Wed Jan 29, 2014 3:32 pm
Forget it knives, it's Lubitsch-town
Yojimbo wrote: One of these days I'll finally break open the seal on my THX-1138 DVD: it must be all of five years old.
The sad thing about THX-1138 is that is only available in its CGI-enhanced "George Lucas Director's Cut" version with extra wide shots of sci-fi cityscapes and the over the top cartoonish traffic dodging sequence leading into the original, celebrated, overheat-power down-speed up race against the budgetary clock ending (and the least said about the terribly fake animated worker that has been added, diving from the scaffolding during the crash scene, the better! Especially when you consider that that fake shot is immediately followed by one of the stunt motorcycle riders actually injuring themselves in a shot that Lucas kept in the film on their insistence!). The CGI is, as in the Star Wars enhancements, distracting and annoying whenever it appears and, as in that lead into the 'antithesis of a car chase' climax, actively seems to be working against the original intentions Lucas may have had decades before.
Yet the film itself outside of those moments is fantastic. I just wish there was a fanbase as large as the Star Wars one to campaign for a non-CG enhanced version of the film to also be made available one day. However that seems extremely unlikely to ever happen!
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DIYNetwork.com experts show how to repair concrete steps by patching and resurfacing them.
Before beginning any pool deck repair project, the first and most important step is to figure out what caused the damage and then determine the best repair procedure for solving the problem (read this troubleshooting advice). For the best results, you'll need to remove all unsound concrete and fill in noticeable cracks before completing the repair. If your pool deck is not sloped probably or is settling, you'll also need to divert the water runoff and re-level the surface. concrete resurfacing.
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Two men were charged on Thursday for allegedly walking around an Inglewood neighborhood with assault rifles while dressed in camouflage and body armor, according to the Los Angeles County District Attorney's office.
Edmon Adonis Washington, 35, and Brook Thomas Lindsey, 30, each face one felony count of possession of an assault weapon, a Hi-Point semi-automatic assault rifle.
Lindsey was also charged with one felony count of unlawful assault weapon-.50 BMG rifle activity, a Hi-Point semi-automatic assault rifle.
On Aug. 16, Washington and Lindsey allegedly began walking around an area near 104th Street and Crenshaw Boulevard with semi-automatic assault rifles.
Video from the scene showed the men walking around in camouflage, carrying the rifles and talking about racism.
Police arrived at the scene and monitored the men as they walked around the neighborhood.
"Right now we are giving a peaceful demonstration. Nobody's being shot. Nobody's being brutalized. We're out here just exposing racism, white supremacy," one of the men told KTLA during his walk.
Both men were later arrested in San Fernando Valley.
I could care less about the racial politics of Mr. Lindsey and Mr. Washington; I care about their actions and intentions as citizens of the United States.
I cannot find any account that suggests either man was threatening other members of society, or using their firearms recklessly or in an unsafe manner. They appear to have possibly violated the Mulford Act, which was passed in the 1960s and signed by Governor Ronald Reagan in response to the Black Panthers going on similar walks.
They were engaging in what appears to be an open carry protest that the responding Inglewood officers did not view as a threat, as they merely stood by and monitored the situation as the men carried out their open carry walk.
It wasn't until later that officers in San Fernando Valley arrested them on "assault weapon" charges.
Folks, the Hi-Point 995 carbine may be a lot of things, but an "assault weapon" it most certainly is not, not by any sane definition anyway. The Hi-Point is a very inexpensive pistol-caliber platform that has been given a stock, a longer barrel, and a simple forend.
What's more, the Hi-Point 995 is currently sold in the state quite legally, with a "California-compliant" version existing on the market from the beginning.
Even more interesting, Hi-Point does not now, and has not ever made a .50 BMG variant. As all Hi-Point handguns and carbines are built from a basic pistol design that loads the magazine through the grip, it would be mechanically impossible to make a grip big enough to accommodate a .50 BMG round, as the length of the cartridge case is 5.45 inches long!
Lindsey's additional .50 BMG charge is clearly falsified, and it appears that the "assault weapon" charges are highly suspect as well, unless they managed to get their hands on normal versions of the carbines that lack a bullet button.
Where California police have an actual right to charge them is under laws that have made it virtually impossible to legally open carry in California.
Lindsey and Washington have likely run afoul of misdemeanor laws governing long-gun open carry in California, but charging them with these felonies appears to amount to gross over-charging, and an abuse of the human right to bear arms.
I hope California gun rights supporters step up and provide legal assistance for these men, who appear to have been carrying out an open carry walk that would have been considered an expression of their rights as American citizens in any actually free state.


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Wow too bad I have none.


text:
The Almost Nearly Perfect People
Behind the Myth of the Scandinavian Utopia
By Michael Booth
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The Danes are the happiest people in the world, and pay the highest taxes.'Neutral' Sweden is one of the biggest arms manufacturers in the world.Finns have the largest per capita gun ownership after the US and Yemen.54 per cent of Icelanders believe in elves.Norway is the richest country on earth.5 per cent of Danish men have had sex with an animal.Michael Booth has lived among the Scandinavians, on and off, for over ten years, perplexed by their many strange paradoxes and c ... haracter traits and equally bemused by the unquestioning enthusiasm for all things Nordic and hygge that has engulfed the rest of the world. He leaves his adopted home of Denmark and embarks on a journey through all five of the Nordic countries to discover who these curious tribes are, the secrets of their success and, most intriguing of all, what they think of each other. Along the way a more nuanced, often darker picture emerges of a region plagued by taboos, characterised by suffocating parochialism and populated by extremists of various shades.'The next Bill Bryson.? New York TimesWinner of the Best Narrative Travel Book Award from the British Guild of Travel Writers
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The Danes are the happiest people in the world, and pay the highest taxes. 'Neutral' Sweden is one of the biggest arms manufacturers in the world. Finns have the largest per capita gun ownership after the US and Yemen. 54 per cent of Icelanders believe in elves. Norway is the richest country on earth. This book deals with Nordic countries.
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The Danes are the happiest people in the world, and pay the highest taxes.'Neutral' Sweden is one of the biggest arms manufacturers in the world.Finns have the largest per capita gun ownership after the US and Yemen.54 per cent of Icelanders believe in elves.Norway is the richest country on earth.5 per cent of Danish men have had sex with an animal.Michael Booth has lived among the Scandinavians, on and off, for over ten years, perplexed by their many strange paradoxes and character traits and equally bemused by the unquestioning enthusiasm for all things Nordic and hygge that has engulfed the rest of the world. He leaves his adopted home of Denmark and embarks on a journey through all five of the Nordic countries to discover who these curious tribes are, the secrets of their success and, most intriguing of all, what they think of each other. Along the way a more nuanced, often darker picture emerges of a region plagued by taboos, characterised by suffocating parochialism and populated by extremists of various shades.'The next Bill Bryson.? New York TimesWinner of the Best Narrative Travel Book Award from the British Guild of Travel Writers
No. of pages
Paper Plus
Lorem ipsum dolor sit amet, consectetur adipiscing elit, sed do eiusmod tempor incididunt ut labore et dolore magna aliqua. Cursus vitae congue mauris rhoncus aenean vel elit. Placerat vestibulum lectus mauris ultrices eros in cursus. Eget mauris pharetra et ultrices neque ornare. Adipiscing elit pellentesque habitant morbi tristique senectus et netus et. In mollis nunc sed id semper risus.
https://www.paperplus.co.nz/shop/books/non-fiction/travel/travel-writing/the-almost-nearly-perfect-people 9780099546078 The Almost Nearly Perfect People https://static-ppimages.global.ssl.fastly.net/nielsens/9780099546078.jpg 28.80 NZD OutOfStock /shop/books /shop/books/non-fiction /shop/books/non-fiction/travel /shop/books/non-fiction/travel/travel-writing The Danes are the happiest people in the world, and pay the highest taxes.'Neutral' Sweden is one of the biggest arms manufacturers in the world.Finns have the largest per capita gun ownership after the US and Yemen.54 per cent of Icelanders believe in elves.Norway is the richest country on earth.5 per cent of Danish men have had sex with an animal.Michael Booth has lived among the Scandinavians, on and off, for over ten years, perplexed by their many strange paradoxes and character traits and equally bemused by the unquestioning enthusiasm for all things Nordic and hygge that has engulfed the rest of the world. He leaves his adopted home of Denmark and embarks on a journey through all five of the Nordic countries to discover who these curious tribes are, the secrets of their success and, most intriguing of all, what they think of each other. Along the way a more nuanced, often darker picture emerges of a region plagued by taboos, characterised by suffocating parochialism and populated by extremists of various shades.'The next Bill Bryson.? New York TimesWinner of the Best Narrative Travel Book Award from the British Guild of Travel Writers 28.80 Michael Booth Paperback 0 0 https://static-ppimages.global.ssl.fastly.net/nielsens/9780099546078.jpg 10/28/2019 2:42:08 AM


The new high dynamic range (HDR) format allows brightness levels to change as frequently as each frame, instead of a single level for an entire video.
A 34-foot display supporting HDR and backed by a Harman audio system. Is that enough to entice us back to movie theaters?
The update will begin rolling out today; once it reaches your system, you'll be able to view any 4K videos in MP4 format you have saved on a USB stick or home server.
If everything a child ever watches on TV comes via Netflix, it makes sense they won't know how television commercials work.
The 55-inch model is the cheapest of the bunch at $4,999.99 while the 65-inch version will set you back $6,499.99.
This 55-inch 4K television from Samsung is currently on sale for 46 percent off the list price.
The conference is scheduled to go on until June 9.
Bottom Line: The iPhone 7 Plus, with its new dual cameras, gives Apple fans a reason to pick the big phone.
If resolutions have fallen by the wayside, then there's inspiration to be found from your couch.


text:
Layers
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1 Linux Kernal
===
	* Security
	* Memory & process management
	* Power management
	* Low memory killer
	* Interprocess communiation

2 System libraries
===
	* lots

3 Android Runtime
===
	* Java [write]
	* Dalvik Virtual Machine [execute]

4 Application Framework
===
	* Package manager
	* Window manager
	* View system
	* Resource manager
	* Activity manager
	* ContentProvider[Inter-application data sharing]
	* Location manager
	* Notification manager

Classes
---

Activity
***
[Takes input from user]

Service
***
[Runs in background]

	1 Long running threads with no ui
	2 Data between processes

BroadcastReiever
***
[Listens for and responds to events]

Content Providers
***
[Uses DB style memory]

Steps to creation
---
1 Define Resources
===
[At compilation time, resources generate the R.java class]
	*Layout [.xml] @string/string_name Java: R.layout.layout_name
	*Strings [.xml] @string/string_name Java: R.string.string_name
	*Images
	*Menus
1 Implement Application Classes
===
	*onCreate()
		1 Restore saved state
		1 Set content view
		1 Initialize UI elements
		1 Link UI elements to code actions
1 Package Application
===
AndroidManifest.xml
1 Install & Run
===

redpajama_set_name: RedPajamaGithub


HOUSTON Police say an officer was trying to pull over a car for a traffic stop near Westpark when the driver suddenly started tossing wads of cash out the window. The money was blowing all over the Tollway, and police had to stop traffic near Richmond to collect the cash.
The driver was taken into custody. Investigators are questioning him about where all that money came from.


Health Is Close To Home.
Enriching Healthcare Services in Cold Lake.
Subscribe to our Heartbeat newsletter to keep your finger on the pulse of healthcare in Cold Lake!
Learn more about enhancements to local health care facilities, healthcare services in our region, and exclusive opportunities to participate in giveaways from our sponsors and partners.
My name is Jessalyn, and I'm a family physician in my first year of practice in Cold Lake, AB. I was born and raised in Regina, Saskatchewan, in a family of five. Growing up, some of my best memories revolved around camping in the prairies over the summer months, and skiing in the Rockies over the winter months. I had a strong passion for learning from a young age, and knew I wanted a career where the learning never ends. I decided to pursue a career in medicine, starting with undergraduate training at the University of Regina in Kinesiology. I eventually went on to graduate from University of Saskatchewan College of Medicine in 2016.
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text:
Allegheny College cancels in-person classes through March 30 amid COVID-19 outbreak
'Remote instruction' to begin March 25, more details to come
Matthew Steinberg, Co Editor-in-Chief|March 11, 2020
At 6:17 p.m. on Wednesday, March 11, Allegheny College students received an email from President Hilary Link announcing that in-person classes will be cancelled until March 30. "Remote instruction" of classes will begin on March 25, which is one day after Allegheny students were set to return from spring break.
The cancellation of in-person classes is in response to the global spread of COVID-19, according to the email. There are currently more than 125,000 reported cases of the virus on six continents — the World Health Organization declared COVID-19 a pandemic on Wednesday. In the United States, almost 1,300 cases have been reported in the majority of states, according to the John Hopkins Coronavirus Resource Center.
A pandemic, as defined by the WHO, is "the worldwide spread of a new disease for which most people do not have immunity," according to an article published by NBC News.
"As we watch the rapidly changing impact of the COVID-19 virus throughout the world, Allegheny joins many other colleges in evaluating how our campus should be responding to protect the health and safety of our community while delivering the high-quality education that is the core of our mission," the email reads.
The college joins other higher-education institutions in Northwestern Pennsylvania that have already cancelled in-person classes due to fears of the virus. Edinboro University expects that in-person instruction will resume in April, and Slippery Rock University will be extending its spring break until March 29.
Link's email says that even though the campus hasn't closed for spring break in past years, "this year (the college is) expecting that students leave campus if possible."
Students are expected to leave campus by 5 p.m. on Saturday and should remain off campus until March 28, according to the email. Students with "extenuating circumstances that prevent them from leaving campus or accessing remote education," must complete a "Spring Break 2020 Form," and permission to be on campus will be granted on "a case-by-case basis." While students are expected to leave campus, faculty and staff will follow business as usual.
The email provides information regarding housing and dining, travel, athletics, events on campus and study abroad programs, amongst other topics pertaining to campus life. It also includes a "Risk Prevention Guidelines" section, which details ways to prevent further spread of the virus.
"When students return to campus on March 28, 2020, their housing assignments and meal plans will remain in place," the email reads. "Students may leave their belongings in their rooms over the extended break, but are encouraged to take class-related items that are needed to continue studies remotely."
Housing selection night will now take place on April 1 — selection for college-owned houses will begin at 5 p.m. that evening, and senior selection will begin at 6 p.m.
northwestern pennsylvania
Matthew Steinberg, co Editor-in-Chief
Matthew Steinberg is a senior majoring in communication arts and double minoring in journalism in the public interest and Spanish. This year, he serves...
Cleaning up the Mississippi River
Imagine spending long days soaking wet, sweaty and smelling like trash; that's how Assistant Dean for Student Leadership and Engagement Eric Stolar ...
Winter Involvement Fair
ASG, Binnington talk counseling, dining
Two dorms offline next academic year
Midweek electric fault resets power
Allegheny College briefly lost power just before 11 a.m. on Wednesday, Jan. 25, with lights and electronics shutting down and then powering right back...
Nagy leaves, Hunt takes acting role
Welcome Weekend
'Light in Odd Spaces'
Theta Chi to sell house before next academic year
Allegheny to update COVID policy, move away from surveillance testing
All The Campus Picks Reader Picks Sort: Newest


Congestion at container terminal gates is a recurring topic that is being discussed frequently at large import/export terminals globally. The reasons for such congestion are numerous, ranging from volume increases due to larger vessels, seasonal peaks or general growth, failure of equipment or IT systems, or changes in work regulations.
Increasing numbers of terminals are using higher levels of automation to improve productivity and efficiency and ultimately become more competitive. Automated terminals, like manned terminals, consist of various subsystems from different vendors, but rely on automated rather than human triggers, requiring system testing for integration success. This degree of complexity adds to the challenges of successfully implementing automation, and ultimately prove it is worth the investment.
This executive whitepaper discusses the evolution currently taking place in some of the current concepts driving operational planning, control and execution practices. These changes will require not only technology but also new processes and collaboration across the industry that will shape the future of how terminals work and engage.
This Executive whitepaper explains everything you need to know about optimization and the terminal operating system.
Navis Services has instituted a prescriptive project approach to implement and tune any combination of Navis' optimization modules (Expert Decking and Prime Route) which combine many important features to simplify implementation and reduce project risk.
Navis Optimization Services team reviews your choices when optimizing end-loading Automated Straddle Carroers (ASCs). As with other types of automated container handling equipment, a variety of operational decisions need to be made by the terminal operating system in order to optimize the performance of ASC blocks.
This whitepaper provides information from the Navis Professional Services team on proven best practices that help terminals maximize the success of their TOS go-lives.


during his visit to the Whitehouse.
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This entry was posted on Thursday, May 20th, 2010 and is filed under Uncategorized. You can follow responses to this entry through this post's RSS 2.0 feed. You can leave a response, or trackback from your own site.
< A wonderful time at "El Dia del los Ninos/El Dia de los Libros (Children's Day/Book Day)" festivities at the Please Touch Museum!


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