Can Dogs Eat Apples,Cinnamon? The Best Guide To Know About.
For any pet parent, you have to be extremely careful in what food you give to your dog to eat. are you are wondering can dogs eat apples? Yes, dogs can eat apples and the best part is that most of them love apples too.
If your dog has a sweet tooth, the best and the safest way of satisfying it is to make him eat apples. They are a source of calcium, fiber, VitaminC and phosphorus.
1 Should you be observing any caution when it comes to making your dog eat apples?
2 How to Feed Your Dog Apples?
3 Can Dogs Eat Apple and Cinnamon?
4 Can Dogs Eat Apples and Bananas?
5 Can Dogs Eat Apples and Peanut Butter?
6 Can Dogs Eat Dried Apples?
7 Can Dogs Eat Apple Skin?
8 Can Dogs Eat Apple Pulp without Any Hassle?
Should you be observing any caution when it comes to making your dog eat apples?
The only then that you must be careful about while feeding your dog apples is to avoid the seeds. they contain a toxic substance called cyanide. It is also recommended to avoid stems when feeding apples to your puppy. Don't choose dehydrated apples because they contain nutrients which have been dehydrated as well.
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If you feed your dog too many apples, it might cause bellyache and in some cases even diarrhea.
How to Feed Your Dog Apples?
Are you wondering how you should be feeding your dog apples? It is simple. You can sever them in slice form and they can even be frozen. You can also make apple pops with apple sauce drizzled on top. It can also be served as grating on top of the dinner.
Don't hesitate in giving your best friend apples. They are quite good for them. Apples don't just contain vitamins, but they contain a number of other valuable nutrients that are beneficial for the health of the dog in general. As apples are a bit hard, they can help in keeping the teeth of the dogs healthy and their breath fresh. It is recommended to make apples a regular part of the diet of your dog. But make sure you keep the quantity minimum because feeding too many apples at once is not a healthy thing.
Apart from giving apples directly, you can also feed your dog apple based products. One example of an amazing such product is apple cider vinegar. If you mix it with equal parts of water and use it as an effective flea-control measure after shampooing your dog, then you will be helping your buddy a lot. This ingredient also helps controlling dog odor. Remember, this mixture is not meant for oral consumption, it is meant for external use. But a great thing is that you can add apple cider vinegar to the food of bowl or even water of your dog many times in a week. This will help make the digestive system of your dog better and his body functioning will become better too.
Can Dogs Eat Apple and Cinnamon?
Well. Most dogs will accept foods like apple and cinnamon if you offer them. They are anyway up for eating anything usually. However, much like humans, it depends on dogs. Sometimes they change their minds later on like humans and will no longer like apples or cinnamon.
Apples have high food value, and due to the reason, human beings are advised to include an apple to their diet chart every day. It turns out the same can be true for the dogs, too. Apples can be a super healthy treat, affordable, and low calories. You'll be pleasantly surprised to see that the powerful antioxidants and loads of vitamin C and vitamin A will do wonders for your dog. It's a great deal of supplement that will keep your dog fun-loving and exuberant. It also helps in keeping the dog's teeth clean and keeps their breath fresh too. In the case of younger and active dogs, apples can work wonder in improving dogs' gastrointestinal health. Regular intake of apple can also help with their degenerative conditions.
Cinnamon, on the other hand, is non-toxic to dogs. But you shouldn't go out of your way to give it to them. Cinnamon in small quantities should be safe for dogs. It is not an essential part of their natural diet, so you don't have to get carried away and add it as a daily supplement. Also, cinnamon is not food; it's a spice. A large amount of cinnamon can cause a digestive problem and lead to gas and bloat.
Can Dogs Eat Apples and Bananas?
Fruit isn't a natural part of a canine diet, but most dogs like them along with vegetables we'll toss their way. Some of them aren't interested, but some love the crunch. Some only take it in as an occasional treat. If you want to include apples into your dog's daily diet routine, it is worth knowing a few different ways of serving them. There are many different ways to feed apples to dogs, you can cut it in slice and freeze it, or it can be served as a grated topping along with something else for dinner, or when your dog catches a cold, it's a great idea to make a warm apple sauce.
Dogs can eat bananas but only in a balanced way. Bananas are a good source of magnesium, vitamin C, vitamin B6, fiber, potassium. You should only give bananas to your dog as an occasional treat because of the sugar presence within the fruit. It should never be treated as a part of their diets. An occasional treat is fine; you don't want your dog to have an imbalance of potassium with too much banana intake.
Can Dogs Eat Apples and Peanut Butter?
Peanut butter is safe and healthy for dogs, peanut butter is high in protein and biotin, and the fats it contains are largely healthy. Peanut butter is a favorite treat of many canines. It hardly takes ten to fifteen minutes for them to lick it all out. However, you should keep in mind to give your dog in moderation. Be sure that you are not using peanut butter that has artificial sweetener, particularly xylitol, as it is harmful to dogs.
Despite the numerous health benefits of apples there are a couple of things to be cautious about such as 'the seeds,' 'overconsumption.' While it is ideal for your canine to have apples, make sure the apples are seedless. The reason being, the seeds of an apple contain amygdalin, which breakdowns to produce cyanide. Cyanide, as we know, is an extremely poisonous substance not only to dogs but also to human beings. This compound can harm dogs and cause them serious illness. Although eating a few seeds may not have a major effect on dog's health because the animal's body in a natural way will detoxify itself, eating a significant amount of seed can cause a buildup of cyanide in the body. Cyanide hinders blood from carrying oxygen throughout the body.
Can Dogs Eat Dried Apples?
It is advisable not to feed your dogs with dried apples. Dried apples can cause digestive issues and make the stomach upset since it lacks water which is critical for digestion.
Can dogs eat apple peel? Too much of it is not advisable, so you must not overly feed your dog with apple peels. Some dogs may experience extremely loose bowel movements when they eat apple peels.
Can dogs eat a green apple? Yes, dogs can eat green apples, as long as it is hydrated. But make sure to get rid of the core and stem before you give them. Apple stems contain cyanogenic glycosides which can be harmful to the stomach. Besides the toxicity issue, eating a whole apple is likely to get stuck in your dog's throat and cause them to choke on it. Apples should be added as a treat and not entirely as your dog's food.
Can Dogs Eat Apple Pulp without Any Hassle?
Yes, dogs can eat apple pulp without any hassle. These are not only delicious; these are low on calorie and loaded with all the useful nutrients. Apple pulps are very healthy. You can freeze the apple pulp to give your dog a cold refreshing treat. The pulp offers energy and nutrition because they contain anti-oxidants. So you can include apple pulp to your dog's diet chart without any worries.
If you have any queries regarding dogs and apples, please put it in the comment box. Sure, would help you in doggies nutrition without any cost. I love dogs and sure would save them. Share the love and save a dog!
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So, if you had always been refraining from making your dog eat apples then we hope all your worries are gone now. Can Dogs Eat Apples? YES! Get some fresh apples from the grocery store today and make your dog a special apple treat.


The dedicated pedagogue and poet József Choli Daróczi passed away on 12th May 2018 at the age of 79 and is remembered by many with great respect. Daróczi was one of the first and the most important developers of the Lovari dialect of Romani language in Hungary. He greatly contributed to the preservation and also the modernisation of Lovari through both his poetry and a number of language books and dictionaries. He translated the New Testament of the Bible into Lovari for the first time in 1996.
The Roma Education Fund is present in 16 countries and provided €8.1 million in 2017 to Roma organizations, Roma education-related projects and beneficiaries of educational programs.
REF is looking for two fixed-term colleagues in the capacities of Finance Coordinator and Administrative Assistant for EU DG Near Roma Project. The application deadline has been extended until 18 May. Details as listed below.
The Government of the Republic of Macedonia recognizes and institutionalizes the profession of the Roma Educational Mediator as a good practice and a positive outcome from its long-term cooperation with the Budapest-based Roma Education Fund.
The Roma Education Fund is seeking eight (8) junior researchers to participate in the six-month professional and research development program managed by the Council of Europe, Georg Eckert Institute for International Textbook Research and the Roma Education Fund.
The largest scholarship program of its kind in the region, the REF Scholarship Program is open to applications from Roma tertiary education students in Central, Eastern and South Eastern Europe and the Western Balkans for the 2018-2019 academic year.
On April 9, 2018, the Roma Education Fund (REF) signed an agreement with the European Commission Directorate-General European Neighbourhood Policy and Enlargement Negotiations (DG NEAR) to implement a 39-month, multi-country Roma education project in the Western Balkans and Turkey.
Starting in 2018, REF will implement a project funded by EU DG NEAR titled Increased Education Opportunities for Roma Students and Roma Youth in Western Balkans and Turkey.


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Q: Symfony Console Component - Tokens vs Arguments I'm building a cli application with Symfony Console Component. I'm using several other libraries - Monolog among others. I use the logger to log information about the command being executed, exit statuses, etc.
I find that I cannot print or log input arguments that I pass to my command.
When I call $inputArgs = $event->getInput(); in my event listener, I get an object of Symfony\Component\Console\Input\ArgvInput class. This class provides a method to retrieve a value of an argument:

getArgument(string $name) Returns the argument value for a given
  argument name.

This method will always return an empty array since 'arguments' are in fact 'tokens'. Here is a screenshot from a debug window:

This seems very misleading. I need to get the values stored in $tokens and I do not want to resort to the global $_SERVER array.
Why are 'arguments' introduced by addArgument() tokens ? And how could I access them without resorting to $_SERVER?

redpajama_set_name: RedPajamaStackExchange


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75 Moloka'i students to receive free prom dresses to be 'Bellas of the Ball'
Maui Economic Opportunity Youth Services on Moloka'i, The Bella Project Hawaiʻi and Mokulele Airlines are playing Cinderella by offering 75 prom dresses at no cost to Moloka'i youth who have no option but to travel off-island to purchase formal wear.
There will be 75 prom dresses and accessories given to students on Moloka'i. Photo Courtesy: MEO
The Bella Project, an Oahu-based nonprofit, collects donations of dresses, shoes, jewelry and accessories and gives them away to high schoolers. The Bella Project also partners with nonprofit organizations that work with low income, special needs, critically ill and military high schoolers.
Bella means beautiful in many languages; the goal is to create "Bellas of the Ball," according to the Bella Hawaiʻi program.
Mela Candelario, MEO Youth Services Program Specialist, had worked with The Bella Project in the past. On Nov. 27, the dresses were flown to Moloka'i by Mokulele Airlines.
"Not all families can afford the accumulated cost of getting a prom dress," Mela said. "For our Moloka'i ʻohana, it's not only the dress purchase but flight tickets, as well, to a Neighbor Island because we don't have boutiques or formal dress shops on the island."
MEO Youth Services is planning a giveaway of the dresses at no cost early next year at the MEO Moloka'i office, Mela said.
Original source: https://mauinow.com/2022/12/02/75-molokai-students-to-receive-free-prom-dresses-to-be-bellas-of-the-ball/
Fairmont Kea Lani's 9th Annual Tree of Hope Campaign and 31st tree lighting
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Августу Аман Радемейкер Грюнвальд (; 11 травня 1905 — 13 вересня 1985) — бразильський військовий і державний діяч, адмірал. Один із членів військової хунти 1969 року, що керувала Бразилією з 31 серпня до 30 жовтня 1969 року. За часів президентства Еміліу Гарастазу Медічі займав посаду віцепрезидента Бразилії (1969–1974).

Джерела
 Página oficial da Presidência da República sobre Augusto Rademaker
 Página oficial da Presidência da República sobre Emílio Médici

Віцепрезиденти Бразилії
Бразильські військовики

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Pennsylvania Department of State > Professional Licensing > Boards & Commissions > Nursing Home Administrators.
Nursing home administrators in the state of Vermont are governed by the "advisor " model of regulation, created by the legislature. Two licensed members of the profession are appointed by the secretary of state to advise the director of the Office of Professional Regulation (OPR) on matters relating to the profession.
Below in the downloads section, we also provide you related nursing home reports, compendia, and the list of However, the State's certification for a skilled nursing facility is subject to CMS' approval.
Jun 20, 2017 … Search complaints, citations for more than 600 nursing homes.
Nursing homes participating in Medicare and Medicaid are required by federal law to undergo an annual survey and certification process by its state's health department.
– Current Nursing Home Employment Status: Full Time. 5 I have read and I understand the information in the New York State Nursing Home Nurse Aide Certification Handbook.
Overview. Glasgow State Nursing Facility in Glasgow, KY, has an overall rating of Top Performing. It is a medium facility with 100 beds and has state ownership. Glasgow State Nursing Facility is not part of a continuing care retirement community. It participates in Medicare and Medicaid.
State websites with nursing home information. States might provide additional information that isn't provided by the Centers for Medicare and Medicaid Services (CMS).


'High Definition' was created in 2011 as a full evening's performance centred around brass instruments, percussion, synthesizer and film music, commissioned by Belgian Brass. The challenge I imposed on myself as a composer/arranger was to create one coherent piece of music, in which associations were to play a major part. I grouped numerous legendary soundtracks into seven parts and a finale, which all blend into each other. This grouping was based on substantive associations between the different films: similarities with respect to themes, cast, nationality, genre or general atmosphere.
Musical associations also play an important part in the structure of 'High Definition'. I often try to unite musical material from two or three soundtracks into one new musical structure, thus expressing the associations between the different films in terms of music as well. I also added my own, personal musical association from Western music history to certain parts. For example, in the fourth part, 'Le massacre du sacre', fragments from Stravinsky's legendary ballet 'Le Sacre du Printemps' have been interwoven with melodies and harmonies from films such as Gladiator (2000) and Mission Impossible (1967), and in the fifth part I used the structure of a Praeludium and Fugue from Bach's Well-Tempered Clavier in combination with musical material from the score of Jurassic Park (1993).
The associations between the various film scores are reinforced by some tapes that have been processed in the music. The tapes are collages of spoken excerpts from the films that served as a basis for 'High Definition'. The work opens with a short overture. The musical material of this overture can be found in all parts of the suite and achieves a grand development in the finale. In this way I want to enhance the cyclical unity of the work.
The main reason for making this CD was the first concert played on Bruges's restored carillon together with Belgian Brass on 12th June 2010.
The two chorales by Johann Sebastian Bach (1685-1750) on this CD were played during this concert. Bruges has a long history when it comes to brass players. As early as in the 14th century, Bruges employed its own minstrels (trumpeters and pipers). During a number of grand festivities, the brass sections counted over 20 musicians. It is more than likely that Intrada's like that of Girolamo Fantini (1600-1675) were played here in Bruges at that time. The city musicians kept in close touch with their colleagues from other cities. Joris De Vinck (who worked in Bruges from 1528 until 1543) succeeded his Antwerp colleague Tielman Susato (1510/15 – approx. 1570) in the same profession. Clearly, he must have been familiar with the Dansereyen (dance music).
Merely a few years later, some of the more than one hundred dances from Terpsichore (1612) by Michaël Praetorius (1571-1621) can be found in a carillon book for the automatic carillon in the Saint Nicholas Church in Brussels. The Dance suites by Claude Gervaise (1540-1560) and the Sarabande by Johann Christoph Pezel (1639-1694) also circulated in Europe. Of course, the overwhelming, festive music from Dardanus by Jean Philippe Rameau (1683-1764) has no connection with the city music: here, we can only admire the virtuosity of Belgian Brass.
After the success of "Pushing the Limits" and "Russian Heritage", we were convinced to continue and record a third CD. This time we chose to enlighten the ensemble from a total different angle: no arrangements from existing symphonic music, but new original compositions for brass and percussion! Flanders has always been a source of very talented contemporary composers, and now the time had come to put them in the spotlight in combination with Belgian Brass. From the start in 2004, Belgian Brass is an ensemble that 's always looking for a musical challenge, reaching further and evolving. The composers already knew the ensemble and therefore they had a good idea in how far they could go in their composition. They succeeded and the result is amazing. More so, because the compositions are very diverse, "From IO to Dandi" has taken a new step in the revealing contemporary repertoire. The union in the diversity of the compositions has resulted in a unique sound and colour, all brought together in this new CD. It was also an enriching experience for the musicians and they are very proud to present to you the final result.
The Dandi March was an act of peaceful protest against the British salt taxes in colonial India. This walk for peace, justice and freedom was the beginning of the independence for the Indian people. On the 12th of March 1930, a 60 year old Indian man, wearing a white cotton drape and sandals, started a walk of 370 Km to Dandi, Gujardt, a little town at the Arabic sea. This man, named Ghandi, wanted to gain salt out of the sea and by doing so, breaking the British law. 78 others accompanied him. The interest for the march was huge. Four districts and 48 villages were decorated in the colours of India. Bystanders kneeled down for the procession. A few times a day, Gandhi and others spoke to the crowd. Continuously more and more people followed. After 24 days, more than a thousand people reached Dandi. Once arrived they started to sing "Raghupati Raghav Raja Ram", the favourite hymn of Ghandi. The morning after, Ghandi took some salt from the sea, left on the shore by the waves and said: "With this, I am shaking the foundations of the British Empire". During the night of May 4th Ghandi was sleeping under a Mango tree in a village nearby Dandi. Just after midnight, the District Magistrate, accompanied by 2 officers and 30 heavily armed soldiers, arrested Ghandi. Ghandi, known worldwide and leader of the Indian people.He showed that resisting the colonial ruler also was effective without violence.In a powerless country, he became the symbol of strength and self-confidence. Seventeen years after the march to Dandi, the independence of India was a fact, but it wasn't a triumph for Ghandi. British India was torn into two: The Hindu state India and the Muslim state Pakistan. Hundred thousand people were killed because of the violence between Hindu's and Muslims. Ghandi as well was murdered by a fanatic Hindu. Worldwide he was considered a great man, possibly the most impressive one of the 20th century. "The Great Procession" is the consonance of the 24 days from Sabarmati to Dandi. In "At Dandi" you'll hear the joy and the victory.
The Wisdom of the playing Koala's is one-pieced work based on the combination of the Gamelan techniques with evolving counterpoint spelling. The simultaneous use of European and non- European concepts results in a work where colours and rhythms become one in an almost filmique atmosphere.
Io is a three-parted work that originally was composed in 1991 for the brass quintet "Belgian Brass Soloists". In 2004 the composer orchestrated it for brass ensemble and percussion especially for Belgian Brass. The title refers to the Jupiter moon Io, were enormous volcano explosions take place. The peace has a powerful and energetic sphere, where all instruments are driven to the extend of their possibilities.
'Sfere', is partly build on improvisatory and aleatoric cells, and partly on coloured chords. The extensive use of mutes and diverse techniques and effects at the percussion create a special atmosphere, and illustrate the fairy-like aspect that can be achieved with this instrumental combination. Also the notes formed by the letters of 'Belgian Brass' are used as the foundation of the melody. 'Fugato e Corale' is more virtuosic and dynamic: based on a 10- measure scheme and continuously changing metra in the percussion, a fugato theme is exposed by the brass players from high to low. This is followed by a choral, presented by the so called 'soft brass'. A short Candenza for tuba leads back to the fugue, but in reverse: the bass begins and plays the exact same melody as the higher voice did before: a mirror picture. The melody of the choral starts all over in combination with melodic and rhythmic elements from the fugue, which leads to a whipping finale, solemn and surprising. 'Canzona (Ommaggio a Giovanni Gabrieli)' is an extensive homage to a Venetian Master who was very important for the instrumental music in general, and for brass players in particular. Therefore, this part is written in a neo- renaissance style, varied with more contemporary passages where bitonal sound-structures are colouring the part. The technique " Cori spezzati" is applied literally and figurative: the ensemble is indeed divided into groups, who dialogue and contrast with each other from a distance. The beautiful San Marco Basilica is consequently staged in a modern way: old and new become united in a harmonious way, and a radiate final chord closes this brass trilogy.
Together with Belgian Brass you'll make a musical trip through the Russia of the 19th and 20th century and meet some of the most beautifull pieces, composed by popular russian composers.
Along with Balakirev, Borodin, Cui and Rimsky-Korsakov, Modest Petrovitsj Mussorgsky (1839 – 1881), was a member of the so-called "Mighty Handful", better known as "The Five", who were among the most important Russian composers of the late 19th century. Despite his passion for music, as son of an impoverished landowner he was educated at a military academy, which prevented him from receiving a complete musical training. That is why several of his pieces were orchestrated by other composers, including his famous "Pictures at an Exhibition', orchestrated by Ravel as well as "Night on Bald Mountain, orchestrated by Rimsky-Korsakov. "Night on Bald Mountain" was originally titled "St. John's Night on Bare Mountain" and was initially intended as an opera based on the theme of a witches' Sabbath. Very soon, Mussorgsky wanted to turn it into just a work for orchestra and he ended up working on it for 13 years. Yet for many, the work was unplayable as he had composed it and despite passionate attempts by a profoundly unhappy Mussorgsky it was never even performed. Only after Rimsky-Korsakov reorchestrated it 5 years after Mussorgsky died of alcohol poisoning, this brilliant work was performed for the first time in 1887.
Dimitri Dmitrievich Shostakovich (1906-1975) already acquired the status of 'star composer' at a young age, during the Lenin era. In the early years of Stalin too, he enjoyed great respect in the Russian cultural establishment. However his opera "Lady Macbeth of the Mtsensk District" and the conflict that ensued after Stalin attended a performance of this opera in 1936 (read more about this in track 4) meant the end of his total artistic freedom and the start of a repressive policy that was to mark Shostakovich for the rest of his life. The "Jazz Suite No.1" composed in 1934 was originally an entry for a state-sponsored jazz composition competition. Yet the music has little to do with real jazz and has more to do with the agility of the music than with the typical features of jazz. Remarkable for Shostakovich is the use of a saxophone and a banjo in this suite, which sometimes resembles the music of Kurt Weil, which may not be by accident. After all, Shostakovich regularly includes quotations from works by other composers, including Rossini, Wagner and Mahler. This first suite is purer and simpler than the second; one of the melodies from the latter was used in Stanley Kubrick's last film "Eyes Wide Shut".
Dimitri Dmitrievich Shostakovich (1906-1975) (read more in track 3), was a composer who had strong political views. This opera, with a libretto by Alexander Preis and based on a story by Lesvov, tells the tale of a lonely, unhappily married woman, Katrina, who falls in love with Sergei, a servant of her husband Zinovy and they murder him in an act of desperation. In the socially critical tale that takes place in the 19th century, the existing conventional conservative and moral values are questioned. This caused controversy in the upper circles, where the story was called 'pornographic, anticlerical, coarse and provincial". Yet the work was a hit with the public and no fewer than 180 performances were given between 1934 and 1936. However in 1936, Stalin attended a performance which he left in anger at the intermission, along with his political staff. Stalin, who called "Lady Macbeth" an anti-Soviet cultural crime and "not music, but chaos" forbade further performances and placed Shostakovich on a blacklist. Likewise an enjoyed 5th Symphony could not save the disrupted relationship and signalled the start of a long ordeal for Shostakovich. He kept on composing prolifically nonetheless and his music was now typified by cynical elements with touches of black humour.
Alexander Nikolayevich Tcherepnin (1899 – 1977) left Russia in 1917 after the Russian Revolution and stayed for a while in France before ending up in the United States, where he acquired American citizenship. Despite the fact he came from a musical family (his father Nicolai Tcherepnin was a respected conductor and composer) and composed a large number of works, even up to present day he is still not a very well-known composer. This could be due to the fact that he was not afraid to experiment and he wrote many works in which there is more focus on the technical aspect than the musical one. He created his own 9 tone series that would later become known as the "Tcherepnin series". Also interesting about his music is the versatility in a variety of areas. For instance, on the one hand he sometimes uses unusual combinations of instruments, including in his "Sonatina for Timpani and Orchestra" opus 58, or his "Concerto for Harmonica and Orchestra" opus 86. On the other hand, he got his inspiration from traditional Persian, Japanese and Chinese music. His "Romantic Overture" opus 67 of 1942, in which associations with Borodin, Rimsky-Korsakov and Rachmaninoff are clearly audible, is a work that is seldom played and is therefore widely unknown.
Igor Fyodorovich Stravinsky (1882 –1971), is considered as one of the most important composers of the 20th century. Not only did he go through a pronounced and wide-ranging personal artistic evolution, but to a great extent he also set the norms of contemporary music history. His meeting with Sergey Diaghilev, who created the "Ballets Russes" in Paris was a determining factor for Stravinsky's life and work. After all, the ballet music for "The Firebird", "Petrushka" and "The Rite of Spring" were commissioned by Diaghilev and gave Stravinsky the status of a cult star. The cultural revolution in 1917 as well as the outbreak of the First World War initially caused Stravinsky to travel to Switzerland and then to settle in Paris where he acquired French nationality. With the outbreak of the Second World War, he emigrated to the United States where he acquired his third nationality. Versatility is probably the main characteristic of his work; he wrote the most varied music in which he always created a new style. The three-part ballet music from "Jeu de Cartes", which premiered in New York in 1937, is a perfect example of this. At the end of his life, he turned to twelve-tone composition which was probably his greatest stylistic leap.
Giovanni Gabrieli (1554/57-1612) is undoubtedly the most important representative of Venetian music from the end of the 16th through the beginning of the 17th century. As from when he followed in the footsteps of his uncle Andrea in the City of Doges in 1585 as the composer of liturgical services in St Mark's Basilica, he not only continued developing the tradition of the polychoral vocal style a cori spezzati (i.e. using divided choirs: the acoustics and the specific construction of the basilica with its large, high galleries made it possible to split the choir into two sections and have them sing in turn, creating a veritable dialogue), he also had an outstanding instrumental ensemble at his disposal, to which the greatest virtuosos of the period, including cornetti players Girolamo Dalla Casa and Giovanni Bassano, belonged. His compositions for St Mark's were published in two Sacrae symphoniae bundles. The instumental canzonas and sonatas they contain were almost certainly intended to be heard at mass and versper services on the main holidays and celebrations throughout the liturgical year. The ten-part, double-choir Canzon Duodecimi toni clearly illustrates how Gabrieli managed to highlight the virtuoso abilities of his ensemble.
While the heart of the works of Johann Sebastian Bach (1685-1750) lies in religious music, his worldwide orchestral music also plays an important role. Alongside Musikalisches Opfer, the Kunst der Fuge and a large number of concerti, between 1725 and 1741 he also composed some four orchestral suites for varying combinations which all consist solely of an opening followed by a set of dance movements that follow one another in succession, clearly under the influence of the French style. The first of these suites dates back to around 1725 and was originally composed for 2 oboes, bassoon, strings and basso continuo.
When Wolfgang Amadeus Mozart (1756-1791) severed all ties with his boss Count Colloredo in 1781 (thus becoming the first freelance composer ever!), he had far more freedom to determine what and how he would compose. He found the ideals of liberty and humanity to which he subscribed reflected in Beaumarchais' play Les Noces de Figaro, which conveyed the spirit of the French Revolution. Against the recommendation of the censure committee (the ideas were too revolutionary and too modern), but with the support of King Ludwig ll, between October 1785 and April 1786, Mozart used this play as a basis for composing his opera Le nozze di Figaro, a masterpiece that continues to be one of the most popular works in opera repertoires around the world. The opening immediately sets the tone for the whirlwind of events in the folle journée described in this opera.
Richard Wagner (1813-1883) Der Ring des Nibelungen is undoubtedly one of the most megalomaniacal projects in the entire history of opera: four entire evenings worth of music, together some sixteen hours of musical drama, tell the tale of the downfall of the world (or at least of the gods) through their quest for power. The dramatic apex of the entire cycle takes place in Götterdämmerung, the last part of the Ring: this is the moment when forces of evil kill the young hero Siegfried, upon whom the hope of a new world rests. After his death, Siegfried is given a moving funeral march, in which Wagner uses a series of leitmotifs to characterise him as a heroic and dramatic character.
Dmitry Kabalevsky (1904-1987) gained some limited acclaim with his second symphony, but made his first definitive breakthrough, both in his homeland of Russia as well as abroad, with his first opera, Colas Breugnon (1838), which he composed based on the story by Frenchman Romain Rolland. While stylistically speaking Sergey Prokofiev served to a certain example as his example, Kabalevsky never dared go as far with the harmony, and was far more conventional in terms of the form. But this certainly did not prevent Colas Breugnon from becoming a brilliant piece, haunted by a French ghost, with themes influenced by stylised folk music.
Maurice Ravel (1875-1937) was well-known as a marvellous orchestrator with his broad orchestra pallet and his unending richness of colours. He applied this principle with great success to the works of other composers – just think of Moussorgsky's Picture at an Exhibition – but also to his own compositions for piano. The best-known example of this is definitely the melancholic Pavane pour une infante défunte, a piano work from 1899 that he himself orchestrated in 1910. Althrough Ravel later judged the work very critically, the orchestral version has grown to become of his best known works.
As famed as Ravel for his Pavane is Alexander Borodin (1833-1887) for his Polovtsian Dances. Originally these dances were part of the opera Prince Igor – in the second act, the Polovtsian Khan uses these dances (among others) to entertain his captive, the Russian Prince Igor – but they were actually created in the orchestral form before the opera was performed. These virtuoso dances, with their raw sensual sounds, illustrate the fascination of 19th century Russia with musical exoticism.
Le carnaval romain, the "ouverture caractéristique" by Hector Berlioz (1803-1869), also originates from the world of opera. Berlioz wrote this symphonic work in 1844 as a kind of second opening to his opera Benvenuto Cellini. Just like the opera, which in his own words contains "a variety of ideas, an energy and exuberance and a brilliance of colour such as I may perhaps never find again", so too does this opening burst with a richness of unheard-of energy and ideas. Berlioz was not only the composer who pushed the technical and coloration possibilities of the orchestra – even before Wagner and Ravel! – to far beyond the limits of his time, he also continues to be a great source of inspiration today to push those technical limits even further. Quod erat demonstrandum.


Floor plans are used in almost all home renovation projects. Whether you are adding square footage, taking out a wall, or even just moving a doorway, a floor plan will be used by all of the professionals involved in the job. Architects, contractors, designers, and subcontractors who specialize in laying tile and other tasks all rely on floor plans to know what they are supposed to be doing.
As a homeowner, however, understanding the floor plan for your renovation project can be a bit challenging. After all, most professionals have had some kind of training where they've learned to understand these documents (not to mention they see them every day)! As you read the rest of this guide, you will learn more about floor plans and should come away with a better understanding of how to read yours.
The main floor plan – The main floor plan shows a two-dimensional, aerial view of what your space will look like once your upcoming renovation is done. This plan will show every room in your house, including all walls, windows, doors, staircases, cabinetry, appliances, plumbing fixtures, like bathtubs and toilets, and closets. Some major furnishings may be drawn in, but typically, floor plans do not include decorative items. They are primarily designed for people who will be involved in the construction process, even though interior designers may use them for certain purposes.
The legend – Like a map, your main floor plan ought to feature a legend. This will state area of your home the floor plan features and will have a scale. Generally, on floor plans, ¼ inch equals one foot, or ⅛ inch equals one foot, but this can change depending on who drew your specific plans. The legend is also likely to have a north-pointing arrow, which can help you assess where you'll have natural light in your house at any time of day based on where the windows are located.
The walls – On a floor plan, the depiction of the walls in your space is extremely important. Most of the time, floor plan walls appear as parallel lines with gaps where windows and doors are placed. When a floor plan is for a renovation project, existing walls will have white space between the two parallel lines, whereas new walls will be greyed out or feature a pattern. This is a great way to visualize how your house will change as the construction process progresses.
The staircases – Stairs are a crucial part of any floor plan, primarily because they dictate how the spaces surrounding them need to be laid out. Any staircases on your floor plan will be depicted as a set of parallel lines with an arrow on them. Your architect or contractor may note certain building codes or regulations that your stairs need to meet on your floor plan.
At Hatch Homes, we take every job we do seriously. You can rest assured that we will follow your exterior floor plan to a T.We love working with families all over the Carolinas and Virginia and can't wait to meet you in the near future.


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Clara Grace, geborene Simmons, (* 1865 in Redbourn, Hertfordshire; † vermutlich 1948) war eine britische Radsportlerin.

Biographie
Clara Simmons war das zweitälteste von acht Kindern (zwei Söhne und sechs Töchter) von Emma Simmons und dem Kutscher George Simmons. Im Alter von 15 Jahren fand sie gemeinsam mit ihrer älteren Schwester Katherine in ihrem Heimatort eine Anstellung als Korbmacherin. 1885 heiratete Clara in St Albans William Grace. Sie zogen in die Commerce Road, Wood Green im Norden Londons, wo der Ehemann als Friseur arbeitete. 1887 brachte Clara ihre erste Tochter zur Welt, ein Jahr später einen Sohn; 1890 und 1891 folgten zwei weitere Töchter.

In einem Interview sagte Clara Grace, sie habe etwa 1886 mit dem Radfahren begonnen, aber den Sport erst ab 1892 ernsthaft betrieben. Sie trat dem Wood Green Cycling Club bei und nahm am 14. Mai und am 6. August 1894 an zwei Halbmeilen-Amateurrennen für Frauen auf Märkten in Bedford teil. Dabei gewann sie das erste Rennen und wurde im folgenden Rennen Zweite. Außerdem gewann sie im August 1895 ein Rennen in Plumstead. Sie schloss sich einer Gruppe von Radrennfahrerinnen an, die im Juli und August 1895 eine Tournee durch Hull, Scarborough, Greenock und Edinburgh bestritt. Claras Ehemann William nahm ebenfalls an dieser Tournee teil und fuhr bei den Rennen in Greenock und Edinburgh gegen einen anderen männlichen Radfahrer in Ein-Meilen-Rennen. William vertrat den "Hare Cycling Club" (der möglicherweise vollständig als "Hairdressers Early Closing Athletics and Cycling Club" hieß) bei Bahnrennen in den Jahren 1895/1896 und fuhr mindestens bis 1900 weiter Rennen. Diese Rennen fanden in der Regel auf Radrennbahnen statt.

Clara Grace unternahm auch Ausdauerfahrten auf der Straße und stellte in den Jahren 1895 bis 1896 neue britische Frauenrekorde über 50, 91 und 100 Meilen auf, wobei sie von William als Schrittmacher und Beschützer begleitet wurde. Die britische Fahrradzeitschrift The Hub. An Illustrated Weekly for Wheelmen and Wheelwomen beschrieb Clara Grace als "mutigste ihres Geschlechts" und beschrieb sie als "zierlich, mit dunklen, durchdringenden Augen, in denen Energie und Beharrlichkeit leicht zu erkennen sind". Ihre Vereinskameraden missbilligten, dass sie Rennen fuhr, woraufhin sie aus dem Club austrat: "Ich wurde zur Zielscheibe vieler böser Spötteleien und Bemerkungen, und damals habe ich sie sehr zu spüren bekommen."

Grace gehörte zu den ersten Frauen, die an Profi-Rennen in London teilnahmen. Im Royal Aquarium wurden im November und Dezember 1895 an insgesamt 29 Tagen Rennen zwischen britischen und französischen Fahrerinnen ausgerichtet. Grace gewann dabei 15, 20 und 50 Meilen lange Scratch-Rennen. Anscheinend wurde sie während einer dieser Veranstaltungen zur Meisterin von England gekrönt, aber sie erlitt auch Stürze. Bei einem Sechstagerennen, das im Dezember am gleichen Ort stattfand, wurde sie Gesamtzweite. Im selben Monat gewann sie ein fünftägiges Rennen in der Bingley Hall in Birmingham und siegte dort auch bei den Scratch-Rennen über 15, 25 und 100 Meilen. Im Juli 1896 verklagte sie die Organisatoren dieser Rennen auf die Kosten für "geleistete Dienste", vermutlich unbezahlte Honorare; das Gericht sprach ihr 75 £ plus Kosten zu. Sie wurde schließlich Gesamtsiegerin eines internationalen Sechstagerennens im Royal Aquarium im Januar 1896 und nahm an weiteren Rennen in London und Paris teil, bevor sie am Ende des Jahres kurzzeitig die britischen Ausdauerrekorde für Frauen über 91 und 100 Meilen zurückeroberte. Sie verbesserte den Rekord von Tessie Reynolds über die Strecke von Brighton nach London aus dem Jahr 1893 um mehr als eine Stunde. Im Mai 1896 verlor sie gegen eine ihrer stärksten Konkurrentinnen, Lisette Marton, ein 100-Kilometer-Rennen im Pariser Vélodrome d'Hiver.

Clara Graces letzte größere Rennen fanden bei einem internationalen Radsportturnier im Februar/März 1897 im Olympia in West Kensington statt, darunter ein Zehn-Meilen-Rennen, bei dem sie den zweiten Platz belegte. Vermutlich nahm sie an einem Rennen teil, bei dem die Fahrer in ausgefallenen Kostümen antraten; ein Quelle berichtete, dass sie als die kornische Märchenfigur Jack the Giant Killer verkleidet war. In den ersten beiden Monaten des Jahres 1899 nahm sie an Rennen auf Fahrradergometern im Royal Aquarium teil. Anschließend zog sie sich vom Radsport zurück. Sie wohnte mit ihrem Mann und ihren drei erwachsenen Töchtern zusammen in Wood Green. Die Töchter arbeiteten in der Textilindustrie und William Grace bis zu seinem Tod 1914 weiterhin als Friseur. Clara Grace verstarb mutmaßlich im Jahre 1948.

Weblinks

Einzelnachweise

Radsportler (Großbritannien)
Bahnradfahrer
Sportler (London)
Brite
Geboren 1865
Gestorben im 20. Jahrhundert
Frau


Welcome to the National Army Museum Blog, a place where you can easily keep up-to-date on the latest activities at the museum and get unique insight into what happens behind the scenes.
We'll be covering a range of topics so check in for the latest announcements, exhibit previews, key events, and interviews, plus discussions on topical issues. Please feel free to comment on our posts, and if you have any suggestions for future topics or articles that you'd like to see featured, let us know.
If you'd like to visit the National Army Museum, check out our latest military exhibits or see our museum visitor information for opening hours and admission prices.


We had some good discussions in LinkedIn's "Project Acceleration through Commitment-Based Project Management"group with respect to my prior blog. One individual indicated that CBPM should be viewed as another Agile framework, just like Scrum. That idea reinforced my thoughts about CBPM and the fact that it fits properly within the Agile philosophy.
CBPM focuses on getting deliverables done with as few "drag" (non-value or low-value) activities as needed. The owners determine how to deliver on their commitments, including making sure that any dependencies on other deliverables are understood and taken into account. Management oversight is minimal.
The inspect aspect of Agile is addressed via the discussions that owners and customers have on the deliverables and the final say that the customer(s) has/have on whether the deliverable is done or not done. This feature, the need for owners and customers to discuss the scope and status of deliverables, is a variation of the Agile inspect process at the end of an iteration.
Iteration-wise, CBPM is not fixated in any length of the iterations or cycles. The goal is to complete deliverables of value as quickly as possible. Due to its origins in the hardware business, there's less emphasis in wrapping up a set of deliverables into a release or sprint, although that is very viable.
If Intel can plan and deliver some of the most complex products in the world using CBPM, almost any project can use it.
Recently I've become re-acquainted with Agile methodologies. I say "re-acquainted" because in the 1990s, when I was running the Intel Inside (R) Program system development we sort of fell into now what would be called Agile. We time-boxed, had rapid iterations/releases, had customers working with us at all times, provided value to our customers as fast as possible.
A friend of mine indicated that there might be an opportunity to help as an Agile coach so I dug into it, attending Agile Palooza on 8/14 in Charlotte, NC and reviewing the numerous books that I have on the subject. It struck me that there are a number of similarities and some differences between the two approaches.
Readers familiar with CBPM (Commitment-Based Project Management) as described by Timm Esque in No Surprises Project Management and presented in various workshops, blogs, etc. know that CBPM focuses on deliverables, items of value to a user or customer, whether it is the ultimate customer or an intermediate one. Tasks that get us there are ignored as far as the overall planning and tracking is concerned. The individual is responsible for figuring out what tasks need to be executed to complete the deliverable.
Agile focuses on features, which I would classify as a synonym for a deliverable. There's a difference, though, in that these features are for the ultimate customer. Agile seems not to address the intermediate deliverables directly. They, instead, are handled as part of the development process.
Agile does just enough planning to figure out the next release and, more specifically, the next iteration or sprint. There's an overall vision of where the project is going and there is some longer term planning but it's pretty fuzzy.
Similarly, CBPM focuses on detailed (at the deliverables level) planning for the next 6-8 weeks, the commitment horizon. It does look further down but the plan dates are estimates, not commitments.
Agile groups features into iterations that, in turn, are grouped into releases. At any one time the software developed by an Agile team is production-worthy as of the last iteration that was completed (ideally, every day as the constant recompilation and testing of the code ensures that the code works. If it doesn't, it has to be fixed before any additional work takes place).
CBPM does not necessarily group deliverables into releases. This is an option that the team may choose to do. However, with its focus on weekly measuring performance in terms of items completed as per the commitment, the weekly results could be viewed as a release. However, there is no logic behind this grouping so this comparison is weak.
Agile uses a burn-down (or burn-up chart) to track the completion of features against the plan. Similarly, CBPM tracks performance against a committed set of deliverables. While there are small differences in the details, both charts reflect the same information: how well is the team performing against the plan.
Agile has been applied mostly to software efforts. There have been some discussions on its application in other areas (see Jim Highsmith's Agile Project Management for a very good discussion) but, overall, it's application is mostly in software projects.
CBPM, on the other hand, started with hardware projects (designing Intel's semiconductors, specifically chip sets, the chips that support the microprocessor) and has been applied to construction, manufacturing, aerospace, education, software, and other projects.
There are many similarities between the two approaches and some differences. It is possible that both may benefit from each other so I'll keep investigating to determine where best to adapt practices from one approach to the other approach.
You are currently browsing the Project Management Leadership blog archives for August, 2009.


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Delta Funeral Home & Cremation Centre by Arbor Memorial
Arbor Wins Canada's Best Managed Companies Award
We are pleased to announce that Arbor Memorial Inc. is a 2018 Winner of Canada's Best Managed Companies.
Now in its 25th year, Canada's Best Managed Companies is one of the country's leading business awards programs recognizing Canadian-owned and managed companies for innovative, world-class business practices. The designation is also presented elsewhere in the world, with the expectation that it will be globally recognized in 20 countries by 2020.
Every year since the launch of the program in 1993, hundreds of entrepreneurial companies have competed for this designation in a rigorous and independent process that evaluates their management skills and practices.
This year alone saw hundreds of applications out of which only 44 were selected.
"It's much more than just financial performance," said Peter Brown, Partner, Deloitte and Co-Leader, Canada's Best Managed Companies program. "The ingredients to success also include overall business performance and sustained growth. It takes dedication and commitment from the entire organization."
The award is based on: strategy; emphasis on culture and people; innovation; sustained performance, and strong financial results.
Our winning criteria includes the way that Arbor attracts and retains top talent, offering career development and service recognition, and encouraging strategy discussion at all levels. Judges were impressed by our cultural and religious diversity, and Arbor's fierce focus on comprehensive service. From pre-planning though to after care, Arbor offers unprecedented care, providing a sensitive but necessary service to Canadians.
This prestigious award is an honour, but it is helping families through one of life's hardest moments that is our proudest achievement.
<img height="1" width="1" style="display:none;" alt="" src="https://dc.ads.linkedin.com/collect/?pid=254010&fmt=gif" />
Categorized under: arbor-memorial
Sharing our Stories: Honouring
Loved Ones in Unique Ways
Introducing New Ways to Help You Cope With Grief
5329 Ladner Trunk Rd.
V4K 1W6


When trying to establish remote sessions from iPad to Windows 10 computers with Windows 10 Anniversary updateinstalled (KB3176929), the touch function will not work during the remote session.
Go to Device Manager on the Windows 10 computer, find Splashtop Virtual Hid under Human Interface Devices, right click to disable it. Then the touch function will work again.
Trackpad mode still works with Hid driver installed.
You could check if you have Windows 10 Anniversary update installed under Programs and Features / View installed updates.


text:
James F Passarelli
James F. Passarelli, MD
Top Locations Accepted Insurance Biography
Abdominal Surgery, Biliary Surgery, Bowel Surgery, Breast Surgery, Cancer Surgery, Colon Surgery, Colorectal Surgery, Endocrine Surgery, Gallbladder Surgery, Gastric Surgery, Gastrointestinal Surgery, Hernia Repair, Hernia Surgery, Intestinal Surgery, Laparoscopic Abdominal Surgery, Laparoscopic Colon Surgery, Laparoscopic Hernia Repair, Laparoscopy, Pancreatic Surgery, Parathyroid Surgery, Robotic Inguinal Hernia Repair, Thyroid Surgery, Ulcerative Colitis
New York Medical College, Valhalla, NY (1989)
SUNY Upstate Medical University @ Syracuse (1990)
Yale Surgery
800 Boston Post Rd.
4A Devine St.
ANTHEM BC/BS
BERKELEY CARE NETWORK
CIGNA HEALTHCARE
COMMUNITY CARE NETWORK
CORVEL
FOCUS HEALTHCARE
TRICARE/CHAMPUS
US FAMILY HEALTH PLAN
Biography - James F. Passarelli, MD
James Passarelli, MD, is a general surgeon who specializes in gall bladder, hernia, and colon and rectal surgeries. He cares for adults of all ages, and is skilled in the latest minimally invasive and robotic approaches.
Being a doctor runs in his family. "It was something I always wanted to do, too," Dr. Passarelli says. His father, Nicholas Passarelli, MD, worked as a general surgeon at Yale, and his wife, Marianne Passarelli, MD, MBA, is a Yale Medicine urologist.
After practicing surgery for about 25 years, he says it's exciting to be part of a field that is always changing. "We have gone from open to laparoscopic to robotic surgery," Dr. Passarelli says. "People who would have stayed in the hospital for a week after surgery are now in the hospital for a day, literally, and the outcomes are better."
Despite the changes in surgery, he still sees many patients who are fearful when they come to see him. "Some are afraid they have cancer, which they usually don't, and surgery can seem like a formidable thing," he says. "My primary role as a surgeon is to do a good job, surgically. But my secondary role is to educate patients about what is going to happen. I like to sit down and spend time with people. Often, we talk not only about the surgery, but also about other things. The more you know about patients and the more they know about you, the more comfortable they will be."


Designed by Studio Job, the Paper Patchwork Floor Lamp has an ingenious design that ensures its cardboard and paper material is robust. The large dimensions of the lamp ensure it creates a statement in any room.
In the Moooi Paper Patchwork Floor Lamp, Studio Job have created, through unique manufacturing processes, an impressively robust lamp from what is an ostensibly delicate material - paper.
This modern reinterpretation of a classic silhouette creates a strong presence and works just as well in a domestic or public setting.
The large dimensions of the Moooi Paper Patchwork Floor Lamp result in a lighting solution that is effective both as an ambient room light as well as a statement piece.
The Paper Patchwork Floor Lamp by Studio Job has a childlike quality thanks to the paper and cardboard construction and white painted finish. An imposing lamp, at first glance it looks like a traditional 'standard' lamp, but look closely and you will see it is made entirely of paper.
The design was inspired by a classic lamp design and from the designer's first experience of making items from sticky tape and cardboard. With an orange base and pale grey shade, the Patchwork is at home in either a domestic or public setting.


Cribs aren't that necessary but if you feel that it would be safer for him to sleep in it, buy one.
Again, these are just some of the things you need to know to be prepared. Ask around and read forums as it will help you a lot.


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Chozrasczot, rozrachunek gospodarczy (, skrót od хозяйственный расчёт, choziajstwiennyj rasczot) – system stosunków ekonomicznych w warunkach gospodarki planowanej i społecznej własności środków produkcji.

Opracowywanie teorii rozrachunku gospodarczego zapoczątkowane zostało przez Włodzimierza Lenina, który w swej pracy Projekt tez o roli związków zawodowych w warunkach Nowej Polityki Ekonomicznej wskazywał, że przejście przedsiębiorstw państwowych do rozrachunku gospodarczego jest nierozerwalnie związane z Nową Polityką Ekonomiczną. Istotę rozrachunku gospodarczego stanowi samofinansowanie przedsiębiorstwa, które pod względem gospodarczym i operatywnym posiada samodzielność w przeciwieństwie do przedsiębiorstw finansowanych z budżetu państwowego. Przedsiębiorstwo oparte na rozrachunku gospodarczym dysponuje niezbędnymi środkami materiałowymi i finansowymi i może przejawiać szeroką inicjatywę w zakresie ich wykorzystywania. Sens rozrachunku gospodarczego polega na tym, aby wydatki każdego przedsiębiorstwa, każdej organizacji gospodarczej były pokrywane z własnych dochodów i aby przedsiębiorstwo miało ponadto zysk. Część zysku zalicza się do funduszu i przeznacza na potrzeby robotników i pracowników umysłowych. Rozrachunek gospodarczy pobudza do walki o rentowność.  Konsekwentne realizowanie zasad rozrachunku gospodarczego stanowi drogę do zmniejszenia kosztów produkcji na jednostkę wyrobu i ułatwienia pracy ludziom.

Rozrachunek gospodarczy opiera się na wykorzystaniu . Koszty i wyniki produkcji, dochody i wydatki przedsiębiorstw socjalistycznych są wyrażane i mierzone w wartościowej, pieniężnej formie. Rozrachunek gospodarczy wykorzystując formę pieniężną umożliwia prowadzenie kalkulacji, ewidencji i sprawowanie kontroli nad działalnością przedsiębiorstwa. Ujawnia on dochodowość lub deficytowość każdego poszczególnego przedsiębiorstwa.

Przypisy

Bibliografia

  839, [1] strona ; 22 cm.

Linki zewnętrzne

Gospodarka ZSRR
Historia gospodarcza


This is an acronym commonly used in dimensioning. If you see a note saying 8'-0" AFF, it means that whatever is being referenced is 8 feet and zero inches above the surface of the finished floor (whatever you walk on, e.g. the surface of the tile, not the underlay) in that room.
An ALR screen selectively reflects light back to the audience. This effect is achieved by positioning the projector and screen in such a way that the projector's light is bounced towards the audience, while the other, ambient light in the room is reflected back in some other direction out of the view of the audience. ALR screens only work if the ambient lighting is NOT hitting the screen from the same direction the projector.
Ambient Light Rejection Value. (ALRV) A test procedure measuring the percentage amount of an ambient light source placed at 45 degrees off a screen's viewing axis that is returned to the viewer's seating position at zero degrees on screen axis. The lower the number, the better the screen's ability to reject ambient light.
The light surrounding an environment or subject. Also called available light, existing light measured in foot candles.
A type of lens or adapter designed to produce a widescreen image from a condensed image on the film. Trademarked anamorphic systems include CinemaScope, VistaVision, and Panavision.
A DVD with a widescreen video image that has been horizontally squeezed to fit into a standard video frame, resulting in an image with higher resolution than letter boxing can produce. Anamorphic DVDs are designed for optimal display on 16:9 widescreen displays or video scalers with an anamorphic squeeze mode.
ANSI is a private, non-profit organization that administers and coordinates the voluntary standardization and conformity assessment system in the US.
The opening, usually an adjustable iris, that controls the amount of light passing through a lens. In motion picture cameras, the mask opening that defines the area of each frame exposed. In motion picture projectors, the mask opening that defines the area of each frame projected.
The relationship of the horizontal dimension to the vertical dimension of an image. In viewing screens, standard TV is 4:3, or 1.33:1; HDTV is 16:9, or 1.78:1. Sometimes the ":1" is implicit, making TV = 1.33 and HDTV = 1.78.
A range or band of frequencies. Bandwidth often implies consistency of other parameters, such as amplitude or phase, in addition to defining the frequency range. In reality, a specification for bandwidth is meaningless without additional qualifying information.
More commonly referred to as "brightness," the black level is the level of light produced on a video screen. The level of a picture signal corresponding to the maximum limit of black peaks.The bottom portion of the video wave form, which contains the sync, blanking, and control signals. The black level is set by the brightness control.
The difference between the lightest (whitest) and darkest (blackest) areas in an image. The wider the brightness ratio, the wider the contrast ratio.
Derived from the word "candle" and denoted by the symbol "cd", the candela is the standard unit of light intensity. One candela is roughly equal to the amount of light, in any direction, from the flame of a candle. The luminance of a light source is often expressed in candelas per square meter (cd/m2).
This is an international standard for primary colors established in 1931. It allows all other colors to be defined as weighted sum of the three "primary" colors. The CIE system characterizes colors by a luminance parameter Y and two, color coordinates x and y which specify the point on the chromaticity diagram.
The NTSC standard for black, which is 8% gray. Computer black, the absence of all of the color primaries, is referred to as superblack and is used for matting or keying in video effects. Superblack does not render well to video. Instead of appearing black, it has a light grayappearance. Color black will appear blacker on video than superblack.
A process whereby a beam of light is provided where all the rays generated or employed are traveling in approximately the same direction across the cross-section of the beam.
A range of colors can be created by the primary colors of pigment and these colors then define a specific color space. Color space, also known as the color model (or color system), is an abstract mathematical model which simply describes the range of colors as tuples of numbers, typically as 3 or 4 values or color components (e.g. RGB). Basically speaking, color space is an elaboration of the coordinate system and sub-space. Each color in the system is represented by a single dot.
The color quality, expressed in degrees Kelvin (K), of a light source. The higher the color temperature, the bluer the light. The lower the temperature, the redder the light. Benchmar color temperatures for the A/V industry include 5000° K (a comparatively "warm" or reddish color temperature, favored for pleasing video reproduction); 6500° K (D65, the reference color for accurate color reproduction); and 9000° K (a comparatively "cold" or bluish color temperature, favored for graphics and other high-contrast image reproduction).
The range of grays in a video image.
The ratio of the high light output level divided by the low light output level. Room ambient light will contaminate the light emitted from the display. Well-controlled viewing conditions should yield a practical contrast ratio of 30:1 to 50:1.
The alignment of the red, green, and blue video projected onto a screen when the lines produced by the three color sources appear to form one clearly focused white line. The point at which the light from each of the three lenses aligns so the perceived single image is clearly focused. Lack of convergence is a video problem when the displayed image appears to be outlined by red, green, or blue because of misaligned colors.
Digital Cinema Initiatives, LLC (DCI) is a joint venture of major motion picture studios, formed to establish a standard architecture for digital cinema systems. Digital cinema refers to the use of digital technology to distribute or project motion pictures. A digital movie can be distributed to cinemas in a number of ways: over the Internet or dedicated satellite links or by sending hard drives or optical discs such as Blu-ray discs.
Digital movies are projected using a digital projector instead of a conventional film projector. Digital cinema is distinct from high-definition television and does not use television or high-definition video standards, aspect ratios, or frame rates. In digital cinema, resolutions are represented by the horizontal pixel count, usually 2K (2048×1080 or 2.2 megapixels) or 4K (4096×2160 or 8.8 megapixels).
Digital keystone correction manipulates the projected image vertically and/or horizontally so that you can get it as close to appearing as an even rectangle as possible. It is performed digitally before the image passes through the lens, and is accessed by projector's onscreen menu function, or via a dedicated control button on the projector or remote control.
Direct Drive Image Light Amplifier. The D-ILA is a device based on the Image Light Amplifier or ILA developed by Hughes-JVC Technology Corporation. The D-ILA technology is a reflective liquid crystal modulator whereby electronic signals are addressed directly to the device. The D-ILA device has an X-Y matrix of pixels configured on a C-MOS single crystal silicon substrate mounted behind the liquid crystal layer using a planar process that is standard in Integrated Circuit technology.
Digital Light Processing. An imaging technology for video projection developed by Texas Instruments based on the modulation of light reflected from mirror elements known as Micromirrors. Each pixel is represented by its own Micromirror which mechanically tilts in accordance to the extent of light reflected toward or away from the screen. A matrix of Micromirrors comprising the video image is situated on a microchip, or DMD (Digital Micromirror Device). DLP is implemented as a three-chip configuration (one DMD for each of the RGB colors), or as a one-chip configuration (R, G, and B are sequentially processed by a single DMD via a color wheel).
A diffuse surface is characterized by scattering of the incident light into many directions in the hemisphere before the surface. Examples are paper, matte paints, etc. A Lambertian surface is a perfect diffuser (it has the same luminance independent of the viewing direction—see "Lambertian"). Diffusion is the process of scattering light in directions away from directed ray (in transmission) or from the specular direction (in reflection).
The use of multiple projectors with overlapping images to create a single, seamless vista on one screen.
A solid field of color used to calibrate monitors and projectors. A full, white flat field is typically used to evaluate the uniformity of a projected image.
Fixed screens are permanently tensioned screens that provide a contemporary, theatre-like appearance wherever a permanently mounted front or rear projection screen is required. The viewing surface is flat facilitating high picture quality.
Focal Length. The distance between the center of a lens and the point where the image comes into focus. In projection, a shorter focal length yields a larger image on the screen for any given projection distance.
To adjust a lens to make the image appear sharp and well defined. The best possible resolution of an image, showing the image to be sharp and well defined.
A unit of illumination equivalent to the illumination produced by a source of one candle at a distance of one foot. Equal to one lumen incident to one square foot.
A unit of luminance (photometric brightness). The footlambert describes the luminance of a surface that emits or reflects one lumen per square foot; it is the luminance of a perfectly reflecting surface under an illumination of one footcandle. One footlambert equals 0.3183 candles per square foot.
To project an image from the audience's side of a light-reflecting screen.
Gain is a measurement of the reflectivity of any screen or projection surface. The gain number represents a ratio of the light that is reflected from the screen as compared to the light reflected from a standard white (magnesium oxide) board. Therefore, a screen with a gain of 1.0 will reflect the same amount of light as that from a white board. A screen rated at 1.5 gain will reflect 50% more light as that from a white board, whereas a gray screen with an 0.8 rating will reflect 80% of the light from a white board.
Grayscale is a range of shades of gray without apparent color. The darkest possible shade is black, which is the total absence of transmitted or reflected light. The lightest possible shade is white, the total transmission or reflection of light at all visible wavelengths. Intermediate shades of gray are represented by equal brightness levels of the three primary colors (red, green and blue) for transmitted light, or equal amounts of the three primary pigments (cyan, magenta and yellow) for reflected light.
Gray screens or high contrast screens boost contrast on digital projectors in viewing rooms that are not entirely dark. The gray screen absorbs ambient light that strikes it better than a white screen does. In so doing the black level on the screen is maintained. If the projector has ample lumen output, whites remain white while blacks are maintained at a deeper black. The net effect is to increase the contrast range of the image on the screen.
High Definition Television. HDTV refers to a complete product/system with the following minimum performance attributes: a receiver that receives ATSC terrestrial digital transmissions and decodes all ATSC Table 3 video formats; a display scanning format with active vertical scanning lines of 720 progressive (720p), 1080 interlaced (1080i), or higher; aspect ratio capabilities for displaying a 16:9 image; receives and reproduces, and/or outputs Dolby Digital audio.
It provides better contrast, greater brightness levels and a wider color space in order to make your display images look that more like real life. Your eyes can perceive brighter whites and darker blacks – greater dynamic range – than traditional formats. HDR content preserves details in the darkest and brightest areas of a picture that are lost using old standards such as Rec.709. It also allows for more natural, true-to-life colors that are closer to how we see them in real life.
Commonly seen on high-gain screens and screens designed for slide or movie projection, a hot spot is a circular area where the image is brighter than the rest of the screen. The hot spot is always located along the line of sight, and "moves" with the line of sight.
Image Light Amplifier. Used in their large screen projectors, a Hughes-JVC device that uses low-intensity images to modulate high-intensity light through a liquid crystal layer.
The light density (the luminous flux divided by area) shining onto a surface. This is the specification that measures how bright a screen is lit by a projector or ambient light. The unit is lux. 1 lux = 1 lumen/m2.
Display Image Size for 2D Content in Audiovisual Systems (DISCAS) established a standard practice for calculating image size to viewing distance based on visual acuity.
Incident light meters measure the amount of light falling on a subject. The incident meter is aimed at the light source and measures the light source falling directly on an object and is not influenced by the reflectance of the object. For more precise measurements, incident meters are also used to measure various levels of light from multiple sources falling on separate parts of the environment.
Interchangeable lenses are lenses that can be mounted on a projector and swapped out for other lenses. Unlike fixed lenses, which are built into projectors, interchangeable lenses provide the user with a wider choice of projection capabilities.
A distorted picture where one edge is not the same dimension as the opposite edge, producing a tapered or wedge shape. Typically, this results when the image is projected to the screen at an angle. In stone buildings, the tapered stone at the top of an arch is the key that prevents the arch from falling.
Large, permanently tensioned screen. Furnished with reinforced webbing on all four sides and grommets on 4" to 6" centers. The screens attach to frames with lacing cords, springs or shock cords. Frames available in wood, aluminum or steel, for wall or suspended mounting.
If a surface exhibits Lambertian reflectance, light falling on it is scattered such that the apparent brightness of the surface to an observer is the same regardless of the observer's angle of view.
A unit of measure expressing the intensity of light reflected off an object. 1 lambert = 0.318 footcandles per square centimeter.
Lens shift is the ability to move the projected image up or down, left or right, while keeping the projector stationary. It may be mechanical by moving the lens or digital in nature by processing the image for movement.
Utilizing LCD panel technology, these projectors separate the red, green, and blue information to three different LCD panels. Since LCD panels do not produce color, the appropriate colored light is then passed through each panel and combined to exit through the projector lens and onto a viewing screen.
Liquid Crystal on Silicon. This is a reflective display technology where one glass substrate is attached to a silicon chip which is coated with crystals. The chip contains the control circuitry.
An LED display is a direct view display, which uses an array of light-emitting diodes as pixels to show video. Their brightness allows them to be used outdoors in store signs and billboards, and in recent years they have also become commonly used indoors with finer pitch displays.
A screen surface characterized by silvered or aluminized embossing, designed to reflect maximum light over wide horizontal and narrow vertical angles. It must be held very flat to avoid hot spots. A large series of parallel lenticulations cut vertically into the screen surface to improve horizontal dispersion.
The ability of a display device to produce an object the same size anywhere on the screen. For example, poor linearity may show the same line of text one size when it is at the top of the screen but a different size when it is at the bottom of the screen.
The light density coming out of a surface. This is the specification for measuring the brightness of a projection screen or a CRT monitor's tube surface. The SI unit is "cd/m2" (candles per square meter). It is also called "nit" in the US system and "footlambert" in the English system. 1 footlambert = 3.426 cd/m2.
A masking system creates a sharp black border when an image is narrower or shorter than your screen. Use a mask to realize the sharpest possible image with multiple aspect ratios.
A reflection property of a surface that diffuses the incident light in quasi-Lambertian manner, i.e., the surface appears approximately the same brightness from all directions and there are not highlights or distinct reflections of sources. Often the term "diffuse" is also used in this manner. We speak of diffuse white standards and matte white paint, both refer to the same kind of reflection, although when we speak of a diffuse white standard we generally mean a material that is as close to a Lambertian reflector as possible.
A pattern resulting from a combination of other patterns. In video, this is usually an undesirable pattern caused by an unwanted signal interfering with the desired signal. This may appear as a wavy motion.
The nit is a unit of visible-light intensity, commonly used to specify the brightness of a flat panel display or direct view LED display. One nit is equivalent to one candela per square meter.
The inward or outward (curved) appearance of the edges of a display.
The process of presenting visual media by light transmitted through an optics system to a viewing screen.
A modern projector lamp is an ultra-high pressure mercury vapor ARC lamp. Projector lamps are categorized as either metal halide lamps or ultra-high pressure mercury vapor lamps. Philips has trademarked the name "UHP lamp" for their projector lamps.
A presentation method in which the image is projected through a translucent screen toward the audience.
The density of lines or dots that make up an image. Resolution determines the detail and quality in the image. A measure of the ability of a camera, video system and/or projection screen to reproduce detail, or the amount of detail that can be seen in an image. Resolution is often expressed as a number of pixels, but more correctly, it is the bandwidth. A sharp, clear picture has high resolution.
Screen gain is a measurement of the reflectivity of a screen or projection surface. The gain number represents a ratio of the light that is reflected from the screen as compared to the light reflected from a standard white (magnesium oxide) target. Therefore, a screen with a gain of 1.0 will reflect the same amount of light as that from a white reference target. A screen rated at 1.5 gain will reflect 50% more light as that from a white reference target, whereas a gray screen with a 0.8 rating will reflect 80% of the light from a white reference target.
Replaces a traditional projection lamp with an LED array. LED and laser array, laser phosphor array (aka hybrid light source) or a pure RGB laser light source.
A device that projects a video image onto a presentation surface.
The distance from one peak to the next between identical points in adjacent waves of electromagnetic signals propagated in space or along a wire. Wavelength is usually specified in meters, centimeters, or millimeters. In the case of infrared, visible light, ultraviolet, and gamma radiation, the wavelength is usually specified in nanometers (10-9 meter) or Angstroms (10-10 meter). Wavelength is inversely related to frequency. The higher the frequency of the signal, the shorter the wavelength.
In television, the signal level that corresponds to the maximum picture brightness. The white level is set by the contrast control.
A term used with video displays devices related to the ability to change the view anywhere between near and far. Definitions for near and far vary from one device to another.
The Society of Motion Picture and Television Engineers (SMPTE) is an international professional association, based in the United States of America, of engineers working in the motion imaging industries. An internationally recognized standards organization, SMPTE has more than 600 Standards for television production, filmmaking, digital cinema, audio recording, information technology, and medical imaging.
A fixed frame screen that uses snap fasteners to attach to the square tube frame.
Tabs containing tensioning wires are located on each side of the screen and ensures a smooth and completely flat screen surface.
When projector manufacturers talk about the throw capabilities of a projector, what they're really referring to is the amount of distance you'll need to "throw" an image between the projector itself and the screen to get the display size you desire.
Ultra-short throw projectors, which can create an image of up to 100″ from a mere 15″ away.
This refers to the consistency of brightness over the entire image. For example, if a projector has a uniformity of 90%, and it is projecting a pure white (or single color) image on the entire screen there will be no more than 10% variation in intensity across the entire screen. Better quality projectors have higher % of Uniformity, and therefore produce a more accurate image.
In displays, viewing angle is the maximum angle at which a display can be viewed with acceptable visual performance. In a technical context, this angular range is called viewing cone defined by a multitude of viewing directions. Many manufacturers of projection screens thus define the viewing angle as the angle at which the luminance of the image is exactly half of the maximum.
A lens allowing a projector to change smoothly from a telephoto to a close-up or vice versa by varying the focal length.


After a decade of production, scores of bespoke creations, a nearly unrivaled spot at the top of the supercar world and a few variants, the Bugatti Veyron's run has, at last, come to an end.
The 450th Veyron ever produced, which has been sold to a private customer in the Middle East, will make its public debut at the 2015 Geneva International Motor Show as a press release from the French manufacturer announced today. Dubbed "La Finale," from March 3-15 it will be displayed alongside the first Veyron to roll off of the production line.
A modern interpretation of Bugatti's founding brand values "Art, Forme, Technique," the Veyron has an immediately recognizable exterior design housing its undeniably powerful engine. Of the 450 Veyrons produced, the 300 coupes were either the Veyron 16.4, which created 987 hp, or the Veyron 16.4 Grand Sport with 1,183 hp. 150 Veyrons were roadsters bearing the name Veyron 16.4 Grand Sport or Veyron 16.4 Grand Sport Vitesse.
Without a doubt, they succeeded beyond everyone's expectations.
Be sure to stay with us for updates from Geneva as the show gets closer, and in the meantime, browse our selection of Bugattis by clicking below.


Time for another new one.
Next to no access Oct 8th - 15th, and probably limited from Oct 15th - 19th.
I'm trying to get all my jobs done as soon as possible so that I don't hold anyone else up.
I'm offline from 10/14 to 10/17. Anniversary weekend.
I'm living in rural Indiana now so I have to come into town for internet. But I should be on at least every other day.
I'm going to be in the process of a two part move (Texas --> North Carolina --> Connecticut) for the next 6 weeks or so, so my availability may be spotty for a few days at a time.
The Hartford area. Work is in East Hartford, not sure where I'll be living quite yet though.
Will be in Toronto from tomorrow to Sunday night for a wedding. Should be able to get on sporadically to make my draft picks.
Currently executing the move, and internet won't be getting set up for a week or so. Apologies if responses take a bit.
Cool. I lived in Pomfret for 6th grade, and Goshen for 7th, 8th. I like Conn.
Hey guys, i am out of town till Monday night. I am able to bid on free agents with my phone, but have a hard time adding to my roster. So bear with me please.


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Home » Julian Fuego Thicke: What To Know About Robin Thicke And Paula Patton's Son
Julian Fuego Thicke: What To Know About Robin Thicke And Paula Patton's Son
On April 7, 2010, Julian Fuego Thicke was born in Los Angeles, California, USA. In the year 2022, Julian will be 12 years old. Every year on April 7, Thicke celebrates his birthday by cutting a cake. Julian is an Aries by astrological designation. Similarly, Julian was born as the son of Paula Patton (mother) and Robin Thicke (mother).
About Robin Fuego Thicke's Parents
Who Is Paula Patton?
Her Early Life
Who Is Robin Thicke?
With his half-siblings Luca Patrick Thicke, Mia Love Thicke, and Lola Alain Thicke, Julian has shared his early years. Alan Thicke and Gloria Loring are Julian's paternal grandparents, and Charles Patton and Joyce Patton are his maternal grandparents. By nationality, Julian will hold American citizenship while she belongs to the white ethnicity. Furthermore, Julian follows the Christianity religion.
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Paula Patton, an American actress, and producer, was born on December 5, 1975. In addition to having starring roles in Déjà Vu (2006), Precious (2009), Jumping the Broom (2011), Mission: Impossible – Ghost Protocol (2011), 2 Guns (2013), Warcraft (2016), and Sacrifice, Patton made her feature film debut in the comedy Hitch in 2005.
Paula Patton was born to lawyers Charles and Joyce, both of whom were educators. On her mother's side, she is of European-American ancestry, while on her father's, she is of African-American origin. Patton attended Alexander Hamilton High School on the Westside of Los Angeles when he was a teenager. She enrolled at the University of California, Berkeley after graduation and studied there for a year before switching to the film program at the University of Southern California. Patton had a three-month assignment filming films on PBS after graduating from college.
Patton was a musician and songwriter before to starting her acting career. She contributed vocals to Usher's "Confessions" album from 2004 and shared songwriting credits with her ex-boyfriend Robin Thicke on several projects.
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With a brief part in the romantic comedy "Hitch," starring Will Smith, Eva Mendes, and Kevin James, Patton made her acting debut in a feature film in 2005. She then had a brief role in the Chris Evans, Jessica Biel, and Jason Statham romantic drama "London." In the musical movie "Idlewild," Patton co-starred with Big Boi and Andre Benjamin of the OutKast group in 2006. The science-fiction thriller "Déjà Vu," in which she co-starred with Denzel Washington as Claire Kuchever, gave her her first major role in the general public that same year.
Patton then played a number of other significant roles. She appears in "Mirrors," a supernatural horror movie starring Kiefer Sutherland, as well as "Swing Vote," a political comedy starring Kevin Costner, Kelsey Grammer, and Dennis Hopper. The next year, Patton, who played a teacher of underprivileged pupils at a Harlem high school in Lee Daniels' well-regarded literary adaptation "Precious," had one of her most well-known performances. Patton was nominated for a Screen Actors Guild Award as a member of the ensemble cast of the movie, which also features Gabourey Sidibe, Mo'Nique, Mariah Carey, and Sherri Shepherd.
Over the course of the 2010s, Patton appeared in numerous romantic comedies. They include the 2014 remake of "About Last Night," starring Kevin Hart and Regina Hall, "Just Wright," with Queen Latifah and Common, "Jumping the Broom," with Angela Bassett and Laz Alonso, "Baggage Claim," with Taye Diggs, Djimon Hounsou, and Derek Luke, and "The Perfect Match," which Patton also produced. The action spy sequel "Mission: Impossible – Ghost Protocol," in which she played the lead female role alongside Tom Cruise, is one of the actress's other prominent credits.
Along with the buddy action comedies "2 Guns" and "The Do-Over," Patton also starred in the ensemble drama "Disconnect." The action fantasy "Warcraft," which is based on the same-named video game series, the thriller "Traffik," which she also produced, and the British family fantasy "Four Kids and It," which is based on the Jacqueline Wilson novel, are some of her more recent credits.
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Patton made her television debut as Detective Angela Kellogg in the 2005 unaired pilot for "Murder Book." Five years later, as A.D.A. Mikka Von, she made her television debut again on an episode of "Law & Order: Special Victims Unit." Patton was meant to replace Sharon Stone as the new regular in this role, but she was unable to do so because of her casting in "Mission: Impossible – Ghost Protocol."
After that, Patton made cameos on the educational children's show "Sesame Street" and the VH1 series "Single Ladies." The actress worked as a guest judge on the reality competition series "Project Runway" in 2015 after filming "Runner," another unproduced pilot.
Her next major part was as a San Francisco news journalist who tries to aid the police in finding a serial killer in the ABC drama "Somewhere Between." The show was finally canceled in September 2017 after only ten episodes.
At an under-21 hip-hop club called Balistyx, co-founded and co-hosted by David Faustino, on the Sunset Strip in Los Angeles, Patton, then 15, first encountered recording artist Robin Thicke, then 14, when Thicke asked her to dance. Thicke was then 14 years old. He allegedly sang "Jungle Fever" by Stevie Wonder to her while they danced, according to Thicke.
The couple started dating in 1993, and on June 11, 2005, they got married. On April 6, 2010, Patton gave birth to their son Julian Fuego. After over nine years of marriage and 21 years spent together, they announced their split on February 24, 2014. Patton formally filed for divorce and shared custody of their kid on October 8, 2014. March 20, 2015, marked the finalization of the divorce.
A judge rejected Patton's attempt to restrict Thicke's custody in January 2017 after she accused him of abusing children. After accusing Thicke of domestic violence, infidelity, and drug and alcohol addiction, Patton was given exclusive custody of their son Julian and was given a restraining order that included her mother Joyce Patton.
According to court records, Patton described a number of instances of abuse and said, "Given Robin's history of hitting me with a closed fist, pushing me to the ground, and kicking me, I had no doubt he was capable of hitting Julian, particularly after having used cocaine, alcohol, or whatever other drugs he is presently involved." In August 2017, Patton and Thicke came to a custody arrangement.
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On March 10, 1977, Robin Thicke was born in Los Angeles, California, to well-known entertainer parents. Gloria Loring, an actress and singer best known for her work on the NBC daytime serial "Days of Our Lives," is his mother. He was best known for his work on the sitcom "Growing Pains," and his father Alan Thicke was also an actor. He has an elder brother and a younger half-brother, and his parents divorced when he was just 7 years old.
Thicke's parents encouraged his love of music as he was growing up. However, according to Thicke, his father wanted Thicke to concentrate on his schoolwork rather than music, so he declined to pay for Thicke and his band, As One, to create a professional demo tape. Al Jarreau, a jazz performer and the uncle of one of the band members, eventually paid $1,000 for the demo.
Brian McKnight, an R&B musician, heard the demo and was impressed enough to hire Thicke for his production firm. McKnight needed songwriting assistance, and Thicke contributed to the song "Anyway" on the artist's second album. Thicke was only 16 years old when he signed a recording contract with Interscope Records after being introduced to Jimmy Iovine by McKnight.
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Thicke went out on his own when he was 17 years old and was able to support himself by working as a professional songwriter and record producer. He wrote songs for performers including Brandy, Jordan Knight, Christina Aguilera, and Mya during this early stage of his career. He performed and recorded his own songs during this time under the moniker "Thicke" alone, and he did so up until 2005.
After his initial contract with Interscope expired, Thicke briefly worked with Epic Records before securing a new contract with the company, this time under Kenneth "Babyface" Edwards' Nu America imprint. When I Get You Alone, Thicke's first single, reached the Top 20 on the Australian charts in 2002. It also did well in Italy, the Netherlands, and New Zealand.
His debut album, "A Beautiful World," was able to be released as a result of this modest success (2003). Although the album didn't do as well as anticipated (it peaked at No. 152 on the Billboard 200 chart), numerous musicians, including Usher and Mary J. Blige, contacted him about working together.
Work on Thicke's second album was postponed as a result of issues with Interscope Records about money and creative direction since the label was cautious and doubtful about Thicke's ability to sell albums. Pharrell Williams, though, seemed taken aback by Thicke. Thicke eventually signed with Star Trak in 2005 after Williams secured a distribution agreement with Interscope for his record label. The single "Lost Without U" from Thicke's second album, "The Evolution of Robin Thicke," was released in October 2006 and reached a peak position of No. 14 on the Billboard Hot 100. With domestic sales of over 1.5 million copies, the RIAA has already awarded the album its Platinum certification.
Thicke served as the main opening act for Beyoncé's "The Beyoncé Experience" tour's North American leg in 2007. In September 2008, he released his third album, "Something Else," which debuted at No. 3 on the Billboard 200 chart. In December 2009, he released his fourth album, "Sex Therapy," which included songs by Estelle, Snoop Dogg, and Nicki Minaj.
In December 2011, Thicke released his fifth studio album, "Love After War," which debuted on the Billboard 200 at No. 22. Then, in July 2013, he released "Blurred Lines," his sixth studio album. T.I. and Pharrell are featured on the album's debut song, "Blurred Lines," which was released in March 2013. Paula Patton, his estranged wife, was honored in his seventh album, "Paula," released in 2014.
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Hi, I think I've gotten 3DNA running properly locally using Cygwin. In the past I've used web 3DNA and then worked with the provided .out file. What is the command using 3DNA locally to produce the same .out file provided by the web version? I believe it's 'find_pair', but with what options? Let's suppose we're working with file 1EHZ. I've attached the .out file that I want to be able to produce locally. Thanks in advance for your time and help.
You will have file 1ehz.out, along with a few other files.
Thank you, Xiang-Jun. I'm curious - are there instructions somewhere that would have helped me know that?
Does the $X3DNA/doc/x3dna_v1.5.pdf manual help? Read carefully the 3DNA 2008 Nature Protocols paper and try to reproduce results there should also prove useful.