text:
That Honduras coup posted by Richard Seymour
In the past, if a Central American military deposed a left-wing government, Bush would have declared that he was happy to see democracy prevail. These days, the State Department bristles that it is shocked - shocked - by the affront to a sovereign country's constitution. One way to determine whether the US ruling class actually approves of the coup, though, is to consult its media. Here's one index of the corporate media's view of the coup:
Did a CID-Gallup poll last week indicate that a plurality of Hondurans support the military coup against democratically elected President Zelaya? Yes, according to the Washington Post [July 9], the Wall Street Journal [July 10], the Christian Science Monitor [July 11], and Reuters [July 9], which all reported that the poll showed 41% in favor of the coup, with only 28% opposed.
But in fact the poll showed that 46% -- a plurality -- were *opposed* to the coup, according to the New York Times [July 10], the Associated Press [July 11] and the president of CID-Gallup, in an interview with Voice of America on July 9.
As of this writing -- Sunday evening, 5:30 pm Eastern time -- none of the outlets which reported the poll incorrectly had corrected their earlier, inaccurate, reports.
Another way to study this is to determine whether the US government actually approved of the coup, despite its disavowals. Eva Golinger has some thoughts:
• The Department of State had prior knowledge of the coup.
• The Department of State and the US Congress funded and advised the actors and organizations in Honduras that participated in the coup.
• The Pentagon trained, schooled, commanded, funded and armed the Honduran armed forces that perpetrated the coup and that continue to repress the people of Honduras by force.
• The US military presence in Honduras, that occupies the Soto Cano (Palmerola) military base, authorized the coup d'etat through its tacit complicity and refusal to withdraw its support of the Honduran military involved in the coup.
• The US Ambassador in Tegucigalpa, Hugo Llorens, coordinated the removal from power of President Manuel Zelaya, together with Assistant Secretary of State Thomas Shannon y John Negroponte, who presently works as an advisor to Secretary of State Hillary Clinton.
• From the first day the coup occurred, Washington has referred to "both parties" involved and the necessity for "dialogue" to restore constitutional order, legitimizing the coup leaders by regarding them as equal players instead of criminal violators of human rights and democratic principles.
• The Department of State has refused to legally classify the events in Honduras as a "coup d'etat", nor has it suspended or frozen its economic aid or commerce to Honduras, and has taken no measures to effectively pressure the de facto regime.
• Washington manipulated the Organization of American States (OAS) in order to buy time, therefore allowing the coup regime to consolidate and weaken the possibility of President Zelaya's immediate return to power, as part of a strategy still in place that simply seeks to legitimate the de facto regime and wear down the Honduran people that still resist the coup.
• Secretary of State Clinton and her spokesmen stopped speaking of President Zelaya's return to power after they designated Costa Rican president Oscar Arias as the "mediator" between the coup regime and the constitutional government; and now the State Department refers to the dictator that illegally took power during the coup, Roberto Micheletti, as the "interim caretaker president".
• The strategy of "negotiating" with the coup regime was imposed by the Obama administration as a way of discrediting President Zelaya – blaming him for provoking the coup – and legitimizing the coup leaders.
• Members of the US Congress – democrats and republicans – organized a visit of representatives from the coup regime in Honduras to Washington, receiving them with honors in different arenas in the US capital.
• Despite the fact that originally it was Republican Senator John McCain who coordinated the visit of the coup regime representatives to Washington through a lobby firm connected to his office, The Cormac Group, now, the illegal regime is being representated by top notch lobbyist and Clinton attorney Lanny Davis, who is using his pull and influence in Washington to achieve overall acceptance – cross party lines – of the coup regime in Honduras.
• Otto Reich and a Venezuelan named Robert Carmona-Borjas, known for his role as attorney for the dictator Pedro Carmona during the April 2002 coup d'etat in Venezuela, aided in preparing the groundwork for the coup against President Zelaya in Honduras.
• The team designated from Washigton to design and help prepare the coup in Honduras also included a group of US ambassadors recently named in Central America, experts in destabilizing efforts against the Cuban revolution, and Adolfo Franco, ex administrator for USAID's Cuba "transition to democracy" program.
Labels: chavez, coup, honduras, latin america, US imperialism, zeyala
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text:
is a monorail route of the Osaka Monorail which connects Osaka Airport Station in Toyonaka, Osaka Prefecture, Senri-Chūō Station in Suita, Minami-Ibaraki Station in Ibaraki, Dainichi Station in Moriguchi, and Kadoma-shi Station in Kadoma.

Overview
The Main Line runs on an elevated line between Osaka International Airport and Kadoma. It opened on June 1, 1990 between  and  stations. On September 30, 1994 it reached Shibahara-handai-mae Station, on April 1, 1997, , and on August 22, 1997, its current eastern terminal at Kadoma-shi Station. It is  long. A single-way trip over the entire Main Line takes about 36 minutes, and costs ¥550.

An 8.9-km, five-station extension from Kadoma to Uryudo is planned to open in 2029.

Station list

Notes

External links
 Osaka Monorail official website

Monorails in Japan
Airport rail links in Japan
Alweg people movers
Railway lines opened in 1990
1990 establishments in Japan
Rail transport in Osaka Prefecture

redpajama_set_name: RedPajamaWikipedia


The minority of Palace fans who needlessly booed Julian Gray on Saturday should cast their minds back to December 10th, when Crewe beat a Gray-less Eagles side 3-1.
Palace had won one in 11 league games and were lying in the bottom three. With Gray back in the side, Palace won the next two under Kit Symons and the winger has played every game since as Dowie's side won seven and drew two in 11.
Numerous factors have contributed to the remarkable revival, not least Dowie's inspirational regime and AJ's goal-scoring form.
But the left-sided position was a massive problem after Gray walked out in the summer, with AJ, Wayne Routledge and even Jamie Smith failing to fill the void.
His reluctant return may not inspire affection, any more than his inconsistent performances in the previous three years, but he came back a better player and has quietly made a huge difference.
The simple fact is that Palace need Gray more than Gray needs Palace as low summer bids from Charlton and Leeds showed.
Dowie is desperate to persuade him to sign a new contract, and was understandably furious on Saturday at the ignorance of some supporters.
Mullins, Derry and even skipper Shipperley have all been targeted by a certain section of home supporters this season, and Palace have only won six of 18 matches at Selhurst.
The away fans are fantastically supportive and Palace have won 8 of 17.
Saturday's game will give us a chance to see new £155,000 signing Mikele Leigertwood make his full debut in the place of the suspended Mark Hudson. Could be a blessing in disguise!
Join me on Saturday as Palace take on Joe Kinnear's resurgent Nottingham Forest at the City Ground from 2.55pm.


Dave is currently serving as the Family Life Pastor at Calvary Church in Irwin, PA. It is his desire to see families grow together in Christ and disciple other families in their community.
Are you wanting to do something different with your church this summer to reach your community? Vacation Bible school may be your immediate thought, but with that you may be wanting to try something your church has never done and the community has never seen. That something can be MEGA Sports Camp!
The phrase "God first, family second, ministry third" is a simple reminder of where our focus should be. Yet during the chaotic joys of ministry, that order of priorities can shift. In the midst of limitless opportunities, we need to establish limits that allow us to prioritize our own families.
There is something special to be said about going on a trip with the kids in your ministry to a place designed just for them where they can encounter God with no distractions. Summer camp is a valuable tool for leaders and should be utilized as much as possible in guiding kids to a Christ-centered life. Here are three reasons why.


text:
Q: How to generate cuts and find an integer solution I have an integer programming problem that looks for example like this, but with much more variables and constraints

It is equal to the 3SAT problem. There is no object function, so any integer solution will be optimal.
Now I can find a non integer solution with cplex and I want to manually add cutting planes. My problem is now that I don't know exactly how to generate cuts after the first relaxation. I found many papers about clique cuts and alike but all of them are theoretical and don't show an algorithm how to do it. I hope someone can give me a hint how to generate those cuts and to solve this.

A: Well I see two main choices. Either using User Cuts or Lazy Constraints.
In both cases you can recreate the LHS of the cuts with IloExpr where the variables on the cut could be added using the += operator, the cuts being added to your IloModel a priori or a posteriori, in other words, you could decide adding your User Cuts before the .solve() instruction or right after it if you detect any violated cut. A generic row construction allow you to add one or even multiple cuts at once using one of the following two options:
cplex.addCut(IloConstraint cut)
cplex.addCuts(IloConstraintArray cuts)

Supposing the variables to be added on the cut are stored in an IloIntArray VarInCut(env); and that you are using IloNumVarArray x(env); or IloIntVarArray x(env); variables in your model, you can construct the IloConstraint cut as any customary constraint in cplex-C++ per row construction:
IloIntArray VarInCut(env);
IloExpr LHS;
for (int i=0; i<VarInCut.getSize(); i++) { LHS += x[VarInCut[i]]; }

Hence, passing cut as LHS <= RHS or LHS == RHS in case of inequality/equality cut expression where RHS can either refer to another IloExpr or Numeric/Integer value.
The Lazy Constraints, on the other side, are usually implemented as CallBacks which are more tricky and can result into higher risk of incorrect behavior in your application, hence more difficult to debug. Take a look at CPLEX documentation on UserCuts, LazyConstraints and a couple of blogs, here and here.
One is glad to be of service!

redpajama_set_name: RedPajamaStackExchange


text:
package com.nkana.app.model;

/**
 * Created by chokkar
 */
public class DeviceConfig {
    private String device_id;
    private String device_type;

    public String getDevice_id() {
        return device_id;
    }

    public void setDevice_id(String device_id) {
        this.device_id = device_id;
    }

    public String getDevice_type() {
        return device_type;
    }

    public void setDevice_type(String device_type) {
        this.device_type = device_type;
    }
}

redpajama_set_name: RedPajamaGithub


BRAVA!!!! Websites that promote the egotistical beast in men demanding that women obey their commands should be labeled as dangerous! Weak, incompetent men are drawn to those sites and believe they are entitled through their rage.
It is hard to believe that the report was it. Nothing was ever found except the gate and door were open. She was on her way to an event. It is so sad to hear this, Emiliana. I'm sorry for your loss.
Yes it's crazy to think about how primitive the investigation was back then compared to what we have with technology today. Blows my mind that more wasn't done. I have a lot of paperwork of hand written interviews from the case.
I was one othe the deputies that arrived at the scene, I was one of the last ones to arrive. There were so many people and no control of the area. I was dispatched on a missing persons call, what I was given on the radio, I knew there was more to it, when I arrived, I couldn't believe there was no control of the crime scene. There was two deputies standing at the gate just letting everyone in, all I could think of was, that all of the evidence was being destroyed. I found the Sheriff in the house, with a lot of people, I'm sure it was family and friends walking all over and touching and moving things. I asked the Sheriff what all these people were doing here, it a crime scene and now it's contaminated, cars parked everywhere, even where she played basketball, people walking everywhere around the farm, more evidence being destroyed. I even suggested where me needed scene to the Investigator, which by the way is where they found her hours later, I was ordered off the scene and put on Traffic Control on Highway 70.
It still haunts me to this day, how this case was handled, I think about Katina and the justice she never received.
My mind is actually blown that you found this post and that you were there. My mother always told me the exact same thing you are saying. She thought that because nobody thought there was foul play in the beginning that there was no control of the situation at my uncle's trailer. Katina was my best friend and to this day we have no idea who murdered her 😦 I've always hoped that this would be solved so we could have closure to who did this. It still haunts me today. thanks for sending your message Andy.
It's haunts me to this day also, I think about her all the time. I think about how it should have been handled from the beginning.
I pray that the person is caught, so everyone can have some peace.
Please keep in touch and let me know if you hear any news.
I just wanted to let you know that, I haven't forgotten her.
Line 1, one of the deputies.
Line 17, we needed to search.
I keep checking to see if her killer has been found, I'm hoping someday to hear that they got the person.
it's okay because I actually read your original post this way. I didn't even notice the errors. thanks again for messaging my blog. I really do appreciate it. thank you, thank you!


text:
Susan Story
From Pensapedia, the Pensacola encyclopedia
Occupation President and CEO
Gulf Power Company
Spouse Joseph Story
Susan N. Story is the current president and CEO of the Gulf Power Company, having served in that capacity since April 14, 2003. Before replacing previous CEO Tom Fanning, who left to become chief financial officer of parent firm the Southern Company, Story was executive vice president of the Southern Company's Generation and Energy Marketing division in Birmingham. She was both the first woman and, at 43, the youngest executive to lead the company.[1]
Story earned a bachelor of science degree in industrial engineering from Auburn University and a master's degree in business administration from the University of Alabama Birmingham. She began her career in 1982 as a nuclear engineer. She was named "Alumnus of the Year" by UAB's School of Business in 2002, the same year she was named one of the "top 10 women in business" by the Birmingham Business Journal.[2]
Story serves on the boards of directors of Enterprise Florida, the Florida Council of 100, Florida Chamber of Commerce, and numerous other organizations. She was appointed to the Community Maritime Park Associates board, but resigned in 2008 after the appointment of her subordinate, Bentina Terry, to avoid a potential violation of Florida's Sunshine Law.[3]
She is married to Dr. Joseph Story.
↑ "Gulf Power chief breaks new ground." Pensacola News Journal, April 27, 2003.
↑ "Gulf Power picks first woman to take utility's helm." Pensacola News Journal, April 5, 2003.
↑ "Story resigns from park board." Pensacola News Journal, May 2, 2008.
This biographical article is a stub. You can help Pensapedia by expanding it.
Retrieved from "https://www.pensapedia.com/mediawiki/index.php?title=Susan_Story&oldid=21179"
Biography stubs

redpajama_set_name: RedPajamaCommonCrawl


text:
Q: Is there a safe way to store database credentials used in code when working with a public repository? Say I have the mysql credentials

username: mysqlusername
password: letmein

In my code somewhere, I'm going to have to establish a connection to my database using these credentials.
However, if I'm using a public repository (e.g. github), I don't want to have a line of code that says
mysql_connect("localhost","mysqlusername","letmein","my_db");

because then anybody could see these credentials.
What is the best way to hide these credentials, while still having all my code in a public repository?


Mint Eyelet Blouse âž–NOTESâž– A great blouse to take you through the fall!
Melania Trump certainly seems to have settled on a theme for her travel wardrobe in Africa: safari-chic.
Here's the whole summer-ready look.
"My family has an artistic bent (dancers, sculptures, architects, chefs). Somehow I became an athlete with a college scholarship.
What beauty advice do you find yourself giving to friends and family over and over again? "The obvious things that are hardest to maintain.
Figure 3: The Glass of Fashion article, Picturegoer Weekly (May 14 1932) from the collections of the Bill Douglas Cinema Archive, Exeter University.
•Lularoe• NWT Lynnae Soft Heathered Gray Top Sz S Unicorn 🦄 ALERT!
Couple Leah Adicoff and Myles Hendrik share an affinity for black boots, cool shades, and each other.
Typical 1940s women's hats and shoes and gloves.


text:
Q: Javascript OnChange not firing on first change I have an issue concerning an 'onchange' event within a select html element. The code i have written is supposed to display certain text boxes depending on which select option has been selected.
The code I have is as follows:
Customer Type:
<select name="customerType" onchange="cust_type()">
<option value="" selected>Customer Type?</option>
<option value="nonCorp">Customer</option>
<option value="corp">Corporate</option>
</select>

JS:
function cust_type() {
   var select_drop = document.getElementsByName('customerType');
   var selected = select_drop[0].value;
   var f_name = document.getElementById('forename');
   var s_name = document.getElementById('surname');
   var c_name = document.getElementById('companyName');

   if(selected == "") {
     f_name.style.visibility = 'hidden';
     s_name.style.visibility = 'hidden';
     c_name.style.visibility = 'hidden';
     f_name.value = "";
     s_name.value = "";
     c_name.value = "";
   }
   if(selected == "nonCorp") {
         f_name.style.visibility = 'visible';
         s_name.style.visibility = 'visible';
     c_name.style.visibility = 'hidden';
     c_name.value = "";
   }
   if(selected == "corp") {
     f_name.style.visibility = 'hidden';
     s_name.style.visibility = 'hidden';
     c_name.style.visibility = 'visible';
     f_name.value = "";
     s_name.value = "";
   }
}

The problem I am experiencing is that when I change the option in the select menu the first time, the onchange has no effect. However on the second, third etc etc it seems to be working perfectly fine.
Thank you for taking the time to read my question.

A: Did you try to add the event in JavaScript ?
var yourSelectElement = document.getElementById('test');
yourSelectElement.onchange = cust_type;

Let see : http://jsfiddle.net/YtuxP/
Do you try to do that ?

A: Fix:
Instead of directly changing the visibility of the text boxes I wrapped them in separate divs. The code solution is as follows.
HTML:
Customer Type:
<select name="customerType" onchange="cust_type()">
<option value="" selected>Customer Type?</option>
<option value="nonCorp">Customer</option>
<option value="corp">Corporate</option>
</select>

    Forename <input type="text" name="forename" id="forename" onchange="submit_check()" />
Surname <input type="text" name="surname" id="surname" onchange="submit_check()" /.

Company Name <input type="text" name="companyName" id="companyName" onchange="submit_check()" />

JS function:
function cust_type() {

var select_drop = document.getElementsByName('customerType');
var selected = select_drop[0].value;
var f_name = document.getElementById('forename');
var s_name = document.getElementById('surname');
var c_name = document.getElementById('companyName');
var nonCorp = document.getElementById('nonCorpCustDetails');
var corp = document.getElementById('corporateCustDetails');

if(selected == "") {

        nonCorp.style.visibility = 'hidden';
    corp.style.visibility = 'hidden';

    f_name.value = "";
        s_name.value = "";
    c_name.value = "";

}

if(selected == "nonCorp") {

    nonCorp.style.visibility = 'visible';
    corp.style.visibility = 'hidden';

    c_name.value = "";

}

if(selected == "corp") {

    nonCorp.style.visibility = 'hidden';
        corp.style.visibility = 'visible';

    f_name.value = "";
    s_name.value = "";

}

}


text:
Q: Ignore or prevent ESLint errors from breaking the build in a React project (create-react-project) I've recently created a project with create-react-project.
The problem is that, while I'm developing, every time there's a problem with ESLint, the build breaks and doesn't compile the code.
Can I keep the build running while still having ESLint running and reporting errors that I will fix later?

A: If you want to force ESLint to always emit warnings (that will not stop you build) instead of errors, you need to set emitWarning: true:
{
    enforce: 'pre',
    include: paths.appSrc,
    test: /\.(js|jsx|mjs)$/,
    use: [{
        loader: require.resolve('eslint-loader'),
        options: {
            formatter: eslintFormatter,
            eslintPath: require.resolve('eslint'),
            emitWarning: true,  HERE
        },
    }],
},

As stated in the docs:

Errors and Warning
By default the loader will auto adjust error reporting depending on eslint errors/warnings counts. You can still force this behavior by using emitError or emitWarning options:

*

*emitError (default: false)
Loader will always return errors if this option is set to true.

*emitWarning (default: false)
Loader will always return warnings if option is set to true. If you're using hot module replacement, you may wish to enable this in development, or else updates will be skipped when there's an eslint error.

*...

A: since eslint-loader is now deprecated and eslint-webpack-plugin is now used in create-react-app check the docs, I was able to solve a similar issue by adding two option to the eslint-webpack-plugin
after ejecting your react app, add these options to the ESLintPlugin options:
      new ESLintPlugin({
        // Plugin options
        extensions: ['js', 'mjs', 'jsx', 'ts', 'tsx'],
        formatter: require.resolve('react-dev-utils/eslintFormatter'),
        eslintPath: require.resolve('eslint'),
        context: paths.appSrc,
        failOnError: false,  <== `This one`
        emitWarning: true,  <== `And this one`
        // ESLint class options
        cwd: paths.appPath,
        resolvePluginsRelativeTo: __dirname,
        baseConfig: {
          extends: [require.resolve('eslint-config-react-app/base')],
          rules: {
            ...(!hasJsxRuntime && {
              'react/react-in-jsx-scope': 'error'
            })
          }
        }
      })

A: I might be late for the answer but if you add
ESLINT_NO_DEV_ERRORS=true
in the .env file then the error is sorted.
P.S: it works with react script 4.0.3 and above

A: For people wanting to solve this problem in 2021, you can simply set following in your .env.development file to ignore TypeScript Errors
TSC_COMPILE_ON_ERROR=true

Source: https://create-react-app.dev/docs/advanced-configuration/#:~:text=TSC_COMPILE_ON_ERROR
Also, to ignore ESLint errors, use craco to override eslint-webpack-plugin default configuration to ignore errors in development environment.
const eslintWebpackPlugin = require("eslint-webpack-plugin");
const process = require("process");
module.exports = {
  webpack: {
    configure: (config) => {
      config.plugins.forEach((plugin) => {
        if (plugin instanceof eslintWebpackPlugin) {
          // Ignore ESLint Errors.
          plugin.options.failOnError = process.env.NODE_ENV === "production";
        }
      });
      return config;
    },
  },
};

A: just add DISABLE_ESLINT_PLUGIN=true in your .envfile
cheers !

A: Ok I just commented this lines from my webpack config
  // {
  //   test: /\.(js|jsx|mjs)$/,
  //   enforce: 'pre',
  //   use: [
  //     {
  //       options: {
  //         formatter: eslintFormatter,
  //         eslintPath: require.resolve('eslint'),
  //
  //       },
  //       loader: require.resolve('eslint-loader'),
  //     },
  //   ],
  //   include: paths.appSrc,
  // },


When you bring a pet into your life, one of the first things to do is to look for a good vet who will ensure better health for your pets and peace of mind for you. But finding a stellar one can be tricky. We talked to a few pet-owners in the city and asked them who they would trust with their furry friends.
Cool cat Potol has been with Antara for five years now, since a few weeks from her birth. While the missy is all grown up now and loves her hooman for a scratch and a pet, Antara dotes on Potol and is particular about her diet and health. Frequently referred to as one of the best pet clinics in the city, Moitri's Dr Sourav Banerjee is the one Antara trusts for Potol's vaccination and check ups. Dr Banerjee is in fact strongly recommended by many other pet owners and is known to take care both of cats and of dogs. Most importantly, he is a qualified surgeon who has helped recover several pets in the city. Though the wait will be long, you'll get his best care for your pawper on all days except Friday.
Dexter was cuddly gift Priyanjali received from her boyfriend some 4 years ago. Now a full grown golden retriever, Dexter is her best chum whom she can't stay away for long. A happy and active retriever, Priyanjali takes him for grooming (nail and other clean ups) every month, and goes for a doc check up every three months. An veteran doc who has been taking care of dogs for years now, Dr T K Samanta is a name to reckon with for consultations.
Anoushka has three little adorable pawsome friends. Furrow is three, Alice is two and Bandit is just one! While the little guy (Dexter) tries to get heavy on the other two girls, together they are a pack of naughty little munchkins. Adorable and cuddly, Anoushka is also a responsible pet owner who takes good care of her cats. All of them have been neutered and regular check ups and yearly vaccinations are always in order. She recommends another veteran doctor, Dr Dipak Dey of Calcutta Canine Clinic when it comes to pet care. Both a vet and a surgeon, Dr Dipak Dey is available on all days at the clinic, though appointments have to be taken before visit.
It's been eight years now that Tanisha got Muffin as a gift from her dad. Today Muffin, a Tibetan mastiff, is bigger than her in size, but still loves to play or be fed by her. Even though Muffin is quiet old now, Tanisha ensuresshe gets enough activity throughout the day to keep fit and is fed healthy food. Besides the regular vaccinations and deworming schedules, Tanisha takes her pet for grooming once every one and a half month and for check up every few months. She recommends Dr Aparajita Chakraborty of APC Pet's Clinic for check ups and pet care. With the clinic in Southern Avenue, Dr Chakraborty is available for visit with appointment.


text:
Catagramma cuyaba är en fjärilsart som beskrevs av Dillon 1948. Catagramma cuyaba ingår i släktet Catagramma och familjen praktfjärilar. Inga underarter finns listade i Catalogue of Life.

Källor

Praktfjärilar
cuyaba


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text:
Early Modern (15)
Long Eighteenth Century (15)
Eighteenth Century (14)
Scottish Episcopal Church (3)
Your search for Politics of Author: "Jacobite" AND Metaphor Category: "Impressions" returned 15 results(s) in 0.002 seconds
"The lively Image of a Crucify'd Saviour then exhibited, could not but make very moving impressions on a mind of so much pious Warmth and Tenderness."
— Atterbury, Francis (1663-1732)
Date: 1719-1720, 1725
"D'elmont, tho' he was a little startled to find her so much more Mistress of her Temper then he believ'd she could be, yet resolv'd to make all possible use of this Opportunity, which probably might be the last he shou'd ever have, look'd on her as she spoke, with Eyes so piercing, so sparkling ...
— Haywood [née Fowler], Eliza (1693?-1756)
"Sure I am, all that Disdain and Rage could inspire Malice with, had been inflicted on you, but you well know my Soul is of another Stamp."
"Books were, as it were, Preparatives to Love, and by their softening Influence, melted the Soul, and made it fit for amorous Impressions."
"There is nothing more certain, than that Love, tho' it fills the Mind with a thousand charming Ideas, which those untouch'd by that Passion are not capable of conceiving; yet it entirely takes away the Power of Utterance, and the deeper Impression it had made on the Soul, the less we are able to...
"I got into an Arbor in the Garden, to peruse the dear Contents, which I very well remember, and are too deeply engraven in my Mind, ever to be forgotten."
"Besides the five Senses, the Naturalists generally speak of a Sensorium, or common Sense, which they reckon the ground of all Sensation, or a Medium, as it were, for modifying the Impressions and conveying them to the Mind."
— Forbes of Pitsligo, Alexander Forbes, Lord (1678-1762)
"We may see God indeed in his Works, for the Heavens declare his Glory, and there may be an impression of his almighty Power upon our minds some other way than by our own Reasoning or making Inferences from the things that strike our Senses."
"And there seems to be the like Impression on the Minds of the generality of Mankind, very much to the honour of the divine Wisdom, that God draws Order out of Confusion."
"He illustrated this Truth by many Arguments, as well as by a great Number of Examples from the History of past Times, and his own Observation of the present; and that what he said to her might be the more deeply imprinted on her Mind, he obliged her every day to repeat to him the Subject of thei...


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Fri, Sep 04, 2009 - Page 7 News List
Manson follower Atkins denied parole
1969 KILLINGS: A parole commissioner said that Susan Atkins, who is terminally ill with cancer, never fully understood the magnitude of her crimes
AP , CHOWCHILLA, California
Convicted killer Susan Atkins, left, lies on a portable bed beside her husband and attorney James Whitehouse during her parole hearing on Wednesday at the Central California Women's Facility in Chowchilla, California.
Susan Atkins, the terminally ill Charles Manson follower who admitted fatally stabbing actress Sharon Tate 40 years ago, lost what was likely to be her last bid for freedom.
Atkins, who suffers from brain cancer, slept through most of the four-hour hearing on Wednesday during which her husband-lawyer pleaded for her release and families of victims of the Sharon Tate-Labianca killings urged that she be kept behind bars until she dies.
In a dramatic moment — one of the few in which Atkins opened her eyes — Atkins' husband, James Whitehouse, led her through a recitation of the 23rd Psalm, with Atkins concluding in a strong voice: "My God is an amazing God."
Debra Tate, sister of the actress who was eight-and-a-half months pregnant when she was killed, told the parole commissioners that she would have a 40-year-old nephew if her sister had lived.
She said of Atkins: "I will pray for her soul when she draws her last breath, but until then I think she should remain in this controlled situation."
Parole commissioner Tim O'Hara said that he and the other commissioner who presided over the hearing, Jan Enloe, based their decision heavily on the "atrocious nature" of the 1969 killings and said that Atkins never fully understood the magnitude of her crimes.
O'Hara said Atkins would be not be eligible for parole for another three years.
Atkins, 61, had been expected to die of brain cancer over a year ago but continues to cling to life. She also had a leg amputated.
She was denied compassionate release in July last year after she was diagnosed and given only months to live. Wednesday's hearing at the Central California Women's Facility at Chowchilla was one of her required periodic parole hearings as a life prisoner. She stands convicted of the seven Tate-LaBianca murders, one of the most notorious mass murders in California history.
The gruesome murders that made the Manson cult infamous were discovered on Aug. 9, 1969, when a maid ran screaming from the home shared by Tate and her husband, director Roman Polanski.
Five people were killed in a ritualistic manner, including Tate, coffee heiress Abigail Folger, and celebrity hairdresser Jay Sebring. Two others were killed at another home. Polanski was not at home at the time of the slayings.
The next night, wealthy grocer Leno La Bianca, 44, and his wife Rosemary, 38, were found stabbed to death in their home across town.
Atkins admitted stabbing Tate to death as Tate begged for her life and that of her unborn son. Atkins claimed she and other cult followers acted on orders from Manson and were on LSD.
It was Atkins who led police to arrest members of the Manson clan when she confessed to a cellmate after she had been arrested in a robbery.
At a hearing in 2000, Atkins acknowledged: "I sinned against God and everything this country stands for."
She said she wanted to make amends for what she did.
Whitehouse, 46, has said his wife has made him a better person in their 21 years of marriage.
and should be released if for no other reason than to keep taxpayers from having to cover her hefty medical expenses.
Manson, Atkins and two other followers — Patricia Krenwinkle and Leslie Van Houten — were convicted and sentenced to death. The sentences were commuted to life when the death penalty was temporarily outlawed in the US in the 1970s.


Any questions? See the wiki page] or irc://irc.freenode.net/indiewebcamp.
Webmaker won a prize for our Thimble tool from Common Sense Media!
This Thursday, March 27th at 12:00pm EDT, Karen Smith from Hive Toronto is hosting a discussion about how you can teach the web without laptops and in an engaging and participatory way.
Mozilla BadgeKit is now available in private beta! Know how to build your own front end website to run it, or want to integrate it into your MoFo project? Fill out this form.
The first Science Lab prototype is live! Read the blog post.
The Web We Want campaign has just announced its 2014 Small Grants Program to find events or actions that will get people involved in debating, celebrating, and imagining the Web they Want.
People can apply for any amount between $1,000 and $5,000.
Applications due by April 7th. Here's an action idea: host a 'quilting bee' in schools, libraries, youth clubs, etc., where you teach people digital skills by showing them how to make their own part of the Web We Want interactive quilt using Mozilla's Webmaker tools and curriculum.
Karl and Hallvord from the webcompat team took a trip to Beijing to discuss compatibility in China. Karl wrote about some very interesting insights gained into the Chinese web and browser markets.


"We weren't too sure about these jig tails/heads until we finally tore a shrimp tail off an artificial and slid it on. The backward pop really does mimic the short fleeing strokes of a shrimp. Even better, we have found these jigs to be money on trout when rigged under a popping cork."
Description: The realistic design mimics the natural backwards fleeing movement of a shrimp; this motion elicits a predatory response from nearby fish. Rig on a popping cork to enhance with sound and maintain target location in the water column.
Simply remove the tail from your favorite soft plastic or natural shrimp, and replace with the Jig Tail.


A jockstrap in an unexpected colour combination is our underwear suggestion today. The Firenze Jockstrap by Dietz is made from a pink melange, polyester and spandex blend, fabric and features a branded elasticated orange waistband and black detailing around the pouch. The Mexican brand created a comfortable jock in bright colours which can be worn on any occasion.


Common on limestone walls and tombstones where it can form large patches to 40cm diameter but not found on cement or mortar.
Smooth white to pale-grey thallus, usually areolate and often surrounded by zoned, cracked, grey prothallus. Black, lecanorine, apothecia have distinct but non-persistent margins. Ascus 4-8 spored, spores 18-30 x 14-27 µm.


The high school administrators from Rochester got a sneak peek at visible thinking in action today when they visited the Reuther classrooms belonging to Natalie James (math), Shelley Moore (science), Jari Pathenos (ELA), and Bill Staugaard (social studies). This opportunity was set up to provide high school leaders with a reference in order to lead the Cultures of Thinking initiative as part of the 2020 Strategic Plan for Rochester Community Schools. The high school administrators from Rochester got a sneak peek at visible thinking in action today when they visited the Reuther classrooms belonging to Natalie James (math), Shelley Moore (science), Jari Pathenos (ELA), and Bill Staugaard (social studies). This opportunity was set up to provide high school leaders with a reference in order to lead the Cultures of Thinking initiative as part of the 2020 Strategic Plan for Rochester Community Schools.


LURAY, Va. – Lord Fairfax Community College's (LFCC) Luray-Page County Center will hold a film night, financial aid workshop and job fair in February. The events are free and open to the public and will be held at the Center. The Center is located at 334 North Hawksbill Street in Luray.
On Friday, Feb. 9, 2007, in celebration of Black History month, the Center will show the film "The Color Purple" beginning at 6 p.m. The film is based on the Pulitzer Prize winning novel by Alice Walker and follows the life of a young African-American girl growing up in the early 1900s. A discussion will follow the film.
On Monday, Feb. 26, 2007, the Center will host a financial aid workshop from 6 to 9 p.m. for LFCC students and other college applicants, including high school seniors. The workshop will assist students in completing the 2007-08 Free Application for Federal Student Aid (FAFSA) form. Parents and students interested in attending the event must call the Center at (540) 843-0722 to reserve a space.
On Tuesday, Feb. 27, 2007, the Center will host a job fair from 10 a.m. to 2 p.m. for LFCC students and community members to meet with prospective employers. Job seekers should bring a current résumé to the job fair. For more information or to reserve a table, businesses may contact Mark Mitchell at (540) 868-7236 or mmitchell@lfcc.edu. The deadline for reserving a table is Feb. 9, 2007. Space is limited, so businesses are encouraged to reserve a table early.


Be part of the Guard of Honour!
For every Yorkshire Vikings limited overs fixture at Headingley, juniors from clubs around Yorkshire have the opportunity to be part of the Guard of Honour. This involves them creating a channel for the Yorkshire and opposition players to run through, as well as Vinny the Viking, on their way out to the middle at the start of the game. They are given T20 blast t-shirts to wear, and equipped with Yorkshire Viking flags to wave, adding to the spectacle of the day.
The opportunity to get close to their cricketing heroes, as well as the chance to experience the atmosphere of Headingley from the best location, will leave lasting memories for any young cricketer. For your clubs chance to be part of the Guard of Honour in 2018, sign up as a Club Yorkshire Club.
To find out more information on our Club Yorkshire Club scheme, click here. Alternatively, if you would like to sign up, call our ticket office on 0113 2033 622.


text:
Net ozone photochemical production over the eastern and central North Pacific as inferred from GTE/CITE 1 observations during fall 1983
Simultaneous measurements of O3, NO, CO, H2O vapor, and temperature over the eastern and central North Pacific Ocean are analyzed to infer the role of photochemistry in the budget of tropospheric ozone. A statistical analysis of the data reveals a close correlation between ozone and nitric oxide levels and an anticorrelation between these two constituents and water vapor, thus implying the existence of a major ozone source associated with NO-rich air parcels from the upper troposphere and/or lower stratosphere. The NO in these parcels is believed to have originated from the stratosphere, from air detrained from active thunderclouds, or from some combination thereof. The statistical analysis also indicates the existence of an additional source of secondary importance associated with CO-rich air parcels, possibly of continental origin. Photochemical simulations of ozone photochemistry for the conditions encountered during the flights indicates, on average, a net photochemical source of ozone in the free troposphere and a net sink in the boundary layer. The free tropospheric, photochemical source of ozone is found to be strongly correlated with NO, implying that regions of enhanced NO are also regions of enhanced ozone production. A similar statistical correlation between ozone photochemical production and CO levels was not found. It is estimated that on average, during the period of the fall operation, photochemistry provided a net source of ozone to the free troposphere overlying the eastern and central North Pacific Ocean of about 5 x 1010 molecules cm-2 s-1 and a net sink of ozone to the boundary layer overlying this region of about 3 x 1010 molecules cm-2 s-1.
Chameides, William
Chameides, WL; Davis, DD; Rodgers, MO
Journal of Geophysical Research
92 / D2
10.1029/JD092iD02p02131


Steve and Terri set off from Australia Zoo at Beerwah on Australias east coast and head west towards Australias red desert interior. While traversing some of the roughest outback terrain Steve and Terri encounter venomous snakes, desert dwelling lizards and some of the most endangered mammals in the world. The journey takes them to Australias most famous geological landmark Ayers Rock.


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Édouard Manet

The Execution of Emperor Maximilian


The 12" will be limited to 500 copies in the UK and available from all participating Record Store Day outlets on Saturday April 20th.
The Joy Formidable are currently on tour in the USA having recently returned to the UK for a string of dates ending in their biggest ever headline London show at the Roundhouse. The band will return to the UK for festival shows in the summer including already announced sets at Truck, Standon Calling and Boardmasters. Check www.thejoyformidable.com for all dates.


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The Express News Rwanda
Home Business AFRICAN WILDLIFE POLITICS BOOK WINS INTERNATIONAL RECOGNITION
AFRICAN WILDLIFE POLITICS BOOK WINS INTERNATIONAL RECOGNITION
The Express News Team
As the politics of African wildlife continue to play a major role in ongoing media debates, some western writers are using the subject to help educate the public on the possibility that racism is impacting much of what is proposed by the West.
This week, the author of a fun-to-read and very educational book entitled Credit the Crocodile was selected as a Book Excellence Award Finalist by the Canadian sponsors of this prize. Godfrey Harris, the U.S. author, is a keen follower of African wildlife politics. His book beat hundreds of entries from around the world and won this comment from the judges: "…this book was selected for its high-quality writing, design and market appeal."
With African wildlife politics deeply embedded in the story that Harris tells of two American teenagers who run afoul of South African law, recognition of the book puts Africa once again in the middle of the world's cultural map.
As part of giving back to Africa, the continent whose wildlife politics inspired him to write the book, Harris lectured at several universities and a primary school in South Africa in May 2018. As part of his presentation, he gave free autographed copies of the book to attendees as well as to the schools' library.
After having briefly read the introductory remarks of the book and also after listening to the book's author, the Head of the English Department of South Africa's St. Dunstan's College expressed interest to use the book as an English literature book. With such an instant appeal to the student market, there is no doubt why about a year after its publication, the book has gained international recognition.
Set in modern-day South Africa, the story of Credit the Crocodile focuses on how Nile crocs were saved from possible extinction when farmers were allowed to raise and harvest them. But the principal crocs in this story are particularly interesting because of their ability to understand English.
While the descendants of white Europeans may no longer rule black African countries, many Westerners in far away lands still exhibit a strong penchant to dictate how African wildlife is to be protected and preserved. As the story of Credit the Crocodile unfolds, the author finds interesting ways to offer fresh ideas on a viable basis for wildlife conservation policies in the future.
This must-read book mocks the animal rights groups' continued patronizing attitude to Africans and their wildlife. Incidentally, its international recognition comes at a time when the 'temperature' for the pro and anti-wildlife use debate is becoming hotter. The reason seems to be the impending UN Convention on International Trade In Endangered Species of Wild Flora and Fauna Species (CITES), meeting in Geneva, Switzerland from 17-28 August 2019. The book also exposes incidents where personal rewards for politicians can outweigh national interests of a country.
The book is designed to open the eyes of adults through the fresh perceptions of their kids, particularly to the possibility of saving a species while maintaining trade in its parts. The book raises a key question: Does the world appreciate the reality that sustainable use of wildlife products, such as ivory or rhino horns, actually creates an incentive for conserving wildlife?
One of the world's leading environmentalists who has read the book include former CITES Secretary General (1982-1990) Eugene Lapointe. He and his wife now run IWMC World Conservation Trust, the leading sustainable use organization. They issued a joint statement reacting to the book's meritorious selection, "What a great honor and a well-deserved one! We are thrilled for (Godfrey Harris).
One of the key lessons that I drew from the book when I read it (and have also experienced through my 26-year interaction with poor African rural communities as an environmental journalist) is that stopping elephant and rhino poaching lies in allowing controlled trade in these animals and their products. Without meaningful benefits from their wildlife, poor African rural communities are forced to consider wild animals as a nuisance. But with the benefits that wildlife can bring to rural communities, locals no longer need to collaborate with poachers.
I strongly recommend Credit the Crocodile to anyone who has a desire to become involved in saving wildlife in Africa and worldwide. Copies of the book are available for R200 (US$14) with a money back guarantee. The public can also request copies from the Publisher, THE AMERICAS GROUP, at hrmg@mac.com.
By Emmanuel Koro
About the writer: Emmanuel Koro is a Johannesburg-based international award-winning environmental journalist who has written extensively on environment and development issues in Africa.
The Express News
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Lars Seniuk (* 1989 in Norderstedt, Schleswig-Holstein, Deutschland) ist ein Komponist, Dirigent, Trompeter und Hochschullehrer. Er gilt als Ausnahmetalent der deutschen Jazzszene.

Leben und Wirken

Ausbildung
Seniuk studierte nach einer klassischen Trompetenausbildung bei Hans-Jörg Packeiser zunächst als Jung-Student an der Hochschule für Musik und Theater Hamburg sowie nach seinem Abitur am Jazz-Institut Berlin Jazz-Trompete. Anschließend absolvierte er ein Studium der Komposition und Jazz-Komposition an der HfMT Hamburg.

Seniuk war Mitglied der Landesjugendjazzorchester Hamburg und Schleswig-Holstein und wurde im Alter von 17 Jahren Mitglied des Bundesjazzorchesters.

Künstlerische Tätigkeiten
Als Trompeter bewegt sich Seniuk in den verschiedenen Stilen zwischen traditionellem Jazz, Bebop und Avantgarde-Jazz mit Einflüssen aus mikrotonaler Musik und Neuer Musik. Er spielte unter anderem mit der NDR Bigband, dem Jazz Kollektiv Berlin, dem Adrian Kleinlosen Quintett, dem Berlin Composers Orchestra und dem Global Music Orchestra.

Im Alter von 16 Jahren gründete er seine erste professionelle Bigband. Er ist zudem der Leiter des New German Art Orchestra, mit dem er 2015 das Album Pendulum (Mons Records) veröffentlichte, das begeisterte Reaktion bei Kritikern und Medien hervorrief.

Der von der Presse als "Überflieger" und "Tausendsassa" betitelte Musiker arbeitet zudem als Komponist und Dirigent regelmäßig mit der HR-Bigband, der NDR Bigband und der WDR Big Band.

Tourneen führten Seniuk durch ganz Deutschland sowie in verschiedene europäische Staaten, nach China sowie in die USA (als Preisträger der International Made In New York Jazz Competition).

Lehre
Nach zwei Jahren Lehrtätigkeit an der HfMT Hamburg wechselte Seniuk 2018 an die Musikhochschulen Frankfurt (Arrangement und Bigbandleitung) und Weimar (Jazztrompete). 2019 wurde er im Alter von 29 Jahren zudem als Professor für Trompete, Ensemble und Bigband sowie Leiter des Studiengangs Jazz an die MUK Wien berufen. Lars Seniuk ist auch Anlaufpunkt für Musikstudenten sowie professionelle Blechbläser aus ganz Deutschland und Österreich und gibt europaweit Jazz-, Bigband- und Bigbandleiter-Workshops. Zu seinen Schülern zählen u. a. mehrere Blechbläser der Hamburger Philharmoniker und weiterer professioneller Orchester.

2014 wurde er im Alter von 24 Jahren künstlerischer Leiter des Landesjugendjazzorchesters Hamburg, dem vom Landesmusikrat Hamburg getragenen Spitzenensemble der Hamburger Jazzförderung. Diese Position bekleidete er bis 2020. Unter seiner Führung entwickelte sich das LJJO Hamburg zu einem national und international herausragenden und vielbeachteten Ensemble, das seither zu den führenden Auswahlensembles Europas gehört. 2019 gewann er mit dem LJJO Hamburg die International Big Band Competition in den Niederlanden.

Soziales Engagement
Im Oktober 2015 gründete Lars Seniuk die gemeinnützige Initiative Miteinander durch Musik e.V., die bundesweit Musikprojekte für geflüchtete Kinder, Jugendliche und Erwachsene ehrenamtlich initiiert, durchführt und unterstützt und sich gegen Rassismus und Fremdenfeindlichkeit engagiert. Er ist zudem Vorsitzender des Jazzbüro Hamburg e.V., dem Dachverband des Jazz in Hamburg, und rief 2018 die "Arbeitsgruppe Frauen im Jazz" ins Leben, die es sich zum Ziel gemacht hat, Hintergründe zur geringen Zahl an Jazzmusikerinnen und mögliche Verbesserungsvorschläge zu eruieren.

Diskografie
 Pendulum (Lars Seniuk & New German Art Orchestra, Mons Records, 2015)

Weblinks
 Webpräsenz von Lars Seniuk

Einzelnachweise

Jazz-Trompeter
Bigband-Leader
Komponist (Jazz)
Hochschullehrer (Musik und Kunst Privatuniversität der Stadt Wien)
Deutscher
Geboren 1989
Mann


State Representative Gary VanDeaver recently visited campus to see how Texas A&M University-Commerce is implementing the Institute for Competency-Based Education, an initiative funded by a special appropriation of $1,487,000 that he helped pass in the 84th legislative session. This project addresses the need to find alternative, affordable ways to deliver high-quality education to students, including working adults. The university has established an institute to conduct research for the promotion of innovation that encourages online education and the development of competency-based education models.
Representative VanDeaver was joined on campus by Vice Chancellor for Federal and State Relations of The Texas A&M University System Tommy Williams, Vice Chancellor for Academic Affairs James Hallmark, System Governmental Affairs Officer Frank Jackson and Chief of Staff for Representative Dan Flynn, David Erinakes.
President Jones shared a university overview and Executive Director of the Competency-Based Institute Dr. Judith Sebesta unveiled the university's plans for the institute.
Gary VanDeaver is a state representative from New Boston, Texas, and an alumnus of A&M-Commerce. He received bachelor's, master's and doctoral degrees from A&M-Commerce and served as superintendent of New Boston ISD before his election to the Texas House in 2014, where he represents Bowie, Lamar, Franklin, and Red River counties.


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The Night Country
A Hazel Wood Novel
The Hazel Wood (Volume 2)
Author: Melissa Albert
I was eighteen years old, give or take a fairy-tale century, when I had my first kiss.
I was in my senior year at a school in Brooklyn, where I'd enrolled not long after two twisted-up years in the Hinterland. I craved normal, I craved routine. I had, to be honest, this image of myself wearing a leaf-colored sweater and studying in a wood-paneled library, which was embarrassing to think about later, when I was reading The Heart Is a Lonely Hunter beneath our underfunded high school's flickering fluorescents. The only thing that made it all bearable was Sophia Snow.
Maybe bearable isn't the right word. She was the only thing that made it interesting. Unnerving is another way to put it.
Sophia was an ex-Story like me, another Hinterland reject. Wide eyes and a knotty ballerina build and black hair that moved against itself like water weeds. She had one of those hologram faces, different from every angle, the kind you want to stare at till you've uncovered all its secrets. And by the time you've figured out you never will, she's stolen your wallet from your pocket and your watch off your wrist.
Boys liked Sophia. Not just boys, but it was them she'd meet out, on shitty non-dates that mainly involved drinking and walking around. For a while I'd let her drag me along, because there was a period when I felt like nothing that was of Earth could hurt me. It made me brave, but it also meant I was just a couple clicks shy of feeling numb, inhuman, and I wanted to fight that feeling away.
There was this night when we were down by the water. Across the way we could see the geometric glitter of the Financial District, and I was staring at all the little pinprick windows, reminding myself that every light might have a person under it, and every person had a story, and the city was full of people whose lives were nothing like mine. It was supposed to make me feel less alone, I guess, but instead I was thinking that none of those people, not one, could understand what I was, or what I'd seen, or where I came from. The only ones who could, Sophia among them, were broken. Some of them had broken like glass, sharp and glittering, but some had cracked into dusty pieces that the city swept up and away. I was a little bit drunk on warm spiked Coke, wondering which kind I'd turn out to be, and feeling so sorry for myself I should've been ashamed.
One of Sophia's boys—there were three of them that night, two she might've liked plus a hanger-on—sat down next to me. He was one of the main ones, decently hot, with two lines shaved through his eyebrow. That meant something, I thought, but I could never remember what.
We sat for a minute in silence.
"You know, I watch you sometimes."
That didn't deserve a response, so I said nothing.
"You're quiet, but I like that. You've got a lot of soul, right?" He smiled at himself as he said it, in that way guys say those fake-sensitive things they think will make a girl's clothes come flying off. Just because I hadn't been kissed yet didn't mean I hadn't heard some lines.
"What makes you think that?"
"You're so little," he said cryptically. He'd clearly come to the end of his material. "But I can just tell, you've really got a lot of soul."
"To be honest, I don't know if I've even got a soul." I said it to the skyline. "If a soul is what makes you human, then I probably don't. Unless a soul is something you can grow, like, after the fact. And I don't think it is. So. No soul. Just to explain why your pickup line's not working on me."
It was the truest thing I'd said to anybody in a long time, and the most I'd said all night. I thought he might stand up and walk away, or get confused and call me a bitch. Instead, he smiled.
"God, you are so fuckin' weird," he said. Then he kissed me.
It wasn't that simple. First I stiffened, then I ducked my head and turned away. Finally I scrambled back and tried to stand, because he wasn't taking my high-beam hint.
"Hold on, hold on," he said, laughing. He put an arm around my waist, and he was so strong he made holding me in place feel casual. I wasn't scared exactly, but I couldn't get away from him, either. His mouth tasted like Coke and garlic, and it was gummy with dead skin.
The part of me that could have killed him for this, once upon a time—that could have turned his blood to ice with a touch—fizzed in my chest. The Hinterland in me: it had dried up and drained, it was nearly gone. Maybe it lived where my soul would've lodged, if I'd been truly human. Now I wasn't either, exactly—Hinterland, human—and the way his face was shoved against mine made it hard to breathe.
Then all at once I was panting, and he was screaming, and the places where his skin had mashed against mine were damp with cooling sweat. It took a scrambled second to make sense of what I was seeing: Sophia had dragged him off me by his hair, then thrown him to the ground. She kicked him twice, efficient and well placed, while his friends yelled oh, shit! and did nothing to help him. The whole time she kept a lit cigarette in her mouth, like dealing with him wasn't worth throwing it away.
Finally she pressed a dirty low-top to his neck. She must've been pressing down pretty hard, because he was rasping out all sorts of stuff but you couldn't really hear it. When he tried to pull her down by the leg, she stepped back and kicked him again, then leaned far over to look into his face.
"You're gonna die before you're thirty," she said, blowing smoke in his eyes. She didn't say it meanly, just matter-of-fact. "In an accident. Quick, at least. If that makes it better."
His friends were helping him up by then, calling Sophia crazy and worse, but taking care not to get too close.
"What?" the boy kept saying, his face stained with fear. "What are you talking about? Why would you say that to me?"
She didn't answer, just watched them scramble and take off, yelling ugly stuff over their shoulders.
When they were gone, she turned to me.
"Was that asshole your first kiss?"
Maybe. Kind of. At least in this version of my life. It was too much to get into, so I just nodded.
She kneeled next to me, put her hands on my shoulders, and pressed her mouth to mine. It tasted like smoke and sugar, and under it a tickling electric-green current that must've been the last trace of the Hinterland, or whatever magic it was that allowed her, still, to look at people and know things she shouldn't. Like when and how they would die.
"There," she said, pulling back. "Forget that boy. That was your first kiss."
That's what I like to think of when I think of Sophia Snow. That small, sympathetic proof that not everything the Hinterlanders did was meant to cause damage. But they didn't belong in this world, and that was the truth. The cracks they made were small, but cracks can bring a city down.
And if they didn't belong here, I didn't either. We were predators set loose in a world not made to withstand us. Until the summer we became prey.
Copyright © 2019 by Melissa Albert
HardcoverCompact DiscDigital Audioe-BookTrade Paperback Format
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The New York Times bestselling sequel to Melissa Albert's beloved The Hazel Wood!
In The Night Country, Alice Proserpine dives back into...
In The Night Country, Alice Proserpine dives back into a menacing, mesmerizing world of dark fairy tales and hidden doors of The Hazel Wood. Follow her and Ellery Finch as they learn The Hazel Wood was just the beginning, and that worlds die not with a whimper, but a bang.
With Finch's help, Alice escaped the Hinterland and her reclusive grandmother's dark legacy. Now she and the rest of the dregs of the fairy tale world have washed up in New York City, where Alice is trying to make a new, unmagical life. But something is stalking the Hinterland's survivors—and she suspects their deaths may have a darker purpose. Meanwhile, in the winking out world of the Hinterland, Finch seeks his own adventure, and—if he can find it—a way back home...
Don't miss Tales from the Hinterland, coming January 12, 2021!
"A charming, mysterious fable that unpacks what it means to be a story and whether we are all simply the stories we hear and tell." —Cassandra Clare, author of the Mortal Instruments series
"What Albert renders on the page is audacious: with resounding success, she keeps a firm grip on her characters and their stories, and her prose weaves a magic of its own, animating the ever-expanding fantastical premise through lyrical language, striking metaphor, and a mastery of tone that forces readers to feel the magic along with the underlying emotional stakes." —Booklist, starred review
"This fairy tale noir adventure blends romance and mystery with plenty of action...a must-read for fans of portal fantasies, mysteries, and readers who prefer their magic with bloody sharp edges." —School Library Journal, starred review
"Albert's legion of fans will relish her return to the bloody, terrifying, seductive world of her debut and the inventive brilliance of her storytelling." —The Guardian
"Rife with long-forgotten ghosts, unforgettable tales of fancy, and even a touch of romance, Albert shines in her sophomore novel, pulling the reader once more into the haunting depths of the Hinterland, where Stories rule, whether they know it or not." —Paperback Paris
Praise for The Hazel Wood
Seven starred reviews
#1 Indie Next Pick
Junior Library Guild Selection
ALA's Best Fiction for Young Adults List
Publishers Weekly Flying Start
"The Hazel Wood starts out strange and gets stranger, in the best way possible. Albert seamlessly combines contemporary realism with fantasy, blurring the edges in a way that highlights that place where stories and real life convene, where magic contains truth, and the world as it appears is false, where just about anything can happen, particularly in the pages of a good book. It's a captivating debut." —The New York Times Book Review, 2018 Notable Children's Book
"An original and imaginative fairy tale: thrilling, fascinating, and poignant in equal measure." —Entertainment Weekly, Best YA Book of the Year
"Insidiously beautiful, this is the opposite of escapist fantasy; it is a story about the imagination's power to loose atrocity into the (mostly) law-abiding confines of the real." —The Guardian, Best Children's Book of the Year
"A darkly brilliant story of literary obsession, fairy-tale malignancy, and the measures a mother will take to spare her child." —The Wall Street Journal, Best Children's Book of the Year
"This extremely creepy, wondrously original and beautifully written book conjures up a dark, bloody netherworld of fairy tales and enchants and enthralls from the first sentence to the final page." —The Buffalo News


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Crime + Justice Energy + Environment Extreme Weather Space + Science
Woman busted with meth-stuffed burritos
By Saeed Ahmed, CNN
Updated 11:23 PM EDT, Wed May 25, 2016
Customs and Border Protection officials say they found methamphetamine disguised as burritos.
PHOTO: U.S. Customs and Border Protection
Drug-sniffing dogs quickly led agents to the haul
The haul was worth $3,000
There's no end to the industriousness of drug smugglers.
They've tried to smuggle in pot in fake carrots. They've tried a drone to drop heroin into a prison yard.
This week, border agents in Tucson, Arizona, said they busted a woman trying to sneak in a pound of meth disguised as burritos.
The operative word here is "disguised." Because clearly the smuggler didn't put much thought into it.
No fixings to blanket it in. Not even an aluminum foil wrapper to give it an authentic burrito look.
Officials say the drugs would have been worth $3,000.
PHOTO: CBP
Drug-sniffing dogs quickly led agents to the 23-year-old Nogales woman as she crossed through the Morley Pedestrian Gate on Friday.
The woman later told authorities she was a mule who had been offered $500 to take the drugs to someone in Tucson.
Meth found in bra inserts
Agents said the methamphetamine was worth more than $3,000, which would have made for some seriously expensive burritos.


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Home › Entertainment › Music › On This Day: 'Dolly' Starring Dolly Parton Airs Final Episode in 1988
On This Day: 'Dolly' Starring Dolly Parton Airs Final Episode in 1988
by Katie Maloney May 10, 2021
written by Katie Maloney May 10, 2021 7:16 am
Photo by: 20th Century-Fox, Getty Images
Thirty-three years ago, country music legend Dolly Parton's variety show "Dolly" aired it's final episode.
By 1988, Dolly Parton was a country music icon. She had co-starred on The Porter Wagoner Show, went solo and landed several number-one hit songs, and made a name for herself across the music world. So it's not surprising that ABC's television network knew Dolly would make a great variety TV show host. They gave Dolly Parton her own show called "Dolly" and on September 27, 1987, the very first episode aired. The first episode featured guest stars Dudley Moore, Hulk Hogan and Oprah Winfrey – now that's variety!
At the time, it had been almost a decade since the last successful variety shows aired including "The Carol Burnett Show," and "The Sonny & Cher Comedy Hour." So, the network was taking a chance trying to revive the genre. Nevertheless, they poured all their resources into the show. ABC contracted Dolly Parton for two seasons of the show for a total of $44 million.
With about 39.47 million viewers, "Dolly" holds the record for being the most-watched series premiere of all time. The only other show that's in the same league is "Undercover Boss" in 2010, which pulled in 38.6 million viewers for its post-Superbowl debut. However, for unidentified reasons, ratings gradually declined until ABC canceled the show completely before finishing its two seasons.
https://youtu.be/gWChySnR76M
Video can't be loaded because JavaScript is disabled: Dolly Parton variety show 1987 1st episode (https://youtu.be/gWChySnR76M)
First episode of "Dolly" 1987 starring Dolly Parton
Dolly Parton Hosted the Same Variety Show Almost a Decade Earlier From 1976-77
In the 70s, Bill Graham, president of the same company that produced "The Porter Wagoner Show" asked Dolly Parton if she'd be interested in hosting her own variety show. Soon after, "Dolly" was born. The show had a budget of $85,000 per episode, making it the most expensive show to be produced out of Nashville at that time.
"Dolly" was also the first time the trio Dolly Parton, Emmylou Harris and Linda Ronstadt worked together. A full decade later, the three released the first of their two critically acclaimed albums. The show also brought Dolly Parton and Kenny Rogers together for the first time. The two later topped the country and pop charts with their mega-hit song "Islands in the Stream."
Although the show had high ratings, it only lasted one season. Dolly Parton asked to get out of her contract for a variety of reasons including that working 18 hours a day was straining her vocal cords. During an interview, Dolly revealed that she wanted out of the show because she never felt like she was being true to herself.
"I liked all of the people that were on…but I would have had a totally different lineup of guests myself," said Parton. "It was really bad for me, that TV show. It was worse for me than good because the people who didn't know me who liked the show thought that's how I was…I mean, I still come through as myself, even with all the other stuff, but not really like I should. Not my real, natural way. And the people who did know me thought I was crazy. They knew that wasn't me. Including me. I didn't know that woman on TV!"


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Poignant First World War commemorations at Ribble Valley church
St Leonard's Church at Langho.
Julie Magee
A Ribble Valley church has been presented with 10 transparent silhouettes to help mark the centenary of the end of the First World War.
The silhouettes, which have been funded by the Armed Forces Covenant Fund Trust, have been awarded to St Leonard's Church at Langho and will form part of a Remembrance Brass Band Concert with Blackburn Salvation Army Band.
This will be held on Saturday, November 10th, at 7-30pm at the church and there will be popular war songs and a reflective section. The concert will end in the style of the Last Night of the Proms. Tickets are £8 and people are welcome to pay on the door.
The silhouettes are part of the "There but not there" initiative which aims to place a representative figure for every name on local war memorials around the country, into their place of worship, their school, their workplace or where ever their absence was keenly felt.
On Remembrance Sunday at 10-30am there will be a service where young members of the uniformed organisations will bring to life the names from the war memorial in the church sharing information and photos to identify each silhouette as an individual from the parish who sacrificed their life.
There will also be an Act of Remembrance in the service too.
Members of the church have knitted poppies and children from St Leonard's CE Primary School have made poppies to decorate the church.
Rev. Tracy Swindells said: "We would love it if as many veterans as possible were able to join us at our two events as part of our commemorations."
Lancashire festival Beat-Herder to add a FOURTH day but tickets will be strictly limited