Picture a traditional manufacturing process. What do you see? Work started well before it's needed? Items being produced in large batches? A bunch of work in process (WIP) sitting around waiting to be finished?
While those are all common scenes in manufacturing facilities, I don't see inventory or WIP. What I see is a bunch of cash sitting around on shelves. And this cash is sitting around in CPA firms, too.
Manufacturers looking to implement Lean processes have to first consider WIP and its impact on cash flow. The scene on the shop floor is more chaotic than it needs to be. Usually, it's because the manufacturer doesn't know any other way - it's the way things have always been done. Enter Lean processes. Manufactures now focus on reducing batch sizes and WIP, creating a more synchronous flow of product and information through the system and reducing the chaos.
A manufacturer that implements Lean should be able to reduce its WIP inventory by 50 percent or more and reduce raw material and finished goods inventory. What does this mean for cash flow? There is a significant improvement, even in the first few months.
And don't think for a minute that this leads to a decline in customer service. In fact, lean manufacturers that focus on producing smaller batch sizes more frequently (few vs. many) increase their flexibility and responsiveness to customers. It's a bit counterintuitive, but a business truth none the less. The more inventory a company has, the less likely it is they will have what they need.
Public accounting firms have WIP to deal with as well. Think of all of that work sitting in your automated workflow solution waiting for the next step to be taken. Most firms don't look to control WIP. Eventually it begins to get out of control and creates chaos - especially at bottleneck steps in your operations.
Do your employees focus on completing WIP quickly? You can answer this question by looking at how you reward them. Are they encouraged to complete projects or gain charge hours? Most traditional firms encourage and reward those employees who hit charge hour goals. Typically, these firms are great at starting new work but terrible at getting the work completed and out the door. When faced with a tough problem, it's easier to put what you're working on off to the side and pick something else up. This creates more WIP and further delays your cash inflow.
CPA firms have devised a nice strategy to somewhat mitigate the negative consequences of having excessive WIP - projects in process - by implementing "progress billing." While this helps, it is really masking a bigger problem. Why don't you just get the work done and bill the full amount so you can collect the entire payment sooner? Firms that are implementing lean processes in their tax return and audit processes are getting more done earlier in the year, therefore billing and collecting fees sooner.
Focus on getting your employees to see your WIP as cash - because that is what it is. To become even more successful, you need to convert WIP to cash sooner. Unfortunately, this mindset isn't prevalent in the industry, so you will see many accountants that are great starting a project, like a tax return or audit, but terrible at finishing it.
Firms that have implemented Lean have the upper hand when competing against those firms that leave inventory sitting around. Lean firms will provide better client service in terms of turnaround time and accuracy while having more time to provide value-added services. Most importantly, Lean firms will be in a stronger financial/cash position. And what impact could that have on your firm?


At WGSN Insider we've been thinking about gifts with a difference this holiday season. Sure, you could buy the same old stuff to clutter your home, or you could give gifts that do more. There's been such a huge growth in products committed to making the world a better place for us all. So, this year we've decided to launch a gift guide with a difference. This year, our gift guide will be focused on cool products that give back and lovely companies with heartwarming values.
Day Ten: MOON CLUB, mentoring with a difference.
It's been a tough year and now more than ever consumers are looking to find ways to wind down, relax and think about their sense of purpose in the world. To help with this, why not treat yourself to a gift that focuses on a more holistic approach to your wellbeing? Enter MOON CLUB: the online spiritual mentoring programme run by former Sunday Times Feature Editor Ruby Warrington and co-host Alexandra Roxo.
MOON CLUB offers subscription-based memberships, where you can login and tap into support from well known spiritual teachers, gurus and healers. Teachers include Gabrielle Bernstein, Rebecca Campbell, Lisa Lister, The Babe Collective, Guru Jagat, The School of Witchery and Covey Club (from More magazine editor Lesley Jane Seymore). In addition to support and mentoring, you'll find a global network of other members who are also on the path to self discovery, to connect with. Members come from a range of careers, ages, and lifestyles. So expect to connect with writers, artists, jewellery makers, fashion designers, business owners and more.


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Ludger Beerbaum with Chaman. Photo (c) Frieler.
Ludger Beerbaum repeated his win from the DKB-Riders Tour qualification on Saturday and took home the DKB-Riders Tour Grand Prix Sunday with Chaman (Baloubet du Rouet x I Love You). Five horse and rider combinations left the fences intact over both rounds and second place went to Christian Ahlmann and his relatively new ride Colorit (Coriano x Capitol I). Wout-Jan van der Schans ended third with Capetown (Oklund x Carlino) followed by Katrin Eckermann with Lugano (Orlando x Drosselklang II) and Nicole Persson with Lexington (Andiamo Z x Dageraad) as number four and five respectively.
Beerbaum won a BMW cabriolet worth 38 250 Euro and was very pleased with his weekend. "Ludger was not to beat, that I realized - so I'm really happy with my second place" Ahlmann said after the class.


text:
Liar - TEKST PIOSENKI
[Zwrotka 1]
I don't care if you're here
Or if you're not alone
I don't care, it's been too long
It's kinda like we didn't happen
The way that your lips move
The way you whisper slow
I don't care, it's good as gone (Ah)
[Przedrefren]
I said I won't lose control, I don't want it (Ooh)
I said I won't get too close, but I can't stop it
[Refren]
Oh no, there you go, making me a liar
Got me begging you for more
Oh no, there I go, startin' up a fire
Oh no, no (Oh no)
Oh no, there you go, you're making me a liar
I kinda like it though
Oh no, no (Ooh)
They're watching, I feel it (Hey)
I know I shouldn't stay (Yeah, yeah)
I picture your hands on me (I think I wanna let it happen)
But what if, you kiss me? (Yeah)
And what if, I like it?
And no one sees it
I said I won't get too close, but I can't stop it (No)
Oh no, no
[Porefren]
Oh no, no, no
Yeah, here comes trouble, no, no
Startin' up a fire
I don't believe myself when I
Say that I don't need you, oh
I don't believe myself when I say it
So, don't believe me
Uh, yeah, yeah
Nah, yeah
Oh no, you're making me a liar
'Cause my clothes are on the floor
Huh, huh, huh
Another fire
Autorzy utworu: The Monsters & Strangerz, Ulf Ekberg, Ali Tamposi, Andrew Watt, Jonas Berggren, Lionel Richie, Camila Cabello Autorzy tekstu: The Monsters & Strangerz, Ulf Ekberg, Ali Tamposi, Andrew Watt, Jonas Berggren, Lionel Richie, Camila Cabello
POZOSTAŁE PIOSENKI ARTYSTY: Camila Cabello
My Oh My Camila Cabello
South of the Border (Cheat Codes Remix) Camila Cabello
Cry For Me Camila Cabello
Shameless Camila Cabello
Senorita Camila Cabello
Never Be The Same Camila Cabello
Havana Camila Cabello
Crying In The Club Camila Cabello
Know No Better Camila Cabello
I Know What You Did Last Summer Camila Cabello

redpajama_set_name: RedPajamaCommonCrawl


text:
Pre-operative iron therapy in anaemic surgical patients University College London
Shine 2010
Project led by University College London and NHS Blood and Transport.
Based at Queen Elizabeth Hospital in King's Lynn.
Aimed to reduce the need for blood transfusion in anaemic patients undergoing major elective surgery.
Treated anaemic patients with a single pre-operative dose of intravenous iron and measured the effect on haemoglobin levels, patient outcomes and length of hospital stay.
The team at University College London examined whether using intravenous iron can prevent the need for pre-operative blood transfusion in anaemic patients who are undergoing major elective surgery. The project explored:
the incidence of anaemia in patients undergoing elective inpatient surgery
whether anaemia independently affects patient outcomes
whether pre-operative intravenous iron therapy can raise haemoglobin levels and correct anaemia before surgery.
The team first examined the link between anaemia in elective surgical patients, the need for blood transfusion and length of hospital stay. They then treated anaemic patients with a single pre-operative dose of the Ferinject intravenous iron formulation and measured the results.
Who was involved
The research was led from UCL's Research Department of General Surgery and involved colleagues from the pre-admission clinic, blood transfusion team and hospital information services. The project was in collaboration with NHS Blood and Transplant.
Although Ferinject is 246% more expensive than another treatment (Venofer), it can generate savings in nursing costs, hospital costs, overall hospital costs and primary care costs. It also contributes to fewer hospital visits for patients, fewer delays and shorter hospital stays
The biggest obstacle the team faced was having to move the location of the project. The initial plan was to run the study at University College London Hospital, but the use of medicines committee would not accept Ferinject into the hospital's formulary.
Data collection was another challenge: the pre-admission clinic and hospital information services databases only matched in 50-60% of cases, and neither linked to the blood transfusion database.
Shine: Improving the value of local healthcare services
Successes and lessons from the first two rounds of the Health Foundation's Shine programme: annual...
This programme ran from 2010 to 2011 and awarded 18 teams with up to £75,000 for projects aimed at...
Risk to pandemic recovery due to nursing shortages
A new report published today by the Health Foundation's REAL Centre raise concerns that the nursing...


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text:
St. Aloysius College (: Colegio San Luis) is a mixed-gender Catholic school in Manizales, Caldas, Colombia serving two years of kindergarten through grade 11.

The school was established by the Society of Jesus in 1954. Initially, it offered classes for boys for grade five of primary school and grades one and two of high school. The following year, construction began on the current school building. The school moved to coeducation in the 1980s.

See also

 Education in Colombia
 List of Jesuit schools

References

External link

Jesuit secondary schools in Colombia
Jesuit primary schools in Colombia
Educational institutions established in 1954
Buildings and structures in Manizales
1954 establishments in Colombia

redpajama_set_name: RedPajamaWikipedia


The Thursday before the event really began, there was a training day arranged by the class association. Ross Harvey took the "Advanced" group and practised some starting and boat handling techniques that all went bit bumper-boats. Charlie Sansom, a reputable ex-byte sailor took the newcomers group, some of whom had not sailed on the sea before or had not attended an event away from home. Charlie's group also contained a number of youth sailors from the Himley Hall – a newly started group of three schools that have invested in new bytes from Hartley boats and the kids are lucky enough to take sailing lessons for PE!
After a long session on the water for both groups, highly informative de-briefs were completed and we were released for dinner and sleep.
Due to a lighter than usual Weymouth forecast I had opted to use a CII (the bigger and more common of the two modern rigs) however, having used all my expendable income purchasing my new C1 sail early in the season I'd been lucky enough to borrow a CII sail from my adoptive Byte family: The Mack-Moores. After registration I had a quick, last minute clean of my boat's hull which proved to be quite entertaining for some as I have an older Ovington boat which is readily referred to as beige and is really quite battle-scarred in places.
As we launched and sailed downwind out of the WPNSA marina it was a gloriously sunny and warm day with the sea breeze already up to about 15 knots. 24 of the 32 entrants started the first race and battled around the first lap of triangle/sausage/triangle. Rick took the initial lead after starting at the pin end and taking an early to mid tack over to the right. Stu Moore was hot on his heals and by the second rounding of the windward mark, was ahead of Rick but only just. I was next, but with a gap before the group of chasing boats I went for an early gybe but planted the nose deep into a wave and promptly turtled. Zoe Bazen, Matt Banbrook, Huw Nunn, Kevin Moore and Charlotte Hitchmough all zipped passed me with varying expressions of "sorry/not sorry"... and I couldn't blame them.
On the following up wind I managed to squeeze back through a few boats to come in sixth. Stu finished a good length ahead of the majority followed by Rick and then Zoe, a very promising young sailor, renowned for loving the windy days.
The wind was now 18 knots and continuing to build (Weather File topped out at 24 knots later in the race). Stu led the chase this time, followed by Rick, Zoe and Kevin. Myself and Huw, now with a deceased Cunningham, were in a tussle behind them and Matthew and Richard Woods not far behind that. Again, Stu had built an impressive lead and seemed untouchable. It was a long beat back into the harbour for a now hungry and tired fleet. Parents, partners and siblings of sailors were eagerly helping competitors up the steep slipway with their boats on trollies.
I woke up to stiff legs and a tired back after the previous day's hike-off up the beats and across the reaches. Today's racing was scheduled earlier and all forecasts were looking light. Armed with a cup of tea and still in my pyjamas we rigged and made ready for a 9:45am launch. Kevin (aka BigKev) had managed to pull the mainsheet ratchet out of it's base and had to fiddle with tying it back down – luckily he'd had a safety line on it!
Three races today and keen to shed a few points from the day before, I opted to keep things simple. I knew that the wind was a little stronger and gustier on the right hand side of the course so chose to get a clean start with clear air and tack over early. It was 7–12 knots, so using the "ease and squeeze" leach control with the mainsheet was fast and offered some good height.
For me, the three races were all fairly similar. I lead from the first mark and extended this to up to half a leg which carries a brilliant feeling and despite all the practice and hard work, was still a bit unexpected! (I have to confess here that I am not fully aware of what else was happening in the fleet – only that the fleet seemed to disperse into clusters containing the same faces, each race.
Race 4 however, ended slightly differently. After leading for two laps, I rounded the leeward mark and started to climb back upwind. To my absolute horror, the three break away boats behind me didn't follow. Instead they headed off towards the finish line. Somehow I'd forgotten that this was a two lap race and not three! D'oh! What a blonde moment to have. I was not going to make that mistake again.
At the end of the day I'd collected eleven points after one discard which I was, on the whole, pleased with but knew that four boats were able, eager and likely to overtake. Trying to put this negative-nervousness out of my head and exchange it for positive-excitedness, we had a few rounds of a table top game called Mexican Train Dominoes and a barbecue dinner.
Refusing to believe it was in the bag already and keen to get on with racing, we rigged again in sunny, light airs but knowing that the wind was due to build as it did on the first day of racing. We had a 6-7 knot cruise downwind to the racing area which is a fine wind for any one small and light footed but it was in the back of my mind that it could and would be very likely to get quite breezy before racing was over. I did a couple of practice routines, checked the start line, transits and number of laps(!) and popped a softmint with some deep breaths, knowing that I needed a "good enough" race and a first – and preferably in that order.
Race 6 went the way of races 3 and 5 for me – I logged who was second and third knowing that we were all quite tight on points. After the race there was a lot of gossiping and chatter about how many points So-and-So needed to win and who they needed to beat/by how much etc, etc. It's not over yet, I told myself, anything could happen and I need a good, small number to go on the board now.
Race 7, I managed to have a poor trigger pull and was unable to tack out to the ever-reliable right and get lifted all the way to the mark. Surrounded by what felt like the Bowmoor Mafia and to my horror I rounding the first windward mark in eighth place. All the negative, detrimental thoughts you could ever imagine ran through my head like that scene in Watership Down. "No!" I thought to myself. Cast out the bad thoughts and push through to the end. "It's not over 'til it's over".
I rolled one boat on a reach and took one or two up the next beat. By the following run of the sausage leg, I'd managed to sneak inside and then just ahead of Rick and Charlotte who were having a battle all unto themselves. I headed back up wind on the final beat a few boat lengths behind Huw, who was in turn a few lengths behind Matt who had been second in the previous race and was therefore second overall but well within reach of the overall title. Huw then covered me all the way up the beat, limiting all my options whilst claiming that he wasn't. Both the tight and the broad reach were the same. He wasn't going to budge! It came down to a near photo finish but I didn't quite manage to get ahead.
Totally miffed, I started a very apathetic beat back to the marina – nervous that I'd thrown it all away. Hours of practising on my own, watching videos of Laser Radial starts, books I've read and annotated – my big green sailing geek folder.... for what?
Packing up the boats, I congratulated Matt, he sailed really well in that last race and was a long way ahead – neither of us knew who had won overall and it was uncomfortable. Masts down and sails rolled away, John appeared out of nowhere and asked me if I want to know who'd won. I shrieked with disbelief as he told me.
I don't do any form of formal or public speaking so have posted my thanks on the class Facebook page – John the chairman does such a good job of thanking everyone anyway!
The Class would like to extend a very warm thank you to WPNSA who were, as ever, exquisite hosts for the event; and also to Hartley Boats for their continued support of a fantastic little racing dinghy.
The next Byte open is at Weston SC as part of the Weston Single Handed Open (WOSH), followed by Coombs and then the Inlands at Bowmoor at the end of September.


text:
From Milk Street Radio
Why highly touted vintages don't always make the most drinkable wines
Stephen Meuse
From the Episode
Dorie's Cookies
The wine business is a little like the car business: It depends on a steady stream of design innovation. Each year a new model slightly different from the previous year's debuts, raising expectations and ginning up interest.
From a winemaker's point of view, a successful vintage has vines that get off to a good start, that flower and set fruit on schedule and receive enough sun and warmth to produce healthy, ripe fruit at harvest.
For the press and wine merchants, this isn't really enough. Another ho-hum, no-trouble vintage doesn't generate subscriptions or excitement. What's wanted are vintages with something to crow about—that promise above-normal levels of ripeness, concentration and richness. Vintages of this kind may be heralded as once-in-a-decade (or even a century) events. They seem to come along with more frequency than ever.
But while blockbuster (or even marginally more robust) vintages drive sales and prices, they don't always produce more drinkable wines. This is because very ripe grapes typically mean higher alcohol and less acidity—things that generally make wine less fresh, appetizing and food-friendly.
In a sense, then, wine drinkers are driven from pillar to post: Too little richness can make wine feel ungenerous, even a little mean; too-ripe vintages can lack the freshness and zip that constitute a big part of wine's appeal.
To illustrate this in a recent radio segment, I offered Chris a taste of two pairs of reds, each consisting of back-to-back vintages of the same wine. In each case one vintage was, to my palate, demonstrably richer than its counterpart. The challenge for Chris, tasting blind, was first to put the pairs together, then tell me which of each pair was the richer and which the fresher, and finally to tell me which he preferred.
The wines we tasted for this segment were the 2014 and 2015 Vignobles Brunier "Le Pigeoulet" Vin de Pays de Vaucluse Rouge (around $20) and the 2013 and 2014 Monte Bernardi "Retromarcia" Chianti Classico (around $25). Each is in the process of a vintage change at Formaggio Kitchen, so fans are currently facing this very issue as they purchase these popular wines.
Le Pigeoulet is composed of classic southern Rhone grape varieties, including grenache, syrah, carignan and cinsault; Retromarcia is solely sangiovese. Chris did a fine job of correctly pairing the wines, like with like, and had no trouble identifying which vintage had made the fuller, richer wine. Good for him.
One of the pitfalls of tasting wines side by side is that it easily devolves into a beauty contest—the wine showing the most flesh and the curviest curves is awarded the roses. It takes a bit of experience and a judicious dollop of imagination to know, in a sip or two, how a wine will acquit itself at the table over several glasses and a couple of hours. But there's something a bit more difficult to describe. I call it transparency: the sense that some wines give of being able to taste into and through them. I contrast this with wines that seem to be all surface and no interior. Often the culprit is just too much fruit—a product of very ripe, sometimes over-ripe, grapes.
In most cases, the scenario I've painted will be unrealistically and unnecessarily binary. Plenty of middle ground exists between wines that are just too lean to please and those too rich to be engaging. This was certainly the case in our segment, where each wine we tasted was both delicious and serviceable, even though Chris and I agreed that it was the fresher (less rich) of each pair that we preferred.
Riding the ups and downs of vintage variation is one of the delights of wine, and watching skilled winemakers negotiate these hills and valleys is a source of admiration. But the next time you hear that the new vintage in such and such a place is going to be one-in-a-century, don't be too quick to jump in the queue. Bigger isn't necessarily better.
Got a question about wine? Email me at [email protected]
The next time you feel happy... February 9, 2017
Twitter fan poll: Top 25 all-time favorite cookbooks February 14, 2017


text:
Buy Tickets for The Magnetic Fields
Date | Sat, Dec 7, 2019
Time | 8pm
Prices | Members $38-$55
Non-Members $45-$65
Thirty and Under (with ID) $30-$65
Part of From 69 to 50: A Stephin Merritt/Magnetic Fields Residency
An evening of music from The Magnetic Fields!
The original Magnetic Fields band (Stephin Merritt, Sam Davol, Claudia Gonson, John Woo, and Shirley Simms) are joined by members of the 50 Song Memoir band, and special guests, for an evening of Magnetic Fields music from the last three decades, along with the premiere of new material.
ABOUT THE MAGNETIC FIELDS + STEPHIN MERRITT
The Magnetic Fields are the main band of studio wunderkind Stephin Merritt, who writes, produces, and sings much of the material. Merritt also plays many of the instruments, concocting a sort of indie pop-synth hybrid. While the Magnetic Fields' albums draw upon the electronic textures of vintage acts like ABBA, Kraftwerk, Brian Eno, Joy Division, and Gary Numan, Merritt's songs are also far warmer and more purely pop-oriented than the above references indicate, sounding at times like late 20th century equivalents to the catalogs of Phil Spector or Brian Wilson.
Merritt began recording music on his own four-track at a young age, and issued his first Magnetic Fields album in 1990. Since then, Merritt has released eleven Magnetic Fields albums. There is a synth pop quotient on many of his albums, although Merritt always takes care to mix in quite a few natural instruments with the electronic ones, with the help of Claudia Gonson (piano, percussion), John Woo (banjo, guitar), and Sam Davol (cello, flute). Throughout it all, an emphasis remains on the band's pop hooks and eccentric, romantically reflective lyrics rather than the bedrock synth rhythms and textures.
In 1999, the Magnetic Fields surged into the mainstream when Merritt penned his virtuosic 3-disc set, 69 Love Songs. Conceived originally as a cabaret song cycle for the stage, Merritt set out to write 69 Love Songs using most of the known popular music styles, from punk to country to soul and jazz. The album garnered widespread acclaim, including "best of" year-end lists in Spin, Rolling Stone, the New York Times, LA Times, and many other publications. The song "The Book of Love," covered by Peter Gabriel in 2010, was placed into numerous films, and TV shows. It has also become a wedding favorite, and was performed by the Nairobi Chamber Orchestra on the occasion of Barack Obama's first presidential visit to Kenya in 2015.
In 2002, The Magnetic Fields signed a worldwide record deal with Nonesuch Records (Warner Brothers). For the three albums that followed; i in 2004, Distortion in 2008 and Realism in 2010, Merritt decided to record using only acoustic instrumentation, and no electronic sounds. He called this his "no-synth trilogy," and continued his long-standing tradition of recording using an array of both eclectic and mainstream instruments, from slinky to zither, to gong to bouzouki, to hammer dulcimer to the sound of leaves rustling.
Stephin Merritt composed original music and lyrics for several music theater pieces, including an off-Broadway stage musical of Neil Gaiman's novel Coraline, for which he received an Obie Award. Merritt scored the academy award nominated film Pieces of April (dir. Peter Hedges). In 2016, Merritt released a new Magnetic Fields album, 50 Song Memoir (Nonesuch), a musical memoir of his first 50 years. In addition to his work with Magnetic Fields, Merritt has released multiple albums under the band names the Gothic Archies, Future Bible Heroes, and The 6ths, as well as his soundtracks and cast albums. Further information on The Magnetic Fields and Stephin Merritt may be found at www.houseoftomorrow.com .
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What is "corporate globalization"? What does this phrase mean?
Large corporations reach across the world. They have offices and factories in many different countries. They have the financial resources to develop an underdeveloped country by introducing western automation in production and advanced technology. They change people's lives in an underdeveloped country, and not always in a good way. This is corporate globalization.
General Motors revenues exceed the revenues of Ireland, New Zealand, and Hungary, combined.
These transnational corporations essentially own the world. It's a scary thought: the world is, in effect, owned by greedy corporations. Corporate globalization is responsible for the economic mess we find ourselves in, today. Corporate globalization is also responsible for the environmental mess we find ourselves in, today.
Corporate globalization has no conscience. The only thing these mammoth corporations recognize is profit. They have no other motive; no other reason to exist. Human values are non-existent in a corporate culture, and that's why corporate globalization is SUCH a BAD idea.
With the formation of the World Trade Organization in 1995, these large corporate interests wrested control over patents, tariffs, environmental and food safety laws, labor laws in underdeveloped countries, laws regarding ocean fishing, and many other aspects of the legal processes to safeguard human interests across the world.
Quality of life, especially in underdeveloped countries, has been sacrificed to corporate greed.
The environment and the health of our world has been seriously traduced by these same transnational companies under the auspices of the World Trade Organization.
Corporate globalization has been responsible for some of the most atrocious mismanagement of resources both natural and human. The World Trade Organization has been the mouthpiece for those corporate culprits to take advantage, world wide, of the privileges of wealth, to the entire disadvantage of most of the people on the planet.
When a crime has been committed, the first question the police ask is, "Who benefits?"
"Qui bono?" is a Latin adage which means much the same thing--who has a hidden agenda to profit? Things are not always as they appear to be.
Since it's inception in 1995, the World Trade Organization has ruled against EVERY SINGLE ENVIRONMENTAL POLICY. THESE POLICIES HAVE BEEN RULED TO BE ILLEGAL TRADE BARRIERS THAT MUST BE ELIMINATED OR CHANGED.
With only one exception, the WTO has ruled against every single health or food safety law.
Nations whose laws were declared trade barriers by the WTO have eliminated or seriously watered down those policies to meet WTO requirements.
Decision-making is dominated by the "Quad"--the United States, The European Union, Japan, and Canada. The rules and regulations are made by "trade advisory committees".
For example, the US International Trade Advisory Committee on Energy is composed exclusively of representatives of the mega-corporations in oil, mining, gas and utilities whose corporate globalization reaches across the world.
Corporate globalization has no respect for the beautiful world we were given! What precious bounty we started with--a world so rich in resources, rich in water, in trees, in land! How rich in fish, how varied in fecund and awe-inspiring forms of life.
Coporate globalization is systematically destroying all these bounties of nature.
What have we done with the beautiful world we were given as a home? What are we doing with it?
We have polluted our water, our land, our air. We've polluted the ocean with oil. We've made a desert where there was once a green meadow. We're reduced to bottom-trawling the ocean for fish, irrevocably destroying the ocean bed environment and irrevocably damaging the ocean ecosystem. All for the sake of corporate globalization.
We've chopped down the rain forests, turning that awesome canopy of trees into charcoal to feed the factory furnaces in developing countries. We've irrevocably harmed the global environment in the process. All for the sake of corporate globalization.
We've destroyed or seriously reduced whole populations of wild animals. All for the sake of corporate globalization.
And in human terms? Who benefits--and who is harmed?
Women are 70% of the world's 1.3 billion absolutely poor people. Worldwide, women bear the brunt of the economic transition and financial crisis caused by the market forces of corporate globalization.
75% of the people in Mexico live in poverty today, as opposed to 49% of the people living in poverty before Mexico entered the North American Free Trade Agreement. The number of Mexican people living on less than $2.00 USD per day has increased by 4 million people since 1995.
Yet well over 300,000 United States jobs have shifted to Mexico, especially in the apparel and electronics industries.
And in Mexico, they've cut down all the trees. These global trade agreements generated booming industrial development in Mexico, but with little investment in the environment. As a result, International Paper and Boisie Cascade have cut down some of North America's intact forests in Mexico. The result?
Environmental pollution and related public health problems have vastly increased along the Mexico-US border.
Nobody benefits. The people are even poorer than before. The globalized corporations got a little richer, that's all. In 1950, the average income of the people living in the wealthiest countries was 20 times the income of people living in the poorest countries. Now, the average income of wealthiest countries is 60 TIMES that of the poorest countries. These people have not been aided in the least. They have been harmed, not helped, by Western industrialization and corporate globalization.
This story is repeated over and over--in Latin America, in South Asia, in Ecuador, in Brazil, in Chile and Paraguay, in the Caribbean, in Eastern Europe, in Zambia, the Philippines; in Jamaica; in sub-Sahara Africa.
All lthese people are much, much poorer than they were before corporate globalization. Their countries' resources have been exploited and used up. The number of people living in absolute poverty has grown exponentially worldwide. The global environments and ecosystems are irrevocably harmed.
All for the sake of corporate globalization.
The World Bank, the International Monetary Fund, and the World Trade Organization, all tools of corporate globalization, imposed "structural adjustment policies" on 36 countries in the sub-Sahara region of Africa. These people were already living, more than half the people were already living, in absolute poverty.
The "structural adjustment" policies imposed on them made them shift to cash crops for export and decrease domestic consumption of food.
So many people died. So very many children starved to death.
Had you heard of the WTO (World Trade Organization)?
What Are the Driving Forces of PESTLE Analysis?
globalization of the world's population. specifically no boarders. how does this benefit WTO?
Thank you so much for the comment,. Jared. I'll definitely look into Codex Alimetarius. Thanks!
This was incredibly detailed and informative. Corporate Globalization is the bane of our world. Any world based around monetary governments is bound to breed corruption and tyranny.
Have you looked into Codex Alimentarius? It's something I think would interest you, if you haven't yet. It's a world trade commission that is making it so nutrients are no longer legal. They are toxins and they are being made illegal in the way that heroine is illegal. So since they are defined as toxins, our governments must protect us from nutrients. To do that they are genetically engineering food to be nutrient deficient as well as overloading livestock with growth hormone and other horrible stuff that makes it much less nutrient dense.
They are criminal acts, causing suffering on a world-wide scale without any regard to humanity.
Thank you for the very insightful comment, Sligo Bay.
Since the dawn of Athenian democracy, there has been compromise between the haves and have nots. For only fifteen years, has this imbalance become manifest with demonstrable economic, environmental, social and political disaster. The culpable have hidden behind the corporate veil. Pull back the veil of the Wizard of Oz and witness the midwestern showman who unmasked can be made to answer personally for this debacle. Corporations must be made accountable by criminal penalties imposed directly upon the decision makers. These acts are all criminal afterall.
Oh, no, not a futile thought at all, but a very valuable one. The first half of the battle is public awareness, and that's where the internet is an invaluable tool. Thanks for the input, Duchess, I didn't mean to come across as so negative on your ideas.
I get that, but I wasn't thinking in terms of grassroots lobbies. Perhaps I was dreaming in thinking that someone somewhere had a good idea that WOULD work. Too bad there wasn't some place on the net where you could brainstorm these ideas. But then again, they'd be out there watching that group too - wouldn't they?
Thanks, Duchess. I really don't know what the answer is. I don't think grassroots lobbies work anymore, I don't think the voice of the people is heard anymore, because the governments are pretty much run by large corporate interests.
Gutsy hub Paradise7 and very well done. To the point that we are too small to do anything about it, AND to the point that the internet is making the world smaller - perhaps there is something that can be done collectively using the tool that is the internet?
Thank you so much for that comment, MGP. I often wish I could be more proactive, DO something about it, but those huge corporations are too big to fight, it sometimes seems.
I'm grateful for the freedom of expression we have here. We can at least expose the problem publicly, and hope that rising awareness will eventually lead to some changes.
Great article Paradise7, the WTO has a lot to answer for but who is going to oppose them? DonDWest is right, how can ecofuel have a chance when the WTO and the oil companies seem to have absolute power?
I heard a great quote from an environmentalist (Captain of the Rainbow Warrior whose name escapes me) on a local chat show some months ago, he said, "Animals don't need humans to survive but humans need animals. If we keep destroying animals and the eco system then what? Think of it like this, we humans are the crew of a space ship and the animals are the captains, if we keep destroying the captains how will the crew know what to do?" Or words to that effect.
Will humanity survive if we keep going with corporate globalization and greed? Sad isn't it?
Thank you,, Chatkath, for that comment.
Very insightful and accurate piece! An unfortunate truth that many are still unaware of! Thank you for sharing, however unpleasant, awareness is the first step to change!
Thank you, sofs, for your comment. I agree heartily.
The greed and the hidden agenda of huge corporates are not very different from the exploitation of the underdeveloped nations by the more developed ones. Slavery and exploitation have different names in different times and settings. The rich are becoming richer and the poor poorer. The corrupt, corrupter .. sad indeed. :( Thought provoking hub.
It sure is. Thanks for the comment, Susannah.
The world is getting smaller now with internet.
Thank you, gitrdun and Doug, for your insightful comments. I was naïve enough to believe, for a long time, that the Western global expansion to develop so-called third-world countries was a benefit to the developing nations. Not so, not so.
My eyes were opened during the "Battle of Seattle", in 1995, when the WTO first came to America for a summit meeting. Protestors, who had come from all over the world, shut the meeting down. This involved many violent confrontations with police.
Just as the devil convinced the world he doesn't exist, so do the corporations mask their greed-driven activities under the rubric of governmental policy. In the end, the public is somehow convinced that these horrible acts of greed which profit a small percentage of the elite, are performed for the benefit of everyone.
This article is interesting, informed, and at a perfect length. I can see you're good at what you do. Cheers.
Great hub. So very true and devastating! We have done it to ourselves for the most part. I can only hope it's not too late for this all to change...but it won't ~ that's reality...and sad! Thanks Paradise!
Good point, Don. I thought that message might also be implied with the thrust of this article. I couldn't have said it better than you did, though!
Good Hub, but I feel you forgot to mention the biggest crime of corporate globalization. While the environmental devestation and economic ineptitude are huge issues, in the end, the planet is resilient and will survive. We're resilient and will survive as well, though it may take a hundreds of years to fix the damage done by corporate globalization.
The biggest crime I feel is the death of the human innovative spirit. Do you honestly believe someone would be permited to build a substitute for oil in this gloabalized corporate environment? Power corrupts, and absolute power corrupts absolutely.


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Fall Festival Workshops with Anne Iobst & Jonathan Walker, Ishmael Houston-Jones & Yvonne Meier, and Layard Thompson
Movement Research Fall Festival 2009: What Does Dance Have to Say? presents 3 Amazing Workshops, November 30-December, with Anne Iobst & Jonathan Walker, Ishmael Houston-Jones & Yvonne Meier, and Layard Thompson.
Descriptions and bios below…
www.movementresearch.org/performancesevents/festival/
Anne Iobst and John Walker:
Dare to Perform It
November 30, December 1 and 2
M TU W 12:30-5:30pm
Movement Research at Eden's Expressway
Participants will have the opportunity to perform the works developed during this workshop at Jimmy's 43 on the Wednesday of the festival, December 2, 9pm – see performances section for details $100 to participate in the workshop Admission to performance: two drink minimum John Walker and Anne Iobst will be teaching together for the first time. This workshop will culminate in a performance night at Jimmy's 43 on Wednesday December 2. For this workshop you will need to bring something, anything, so as to get the ball rolling… an idea, text, movement, music, or a scrap of something that can be used as a starting off point. Each participant in the workshop will develop a 5 minute piece. It should be daring and hopefully never repeatable.
Ishmael Houston-Jones and Yvonne Meier:
Releasing it all then putting it back together
November 30 – December 4
M-Th 10am-1pm, F 9-11:40am
Danspace Project
Improv, Releasing, Scores, Texting, Authentic Movement and Automatic Writing to make stuff. Yvonne Meier and Ishmael Houston-Jones will use these strategies in a 5-day workshop to encourage the making of personal improvisational works.
Layard Thompson:
subjecting Subjectivity – Experiments in playful mindbody perceptions
FRI 12:30-5:30pm
Honoring mentor Deborah Hay as an influential foundation for this workshop, subjecting Subjectivity will offer performance experiments which expand notions of self into non-attached states of multiplicity. We will play with activating a dynamic relational existence by opening perceptions of spacetime, releasing and harnessing tension, questioning our habitual responses and seriously attending to the humor of moving spontaneously. Perceptual exercises, vocal work and scores, will elucidate the phenomenal relationship between self and Other through movement. Somatic techniques will engage whole-body awareness, meditative experience, the immediacy of the moment and engage the paradox of the self as a verb. In short, we will dance, clown and play with the subjectivity of meaning-making performance. The only requirements for this workshop are benevolent laughter and a willingness to suspend judgment of oneself and others in order to engage in observant dialogue.
WORKSHOP TEACHER BIOS
Ishmael Houston-Jones' improvised dance and language work has been performed in NYC, across the US, in Europe, Australia and Latin America. He has taught many movement, improvisation and writing workshops, notably at the EDDC (The Netherlands), American Dance Festival, Seattle Festival of Alternative Dance and Improvisation (SFADI) and at the San Francisco Festival of Improvisation. More info at http://ishmaelhj.com.
Anne Iobst has worked in dance, performance, and theater for more than 25 years. With Lucy Sexton, she created the Bessie Award-winning dance-performance group DANCENOISE, which performed extensively in New York and around the world. Beginning in1983, DANCENOISE helped define the emerging politically charged performing culture of the East Village club scene. In addition to performing their own work at such venues as Pyramid, 8 BC, and WOW Café, they hosted a weekly performance series at King Tut's Wah Wah Hut. DANCENOISE went on to produce full length shows at Performance Space 122, the Kitchen, Soho Rep, Lincoln Center and at festivals and theaters throughout the US and the world. They've received support from the NEA, NYSCA, NYFA, and The Jerome Foundation. Iobst has taught workshops in performance and composition at the Center for New Dance Development (Holland), Movement Research (NY), The Green Room (UK), and in San Francisco. As a dancer and actress she has appeared in the work of Alien Comic, Charles Atlas, Richard Foreman, The Wooster Group, Steve Buscemi and Mark Boone Jr, Ishmael Houston-Jones, Richard Move, Jennifer Monson, Cathy Weis, and Yvonne Meier, among others. Iobst has been performing as The Naked Lady since 2002, appearing in The Lucy Show, at the Kitchen, and at the San Francisco Museum of Modern Art.
Yvonne Meier, originally from Zurich, Switzerland, has been living, making dances and teaching in NYC since 1979. Her 25-year dedication to improvisation has been strongly informed by Releasing Technique and Authentic Movement, culminating in the creation of her own "Score Technique." In 1995 she received a "Bessie Award" for her audience interactive piece The Shining. She has taught and performed throughout the US and Europe, and has been a three-time Artist-In-Residence at Movement Research.
Layard Thompson is a Bessie Award winning performer lauded for his adaptations of Deborah Hay's mind-altering solos. Independent from, yet inextricably indebted to Hay's mentorship, his recent work, Cup…puc……K……Ohhhh, Beauty, full, vessel: was presented at DTW in December 2008 and prompted The New York Times to call his performance "Fey and bewitching". As a movement explorer, he clownishly investigates non-attached states of consciousness to vivify awareness between self and Other. Therein, his work humorously challenges notions of Cartesian dualism by radicalizing active verb-all relationship into playful positions of Subject-subject, rather then Subject-object modes of being. His scored, process-driven performances humbly attempt to reveal and implicate relationship between performer-viewer, performance-venue, and producer-consumer. His somatic approach to teaching engages the mindbody with technical concepts such as the released force of gravitational alignment, vocal experimentation, paradoxical thinking, spontaneous play, and serious humor. His practice is influenced by Zen thought, Aikido, Alexander technique, and his observations of nature. Layard lives in rural Tennessee where he is founding a professional artist community and residency program on 333 acres amidst a thriving community of queer homesteaders. FYI, lalalayard@gmail.com
Jonathan Walker has worked, on, off and off-off broadway for over 20 years as well as performed and collaborated in numerous performance and dance pieces in New York. He has worked with directors James Lapine, Walter Bobbie, Michael Mayer, Don Scardino, Tom O'Horgan, Daniel Sullivan, Nicholas Martin, Jack O'Brien and Doug Wright with the actors Kevin Kline, Marion Seldes, Lynn Redgrave, Mia Farrow, Julia Stiles, Kim Hunter, Elizabeth Ashley, Hal Holbrook, Alec Baldwin, Christopher Walken, Kathleen Turner, Stockard Channing, Brian Dennehy and Richard Easton at theaters which include The Roundabout Theater Company, The New Group, Playwrights Horizons, Manhattan Theater Club, MCC, The Public Theater, La Mama, The Performing Garage, PS 122, Danspace, Limbo Lounge, The Pyramid Club, and many others. He has had the privilege of working on new or revived plays with playwrights Arthur Miller, Donald Margulies, Richard Greenberg, Doug Wright, Peter Parnell, Charles Busch, Martin Sherman, Wendy McLeod, Arthur Laurents, Paula Vogel and Rachel Axler. Jonathan has also worked with David Gordon's Pick-up Performance Group, The Wooster Group, Jeff Weiss, DANCENOISE, Ishmael-Houston Jones, Fred Holland, Dennis Cooper, Anne Bogart, Paul Outlaw and Nicky Paraiso. Jonathan has worked on many films as well as numerous TV shows including Chapelle's show, Eli Stone, 6 Degrees, The Good Wife, Sex and the City and Law and Order.
photos: Anne Iobst, Yvonne Meier by Eva Hurley, Ishmael Houston-Jones by Daniel Clifton, Layard Tompson by Benjy Russel
tags: Anne Iobst, fall festival, ishmael houston-jones, Jonathan Walker, layard thompson, yvonne meier
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Lutz suit:Search for truth made me a target
VINELAND – City administration's worsening troubles have accelerated with the filing of a civil lawsuit against the ...
Lutz suit:Search for truth made me a target VINELAND – City administration's worsening troubles have accelerated with the filing of a civil lawsuit against the ... Check out this story on thedailyjournal.com: http://vineland.dj/1fxbRya
Joseph P. Smith, jsmith@thedailyjournal.com; Published 12:00 a.m. ET April 3, 2014 | Updated 12:25 a.m. ET April 3, 2014
Vineland Business Administrator William Lutz (bottom right) sits next to Solicitor Rick Tonetta in front of City Council members (from top left) John Procopio, Maritza Gonzalez, Anthony Fanucci, Angela Calakos and Paul Spinelli during a City Council meeting in February. (Photo: Staff photo/Cody Glenn )Buy Photo
VINELAND – City administration's worsening troubles have accelerated with the filing of a civil lawsuit against the city, two City Council members and its top legal counsel by Business Administrator William E. Lutz.
The lawsuit was filed on Friday in Cumberland County Superior Court but is assigned to a Gloucester County judge to avoid potential conflicts of interest.
Besides the city, the defendants are council President Anthony Fanucci, Councilwoman Angela Calakos and city Solicitor Richard Tonetta. The lawsuit also casts aspersions at other officials, elected and appointed.
Lutz claims violations of his civil rights and defamation of character. He wants damages "including, but not necessarily limited to compensatory damages, emotional distress, bodily harm and injury, physical illness, economic damages, injunctive and equitable relief, everyday and daily stress."
The lawsuit also asks the court to remove Tonetta as city solicitor, to restart an investigation into the Landis Theater redevelopment project and for protection against retaliation.
"A dedicated public servant for over twenty years, Plaintiff has been the subject of a meritless investigation and faces further adverse employment action in retaliation for protected activity under the First Amendment," the suit claims. "Lutz has engaged in a 'public concern' speech bringing to light significant and potentially career and criminally damaging matters for which he has attempted to have investigated but which has been cut off by Defendants, all of whom have a stake in the outcome of the investigation."
The Landis Theater investigation, now suspended until July, is a major piece of the suit and Lutz's alleged difficulties. He suggests "possibly wrongdoing," such as conflicts of interest by city officials, irregular accounting, misuse of Urban Enterprise Zone money and fraud.
Lutz states in the suit that the mayor in September 2013 was interviewed by the Federal Bureau of Investigations. Lutz also claims a "special unit" of New Jersey State Police is looking into the theater.
Asked about the lawsuit, Mayor Ruben Bermudez declined to make a statement.
Interviewed in his office, Tonetta said the complaint would be turned over to the Joint Insurance Fund to which the city belongs for assignment to one of its attorneys.
"I don't believe he (Lutz) even has standing to ask for that form of relief," Tonetta said. "Essentially, he is requesting the judge to stand in for the decisions of the legislative body (council). Simply because he dislikes what the council decided to do, doesn't then give him the right to get a judge to order them to do something different."
Tonetta added that he and Fanucci and Calakos will hire their own legal counsel as well, and that the city should be expected to pick up the costs for that expense.
"I'm sure there are going to be counter claims," Tonetta said. "I have not read the whole thing. But off the top of my head, I tend to believe there may be some frivolous litigation issues."
In the lawsuit, Lutz paints Tonetta as a "powerful, lifetime Vineland politico" able to quietly exert influence on officials and employees
Calakos declined to comment in detail, saying only, "the truth will come out. It always does."
Lutz telegraphed the suit's filing last month with a tort notice sent to the city. It contains many of the same allegations contained in that notice as well as official city government correspondence and statements from his lawyers.
Among the ironies in the lawsuit is a statement of Lutz's view on government, saying it should be "effortlessly transparent, not an enigmatic and impenetrable maze."
Lutz misled city officials about his possession of a document The Daily Journal had requested under OPRA. Documents show that City Clerk Keith Petrosky, who is the city's records custodian, asked Lutz repeatedly about whether he had the information and the administrator responded by denying possession.
According to Tonetta, the administrator also was angry at the public release of Lutz's tort notice. Tort notices are public documents.
The salary the city agreed to pay Lutz has been a problem for the administrator even before his hiring. Lutz has repeatedly complained and lobbied to be paid more.
In the suit, Lutz says the council voted to lower his pay from "the advertised annual amount of $95,000" subsequent to hiring him. The mayor had asked the council to approve the salary at that level. However, the council never agreed to it and set the salary at $86,000 at the same time it approved his appointment at an Aug. 27, 2013 meeting.
"I don't believe that there was any advertisment that the city was intending on paying a certain amount," Tonetta said. "There may have been, although I was not involved in the hiring process whatsoever, some representation with regard to the (salary) range."
The Daily Journal obtained minutes of the closed session meeting of council on Aug. 20, 2013, at which the council and Bermudez discussed privately the nomination weeks earlier of Lutz.
The minutes state in part: "Councilman Procopio stated that he would have preferred to talk to all five finalists. Councilwoman Gonzalez inquired if background checks have been performed on the designee. Councilman Spinelli asked if anyone checked on his employment in Camden. Mayor Bermudez had a negative response to both questions."
The minutes continue that Bermudez said he offered the job to Lutz for $96,00 and that $120,000 would not be unusual. The established range in Vineland is $66,000 to $98,000, the minutes further note.
Lutz previously, and in the suit, claims to have issued warnings against improper practices — including "nepotism."
However, an OPRA request to the city determined that there was just one written document in which the administrator brought up nepotism — and that document was the one in which Lutz claimed to have issued previous warnings.
On page 18 of the suit, Lutz alleges that Calakos approached him "for a 'favor' in or around Fall 2013." The alleged favor was to hire her husband, Byron, for a seasonal job.
"Calakos expressed anger at Plaintiff for failing to 'help' her husband," the suit states.
The Daily Journal obtained a "new hire report" from the city for the period Jan. 1, 2013 to Nov. 12, 2013 that shows Lutz' official hiring date is Sept. 4, 2013. Calakos's husband, Byron, has a hiring date of Aug. 27, 2013.
Another man hired, this one in June 2013, is identified by council members as the mayor's son-in-law. The mayor did not respond to a question on Wednesday about that hire.
Police Chief Timothy Codispoti, among other officials, also noted that Lutz does not correctly state the law on nepotism. Nepotism is defined as hiring a relative to be a direct subordinate and not just as an employee of the same organization. In fact, he said, it would be illegal to deny employment to someone on the basis that they have a relative employed in the same organization.
Lutz claims that council treated him badly because it wanted former Mayor Perry Barse as business administrator. Barse on Wednesday emphatically denied ever being promised the job or having an interest.
"This guy has taken a page from the (former mayor) Bobby Romano playbook, which is when it was convenient, Romano railed about how I was promised the business administrator position by Ruben Bermudez," Barse said. "Apparently, Lutz felt the same way. That I felt it was an entitlement. I've been in the private sector for 40 years. This is where I intend to stay."
Lutz claims that the defendants used "intimidation tactics to further retaliate" against him.
"On or about February 20, 2014, two (2) members of the Vineland Police Department, Detective Lenny Wolfe and Detective Paul Shadinger (of Internal Affairs) showed up unannounced in Plaintiff's office," Lutz states. "The officers asked Plaintiff if he had witnessed "any criminality taking place in Vineland" and whether Plaintiff had spoken to any "outside law enforcement agencies" regarding same."
Lutz claims that he "firmly responded that even if he were speaking with outside law enforcement, he would not be at liberty to share that information."
However, among his suit's exhibits is an email exchange with the police chief. The email, which is the same day as the visit, states: "Their demeanor was calm and professional, and I must truly compliment you and the Department on their practical approach to effective policing; it was (despite it being an official matter) rather refreshing and well done. Please do not hesitate to contact me if there's anything else I can be of assistance with."
Lutz claims that a City Council meeting held on Feb. 4 included a vote in "closed session'' to hire an attorney to investigate Lutz. The vote actually was held in open session, as the law requires.
Questions remain whether the mayor ever fulfilled the City Council's directive that Lutz's history as a longtime city of Camden employee be investigated as part of the council's agreement to hire him over more than a score of other candidates. Lutz was not a business administrator in Camden.
The Daily Journal, through a request to Camden under the New Jersey Open Public Records Act, found that Lutz once filed a tort notice against the mayor of Camden, for alleged harassment, and demanded $1 million as a settlement.
In the same request and response from Camden, The Daily Journal was informed that Lutz's annual salary with that city was $76,761. But Lutz, in an email to Bermudez prior to his hiring, claimed a salary of "$95K," a difference of more than $18,000.
The Lutz email on salary reads: "My annual taxable salary with the City of Camden was at $95k per year. Just for your information, this was attained by the fact that I received health insurance reimbursement owing to my being covered on my (then) wife's health insurance and thus my Federal and State taxable income was $95K per annum (year)."
According to the city of Camden, Lutz was a "senior administrative analyst" in its record's office.
Finally, according to Camden officials, they have no record of ever being contacted by the city of Vineland for information about Lutz.
Haddonfield attorney William C. MacMillan represented Lutz against Camden in the matter. He discussed the case recently.
MacMillan said that, as best he recalls, the case started with Lutz being asked because of his technical background to oversee buying encrypted radios for the police. When Lutz refused, then-Mayor Milton Milan transferred him to a different department as punishment, the attorney said.
MacMillan said the city, after Milan was removed from office, settled the case. The agreement's terms are confidential, he said.
Read the lawsuit at thedailyjournal.
com/lutzsuit
Vineland Business Administrator William Lutz's lawsuit against the city, Solicitor Richard Tonetta, and council members Anthony Fanucci and Angela Calakos seeks:
• Unspecified monetary damages, including compensation for emotional distress and daily stress.
• A court order compelling the city to restart its investigation into the Landis Theater/Four Corners redevelopment project, including Tonetta's involvement.
• A court order requiring the city to hire an independent forensics accounting firm to conduct the Four Corners investigation.
• A court order requiring the immediate suspension of Tonetta as solicitor, pending the outcome of the investigation.
Highlights from William Lutz's lawsuit:
• "With the Mayor's approval, Plaintiff (Lutz) re-initiated the investigation of the Landis Theater Project, unwittingly sparking a maelstrom of controversy and ire. Indeed, a special unit of the New Jersey State Police and the FBI are now looking into criminal implications."
• "In retaliation for voicing concerns over potential misconduct of City officials, Plaintiff has found himself the victim of a smear campaign orchestrated by (Solicitor Richard) Tonetta to distract from the investigation ..."
• "After receiving the report, City Council voted to postpone the investigation, all the while taking no action to address Tonetta's apparent meddling. Why? Tonetta is a powerful, lifetime Vineland politico, but his ability to influence (bully?) other City officials to bend to his will threatens to undermine the very legitimacy and credibility of City government."
Lawsuit excerpts
• "But Tonetta continues to thwart Plaintiff's efforts. This undeniable conflict between Plaintiff and Tonetta is inhibiting proper governance of the City ..."
• "Subsequently, City Council voted to lower Plaintiff's salary from the advertised annual amount of $95,000, to the significantly decreased amount of $86,000. Plaintiff was never provided with an 'official' reason for the decrease, however, unofficially it was understood that Council was trying to discourage Plaintiff from accepting the position because Council wanted to fill the position with another individual, Perry Barse, Vineland's former mayor."
• "However, since assuming the position (of business administrator), Plaintiff has been a vocal critic of unlawful City practices. As a result, he has become a target."
• "Defendants have retaliated against Plaintiff for speaking out against alleged governmental improprieties. Government officials have maligned Plaintiff's name both at work and in the press. His job and future employment opportunities have been jeopardized. He has been verbally intimidated by local law enforcement."
• "Vineland's financial accountability is virtually nonexistent."
• "Also in or around October 2013, Plaintiff was approached by Joseph Isabella, Director of Vineland Municipal Utilities, on behalf of Hans (Lampart). Isabella invited Plaintiff to lunch to discuss the continued investigation of the Landis Theater Project. Plaintiff knew the invitation was inappropriate and declined. Plaintiff later received an email from Isabella (expressing) his disappointment and questioning Plaintiff's insistence to continue the investigation."
• "Councilperson Angela Calakos approached Plaintiff about hiring her husband. ... Calakos expressed anger at Plaintiff for failing to 'help' her husband. Calakos specifically asked Plaintiff and the Mayor not to communicate with her about the request via email, lest someone file an Open Public Records Act (OPRA) request seeking those documents."
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The question I've been asked the most in the last 24 hours at Enterprise 2.0 conference in Boston is "Why are you here?" People want to know what value you are seeking from their session and from the overall conference.
I go to conferences for many reasons. This particular one I am here because I want to know what my potential customers need to know. I'm listening. I'm wandering in and out of sessions and paying close attention to the questions people have. I am here to find out how I can better help YOU.
I'm also here to network. Part of what I do puts me in constant online contact with some of the most brilliant minds in the business. I am anxious to meet as many as possible. I've already met quite a few of the industry's current thought leaders and up and comers over the years – it's one of the perks of living in the Boston area. I'm hoping to meet some of the people who traveled in from afar, especially.
In trying to practice what I preach, I am always looking for ways to bring my online connections offline. One thing that makes social media so valuable for business is how easy is makes it to translate both worlds and extend your reach.
The value of this kind of conference for me is the eavesdropping to better serve my client base, and the networking. What is the value for you?


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text:
Felipe Dana (15 de agosto de 1985) é um fotojornalista brasileiro da agencia de noticias Associated Press (AP), conhecido por seu trabalho cobrindo o surto do Vírus da Zica, problemas sociais e violência na América Latina e guerras no Oriente Médio. Dana recebeu prêmios no World Press Photo em 2013 e 2017 e participou da primeira Masterclass do World Press Photo na America Latina no Mexico em 2015. Ele fez parte das equipes de jornalistas da Associated Press finalistas do Prêmio Pulitzer em 2017, 2018 e 2019 pelas coberturas da guerra contra o Estado Islâmico e conflitos na Faixa de Gaza. Em 2019, foi nomeado Fotógrafo do Ano pelo jornal britânico The Guardian e Fotógrafo Ibero Americano do Ano pelo premio POYi Latam. Ele também recebeu outros prêmios internacionais no Pictures of the Year International (POYi), National Press Photographers Association (NPPA), Overseas Press Club of America (OPC), entre outros. Suas fotos e videos de drone da Batalha de Mosul no Iraque ficaram conhecidas depois de serem publicadas nos maiores jornais e revistas do mundo e foram usadas na abertura do filme de ação Mosul no Netflix.

Prêmios

 2011: Atlanta Photojournalism Awards
 2012: Atlanta Photojournalism Awards
 2013: POY - Pictures of the Year Latam, 3 awards
 2013: Prêmio World Press Photo
 2015: NPPA National Press Photographers Association
 2016: NPPA National Press Photographers Association, 2 prêmios
 2016: POYi Pictures of the Year International
 2016: SPJ Sigma Delta Chi
 2016: APME Associated Press Media Editors
 2016: Oliver S. Gramling Journalism Awards - AP
 2016: Atlanta Photojournalism Awards
 2017: APME Associated Press Media Editors
 2017: Finalista, Prémio Pulitzer de Reportagem Fotográfica
 2017: Prêmio World Press Photo
 2017: NPPA National Press Photographers Association, 3 prêmios
 2017: Atlanta Photojournalism Awards
 2018: Finalista, Prêmio Pulitzer de Reportagem Internacional
 2018: OPC - Overseas Press Club of America
 2018: Shorty Awards, nomeado
 2018: National Headliner Awards, 2 prêmios
 2018: APME Associated Press Media Editors
 2018: POYi Pictures of the Year International
 2019: Finalista, Prémio Pulitzer de Reportagem Fotográfica
 2019: POYi Pictures of the Year International
 2019: The Guardian :  Fotógrafo de Agencia do Ano
 2019: POY - Pictures of the Year Latam, 3 prêmios
 2020: Atlanta Photojournalism Awards, 2 prêmios
 2020: NPPA National Press Photographers Association
 2021: POY - Pictures of the Year Latam

Ligações externas

 Felipe Dana: Site oficial
 Associated Press: Mosul endgame in images
 National Geographic - Entre as ruínas de Mosul
 National Geographic - Por que o zika é o vírus assustador deste ano
 TIME - Um encontro inesperado nas ruínas de Mosul
 New York Times - Civilians Escape ISIS

Fotojornalistas
Fotógrafos do Brasil
Correspondentes de guerra
Correspondentes internacionais do Brasil


there can hardly be any FC Red Bull Salzburg player who has been so loved by the fans and has made such an impact on austrian football as Jonatan Soriano. he has created sensation after sensation, finishing top scorer three times and twice being crowned austrian footballer of the year. we would like to wish Jonatan Soriano all the best on his future career in china.
Shortly before the closing of the Chinese transfer window tomorrow, Jonatan Soriano has left FC Red Bull Salzburg for the Chinese Super League, signing a two-year contract with Beijing Guoan.
The 31-year-old Spaniard has played for the Red Bulls for five very successful years, in which he has made 202 competitive appearances (144 in the Austrian Bundesliga, 37 in Europe, 21 in the Austrian Cup), scoring an extraordinary in 172 goals (120/27/25).
Along with four league titles and four cup wins with Salzburg, Soriano has finished top scorer in the Austrian Bundesliga three times, taken the trophy as top cup scorer twice and once was top scorer in the UEFA Europa League.
Jonny recently asked us if he can negotiate a contract with the Chinese club. As he expressed a clear wish to join another club, and due to the extraordinary conditions of this transfer, we eventually agreed to his wishes and approved the transfer. Of course we are very sad to see him go. Our pride to have seen a player of his class in Salzburg for so long who has played a major part in our successes with his fantastic goalscoring figures is even greater. We are going to follow his progress and we wish him all the very best in his football and off the pitch.
We look forward to the challenges of the coming weeks, and we are convinced that we are going to be successful with our current squad and achieve our aims.
I am now 31 years old, and I think that a convenient time has come to take on another big new challenge in football. Things went very quickly in the end, and the discussions with Guoan lasted only for a few days. I would like to take the opportunity to thank Red Bull Salzburg for allowing me to proceed with the negotiations. These have been five extraordinary years in Salzburg. We have achieved fantastic successes, and I will never forget this time. I wish the club and my former team-mates all the best for the future. The team has a lot of young and talented players with great potential, and is sure to continue to be successful.
One of the records that the Spaniard broke last year was the milestone Zlatko Kranjcar set in the 1980s for the top scoring foreign player in the Austrian Bundesliga. The Croat played for six years longer in the Austrian top flight, and needed to make 213 league appearances for his 108 goals. Jonatan Soriano signed in January 2012 from the FC Barcelona B Team and scored his 108 goals in just 124 Austrian Bundesliga matches – over just four years. Jonatan Soriano still has an incredible scoring ratio (currently 0.83 goals per match) that overshadows even the likes of Austrian football legend Hans Krankl (0.72 goals per match). He is in 11th place in the all-time Austrian Bundesliga scoring charts just behind Toni Polster (122 goals in tenth).
His Bundesliga record has even more fascinating elements. He has scored 102 Bundesliga goals from open play, 34 of which have decided matches. He has also converted 18 penalties and free-kicks.
Jonatan Soriano scored a hat-trick he will never forget on 20 April 2013 in a home match against Wolfsberg AC. It is a remarkable story that saw our captain forever taken into the hearts of Salzburg fans. As the match was kicking off, his wife Cristina was giving birth to their third daughter, Abril. On the way from the hospital to the stadium he told Roger Schmidt, the coach at the time, with all the excitement that only a new father can know, that he would be at the ground in time for the second half and would like to come on as a substitute. He did just that, and the delighted new dad went on to score three goals in the second half for his first Red Bulls' hat-trick. More were to follow, however.
In the 2013/2014 season that followed, he scored hat-tricks against SC Wiener Neustadt, SV Grödig, Rapid Vienna and Admira Wacker Mödling. Jonny then went on to haunt Rapid again in the opening match of the 2014/2015 season. The Red Bulls, as reigning champions, secured a sensational 6-1 home win, with Jonatan Soriano scoring three goals.
Last season SV Mattersburg happened to visit the Red Bull Arena when our captain was at his clinical best. After a long injury break and frustration at the club about the early exit from the Europa League, Soriano was understandably not happy and let his feelings be known. He saved his best statement to be delivered by his right boot, however, which scored four goals that evening.
Johnny's biggest ever scoring success came on 10 August 2014 in the 4th game week of the 2014/2015 season against SV Grödig. He scored an unbelievable five of the team's eight goals in the Salzburg derby, helping the club to their biggest ever win.
I think the best thing about being married to Jonny is to experience getting through difficult phases or moments together as a family. It's great to see when your husband scores a goal and kisses his wedding ring, looks at you and shares his joy with you. It's a recognition of the hard work you put in and the sacrifices you have to make for everything to work out. All that makes me very proud to be married to my husband.


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Fund Us Gently With A Chainsaw, Heather!
We're getting ready to begin actual development of the Zine Union Catalog. Before we get started we need to put it someplace. At the moment we're looking a a virtual hosting environment that will cost about $250 USD for a year.
Are you able to help out?
If we should somehow have a surplus, any extra monies will go toward keeping this blog hosted and/or the ZL(u)C scholarship.
September: Simon, dearly departed canine friend to Kelly W.
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text:
GATA in the Press
About GATA
Gold Rush 21
Home » Daily Dispatches
Gold coin worth L250,000 discovered in child's pirate treasure collection
Submitted by cpowell on Mon, 2016-10-24 23:40. Section: Daily Dispatches
By Louie Smith
Daily Mirror, London
An 18th-century gold coin worth up to L250,000 has been discovered in a child's pirate treasure collection.
The anonymous owner had been given the rare Queen Anne Vigo five guinea piece as a youngster by his grandfather.
With no idea of its value, he kept it in his toy box for pirate games until it was packed away and forgotten about.
But when his grandad died, he rediscovered the coin and gave it to his own son to play with -- before experts told him it was one of 20 made of gold seized from Spanish treasure ships in Vigo Bay, Spain, in 1702. ...
... For the remainder of the report:
http://www.mirror.co.uk/news/uk-news/gold-coin-worth-250000-discovered-9...
Ron Paul Endorses the Only Congressional Candidate
Who Is Campaigning on Returning to the Gold Standard
Former U.S. representative, presidential candidate, and chairman of the House Subcommittee on Monetary Policy, fiat money's fiercest foe, Ron Paul, has endorsed Daria Novak, the Republican candidate for the U.S. House of Representatives in Connecticut's 2nd District.
Paul said: "Daria Novak will be a forceful advocate for limited, constitutional government, individual liberty, and sound money on Capitol Hill. I am pleased to endorse her candidacy."
Novak also has been endorsed by former presidential candidate and gold standard proponent Steve Forbes and by the New York Sun, among other friends of sound money. Novak also been endorsed by gold standard and sound-money advocates George Gilder, Lawrence Kudlow, Jimmy Kemp (Jack's son), and Jeffrey Bell. Forbes called Novak a "prosperity heroine."
Contribute to Novak's campaign $500, $250, $100, $50, or whatever you can afford of the fiat money that is eroding in your checkbook. As the Sun wrote, "She vows to crusade" on the gold standard "as key to getting job creation, economic security, and upward mobility back at a sizzling rate."
To donate to Novak's campaign, please visit:
http://novakforcongress.org/donate/
Novak will personally thank all contributors.
Give Daria your generous backing to put a voice for gold in Congress.
This message was authorized by Daria Novak for Congress.
Help GATA by purchasing DVDs of GATA's London conference in August 2011 or GATA's Dawson City conference in August 2006:
http://www.goldrush21.com/order.html
Or by purchasing a colorful poster of GATA's full-page ad in The Wall Street Journal on January 31, 2009:
http://tinyurl.com/zr4tjuc
Help keep GATA going
GATA is a civil rights and educational organization based in the United States and tax-exempt under the U.S. Internal Revenue Code. Its e-mail dispatches are free, and you can subscribe at:
http://www.gata.org
To contribute to GATA, please visit:
http://www.gata.org/node/16
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