text:
Screenwriters Union Authorizes Strike
Photo Credit By (Mark Boster / Los Angeles Times
Los Angeles, CA – Members of the Writers Guild of America voted overwhelmingly Apr. 24 to authorize a strike if the union can't negotiate a contract with major Hollywood studios and broadcast-TV networks.
The WGA's agreement with the Alliance of Motion Picture and Television Producers will expire May 1. The union said 96.3% of the members who voted backed authorizing a walkout, about two-thirds of the roughly 9,400 who'd worked enough in the industry to be eligible. "None of us want a strike," negotiating committee co-chair Chris Keyser said in a union podcast before the vote, but the guild needs to show management "either the threat of or the actual practice of a strike." A statement from the studios said that writers lost millions of dollars during the 100-day walkout in 2007, and many "took out strike loans to make ends meet." Key issues include winning a raise, bigger residuals for streamed shows, increased employer contributions to its struggling health plan, and modifying the "exclusivity" rule that prevents writers from working on more than one series at a time. The WGA says the average salary for a TV writer-producer has fallen by 23% in the last two years. Read more
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Pulse oximetry screening (POS) is an accepted test that improves detection of critical congenital heart defects (CCHD).1 Although outcome data are lacking, there is agreement among clinicians that POS identifies infants with CCHD before discharge.
After consideration by an expert workgroup, POS was adopted onto the US Recommended Uniform Screening Panel,2 and other countries have either introduced, or are considering introducing, POS.1 Despite this, there is considerable variation in screening, particularly the algorithm used.3 Differences include (1) pre- and postductal saturations (right hand and either foot) versus single postductal measurement (foot only) and (2) timing of screening (ie, before or after 24 hours). In algorithms using 2 limb measurements, there are also differences: inclusion of saturations <95% in 1 or both limbs and the absolute value of the differential between the 2 in determining positive results.1 So which algorithm is best?
In published studies that adopted earlier screening,3,6 the FP rate was higher, but more noncardiac disease was identified; this is because such infants are more likely to develop hypoxemia within 24 hours and therefore be picked up by earlier screening.
Careful analysis of later screening studies4,5 reveals important additional findings. In Granelli's4 and Riede's5 studies, half of eligible infants with CCHD presented with symptoms before screening could take place; 28 of 57 infants with CCHD in Granelli's and 18 of 36 in Riede's. In Granelli's,4 more than 10% of infants with CCHD (6 of 57) presented with acute collapse in hospital (the very situation that screening aims to prevent). It is well documented that infants with CCHD who collapse before surgery have worse outcomes and greater risk of neurodevelopmental complications,1 so these potentially avoidable collapses (ie, if screening was done earlier) may have significant consequences.
The UK study used the PulseOx6 algorithm, which, in addition to a difference in timing, has subtle differences in the definition of test positivity (Fig 2). In the US algorithm, test positivity is defined as saturation <90% in either limb or saturations between 90% to 94% in both limbs, or a difference of >3% between the 2, on 3 separate occasions (ie, 2 retests each after 1 hour, before clinical assessment). In the United Kingdom, a test-positive saturation is less than 95% in either limb or a difference of >2% on 2 occasions (ie, 1 retest after 2 hours, which is preceded by clinical assessment).
UK algorithm. SaO2, oxygen saturation.
Do these minor differences matter? Examining the raw pre/–post saturation data and applying the US protocol to the PulseOx patients would have missed 1 CCHD (detected prenatally) and 2 serious CHDs. These numbers are small but may be important when scaled up nationally; additional evidence is required before a precise estimate of the difference can be stated with conviction. The application of a second retest almost certainly reduces the FP rate (infants with transitional circulation improve between screens) but because the majority (up to 80%) of infants who test positive after 1 retest have a significant condition,7 the second retest before clinical assessment potentially introduces a delay in diagnosis and treatment, which may result in a worse outcome.
So should the US screening algorithm remain as it is, or should a change be considered? Countries wishing to introduce screening may, quite rightly, wish to follow tried and tested practice but unfortunately there are limited data reporting outcomes of US screening. Additional research is probably unnecessary; however, collection and analysis of saturation data from populations already being screened is required to refine the minor differences in the algorithm.
The evidence to support a change in timing is perhaps more convincing, but it is important to accept that test positives will increase (to ∼0.8%) with earlier screening and many noncardiac conditions are identified in addition. Of course, POS uses hypoxemia as a proxy for CCHD and does not detect CCHD directly. Given this, should we screen for all hypoxemic conditions rather than just CCHD? The concern is that hypoxemia is not a condition as such and newborns may have "physiologic" hypoxemia as the cardiorespiratory systems adapt to extrauterine life. Once again, the earlier screening takes place, the more likely this "transitional circulation" is identified in test-positive infants. The other major concern is that although we have good data for CCHD, there are no robust data on the accuracy of POS for noncardiac conditions. This presents difficulties for public health decision makers sanctioning POS as a valid test for these conditions. Perhaps the best compromise is to continue POS for CCHD and accept that detection of noncardiac conditions (technically FPs but could be considered secondary targets) is an important additional benefit. Clinical staff and parents should be made aware of this.
Until these issues are resolved and more data are forthcoming, is it worth considering an algorithm that has a consistent slightly higher FP rate but will potentially identify more infants with life-threatening disease?
You are going to email the following Newborn Pulse Oximetry Screening: Which Algorithm Is Best?


text:
Q: How to find the date of introduction of a given folder to the master branch? Let's say we observe Linux kernel git repository.
I would like to discover exact dates of introduction of following directories:
arch/alpha
arch/arc
arch/arm
arch/arm64
.
.
.
arch/xtensa

to the master branch.
I am not familiar with git, and couldn't understand handling dates in git well.
I tried something with switch --diff-filter=A for git log, but it did not work as I wished.

A: Being on the master branch you can just do:
git log --reverse arch/alpha

and for each of the folders you're interested in. This will give you the first commit at the top. The --diff-filter=A flag will additionally filter the results so still might be helpful, so you'll see all files added to this folder (including the first one added along with the folder).
There is an option -n <number>, which would be helpful in limiting the output only to the single, oldest commit, but unfortunately the documentation explains it won't work:

Note that these are applied before commit ordering and formatting options, such as --reverse.

You can however additionally filter the output with tools in your shell.

redpajama_set_name: RedPajamaStackExchange


text:
DraftBuddy.com
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2019 Fantasy Rankings
5X5 -$8 · SP # 240 (Tier 9)
NFBC ADP (15-team): 26.08, 383rd
Marlins Teammates Alcantara, Sandy (SP) Alfaro, Jorge (C) Alvarez, Pedro (1B) Alvarez, R.J. (RP) Anderson, Brian (3B) Anderson, Nick (RP) Berti, Jonathon (2B) Brice, Austin (RP) Brigham, Jeff (RP) Brinson, Lewis (CF) Castillo, Wilkin (C) Castro, Starlin (2B) Chen, Wei-Yin (RP) Clark, Ethan (SP) Conley, Adam (RP) Cooper, Garrett (RF) Dean, Austin (RF) Devers, Jose (SS) Diaz, Isan (2B) Dugger, Robert (SP) Fernandez, Julian (RP) Ferrell, Riley (RP) Gallen, Zac (SP) Galloway, Isaac (CF) Garcia, Jarlin (RP) Granderson, Curtis (LF) Graves, Brett (SP) Guerrero, Gabriel (CF) Guerrero, Tayron (RP) Guzman, Jorge (SP) Harrison, Monte (CF) Hernandez, Brayan (CF) Hernandez, Elieser (SP) Herrera, Rosell (CF) Holaday, Bryan (C) Holloway, Jordan (SP) Keller, Kyle (RP) Kickham, Mike (RP) Kinley, Tyler (RP) Lopez, Pablo (SP) Machado, Dixon (2B) Marrero, Deven (SS) Mesa, Victor Victor (CF) Meyer, Ben (SP) Milbrath, Jordan (RP) Mills, McKenzie (SP) Moran, Brian (RP) Neidert, Nick (SP) Noesi, Hector (RP) O'Brien, Peter (RF) Prado, Martin (3B) Puello, Cesar (LF) Quijada, Jose (RP) Ramirez, Harold (LF) Richards, Trevor (SP) Riddle, J.T. (CF) Rivera, Yadiel (SS) Rojas, Miguel (SS) Romo, Sergio (RP) Sanchez, Sixto (SP) Seymour, Anfernee (CF) Sierra, Magneuris (CF) Smith, Caleb (SP) Smith, Chad (RP) Steckenrider, Drew (RP) Torres, Christopher (SS) Twine, Justin (2B) Vigil, Rodrigo (C) Walker, Neil (1B) Wallach, Chad (C) Yamamoto, Jordan (SP)
Jose Urena
SP, Miami Marlins
Bats R Throws R
Height 6'2" Weight 200 DOB 1991-09-12 Age 27
Hometown Santo Domingo, DOM
Gamelog Stats
Season Projections
2019 Season, Updated Mar 28
BLSV
ATC -$5 30 30 168.0 10 11 13 0 0 0 0 0 123 56 164 22 0 0 80 4.29 1.31
Steamer -$8 28 28 162.0 8 11 13 0 0 0 0 0 129 55 169 21 0 0 80 4.44 1.38
THE BAT -$2 28 28 161.0 7 13 13 0 0 0 0 0 121 56 158 21 0 0 75 4.19 1.33
Zeile -$6 29 29 166.0 9 11 14 0 0 0 0 0 125 57 163 0 0 0 78 4.23 1.33
ZiPS -$10 29 26 144.3 8 10 11 0 0 0 0 0 105 50 145 19 0 0 70 4.34 1.34
Draft Buddy -$8 29 29 169.0 8 11 13 0 0 0 0 0 135 57 176 22 0 0 83 4.42 1.38
ATC projections by Ariel Cohen. Steamer projections by Steamer Projections Blog. THE BAT projections by Derek Carty. Zeile Consensus projections by FantasyPros. ZiPS projections by Dan Szymborski. Draft Buddy projections are based on Steamer projections and include our own playing time adjustments.
Position Rankings
ADP1
238 Beau Burrows, DET -$7
239 Brock Burke, TEX -$7
240 Jose Urena, MIA -$8 26.08
241 CC Sabathia, NYY -$8 31.01
242 Dillon Tate, BAL -$8
1 NFBC (15-team)
Complete SP Rankings
All Jose Urena News
Fantasy News from the Past 120 Days
Jose Urena transferred to 60-day IL
Jun 14 · FantasyPros (Fantasy)
Marlins Jose Urena
Jose Urena: Heading to injured list
Jun 11 · RotoWire (Fantasy)
Marlins Jose Urena injury
Jose Urena allows six runs in loss to Braves
Jun 8 · FantasyPros (Fantasy)
Marlins Braves Jose Urena
Jose Urena earns second win Wednesday
May 23 · FantasyPros (Fantasy)
Marlins Tigers Jose Urena
Jose Urena tosses quality start in loss Wednesday
Marlins Rays Jose Urena
Jose Urena tosses quality start in no-decision Wednesday
May 8 · FantasyPros (Fantasy)
Marlins Cubs Jose Urena
Kevin Gausman suspended five games, will still start Monday night
Braves Marlins Kevin Gausman Jose Urena
Gausman suspended for throwing at Urena - Kevin Gausman | ATL
May 6 · RotoWorld (Fantasy)
Jose Urena allows five earned runs in loss Friday
Jose Urena tosses third straight quality start in loss to Phillies
Apr 27 · FantasyPros (Fantasy)
Marlins Phillies Jose Urena
Jose Urena tosses seven strong innings in no-decision Sunday
Jose Urena allows four runs in loss to Reds
Apr 9 · FantasyPros (Fantasy)
Marlins Reds Jose Urena
Jose Urena allows five runs in loss
Marlins Mets Jose Urena
Jose Urena takes the loss on Opening Day
Mar 29 · FantasyPros (Fantasy)
NFBC 15-Team 5X5 Roto Values Switch
Yahoo DFS
NFBC 15-Team 5X5
2015 MIA -$16 20 9 61.2 1 5 0 0 0 0 0 0 28 25 73 5 3 37 36 5.25 1.59
2016 MIA -$19 28 12 83.2 4 9 0 0 0 1 0 0 58 29 91 11 6 59 57 6.13 1.43
2017 MIA -$1 34 28 169.2 14 7 0 0 0 0 0 0 113 64 152 26 14 77 72 3.82 1.27
2018 MIA -$3 31 31 174.0 9 12 0 1 0 0 0 0 130 51 155 19 12 78 77 3.98 1.18
2019 MIA - 13 13 74.2 4 7 8 0 0 0 0 0 51 23 85 10 2 43 38 4.58 1.45
2019 ATC -$5 30 30 168.0 10 11 13 0 0 0 0 0 123 56 164 22 0 0 80 4.29 1.31
2019 Steamer -$8 28 28 162.0 8 11 13 0 0 0 0 0 129 55 169 21 0 0 80 4.44 1.38
2019 THE BAT -$2 28 28 161.0 7 13 13 0 0 0 0 0 121 56 158 21 0 0 75 4.19 1.33
2019 Zeile -$6 29 29 166.0 9 11 14 0 0 0 0 0 125 57 163 0 0 0 78 4.23 1.33
2019 ZiPS -$10 29 26 144.3 8 10 11 0 0 0 0 0 105 50 145 19 0 0 70 4.34 1.34
2019 Draft Buddy -$8 29 29 169.0 8 11 13 0 0 0 0 0 135 57 176 22 0 0 83 4.42 1.38
Historic stats obtained free of charge from and are copyrighted by Retrosheet. ATC projections by Ariel Cohen. Steamer projections by Steamer Projections Blog. THE BAT projections by Derek Carty. Zeile Consensus projections by FantasyPros. ZiPS projections by Dan Szymborski. Draft Buddy projections are based on Steamer projections and include our own playing time adjustments.
NFBC 15-Team 5X5 Scoring Review · Switch
Mar 28 vs COL L 3-6 1 4.2 0 1 0 0 0 0 0 2 1 9 1 0 6 4 7.71 2.14
Apr 2 vs NYM L 5-6 1 4.0 0 1 0 0 0 0 0 4 1 7 0 0 5 5 11.25 2.00
Apr 9 at CIN L 0-14 1 5.0 0 1 0 0 0 0 0 4 3 8 1 0 4 4 7.20 2.20
Apr 14 vs PHI L 1-3 1 7.0 0 0 0 0 0 0 0 7 0 7 1 0 1 1 1.29 1.00
Apr 20 vs WAS W 9-3 1 6.0 1 0 0 0 0 0 0 4 1 8 0 1 3 2 3.00 1.50
Apr 26 at PHI L 0-4 1 7.0 0 1 0 0 0 0 0 4 3 4 2 0 2 2 2.57 1.00
May 3 vs ATL L 2-7 1 6.0 0 1 0 0 0 0 0 4 3 6 2 0 5 5 7.50 1.50
May 8 at CHC L 2-3 1 7.0 0 0 0 0 0 0 0 3 3 5 0 0 2 1 1.29 1.14
May 15 vs TB L 0-1 1 6.0 0 1 0 0 0 0 0 2 1 6 0 1 1 1 1.50 1.17
May 22 at DET W 6-3 1 6.0 1 0 0 0 0 0 0 5 2 7 0 0 3 2 3.00 1.50
May 27 at WAS W 3-2 1 7.0 1 0 0 0 0 0 0 4 1 4 0 0 2 2 2.57 0.71
Jun 1 at SD W 9-3 1 6.0 1 0 0 0 0 0 0 6 3 3 1 0 3 3 4.50 1.00
Jun 7 vs ATL L 1-7 1 3.0 0 1 0 0 0 0 0 2 1 11 2 0 6 6 18.00 4.00
Mar 29 vs CHC L 4-8 1 4.0 0 1 0 0 0 0 0 2 4 6 2 3 5 5 11.25 2.50
Apr 3 vs BOS L 2-4 1 7.0 0 0 0 0 0 0 0 7 1 4 0 0 1 1 1.29 0.71
Apr 9 vs NYM L 2-4 1 5.0 0 1 0 0 0 0 0 4 1 5 0 0 3 3 5.40 1.20
Apr 15 vs PIT L 3-7 1 5.0 0 1 0 0 0 0 0 5 1 8 0 1 4 4 7.20 1.80
Apr 21 at MIL L 5-6 1 5.0 0 0 0 0 0 0 0 3 2 4 1 0 4 4 7.20 1.20
Apr 27 vs COL L 0-1 1 7.0 0 1 0 0 0 0 0 5 1 6 0 0 1 1 1.29 1.00
May 2 vs PHI L 0-6 1 7.0 0 1 0 0 0 0 0 6 1 7 1 1 2 1 1.29 1.14
May 13 vs ATL L 3-4 1 6.0 0 1 0 0 0 0 0 5 2 4 1 0 3 3 4.50 1.00
May 19 at ATL L 1-8 1 6.0 0 1 0 0 0 0 0 2 1 5 0 0 4 4 6.00 1.00
May 25 vs WAS L 5-9 1 6.0 0 0 0 0 0 0 0 7 1 5 2 1 4 4 6.00 1.00
May 30 at SD L 2-3 1 6.0 0 0 0 0 0 0 0 6 2 3 1 0 1 1 1.50 0.83
Jun 5 at STL W 7-4 1 5.0 1 0 0 0 0 0 0 3 1 10 0 0 4 4 7.20 2.20
Jun 10 vs SD L 1-3 1 6.0 0 1 0 0 0 0 0 5 0 6 1 0 3 3 4.50 1.00
Jun 15 at BAL W 2-0 1 8.0 1 0 0 0 0 0 0 4 1 3 0 1 0 0 0.00 0.50
Jun 20 at SF L 5-6 1 5.2 0 1 0 0 0 0 0 5 2 8 0 0 5 5 7.94 1.76
Jul 4 vs TB W 3-0 1 5.0 0 0 0 0 0 0 0 6 2 3 0 0 0 0 0.00 1.00
Jul 9 vs MIL W 4-3 1 5.2 0 0 0 0 0 0 0 4 1 7 1 0 2 2 3.18 1.41
Jul 15 vs PHI W 10-5 1 4.0 0 0 0 0 0 0 0 4 4 4 0 0 5 5 11.25 2.00
Jul 23 vs ATL L 1-12 1 4.0 0 1 0 0 0 0 0 4 2 6 2 1 5 5 11.25 2.00
Jul 29 vs WAS W 5-0 1 6.0 1 0 0 0 0 0 0 5 4 1 0 1 0 0 0.00 0.83
Aug 4 at PHI L 3-8 1 5.0 0 1 0 0 0 0 0 3 2 8 3 0 6 6 10.80 2.00
Aug 10 vs NYM L 2-6 1 5.1 0 1 0 0 0 0 0 3 1 8 0 0 4 4 6.75 1.69
Aug 15 at ATL L 2-5 1 0.0 0 0 0 0 0 0 0 0 0 0 0 1 0 0
Aug 19 at WAS W 12-1 1 9.0 1 0 1 0 0 0 0 4 2 2 0 0 1 1 1.00 0.44
Aug 28 at BOS L 7-8 1 6.0 0 0 0 0 0 0 0 2 3 6 1 0 4 4 6.00 1.50
Sep 3 vs PHI W 3-1 1 7.0 1 0 0 0 0 0 0 7 0 4 1 0 1 1 1.29 0.57
Sep 11 at NYM W 5-3 1 6.1 1 0 0 0 0 0 0 5 3 4 1 0 1 1 1.42 1.11
Sep 16 at PHI W 6-4 1 5.0 1 0 0 0 0 0 0 4 1 3 1 0 1 1 1.80 0.80
Sep 22 vs CIN W 5-1 1 5.2 1 0 0 0 0 0 0 2 1 3 0 1 0 0 0.00 0.71
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redpajama_set_name: RedPajamaCommonCrawl


text:
Aaron SIMPSON (RIN: 00531), son of George SIMPSON and Susannah WHEELER , was born 02 January 1759 in Fairfax, Virginia, USA. He married Charlotte WISHHEART 25 May 1783. He died 11 December 1832 in Caswell, North Carolina, USA. Charlotte WISHHEART (RIN: 00532), daughter of Henry WISHHEART and Ann NEALE , was born 31 May 1763 in Loudoun, Virginia, USA. She died 02 October 1846 in Caswell, North Carolina, USA.
Children of Aaron SIMPSON and Charlotte WISHHEART are:
1. Baley SIMPSON (RIN: 00572), b. 15 October 1801
2. Catherine "Kitty" SIMPSON (RIN: 00527), b. 27 April 1876 See John BOSWELL & Catherine "Kitty" SIMPSON
3. Enoch SIMPSON (RIN: 00567), b. 01 November 1797 See Enoch SIMPSON & Martha J TUCKER OR Enoch SIMPSON & Elizabeth CARTER
4. Hayden "Haten" SIMPSON (RIN: 00562), b. 10 September 1790
5. Joseph SIMPSON (RIN: 00573), b. 07 April 1805 See Joseph SIMPSON & Susan Byrd ANDERSON
6. Moses SIMPSON (RIN: 00559)
7. Nancy SIMPSON (RIN: 00533), b. 28 July 1803 See James BOSWELL & Nancy SIMPSON
8. Penelope "Penny" SIMPSON (RIN: 00563), b. 28 August 1793 See Azariah GRAVES & Penelope "Penny" SIMPSON
9. Pricilla SIMPSON (RIN: 00565), b. 10 August 1795 See Francis L SIMPSON & Pricilla SIMPSON
10. Roger SIMPSON (RIN: 00560), b. 02 November 1788 See Roger SIMPSON & Margaret WILLIAMSON
11. Susannah SIMPSON (RIN: 00571), b. 18 July 1799
Notes for Aaron SIMPSON:
Birth: 02 January 1759 in Fairfax, Virginia, USA.
Death: 11 December 1832 in Caswell, North Carolina, USA.
Notes for Charlotte WISHHEART:
Birth: 31 May 1763 in Loudoun, Virginia, USA.
Death: 02 October 1846 in Caswell, North Carolina, USA.
Notes for Baley SIMPSON:
Birth: 15 October 1801 in Orange or Caswell Co., NC.
Notes for Hayden "Haten" SIMPSON:
Birth: 10 September 1790 in Fairfax, Virginia, USA.
Notes for Susannah SIMPSON:
Birth: 18 July 1799 in Orange or Caswell Co., NC.
Death: 02 October 1805.


text:
Q: How to prevent overriding of CSS What I am trying to do is be able to have two columns in a div. So I can insert a picture at any point, and place text long side it neatly.
Here is my html:

Gallery

            test

Here is a perfect working JSFiddle
http://jsfiddle.net/RdyGM/1/
And here is an image of what I actually see. The purple bit should be 50% of left. (The text "test" is placed below).
upon inspection you can see that it is obtaining its width from else where :@
How to use just my desired css.

A: Well, there are two things you could do. The general approach is to try to make your CSS selector more specific. So you could do: #gallery #content #imageleft, instead of just #imageleft, and that should make your rule apply. The other approach is to change your CSS #imageleft to say:
#imageleft{
   ....
   width:50% !important;
   ....
}

A: You can use !important to tell the browser which CSS to prioritise - it might, or might not help...
#imageleft {
    float:left;
    width:50% !important;
    background:#c9c;
}

#imageright {
    float:right;
    width:50%  !important;
    background:#9c9;
}

A: domId.Attributes.Add("property of css", "Your css class name");


United Currency Exchange is a regulated foreign currency exchange dealer and is registered with AUSTRAC under the Anti Money Laundering/Counter Terrorism Financing Act 2006 and Anti Money Laundering/Counter Terrorism Financing Rules 2007. The AUSTRAC registration number for the business is 100039123. All business operations is closely scrutinised by AUSTRAC and United Currency Exchange must lodge compliance report to AUSTRAC on annual basis.


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It is among the crucial decisions that every business gets to make. There has been an increase in desire for online presence for many businesses, and this is because of the technological growth that is happening around the market world. It is such a great improvement to have a business website today. It will contribute largely to the returns that you get in the business. Having the right partners in this will enable your business to soar a notch higher in its endeavors. Before they implement the project, a good web company will take time to assess the need for the company and know the company in depth. They ensure that they have a picture of what is required for your business to be more effective and make an impact.
Ensure you understand their terms regarding the support staff. Once you have the website, it does not end there because you will require them every time. Make sure that there is the availability of the support team. get to know any details about the maintenance that may be needed for the website. get to know if there are warranties provided for such a case. Sometimes you can have trouble with the website, and you need quick solutions. Do not compromise on such needs because they are important. You should be cautious about this and ensure that you make it through. Get individuals who can go into an extra mile in ensuring that you have the best outcome.
Confirm the transparency issues of the web company. With transparency, there will be few errors and mistakes involved. Good communication makes things clear and fewer mistakes will be witnessed. It is good to consider this even as you look into quality matters. Transparency is what will determine if the methods they have used in charging you is the best approach. Ensure that you get a web design company that can deliver what they promise. When transparency is compromised, the client will always be panicking. You do not want to put down your cash into waste or end up disappearing. Ensure that the quote given is the most accurate as you can read that from others. Know their level of expertise as well. In case their record is pure, do not hesitate to engage with them. In case you have any inquiries feel free to make them, and that will be the best approach to work with them most effectively.


text:
When the Forest Left the Apes
SUAQ Orangutan Project
Sophie G. Habinger
Fachbereich Geowissenschaften Universität Tübingen
Tel. 07071 29 73231
sophie-gabriele.habinger@uni-tuebingen.de
Prof. Hervé Bocherens
Senckenberg Centre for Human Evolution and Palaeoenvironment
herve.bocherens@senckenberg.de
Ecological continuity between orangutans and extinct ancestors highlights their dependence on intact rainforests
An international research team around Prof. Hervé Bocherens of the Senckenberg Centre for Human Evolution and Palaeoenvironment at the University of Tübingen and his PhD student Sophie G. Habinger has reconstructed the habitat of the ancestors of orangutans in present-day Myanmar as part of the collaborative project EVEPRIMASIA between the Universities of Tübingen, Germany, and Poitiers, France. The results of the study, recently published in the journal "Scientific Reports," highlight the orangutans' dependence on intact forests and the need to protect their remaining refuges and habitats.
Unlike other great apes such as gorillas or chimpanzees, orangutans (Pongo) have several known fossil ancestors. Today, orangutans are restricted to the islands of Borneo and Sumatra in Southeast Asia, where they are critically endangered. "Their ancestors' range in the late Miocene, on the other hand, extended over a vast area from Turkey, through easternmost Pakistan, India, Nepal, and Myanmar to Thailand," reports paleobiologist Sophie Habinger. The study focuses on the orangutan's ancestor Khoratpithecus ayeyarwadyensis, whose fossils were found in the Irrawaddy Formation in modern-day Myanmar, as well as other fossil representatives of the subfamily Ponginae, such as Indopithecus, Sivapithecus, and Gigantopithecus. The reconstruction of their habitat and its use allows important conclusions about the requirements and protection of today's orangutans. "In order to develop efficient strategies for the protection of endangered species, we need a sound understanding of their ecological flexibility. One way to obtain this information is to study the ecology of their ancestors," explains Hervé Bocherens, the study's last author.
The researchers used a technique for measuring stable carbon and oxygen isotopes in fossil tooth enamel to reconstruct the habitat of the orangutan ancestor K. ayeyarwadyensis and the associated mammal fauna. In the late Miocene, the terrain of the Irrawaddy Formation – a rather barren region today – featured a mosaic of dense and open forest patches interspersed with rivers. K. ayeyarwadyensis likely foraged for fruits and leaves in the upper reaches of the canopy. "The habitat of K. ayeyarwadyensis was therefore very similar to that of present-day orangutans. Overall, the comparison with other ancestral forms such as Sivapithecus also shows that the species occupied similar ecological niches – all were tree dwellers that fed primarily on fruit. At the same time, we were also able to reconstruct obvious differences in habitat use – for instance regarding food composition – and thus an adaptation to a very specific niche," says Bocherens.
During the Pleistocene, the habitat of the Ponginae shifted southward, probably due to an increasingly cooler and drier climate that led to changes in the vegetation and a thinning of forests, causing the orangutan's ancestors to disappear. "The results of our study suggest an ecological continuity between all fossil and present-day Ponginae. Here, the shift in their range within the last ten million years suggests a low tolerance of this group for less forested and drier ecosystems," explains Olivier Chavasseau of the Université de Poitiers. Habinger elaborates on the implications of these findings for present-day orangutans. "Orangutans in Sumatra and Borneo are under constant pressure due to human activity and habitat loss. If the forest there continues to be further fragmented by clearcutting, the orangutans will face the same fate as their ancestors – they will become extinct. This must be counteracted by efficient conservation measures to protect their habitat."
The ancestral habitat study highlights the dependence of today's orangutans on intact rainforests. Photo: SUAQ Orangutan Project
To reconstruct the habitat of Khoratpithecus ayeyarwadyensis, the researchers sampled a mandibular molar for stable isotope analysis. Photo: Olivier Chavasseau


It is a common fallacy, which almost all researchers initially commit, that 'research' is something that can bring an entirely new innovation essays in love alain de botton online poker in academia.Dissertations. The Diamond Ship (1920) is a much less successful film than Part dorothea kolossa dissertation outline I. European Americans (particularly affluent white Anglo-Saxon Protestants) were granted exclusive privileges in matters of education, immigration, voting rights, citizenship, land acquisition, and criminal. The mission of Study.com is to make education accessible to everyone, everywhere. It is a common fallacy, which almost all researchers initially commit, that 'research' is something that can bring an free inside sales cover letter samples entirely new innovation in academia.Dissertations. From 1960 to 1965 he was Extension Lecturer in Sociology at the University of London The Spiders Part II: Jan 16, 2011 · Writing is an art form created by past experiences, future hopes, fantasies, and limitless imagination. Students can save on their homework not done consequences education by taking limiting factors of photosynthesis simulation animation the Study.com online, self-paced courses and earn widely transferable college credit recommendations for a fraction of the cost white collar crime sociology essay papers of a traditional course Mimum Educational Qualifications:-The key points of a business plan candidate must hold a degree of any of Universities incorporated by an briefcase silhouette vector art Act of the Central or State Legislature white collar crime sociology essay papers in India or other educational how to start an essay about the theme of a book institutions established by an Act white collar crime sociology essay papers of wachtershauser and huber hypothesis for science Parliament or declared to be deemed as a University Under Section-3 of the University Grants synthesis of serotonin from tryptophan operon Commission essay on life is not easy Act, 1956, or possess an equivalent qualification As a follow-up to Tuesday's post about the majority-minority public schools in Oslo, the following doubleclick case studies brief account reports the latest statistics on the cultural enrichment of schools in whitehorn ps school no homework Austria. Vienna advantages and disadvantages of case study research is the most fully enriched location, and seems to be in roughly the same situation white collar crime sociology essay papers as Oslo. A white collar crime sociology essay papers cause and Effect essay is where a writer analyses the consequences or reasons white collar crime sociology essay papers for a subject,action or event. Students can save on their education by taking the Study.com online, self-paced courses and earn widely transferable college credit recommendations for a fraction of the cost of a ap us history dbq essay format traditional course. Its storytelling is flat, and it is full of Chinatown melodrama and racistly stereotyped villains Study.com has been an NCCRS member since October 2016. The school still manages to keep its student-to-faculty ratios low, ensuring learners receive individualized attention, including online students A subset of this post could be white people who get offended by seemingly banal matters, white collar crime sociology essay papers like waiting too long for a bus and threatening to write a strongly worded letter to the powers-that-be Barbara Ehrenreich (/ ˈ ɛər ən r aɪ k /; born August 26, 1941) is an American author and political activist who describes herself as "a myth buster white collar crime sociology essay papers by trade" and has been called "a veteran muckraker" by The New Yorker. This reference list was compiled by Robert Hare for personal use.


text:
The Avro 523 Pike (the first Avro aircraft to receive a name) was a British multi-role combat aircraft of the First World War that did not progress past the prototype stage. It was intended to provide the Royal Naval Air Service with an anti-Zeppelin fighter that was also capable of long-range reconnaissance and bombing.

Design and development
The Avro Pike was a large, three-bay biplane of conventional layout driven by two pusher propellers. Three open cockpits were provided, the centre one for the pilot, with gunners fore and aft of him. The Admiralty evaluated the type, but rejected it. Avro then built a second prototype, substituting the original's Sunbeam engines for Green E.6 engines instead and designated it the 523A.

Operational history
The Admiralty evaluated this in November 1916, but found that the type was by then obsolete and did not place an order. The two prototypes flew as testbeds with Avro for the remainder of the war.

Specifications (523)

References

Notes

Citations

Bibliography

 Jackson, A.J. Avro Aircraft since 1908. London: Putnam, 1990. .
 Mason, Francis K. The British Bomber since 1912. London: Putnam, 1994. .
 Taylor, Michael J. H. Jane's Encyclopedia of Aviation. London: Studio Editions, 1989, p. 93.
 World Aircraft Information Files. London: Bright Star Publishing.

Cancelled military aircraft projects of the United Kingdom
Pike
1910s British bomber aircraft
1910s British fighter aircraft
1910s British military reconnaissance aircraft
Twin-engined pusher aircraft
Biplanes
Aircraft first flown in 1916

redpajama_set_name: RedPajamaWikipedia


text:
Child Rights Foundation
Phnom Penh, Cambodia, South East Asia
Low responsiveness
CHILD Rights Foundation (CRF) is a child-focused, not-for-profit, non-political and non-religious Cambodian non-governmental organization that works toward the full implementation of the United Nations Convention on the Rights of the Child (UNCRC) and other instruments related to children's issues.
#71N, Street 402, Tumnob Teuk, Chamkar Morn, Phnom Penh, Cambodia, Phnom Penh, Cambodia.
Additional Info about Us
Average number of onsite staff
Since its inception in 2000, CRF has been working with governmental ministries and local authorities, especially with Ministry of Education, Youth and Sport (MoEYS) with the financial support of several donor agencies. With commitment to professionalism and accountability, CRF has continued its effort of realizing children's rights in order to achieve sustainable changes in the attitudes and mindsets of individuals to take personal and collective responsibility to make children's lives safe, positive and wholesome, in accordance with CRF's vision and mission statements, as follows:
Vision "A world where the children's rights are realized in all circumstances, as enshrined in the UNCRC"
Mission "To empower, influence and mobilize rights holders and duty bearers to advocate, realize and monitor the implementation of the UNCRC"
In particular, CRF aims to:
•	Advocate to duty bearers to be accountable for UNCRC implementation;
•	Empower rights holders to meaningfully participate in age-appropriate decision-making and advocate for child rights,
•	Support and partner with duty bearers and rights holders to realism child rights,
•	Mobilize duty bearers to dedicate resources, commitment and efforts to realize child rights; and
•	Monitor the implementation of the UNCRC in partnership with children and young people in Cambodia.
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FacebookTwitterInstagramDownload PDF
Creep of the Week
Getting the 'bug' back
By BTL Staff|2009-04-16T09:00:00-04:00April 16th, 2009|Entertainment|
Indigo Girls fans who have been waiting longer than usual for the out-duo of Amy Ray and Emily Saliers will find their patience rewarded with not one but two CDs on the band's latest, "Poseidon and the Bitter Bug." The first release on their very own imprint, "Poseidon and the Bitter Bug" consists of a band disc and an acoustic disc. As usual, Ray and Saliers each wrote songs for the LP and they alternate performing each other's compositions, including standouts "Digging For Your Dream," "Driver Education," "I'll Change," "Second Time Around" and "What Are You Like?" Saliers spoke with BTL about the out-there album title and how going through hell helped her write again.
How does it feel to be the head of a record label?
Well, I certainly don't feel like any kind of mogul, I'll tell you that. I just think that we've come full circle. We had a long history with Epic Records that, especially in the beginning and up through at least midway, was very productive and cooperative. And then it just ran its course. Then I was in the state of mind where I thought we'd go smaller with a label, but maybe there was still a label out there that has enough resources and creative ideas that can take us to the next level. Because when you've been playing and putting out records and been around for as long as we have, you're always looking for a way to keep it fresh in people's ears or get a new audience of some sort.
Amy would have gone independent after Epic; that day, she was ready. I was thinking, let's give this one more shot. We went with Hollywood (Records) and they were so excited to have us, blah blah blah blah blah. And that panned out to be nothing – just empty promises, (and) it didn't work. We were happy that they dropped us and we're very happy to have everything under our control. We have a very good relationship with our distributing company, Vanguard.
Vanguard Records is a label with a long history in the folk and political activist music realm, signing artists such as The Weavers, Paul Robeson, Buffy Sainte-Marie and Joan Baez.
There is a lot of cache to being associated with that group of people. And the head of the label and distribution is a music guy. They're music people. We met some of the staff and you just know when people love music and they're not just bullshitters. And it's a distribution deal; they're not our record company. But they are in cooperation with us to get the music out there as creatively and quickly as possible. They're willing to work with us and it's a really good relationship. But it feels good to have everything under our control and in-house.
Do you think there is any significance that this new disc is being released 20 years after your Epic debut?
I think that's just the timing, really. If you think about it, Amy and I have known each other since elementary school. We ended up in high school chorus together as pals and then began playing together. Then we both transferred back to the same university in Atlanta without telling the other one. It's kind of like we were destined to share some sort of path. I just feel like Amy and I have been extremely fortunate the whole way. I don't know why, but I'm just grateful for it. I think the 20 years is cool, but you couldn't have traced it and made it happen if you'd planned it out.
There were three years between 'Despite Our Differences' and 'Poseidon and the Bitter Bug' – were your songs written over the course of that time or during a more concentrated period leading up to the recording of the disc?
For me, it was more like that. For Amy, she had been writing her songs over the course time. But I had a really bad writer's block this time around. We actually made this record last spring (2008), almost a year ago, which is very unusual, for us to sit on a record this long. But we were putting everything together – our plan for being on our own and for signing with Vanguard for distribution – and we didn't want to release it in the horribly competitive fall quarter. Not that we couldn't compete with anybody else of a certain echelon in terms of sales or whatever, but we thought, let's just wait until the time feels right to release it.
How many songs did you each have to choose from that were whittled down to the five each on the first disc?
(Laughs) For me, I wrote five songs and I got five songs on the record. I think Amy had one or two extra. Sometimes she decides between what is going to be an Indigo Girls song and what is going to be a solo Amy Ray song. She's more prolific than I am, so she's got a whole treasure chest full of songs from which to choose. On the last record, 'Despite Our Differences,' I had seven songs (and) I couldn't part with one of them. Thirteen songs is a lot for us, but we felt that they all worked together. This time around, it's 10 songs on the record. But that's cool because people's attention spans are shorter anyway.
'Poseidon and the Bitter Bug' is a double-disc set with band and acoustic discs. Was that always the intention?
It was an idea that the producer, Mitchell Froom, had that struck us as a very good idea from the beginning. First of all, we're a bar band, an acoustic duo. We travel and tour acoustically a lot. A good number of your fans like it that way. Also, I think it's interesting for people who want to hear the music both with a rhythm section or produced with other instruments and arrangements or just to hear it the way it is when Amy and I first learn the songs in rehearsal.
The album is titled 'Poseidon and The Bitter Bug.' 'Poseidon' is mentioned in the song 'Fleet of Hope,' and the 'bitter bug' is mentioned in 'Second Time Around.' How did you come up with title?
Again, all credit goes to Mitchell Froom (laughs). We were sitting around in my house one day actually doing arrangement ideas and preproduction and just jamming on the songs together. He said, 'You should call the record "Poseidon and the Bitter Bug,"' and he looked like he was making a joke. And we all laughed and thought it was funny. But then as time went on, the title stuck with us. I like the fact that it's a lyric of hers and a lyric of mine, and that it's got a certain whimsy to it that you can't exactly put your finger on. I think that best expressed what was going-on on the record.
I mentioned 'Fleet of Hope,' which has an aquatic theme. But there's also a sadness to it, which also comes through on 'Love of Our Lives.'
My songs are a bit world-weary on this record, I think, more so than any other group of songs on any other record for me. It was my state of mind when I was writing. We were still in the throes of the Bush administration. I mean, how fucking depressing is that? It was hard to have hope politically. All my friends broke up. I came out of a long-term relationship, so there was a lot of sadness, interpersonally. It's kind of like, life is great, but the longer you live, the more painful things you have to experience – whether through break-ups or sickness – or the more you see what's going on in the world with your own eyes. It was a very challenging time for me to be hopeful, and I certainly think that's reflected in the lyrics.
You mentioned Amy's solo records, of which she has three, and this is the first Indigo Girls record where a song from one of her albums – 'Driver Education' from 'Prom' – shows up. What was involved with that?
I think she just wanted a different incarnation, and I just love that song. I think she wanted to treat it poppy and lively. We borrowed some of the elements from the other track. We double tracked the vocals, there's a guitar line that was recorded in the first version and I sort of copied some of that. But it's a completely different version if you compare the two. I like the idea of rerecording one of her solo songs and doing it together. I love that song. I think it's very fun to sing on, as well.
Another out-performer, Missy Higgins, can be heard on a couple of tracks. How did that come about?
(Laughs) Mitchell Froom again! He produced her latest record. He was like, 'Missy's in town. Wouldn't it be great if she came out …' We hadn't even heard her before, to be honest. He brought in her CD and played us some tracks, and we were like, 'Oh my God!' She has an incredible voice and a great sensibility. 'Digging For Your Dream' was the first one she sang on, and then she sang on 'True Romantic.' She's very talented, great pitch, and a very cool person. And then we ended up touring with her in the States. She came over from Australia, where she's massive, and with all the humility in the world opened some shows for us, and blew everybody away. So that's a really good connection to have made.
A lot has happened in the past year. You mentioned coming out of the Bush era. Both musically and on an activist level, both you and Amy have made a point of being out there. Would it be fair to say that in addition to your role as a musician, your activist side got a workout during recent events including the 2008 presidential election and gay marriage issues such as Proposal 8?
I wouldn't say that it got a workout. We're always interested in what's going on out there, try to keep our finger on the pulse. Prop 8 was a huge disappointment, a heartbreaker. I thought it was going to go the other way. Everybody who had hoped it would go the other way, really believed it. We had such mixed emotions because of the combination of Obama's victory and that happening in California. It was difficult to describe. I think you know what I mean, and I think a lot of queer people do. It's hard to feel two diametrically opposed emotions at the same time. That was challenging for a lot of people I know.
As far as our activism, we certainly concentrate on queer issues, but also on environmental activism, especially through the indigenous lens, so we work with a group called Honor the Earth and we're in the communities where they're fighting for solar power and wind projects and alternative energy projects rather than coal fire and nuclear energy plants and nuclear waste dumping. That's the thrust of our activism. We like to be aware of what's going on out there and see if we can lend a helping hand.
The Indigo Girls
7:30 p.m. April 22
Michigan Theater
603 E. Liberty St., Ann Arbor
{URL www.michtheater.org
About the Author: BTL Staff
Between The Lines has been publishing LGBTQ-related content in Southeast Michigan since the early '90s. This year marks the publication's 27th anniversary.
On TV, the Hero Is a Black Transman From Ann Arbor
Praise the Lord and Pass the Regulation
OutCenter, 3 Other Michigan LGBTQ Centers Receive Hate Mail Citing Capitol Coup Attempt
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Washtenaw County Board of Commissioners Chair Jason Morgan Appointed Northern Michigan University Trustee
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text:
import logging
from six.moves.cPickle import dumps

import bson
import tg
import jinja2
from paste.deploy.converters import asint
from tg import tmpl_context as c, app_globals as g

from ming.orm import mapper, session, ThreadLocalORMSession
from ming.odm.base import ObjectState, state

from allura.lib import utils
from allura.lib.search import find_shortlinks
from allura.model.repository import Commit, CommitDoc
from allura.model.index import ArtifactReference, Shortlink
from allura.model.auth import User
from allura.model.timeline import TransientActor

log = logging.getLogger(__name__)

QSIZE = 100

def refresh_repo(repo, all_commits=False, notify=True, new_clone=False, commits_are_new=None):
    if commits_are_new is None:
        commits_are_new = not all_commits and not new_clone

    all_commit_ids = commit_ids = list(repo.all_commit_ids())[::-1]  # start with oldest
    if not commit_ids:
        # the repo is empty, no need to continue
        return
    new_commit_ids = unknown_commit_ids(commit_ids)
    if not all_commits:
        # Skip commits that are already in the DB
        commit_ids = new_commit_ids
    log.info('Refreshing %d commits on %s', len(commit_ids), repo.full_fs_path)

    # Refresh commits
    seen = set()
    for i, oid in enumerate(commit_ids):
        repo.refresh_commit_info(oid, seen, not all_commits)
        if (i + 1) % 100 == 0:
            log.info('Refresh commit info %d: %s', (i + 1), oid)

    refresh_commit_repos(all_commit_ids, repo)

    # Refresh child references
    for i, oid in enumerate(commit_ids):
        ci = next(CommitDoc.m.find(dict(_id=oid), validate=False))
        refresh_children(ci)
        if (i + 1) % 100 == 0:
            log.info('Refresh child info %d for parents of %s',
                     (i + 1), ci._id)

    # Clear any existing caches for branches/tags
    if repo.cached_branches:
        repo.cached_branches = []
        session(repo).flush()

    if repo.cached_tags:
        repo.cached_tags = []
        session(repo).flush()
    # The first view can be expensive to cache,
    # so we want to do it here instead of on the first view.
    repo.get_branches()
    repo.get_tags()

    if commits_are_new:
        for commit in commit_ids:
            new = repo.commit(commit)
            user = User.by_email_address(new.committed.email)
            if user is None:
                user = User.by_username(new.committed.name)
            if user is not None:
                g.statsUpdater.newCommit(new, repo.app_config.project, user)
            actor = user or TransientActor(
                    activity_name=new.committed.name or new.committed.email)
            g.director.create_activity(actor, 'committed', new,
                                       related_nodes=[repo.app_config.project],
                                       tags=['commit', repo.tool.lower()])

        from allura.webhooks import RepoPushWebhookSender
        by_branches, by_tags = _group_commits(repo, commit_ids)
        params = []
        for b, commits in by_branches.items():
            ref = f'refs/heads/{b}' if b != '__default__' else None
            params.append(dict(commit_ids=commits, ref=ref))
        for t, commits in by_tags.items():
            ref = f'refs/tags/{t}'
            params.append(dict(commit_ids=commits, ref=ref))
        if params:
            RepoPushWebhookSender().send(params)

    log.info('Refresh complete for %s', repo.full_fs_path)
    g.post_event('repo_refreshed', len(commit_ids), all_commits, new_clone)

    # Send notifications
    if notify:
        send_notifications(repo, commit_ids)

def update_artifact_refs(commit, commit_ref):
    # very similar to add_artifacts() but works for Commit objects which aren't Artifacts
    if not commit.message:
        return
    shortlinks = find_shortlinks(commit.message)
    for link in shortlinks:
        artifact_ref = ArtifactReference.query.get(_id=link.ref_id)
        if artifact_ref and commit_ref._id not in artifact_ref.references:
            artifact_ref.references.append(commit_ref._id)
            log.info(f'Artifact references updated successfully {commit_ref._id} mentioned {link.ref_id}')

def refresh_commit_repos(all_commit_ids, repo):
    '''Refresh the list of repositories within which a set of commits are
    contained'''
    for oids in utils.chunked_iter(all_commit_ids, QSIZE):
        for ci in CommitDoc.m.find(dict(
                _id={'$in': list(oids)},
                repo_ids={'$ne': repo._id})):
            oid = ci._id
            ci.repo_ids.append(repo._id)
            index_id = 'allura.model.repository.Commit#' + oid
            # TODO: use ArtifactReference.from_artifact?
            ref = ArtifactReference(
                _id=index_id,
                artifact_reference=dict(
                    cls=bson.Binary(dumps(Commit, protocol=2)),
                    project_id=repo.app.config.project_id,
                    app_config_id=repo.app.config._id,
                    artifact_id=oid),
                references=[])
            # TODO: use Shortlink.from_artifact?
            link0 = Shortlink(
                _id=bson.ObjectId(),
                ref_id=index_id,
                project_id=repo.app.config.project_id,
                app_config_id=repo.app.config._id,
                link=repo.shorthand_for_commit(oid)[1:-1],
                url=repo.url_for_commit(oid))
            # Always create a link for the full commit ID
            link1 = Shortlink(
                _id=bson.ObjectId(),
                ref_id=index_id,
                project_id=repo.app.config.project_id,
                app_config_id=repo.app.config._id,
                link=oid,
                url=repo.url_for_commit(oid))
            ci.m.save(validate=False)

            update_artifact_refs(ci, ref)

            # set to 'dirty' to force save() to be used instead of insert() (which errors if doc exists in db already)
            state(ref).status = ObjectState.dirty
            session(ref).flush(ref)
            session(ref).expunge(ref)
            state(link0).status = ObjectState.dirty
            session(link0).flush(link0)
            session(link0).expunge(link0)
            state(link1).status = ObjectState.dirty
            session(link1).flush(link1)
            session(link1).expunge(link1)

def refresh_children(ci):
    '''Refresh the list of children of the given commit'''
    CommitDoc.m.update_partial(
        dict(_id={'$in': ci.parent_ids}),
        {'$addToSet': dict(child_ids=ci._id)},
        multi=True)

def unknown_commit_ids(all_commit_ids):
    '''filter out all commit ids that have already been cached'''
    result = []
    for chunk in utils.chunked_iter(all_commit_ids, QSIZE):
        chunk = list(chunk)
        q = CommitDoc.m.find(dict(_id={'$in': chunk}))
        known_commit_ids = {ci._id for ci in q}
        result += [oid for oid in chunk if oid not in known_commit_ids]
    return result

def send_notifications(repo, commit_ids):
    """Create appropriate notification and feed objects for a refresh

    :param repo: A repository artifact instance.
    :type repo: Repository

    :param commit_ids: A list of commit hash strings, oldest to newest
    :type commit_ids: list
    """
    from allura.model import Feed, Notification
    commit_msgs = []
    base_url = tg.config['base_url']
    for oids in utils.chunked_iter(commit_ids, QSIZE):
        chunk = list(oids)
        index = {
            doc._id: doc
            for doc in Commit.query.find(dict(_id={'$in': chunk}))}
        for oid in chunk:
            ci = index[oid]
            href = repo.url_for_commit(oid)
            title = _title(ci.message)
            summary = _summarize(ci.message)
            Feed.post(
                repo, title=title,
                description='{}
View Changes'.format(
                    summary, href),
                author_link=ci.author_url,
                author_name=ci.authored.name,
                link=href,
                unique_id=href)

            summary = g.markdown_commit.convert(ci.message.strip()) if ci.message else ""
            current_branch = repo.symbolics_for_commit(ci)[0]  # only the head of a branch will have this
            commit_msgs.append(dict(
                author=ci.authored.name,
                date=ci.authored.date.strftime("%m/%d/%Y %H:%M"),
                summary=summary,
                branches=current_branch,
                commit_url=base_url + href,
                shorthand_id=ci.shorthand_id()))

    # fill out the branch info for all the other commits
    prev_branch = None
    for c_msg in reversed(commit_msgs):
        if not c_msg['branches']:
            c_msg['branches'] = prev_branch
        prev_branch = c_msg['branches']

    # mark which ones are first on a branch and need the branch name shown
    last_branch = None
    for c_msg in commit_msgs:
        if c_msg['branches'] != last_branch:
            c_msg['show_branch_name'] = True
        last_branch = c_msg['branches']

    if commit_msgs:
        if len(commit_msgs) > 1:
            subject = f"{len(commit_msgs)} new commits to {repo.app.config.options.mount_label}"
        else:
            commit = commit_msgs[0]
            subject = 'New commit {} by {}'.format(commit['shorthand_id'], commit['author'])
        text = g.jinja2_env.get_template("allura:templates/mail/commits.md").render(
            commit_msgs=commit_msgs,
            max_num_commits=asint(tg.config.get('scm.notify.max_commits', 100)),
        )

        Notification.post(
            artifact=repo,
            topic='metadata',
            subject=subject,
            text=text)

def _title(message):
    if not message:
        return ''
    line = message.splitlines()[0]
    return jinja2.filters.do_truncate(None, line, 200, killwords=True, leeway=3)

def _summarize(message):
    if not message:
        return ''
    summary = []
    for line in message.splitlines():
        line = line.rstrip()
        if line:
            summary.append(line)
        else:
            break
    return ' '.join(summary)

def last_known_commit_id(all_commit_ids, new_commit_ids):
    """
    Return the newest "known" (cached in mongo) commit id.

    Params:
        all_commit_ids: Every commit id from the repo on disk, sorted oldest to
                        newest.
        new_commit_ids: Commit ids that are not yet cached in mongo, sorted
                        oldest to newest.
    """
    if not all_commit_ids:
        return None
    if not new_commit_ids:
        return all_commit_ids[-1]
    return all_commit_ids[all_commit_ids.index(new_commit_ids[0]) - 1]

def _group_commits(repo, commit_ids):
    by_branches = {}
    by_tags = {}
    # svn has no branches, so we need __default__ as a fallback to collect
    # all commits into
    current_branches = ['__default__']
    current_tags = []
    for commit in commit_ids:
        ci = repo.commit(commit)
        branches, tags = repo.symbolics_for_commit(ci)
        if branches:
            current_branches = branches
        if tags:
            current_tags = tags
        for b in current_branches:
            if b not in list(by_branches.keys()):
                by_branches[b] = []
            by_branches[b].append(commit)
        for t in current_tags:
            if t not in list(by_tags.keys()):
                by_tags[t] = []
            by_tags[t].append(commit)
    return by_branches, by_tags

redpajama_set_name: RedPajamaGithub


text:
Resource: Career Advice
What You Really Need to Know to Find the Job That Fits You
Before choosing which field of study you want to major in, you need to have in mind what kind of job you want to pursue with your degree. Even if you didn't go to college, you'll already have an idea of what kind of life you want and what you'll be doing in it. The tricky thing that most people deal with is "How do I become that person?"
When you've been looking for a job for a while, you'll start to think that taking any job is better than having no job, which is true--to an extent. Applying to any job that seems doable and relatable to your experience doesn't mean it's the right one.
There's plenty of career advice out there offering different way to avoid hitting dead ends in your job search. "Follow your passion" or "do what you love" they might say but what if you just want to do what interests you? You may have a passion for vintage cars, but also like the fact that it's completely separate from work.
Given the choice, everyone would want a career that ties into what makes them happy. The problem with making this kind of decision is that people tend to change their minds making it harder to predict whether they will still feel the same about what they do in the future. No one can ever really say for sure that they will love their job until they've been doing it for years. It's rare that you'll come across someone who took a job that ended up meeting all of their expectations.
Often times, a good match between skills and job position can create happiness rather than using what makes you happy to create the perfect job match. Along with preferences and compatibility, a successful long-term career also provides necessary motivation to stay in that career.
Generally, there are two types of mindsets that people have when setting motivational goals: promotion and prevention. Those who see their goals as a way to hang on to everything they've done up to that point, are considered prevention-focused. Promotion-focused workers see their goals as an opportunity to gain more if and when they successfully accomplish them.
Depending on which orientation is your focus-type, you should keep that at the forefront when searching for and applying to jobs. What motivates you and the way you work can be the missing link for lasting career success. When you've been trying to stick a square peg into a round whole, no amount of trimming around the corner is to make it fit.


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It is certainly one of 5 Character Eating experiences supplied at the Disneyland Resort and it is the SOLELY character eating location where you may meet Mickey Mouse. Greening Your Life: A part of the Apple Holidays Greening Your Life initiative, this property participates in monthly beach clean-ups and the annual clear-up of the Nichupte Lagoon space.
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text:
Invest Mood
Business card of the city of Jaslo
Investment incentives
Special Economic Zone
Export promotion portal
Central Registration and Information on Business
The Rzeszow Regional Development Agency
Polish Investment and Trade Agency
Investor service center
The Polish Agency for Enterprise Development
Municipal Office of the Town of Jaslo
Jasło has significant human resources – 1,637 unemployed people were registered in June 2021, including 491 people under 30 years of age. The unemployment rate in the Jasło Poviat in that period was 10.5%.
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Jasło has well-developed and well-functioning infrastructure of primary, secondary and vocational schools and two higher education institutions. Jasło secondary schools offer a wide range of curriculum, and about 1,200 students graduate from them each year. The graduate structure is as follows:
general secondary school graduates – 40.6%,
technical secondary school graduates – 42.5%,
vocational school graduates – 16.9%.
High school graduates from Jasło most often continue their education at universities in: Rzeszów, Kraków, Jasło and in other academic centres in Poland.
At the Fr. Władysław Findysz Podkarpacie College in Jasło, students can choose from among the following programmes and majors: Economics, Finance and Accounting, Transport. More information on: https://www.ahe.lodz.pl/jaslo.
The Jasło Campus of the Łódź University of Humanities and Economics offers education in the following fields: Administration, Political Science, Pedagogy. More information on: https://www.psw.jaslo.pl/.
Graduates of Jasło's secondary schools also enrol for courses in Krosno, a city 20 km away from Jasło. The Carpathian State College in Krosno (formerly the Stanisław Pigoń State Higher Vocational School) offers a wide range of courses, including engineering, bachelor's, master's and postgraduate studies.
Regional Centre for Transfer of Modern Manufacturing Technologies
There is a Centre for Vocational Education in Jasło, which provides practical vocational training for students attending vocational schools in the Jasło Poviat, as well as for students of various forms of courses. Under the project entitled Regional Centre for Transfer of Modern Manufacturing Technologies, co-financed by the European Union, 5 specialist laboratories equipped with modern teaching equipment were established in the Centre:
Laboratory of metrology and quality control,
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Workshop of modern CNC manufacturing techniques.
Thanks to the Centre's activity, which provides practical training in modern technologies, entrepreneurs have access to highly qualified staff from the Jasło County.
Competitive labour costs
The average salary in the Jasło Poviat is PLN 4,560.20, which corresponds to 82.56% of the average monthly gross salary in Poland and 96.86% of the average monthly salary in Podkarpackie Voivodeship (2020)
Jasło is situated on important intersecting national traffic routes. These are DK 28 Zator – Medyka and DK 73 Jasło – Wiśniówka. The DK 28, which runs through Jasło parallelly to the A4 Motorway and the DK 94, is an important artery in the Podkarpackie Voivodeship. Better transport connections between Jasło and the A4 Motorway are currently being considered, with a concept allowing for re-construction of National Road 73 between Jasło and Pilzno. The concept ultimately aims to modernise a part of the road and to build new sections of the road which would be the ring roads for Brzostek, Kołaczyce and Jasło. In Jasło, there are also the starting points of provincial roads. These are: DW 992 Jasło – Ożenna and DW 988 Warzyce (at the town boundary) – Babica. Additionally, Expressway S19 is being planned to be built to connect Jasło through the modernised National Road 28. There are also two railway lines running through the town: No. 108 – Stróże-Krościenko and No. 106 – Rzeszów-Jasło. The distance from Jasło to the motorway is satisfying, as it is 60 km, similar to the distances between Jasło and the international airports in Rzeszów-Jasionka – 80 km and Kraków-Balice – 155 km. Jasło has, however, a landing pad for helicopters and small planes.
Pro-investment planning documents
The area of Jasło is largely covered by local master plans (LMPs). There is a relevant LMP for as much as 95% of the areas earmarked for investment. In addition, the Municipality of Jasło is updating the Study of Conditions and Directions of Spatial Development to meet the entrepreneurs' needs.
Friendly climate for the development of your own business
Beginning entrepreneurs in the IT and telecommunications sectors benefit from the support of the Business Incubator in Jasło. It has an exceptionally favourable microclimate for the growth and development of businesses. In the very centre of the town, micro, small and medium sized enterprises have at their disposal comfortable open space workstations and intimate offices. Symmetrical fiber optic connection ensures identical maximum speeds in both directions.
Within the Incubator offer, entrepreneurs rent fully equipped office workstations with office and technical facilities and a package of professional consulting services useful during the establishment and development of a company. Customers of the Incubator also have at their disposal a modern training room and advertising space on the Incubator's website. There are also thematic meetings with experts and business support institutions as well as activities supporting industry networking. For more information on this topic, visit www.inkubatorjaslo.pl.
The amount of local tax rates is set out by resolutions of the City Council, within the limits specified by the relevant announcements of the Minister of Finance.
Annual tax rates on real estate used for business purposes (as of 2022)
Current bank accounts of the Town Hall in Jasło
Tax on means of transport
Real property tax exemption
Professionalism and favour for investors
Efficient and professional service for all clients of the Town Hall is guaranteed by the Quality Management System adapted to the specificity of local government administration. In 2020, the average time needed to process any affair in the Town Hall in Jasło was 8.78 days.
At the same time, one of the priorities of the municipal development policy is to support entities willing to invest in Jasło. The Mayor of Jasło declares full commitment of the Town Hall in Jasło, so that the time needed to settle necessary formalities related to permits for new investments can be limited to a few months.
Warzyce 1.A, 1.B, 1.C Brzyszczki District


The ITNEXT Summit 2019 is coming!
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We will showcase the tech and skills necessary to build scalable applications in a time where time-to-market is one of the most critical factors. So enjoy our tracks to hear about success and lessons learned from market tech-savvy leaders' sessions!
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We started by inviting two amazing engineers to be track chairs and also keynote the event: Tara Ojo and Holden Karau. Liz Fong-Jones, former SRE at Google and now SRE Dev Advocate at Honeycomb will give a fantastic (and funny) keynote talk. Next to that we proceeded to ask one of the most brilliant Kubernetes engineers in the world to do the closing keynote, Kris Nova. What do they have in common? They are all fantastic engineers with a strong presence in the community and are part of underrepresented groups in tech. Next to that, we are offering diversity tickets, have and execute a clear code of conduct and will do everything that is in our power to create a safe environment and safe community for everyone.
Pakhuis de Zwijger is a former refrigerated warehouse at the Piet Heinkade in the Oostelijk Havengebied at the Port of Amsterdam. It was built in 1933/'34 for the storage of perishable goods and was one of the most modern warehouses of its time.
React Hooks and two-way data binding.


All Souls members are proud of our efforts to rehabilitate housing in Tulsa. All Souls is by far the leading church in Tulsa to participate in building and renovating houses, and is recognized in the UU denomination for this work.
HOUS has been building new houses, or renovating old houses, in low income areas of Tulsa since 1993, with most of the recent activity in the Jackson school district. A deteriorated house is purchased from HUD by Community Action Project-Tulsa. These agencies supply materials and trade skills and All Souls supplies the good hard work needed to make the house like-new.
We always have needs for skilled volunteers - but anyone ready to pick up a paintbrush or who wants to learn about house repair will find this a very rewarding project.
HOUS work days are Thursdays from 9:00 a.m. to 4:00 p.m. If you'd like to participate, or want more information, please send an email to HOUS.
HOUS 2.0 works with Habitat for Humanity on Saturdays from 9:00 a.m. to 4:00 p.m. If you would like more information please reach out to HOUS 2.0.
S.E.A.L. GroupsServe. Educate. Advocate. Lead.


The office of Drs. Trippel, Audia and Banda is located in Bellevue, Washington. Our oral surgeons perform oral and maxillofacial procedures including Dental Implant Surgery, Wisdom Tooth Removal and Corrective Jaw Surgery. We treat a wide range of problems including Facial Pain, Facial Injuries and Fractures. For detailed information about the oral and facial surgery we offer, please see our Procedures section.
Our surgical staff members are experienced, certified oral and maxillofacial surgical assistants. They assist in surgical procedures and in the administration of I.V. sedation. Our administrative personnel are ready to answer all your questions relating to insurance, payment and scheduling.
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This set of key verse cards, created to correspond to both the Believe adult and Believe student curricula is sure to become a favorite take-away for groups. Each card includes the key idea on one side and the key verse on the other side, making it a perfect companion to help adults and students alike to memorize key scripture verses.


Leupold & Stevens, Inc., is an American, family-owned, fifth-generation company that has been designing, machining, and assembling precision optical instruments and other products for 110 years. Founded in 1907, Leupold's® success has been built on our commitment to our customers' absolute satisfaction, and our commitment to building the best optics for the shooting sports, general and wildlife observation, and the military and law enforcement communities.
ER/T (Extended Range/Tactical) optics provide crystal-clear images for positive target identification, and generous windage and elevation adjustment capabilities that enable you to engage targets to virtually any rifle's potential. Front focal plane reticle options provide effective ranging at any magnification setting.


text:
KH13 · for Kingdom Hearts
Datascape
Join the conversation on Discord
Alyson Stoner comments on voicing Kairi in Kingdom Hearts III: "This was the most fun out of all of them...You'll see why!"
By KHWaterBlock, November 26, 2018 in Kingdom Hearts III
KHWaterBlock 292
KHWaterBlock
On her most recent YouTube video, Alyson Stoner replied to some fan comments asking questions about her career and personal life. One of these comments, made by the user jurdinb, asked her, "How was it voice acting Kairi in Kingdom Hearts III?" Alyson replied, "Incredible, as always!!! This was the most fun out of all of them, definitely. You'll see why!"
Alyson Stoner is known for her voice work as Kairi in Kingdom Hearts Re:Chain of Memories, Xion in Kingdom Hearts 358/2 Days, and most recently as Kairi in Kingdom Hearts 0.2 Birth By Sleep -A Fragmentary Passage-.
Are you excited to hear her reprise this role in Kingdom Hearts III?
Movies798 1,241
Mystic of the Night
That's a damn shame. Worse casting news in my opinion! Wish it was Hayden Panettiere (the real Kairi) as Kairi in Kingdom Hearts 3.
Edited November 26, 2018 by Movies798
itsDON reacted to this
Lerine 4
Summer's Keybearer
I absolutely adore Alyson as Kairi's voice and I cant't wait to see Kairi in action! :)
youyousuf 23
Better than Hayden that's for sure.
Allwil13 742
Moderator | Project Leader: Characters, Worlds
Ultra Axel Fangirl
I always preferred Hayden Panettiere, myself. I find Allyson Stoner doesn't have much emotion when she's voice acting. Just my opinion, but I find Hayden to be a better fit. But obviously Hayden is no longer connected to the series for some reason. She didn't record any new stuff for the collections, so her last true involvement was in the original KH3D back in 2012.
ocean's rage 520
spirit dream eater
i imagine it was the most fun cause kairi's gonna be fighting in this one
Joanie reacted to this
Green Sparrow 795
tinker tocker
I think both Alyson & Hayden are good voice actors and did fine jobs voicing Kairi. Voices actors change for a multitude of reasons, and you just kind of got to keep rolling with it. You can have your own preferences certainly, but I personally never understood the unhealthy attachment some people have with VAs. There are some people who still think that Billy Zane is the only TRUE Ansem Seeker of Darkness and that Brittany Snow is the only TRUE Namine, even though each only did ONE game for their respective characters. As long as the VA doesn't give a trash performance, I focus on the character, not necessarily the voice.
Alyson, if you happen to find your way to this forum (probably not), please ignore some of our...um, "passionate" fans in regards to you voicing Kairi, you're doing great
Nero Kunivas, Silverfang, ienzo628 and 2 others reacted to this
RikuFangirl2008 1,366
The One Who Walks the Road to Dawn
Although it's a bit sad to see Hayden not voicing Kairi in KH0.2 and KH3, Alyson is doing a great job voicing her. Who knows. Alyson would possibly voice Xion as well if she shows up in KH3.
Silverfang, ienzo628 and Jingilator reacted to this
DJ369 183
I'm Sora! :D
I miss Hayden Panettiere, but Alyson Stoner is actually a good voice actor, and does a decent job as Kairi. I look forward to hearing her in KH3
Silverfang reacted to this
itsDON 66
"wonk uoy naht noitceffa erom deen I"
Love Alyson Stoner to the moon and back but No. Unfortunately I cannot get excited about this when Disney and SquareEnix completely blindsided and disrespected Hayden Panettiere. They never even asked the woman if she was willing to come back for KHIII that is NEVER okay. Now I'm starting to worry about David Gallagher and Jesse McCartney. Neither of them have been confirmed to reprise their roles as Riku, Ventus and Roxas respectfully for KHIII.
Movies798 and ienzo628 reacted to this
Mio-chan 42
News Reporter | KHUX Reporter | Translator
Thoughtful artist
I don't remember any of their voices. Can someone put a link to clip of each of the voice actresses?
ienzo628 reacted to this
18 minutes ago, Mio-chan said:
KeybladeMasterBalo 504
Even though I like Alyson's voice work I would have preferred to have Hayden as well. I was comparing both voices and they do sound alike, the big difference is that Hayden shaped Kairi with a sweet, calmed voice whilst Alyson made her sound a bit more cheerful and energetic, something added due to a higher pitched tone of voice, this just made the character lose a bit of nature to what we were used to and hence it was the reason many didn't like it. I say we have to see more in the actual game to give a straight answer and decide if Alyson did it well or not. I guess we'll see soon enough.
Hero of Winds 2,576
You Ever Eat A Raw ChuChu?
As much as I love Hayden taking on the role. I actually feel like Alyson suits Kairi's overall character archetype more. She was meant to be a bit spunky, energetic, and sweet all at one time. In all honesty, Alyson delivers on that front where Hayden never could.
Tyranto Rex 277
I like both of them. I'm really excited for what Kairi does in KH3. Fingers crossed she gets the screentime she deserves.
1 hour ago, RikuFangirl2008 said:
Yeah, I like more Hayden's voice, but I am still looking forward to hear more work and lines from Alyson
Edited November 26, 2018 by Mio-chan
Merilly 434
3 hours ago, itsDON said:
Love Alyson Stoner to the moon and back but No. Unfortunately I cannot get excited about this when Disney and SquareEnix completely blindsided and disrespected Hayden Panettiere. They never even asked the woman if she was willing to come back for KHIII that is NEVER okay. Now I'm starting to worry about David Gallagher and Jesse McCartney. Neither of them have been confirmed to reprise their roles as Riku, Ventus and Roxas respectfully for KHIII.
While I don't follow news about stars and idols, I did hear that Hayden Panettiere had quite the amount of personal problems to deal with and I think SE/Disney don't want to switch back and forth between VAs to adjust to that, even if her situation is stable now. I think they are operating on some sort of "if you can't do it anymore it's fine, but don't expect to be the first to be asked to reprise the role since we had to resort to someone else" basis.
Personally, I can understand that practice. It might not seem fair and personal problems naturally always come first, but Disney and SE have to choose them from a business standpoint and she's probably not regarded as reliable anymore, apart from the fact that they'd probably like to have a consistent VA. It is not disrespectful but simply how companies need to operate. They couldn't wait for her to get better and now they aren't obligated to ask her first when she's been out of the picture for quite some time.
I wouldn't be too concerned about the others. Just because they're not confirmed doesn't really mean much since there's currently little reason to believe the characters have been recast. Of course it's not completely out of the question, but I don't see any circumstance surrounding them to prevent their involvement.
5 hours ago, Green Sparrow said:
Voices actors change for a multitude of reasons, and you just kind of got to keep rolling with it. You can have your own preferences certainly, but I personally never understood the unhealthy attachment some people have with VAs. There are some people who still think that Billy Zane is the only TRUE Ansem Seeker of Darkness and that Brittany Snow is the only TRUE Namine, even though each only did ONE game for their respective characters.
That's probably the truest statement I've seen so far regarding VAs. A lot of people cling to them because of nostalgia or because it's subjectively better but at times, there's no choice to replace them and as long as the voice work is decent, I'm content.
For example, few voices can compare to Leonard Nimoy but as long as the new one manages to capture the character, it's okay because there's little we can do. People die, have other commitments or simply can't make it due to personal reasons.
Of course I'd be sad if some voices would be replaced, but there's little point in trying to push one person into the role as if they own it even though they didn't voice that character in years. I'm not diminishing Hayden's work or the opinion of others here but what's worse than replacing a VA is jumping back and forth between them.
Disney and SE couldn't delay the games just because one VA couldn't make it. And some need to stop acting like she has a right to voice Kairi again just because she's available again. That's not how it works. She forfeited that when she couldn't voice her. I'm sympathetic toward personal problems in particular, but a VA is not important enough to postpone the release of games and just allow her to return when it's suitable for her. They moved on, and so should the fans.
As you said, it's okay to prefer one over the other and be sad if one had to be replaced, but to some even the best replacement wouldn't be suitable because there's apparently only one real VA for that character. And I see no reason to let the game experience be lowered by something which cannot be changed.
Give others a chance. For example, I like Ansem the Wise's new VA a lot better in terms of intonation and how feelings are delivered.
Nero Kunivas, itsDON, Handsome_the_Wise and 2 others reacted to this
Iscreamer1 86
8 hours ago, Movies798 said:
Firetrucking bulls**t! Worse casting news in my opinion! Wish it was Hayden Panettiere (the real Kairi) as Kairi in Kingdom Hearts 3.
*sigh* Me too.
itsDON and Movies798 reacted to this
Scsigs 115
14 hours ago, Movies798 said:
Ok, calm right the hell down, dude. This isn't the end of the world. This isn't gonna stop you from buying the game, is it? No? Then calm it down. It's not a major selling point, so calm it down.
13 hours ago, Allwil13 said:
Realistically, her appearance in DDD was a cameo at best, considering Xion didn't appear much in that game. Literally her last appearance as Kairi was KHBBS, which was also a cameo, since Ariel Winter voiced her more in that game than she did.
10 hours ago, itsDON said:
YOU need to calm down too & stop worrying about things that make no sense to worry about.
First of all, blindsiding & disrespecting her? She hasn't voiced Kairi in 8 years. Frankly, I'm surprised people are surprised that Stoner's their now-defacto VA for Kairi in KH. It's not being disrespectful or blindsiding when they haven't had her do anything for them in even 6 years when she voiced Xion in a cameo for no reason in DDD. I'm surprised they even got her back for that.
Second, they got David Gallagher back as Riku & Jesse McCartney back as Roxas & Ventus. Just because they aren't confirmed doesn't mean they're not in it. Hell, I have an entire thread dedicated to predicting the VAs in this game & I've been 95% accurate thus far & the 5% was only from me underestimating who they were gonna get from Big Hero 6, Toy Story, & Pirates of the Caribbean. If they didn't record when some of the trailers came out months ago, they're definitely recording now. Not bringing them back, since their voices are pretty distinct (hell, Jesse uses his regular voice for the role, which would be pretty hard to imitate) would be just bad. These guys were even more recently brought back for 1.5, 2.5 & 2.8 (for Gallagher), so if you seriously think they wouldn't bring them back, you're stupid.
And before anyone says so, I know Stoner & Panettiere's Kairi voices are somewhat distinct, but it's not enough to where it makes the difference like a male voice or another female voice in the series would be.
Edited November 27, 2018 by Scsigs
Goyan-Tanuki reacted to this
16 minutes ago, Scsigs said:
That's actually a good point. Basically Hayden hasn't been heavily involved since KHII. I wonder if there was some friction with her contract or something so they decided to cut her loose. It's odd that they would just replace her for no apparent reason.
IAMME 158
Doesn't she also voice xion?
2 minutes ago, IAMME said:
Stoner originally voiced her in 358/2 Days, then Panettiere voiced her in DDD.
4 hours ago, Scsigs said:
Dude calm down everyone has the right to express their opinions on something. I'm still going to have fun and enjoy this game because is one of the most anticipated games in 2019. But that doesn't mean I can't express my disappointed that Hayden Panettiere won't come back to voice Kairi. Especially since she said that Disney themselves didn't even tried asking her to reprise Kairi again in KH3. I have nothing against Alyson Stoner, but in my in opinion, Alyson Stoner's voice is better as Xion than as Kairi. Of course voice work is not the majoring selling point but I just prefer Hayden Panettiere over Alyson Stoner as Kairi. Anyway I know Alyson Stoner will do a decent job as Kairi. So I'm done with this topic and already move on.
4 hours ago, Allwil13 said:
Hayden said on her Twitter that Disney didn't call her to voice Kairi again. So pretty much the studio just replace her.
46 minutes ago, Movies798 said:
I was perfectly calm. YOU were the one who wasn't. Don't turn that back on me, dude. Read your original post back to yourself. I know that you're entitled to your opinion. However, swearing, even censored, at the fact that something's happening that you don't like isn't really indicative of someone whose opinions are really made to be reasonable. If you react like that with, & I quote, "That's bullsh*t" (which, nice editing your original statement to come off with a different tone after I told you to calm down, but a little too late), then proceed to say Panettiere is the real Kairi & this news is, "the worst casting news", I think my response is justified.
And? Disney doesn't really have any obligation to call her back in. Neither does Square. They just needed a suitable actress to play her, which Stoner is. Square DOES have a tendency to get as many original actors & actresses back as possible & even cast based on factors like certain ones having dub actors in anime in the West (like how they wanted Chris Sabat to play Garland in some of the FF spin-offs because he played the same character the Japanese actor did in Fullmetal Alchemist: Brotherhood; Major Alex Louis Armstrong), but they don't always do that. Alyson's a good actress anyways. You said it's not a deal-breaker, so what's the problem? Should the have gotten Panettiere back? Maybe? Should anyone lose sleep over her not being called in? No.
And, they didn't just replace her out of the blue. They replaced her a LONG time ago. First with Re:Chain of Memories, then 358/2 Days, then 0.2, now this game. Adding up all of the places where both actresses have voiced Kairi or Xion, Stoner's got her beat on the Kairi front, since, like I said, Panettiere las voiced Kairi in 2009/10 for BBS & even then, Ariel Winter had more lines than her as young Kairi in that game. This decision isn't one they made cold-heartedly, nor one out of spite. They probably just thought Stoner was the more logical choice for the game, since she has a more close working relationship with them & Disney. By the way, she's not a bad actress either. If you consider her bad in these games, blame the voice direction, which is often hit-or-miss.
As you said, though, you're done with this. I'm just clarifying my points.
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Home Net Worth Harry Wentworth Stanley Net Worth: How Rich is He Actually?
Harry Wentworth Stanley Net Worth: How Rich is He Actually?
Harry Wentworth Stanley works for real estate firm Savills as an associate and surveyor. He has recently come to media attention after he got engaged with Cressida Bones, an ex-girlfriend of Prince Harry. As of 2019, Harry Wentworth Stanley net worth is estimated to be $2.5 million.
Harry was born to Phillip Nicholas Wentworth Stanley and Chare Husted Mountbatten. He has 2 siblings and 2 step-siblings in his family. He had a brother named James Nicholas Wentworth Stanley. He died at the age of 21 following his suicide. He has a sister named Louisa Clare Wentworth Stanley. In addition to that, the names of his step-siblings are Lady Tatiana Mountbatten and Henry Mountbatten.
His family has a long history of friendship and connections to the royal family. His stepfather- George Mountbatten, 4th Marquess of Milford Haven, is Queen Elizabeth's cousin. George is descendant of Princess Alice, the second of Queen Victoria.
His mother is a former journalist and has a number of royal connections too. She was a friend of Princess Diana's and is also close to Fergie's daughters, Princess Beatrice, and Princess Eugenie. In addition to that, Harry Wentworth Stanley has royal connections of his own. He met with Prince William in June 2018 as a part of the Row of James team.
Harry Wentworth Stanley now works for the real-estate firm Savills. According to his company's website, Harry joined Savills as a graduate in 2012 and now specializes in the acquisition and disposal of residential and mixed-use development opportunities in London. He works with the number of teams, including planning and development viability. Prior to Savills, he worked for a developer in Buenos Aires.
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Harry is now married to Cressida Jones. She was a girlfriend to Prince Harry from 2012 to 2014. The British model and actress was in all big smiles as she announced her engagement to Harry on Instagram on Sunday.
We getting married 😁🥰
A post shared by Harry Wentworth-Stanley (@harrywent) on Aug 18, 2019 at 2:05pm PDT
Harry Wentworth Stanley Net Worth: $2.5 million
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EyesOnChina contributor Valentina Sinis has lived and worked in China since 2004. Based in the Sichuan province, she has immersed herself in the rich culture of the region, has become fluent in the language, and worked to develop a dynamic network of collaborators. These experiences have shaped her aesthetic sensibility and vastly enriched her practice.
Valentina gravitates toward the quirky and unusual. She is attracted to offbeat realities and people existing on the margins. Her photographs illustrate the deep bond she forms with her subjects. She brings to her work a thorough but delicate insight into idiosyncrasies, hidden meanings, and all those subtle gestures that are either taken for granted or sensationalized but rarely investigated.
Her pictures have been published in numerous magazines and newspapers nationwide. Currently, she is working on a long-term independent project in Asia and Middle East, as well as assignments throughout China. Moving forward, Valentina will continue to deepen her engagement in Chinese culture as she seeks to document cultural movements at every level, from fashion and art to contemporary tattooing and music to ancient traditions.
Valentina is mentored by Christopher Morris.


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JWT Chile, based at Vitacura, Chile has been asked to develop Playa for their brand Polla Chilena De Beneficencia in 2008. This campaign is known in the marketing & communication market for Commercials Archive, Outdoor, Culture, Leisure, Sport, Polla Chilena De Beneficencia Adverts.
The campaign TRUCK DRIVER ARM is a Matchbox advert, born from the union between JWT Chile (based at Vitacura, Chile) and Mattel Inc in 2009. This customer case is known in the marketing & communication market for Print, Commercials Archive, Toys, Matchbox Adverts.
JWT Chile, based at Vitacura, Chile has been asked by Mattel Inc to develop SUBMARINE for their brand ScrabbleProduct: Scrabble in 2008. This customer case is known in the marketing & communication market for Print, Commercials Archive, Games, Scrabble Adverts.
JWT Chile, based at Vitacura, Chile has been asked to develop MONSTER UNDER THE BED for their brand Maria AyudaProduct: Child Abuse Awareness in 2010. This campaign is known in the marketing & communication market for Print, Commercials Archive, Charities, Foundations, Volunteers, Maria Ayuda Adverts.
JWT Chile, based at Vitacura, Chile has been asked to develop KNITTING for their brand Taki VitaProduct: Mattresses in 2009. This customer case is known in the marketing & communication market for Print, Commercials Archive, Home electronics, Home Appliances, Taki Vita Adverts.


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Home » Louis Dreyfus acquires grain terminal
Louis Dreyfus acquires grain terminal
ROTTERDAM, NETHERLANDS, — Louis Dreyfus Commodities Vostok LLC announced on July 17 that it has acquired a grain terminal in Russia's Rostov region. Currently under development, the terminal is located on a 20-hectare landplot in the Azov district on the river Don, and includes two berths and six silos. Upon completion, it will be used for the transshipment of grains on sea-river vessels with an initial annual export capacity of 500,000 tonnes, aiming to exceed 1 million tonnes over time.
"This new acquisition is fully in line with our regional investment strategy, which will help us serve our global customers more efficiently through additional export capacity," said Cesar Soares, regional head of Grains for Europe and Black Sea at Louis Dreyfus Commodities. "It is also an important first step towards developing new alternatives in logistics, considering that small port flows account for a big part of total grain export volumes in Russia."
The acquisition follows the signing of a memorandum of cooperation on June 19, at the 2015 St. Petersburg International Economic Forum, in the presence of Vasily Golubev, interim governor of the Rostov Region.
The new terminal is expected to start the first phase of its operation in early 2016. The project is supported by Rostov's Investment Development Agency.
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